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-The Project Gutenberg EBook of I Say No, by Wilkie Collins
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: I Say No
-
-Author: Wilkie Collins
-
-Release Date: February, 1999 [EBook #1629]
-Last Updated: August 14, 2016
-
-
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK I SAY NO ***
-
-
-
-
-Produced by James Rusk
-
-
-
-
-
-"I SAY NO"
-
-By Wilkie Collins
-
-
-
-
-BOOK THE FIRST--AT SCHOOL.
-
-
-
-CHAPTER I. THE SMUGGLED SUPPER.
-
-Outside the bedroom the night was black and still.
-
-The small rain fell too softly to be heard in the garden; not a leaf
-stirred in the airless calm; the watch-dog was asleep, the cats were
-indoors; far or near, under the murky heaven, not a sound was stirring.
-
-Inside the bedroom the night was black and still.
-
-Miss Ladd knew her business as a schoolmistress too well to allow
-night-lights; and Miss Ladd's young ladies were supposed to be fast
-asleep, in accordance with the rules of the house. Only at intervals the
-silence was faintly disturbed, when the restless turning of one of
-the girls in her bed betrayed itself by a gentle rustling between the
-sheets. In the long intervals of stillness, not even the softly audible
-breathing of young creatures asleep was to be heard.
-
-The first sound that told of life and movement revealed the mechanical
-movement of the clock. Speaking from the lower regions, the tongue of
-Father Time told the hour before midnight.
-
-A soft voice rose wearily near the door of the room. It counted the
-strokes of the clock--and reminded one of the girls of the lapse of
-time.
-
-"Emily! eleven o'clock."
-
-There was no reply. After an interval the weary voice tried again, in
-louder tones:
-
-"Emily!"
-
-A girl, whose bed was at the inner end of the room, sighed under
-the heavy heat of the night--and said, in peremptory tones, "Is that
-Cecilia?"
-
-"Yes."
-
-"What do you want?"
-
-"I'm getting hungry, Emily. Is the new girl asleep?"
-
-The new girl answered promptly and spitefully, "No, she isn't."
-
-Having a private object of their own in view, the five wise virgins of
-Miss Ladd's first class had waited an hour, in wakeful anticipation
-of the falling asleep of the stranger--and it had ended in this way!
-A ripple of laughter ran round the room. The new girl, mortified and
-offended, entered her protest in plain words.
-
-"You are treating me shamefully! You all distrust me, because I am a
-stranger."
-
-"Say we don't understand you," Emily answered, speaking for her
-schoolfellows; "and you will be nearer the truth."
-
-"Who expected you to understand me, when I only came here to-day? I have
-told you already my name is Francine de Sor. If want to know more, I'm
-nineteen years old, and I come from the West Indies."
-
-Emily still took the lead. "Why do you come _here?_" she asked. "Who
-ever heard of a girl joining a new school just before the holidays? You
-are nineteen years old, are you? I'm a year younger than you--and I have
-finished my education. The next big girl in the room is a year younger
-than me--and she has finished her education. What can you possibly have
-left to learn at your age?"
-
-"Everything!" cried the stranger from the West Indies, with an outburst
-of tears. "I'm a poor ignorant creature. Your education ought to have
-taught you to pity me instead of making fun of me. I hate you all. For
-shame, for shame!"
-
-Some of the girls laughed. One of them--the hungry girl who had counted
-the strokes of the clock--took Francine's part.
-
-"Never mind their laughing, Miss de Sor. You are quite right, you have
-good reason to complain of us."
-
-Miss de Sor dried her eyes. "Thank you--whoever you are," she answered
-briskly.
-
-"My name is Cecilia Wyvil," the other proceeded. "It was not, perhaps,
-quite nice of you to say you hated us all. At the same time we have
-forgotten our good breeding--and the least we can do is to beg your
-pardon."
-
-This expression of generous sentiment appeared to have an irritating
-effect on the peremptory young person who took the lead in the room.
-Perhaps she disapproved of free trade in generous sentiment.
-
-"I can tell you one thing, Cecilia," she said; "you shan't beat ME in
-generosity. Strike a light, one of you, and lay the blame on me if Miss
-Ladd finds us out. I mean to shake hands with the new girl--and how can
-I do it in the dark? Miss de Sor, my name's Brown, and I'm queen of the
-bedroom. I--not Cecilia--offer our apologies if we have offended you.
-Cecilia is my dearest friend, but I don't allow her to take the lead in
-the room. Oh, what a lovely nightgown!"
-
-The sudden flow of candle-light had revealed Francine, sitting up in her
-bed, and displaying such treasures of real lace over her bosom that
-the queen lost all sense of royal dignity in irrepressible admiration.
-"Seven and sixpence," Emily remarked, looking at her own night-gown and
-despising it. One after another, the girls yielded to the attraction of
-the wonderful lace. Slim and plump, fair and dark, they circled round
-the new pupil in their flowing white robes, and arrived by common
-consent at one and the same conclusion: "How rich her father must be!"
-
-Favored by fortune in the matter of money, was this enviable person
-possessed of beauty as well?
-
-In the disposition of the beds, Miss de Sor was placed between Cecilia
-on the right hand, and Emily on the left. If, by some fantastic turn of
-events, a man--say in the interests of propriety, a married doctor, with
-Miss Ladd to look after him--had been permitted to enter the room, and
-had been asked what he thought of the girls when he came out, he would
-not even have mentioned Francine. Blind to the beauties of the expensive
-night-gown, he would have noticed her long upper lip, her obstinate
-chin, her sallow complexion, her eyes placed too close together--and
-would have turned his attention to her nearest neighbors. On one side
-his languid interest would have been instantly roused by Cecilia's
-glowing auburn hair, her exquisitely pure skin, and her tender blue
-eyes. On the other, he would have discovered a bright little creature,
-who would have fascinated and perplexed him at one and the same time. If
-he had been questioned about her by a stranger, he would have been at
-a loss to say positively whether she was dark or light: he would have
-remembered how her eyes had held him, but he would not have known of
-what color they were. And yet, she would have remained a vivid picture
-in his memory when other impressions, derived at the same time, had
-vanished. "There was one little witch among them, who was worth all the
-rest put together; and I can't tell you why. They called her Emily. If
-I wasn't a married man--" There he would have thought of his wife, and
-would have sighed and said no more.
-
-While the girls were still admiring Francine, the clock struck the
-half-hour past eleven.
-
-Cecilia stole on tiptoe to the door--looked out, and listened--closed
-the door again--and addressed the meeting with the irresistible charm of
-her sweet voice and her persuasive smile.
-
-"Are none of you hungry yet?" she inquired. "The teachers are safe in
-their rooms; we have set ourselves right with Francine. Why keep the
-supper waiting under Emily's bed?"
-
-Such reasoning as this, with such personal attractions to recommend
-it, admitted of but one reply. The queen waved her hand graciously, and
-said, "Pull it out."
-
-Is a lovely girl--whose face possesses the crowning charm of expression,
-whose slightest movement reveals the supple symmetry of her figure--less
-lovely because she is blessed with a good appetite, and is not ashamed
-to acknowledge it? With a grace all her own, Cecilia dived under
-the bed, and produced a basket of jam tarts, a basket of fruit and
-sweetmeats, a basket of sparkling lemonade, and a superb cake--all
-paid for by general subscriptions, and smuggled into the room by kind
-connivance of the servants. On this occasion, the feast was especially
-plentiful and expensive, in commemoration not only of the arrival of the
-Midsummer holidays, but of the coming freedom of Miss Ladd's two leading
-young ladies. With widely different destinies before them, Emily and
-Cecilia had completed their school life, and were now to go out into the
-world.
-
-The contrast in the characters of the two girls showed itself, even in
-such a trifle as the preparations for supper.
-
-Gentle Cecilia, sitting on the floor surrounded by good things, left it
-to the ingenuity of others to decide whether the baskets should be all
-emptied at once, or handed round from bed to bed, one at a time. In the
-meanwhile, her lovely blue eyes rested tenderly on the tarts.
-
-Emily's commanding spirit seized on the reins of government, and
-employed each of her schoolfellows in the occupation which she was
-fittest to undertake. "Miss de Sor, let me look at your hand. Ah! I
-thought so. You have got the thickest wrist among us; you shall draw
-the corks. If you let the lemonade pop, not a drop of it goes down your
-throat. Effie, Annis, Priscilla, you are three notoriously lazy girls;
-it's doing you a true kindness to set you to work. Effie, clear the
-toilet-table for supper; away with the combs, the brushes, and the
-looking-glass. Annis, tear the leaves out of your book of exercises, and
-set them out for plates. No! I'll unpack; nobody touches the baskets but
-me. Priscilla, you have the prettiest ears in the room. You shall act as
-sentinel, my dear, and listen at the door. Cecilia, when you have done
-devouring those tarts with your eyes, take that pair of scissors (Miss
-de Sor, allow me to apologize for the mean manner in which this school
-is carried on; the knives and forks are counted and locked up every
-night)--I say take that pair of scissors, Cecilia, and carve the cake,
-and don't keep the largest bit for yourself. Are we all ready? Very
-well. Now take example by me. Talk as much as you like, so long as you
-don't talk too loud. There is one other thing before we begin. The men
-always propose toasts on these occasions; let's be like the men. Can any
-of you make a speech? Ah, it falls on me as usual. I propose the first
-toast. Down with all schools and teachers--especially the new teacher,
-who came this half year. Oh, mercy, how it stings!" The fixed gas in the
-lemonade took the orator, at that moment, by the throat, and effectually
-checked the flow of her eloquence. It made no difference to the girls.
-Excepting the ease of feeble stomachs, who cares for eloquence in
-the presence of a supper-table? There were no feeble stomachs in that
-bedroom. With what inexhaustible energy Miss Ladd's young ladies ate
-and drank! How merrily they enjoyed the delightful privilege of talking
-nonsense! And--alas! alas!--how vainly they tried, in after life, to
-renew the once unalloyed enjoyment of tarts and lemonade!
-
-In the unintelligible scheme of creation, there appears to be no
-human happiness--not even the happiness of schoolgirls--which is ever
-complete. Just as it was drawing to a close, the enjoyment of the feast
-was interrupted by an alarm from the sentinel at the door.
-
-"Put out the candle!" Priscilla whispered "Somebody on the stairs."
-
-
-
-CHAPTER II. BIOGRAPHY IN THE BEDROOM.
-
-The candle was instantly extinguished. In discreet silence the girls
-stole back to their beds, and listened.
-
-As an aid to the vigilance of the sentinel, the door had been left ajar.
-Through the narrow opening, a creaking of the broad wooden stairs of
-the old house became audible. In another moment there was silence. An
-interval passed, and the creaking was heard again. This time, the
-sound was distant and diminishing. On a sudden it stopped. The midnight
-silence was disturbed no more.
-
-What did this mean?
-
-Had one among the many persons in authority under Miss Ladd's roof heard
-the girls talking, and ascended the stairs to surprise them in the act
-of violating one of the rules of the house? So far, such a proceeding
-was by no means uncommon. But was it within the limits of probability
-that a teacher should alter her opinion of her own duty half-way up the
-stairs, and deliberately go back to her own room again? The bare idea
-of such a thing was absurd on the face of it. What more rational
-explanation could ingenuity discover on the spur of the moment?
-
-Francine was the first to offer a suggestion. She shook and shivered in
-her bed, and said, "For heaven's sake, light the candle again! It's a
-Ghost."
-
-"Clear away the supper, you fools, before the ghost can report us to
-Miss Ladd."
-
-With this excellent advice Emily checked the rising panic. The door was
-closed, the candle was lit; all traces of the supper disappeared. For
-five minutes more they listened again. No sound came from the stairs; no
-teacher, or ghost of a teacher, appeared at the door.
-
-Having eaten her supper, Cecilia's immediate anxieties were at an end;
-she was at leisure to exert her intelligence for the benefit of her
-schoolfellows. In her gentle ingratiating way, she offered a composing
-suggestion. "When we heard the creaking, I don't believe there was
-anybody on the stairs. In these old houses there are always strange
-noises at night--and they say the stairs here were made more than two
-hundred years since."
-
-The girls looked at each other with a sense of relief--but they waited
-to hear the opinion of the queen. Emily, as usual, justified the
-confidence placed in her. She discovered an ingenious method of putting
-Cecilia's suggestion to the test.
-
-"Let's go on talking," she said. "If Cecilia is right, the teachers are
-all asleep, and we have nothing to fear from them. If she's wrong, we
-shall sooner or later see one of them at the door. Don't be alarmed,
-Miss de Sor. Catching us talking at night, in this school, only means
-a reprimand. Catching us with a light, ends in punishment. Blow out the
-candle."
-
-Francine's belief in the ghost was too sincerely superstitious to be
-shaken: she started up in bed. "Oh, don't leave me in the dark! I'll
-take the punishment, if we are found out."
-
-"On your sacred word of honor?" Emily stipulated.
-
-"Yes--yes."
-
-The queen's sense of humor was tickled.
-
-"There's something funny," she remarked, addressing her subjects, "in
-a big girl like this coming to a new school and beginning with a
-punishment. May I ask if you are a foreigner, Miss de Sor?"
-
-"My papa is a Spanish gentleman," Francine answered, with dignity.
-
-"And your mamma?"
-
-"My mamma is English."
-
-"And you have always lived in the West Indies?"
-
-"I have always lived in the Island of St. Domingo."
-
-Emily checked off on her fingers the different points thus far
-discovered in the character of Mr. de Sor's daughter. "She's ignorant,
-and superstitious, and foreign, and rich. My dear (forgive the
-familiarity), you are an interesting girl--and we must really know more
-of you. Entertain the bedroom. What have you been about all your life?
-And what in the name of wonder, brings you here? Before you begin I
-insist on one condition, in the name of all the young ladies in the
-room. No useful information about the West Indies!"
-
-Francine disappointed her audience.
-
-She was ready enough to make herself an object of interest to her
-companions; but she was not possessed of the capacity to arrange
-events in their proper order, necessary to the recital of the simplest
-narrative. Emily was obliged to help her, by means of questions. In
-one respect, the result justified the trouble taken to obtain it. A
-sufficient reason was discovered for the extraordinary appearance of a
-new pupil, on the day before the school closed for the holidays.
-
-Mr. de Sor's elder brother had left him an estate in St. Domingo, and a
-fortune in money as well; on the one easy condition that he continued
-to reside in the island. The question of expense being now beneath the
-notice of the family, Francine had been sent to England, especially
-recommended to Miss Ladd as a young lady with grand prospects, sorely
-in need of a fashionable education. The voyage had been so timed, by
-the advice of the schoolmistress, as to make the holidays a means of
-obtaining this object privately. Francine was to be taken to Brighton,
-where excellent masters could be obtained to assist Miss Ladd. With six
-weeks before her, she might in some degree make up for lost time; and,
-when the school opened again, she would avoid the mortification of being
-put down in the lowest class, along with the children.
-
-The examination of Miss de Sor having produced these results was
-pursued no further. Her character now appeared in a new, and not very
-attractive, light. She audaciously took to herself the whole credit of
-telling her story:
-
-"I think it's my turn now," she said, "to be interested and amused. May
-I ask you to begin, Miss Emily? All I know of you at present is, that
-your family name is Brown."
-
-Emily held up her hand for silence.
-
-Was the mysterious creaking on the stairs making itself heard once more?
-No. The sound that had caught Emily's quick ear came from the beds, on
-the opposite side of the room, occupied by the three lazy girls. With
-no new alarm to disturb them, Effie, Annis, and Priscilla had yielded
-to the composing influences of a good supper and a warm night. They were
-fast asleep--and the stoutest of the three (softly, as became a young
-lady) was snoring!
-
-The unblemished reputation of the bedroom was dear to Emily, in her
-capacity of queen. She felt herself humiliated in the presence of the
-new pupil.
-
-"If that fat girl ever gets a lover," she said indignantly, "I shall
-consider it my duty to warn the poor man before he marries her.
-Her ridiculous name is Euphemia. I have christened her (far more
-appropriately) Boiled Veal. No color in her hair, no color in her
-eyes, no color in her complexion. In short, no flavor in Euphemia. You
-naturally object to snoring. Pardon me if I turn my back on you--I am
-going to throw my slipper at her."
-
-The soft voice of Cecilia--suspiciously drowsy in tone--interposed in
-the interests of mercy.
-
-"She can't help it, poor thing; and she really isn't loud enough to
-disturb us."
-
-"She won't disturb _you_, at any rate! Rouse yourself, Cecilia. We are
-wide awake on this side of the room--and Francine says it's our turn to
-amuse her."
-
-A low murmur, dying away gently in a sigh, was the only answer. Sweet
-Cecilia had yielded to the somnolent influences of the supper and the
-night. The soft infection of repose seemed to be in some danger of
-communicating itself to Francine. Her large mouth opened luxuriously in
-a long-continued yawn.
-
-"Good-night!" said Emily.
-
-Miss de Sor became wide awake in an instant.
-
-"No," she said positively; "you are quite mistaken if you think I am
-going to sleep. Please exert yourself, Miss Emily--I am waiting to be
-interested."
-
-Emily appeared to be unwilling to exert herself. She preferred talking
-of the weather.
-
-"Isn't the wind rising?" she said.
-
-There could be no doubt of it. The leaves in the garden were beginning
-to rustle, and the pattering of the rain sounded on the windows.
-
-Francine (as her straight chin proclaimed to all students of
-physiognomy) was an obstinate girl. Determined to carry her point she
-tried Emily's own system on Emily herself--she put questions.
-
-"Have you been long at this school?"
-
-"More than three years."
-
-"Have you got any brothers and sisters?"
-
-"I am the only child."
-
-"Are your father and mother alive?"
-
-Emily suddenly raised herself in bed.
-
-"Wait a minute," she said; "I think I hear it again."
-
-"The creaking on the stairs?"
-
-"Yes."
-
-Either she was mistaken, or the change for the worse in the weather
-made it not easy to hear slight noises in the house. The wind was still
-rising. The passage of it through the great trees in the garden began
-to sound like the fall of waves on a distant beach. It drove the rain--a
-heavy downpour by this time--rattling against the windows.
-
-"Almost a storm, isn't it?" Emily said
-
-Francine's last question had not been answered yet. She took the
-earliest opportunity of repeating it:
-
-"Never mind the weather," she said. "Tell me about your father and
-mother. Are they both alive?"
-
-Emily's reply only related to one of her parents.
-
-"My mother died before I was old enough to feel my loss."
-
-"And your father?"
-
-Emily referred to another relative--her father's sister. "Since I have
-grown up," she proceeded, "my good aunt has been a second mother to me.
-My story is, in one respect, the reverse of yours. You are unexpectedly
-rich; and I am unexpectedly poor. My aunt's fortune was to have been
-my fortune, if I outlived her. She has been ruined by the failure of
-a bank. In her old age, she must live on an income of two hundred a
-year--and I must get my own living when I leave school."
-
-"Surely your father can help you?" Francine persisted.
-
-"His property is landed property." Her voice faltered, as she referred
-to him, even in that indirect manner. "It is entailed; his nearest male
-relative inherits it."
-
-The delicacy which is easily discouraged was not one of the weaknesses
-in the nature of Francine.
-
-"Do I understand that your father is dead?" she asked.
-
-Our thick-skinned fellow-creatures have the rest of us at their mercy:
-only give them time, and they carry their point in the end. In sad
-subdued tones--telling of deeply-rooted reserves of feeling, seldom
-revealed to strangers--Emily yielded at last.
-
-"Yes," she said, "my father is dead."
-
-"Long ago?"
-
-"Some people might think it long ago. I was very fond of my father. It's
-nearly four years since he died, and my heart still aches when I think
-of him. I'm not easily depressed by troubles, Miss de Sor. But his death
-was sudden--he was in his grave when I first heard of it--and--Oh, he
-was so good to me; he was so good to me!"
-
-The gay high-spirited little creature who took the lead among them
-all--who was the life and soul of the school--hid her face in her hands,
-and burst out crying.
-
-Startled and--to do her justice--ashamed, Francine attempted to make
-excuses. Emily's generous nature passed over the cruel persistency
-that had tortured her. "No no; I have nothing to forgive. It isn't your
-fault. Other girls have not mothers and brothers and sisters--and get
-reconciled to such a loss as mine. Don't make excuses."
-
-"Yes, but I want you to know that I feel for you," Francine insisted,
-without the slightest approach to sympathy in face, voice, or manner.
-"When my uncle died, and left us all the money, papa was much shocked.
-He trusted to time to help him."
-
-"Time has been long about it with me, Francine. I am afraid there is
-something perverse in my nature; the hope of meeting again in a better
-world seems so faint and so far away. No more of it now! Let us talk of
-that good creature who is asleep on the other side of you. Did I tell
-you that I must earn my own bread when I leave school? Well, Cecilia
-has written home and found an employment for me. Not a situation as
-governess--something quite out of the common way. You shall hear all
-about it."
-
-In the brief interval that had passed, the weather had begun to change
-again. The wind was as high as ever; but to judge by the lessening
-patter on the windows the rain was passing away.
-
-Emily began.
-
-She was too grateful to her friend and school-fellow, and too deeply
-interested in her story, to notice the air of indifference with which
-Francine settled herself on her pillow to hear the praises of Cecilia.
-The most beautiful girl in the school was not an object of interest to a
-young lady with an obstinate chin and unfortunately-placed eyes.
-Pouring warm from the speaker's heart the story ran smoothly on, to the
-monotonous accompaniment of the moaning wind. By fine degrees Francine's
-eyes closed, opened and closed again. Toward the latter part of the
-narrative Emily's memory became, for the moment only, confused between
-two events. She stopped to consider--noticed Francine's silence, in an
-interval when she might have said a word of encouragement--and looked
-closer at her. Miss de Sor was asleep.
-
-"She might have told me she was tired," Emily said to herself quietly.
-"Well! the best thing I can do is to put out the light and follow her
-example."
-
-As she took up the extinguisher, the bedroom door was suddenly opened
-from the outer side. A tall woman, robed in a black dressing-gown, stood
-on the threshold, looking at Emily.
-
-
-
-
-CHAPTER III. THE LATE MR. BROWN.
-
-The woman's lean, long-fingered hand pointed to the candle.
-
-"Don't put it out." Saying those words, she looked round the room, and
-satisfied herself that the other girls were asleep.
-
-Emily laid down the extinguisher. "You mean to report us, of course,"
-she said. "I am the only one awake, Miss Jethro; lay the blame on me."
-
-"I have no intention of reporting you. But I have something to say."
-
-She paused, and pushed her thick black hair (already streaked with gray)
-back from her temples. Her eyes, large and dark and dim, rested on
-Emily with a sorrowful interest. "When your young friends wake to-morrow
-morning," she went on, "you can tell them that the new teacher, whom
-nobody likes, has left the school."
-
-For once, even quick-witted Emily was bewildered. "Going away," she
-said, "when you have only been here since Easter!"
-
-Miss Jethro advanced, not noticing Emily's expression of surprise. "I am
-not very strong at the best of times," she continued, "may I sit down
-on your bed?" Remarkable on other occasions for her cold composure, her
-voice trembled as she made that request--a strange request surely, when
-there were chairs at her disposal.
-
-Emily made room for her with the dazed look of a girl in a dream. "I
-beg your pardon, Miss Jethro, one of the things I can't endure is being
-puzzled. If you don't mean to report us, why did you come in and catch
-me with the light?"
-
-Miss Jethro's explanation was far from relieving the perplexity which
-her conduct had caused.
-
-"I have been mean enough," she answered, "to listen at the door, and I
-heard you talking of your father. I want to hear more about him. That is
-why I came in."
-
-"You knew my father!" Emily exclaimed.
-
-"I believe I knew him. But his name is so common--there are so many
-thousands of 'James Browns' in England--that I am in fear of making a
-mistake. I heard you say that he died nearly four years since. Can you
-mention any particulars which might help to enlighten me? If you think I
-am taking a liberty--"
-
-Emily stopped her. "I would help you if I could," she said. "But I was
-in poor health at the time; and I was staying with friends far away in
-Scotland, to try change of air. The news of my father's death brought on
-a relapse. Weeks passed before I was strong enough to travel--weeks and
-weeks before I saw his grave! I can only tell you what I know from my
-aunt. He died of heart-complaint."
-
-Miss Jethro started.
-
-Emily looked at her for the first time, with eyes that betrayed a
-feeling of distrust. "What have I said to startle you?" she asked.
-
-"Nothing! I am nervous in stormy weather--don't notice me." She went on
-abruptly with her inquiries. "Will you tell me the date of your father's
-death?"
-
-"The date was the thirtieth of September, nearly four years since."
-
-She waited, after that reply.
-
-Miss Jethro was silent.
-
-"And this," Emily continued, "is the thirtieth of June, eighteen hundred
-and eighty-one. You can now judge for yourself. Did you know my father?"
-
-Miss Jethro answered mechanically, using the same words.
-
-"I did know your father."
-
-Emily's feeling of distrust was not set at rest. "I never heard him
-speak of you," she said.
-
-In her younger days the teacher must have been a handsome woman.
-Her grandly-formed features still suggested the idea of imperial
-beauty--perhaps Jewish in its origin. When Emily said, "I never heard
-him speak of you," the color flew into her pallid cheeks: her dim eyes
-became alive again with a momentary light. She left her seat on the bed,
-and, turning away, mastered the emotion that shook her.
-
-"How hot the night is!" she said: and sighed, and resumed the subject
-with a steady countenance. "I am not surprised that your father never
-mentioned me--to _you_." She spoke quietly, but her face was paler than
-ever. She sat down again on the bed. "Is there anything I can do for
-you," she asked, "before I go away? Oh, I only mean some trifling
-service that would lay you under no obligation, and would not oblige you
-to keep up your acquaintance with me."
-
-Her eyes--the dim black eyes that must once have been irresistibly
-beautiful--looked at Emily so sadly that the generous girl reproached
-herself for having doubted her father's friend. "Are you thinking of
-_him_," she said gently, "when you ask if you can be of service to me?"
-
-Miss Jethro made no direct reply. "You were fond of your father?" she
-added, in a whisper. "You told your schoolfellow that your heart still
-aches when you speak of him."
-
-"I only told her the truth," Emily answered simply.
-
-Miss Jethro shuddered--on that hot night!--shuddered as if a chill had
-struck her.
-
-Emily held out her hand; the kind feeling that had been roused in
-her glittered prettily in her eyes. "I am afraid I have not done you
-justice," she said. "Will you forgive me and shake hands?"
-
-Miss Jethro rose, and drew back. "Look at the light!" she exclaimed.
-
-The candle was all burned out. Emily still offered her hand--and still
-Miss Jethro refused to see it.
-
-"There is just light enough left," she said, "to show me my way to the
-door. Good-night--and good-by."
-
-Emily caught at her dress, and stopped her. "Why won't you shake hands
-with me?" she asked.
-
-The wick of the candle fell over in the socket, and left them in the
-dark. Emily resolutely held the teacher's dress. With or without light,
-she was still bent on making Miss Jethro explain herself.
-
-They had throughout spoken in guarded tones, fearing to disturb the
-sleeping girls. The sudden darkness had its inevitable effect. Their
-voices sank to whispers now. "My father's friend," Emily pleaded, "is
-surely my friend?"
-
-"Drop the subject."
-
-"Why?"
-
-"You can never be _my_ friend."
-
-"Why not?"
-
-"Let me go!"
-
-Emily's sense of self-respect forbade her to persist any longer. "I beg
-your pardon for having kept you here against your will," she said--and
-dropped her hold on the dress.
-
-Miss Jethro instantly yielded on her side. "I am sorry to have been
-obstinate," she answered. "If you do despise me, it is after all no more
-than I have deserved." Her hot breath beat on Emily's face: the unhappy
-woman must have bent over the bed as she made her confession. "I am not
-a fit person for you to associate with."
-
-"I don't believe it!"
-
-Miss Jethro sighed bitterly. "Young and warm hearted--I was once like
-you!" She controlled that outburst of despair. Her next words were
-spoken in steadier tones. "You _will_ have it--you _shall_ have it!"
-she said. "Some one (in this house or out of it; I don't know which)
-has betrayed me to the mistress of the school. A wretch in my situation
-suspects everybody, and worse still, does it without reason or excuse.
-I heard you girls talking when you ought to have been asleep. You all
-dislike me. How did I know it mightn't be one of you? Absurd, to a
-person with a well-balanced mind! I went halfway up the stairs, and felt
-ashamed of myself, and went back to my room. If I could only have got
-some rest! Ah, well, it was not to be done. My own vile suspicions kept
-me awake; I left my bed again. You know what I heard on the other side
-of that door, and why I was interested in hearing it. Your father never
-told me he had a daughter. 'Miss Brown,' at this school, was any 'Miss
-Brown,' to me. I had no idea of who you really were until to-night.
-I'm wandering. What does all this matter to you? Miss Ladd has been
-merciful; she lets me go without exposing me. You can guess what has
-happened. No? Not even yet? Is it innocence or kindness that makes
-you so slow to understand? My dear, I have obtained admission to
-this respectable house by means of false references, and I have been
-discovered. _Now_ you know why you must not be the friend of such a
-woman as I am! Once more, good-night--and good-by."
-
-Emily shrank from that miserable farewell.
-
-"Bid me good-night," she said, "but don't bid me good-by. Let me see you
-again."
-
-"Never!"
-
-The sound of the softly-closed door was just audible in the darkness.
-She had spoken--she had gone--never to be seen by Emily again.
-
-Miserable, interesting, unfathomable creature--the problem that night of
-Emily's waking thoughts: the phantom of her dreams. "Bad? or good?" she
-asked herself. "False; for she listened at the door. True; for she told
-me the tale of her own disgrace. A friend of my father; and she never
-knew that he had a daughter. Refined, accomplished, lady-like; and she
-stoops to use a false reference. Who is to reconcile such contradictions
-as these?"
-
-Dawn looked in at the window--dawn of the memorable day which was, for
-Emily, the beginning of a new life. The years were before her; and the
-years in their course reveal baffling mysteries of life and death.
-
-
-
-
-CHAPTER IV. MISS LADD'S DRAWING-MASTER.
-
-Francine was awakened the next morning by one of the housemaids,
-bringing up her breakfast on a tray. Astonished at this concession to
-laziness, in an institution devoted to the practice of all virtues, she
-looked round. The bedroom was deserted.
-
-"The other young ladies are as busy as bees, miss," the housemaid
-explained. "They were up and dressed two hours ago: and the breakfast
-has been cleared away long since. It's Miss Emily's fault. She wouldn't
-allow them to wake you; she said you could be of no possible use
-downstairs, and you had better be treated like a visitor. Miss Cecilia
-was so distressed at your missing your breakfast that she spoke to the
-housekeeper, and I was sent up to you. Please to excuse it if the tea's
-cold. This is Grand Day, and we are all topsy-turvy in consequence."
-
-Inquiring what "Grand Day" meant, and why it produced this extraordinary
-result in a ladies' school, Francine discovered that the first day of
-the vacation was devoted to the distribution of prizes, in the
-presence of parents, guardians and friends. An Entertainment was added,
-comprising those merciless tests of human endurance called Recitations;
-light refreshments and musical performances being distributed at
-intervals, to encourage the exhausted audience. The local newspaper sent
-a reporter to describe the proceedings, and some of Miss Ladd's young
-ladies enjoyed the intoxicating luxury of seeing their names in print.
-
-"It begins at three o'clock," the housemaid went on, "and, what with
-practicing and rehearsing, and ornamenting the schoolroom, there's a
-hubbub fit to make a person's head spin. Besides which," said the girl,
-lowering her voice, and approaching a little nearer to Francine, "we
-have all been taken by surprise. The first thing in the morning Miss
-Jethro left us, without saying good-by to anybody."
-
-"Who is Miss Jethro?"
-
-"The new teacher, miss. We none of us liked her, and we all suspect
-there's something wrong. Miss Ladd and the clergyman had a long talk
-together yesterday (in private, you know), and they sent for Miss
-Jethro--which looks bad, doesn't it? Is there anything more I can do for
-you, miss? It's a beautiful day after the rain. If I was you, I should
-go and enjoy myself in the garden."
-
-Having finished her breakfast, Francine decided on profiting by this
-sensible suggestion.
-
-The servant who showed her the way to the garden was not favorably
-impressed by the new pupil: Francine's temper asserted itself a little
-too plainly in her face. To a girl possessing a high opinion of her own
-importance it was not very agreeable to feel herself excluded, as
-an illiterate stranger, from the one absorbing interest of her
-schoolfellows. "Will the time ever come," she wondered bitterly, "when
-I shall win a prize, and sing and play before all the company? How I
-should enjoy making the girls envy me!"
-
-A broad lawn, overshadowed at one end by fine old trees--flower beds and
-shrubberies, and winding paths prettily and invitingly laid out--made
-the garden a welcome refuge on that fine summer morning. The novelty
-of the scene, after her experience in the West Indies, the delicious
-breezes cooled by the rain of the night, exerted their cheering
-influence even on the sullen disposition of Francine. She smiled, in
-spite of herself, as she followed the pleasant paths, and heard the
-birds singing their summer songs over her head.
-
-Wandering among the trees, which occupied a considerable extent of
-ground, she passed into an open space beyond, and discovered an old
-fish-pond, overgrown by aquatic plants. Driblets of water trickled from
-a dilapidated fountain in the middle. On the further side of the pond
-the ground sloped downward toward the south, and revealed, over a low
-paling, a pretty view of a village and its church, backed by fir woods
-mounting the heathy sides of a range of hills beyond. A fanciful little
-wooden building, imitating the form of a Swiss cottage, was placed so as
-to command the prospect. Near it, in the shadow of the building, stood a
-rustic chair and table--with a color-box on one, and a portfolio on the
-other. Fluttering over the grass, at the mercy of the capricious breeze,
-was a neglected sheet of drawing-paper. Francine ran round the pond, and
-picked up the paper just as it was on the point of being tilted into
-the water. It contained a sketch in water colors of the village and the
-woods, and Francine had looked at the view itself with indifference--the
-picture of the view interested her. Ordinary visitors to Galleries of
-Art, which admit students, show the same strange perversity. The work of
-the copyist commands their whole attention; they take no interest in the
-original picture.
-
-Looking up from the sketch, Francine was startled. She discovered a man,
-at the window of the Swiss summer-house, watching her.
-
-"When you have done with that drawing," he said quietly, "please let me
-have it back again."
-
-He was tall and thin and dark. His finely-shaped intelligent
-face--hidden, as to the lower part of it, by a curly black beard--would
-have been absolutely handsome, even in the eyes of a schoolgirl, but for
-the deep furrows that marked it prematurely between the eyebrows, and at
-the sides of the mouth. In the same way, an underlying mockery impaired
-the attraction of his otherwise refined and gentle manner. Among
-his fellow-creatures, children and dogs were the only critics who
-appreciated his merits without discovering the defects which lessened
-the favorable appreciation of him by men and women. He dressed neatly,
-but his morning coat was badly made, and his picturesque felt hat was
-too old. In short, there seemed to be no good quality about him which
-was not perversely associated with a drawback of some kind. He was one
-of those harmless and luckless men, possessed of excellent qualities,
-who fail nevertheless to achieve popularity in their social sphere.
-
-Francine handed his sketch to him, through the window; doubtful whether
-the words that he had addressed to her were spoken in jest or in
-earnest.
-
-"I only presumed to touch your drawing," she said, "because it was in
-danger."
-
-"What danger?" he inquired.
-
-Francine pointed to the pond. "If I had not been in time to pick it up,
-it would have been blown into the water."
-
-"Do you think it was worth picking up?"
-
-Putting that question, he looked first at the sketch--then at the view
-which it represented--then back again at the sketch. The corners of his
-mouth turned upward with a humorous expression of scorn. "Madam Nature,"
-he said, "I beg your pardon." With those words, he composedly tore his
-work of art into small pieces, and scattered them out of the window.
-
-"What a pity!" said Francine.
-
-He joined her on the ground outside the cottage. "Why is it a pity?" he
-asked.
-
-"Such a nice drawing."
-
-"It isn't a nice drawing."
-
-"You're not very polite, sir."
-
-He looked at her--and sighed as if he pitied so young a woman for having
-a temper so ready to take offense. In his flattest contradictions he
-always preserved the character of a politely-positive man.
-
-"Put it in plain words, miss," he replied. "I have offended the
-predominant sense in your nature--your sense of self-esteem. You don't
-like to be told, even indirectly, that you know nothing of Art. In these
-days, everybody knows everything--and thinks nothing worth knowing after
-all. But beware how you presume on an appearance of indifference, which
-is nothing but conceit in disguise. The ruling passion of civilized
-humanity is, Conceit. You may try the regard of your dearest friend
-in any other way, and be forgiven. Ruffle the smooth surface of your
-friend's self-esteem--and there will be an acknowledged coolness between
-you which will last for life. Excuse me for giving you the benefit of
-my trumpery experience. This sort of smart talk is _my_ form of conceit.
-Can I be of use to you in some better way? Are you looking for one of
-our young ladies?"
-
-Francine began to feel a certain reluctant interest in him when he spoke
-of "our young ladies." She asked if he belonged to the school.
-
-The corners of his mouth turned up again. "I'm one of the masters," he
-said. "Are _you_ going to belong to the school, too?"
-
-Francine bent her head, with a gravity and condescension intended
-to keep him at his proper distance. Far from being discouraged, he
-permitted his curiosity to take additional liberties. "Are you to have
-the misfortune of being one of my pupils?" he asked.
-
-"I don't know who you are."
-
-"You won't be much wiser when you do know. My name is Alban Morris."
-
-Francine corrected herself. "I mean, I don't know what you teach."
-
-Alban Morris pointed to the fragments of his sketch from Nature. "I am a
-bad artist," he said. "Some bad artists become Royal Academicians. Some
-take to drink. Some get a pension. And some--I am one of them--find
-refuge in schools. Drawing is an 'Extra' at this school. Will you take
-my advice? Spare your good father's pocket; say you don't want to learn
-to draw."
-
-He was so gravely in earnest that Francine burst out laughing. "You are
-a strange man," she said.
-
-"Wrong again, miss. I am only an unhappy man."
-
-The furrows in his face deepened, the latent humor died out of his eyes.
-He turned to the summer-house window, and took up a pipe and tobacco
-pouch, left on the ledge.
-
-"I lost my only friend last year," he said. "Since the death of my dog,
-my pipe is the one companion I have left. Naturally I am not allowed to
-enjoy the honest fellow's society in the presence of ladies. They have
-their own taste in perfumes. Their clothes and their letters reek with
-the foetid secretion of the musk deer. The clean vegetable smell of
-tobacco is unendurable to them. Allow me to retire--and let me thank you
-for the trouble you took to save my drawing."
-
-The tone of indifference in which he expressed his gratitude piqued
-Francine. She resented it by drawing her own conclusion from what he
-had said of the ladies and the musk deer. "I was wrong in admiring your
-drawing," she remarked; "and wrong again in thinking you a strange man.
-Am I wrong, for the third time, in believing that you dislike women?"
-
-"I am sorry to say you are right," Alban Morris answered gravely.
-
-"Is there not even one exception?"
-
-The instant the words passed her lips, she saw that there was some
-secretly sensitive feeling in him which she had hurt. His black brows
-gathered into a frown, his piercing eyes looked at her with angry
-surprise. It was over in a moment. He raised his shabby hat, and made
-her a bow.
-
-"There is a sore place still left in me," he said; "and you have
-innocently hit it. Good-morning."
-
-Before she could speak again, he had turned the corner of the
-summer-house, and was lost to view in a shrubbery on the westward side
-of the grounds.
-
-
-
-
-CHAPTER V. DISCOVERIES IN THE GARDEN.
-
-Left by herself, Miss de Sor turned back again by way of the trees.
-
-So far, her interview with the drawing-master had helped to pass the
-time. Some girls might have found it no easy task to arrive at a
-true view of the character of Alban Morris. Francine's essentially
-superficial observation set him down as "a little mad," and left him
-there, judged and dismissed to her own entire satisfaction.
-
-Arriving at the lawn, she discovered Emily pacing backward and forward,
-with her head down and her hands behind her, deep in thought. Francine's
-high opinion of herself would have carried her past any of the other
-girls, unless they had made special advances to her. She stopped and
-looked at Emily.
-
-It is the sad fate of little women in general to grow too fat and to be
-born with short legs. Emily's slim finely-strung figure spoke for itself
-as to the first of these misfortunes, and asserted its happy freedom
-from the second, if she only walked across a room. Nature had built her,
-from head to foot, on a skeleton-scaffolding in perfect proportion. Tall
-or short matters little to the result, in women who possess the first
-and foremost advantage of beginning well in their bones. When they live
-to old age, they often astonish thoughtless men, who walk behind them in
-the street. "I give you my honor, she was as easy and upright as a
-young girl; and when you got in front of her and looked--white hair, and
-seventy years of age."
-
-Francine approached Emily, moved by a rare impulse in her nature--the
-impulse to be sociable. "You look out of spirits," she began. "Surely
-you don't regret leaving school?"
-
-In her present mood, Emily took the opportunity (in the popular phrase)
-of snubbing Francine. "You have guessed wrong; I do regret," she
-answered. "I have found in Cecilia my dearest friend at school. And
-school brought with it the change in my life which has helped me to bear
-the loss of my father. If you must know what I was thinking of just now,
-I was thinking of my aunt. She has not answered my last letter--and I'm
-beginning to be afraid she is ill."
-
-"I'm very sorry," said Francine.
-
-"Why? You don't know my aunt; and you have only known me since yesterday
-afternoon. Why are you sorry?"
-
-Francine remained silent. Without realizing it, she was beginning to
-feel the dominant influence that Emily exercised over the weaker natures
-that came in contact with her. To find herself irresistibly attracted
-by a stranger at a new school--an unfortunate little creature, whose
-destiny was to earn her own living--filled the narrow mind of Miss de
-Sor with perplexity. Having waited in vain for a reply, Emily turned
-away, and resumed the train of thought which her schoolfellow had
-interrupted.
-
-
-
-By an association of ideas, of which she was not herself aware, she
-now passed from thinking of her aunt to thinking of Miss Jethro. The
-interview of the previous night had dwelt on her mind at intervals, in
-the hours of the new day.
-
-Acting on instinct rather than on reason, she had kept that remarkable
-incident in her school life a secret from every one. No discoveries had
-been made by other persons. In speaking to her staff of teachers,
-Miss Ladd had alluded to the affair in the most cautious terms.
-"Circumstances of a private nature have obliged the lady to retire from
-my school. When we meet after the holidays, another teacher will be
-in her place." There, Miss Ladd's explanation had begun and ended.
-Inquiries addressed to the servants had led to no result. Miss Jethro's
-luggage was to be forwarded to the London terminus of the railway--and
-Miss Jethro herself had baffled investigation by leaving the school
-on foot. Emily's interest in the lost teacher was not the transitory
-interest of curiosity; her father's mysterious friend was a person
-whom she honestly desired to see again. Perplexed by the difficulty of
-finding a means of tracing Miss Jethro, she reached the shady limit of
-the trees, and turned to walk back again. Approaching the place at which
-she and Francine had met, an idea occurred to her. It was just possible
-that Miss Jethro might not be unknown to her aunt.
-
-Still meditating on the cold reception that she had encountered, and
-still feeling the influence which mastered her in spite of herself,
-Francine interpreted Emily's return as an implied expression of regret.
-She advanced with a constrained smile, and spoke first.
-
-"How are the young ladies getting on in the schoolroom?" she asked, by
-way of renewing the conversation.
-
-Emily's face assumed a look of surprise which said plainly, Can't you
-take a hint and leave me to myself?
-
-Francine was constitutionally impenetrable to reproof of this sort; her
-thick skin was not even tickled. "Why are you not helping them," she
-went on; "you who have the clearest head among us and take the lead in
-everything?"
-
-It may be a humiliating confession to make, yet it is surely true that
-we are all accessible to flattery. Different tastes appreciate different
-methods of burning incense--but the perfume is more or less agreeable to
-all varieties of noses. Francine's method had its tranquilizing effect
-on Emily. She answered indulgently, "Miss de Sor, I have nothing to do
-with it."
-
-"Nothing to do with it? No prizes to win before you leave school?"
-
-"I won all the prizes years ago."
-
-"But there are recitations. Surely you recite?"
-
-Harmless words in themselves, pursuing the same smooth course of
-flattery as before--but with what a different result! Emily's face
-reddened with anger the moment they were spoken. Having already
-irritated Alban Morris, unlucky Francine, by a second mischievous
-interposition of accident, had succeeded in making Emily smart next.
-"Who has told you," she burst out; "I insist on knowing!"
-
-"Nobody has told me anything!" Francine declared piteously.
-
-"Nobody has told you how I have been insulted?"
-
-"No, indeed! Oh, Miss Brown, who could insult _you?_"
-
-In a man, the sense of injury does sometimes submit to the discipline of
-silence. In a woman--never. Suddenly reminded of her past wrongs (by
-the pardonable error of a polite schoolfellow), Emily committed the
-startling inconsistency of appealing to the sympathies of Francine!
-
-"Would you believe it? I have been forbidden to recite--I, the head girl
-of the school. Oh, not to-day! It happened a month ago--when we were all
-in consultation, making our arrangements. Miss Ladd asked me if I had
-decided on a piece to recite. I said, 'I have not only decided, I have
-learned the piece.' 'And what may it be?' 'The dagger-scene in Macbeth.'
-There was a howl--I can call it by no other name--a howl of indignation.
-A man's soliloquy, and, worse still, a murdering man's soliloquy,
-recited by one of Miss Ladd's young ladies, before an audience of
-parents and guardians! That was the tone they took with me. I was as
-firm as a rock. The dagger-scene or nothing. The result is--nothing! An
-insult to Shakespeare, and an insult to Me. I felt it--I feel it still.
-I was prepared for any sacrifice in the cause of the drama. If Miss Ladd
-had met me in a proper spirit, do you know what I would have done?
-I would have played Macbeth in costume. Just hear me, and judge for
-yourself. I begin with a dreadful vacancy in my eyes, and a hollow
-moaning in my voice: 'Is this a dagger that I see before me--?'"
-
-Reciting with her face toward the trees, Emily started, dropped the
-character of Macbeth, and instantly became herself again: herself, with
-a rising color and an angry brightening of the eyes. "Excuse me, I can't
-trust my memory: I must get the play." With that abrupt apology, she
-walked away rapidly in the direction of the house.
-
-In some surprise, Francine turned, and looked at the trees. She
-discovered--in full retreat, on his side--the eccentric drawing-master,
-Alban Morris.
-
-Did he, too, admire the dagger-scene? And was he modestly desirous of
-hearing it recited, without showing himself? In that case, why should
-Emily (whose besetting weakness was certainly not want of confidence in
-her own resources) leave the garden the moment she caught sight of him?
-Francine consulted her instincts. She had just arrived at a conclusion
-which expressed itself outwardly by a malicious smile, when gentle
-Cecilia appeared on the lawn--a lovable object in a broad straw hat
-and a white dress, with a nosegay in her bosom--smiling, and fanning
-herself.
-
-"It's so hot in the schoolroom," she said, "and some of the girls, poor
-things, are so ill-tempered at rehearsal--I have made my escape. I hope
-you got your breakfast, Miss de Sor. What have you been doing here, all
-by yourself?"
-
-"I have been making an interesting discovery," Francine replied.
-
-"An interesting discovery in our garden? What _can_ it be?"
-
-"The drawing-master, my dear, is in love with Emily. Perhaps she doesn't
-care about him. Or, perhaps, I have been an innocent obstacle in the way
-of an appointment between them."
-
-Cecilia had breakfasted to her heart's content on her favorite
-dish--buttered eggs. She was in such good spirits that she was inclined
-to be coquettish, even when there was no man present to fascinate. "We
-are not allowed to talk about love in this school," she said--and hid
-her face behind her fan. "Besides, if it came to Miss Ladd's ears, poor
-Mr. Morris might lose his situation."
-
-"But isn't it true?" asked Francine.
-
-"It may be true, my dear; but nobody knows. Emily hasn't breathed a word
-about it to any of us. And Mr. Morris keeps his own secret. Now and then
-we catch him looking at her--and we draw our own conclusions."
-
-"Did you meet Emily on your way here?"
-
-"Yes, and she passed without speaking to me."
-
-"Thinking perhaps of Mr. Morris."
-
-Cecilia shook her head. "Thinking, Francine, of the new life before
-her--and regretting, I am afraid, that she ever confided her hopes and
-wishes to me. Did she tell you last night what her prospects are when
-she leaves school?"
-
-"She told me you had been very kind in helping her. I daresay I should
-have heard more, if I had not fallen asleep. What is she going to do?"
-
-"To live in a dull house, far away in the north," Cecilia answered;
-"with only old people in it. She will have to write and translate for a
-great scholar, who is studying mysterious inscriptions--hieroglyphics,
-I think they are called--found among the ruins of Central America. It's
-really no laughing matter, Francine! Emily made a joke of it, too. 'I'll
-take anything but a situation as a governess,' she said; 'the children
-who have Me to teach them would be to be pitied indeed!' She begged and
-prayed me to help her to get an honest living. What could I do? I could
-only write home to papa. He is a member of Parliament: and everybody
-who wants a place seems to think he is bound to find it for them. As it
-happened, he had heard from an old friend of his (a certain Sir Jervis
-Redwood), who was in search of a secretary. Being in favor of letting
-the women compete for employment with the men, Sir Jervis was willing to
-try, what he calls, 'a female.' Isn't that a horrid way of speaking of
-us? and Miss Ladd says it's ungrammatical, besides. Papa had written
-back to say he knew of no lady whom he could recommend. When he got my
-letter speaking of Emily, he kindly wrote again. In the interval, Sir
-Jervis had received two applications for the vacant place. They were
-both from old ladies--and he declined to employ them."
-
-"Because they were old," Francine suggested maliciously.
-
-"You shall hear him give his own reasons, my dear. Papa sent me an
-extract from his letter. It made me rather angry; and (perhaps for that
-reason) I think I can repeat it word for word:--'We are four old people
-in this house, and we don't want a fifth. Let us have a young one
-to cheer us. If your daughter's friend likes the terms, and is not
-encumbered with a sweetheart, I will send for her when the school breaks
-up at midsummer.' Coarse and selfish--isn't it? However, Emily didn't
-agree with me, when I showed her the extract. She accepted the place,
-very much to her aunt's surprise and regret, when that excellent person
-heard of it. Now that the time has come (though Emily won't acknowledge
-it), I believe she secretly shrinks, poor dear, from the prospect."
-
-"Very likely," Francine agreed--without even a pretense of sympathy.
-"But tell me, who are the four old people?"
-
-"First, Sir Jervis himself--seventy, last birthday. Next, his unmarried
-sister--nearly eighty. Next, his man-servant, Mr. Rook--well past sixty.
-And last, his man-servant's wife, who considers herself young, being
-only a little over forty. That is the household. Mrs. Rook is coming
-to-day to attend Emily on the journey to the North; and I am not at all
-sure that Emily will like her."
-
-"A disagreeable woman, I suppose?"
-
-"No--not exactly that. Rather odd and flighty. The fact is, Mrs. Rook
-has had her troubles; and perhaps they have a little unsettled her. She
-and her husband used to keep the village inn, close to our park: we know
-all about them at home. I am sure I pity these poor people. What are you
-looking at, Francine?"
-
-Feeling no sort of interest in Mr. and Mrs. Rook, Francine was studying
-her schoolfellow's lovely face in search of defects. She had already
-discovered that Cecilia's eyes were placed too widely apart, and that
-her chin wanted size and character.
-
-"I was admiring your complexion, dear," she answered coolly. "Well, and
-why do you pity the Rooks?"
-
-Simple Cecilia smiled, and went on with her story.
-
-"They are obliged to go out to service in their old age, through a
-misfortune for which they are in no way to blame. Their customers
-deserted the inn, and Mr. Rook became bankrupt. The inn got what they
-call a bad name--in a very dreadful way. There was a murder committed in
-the house."
-
-"A murder?" cried Francine. "Oh, this is exciting! You provoking girl,
-why didn't you tell me about it before?"
-
-"I didn't think of it," said Cecilia placidly.
-
-"Do go on! Were you at home when it happened?"
-
-"I was here, at school."
-
-"You saw the newspapers, I suppose?"
-
-"Miss Ladd doesn't allow us to read newspapers. I did hear of it,
-however, in letters from home. Not that there was much in the letters.
-They said it was too horrible to be described. The poor murdered
-gentleman--"
-
-Francine was unaffectedly shocked. "A gentleman!" she exclaimed. "How
-dreadful!"
-
-"The poor man was a stranger in our part of the country," Cecilia
-resumed; "and the police were puzzled about the motive for a murder. His
-pocketbook was missing; but his watch and his rings were found on the
-body. I remember the initials on his linen because they were the same
-as my mother's initial before she was married--'J. B.' Really, Francine,
-that's all I know about it."
-
-"Surely you know whether the murderer was discovered?"
-
-"Oh, yes--of course I know that! The government offered a reward; and
-clever people were sent from London to help the county police. Nothing
-came of it. The murderer has never been discovered, from that time to
-this."
-
-"When did it happen?"
-
-"It happened in the autumn."
-
-"The autumn of last year?"
-
-"No! no! Nearly four years since."
-
-
-
-
-CHAPTER VI. ON THE WAY TO THE VILLAGE.
-
-Alban Morris--discovered by Emily in concealment among the trees--was
-not content with retiring to another part of the grounds. He pursued
-his retreat, careless in what direction it might take him, to a footpath
-across the fields, which led to the highroad and the railway station.
-
-Miss Ladd's drawing-master was in that state of nervous irritability
-which seeks relief in rapidity of motion. Public opinion in the
-neighborhood (especially public opinion among the women) had long since
-decided that his manners were offensive, and his temper incurably bad.
-The men who happened to pass him on the footpath said "Good-morning"
-grudgingly. The women took no notice of him--with one exception. She was
-young and saucy, and seeing him walking at the top of his speed on the
-way to the railway station, she called after him, "Don't be in a hurry,
-sir! You're in plenty of time for the London train."
-
-To her astonishment he suddenly stopped. His reputation for rudeness was
-so well established that she moved away to a safe distance, before she
-ventured to look at him again. He took no notice of her--he seemed to
-be considering with himself. The frolicsome young woman had done him a
-service: she had suggested an idea.
-
-"Suppose I go to London?" he thought. "Why not?--the school is breaking
-up for the holidays--and _she_ is going away like the rest of them." He
-looked round in the direction of the schoolhouse. "If I go back to wish
-her good-by, she will keep out of my way, and part with me at the last
-moment like a stranger. After my experience of women, to be in love
-again--in love with a girl who is young enough to be my daughter--what a
-fool, what a driveling, degraded fool I must be!"
-
-Hot tears rose in his eyes. He dashed them away savagely, and went on
-again faster than ever--resolved to pack up at once at his lodgings in
-the village, and to take his departure by the next train.
-
-At the point where the footpath led into the road, he came to a
-standstill for the second time.
-
-The cause was once more a person of the sex associated in his mind
-with a bitter sense of injury. On this occasion the person was only a
-miserable little child, crying over the fragments of a broken jug.
-
-Alban Morris looked at her with his grimly humorous smile. "So you've
-broken a jug?" he remarked.
-
-"And spilt father's beer," the child answered. Her frail little body
-shook with terror. "Mother'll beat me when I go home," she said.
-
-"What does mother do when you bring the jug back safe and sound?" Alban
-asked.
-
-"Gives me bren-butter."
-
-"Very well. Now listen to me. Mother shall give you bread and butter
-again this time."
-
-The child stared at him with the tears suspended in her eyes. He went on
-talking to her as seriously as ever.
-
-"You understand what I have just said to you?"
-
-"Yes, sir."
-
-"Have you got a pocket-handkerchief?"
-
-"No, sir."
-
-"Then dry your eyes with mine."
-
-He tossed his handkerchief to her with one hand, and picked up a
-fragment of the broken jug with the other. "This will do for a pattern,"
-he said to himself. The child stared at the handkerchief--stared at
-Alban--took courage--and rubbed vigorously at her eyes. The instinct,
-which is worth all the reason that ever pretended to enlighten
-mankind--the instinct that never deceives--told this little ignorant
-creature that she had found a friend. She returned the handkerchief in
-grave silence. Alban took her up in his arms.
-
-"Your eyes are dry, and your face is fit to be seen," he said. "Will you
-give me a kiss?" The child gave him a resolute kiss, with a smack in
-it. "Now come and get another jug," he said, as he put her down. Her red
-round eyes opened wide in alarm. "Have you got money enough?" she asked.
-Alban slapped his pocket. "Yes, I have," he answered. "That's a good
-thing," said the child; "come along."
-
-They went together hand in hand to the village, and bought the new jug,
-and had it filled at the beer-shop. The thirsty father was at the upper
-end of the fields, where they were making a drain. Alban carried the jug
-until they were within sight of the laborer. "You haven't far to go," he
-said. "Mind you don't drop it again--What's the matter now?"
-
-"I'm frightened."
-
-"Why?"
-
-"Oh, give me the jug."
-
-She almost snatched it out of his hand. If she let the precious minutes
-slip away, there might be another beating in store for her at the drain:
-her father was not of an indulgent disposition when his children were
-late in bringing his beer. On the point of hurrying away, without a
-word of farewell, she remembered the laws of politeness as taught at
-the infant school--and dropped her little curtsey--and said, "Thank you,
-sir." That bitter sense of injury was still in Alban's mind as he looked
-after her. "What a pity she should grow up to be a woman!" he said to
-himself.
-
-The adventure of the broken jug had delayed his return to his lodgings
-by more than half an hour. When he reached the road once more, the cheap
-up-train from the North had stopped at the station. He heard the ringing
-of the bell as it resumed the journey to London.
-
-One of the passengers (judging by the handbag that she carried) had not
-stopped at the village.
-
-As she advanced toward him along the road, he remarked that she was
-a small wiry active woman--dressed in bright colors, combined with
-a deplorable want of taste. Her aquiline nose seemed to be her
-most striking feature as she came nearer. It might have been fairly
-proportioned to the rest of her face, in her younger days, before her
-cheeks had lost flesh and roundness. Being probably near-sighted, she
-kept her eyes half-closed; there were cunning little wrinkles at the
-corners of them. In spite of appearances, she was unwilling to present
-any outward acknowledgment of the march of time. Her hair was palpably
-dyed--her hat was jauntily set on her head, and ornamented with a gay
-feather. She walked with a light tripping step, swinging her bag, and
-holding her head up smartly. Her manner, like her dress, said as plainly
-as words could speak, "No matter how long I may have lived, I mean to
-be young and charming to the end of my days." To Alban's surprise she
-stopped and addressed him.
-
-"Oh, I beg your pardon. Could you tell me if I am in the right road to
-Miss Ladd's school?"
-
-She spoke with nervous rapidity of articulation, and with a singularly
-unpleasant smile. It parted her thin lips just widely enough to show her
-suspiciously beautiful teeth; and it opened her keen gray eyes in the
-strangest manner. The higher lid rose so as to disclose, for a moment,
-the upper part of the eyeball, and to give her the appearance--not of
-a woman bent on making herself agreeable, but of a woman staring in a
-panic of terror. Careless to conceal the unfavorable impression that she
-had produced on him, Alban answered roughly, "Straight on," and tried to
-pass her.
-
-She stopped him with a peremptory gesture. "I have treated you
-politely," she said, "and how do you treat me in return? Well! I am not
-surprised. Men are all brutes by nature--and you are a man. 'Straight
-on'?" she repeated contemptuously; "I should like to know how far that
-helps a person in a strange place. Perhaps you know no more where Miss
-Ladd's school is than I do? or, perhaps, you don't care to take the
-trouble of addressing me? Just what I should have expected from a person
-of your sex! Good-morning."
-
-Alban felt the reproof; she had appealed to his most readily-impressible
-sense--his sense of humor. He rather enjoyed seeing his own prejudice
-against women grotesquely reflected in this flighty stranger's prejudice
-against men. As the best excuse for himself that he could make, he gave
-her all the information that she could possibly want--then tried
-again to pass on--and again in vain. He had recovered his place in her
-estimation: she had not done with him yet.
-
-"You know all about the way there," she said "I wonder whether you know
-anything about the school?"
-
-No change in her voice, no change in her manner, betrayed any special
-motive for putting this question. Alban was on the point of suggesting
-that she should go on to the school, and make her inquiries there--when
-he happened to notice her eyes. She had hitherto looked him straight in
-the face. She now looked down on the road. It was a trifling change;
-in all probability it meant nothing--and yet, merely because it was a
-change, it roused his curiosity. "I ought to know something about the
-school," he answered. "I am one of the masters."
-
-"Then you're just the man I want. May I ask your name?"
-
-"Alban Morris."
-
-"Thank you. I am Mrs. Rook. I presume you have heard of Sir Jervis
-Redwood?"
-
-"No."
-
-"Bless my soul! You are a scholar, of course--and you have never heard
-of one of your own trade. Very extraordinary. You see, I am Sir Jervis's
-housekeeper; and I am sent here to take one of your young ladies back
-with me to our place. Don't interrupt me! Don't be a brute again! Sir
-Jervis is not of a communicative disposition. At least, not to me. A
-man--that explains it--a man! He is always poring over his books and
-writings; and Miss Redwood, at her great age, is in bed half the day.
-Not a thing do I know about this new inmate of ours, except that I am
-to take her back with me. You would feel some curiosity yourself in my
-place, wouldn't you? Now do tell me. What sort of girl is Miss Emily
-Brown?"
-
-The name that he was perpetually thinking of--on this woman's lips!
-Alban looked at her.
-
-"Well," said Mrs. Rook, "am I to have no answer? Ah, you want leading.
-So like a man again! Is she pretty?"
-
-Still examining the housekeeper with mingled feelings of interest and
-distrust, Alban answered ungraciously:
-
-"Yes."
-
-"Good-tempered?"
-
-Alban again said "Yes."
-
-"So much about herself," Mrs. Rook remarked. "About her family now?" She
-shifted her bag restlessly from one hand to another. "Perhaps you can
-tell me if Miss Emily's father--" she suddenly corrected herself--"if
-Miss Emily's parents are living?"
-
-"I don't know."
-
-"You mean you won't tell me."
-
-"I mean exactly what I have said."
-
-"Oh, it doesn't matter," Mrs. Rook rejoined; "I shall find out at the
-school. The first turning to the left, I think you said--across the
-fields?"
-
-He was too deeply interested in Emily to let the housekeeper go without
-putting a question on his side:
-
-"Is Sir Jervis Redwood one of Miss Emily's old friends?" he asked.
-
-"He? What put that into your head? He has never even seen Miss Emily.
-She's going to our house--ah, the women are getting the upper hand now,
-and serve the men right, I say!--she's going to our house to be Sir
-Jervis's secretary. You would like to have the place yourself, wouldn't
-you? You would like to keep a poor girl from getting her own living?
-Oh, you may look as fierce as you please--the time's gone by when a man
-could frighten _me_. I like her Christian name. I call Emily a nice name
-enough. But 'Brown'! Good-morning, Mr. Morris; you and I are not cursed
-with such a contemptibly common name as that! 'Brown'? Oh, Lord!"
-
-She tossed her head scornfully, and walked away, humming a tune.
-
-Alban stood rooted to the spot. The effort of his later life had been to
-conceal the hopeless passion which had mastered him in spite of himself.
-Knowing nothing from Emily--who at once pitied and avoided him--of her
-family circumstances or of her future plans, he had shrunk from making
-inquiries of others, in the fear that they, too, might find out his
-secret, and that their contempt might be added to the contempt which he
-felt for himself. In this position, and with these obstacles in his
-way, the announcement of Emily's proposed journey--under the care of
-a stranger, to fill an employment in the house of a stranger--not
-only took him by surprise, but inspired him with a strong feeling of
-distrust. He looked after Sir Jervis Redwood's flighty housekeeper,
-completely forgetting the purpose which had brought him thus far on the
-way to his lodgings. Before Mrs. Rook was out of sight, Alban Morris was
-following her back to the school.
-
-
-
-
-CHAPTER VII. "COMING EVENTS CAST THEIR SHADOWS BEFORE."
-
-Miss De Sor and Miss Wyvil were still sitting together under the trees,
-talking of the murder at the inn.
-
-"And is that really all you can tell me?" said Francine.
-
-"That is all," Cecilia answered.
-
-"Is there no love in it?"
-
-"None that I know of."
-
-"It's the most uninteresting murder that ever was committed. What shall
-we do with ourselves? I'm tired of being here in the garden. When do the
-performances in the schoolroom begin?"
-
-"Not for two hours yet."
-
-Francine yawned. "And what part do you take in it?" she asked.
-
-"No part, my dear. I tried once--only to sing a simple little song. When
-I found myself standing before all the company and saw rows of ladies
-and gentlemen waiting for me to begin, I was so frightened that Miss
-Ladd had to make an apology for me. I didn't get over it for the rest of
-the day. For the first time in my life, I had no appetite for my dinner.
-Horrible!" said Cecilia, shuddering over the remembrance of it. "I do
-assure you, I thought I was going to die."
-
-Perfectly unimpressed by this harrowing narrative, Francine turned
-her head lazily toward the house. The door was thrown open at the same
-moment. A lithe little person rapidly descended the steps that led to
-the lawn.
-
-"It's Emily come back again," said Francine.
-
-"And she seems to be rather in a hurry," Cecilia remarked.
-
-Francine's satirical smile showed itself for a moment. Did this
-appearance of hurry in Emily's movements denote impatience to resume the
-recital of "the dagger-scene"? She had no book in her hand; she never
-even looked toward Francine. Sorrow became plainly visible in her face
-as she approached the two girls.
-
-Cecilia rose in alarm. She had been the first person to whom Emily had
-confided her domestic anxieties. "Bad news from your aunt?" she asked.
-
-"No, my dear; no news at all." Emily put her arms tenderly round her
-friend's neck. "The time has come, Cecilia," she said. "We must wish
-each other good-by."
-
-"Is Mrs. Rook here already?"
-
-"It's _you_, dear, who are going," Emily answered sadly. "They have sent
-the governess to fetch you. Miss Ladd is too busy in the schoolroom to
-see her--and she has told me all about it. Don't be alarmed. There is no
-bad news from home. Your plans are altered; that's all."
-
-"Altered?" Cecilia repeated. "In what way?"
-
-"In a very agreeable way--you are going to travel. Your father wishes
-you to be in London, in time for the evening mail to France."
-
-Cecilia guessed what had happened. "My sister is not getting well," she
-said, "and the doctors are sending her to the Continent."
-
-"To the baths at St. Moritz," Emily added. "There is only one difficulty
-in the way; and you can remove it. Your sister has the good old
-governess to take care of her, and the courier to relieve her of all
-trouble on the journey. They were to have started yesterday. You know
-how fond Julia is of you. At the last moment, she won't hear of going
-away, unless you go too. The rooms are waiting at St. Moritz; and your
-father is annoyed (the governess says) by the delay that has taken place
-already."
-
-She paused. Cecilia was silent. "Surely you don't hesitate?" Emily said.
-
-"I am too happy to go wherever Julia goes," Cecilia answered warmly; "I
-was thinking of you, dear." Her tender nature, shrinking from the hard
-necessities of life, shrank from the cruelly-close prospect of parting.
-"I thought we were to have had some hours together yet," she said. "Why
-are we hurried in this way? There is no second train to London, from our
-station, till late in the afternoon."
-
-"There is the express," Emily reminded her; "and there is time to catch
-it, if you drive at once to the town." She took Cecilia's hand and
-pressed it to her bosom. "Thank you again and again, dear, for all you
-have done for me. Whether we meet again or not, as long as I live I
-shall love you. Don't cry!" She made a faint attempt to resume her
-customary gayety, for Cecilia's sake. "Try to be as hard-hearted as I
-am. Think of your sister--don't think of me. Only kiss me."
-
-Cecilia's tears fell fast. "Oh, my love, I am so anxious about you! I am
-so afraid that you will not be happy with that selfish old man--in that
-dreary house. Give it up, Emily! I have got plenty of money for both
-of us; come abroad with me. Why not? You always got on well with Julia,
-when you came to see us in the holidays. Oh, my darling! my darling!
-What shall I do without you?"
-
-All that longed for love in Emily's nature had clung round her
-school-friend since her father's death. Turning deadly pale under the
-struggle to control herself, she made the effort--and bore the pain of
-it without letting a cry or a tear escape her. "Our ways in life lie far
-apart," she said gently. "There is the hope of meeting again, dear--if
-there is nothing more."
-
-The clasp of Cecilia's arm tightened round her. She tried to release
-herself; but her resolution had reached its limits. Her hands dropped,
-trembling. She could still try to speak cheerfully, and that was all.
-
-"There is not the least reason, Cecilia, to be anxious about my
-prospects. I mean to be Sir Jervis Redwood's favorite before I have been
-a week in his service."
-
-She stopped, and pointed to the house. The governess was approaching
-them. "One more kiss, darling. We shall not forget the happy hours we
-have spent together; we shall constantly write to each other." She broke
-down at last. "Oh, Cecilia! Cecilia! leave me for God's sake--I can't
-bear it any longer!"
-
-The governess parted them. Emily dropped into the chair that her friend
-had left. Even her hopeful nature sank under the burden of life at that
-moment.
-
-A hard voice, speaking close at her side, startled her.
-
-"Would you rather be Me," the voice asked, "without a creature to care
-for you?"
-
-Emily raised her head. Francine, the unnoticed witness of the parting
-interview, was standing by her, idly picking the leaves from a rose
-which had dropped out of Cecilia's nosegay.
-
-Had she felt her own isolated position? She had felt it resentfully.
-
-Emily looked at her, with a heart softened by sorrow. There was no
-answering kindness in the eyes of Miss de Sor--there was only a dogged
-endurance, sad to see in a creature so young.
-
-"You and Cecilia are going to write to each other," she said. "I suppose
-there is some comfort in that. When I left the island they were glad to
-get rid of me. They said, 'Telegraph when you are safe at Miss Ladd's
-school.' You see, we are so rich, the expense of telegraphing to the
-West Indies is nothing to us. Besides, a telegram has an advantage over
-a letter--it doesn't take long to read. I daresay I shall write home.
-But they are in no hurry; and I am in no hurry. The school's breaking
-up; you are going your way, and I am going mine--and who cares what
-becomes of me? Only an ugly old schoolmistress, who is paid for caring.
-I wonder why I am saying all this? Because I like you? I don't know that
-I like you any better than you like me. When I wanted to be friends with
-you, you treated me coolly; I don't want to force myself on you. I don't
-particularly care about you. May I write to you from Brighton?"
-
-Under all this bitterness--the first exhibition of Francine's temper, at
-its worst, which had taken place since she joined the school--Emily saw,
-or thought she saw, distress that was too proud, or too shy, to show
-itself. "How can you ask the question?" she answered cordially.
-
-Francine was incapable of meeting the sympathy offered to her, even half
-way. "Never mind how," she said. "Yes or no is all I want from you."
-
-"Oh, Francine! Francine! what are you made of! Flesh and blood? or stone
-and iron? Write to me of course--and I will write back again."
-
-"Thank you. Are you going to stay here under the trees?"
-
-"Yes."
-
-"All by yourself?"
-
-"All by myself."
-
-"With nothing to do?"
-
-"I can think of Cecilia."
-
-Francine eyed her with steady attention for a moment.
-
-"Didn't you tell me last night that you were very poor?" she asked.
-
-"I did."
-
-"So poor that you are obliged to earn your own living?"
-
-"Yes."
-
-Francine looked at her again.
-
-"I daresay you won't believe me," she said. "I wish I was you."
-
-She turned away irritably, and walked back to the house.
-
-Were there really longings for kindness and love under the surface of
-this girl's perverse nature? Or was there nothing to be hoped from a
-better knowledge of her?--In place of tender remembrances of Cecilia,
-these were the perplexing and unwelcome thoughts which the more potent
-personality of Francine forced upon Emily's mind.
-
-She rose impatiently, and looked at her watch. When would it be her turn
-to leave the school, and begin the new life?
-
-Still undecided what to do next, her interest was excited by the
-appearance of one of the servants on the lawn. The woman approached her,
-and presented a visiting-card; bearing on it the name of _Sir Jervis
-Redwood_. Beneath the name, there was a line written in pencil: "Mrs.
-Rook, to wait on Miss Emily Brown." The way to the new life was open
-before her at last!
-
-Looking again at the commonplace announcement contained in the line of
-writing, she was not quite satisfied. Was it claiming a deference toward
-herself, to which she was not entitled, to expect a letter either from
-Sir Jervis, or from Miss Redwood; giving her some information as to
-the journey which she was about to undertake, and expressing with some
-little politeness the wish to make her comfortable in her future home?
-At any rate, her employer had done her one service: he had reminded her
-that her station in life was not what it had been in the days when her
-father was living, and when her aunt was in affluent circumstances.
-
-She looked up from the card. The servant had gone. Alban Morris was
-waiting at a little distance--waiting silently until she noticed him.
-
-
-
-
-CHAPTER VIII. MASTER AND PUPIL.
-
-Emily's impulse was to avoid the drawing-master for the second time.
-The moment afterward, a kinder feeling prevailed. The farewell interview
-with Cecilia had left influences which pleaded for Alban Morris. It
-was the day of parting good wishes and general separations: he had only
-perhaps come to say good-by. She advanced to offer her hand, when he
-stopped her by pointing to Sir Jervis Redwood's card.
-
-"May I say a word, Miss Emily, about that woman?" he asked
-
-"Do you mean Mrs. Rook?"
-
-"Yes. You know, of course, why she comes here?"
-
-"She comes here by appointment, to take me to Sir Jervis Redwood's
-house. Are you acquainted with her?"
-
-"She is a perfect stranger to me. I met her by accident on her way
-here. If Mrs. Rook had been content with asking me to direct her to the
-school, I should not be troubling you at this moment. But she forced her
-conversation on me. And she said something which I think you ought to
-know. Have you heard of Sir Jervis Redwood's housekeeper before to-day?"
-
-"I have only heard what my friend--Miss Cecilia Wyvil--has told me."
-
-"Did Miss Cecilia tell you that Mrs. Rook was acquainted with your
-father or with any members of your family?"
-
-"Certainly not!"
-
-Alban reflected. "It was natural enough," he resumed, "that Mrs. Rook
-should feel some curiosity about You. What reason had she for putting
-a question to me about your father--and putting it in a very strange
-manner?"
-
-Emily's interest was instantly excited. She led the way back to the
-seats in the shade. "Tell me, Mr. Morris, exactly what the woman said."
-As she spoke, she signed to him to be seated.
-
-Alban observed the natural grace of her action when she set him the
-example of taking a chair, and the little heightening of her color
-caused by anxiety to hear what he had still to tell her. Forgetting the
-restraint that he had hitherto imposed on himself, he enjoyed the luxury
-of silently admiring her. Her manner betrayed none of the conscious
-confusion which would have shown itself, if her heart had been
-secretly inclined toward him. She saw the man looking at her. In simple
-perplexity she looked at the man.
-
-"Are you hesitating on my account?" she asked. "Did Mrs. Rook say
-something of my father which I mustn't hear?"
-
-"No, no! nothing of the sort!"
-
-"You seem to be confused."
-
-Her innocent indifference tried his patience sorely. His memory went
-back to the past time--recalled the ill-placed passion of his youth, and
-the cruel injury inflicted on him--his pride was roused. Was he
-making himself ridiculous? The vehement throbbing of his heart almost
-suffocated him. And there she sat, wondering at his odd behavior. "Even
-this girl is as cold-blooded as the rest of her sex!" That angry thought
-gave him back his self-control. He made his excuses with the easy
-politeness of a man of the world.
-
-"I beg your pardon, Miss Emily; I was considering how to put what I have
-to say in the fewest and plainest words. Let me try if I can do it.
-If Mrs. Rook had merely asked me whether your father and mother were
-living, I should have attributed the question to the commonplace
-curiosity of a gossiping woman, and have thought no more of it. What
-she actually did say was this: 'Perhaps you can tell me if Miss Emily's
-father--' There she checked herself, and suddenly altered the question
-in this way: 'If Miss Emily's _parents_ are living?' I may be making
-mountains out of molehills; but I thought at the time (and think still)
-that she had some special interest in inquiring after your father, and,
-not wishing me to notice it for reasons of her own, changed the form
-of the question so as to include your mother. Does this strike you as a
-far-fetched conclusion?"
-
-"Whatever it may be," Emily said, "it is my conclusion, too. How did you
-answer her?"
-
-"Quite easily. I could give her no information--and I said so."
-
-"Let me offer you the information, Mr. Morris, before we say anything
-more. I have lost both my parents."
-
-Alban's momentary outbreak of irritability was at an end. He was earnest
-and yet gentle, again; he forgave her for not understanding how dear and
-how delightful to him she was. "Will it distress you," he said, "if I
-ask how long it is since your father died?"
-
-"Nearly four years," she replied. "He was the most generous of men; Mrs.
-Rook's interest in him may surely have been a grateful interest. He
-may have been kind to her in past years--and she may remember him
-thankfully. Don't you think so?"
-
-Alban was unable to agree with her. "If Mrs. Rook's interest in your
-father was the harmless interest that you have suggested," he said, "why
-should she have checked herself in that unaccountable manner, when she
-first asked me if he was living? The more I think of it now, the less
-sure I feel that she knows anything at all of your family history. It
-may help me to decide, if you will tell me at what time the death of
-your mother took place."
-
-"So long ago," Emily replied, "that I can't even remember her death. I
-was an infant at the time."
-
-"And yet Mrs. Rook asked me if your 'parents' were living! One of two
-things," Alban concluded. "Either there is some mystery in this matter,
-which we cannot hope to penetrate at present--or Mrs. Rook may have been
-speaking at random; on the chance of discovering whether you are related
-to some 'Mr. Brown' whom she once knew."
-
-"Besides," Emily added, "it's only fair to remember what a common family
-name mine is, and how easily people may make mistakes. I should like
-to know if my dear lost father was really in her mind when she spoke to
-you. Do you think I could find it out?"
-
-"If Mrs. Rook has any reasons for concealment, I believe you would
-have no chance of finding it out--unless, indeed, you could take her by
-surprise."
-
-"In what way, Mr. Morris?"
-
-"Only one way occurs to me just now," he said. "Do you happen to have a
-miniature or a photograph of your father?"
-
-Emily held out a handsome locket, with a monogram in diamonds, attached
-to her watch chain. "I have his photograph here," she rejoined; "given
-to me by my dear old aunt, in the days of her prosperity. Shall I show
-it to Mrs. Rook?"
-
-"Yes--if she happens, by good luck, to offer you an opportunity."
-
-Impatient to try the experiment, Emily rose as he spoke. "I mustn't keep
-Mrs. Rook waiting," she said.
-
-Alban stopped her, on the point of leaving him. The confusion and
-hesitation which she had already noticed began to show themselves in his
-manner once more.
-
-"Miss Emily, may I ask you a favor before you go? I am only one of the
-masters employed in the school; but I don't think--let me say, I hope I
-am not guilty of presumption--if I offer to be of some small service to
-one of my pupils--"
-
-There his embarrassment mastered him. He despised himself not only
-for yielding to his own weakness, but for faltering like a fool in the
-expression of a simple request. The next words died away on his lips.
-
-This time, Emily understood him.
-
-The subtle penetration which had long since led her to the discovery
-of his secret--overpowered, thus far, by the absorbing interest of the
-moment--now recovered its activity. In an instant, she remembered that
-Alban's motive for cautioning her, in her coming intercourse with Mrs.
-Rook, was not the merely friendly motive which might have actuated him,
-in the case of one of the other girls. At the same time, her quickness
-of apprehension warned her not to risk encouraging this persistent
-lover, by betraying any embarrassment on her side. He was evidently
-anxious to be present (in her interests) at the interview with Mrs.
-Rook. Why not? Could he reproach her with raising false hope, if she
-accepted his services, under circumstances of doubt and difficulty which
-he had himself been the first to point out? He could do nothing of the
-sort. Without waiting until he had recovered himself, she answered him
-(to all appearances) as composedly as if he had spoken to her in the
-plainest terms.
-
-"After all that you have told me," she said, "I shall indeed feel
-obliged if you will be present when I see Mrs. Rook."
-
-The eager brightening of his eyes, the flush of happiness that made him
-look young on a sudden, were signs not to be mistaken. The sooner they
-were in the presence of a third person (Emily privately concluded) the
-better it might be for both of them. She led the way rapidly to the
-house.
-
-
-
-
-CHAPTER IX. MRS. ROOK AND THE LOCKET.
-
-As mistress of a prosperous school, bearing a widely-extended
-reputation, Miss Ladd prided herself on the liberality of her household
-arrangements. At breakfast and dinner, not only the solid comforts but
-the elegant luxuries of the table, were set before the young ladies
-"Other schools may, and no doubt do, offer to pupils the affectionate
-care to which they have been accustomed under the parents' roof," Miss
-Ladd used to say. "At my school, that care extends to their meals, and
-provides them with a _cuisine_ which, I flatter myself, equals the most
-successful efforts of the cooks at home." Fathers, mothers, and friends,
-when they paid visits to this excellent lady, brought away with them
-the most gratifying recollections of her hospitality. The men, in
-particular, seldom failed to recognize in their hostess the rarest
-virtue that a single lady can possess--the virtue of putting wine on the
-table which may be gratefully remembered by her guests the next morning.
-
-An agreeable surprise awaited Mrs. Rook when she entered the house of
-bountiful Miss Ladd.
-
-Luncheon was ready for Sir Jervis Redwood's confidential emissary in the
-waiting-room. Detained at the final rehearsals of music and recitation,
-Miss Ladd was worthily represented by cold chicken and ham, a fruit
-tart, and a pint decanter of generous sherry. "Your mistress is
-a perfect lady!" Mrs. Rook said to the servant, with a burst of
-enthusiasm. "I can carve for myself, thank you; and I don't care how
-long Miss Emily keeps me waiting."
-
-As they ascended the steps leading into the house, Alban asked Emily if
-he might look again at her locket.
-
-"Shall I open it for you?" she suggested.
-
-"No: I only want to look at the outside of it."
-
-He examined the side on which the monogram appeared, inlaid with
-diamonds. An inscription was engraved beneath.
-
-"May I read it?" he said.
-
-"Certainly!"
-
-The inscription ran thus: "In loving memory of my father. Died 30th
-September, 1877."
-
-"Can you arrange the locket," Alban asked, "so that the side on which
-the diamonds appear hangs outward?"
-
-She understood him. The diamonds might attract Mrs. Rook's notice; and
-in that case, she might ask to see the locket of her own accord. "You
-are beginning to be of use to me, already," Emily said, as they turned
-into the corridor which led to the waiting-room.
-
-They found Sir Jervis's housekeeper luxuriously recumbent in the easiest
-chair in the room.
-
-Of the eatable part of the lunch some relics were yet left. In the pint
-decanter of sherry, not a drop remained. The genial influence of the
-wine (hastened by the hot weather) was visible in Mrs. Rook's flushed
-face, and in a special development of her ugly smile. Her widening lips
-stretched to new lengths; and the white upper line of her eyeballs were
-more freely and horribly visible than ever.
-
-"And this is the dear young lady?" she said, lifting her hands in
-over-acted admiration. At the first greetings, Alban perceived that
-the impression produced was, in Emily's case as in his case, instantly
-unfavorable.
-
-The servant came in to clear the table. Emily stepped aside for a minute
-to give some directions about her luggage. In that interval Mrs. Rook's
-cunning little eyes turned on Alban with an expression of malicious
-scrutiny.
-
-"You were walking the other way," she whispered, "when I met you." She
-stopped, and glanced over her shoulder at Emily. "I see what attraction
-has brought you back to the school. Steal your way into that poor little
-fool's heart; and then make her miserable for the rest of her life!--No
-need, miss, to hurry," she said, shifting the polite side of her toward
-Emily, who returned at the moment. "The visits of the trains to your
-station here are like the visits of the angels described by the poet,
-'few and far between.' Please excuse the quotation. You wouldn't think
-it to look at me--I'm a great reader."
-
-"Is it a long journey to Sir Jervis Redwood's house?" Emily asked, at a
-loss what else to say to a woman who was already becoming unendurable to
-her.
-
-Mrs. Rook looked at the journey from an oppressively cheerful point of
-view.
-
-"Oh, Miss Emily, you shan't feel the time hang heavy in my company. I
-can converse on a variety of topics, and if there is one thing more than
-another that I like, it's amusing a pretty young lady. You think me a
-strange creature, don't you? It's only my high spirits. Nothing strange
-about me--unless it's my queer Christian name. You look a little dull,
-my dear. Shall I begin amusing you before we are on the railway? Shall I
-tell you how I came by my queer name?"
-
-Thus far, Alban had controlled himself. This last specimen of the
-housekeeper's audacious familiarity reached the limits of his endurance.
-
-"We don't care to know how you came by your name," he said.
-
-"Rude," Mrs. Rook remarked, composedly. "But nothing surprises me,
-coming from a man."
-
-She turned to Emily. "My father and mother were a wicked married
-couple," she continued, "before I was born. They 'got religion,' as
-the saying is, at a Methodist meeting in a field. When I came into the
-world--I don't know how you feel, miss; I protest against being brought
-into the world without asking my leave first--my mother was determined
-to dedicate me to piety, before I was out of my long clothes. What
-name do you suppose she had me christened by? She chose it, or made it,
-herself--the name of 'Righteous'! Righteous Rook! Was there ever a poor
-baby degraded by such a ridiculous name before? It's needless to say,
-when I write letters, I sign R. Rook--and leave people to think it's
-Rosamond, or Rosabelle, or something sweetly pretty of that kind.
-You should have seen my husband's face when he first heard that his
-sweetheart's name was 'Righteous'! He was on the point of kissing me,
-and he stopped. I daresay he felt sick. Perfectly natural under the
-circumstances."
-
-Alban tried to stop her again. "What time does the train go?" he asked.
-
-Emily entreated him to restrain himself, by a look. Mrs. Rook was still
-too inveterately amiable to take offense. She opened her traveling-bag
-briskly, and placed a railway guide in Alban's hands.
-
-"I've heard that the women do the men's work in foreign parts," she
-said. "But this is England; and I am an Englishwoman. Find out when the
-train goes, my dear sir, for yourself."
-
-Alban at once consulted the guide. If there proved to be no immediate
-need of starting for the station, he was determined that Emily should
-not be condemned to pass the interval in the housekeeper's company. In
-the meantime, Mrs. Rook was as eager as ever to show her dear young lady
-what an amusing companion she could be.
-
-"Talking of husbands," she resumed, "don't make the mistake, my dear,
-that I committed. Beware of letting anybody persuade you to marry an old
-man. Mr. Rook is old enough to be my father. I bear with him. Of course,
-I bear with him. At the same time, I have not (as the poet says) 'passed
-through the ordeal unscathed.' My spirit--I have long since ceased
-to believe in anything of the sort: I only use the word for want of
-a better--my spirit, I say, has become embittered. I was once a pious
-young woman; I do assure you I was nearly as good as my name. Don't let
-me shock you; I have lost faith and hope; I have become--what's the last
-new name for a free-thinker? Oh, I keep up with the times, thanks to
-old Miss Redwood! She takes in the newspapers, and makes me read them
-to her. What _is_ the new name? Something ending in ic. Bombastic? No,
-Agnostic?--that's it! I have become an Agnostic. The inevitable result
-of marrying an old man; if there's any blame it rests on my husband."
-
-"There's more than an hour yet before the train starts," Alban
-interposed. "I am sure, Miss Emily, you would find it pleasanter to wait
-in the garden."
-
-"Not at all a bad notion," Mrs. Rook declared. "Here's a man who can
-make himself useful, for once. Let's go into the garden."
-
-She rose, and led the way to the door. Alban seized the opportunity of
-whispering to Emily.
-
-"Did you notice the empty decanter, when we first came in? That horrid
-woman is drunk."
-
-Emily pointed significantly to the locket. "Don't let her go. The garden
-will distract her attention: keep her near me here."
-
-Mrs. Rook gayly opened the door. "Take me to the flower-beds," she said.
-"I believe in nothing--but I adore flowers."
-
-Mrs. Rook waited at the door, with her eye on Emily. "What do _you_ say,
-miss?"
-
-"I think we shall be more comfortable if we stay where we are."
-
-"Whatever pleases you, my dear, pleases me." With this reply, the
-compliant housekeeper--as amiable as ever on the surface--returned to
-her chair.
-
-Would she notice the locket as she sat down? Emily turned toward the
-window, so as to let the light fall on the diamonds.
-
-No: Mrs. Rook was absorbed, at the moment, in her own reflections. Miss
-Emily, having prevented her from seeing the garden, she was maliciously
-bent on disappointing Miss Emily in return. Sir Jervis's secretary
-(being young) took a hopeful view no doubt of her future prospects.
-Mrs. Rook decided on darkening that view in a mischievously-suggestive
-manner, peculiar to herself.
-
-"You will naturally feel some curiosity about your new home," she began,
-"and I haven't said a word about it yet. How very thoughtless of me!
-Inside and out, dear Miss Emily, our house is just a little dull. I say
-_our_ house, and why not--when the management of it is all thrown on me.
-We are built of stone; and we are much too long, and are not half high
-enough. Our situation is on the coldest side of the county, away in
-the west. We are close to the Cheviot hills; and if you fancy there is
-anything to see when you look out of window, except sheep, you will find
-yourself woefully mistaken. As for walks, if you go out on one side of
-the house you may, or may not, be gored by cattle. On the other side, if
-the darkness overtakes you, you may, or may not, tumble down a deserted
-lead mine. But the company, inside the house, makes amends for it
-all," Mrs. Rook proceeded, enjoying the expression of dismay which was
-beginning to show itself on Emily's face. "Plenty of excitement for you,
-my dear, in our small family. Sir Jervis will introduce you to plaster
-casts of hideous Indian idols; he will keep you writing for him, without
-mercy, from morning to night; and when he does let you go, old Miss
-Redwood will find she can't sleep, and will send for the pretty young
-lady-secretary to read to her. My husband I am sure you will like. He is
-a respectable man, and bears the highest character. Next to the idols,
-he's the most hideous object in the house. If you are good enough to
-encourage him, I don't say that he won't amuse you; he will tell you,
-for instance, he never in his life hated any human being as he hates
-his wife. By the way, I must not forget--in the interests of truth, you
-know--to mention one drawback that does exist in our domestic circle.
-One of these days we shall have our brains blown out or our throats
-cut. Sir Jervis's mother left him ten thousand pounds' worth of precious
-stones all contained in a little cabinet with drawers. He won't let the
-banker take care of his jewels; he won't sell them; he won't even wear
-one of the rings on his finger, or one of the pins at his breast. He
-keeps his cabinet on his dressing-room table; and he says, 'I like to
-gloat over my jewels, every night, before I go to bed.' Ten thousand
-pounds' worth of diamonds, rubies, emeralds, sapphires, and what not--at
-the mercy of the first robber who happens to hear of them. Oh, my dear,
-he would have no choice, I do assure you, but to use his pistols. We
-shouldn't quietly submit to be robbed. Sir Jervis inherits the spirit
-of his ancestors. My husband has the temper of a game cock. I myself,
-in defense of the property of my employers, am capable of becoming a
-perfect fiend. And we none of us understand the use of firearms!"
-
-While she was in full enjoyment of this last aggravation of the horrors
-of the prospect, Emily tried another change of position--and, this time,
-with success. Greedy admiration suddenly opened Mrs. Rook's little eyes
-to their utmost width. "My heart alive, miss, what do I see at your
-watch-chain? How they sparkle! Might I ask for a closer view?"
-
-Emily's fingers trembled; but she succeeded in detaching the locket from
-the chain. Alban handed it to Mrs. Rook.
-
-She began by admiring the diamonds--with a certain reserve. "Nothing
-like so large as Sir Jervis's diamonds; but choice specimens no doubt.
-Might I ask what the value--?"
-
-She stopped. The inscription had attracted her notice: she began to read
-it aloud: "In loving memory of my father. Died--"
-
-Her face instantly became rigid. The next words were suspended on her
-lips.
-
-Alban seized the chance of making her betray herself--under pretense of
-helping her. "Perhaps you find the figures not easy to read," he
-said. "The date is 'thirtieth September, eighteen hundred and
-seventy-seven'--nearly four years since."
-
-Not a word, not a movement, escaped Mrs. Rook. She held the locket
-before her as she had held it from the first. Alban looked at Emily.
-Her eyes were riveted on the housekeeper: she was barely capable of
-preserving the appearance of composure. Seeing the necessity of acting
-for her, he at once said the words which she was unable to say for
-herself.
-
-"Perhaps, Mrs. Rook, you would like to look at the portrait?" he
-suggested. "Shall I open the locket for you?"
-
-Without speaking, without looking up, she handed the locket to Alban.
-
-He opened it, and offered it to her. She neither accepted nor refused
-it: her hands remained hanging over the arms of the chair. He put the
-locket on her lap.
-
-The portrait produced no marked effect on Mrs. Rook. Had the date
-prepared her to see it? She sat looking at it--still without moving:
-still without saying a word. Alban had no mercy on her. "That is the
-portrait of Miss Emily's father," he said. "Does it represent the same
-Mr. Brown whom you had in your mind when you asked me if Miss Emily's
-father was still living?"
-
-That question roused her. She looked up, on the instant; she answered
-loudly and insolently: "No!"
-
-"And yet," Alban persisted, "you broke down in reading the inscription:
-and considering what talkative woman you are, the portrait has had a
-strange effect on you--to say the least of it."
-
-She eyed him steadily while he was speaking--and turned to Emily when he
-had done. "You mentioned the heat just now, miss. The heat has overcome
-me; I shall soon get right again."
-
-The insolent futility of that excuse irritated Emily into answering
-her. "You will get right again perhaps all the sooner," she said, "if
-we trouble you with no more questions, and leave you to recover by
-yourself."
-
-The first change of expression which relaxed the iron tensity of the
-housekeeper's face showed itself when she heard that reply. At last
-there was a feeling in Mrs. Rook which openly declared itself--a feeling
-of impatience to see Alban and Emily leave the room.
-
-They left her, without a word more.
-
-
-
-
-CHAPTER X. GUESSES AT THE TRUTH.
-
-"What are we to do next? Oh, Mr. Morris, you must have seen all sorts of
-people in your time--you know human nature, and I don't. Help me with a
-word of advice!"
-
-Emily forgot that he was in love with her--forgot everything, but the
-effect produced by the locket on Mrs. Rook, and the vaguely alarming
-conclusion to which it pointed. In the fervor of her anxiety she took
-Alban's arm as familiarly as if he had been her brother. He was gentle,
-he was considerate; he tried earnestly to compose her. "We can do
-nothing to any good purpose," he said, "unless we begin by thinking
-quietly. Pardon me for saying so--you are needlessly exciting yourself."
-
-There was a reason for her excitement, of which he was necessarily
-ignorant. Her memory of the night interview with Miss Jethro had
-inevitably intensified the suspicion inspired by the conduct of Mrs.
-Rook. In less than twenty-four hours, Emily had seen two women shrinking
-from secret remembrances of her father--which might well be guilty
-remembrances--innocently excited by herself! How had they injured him?
-Of what infamy, on their parts, did his beloved and stainless memory
-remind them? Who could fathom the mystery of it? "What does it mean?"
-she cried, looking wildly in Alban's compassionate face. "You _must_
-have formed some idea of your own. What does it mean?"
-
-"Come, and sit down, Miss Emily. We will try if we can find out what it
-means, together."
-
-They returned to the shady solitude under the trees. Away, in front of
-the house, the distant grating of carriage wheels told of the arrival of
-Miss Ladd's guests, and of the speedy beginning of the ceremonies of the
-day.
-
-"We must help each other," Alban resumed.
-
-"When we first spoke of Mrs. Rook, you mentioned Miss Cecilia Wyvil as
-a person who knew something about her. Have you any objection to tell me
-what you may have heard in that way?"
-
-In complying with his request Emily necessarily repeated what Cecilia
-had told Francine, when the two girls had met that morning in the
-garden.
-
-Alban now knew how Emily had obtained employment as Sir Jervis's
-secretary; how Mr. and Mrs. Rook had been previously known to Cecilia's
-father as respectable people keeping an inn in his own neighborhood;
-and, finally, how they had been obliged to begin life again in domestic
-service, because the terrible event of a murder had given the inn a bad
-name, and had driven away the customers on whose encouragement their
-business depended.
-
-Listening in silence, Alban remained silent when Emily's narrative had
-come to an end.
-
-"Have you nothing to say to me?" she asked.
-
-"I am thinking over what I have just heard," he answered.
-
-Emily noticed a certain formality in his tone and manner, which
-disagreeably surprised her. He seemed to have made his reply as a mere
-concession to politeness, while he was thinking of something else which
-really interested him.
-
-"Have I disappointed you in any way?" she asked.
-
-"On the contrary, you have interested me. I want to be quite sure that
-I remember exactly what you have said. You mentioned, I think, that your
-friendship with Miss Cecilia Wyvil began here, at the school?"
-
-"Yes."
-
-"And in speaking of the murder at the village inn, you told me that the
-crime was committed--I have forgotten how long ago?"
-
-His manner still suggested that he was idly talking about what she
-had told him, while some more important subject for reflection was in
-possession of his mind.
-
-"I don't know that I said anything about the time that had passed since
-the crime was committed," she answered, sharply. "What does the murder
-matter to _us?_ I think Cecilia told me it happened about four years
-since. Excuse me for noticing it, Mr. Morris--you seem to have some
-interests of your own to occupy your attention. Why couldn't you say so
-plainly when we came out here? I should not have asked you to help me,
-in that case. Since my poor father's death, I have been used to fight
-through my troubles by myself."
-
-She rose, and looked at him proudly. The next moment her eyes filled
-with tears.
-
-In spite of her resistance, Alban took her hand. "Dear Miss Emily," he
-said, "you distress me: you have not done me justice. Your interests
-only are in my mind."
-
-Answering her in those terms, he had not spoken as frankly as usual. He
-had only told her a part of the truth.
-
-Hearing that the woman whom they had just left had been landlady of an
-inn, and that a murder had been committed under her roof, he was led to
-ask himself if any explanation might be found, in these circumstances,
-of the otherwise incomprehensible effect produced on Mrs. Rook by the
-inscription on the locket.
-
-In the pursuit of this inquiry there had arisen in his mind a monstrous
-suspicion, which pointed to Mrs. Rook. It impelled him to ascertain
-the date at which the murder had been committed, and (if the discovery
-encouraged further investigation) to find out next the manner in which
-Mr. Brown had died.
-
-Thus far, what progress had he made? He had discovered that the date of
-Mr. Brown's death, inscribed on the locket, and the date of the crime
-committed at the inn, approached each other nearly enough to justify
-further investigation.
-
-In the meantime, had he succeeded in keeping his object concealed
-from Emily? He had perfectly succeeded. Hearing him declare that her
-interests only had occupied his mind, the poor girl innocently entreated
-him to forgive her little outbreak of temper. "If you have any more
-questions to ask me, Mr. Morris, pray go on. I promise never to think
-unjustly of you again."
-
-He went on with an uneasy conscience--for it seemed cruel to deceive
-her, even in the interests of truth--but still he went on.
-
-"Suppose we assume that this woman had injured your father in some
-way," he said. "Am I right in believing that it was in his character to
-forgive injuries?"
-
-"Entirely right."
-
-"In that case, his death may have left Mrs. Rook in a position to be
-called to account, by those who owe a duty to his memory--I mean the
-surviving members of his family."
-
-"There are but two of us, Mr. Morris. My aunt and myself."
-
-"There are his executors."
-
-"My aunt is his only executor."
-
-"Your father's sister--I presume?"
-
-"Yes."
-
-"He may have left instructions with her, which might be of the greatest
-use to us."
-
-"I will write to-day, and find out," Emily replied. "I had already
-planned to consult my aunt," she added, thinking again of Miss Jethro.
-
-"If your aunt has not received any positive instructions," Alban
-continued, "she may remember some allusion to Mrs. Rook, on your
-father's part, at the time of his last illness--"
-
-Emily stopped him. "You don't know how my dear father died," she said.
-"He was struck down--apparently in perfect health--by disease of the
-heart."
-
-"Struck down in his own house?"
-
-"Yes--in his own house."
-
-Those words closed Alban's lips. The investigation so carefully and so
-delicately conducted had failed to serve any useful purpose. He had now
-ascertained the manner of Mr. Brown's death and the place of Mr. Brown's
-death--and he was as far from confirming his suspicions of Mrs. Rook as
-ever.
-
-
-
-
-CHAPTER XI. THE DRAWING-MASTER'S CONFESSION.
-
-"Is there nothing else you can suggest?" Emily asked.
-
-"Nothing--at present."
-
-"If my aunt fails us, have we no other hope?"
-
-"I have hope in Mrs. Rook," Alban answered. "I see I surprise you; but I
-really mean what I say. Sir Jervis's housekeeper is an excitable woman,
-and she is fond of wine. There is always a weak side in the character
-of such a person as that. If we wait for our chance, and turn it to
-the right use when it comes, we may yet succeed in making her betray
-herself."
-
-Emily listened to him in bewilderment.
-
-"You talk as if I was sure of your help in the future," she said. "Have
-you forgotten that I leave school to-day, never to return? In half an
-hour more, I shall be condemned to a long journey in the company of that
-horrible creature--with a life to look forward to, in the same house
-with her, among strangers! A miserable prospect, and a hard trial of a
-girl's courage--is it not, Mr. Morris?"
-
-"You will at least have one person, Miss Emily, who will try with all
-his heart and soul to encourage you."
-
-"What do you mean?"
-
-"I mean," said Alban, quietly, "that the Midsummer vacation begins
-to-day; and that the drawing-master is going to spend his holidays in
-the North."
-
-Emily jumped up from her chair. "You!" she exclaimed. "_You_ are going
-to Northumberland? With me?"
-
-"Why not?" Alban asked. "The railway is open to all travelers alike, if
-they have money enough to buy a ticket."
-
-"Mr. Morris! what _can_ you be thinking of? Indeed, indeed, I am not
-ungrateful. I know you mean kindly--you are a good, generous man. But
-do remember how completely a girl, in my position, is at the mercy of
-appearances. You, traveling in the same carriage with me! and that
-woman putting her own vile interpretation on it, and degrading me in Sir
-Jervis Redwood's estimation, on the day when I enter his house! Oh, it's
-worse than thoughtless--it's madness, downright madness."
-
-"You are quite right," Alban gravely agreed, "it _is_ madness. I lost
-whatever little reason I once possessed, Miss Emily, on the day when I
-first met you out walking with the young ladies of the school."
-
-Emily turned away in significant silence. Alban followed her.
-
-"You promised just now," he said, "never to think unjustly of me again.
-I respect and admire you far too sincerely to take a base advantage of
-this occasion--the only occasion on which I have been permitted to speak
-with you alone. Wait a little before you condemn a man whom you don't
-understand. I will say nothing to annoy you--I only ask leave to explain
-myself. Will you take your chair again?"
-
-She returned unwillingly to her seat. "It can only end," she thought,
-sadly, "in my disappointing him!"
-
-"I have had the worst possible opinion of women for years past," Alban
-resumed; "and the only reason I can give for it condemns me out of my
-own mouth. I have been infamously treated by one woman; and my wounded
-self-esteem has meanly revenged itself by reviling the whole sex. Wait
-a little, Miss Emily. My fault has received its fit punishment. I have
-been thoroughly humiliated--and _you_ have done it."
-
-"Mr. Morris!"
-
-"Take no offense, pray, where no offense is meant. Some few years since
-it was the great misfortune of my life to meet with a Jilt. You know
-what I mean?"
-
-"Yes."
-
-"She was my equal by birth (I am a younger son of a country squire), and
-my superior in rank. I can honestly tell you that I was fool enough to
-love her with all my heart and soul. She never allowed me to doubt--I
-may say this without conceit, remembering the miserable end of it--that
-my feeling for her was returned. Her father and mother (excellent
-people) approved of the contemplated marriage. She accepted my presents;
-she allowed all the customary preparations for a wedding to proceed to
-completion; she had not even mercy enough, or shame enough, to prevent
-me from publicly degrading myself by waiting for her at the altar, in
-the presence of a large congregation. The minutes passed--and no bride
-appeared. The clergyman, waiting like me, was requested to return to the
-vestry. I was invited to follow him. You foresee the end of the story,
-of course? She had run away with another man. But can you guess who the
-man was? Her groom!"
-
-Emily's face reddened with indignation. "She suffered for it? Oh, Mr.
-Morris, surely she suffered for it?"
-
-"Not at all. She had money enough to reward the groom for marrying
-her; and she let herself down easily to her husband's level. It was a
-suitable marriage in every respect. When I last heard of them, they were
-regularly in the habit of getting drunk together. I am afraid I
-have disgusted you? We will drop the subject, and resume my precious
-autobiography at a later date. One showery day in the autumn of last
-year, you young ladies went out with Miss Ladd for a walk. When you were
-all trotting back again, under your umbrellas, did you (in particular)
-notice an ill-tempered fellow standing in the road, and getting a good
-look at you, on the high footpath above him?"
-
-Emily smiled, in spite of herself. "I don't remember it," she said.
-
-"You wore a brown jacket which fitted you as if you had been born in
-it--and you had the smartest little straw hat I ever saw on a woman's
-head. It was the first time I ever noticed such things. I think I could
-paint a portrait of the boots you wore (mud included), from memory
-alone. That was the impression you produced on me. After believing,
-honestly believing, that love was one of the lost illusions of my
-life--after feeling, honestly feeling, that I would as soon look at
-the devil as look at a woman--there was the state of mind to which
-retribution had reduced me; using for his instrument Miss Emily Brown.
-Oh, don't be afraid of what I may say next! In your presence, and out
-of your presence, I am man enough to be ashamed of my own folly. I am
-resisting your influence over me at this moment, with the strongest of
-all resolutions--the resolution of despair. Let's look at the humorous
-side of the story again. What do you think I did when the regiment of
-young ladies had passed by me?"
-
-Emily declined to guess.
-
-"I followed you back to the school; and, on pretense of having a
-daughter to educate, I got one of Miss Ladd's prospectuses from the
-porter at the lodge gate. I was in your neighborhood, you must know, on
-a sketching tour. I went back to my inn, and seriously considered what
-had happened to me. The result of my cogitations was that I went
-abroad. Only for a change--not at all because I was trying to weaken the
-impression you had produced on me! After a while I returned to England.
-Only because I was tired of traveling--not at all because your influence
-drew me back! Another interval passed; and luck turned my way, for
-a wonder. The drawing-master's place became vacant here. Miss Ladd
-advertised; I produced my testimonials; and took the situation. Only
-because the salary was a welcome certainty to a poor man--not at all
-because the new position brought me into personal association with Miss
-Emily Brown! Do you begin to see why I have troubled you with all this
-talk about myself? Apply the contemptible system of self-delusion which
-my confession has revealed, to that holiday arrangement for a tour in
-the north which has astonished and annoyed you. I am going to travel
-this afternoon by your train. Only because I feel an intelligent longing
-to see the northernmost county of England--not at all because I won't
-let you trust yourself alone with Mrs. Rook! Not at all because I won't
-leave you to enter Sir Jervis Redwood's service without a friend within
-reach in case you want him! Mad? Oh, yes--perfectly mad. But, tell me
-this: What do all sensible people do when they find themselves in the
-company of a lunatic? They humor him. Let me take your ticket and see
-your luggage labeled: I only ask leave to be your traveling servant.
-If you are proud--I shall like you all the better, if you are--pay me
-wages, and keep me in my proper place in that way."
-
-Some girls, addressed with this reckless intermingling of jest and
-earnest, would have felt confused, and some would have felt flattered.
-With a good-tempered resolution, which never passed the limits of
-modesty and refinement, Emily met Alban Morris on his own ground.
-
-"You have said you respect me," she began; "I am going to prove that I
-believe you. The least I can do is not to misinterpret you, on my side.
-Am I to understand, Mr. Morris--you won't think the worse of me, I hope,
-if I speak plainly--am I to understand that you are in love with me?"
-
-"Yes, Miss Emily--if you please."
-
-He had answered with the quaint gravity which was peculiar to him; but
-he was already conscious of a sense of discouragement. Her composure was
-a bad sign--from his point of view.
-
-"My time will come, I daresay," she proceeded. "At present I
-know nothing of love, by experience; I only know what some of my
-schoolfellows talk about in secret. Judging by what they tell me, a
-girl blushes when her lover pleads with her to favor his addresses. Am I
-blushing?"
-
-"Must I speak plainly, too?" Alban asked.
-
-"If you have no objection," she answered, as composedly as if she had
-been addressing her grandfather.
-
-"Then, Miss Emily, I must say--you are not blushing."
-
-She went on. "Another token of love--as I am informed--is to tremble. Am
-I trembling?"
-
-"No."
-
-"Am I too confused to look at you?"
-
-"No."
-
-"Do I walk away with dignity--and then stop, and steal a timid glance at
-my lover, over my shoulder?"
-
-"I wish you did!"
-
-"A plain answer, Mr. Morris! Yes or No."
-
-"No--of course."
-
-"In one last word, do I give you any sort of encouragement to try
-again?"
-
-"In one last word, I have made a fool of myself--and you have taken the
-kindest possible way of telling me so."
-
-This time, she made no attempt to reply in his own tone. The
-good-humored gayety of her manner disappeared. She was in
-earnest--truly, sadly in earnest--when she said her next words.
-
-"Is it not best, in your own interests, that we should bid each other
-good-by?" she asked. "In the time to come--when you only remember how
-kind you once were to me--we may look forward to meeting again. After
-all that you have suffered, so bitterly and so undeservedly, don't, pray
-don't, make me feel that another woman has behaved cruelly to you, and
-that I--so grieved to distress you--am that heartless creature!"
-
-Never in her life had she been so irresistibly charming as she was at
-that moment. Her sweet nature showed all its innocent pity for him in
-her face.
-
-He saw it--he felt it--he was not unworthy of it. In silence, he lifted
-her hand to his lips. He turned pale as he kissed it.
-
-"Say that you agree with me?" she pleaded.
-
-"I obey you."
-
-As he answered, he pointed to the lawn at their feet. "Look," he said,
-"at that dead leaf which the air is wafting over the grass. Is it
-possible that such sympathy as you feel for Me, such love as I feel for
-You, can waste, wither, and fall to the ground like that leaf? I leave
-you, Emily--with the firm conviction that there is a time of fulfillment
-to come in our two lives. Happen what may in the interval--I trust the
-future."
-
-
-
-The words had barely passed his lips when the voice of one of the
-servants reached them from the house. "Miss Emily, are you in the
-garden?"
-
-Emily stepped out into the sunshine. The servant hurried to meet her,
-and placed a telegram in her hand. She looked at it with a sudden
-misgiving. In her small experience, a telegram was associated with the
-communication of bad news. She conquered her hesitation--opened it--read
-it. The color left her face: she shuddered. The telegram dropped on the
-grass.
-
-"Read it," she said, faintly, as Alban picked it up.
-
-He read these words: "Come to London directly. Miss Letitia is
-dangerously ill."
-
-"Your aunt?" he asked.
-
-"Yes--my aunt."
-
-
-
-
-BOOK THE SECOND--IN LONDON.
-
-
-
-CHAPTER XII. MRS. ELLMOTHER.
-
-The metropolis of Great Britain is, in certain respects, like no other
-metropolis on the face of the earth. In the population that throngs the
-streets, the extremes of Wealth and the extremes of Poverty meet, as
-they meet nowhere else. In the streets themselves, the glory and the
-shame of architecture--the mansion and the hovel--are neighbors in
-situation, as they are neighbors nowhere else. London, in its social
-aspect, is the city of contrasts.
-
-Toward the close of evening Emily left the railway terminus for the
-place of residence in which loss of fortune had compelled her aunt
-to take refuge. As she approached her destination, the cab passed--by
-merely crossing a road--from a spacious and beautiful Park, with its
-surrounding houses topped by statues and cupolas, to a row of cottages,
-hard by a stinking ditch miscalled a canal. The city of contrasts: north
-and south, east and west, the city of social contrasts.
-
-Emily stopped the cab before the garden gate of a cottage, at the
-further end of the row. The bell was answered by the one servant now in
-her aunt's employ--Miss Letitia's maid.
-
-Personally, this good creature was one of the ill-fated women whose
-appearance suggests that Nature intended to make men of them and altered
-her mind at the last moment. Miss Letitia's maid was tall and gaunt and
-awkward. The first impression produced by her face was an impression of
-bones. They rose high on her forehead; they projected on her cheeks;
-and they reached their boldest development in her jaws. In the cavernous
-eyes of this unfortunate person rigid obstinacy and rigid goodness
-looked out together, with equal severity, on all her fellow-creatures
-alike. Her mistress (whom she had served for a quarter of a century and
-more) called her "Bony." She accepted this cruelly appropriate nick-name
-as a mark of affectionate familiarity which honored a servant. No other
-person was allowed to take liberties with her: to every one but her
-mistress she was known as Mrs. Ellmother.
-
-"How is my aunt?" Emily asked.
-
-"Bad."
-
-"Why have I not heard of her illness before?"
-
-"Because she's too fond of you to let you be distressed about her.
-'Don't tell Emily'; those were her orders, as long as she kept her
-senses."
-
-"Kept her senses? Good heavens! what do you mean?"
-
-"Fever--that's what I mean."
-
-"I must see her directly; I am not afraid of infection."
-
-"There's no infection to be afraid of. But you mustn't see her, for all
-that."
-
-"I insist on seeing her."
-
-"Miss Emily, I am disappointing you for your own good. Don't you know me
-well enough to trust me by this time?"
-
-"I do trust you."
-
-"Then leave my mistress to me--and go and make yourself comfortable in
-your own room."
-
-Emily's answer was a positive refusal. Mrs. Ellmother, driven to her
-last resources, raised a new obstacle.
-
-"It's not to be done, I tell you! How can you see Miss Letitia when she
-can't bear the light in her room? Do you know what color her eyes are?
-Red, poor soul--red as a boiled lobster."
-
-With every word the woman uttered, Emily's perplexity and distress
-increased.
-
-"You told me my aunt's illness was fever," she said--"and now you speak
-of some complaint in her eyes. Stand out of the way, if you please, and
-let me go to her."
-
-Mrs. Ellmother, still keeping her place, looked through the open door.
-
-"Here's the doctor," she announced. "It seems I can't satisfy you; ask
-him what's the matter. Come in, doctor." She threw open the door of the
-parlor, and introduced Emily. "This is the mistress's niece, sir. Please
-try if _you_ can keep her quiet. I can't." She placed chairs with the
-hospitable politeness of the old school--and returned to her post at
-Miss Letitia's bedside.
-
-Doctor Allday was an elderly man, with a cool manner and a ruddy
-complexion--thoroughly acclimatized to the atmosphere of pain and grief
-in which it was his destiny to live. He spoke to Emily (without any
-undue familiarity) as if he had been accustomed to see her for the
-greater part of her life.
-
-"That's a curious woman," he said, when Mrs. Ellmother closed the door;
-"the most headstrong person, I think, I ever met with. But devoted
-to her mistress, and, making allowance for her awkwardness, not a bad
-nurse. I am afraid I can't give you an encouraging report of your aunt.
-The rheumatic fever (aggravated by the situation of this house--built
-on clay, you know, and close to stagnant water) has been latterly
-complicated by delirium."
-
-"Is that a bad sign, sir?"
-
-"The worst possible sign; it shows that the disease has affected the
-heart. Yes: she is suffering from inflammation of the eyes, but that is
-an unimportant symptom. We can keep the pain under by means of cooling
-lotions and a dark room. I've often heard her speak of you--especially
-since the illness assumed a serious character. What did you say? Will
-she know you, when you go into her room? This is about the time when the
-delirium usually sets in. I'll see if there's a quiet interval."
-
-He opened the door--and came back again.
-
-"By the way," he resumed, "I ought perhaps to explain how it was that I
-took the liberty of sending you that telegram. Mrs. Ellmother refused
-to inform you of her mistress's serious illness. That circumstance,
-according to my view of it, laid the responsibility on the doctor's
-shoulders. The form taken by your aunt's delirium--I mean the apparent
-tendency of the words that escape her in that state--seems to excite
-some incomprehensible feeling in the mind of her crabbed servant. She
-wouldn't even let _me_ go into the bedroom, if she could possibly help
-it. Did Mrs. Ellmother give you a warm welcome when you came here?"
-
-"Far from it. My arrival seemed to annoy her."
-
-"Ah--just what I expected. These faithful old servants always end by
-presuming on their fidelity. Did you ever hear what a witty poet--I
-forget his name: he lived to be ninety--said of the man who had been his
-valet for more than half a century? 'For thirty years he was the best
-of servants; and for thirty years he has been the hardest of masters.'
-Quite true--I might say the same of my housekeeper. Rather a good story,
-isn't it?"
-
-The story was completely thrown away on Emily; but one subject
-interested her now. "My poor aunt has always been fond of me," she said.
-"Perhaps she might know me, when she recognizes nobody else."
-
-"Not very likely," the doctor answered. "But there's no laying down any
-rule in cases of this kind. I have sometimes observed that circumstances
-which have produced a strong impression on patients, when they are in
-a state of health, give a certain direction to the wandering of their
-minds, when they are in a state of fever. You will say, 'I am not a
-circumstance; I don't see how this encourages me to hope'--and you will
-be quite right. Instead of talking of my medical experience, I shall do
-better to look at Miss Letitia, and let you know the result. You have
-got other relations, I suppose? No? Very distressing--very distressing."
-
-Who has not suffered as Emily suffered, when she was left alone? Are
-there not moments--if we dare to confess the truth--when poor humanity
-loses its hold on the consolations of religion and the hope of
-immortality, and feels the cruelty of creation that bids us live, on the
-condition that we die, and leads the first warm beginnings of love, with
-merciless certainty, to the cold conclusion of the grave?
-
-"She's quiet, for the time being," Dr. Allday announced, on his return.
-"Remember, please, that she can't see you in the inflamed state of her
-eyes, and don't disturb the bed-curtains. The sooner you go to her
-the better, perhaps--if you have anything to say which depends on her
-recognizing your voice. I'll call to-morrow morning. Very distressing,"
-he repeated, taking his hat and making his bow--"Very distressing."
-
-Emily crossed the narrow little passage which separated the two
-rooms, and opened the bed-chamber door. Mrs. Ellmother met her on the
-threshold. "No," said the obstinate old servant, "you can't come in."
-
-The faint voice of Miss Letitia made itself heard, calling Mrs.
-Ellmother by her familiar nick-name.
-
-"Bony, who is it?"
-
-"Never mind."
-
-"Who is it?"
-
-"Miss Emily, if you must know."
-
-"Oh! poor dear, why does she come here? Who told her I was ill?"
-
-"The doctor told her."
-
-"Don't come in, Emily. It will only distress you--and it will do me no
-good. God bless you, my love. Don't come in."
-
-"There!" said Mrs. Ellmother. "Do you hear that? Go back to the
-sitting-room."
-
-Thus far, the hard necessity of controlling herself had kept Emily
-silent. She was now able to speak without tears. "Remember the old
-times, aunt," she pleaded, gently. "Don't keep me out of your room, when
-I have come here to nurse you!"
-
-"I'm her nurse. Go back to the sitting-room," Mrs. Ellmother repeated.
-
-True love lasts while life lasts. The dying woman relented.
-
-"Bony! Bony! I can't be unkind to Emily. Let her in."
-
-Mrs. Ellmother still insisted on having her way.
-
-"You're contradicting your own orders," she said to her mistress. "You
-don't know how soon you may begin wandering in your mind again. Think,
-Miss Letitia--think."
-
-This remonstrance was received in silence. Mrs. Ellmother's great gaunt
-figure still blocked up the doorway.
-
-"If you force me to it," Emily said, quietly, "I must go to the doctor,
-and ask him to interfere."
-
-"Do you mean that?" Mrs. Ellmother said, quietly, on her side.
-
-"I do mean it," was the answer.
-
-The old servant suddenly submitted--with a look which took Emily by
-surprise. She had expected to see anger; the face that now confronted
-her was a face subdued by sorrow and fear.
-
-"I wash my hands of it," Mrs. Ellmother said. "Go in--and take the
-consequences."
-
-
-
-CHAPTER XIII. MISS LETITIA.
-
-Emily entered the room. The door was immediately closed on her from the
-outer side. Mrs. Ellmother's heavy steps were heard retreating along the
-passage. Then the banging of the door that led into the kitchen shook
-the flimsily-built cottage. Then, there was silence.
-
-The dim light of a lamp hidden away in a corner and screened by a dingy
-green shade, just revealed the closely-curtained bed, and the table
-near it bearing medicine-bottles and glasses. The only objects on
-the chimney-piece were a clock that had been stopped in mercy to the
-sufferer's irritable nerves, and an open case containing a machine for
-pouring drops into the eyes. The smell of fumigating pastilles hung
-heavily on the air. To Emily's excited imagination, the silence was like
-the silence of death. She approached the bed trembling. "Won't you speak
-to me, aunt?"
-
-"Is that you, Emily? Who let you come in?"
-
-"You said I might come in, dear. Are you thirsty? I see some lemonade on
-the table. Shall I give it to you?"
-
-"No! If you open the bed-curtains, you let in the light. My poor eyes!
-Why are you here, my dear? Why are you not at the school?"
-
-"It's holiday-time, aunt. Besides, I have left school for good."
-
-"Left school?" Miss Letitia's memory made an effort, as she repeated
-those words. "You were going somewhere when you left school," she said,
-"and Cecilia Wyvil had something to do with it. Oh, my love, how cruel
-of you to go away to a stranger, when you might live here with me!"
-She paused--her sense of what she had herself just said began to grow
-confused. "What stranger?" she asked abruptly. "Was it a man? What name?
-Oh, my mind! Has death got hold of my mind before my body?"
-
-"Hush! hush! I'll tell you the name. Sir Jervis Redwood."
-
-"I don't know him. I don't want to know him. Do you think he means
-to send for you. Perhaps he _has_ sent for you. I won't allow it! You
-shan't go!"
-
-"Don't excite yourself, dear! I have refused to go; I mean to stay here
-with you."
-
-The fevered brain held to its last idea. "_Has_ he sent for you?" she
-said again, louder than before.
-
-Emily replied once more, in terms carefully chosen with the one purpose
-of pacifying her. The attempt proved to be useless, and worse--it seemed
-to make her suspicious. "I won't be deceived!" she said; "I mean to know
-all about it. He did send for you. Whom did he send?"
-
-"His housekeeper."
-
-"What name?" The tone in which she put the question told of excitement
-that was rising to its climax. "Don't you know that I'm curious about
-names?" she burst out. "Why do you provoke me? Who is it?"
-
-"Nobody you know, or need care about, dear aunt. Mrs. Rook."
-
-Instantly on the utterance of that name, there followed an unexpected
-result. Silence ensued.
-
-Emily waited--hesitated--advanced, to part the curtains, and look in at
-her aunt. She was stopped by a dreadful sound of laughter--the cheerless
-laughter that is heard among the mad. It suddenly ended in a dreary
-sigh.
-
-Afraid to look in, she spoke, hardly knowing what she said. "Is there
-anything you wish for? Shall I call--?"
-
-Miss Letitia's voice interrupted her. Dull, low, rapidly muttering, it
-was unlike, shockingly unlike, the familiar voice of her aunt. It said
-strange words.
-
-"Mrs. Rook? What does Mrs. Rook matter? Or her husband either? Bony,
-Bony, you're frightened about nothing. Where's the danger of those two
-people turning up? Do you know how many miles away the village is? Oh,
-you fool--a hundred miles and more. Never mind the coroner, the coroner
-must keep in his own district--and the jury too. A risky deception? I
-call it a pious fraud. And I have a tender conscience, and a cultivated
-mind. The newspaper? How is _our_ newspaper to find its way to her, I
-should like to know? You poor old Bony! Upon my word you do me good--you
-make me laugh."
-
-The cheerless laughter broke out again--and died away again drearily in
-a sigh.
-
-Accustomed to decide rapidly in the ordinary emergencies of her life,
-Emily felt herself painfully embarrassed by the position in which she
-was now placed.
-
-After what she had already heard, could she reconcile it to her sense of
-duty to her aunt to remain any longer in the room?
-
-In the hopeless self-betrayal of delirium, Miss Letitia had revealed
-some act of concealment, committed in her past life, and confided to
-her faithful old servant. Under these circumstances, had Emily made
-any discoveries which convicted her of taking a base advantage of her
-position at the bedside? Most assuredly not! The nature of the act of
-concealment; the causes that had led to it; the person (or persons)
-affected by it--these were mysteries which left her entirely in the
-dark. She had found out that her aunt was acquainted with Mrs. Rook, and
-that was literally all she knew.
-
-Blameless, so far, in the line of conduct that she had pursued, might
-she still remain in the bed-chamber--on this distinct understanding
-with herself: that she would instantly return to the sitting-room if she
-heard anything which could suggest a doubt of Miss Letitia's claim to
-her affection and respect? After some hesitation, she decided on leaving
-it to her conscience to answer that question. Does conscience ever
-say, No--when inclination says, Yes? Emily's conscience sided with her
-reluctance to leave her aunt.
-
-Throughout the time occupied by these reflections, the silence had
-remained unbroken. Emily began to feel uneasy. She timidly put her hand
-through the curtains, and took Miss Letitia's hand. The contact with
-the burning skin startled her. She turned away to the door, to call the
-servant--when the sound of her aunt's voice hurried her back to the bed.
-
-"Are you there, Bony?" the voice asked.
-
-Was her mind getting clear again? Emily tried the experiment of making
-a plain reply. "Your niece is with you," she said. "Shall I call the
-servant?"
-
-Miss Letitia's mind was still far away from Emily, and from the present
-time.
-
-"The servant?" she repeated. "All the servants but you, Bony, have
-been sent away. London's the place for us. No gossiping servants and no
-curious neighbors in London. Bury the horrid truth in London. Ah, you
-may well say I look anxious and wretched. I hate deception--and yet, it
-must be done. Why do you waste time in talking? Why don't you find out
-where the vile woman lives? Only let me get at her--and I'll make Sara
-ashamed of herself."
-
-Emily's heart beat fast when she heard the woman's name. "Sara" (as she
-and her school-fellows knew) was the baptismal name of Miss Jethro. Had
-her aunt alluded to the disgraced teacher, or to some other woman?
-
-She waited eagerly to hear more. There was nothing to be heard. At this
-most interesting moment, the silence remained undisturbed.
-
-In the fervor of her anxiety to set her doubts at rest, Emily's faith in
-her own good resolutions began to waver. The temptation to say
-something which might set her aunt talking again was too strong to be
-resisted--if she remained at the bedside. Despairing of herself she rose
-and turned to the door. In the moment that passed while she crossed the
-room the very words occurred to her that would suit her purpose. Her
-cheeks were hot with shame--she hesitated--she looked back at the
-bed--the words passed her lips.
-
-"Sara is only one of the woman's names," she said. "Do you like her
-other name?"
-
-The rapidly-muttering tones broke out again instantly--but not in answer
-to Emily. The sound of a voice had encouraged Miss Letitia to pursue
-her own confused train of thought, and had stimulated the fast-failing
-capacity of speech to exert itself once more.
-
-"No! no! He's too cunning for you, and too cunning for me. He doesn't
-leave letters about; he destroys them all. Did I say he was too cunning
-for us? It's false. We are too cunning for him. Who found the morsels of
-his letter in the basket? Who stuck them together? Ah, _we_ know! Don't
-read it, Bony. 'Dear Miss Jethro'--don't read it again. 'Miss Jethro' in
-his letter; and 'Sara,' when he talks to himself in the garden. Oh,
-who would have believed it of him, if we hadn't seen and heard it
-ourselves!"
-
-There was no more doubt now.
-
-But who was the man, so bitterly and so regretfully alluded to?
-
-No: this time Emily held firmly by the resolution which bound her
-to respect the helpless position of her aunt. The speediest way of
-summoning Mrs. Ellmother would be to ring the bell. As she touched the
-handle a faint cry of suffering from the bed called her back.
-
-"Oh, so thirsty!" murmured the failing voice--"so thirsty!"
-
-She parted the curtains. The shrouded lamplight just showed her the
-green shade over Miss Letitia's eyes--the hollow cheeks below it--the
-arms laid helplessly on the bed-clothes. "Oh, aunt, don't you know my
-voice? Don't you know Emily? Let me kiss you, dear!" Useless to plead
-with her; useless to kiss her; she only reiterated the words, "So
-thirsty! so thirsty!" Emily raised the poor tortured body with a patient
-caution which spared it pain, and put the glass to her aunt's lips. She
-drank the lemonade to the last drop. Refreshed for the moment, she spoke
-again--spoke to the visionary servant of her delirious fancy, while she
-rested in Emily's arms.
-
-"For God's sake, take care how you answer if she questions you. If _she_
-knew what _we_ know! Are men ever ashamed? Ha! the vile woman! the vile
-woman!"
-
-Her voice, sinking gradually, dropped to a whisper. The next few words
-that escaped her were muttered inarticulately. Little by little, the
-false energy of fever was wearing itself out. She lay silent and still.
-To look at her now was to look at the image of death. Once more, Emily
-kissed her--closed the curtains--and rang the bell. Mrs. Ellmother
-failed to appear. Emily left the room to call her.
-
-Arrived at the top of the kitchen stairs, she noted a slight change.
-The door below, which she had heard banged on first entering her aunt's
-room, now stood open. She called to Mrs. Ellmother. A strange voice
-answered her. Its accent was soft and courteous; presenting the
-strongest imaginable contrast to the harsh tones of Miss Letitia's
-crabbed old maid.
-
-"Is there anything I can do for you, miss?"
-
-The person making this polite inquiry appeared at the foot of the
-stairs--a plump and comely woman of middle age. She looked up at the
-young lady with a pleasant smile.
-
-"I beg your pardon," Emily said; "I had no intention of disturbing you.
-I called to Mrs. Ellmother."
-
-The stranger advanced a little way up the stairs, and answered, "Mrs.
-Ellmother is not here."
-
-"Do you expect her back soon?"
-
-"Excuse me, miss--I don't expect her back at all."
-
-"Do you mean to say that she has left the house?"
-
-"Yes, miss. She has left the house."
-
-
-
-
-CHAPTER XIV. MRS. MOSEY.
-
-Emily's first act--after the discovery of Mrs. Ellmother's
-incomprehensible disappearance--was to invite the new servant to follow
-her into the sitting-room.
-
-"Can you explain this?" she began.
-
-"No, miss."
-
-"May I ask if you have come here by Mrs. Ellmother's invitation?"
-
-"By Mrs. Ellmother's _request_, miss."
-
-"Can you tell me how she came to make the request?"
-
-"With pleasure, miss. Perhaps--as you find me here, a stranger to
-yourself, in place of the customary servant--I ought to begin by giving
-you a reference."
-
-"And, perhaps (if you will be so kind), by mentioning your name," Emily
-added.
-
-"Thank you for reminding me, miss. My name is Elizabeth Mosey. I am well
-known to the gentleman who attends Miss Letitia. Dr. Allday will speak
-to my character and also to my experience as a nurse. If it would be in
-any way satisfactory to give you a second reference--"
-
-"Quite needless, Mrs. Mosey."
-
-"Permit me to thank you again, miss. I was at home this evening, when
-Mrs. Ellmother called at my lodgings. Says she, 'I have come here,
-Elizabeth, to ask a favor of you for old friendship's sake.' Says I, 'My
-dear, pray command me, whatever it may be.' If this seems rather a hasty
-answer to make, before I knew what the favor was, might I ask you to
-bear in mind that Mrs. Ellmother put it to me 'for old friendship's
-sake'--alluding to my late husband, and to the business which we carried
-on at that time? Through no fault of ours, we got into difficulties.
-Persons whom we had trusted proved unworthy. Not to trouble you further,
-I may say at once, we should have been ruined, if our old friend Mrs.
-Ellmother had not come forward, and trusted us with the savings of her
-lifetime. The money was all paid back again, before my husband's
-death. But I don't consider--and, I think you won't consider--that the
-obligation was paid back too. Prudent or not prudent, there is nothing
-Mrs. Ellmother can ask of me that I am not willing to do. If I have put
-myself in an awkward situation (and I don't deny that it looks so) this
-is the only excuse, miss, that I can make for my conduct."
-
-Mrs. Mosey was too fluent, and too fond of hearing the sound of her own
-eminently persuasive voice. Making allowance for these little drawbacks,
-the impression that she produced was decidedly favorable; and, however
-rashly she might have acted, her motive was beyond reproach. Having said
-some kind words to this effect, Emily led her back to the main interest
-of her narrative.
-
-"Did Mrs. Ellmother give no reason for leaving my aunt, at such a time
-as this?" she asked.
-
-"The very words I said to her, miss."
-
-"And what did she say, by way of reply?"
-
-"She burst out crying--a thing I have never known her to do before, in
-an experience of twenty years."
-
-"And she really asked you to take her place here, at a moment's notice?"
-
-"That was just what she did," Mrs. Mosey answered. "I had no need to
-tell her I was astonished; my lips spoke for me, no doubt. She's a hard
-woman in speech and manner, I admit. But there's more feeling in her
-than you would suppose. 'If you are the good friend I take you for,' she
-says, 'don't ask me for reasons; I am doing what is forced on me, and
-doing it with a heavy heart.' In my place, miss, would you have insisted
-on her explaining herself, after that? The one thing I naturally wanted
-to know was, if I could speak to some lady, in the position of mistress
-here, before I ventured to intrude. Mrs. Ellmother understood that it
-was her duty to help me in this particular. Your poor aunt being out of
-the question she mentioned you."
-
-"How did she speak of me? In an angry way?"
-
-"No, indeed--quite the contrary. She says, 'You will find Miss Emily
-at the cottage. She is Miss Letitia's niece. Everybody likes her--and
-everybody is right.'"
-
-"She really said that?"
-
-"Those were her words. And, what is more, she gave me a message for you
-at parting. 'If Miss Emily is surprised' (that was how she put it) 'give
-her my duty and good wishes; and tell her to remember what I said, when
-she took my place at her aunt's bedside.' I don't presume to inquire
-what this means," said Mrs. Mosey respectfully, ready to hear what it
-meant, if Emily would only be so good as to tell her. "I deliver the
-message, miss, as it was delivered to me. After which, Mrs. Ellmother
-went her way, and I went mine."
-
-"Do you know where she went?"
-
-"No, miss."
-
-"Have you nothing more to tell me?"
-
-"Nothing more; except that she gave me my directions, of course, about
-the nursing. I took them down in writing--and you will find them in
-their proper place, with the prescriptions and the medicines."
-
-Acting at once on this hint, Emily led the way to her aunt's room.
-
-Miss Letitia was silent, when the new nurse softly parted the
-curtains--looked in--and drew them together again. Consulting her watch,
-Mrs. Mosey compared her written directions with the medicine-bottles on
-the table, and set one apart to be used at the appointed time. "Nothing,
-so far, to alarm us," she whispered. "You look sadly pale and tired,
-miss. Might I advise you to rest a little?"
-
-"If there is any change, Mrs. Mosey--either for the better or the
-worse--of course you will let me know?"
-
-"Certainly, miss."
-
-Emily returned to the sitting-room: not to rest (after all that she had
-heard), but to think.
-
-
-Amid much that was unintelligible, certain plain conclusions presented
-themselves to her mind.
-
-After what the doctor had already said to Emily, on the subject of
-delirium generally, Mrs. Ellmother's proceedings became intelligible:
-they proved that she knew by experience the perilous course taken by her
-mistress's wandering thoughts, when they expressed themselves in words.
-This explained the concealment of Miss Letitia's illness from her niece,
-as well as the reiterated efforts of the old servant to prevent Emily
-from entering the bedroom.
-
-But the event which had just happened--that is to say, Mrs. Ellmother's
-sudden departure from the cottage--was not only of serious importance in
-itself, but pointed to a startling conclusion.
-
-The faithful maid had left the mistress, whom she had loved and served,
-sinking under a fatal illness--and had put another woman in her
-place, careless of what that woman might discover by listening at the
-bedside--rather than confront Emily after she had been within hearing of
-her aunt while the brain of the suffering woman was deranged by fever.
-There was the state of the case, in plain words.
-
-In what frame of mind had Mrs. Ellmother adopted this desperate course
-of action?
-
-To use her own expression, she had deserted Miss Letitia "with a heavy
-heart." To judge by her own language addressed to Mrs. Mosey, she
-had left Emily to the mercy of a stranger--animated, nevertheless, by
-sincere feelings of attachment and respect. That her fears had taken for
-granted suspicion which Emily had not felt, and discoveries which Emily
-had (as yet) not made, in no way modified the serious nature of the
-inference which her conduct justified. The disclosure which this woman
-dreaded--who could doubt it now?--directly threatened Emily's peace of
-mind. There was no disguising it: the innocent niece was associated
-with an act of deception, which had been, until that day, the undetected
-secret of the aunt and the aunt's maid.
-
-In this conclusion, and in this only, was to be found the rational
-explanation of Mrs. Ellmother's choice--placed between the alternatives
-of submitting to discovery by Emily, or of leaving the house.
-
-
-Poor Miss Letitia's writing-table stood near the window of the
-sitting-room. Shrinking from the further pursuit of thoughts which might
-end in disposing her mind to distrust of her dying aunt, Emily looked
-round in search of some employment sufficiently interesting to absorb
-her attention. The writing-table reminded her that she owed a letter to
-Cecilia. That helpful friend had surely the first claim to know why she
-had failed to keep her engagement with Sir Jervis Redwood.
-
-After mentioning the telegram which had followed Mrs. Rook's arrival at
-the school, Emily's letter proceeded in these terms:
-
-"As soon as I had in some degree recovered myself, I informed Mrs. Rook
-of my aunt's serious illness.
-
-"Although she carefully confined herself to commonplace expressions of
-sympathy, I could see that it was equally a relief to both of us to feel
-that we were prevented from being traveling companions. Don't suppose
-that I have taken a capricious dislike to Mrs. Rook--or that you are in
-any way to blame for the unfavorable impression which she has produced
-on me. I will make this plain when we meet. In the meanwhile, I need
-only tell you that I gave her a letter of explanation to present to Sir
-Jervis Redwood. I also informed him of my address in London: adding a
-request that he would forward your letter, in case you have written to
-me before you receive these lines.
-
-"Kind Mr. Alban Morris accompanied me to the railway-station, and
-arranged with the guard to take special care of me on the journey to
-London. We used to think him rather a heartless man. We were quite
-wrong. I don't know what his plans are for spending the summer holidays.
-Go where he may, I remember his kindness; my best wishes go with him.
-
-"My dear, I must not sadden your enjoyment of your pleasant visit to the
-Engadine, by writing at any length of the sorrow that I am suffering.
-You know how I love my aunt, and how gratefully I have always felt her
-motherly goodness to me. The doctor does not conceal the truth. At her
-age, there is no hope: my father's last-left relation, my one dearest
-friend, is dying.
-
-"No! I must not forget that I have another friend--I must find some
-comfort in thinking of _you_.
-
-"I do so long in my solitude for a letter from my dear Cecilia. Nobody
-comes to see me, when I most want sympathy; I am a stranger in this vast
-city. The members of my mother's family are settled in Australia: they
-have not even written to me, in all the long years that have passed
-since her death. You remember how cheerfully I used to look forward to
-my new life, on leaving school? Good-by, my darling. While I can see
-your sweet face, in my thoughts, I don't despair--dark as it looks
-now--of the future that is before me."
-
-Emily had closed and addressed her letter, and was just rising from her
-chair, when she heard the voice of the new nurse at the door.
-
-
-
-
-CHAPTER XV. EMILY.
-
-"May I say a word?" Mrs. Mosey inquired. She entered the room--pale
-and trembling. Seeing that ominous change, Emily dropped back into her
-chair.
-
-"Dead?" she said faintly.
-
-Mrs. Mosey looked at her in vacant surprise.
-
-"I wish to say, miss, that your aunt has frightened me."
-
-Even that vague allusion was enough for Emily.
-
-"You need say no more," she replied. "I know but too well how my aunt's
-mind is affected by the fever."
-
-Confused and frightened as she was, Mrs. Mosey still found relief in her
-customary flow of words.
-
-"Many and many a person have I nursed in fever," she announced. "Many
-and many a person have I heard say strange things. Never yet, miss, in
-all my experience--!"
-
-"Don't tell me of it!" Emily interposed.
-
-"Oh, but I _must_ tell you! In your own interests, Miss Emily--in your
-own interests. I won't be inhuman enough to leave you alone in the house
-to-night; but if this delirium goes on, I must ask you to get another
-nurse. Shocking suspicions are lying in wait for me in that bedroom, as
-it were. I can't resist them as I ought, if I go back again, and hear
-your aunt saying what she has been saying for the last half hour and
-more. Mrs. Ellmother has expected impossibilities of me; and Mrs.
-Ellmother must take the consequences. I don't say she didn't warn
-me--speaking, you will please to understand, in the strictest
-confidence. 'Elizabeth,' she says, 'you know how wildly people talk in
-Miss Letitia's present condition. Pay no heed to it,' she says. 'Let it
-go in at one ear and out at the other,' she says. 'If Miss Emily asks
-questions--you know nothing about it. If she's frightened--you know
-nothing about it. If she bursts into fits of crying that are dreadful
-to see, pity her, poor thing, but take no notice.' All very well,
-and sounds like speaking out, doesn't it? Nothing of the sort! Mrs.
-Ellmother warns me to expect this, that, and the other. But there is one
-horrid thing (which I heard, mind, over and over again at your aunt's
-bedside) that she does _not_ prepare me for; and that horrid thing
-is--Murder!"
-
-At that last word, Mrs. Mosey dropped her voice to a whisper--and waited
-to see what effect she had produced.
-
-Sorely tried already by the cruel perplexities of her position, Emily's
-courage failed to resist the first sensation of horror, aroused in her
-by the climax of the nurse's hysterical narrative. Encouraged by
-her silence, Mrs. Mosey went on. She lifted one hand with theatrical
-solemnity--and luxuriously terrified herself with her own horrors.
-
-"An inn, Miss Emily; a lonely inn, somewhere in the country; and a
-comfortless room at the inn, with a makeshift bed at one end of it, and
-a makeshift bed at the other--I give you my word of honor, that was
-how your aunt put it. She spoke of two men next; two men asleep (you
-understand) in the two beds. I think she called them 'gentlemen'; but I
-can't be sure, and I wouldn't deceive you--you know I wouldn't deceive
-you, for the world. Miss Letitia muttered and mumbled, poor soul. I own
-I was getting tired of listening--when she burst out plain again, in
-that one horrid word--Oh, miss, don't be impatient! don't interrupt me!"
-
-Emily did interrupt, nevertheless. In some degree at least she had
-recovered herself. "No more of it!" she said--"I won't hear a word
-more."
-
-But Mrs. Mosey was too resolutely bent on asserting her own importance,
-by making the most of the alarm that she had suffered, to be repressed
-by any ordinary method of remonstrance. Without paying the slightest
-attention to what Emily had said, she went on again more loudly and more
-excitably than ever.
-
-"Listen, miss--listen! The dreadful part of it is to come; you haven't
-heard about the two gentlemen yet. One of them was murdered--what do
-you think of that!--and the other (I heard your aunt say it, in so many
-words) committed the crime. Did Miss Letitia fancy she was addressing a
-lot of people when _you_ were nursing her? She called out, like a person
-making public proclamation, when I was in her room. 'Whoever you are,
-good people' (she says), 'a hundred pounds reward, if you find the
-runaway murderer. Search everywhere for a poor weak womanish creature,
-with rings on his little white hands. There's nothing about him like
-a man, except his voice--a fine round voice. You'll know him, my
-friends--the wretch, the monster--you'll know him by his voice.' That
-was how she put it; I tell you again, that was how she put it. Did you
-hear her scream? Ah, my dear young lady, so much the better for you!
-'O the horrid murder' (she says)--'hush it up!' I'll take my Bible oath
-before the magistrate," cried Mrs. Mosey, starting out of her chair,
-"your aunt said, 'Hush it up!'"
-
-Emily crossed the room. The energy of her character was roused at last.
-She seized the foolish woman by the shoulders, forced her back in the
-chair, and looked her straight in the face without uttering a word.
-
-For the moment, Mrs. Mosey was petrified. She had fully expected--having
-reached the end of her terrible story--to find Emily at her feet,
-entreating her not to carry out her intention of leaving the cottage
-the next morning; and she had determined, after her sense of her own
-importance had been sufficiently flattered, to grant the prayer of the
-helpless young lady. Those were her anticipations--and how had they been
-fulfilled? She had been treated like a mad woman in a state of revolt!
-
-"How dare you assault me?" she asked piteously. "You ought to be ashamed
-of yourself. God knows I meant well."
-
-"You are not the first person," Emily answered, quietly releasing her,
-"who has done wrong with the best intentions."
-
-"I did my duty, miss, when I told you what your aunt said."
-
-"You forgot your duty when you listened to what my aunt said."
-
-"Allow me to explain myself."
-
-"No: not a word more on _that_ subject shall pass between us. Remain
-here, if you please; I have something to suggest in your own interests.
-Wait, and compose yourself."
-
-The purpose which had taken a foremost place in Emily's mind rested on
-the firm foundation of her love and pity for her aunt.
-
-Now that she had regained the power to think, she felt a hateful doubt
-pressed on her by Mrs. Mosey's disclosures. Having taken for granted
-that there was a foundation in truth for what she herself had heard in
-her aunt's room, could she reasonably resist the conclusion that there
-must be a foundation in truth for what Mrs. Mosey had heard, under
-similar circumstances?
-
-There was but one way of escaping from this dilemma--and Emily
-deliberately took it. She turned her back on her own convictions; and
-persuaded herself that she had been in the wrong, when she had attached
-importance to anything that her aunt had said, under the influence
-of delirium. Having adopted this conclusion, she resolved to face the
-prospect of a night's solitude by the death-bed--rather than permit Mrs.
-Mosey to have a second opportunity of drawing her own inferences from
-what she might hear in Miss Letitia's room.
-
-"Do you mean to keep me waiting much longer, miss?"
-
-"Not a moment longer, now you are composed again," Emily answered. "I
-have been thinking of what has happened; and I fail to see any necessity
-for putting off your departure until the doctor comes to-morrow morning.
-There is really no objection to your leaving me to-night."
-
-"I beg your pardon, miss; there _is_ an objection. I have already told
-you I can't reconcile it to my conscience to leave you here by yourself.
-I am not an inhuman woman," said Mrs. Mosey, putting her handkerchief to
-her eyes--smitten with pity for herself.
-
-Emily tried the effect of a conciliatory reply. "I am grateful for your
-kindness in offering to stay with me," she said.
-
-"Very good of you, I'm sure," Mrs. Mosey answered ironically. "But for
-all that, you persist in sending me away."
-
-"I persist in thinking that there is no necessity for my keeping you
-here until to-morrow."
-
-"Oh, have it your own way! I am not reduced to forcing my company on
-anybody."
-
-Mrs. Mosey put her handkerchief in her pocket, and asserted her dignity.
-With head erect and slowly-marching steps she walked out of the room.
-Emily was left in the cottage, alone with her dying aunt.
-
-
-
-
-CHAPTER XVI. MISS JETHRO.
-
-A fortnight after the disappearance of Mrs. Ellmother, and the dismissal
-of Mrs. Mosey, Doctor Allday entered his consulting-room, punctual to
-the hour at which he was accustomed to receive patients.
-
-An occasional wrinkling of his eyebrows, accompanied by an intermittent
-restlessness in his movements, appeared to indicate some disturbance
-of this worthy man's professional composure. His mind was indeed not at
-ease. Even the inexcitable old doctor had felt the attraction which had
-already conquered three such dissimilar people as Alban Morris, Cecilia
-Wyvil, and Francine de Sor. He was thinking of Emily.
-
-A ring at the door-bell announced the arrival of the first patient.
-
-The servant introduced a tall lady, dressed simply and elegantly in dark
-apparel. Noticeable features, of a Jewish cast--worn and haggard, but
-still preserving their grandeur of form--were visible through her
-veil. She moved with grace and dignity; and she stated her object in
-consulting Doctor Allday with the ease of a well-bred woman.
-
-"I come to ask your opinion, sir, on the state of my heart," she said;
-"and I am recommended by a patient, who has consulted you with advantage
-to herself." She placed a card on the doctor's writing-desk, and added:
-"I have become acquainted with the lady, by being one of the lodgers in
-her house."
-
-The doctor recognized the name--and the usual proceedings ensued. After
-careful examination, he arrived at a favorable conclusion. "I may tell
-you at once," he said--"there is no reason to be alarmed about the state
-of your heart."
-
-"I have never felt any alarm about myself," she answered quietly. "A
-sudden death is an easy death. If one's affairs are settled, it seems,
-on that account, to be the death to prefer. My object was to settle
-_my_ affairs--such as they are--if you had considered my life to be in
-danger. Is there nothing the matter with me?"
-
-"I don't say that," the doctor replied. "The action of your heart is
-very feeble. Take the medicine that I shall prescribe; pay a little
-more attention to eating and drinking than ladies usually do; don't run
-upstairs, and don't fatigue yourself by violent exercise--and I see no
-reason why you shouldn't live to be an old woman."
-
-"God forbid!" the lady said to herself. She turned away, and looked out
-of the window with a bitter smile.
-
-Doctor Allday wrote his prescription. "Are you likely to make a long
-stay in London?" he asked.
-
-"I am here for a little while only. Do you wish to see me again?"
-
-"I should like to see you once more, before you go away--if you can make
-it convenient. What name shall I put on the prescription?"
-
-"Miss Jethro."
-
-"A remarkable name," the doctor said, in his matter-of-fact way.
-
-Miss Jethro's bitter smile showed itself again.
-
-Without otherwise noticing what Doctor Allday had said, she laid the
-consultation fee on the table. At the same moment, the footman appeared
-with a letter. "From Miss Emily Brown," he said. "No answer required."
-
-He held the door open as he delivered the message, seeing that Miss
-Jethro was about to leave the room. She dismissed him by a gesture; and,
-returning to the table, pointed to the letter.
-
-"Was your correspondent lately a pupil at Miss Ladd's school?" she
-inquired.
-
-"My correspondent has just left Miss Ladd," the doctor answered. "Are
-you a friend of hers?"
-
-"I am acquainted with her."
-
-"You would be doing the poor child a kindness, if you would go and see
-her. She has no friends in London."
-
-"Pardon me--she has an aunt."
-
-"Her aunt died a week since."
-
-"Are there no other relations?"
-
-"None. A melancholy state of things, isn't it? She would have been
-absolutely alone in the house, if I had not sent one of my women
-servants to stay with her for the present. Did you know her father?"
-
-Miss Jethro passed over the question, as if she had not heard it. "Has
-the young lady dismissed her aunt's servants?" she asked.
-
-"Her aunt kept but one servant, ma'am. The woman has spared Miss Emily
-the trouble of dismissing her." He briefly alluded to Mrs. Ellmother's
-desertion of her mistress. "I can't explain it," he said when he had
-done. "Can _you_?"
-
-"What makes you think, sir, that I can help you? I have never even heard
-of the servant--and the mistress was a stranger to me."
-
-At Doctor Allday's age a man is not easily discouraged by reproof, even
-when it is administered by a handsome woman. "I thought you might have
-known Miss Emily's father," he persisted.
-
-Miss Jethro rose, and wished him good-morning. "I must not occupy any
-more of your valuable time," she said.
-
-"Suppose you wait a minute?" the doctor suggested.
-
-Impenetrable as ever, he rang the bell. "Any patients in the
-waiting-room?" he inquired. "You see I have time to spare," he resumed,
-when the man had replied in the negative. "I take an interest in this
-poor girl; and I thought--"
-
-"If you think that I take an interest in her, too," Miss Jethro
-interposed, "you are perfectly right--I knew her father," she added
-abruptly; the allusion to Emily having apparently reminded her of the
-question which she had hitherto declined to notice.
-
-"In that case," Doctor Allday proceeded, "I want a word of advice. Won't
-you sit down?"
-
-She took a chair in silence. An irregular movement in the lower part of
-her veil seemed to indicate that she was breathing with difficulty. The
-doctor observed her with close attention. "Let me see my prescription
-again," he said. Having added an ingredient, he handed it back with a
-word of explanation. "Your nerves are more out of order than I supposed.
-The hardest disease to cure that I know of is--worry."
-
-The hint could hardly have been plainer; but it was lost on Miss
-Jethro. Whatever her troubles might be, her medical adviser was not made
-acquainted with them. Quietly folding up the prescription, she reminded
-him that he had proposed to ask her advice.
-
-"In what way can I be of service to you?" she inquired.
-
-"I am afraid I must try your patience," the doctor acknowledged, "if I
-am to answer that question plainly."
-
-With these prefatory words, he described the events that had followed
-Mrs. Mosey's appearance at the cottage. "I am only doing justice to this
-foolish woman," he continued, "when I tell you that she came here, after
-she had left Miss Emily, and did her best to set matters right. I went
-to the poor girl directly--and I felt it my duty, after looking at her
-aunt, not to leave her alone for that night. When I got home the next
-morning, whom do you think I found waiting for me? Mrs. Ellmother!"
-
-He stopped--in the expectation that Miss Jethro would express some
-surprise. Not a word passed her lips.
-
-"Mrs. Ellmother's object was to ask how her mistress was going on," the
-doctor proceeded. "Every day while Miss Letitia still lived, she came
-here to make the same inquiry--without a word of explanation. On the day
-of the funeral, there she was at the church, dressed in deep mourning;
-and, as I can personally testify, crying bitterly. When the ceremony was
-over--can you believe it?--she slipped away before Miss Emily or I could
-speak to her. We have seen nothing more of her, and heard nothing more,
-from that time to this."
-
-He stopped again, the silent lady still listening without making any
-remark.
-
-"Have you no opinion to express?" the doctor asked bluntly.
-
-"I am waiting," Miss Jethro answered.
-
-"Waiting--for what?"
-
-"I haven't heard yet, why you want my advice."
-
-Doctor Allday's observation of humanity had hitherto reckoned want of
-caution among the deficient moral qualities in the natures of women. He
-set down Miss Jethro as a remarkable exception to a general rule.
-
-"I want you to advise me as to the right course to take with Miss
-Emily," he said. "She has assured me she attaches no serious importance
-to her aunt's wanderings, when the poor old lady's fever was at its
-worst. I don't doubt that she speaks the truth--but I have my own
-reasons for being afraid that she is deceiving herself. Will you bear
-this in mind?"
-
-"Yes--if it's necessary."
-
-"In plain words, Miss Jethro, you think I am still wandering from the
-point. I have got to the point. Yesterday, Miss Emily told me that
-she hoped to be soon composed enough to examine the papers left by her
-aunt."
-
-Miss Jethro suddenly turned in her chair, and looked at Doctor Allday.
-
-"Are you beginning to feel interested?" the doctor asked mischievously.
-
-She neither acknowledged nor denied it. "Go on"--was all she said.
-
-"I don't know how _you_ feel," he proceeded; "_I_ am afraid of the
-discoveries which she may make; and I am strongly tempted to advise
-her to leave the proposed examination to her aunt's lawyer. Is there
-anything in your knowledge of Miss Emily's late father, which tells you
-that I am right?"
-
-"Before I reply," said Miss Jethro, "it may not be amiss to let the
-young lady speak for herself."
-
-"How is she to do that?" the doctor asked.
-
-Miss Jethro pointed to the writing table. "Look there," she said. "You
-have not yet opened Miss Emily's letter."
-
-
-
-
-CHAPTER XVII. DOCTOR ALLDAY.
-
-Absorbed in the effort to overcome his patient's reserve, the doctor had
-forgotten Emily's letter. He opened it immediately.
-
-After reading the first sentence, he looked up with an expression of
-annoyance. "She has begun the examination of the papers already," he
-said.
-
-"Then I can be of no further use to you," Miss Jethro rejoined. She made
-a second attempt to leave the room.
-
-Doctor Allday turned to the next page of the letter. "Stop!" he cried.
-"She has found something--and here it is."
-
-He held up a small printed Handbill, which had been placed between the
-first and second pages. "Suppose you look at it?" he said.
-
-"Whether I am interested in it or not?" Miss Jethro asked.
-
-"You may be interested in what Miss Emily says about it in her letter."
-
-"Do you propose to show me her letter?"
-
-"I propose to read it to you."
-
-Miss Jethro took the Handbill without further objection. It was
-expressed in these words:
-
-"MURDER. 100 POUNDS REWARD.--Whereas a murder was committed on the
-thirtieth September, 1877, at the Hand-in-Hand Inn, in the village
-of Zeeland, Hampshire, the above reward will be paid to any person or
-persons whose exertions shall lead to the arrest and conviction of the
-suspected murderer. Name not known. Supposed age, between twenty and
-thirty years. A well-made man, of small stature. Fair complexion,
-delicate features, clear blue eyes. Hair light, and cut rather short.
-Clean shaven, with the exception of narrow half-whiskers. Small, white,
-well-shaped hands. Wore valuable rings on the two last fingers of
-the left hand. Dressed neatly in a dark-gray tourist-suit. Carried
-a knapsack, as if on a pedestrian excursion. Remarkably good voice,
-smooth, full, and persuasive. Ingratiating manners. Apply to the Chief
-Inspector, Metropolitan Police Office, London."
-
-Miss Jethro laid aside the Handbill without any visible appearance of
-agitation. The doctor took up Emily's letter, and read as follows:
-
-"You will be as much relieved as I was, my kind friend, when you look at
-the paper inclosed. I found it loose in a blank book, with cuttings from
-newspapers, and odd announcements of lost property and other curious
-things (all huddled together between the leaves), which my aunt no doubt
-intended to set in order and fix in their proper places. She must have
-been thinking of her book, poor soul, in her last illness. Here is the
-origin of those 'terrible words' which frightened stupid Mrs. Mosey! Is
-it not encouraging to have discovered such a confirmation of my opinion
-as this? I feel a new interest in looking over the papers that still
-remain to be examined--"
-
-Before he could get to the end of the sentence Miss Jethro's agitation
-broke through her reserve.
-
-"Do what you proposed to do!" she burst out vehemently. "Stop her at
-once from carrying her examination any further! If she hesitates, insist
-on it!"
-
-At last Doctor Allday had triumphed! "It has been a long time coming,"
-he remarked, in his cool way; "and it's all the more welcome on that
-account. You dread the discoveries she may make, Miss Jethro, as I do.
-And _you_ know what those discoveries may be."
-
-"What I do know, or don't know, is of no importance." she answered
-sharply.
-
-"Excuse me, it is of very serious importance. I have no authority over
-this poor girl--I am not even an old friend. You tell me to insist. Help
-me to declare honestly that I know of circumstances which justify me;
-and I may insist to some purpose."
-
-Miss Jethro lifted her veil for the first time, and eyed him
-searchingly.
-
-"I believe I can trust you," she said. "Now listen! The one
-consideration on which I consent to open my lips, is consideration for
-Miss Emily's tranquillity. Promise me absolute secrecy, on your word of
-honor."
-
-He gave the promise.
-
-"I want to know one thing, first," Miss Jethro proceeded. "Did she tell
-you--as she once told me--that her father had died of heart-complaint?"
-
-"Yes."
-
-"Did you put any questions to her?"
-
-"I asked how long ago it was."
-
-"And she told you?"
-
-"She told me."
-
-"You wish to know, Doctor Allday, what discoveries Miss Emily may yet
-make, among her aunt's papers. Judge for yourself, when I tell you that
-she has been deceived about her father's death."
-
-"Do you mean that he is still living?"
-
-"I mean that she has been deceived--purposely deceived--about the
-_manner_ of his death."
-
-"Who was the wretch who did it?"
-
-"You are wronging the dead, sir! The truth can only have been concealed
-out of the purest motives of love and pity. I don't desire to disguise
-the conclusion at which I have arrived after what I have heard from
-yourself. The person responsible must be Miss Emily's aunt--and the old
-servant must have been in her confidence. Remember! You are bound in
-honor not to repeat to any living creature what I have just said."
-
-The doctor followed Miss Jethro to the door. "You have not yet told me,"
-he said, "_how_ her father died."
-
-"I have no more to tell you."
-
-With those words she left him.
-
-He rang for his servant. To wait until the hour at which he was
-accustomed to go out, might be to leave Emily's peace of mind at the
-mercy of an accident. "I am going to the cottage," he said. "If anybody
-wants me, I shall be back in a quarter of an hour."
-
-On the point of leaving the house, he remembered that Emily would
-probably expect him to return the Handbill. As he took it up, the first
-lines caught his eye: he read the date at which the murder had been
-committed, for the second time. On a sudden the ruddy color left his
-face.
-
-"Good God!" he cried, "her father was murdered--and that woman was
-concerned in it."
-
-Following the impulse that urged him, he secured the Handbill in his
-pocketbook--snatched up the card which his patient had presented as her
-introduction--and instantly left the house. He called the first cab that
-passed him, and drove to Miss Jethro's lodgings.
-
-"Gone"--was the servant's answer when he inquired for her. He insisted
-on speaking to the landlady. "Hardly ten minutes have passed," he said,
-"since she left my house."
-
-"Hardly ten minutes have passed," the landlady replied, "since that
-message was brought here by a boy."
-
-The message had been evidently written in great haste: "I am
-unexpectedly obliged to leave London. A bank note is inclosed in payment
-of my debt to you. I will send for my luggage."
-
-The doctor withdrew.
-
-"Unexpectedly obliged to leave London," he repeated, as he got into the
-cab again. "Her flight condemns her: not a doubt of it now. As fast
-as you can!" he shouted to the man; directing him to drive to Emily's
-cottage.
-
-
-
-
-CHAPTER XVIII. MISS LADD.
-
-Arriving at the cottage, Doctor Allday discovered a gentleman, who was
-just closing the garden gate behind him.
-
-"Has Miss Emily had a visitor?" he inquired, when the servant admitted
-him.
-
-"The gentleman left a letter for Miss Emily, sir."
-
-"Did he ask to see her?"
-
-"He asked after Miss Letitia's health. When he heard that she was dead,
-he seemed to be startled, and went away immediately."
-
-"Did he give his name?"
-
-"No, sir."
-
-The doctor found Emily absorbed over her letter. His anxiety to
-forestall any possible discovery of the deception which had concealed
-the terrible story of her father's death, kept Doctor Allday's vigilance
-on the watch. He doubted the gentleman who had abstained from giving
-his name; he even distrusted the other unknown person who had written to
-Emily.
-
-She looked up. Her face relieved him of his misgivings, before she could
-speak.
-
-"At last, I have heard from my dearest friend," she said. "You remember
-what I told you about Cecilia? Here is a letter--a long delightful
-letter--from the Engadine, left at the door by some gentleman unknown. I
-was questioning the servant when you rang the bell."
-
-"You may question me, if you prefer it. I arrived just as the gentleman
-was shutting your garden gate."
-
-"Oh, tell me! what was he like?"
-
-"Tall, and thin, and dark. Wore a vile republican-looking felt hat.
-Had nasty ill-tempered wrinkles between his eyebrows. The sort of man I
-distrust by instinct."
-
-"Why?"
-
-"Because he doesn't shave."
-
-"Do you mean that he wore a beard?"
-
-"Yes; a curly black beard."
-
-Emily clasped her hands in amazement. "Can it be Alban Morris?" she
-exclaimed.
-
-The doctor looked at her with a sardonic smile; he thought it likely
-that he had discovered her sweetheart.
-
-"Who is Mr. Alban Morris?" he asked.
-
-"The drawing-master at Miss Ladd's school."
-
-Doctor Allday dropped the subject: masters at ladies' schools were not
-persons who interested him. He returned to the purpose which had brought
-him to the cottage--and produced the Handbill that had been sent to him
-in Emily's letter.
-
-"I suppose you want to have it back again?" he said.
-
-She took it from him, and looked at it with interest.
-
-"Isn't it strange," she suggested, "that the murderer should have
-escaped, with such a careful description of him as this circulated all
-over England?"
-
-She read the description to the doctor.
-
-"'Name not known. Supposed age, between twenty-five and thirty years.
-A well-made man, of small stature. Fair complexion, delicate features,
-clear blue eyes. Hair light, and cut rather short. Clean shaven, with
-the exception of narrow half-whiskers. Small, white, well-shaped hands.
-Wore valuable rings on the two last fingers of the left hand. Dressed
-neatly--'"
-
-"That part of the description is useless," the doctor remarked; "he
-would change his clothes."
-
-"But could he change his voice?" Emily objected. "Listen to this:
-'Remarkably good voice, smooth, full, and persuasive.' And here
-again! 'Ingratiating manners.' Perhaps you will say he could put on an
-appearance of rudeness?"
-
-"I will say this, my dear. He would be able to disguise himself so
-effectually that ninety-nine people out of a hundred would fail to
-identify him, either by his voice or his manner."
-
-"How?"
-
-"Look back at the description: 'Hair cut rather short, clean shaven,
-with the exception of narrow half-whiskers.' The wretch was safe from
-pursuit; he had ample time at his disposal--don't you see how he could
-completely alter the appearance of his head and face? No more, my dear,
-of this disagreeable subject! Let us get to something interesting. Have
-you found anything else among your aunt's papers?"
-
-"I have met with a great disappointment," Emily replied. "Did I tell you
-how I discovered the Handbill?"
-
-"No."
-
-"I found it, with the scrap-book and the newspaper cuttings, under
-a collection of empty boxes and bottles, in a drawer of the
-washhand-stand. And I naturally expected to make far more interesting
-discoveries in this room. My search was over in five minutes. Nothing
-in the cabinet there, in the corner, but a few books and some china.
-Nothing in the writing-desk, on that side-table, but a packet of
-note-paper and some sealing-wax. Nothing here, in the drawers, but
-tradesmen's receipts, materials for knitting, and old photographs. She
-must have destroyed all her papers, poor dear, before her last illness;
-and the Handbill and the other things can only have escaped, because
-they were left in a place which she never thought of examining. Isn't it
-provoking?"
-
-With a mind inexpressibly relieved, good Doctor Allday asked permission
-to return to his patients: leaving Emily to devote herself to her
-friend's letter.
-
-On his way out, he noticed that the door of the bed-chamber on the
-opposite side of the passage stood open. Since Miss Letitia's death the
-room had not been used. Well within view stood the washhand-stand
-to which Emily had alluded. The doctor advanced to the house
-door--reflected--hesitated--and looked toward the empty room.
-
-It had struck him that there might be a second drawer which Emily had
-overlooked. Would he be justified in setting this doubt at rest? If
-he passed over ordinary scruples it would not be without excuse. Miss
-Letitia had spoken to him of her affairs, and had asked him to act (in
-Emily's interest) as co-executor with her lawyer. The rapid progress
-of the illness had made it impossible for her to execute the necessary
-codicil. But the doctor had been morally (if not legally) taken into her
-confidence--and, for that reason, he decided that he had a right in this
-serious matter to satisfy his own mind.
-
-A glance was enough to show him that no second drawer had been
-overlooked.
-
-There was no other discovery to detain the doctor. The wardrobe only
-contained the poor old lady's clothes; the one cupboard was open
-and empty. On the point of leaving the room, he went back to the
-washhand-stand. While he had the opportunity, it might not be amiss
-to make sure that Emily had thoroughly examined those old boxes and
-bottles, which she had alluded to with some little contempt.
-
-The drawer was of considerable length. When he tried to pull it
-completely out from the grooves in which it ran, it resisted him. In his
-present frame of mind, this was a suspicious circumstance in itself. He
-cleared away the litter so as to make room for the introduction of his
-hand and arm into the drawer. In another moment his fingers touched
-a piece of paper, jammed between the inner end of the drawer and the
-bottom of the flat surface of the washhand-stand. With a little care, he
-succeeded in extricating the paper. Only pausing to satisfy himself
-that there was nothing else to be found, and to close the drawer after
-replacing its contents, he left the cottage.
-
-The cab was waiting for him. On the drive back to his own house, he
-opened the crumpled paper. It proved to be a letter addressed to
-Miss Letitia; and it was signed by no less a person than Emily's
-schoolmistress. Looking back from the end to the beginning, Doctor
-Allday discovered, in the first sentence, the name of--Miss Jethro.
-
-But for the interview of that morning with his patient he might have
-doubted the propriety of making himself further acquainted with the
-letter. As things were, he read it without hesitation.
-
-"DEAR MADAM--I cannot but regard it as providential circumstance that
-your niece, in writing to you from my house, should have mentioned,
-among other events of her school life, the arrival of my new teacher,
-Miss Jethro.
-
-"To say that I was surprised is to express very inadequately what I felt
-when I read your letter, informing me confidentially that I had employed
-a woman who was unworthy to associate with the young persons placed
-under my care. It is impossible for me to suppose that a lady in your
-position, and possessed of your high principles, would make such a
-serious accusation as this, without unanswerable reasons for doing so.
-At the same time I cannot, consistently with my duty as a Christian,
-suffer my opinion of Miss Jethro to be in any way modified, until proofs
-are laid before me which it is impossible to dispute.
-
-"Placing the same confidence in your discretion, which you have placed
-in mine, I now inclose the references and testimonials which Miss Jethro
-submitted to me, when she presented herself to fill the vacant situation
-in my school.
-
-"I earnestly request you to lose no time in instituting the confidential
-inquiries which you have volunteered to make. Whatever the result may
-be, pray return to me the inclosures which I have trusted to your care,
-and believe me, dear madam, in much suspense and anxiety, sincerely
-yours,
-
-"AMELIA LADD."
-
-
-It is needless to describe, at any length, the impression which these
-lines produced on the doctor.
-
-If he had heard what Emily had heard at the time of her aunt's last
-illness, he would have called to mind Miss Letitia's betrayal of her
-interest in some man unknown, whom she believed to have been beguiled
-by Miss Jethro--and he would have perceived that the vindictive hatred,
-thus produced, must have inspired the letter of denunciation which the
-schoolmistress had acknowledged. He would also have inferred that Miss
-Letitia's inquiries had proved her accusation to be well founded--if
-he had known of the new teacher's sudden dismissal from the school. As
-things were, he was merely confirmed in his bad opinion of Miss Jethro;
-and he was induced, on reflection, to keep his discovery to himself.
-
-"If poor Miss Emily saw the old lady exhibited in the character of an
-informer," he thought, "what a blow would be struck at her innocent
-respect for the memory of her aunt!"
-
-
-
-
-CHAPTER XIX. SIR JERVIS REDWOOD.
-
-In the meantime, Emily, left by herself, had her own correspondence to
-occupy her attention. Besides the letter from Cecilia (directed to the
-care of Sir Jervis Redwood), she had received some lines addressed to
-her by Sir Jervis himself. The two inclosures had been secured in a
-sealed envelope, directed to the cottage.
-
-If Alban Morris had been indeed the person trusted as messenger by Sir
-Jervis, the conclusion that followed filled Emily with overpowering
-emotions of curiosity and surprise.
-
-Having no longer the motive of serving and protecting her, Alban must,
-nevertheless, have taken the journey to Northumberland. He must have
-gained Sir Jervis Redwood's favor and confidence--and he might even
-have been a guest at the baronet's country seat--when Cecilia's letter
-arrived. What did it mean?
-
-Emily looked back at her experience of her last day at school, and
-recalled her consultation with Alban on the subject of Mrs. Rook. Was
-he still bent on clearing up his suspicions of Sir Jervis's housekeeper?
-And, with that end in view, had he followed the woman, on her return to
-her master's place of abode?
-
-Suddenly, almost irritably, Emily snatched up Sir Jervis's letter.
-Before the doctor had come in, she had glanced at it, and had thrown it
-aside in her impatience to read what Cecilia had written. In her present
-altered frame of mind, she was inclined to think that Sir Jervis might
-be the more interesting correspondent of the two.
-
-On returning to his letter, she was disappointed at the outset.
-
-In the first place, his handwriting was so abominably bad that she was
-obliged to guess at his meaning. In the second place, he never hinted at
-the circumstances under which Cecilia's letter had been confided to the
-gentleman who had left it at her door.
-
-She would once more have treated the baronet's communication with
-contempt--but for the discovery that it contained an offer of employment
-in London, addressed to herself.
-
-Sir Jervis had necessarily been obliged to engage another secretary
-in Emily's absence. But he was still in want of a person to serve his
-literary interests in London. He had reason to believe that discoveries
-made by modern travelers in Central America had been reported from time
-to time by the English press; and he wished copies to be taken of any
-notices of this sort which might be found, on referring to the files
-of newspapers kept in the reading-room of the British Museum. If
-Emily considered herself capable of contributing in this way to the
-completeness of his great work on "the ruined cities," she had only
-to apply to his bookseller in London, who would pay her the customary
-remuneration and give her every assistance of which she might stand in
-need. The bookseller's name and address followed (with nothing legible
-but the two words "Bond Street"), and there was an end of Sir Jervis's
-proposal.
-
-Emily laid it aside, deferring her answer until she had read Cecilia's
-letter.
-
-
-
-
-CHAPTER XX. THE REVEREND MILES MIRABEL.
-
-"I am making a little excursion from the Engadine, my dearest of all
-dear friends. Two charming fellow-travelers take care of me; and we may
-perhaps get as far as the Lake of Como.
-
-"My sister (already much improved in health) remains at St. Moritz with
-the old governess. The moment I know what exact course we are going to
-take, I shall write to Julia to forward any letters which arrive in my
-absence. My life, in this earthly paradise, will be only complete when I
-hear from my darling Emily.
-
-"In the meantime, we are staying for the night at some interesting
-place, the name of which I have unaccountably forgotten; and here I am
-in my room, writing to you at last--dying to know if Sir Jervis has yet
-thrown himself at your feet, and offered to make you Lady Redwood with
-magnificent settlements.
-
-"But you are waiting to hear who my new friends are. My dear, one of
-them is, next to yourself, the most delightful creature in existence.
-Society knows her as Lady Janeaway. I love her already, by her Christian
-name; she is my friend Doris. And she reciprocates my sentiments.
-
-"You will now understand that union of sympathies made us acquainted
-with each other.
-
-"If there is anything in me to be proud of, I think it must be my
-admirable appetite. And, if I have a passion, the name of it is Pastry.
-Here again, Lady Doris reciprocates my sentiments. We sit next to each
-other at the _table d'hote_.
-
-"Good heavens, I have forgotten her husband! They have been married
-rather more than a month. Did I tell you that she is just two years
-older than I am?
-
-"I declare I am forgetting him again! He is Lord Janeaway. Such a quiet
-modest man, and so easily amused. He carries with him everywhere a dirty
-little tin case, with air holes in the cover. He goes softly poking
-about among bushes and brambles, and under rocks, and behind old wooden
-houses. When he has caught some hideous insect that makes one shudder,
-he blushes with pleasure, and looks at his wife and me, and says, with
-the prettiest lisp: 'This is what I call enjoying the day.' To see the
-manner in which he obeys Her is, between ourselves, to feel proud of
-being a woman.
-
-"Where was I? Oh, at the _table d'hote_.
-
-"Never, Emily--I say it with a solemn sense of the claims of
-truth--never have I eaten such an infamous, abominable, maddeningly bad
-dinner, as the dinner they gave us on our first day at the hotel. I ask
-you if I am not patient; I appeal to your own recollection of occasions
-when I have exhibited extraordinary self-control. My dear, I held out
-until they brought the pastry round. I took one bite, and committed
-the most shocking offense against good manners at table that you can
-imagine. My handkerchief, my poor innocent handkerchief, received the
-horrid--please suppose the rest. My hair stands on end, when I think of
-it. Our neighbors at the table saw me. The coarse men laughed. The sweet
-young bride, sincerely feeling for me, said, 'Will you allow me to shake
-hands? I did exactly what you have done the day before yesterday.' Such
-was the beginning of my friendship with Lady Doris Janeaway.
-
-"We are two resolute women--I mean that _she_ is resolute, and that
-I follow her--and we have asserted our right of dining to our own
-satisfaction, by means of an interview with the chief cook.
-
-"This interesting person is an ex-Zouave in the French army. Instead of
-making excuses, he confessed that the barbarous tastes of the English
-and American visitors had so discouraged him, that he had lost all pride
-and pleasure in the exercise of his art. As an example of what he meant,
-he mentioned his experience of two young Englishmen who could speak
-no foreign language. The waiters reported that they objected to their
-breakfasts, and especially to the eggs. Thereupon (to translate the
-Frenchman's own way of putting it) he exhausted himself in exquisite
-preparations of eggs. _Eggs a la tripe, au gratin, a l'Aurore, a
-la Dauphine, a la Poulette, a la Tartare, a la Venitienne, a la
-Bordelaise_, and so on, and so on. Still the two young gentlemen
-were not satisfied. The ex-Zouave, infuriated; wounded in his honor,
-disgraced as a professor, insisted on an explanation. What, in heaven's
-name, _did_ they want for breakfast? They wanted boiled eggs; and a fish
-which they called a _Bloaterre_. It was impossible, he said, to express
-his contempt for the English idea of a breakfast, in the presence
-of ladies. You know how a cat expresses herself in the presence of a
-dog--and you will understand the allusion. Oh, Emily, what dinners we
-have had, in our own room, since we spoke to that noble cook!
-
-"Have I any more news to send you? Are you interested, my dear, in
-eloquent young clergymen?
-
-"On our first appearance at the public table we noticed a remarkable air
-of depression among the ladies. Had some adventurous gentleman tried to
-climb a mountain, and failed? Had disastrous political news arrived from
-England; a defeat of the Conservatives, for instance? Had a revolution
-in the fashions broken out in Paris, and had all our best dresses become
-of no earthly value to us? I applied for information to the only lady
-present who shone on the company with a cheerful face--my friend Doris,
-of course. "'What day was yesterday?' she asked.
-
-"'Sunday,' I answered.
-
-"'Of all melancholy Sundays,' she continued, the most melancholy in
-the calendar. Mr. Miles Mirabel preached his farewell sermon, in our
-temporary chapel upstairs.'
-
-"'And you have not recovered it yet?'
-
-"'We are all heart-broken, Miss Wyvil.'
-
-"This naturally interested me. I asked what sort of sermons Mr. Mirabel
-preached. Lady Janeaway said: 'Come up to our room after dinner. The
-subject is too distressing to be discussed in public.'
-
-"She began by making me personally acquainted with the reverend
-gentleman--that is to say, she showed me the photographic portraits of
-him. They were two in number. One only presented his face. The other
-exhibited him at full length, adorned in his surplice. Every lady in the
-congregation had received the two photographs as a farewell present. 'My
-portraits,' Lady Doris remarked, 'are the only complete specimens. The
-others have been irretrievably ruined by tears.'
-
-"You will now expect a personal description of this fascinating man.
-What the photographs failed to tell me, my friend was so kind as to
-complete from the resources of her own experience. Here is the result
-presented to the best of my ability.
-
-"He is young--not yet thirty years of age. His complexion is fair; his
-features are delicate, his eyes are clear blue. He has pretty hands, and
-rings prettier still. And such a voice, and such manners! You will say
-there are plenty of pet parsons who answer to this description. Wait a
-little--I have kept his chief distinction till the last. His beautiful
-light hair flows in profusion over his shoulders; and his glossy beard
-waves, at apostolic length, down to the lower buttons of his waistcoat.
-
-"What do you think of the Reverend Miles Mirabel now?
-
-"The life and adventures of our charming young clergyman, bear eloquent
-testimony to the saintly patience of his disposition, under trials which
-would have overwhelmed an ordinary man. (Lady Doris, please notice,
-quotes in this place the language of his admirers; and I report Lady
-Doris.)
-
-"He has been clerk in a lawyer's office--unjustly dismissed. He has
-given readings from Shakespeare--infamously neglected. He has been
-secretary to a promenade concert company--deceived by a penniless
-manager. He has been employed in negotiations for making foreign
-railways--repudiated by an unprincipled Government. He has been
-translator to a publishing house--declared incapable by
-envious newspapers and reviews. He has taken refuge in dramatic
-criticism--dismissed by a corrupt editor. Through all these means of
-purification for the priestly career, he passed at last into the
-one sphere that was worthy of him: he entered the Church, under the
-protection of influential friends. Oh, happy change! From that moment
-his labors have been blessed. Twice already he has been presented
-with silver tea-pots filled with sovereigns. Go where he may, precious
-sympathies environ him; and domestic affection places his knife and fork
-at innumerable family tables. After a continental career, which will
-leave undying recollections, he is now recalled to England--at the
-suggestion of a person of distinction in the Church, who prefers a mild
-climate. It will now be his valued privilege to represent an absent
-rector in a country living; remote from cities, secluded in pastoral
-solitude, among simple breeders of sheep. May the shepherd prove worthy
-of the flock!
-
-"Here again, my dear, I must give the merit where the merit is due.
-This memoir of Mr. Mirabel is not of my writing. It formed part of his
-farewell sermon, preserved in the memory of Lady Doris--and it shows
-(once more in the language of his admirers) that the truest humility may
-be found in the character of the most gifted man.
-
-"Let me only add, that you will have opportunities of seeing and
-hearing this popular preacher, when circumstances permit him to address
-congregations in the large towns. I am at the end of my news; and I
-begin to feel--after this long, long letter--that it is time to go to
-bed. Need I say that I have often spoken of you to Doris, and that she
-entreats you to be her friend as well as mine, when we meet again in
-England?
-
-"Good-by, darling, for the present. With fondest love,
-
-"Your CECILIA."
-
-"P.S.--I have formed a new habit. In case of feeling hungry in the
-night, I keep a box of chocolate under the pillow. You have no idea what
-a comfort it is. If I ever meet with the man who fulfills my ideal, I
-shall make it a condition of the marriage settlement, that I am to have
-chocolate under the pillow."
-
-
-
-
-CHAPTER XXI. POLLY AND SALLY.
-
-Without a care to trouble her; abroad or at home, finding
-inexhaustible varieties of amusement; seeing new places, making new
-acquaintances--what a disheartening contrast did Cecilia's happy life
-present to the life of her friend! Who, in Emily's position, could have
-read that joyously-written letter from Switzerland, and not have lost
-heart and faith, for the moment at least, as the inevitable result?
-
-A buoyant temperament is of all moral qualities the most precious, in
-this respect; it is the one force in us--when virtuous resolution proves
-insufficient--which resists by instinct the stealthy approaches of
-despair. "I shall only cry," Emily thought, "if I stay at home; better
-go out."
-
-Observant persons, accustomed to frequent the London parks, can hardly
-have failed to notice the number of solitary strangers sadly endeavoring
-to vary their lives by taking a walk. They linger about the flower-beds;
-they sit for hours on the benches; they look with patient curiosity at
-other people who have companions; they notice ladies on horseback and
-children at play, with submissive interest; some of the men find company
-in a pipe, without appearing to enjoy it; some of the women find a
-substitute for dinner, in little dry biscuits wrapped in crumpled scraps
-of paper; they are not sociable; they are hardly ever seen to make
-acquaintance with each other; perhaps they are shame-faced, or proud, or
-sullen; perhaps they despair of others, being accustomed to despair
-of themselves; perhaps they have their reasons for never venturing to
-encounter curiosity, or their vices which dread detection, or their
-virtues which suffer hardship with the resignation that is sufficient
-for itself. The one thing certain is, that these unfortunate people
-resist discovery. We know that they are strangers in London--and we know
-no more.
-
-And Emily was one of them.
-
-Among the other forlorn wanderers in the Parks, there appeared latterly
-a trim little figure in black (with the face protected from notice
-behind a crape veil), which was beginning to be familiar, day after
-day, to nursemaids and children, and to rouse curiosity among harmless
-solitaries meditating on benches, and idle vagabonds strolling over the
-grass. The woman-servant, whom the considerate doctor had provided, was
-the one person in Emily's absence left to take care of the house. There
-was no other creature who could be a companion to the friendless girl.
-Mrs. Ellmother had never shown herself again since the funeral. Mrs.
-Mosey could not forget that she had been (no matter how politely)
-requested to withdraw. To whom could Emily say, "Let us go out for a
-walk?" She had communicated the news of her aunt's death to Miss Ladd,
-at Brighton; and had heard from Francine. The worthy schoolmistress had
-written to her with the truest kindness. "Choose your own time, my poor
-child, and come and stay with me at Brighton; the sooner the better."
-Emily shrank--not from accepting the invitation--but from encountering
-Francine. The hard West Indian heiress looked harder than ever with
-a pen in her hand. Her letter announced that she was "getting on
-wretchedly with her studies (which she hated); she found the masters
-appointed to instruct her ugly and disagreeable (and loathed the sight
-of them); she had taken a dislike to Miss Ladd (and time only confirmed
-that unfavorable impression); Brighton was always the same; the sea
-was always the same; the drives were always the same. Francine felt a
-presentiment that she should do something desperate, unless Emily joined
-her, and made Brighton endurable behind the horrid schoolmistress's
-back." Solitude in London was a privilege and a pleasure, viewed as the
-alternative to such companionship as this.
-
-Emily wrote gratefully to Miss Ladd, and asked to be excused.
-
-Other days had passed drearily since that time; but the one day that had
-brought with it Cecilia's letter set past happiness and present sorrow
-together so vividly and so cruelly that Emily's courage sank. She had
-forced back the tears, in her lonely home; she had gone out to seek
-consolation and encouragement under the sunny sky--to find comfort for
-her sore heart in the radiant summer beauty of flowers and grass, in
-the sweet breathing of the air, in the happy heavenward soaring of the
-birds. No! Mother Nature is stepmother to the sick at heart. Soon,
-too soon, she could hardly see where she went. Again and again she
-resolutely cleared her eyes, under the shelter of her veil, when passing
-strangers noticed her; and again and again the tears found their way
-back. Oh, if the girls at the school were to see her now--the girls
-who used to say in their moments of sadness, "Let us go to Emily and be
-cheered"--would they know her again? She sat down to rest and recover
-herself on the nearest bench. It was unoccupied. No passing footsteps
-were audible on the remote path to which she had strayed. Solitude at
-home! Solitude in the Park! Where was Cecilia at that moment? In
-Italy, among the lakes and mountains, happy in the company of her
-light-hearted friend.
-
-The lonely interval passed, and persons came near. Two sisters, girls
-like herself, stopped to rest on the bench.
-
-They were full of their own interests; they hardly looked at the
-stranger in mourning garments. The younger sister was to be married, and
-the elder was to be bridesmaid. They talked of their dresses and their
-presents; they compared the dashing bridegroom of one with the timid
-lover of the other; they laughed over their own small sallies of wit,
-over their joyous dreams of the future, over their opinions of the
-guests invited to the wedding. Too joyfully restless to remain inactive
-any longer, they jumped up again from the seat. One of them said,
-"Polly, I'm too happy!" and danced as she walked away. The other
-cried, "Sally, for shame!" and laughed, as if she had hit on the most
-irresistible joke that ever was made.
-
-Emily rose and went home.
-
-By some mysterious influence which she was unable to trace, the
-boisterous merriment of the two girls had roused in her a sense of
-revolt against the life that she was leading. Change, speedy change, to
-some occupation that would force her to exert herself, presented the
-one promise of brighter days that she could see. To feel this was to be
-inevitably reminded of Sir Jervis Redwood. Here was a man, who had never
-seen her, transformed by the incomprehensible operation of Chance into
-the friend of whom she stood in need--the friend who pointed the way to
-a new world of action, the busy world of readers in the library of the
-Museum.
-
-Early in the new week, Emily had accepted Sir Jervis's proposal, and
-had so interested the bookseller to whom she had been directed to apply,
-that he took it on himself to modify the arbitrary instructions of his
-employer.
-
-"The old gentleman has no mercy on himself, and no mercy on others,"
-he explained, "where his literary labors are concerned. You must spare
-yourself, Miss Emily. It is not only absurd, it's cruel, to expect you
-to ransack old newspapers for discoveries in Yucatan, from the time when
-Stephens published his 'Travels in Central America'--nearly forty years
-since! Begin with back numbers published within a few years--say five
-years from the present date--and let us see what your search over that
-interval will bring forth."
-
-Accepting this friendly advice, Emily began with the newspaper-volume
-dating from New Year's Day, 1876.
-
-The first hour of her search strengthened the sincere sense of gratitude
-with which she remembered the bookseller's kindness. To keep her
-attention steadily fixed on the one subject that interested her
-employer, and to resist the temptation to read those miscellaneous items
-of news which especially interest women, put her patience and resolution
-to a merciless test. Happily for herself, her neighbors on either side
-were no idlers. To see them so absorbed over their work that they never
-once looked at her, after the first moment when she took her place
-between them, was to find exactly the example of which she stood most in
-need. As the hours wore on, she pursued her weary way, down one column
-and up another, resigned at least (if not quite reconciled yet) to her
-task. Her labors ended, for the day, with such encouragement as she
-might derive from the conviction of having, thus far, honestly pursued a
-useless search.
-
-News was waiting for her when she reached home, which raised her sinking
-spirits.
-
-On leaving the cottage that morning she had given certain instructions,
-relating to the modest stranger who had taken charge of her
-correspondence--in case of his paying a second visit, during her absence
-at the Museum. The first words spoken by the servant, on opening the
-door, informed her that the unknown gentleman had called again. This
-time he had boldly left his card. There was the welcome name that she
-had expected to see--Alban Morris.
-
-
-
-
-CHAPTER XXII. ALBAN MORRIS.
-
-Having looked at the card, Emily put her first question to the servant.
-
-"Did you tell Mr. Morris what your orders were?" she asked.
-
-"Yes, miss; I said I was to have shown him in, if you had been at home.
-Perhaps I did wrong; I told him what you told me when you went out this
-morning--I said you had gone to read at the Museum."
-
-"What makes you think you did wrong?"
-
-"Well, miss, he didn't say anything, but he looked upset."
-
-"Do you mean that he looked angry?"
-
-The servant shook her head. "Not exactly angry--puzzled and put out."
-
-"Did he leave any message?"
-
-"He said he would call later, if you would be so good as to receive
-him."
-
-In half an hour more, Alban and Emily were together again. The light
-fell full on her face as she rose to receive him.
-
-"Oh, how you have suffered!"
-
-The words escaped him before he could restrain himself. He looked at her
-with the tender sympathy, so precious to women, which she had not seen
-in the face of any human creature since the loss of her aunt. Even the
-good doctor's efforts to console her had been efforts of professional
-routine--the inevitable result of his life-long familiarity with sorrow
-and death. While Alban's eyes rested on her, Emily felt her tears
-rising. In the fear that he might misinterpret her reception of him, she
-made an effort to speak with some appearance of composure.
-
-"I lead a lonely life," she said; "and I can well understand that my
-face shows it. You are one of my very few friends, Mr. Morris"--the
-tears rose again; it discouraged her to see him standing irresolute,
-with his hat in his hand, fearful of intruding on her. "Indeed, indeed,
-you are welcome," she said, very earnestly.
-
-In those sad days her heart was easily touched. She gave him her hand
-for the second time. He held it gently for a moment. Every day since
-they had parted she had been in his thoughts; she had become dearer to
-him than ever. He was too deeply affected to trust himself to answer.
-That silence pleaded for him as nothing had pleaded for him yet. In
-her secret self she remembered with wonder how she had received his
-confession in the school garden. It was a little hard on him, surely, to
-have forbidden him even to hope.
-
-Conscious of her own weakness--even while giving way to it--she felt the
-necessity of turning his attention from herself. In some confusion, she
-pointed to a chair at her side, and spoke of his first visit, when he
-had left her letters at the door. Having confided to him all that she
-had discovered, and all that she had guessed, on that occasion, it
-was by an easy transition that she alluded next to the motive for his
-journey to the North.
-
-"I thought it might be suspicion of Mrs. Rook," she said. "Was I
-mistaken?"
-
-"No; you were right."
-
-"They were serious suspicions, I suppose?"
-
-"Certainly! I should not otherwise have devoted my holiday-time to
-clearing them up."
-
-"May I know what they were?"
-
-"I am sorry to disappoint you," he began.
-
-"But you would rather not answer my question," she interposed.
-
-"I would rather hear you tell me if you have made any other guess."
-
-"One more, Mr. Morris. I guessed that you had become acquainted with Sir
-Jervis Redwood."
-
-"For the second time, Miss Emily, you have arrived at a sound
-conclusion. My one hope of finding opportunities for observing Sir
-Jervis's housekeeper depended on my chance of gaining admission to Sir
-Jervis's house."
-
-"How did you succeed? Perhaps you provided yourself with a letter of
-introduction?"
-
-"I knew nobody who could introduce me," Alban replied. "As the event
-proved, a letter would have been needless. Sir Jervis introduced
-himself--and, more wonderful still, he invited me to his house at our
-first interview."
-
-"Sir Jervis introduced himself?" Emily repeated, in amazement. "From
-Cecilia's description of him, I should have thought he was the last
-person in the world to do that!"
-
-Alban smiled. "And you would like to know how it happened?" he
-suggested.
-
-"The very favor I was going to ask of you," she replied.
-
-Instead of at once complying with her wishes, he paused--hesitated--and
-made a strange request. "Will you forgive my rudeness, if I ask leave to
-walk up and down the room while I talk? I am a restless man. Walking up
-and down helps me to express myself freely."
-
-Her f ace brightened for the first time. "How like You that is!" she
-exclaimed.
-
-Alban looked at her with surprise and delight. She had betrayed an
-interest in studying his character, which he appreciated at its full
-value. "I should never have dared to hope," he said, "that you knew me
-so well already."
-
-"You are forgetting your story," she reminded him.
-
-He moved to the opposite side of the room, where there were fewer
-impediments in the shape of furniture. With his head down, and his hands
-crossed behind him, he paced to and fro. Habit made him express himself
-in his usual quaint way--but he became embarrassed as he went on. Was he
-disturbed by his recollections? or by the fear of taking Emily into his
-confidence too freely?
-
-"Different people have different ways of telling a story," he said.
-"Mine is the methodical way--I begin at the beginning. We will start, if
-you please, in the railway--we will proceed in a one-horse chaise--and
-we will stop at a village, situated in a hole. It was the nearest place
-to Sir Jervis's house, and it was therefore my destination. I picked out
-the biggest of the cottages--I mean the huts--and asked the woman at
-the door if she had a bed to let. She evidently thought me either mad
-or drunk. I wasted no time in persuasion; the right person to plead my
-cause was asleep in her arms. I began by admiring the baby; and I ended
-by taking the baby's portrait. From that moment I became a member of the
-family--the member who had his own way. Besides the room occupied by
-the husband and wife, there was a sort of kennel in which the husband's
-brother slept. He was dismissed (with five shillings of mine to comfort
-him) to find shelter somewhere else; and I was promoted to the vacant
-place. It is my misfortune to be tall. When I went to bed, I slept with
-my head on the pillow, and my feet out of the window. Very cool and
-pleasant in summer weather. The next morning, I set my trap for Sir
-Jervis."
-
-"Your trap?" Emily repeated, wondering what he meant.
-
-"I went out to sketch from Nature," Alban continued. "Can anybody (with
-or without a title, I don't care), living in a lonely country house, see
-a stranger hard at work with a color-box and brushes, and not stop to
-look at what he is doing? Three days passed, and nothing happened. I was
-quite patient; the grand open country all round me offered lessons of
-inestimable value in what we call aerial perspective. On the fourth
-day, I was absorbed over the hardest of all hard tasks in landscape
-art, studying the clouds straight from Nature. The magnificent moorland
-silence was suddenly profaned by a man's voice, speaking (or rather
-croaking) behind me. 'The worst curse of human life,' the voice said,
-'is the detestable necessity of taking exercise. I hate losing my time;
-I hate fine scenery; I hate fresh air; I hate a pony. Go on, you brute!'
-Being too deeply engaged with the clouds to look round, I had supposed
-this pretty speech to be addressed to some second person. Nothing of the
-sort; the croaking voice had a habit of speaking to itself. In a minute
-more, there came within my range of view a solitary old man, mounted on
-a rough pony."
-
-"Was it Sir Jervis?"
-
-Alban hesitated.
-
-"It looked more like the popular notion of the devil," he said.
-
-"Oh, Mr. Morris!"
-
-"I give you my first impression, Miss Emily, for what it is worth. He
-had his high-peaked hat in his hand, to keep his head cool. His wiry
-iron-gray hair looked like hair standing on end; his bushy eyebrows
-curled upward toward his narrow temples; his horrid old globular eyes
-stared with a wicked brightness; his pointed beard hid his chin; he
-was covered from his throat to his ankles in a loose black garment,
-something between a coat and a cloak; and, to complete him, he had a
-club foot. I don't doubt that Sir Jervis Redwood is the earthly alias
-which he finds convenient--but I stick to that first impression which
-appeared to surprise you. 'Ha! an artist; you seem to be the sort of man
-I want!' In those terms he introduced himself. Observe, if you please,
-that my trap caught him the moment he came my way. Who wouldn't be an
-artist?"
-
-"Did he take a liking to you?" Emily inquired.
-
-"Not he! I don't believe he ever took a liking to anybody in his life."
-
-"Then how did you get your invitation to his house?"
-
-"That's the amusing part of it, Miss Emily. Give me a little breathing
-time, and you shall hear."
-
-
-
-
-CHAPTER XXIII. MISS REDWOOD.
-
-"I got invited to Sir Jervis's house," Alban resumed, "by treating the
-old savage as unceremoniously as he had treated me. 'That's an idle
-trade of yours,' he said, looking at my sketch. 'Other ignorant people
-have made the same remark,' I answered. He rode away, as if he was not
-used to be spoken to in that manner, and then thought better of it, and
-came back. 'Do you understand wood engraving?' he asked. 'Yes.'
-'And etching?' 'I have practiced etching myself.' 'Are you a Royal
-Academician?' 'I'm a drawing-master at a ladies' school.' 'Whose
-school?' 'Miss Ladd's.' 'Damn it, you know the girl who ought to have
-been my secretary.' I am not quite sure whether you will take it as a
-compliment--Sir Jervis appeared to view you in the light of a reference
-to my respectability. At any rate, he went on with his questions. 'How
-long do you stop in these parts?' 'I haven't made up my mind.' 'Look
-here; I want to consult you--are you listening?' 'No; I'm sketching.' He
-burst into a horrid scream. I asked if he felt himself taken ill. 'Ill?'
-he said--'I'm laughing.' It was a diabolical laugh, in one syllable--not
-'ha! ha! ha!' only 'ha!'--and it made him look wonderfully like that
-eminent person, whom I persist in thinking he resembles. 'You're an
-impudent dog,' he said; 'where are you living?' He was so delighted when
-he heard of my uncomfortable position in the kennel-bedroom, that
-he offered his hospitality on the spot. 'I can't go to you in such a
-pigstye as that,' he said; 'you must come to me. What's your name?'
-'Alban Morris; what's yours?' 'Jervis Redwood. Pack up your traps when
-you've done your job, and come and try my kennel. There it is, in a
-corner of your drawing, and devilish like, too.' I packed up my traps,
-and I tried his kennel. And now you have had enough of Sir Jervis
-Redwood."
-
-"Not half enough!" Emily answered. "Your story leaves off just at the
-interesting moment. I want you to take me to Sir Jervis's house."
-
-"And I want you, Miss Emily, to take me to the British Museum. Don't let
-me startle you! When I called here earlier in the day, I was told that
-you had gone to the reading-room. Is your reading a secret?"
-
-His manner, when he made that reply, suggested to Emily that there was
-some foregone conclusion in his mind, which he was putting to the test.
-She answered without alluding to the impression which he had produced on
-her.
-
-"My reading is no secret. I am only consulting old newspapers."
-
-He repeated the last words to himself. "Old newspapers?" he said--as if
-he was not quite sure of having rightly understood her.
-
-She tried to help him by a more definite reply.
-
-"I am looking through old newspapers," she resumed, "beginning with the
-year eighteen hundred and seventy-six."
-
-"And going back from that time," he asked eagerly; "to earlier dates
-still?"
-
-"No--just the contrary--advancing from 'seventy-six' to the present
-time."
-
-He suddenly turned pale--and tried to hide his face from her by looking
-out of the window. For a moment, his agitation deprived him of his
-presence of mind. In that moment, she saw that she had alarmed him.
-
-"What have I said to frighten you?" she asked.
-
-He tried to assume a tone of commonplace gallantry. "There are limits
-even to your power over me," he replied. "Whatever else you may do, you
-can never frighten me. Are you searching those old newspapers with any
-particular object in view?"
-
-"Yes."
-
-"May I know what it is?"
-
-"May I know why I frightened you?"
-
-He began to walk up and down the room again--then checked himself
-abruptly, and appealed to her mercy.
-
-"Don't be hard on me," he pleaded. "I am so fond of you--oh, forgive me!
-I only mean that it distresses me to have any concealments from you. If
-I could open my whole heart at this moment, I should be a happier man."
-
-She understood him and believed him. "My curiosity shall never embarrass
-you again," she answered warmly. "I won't even remember that I wanted to
-hear how you got on in Sir Jervis's house."
-
-His gratitude seized the opportunity of taking her harmlessly into his
-confidence. "As Sir Jervis's guest," he said, "my experience is at your
-service. Only tell me how I can interest you."
-
-She replied, with some hesitation, "I should like to know what happened
-when you first saw Mrs. Rook." To her surprise and relief, he at once
-complied with her wishes.
-
-"We met," he said, "on the evening when I first entered the house. Sir
-Jervis took me into the dining-room--and there sat Miss Redwood, with
-a large black cat on her lap. Older than her brother, taller than her
-brother, leaner than her brother--with strange stony eyes, and a skin
-like parchment--she looked (if I may speak in contradictions) like
-a living corpse. I was presented, and the corpse revived. The last
-lingering relics of former good breeding showed themselves faintly in
-her brow and in her smile. You will hear more of Miss Redwood presently.
-In the meanwhile, Sir Jervis made me reward his hospitality by
-professional advice. He wished me to decide whether the artists whom
-he had employed to illustrate his wonderful book had cheated him by
-overcharges and bad work--and Mrs. Rook was sent to fetch the engravings
-from his study upstairs. You remember her petrified appearance, when she
-first read the inscription on your locket? The same result followed when
-she found herself face to face with me. I saluted her civilly--she was
-deaf and blind to my politeness. Her master snatched the illustrations
-out of her hand, and told her to leave the room. She stood stockstill,
-staring helplessly. Sir Jervis looked round at his sister; and I
-followed his example. Miss Redwood was observing the housekeeper too
-attentively to notice anything else; her brother was obliged to speak
-to her. 'Try Rook with the bell,' he said. Miss Redwood took a fine old
-bronze hand-bell from the table at her side, and rang it. At the shrill
-silvery sound of the bell, Mrs. Rook put her hand to her head as if the
-ringing had hurt her--turned instantly, and left us. 'Nobody can manage
-Rook but my sister,' Sir Jervis explained; 'Rook is crazy.' Miss Redwood
-differed with him. 'No!' she said. Only one word, but there were volumes
-of contradiction in it. Sir Jervis looked at me slyly; meaning, perhaps,
-that he thought his sister crazy too. The dinner was brought in at the
-same moment, and my attention was diverted to Mrs. Rook's husband."
-
-"What was he like?" Emily asked.
-
-"I really can't tell you; he was one of those essentially commonplace
-persons, whom one never looks at a second time. His dress was shabby,
-his head was bald, and his hands shook when he waited on us at
-table--and that is all I remember. Sir Jervis and I feasted on salt
-fish, mutton, and beer. Miss Redwood had cold broth, with a wine-glass
-full of rum poured into it by Mr. Rook. 'She's got no stomach,' her
-brother informed me; 'hot things come up again ten minutes after they
-have gone down her throat; she lives on that beastly mixture, and calls
-it broth-grog!' Miss Redwood sipped her elixir of life, and occasionally
-looked at me with an appearance of interest which I was at a loss to
-understand. Dinner being over, she rang her antique bell. The shabby old
-man-servant answered her call. 'Where's your wife?' she inquired. 'Ill,
-miss.' She took Mr. Rook's arm to go out, and stopped as she passed me.
-'Come to my room, if you please, sir, to-morrow at two o'clock,' she
-said. Sir Jervis explained again: 'She's all to pieces in the morning'
-(he invariably called his sister 'She'); 'and gets patched up toward the
-middle of the day. Death has forgotten her, that's about the truth of
-it.' He lighted his pipe and pondered over the hieroglyphics found among
-the ruined cities of Yucatan; I lighted my pipe, and read the only book
-I could find in the dining-room--a dreadful record of shipwrecks and
-disasters at sea. When the room was full of tobacco-smoke we fell asleep
-in our chairs--and when we awoke again we got up and went to bed. There
-is the true story of my first evening at Redwood Hall."
-
-Emily begged him to go on. "You have interested me in Miss Redwood," she
-said. "You kept your appointment, of course?"
-
-"I kept my appointment in no very pleasant humor. Encouraged by my
-favorable report of the illustrations which he had submitted to
-my judgment, Sir Jervis proposed to make me useful to him in a new
-capacity. 'You have nothing particular to do,' he said, 'suppose you
-clean my pictures?' I gave him one of my black looks, and made no other
-reply. My interview with his sister tried my powers of self-command in
-another way. Miss Redwood declared her purpose in sending for me the
-moment I entered the room. Without any preliminary remarks--speaking
-slowly and emphatically, in a wonderfully strong voice for a woman of
-her age--she said, 'I have a favor to ask of you, sir. I want you to
-tell me what Mrs. Rook has done.' I was so staggered that I stared at
-her like a fool. She went on: 'I suspected Mrs. Rook, sir, of having
-guilty remembrances on her conscience before she had been a week in
-our service.' Can you imagine my astonishment when I heard that Miss
-Redwood's view of Mrs. Rook was my view? Finding that I still said
-nothing, the old lady entered into details: 'We arranged, sir,' (she
-persisted in calling me 'sir,' with the formal politeness of the old
-school)--'we arranged, sir, that Mrs. Rook and her husband should occupy
-the bedroom next to mine, so that I might have her near me in case of
-my being taken ill in the night. She looked at the door between the two
-rooms--suspicious! She asked if there was any objection to her changing
-to another room--suspicious! suspicious! Pray take a seat, sir, and tell
-me which Mrs. Rook is guilty of--theft or murder?'"
-
-"What a dreadful old woman!" Emily exclaimed. "How did you answer her?"
-
-"I told her, with perfect truth, that I knew nothing of Mrs. Rook's
-secrets. Miss Redwood's humor took a satirical turn. 'Allow me to ask,
-sir, whether your eyes were shut, when our housekeeper found herself
-unexpectedly in your presence?' I referred the old lady to her brother's
-opinion. 'Sir Jervis believes Mrs. Rook to be crazy,' I reminded her.
-'Do you refuse to trust me, sir?' 'I have no information to give you,
-madam.' She waved her skinny old hand in the direction of the door.
-I made my bow, and retired. She called me back. 'Old women used to
-be prophets, sir, in the bygone time,' she said. 'I will venture on a
-prediction. You will be the means of depriving us of the services of
-Mr. and Mrs. Rook. If you will be so good as to stay here a day or two
-longer you will hear that those two people have given us notice to
-quit. It will be her doing, mind--he is a mere cypher. I wish you
-good-morning.' Will you believe me, when I tell you that the prophecy
-was fulfilled?"
-
-"Do you mean that they actually left the house?"
-
-"They would certainly have left the house," Alban answered, "if Sir
-Jervis had not insisted on receiving the customary month's warning. He
-asserted his resolution by locking up the old husband in the pantry. His
-sister's suspicions never entered his head; the housekeeper's conduct
-(he said) simply proved that she was, what he had always considered
-her to be, crazy. 'A capital servant, in spite of that drawback,' he
-remarked; 'and you will see, I shall bring her to her senses.' The
-impression produced on me was naturally of a very different kind.
-While I was still uncertain how to entrap Mrs. Rook into confirming my
-suspicions, she herself had saved me the trouble. She had placed her own
-guilty interpretation on my appearance in the house--I had driven her
-away!"
-
-Emily remained true to her resolution not to let her curiosity embarrass
-Alban again. But the unexpressed question was in her thoughts--"Of what
-guilt does he suspect Mrs. Rook? And, when he first felt his suspicions,
-was my father in his mind?"
-
-Alban proceeded.
-
-"I had only to consider next, whether I could hope to make any further
-discoveries, if I continued to be Sir Jervis's guest. The object of
-my journey had been gained; and I had no desire to be employed as
-picture-cleaner. Miss Redwood assisted me in arriving at a decision.
-I was sent for to speak to her again. The success of her prophecy had
-raised her spirits. She asked, with ironical humility, if I proposed to
-honor them by still remaining their guest, after the disturbance that I
-had provoked. I answered that I proposed to leave by the first train the
-next morning. 'Will it be convenient for you to travel to some place at
-a good distance from this part of the world?' she asked. I had my own
-reasons for going to London, and said so. 'Will you mention that to my
-brother this evening, just before we sit down to dinner?' she continued.
-'And will you tell him plainly that you have no intention of returning
-to the North? I shall make use of Mrs. Rook's arm, as usual, to help me
-downstairs--and I will take care that she hears what you say. Without
-venturing on another prophecy, I will only hint to you that I have my
-own idea of what will happen; and I should like you to see for yourself,
-sir, whether my anticipations are realized.' Need I tell you that this
-strange old woman proved to be right once more? Mr. Rook was released;
-Mrs. Rook made humble apologies, and laid the whole blame on her
-husband's temper: and Sir Jervis bade me remark that his method had
-succeeded in bringing the housekeeper to her senses. Such were
-the results produced by the announcement of my departure for
-London--purposely made in Mrs. Rook's hearing. Do you agree with me,
-that my journey to Northumberland has not been taken in vain?"
-
-Once more, Emily felt the necessity of controlling herself.
-
-Alban had said that he had "reasons of his own for going to London."
-Could she venture to ask him what those reasons were? She could only
-persist in restraining her curiosity, and conclude that he would have
-mentioned his motive, if it had been (as she had at one time supposed)
-connected with herself. It was a wise decision. No earthly consideration
-would have induced Alban to answer her, if she had put the question to
-him.
-
-All doubt of the correctness of his own first impression was now at an
-end; he was convinced that Mrs. Rook had been an accomplice in the
-crime committed, in 1877, at the village inn. His object in traveling
-to London was to consult the newspaper narrative of the murder. He, too,
-had been one of the readers at the Museum--had examined the back numbers
-of the newspaper--and had arrived at the conclusion that Emily's father
-had been the victim of the crime. Unless he found means to prevent it,
-her course of reading would take her from the year 1876 to the year
-1877, and under that date, she would see the fatal report, heading the
-top of a column, and printed in conspicuous type.
-
-In the meanwhile Emily had broken the silence, before it could lead to
-embarrassing results, by asking if Alban had seen Mrs. Rook again, on
-the morning when he left Sir Jervis's house.
-
-"There was nothing to be gained by seeing her," Alban replied. "Now that
-she and her husband had decided to remain at Redwood Hall, I knew where
-to find her in case of necessity. As it happened I saw nobody, on the
-morning of my departure, but Sir Jervis himself. He still held to his
-idea of having his pictures cleaned for nothing. 'If you can't do it
-yourself,' he said, 'couldn't you teach my secretary?' He described the
-lady whom he had engaged in your place as a 'nasty middle-aged woman
-with a perpetual cold in her head.' At the same time (he remarked) he
-was a friend to the women, 'because he got them cheap.' I declined to
-teach the unfortunate secretary the art of picture-cleaning. Finding me
-determined, Sir Jervis was quite ready to say good-by. But he made use
-of me to the last. He employed me as postman and saved a stamp. The
-letter addressed to you arrived at breakfast-time. Sir Jervis said, 'You
-are going to London; suppose you take it with you?'"
-
-"Did he tell you that there was a letter of his own inclosed in the
-envelope?"
-
-"No. When he gave me the envelope it was already sealed."
-
-Emily at once handed to him Sir Jervis's letter. "That will tell you who
-employs me at the Museum, and what my work is," she said.
-
-He looked through the letter, and at once offered--eagerly offered--to
-help her.
-
-"I have been a student in the reading-room at intervals, for years
-past," he said. "Let me assist you, and I shall have something to do in
-my holiday time." He was so anxious to be of use that he interrupted her
-before she could thank him. "Let us take alternate years," he suggested.
-"Did you not tell me you were searching the newspapers published in
-eighteen hundred and seventy-six?"
-
-"Yes."
-
-"Very well. I will take the next year. You will take the year after. And
-so on."
-
-"You are very kind," she answered--"but I should like to propose an
-improvement on your plan."
-
-"What improvement?" he asked, rather sharply.
-
-"If you will leave the five years, from 'seventy-six to 'eighty-one,
-entirely to me," she resumed, "and take the next five years, reckoning
-_backward_ from 'seventy-six, you will help me to better purpose. Sir
-Jervis expects me to look for reports of Central American Explorations,
-through the newspapers of the last forty years; and I have taken the
-liberty of limiting the heavy task imposed on me. When I report my
-progress to my employer, I should like to say that I have got through
-ten years of the examination, instead of five. Do you see any objection
-to the arrangement I propose?"
-
-He proved to be obstinate--incomprehensibly obstinate.
-
-"Let us try my plan to begin with," he insisted. "While you are looking
-through 'seventy-six, let me be at work on 'seventy-seven. If you still
-prefer your own arrangement, after that, I will follow your suggestion
-with pleasure. Is it agreed?"
-
-Her acute perception--enlightened by his tone as wall as by his
-words--detected something under the surface already.
-
-"It isn't agreed until I understand you a little better," she quietly
-replied. "I fancy you have some object of your own in view."
-
-She spoke with her usual directness of look and manner. He was evidently
-disconcerted. "What makes you think so?" he asked.
-
-"My own experience of myself makes me think so," she answered. "If _I_
-had some object to gain, I should persist in carrying it out--like you."
-
-"Does that mean, Miss Emily, that you refuse to give way?"
-
-"No, Mr. Morris. I have made myself disagreeable, but I know when to
-stop. I trust you--and submit."
-
-If he had been less deeply interested in the accomplishment of his
-merciful design, he might have viewed Emily's sudden submission with
-some distrust. As it was, his eagerness to prevent her from discovering
-the narrative of the murder hurried him into an act of indiscretion.
-He made an excuse to leave her immediately, in the fear that she might
-change her mind.
-
-"I have inexcusably prolonged my visit," he said. "If I presume on your
-kindness in this way, how can I hope that you will receive me again? We
-meet to-morrow in the reading-room."
-
-He hastened away, as if he was afraid to let her say a word in reply.
-
-Emily reflected.
-
-"Is there something he doesn't want me to see, in the news of the year
-'seventy-seven?" The one explanation which suggested itself to her mind
-assumed that form of expression--and the one method of satisfying her
-curiosity that seemed likely to succeed, was to search the volume which
-Alban had reserved for his own reading.
-
-For two days they pursued their task together, seated at opposite desks.
-On the third day Emily was absent.
-
-Was she ill?
-
-She was at the library in the City, consulting the file of _The Times_
-for the year 1877.
-
-
-
-
-CHAPTER XXIV. MR. ROOK.
-
-Emily's first day in the City library proved to be a day wasted.
-
-She began reading the back numbers of the newspaper at haphazard,
-without any definite idea of what she was looking for. Conscious of the
-error into which her own impatience had led her, she was at a loss
-how to retrace the false step that she had taken. But two alternatives
-presented themselves: either to abandon the hope of making any
-discovery--or to attempt to penetrate Alban 's motives by means of pure
-guesswork, pursued in the dark.
-
-How was the problem to be solved? This serious question troubled her all
-through the evening, and kept her awake when she went to bed. In despair
-of her capacity to remove the obstacle that stood in her way, she
-decided on resuming her regular work at the Museum--turned her pillow to
-get at the cool side of it--and made up her mind to go asleep.
-
-In the case of the wiser animals, the Person submits to Sleep. It is
-only the superior human being who tries the hopeless experiment of
-making Sleep submit to the Person. Wakeful on the warm side of the
-pillow, Emily remained wakeful on the cool side--thinking again and
-again of the interview with Alban which had ended so strangely.
-
-Little by little, her mind passed the limits which had restrained it
-thus far. Alban's conduct in keeping his secret, in the matter of
-the newspapers, now began to associate itself with Alban's conduct in
-keeping that other secret, which concealed from her his suspicions of
-Mrs. Rook.
-
-She started up in bed as the next possibility occurred to her.
-
-In speaking of the disaster which had compelled Mr. and Mrs. Rook to
-close the inn, Cecilia had alluded to an inquest held on the body of the
-murdered man. Had the inquest been mentioned in the newspapers, at the
-time? And had Alban seen something in the report, which concerned Mrs.
-Rook?
-
-Led by the new light that had fallen on her, Emily returned to the
-library the next morning with a definite idea of what she had to look
-for. Incapable of giving exact dates, Cecilia had informed her that the
-crime was committed "in the autumn." The month to choose, in beginning
-her examination, was therefore the month of August.
-
-No discovery rewarded her. She tried September, next--with the same
-unsatisfactory results. On Monday the first of October she met with some
-encouragement at last. At the top of a column appeared a telegraphic
-summary of all that was then known of the crime. In the number for the
-Wednesday following, she found a full report of the proceedings at the
-inquest.
-
-Passing over the preliminary remarks, Emily read the evidence with the
-closest attention.
-
- -------------
-
-The jury having viewed the body, and having visited an outhouse in which
-the murder had been committed, the first witness called was Mr. Benjamin
-Rook, landlord of the Hand-in-Hand inn.
-
-On the evening of Sunday, September 30th, 1877, two gentlemen presented
-themselves at Mr. Rook's house, under circumstances which especially
-excited his attention.
-
-The youngest of the two was short, and of fair complexion. He carried a
-knapsack, like a gentleman on a pedestrian excursion; his manners were
-pleasant; and he was decidedly good-looking. His companion, older,
-taller, and darker--and a finer man altogether--leaned on his arm and
-seemed to be exhausted. In every respect they were singularly unlike
-each other. The younger stranger (excepting little half-whiskers) was
-clean shaved. The elder wore his whole beard. Not knowing their names,
-the landlord distinguished them, at the coroner's suggestion, as the
-fair gentleman, and the dark gentleman.
-
-It was raining when the two arrived at the inn. There were signs in the
-heavens of a stormy night.
-
-On accosting the landlord, the fair gentleman volunteered the following
-statement:
-
-Approaching the village, he had been startled by seeing the dark
-gentleman (a total stranger to him) stretched prostrate on the grass at
-the roadside--so far as he could judge, in a swoon. Having a flask with
-brandy in it, he revived the fainting man, and led him to the inn.
-
-This statement was confirmed by a laborer, who was on his way to the
-village at the time.
-
-The dark gentleman endeavored to explain what had happened to him. He
-had, as he supposed, allowed too long a time to pass (after an early
-breakfast that morning), without taking food: he could only attribute
-the fainting fit to that cause. He was not liable to fainting fits. What
-purpose (if any) had brought him into the neighborhood of Zeeland, he
-did not state. He had no intention of remaining at the inn, except for
-refreshment; and he asked for a carriage to take him to the railway
-station.
-
-The fair gentleman, seeing the signs of bad weather, desired to remain
-in Mr. Rook's house for the night, and proposed to resume his walking
-tour the next day.
-
-Excepting the case of supper, which could be easily provided, the
-landlord had no choice but to disappoint both his guests. In his small
-way of business, none of his customers wanted to hire a carriage--even
-if he could have afforded to keep one. As for beds, the few rooms which
-the inn contained were all engaged; including even the room occupied by
-himself and his wife. An exhibition of agricultural implements had
-been opened in the neighborhood, only two days since; and a public
-competition between rival machines was to be decided on the coming
-Monday. Not only was the Hand-in-Hand inn crowded, but even the
-accommodation offered by the nearest town had proved barely sufficient
-to meet the public demand.
-
-The gentlemen looked at each other and agreed that there was no help for
-it but to hurry the supper, and walk to the railway station--a distance
-of between five and six miles--in time to catch the last train.
-
-While the meal was being prepared, the rain held off for a while. The
-dark man asked his way to the post-office and went out by himself.
-
-He came back in about ten minutes, and sat down afterward to supper with
-his companion. Neither the landlord, nor any other person in the public
-room, noticed any change in him on his return. He was a grave, quiet
-sort of person, and (unlike the other one) not much of a talker.
-
-As the darkness came on, the rain fell again heavily; and the heavens
-were black.
-
-A flash of lightning startled the gentlemen when they went to the window
-to look out: the thunderstorm began. It was simply impossible that
-two strangers to the neighborhood could find their way to the station,
-through storm and darkness, in time to catch the train. With or without
-bedrooms, they must remain at the inn for the night. Having already
-given up their own room to their lodgers, the landlord and landlady had
-no other place to sleep in than the kitchen. Next to the kitchen, and
-communicating with it by a door, was an outhouse; used, partly as a
-scullery, partly as a lumber-room. There was an old truckle-bed among
-the lumber, on which one of the gentlemen might rest. A mattress on the
-floor could be provided for the other. After adding a table and a basin,
-for the purposes of the toilet, the accommodation which Mr. Rook was
-able to offer came to an end.
-
-The travelers agreed to occupy this makeshift bed-chamber.
-
-The thunderstorm passed away; but the rain continued to fall heavily.
-Soon after eleven the guests at the inn retired for the night. There was
-some little discussion between the two travelers, as to which of them
-should take possession of the truckle-bed. It was put an end to by the
-fair gentleman, in his own pleasant way. He proposed to "toss up
-for it"--and he lost. The dark gentleman went to bed first; the fair
-gentleman followed, after waiting a while. Mr. Rook took his knapsack
-into the outhouse; and arranged on the table his appliances for the
-toilet--contained in a leather roll, and including a razor--ready for
-use in the morning.
-
-Having previously barred the second door of the outhouse, which led into
-the yard, Mr. Rook fastened the other door, the lock and bolts of which
-were on the side of the kitchen. He then secured the house door, and the
-shutters over the lower windows. Returning to the kitchen, he noticed
-that the time was ten minutes short of midnight. Soon afterward, he and
-his wife went to bed.
-
-Nothing happened to disturb Mr. and Mrs. Rook during the night.
-
-At a quarter to seven the next morning, he got up; his wife being still
-asleep. He had been instructed to wake the gentlemen early; and he
-knocked at their door. Receiving no answer, after repeatedly knocking,
-he opened the door and stepped into the outhouse.
-
-At this point in his evidence, the witness's recollections appeared to
-overpower him. "Give me a moment, gentlemen," he said to the jury. "I
-have had a dreadful fright; and I don't believe I shall get over it for
-the rest of my life."
-
-The coroner helped him by a question: "What did you see when you opened
-the door?"
-
-Mr. Rook answered: "I saw the dark man stretched out on his bed--dead,
-with a frightful wound in his throat. I saw an open razor, stained with
-smears of blood, at his side."
-
-"Did you notice the door, leading into the yard?"
-
-"It was wide open, sir. When I was able to look round me, the other
-traveler--I mean the man with the fair complexion, who carried the
-knapsack--was nowhere to be seen."
-
-"What did you do, after making these discoveries?"
-
-"I closed the yard door. Then I locked the other door, and put the
-key in my pocket. After that I roused the servant, and sent him to the
-constable--who lived near to us--while I ran for the doctor, whose
-house was at the other end of our village. The doctor sent his groom, on
-horseback, to the police-office in the town. When I returned to the
-inn, the constable was there--and he and the police took the matter into
-their own hands."
-
-"You have nothing more to tell us?"
-
-"Nothing more."
-
-
-
-
-CHAPTER XXV. "J. B."
-
-Mr. Rook having completed his evidence, the police authorities were the
-next witnesses examined.
-
-They had not found the slightest trace of any attempt to break into
-the house in the night. The murdered man's gold watch and chain were
-discovered under his pillow. On examining his clothes the money was
-found in his purse, and the gold studs and sleeve buttons were left in
-his shirt. But his pocketbook (seen by witnesses who had not yet been
-examined) was missing. The search for visiting cards and letters had
-proved to be fruitless. Only the initials, "J. B.," were marked on his
-linen. He had brought no luggage with him to the inn. Nothing could be
-found which led to the discovery of his name or of the purpose which had
-taken him into that part of the country.
-
-The police examined the outhouse next, in search of circumstantial
-evidence against the missing man.
-
-He must have carried away his knapsack, when he took to flight, but
-he had been (probably) in too great a hurry to look for his razor--or
-perhaps too terrified to touch it, if it had attracted his notice. The
-leather roll, and the other articles used for his toilet, had been
-taken away. Mr. Rook identified the blood-stained razor. He had noticed
-overnight the name of the Belgian city, "Liege," engraved on it.
-
-The yard was the next place inspected. Foot-steps were found on the
-muddy earth up to the wall. But the road on the other side had been
-recently mended with stones, and the trace of the fugitive was lost.
-Casts had been taken of the footsteps; and no other means of discovery
-had been left untried. The authorities in London had also been
-communicated with by telegraph.
-
-The doctor being called, described a personal peculiarity, which he
-had noticed at the post-mortem examination, and which might lead to the
-identification of the murdered man.
-
-As to the cause of death, the witness said it could be stated in
-two words. The internal jugular vein had been cut through, with such
-violence, judging by the appearances, that the wound could not have been
-inflicted, in the act of suicide, by the hand of the deceased person. No
-other injuries, and no sign of disease, was found on the body. The one
-cause of death had been Hemorrhage; and the one peculiarity which called
-for notice had been discovered in the mouth. Two of the front teeth, in
-the upper jaw, were false. They had been so admirably made to resemble
-the natural teeth on either side of them, in form and color, that the
-witness had only hit on the discovery by accidentally touching the inner
-side of the gum with one of his fingers.
-
-The landlady was examined, when the doctor had retired. Mrs. Rook was
-able, in answering questions put to her, to give important information,
-in reference to the missing pocketbook.
-
-Before retiring to rest, the two gentlemen had paid the bill--intending
-to leave the inn the first thing in the morning. The traveler with the
-knapsack paid his share in money. The other unfortunate gentleman looked
-into his purse, and found only a shilling and a sixpence in it. He asked
-Mrs. Rook if she could change a bank-note. She told him it could be
-done, provided the note was for no considerable sum of money. Upon that
-he opened his pocketbook (which the witness described minutely) and
-turned out the contents on the table. After searching among many Bank
-of England notes, some in one pocket of the book and some in another, he
-found a note of the value of five pounds. He thereupon settled his bill,
-and received the change from Mrs. Rook--her husband being in another
-part of the room, attending to the guests. She noticed a letter in an
-envelope, and a few cards which looked (to her judgment) like visiting
-cards, among the bank-notes which he had turned out on the table. When
-she returned to him with the change, he had just put them back, and
-was closing the pocketbook. She saw him place it in one of the breast
-pockets of his coat.
-
-The fellow-traveler who had accompanied him to the inn was present all
-the time, sitting on the opposite side of the table. He made a remark
-when he saw the notes produced. He said, "Put all that money back--don't
-tempt a poor man like me!" It was said laughing, as if by way of a joke.
-
-Mrs. Rook had observed nothing more that night; had slept as soundly as
-usual; and had been awakened when her husband knocked at the outhouse
-door, according to instructions received from the gentlemen, overnight.
-
-Three of the guests in the public room corroborated Mrs. Rook's
-evidence. They were respectable persons, well and widely known in that
-part of Hampshire. Besides these, there were two strangers staying
-in the house. They referred the coroner to their employers--eminent
-manufacturers at Sheffield and Wolverhampton--whose testimony spoke for
-itself.
-
-The last witness called was a grocer in the village, who kept the
-post-office.
-
-On the evening of the 30th, a dark gentleman, wearing his beard, knocked
-at the door, and asked for a letter addressed to "J. B., Post-office,
-Zeeland." The letter had arrived by that morning's post; but, being
-Sunday evening, the grocer requested that application might be made for
-it the next morning. The stranger said the letter contained news, which
-it was of importance to him to receive without delay. Upon this, the
-grocer made an exception to customary rules and gave him the letter.
-He read it by the light of the lamp in the passage. It must have been
-short, for the reading was done in a moment. He seemed to think over it
-for a while; and then he turned round to go out. There was nothing to
-notice in his look or in his manner. The witness offered a remark on the
-weather; and the gentleman said, "Yes, it looks like a bad night"--and
-so went away.
-
-The postmaster's evidence was of importance in one respect: it suggested
-the motive which had brought the deceased to Zeeland. The letter
-addressed to "J. B." was, in all probability, the letter seen by Mrs.
-Rook among the contents of the pocketbook, spread out on the table.
-
-The inquiry being, so far, at an end, the inquest was adjourned--on the
-chance of obtaining additional evidence, when the reported proceedings
-were read by the public.
-
- ........
-
-Consulting a later number of the newspaper Emily discovered that the
-deceased person had been identified by a witness from London.
-
-Henry Forth, gentleman's valet, being examined, made the following
-statement:
-
-He had read the medical evidence contained in the report of the inquest;
-and, believing that he could identify the deceased, had been sent by
-his present master to assist the object of the inquiry. Ten days since,
-being then out of place, he had answered an advertisement. The next day,
-he was instructed to call at Tracey's Hotel, London, at six o'clock in
-the evening, and to ask for Mr. James Brown. Arriving at the hotel he
-saw the gentleman for a few minutes only. Mr. Brown had a friend with
-him. After glancing over the valet's references, he said, "I haven't
-time enough to speak to you this evening. Call here to-morrow morning
-at nine o'clock." The gentleman who was present laughed, and said, "You
-won't be up!" Mr. Brown answered, "That won't matter; the man can come
-to my bedroom, and let me see how he understands his duties, on trial."
-At nine the next morning, Mr. Brown was reported to be still in bed; and
-the witness was informed of the number of the room. He knocked at the
-door. A drowsy voice inside said something, which he interpreted as
-meaning "Come in." He went in. The toilet-table was on his left hand,
-and the bed (with the lower curtain drawn) was on his right. He saw on
-the table a tumbler with a little water in it, and with two false
-teeth in the water. Mr. Brown started up in bed--looked at him
-furiously--abused him for daring to enter the room--and shouted to him
-to "get out." The witness, not accustomed to be treated in that way,
-felt naturally indignant, and at once withdrew--but not before he had
-plainly seen the vacant place which the false teeth had been made to
-fill. Perhaps Mr. Brown had forgotten that he had left his teeth on the
-table. Or perhaps he (the valet) had misunderstood what had been said
-to him when he knocked at the door. Either way, it seemed to be plain
-enough that the gentleman resented the discovery of his false teeth by a
-stranger.
-
-Having concluded his statement the witness proceeded to identify the
-remains of the deceased.
-
-He at once recognized the gentleman named James Brown, whom he had
-twice seen--once in the evening, and again the next morning--at Tracey's
-Hotel. In answer to further inquiries, he declared that he knew nothing
-of the family, or of the place of residence, of the deceased. He
-complained to the proprietor of the hotel of the rude treatment that he
-had received, and asked if Mr. Tracey knew anything of Mr. James Brown.
-Mr. Tracey knew nothing of him. On consulting the hotel book it was
-found that he had given notice to leave, that afternoon.
-
-Before returning to London, the witness produced references which gave
-him an excellent character. He also left the address of the master who
-had engaged him three days since.
-
-The last precaution adopted was to have the face of the corpse
-photographed, before the coffin was closed. On the same day the jury
-agreed on their verdict: "Willful murder against some person unknown."
-
- ........
-
-
-Two days later, Emily found a last allusion to the crime--extracted from
-the columns of the _South Hampshire Gazette_.
-
-A relative of the deceased, seeing the report of the adjourned inquest,
-had appeared (accompanied by a medical gentleman); had seen the
-photograph; and had declared the identification by Henry Forth to be
-correct.
-
-Among other particulars, now communicated for the first time, it was
-stated that the late Mr. James Brown had been unreasonably sensitive on
-the subject of his false teeth, and that the one member of his family
-who knew of his wearing them was the relative who now claimed his
-remains.
-
-The claim having been established to the satisfaction of the
-authorities, the corpse was removed by railroad the same day. No further
-light had been thrown on the murder. The Handbill offering the reward,
-and describing the suspected man, had failed to prove of any assistance
-to the investigations of the police.
-
-From that date, no further notice of the crime committed at the
-Hand-in-Hand inn appeared in the public journals.
-
- ........
-
-
-Emily closed the volume which she had been consulting, and thankfully
-acknowledged the services of the librarian.
-
-The new reader had excited this gentleman's interest. Noticing how
-carefully she examined the numbers of the old newspaper, he looked at
-her, from time to time, wondering whether it was good news or bad of
-which she was in search. She read steadily and continuously; but she
-never rewarded his curiosity by any outward sign of the impression that
-had been produced on her. When she left the room there was nothing to
-remark in her manner; she looked quietly thoughtful--and that was all.
-
-The librarian smiled--amused by his own folly. Because a stranger's
-appearance had attracted him, he had taken it for granted that
-circumstances of romantic interest must be connected with her visit to
-the library. Far from misleading him, as he supposed, his fancy might
-have been employed to better purpose, if it had taken a higher flight
-still--and had associated Emily with the fateful gloom of tragedy, in
-place of the brighter interest of romance.
-
-There, among the ordinary readers of the day, was a dutiful and
-affectionate daughter following the dreadful story of the death of
-her father by murder, and believing it to be the story of a
-stranger--because she loved and trusted the person whose short-sighted
-mercy had deceived her. That very discovery, the dread of which had
-shaken the good doctor's firm nerves, had forced Alban to exclude from
-his confidence the woman whom he loved, and had driven the faithful
-old servant from the bedside of her dying mistress--that very discovery
-Emily had now made, with a face which never changed color, and a heart
-which beat at ease. Was the deception that had won this cruel victory
-over truth destined still to triumph in the days which were to come?
-Yes--if the life of earth is a foretaste of the life of hell. No--if a
-lie _is_ a lie, be the merciful motive for the falsehood what it may.
-No--if all deceit contains in it the seed of retribution, to be ripened
-inexorably in the lapse of time.
-
-
-
-
-CHAPTER XXVI. MOTHER EVE.
-
-The servant received Emily, on her return from the library, with a sly
-smile. "Here he is again, miss, waiting to see you."
-
-She opened the parlor door, and revealed Alban Morris, as restless as
-ever, walking up and down the room.
-
-"When I missed you at the Museum, I was afraid you might be ill," he
-said. "Ought I to have gone away, when my anxiety was relieved? Shall I
-go away now?"
-
-"You must take a chair, Mr. Morris, and hear what I have to say for
-myself. When you left me after your last visit, I suppose I felt the
-force of example. At any rate I, like you, had my suspicions. I have
-been trying to confirm them--and I have failed."
-
-He paused, with the chair in his hand. "Suspicions of Me?" he asked.
-
-"Certainly! Can you guess how I have been employed for the last two
-days? No--not even your ingenuity can do that. I have been hard at work,
-in another reading-room, consulting the same back numbers of the same
-newspaper, which you have been examining at the British Museum. There is
-my confession--and now we will have some tea."
-
-She moved to the fireplace, to ring the bell, and failed to see the
-effect produced on Alban by those lightly-uttered words. The common
-phrase is the only phrase that can describe it. He was thunderstruck.
-
-"Yes," she resumed, "I have read the report of the inquest. If I know
-nothing else, I know that the murder at Zeeland can't be the discovery
-which you are bent on keeping from me. Don't be alarmed for the
-preservation of your secret! I am too much discouraged to try again."
-
-The servant interrupted them by answering the bell; Alban once more
-escaped detection. Emily gave her orders with an approach to the old
-gayety of her school days. "Tea, as soon as possible--and let us have
-the new cake. Are you too much of a man, Mr. Morris, to like cake?"
-
-In this state of agitation, he was unreasonably irritated by that
-playful question. "There is one thing I like better than cake," he said;
-"and that one thing is a plain explanation."
-
-His tone puzzled her. "Have I said anything to offend you?" she asked.
-"Surely you can make allowance for a girl's curiosity? Oh, you shall
-have your explanation--and, what is more, you shall have it without
-reserve!"
-
-She was as good as her word. What she had thought, and what she had
-planned, when he left her after his last visit, was frankly and fully
-told. "If you wonder how I discovered the library," she went on, "I must
-refer you to my aunt's lawyer. He lives in the City--and I wrote to him
-to help me. I don't consider that my time has been wasted. Mr. Morris,
-we owe an apology to Mrs. Rook."
-
-Alban's astonishment, when he heard this, forced its way to expression
-in words. "What can you possibly mean?" he asked.
-
-The tea was brought in before Emily could reply. She filled the cups,
-and sighed as she looked at the cake. "If Cecilia was here, how she
-would enjoy it!" With that complimentary tribute to her friend, she
-handed a slice to Alban. He never even noticed it.
-
-"We have both of us behaved most unkindly to Mrs. Rook," she resumed. "I
-can excuse your not seeing it; for I should not have seen it either, but
-for the newspaper. While I was reading, I had an opportunity of thinking
-over what we said and did, when the poor woman's behavior so needlessly
-offended us. I was too excited to think, at the time--and, besides, I
-had been upset, only the night before, by what Miss Jethro said to me."
-
-Alban started. "What has Miss Jethro to do with it?" he asked.
-
-"Nothing at all," Emily answered. "She spoke to me of her own private
-affairs. A long story--and you wouldn't be interested in it. Let me
-finish what I had to say. Mrs. Rook was naturally reminded of the
-murder, when she heard that my name was Brown; and she must certainly
-have been struck--as I was--by the coincidence of my father's death
-taking place at the same time when his unfortunate namesake was killed.
-Doesn't this sufficiently account for her agitation when she looked at
-the locket? We first took her by surprise: and then we suspected her of
-Heaven knows what, because the poor creature didn't happen to have her
-wits about her, and to remember at the right moment what a very common
-name 'James Brown' is. Don't you see it as I do?"
-
-"I see that you have arrived at a remarkable change of opinion, since we
-spoke of the subject in the garden at school."
-
-"In my place, you would have changed your opinion too. I shall write to
-Mrs. Rook by tomorrow's post."
-
-Alban heard her with dismay. "Pray be guided by my advice!" he said
-earnestly. "Pray don't write that letter!"
-
-"Why not?"
-
-It was too late to recall the words which he had rashly allowed to
-escape him. How could he reply?
-
-To own that he had not only read what Emily had read, but had carefully
-copied the whole narrative and considered it at his leisure, appeared
-to be simply impossible after what he had now heard. Her peace of
-mind depended absolutely on his discretion. In this serious emergency,
-silence was a mercy, and silence was a lie. If he remained silent, might
-the mercy be trusted to atone for the lie? He was too fond of Emily
-to decide that question fairly, on its own merits. In other words, he
-shrank from the terrible responsibility of telling her the truth.
-
-"Isn't the imprudence of writing to such a person as Mrs. Rook plain
-enough to speak for itself?" he suggested cautiously.
-
-"Not to me."
-
-She made that reply rather obstinately. Alban seemed (in her view) to be
-trying to prevent her from atoning for an act of injustice. Besides,
-he despised her cake. "I want to know why you object," she said; taking
-back the neglected slice, and eating it herself.
-
-"I object," Alban answered, "because Mrs. Rook is a coarse presuming
-woman. She may pervert your letter to some use of her own, which you may
-have reason to regret."
-
-"Is that all?"
-
-"Isn't it enough?"
-
-"It may be enough for _you_. When I have done a person an injury, and
-wish to make an apology, I don't think it necessary to inquire whether
-the person's manners happen to be vulgar or not."
-
-Alban's patience was still equal to any demands that she could make on
-it. "I can only offer you advice which is honestly intended for your own
-good," he gently replied.
-
-"You would have more influence over me, Mr. Morris, if you were a little
-readier to take me into your confidence. I daresay I am wrong--but I
-don't like following advice which is given to me in the dark."
-
-It was impossible to offend him. "Very naturally," he said; "I don't
-blame you."
-
-Her color deepened, and her voice rose. Alban's patient adherence to his
-own view--so courteously and considerately urged--was beginning to try
-her temper. "In plain words," she rejoined, "I am to believe that you
-can't be mistaken in your judgment of another person."
-
-There was a ring at the door of the cottage while she was speaking. But
-she was too warmly interested in confuting Alban to notice it.
-
-He was quite willing to be confuted. Even when she lost her temper,
-she was still interesting to him. "I don't expect you to think me
-infallible," he said. "Perhaps you will remember that I have had some
-experience. I am unfortunately older than you are."
-
-"Oh if wisdom comes with age," she smartly reminded him, "your friend
-Miss Redwood is old enough to be your mother--and she suspected Mrs.
-Rook of murder, because the poor woman looked at a door, and disliked
-being in the next room to a fidgety old maid."
-
-Alban's manner changed: he shrank from that chance allusion to doubts
-and fears which he dare not acknowledge. "Let us talk of something
-else," he said.
-
-She looked at him with a saucy smile. "Have I driven you into a corner
-at last? And is _that_ your way of getting out of it?"
-
-Even his endurance failed. "Are you trying to provoke me?" he asked.
-"Are you no better than other women? I wouldn't have believed it of you,
-Emily."
-
-"Emily?" She repeated the name in a tone of surprise, which reminded
-him that he had addressed her with familiarity at a most inappropriate
-time--the time when they were on the point of a quarrel. He felt the
-implied reproach too keenly to be able to answer her with composure.
-
-"I think of Emily--I love Emily--my one hope is that Emily may love me.
-Oh, my dear, is there no excuse if I forget to call you 'Miss' when you
-distress me?"
-
-All that was tender and true in her nature secretly took his part. She
-would have followed that better impulse, if he had only been calm enough
-to understand her momentary silence, and to give her time. But the
-temper of a gentle and generous man, once roused, is slow to subside.
-Alban abruptly left his chair. "I had better go!" he said.
-
-"As you please," she answered. "Whether you go, Mr. Morris, or whether
-you stay, I shall write to Mrs. Rook."
-
-The ring at the bell was followed by the appearance of a visitor. Doctor
-Allday opened the door, just in time to hear Emily's last words. Her
-vehemence seemed to amuse him.
-
-"Who is Mrs. Rook?" he asked.
-
-"A most respectable person," Emily answered indignantly; "housekeeper to
-Sir Jervis Redwood. You needn't sneer at her, Doctor Allday! She has not
-always been in service--she was landlady of the inn at Zeeland."
-
-The doctor, about to put his hat on a chair, paused. The inn at Zeeland
-reminded him of the Handbill, and of the visit of Miss Jethro.
-
-"Why are you so hot over it?" he inquired
-
-"Because I detest prejudice!" With this assertion of liberal feeling she
-pointed to Alban, standing quietly apart at the further end of the room.
-"There is the most prejudiced man living--he hates Mrs. Rook. Would you
-like to be introduced to him? You're a philosopher; you may do him some
-good. Doctor Allday--Mr. Alban Morris."
-
-The doctor recognized the man, with the felt hat and the objectionable
-beard, whose personal appearance had not impressed him favorably.
-
-Although they may hesitate to acknowledge it, there are respectable
-Englishmen still left, who regard a felt hat and a beard as symbols of
-republican disaffection to the altar and the throne. Doctor Allday's
-manner might have expressed this curious form of patriotic feeling, but
-for the associations which Emily had revived. In his present frame of
-mind, he was outwardly courteous, because he was inwardly suspicious.
-Mrs. Rook had been described to him as formerly landlady of the inn at
-Zeeland. Were there reasons for Mr. Morris's hostile feeling toward this
-woman which might be referable to the crime committed in her house that
-might threaten Emily's tranquillity if they were made known? It would
-not be amiss to see a little more of Mr. Morris, on the first convenient
-occasion.
-
-"I am glad to make your acquaintance, sir."
-
-"You are very kind, Doctor Allday."
-
-The exchange of polite conventionalities having been accomplished, Alban
-approached Emily to take his leave, with mingled feelings of regret and
-anxiety--regret for having allowed himself to speak harshly; anxiety to
-part with her in kindness.
-
-"Will you forgive me for differing from you?" It was all he could
-venture to say, in the presence of a stranger.
-
-"Oh, yes!" she said quietly.
-
-"Will you think again, before you decide?"
-
-"Certainly, Mr. Morris. But it won't alter my opinion, if I do."
-
-The doctor, hearing what passed between them, frowned. On what subject
-had they been differing? And what opinion did Emily decline to alter?
-
-Alban gave it up. He took her hand gently. "Shall I see you at the
-Museum, to-morrow?" he asked.
-
-She was politely indifferent to the last. "Yes--unless something happens
-to keep me at home."
-
-The doctor's eyebrows still expressed disapproval. For what object was
-the meeting proposed? And why at a museum?
-
-"Good-afternoon, Doctor Allday."
-
-"Good-afternoon, sir."
-
-For a moment after Alban's departure, the doctor stood irresolute.
-Arriving suddenly at a decision, he snatched up his hat, and turned to
-Emily in a hurry.
-
-"I bring you news, my dear, which will surprise you. Who do you think
-has just left my house? Mrs. Ellmother! Don't interrupt me. She has
-made up her mind to go out to service again. Tired of leading an
-idle life--that's her own account of it--and asks me to act as her
-reference."
-
-"Did you consent?"
-
-"Consent! If I act as her reference, I shall be asked how she came
-to leave her last place. A nice dilemma! Either I must own that she
-deserted her mistress on her deathbed--or tell a lie. When I put it to
-her in that way, she walked out of the house in dead silence. If she
-applies to you next, receive her as I did--or decline to see her, which
-would be better still."
-
-"Why am I to decline to see her?"
-
-"In consequence of her behavior to your aunt, to be sure! No: I have
-said all I wanted to say--and I have no time to spare for answering idle
-questions. Good-by."
-
-Socially-speaking, doctors try the patience of their nearest and dearest
-friends, in this respect--they are almost always in a hurry. Doctor
-Allday's precipitate departure did not tend to soothe Emily's irritated
-nerves. She began to find excuses for Mrs. Ellmother in a spirit of pure
-contradiction. The old servant's behavior might admit of justification:
-a friendly welcome might persuade her to explain herself. "If she
-applies to me," Emily determined, "I shall certainly receive her."
-
-Having arrived at this resolution, her mind reverted to Alban.
-
-Some of the sharp things she had said to him, subjected to
-after-reflection in solitude, failed to justify themselves. Her better
-sense began to reproach her. She tried to silence that unwelcome monitor
-by laying the blame on Alban. Why had he been so patient and so good?
-What harm was there in his calling her "Emily"? If he had told her to
-call _him_ by his Christian name, she might have done it. How noble he
-looked, when he got up to go away; he was actually handsome! Women may
-say what they please and write what they please: their natural instinct
-is to find their master in a man--especially when they like him. Sinking
-lower and lower in her own estimation, Emily tried to turn the current
-of her thoughts in another direction. She took up a book--opened it,
-looked into it, threw it across the room.
-
-If Alban had returned at that moment, resolved on a reconciliation--if
-he had said, "My dear, I want to see you like yourself again; will you
-give me a kiss, and make it up"--would he have left her crying, when he
-went away? She was crying now.
-
-
-
-
-CHAPTER XXVII. MENTOR AND TELEMACHUS.
-
-If Emily's eyes could have followed Alban as her thoughts were following
-him, she would have seen him stop before he reached the end of the road
-in which the cottage stood. His heart was full of tenderness and sorrow:
-the longing to return to her was more than he could resist. It would be
-easy to wait, within view of the gate, until the doctor's visit came
-to an end. He had just decided to go back and keep watch--when he heard
-rapid footsteps approaching. There (devil take him!) was the doctor
-himself.
-
-"I have something to say to you, Mr. Morris. Which way are you walking?"
-
-"Any way," Alban answered--not very graciously.
-
-"Then let us take the turning that leads to my house. It's not customary
-for strangers, especially when they happen to be Englishmen, to place
-confidence in each other. Let me set the example of violating that rule.
-I want to speak to you about Miss Emily. May I take your arm? Thank
-you. At my age, girls in general--unless they are my patients--are not
-objects of interest to me. But that girl at the cottage--I daresay I
-am in my dotage--I tell you, sir, she has bewitched me! Upon my soul, I
-could hardly be more anxious about her, if I was her father. And, mind,
-I am not an affectionate man by nature. Are you anxious about her too?"
-
-"Yes."
-
-"In what way?"
-
-"In what way are you anxious, Doctor Allday?"
-
-The doctor smiled grimly.
-
-"You don't trust me? Well, I have promised to set the example. Keep your
-mask on, sir--mine is off, come what may of it. But, observe: if you
-repeat what I am going to say--"
-
-Alban would hear no more. "Whatever you may say, Doctor Allday, is
-trusted to my honor. If you doubt my honor, be so good as to let go my
-arm--I am not walking your way."
-
-The doctor's hand tightened its grasp. "That little flourish of temper,
-my dear sir, is all I want to set me at my ease. I feel I have got hold
-of the right man. Now answer me this. Have you ever heard of a person
-named Miss Jethro?"
-
-Alban suddenly came to a standstill.
-
-"All right!" said the doctor. "I couldn't have wished for a more
-satisfactory reply."
-
-"Wait a minute," Alban interposed. "I know Miss Jethro as a teacher
-at Miss Ladd's school, who left her situation suddenly--and I know no
-more."
-
-The doctor's peculiar smile made its appearance again.
-
-"Speaking in the vulgar tone," he said, "you seem to be in a hurry to
-wash your hands of Miss Jethro."
-
-"I have no reason to feel any interest in her," Alban replied.
-
-"Don't be too sure of that, my friend. I have something to tell you
-which may alter your opinion. That ex-teacher at the school, sir, knows
-how the late Mr. Brown met his death, and how his daughter has been
-deceived about it."
-
-Alban listened with surprise--and with some little doubt, which he
-thought it wise not to acknowledge.
-
-"The report of the inquest alludes to a 'relative' who claimed the
-body," he said. "Was that 'relative' the person who deceived Miss Emily?
-And was the person her aunt?"
-
-"I must leave you to take your own view," Doctor Allday replied. "A
-promise binds me not to repeat the information that I have received.
-Setting that aside, we have the same object in view--and we must take
-care not to get in each other's way. Here is my house. Let us go in, and
-make a clean breast of it on both sides."
-
-Established in the safe seclusion of his study, the doctor set the
-example of confession in these plain terms:
-
-"We only differ in opinion on one point," he said. "We both think it
-likely (from our experience of the women) that the suspected murderer
-had an accomplice. I say the guilty person is Miss Jethro. You say--Mrs.
-Rook."
-
-"When you have read my copy of the report," Alban answered, "I think you
-will arrive at my conclusion. Mrs. Rook might have entered the outhouse
-in which the two men slept, at any time during the night, while her
-husband was asleep. The jury believed her when she declared that she
-never woke till the morning. I don't."
-
-"I am open to conviction, Mr. Morris. Now about the future. Do you mean
-to go on with your inquiries?"
-
-"Even if I had no other motive than mere curiosity," Alban answered, "I
-think I should go on. But I have a more urgent purpose in view. All that
-I have done thus far, has been done in Emily's interests. My object,
-from the first, has been to preserve her from any association--in
-the past or in the future--with the woman whom I believe to have been
-concerned in her father's death. As I have already told you, she is
-innocently doing all she can, poor thing, to put obstacles in my way."
-
-"Yes, yes," said the doctor; "she means to write to Mrs. Rook--and you
-have nearly quarreled about it. Trust me to take that matter in hand.
-I don't regard it as serious. But I am mortally afraid of what you are
-doing in Emily's interests. I wish you would give it up."
-
-"Why?"
-
-"Because I see a danger. I don't deny that Emily is as innocent of
-suspicion as ever. But the chances, next time, may be against us. How
-do you know to what lengths your curiosity may lead you? Or on what
-shocking discoveries you may not blunder with the best intentions?
-Some unforeseen accident may open her eyes to the truth, before you can
-prevent it. I seem to surprise you?"
-
-"You do, indeed, surprise me."
-
-"In the old story, my dear sir, Mentor sometimes surprised Telemachus.
-I am Mentor--without being, I hope, quite so long-winded as that
-respectable philosopher. Let me put it in two words. Emily's happiness
-is precious to you. Take care you are not made the means of wrecking it!
-Will you consent to a sacrifice, for her sake?"
-
-"I will do anything for her sake."
-
-"Will you give up your inquiries?"
-
-"From this moment I have done with them!"
-
-"Mr. Morris, you are the best friend she has."
-
-"The next best friend to you, doctor."
-
-In that fond persuasion they now parted--too eagerly devoted to Emily
-to look at the prospect before them in its least hopeful aspect.
-Both clever men, neither one nor the other asked himself if any human
-resistance has ever yet obstructed the progress of truth--when truth has
-once begun to force its way to the light.
-
-For the second time Alban stopped, on his way home. The longing to
-be reconciled with Emily was not to be resisted. He returned to the
-cottage, only to find disappointment waiting for him. The servant
-reported that her young mistress had gone to bed with a bad headache.
-
-Alban waited a day, in the hope that Emily might write to him. No letter
-arrived. He repeated his visit the next morning. Fortune was still
-against him. On this occasion, Emily was engaged.
-
-"Engaged with a visitor?" he asked.
-
-"Yes, sir. A young lady named Miss de Sor."
-
-Where had he heard that name before? He remembered immediately that he
-had heard it at the school. Miss de Sor was the unattractive new pupil,
-whom the girls called Francine. Alban looked at the parlor window as
-he left the cottage. It was of serious importance that he should set
-himself right with Emily. "And mere gossip," he thought contemptuously,
-"stands in my way!"
-
-If he had been less absorbed in his own interests, he might have
-remembered that mere gossip is not always to be despised. It has worked
-fatal mischief in its time.
-
-
-
-
-CHAPTER XXVIII. FRANCINE.
-
-"You're surprised to see me, of course?" Saluting Emily in those terms,
-Francine looked round the parlor with an air of satirical curiosity.
-"Dear me, what a little place to live in!"
-
-"What brings you to London?" Emily inquired.
-
-"You ought to know, my dear, without asking. Why did I try to make
-friends with you at school? And why have I been trying ever since?
-Because I hate you--I mean because I can't resist you--no! I mean
-because I hate myself for liking you. Oh, never mind my reasons. I
-insisted on going to London with Miss Ladd--when that horrid woman
-announced that she had an appointment with her lawyer. I said, 'I want
-to see Emily.' 'Emily doesn't like you.' 'I don't care whether she likes
-me or not; I want to see her.' That's the way we snap at each other, and
-that's how I always carry my point. Here I am, till my duenna finishes
-her business and fetches me. What a prospect for You! Have you got any
-cold meat in the house? I'm not a glutton, like Cecilia--but I'm afraid
-I shall want some lunch."
-
-"Don't talk in that way, Francine!"
-
-"Do you mean to say you're glad to see me?"
-
-"If you were only a little less hard and bitter, I should always be glad
-to see you."
-
-"You darling! (excuse my impetuosity). What are you looking at? My new
-dress? Do you envy me?"
-
-"No; I admire the color--that's all."
-
-Francine rose, and shook out her dress, and showed it from every point
-of view. "See how it's made: Paris, of course! Money, my dear; money
-will do anything--except making one learn one's lessons."
-
-"Are you not getting on any better, Francine?"
-
-"Worse, my sweet friend--worse. One of the masters, I am happy to say,
-has flatly refused to teach me any longer. 'Pupils without brains I
-am accustomed to,' he said in his broken English; 'but a pupil with no
-heart is beyond my endurance.' Ha! ha! the mouldy old refugee has an eye
-for character, though. No heart--there I am, described in two words."
-
-"And proud of it," Emily remarked.
-
-"Yes--proud of it. Stop! let me do myself justice. You consider tears
-a sign that one has some heart, don't you? I was very near crying
-last Sunday. A popular preacher did it; no less a person that Mr.
-Mirabel--you look as if you had heard of him."
-
-"I have heard of him from Cecilia."
-
-"Is _she_ at Brighton? Then there's one fool more in a fashionable
-watering place. Oh, she's in Switzerland, is she? I don't care where she
-is; I only care about Mr. Mirabel. We all heard he was at Brighton for
-his health, and was going to preach. Didn't we cram the church! As
-to describing him, I give it up. He is the only little man I ever
-admired--hair as long as mine, and the sort of beard you see in
-pictures. I wish I had his fair complexion and his white hands. We were
-all in love with him--or with his voice, which was it?--when he began
-to read the commandments. I wish I could imitate him when he came to
-the fifth commandment. He began in his deepest bass voice: 'Honor thy
-father--' He stopped and looked up to heaven as if he saw the rest of
-it there. He went on with a tremendous emphasis on the next word. '_And_
-thy mother,' he said (as if that was quite a different thing) in a
-tearful, fluty, quivering voice which was a compliment to mothers in
-itself. We all felt it, mothers or not. But the great sensation was when
-he got into the pulpit. The manner in which he dropped on his knees,
-and hid his face in his hands, and showed his beautiful rings was, as a
-young lady said behind me, simply seraphic. We understood his celebrity,
-from that moment--I wonder whether I can remember the sermon."
-
-"You needn't attempt it on my account," Emily said.
-
-"My dear, don't be obstinate. Wait till you hear him."
-
-"I am quite content to wait."
-
-"Ah, you're just in the right state of mind to be converted; you're in
-a fair way to become one of his greatest admirers. They say he is so
-agreeable in private life; I am dying to know him.--Do I hear a ring at
-the bell? Is somebody else coming to see you?"
-
-The servant brought in a card and a message.
-
-"The person will call again, miss."
-
-Emily looked at the name written on the card.
-
-"Mrs. Ellmother!" she exclaimed.
-
-"What an extraordinary name!" cried Francine. "Who is she?"
-
-"My aunt's old servant."
-
-"Does she want a situation?"
-
-Emily looked at some lines of writing at the back of the card. Doctor
-Allday had rightly foreseen events. Rejected by the doctor, Mrs.
-Ellmother had no alternative but to ask Emily to help her.
-
-"If she is out of place," Francine went on, "she may be just the sort of
-person I am looking for."
-
-"You?" Emily asked, in astonishment.
-
-Francine refused to explain until she got an answer to her question.
-"Tell me first," she said, "is Mrs. Ellmother engaged?"
-
-"No; she wants an engagement, and she asks me to be her reference."
-
-"Is she sober, honest, middle-aged, clean, steady, good-tempered,
-industrious?" Francine rattled on. "Has she all the virtues, and none of
-the vices? Is she not too good-looking, and has she no male followers?
-In one terrible word--will she satisfy Miss Ladd?"
-
-"What has Miss Ladd to do with it?"
-
-"How stupid you are, Emily! Do put the woman's card down on the table,
-and listen to me. Haven't I told you that one of my masters has declined
-to have anything more to do with me? Doesn't that help you to understand
-how I get on with the rest of them? I am no longer Miss Ladd's pupil,
-my dear. Thanks to my laziness and my temper, I am to be raised to the
-dignity of 'a parlor boarder.' In other words, I am to be a young lady
-who patronizes the school; with a room of my own, and a servant of my
-own. All provided for by a private arrangement between my father and
-Miss Ladd, before I left the West Indies. My mother was at the bottom of
-it, I have not the least doubt. You don't appear to understand me."
-
-"I don't, indeed!"
-
-Francine considered a little. "Perhaps they were fond of you at home,"
-she suggested.
-
-"Say they loved me, Francine--and I loved them."
-
-"Ah, my position is just the reverse of yours. Now they have got rid of
-me, they don't want me back again at home. I know as well what my mother
-said to my father, as if I had heard her. 'Francine will never get on
-at school, at her age. Try her, by all means; but make some other
-arrangement with Miss Ladd in case of a failure--or she will be returned
-on our hands like a bad shilling.' There is my mother, my anxious,
-affectionate mother, hit off to a T."
-
-"She _is_ your mother, Francine; don't forget that."
-
-"Oh, no; I won't forget it. My cat is my kitten's mother--there! there!
-I won't shock your sensibilities. Let us get back to matter of fact.
-When I begin my new life, Miss Ladd makes one condition. My maid is to
-be a model of discretion--an elderly woman, not a skittish young person
-who will only encourage me. I must submit to the elderly woman, or
-I shall be sent back to the West Indies after all. How long did Mrs.
-Ellmother live with your aunt?"
-
-"Twenty-five years, and more.'
-
-"Good heavens, it's a lifetime! Why isn't this amazing creature living
-with you, now your aunt is dead? Did you send her away?"
-
-"Certainly not."
-
-"Then why did she go?"
-
-"I don't know."
-
-"Do you mean that she went away without a word of explanation?"
-
-"Yes; that is exactly what I mean."
-
-"When did she go? As soon as your aunt was dead?"
-
-"That doesn't matter, Francine."
-
-"In plain English, you won't tell me? I am all on fire with
-curiosity--and that's how you put me out! My dear, if you have the
-slightest regard for me, let us have the woman in here when she comes
-back for her answer. Somebody must satisfy me. I mean to make Mrs.
-Ellmother explain herself."
-
-"I don't think you will succeed, Francine."
-
-"Wait a little, and you will see. By-the-by, it is understood that
-my new position at the school gives me the privilege of accepting
-invitations. Do you know any nice people to whom you can introduce me?"
-
-"I am the last person in the world who has a chance of helping you,"
-Emily answered. "Excepting good Doctor Allday--" On the point of adding
-the name of Alban Morris, she checked herself without knowing why, and
-substituted the name of her school-friend. "And not forgetting Cecilia,"
-she resumed, "I know nobody."
-
-"Cecilia's a fool," Francine remarked gravely; "but now I think of it,
-she may be worth cultivating. Her father is a member of Parliament--and
-didn't I hear that he has a fine place in the country? You see, Emily,
-I may expect to be married (with my money), if I can only get into good
-society. (Don't suppose I am dependent on my father; my marriage portion
-is provided for in my uncle's will.) Cecilia may really be of some use
-to me. Why shouldn't I make a friend of her, and get introduced to her
-father--in the autumn, you know, when the house is full of company? Have
-you any idea when she is coming back?"
-
-"No."
-
-"Do you think of writing to her?"
-
-"Of course!"
-
-"Give her my kind love; and say I hope she enjoys Switzerland."
-
-"Francine, you are positively shameless! After calling my dearest friend
-a fool and a glutton, you send her your love for your own selfish ends;
-and you expect me to help you in deceiving her! I won't do it."
-
-"Keep your temper, my child. We are all selfish, you little goose. The
-only difference is--some of us own it, and some of us don't. I shall
-find my own way to Cecilia's good graces quite easily: the way is
-through her mouth. You mentioned a certain Doctor Allday. Does he give
-parties? And do the right sort of men go to them? Hush! I think I hear
-the bell again. Go to the door, and see who it is."
-
-Emily waited, without taking any notice of this suggestion. The servant
-announced that "the person had called again, to know if there was any
-answer."
-
-"Show her in here," Emily said.
-
-The servant withdrew, and came back again.
-
-"The person doesn't wish to intrude, miss; it will be quite sufficient
-if you will send a message by me."
-
-Emily crossed the room to the door.
-
-"Come in, Mrs. Ellmother," she said. "You have been too long away
-already. Pray come in."
-
-
-
-
-CHAPTER XXIX. "BONY."
-
-Mrs. Ellmother reluctantly entered the room.
-
-Since Emily had seen her last, her personal appearance doubly justified
-the nickname by which her late mistress had distinguished her. The old
-servant was worn and wasted; her gown hung loose on her angular body;
-the big bones of her face stood out, more prominently than ever. She
-took Emily's offered hand doubtingly. "I hope I see you well, miss,"
-she said--with hardly a vestige left of her former firmness of voice and
-manner.
-
-"I am afraid you have been suffering from illness," Emily answered
-gently.
-
-"It's the life I'm leading that wears me down; I want work and change."
-
-Making that reply, she looked round, and discovered Francine observing
-her with undisguised curiosity. "You have got company with you," she
-said to Emily. "I had better go away, and come back another time."
-
-Francine stopped her before she could open the door. "You mustn't go
-away; I wish to speak to you."
-
-"About what, miss?"
-
-The eyes of the two women met--one, near the end of her life,
-concealing under a rugged surface a nature sensitively affectionate and
-incorruptibly true: the other, young in years, without the virtues of
-youth, hard in manner and hard at heart. In silence on either side,
-they stood face to face; strangers brought together by the force of
-circumstances, working inexorably toward their hidden end.
-
-Emily introduced Mrs. Ellmother to Francine. "It may be worth your
-while," she hinted, "to hear what this young lady has to say."
-
-Mrs. Ellmother listened, with little appearance of interest in anything
-that a stranger might have to say: her eyes rested on the card which
-contained her written request to Emily. Francine, watching her closely,
-understood what was passing in her mind. It might be worth while to
-conciliate the old woman by a little act of attention. Turning to Emily,
-Francine pointed to the card lying on the table. "You have not attended
-yet to Mr. Ellmother's request," she said.
-
-Emily at once assured Mrs. Ellmother that the request was granted. "But
-is it wise," she asked, "to go out to service again, at your age?"
-
-"I have been used to service all my life, Miss Emily--that's one reason.
-And service may help me to get rid of my own thoughts--that's another.
-If you can find me a situation somewhere, you will be doing me a good
-turn."
-
-"Is it useless to suggest that you might come back, and live with me?"
-Emily ventured to say.
-
-Mrs. Ellmother's head sank on her breast. "Thank you kindly, miss; it
-_is_ useless."
-
-"Why is it useless?" Francine asked.
-
-Mrs. Ellmother was silent.
-
-"Miss de Sor is speaking to you," Emily reminded her.
-
-"Am I to answer Miss de Sor?"
-
-Attentively observing what passed, and placing her own construction on
-looks and tones, it suddenly struck Francine that Emily herself might be
-in Mrs. Ellmother's confidence, and that she might have reasons of her
-own for assuming ignorance when awkward questions were asked. For the
-moment at least, Francine decided on keeping her suspicions to herself.
-
-"I may perhaps offer you the employment you want," she said to Mrs.
-Ellmother. "I am staying at Brighton, for the present, with the lady who
-was Miss Emily's schoolmistress, and I am in need of a maid. Would you
-be willing to consider it, if I proposed to engage you?"
-
-"Yes, miss."
-
-"In that case, you can hardly object to the customary inquiry. Why did
-you leave your last place?"
-
-Mrs. Ellmother appealed to Emily. "Did you tell this young lady how long
-I remained in my last place?"
-
-Melancholy remembrances had been revived in Emily by the turn which the
-talk had now taken. Francine's cat-like patience, stealthily feeling its
-way to its end, jarred on her nerves. "Yes," she said; "in justice to
-you, I have mentioned your long term of service."
-
-Mrs. Ellmother addressed Francine. "You know, miss, that I served
-my late mistress for over twenty-five years. Will you please remember
-that--and let it be a reason for not asking me why I left my place."
-
-Francine smiled compassionately. "My good creature, you have mentioned
-the very reason why I _should_ ask. You live five-and-twenty years with
-your mistress--and then suddenly leave her--and you expect me to pass
-over this extraordinary proceeding without inquiry. Take a little time
-to think."
-
-"I want no time to think. What I had in my mind, when I left Miss
-Letitia, is something which I refuse to explain, miss, to you, or to
-anybody."
-
-She recovered some of her old firmness, when she made that reply.
-Francine saw the necessity of yielding--for the time at least, Emily
-remained silent, oppressed by remembrance of the doubts and fears which
-had darkened the last miserable days of her aunt's illness. She began
-already to regret having made Francine and Mrs. Ellmother known to each
-other.
-
-"I won't dwell on what appears to be a painful subject," Francine
-graciously resumed. "I meant no offense. You are not angry, I hope?"
-
-"Sorry, miss. I might have been angry, at one time. That time is over."
-
-It was said sadly and resignedly: Emily heard the answer. Her heart
-ached as she looked at the old servant, and thought of the contrast
-between past and present. With what a hearty welcome this broken woman
-had been used to receive her in the bygone holiday-time! Her eyes
-moistened. She felt the merciless persistency of Francine, as if it had
-been an insult offered to herself. "Give it up!" she said sharply.
-
-"Leave me, my dear, to manage my own business," Francine replied. "About
-your qualifications?" she continued, turning coolly to Mrs. Ellmother.
-"Can you dress hair?"
-
-"Yes."
-
-"I ought to tell you," Francine insisted, "that I am very particular
-about my hair."
-
-"My mistress was very particular about her hair," Mrs. Ellmother
-answered.
-
-"Are you a good needlewoman?"
-
-"As good as ever I was--with the help of my spectacles."
-
-Francine turned to Emily. "See how well we get on together. We are
-beginning to understand each other already. I am an odd creature, Mrs.
-Ellmother. Sometimes, I take sudden likings to persons--I have taken a
-liking to you. Do you begin to think a little better of me than you did?
-I hope you will produce the right impression on Miss Ladd; you shall
-have every assistance that I can give. I will beg Miss Ladd, as a favor
-to me, not to ask you that one forbidden question."
-
-Poor Mrs. Ellmother, puzzled by the sudden appearance of Francine in the
-character of an eccentric young lady, the creature of genial impulse,
-thought it right to express her gratitude for the promised interference
-in her favor. "That's kind of you, miss," she said.
-
-"No, no, only just. I ought to tell you there's one thing Miss Ladd
-is strict about--sweethearts. Are you quite sure," Francine inquired
-jocosely, "that you can answer for yourself, in that particular?"
-
-This effort of humor produced its intended effect. Mrs. Ellmother,
-thrown off her guard, actually smiled. "Lord, miss, what will you say
-next!"
-
-"My good soul, I will say something next that is more to the purpose. If
-Miss Ladd asks me why you have so unaccountably refused to be a servant
-again in this house, I shall take care to say that it is certainly not
-out of dislike to Miss Emily."
-
-"You need say nothing of the sort," Emily quietly remarked.
-
-"And still less," Francine proceeded, without noticing the
-interruption--"still less through any disagreeable remembrances of Miss
-Emily's aunt."
-
-Mrs. Ellmother saw the trap that had been set for her. "It won't do,
-miss," she said.
-
-"What won't do?"
-
-"Trying to pump me."
-
-Francine burst out laughing. Emily noticed an artificial ring in her
-gayety which suggested that she was exasperated, rather than amused, by
-the repulse which had baffled her curiosity once more.
-
-Mrs. Ellmother reminded the merry young lady that the proposed
-arrangement between them had not been concluded yet. "Am I to
-understand, miss, that you will keep a place open for me in your
-service?"
-
-"You are to understand," Francine replied sharply, "that I must have
-Miss Ladd's approval before I can engage you. Suppose you come to
-Brighton? I will pay your fare, of course."
-
-"Never mind my fare, miss. Will you give up pumping?"
-
-"Make your mind easy. It's quite useless to attempt pumping _you_. When
-will you come?"
-
-Mrs. Ellmother pleaded for a little delay. "I'm altering my gowns," she
-said. "I get thinner and thinner--don't I, Miss Emily? My work won't be
-done before Thursday."
-
-"Let us say Friday, then," Francine proposed.
-
-"Friday!" Mrs. Ellmother exclaimed. "You forget that Friday is an
-unlucky day."
-
-"I forgot that, certainly! How can you be so absurdly superstitious."
-
-"You may call it what you like, miss. I have good reason to think as I
-do. I was married on a Friday--and a bitter bad marriage it turned out
-to be. Superstitious, indeed! You don't know what my experience has
-been. My only sister was one of a party of thirteen at dinner; and she
-died within the year. If we are to get on together nicely, I'll take
-that journey on Saturday, if you please."
-
-"Anything to satisfy you," Francine agreed; "there is the address. Come
-in the middle of the day, and we will give you your dinner. No fear
-of our being thirteen in number. What will you do, if you have the
-misfortune to spill the salt?"
-
-"Take a pinch between my finger and thumb, and throw it over my left
-shoulder," Mrs. Ellmother answered gravely. "Good-day, miss."
-
-"Good-day."
-
-Emily followed the departing visitor out to the hall. She had seen
-and heard enough to decide her on trying to break off the proposed
-negotiation--with the one kind purpose of protecting Mrs. Ellmother
-against the pitiless curiosity of Francine.
-
-"Do you think you and that young lady are likely to get on well
-together?" she asked.
-
-"I have told you already, Miss Emily, I want to get away from my own
-home and my own thoughts; I don't care where I go, so long as I do
-that." Having answered in those words, Mrs. Ellmother opened the door,
-and waited a while, thinking. "I wonder whether the dead know what is
-going on in the world they have left?" she said, looking at Emily. "If
-they do, there's one among them knows my thoughts, and feels for me.
-Good-by, miss--and don't think worse of me than I deserve."
-
-Emily went back to the parlor. The only resource left was to plead with
-Francine for mercy to Mrs. Ellmother.
-
-"Do you really mean to give it up?" she asked.
-
-"To give up--what? 'Pumping,' as that obstinate old creature calls it?"
-
-Emily persisted. "Don't worry the poor old soul! However strangely she
-may have left my aunt and me her motives are kind and good--I am sure of
-that. Will you let her keep her harmless little secret?"
-
-"Oh, of course!"
-
-"I don't believe you, Francine!"
-
-"Don't you? I am like Cecilia--I am getting hungry. Shall we have some
-lunch?"
-
-"You hard-hearted creature!"
-
-"Does that mean--no luncheon until I have owned the truth? Suppose _you_
-own the truth? I won't tell Mrs. Ellmother that you have betrayed her."
-
-"For the last time, Francine--I know no more of it than you do. If you
-persist in taking your own view, you as good as tell me I lie; and you
-will oblige me to leave the room."
-
-Even Francine's obstinacy was compelled to give way, so far as
-appearances went. Still possessed by the delusion that Emily was
-deceiving her, she was now animated by a stronger motive than mere
-curiosity. Her sense of her own importance imperatively urged her to
-prove that she was not a person who could be deceived with impunity.
-
-"I beg your pardon," she said with humility. "But I must positively have
-it out with Mrs. Ellmother. She has been more than a match for me--my
-turn next. I mean to get the better of her; and I shall succeed."
-
-"I have already told you, Francine--you will fail."
-
-"My dear, I am a dunce, and I don't deny it. But let me tell you one
-thing. I haven't lived all my life in the West Indies, among black
-servants, without learning something."
-
-"What do you mean?"
-
-"More, my clever friend, than you are likely to guess. In the meantime,
-don't forget the duties of hospitality. Ring the bell for luncheon."
-
-
-
-
-CHAPTER XXX. LADY DORIS.
-
-The arrival of Miss Ladd, some time before she had been expected,
-interrupted the two girls at a critical moment. She had hurried over her
-business in London, eager to pass the rest of the day with her favorite
-pupil. Emily's affectionate welcome was, in some degree at least,
-inspired by a sensation of relief. To feel herself in the embrace of the
-warm-hearted schoolmistress was like finding a refuge from Francine.
-
-When the hour of departure arrived, Miss Ladd invited Emily to Brighton
-for the second time. "On the last occasion, my dear, you wrote me an
-excuse; I won't be treated in that way again. If you can't return with
-us now, come to-morrow." She added in a whisper, "Otherwise, I shall
-think you include _me_ in your dislike of Francine."
-
-There was no resisting this. It was arranged that Emily should go to
-Brighton on the next day.
-
-Left by herself, her thoughts might have reverted to Mrs. Ellmother's
-doubtful prospects, and to Francine's strange allusion to her life in
-the West Indies, but for the arrival of two letters by the afternoon
-post. The handwriting on one of them was unknown to her. She opened
-that one first. It was an answer to the letter of apology which she
-had persisted in writing to Mrs. Rook. Happily for herself, Alban's
-influence had not been without its effect, after his departure. She had
-written kindly--but she had written briefly at the same time.
-
-Mrs. Rook's reply presented a nicely compounded mixture of gratitude and
-grief. The gratitude was addressed to Emily as a matter of course.
-The grief related to her "excellent master." Sir Jervis's strength had
-suddenly failed. His medical attendant, being summoned, had expressed
-no surprise. "My patient is over seventy years of age," the doctor
-remarked. "He will sit up late at night, writing his book; and he
-refuses to take exercise, till headache and giddiness force him to try
-the fresh air. As the necessary result, he has broken down at last. It
-may end in paralysis, or it may end in death." Reporting this expression
-of medical opinion, Mrs. Rook's letter glided imperceptibly from
-respectful sympathy to modest regard for her own interests in the
-future. It might be the sad fate of her husband and herself to be thrown
-on the world again. If necessity brought them to London, would "kind
-Miss Emily grant her the honor of an interview, and favor a poor unlucky
-woman with a word of advice?"
-
-"She may pervert your letter to some use of her own, which you may have
-reason to regret." Did Emily remember Alban's warning words? No: she
-accepted Mrs. Rook's reply as a gratifying tribute to the justice of her
-own opinions.
-
-Having proposed to write to Alban, feeling penitently that she had
-been in the wrong, she was now readier than ever to send him a letter,
-feeling compassionately that she had been in the right. Besides, it was
-due to the faithful friend, who was still working for her in the reading
-room, that he should be informed of Sir Jervis's illness. Whether the
-old man lived or whether he died, his literary labors were fatally
-interrupted in either case; and one of the consequences would be the
-termination of her employment at the Museum. Although the second of the
-two letters which she had received was addressed to her in Cecilia's
-handwriting, Emily waited to read it until she had first written to
-Alban. "He will come to-morrow," she thought; "and we shall both make
-apologies. I shall regret that I was angry with him and he will regret
-that he was mistaken in his judgment of Mrs. Rook. We shall be as good
-friends again as ever."
-
-In this happy frame of mind she opened Cecilia's letter. It was full of
-good news from first to last.
-
-The invalid sister had made such rapid progress toward recovery that the
-travelers had arranged to set forth on their journey back to England in
-a fortnight. "My one regret," Cecilia added, "is the parting with Lady
-Doris. She and her husband are going to Genoa, where they will embark
-in Lord Janeaway's yacht for a cruise in the Mediterranean. When we have
-said that miserable word good-by--oh, Emily, what a hurry I shall be in
-to get back to you! Those allusions to your lonely life are so dreadful,
-my dear, that I have destroyed your letter; it is enough to break one's
-heart only to look at it. When once I get to London, there shall be no
-more solitude for my poor afflicted friend. Papa will be free from his
-parliamentary duties in August--and he has promised to have the house
-full of delightful people to meet you. Who do you think will be one of
-our guests? He is illustrious; he is fascinating; he deserves a line all
-to himself, thus:
-
-"The Reverend Miles Mirabel!
-
-"Lady Doris has discovered that the country parsonage, in which this
-brilliant clergyman submits to exile, is only twelve miles away from our
-house. She has written to Mr. Mirabel to introduce me, and to
-mention the date of my return. We will have some fun with the popular
-preacher--we will both fall in love with him together.
-
-"Is there anybody to whom you would like me to send an invitation? Shall
-we have Mr. Alban Morris? Now I know how kindly he took care of you at
-the railway station, your good opinion of him is my opinion. Your letter
-also mentions a doctor. Is he nice? and do you think he will let me eat
-pastry, if we have him too? I am so overflowing with hospitality (all
-for your sake) that I am ready to invite anybody, and everybody, to
-cheer you and make you happy. Would you like to meet Miss Ladd and the
-whole school?
-
-"As to our amusements, make your mind easy.
-
-"I have come to a distinct understanding with Papa that we are to have
-dances every evening--except when we try a little concert as a change.
-Private theatricals are to follow, when we want another change after
-the dancing and the music. No early rising; no fixed hour for breakfast;
-everything that is most exquisitely delicious at dinner--and, to crown
-all, your room next to mine, for delightful midnight gossipings, when we
-ought to be in bed. What do you say, darling, to the programme?
-
-"A last piece of news--and I have done.
-
-"I have actually had a proposal of marriage, from a young gentleman who
-sits opposite me at the table d'hote! When I tell you that he has white
-eyelashes, and red hands, and such enormous front teeth that he can't
-shut his mouth, you will not need to be told that I refused him. This
-vindictive person has abused me ever since, in the most shameful manner.
-I heard him last night, under my window, trying to set one of his
-friends against me. 'Keep clear of her, my dear fellow; she's the most
-heartless creature living.' The friend took my part; he said, 'I don't
-agree with you; the young lady is a person of great sensibility.'
-'Nonsense!' says my amiable lover; 'she eats too much--her sensibility
-is all stomach.' There's a wretch for you. What a shameful advantage to
-take of sitting opposite to me at dinner! Good-by, my love, till we meet
-soon, and are as happy together as the day is long."
-
-Emily kissed the signature. At that moment of all others, Cecilia was
-such a refreshing contrast to Francine!
-
-Before putting the letter away, she looked again at that part of it
-which mentioned Lady Doris's introduction of Cecilia to Mr. Mirabel. "I
-don't feel the slightest interest in Mr. Mirabel," she thought, smiling
-as the idea occurred to her; "and I need never have known him, but for
-Lady Doris--who is a perfect stranger to me."
-
-She had just placed the letter in her desk, when a visitor was
-announced. Doctor Allday presented himself (in a hurry as usual).
-
-"Another patient waiting?" Emily asked mischievously. "No time to spare,
-again?"
-
-"Not a moment," the old gentleman answered. "Have you heard from Mrs.
-Ellmother?"
-
-"Yes."
-
-"You don't mean to say you have answered her?"
-
-"I have done better than that, doctor--I have seen her this morning."
-
-"And consented to be her reference, of course?"
-
-"How well you know me!"
-
-Doctor Allday was a philosopher: he kept his temper. "Just what I might
-have expected," he said. "Eve and the apple! Only forbid a woman to do
-anything, and she does it directly--be cause you have forbidden her.
-I'll try the other way with you now, Miss Emily. There was something
-else that I meant to have forbidden."
-
-"What was it?"
-
-"May I make a special request?"
-
-"Certainly."
-
-"Oh, my dear, write to Mrs. Rook! I beg and entreat of you, write to
-Mrs. Rook!"
-
-Emily's playful manner suddenly disappeared.
-
-Ignoring the doctor's little outbreak of humor, she waited in grave
-surprise, until it was his pleasure to explain himself.
-
-Doctor Allday, on his side, ignored the ominous change in Emily; he went
-on as pleasantly as ever. "Mr. Morris and I have had a long talk about
-you, my dear. Mr. Morris is a capital fellow; I recommend him as a
-sweetheart. I also back him in the matter of Mrs. Rook.--What's the
-matter now? You're as red as a rose. Temper again, eh?"
-
-"Hatred of meanness!" Emily answered indignantly. "I despise a man who
-plots, behind my back, to get another man to help him. Oh, how I have
-been mistaken in Alban Morris!"
-
-"Oh, how little you know of the best friend you have!" cried the doctor,
-imitating her. "Girls are all alike; the only man they can understand,
-is the man who flatters them. _Will_ you oblige me by writing to Mrs.
-Rook?"
-
-Emily made an attempt to match the doctor, with his own weapons. "Your
-little joke comes too late," she said satirically. "There is Mrs. Rook's
-answer. Read it, and--" she checked herself, even in her anger she was
-incapable of speaking ungenerously to the old man who had so warmly
-befriended her. "I won't say to _you_," she resumed, "what I might have
-said to another person."
-
-"Shall I say it for you?" asked the incorrigible doctor. "'Read it, and
-be ashamed of yourself'--That was what you had in your mind, isn't it?
-Anything to please you, my dear." He put on his spectacles, read the
-letter, and handed it back to Emily with an impenetrable countenance.
-"What do you think of my new spectacles?" he asked, as he took the
-glasses off his nose. "In the experience of thirty years, I have had
-three grateful patients." He put the spectacles back in the case. "This
-comes from the third. Very gratifying--very gratifying."
-
-Emily's sense of humor was not the uppermost sense in her at that
-moment. She pointed with a peremptory forefinger to Mrs. Rook's letter.
-"Have you nothing to say about this?"
-
-The doctor had so little to say about it that he was able to express
-himself in one word:
-
-"Humbug!"
-
-He took his hat--nodded kindly to Emily--and hurried away to feverish
-pulses waiting to be felt, and to furred tongues that were ashamed to
-show themselves.
-
-
-
-
-CHAPTER XXXI. MOIRA.
-
-When Alban presented himself the next morning, the hours of the night
-had exercised their tranquilizing influence over Emily. She remembered
-sorrowfully how Doctor Allday had disturbed her belief in the man who
-loved her; no feeling of irritation remained. Alban noticed that her
-manner was unusually subdued; she received him with her customary grace,
-but not with her customary smile.
-
-"Are you not well?" he asked.
-
-"I am a little out of spirits," she replied. "A disappointment--that is
-all."
-
-He waited a moment, apparently in the expectation that she might tell
-him what the disappointment was. She remained silent, and she looked
-away from him. Was he in any way answerable for the depression of
-spirits to which she alluded? The doubt occurred to him--but he said
-nothing.
-
-"I suppose you have received my letter?" she resumed.
-
-"I have come here to thank you for your letter."
-
-"It was my duty to tell you of Sir Jervis's illness; I deserve no
-thanks."
-
-"You have written to me so kindly," Alban reminded her; "you have
-referred to our difference of opinion, the last time I was here, so
-gently and so forgivingly--"
-
-"If I had written a little later," she interposed, "the tone of my
-letter might have been less agreeable to you. I happened to send it to
-the post, before I received a visit from a friend of yours--a friend who
-had something to say to me after consulting with you."
-
-"Do you mean Doctor Allday?"
-
-"Yes."
-
-"What did he say?"
-
-"What you wished him to say. He did his best; he was as obstinate and
-unfeeling as you could possibly wish him to be; but he was too late.
-I have written to Mrs. Rook, and I have received a reply." She spoke
-sadly, not angrily--and pointed to the letter lying on her desk.
-
-Alban understood: he looked at her in despair. "Is that wretched woman
-doomed to set us at variance every time we meet!" he exclaimed.
-
-Emily silently held out the letter.
-
-He refused to take it. "The wrong you have done me is not to be set
-right in that way," he said. "You believe the doctor's visit was
-arranged between us. I never knew that he intended to call on you; I had
-no interest in sending him here--and I must not interfere again between
-you and Mrs. Rook."
-
-"I don't understand you."
-
-"You will understand me when I tell you how my conversation with Doctor
-Allday ended. I have done with interference; I have done with advice.
-Whatever my doubts may be, all further effort on my part to justify
-them--all further inquiries, no matter in what direction--are at an end:
-I made the sacrifice, for your sake. No! I must repeat what you said
-to me just now; I deserve no thanks. What I have done, has been done in
-deference to Doctor Allday--against my own convictions; in spite of my
-own fears. Ridiculous convictions! ridiculous fears! Men with morbid
-minds are their own tormentors. It doesn't matter how I suffer, so long
-as you are at ease. I shall never thwart you or vex you again. Have you
-a better opinion of me now?"
-
-She made the best of all answers--she gave him her hand.
-
-"May I kiss it?" he asked, as timidly as if he had been a boy addressing
-his first sweetheart.
-
-She was half inclined to laugh, and half inclined to cry. "Yes, if you
-like," she said softly.
-
-"Will you let me come and see you again?"
-
-"Gladly--when I return to London."
-
-"You are going away?"
-
-"I am going to Brighton this afternoon, to stay with Miss Ladd."
-
-It was hard to lose her, on the happy day when they understood each
-other at last. An expression of disappointment passed over his face.
-He rose, and walked restlessly to the window. "Miss Ladd?" he repeated,
-turning to Emily as if an idea had struck him. "Did I hear, at the
-school, that Miss de Sor was to spend the holidays under the care of
-Miss Ladd?"
-
-"Yes."
-
-"The same young lady," he went on, "who paid you a visit yesterday
-morning?"
-
-"The same."
-
-That haunting distrust of the future, which he had first betrayed and
-then affected to ridicule, exercised its depressing influence over his
-better sense. He was unreasonable enough to feel doubtful of Francine,
-simply because she was a stranger.
-
-"Miss de Sor is a new friend of yours," he said. "Do you like her?"
-
-It was not an easy question to answer--without entering into particulars
-which Emily's delicacy of feeling warned her to avoid. "I must know a
-little more of Miss de Sor," she said, "before I can decide."
-
-Alban's misgivings were naturally encouraged by this evasive reply. He
-began to regret having left the cottage, on the previous day, when he
-had heard that Emily was engaged. He might have sent in his card,
-and might have been admitted. It was an opportunity lost of observing
-Francine. On the morning of her first day at school, when they had
-accidentally met at the summer house, she had left a disagreeable
-impression on his mind. Ought he to allow his opinion to be influenced
-by this circumstance? or ought he to follow Emily's prudent example, and
-suspend judgment until he knew a little more of Francine?
-
-"Is any day fixed for your return to London?" he asked.
-
-"Not yet," she said; "I hardly know how long my visit will be."
-
-"In little more than a fortnight," he continued, "I shall return to my
-classes--they will be dreary classes, without you. Miss de Sor goes back
-to the school with Miss Ladd, I suppose?"
-
-Emily was at a loss to account for the depression in his looks and
-tones, while he was making these unimportant inquiries. She tried to
-rouse him by speaking lightly in reply.
-
-"Miss de Sor returns in quite a new character; she is to be a guest
-instead of a pupil. Do you wish to be better acquainted with her?"
-
-"Yes," he said grave ly, "now I know that she is a friend of yours." He
-returned to his place near her. "A pleasant visit makes the days pass
-quickly," he resumed. "You may remain at Brighton longer than you
-anticipate; and we may not meet again for some time to come. If anything
-happens--"
-
-"Do you mean anything serious?" she asked.
-
-"No, no! I only mean--if I can be of any service. In that case, will you
-write to me?"
-
-"You know I will!"
-
-She looked at him anxiously. He had completely failed to hide from
-her the uneasy state of his mind: a man less capable of concealment of
-feeling never lived. "You are anxious, and out of spirits," she said
-gently. "Is it my fault?"
-
-"Your fault? oh, don't think that! I have my dull days and my bright
-days--and just now my barometer is down at dull." His voice faltered,
-in spite of his efforts to control it; he gave up the struggle, and took
-his hat to go. "Do you remember, Emily, what I once said to you in the
-garden at the school? I still believe there is a time of fulfillment to
-come in our lives." He suddenly checked himself, as if there had been
-something more in his mind to which he hesitated to give expression--and
-held out his hand to bid her good-by.
-
-"My memory of what you said in the garden is better than yours," she
-reminded him. "You said 'Happen what may in the interval, I trust the
-future.' Do you feel the same trust still?"
-
-He sighed--drew her to him gently--and kissed her on the forehead. Was
-that his own reply? She was not calm enough to ask him the question: it
-remained in her thoughts for some time after he had gone.
-
- ........
-
-On the same day Emily was at Brighton.
-
-Francine happened to be alone in the drawing-room. Her first proceeding,
-when Emily was shown in, was to stop the servant.
-
-"Have you taken my letter to the post?"
-
-"Yes, miss."
-
-"It doesn't matter." She dismissed the servant by a gesture, and burst
-into such effusive hospitality that she actually insisted on kissing
-Emily. "Do you know what I have been doing?" she said. "I have been
-writing to Cecilia--directing to the care of her father, at the House of
-Commons. I stupidly forgot that you would be able to give me the right
-address in Switzerland. You don't object, I hope, to my making myself
-agreeable to our dear, beautiful, greedy girl? It is of such importance
-to me to surround myself with influential friends--and, of course,
-I have given her your love. Don't look disgusted! Come, and see your
-room.--Oh, never mind Miss Ladd. You will see her when she wakes. Ill?
-Is that sort of old woman ever ill? She's only taking her nap after
-bathing. Bathing in the sea, at her age! How she must frighten the
-fishes!"
-
-Having seen her own bed-chamber, Emily was next introduced to the room
-occupied by Francine.
-
-One object that she noticed in it caused her some little surprise--not
-unmingled with disgust. She discovered on the toilet-table a
-coarsely caricatured portrait of Mrs. Ellmother. It was a sketch in
-pencil--wretchedly drawn; but spitefully successful as a likeness.
-"I didn't know you were an artist," Emily remarked, with an ironical
-emphasis on the last word. Francine laughed scornfully--crumpled the
-drawing up in her hand--and threw it into the waste-paper basket.
-
-"You satirical creature!" she burst out gayly. "If you had lived a dull
-life at St. Domingo, you would have taken to spoiling paper too. I might
-really have turned out an artist, if I had been clever and industrious
-like you. As it was, I learned a little drawing--and got tired of it.
-I tried modeling in wax--and got tired of it. Who do you think was my
-teacher? One of our slaves."
-
-"A slave!" Emily exclaimed.
-
-"Yes--a mulatto, if you wish me to be particular; the daughter of an
-English father and a negro mother. In her young time (at least she
-said so herself) she was quite a beauty, in her particular style.
-Her master's favorite; he educated her himself. Besides drawing
-and painting, and modeling in wax, she could sing and play--all the
-accomplishments thrown away on a slave! When her owner died, my uncle
-bought her at the sale of the property."
-
-A word of natural compassion escaped Emily--to Francine's surprise.
-
-"Oh, my dear, you needn't pity her! Sappho (that was her name) fetched
-a high price, even when she was no longer young. She came to us, by
-inheritance, with the estates and the rest of it; and took a fancy to
-me, when she found out I didn't get on well with my father and mother.
-'I owe it to _my_ father and mother,' she used to say, 'that I am a
-slave. When I see affectionate daughters, it wrings my heart.' Sappho
-was a strange compound. A woman with a white side to her character, and
-a black side. For weeks together, she would be a civilized being. Then
-she used to relapse, and become as complete a negress as her mother.
-At the risk of her life she stole away, on those occasions, into
-the interior of the island, and looked on, in hiding, at the horrid
-witchcrafts and idolatries of the blacks; they would have murdered a
-half-blood, prying into their ceremonies, if they had discovered her.
-I followed her once, so far as I dared. The frightful yellings and
-drummings in the darkness of the forests frightened me. The blacks
-suspected her, and it came to my ears. I gave her the warning that saved
-her life (I don't know what I should have done without Sappho to amuse
-me!); and, from that time, I do believe the curious creature loved me.
-You see I can speak generously even of a slave!"
-
-"I wonder you didn't bring her with you to England," Emily said.
-
-"In the first place," Francine answered, "she was my father's property,
-not mine. In the second place, she's dead. Poisoned, as the other
-half-bloods supposed, by some enemy among the blacks. She said herself,
-she was under a spell!"
-
-"What did she mean?"
-
-Francine was not interested enough in the subject to explain. "Stupid
-superstition, my dear. The negro side of Sappho was uppermost when she
-was dying--there is the explanation. Be off with you! I hear the old
-woman on the stairs. Meet her before she can come in here. My bedroom is
-my only refuge from Miss Ladd."
-
-On the morning of the last day in the week, Emily had a little talk in
-private with her old schoolmistress. Miss Ladd listened to what she had
-to say of Mrs. Ellmother, and did her best to relieve Emily's anxieties.
-"I think you are mistaken, my child, in supposing that Francine is in
-earnest. It is her great fault that she is hardly ever in earnest. You
-can trust to my discretion; leave the rest to your aunt's old servant
-and to me."
-
-Mrs. Ellmother arrived, punctual to the appointed time. She was shown
-into Miss Ladd's own room. Francine--ostentatiously resolved to take no
-personal part in the affair--went for a walk. Emily waited to hear the
-result.
-
-After a long interval, Miss Ladd returned to the drawing-room, and
-announced that she had sanctioned the engagement of Mrs. Ellmother.
-
-"I have considered your wishes, in this respect," she said. "It is
-arranged that a week's notice, on either side, shall end the term of
-service, after the first month. I cannot feel justified in doing more
-than that. Mrs. Ellmother is such a respectable woman; she is so well
-known to you, and she was so long in your aunt's service, that I am
-bound to consider the importance of securing a person who is exactly
-fitted to attend on such a girl as Francine. In one word, I can trust
-Mrs. Ellmother."
-
-"When does she enter on her service?" Emily inquired.
-
-"On the day after we return to the school," Miss Ladd replied. "You will
-be glad to see her, I am sure. I will send her here."
-
-"One word more before you go," Emily said.
-
-"Did you ask her why she left my aunt?"
-
-"My dear child, a woman who has been five-and-twenty years in one place
-is entitled to keep her own secrets. I understand that she had her
-reasons, and that she doesn't think it necessary to mention them to
-anybody. Never trust people by halves--especially when they are people
-like Mrs. Ellmother."
-
-It was too late now to raise any objections. Emily felt relieved, rather
-than disappointed, on discovering that Mrs. Ellmother was in a hurry to
-get back to London by the next train. Sh e had found an opportunity of
-letting her lodgings; and she was eager to conclude the bargain. "You
-see I couldn't say Yes," she explained, "till I knew whether I was to
-get this new place or not--and the person wants to go in tonight."
-
-Emily stopped her at the door. "Promise to write and tell me how you get
-on with Miss de Sor."
-
-"You say that, miss, as if you didn't feel hopeful about me."
-
-"I say it, because I feel interested about you. Promise to write."
-
-Mrs. Ellmother promised, and hastened away. Emily looked after her from
-the window, as long as she was in view. "I wish I could feel sure of
-Francine!" she said to herself.
-
-"In what way?" asked the hard voice of Francine, speaking at the door.
-
-It was not in Emily's nature to shrink from a plain reply. She completed
-her half-formed thought without a moment's hesitation.
-
-"I wish I could feel sure," she answered, "that you will be kind to Mrs.
-Ellmother."
-
-"Are you afraid I shall make her life one scene of torment?" Francine
-inquired. "How can I answer for myself? I can't look into the future."
-
-"For once in your life, can you be in earnest?" Emily said.
-
-"For once in your life, can you take a joke?" Francine replied.
-
-Emily said no more. She privately resolved to shorten her visit to
-Brighton.
-
-
-
-
-BOOK THE THIRD--NETHERWOODS.
-
-
-
-CHAPTER XXXII. IN THE GRAY ROOM.
-
-The house inhabited by Miss Ladd and her pupils had been built, in the
-early part of the present century, by a wealthy merchant--proud of his
-money, and eager to distinguish himself as the owner of the largest
-country seat in the neighborhood.
-
-After his death, Miss Ladd had taken Netherwoods (as the place was
-called), finding her own house insufficient for the accommodation of the
-increasing number of her pupils. A lease was granted to her on moderate
-terms. Netherwoods failed to attract persons of distinction in search
-of a country residence. The grounds were beautiful; but no landed
-property--not even a park--was attached to the house. Excepting the few
-acres on which the building stood, the surrounding land belonged to
-a retired naval officer of old family, who resented the attempt of a
-merchant of low birth to assume the position of a gentleman. No matter
-what proposals might be made to the admiral, he refused them all. The
-privilege of shooting was not one of the attractions offered to tenants;
-the country presented no facilities for hunting; and the only stream in
-the neighborhood was not preserved. In consequence of these drawbacks,
-the merchant's representatives had to choose between a proposal to use
-Netherwoods as a lunatic asylum, or to accept as tenant the respectable
-mistress of a fashionable and prosperous school. They decided in favor
-of Miss Ladd.
-
-The contemplated change in Francine's position was accomplished, in that
-vast house, without inconvenience. There were rooms unoccupied, even
-when the limit assigned to the number of pupils had been reached. On the
-re-opening of the school, Francine was offered her choice between two
-rooms on one of the upper stories, and two rooms on the ground floor.
-She chose these last.
-
-Her sitting-room and bedroom, situated at the back of the house,
-communicated with each other. The sitting-room, ornamented with a pretty
-paper of delicate gray, and furnished with curtains of the same color,
-had been accordingly named, "The Gray Room." It had a French window,
-which opened on the terrace overlooking the garden and the grounds.
-Some fine old engravings from the grand landscapes of Claude (part of a
-collection of prints possessed by Miss Ladd's father) hung on the walls.
-The carpet was in harmony with the curtains; and the furniture was
-of light-colored wood, which helped the general effect of subdued
-brightness that made the charm of the room. "If you are not happy here,"
-Miss Ladd said, "I despair of you." And Francine answered, "Yes, it's
-very pretty, but I wish it was not so small."
-
-On the twelfth of August the regular routine of the school was resumed.
-Alban Morris found two strangers in his class, to fill the vacancies
-left by Emily and Cecilia. Mrs. Ellmother was duly established in her
-new place. She produced an unfavorable impression in the servants'
-hall--not (as the handsome chief housemaid explained) because she
-was ugly and old, but because she was "a person who didn't talk." The
-prejudice against habitual silence, among the lower order of the people,
-is almost as inveterate as the prejudice against red hair.
-
-In the evening, on that first day of renewed studies--while the girls
-were in the grounds, after tea--Francine had at last completed the
-arrangement of her rooms, and had dismissed Mrs. Ellmother (kept hard
-at work since the morning) to take a little rest. Standing alone at her
-window, the West Indian heiress wondered what she had better do next.
-She glanced at the girls on the lawn, and decided that they were
-unworthy of serious notice, on the part of a person so specially favored
-as herself. She turned sidewise, and looked along the length of the
-terrace. At the far end a tall man was slowly pacing to and fro, with
-his head down and his hands in his pockets. Francine recognized the rude
-drawing-master, who had torn up his view of the village, after she had
-saved it from being blown into the pond.
-
-She stepped out on the terrace, and called to him. He stopped, and
-looked up.
-
-"Do you want me?" he called back.
-
-"Of course I do!"
-
-She advanced a little to meet him, and offered encouragement under the
-form of a hard smile. Although his manners might be unpleasant, he
-had claims on the indulgence of a young lady, who was at a loss how to
-employ her idle time. In the first place, he was a man. In the second
-place, he was not as old as the music-master, or as ugly as the
-dancing-master. In the third place, he was an admirer of Emily; and the
-opportunity of trying to shake his allegiance by means of a flirtation,
-in Emily's absence, was too good an opportunity to be lost.
-
-"Do you remember how rude you were to me, on the day when you
-were sketching in the summer-house?" Francine asked with snappish
-playfulness. "I expect you to make yourself agreeable this time--I am
-going to pay you a compliment."
-
-He waited, with exasperating composure, to hear what the proposed
-compliment might be. The furrow between his eyebrows looked deeper than
-ever. There were signs of secret trouble in that dark face, so grimly
-and so resolutely composed. The school, without Emily, presented the
-severest trial of endurance that he had encountered, since the day when
-he had been deserted and disgraced by his affianced wife.
-
-"You are an artist," Francine proceeded, "and therefore a person of
-taste. I want to have your opinion of my sitting-room. Criticism is
-invited; pray come in."
-
-He seemed to be unwilling to accept the invitation--then altered his
-mind, and followed Francine. She had visited Emily; she was perhaps in
-a fair way to become Emily's friend. He remembered that he had already
-lost an opportunity of studying her character, and--if he saw the
-necessity--of warning Emily not to encourage the advances of Miss de
-Sor.
-
-"Very pretty," he remarked, looking round the room--without appearing to
-care for anything in it, except the prints.
-
-Francine was bent on fascinating him. She raised her eyebrows and lifted
-her hands, in playful remonstrance. "Do remember it's _my_ room," she
-said, "and take some little interest in it, for _my_ sake!"
-
-"What do you want me to say?" he asked.
-
-"Come and sit down by me." She made room for him on the sofa. Her one
-favorite aspiration--the longing to excite envy in others--expressed
-itself in her next words. "Say something pretty," she answered; "say you
-would like to have such a room as this."
-
-"I should like to have your prints," he remarked. "Will that do?"
-
-"It wouldn't do--from anybody else. Ah, Mr. Morris, I know why you are
-not as nice as you might be! You are not happy. The school has lost its
-one attraction, in losing our dear Emily. You feel it--I know you feel
-it." She assisted this expression of sympathy to produce the right
-effect by a sigh. "What would I not give to inspire such devotion as
-yours! I don't envy Emily; I only wish--" She paused in confusion,
-and opened her fan. "Isn't it pretty?" she said, with an ostentatious
-appearance of changing the subject. Alban behaved like a monster; he
-began to talk of the weather.
-
-"I think this is the hottest day we have had," he said; "no wonder you
-want your fan. Netherwoods is an airless place at this season of the
-year."
-
-She controlled her temper. "I do indeed feel the heat," she admitted,
-with a resignation which gently reproved him; "it is so heavy and
-oppressive here after Brighton. Perhaps my sad life, far away from
-home and friends, makes me sensitive to trifles. Do you think so, Mr.
-Morris?"
-
-The merciless man said he thought it was the situation of the house.
-
-"Miss Ladd took the place in the spring," he continued; "and only
-discovered the one objection to it some months afterward. We are in the
-highest part of the valley here--but, you see, it's a valley surrounded
-by hills; and on three sides the hills are near us. All very well in
-winter; but in summer I have heard of girls in this school so out of
-health in the relaxing atmosphere that they have been sent home again."
-
-Francine suddenly showed an interest in what he was saying. If he had
-cared to observe her closely, he might have noticed it.
-
-"Do you mean that the girls were really ill?" she asked.
-
-"No. They slept badly--lost appetite--started at trifling noises. In
-short, their nerves were out of order."
-
-"Did they get well again at home, in another air?"
-
-"Not a doubt of it," he answered, beginning to get weary of the subject.
-"May I look at your books?"
-
-Francine's interest in the influence of different atmospheres on health
-was not exhausted yet. "Do you know where the girls lived when they were
-at home?" she inquired.
-
-"I know where one of them lived. She was the best pupil I ever had--and
-I remember she lived in Yorkshire." He was so weary of the idle
-curiosity--as it appeared to him--which persisted in asking trifling
-questions, that he left his seat, and crossed the room. "May I look at
-your books?" he repeated.
-
-"Oh, yes!"
-
-The conversation was suspended for a while. The lady thought, "I should
-like to box his ears!" The gentleman thought, "She's only an inquisitive
-fool after all!" His examination of her books confirmed him in the
-delusion that there was really nothing in Francine's character which
-rendered it necessary to caution Emily against the advances of her new
-friend. Turning away from the book-case, he made the first excuse that
-occurred to him for putting an end to the interview.
-
-"I must beg you to let me return to my duties, Miss de Sor. I have to
-correct the young ladies' drawings, before they begin again to-morrow."
-
-Francine's wounded vanity made a last expiring attempt to steal the
-heart of Emily's lover.
-
-"You remind me that I have a favor to ask," she said. "I don't attend
-the other classes--but I should so like to join _your_ class! May I?"
-She looked up at him with a languishing appearance of entreaty which
-sorely tried Alban's capacity to keep his face in serious order. He
-acknowledged the compliment paid to him in studiously commonplace terms,
-and got a little nearer to the open window. Francine's obstinacy was not
-conquered yet.
-
-"My education has been sadly neglected," she continued; "but I have had
-some little instruction in drawing. You will not find me so ignorant
-as some of the other girls." She waited a little, anticipating a few
-complimentary words. Alban waited also--in silence. "I shall look
-forward with pleasure to my lessons under such an artist as yourself,"
-she went on, and waited again, and was disappointed again. "Perhaps,"
-she resumed, "I may become your favorite pupil--Who knows?"
-
-"Who indeed!"
-
-It was not much to say, when he spoke at last--but it was enough to
-encourage Francine. She called him "dear Mr. Morris"; she pleaded
-for permission to take her first lesson immediately; she clasped her
-hands--"Please say Yes!"
-
-"I can't say Yes, till you have complied with the rules."
-
-"Are they _your_ rules?"
-
-Her eyes expressed the readiest submission--in that case. He entirely
-failed to see it: he said they were Miss Ladd's rules--and wished her
-good-evening.
-
-She watched him, walking away down the terrace. How was he paid? Did he
-receive a yearly salary, or did he get a little extra money for each
-new pupil who took drawing lessons? In this last case, Francine saw her
-opportunity of being even with him "You brute! Catch me attending your
-class!"
-
-
-
-
-CHAPTER XXXIII. RECOLLECTIONS OF ST. DOMINGO.
-
-The night was oppressively hot. Finding it impossible to sleep, Francine
-lay quietly in her bed, thinking. The subject of her reflections was a
-person who occupied the humble position of her new servant.
-
-Mrs. Ellmother looked wretchedly ill. Mrs. Ellmother had told Emily that
-her object, in returning to domestic service, was to try if change would
-relieve her from the oppression of her own thoughts. Mrs. Ellmother
-believed in vulgar superstitions which declared Friday to be an unlucky
-day; and which recommended throwing a pinch over your left shoulder, if
-you happened to spill the salt.
-
-In themselves, these were trifling recollections. But they assumed a
-certain importance, derived from the associations which they called
-forth.
-
-They reminded Francine, by some mental process which she was at a loss
-to trace, of Sappho the slave, and of her life at St. Domingo.
-
-She struck a light, and unlocked her writing desk. From one of the
-drawers she took out an old household account-book.
-
-The first page contained some entries, relating to domestic expenses, in
-her own handwriting. They recalled one of her efforts to occupy her idle
-time, by relieving her mother of the cares of housekeeping. For a day or
-two, she had persevered--and then she had ceased to feel any interest in
-her new employment. The remainder of the book was completely filled
-up, in a beautifully clear handwriting, beginning on the second page. A
-title had been found for the manuscript by Francine. She had written at
-the top of the page: _Sappho's Nonsense_.
-
-After reading the first few sentences she rapidly turned over the
-leaves, and stopped at a blank space near the end of the book. Here
-again she had added a title. This time it implied a compliment to the
-writer: the page was headed: _Sappho's Sense_.
-
-She read this latter part of the manuscript with the closest attention.
-
-"I entreat my kind and dear young mistress not to suppose that I believe
-in witchcraft--after such an education as I have received. When I wrote
-down, at your biding, all that I had told you by word of mouth, I cannot
-imagine what delusion possessed me. You say I have a negro side to
-my character, which I inherit from my mother. Did you mean this, dear
-mistress, as a joke? I am almost afraid it is sometimes not far off from
-the truth.
-
-"Let me be careful, however, to avoid leading you into a mistake. It is
-really true that the man-slave I spoke of did pine and die, after the
-spell had been cast on him by my witch-mother's image of wax. But I
-ought also to have told you that circumstances favored the working of
-the spell: the fatal end was not brought about by supernatural means.
-
-"The poor wretch was not in good health at the time; and our owner had
-occasion to employ him in the valley of the island far inland. I have
-been told, and can well believe, that the climate there is different
-from the climate on the coast--in which the unfortunate slave had been
-accustomed to live. The overseer wouldn't believe him when he said the
-valley air would be his death--and the negroes, who might otherwise have
-helped him, all avoided a man whom they knew to be under a spell.
-
-"This, you see, accounts for what might appear incredible to civilized
-persons. If you will do me a favor, you will burn this little book, as
-soon as you have read what I have written here. If my request is not
-granted, I can only implore you to let no eyes but your own see these
-pages. My life might be in danger if the blacks knew what I have now
-told you, in the interests of truth."
-
-Francine closed the book, and locked it up again in her desk. "Now I
-know," she said to herself, "what reminded me of St. Domingo."
-
-When Francine rang her bell the next morning, so long a time elapsed
-without producing an answer that she began to think of sending one of
-the house-servants to make inquiries. Before she could decide, Mrs.
-Ellmother presented herself, and offered her apologies.
-
-"It's the first time I have overslept myself, miss, since I was a girl.
-Please to excuse me, it shan't happen again."
-
-"Do you find that the air here makes you drowsy?" Francine asked.
-
-Mrs. Ellmother shook her head. "I didn't get to sleep," she said,
-"till morning, and so I was too heavy to be up in time. But air has got
-nothing to do with it. Gentlefolks may have their whims and fancies. All
-air is the same to people like me."
-
-"You enjoy good health, Mrs. Ellmother?"
-
-"Why not, miss? I have never had a doctor."
-
-"Oh! That's your opinion of doctors, is it?"
-
-"I won't have anything to do with them--if that's what you mean by my
-opinion," Mrs. Ellmother answered doggedly. "How will you have your hair
-done?"
-
-"The same as yesterday. Have you seen anything of Miss Emily? She went
-back to London the day after you left us."
-
-"I haven't been in London. I'm thankful to say my lodgings are let to a
-good tenant."
-
-"Then where have you lived, while you were waiting to come here?"
-
-"I had only one place to go to, miss; I went to the village where I was
-born. A friend found a corner for me. Ah, dear heart, it's a pleasant
-place, there!"
-
-"A place like this?"
-
-"Lord help you! As little like this as chalk is to cheese. A fine big
-moor, miss, in Cumberland, without a tree in sight--look where you may.
-Something like a wind, I can tell you, when it takes to blowing there."
-
-"Have you never been in this part of the country?"
-
-"Not I! When I left the North, my new mistress took me to Canada. Talk
-about air! If there was anything in it, the people in _that_ air ought
-to live to be a hundred. I liked Canada."
-
-"And who was your next mistress?"
-
-Thus far, Mrs. Ellmother had been ready enough to talk. Had she failed
-to hear what Francine had just said to her? or had she some reason for
-feeling reluctant to answer? In any case, a spirit of taciturnity took
-sudden possession of her--she was silent.
-
-Francine (as usual) persisted. "Was your next place in service with Miss
-Emily's aunt?"
-
-"Yes."
-
-"Did the old lady always live in London?"
-
-"No."
-
-"What part of the country did she live in?"
-
-"Kent."
-
-"Among the hop gardens?"
-
-"No."
-
-"In what other part, then?"
-
-"Isle of Thanet."
-
-"Near the sea coast?"
-
-"Yes."
-
-Even Francine could insist no longer: Mrs. Ellmother's reserve had
-beaten her--for that day at least. "Go into the hall," she said, "and
-see if there are any letters for me in the rack."
-
-There was a letter bearing the Swiss postmark. Simple Cecilia was
-flattered and delighted by the charming manner in which Francine had
-written to her. She looked forward with impatience to the time when
-their present acquaintance might ripen into friendship. Would "Dear
-Miss de Sor" waive all ceremony, and consent to be a guest (later in the
-autumn) at her father's house? Circumstances connected with her sister's
-health would delay their return to England for a little while. By the
-end of the month she hoped to be at home again, and to hear if Francine
-was disengaged. Her address, in England, was Monksmoor Park, Hants.
-
-Having read the letter, Francine drew a moral from it: "There is great
-use in a fool, when one knows how to manage her."
-
-Having little appetite for her breakfast, she tried the experiment of a
-walk on the terrace. Alban Morris was right; the air at Netherwoods, in
-the summer time, _was_ relaxing. The morning mist still hung over the
-lowest part of the valley, between the village and the hills beyond. A
-little exercise produced a feeling of fatigue. Francine returned to her
-room, and trifled with her tea and toast.
-
-Her next proceeding was to open her writing-desk, and look into the old
-account-book once more. While it lay open on her lap, she recalled what
-had passed that morning, between Mrs. Ellmother and herself.
-
-The old woman had been born and bred in the North, on an open moor. She
-had been removed to the keen air of Canada when she left her birthplace.
-She had been in service after that, on the breezy eastward coast of
-Kent. Would the change to the climate of Netherwoods produce any effect
-on Mrs. Ellmother? At her age, and with her seasoned constitution, would
-she feel it as those school-girls had felt it--especially that one among
-them, who lived in the bracing air of the North, the air of Yorkshire?
-
-Weary of solitary thinking on one subject, Francine returned to the
-terrace with a vague idea of finding something to amuse her--that is to
-say, something she could turn into ridicule--if she joined the girls.
-
-The next morning, Mrs. Ellmother answered her mistress's bell without
-delay. "You have slept better, this time?" Francine said.
-
-"No, miss. When I did get to sleep I was troubled by dreams. Another bad
-night--and no mistake!"
-
-"I suspect your mind is not quite at ease," Francine suggested.
-
-"Why do you suspect that, if you please?"
-
-"You talked, when I met you at Miss Emily's, of wanting to get away from
-your own thoughts. Has the change to this place helped you?"
-
-"It hasn't helped me as I expected. Some people's thoughts stick fast."
-
-"Remorseful thoughts?" Francine inquired.
-
-Mrs. Ellmother held up her forefinger, and shook it with a gesture of
-reproof. "I thought we agreed, miss, that there was to be no pumping."
-
-The business of the toilet proceeded in silence.
-
-A week passed. During an interval in the labors of the school, Miss Ladd
-knocked at the door of Francine's room.
-
-"I want to speak to you, my dear, about Mrs. Ellmother. Have you noticed
-that she doesn't seem to be in good health?"
-
-"She looks rather pale, Miss Ladd."
-
-"It's more serious than that, Francine. The servants tell me that she
-has hardly any appetite. She herself acknowledges that she sleeps badly.
-I noticed her yesterday evening in the garden, under the schoolroom
-window. One of the girls dropped a dictionary. She started at that
-slight noise, as if it terrified her. Her nerves are seriously out of
-order. Can you prevail upon her to see the doctor?"
-
-Francine hesitated--and made an excuse. "I think she would be much more
-likely, Miss Ladd, to listen to you. Do you mind speaking to her?"
-
-"Certainly not!"
-
-Mrs. Ellmother was immediately sent for. "What is your pleasure, miss?"
-she said to Francine.
-
-Miss Ladd interposed. "It is I who wish to speak to you, Mrs. Ellmother.
-For some days past, I have been sorry to see you looking ill."
-
-"I never was ill in my life, ma'am."
-
-Miss Ladd gently persisted. "I hear that you have lost your appetite."
-
-"I never was a great eater, ma'am."
-
-It was evidently useless to risk any further allusion to Mrs.
-Ellmother's symptoms. Miss Ladd tried another method of persuasion.
-"I daresay I may be mistaken," she said; "but I do really feel anxious
-about you. To set my mind at rest, will you see the doctor?"
-
-"The doctor! Do you think I'm going to begin taking physic, at my time
-of life? Lord, ma'am! you amuse me--you do indeed!" She burst into a
-sudden fit of laughter; the hysterical laughter which is on the verge of
-tears. With a desperate effort, she controlled herself. "Please, don't
-make a fool of me again," she said--and left the room.
-
-"What do you think now?" Miss Ladd asked.
-
-Francine appeared to be still on her guard.
-
-"I don't know what to think," she said evasively.
-
-Miss Ladd looked at her in silent surprise, and withdrew.
-
-Left by herself, Francine sat with her elbows on the table and her face
-in her hands, absorbed in thought. After a long interval, she opened her
-desk--and hesitated. She took a sheet of note-paper--and paused, as
-if still in doubt. She snatched up her pen, with a sudden recovery of
-resolution--and addressed these lines to the wife of her father's agent
-in London:
-
-"When I was placed under your care, on the night of my arrival from
-the West Indies, you kindly said I might ask you for any little service
-which might be within your power. I shall be greatly obliged if you can
-obtain for me, and send to this place, a supply of artists' modeling
-wax--sufficient for the product ion of a small image."
-
-
-
-
-CHAPTER XXXIV. IN THE DARK.
-
-A week later, Alban Morris happened to be in Miss Ladd's study, with
-a report to make on the subject of his drawing-class. Mrs. Ellmother
-interrupted them for a moment. She entered the room to return a book
-which Francine had borrowed that morning.
-
-"Has Miss de Sor done with it already?" Miss Ladd asked.
-
-"She won't read it, ma'am. She says the leaves smell of tobacco-smoke."
-
-Miss Ladd turned to Alban, and shook her head with an air of
-good-humored reproof. "I know who has been reading that book last!" she
-said.
-
-Alban pleaded guilty, by a look. He was the only master in the school
-who smoked. As Mrs. Ellmother passed him, on her way out, he noticed the
-signs of suffering in her wasted face.
-
-"That woman is surely in a bad state of health," he said. "Has she seen
-the doctor?"
-
-"She flatly refuses to consult the doctor," Miss Ladd replied. "If she
-was a stranger, I should meet the difficulty by telling Miss de Sor
-(whose servant she is) that Mrs. Ellmother must be sent home. But I
-cannot act in that peremptory manner toward a person in whom Emily is
-interested."
-
-From that moment Mrs. Ellmother became a person in whom Alban was
-interested. Later in the day, he met her in one of the lower corridors
-of the house, and spoke to her. "I am afraid the air of this place
-doesn't agree with you," he said.
-
-Mrs. Ellmother's irritable objection to being told (even indirectly)
-that she looked ill, expressed itself roughly in reply. "I daresay you
-mean well, sir--but I don't see how it matters to you whether the place
-agrees with me or not."
-
-"Wait a minute," Alban answered good-humoredly. "I am not quite a
-stranger to you."
-
-"How do you make that out, if you please?"
-
-"I know a young lady who has a sincere regard for you."
-
-"You don't mean Miss Emily?"
-
-"Yes, I do. I respect and admire Miss Emily; and I have tried, in my
-poor way, to be of some little service to her."
-
-Mrs. Ellmother's haggard face instantly softened. "Please to forgive me,
-sir, for forgetting my manners," she said simply. "I have had my health
-since the day I was born--and I don't like to be told, in my old age,
-that a new place doesn't agree with me."
-
-Alban accepted this apology in a manner which at once won the heart
-of the North-countrywoman. He shook hands with her. "You're one of the
-right sort," she said; "there are not many of them in this house."
-
-Was she alluding to Francine? Alban tried to make the discovery. Polite
-circumlocution would be evidently thrown away on Mrs. Ellmother. "Is
-your new mistress one of the right sort?" he asked bluntly.
-
-The old servant's answer was expressed by a frowning look, followed by a
-plain question.
-
-"Do you say that, sir, because you like my new mistress?"
-
-"No."
-
-"Please to shake hands again!" She said it--took his hand with a sudden
-grip that spoke for itself--and walked away.
-
-Here was an exhibition of character which Alban was just the man to
-appreciate. "If I had been an old woman," he thought in his dryly
-humorous way, "I believe I should have been like Mrs. Ellmother. We
-might have talked of Emily, if she had not left me in such a hurry. When
-shall I see her again?"
-
-He was destined to see her again, that night--under circumstances which
-he remembered to the end of his life.
-
-The rules of Netherwoods, in summer time, recalled the young ladies from
-their evening's recreation in the grounds at nine o'clock. After that
-hour, Alban was free to smoke his pipe, and to linger among trees and
-flower-beds before he returned to his hot little rooms in the village.
-As a relief to the drudgery of teaching the young ladies, he had
-been using his pencil, when the day's lessons were over, for his own
-amusement. It was past ten o'clock before he lighted his pipe, and began
-walking slowly to and fro on the path which led to the summer-house, at
-the southern limit of the grounds.
-
-In the perfect stillness of the night, the clock of the village church
-was distinctly audible, striking the hours and the quarters. The moon
-had not risen; but the mysterious glimmer of starlight trembled on the
-large open space between the trees and the house.
-
-Alban paused, admiring with an artist's eye the effect of light, so
-faintly and delicately beautiful, on the broad expanse of the lawn.
-"Does the man live who could paint that?" he asked himself. His memory
-recalled the works of the greatest of all landscape painters--the
-English artists of fifty years since. While recollections of many a
-noble picture were still passing through his mind, he was startled by
-the sudden appearance of a bareheaded woman on the terrace steps.
-
-She hurried down to the lawn, staggering as she ran--stopped, and looked
-back at the house--hastened onward toward the trees--stopped again,
-looking backward and forward, uncertain which way to turn next--and then
-advanced once more. He could now hear her heavily gasping for breath. As
-she came nearer, the starlight showed a panic-stricken face--the face of
-Mrs. Ellmother.
-
-Alban ran to meet her. She dropped on the grass before he could cross
-the short distance which separated them. As he raised her in his arms
-she looked at him wildly, and murmured and muttered in the vain attempt
-to speak. "Look at me again," he said. "Don't you remember the man who
-had some talk with you to-day?" She still stared at him vacantly: he
-tried again. "Don't you remember Miss Emily's friend?"
-
-As the name passed his lips, her mind in some degree recovered its
-balance. "Yes," she said; "Emily's friend; I'm glad I have met with
-Emily's friend." She caught at Alban's arm--starting as if her own words
-had alarmed her. "What am I talking about? Did I say 'Emily'? A servant
-ought to say 'Miss Emily.' My head swims. Am I going mad?"
-
-Alban led her to one of the garden chairs. "You're only a little
-frightened," he said. "Rest, and compose yourself."
-
-She looked over her shoulder toward the house. "Not here! I've run away
-from a she-devil; I want to be out of sight. Further away, Mister--I
-don't know your name. Tell me your name; I won't trust you, unless you
-tell me your name!"
-
-"Hush! hush! Call me Alban."
-
-"I never heard of such a name; I won't trust you."
-
-"You won't trust your friend, and Emily's friend? You don't mean that,
-I'm sure. Call me by my other name--call me 'Morris.'"
-
-"Morris?" she repeated. "Ah, I've heard of people called 'Morris.' Look
-back! Your eyes are young--do you see her on the terrace?"
-
-"There isn't a living soul to be seen anywhere."
-
-With one hand he raised her as he spoke--and with the other he took up
-the chair. In a minute more, they were out of sight of the house. He
-seated her so that she could rest her head against the trunk of a tree.
-
-"What a good fellow!" the poor old creature said, admiring him; "he
-knows how my head pains me. Don't stand up! You're a tall man. She might
-see you."
-
-"She can see nothing. Look at the trees behind us. Even the starlight
-doesn't get through them."
-
-Mrs. Ellmother was not satisfied yet. "You take it coolly," she said.
-"Do you know who saw us together in the passage to-day? You good Morris,
-_she_ saw us--she did. Wretch! Cruel, cunning, shameless wretch."
-
-In the shadows that were round them, Alban could just see that she
-was shaking her clinched fists in the air. He made another attempt to
-control her. "Don't excite yourself! If she comes into the garden, she
-might hear you."
-
-The appeal to her fears had its effect.
-
-"That's true," she said, in lowered tones. A sudden distrust of him
-seized her the next moment. "Who told me I was excited?" she burst out.
-"It's you who are excited. Deny it if you dare; I begin to suspect you,
-Mr. Morris; I don't like your conduct. What has become of your pipe? I
-saw you put your pipe in your coat pocket. You did it when you set me
-down among the trees where _she_ could see me! You are in league
-with her--she is coming to meet you here--you know she does not like
-tobacco-smoke. Are you two going to put me in the madhouse?"
-
-She started to her feet. It occurred to Alban that the speediest way of
-pacifying her might be by means of the pipe. Mere words would exercise
-no persuasive influence over that bewildered mind. Instant action, of
-some kind, would be far more likely to have the right effect. He put his
-pipe and his tobacco pouch into her hands, and so mastered her attention
-before he spoke.
-
-"Do you know how to fill a man's pipe for him?" he asked.
-
-"Haven't I filled my husband's pipe hundreds of times?" she answered
-sharply.
-
-"Very well. Now do it for me."
-
-She took her chair again instantly, and filled the pipe. He lighted it,
-and seated himself on the grass, quietly smoking. "Do you think I'm in
-league with her now?" he asked, purposely adopting the rough tone of a
-man in her own rank of life.
-
-She answered him as she might have answered her husband, in the days of
-her unhappy marriage.
-
-"Oh, don't gird at me, there's a good man! If I've been off my head for
-a minute or two, please not to notice me. It's cool and quiet here,"
-the poor woman said gratefully. "Bless God for the darkness; there's
-something comforting in the darkness--along with a good man like you.
-Give me a word of advice. You are my friend in need. What am I to do? I
-daren't go back to the house!"
-
-She was quiet enough now, to suggest the hope that she might be able
-to give Alban some information "Were you with Miss de Sor," he asked,
-"before you came out here? What did she do to frighten you?"
-
-There was no answer; Mrs. Ellmother had abruptly risen once more.
-"Hush!" she whispered. "Don't I hear somebody near us?"
-
-Alban at once went back, along the winding path which they had followed.
-No creature was visible in the gardens or on the terrace. On returning,
-he found it impossible to use his eyes to any good purpose in the
-obscurity among the trees. He waited a while, listening intently. No
-sound was audible: there was not even air enough to stir the leaves.
-
-As he returned to the place that he had left, the silence was broken by
-the chimes of the distant church clock, striking the three-quarters past
-ten.
-
-Even that familiar sound jarred on Mrs. Ellmother's shattered nerves. In
-her state of mind and body, she was evidently at the mercy of any false
-alarm which might be raised by her own fears. Relieved of the feeling
-of distrust which had thus far troubled him, Alban sat down by her
-again--opened his match-box to relight his pipe--and changed his mind.
-Mrs. Ellmother had unconsciously warned him to be cautious.
-
-For the first time, he thought it likely that the heat in the house
-might induce some of the inmates to try the cooler atmosphere in the
-grounds. If this happened, and if he continued to smoke, curiosity might
-tempt them to follow the scent of tobacco hanging on the stagnant air.
-
-"Is there nobody near us?" Mrs. Ellmother asked. "Are you sure?"
-
-"Quite sure. Now tell me, did you really mean it, when you said just now
-that you wanted my advice?"
-
-"Need you ask that, sir? Who else have I got to help me?"
-
-"I am ready and willing to help you--but I can't do it unless I know
-first what has passed between you and Miss de Sor. Will you trust me?"
-
-"I will!"
-
-"May I depend on you?"
-
-"Try me!"
-
-
-
-
-CHAPTER XXXV. THE TREACHERY OF THE PIPE.
-
-Alban took Mrs. Ellmother at her word. "I am going to venture on a
-guess," he said. "You have been with Miss de Sor to-night."
-
-"Quite true, Mr. Morris."
-
-"I am going to guess again. Did Miss de Sor ask you to stay with her,
-when you went into her room?"
-
-"That's it! She rang for me, to see how I was getting on with my
-needlework--and she was what I call hearty, for the first time since
-I have been in her service. I didn't think badly of her when she first
-talked of engaging me; and I've had reason to repent of my opinion ever
-since. Oh, she showed the cloven foot to-night! 'Sit down,' she says;
-'I've nothing to read, and I hate work; let's have a little chat.' She's
-got a glib tongue of her own. All I could do was to say a word now and
-then to keep her going. She talked and talked till it was time to light
-the lamp. She was particular in telling me to put the shade over it. We
-were half in the dark, and half in the light. She trapped me (Lord knows
-how!) into talking about foreign parts; I mean the place she lived in
-before they sent her to England. Have you heard that she comes from the
-West Indies?"
-
-"Yes; I have heard that. Go on."
-
-"Wait a bit, sir. There's something, by your leave, that I want to know.
-Do you believe in Witchcraft?"
-
-"I know nothing about it. Did Miss de Sor put that question to you?"
-
-"She did."
-
-"And how did you answer?"
-
-"Neither in one way nor the other. I'm in two minds about that matter
-of Witchcraft. When I was a girl, there was an old woman in our village,
-who was a sort of show. People came to see her from all the country
-round--gentlefolks among them. It was her great age that made her
-famous. More than a hundred years old, sir! One of our neighbors didn't
-believe in her age, and she heard of it. She cast a spell on his flock.
-I tell you, she sent a plague on his sheep, the plague of the Bots. The
-whole flock died; I remember it well. Some said the sheep would have had
-the Bots anyhow. Some said it was the spell. Which of them was right?
-How am I to settle it?"
-
-"Did you mention this to Miss de Sor?"
-
-"I was obliged to mention it. Didn't I tell you, just now, that I can't
-make up my mind about Witchcraft? 'You don't seem to know whether you
-believe or disbelieve,' she says. It made me look like a fool. I told
-her I had my reasons, and then I was obliged to give them."
-
-"And what did she do then?"
-
-"She said, 'I've got a better story of Witchcraft than yours.' And she
-opened a little book, with a lot of writing in it, and began to read.
-Her story made my flesh creep. It turns me cold, sir, when I think of it
-now."
-
-He heard her moaning and shuddering. Strongly as his interest was
-excited, there was a compassionate reluctance in him to ask her to go
-on. His merciful scruples proved to be needless. The fascination of
-beauty it is possible to resist. The fascination of horror fastens
-its fearful hold on us, struggle against it as we may. Mrs. Ellmother
-repeated what she had heard, in spite of herself.
-
-"It happened in the West Indies," she said; "and the writing of a woman
-slave was the writing in the little book. The slave wrote about her
-mother. Her mother was a black--a Witch in her own country. There was
-a forest in her own country. The devil taught her Witchcraft in the
-forest. The serpents and the wild beasts were afraid to touch her.
-She lived without eating. She was sold for a slave, and sent to the
-island--an island in the West Indies. An old man lived there; the
-wickedest man of them all. He filled the black Witch with devilish
-knowledge. She learned to make the image of wax. The image of wax casts
-spells. You put pins in the image of wax. At every pin you put, the
-person under the spell gets nearer and nearer to death. There was a poor
-black in the island. He offended the Witch. She made his image in wax;
-she cast spells on him. He couldn't sleep; he couldn't eat; he was such
-a coward that common noises frightened him. Like Me! Oh, God, like me!"
-
-"Wait a little," Alban interposed. "You are exciting yourself
-again--wait."
-
-"You're wrong, sir! You think it ended when she finished her story, and
-shut up her book; there's worse to come than anything you've heard yet.
-I don't know what I did to offend her. She looked at me and spoke to me,
-as if I was the dirt under her feet. 'If you're too stupid to understand
-what I have been reading,' she says, 'get up and go to the glass. Look
-at yourself, and remember what happened to the slave who was under the
-spell. You're getting paler and paler, and thinner and thinner; you're
-pining away just as he did. Shall I tell you why?' She snatched off the
-shade from the lamp, and put her hand under the table, and brought out
-an image of wax. _My_ image! She pointed to three pins in it. 'One,'
-she says, 'for no sleep. One for no appetite. One for broken nerves.' I
-asked her what I had done to make such a bitter enemy of her. She says,
-'Remember what I asked of you when we talked of your being my servant.
-Choose which you will do? Die by inches' (I swear she said it as I hope
-to be saved); 'die by inches, or tell me--'"
-
-There--in the full frenzy of the agitation that possessed her--there,
-Mrs. Ellmother suddenly stopped.
-
-Alban's first impression was that she might have fainted. He looked
-closer, and could just see her shadowy figure still seated in the chair.
-He asked if she was ill. No.
-
-"Then why don't you go on?"
-
-"I have done," she answered.
-
-"Do you think you can put me off," he rejoined sternly, "with such an
-excuse as that? What did Miss de Sor ask you to tell her? You promised
-to trust me. Be as good as your word."
-
-In the days of her health and strength, she would have set him at
-defiance. All she could do now was to appeal to his mercy.
-
-"Make some allowance for me," she said. "I have been terribly upset.
-What has become of my courage? What has broken me down in this way?
-Spare me, sir."
-
-He refused to listen. "This vile attempt to practice on your fears may
-be repeated," he reminded her. "More cruel advantage may be taken of the
-nervous derangement from which you are suffering in the climate of this
-place. You little know me, if you think I will allow that to go on."
-
-She made a last effort to plead with him. "Oh sir, is this behaving
-like the good kind man I thought you were? You say you are Miss Emily's
-friend? Don't press me--for Miss Emily's sake!"
-
-"Emily!" Alban exclaimed. "Is _she_ concerned in this?"
-
-There was a change to tenderness in his voice, which persuaded Mrs.
-Ellmother that she had found her way to the weak side of him. Her one
-effort now was to strengthen the impression which she believed herself
-to have produced. "Miss Emily _is_ concerned in it," she confessed.
-
-"In what way?"
-
-"Never mind in what way."
-
-"But I do mind."
-
-"I tell you, sir, Miss Emily must never know it to her dying day!"
-
-The first suspicion of the truth crossed Alban's mind.
-
-"I understand you at last," he said. "What Miss Emily must never
-know--is what Miss de Sor wanted you to tell her. Oh, it's useless to
-contradict me! Her motive in trying to frighten you is as plain to me
-now as if she had confessed it. Are you sure you didn't betray yourself,
-when she showed the image of wax?"
-
-"I should have died first!" The reply had hardly escaped her before she
-regretted it. "What makes you want to be so sure about it?" she said.
-"It looks as if you knew--"
-
-"I do know."
-
-"What!"
-
-The kindest thing that he could do now was to speak out. "Your secret is
-no secret to _me_," he said.
-
-Rage and fear shook her together. For the moment she was like the Mrs.
-Ellmother of former days. "You lie!" she cried.
-
-"I speak the truth."
-
-"I won't believe you! I daren't believe you!"
-
-"Listen to me. In Emily's interests, listen to me. I have read of the
-murder at Zeeland--"
-
-"That's nothing! The man was a namesake of her father."
-
-"The man was her father himself. Keep your seat! There is nothing to be
-alarmed about. I know that Emily is ignorant of the horrid death that
-her father died. I know that you and your late mistress have kept the
-discovery from her to this day. I know the love and pity which plead
-your excuse for deceiving her, and the circumstances that favored the
-deception. My good creature, Emily's peace of mind is as sacred to me
-as it is to you! I love her as I love my own life--and better. Are you
-calmer, now?"
-
-He heard her crying: it was the best relief that could come to her.
-After waiting a while to let the tears have their way, he helped her to
-rise. There was no more to be said now. The one thing to do was to take
-her back to the house.
-
-"I can give you a word of advice," he said, "before we part for the
-night. You must leave Miss de Sor's service at once. Your health will be
-a sufficient excuse. Give her warning immediately."
-
-Mrs. Ellmother hung back, when he offered her his arm. The bare prospect
-of seeing Francine again was revolting to her. On Alban's assurance
-that the notice to leave could be given in writing, she made no further
-resistance. The village clock struck eleven as they ascended the terrace
-steps.
-
-A minute later, another person left the grounds by the path which led
-to the house. Alban's precaution had been taken too late. The smell of
-tobacco-smoke had guided Francine, when she was at a loss which way to
-turn next in search of Mrs. Ellmother. For the last quarter of an hour
-she had been listening, hidden among the trees.
-
-
-
-
-CHAPTER XXXVI. CHANGE OF AIR.
-
-The inmates of Netherwoods rose early, and went to bed early. When Alban
-and Mrs. Ellmother arrived at the back door of the house, they found it
-locked.
-
-The only light visible, along the whole length of the building,
-glimmered through the Venetian blind of the window-entrance to
-Francine's sitting-room. Alban proposed to get admission to the house by
-that way. In her horror of again encountering Francine, Mrs. Ellmother
-positively refused to follow him when he turned away from the door.
-"They can't be all asleep yet," she said--and rang the bell.
-
-One person was still out of bed--and that person was the mistress of
-the house. They recognized her voice in the customary question: "Who's
-there?" The door having been opened, good Miss Ladd looked backward and
-forward between Alban and Mrs. Ellmother, with the bewildered air of
-a lady who doubted the evidence of her own eyes. The next moment, her
-sense of humor overpowered her. She burst out laughing.
-
-"Close the door, Mr. Morris," she said, "and be so good as to tell me
-what this means. Have you been giving a lesson in drawing by starlight?"
-
-Mrs. Ellmother moved, so that the light of the lamp in Miss Ladd's hand
-fell on her face. "I am faint and giddy," she said; "let me go to my
-bed."
-
-Miss Ladd instantly followed her. "Pray forgive me! I didn't see you
-were ill, when I spoke," she gently explained. "What can I do for you?"
-
-"Thank you kindly, ma'am. I want nothing but peace and quiet. I wish you
-good-night."
-
-Alban followed Miss Ladd to her study, on the front side of the
-house. He had just mentioned the circumstances under which he and Mrs.
-Ellmother had met, when they were interrupted by a tap at the door.
-Francine had got back to her room unperceived, by way of the French
-window. She now presented herself, with an elaborate apology, and with
-the nearest approach to a penitent expression of which her face was
-capable.
-
-"I am ashamed, Miss Ladd, to intrude on you at this time of night. My
-only excuse is, that I am anxious about Mrs. Ellmother. I heard you just
-now in the hall. If she is really ill, I am the unfortunate cause of
-it."
-
-"In what way, Miss de Sor?"
-
-"I am sorry to say I frightened her--while we were talking in my
-room--quite unintentionally. She rushed to the door and ran out. I
-supposed she had gone to her bedroom; I had no idea she was in the
-grounds."
-
-In this false statement there was mingled a grain of truth. It was
-true that Francine believed Mrs. Ellmother to have taken refuge in her
-room--for she had examined the room. Finding it empty, and failing
-to discover the fugitive in other parts of the house, she had become
-alarmed, and had tried the grounds next--with the formidable result
-which has been already related. Concealing this circumstance, she had
-lied in such a skillfully artless manner that Alban (having no suspicion
-of what had really happened to sharpen his wits) was as completely
-deceived as Miss Ladd. Proceeding to further explanation--and
-remembering that she was in Alban's presence--Francine was careful to
-keep herself within the strict limit of truth. Confessing that she had
-frightened her servant by a description of sorcery, as it was practiced
-among the slaves on her father's estate, she only lied again, in
-declaring that Mrs. Ellmother had supposed she was in earnest, when she
-was guilty of no more serious offense than playing a practical joke.
-
-In this case, Alban was necessarily in a position to detect the
-falsehood. But it was so evidently in Francine's interests to present
-her conduct in the most favorable light, that the discovery failed to
-excite his suspicion. He waited in silence, while Miss Ladd administered
-a severe reproof. Francine having left the room, as penitently as she
-had entered it (with her handkerchief over her tearless eyes), he was
-at liberty, with certain reserves, to return to what had passed between
-Mrs. Ellmother and himself.
-
-"The fright which the poor old woman has suffered," he said, "has led
-to one good result. I have found her ready at last to acknowledge that
-she is ill, and inclined to believe that the change to Netherwoods has
-had something to do with it. I have advised her to take the course which
-you suggested, by leaving this house. Is it possible to dispense with
-the usual delay, when she gives notice to leave Miss de Sor's service?"
-
-"She need feel no anxiety, poor soul, on that account," Miss Ladd
-replied. "In any case, I had arranged that a week's notice on either
-side should be enough. As it is, I will speak to Francine myself. The
-least she can do, to express her regret, is to place no difficulties in
-Mrs. Ellmother's way."
-
-The next day was Sunday.
-
-Miss Ladd broke through her rule of attending to secular affairs on
-week days only; and, after consulting with Mrs. Ellmother, arranged
-with Francine that her servant should be at liberty to leave Netherwoods
-(health permitting) on the next day. But one difficulty remained. Mrs.
-Ellmother was in no condition to take the long journey to her birthplace
-in Cumberland; and her own lodgings in London had been let.
-
-Under these circumstances, what was the best arrangement that could be
-made for her? Miss Ladd wisely and kindly wrote to Emily on the subject,
-and asked for a speedy reply.
-
-Later in the day, Alban was sent for to see Mrs. Ellmother. He found
-her anxiously waiting to hear what had passed, on the previous night,
-between Miss Ladd and himself. "Were you careful, sir, to say nothing
-about Miss Emily?"
-
-"I was especially careful; I never alluded to her in any way."
-
-"Has Miss de Sor spoken to you?"
-
-"I have not given her the opportunity."
-
-"She's an obstinate one--she might try."
-
-"If she does, she shall hear my opinion of her in plain words." The talk
-between them turned next on Alban's discovery of the secret, of which
-Mrs. Ellmother had believed herself to be the sole depositary since Miss
-Letitia's death. Without alarming her by any needless allusion to Doctor
-Allday or to Miss Jethro, he answered her inquiries (so far as he was
-himself concerned) without reserve. Her curiosity once satisfied, she
-showed no disposition to pursue the topic. She pointed to Miss Ladd's
-cat, fast asleep by the side of an empty saucer.
-
-"Is it a sin, Mr. Morris, to wish I was Tom? _He_ doesn't trouble
-himself about his life that is past or his life that is to come. If I
-could only empty my saucer and go to sleep, I shouldn't be thinking of
-the number of people in this world, like myself, who would be better out
-of it than in it. Miss Ladd has got me my liberty tomorrow; and I don't
-even know where to go, when I leave this place."
-
-"Suppose you follow Tom's example?" Alban suggested. "Enjoy to-day (in
-that comfortable chair) and let to-morrow take care of itself."
-
-To-morrow arrived, and justified Alban's system of philosophy. Emily
-answered Miss Ladd's letter, to excellent purpose, by telegraph.
-
-"I leave London to-day with Cecilia" (the message announced) "for
-Monksmoor Park, Hants. Will Mrs. Ellmother take care of the cottage in
-my absence? I shall be away for a month, at least. All is prepared for
-her if she consents."
-
-Mrs. Ellmother gladly accepted this proposal. In the interval of Emily's
-absence, she could easily arrange to return to her own lodgings.
-With words of sincere gratitude she took leave of Miss Ladd; but no
-persuasion would induce her to say good-by to Francine. "Do me one more
-kindness, ma'am; don't tell Miss de Sor when I go away." Ignorant of
-the provocation which had produced this unforgiving temper of mind, Miss
-Ladd gently remonstrated. "Miss de Sor received my reproof in a penitent
-spirit; she expresses sincere sorrow for having thoughtlessly frightened
-you. Both yesterday and to-day she has made kind inquiries after
-your health. Come! come! don't bear malice--wish her good-by." Mrs.
-Ellmother's answer was characteristic. "I'll say good-by by telegraph,
-when I get to London."
-
-Her last words were addressed to Alban. "If you can find a way of doing
-it, sir, keep those two apart."
-
-"Do you mean Emily and Miss de Sor?
-
-"Yes."
-
-"What are you afraid of?"
-
-"I don't know."
-
-"Is that quite reasonable, Mrs. Ellmother?"
-
-"I daresay not. I only know that I _am_ afraid."
-
-The pony chaise took her away. Alban's class was not yet ready for him.
-He waited on the terrace.
-
-Innocent alike of all knowledge of the serious reason for fear which
-did really exist, Mrs. Ellmother and Alban felt, nevertheless, the
-same vague distrust of an intimacy between the two girls. Idle, vain,
-malicious, false--to know that Francine's character presented these
-faults, without any discoverable merits to set against them, was surely
-enough to justify a gloomy view of the prospect, if she succeeded in
-winning the position of Emily's friend. Alban reasoned it out logically
-in this way--without satisfying himself, and without accounting for
-the remembrance that haunted him of Mrs. Ellmother's farewell look. "A
-commonplace man would say we are both in a morbid state of mind," he
-thought; "and sometimes commonplace men turn out to be right."
-
-He was too deeply preoccupied to notice that he had advanced perilously
-near Francine's window. She suddenly stepped out of her room, and spoke
-to him.
-
-"Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone away
-without bidding me good-by?"
-
-"She was probably afraid, Miss de Sor, that you might make her the
-victim of another joke."
-
-Francine eyed him steadily. "Have you any particular reason for speaking
-to me in that way?"
-
-"I am not aware that I have answered you rudely--if that is what you
-mean."
-
-"That is _not_ what I mean. You seem to have taken a dislike to me. I
-should be glad to know why."
-
-"I dislike cruelty--and you have behaved cruelly to Mrs. Ellmother."
-
-"Meaning to be cruel?" Francine inquired.
-
-"You know as well as I do, Miss de Sor, that I can't answer that
-question."
-
-Francine looked at him again "Am I to understand that we are enemies?"
-she asked.
-
-"You are to understand," he replied, "that a person whom Miss Ladd
-employs to help her in teaching, cannot always presume to express his
-sentiments in speaking to the young ladies."
-
-"If that means anything, Mr. Morris, it means that we are enemies."
-
-"It means, Miss de Sor, that I am the drawing-master at this school, and
-that I am called to my class."
-
-Francine returned to her room, relieved of the only doubt that had
-troubled her. Plainly no suspicion that she had overheard what passed
-between Mrs. Ellmother and himself existed in Alban's mind. As to the
-use to be made of her discovery, she felt no difficulty in deciding to
-wait, and be guided by events. Her curiosity and her self-esteem had
-been alike gratified--she had got the better of Mrs. Ellmother at last,
-and with that triumph she was content. While Emily remained her friend,
-it would be an act of useless cruelty to disclose the terrible truth.
-There had certainly been a coolness between them at Brighton. But
-Francine--still influenced by the magnetic attraction which drew her
-to Emily--did not conceal from herself that she had offered the
-provocation, and had been therefore the person to blame. "I can set all
-that right," she thought, "when we meet at Monksmoor Park." She opened
-her desk and wrote the shortest and sweetest of letters to Cecilia. "I
-am entirely at the disposal of my charming friend, on any convenient
-day--may I add, my dear, the sooner the better?"
-
-
-
-
-CHAPTER XXXVII. "THE LADY WANTS YOU, SIR."
-
-The pupils of the drawing-class put away their pencils and color-boxes
-in high good humor: the teacher's vigilant eye for faults had failed
-him for the first time in their experience. Not one of them had been
-reproved; they had chattered and giggled and drawn caricatures on the
-margin of the paper, as freely as if the master had left the room.
-Alban's wandering attention was indeed beyond the reach of control. His
-interview with Francine had doubled his sense of responsibility
-toward Emily--while he was further than ever from seeing how he could
-interfere, to any useful purpose, in his present position, and with his
-reasons for writing under reserve.
-
-One of the servants addressed him as he was leaving the schoolroom.
-The landlady's boy was waiting in the hall, with a message from his
-lodgings.
-
-"Now then! what is it?" he asked, irritably.
-
-"The lady wants you, sir." With this mysterious answer, the boy
-presented a visiting card. The name inscribed on it was--"Miss Jethro."
-
-She had arrived by the train, and she was then waiting at Alban's
-lodgings. "Say I will be with her directly." Having given the message,
-he stood for a while, with his hat in his hand--literally lost in
-astonishment. It was simply impossible to guess at Miss Jethro's
-object: and yet, with the usual perversity of human nature, he was still
-wondering what she could possibly want with him, up to the final moment
-when he opened the door of his sitting-room.
-
-She rose and bowed with the same grace of movement, and the same
-well-bred composure of manner, which Doctor Allday had noticed when she
-entered his consulting-room. Her dark melancholy eyes rested on Alban
-with a look of gentle interest. A faint flush of color animated for
-a moment the faded beauty of her face--passed away again--and left it
-paler than before.
-
-"I cannot conceal from myself," she began, "that I am intruding on you
-under embarrassing circumstances."
-
-"May I ask, Miss Jethro, to what circumstances you allude?"
-
-"You forget, Mr. Morris, that I left Miss Ladd's school, in a manner
-which justified doubt of me in the minds of strangers."
-
-"Speaking as one of those strangers," Alban replied, "I cannot feel that
-I had any right to form an opinion, on a matter which only concerned
-Miss Ladd and yourself."
-
-Miss Jethro bowed gravely. "You encourage me to hope," she said. "I
-think you will place a favorable construction on my visit when I mention
-my motive. I ask you to receive me, in the interests of Miss Emily
-Brown."
-
-Stating her purpose in calling on him in those plain terms, she added to
-the amazement which Alban already felt, by handing to him--as if she was
-presenting an introduction--a letter marked, "Private," addressed to her
-by Doctor Allday.
-
-"I may tell you," she premised, "that I had no idea of troubling you,
-until Doctor Allday suggested it. I wrote to him in the first instance;
-and there is his reply. Pray read it."
-
-The letter was dated, "Penzance"; and the doctor wrote, as he spoke,
-without ceremony.
-
-
-"MADAM--Your letter has been forwarded to me. I am spending my autumn
-holiday in the far West of Cornwall. However, if I had been at home,
-it would have made no difference. I should have begged leave to decline
-holding any further conversation with you, on the subject of Miss Emily
-Brown, for the following reasons:
-
-"In the first place, though I cannot doubt your sincere interest in the
-young lady's welfare, I don't like your mysterious way of showing it. In
-the second place, when I called at your address in London, after you
-had left my house, I found that you had taken to flight. I place my own
-interpretation on this circumstance; but as it is not founded on any
-knowledge of facts, I merely allude to it, and say no more."
-
-Arrived at that point, Alban offered to return the letter. "Do you
-really mean me to go on reading it?" he asked.
-
-"Yes," she said quietly.
-
-Alban returned to the letter.
-
-"In the third place, I have good reason to believe that you entered Miss
-Ladd's school as a teacher, under false pretenses. After that discovery,
-I tell you plainly I hesitate to attach credit to any statement that you
-may wish to make. At the same time, I must not permit my prejudices
-(as you will probably call them) to stand in the way of Miss Emily's
-interests--supposing them to be really depending on any interference
-of yours. Miss Ladd's drawing-master, Mr. Alban Morris, is even more
-devoted to Miss Emily's service than I am. Whatever you might have said
-to me, you can say to him--with this possible advantage, that _he_ may
-believe you."
-
-There the letter ended. Alban handed it back in silence.
-
-Miss Jethro pointed to the words, "Mr. Alban Morris is even more devoted
-to Miss Emily's service than I am."
-
-"Is that true?" she asked.
-
-"Quite true."
-
-"I don't complain, Mr. Morris, of the hard things said of me in that
-letter; you are at liberty to suppose, if you like, that I deserve them.
-Attribute it to pride, or attribute it to reluctance to make needless
-demands on your time--I shall not attempt to defend myself. I leave
-you to decide whether the woman who has shown you that letter--having
-something important to say to you--is a person who is mean enough to say
-it under false pretenses."
-
-"Tell me what I can do for you, Miss Jethro: and be assured, beforehand,
-that I don't doubt your sincerity."
-
-"My purpose in coming here," she answered, "is to induce you to use your
-influence over Miss Emily Brown--"
-
-"With what object?" Alban asked, interrupting her.
-
-"My object is her own good. Some years since, I happened to become
-acquainted with a person who has attained some celebrity as a preacher.
-You have perhaps heard of Mr. Miles Mirabel?"
-
-"I have heard of him."
-
-"I have been in correspondence with him," Miss Jethro proceeded. "He
-tells me he has been introduced to a young lady, who was formerly one of
-Miss Ladd's pupils, and who is the daughter of Mr. Wyvil, of Monksmoor
-Park. He has called on Mr. Wyvil; and he has since received an
-invitation to stay at Mr. Wyvil's house. The day fixed for the visit is
-Monday, the fifth of next month."
-
-Alban listened--at a loss to know what interest he was supposed to have
-in being made acquainted with Mr. Mirabel's engagements. Miss Jethro's
-next words enlightened him.
-
-"You are perhaps aware," she resumed, "that Miss Emily Brown is Miss
-Wyvil's intimate friend. She will be one of the guests at Monksmoor
-Park. If there are any obstacles which you can place in her way--if
-there is any influence which you can exert, without exciting suspicion
-of your motive--prevent her, I entreat you, from accepting Miss Wyvil's
-invitation, until Mr. Mirabel's visit has come to an end."
-
-"Is there anything against Mr. Mirabel?" he asked.
-
-"I say nothing against him."
-
-"Is Miss Emily acquainted with him?"
-
-"No."
-
-"Is he a person with whom it would be disagreeable to her to associate?"
-
-"Quite the contrary."
-
-"And yet you expect me to prevent them from meeting! Be reasonable, Miss
-Jethro."
-
-"I can only be in earnest, Mr. Morris--more truly, more deeply in
-earnest than you can suppose. I declare to you that I am speaking in
-Miss Emily's interests. Do you still refuse to exert yourself for her
-sake?"
-
-"I am spared the pain of refusal," Alban answered. "The time for
-interference has gone by. She is, at this moment, on her way to
-Monksmoor Park."
-
-Miss Jethro attempted to rise--and dropped back into her chair. "Water!"
-she said faintly. After drinking from the glass to the last drop, she
-began to revive. Her little traveling-bag was on the floor at her side.
-She took out a railway guide, and tried to consult it. Her fingers
-trembled incessantly; she was unable to find the page to which she
-wished to refer. "Help me," she said, "I must leave this place--by the
-first train that passes."
-
-"To see Emily?" Alban asked.
-
-"Quite useless! You have said it yourself--the time for interference has
-gone by. Look at the guide."
-
-"What place shall I look for?"
-
-"Look for Vale Regis."
-
-Alban found the place. The train was due in ten minutes. "Surely you are
-not fit to travel so soon?" he suggested.
-
-"Fit or not, I must see Mr. Mirabel--I must make the effort to keep them
-apart by appealing to _him_."
-
-"With any hope of success?"
-
-"With no hope--and with no interest in the man himself. Still I must
-try."
-
-"Out of anxiety for Emily's welfare?"
-
-"Out of anxiety for more than that."
-
-"For what?"
-
-"If you can't guess, I daren't tell you."
-
-That strange reply startled Alban. Before he could ask what it meant,
-Miss Jethro had left him.
-
-In the emergencies of life, a person readier of resource than Alban
-Morris it would not have been easy to discover. The extraordinary
-interview that had now come to an end had found its limits. Bewildered
-and helpless, he stood at the window of his room, and asked himself (as
-if he had been the weakest man living), "What shall I do?"
-
-
-
-
-BOOK THE FOURTH--THE COUNTRY HOUSE.
-
-
-
-CHAPTER XXXVIII. DANCING.
-
-The windows of the long drawing-room at Monksmoor are all thrown open
-to the conservatory. Distant masses of plants and flowers, mingled in
-ever-varying forms of beauty, are touched by the melancholy luster of
-the rising moon. Nearer to the house, the restful shadows are disturbed
-at intervals, where streams of light fall over them aslant from the
-lamps in the room. The fountain is playing. In rivalry with its lighter
-music, the nightingales are singing their song of ecstasy. Sometimes,
-the laughter of girls is heard--and, sometimes, the melody of a waltz.
-The younger guests at Monksmoor are dancing.
-
-Emily and Cecilia are dressed alike in white, with flowers in their
-hair. Francine rivals them by means of a gorgeous contrast of color, and
-declares that she is rich with the bright emphasis of diamonds and the
-soft persuasion of pearls.
-
-Miss Plym (from the rectory) is fat and fair and prosperous: she
-overflows with good spirits; she has a waist which defies tight-lacing,
-and she dances joyously on large flat feet. Miss Darnaway (officer's
-daughter with small means) is the exact opposite of Miss Plym. She is
-thin and tall and faded--poor soul. Destiny has made it her hard lot
-in life to fill the place of head-nursemaid at home. In her pensive
-moments, she thinks of the little brothers and sisters, whose patient
-servant she is, and wonders who comforts them in their tumbles and tells
-them stories at bedtime, while she is holiday-making at the pleasant
-country house.
-
-Tender-hearted Cecilia, remembering how few pleasures this young friend
-has, and knowing how well she dances, never allows her to be without
-a partner. There are three invaluable young gentlemen present, who are
-excellent dancers. Members of different families, they are nevertheless
-fearfully and wonderfully like each other. They present the same rosy
-complexions and straw-colored mustachios, the same plump cheeks, vacant
-eyes and low forehead; and they utter, with the same stolid gravity,
-the same imbecile small talk. On sofas facing each other sit the two
-remaining guests, who have not joined the elders at the card-table
-in another room. They are both men. One of them is drowsy and
-middle-aged--happy in the possession of large landed property: happier
-still in a capacity for drinking Mr. Wyvil's famous port-wine without
-gouty results.
-
-The other gentleman--ah, who is the other? He is the confidential
-adviser and bosom friend of every young lady in the house. Is it
-necessary to name the Reverend Miles Mirabel?
-
-There he sits enthroned, with room for a fair admirer on either side of
-him--the clerical sultan of a platonic harem. His persuasive ministry
-is felt as well as heard: he has an innocent habit of fondling
-young persons. One of his arms is even long enough to embrace the
-circumference of Miss Plym--while the other clasps the rigid silken
-waist of Francine. "I do it everywhere else," he says innocently, "why
-not here?" Why not indeed--with that delicate complexion and those
-beautiful blue eyes; with the glorious golden hair that rests on
-his shoulders, and the glossy beard that flows over his breast?
-Familiarities, forbidden to mere men, become privileges and
-condescensions when an angel enters society--and more especially when
-that angel has enough of mortality in him to be amusing. Mr. Mirabel,
-on his social side, is an irresistible companion. He is cheerfulness
-itself; he takes a favorable view of everything; his sweet temper never
-differs with anybody. "In my humble way," he confesses, "I like to make
-the world about me brighter." Laughter (harmlessly produced, observe!)
-is the element in which he lives and breathes. Miss Darnaway's serious
-face puts him out; he has laid a bet with Emily--not in money, not even
-in gloves, only in flowers--that he will make Miss Darnaway laugh; and
-he has won the wager. Emily's flowers are in his button-hole, peeping
-through the curly interstices of his beard. "Must you leave me?" he asks
-tenderly, when there is a dancing man at liberty, and it is Francine's
-turn to claim him. She leaves her seat not very willingly. For a while,
-the place is vacant; Miss Plym seizes the opportunity of consulting the
-ladies' bosom friend.
-
-"Dear Mr. Mirabel, do tell me what you think of Miss de Sor?"
-
-Dear Mr. Mirabel bursts into enthusiasm and makes a charming reply.
-His large experience of young ladies warns him that they will tell each
-other what he thinks of them, when they retire for the night; and he is
-careful on these occasions to say something that will bear repetition.
-
-"I see in Miss de Sor," he declares, "the resolution of a man, tempered
-by the sweetness of a woman. When that interesting creature marries,
-her husband will be--shall I use the vulgar word?--henpecked. Dear Miss
-Plym, he will enjoy it; and he will be quite right too; and, if I am
-asked to the wedding, I shall say, with heartfelt sincerity, Enviable
-man!"
-
-In the height of her admiration for Mr. Mirabel's wonderful eye for
-character, Miss Plym is called away to the piano. Cecilia succeeds to
-her friend's place--and has her waist taken in charge as a matter of
-course.
-
-"How do you like Miss Plym?" she asks directly.
-
-Mr. Mirabel smiles, and shows the prettiest little pearly teeth. "I was
-just thinking of her," he confesses pleasantly; "Miss Plym is so nice
-and plump, so comforting and domestic--such a perfect clergyman's
-daughter. You love her, don't you? Is she engaged to be married? In that
-case--between ourselves, dear Miss Wyvil, a clergyman is obliged to be
-cautious--I may own that I love her too."
-
-Delicious titillations of flattered self-esteem betray themselves
-in Cecilia's lovely complexion. She is the chosen confidante of this
-irresistible man; and she would like to express her sense of obligation.
-But Mr. Mirabel is a master in the art of putting the right words in the
-right places; and simple Cecilia distrusts herself and her grammar.
-
-At that moment of embarrassment, a friend leaves the dance, and helps
-Cecilia out of the difficulty.
-
-Emily approaches the sofa-throne, breathless--followed by her partner,
-entreating her to give him "one turn more." She is not to be tempted;
-she means to rest. Cecilia sees an act of mercy, suggested by the
-presence of the disengaged young man. She seizes his arm, and hurries
-him off to poor Miss Darnaway; sitting forlorn in a corner, and thinking
-of the nursery at home. In the meanwhile a circumstance occurs. Mr.
-Mirabel's all-embracing arm shows itself in a new character, when Emily
-sits by his side.
-
-It becomes, for the first time, an irresolute arm. It advances a
-little--and hesitates. Emily at once administers an unexpected check;
-she insists on preserving a free waist, in her own outspoken language.
-"No, Mr. Mirabel, keep that for the others. You can't imagine how
-ridiculous you and the young ladies look, and how absurdly unaware of
-it you all seem to be." For the first time in his life, the reverend and
-ready-witted man of the world is at a loss for an answer. Why?
-
-For this simple reason. He too has felt the magnetic attraction of the
-irresistible little creature whom every one likes. Miss Jethro has been
-doubly defeated. She has failed to keep them apart; and her unexplained
-misgivings have not been justified by events: Emily and Mr. Mirabel are
-good friends already. The brilliant clergyman is poor; his interests in
-life point to a marriage for money; he has fascinated the heiresses of
-two rich fathers, Mr. Tyvil and Mr. de Sor--and yet he is conscious of
-an influence (an alien influence, without a balance at its bankers),
-which has, in some mysterious way, got between him and his interests.
-
-On Emily's side, the attraction felt is of another nature altogether.
-Among the merry young people at Monksmoor she is her old happy self
-again; and she finds in Mr. Mirabel the most agreeable and amusing man
-whom she has ever met. After those dismal night watches by the bed of
-her dying aunt, and the dreary weeks of solitude that followed, to
-live in this new world of luxury and gayety is like escaping from the
-darkness of night, and basking in the fall brightn ess of day. Cecilia
-declares that she looks, once more, like the joyous queen of the
-bedroom, in the bygone time at school; and Francine (profaning
-Shakespeare without knowing it), says, "Emily is herself again!"
-
-"Now that your arm is in its right place, reverend sir," she gayly
-resumes, "I may admit that there are exceptions to all rules. My waist
-is at your disposal, in a case of necessity--that is to say, in a case
-of waltzing."
-
-"The one case of all others," Mirabel answers, with the engaging
-frankness that has won him so many friends, "which can never happen in
-my unhappy experience. Waltzing, I blush to own it, means picking me
-up off the floor, and putting smelling salts to my nostrils. In other
-words, dear Miss Emily, it is the room that waltzes--not I. I can't look
-at those whirling couples there, with a steady head. Even the exquisite
-figure of our young hostess, when it describes flying circles, turns me
-giddy."
-
-Hearing this allusion to Cecilia, Emily drops to the level of the
-other girls. She too pays her homage to the Pope of private life. "You
-promised me your unbiased opinion of Cecilia," she reminds him; "and you
-haven't given it yet."
-
-The ladies' friend gently remonstrates. "Miss Wyvil's beauty dazzles me.
-How can I give an unbiased opinion? Besides, I am not thinking of her; I
-can only think of you."
-
-Emily lifts her eyes, half merrily, half tenderly, and looks at him over
-the top of her fan. It is her first effort at flirtation. She is tempted
-to engage in the most interesting of all games to a girl--the game
-which plays at making love. What has Cecilia told her, in those
-bedroom gossipings, dear to the hearts of the two friends? Cecilia has
-whispered, "Mr. Mirabel admires your figure; he calls you 'the Venus of
-Milo, in a state of perfect abridgment.'" Where is the daughter of Eve,
-who would not have been flattered by that pretty compliment--who would
-not have talked soft nonsense in return? "You can only think of Me,"
-Emily repeats coquettishly. "Have you said that to the last young lady
-who occupied my place, and will you say it again to the next who follows
-me?"
-
-"Not to one of them! Mere compliments are for the others--not for you."
-
-"What is for me, Mr. Mirabel?"
-
-"What I have just offered you--a confession of the truth."
-
-Emily is startled by the tone in which he replies. He seems to be in
-earnest; not a vestige is left of the easy gayety of his manner. His
-face shows an expression of anxiety which she has never seen in it yet.
-"Do you believe me?" he asks in a whisper.
-
-She tries to change the subject.
-
-"When am I to hear you preach, Mr. Mirabel?"
-
-He persists. "When you believe me," he says.
-
-His eyes add an emphasis to that reply which is not to be mistaken.
-Emily turns away from him, and notices Francine. She has left the dance,
-and is looking with marked attention at Emily and Mirabel. "I want to
-speak to you," she says, and beckons impatiently to Emily.
-
-Mirabel whispers, "Don't go!"
-
-Emily rises nevertheless--ready to avail herself of the first excuse for
-leaving him. Francine meets her half way, and takes her roughly by the
-arm.
-
-"What is it?" Emily asks.
-
-"Suppose you leave off flirting with Mr. Mirabel, and make yourself of
-some use."
-
-"In what way?"
-
-"Use your ears--and look at that girl."
-
-She points disdainfully to innocent Miss Plym. The rector's daughter
-possesses all the virtues, with one exception--the virtue of having an
-ear for music. When she sings, she is out of tune; and, when she plays,
-she murders time.
-
-"Who can dance to such music as that?" says Francine. "Finish the waltz
-for her."
-
-Emily naturally hesitates. "How can I take her place, unless she asks
-me?"
-
-Francine laughs scornfully. "Say at once, you want to go back to Mr.
-Mirabel."
-
-"Do you think I should have got up, when you beckoned to me," Emily
-rejoins, "if I had not wanted to get away from Mr. Mirabel?"
-
-Instead of resenting this sharp retort, Francine suddenly breaks into
-good humor. "Come along, you little spit-fire; I'll manage it for you."
-
-She leads Emily to the piano, and stops Miss Plym without a word of
-apology: "It's your turn to dance now. Here's Miss Brown waiting to
-relieve you."
-
-Cecilia has not been unobservant, in her own quiet way, of what has been
-going on. Waiting until Francine and Miss Plym are out of hearing, she
-bends over Emily, and says, "My dear, I really do think Francine is in
-love with Mr. Mirabel."
-
-"After having only been a week in the same house with him!" Emily
-exclaims.
-
-"At any rate," said Cecilia, more smartly than usual, "she is jealous of
-_you_."
-
-
-
-
-CHAPTER XXXIX. FEIGNING.
-
-The next morning, Mr. Mirabel took two members of the circle at
-Monksmoor by surprise. One of them was Emily; and one of them was the
-master of the house.
-
-Seeing Emily alone in the garden before breakfast, he left his room
-and joined her. "Let me say one word," he pleaded, "before we go to
-breakfast. I am grieved to think that I was so unfortunate as to offend
-you, last night."
-
-Emily's look of astonishment answered for her before she could speak.
-"What can I have said or done," she asked, "to make you think that?"
-
-"Now I breathe again!" he cried, with the boyish gayety of manner which
-was one of the secrets of his popularity among women. "I really feared
-that I had spoken thoughtlessly. It is a terrible confession for a
-clergyman to make--but it is not the less true that I am one of the most
-indiscreet men living. It is my rock ahead in life that I say the first
-thing which comes uppermost, without stopping to think. Being well aware
-of my own defects, I naturally distrust myself."
-
-"Even in the pulpit?" Emily inquired.
-
-He laughed with the readiest appreciation of the satire--although it was
-directed against himself.
-
-"I like that question," he said; "it tells me we are as good friends
-again as ever. The fact is, the sight of the congregation, when I get
-into the pulpit, has the same effect upon me that the sight of the
-footlights has on an actor. All oratory (though my clerical brethren are
-shy of confessing it) is acting--without the scenery and the costumes.
-Did you really mean it, last night, when you said you would like to hear
-me preach?"
-
-"Indeed, I did."
-
-"How very kind of you. I don't think myself the sermon is worth the
-sacrifice. (There is another specimen of my indiscreet way of talking!)
-What I mean is, that you will have to get up early on Sunday morning,
-and drive twelve miles to the damp and dismal little village, in which I
-officiate for a man with a rich wife who likes the climate of Italy. My
-congregation works in the fields all the week, and naturally enough
-goes to sleep in church on Sunday. I have had to counteract that. Not by
-preaching! I wouldn't puzzle the poor people with my eloquence for the
-world. No, no: I tell them little stories out of the Bible--in a nice
-easy gossiping way. A quarter of an hour is my limit of time; and, I
-am proud to say, some of them (mostly the women) do to a certain extent
-keep awake. If you and the other ladies decide to honor me, it is
-needless to say you shall have one of my grand efforts. What will be
-the effect on my unfortunate flock remains to be seen. I will have
-the church brushed up, and luncheon of course at the parsonage. Beans,
-bacon, and beer--I haven't got anything else in the house. Are you rich?
-I hope not!"
-
-"I suspect I am quite as poor as you are, Mr. Mirabel."
-
-"I am delighted to hear it. (More of my indiscretion!) Our poverty is
-another bond between us."
-
-Before he could enlarge on this text, the breakfast bell rang.
-
-He gave Emily his arm, quite satisfied with the result of the morning's
-talk. In speaking seriously to her on the previous night, he had
-committed the mistake of speaking too soon. To amend this false step,
-and to recover his position in Emily's estimation, had been his
-object in view--and it had been successfully accomplished. At the
-breakfast-table that morning, the companionable clergyman was more
-amusing than ever.
-
-The meal being over, the company dispersed as usual--with the one
-exception of Mirabel. Without any apparent reason, he kept his place at
-the table. Mr. Wyvil, the most courteous and considerate of men, felt it
-an attention due to his guest not to leave the room first. All that he
-could venture to do was to give a little hint. "Have you any plans for
-the morning?" he asked.
-
-"I have a plan that depends entirely on yourself," Mirabel answered;
-"and I am afraid of being as indiscreet as usual, if I mention it. Your
-charming daughter tells me you play on the violin."
-
-Modest Mr. Wyvil looked confused. "I hope you have not been annoyed," he
-said; "I practice in a distant room so that nobody may hear me."
-
-"My dear sir, I am eager to hear you! Music is my passion; and the
-violin is my favorite instrument."
-
-Mr. Wyvil led the way to his room, positively blushing with pleasure.
-Since the death of his wife he had been sadly in want of a little
-encouragement. His daughters and his friends were careful--over-careful,
-as he thought--of intruding on him in his hours of practice. And, sad to
-say, his daughters and his friends were, from a musical point of view,
-perfectly right.
-
-Literature has hardly paid sufficient attention to a social phenomenon
-of a singularly perplexing kind. We hear enough, and more than enough,
-of persons who successfully cultivate the Arts--of the remarkable manner
-in which fitness for their vocation shows itself in early life, of
-the obstacles which family prejudice places in their way, and of the
-unremitting devotion which has led to the achievement of glorious
-results.
-
-But how many writers have noticed those other incomprehensible persons,
-members of families innocent for generations past of practicing Art or
-caring for Art, who have notwithstanding displayed from their earliest
-years the irresistible desire to cultivate poetry, painting, or music;
-who have surmounted obstacles, and endured disappointments, in the
-single-hearted resolution to devote their lives to an intellectual
-pursuit--being absolutely without the capacity which proves the
-vocation, and justifies the sacrifice. Here is Nature, "unerring
-Nature," presented in flat contradiction with herself. Here are men
-bent on performing feats of running, without having legs; and women,
-hopelessly barren, living in constant expectation of large families to
-the end of their days. The musician is not to be found more completely
-deprived than Mr. Wyvil of natural capacity for playing on an
-instrument--and, for twenty years past, it had been the pride and
-delight of his heart to let no day of his life go by without practicing
-on the violin.
-
-"I am sure I must be tiring you," he said politely--after having played
-without mercy for an hour and more.
-
-No: the insatiable amateur had his own purpose to gain, and was not
-exhausted yet. Mr. Wyvil got up to look for some more music. In that
-interval desultory conversation naturally took place. Mirabel contrived
-to give it the necessary direction--the direction of Emily.
-
-"The most delightful girl I have met with for many a long year past!"
-Mr. Wyvil declared warmly. "I don't wonder at my daughter being so fond
-of her. She leads a solitary life at home, poor thing; and I am honestly
-glad to see her spirits reviving in my house."
-
-"An only child?" Mirabel asked.
-
-In the necessary explanation that followed, Emily's isolated position
-in the world was revealed in few words. But one more discovery--the most
-important of all--remained to be made. Had she used a figure of speech
-in saying that she was as poor as Mirabel himself? or had she told him
-the shocking truth? He put the question with perfect delicacy---but with
-unerring directness as well.
-
-Mr. Wyvil, quoting his daughter's authority, described Emily's income as
-falling short even of two hundred a year. Having made that disheartening
-reply, he opened another music book. "You know this sonata, of course?"
-he said. The next moment, the violin was under his chin and the
-performance began.
-
-While Mirabel was, to all appearance, listening with the utmost
-attention, he was actually endeavoring to reconcile himself to a serious
-sacrifice of his own inclinations. If he remained much longer in the
-same house with Emily, the impression that she had produced on him would
-be certainly strengthened--and he would be guilty of the folly of making
-an offer of marriage to a woman who was as poor as himself. The one
-remedy that could be trusted to preserve him from such infatuation as
-this, was absence. At the end of the week, he had arranged to return to
-Vale Regis for his Sunday duty; engaging to join his friends again at
-Monksmoor on the Monday following. That rash promise, there could be no
-further doubt about it, must not be fulfilled.
-
-He had arrived at this resolution, when the terrible activity of Mr.
-Wyvil's bow was suspended by the appearance of a third person in the
-room.
-
-Cecilia's maid was charged with a neat little three-cornered note
-from her young lady, to be presented to her master. Wondering why
-his daughter should write to him, Mr. Wyvil opened the note, and was
-informed of Cecilia's motive in these words:
-
-"DEAREST PAPA--I hear Mr. Mirabel is with you, and as this is a secret,
-I must write. Emily has received a very strange letter this morning,
-which puzzles her and alarms me. When you are quite at liberty, we shall
-be so much obliged if you will tell us how Emily ought to answer it."
-
-Mr. Wyvil stopped Mirabel, on the point of trying to escape from the
-music. "A little domestic matter to attend to," he said. "But we will
-finish the sonata first."
-
-
-
-
-CHAPTER XL. CONSULTING.
-
-Out of the music room, and away from his violin, the sound side of Mr.
-Wyvil's character was free to assert itself. In his public and in his
-private capacity, he was an eminently sensible man.
-
-As a member of parliament, he set an example which might have been
-followed with advantage by many of his colleagues. In the first place he
-abstained from hastening the downfall of representative institutions by
-asking questions and making speeches. In the second place, he was able
-to distinguish between the duty that he owed to his party, and the
-duty that he owed to his country. When the Legislature acted
-politically--that is to say, when it dealt with foreign complications,
-or electoral reforms--he followed his leader. When the Legislature acted
-socially--that is to say, for the good of the people--he followed his
-conscience. On the last occasion when the great Russian bugbear provoked
-a division, he voted submissively with his Conservative allies. But,
-when the question of opening museums and picture galleries on Sundays
-arrayed the two parties in hostile camps, he broke into open mutiny,
-and went over to the Liberals. He consented to help in preventing
-an extension of the franchise; but he refused to be concerned in
-obstructing the repeal of taxes on knowledge. "I am doubtful in the
-first case," he said, "but I am sure in the second." He was asked for an
-explanation: "Doubtful of what? and sure of what?" To the astonishment
-of his leader, he answered: "The benefit to the people." The same
-sound sense appeared in the transactions of his private life. Lazy and
-dishonest servants found that the gentlest of masters had a side to his
-character which took them by surprise. And, on certain occasions in
-the experience of Cecilia and her sister, the most indulgent of fathers
-proved to be as capable of saying No, as the sternest tyrant who ever
-ruled a fireside.
-
-Called into council by his daughter and his guest, Mr. Wyvil assisted
-them by advice which was equally wise and kind--but which afterward
-proved, under the perverse influence of circumstances, to be advice that
-he had better not have given.
-
-The letter to Emily which Cecilia had recommended to her father's
-consideration, had come from Netherwoods, and had been written by Alban
-Morris.
-
-He assured Emily that he had only decided on writing to her, after some
-hesitation, in the hope of serving interests which he did not
-himself understand, but which might prove to be interests worthy of
-consideration, nevertheless. Having stated his motive in these terms, he
-proceeded to relate what had passed between Miss Jethro and himself.
-On the subject of Francine, Alban only ventured to add that she had not
-produced a favorable impression on him, and that he could not think her
-likely, on further experience, to prove a desirable friend.
-
-On the last leaf were added some lines, which Emily was at no loss how
-to answer. She had folded back the page, so that no eyes but her own
-should see how the poor drawing-master finished his letter: "I wish
-you all possible happiness, my dear, among your new friends; but don't
-forget the old friend who thinks of you, and dreams of you, and longs to
-see you again. The little world I live in is a dreary world, Emily, in
-your absence. Will you write to me now and then, and encourage me to
-hope?"
-
-Mr. Wyvil smiled, as he looked at the folded page, which hid the
-signature.
-
-"I suppose I may take it for granted," he said slyly, "that this
-gentleman really has your interests at heart? May I know who he is?"
-
-Emily answered the last question readily enough. Mr. Wyvil went on with
-his inquiries. "About the mysterious lady, with the strange name," he
-proceeded--"do you know anything of her?"
-
-Emily related what she knew; without revealing the true reason for Miss
-Jethro's departure from Netherwoods. In after years, it was one of her
-most treasured remembrances, that she had kept secret the melancholy
-confession which had startled her, on the last night of her life at
-school.
-
-Mr. Wyvil looked at Alban's letter again. "Do you know how Miss Jethro
-became acquainted with Mr. Mirabel?" he asked.
-
-"I didn't even know that they were acquainted."
-
-"Do you think it likely--if Mr. Morris had been talking to you instead
-of writing to you--that he might have said more than he has said in his
-letter?"
-
-Cecilia had hitherto remained a model of discretion. Seeing Emily
-hesitate, temptation overcame her. "Not a doubt of it, papa!" she
-declared confidently.
-
-"Is Cecilia right?" Mr. Wyvil inquired.
-
-Reminded in this way of her influence over Alban, Emily could only make
-one honest reply. She admitted that Cecilia was right.
-
-Mr. Wyvil thereupon advised her not to express any opinion, until she
-was in a better position to judge for herself. "When you write to Mr.
-Morris," he continued, "say that you will wait to tell him what you
-think of Miss Jethro, until you see him again."
-
-"I have no prospect at present of seeing him again," Emily said.
-
-"You can see Mr. Morris whenever it suits him to come here," Mr. Wyvil
-replied. "I will write and ask him to visit us, and you can inclose the
-invitation in your letter."
-
-"Oh, Mr. Wyvil, how good of you!"
-
-"Oh, papa, the very thing I was going to ask you to do!"
-
-The excellent master of Monksmoor looked unaffectedly surprised. "What
-are you two young ladies making a fuss about?" he said. "Mr. Morris is
-a gentleman by profession; and--may I venture to say it, Miss Emily?--a
-valued friend of yours as well. Who has a better claim to be one of my
-guests?"
-
-Cecilia stopped her father as he was about to leave the room. "I suppose
-we mustn't ask Mr. Mirabel what he knows of Miss Jethro?" she said.
-
-"My dear, what can you be thinking of? What right have we to question
-Mr. Mirabel about Miss Jethro?"
-
-"It's so very unsatisfactory, papa. There must be some reason why Emily
-and Mr. Mirabel ought not to meet--or why should Miss Jethro have been
-so very earnest about it?"
-
-"Miss Jethro doesn't intend us to know why, Cecilia. It will perhaps
-come out in time. Wait for time."
-
-Left together, the girls discussed the course which Alban would probably
-take, on receiving Mr. Wyvil's invitation.
-
-"He will only be too glad," Cecilia asserted, "to have the opportunity
-of seeing you again."
-
-"I doubt whether he will care about seeing me again, among strangers,"
-Emily replied. "And you forget that there are obstacles in his way. How
-is he to leave his class?"
-
-"Quite easily! His class doesn't meet on the Saturday half-holiday. He
-can be here, if he starts early, in time for luncheon; and he can stay
-till Monday or Tuesday."
-
-"Who is to take his place at the school?"
-
-"Miss Ladd, to be sure--if _you_ make a point of it. Write to her, as
-well as to Mr. Morris."
-
-The letters being written--and the order having been given to prepare
-a room for the expected guest--Emily and Cecilia returned to the
-drawing-room. They found the elders of the party variously engaged--the
-men with newspapers, and the ladies with work. Entering the conservatory
-next, they discovered Cecilia's sister languishing among the flowers in
-an easy chair. Constitutional laziness, in some young ladies, assumes an
-invalid character, and presents the interesting spectacle of perpetual
-convalescence. The doctor declared that the baths at St. Moritz had
-cured Miss Julia. Miss Julia declined to agree with the doctor.
-
-"Come into the garden with Emily and me," Cecilia said.
-
-"Emily and you don't know what it is to be ill," Julia answered.
-
-The two girls left her, and joined the young people who were amusing
-themselves in the garden. Francine had taken possession of Mirabel, and
-had condemned him to hard labor in swinging her. He made an attempt
-to get away when Emily and Cecilia approached, and was peremptorily
-recalled to his duty. "Higher!" cried Miss de Sor, in her hardest
-tones of authority. "I want to swing higher than anybody else!" Mirabel
-submitted with gentleman-like resignation, and was rewarded by tender
-encouragement expressed in a look.
-
-"Do you see that?" Cecilia whispered. "He knows how rich she is--I
-wonder whether he will marry her."
-
-Emily smiled. "I doubt it, while he is in this house," she said.
-"You are as rich as Francine--and don't forget that you have other
-attractions as well."
-
-Cecilia shook her head. "Mr. Mirabel is very nice," she admitted; "but I
-wouldn't marry him. Would you?"
-
-Emily secretly compared Alban with Mirabel. "Not for the world!" she
-answered.
-
-The next day was the day of Mirabel's departure. His admirers among the
-ladies followed him out to the door, at which Mr. Wyvil's carriage was
-waiting. Francine threw a nosegay after the departing guest as he got
-in. "Mind you come back to us on Monday!" she said. Mirabel bowed and
-thanked her; but his last look was for Emily, standing apart from the
-others at the top of the steps. Francine said nothing; her lips closed
-convulsively--she turned suddenly pale.
-
-
-
-
-CHAPTER XLI. SPEECHIFYING.
-
-On the Monday, a plowboy from Vale Regis arrived at Monksmoor.
-
-In respect of himself, he was a person beneath notice. In respect of
-his errand, he was sufficiently important to cast a gloom over the
-household. The faithless Mirabel had broken his engagement, and the
-plowboy was the herald of misfortune who brought his apology. To his
-great disappointment (he wrote) he was detained by the affairs of his
-parish. He could only trust to Mr. Wyvil's indulgence to excuse him, and
-to communicate his sincere sense of regret (on scented note paper) to
-the ladies.
-
-Everybody believed in the affairs of the parish--with the exception of
-Francine. "Mr. Mirabel has made the best excuse he could think of for
-shortening his visit; and I don't wonder at it," she said, looking
-significantly at Emily.
-
-Emily was playing with one of the dogs; exercising him in the tricks
-which he had learned. She balanced a morsel of sugar on his nose--and
-had no attention to spare for Francine.
-
-Cecilia, as the mistress of the house, felt it her duty to interfere.
-"That is a strange remark to make," she answered. "Do you mean to say
-that we have driven Mr. Mirabel away from us?"
-
-"I accuse nobody," Francine began with spiteful candor.
-
-"Now she's going to accuse everybody!" Emily interposed, addressing
-herself facetiously to the dog.
-
-"But when girls are bent on fascinating men, whether they like it or
-not," Francine proceeded, "men have only one alternative--they must keep
-out of the way." She looked again at Emily, more pointedly than ever.
-
-Even gentle Cecilia resented this. "Whom do you refer to?" she said
-sharply.
-
-"My dear!" Emily remonstrated, "need you ask?" She glanced at Francine
-as she spoke, and then gave the dog his signal. He tossed up the sugar,
-and caught it in his mouth. His audience applauded him--and so, for that
-time, the skirmish ended.
-
-Among the letters of the next morning's delivery, arrived Alban's reply.
-Emily's anticipations proved to be correct. The drawing-master's du ties
-would not permit him to leave Netherwoods; and he, like Mirabel, sent
-his apologies. His short letter to Emily contained no further allusion
-to Miss Jethro; it began and ended on the first page.
-
-Had he been disappointed by the tone of reserve in which Emily had
-written to him, under Mr. Wyvil's advice? Or (as Cecilia suggested) had
-his detention at the school so bitterly disappointed him that he was too
-disheartened to write at any length? Emily made no attempt to arrive at
-a conclusion, either one way or the other. She seemed to be in depressed
-spirits; and she spoke superstitiously, for the first time in Cecilia's
-experience of her.
-
-"I don't like this reappearance of Miss Jethro," she said. "If the
-mystery about that woman is ever cleared up, it will bring trouble
-and sorrow to me--and I believe, in his own secret heart, Alban Morris
-thinks so too."
-
-"Write, and ask him," Cecilia suggested.
-
-"He is so kind and so unwilling to distress me," Emily answered, "that
-he wouldn't acknowledge it, even if I am right."
-
-In the middle of the week, the course of private life at Monksmoor
-suffered an interruption--due to the parliamentary position of the
-master of the house.
-
-The insatiable appetite for making and hearing speeches, which
-represents one of the marked peculiarities of the English race
-(including their cousins in the United States), had seized on Mr.
-Wyvil's constituents. There was to be a political meeting at the market
-hall, in the neighboring town; and the member was expected to make an
-oration, passing in review contemporary events at home and abroad. "Pray
-don't think of accompanying me," the good man said to his guests. "The
-hall is badly ventilated, and the speeches, including my own, will not
-be worth hearing."
-
-This humane warning was ungratefully disregarded. The gentlemen were all
-interested in "the objects of the meeting"; and the ladies were firm in
-the resolution not to be left at home by themselves. They dressed with a
-view to the large assembly of spectators before whom they were about to
-appear; and they outtalked the men on political subjects, all the way to
-the town.
-
-The most delightful of surprises was in store for them, when they
-reached the market hall. Among the crowd of ordinary gentlemen, waiting
-under the portico until the proceedings began, appeared one person of
-distinction, whose title was "Reverend," and whose name was Mirabel.
-
-Francine was the first to discover him. She darted up the steps and held
-out her hand.
-
-"This _is_ a pleasure!" she cried. "Have you come here to see--" she
-was about to say Me, but, observing the strangers round her, altered the
-word to Us. "Please give me your arm," she whispered, before her young
-friends had arrived within hearing. "I am so frightened in a crowd!"
-
-She held fast by Mirabel, and kept a jealous watch on him. Was it only
-her fancy? or did she detect a new charm in his smile when he spoke to
-Emily?
-
-Before it was possible to decide, the time for the meeting had arrived.
-Mr. Wyvil's friends were of course accommodated with seats on the
-platform. Francine, still insisting on her claim to Mirabel's arm, got
-a chair next to him. As she seated herself, she left him free for a
-moment. In that moment, the infatuated man took an empty chair on the
-other side of him, and placed it for Emily. He communicated to that
-hated rival the information which he ought to have reserved for
-Francine. "The committee insist," he said, "on my proposing one of
-the Resolutions. I promise not to bore you; mine shall be the shortest
-speech delivered at the meeting."
-
-The proceedings began.
-
-Among the earlier speakers not one was inspired by a feeling of mercy
-for the audience. The chairman reveled in words. The mover and seconder
-of the first Resolution (not having so much as the ghost of an idea to
-trouble either of them), poured out language in flowing and overflowing
-streams, like water from a perpetual spring. The heat exhaled by the
-crowded audience was already becoming insufferable. Cries of "Sit
-down!" assailed the orator of the moment. The chairman was obliged to
-interfere. A man at the back of the hall roared out, "Ventilation!"
-and broke a window with his stick. He was rewarded with three rounds of
-cheers; and was ironically invited to mount the platform and take the
-chair.
-
-Under these embarrassing circumstances, Mirabel rose to speak.
-
-He secured silence, at the outset, by a humorous allusion to the prolix
-speaker who had preceded him. "Look at the clock, gentlemen," he said;
-"and limit my speech to an interval of ten minutes." The applause which
-followed was heard, through the broken window, in the street. The boys
-among the mob outside intercepted the flow of air by climbing on each
-other's shoulders and looking in at the meeting, through the gaps left
-by the shattered glass. Having proposed his Resolution with discreet
-brevity of speech, Mirabel courted popularity on the plan adopted by the
-late Lord Palmerston in the House of Commons--he told stories, and
-made jokes, adapted to the intelligence of the dullest people who
-were listening to him. The charm of his voice and manner completed his
-success. Punctually at the tenth minute, he sat down amid cries of "Go
-on." Francine was the first to take his hand, and to express admiration
-mutely by pressing it. He returned the pressure--but he looked at the
-wrong lady--the lady on the other side.
-
-Although she made no complaint, he instantly saw that Emily was overcome
-by the heat. Her lips were white, and her eyes were closing. "Let me
-take you out," he said, "or you will faint."
-
-Francine started to her feet to follow them. The lower order of the
-audience, eager for amusement, put their own humorous construction on
-the young lady's action. They roared with laughter. "Let the parson and
-his sweetheart be," they called out; "two's company, miss, and three
-isn't." Mr. Wyvil interposed his authority and rebuked them. A lady
-seated behind Francine interfered to good purpose by giving her a chair,
-which placed her out of sight of the audience. Order was restored--and
-the proceedings were resumed.
-
-On the conclusion of the meeting, Mirabel and Emily were found waiting
-for their friends at the door. Mr. Wyvil innocently added fuel to the
-fire that was burning in Francine. He insisted that Mirabel should
-return to Monksmoor, and offered him a seat in the carriage at Emily's
-side.
-
-Later in the evening, when they all met at dinner, there appeared a
-change in Miss de Sor which surprised everybody but Mirabel. She was gay
-and good-humored, and especially amiable and attentive to Emily--who sat
-opposite to her at the table. "What did you and Mr. Mirabel talk about
-while you were away from us?" she asked innocently. "Politics?"
-
-Emily readily adopted Francine's friendly tone. "Would you have talked
-politics, in my place?" she asked gayly.
-
-"In your place, I should have had the most delightful of companions,"
-Francine rejoined; "I wish I had been overcome by the heat too!"
-
-Mirabel--attentively observing her--acknowledged the compliment by a
-bow, and left Emily to continue the conversation. In perfect good faith
-she owned to having led Mirabel to talk of himself. She had heard from
-Cecilia that his early life had been devoted to various occupations,
-and she was interested in knowing how circumstances had led him into
-devoting himself to the Church. Francine listened with the outward
-appearance of implicit belief, and with the inward conviction that Emily
-was deliberately deceiving her. When the little narrative was at an end,
-she was more agreeable than ever. She admired Emily's dress, and she
-rivaled Cecilia in enjoyment of the good things on the table; she
-entertained Mirabel with humorous anecdotes of the priests at St.
-Domingo, and was so interested in the manufacture of violins, ancient
-and modern, that Mr. Wyvil promised to show her his famous collection of
-instruments, after dinner. Her overflowing amiability included even
-poor Miss Darnaway and the absent brothers and sisters. She heard with
-flattering sympathy, how they had been ill and had got well again; what
-amusing tricks they played, what alarming accidents happened to them,
-and how remarkably clever they were--"including, I do assure you, dear
-Miss de Sor, the baby only ten months old." When the ladies rose to
-retire, Francine was, socially speaking, the heroine of the evening.
-
-While the violins were in course of exhibition, Mirabel found an
-opportunity of speaking to Emily, unobserved.
-
-"Have you said, or done, anything to offend Miss de Sor?" he asked.
-
-"Nothing whatever!" Emily declared, startled by the question. "What
-makes you think I have offended her?"
-
-"I have been trying to find a reason for the change in her," Mirabel
-answered--"especially the change toward yourself."
-
-"Well?"
-
-"Well--she means mischief."
-
-"Mischief of what sort?"
-
-"Of a sort which may expose her to discovery--unless she disarms
-suspicion at the outset. That is (as I believe) exactly what she has
-been doing this evening. I needn't warn you to be on your guard."
-
-All the next day Emily was on the watch for events--and nothing
-happened. Not the slightest appearance of jealousy betrayed itself in
-Francine. She made no attempt to attract to herself the attentions of
-Mirabel; and she showed no hostility to Emily, either by word, look, or
-manner.
-
-........
-
-The day after, an event occurred at Netherwoods. Alban Morris received
-an anonymous letter, addressed to him in these terms:
-
-"A certain young lady, in whom you are supposed to be interested, is
-forgetting you in your absence. If you are not mean enough to allow
-yourself to be supplanted by another man, join the party at Monksmoor
-before it is too late."
-
-
-
-
-CHAPTER XLII. COOKING.
-
-The day after the political meeting was a day of departures, at the
-pleasant country house.
-
-Miss Darnaway was recalled to the nursery at home. The old squire who
-did justice to Mr. Wyvil's port-wine went away next, having guests to
-entertain at his own house. A far more serious loss followed. The three
-dancing men had engagements which drew them to new spheres of activity
-in other drawing-rooms. They said, with the same dreary grace of manner,
-"Very sorry to go"; they drove to the railway, arrayed in the same
-perfect traveling suits of neutral tint; and they had but one difference
-of opinion among them--each firmly believed that he was smoking the best
-cigar to be got in London.
-
-The morning after these departures would have been a dull morning
-indeed, but for the presence of Mirabel.
-
-When breakfast was over, the invalid Miss Julia established herself on
-the sofa with a novel. Her father retired to the other end of the house,
-and profaned the art of music on music's most expressive instrument.
-Left with Emily, Cecilia, and Francine, Mirabel made one of his happy
-suggestions. "We are thrown on our own resources," he said. "Let us
-distinguish ourselves by inventing some entirely new amusement for the
-day. You young ladies shall sit in council--and I will be secretary."
-He turned to Cecilia. "The meeting waits to hear the mistress of the
-house."
-
-Modest Cecilia appealed to her school friends for help; addressing
-herself in the first instance (by the secretary's advice) to Francine,
-as the eldest. They all noticed another change in this variable young
-person. She was silent and subdued; and she said wearily, "I don't care
-what we do--shall we go out riding?"
-
-The unanswerable objection to riding as a form of amusement, was that it
-had been more than once tried already. Something clever and surprising
-was anticipated from Emily when it came to her turn. She, too,
-disappointed expectation. "Let us sit under the trees," was all that she
-could suggest, "and ask Mr. Mirabel to tell us a story."
-
-Mirabel laid down his pen and took it on himself to reject this
-proposal. "Remember," he remonstrated, "that I have an interest in the
-diversions of the day. You can't expect me to be amused by my own story.
-I appeal to Miss Wyvil to invent a pleasure which will include the
-secretary."
-
-Cecilia blushed and looked uneasy. "I think I have got an idea," she
-announced, after some hesitation. "May I propose that we all go to the
-keeper's lodge?" There her courage failed her, and she hesitated again.
-
-Mirabel gravely registered the proposal, as far as it went. "What are we
-to do when we get to the keeper's lodge?" he inquired.
-
-"We are to ask the keeper's wife," Cecilia proceeded, "to lend us her
-kitchen."
-
-"To lend us her kitchen," Mirabel repeated.
-
-"And what are we to do in the kitchen?"
-
-Cecilia looked down at her pretty hands crossed on her lap, and answered
-softly, "Cook our own luncheon."
-
-Here was an entirely new amusement, in the most attractive sense of
-the words! Here was charming Cecilia's interest in the pleasures of the
-table so happily inspired, that the grateful meeting offered its tribute
-of applause--even including Francine. The members of the council were
-young; their daring digestions contemplated without fear the prospect
-of eating their own amateur cookery. The one question that troubled them
-now was what they were to cook.
-
-"I can make an omelet," Cecilia ventured to say.
-
-"If there is any cold chicken to be had," Emily added, "I undertake to
-follow the omelet with a mayonnaise."
-
-"There are clergymen in the Church of England who are even clever enough
-to fry potatoes," Mirabel announced--"and I am one of them. What shall
-we have next? A pudding? Miss de Sor, can you make a pudding?"
-
-Francine exhibited another new side to her character--a diffident and
-humble side. "I am ashamed to say I don't know how to cook anything,"
-she confessed; "you had better leave me out of it."
-
-But Cecilia was now in her element. Her plan of operations was wide
-enough even to include Francine. "You shall wash the lettuce, my dear,
-and stone the olives for Emily's mayonnaise. Don't be discouraged! You
-shall have a companion; we will send to the rectory for Miss Plym--the
-very person to chop parsley and shallot for my omelet. Oh, Emily, what
-a morning we are going to have!" Her lovely blue eyes sparkled with joy;
-she gave Emily a kiss which Mirabel must have been more or less than man
-not to have coveted. "I declare," cried Cecilia, completely losing her
-head, "I'm so excited, I don't know what to do with myself!"
-
-Emily's intimate knowledge of her friend applied the right remedy. "You
-don't know what to do with yourself?" she repeated. "Have you no sense
-of duty? Give the cook your orders."
-
-Cecilia instantly recovered her presence of mind. She sat down at the
-writing-table, and made out a list of eatable productions in the animal
-and vegetable world, in which every other word was underlined two or
-three times over. Her serious face was a sight to see, when she rang for
-the cook, and the two held a privy council in a corner.
-
-On the way to the keeper's lodge, the young mistress of the house headed
-a procession of servants carrying the raw materials. Francine followed,
-held in custody by Miss Plym--who took her responsibilities seriously,
-and clamored for instruction in the art of chopping parsley. Mirabel and
-Emily were together, far behind; they were the only two members of
-the company whose minds were not occupied in one way or another by the
-kitchen.
-
-"This child's play of ours doesn't seem to interest you," Mirabel
-remarked.
-
-"I am thinking," Emily answered, "of what you said to me about
-Francine."
-
-"I can say something more," he rejoined. "When I noticed the change in
-her at dinner, I told you she meant mischief. There is another change
-to-day, which suggests to my mind that the mischief is done."
-
-"And directed against me?" Emily asked.
-
-Mirabel made no direct reply. It was impossible for _him_ to remind her
-that she had, no matter how innocently, exposed herself to the jealous
-hatred of Francine. "Time will tell us, what we don't know now," he
-replied evasively.
-
-"You seem to have faith in time, Mr. Mirabel."
-
-"The greatest faith. Time is the inveterate enemy of deceit. Sooner or
-later, every hidden thing is a thing doomed to discovery."
-
-"Without exception?"
-
-"Yes," he answered positively, "without exception."
-
-At that moment Francine stopped and looked back at them. Did she think
-that Emily and Mirabel had been talking together long enough? Miss
-Plym--with the parsley still on her mind---advanced to consult Emil
-y's experience. The two walked on together, leaving Mirabel to overtake
-Francine. He saw, in her first look at him, the effort that it cost
-her to suppress those emotions which the pride of women is most deeply
-interested in concealing. Before a word had passed, he regretted that
-Emily had left them together.
-
-"I wish I had your cheerful disposition," she began, abruptly. "I am out
-of spirits or out of temper--I don't know which; and I don't know why.
-Do you ever trouble yourself with thinking of the future?"
-
-"As seldom as possible, Miss de Sor. In such a situation as mine, most
-people have prospects--I have none."
-
-He spoke gravely, conscious of not feeling at ease on his side. If
-he had been the most modest man that ever lived, he must have seen in
-Francine's face that she loved him.
-
-When they had first been presented to each other, she was still under
-the influence of the meanest instincts in her scheming and selfish
-nature. She had thought to herself, "With my money to help him, that
-man's celebrity would do the rest; the best society in England would be
-glad to receive Mirabel's wife." As the days passed, strong feeling
-had taken the place of those contemptible aspirations: Mirabel had
-unconsciously inspired the one passion which was powerful enough to
-master Francine--sensual passion. Wild hopes rioted in her. Measureless
-desires which she had never felt before, united themselves with
-capacities for wickedness, which had been the horrid growth of a few
-nights--capacities which suggested even viler attempts to rid herself
-of a supposed rivalry than slandering Emily by means of an anonymous
-letter. Without waiting for it to be offered, she took Mirabel's arm,
-and pressed it to her breast as they slowly walked on. The fear of
-discovery which had troubled her after she had sent her base letter to
-the post, vanished at that inspiriting moment. She bent her head near
-enough to him when he spoke to feel his breath on her face.
-
-"There is a strange similarity," she said softly, "between your position
-and mine. Is there anything cheering in _my_ prospects? I am far away
-from home--my father and mother wouldn't care if they never saw me
-again. People talk about my money! What is the use of money to such a
-lonely wretch as I am? Suppose I write to London, and ask the lawyer if
-I may give it all away to some deserving person? Why not to you?"
-
-"My dear Miss de Sor--!"
-
-"Is there anything wrong, Mr. Mirabel, in wishing that I could make you
-a prosperous man?"
-
-"You must not even talk of such a thing!"
-
-"How proud you are!" she said submissively.
-
-"Oh, I can't bear to think of you in that miserable village--a position
-so unworthy of your talents and your claims! And you tell me I must not
-talk about it. Would you have said that to Emily, if she was as anxious
-as I am to see you in your right place in the world?"
-
-"I should have answered her exactly as I have answered you."
-
-"She will never embarrass you, Mr. Mirabel, by being as sincere as I am.
-Emily can keep her own secrets."
-
-"Is she to blame for doing that?"
-
-"It depends on your feeling for her."
-
-"What feeling do you mean?"
-
-"Suppose you heard she was engaged to be married?" Francine suggested.
-
-Mirabel's manner--studiously cold and formal thus far--altered on a
-sudden. He looked with unconcealed anxiety at Francine. "Do you say that
-seriously?" he asked.
-
-"I said 'suppose.' I don't exactly know that she is engaged."
-
-"What _do_ you know?"
-
-"Oh, how interested you are in Emily! She is admired by some people. Are
-you one of them?"
-
-Mirabel's experience of women warned him to try silence as a means of
-provoking her into speaking plainly. The experiment succeeded: Francine
-returned to the question that he had put to her, and abruptly answered
-it.
-
-"You may believe me or not, as you like--I know of a man who is in love
-with her. He has had his opportunities; and he has made good use of
-them. Would you like to know who he is?"
-
-"I should like to know anything which you may wish to tell me." He did
-his best to make the reply in a tone of commonplace politeness--and he
-might have succeeded in deceiving a man. The woman's quicker ear told
-her that he was angry. Francine took the full advantage of that change
-in her favor.
-
-"I am afraid your good opinion of Emily will be shaken," she quietly
-resumed, "when I tell you that she has encouraged a man who is
-only drawing-master at a school. At the same time, a person in her
-circumstances--I mean she has no money--ought not to be very hard to
-please. Of course she has never spoken to you of Mr. Alban Morris?"
-
-"Not that I remember."
-
-Only four words--but they satisfied Francine.
-
-The one thing wanting to complete the obstacle which she had now placed
-in Emily's way, was that Alban Morris should enter on the scene. He
-might hesitate; but, if he was really fond of Emily, the anonymous
-letter would sooner or later bring him to Monksmoor. In the meantime,
-her object was gained. She dropped Mirabel's arm.
-
-"Here is the lodge," she said gayly--"I declare Cecilia has got an apron
-on already! Come, and cook."
-
-
-
-
-CHAPTER XLIII. SOUNDING.
-
-Mirabel left Francine to enter the lodge by herself. His mind was
-disturbed: he felt the importance of gaining time for reflection before
-he and Emily met again.
-
-The keeper's garden was at the back of the lodge. Passing through the
-wicket-gate, he found a little summer-house at a turn in the path.
-Nobody was there: he went in and sat down.
-
-At intervals, he had even yet encouraged himself to underrate the true
-importance of the feeling which Emily had awakened in him. There was an
-end to all self-deception now. After what Francine had said to him, this
-shallow and frivolous man no longer resisted the all-absorbing influence
-of love. He shrank under the one terrible question that forced itself on
-his mind:--Had that jealous girl spoken the truth?
-
-In what process of investigation could he trust, to set this anxiety at
-rest? To apply openly to Emily would be to take a liberty, which Emily
-was the last person in the world to permit. In his recent intercourse
-with her he had felt more strongly than ever the importance of speaking
-with reserve. He had been scrupulously careful to take no unfair
-advantage of his opportunity, when he had removed her from the meeting,
-and when they had walked together, with hardly a creature to observe
-them, in the lonely outskirts of the town. Emily's gaiety and good humor
-had not led him astray: he knew that these were bad signs, viewed in the
-interests of love. His one hope of touching her deeper sympathies was
-to wait for the help that might yet come from time and chance. With a
-bitter sigh, he resigned himself to the necessity of being as agreeable
-and amusing as ever: it was just possible that he might lure her into
-alluding to Alban Morris, if he began innocently by making her laugh.
-
-As he rose to return to the lodge, the keeper's little terrier, prowling
-about the garden, looked into the summer-house. Seeing a stranger, the
-dog showed his teeth and growled.
-
-Mirabel shrank back against the wall behind him, trembling in every
-limb. His eyes stared in terror as the dog came nearer: barking in high
-triumph over the discovery of a frightened man whom he could bully.
-Mirabel called out for help. A laborer at work in the garden ran to the
-place--and stopped with a broad grin of amusement at seeing a grown man
-terrified by a barking dog. "Well," he said to himself, after Mirabel
-had passed out under protection, "there goes a coward if ever there was
-one yet!"
-
-Mirabel waited a minute behind the lodge to recover himself. He had been
-so completely unnerved that his hair was wet with perspiration. While
-he used his handkerchief, he shuddered at other recollections than the
-recollection of the dog. "After that night at the inn," he thought, "the
-least thing frightens me!"
-
-He was received by the young ladies with cries of derisive welcome. "Oh,
-for shame! for shame! here are the potatoes already cut, and nobody to
-fry them!"
-
-Mirabel assumed the mask of cheerfulness--with the desperate resolution
-of an actor, amusing his audience at a time of domestic distress. He
-astonished the keeper's wife by showing that he really knew how to use
-her frying-pan. Cecilia's omelet was tough--but the young ladies ate it.
-Emily's mayonnaise sauce was almost as liquid as water--they swallowed
-it nevertheless by the help of spoons. The potatoes followed, crisp and
-dry and delicious--and Mirabel became more popular than ever. "He is the
-only one of us," Cecilia sadly acknowledged, "who knows how to cook."
-
-When they all left the lodge for a stroll in the park, Francine attached
-herself to Cecilia and Miss Plym. She resigned Mirabel to Emily--in the
-happy belief that she had paved the way for a misunderstanding between
-them.
-
-The merriment at the luncheon table had revived Emily's good spirits.
-She had a light-hearted remembrance of the failure of her sauce. Mirabel
-saw her smiling to herself. "May I ask what amuses you?" he said.
-
-"I was thinking of the debt of gratitude that we owe to Mr. Wyvil," she
-replied. "If he had not persuaded you to return to Monksmoor, we should
-never have seen the famous Mr. Mirabel with a frying pan in his hand,
-and never have tasted the only good dish at our luncheon."
-
-Mirabel tried vainly to adopt his companion's easy tone. Now that he was
-alone with her, the doubts that Francine had aroused shook the prudent
-resolution at which he had arrived in the garden. He ran the risk, and
-told Emily plainly why he had returned to Mr. Wyvil's house.
-
-"Although I am sensible of our host's kindness," he answered, "I should
-have gone back to my parsonage--but for You."
-
-She declined to understand him seriously. "Then the affairs of your
-parish are neglected--and I am to blame!" she said.
-
-"Am I the first man who has neglected his duties for your sake?" he
-asked. "I wonder whether the masters at school had the heart to report
-you when you neglected your lessons?"
-
-She thought of Alban--and betrayed herself by a heightened color. The
-moment after, she changed the subject. Mirabel could no longer resist
-the conclusion that Francine had told him the truth.
-
-"When do you leave us," she inquired.
-
-"To-morrow is Saturday--I must go back as usual."
-
-"And how will your deserted parish receive you?"
-
-He made a desperate effort to be as amusing as usual.
-
-"I am sure of preserving my popularity," he said, "while I have a cask
-in the cellar, and a few spare sixpences in my pocket. The public spirit
-of my parishioners asks for nothing but money and beer. Before I went to
-that wearisome meeting, I told my housekeeper that I was going to make
-a speech about reform. She didn't know what I meant. I explained that
-reform might increase the number of British citizens who had the right
-of voting at elections for parliament. She brightened up directly. 'Ah,'
-she said, 'I've heard my husband talk about elections. The more there
-are of them (_he_ says) the more money he'll get for his vote. I'm all
-for reform.' On my way out of the house, I tried the man who works in
-my garden on the same subject. He didn't look at the matter from the
-housekeeper's sanguine point of view. 'I don't deny that parliament once
-gave me a good dinner for nothing at the public-house,' he admitted.
-'But that was years ago--and (you'll excuse me, sir) I hear nothing of
-another dinner to come. It's a matter of opinion, of course. I don't
-myself believe in reform.' There are specimens of the state of public
-spirit in our village!" He paused. Emily was listening--but he had not
-succeeded in choosing a subject that amused her. He tried a topic more
-nearly connected with his own interests; the topic of the future. "Our
-good friend has asked me to prolong my visit, after Sunday's duties are
-over," he said. "I hope I shall find you here, next week?"
-
-"Will the affairs of your parish allow you to come back?" Emily asked
-mischievously.
-
-"The affairs of my parish--if you force me to confess it--were only an
-excuse."
-
-"An excuse for what?"
-
-"An excuse for keeping away from Monksmoor--in the interests of my own
-tranquillity. The experiment has failed. While you are here, I can't
-keep away."
-
-She still declined to understand him seriously. "Must I tell you in
-plain words that flattery is thrown away on me?" she said.
-
-"Flattery is not offered to you," he answered gravely. "I beg your
-pardon for having led to the mistake by talking of myself." Having
-appealed to her indulgence by that act of submission, he ventured on
-another distant allusion to the man whom he hated and feared. "Shall I
-meet any friends of yours," he resumed, "when I return on Monday?"
-
-"What do you mean?"
-
-"I only meant to ask if Mr. Wyvil expects any new guests?"
-
-As he put the question, Cecilia's voice was heard behind them, calling
-to Emily. They both turned round. Mr. Wyvil had joined his daughter and
-her two friends. He advanced to meet Emily.
-
-"I have some news for you that you little expect," he said. "A telegram
-has just arrived from Netherwoods. Mr. Alban Morris has got leave of
-absence, and is coming here to-morrow."
-
-
-
-
-CHAPTER XLIV. COMPETING.
-
-Time at Monksmoor had advanced to the half hour before dinner, on
-Saturday evening.
-
-Cecilia and Francine, Mr. Wyvil and Mirabel, were loitering in the
-conservatory. In the drawing-room, Emily had been considerately left
-alone with Alban. He had missed the early train from Netherwoods; but
-he had arrived in time to dress for dinner, and to offer the necessary
-explanations.
-
-If it had been possible for Alban to allude to the anonymous letter, he
-might have owned that his first impulse had led him to destroy it, and
-to assert his confidence in Emily by refusing Mr. Wyvil's invitation.
-But try as he might to forget them, the base words that he had read
-remained in his memory. Irritating him at the outset, they had ended
-in rousing his jealousy. Under that delusive influence, he persuaded
-himself that he had acted, in the first instance, without due
-consideration. It was surely his interest--it might even be his duty--to
-go to Mr. Wyvil's house, and judge for himself. After some last wretched
-moments of hesitation, he had decided on effecting a compromise with
-his own better sense, by consulting Miss Ladd. That excellent lady did
-exactly what he had expected her to do. She made arrangements which
-granted him leave of absence, from the Saturday to the Tuesday
-following. The excuse which had served him, in telegraphing to Mr.
-Wyvil, must now be repeated, in accounting for his unexpected appearance
-to Emily. "I found a person to take charge of my class," he said; "and I
-gladly availed myself of the opportunity of seeing you again."
-
-After observing him attentively, while he was speaking to her, Emily
-owned, with her customary frankness, that she had noticed something in
-his manner which left her not quite at her ease.
-
-"I wonder," she said, "if there is any foundation for a doubt that has
-troubled me?" To his unutterable relief, she at once explained what the
-doubt was. "I am afraid I offended you, in replying to your letter about
-Miss Jethro."
-
-In this case, Alban could enjoy the luxury of speaking unreservedly. He
-confessed that Emily's letter had disappointed him.
-
-"I expected you to answer me with less reserve," he replied; "and I
-began to think I had acted rashly in writing to you at all. When there
-is a better opportunity, I may have a word to say--" He was apparently
-interrupted by something that he saw in the conservatory. Looking that
-way, Emily perceived that Mirabel was the object which had attracted
-Alban's attention. The vile anonymous letter was in his mind again.
-Without a preliminary word to prepare Emily, he suddenly changed the
-subject. "How do you like the clergyman?" he asked.
-
-"Very much indeed," she replied, without the slightest embarrassment.
-"Mr. Mirabel is clever and agreeable--and not at all spoiled by his
-success. I am sure," she said innocently, "you will like him too."
-
-Alban's face answered her unmistakably in the negative sense--but
-Emily's attention was drawn the other way by Francine. She joined them
-at the moment, on the lookout for any signs of an encouraging result
-which her treachery might already have produced. Alban had been inclined
-to suspect her when he had received the letter. He rose and bowed as she
-approached. Something--he was unable to realize what it was--told him,
-in the moment when they looked at each other, that his suspicion had hit
-the mark.
-
-In the conservatory the ever-amiable Mirabel had left his friends for
-a while in search of flowers for Cecilia. She turned to her father when
-they were alone, and asked him which of the gentlemen was to take her in
-to dinner--Mr. Mirabel or Mr. Morris?
-
-"Mr. Morris, of course," he answered. "He is the new guest--and he turns
-out to be more than the equal, socially-speaking, of our other friend.
-When I showed him his room, I asked if he was related to a man who
-bore the same name--a fellow student of mine, years and years ago, at
-college. He is my friend's younger son; one of a ruined family--but
-persons of high distinction in their day."
-
-Mirabel returned with the flowers, just as dinner was announced.
-
-"You are to take Emily to-day," Cecilia said to him, leading the way out
-of the conservatory. As they entered the drawing-room, Alban was just
-offering his arm to Emily. "Papa gives you to me, Mr. Morris," Cecilia
-explained pleasantly. Alban hesitated, apparently not understanding the
-allusion. Mirabel interfered with his best grace: "Mr. Wyvil offers
-you the honor of taking his daughter to the dining-room." Alban's face
-darkened ominously, as the elegant little clergyman gave his arm to
-Emily, and followed Mr. Wyvil and Francine out of the room. Cecilia
-looked at her silent and surly companion, and almost envied her lazy
-sister, dining--under cover of a convenient headache--in her own room.
-
-Having already made up his mind that Alban Morris required careful
-handling, Mirabel waited a little before he led the conversation as
-usual. Between the soup and the fish, he made an interesting confession,
-addressed to Emily in the strictest confidence.
-
-"I have taken a fancy to your friend Mr. Morris," he said. "First
-impressions, in my case, decide everything; I like people or dislike
-them on impulse. That man appeals to my sympathies. Is he a good
-talker?"
-
-"I should say Yes," Emily answered prettily, "if _you_ were not
-present."
-
-Mirabel was not to be beaten, even by a woman, in the art of paying
-compliments. He looked admiringly at Alban (sitting opposite to him),
-and said: "Let us listen."
-
-This flattering suggestion not only pleased Emily--it artfully served
-Mirabel's purpose. That is to say, it secured him an opportunity for
-observation of what was going on at the other side of the table.
-
-Alban's instincts as a gentleman had led him to control his irritation
-and to regret that he had suffered it to appear. Anxious to please, he
-presented himself at his best. Gentle Cecilia forgave and forgot the
-angry look which had startled her. Mr. Wyvil was delighted with the son
-of his old friend. Emily felt secretly proud of the good opinions which
-her admirer was gathering; and Francine saw with pleasure that he was
-asserting his claim to Emily's preference, in the way of all others
-which would be most likely to discourage his rival. These various
-impressions--produced while Alban's enemy was ominously silent--began
-to suffer an imperceptible change, from the moment when Mirabel decided
-that his time had come to take the lead. A remark made by Alban offered
-him the chance for which he had been on the watch. He agreed with the
-remark; he enlarged on the remark; he was brilliant and familiar, and
-instructive and amusing--and still it was all due to the remark. Alban's
-temper was once more severely tried. Mirabel's mischievous object had
-not escaped his penetration. He did his best to put obstacles in the
-adversary's way--and was baffled, time after time, with the readiest
-ingenuity. If he interrupted--the sweet-tempered clergyman submitted,
-and went on. If he differed--modest Mr. Mirabel said, in the most
-amiable manner, "I daresay I am wrong," and handled the topic from his
-opponent's point of view. Never had such a perfect Christian sat before
-at Mr. Wyvil's table: not a hard word, not an impatient look, escaped
-him. The longer Alban resisted, the more surely he lost ground in the
-general estimation. Cecilia was disappointed; Emily was grieved; Mr.
-Wyvil's favorable opinion began to waver; Francine was disgusted. When
-dinner was over, and the carriage was waiting to take the shepherd back
-to his flock by moonlight, Mirabel's triumph was complete. He had made
-Alban the innocent means of publicly exhibiting his perfect temper and
-perfect politeness, under their best and brightest aspect.
-
-So that day ended. Sunday promised to pass quietly, in the absence of
-Mirabel. The morning came--and it seemed doubtful whether the promise
-would be fulfilled.
-
-Francine had passed an uneasy night. No such encouraging result as she
-had anticipated had hitherto followed the appearance of Alban Morris
-at Monksmoor. He had clumsily allowed Mirabel to improve his
-position--while he had himself lost ground--in Emily's estimation. If
-this first disastrous consequence of the meeting between the two men was
-permitted to repeat itself on future occasions, Emily and Mirabel would
-be brought more closely together, and Alban himself would be the unhappy
-cause of it. Francine rose, on the Sunday morning, before the table
-was laid for breakfast--resolved to try the effect of a timely word of
-advice.
-
-Her bedroom was situated in the front of the house. The man she was
-looking for presently passed within her range of view from the window,
-on his way to take a morning walk in the park. She followed him
-immediately.
-
-"Good-morning, Mr. Morris."
-
-He raised his hat and bowed--without speaking, and without looking at
-her.
-
-"We resemble each other in one particular," she proceeded, graciously;
-"we both like to breathe the fresh air before breakfast."
-
-He said exactly what common politeness obliged him to say, and no
-more--he said, "Yes."
-
-Some girls might have been discouraged. Francine went on.
-
-"It is no fault of mine, Mr. Morris, that we have not been better
-friends. For some reason, into which I don't presume to inquire, you
-seem to distrust me. I really don't know what I have done to deserve
-it."
-
-"Are you sure of that?" he asked--eying her suddenly and searchingly as
-he spoke.
-
-Her hard face settled into a rigid look; her eyes met his eyes with a
-stony defiant stare. Now, for the first time, she knew that he suspected
-her of having written the anonymous letter. Every evil quality in
-her nature steadily defied him. A hardened old woman could not have
-sustained the shock of discovery with a more devilish composure than
-this girl displayed. "Perhaps you will explain yourself," she said.
-
-"I _have_ explained myself," he answered.
-
-"Then I must be content," she rejoined, "to remain in the dark. I had
-intended, out of my regard for Emily, to suggest that you might--with
-advantage to yourself, and to interests that are very dear to you--be
-more careful in your behavior to Mr. Mirabel. Are you disposed to listen
-to me?"
-
-"Do you wish me to answer that question plainly, Miss de Sor?"
-
-"I insist on your answering it plainly."
-
-"Then I am _not_ disposed to listen to you."
-
-"May I know why? or am I to be left in the dark again?"
-
-"You are to be left, if you please, to your own ingenuity."
-
-Francine looked at him, with a malignant smile. "One of these days, Mr.
-Morris--I will deserve your confidence in my ingenuity." She said it,
-and went back to the house.
-
-This was the only element of disturbance that troubled the perfect
-tranquillity of the day. What Francine had proposed to do, with the one
-idea of making Alban serve her purpose, was accomplished a few hours
-later by Emily's influence for good over the man who loved her.
-
-They passed the afternoon together uninterruptedly in the distant
-solitudes of the park. In the course of conversation Emily found an
-opportunity of discreetly alluding to Mirabel. "You mustn't be jealous
-of our clever little friend," she said; "I like him, and admire him;
-but--"
-
-"But you don't love him?"
-
-She smiled at the eager way in which Alban put the question.
-
-"There is no fear of that," she answered brightly.
-
-"Not even if you discovered that he loves you?"
-
-"Not even then. Are you content at last? Promise me not to be rude to
-Mr. Mirabel again."
-
-"For his sake?"
-
-"No--for my sake. I don't like to see you place yourself at a
-disadvantage toward another man; I don't like you to disappoint me."
-
-The happiness of hearing her say those words transfigured him--the
-manly beauty of his earlier and happier years seemed to have returned to
-Alban. He took her hand--he was too agitated to speak.
-
-"You are forgetting Mr. Mirabel," she reminded him gently.
-
-"I will be all that is civil and kind to Mr. Mirabel; I will like him
-and admire him as you do. Oh, Emily, are you a little, only a very
-little, fond of me?"
-
-"I don't quite know."
-
-"May I try to find out?"
-
-"How?" she asked.
-
-Her fair cheek was very near to him. The softly-rising color on it said,
-Answer me here--and he answered.
-
-
-
-
-CHAPTER XLV. MISCHIEF--MAKING.
-
-On Monday, Mirabel made his appearance--and the demon of discord
-returned with him.
-
-Alban had employed the earlier part of the day in making a sketch in the
-park--intended as a little present for Emily. Presenting himself in the
-drawing-room, when his work was completed, he found Cecilia and Francine
-alone. He asked where Emily was.
-
-The question had been addressed to Cecilia. Francine answered it.
-
-"Emily mustn't be disturbed," she said.
-
-"Why not?"
-
-"She is with Mr. Mirabel in the rose garden. I saw them talking
-together--evidently feeling the deepest interest in what they were
-saying to each other. Don't interrupt them--you will only be in the
-way."
-
-Cecilia at once protested against this last assertion. "She is trying
-to make mischief, Mr. Morris--don't believe her. I am sure they will be
-glad to see you, if you join them in the garden."
-
-Francine rose, and left the room. She turned, and looked at Alban as she
-opened the door. "Try it," she said--"and you will find I am right."
-
-"Francine sometimes talks in a very ill-natured way," Cecilia gently
-remarked. "Do you think she means it, Mr. Morris?'
-
-"I had better not offer an opinion," Alban replied.
-
-"Why?"
-
-"I can't speak impartially; I dislike Miss de Sor."
-
-There was a pause. Alban's sense of self-respect forbade him to try the
-experiment which Francine had maliciously suggested. His thoughts--less
-easy to restrain--wandered in the direction of the garden. The attempt
-to make him jealous had failed; but he was conscious, at the same time,
-that Emily had disappointed him. After what they had said to each other
-in the park, she ought to have remembered that women are at the mercy of
-appearances. If Mirabel had something of importance to say to her,
-she might have avoided exposing herself to Francine's spiteful
-misconstruction: it would have been easy to arrange with Cecilia that a
-third person should be present at the interview.
-
-While he was absorbed in these reflections, Cecilia--embarrassed by
-the silence--was trying to find a topic of conversation. Alban roughly
-pushed his sketch-book away from him, on the table. Was he displeased
-with Emily? The same question had occurred to Cecilia at the time of the
-correspondence, on the subject of Miss Jethro. To recall those letters
-led her, by natural sequence, to another effort of memory. She was
-reminded of the person who had been the cause of the correspondence: her
-interest was revived in the mystery of Miss Jethro.
-
-"Has Emily told you that I have seen your letter?" she asked.
-
-He roused himself with a start. "I beg your pardon. What letter are you
-thinking of?"
-
-"I was thinking of the letter which mentions Miss Jethro's strange
-visit. Emily was so puzzled and so surprised that she showed it to
-me--and we both consulted my father. Have you spoken to Emily about Miss
-Jethro?"
-
-"I have tried--but she seemed to be unwilling to pursue the subject."
-
-"Have you made any discoveries since you wrote to Emily?"
-
-"No. The mystery is as impenetrable as ever."
-
-As he replied in those terms, Mirabel entered the conservatory from the
-garden, evidently on his way to the drawing-room.
-
-To see the man, whose introduction to Emily it had been Miss Jethro's
-mysterious object to prevent--at the very moment when he had been
-speaking of Miss Jethro herself--was, not only a temptation of
-curiosity, but a direct incentive (in Emily's own interests) to make an
-effort at discovery. Alban pursued the conversation with Cecilia, in a
-tone which was loud enough to be heard in the conservatory.
-
-"The one chance of getting any information that I can see," he
-proceeded, "is to speak to Mr. Mirabel."
-
-"I shall be only too glad, if I can be of any service to Miss Wyvil and
-Mr. Morris."
-
-With those obliging words, Mirabel made a dramatic entry, and looked at
-Cecilia with his irresistible smile. Startled by his sudden appearance,
-she unconsciously assisted Alban's design. Her silence gave him the
-opportunity of speaking in her place.
-
-"We were talking," he said quietly to Mirabel, "of a lady with whom you
-are acquainted."
-
-"Indeed! May I ask the lady's name?"
-
-"Miss Jethro."
-
-Mirabel sustained the shock with extraordinary self-possession--so far
-as any betrayal by sudden movement was concerned. But his color told the
-truth: it faded to paleness--it revealed, even to Cecilia's eyes, a man
-overpowered by fright.
-
-Alban offered him a chair. He refused to take it by a gesture. Alban
-tried an apology next. "I am afraid I have ignorantly revived some
-painful associations. Pray excuse me."
-
-The apology roused Mirabel: he felt the necessity of offering some
-explanation. In timid animals, the one defensive capacity which is
-always ready for action is cunning. Mirabel was too wily to dispute
-the inference--the inevitable inference--which any one must have
-drawn, after seeing the effect on him that the name of Miss Jethro had
-produced. He admitted that "painful associations" had been revived, and
-deplored the "nervous sensibility" which had permitted it to be seen.
-
-"No blame can possibly attach to _you_, my dear sir," he continued, in
-his most amiable manner. "Will it be indiscreet, on my part, if I ask
-how you first became acquainted with Miss Jethro?"
-
-"I first became acquainted with her at Miss Ladd's school," Alban
-answered. "She was, for a short time only, one of the teachers; and
-she left her situation rather suddenly." He paused--but Mirabel made
-no remark. "After an interval of a few months," he resumed, "I saw Miss
-Jethro again. She called on me at my lodgings, near Netherwoods."
-
-"Merely to renew your former acquaintance?"
-
-Mirabel made that inquiry with an eager anxiety for the reply which he
-was quite unable to conceal. Had he any reason to dread what Miss Jethro
-might have it in her power to say of him to another person? Alban was
-in no way pledged to secrecy, and he was determined to leave no means
-untried of throwing light on Miss Jethro's mysterious warning. He
-repeated the plain narrative of the interview, which he had communicated
-by letter to Emily. Mirabel listened without making any remark.
-
-"After what I have told you, can you give me no explanation?" Alban
-asked.
-
-"I am quite unable, Mr. Morris, to help you."
-
-Was he lying? or speaking, the truth? The impression produced on Alban
-was that he had spoken the truth.
-
-Women are never so ready as men to resign themselves to the
-disappointment of their hopes. Cecilia, silently listening up to this
-time, now ventured to speak--animated by her sisterly interest in Emily.
-
-"Can you not tell us," she said to Mirabel, "why Miss Jethro tried to
-prevent Emily Brown from meeting you here?"
-
-"I know no more of her motive than you do," Mirabel replied.
-
-Alban interposed. "Miss Jethro left me," he said, "with the
-intention--quite openly expressed--of trying to prevent you from
-accepting Mr. Wyvil's invitation. Did she make the attempt?"
-
-Mirabel admitted that she had made the attempt. "But," he added,
-"without mentioning Miss Emily's name. I was asked to postpone my visit,
-as a favor to herself, because she had her own reasons for wishing it. I
-had _my_ reasons" (he bowed with gallantry to Cecilia) "for being eager
-to have the honor of knowing Mr. Wyvil and his daughter; and I refused."
-
-Once more, the doubt arose: was he lying? or speaking the truth? And,
-once more, Alban could not resist the conclusion that he was speaking
-the truth.
-
-"There is one thing I should like to know," Mirabel continued, after
-some hesitation. "Has Miss Emily been informed of this strange affair?"
-
-"Certainly!"
-
-Mirabel seemed to be disposed to continue his inquiries--and suddenly
-changed his mind. Was he beginning to doubt if Alban had spoken without
-concealment, in describing Miss Jethro's visit? Was he still afraid of
-what Miss Jethro might have said of him? In any case, he changed the
-subject, and made an excuse for leaving the room.
-
-"I am forgetting my errand," he said to Alban. "Miss Emily was anxious
-to know if you had finished your sketch. I must tell her that you have
-returned."
-
-He bowed and withdrew.
-
-Alban rose to follow him--and checked himself.
-
-"No," he thought, "I trust Emily!" He sat down again by Cecilia's side.
-
-
-
-Mirabel had indeed returned to the rose garden. He found Emily employed
-as he had left her, in making a crown of roses, to be worn by Cecilia in
-the evening. But, in one other respect, there was a change. Francine was
-present.
-
-"Excuse me for sending you on a needless errand," Emily said to Mirabel;
-"Miss de Sor tells me Mr. Morris has finished his sketch. She left him
-in the drawing-room--why didn't you bring him here?"
-
-"He was talking with Miss Wyvil."
-
-Mirabel answered absently--with his eyes on Francine. He gave her one
-of those significant looks, which says to a third person, "Why are
-you here?" Francine's jealousy declined to understand him. He tried a
-broader hint, in words.
-
-"Are you going to walk in the garden?" he said.
-
-Francine was impenetrable. "No," she answered, "I am going to stay here
-with Emily."
-
-Mirabel had no choice but to yield. Imperative anxieties forced him
-to say, in Francine's presence, what he had hoped to say to Emily
-privately.
-
-"When I joined Miss Wyvil and Mr. Morris," he began, "what do you think
-they were doing? They were talking of--Miss Jethro."
-
-Emily dropped the rose-crown on her lap. It was easy to see that she had
-been disagreeably surprised.
-
-"Mr. Morris has told me the curious story of Miss Jethro's visit,"
-Mirabel continued; "but I am in some doubt whether he has spoken to me
-without reserve. Perhaps he expressed himself more freely when he spoke
-to _you_. Miss Jethro may have said something to him which tended to
-lower me in your estimation?"
-
-"Certainly not, Mr. Mirabel--so far as I know. If I had heard anything
-of the kind, I should have thought it my duty to tell you. Will it
-relieve your anxiety, if I go at once to Mr. Morris, and ask him plainly
-whether he has concealed anything from you or from me?"
-
-Mirabel gratefully kissed her hand. "Your kindness overpowers me," he
-said--speaking, for once, with true emotion.
-
-Emily immediately returned to the house. As soon as she was out of
-sight, Francine approached Mirabel, trembling with suppressed rage.
-
-
-
-
-CHAPTER XLVI. PRETENDING.
-
-Miss de Sor began cautiously with an apology. "Excuse me, Mr. Mirabel,
-for reminding you of my presence."
-
-Mr. Mirabel made no reply.
-
-"I beg to say," Francine proceeded, "that I didn't intentionally see you
-kiss Emily's hand."
-
-Mirabel stood, looking at the roses which Emily had left on her chair,
-as completely absorbed in his own thoughts as if he had been alone in
-the garden.
-
-"Am I not even worth notice?" Francine asked. "Ah, I know to whom I
-am indebted for your neglect!" She took him familiarly by the arm, and
-burst into a harsh laugh. "Tell me now, in confidence--do you think
-Emily is fond of you?"
-
-The impression left by Emily's kindness was still fresh in Mirabel's
-memory: he was in no humor to submit to the jealous resentment of a
-woman whom he regarded with perfect indifference. Through the varnish
-of politeness which overlaid his manner, there rose to the surface the
-underlying insolence, hidden, on all ordinary occasions, from all human
-eyes. He answered Francine--mercilessly answered her--at last.
-
-"It is the dearest hope of my life that she may be fond of me," he said.
-
-Francine dropped his arm "And fortune favors your hopes," she added,
-with an ironical assumption of interest in Mirabel's prospects. "When
-Mr. Morris leaves us to-morrow, he removes the only obstacle you have to
-fear. Am I right?"
-
-"No; you are wrong."
-
-"In what way, if you please?"
-
-"In this way. I don't regard Mr. Morris as an obstacle. Emily is too
-delicate and too kind to hurt his feelings--she is not in love with him.
-There is no absorbing interest in her mind to divert her thoughts from
-me. She is idle and happy; she thoroughly enjoys her visit to this
-house, and I am associated with her enjoyment. There is my chance--!"
-
-He suddenly stopped. Listening to him thus far, unnaturally calm and
-cold, Francine now showed that she felt the lash of his contempt. A
-hideous smile passed slowly over her white face. It threatened the
-vengeance which knows no fear, no pity, no remorse--the vengeance of a
-jealous woman. Hysterical anger, furious language, Mirabel was prepared
-for. The smile frightened him.
-
-"Well?" she said scornfully, "why don't you go on?"
-
-A bolder man might still have maintained the audacious position which
-he had assumed. Mirabel's faint heart shrank from it. He was eager
-to shelter himself under the first excuse that he could find. His
-ingenuity, paralyzed by his fears, was unable to invent anything new. He
-feebly availed himself of the commonplace trick of evasion which he had
-read of in novels, and seen in action on the stage.
-
-"Is it possible," he asked, with an overacted assumption of surprise,
-"that you think I am in earnest?"
-
-In the case of any other person, Francine would have instantly seen
-through that flimsy pretense. But the love which accepts the meanest
-crumbs of comfort that can be thrown to it--which fawns and grovels
-and deliberately deceives itself, in its own intensely selfish
-interests--was the love that burned in Francine's breast. The wretched
-girl believed Mirabel with such an ecstatic sense of belief that she
-trembled in every limb, and dropped into the nearest chair.
-
-"_I_ was in earnest," she said faintly. "Didn't you see it?"
-
-He was perfectly shameless; he denied that he had seen it, in the most
-positive manner. "Upon my honor, I thought you were mystifying me, and I
-humored the joke."
-
-She sighed, and looking at him with an expression of tender reproach. "I
-wonder whether I can believe you," she said softly.
-
-"Indeed you may believe me!" he assured her.
-
-She hesitated--for the pleasure of hesitating. "I don't know. Emily is
-very much admired by some men. Why not by you?"
-
-"For the best of reasons," he answered "She is poor, and I am poor.
-Those are facts which speak for themselves."
-
-"Yes--but Emily is bent on attracting you. She would marry you
-to-morrow, if you asked her. Don't attempt to deny it! Besides, you
-kissed her hand."
-
-"Oh, Miss de Sor!"
-
-"Don't call me 'Miss de Sor'! Call me Francine. I want to know why you
-kissed her hand."
-
-He humored her with inexhaustible servility. "Allow me to kiss _your_
-hand, Francine!--and let me explain that kissing a lady's hand is only a
-form of thanking her for her kindness. You must own that Emily--"
-
-She interrupted him for the third time. "Emily?" she repeated. "Are you
-as familiar as that already? Does she call you 'Miles,' when you are
-by yourselves? Is there any effort at fascination which this charming
-creature has left untried? She told you no doubt what a lonely life she
-leads in her poor little home?"
-
-Even Mirabel felt that he must not permit this to pass.
-
-"She has said nothing to me about herself," he answered. "What I know of
-her, I know from Mr. Wyvil."
-
-"Oh, indeed! You asked Mr. Wyvil about her family, of course? What did
-he say?"
-
-"He said she lost her mother when she was a child--and he told me her
-father had died suddenly, a few years since, of heart complaint."
-
-"Well, and what else?--Never mind now! Here is somebody coming."
-
-The person was only one of the servants. Mirabel felt grateful to
-the man for interrupting them. Animated by sentiments of a precisely
-opposite nature, Francine spoke to him sharply.
-
-"What do you want here?"
-
-"A message, miss."
-
-"From whom?"
-
-"From Miss Brown."
-
-"For me?"
-
-"No, miss." He turned to Mirabel. "Miss Brown wishes to speak to you,
-sir, if you are not engaged."
-
-Francine controlled herself until the man was out of hearing.
-
-"Upon my word, this is too shameless!" she declared indignantly. "Emily
-can't leave you with me for five minutes, without wanting to see you
-again. If you go to her after all that you have said to me," she cried,
-threatening Mirabel with her outstretched hand, "you are the meanest of
-men!"
-
-He _was_ the meanest of men--he carried out his cowardly submission to
-the last extremity.
-
-"Only say what you wish me to do," he replied.
-
-Even Francine expected some little resistance from a creature bearing
-the outward appearance of a man. "Oh, do you really mean it?" she asked
-"I want you to disappoint Emily. Will you stay here, and let me make
-your excuses?"
-
-"I will do anything to please you."
-
-Francine gave him a farewell look. Her admiration made a desperate
-effort to express itself appropriately in words. "You are not a man,"
-she said, "you are an angel!"
-
-Left by himself, Mirabel sat down to rest. He reviewed his own conduct
-with perfect complacency. "Not one man in a hundred could have managed
-that she-devil as I have done," he thought. "How shall I explain matters
-to Emily?"
-
-Considering this question, he looked by chance at the unfinished
-crown of roses. "The very thing to help me!" he said--and took out his
-pocketbook, and wrote these lines on a blank page: "I have had a scene
-of jealousy with Miss de Sor, which is beyond all description. To spare
-_you_ a similar infliction, I have done violence to my own feelings.
-Instead of instantly obeying the message which you have so kindly sent
-to me, I remain here for a little while--entirely for your sake."
-
-Having torn out the page, and twisted it up among the roses, so that
-only a corner of the paper appeared in view, Mirabel called to a lad who
-was at work in the garden, and gave him his directions, accompanied by a
-shilling. "Take those flowers to the servants' hall, and tell one of the
-maids to put them in Miss Brown's room. Stop! Which is the way to the
-fruit garden?"
-
-The lad gave the necessary directions. Mirabel walked away slowly,
-with his hands in his pockets. His nerves had been shaken; he thought a
-little fruit might refresh him.
-
-
-
-
-CHAPTER XLVII. DEBATING.
-
-In the meanwhile Emily had been true to her promise to relieve Mirabel's
-anxieties, on the subject of Miss Jethro. Entering the drawing-room in
-search of Alban, she found him talking with Cecilia, and heard her own
-name mentioned as she opened the door.
-
-"Here she is at last!" Cecilia exclaimed. "What in the world has kept
-you all this time in the rose garden?"
-
-"Has Mr. Mirabel been more interesting than usual?" Alban asked gayly.
-Whatever sense of annoyance he might have felt in Emily's absence, was
-forgotten the moment she appeared; all traces of trouble in his face
-vanished when they looked at each other.
-
-"You shall judge for yourself," Emily replied with a smile. "Mr. Mirabel
-has been speaking to me of a relative who is very dear to him--his
-sister."
-
-Cecilia was surprised. "Why has he never spoken to _us_ of his sister?"
-she asked.
-
-"It's a sad subject to speak of, my dear. His sister lives a life of
-suffering--she has been for years a prisoner in her room. He writes to
-her constantly. His letters from Monksmoor have interested her, poor
-soul. It seems he said something about me--and she has sent a kind
-message, inviting me to visit her one of these days. Do you understand
-it now, Cecilia?"
-
-"Of course I do! Tell me--is Mr. Mirabel's sister older or younger than
-he is?"
-
-"Older."
-
-"Is she married?"
-
-"She is a widow."
-
-"Does she live with her brother?" Alban asked.
-
-"Oh, no! She has her own house--far away in Northumberland."
-
-"Is she near Sir Jervis Redwood?"
-
-"I fancy not. Her house is on the coast."
-
-"Any children?" Cecilia inquired.
-
-"No; she is quite alone. Now, Cecilia, I have told you all I know--and
-I have something to say to Mr. Morris. No, you needn't leave us; it's a
-subject in which you are interested. A subject," she repeated, turning
-to Alban, "which you may have noticed is not very agreeable to me."
-
-"Miss Jethro?" Alban guessed.
-
-"Yes; Miss Jethro."
-
-Cecilia's curiosity instantly asserted itself.
-
-"_We_ have tried to get Mr. Mirabel to enlighten us, and tried in vain,"
-she said. "You are a favorite. Have you succeeded?"
-
-"I have made no attempt to succeed," Emily replied. "My only object is
-to relieve Mr. Mirabel's anxiety, if I can--with your help, Mr. Morris."
-
-"In what way can I help you?"
-
-"You mustn't be angry."
-
-"Do I look angry?"
-
-"You look serious. It is a very simple thing. Mr. Mirabel is afraid that
-Miss Jethro may have said something disagreeable about him, which
-you might hesitate to repeat. Is he making himself uneasy without any
-reason?"
-
-"Without the slightest reason. I have concealed nothing from Mr.
-Mirabel."
-
-"Thank you for the explanation." She turned to Cecilia. "May I send
-one of the servants with a message? I may as well put an end to Mr.
-Mirabel's suspense."
-
-The man was summoned, and was dispatched with the message. Emily would
-have done well, after this, if she had abstained from speaking further
-of Miss Jethro. But Mirabel's doubts had, unhappily, inspired a
-similar feeling of uncertainty in her own mind. She was now disposed to
-attribute the tone of mystery in Alban's unlucky letter to some possible
-concealment suggested by regard for herself. "I wonder whether _I_ have
-any reason to feel uneasy?" she said--half in jest, half in earnest.
-
-"Uneasy about what?" Alban inquired.
-
-"About Miss Jethro, of course! Has she said anything of me which your
-kindness has concealed?"
-
-Alban seemed to be a little hurt by the doubt which her question
-implied. "Was that your motive," he asked, "for answering my letter as
-cautiously as if you had been writing to a stranger?"
-
-"Indeed you are quite wrong!" Emily earnestly assured him. "I was
-perplexed and startled--and I took Mr. Wyvil's advice, before I wrote to
-you. Shall we drop the subject?"
-
-Alban would have willingly dropped the subject--but for that unfortunate
-allusion to Mr. Wyvil. Emily had unconsciously touched him on a sore
-place. He had already heard from Cecilia of the consultation over his
-letter, and had disapproved of it. "I think you were wrong to trouble
-Mr. Wyvil," he said.
-
-The altered tone of his voice suggested to Emily that he would have
-spoken more severely, if Cecilia had not been in the room. She thought
-him needlessly ready to complain of a harmless proceeding--and she too
-returned to the subject, after having proposed to drop it not a minute
-since!
-
-"You didn't tell me I was to keep your letter a secret," she replied.
-
-Cecilia made matters worse--with the best intentions. "I'm sure, Mr.
-Morris, my father was only too glad to give Emily his advice."
-
-Alban remained silent--ungraciously silent as Emily thought, after Mr.
-Wyvil's kindness to him.
-
-"The thing to regret," she remarked, "is that Mr. Morris allowed Miss
-Jethro to leave him without explaining herself. In his place, I should
-have insisted on knowing why she wanted to prevent me from meeting Mr.
-Mirabel in this house."
-
-Cecilia made another unlucky attempt at judicious interference. This
-time, she tried a gentle remonstrance.
-
-"Remember, Emily, how Mr. Morris was situated. He could hardly be rude
-to a lady. And I daresay Miss Jethro had good reasons for not wishing to
-explain herself."
-
-Francine opened the drawing-room door and heard Cecilia's last words.
-
-"Miss Jethro again!" she exclaimed.
-
-"Where is Mr. Mirabel?" Emily asked. "I sent him a message."
-
-"He regrets to say he is otherwise engaged for the present," Francine
-replied with spiteful politeness. "Don't let me interrupt the
-conversation. Who is this Miss Jethro, whose name is on everybody's
-lips?"
-
-Alban could keep silent no longer. "We have done with the subject," he
-said sharply.
-
-"Because I am here?"
-
-"Because we have said more than enough about Miss Jethro already."
-
-"Speak for yourself, Mr. Morris," Emily answered, resenting the
-masterful tone which Alban's interference had assumed. "I have not done
-with Miss Jethro yet, I can assure you."
-
-"My dear, you don't know where she lives," Cecilia reminded her.
-
-"Leave me to discover it!" Emily answered hotly. "Perhaps Mr. Mirabel
-knows. I shall ask Mr. Mirabel."
-
-"I thought you would find a reason for returning to Mr. Mirabel,"
-Francine remarked.
-
-Before Emily could reply, one of the maids entered the room with a
-wreath of roses in her hand.
-
-"Mr. Mirabel sends you these flowers, miss," the woman said, addressing
-Emily. "The boy told me they were to be taken to your room. I thought it
-was a mistake, and I have brought them to you here."
-
-Francine, who happened to be nearest to the door, took the roses from
-the girl on pretense of handing them to Emily. Her jealous vigilance
-detected the one visible morsel of Mirabel's letter, twisted up with the
-flowers. Had Emily entrapped him into a secret correspondence with her?
-"A scrap of waste paper among your roses," she said, crumpling it up in
-her hand as if she meant to throw it away.
-
-But Emily was too quick for her. She caught Francine by the wrist.
-"Waste paper or not," she said; "it was among my flowers and it belongs
-to me."
-
-Francine gave up the letter, with a look which might have startled Emily
-if she had noticed it. She handed the roses to Cecilia. "I was making
-a wreath for you to wear this evening, my dear--and I left it in the
-garden. It's not quite finished yet."
-
-Cecilia was delighted. "How lovely it is!" she exclaimed. "And how
-very kind of you! I'll finish it myself." She turned away to the
-conservatory.
-
-"I had no idea I was interfering with a letter," said Francine; watching
-Emily with fiercely-attentive eyes, while she smoothed out the crumpled
-paper.
-
-Having read what Mirabel had written to her, Emily looked up, and saw
-that Alban was on the point of following Cecilia into the conservatory.
-He had noticed something in Francine's face which he was at a loss to
-understand, but which made her presence in the room absolutely hateful
-to him. Emily followed and spoke to him.
-
-"I am going back to the rose garden," she said.
-
-"For any particular purpose?" Alban inquired
-
-"For a purpose which, I am afraid, you won't approve of. I mean to ask
-Mr. Mirabel if he knows Miss Jethro's address."
-
-"I hope he is as ignorant of it as I am," Alban answered gravely.
-
-"Are we going to quarrel over Miss Jethro, as we once quarreled over
-Mrs. Rook?" Emily asked--with the readiest recovery of her good humor.
-"Come! come! I am sure you are as anxious, in your own private mind, to
-have this matter cleared up as I am."
-
-"With one difference--that I think of consequences, and you don't."
-He said it, in his gentlest and kindest manner, and stepped into the
-conservatory.
-
-"Never mind the consequences," she called after him, "if we can only get
-at the truth. I hate being deceived!"
-
-"There is no person living who has better reason than you have to say
-that."
-
-Emily looked round with a start. Alban was out of hearing. It was
-Francine who had answered her.
-
-"What do you mean?" she said.
-
-Francine hesitated. A ghastly paleness overspread her face.
-
-"Are you ill?" Emily asked.
-
-"No--I am thinking."
-
-After waiting for a moment in silence, Emily moved away toward the door
-of the drawing-room. Francine suddenly held up her hand.
-
-"Stop!" she cried.
-
-Emily stood still.
-
-"My mind is made up," Francine said.
-
-"Made up--to what?"
-
-"You asked what I meant, just now."
-
-"I did."
-
-"Well, my mind is made up to answer you. Miss Emily Brown, you are
-leading a sadly frivolous life in this house. I am going to give you
-something more serious to think about than your flirtation with Mr.
-Mirabel. Oh, don't be impatient! I am coming to the point. Without
-knowing it yourself, you have been the victim of deception for years
-past--cruel deception--wicked deception that puts on the mask of mercy."
-
-"Are you alluding to Miss Jethro?" Emily asked, in astonishment. "I
-thought you were strangers to each other. Just now, you wanted to know
-who she was."
-
-"I know nothing about her. I care nothing about her. I am not thinking
-of Miss Jethro."
-
-"Who are you thinking of?"
-
-"I am thinking," Francine answered, "of your dead father."
-
-
-
-
-CHAPTER XLVIII. INVESTIGATING.
-
-Having revived his sinking energies in the fruit garden, Mirabel
-seated himself under the shade of a tree, and reflected on the critical
-position in which he was placed by Francine's jealousy.
-
-If Miss de Sor continued to be Mr. Wyvil's guest, there seemed to be no
-other choice before Mirabel than to leave Monksmoor--and to trust to
-a favorable reply to his sister's invitation for the free enjoyment of
-Emily's society under another roof. Try as he might, he could arrive
-at no more satisfactory conclusion than this. In his preoccupied state,
-time passed quickly. Nearly an hour had elapsed before he rose to return
-to the house.
-
-Entering the hall, he was startled by a cry of terror in a woman's
-voice, coming from the upper regions. At the same time Mr. Wyvil,
-passing along the bedroom corridor after leaving the music-room, was
-confronted by his daughter, hurrying out of Emily's bedchamber in such a
-state of alarm that she could hardly speak.
-
-"Gone!" she cried, the moment she saw her father.
-
-Mr. Wyvil took her in his arms and tried to compose her. "Who has gone?"
-he asked.
-
-"Emily! Oh, papa, Emily has left us! She has heard dreadful news--she
-told me so herself."
-
-"What news? How did she hear it?"
-
-"I don't know how she heard it. I went back to the drawing-room to show
-her my roses--"
-
-"Was she alone?"
-
-"Yes! She frightened me--she seemed quite wild. She said, 'Let me be by
-myself; I shall have to go home.' She kissed me--and ran up to her room.
-Oh, I am such a fool! Anybody else would have taken care not to lose
-sight of her."
-
-"How long did you leave her by herself?"
-
-"I can't say. I thought I would go and tell you. And then I got anxious
-about her, and knocked at her door, and looked into the room. Gone!
-Gone!"
-
-Mr. Wyvil rang the bell and confided Cecilia to the care of her maid.
-Mirabel had already joined him in the corridor. They went downstairs
-together and consulted with Alban. He volunteered to make immediate
-inquiries at the railway station. Mr. Wyvil followed him, as far as the
-lodge gate which opened on the highroad--while Mirabel went to a second
-gate, at the opposite extremity of the park.
-
-Mr. Wyvil obtained the first news of Emily. The lodge keeper had seen
-her pass him, on her way out of the park, in the greatest haste. He had
-called after her, "Anything wrong, miss?" and had received no reply.
-Asked what time had elapsed since this had happened, he was too confused
-to be able to answer with any certainty. He knew that she had taken the
-road which led to the station--and he knew no more.
-
-Mr. Wyvil and Mirabel met again at the house, and instituted an
-examination of the servants. No further discoveries were made.
-
-The question which occurred to everybody was suggested by the words
-which Cecilia had repeated to her father. Emily had said she had "heard
-dreadful news"--how had that news reached her? The one postal delivery
-at Monksmoor was in the morning. Had any special messenger arrived, with
-a letter for Emily? The servants were absolutely certain that no such
-person had entered the house. The one remaining conclusion suggested
-that somebody must have communicated the evil tidings by word of mouth.
-But here again no evidence was to be obtained. No visitor had called
-during the day, and no new guests had arrived. Investigation was
-completely baffled.
-
-Alban returned from the railway, with news of the fugitive.
-
-He had reached the station, some time after the departure of the London
-train. The clerk at the office recognized his description of Emily, and
-stated that she had taken her ticket for London. The station-master had
-opened the carriage door for her, and had noticed that the young lady
-appeared to be very much agitated. This information obtained, Alban had
-dispatched a telegram to Emily--in Cecilia's name: "Pray send us a
-few words to relieve our anxiety, and let us know if we can be of any
-service to you."
-
-This was plainly all that could be done--but Cecilia was not satisfied.
-If her father had permitted it, she would have followed Emily. Alban
-comforted her. He apologized to Mr. Wyvil for shortening his visit, and
-announced his intention of traveling to London by the next train. "We
-may renew our inquiries to some advantage," he added, after hearing what
-had happened in his absence, "if we can find out who was the last person
-who saw her, and spoke to her, before your daughter found her alone in
-the drawing-room. When I went out of the room, I left her with Miss de
-Sor."
-
-The maid who waited on Miss de Sor was sent for. Francine had been out,
-by herself, walking in the park. She was then in her room, changing her
-dress. On hearing of Emily's sudden departure, she had been (as the
-maid reported) "much shocked and quite at a loss to understand what it
-meant."
-
-Joining her friends a few minutes later, Francine presented, so far
-as personal appearance went, a strong contrast to the pale and anxious
-faces round her. She looked wonderfully well, after her walk. In other
-respects, she was in perfect harmony with the prevalent feeling. She
-expressed herself with the utmost propriety; her sympathy moved poor
-Cecilia to tears.
-
-"I am sure, Miss de Sor, you will try to help us?" Mr. Wyvil began
-
-"With the greatest pleasure," Francine answered.
-
-"How long were you and Miss Emily Brown together, after Mr. Morris left
-you?"
-
-"Not more than a quarter of an hour, I should think."
-
-"Did anything remarkable occur in the course of conversation?"
-
-"Nothing whatever."
-
-Alban interfered for the first time. "Did you say anything," he asked,
-"which agitated or offended Miss Brown?"
-
-"That's rather an extraordinary question," Francine remarked.
-
-"Have you no other answer to give?" Alban inquired.
-
-"I answer--No!" she said, with a sudden outburst of anger.
-
-There, the matter dropped. While she spoke in reply to Mr. Wyvil,
-Francine had confronted him without embarrassment. When Alban
-interposed, she never looked at him--except when he provoked her to
-anger. Did she remember that the man who was questioning her, was also
-the man who had suspected her of writing the anonymous letter? Alban
-was on his guard against himself, knowing how he disliked her. But the
-conviction in his own mind was not to be resisted. In some unimaginable
-way, Francine was associated with Emily's flight from the house.
-
-The answer to the telegram sent from the railway station had not
-arrived, when Alban took his departure for London. Cecilia's suspense
-began to grow unendurable: she looked to Mirabel for comfort, and found
-none. His office was to console, and his capacity for performing that
-office was notorious among his admirers; but he failed to present
-himself to advantage, when Mr. Wyvil's lovely daughter had need of his
-services. He was, in truth, too sincerely anxious and distressed to be
-capable of commanding his customary resources of ready-made sentiment
-and fluently-pious philosophy. Emily's influence had awakened the only
-earnest and true feeling which had ever ennobled the popular preacher's
-life.
-
-Toward evening, the long-expected telegram was received at last. What
-could be said, under the circumstances, it said in these words:
-
-"Safe at home--don't be uneasy about me--will write soon."
-
-With that promise they were, for the time, forced to be content.
-
-
-
-
-BOOK THE FIFTH--THE COTTAGE.
-
-
-
-CHAPTER XLIX. EMILY SUFFERS.
-
-Mrs. Ellmother--left in charge of Emily's place of abode, and feeling
-sensible of her lonely position from time to time--had just thought of
-trying the cheering influence of a cup of tea, when she heard a cab draw
-up at the cottage gate. A violent ring at the bell followed. She opened
-the door--and found Emily on the steps. One look at that dear and
-familiar face was enough for the old servant.
-
-"God help us," she cried, "what's wrong now?"
-
-Without a word of reply, Emily led the way into the bedchamber which had
-been the scene of Miss Letitia's death. Mrs. Ellmother hesitated on the
-threshold.
-
-"Why do you bring me in here?" she asked.
-
-"Why did you try to keep me out?" Emily answered.
-
-"When did I try to keep you out, miss?"
-
-"When I came home from school, to nurse my aunt. Ah, you remember now!
-Is it true--I ask you here, where your old mistress died--is it true
-that my aunt deceived me about my father's death? And that you knew it?"
-
-There was dead silence. Mrs. Ellmother trembled horribly--her lips
-dropped apart--her eyes wandered round the room with a stare of idiotic
-terror. "Is it her ghost tells you that?" she whispered. "Where is her
-ghost? The room whirls round and round, miss--and the air sings in my
-ears."
-
-Emily sprang forward to support her. She staggered to a chair, and
-lifted her great bony hands in wild entreaty. "Don't frighten me," she
-said. "Stand back."
-
-Emily obeyed her. She dashed the cold sweat off her forehead. "You were
-talking about your father's death just now," she burst out, in desperate
-defiant tones. "Well! we know it and we are sorry for it--your father
-died suddenly."
-
-"My father died murdered in the inn at Zeeland! All the long way to
-London, I have tried to doubt it. Oh, me, I know it now!"
-
-Answering in those words, she looked toward the bed. Harrowing
-remembrances of her aunt's delirious self-betrayal made the room
-unendurable to her. She ran out. The parlor door was open. Entering the
-room, she passed by a portrait of her father, which her aunt had hung
-on the wall over the fireplace. She threw herself on the sofa and burst
-into a passionate fit of crying. "Oh, my father--my dear, gentle, loving
-father; my first, best, truest friend--murdered! murdered! Oh, God,
-where was your justice, where was your mercy, when he died that dreadful
-death?"
-
-A hand was laid on her shoulder; a voice said to her, "Hush, my child!
-God knows best."
-
-Emily looked up, and saw that Mrs. Ellmother had followed her. "You
-poor old soul," she said, suddenly remembering; "I frightened you in the
-other room."
-
-"I have got over it, my dear. I am old; and I have lived a hard life.
-A hard life schools a person. I make no complaints." She stopped, and
-began to shudder again. "Will you believe me if I tell you something?"
-she asked. "I warned my self-willed mistress. Standing by your father's
-coffin, I warned her. Hide the truth as you may (I said), a time will
-come when our child will know what you are keeping from her now. One or
-both of us may live to see it. I am the one who has lived; no refuge
-in the grave for me. I want to hear about it--there's no fear of
-frightening or hurting me now. I want to hear how you found it out. Was
-it by accident, my dear? or did a person tell you?"
-
-Emily's mind was far away from Mrs. Ellmother. She rose from the sofa,
-with her hands held fast over her aching heart.
-
-"The one duty of my life," she said--"I am thinking of the one duty of
-my life. Look! I am calm now; I am resigned to my hard lot. Never, never
-again, can the dear memory of my father be what it was! From this time,
-it is the horrid memory of a crime. The crime has gone unpunished; the
-man has escaped others. He shall not escape Me." She paused, and looked
-at Mrs. Ellmother absently. "What did you say just now? You want to hear
-how I know what I know? Naturally! naturally! Sit down here--sit
-down, my old friend, on the sofa with me--and take your mind back to
-Netherwoods. Alban Morris--"
-
-Mrs. Ellmother recoiled from Emily in dismay. "Don't tell me _he_ had
-anything to do with it! The kindest of men; the best of men!"
-
-"The man of all men living who least deserves your good opinion or
-mine," Emily answered sternly.
-
-"You!" Mrs. Ellmother exclaimed, "_you_ say that!"
-
-"I say it. He--who won on me to like him--he was in the conspiracy to
-deceive me; and you know it! He heard me talk of the newspaper story of
-the murder of my father--I say, he heard me talk of it composedly, talk
-of it carelessly, in the innocent belief that it was the murder of
-a stranger--and he never opened his lips to prevent that horrid
-profanation! He never even said, speak of something else; I won't hear
-you! No more of him! God forbid I should ever see him again. No! Do
-what I told you. Carry your mind back to Netherwoods. One night you let
-Francine de Sor frighten you. You ran away from her into the garden.
-Keep quiet! At your age, must I set you an example of self-control?
-
-"I want to know, Miss Emily, where Francine de Sor is now?"
-
-"She is at the house in the country, which I have left."
-
-"Where does she go next, if you please? Back to Miss Ladd?"
-
-"I suppose so. What interest have you in knowing where she goes next?"
-
-"I won't interrupt you, miss. It's true that I ran away into the garden.
-I can guess who followed me. How did she find her way to me and Mr.
-Morris, in the dark?"
-
-"The smell of tobacco guided her--she knew who smoked--she had seen him
-talking to you, on that very day--she followed the scent--she heard what
-you two said to each other--and she has repeated it to me. Oh, my old
-friend, the malice of a revengeful girl has enlightened me, when you,
-my nurse--and he, my lover--left me in the dark: it has told me how my
-father died!"
-
-"That's said bitterly, miss!"
-
-"Is it said truly?"
-
-"No. It isn't said truly of myself. God knows you would never have
-been kept in the dark, if your aunt had listened to me. I begged and
-prayed--I went down on my knees to her--I warned her, as I told you just
-now. Must I tell _you_ what a headstrong woman Miss Letitia was? She
-insisted. She put the choice before me of leaving her at once and
-forever--or giving in. I wouldn't have given in to any other creature on
-the face of this earth. I am obstinate, as you have often told me.
-Well, your aunt's obstinacy beat mine; I was too fond of her to say No.
-Besides, if you ask me who was to blame in the first place, I tell you
-it wasn't your aunt; she was frightened into it."
-
-"Who frightened her?"
-
-"Your godfather--the great London surgeon--he who was visiting in our
-house at the time."
-
-"Sir Richard?"
-
-"Yes--Sir Richard. He said he wouldn't answer for the consequences, in
-the delicate state of your health, if we told you the truth. Ah, he had
-it all his own way after that. He went with Miss Letitia to the inquest;
-he won over the coroner and the newspaper men to his will; he kept your
-aunt's name out of the papers; he took charge of the coffin; he
-hired the undertaker and his men, strangers from London; he wrote the
-certificate--who but he! Everybody was cap in hand to the famous man!"
-
-"Surely, the servants and the neighbors asked questions?"
-
-"Hundreds of questions! What did that matter to Sir Richard? They were
-like so many children, in _his_ hands. And, mind you, the luck helped
-him. To begin with, there was the common name. Who was to pick out your
-poor father among the thousands of James Browns? Then, again, the house
-and lands went to the male heir, as they called him--the man your father
-quarreled with in the bygone time. He brought his own establishment
-with him. Long before you got back from the friends you were staying
-with--don't you remember it?--we had cleared out of the house; we
-were miles and miles away; and the old servants were scattered abroad,
-finding new situations wherever they could. How could you suspect us?
-We had nothing to fear in that way; but my conscience pricked me. I made
-another attempt to prevail on Miss Letitia, when you had recovered
-your health. I said, 'There's no fear of a relapse now; break it to her
-gently, but tell her the truth.' No! Your aunt was too fond of you. She
-daunted me with dreadful fits of crying, when I tried to persuade her.
-And that wasn't the worst of it. She bade me remember what an excitable
-man your father was--she reminded me that the misery of your mother's
-death laid him low with brain fever--she said, 'Emily takes after her
-father; I have heard you say it yourself; she has his constitution, and
-his sensitive nerves. Don't you know how she loved him--how she talks
-of him to this day? Who can tell (if we are not careful) what dreadful
-mischief we may do?' That was how my mistress worked on me. I got
-infected with her fears; it was as if I had caught an infection of
-disease. Oh, my dear, blame me if it must be; but don't forget how I
-have suffered for it since! I was driven away from my dying mistress, in
-terror of what she might say, while you were watching at her bedside. I
-have lived in fear of what you might ask me--and have longed to go back
-to you--and have not had the courage to do it. Look at me now!"
-
-The poor woman tried to take out her handkerchief; her quivering hand
-helplessly entangled itself in her dress. "I can't even dry my eyes,"
-she said faintly. "Try to forgive me, miss!"
-
-Emily put her arms round the old nurse's neck. "It is _you_," she said
-sadly, "who must forgive me."
-
-For a while they were silent. Through the window that was open to
-the little garden, came the one sound that could be heard--the gentle
-trembling of leaves in the evening wind.
-
-The silence was harshly broken by the bell at the cottage door. They
-both started.
-
-Emily's heart beat fast. "Who can it be?" she said.
-
-Mrs. Ellmother rose. "Shall I say you can't see anybody?" she asked,
-before leaving the room.
-
-"Yes! yes!"
-
-Emily heard the door opened--heard low voices in the passage. There was
-a momentary interval. Then, Mrs. Ellmother returned. She said nothing.
-Emily spoke to her.
-
-"Is it a visitor?"
-
-"Yes."
-
-"Have you said I can't see anybody?"
-
-"I couldn't say it."
-
-"Why not?"
-
-"Don't be hard on him, my dear. It's Mr. Alban Morris."
-
-
-
-
-CHAPTER L. MISS LADD ADVISES.
-
-Mrs. Ellmother sat by the dying embers of the kitchen fire; thinking
-over the events of the day in perplexity and distress.
-
-She had waited at the cottage door for a friendly word with Alban, after
-he had left Emily. The stern despair in his face warned her to let him
-go in silence. She had looked into the parlor next. Pale and cold, Emily
-lay on the sofa--sunk in helpless depression of body and mind. "Don't
-speak to me," she whispered; "I am quite worn out." It was but too plain
-that the view of Alban's conduct which she had already expressed, was
-the view to which she had adhered at the interview between them. They
-had parted in grief---perhaps in anger--perhaps forever. Mrs. Ellmother
-lifted Emily in compassionate silence, and carried her upstairs, and
-waited by her until she slept.
-
-In the still hours of the night, the thoughts of the faithful old
-servant--dwelling for a while on past and present--advanced, by slow
-degrees, to consideration of the doubtful future. Measuring, to the best
-of her ability, the responsibility which had fallen on her, she felt
-that it was more than she could bear, or ought to bear, alone. To whom
-could she look for help?
-
-The gentlefolks at Monksmoor were strangers to her. Doctor Allday was
-near at hand--but Emily had said, "Don't send for him; he will torment
-me with questions--and I want to keep my mind quiet, if I can." But
-one person was left, to whose ever-ready kindness Mrs. Ellmother could
-appeal--and that person was Miss Ladd.
-
-It would have been easy to ask the help of the good schoolmistress in
-comforting and advising the favorite pupil whom she loved. But Mrs.
-Ellmother had another object in view: she was determined that the
-cold-blooded cruelty of Emily's treacherous friend should not be allowed
-to triumph with impunity. If an ignorant old woman could do nothing
-else, she could tell the plain truth, and could leave Miss Ladd to
-decide whether such a person as Francine deserved to remain under her
-care.
-
-To feel justified in taking this step was one thing: to put it all
-clearly in writing was another. After vainly making the attempt
-overnight, Mrs. Ellmother tore up her letter, and communicated with Miss
-Ladd by means of a telegraphic message, in the morning. "Miss Emily is
-in great distress. I must not leave her. I have something besides to say
-to you which cannot be put into a letter. Will you please come to us?"
-
-Later in the forenoon, Mrs. Ellmother was called to the door by the
-arrival of a visitor. The personal appearance of the stranger impressed
-her favorably. He was a handsome little gentleman; his manners were
-winning, and his voice was singularly pleasant to hear.
-
-"I have come from Mr. Wyvil's house in the country," he said; "and I
-bring a letter from his daughter. May I take the opportunity of asking
-if Miss Emily is well?"
-
-"Far from it, sir, I am sorry to say. She is so poorly that she keeps
-her bed."
-
-At this reply, the visitor's face revealed such sincere sympathy and
-regret, that Mrs. Ellmother was interested in him: she added a word
-more. "My mistress has had a hard trial to bear, sir. I hope there is no
-bad news for her in the young lady's letter?"
-
-"On the contrary, there is news that she will be glad to hear--Miss
-Wyvil is coming here this evening. Will you excuse my asking if Miss
-Emily has had medical advice?"
-
-"She won't hear of seeing the doctor, sir. He's a good friend of
-hers--and he lives close by. I am unfortunately alone in the house. If I
-could leave her, I would go at once and ask his advice."
-
-"Let _me_ go!" Mirabel eagerly proposed.
-
-Mrs. Ellmother's face brightened. "That's kindly thought of, sir--if you
-don't mind the trouble."
-
-"My good lady, nothing is a trouble in your young mistress's service.
-Give me the doctor's name and address--and tell me what to say to him."
-
-"There's one thing you must be careful of," Mrs. Ellmother answered. "He
-mustn't come here, as if he had been sent for--she would refuse to see
-him."
-
-Mirabel understood her. "I will not forget to caution him. Kindly tell
-Miss Emily I called--my name is Mirabel. I will return to-morrow."
-
-He hastened away on his errand--only to find that he had arrived too
-late. Doctor Allday had left London; called away to a serious case of
-illness. He was not expected to get back until late in the afternoon.
-Mirabel left a message, saying that he would return in the evening.
-
-The next visitor who arrived at the cottage was the trusty friend, in
-whose generous nature Mrs. Ellmother had wisely placed confidence. Miss
-Ladd had resolved to answer the telegram in person, the moment she read
-it.
-
-"If there is bad news," she said, "let me hear it at once. I am not well
-enough to bear suspense; my busy life at the school is beginning to tell
-on me."
-
-"There is nothing that need alarm you, ma'am--but there is a great
-deal to say, before you see Miss Emily. My stupid head turns giddy with
-thinking of it. I hardly know where to begin."
-
-"Begin with Emily," Miss Ladd suggested.
-
-Mrs. Ellmother took the advice. She described Emily's unexpected arrival
-on the previous day; and she repeated what had passed between them
-afterward. Miss Ladd's first impulse, when she had recovered her
-composure, was to go to Emily without waiting to hear more. Not
-presuming to stop her, Mrs. Ellmother ventured to put a question "Do
-you happen to have my telegram about you, ma'am?" Miss Ladd produced it.
-"Will you please look at the last part of it again?"
-
-Miss Ladd read the words: "I have something besides to say to you which
-cannot be put into a letter." She at once returned to her chair.
-
-"Does what you have still to tell me refer to any person whom I know?"
-she said.
-
-"It refers, ma'am, to Miss de Sor. I am afraid I shall distress you."
-
-"What did I say, when I came in?" Miss Ladd asked. "Speak out plainly;
-and try--it's not easy, I know--but try to begin at the beginning."
-
-Mrs. Ellmother looked back through her memory of past events, and
-began by alluding to the feeling of curiosity which she had excited in
-Francine, on the day when Emily had made them known to one another.
-From this she advanced to the narrative of what had taken place at
-Netherwoods--to the atrocious attempt to frighten her by means of
-the image of wax--to the discovery made by Francine in the garden at
-night--and to the circumstances under which that discovery had been
-communicated to Emily.
-
-Miss Ladd's face reddened with indignation. "Are you sure of all that
-you have said?" she asked.
-
-"I am quite sure, ma'am. I hope I have not done wrong," Mrs. Ellmother
-added simply, "in telling you all this?"
-
-"Wrong?" Miss Ladd repeated warmly. "If that wretched girl has no
-defense to offer, she is a disgrace to my school--and I owe you a debt
-of gratitude for showing her to me in her true character. She shall
-return at once to Netherwoods; and she shall answer me to my entire
-satisfaction--or leave my house. What cruelty! what duplicity! In all my
-experience of girls, I have never met with the like of it. Let me go to
-my dear little Emily--and try to forget what I have heard."
-
-Mrs. Ellmother led the good lady to Emily's room--and, returning to the
-lower part of the house, went out into the garden. The mental effort
-that she had made had left its result in an aching head, and in an
-overpowering sense of depression. "A mouthful of fresh air will revive
-me," she thought.
-
-The front garden and back garden at the cottage communicated with each
-other. Walking slowly round and round, Mrs. Ellmother heard footsteps
-on the road outside, which stopped at the gate. She looked through the
-grating, and discovered Alban Morris.
-
-"Come in, sir!" she said, rejoiced to see him. He obeyed in silence. The
-full view of his face shocked Mrs. Ellmother. Never in her experience of
-the friend who had been so kind to her at Netherwoods, had he looked so
-old and so haggard as he looked now. "Oh, Mr. Alban, I see how she
-has distressed you! Don't take her at her word. Keep a good heart,
-sir--young girls are never long together of the same mind."
-
-Alban gave her his hand. "I mustn't speak about it," he said. "Silence
-helps me to bear my misfortune as becomes a man. I have had some hard
-blows in my time: they don't seem to have blunted my sense of feeling
-as I thought they had. Thank God, she doesn't know how she has made me
-suffer! I want to ask her pardon for having forgotten myself yesterday.
-I spoke roughly to her, at one time. No: I won't intrude on her; I have
-said I am sorry, in writing. Do you mind giving it to her? Good-by--and
-thank you. I mustn't stay longer; Miss Ladd expects me at Netherwoods."
-
-"Miss Ladd is in the house, sir, at this moment."
-
-"Here, in London!"
-
-"Upstairs, with Miss Emily."
-
-"Upstairs? Is Emily ill?"
-
-"She is getting better, sir. Would you like to see Miss Ladd?"
-
-"I should indeed! I have something to say to her--and time is of
-importance to me. May I wait in the garden?"
-
-"Why not in the parlor, sir?"
-
-"The parlor reminds me of happier days. In time, I may have courage
-enough to look at the room again. Not now."
-
-"If she doesn't make it up with that good man," Mrs. Ellmother thought,
-on her way back to the house, "my nurse-child is what I have never
-believed her to be yet--she's a fool."
-
-In half an hour more, Miss Ladd joined Alban on the little plot of grass
-behind the cottage. "I bring Emily's reply to your letter," she said.
-"Read it, before you speak to me."
-
-Alban read it: "Don't suppose you have offended me--and be assured that
-I feel gratefully the tone in which your note is written. I try to write
-forbearingly on my side; I wish I could write acceptably as well. It is
-not to be done. I am as unable as ever to enter into your motives. You
-are not my relation; you were under no obligation of secrecy: you heard
-me speak ignorantly of the murder of my father, as if it had been the
-murder of a stranger; and yet you kept me--deliberately, cruelly kept
-me--deceived! The remembrance of it burns me like fire. I cannot--oh,
-Alban, I cannot restore you to the place in my estimation which you have
-lost! If you wish to help me to bear my trouble, I entreat you not to
-write to me again."
-
-Alban offered the letter silently to Miss Ladd. She signed to him to
-keep it.
-
-"I know what Emily has written," she said; "and I have told her, what I
-now tell you--she is wrong; in every way, wrong. It is the misfortune
-of her impetuous nature that she rushes to conclusions--and those
-conclusions once formed, she holds to them with all the strength of her
-character. In this matter, she has looked at her side of the question
-exclusively; she is blind to your side."
-
-"Not willfully!" Alban interposed.
-
-Miss Ladd looked at him with admiration. "You defend Emily?" she said.
-
-"I love her," Alban answered.
-
-Miss Ladd felt for him, as Mrs. Ellmother had felt for him. "Trust to
-time, Mr. Morris," she resumed. "The danger to be afraid of is--the
-danger of some headlong action, on her part, in the interval. Who can
-say what the end may be, if she persists in her present way of thinking?
-There is something monstrous, in a young girl declaring that it is _her_
-duty to pursue a murderer, and to bring him to justice! Don't you see it
-yourself?"
-
-Alban still defended Emily. "It seems to me to be a natural impulse,"
-he said--"natural, and noble."
-
-"Noble!" Miss Ladd exclaimed.
-
-"Yes--for it grows out of the love which has not died with her father's
-death."
-
-"Then you encourage her?"
-
-"With my whole heart--if she would give me the opportunity!"
-
-"We won't pursue the subject, Mr. Morris. I am told by Mrs. Ellmother
-that you have something to say to me. What is it?"
-
-"I have to ask you," Alban replied, "to let me resign my situation at
-Netherwoods."
-
-Miss Ladd was not only surprised; she was also--a very rare thing with
-her--inclined to be suspicious. After what he had said to Emily, it
-occurred to her that Alban might be meditating some desperate project,
-with the hope of recovering his lost place in her favor.
-
-"Have you heard of some better employment?" she asked.
-
-"I have heard of no employment. My mind is not in a state to give the
-necessary attention to my pupils."
-
-"Is that your only reason for wishing to leave me?"
-
-"It is one of my reasons."
-
-"The only one which you think it necessary to mention?"
-
-"Yes."
-
-"I shall be sorry to lose you, Mr. Morris."
-
-"Believe me, Miss Ladd, I am not ungrateful for your kindness."
-
-"Will you let me, in all kindness, say something more?" Miss Ladd
-answered. "I don't intrude on your secrets--I only hope that you have no
-rash project in view."
-
-"I don't understand you, Miss Ladd."
-
-"Yes, Mr. Morris--you do."
-
-She shook hands with him--and went back to Emily.
-
-
-
-
-CHAPTER LI. THE DOCTOR SEES.
-
-Alban returned to Netherwoods--to continue his services, until another
-master could be found to take his place.
-
-By a later train Miss Ladd followed him. Emily was too well aware of the
-importance of the mistress's presence to the well-being of the school,
-to permit her to remain at the cottage. It was understood that they were
-to correspond, and that Emily's room was waiting for her at Netherwoods,
-whenever she felt inclined to occupy it.
-
-Mrs. Ellmother made the tea, that evening, earlier than usual. Being
-alone again with Emily, it struck her that she might take advantage of
-her position to say a word in Alban's favor. She had chosen her time
-unfortunately. The moment she pronounced the name, Emily checked her by
-a look, and spoke of another person--that person being Miss Jethro.
-
-Mrs. Ellmother at once entered her protest, in her own downright way.
-"Whatever you do," she said, "don't go back to that! What does Miss
-Jethro matter to you?"
-
-"I am more interested in her than you suppose--I happen to know why she
-left the school."
-
-"Begging your pardon, miss, that's quite impossible!"
-
-"She left the school," Emily persisted, "for a serious reason. Miss Ladd
-discovered that she had used false references."
-
-"Good Lord! who told you that?"
-
-"You see I know it. I asked Miss Ladd how she got her information. She
-was bound by a promise never to mention the person's name. I didn't say
-it to her--but I may say it to you. I am afraid I have an idea of who
-the person was."
-
-"No," Mrs. Ellmother obstinately asserted, "you can't possibly know who
-it was! How should you know?"
-
-"Do you wish me to repeat what I heard in that room opposite, when my
-aunt was dying?"
-
-"Drop it, Miss Emily! For God's sake, drop it!"
-
-"I can't drop it. It's dreadful to me to have suspicions of my aunt--and
-no better reason for them than what she said in a state of delirium.
-Tell me, if you love me, was it her wandering fancy? or was it the
-truth?"
-
-"As I hope to be saved, Miss Emily, I can only guess as you do--I don't
-rightly know. My mistress trusted me half way, as it were. I'm afraid I
-have a rough tongue of my own sometimes. I offended her--and from that
-time she kept her own counsel. What she did, she did in the dark, so far
-as I was concerned."
-
-"How did you offend her?"
-
-"I shall be obliged to speak of your father if I tell you how?"
-
-"Speak of him."
-
-"_He_ was not to blame--mind that!" Mrs. Ellmother said earnestly. "If I
-wasn't certain of what I say now you wouldn't get a word out of me. Good
-harmless man--there's no denying it--he _was_ in love with Miss Jethro!
-What's the matter?"
-
-Emily was thinking of her memorable conversation with the disgraced
-teacher on her last night at school. "Nothing" she answered. "Go on."
-
-"If he had not tried to keep it secret from us," Mrs. Ellmother resumed,
-"your aunt might never have taken it into her head that he was entangled
-in a love affair of the shameful sort. I don't deny that I helped her in
-her inquiries; but it was only because I felt sure from the first that
-the more she discovered the more certainly my master's innocence would
-show itself. He used to go away and visit Miss Jethro privately. In the
-time when your aunt trusted me, we never could find out where. She
-made that discovery afterward for herself (I can't tell you how long
-afterward); and she spent money in employing mean wretches to pry into
-Miss Jethro's past life. She had (if you will excuse me for saying it)
-an old maid's hatred of the handsome young woman, who lured your father
-away from home, and set up a secret (in a manner of speaking) between
-her brother and herself. I won't tell you how we looked at letters and
-other things which he forgot to leave under lock and key. I will only
-say there was one bit, in a journal he kept, which made me ashamed of
-myself. I read it out to Miss Letitia; and I told her in so many words,
-not to count any more on me. No; I haven't got a copy of the words--I
-can remember them without a copy. 'Even if my religion did not forbid
-me to peril my soul by leading a life of sin with this woman whom I
-love'--that was how it began--'the thought of my daughter would keep
-me pure. No conduct of mine shall ever make me unworthy of my child's
-affection and respect.' There! I'm making you cry; I won't stay here any
-longer. All that I had to say has been said. Nobody but Miss Ladd knows
-for certain whether your aunt was innocent or guilty in the matter
-of Miss Jethro's disgrace. Please to excuse me; my work's waiting
-downstairs."
-
-
-From time to time, as she pursued her domestic labors, Mrs. Ellmother
-thought of Mirabel. Hours on hours had passed--and the doctor had not
-appeared. Was he too busy to spare even a few minutes of his time? Or
-had the handsome little gentleman, after promising so fairly, failed to
-perform his errand? This last doubt wronged Mirabel. He had engaged to
-return to the doctor's house; and he kept his word.
-
-Doctor Allday was at home again, and was seeing patients. Introduced
-in his turn, Mirabel had no reason to complain of his reception. At the
-same time, after he had stated the object of his visit, something odd
-began to show itself in the doctor's manner.
-
-He looked at Mirabel with an appearance of uneasy curiosity; and he
-contrived an excuse for altering the visitor's position in the room, so
-that the light fell full on Mirabel's face.
-
-"I fancy I must have seen you," the doctor said, "at some former time."
-
-"I am ashamed to say I don't remember it," Mirabel answered.
-
-"Ah, very likely I'm wrong! I'll call on Miss Emily, sir, you may depend
-on it."
-
-Left in his consulting-room, Doctor Allday failed to ring the bell which
-summoned the next patient who was waiting for him. He took his diary
-from the table drawer, and turned to the daily entries for the past
-month of July.
-
-Arriving at the fifteenth day of the month, he glanced at the first
-lines of writing: "A visit from a mysterious lady, calling herself Miss
-Jethro. Our conference led to some very unexpected results."
-
-No: that was not what he was in search of. He looked a little lower
-down: and read on regularly, from that point, as follows:
-
-"Called on Miss Emily, in great anxiety about the discoveries which
-she might make among her aunt's papers. Papers all destroyed, thank
-God--except the Handbill, offering a reward for discovery of the
-murderer, which she found in the scrap-book. Gave her back the Handbill.
-Emily much surprised that the wretch should have escaped, with such
-a careful description of him circulated everywhere. She read the
-description aloud to me, in her nice clear voice: 'Supposed age between
-twenty-five and thirty years. A well-made man of small stature. Fai
-r complexion, delicate features, clear blue eyes. Hair light, and
-cut rather short. Clean shaven, with the exception of narrow
-half-whiskers'--and so on. Emily at a loss to understand how the
-fugitive could disguise himself. Reminded her that he could effectually
-disguise his head and face (with time to help him) by letting his hair
-grow long, and cultivating his beard. Emily not convinced, even by this
-self-evident view of the case. Changed the subject."
-
-The doctor put away his diary, and rang the bell.
-
-"Curious," he thought. "That dandified little clergyman has certainly
-reminded me of my discussion with Emily, more than two months since. Was
-it his flowing hair, I wonder? or his splendid beard? Good God! suppose
-it should turn out--?"
-
-He was interrupted by the appearance of his patient. Other ailing people
-followed. Doctor Allday's mind was professionally occupied for the rest
-of the evening.
-
-
-
-
-CHAPTER LII. "IF I COULD FIND A FRIEND!"
-
-Shortly after Miss Ladd had taken her departure, a parcel arrived for
-Emily, bearing the name of a bookseller printed on the label. It was
-large, and it was heavy. "Reading enough, I should think, to last for a
-lifetime," Mrs. Ellmother remarked, after carrying the parcel upstairs.
-
-Emily called her back as she was leaving the room. "I want to caution
-you," she said, "before Miss Wyvil comes. Don't tell her--don't tell
-anybody--how my father met his death. If other persons are taken into
-our confidence, they will talk of it. We don't know how near to us the
-murderer may be. The slightest hint may put him on his guard."
-
-"Oh, miss, are you still thinking of that!"
-
-"I think of nothing else."
-
-"Bad for your mind, Miss Emily--and bad for your body, as your looks
-show. I wish you would take counsel with some discreet person, before
-you move in this matter by yourself."
-
-Emily sighed wearily. "In my situation, where is the person whom I can
-trust?"
-
-"You can trust the good doctor."
-
-"Can I? Perhaps I was wrong when I told you I wouldn't see him. He might
-be of some use to me."
-
-Mrs. Ellmother made the most of this concession, in the fear that Emily
-might change her mind. "Doctor Allday may call on you tomorrow," she
-said.
-
-"Do you mean that you have sent for him?"
-
-"Don't be angry! I did it for the best--and Mr. Mirabel agreed with me."
-
-"Mr. Mirabel! What have you told Mr. Mirabel?"
-
-"Nothing, except that you are ill. When he heard that, he proposed to go
-for the doctor. He will be here again to-morrow, to ask for news of your
-health. Will you see him?"
-
-"I don't know yet--I have other things to think of. Bring Miss Wyvil up
-here when she comes."
-
-"Am I to get the spare room ready for her?"
-
-"No. She is staying with her father at the London house."
-
-Emily made that reply almost with an air of relief. When Cecilia
-arrived, it was only by an effort that she could show grateful
-appreciation of the sympathy of her dearest friend. When the visit came
-to an end, she felt an ungrateful sense of freedom: the restraint was
-off her mind; she could think again of the one terrible subject that had
-any interest for her now. Over love, over friendship, over the natural
-enjoyment of her young life, predominated the blighting resolution which
-bound her to avenge her father's death. Her dearest remembrances of
-him--tender remembrances once--now burned in her (to use her own words)
-like fire. It was no ordinary love that had bound parent and child
-together in the bygone time. Emily had grown from infancy to girlhood,
-owing all the brightness of her life--a life without a mother, without
-brothers, without sisters--to her father alone. To submit to lose this
-beloved, this only companion, by the cruel stroke of disease was of all
-trials of resignation the hardest to bear. But to be severed from him by
-the murderous hand of a man, was more than Emily's fervent nature could
-passively endure. Before the garden gate had closed on her friend
-she had returned to her one thought, she was breathing again her one
-aspiration. The books that she had ordered, with her own purpose in
-view--books that might supply her want of experience, and might reveal
-the perils which beset the course that lay before her--were unpacked and
-spread out on the table. Hour after hour, when the old servant believed
-that her mistress was in bed, she was absorbed over biographies in
-English and French, which related the stratagems by means of which
-famous policemen had captured the worst criminals of their time. From
-these, she turned to works of fiction, which found their chief topic of
-interest in dwelling on the discovery of hidden crime. The night passed,
-and dawn glimmered through the window--and still she opened book
-after book with sinking courage--and still she gained nothing but the
-disheartening conviction of her inability to carry out her own plans.
-Almost every page that she turned over revealed the immovable obstacles
-set in her way by her sex and her age. Could _she_ mix with the people,
-or visit the scenes, familiar to the experience of men (in fact and
-in fiction), who had traced the homicide to his hiding-place, and had
-marked him among his harmless fellow-creatures with the brand of Cain?
-No! A young girl following, or attempting to follow, that career, must
-reckon with insult and outrage--paying their abominable tribute to her
-youth and her beauty, at every turn. What proportion would the men
-who might respect her bear to the men who might make her the object of
-advances, which it was hardly possible to imagine without shuddering.
-She crept exhausted to her bed, the most helpless, hopeless creature on
-the wide surface of the earth--a girl self-devoted to the task of a man.
-
-
-
-Careful to perform his promise to Mirabel, without delay, the doctor
-called on Emily early in the morning--before the hour at which he
-usually entered his consulting-room.
-
-"Well? What's the matter with the pretty young mistress?" he asked,
-in his most abrupt manner, when Mrs. Ellmother opened the door. "Is it
-love? or jealousy? or a new dress with a wrinkle in it?"
-
-"You will hear about it, sir, from Miss Emily herself. I am forbidden to
-say anything."
-
-"But you mean to say something--for all that?"
-
-"Don't joke, Doctor Allday! The state of things here is a great deal too
-serious for joking. Make up your mind to be surprised--I say no more."
-
-Before the doctor could ask what this meant, Emily opened the parlor
-door. "Come in!" she said, impatiently.
-
-Doctor Allday's first greeting was strictly professional. "My dear
-child, I never expected this," he began. "You are looking wretchedly
-ill." He attempted to feel her pulse. She drew her hand away from him.
-
-"It's my mind that's ill," she answered. "Feeling my pulse won't cure
-me of anxiety and distress. I want advice; I want help. Dear old doctor,
-you have always been a good friend to me--be a better friend than ever
-now."
-
-"What can I do?"
-
-"Promise you will keep secret what I am going to say to you--and listen,
-pray listen patiently, till I have done."
-
-Doctor Allday promised, and listened. He had been, in some degree at
-least, prepared for a surprise--but the disclosure which now burst on
-him was more than his equanimity could sustain. He looked at Emily in
-silent dismay. She had surprised and shocked him, not only by what she
-said, but by what she unconsciously suggested. Was it possible that
-Mirabel's personal appearance had produced on her the same impression
-which was present in his own mind? His first impulse, when he was
-composed enough to speak, urged him to put the question cautiously.
-
-"If you happened to meet with the suspected man," he said, "have you any
-means of identifying him?"
-
-"None whatever, doctor. If you would only think it over--"
-
-He stopped her there; convinced of the danger of encouraging her, and
-resolved to act on his conviction.
-
-"I have enough to occupy me in my profession," he said. "Ask your other
-friend to think it over."
-
-"What other friend?"
-
-"Mr. Alban Morris."
-
-The moment he pronounced the name, he saw that he had touched on some
-painful association. "Has Mr. Morris refused to help you?" he inquired.
-
-"I have not asked him to help me."
-
-"Why?"
-
-There was no choice (with such a man as Doctor Allday) between offending
-him or answering him. Emily adopted the last alternative. On this
-occasion she had no reason to complain of his silence.
-
-"Your view of Mr. Morris's conduct surprises me," he replied--"surprises
-me more than I can say," he added; remembering that he too was guilty
-of having kept her in ignorance of the truth, out of regard--mistaken
-regard, as it now seemed to be--for her peace of mind.
-
-"Be good to me, and pass it over if I am wrong," Emily said: "I can't
-dispute with you; I can only tell you what I feel. You have always been
-so kind to me--may I count on your kindness still?"
-
-Doctor Allday relapsed into silence.
-
-"May I at least ask," she went on, "if you know anything of persons--"
-She paused, discouraged by the cold expression of inquiry in the old
-man's eyes as he looked at her.
-
-"What persons?" he said.
-
-"Persons whom I suspect."
-
-"Name them."
-
-Emily named the landlady of the inn at Zeeland: she could now place the
-right interpretation on Mrs. Rook's conduct, when the locket had been
-put into her hand at Netherwoods. Doctor Allday answered shortly and
-stiffly: he had never even seen Mrs. Rook. Emily mentioned Miss Jethro
-next--and saw at once that she had interested him.
-
-"What do you suspect Miss Jethro of doing?" he asked.
-
-"I suspect her of knowing more of my father's death than she is willing
-to acknowledge," Emily replied.
-
-The doctor's manner altered for the better. "I agree with you," he said
-frankly. "But I have some knowledge of that lady. I warn you not to
-waste time and trouble in trying to discover the weak side of Miss
-Jethro."
-
-"That was not my experience of her at school," Emily rejoined. "At the
-same time I don't know what may have happened since those days. I may
-perhaps have lost the place I once held in her regard."
-
-"How?"
-
-"Through my aunt."
-
-"Through your aunt?"
-
-"I hope and trust I am wrong," Emily continued; "but I fear my aunt had
-something to do with Miss Jethro's dismissal from the school--and in
-that case Miss Jethro may have found it out." Her eyes, resting on
-the doctor, suddenly brightened. "You know something about it!" she
-exclaimed.
-
-He considered a little--whether he should or should not tell her of the
-letter addressed by Miss Ladd to Miss Letitia, which he had found at the
-cottage.
-
-"If I could satisfy you that your fears are well founded," he asked,
-"would the discovery keep you away from Miss Jethro?"
-
-"I should be ashamed to speak to her--even if we met."
-
-"Very well. I can tell you positively, that your aunt was the person who
-turned Miss Jethro out of the school. When I get home, I will send you a
-letter that proves it."
-
-Emily's head sank on her breast. "Why do I only hear of this now?" she
-said.
-
-"Because I had no reason for letting you know of it, before to-day. If
-I have done nothing else, I have at least succeeded in keeping you and
-Miss Jethro apart."
-
-Emily looked at him in alarm. He went on without appearing to notice
-that he had startled her. "I wish to God I could as easily put a stop to
-the mad project which you are contemplating."
-
-"The mad project?" Emily repeated. "Oh, Doctor Allday. Do you cruelly
-leave me to myself, at the time of all others, when I am most in need of
-your sympathy?"
-
-That appeal moved him. He spoke more gently; he pitied, while he
-condemned her.
-
-"My poor dear child, I should be cruel indeed, if I encouraged you. You
-are giving yourself up to an enterprise, so shockingly unsuited to a
-young girl like you, that I declare I contemplate it with horror. Think,
-I entreat you, think; and let me hear that you have yielded--not to my
-poor entreaties--but to your own better sense!" His voice faltered; his
-eyes moistened. "I shall make a fool of myself," he burst out furiously,
-"if I stay here any longer. Good-by."
-
-He left her.
-
-She walked to the window, and looked out at the fair morning. No one to
-feel for her--no one to understand her--nothing nearer that could speak
-to poor mortality of hope and encouragement than the bright heaven, so
-far away! She turned from the window. "The sun shines on the murderer,"
-she thought, "as it shines on me."
-
-She sat down at the table, and tried to quiet her mind; to think
-steadily to some good purpose. Of the few friends that she possessed,
-every one had declared that she was in the wrong. Had _they_ lost the
-one loved being of all beings on earth, and lost him by the hand of a
-homicide--and that homicide free? All that was faithful, all that was
-devoted in the girl's nature, held her to her desperate resolution as
-with a hand of iron. If she shrank at that miserable moment, it was not
-from her design--it was from the sense of her own helplessness. "Oh, if
-I had been a man!" she said to herself. "Oh, if I could find a friend!"
-
-
-
-
-CHAPTER LIII. THE FRIEND IS FOUND.
-
-Mrs. Ellmother looked into the parlor. "I told you Mr. Mirabel would
-call again," she announced. "Here he is."
-
-"Has he asked to see me?"
-
-"He leaves it entirely to you."
-
-For a moment, and a moment only, Emily was undecided. "Show him in," she
-said.
-
-Mirabel's embarrassment was visible the moment he entered the room.
-For the first time in his life--in the presence of a woman--the
-popular preacher was shy. He who had taken hundreds of fair hands with
-sympathetic pressure--he who had offered fluent consolation, abroad and
-at home, to beauty in distress--was conscious of a rising color, and was
-absolutely at a loss for words when Emily received him. And yet, though
-he appeared at disadvantage--and, worse still, though he was aware of
-it himself--there was nothing contemptible in his look and manner. His
-silence and confusion revealed a change in him which inspired respect.
-Love had developed this spoiled darling of foolish congregations, this
-effeminate pet of drawing-rooms and boudoirs, into the likeness of a
-Man--and no woman, in Emily's position, could have failed to see that it
-was love which she herself had inspired.
-
-Equally ill at ease, they both took refuge in the commonplace phrases
-suggested by the occasion. These exhausted there was a pause. Mirabel
-alluded to Cecilia, as a means of continuing the conversation.
-
-"Have you seen Miss Wyvil?" he inquired.
-
-"She was here last night; and I expect to see her again to-day before
-she returns to Monksmoor with her father. Do you go back with them?"
-
-"Yes--if _you_ do."
-
-"I remain in London."
-
-"Then I remain in London, too."
-
-The strong feeling that was in him had forced its way to expression
-at last. In happier days--when she had persistently refused to let him
-speak to her seriously--she would have been ready with a light-hearted
-reply. She was silent now. Mirabel pleaded with her not to misunderstand
-him, by an honest confession of his motives which presented him under a
-new aspect. The easy plausible man, who had hardly ever seemed to be in
-earnest before--meant, seriously meant, what he said now.
-
-"May I try to explain myself?" he asked.
-
-"Certainly, if you wish it."
-
-"Pray, don't suppose me capable," Mirabel said earnestly, "of presuming
-to pay you an idle compliment. I cannot think of you, alone and in
-trouble, without feeling anxiety which can only be relieved in one
-way--I must be near enough to hear of you, day by day. Not by repeating
-this visit! Unless you wish it, I will not again cross the threshold
-of your door. Mrs. Ellmother will tell me if your mind is more at ease;
-Mrs. Ellmother will tell me if there is any new trial of your fortitude.
-She needn't even mention that I have been speaking to her at the
-door; and she may be sure, and you may be sure, that I shall ask no
-inquisitive questions. I can feel for you in your misfortune, without
-wishing to know what that misfortune is. If I can ever be of the
-smallest use, think of me as your other servant. Say to Mrs. Ellmother,
-'I want him'--and say no more."
-
-Where is the woman who could have resisted such devotion as
-this--inspired, truly inspired, by herself? Emily's eyes softened as she
-answered him.
-
-"You little know how your kindness touches me," she said.
-
-"Don't speak of my kindness until you have put me to the proof," he
-interposed. "Can a friend (such a friend as I am, I mean) be of any
-use?"
-
-"Of the greatest use if I could feel justified in trying you."
-
-"I entreat you to try me!"
-
-"But, Mr. Mirabel, you don't know what I am thinking of."
-
-"I don't want to know."
-
-"I may be wrong. My friends all say I _am_ wrong."
-
-"I don't care what your friends say; I don't care about any earthly
-thing but your tranquillity. Does your dog ask whether you are right or
-wrong? I am your dog. I think of You, and I think of nothing else."
-
-She looked back through the experience of the last few days. Miss
-Ladd--Mrs. Ellmother--Doctor Allday: not one of them had felt for her,
-not one of them had spoken to her, as this man had felt and had spoken.
-She remembered the dreadful sense of solitude and helplessness which
-had wrung her heart, in the interval before Mirabel came in. Her father
-himself could hardly have been kinder to her than this friend of a few
-weeks only. She looked at him through her tears; she could say nothing
-that was eloquent, nothing even that was adequate. "You are very good to
-me," was her only acknowledgment of all that he had offered. How poor it
-seemed to be! and yet how much it meant!
-
-He rose--saying considerately that he would leave her to recover
-herself, and would wait to hear if he was wanted.
-
-"No," she said; "I must not let you go. In common gratitude I ought
-to decide before you leave me, and I do decide to take you into my
-confidence." She hesitated; her color rose a little. "I know how
-unselfishly you offer me your help," she resumed; "I know you speak to
-me as a brother might speak to a sister--"
-
-He gently interrupted her. "No," he said; "I can't honestly claim to do
-that. And--may I venture to remind you?--you know why."
-
-She started. Her eyes rested on him with a momentary expression of
-reproach.
-
-"Is it quite fair," she asked, "in my situation, to say that?"
-
-"Would it have been quite fair," he rejoined, "to allow you to deceive
-yourself? Should I deserve to be taken into your confidence, if I
-encouraged you to trust me, under false pretenses? Not a word more of
-those hopes on which the happiness of my life depends shall pass my
-lips, unless you permit it. In my devotion to your interests, I promise
-to forget myself. My motives may be misinterpreted; my position may be
-misunderstood. Ignorant people may take me for that other happier man,
-who is an object of interest to you--"
-
-"Stop, Mr. Mirabel! The person to whom you refer has no such claim on me
-as you suppose."
-
-"Dare I say how happy I am to hear it? Will you forgive me?"
-
-"I will forgive you if you say no more."
-
-Their eyes met. Completely overcome by the new hope that she had
-inspired, Mirabel was unable to answer her. His sensitive nerves
-trembled under emotion, like the nerves of a woman; his delicate
-complexion faded away slowly into whiteness. Emily was alarmed--he
-seemed to be on the point of fainting. She ran to the window to open it
-more widely.
-
-"Pray don't trouble yourself," he said, "I am easily agitated by any
-sudden sensation--and I am a little overcome at this moment by my own
-happiness."
-
-"Let me give you a glass of wine."
-
-"Thank you--I don't need it indeed."
-
-"You really feel better?"
-
-"I feel quite well again--and eager to hear how I can serve you."
-
-"It's a long story, Mr. Mirabel--and a dreadful story."
-
-"Dreadful?"
-
-"Yes! Let me tell you first how you can serve me. I am in search of
-a man who has done me the cruelest wrong that one human creature can
-inflict on another. But the chances are all against me--I am only
-a woman; and I don't know how to take even the first step toward
-discovery."
-
-"You will know, when I guide you."
-
-He reminded her tenderly of what she might expect from him, and was
-rewarded by a grateful look. Seeing nothing, suspecting nothing, they
-advanced together nearer and nearer to the end.
-
-"Once or twice," Emily continued, "I spoke to you of my poor father,
-when we were at Monksmoor--and I must speak of him again. You could have
-no interest in inquiring about a stranger--and you cannot have heard how
-he died."
-
-"Pardon me, I heard from Mr. Wyvil how he died."
-
-"You heard what I had told Mr. Wyvil," Emily said: "I was wrong."
-
-"Wrong!" Mirabel exclaimed, in a tone of courteous surprise. "Was it not
-a sudden death?"
-
-"It _was_ a sudden death."
-
-"Caused by disease of the heart?"
-
-"Caused by no disease. I have been deceived about my father's death--and
-I have only discovered it a few days since."
-
-At the impending moment of the frightful shock which she was innocently
-about to inflict on him, she stopped--doubtful whether it would be best
-to relate how the discovery had been made, or to pass at once to the
-result. Mirabel supposed that she had paused to control her agitation.
-He was so immeasurably far away from the faintest suspicion of what was
-coming that he exerted his ingenuity, in the hope of sparing her.
-
-"I can anticipate the rest," he said. "Your sad loss has been caused by
-some fatal accident. Let us change the subject; tell me more of that man
-whom I must help you to find. It will only distress you to dwell on your
-father's death."
-
-"Distress me?" she repeated. "His death maddens me!"
-
-"Oh, don't say that!"
-
-"Hear me! hear me! My father died murdered, at Zeeland--and the man you
-must help me to find is the wretch who killed him."
-
-She started to her feet with a cry of terror. Mirabel dropped from his
-chair senseless to the floor.
-
-
-
-
-CHAPTER LIV. THE END OF THE FAINTING FIT.
-
-Emily recovered her presence of mind. She opened the door, so as to
-make a draught of air in the room, and called for water. Returning to
-Mirabel, she loosened his cravat. Mrs. Ellmother came in, just in
-time to prevent her from committing a common error in the treatment of
-fainting persons, by raising Mirabel's head. The current of air, and the
-sprinkling of water over his face, soon produced their customary effect.
-"He'll come round, directly," Mrs. Ellmother remarked. "Your aunt was
-sometimes taken with these swoons, miss; and I know something about
-them. He looks a poor weak creature, in spite of his big beard. Has
-anything frightened him?"
-
-Emily little knew how correctly that chance guess had hit on the truth!
-
-"Nothing can possibly have frightened him," she replied; "I am afraid he
-is in bad health. He turned suddenly pale while we were talking; and I
-thought he was going to be taken ill; he made light of it, and seemed
-to recover. Unfortunately, I was right; it was the threatening of a
-fainting fit--he dropped on the floor a minute afterward."
-
-A sigh fluttered over Mirabel's lips. His eyes opened, looked at Mrs.
-Ellmother in vacant terror, and closed again. Emily whispered to her
-to leave the room. The old woman smiled satirically as she opened the
-door--then looked back, with a sudden change of humor. To see the kind
-young mistress bending over the feeble little clergyman set her--by
-some strange association of ideas--thinking of Alban Morris. "Ah," she
-muttered to herself, on her way out, "I call _him_ a Man!"
-
-There was wine in the sideboard--the wine which Emily had once already
-offered in vain. Mirabel drank it eagerly, this time. He looked round
-the room, as if he wished to be sure that they were alone. "Have I
-fallen to a low place in your estimation?" he asked, smiling faintly. "I
-am afraid you will think poorly enough of your new ally, after this?"
-
-"I only think you should take more care of your health," Emily replied,
-with sincere interest in his recovery. "Let me leave you to rest on the
-sofa."
-
-He refused to remain at the cottage--he asked, with a sudden change to
-fretfulness, if she would let her servant get him a cab. She ventured to
-doubt whether he was quite strong enough yet to go away by himself. He
-reiterated, piteously reiterated, his request. A passing cab was stopped
-directly. Emily accompanied him to the gate. "I know what to do," he
-said, in a hurried absent way. "Rest and a little tonic medicine will
-soon set me right." The clammy coldness of his skin made Emily shudder,
-as they shook hands. "You won't think the worse of me for this?" he
-asked.
-
-"How can you imagine such a thing!" she answered warmly.
-
-"Will you see me, if I come to-morrow?"
-
-"I shall be anxious to see you."
-
-So they parted. Emily returned to the house, pitying him with all her
-heart.
-
-
-
-
-BOOK THE SIXTH--HERE AND THERE.
-
-
-
-CHAPTER LV. MIRABEL SEES HIS WAY.
-
-Reaching the hotel at which he was accustomed to stay when he was in
-London, Mirabel locked the door of his room. He looked at the houses on
-the opposite side of the street. His mind was in such a state of morbid
-distrust that he lowered the blind over the window. In solitude and
-obscurity, the miserable wretch sat down in a corner, and covered his
-face with his hands, and tried to realize what had happened to him.
-
-Nothing had been said at the fatal interview with Emily, which could
-have given him the slightest warning of what was to come. Her father's
-name--absolutely unknown to him when he fled from the inn--had only been
-communicated to the public by the newspaper reports of the adjourned
-inquest. At the time when those reports appeared, he was in hiding,
-under circumstances which prevented him from seeing a newspaper. While
-the murder was still a subject of conversation, he was in France--far
-out of the track of English travelers--and he remained on the continent
-until the summer of eighteen hundred and eighty-one. No exercise of
-discretion, on his part, could have extricated him from the terrible
-position in which he was now placed. He stood pledged to Emily to
-discover the man suspected of the murder of her father; and that man
-was--himself!
-
-What refuge was left open to him?
-
-If he took to flight, his sudden disappearance would be a suspicious
-circumstance in itself, and would therefore provoke inquiries which
-might lead to serious results. Supposing that he overlooked the risk
-thus presented, would he be capable of enduring a separation from
-Emily, which might be a separation for life? Even in the first horror
-of discovering his situation, her influence remained unshaken--the
-animating spirit of the one manly capacity for resistance which raised
-him above the reach of his own fears. The only prospect before him which
-he felt himself to be incapable of contemplating, was the prospect of
-leaving Emily.
-
-Having arrived at this conclusion, his fears urged him to think of
-providing for his own safety.
-
-The first precaution to adopt was to separate Emily from friends whose
-advice might be hostile to his interests--perhaps even subversive of his
-security. To effect this design, he had need of an ally whom he could
-trust. That ally was at his disposal, far away in the north.
-
-At the time when Francine's jealousy began to interfere with all
-freedom of intercourse between Emily and himself at Monksmoor, he had
-contemplated making arrangements which might enable them to meet at the
-house of his invalid sister, Mrs. Delvin. He had spoken of her, and of
-the bodily affliction which confined her to her room, in terms which
-had already interested Emily. In the present emergency, he decided on
-returning to the subject, and on hastening the meeting between the two
-women which he had first suggested at Mr. Wyvil's country seat.
-
-No time was to be lost in carrying out this intention. He wrote to Mrs.
-Delvin by that day's post; confiding to her, in the first place, the
-critical position in which he now found himself. This done, he proceeded
-as follows:
-
-"To your sound judgment, dearest Agatha, it may appear that I am making
-myself needlessly uneasy about the future. Two persons only know that I
-am the man who escaped from the inn at Zeeland. You are one of them, and
-Miss Jethro is the other. On you I can absolutely rely; and, after my
-experience of her, I ought to feel sure of Miss Jethro. I admit this;
-but I cannot get over my distrust of Emily's friends. I fear the cunning
-old doctor; I doubt Mr. Wyvil; I hate Alban Morris.
-
-"Do me a favor, my dear. Invite Emily to be your guest, and so separate
-her from these friends. The old servant who attends on her will be
-included in the invitation, of course. Mrs. Ellmother is, as I believe,
-devoted to the interests of Mr. Alban Morris: she will be well out
-of the way of doing mischief, while we have her safe in your northern
-solitude.
-
-"There is no fear that Emily will refuse your invitation.
-
-"In the first place, she is already interested in you. In the second
-place, I shall consider the small proprieties of social life; and,
-instead of traveling with her to your house, I shall follow by a later
-train. In the third place, I am now the chosen adviser in whom she
-trusts; and what I tell her to do, she will do. It pains me, really
-and truly pains me, to be compelled to deceive her--but the other
-alternative is to reveal myself as the wretch of whom she is in search.
-Was there ever such a situation? And, oh, Agatha, I am so fond of her!
-If I fail to persuade her to be my wife, I don't care what becomes
-of me. I used to think disgrace, and death on the scaffold, the most
-frightful prospect that a man can contemplate. In my present frame of
-mind, a life without Emily may just as well end in that way as in any
-other. When we are together in your old sea-beaten tower, do your best,
-my dear, to incline the heart of this sweet girl toward me. If she
-remains in London, how do I know that Mr. Morris may not recover the
-place he has lost in her good opinion? The bare idea of it turns me
-cold.
-
-"There is one more point on which I must touch, before I can finish my
-letter.
-
-"When you last wrote, you told me that Sir Jervis Redwood was not
-expected to live much longer, and that the establishment would be broken
-up after his death. Can you find out for me what will become, under the
-circumstances, of Mr. and Mrs. Rook? So far as I am concerned, I don't
-doubt that the alteration in my personal appearance, which has protected
-me for years past, may be trusted to preserve me from recognition by
-these two people. But it is of the utmost importance, remembering the
-project to which Emily has devoted herself, that she should not meet
-with Mrs. Rook. They have been already in correspondence; and Mrs. Rook
-has expressed an intention (if the opportunity offers itself) of calling
-at the cottage. Another reason, and a pressing reason, for removing
-Emily from London! We can easily keep the Rooks out of _your_ house;
-but I own I should feel more at my ease, if I heard that they had left
-Northumberland."
-
-With that confession, Mrs. Delvin's brother closed his letter.
-
-
-
-
-CHAPTER LVI. ALBAN SEES HIS WAY.
-
-During the first days of Mirabel's sojourn at his hotel in London,
-events were in progress at Netherwoods, affecting the interests of the
-man who was the especial object of his distrust. Not long after Miss
-Ladd had returned to her school, she heard of an artist who was capable
-of filling the place to be vacated by Alban Morris. It was then the
-twenty-third of the month. In four days more the new master would be
-ready to enter on his duties; and Alban would be at liberty.
-
-On the twenty-fourth, Alban received a telegram which startled him. The
-person sending the message was Mrs. Ellmother; and the words were: "Meet
-me at your railway station to-day, at two o'clock."
-
-He found the old woman in the waiting-room; and he met with a rough
-reception.
-
-"Minutes are precious, Mr. Morris," she said; "you are two minutes late.
-The next train to London stops here in half an hour--and I must go back
-by it."
-
-"Good heavens, what brings you here? Is Emily--?"
-
-"Emily is well enough in health--if that's what you mean? As to why I
-come here, the reason is that it's a deal easier for me (worse luck!)
-to take this journey than to write a letter. One good turn deserves
-another. I don't forget how kind you were to me, away there at the
-school--and I can't, and won't, see what's going on at the cottage,
-behind your back, without letting you know of it. Oh, you needn't
-be alarmed about _her!_ I've made an excuse to get away for a few
-hours--but I haven't left her by herself. Miss Wyvil has come to London
-again; and Mr. Mirabel spends the best part of his time with her. Excuse
-me for a moment, will you? I'm so thirsty after the journey, I can
-hardly speak."
-
-She presented herself at the counter in the waiting-room. "I'll trouble
-you, young woman, for a glass of ale." She returned to Alban in a better
-humor. "It's not bad stuff, that! When I have said my say, I'll have a
-drop more--just to wash the taste of Mr. Mirabel out of my mouth. Wait
-a bit; I have something to ask you. How much longer are you obliged to
-stop here, teaching the girls to draw?"
-
-"I leave Netherwoods in three days more," Alban replied.
-
-"That's all right! You may be in time to bring Miss Emily to her senses,
-yet."
-
-"What do you mean?"
-
-"I mean--if you don't stop it--she will marry the parson."
-
-"I can't believe it, Mrs. Ellmother! I won't believe it!"
-
-"Ah, it's a comfort to him, poor fellow, to say that! Look here, Mr.
-Morris; this is how it stands. You're in disgrace with Miss Emily--and
-he profits by it. I was fool enough to take a liking to Mr. Mirabel when
-I first opened the door to him; I know better now. He got on the blind
-side of me; and now he has got on the blind side of _her_. Shall I tell
-you how? By doing what you would have done if you had had the chance.
-He's helping her--or pretending to help her, I don't know which--to find
-the man who murdered poor Mr. Brown. After four years! And when all the
-police in England (with a reward to encourage them) did their best, and
-it came to nothing!"
-
-"Never mind that!" Alban said impatiently. "I want to know how Mr.
-Mirabel is helping her?"
-
-"That's more than I can tell you. You don't suppose they take me into
-their confidence? All I can do is to pick up a word, here and there,
-when fine weather tempts them out into the garden. She tells him to
-suspect Mrs. Rook, and to make inquiries after Miss Jethro. And he has
-his plans; and he writes them down, which is dead against his doing
-anything useful, in my opinion. I don't hold with your scribblers. At
-the same time I wouldn't count too positively, in your place, on his
-being likely to fail. That little Mirabel--if it wasn't for his beard, I
-should believe he was a woman, and a sickly woman too; he fainted in
-our house the other day--that little Mirabel is in earnest. Rather than
-leave Miss Emily from Saturday to Monday, he has got a parson out of
-employment to do his Sunday work for him. And, what's more, he has
-persuaded her (for some reasons of his own) to leave London next week."
-
-"Is she going back to Monksmoor?"
-
-"Not she! Mr. Mirabel has got a sister, a widow lady; she's a cripple,
-or something of the sort. Her name is Mrs. Delvin. She lives far away
-in the north country, by the sea; and Miss Emily is going to stay with
-her."
-
-"Are you sure of that?"
-
-"Sure? I've seen the letter."
-
-"Do you mean the letter of invitation?"
-
-"Yes--I do. Miss Emily herself showed it to me. I'm to go with her--'in
-attendance on my mistress,' as the lady puts it. This I will say for
-Mrs. Delvin: her handwriting is a credit to the school that taught her;
-and the poor bedridden creature words her invitation so nicely, that I
-myself couldn't have resisted it--and I'm a hard one, as you know. You
-don't seem to heed me, Mr. Morris."
-
-"I beg your pardon, I was thinking."
-
-"Thinking of what--if I may make so bold?"
-
-"Of going back to London with you, instead of waiting till the new
-master comes to take my place."
-
-"Don't do that, sir! You would do harm instead of good, if you showed
-yourself at the cottage now. Besides, it would not be fair to Miss Ladd,
-to leave her before the other man takes your girls off your hands. Trust
-me to look after your interests; and don't go near Miss Emily--don't
-even write to her--unless you have got something to say about the
-murder, which she will be eager to hear. Make some discovery in that
-direction, Mr. Morris, while the parson is only trying to do it or
-pretending to do it--and I'll answer for the result. Look at the clock!
-In ten minutes more the train will be here. My memory isn't as good as
-it was; but I do think I have told you all I had to tell."
-
-"You are the best of good friends!" Alban said warmly.
-
-"Never mind about that, sir. If you want to do a friendly thing in
-return, tell me if you know what has become of Miss de Sor."
-
-"She has returned to Netherwoods."
-
-"Aha! Miss Ladd is as good as her word. Would you mind writing to tell
-me of it, if Miss de Sor leaves the school again? Good Lord! there
-she is on the platform with bag and baggage. Don't let her see me,
-Mr. Morris! If she comes in here, I shall set the marks of my ten
-finger-nails on that false face of hers, as sure as I am a Christian
-woman."
-
-Alban placed himself at the door, so as to hide Mrs. Ellmother. There
-indeed was Francine, accompanied by one of the teachers at the school.
-She took a seat on the bench outside the booking-office, in a state of
-sullen indifference--absorbed in herself--noticing nothing. Urged by
-ungovernable curiosity, Mrs. Ellmother stole on tiptoe to Alban's side
-to look at her. To a person acquainted with the circumstances there
-could be no possible doubt of what had happened. Francine had failed to
-excuse herself, and had been dismissed from Miss Ladd's house.
-
-"I would have traveled to the world's end," Mrs. Ellmother said, "to see
-_that!_"
-
-She returned to her place in the waiting-room, perfectly satisfied.
-
-The teacher noticed Alban, on leaving the booking-office after taking
-the tickets. "I shall be glad," she said, looking toward Francine, "when
-I have resigned the charge of that young lady to the person who is to
-receive her in London."
-
-"Is she to be sent back to her parents?" Alban asked.
-
-"We don't know yet. Miss Ladd will write to St. Domingo by the next
-mail. In the meantime, her father's agent in London--the same person
-who pays her allowance--takes care of her until he hears from the West
-Indies."
-
-"Does she consent to this?"
-
-"She doesn't seem to care what becomes of her. Miss Ladd has given her
-every opportunity of explaining and excusing herself, and has
-produced no impression. You can see the state she is in. Our good
-mistress--always hopeful even in the worst cases, as you know--thinks
-she is feeling ashamed of herself, and is too proud and self-willed to
-own it. My own idea is, that some secret disappointment is weighing on
-her mind. Perhaps I am wrong."
-
-No. Miss Ladd was wrong; and the teacher was right.
-
-The passion of revenge, being essentially selfish in its nature, is
-of all passions the narrowest in its range of view. In gratifying her
-jealous hatred of Emily, Francine had correctly foreseen consequences,
-as they might affect the other object of her enmity--Alban Morris. But
-she had failed to perceive the imminent danger of another result,
-which in a calmer frame of mind might not have escaped discovery. In
-triumphing over Emily and Alban, she had been the indirect means of
-inflicting on herself the bitterest of all disappointments--she had
-brought Emily and Mirabel together. The first forewarning of this
-catastrophe had reached her, on hearing that Mirabel would not return
-to Monksmoor. Her worst fears had been thereafter confirmed by a letter
-from Cecilia, which had followed her to Netherwoods. From that moment,
-she, who had made others wretched, paid the penalty in suffering as keen
-as any that she had inflicted. Completely prostrated; powerless, through
-ignorance of his address in London, to make a last appeal to Mirabel;
-she was literally, as had just been said, careless what became of her.
-When the train approached, she sprang to her feet--advanced to the edge
-of the platform--and suddenly drew back, shuddering. The teacher looked
-in terror at Alban. Had the desperate girl meditated throwing herself
-under the wheels of the engine? The thought had been in both their
-minds; but neither of them acknowledged it. Francine stepped quietly
-into the carriage, when the train drew up, and laid her head back in a
-corner, and closed her eyes. Mrs. Ellmother took her place in another
-compartment, and beckoned to Alban to speak to her at the window.
-
-"Where can I see you, when you go to London?" she asked.
-
-"At Doctor Allday's house."
-
-"On what day?"
-
-"On Tuesday next."
-
-
-
-
-CHAPTER LVII. APPROACHING THE END.
-
-Alban reached London early enough in the afternoon to find the doctor at
-his luncheon. "Too late to see Mrs. Ellmother," he announced. "Sit down
-and have something to eat."
-
-"Has she left any message for me?"
-
-"A message, my good friend, that you won't like to hear. She is off
-with her mistress, this morning, on a visit to Mr. Mirabel's sister."
-
-"Does he go with them?"
-
-"No; he follows by a later train."
-
-"Has Mrs. Ellmother mentioned the address?"
-
-"There it is, in her own handwriting."
-
-Alban read the address:--"Mrs. Delvin, The Clink, Belford,
-Northumberland."
-
-"Turn to the back of that bit of paper," the doctor said. "Mrs.
-Ellmother has written something on it."
-
-She had written these words: "No discoveries made by Mr. Mirabel, up to
-this time. Sir Jervis Redwood is dead. The Rooks are believed to be
-in Scotland; and Miss Emily, if need be, is to help the parson to find
-them. No news of Miss Jethro."
-
-"Now you have got your information," Doctor Allday resumed, "let me have
-a look at you. You're not in a rage: that's a good sign to begin with."
-
-"I am not the less determined," Alban answered.
-
-"To bring Emily to her senses?" the doctor asked.
-
-"To do what Mirabel has _not_ done--and then to let her choose between
-us."
-
-"Ay? ay? Your good opinion of her hasn't altered, though she has treated
-you so badly?"
-
-"My good opinion makes allowance for the state of my poor darling's
-mind, after the shock that has fallen on her," Alban answered quietly.
-"She is not _my_ Emily now. She will be _my_ Emily yet. I told her I
-was convinced of it, in the old days at school--and my conviction is
-as strong as ever. Have you seen her, since I have been away at
-Netherwoods?"
-
-"Yes; and she is as angry with me as she is with you."
-
-"For the same reason?"
-
-"No, no. I heard enough to warn me to hold my tongue. I refused to help
-her--that's all. You are a man, and you may run risks which no young
-girl ought to encounter. Do you remember when I asked you to drop all
-further inquiries into the murder, for Emily's sake? The circumstances
-have altered since that time. Can I be of any use?"
-
-"Of the greatest use, if you can give me Miss Jethro's address."
-
-"Oh! You mean to begin in that way, do you?"
-
-"Yes. You know that Miss Jethro visited me at Netherwoods?"
-
-"Go on."
-
-"She showed me your answer to a letter which she had written to you.
-Have you got that letter?"
-
-Doctor Allday produced it. The address was at a post-office, in a town
-on the south coast. Looking up when he had copied it, Alban saw the
-doctor's eyes fixed on him with an oddly-mingled expression: partly of
-sympathy, partly of hesitation.
-
-"Have you anything to suggest?" he asked.
-
-"You will get nothing out of Miss Jethro," the doctor answered,
-"unless--" there he stopped.
-
-"Unless, what?"
-
-"Unless you can frighten her."
-
-"How am I to do that?"
-
-After a little reflection, Doctor Allday returned, without any apparent
-reason, to the subject of his last visit to Emily.
-
-"There was one thing she said, in the course of our talk," he continued,
-"which struck me as being sensible: possibly (for we are all more or
-less conceited), because I agreed with her myself. She suspects Miss
-Jethro of knowing more about that damnable murder than Miss Jethro
-is willing to acknowledge. If you want to produce the right effect on
-her--" he looked hard at Alban and checked himself once more.
-
-"Well? what am I to do?"
-
-"Tell her you have an idea of who the murderer is."
-
-"But I have no idea."
-
-"But _I_ have."
-
-"Good God! what do you mean?"
-
-"Don't mistake me! An impression has been produced on my mind--that's
-all. Call it a freak or fancy; worth trying perhaps as a bold
-experiment, and worth nothing more. Come a little nearer. My housekeeper
-is an excellent woman, but I have once or twice caught her rather too
-near to that door. I think I'll whisper it."
-
-He did whisper it. In breathless wonder, Alban heard of the doubt which
-had crossed Doctor Allday's mind, on the evening when Mirabel had called
-at his house.
-
-"You look as if you didn't believe it," the doctor remarked.
-
-"I'm thinking of Emily. For her sake I hope and trust you are wrong.
-Ought I to go to her at once? I don't know what to do!"
-
-"Find out first, my good fellow, whether I am right or wrong. You can do
-it, if you will run the risk with Miss Jethro."
-
-Alban recovered himself. His old friend's advice was clearly the right
-advice to follow. He examined his railway guide, and then looked at his
-watch. "If I can find Miss Jethro," he answered, "I'll risk it before
-the day is out."
-
-The doctor accompanied him to the door. "You will write to me, won't
-you?"
-
-"Without fail. Thank you--and good-by."
-
-
-BOOK THE SEVENTH--THE CLINK.
-
-
-
-CHAPTER LVIII. A COUNCIL OF TWO.
-
-Early in the last century one of the picturesque race of robbers and
-murderers, practicing the vices of humanity on the borderlands
-watered by the river Tweed, built a tower of stone on the coast of
-Northumberland. He lived joyously in the perpetration of atrocities; and
-he died penitent, under the direction of his priest. Since that event,
-he has figured in poems and pictures; and has been greatly admired by
-modern ladies and gentlemen, whom he would have outraged and robbed if
-he had been lucky enough to meet with them in the good old times.
-
-His son succeeded him, and failed to profit by the paternal example:
-that is to say, he made the fatal mistake of fighting for other people
-instead of fighting for himself.
-
-In the rebellion of Forty-Five, this northern squire sided to serious
-purpose with Prince Charles and the Highlanders. He lost his head;
-and his children lost their inheritance. In the lapse of years, the
-confiscated property fell into the hands of strangers; the last of whom
-(having a taste for the turf) discovered, in course of time, that he was
-in want of money. A retired merchant, named Delvin (originally of French
-extraction), took a liking to the wild situation, and purchased the
-tower. His wife--already in failing health--had been ordered by the
-doctors to live a quiet life by the sea. Her husband's death left her a
-rich and lonely widow; by day and night alike, a prisoner in her room;
-wasted by disease, and having but two interests which reconciled her to
-life--writing poetry in the intervals of pain, and paying the debts of
-a reverend brother who succeeded in the pulpit, and prospered nowhere
-else.
-
-In the later days of its life, the tower had been greatly improved as a
-place of residence. The contrast was remarkable between the dreary gray
-outer walls, and the luxuriously furnished rooms inside, rising by two
-at a time to the lofty eighth story of the building. Among the scattered
-populace of the country round, the tower was still known by the odd name
-given to it in the bygone time--"The Clink." It had been so called (as
-was supposed) in allusion to the noise made by loose stones, washed
-backward and forward at certain times of the tide, in hollows of the
-rock on which the building stood.
-
-On the evening of her arrival at Mrs. Delvin's retreat, Emily retired at
-an early hour, fatigued by her long journey. Mirabel had an opportunity
-of speaking with his sister privately in her own room.
-
-"Send me away, Agatha, if I disturb you," he said, "and let me know when
-I can see you in the morning."
-
-"My dear Miles, have you forgotten that I am never able to sleep in calm
-weather? My lullaby, for years past, has been the moaning of the great
-North Sea, under my window. Listen! There is not a sound outside on this
-peaceful night. It is the right time of the tide, just now--and yet,
-'the clink' is not to be heard. Is the moon up?"
-
-Mirabel opened the curtains. "The whole sky is one great abyss of
-black," he answered. "If I was superstitious, I should think that horrid
-darkness a bad omen for the future. Are you suffering, Agatha?"
-
-"Not just now. I suppose I look sadly changed for the worse since you
-saw me last?"
-
-But for the feverish brightness of her eyes, she would have looked like
-a corpse. Her wrinkled forehead, her hollow cheeks, her white lips told
-their terrible tale of the suffering of years. The ghastly appearance
-of her face was heightened by the furnishing of the room. This doomed
-woman, dying slowly day by day, delighted in bright colors and sumptuous
-materials. The paper on the walls, the curtains, the carpet presented
-the hues of the rainbow. She lay on a couch covered with purple silk,
-under draperies of green velvet to keep her warm. Rich lace hid h er
-scanty hair, turning prematurely gray; brilliant rings glittered on her
-bony fingers. The room was in a blaze of light from lamps and candles.
-Even the wine at her side that kept her alive had been decanted into a
-bottle of lustrous Venetian glass. "My grave is open," she used to say;
-"and I want all these beautiful things to keep me from looking at it. I
-should die at once, if I was left in the dark."
-
-Her brother sat by the couch, thinking "Shall I tell you what is in your
-mind?" she asked.
-
-Mirabel humored the caprice of the moment. "Tell me!" he said.
-
-"You want to know what I think of Emily," she answered. "Your letter
-told me you were in love; but I didn't believe your letter. I have
-always doubted whether you were capable of feeling true love--until
-I saw Emily. The moment she entered the room, I knew that I had never
-properly appreciated my brother. You _are_ in love with her, Miles; and
-you are a better man than I thought you. Does that express my opinion?"
-
-Mirabel took her wasted hand, and kissed it gratefully.
-
-"What a position I am in!" he said. "To love her as I love her; and, if
-she knew the truth, to be the object of her horror--to be the man whom
-she would hunt to the scaffold, as an act of duty to the memory of her
-father!"
-
-"You have left out the worst part of it," Mrs. Delvin reminded him.
-"You have bound yourself to help her to find the man. Your one hope of
-persuading her to become your wife rests on your success in finding him.
-And you are the man. There is your situation! You can't submit to it.
-How can you escape from it?"
-
-"You are trying to frighten me, Agatha."
-
-"I am trying to encourage you to face your position boldly."
-
-"I am doing my best," Mirabel said, with sullen resignation. "Fortune
-has favored me so far. I have, really and truly, been unable to satisfy
-Emily by discovering Miss Jethro. She has left the place at which I saw
-her last--there is no trace to be found of her--and Emily knows it."
-
-"Don't forget," Mrs. Delvin replied, "that there is a trace to be found
-of Mrs. Rook, and that Emily expects you to follow it."
-
-Mirabel shuddered. "I am surrounded by dangers, whichever way I look,"
-he said. "Do what I may, it turns out to be wrong. I was wrong, perhaps,
-when I brought Emily here."
-
-"No!"
-
-"I could easily make an excuse," Mirabel persisted "and take her back to
-London."
-
-"And for all you know to the contrary," his wiser sister replied, "Mrs.
-Rook may go to London; and you may take Emily back in time to receive
-her at the cottage. In every way you are safer in my old tower.
-And--don't forget--you have got my money to help you, if you want it. In
-my belief, Miles, you _will_ want it."
-
-"You are the dearest and best of sisters! What do you recommend me to
-do?"
-
-"What you would have been obliged to do," Mrs. Delvin answered, "if you
-had remained in London. You must go to Redwood Hall tomorrow, as Emily
-has arranged it. If Mrs. Rook is not there, you must ask for her address
-in Scotland. If nobody knows the address, you must still bestir yourself
-in trying to find it. And, when you do fall in with Mrs. Rook--"
-
-"Well?"
-
-"Take care, wherever it may be, that you see her privately."
-
-Mirabel was alarmed. "Don't keep me in suspense," he burst out. "Tell me
-what you propose."
-
-"Never mind what I propose, to-night. Before I can tell you what I have
-in my mind, I must know whether Mrs. Rook is in England or Scotland.
-Bring me that information to-morrow, and I shall have something to say
-to you. Hark! The wind is rising, the rain is falling. There is a chance
-of sleep for me--I shall soon hear the sea. Good-night."
-
-"Good-night, dearest--and thank you again, and again!"
-
-
-
-
-CHAPTER LIX. THE ACCIDENT AT BELFORD.
-
-Early in the morning Mirabel set forth for Redwood Hall, in one of the
-vehicles which Mrs. Delvin still kept at "The Clink" for the convenience
-of visitors. He returned soon after noon; having obtained information
-of the whereabout of Mrs. Rook and her husband. When they had last been
-heard of, they were at Lasswade, near Edinburgh. Whether they had, or
-had not, obtained the situation of which they were in search, neither
-Miss Redwood nor any one else at the Hall could tell.
-
-In half an hour more, another horse was harnessed, and Mirabel was
-on his way to the railway station at Belford, to follow Mrs. Rook at
-Emily's urgent request. Before his departure, he had an interview with
-his sister.
-
-Mrs. Delvin was rich enough to believe implicitly in the power of money.
-Her method of extricating her brother from the serious difficulties that
-beset him, was to make it worth the while of Mr. and Mrs. Rook to leave
-England. Their passage to America would be secretly paid; and they would
-take with them a letter of credit addressed to a banker in New York. If
-Mirabel failed to discover them, after they had sailed, Emily could not
-blame his want of devotion to her interests. He understood this; but he
-remained desponding and irresolute, even with the money in his hands.
-The one person who could rouse his courage and animate his hope, was
-also the one person who must know nothing of what had passed between his
-sister and himself. He had no choice but to leave Emily, without being
-cheered by her bright looks, invigorated by her inspiriting words.
-Mirabel went away on his doubtful errand with a heavy heart.
-
-"The Clink" was so far from the nearest post town, that the few letters,
-usually addressed to the tower, were delivered by private arrangement
-with a messenger. The man's punctuality depended on the convenience of
-his superiors employed at the office. Sometimes he arrived early, and
-sometimes he arrived late. On this particular morning he presented
-himself, at half past one o'clock, with a letter for Emily; and when
-Mrs. Ellmother smartly reproved him for the delay, he coolly attributed
-it to the hospitality of friends whom he had met on the road.
-
-The letter, directed to Emily at the cottage, had been forwarded from
-London by the person left in charge. It addressed her as "Honored Miss."
-She turned at once to the end--and discovered the signature of Mrs.
-Rook!
-
-"And Mr. Mirabel has gone," Emily exclaimed, "just when his presence is
-of the greatest importance to us!"
-
-Shrewd Mrs. Ellmother suggested that it might be as well to read the
-letter first--and then to form an opinion.
-
-Emily read it.
-
-
-"Lasswade, near Edinburgh, Sept. 26th.
-
-"HONORED MISS--I take up my pen to bespeak your kind sympathy for my
-husband and myself; two old people thrown on the world again by the
-death of our excellent master. We are under a month's notice to leave
-Redwood Hall.
-
-"Hearing of a situation at this place (also that our expenses would be
-paid if we applied personally), we got leave of absence, and made our
-application. The lady and her son are either the stingiest people that
-ever lived--or they have taken a dislike to me and my husband, and they
-make money a means of getting rid of us easily. Suffice it to say that
-we have refused to accept starvation wages, and that we are still out of
-place. It is just possible that you may have heard of something to suit
-us. So I write at once, knowing that good chances are often lost through
-needless delay.
-
-"We stop at Belford on our way back, to see some friends of my husband,
-and we hope to get to Redwood Hall in good time on the 28th. Would you
-please address me to care of Miss Redwood, in case you know of any good
-situation for which we could apply. Perhaps we may be driven to try our
-luck in London. In this case, will you permit me to have the honor of
-presenting my respects, as I ventured to propose when I wrote to you a
-little time since.
-
-"I beg to remain, Honored Miss,
-
-"Your humble servant,
-
-"R. ROOK."
-
-
-Emily handed the letter to Mrs. Ellmother. "Read it," she said, "and
-tell me what you think."
-
-"I think you had better be careful."
-
-"Careful of Mrs. Rook?"
-
-"Yes--and careful of Mrs. Delvin too."
-
-Emily was astonished. "Are you really speaking seriously?" she said.
-"Mrs. Delvin is a most interesting person; so patient under her
-sufferings; so kind, so clever; so interested in all that interests
-_me_. I shall take the letter to her at once, and ask her advice."
-
-"Have your own way, miss. I can't tell you why--but I don't like her!"
-
-Mrs. Delvin's devotion to the interests of her guest took even Emily
-by surprise. After reading Mrs. Rook's letter, she rang the bell on
-her table in a frenzy of impatience. "My brother must be instantly
-recalled," she said. "Telegraph to him in your own name, telling him
-what has happened. He will find the message waiting for him, at the end
-of his journey."
-
-The groom, summoned by the bell, was ordered to saddle the third and
-last horse left in the stables; to take the telegram to Belford, and to
-wait there until the answer arrived.
-
-"How far is it to Redwood Hall?" Emily asked, when the man had received
-his orders.
-
-"Ten miles," Mrs. Delvin answered.
-
-"How can I get there to-day?"
-
-"My dear, you can't get there."
-
-"Pardon me, Mrs. Delvin, I must get there."
-
-"Pardon _me_. My brother represents you in this matter. Leave it to my
-brother."
-
-The tone taken by Mirabel's sister was positive, to say the least of it.
-Emily thought of what her faithful old servant had said, and began
-to doubt her own discretion in so readily showing the letter. The
-mistake--if a mistake it was--had however been committed; and, wrong
-or right, she was not disposed to occupy the subordinate position which
-Mrs. Delvin had assigned to her.
-
-"If you will look at Mrs. Rook's letter again," Emily replied, "you will
-see that I ought to answer it. She supposes I am in London."
-
-"Do you propose to tell Mrs. Rook that you are in this house?" Mrs.
-Delvin asked.
-
-"Certainly."
-
-"You had better consult my brother, before you take any responsibility
-on yourself."
-
-Emily kept her temper. "Allow me to remind you," she said, "that Mr.
-Mirabel is not acquainted with Mrs. Rook--and that I am. If I speak to
-her personally, I can do much to assist the object of our inquiries,
-before he returns. She is not an easy woman to deal with--"
-
-"And therefore," Mrs. Delvin interposed, "the sort of person who
-requires careful handling by a man like my brother--a man of the world."
-
-"The sort of person, as I venture to think," Emily persisted, "whom I
-ought to see with as little loss of time as possible."
-
-Mrs. Delvin waited a while before she replied. In her condition of
-health, anxiety was not easy to bear. Mrs. Rook's letter and Emily's
-obstinacy had seriously irritated her. But, like all persons of ability,
-she was capable, when there was serious occasion for it, of exerting
-self-control. She really liked and admired Emily; and, as the elder
-woman and the hostess, she set an example of forbearance and good humor.
-
-"It is out of my power to send you to Redwood Hall at once," she
-resumed. "The only one of my three horses now at your disposal is the
-horse which took my brother to the Hall this morning. A distance, there
-and back, of twenty miles. You are not in too great a hurry, I am sure,
-to allow the horse time to rest?"
-
-Emily made her excuses with perfect grace and sincerity. "I had no
-idea the distance was so great," she confessed. "I will wait, dear Mrs.
-Delvin, as long as you like."
-
-They parted as good friends as ever--with a certain reserve,
-nevertheless, on either side. Emily's eager nature was depressed and
-irritated by the prospect of delay. Mrs. Delvin, on the other hand
-(devoted to her brother's interests), thought hopefully of obstacles
-which might present themselves with the lapse of time. The horse
-might prove to be incapable of further exertion for that day. Or the
-threatening aspect of the weather might end in a storm.
-
-But the hours passed--and the sky cleared--and the horse was reported
-to be fit for work again. Fortune was against the lady of the tower; she
-had no choice but to submit.
-
-Mrs. Delvin had just sent word to Emily that the carriage would be ready
-for her in ten minutes, when the coachman who had driven Mirabel to
-Belford returned. He brought news which agreeably surprised both the
-ladies. Mirabel had reached the station five minutes too late; the
-coachman had left him waiting the arrival of the next train to the
-North. He would now receive the telegraphic message at Belford, and
-might return immediately by taking the groom's horse. Mrs. Delvin left
-it to Emily to decide whether she would proceed by herself to Redwood
-Hall, or wait for Mirabel's return.
-
-Under the changed circumstances, Emily would have acted ungraciously if
-she had persisted in holding to her first intention. She consented to
-wait.
-
-The sea still remained calm. In the stillness of the moorland solitude
-on the western side of "The Clink," the rapid steps of a horse were
-heard at some little distance on the highroad.
-
-Emily ran out, followed by careful Mrs. Ellmother, expecting to meet
-Mirabel.
-
-She was disappointed: it was the groom who had returned. As he pulled up
-at the house, and dismounted, Emily noticed that the man looked excited.
-
-"Is there anything wrong?" she asked.
-
-"There has been an accident, miss."
-
-"Not to Mr. Mirabel!''
-
-"No, no, miss. An accident to a poor foolish woman, traveling from
-Lasswade."
-
-Emily looked at Mrs. Ellmother. "It can't be Mrs. Rook!" she said.
-
-"That's the name, miss! She got out before the train had quite stopped,
-and fell on the platform."
-
-"Was she hurt?"
-
-"Seriously hurt, as I heard. They carried her into a house hard by--and
-sent for the doctor."
-
-"Was Mr. Mirabel one of the people who helped her?"
-
-"He was on the other side of the platform, miss; waiting for the train
-from London. I got to the station and gave him the telegram, just as the
-accident took place. We crossed over to hear more about it. Mr. Mirabel
-was telling me that he would return to 'The Clink' on my horse--when
-he heard the woman's name mentioned. Upon that, he changed his mind and
-went to the house."
-
-"Was he let in?"
-
-"The doctor wouldn't hear of it. He was making his examination; and he
-said nobody was to be in the room but her husband and the woman of the
-house."
-
-"Is Mr. Mirabel waiting to see her?"
-
-"Yes, miss. He said he would wait all day, if necessary; and he gave me
-this bit of a note to take to the mistress."
-
-Emily turned to Mrs. Ellmother. "It's impossible to stay here, not
-knowing whether Mrs. Rook is going to live or die," she said. "I shall
-go to Belford--and you will go with me."
-
-The groom interfered. "I beg your pardon, miss. It was Mr. Mirabel's
-most particular wish that you were not, on any account, to go to
-Belford."
-
-"Why not?"
-
-"He didn't say."
-
-Emily eyed the note in the man's hand with well-grounded distrust. In
-all probability, Mirabel's object in writing was to instruct his sister
-to prevent her guest from going to Belford. The carriage was waiting
-at the door. With her usual promptness of resolution, Emily decided on
-taking it for granted that she was free to use as she pleased a carriage
-which had been already placed at her disposal.
-
-"Tell your mistress," she said to the groom, "that I am going to Belford
-instead of to Redwood Hall."
-
-In a minute more, she and Mrs. Ellmother were on their way to join
-Mirabel at the station.
-
-
-
-
-CHAPTER LX. OUTSIDE THE ROOM.
-
-Emily found Mirabel in the waiting room at Belford. Her sudden
-appearance might well have amazed him; but his face expressed a more
-serious emotion than surprise--he looked at her as if she had alarmed
-him.
-
-"Didn't you get my message?" he asked. "I told the groom I wished you
-to wait for my return. I sent a note to my sister, in case he made any
-mistake."
-
-"The man made no mistake," Emily answered. "I was in too great a hurry
-to be able to speak with Mrs. Delvin. Did you really suppose I could
-endure the suspense of waiting till you came back? Do you think I can be
-of no use--I who know Mrs. Rook?"
-
-"They won't let you see her."
-
-"Why not? _You_ seem to be waiting to see her."
-
-"I am waiting for the return of the rector of Belford. He is at Berwick;
-and he has been sent for at Mrs. Rook's urgent request."
-
-"Is she dying?"
-
-"She is in fear of death--whether rightly or wrongly, I don't know.
-There is some internal injury from the fall. I hope to see her when the
-rector returns. As a brother clergyman, I may with perfect propriety
-ask him to use his influence in my favor."
-
-"I am glad to find you so eager about it."
-
-"I am always eager in your interests."
-
-"Don't think me ungrateful," Emily replied gently. "I am no stranger to
-Mrs. Rook; and, if I send in my name, I may be able to see her before
-the clergyman returns."
-
-She stopped. Mirabel suddenly moved so as to place himself between her
-and the door. "I must really beg of you to give up that idea," he said;
-"you don't know what horrid sight you may see--what dreadful agonies of
-pain this unhappy woman may be suffering."
-
-His manner suggested to Emily that he might be acting under some motive
-which he was unwilling to acknowledge. "If you have a reason for wishing
-that I should keep away from Mrs. Rook," she said, "let me hear what it
-is. Surely we trust each other? I have done my best to set the example,
-at any rate."
-
-Mirabel seemed to be at a loss for a reply.
-
-While he was hesitating, the station-master passed the door. Emily asked
-him to direct her to the house in which Mrs. Rook had been received. He
-led the way to the end of the platform, and pointed to the house. Emily
-and Mrs. Ellmother immediately left the station. Mirabel accompanied
-them, still remonstrating, still raising obstacles.
-
-The house door was opened by an old man. He looked reproachfully at
-Mirabel. "You have been told already," he said, "that no strangers are
-to see my wife?"
-
-Encouraged by discovering that the man was Mr. Rook, Emily mentioned her
-name. "Perhaps you may have heard Mrs. Rook speak of me," she added.
-
-"I've heard her speak of you oftentimes."
-
-"What does the doctor say?"
-
-"He thinks she may get over it. She doesn't believe him."
-
-"Will you say that I am anxious to see her, if she feels well enough to
-receive me?"
-
-Mr. Rook looked at Mrs. Ellmother. "Are there two of you wanting to go
-upstairs?" he inquired.
-
-"This is my old friend and servant," Emily answered. "She will wait for
-me down here."
-
-"She can wait in the parlor; the good people of this house are well
-known to me." He pointed to the parlor door--and then led the way to the
-first floor. Emily followed him. Mirabel, as obstinate as ever, followed
-Emily.
-
-Mr. Rook opened a door at the end of the landing; and, turning round to
-speak to Emily, noticed Mirabel standing behind her. Without making
-any remarks, the old man pointed significantly down the stairs. His
-resolution was evidently immovable. Mirabel appealed to Emily to help
-him.
-
-"She will see me, if _you_ ask her," he said, "Let me wait here?"
-
-The sound of his voice was instantly followed by a cry from the
-bed-chamber--a cry of terror.
-
-Mr. Rook hurried into the room, and closed the door. In less than a
-minute, he opened it again, with doubt and horror plainly visible in his
-face. He stepped up to Mirabel--eyed him with the closest scrutiny--and
-drew back again with a look of relief.
-
-"She's wrong," he said; "you are not the man."
-
-This strange proceeding startled Emily.
-
-"What man do you mean?" she asked.
-
-Mr. Rook took no notice of the question. Still looking at Mirabel,
-he pointed down the stairs once more. With vacant eyes--moving
-mechanically, like a sleep-walker in his dream--Mirabel silently obeyed.
-Mr. Rook turned to Emily.
-
-"Are you easily frightened?" he said
-
-"I don't understand you," Emily replied. "Who is going to frighten me?
-Why did you speak to Mr. Mirabel in that strange way?"
-
-Mr. Rook looked toward the bedroom door. "Maybe you'll hear why, inside
-there. If I could have my way, you shouldn't see her--but she's not to
-be reasoned with. A caution, miss. Don't be too ready to believe what
-my wife may say to you. She's had a fright." He opened the door. "In my
-belief," he whispered, "she's off her head."
-
-Emily crossed the threshold. Mr. Rook softly closed the door behind her.
-
-
-
-
-CHAPTER LXI. INSIDE THE ROOM.
-
-A decent elderly woman was seated at the bedside. She rose, and spoke
-to Emily with a mingling of sorrow and confusion strikingly expressed on
-her face. "It isn't my fault," she said, "that Mrs. Rook receives you in
-this manner; I am obliged to humor her."
-
-She drew aside, and showed Mrs. Rook with her head supported by many
-pillows, and her face strangely hidden from view under a veil. Emily
-started back in horror. "Is her face injured?" she asked.
-
-Mrs. Rook answered the question herself. Her voice was low and weak; but
-she still spoke with the same nervous hurry of articulation which had
-been remarked by Alban Morris, on the day when she asked him to direct
-her to Netherwoods.
-
-"Not exactly injured," she explained; "but one's appearance is a
-matter of some anxiety even on one's death-bed. I am disfigured by a
-thoughtless use of water, to bring me to when I had my fall--and I can't
-get at my toilet-things to put myself right again. I don't wish to shock
-you. Please excuse the veil."
-
-Emily remembered the rouge on her cheeks, and the dye on her hair,
-when they had first seen each other at the school. Vanity--of all human
-frailties the longest-lived--still held its firmly-rooted place in
-this woman's nature; superior to torment of conscience, unassailable by
-terror of death!
-
-The good woman of the house waited a moment before she left the room.
-"What shall I say," she asked, "if the clergyman comes?"
-
-Mrs. Rook lifted her hand solemnly "Say," she answered, "that a dying
-sinner is making atonement for sin. Say this young lady is present, by
-the decree of an all-wise Providence. No mortal creature must disturb
-us." Her hand dropped back heavily on the bed. "Are we alone?" she
-asked.
-
-"We are alone," Emily answered. "What made you scream just before I came
-in?"
-
-"No! I can't allow you to remind me of that," Mrs. Rook protested. "I
-must compose myself. Be quiet. Let me think."
-
-Recovering her composure, she also recovered that sense of enjoyment
-in talking of herself, which was one of the marked peculiarities in her
-character.
-
-"You will excuse me if I exhibit religion," she resumed. "My dear
-parents were exemplary people; I was most carefully brought up. Are you
-pious? Let us hope so."
-
-Emily was once more reminded of the past.
-
-The bygone time returned to her memory--the time when she had accepted
-Sir Jervis Redwood's offer of employment, and when Mrs. Rook had arrived
-at the school to be her traveling companion to the North. The wretched
-creature had entirely forgotten her own loose talk, after she had
-drunk Miss Ladd's good wine to the last drop in the bottle. As she was
-boasting now of her piety, so she had boasted then of her lost faith and
-hope, and had mockingly declared her free-thinking opinions to be the
-result of her ill-assorted marriage. Forgotten--all forgotten, in this
-later time of pain and fear. Prostrate under the dread of death, her
-innermost nature--stripped of the concealments of her later life--was
-revealed to view. The early religious training, at which she had
-scoffed in the insolence of health and strength, revealed its latent
-influence--intermitted, but a living influence always from first to
-last. Mrs. Rook was tenderly mindful of her exemplary parents, and proud
-of exhibiting religion, on the bed from which she was never to rise
-again.
-
-"Did I tell you that I am a miserable sinner?" she asked, after an
-interval of silence.
-
-Emily could endure it no longer. "Say that to the clergyman," she
-answered--"not to me."
-
-"Oh, but I must say it," Mrs. Rook insisted. "I _am_ a miserable sinner.
-Let me give you an instance of it," she continued, with a shameless
-relish of the memory of her own frailties. "I have been a drinker, in
-my time. Anything was welcome, when the fit was on me, as long as it got
-into my head. Like other persons in liquor, I sometimes talked of things
-that had better have been kept secret. We bore that in mind--my old man
-and I---when we were engaged by Sir Jervis. Miss Redwood wanted to
-put us in the next bedroom to hers--a risk not to be run. I might have
-talked of the murder at the inn; and she might have heard me. Please to
-remark a curious thing. Whatever else I might let out, when I was in my
-cups, not a word about the pocketbook ever dropped from me. You will ask
-how I know it. My dear, I should have heard of it from my husband, if I
-had let _that_ out--and he is as much in the dark as you are. Wonderful
-are the workings of the human mind, as the poet says; and drink drowns
-care, as the proverb says. But can drink deliver a person from fear by
-day, and fear by night? I believe, if I had dropped a word about the
-pocketbook, it would have sobered me in an instant. Have you any remark
-to make on this curious circumstance?"
-
-Thus far, Emily had allowed the woman to ramble on, in the hope of
-getting information which direct inquiry might fail to produce. It was
-impossible, however, to pass over the allusion to the pocketbook. After
-giving her time to recover from the exhaustion which her heavy breathing
-sufficiently revealed, Emily put the question:
-
-"Who did the pocketbook belong to?"
-
-"Wait a little," said Mrs. Rook. "Everything in its right place, is my
-motto. I mustn't begin with the pocketbook. Why did I begin with it? Do
-you think this veil on my face confuses me? Suppose I take it off. But
-you must promise first--solemnly promise you won't look at my face. How
-can I tell you about the murder (the murder is part of my confession,
-you know), with this lace tickling my skin? Go away--and stand there
-with your back to me. Thank you. Now I'll take it off. Ha! the air
-feels refreshing; I know what I am about. Good heavens, I have forgotten
-something! I have forgotten _him_. And after such a fright as he gave
-me! Did you see him on the landing?"
-
-"Who are you talking of?" Emily asked.
-
-Mrs. Rook's failing voice sank lower still.
-
-"Come closer," she said, "this must be whispered. Who am I talking of?"
-she repeated. "I am talking of the man who slept in the other bed at
-the inn; the man who did the deed with his own razor. He was gone when I
-looked into the outhouse in the gray of the morning. Oh, I have done my
-duty! I have told Mr. Rook to keep an eye on him downstairs. You haven't
-an idea how obstinate and stupid my husband is. He says I couldn't know
-the man, because I didn't see him. Ha! there's such a thing as hearing,
-when you don't see. I heard--and I knew it again."
-
-Emily turned cold from head to foot.
-
-"What did you know again?" she said.
-
-"His voice," Mrs. Rook answered. "I'll swear to his voice before all the
-judges in England."
-
-Emily rushed to the bed. She looked at the woman who had said those
-dreadful words, speechless with horror.
-
-"You're breaking your promise!" cried Mrs. Rook. "You false girl, you're
-breaking your promise!"
-
-She snatched at the veil, and put it on again. The sight of her face,
-momentary as it had been, reassured Emily. Her wild eyes, made wilder
-still by the blurred stains of rouge below them, half washed away--her
-disheveled hair, with streaks of gray showing through the dye--presented
-a spectacle which would have been grotesque under other circumstances,
-but which now reminded Emily of Mr. Rook's last words; warning her not
-to believe what his wife said, and even declaring his conviction that
-her intellect was deranged. Emily drew back from the bed, conscious
-of an overpowering sense of self-reproach. Although it was only for a
-moment, she had allowed her faith in Mirabel to be shaken by a woman who
-was out of her mind.
-
-"Try to forgive me," she said. "I didn't willfully break my promise; you
-frightened me."
-
-Mrs. Rook began to cry. "I was a handsome woman in my time," she
-murmured. "You would say I was handsome still, if the clumsy fools about
-me had not spoiled my appearance. Oh, I do feel so weak! Where's my
-medicine?"
-
-The bottle was on the table. Emily gave her the prescribed dose, and
-revived her failing strength.
-
-"I am an extraordinary person," she resumed. "My resolution has always
-been the admiration of every one who knew me. But my mind feels--how
-shall I express it?--a little vacant. Have mercy on my poor wicked soul!
-Help me."
-
-"How can I help you?"
-
-"I want to recollect. Something happened in the summer time, when we
-were talking at Netherwoods. I mean when that impudent master at the
-school showed his suspicions of me. (Lord! how he frightened me, when he
-turned up afterward at Sir Jervis's house.) You must have seen yourself
-he suspected me. How did he show it?"
-
-"He showed you my locket," Emily answered.
-
-"Oh, the horrid reminder of the murder!" Mrs. Rook exclaimed. "_I_
-didn't mention it: don't blame Me. You poor innocent, I have something
-dreadful to tell you."
-
-Emily's horror of the woman forced her to speak. "Don't tell me!" she
-cried. "I know more than you suppose; I know what I was ignorant of when
-you saw the locket."
-
-Mrs. Rook took offense at the interruption.
-
-"Clever as you are, there's one thing you don't know," she said. "You
-asked me, just now, who the pocketbook belonged to. It belonged to your
-father. What's the matter? Are you crying?"
-
-Emily was thinking of her father. The pocketbook was the last present
-she had given to him--a present on his birthday. "Is it lost?" she asked
-sadly.
-
-"No; it's not lost. You will hear more of it directly. Dry your eyes,
-and expect something interesting--I'm going to talk about love. Love,
-my dear, means myself. Why shouldn't it? I'm not the only nice-looking
-woman, married to an old man, who has had a lover."
-
-"Wretch! what has that got to do with it?"
-
-"Everything, you rude girl! My lover was like the rest of them; he would
-bet on race-horses, and he lost. He owned it to me, on the day when your
-father came to our inn. He said, 'I must find the money--or be off to
-America, and say good-by forever.' I was fool enough to be fond of him.
-It broke my heart to hear him talk in that way. I said, 'If I find the
-money, and more than the money, will you take me with you wherever you
-go?' Of course, he said Yes. I suppose you have heard of the inquest
-held at our old place by the coroner and jury? Oh, what idiots! They
-believed I was asleep on the night of the murder. I never closed my
-eyes--I was so miserable, I was so tempted."
-
-"Tempted? What tempted you?"
-
-"Do you think I had any money to spare? Your father's pocketbook tempted
-me. I had seen him open it, to pay his bill over-night. It was full of
-bank-notes. Oh, what an overpowering thing love is! Perhaps you have
-known it yourself."
-
-Emily's indignation once more got the better of her prudence. "Have you
-no feeling of decency on your death-bed!" she said.
-
-Mrs. Rook forgot her piety; she was ready with an impudent rejoinder.
-"You hot-headed little woman, your time will come," she answered. "But
-you're right--I am wandering from the point; I am not sufficiently
-sensible of this solemn occasion. By-the-by, do you notice my language?
-I inherit correct English from my mother--a cultivated person, who
-married beneath her. My paternal grandfather was a gentleman. Did I tell
-you that there came a time, on that dreadful night, when I could stay in
-bed no longer? The pocketbook--I did nothing but think of that devilish
-pocketbook, full of bank-notes. My husband was fast asleep all the time.
-I got a chair and stood on it. I looked into the place where the two men
-were sleeping, through the glass in the top of the door. Your father
-was awake; he was walking up and down the room. What do you say? Was he
-agitated? I didn't notice. I don't know whether the other man was asleep
-or awake. I saw nothing but the pocketbook stuck under the pillow, half
-in and half out. Your father kept on walking up and down. I thought to
-myself, 'I'll wait till he gets tired, and then I'll have another look
-at the pocketbook.' Where's the wine? The doctor said I might have a
-glass of wine when I wanted it."
-
-Emily found the wine and gave it to her. She shuddered as she
-accidentally touched Mrs. Rook's hand.
-
-The wine helped the sinking woman.
-
-"I must have got up more than once," she resumed. "And more than once my
-heart must have failed me. I don't clearly remember what I did, till the
-gray of the morning came. I think that must have been the last time I
-looked through the glass in the door."
-
-She began to tremble. She tore the veil off her face. She cried out
-piteously, "Lord, be merciful to me a sinner! Come here," she said to
-Emily. "Where are you? No! I daren't tell you what I saw; I daren't tell
-you what I did. When you're pos sessed by the devil, there's nothing,
-nothing, nothing you can't do! Where did I find the courage to unlock
-the door? Where did I find the courage to go in? Any other woman would
-have lost her senses, when she found blood on her fingers after taking
-the pocketbook--"
-
-Emily's head swam; her heart beat furiously--she staggered to the door,
-and opened it to escape from the room.
-
-"I'm guilty of robbing him; but I'm innocent of his blood!" Mrs. Rook
-called after her wildly. "The deed was done--the yard door was wide
-open, and the man was gone--when I looked in for the last time. Come
-back, come back!"
-
-Emily looked round.
-
-"I can't go near you," she said, faintly.
-
-"Come near enough to see this."
-
-She opened her bed-gown at the throat, and drew up a loop of ribbon over
-her head. 'The pocketbook was attached to the ribbon. She held it out.
-
-"Your father's book," she said. "Won't you take your father's book?"
-
-For a moment, and only for a moment, Emily was repelled by the
-profanation associated with her birthday gift. Then, the loving
-remembrance of the dear hands that had so often touched that relic,
-drew the faithful daughter back to the woman whom she abhorred. Her eyes
-rested tenderly on the book. Before it had lain in that guilty bosom,
-it had been _his_ book. The beloved memory was all that was left to her
-now; the beloved memory consecrated it to her hand. She took the book.
-
-"Open it," said Mrs. Rook.
-
-There were two five-pound bank-notes in it.
-
-"His?" Emily asked.
-
-"No; mine--the little I have been able to save toward restoring what I
-stole."
-
-"Oh!" Emily cried, "is there some good in this woman, after all?"
-
-"There's no good in the woman!" Mrs. Rook answered desperately. "There's
-nothing but fear--fear of hell now; fear of the pocketbook in the past
-time. Twice I tried to destroy it--and twice it came back, to remind me
-of the duty that I owed to my miserable soul. I tried to throw it into
-the fire. It struck the bar, and fell back into the fender at my feet.
-I went out, and cast it into the well. It came back again in the first
-bucket of water that was drawn up. From that moment, I began to save
-what I could. Restitution! Atonement! I tell you the book found a
-tongue--and those were the grand words it dinned in my ears, morning and
-night." She stooped to fetch her breath--stopped, and struck her bosom.
-"I hid it here, so that no person should see it, and no person take it
-from me. Superstition? Oh, yes, superstition! Shall tell you something?
-_You_ may find yourself superstitious, if you are ever cut to the heart
-as I was. He left me! The man I had disgraced myself for, deserted me on
-the day when I gave him the stolen money. He suspected it was stolen; he
-took care of his own cowardly self--and left me to the hard mercy of the
-law, if the theft was found out. What do you call that, in the way
-of punishment? Haven't I suffered? Haven't I made atonement? Be a
-Christian--say you forgive me."
-
-"I do forgive you."
-
-"Say you will pray for me."
-
-"I will."
-
-"Ah! that comforts me! Now you can go."
-
-Emily looked at her imploringly. "Don't send me away, knowing no more
-of the murder than I knew when I came here! Is there nothing, really
-nothing, you can tell me?"
-
-Mrs. Rook pointed to the door.
-
-"Haven't I told you already? Go downstairs, and see the wretch who
-escaped in the dawn of the morning!"
-
-"Gently, ma'am, gently! You're talking too loud," cried a mocking voice
-from outside.
-
-"It's only the doctor," said Mrs. Rook. She crossed her hands over her
-bosom with a deep-drawn sigh. "I want no doctor, now. My peace is made
-with my Maker. I'm ready for death; I'm fit for Heaven. Go away! go
-away!"
-
-
-
-
-CHAPTER LXII. DOWNSTAIRS.
-
-In a moment more, the doctor came in--a brisk, smiling, self-sufficient
-man--smartly dressed, with a flower in his button-hole. A stifling
-odor of musk filled the room, as he drew out his handkerchief with a
-flourish, and wiped his forehead.
-
-"Plenty of hard work in my line, just now," he said. "Hullo, Mrs. Rook!
-somebody has been allowing you to excite yourself. I heard you, before
-I opened the door. Have you been encouraging her to talk?" he asked,
-turning to Emily, and shaking his finger at her with an air of facetious
-remonstrance.
-
-Incapable of answering him; forgetful of the ordinary restraints of
-social intercourse--with the one doubt that preserved her belief in
-Mirabel, eager for confirmation--Emily signed to this stranger to follow
-her into a corner of the room, out of hearing. She made no excuses: she
-took no notice of his look of surprise. One hope was all she could feel,
-one word was all she could say, after that second assertion of Mirabel's
-guilt. Indicating Mrs. Rook by a glance at the bed, she whispered the
-word:
-
-"Mad?"
-
-Flippant and familiar, the doctor imitated her; he too looked at the
-bed.
-
-"No more mad than you are, miss. As I said just now, my patient has
-been exciting herself; I daresay she has talked a little wildly in
-consequence. _Hers_ isn't a brain to give way, I can tell you. But
-there's somebody else--"
-
-Emily had fled from the room. He had destroyed her last fragment of
-belief in Mirabel's innocence. She was on the landing trying to console
-herself, when the doctor joined her.
-
-"Are you acquainted with the gentleman downstairs?" he asked.
-
-"What gentleman?"
-
-"I haven't heard his name; he looks like a clergyman. If you know him--"
-
-"I do know him. I can't answer questions! My mind--"
-
-"Steady your mind, miss! and take your friend home as soon as you can.
-_He_ hasn't got Mrs. Rook's hard brain; he's in a state of nervous
-prostration, which may end badly. Do you know where he lives?"
-
-"He is staying with his sister--Mrs. Delvin."
-
-"Mrs. Delvin! she's a friend and patient of mine. Say I'll look in
-to-morrow morning, and see what I can do for her brother. In the
-meantime, get him to bed, and to rest; and don't be afraid of giving him
-brandy."
-
-The doctor returned to the bedroom. Emily heard Mrs. Ellmother's voice
-below.
-
-"Are you up there, miss?"
-
-"Yes."
-
-Mrs. Ellmother ascended the stairs. "It was an evil hour," she said,
-"that you insisted on going to this place. Mr. Mirabel--" The sight of
-Emily's face suspended the next words on her lips. She took the poor
-young mistress in her motherly arms. "Oh, my child! what has happened to
-you?"
-
-"Don't ask me now. Give me your arm--let us go downstairs."
-
-"You won't be startled when you see Mr. Mirabel--will you, my dear? I
-wouldn't let them disturb you; I said nobody should speak to you but
-myself. The truth is, Mr. Mirabel has had a dreadful fright. What are
-you looking for?"
-
-"Is there a garden here? Any place where we can breathe the fresh air?"
-
-There was a courtyard at the back of the house. They found their way to
-it. A bench was placed against one of the walls. They sat down.
-
-"Shall I wait till you're better before I say any more?" Mrs. Ellmother
-asked. "No? You want to hear about Mr. Mirabel? My dear, he came into
-the parlor where I was; and Mr. Rook came in too---and waited, looking
-at him. Mr. Mirabel sat down in a corner, in a dazed state as I thought.
-It wasn't for long. He jumped up, and clapped his hand on his heart as
-if his heart hurt him. 'I must and will know what's going on upstairs,'
-he says. Mr. Rook pulled him back, and told him to wait till the
-young lady came down. Mr. Mirabel wouldn't hear of it. 'Your wife's
-frightening her,' he says; 'your wife's telling her horrible things
-about me.' He was taken on a sudden with a shivering fit; his eyes
-rolled, and his teeth chattered. Mr. Rook made matters worse; he lost
-his temper. 'I'm damned,' he says, 'if I don't begin to think you
-_are_ the man, after all; I've half a mind to send for the police.' Mr.
-Mirabel dropped into his chair. His eyes stared, his mouth fell open. I
-took hold of his hand. Cold--cold as ice. What it all meant I can't say.
-Oh, miss, _you_ know! Let me tell you the rest of it some other time."
-
-Emily insisted on hearing more. "The end!" she cried. "How did it end?"
-
-"I don't know how it might have ended, if the doctor hadn't come in--to
-pay his visit, you know, upstairs. He said some learned words. When
-he came to plain English, he asked if anybody had frightened the
-gentleman. I said Mr. Rook had frightened him. The doctor says to Mr.
-Rook, 'Mind what you are about. If you frighten him again, you may have
-his death to answer for.' That cowed Mr. Rook. He asked what he had
-better do. 'Give me some brandy for him first,' says the doctor; 'and
-then get him home at once.' I found the brandy, and went away to the inn
-to order the carriage. Your ears are quicker than mine, miss--do I hear
-it now?"
-
-They rose, and went to the house door. The carriage was there.
-
-Still cowed by what the doctor had said, Mr. Rook appeared, carefully
-leading Mirabel out. He had revived under the action of the stimulant.
-Passing Emily he raised his eyes to her--trembled--and looked down
-again. When Mr. Rook opened the door of the carriage he paused, with one
-of his feet on the step. A momentary impulse inspired him with a false
-courage, and brought a flush into his ghastly face. He turned to Emily.
-
-"May I speak to you?" he asked.
-
-She started back from him. He looked at Mrs. Ellmother. "Tell her I
-am innocent," he said. The trembling seized on him again. Mr. Rook was
-obliged to lift him into the carriage.
-
-Emily caught at Mrs. Ellmother's arm. "You go with him," she said. "I
-can't."
-
-"How are you to get back, miss?"
-
-She turned away and spoke to the coachman. "I am not very well. I want
-the fresh air--I'll sit by you."
-
-Mrs. Ellmother remonstrated and protested, in vain. As Emily had
-determined it should be, so it was.
-
-"Has he said anything?" she asked, when they had arrived at their
-journey's end.
-
-"He has been like a man frozen up; he hasn't said a word; he hasn't even
-moved."
-
-"Take him to his sister; and tell her all that you know. Be careful to
-repeat what the doctor said. I can't face Mrs. Delvin. Be patient, my
-good old friend; I have no secrets from you. Only wait till to-morrow;
-and leave me by myself to-night."
-
-Alone in her room, Emily opened her writing-case. Searching among
-the letters in it, she drew out a printed paper. It was the Handbill
-describing the man who had escaped from the inn, and offering a reward
-for the discovery of him.
-
-At the first line of the personal description of the fugitive, the paper
-dropped from her hand. Burning tears forced their way into her eyes.
-Feeling for her handkerchief, she touched the pocketbook which she had
-received from Mrs. Rook. After a little hesitation she took it out. She
-looked at it. She opened it.
-
-The sight of the bank-notes repelled her; she hid them in one of the
-pockets of the book. There was a second pocket which she had not yet
-examined. She pat her hand into it, and, touching something, drew out a
-letter.
-
-The envelope (already open) was addressed to "James Brown, Esq., Post
-Office, Zeeland." Would it be inconsistent with her respect for her
-father's memory to examine the letter? No; a glance would decide whether
-she ought to read it or not.
-
-It was without date or address; a startling letter to look at--for it
-only contained three words:
-
-"I say No."
-
-The words were signed in initials:
-
-"S. J."
-
-In the instant when she read the initials, the name occurred to her.
-
-Sara Jethro.
-
-
-
-
-CHAPTER LXIII. THE DEFENSE OF MIRABEL.
-
-The discovery of the letter gave a new direction to Emily's
-thoughts--and so, for the time at least, relieved her mind from the
-burden that weighed on it. To what question, on her father's part, had
-"I say No" been Miss Jethro's brief and stern reply? Neither letter nor
-envelope offered the slightest hint that might assist inquiry; even the
-postmark had been so carelessly impressed that it was illegible.
-
-Emily was still pondering over the three mysterious words, when she was
-interrupted by Mrs. Ellmother's voice at the door.
-
-"I must ask you to let me come in, miss; though I know you wished to be
-left by yourself till to-morrow. Mrs. Delvin says she must positively
-see you to-night. It's my belief that she will send for the servants,
-and have herself carried in here, if you refuse to do what she asks. You
-needn't be afraid of seeing Mr. Mirabel."
-
-"Where is he?"
-
-"His sister has given up her bedroom to him," Mrs. Ellmother answered.
-"She thought of your feelings before she sent me here--and had the
-curtains closed between the sitting-room and the bedroom. I suspect my
-nasty temper misled me, when I took a dislike to Mrs. Delvin. She's a
-good creature; I'm sorry you didn't go to her as soon as we got back."
-
-"Did she seem to be angry, when she sent you here?"
-
-"Angry! She was crying when I left her."
-
-Emily hesitated no longer.
-
-She noticed a remarkable change in the invalid's sitting-room--so
-brilliantly lighted on other occasions--the moment she entered it. The
-lamps were shaded, and the candles were all extinguished. "My eyes don't
-bear the light so well as usual," Mrs. Delvin said. "Come and sit near
-me, Emily; I hope to quiet your mind. I should be grieved if you left my
-house with a wrong impression of me."
-
-Knowing what she knew, suffering as she must have suffered, the quiet
-kindness of her tone implied an exercise of self-restraint which
-appealed irresistibly to Emily's sympathies. "Forgive me," she said,
-"for having done you an injustice. I am ashamed to think that I shrank
-from seeing you when I returned from Belford."
-
-"I will endeavor to be worthy of your better opinion of me," Mrs. Delvin
-replied. "In one respect at least, I may claim to have had your best
-interests at heart--while we were still personally strangers. I tried
-to prevail on my poor brother to own the truth, when he discovered
-the terrible position in which he was placed toward you. He was too
-conscious of the absence of any proof which might induce you to
-believe him, if he attempted to defend himself--in one word, he was too
-timid--to take my advice. He has paid the penalty, and I have paid the
-penalty, of deceiving you."
-
-Emily started. "In what way have you deceived me?" she asked.
-
-"In the way that was forced on us by our own conduct," Mrs. Delvin said.
-"We have appeared to help you, without really doing so; we calculated on
-inducing you to marry my brother, and then (when he could speak with
-the authority of a husband) on prevailing on you to give up all further
-inquiries. When you insisted on seeing Mrs. Rook, Miles had the money in
-his hand to bribe her and her husband to leave England."
-
-"Oh, Mrs. Delvin!"
-
-"I don't attempt to excuse myself. I don't expect you to consider how
-sorely I was tempted to secure the happiness of my brother's life,
-by marriage with such a woman as yourself. I don't remind you that I
-knew--when I put obstacles in your way--that you were blindly devoting
-yourself to the discovery of an innocent man."
-
-Emily heard her with angry surprise. "Innocent?" she repeated. "Mrs.
-Rook recognized his voice the instant she heard him speak."
-
-Impenetrable to interruption, Mrs. Delvin went on. "But what I do ask,"
-she persisted, "even after our short acquaintance, is this. Do you
-suspect me of deliberately scheming to make you the wife of a murderer?"
-
-Emily had never viewed the serious question between them in this light.
-Warmly, generously, she answered the appeal that had been made to her.
-"Oh, don't think that of me! I know I spoke thoughtlessly and cruelly to
-you, just now--"
-
-"You spoke impulsively," Mrs. Delvin interposed; "that was all. My one
-desire before we part--how can I expect you to remain here, after what
-has happened?--is to tell you the truth. I have no interested object in
-view; for all hope of your marriage with my brother is now at an end.
-May I ask if you have heard that he and your father were strangers, when
-they met at the inn?"
-
-"Yes; I know that."
-
-"If there had been any conversation between them, when they retired
-to rest, they might have mentioned their names. But your father was
-preoccupied; and my brother, after a long day's walk, was so tired that
-he fell asleep as soon as his head was on the pillow. He only woke when
-the morning dawned. What he saw when he looked toward the opposite bed
-might have struck with terror the boldest man that ever lived. His first
-impulse was naturally to alarm the house. When he got on his feet, he
-saw his own razor--a blood-stained razor on the bed by the side of the
-corpse. At that discovery, he lost all control over himself. In a panic
-of terror, he snatched up his knapsack, unfastened the yard door, and
-fled from the house. Knowing him, as you and I know him, can we wonder
-at it? Many a man has been hanged for murder, on circumstantial evidence
-less direct than the evidence against poor Miles. His horror of his own
-recollections was so overpowering that he forbade me even to mention the
-inn at Zeeland in my letters, while he was abroad. 'Never tell me (he
-wrote) who that wretched murdered stranger was, if I only heard of
-his name, I believe it would haunt me to my dying day. I ought not to
-trouble you with these details--and yet, I am surely not without excuse.
-In the absence of any proof, I cannot expect you to believe as I do in
-my brother's innocence. But I may at least hope to show you that there
-is some reason for doubt. Will you give him the benefit of that doubt?"
-
-"Willingly!" Emily replied. "Am I right in supposing that you don't
-despair of proving his innocence, even yet'?"
-
-"I don't quite despair. But my hopes have grown fainter and fainter,
-as the years have gone on. There is a person associated with his escape
-from Zeeland; a person named Jethro--"
-
-"You mean Miss Jethro!"
-
-"Yes. Do you know her?"
-
-"I know her--and my father knew her. I have found a letter, addressed
-to him, which I have no doubt was written by Miss Jethro. It is barely
-possible that you may understand what it means. Pray look at it."
-
-"I am quite unable to help you," Mrs. Delvin answered, after reading the
-letter. "All I know of Miss Jethro is that, but for her interposition,
-my brother might have fallen into the hands of the police. She saved
-him."
-
-"Knowing him, of course?"
-
-"That is the remarkable part of it: they were perfect strangers to each
-other."
-
-"But she must have had some motive."
-
-"_There_ is the foundation of my hope for Miles. Miss Jethro declared,
-when I wrote and put the question to her, that the one motive by which
-she was actuated was the motive of mercy. I don't believe her. To my
-mind, it is in the last degree improbable that she would consent to
-protect a stranger from discovery, who owned to her (as my brother did)
-that he was a fugitive suspected of murder. She knows something, I am
-firmly convinced, of that dreadful event at Zeeland--and she has some
-reason for keeping it secret. Have you any influence over her?"
-
-"Tell me where I can find her."
-
-"I can't tell you. She has removed from the address at which my brother
-saw her last. He has made every possible inquiry--without result."
-
-As she replied in those discouraging terms, the curtains which divided
-Mrs. Delvin's bedroom from her sitting-room were drawn aside. An elderly
-woman-servant approached her mistress's couch.
-
-"Mr. Mirabel is awake, ma'am. He is very low; I can hardly feel his
-pulse. Shall I give him some more brandy?"
-
-Mrs. Delvin held out her hand to Emily. "Come to me to-morrow morning,"
-she said--and signed to the servant to wheel her couch into the next
-room. As the curtain closed over them, Emily heard Mirabel's voice.
-"Where am I?" he said faintly. "Is it all a dream?"
-
-The prospect of his recovery the next morning was gloomy indeed. He had
-sunk into a state of deplorable weakness, in mind as well as in body.
-The little memory of events that he still preserved was regarded by him
-as the memory of a dream. He alluded to Emily, and to his meeting with
-her unexpectedly. But from that point his recollection failed him.
-They had talked of something interesting, he said--but he was unable
-to remember what it was. And they had waited together at a railway
-station--but for what purpose he could not tell. He sighed and wondered
-when Emily would marry him--and so fell asleep again, weaker than ever.
-
-Not having any confidence in the doctor at Belford, Mrs. Delvin had sent
-an urgent message to a physician at Edinburgh, famous for his skill in
-treating diseases of the nervous system. "I cannot expect him to reach
-this remote place, without some delay," she said; "I must bear my
-suspense as well as I can."
-
-"You shall not bear it alone," Emily answered. "I will wait with you
-till the doctor comes."
-
-Mrs. Delvin lifted her frail wasted hands to Emily's face, drew it a
-little nearer--and kissed her.
-
-
-
-
-CHAPTER LXIV. ON THE WAY TO LONDON.
-
-The parting words had been spoken. Emily and her companion were on their
-way to London.
-
-For some little time, they traveled in silence--alone in the railway
-carriage. After submitting as long as she could to lay an embargo on the
-use of her tongue, Mrs. Ellmother started the conversation by means of a
-question: "Do you think Mr. Mirabel will get over it, miss?"
-
-"It's useless to ask me," Emily said. "Even the great man from Edinburgh
-is not able to decide yet, whether he will recover or not."
-
-"You have taken me into your confidence, Miss Emily, as you
-promised--and I have got something in my mind in consequence. May I
-mention it without giving offense?"
-
-"What is it?"
-
-"I wish you had never taken up with Mr. Mirabel."
-
-Emily was silent. Mrs. Ellmother, having a design of her own to
-accomplish, ventured to speak more plainly. "I often think of Mr. Alban
-Morris," she proceeded. "I always did like him, and I always shall."
-
-Emily suddenly pulled down her veil. "Don't speak of him!" she said.
-
-"I didn't mean to offend you."
-
-"You don't offend me. You distress me. Oh, how often I have wished--!"
-She threw herself back in a corner of the carriage and said no more.
-
-Although not remarkable for the possession of delicate tact, Mrs.
-Ellmother discovered that the best course she could now follow was a
-course of silence.
-
-Even at the time when she had most implicitly trusted Mirabel, the
-fear that she might have acted hastily and harshly toward Alban had
-occasionally troubled Emily's mind. The impression produced by later
-events had not only intensified this feeling, but had presented the
-motives of that true friend under an entirely new point of view. If she
-had been left in ignorance of the manner of her father's death--as Alban
-had designed to leave her; as she would have been left, but for the
-treachery of Francine--how happily free she would have been from
-thoughts which it was now a terror to her to recall. She would have
-parted from Mirabel, when the visit to the pleasant country house had
-come to an end, remembering him as an amusing acquaintance and nothing
-more. He would have been spared, and she would have been spared, the
-shock that had so cruelly assailed them both. What had she gained
-by Mrs. Rook's detestable confession? The result had been perpetual
-disturbance of mind provoked by self-torturing speculations on the
-subject of the murder. If Mirabel was innocent, who was guilty? The
-false wife, without pity and without shame--or the brutal husband, who
-looked capable of any enormity? What was her future to be? How was it
-all to end? In the despair of that bitter moment--seeing her devoted old
-servant looking at her with kind compassionate eyes--Emily's troubled
-spirit sought refuge in impetuous self-betrayal; the very betrayal which
-she had resolved should not escape her, hardly a minute since!
-
-She bent forward out of her corner, and suddenly drew up her veil. "Do
-you expect to see Mr. Alban Morris, when we get back?" she asked.
-
-"I should like to see him, miss--if you have no objection."
-
-"Tell him I am ashamed of myself! and say I ask his pardon with all my
-heart!"
-
-"The Lord be praised!" Mrs. Ellmother burst out--and then, when it was
-too late, remembered the conventional restraints appropriate to the
-occasion. "Gracious, what a fool I am!" she said to herself. "Beautiful
-weather, Miss Emily, isn't it?" she continued, in a desperate hurry to
-change the subject.
-
-Emily reclined again in her corner of the carriage. She smiled, for the
-first time since she had become Mrs. Delvin's guest at the tower.
-
-
-
-
-BOOK THE LAST--AT HOME AGAIN.
-
-
-
-CHAPTER LXV. CECILIA IN A NEW CHARACTER.
-
-Reaching the cottage at night, Emily found the card of a visitor who
-had called during the day. It bore the name of "Miss Wyvil," and had a
-message written on it which strongly excited Emily's curiosity.
-
-"I have seen the telegram which tells your servant that you return
-to-night. Expect me early to-morrow morning--with news that will deeply
-interest you."
-
-To what news did Cecilia allude? Emily questioned the woman who had been
-left in charge of the cottage, and found that she had next to nothing to
-tell. Miss Wyvil had flushed up, and had looked excited, when she read
-the telegraphic message--that was all. Emily's impatience was, as usual,
-not to be concealed. Expert Mrs. Ellmother treated the case in the right
-way--first with supper, and then with an adjournment to bed. The clock
-struck twelve, when she put out the young mistress's candle. "Ten hours
-to pass before Cecilia comes here!" Emily exclaimed. "Not ten minutes,"
-Mrs. Ellmother reminded her, "if you will only go to sleep."
-
-Cecilia arrived before the breakfast-table was cleared; as lovely,
-as gentle, as affectionate as ever--but looking unusually serious and
-subdued.
-
-"Out with it at once!" Emily cried. "What have you got to tell me?'
-
-"Perhaps, I had better tell you first," Cecilia said, "that I know what
-you kept from me when I came here, after you left us at Monksmoor. Don't
-think, my dear, that I say this by way of complaint. Mr. Alban Morris
-says you had good reasons for keeping your secret."
-
-"Mr. Alban Morris! Did you get your information from _him?_"
-
-"Yes. Do I surprise you?"
-
-"More than words can tell!"
-
-"Can you bear another surprise? Mr. Morris has seen Miss Jethro, and
-has discovered that Mr. Mirabel has been wrongly suspected of a dreadful
-crime. Our amiable little clergyman is guilty of being a coward--and
-guilty of nothing else. Are you really quiet enough to read about it?"
-
-She produced some leaves of paper filled with writing. "There," she
-explained, "is Mr. Morris's own account of all that passed between Miss
-Jethro and himself."
-
-"But how do _you_ come by it?"
-
-"Mr. Morris gave it to me. He said, 'Show it to Emily as soon as
-possible; and take care to be with her while she reads it.' There is
-a reason for this--" Cecilia's voice faltered. On the brink of some
-explanation, she seemed to recoil from it. "I will tell you by-and-by
-what the reason is," she said.
-
-Emily looked nervously at the manuscript. "Why doesn't he tell me
-himself what he has discovered? Is he--" The leaves began to flutter in
-her trembling fingers--"is he angry with me?"
-
-"Oh, Emily, angry with You! Read what he has written and you shall know
-why he keeps away."
-
-Emily opened the manuscript.
-
-
-
-
-CHAPTER LXVI. ALBAN'S NARRATIVE.
-
-"The information which I have obtained from Miss Jethro has been
-communicated to me, on the condition that I shall not disclose the place
-of her residence. 'Let me pass out of notice (she said) as completely as
-if I had passed out of life; I wish to be forgotten by some, and to be
-unknown by others.'" With this one stipulation, she left me free to write
-the present narrative of what passed at the interview between us. I feel
-that the discoveries which I have made are too important to the persons
-interested to be trusted to memory.
-
-
-1. _She Receives Me_.
-
-"Finding Miss Jethro's place of abode, with far less difficulty than I
-had anticipated (thanks to favoring circumstances), I stated plainly the
-object of my visit. She declined to enter into conversation with me on
-the subject of the murder at Zeeland.
-
-"I was prepared to meet with this rebuke, and to take the necessary
-measures for obtaining a more satisfactory reception. 'A person is
-suspected of having committed the murder,' I said; 'and there is reason
-to believe that you are in a position to say whether the suspicion is
-justified or not. Do you refuse to answer me, if I put the question?'
-
-"Miss Jethro asked who the person was.
-
-"I mentioned the name--Mr. Miles Mirabel.
-
-"It is not necessary, and it would certainly be not agreeable to me,
-to describe the effect which this reply produced on Miss Jethro. After
-giving her time to compose herself, I entered into certain explanations,
-in order to convince her at the outset of my good faith. The result
-justified my anticipations. I was at once admitted to her confidence.
-
-"She said, 'I must not hesitate to do an act of justice to an innocent
-man. But, in such a serious matter as this, you have a right to judge
-for yourself whether the person who is now speaking to you is a person
-whom you can trust. You may believe that I tell the truth about others,
-if I begin--whatever it may cost me--by telling the truth about myself.'"
-
-
-2. _She Speaks of Herself_.
-
-"I shall not attempt to place on record the confession of a most unhappy
-woman. It was the common story of sin bitterly repented, and of vain
-effort to recover the lost place in social esteem. Too well known a
-story, surely, to be told again.
-
-"But I may with perfect propriety repeat what Miss Jethro said to me,
-in allusion to later events in her life which are connected with my own
-personal experience. She recalled to my memory a visit which she had
-paid to me at Netherwoods, and a letter addressed to her by Doctor
-Allday, which I had read at her express request.
-
-"She said, 'You may remember that the letter contained some severe
-reflections on my conduct. Among other things, the doctor mentions that
-he called at the lodging I occupied during my visit to London, and found
-I had taken to flight: also that he had reason to believe I had entered
-Miss Ladd's service, under false pretenses.'
-
-"I asked if the doctor had wronged her.
-
-"She answered 'No: in one case, he is ignorant; in the other, he is
-right. On leaving his house, I found myself followed in the street by
-the man to whom I owe the shame and misery of my past life. My horror of
-him is not to be described in words. The one way of escaping was offered
-by an empty cab that passed me. I reached the railway station safely,
-and went back to my home in the country. Do you blame me?'
-
-"It was impossible to blame her--and I said so.
-
-"She then confessed the deception which she had practiced on Miss Ladd.
-'I have a cousin,' she said, 'who was a Miss Jethro like me. Before
-her marriage she had been employed as a governess. She pitied me; she
-sympathized with my longing to recover the character that I had lost.
-With her permission, I made use of the testimonials which she had earned
-as a teacher--I was betrayed (to this day I don't know by whom)--and I
-was dismissed from Netherwoods. Now you know that I deceived Miss Ladd,
-you may reasonably conclude that I am likely to deceive You.'
-
-"I assured her, with perfect sincerity, that I had drawn no such
-conclusion. Encouraged by my reply, Miss Jethro proceeded as follows."
-
-
-3. _She Speaks of Mirabel_.
-
-"'Four years ago, I was living near Cowes, in the Isle of Wight--in a
-cottage which had been taken for me by a gentleman who was the owner of
-a yacht. We had just returned from a short cruise, and the vessel was
-under orders to sail for Cherbourg with the next tide.
-
-"'While I was walking in my garden, I was startled by the sudden
-appearance Of a man (evidently a gentleman) who was a perfect stranger
-to me. He was in a pitiable state of terror, and he implored my
-protection. In reply to my first inquiries, he mentioned the inn at
-Zeeland, and the dreadful death of a person unknown to him; whom I
-recognized (partly by the description given, and partly by comparison of
-dates) as Mr. James Brown. I shall say nothing of the shock inflicted
-on me: you don't want to know what I felt. What I did (having literally
-only a minute left for decision) was to hide the fugitive from
-discovery, and to exert my influence in his favor with the owner of the
-yacht. I saw nothing more of him. He was put on board, as soon as the
-police were out of sight, and was safely landed at Cherbourg.'
-
-"I asked what induced her to run the risk of protecting a stranger, who
-was under suspicion of having committed a murder.
-
-"She said, 'You shall hear my explanation directly. Let us have done
-with Mr. Mirabel first. We occasionally corresponded, during the long
-absence on the continent; never alluding, at his express request, to
-the horrible event at the inn. His last letter reached me, after he
-had established himself at Vale Regis. Writing of the society in the
-neighborhood, he informed me of his introduction to Miss Wyvil, and of
-the invitation that he had received to meet her friend and schoolfellow
-at Monksmoor. I knew that Miss Emily possessed a Handbill describing
-personal peculiarities in Mr. Mirabel, not hidden under the changed
-appearance of his head and face. If she remembered or happened to refer
-to that description, while she was living in the same house with him,
-there was a possibility at least of her suspicion being excited. The
-fear of this took me to you. It was a morbid fear, and, as events turned
-out, an unfounded fear: but I was unable to control it. Failing to
-produce any effect on you, I went to Vale Regis, and tried (vainly
-again) to induce Mr. Mirabel to send an excuse to Monksmoor. He, like
-you, wanted to know what my motive was. When I tell you that I acted
-solely in Miss Emily's interests, and that I knew how she had been
-deceived about her father's death, need I say why I was afraid to
-acknowledge my motive?'
-
-"I understood that Miss Jethro might well be afraid of the consequences,
-if she risked any allusion to Mr. Brown's horrible death, and if it
-afterward chanced to reach his daughter's ears. But this state of
-feeling implied an extraordinary interest in the preservation of Emily's
-peace of mind. I asked Miss Jethro how that interest had been excited?
-
-"She answered, 'I can only satisfy you in one way. I must speak of her
-father now.'"
-
-
-Emily looked up from the manuscript. She felt Cecilia's arm tenderly
-caressing her. She heard Cecilia say, "My poor dear, there is one last
-trial of your courage still to come. I am afraid of what you are going
-to read, when you turn to the next page. And yet--"
-
-"And yet," Emily replied gently, "it must be done. I have learned my
-hard lesson of endurance, Cecilia, don't be afraid."
-
-Emily turned to the next page.
-
-
-4. _She Speaks of the Dead_.
-
-"For the first time, Miss Jethro appeared to be at a loss how to
-proceed. I could see that she was suffering. She rose, and opening a
-drawer in her writing table, took a letter from it.
-
-"She said, 'Will you read this? It was written by Miss Emily's father.
-Perhaps it may say more for me than I can say for myself?'
-
-"I copy the letter. It was thus expressed:
-
-"'You have declared that our farewell to-day is our farewell forever.
-For the second time, you have refused to be my wife; and you have done
-this, to use your own words, in mercy to Me.
-
-"'In mercy to Me, I implore you to reconsider your decision.
-
-"'If you condemn me to live without you--I feel it, I know it--you
-condemn me to despair which I have not fortitude enough to endure. Look
-at the passages which I have marked for you in the New Testament. Again
-and again, I say it; your true repentance has made you worthy of the
-pardon of God. Are you not worthy of the love, admiration, and respect
-of man? Think! oh, Sara, think of what our lives might be, and let them
-be united for time and for eternity.
-
-"'I can write no more. A deadly faintness oppresses me. My mind is in
-a state unknown to me in past years. I am in such confusion that I
-sometimes think I hate you. And then I recover from my delusion, and
-know that man never loved woman as I love you.
-
-"'You will have time to write to me by this evening's post. I shall stop
-at Zeeland to-morrow, on my way back, and ask for a letter at the post
-office. I forbid explanations and excuses. I forbid heartless allusions
-to your duty. Let me have an answer which does not keep me for a moment
-in suspense.
-
-"'For the last time, I ask you: Do you consent to be my wife? Say,
-Yes--or say, No.'
-
-"I gave her back the letter--with the one comment on it, which the
-circumstances permitted me to make:
-
-"'You said No?'
-
-"She bent her head in silence.
-
-"I went on--not willingly, for I would have spared her if it had been
-possible. I said, 'He died, despairing, by his own hand--and you knew
-it?'
-
-"She looked up. 'No! To say that I knew it is too much. To say that I
-feared it is the truth.'
-
-"'Did you love him?'
-
-"She eyed me in stern surprise. 'Have _I_ any right to love? Could I
-disgrace an honorable man by allowing him to marry me? You look as if
-you held me responsible for his death.'
-
-"'Innocently responsible,' I said.
-
-"She still followed her own train of thought. 'Do you suppose I could
-for a moment anticipate that he would destroy himself, when I wrote my
-reply? He was a truly religious man. If he had been in his right mind,
-he would have shrunk from the idea of suicide as from the idea of a
-crime.'
-
-"On reflection, I was inclined to agree with her. In his terrible
-position, it was at least possible that the sight of the razor
-(placed ready, with the other appliances of the toilet, for his
-fellow-traveler's use) might have fatally tempted a man whose last hope
-was crushed, whose mind was tortured by despair. I should have been
-merciless indeed, if I had held Miss Jethro accountable thus far. But
-I found it hard to sympathize with the course which she had pursued, in
-permitting Mr. Brown's death to be attributed to murder without a word
-of protest. 'Why were you silent?' I said.
-
-"She smiled bitterly.
-
-"'A woman would have known why, without asking,' she replied. 'A woman
-would have understood that I shrank from a public confession of my
-shameful past life. A woman would have remembered what reasons I had
-for pitying the man who loved me, and for accepting any responsibility
-rather than associate his memory, before the world, with an unworthy
-passion for a degraded creature, ending in an act of suicide. Even if I
-had made that cruel sacrifice, would public opinion have believed such
-a person as I am--against the evidence of a medical man, and the verdict
-of a jury? No, Mr. Morris! I said nothing, and I was resolved to say
-nothing, so long as the choice of alternatives was left to me. On the
-day when Mr. Mirabel implored me to save him, that choice was no longer
-mine--and you know what I did. And now again when suspicion (after all
-the long interval that had passed) has followed and found that innocent
-man, you know what I have done. What more do you ask of me?'
-
-"'Your pardon,' I said, 'for not having understood you--and a last
-favor. May I repeat what I have heard to the one person of all others
-who ought to know, and who must know, what you have told me?'
-
-"It was needless to hint more plainly that I was speaking of Emily. Miss
-Jethro granted my request.
-
-"'It shall be as you please,' she answered. 'Say for me to _his_
-daughter, that the grateful remembrance of her is my one refuge from the
-thoughts that tortured me, when we spoke together on her last night at
-school. She has made this dead heart of mine feel a reviving breath of
-life, when I think of her. Never, in our earthly pilgrimage, shall we
-meet again--I implore her to pity and forget me. Farewell, Mr. Morris;
-farewell forever.'
-
-"I confess that the tears came into my eyes. When I could see clearly
-again, I was alone in the room."
-
-
-
-
-CHAPTER LXVII. THE TRUE CONSOLATION.
-
-Emily closed the pages which told her that her father had died by his
-own hand.
-
-Cecilia still held her tenderly embraced. By slow degrees, her head
-dropped until it rested on her friend's bosom. Silently she suffered.
-Silently Cecilia bent forward, and kissed her forehead. The sounds that
-penetrated to the room were not out of harmony with the time. From a
-distant house the voices of children were just audible, singing the
-plaintive melody of a hymn; and, now and then, the breeze blew the first
-faded leaves of autumn against the window. Neither of the girls knew how
-long the minutes followed each other uneventfully, before there was a
-change. Emily raised her head, and looked at Cecilia.
-
-"I have one friend left," she said.
-
-"Not only me, love--oh, I hope not only me!"
-
-"Yes. Only you."
-
-"I want to say something, Emily; but I am afraid of hurting you."
-
-"My dear, do you remember what we once read in a book of history at
-school? It told of the death of a tortured man, in the old time, who
-was broken on the wheel. He lived through it long enough to say that
-the agony, after the first stroke of the club, dulled his capacity for
-feeling pain when the next blows fell. I fancy pain of the mind must
-follow the same rule. Nothing you can say will hurt me now."
-
-"I only wanted to ask, Emily, if you were engaged--at one time--to marry
-Mr. Mirabel. Is it true?"
-
-"False! He pressed me to consent to an engagement--and I said he must
-not hurry me."
-
-"What made you say that?"
-
-"I thought of Alban Morris."
-
-Vainly Cecilia tried to restrain herself. A cry of joy escaped her.
-
-"Are you glad?" Emily asked. "Why?"
-
-Cecilia made no direct reply. "May I tell you what you wanted to know, a
-little while since?" she said. "You asked why Mr. Morris left it all to
-me, instead of speaking to you himself. When I put the same question to
-him, he told me to read what he had written. 'Not a shadow of suspicion
-rests on Mr. Mirabel,' he said. 'Emily is free to marry him--and free
-through Me. Can _I_ tell her that? For her sake, and for mine, it must
-not be. All that I can do is to leave old remembrances to plead for me.
-If they fail, I shall know that she will be happier with Mr. Mirabel
-than with me.' 'And you will submit?' I asked. 'Because I love her,' he
-answered, 'I must submit.' Oh, how pale you are! Have I distressed you?"
-
-"You have done me good."
-
-"Will you see him?"
-
-Emily pointed to the manuscript. "At such a time as this?" she said.
-
-Cecilia still held to her resolution. "Such a time as this is the right
-time," she answered. "It is now, when you most want to be comforted,
-that you ought to see him. Who can quiet your poor aching heart as _he_
-can quiet it?" She impulsively snatched at the manuscript and threw it
-out of sight. "I can't bear to look at it," she said. "Emily! if I have
-done wrong, will you forgive me? I saw him this morning before I came
-here. I was afraid of what might happen--I refused to break the dreadful
-news to you, unless he was somewhere near us. Your good old servant
-knows where to go. Let me send her--"
-
-Mrs. Ellmother herself opened the door, and stood doubtful on the
-threshold, hysterically sobbing and laughing at the same time. "I'm
-everything that's bad!" the good old creature burst out. "I've been
-listening--I've been lying--I said you wanted him. Turn me out of my
-situation, if you like. I've got him! Here he is!"
-
-In another moment, Emily was in his arms--and they were alone. On his
-faithful breast the blessed relief of tears came to her at last: she
-burst out crying.
-
-"Oh, Alban, can you forgive me?"
-
-He gently raised her head, so that he could see her face.
-
-"My love, let me look at you," he said. "I want to think again of the
-day when we parted in the garden at school. Do you remember the one
-conviction that sustained me? I told you, Emily, there was a time of
-fulfillment to come in our two lives; and I have never wholly lost the
-dear belief. My own darling, the time has come!"
-
-
-POSTSCRIPT.
-
-GOSSIP IN THE STUDIO.
-
-
-The winter time had arrived. Alban was clearing his palette, after
-a hard day's work at the cottage. The servant announced that tea was
-ready, and that Miss Ladd was waiting to see him in the next room.
-
-Alban ran in, and received the visitor cordially with both hands.
-"Welcome back to England! I needn't ask if the sea-voyage has done you
-good. You are looking ten years younger than when you went away."
-
-Miss Ladd smiled. "I shall soon be ten years older again, if I go back
-to Netherwoods," she replied. "I didn't believe it at the time; but I
-know better now. Our friend Doctor Allday was right, when he said that
-my working days were over. I must give up the school to a younger and
-stronger successor, and make the best I can in retirement of what is
-left of my life. You and Emily may expect to have me as a near neighbor.
-Where is Emily?"
-
-"Far away in the North."
-
-"In the North! You don't mean that she has gone back to Mrs. Delvin?"
-
-"She has gone back--with Mrs. Ellmother to take care of her--at my
-express request. You know what Emily is, when there is an act of mercy
-to be done. That unhappy man has been sinking (with intervals of partial
-recovery) for months past. Mrs. Delvin sent word to us that the end was
-near, and that the one last wish her brother was able to express was the
-wish to see Emily. He had been for some hours unable to speak when my
-wife arrived. But he knew her, and smiled faintly. He was just able
-to lift his hand. She took it, and waited by him, and spoke words of
-consolation and kindness from time to time. As the night advanced, he
-sank into sleep, still holding her hand. They only knew that he had
-passed from sleep to death--passed without a movement or a sigh--when
-his hand turned cold. Emily remained for a day at the tower to comfort
-poor Mrs. Delvin--and she comes home, thank God, this evening!"
-
-"I needn't ask if you are happy?" Miss Ladd said.
-
-"Happy? I sing, when I have my bath in the morning. If that isn't
-happiness (in a man of my age) I don't know what is!"
-
-"And how are you getting on?"
-
-"Famously! I have turned portrait painter, since you were sent away for
-your health. A portrait of Mr. Wyvil is to decorate the town hall in the
-place that he represents; and our dear kind-hearted Cecilia has induced
-a fascinated mayor and corporation to confide the work to my hands."
-
-"Is there no hope yet of that sweet girl being married?" Miss Ladd
-asked. "We old maids all believe in marriage, Mr. Morris--though some of
-us don't own it."
-
-"There seems to be a chance," Alban answered. "A young lord has turned
-up at Monksmoor; a handsome pleasant fellow, and a rising man in
-politics. He happened to be in the house a few days before Cecilia's
-birthday; and he asked my advice about the right present to give her. I
-said, 'Try something new in Tarts.' When he found I was in earnest,
-what do you think he did? Sent his steam yacht to Rouen for some of the
-famous pastry! You should have seen Cecilia, when the young lord offered
-his delicious gift. If I could paint that smile and those eyes, I should
-be the greatest artist living. I believe she will marry him. Need I
-say how rich they will be? We shall not envy them--we are rich too.
-Everything is comparative. The portrait of Mr. Wyvil will put three
-hundred pounds in my pocket. I have earned a hundred and twenty more by
-illustrations, since we have been married. And my wife's income (I
-like to be particular) is only five shillings and tenpence short of two
-hundred a year. Moral! we are rich as well as happy."
-
-"Without a thought of the future?" Miss Ladd asked slyly.
-
-"Oh, Doctor Allday has taken the future in hand! He revels in the
-old-fashioned jokes, which used to be addressed to newly-married people,
-in his time. 'My dear fellow,' he said the other day, 'you may possibly
-be under a joyful necessity of sending for the doctor, before we are
-all a year older. In that case, let it be understood that I am Honorary
-Physician to the family.' The warm-hearted old man talks of getting me
-another portrait to do. 'The greatest ass in the medical profession (he
-informed me) has just been made a baronet; and his admiring friends have
-decided that he is to be painted at full length, with his bandy
-legs hidden under a gown, and his great globular eyes staring at the
-spectator--I'll get you the job.' Shall I tell you what he says of Mrs.
-Rook's recovery?"
-
-Miss Ladd held up her hands in amazement. "Recovery!" she exclaimed.
-
-"And a most remarkable recovery too," Alban informed her. "It is the
-first case on record of any person getting over such an injury as she
-has received. Doctor Allday looked grave when he heard of it. 'I begin
-to believe in the devil,' he said; 'nobody else could have saved Mrs.
-Rook.' Other people don't take that view. She has been celebrated in
-all the medical newspapers--and she has been admitted to come excellent
-almshouse, to live in comfortable idleness to a green old age. The
-best of it is that she shakes her head, when her wonderful recovery is
-mentioned. 'It seems such a pity,' she says; 'I was so fit for heaven.'
-Mr. Rook having got rid of his wife, is in excellent spirits. He is
-occupied in looking after an imbecile old gentleman; and, when he is
-asked if he likes the employment, he winks mysteriously and slaps his
-pocket. Now, Miss Ladd, I think it's my turn to hear some news. What
-have you got to tell me?"
-
-"I believe I can match your account of Mrs. Rook," Miss Ladd said. "Do
-you care to hear what has become of Francine?"
-
-Alban, rattling on hitherto in boyish high spirits, suddenly became
-serious. "I have no doubt Miss de Sor is doing well," he said sternly.
-"She is too heartless and wicked not to prosper."
-
-"You are getting like your old cynical self again, Mr. Morris--and
-you are wrong. I called this morning on the agent who had the care of
-Francine, when I left England. When I mentioned her name, he showed me
-a telegram, sent to him by her father. 'There's my authority,' he said,
-'for letting her leave my house.' The message was short enough to be
-easily remembered: 'Anything my daughter likes as long as she doesn't
-come back to us.' In those cruel terms Mr. de Sor wrote of his own
-child. The agent was just as unfeeling, in his way. He called her the
-victim of slighted love and clever proselytizing. 'In plain words,' he
-said, 'the priest of the Catholic chapel close by has converted her;
-and she is now a novice in a convent of Carmelite nuns in the West of
-England. Who could have expected it? Who knows how it may end?"
-
-As Miss Ladd spoke, the bell rang at the cottage gate. "Here she is!"
-Alban cried, leading the way into the hall. "Emily has come home."
-
-
-
-
-
-End of the Project Gutenberg EBook of I Say No, by Wilkie Collins
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-***The Project Gutenberg Etext of I Say No, by Wilkie Collins***
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-
-
-"I SAY NO."
-
-by WILKIE COLLINS
-
-
-
-
-BOOK THE FIRST--AT SCHOOL.
-
-CHAPTER I.
-
-THE SMUGGLED SUPPER.
-
-Outside the bedroom the night was black and still.
-
-The small rain fell too softly to be heard in the garden; not a
-leaf stirred in the airless calm; the watch-dog was asleep, the
-cats were indoors; far or near, under the murky heaven, not a
-sound was stirring.
-
-Inside the bedroom the night was black and still.
-
-Miss Ladd knew her business as a schoolmistress too well to allow
-night-lights; and Miss Ladd's young ladies were supposed to be
-fast asleep, in accordance with the rules of the house. Only at
-intervals the silence was faintly disturbed, when the restless
-turning of one of the girls in her bed betrayed itself by a
-gentle rustling between the sheets. In the long intervals of
-stillness, not even the softly audible breathing of young
-creatures asleep was to be heard.
-
-The first sound that told of life and movement revealed the
-mechanical movement of the clock. Speaking from the lower
-regions, the tongue of Father Time told the hour before midnight.
-
-A soft voice rose wearily near the door of the room. It counted
-the strokes of the clock--and reminded one of the girls of the
-lapse of time.
-
-"Emily! eleven o'clock."
-
-There was no reply. After an interval the weary voice tried
-again, in louder tones:
-
-"Emily!"
-
-A girl, whose bed was at the inner end of the room, sighed under
-the heavy heat of the night--and said, in peremptory tones, "Is
-that Cecilia?"
-
-"Yes."
-
-"What do you want?"
-
-"I'm getting hungry, Emily. Is the new girl asleep?"
-
-The new girl answered promptly and spitefully, "No, she isn't."
-
-Having a private object of their own in view, the five wise
-virgins of Miss Ladd's first class had waited an hour, in wakeful
-anticipation of the falling asleep of the stranger--and it had
-ended in this way! A ripple of laughter ran round the room. The
-new girl, mortified and offended, entered her protest in plain
-words.
-
-"You are treating me shamefully! You all distrust me, because I
-am a stranger."
-
-"Say we don't understand you," Emily answered, speaking for her
-schoolfellows; "and you will be nearer the truth."
-
-"Who expected you to understand me, when I only came here to-day?
-I have told you already my name is Francine de Sor. If want to
-know more, I'm nineteen years old, and I come from the West
-Indies."
-
-Emily still took the lead. "Why do you come _here?_" she asked.
-"Who ever heard of a girl joining a new school just before the
-holidays? You are nineteen years old, are you? I'm a year younger
-than you--and I have finished my education. The next big girl in
-the room is a year younger than me--and she has finished her
-education. What can you possibly have left to learn at your age?"
-
-"Everything!" cried the stranger from the West Indies, with an
-outburst of tears. "I'm a poor ignorant creature. Your education
-ought to have taught you to pity me instead of making fun of me.
-I hate you all. For shame, for shame!"
-
-Some of the girls laughed. One of them--the hungry girl who had
-counted the strokes of the clock--took Francine's part.
-
-"Never mind their laughing, Miss de Sor. You are quite right, you
-have good reason to complain of us."
-
-Miss de Sor dried her eyes. "Thank you--whoever you are," she
-answered briskly.
-
-"My name is Cecilia Wyvil," the other proceeded. "It was not,
-perhaps, quite nice of you to say you hated us all. At the same
-time we have forgotten our good breeding--and the least we can do
-is to beg your pardon."
-
-This expression of generous sentiment appeared to have an
-irritating effect on the peremptory young person who took the
-lead in the room. Perhaps she disapproved of free trade in
-generous sentiment.
-
-"I can tell you one thing, Cecilia," she said; "you shan't beat
-ME in generosity. Strike a light, one of you, and lay the blame
-on me if Miss Ladd finds us out. I mean to shake hands with the
-new girl--and how can I do it in the dark? Miss de Sor, my name's
-Brown, and I'm queen of the bedroom. I--not Cecilia--offer our
-apologies if we have offended you. Cecilia is my dearest friend,
-but I don't allow her to take the lead in the room. Oh, what a
-lovely nightgown!"
-
-The sudden flow of candle-light had revealed Francine, sitting up
-in her bed, and displaying such treasures of real lace over her
-bosom that the queen lost all sense of royal dignity in
-irrepressible admiration. "Seven and sixpence," Emily remarked,
-looking at her own night-gown and despising it. One after
-another, the girls yielded to the attraction of the wonderful
-lace. Slim and plump, fair and dark, they circled round the new
-pupil in their flowing white robes, and arrived by common consent
-at one and the same conclusion: "How rich her father must be!"
-
-Favored by fortune in the matter of money, was this enviable
-person possessed of beauty as well?
-
-In the disposition of the beds, Miss de Sor was placed between
-Cecilia on the right hand, and Emily on the left. If, by some
-fantastic turn of events, a man--say in the interests of
-propriety, a married doctor, with Miss Ladd to look after
-him--had been permitted to enter the room, and had been asked
-what he thought of the girls when he came out, he would not even
-have mentioned Francine. Blind to the beauties of the expensive
-night-gown, he would have noticed her long upper lip, her
-obstinate chin, her sallow complexion, her eyes placed too close
-together--and would have turned his attention to her nearest
-neighbors. On one side his languid interest would have been
-instantly roused by Cecilia's glowing auburn hair, her
-exquisitely pure skin, and her tender blue eyes. On the other, he
-would have discovered a bright little creature, who would have
-fascinated and perplexed him at one and the same time. If he had
-been questioned about her by a stranger, he would have been at a
-loss to say positively whether she was dark or light: he would
-have remembered how her eyes had held him, but he would not have
-known of what color they were. And yet, she would have remained a
-vivid picture in his memory when other impressions, derived at
-the same time, had vanished. "There was one little witch among
-them, who was worth all the rest put together; and I can't tell
-you why. They called her Emily. If I wasn't a married man--"
-There he would have thought of his wife, and would have sighed
-and said no more.
-
-While the girls were still admiring Francine, the clock struck
-the half-hour past eleven.
-
-Cecilia stole on tiptoe to the door--looked out, and
-listened--closed the door again--and addressed the meeting with
-the irresistible charm of her sweet voice and her persuasive
-smile.
-
-"Are none of you hungry yet?" she inquired. "The teachers are
-safe in their rooms; we have set ourselves right with Francine.
-Why keep the supper waiting under Emily's bed?"
-
-Such reasoning as this, with such personal attractions to
-recommend it, admitted of but one reply. The queen waved her hand
-graciously, and said, "Pull it out."
-
-Is a lovely girl--whose face possesses the crowning charm of
-expression, whose slightest movement reveals the supple symmetry
-of her figure--less lovely because she is blessed with a good
-appetite, and is not ashamed to acknowledge it? With a grace all
-her own, Cecilia dived under the bed, and produced a basket of
-jam tarts, a basket of fruit and sweetmeats, a basket of
-sparkling lemonade, and a superb cake--all paid for by general
-subscriptions, and smuggled into the room by kind connivance of
-the servants. On this occasion, the feast was especially
-plentiful and expensive, in commemoration not only of the arrival
-of the Midsummer holidays, but of the coming freedom of Miss
-Ladd's two leading young ladies. With widely different destinies
-before them, Emily and Cecilia had completed their school life,
-and were now to go out into the world.
-
-The contrast in the characters of the two girls showed itself,
-even in such a trifle as the preparations for supper.
-
-Gentle Cecilia, sitting on the floor surrounded by good things,
-left it to the ingenuity of others to decide whether the baskets
-should be all emptied at once, or handed round
- from bed to bed, one at a time. In the meanwhile, her lovely
-blue eyes rested tenderly on the tarts.
-
-Emily's commanding spirit seized on the reins of government, and
-employed each of her schoolfellows in the occupation which she
-was fittest to undertake. "Miss de Sor, let me look at your hand.
-Ah! I thought so. You have got the thickest wrist among us; you
-shall draw the corks. If you let the lemonade pop, not a drop of
-it goes down your throat. Effie, Annis, Priscilla, you are three
-notoriously lazy girls; it's doing you a true kindness to set you
-to work. Effie, clear the toilet-table for supper; away with the
-combs, the brushes, and the looking-glass. Annis, tear the leaves
-out of your book of exercises, and set them out for plates. No!
-I'll unpack; nobody touches the baskets but me. Priscilla, you
-have the prettiest ears in the room. You shall act as sentinel,
-my dear, and listen at the door. Cecilia, when you have done
-devouring those tarts with your eyes, take that pair of scissors
-(Miss de Sor, allow me to apologize for the mean manner in which
-this school is carried on; the knives and forks are counted and
-locked up every night)--I say take that pair of scissors,
-Cecilia, and carve the cake, and don't keep the largest bit for
-yourself. Are we all ready? Very well. Now take example by me.
-Talk as much as you like, so long as you don't talk too loud.
-There is one other thing before we begin. The men always propose
-toasts on these occasions; let's be like the men. Can any of you
-make a speech? Ah, it falls on me as usual. I propose the first
-toast. Down with all schools and teachers--especially the new
-teacher, who came this half year. Oh, mercy, how it stings!" The
-fixed gas in the lemonade took the orator, at that moment, by the
-throat, and effectually checked the flow of her eloquence. It
-made no difference to the girls. Excepting the ease of feeble
-stomachs, who cares for eloquence in the presence of a
-supper-table? There were no feeble stomachs in that bedroom. With
-what inexhaustible energy Miss Ladd's young ladies ate and drank!
-How merrily they enjoyed the delightful privilege of talking
-nonsense! And--alas! alas!--how vainly they tried, in after life,
-to renew the once unalloyed enjoyment of tarts and lemonade!
-
-In the unintelligible scheme of creation, there appears to be no
-human happiness--not even the happiness of schoolgirls--which is
-ever complete. Just as it was drawing to a close, the enjoyment
-of the feast was interrupted by an alarm from the sentinel at the
-door.
-
-Put out the candle!" Priscilla whispered "Somebody on the
-stairs."
-
-CHAPTER II.
-
-BIOGRAPHY IN THE BEDROOM.
-
-The candle was instantly extinguished. In discreet silence the
-girls stole back to their beds, and listened.
-
-As an aid to the vigilance of the sentinel, the door had been
-left ajar. Through the narrow opening, a creaking of the broad
-wooden stairs of the old house became audible. In another moment
-there was silence. An interval passed, and the creaking was heard
-again. This time, the sound was distant and diminishing. On a
-sudden it stopped. The midnight silence was disturbed no more.
-
-What did this mean?
-
-Had one among the many persons in authority under Miss Ladd's
-roof heard the girls talking, and ascended the stairs to surprise
-them in the act of violating one of the rules of the house? So
-far, such a proceeding was by no means uncommon. But was it
-within the limits of probability that a teacher should alter her
-opinion of her own duty half-way up the stairs, and deliberately
-go back to her own room again? The bare idea of such a thing was
-absurd on the face of it. What more rational explanation could
-ingenuity discover on the spur of the moment?
-
-Francine was the first to offer a suggestion. She shook and
-shivered in her bed, and said, "For heaven's sake, light the
-candle again! It's a Ghost."
-
-"Clear away the supper, you fools, before the ghost can report us
-to Miss Ladd."
-
-With this excellent advice Emily checked the rising panic. The
-door was closed, the candle was lit; all traces of the supper
-disappeared. For five minutes more they listened again. No sound
-came from the stairs; no teacher, or ghost of a teacher, appeared
-at the door.
-
-Having eaten her supper, Cecilia's immediate anxieties were at an
-end; she was at leisure to exert her intelligence for the benefit
-of her schoolfellows. In her gentle ingratiating way, she offered
-a composing suggestion. "When we heard the creaking, I don't
-believe there was anybody on the stairs. In these old houses
-there are always strange noises at night--and they say the stairs
-here were made more than two hundred years since."
-
-The girls looked at each other with a sense of relief--but they
-waited to hear the opinion of the queen. Emily, as usual,
-justified the confidence placed in her. She discovered an
-ingenious method of putting Cecilia's suggestion to the test.
-
-"Let's go on talking," she said. "If Cecilia is right, the
-teachers are all asleep, and we have nothing to fear from them.
-If she's wrong, we shall sooner or later see one of them at the
-door. Don't be alarmed, Miss de Sor. Catching us talking at
-night, in this school, only means a reprimand. Catching us with a
-light, ends in punishment. Blow out the candle."
-
-Francine's belief in the ghost was too sincerely superstitious to
-be shaken: she started up in bed. "Oh, don't leave me in the
-dark! I'll take the punishment, if we are found out."
-
-"On your sacred word of honor?" Emily stipulated.
-
-"Yes--yes."
-
-The queen's sense of humor was tickled.
-
-"There's something funny," she remarked, addressing her subjects,
-"in a big girl like this coming to a new school and beginning
-with a punishment. May I ask if you are a foreigner, Miss de
-Sor?"
-
-"My papa is a Spanish gentleman," Francine answered, with
-dignity.
-
-"And your mamma?"
-
-"My mamma is English."
-
-"And you have always lived in the West Indies?"
-
-"I have always lived in the Island of St. Domingo."
-
-Emily checked off on her fingers the different points thus far
-discovered in the character of Mr. de Sor's daughter. "She's
-ignorant, and superstitious, and foreign, and rich. My dear
-(forgive the familiarity), you are an interesting girl--and we
-must really know more of you. Entertain the bedroom. What have
-you been about all your life? And what in the name of wonder,
-brings you here? Before you begin I insist on one condition, in
-the name of all the young ladies in the room. No useful
-information about the West Indies!"
-
-Francine disappointed her audience.
-
-She was ready enough to make herself an object of interest to her
-companions; but she was not possessed of the capacity to arrange
-events in their proper order, necessary to the recital of the
-simplest narrative. Emily was obliged to help her, by means of
-questions. In one respect, the result justified the trouble taken
-to obtain it. A sufficient reason was discovered for the
-extraordinary appearance of a new pupil, on the day before the
-school closed for the holidays.
-
-Mr. de Sor's elder brother had left him an estate in St. Domingo,
-and a fortune in money as well; on the one easy condition that he
-continued to reside in the island. The question of expense being
-now beneath the notice of the family, Francine had been sent to
-England, especially recommended to Miss Ladd as a young lady with
-grand prospects, sorely in need of a fashionable education. The
-voyage had been so timed, by the advice of the schoolmistress, as
-to make the holidays a means of obtaining this object privately.
-Francine was to be taken to Brighton, where excellent masters
-could be obtained to assist Miss Ladd. With six weeks before her,
-she might in some degree make up for lost time; and, when the
-school opened again, she would avoid the mortification of being
-put down in the lowest class, along with the children.
-
-The examination of Miss de Sor having produced these results was
-pursued no further. Her character now appeared in a new, and not
-very attractive, light. She audaciously took to herself the whole
-credit of telling her story:
-
-"I think it's my turn now," she said, "to be interested and
-amused. May I ask you to begin, Miss Emily? All I know of you at
-present is, t hat your family name is Brown."
-
-Emily held up her hand for silence.
-
-Was the mysterious creaking on the stairs making itself heard
-once more? No. The sound that had caught Emily's quick ear came
-from the beds, on the opposite side of the room, occupied by the
-three lazy girls. With no new alarm to disturb them, Effie,
-Annis, and Priscilla had yielded to the composing influences of a
-good supper and a warm night. They were fast asleep--and the
-stoutest of the three (softly, as became a young lady) was
-snoring!
-
-The unblemished reputation of the bedroom was dear to Emily, in
-her capacity of queen. She felt herself humiliated in the
-presence of the new pupil.
-
-"If that fat girl ever gets a lover," she said indignantly, "I
-shall consider it my duty to warn the poor man before he marries
-her. Her ridiculous name is Euphemia. I have christened her (far
-more appropriately) Boiled Veal. No color in her hair, no color
-in her eyes, no color in her complexion. In short, no flavor in
-Euphemia. You naturally object to snoring. Pardon me if I turn my
-back on you--I am going to throw my slipper at her."
-
-The soft voice of Cecilia--suspiciously drowsy in
-tone--interposed in the interests of mercy.
-
-"She can't help it, poor thing; and she really isn't loud enough
-to disturb us."
-
-"She won't disturb _you_, at any rate! Rouse yourself, Cecilia.
-We are wide awake on this side of the room--and Francine says
-it's our turn to amuse her."
-
-A low murmur, dying away gently in a sigh, was the only answer.
-Sweet Cecilia had yielded to the somnolent influences of the
-supper and the night. The soft infection of repose seemed to be
-in some danger of communicating itself to Francine. Her large
-mouth opened luxuriously in a long-continued yawn.
-
-"Good-night!" said Emily.
-
-Miss de Sor became wide awake in an instant.
-
-"No," she said positively; "you are quite mistaken if you think I
-am going to sleep. Please exert yourself, Miss Emily--I am
-waiting to be interested."
-
-Emily appeared to be unwilling to exert herself. She preferred
-talking of the weather.
-
-"Isn't the wind rising?" she said.
-
-There could be no doubt of it. The leaves in the garden were
-beginning to rustle, and the pattering of the rain sounded on the
-windows.
-
-Francine (as her straight chin proclaimed to all students of
-physiognomy) was an obstinate girl. Determined to carry her point
-she tried Emily's own system on Emily herself--she put questions.
-
-"Have you been long at this school?"
-
-"More than three years."
-
-"Have you got any brothers and sisters?"
-
-"I am the only child."
-
-"Are your father and mother alive?"
-
-Emily suddenly raised herself in bed.
-
-"Wait a minute," she said; "I think I hear it again."
-
-"The creaking on the stairs?"
-
-"Yes."
-
-Either she was mistaken, or the change for the worse in the
-weather made it not easy to hear slight noises in the house. The
-wind was still rising. The passage of it through the great trees
-in the garden began to sound like the fall of waves on a distant
-beach. It drove the rain--a heavy downpour by this time--rattling
-against the windows.
-
-"Almost a storm, isn't it?" Emily said
-
-Francine's last question had not been answered yet. She took the
-earliest opportunity of repeating it:
-
-"Never mind the weather," she said. "Tell me about your father
-and mother. Are they both alive?"
-
-Emily's reply only related to one of her parents.
-
-"My mother died before I was old enough to feel my loss."
-
-"And your father?"
-
-Emily referred to another relative--her father's sister. "Since I
-have grown up," she proceeded, "my good aunt has been a second
-mother to me. My story is, in one respect, the reverse of yours.
-You are unexpectedly rich; and I am unexpectedly poor. My aunt's
-fortune was to have been my fortune, if I outlived her. She has
-been ruined by the failure of a bank. In her old age, she must
-live on an income of two hundred a year--and I must get my own
-living when I leave school."
-
-"Surely your father can help you?" Francine persisted.
-
-"His property is landed property." Her voice faltered, as she
-referred to him, even in that indirect manner. "It is entailed;
-his nearest male relative inherits it."
-
-The delicacy which is easily discouraged was not one of the
-weaknesses in the nature of Francine.
-
-"Do I understand that your father is dead?" she asked.
-
-Our thick-skinned fellow-creatures have the rest of us at their
-mercy: only give them time, and they carry their point in the
-end. In sad subdued tones--telling of deeply-rooted reserves of
-feeling, seldom revealed to strangers--Emily yielded at last.
-
-"Yes," she said, "my father is dead."
-
-"Long ago?"
-
-"Some people might think it long ago. I was very fond of my
-father. It's nearly four years since he died, and my heart still
-aches when I think of him. I'm not easily depressed by troubles,
-Miss de Sor. But his death was sudden--he was in his grave when I
-first heard of it--and-- Oh, he was so good to me; he was so good
-to me!"
-
-The gay high-spirited little creature who took the lead among
-them all--who was the life and soul of the school--hid her face
-in her hands, and burst out crying.
-
-Startled and--to do her justice--ashamed, Francine attempted to
-make excuses. Emily's generous nature passed over the cruel
-persistency that had tortured her. "No no; I have nothing to
-forgive. It isn't your fault. Other girls have not mothers and
-brothers and sisters--and get reconciled to such a loss as mine.
-Don't make excuses."
-
-"Yes, but I want you to know that I feel for you," Francine
-insisted, without the slightest approach to sympathy in face,
-voice, or manner. "When my uncle died, and left us all the money,
-papa was much shocked. He trusted to time to help him."
-
-"Time has been long about it with me, Francine. I am afraid there
-is something perverse in my nature; the hope of meeting again in
-a better world seems so faint and so far away. No more of it now!
-Let us talk of that good creature who is asleep on the other side
-of you. Did I tell you that I must earn my own bread when I leave
-school? Well, Cecilia has written home and found an employment
-for me. Not a situation as governess--something quite out of the
-common way. You shall hear all about it."
-
-In the brief interval that had passed, the weather had begun to
-change again. The wind was as high as ever; but to judge by the
-lessening patter on the windows the rain was passing away.
-
-Emily began.
-
-She was too grateful to her friend and school-fellow, and too
-deeply interested in her story, to notice the air of indifference
-with which Francine settled herself on her pillow to hear the
-praises of Cecilia. The most beautiful girl in the school was not
-an object of interest to a young lady with an obstinate chin and
-unfortunately-placed eyes. Pouring warm from the speaker's heart
-the story ran smoothly on, to the monotonous accompaniment of the
-moaning wind. By fine degrees Francine's eyes closed, opened and
-closed again. Toward the latter part of the narrative Emily's
-memory became, for the moment only, confused between two events.
-She stopped to consider--noticed Francine's silence, in an
-interval when she might have said a word of encouragement--and
-looked closer at her. Miss de Sor was asleep.
-
-"She might have told me she was tired," Emily said to herself
-quietly. "Well! the best thing I can do is to put out the light
-and follow her example."
-
-As she took up the extinguisher, the bedroom door was suddenly
-opened from the outer side. A tall woman, robed in a black
-dressing-gown, stood on the threshold, looking at Emily.
-
-
-CHAPTER III.
-
-THE LATE MR. BROWN.
-
-The woman's lean, long-fingered hand pointed to the candle.
-
-"Don't put it out." Saying those words, she looked round the
-room, and satisfied herself that the other girls were asleep.
-
-Emily laid down the extinguisher. "You mean to report us, of
-course," she said. "I am the only one awake, Miss Jethro; lay the
-blame on me."
-
-"I have no intention of reporting you. But I have something to
-say."
-
-She paused, and pushed her thick black hair (already streaked
-with gray) back from her temples. Her eyes, large and dark and
-dim, rested on Emily with a sorrowful interest. "When your young
-friends wake to-morrow morning," she went on, "you can tell them
-that the new teacher, whom nobody likes, has left the school."
-
-For once, even quick-witted Emily was bewildered. "Going away,"
-she said, "when you have only been here since Easter!"
-
-Miss Jethro advanced, not noticing Emily's expression of
-surprise. "I am not very strong at the best of times," she
-continued, "may I sit down on your bed?" Remarkable on other
-occasions for her cold composure, her voice trembled as she made
-that request--a strange request surely, when there were chairs at
-her disposal.
-
-Emily made room for her with the dazed look of a girl in a dream.
-"I beg your pardon, Miss Jethro, one of the things I can't endure
-is being puzzled. If you don't mean to report us, why did you
-come in and catch me with the light?"
-
-Miss Jethro's explanation was far from relieving the perplexity
-which her conduct had caused.
-
-"I have been mean enough," she answered, "to listen at the door,
-and I heard you talking of your father. I want to hear more about
-him. That is why I came in."
-
-"You knew my father!" Emily exclaimed.
-
-"I believe I knew him. But his name is so common--there are so
-many thousands of 'James Browns' in England--that I am in fear of
-making a mistake. I heard you say that he died nearly four years
-since. Can you mention any particulars which might help to
-enlighten me? If you think I am taking a liberty--"
-
-Emily stopped her. "I would help you if I could," she said. "But
-I was in poor health at the time; and I was staying with friends
-far away in Scotland, to try change of air. The news of my
-father's death brought on a relapse. Weeks passed before I was
-strong enough to travel--weeks and weeks before I saw his grave!
-I can only tell you what I know from my aunt. He died of
-heart-complaint."
-
-Miss Jethro started.
-
-Emily looked at her for the first time, with eyes that betrayed a
-feeling of distrust. "What have I said to startle you?" she
-asked.
-
-"Nothing! I am nervous in stormy weather--don't notice me." She
-went on abruptly with her inquiries. "Will you tell me the date
-of your father's death?"
-
-"The date was the thirtieth of September, nearly four years
-since."
-
-She waited, after that reply.
-
-Miss Jethro was silent.
-
-"And this," Emily continued, "is the thirtieth of June, eighteen
-hundred and eighty-one. You can now judge for yourself. Did you
-know my father?"
-
-Miss Jethro answered mechanically, using the same words.
-
-"I did know your father."
-
-Emily's feeling of distrust was not set at rest. "I never heard
-him speak of you," she said.
-
-In her younger days the teacher must have been a handsome woman.
-Her grandly-formed features still suggested the idea of imperial
-beauty--perhaps Jewish in its origin. When Emily said, "I never
-heard him speak of you," the color flew into her pallid cheeks:
-her dim eyes became alive again with a momentary light. She left
-her seat on the bed, and, turning away, mastered the emotion that
-shook her.
-
-"How hot the night is!" she said: and sighed, and resumed the
-subject with a steady countenance. "I am not surprised that your
-father never mentioned me--to _you_." She spoke quietly, but her
-face was paler than ever. She sat down again on the bed. "Is
-there anything I can do for you," she asked, "before I go away?
-Oh, I only mean some trifling service that would lay you under no
-obligation, and would not oblige you to keep up your acquaintance
-with me."
-
-Her eyes--the dim black eyes that must once have been
-irresistibly beautiful--looked at Emily so sadly that the
-generous girl reproached herself for having doubted her father's
-friend. "Are you thinking of _him_," she said gently, "when you
-ask if you can be of service to me?"
-
-Miss Jethro made no direct reply. "You were fond of your father?"
-she added, in a whisper. "You told your schoolfellow that your
-heart still aches when you speak of him."
-
-"I only told her the truth," Emily answered simply.
-
-Miss Jethro shuddered--on that hot night!--shuddered as if a
-chill had struck her.
-
-Emily held out her hand; the kind feeling that had been roused in
-her glittered prettily in her eyes. "I am afraid I have not done
-you justice," she said. "Will you forgive me and shake hands?"
-
-Miss Jethro rose, and drew back. "Look at the light!" she
-exclaimed.
-
-The candle was all burned out. Emily still offered her hand--and
-still Miss Jethro refused to see it.
-
-"There is just light enough left," she said, "to show me my way
-to the door. Good-night--and good-by."
-
-Emily caught at her dress, and stopped her. "Why won't you shake
-hands with me?" she asked.
-
-The wick of the candle fell over in the socket, and left them in
-the dark. Emily resolutely held the teacher's dress. With or
-without light, she was still bent on making Miss Jethro explain
-herself.
-
-They had throughout spoken in guarded tones, fearing to disturb
-the sleeping girls. The sudden darkness had its inevitable
-effect. Their voices sank to whispers now. "My father's friend,"
-Emily pleaded, "is surely my friend?"
-
-"Drop the subject."
-
-"Why?"
-
-"You can never be _my_ friend."
-
-"Why not?"
-
-"Let me go!"
-
-Emily's sense of self-respect forbade her to persist any longer.
-"I beg your pardon for having kept you here against your will,"
-she said--and dropped her hold on the dress.
-
-Miss Jethro instantly yielded on her side. "I am sorry to have
-been obstinate," she answered. "If you do despise me, it is after
-all no more than I have deserved." Her hot breath beat on Emily's
-face: the unhappy woman must have bent over the bed as she made
-her confession. "I am not a fit person for you to associate
-with."
-
-"I don't believe it!"
-
-Miss Jethro sighed bitterly. "Young and warm hearted--I was once
-like you!" She controlled that outburst of despair. Her next
-words were spoken in steadier tones. "You _will_ have it--you
-_shall_ have it!" she said. "Some one (in this house or out of
-it; I don't know which) has betrayed me to the mistress of the
-school. A wretch in my situation suspects everybody, and worse
-still, does it without reason or excuse. I heard you girls
-talking when you ought to have been asleep. You all dislike me.
-How did I know it mightn't be one of you? Absurd, to a person
-with a well-balanced mind! I went halfway up the stairs, and felt
-ashamed of myself, and went back to my room. If I could only have
-got some rest! Ah, well, it was not to be done. My own vile
-suspicions kept me awake; I left my bed again. You know what I
-heard on the other side of that door, and why I was interested in
-hearing it. Your father never told me he had a daughter. 'Miss
-Brown,' at this school, was any 'Miss Brown,' to me. I had no
-idea of who you really were until to-night. I'm wandering. What
-does all this matter to you? Miss Ladd has been merciful; she
-lets me go without exposing me. You can guess what has happened.
-No? Not even yet? Is it innocence or kindness that makes you so
-slow to understand? My dear, I have obtained admission to this
-respectable house by means of false references, and I have been
-discovered. _Now_ you know why you must not be the friend of such
-a woman as I am! Once more, good-night--and good-by."
-
-Emily shrank from that miserable farewell.
-
-"Bid me good-night," she said, "but don't bid me good-by. Let me
-see you again."
-
-"Never!"
-
-The sound of the softly-closed door was just audible in the
-darkness. She had spoken--she had gone--never to be seen by Emily
-again.
-
-Miserable, interesting, unfathomable creature--the problem that
-night of Emily's waking thoughts: the phantom of her dreams.
-"Bad? or good?" she asked herself. "False; for she listened at
-the door. True; for she told me the tale of her own disgrace. A
-friend of my father; and she never knew that he had a daughter.
-Refined, accomplished, lady-like; and she stoops to use a false
-reference. Who is to reconcile such contradictions as these?"
-
-Dawn looked in at the window--dawn of the memorable day which
-was, for Emily, the beginning of a new life. The years were
-before her; and the years in their course reveal baffling
-mysteries of life and death.
-
-
-CHAPTER IV.
-
-MISS LADD'S DRAWING-MASTER.
-
-Francine was awakened the next morning by one of the housemaids,
-bringing up her breakfast on a tray. Astonished at this
-concession to laziness, i n an institution devoted to the
-practice of all virtues, she looked round. The bedroom was
-deserted.
-
-"The other young ladies are as busy as bees, miss," the housemaid
-explained. "They were up and dressed two hours ago: and the
-breakfast has been cleared away long since. It's Miss Emily's
-fault. She wouldn't allow them to wake you; she said you could be
-of no possible use downstairs, and you had better be treated like
-a visitor. Miss Cecilia was so distressed at your missing your
-breakfast that she spoke to the housekeeper, and I was sent up to
-you. Please to excuse it if the tea's cold. This is Grand Day,
-and we are all topsy-turvy in consequence."
-
-Inquiring what "Grand Day" meant, and why it produced this
-extraordinary result in a ladies' school, Francine discovered
-that the first day of the vacation was devoted to the
-distribution of prizes, in the presence of parents, guardians and
-friends. An Entertainment was added, comprising those merciless
-tests of human endurance called Recitations; light refreshments
-and musical performances being distributed at intervals, to
-encourage the exhausted audience. The local newspaper sent a
-reporter to describe the proceedings, and some of Miss Ladd's
-young ladies enjoyed the intoxicating luxury of seeing their
-names in print.
-
-"It begins at three o'clock," the housemaid went on, "and, what
-with practicing and rehearsing, and ornamenting the schoolroom,
-there's a hubbub fit to make a person's head spin. Besides
-which," said the girl, lowering her voice, and approaching a
-little nearer to Francine, "we have all been taken by surprise.
-The first thing in the morning Miss Jethro left us, without
-saying good-by to anybody."
-
-"Who is Miss Jethro?"
-
-"The new teacher, miss. We none of us liked her, and we all
-suspect there's something wrong. Miss Ladd and the clergyman had
-a long talk together yesterday (in private, you know), and they
-sent for Miss Jethro--which looks bad, doesn't it? Is there
-anything more I can do for you, miss? It's a beautiful day after
-the rain. If I was you, I should go and enjoy myself in the
-garden."
-
-Having finished her breakfast, Francine decided on profiting by
-this sensible suggestion.
-
-The servant who showed her the way to the garden was not
-favorably impressed by the new pupil: Francine's temper asserted
-itself a little too plainly in her face. To a girl possessing a
-high opinion of her own importance it was not very agreeable to
-feel herself excluded, as an illiterate stranger, from the one
-absorbing interest of her schoolfellows. "Will the time ever
-come," she wondered bitterly, "when I shall win a prize, and sing
-and play before all the company? How I should enjoy making the
-girls envy me!"
-
-A broad lawn, overshadowed at one end by fine old trees--flower
-beds and shrubberies, and winding paths prettily and invitingly
-laid out--made the garden a welcome refuge on that fine summer
-morning. The novelty of the scene, after her experience in the
-West Indies, the delicious breezes cooled by the rain of the
-night, exerted their cheering influence even on the sullen
-disposition of Francine. She smiled, in spite of herself, as she
-followed the pleasant paths, and heard the birds singing their
-summer songs over her head.
-
-Wandering among the trees, which occupied a considerable extent
-of ground, she passed into an open space beyond, and discovered
-an old fish-pond, overgrown by aquatic plants. Driblets of water
-trickled from a dilapidated fountain in the middle. On the
-further side of the pond the ground sloped downward toward the
-south, and revealed, over a low paling, a pretty view of a
-village and its church, backed by fir woods mounting the heathy
-sides of a range of hills beyond. A fanciful little wooden
-building, imitating the form of a Swiss cottage, was placed so as
-to command the prospect. Near it, in the shadow of the building,
-stood a rustic chair and table--with a color-box on one, and a
-portfolio on the other. Fluttering over the grass, at the mercy
-of the capricious breeze, was a neglected sheet of drawing-paper.
-Francine ran round the pond, and picked up the paper just as it
-was on the point of being tilted into the water. It contained a
-sketch in water colors of the village and the woods, and Francine
-had looked at the view itself with indifference--the picture of
-the view interested her. Ordinary visitors to Galleries of Art,
-which admit students, show the same strange perversity. The work
-of the copyist commands their whole attention; they take no
-interest in the original picture.
-
-Looking up from the sketch, Francine was startled. She discovered
-a man, at the window of the Swiss summer-house, watching her.
-
-"When you have done with that drawing," he said quietly, "please
-let me have it back again."
-
-He was tall and thin and dark. His finely-shaped intelligent
-face--hidden, as to the lower part of it, by a curly black
-beard--would have been absolutely handsome, even in the eyes of a
-schoolgirl, but for the deep furrows that marked it prematurely
-between the eyebrows, and at the sides of the mouth. In the same
-way, an underlying mockery impaired the attraction of his
-otherwise refined and gentle manner. Among his fellow-creatures,
-children and dogs were the only critics who appreciated his
-merits without discovering the defects which lessened the
-favorable appreciation of him by men and women. He dressed
-neatly, but his morning coat was badly made, and his picturesque
-felt hat was too old. In short, there seemed to be no good
-quality about him which was not perversely associated with a
-drawback of some kind. He was one of those harmless and luckless
-men, possessed of excellent qualities, who fail nevertheless to
-achieve popularity in their social sphere.
-
-Francine handed his sketch to him, through the window; doubtful
-whether the words that he had addressed to her were spoken in
-jest or in earnest.
-
-"I only presumed to touch your drawing," she said, "because it
-was in danger."
-
-"What danger?" he inquired.
-
-Francine pointed to the pond. "If I had not been in time to pick
-it up, it would have been blown into the water."
-
-"Do you think it was worth picking up?"
-
-Putting that question, he looked first at the sketch--then at the
-view which it represented--then back again at the sketch. The
-corners of his mouth turned upward with a humorous expression of
-scorn. "Madam Nature," he said, "I beg your pardon." With those
-words, he composedly tore his work of art into small pieces, and
-scattered them out of the window.
-
-"What a pity!" said Francine.
-
-He joined her on the ground outside the cottage. "Why is it a
-pity?" he asked.
-
-"Such a nice drawing."
-
-"It isn't a nice drawing."
-
-"You're not very polite, sir."
-
-He looked at her--and sighed as if he pitied so young a woman for
-having a temper so ready to take offense. In his flattest
-contradictions he always preserved the character of a
-politely-positive man.
-
-"Put it in plain words, miss," he replied. "I have offended the
-predominant sense in your nature--your sense of self-esteem. You
-don't like to be told, even indirectly, that you know nothing of
-Art. In these days, everybody knows everything--and thinks
-nothing worth knowing after all. But beware how you presume on an
-appearance of indifference, which is nothing but conceit in
-disguise. The ruling passion of civilized humanity is, Conceit.
-You may try the regard of your dearest friend in any other way,
-and be forgiven. Ruffle the smooth surface of your friend's
-self-esteem--and there will be an acknowledged coolness between
-you which will last for life. Excuse me for giving you the
-benefit of my trumpery experience. This sort of smart talk is
-_my_ form of conceit. Can I be of use to you in some better way?
-Are you looking for one of our young ladies?"
-
-Francine began to feel a certain reluctant interest in him when
-he spoke of "our young ladies." She asked if he belonged to the
-school.
-
-The corners of his mouth turned up again. "I'm one of the
-masters," he said. "Are _you_ going to belong to the school,
-too?"
-
-Francine bent her head, with a gravity and condescension intended
-to keep him at his proper distance. Far from being discouraged,
-he permitted his curiosity to t ake additional liberties. "Are
-you to have the misfortune of being one of my pupils?" he asked.
-
-"I don't know who you are."
-
-"You won't be much wiser when you do know. My name is Alban
-Morris."
-
-Francine corrected herself. "I mean, I don't know what you
-teach."
-
-Alban Morris pointed to the fragments of his sketch from Nature.
-"I am a bad artist," he said. "Some bad artists become Royal
-Academicians. Some take to drink. Some get a pension. And some--I
-am one of them--find refuge in schools. Drawing is an 'Extra' at
-this school. Will you take my advice? Spare your good father's
-pocket; say you don't want to learn to draw."
-
-He was so gravely in earnest that Francine burst out laughing.
-"You are a strange man," she said.
-
-"Wrong again, miss. I am only an unhappy man."
-
-The furrows in his face deepened, the latent humor died out of
-his eyes. He turned to the summer-house window, and took up a
-pipe and tobacco pouch, left on the ledge.
-
-"I lost my only friend last year," he said. "Since the death of
-my dog, my pipe is the one companion I have left. Naturally I am
-not allowed to enjoy the honest fellow's society in the presence
-of ladies. They have their own taste in perfumes. Their clothes
-and their letters reek with the foetid secretion of the musk
-deer. The clean vegetable smell of tobacco is unendurable to
-them. Allow me to retire--and let me thank you for the trouble
-you took to save my drawing."
-
-The tone of indifference in which he expressed his gratitude
-piqued Francine. She resented it by drawing her own conclusion
-from what he had said of the ladies and the musk deer. "I was
-wrong in admiring your drawing," she remarked; "and wrong again
-in thinking you a strange man. Am I wrong, for the third time, in
-believing that you dislike women?"
-
-"I am sorry to say you are right," Alban Morris answered gravely.
-
-"Is there not even one exception?"
-
-The instant the words passed her lips, she saw that there was
-some secretly sensitive feeling in him which she had hurt. His
-black brows gathered into a frown, his piercing eyes looked at
-her with angry surprise. It was over in a moment. He raised his
-shabby hat, and made her a bow.
-
-"There is a sore place still left in me," he said; "and you have
-innocently hit it. Good-morning."
-
-Before she could speak again, he had turned the corner of the
-summer-house, and was lost to view in a shrubbery on the westward
-side of the grounds.
-
-
-CHAPTER V.
-
-DISCOVERIES IN THE GARDEN.
-
-Left by herself, Miss de Sor turned back again by way of the
-trees.
-
-So far, her interview with the drawing-master had helped to pass
-the time. Some girls might have found it no easy task to arrive
-at a true view of the character of Alban Morris. Francine's
-essentially superficial observation set him down as "a little
-mad," and left him there, judged and dismissed to her own entire
-satisfaction.
-
-Arriving at the lawn, she discovered Emily pacing backward and
-forward, with her head down and her hands behind her, deep in
-thought. Francine's high opinion of herself would have carried
-her past any of the other girls, unless they had made special
-advances to her. She stopped and looked at Emily.
-
-It is the sad fate of little women in general to grow too fat and
-to be born with short legs. Emily's slim finely-strung figure
-spoke for itself as to the first of these misfortunes, and
-asserted its happy freedom from the second, if she only walked
-across a room. Nature had built her, from head to foot, on a
-skeleton-scaffolding in perfect proportion. Tall or short matters
-little to the result, in women who possess the first and foremost
-advantage of beginning well in their bones. When they live to old
-age, they often astonish thoughtless men, who walk behind them in
-the street. "I give you my honor, she was as easy and upright as
-a young girl; and when you got in front of her and looked--white
-hair, and seventy years of age."
-
-Francine approached Emily, moved by a rare impulse in her
-nature--the impulse to be sociable. "You look out of spirits,"
-she began. "Surely you don't regret leaving school?"
-
-In her present mood, Emily took the opportunity (in the popular
-phrase) of snubbing Francine. "You have guessed wrong; I do
-regret," she answered. "I have found in Cecilia my dearest friend
-at school. And school brought with it the change in my life which
-has helped me to bear the loss of my father. If you must know
-what I was thinking of just now, I was thinking or my aunt. She
-has not answered my last letter--and I'm beginning to be afraid
-she is ill."
-
-"I'm very sorry," said Francine.
-
-"Why? You don't know my aunt; and you have only known me since
-yesterday afternoon. Why are you sorry?"
-
-Francine remained silent. Without realizing it, she was beginning
-to feel the dominant influence that Emily exercised over the
-weaker natures that came in contact with her. To find herself
-irresistibly attracted by a stranger at a new school--an
-unfortunate little creature, whose destiny was to earn her own
-living--filled the narrow mind of Miss de Sor with perplexity.
-Having waited in vain for a reply, Emily turned away, and resumed
-the train of thought which her schoolfellow had interrupted.
-
-
-
-By an association of ideas, of which she was not herself aware,
-she now passed from thinking of her aunt to thinking of Miss
-Jethro. The interview of the previous night had dwelt on her mind
-at intervals, in the hours of the new day.
-
-Acting on instinct rather than on reason, she had kept that
-remarkable incident in her school life a secret from every one.
-No discoveries had been made by other persons. In speaking to her
-staff of teachers, Miss Ladd had alluded to the affair in the
-most cautious terms. "Circumstances of a private nature have
-obliged the lady to retire from my school. When we meet after the
-holidays, another teacher will be in her place." There, Miss
-Ladd's explanation had begun and ended. Inquiries addressed to
-the servants had led to no result. Miss Jethro's luggage was to
-be forwarded to the London terminus of the railway--and Miss
-Jethro herself had baffled investigation by leaving the school on
-foot. Emily's interest in the lost teacher was not the transitory
-interest of curiosity; her father's mysterious friend was a
-person whom she honestly desired to see again. Perplexed by the
-difficulty of finding a means of tracing Miss Jethro, she reached
-the shady limit of the trees, and turned to walk back again.
-Approaching the place at which she and Francine had met, an idea
-occurred to her. It was just possible that Miss Jethro might not
-be unknown to her aunt.
-
-Still meditating on the cold reception that she had encountered,
-and still feeling the influence which mastered her in spite of
-herself, Francine interpreted Emily's return as an implied
-expression of regret. She advanced with a constrained smile, and
-spoke first.
-
-"How are the young ladies getting on in the schoolroom?" she
-asked, by way of renewing the conversation.
-
-Emily's face assumed a look of surprise which said plainly, Can't
-you take a hint and leave me to myself?
-
-Francine was constitutionally impenetrable to reproof of this
-sort; her thick skin was not even tickled. "Why are you not
-helping them," she went on; "you who have the clearest head among
-us and take the lead in everything?"
-
-It may be a humiliating confession to make, yet it is surely true
-that we are all accessible to flattery. Different tastes
-appreciate different methods of burning incense--but the perfume
-is more or less agreeable to all varieties of noses. Francine's
-method had its tranquilizing effect on Emily. She answered
-indulgently, "Miss de Sor, I have nothing to do with it."
-
-"Nothing to do with it? No prizes to win before you leave
-school?"
-
-"I won all the prizes years ago."
-
-"But there are recitations. Surely you recite?"
-
-Harmless words in themselves, pursuing the same smooth course of
-flattery as before--but with what a different result! Emily's
-face reddened with anger the moment they were spoken. Having
-already irritated Alban Morris, unlucky Francine, by a second
-mischievous interposition of accident, had succeeded in making
-Emily smart next. "Who has told you," she burst out; "I insist on
-knowing!"
-
-"Nobod y has told me anything!" Francine declared piteously.
-
-"Nobody has told you how I have been insulted?"
-
-"No, indeed! Oh, Miss Brown, who could insult _you?_"
-
-In a man, the sense of injury does sometimes submit to the
-discipline of silence. In a woman--never. Suddenly reminded of
-her past wrongs (by the pardonable error of a polite
-schoolfellow), Emily committed the startling inconsistency of
-appealing to the sympathies of Francine!
-
-"Would you believe it? I have been forbidden to recite--I, the
-head girl of the school. Oh, not to-day! It happened a month
-ago--when we were all in consultation, making our arrangements.
-Miss Ladd asked me if I had decided on a piece to recite. I said,
-'I have not only decided, I have learned the piece.' 'And what
-may it be?' 'The dagger-scene in Macbeth.' There was a howl--I
-can call it by no other name--a howl of indignation. A man's
-soliloquy, and, worse still, a murdering man's soliloquy, recited
-by one of Miss Ladd's young ladies, before an audience of parents
-and guardians! That was the tone they took with me. I was as firm
-as a rock. The dagger-scene or nothing. The result is--nothing!
-An insult to Shakespeare, and an insult to Me. I felt it--I feel
-it still. I was prepared for any sacrifice in the cause of the
-drama. If Miss Ladd had met me in a proper spirit, do you know
-what I would have done? I would have played Macbeth in costume.
-Just hear me, and judge for yourself. I begin with a dreadful
-vacancy in my eyes, and a hollow moaning in my voice: 'Is this a
-dagger that I see before me--?'"
-
-Reciting with her face toward the trees, Emily started, dropped
-the character of Macbeth, and instantly became herself again:
-herself, with a rising color and an angry brightening of the
-eyes. "Excuse me, I can't trust my memory: I must get the play."
-With that abrupt apology, she walked away rapidly in the
-direction of the house.
-
-In some surprise, Francine turned, and looked at the trees. She
-discovered--in full retreat, on his side--the eccentric
-drawing-master, Alban Morris.
-
-Did he, too, admire the dagger-scene? And was he modestly
-desirous of hearing it recited, without showing himself? In that
-case, why should Emily (whose besetting weakness was certainly
-not want of confidence in her own resources) leave the garden the
-moment she caught sight of him? Francine consulted her instincts.
-She had just arrived at a conclusion which expressed itself
-outwardly by a malicious smile, when gentle Cecilia appeared on
-the lawn--a lovable object in a broad straw hat and a white
-dress, with a nosegay in her bosom--smiling, and fanning herself.
-
-"It's so hot in the schoolroom," she said, "and some of the
-girls, poor things, are so ill-tempered at rehearsal--I have made
-my escape. I hope you got your breakfast, Miss de Sor. What have
-you been doing here, all by yourself?"
-
-"I have been making an interesting discovery," Francine replied.
-
-"An interesting discovery in our garden? What _can_ it be?"
-
-"The drawing-master, my dear, is in love with Emily. Perhaps she
-doesn't care about him. Or, perhaps, I have been an innocent
-obstacle in the way of an appointment between them."
-
-Cecilia had breakfasted to her heart's content on her favorite
-dish--buttered eggs. She was in such good spirits that she was
-inclined to be coquettish, even when there was no man present to
-fascinate. "We are not allowed to talk about love in this
-school," she said--and hid her face behind her fan. "Besides, if
-it came to Miss Ladd's ears, poor Mr. Morris might lose his
-situation."
-
-"But isn't it true?" asked Francine.
-
-"It may be true, my dear; but nobody knows. Emily hasn't breathed
-a word about it to any of us. And Mr. Morris keeps his own
-secret. Now and then we catch him looking at her--and we draw our
-own conclusions."
-
-"Did you meet Emily on your way here?"
-
-"Yes, and she passed without speaking to me."
-
-"Thinking perhaps of Mr. Morris."
-
-Cecilia shook her head. "Thinking, Francine, of the new life
-before her--and regretting, I am afraid, that she ever confided
-her hopes and wishes to me. Did she tell you last night what her
-prospects are when she leaves school?"
-
-"She told me you had been very kind in helping her. I daresay I
-should have heard more, if I had not fallen asleep. What is she
-going to do?"
-
-"To live in a dull house, far away in the north," Cecilia
-answered; "with only old people in it. She will have to write and
-translate for a great scholar, who is studying mysterious
-inscriptions--hieroglyphics, I think they are called--found among
-the ruins of Central America. It's really no laughing matter,
-Francine! Emily made a joke of it, too. 'I'll take anything but a
-situation as a governess,' she said; 'the children who have Me to
-teach them would be to be pitied indeed!' She begged and prayed
-me to help her to get an honest living. What could I do? I could
-only write home to papa. He is a member of Parliament: and
-everybody who wants a place seems to think he is bound to find it
-for them. As it happened, he had heard from an old friend of his
-(a certain Sir Jervis Redwood), who was in search of a secretary.
-Being in favor of letting the women compete for employment with
-the men, Sir Jervis was willing to try, what he calls, 'a
-female.' Isn't that a horrid way of speaking of us? and Miss Ladd
-says it's ungrammatical, besides. Papa had written back to say he
-knew of no lady whom he could recommend. When he got my letter
-speaking of Emily, he kindly wrote again. In the interval, Sir
-Jervis had received two applications for the vacant place. They
-were both from old ladies--and he declined to employ them."
-
-"Because they were old," Francine suggested maliciously.
-
-"You shall hear him give his own reasons, my dear. Papa sent me
-an extract from his letter. It made me rather angry; and (perhaps
-for that reason) I think I can repeat it word for word:--'We are
-four old people in this house, and we don't want a fifth. Let us
-have a young one to cheer us. If your daughter's friend likes the
-terms, and is not encumbered with a sweetheart, I will send for
-her when the school breaks up at midsummer.' Coarse and
-selfish--isn't it? However, Emily didn't agree with me, when I
-showed her the extract. She accepted the place, very much to her
-aunt's surprise and regret, when that excellent person heard of
-it. Now that the time has come (though Emily won't acknowledge
-it), I believe she secretly shrinks, poor dear, from the
-prospect."
-
-"Very likely," Francine agreed--without even a pretense of
-sympathy. "But tell me, who are the four old people?"
-
-"First, Sir Jervis himself--seventy, last birthday. Next, his
-unmarried sister--nearly eighty. Next, his man-servant, Mr.
-Rook--well past sixty. And last, his man-servant's wife, who
-considers herself young, being only a little over forty. That is
-the household. Mrs. Rook is coming to-day to attend Emily on the
-journey to the North; and I am not at all sure that Emily will
-like her."
-
-"A disagreeable woman, I suppose?"
-
-"No--not exactly that. Rather odd and flighty. The fact is, Mrs.
-Rook has had her troubles; and perhaps they have a little
-unsettled her. She and her husband used to keep the village inn,
-close to our park: we know all about them at home. I am sure I
-pity these poor people. What are you looking at, Francine?"
-
-Feeling no sort of interest in Mr. and Mrs. Rook, Francine was
-studying her schoolfellow's lovely face in search of defects. She
-had already discovered that Cecilia's eyes were placed too widely
-apart, and that her chin wanted size and character.
-
-"I was admiring your complexion, dear," she answered coolly.
-"Well, and why do you pity the Rooks?"
-
-Simple Cecilia smiled, and went on with her story.
-
-"They are obliged to go out to service in their old age, through
-a misfortune for which they are in no way to blame. Their
-customers deserted the inn, and Mr. Rook became bankrupt. The inn
-got what they call a bad name--in a very dreadful way. There was
-a murder committed in the house."
-
-"A murder?" cried Francine. "Oh, this is exciting! You provoking
-girl, why didn't you tell me about it before?"
-
-"I didn't think of it," said Cecilia placidly.
-
-"Do go on! Were you at home when it happened?"
-
-"I w as here, at school."
-
-"You saw the newspapers, I suppose?"
-
-"Miss Ladd doesn't allow us to read newspapers. I did hear of it,
-however, in letters from home. Not that there was much in the
-letters. They said it was too horrible to be described. The poor
-murdered gentleman--"
-
-Francine was unaffectedly shocked. "A gentleman!" she exclaimed.
-"How dreadful!"
-
-"The poor man was a stranger in our part of the country," Cecilia
-resumed; "and the police were puzzled about the motive for a
-murder. His pocketbook was missing; but his watch and his rings
-were found on the body. I remember the initials on his linen
-because they were the same as my mother's initial before she was
-married--'J. B.' Really, Francine, that's all I know about it."
-
-"Surely you know whether the murderer was discovered?"
-
-"Oh, yes--of course I know that! The government offered a reward;
-and clever people were sent from London to help the county
-police. Nothing came of it. The murderer has never been
-discovered, from that time to this."
-
-"When did it happen?"
-
-"It happened in the autumn."
-
-"The autumn of last year?"
-
-"No! no! Nearly four years since."
-
-
-CHAPTER VI.
-
-ON THE WAY TO THE VILLAGE.
-
-Alban Morris--discovered by Emily in concealment among the
-trees--was not content with retiring to another part of the
-grounds. He pursued his retreat, careless in what direction it
-might take him, to a footpath across the fields, which led to the
-highroad and the railway station.
-
-Miss Ladd's drawing-master was in that state of nervous
-irritability which seeks relief in rapidity of motion. Public
-opinion in the neighborhood (especially public opinion among the
-women) had long since decided that his manners were offensive,
-and his temper incurably bad. The men who happened to pass him on
-the footpath said "Good-morning" grudgingly. The women took no
-notice of him--with one exception. She was young and saucy, and
-seeing him walking at the top of his speed on the way to the
-railway station, she called after him, "Don't be in a hurry, sir!
-You're in plenty of time for the London train."
-
-To her astonishment he suddenly stopped. His reputation for
-rudeness was so well established that she moved away to a safe
-distance, before she ventured to look at him again. He took no
-notice of her--he seemed to be considering with himself. The
-frolicsome young woman had done him a service: she had suggested
-an idea.
-
-"Suppose I go to London?" he thought. "Why not?--the school is
-breaking up for the holidays--and _she_ is going away like the
-rest of them." He looked round in the direction of the
-schoolhouse. "If I go back to wish her good-by, she will keep out
-of my way, and part with me at the last moment like a stranger.
-After my experience of women, to be in love again--in love with a
-girl who is young enough to be my daughter--what a fool, what a
-driveling, degraded fool I must be!"
-
-Hot tears rose in his eyes. He dashed them away savagely, and
-went on again faster than ever--resolved to pack up at once at
-his lodgings in the village, and to take his departure by the
-next train.
-
-At the point where the footpath led into the road, he came to a
-standstill for the second time.
-
-The cause was once more a person of the sex associated in his
-mind with a bitter sense of injury. On this occasion the person
-was only a miserable little child, crying over the fragments of a
-broken jug.
-
-Alban Morris looked at her with his grimly humorous smile. "So
-you've broken a jug?" he remarked.
-
-"And spilt father's beer," the child answered. Her frail little
-body shook with terror. "Mother'll beat me when I go home," she
-said.
-
-"What does mother do when you bring the jug back safe and sound?"
-Alban asked.
-
-"Gives me bren-butter."
-
-"Very well. Now listen to me. Mother shall give you bread and
-butter again this time."
-
-The child stared at him with the tears suspended in her eyes. He
-went on talking to her as seriously as ever.
-
-"You understand what I have just said to you?"
-
-"Yes, sir."
-
-"Have you got a pocket-handkerchief?"
-
-"No, sir."
-
-"Then dry your eyes with mine."
-
-He tossed his handkerchief to her with one hand, and picked up a
-fragment of the broken jug with the other. "This will do for a
-pattern," he said to himself. The child stared at the
-handkerchief--stared at Alban--took courage--and rubbed
-vigorously at her eyes. The instinct, which is worth all the
-reason that ever pretended to enlighten mankind--the instinct
-that never deceives--told this little ignorant creature that she
-had found a friend. She returned the handkerchief in grave
-silence. Alban took her up in his arms.
-
-"Your eyes are dry, and your face is fit to be seen," he said.
-"Will you give me a kiss?" The child gave him a resolute kiss,
-with a smack in it. "Now come and get another jug," he said, as
-he put her down. Her red round eyes opened wide in alarm. "Have
-you got money enough?" she asked. Alban slapped his pocket. "Yes,
-I have," he answered. "That's a good thing," said the child;
-"come along."
-
-They went together hand in hand to the village, and bought the
-new jug, and had it filled at the beer-shop. The thirsty father
-was at the upper end of the fields, where they were making a
-drain. Alban carried the jug until they were within sight of the
-laborer. "You haven't far to go," he said. "Mind you don't drop
-it again--What's the matter now?"
-
-"I'm frightened."
-
-"Why?"
-
-"Oh, give me the jug."
-
-She almost snatched it out of his hand. If she let the precious
-minutes slip away, there might be another beating in store for
-her at the drain: her father was not of an indulgent disposition
-when his children were late in bringing his beer. On the point of
-hurrying away, without a word of farewell, she remembered the
-laws of politeness as taught at the infant school--and dropped
-her little curtsey--and said, "Thank you, sir." That bitter sense
-of injury was still in Alban's mind as he looked after her. "What
-a pity she should grow up to be a woman!" he said to himself.
-
-The adventure of the broken jug had delayed his return to his
-lodgings by more than half an hour. When he reached the road once
-more, the cheap up-train from the North had stopped at the
-station. He heard the ringing of the bell as it resumed the
-journey to London.
-
-One of the passengers (judging by the handbag that she carried)
-had not stopped at the village.
-
-As she advanced toward him along the road, he remarked that she
-was a small wiry active woman--dressed in bright colors, combined
-with a deplorable want of taste. Her aquiline nose seemed to be
-her most striking feature as she came nearer. It might have been
-fairly proportioned to the rest of her face, in her younger days,
-before her cheeks had lost flesh and roundness. Being probably
-near-sighted, she kept her eyes half-closed; there were cunning
-little wrinkles at the corners of them. In spite of appearances,
-she was unwilling to present any outward acknowledgment of the
-march of time. Her hair was palpably dyed--her hat was jauntily
-set on her head, and ornamented with a gay feather. She walked
-with a light tripping step, swinging her bag, and holding her
-head up smartly. Her manner, like her dress, said as plainly as
-words could speak, "No matter how long I may have lived, I mean
-to be young and charming to the end of my days." To Alban's
-surprise she stopped and addressed him.
-
-"Oh, I beg your pardon. Could you tell me if I am in the right
-road to Miss Ladd's school?"
-
-She spoke with nervous rapidity of articulation, and with a
-singularly unpleasant smile. It parted her thin lips just widely
-enough to show her suspiciously beautiful teeth; and it opened
-her keen gray eyes in the strangest manner. The higher lid rose
-so as to disclose, for a moment, the upper part of the eyeball,
-and to give her the appearance--not of a woman bent on making
-herself agreeable, but of a woman staring in a panic of terror.
-Careless to conceal the unfavorable impression that she had
-produced on him, Alban answered roughly, "Straight on," and tried
-to pass her.
-
-She stopped him with a peremptory gesture. "I have treated you
-politely," she said, "and how do you treat me in return? Well! I
-am not surprised. Men are all brutes by nature--and you are a
-man.
- 'Straight on'?" she repeated contemptuously; "I should like to
-know how far that helps a person in a strange place. Perhaps you
-know no more where Miss Ladd's school is than I do? or, perhaps,
-you don't care to take the trouble of addressing me? Just what I
-should have expected from a person of your sex! Good-morning."
-
-Alban felt the reproof; she had appealed to his most
-readily-impressible sense--his sense of humor. He rather enjoyed
-seeing his own prejudice against women grotesquely reflected in
-this flighty stranger's prejudice against men. As the best excuse
-for himself that he could make, he gave her all the information
-that she could possibly want--then tried again to pass on--and
-again in vain. He had recovered his place in her estimation: she
-had not done with him yet.
-
-"You know all about the way there," she said "I wonder whether
-you know anything about the school?"
-
-No change in her voice, no change in her manner, betrayed any
-special motive for putting this question. Alban was on the point
-of suggesting that she should go on to the school, and make her
-inquiries there--when he happened to notice her eyes. She had
-hitherto looked him straight in the face. She now looked down on
-the road. It was a trifling change; in all probability it meant
-nothing--and yet, merely because it was a change, it roused his
-curiosity. "I ought to know something about the school," he
-answered. "I am one of the masters."
-
-"Then you're just the man I want. May I ask your name?"
-
-"Alban Morris."
-
-"Thank you. I am Mrs. Rook. I presume you have heard of Sir
-Jervis Redwood?"
-
-"No."
-
-"Bless my soul! You are a scholar, of course--and you have never
-heard of one of your own trade. Very extraordinary. You see, I am
-Sir Jervis's housekeeper; and I am sent here to take one of your
-young ladies back with me to our place. Don't interrupt me! Don't
-be a brute again! Sir Jervis is not of a communicative
-disposition. At least, not to me. A man--that explains it--a man!
-He is always poring over his books and writings; and Miss
-Redwood, at her great age, is in bed half the day. Not a thing do
-I know about this new inmate of ours, except that I am to take
-her back with me. You would feel some curiosity yourself in my
-place, wouldn't you? Now do tell me. What sort of girl is Miss
-Emily Brown?"
-
-The name that he was perpetually thinking of--on this woman's
-lips! Alban looked at her.
-
-"Well," said Mrs. Rook, "am I to have no answer? Ah, you want
-leading. So like a man again! Is she pretty?"
-
-Still examining the housekeeper with mingled feelings of interest
-and distrust, Alban answered ungraciously:
-
-"Yes."
-
-"Good-tempered?"
-
-Alban again said "Yes."
-
-"So much about herself," Mrs. Rook remarked. "About her family
-now?" She shifted her bag restlessly from one hand to another.
-"Perhaps you can tell me if Miss Emily's father--" she suddenly
-corrected herself--"if Miss Emily's parents are living?"
-
-"I don't know."
-
-"You mean you won't tell me."
-
-"I mean exactly what I have said."
-
-"Oh, it doesn't matter," Mrs. Rook rejoined; "I shall find out at
-the school. The first turning to the left, I think you
-said--across the fields?"
-
-He was too deeply interested in Emily to let the housekeeper go
-without putting a question on his side:
-
-"Is Sir Jervis Redwood one of Miss Emily's old friends?" he
-asked.
-
-"He? What put that into your head? He has never even seen Miss
-Emily. She's going to our house--ah, the women are getting the
-upper hand now, and serve the men right, I say!--she's going to
-our house to be Sir Jervis's secretary. You would like to have
-the place yourself, wouldn't you? You would like to keep a poor
-girl from getting her own living? Oh, you may look as fierce as
-you please--the time's gone by when a man could frighten _me_. I
-like her Christian name. I call Emily a nice name enough. But
-'Brown'! Good-morning, Mr. Morris; you and I are not cursed with
-such a contemptibly common name as that! 'Brown'? Oh, Lord!"
-
-She tossed her head scornfully, and walked away, humming a tune.
-
-Alban stood rooted to the spot. The effort of his later life had
-been to conceal the hopeless passion which had mastered him in
-spite of himself. Knowing nothing from Emily--who at once pitied
-and avoided him--of her family circumstances or of her future
-plans, he had shrunk from making inquiries of others, in the fear
-that they, too, might find out his secret, and that their
-contempt might be added to the contempt which he felt for
-himself. In this position, and with these obstacles in his way,
-the announcement of Emily's proposed journey--under the care of a
-stranger, to fill an employment in the house of a stranger--not
-only took him by surprise, but inspired him with a strong feeling
-of distrust. He looked after Sir Jervis Redwood's flighty
-housekeeper, completely forgetting the purpose which had brought
-him thus far on the way to his lodgings. Before Mrs. Rook was out
-of sight, Alban Morris was following her back to the school.
-
-
-CHAPTER VII.
-
-"COMING EVENTS CAST THEIR SHADOWS BEFORE."
-
-Miss De Sor and Miss Wyvil were still sitting together under the
-trees, talking of the murder at the inn.
-
-"And is that really all you can tell me?" said Francine.
-
-"That is all," Cecilia answered.
-
-"Is there no love in it?"
-
-"None that I know of."
-
-"It's the most uninteresting murder that ever was committed. What
-shall we do with ourselves? I'm tired of being here in the
-garden. When do the performances in the schoolroom begin?"
-
-"Not for two hours yet."
-
-Francine yawned. "And what part do you take in it?" she asked.
-
-"No part, my dear. I tried once--only to sing a simple little
-song. When I found myself standing before all the company and saw
-rows of ladies and gentlemen waiting for me to begin, I was so
-frightened that Miss Ladd had to make an apology for me. I didn't
-get over it for the rest of the day. For the first time in my
-life, I had no appetite for my dinner. Horrible!" said Cecilia,
-shuddering over the remembrance of it. "I do assure you, I
-thought I was going to die."
-
-Perfectly unimpressed by this harrowing narrative, Francine
-turned her head lazily toward the house. The door was thrown open
-at the same moment. A lithe little person rapidly descended the
-steps that led to the lawn.
-
-"It's Emily come back again," said Francine.
-
-"And she seems to be rather in a hurry," Cecilia remarked.
-
-Francine's satirical smile showed itself for a moment. Did this
-appearance of hurry in Emily's movements denote impatience to
-resume the recital of "the dagger-scene"? She had no book in her
-hand; she never even looked toward Francine. Sorrow became
-plainly visible in her face as she approached the two girls.
-
-Cecilia rose in alarm. She had been the first person to whom
-Emily had confided her domestic anxieties. "Bad news from your
-aunt?" she asked.
-
-"No, my dear; no news at all." Emily put her arms tenderly round
-her friend's neck. "The time has come, Cecilia," she said. "We
-must wish each other good-by."
-
-"Is Mrs. Rook here already?"
-
-"It's _you_, dear, who are going," Emily answered sadly. "They
-have sent the governess to fetch you. Miss Ladd is too busy in
-the schoolroom to see her--and she has told me all about it.
-Don't be alarmed. There is no bad news from home. Your plans are
-altered; that's all."
-
-"Altered?" Cecilia repeated. "In what way?"
-
-"In a very agreeable way--you are going to travel. Your father
-wishes you to be in London, in time for the evening mail to
-France."
-
-Cecilia guessed what had happened. "My sister is not getting
-well," she said, "and the doctors are sending her to the
-Continent."
-
-"To the baths at St. Moritz," Emily added. "There is only one
-difficulty in the way; and you can remove it. Your sister has the
-good old governess to take care of her, and the courier to
-relieve her of all trouble on the journey. They were to have
-started yesterday. You know how fond Julia is of you. At the last
-moment, she won't hear of going away, unless you go too. The
-rooms are waiting at St. Moritz; and your father is annoyed (the
-governess says) by the delay that has taken place already."
-
-She paused. Cecilia was silent. "Surely you don't hesitate?"
-Emily said.
-
-"I am too happy to go wherever Julia go es," Cecilia answered
-warmly; "I was thinking of you, dear." Her tender nature,
-shrinking from the hard necessities of life, shrank from the
-cruelly-close prospect of parting. "I thought we were to have had
-some hours together yet," she said. "Why are we hurried in this
-way? There is no second train to London, from our station, till
-late in the afternoon."
-
-"There is the express," Emily reminded her; "and there is time to
-catch it, if you drive at once to the town." She took Cecilia's
-hand and pressed it to her bosom. "Thank you again and again,
-dear, for all you have done for me. Whether we meet again or not,
-as long as I live I shall love you. Don't cry!" She made a faint
-attempt to resume her customary gayety, for Cecilia's sake. "Try
-to be as hard-hearted as I am. Think of your sister--don't think
-of me. Only kiss me."
-
-Cecilia's tears fell fast. "Oh, my love, I am so anxious about
-you! I am so afraid that you will not be happy with that selfish
-old man--in that dreary house. Give it up, Emily! I have got
-plenty of money for both of us; come abroad with me. Why not? You
-always got on well with Julia, when you came to see us in the
-holidays. Oh, my darling! my darling! What shall I do without
-you?"
-
-All that longed for love in Emily's nature had clung round her
-school-friend since her father's death. Turning deadly pale under
-the struggle to control herself, she made the effort--and bore
-the pain of it without letting a cry or a tear escape her. "Our
-ways in life lie far apart," she said gently. "There is the hope
-of meeting again, dear--if there is nothing more."
-
-The clasp of Cecilia's arm tightened round her. She tried to
-release herself; but her resolution had reached its limits. Her
-hands dropped, trembling. She could still try to speak
-cheerfully, and that was all.
-
-"There is not the least reason, Cecilia, to be anxious about my
-prospects. I mean to be Sir Jervis Redwood's favorite before I
-have been a week in his service."
-
-She stopped, and pointed to the house. The governess was
-approaching them. "One more kiss, darling. We shall not forget
-the happy hours we have spent together; we shall constantly write
-to each other." She broke down at last. "Oh, Cecilia! Cecilia!
-leave me for God's sake--I can't bear it any longer!"
-
-The governess parted them. Emily dropped into the chair that her
-friend had left. Even her hopeful nature sank under the burden of
-life at that moment.
-
-A hard voice, speaking close at her side, startled her.
-
-"Would you rather be Me," the voice asked, "without a creature to
-care for you?"
-
-Emily raised her head. Francine, the unnoticed witness of the
-parting interview, was standing by her, idly picking the leaves
-from a rose which had dropped out of Cecilia's nosegay.
-
-Had she felt her own isolated position? She had felt it
-resentfully.
-
-Emily looked at her, with a heart softened by sorrow. There was
-no answering kindness in the eyes of Miss de Sor--there was only
-a dogged endurance, sad to see in a creature so young.
-
-"You and Cecilia are going to write to each other," she said. "I
-suppose there is some comfort in that. When I left the island
-they were glad to get rid of me. They said, 'Telegraph when you
-are safe at Miss Ladd's school.' You see, we are so rich, the
-expense of telegraphing to the West Indies is nothing to us.
-Besides, a telegram has an advantage over a letter--it doesn't
-take long to read. I daresay I shall write home. But they are in
-no hurry; and I am in no hurry. The school's breaking up; you are
-going your way, and I am going mine--and who cares what becomes
-of me? Only an ugly old schoolmistress, who is paid for caring. I
-wonder why I am saying all this? Because I like you? I don't know
-that I like you any better than you like me. When I wanted to be
-friends with you, you treated me coolly; I don't want to force
-myself on you. I don't particularly care about you. May I write
-to you from Brighton?"
-
-Under all this bitterness--the first exhibition of Francine's
-temper, at its worst, which had taken place since she joined the
-school--Emily saw, or thought she saw, distress that was too
-proud, or too shy, to show itself. "How can you ask the
-question?" she answered cordially.
-
-Francine was incapable of meeting the sympathy offered to her,
-even half way. "Never mind how," she said. "Yes or no is all I
-want from you."
-
-"Oh, Francine! Francine! what are you made of! Flesh and blood?
-or stone and iron? Write to me of course--and I will write back
-again."
-
-"Thank you. Are you going to stay here under the trees?"
-
-"Yes."
-
-"All by yourself?"
-
-"All by myself."
-
-"With nothing to do?"
-
-"I can think of Cecilia."
-
-Francine eyed her with steady attention for a moment.
-
-"Didn't you tell me last night that you were very poor?" she
-asked.
-
-"I did."
-
-"So poor that you are obliged to earn your own living?"
-
-"Yes."
-
-Francine looked at her again.
-
-"I daresay you won't believe me," she said. "I wish I was you."
-
-She turned away irritably, and walked back to the house.
-
-Were there really longings for kindness and love under the
-surface of this girl's perverse nature? Or was there nothing to
-be hoped from a better knowledge of her?--In place of tender
-remembrances of Cecilia, these were the perplexing and unwelcome
-thoughts which the more potent personality of Francine forced
-upon Emily's mind.
-
-She rose impatiently, and looked at her watch. When would it be
-her turn to leave the school, and begin the new life?
-
-Still undecided what to do next, her interest was excited by the
-appearance of one of the servants on the lawn. The woman
-approached her, and presented a visiting-card; bearing on it the
-name of _Sir Jervis Redwood_. Beneath the name, there was a line
-written in pencil: "Mrs. Rook, to wait on Miss Emily Brown." The
-way to the new life was open before her at last!
-
-Looking again at the commonplace announcement contained in the
-line of writing, she was not quite satisfied. Was it claiming a
-deference toward herself, to which she was not entitled, to
-expect a letter either from Sir Jervis, or from Miss Redwood;
-giving her some information as to the journey which she was about
-to undertake, and expressing with some little politeness the wish
-to make her comfortable in her future home? At any rate, her
-employer had done her one service: he had reminded her that her
-station in life was not what it had been in the days when her
-father was living, and when her aunt was in affluent
-circumstances.
-
-She looked up from the card. The servant had gone. Alban Morris
-was waiting at a little distance--waiting silently until she
-noticed him.
-
-
-CHAPTER VIII.
-
-MASTER AND PUPIL.
-
-Emily's impulse was to avoid the drawing-master for the second
-time. The moment afterward, a kinder feeling prevailed. The
-farewell interview with Cecilia had left influences which pleaded
-for Alban Morris. It was the day of parting good wishes and
-general separations: he had only perhaps come to say good-by. She
-advanced to offer her hand, when he stopped her by pointing to
-Sir Jervis Redwood's card.
-
-"May I say a word, Miss Emily, about that woman?" he asked
-
-"Do you mean Mrs. Rook?"
-
-"Yes. You know, of course, why she comes here?"
-
-"She comes here by appointment, to take me to Sir Jervis
-Redwood's house. Are you acquainted with her?"
-
-"She is a perfect stranger to me. I met her by accident on her
-way here. If Mrs. Rook had been content with asking me to direct
-her to the school, I should not be troubling you at this moment.
-But she forced her conversation on me. And she said something
-which I think you ought to know. Have you heard of Sir Jervis
-Redwood's housekeeper before to-day?"
-
-"I have only heard what my friend--Miss Cecilia Wyvil--has told
-me."
-
-"Did Miss Cecilia tell you that Mrs. Rook was acquainted with
-your father or with any members of your family?"
-
-"Certainly not!"
-
-Alban reflected. "It was natural enough," he resumed, "that Mrs.
-Rook should feel some curiosity about You. What reason had she
-for putting a question to me about your father--and putting it in
-a very strange manner?"
-
-Emily's interest was instantly excited. She led the way back to
-the seats in the shade. "Tell me, Mr. Morris, exactly what the
-woman said." As she spoke,
- she signed to him to be seated.
-
-Alban observed the natural grace of her action when she set him
-the example of taking a chair, and the little heightening of her
-color caused by anxiety to hear what he had still to tell her.
-Forgetting the restraint that he had hitherto imposed on himself,
-he enjoyed the luxury of silently admiring her. Her manner
-betrayed none of the conscious confusion which would have shown
-itself, if her heart had been secretly inclined toward him. She
-saw the man looking at her. In simple perplexity she looked at
-the man.
-
-"Are you hesitating on my account?" she asked. "Did Mrs. Rook say
-something of my father which I mustn't hear?"
-
-"No, no! nothing of the sort!"
-
-"You seem to be confused."
-
-Her innocent indifference tried his patience sorely. His memory
-went back to the past time--recalled the ill-placed passion of
-his youth, and the cruel injury inflicted on him--his pride was
-roused. Was he making himself ridiculous? The vehement throbbing
-of his heart almost suffocated him. And there she sat, wondering
-at his odd behavior. "Even this girl is as cold-blooded as the
-rest of her sex!" That angry thought gave him back his
-self-control. He made his excuses with the easy politeness of a
-man of the world.
-
-"I beg your pardon, Miss Emily; I was considering how to put what
-I have to say in the fewest and plainest words. Let me try if I
-can do it. If Mrs. Rook had merely asked me whether your father
-and mother were living, I should have attributed the question to
-the commonplace curiosity of a gossiping woman, and have thought
-no more of it. What she actually did say was this: 'Perhaps you
-can tell me if Miss Emily's father--' There she checked herself,
-and suddenly altered the question in this way: 'If Miss Emily's
-_parents_ are living?' I may be making mountains out of
-molehills; but I thought at the time (and think still) that she
-had some special interest in inquiring after your father, and,
-not wishing me to notice it for reasons of her own, changed the
-form of the question so as to include your mother. Does this
-strike you as a far-fetched conclusion?"
-
-"Whatever it may be," Emily said, "it is my conclusion, too. How
-did you answer her?"
-
-"Quite easily. I could give her no information--and I said so."
-
-"Let me offer you the information, Mr. Morris, before we say
-anything more. I have lost both my parents."
-
-Alban's momentary outbreak of irritability was at an end. He was
-earnest and yet gentle, again; he forgave her for not
-understanding how dear and how delightful to him she was. "Will
-it distress you," he said, "if I ask how long it is since your
-father died?"
-
-"Nearly four years," she replied. "He was the most generous of
-men; Mrs. Rook's interest in him may surely have been a grateful
-interest. He may have been kind to her in past years--and she may
-remember him thankfully. Don't you think so?"
-
-Alban was unable to agree with her. "If Mrs. Rook's interest in
-your father was the harmless interest that you have suggested,"
-he said, "why should she have checked herself in that
-unaccountable manner, when she first asked me if he was living?
-The more I think of it now, the less sure I feel that she knows
-anything at all of your family history. It may help me to decide,
-if you will tell me at what time the death of your mother took
-place."
-
-"So long ago," Emily replied, "that I can't even remember her
-death. I was an infant at the time."
-
-"And yet Mrs. Rook asked me if your 'parents' were living! One of
-two things," Alban concluded. "Either there is some mystery in
-this matter, which we cannot hope to penetrate at present--or
-Mrs. Rook may have been speaking at random; on the chance of
-discovering whether you are related to some 'Mr. Brown' whom she
-once knew."
-
-"Besides," Emily added, "it's only fair to remember what a common
-family name mine is, and how easily people may make mistakes. I
-should like to know if my dear lost father was really in her mind
-when she spoke to you. Do you think I could find it out?"
-
-"If Mrs. Rook has any reasons for concealment, I believe you
-would have no chance of finding it out--unless, indeed, you could
-take her by surprise."
-
-"In what way, Mr. Morris?"
-
-"Only one way occurs to me just now," he said. "Do you happen to
-have a miniature or a photograph of your father?"
-
-Emily held out a handsome locket, with a monogram in diamonds,
-attached to her watch chain. "I have his photograph here," she
-rejoined; "given to me by my dear old aunt, in the days of her
-prosperity. Shall I show it to Mrs. Rook?"
-
-"Yes--if she happens, by good luck, to offer you an opportunity."
-
-Impatient to try the experiment, Emily rose as he spoke. "I
-mustn't keep Mrs. Rook waiting," she said.
-
-Alban stopped her, on the point of leaving him. The confusion and
-hesitation which she had already noticed began to show themselves
-in his manner once more.
-
-"Miss Emily, may I ask you a favor before you go? I am only one
-of the masters employed in the school; but I don't think--let me
-say, I hope I am not guilty of presumption--if I offer to be of
-some small service to one of my pupils--"
-
-There his embarrassment mastered him. He despised himself not
-only for yielding to his own weakness, but for faltering like a
-fool in the expression of a simple request. The next words died
-away on his lips.
-
-This time, Emily understood him.
-
-The subtle penetration which had long since led her to the
-discovery of his secret--overpowered, thus far, by the absorbing
-interest of the moment--now recovered its activity. In an
-instant, she remembered that Alban's motive for cautioning her,
-in her coming intercourse with Mrs. Rook, was not the merely
-friendly motive which might have actuated him, in the case of one
-of the other girls. At the same time, her quickness of
-apprehension warned her not to risk encouraging this persistent
-lover, by betraying any embarrassment on her side. He was
-evidently anxious to be present (in her interests) at the
-interview with Mrs. Rook. Why not? Could he reproach her with
-raising false hope, if she accepted his services, under
-circumstances of doubt and difficulty which he had himself been
-the first to point out? He could do nothing of the sort. Without
-waiting until he had recovered himself, she answered him (to all
-appearances) as composedly as if he had spoken to her in the
-plainest terms.
-
-"After all that you have told me," she said, "I shall indeed feel
-obliged if you will be present when I see Mrs. Rook."
-
-The eager brightening of his eyes, the flush of happiness that
-made him look young on a sudden, were signs not to be mistaken.
-The sooner they were in the presence of a third person (Emily
-privately concluded) the better it might be for both of them. She
-led the way rapidly to the house.
-
-
-CHAPTER IX.
-
-MRS. ROOK AND THE LOCKET.
-
-As mistress of a prosperous school, bearing a widely-extended
-reputation, Miss Ladd prided herself on the liberality of her
-household arrangements. At breakfast and dinner, not only the
-solid comforts but the elegant luxuries of the table, were set
-before the young ladies "Other schools may, and no doubt do,
-offer to pupils the affectionate care to which they have been
-accustomed under the parents' roof," Miss Ladd used to say. "At
-my school, that care extends to their meals, and provides them
-with a _cuisine_ which, I flatter myself, equals the most
-successful efforts of the cooks at home." Fathers, mothers, and
-friends, when they paid visits to this excellent lady, brought
-away with them the most gratifying recollections of her
-hospitality. The men, in particular, seldom failed to recognize
-in their hostess the rarest virtue that a single lady can
-possess--the virtue of putting wine on the table which may be
-gratefully remembered by her guests the next morning.
-
-An agreeable surprise awaited Mrs. Rook when she entered the
-house of bountiful Miss Ladd.
-
-Luncheon was ready for Sir Jervis Redwood's confidential emissary
-in the waiting-room. Detained at the final rehearsals of music
-and recitation, Miss Ladd was worthily represented by cold
-chicken and ham, a fruit tart, and a pint decanter of generous
-sherry. "Your mistress is a perfect lady!" Mrs. Rook said to the
-servant, wi th a burst of enthusiasm. "I can carve for myself,
-thank you; and I don't care how long Miss Emily keeps me
-waiting."
-
-As they ascended the steps leading into the house, Alban asked
-Emily if he might look again at her locket.
-
-"Shall I open it for you?" she suggested.
-
-No: I only want to look at the outside of it."
-
-He examined the side on which the monogram appeared, inlaid with
-diamonds. An inscription was engraved beneath.
-
-"May I read it?" he said.
-
-"Certainly!"
-
-The inscription ran thus: "In loving memory of my father. Died
-30th September, 1877."
-
-"Can you arrange the locket," Alban asked, "so that the side on
-which the diamonds appear hangs outward?"
-
-She understood him. The diamonds might attract Mrs. Rook's
-notice; and in that case, she might ask to see the locket of her
-own accord. "You are beginning to be of use to me, already,"
-Emily said, as they turned into the corridor which led to the
-waiting-room.
-
-They found Sir Jervis's housekeeper luxuriously recumbent in the
-easiest chair in the room.
-
-Of the eatable part of the lunch some relics were yet left. In
-the pint decanter of sherry, not a drop remained. The genial
-influence of the wine (hastened by the hot weather) was visible
-in Mrs. Rook's flushed face, and in a special development of her
-ugly smile. Her widening lips stretched to new lengths; and the
-white upper line of her eyeballs were more freely and horribly
-visible than ever.
-
-"And this is the dear young lady?" she said, lifting her hands in
-over-acted admiration. At the first greetings, Alban perceived
-that the impression produced was, in Emily's case as in his case,
-instantly unfavorable.
-
-The servant came in to clear the table. Emily stepped aside for a
-minute to give some directions about her luggage. In that
-interval Mrs. Rook's cunning little eyes turned on Alban with an
-expression of malicious scrutiny.
-
-"You were walking the other way," she whispered, "when I met
-you." She stopped, and glanced over her shoulder at Emily. "I see
-what attraction has brought you back to the school. Steal your
-way into that poor little fool's heart; and then make her
-miserable for the rest of her life!--No need, miss, to hurry,"
-she said, shifting the polite side of her toward Emily, who
-returned at the moment. "The visits of the trains to your station
-here are like the visits of the angels described by the poet,
-'few and far between.' Please excuse the quotation. You wouldn't
-think it to look at me--I'm a great reader."
-
-"Is it a long journey to Sir Jervis Redwood's house?" Emily
-asked, at a loss what else to say to a woman who was already
-becoming unendurable to her.
-
-Mrs. Rook looked at the journey from an oppressively cheerful
-point of view.
-
-"Oh, Miss Emily, you shan't feel the time hang heavy in my
-company. I can converse on a variety of topics, and if there is
-one thing more than another that I like, it's amusing a pretty
-young lady. You think me a strange creature, don't you? It's only
-my high spirits. Nothing strange about me--unless it's my queer
-Christian name. You look a little dull, my dear. Shall I begin
-amusing you before we are on the railway? Shall I tell you how I
-came by my queer name?"
-
-Thus far, Alban had controlled himself. This last specimen of the
-housekeeper's audacious familiarity reached the limits of his
-endurance.
-
-"We don't care to know how you came by your name," he said.
-
-"Rude," Mrs. Rook remarked, composedly. "But nothing surprises
-me, coming from a man."
-
-She turned to Emily. "My father and mother were a wicked married
-couple," she continued, "before I was born. They 'got religion,'
-as the saying is, at a Methodist meeting in a field. When I came
-into the world--I don't know how you feel, miss; I protest
-against being brought into the world without asking my leave
-first--my mother was determined to dedicate me to piety, before I
-was out of my long clothes. What name do you suppose she had me
-christened by? She chose it, or made it, herself--the name of
-'Righteous'! Righteous Rook! Was there ever a poor baby degraded
-by such a ridiculous name before? It's needless to say, when I
-write letters, I sign R. Rook--and leave people to think it's
-Rosamond, or Rosabelle, or something sweetly pretty of that kind.
-You should have seen my husband's face when he first heard that
-his sweetheart's name was 'Righteous'! He was on the point of
-kissing me, and he stopped. I daresay he felt sick. Perfectly
-natural under the circumstances."
-
-Alban tried to stop her again. "What time does the train go?" he
-asked.
-
-Emily entreated him to restrain himself, by a look. Mrs. Rook was
-still too inveterately amiable to take offense. She opened her
-traveling-bag briskly, and placed a railway guide in Alban's
-hands.
-
-"I've heard that the women do the men's work in foreign parts,"
-she said. "But this is England; and I am an Englishwoman. Find
-out when the train goes, my dear sir, for yourself."
-
-Alban at once consulted the guide. If there proved to be no
-immediate need of starting for the station, he was determined
-that Emily should not be condemned to pass the interval in the
-housekeeper's company. In the meantime, Mrs. Rook was as eager as
-ever to show her dear young lady what an amusing companion she
-could be.
-
-"Talking of husbands," she resumed, "don't make the mistake, my
-dear, that I committed. Beware of letting anybody persuade you to
-marry an old man. Mr. Rook is old enough to be my father. I bear
-with him. Of course, I bear with him. At the same time, I have
-not (as the poet says) 'passed through the ordeal unscathed.' My
-spirit--I have long since ceased to believe in anything of the
-sort: I only use the word for want of a better--my spirit, I say,
-has become embittered. I was once a pious young woman; I do
-assure you I was nearly as good as my name. Don't let me shock
-you; I have lost faith and hope; I have become--what's the last
-new name for a free-thinker? Oh, I keep up with the times, thanks
-to old Miss Redwood! She takes in the newspapers, and makes me
-read them to her. What _is_ the new name? Something ending in ic.
-Bombastic? No, Agnostic?--that's it! I have become an Agnostic.
-The inevitable result of marrying an old man; if there's any
-blame it rests on my husband."
-
-"There's more than an hour yet before the train starts," Alban
-interposed. "I am sure, Miss Emily, you would find it pleasanter
-to wait in the garden."
-
-"Not at all a bad notion," Mrs. Rook declared. "Here's a man who
-can make himself useful, for once. Let's go into the garden."
-
-She rose, and led the way to the door. Alban seized the
-opportunity of whispering to Emily.
-
-"Did you notice the empty decanter, when we first came in? That
-horrid woman is drunk."
-
-Emily pointed significantly to the locket. "Don't let her go. The
-garden will distract her attention: keep her near me here."
-
-Mrs. Rook gayly opened the door. "Take me to the flower-beds,"
-she said. "I believe in nothing--but I adore flowers."
-
-Mrs. Rook waited at the door, with her eye on Emily. "What do
-_you_ say, miss?"
-
-"I think we shall be more comfortable if we stay where we are."
-
-"Whatever pleases you, my dear, pleases me." With this reply, the
-compliant housekeeper--as amiable as ever on the
-surface--returned to her chair.
-
-Would she notice the locket as she sat down? Emily turned toward
-the window, so as to let the light fall on the diamonds.
-
-No: Mrs. Rook was absorbed, at the moment, in her own
-reflections. Miss Emily, having prevented her from seeing the
-garden, she was maliciously bent on disappointing Miss Emily in
-return. Sir Jervis's secretary (being young) took a hopeful view
-no doubt of her future prospects. Mrs. Rook decided on darkening
-that view in a mischievously-suggestive manner, peculiar to
-herself.
-
-"You will naturally feel some curiosity about your new home," she
-began, "and I haven't said a word about it yet. How very
-thoughtless of me! Inside and out, dear Miss Emily, our house is
-just a little dull. I say _our_ house, and why not--when the
-management of it is all thrown on me. We are built of stone; and
-we are much too long, and are not half high enough. Our situation
-is on the coldest side of the county, away in the west. We are
-close to the Cheviot hills; and if you fancy there is anything to
-see when you look out of window, except sheep, you will find
-yourself woefully mistaken. As for walks, if you go out on one
-side of the house you may, or may not, be gored by cattle. On the
-other side, if the darkness overtakes you, you may, or may not,
-tumble down a deserted lead mine. But the company, inside the
-house, makes amends for it all," Mrs. Rook proceeded, enjoying
-the expression of dismay which was beginning to show itself on
-Emily's face. "Plenty of excitement for you, my dear, in our
-small family. Sir Jervis will introduce you to plaster casts of
-hideous Indian idols; he will keep you writing for him, without
-mercy, from morning to night; and when he does let you go, old
-Miss Redwood will find she can't sleep, and will send for the
-pretty young lady-secretary to read to her. My husband I am sure
-you will like. He is a respectable man, and bears the highest
-character. Next to the idols, he's the most hideous object in the
-house. If you are good enough to encourage him, I don't say that
-he won't amuse you; he will tell you, for instance, he never in
-his life hated any human being as he hates his wife. By the way,
-I must not forget--in the interests of truth, you know--to
-mention one drawback that does exist in our domestic circle. One
-of these days we shall have our brains blown out or our throats
-cut. Sir Jervis's mother left him ten thousand pounds' worth of
-precious stones all contained in a little cabinet with drawers.
-He won't let the banker take care of his jewels; he won't sell
-them; he won't even wear one of the rings on his finger, or one
-of the pins at his breast. He keeps his cabinet on his
-dressing-room table; and he says, 'I like to gloat over my
-jewels, every night, before I go to bed.' Ten thousand pounds'
-worth of diamonds, rubies, emeralds, sapphires, and what not--at
-the mercy of the first robber who happens to hear of them. Oh, my
-dear, he would have no choice, I do assure you, but to use his
-pistols. We shouldn't quietly submit to be robbed. Sir Jervis
-inherits the spirit of his ancestors. My husband has the temper
-of a game cock. I myself, in defense of the property of my
-employers, am capable of becoming a perfect fiend. And we none of
-us understand the use of firearms!"
-
-While she was in full enjoyment of this last aggravation of the
-horrors of the prospect, Emily tried another change of
-position--and, this time, with success. Greedy admiration
-suddenly opened Mrs. Rook's little eyes to their utmost width.
-"My heart alive, miss, what do I see at your watch-chain? How
-they sparkle! Might I ask for a closer view?"
-
-Emily's fingers trembled; but she succeeded in detaching the
-locket from the chain. Alban handed it to Mrs. Rook.
-
-She began by admiring the diamonds--with a certain reserve.
-"Nothing like so large as Sir Jervis's diamonds; but choice
-specimens no doubt. Might I ask what the value--?"
-
-She stopped. The inscription had attracted her notice: she began
-to read it aloud: "In loving memory of my father. Died--"
-
-Her face instantly became rigid. The next words were suspended on
-her lips.
-
-Alban seized the chance of making her betray herself--under
-pretense of helping her. "Perhaps you find the figures not easy
-to read," he said. "The date is 'thirtieth September, eighteen
-hundred and seventy-seven'--nearly four years since."
-
-Not a word, not a movement, escaped Mrs. Rook. She held the
-locket before her as she had held it from the first. Alban looked
-at Emily. Her eyes were riveted on the housekeeper: she was
-barely capable of preserving the appearance of composure. Seeing
-the necessity of acting for her, he at once said the words which
-she was unable to say for herself.
-
-"Perhaps, Mrs. Rook, you would like to look at the portrait?" he
-suggested. "Shall I open the locket for you?"
-
-Without speaking, without looking up, she handed the locket to
-Alban.
-
-He opened it, and offered it to her. She neither accepted nor
-refused it: her hands remained hanging over the arms of the
-chair. He put the locket on her lap.
-
-The portrait produced no marked effect on Mrs. Rook. Had the date
-prepared her to see it? She sat looking at it--still without
-moving: still without saying a word. Alban had no mercy on her.
-"That is the portrait of Miss Emily's father," he said. "Does it
-represent the same Mr. Brown whom you had in your mind when you
-asked me if Miss Emily's father was still living?"
-
-That question roused her. She looked up, on the instant; she
-answered loudly and insolently: 'No!"
-
-"And yet," Alban persisted, "you broke down in reading the
-inscription: and considering what talkative woman you are, the
-portrait has had a strange effect on you--to say the least of
-it."
-
-She eyed him steadily while he was speaking--and turned to Emily
-when he had done. "You mentioned the heat just now, miss. The
-heat has overcome me; I shall soon get right again."
-
-The insolent futility of that excuse irritated Emily into
-answering her. "You will get right again perhaps all the sooner,"
-she said, "if we trouble you with no more questions, and leave
-you to recover by yourself."
-
-The first change of expression which relaxed the iron tensity of
-the housekeeper's face showed itself when she heard that reply.
-At last there was a feeling in Mrs. Rook which openly declared
-itself--a feeling of impatience to see Alban and Emily leave the
-room.
-
-They left her, without a word more.
-
-
-CHAPTER X.
-
-GUESSES AT THE TRUTH.
-
-"What are we to do next? Oh, Mr. Morris, you must have seen all
-sorts of people in your time--you know human nature, and I don't.
-Help me with a word of advice!"
-
-Emily forgot that he was in love with her--forgot everything, but
-the effect produced by the locket on Mrs. Rook, and the vaguely
-alarming conclusion to which it pointed. In the fervor of her
-anxiety she took Alban's arm as familiarly as if he had been her
-brother. He was gentle, he was considerate; he tried earnestly to
-compose her. "We can do nothing to any good purpose," be said,
-"unless we begin by thinking quietly. Pardon me for saying
-so--you are needlessly exciting yourself."
-
-There was a reason for her excitement, of which he was
-necessarily ignorant. Her memory of the night interview with Miss
-Jethro had inevitably intensified the suspicion inspired by the
-conduct of Mrs. Rook. In less than twenty-four hours, Emily had
-seen two women shrinking from secret remembrances of her
-father--which might well be guilty remembrances--innocently
-excited by herself! How had they injured him? Of what infamy, on
-their parts, did his beloved and stainless memory remind them?
-Who could fathom the mystery of it? "What does it mean?" she
-cried, looking wildly in Alban's compassionate face. "You _must_
-have formed some idea of your own. What does it mean?"
-
-"Come, and sit down, Miss Emily. We will try if we can find out
-what it means, together."
-
-They returned to the shady solitude under the trees. Away, in
-front of the house, the distant grating of carriage wheels told
-of the arrival of Miss Ladd's guests, and of the speedy beginning
-of the ceremonies of the day.
-
-"We must help each other," Alban resumed.
-
-"When we first spoke of Mrs. Rook, you mentioned Miss Cecilia
-Wyvil as a person who knew something about her. Have you any
-objection to tell me what you may have heard in that way?"
-
-In complying with his request Emily necessarily repeated what
-Cecilia had told Francine, when the two girls had met that
-morning in the garden.
-
-Alban now knew how Emily had obtained employment as Sir Jervis's
-secretary; how Mr. and Mrs. Rook had been previously known to
-Cecilia's father as respectable people keeping an inn in his own
-neighborhood; and, finally, how they had been obliged to begin
-life again in domestic service, because the terrible event of a
-murder had given the inn a bad name, and had driven away the
-customers on whose encouragement their business depended.
-
-Listening in silence, Alban remained silent when Emily's
-narrative had come to an end.
-
-"Have you nothing to say to me?" she asked.
-
-"I am thinking over what I have just heard," he answered.
-
-Emily noticed a certain formality in his tone and manner, which
-disagreeably surprised her. He
- seemed to have made his reply as a mere concession to
-politeness, while he was thinking of something else which really
-interested him.
-
-"Have I disappointed you in any way?" she asked.
-
-"On the contrary, you have interested me. I want to be quite sure
-that I remember exactly what you have said. You mentioned, I
-think, that your friendship with Miss Cecilia Wyvil began here,
-at the school?"
-
-"Yes."
-
-"And in speaking of the murder at the village inn, you told me
-that the crime was committed--I have forgotten how long ago?"
-
-His manner still suggested that he was idly talking about what
-she had told him, while some more important subject for
-reflection was in possession of his mind.
-
-"I don't know that I said anything about the time that had passed
-since the crime was committed," she answered, sharply. "What does
-the murder matter to _us?_ I think Cecilia told me it happened
-about four years since. Excuse me for noticing it, Mr.
-Morris--you seem to have some interests of your own to occupy
-your attention. Why couldn't you say so plainly when we came out
-here? I should not have asked you to help me, in that case. Since
-my poor father's death, I have been used to fight through my
-troubles by myself."
-
-She rose, and looked at him proudly. The next moment her eyes
-filled with tears.
-
-In spite of her resistance, Alban took her hand. "Dear Miss
-Emily," he said, "you distress me: you have not done me justice.
-Your interests only are in my mind."
-
-Answering her in those terms, he had not spoken as frankly as
-usual. He had only told her a part of the truth.
-
-Hearing that the woman whom they had just left had been landlady
-of an inn, and that a murder had been committed under her roof,
-he was led to ask himself if any explanation might be found, in
-these circumstances, of the otherwise incomprehensible effect
-produced on Mrs. Rook by the inscription on the locket.
-
-In the pursuit of this inquiry there had arisen in his mind a
-monstrous suspicion, which pointed to Mrs. Rook. It impelled him
-to ascertain the date at which the murder had been committed, and
-(if the discovery encouraged further investigation) to find out
-next the manner in which Mr. Brown had died.
-
-Thus far, what progress had he made? He had discovered that the
-date of Mr. Brown's death, inscribed on the locket, and the date
-of the crime committed at the inn, approached each other nearly
-enough to justify further investigation.
-
-In the meantime, had he succeeded in keeping his object concealed
-from Emily? He had perfectly succeeded. Hearing him declare that
-her interests only had occupied his mind, the poor girl
-innocently entreated him to forgive her little outbreak of
-temper. "If you have any more questions to ask me, Mr. Morris,
-pray go on. I promise never to think unjustly of you again."
-
-He went on with an uneasy conscience--for it seemed cruel to
-deceive her, even in the interests of truth--but still he went
-on.
-
-"Suppose we assume that this woman had injured your father in
-some way," he said. "Am I right in believing that it was in his
-character to forgive injuries?"
-
-"Entirely right."
-
-"In that case, his death may have left Mrs. Rook in a position to
-be called to account, by those who owe a duty to his memory--I
-mean the surviving members of his family."
-
-"There are but two of us, Mr. Morris. My aunt and myself."
-
-"There are his executors."
-
-"My aunt is his only executor."
-
-"Your father's sister--I presume?"
-
-"Yes."
-
-"He may have left instructions with her, which might be of the
-greatest use to us."
-
-"I will write to-day, and find out," Emily replied. "I had
-already planned to consult my aunt," she added, thinking again of
-Miss Jethro.
-
-"If your aunt has not received any positive instructions," Alban
-continued, "she may remember some allusion to Mrs. Rook, on your
-father's part, at the time of his last illness--"
-
-Emily stopped him. "You don't know how my dear father died," she
-said. "He was struck down--apparently in perfect health--by
-disease of the heart."
-
-"Struck down in his own house?"
-
-"Yes--in his own house."
-
-Those words closed Alban's lips. The investigation so carefully
-and so delicately conducted had failed to serve any useful
-purpose. He had now ascertained the manner of Mr. Brown's death
-and the place of Mr. Brown's death--and he was as far from
-confirming his suspicions of Mrs. Rook as ever.
-
-
-CHAPTER XI.
-
-THE DRAWING-MASTER'S CONFESSION.
-
-"Is there nothing else you can suggest?" Emily asked.
-
-"Nothing--at present."
-
-"If my aunt fails us, have we no other hope?"
-
-"I have hope in Mrs. Rook," Alban answered. "I see I surprise
-you; but I really mean what I say. Sir Jervis's housekeeper is an
-excitable woman, and she is fond of wine. There is always a weak
-side in the character of such a person as that. If we wait for
-our chance, and turn it to the right use when it comes, we may
-yet succeed in making her betray herself."
-
-Emily listened to him in bewilderment.
-
-"You talk as if I was sure of your help in the future," she said.
-"Have you forgotten that I leave school to-day, never to return?
-In half an hour more, I shall be condemned to a long journey in
-the company of that horrible creature--with a life to look
-forward to, in the same house with her, among strangers! A
-miserable prospect, and a hard trial of a girl's courage--is it
-not, Mr. Morris?"
-
-"You will at least have one person, Miss Emily, who will try with
-all his heart and soul to encourage you."
-
-"What do you mean?"
-
-"I mean," said Alban, quietly, "that the Midsummer vacation
-begins to-day; and that the drawing-master is going to spend his
-holidays in the North."
-
-Emily jumped up from her chair. "You!" she exclaimed. "_You_ are
-going to Northumberland? With me?"
-
-"Why not?" Alban asked. "The railway is open to all travelers
-alike, if they have money enough to buy a ticket."
-
-"Mr. Morris! what _can_ you be thinking of? Indeed, indeed, I am
-not ungrateful. I know you mean kindly--you are a good, generous
-man. But do remember how completely a girl, in my position, is at
-the mercy of appearances. You, traveling in the same carriage
-with me! and that woman putting her own vile interpretation on
-it, and degrading me in Sir Jervis Redwood's estimation, on the
-day when I enter his house! Oh, it's worse than thoughtless--it's
-madness, downright madness."
-
-"You are quite right," Alban gravely agreed, "it _is_ madness. I
-lost whatever little reason I once possessed, Miss Emily, on the
-day when I first met you out walking with the young ladies of the
-school."
-
-Emily turned away in significant silence. Alban followed her.
-
-"You promised just now," he said, "never to think unjustly of me
-again. I respect and admire you far too sincerely to take a base
-advantage of this occasion--the only occasion on which I have
-been permitted to speak with you alone. Wait a little before you
-condemn a man whom you don't understand. I will say nothing to
-annoy you--I only ask leave to explain myself. Will you take your
-chair again?"
-
-She returned unwillingly to her seat. "It can only end," she
-thought, sadly, "in my disappointing him!"
-
-"I have had the worst possible opinion of women for years past,"
-Alban resumed; "and the only reason I can give for it condemns me
-out of my own mouth. I have been infamously treated by one woman;
-and my wounded self-esteem has meanly revenged itself by reviling
-the whole sex. Wait a little, Miss Emily. My fault has received
-its fit punishment. I have been thoroughly humiliated--and _you_
-have done it."
-
-"Mr. Morris!"
-
-"Take no offense, pray, where no offense is meant. Some few years
-since it was the great misfortune of my life to meet with a Jilt.
-You know what I mean?"
-
-"Yes."
-
-"She was my equal by birth (I am a younger son of a country
-squire), and my superior in rank. I can honestly tell you that I
-was fool enough to love her with all my heart and soul. She never
-allowed me to doubt--I may say this without conceit, remembering
-the miserable end of it--that my feeling for her was returned.
-Her father and mother (excellent people) approved of the
-contemplated marriage. She accepted my presents; she allowed all
-the customary preparations for a wedding to proceed to
-completion; she had not even mercy en ough, or shame enough, to
-prevent me from publicly degrading myself by waiting for her at
-the altar, in the presence of a large congregation. The minutes
-passed--and no bride appeared. The clergyman, waiting like me,
-was requested to return to the vestry. I was invited to follow
-him. You foresee the end of the story, of course? She had run
-away with another man. But can you guess who the man was? Her
-groom!"
-
-Emily's face reddened with indignation. "She suffered for it? Oh,
-Mr. Morris, surely she suffered for it?"
-
-"Not at all. She had money enough to reward the groom for
-marrying her; and she let herself down easily to her husband's
-level. It was a suitable marriage in every respect. When I last
-heard of them, they were regularly in the habit of getting drunk
-together. I am afraid I have disgusted you? We will drop the
-subject, and resume my precious autobiography at a later date.
-One showery day in the autumn of last year, you young ladies went
-out with Miss Ladd for a walk. When you were all trotting back
-again, under your umbrellas, did you (in particular) notice an
-ill-tempered fellow standing in the road, and getting a good look
-at you, on the high footpath above him?"
-
-Emily smiled, in spite of herself. "I don't remember it," she
-said.
-
-"You wore a brown jacket which fitted you as if you had been born
-in it--and you had the smartest little straw hat I ever saw on a
-woman's head. It was the first time I ever noticed such things. I
-think I could paint a portrait of the boots you wore (mud
-included), from memory alone. That was the impression you
-produced on me. After believing, honestly believing, that love
-was one of the lost illusions of my life--after feeling, honestly
-feeling, that I would as soon look at the devil as look at a
-woman--there was the state of mind to which retribution had
-reduced me; using for his instrument Miss Emily Brown. Oh, don't
-be afraid of what I may say next! In your presence, and out of
-your presence, I am man enough to be ashamed of my own folly. I
-am resisting your influence over me at this moment, with the
-strongest of all resolutions--the resolution of despair. Let's
-look at the humorous side of the story again. What do you think I
-did when the regiment of young ladies had passed by me?"
-
-Emily declined to guess.
-
-"I followed you back to the school; and, on pretense of having a
-daughter to educate, I got one of Miss Ladd's prospectuses from
-the porter at the lodge gate. I was in your neighborhood, you
-must know, on a sketching tour. I went back to my inn, and
-seriously considered what had happened to me. The result of my
-cogitations was that I went abroad. Only for a change--not at all
-because I was trying to weaken the impression you had produced on
-me! After a while I returned to England. Only because I was tired
-of traveling--not at all because your influence drew me back!
-Another interval passed; and luck turned my way, for a wonder.
-The drawing-master's place became vacant here. Miss Ladd
-advertised; I produced my testimonials; and took the situation.
-Only because the salary was a welcome certainty to a poor
-man--not at all because the new position brought me into personal
-association with Miss Emily Brown! Do you begin to see why I have
-troubled you with all this talk about myself? Apply the
-contemptible system of self-delusion which my confession has
-revealed, to that holiday arrangement for a tour in the north
-which has astonished and annoyed you. I am going to travel this
-afternoon by your train. Only because I feel an intelligent
-longing to see the northernmost county of England--not at all
-because I won't let you trust yourself alone with Mrs. Rook! Not
-at all because I won't leave you to enter Sir Jervis Redwood's
-service without a friend within reach in case you want him! Mad?
-Oh, yes--perfectly mad. But, tell me this: What do all sensible
-people do when they find themselves in the company of a lunatic?
-They humor him. Let me take your ticket and see your luggage
-labeled: I only ask leave to be your traveling servant. If you
-are proud--I shall like you all the better, if you are--pay me
-wages, and keep me in my proper place in that way.
-
-Some girls, addressed with this reckless intermingling of jest
-and earnest, would have felt confused, and some would have felt
-flattered. With a good-tempered resolution, which never passed
-the limits of modesty and refinement, Emily met Alban Morris on
-his own ground.
-
-"You have said you respect me," she began; "I am going to prove
-that I believe you. The least I can do is not to misinterpret
-you, on my side. Am I to understand, Mr. Morris--you won't think
-the worse of me, I hope, if I speak plainly--am I to understand
-that you are in love with me?"
-
-"Yes, Miss Emily--if you please."
-
-He had answered with the quaint gravity which was peculiar to
-him; but he was already conscious of a sense of discouragement.
-Her composure was a bad sign--from his point of view.
-
-"My time will come, I daresay," she proceeded. "At present I know
-nothing of love, by experience; I only know what some of my
-schoolfellows talk about in secret. Judging by what they tell me,
-a girl blushes when her lover pleads with her to favor his
-addresses. Am I blushing?"
-
-"Must I speak plainly, too?" Alban asked.
-
-"If you have no objection," she answered, as composedly as if she
-had been addressing her grandfather.
-
-"Then, Miss Emily, I must say--you are not blushing."
-
-She went on. "Another token of love--as I am informed--is to
-tremble. Am I trembling?"
-
-"No."
-
-"Am I too confused to look at you?"
-
-"No."
-
-"Do I walk away with dignity--and then stop, and steal a timid
-glance at my lover, over my shoulder?"
-
-"I wish you did!"
-
-"A plain answer, Mr. Morris! Yes or No."
-
-"No--of course."
-
-"In one last word, do I give you any sort of encouragement to try
-again?"
-
-"In one last word, I have made a fool of myself--and you have
-taken the kindest possible way of telling me so."
-
-This time, she made no attempt to reply in his own tone. The
-good-humored gayety of her manner disappeared. She was in
-earnest--truly, sadly in earnest--when she said her next words.
-
-"Is it not best, in your own interests, that we should bid each
-other good-by?" she asked. "In the time to come--when you only
-remember how kind you once were to me--we may look forward to
-meeting again. After all that you have suffered, so bitterly and
-so undeservedly, don't, pray don't, make me feel that another
-woman has behaved cruelly to you, and that I--so grieved to
-distress you--am that heartless creature!"
-
-Never in her life had she been so irresistibly charming as she
-was at that moment. Her sweet nature showed all its innocent pity
-for him in her face.
-
-He saw it--he felt it--he was not unworthy of it. In silence, he
-lifted her hand to his lips. He turned pale as he kissed it.
-
-"Say that you agree with me?" she pleaded.
-
-"I obey you."
-
-As he answered, he pointed to the lawn at their feet. "Look," he
-said, "at that dead leaf which the air is wafting over the grass.
-Is it possible that such sympathy as you feel for Me, such love
-as I feel for You, can waste, wither, and fall to the ground like
-that leaf? I leave you, Emily--with the firm conviction that
-there is a time of fulfillment to come in our two lives. Happen
-what may in the interval--I trust the future."
-
-
-
-The words had barely passed his lips when the voice of one of the
-servants reached them from the house. "Miss Emily, are you in the
-garden?"
-
-Emily stepped out into the sunshine. The servant hurried to meet
-her, and placed a telegram in her hand. She looked at it with a
-sudden misgiving. In her small experience, a telegram was
-associated with the communication of bad news. She conquered her
-hesitation--opened it--read it. The color left her face: she
-shuddered. The telegram dropped on the grass.
-
-"Read it," she said, faintly, as Alban picked it up.
-
-He read these words: "Come to London directly. Miss Letitia is
-dangerously ill."
-
-"Your aunt?" he asked.
-
-"Yes--my aunt."
-
-
-BOOK THE SECOND--IN LONDON.
-
-CHAPTER XII.
-
-MRS. ELLMOTHER.
-
-The metropolis of Great Britain is, in certain respects, like no
-other metropolis on the face of the earth. In the population that
-throngs the st reets, the extremes of Wealth and the extremes of
-Poverty meet, as they meet nowhere else. In the streets
-themselves, the glory and the shame of architecture--the mansion
-and the hovel--are neighbors in situation, as they are neighbors
-nowhere else. London, in its social aspect, is the city of
-contrasts.
-
-Toward the close of evening Emily left the railway terminus for
-the place of residence in which loss of fortune had compelled her
-aunt to take refuge. As she approached her destination, the cab
-passed--by merely crossing a road--from a spacious and beautiful
-Park, with its surrounding houses topped by statues and cupolas,
-to a row of cottages, hard by a stinking ditch miscalled a canal.
-The city of contrasts: north and south, east and west, the city
-of social contrasts.
-
-Emily stopped the cab before the garden gate of a cottage, at the
-further end of the row. The bell was answered by the one servant
-now in her aunt's employ--Miss Letitia's maid.
-
-Personally, this good creature was one of the ill-fated women
-whose appearance suggests that Nature intended to make men of
-them and altered her mind at the last moment. Miss Letitia's maid
-was tall and gaunt and awkward. The first impression produced by
-her face was an impression of bones. They rose high on her
-forehead; they projected on her cheeks; and they reached their
-boldest development in her jaws. In the cavernous eyes of this
-unfortunate person rigid obstinacy and rigid goodness looked out
-together, with equal severity, on all her fellow-creatures alike.
-Her mistress (whom she had served for a quarter of a century and
-more) called her "Bony." She accepted this cruelly appropriate
-nick-name as a mark of affectionate familiarity which honored a
-servant. No other person was allowed to take liberties with her:
-to every one but her mistress she was known as Mrs. Ellmother.
-
-"How is my aunt?" Emily asked.
-
-"Bad."
-
-"Why have I not heard of her illness before?"
-
-"Because she's too fond of you to let you be distressed about
-her. 'Don't tell Emily'; those were her orders, as long as she
-kept her senses."
-
-"Kept her senses? Good heavens! what do you mean?"
-
-"Fever--that's what I mean."
-
-"I must see her directly; I am not afraid of infection."
-
-"There's no infection to be afraid of. But you mustn't see her,
-for all that."
-
-"I insist on seeing her."
-
-"Miss Emily, I am disappointing you for your own good. Don't you
-know me well enough to trust me by this time?"
-
-"I do trust you."
-
-"Then leave my mistress to me--and go and make yourself
-comfortable in your own room."
-
-Emily's answer was a positive refusal. Mrs. Ellmother, driven to
-her last resources, raised a new obstacle.
-
-"It's not to be done, I tell you! How can you see Miss Letitia
-when she can't bear the light in her room? Do you know what color
-her eyes are? Red, poor soul--red as a boiled lobster."
-
-With every word the woman uttered, Emily's perplexity and
-distress increased.
-
-"You told me my aunt's illness was fever," she said--"and now you
-speak of some complaint in her eyes. Stand out of the way, if you
-please, and let me go to her."
-
-Mrs. Ellmother, still keeping her place, looked through the open
-door.
-
-"Here's the doctor," she announced. "It seems I can't satisfy
-you; ask him what's the matter. Come in, doctor." She threw open
-the door of the parlor, and introduced Emily. "This is the
-mistress's niece, sir. Please try if _you_ can keep her quiet. I
-can't." She placed chairs with the hospitable politeness of the
-old school--and returned to her post at Miss Letitia's bedside.
-
-Doctor Allday was an elderly man, with a cool manner and a ruddy
-complexion--thoroughly acclimatized to the atmosphere of pain and
-grief in which it was his destiny to live. He spoke to Emily
-(without any undue familiarity) as if he had been accustomed to
-see her for the greater part of her life.
-
-"That's a curious woman," he said, when Mrs. Ellmother closed the
-door; "the most headstrong person, I think, I ever met with. But
-devoted to her mistress, and, making allowance for her
-awkwardness, not a bad nurse. I am afraid I can't give you an
-encouraging report of your aunt. The rheumatic fever (aggravated
-by the situation of this house--built on clay, you know, and
-close to stagnant water) has been latterly complicated by
-delirium."
-
-"Is that a bad sign, sir?"
-
-"The worst possible sign; it shows that the disease has affected
-the heart. Yes: she is suffering from inflammation of the eyes,
-but that is an unimportant symptom. We can keep the pain under by
-means of cooling lotions and a dark room. I've often heard her
-speak of you--especially since the illness assumed a serious
-character. What did you say? Will she know you, when you go into
-her room? This is about the time when the delirium usually sets
-in. I'll see if there's a quiet interval.'
-
-He opened the door--and came back again.
-
-"By the way," he resumed, "I ought perhaps to explain how it was
-that I took the liberty of sending you that telegram. Mrs.
-Ellmother refused to inform you of her mistress's serious
-illness. That circumstance, according to my view of it, laid the
-responsibility on the doctor's shoulders. The form taken by your
-aunt's delirium--I mean the apparent tendency of the words that
-escape her in that state--seems to excite some incomprehensible
-feeling in the mind of her crabbed servant. She wouldn't even let
-_me_ go into the bedroom, if she could possibly help it. Did Mrs.
-Ellmother give you a warm welcome when you came here?"
-
-"Far from it. My arrival seemed to annoy her."
-
-"Ah--just what I expected. These faithful old servants always end
-by presuming on their fidelity. Did you ever hear what a witty
-poet--I forget his name: he lived to be ninety--said of the man
-who had been his valet for more than half a century? 'For thirty
-years he was the best of servants; and for thirty years he has
-been the hardest of masters.' Quite true--I might say the same of
-my housekeeper. Rather a good story, isn't it?"
-
-The story was completely thrown away on Emily; but one subject
-interested her now. "My poor aunt has always been fond of me,"
-she said. "Perhaps she might know me, when she recognizes nobody
-else."
-
-"Not very likely," the doctor answered. "But there's no laying
-down any rule in cases of this kind. I have sometimes observed
-that circumstances which have produced a strong impression on
-patients, when they are in a state of health, give a certain
-direction to the wandering of their minds, when they are in a
-state of fever. You will say, 'I am not a circumstance; I don't
-see how this encourages me to hope'--and you will be quite right.
-Instead of talking of my medical experience, I shall do better to
-look at Miss Letitia, and let you know the result. You have got
-other relations, I suppose? No? Very distressing--very
-distressing."
-
-Who has not suffered as Emily suffered, when she was left alone?
-Are there not moments--if we dare to confess the truth--when poor
-humanity loses its hold on the consolations of religion and the
-hope of immortality, and feels the cruelty of creation that bids
-us live, on the condition that we die, and leads the first warm
-beginnings of love, with merciless certainty, to the cold
-conclusion of the grave?
-
-"She's quiet, for the time being," Dr. Allday announced, on his
-return. "Remember, please, that she can't see you in the inflamed
-state of her eyes, and don't disturb the bed-curtains. The sooner
-you go to her the better, perhaps--if you have anything to say
-which depends on her recognizing your voice. I'll call to-morrow
-morning. Very distressing," he repeated, taking his hat and
-making his bow--"Very distressing."
-
-Emily crossed the narrow little passage which separated the two
-rooms, and opened the bed-chamber door. Mrs. Ellmother met her on
-the threshold. "No," said the obstinate old servant, "you can't
-come in."
-
-The faint voice of Miss Letitia made itself heard, calling Mrs.
-Ellmother by her familiar nick-name.
-
-"Bony, who is it?"
-
-"Never mind."
-
-"Who is it?"
-
-"Miss Emily, if you must know."
-
-"Oh! poor dear, why does she come here? Who told her I was ill?"
-
-"The doctor told her."
-
-"Don't come in, Emily. It will only distress you--and it will do
-me no good. God bles s you, my love. Don't come in."
-
-"There!" said Mrs. Ellmother. "Do you hear that? Go back to the
-sitting-room."
-
-Thus far, the hard necessity of controlling herself had kept
-Emily silent. She was now able to speak without tears. "Remember
-the old times, aunt," she pleaded, gently. "Don't keep me out of
-your room, when I have come here to nurse you!"
-
-"I'm her nurse. Go back to the sitting-room," Mrs. Ellmother
-repeated.
-
-True love lasts while life lasts. The dying woman relented.
-
-"Bony! Bony! I can't be unkind to Emily. Let her in."
-
-Mrs. Ellmother still insisted on having her way.
-
-"You're contradicting your own orders," she said to her mistress.
-"You don't know how soon you may begin wandering in your mind
-again. Think, Miss Letitia--think."
-
-This remonstrance was received in silence. Mrs. Ellmother's great
-gaunt figure still blocked up the doorway.
-
-"If you force me to it," Emily said, quietly, "I must go to the
-doctor, and ask him to interfere."
-
-"Do you mean that?" Mrs. Ellmother said, quietly, on her side.
-
-"I do mean it," was the answer.
-
-The old servant suddenly submitted--with a look which took Emily
-by surprise. She had expected to see anger; the face that now
-confronted her was a face subdued by sorrow and fear.
-
-"I wash my hands of it," Mrs. Ellmother said. "Go in--and take
-the consequences."
-
-
-CHAPTER XIII.
-
-MISS LETITIA.
-
-Emily entered the room. The door was immediately closed on her
-from the outer side. Mrs. Ellmother's heavy steps were heard
-retreating along the passage. Then the banging of the door that
-led into the kitchen shook the flimsily-built cottage. Then,
-there was silence.
-
-The dim light of a lamp hidden away in a corner and screened by a
-dingy green shade, just revealed the closely-curtained bed, and
-the table near it bearing medicine-bottles and glasses. The only
-objects on the chimney-piece were a clock that had been stopped
-in mercy to the sufferer's irritable nerves, and an open case
-containing a machine for pouring drops into the eyes. The smell
-of fumigating pastilles hung heavily on the air. To Emily's
-excited imagination, the silence was like the silence of death.
-She approached the bed trembling. "Won't you speak to me, aunt?"
-
-"Is that you, Emily? Who let you come in?"
-
-"You said I might come in, dear. Are you thirsty? I see some
-lemonade on the table. Shall I give it to you?"
-
-"No! If you open the bed-curtains, you let in the light. My poor
-eyes! Why are you here, my dear? Why are you not at the school?"
-
-"It's holiday-time, aunt. Besides, I have left school for good."
-
-"Left school?" Miss Letitia's memory made an effort, as she
-repeated those words. "You were going somewhere when you left
-school," she said, "and Cecilia Wyvil had something to do with
-it. Oh, my love, how cruel of you to go away to a stranger, when
-you might live here with me!" She paused--her sense of what she
-had herself just said began to grow confused. "What stranger?"
-she asked abruptly. "Was it a man? What name? Oh, my mind! Has
-death got hold of my mind before my body?"
-
-"Hush! hush! I'll tell you the name. Sir Jervis Redwood."
-
-"I don't know him. I don't want to know him. Do you think he
-means to send for you. Perhaps he _has_ sent for you. I won't
-allow it! You shan't go!"
-
-"Don't excite yourself, dear! I have refused to go; I mean to
-stay here with you."
-
-The fevered brain held to its last idea. "_Has_ he sent for you?"
-she said again, louder than before.
-
-Emily replied once more, in terms carefully chosen with the one
-purpose of pacifying her. The attempt proved to be useless, and
-worse--it seemed to make her suspicious. "I won't be deceived!"
-she said; "I mean to know all about it. He did send for you. Whom
-did he send?"
-
-"His housekeeper."
-
-"What name?" The tone in which she put the question told of
-excitement that was rising to its climax. "Don't you know that
-I'm curious about names?" she burst out. "Why do you provoke me?
-Who is it?"
-
-"Nobody you know, or need care about, dear aunt. Mrs. Rook."
-
-Instantly on the utterance of that name, there followed an
-unexpected result. Silence ensued.
-
-Emily waited--hesitated--advanced, to part the curtains, and look
-in at her aunt. She was stopped by a dreadful sound of
-laughter--the cheerless laughter that is heard among the mad. It
-suddenly ended in a dreary sigh.
-
-Afraid to look in, she spoke, hardly knowing what she said. "Is
-there anything you wish for? Shall I call--?"
-
-Miss Letitia's voice interrupted her. Dull, low, rapidly
-muttering, it was unlike, shockingly unlike, the familiar voice
-of her aunt. It said strange words.
-
-"Mrs. Rook? What does Mrs. Rook matter? Or her husband either?
-Bony, Bony, you're frightened about nothing. Where's the danger
-of those two people turning up? Do you know how many miles away
-the village is? Oh, you fool--a hundred miles and more. Never
-mind the coroner, the coroner must keep in his own district--and
-the jury too. A risky deception? I call it a pious fraud. And I
-have a tender conscience, and a cultivated mind. The newspaper?
-How is _our_ newspaper to find its way to her, I should like to
-know? You poor old Bony! Upon my word you do me good--you make me
-laugh."
-
-The cheerless laughter broke out again--and died away again
-drearily in a sigh.
-
-Accustomed to decide rapidly in the ordinary emergencies of her
-life, Emily felt herself painfully embarrassed by the position in
-which she was now placed.
-
-After what she had already heard, could she reconcile it to her
-sense of duty to her aunt to remain any longer in the room?
-
-In the hopeless self-betrayal of delirium, Miss Letitia had
-revealed some act of concealment, committed in her past life, and
-confided to her faithful old servant. Under these circumstances,
-had Emily made any discoveries which convicted her of taking a
-base advantage of her position at the bedside? Most assuredly
-not! The nature of the act of concealment; the causes that had
-led to it; the person (or persons) affected by it--these were
-mysteries which left her entirely in the dark. She had found out
-that her aunt was acquainted with Mrs. Rook, and that was
-literally all she knew.
-
-Blameless, so far, in the line of conduct that she had pursued,
-might she still remain in the bed-chamber--on this distinct
-understanding with herself: that she would instantly return to
-the sitting-room if she heard anything which could suggest a
-doubt of Miss Letitia's claim to her affection and respect? After
-some hesitation, she decided on leaving it to her conscience to
-answer that question. Does conscience ever say, No--when
-inclination says, Yes? Emily's conscience sided with her
-reluctance to leave her aunt.
-
-Throughout the time occupied by these reflections, the silence
-had remained unbroken. Emily began to feel uneasy. She timidly
-put her hand through the curtains, and took Miss Letitia's hand.
-The contact with the burning skin startled her. She turned away
-to the door, to call the servant--when the sound of her aunt's
-voice hurried her back to the bed.
-
-"Are you there, Bony?" the voice asked.
-
-Was her mind getting clear again? Emily tried the experiment of
-making a plain reply. "Your niece is with you," she said. "Shall
-I call the servant?"
-
-Miss Letitia's mind was still far away from Emily, and from the
-present time.
-
-"The servant?" she repeated. "All the servants but you, Bony,
-have been sent away. London's the place for us. No gossiping
-servants and no curious neighbors in London. Bury the horrid
-truth in London. Ah, you may well say I look anxious and
-wretched. I hate deception--and yet, it must be done. Why do you
-waste time in talking? Why don't you find out where the vile
-woman lives? Only let me get at her--and I'll make Sara ashamed
-of herself."
-
-Emily's heart beat fast when she heard the woman's name. "Sara"
-(as she and her school-fellows knew) was the baptismal name of
-Miss Jethro. Had her aunt alluded to the disgraced teacher, or to
-some other woman?
-
-She waited eagerly to hear more. There was nothing to be heard.
-At this most interesting moment, the silence remained
-undisturbed.
-
-In the fervor of her anxiety to set her doubts at rest, Emily's
-faith in her own good resolutions began to waver. The temptation
-to say somethin g which might set her aunt talking again was too
-strong to be resisted--if she remained at the bedside. Despairing
-of herself she rose and turned to the door. In the moment that
-passed while she crossed the room the very words occurred to her
-that would suit her purpose. Her cheeks were hot with shame--she
-hesitated--she looked back at the bed--the words passed her lips.
-
-"Sara is only one of the woman's names," she said. "Do you like
-her other name?"
-
-The rapidly-muttering tones broke out again instantly--but not in
-answer to Emily. The sound of a voice had encouraged Miss Letitia
-to pursue her own confused train of thought, and had stimulated
-the fast-failing capacity of speech to exert itself once more.
-
-"No! no! He's too cunning for you, and too cunning for me. He
-doesn't leave letters about; he destroys them all. Did I say he
-was too cunning for us? It's false. We are too cunning for him.
-Who found the morsels of his letter in the basket? Who stuck them
-together? Ah, _we_ know! Don't read it, Bony. 'Dear Miss
-Jethro'--don't read it again. 'Miss Jethro' in his letter; and
-'Sara,' when he talks to himself in the garden. Oh, who would
-have believed it of him, if we hadn't seen and heard it
-ourselves!"
-
-There was no more doubt now.
-
-But who was the man, so bitterly and so regretfully alluded to?
-
-No: this time Emily held firmly by the resolution which bound her
-to respect the helpless position of her aunt. The speediest way
-of summoning Mrs. Ellmother would be to ring the bell. As she
-touched the handle a faint cry of suffering from the bed called
-her back.
-
-"Oh, so thirsty!" murmured the failing voice--so thirsty!"
-
-She parted the curtains. The shrouded lamplight just showed her
-the green shade over Miss Letitia s eyes--the hollow cheeks below
-it--the arms laid helplessly on the bed-clothes. "Oh, aunt, don't
-you know my voice? Don't you know Emily? Let me kiss you, dear!"
-Useless to plead with her; useless to kiss her; she only
-reiterated the words, "So thirsty! so thirsty!" Emily raised the
-poor tortured body with a patient caution which spared it pain,
-and put the glass to her aunt's lips. She drank the lemonade to
-the last drop. Refreshed for the moment, she spoke again--spoke
-to the visionary servant of her delirious fancy, while she rested
-in Emily's arms.
-
-"For God's sake, take care how you answer if she questions you.
-If _she_ knew what _we_ know! Are men ever ashamed? Ha! the vile
-woman! the vile woman!"
-
-Her voice, sinking gradually, dropped to a whisper. The next few
-words that escaped her were muttered inarticulately. Little by
-little, the false energy of fever was wearing itself out. She lay
-silent and still. To look at her now was to look at the image of
-death. Once more, Emily kissed her--closed the curtains--and rang
-the bell. Mrs. Ellmother failed to appear. Emily left the room to
-call her.
-
-Arrived at the top of the kitchen stairs, she noted a slight
-change. The door below, which she had heard banged on first
-entering her aunt's room, now stood open. She called to Mrs.
-Ellmother. A strange voice answered her. Its accent was soft and
-courteous; presenting the strongest imaginable contrast to the
-harsh tones of Miss Letitia's crabbed old maid.
-
-"Is there anything I can do for you, miss?"
-
-The person making this polite inquiry appeared at the foot of the
-stairs--a plump and comely woman of middle age. She looked up at
-the young lady with a pleasant smile.
-
-"I beg your pardon," Emily said; "I had no intention of
-disturbing you. I called to Mrs. Ellmother."
-
-The stranger advanced a little way up the stairs, and answered,
-"Mrs. Ellmother is not here."
-
-"Do you expect her back soon?"
-
-"Excuse me, miss--I don't expect her back at all."
-
-"Do you mean to say that she has left the house?"
-
-"Yes, miss. She has left the house."
-
-
-CHAPTER XIV.
-
-MRS. MOSEY.
-
-Emily's first act--after the discovery of Mrs. Ellmother's
-incomprehensible disappearance--was to invite the new servant to
-follow her into the sitting-room.
-
-"Can you explain this?" she began.
-
-"No, miss."
-
-"May I ask if you have come here by Mrs. Ellmother's invitation?"
-
-"By Mrs. Ellmother's _request_, miss."
-
-"Can you tell me how she came to make the request?"
-
-"With pleasure, miss. Perhaps--as you find me here, a stranger to
-yourself, in place of the customary servant--I ought to begin by
-giving you a reference."
-
-"And, perhaps (if you will be so kind), by mentioning your name,"
-Emily added.
-
-"Thank you for reminding me, miss. My name is Elizabeth Mosey. I
-am well known to the gentleman who attends Miss Letitia. Dr.
-Allday will speak to my character and also to my experience as a
-nurse. If it would be in any way satisfactory to give you a
-second reference--"
-
-"Quite needless, Mrs. Mosey."
-
-"Permit me to thank you again, miss. I was at home this evening,
-when Mrs. Ellmother called at my lodgings. Says she, 'I have come
-here, Elizabeth, to ask a favor of you for old friendship's
-sake.' Says I, 'My dear, pray command me, whatever it may be.' If
-this seems rather a hasty answer to make, before I knew what the
-favor was, might I ask you to bear in mind that Mrs. Ellmother
-put it to me 'for old friendship's sake'--alluding to my late
-husband, and to the business which we carried on at that time?
-Through no fault of ours, we got into difficulties. Persons whom
-we had trusted proved unworthy. Not to trouble you further, I may
-say at once, we should have been ruined, if our old friend Mrs.
-Ellmother had not come forward, and trusted us with the savings
-of her lifetime. The money was all paid back again, before my
-husband's death. But I don't consider--and, I think you won't
-consider--that the obligation was paid back too. Prudent or not
-prudent, there is nothing Mrs. Ellmother can ask of me that I am
-not willing to do. If I have put myself in an awkward situation
-(and I don't deny that it looks so) this is the only excuse,
-miss, that I can make for my conduct."
-
-Mrs. Mosey was too fluent, and too fond of hearing the sound of
-her own eminently persuasive voice. Making allowance for these
-little drawbacks, the impression that she produced was decidedly
-favorable; and, however rashly she might have acted, her motive
-was beyond reproach. Having said some kind words to this effect,
-Emily led her back to the main interest of her narrative.
-
-"Did Mrs. Ellmother give no reason for leaving my aunt, at such a
-time as this?" she asked.
-
-"The very words I said to her, miss."
-
-"And what did she say, by way of reply?"
-
-"She burst out crying--a thing I have never known her to do
-before, in an experience of twenty years."
-
-"And she really asked you to take her place here, at a moment's
-notice?"
-
-"That was just what she did," Mrs. Mosey answered. "I had no need
-to tell her I was astonished; my lips spoke for me, no doubt.
-She's a hard woman in speech and manner, I admit. But there's
-more feeling in her than you would suppose. 'If you are the good
-friend I take you for,' she says, 'don't ask me for reasons; I am
-doing what is forced on me, and doing it with a heavy heart.' In
-my place, miss, would you have insisted on her explaining
-herself, after that? The one thing I naturally wanted to know
-was, if I could speak to some lady, in the position of mistress
-here, before I ventured to intrude. Mrs. Ellmother understood
-that it was her duty to help me in this particular. Your poor
-aunt being out of the question she mentioned you."
-
-"How did she speak of me? In an angry way?"
-
-"No, indeed--quite the contrary. She says, 'You will find Miss
-Emily at the cottage. She is Miss Letitia's niece. Everybody
-likes her--and everybody is right.'"
-
-"She really said that?"
-
-"Those were her words. And, what is more, she gave me a message
-for you at parting. 'If Miss Emily is surprised' (that was how
-she put it) 'give her my duty and good wishes; and tell her to
-remember what I said, when she took my place at her aunt's
-bedside.' I don't presume to inquire what this means," said Mrs.
-Mosey respectfully, ready to hear what it meant, if Emily would
-only be so good as to tell her. "I deliver the message, miss, as
-it was delivered to me. After which, Mrs. Ellmother went her way,
-and I went mine."
-
-"Do you know where she wen t?"
-
-"No, miss."
-
-"Have you nothing more to tell me?"
-
-"Nothing more; except that she gave me my directions, of course,
-about the nursing. I took them down in writing--and you will find
-them in their proper place, with the prescriptions and the
-medicines."
-
-Acting at once on this hint, Emily led the way to her aunt's
-room.
-
-Miss Letitia was silent, when the new nurse softly parted the
-curtains--looked in--and drew them together again. Consulting her
-watch, Mrs. Mosey compared her written directions with the
-medicine-bottles on the table, and set one apart to be used at
-the appointed time. "Nothing, so far, to alarm us," she
-whispered. "You look sadly pale and tired, miss. Might I advise
-you to rest a little?"
-
-"If there is any change, Mrs. Mosey--either for the better or the
-worse--of course you will let me know?"
-
-"Certainly, miss."
-
-Emily returned to the sitting-room: not to rest (after all that
-she had heard), but to think.
-
-
-
-Amid much that was unintelligible, certain plain conclusions
-presented themselves to her mind.
-
-After what the doctor had already said to Emily, on the subject
-of delirium generally, Mrs. Ellmother's proceedings became
-intelligible: they proved that she knew by experience the
-perilous course taken by her mistress's wandering thoughts, when
-they expressed themselves in words. This explained the
-concealment of Miss Letitia's illness from her niece, as well as
-the reiterated efforts of the old servant to prevent Emily from
-entering the bedroom.
-
-But the event which had just happened--that is to say, Mrs.
-Ellmother's sudden departure from the cottage--was not only of
-serious importance in itself, but pointed to a startling
-conclusion.
-
-The faithful maid had left the mistress, whom she had loved and
-served, sinking under a fatal illness--and had put another woman
-in her place, careless of what that woman might discover by
-listening at the bedside--rather than confront Emily after she
-had been within hearing of her aunt while the brain of the
-suffering woman was deranged by fever. There was the state of the
-case, in plain words.
-
-In what frame of mind had Mrs. Ellmother adopted this desperate
-course of action?
-
-To use her own expression, she had deserted Miss Letitia "with a
-heavy heart." To judge by her own language addressed to Mrs.
-Mosey, she had left Emily to the mercy of a stranger--animated,
-nevertheless, by sincere feelings of attachment and respect. That
-her fears had taken for granted suspicion which Emily had not
-felt, and discoveries which Emily had (as yet) not made, in no
-way modified the serious nature of the inference which her
-conduct justified. The disclosure which this woman dreaded--who
-could doubt it now?--directly threatened Emily's peace of mind.
-There was no disguising it: the innocent niece was associated
-with an act of deception, which had been, until that day, the
-undetected secret of the aunt and the aunt's maid.
-
-In this conclusion, and in this only, was to be found the
-rational explanation of Mrs. Ellmother's choice--placed between
-the alternatives of submitting to discovery by Emily, or of
-leaving the house.
-
-
-Poor Miss Letitia's writing-table stood near the window of the
-sitting-room. Shrinking from the further pursuit of thoughts
-which might end in disposing her mind to distrust of her dying
-aunt, Emily looked round in search of some employment
-sufficiently interesting to absorb her attention. The
-writing-table reminded her that she owed a letter to Cecilia.
-That helpful friend had surely the first claim to know why she
-had failed to keep her engagement with Sir Jervis Redwood.
-
-After mentioning the telegram which had followed Mrs. Rook's
-arrival at the school, Emily's letter proceeded in these terms:
-
-"As soon as I had in some degree recovered myself, I informed
-Mrs. Rook of my aunt's serious illness.
-
-"Although she carefully confined herself to commonplace
-expressions of sympathy, I could see that it was equally a relief
-to both of us to feel that we were prevented from being traveling
-companions. Don't suppose that I have taken a capricious dislike
-to Mrs. Rook--or that you are in any way to blame for the
-unfavorable impression which she has produced on me. I will make
-this plain when we meet. In the meanwhile, I need only tell you
-that I gave her a letter of explanation to present to Sir Jervis
-Redwood. I also informed him of my address in London: adding a
-request that he would forward your letter, in case you have
-written to me before you receive these lines.
-
-"Kind Mr. Alban Morris accompanied me to the railway-station, and
-arranged with the guard to take special care of me on the journey
-to London. We used to think him rather a heartless man. We were
-quite wrong. I don't know what his plans are for spending the
-summer holidays. Go where he may, I remember his kindness; my
-best wishes go with him.
-
-"My dear, I must not sadden your enjoyment of your pleasant visit
-to the Engadine, by writing at any length of the sorrow that I am
-suffering. You know how I love my aunt, and how gratefully I have
-always felt her motherly goodness to me. The doctor does not
-conceal the truth. At her age, there is no hope: my father's
-last-left relation, my one dearest friend, is dying.
-
-"No! I must not forget that I have another friend--I must find
-some comfort in thinking of _you_.
-
-"I do so long in my solitude for a letter from my dear Cecilia.
-Nobody comes to see me, when I most want sympathy; I am a
-stranger in this vast city. The members of my mother's family are
-settled in Australia: they have not even written to me, in all
-the long years that have passed since her death. You remember how
-cheerfully I used to look forward to my new life, on leaving
-school? Good-by, my darling. While I can see your sweet face, in
-my thoughts, I don't despair--dark as it looks now--of the future
-that is before me."
-
-Emily had closed and addressed her letter, and was just rising
-from her chair, when she heard the voice of the new nurse at the
-door.
-
-
-CHAPTER XV
-
-EMILY.
-
-"May I say a word?" Mrs. Mosey inquired. She entered the
-room--pale and trembling. Seeing that ominous change, Emily
-dropped back into her chair.
-
-"Dead?" she said faintly.
-
-Mrs. Mosey looked at her in vacant surprise.
-
-"I wish to say, miss, that your aunt has frightened me."
-
-Even that vague allusion was enough for Emily.
-
-"You need say no more," she replied. "I know but too well how my
-aunt's mind is affected by the fever."
-
-Confused and frightened as she was, Mrs. Mosey still found relief
-in her customary flow of words.
-
-"Many and many a person have I nursed in fever," she announced.
-"Many and many a person have I heard say strange things. Never
-yet, miss, in all my experience--!"
-
-"Don't tell me of it!" Emily interposed.
-
-"Oh, but I _must_ tell you! In your own interests, Miss Emily--in
-your own interests. I won't be inhuman enough to leave you alone
-in the house to-night; but if this delirium goes on, I must ask
-you to get another nurse. Shocking suspicions are lying in wait
-for me in that bedroom, as it were. I can't resist them as I
-ought, if I go back again, and hear your aunt saying what she has
-been saying for the last half hour and more. Mrs. Ellmother has
-expected impossibilities of me; and Mrs. Ellmother must take the
-consequences. I don't say she didn't warn me--speaking, you will
-please to understand, in the strictest confidence. 'Elizabeth,'
-she says, 'you know how wildly people talk in Miss Letitia's
-present condition. Pay no heed to it,' she says. 'Let it go in at
-one ear and out at the other,' she says. 'If Miss Emily asks
-questions--you know nothing about it. If she's frightened--you
-know nothing about it. If she bursts into fits of crying that are
-dreadful to see, pity her, poor thing, but take no notice.' All
-very well, and sounds like speaking out, doesn't it? Nothing of
-the sort! Mrs. Ellmother warns me to expect this, that, and the
-other. But there is one horrid thing (which I heard, mind, over
-and over again at your aunt's bedside) that she does _not_
-prepare me for; and that horrid thing is--Murder!"
-
-At that last word, Mrs. Mosey dropped her voice to a whisper--and
-waited to see what effect she had produced.
-
-Sorely tried
- already by the cruel perplexities of her position, Emily's
-courage failed to resist the first sensation of horror, aroused
-in her by the climax of the nurse's hysterical narrative.
-Encouraged by her silence, Mrs. Mosey went on. She lifted one
-hand with theatrical solemnity--and luxuriously terrified herself
-with her own horrors.
-
-"An inn, Miss Emily; a lonely inn, somewhere in the country; and
-a comfortless room at the inn, with a makeshift bed at one end of
-it, and a makeshift bed at the other--I give you my word of
-honor, that was how your aunt put it. She spoke of two men next;
-two men asleep (you understand) in the two beds. I think she
-called them 'gentlemen'; but I can't be sure, and I wouldn't
-deceive you--you know I wouldn't deceive you, for the world. Miss
-Letitia muttered and mumbled, poor soul. I own I was getting
-tired of listening--when she burst out plain again, in that one
-horrid word--Oh, miss, don't be impatient! don't interrupt me!"
-
-Emily did interrupt, nevertheless. In some degree at least she
-had recovered herself. "No more of it!" she said--"I won't hear a
-word more."
-
-But Mrs. Mosey was too resolutely bent on asserting her own
-importance, by making the most of the alarm that she had
-suffered, to be repressed by any ordinary method of remonstrance.
-Without paying the slightest attention to what Emily had said,
-she went on again more loudly and more excitably than ever.
-
-"Listen, miss--listen! The dreadful part of it is to come; you
-haven't heard about the two gentlemen yet. One of them was
-murdered--what do you think of that!--and the other (I heard your
-aunt say it, in so many words) committed the crime. Did Miss
-Letitia fancy she was addressing a lot of people when _you_ were
-nursing her? She called out, like a person making public
-proclamation, when I was in her room. 'Whoever you are, good
-people' (she says), 'a hundred pounds reward, if you find the
-runaway murderer. Search everywhere for a poor weak womanish
-creature, with rings on his little white hands. There's nothing
-about him like a man, except his voice--a fine round voice.
-You'll know him, my friends--the wretch, the monster--you'll know
-him by his voice.' That was how she put it; I tell you again,
-that was how she put it. Did you hear her scream? Ah, my dear
-young lady, so much the better for you! 'O the horrid murder'
-(she says)--'hush it up!' I'll take my Bible oath before the
-magistrate," cried Mrs. Mosey, starting out of her chair, "your
-aunt said, 'Hush it up!'"
-
-Emily crossed the room. The energy of her character was roused at
-last. She seized the foolish woman by the shoulders, forced her
-back in the chair, and looked her straight in the face without
-uttering a word.
-
-For the moment, Mrs. Mosey was petrified. She had fully
-expected--having reached the end of her terrible story--to find
-Emily at her feet, entreating her not to carry out her intention
-of leaving the cottage the next morning; and she had determined,
-after her sense of her own importance had been sufficiently
-flattered, to grant the prayer of the helpless young lady. Those
-were her anticipations--and how had they been fulfilled? She had
-been treated like a mad woman in a state of revolt!
-
-"How dare you assault me?" she asked piteously. "You ought to be
-ashamed of yourself. God knows I meant well."
-
-"You are not the first person," Emily answered, quietly releasing
-her, "who has done wrong with the best intentions."
-
-"I did my duty, miss, when I told you what your aunt said."
-
-"You forgot your duty when you listened to what my aunt said."
-
-"Allow me to explain myself."
-
-"No: not a word more on _that_ subject shall pass between us.
-Remain here, if you please; I have something to suggest in your
-own interests. Wait, and compose yourself."
-
-The purpose which had taken a foremost place in Emily's mind
-rested on the firm foundation of her love and pity for her aunt.
-
-Now that she had regained the power to think, she felt a hateful
-doubt pressed on her by Mrs. Mosey's disclosures. Having taken
-for granted that there was a foundation in truth for what she
-herself had heard in her aunt's room, could she reasonably resist
-the conclusion that there must be a foundation in truth for what
-Mrs. Mosey had heard, under similar circumstances?
-
-There was but one way of escaping from this dilemma--and Emily
-deliberately took it. She turned her back on her own convictions;
-and persuaded herself that she had been in the wrong, when she
-had attached importance to anything that her aunt had said, under
-the influence of delirium. Having adopted this conclusion, she
-resolved to face the prospect of a night's solitude by the
-death-bed--rather than permit Mrs. Mosey to have a second
-opportunity of drawing her own inferences from what she might
-hear in Miss Letitia's room.
-
-"Do you mean to keep me waiting much longer, miss?"
-
-"Not a moment longer, now you are composed again," Emily
-answered. "I have been thinking of what has happened; and I fail
-to see any necessity for putting off your departure until the
-doctor comes to-morrow morning. There is really no objection to
-your leaving me to-night."
-
-"I beg your pardon, miss; there _is_ an objection. I have already
-told you I can't reconcile it to my conscience to leave you here
-by yourself. I am not an inhuman woman," said Mrs. Mosey, putting
-her handkerchief to her eyes--smitten with pity for herself.
-
-Emily tried the effect of a conciliatory reply. "I am grateful
-for your kindness in offering to stay with me," she said.
-
-"Very good of you, I'm sure," Mrs. Mosey answered ironically.
-"But for all that, you persist in sending me away."
-
-"I persist in thinking that there is no necessity for my keeping
-you here until to-morrow."
-
-"Oh, have it your own way! I am not reduced to forcing my company
-on anybody."
-
-Mrs. Mosey put her handkerchief in her pocket, and asserted her
-dignity. With head erect and slowly-marching steps she walked out
-of the room. Emily was left in the cottage, alone with her dying
-aunt.
-
-
-CHAPTER XVI.
-
-MISS JETHRO.
-
-A fortnight after the disappearance of Mrs. Ellmother, and the
-dismissal of Mrs. Mosey, Doctor Allday entered his
-consulting-room, punctual to the hour at which he was accustomed
-to receive patients.
-
-An occasional wrinkling of his eyebrows, accompanied by an
-intermittent restlessness in his movements, appeared to indicate
-some disturbance of this worthy man's professional composure. His
-mind was indeed not at ease. Even the inexcitable old doctor had
-felt the attraction which had already conquered three such
-dissimilar people as Alban Morris, Cecilia Wyvil, and Francine de
-Sor. He was thinking of Emily.
-
-A ring at the door-bell announced the arrival of the first
-patient.
-
-The servant introduced a tall lady, dressed simply and elegantly
-in dark apparel. Noticeable features, of a Jewish cast--worn and
-haggard, but still preserving their grandeur of form--were
-visible through her veil. She moved with grace and dignity; and
-she stated her object in consulting Doctor Allday with the ease
-of a well-bred woman.
-
-"I come to ask your opinion, sir, on the state of my heart," she
-said; "and I am recommended by a patient, who has consulted you
-with advantage to herself." She placed a card on the doctor's
-writing-desk, and added: "I have become acquainted with the lady,
-by being one of the lodgers in her house."
-
-The doctor recognized the name--and the usual proceedings ensued.
-After careful examination, he arrived at a favorable conclusion.
-"I may tell you at once," he said--"there is no reason to be
-alarmed about the state of your heart."
-
-"I have never felt any alarm about myself," she answered quietly.
-"A sudden death is an easy death. If one's affairs are settled,
-it seems, on that account, to be the death to prefer. My object
-was to settle _my_ affairs--such as they are--if you had
-considered my life to be in danger. "Is there nothing the matter
-with me?"
-
-"I don't say that," the doctor replied. "The action of your heart
-is very feeble. Take the medicine that I shall prescribe; pay a
-little more attention to eating and drinking than ladies usually
-do; don't run upstairs, and don't fatigue yourself by violent
-exercise--and I see no reason wh y you shouldn't live to be an
-old woman."
-
-"God forbid!" the lady said to herself. She turned away, and
-looked out of the window with a bitter smile.
-
-Doctor Allday wrote his prescription. "Are you likely to make a
-long stay in London?" he asked.
-
-"I am here for a little while only. Do you wish to see me again?"
-
-"I should like to see you once more, before you go away--if you
-can make it convenient. What name shall I put on the
-prescription?"
-
-"Miss Jethro."
-
-"A remarkable name," the doctor said, in his matter-of-fact way.
-
-Miss Jethro's bitter smile showed itself again.
-
-Without otherwise noticing what Doctor Allday had said, she laid
-the consultation fee on the table. At the same moment, the
-footman appeared with a letter. "From Miss Emily Brown," he said.
-"No answer required."
-
-He held the door open as he delivered the message, seeing that
-Miss Jethro was about to leave the room. She dismissed him by a
-gesture; and, returning to the table, pointed to the letter.
-
-"Was your correspondent lately a pupil at Miss Ladd's school?"
-she inquired.
-
-"My correspondent has just left Miss Ladd," the doctor answered.
-"Are you a friend of hers?"
-
-"I am acquainted with her."
-
-"You would be doing the poor child a kindness, if you would go
-and see her. She has no friends in London."
-
-"Pardon me--she has an aunt."
-
-"Her aunt died a week since."
-
-"Are there no other relations?"
-
-"None. A melancholy state of things, isn't it? She would have
-been absolutely alone in the house, if I had not sent one of my
-women servants to stay with her for the present. Did you know her
-father?"
-
-Miss Jethro passed over the question, as if she had not heard it.
-"Has the young lady dismissed her aunt's servants?" she asked.
-
-"Her aunt kept but one servant, ma'am. The woman has spared Miss
-Emily the trouble of dismissing her." He briefly alluded to Mrs.
-Ellmother's desertion of her mistress. "I can't explain it," he
-said when he had done. "Can _you_?"
-
-"What makes you think, sir, that I can help you? I have never
-even heard of the servant--and the mistress was a stranger to
-me."
-
-At Doctor Allday's age a man is not easily discouraged by
-reproof, even when it is administered by a handsome woman. "I
-thought you might have known Miss Emily's father," he persisted.
-
-Miss Jethro rose, and wished him good-morning. "I must not occupy
-any more of your valuable time," she said.
-
-"Suppose you wait a minute?" the doctor suggested.
-
-Impenetrable as ever, he rang the bell. "Any patients in the
-waiting-room?" he inquired. "You see I have time to spare," he
-resumed, when the man had replied in the negative. "I take an
-interest in this poor girl; and I thought--"
-
-"If you think that I take an interest in her, too," Miss Jethro
-interposed, "you are perfectly right--I knew her father," she
-added abruptly; the allusion to Emily having apparently reminded
-her of the question which she had hitherto declined to notice.
-
-"In that case," Doctor Allday proceeded, "I want a word of
-advice. Won't you sit down?"
-
-She took a chair in silence. An irregular movement in the lower
-part of her veil seemed to indicate that she was breathing with
-difficulty. The doctor observed her with close attention. "Let me
-see my prescription again," he said. Having added an ingredient,
-he handed it back with a word of explanation. "Your nerves are
-more out of order than I supposed. The hardest disease to cure
-that I know of is--worry."
-
-The hint could hardly have been plainer; but it was lost on Miss
-Jethro. Whatever her troubles might be, her medical adviser was
-not made acquainted with them. Quietly folding up the
-prescription, she reminded him that he had proposed to ask her
-advice.
-
-"In what way can I be of service to you?" she inquired.
-
-"I am afraid I must try your patience," the doctor acknowledged,
-"if I am to answer that question plainly."
-
-With these prefatory words, he described the events that had
-followed Mrs. Mosey's appearance at the cottage. "I am only doing
-justice to this foolish woman," he continued, "when I tell you
-that she came here, after she had left Miss Emily, and did her
-best to set matters right. I went to the poor girl directly--and
-I felt it my duty, after looking at her aunt, not to leave her
-alone for that night. When I got home the next morning, whom do
-you think I found waiting for me? Mrs. Ellmother!"
-
-He stopped--in the expectation that Miss Jethro would express
-some surprise. Not a word passed her lips.
-
-"Mrs. Ellmother's object was to ask how her mistress was going
-on," the doctor proceeded. "Every day while Miss Letitia still
-lived, she came here to make the same inquiry--without a word of
-explanation. On the day of the funeral, there she was at the
-church, dressed in deep mourning; and, as I can personally
-testify, crying bitterly. When the ceremony was over--can you
-believe it?--she slipped away before Miss Emily or I could speak
-to her. We have seen nothing more of her, and heard nothing more,
-from that time to this."
-
-He stopped again, the silent lady still listening without making
-any remark.
-
-"Have you no opinion to express?" the doctor asked bluntly.
-
-"I am waiting," Miss Jethro answered.
-
-"Waiting--for what?"
-
-"I haven't heard yet, why you want my advice."
-
-Doctor Allday's observation of humanity had hitherto reckoned
-want of caution among the deficient moral qualities in the
-natures of women. He set down Miss Jethro as a remarkable
-exception to a general rule.
-
-"I want you to advise me as to the right course to take with Miss
-Emily," he said. "She has assured me she attaches no serious
-importance to her aunt's wanderings, when the poor old lady's
-fever was at its worst. I don't doubt that she speaks the
-truth--but I have my own reasons for being afraid that she is
-deceiving herself. Will you bear this in mind?"
-
-"Yes--if it's necessary."
-
-"In plain words, Miss Jethro, you think I am still wandering from
-the point. I have got to the point. Yesterday, Miss Emily told me
-that she hoped to be soon composed enough to examine the papers
-left by her aunt."
-
-Miss Jethro suddenly turned in her chair, and looked at Doctor
-Allday.
-
-"Are you beginning to feel interested?" the doctor asked
-mischievously.
-
-She neither acknowledged nor denied it. "Go on"--was all she
-said.
-
-"I don't know how _you_ feel," he proceeded; "_I_ am afraid of
-the discoveries which she may make; and I am strongly tempted to
-advise her to leave the proposed examination to her aunt's
-lawyer. Is there anything in your knowledge of Miss Emily's late
-father, which tells you that I am right?"
-
-"Before I reply," said Miss Jethro, "it may not be amiss to let
-the young lady speak for herself."
-
-"How is she to do that?" the doctor asked.
-
-Miss Jethro pointed to the writing table. "Look there," she said.
-"You have not yet opened Miss Emily's letter."
-
-
-CHAPTER XVII.
-
-DOCTOR ALLDAY.
-
-Absorbed in the effort to overcome his patient's reserve, the
-doctor had forgotten Emily's letter. He opened it immediately.
-
-After reading the first sentence, he looked up with an expression
-of annoyance. "She has begun the examination of the papers
-already," he said.
-
-"Then I can be of no further use to you," Miss Jethro rejoined.
-She made a second attempt to leave the room.
-
-Doctor Allday turned to the next page of the letter. "Stop!" he
-cried. "She has found something--and here it is."
-
-He held up a small printed Handbill, which had been placed
-between the first and second pages. "Suppose you look at it?" he
-said.
-
-"Whether I am interested in it or not?" Miss Jethro asked.
-
-"You may be interested in what Miss Emily says about it in her
-letter."
-
-"Do you propose to show me her letter?"
-
-"I propose to read it to you."
-
-Miss Jethro took the Handbill without further objection. It was
-expressed in these words:
-
-"MURDER. 100 POUNDS REWARD.--Whereas a murder was committed on
-the thirtieth September, 1877, at the Hand-in-Hand Inn, in the
-village of Zeeland, Hampshire, the above reward will be paid to
-any person or persons whose exertions shall lead to the arrest
-and conviction of the suspected murderer. Name not known.
-Supposed age, between twenty and thirty years. A well-made man,
-of small stature. Fair complexion, delicate features, clear blue
-eye s. Hair light, and cut rather short. Clean shaven, with the
-exception of narrow half-whiskers. Small, white, well-shaped
-hands. Wore valuable rings on the two last fingers of the left
-hand. Dressed neatly in a dark-gray tourist-suit. Carried a
-knapsack, as if on a pedestrian excursion. Remarkably good voice,
-smooth, full, and persuasive. Ingratiating manners. Apply to the
-Chief Inspector, Metropolitan Police Office, London."
-
-Miss Jethro laid aside the Handbill without any visible
-appearance of agitation. The doctor took up Emily's letter, and
-read as follows:
-
-"You will be as much relieved as I was, my kind friend, when you
-look at the paper inclosed. I found it loose in a blank book,
-with cuttings from newspapers, and odd announcements of lost
-property and other curious things (all huddled together between
-the leaves), which my aunt no doubt intended to set in order and
-fix in their proper places. She must have been thinking of her
-book, poor soul, in her last illness. Here is the origin of those
-'terrible words' which frightened stupid Mrs. Mosey! Is it not
-encouraging to have discovered such a confirmation of my opinion
-as this? I feel a new interest in looking over the papers that
-still remain to be examined--"
-
-Before he could get to the end of the sentence Miss Jethro's
-agitation broke through her reserve.
-
-"Do what you proposed to do!" she burst out vehemently. "Stop her
-at once from carrying her examination any further! If she
-hesitates, insist on it!"
-
-At last Doctor Allday had triumphed! "It has been a long time
-coming," he remarked, in his cool way; "and it's all the more
-welcome on that account. You dread the discoveries she may make,
-Miss Jethro, as I do. And _you_ know what those discoveries may
-be."
-
-"What I do know, or don't know, is of no importance." she
-answered sharply.
-
-"Excuse me, it is of very serious importance. I have no authority
-over this poor girl--I am not even an old friend. You tell me to
-insist. Help me to declare honestly that I know of circumstances
-which justify me; and I may insist to some purpose."
-
-Miss Jethro lifted her veil for the first time, and eyed him
-searchingly.
-
-"I believe I can trust you," she said. "Now listen! The one
-consideration on which I consent to open my lips, is
-consideration for Miss Emily's tranquillity. Promise me absolute
-secrecy, on your word of honor."
-
-He gave the promise.
-
-"I want to know one thing, first," Miss Jethro proceeded. "Did
-she tell you--as she once told me--that her father had died of
-heart-complaint?"
-
-"Yes."
-
-"Did you put any questions to her?"
-
-"I asked how long ago it was."
-
-"And she told you?"
-
-"She told me."
-
-"You wish to know, Doctor Allday, what discoveries Miss Emily may
-yet make, among her aunt's papers. Judge for yourself, when I
-tell you that she has been deceived about her father's death."
-
-"Do you mean that he is still living?"
-
-"I mean that she has been deceived--purposely deceived--about the
-_manner_ of his death."
-
-"Who was the wretch who did it?"
-
-"You are wronging the dead, sir! The truth can only have been
-concealed out of the purest motives of love and pity. I don't
-desire to disguise the conclusion at which I have arrived after
-what I have heard from yourself. The person responsible must be
-Miss Emily's aunt--and the old servant must have been in her
-confidence. Remember! You are bound in honor not to repeat to any
-living creature what I have just said."
-
-The doctor followed Miss Jethro to the door. "You have not yet
-told me," he said, "_how_ her father died."
-
-"I have no more to tell you."
-
-With those words she left him.
-
-He rang for his servant. To wait until the hour at which he was
-accustomed to go out, might be to leave Emily's peace of mind at
-the mercy of an accident. "I am going to the cottage," he said.
-"If anybody wants me, I shall be back in a quarter of an hour."
-
-On the point of leaving the house, he remembered that Emily would
-probably expect him to return the Handbill. As he took it up, the
-first lines caught his eye: he read the date at which the murder
-had been committed, for the second time. On a sudden the ruddy
-color left his face.
-
-"Good God!" he cried, "her father was murdered--and that woman
-was concerned in it."
-
-Following the impulse that urged him, he secured the Handbill in
-his pocketbook--snatched up the card which his patient had
-presented as her introduction--and instantly left the house. He
-called the first cab that passed him, and drove to Miss Jethro's
-lodgings.
-
-"Gone"--was the servant's answer when he inquired for her. He
-insisted on speaking to the landlady. "Hardly ten minutes have
-passed," he said, "since she left my house."
-
-"Hardly ten minutes have passed," the landlady replied, "since
-that message was brought here by a boy."
-
-The message had been evidently written in great haste: "I am
-unexpectedly obliged to leave London. A bank note is inclosed in
-payment of my debt to you. I will send for my luggage."
-
-The doctor withdrew.
-
-"Unexpectedly obliged to leave London," he repeated, as he got
-into the cab again. "Her flight condemns her: not a doubt of it
-now. As fast as you can!" he shouted to the man; directing him to
-drive to Emily's cottage.
-
-
-CHAPTER XVIII.
-
-MISS LADD.
-
-Arriving at the cottage, Doctor Allday discovered a gentleman,
-who was just closing the garden gate behind him.
-
-"Has Miss Emily had a visitor?" he inquired, when the servant
-admitted him.
-
-"The gentleman left a letter for Miss Emily, sir."
-
-"Did he ask to see her?"
-
-"He asked after Miss Letitia's health. When he heard that she was
-dead, he seemed to be startled, and went away immediately."
-
-"Did he give his name?"
-
-"No, sir."
-
-The doctor found Emily absorbed over her letter. His anxiety to
-forestall any possible discovery of the deception which had
-concealed the terrible story of her father's death, kept Doctor
-Allday's vigilance on the watch. He doubted the gentleman who had
-abstained from giving his name; he even distrusted the other
-unknown person who had written to Emily.
-
-She looked up. Her face relieved him of his misgivings, before
-she could speak.
-
-"At last, I have heard from my dearest friend," she said. "You
-remember what I told you about Cecilia? Here is a letter--a long
-delightful letter--from the Engadine, left at the door by some
-gentleman unknown. I was questioning the servant when you rang
-the bell."
-
-"You may question me, if you prefer it. I arrived just as the
-gentleman was shutting your garden gate."
-
-"Oh, tell me! what was he like?"
-
-"Tall, and thin, and dark. Wore a vile republican-looking felt
-hat. Had nasty ill-tempered wrinkles between his eyebrows. The
-sort of man I distrust by instinct."
-
-"Why?"
-
-"Because he doesn't shave."
-
-"Do you mean that he wore a beard?"
-
-"Yes; a curly black beard."
-
-Emily clasped her hands in amazement. "Can it be Alban Morris?"
-she exclaimed.
-
-The doctor looked at her with a sardonic smile; he thought it
-likely that he had discovered her sweetheart.
-
-"Who is Mr. Alban Morris?" he asked.
-
-"The drawing-master at Miss Ladd's school."
-
-Doctor Allday dropped the subject: masters at ladies' schools
-were not persons who interested him. He returned to the purpose
-which had brought him to the cottage--and produced the Handbill
-that had been sent to him in Emily's letter.
-
-"I suppose you want to have it back again?' he said.
-
-She took it from him, and looked at it with interest.
-
-"Isn't it strange," she suggested, "that the murderer should have
-escaped, with such a careful description of him as this
-circulated all over England?"
-
-She read the description to the doctor.
-
-"'Name not known. Supposed age, between twenty-five and thirty
-years. A well-made man, of small stature. Fair complexion,
-delicate features, clear blue eyes. Hair light, and cut rather
-short. Clean shaven, with the exception of narrow half-whiskers.
-Small, white, well-shaped hands. Wore valuable rings on the two
-last fingers of the left hand. Dressed neatly--'"
-
-"That part of the description is useless," the doctor remarked;
-"he would change his clothes."
-
-"But could he change his voice?" Emily objected. "Listen to this:
-'Remarkably good voice, smooth, full, and persuasive.' And here
-again! 'Ingratiating manners.' Perhaps you will say he could put
-on an appearance of rudeness?"
-
-"I will say this, my dear. He would be able to disguise himself
-so effectually that ninety-nine people out of a hundred would
-fail to identify him, either by his voice or his manner."
-
-"How?"
-
-"Look back at the description: 'Hair cut rather short, clean
-shaven, with the exception of narrow half-whiskers.' The wretch
-was safe from pursuit; he had ample time at his disposal--don't
-you see how he could completely alter the appearance of his head
-and face? No more, my dear, of this disagreeable subject! Let us
-get to something interesting. Have you found anything else among
-your aunt's papers?"
-
-"I have met with a great disappointment," Emily replied. "Did I
-tell you how I discovered the Handbill?"
-
-"No."
-
-"I found it, with the scrap-book and the newspaper cuttings,
-under a collection of empty boxes and bottles, in a drawer of the
-washhand-stand. And I naturally expected to make far more
-interesting discoveries in this room. My search was over in five
-minutes. Nothing in the cabinet there, in the corner, but a few
-books and some china. Nothing in the writing-desk, on that
-side-table, but a packet of note-paper and some sealing-wax.
-Nothing here, in the drawers, but tradesmen's receipts, materials
-for knitting, and old photographs. She must have destroyed all
-her papers, poor dear, before her last illness; and the Handbill
-and the other things can only have escaped, because they were
-left in a place which she never thought of examining. Isn't it
-provoking?"
-
-With a mind inexpressibly relieved, good Doctor Allday asked
-permission to return to his patients: leaving Emily to devote
-herself to her friend's letter.
-
-On his way out, he noticed that the door of the bed-chamber on
-the opposite side of the passage stood open. Since Miss Letitia's
-death the room had not been used. Well within view stood the
-washhand-stand to which Emily had alluded. The doctor advanced to
-the house door--reflected--hesitated--and looked toward the empty
-room.
-
-It had struck him that there might be a second drawer which Emily
-had overlooked. Would he be justified in setting this doubt at
-rest? If he passed over ordinary scruples it would not be without
-excuse. Miss Letitia had spoken to him of her affairs, and had
-asked him to act (in Emily's interest) as co-executor with her
-lawyer. The rapid progress of the illness had made it impossible
-for her to execute the necessary codicil. But the doctor had been
-morally (if not legally) taken into her confidence--and, for that
-reason, he decided that he had a right in this serious matter to
-satisfy his own mind.
-
-A glance was enough to show him that no second drawer had been
-overlooked.
-
-There was no other discovery to detain the doctor. The wardrobe
-only contained the poor old lady's clothes; the one cupboard was
-open and empty. On the point of leaving the room, he went back to
-the washhand-stand. While he had the opportunity, it might not be
-amiss to make sure that Emily had thoroughly examined those old
-boxes and bottles, which she had alluded to with some little
-contempt.
-
-The drawer was of considerable length. When he tried to pull it
-completely out from the grooves in which it ran, it resisted him.
-In his present frame of mind, this was a suspicious circumstance
-in itself. He cleared away the litter so as to make room for the
-introduction of his hand and arm into the drawer. In another
-moment his fingers touched a piece of paper, jammed between the
-inner end of the drawer and the bottom of the flat surface of the
-washhand-stand. With a little care, he succeeded in extricating
-the paper. Only pausing to satisfy himself that there was nothing
-else to be found, and to close the drawer after replacing its
-contents, he left the cottage.
-
-The cab was waiting for him. On the drive back to his own house,
-he opened the crumpled paper. It proved to be a letter addressed
-to Miss Letitia; and it was signed by no less a person than
-Emily's schoolmistress. Looking back from the end to the
-beginning, Doctor Allday discovered, in the first sentence, the
-name of--Miss Jethro.
-
-But for the interview of that morning with his patient he might
-have doubted the propriety of making himself further acquainted
-with the letter. As things were, he read it without hesitation.
-
-"DEAR MADAM--I cannot but regard it as providential circumstance
-that your niece, in writing to you from my house, should have
-mentioned, among other events of her school life, the arrival of
-my new teacher, Miss Jethro.
-
-"To say that I was surprised is to express very inadequately what
-I felt when I read your letter, informing me confidentially that
-I had employed a woman who was unworthy to associate with the
-young persons placed under my care. It is impossible for me to
-suppose that a lady in your position, and possessed of your high
-principles, would make such a serious accusation as this, without
-unanswerable reasons for doing so. At the same time I cannot,
-consistently with my duty as a Christian, suffer my opinion of
-Miss Jethro to be in any way modified, until proofs are laid
-before me which it is impossible to dispute.
-
-"Placing the same confidence in your discretion, which you have
-placed in mine, I now inclose the references and testimonials
-which Miss Jethro submitted to me, when she presented herself to
-fill the vacant situation in my school.
-
-"I earnestly request you to lose no time in instituting the
-confidential inquiries which you have volunteered to make.
-Whatever the result may be, pray return to me the inclosures
-which I have trusted to your care, and believe me, dear madam, in
-much suspense and anxiety, sincerely yours,
-
- AMELIA LADD."
-
-
-It is needless to describe, at any length, the impression which
-these lines produced on the doctor.
-
-If he had heard what Emily had heard at the time of her aunt's
-last illness, he would have called to mind Miss Letitia's
-betrayal of her interest in some man unknown, whom she believed
-to have been beguiled by Miss Jethro--and he would have perceived
-that the vindictive hatred, thus produced, must have inspired the
-letter of denunciation which the schoolmistress had acknowledged.
-He would also have inferred that Miss Letitia's inquiries had
-proved her accusation to be well founded--if he had known of the
-new teacher's sudden dismissal from the school. As things were,
-he was merely confirmed in his bad opinion of Miss Jethro; and he
-was induced, on reflection, to keep his discovery to himself.
-
-"If poor Miss Emily saw the old lady exhibited in the character
-of an informer," he thought, "what a blow would be struck at her
-innocent respect for the memory of her aunt!"
-
-
-CHAPTER XIX.
-
-SIR JERVIS REDWOOD.
-
-In the meantime, Emily, left by herself, had her own
-correspondence to occupy her attention. Besides the letter from
-Cecilia (directed to the care of Sir Jervis Redwood), she had
-received some lines addressed to her by Sir Jervis himself. The
-two inclosures had been secured in a sealed envelope, directed to
-the cottage.
-
-If Alban Morris had been indeed the person trusted as messenger
-by Sir Jervis, the conclusion that followed filled Emily with
-overpowering emotions of curiosity and surprise.
-
-Having no longer the motive of serving and protecting her, Alban
-must, nevertheless, have taken the journey to Northumberland. He
-must have gained Sir Jervis Redwood's favor and confidence--and
-he might even have been a guest at the baronet's country
-seat--when Cecilia's letter arrived. What did it mean?
-
-Emily looked back at her experience of her last day at school,
-and recalled her consultation with Alban on the subject of Mrs.
-Rook. Was he still bent on clearing up his suspicions of Sir
-Jervis's housekeeper? And, with that end in view, had he followed
-the woman, on her return to her master's place of abode?
-
-Suddenly, almost irritably, Emily snatched up Sir Jervis's
-letter. Before the doctor had come in, she had glanced at it, and
-had thrown it aside in her impatience to read what Cecilia had
-written. In her present altered frame of mind, she was inclined
-to think that Sir Jervis might be the more interesting
-correspondent of the two.
-
-On
- returning to his letter, she was disappointed at the outset.
-
-In the first place, his handwriting was so abominably bad that
-she was obliged to guess at his meaning. In the second place, he
-never hinted at the circumstances under which Cecilia's letter
-had been confided to the gentleman who had left it at her door.
-
-She would once more have treated the baronet's communication with
-contempt--but for the discovery that it contained an offer of
-employment in London, addressed to herself.
-
-Sir Jervis had necessarily been obliged to engage another
-secretary in Emily's absence. But he was still in want of a
-person to serve his literary interests in London. He had reason
-to believe that discoveries made by modern travelers in Central
-America had been reported from time to time by the English press;
-and he wished copies to be taken of any notices of this sort
-which might be found, on referring to the files of newspapers
-kept in the reading-room of the British Museum. If Emily
-considered herself capable of contributing in this way to the
-completeness of his great work on "the ruined cities," she had
-only to apply to his bookseller in London, who would pay her the
-customary remuneration and give her every assistance of which she
-might stand in need. The bookseller's name and address followed
-(with nothing legible but the two words "Bond Street"), and there
-was an end of Sir Jervis's proposal.
-
-Emily laid it aside, deferring her answer until she had read
-Cecilia's letter.
-
-
-CHAPTER XX.
-
-THE REVEREND MILES MIRABEL.
-
-"I am making a little excursion from the Engadine, my dearest of
-all dear friends. Two charming fellow-travelers take care of me;
-and we may perhaps get as far as the Lake of Como.
-
-"My sister (already much improved in health) remains at St.
-Moritz with the old governess. The moment I know what exact
-course we are going to take, I shall write to Julia to forward
-any letters which arrive in my absence. My life, in this earthly
-paradise, will be only complete when I hear from my darling
-Emily.
-
-"In the meantime, we are staying for the night at some
-interesting place, the name of which I have unaccountably
-forgotten; and here I am in my room, writing to you at
-last--dying to know if Sir Jervis has yet thrown himself at your
-feet, and offered to make you Lady Redwood with magnificent
-settlements.
-
-"But you are waiting to hear who my new friends are. My dear, one
-of them is, next to yourself, the most delightful creature in
-existence. Society knows her as Lady Janeaway. I love her
-already, by her Christian name; she is my friend Doris. And she
-reciprocates my sentiments.
-
-"You will now understand that union of sympathies made us
-acquainted with each other.
-
-"If there is anything in me to be proud of, I think it must be my
-admirable appetite. And, if I have a passion, the name of it is
-Pastry. Here again, Lady Doris reciprocates my sentiments. We sit
-next to each other at the _table d'hote_.
-
-"Good heavens, I have forgotten her husband! They have been
-married rather more than a month. Did I tell you that she is just
-two years older than I am?
-
-"I declare I am forgetting him again! He is Lord Janeaway. Such a
-quiet modest man, and so easily amused. He carries with him
-everywhere a dirty little tin case, with air holes in the cover.
-He goes softly poking about among bushes and brambles, and under
-rocks, and behind old wooden houses. When he has caught some
-hideous insect that makes one shudder, he blushes with pleasure,
-and looks at his wife and me, and says, with the prettiest lisp:
-'This is what I call enjoying the day.' To see the manner in
-which he obeys Her is, between ourselves, to feel proud of being
-a woman.
-
-"Where was I? Oh, at the _table d'hote_.
-
-"Never, Emily--I say it with a solemn sense of the claims of
-truth--never have I eaten such an infamous, abominable,
-maddeningly bad dinner, as the dinner they gave us on our first
-day at the hotel. I ask you if I am not patient; I appeal to your
-own recollection of occasions when I have exhibited extraordinary
-self-control. My dear, I held out until they brought the pastry
-round. I took one bite, and committed the most shocking offense
-against good manners at table that you can imagine. My
-handkerchief, my poor innocent handkerchief, received the
-horrid--please suppose the rest. My hair stands on end, when I
-think of it. Our neighbors at the table saw me. The coarse men
-laughed. The sweet young bride, sincerely feeling for me, said,
-'Will you allow me to shake hands? I did exactly what you have
-done the day before yesterday.' Such was the beginning of my
-friendship with Lady Doris Janeaway.
-
-"We are two resolute women--I mean that _she_ is resolute, and
-that I follow her--and we have asserted our right of dining to
-our own satisfaction, by means of an interview with the chief
-cook.
-
-"This interesting person is an ex-Zouave in the French army.
-Instead of making excuses, he confessed that the barbarous tastes
-of the English and American visitors had so discouraged him, that
-he had lost all pride and pleasure in the exercise of his art. As
-an example of what he meant, he mentioned his experience of two
-young Englishmen who could speak no foreign language. The waiters
-reported that they objected to their breakfasts, and especially
-to the eggs. Thereupon (to translate the Frenchman's own way of
-putting it) he exhausted himself in exquisite preparations of
-eggs. _Eggs a la tripe, au gratin, a l'Aurore, a la Dauphine, a
-la Poulette, a la Tartare, a la Venitienne, a la Bordelaise_, and
-so on, and so on. Still the two young gentlemen were not
-satisfied. The ex-Zouave, infuriated; wounded in his honor,
-disgraced as a professor, insisted on an explanation. What, in
-heaven's name, _did_ they want for breakfast? They wanted boiled
-eggs; and a fish which they called a _Bloaterre_. It was
-impossible, he said, to express his contempt for the English idea
-of a breakfast, in the presence of ladies. You know how a cat
-expresses herself in the presence of a dog--and you will
-understand the allusion. Oh, Emily, what dinners we have had, in
-our own room, since we spoke to that noble cook!
-
-"Have I any more news to send you? Are you interested, my dear,
-in eloquent young clergymen?
-
-"On our first appearance at the public table we noticed a
-remarkable air of depression among the ladies. Had some
-adventurous gentleman tried to climb a mountain, and failed? Had
-disastrous political news arrived from England; a defeat of the
-Conservatives, for instance? Had a revolution in the fashions
-broken out in Paris, and had all our best dresses become of no
-earthly value to us? I applied for information to the only lady
-present who shone on the company with a cheerful face--my friend
-Doris, of course. "'What day was yesterday?' she asked.
-
-"'Sunday,' I answered.
-
-"'Of all melancholy Sundays,' she continued, the most melancholy
-in the calendar. Mr. Miles Mirabel preached his farewell sermon,
-in our temporary chapel upstairs.'
-
-"'And you have not recovered it yet?'
-
-"'We are all heart-broken, Miss Wyvil.'
-
-"This naturally interested me. I asked what sort of sermons Mr.
-Mirabel preached. Lady Janeaway said: 'Come up to our room after
-dinner. The subject is too distressing to be discussed in
-public.'
-
-"She began by making me personally acquainted with the reverend
-gentleman--that is to say, she showed me the photographic
-portraits of him. They were two in number. One only presented his
-face. The other exhibited him at full length, adorned in his
-surplice. Every lady in the congregation had received the two
-photographs as a farewell present. 'My portraits,' Lady Doris
-remarked, 'are the only complete specimens. The others have been
-irretrievably ruined by tears.'
-
-"You will now expect a personal description of this fascinating
-man. What the photographs failed to tell me, my friend was so
-kind as to complete from the resources of her own experience.
-Here is the result presented to the best of my ability.
-
-"He is young--not yet thirty years of age. His complexion is
-fair; his features are delicate, his eyes are clear blue. He has
-pretty hands, and rings prettier still. And such a voice, and
-such manners! You will say there are plen ty of pet parsons who
-answer to this description. Wait a little--I have kept his chief
-distinction till the last. His beautiful light hair flows in
-profusion over his shoulders; and his glossy beard waves, at
-apostolic length, down to the lower buttons of his waistcoat.
-
-"What do you think of the Reverend Miles Mirabel now?
-
-"The life and adventures of our charming young clergyman, bear
-eloquent testimony to the saintly patience of his disposition,
-under trials which would have overwhelmed an ordinary man. (Lady
-Doris, please notice, quotes in this place the language of his
-admirers; and I report Lady Doris.)
-
-"He has been clerk in a lawyer's office--unjustly dismissed. He
-has given readings from Shakespeare--infamously neglected . He
-has been secretary to a promenade concert company--deceived by a
-penniless manager. He has been employed in negotiations for
-making foreign railways--repudiated by an unprincipled
-Government. He has been translator to a publishing
-house--declared incapable by envious newspapers and reviews. He
-has taken refuge in dramatic criticism--dismissed by a corrupt
-editor. Through all these means of purification for the priestly
-career, he passed at last into the one sphere that was worthy of
-him: he entered the Church, under the protection of influential
-friends. Oh, happy change! From that moment his labors have been
-blessed. Twice already he has been presented with silver tea-pots
-filled with sovereigns. Go where he may, precious sympathies
-environ him; and domestic affection places his knife and fork at
-innumerable family tables. After a continental career, which will
-leave undying recollections, he is now recalled to England--at
-the suggestion of a person of distinction in the Church, who
-prefers a mild climate. It will now be his valued privilege to
-represent an absent rector in a country living; remote from
-cities, secluded in pastoral solitude, among simple breeders of
-sheep. May the shepherd prove worthy of the flock!
-
-"Here again, my dear, I must give the merit where the merit is
-due. This memoir of Mr. Mirabel is not of my writing. It formed
-part of his farewell sermon, preserved in the memory of Lady
-Doris--and it shows (once more in the language of his admirers)
-that the truest humility may be found in the character of the
-most gifted man.
-
-"Let me only add, that you will have opportunities of seeing and
-hearing this popular preacher, when circumstances permit him to
-address congregations in the large towns. I am at the end of my
-news; and I begin to feel--after this long, long letter--that it
-is time to go to bed. Need I say that I have often spoken of you
-to Doris, and that she entreats you to be her friend as well as
-mine, when we meet again in England?
-
-"Good-by, darling, for the present. With fondest love,
- Your CECILIA."
-
-"P.S.--I have formed a new habit. In case of feeling hungry in
-the night, I keep a box of chocolate under the pillow. You have
-no idea what a comfort it is. If I ever meet with the man who
-fulfills my ideal, I shall make it a condition of the marriage
-settlement, that I am to have chocolate under the pillow."
-
-
-CHAPTER XXI
-
-POLLY AND SALLY.
-
-Without a care to trouble her; abroad or at home, finding
-inexhaustible varieties of amusement; seeing new places, making
-new acquaintances--what a disheartening contrast did Cecilia's
-happy life present to the life of her friend! Who, in Emily's
-position, could have read that joyously-written letter from
-Switzerland, and not have lost heart and faith, for the moment at
-least, as the inevitable result?
-
-A buoyant temperament is of all moral qualities the most
-precious, in this respect; it is the one force in us--when
-virtuous resolution proves insufficient--which resists by
-instinct the stealthy approaches of despair. "I shall only cry,"
-Emily thought, "if I stay at home; better go out."
-
-Observant persons, accustomed to frequent the London parks, can
-hardly have failed to notice the number of solitary strangers
-sadly endeavoring to vary their lives by taking a walk. They
-linger about the flower-beds; they sit for hours on the benches;
-they look with patient curiosity at other people who have
-companions; they notice ladies on horseback and children at play,
-with submissive interest; some of the men find company in a pipe,
-without appearing to enjoy it; some of the women find a
-substitute for dinner, in little dry biscuits wrapped in crumpled
-scraps of paper; they are not sociable; they are hardly ever seen
-to make acquaintance with each other; perhaps they are
-shame-faced, or proud, or sullen; perhaps they despair of others,
-being accustomed to despair of themselves; perhaps they have
-their reasons for never venturing to encounter curiosity, or
-their vices which dread detection, or their virtues which suffer
-hardship with the resignation that is sufficient for itself. The
-one thing certain is, that these unfortunate people resist
-discovery. We know that they are strangers in London--and we know
-no more.
-
-And Emily was one of them.
-
-Among the other forlorn wanderers in the Parks, there appeared
-latterly a trim little figure in black (with the face protected
-from notice behind a crape veil), which was beginning to be
-familiar, day after day, to nursemaids and children, and to rouse
-curiosity among harmless solitaries meditating on benches, and
-idle vagabonds strolling over the grass. The woman-servant, whom
-the considerate doctor had provided, was the one person in
-Emily's absence left to take care of the house. There was no
-other creature who could be a companion to the friendless girl.
-Mrs. Ellmother had never shown herself again since the funeral.
-Mrs. Mosey could not forget that she had been (no matter how
-politely) requested to withdraw. To whom could Emily say, "Let us
-go out for a walk?" She had communicated the news of her aunt's
-death to Miss Ladd, at Brighton; and had heard from Francine. The
-worthy schoolmistress had written to her with the truest
-kindness. "Choose your own time, my poor child, and come and stay
-with me at Brighton; the sooner the better." Emily shrank--not
-from accepting the invitation--but from encountering Francine.
-The hard West Indian heiress looked harder than ever with a pen
-in her hand. Her letter announced that she was "getting on
-wretchedly with her studies (which she hated); she found the
-masters appointed to instruct her ugly and disagreeable (and
-loathed the sight of them); she had taken a dislike to Miss Ladd
-(and time only confirmed that unfavorable impression); Brighton
-was always the same; the sea was always the same; the drives were
-always the same. Francine felt a presentiment that she should do
-something desperate, unless Emily joined her, and made Brighton
-endurable behind the horrid schoolmistress's back." Solitude in
-London was a privilege and a pleasure, viewed as the alternative
-to such companionship as this.
-
-Emily wrote gratefully to Miss Ladd, and asked to be excused.
-
-Other days had passed drearily since that time; but the one day
-that had brought with it Cecilia's letter set past happiness and
-present sorrow together so vividly and so cruelly that Emily's
-courage sank. She had forced back the tears, in her lonely home;
-she had gone out to seek consolation and encouragement under the
-sunny sky--to find comfort for her sore heart in the radiant
-summer beauty of flowers and grass, in the sweet breathing of the
-air, in the happy heavenward soaring of the birds. No! Mother
-Nature is stepmother to the sick at heart. Soon, too soon, she
-could hardly see where she went. Again and again she resolutely
-cleared her eyes, under the shelter of her veil, when passing
-strangers noticed her; and again and again the tears found their
-way back. Oh, if the girls at the school were to see her now--the
-girls who used to say in their moments of sadness, "Let us go to
-Emily and be cheered"--would they know her again? She sat down to
-rest and recover herself on the nearest bench. It was unoccupied.
-No passing footsteps were audible on the remote path to which she
-had strayed. Solitude at home! Solitude in the Park! Where was
-Cecilia at that moment? In Italy, among the lake s and mountains,
-happy in the company of her light-hearted friend.
-
-The lonely interval passed, and persons came near. Two sisters,
-girls like herself, stopped to rest on the bench.
-
-They were full of their own interests; they hardly looked at the
-stranger in mourning garments. The younger sister was to be
-married, and the elder was to be bridesmaid. They talked of their
-dresses and their presents; they compared the dashing bridegroom
-of one with the timid lover of the other; they laughed over their
-own small sallies of wit, over their joyous dreams of the future,
-over their opinions of the guests invited to the wedding. Too
-joyfully restless to remain inactive any longer, they jumped up
-again from the seat. One of them said, "Polly, I'm too happy!"
-and danced as she walked away. The other cried, "Sally, for
-shame!" and laughed, as if she had hit on the most irresistible
-joke that ever was made.
-
-Emily rose and went home.
-
-By some mysterious influence which she was unable to trace, the
-boisterous merriment of the two girls had roused in her a sense
-of revolt against the life that she was leading. Change, speedy
-change, to some occupation that would force her to exert herself,
-presented the one promise of brighter days that she could see. To
-feel this was to be inevitably reminded of Sir Jervis Redwood.
-Here was a man, who had never seen her, transformed by the
-incomprehensible operation of Chance into the friend of whom she
-stood in need--the friend who pointed the way to a new world of
-action, the busy world of readers in the library of the Museum.
-
-Early in the new week, Emily had accepted Sir Jervis's proposal,
-and had so interested the bookseller to whom she had been
-directed to apply, that he took it on himself to modify the
-arbitrary instructions of his employer.
-
-"The old gentleman has no mercy on himself, and no mercy on
-others," he explained, "where his literary labors are concerned.
-You must spare yourself, Miss Emily. It is not only absurd, it's
-cruel, to expect you to ransack old newspapers for discoveries in
-Yucatan, from the time when Stephens published his 'Travels in
-Central America'--nearly forty years since! Begin with back
-numbers published within a few years--say five years from the
-present date--and let us see what your search over that interval
-will bring forth."
-
-Accepting this friendly advice, Emily began with the
-newspaper-volume dating from New Year's Day, 1876.
-
-The first hour of her search strengthened the sincere sense of
-gratitude with which she remembered the bookseller's kindness. To
-keep her attention steadily fixed on the one subject that
-interested her employer, and to resist the temptation to read
-those miscellaneous items of news which especially interest
-women, put her patience and resolution to a merciless test.
-Happily for herself, her neighbors on either side were no idlers.
-To see them so absorbed over their work that they never once
-looked at her, after the first moment when she took her place
-between them, was to find exactly the example of which she stood
-most in need. As the hours wore on, she pursued her weary way,
-down one column and up another, resigned at least (if not quite
-reconciled yet) to her task. Her labors ended, for the day, with
-such encouragement as she might derive from the conviction of
-having, thus far, honestly pursued a useless search.
-
-News was waiting for her when she reached home, which raised her
-sinking spirits.
-
-On leaving the cottage that morning she had given certain
-instructions, relating to the modest stranger who had taken
-charge of her correspondence--in case of his paying a second
-visit, during her absence at the Museum. The first words spoken
-by the servant, on opening the door, informed her that the
-unknown gentleman had called again. This time he had boldly left
-his card. There was the welcome name that she had expected to
-see--Alban Morris.
-
-
-CHAPTER XXII.
-
-ALBAN MORRIS.
-
-Having looked at the card, Emily put her first question to the
-servant.
-
-"Did you tell Mr. Morris what your orders were?" she asked.
-
-"Yes, miss; I said I was to have shown him in, if you had been at
-home. Perhaps I did wrong; I told him what you told me when you
-went out this morning--I said you had gone to read at the
-Museum."
-
-"What makes you think you did wrong?"
-
-"Well, miss, he didn't say anything, but he looked upset."
-
-"Do you mean that he looked angry?"
-
-The servant shook her head. "Not exactly angry--puzzled and put
-out."
-
-"Did he leave any message?"
-
-"He said he would call later, if you would be so good as to
-receive him."
-
-In half an hour more, Alban and Emily were together again. The
-light fell full on her face as she rose to receive him.
-
-"Oh, how you have suffered!"
-
-The words escaped him before he could restrain himself. He looked
-at her with the tender sympathy, so precious to women, which she
-had not seen in the face of any human creature since the loss of
-her aunt. Even the good doctor's efforts to console her had been
-efforts of professional routine--the inevitable result of his
-life-long familiarity with sorrow and death. While Alban's eyes
-rested on her, Emily felt her tears rising. In the fear that he
-might misinterpret her reception of him, she made an effort to
-speak with some appearance of composure.
-
-"I lead a lonely life," she said; "and I can well understand that
-my face shows it. You are one of my very few friends, Mr.
-Morris"--the tears rose again; it discouraged her to see him
-standing irresolute, with his hat in his hand, fearful of
-intruding on her. "Indeed, indeed, you are welcome," she said,
-very earnestly.
-
-In those sad days her heart was easily touched. She gave him her
-hand for the second time. He held it gently for a moment. Every
-day since they had parted she had been in his thoughts; she had
-become dearer to him than ever. He was too deeply affected to
-trust himself to answer. That silence pleaded for him as nothing
-had pleaded for him yet. In her secret self she remembered with
-wonder how she had received his confession in the school garden.
-It was a little hard on him, surely, to have forbidden him even
-to hope.
-
-Conscious of her own weakness--even while giving way to it--she
-felt the necessity of turning his attention from herself. In some
-confusion, she pointed to a chair at her side, and spoke of his
-first visit, when he had left her letters at the door. Having
-confided to him all that she had discovered, and all that she had
-guessed, on that occasion, it was by an easy transition that she
-alluded next to the motive for his journey to the North.
-
-"I thought it might be suspicion of Mrs. Rook," she said. "Was I
-mistaken?"
-
-"No; you were right."
-
-"They were serious suspicions, I suppose?"
-
-"Certainly! I should not otherwise have devoted my holiday-time
-to clearing them up."
-
-"May I know what they were?"
-
-"I am sorry to disappoint you," he began.
-
-"But you would rather not answer my question," she interposed.
-
-"I would rather hear you tell me if you have made any other
-guess."
-
-"One more, Mr. Morris. I guessed that you had become acquainted
-with Sir Jervis Redwood."
-
-"For the second time, Miss Emily, you have arrived at a sound
-conclusion. My one hope of finding opportunities for observing
-Sir Jervis's housekeeper depended on my chance of gaining
-admission to Sir Jervis's house."
-
-"How did you succeed? Perhaps you provided yourself with a letter
-of introduction?"
-
-"I knew nobody who could introduce me," Alban replied. "As the
-event proved, a letter would have been needless. Sir Jervis
-introduced himself--and, more wonderful still, he invited me to
-his house at our first interview."
-
-"Sir Jervis introduced himself?" Emily repeated, in amazement.
-"From Cecilia's description of him, I should have thought he was
-the last person in the world to do that!"
-
-Alban smiled. "And you would like to know how it happened?" he
-suggested.
-
-"The very favor I was going to ask of you," she replied.
-
-Instead of at once complying with her wishes, he
-paused--hesitated--and made a strange request. "Will you forgive
-my rudeness, if I ask leave to walk up and down the room while I
-talk? I am a restless man. Walking up and down helps me to
-express myself freely."
-
-Her f ace brightened for the first time. "How like You that is!"
-she exclaimed.
-
-Alban looked at her with surprise and delight. She had betrayed
-an interest in studying his character, which he appreciated at
-its full value. "I should never have dared to hope," he said,
-"that you knew me so well already."
-
-"You are forgetting your story," she reminded him.
-
-He moved to the opposite side of the room, where there were fewer
-impediments in the shape of furniture. With his head down, and
-his hands crossed behind him, he paced to and fro. Habit made him
-express himself in his usual quaint way--but he became
-embarrassed as he went on. Was he disturbed by his recollections?
-or by the fear of taking Emily into his confidence too freely?
-
-"Different people have different ways of telling a story," he
-said. "Mine is the methodical way--I begin at the beginning. We
-will start, if you please, in the railway--we will proceed in a
-one-horse chaise--and we will stop at a village, situated in a
-hole. It was the nearest place to Sir Jervis's house, and it was
-therefore my destination. I picked out the biggest of the
-cottages--I mean the huts--and asked the woman at the door if she
-had a bed to let. She evidently thought me either mad or drunk. I
-wasted no time in persuasion; the right person to plead my cause
-was asleep in her arms. I began by admiring the baby; and I ended
-by taking the baby's portrait. From that moment I became a member
-of the family--the member who had his own way. Besides the room
-occupied by the husband and wife, there was a sort of kennel in
-which the husband's brother slept. He was dismissed (with five
-shillings of mine to comfort him) to find shelter somewhere else;
-and I was promoted to the vacant place. It is my misfortune to be
-tall. When I went to bed, I slept with my head on the pillow, and
-my feet out of the window. Very cool and pleasant in summer
-weather. The next morning, I set my trap for Sir Jervis."
-
-"Your trap?" Emily repeated, wondering what he meant.
-
-"I went out to sketch from Nature," Alban continued. "Can anybody
-(with or without a title, I don't care), living in a lonely
-country house, see a stranger hard at work with a color-box and
-brushes, and not stop to look at what he is doing? Three days
-passed, and nothing happened. I was quite patient; the grand open
-country all round me offered lessons of inestimable value in what
-we call aerial perspective. On the fourth day, I was absorbed
-over the hardest of all hard tasks in landscape art, studying the
-clouds straight from Nature. The magnificent moorland silence was
-suddenly profaned by a man's voice, speaking (or rather croaking)
-behind me. 'The worst curse of human life,' the voice said, 'is
-the detestable necessity of taking exercise. I hate losing my
-time; I hate fine scenery; I hate fresh air; I hate a pony. Go
-on, you brute!' Being too deeply engaged with the clouds to look
-round, I had supposed this pretty speech to be addressed to some
-second person. Nothing of the sort; the croaking voice had a
-habit of speaking to itself. In a minute more, there came within
-my range of view a solitary old man, mounted on a rough pony."
-
-"Was it Sir Jervis?"
-
-Alban hesitated.
-
-"It looked more like the popular notion of the devil," he said.
-
-"Oh, Mr. Morris!"
-
-"I give you my first impression, Miss Emily, for what it is
-worth. He had his high-peaked hat in his hand, to keep his head
-cool. His wiry iron-gray hair looked like hair standing on end;
-his bushy eyebrows curled upward toward his narrow temples; his
-horrid old globular eyes stared with a wicked brightness; his
-pointed beard hid his chin; he was covered from his throat to his
-ankles in a loose black garment, something between a coat and a
-cloak; and, to complete him, he had a club foot. I don't doubt
-that Sir Jervis Redwood is the earthly alias which he finds
-convenient--but I stick to that first impression which appeared
-to surprise you. 'Ha! an artist; you seem to be the sort of man I
-want!' In those terms he introduced himself. Observe, if you
-please, that my trap caught him the moment he came my way. Who
-wouldn't be an artist?"
-
-"Did he take a liking to you?" Emily inquired.
-
-"Not he! I don't believe he ever took a liking to anybody in his
-life."
-
-"Then how did you get your invitation to his house?"
-
-"That's the amusing part of it, Miss Emily. Give me a little
-breathing time, and you shall hear."
-
-
-CHAPTER XXIII.
-
-MISS REDWOOD.
-
-"I got invited to Sir Jervis's house," Alban resumed, "by
-treating the old savage as unceremoniously as he had treated me.
-'That's an idle trade of yours,' he said, looking at my sketch.
-'Other ignorant people have made the same remark,' I answered. He
-rode away, as if he was not used to be spoken to in that manner,
-and then thought better of it, and came back. 'Do you understand
-wood engraving?' he asked. 'Yes.' 'And etching?' 'I have
-practiced etching myself.' 'Are you a Royal Academician?' 'I'm a
-drawing-master at a ladies' school.' 'Whose school?' 'Miss
-Ladd's.' 'Damn it, you know the girl who ought to have been my
-secretary.' I am not quite sure whether you will take it as a
-compliment--Sir Jervis appeared to view you in the light of a
-reference to my respectability. At any rate, he went on with his
-questions. 'How long do you stop in these parts?' 'I haven't made
-up my mind.' 'Look here; I want to consult you--are you
-listening?' 'No; I'm sketching.' He burst into a horrid scream. I
-asked if he felt himself taken ill. 'Ill?' he said--'I'm
-laughing.' It was a diabolical laugh, in one syllable--not 'ha!
-ha! ha!' only 'ha!'--and it made him look wonderfully like that
-eminent person, whom I persist in thinking he resembles. 'You're
-an impudent dog,' he said; 'where are you living?' He was so
-delighted when he heard of my uncomfortable position in the
-kennel-bedroom, that he offered his hospitality on the spot. 'I
-can't go to you in such a pigstye as that,' he said; 'you must
-come to me. What's your name?' 'Alban Morris; what's yours?'
-'Jervis Redwood. Pack up your traps when you've done your job,
-and come and try my kennel. There it is, in a corner of your
-drawing, and devilish like, too.' I packed up my traps, and I
-tried his kennel. And now you have had enough of Sir Jervis
-Redwood."
-
-"Not half enough!" Emily answered. "Your story leaves off just at
-the interesting moment. I want you to take me to Sir Jervis's
-house."
-
-"And I want you, Miss Emily, to take me to the British Museum.
-Don't let me startle you! When I called here earlier in the day,
-I was told that you had gone to the reading-room. Is your reading
-a secret?"
-
-His manner, when he made that reply, suggested to Emily that
-there was some foregone conclusion in his mind, which he was
-putting to the test. She answered without alluding to the
-impression which he had produced on her.
-
-"My reading is no secret. I am only consulting old newspapers."
-
-He repeated the last words to himself. "Old newspapers?" he
-said--as if he was not quite sure of having rightly understood
-her.
-
-She tried to help him by a more definite reply.
-
-"I am looking through old newspapers," she resumed, "beginning
-with the year eighteen hundred and seventy-six."
-
-"And going back from that time," he asked eagerly; "to earlier
-dates still?"
-
-"No--just the contrary--advancing from 'seventy-six' to the
-present time."
-
-He suddenly turned pale--and tried to hide his face from her by
-looking out of the window. For a moment, his agitation deprived
-him of his presence of mind. In that moment, she saw that she had
-alarmed him.
-
-"What have I said to frighten you?" she asked.
-
-He tried to assume a tone of commonplace gallantry. "There are
-limits even to your power over me," he replied. "Whatever else
-you may do, you can never frighten me. Are you searching those
-old newspapers with any particular object in view?"
-
-"Yes."
-
-"May I know what it is?"
-
-"May I know why I frightened you?"
-
-He began to walk up and down the room again--then checked himself
-abruptly, and appealed to her mercy.
-
-"Don't be hard on me," he pleaded. "I am so fond of you--oh,
-forgive me! I only mean that it distresses me to have any
-concealments from you. If I could open my whole heart at this
-moment, I shou ld be a happier man."
-
-She understood him and believed him. "My curiosity shall never
-embarrass you again," she answered warmly. "I won't even remember
-that I wanted to hear how you got on in Sir Jervis's house."
-
-His gratitude seized the opportunity of taking her harmlessly
-into his confidence. "As Sir Jervis's guest," he said, "my
-experience is at your service. Only tell me how I can interest
-you."
-
-She replied, with some hesitation, "I should like to know what
-happened when you first saw Mrs. Rook." To her surprise and
-relief, he at once complied with her wishes.
-
-"We met," he said, "on the evening when I first entered the
-house. Sir Jervis took me into the dining-room--and there sat
-Miss Redwood, with a large black cat on her lap. Older than her
-brother, taller than her brother, leaner than her brother--with
-strange stony eyes, and a skin like parchment--she looked (if I
-may speak in contradictions) like a living corpse. I was
-presented, and the corpse revived. The last lingering relics of
-former good breeding showed themselves faintly in her brow and in
-her smile. You will hear more of Miss Redwood presently. In the
-meanwhile, Sir Jervis made me reward his hospitality by
-professional advice. He wished me to decide whether the artists
-whom he had employed to illustrate his wonderful book had cheated
-him by overcharges and bad work--and Mrs. Rook was sent to fetch
-the engravings from his study upstairs. You remember her
-petrified appearance, when she first read the inscription on your
-locket? The same result followed when she found herself face to
-face with me. I saluted her civilly--she was deaf and blind to my
-politeness. Her master snatched the illustrations out of her
-hand, and told her to leave the room. She stood stockstill,
-staring helplessly. Sir Jervis looked round at his sister; and I
-followed his example. Miss Redwood was observing the housekeeper
-too attentively to notice anything else; her brother was obliged
-to speak to her. 'Try Rook with the bell,' he said. Miss Redwood
-took a fine old bronze hand-bell from the table at her side, and
-rang it. At the shrill silvery sound of the bell, Mrs. Rook put
-her hand to her head as if the ringing had hurt her--turned
-instantly, and left us. 'Nobody can manage Rook but my sister,'
-Sir Jervis explained; 'Rook is crazy.' Miss Redwood differed with
-him. 'No!' she said. Only one word, but there were volumes of
-contradiction in it. Sir Jervis looked at me slyly; meaning,
-perhaps, that he thought his sister crazy too. The dinner was
-brought in at the same moment, and my attention was diverted to
-Mrs. Rook's husband."
-
-"What was he like?" Emily asked.
-
-"I really can't tell you; he was one of those essentially
-commonplace persons, whom one never looks at a second time. His
-dress was shabby, his head was bald, and his hands shook when he
-waited on us at table--and that is all I remember. Sir Jervis and
-I feasted on salt fish, mutton, and beer. Miss Redwood had cold
-broth, with a wine-glass full of rum poured into it by Mr. Rook.
-'She's got no stomach,' her brother informed me; 'hot things come
-up again ten minutes after they have gone down her throat; she
-lives on that beastly mixture, and calls it broth-grog!' Miss
-Redwood sipped her elixir of life, and occasionally looked at me
-with an appearance of interest which I was at a loss to
-understand. Dinner being over, she rang her antique bell. The
-shabby old man-servant answered her call. 'Where's your wife?'
-she inquired. 'Ill, miss.' She took Mr. Rook's arm to go out, and
-stopped as she passed me. 'Come to my room, if you please, sir,
-to-morrow at two o'clock,' she said. Sir Jervis explained again:
-'She's all to pieces in the morning' (he invariably called his
-sister 'She'); 'and gets patched up toward the middle of the day.
-Death has forgotten her, that's about the truth of it.' He
-lighted his pipe and pondered over the hieroglyphics found among
-the ruined cities of Yucatan; I lighted my pipe, and read the
-only book I could find in the dining-room--a dreadful record of
-shipwrecks and disasters at sea. When the room was full of
-tobacco-smoke we fell asleep in our chairs--and when we awoke
-again we got up and went to bed. There is the true story of my
-first evening at Redwood Hall."
-
-Emily begged him to go on. "You have interested me in Miss
-Redwood," she said. "You kept your appointment, of course?"
-
-"I kept my appointment in no very pleasant humor. Encouraged by
-my favorable report of the illustrations which he had submitted
-to my judgment, Sir Jervis proposed to make me useful to him in a
-new capacity. 'You have nothing particular to do,' he said,
-'suppose you clean my pictures?' I gave him one of my black
-looks, and made no other reply. My interview with his sister
-tried my powers of self-command in another way. Miss Redwood
-declared her purpose in sending for me the moment I entered the
-room. Without any preliminary remarks--speaking slowly and
-emphatically, in a wonderfully strong voice for a woman of her
-age--she said, 'I have a favor to ask of you, sir. I want you to
-tell me what Mrs. Rook has done.' I was so staggered that I
-stared at her like a fool. She went on: 'I suspected Mrs. Rook,
-sir, of having guilty remembrances on her conscience before she
-had been a week in our service.' Can you imagine my astonishment
-when I heard that Miss Redwood's view of Mrs. Rook was my view?
-Finding that I still said nothing, the old lady entered into
-details: 'We arranged, sir,' (she persisted in calling me 'sir,'
-with the formal politeness of the old school)--'we arranged, sir,
-that Mrs. Rook and her husband should occupy the bedroom next to
-mine, so that I might have her near me in case of my being taken
-ill in the night. She looked at the door between the two
-rooms--suspicious! She asked if there was any objection to her
-changing to another room--suspicious! suspicious! Pray take a
-seat, sir, and tell me which Mrs. Rook is guilty of--theft or
-murder?' "
-
-"What a dreadful old woman!" Emily exclaimed. "How did you answer
-her?"
-
-"I told her, with perfect truth, that I knew nothing of Mrs.
-Rook's secrets. Miss Redwood's humor took a satirical turn.
-'Allow me to ask, sir, whether your eyes were shut, when our
-housekeeper found herself unexpectedly in your presence?' I
-referred the old lady to her brother's opinion. 'Sir Jervis
-believes Mrs. Rook to be crazy,' I reminded her. 'Do you refuse
-to trust me, sir?' 'I have no information to give you, madam.'
-She waved her skinny old hand in the direction of the door. I
-made my bow, and retired. She called me back. 'Old women used to
-be prophets, sir, in the bygone time,' she said. 'I will venture
-on a prediction. You will be the means of depriving us of the
-services of Mr. and Mrs. Rook. If you will be so good as to stay
-here a day or two longer you will hear that those two people have
-given us notice to quit. It will be her doing, mind--he is a mere
-cypher. I wish you good-morning.' Will you believe me, when I
-tell you that the prophecy was fulfilled?"
-
-"Do you mean that they actually left the house?"
-
-"They would certainly have left the house," Alban answered, "if
-Sir Jervis had not insisted on receiving the customary month's
-warning. He asserted his resolution by locking up the old husband
-in the pantry. His sister's suspicions never entered his head;
-the housekeeper's conduct (he said) simply proved that she was,
-what he had always considered her to be, crazy. 'A capital
-servant, in spite of that drawback,' he remarked; 'and you will
-see, I shall bring her to her senses.' The impression produced on
-me was naturally of a very different kind. While I was still
-uncertain how to entrap Mrs. Rook into confirming my suspicions,
-she herself had saved me the trouble. She had placed her own
-guilty interpretation on my appearance in the house--I had driven
-her away!"
-
-Emily remained true to her resolution not to let her curiosity
-embarrass Alban again. But the unexpressed question was in her
-thoughts--"Of what guilt does he suspect Mrs. Rook? And, when he
-first felt his suspicions, was my father in his mind?"
-
-Alban proceeded.
-
-"I had only to consider next, whether I could hope to make any
-further discoveries,
- if I continued to be Sir Jervis's guest. The object of my
-journey had been gained; and I had no desire to be employed as
-picture-cleaner. Miss Redwood assisted me in arriving at a
-decision. I was sent for to speak to her again. The success of
-her prophecy had raised her spirits. She asked, with ironical
-humility, if I proposed to honor them by still remaining their
-guest, after the disturbance that I had provoked. I answered that
-I proposed to leave by the first train the next morning. 'Will it
-be convenient for you to travel to some place at a good distance
-from this part of the world?' she asked. I had my own reasons for
-going to London, and said so. 'Will you mention that to my
-brother this evening, just before we sit down to dinner?' she
-continued. 'And will you tell him plainly that you have no
-intention of returning to the North? I shall make use of Mrs.
-Rook's arm, as usual, to help me downstairs--and I will take care
-that she hears what you say. Without venturing on another
-prophecy, I will only hint to you that I have my own idea of what
-will happen; and I should like you to see for yourself, sir,
-whether my anticipations are realized.' Need I tell you that this
-strange old woman proved to be right once more? Mr. Rook was
-released; Mrs. Rook made humble apologies, and laid the whole
-blame on her husband's temper: and Sir Jervis bade me remark that
-his method had succeeded in bringing the housekeeper to her
-senses. Such were the results produced by the announcement of my
-departure for London--purposely made in Mrs. Rook's hearing. Do
-you agree with me, that my journey to Northumberland has not been
-taken in vain?"
-
-Once more, Emily felt the necessity of controlling herself.
-
-Alban had said that he had "reasons of his own for going to
-London." Could she venture to ask him what those reasons were?
-She could only persist in restraining her curiosity, and conclude
-that he would have mentioned his motive, if it had been (as she
-had at one time supposed) connected with herself. It was a wise
-decision. No earthly consideration would have induced Alban to
-answer her, if she had put the question to him.
-
-All doubt of the correctness of his own first impression was now
-at an end; he was convinced that Mrs. Rook had been an accomplice
-in the crime committed, in 1877, at the village inn. His object
-in traveling to London was to consult the newspaper narrative of
-the murder. He, too, had been one of the readers at the
-Museum--had examined the back numbers of the newspaper--and had
-arrived at the conclusion that Emily's father had been the victim
-of the crime. Unless he found means to prevent it, her course of
-reading would take her from the year 1876 to the year 1877, and
-under that date, she would see the fatal report, heading the top
-of a column, and printed in conspicuous type.
-
-In the meanwhile Emily had broken the silence, before it could
-lead to embarrassing results, by asking if Alban had seen Mrs.
-Rook again, on the morning when he left Sir Jervis's house.
-
-"There was nothing to be gained by seeing her, "Alban replied.
-"Now that she and her husband had decided to remain at Redwood
-Hall, I knew where to find her in case of necessity. As it
-happened I saw nobody, on the morning of my departure, but Sir
-Jervis himself. He still held to his idea of having his pictures
-cleaned for nothing. 'If you can't do it yourself,' he said,
-'couldn't you teach my secretary?' He described the lady whom he
-had engaged in your place as a 'nasty middle-aged woman with a
-perpetual cold in her head.' At the same time (he remarked) he
-was a friend to the women, 'because he got them cheap.' I
-declined to teach the unfortunate secretary the art of
-picture-cleaning. Finding me determined, Sir Jervis was quite
-ready to say good-by. But he made use of me to the last. He
-employed me as postman and saved a stamp. The letter addressed to
-you arrived at breakfast-time. Sir Jervis said, 'You are going to
-London; suppose you take it with you?'"
-
-"Did he tell you that there was a letter of his own inclosed in
-the envelope?"
-
-"No. When he gave me the envelope it was already sealed."
-
-Emily at once handed to him Sir Jervis's letter. "That will tell
-you who employs me at the Museum, and what my work is," she said.
-
-He looked through the letter, and at once offered--eagerly
-offered--to help her.
-
-"I have been a student in the reading-room at intervals, for
-years past," he said. "Let me assist you, and I shall have
-something to do in my holiday time." He was so anxious to be of
-use that he interrupted her before she could thank him. "Let us
-take alternate years," he suggested. "Did you not tell me you
-were searching the newspapers published in eighteen hundred and
-seventy-six?"
-
-"Yes."
-
-"Very well. I will take the next year. You will take the year
-after. And so on."
-
-"You are very kind," she answered--"but I should like to propose
-an improvement on your plan."
-
-"What improvement?" he asked, rather sharply.
-
-"If you will leave the five years, from 'seventy-six to
-'eighty-one, entirely to me," she resumed, "and take the next
-five years, reckoning _backward_ from 'seventy-six, you will help
-me to better purpose. Sir Jervis expects me to look for reports
-of Central American Explorations, through the newspapers of the
-last forty years; and I have taken the liberty of limiting the
-heavy task imposed on me. When I report my progress to my
-employer, I should like to say that I have got through ten years
-of the examination, instead of five. Do you see any objection to
-the arrangement I propose?"
-
-He proved to be obstinate--incomprehensibly obstinate.
-
-'Let us try my plan to begin with," he insisted. "While you are
-looking through 'seventy-six, let me be at work on
-'seventy-seven. If you still prefer your own arrangement, after
-that, I will follow your suggestion with pleasure. Is it agreed?"
-
-Her acute perception--enlightened by his tone as wall as by his
-words--detected something under the surface already.
-
-"It isn't agreed until I understand you a little better," she
-quietly replied. "I fancy you have some object of your own in
-view."
-
-She spoke with her usual directness of look and manner. He was
-evidently disconcerted. "What makes you think so?" he asked.
-
-"My own experience of myself makes me think so," she answered.
-"If _I_ had some object to gain, I should persist in carrying it
-out--like you."
-
-"Does that mean, Miss Emily, that you refuse to give way?"
-
-"No, Mr. Morris. I have made myself disagreeable, but I know when
-to stop. I trust you--and submit."
-
-If he had been less deeply interested in the accomplishment of
-his merciful design, he might have viewed Emily's sudden
-submission with some distrust. As it was, his eagerness to
-prevent her from discovering the narrative of the murder hurried
-him into an act of indiscretion. He made an excuse to leave her
-immediately, in the fear that she might change her mind.
-
-"I have inexcusably prolonged my visit," he said. "If I presume
-on your kindness in this way, how can I hope that you will
-receive me again? We meet to-morrow in the reading-room."
-
-He hastened away, as if he was afraid to let her say a word in
-reply.
-
-Emily reflected.
-
-"Is there something he doesn't want me to see, in the news of the
-year 'seventy-seven?" The one explanation which suggested itself
-to her mind assumed that form of expression--and the one method
-of satisfying her curiosity that seemed likely to succeed, was to
-search the volume which Alban had reserved for his own reading.
-
-For two days they pursued their task together, seated at opposite
-desks. On the third day Emily was absent.
-
-Was she ill?
-
-She was at the library in the City, consulting the file of _The
-Times_ for the year 1877.
-
-
-CHAPTER XXIV.
-
-MR. ROOK.
-
-Emily's first day in the City library proved to be a day wasted.
-
-She began reading the back numbers of the newspaper at haphazard,
-without any definite idea of what she was looking for. Conscious
-of the error into which her own impatience had led her, she was
-at a loss how to retrace the false step that she had taken. But
-two alternatives presented themselves: either to abandon the hope
-of making any discovery--or to attempt to penetrate Alban 's
-motives by means of pure guesswork, pursued in the dark.
-
-How was the problem to be solved? This serious question troubled
-her all through the evening, and kept her awake when she went to
-bed. In despair of her capacity to remove the obstacle that stood
-in her way, she decided on resuming her regular work at the
-Museum--turned her pillow to get at the cool side of it--and made
-up her mind to go asleep.
-
-In the case of the wiser animals, the Person submits to Sleep. It
-is only the superior human being who tries the hopeless
-experiment of making Sleep submit to the Person. Wakeful on the
-warm side of the pillow, Emily remained wakeful on the cool
-side--thinking again and again of the interview with Alban which
-had ended so strangely.
-
-Little by little, her mind passed the limits which had restrained
-it thus far. Alban's conduct in keeping his secret, in the matter
-of the newspapers, now began to associate itself with Alban's
-conduct in keeping that other secret, which concealed from her
-his suspicions of Mrs. Rook.
-
-She started up in bed as the next possibility occurred to her.
-
-In speaking of the disaster which had compelled Mr. and Mrs. Rook
-to close the inn, Cecilia had alluded to an inquest held on the
-body of the murdered man. Had the inquest been mentioned in the
-newspapers, at the time? And had Alban seen something in the
-report, which concerned Mrs. Rook?
-
-Led by the new light that had fallen on her, Emily returned to
-the library the next morning with a definite idea of what she had
-to look for. Incapable of giving exact dates, Cecilia had
-informed her that the crime was committed "in the autumn." The
-month to choose, in beginning her examination, was therefore the
-month of August.
-
-No discovery rewarded her. She tried September, next--with the
-same unsatisfactory results. On Monday the first of October she
-met with some encouragement at last. At the top of a column
-appeared a telegraphic summary of all that was then known of the
-crime. In the number for the Wednesday following, she found a
-full report of the proceedings at the inquest.
-
-Passing over the preliminary remarks, Emily read the evidence
-with the closest attention.
-
- -------------
-
-The jury having viewed the body, and having visited an outhouse
-in which the murder had been committed, the first witness called
-was Mr. Benjamin Rook, landlord of the Hand-in-Hand inn.
-
-On the evening of Sunday, September 30th, 1877, two gentlemen
-presented themselves at Mr. Rook's house, under circumstances
-which especially excited his attention.
-
-The youngest of the two was short, and of fair complexion. He
-carried a knapsack, like a gentleman on a pedestrian excursion;
-his manners were pleasant; and he was decidedly good-looking. His
-companion, older, taller, and darker--and a finer man
-altogether--leaned on his arm and seemed to be exhausted. In
-every respect they were singularly unlike each other. The younger
-stranger (excepting little half-whiskers) was clean shaved. The
-elder wore his whole beard. Not knowing their names, the landlord
-distinguished them, at the coroner's suggestion, as the fair
-gentleman, and the dark gentleman.
-
-It was raining when the two arrived at the inn. There were signs
-in the heavens of a stormy night.
-
-On accosting the landlord, the fair gentleman volunteered the
-following statement:
-
-Approaching the village, he had been startled by seeing the dark
-gentleman (a total stranger to him) stretched prostrate on the
-grass at the roadside--so far as he could judge, in a swoon.
-Having a flask with brandy in it, he revived the fainting man,
-and led him to the inn.
-
-This statement was confirmed by a laborer, who was on his way to
-the village at the time.
-
-The dark gentleman endeavored to explain what had happened to
-him. He had, as he supposed, allowed too long a time to pass
-(after an early breakfast that morning), without taking food: he
-could only attribute the fainting fit to that cause. He was not
-liable to fainting fits. What purpose (if any) had brought him
-into the neighborhood of Zeeland, he did not state. He had no
-intention of remaining at the inn, except for refreshment; and he
-asked for a carriage to take him to the railway station.
-
-The fair gentleman, seeing the signs of bad weather, desired to
-remain in Mr. Rook's house for the night, and proposed to resume
-his walking tour the next day.
-
-Excepting the case of supper, which could be easily provided, the
-landlord had no choice but to disappoint both his guests. In his
-small way of business, none of his customers wanted to hire a
-carriage--even if he could have afforded to keep one. As for
-beds, the few rooms which the inn contained were all engaged;
-including even the room occupied by himself and his wife. An
-exhibition of agricultural implements had been opened in the
-neighborhood, only two days since; and a public competition
-between rival machines was to be decided on the coming Monday.
-Not only was the Hand-in-Hand inn crowded, but even the
-accommodation offered by the nearest town had proved barely
-sufficient to meet the public demand.
-
-The gentlemen looked at each other and agreed that there was no
-help for it but to hurry the supper, and walk to the railway
-station--a distance of between five and six miles--in time to
-catch the last train.
-
-While the meal was being prepared, the rain held off for a while.
-The dark man asked his way to the post-office and went out by
-himself.
-
-He came back in about ten minutes, and sat down afterward to
-supper with his companion. Neither the landlord, nor any other
-person in the public room, noticed any change in him on his
-return. He was a grave, quiet sort of person, and (unlike the
-other one) not much of a talker.
-
-As the darkness came on, the rain fell again heavily; and the
-heavens were black.
-
-A flash of lightning startled the gentlemen when they went to the
-window to look out: the thunderstorm began. It was simply
-impossible that two strangers to the neighborhood could find
-their way to the station, through storm and darkness, in time to
-catch the train. With or without bedrooms, they must remain at
-the inn for the night. Having already given up their own room to
-their lodgers, the landlord and landlady had no other place to
-sleep in than the kitchen. Next to the kitchen, and communicating
-with it by a door, was an outhouse; used, partly as a scullery,
-partly as a lumber-room. There was an old truckle-bed among the
-lumber, on which one of the gentlemen might rest. A mattress on
-the floor could be provided for the other. After adding a table
-and a basin, for the purposes of the toilet, the accommodation
-which Mr. Rook was able to offer came to an end.
-
-The travelers agreed to occupy this makeshift bed-chamber.
-
-The thunderstorm passed away; but the rain continued to fall
-heavily. Soon after eleven the guests at the inn retired for the
-night. There was some little discussion between the two
-travelers, as to which of them should take possession of the
-truckle-bed. It was put an end to by the fair gentleman, in his
-own pleasant way. He proposed to "toss up for it"--and he lost.
-The dark gentleman went to bed first; the fair gentleman
-followed, after waiting a while. Mr. Rook took his knapsack into
-the outhouse; and arranged on the table his appliances for the
-toilet--contained in a leather roll, and including a razor--ready
-for use in the morning.
-
-Having previously barred the second door of the outhouse, which
-led into the yard, Mr. Rook fastened the other door, the lock and
-bolts of which were on the side of the kitchen. He then secured
-the house door, and the shutters over the lower windows.
-Returning to the kitchen, he noticed that the time was ten
-minutes short of midnight. Soon afterward, he and his wife went
-to bed.
-
-Nothing happened to disturb Mr. and Mrs. Rook during the night.
-
-At a quarter to seven the next morning, he got up; his wife being
-still asleep. He had been instructed to wake the gentlemen early;
-and he knocked at their door. Receiving no answer, after
-repeatedly knocking, he opened the door and stepped into the
-outhouse.
-
-At this point in his evidence, the witness's recollections
-appeared to overpow er him. "Give me a moment, gentlemen," he
-said to the jury. "I have had a dreadful fright; and I don't
-believe I shall get over it for the rest of my life."
-
-The coroner helped him by a question: "What did you see when you
-opened the door?"
-
-Mr. Rook answered: "I saw the dark man stretched out on his
-bed--dead, with a frightful wound in his throat. I saw an open
-razor, stained with smears of blood, at his side."
-
-"Did you notice the door, leading into the yard?"
-
-"It was wide open, sir. When I was able to look round me, the
-other traveler--I mean the man with the fair complexion, who
-carried the knapsack--was nowhere to be seen."
-
-"What did you do, after making these discoveries?"
-
-"I closed the yard door. Then I locked the other door, and put
-the key in my pocket. After that I roused the servant, and sent
-him to the constable--who lived near to us--while I ran for the
-doctor, whose house was at the other end of our village. The
-doctor sent his groom, on horseback, to the police-office in the
-town. When I returned to the inn, the constable was there--and he
-and the police took the matter into their own hands."
-
-"You have nothing more to tell us?"
-
-"Nothing more."
-
-
-CHAPTER XXV
-
-"J. B."
-
-Mr. Rook having completed his evidence, the police authorities
-were the next witnesses examined.
-
-They had not found the slightest trace of any attempt to break
-into the house in the night. The murdered man's gold watch and
-chain were discovered under his pillow. On examining his clothes
-the money was found in his purse, and the gold studs and sleeve
-buttons were left in his shirt. But his pocketbook (seen by
-witnesses who had not yet been examined) was missing. The search
-for visiting cards and letters had proved to be fruitless. Only
-the initials, "J. B.," were marked on his linen. He had brought
-no luggage with him to the inn. Nothing could be found which led
-to the discovery of his name or of the purpose which had taken
-him into that part of the country.
-
-The police examined the outhouse next, in search of
-circumstantial evidence against the missing man.
-
-He must have carried away his knapsack, when he took to flight,
-but he had been (probably) in too great a hurry to look for his
-razor--or perhaps too terrified to touch it, if it had attracted
-his notice. The leather roll, and the other articles used for his
-toilet, had been taken away. Mr. Rook identified the
-blood-stained razor. He had noticed overnight the name of the
-Belgian city, "Liege," engraved on it.
-
-The yard was the next place inspected. Foot-steps were found on
-the muddy earth up to the wall. But the road on the other side
-had been recently mended with stones, and the trace of the
-fugitive was lost. Casts had been taken of the footsteps; and no
-other means of discovery had been left untried. The authorities
-in London had also been communicated with by telegraph.
-
-The doctor being called, described a personal peculiarity, which
-he had noticed at the post-mortem examination, and which might
-lead to the identification of the murdered man.
-
-As to the cause of death, the witness said it could be stated in
-two words. The internal jugular vein had been cut through, with
-such violence, judging by the appearances, that the wound could
-not have been inflicted, in the act of suicide, by the hand of
-the deceased person. No other injuries, and no sign of disease,
-was found on the body. The one cause of death had been
-Hemorrhage; and the one peculiarity which called for notice had
-been discovered in the mouth. Two of the front teeth, in the
-upper jaw, were false. They had been so admirably made to
-resemble the natural teeth on either side of them, in form and
-color, that the witness had only hit on the discovery by
-accidentally touching the inner side of the gum with one of his
-fingers.
-
-The landlady was examined, when the doctor had retired. Mrs. Rook
-was able, in answering questions put to her, to give important
-information, in reference to the missing pocketbook.
-
-Before retiring to rest, the two gentlemen had paid the
-bill--intending to leave the inn the first thing in the morning.
-The traveler with the knapsack paid his share in money. The other
-unfortunate gentleman looked into his purse, and found only a
-shilling and a sixpence in it. He asked Mrs. Rook if she could
-change a bank-note. She told him it could be done, provided the
-note was for no considerable sum of money. Upon that he opened
-his pocketbook (which the witness described minutely) and turned
-out the contents on the table. After searching among many Bank of
-England notes, some in one pocket of the book and some in
-another, he found a note of the value of five pounds. He
-thereupon settled his bill, and received the change from Mrs.
-Rook--her husband being in another part of the room, attending to
-the guests. She noticed a letter in an envelope, and a few cards
-which looked (to her judgment) like visiting cards, among the
-bank-notes which he had turned out on the table. When she
-returned to him with the change, he had just put them back, and
-was closing the pocketbook. She saw him place it in one of the
-breast pockets of his coat.
-
-The fellow-traveler who had accompanied him to the inn was
-present all the time, sitting on the opposite side of the table.
-He made a remark when he saw the notes produced. He said, "Put
-all that money back--don't tempt a poor man like me!" It was said
-laughing, as if by way of a joke.
-
-Mrs. Rook had observed nothing more that night; had slept as
-soundly as usual; and had been awakened when her husband knocked
-at the outhouse door, according to instructions received from the
-gentlemen, overnight.
-
-Three of the guests in the public room corroborated Mrs. Rook's
-evidence. They were respectable persons, well and widely known in
-that part of Hampshire. Besides these, there were two strangers
-staying in the house. They referred the coroner to their
-employers--eminent manufacturers at Sheffield and
-Wolverhampton--whose testimony spoke for itself.
-
-The last witness called was a grocer in the village, who kept the
-post-office.
-
-On the evening of the 30th, a dark gentleman, wearing his beard,
-knocked at the door, and asked for a letter addressed to "J. B.,
-Post-office, Zeeland." The letter had arrived by that morning's
-post; but, being Sunday evening, the grocer requested that
-application might be made for it the next morning. The stranger
-said the letter contained news, which it was of importance to him
-to receive without delay. Upon this, the grocer made an exception
-to customary rules and gave him the letter. He read it by the
-light of the lamp in the passage. It must have been short, for
-the reading was done in a moment. He seemed to think over it for
-a while; and then he turned round to go out. There was nothing to
-notice in his look or in his manner. The witness offered a remark
-on the weather; and the gentleman said, "Yes, it looks like a bad
-night"--and so went away.
-
-The postmaster's evidence was of importance in one respect: it
-suggested the motive which had brought the deceased to Zeeland.
-The letter addressed to "J. B." was, in all probability, the
-letter seen by Mrs. Rook among the contents of the pocketbook,
-spread out on the table.
-
-The inquiry being, so far, at an end, the inquest was
-adjourned--on the chance of obtaining additional evidence, when
-the reported proceedings were read by the public.
-
- . . . . . . . .
-
-Consulting a later number of the newspaper Emily discovered that
-the deceased person had been identified by a witness from London.
-
-Henry Forth, gentleman's valet, being examined, made the
-following statement:
-
-He had read the medical evidence contained in the report of the
-inquest; and, believing that he could identify the deceased, had
-been sent by his present master to assist the object of the
-inquiry. Ten days since, being then out of place, he had answered
-an advertisement. The next day, he was instructed to call at
-Tracey's Hotel, London, at six o'clock in the evening, and to ask
-for Mr. James Brown. Arriving at the hotel he saw the gentleman
-for a few minutes only. Mr. Brown had a friend with him. After
-glancing over the valet's references, he said, "I haven't time
-enough to speak to you this evening. Call here to-morrow morning
-at nine o'clock." The gentleman who was present laughed, and
-said, "You won't be up!" Mr. Brown answered, "That won't matter;
-the man can come to my bedroom, and let me see how he understands
-his duties, on trial." At nine the next morning, Mr. Brown was
-reported to be still in bed; and the witness was informed of the
-number of the room. He knocked at the door. A drowsy voice inside
-said something, which he interpreted as meaning "Come in." He
-went in. The toilet-table was on his left hand, and the bed (with
-the lower curtain drawn) was on his right. He saw on the table a
-tumbler with a little water in it, and with two false teeth in
-the water. Mr. Brown started up in bed--looked at him
-furiously--abused him for daring to enter the room--and shouted
-to him to "get out." The witness, not accustomed to be treated in
-that way, felt naturally indignant, and at once withdrew--but not
-before he had plainly seen the vacant place which the false teeth
-had been made to fill. Perhaps Mr. Brown had forgotten that he
-had left his teeth on the table. Or perhaps he (the valet) had
-misunderstood what had been said to him when he knocked at the
-door. Either way, it seemed to be plain enough that the gentleman
-resented the discovery of his false teeth by a stranger.
-
-Having concluded his statement the witness proceeded to identify
-the remains of the deceased.
-
-He at once recognized the gentleman named James Brown, whom he
-had twice seen--once in the evening, and again the next
-morning--at Tracey's Hotel. In answer to further inquiries, he
-declared that he knew nothing of the family, or of the place of
-residence, of the deceased. He complained to the proprietor of
-the hotel of the rude treatment that he had received, and asked
-if Mr. Tracey knew anything of Mr. James Brown. Mr. Tracey knew
-nothing of him. On consulting the hotel book it was found that he
-had given notice to leave, that afternoon.
-
-Before returning to London, the witness produced references which
-gave him an excellent character. He also left the address of the
-master who had engaged him three days since.
-
-The last precaution adopted was to have the face of the corpse
-photographed, before the coffin was closed. On the same day the
-jury agreed on their verdict: "Willful murder against some person
-unknown."
-
- . . . . . . . .
-
-
-Two days later, Emily found a last allusion to the
-crime--extracted from the columns of the _South Hampshire
-Gazette_.
-
-A relative of the deceased, seeing the report of the adjourned
-inquest, had appeared (accompanied by a medical gentleman); had
-seen the photograph; and had declared the identification by Henry
-Forth to be correct.
-
-Among other particulars, now communicated for the first time, it
-was stated that the late Mr. James Brown had been unreasonably
-sensitive on the subject of his false teeth, and that the one
-member of his family who knew of his wearing them was the
-relative who now claimed his remains.
-
-The claim having been established to the satisfaction of the
-authorities, the corpse was removed by railroad the same day. No
-further light had been thrown on the murder. The Handbill
-offering the reward, and describing the suspected man, had failed
-to prove of any assistance to the investigations of the police.
-
-From that date, no further notice of the crime committed at the
-Hand-in-Hand inn appeared in the public journals.
-
- . . . . . . . .
-
-
-Emily closed the volume which she had been consulting, and
-thankfully acknowledged the services of the librarian.
-
-The new reader had excited this gentleman's interest. Noticing
-how carefully she examined the numbers of the old newspaper, he
-looked at her, from time to time, wondering whether it was good
-news or bad of which she was in search. She read steadily and
-continuously; but she never rewarded his curiosity by any outward
-sign of the impression that had been produced on her. When she
-left the room there was nothing to remark in her manner; she
-looked quietly thoughtful--and that was all.
-
-The librarian smiled--amused by his own folly. Because a
-stranger's appearance had attracted him, he had taken it for
-granted that circumstances of romantic interest must be connected
-with her visit to the library. Far from misleading him, as he
-supposed, his fancy might have been employed to better purpose,
-if it had taken a higher flight still--and had associated Emily
-with the fateful gloom of tragedy, in place of the brighter
-interest of romance.
-
-There, among the ordinary readers of the day, was a dutiful and
-affectionate daughter following the dreadful story of the death
-of her father by murder, and believing it to be the story of a
-stranger--because she loved and trusted the person whose
-short-sighted mercy had deceived her. That very discovery, the
-dread of which had shaken the good doctor's firm nerves, had
-forced Alban to exclude from his confidence the woman whom he
-loved, and had driven the faithful old servant from the bedside
-of her dying mistress--that very discovery Emily had now made,
-with a face which never changed color, and a heart which beat at
-ease. Was the deception that had won this cruel victory over
-truth destined still to triumph in the days which were to come?
-Yes--if the life of earth is a foretaste of the life of hell.
-No--if a lie _is_ a lie, be the merciful motive for the falsehood
-what it may. No--if all deceit contains in it the seed of
-retribution, to be ripened inexorably in the lapse of time.
-
-
-CHAPTER XXVI.
-
-MOTHER EVE.
-
-The servant received Emily, on her return from the library, with
-a sly smile. "Here he is again, miss, waiting to see you."
-
-She opened the parlor door, and revealed Alban Morris, as
-restless as ever, walking up and down the room.
-
-"When I missed you at the Museum, I was afraid you might be ill,"
-he said. "Ought I to have gone away, when my anxiety was
-relieved? Shall I go away now?"
-
-"You must take a chair, Mr. Morris, and hear what I have to say
-for myself. When you left me after your last visit, I suppose I
-felt the force of example. At any rate I, like you, had my
-suspicions. I have been trying to confirm them--and I have
-failed."
-
-He paused, with the chair in his hand. "Suspicions of Me?" he
-asked.
-
-"Certainly! Can you guess how I have been employed for the last
-two days? No--not even your ingenuity can do that. I have been
-hard at work, in another reading-room, consulting the same back
-numbers of the same newspaper, which you have been examining at
-the British Museum. There is my confession--and now we will have
-some tea."
-
-She moved to the fireplace, to ring the bell, and failed to see
-the effect produced on Alban by those lightly-uttered words. The
-common phrase is the only phrase that can describe it. He was
-thunderstruck.
-
-"Yes," she resumed, "I have read the report of the inquest. If I
-know nothing else, I know that the murder at Zeeland can't be the
-discovery which you are bent on keeping from me. Don't be alarmed
-for the preservation of your secret! I am too much discouraged to
-try again."
-
-The servant interrupted them by answering the bell; Alban once
-more escaped detection. Emily gave her orders with an approach to
-the old gayety of her school days. "Tea, as soon as possible--and
-let us have the new cake. Are you too much of a man, Mr. Morris,
-to like cake?"
-
-In this state of agitation, he was unreasonably irritated by that
-playful question. "There is one thing I like better than cake,"
-he said; "and that one thing is a plain explanation."
-
-His tone puzzled her. "Have I said anything to offend you?" she
-asked. "Surely you can make allowance for a girl's curiosity? Oh,
-you shall have your explanation--and, what is more, you shall
-have it without reserve!"
-
-She was as good as her word. What she had thought, and what she
-had planned, when he left her after his last visit, was frankly
-and fully told. "If you wonder how I discovered the library," she
-went on, "I must refer you to my aunt's lawyer. He lives in the
-City--and I wrote to him to help me. I don't consider that my
-time has been wasted. Mr. M orris, we owe an apology to Mrs.
-Rook."
-
-Alban's astonishment, when he heard this, forced its way to
-expression in words. "What can you possibly mean?" he asked.
-
-The tea was brought in before Emily could reply. She filled the
-cups, and sighed as she looked at the cake. "If Cecilia was here,
-how she would enjoy it!" With that complimentary tribute to her
-friend, she handed a slice to Alban. He never even noticed it.
-
-"We have both of us behaved most unkindly to Mrs. Rook," she
-resumed. "I can excuse your not seeing it; for I should not have
-seen it either, but for the newspaper. While I was reading, I had
-an opportunity of thinking over what we said and did, when the
-poor woman's behavior so needlessly offended us. I was too
-excited to think, at the time--and, besides, I had been upset,
-only the night before, by what Miss Jethro said to me."
-
-Alban started. "What has Miss Jethro to do with it?" he asked.
-
-"Nothing at all," Emily answered. "She spoke to me of her own
-private affairs. A long story--and you wouldn't be interested in
-it. Let me finish what I had to say. Mrs. Rook was naturally
-reminded of the murder, when she heard that my name was Brown;
-and she must certainly have been struck--as I was--by the
-coincidence of my father's death taking place at the same time
-when his unfortunate namesake was killed. Doesn't this
-sufficiently account for her agitation when she looked at the
-locket? We first took her by surprise: and then we suspected her
-of Heaven knows what, because the poor creature didn't happen to
-have her wits about her, and to remember at the right moment what
-a very common name 'James Brown' is. Don't you see it as I do?"
-
-"I see that you have arrived at a remarkable change of opinion,
-since we spoke of the subject in the garden at school."
-
-"In my place, you would have changed your opinion too. I shall
-write to Mrs. Rook by tomorrow's post."
-
-Alban heard her with dismay. "Pray be guided by my advice!" he
-said earnestly. "Pray don't write that letter!"
-
-"Why not?"
-
-It was too late to recall the words which he had rashly allowed
-to escape him. How could he reply?
-
-To own that he had not only read what Emily had read, but had
-carefully copied the whole narrative and considered it at his
-leisure, appeared to be simply impossible after what he had now
-heard. Her peace of mind depended absolutely on his discretion.
-In this serious emergency, silence was a mercy, and silence was a
-lie. If he remained silent, might the mercy be trusted to atone
-for the lie? He was too fond of Emily to decide that question
-fairly, on its own merits. In other words, he shrank from the
-terrible responsibility of telling her the truth.
-
-"Isn't the imprudence of writing to such a person as Mrs. Rook
-plain enough to speak for itself?" he suggested cautiously.
-
-"Not to me."
-
-She made that reply rather obstinately. Alban seemed (in her
-view) to be trying to prevent her from atoning for an act of
-injustice. Besides, he despised her cake. "I want to know why you
-object," she said; taking back the neglected slice, and eating it
-herself.
-
-"I object," Alban answered, "because Mrs. Rook is a coarse
-presuming woman. She may pervert your letter to some use of her
-own, which you may have reason to regret."
-
-"Is that all?"
-
-"Isn't it enough?"
-
-"It may be enough for _you_. When I have done a person an injury,
-and wish to make an apology, I don't think it necessary to
-inquire whether the person's manners happen to be vulgar or not."
-
-Alban's patience was still equal to any demands that she could
-make on it. "I can only offer you advice which is honestly
-intended for your own good," he gently replied.
-
-"You would have more influence over me, Mr. Morris, if you were a
-little readier to take me into your confidence. I daresay I am
-wrong--but I don't like following advice which is given to me in
-the dark."
-
-It was impossible to offend him. "Very naturally," he said; "I
-don't blame you."
-
-Her color deepened, and her voice rose. Alban's patient adherence
-to his own view--so courteously and considerately urged--was
-beginning to try her temper. "In plain words," she rejoined, "I
-am to believe that you can't be mistaken in your judgment of
-another person."
-
-There was a ring at the door of the cottage while she was
-speaking. But she was too warmly interested in confuting Alban to
-notice it.
-
-He was quite willing to be confuted. Even when she lost her
-temper, she was still interesting to him. "I don't expect you to
-think me infallible," he said. "Perhaps you will remember that I
-have had some experience. I am unfortunately older than you are."
-
-"Oh if wisdom comes with age," she smartly reminded him, "your
-friend Miss Redwood is old enough to be your mother--and she
-suspected Mrs. Rook of murder, because the poor woman looked at a
-door, and disliked being in the next room to a fidgety old maid."
-
-Alban's manner changed: he shrank from that chance allusion to
-doubts and fears which he dare not acknowledge. "Let us talk of
-something else," he said.
-
-She looked at him with a saucy smile. "Have I driven you into a
-corner at last? And is _that_ your way of getting out of it?"
-
-Even his endurance failed. "Are you trying to provoke me?" he
-asked. "Are you no better than other women? I wouldn't have
-believed it of you, Emily."
-
-"Emily?" She repeated the name in a tone of surprise, which
-reminded him that he had addressed her with familiarity at a most
-inappropriate time--the time when they were on the point of a
-quarrel. He felt the implied reproach too keenly to be able to
-answer her with composure.
-
-"I think of Emily--I love Emily--my one hope is that Emily may
-love me. Oh, my dear, is there no excuse if I forget to call you
-'Miss' when you distress me?"
-
-All that was tender and true in her nature secretly took his
-part. She would have followed that better impulse, if he had only
-been calm enough to understand her momentary silence, and to give
-her time. But the temper of a gentle and generous man, once
-roused, is slow to subside. Alban abruptly left his chair. "I had
-better go!" he said.
-
-"As you please," she answered. "Whether you go, Mr. Morris, or
-whether you stay, I shall write to Mrs. Rook."
-
-The ring at the bell was followed by the appearance of a visitor.
-Doctor Allday opened the door, just in time to hear Emily's last
-words. Her vehemence seemed to amuse him.
-
-"Who is Mrs. Rook?" he asked.
-
-"A most respectable person," Emily answered indignantly;
-"housekeeper to Sir Jervis Redwood. You needn't sneer at her,
-Doctor Allday! She has not always been in service--she was
-landlady of the inn at Zeeland."
-
-The doctor, about to put his hat on a chair, paused. The inn at
-Zeeland reminded him of the Handbill, and of the visit of Miss
-Jethro.
-
-"Why are you so hot over it?" he inquired
-
-"Because I detest prejudice!" With this assertion of liberal
-feeling she pointed to Alban, standing quietly apart at the
-further end of the room. "There is the most prejudiced man
-living--he hates Mrs. Rook. Would you like to be introduced to
-him? You're a philosopher; you may do him some good. Doctor
-Allday--Mr. Alban Morris."
-
-The doctor recognized the man, with the felt hat and the
-objectionable beard, whose personal appearance had not impressed
-him favorably.
-
-Although they may hesitate to acknowledge it, there are
-respectable Englishmen still left, who regard a felt hat and a
-beard as symbols of republican disaffection to the altar and the
-throne. Doctor Allday's manner might have expressed this curious
-form of patriotic feeling, but for the associations which Emily
-had revived. In his present frame of mind, he was outwardly
-courteous, because he was inwardly suspicious. Mrs. Rook had been
-described to him as formerly landlady of the inn at Zeeland. Were
-there reasons for Mr. Morris's hostile feeling toward this woman
-which might be referable to the crime committed in her house that
-might threaten Emily's tranquillity if they were made known? It
-would not be amiss to see a little more of Mr. Morris, on the
-first convenient occasion.
-
-"I am glad to make your acquaintance, sir."
-
-"You are very kind, Doctor Allday."
-
-The exchange of polite conventionalities having been
-accomplished, Alban approache d Emily to take his leave, with
-mingled feelings of regret and anxiety--regret for having allowed
-himself to speak harshly; anxiety to part with her in kindness.
-
-"Will you forgive me for differing from you?" It was all he could
-venture to say, in the presence of a stranger.
-
-"Oh, yes!" she said quietly.
-
-"Will you think again, before you decide?"
-
-"Certainly, Mr. Morris. But it won't alter my opinion, if I do."
-
-The doctor, hearing what passed between them, frowned. On what
-subject had they been differing? And what opinion did Emily
-decline to alter?
-
-Alban gave it up. He took her hand gently. "Shall I see you at
-the Museum, to-morrow?" he asked.
-
-She was politely indifferent to the last. "Yes--unless something
-happens to keep me at home."
-
-The doctor's eyebrows still expressed disapproval. For what
-object was the meeting proposed? And why at a museum?
-
-"Good-afternoon, Doctor Allday."
-
-"Good-afternoon, sir."
-
-For a moment after Alban's departure, the doctor stood
-irresolute. Arriving suddenly at a decision, he snatched up his
-hat, and turned to Emily in a hurry.
-
-"I bring you news, my dear, which will surprise you. Who do you
-think has just left my house? Mrs. Ellmother! Don't interrupt me.
-She has made up her mind to go out to service again. Tired of
-leading an idle life--that's her own account of it--and asks me
-to act as her reference."
-
-"Did you consent?"
-
-"Consent! If I act as her reference, I shall be asked how she
-came to leave her last place. A nice dilemma! Either I must own
-that she deserted her mistress on her deathbed--or tell a lie.
-When I put it to her in that way, she walked out of the house in
-dead silence. If she applies to you next, receive her as I
-did--or decline to see her, which would be better still."
-
-"Why am I to decline to see her?"
-
-"In consequence of her behavior to your aunt, to be sure! No: I
-have said all I wanted to say--and I have no time to spare for
-answering idle questions. Good-by."
-
-Socially-speaking, doctors try the patience of their nearest and
-dearest friends, in this respect--they are almost always in a
-hurry. Doctor Allday's precipitate departure did not tend to
-soothe Emily's irritated nerves. She began to find excuses for
-Mrs. Ellmother in a spirit of pure contradiction. The old
-servant's behavior might admit of justification: a friendly
-welcome might persuade her to explain herself. "If she applies to
-me," Emily determined, "I shall certainly receive her."
-
-Having arrived at this resolution, her mind reverted to Alban.
-
-Some of the sharp things she had said to him, subjected to
-after-reflection in solitude, failed to justify themselves. Her
-better sense began to reproach her. She tried to silence that
-unwelcome monitor by laying the blame on Alban. Why had he been
-so patient and so good? What harm was there in his calling her
-"Emily"? If he had told her to call _him_ by his Christian name,
-she might have done it. How noble he looked, when he got up to go
-away; he was actually handsome! Women may say what they please
-and write what they please: their natural instinct is to find
-their master in a man--especially when they like him. Sinking
-lower and lower in her own estimation, Emily tried to turn the
-current of her thoughts in another direction. She took up a
-book--opened it, looked into it, threw it across the room.
-
-If Alban had returned at that moment, resolved on a
-reconciliation--if he had said, "My dear, I want to see you like
-yourself again; will you give me a kiss, and make it up"--would
-he have left her crying, when he went away? She was crying now.
-
-
-CHAPTER XXVII.
-
-MENTOR AND TELEMACHUS.
-
-If Emily's eyes could have followed Alban as her thoughts were
-following him, she would have seen him stop before he reached the
-end of the road in which the cottage stood. His heart was full of
-tenderness and sorrow: the longing to return to her was more than
-he could resist. It would be easy to wait, within view of the
-gate, until the doctor's visit came to an end. He had just
-decided to go back and keep watch--when he heard rapid footsteps
-approaching. There (devil take him!) was the doctor himself.
-
-"I have something to say to you, Mr. Morris. Which way are you
-walking?"
-
-"Any way," Alban answered--not very graciously.
-
-"Then let us take the turning that leads to my house. It's not
-customary for strangers, especially when they happen to be
-Englishmen, to place confidence in each other. Let me set the
-example of violating that rule. I want to speak to you about Miss
-Emily. May I take your arm? Thank you. At my age, girls in
-general--unless they are my patients--are not objects of interest
-to me. But that girl at the cottage--I daresay I am in my
-dotage--I tell you, sir, she has bewitched me! Upon my soul, I
-could hardly be more anxious about her, if I was her father. And,
-mind, I am not an affectionate man by nature. Are you anxious
-about her too?"
-
-"Yes."
-
-"In what way?"
-
-"In what way are you anxious, Doctor Allday?"
-
-The doctor smiled grimly.
-
-"You don't trust me? Well, I have promised to set the example.
-Keep your mask on, sir--mine is off, come what may of it. But,
-observe: if you repeat what I am going to say--"
-
-Alban would hear no more. "Whatever you may say, Doctor Allday,
-is trusted to my honor. If you doubt my honor, be so good as to
-let go my arm--I am not walking your way."
-
-The doctor's hand tightened its grasp. "That little flourish of
-temper, my dear sir, is all I want to set me at my ease. I feel I
-have got hold of the right man. Now answer me this. Have you ever
-heard of a person named Miss Jethro?"
-
-Alban suddenly came to a standstill.
-
-"All right!" said the doctor. "I couldn't have wished for a more
-satisfactory reply."
-
-"Wait a minute," Alban interposed. "I know Miss Jethro as a
-teacher at Miss Ladd's school, who left her situation
-suddenly--and I know no more."
-
-The doctor's peculiar smile made its appearance again.
-
-"Speaking in the vulgar tone," he said, "you seem to be in a
-hurry to wash your hands of Miss Jethro."
-
-"I have no reason to feel any interest in her," Alban replied.
-
-"Don't be too sure of that, my friend. I have something to tell
-you which may alter your opinion. That ex-teacher at the school,
-sir, knows how the late Mr. Brown met his death, and how his
-daughter has been deceived about it."
-
-Alban listened with surprise--and with some little doubt, which
-he thought it wise not to acknowledge.
-
-"The report of the inquest alludes to a 'relative' who claimed
-the body," he said. "Was that 'relative' the person who deceived
-Miss Emily? And was the person her aunt?"
-
-"I must leave you to take your own view," Doctor Allday replied.
-"A promise binds me not to repeat the information that I have
-received. Setting that aside, we have the same object in
-view--and we must take care not to get in each other's way. Here
-is my house. Let us go in, and make a clean breast of it on both
-sides."
-
-Established in the safe seclusion of his study, the doctor set
-the example of confession in these plain terms:
-
-"We only differ in opinion on one point," he said. "We both think
-it likely (from our experience of the women) that the suspected
-murderer had an accomplice. I say the guilty person is Miss
-Jethro. You say--Mrs. Rook."
-
-"When you have read my copy of the report," Alban answered, "I
-think you will arrive at my conclusion. Mrs. Rook might have
-entered the outhouse in which the two men slept, at any time
-during the night, while her husband was asleep. The jury believed
-her when she declared that she never woke till the morning. I
-don't."
-
-"I am open to conviction, Mr. Morris. Now about the future. Do
-you mean to go on with your inquiries?"
-
-"Even if I had no other motive than mere curiosity," Alban
-answered, "I think I should go on. But I have a more urgent
-purpose in view. All that I have done thus far, has been done in
-Emily's interests. My object, from the first, has been to
-preserve her from any association--in the past or in the
-future--with the woman whom I believe to have been concerned in
-her father's death. As I have already told you, she is innocently
-doing all she can, poor thing, to put obstacles in my way."
-
-"Yes, yes," said the doctor; "she means to write to Mrs.
- Rook--and you have nearly quarreled about it. Trust me to take
-that matter in hand. I don't regard it as serious. But I am
-mortally afraid of what you are doing in Emily's interests. I
-wish you would give it up."
-
-"Why?"
-
-"Because I see a danger. I don't deny that Emily is as innocent
-of suspicion as ever. But the chances, next time, may be against
-us. How do you know to what lengths your curiosity may lead you?
-Or on what shocking discoveries you may not blunder with the best
-intentions? Some unforeseen accident may open her eyes to the
-truth, before you can prevent it. I seem to surprise you?"
-
-"You do, indeed, surprise me."
-
-"In the old story, my dear sir, Mentor sometimes surprised
-Telemachus. I am Mentor--without being, I hope, quite so
-long-winded as that respectable philosopher. Let me put it in two
-words. Emily's happiness is precious to you. Take care you are
-not made the means of wrecking it! Will you consent to a
-sacrifice, for her sake?"
-
-"I will do anything for her sake."
-
-"Will you give up your inquiries?"
-
-"From this moment I have done with them!"
-
-"Mr. Morris, you are the best friend she has."
-
-"The next best friend to you, doctor."
-
-In that fond persuasion they now parted--too eagerly devoted to
-Emily to look at the prospect before them in its least hopeful
-aspect. Both clever men, neither one nor the other asked himself
-if any human resistance has ever yet obstructed the progress of
-truth--when truth has once begun to force its way to the light.
-
-For the second time Alban stopped, on his way home. The longing
-to be reconciled with Emily was not to be resisted. He returned
-to the cottage, only to find disappointment waiting for him. The
-servant reported that her young mistress had gone to bed with a
-bad headache.
-
-Alban waited a day, in the hope that Emily might write to him. No
-letter arrived. He repeated his visit the next morning. Fortune
-was still against him. On this occasion, Emily was engaged.
-
-"Engaged with a visitor?" he asked.
-
-"Yes, sir. A young lady named Miss de Sor."
-
-Where had he heard that name before? He remembered immediately
-that he had heard it at the school. Miss de Sor was the
-unattractive new pupil, whom the girls called Francine. Alban
-looked at the parlor window as he left the cottage. It was of
-serious importance that he should set himself right with Emily.
-"And mere gossip," he thought contemptuously, "stands in my way!"
-
-If he had been less absorbed in his own interests, he might have
-remembered that mere gossip is not always to be despised. It has
-worked fatal mischief in its time.
-
-
-CHAPTER XXVIII.
-
-FRANCINE.
-
-"You're surprised to see me, of course?" Saluting Emily in those
-terms, Francine looked round the parlor with an air of satirical
-curiosity. "Dear me, what a little place to live in!"
-
-"What brings you to London?" Emily inquired.
-
-"You ought to know, my dear, without asking. Why did I try to
-make friends with you at school? And why have I been trying ever
-since? Because I hate you--I mean because I can't resist you--no!
-I mean because I hate myself for liking you. Oh, never mind my
-reasons. I insisted on going to London with Miss Ladd--when that
-horrid woman announced that she had an appointment with her
-lawyer. I said, 'I want to see Emily.' 'Emily doesn't like you.'
-'I don't care whether she likes me or not; I want to see her.'
-That's the way we snap at each other, and that's how I always
-carry my point. Here I am, till my duenna finishes her business
-and fetches me. What a prospect for You! Have you got any cold
-meat in the house? I'm not a glutton, like Cecilia--but I'm
-afraid I shall want some lunch."
-
-"Don't talk in that way, Francine!"
-
-"Do you mean to say you're glad to see me?"
-
-"If you were only a little less hard and bitter, I should always
-be glad to see you."
-
-"You darling! (excuse my impetuosity). What are you looking at?
-My new dress? Do you envy me?"
-
-"No; I admire the color--that's all."
-
-Francine rose, and shook out her dress, and showed it from every
-point of view. "See how it's made: Paris, of course! Money, my
-dear; money will do anything--except making one learn one's
-lessons."
-
-"Are you not getting on any better, Francine?"
-
-"Worse, my sweet friend--worse. One of the masters, I am happy to
-say, has flatly refused to teach me any longer. 'Pupils without
-brains I am accustomed to,' he said in his broken English; 'but a
-pupil with no heart is beyond my endurance.' Ha! ha! the mouldy
-old refugee has an eye for character, though. No heart--there I
-am, described in two words."
-
-"And proud of it," Emily remarked.
-
-"Yes--proud of it. Stop! let me do myself justice. You consider
-tears a sign that one has some heart, don't you? I was very near
-crying last Sunday. A popular preacher did it; no less a person
-that Mr. Mirabel--you look as if you had heard of him."
-
-"I have heard of him from Cecilia."
-
-"Is _she_ at Brighton? Then there's one fool more in a
-fashionable watering place. Oh, she's in Switzerland, is she? I
-don't care where she is; I only care about Mr. Mirabel. We all
-heard he was at Brighton for his health, and was going to preach.
-Didn't we cram the church! As to describing him, I give it up. He
-is the only little man I ever admired--hair as long as mine, and
-the sort of beard you see in pictures. I wish I had his fair
-complexion and his white hands. We were all in love with him--or
-with his voice, which was it?--when he began to read the
-commandments. I wish I could imitate him when he came to the
-fifth commandment. He began in his deepest bass voice: 'Honor thy
-father--' He stopped and looked up to heaven as if he saw the
-rest of it there. He went on with a tremendous emphasis on the
-next word. '_And_ thy mother,' he said (as if that was quite a
-different thing) in a tearful, fluty, quivering voice which was a
-compliment to mothers in itself. We all felt it, mothers or not.
-But the great sensation was when he got into the pulpit. The
-manner in which he dropped on his knees, and hid his face in his
-hands, and showed his beautiful rings was, as a young lady said
-behind me, simply seraphic. We understood his celebrity, from
-that moment--I wonder whether I can remember the sermon."
-
-"You needn't attempt it on my account," Emily said.
-
-"My dear, don't be obstinate. Wait till you hear him."
-
-"I am quite content to wait."
-
-"Ah, you're just in the right state of mind to be converted;
-you're in a fair way to become one of his greatest admirers. They
-say he is so agreeable in private life; I am dying to know
-him.--Do I hear a ring at the bell? Is somebody else coming to
-see you?"
-
-The servant brought in a card and a message.
-
-"The person will call again, miss."
-
-Emily looked at the name written on the card.
-
-"Mrs. Ellmother!" she exclaimed.
-
-"What an extraordinary name!' cried Francine. "Who is she?"
-
-"My aunt's old servant."
-
-"Does she want a situation?"
-
-Emily looked at some lines of writing at the back of the card.
-Doctor Allday had rightly foreseen events. Rejected by the
-doctor, Mrs. Ellmother had no alternative but to ask Emily to
-help her.
-
-"If she is out of place," Francine went on, "she may be just the
-sort of person I am looking for."
-
-"You?" Emily asked, in astonishment.
-
-Francine refused to explain until she got an answer to her
-question. "Tell me first," she said, "is Mrs. Ellmother engaged?"
-
-"No; she wants an engagement, and she asks me to be her
-reference."
-
-"Is she sober, honest, middle-aged, clean, steady, good-tempered,
-industrious?" Francine rattled on. "Has she all the virtues, and
-none of the vices? Is she not too good-looking, and has she no
-male followers? In one terrible word--will she satisfy Miss
-Ladd?"
-
-"What has Miss Ladd to do with it?"
-
-"How stupid you are, Emily! Do put the woman's card down on the
-table, and listen to me. Haven't I told you that one of my
-masters has declined to have anything more to do with me? Doesn't
-that help you to understand how I get on with the rest of them? I
-am no longer Miss Ladd's pupil, my dear. Thanks to my laziness
-and my temper, I am to he raised to the dignity of 'a parlor
-boarder.' In other words, I am to be a young lady who patronizes
-the school; with a room of my own, and a servant of my own. All
-pr ovided for by a private arrangement between my father and Miss
-Ladd, before I left the West Indies. My mother was at the bottom
-of it, I have not the least doubt. You don't appear to understand
-me."
-
-"I don't, indeed!"
-
-Francine considered a little. "Perhaps they were fond of you at
-home," she suggested.
-
-"Say they loved me, Francine--and I loved them."
-
-"Ah, my position is just the reverse of yours. Now they have got
-rid of me, they don't want me back again at home. I know as well
-what my mother said to my father, as if I had heard her.
-'Francine will never get on at school, at her age. Try her, by
-all means; but make some other arrangement with Miss Ladd in case
-of a failure--or she will be returned on our hands like a bad
-shilling.' There is my mother, my anxious, affectionate mother,
-hit off to a T."
-
-"She _is_ your mother, Francine; don't forget that."
-
-"Oh, no; I won't forget it. My cat is my kitten's mother--there!
-there! I won't shock your sensibilities. Let us get back to
-matter of fact. When I begin my new life, Miss Ladd makes one
-condition. My maid is to be a model of discretion--an elderly
-woman, not a skittish young person who will only encourage me. I
-must submit to the elderly woman, or I shall be sent back to the
-West Indies after all. How long did Mrs. Ellmother live with your
-aunt?"
-
-"Twenty-five years, and more.'
-
-"Good heavens, it's a lifetime! Why isn't this amazing creature
-living with you, now your aunt is dead? Did you send her away?"
-
-"Certainly not."
-
-"Then why did she go?"
-
-"I don't know."
-
-"Do you mean that she went away without a word of explanation?"
-
-"Yes; that is exactly what I mean."
-
-"When did she go? As soon as your aunt was dead?"
-
-"That doesn't matter, Francine."
-
-"In plain English, you won't tell me? I am all on fire with
-curiosity--and that's how you put me out! My dear, if you have
-the slightest regard for me, let us have the woman in here when
-she comes back for her answer. Somebody must satisfy me. I mean
-to make Mrs. Ellmother explain herself."
-
-"I don't think you will succeed, Francine."
-
-"Wait a little, and you will see. By-the-by, it is understood
-that my new position at the school gives me the privilege of
-accepting invitations. Do you know any nice people to whom you
-can introduce me?"
-
-"I am the last person in the world who has a chance of helping
-you," Emily answered. "Excepting good Doctor Allday--" On the
-point of adding the name of Alban Morris, she checked herself
-without knowing why, and substituted the name of her
-school-friend. "And not forgetting Cecilia," she resumed, "I know
-nobody."
-
-"Cecilia's a fool," Francine remarked gravely; "but now I think
-of it, she may be worth cultivating. Her father is a member of
-Parliament--and didn't I hear that he has a fine place in the
-country? You see, Emily, I may expect to be married (with my
-money), if I can only get into good society. (Don't suppose I am
-dependent on my father; my marriage portion is provided for in my
-uncle's will. Cecilia may really be of some use to me. Why
-shouldn't I make a friend of her, and get introduced to her
-father--in the autumn, you know, when the house is full of
-company? Have you any idea when she is coming back?"
-
-"No."
-
-"Do you think of writing to her?"
-
-"Of course!"
-
-"Give her my kind love; and say I hope she enjoys Switzerland."
-
-"Francine, you are positively shameless! After calling my dearest
-friend a fool and a glutton, you send her your love for your own
-selfish ends; and you expect me to help you in deceiving her! I
-won't do it."
-
-"Keep your temper, my child. We are all selfish, you little
-goose. The only difference is--some of us own it, and some of us
-don't. I shall find my own way to Cecilia's good graces quite
-easily: the way is through her mouth. You mentioned a certain
-Doctor Allday. Does he give parties? And do the right sort of men
-go to them? Hush! I think I hear the bell again. Go to the door,
-and see who it is."
-
-Emily waited, without taking any notice of this suggestion. The
-servant announced that "the person had called again, to know if
-there was any answer."
-
-"Show her in here," Emily said.
-
-The servant withdrew, and came back again.
-
-"The person doesn't wish to intrude, miss; it will be quite
-sufficient if you will send a message by me."
-
-Emily crossed the room to the door.
-
-"Come in, Mrs. Ellmother," she said. "You have been too long away
-already. Pray come in."
-
-
-CHAPTER XXIX
-
-"BONY."
-
-Mrs. Ellmother reluctantly entered the room.
-
-Since Emily had seen her last, her personal appearance doubly
-justified the nickname by which her late mistress had
-distinguished her. The old servant was worn and wasted; her gown
-hung loose on her angular body; the big bones of her face stood
-out, more prominently than ever. She took Emily's offered hand
-doubtingly. "I hope I see you well, miss," she said--with hardly
-a vestige left of her former firmness of voice and manner.
-
-"I am afraid you have been suffering from illness," Emily
-answered gently.
-
-"It's the life I'm leading that wears me down; I want work and
-change."
-
-Making that reply, she looked round, and discovered Francine
-observing her with undisguised curiosity. "You have got company
-with you," she said to Emily. "I had better go away, and come
-back another time."
-
-Francine stopped her before she could open the door. "You mustn't
-go away; I wish to speak to you."
-
-"About what, miss?"
-
-The eyes of the two women met--one, near the end of her life,
-concealing under a rugged surface a nature sensitively
-affectionate and incorruptibly true: the other, young in years,
-with out the virtues of youth, hard in manner and hard at heart.
-In silence on either side, they stood face to face; strangers
-brought together by the force of circumstances, working
-inexorably toward their hidden end.
-
-Emily introduced Mrs. Ellmother to Francine. "It may be worth
-your while," she hinted, "to hear what this young lady has to
-say."
-
-Mrs. Ellmother listened, with little appearance of interest in
-anything that a stranger might have to say: her eyes rested on
-the card which contained her written request to Emily. Francine,
-watching her closely, understood what was passing in her mind. It
-might be worth while to conciliate the old woman by a little act
-of attention. Turning to Emily, Francine pointed to the card
-lying on the table. "You have not attended yet to Mr. Ellmother's
-request," she said.
-
-Emily at once assured Mrs. Ellmother that the request was
-granted. "But is it wise," she asked, "to go out to service
-again, at your age?"
-
-"I have been used to service all my life, Miss Emily--that's one
-reason. And service may help me to get rid of my own
-thoughts--that's another. If you can find me a situation
-somewhere, you will be doing me a good turn."
-
-"Is it useless to suggest that you might come back, and live with
-me?" Emily ventured to say.
-
-Mrs. Ellmother's head sank on her breast. "Thank you kindly,
-miss; it _is_ useless."
-
-"Why is it useless?" Francine asked.
-
-Mrs. Ellmother was silent.
-
-"Miss de Sor is speaking to you," Emily reminded her.
-
-"Am I to answer Miss de Sor?"
-
-Attentively observing what passed, and placing her own
-construction on looks and tones, it suddenly struck Francine that
-Emily herself might be in Mrs. Ellmother's confidence, and that
-she might have reasons of her own for assuming ignorance when
-awkward questions were asked. For the moment at least, Francine
-decided on keeping her suspicions to herself.
-
-"I may perhaps offer you the employment you want," she said to
-Mrs. Ellmother. "I am staying at Brighton, for the present, with
-the lady who was Miss Emily's schoolmistress, and I am in need of
-a maid. Would you be willing to consider it, if I proposed to
-engage you?"
-
-"Yes, miss."
-
-"In that case, you can hardly object to the customary inquiry.
-Why did you leave your last place?"
-
-Mrs. Ellmother appealed to Emily. "Did you tell this young lady
-how long I remained in my last place?"
-
-Melancholy remembrances had been revived in Emily by the turn
-which the talk had now taken. Francine's cat-like patience,
-stealthily feeling its way to its end, jarred on her nerves.
-"Yes," she said; "in justice to you, I have mentioned your long
-term of service."
-
-M rs. Ellmother addressed Francine. "You know, miss, that I
-served my late mistress for over twenty-five years. Will you
-please remember that--and let it be a reason for not asking me
-why I left my place."
-
-Francine smiled compassionately. "My good creature, you have
-mentioned the very reason why I _should_ ask. You live
-five-and-twenty years with your mistress--and then suddenly leave
-her--and you expect me to pass over this extraordinary proceeding
-without inquiry. Take a little time to think."
-
-"I want no time to think. What I had in my mind, when I left Miss
-Letitia, is something which I refuse to explain, miss, to you, or
-to anybody."
-
-She recovered some of her old firmness, when she made that reply.
-Francine saw the necessity of yielding--for the time at least,
-Emily remained silent, oppressed by remembrance of the doubts and
-fears which had darkened the last miserable days of her aunt's
-illness. She began already to regret having made Francine and
-Mrs. Ellmother known to each other.
-
-"I won't dwell on what appears to be a painful subject, "Francine
-graciously resumed. "I meant no offense. You are not angry, I
-hope?"
-
-"Sorry, miss. I might have been angry, at one time. That time is
-over."
-
-It was said sadly and resignedly: Emily heard the answer. Her
-heart ached as she looked at the old servant, and thought of the
-contrast between past and present. With what a hearty welcome
-this broken woman had been used to receive her in the bygone
-holiday-time! Her eyes moistened. She felt the merciless
-persistency of Francine, as if it had been an insult offered to
-herself. "Give it up!" she said sharply.
-
-"Leave me, my dear, to manage my own business," Francine replied.
-"About your qualifications?" she continued, turning coolly to
-Mrs. Ellmother. "Can you dress hair?"
-
-"Yes."
-
-"I ought to tell you," Francine insisted, "that I am very
-particular about my hair."
-
-"My mistress was very particular about her hair," Mrs. Ellmother
-answered.
-
-"Are you a good needlewoman?"
-
-"As good as ever I was--with the help of my spectacles."
-
-Francine turned to Emily. "See how well we get on together. We
-are beginning to understand each other already. I am an odd
-creature, Mrs. Ellmother. Sometimes, I take sudden likings to
-persons--I have taken a liking to you. Do you begin to think a
-little better of me than you did? I hope you will produce the
-right impression on Miss Ladd; you shall have every assistance
-that I can give. I will beg Miss Ladd, as a favor to me, not to
-ask you that one forbidden question."
-
-Poor Mrs. Ellmother, puzzled by the sudden appearance of Francine
-in the character of an eccentric young lady, the creature of
-genial impulse, thought it right to express her gratitude for the
-promised interference in her favor. "That's kind of you, miss,"
-she said.
-
-"No, no, only just. I ought to tell you there's one thing Miss
-Ladd is strict about--sweethearts. Are you quite sure," Francine
-inquired jocosely, "that you can answer for yourself, in that
-particular?"
-
-This effort of humor produced its intended effect. Mrs.
-Ellmother, thrown off her guard, actually smiled. "Lord, miss,
-what will you say next!"
-
-"My good soul, I will say something next that is more to the
-purpose. If Miss Ladd asks me why you have so unaccountably
-refused to be a servant again in this house, I shall take care to
-say that it is certainly not out of dislike to Miss Emily."
-
-"You need say nothing of the sort," Emily quietly remarked.
-
-"And still less," Francine proceeded, without noticing the
-interruption--"still less through any disagreeable remembrances
-of Miss Emily's aunt."
-
-Mrs. Ellmother saw the trap that had been set for her. "It won't
-do, miss," she said.
-
-"What won't do?"
-
-"Trying to pump me."
-
-Francine burst out laughing. Emily noticed an artificial ring in
-her gayety which suggested that she was exasperated, rather than
-amused, by the repulse which had baffled her curiosity once more.
-
-Mrs. Ellmother reminded the merry young lady that the proposed
-arrangement between them had not been concluded yet. "Am I to
-understand, miss, that you will keep a place open for me in your
-service?"
-
-"You are to understand," Francine replied sharply, "that I must
-have Miss Ladd's approval before I can engage you. Suppose you
-come to Brighton? I will pay your fare, of course."
-
-"Never mind my fare, miss. Will you give up pumping?"
-
-"Make your mind easy. It's quite useless to attempt pumping
-_you_. When will you come?"
-
-Mrs. Ellmother pleaded for a little delay. "I'm altering my
-gowns," she said. "I get thinner and thinner--don't I, Miss
-Emily? My work won't be done before Thursday."
-
-"Let us say Friday, then," Francine proposed.
-
-"Friday!" Mrs. Ellmother exclaimed. "You forget that Friday is an
-unlucky day."
-
-"I forgot that, certainly! How can you be so absurdly
-superstitious."
-
-"You may call it what you like, miss. I have good reason to think
-as I do. I was married on a Friday--and a bitter bad marriage it
-turned out to be. Superstitious, indeed! You don't know what my
-experience has been. My only sister was one of a party of
-thirteen at dinner; and she died within the year. If we are to
-get on together nicely, I'll take that journey on Saturday, if
-you please."
-
-"Anything to satisfy you," Francine agreed; "there is the
-address. Come in the middle of the day, and we will give you your
-dinner. No fear of our being thirteen in number. What will you
-do, if you have the misfortune to spill the salt?"
-
-"Take a pinch between my finger and thumb, and throw it over my
-left shoulder," Mrs. Ellmother answered gravely. "Good-day,
-miss."
-
-"Good-day."
-
-Emily followed the departing visitor out to the hall. She had
-seen and heard enough to decide her on trying to break off the
-proposed negotiation--with the one kind purpose of protecting
-Mrs. Ellmother against the pitiless curiosity of Francine.
-
-"Do you think you and that young lady are likely to get on well
-together?" she asked.
-
-"I have told you already, Miss Emily, I want to get away from my
-own home and my own thoughts; I don't care where I go, so long as
-I do that." Having answered in those words, Mrs. Ellmother opened
-the door, and waited a while, thinking. "I wonder whether the
-dead know what is going on in the world they have left?" she
-said, looking at Emily. "If they do, there's one among them knows
-my thoughts, and feels for me. Good-by, miss--and don't think
-worse of me than I deserve."
-
-Emily went back to the parlor. The only resource left was to
-plead with Francine for mercy to Mrs. Ellmother.
-
-"Do you really mean to give it up?" she asked.
-
-"To give up--what? 'Pumping,' as that obstinate old creature
-calls it?"
-
-Emily persisted. "Don't worry the poor old soul! However
-strangely she may have left my aunt and me her motives are kind
-and good--I am sure of that. Will you let her keep her harmless
-little secret?"
-
-"Oh, of course!"
-
-"I don't believe you, Francine!"
-
-"Don't you? I am like Cecilia--I am getting hungry. Shall we have
-some lunch?"
-
-"You hard-hearted creature!"
-
-"Does that mean--no luncheon until I have owned the truth?
-Suppose _you_ own the truth? I won't tell Mrs. Ellmother that you
-have betrayed her."
-
-"For the last time, Francine--I know no more of it than you do.
-If you persist in taking your own view, you as good as tell me I
-lie; and you will oblige me to leave the room."
-
-Even Francine's obstinacy was compelled to give way, so far as
-appearances went. Still possessed by the delusion that Emily was
-deceiving her, she was now animated by a stronger motive than
-mere curiosity. Her sense of her own importance imperatively
-urged her to prove that she was not a person who could be
-deceived with impunity.
-
-"I beg your pardon," she said with humility. "But I must
-positively have it out with Mrs. Ellmother. She has been more
-than a match for me--my turn next. I mean to get the better of
-her; and I shall succeed."
-
-"I have already told you, Francine--you will fail."
-
-"My dear, I am a dunce, and I don't deny it. But let me tell you
-one thing. I haven't lived all my life in the West Indies, among
-black servants, without learning something."
-
-"What do you mean?"
-
-"More, my clever friend, than you are likely to guess. In the
-meantime, don't forget the duties of hospitality. Ring the bell
-for luncheon."
-
-
-CHAPTER XXX.
-
-LADY DORIS.
-
-The arrival of Miss Ladd, some time before she had been expected,
-interrupted the two girls at a critical moment. She had hurried
-over her business in London, eager to pass the rest of the day
-with her favorite pupil. Emily's affectionate welcome was, in
-some degree at least, inspired by a sensation of relief. To feel
-herself in the embrace of the warm-hearted schoolmistress was
-like finding a refuge from Francine.
-
-When the hour of departure arrived, Miss Ladd invited Emily to
-Brighton for the second time. "On the last occasion, my dear, you
-wrote me an excuse; I won't be treated in that way again. If you
-can't return with us now, come to-morrow." She added in a
-whisper, "Otherwise, I shall think you include _me_ in your
-dislike of Francine."
-
-There was no resisting this. It was arranged that Emily should go
-to Brighton on the next day.
-
-Left by herself, her thoughts might have reverted to Mrs.
-Ellmother's doubtful prospects, and to Francine's strange
-allusion to her life in the West Indies, but for the arrival of
-two letters by the afternoon post. The handwriting on one of them
-was unknown to her. She opened that one first. It was an answer
-to the letter of apology which she had persisted in writing to
-Mrs. Rook. Happily for herself, Alban's influence had not been
-without its effect, after his departure. She had written
-kindly--but she had written briefly at the same time.
-
-Mrs. Rook's reply presented a nicely compounded mixture of
-gratitude and grief. The gratitude was addressed to Emily as a
-matter of course. The grief related to her "excellent master."
-Sir Jervis's strength had suddenly failed. His medical attendant,
-being summoned, had expressed no surprise. "My patient is over
-seventy years of age," the doctor remarked. "He will sit up late
-at night, writing his book; and he refuses to take exercise, till
-headache and giddiness force him to try the fresh air. As the
-necessary result, he has broken down at last. It may end in
-paralysis, or it may end in death." Reporting this expression of
-medical opinion, Mrs. Rook's letter glided imperceptibly from
-respectful sympathy to modest regard for her own interests in the
-future. It might be the sad fate of her husband and herself to be
-thrown on the world again. If necessity brought them to London,
-would "kind Miss Emily grant her the honor of an interview, and
-favor a poor unlucky woman with a word of advice?"
-
-"She may pervert your letter to some use of her own, which you
-may have reason to regret." Did Emily remember Alban's warning
-words? No: she accepted Mrs. Rook's reply as a gratifying tribute
-to the justice of her own opinions.
-
-Having proposed to write to Alban, feeling penitently that she
-had been in the wrong, she was now readier than ever to send him
-a letter, feeling compassionately that she had been in the right.
-Besides, it was due to the faithful friend, who was still working
-for her in the reading room, that he should be informed of Sir
-Jervis's illness. Whether the old man lived or whether he died,
-his literary labors were fatally interrupted in either case; and
-one of the consequences would be the termination of her
-employment at the Museum. Although the second of the two letters
-which she had received was addressed to her in Cecilia's
-handwriting, Emily waited to read it until she had first written
-to Alban. "He will come to-morrow," she thought; "and we shall
-both make apologies. I shall regret that I was angry with him and
-he will regret that he was mistaken in his judgment of Mrs. Rook.
-We shall be as good friends again as ever."
-
-In this happy frame of mind she opened Cecilia's letter. It was
-full of good news from first to last.
-
-The invalid sister had made such rapid progress toward recovery
-that the travelers had arranged to set forth on their journey
-back to England in a fortnight. "My one regret," Cecilia added,
-"is the parting with Lady Doris. She and her husband are going to
-Genoa, where they will embark in Lord Janeaway's yacht for a
-cruise in the Mediterranean. When we have said that miserable
-word good-by--oh, Emily, what a hurry I shall be in to get back
-to you! Those allusions to your lonely life are so dreadful, my
-dear, that I have destroyed your letter; it is enough to break
-one's heart only to look at it. When once I get to London, there
-shall be no more solitude for my poor afflicted friend. Papa will
-be free from his parliamentary duties in August--and he has
-promised to have the house full of delightful people to meet you.
-Who do you think will be one of our guests? He is illustrious; he
-is fascinating; he deserves a line all to himself, thus:
-
-"The Reverend Miles Mirabel!
-
-"Lady Doris has discovered that the country parsonage, in which
-this brilliant clergyman submits to exile, is only twelve miles
-away from our house. She has written to Mr. Mirabel to introduce
-me, and to mention the date of my return. We will have some fun
-with the popular preacher--we will both fall in love with him
-together.
-
-"Is there anybody to whom you would like me to send an
-invitation? Shall we have Mr. Alban Morris? Now I know how kindly
-he took care of you at the railway station, your good opinion of
-him is my opinion. Your letter also mentions a doctor. Is he
-nice? and do you think he will let me eat pastry, if we have him
-too? I am so overflowing with hospitality (all for your sake)
-that I am ready to invite anybody, and everybody, to cheer you
-and make you happy. Would you like to meet Miss Ladd and the
-whole school?
-
-"As to our amusements, make your mind easy.
-
-"I have come to a distinct understanding with Papa that we are to
-have dances every evening--except when we try a little concert as
-a change. Private theatricals are to follow, when we want another
-change after the dancing and the music. No early rising; no fixed
-hour for breakfast; everything that is most exquisitely delicious
-at dinner--and, to crown all, your room next to mine, for
-delightful midnight gossipings, when we ought to be in bed. What
-do you say, darling, to the programme?
-
-"A last piece of news--and I have done.
-
-"I have actually had a proposal of marriage, from a young
-gentleman who sits opposite me at the table d'hote! When I tell
-you that he has white eyelashes, and red hands, and such enormous
-front teeth that he can't shut his mouth, you will not need to be
-told that I refused him. This vindictive person has abused me
-ever since, in the most shameful manner. I heard him last night,
-under my window, trying to set one of his friends against me.
-'Keep clear of her, my dear fellow; she's the most heartless
-creature living.' The friend took my part; he said, 'I don't
-agree with you; the young lady is a person of great sensibility.'
-'Nonsense!' says my amiable lover; 'she eats too much--her
-sensibility is all stomach.' There's a wretch for you. What a
-shameful advantage to take of sitting opposite to me at dinner!
-Good-by, my love, till we meet soon, and are as happy together as
-the day is long."
-
-Emily kissed the signature. At that moment of all others, Cecilia
-was such a refreshing contrast to Francine!
-
-Before putting the letter away, she looked again at that part of
-it which mentioned Lady Doris's introduction of Cecilia to Mr.
-Mirabel. "I don't feel the slightest interest in Mr. Mirabel,"
-she thought, smiling as the idea occurred to her; "and I need
-never have known him, but for Lady Doris--who is a perfect
-stranger to me."
-
-She had just placed the letter in her desk, when a visitor was
-announced. Doctor Allday presented himself (in a hurry as usual).
-
-"Another patient waiting?" Emily asked mischievously. "No time to
-spare, again?"
-
-"Not a moment," the old gentleman answered. "Have you heard from
-Mrs. Ellmother?"
-
-"Yes."
-
-"You don't mean to say you have answered her?"
-
-"I have done better than that, doctor--I have seen her this
-morning."
-
-"And consented to be her reference, of course?"
-
-"How well you know me!"
-
-Doctor Allday was a philosopher: he kept his temper. "Just what I
-might have expected," he said. "Eve and the apple! Only forbid a
-woman to do anything, and she does it directly--be cause you have
-forbidden her. I'll try the other way with you now, Miss Emily.
-There was something else that I meant to have forbidden."
-
-"What was it?"
-
-"May I make a special request?"
-
-"Certainly."
-
-"Oh, my dear, write to Mrs. Rook! I beg and entreat of you, write
-to Mrs. Rook!"
-
-Emily's playful manner suddenly disappeared.
-
-Ignoring the doctor's little outbreak of humor, she waited in
-grave surprise, until it was his pleasure to explain himself.
-
-Doctor Allday, on his side, ignored the ominous change in Emily;
-he went on as pleasantly as ever. "Mr. Morris and I have had a
-long talk about you, my dear. Mr. Morris is a capital fellow; I
-recommend him as a sweetheart. I also back him in the matter of
-Mrs. Rook.--What's the matter now? You're as red as a rose.
-Temper again, eh?"
-
-"Hatred of meanness!" Emily answered indignantly. "I despise a
-man who plots, behind my back, to get another man to help him.
-Oh, how I have been mistaken in Alban Morris!"
-
-"Oh, how little you know of the best friend you have!" cried the
-doctor, imitating her. "Girls are all alike; the only man they
-can understand, is the man who flatters them. _Will_ you oblige
-me by writing to Mrs. Rook?"
-
-Emily made an attempt to match the doctor, with his own weapons.
-"Your little joke comes too late," she said satirically. "There
-is Mrs. Rook's answer. Read it, and--" she checked herself, even
-in her anger she was incapable of speaking ungenerously to the
-old man who had so warmly befriended her. "I won't say to _you_,"
-she resumed, "what I might have said to another person."
-
-"Shall I say it for you?" asked the incorrigible doctor. "'Read
-it, and be ashamed of yourself'--That was what you had in your
-mind, isn't it? Anything to please you, my dear." He put on his
-spectacles, read the letter, and handed it back to Emily with an
-impenetrable countenance. "What do you think of my new
-spectacles?" he asked, as he took the glasses off his nose. "In
-the experience of thirty years, I have had three grateful
-patients." He put the spectacles back in the case. "This comes
-from the third. Very gratifying--very gratifying."
-
-Emily's sense of humor was not the uppermost sense in her at that
-moment. She pointed with a peremptory forefinger to Mrs. Rook's
-letter. "Have you nothing to say about this?"
-
-The doctor had so little to say about it that he was able to
-express himself in one word:
-
-"Humbug!"
-
-He took his hat--nodded kindly to Emily--and hurried away to
-feverish pulses waiting to be felt, and to furred tongues that
-were ashamed to show themselves.
-
-
-CHAPTER XXXI.
-
-MOIRA.
-
-When Alban presented himself the next morning, the hours of the
-night had exercised their tranquilizing influence over Emily. She
-remembered sorrowfully how Doctor Allday had disturbed her belief
-in the man who loved her; no feeling of irritation remained.
-Alban noticed that her manner was unusually subdued; she received
-him with her customary grace, but not with her customary smile.
-
-"Are you not well?" he asked.
-
-"I am a little out of spirits," she replied. "A
-disappointment--that is all."
-
-He waited a moment, apparently in the expectation that she might
-tell him what the disappointment was. She remained silent, and
-she looked away from him. Was he in any way answerable for the
-depression of spirits to which she alluded? The doubt occurred to
-him--but he said nothing.
-
-"I suppose you have received my letter?" she resumed.
-
-"I have come here to thank you for your letter."
-
-"It was my duty to tell you of Sir Jervis's illness; I deserve no
-thanks."
-
-"You have written to me so kindly," Alban reminded her; "you have
-referred to our difference of opinion, the last time I was here,
-so gently and so forgivingly--"
-
-"If I had written a little later," she interposed, "the tone of
-my letter might have been less agreeable to you. I happened to
-send it to the post, before I received a visit from a friend of
-yours--a friend who had something to say to me after consulting
-with you."
-
-"Do you mean Doctor Allday?"
-
-"Yes."
-
-"What did he say?"
-
-"What you wished him to say. He did his best; he was as obstinate
-and unfeeling as you could possibly wish him to be; but he was
-too late. I have written to Mrs. Rook, and I have received a
-reply." She spoke sadly, not angrily--and pointed to the letter
-lying on her desk.
-
-Alban understood: he looked at her in despair. "Is that wretched
-woman doomed to set us at variance every time we meet!" he
-exclaimed.
-
-Emily silently held out the letter.
-
-He refused to take it. "The wrong you have done me is not to be
-set right in that way," he said. "You believe the doctor's visit
-was arranged between us. I never knew that he intended to call on
-you; I had no interest in sending him here--and I must not
-interfere again between you and Mrs. Rook."
-
-"I don't understand you."
-
-"You will understand me when I tell you how my conversation with
-Doctor Allday ended. I have done with interference; I have done
-with advice. Whatever my doubts may be, all further effort on my
-part to justify them--all further inquiries, no matter in what
-direction--are at an end: I made the sacrifice, for your sake.
-No! I must repeat what you said to me just now; I deserve no
-thanks. What I have done, has been done in deference to Doctor
-Allday--against my own convictions; in spite of my own fears.
-Ridiculous convictions! ridiculous fears! Men with morbid minds
-are their own tormentors. It doesn't matter how I suffer, so long
-as you are at ease. I shall never thwart you or vex you again.
-Have you a better opinion of me now?"
-
-She made the best of all answers--she gave him her hand.
-
-"May I kiss it?" he asked, as timidly as if he had been a boy
-addressing his first sweetheart.
-
-She was half inclined to laugh, and half inclined to cry. "Yes,
-if you like," she said softly.
-
-"Will you let me come and see you again?"
-
-"Gladly--when I return to London."
-
-"You are going away?"
-
-"I am going to Brighton this afternoon, to stay with Miss Ladd."
-
-It was hard to lose her, on the happy day when they understood
-each other at last. An expression of disappointment passed over
-his face. He rose, and walked restlessly to the window. "Miss
-Ladd?" he repeated, turning to Emily as if an idea had struck
-him. "Did I hear, at the school, that Miss de Sor was to spend
-the holidays under the care of Miss Ladd?"
-
-"Yes."
-
-"The same young lady," he went on, "who paid you a visit
-yesterday morning?"
-
-"The same."
-
-That haunting distrust of the future, which he had first betrayed
-and then affected to ridicule, exercised its depressing influence
-over his better sense. He was unreasonable enough to feel
-doubtful of Francine, simply because she was a stranger.
-
-"Miss de Sor is a new friend of yours," he said. "Do you like
-her?"
-
-It was not an easy question to answer--without entering into
-particulars which Emily's delicacy of feeling warned her to
-avoid. "I must know a little more of Miss de Sor," she said,
-"before I can decide."
-
-Alban's misgivings were naturally encouraged by this evasive
-reply. He began to regret having left the cottage, on the
-previous day, when he had heard that Emily was engaged. He might
-have sent in his card, and might have been admitted. It was an
-opportunity lost of observing Francine. On the morning of her
-first day at school, when they had accidentally met at the summer
-house, she had left a disagreeable impression on his mind. Ought
-he to allow his opinion to be influenced by this circumstance? or
-ought he to follow Emily's prudent example, and suspend judgment
-until he knew a little more of Francine?
-
-"Is any day fixed for your return to London?" he asked.
-
-"Not yet," she said; "I hardly know how long my visit will be."
-
-"In little more than a fortnight," he continued, "I shall return
-to my classes--they will be dreary classes, without you. Miss de
-Sor goes back to the school with Miss Ladd, I suppose?"
-
-Emily was at a loss to account for the depression in his looks
-and tones, while he was making these unimportant inquiries. She
-tried to rouse him by speaking lightly in reply.
-
-"Miss de Sor returns in quite a new character; she is to be a
-guest instead of a pupil. Do you wish to be better acquainted
-with her?"
-
-"Yes," he said grave ly, "now I know that she is a friend of
-yours." He returned to his place near her. "A pleasant visit
-makes the days pass quickly," he resumed. "You may remain at
-Brighton longer than you anticipate; and we may not meet again
-for some time to come. If anything happens--"
-
-"Do you mean anything serious?" she asked.
-
-"No, no! I only mean--if I can be of any service. In that case,
-will you write to me?"
-
-"You know I will!"
-
-She looked at him anxiously. He had completely failed to hide
-from her the uneasy state of his mind: a man less capable of
-concealment of feeling never lived. "You are anxious, and out of
-spirits," she said gently. "Is it my fault?"
-
-"Your fault? oh, don't think that! I have my dull days and my
-bright days--and just now my barometer is down at dull." His
-voice faltered, in spite of his efforts to control it; he gave up
-the struggle, and took his hat to go. "Do you remember, Emily,
-what I once said to you in the garden at the school? I still
-believe there is a time of fulfillment to come in our lives." He
-suddenly checked himself, as if there had been something more in
-his mind to which he hesitated to give expression--and held out
-his hand to bid her good-by.
-
-"My memory of what you said in the garden is better than yours,"
-she reminded him. "You said 'Happen what may in the interval, I
-trust the future.' Do you feel the same trust still?"
-
-He sighed--drew her to him gently--and kissed her on the
-forehead. Was that his own reply? She was not calm enough to ask
-him the question: it remained in her thoughts for some time after
-he had gone.
-
- . . . . . . . .
-
-On the same day Emily was at Brighton.
-
-Francine happened to be alone in the drawing-room. Her first
-proceeding, when Emily was shown in, was to stop the servant.
-
-"Have you taken my letter to the post?"
-
-"Yes, miss."
-
-"It doesn't matter." She dismissed the servant by a gesture, and
-burst into such effusive hospitality that she actually insisted
-on kissing Emily. "Do you know what I have been doing?" she said.
-"I have been writing to Cecilia--directing to the care of her
-father, at the House of Commons. I stupidly forgot that you would
-be able to give me the right address in Switzerland. You don't
-object, I hope, to my making myself agreeable to our dear,
-beautiful, greedy girl? It is of such importance to me to
-surround myself with influential friends--and, of course, I have
-given her your love. Don't look disgusted! Come, and see your
-room.--Oh, never mind Miss Ladd. You will see her when she wakes.
-Ill? Is that sort of old woman ever ill? She's only taking her
-nap after bathing. Bathing in the sea, at her age! How she must
-frighten the fishes!"
-
-Having seen her own bed-chamber, Emily was next introduced to the
-room occupied by Francine.
-
-One object that she noticed in it caused her some little
-surprise--not unmingled with disgust. She discovered on the
-toilet-table a coarsely caricatured portrait of Mrs. Ellmother.
-It was a sketch in pencil--wretchedly drawn; but spitefully
-successful as a likeness. "I didn't know you were an artist,"
-Emily remarked, with an ironical emphasis on the last word.
-Francine laughed scornfully--crumpled the drawing up in her
-hand--and threw it into the waste-paper basket.
-
-"You satirical creature!" she burst out gayly. "If you had lived
-a dull life at St. Domingo, you would have taken to spoiling
-paper too. I might really have turned out an artist, if I had
-been clever and industrious like you. As it was, I learned a
-little drawing--and got tired of it. I tried modeling in wax--and
-got tired of it. Who do you think was my teacher? One of our
-slaves."
-
-"A slave!" Emily exclaimed.
-
-"Yes--a mulatto, if you wish me to be particular; the daughter of
-an English father and a negro mother. In her young time (at least
-she said so herself) she was quite a beauty, in her particular
-style. Her master's favorite; he educated her himself. Besides
-drawing and painting, and modeling in wax, she could sing and
-play--all the accomplishments thrown away on a slave! When her
-owner died, my uncle bought her at the sale of the property."
-
-A word of natural compassion escaped Emily--to Francine's
-surprise.
-
-"Oh, my dear, you needn't pity her! Sappho (that was her name)
-fetched a high price, even when she was no longer young. She came
-to us, by inheritance, with the estates and the rest of it; and
-took a fancy to me, when she found out I didn't get on well with
-my father and mother. 'I owe it to _my_ father and mother,' she
-used to say, 'that I am a slave. When I see affectionate
-daughters, it wrings my heart.' Sappho was a strange compound. A
-woman with a white side to her character, and a black side. For
-weeks together, she would be a civilized being. Then she used to
-relapse, and become as complete a negress as her mother. At the
-risk of her life she stole away, on those occasions, into the
-interior of the island, and looked on, in hiding, at the horrid
-witchcrafts and idolatries of the blacks; they would have
-murdered a half-blood, prying into their ceremonies, if they had
-discovered her. I followed her once, so far as I dared. The
-frightful yellings and drummings in the darkness of the forests
-frightened me. The blacks suspected her, and it came to my ears.
-I gave her the warning that saved her life (I don't know what I
-should have done without Sappho to amuse me!); and, from that
-time, I do believe the curious creature loved me. You see I can
-speak generously even of a slave!"
-
-"I wonder you didn't bring her with you to England," Emily said.
-
-"In the first place," Francine answered, "she was my father's
-property, not mine. In the second place, she's dead. Poisoned, as
-the other half-bloods supposed, by some enemy among the blacks.
-She said herself, she was under a spell!"
-
-"What did she mean?"
-
-Francine was not interested enough in the subject to explain.
-"Stupid superstition, my dear. The negro side of Sappho was
-uppermost when she was dying--there is the explanation. Be off
-with you! I hear the old woman on the stairs. Meet her before she
-can come in here. My bedroom is my only refuge from Miss Ladd."
-
-On the morning of the last day in the week, Emily had a little
-talk in private with her old schoolmistress. Miss Ladd listened
-to what she had to say of Mrs. Ellmother, and did her best to
-relieve Emily's anxieties. "I think you are mistaken, my child,
-in supposing that Francine is in earnest. It is her great fault
-that she is hardly ever in earnest. You can trust to my
-discretion; leave the rest to your aunt's old servant and to me."
-
-Mrs. Ellmother arrived, punctual to the appointed time. She was
-shown into Miss Ladd's own room. Francine--ostentatiously
-resolved to take no personal part in the affair--went for a walk.
-Emily waited to hear the result.
-
-After a long interval, Miss Ladd returned to the drawing-room,
-and announced that she had sanctioned the engagement of Mrs.
-Ellmother.
-
-"I have considered your wishes, in this respect," she said. "It
-is arranged that a week's notice, on either side, shall end the
-term of service, after the first month. I cannot feel justified
-in doing more than that. Mrs. Ellmother is such a respectable
-woman; she is so well known to you, and she was so long in your
-aunt's service, that I am bound to consider the importance of
-securing a person who is exactly fitted to attend on such a girl
-as Francine. In one word, I can trust Mrs. Ellmother."
-
-"When does she enter on her service?" Emily inquired.
-
-"On the day after we return to the school," Miss Ladd replied.
-"You will be glad to see her, I am sure. I will send her here."
-
-"One word more before you go," Emily said.
-
-"Did you ask her why she left my aunt?"
-
-"My dear child, a woman who has been five-and-twenty years in one
-place is entitled to keep her own secrets. I understand that she
-had her reasons, and that she doesn't think it necessary to
-mention them to anybody. Never trust people by halves--especially
-when they are people like Mrs. Ellmother."
-
-It was too late now to raise any objections. Emily felt relieved,
-rather than disappointed, on discovering that Mrs. Ellmother was
-in a hurry to get back to London by the next train. Sh e had
-found an opportunity of letting her lodgings; and she was eager
-to conclude the bargain. "You see I couldn't say Yes," she
-explained, "till I knew whether I was to get this new place or
-not--and the person wants to go in tonight."
-
-Emily stopped her at the door. "Promise to write and tell me how
-you get on with Miss de Sor."
-
-"You say that, miss, as if you didn't feel hopeful about me."
-
-"I say it, because I feel interested about you. Promise to
-write."
-
-Mrs. Ellmother promised, and hastened away. Emily looked after
-her from the window, as long as she was in view. "I wish I could
-feel sure of Francine!" she said to herself.
-
-"In what way?" asked the hard voice of Francine, speaking at the
-door.
-
-It was not in Emily's nature to shrink from a plain reply. She
-completed her half-formed thought without a moment's hesitation.
-
-"I wish I could feel sure," she answered, "that you will be kind
-to Mrs. Ellmother."
-
-"Are you afraid I shall make her life one scene of torment?"
-Francine inquired. "How can I answer for myself? I can't look
-into the future."
-
-"For once in your life, can you be in earnest?" Emily said.
-
-"For once in your life, can you take a joke?" Francine replied.
-
-Emily said no more. She privately resolved to shorten her visit
-to Brighton.
-
-
-BOOK THE THIRD--NETHERWOODS.
-
-CHAPTER XXXII.
-
-IN THE GRAY ROOM.
-
-The house inhabited by Miss Ladd and her pupils had been built,
-in the early part of the present century, by a wealthy
-merchant--proud of his money, and eager to distinguish himself as
-the owner of the largest country seat in the neighborhood.
-
-After his death, Miss Ladd had taken Netherwoods (as the place
-was called), finding her own house insufficient for the
-accommodation of the increasing number of her pupils. A lease was
-granted to her on moderate terms. Netherwoods failed to attract
-persons of distinction in search of a country residence. The
-grounds were beautiful; but no landed property--not even a
-park--was attached to the house. Excepting the few acres on which
-the building stood, the surrounding land belonged to a retired
-naval officer of old family, who resented the attempt of a
-merchant of low birth to assume the position of a gentleman. No
-matter what proposals might be made to the admiral, he refused
-them all. The privilege of shooting was not one of the
-attractions offered to tenants; the country presented no
-facilities for hunting; and the only stream in the neighborhood
-was not preserved. In consequence of these drawbacks, the
-merchant's representatives had to choose between a proposal to
-use Netherwoods as a lunatic asylum, or to accept as tenant the
-respectable mistress of a fashionable and prosperous school. They
-decided in favor of Miss Ladd.
-
-The contemplated change in Francine's position was accomplished,
-in that vast house, without inconvenience. There were rooms
-unoccupied, even when the limit assigned to the number of pupils
-had been reached. On the re-opening of the school, Francine was
-offered her choice between two rooms on one of the upper stories,
-and two rooms on the ground floor. She chose these last.
-
-Her sitting-room and bedroom, situated at the back of the house,
-communicated with each other. The sitting-room, ornamented with a
-pretty paper of delicate gray, and furnished with curtains of the
-same color, had been accordingly named, "The Gray Room." It had a
-French window, which opened on the terrace overlooking the garden
-and the grounds. Some fine old engravings from the grand
-landscapes of Claude (part of a collection of prints possessed by
-Miss Ladd's father) hung on the walls. The carpet was in harmony
-with the curtains; and the furniture was of light-colored wood,
-which helped the general effect of subdued brightness that made
-the charm of the room. "If you are not happy here," Miss Ladd
-said, "I despair of you." And Francine answered, "Yes, it's very
-pretty, but I wish it was not so small."
-
-On the twelfth of August the regular routine of the school was
-resumed. Alban Morris found two strangers in his class, to fill
-the vacancies left by Emily and Cecilia. Mrs. Ellmother was duly
-established in her new place. She produced an unfavorable
-impression in the servants' hall--not (as the handsome chief
-housemaid explained) because she was ugly and old, but because
-she was "a person who didn't talk." The prejudice against
-habitual silence, among the lower order of the people, is almost
-as inveterate as the prejudice against red hair.
-
-In the evening, on that first day of renewed studies--while the
-girls were in the grounds, after tea--Francine had at last
-completed the arrangement of her rooms, and had dismissed Mrs.
-Ellmother (kept hard at work since the morning) to take a little
-rest. Standing alone at her window, the West Indian heiress
-wondered what she had better do next. She glanced at the girls on
-the lawn, and decided that they were unworthy of serious notice,
-on the part of a person so specially favored as herself. She
-turned sidewise, and looked along the length of the terrace. At
-the far end a tall man was slowly pacing to and fro, with his
-head down and his hands in his pockets. Francine recognized the
-rude drawing-master, who had torn up his view of the village,
-after she had saved it from being blown into the pond.
-
-She stepped out on the terrace, and called to him. He stopped,
-and looked up.
-
-"Do you want me?" he called back.
-
-"Of course I do!"
-
-She advanced a little to meet him, and offered encouragement
-under the form of a hard smile. Although his manners might be
-unpleasant, he had claims on the indulgence of a young lady, who
-was at a loss how to employ her idle time. In the first place, he
-was a man. In the second place, he was not as old as the
-music-master, or as ugly as the dancing-master. In the third
-place, he was an admirer of Emily; and the opportunity of trying
-to shake his allegiance by means of a flirtation, in Emily's
-absence, was too good an opportunity to be lost.
-
-"Do you remember how rude you were to me, on the day when you
-were sketching in the summer-house?" Francine asked with snappish
-playfulness. "I expect you to make yourself agreeable this
-time--I am going to pay you a compliment."
-
-He waited, with exasperating composure, to hear what the proposed
-compliment might be. The furrow between his eyebrows looked
-deeper than ever. There were signs of secret trouble in that dark
-face, so grimly and so resolutely composed. The school, without
-Emily, presented the severest trial of endurance that he had
-encountered, since the day when he had been deserted and
-disgraced by his affianced wife.
-
-"You are an artist," Francine proceeded, "and therefore a person
-of taste. I want to have your opinion of my sitting-room.
-Criticism is invited; pray come in."
-
-He seemed to be unwilling to accept the invitation--then altered
-his mind, and followed Francine. She had visited Emily; she was
-perhaps in a fair way to become Emily's friend. He remembered
-that he had already lost an opportunity of studying her
-character, and--if he saw the necessity--of warning Emily not to
-encourage the advances of Miss de Sor.
-
-"Very pretty," he remarked, looking round the room--without
-appearing to care for anything in it, except the prints.
-
-Francine was bent on fascinating him. She raised her eyebrows and
-lifted her hands, in playful remonstrance. "Do remember it's _my_
-room," she said, "and take some little interest in it, for _my_
-sake!"
-
-"What do you want me to say?" he asked.
-
-"Come and sit down by me." She made room for him on the sofa. Her
-one favorite aspiration--the longing to excite envy in
-others--expressed itself in her next words. "Say something
-pretty," she answered; "say you would like to have such a room as
-this."
-
-"I should like to have your prints," he remarked. "Will that do?"
-
-"It wouldn't do--from anybody else. Ah, Mr. Morris, I know why
-you are not as nice as you might be! You are not happy. The
-school has lost its one attraction, in losing our dear Emily. You
-feel it--I know you feel it." She assisted this expression of
-sympathy to produce the right effect by a sigh. "What would I not
-give to inspire such devotion as yours! I don't envy Emily; I
-only wish--" She pau sed in confusion, and opened her fan. "Isn't
-it pretty?" she said, with an ostentatious appearance of changing
-the subject. Alban behaved like a monster; he began to talk of
-the weather.
-
-"I think this is the hottest day we have had," he said; "no
-wonder you want your fan. Netherwoods is an airless place at this
-season of the year."
-
-She controlled her temper. "I do indeed feel the heat," she
-admitted, with a resignation which gently reproved him; "it is so
-heavy and oppressive here after Brighton. Perhaps my sad life,
-far away from home and friends, makes me sensitive to trifles. Do
-you think so, Mr. Morris?"
-
-The merciless man said he thought it was the situation of the
-house.
-
-"Miss Ladd took the place in the spring," he continued; "and only
-discovered the one objection to it some months afterward. We are
-in the highest part of the valley here--but, you see, it's a
-valley surrounded by hills; and on three sides the hills are near
-us. All very well in winter; but in summer I have heard of girls
-in this school so out of health in the relaxing atmosphere that
-they have been sent home again."
-
-Francine suddenly showed an interest in what he was saying. If he
-had cared to observe her closely, he might have noticed it.
-
-"Do you mean that the girls were really ill?" she asked.
-
-"No. They slept badly--lost appetite--started at trifling noises.
-In short, their nerves were out of order."
-
-"Did they get well again at home, in another air?"
-
-"Not a doubt of it," he answered, beginning to get weary of the
-subject. "May I look at your books?"
-
-Francine's interest in the influence of different atmospheres on
-health was not exhausted yet. "Do you know where the girls lived
-when they were at home?" she inquired.
-
-"I know where one of them lived. She was the best pupil I ever
-had--and I remember she lived in Yorkshire." He was so weary of
-the idle curiosity--as it appeared to him--which persisted in
-asking trifling questions, that he left his seat, and crossed the
-room. "May I look at your books?" he repeated.
-
-"Oh, yes!"
-
-The conversation was suspended for a while. The lady thought, "I
-should like to box his ears!" The gentleman thought, "She's only
-an inquisitive fool after all!" His examination of her books
-confirmed him in the delusion that there was really nothing in
-Francine's character which rendered it necessary to caution Emily
-against the advances of her new friend. Turning away from the
-book-case, he made the first excuse that occurred to him for
-putting an end to the interview.
-
-"I must beg you to let me return to my duties, Miss de Sor. I
-have to correct the young ladies' drawings, before they begin
-again to-morrow."
-
-Francine's wounded vanity made a last expiring attempt to steal
-the heart of Emily's lover.
-
-"You remind me that I have a favor to ask," she said. "I don't
-attend the other classes--but I should so like to join _your_
-class! May I?" She looked up at him with a languishing appearance
-of entreaty which sorely tried Alban's capacity to keep his face
-in serious order. He acknowledged the compliment paid to him in
-studiously commonplace terms, and got a little nearer to the open
-window. Francine's obstinacy was not conquered yet.
-
-"My education has been sadly neglected," she continued; "but I
-have had some little instruction in drawing. You will not find me
-so ignorant as some of the other girls." She waited a little,
-anticipating a few complimentary words. Alban waited also--in
-silence. "I shall look forward with pleasure to my lessons under
-such an artist as yourself," she went on, and waited again, and
-was disappointed again. "Perhaps," she resumed, "I may become
-your favorite pupil--Who knows?"
-
-"Who indeed!"
-
-It was not much to say, when he spoke at last--but it was enough
-to encourage Francine. She called him "dear Mr. Morris"; she
-pleaded for permission to take her first lesson immediately; she
-clasped her hands--"Please say Yes!"
-
-"I can't say Yes, till you have complied with the rules."
-
-"Are they _your_ rules?"
-
-Her eyes expressed the readiest submission--in that case. He
-entirely failed to see it: he said they were Miss Ladd's
-rules--and wished her good-evening.
-
-She watched him, walking away down the terrace. How was he paid?
-Did he receive a yearly salary, or did he get a little extra
-money for each new pupil who took drawing lessons? In this last
-case, Francine saw her opportunity of being even with him "You
-brute! Catch me attending your class!"
-
-
-CHAPTER XXXIII.
-
-RECOLLECTIONS OF ST. DOMINGO.
-
-The night was oppressively hot. Finding it impossible to sleep,
-Francine lay quietly in her bed, thinking. The subject of her
-reflections was a person who occupied the humble position of her
-new servant.
-
-Mrs. Ellmother looked wretchedly ill. Mrs. Ellmother had told
-Emily that her object, in returning to domestic service, was to
-try if change would relieve her from the oppression of her own
-thoughts. Mrs. Ellmother believed in vulgar superstitions which
-declared Friday to be an unlucky day; and which recommended
-throwing a pinch over your left shoulder, if you happened to
-spill the salt.
-
-In themselves, these were trifling recollections. But they
-assumed a certain importance, derived from the associations which
-they called forth.
-
-They reminded Francine, by some mental process which she was at a
-loss to trace, of Sappho the slave, and of her life at St.
-Domingo.
-
-She struck a light, and unlocked her writing desk. From one of
-the drawers she took out an old household account-book.
-
-The first page contained some entries, relating to domestic
-expenses, in her own handwriting. They recalled one of her
-efforts to occupy her idle time, by relieving her mother of the
-cares of housekeeping. For a day or two, she had persevered--and
-then she had ceased to feel any interest in her new employment.
-The remainder of the book was completely filled up, in a
-beautifully clear handwriting, beginning on the second page. A
-title had been found for the manuscript by Francine. She had
-written at the top of the page: _Sappho's Nonsense_.
-
-After reading the first few sentences she rapidly turned over the
-leaves, and stopped at a blank space near the end of the book.
-Here again she had added a title. This time it implied a
-compliment to the writer: the page was headed: _Sappho's Sense_.
-
-She read this latter part of the manuscript with the closest
-attention.
-
-"I entreat my kind and dear young mistress not to suppose that I
-believe in witchcraft--after such an education as I have
-received. When I wrote down, at your biding, all that I had told
-you by word of mouth, I cannot imagine what delusion possessed
-me. You say I have a negro side to my character, which I inherit
-from my mother. Did you mean this, dear mistress, as a joke? I am
-almost afraid it is sometimes not far off from the truth.
-
-"Let me be careful, however, to avoid leading you into a mistake.
-It is really true that the man-slave I spoke of did pine and die,
-after the spell had been cast on him by my witch-mother's image
-of wax. But I ought also to have told you that circumstances
-favored the working of the spell: the fatal end was not brought
-about by supernatural means.
-
-"The poor wretch was not in good health at the time; and our
-owner had occasion to employ him in the valley of the island far
-inland. I have been told, and can well believe, that the climate
-there is different from the climate on the coast--in which the
-unfortunate slave had been accustomed to live. The overseer
-wouldn't believe him when he said the valley air would be his
-death--and the negroes, who might otherwise have helped him, all
-avoided a man whom they knew to be under a spell.
-
-"This, you see, accounts for what might appear incredible to
-civilized persons. If you will do me a favor, you will burn this
-little book, as soon as you have read what I have written here.
-If my request is not granted, I can only implore you to let no
-eyes but your own see these pages. My life might be in danger if
-the blacks knew what I have now told you, in the interests of
-truth."
-
-Francine closed the book, and locked it up again in her desk.
-"Now I know," she said to herself, "what reminded me of St.
-Domingo."
-
-When Francine rang her bell the next morning, so long a time
-elapsed without producing an answer that she began to think of
-sending one of the house-servants to make inquiries. Before she
-could decide, Mrs. Ellmother presented herself, and offered her
-apologies.
-
-"It's the first time I have overslept myself, miss, since I was a
-girl. Please to excuse me, it shan't happen again."
-
-"Do you find that the air here makes you drowsy?" Francine asked.
-
-Mrs. Ellmother shook her head. "I didn't get to sleep," she said,
-"till morning, and so I was too heavy to be up in time. But air
-has got nothing to do with it. Gentlefolks may have their whims
-and fancies. All air is the same to people like me."
-
-"You enjoy good health, Mrs. Ellmother?"
-
-"Why not, miss? I have never had a doctor."
-
-"Oh! That's your opinion of doctors, is it?"
-
-"I won't have anything to do with them--if that's what you mean
-by my opinion," Mrs. Ellmother answered doggedly. "How will you
-have your hair done?"
-
-"The same as yesterday. Have you seen anything of Miss Emily? She
-went back to London the day after you left us."
-
-"I haven't been in London. I'm thankful to say my lodgings are
-let to a good tenant."
-
-"Then where have you lived, while you were waiting to come here?"
-
-"I had only one place to go to, miss; I went to the village where
-I was born. A friend found a corner for me. Ah, dear heart, it's
-a pleasant place, there!"
-
-"A place like this?"
-
-"Lord help you! As little like this as chalk is to cheese. A fine
-big moor, miss, in Cumberland, without a tree in sight--look
-where you may. Something like a wind, I can tell you, when it
-takes to blowing there."
-
-"Have you never been in this part of the country?"
-
-"Not I! When I left the North, my new mistress took me to Canada.
-Talk about air! If there was anything in it, the people in _that_
-air ought to live to be a hundred. I liked Canada."
-
-"And who was your next mistress?"
-
-Thus far, Mrs. Ellmother had been ready enough to talk. Had she
-failed to hear what Francine had just said to her? or had she
-some reason for feeling reluctant to answer? In any case, a
-spirit of taciturnity took sudden possession of her--she was
-silent.
-
-Francine (as usual) persisted. "Was your next place in service
-with Miss Emily's aunt?"
-
-"Yes."
-
-"Did the old lady always live in London?"
-
-"No."
-
-"What part of the country did she live in?"
-
-"Kent."
-
-"Among the hop gardens?"
-
-"No."
-
-"In what other part, then?"
-
-"Isle of Thanet."
-
-"Near the sea coast?"
-
-"Yes."
-
-Even Francine could insist no longer: Mrs. Ellmother's reserve
-had beaten her--for that day at least. "Go into the hall," she
-said, "and see if there are any letters for me in the rack."
-
-There was a letter bearing the Swiss postmark. Simple Cecilia was
-flattered and delighted by the charming manner in which Francine
-had written to her. She looked forward with impatience to the
-time when their present acquaintance might ripen into friendship.
-Would "Dear Miss de Sor" waive all ceremony, and consent to be a
-guest (later in the autumn) at her father's house? Circumstances
-connected with her sister's health would delay their return to
-England for a little while. By the end of the month she hoped to
-be at home again, and to hear if Francine was disengaged. Her
-address, in England, was Monksmoor Park, Hants.
-
-Having read the letter, Francine drew a moral from it: "There is
-great use in a fool, when one knows how to manage her."
-
-Having little appetite for her breakfast, she tried the
-experiment of a walk on the terrace. Alban Morris was right; the
-air at Netherwoods, in the summer time, _was_ relaxing. The
-morning mist still hung over the lowest part of the valley,
-between the village and the hills beyond. A little exercise
-produced a feeling of fatigue. Francine returned to her room, and
-trifled with her tea and toast.
-
-Her next proceeding was to open her writing-desk, and look into
-the old account-book once more. While it lay open on her lap, she
-recalled what had passed that morning, between Mrs. Ellmother and
-herself.
-
-The old woman had been born and bred in the North, on an open
-moor. She had been removed to the keen air of Canada when she
-left her birthplace. She had been in service after that, on the
-breezy eastward coast of Kent. Would the change to the climate of
-Netherwoods produce any effect on Mrs. Ellmother? At her age, and
-with her seasoned constitution, would she feel it as those
-school-girls had felt it--especially that one among them, who
-lived in the bracing air of the North, the air of Yorkshire?
-
-Weary of solitary thinking on one subject, Francine returned to
-the terrace with a vague idea of finding something to amuse
-her--that is to say, something she could turn into ridicule--if
-she joined the girls.
-
-The next morning, Mrs. Ellmother answered her mistress's bell
-without delay. "You have slept better, this time?" Francine said.
-
-"No, miss. When I did get to sleep I was troubled by dreams.
-Another bad night--and no mistake!"
-
-"I suspect your mind is not quite at ease," Francine suggested.
-
-"Why do you suspect that, if you please?"
-
-"You talked, when I met you at Miss Emily's, of wanting to get
-away from your own thoughts. Has the change to this place helped
-you?"
-
-"It hasn't helped me as I expected. Some people's thoughts stick
-fast."
-
-"Remorseful thoughts?" Francine inquired.
-
-Mrs. Ellmother held up her forefinger, and shook it with a
-gesture of reproof. "I thought we agreed, miss, that there was to
-be no pumping."
-
-The business of the toilet proceeded in silence.
-
-A week passed. During an interval in the labors of the school,
-Miss Ladd knocked at the door of Francine's room.
-
-"I want to speak to you, my dear, about Mrs. Ellmother. Have you
-noticed that she doesn't seem to be in good health?"
-
-"She looks rather pale, Miss Ladd."
-
-"It's more serious than that, Francine. The servants tell me that
-she has hardly any appetite. She herself acknowledges that she
-sleeps badly. I noticed her yesterday evening in the garden,
-under the schoolroom window. One of the girls dropped a
-dictionary. She started at that slight noise, as if it terrified
-her. Her nerves are seriously out of order. Can you prevail upon
-her to see the doctor?"
-
-Francine hesitated--and made an excuse. "I think she would be
-much more likely, Miss Ladd, to listen to you. Do you mind
-speaking to her?"
-
-"Certainly not!"
-
-Mrs. Ellmother was immediately sent for. "What is your pleasure,
-miss?" she said to Francine.
-
-Miss Ladd interposed. "It is I who wish to speak to you, Mrs.
-Ellmother. For some days past, I have been sorry to see you
-looking ill."
-
-"I never was ill in my life, ma'am."
-
-Miss Ladd gently persisted. "I hear that you have lost your
-appetite."
-
-"I never was a great eater, ma'am."
-
-It was evidently useless to risk any further allusion to Mrs.
-Ellmother's symptoms. Miss Ladd tried another method of
-persuasion. "I daresay I may be mistaken," she said; "but I do
-really feel anxious about you. To set my mind at rest, will you
-see the doctor?"
-
-"The doctor! Do you think I'm going to begin taking physic, at my
-time of life? Lord, ma'am! you amuse me--you do indeed!" She
-burst into a sudden fit of laughter; the hysterical laughter
-which is on the verge of tears. With a desperate effort, she
-controlled herself. "Please, don't make a fool of me again," she
-said--and left the room.
-
-"What do you think now?" Miss Ladd asked.
-
-Francine appeared to be still on her guard.
-
-"I don't know what to think," she said evasively.
-
-Miss Ladd looked at her in silent surprise, and withdrew.
-
-Left by herself, Francine sat with her elbows on the table and
-her face in her hands, absorbed in thought. After a long
-interval, she opened her desk--and hesitated. She took a sheet of
-note-paper--and paused, as if still in doubt. She snatched up her
-pen, with a sudden recovery of resolution--and addressed these
-lines to the wife of her father's agent in London:
-
-"When I was placed under your care, on the night of my arrival
-from the West Indies, you kindly said I might ask you for any
-little service which might be within your power. I shall be
-greatly obliged if you can obtain for me, and send to this place,
-a supply of artists' modeling wax--sufficient for the product ion
-of a small image."
-
-
-CHAPTER XXXIV.
-
-IN THE DARK.
-
-A week later, Alban Morris happened to be in Miss Ladd's study,
-with a report to make on the subject of his drawing-class. Mrs.
-Ellmother interrupted them for a moment. She entered the room to
-return a book which Francine had borrowed that morning.
-
-"Has Miss de Sor done with it already?" Miss Ladd asked.
-
-"She won't read it, ma'am. She says the leaves smell of
-tobacco-smoke."
-
-Miss Ladd turned to Alban, and shook her head with an air of
-good-humored reproof. "I know who has been reading that book
-last!" she said.
-
-Alban pleaded guilty, by a look. He was the only master in the
-school who smoked. As Mrs. Ellmother passed him, on her way out,
-he noticed the signs of suffering in her wasted face.
-
-"That woman is surely in a bad state of health," he said. "Has
-she seen the doctor?"
-
-"She flatly refuses to consult the doctor," Miss Ladd replied.
-"If she was a stranger, I should meet the difficulty by telling
-Miss de Sor (whose servant she is) that Mrs. Ellmother must be
-sent home. But I cannot act in that peremptory manner toward a
-person in whom Emily is interested."
-
-From that moment Mrs. Ellmother became a person in whom Alban was
-interested. Later in the day, he met her in one of the lower
-corridors of the house, and spoke to her. "I am afraid the air of
-this place doesn't agree with you," he said.
-
-Mrs. Ellmother's irritable objection to being told (even
-indirectly) that she looked ill, expressed itself roughly in
-reply. "I daresay you mean well, sir--but I don't see how it
-matters to you whether the place agrees with me or not."
-
-"Wait a minute," Alban answered good-humoredly. "I am not quite a
-stranger to you."
-
-"How do you make that out, if you please?"
-
-"I know a young lady who has a sincere regard for you."
-
-"You don't mean Miss Emily?"
-
-"Yes, I do. I respect and admire Miss Emily; and I have tried, in
-my poor way, to be of some little service to her."
-
-Mrs. Ellmother's haggard face instantly softened. "Please to
-forgive me, sir, for forgetting my manners," she said simply. "I
-have had my health since the day I was born--and I don't like to
-be told, in my old age, that a new place doesn't agree with me."
-
-Alban accepted this apology in a manner which at once won the
-heart of the North-countrywoman. He shook hands with her. "You're
-one of the right sort," she said; "there are not many of them in
-this house."
-
-Was she alluding to Francine? Alban tried to make the discovery.
-Polite circumlocution would be evidently thrown away on Mrs.
-Ellmother. "Is your new mistress one of the right sort?" he asked
-bluntly.
-
-The old servant's answer was expressed by a frowning look,
-followed by a plain question.
-
-"Do you say that, sir, because you like my new mistress?"
-
-"No."
-
-"Please to shake hands again!" She said it--took his hand with a
-sudden grip that spoke for itself-- and walked away.
-
-Here was an exhibition of character which Alban was just the man
-to appreciate. "If I had been an old woman," he thought in his
-dryly humorous way, "I believe I should have been like Mrs.
-Ellmother. We might have talked of Emily, if she had not left me
-in such a hurry. When shall I see her again?"
-
-He was destined to see her again, that night--under circumstances
-which he remembered to the end of his life.
-
-The rules of Netherwoods, in summer time, recalled the young
-ladies from their evening's recreation in the grounds at nine
-o'clock. After that hour, Alban was free to smoke his pipe, and
-to linger among trees and flower-beds before he returned to his
-hot little rooms in the village. As a relief to the drudgery of
-teaching the young ladies, he had been using his pencil, when the
-day's lessons were over, for his own amusement. It was past ten
-o'clock before he lighted his pipe, and began walking slowly to
-and fro on the path which led to the summer-house, at the
-southern limit of the grounds.
-
-In the perfect stillness of the night, the clock of the village
-church was distinctly audible, striking the hours and the
-quarters. The moon had not risen; but the mysterious glimmer of
-starlight trembled on the large open space between the trees and
-the house.
-
-Alban paused, admiring with an artist's eye the effect of light,
-so faintly and delicately beautiful, on the broad expanse of the
-lawn. "Does the man live who could paint that?" he asked himself.
-His memory recalled the works of the greatest of all landscape
-painters--the English artists of fifty years since. While
-recollections of many a noble picture were still passing through
-his mind, he was startled by the sudden appearance of a
-bareheaded woman on the terrace steps.
-
-She hurried down to the lawn, staggering as she ran--stopped, and
-looked back at the house--hastened onward toward the
-trees--stopped again, looking backward and forward, uncertain
-which way to turn next--and then advanced once more. He could now
-hear her heavily gasping for breath. As she came nearer, the
-starlight showed a panic-stricken face--the face of Mrs.
-Ellmother.
-
-Alban ran to meet her. She dropped on the grass before he could
-cross the short distance which separated them. As he raised her
-in his arms she looked at him wildly, and murmured and muttered
-in the vain attempt to speak. "Look at me again," he said. "Don't
-you remember the man who had some talk with you to-day?" She
-still stared at him vacantly: he tried again. "Don't you remember
-Miss Emily's friend?"
-
-As the name passed his lips, her mind in some degree recovered
-its balance. "Yes," she said; "Emily's friend; I'm glad I have
-met with Emily's friend." She caught at Alban's arm--starting as
-if her own words had alarmed her. "What am I talking about? Did I
-say 'Emily'? A servant ought to say 'Miss Emily.' My head swims.
-Am I going mad?"
-
-Alban led her to one of the garden chairs. "You're only a little
-frightened," he said. "Rest, and compose yourself."
-
-She looked over her shoulder toward the house. "Not here! I've
-run away from a she-devil; I want to be out of sight. Further
-away, Mister--I don't know your name. Tell me your name; I won't
-trust you, unless you tell me your name!"
-
-"Hush! hush! Call me Alban."
-
-"I never heard of such a name; I won't trust you."
-
-"You won't trust your friend, and Emily's friend? You don't mean
-that, I'm sure. Call me by my other name--call me 'Morris.'"
-
-"Morris?" she repeated. "Ah, I've heard of people called
-'Morris.' Look back! Your eyes are young--do you see her on the
-terrace?"
-
-"There isn't a living soul to be seen anywhere."
-
-With one hand he raised her as he spoke--and with the other he
-took up the chair. In a minute more, they were out of sight of
-the house. He seated her so that she could rest her head against
-the trunk of a tree.
-
-"What a good fellow!" the poor old creature said, admiring him;
-"he knows how my head pains me. Don't stand up! You're a tall
-man. She might see you."
-
-"She can see nothing. Look at the trees behind us. Even the
-starlight doesn't get through them."
-
-Mrs. Ellmother was not satisfied yet. "You take it coolly," she
-said. "Do you know who saw us together in the passage to-day? You
-good Morris, _she_ saw us--she did. Wretch! Cruel, cunning,
-shameless wretch."
-
-In the shadows that were round them, Alban could just see that
-she was shaking her clinched fists in the air. He made another
-attempt to control her. "Don't excite yourself! If she comes into
-the garden, she might hear you."
-
-The appeal to her fears had its effect.
-
-"That's true," she said, in lowered tones. A sudden distrust of
-him seized her the next moment. "Who told me I was excited?" she
-burst out. "It's you who are excited. Deny it if you dare; I
-begin to suspect you, Mr. Morris; I don't like your conduct. What
-has become of your pipe? I saw you put your pipe in your coat
-pocket. You did it when you set me down among the trees where
-_she_ could see me! You are in league with her--she is coming to
-meet you here--you know she doesnÕt like tobacco-smoke. Are you
-two going to put me in the madhouse?"
-
-She started to her feet. It occurred to Alban that the speediest
-way of pacifying her might be by means of the pipe. Mere words
-would exercise no persuasive influence over that bewildered mind.
-Insta nt action, of some kind, would be far more likely to have
-the right effect. He put his pipe and his tobacco pouch into her
-hands, and so mastered her attention before he spoke.
-
-"Do you know how to fill a man's pipe for him?" he asked.
-
-"Haven't I filled my husband's pipe hundreds of times?" she
-answered sharply.
-
-"Very well. Now do it for me."
-
-She took her chair again instantly, and filled the pipe. He
-lighted it, and seated himself on the grass, quietly smoking. "Do
-you think I'm in league with her now?" he asked, purposely
-adopting the rough tone of a man in her own rank of life.
-
-She answered him as she might have answered her husband, in the
-days of her unhappy marriage.
-
-"Oh, don't gird at me, there's a good man! If I've been off my
-head for a minute or two, please not to notice me. It's cool and
-quiet here," the poor woman said gratefully. "Bless God for the
-darkness; there's something comforting in the darkness--along
-with a good man like you. Give me a word of advice. You are my
-friend in need. What am I to do? I daren't go back to the house!"
-
-She was quiet enough now, to suggest the hope that she might be
-able to give Alban some information "Were you with Miss de Sor,"
-he asked, "before you came out here? What did she do to frighten
-you?'
-
-There was no answer; Mrs. Ellmother had abruptly risen once more.
-"Hush!" she whispered. "Don't I hear somebody near us?"
-
-Alban at once went back, along the winding path which they had
-followed. No creature was visible in the gardens or on the
-terrace. On returning, he found it impossible to use his eyes to
-any good purpose in the obscurity among the trees. He waited a
-while, listening intently. No sound was audible: there was not
-even air enough to stir the leaves.
-
-As he returned to the place that he had left, the silence was
-broken by the chimes of the distant church clock, striking the
-three-quarters past ten.
-
-Even that familiar sound jarred on Mrs. Ellmother's shattered
-nerves. In her state of mind and body, she was evidently at the
-mercy of any false alarm which might be raised by her own fears.
-Relieved of the feeling of distrust which had thus far troubled
-him, Alban sat down by her again--opened his match-box to relight
-his pipe--and changed his mind. Mrs. Ellmother had unconsciously
-warned him to be cautious.
-
-For the first time, he thought it likely that the heat in the
-house might induce some of the inmates to try the cooler
-atmosphere in the grounds. If this happened, and if he continued
-to smoke, curiosity might tempt them to follow the scent of
-tobacco hanging on the stagnant air.
-
-"Is there nobody near us?" Mrs. Ellmother asked. "Are you sure?"
-
-"Quite sure. Now tell me, did you really mean it, when you said
-just now that you wanted my advice?"
-
-"Need you ask that, sir? Who else have I got to help me?"
-
-"I am ready and willing to help you--but I can't do it unless I
-know first what has passed between you and Miss de Sor. Will you
-trust me?"
-
-"I will!"
-
-"May I depend on you?"
-
-"Try me!"
-
-
-CHAPTER XXXV.
-
-THE TREACHERY OF THE PIPE.
-
-Alban took Mrs. Ellmother at her word. "I am going to venture on
-a guess," he said. "You have been with Miss de Sor to-night."
-
-"Quite true, Mr. Morris."
-
-"I am going to guess again. Did Miss de Sor ask you to stay with
-her, when you went into her room?"
-
-"That's it! She rang for me, to see how I was getting on with my
-needlework--and she was what I call hearty, for the first time
-since I have been in her service. I didn't think badly of her
-when she first talked of engaging me; and I've had reason to
-repent of my opinion ever since. Oh, she showed the cloven foot
-to-night! 'Sit down,' she says; 'I've nothing to read, and I hate
-work; let's have a little chat.' She's got a glib tongue of her
-own. All I could do was to say a word now and then to keep her
-going. She talked and talked till it was time to light the lamp.
-She was particular in telling me to put the shade over it. We
-were half in the dark, and half in the light. She trapped me
-(Lord knows how!) into talking about foreign parts; I mean the
-place she lived in before they sent her to England. Have you
-heard that she comes from the West lndies?"
-
-"Yes; I have heard that. Go on."
-
-"Wait a bit, sir. There's something, by your leave, that I want
-to know. Do you believe in Witchcraft?"
-
-"I know nothing about it. Did Miss de Sor put that question to
-you?"
-
-"She did."
-
-"And how did you answer?"
-
-"Neither in one way nor the other. I'm in two minds about that
-matter of Witchcraft. When I was a girl, there was an old woman
-in our village, who was a sort of show. People came to see her
-from all the country round--gentlefolks among them. It was her
-great age that made her famous. More than a hundred years old,
-sir! One of our neighbors didn't believe in her age, and she
-heard of it. She cast a spell on his flock. I tell you, she sent
-a plague on his sheep, the plague of the Bots. The whole flock
-died; I remember it well. Some said the sheep would have had the
-Bots anyhow. Some said it was the spell. Which of them was right?
-How am I to settle it?"
-
-"Did you mention this to Miss de Sor?"
-
-"I was obliged to mention it. Didn't I tell you, just now, that I
-can't make up my mind about Witchcraft? 'You don't seem to know
-whether you believe or disbelieve,' she says. It made me look
-like a fool. I told her I had my reasons, and then I was obliged
-to give them."
-
-"And what did she do then?"
-
-"She said, 'I've got a better story of Witchcraft than yours.'
-And she opened a little book, with a lot of writing in it, and
-began to read. Her story made my flesh creep. It turns me cold,
-sir, when I think of it now."
-
-He heard her moaning and shuddering. Strongly as his interest was
-excited, there was a compassionate reluctance in him to ask her
-to go on. His merciful scruples proved to be needless. The
-fascination of beauty it is possible to resist. The fascination
-of horror fastens its fearful hold on us, struggle against it as
-we may. Mrs. Ellmother repeated what she had heard, in spite of
-herself.
-
-"It happened in the West Indies," she said; "and the writing of a
-woman slave was the writing in the little book. The slave wrote
-about her mother. Her mother was a black--a Witch in her own
-country. There was a forest in her own country. The devil taught
-her Witchcraft in the forest. The serpents and the wild beasts
-were afraid to touch her. She lived without eating. She was sold
-for a slave, and sent to the island--an island in the West
-Indies. An old man lived there; the wickedest man of them all. He
-filled the black Witch with devilish knowledge. She learned to
-make the image of wax. The image of wax casts spells. You put
-pins in the image of wax. At every pin you put, the person under
-the spell gets nearer and nearer to death. There was a poor black
-in the island. He offended the Witch. She made his image in wax;
-she cast spells on him. He couldn't sleep; he couldn't eat; he
-was such a coward that common noises frightened him. Like Me! Oh,
-God, like me!"
-
-"Wait a little," Alban interposed. "You are exciting yourself
-again--wait."
-
-"You're wrong, sir! You think it ended when she finished her
-story, and shut up her book; there's worse to come than anything
-you've heard yet. I don't know what I did to offend her. She
-looked at me and spoke to me, as if I was the dirt under her
-feet. 'If you're too stupid to understand what I have been
-reading,' she says, 'get up and go to the glass. Look at
-yourself, and remember what happened to the slave who was under
-the spell. You're getting paler and paler, and thinner and
-thinner; you're pining away just as he did. Shall I tell you
-why?' She snatched off the shade from the lamp, and put her hand
-under the table, and brought out an image of wax. _My_ image! She
-pointed to three pins in it. 'One,' she says, 'for no sleep. One
-for no appetite. One for broken nerves.' I asked her what I had
-done to make such a bitter enemy of her. She says, 'Remember what
-I asked of you when we talked of your being my servant. Choose
-which you will do? Die by inches' (I swear she said it as I hope
-to be saved); 'die by inches, or tell me--'"
-
-There--in the full frenzy of the agitation that possessed
- her--there, Mrs. Ellmother suddenly stopped.
-
-Alban's first impression was that she might have fainted. He
-looked closer, and could just see her shadowy figure still seated
-in the chair. He asked if she was ill. No.
-
-"Then why don't you go on?"
-
-"I have done," she answered.
-
-"Do you think you can put me off," he rejoined sternly, "with
-such an excuse as that? What did Miss de Sor ask you to tell her?
-You promised to trust me. Be as good as your word."
-
-In the days of her health and strength, she would have set him at
-defiance. All she could do now was to appeal to his mercy.
-
-"Make some allowance for me," she said. "I have been terribly
-upset. What has become of my courage? What has broken me down in
-this way? Spare me, sir."
-
-He refused to listen. "This vile attempt to practice on your
-fears may be repeated," he reminded her. "More cruel advantage
-may be taken of the nervous derangement from which you are
-suffering in the climate of this place. You little know me, if
-you think I will allow that to go on."
-
-She made a last effort to plead with him. "Oh sir, is this
-behaving like the good kind man I thought you were? You say you
-are Miss Emily's friend? Don't press me--for Miss Emily's sake!"
-
-"Emily!" Alban exclaimed. "Is _she_ concerned in this?"
-
-There was a change to tenderness in his voice, which persuaded
-Mrs. Ellmother that she had found her way to the weak side of
-him. Her one effort now was to strengthen the impression which
-she believed herself to have produced. "Miss Emily _is_ concerned
-in it," she confessed.
-
-"In what way?"
-
-"Never mind in what way."
-
-"But I do mind."
-
-"I tell you, sir, Miss Emily must never know it to her dying
-day!"
-
-The first suspicion of the truth crossed Alban's mind.
-
-"I understand you at last," he said. "What Miss Emily must never
-know--is what Miss de Sor wanted you to tell her. Oh, it's
-useless to contradict me! Her motive in trying to frighten you is
-as plain to me now as if she had confessed it. Are you sure you
-didn't betray yourself, when she showed the image of wax?"
-
-"I should have died first!" The reply had hardly escaped her
-before she regretted it. "What makes you want to be so sure about
-it?" she said. "It looks as if you knew--"
-
-"I do know."
-
-"What!"
-
-The kindest thing that he could do now was to speak out. "Your
-secret is no secret to _me_," he said.
-
-Rage and fear shook her together. For the moment she was like the
-Mrs. Ellmother of former days. "You lie!" she cried.
-
-"I speak the truth."
-
-"I won't believe you! I daren't believe you!"
-
-"Listen to me. In Emily's interests, listen to me. I have read of
-the murder at Zeeland--"
-
-"That's nothing! The man was a namesake of her father."
-
-"The man was her father himself. Keep your seat! There is nothing
-to be alarmed about. I know that Emily is ignorant of the horrid
-death that her father died. I know that you and your late
-mistress have kept the discovery from her to this day. I know the
-love and pity which plead your excuse for deceiving her, and the
-circumstances that favored the deception. My good creature,
-Emily's peace of mind is as sacred to me as it is to you! I love
-her as I love my own life--and better. Are you calmer, now?"
-
-He heard her crying: it was the best relief that could come to
-her. After waiting a while to let the tears have their way, he
-helped her to rise. There was no more to be said now. The one
-thing to do was to take her back to the house.
-
-"I can give you a word of advice," he said, "before we part for
-the night. You must leave Miss de Sor's service at once. Your
-health will be a sufficient excuse. Give her warning
-immediately."
-
-Mrs. Ellmother hung back, when he offered her his arm. The bare
-prospect of seeing Francine again was revolting to her. On
-Alban's assurance that the notice to leave could be given in
-writing, she made no further resistance. The village clock struck
-eleven as they ascended the terrace steps.
-
-A minute later, another person left the grounds by the path which
-led to the house. Alban's precaution had been taken too late. The
-smell of tobacco-smoke had guided Francine, when she was at a
-loss which way to turn next in search of Mrs. Ellmother. For the
-last quarter of an hour she had been listening, hidden among the
-trees.
-
-
-CHAPTER XXXVI.
-
-CHANGE OF AIR.
-
-The inmates of Netherwoods rose early, and went to bed early.
-When Alban and Mrs. Ellmother arrived at the back door of the
-house, they found it locked.
-
-The only light visible, along the whole length of the building,
-glimmered through the Venetian blind of the window-entrance to
-Francine's sitting-room. Alban proposed to get admission to the
-house by that way. In her horror of again encountering Francine,
-Mrs. Ellmother positively refused to follow him when he turned
-away from the door. "They can't be all asleep yet," she said--and
-rang the bell.
-
-One person was still out of bed--and that person was the mistress
-of the house. They recognized her voice in the customary
-question: "Who's there?" The door having been opened, good Miss
-Ladd looked backward and forward between Alban and Mrs.
-Ellmother, with the bewildered air of a lady who doubted the
-evidence of her own eyes. The next moment, her sense of humor
-overpowered her. She burst out laughing.
-
-"Close the door, Mr. Morris," she said, "and be so good as to
-tell me what this means. Have you been giving a lesson in drawing
-by starlight?"
-
-Mrs. Ellmother moved, so that the light of the lamp in Miss
-Ladd's hand fell on her face. "I am faint and giddy," she said;
-"let me go to my bed."
-
-Miss Ladd instantly followed her. "Pray forgive me! I didn't see
-you were ill, when I spoke," she gently explained. "What can I do
-for you?"
-
-"Thank you kindly, ma'am. I want nothing but peace and quiet. I
-wish you good-night."
-
-Alban followed Miss Ladd to her study, on the front side of the
-house. He had just mentioned the circumstances under which he and
-Mrs. Ellmother had met, when they were interrupted by a tap at
-the door. Francine had got back to her room unperceived, by way
-of the French window. She now presented herself, with an
-elaborate apology, and with the nearest approach to a penitent
-expression of which her face was capable.
-
-"I am ashamed, Miss Ladd, to intrude on you at this time of
-night. My only excuse is, that I am anxious about Mrs. Ellmother.
-I heard you just now in the hall. If she is really ill, I am the
-unfortunate cause of it."
-
-"In what way, Miss de Sor?"
-
-"I am sorry to say I frightened her--while we were talking in my
-room--quite unintentionally. She rushed to the door and ran out.
-I supposed she had gone to her bedroom; I had no idea she was in
-the grounds."
-
-In this false statement there was mingled a grain of truth. It
-was true that Francine believed Mrs. Ellmother to have taken
-refuge in her room--for she had examined the room. Finding it
-empty, and failing to discover the fugitive in other parts of the
-house, she had become alarmed, and had tried the grounds
-next--with the formidable result which has been already related.
-Concealing this circumstance, she had lied in such a skillfully
-artless manner that Alban (having no suspicion of what had really
-happened to sharpen his wits) was as completely deceived as Miss
-Ladd. Proceeding to further explanation--and remembering that she
-was in Alban's presence--Francine was careful to keep herself
-within the strict limit of truth. Confessing that she had
-frightened her servant by a description of sorcery, as it was
-practiced among the slaves on her father's estate, she only lied
-again, in declaring that Mrs. Ellmother had supposed she was in
-earnest, when she was guilty of no more serious offense than
-playing a practical joke.
-
-In this case, Alban was necessarily in a position to detect the
-falsehood. But it was so evidently in Francine's interests to
-present her conduct in the most favorable light, that the
-discovery failed to excite his suspicion. He waited in silence,
-while Miss Ladd administered a severe reproof. Francine having
-left the room, as penitently as she had entered it (with her
-handkerchief over her tearless eyes), he was at liberty, with
-certain reserves, to return to what had passed between Mrs.
-Ellmother and himself.
-
-" The fright which the poor old woman has suffered," he said,
-"has led to one good result. I have found her ready at last to
-acknowledge that she is ill, and inclined to believe that the
-change to Netherwoods has had something to do with it. I have
-advised her to take the course which you suggested, by leaving
-this house. Is it possible to dispense with the usual delay, when
-she gives notice to leave Miss de Sor's service?"
-
-"She need feel no anxiety, poor soul, on that account," Miss Ladd
-replied. "In any case, I had arranged that a week's notice on
-either side should be enough. As it is, I will speak to Francine
-myself. The least she can do, to express her regret, is to place
-no difficulties in Mrs. Ellmother's way."
-
-The next day was Sunday.
-
-Miss Ladd broke through her rule of attending to secular affairs
-on week days only; and, after consulting with Mrs. Ellmother,
-arranged with Francine that her servant should be at liberty to
-leave Netherwoods (health permitting) on the next day. But one
-difficulty remained. Mrs. Ellmother was in no condition to take
-the long journey to her birthplace in Cumberland; and her own
-lodgings in London had been let.
-
-Under these circumstances, what was the best arrangement that
-could be made for her? Miss Ladd wisely and kindly wrote to Emily
-on the subject, and asked for a speedy reply.
-
-Later in the day, Alban was sent for to see Mrs. Ellmother. He
-found her anxiously waiting to hear what had passed, on the
-previous night, between Miss Ladd and himself. "Were you careful,
-sir, to say nothing about Miss Emily?"
-
-"I was especially careful; I never alluded to her in any way."
-
-"Has Miss de Sor spoken to you?"
-
-"I have not given her the opportunity."
-
-"She's an obstinate one--she might try."
-
-"If she does, she shall hear my opinion of her in plain words."
-The talk between them turned next on Alban's discovery of the
-secret, of which Mrs. Ellmother had believed herself to be the
-sole depositary since Miss Letitia's death. Without alarming her
-by any needless allusion to Doctor Allday or to Miss Jethro, he
-answered her inquiries (so far as he was himself concerned)
-without reserve. Her curiosity once satisfied, she showed no
-disposition to pursue the topic. She pointed to Miss Ladd's cat,
-fast asleep by the side of an empty saucer.
-
-"Is it a sin, Mr. Morris, to wish I was Tom? _He_ doesn't trouble
-himself about his life that is past or his life that is to come.
-If I could only empty my saucer and go to sleep, I shouldn't be
-thinking of the number of people in this world, like myself, who
-would be better out of it than in it. Miss Ladd has got me my
-liberty tomorrow; and I don't even know where to go, when I leave
-this place."
-
-"Suppose you follow Tom's example?" Alban suggested. "Enjoy
-to-day (in that comfortable chair) and let to-morrow take care of
-itself."
-
-To-morrow arrived, and justified Alban's system of philosophy.
-Emily answered Miss Ladd's letter, to excellent purpose, by
-telegraph.
-
-"I leave London to-day with Cecilia" (the message announced) "for
-Monksmoor Park, Hants. Will Mrs. Ellmother take care of the
-cottage in my absence? I shall be away for a month, at least. All
-is prepared for her if she consents."
-
-Mrs. Ellmother gladly accepted this proposal. In the interval of
-Emily's absence, she could easily arrange to return to her own
-lodgings. With words of sincere gratitude she took leave of Miss
-Ladd; but no persuasion would induce her to say good-by to
-Francine. "Do me one more kindness, ma'am; don't tell Miss de Sor
-when I go away." Ignorant of the provocation which had produced
-this unforgiving temper of mind, Miss Ladd gently remonstrated.
-"Miss de Sor received my reproof in a penitent spirit; she
-expresses sincere sorrow for having thoughtlessly frightened you.
-Both yesterday and to-day she has made kind inquiries after your
-health. Come! come! don't bear malice--wish her good-by." Mrs.
-Ellmother's answer was characteristic. "I'll say good-by by
-telegraph, when I get to London."
-
-Her last words were addressed to Alban. "If you can find a way of
-doing it, sir, keep those two apart."
-
-"Do you mean Emily and Miss de Sor?
-
-"Yes."
-
-"What are you afraid of?"
-
-"I don't know."
-
-"Is that quite reasonable, Mrs. Ellmother?"
-
-"I daresay not. I only know that I _am_ afraid."
-
-The pony chaise took her away. Alban's class was not yet ready
-for him. He waited on the terrace.
-
-Innocent alike of all knowledge of the serious reason for fear
-which did really exist, Mrs. Ellmother and Alban felt,
-nevertheless, the same vague distrust of an intimacy between the
-two girls. Idle, vain, malicious, false--to know that Francine's
-character presented these faults, without any discoverable merits
-to set against them, was surely enough to justify a gloomy view
-of the prospect, if she succeeded in winning the position of
-Emily's friend. Alban reasoned it out logically in this
-way--without satisfying himself, and without accounting for the
-remembrance that haunted him of Mrs. Ellmother's farewell look.
-"A commonplace man would say we are both in a morbid state of
-mind," he thought; "and sometimes commonplace men turn out to be
-right."
-
-He was too deeply preoccupied to notice that he had advanced
-perilously near Francine's window. She suddenly stepped out of
-her room, and spoke to him.
-
-"Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone
-away without bidding me good-by?"
-
-"She was probably afraid, Miss de Sor, that you might make her
-the victim of another joke."
-
-Francine eyed him steadily. "Have you any particular reason for
-speaking to me in that way?"
-
-"I am not aware that I have answered you rudely--if that is what
-you mean."
-
-"That is _not_ what I mean. You seem to have taken a dislike to
-me. I should be glad to know why."
-
-"I dislike cruelty--and you have behaved cruelly to Mrs.
-Ellmother "
-
-"Meaning to be cruel?" Francine inquired.
-
-"You know as well as I do, Miss de Sor, that I can't answer that
-question."
-
-Francine looked at him again "Am I to understand that we are
-enemies?" she asked.
-
-"You are to understand," he replied, "that a person whom Miss
-Ladd employs to help her in teaching, cannot always presume to
-express his sentiments in speaking to the young ladies."
-
-"If that means anything, Mr. Morris, it means that we are
-enemies."
-
-"It means, Miss de Sor, that I am the drawing-master at this
-school, and that I am called to my class."
-
-Francine returned to her room, relieved of the only doubt that
-had troubled her. Plainly no suspicion that she had overheard
-what passed between Mrs. Ellmother and himself existed in Alban's
-mind. As to the use to be made of her discovery, she felt no
-difficulty in deciding to wait, and be guided by events. Her
-curiosity and her self-esteem had been alike gratified--she had
-got the better of Mrs. Ellmother at last, and with that triumph
-she was content. While Emily remained her friend, it would be an
-act of useless cruelty to disclose the terrible truth. There had
-certainly been a coolness between them at Brighton. But
-Francine--still influenced by the magnetic attraction which drew
-her to Emily--did not conceal from herself that she had offered
-the provocation, and had been therefore the person to blame. "I
-can set all that right," she thought, "when we meet at Monksmoor
-Park." She opened her desk and wrote the shortest and sweetest of
-letters to Cecilia. "I am entirely at the disposal of my charming
-friend, on any convenient day--may I add, my dear, the sooner the
-better?"
-
-
-CHAPTER XXXVII.
-
-"THE LADY WANTS YOU, SIR."
-
-The pupils of the drawing-class put away their pencils and
-color-boxes in high good humor: the teacher's vigilant eye for
-faults had failed him for the first time in their experience. Not
-one of them had been reproved; they had chattered and giggled and
-drawn caricatures on the margin of the paper, as freely as if the
-master had left the room. Alban's wandering attention was indeed
-beyond the reach of control. His interview with Francine had
-doubled his sense of responsibility toward Emily--while he was
-further than ever from seeing how he could interfere, to any
-useful purpose, in his present position, and with his reasons for
-writing under reserve.
-
-One of the servants addressed him as he was leaving the
-schoolroom. The landlady's boy was waiting in the hall, with a
-message from his lodgings.
-
-"Now then! what is it?" he asked, irritably.
-
-"The lady wants you, sir." With this mysterious answer, the boy
-presented a visiting card. The name inscribed on it was--"Miss
-Jethro."
-
-She had arrived by the train, and she was then waiting at Alban's
-lodgings. "Say I will be with her directly." Having given the
-message, he stood for a while, with his hat in his
-hand--literally lost in astonishment. It was simply impossible to
-guess at Miss Jethro's object: and yet, with the usual perversity
-of human nature, he was still wondering what she could possibly
-want with him, up to the final moment when he opened the door of
-his sitting-room.
-
-She rose and bowed with the same grace of movement, and the same
-well-bred composure of manner, which Doctor Allday had noticed
-when she entered his consulting-room. Her dark melancholy eyes
-rested on Alban with a look of gentle interest. A faint flush of
-color animated for a moment the faded beauty of her face--passed
-away again--and left it paler than before.
-
-"I cannot conceal from myself," she began, "that I am intruding
-on you under embarrassing circumstances."
-
-"May I ask, Miss Jethro, to what circumstances you allude?"
-
-"You forget, Mr. Morris, that I left Miss Ladd's school, in a
-manner which justified doubt of me in the minds of strangers."
-
-"Speaking as one of those strangers," Alban replied, "I cannot
-feel that I had any right to form an opinion, on a matter which
-only concerned Miss Ladd and yourself."
-
-Miss Jethro bowed gravely. "You encourage me to hope," she said.
-"I think you will place a favorable construction on my visit when
-I mention my motive. I ask you to receive me, in the interests of
-Miss Emily Brown."
-
-Stating her purpose in calling on him in those plain terms, she
-added to the amazement which Alban already felt, by handing to
-him--as if she was presenting an introduction--a letter marked,
-"Private," addressed to her by Doctor Allday.
-
-"I may tell you," she premised, "that I had no idea of troubling
-you, until Doctor Allday suggested it. I wrote to him in the
-first instance; and there is his reply. Pray read it."
-
-The letter was dated, "Penzance"; and the doctor wrote, as he
-spoke, without ceremony.
-
-
-"MADAM--Your letter has been forwarded to me. I am spending my
-autumn holiday in the far West of Cornwall. However, if I had
-been at home, it would have made no difference. I should have
-begged leave to decline holding any further conversation with
-you, on the subject of Miss Emily Brown, for the following
-reasons:
-
-"In the first place, though I cannot doubt your sincere interest
-in the young lady's welfare, I don't like your mysterious way of
-showing it. In the second place, when I called at your address in
-London, after you had left my house, I found that you had taken
-to flight. I place my own interpretation on this circumstance;
-but as it is not founded on any knowledge of facts, I merely
-allude to it, and say no more."
-
-Arrived at that point, Alban offered to return the letter. "Do
-you really mean me to go on reading it?" he asked.
-
-"Yes," she said quietly.
-
-Alban returned to the letter.
-
-"In the third place, I have good reason to believe that you
-entered Miss Ladd's school as a teacher, under false pretenses.
-After that discovery, I tell you plainly I hesitate to attach
-credit to any statement that you may wish to make. At the same
-time, I must not permit my prejudices (as you will probably call
-them) to stand in the way of Miss Emily's interests--supposing
-them to be really depending on any interference of yours. Miss
-Ladd's drawing-master, Mr. Alban Morris, is even more devoted to
-Miss Emily's service than I am. Whatever you might have said to
-me, you can say to him--with this possible advantage, that _he_
-may believe you."
-
-There the letter ended. Alban handed it back in silence.
-
-Miss Jethro pointed to the words, "Mr. Alban Morris is even more
-devoted to Miss EmilyÕs service than I am."
-
-"Is that true?" she asked.
-
-"Quite true."
-
-"I don't complain, Mr. Morris, of the hard things said of me in
-that letter; you are at liberty to suppose, if you like, that I
-deserve them. Attribute it to pride, or attribute it to
-reluctance to make needless demands on your time--I shall not
-attempt to defend myself. I leave you to decide whether the woman
-who has shown you that letter--having something important to say
-to you--is a person who is mean enough to say it under false
-pretenses."
-
-"Tell me what I can do for you, Miss Jethro: and be assured,
-beforehand, that I don't doubt your sincerity."
-
-"My purpose in coming here," she answered, "is to induce you to
-use your influence over Miss Emily Brown--"
-
-"With what object?" Alban asked, interrupting her.
-
-"My object is her own good. Some years since, I happened to
-become acquainted with a person who has attained some celebrity
-as a preacher. You have perhaps heard of Mr. Miles Mirabel?"
-
-"I have heard of him."
-
-"I have been in correspondence with him," Miss Jethro proceeded.
-"He tells me he has been introduced to a young lady, who was
-formerly one of Miss Ladd's pupils, and who is the daughter of
-Mr. Wyvil, of Monksmoor Park. He has called on Mr. Wyvil; and he
-has since received an invitation to stay at Mr. Wyvil's house.
-The day fixed for the visit is Monday, the fifth of next month."
-
-Alban listened--at a loss to know what interest he was supposed
-to have in being made acquainted with Mr. Mirabel's engagements.
-Miss Jethro's next words enlightened him.
-
-"You are perhaps aware," she resumed, "that Miss Emily Brown is
-Miss Wyvil's intimate friend. She will be one of the guests at
-Monksmoor Park. If there are any obstacles which you can place in
-her way--if there is any influence which you can exert, without
-exciting suspicion of your motive--prevent her, I entreat you,
-from accepting Miss Wyvil's invitation, until Mr. Mirabel's visit
-has come to an end."
-
-"Is there anything against Mr. Mirabel?" he asked.
-
-"I say nothing against him."
-
-"Is Miss Emily acquainted with him?"
-
-"No."
-
-"Is he a person with whom it would be disagreeable to her to
-associate?"
-
-"Quite the contrary."
-
-"And yet you expect me to prevent them from meeting! Be
-reasonable, Miss Jethro."
-
-"I can only be in earnest, Mr. Morris--more truly, more deeply in
-earnest than you can suppose. I declare to you that I am speaking
-in Miss Emily's interests. Do you still refuse to exert yourself
-for her sake?"
-
-"I am spared the pain of refusal," Alban answered. "The time for
-interference has gone by. She is, at this moment, on her way to
-Monksmoor Park."
-
-Miss Jethro attempted to rise--and dropped back into her chair.
-"Water!" she said faintly. After drinking from the glass to the
-last drop, she began to revive. Her little traveling-bag was on
-the floor at her side. She took out a railway guide, and tried to
-consult it. Her fingers trembled incessantly; she was unable to
-find the page to which she wished to refer. "Help me," she said,
-"I must leave this place--by the first train that passes."
-
-"To see Emily?" Alban asked.
-
-"Quite useless! You have said it yourself--the time for
-interference has gone by. Look at the guide."
-
-"What place shall I look for?"
-
-"Look for Vale Regis."
-
-Alban found the place. The train was due in ten minutes. "Surely
-you are not fit to travel so soon?" he suggested.
-
-"Fit or not, I must see Mr. Mirabel--I must make the effort to
-keep them apart by appealing to _him_."
-
-"With any hope of success?"
-
-"With no hope--and with no interest in the man himself. Still I
-must try."
-
-"Out of anxiety for Emily's welfare?"
-
-"Out of anxiety for more than that."
-
-"For what?"
-
-"If you can't guess, I daren't tell you."
-
-That strange reply startled Alban. Before he could ask what it
-meant, Miss Jethro had left him.
-
-In the emergencies of life, a person readier of resource than
-Alban Morris it would not have been easy to discover. The
-extraordinary interview that had now come to an end had found its
-limits. Bewildered and helpless, he stood at the window of his
-room, and asked himself (as if he had been the weakest man
-living), "What shal l I do?"
-
-
-BOOK THE FOURTH--THE COUNTRY HOUSE.
-
-CHAPTER XXXVIII.
-
-DANCING.
-
-The windows of the long drawing-room at Monksmoor are all thrown
-open to the conservatory. Distant masses of plants and flowers,
-mingled in ever-varying forms of beauty, are touched by the
-melancholy luster of the rising moon. Nearer to the house, the
-restful shadows are disturbed at intervals, where streams of
-light fall over them aslant from the lamps in the room. The
-fountain is playing. In rivalry with its lighter music, the
-nightingales are singing their song of ecstasy. Sometimes, the
-laughter of girls is heard--and, sometimes, the melody of a
-waltz. The younger guests at Monksmoor are dancing.
-
-Emily and Cecilia are dressed alike in white, with flowers in
-their hair. Francine rivals them by means of a gorgeous contrast
-of color, and declares that she is rich with the bright emphasis
-of diamonds and the soft persuasion of pearls.
-
-Miss Plym (from the rectory) is fat and fair and prosperous: she
-overflows with good spirits; she has a waist which defies
-tight-lacing, and she dances joyously on large flat feet. Miss
-Darnaway (officer's daughter with small means) is the exact
-opposite of Miss Plym. She is thin and tall and faded--poor soul.
-Destiny has made it her hard lot in life to fill the place of
-head-nursemaid at home. In her pensive moments, she thinks of the
-little brothers and sisters, whose patient servant she is, and
-wonders who comforts them in their tumbles and tells them stories
-at bedtime, while she is holiday-making at the pleasant country
-house.
-
-Tender-hearted Cecilia, remembering how few pleasures this young
-friend has, and knowing how well she dances, never allows her to
-be without a partner. There are three invaluable young gentlemen
-present, who are excellent dancers. Members of different
-families, they are nevertheless fearfully and wonderfully like
-each other. They present the same rosy complexions and
-straw-colored mustachios, the same plump cheeks, vacant eyes and
-low forehead; and they utter, with the same stolid gravity, the
-same imbecile small talk. On sofas facing each other sit the two
-remaining guests, who have not joined the elders at the
-card-table in another room. They are both men. One of them is
-drowsy and middle-aged--happy in the possession of large landed
-property: happier still in a capacity for drinking Mr. Wyvil's
-famous port-wine without gouty results.
-
-The other gentleman--ah, who is the other? He is the confidential
-adviser and bosom friend of every young lady in the house. Is it
-necessary to name the Reverend Miles Mirabel?
-
-There he sits enthroned, with room for a fair admirer on either
-side of him--the clerical sultan of a platonic harem. His
-persuasive ministry is felt as well as heard: he has an innocent
-habit of fondling young persons. One of his arms is even long
-enough to embrace the circumference of Miss Plym--while the other
-clasps the rigid silken waist of Francine. "I do it everywhere
-else," he says innocently, "why not here?" Why not indeed--with
-that delicate complexion and those beautiful blue eyes; with the
-glorious golden hair that rests on his shoulders, and the glossy
-beard that flows over his breast? Familiarities, forbidden to
-mere men, become privileges and condescensions when an angel
-enters society--and more especially when that angel has enough of
-mortality in him to be amusing. Mr. Mirabel, on his social side,
-is an irresistible companion. He is cheerfulness itself; he takes
-a favorable view of everything; his sweet temper never differs
-with anybody. "In my humble way," he confesses, "I like to make
-the world about me brighter." Laughter (harmlessly produced,
-observe!) is the element in which he lives and breathes. Miss
-Darnaway's serious face puts him out; he has laid a bet with
-Emily--not in money, not even in gloves, only in flowers--that he
-will make Miss Darnaway laugh; and he has won the wager. Emily's
-flowers are in his button-hole, peeping through the curly
-interstices of his beard. "Must you leave me?" he asks tenderly,
-when there is a dancing man at liberty, and it is Francine's turn
-to claim him. She leaves her seat not very willingly. For a
-while, the place is vacant; Miss Plym seizes the opportunity of
-consulting the ladies' bosom friend.
-
-"Dear Mr. Mirabel, do tell me what you think of Miss de Sor?"
-
-Dear Mr. Mirabel bursts into enthusiasm and makes a charming
-reply. His large experience of young ladies warns him that they
-will tell each other what he thinks of them, when they retire for
-the night; and he is careful on these occasions to say something
-that will bear repetition.
-
-"I see in Miss de Sor," he declares, "the resolution of a man,
-tempered by the sweetness of a woman. When that interesting
-creature marries, her husband will be--shall I use the vulgar
-word?--henpecked. Dear Miss Plym, he will enjoy it; and he will
-be quite right too; and, if I am asked to the wedding, I shall
-say, with heartfelt sincerity, Enviable man!"
-
-In the height of her admiration for Mr. Mirabel's wonderful eye
-for character, Miss Plym is called away to the piano. Cecilia
-succeeds to her friend's place--and has her waist taken in charge
-as a matter of course.
-
-"How do you like Miss Plym?" she asks directly.
-
-Mr. Mirabel smiles, and shows the prettiest little pearly teeth.
-"I was just thinking of her," he confesses pleasantly; "Miss Plym
-is so nice and plump, so comforting and domestic--such a perfect
-clergyman's daughter. You love her, don't you? Is she engaged to
-be married? In that case--between ourselves, dear Miss Wyvil, a
-clergyman is obliged to be cautious--I may own that I love her
-too."
-
-Delicious titillations of flattered self-esteem betray themselves
-in Cecilia's lovely complexion. She is the chosen confidante of
-this irresistible man; and she would like to express her sense of
-obligation. But Mr. Mirabel is a master in the art of putting the
-right words in the right places; and simple Cecilia distrusts
-herself and her grammar.
-
-At that moment of embarrassment, a friend leaves the dance, and
-helps Cecilia out of the difficulty.
-
-Emily approaches the sofa-throne, breathless--followed by her
-partner, entreating her to give him "one turn more." She is not
-to be tempted; she means to rest. Cecilia sees an act of mercy,
-suggested by the presence of the disengaged young man. She seizes
-his arm, and hurries him off to poor Miss Darnaway; sitting
-forlorn in a corner, and thinking of the nursery at home. In the
-meanwhile a circumstance occurs. Mr. Mirabel's all-embracing arm
-shows itself in a new character, when Emily sits by his side.
-
-It becomes, for the first time, an irresolute arm. It advances a
-little--and hesitates. Emily at once administers an unexpected
-check; she insists on preserving a free waist, in her own
-outspoken language. "No, Mr. Mirabel, keep that for the others.
-You can't imagine how ridiculous you and the young ladies look,
-and how absurdly unaware of it you all seem to be." For the first
-time in his life, the reverend and ready-witted man of the world
-is at a loss for an answer. Why?
-
-For this simple reason. He too has felt the magnetic attraction
-of the irresistible little creature whom every one likes. Miss
-Jethro has been doubly defeated. She has failed to keep them
-apart; and her unexplained misgivings have not been justified by
-events: Emily and Mr. Mirabel are good friends already. The
-brilliant clergyman is poor; his interests in life point to a
-marriage for money; he has fascinated the heiresses of two rich
-fathers, Mr. Tyvil and Mr. de Sor--and yet he is conscious of an
-influence (an alien influence, without a balance at its bankers),
-which has, in some mysterious way, got between him and his
-interests.
-
-On Emily's side, the attraction felt is of another nature
-altogether. Among the merry young people at Monksmoor she is her
-old happy self again; and she finds in Mr. Mirabel the most
-agreeable and amusing man whom she has ever met. After those
-dismal night watches by the bed of her dying aunt, and the dreary
-weeks of solitude that followed, to live in this new world of
-luxury and gayety is like escaping from the darkness of night,
-and basking in the fall brightn ess of day. Cecilia declares that
-she looks, once more, like the joyous queen of the bedroom, in
-the bygone time at school; and Francine (profaning Shakespeare
-without knowing it), says, "Emily is herself again!"
-
-"Now that your arm is in its right place, reverend sir," she
-gayly resumes, "I may admit that there are exceptions to all
-rules. My waist is at your disposal, in a case of necessity--that
-is to say, in a case of waltzing."
-
-"The one case of all others," Mirabel answers, with the engaging
-frankness that has won him so many friends, "which can never
-happen in my unhappy experience. Waltzing, I blush to own it,
-means picking me up off the floor, and putting smelling salts to
-my nostrils. In other words, dear Miss Emily, it is the room that
-waltzes--not I. I can't look at those whirling couples there,
-with a steady head. Even the exquisite figure of our young
-hostess, when it describes flying circles, turns me giddy."
-
-Hearing this allusion to Cecilia, Emily drops to the level of the
-other girls. She too pays her homage to the Pope of private life.
-"You promised me your unbiased opinion of Cecilia," she reminds
-him; "and you haven't given it yet."
-
-The ladies' friend gently remonstrates. "Miss Wyvil's beauty
-dazzles me. How can I give an unbiased opinion? Besides, I am not
-thinking of her; I can only think of you."
-
-Emily lifts her eyes, half merrily, half tenderly, and looks at
-him over the top of her fan. It is her first effort at
-flirtation. She is tempted to engage in the most interesting of
-all games to a girl--the game which plays at making love. What
-has Cecilia told her, in those bedroom gossipings, dear to the
-hearts of the two friends? Cecilia has whispered, "Mr. Mirabel
-admires your figure; he calls you 'the Venus of Milo, in a state
-of perfect abridgment.'" Where is the daughter of Eve, who would
-not have been flattered by that pretty compliment--who would not
-have talked soft nonsense in return? "You can only think of Me,"
-Emily repeats coquettishly. "Have you said that to the last young
-lady who occupied my place, and will you say it again to the next
-who follows me?"
-
-"Not to one of them! Mere compliments are for the others--not for
-you."
-
-"What is for me, Mr. Mirabel?"
-
-"What I have just offered you--a confession of the truth."
-
-Emily is startled by the tone in which he replies. He seems to be
-in earnest; not a vestige is left of the easy gayety of his
-manner. His face shows an expression of anxiety which she has
-never seen in it yet. "Do you believe me?" he asks in a whisper.
-
-She tries to change the subject.
-
-"When am I to hear you preach, Mr. Mirabel?"
-
-He persists. "When you believe me," he says.
-
-His eyes add an emphasis to that reply which is not to be
-mistaken. Emily turns away from him, and notices Francine. She
-has left the dance, and is looking with marked attention at Emily
-and Mirabel. "I want to speak to you," she says, and beckons
-impatiently to Emily.
-
-Mirabel whispers, "Don't go!"
-
-Emily rises nevertheless--ready to avail herself of the first
-excuse for leaving him. Francine meets her half way, and takes
-her roughly by the arm.
-
-"What is it?" Emily asks.
-
-"Suppose you leave off flirting with Mr. Mirabel, and make
-yourself of some use."
-
-"In what way?"
-
-"Use your ears--and look at that girl."
-
-She points disdainfully to innocent Miss Plym. The rector's
-daughter possesses all the virtues, with one exception--the
-virtue of having an ear for music. When she sings, she is out of
-tune; and, when she plays, she murders time.
-
-"Who can dance to such music as that?" says Francine. "Finish the
-waltz for her."
-
-Emily naturally hesitates. "How can I take her place, unless she
-asks me?"
-
-Francine laughs scornfully. "Say at once, you want to go back to
-Mr. Mirabel."
-
-"Do you think I should have got up, when you beckoned to me,"
-Emily rejoins, "if I had not wanted to get away from Mr.
-Mirabel?"
-
-Instead of resenting this sharp retort, Francine suddenly breaks
-into good humor. "Come along, you little spit-fire; I'll manage
-it for you."
-
-She leads Emily to the piano, and stops Miss Plym without a word
-of apology: "It's your turn to dance now. Here's Miss Brown
-waiting to relieve you."
-
-Cecilia has not been unobservant, in her own quiet way, of what
-has been going on. Waiting until Francine and Miss Plym are out
-of hearing, she bends over Emily, and says, "My dear, I really do
-think Francine is in love with Mr. Mirabel."
-
-"After having only been a week in the same house with him!" Emily
-exclaims.
-
-"At any rate," said Cecilia, more smartly than usual, "she is
-jealous of _you_."
-
-
-CHAPTER XXXIX.
-
-FEIGNING.
-
-The next morning, Mr. Mirabel took two members of the circle at
-Monksmoor by surprise. One of them was Emily; and one of them was
-the master of the house.
-
-Seeing Emily alone in the garden before breakfast, he left his
-room and joined her. "Let me say one word," he pleaded, "before
-we go to breakfast. I am grieved to think that I was so
-unfortunate as to offend you, last night."
-
-Emily's look of astonishment answered for her before she could
-speak. "What can I have said or done," she asked, "to make you
-think that?"
-
-"Now I breathe again!" he cried, with the boyish gayety of manner
-which was one of the secrets of his popularity among women. "I
-really feared that I had spoken thoughtlessly. It is a terrible
-confession for a clergyman to make--but it is not the less true
-that I am one of the most indiscreet men living. It is my rock
-ahead in life that I say the first thing which comes uppermost,
-without stopping to think. Being well aware of my own defects, I
-naturally distrust myself."
-
-"Even in the pulpit?" Emily inquired.
-
-He laughed with the readiest appreciation of the satire--although
-it was directed against himself.
-
-"I like that question," he said; "it tells me we are as good
-friends again as ever. The fact is, the sight of the
-congregation, when I get into the pulpit, has the same effect
-upon me that the sight of the footlights has on an actor. All
-oratory (though my clerical brethren are shy of confessing it) is
-acting--without the scenery and the costumes. Did you really mean
-it, last night, when you said you would like to hear me preach?"
-
-"Indeed, I did."
-
-"How very kind of you. I don't think myself the sermon is worth
-the sacrifice. (There is another specimen of my indiscreet way of
-talking!) What I mean is, that you will have to get up early on
-Sunday morning, and drive twelve miles to the damp and dismal
-little village, in which I officiate for a man with a rich wife
-who likes the climate of Italy. My congregation works in the
-fields all the week, and naturally enough goes to sleep in church
-on Sunday. I have had to counteract that. Not by preaching! I
-wouldn't puzzle the poor people with my eloquence for the world.
-No, no: I tell them little stories out of the Bible--in a nice
-easy gossiping way. A quarter of an hour is my limit of time;
-and, I am proud to say, some of them (mostly the women) do to a
-certain extent keep awake. If you and the other ladies decide to
-honor me, it is needless to say you shall have one of my grand
-efforts. What will be the effect on my unfortunate flock remains
-to be seen. I will have the church brushed up, and luncheon of
-course at the parsonage. Beans, bacon, and beer--I haven't got
-anything else in the house. Are you rich? I hope not!"
-
-"I suspect I am quite as poor as you are, Mr. Mirabel."
-
-"I am delighted to hear it. (More of my indiscretion!) Our
-poverty is another bond between us."
-
-Before he could enlarge on this text, the breakfast bell rang.
-
-He gave Emily his arm, quite satisfied with the result of the
-morning's talk. In speaking seriously to her on the previous
-night, he had committed the mistake of speaking too soon. To
-amend this false step, and to recover his position in Emily's
-estimation, had been his object in view--and it had been
-successfully accomplished. At the breakfast-table that morning,
-the companionable clergyman was more amusing than ever.
-
-The meal being over, the company dispersed as usual--with the one
-exception of Mirabel. Without any apparent reason, he kept his
-place at the table. Mr. Wyvil, the most courteous and considerate
-of men, felt
- it an attention due to his guest not to leave the room first.
-All that he could venture to do was to give a little hint. "Have
-you any plans for the morning?" he asked.
-
-"I have a plan that depends entirely on yourself," Mirabel
-answered; "and I am afraid of being as indiscreet as usual, if I
-mention it. Your charming daughter tells me you play on the
-violin."
-
-Modest Mr. Wyvil looked confused. "I hope you have not been
-annoyed," he said; "I practice in a distant room so that nobody
-may hear me."
-
-"My dear sir, I am eager to hear you! Music is my passion; and
-the violin is my favorite instrument."
-
-Mr. Wyvil led the way to his room, positively blushing with
-pleasure. Since the death of his wife he had been sadly in want
-of a little encouragement. His daughters and his friends were
-careful--over-careful, as he thought--of intruding on him in his
-hours of practice. And, sad to say, his daughters and his friends
-were, from a musical point of view, perfectly right.
-
-Literature has hardly paid sufficient attention to a social
-phenomenon of a singularly perplexing kind. We hear enough, and
-more than enough, of persons who successfully cultivate the
-Arts--of the remarkable manner in which fitness for their
-vocation shows itself in early life, of the obstacles which
-family prejudice places in their way, and of the unremitting
-devotion which has led to the achievement of glorious results.
-
-But how many writers have noticed those other incomprehensible
-persons, members of families innocent for generations past of
-practicing Art or caring for Art, who have notwithstanding
-displayed from their earliest years the irresistible desire to
-cultivate poetry, painting, or music; who have surmounted
-obstacles, and endured disappointments, in the single-hearted
-resolution to devote their lives to an intellectual
-pursuit--being absolutely without the capacity which proves the
-vocation, and justifies the sacrifice. Here is Nature, "unerring
-Nature," presented in flat contradiction with herself. Here are
-men bent on performing feats of running, without having legs; and
-women, hopelessly barren, living in constant expectation of large
-families to the end of their days. The musician is not to be
-found more completely deprived than Mr. Wyvil of natural capacity
-for playing on an instrument--and, for twenty years past, it had
-been the pride and delight of his heart to let no day of his life
-go by without practicing on the violin.
-
-"I am sure I must be tiring you," he said politely--after having
-played without mercy for an hour and more.
-
-No: the insatiable amateur had his own purpose to gain, and was
-not exhausted yet. Mr. Wyvil got up to look for some more music.
-In that interval desultory conversation naturally took place.
-Mirabel contrived to give it the necessary direction--the
-direction of Emily.
-
-"The most delightful girl I have met with for many a long year
-past!" Mr. Wyvil declared warmly. "I don't wonder at my daughter
-being so fond of her. She leads a solitary life at home, poor
-thing; and I am honestly glad to see her spirits reviving in my
-house."
-
-"An only child?" Mirabel asked.
-
-In the necessary explanation that followed, Emily's isolated
-position in the world was revealed in few words. But one more
-discovery--the most important of all--remained to be made. Had
-she used a figure of speech in saying that she was as poor as
-Mirabel himself? or had she told him the shocking truth? He put
-the question with perfect delicacy---but with unerring directness
-as well.
-
-Mr. Wyvil, quoting his daughter's authority, described Emily's
-income as falling short even of two hundred a year. Having made
-that disheartening reply, he opened another music book. "You know
-this sonata, of course?" he said. The next moment, the violin was
-under his chin and the performance began.
-
-While Mirabel was, to all appearance, listening with the utmost
-attention, he was actually endeavoring to reconcile himself to a
-serious sacrifice of his own inclinations. If he remained much
-longer in the same house with Emily, the impression that she had
-produced on him would be certainly strengthened--and he would be
-guilty of the folly of making an offer of marriage to a woman who
-was as poor as himself. The one remedy that could be trusted to
-preserve him from such infatuation as this, was absence. At the
-end of the week, he had arranged to return to Vale Regis for his
-Sunday duty; engaging to join his friends again at Monksmoor on
-the Monday following. That rash promise, there could be no
-further doubt about it, must not be fulfilled.
-
-He had arrived at this resolution, when the terrible activity of
-Mr. Wyvil's bow was suspended by the appearance of a third person
-in the room.
-
-Cecilia's maid was charged with a neat little three-cornered note
-from her young lady, to be presented to her master. Wondering why
-his daughter should write to him, Mr. Wyvil opened the note, and
-was informed of Cecilia's motive in these words:
-
-"DEAREST PAPA--I hear Mr. Mirabel is with you, and as this is a
-secret, I must write. Emily has received a very strange letter
-this morning, which puzzles her and alarms me. When you are quite
-at liberty, we shall be so much obliged if you will tell us how
-Emily ought to answer it."
-
-Mr. Wyvil stopped Mirabel, on the point of trying to escape from
-the music. "A little domestic matter to attend to," he said. "But
-we will finish the sonata first."
-
-
-CHAPTER XL.
-
-CONSULTING.
-
-Out of the music room, and away from his violin, the sound side
-of Mr. Wyvil's character was free to assert itself. In his public
-and in his private capacity, he was an eminently sensible man.
-
-As a member of parliament, he set an example which might have
-been followed with advantage by many of his colleagues. In the
-first place he abstained from hastening the downfall of
-representative institutions by asking questions and making
-speeches. In the second place, he was able to distinguish between
-the duty that he owed to his party, and the duty that he owed to
-his country. When the Legislature acted politically--that is to
-say, when it dealt with foreign complications, or electoral
-reforms--he followed his leader. When the Legislature acted
-socially--that is to say, for the good of the people--he followed
-his conscience. On the last occasion when the great Russian
-bugbear provoked a division, he voted submissively with his
-Conservative allies. But, when the question of opening museums
-and picture galleries on Sundays arrayed the two parties in
-hostile camps, he broke into open mutiny, and went over to the
-Liberals. He consented to help in preventing an extension of the
-franchise; but he refused to be concerned in obstructing the
-repeal of taxes on knowledge. "I am doubtful in the first case,"
-he said, "but I am sure in the second." He was asked for an
-explanation: "Doubtful of what? and sure of what?" To the
-astonishment of his leader, he answered: "The benefit to the
-people." The same sound sense appeared in the transactions of his
-private life. Lazy and dishonest servants found that the gentlest
-of masters had a side to his character which took them by
-surprise. And, on certain occasions in the experience of Cecilia
-and her sister, the most indulgent of fathers proved to be as
-capable of saying No, as the sternest tyrant who ever ruled a
-fireside.
-
-Called into council by his daughter and his guest, Mr. Wyvil
-assisted them by advice which was equally wise and kind--but
-which afterward proved, under the perverse influence of
-circumstances, to be advice that he had better not have given.
-
-The letter to Emily which Cecilia had recommended to her father's
-consideration, had come from Netherwoods, and had been written by
-Alban Morris.
-
-He assured Emily that he had only decided on writing to her,
-after some hesitation, in the hope of serving interests which he
-did not himself understand, but which might prove to be interests
-worthy of consideration, nevertheless. Having stated his motive
-in these terms, he proceeded to relate what had passed between
-Miss Jethro and himself. On the subject of Francine, Alban only
-ventured to add that she had not produced a favorable impression
-on him, and that he could not think her
- likely, on further experience, to prove a desirable friend.
-
-On the last leaf were added some lines, which Emily was at no
-loss how to answer. She had folded back the page, so that no eyes
-but her own should see how the poor drawing-master finished his
-letter: "I wish you all possible happiness, my dear, among your
-new friends; but don't forget the old friend who thinks of you,
-and dreams of you, and longs to see you again. The little world I
-live in is a dreary world, Emily, in your absence. Will you write
-to me now and then, and encourage me to hope?"
-
-Mr. Wyvil smiled, as he looked at the folded page, which hid the
-signature.
-
-"I suppose I may take it for granted," he said slyly, "that this
-gentleman really has your interests at heart? May I know who he
-is?"
-
-Emily answered the last question readily enough. Mr. Wyvil went
-on with his inquiries. "About the mysterious lady, with the
-strange name," he proceeded--"do you know anything of her?"
-
-Emily related what she knew; without revealing the true reason
-for Miss Jethro's departure from Netherwoods. In after years, it
-was one of her most treasured remembrances, that she had kept
-secret the melancholy confession which had startled her, on the
-last night of her life at school.
-
-Mr. Wyvil looked at Alban's letter again. "Do you know how Miss
-Jethro became acquainted with Mr. Mirabel?" he asked.
-
-"I didn't even know that they were acquainted."
-
-"Do you think it likely--if Mr. Morris had been talking to you
-instead of writing to you--that he might have said more than he
-has said in his letter?"
-
-Cecilia had hitherto remained a model of discretion. Seeing Emily
-hesitate, temptation overcame her. "Not a doubt of it, papa!" she
-declared confidently.
-
-"Is Cecilia right?" Mr. Wyvil inquired.
-
-Reminded in this way of her influence over Alban, Emily could
-only make one honest reply. She admitted that Cecilia was right.
-
-Mr. Wyvil thereupon advised her not to express any opinion, until
-she was in a better position to judge for herself. "When you
-write to Mr. Morris," he continued, "say that you will wait to
-tell him what you think of Miss Jethro, until you see him again."
-
-"I have no prospect at present of seeing him again," Emily said.
-
-"You can see Mr. Morris whenever it suits him to come here," Mr.
-Wyvil replied. "I will write and ask him to visit us, and you can
-inclose the invitation in your letter."
-
-"Oh, Mr. Wyvil, how good of you!"
-
-"Oh, papa, the very thing I was going to ask you to do!"
-
-The excellent master of Monksmoor looked unaffectedly surprised.
-"What are you two young ladies making a fuss about?" he said.
-"Mr. Morris is a gentleman by profession; and--may I venture to
-say it, Miss Emily?--a valued friend of yours as well. Who has a
-better claim to be one of my guests?"
-
-Cecilia stopped her father as he was about to leave the room. "I
-suppose we mustn't ask Mr. Mirabel what he knows of Miss Jethro?"
-she said.
-
-"My dear, what can you be thinking of? What right have we to
-question Mr. Mirabel about Miss Jethro?"
-
-"It's so very unsatisfactory, papa. There must be some reason why
-Emily and Mr. Mirabel ought not to meet--or why should Miss
-Jethro have been so very earnest about it?"
-
-"Miss Jethro doesn't intend us to know why, Cecilia. It will
-perhaps come out in time. Wait for time."
-
-Left together, the girls discussed the course which Alban would
-probably take, on receiving Mr. Wyvil's invitation.
-
-"He will only be too glad," Cecilia asserted, "to have the
-opportunity of seeing you again."
-
-"I doubt whether he will care about seeing me again, among
-strangers," Emily replied. "And you forget that there are
-obstacles in his way. How is he to leave his class?"
-
-"Quite easily! His class doesn't meet on the Saturday
-half-holiday. He can be here, if he starts early, in time for
-luncheon; and he can stay till Monday or Tuesday."
-
-"Who is to take his place at the school?"
-
-"Miss Ladd, to be sure--if _you_ make a point of it. Write to
-her, as well as to Mr. Morris."
-
-The letters being written--and the order having been given to
-prepare a room for the expected guest--Emily and Cecilia returned
-to the drawing-room. They found the elders of the party variously
-engaged--the men with newspapers, and the ladies with work.
-Entering the conservatory next, they discovered Cecilia's sister
-languishing among the flowers in an easy chair. Constitutional
-laziness, in some young ladies, assumes an invalid character, and
-presents the interesting spectacle of perpetual convalescence.
-The doctor declared that the baths at St. Moritz had cured Miss
-Julia. Miss Julia declined to agree with the doctor.
-
-"Come into the garden with Emily and me," Cecilia said.
-
-"Emily and you don't know what it is to be ill," Julia answered.
-
-The two girls left her, and joined the young people who were
-amusing themselves in the garden. Francine had taken possession
-of Mirabel, and had condemned him to hard labor in swinging her.
-He made an attempt to get away when Emily and Cecilia approached,
-and was peremptorily recalled to his duty. "Higher!" cried Miss
-de Sor, in her hardest tones of authority. "I want to swing
-higher than anybody else!" Mirabel submitted with gentleman-like
-resignation, and was rewarded by tender encouragement expressed
-in a look.
-
-"Do you see that?" Cecilia whispered. "He knows how rich she
-is--I wonder whether he will marry her."
-
-Emily smiled. "I doubt it, while he is in this house," she said.
-"You are as rich as Francine--and don't forget that you have
-other attractions as well."
-
-Cecilia shook her head. "Mr. Mirabel is very nice," she admitted;
-"but I wouldn't marry him. Would you?"
-
-Emily secretly compared Alban with Mirabel. "Not for the world!"
-she answered.
-
-The next day was the day of Mirabel's departure. His admirers
-among the ladies followed him out to the door, at which Mr.
-Wyvil's carriage was waiting. Francine threw a nosegay after the
-departing guest as he got in. "Mind you come back to us on
-Monday!" she said. Mirabel bowed and thanked her; but his last
-look was for Emily, standing apart from the others at the top of
-the steps. Francine said nothing; her lips closed
-convulsively--she turned suddenly pale.
-
-
-CHAPTER XLI.
-
-SPEECHIFYING.
-
-On the Monday, a plowboy from Vale Regis arrived at Monksmoor.
-
-In respect of himself, he was a person beneath notice. In respect
-of his errand, he was sufficiently important to cast a gloom over
-the household. The faithless Mirabel had broken his engagement,
-and the plowboy was the herald of misfortune who brought his
-apology. To his great disappointment (he wrote) he was detained
-by the affairs of his parish. He could only trust to Mr. Wyvil's
-indulgence to excuse him, and to communicate his sincere sense of
-regret (on scented note paper) to the ladies.
-
-Everybody believed in the affairs of the parish--with the
-exception of Francine. "Mr. Mirabel has made the best excuse he
-could think of for shortening his visit; and I don't wonder at
-it," she said, looking significantly at Emily.
-
-Emily was playing with one of the dogs; exercising him in the
-tricks which he had learned. She balanced a morsel of sugar on
-his nose--and had no attention to spare for Francine.
-
-Cecilia, as the mistress of the house, felt it her duty to
-interfere. "That is a strange remark to make," she answered. "Do
-you mean to say that we have driven Mr. Mirabel away from us?"
-
-"I accuse nobody," Francine began with spiteful candor.
-
-"Now she's going to accuse everybody!" Emily interposed,
-addressing herself facetiously to the dog.
-
-"But when girls are bent on fascinating men, whether they like it
-or not," Francine proceeded, "men have only one alternative--they
-must keep out of the way." She looked again at Emily, more
-pointedly than ever.
-
-Even gentle Cecilia resented this. "Whom do you refer to?" she
-said sharply.
-
-"My dear!" Emily remonstrated, "need you ask?" She glanced at
-Francine as she spoke, and then gave the dog his signal. He
-tossed up the sugar, and caught it in his mouth. His audience
-applauded him--and so, for that time, the skirmish ended.
-
-Among the letters of the next morning's delivery, arrived Alban's
-reply. Emily's anticipations proved to be correct. The
-drawing-master's du ties would not permit him to leave
-Netherwoods; and he, like Mirabel, sent his apologies. His short
-letter to Emily contained no further allusion to Miss Jethro; it
-began and ended on the first page.
-
-Had he been disappointed by the tone of reserve in which Emily
-had written to him, under Mr. Wyvil's advice? Or (as Cecilia
-suggested) had his detention at the school so bitterly
-disappointed him that he was too disheartened to write at any
-length? Emily made no attempt to arrive at a conclusion, either
-one way or the other. She seemed to be in depressed spirits; and
-she spoke superstitiously, for the first time in Cecilia's
-experience of her.
-
-"I don't like this reappearance of Miss Jethro," she said. "If
-the mystery about that woman is ever cleared up, it will bring
-trouble and sorrow to me--and I believe, in his own secret heart,
-Alban Morris thinks so too."
-
-"Write, and ask him," Cecilia suggested.
-
-"He is so kind and so unwilling to distress me," Emily answered,
-"that he wouldn't acknowledge it, even if I am right."
-
-In the middle of the week, the course of private life at
-Monksmoor suffered an interruption--due to the parliamentary
-position of the master of the house.
-
-The insatiable appetite for making and hearing speeches, which
-represents one of the marked peculiarities of the English race
-(including their cousins in the United States), had seized on Mr.
-Wyvil's constituents. There was to be a political meeting at the
-market hall, in the neighboring town; and the member was expected
-to make an oration, passing in review contemporary events at home
-and abroad. "Pray don't think of accompanying me," the good man
-said to his guests. "The hall is badly ventilated, and the
-speeches, including my own, will not be worth hearing."
-
-This humane warning was ungratefully disregarded. The gentlemen
-were all interested in "the objects of the meeting"; and the
-ladies were firm in the resolution not to be left at home by
-themselves. They dressed with a view to the large assembly of
-spectators before whom they were about to appear; and they
-outtalked the men on political subjects, all the way to the town.
-
-The most delightful of surprises was in store for them, when they
-reached the market hall. Among the crowd of ordinary gentlemen,
-waiting under the portico until the proceedings began, appeared
-one person of distinction, whose title was "Reverend," and whose
-name was Mirabel.
-
-Francine was the first to discover him. She darted up the steps
-and held out her hand.
-
-"This _is_ a pleasure!" she cried. "Have you come here to see--"
-she was about to say Me, but, observing the strangers round her,
-altered the word to Us. "Please give me your arm," she whispered,
-before her young friends had arrived within hearing. "I am so
-frightened in a crowd!"
-
-She held fast by Mirabel, and kept a jealous watch on him. Was it
-only her fancy? or did she detect a new charm in his smile when
-he spoke to Emily?
-
-Before it was possible to decide, the time for the meeting had
-arrived. Mr. Wyvil's friends were of course accommodated with
-seats on the platform. Francine, still insisting on her claim to
-Mirabel's arm, got a chair next to him. As she seated herself,
-she left him free for a moment. In that moment, the infatuated
-man took an empty chair on the other side of him, and placed it
-for Emily. He communicated to that hated rival the information
-which he ought to have reserved for Francine. "The committee
-insist," he said, "on my proposing one of the Resolutions. I
-promise not to bore you; mine shall be the shortest speech
-delivered at the meeting."
-
-The proceedings began.
-
-Among the earlier speakers not one was inspired by a feeling of
-mercy for the audience. The chairman reveled in words. The mover
-and seconder of the first Resolution (not having so much as the
-ghost of an idea to trouble either of them), poured out language
-in flowing and overflowing streams, like water from a perpetual
-spring. The heat exhaled by the crowded audience was already
-becoming insufferable. Cries of "Sit down!" assailed the orator
-of the moment. The chairman was obliged to interfere. A man at
-the back of the hall roared out, "Ventilation!" and broke a
-window with his stick. He was rewarded with three rounds of
-cheers; and was ironically invited to mount the platform and take
-the chair.
-
-Under these embarrassing circumstances, Mirabel rose to speak.
-
-He secured silence, at the outset, by a humorous allusion to the
-prolix speaker who had preceded him. "Look at the clock,
-gentlemen," he said; "and limit my speech to an interval of ten
-minutes." The applause which followed was heard, through the
-broken window, in the street. The boys among the mob outside
-intercepted the flow of air by climbing on each other's shoulders
-and looking in at the meeting, through the gaps left by the
-shattered glass. Having proposed his Resolution with discreet
-brevity of speech, Mirabel courted popularity on the plan adopted
-by the late Lord Palmerston in the House of Commons--he told
-stories, and made jokes, adapted to the intelligence of the
-dullest people who were listening to him. The charm of his voice
-and manner completed his success. Punctually at the tenth minute,
-he sat down amid cries of "Go on." Francine was the first to take
-his hand, and to express admiration mutely by pressing it. He
-returned the pressure--but he looked at the wrong lady--the lady
-on the other side.
-
-Although she made no complaint, he instantly saw that Emily was
-overcome by the heat. Her lips were white, and her eyes were
-closing. "Let me take you out," he said, "or you will faint."
-
-Francine started to her feet to follow them. The lower order of
-the audience, eager for amusement, put their own humorous
-construction on the young lady's action. They roared with
-laughter. "Let the parson and his sweetheart be," they called
-out; "two's company, miss, and three isn't." Mr. Wyvil interposed
-his authority and rebuked them. A lady seated behind Francine
-interfered to good purpose by giving her a chair, which placed
-her out of sight of the audience. Order was restored--and the
-proceedings were resumed.
-
-On the conclusion of the meeting, Mirabel and Emily were found
-waiting for their friends at the door. Mr. Wyvil innocently added
-fuel to the fire that was burning in Francine. He insisted that
-Mirabel should return to Monksmoor, and offered him a seat in the
-carriage at Emily's side.
-
-Later in the evening, when they all met at dinner, there appeared
-a change in Miss de Sor which surprised everybody but Mirabel.
-She was gay and good-humored, and especially amiable and
-attentive to Emily--who sat opposite to her at the table. "What
-did you and Mr. Mirabel talk about while you were away from us?"
-she asked innocently. "Politics?"
-
-Emily readily adopted Francine's friendly tone. "Would you have
-talked politics, in my place?" she asked gayly.
-
-"In your place, I should have had the most delightful of
-companions," Francine rejoined; "I wish I had been overcome by
-the heat too!"
-
-Mirabel--attentively observing her--acknowledged the compliment
-by a bow, and left Emily to continue the conversation. In perfect
-good faith she owned to having led Mirabel to talk of himself.
-She had heard from Cecilia that his early life had been devoted
-to various occupations, and she was interested in knowing how
-circumstances had led him into devoting himself to the Church.
-Francine listened with the outward appearance of implicit belief,
-and with the inward conviction that Emily was deliberately
-deceiving her. When the little narrative was at an end, she was
-more agreeable than ever. She admired Emily's dress, and she
-rivaled Cecilia in enjoyment of the good things on the table; she
-entertained Mirabel with humorous anecdotes of the priests at St.
-Domingo, and was so interested in the manufacture of violins,
-ancient and modern, that Mr. Wyvil promised to show her his
-famous collection of instruments, after dinner. Her overflowing
-amiability included even poor Miss Darnaway and the absent
-brothers and sisters. She heard with flattering sympathy, how
-they had been ill and had got well again; what amusing tricks
-they played, what alarming accidents happened to them, a nd how
-remarkably clever they were--"including, I do assure you, dear
-Miss de Sor, the baby only ten months old." When the ladies rose
-to retire, Francine was, socially speaking, the heroine of the
-evening.
-
-While the violins were in course of exhibition, Mirabel found an
-opportunity of speaking to Emily, unobserved.
-
-"Have you said, or done, anything to offend Miss de Sor?" he
-asked.
-
-"Nothing whatever!" Emily declared, startled by the question.
-"What makes you think I have offended her?"
-
-"I have been trying to find a reason for the change in her,"
-Mirabel answered--"especially the change toward yourself."
-
-"Well?"
-
-"Well--she means mischief."
-
-"Mischief of what sort?"
-
-"Of a sort which may expose her to discovery--unless she disarms
-suspicion at the outset. That is (as I believe) exactly what she
-has been doing this evening. I needn't warn you to be on your
-guard."
-
-All the next day Emily was on the watch for events--and nothing
-happened. Not the slightest appearance of jealousy betrayed
-itself in Francine. She made no attempt to attract to herself the
-attentions of Mirabel; and she showed no hostility to Emily,
-either by word, look, or manner.
-
-. . . . . . . .
-
-The day after, an event occurred at Netherwoods. Alban Morris
-received an anonymous letter, addressed to him in these terms:
-
-"A certain young lady, in whom you are supposed to be interested,
-is forgetting you in your absence. If you are not mean enough to
-allow yourself to be supplanted by another man, join the party at
-Monksmoor before it is too late."
-
-
-CHAPTER XLII.
-
-COOKING.
-
-The day after the political meeting was a day of departures, at
-the pleasant country house.
-
-Miss Darnaway was recalled to the nursery at home. The old squire
-who did justice to Mr. Wyvil's port-wine went away next, having
-guests to entertain at his own house. A far more serious loss
-followed. The three dancing men had engagements which drew them
-to new spheres of activity in other drawing-rooms. They said,
-with the same dreary grace of manner, "Very sorry to go"; they
-drove to the railway, arrayed in the same perfect traveling suits
-of neutral tint; and they had but one difference of opinion among
-them--each firmly believed that he was smoking the best cigar to
-be got in London.
-
-The morning after these departures would have been a dull morning
-indeed, but for the presence of Mirabel.
-
-When breakfast was over, the invalid Miss Julia established
-herself on the sofa with a novel. Her father retired to the other
-end of the house, and profaned the art of music on music's most
-expressive instrument. Left with Emily, Cecilia, and Francine,
-Mirabel made one of his happy suggestions. "We are thrown on our
-own resources," he said. "Let us distinguish ourselves by
-inventing some entirely new amusement for the day. You young
-ladies shall sit in council--and I will be secretary." He turned
-to Cecilia. "The meeting waits to hear the mistress of the
-house."
-
-Modest Cecilia appealed to her school friends for help;
-addressing herself in the first instance (by the secretary's
-advice) to Francine, as the eldest. They all noticed another
-change in this variable young person. She was silent and subdued;
-and she said wearily, "I don't care what we do--shall we go out
-riding?"
-
-The unanswerable objection to riding as a form of amusement, was
-that it had been more than once tried already. Something clever
-and surprising was anticipated from Emily when it came to her
-turn. She, too, disappointed expectation. "Let us sit under the
-trees," was all that she could suggest, "and ask Mr. Mirabel to
-tell us a story."
-
-Mirabel laid down his pen and took it on himself to reject this
-proposal. "Remember," he remonstrated, "that I have an interest
-in the diversions of the day. You can't expect me to be amused by
-my own story. I appeal to Miss Wyvil to invent a pleasure which
-will include the secretary."
-
-Cecilia blushed and looked uneasy. "I think I have got an idea,"
-she announced, after some hesitation. "May I propose that we all
-go to the keeper's lodge?" There her courage failed her, and she
-hesitated again.
-
-Mirabel gravely registered the proposal, as far as it went. "What
-are we to do when we get to the keeper's lodge?" he inquired.
-
-"We are to ask the keeper's wife," Cecilia proceeded, "to lend us
-her kitchen."
-
-"To lend us her kitchen," Mirabel repeated.
-
-"And what are we to do in the kitchen?"
-
-Cecilia looked down at her pretty hands crossed on her lap, and
-answered softly, "Cook our own luncheon."
-
-Here was an entirely new amusement, in the most attractive sense
-of the words! Here was charming Cecilia's interest in the
-pleasures of the table so happily inspired, that the grateful
-meeting offered its tribute of applause--even including Francine.
-The members of the council were young; their daring digestions
-contemplated without fear the prospect of eating their own
-amateur cookery. The one question that troubled them now was what
-they were to cook.
-
-"I can make an omelet," Cecilia ventured to say.
-
-"If there is any cold chicken to be had," Emily added, "I
-undertake to follow the omelet with a mayonnaise."
-
-"There are clergymen in the Church of England who are even clever
-enough to fry potatoes," Mirabel announced--"and I am one of
-them. What shall we have next? A pudding? Miss de Sor, can you
-make a pudding?"
-
-Francine exhibited another new side to her character--a diffident
-and humble side. "I am ashamed to say I don't know how to cook
-anything," she confessed; "you had better leave me out of it."
-
-But Cecilia was now in her element. Her plan of operations was
-wide enough even to include Francine. "You shall wash the
-lettuce, my dear, and stone the olives for Emily's mayonnaise.
-Don't be discouraged! You shall have a companion; we will send to
-the rectory for Miss Plym--the very person to chop parsley and
-shallot for my omelet. Oh, Emily, what a morning we are going to
-have!" Her lovely blue eyes sparkled with joy; she gave Emily a
-kiss which Mirabel must have been more or less than man not to
-have coveted. "I declare," cried Cecilia, completely losing her
-head, "I'm so excited, I don't know what to do with myself!"
-
-Emily's intimate knowledge of her friend applied the right
-remedy. "You don't know what to do with yourself?" she repeated.
-"Have you no sense of duty? Give the cook your orders."
-
-Cecilia instantly recovered her presence of mind. She sat down at
-the writing-table, and made out a list of eatable productions in
-the animal and vegetable world, in which every other word was
-underlined two or three times over. Her serious face was a sight
-to see, when she rang for the cook, and the two held a privy
-council in a corner.
-
-On the way to the keeper's lodge, the young mistress of the house
-headed a procession of servants carrying the raw materials.
-Francine followed, held in custody by Miss Plym--who took her
-responsibilities seriously, and clamored for instruction in the
-art of chopping parsley. Mirabel and Emily were together, far
-behind; they were the only two members of the company whose minds
-were not occupied in one way or another by the kitchen.
-
-"This child's play of ours doesn't seem to interest you," Mirabel
-remarked
-
-"I am thinking," Emily answered, "of what you said to me about
-Francine."
-
-"I can say something more," he rejoined. "When I noticed the
-change in her at dinner, I told you she meant mischief. There is
-another change to-day, which suggests to my mind that the
-mischief is done."
-
-"And directed against me?" Emily asked.
-
-Mirabel made no direct reply. It was impossible for _him_ to
-remind her that she had, no matter how innocently, exposed
-herself to the jealous hatred of Francine. "Time will tell us,
-what we don't know now," he replied evasively.
-
-"You seem to have faith in time, Mr. Mirabel."
-
-"The greatest faith. Time is the inveterate enemy of deceit.
-Sooner or later, every hidden thing is a thing doomed to
-discovery."
-
-"Without exception?"
-
-"Yes," he answered positively, "without exception."
-
-At that moment Francine stopped and looked back at them. Did she
-think that Emily and Mirabel had been talking together long
-enough? Miss Plym--with the parsley still on her mind---advanced
-to consult Emil y's experience. The two walked on together,
-leaving Mirabel to overtake Francine. He saw, in her first look
-at him, the effort that it cost her to suppress those emotions
-which the pride of women is most deeply interested in concealing.
-Before a word had passed, he regretted that Emily had left them
-together.
-
-"I wish I had your cheerful disposition," she began, abruptly. "I
-am out of spirits or out of temper--I don't know which; and I
-don't know why. Do you ever trouble yourself with thinking of the
-future?"
-
-"As seldom as possible, Miss de Sor. In such a situation as mine,
-most people have prospects--I have none."
-
-He spoke gravely, conscious of not feeling at ease on his side.
-If he had been the most modest man that ever lived, he must have
-seen in Francine's face that she loved him.
-
-When they had first been presented to each other, she was still
-under the influence of the meanest instincts in her scheming and
-selfish nature. She had thought to herself, "With my money to
-help him, that man's celebrity would do the rest; the best
-society in England would be glad to receive Mirabel's wife. "As
-the days passed, strong feeling had taken the place of those
-contemptible aspirations: Mirabel had unconsciously inspired the
-one passion which was powerful enough to master Francine--sensual
-passion. Wild hopes rioted in her. Measureless desires which she
-had never felt before, united themselves with capacities for
-wickedness, which had been the horrid growth of a few
-nights--capacities which suggested even viler attempts to rid
-herself of a supposed rivalry than slandering Emily by means of
-an anonymous letter. Without waiting for it to be offered, she
-took Mirabel's arm, and pressed it to her breast as they slowly
-walked on. The fear of discovery which had troubled her after she
-had sent her base letter to the post, vanished at that
-inspiriting moment. She bent her head near enough to him when he
-spoke to feel his breath on her face.
-
-"There is a strange similarity," she said softly, "between your
-position and mine. Is there anything cheering in _my_ prospects?
-I am far away from home--my father and mother wouldn't care if
-they never saw me again. People talk about my money! What is the
-use of money to such a lonely wretch as I am? Suppose I write to
-London, and ask the lawyer if I may give it all away to some
-deserving person? Why not to you?"
-
-"My dear Miss de Sor--!"
-
-"Is there anything wrong, Mr. Mirabel, in wishing that I could
-make you a prosperous man?"
-
-"You must not even talk of such a thing!"
-
-"How proud you are!" she said submissively.
-
-"Oh, I can't bear to think of you in that miserable village--a
-position so unworthy of your talents and your claims! And you
-tell me I must not talk about it. Would you have said that to
-Emily, if she was as anxious as I am to see you in your right
-place in the world?"
-
-"I should have answered her exactly as I have answered you."
-
-"She will never embarrass you, Mr. Mirabel, by being as sincere
-as I am. Emily can keep her own secrets."
-
-"Is she to blame for doing that?"
-
-"It depends on your feeling for her."
-
-"What feeling do you mean?"
-
-"Suppose you heard she was engaged to be married?" Francine
-suggested.
-
-Mirabel's manner--studiously cold and formal thus far--altered on
-a sudden. He looked with unconcealed anxiety at Francine. "Do you
-say that seriously?" he asked.
-
-"I said 'suppose.' I don't exactly know that she is engaged."
-
-"What _do_ you know?"
-
-"Oh, how interested you are in Emily! She is admired by some
-people. Are you one of them?"
-
-Mirabel's experience of women warned him to try silence as a
-means of provoking her into speaking plainly. The experiment
-succeeded: Francine returned to the question that he had put to
-her, and abruptly answered it.
-
-"You may believe me or not, as you like--I know of a man who is
-in love with her. He has had his opportunities; and he has made
-good use of them. Would you like to know who he is?"
-
-"I should like to know anything which you may wish to tell me."
-He did his best to make the reply in a tone of commonplace
-politeness--and he might have succeeded in deceiving a man. The
-woman's quicker ear told her that he was angry. Francine took the
-full advantage of that change in her favor.
-
-"I am afraid your good opinion of Emily will be shaken," she
-quietly resumed, "when I tell you that she has encouraged a man
-who is only drawing-master at a school. At the same time, a
-person in her circumstances--I mean she has no money--ought not
-to be very hard to please. Of course she has never spoken to you
-of Mr. Alban Morris?"
-
-"Not that I remember."
-
-Only four words--but they satisfied Francine.
-
-The one thing wanting to complete the obstacle which she had now
-placed in Emily's way, was that Alban Morris should enter on the
-scene. He might hesitate; but, if he was really fond of Emily,
-the anonymous letter would sooner or later bring him to
-Monksmoor. In the meantime, her object was gained. She dropped
-Mirabel's arm.
-
-"Here is the lodge," she said gayly--"I declare Cecilia has got
-an apron on already! Come, and cook."
-
-
-CHAPTER XLIII.
-
-SOUNDING.
-
-Mirabel left Francine to enter the lodge by herself. His mind was
-disturbed: he felt the importance of gaining time for reflection
-before he and Emily met again.
-
-The keeper's garden was at the back of the lodge. Passing through
-the wicket-gate, he found a little summer-house at a turn in the
-path. Nobody was there: he went in and sat down.
-
-At intervals, he had even yet encouraged himself to underrate the
-true importance of the feeling which Emily had awakened in him.
-There was an end to all self-deception now. After what Francine
-had said to him, this shallow and frivolous man no longer
-resisted the all-absorbing influence of love. He shrank under the
-one terrible question that forced itself on his mind:--Had that
-jealous girl spoken the truth?
-
-In what process of investigation could he trust, to set this
-anxiety at rest? To apply openly to Emily would be to take a
-liberty, which Emily was the last person in the world to permit.
-In his recent intercourse with her he had felt more strongly than
-ever the importance of speaking with reserve. He had been
-scrupulously careful to take no unfair advantage of his
-opportunity, when he had removed her from the meeting, and when
-they had walked together, with hardly a creature to observe them,
-in the lonely outskirts of the town. Emily's gaiety and good
-humor had not led him astray: he knew that these were bad signs,
-viewed in the interests of love. His one hope of touching her
-deeper sympathies was to wait for the help that might yet come
-from time and chance. With a bitter sigh, he resigned himself to
-the necessity of being as agreeable and amusing as ever: it was
-just possible that he might lure her into alluding to Alban
-Morris, if he began innocently by making her laugh.
-
-As he rose to return to the lodge, the keeper's little terrier,
-prowling about the garden, looked into the summer-house. Seeing a
-stranger, the dog showed his teeth and growled.
-
-Mirabel shrank back against the wall behind him, trembling in
-every limb. His eyes stared in terror as the dog came nearer:
-barking in high triumph over the discovery of a frightened man
-whom he could bully. Mirabel called out for help. A laborer at
-work in the garden ran to the place--and stopped with a broad
-grin of amusement at seeing a grown man terrified by a barking
-dog. "Well," he said to himself, after Mirabel had passed out
-under protection, "there goes a coward if ever there was one
-yet!"
-
-Mirabel waited a minute behind the lodge to recover himself. He
-had been so completely unnerved that his hair was wet with
-perspiration. While he used his handkerchief, he shuddered at
-other recollections than the recollection of the dog. "After that
-night at the inn," he thought, "the least thing frightens me!"
-
-He was received by the young ladies with cries of derisive
-welcome. "Oh, for shame! for shame! here are the potatoes already
-cut, and nobody to fry them!"
-
-Mirabel assumed the mask of cheerfulness--with the desperate
-resolution of an actor, amusing his audience at a time of
-domestic distress. He astonished the keeper's wife by showin g
-that he really knew how to use her frying-pan. Cecilia's omelet
-was tough--but the young ladies ate it. Emily's mayonnaise sauce
-was almost as liquid as water--they swallowed it nevertheless by
-the help of spoons. The potatoes followed, crisp and dry and
-delicious--and Mirabel became more popular than ever. "He is the
-only one of us," Cecilia sadly acknowledged, "who knows how to
-cook."
-
-When they all left the lodge for a stroll in the park, Francine
-attached herself to Cecilia and Miss Plym. She resigned Mirabel
-to Emily--in the happy belief that she had paved the way for a
-misunderstanding between them.
-
-The merriment at the luncheon table had revived Emily's good
-spirits. She had a light-hearted remembrance of the failure of
-her sauce. Mirabel saw her smiling to herself. "May I ask what
-amuses you?" he said.
-
-"I was thinking of the debt of gratitude that we owe to Mr.
-Wyvil," she replied. "If he had not persuaded you to return to
-Monksmoor, we should never have seen the famous Mr. Mirabel with
-a frying pan in his hand, and never have tasted the only good
-dish at our luncheon."
-
-Mirabel tried vainly to adopt his companion's easy tone. Now that
-he was alone with her, the doubts that Francine had aroused shook
-the prudent resolution at which he had arrived in the garden. He
-ran the risk, and told Emily plainly why he had returned to Mr.
-Wyvil's house.
-
-"Although I am sensible of our host's kindness," he answered, "I
-should have gone back to my parsonage--but for You."
-
-She declined to understand him seriously. "Then the affairs of
-your parish are neglected--and I am to blame!" she said.
-
-"Am I the first man who has neglected his duties for your sake?"
-he asked. "I wonder whether the masters at school had the heart
-to report you when you neglected your lessons?"
-
-She thought of Alban--and betrayed herself by a heightened color.
-The moment after, she changed the subject. Mirabel could no
-longer resist the conclusion that Francine had told him the
-truth.
-
-"When do you leave us," she inquired.
-
-"To-morrow is Saturday--I must go back as usual."
-
-"And how will your deserted parish receive you?"
-
-He made a desperate effort to be as amusing as usual.
-
-"I am sure of preserving my popularity," he said, "while I have a
-cask in the cellar, and a few spare sixpences in my pocket. The
-public spirit of my parishioners asks for nothing but money and
-beer. Before I went to that wearisome meeting, I told my
-housekeeper that I was going to make a speech about reform. She
-didn't know what I meant. I explained that reform might increase
-the number of British citizens who had the right of voting at
-elections for parliament. She brightened up directly. 'Ah,' she
-said, 'I've heard my husband talk about elections. The more there
-are of them (_he_ says) the more money he'll get for his vote.
-I'm all for reform.' On my way out of the house, I tried the man
-who works in my garden on the same subject. He didn't look at the
-matter from the housekeeper's sanguine point of view. 'I don't
-deny that parliament once gave me a good dinner for nothing at
-the public-house,' he admitted. 'But that was years ago--and
-(you'll excuse me, sir) I hear nothing of another dinner to come.
-It's a matter of opinion, of course. I don't myself believe in
-reform.' There are specimens of the state of public spirit in our
-village!" He paused. Emily was listening--but he had not
-succeeded in choosing a subject that amused her. He tried a topic
-more nearly connected with his own interests; the topic of the
-future. "Our good friend has asked me to prolong my visit, after
-Sunday's duties are over," he said. "I hope I shall find you
-here, next week?"
-
-"Will the affairs of your parish allow you to come back?" Emily
-asked mischievously.
-
-"The affairs of my parish--if you force me to confess it--were
-only an excuse."
-
-"An excuse for what?"
-
-"An excuse for keeping away from Monksmoor--in the interests of
-my own tranquillity. The experiment has failed. While you are
-here, I can't keep away."
-
-She still declined to understand him seriously. "Must I tell you
-in plain words that flattery is thrown away on me?" she said.
-
-"Flattery is not offered to you," he answered gravely. "I beg
-your pardon for having led to the mistake by talking of myself."
-Having appealed to her indulgence by that act of submission, he
-ventured on another distant allusion to the man whom he hated and
-feared. "Shall I meet any friends of yours," he resumed, "when I
-return on Monday?"
-
-"What do you mean?"
-
-"I only meant to ask if Mr. Wyvil expects any new guests?"
-
-As he put the question, Cecilia's voice was heard behind them,
-calling to Emily. They both turned round. Mr. Wyvil had joined
-his daughter and her two friends. He advanced to meet Emily.
-
-"I have some news for you that you little expect," he said. "A
-telegram has just arrived from Netherwoods. Mr. Alban Morris has
-got leave of absence, and is coming here to-morrow."
-
-
-CHAPTER XLIV.
-
-COMPETING.
-
-Time at Monksmoor had advanced to the half hour before dinner, on
-Saturday evening.
-
-Cecilia and Francine, Mr. Wyvil and Mirabel, were loitering in
-the conservatory. In the drawing-room, Emily had been
-considerately left alone with Alban. He had missed the early
-train from Netherwoods; but he had arrived in time to dress for
-dinner, and to offer the necessary explanations.
-
-If it had been possible for Alban to allude to the anonymous
-letter, he might have owned that his first impulse had led him to
-destroy it, and to assert his confidence in Emily by refusing Mr.
-Wyvil's invitation. But try as he might to forget them, the base
-words that he had read remained in his memory. Irritating him at
-the outset, they had ended in rousing his jealousy. Under that
-delusive influence, he persuaded himself that he had acted, in
-the first instance, without due consideration. It was surely his
-interest--it might even be his duty--to go to Mr. Wyvil's house,
-and judge for himself. After some last wretched moments of
-hesitation, he had decided on effecting a compromise with his own
-better sense, by consulting Miss Ladd. That excellent lady did
-exactly what he had expected her to do. She made arrangements
-which granted him leave of absence, from the Saturday to the
-Tuesday following. The excuse which had served him, in
-telegraphing to Mr. Wyvil, must now be repeated, in accounting
-for his unexpected appearance to Emily. "I found a person to take
-charge of my class," be said; "and I gladly availed myself of the
-opportunity of seeing you again."
-
-After observing him attentively, while he was speaking to her,
-Emily owned, with her customary frankness, that she had noticed
-something in his manner which left her not quite at her ease.
-
-"I wonder," she said, "if there is any foundation for a doubt
-that has troubled me?" To his unutterable relief, she at once
-explained what the doubt was. "I am afraid I offended you, in
-replying to your letter about Miss Jethro."
-
-In this case, Alban could enjoy the luxury of speaking
-unreservedly. He confessed that Emily's letter had disappointed
-him.
-
-"I expected you to answer me with less reserve," he replied; "and
-I began to think I had acted rashly in writing to you at all.
-When there is a better opportunity, I may have a word to say--"
-He was apparently interrupted by something that he saw in the
-conservatory. Looking that way, Emily perceived that Mirabel was
-the object which had attracted Alban's attention. The vile
-anonymous letter was in his mind again. Without a preliminary
-word to prepare Emily, he suddenly changed the subject. "How do
-you like the clergyman?" he asked.
-
-"Very much indeed," she replied, without the slightest
-embarrassment. "Mr. Mirabel is clever and agreeable--and not at
-all spoiled by his success. I am sure," she said innocently, "you
-will like him too."
-
-Alban's face answered her unmistakably in the negative sense--but
-Emily's attention was drawn the other way by Francine. She joined
-them at the moment, on the lookout for any signs of an
-encouraging result which her treachery might already have
-produced. Alban had been inclined to suspect her when he had
-received the letter. He rose and bowed as she approached.
-Something--he was unable to r ealize what it was--told him, in
-the moment when they looked at each other, that his suspicion had
-hit the mark.
-
-In the conservatory the ever-amiable Mirabel had left his friends
-for a while in search of flowers for Cecilia. She turned to her
-father when they were alone, and asked him which of the gentlemen
-was to take her in to dinner--Mr. Mirabel or Mr. Morris?
-
-"Mr. Morris, of course," he answered. "He is the new guest--and
-he turns out to be more than the equal, socially-speaking, of our
-other friend. When I showed him his room, I asked if he was
-related to a man who bore the same name--a fellow student of
-mine, years and years ago, at college. He is my friend's younger
-son; one of a ruined family--but persons of high distinction in
-their day."
-
-Mirabel returned with the flowers, just as dinner was announced.
-
-"You are to take Emily to-day," Cecilia said to him, leading the
-way out of the conservatory. As they entered the drawing-room,
-Alban was just offering his arm to Emily. "Papa gives you to me,
-Mr. Morris," Cecilia explained pleasantly. Alban hesitated,
-apparently not understanding the allusion. Mirabel interfered
-with his best grace: "Mr. Wyvil offers you the honor of taking
-his daughter to the dining-room." Alban's face darkened
-ominously, as the elegant little clergyman gave his arm to Emily,
-and followed Mr. Wyvil and Francine out of the room. Cecilia
-looked at her silent and surly companion, and almost envied her
-lazy sister, dining--under cover of a convenient headache--in her
-own room.
-
-Having already made up his mind that Alban Morris required
-careful handling, Mirabel waited a little before he led the
-conversation as usual. Between the soup and the fish, he made an
-interesting confession, addressed to Emily in the strictest
-confidence.
-
-"I have taken a fancy to your friend Mr. Morris," he said. "First
-impressions, in my case, decide everything; I like people or
-dislike them on impulse. That man appeals to my sympathies. Is he
-a good talker?"
-
-"I should say Yes," Emily answered prettily, "if _you_ were not
-present."
-
-Mirabel was not to be beaten, even by a woman, in the art of
-paying compliments. He looked admiringly at Alban (sitting
-opposite to him), and said: "Let us listen."
-
-This flattering suggestion not only pleased Emily--it artfully
-served Mirabel's purpose. That is to say, it secured him an
-opportunity for observation of what was going on at the other
-side of the table.
-
-Alban's instincts as a gentleman had led him to control his
-irritation and to regret that he had suffered it to appear.
-Anxious to please, he presented himself at his best. Gentle
-Cecilia forgave and forgot the angry look which had startled her.
-Mr. Wyvil was delighted with the son of his old friend. Emily
-felt secretly proud of the good opinions which her admirer was
-gathering; and Francine saw with pleasure that he was asserting
-his claim to Emily's preference, in the way of all others which
-would be most likely to discourage his rival. These various
-impressions--produced while Alban's enemy was ominously
-silent--began to suffer an imperceptible change, from the moment
-when Mirabel decided that his time had come to take the lead. A
-remark made by Alban offered him the chance for which he had been
-on the watch. He agreed with the remark; he enlarged on the
-remark; he was brilliant and familiar, and instructive and
-amusing--and still it was all due to the remark. Alban's temper
-was once more severely tried. Mirabel's mischievous object had
-not escaped his penetration. He did his best to put obstacles in
-the adversary's way--and was baffled, time after time, with the
-readiest ingenuity. If he interrupted--the sweet-tempered
-clergyman submitted, and went on. If he differed--modest Mr.
-Mirabel said, in the most amiable manner, "I daresay I am wrong,"
-and handled the topic from his opponent's point of view. Never
-had such a perfect Christian sat before at Mr. Wyvil's table: not
-a hard word, not an impatient look, escaped him. The longer Alban
-resisted, the more surely he lost ground in the general
-estimation. Cecilia was disappointed; Emily was grieved; Mr.
-Wyvil's favorable opinion began to waver; Francine was disgusted.
-When dinner was over, and the carriage was waiting to take the
-shepherd back to his flock by moonlight, Mirabel's triumph was
-complete. He had made Alban the innocent means of publicly
-exhibiting his perfect temper and perfect politeness, under their
-best and brightest aspect.
-
-So that day ended. Sunday promised to pass quietly, in the
-absence of Mirabel. The morning came--and it seemed doubtful
-whether the promise would be fulfilled.
-
-Francine had passed an uneasy night. No such encouraging result
-as she had anticipated had hitherto followed the appearance of
-Alban Morris at Monksmoor. He had clumsily allowed Mirabel to
-improve his position--while he had himself lost ground--in
-Emily's estimation. If this first disastrous consequence of the
-meeting between the two men was permitted to repeat itself on
-future occasions, Emily and Mirabel would be brought more closely
-together, and Alban himself would be the unhappy cause of it.
-Francine rose, on the Sunday morning, before the table was laid
-for breakfast--resolved to try the effect of a timely word of
-advice.
-
-Her bedroom was situated in the front of the house. The man she
-was looking for presently passed within her range of view from
-the window, on his way to take a morning walk in the park. She
-followed him immediately.
-
-"Good-morning, Mr. Morris."
-
-He raised his hat and bowed--without speaking, and without
-looking at her.
-
-"We resemble each other in one particular," she proceeded,
-graciously; "we both like to breathe the fresh air before
-breakfast."
-
-He said exactly what common politeness obliged him to say, and no
-more--he said, "Yes."
-
-Some girls might have been discouraged. Francine went on.
-
-"It is no fault of mine, Mr. Morris, that we have not been better
-friends. For some reason, into which I don't presume to inquire,
-you seem to distrust me. I really don't know what I have done to
-deserve it."
-
-"Are you sure of that?" he asked--eying her suddenly and
-searchingly as he spoke.
-
-Her hard face settled into a rigid look; her eyes met his eyes
-with a stony defiant stare. Now, for the first time, she knew
-that he suspected her of having written the anonymous letter.
-Every evil quality in her nature steadily defied him. A hardened
-old woman could not have sustained the shock of discovery with a
-more devilish composure than this girl displayed. "Perhaps you
-will explain yourself," she said.
-
-"I _have_ explained myself," he answered.
-
-"Then I must be content," she rejoined, "to remain in the dark. I
-had intended, out of my regard for Emily, to suggest that you
-might--with advantage to yourself, and to interests that are very
-dear to you--be more careful in your behavior to Mr. Mirabel. Are
-you disposed to listen to me?"
-
-"Do you wish me to answer that question plainly, Miss de Sor?"
-
-"I insist on your answering it plainly."
-
-"Then I am _not_ disposed to listen to you."
-
-"May I know why? or am I to be left in the dark again?"
-
-"You are to be left, if you please, to your own ingenuity."
-
-Francine looked at him, with a malignant smile. "One of these
-days, Mr. Morris--I will deserve your confidence in my
-ingenuity." She said it, and went back to the house.
-
-This was the only element of disturbance that troubled the
-perfect tranquillity of the day. What Francine had proposed to
-do, with the one idea of making Alban serve her purpose, was
-accomplished a few hours later by Emily's influence for good over
-the man who loved her.
-
-They passed the afternoon together uninterruptedly in the distant
-solitudes of the park. In the course of conversation Emily found
-an opportunity of discreetly alluding to Mirabel. "You mustn't be
-jealous of our clever little friend," she said; "I like him, and
-admire him; but--"
-
-"But you don't love him?"
-
-She smiled at the eager way in which Alban put the question.
-
-"There is no fear of that," she answered brightly.
-
-"Not even if you discovered that he loves you?"
-
-"Not even then. Are you content at last? Promise me not to be
-rude to Mr. Mirabel again."
-
-"For his sake?"
-
-"No--for my sake. I don't like to see you place yourself at a
-disadvantage toward another man; I don't like you to disappoint
-me."
-
-The happiness of hearing her say those words transfigured
-him--the manly beauty of his earlier and happier years seemed to
-have returned to Alban. He took her hand--he was too agitated to
-speak.
-
-"You are forgetting Mr. Mirabel," she reminded him gently.
-
-"I will be all that is civil and kind to Mr. Mirabel; I will like
-him and admire him as you do. Oh, Emily, are you a little, only a
-very little, fond of me?"
-
-"I don't quite know."
-
-"May I try to find out?"
-
-"How?" she asked.
-
-Her fair cheek was very near to him. The softly-rising color on
-it said, Answer me here--and he answered.
-
-
-CHAPTER XLV.
-
-MISCHIEF--MAKING.
-
-On Monday, Mirabel made his appearance--and the demon of discord
-returned with him.
-
-Alban had employed the earlier part of the day in making a sketch
-in the park--intended as a little present for Emily. Presenting
-himself in the drawing-room, when his work was completed, he
-found Cecilia and Francine alone. He asked where Emily was.
-
-The question had been addressed to Cecilia. Francine answered it.
-
-"Emily mustn't be disturbed," she said.
-
-"Why not?"
-
-"She is with Mr. Mirabel in the rose garden. I saw them talking
-together--evidently feeling the deepest interest in what they
-were saying to each other. Don't interrupt them--you will only be
-in the way."
-
-Cecilia at once protested against this last assertion. "She is
-trying to make mischief, Mr. Morris--don't believe her. I am sure
-they will be glad to see you, if you join them in the garden."
-
-Francine rose, and left the room. She turned, and looked at Alban
-as she opened the door. "Try it," she said--"and you will find I
-am right."
-
-"Francine sometimes talks in a very ill-natured way," Cecilia
-gently remarked. "Do you think she means it, Mr. Morris?'
-
-"I had better not offer an opinion," Alban replied.
-
-"Why?"
-
-"I can't speak impartially; I dislike Miss de Sor."
-
-There was a pause. Alban's sense of self-respect forbade him to
-try the experiment which Francine had maliciously suggested. His
-thoughts--less easy to restrain--wandered in the direction of the
-garden. The attempt to make him jealous had failed; but he was
-conscious, at the same time, that Emily had disappointed him.
-After what they had said to each other in the park, she ought to
-have remembered that women are at the mercy of appearances. If
-Mirabel had something of importance to say to her, she might have
-avoided exposing herself to Francine's spiteful misconstruction:
-it would have been easy to arrange with Cecilia that a third
-person should be present at the interview.
-
-While he was absorbed in these reflections, Cecilia--embarrassed
-by the silence--was trying to find a topic of conversation. Alban
-roughly pushed his sketch-book away from him, on the table. Was
-he displeased with Emily? The same question had occurred to
-Cecilia at the time of the correspondence, on the subject of Miss
-Jethro. To recall those letters led her, by natural sequence, to
-another effort of memory. She was reminded of the person who had
-been the cause of the correspondence: her interest was revived in
-the mystery of Miss Jethro.
-
-"Has Emily told you that I have seen your letter?" she asked.
-
-He roused himself with a start. "I beg your pardon. What letter
-are you thinking of?"
-
-"I was thinking of the letter which mentions Miss Jethro's
-strange visit. Emily was so puzzled and so surprised that she
-showed it to me--and we both consulted my father. Have you spoken
-to Emily about Miss Jethro?"
-
-"I have tried--but she seemed to be unwilling to pursue the
-subject."
-
-"Have you made any discoveries since you wrote to Emily?"
-
-"No. The mystery is as impenetrable as ever."
-
-As he replied in those terms, Mirabel entered the conservatory
-from the garden, evidently on his way to the drawing-room.
-
-To see the man, whose introduction to Emily it had been Miss
-Jethro's mysterious object to prevent--at the very moment when he
-had been speaking of Miss Jethro herself--was, not only a
-temptation of curiosity, but a direct incentive (in Emily's own
-interests) to make an effort at discovery. Alban pursued the
-conversation with Cecilia, in a tone which was loud enough to be
-heard in the conservatory.
-
-"The one chance of getting any information that I can see," he
-proceeded, "is to speak to Mr. Mirabel."
-
-"I shall be only too glad, if I can be of any service to Miss
-Wyvil and Mr. Morris."
-
-With those obliging words, Mirabel made a dramatic entry, and
-looked at Cecilia with his irresistible smile. Startled by his
-sudden appearance, she unconsciously assisted Alban's design. Her
-silence gave him the opportunity of speaking in her place.
-
-"We were talking," he said quietly to Mirabel, "of a lady with
-whom you are acquainted."
-
-"Indeed! May I ask the lady's name?"
-
-"Miss Jethro."
-
-Mirabel sustained the shock with extraordinary
-self-possession--so far as any betrayal by sudden movement was
-concerned. But his color told the truth: it faded to paleness--it
-revealed, even to Cecilia's eyes, a man overpowered by fright.
-
-Alban offered him a chair. He refused to take it by a gesture.
-Alban tried an apology next. "I am afraid I have ignorantly
-revived some painful associations. Pray excuse me."
-
-The apology roused Mirabel: he felt the necessity of offering
-some explanation. In timid animals, the one defensive capacity
-which is always ready for action is cunning. Mirabel was too wily
-to dispute the inference--the inevitable inference--which any one
-must have drawn, after seeing the effect on him that the name of
-Miss Jethro had produced. He admitted that "painful associations"
-had been revived, and deplored the "nervous sensibility" which
-had permitted it to be seen.
-
-"No blame can possibly attach to _you_, my dear sir," he
-continued, in his most amiable manner. "Will it be indiscreet, on
-my part, if I ask how you first became acquainted with Miss
-Jethro?"
-
-"I first became acquainted with her at Miss Ladd's school," Alban
-answered. "She was, for a short time only, one of the teachers;
-and she left her situation rather suddenly." He paused--but
-Mirabel made no remark. "After an interval of a few months," he
-resumed, "I saw Miss Jethro again. She called on me at my
-lodgings, near Netherwoods."
-
-"Merely to renew your former acquaintance?"
-
-Mirabel made that inquiry with an eager anxiety for the reply
-which he was quite unable to conceal. Had he any reason to dread
-what Miss Jethro might have it in her power to say of him to
-another person? Alban was in no way pledged to secrecy, and he
-was determined to leave no means untried of throwing light on
-Miss Jethro's mysterious warning. He repeated the plain narrative
-of the interview, which he had communicated by letter to Emily.
-Mirabel listened without making any remark.
-
-"After what I have told you, can you give me no explanation?"
-Alban asked.
-
-"I am quite unable, Mr. Morris, to help you."
-
-Was he lying? or speaking, the truth? The impression produced on
-Alban was that he had spoken the truth.
-
-Women are never so ready as men to resign themselves to the
-disappointment of their hopes. Cecilia, silently listening up to
-this time, now ventured to speak--animated by her sisterly
-interest in Emily.
-
-"Can you not tell us," she said to Mirabel, "why Miss Jethro
-tried to prevent Emily Brown from meeting you here?"
-
-"I know no more of her motive than you do," Mirabel replied.
-
-Alban interposed. "Miss Jethro left me," he said, "with the
-intention--quite openly expressed--of trying to prevent you from
-accepting Mr. Wyvil's invitation. Did she make the attempt?"
-
-Mirabel admitted that she had made the attempt. "But," he added,
-"without mentioning Miss Emily's name. I was asked to postpone my
-visit, as a favor to herself, because she had her own reasons for
-wishing it. I had _my_ reasons" (he bowed with gallantry to
-Cecilia) "for being eager to have the honor of knowing Mr. Wyvil
-and his daughter; and I refused."
-
-Once more, the doubt arose: was he lying? or speaking the truth?
-And, once more, Alban could not resist the conclusion that he was
-speaking the truth.
-
-"There is one thing I should like
- to know," Mirabel continued, after some hesitation. "Has Miss
-Emily been informed of this strange affair?"
-
-"Certainly!"
-
-Mirabel seemed to be disposed to continue his inquiries--and
-suddenly changed his mind. Was he beginning to doubt if Alban had
-spoken without concealment, in describing Miss Jethro's visit?
-Was he still afraid of what Miss Jethro might have said of him?
-In any case, he changed the subject, and made an excuse for
-leaving the room.
-
-"I am forgetting my errand," he said to Alban. "Miss Emily was
-anxious to know if you had finished your sketch. I must tell her
-that you have returned."
-
-He bowed and withdrew.
-
-Alban rose to follow him--and checked himself.
-
-"No," he thought, "I trust Emily!" He sat down again by Cecilia's
-side.
-
-
-
-Mirabel had indeed returned to the rose garden. He found Emily
-employed as he had left her, in making a crown of roses, to be
-worn by Cecilia in the evening. But, in one other respect, there
-was a change. Francine was present.
-
-"Excuse me for sending you on a needless errand," Emily said to
-Mirabel; "Miss de Sor tells me Mr. Morris has finished his
-sketch. She left him in the drawing-room--why didn't you bring
-him here?"
-
-"He was talking with Miss Wyvil."
-
-Mirabel answered absently--with his eyes on Francine. He gave her
-one of those significant looks, which says to a third person,
-"Why are you here?" Francine's jealousy declined to understand
-him. He tried a broader hint, in words.
-
-"Are you going to walk in the garden?" he said.
-
-Francine was impenetrable. "No," she answered, "I am going to
-stay here with Emily."
-
-Mirabel had no choice but to yield. Imperative anxieties forced
-him to say, in Francine's presence, what he had hoped to say to
-Emily privately.
-
-"When I joined Miss Wyvil and Mr. Morris," he began, "what do you
-think they were doing? They were talking of--Miss Jethro."
-
-Emily dropped the rose-crown on her lap. It was easy to see that
-she had been disagreeably surprised.
-
-"Mr. Morris has told me the curious story of Miss Jethro's
-visit," Mirabel continued; "but I am in some doubt whether he has
-spoken to me without reserve. Perhaps he expressed himself more
-freely when he spoke to _you_. Miss Jethro may have said
-something to him which tended to lower me in your estimation?"
-
-"Certainly not, Mr. Mirabel--so far as I know. If I had heard
-anything of the kind, I should have thought it my duty to tell
-you. Will it relieve your anxiety, if I go at once to Mr. Morris,
-and ask him plainly whether he has concealed anything from you or
-from me?"
-
-Mirabel gratefully kissed her hand. "Your kindness overpowers
-me," he said--speaking, for once, with true emotion.
-
-Emily immediately returned to the house. As soon as she was out
-of sight, Francine approached Mirabel, trembling with suppressed
-rage.
-
-
-CHAPTER XLVI.
-
-PRETENDING.
-
-Miss de Sor began cautiously with an apology. "Excuse me, Mr.
-Mirabel, for reminding you of my presence."
-
-Mr. Mirabel made no reply.
-
-"I beg to say," Francine proceeded, "that I didn't intentionally
-see you kiss Emily's hand."
-
-Mirabel stood, looking at the roses which Emily had left on her
-chair, as completely absorbed in his own thoughts as if he had
-been alone in the garden.
-
-"Am I not even worth notice?" Francine asked. "Ah, I know to whom
-I am indebted for your neglect!" She took him familiarly by the
-arm, and burst into a harsh laugh. "Tell me now, in
-confidence--do you think Emily is fond of you?"
-
-The impression left by Emily's kindness was still fresh in
-Mirabel's memory: he was in no humor to submit to the jealous
-resentment of a woman whom he regarded with perfect indifference.
-Through the varnish of politeness which overlaid his manner,
-there rose to the surface the underlying insolence, hidden, on
-all ordinary occasions, from all human eyes. He answered
-Francine--mercilessly answered her--at last.
-
-"It is the dearest hope of my life that she may be fond of me,"
-he said.
-
-Francine dropped his arm "And fortune favors your hopes," she
-added, with an ironical assumption of interest in Mirabel's
-prospects. "When Mr. Morris leaves us to-morrow, he removes the
-only obstacle you have to fear. Am I right?"
-
-"No; you are wrong."
-
-"In what way, if you please?"
-
-"In this way. I don't regard Mr. Morris as an obstacle. Emily is
-too delicate and too kind to hurt his feelings--she is not in
-love with him. There is no absorbing interest in her mind to
-divert her thoughts from me. She is idle and happy; she
-thoroughly enjoys her visit to this house, and I am associated
-with her enjoyment. There is my chance--!"
-
-He suddenly stopped. Listening to him thus far, unnaturally calm
-and cold, Francine now showed that she felt the lash of his
-contempt. A hideous smile passed slowly over her white face. It
-threatened the vengeance which knows no fear, no pity, no
-remorse--the vengeance of a jealous woman. Hysterical anger,
-furious language, Mirabel was prepared for. The smile frightened
-him.
-
-"Well?" she said scornfully, "why don't you go on?"
-
-A bolder man might still have maintained the audacious position
-which he had assumed. Mirabel's faint heart shrank from it. He
-was eager to shelter himself under the first excuse that he could
-find. His ingenuity, paralyzed by his fears, was unable to invent
-anything new. He feebly availed himself of the commonplace trick
-of evasion which he had read of in novels, and seen in action on
-the stage.
-
-"Is it possible," he asked, with an overacted assumption of
-surprise, "that you think I am in earnest?"
-
-In the case of any other person, Francine would have instantly
-seen through that flimsy pretense. But the love which accepts the
-meanest crumbs of comfort that can be thrown to it--which fawns
-and grovels and deliberately deceives itself, in its own
-intensely selfish interests--was the love that burned in
-Francine's breast. The wretched girl believed Mirabel with such
-an ecstatic sense of belief that she trembled in every limb, and
-dropped into the nearest chair.
-
-"_I_ was in earnest," she said faintly. "Didn't you see it?"
-
-He was perfectly shameless; he denied that he had seen it, in the
-most positive manner. "Upon my honor, I thought you were
-mystifying me, and I humored the joke."
-
-She sighed, and looking at him with an expression of tender
-reproach. "I wonder whether I can believe you," she said softly.
-
-"Indeed you may believe me!" he assured her.
-
-She hesitated--for the pleasure of hesitating. "I don't know.
-Emily is very much admired by some men. Why not by you?"
-
-"For the best of reasons," he answered "She is poor, and I am
-poor. Those are facts which speak for themselves."
-
-"Yes--but Emily is bent on attracting you. She would marry you
-to-morrow, if you asked her. Don't attempt to deny it! Besides,
-you kissed her hand."
-
-"Oh, Miss de Sor!"
-
-"Don't call me 'Miss de Sor'! Call me Francine. I want to know
-why you kissed her hand."
-
-He humored her with inexhaustible servility. "Allow me to kiss
-_your_ hand, Francine!--and let me explain that kissing a lady's
-hand is only a form of thanking her for her kindness. You must
-own that Emily--"
-
-She interrupted him for the third time. "Emily?" she repeated.
-"Are you as familiar as that already? Does she call you 'Miles,'
-when you are by yourselves? Is there any effort at fascination
-which this charming creature has left untried? She told you no
-doubt what a lonely life she leads in her poor little home?"
-
-Even Mirabel felt that he must not permit this to pass.
-
-"She has said nothing to me about herself," he answered. "What I
-know of her, I know from Mr. Wyvil."
-
-"Oh, indeed! You asked Mr. Wyvil about her family, of course?
-What did he say?"
-
-"He said she lost her mother when she was a child--and he told me
-her father had died suddenly, a few years since, of heart
-complaint."
-
-"Well, and what else?--Never mind now! Here is somebody coming."
-
-The person was only one of the servants. Mirabel felt grateful to
-the man for interrupting them. Animated by sentiments of a
-precisely opposite nature, Francine spoke to him sharply.
-
-"What do you want here?"
-
-"A message, miss."
-
-"From whom?"
-
-"From Miss Brown."
-
-"For me?"
-
-"No, miss." He turned to Mirabel. "Miss Brown wishes to speak to
-you, sir, if you are not e ngaged."
-
-Francine controlled herself until the man was out of hearing.
-
-"Upon my word, this is too shameless!" she declared indignantly.
-"Emily can't leave you with me for five minutes, without wanting
-to see you again. If you go to her after all that you have said
-to me," she cried, threatening Mirabel with her outstretched
-hand, "you are the meanest of men!"
-
-He _was_ the meanest of men--he carried out his cowardly
-submission to the last extremity.
-
-"Only say what you wish me to do," he replied.
-
-Even Francine expected some little resistance from a creature
-bearing the outward appearance of a man. "Oh, do you really mean
-it?" she asked "I want you to disappoint Emily. Will you stay
-here, and let me make your excuses?"
-
-"I will do anything to please you."
-
-Francine gave him a farewell look. Her admiration made a
-desperate effort to express itself appropriately in words. "You
-are not a man," she said, "you are an angel!"
-
-Left by himself, Mirabel sat down to rest. He reviewed his own
-conduct with perfect complacency. "Not one man in a hundred could
-have managed that she-devil as I have done," he thought. "How
-shall I explain matters to Emily?"
-
-Considering this question, he looked by chance at the unfinished
-crown of roses. "The very thing to help me!" he said--and took
-out his pocketbook, and wrote these lines on a blank page: "I
-have had a scene of jealousy with Miss de Sor, which is beyond
-all description. To spare _you_ a similar infliction, I have done
-violence to my own feelings. Instead of instantly obeying the
-message which you have so kindly sent to me, I remain here for a
-little while--entirely for your sake."
-
-Having torn out the page, and twisted it up among the roses, so
-that only a corner of the paper appeared in view, Mirabel called
-to a lad who was at work in the garden, and gave him his
-directions, accompanied by a shilling. "Take those flowers to the
-servants' hall, and tell one of the maids to put them in Miss
-Brown's room. Stop! Which is the way to the fruit garden?"
-
-The lad gave the necessary directions. Mirabel walked away
-slowly, with his hands in his pockets. His nerves had been
-shaken; he thought a little fruit might refresh him.
-
-
-CHAPTER XLVII.
-
-DEBATING.
-
-In the meanwhile Emily had been true to her promise to relieve
-Mirabel's anxieties, on the subject of Miss Jethro. Entering the
-drawing-room in search of Alban, she found him talking with
-Cecilia, and heard her own name mentioned as she opened the door.
-
-"Here she is at last!" Cecilia exclaimed. "What in the world has
-kept you all this time in the rose garden?"
-
-"Has Mr. Mirabel been more interesting than usual?" Alban asked
-gayly. Whatever sense of annoyance he might have felt in Emily's
-absence, was forgotten the moment she appeared; all traces of
-trouble in his face vanished when they looked at each other.
-
-"You shall judge for yourself," Emily replied with a smile. "Mr.
-Mirabel has been speaking to me of a relative who is very dear to
-him--his sister."
-
-Cecilia was surprised. "Why has he never spoken to _us_ of his
-sister?" she asked.
-
-"It's a sad subject to speak of, my dear. His sister lives a life
-of suffering--she has been for years a prisoner in her room. He
-writes to her constantly. His letters from Monksmoor have
-interested her, poor soul. It seems he said something about
-me--and she has sent a kind message, inviting me to visit her one
-of these days. Do you understand it now, Cecilia?"
-
-"Of course I do! Tell me--is Mr. Mirabel's sister older or
-younger than he is?"
-
-"Older."
-
-"Is she married?"
-
-"She is a widow."
-
-"Does she live with her brother?" Alban asked.
-
-"Oh, no! She has her own house--far away in Northumberland."
-
-"Is she near Sir Jervis Redwood?"
-
-"I fancy not. Her house is on the coast."
-
-"Any children?" Cecilia inquired.
-
-"No; she is quite alone. Now, Cecilia, I have told you all I
-know--and I have something to say to Mr. Morris. No, you needn't
-leave us; it's a subject in which you are interested. A subject,"
-she repeated, turning to Alban, "which you may have noticed is
-not very agreeable to me."
-
-"Miss Jethro?" Alban guessed.
-
-"Yes; Miss Jethro."
-
-Cecilia's curiosity instantly asserted itself.
-
-"_We_ have tried to get Mr. Mirabel to enlighten us, and tried in
-vain," she said. "You are a favorite. Have you succeeded?"
-
-"I have made no attempt to succeed," Emily replied. "My only
-object is to relieve Mr. Mirabel's anxiety, if I can--with your
-help, Mr. Morris."
-
-"In what way can I help you?"
-
-"You mustn't be angry."
-
-"Do I look angry?"
-
-"You look serious. It is a very simple thing. Mr. Mirabel is
-afraid that Miss Jethro may have said something disagreeable
-about him, which you might hesitate to repeat. Is he making
-himself uneasy without any reason?"
-
-"Without the slightest reason. I have concealed nothing from Mr.
-Mirabel."
-
-"Thank you for the explanation." She turned to Cecilia. "May I
-send one of the servants with a message? I may as well put an end
-to Mr. Mirabel's suspense."
-
-The man was summoned, and was dispatched with the message. Emily
-would have done well, after this, if she had abstained from
-speaking further of Miss Jethro. But Mirabel's doubts had,
-unhappily, inspired a similar feeling of uncertainty in her own
-mind. She was now disposed to attribute the tone of mystery in
-Alban's unlucky letter to some possible concealment suggested by
-regard for herself. "I wonder whether _I_ have any reason to feel
-uneasy?" she said--half in jest, half in earnest.
-
-"Uneasy about what?" Alban inquired.
-
-"About Miss Jethro, of course! Has she said anything of me which
-your kindness has concealed?"
-
-Alban seemed to be a little hurt by the doubt which her question
-implied. "Was that your motive," he asked, "for answering my
-letter as cautiously as if you had been writing to a stranger?"
-
-"Indeed you are quite wrong!" Emily earnestly assured him. "I was
-perplexed and startled--and I took Mr. Wyvil's advice, before I
-wrote to you. Shall we drop the subject?"
-
-Alban would have willingly dropped the subject--but for that
-unfortunate allusion to Mr. Wyvil. Emily had unconsciously
-touched him on a sore place. He had already heard from Cecilia of
-the consultation over his letter, and had disapproved of it. "I
-think you were wrong to trouble Mr. Wyvil," he said.
-
-The altered tone of his voice suggested to Emily that he would
-have spoken more severely, if Cecilia had not been in the room.
-She thought him needlessly ready to complain of a harmless
-proceeding--and she too returned to the subject, after having
-proposed to drop it not a minute since!
-
-"You didn't tell me I was to keep your letter a secret," she
-replied.
-
-Cecilia made matters worse--with the best intentions. "I'm sure,
-Mr. Morris, my father was only too glad to give Emily his
-advice."
-
-Alban remained silent--ungraciously silent as Emily thought,
-after Mr. Wyvil's kindness to him.
-
-"The thing to regret," she remarked, "is that Mr. Morris allowed
-Miss Jethro to leave him without explaining herself. In his
-place, I should have insisted on knowing why she wanted to
-prevent me from meeting Mr. Mirabel in this house."
-
-Cecilia made another unlucky attempt at judicious interference.
-This time, she tried a gentle remonstrance.
-
-"Remember, Emily, how Mr. Morris was situated. He could hardly be
-rude to a lady. And I daresay Miss Jethro had good reasons for
-not wishing to explain herself."
-
-Francine opened the drawing-room door and heard Cecilia's last
-words.
-
-"Miss Jethro again!" she exclaimed.
-
-"Where is Mr. Mirabel?" Emily asked. "I sent him a message."
-
-"He regrets to say he is otherwise engaged for the present,"
-Francine replied with spiteful politeness. "Don't let me
-interrupt the conversation. Who is this Miss Jethro, whose name
-is on everybody's lips?"
-
-Alban could keep silent no longer. "We have done with the
-subject," he said sharply.
-
-"Because I am here?"
-
-"Because we have said more than enough about Miss Jethro
-already."
-
-"Speak for yourself, Mr. Morris," Emily answered, resenting the
-masterful tone which Alban's interference had assumed. "I have
-not done with Miss Jethro yet, I can assure you."
-
-"My dear, you don't know where she lives," Cecilia reminded her.
-
-"Leave me to discover i t!" Emily answered hotly. "Perhaps Mr.
-Mirabel knows. I shall ask Mr. Mirabel."
-
-"I thought you would find a reason for returning to Mr. Mirabel,"
-Francine remarked.
-
-Before Emily could reply, one of the maids entered the room with
-a wreath of roses in her hand.
-
-"Mr. Mirabel sends you these flowers, miss," the woman said,
-addressing Emily. "The boy told me they were to be taken to your
-room. I thought it was a mistake, and I have brought them to you
-here."
-
-Francine, who happened to be nearest to the door, took the roses
-from the girl on pretense of handing them to Emily. Her jealous
-vigilance detected the one visible morsel of Mirabel's letter,
-twisted up with the flowers. Had Emily entrapped him into a
-secret correspondence with her? "A scrap of waste paper among
-your roses," she said, crumpling it up in her hand as if she
-meant to throw it away.
-
-But Emily was too quick for her. She caught Francine by the
-wrist. "Waste paper or not," she said; "it was among my flowers
-and it belongs to me."
-
-Francine gave up the letter, with a look which might have
-startled Emily if she had noticed it. She handed the roses to
-Cecilia. "I was making a wreath for you to wear this evening, my
-dear--and I left it in the garden. It's not quite finished yet."
-
-Cecilia was delighted. "How lovely it is!" she exclaimed. "And
-how very kind of you! I'll finish it myself." She turned away to
-the conservatory.
-
-"I had no idea I was interfering with a letter," said Francine;
-watching Emily with fiercely-attentive eyes, while she smoothed
-out the crumpled paper.
-
-Having read what Mirabel had written to her, Emily looked up, and
-saw that Alban was on the point of following Cecilia into the
-conservatory. He had noticed something in Francine's face which
-he was at a loss to understand, but which made her presence in
-the room absolutely hateful to him. Emily followed and spoke to
-him.
-
-"I am going back to the rose garden," she said.
-
-"For any particular purpose?" Alban inquired
-
-"For a purpose which, I am afraid, you won't approve of. I mean
-to ask Mr. Mirabel if he knows Miss Jethro's address."
-
-"I hope he is as ignorant of it as I am," Alban answered gravely.
-
-"Are we going to quarrel over Miss Jethro, as we once quarreled
-over Mrs. Rook?" Emily asked--with the readiest recovery of her
-good humor. "Come! come! I am sure you are as anxious, in your
-own private mind, to have this matter cleared up as I am."
-
-"With one difference--that I think of consequences, and you
-don't." He said it, in his gentlest and kindest manner, and
-stepped into the conservatory.
-
-"Never mind the consequences," she called after him, "if we can
-only get at the truth. I hate being deceived!"
-
-"There is no person living who has better reason than you have to
-say that."
-
-Emily looked round with a start. Alban was out of hearing. It was
-Francine who had answered her.
-
-"What do you mean?" she said.
-
-Francine hesitated. A ghastly paleness overspread her face.
-
-"Are you ill?" Emily asked.
-
-"No--I am thinking."
-
-After waiting for a moment in silence, Emily moved away toward
-the door of the drawing-room. Francine suddenly held up her hand.
-
-"Stop!" she cried.
-
-Emily stood still.
-
-"My mind is made up," Francine said.
-
-"Made up--to what?"
-
-"You asked what I meant, just now."
-
-"I did."
-
-"Well, my mind is made up to answer you. Miss Emily Brown, you
-are leading a sadly frivolous life in this house. I am going to
-give you something more serious to think about than your
-flirtation with Mr. Mirabel. Oh, don't be impatient! I am coming
-to the point. Without knowing it yourself, you have been the
-victim of deception for years past--cruel deception--wicked
-deception that puts on the mask of mercy."
-
-"Are you alluding to Miss Jethro?" Emily asked, in astonishment.
-"I thought you were strangers to each other. Just now, you wanted
-to know who she was."
-
-"I know nothing about her. I care nothing about her. I am not
-thinking of Miss Jethro."
-
-"Who are you thinking of?"
-
-"I am thinking," Francine answered, "of your dead father."
-
-
-CHAPTER XLVIII.
-
-INVESTIGATING.
-
-Having revived his sinking energies in the fruit garden, Mirabel
-seated himself under the shade of a tree, and reflected on the
-critical position in which he was placed by Francine's jealousy.
-
-If Miss de Sor continued to be Mr. Wyvil's guest, there seemed to
-be no other choice before Mirabel than to leave Monksmoor--and to
-trust to a favorable reply to his sister's invitation for the
-free enjoyment of Emily's society under another roof. Try as he
-might, he could arrive at no more satisfactory conclusion than
-this. In his preoccupied state, time passed quickly. Nearly an
-hour had elapsed before he rose to return to the house.
-
-Entering the hall, he was startled by a cry of terror in a
-woman's voice, coming from the upper regions. At the same time
-Mr. Wyvil, passing along the bedroom corridor after leaving the
-music-room, was confronted by his daughter, hurrying out of
-Emily's bedchamber in such a state of alarm that she could hardly
-speak.
-
-"Gone!" she cried, the moment she saw her father.
-
-Mr. Wyvil took her in his arms and tried to compose her. "Who has
-gone?" he asked.
-
-"Emily! Oh, papa, Emily has left us! She has heard dreadful
-news--she told me so herself."
-
-"What news? How did she hear it?"
-
-"I don't know how she heard it. I went back to the drawing-room
-to show her my roses--"
-
-"Was she alone?"
-
-"Yes! She frightened me--she seemed quite wild. She said, 'Let me
-be by myself; I shall have to go home.' She kissed me--and ran up
-to her room. Oh, I am such a fool! Anybody else would have taken
-care not to lose sight of her."
-
-"How long did you leave her by herself?"
-
-"I can't say. I thought I would go and tell you. And then I got
-anxious about her, and knocked at her door, and looked into the
-room. Gone! Gone!"
-
-Mr. Wyvil rang the bell and confided Cecilia to the care of her
-maid. Mirabel had already joined him in the corridor. They went
-downstairs together and consulted with Alban. He volunteered to
-make immediate inquiries at the railway station. Mr. Wyvil
-followed him, as far as the lodge gate which opened on the
-highroad--while Mirabel went to a second gate, at the opposite
-extremity of the park.
-
-Mr. Wyvil obtained the first news of Emily. The lodge keeper had
-seen her pass him, on her way out of the park, in the greatest
-haste. He had called after her, "Anything wrong, miss?" and had
-received no reply. Asked what time had elapsed since this had
-happened, he was too confused to be able to answer with any
-certainty. He knew that she had taken the road which led to the
-station--and he knew no more.
-
-Mr. Wyvil and Mirabel met again at the house, and instituted an
-examination of the servants. No further discoveries were made.
-
-The question which occurred to everybody was suggested by the
-words which Cecilia had repeated to her father. Emily had said
-she had "heard dreadful news"--how had that news reached her? The
-one postal delivery at Monksmoor was in the morning. Had any
-special messenger arrived, with a letter for Emily? The servants
-were absolutely certain that no such person had entered the
-house. The one remaining conclusion suggested that somebody must
-have communicated the evil tidings by word of mouth. But here
-again no evidence was to be obtained. No visitor had called
-during the day, and no new guests had arrived. Investigation was
-completely baffled.
-
-Alban returned from the railway, with news of the fugitive.
-
-He had reached the station, some time after the departure of the
-London train. The clerk at the office recognized his description
-of Emily, and stated that she had taken her ticket for London.
-The station-master had opened the carriage door for her, and had
-noticed that the young lady appeared to be very much agitated.
-This information obtained, Alban had dispatched a telegram to
-Emily--in Cecilia's name: "Pray send us a few words to relieve
-our anxiety, and let us know if we can be of any service to you."
-
-This was plainly all that could be done--but Cecilia was not
-satisfied. If her father had permitted it, she would have
-followed Emily. Alban comforted her. He apologized to Mr. Wyvil
-for shortening his visit, and announced his inten tion of
-traveling to London by the next train. "We may renew our
-inquiries to some advantage," he added, after hearing what had
-happened in his absence, "if we can find out who was the last
-person who saw her, and spoke to her, before your daughter found
-her alone in the drawing-room. When I went out of the room, I
-left her with Miss de Sor."
-
-The maid who waited on Miss de Sor was sent for. Francine had
-been out, by herself, walking in the park. She was then in her
-room, changing her dress. On hearing of Emily's sudden departure,
-she had been (as the maid reported) "much shocked and quite at a
-loss to understand what it meant."
-
-Joining her friends a few minutes later, Francine presented, so
-far as personal appearance went, a strong contrast to the pale
-and anxious faces round her. She looked wonderfully well, after
-her walk. In other respects, she was in perfect harmony with the
-prevalent feeling. She expressed herself with the utmost
-propriety; her sympathy moved poor Cecilia to tears.
-
-"I am sure, Miss de Sor, you will try to help us?" Mr. Wyvil
-began
-
-"With the greatest pleasure," Francine answered.
-
-"How long were you and Miss Emily Brown together, after Mr.
-Morris left you?"
-
-"Not more than a quarter of an hour, I should think."
-
-"Did anything remarkable occur in the course of conversation?"
-
-"Nothing whatever."
-
-Alban interfered for the first time. "Did you say anything," he
-asked, "which agitated or offended Miss Brown?"
-
-"That's rather an extraordinary question," Francine remarked.
-
-"Have you no other answer to give?" Alban inquired.
-
-"I answer--No!" she said, with a sudden outburst of anger.
-
-There, the matter dropped. While she spoke in reply to Mr. Wyvil,
-Francine had confronted him without embarrassment. When Alban
-interposed, she never looked at him--except when he provoked her
-to anger. Did she remember that the man who was questioning her,
-was also the man who had suspected her of writing the anonymous
-letter? Alban was on his guard against himself, knowing how he
-disliked her. But the conviction in his own mind was not to be
-resisted. In some unimaginable way, Francine was associated with
-Emily's flight from the house.
-
-The answer to the telegram sent from the railway station had not
-arrived, when Alban took his departure for London. Cecilia's
-suspense began to grow unendurable: she looked to Mirabel for
-comfort, and found none. His office was to console, and his
-capacity for performing that office was notorious among his
-admirers; but he failed to present himself to advantage, when Mr.
-Wyvil's lovely daughter had need of his services. He was, in
-truth, too sincerely anxious and distressed to be capable of
-commanding his customary resources of ready-made sentiment and
-fluently-pious philosophy. Emily's influence had awakened the
-only earnest and true feeling which had ever ennobled the popular
-preacher's life.
-
-Toward evening, the long-expected telegram was received at last.
-What could be said, under the circumstances, it said in these
-words:
-
-"Safe at home--don't be uneasy about me--will write soon."
-
-With that promise they were, for the time, forced to be content.
-
-
-BOOK THE FIFTH--THE COTTAGE.
-
-CHAPTER XLIX.
-
-EMILY SUFFERS.
-
-Mrs. Ellmother--left in charge of Emily's place of abode, and
-feeling sensible of her lonely position from time to time--had
-just thought of trying the cheering influence of a cup of tea,
-when she heard a cab draw up at the cottage gate. A violent ring
-at the bell followed. She opened the door--and found Emily on the
-steps. One look at that dear and familiar face was enough for the
-old servant.
-
-"God help us," she cried, "what's wrong now?"
-
-Without a word of reply, Emily led the way into the bedchamber
-which had been the scene of Miss Letitia's death. Mrs. Ellmother
-hesitated on the threshold.
-
-"Why do you bring me in here?" she asked.
-
-"Why did you try to keep me out?" Emily answered.
-
-"When did I try to keep you out, miss?"
-
-"When I came home from school, to nurse my aunt. Ah, you remember
-now! Is it true--I ask you here, where your old mistress died--is
-it true that my aunt deceived me about my father's death? And
-that you knew it?"
-
-There was dead silence. Mrs. Ellmother trembled horribly--her
-lips dropped apart--her eyes wandered round the room with a stare
-of idiotic terror. "Is it her ghost tells you that?" she
-whispered. "Where is her ghost? The room whirls round and round,
-miss--and the air sings in my ears."
-
-Emily sprang forward to support her. She staggered to a chair,
-and lifted her great bony hands in wild entreaty. "Don't frighten
-me," she said. "Stand back."
-
-Emily obeyed her. She dashed the cold sweat off her forehead.
-"You were talking about your father's death just now," she burst
-out, in desperate defiant tones. "Well! we know it and we are
-sorry for it--your father died suddenly."
-
-"My father died murdered in the inn at Zeeland! All the long way
-to London, I have tried to doubt it. Oh, me, I know it now!"
-
-Answering in those words, she looked toward the bed. Harrowing
-remembrances of her aunt's delirious self-betrayal made the room
-unendurable to her. She ran out. The parlor door was open.
-Entering the room, she passed by a portrait of her father, which
-her aunt had hung on the wall over the fireplace. She threw
-herself on the sofa and burst into a passionate fit of crying.
-"Oh, my father--my dear, gentle, loving father; my first, best,
-truest friend--murdered! murdered! Oh, God, where was your
-justice, where was your mercy, when he died that dreadful death?"
-
-A hand was laid on her shoulder; a voice said to her, "Hush, my
-child! God knows best."
-
-Emily looked up, and saw that Mrs. Ellmother had followed her.
-"You poor old soul," she said, suddenly remembering; "I
-frightened you in the other room."
-
-"I have got over it, my dear. I am old; and I have lived a hard
-life. A hard life schools a person. I make no complaints." She
-stopped, and began to shudder again. "Will you believe me if I
-tell you something?" she asked. "I warned my self-willed
-mistress. Standing by your father's coffin, I warned her. Hide
-the truth as you may (I said), a time will come when our child
-will know what you are keeping from her now. One or both of us
-may live to see it. I am the one who has lived; no refuge in the
-grave for me. I want to hear about it--there's no fear of
-frightening or hurting me now. I want to hear how you found it
-out. Was it by accident, my dear? or did a person tell you?"
-
-Emily's mind was far away from Mrs. Ellmother. She rose from the
-sofa, with her hands held fast over her aching heart.
-
-"The one duty of my life," she said--"I am thinking of the one
-duty of my life. Look! I am calm now; I am resigned to my hard
-lot. Never, never again, can the dear memory of my father be what
-it was! From this time, it is the horrid memory of a crime. The
-crime has gone unpunished; the man has escaped others. He shall
-not escape Me." She paused, and looked at Mrs. Ellmother
-absently. "What did you say just now? You want to hear how I know
-what I know? Naturally! naturally! Sit down here--sit down, my
-old friend, on the sofa with me--and take your mind back to
-Netherwoods. Alban Morris--"
-
-Mrs. Ellmother recoiled from Emily in dismay. "Don't tell me _he_
-had anything to do with it! The kindest of men; the best of men!"
-
-"The man of all men living who least deserves your good opinion
-or mine," Emily answered sternly.
-
-"You!" Mrs. Ellmother exclaimed, "_you_ say that!"
-
-"I say it. He--who won on me to like him--he was in the
-conspiracy to deceive me; and you know it! He heard me talk of
-the newspaper story of the murder of my father--I say, he heard
-me talk of it composedly, talk of it carelessly, in the innocent
-belief that it was the murder of a stranger--and he never opened
-his lips to prevent that horrid profanation! He never even said,
-speak of something else; I won't hear you! No more of him! God
-forbid I should ever see him again. No! Do what I told you. Carry
-your mind back to Netherwoods. One night you let Francine de Sor
-frighten you. You ran away from her into the garden. Keep quiet!
-At your age, must I set you an example of self-control?
-
-"I want to know, Miss Emily, where Francine
- de Sor is now?"
-
-"She is at the house in the country, which I have left."
-
-"Where does she go next, if you please? Back to Miss Ladd?"
-
-"I suppose so. What interest have you in knowing where she goes
-next?"
-
-"I won't interrupt you, miss. It's true that I ran away into the
-garden. I can guess who followed me. How did she find her way to
-me and Mr. Morris, in the dark?"
-
-"The smell of tobacco guided her--she knew who smoked--she had
-seen him talking to you, on that very day--she followed the
-scent--she heard what you two said to each other--and she has
-repeated it to me. Oh, my old friend, the malice of a revengeful
-girl has enlightened me, when you, my nurse--and he, my
-lover--left me in the dark: it has told me how my father died!"
-
-"That's said bitterly, miss!"
-
-"Is it said truly?"
-
-"No. It isn't said truly of myself. God knows you would never
-have been kept in the dark, if your aunt had listened to me. I
-begged and prayed--I went down on my knees to her--I warned her,
-as I told you just now. Must I tell _you_ what a headstrong woman
-Miss Letitia was? She insisted. She put the choice before me of
-leaving her at once and forever--or giving in. I wouldn't have
-given in to any other creature on the face of this earth. I am
-obstinate, as you have often told me. Well, your aunt's obstinacy
-beat mine; I was too fond of her to say No. Besides, if you ask
-me who was to blame in the first place, I tell you it wasn't your
-aunt; she was frightened into it."
-
-"Who frightened her?"
-
-"Your godfather--the great London surgeon--he who was visiting in
-our house at the time."
-
-"Sir Richard?"
-
-"Yes--Sir Richard. He said he wouldn't answer for the
-consequences, in the delicate state of your health, if we told
-you the truth. Ah, he had it all his own way after that. He went
-with Miss Letitia to the inquest; he won over the coroner and the
-newspaper men to his will; he kept your aunt's name out of the
-papers; he took charge of the coffin; he hired the undertaker and
-his men, strangers from London; he wrote the certificate--who but
-he! Everybody was cap in hand to the famous man!"
-
-"Surely, the servants and the neighbors asked questions?"
-
-"Hundreds of questions! What did that matter to Sir Richard? They
-were like so many children, in _his_ hands. And, mind you, the
-luck helped him. To begin with, there was the common name. Who
-was to pick out your poor father among the thousands of James
-Browns? Then, again, the house and lands went to the male heir,
-as they called him--the man your father quarreled with in the
-bygone time. He brought his own establishment with him. Long
-before you got back from the friends you were staying with--don't
-you remember it?--we had cleared out of the house; we were miles
-and miles away; and the old servants were scattered abroad,
-finding new situations wherever they could. How could you suspect
-us? We had nothing to fear in that way; but my conscience pricked
-me. I made another attempt to prevail on Miss Letitia, when you
-had recovered your health. I said, 'There's no fear of a relapse
-now; break it to her gently, but tell her the truth.' No! Your
-aunt was too fond of you. She daunted me with dreadful fits of
-crying, when I tried to persuade her. And that wasn't the worst
-of it. She bade me remember what an excitable man your father
-was--she reminded me that the misery of your mother's death laid
-him low with brain fever--she said, 'Emily takes after her
-father; I have heard you say it yourself; she has his
-constitution, and his sensitive nerves. Don't you know how she
-loved him--how she talks of him to this day? Who can tell (if we
-are not careful) what dreadful mischief we may do?' That was how
-my mistress worked on me. I got infected with her fears; it was
-as if I had caught an infection of disease. Oh, my dear, blame me
-if it must be; but don't forget how I have suffered for it since!
-I was driven away from my dying mistress, in terror of what she
-might say, while you were watching at her bedside. I have lived
-in fear of what you might ask me--and have longed to go back to
-you--and have not had the courage to do it. Look at me now!"
-
-The poor woman tried to take out her handkerchief; her quivering
-hand helplessly entangled itself in her dress. "I can't even dry
-my eyes," she said faintly. "Try to forgive me, miss!"
-
-Emily put her arms round the old nurse's neck. "It is _you_," she
-said sadly, "who must forgive me."
-
-For a while they were silent. Through the window that was open to
-the little garden, came the one sound that could be heard--the
-gentle trembling of leaves in the evening wind.
-
-The silence was harshly broken by the bell at the cottage door.
-They both started.
-
-Emily's heart beat fast. "Who can it be?" she said.
-
-Mrs. Ellmother rose. "Shall I say you can't see anybody?" she
-asked, before leaving the room.
-
-"Yes! yes!"
-
-Emily heard the door opened--heard low voices in the passage.
-There was a momentary interval. Then, Mrs. Ellmother returned.
-She said nothing. Emily spoke to her.
-
-"Is it a visitor?"
-
-"Yes."
-
-"Have you said I can't see anybody?"
-
-"I couldn't say it."
-
-"Why not?"
-
-"Don't be hard on him, my dear. It's Mr. Alban Morris."
-
-
-CHAPTER L.
-
-MISS LADD ADVISES.
-
-Mrs. Ellmother sat by the dying embers of the kitchen fire;
-thinking over the events of the day in perplexity and distress.
-
-She had waited at the cottage door for a friendly word with
-Alban, after he had left Emily. The stern despair in his face
-warned her to let him go in silence. She had looked into the
-parlor next. Pale and cold, Emily lay on the sofa--sunk in
-helpless depression of body and mind. "Don't speak to me," she
-whispered; "I am quite worn out." It was but too plain that the
-view of Alban's conduct which she had already expressed, was the
-view to which she had adhered at the interview between them. They
-had parted in grief---perhaps in anger--perhaps forever. Mrs.
-Ellmother lifted Emily in compassionate silence, and carried her
-upstairs, and waited by her until she slept.
-
-In the still hours of the night, the thoughts of the faithful old
-servant--dwelling for a while on past and present--advanced, by
-slow degrees, to consideration of the doubtful future. Measuring,
-to the best of her ability, the responsibility which had fallen
-on her, she felt that it was more than she could bear, or ought
-to bear, alone. To whom could she look for help?
-
-The gentlefolks at Monksmoor were strangers to her. Doctor Allday
-was near at hand--but Emily had said, "Don't send for him; he
-will torment me with questions--and I want to keep my mind quiet,
-if I can." But one person was left, to whose ever-ready kindness
-Mrs. Ellmother could appeal--and that person was Miss Ladd.
-
-It would have been easy to ask the help of the good
-schoolmistress in comforting and advising the favorite pupil whom
-she loved. But Mrs. Ellmother had another object in view: she was
-determined that the cold-blooded cruelty of Emily's treacherous
-friend should not be allowed to triumph with impunity. If an
-ignorant old woman could do nothing else, she could tell the
-plain truth, and could leave Miss Ladd to decide whether such a
-person as Francine deserved to remain under her care.
-
-To feel justified in taking this step was one thing: to put it
-all clearly in writing was another. After vainly making the
-attempt overnight, Mrs. Ellmother tore up her letter, and
-communicated with Miss Ladd by means of a telegraphic message, in
-the morning. "Miss Emily is in great distress. I must not leave
-her. I have something besides to say to you which cannot be put
-into a letter. Will you please come to us?"
-
-Later in the forenoon, Mrs. Ellmother was called to the door by
-the arrival of a visitor. The personal appearance of the stranger
-impressed her favorably. He was a handsome little gentleman; his
-manners were winning, and his voice was singularly pleasant to
-hear.
-
-"I have come from Mr. Wyvil's house in the country," he said;
-"and I bring a letter from his daughter. May I take the
-opportunity of asking if Miss Emily is well?"
-
-"Far from it, sir, I am sorry to say. She is so poorly that she
-keeps her bed."
-
-At this reply, the visitor's face revealed such sincere sympathy
-and regret, that Mrs. Ellmo ther was interested in him: she added
-a word more. "My mistress has had a hard trial to bear, sir. I
-hope there is no bad news for her in the young lady's letter?"
-
-"On the contrary, there is news that she will be glad to
-hear--Miss Wyvil is coming here this evening. Will you excuse my
-asking if Miss Emily has had medical advice?"
-
-"She won't hear of seeing the doctor, sir. He's a good friend of
-hers--and he lives close by. I am unfortunately alone in the
-house. If I could leave her, I would go at once and ask his
-advice."
-
-"Let _me_ go!" Mirabel eagerly proposed.
-
-Mrs. Ellmother's face brightened. "That's kindly thought of,
-sir--if you don't mind the trouble."
-
-"My good lady, nothing is a trouble in your young mistress's
-service. Give me the doctor's name and address--and tell me what
-to say to him."
-
-"There's one thing you must be careful of," Mrs. Ellmother
-answered. "He mustn't come here, as if he had been sent for--she
-would refuse to see him."
-
-Mirabel understood her. "I will not forget to caution him. Kindly
-tell Miss Emily I called--my name is Mirabel. I will return
-to-morrow."
-
-He hastened away on his errand--only to find that he had arrived
-too late. Doctor Allday had left London; called away to a serious
-case of illness. He was not expected to get back until late in
-the afternoon. Mirabel left a message, saying that he would
-return in the evening.
-
-The next visitor who arrived at the cottage was the trusty
-friend, in whose generous nature Mrs. Ellmother had wisely placed
-confidence. Miss Ladd had resolved to answer the telegram in
-person, the moment she read it.
-
-"If there is bad news," she said, "let me hear it at once. I am
-not well enough to bear suspense; my busy life at the school is
-beginning to tell on me."
-
-"There is nothing that need alarm you, ma'am--but there is a
-great deal to say, before you see Miss Emily. My stupid head
-turns giddy with thinking of it. I hardly know where to begin."
-
-"Begin with Emily," Miss Ladd suggested.
-
-Mrs. Ellmother took the advice. She described Emily's unexpected
-arrival on the previous day; and she repeated what had passed
-between them afterward. Miss Ladd's first impulse, when she had
-recovered her composure, was to go to Emily without waiting to
-hear more. Not presuming to stop her, Mrs. Ellmother ventured to
-put a question "Do you happen to have my telegram about you,
-ma'am?" Miss Ladd produced it. "Will you please look at the last
-part of it again?"
-
-Miss Ladd read the words: "I have something besides to say to you
-which cannot be put into a letter." She at once returned to her
-chair.
-
-"Does what you have still to tell me refer to any person whom I
-know?" she said.
-
-"It refers, ma'am, to Miss de Sor. I am afraid I shall distress
-you."
-
-"What did I say, when I came in?" Miss Ladd asked. "Speak out
-plainly; and try--it's not easy, I know--but try to begin at the
-beginning."
-
-Mrs. Ellmother looked back through her memory of past events, and
-began by alluding to the feeling of curiosity which she had
-excited in Francine, on the day when Emily had made them known to
-one another. From this she advanced to the narrative of what had
-taken place at Netherwoods--to the atrocious attempt to frighten
-her by means of the image of wax--to the discovery made by
-Francine in the garden at night--and to the circumstances under
-which that discovery had been communicated to Emily.
-
-Miss Ladd's face reddened with indignation. "Are you sure of all
-that you have said?" she asked.
-
-"I am quite sure, ma'am. I hope I have not done wrong," Mrs.
-Ellmother added simply, "in telling you all this?"
-
-"Wrong?" Miss Ladd repeated warmly. "If that wretched girl has no
-defense to offer, she is a disgrace to my school--and I owe you a
-debt of gratitude for showing her to me in her true character.
-She shall return at once to Netherwoods; and she shall answer me
-to my entire satisfaction--or leave my house. What cruelty! what
-duplicity! In all my experience of girls, I have never met with
-the like of it. Let me go to my dear little Emily--and try to
-forget what I have heard."
-
-Mrs. Ellmother led the good lady to Emily's room--and, returning
-to the lower part of the house, went out into the garden. The
-mental effort that she had made had left its result in an aching
-head, and in an overpowering sense of depression. "A mouthful of
-fresh air will revive me," she thought.
-
-The front garden and back garden at the cottage communicated with
-each other. Walking slowly round and round, Mrs. Ellmother heard
-footsteps on the road outside, which stopped at the gate. She
-looked through the grating, and discovered Alban Morris.
-
-"Come in, sir!" she said, rejoiced to see him. He obeyed in
-silence. The full view of his face shocked Mrs. Ellmother. Never
-in her experience of the friend who had been so kind to her at
-Netherwoods, had he looked so old and so haggard as he looked
-now. "Oh, Mr. Alban, I see how she has distressed you! Don't take
-her at her word. Keep a good heart, sir--young girls are never
-long together of the same mind."
-
-Alban gave her his hand. "I mustn't speak about it," he said.
-"Silence helps me to bear my misfortune as becomes a man. I have
-had some hard blows in my time: they don't seem to have blunted
-my sense of feeling as I thought they had. Thank God, she doesn't
-know how she has made me suffer! I want to ask her pardon for
-having forgotten myself yesterday. I spoke roughly to her, at one
-time. No: I won't intrude on her; I have said I am sorry, in
-writing. Do you mind giving it to her? Good-by--and thank you. I
-mustn't stay longer; Miss Ladd expects me at Netherwoods."
-
-"Miss Ladd is in the house, sir, at this moment."
-
-"Here, in London!"
-
-"Upstairs, with Miss Emily."
-
-"Upstairs? Is Emily ill?"
-
-"She is getting better, sir. Would you like to see Miss Ladd?"
-
-"I should indeed! I have something to say to her--and time is of
-importance to me. May I wait in the garden?"
-
-"Why not in the parlor, sir?"
-
-"The parlor reminds me of happier days. In time, I may have
-courage enough to look at the room again. Not now."
-
-"If she doesn't make it up with that good man," Mrs. Ellmother
-thought, on her way back to the house, "my nurse-child is what I
-have never believed her to be yet--she's a fool."
-
-In half an hour more, Miss Ladd joined Alban on the little plot
-of grass behind the cottage. "I bring Emily's reply to your
-letter," she said. "Read it, before you speak to me."
-
-Alban read it: "Don't suppose you have offended me--and be
-assured that I feel gratefully the tone in which your note is
-written. I try to write forbearingly on my side; I wish I could
-write acceptably as well. It is not to be done. I am as unable as
-ever to enter into your motives. You are not my relation; you
-were under no obligation of secrecy: you heard me speak
-ignorantly of the murder of my father, as if it had been the
-murder of a stranger; and yet you kept me--deliberately, cruelly
-kept me--deceived! The remembrance of it burns me like fire. I
-cannot--oh, Alban, I cannot restore you to the place in my
-estimation which you have lost! If you wish to help me to bear my
-trouble, I entreat you not to write to me again."
-
-Alban offered the letter silently to Miss Ladd. She signed to him
-to keep it.
-
-"I know what Emily has written," she said; "and I have told her,
-what I now tell you--she is wrong; in every way, wrong. It is the
-misfortune of her impetuous nature that she rushes to
-conclusions--and those conclusions once formed, she holds to them
-with all the strength of her character. In this matter, she has
-looked at her side of the question exclusively; she is blind to
-your side."
-
-"Not willfully!" Alban interposed.
-
-Miss Ladd looked at him with admiration. "You defend Emily?" she
-said.
-
-"I love her," Alban answered.
-
-Miss Ladd felt for him, as Mrs. Ellmother had felt for him.
-"Trust to time, Mr. Morris," she resumed. "The danger to be
-afraid of is--the danger of some headlong action, on her part, in
-the interval. Who can say what the end may be, if she persists in
-her present way of thinking? There is something monstrous, in a
-young girl declaring that it is _her_ duty to pursue a murderer,
-and to bring him to justice! Don't you see it yourself?"
-
-A lban still defended Emily. "It seems to me to be a natural
-impulse," he said--"natural, and noble."
-
-"Noble!" Miss Ladd exclaimed.
-
-"Yes--for it grows out of the love which has not died with her
-father's death."
-
-"Then you encourage her?"
-
-"With my whole heart--if she would give me the opportunity!"
-
-"We won't pursue the subject, Mr. Morris. I am told by Mrs.
-Ellmother that you have something to say to me. What is it?"
-
-"I have to ask you," Alban replied, "to let me resign my
-situation at Netherwoods."
-
-Miss Ladd was not only surprised; she was also--a very rare thing
-with her--inclined to be suspicious. After what he had said to
-Emily, it occurred to her that Alban might be meditating some
-desperate project, with the hope of recovering his lost place in
-her favor.
-
-"Have you heard of some better employment?" she asked.
-
-"I have heard of no employment. My mind is not in a state to give
-the necessary attention to my pupils."
-
-"Is that your only reason for wishing to leave me?"
-
-"It is one of my reasons."
-
-"The only one which you think it necessary to mention?"
-
-"Yes."
-
-"I shall be sorry to lose you, Mr. Morris."
-
-"Believe me, Miss Ladd, I am not ungrateful for your kindness."
-
-"Will you let me, in all kindness, say something more?" Miss Ladd
-answered. "I don't intrude on your secrets--I only hope that you
-have no rash project in view."
-
-"I don't understand you, Miss Ladd."
-
-"Yes, Mr. Morris--you do."
-
-She shook hands with him--and went back to Emily.
-
-
-CHAPTER LI.
-
-THE DOCTOR SEES.
-
-Alban returned to Netherwoods--to continue his services, until
-another master could be found to take his place.
-
-By a later train Miss Ladd followed him. Emily was too well aware
-of the importance of the mistress's presence to the well-being of
-the school, to permit her to remain at the cottage. It was
-understood that they were to correspond, and that Emily's room
-was waiting for her at Netherwoods, whenever she felt inclined to
-occupy it
-
-Mrs. Ellmother made the tea, that evening, earlier than usual.
-Being alone again with Emily, it struck her that she might take
-advantage of her position to say a word in Alban's favor. She had
-chosen her time unfortunately. The moment she pronounced the
-name, Emily checked her by a look, and spoke of another
-person--that person being Miss Jethro.
-
-Mrs. Ellmother at once entered her protest, in her own downright
-way. "Whatever you do," she said, "don't go back to that! What
-does Miss Jethro matter to you?"
-
-"I am more interested in her than you suppose--I happen to know
-why she left the school."
-
-"Begging your pardon, miss, that's quite impossible!"
-
-"She left the school," Emily persisted, "for a serious reason.
-Miss Ladd discovered that she had used false references."
-
-"Good Lord! who told you that?"
-
-"You see I know it. I asked Miss Ladd how she got her
-information. She was bound by a promise never to mention the
-person's name. I didn't say it to her--but I may say it to you. I
-am afraid I have an idea of who the person was."
-
-"No," Mrs. Ellmother obstinately asserted, "you can't possibly
-know who it was! How should you know?"
-
-"Do you wish me to repeat what I heard in that room opposite,
-when my aunt was dying?"
-
-"Drop it, Miss Emily! For God's sake, drop it!"
-
-"I can't drop it. It's dreadful to me to have suspicions of my
-aunt--and no better reason for them than what she said in a state
-of delirium. Tell me, if you love me, was it her wandering fancy?
-or was it the truth?"
-
-"As I hope to be saved, Miss Emily, I can only guess as you do--I
-don't rightly know. My mistress trusted me half way, as it were.
-I'm afraid I have a rough tongue of my own sometimes. I offended
-her--and from that time she kept her own counsel. What she did,
-she did in the dark, so far as I was concerned."
-
-"How did you offend her?"
-
-"I shall be obliged to speak of your father if I tell you how?"
-
-"Speak of him."
-
-"_He_ was not to blame--mind that!" Mrs. Ellmother said
-earnestly. "If I wasn't certain of what I say now you wouldn't
-get a word out of me. Good harmless man--there's no denying
-it--he _was_ in love with Miss Jethro! What's the matter?"
-
-Emily was thinking of her memorable conversation with the
-disgraced teacher on her last night at school. "Nothing" she
-answered. "Go on."
-
-"If he had not tried to keep it secret from us, "Mrs. Ellmother
-resumed, "your aunt might never have taken it into her head that
-he was entangled in a love affair of the shameful sort. I don't
-deny that I helped her in her inquiries; but it was only because
-I felt sure from the first that the more she discovered the more
-certainly my master's innocence would show itself. He used to go
-away and visit Miss Jethro privately. In the time when your aunt
-trusted me, we never could find out where. She made that
-discovery afterward for herself (I can't tell you how long
-afterward); and she spent money in employing mean wretches to pry
-into Miss Jethro's past life. She had (if you will excuse me for
-saying it) an old maid's hatred of the handsome young woman, who
-lured your father away from home, and set up a secret (in a
-manner of speaking) between her brother and herself. I won't tell
-you how we looked at letters and other things which he forgot to
-leave under lock and key. I will only say there was one bit, in a
-journal he kept, which made me ashamed of myself. I read it out
-to Miss Letitia; and I told her in so many words, not to count
-any more on me. No; I haven't got a copy of the words--I can
-remember them without a copy. 'Even if my religion did not forbid
-me to peril my soul by leading a life of sin with this woman whom
-I love'--that was how it began--'the thought of my daughter would
-keep me pure. No conduct of mine shall ever make me unworthy of
-my child's affection and respect.' There! I'm making you cry; I
-won't stay here any longer. All that I had to say has been said.
-Nobody but Miss Ladd knows for certain whether your aunt was
-innocent or guilty in the matter of Miss Jethro's disgrace.
-Please to excuse me; my work's waiting downstairs."
-
-
-From time to time, as she pursued her domestic labors, Mrs.
-Ellmother thought of Mirabel. Hours on hours had passed--and the
-doctor had not appeared. Was he too busy to spare even a few
-minutes of his time? Or had the handsome little gentleman, after
-promising so fairly, failed to perform his errand? This last
-doubt wronged Mirabel. He had engaged to return to the doctor's
-house; and he kept his word.
-
-Doctor Allday was at home again, and was seeing patients.
-Introduced in his turn, Mirabel had no reason to complain of his
-reception. At the same time, after he had stated the object of
-his visit, something odd began to show itself in the doctor's
-manner.
-
-He looked at Mirabel with an appearance of uneasy curiosity; and
-he contrived an excuse for altering the visitor's position in the
-room, so that the light fell full on Mirabel's face.
-
-"I fancy I must have seen you," the doctor said, "at some former
-time."
-
-"I am ashamed to say I don't remember it," Mirabel answered.
-
-"Ah, very likely I'm wrong! I'll call on Miss Emily, sir, you may
-depend on it."
-
-Left in his consulting-room, Doctor Allday failed to ring the
-bell which summoned the next patient who was waiting for him. He
-took his diary from the table drawer, and turned to the daily
-entries for the past month of July.
-
-Arriving at the fifteenth day of the month, he glanced at the
-first lines of writing: "A visit from a mysterious lady, calling
-herself Miss Jethro. Our conference led to some very unexpected
-results."
-
-No: that was not what he was in search of. He looked a little
-lower down: and read on regularly, from that point, as follows:
-
-"Called on Miss Emily, in great anxiety about the discoveries
-which she might make among her aunt's papers. Papers all
-destroyed, thank God--except the Handbill, offering a reward for
-discovery of the murderer, which she found in the scrap-book.
-Gave her back the Handbill. Emily much surprised that the wretch
-should have escaped, with such a careful description of him
-circulated everywhere. She read the description aloud to me, in
-her nice clear voice: 'Supposed age between twenty-five and
-thirty years. A well-made man of small stature. Fai r complexion,
-delicate features, clear blue eyes. Hair light, and cut rather
-short. Clean shaven, with the exception of narrow
-half-whiskers'--and so on. Emily at a loss to understand how the
-fugitive could disguise himself. Reminded her that he could
-effectually disguise his head and face (with time to help him) by
-letting his hair grow long, and cultivating his beard. Emily not
-convinced, even by this self-evident view of the case. Changed
-the subject."
-
-The doctor put away his diary, and rang the bell.
-
-"Curious," he thought. "That dandified little clergyman has
-certainly reminded me of my discussion with Emily, more than two
-months since. Was it his flowing hair, I wonder? or his splendid
-beard? Good God! suppose it should turn out--?"
-
-He was interrupted by the appearance of his patient. Other ailing
-people followed. Doctor Allday's mind was professionally occupied
-for the rest of the evening.
-
-
-CHAPTER LII.
-
-"IF I COULD FIND A FRIEND!"
-
-Shortly after Miss Ladd had taken her departure, a parcel arrived
-for Emily, bearing the name of a bookseller printed on the label.
-It was large, and it was heavy. "Reading enough, I should think,
-to last for a lifetime," Mrs. Ellmother remarked, after carrying
-the parcel upstairs.
-
-Emily called her back as she was leaving the room. "I want to
-caution you," she said, "before Miss Wyvil comes. Don't tell
-her--don't tell anybody--how my father met his death. If other
-persons are taken into our confidence, they will talk of it. We
-don't know how near to us the murderer may be. The slightest hint
-may put him on his guard."
-
-"Oh, miss, are you still thinking of that!"
-
-"I think of nothing else."
-
-"Bad for your mind, Miss Emily--and bad for your body, as your
-looks show. I wish you would take counsel with some discreet
-person, before you move in this matter by yourself."
-
-Emily sighed wearily. "In my situation, where is the person whom
-I can trust?"
-
-"You can trust the good doctor."
-
-"Can I? Perhaps I was wrong when I told you I wouldn't see him.
-He might be of some use to me."
-
-Mrs. Ellmother made the most of this concession, in the fear that
-Emily might change her mind. "Doctor Allday may call on you
-tomorrow," she said.
-
-"Do you mean that you have sent for him?"
-
-"Don't be angry! I did it for the best--and Mr. Mirabel agreed
-with me."
-
-"Mr. Mirabel! What have you told Mr. Mirabel?"
-
-"Nothing, except that you are ill. When he heard that, he
-proposed to go for the doctor. He will be here again to-morrow,
-to ask for news of your health. Will you see him?"
-
-"I don't know yet--I have other things to think of. Bring Miss
-Wyvil up here when she comes."
-
-"Am I to get the spare room ready for her?"
-
-"No. She is staying with her father at the London house."
-
-Emily made that reply almost with an air of relief. When Cecilia
-arrived, it was only by an effort that she could show grateful
-appreciation of the sympathy of her dearest friend. When the
-visit came to an end, she felt an ungrateful sense of freedom:
-the restraint was off her mind; she could think again of the one
-terrible subject that had any interest for her now. Over love,
-over friendship, over the natural enjoyment of her young life,
-predominated the blighting resolution which bound her to avenge
-her father's death. Her dearest remembrances of him--tender
-remembrances once--now burned in her (to use her own words) like
-fire. It was no ordinary love that had bound parent and child
-together in the bygone time. Emily had grown from infancy to
-girlhood, owing all the brightness of her life--a life without a
-mother, without brothers, without sisters--to her father alone.
-To submit to lose this beloved, this only companion, by the cruel
-stroke of disease was of all trials of resignation the hardest to
-bear. But to be severed from him by the murderous hand of a man,
-was more than Emily's fervent nature could passively endure.
-Before the garden gate had closed on her friend she had returned
-to her one thought, she was breathing again her one aspiration.
-The books that she had ordered, with her own purpose in
-view--books that might supply her want of experience, and might
-reveal the perils which beset the course that lay before
-her--were unpacked and spread out on the table. Hour after hour,
-when the old servant believed that her mistress was in bed, she
-was absorbed over biographies in English and French, which
-related the stratagems by means of which famous policemen had
-captured the worst criminals of their time. From these, she
-turned to works of fiction, which found their chief topic of
-interest in dwelling on the discovery of hidden crime. The night
-passed, and dawn glimmered through the window--and still she
-opened book after book with sinking courage--and still she gained
-nothing but the disheartening conviction of her inability to
-carry out her own plans. Almost every page that she turned over
-revealed the immovable obstacles set in her way by her sex and
-her age. Could _she_ mix with the people, or visit the scenes,
-familiar to the experience of men (in fact and in fiction), who
-had traced the homicide to his hiding-place, and had marked him
-among his harmless fellow-creatures with the brand of Cain? No! A
-young girl following, or attempting to follow, that career, must
-reckon with insult and outrage--paying their abominable tribute
-to her youth and her beauty, at every turn. What proportion would
-the men who might respect her bear to the men who might make her
-the object of advances, which it was hardly possible to imagine
-without shuddering. She crept exhausted to her bed, the most
-helpless, hopeless creature on the wide surface of the earth--a
-girl self-devoted to the task of a man.
-
-
-
-Careful to perform his promise to Mirabel, without delay, the
-doctor called on Emily early in the morning--before the hour at
-which he usually entered his consulting-room.
-
-"Well? What's the matter with the pretty young mistress?" he
-asked, in his most abrupt manner, when Mrs. Ellmother opened the
-door. "Is it love? or jealousy? or a new dress with a wrinkle in
-it?"
-
-"You will hear about it, sir, from Miss Emily herself. I am
-forbidden to say anything."
-
-"But you mean to say something--for all that?"
-
-"Don't joke, Doctor Allday! The state of things here is a great
-deal too serious for joking. Make up your mind to be surprised--I
-say no more."
-
-Before the doctor could ask what this meant, Emily opened the
-parlor door. "Come in!" she said, impatiently.
-
-Doctor Allday's first greeting was strictly professional. "My
-dear child, I never expected this," he began. "You are looking
-wretchedly ill." He attempted to feel her pulse. She drew her
-hand away from him.
-
-"It's my mind that's ill," she answered. "Feeling my pulse won't
-cure me of anxiety and distress. I want advice; I want help. Dear
-old doctor, you have always been a good friend to me--be a better
-friend than ever now."
-
-"What can I do?"
-
-"Promise you will keep secret what I am going to say to you--and
-listen, pray listen patiently, till I have done."
-
-Doctor Allday promised, and listened. He had been, in some degree
-at least, prepared for a surprise--but the disclosure which now
-burst on him was more than his equanimity could sustain. He
-looked at Emily in silent dismay. She had surprised and shocked
-him, not only by what she said, but by what she unconsciously
-suggested. Was it possible that Mirabel's personal appearance had
-produced on her the same impression which was present in his own
-mind? His first impulse, when he was composed enough to speak,
-urged him to put the question cautiously.
-
-"If you happened to meet with the suspected man," he said, "have
-you any means of identifying him?"
-
-"None whatever, doctor. If you would only think it over--"
-
-He stopped her there; convinced of the danger of encouraging her,
-and resolved to act on his conviction.
-
-"I have enough to occupy me in my profession," he said. "Ask your
-other friend to think it over."
-
-"What other friend?"
-
-"Mr. Alban Morris."
-
-The moment he pronounced the name, he saw that he had touched on
-some painful association. "Has Mr. Morris refused to help you?"
-he inquired.
-
-"I have not asked him to help me."
-
-"Why?"
-
-There was no choice (with such a man
- as Doctor Allday) between offending him or answering him. Emily
-adopted the last alternative. On this occasion she had no reason
-to complain of his silence.
-
-"Your view of Mr. Morris's conduct surprises me," he
-replied--"surprises me more than I can say," he added;
-remembering that he too was guilty of having kept her in
-ignorance of the truth, out of regard--mistaken regard, as it now
-seemed to be--for her peace of mind.
-
-"Be good to me, and pass it over if I am wrong," Emily said: "I
-can't dispute with you; I can only tell you what I feel. You have
-always been so kind to me--may I count on your kindness still?"
-
-Doctor Allday relapsed into silence.
-
-"May I at least ask," she went on, "if you know anything of
-persons--" She paused, discouraged by the cold expression of
-inquiry in the old man's eyes as he looked at her.
-
-"What persons?" he said.
-
-"Persons whom I suspect."
-
-"Name them."
-
-Emily named the landlady of the inn at Zeeland: she could now
-place the right interpretation on Mrs. Rook's conduct, when the
-locket had been put into her hand at Netherwoods. Doctor Allday
-answered shortly and stiffly: he had never even seen Mrs. Rook.
-Emily mentioned Miss Jethro next--and saw at once that she had
-interested him.
-
-"What do you suspect Miss Jethro of doing?" he asked.
-
-"I suspect her of knowing more of my father's death than she is
-willing to acknowledge," Emily replied.
-
-The doctor's manner altered for the better. "I agree with you,"
-he said frankly. "But I have some knowledge of that lady. I warn
-you not to waste time and trouble in trying to discover the weak
-side of Miss Jethro."
-
-"That was not my experience of her at school," Emily rejoined.
-"At the same time I don't know what may have happened since those
-days. I may perhaps have lost the place I once held in her
-regard."
-
-"How?"
-
-"Through my aunt."
-
-"Through your aunt?"
-
-"I hope and trust I am wrong," Emily continued; "but I fear my
-aunt had something to do with Miss Jethro's dismissal from the
-school--and in that case Miss Jethro may have found it out." Her
-eyes, resting on the doctor, suddenly brightened. "You know
-something about it!" she exclaimed.
-
-He considered a little--whether he should or should not tell her
-of the letter addressed by Miss Ladd to Miss Letitia, which he
-had found at the cottage.
-
-"If I could satisfy you that your fears are well founded," he
-asked, "would the discovery keep you away from Miss Jethro?"
-
-"I should be ashamed to speak to her--even if we met."
-
-"Very well. I can tell you positively, that your aunt was the
-person who turned Miss Jethro out of the school. When I get home,
-I will send you a letter that proves it."
-
-Emily's head sank on her breast. "Why do I only hear of this
-now?" she said.
-
-"Because I had no reason for letting you know of it, before
-to-day. If I have done nothing else, I have at least succeeded in
-keeping you and Miss Jethro apart."
-
-Emily looked at him in alarm. He went on without appearing to
-notice that he had startled her. "I wish to God I could as easily
-put a stop to the mad project which you are contemplating."
-
-"The mad project?" Emily repeated. "Oh, Doctor Allday. Do you
-cruelly leave me to myself, at the time of all others, when I am
-most in need of your sympathy?"
-
-That appeal moved him. He spoke more gently; he pitied, while he
-condemned her.
-
-"My poor dear child, I should be cruel indeed, if I encouraged
-you. You are giving yourself up to an enterprise, so shockingly
-unsuited to a young girl like you, that I declare I contemplate
-it with horror. Think, I entreat you, think; and let me hear that
-you have yielded--not to my poor entreaties--but to your own
-better sense!" His voice faltered; his eyes moistened. "I shall
-make a fool of myself," he burst out furiously, "if I stay here
-any longer. Good-by."
-
-He left her.
-
-She walked to the window, and looked out at the fair morning. No
-one to feel for her--no one to understand her--nothing nearer
-that could speak to poor mortality of hope and encouragement than
-the bright heaven, so far away! She turned from the window. "The
-sun shines on the murderer," she thought, "as it shines on me."
-
-She sat down at the table, and tried to quiet her mind; to think
-steadily to some good purpose. Of the few friends that she
-possessed, every one had declared that she was in the wrong. Had
-_they_ lost the one loved being of all beings on earth, and lost
-him by the hand of a homicide--and that homicide free? All that
-was faithful, all that was devoted in the girl's nature, held her
-to her desperate resolution as with a hand of iron. If she shrank
-at that miserable moment, it was not from her design--it was from
-the sense of her own helplessness. "Oh, if I had been a man!" she
-said to herself. "Oh, if I could find a friend!"
-
-
-CHAPTER LIII.
-
-THE FRIEND IS FOUND.
-
-Mrs. Ellmother looked into the parlor. "I told you Mr. Mirabel
-would call again," she announced. "Here he is."
-
-"Has he asked to see me?"
-
-"He leaves it entirely to you."
-
-For a moment, and a moment only, Emily was undecided. "Show him
-in," she said.
-
-Mirabel's embarrassment was visible the moment he entered the
-room. For the first time in his life--in the presence of a
-woman--the popular preacher was shy. He who had taken hundreds of
-fair hands with sympathetic pressure--he who had offered fluent
-consolation, abroad and at home, to beauty in distress--was
-conscious of a rising color, and was absolutely at a loss for
-words when Emily received him. And yet, though he appeared at
-disadvantage--and, worse still, though he was aware of it
-himself--there was nothing contemptible in his look and manner.
-His silence and confusion revealed a change in him which inspired
-respect. Love had developed this spoiled darling of foolish
-congregations, this effeminate pet of drawing-rooms and boudoirs,
-into the likeness of a Man--and no woman, in Emily's position,
-could have failed to see that it was love which she herself had
-inspired.
-
-Equally ill at ease, they both took refuge in the commonplace
-phrases suggested by the occasion. These exhausted there was a
-pause. Mirabel alluded to Cecilia, as a means of continuing the
-conversation.
-
-"Have you seen Miss Wyvil?" he inquired.
-
-"She was here last night; and I expect to see her again to-day
-before she returns to Monksmoor with her father. Do you go back
-with them?"
-
-"Yes--if _you_ do."
-
-"I remain in London."
-
-"Then I remain in London, too."
-
-The strong feeling that was in him had forced its way to
-expression at last. In happier days--when she had persistently
-refused to let him speak to her seriously--she would have been
-ready with a light-hearted reply. She was silent now. Mirabel
-pleaded with her not to misunderstand him, by an honest
-confession of his motives which presented him under a new aspect.
-The easy plausible man, who had hardly ever seemed to be in
-earnest before--meant, seriously meant, what he said now.
-
-"May I try to explain myself?" he asked.
-
-"Certainly, if you wish it."
-
-"Pray, don't suppose me capable," Mirabel said earnestly, "of
-presuming to pay you an idle compliment. I cannot think of you,
-alone and in trouble, without feeling anxiety which can only be
-relieved in one way--I must be near enough to hear of you, day by
-day. Not by repeating this visit! Unless you wish it, I will not
-again cross the threshold of your door. Mrs. Ellmother will tell
-me if your mind is more at ease; Mrs. Ellmother will tell me if
-there is any new trial of your fortitude. She needn't even
-mention that I have been speaking to her at the door; and she may
-be sure, and you may be sure, that I shall ask no inquisitive
-questions. I can feel for you in your misfortune, without wishing
-to know what that misfortune is. If I can ever be of the smallest
-use, think of me as your other servant. Say to Mrs. Ellmother, 'I
-want him'--and say no more."
-
-Where is the woman who could have resisted such devotion as
-this--inspired, truly inspired, by herself? Emily's eyes softened
-as she answered him.
-
-"You little know how your kindness touches me," she said.
-
-"Don't speak of my kindness until you have put me to the proof,"
-he interposed. "Can a friend (such a friend as I am, I mean) be
-of any use?"
-
-"Of the greatest
- use if I could feel justified in trying you."
-
-"I entreat you to try me!"
-
-"But, Mr. Mirabel, you don't know what I am thinking of."
-
-"I don't want to know."
-
-"I may be wrong. My friends all say I _am_ wrong."
-
-"I don't care what your friends say; I don't care about any
-earthly thing but your tranquillity. Does your dog ask whether
-you are right or wrong? I am your dog. I think of You, and I
-think of nothing else."
-
-She looked back through the experience of the last few days. Miss
-Ladd--Mrs. Ellmother--Doctor Allday: not one of them had felt for
-her, not one of them had spoken to her, as this man had felt and
-had spoken. She remembered the dreadful sense of solitude and
-helplessness which had wrung her heart, in the interval before
-Mirabel came in. Her father himself could hardly have been kinder
-to her than this friend of a few weeks only. She looked at him
-through her tears; she could say nothing that was eloquent,
-nothing even that was adequate. "You are very good to me," was
-her only acknowledgment of all that he had offered. How poor it
-seemed to be! and yet how much it meant!
-
-He rose--saying considerately that he would leave her to recover
-herself, and would wait to hear if he was wanted.
-
-"No," she said; "I must not let you go. In common gratitude I
-ought to decide before you leave me, and I do decide to take you
-into my confidence." She hesitated; her color rose a little. "I
-know how unselfishly you offer me your help," she resumed; "I
-know you speak to me as a brother might speak to a sister--"
-
-He gently interrupted her. "No," he said; "I can't honestly claim
-to do that. And--may I venture to remind you?--you know why."
-
-She started. Her eyes rested on him with a momentary expression
-of reproach.
-
-"Is it quite fair," she asked, "in my situation, to say that?"
-
-"Would it have been quite fair," he rejoined, "to allow you to
-deceive yourself? Should I deserve to be taken into your
-confidence, if I encouraged you to trust me, under false
-pretenses? Not a word more of those hopes on which the happiness
-of my life depends shall pass my lips, unless you permit it. In
-my devotion to your interests, I promise to forget myself. My
-motives may be misinterpreted; my position may be misunderstood.
-Ignorant people may take me for that other happier man, who is an
-object of interest to you--"
-
-"Stop, Mr. Mirabel! The person to whom you refer has no such
-claim on me as you suppose."
-
-"Dare I say how happy I am to hear it? Will you forgive me?"
-
-"I will forgive you if you say no more."
-
-Their eyes met. Completely overcome by the new hope that she had
-inspired, Mirabel was unable to answer her. His sensitive nerves
-trembled under emotion, like the nerves of a woman; his delicate
-complexion faded away slowly into whiteness. Emily was
-alarmed--he seemed to be on the point of fainting. She ran to the
-window to open it more widely.
-
-"Pray don't trouble yourself," he said, "I am easily agitated by
-any sudden sensation--and I am a little overcome at this moment
-by my own happiness."
-
-"Let me give you a glass of wine."
-
-"Thank you--I don't need it indeed."
-
-"You really feel better?"
-
-"I feel quite well again--and eager to hear how I can serve you."
-
-"It's a long story, Mr. Mirabel--and a dreadful story."
-
-"Dreadful?"
-
-"Yes! Let me tell you first how you can serve me. I am in search
-of a man who has done me the cruelest wrong that one human
-creature can inflict on another. But the chances are all against
-me--I am only a woman; and I don't know how to take even the
-first step toward discovery."
-
-"You will know, when I guide you."
-
-He reminded her tenderly of what she might expect from him, and
-was rewarded by a grateful look. Seeing nothing, suspecting
-nothing, they advanced together nearer and nearer to the end.
-
-"Once or twice," Emily continued, "I spoke to you of my poor
-father, when we were at Monksmoor--and I must speak of him again.
-You could have no interest in inquiring about a stranger--and you
-cannot have heard how he died."
-
-"Pardon me, I heard from Mr. Wyvil how he died."
-
-"You heard what I had told Mr. Wyvil," Emily said: "I was wrong."
-
-"Wrong!" Mirabel exclaimed, in a tone of courteous surprise. "Was
-it not a sudden death?"
-
-"It _was_ a sudden death."
-
-"Caused by disease of the heart?"
-
-"Caused by no disease. I have been deceived about my father's
-death--and I have only discovered it a few days since."
-
-At the impending moment of the frightful shock which she was
-innocently about to inflict on him, she stopped--doubtful whether
-it would be best to relate how the discovery had been made, or to
-pass at once to the result. Mirabel supposed that she had paused
-to control her agitation. He was so immeasurably far away from
-the faintest suspicion of what was coming that he exerted his
-ingenuity, in the hope of sparing her.
-
-"I can anticipate the rest," he said. "Your sad loss has been
-caused by some fatal accident. Let us change the subject; tell me
-more of that man whom I must help you to find. It will only
-distress you to dwell on your father's death."
-
-"Distress me?" she repeated. "His death maddens me!"
-
-"Oh, don't say that!"
-
-"Hear me! hear me! My father died murdered, at Zeeland--and the
-man you must help me to find is the wretch who killed him."
-
-She started to her feet with a cry of terror. Mirabel dropped
-from his chair senseless to the floor.
-
-
-CHAPTER LIV.
-
-THE END OF THE FAINTING FIT.
-
-Emily recovered her presence of mind. She opened the door, so as
-to make a draught of air in the room, and called for water.
-Returning to Mirabel, she loosened his cravat. Mrs. Ellmother
-came in, just in time to prevent her from committing a common
-error in the treatment of fainting persons, by raising Mirabel's
-head. The current of air, and the sprinkling of water over his
-face, soon produced their customary effect. "He'll come round,
-directly," Mrs. Ellmother remarked. "Your aunt was sometimes
-taken with these swoons, miss; and I know something about them.
-He looks a poor weak creature, in spite of his big beard. Has
-anything frightened him?"
-
-Emily little knew how correctly that chance guess had hit on the
-truth!
-
-"Nothing can possibly have frightened him," she replied; "I am
-afraid he is in bad health. He turned suddenly pale while we were
-talking; and I thought he was going to be taken ill; he made
-light of it, and seemed to recover. Unfortunately, I was right;
-it was the threatening of a fainting fit--he dropped on the floor
-a minute afterward."
-
-A sigh fluttered over Mirabel's lips. His eyes opened, looked at
-Mrs. Ellmother in vacant terror, and closed again. Emily
-whispered to her to leave the room. The old woman smiled
-satirically as she opened the door--then looked back, with a
-sudden change of humor. To see the kind young mistress bending
-over the feeble little clergyman set her--by some strange
-association of ideas--thinking of Alban Morris. "Ah," she
-muttered to herself, on her way out, "I call _him_ a Man!"
-
-There was wine in the sideboard--the wine which Emily had once
-already offered in vain. Mirabel drank it eagerly, this time. He
-looked round the room, as if he wished to be sure that they were
-alone. "Have I fallen to a low place in your estimation?" he
-asked, smiling faintly. "I am afraid you will think poorly enough
-of your new ally, after this?"
-
-"I only think you should take more care of your health," Emily
-replied, with sincere interest in his recovery. "Let me leave you
-to rest on the sofa."
-
-He refused to remain at the cottage--he asked, with a sudden
-change to fretfulness, if she would let her servant get him a
-cab. She ventured to doubt whether he was quite strong enough yet
-to go away by himself. He reiterated, piteously reiterated, his
-request. A passing cab was stopped directly. Emily accompanied
-him to the gate. "I know what to do," he said, in a hurried
-absent way. "Rest and a little tonic medicine will soon set me
-right." The clammy coldness of his skin made Emily shudder, as
-they shook hands. "You won't think the worse of me for this?" he
-asked.
-
-"How can you imagine such a thing!" she answered warmly.
-
-"Will you see me, if I come to-morrow?"
-
-"I shall be anxious to see you."
-
-So they parted. Emily returned to the house, pitying him with all
-her heart.
-
-
-BOOK THE SIXTH--HERE AND THERE.
-
-CHAPTER LV.
-
-MIRABEL SEES HIS WAY.
-
-Reaching the hotel at which he was accustomed to stay when he was
-in London, Mirabel locked the door of his room. He looked at the
-houses on the opposite side of the street. His mind was in such a
-state of morbid distrust that he lowered the blind over the
-window. In solitude and obscurity, the miserable wretch sat down
-in a corner, and covered his face with his hands, and tried to
-realize what had happened to him.
-
-Nothing had been said at the fatal interview with Emily, which
-could have given him the slightest warning of what was to come.
-Her father's name--absolutely unknown to him when he fled from
-the inn--had only been communicated to the public by the
-newspaper reports of the adjourned inquest. At the time when
-those reports appeared, he was in hiding, under circumstances
-which prevented him from seeing a newspaper. While the murder was
-still a subject of conversation, he was in France--far out of the
-track of English travelers--and he remained on the continent
-until the summer of eighteen hundred and eighty-one. No exercise
-of discretion, on his part, could have extricated him from the
-terrible position in which he was now placed. He stood pledged to
-Emily to discover the man suspected of the murder of her father;
-and that man was--himself!
-
-What refuge was left open to him?
-
-If he took to flight, his sudden disappearance would be a
-suspicious circumstance in itself, and would therefore provoke
-inquiries which might lead to serious results. Supposing that he
-overlooked the risk thus presented, would he be capable of
-enduring a separation from Emily, which might be a separation for
-life? Even in the first horror of discovering his situation, her
-influence remained unshaken--the animating spirit of the one
-manly capacity for resistance which raised him above the reach of
-his own fears. The only prospect before him which he felt himself
-to be incapable of contemplating, was the prospect of leaving
-Emily.
-
-Having arrived at this conclusion, his fears urged him to think
-of providing for his own safety.
-
-The first precaution to adopt was to separate Emily from friends
-whose advice might be hostile to his interests--perhaps even
-subversive of his security. To effect this design, he had need of
-an ally whom he could trust. That ally was at his disposal, far
-away in the north.
-
-At the time when Francine's jealousy began to interfere with all
-freedom of intercourse between Emily and himself at Monksmoor, he
-had contemplated making arrangements which might enable them to
-meet at the house of his invalid sister, Mrs. Delvin. He had
-spoken of her, and of the bodily affliction which confined her to
-her room, in terms which had already interested Emily. In the
-present emergency, he decided on returning to the subject, and on
-hastening the meeting between the two women which he had first
-suggested at Mr. Wyvil's country seat.
-
-No time was to be lost in carrying out this intention. He wrote
-to Mrs. Delvin by that day's post; confiding to her, in the first
-place, the critical position in which he now found himself. This
-done, he proceeded as follows:
-
-"To your sound judgment, dearest Agatha, it may appear that I am
-making myself needlessly uneasy about the future. Two persons
-only know that I am the man who escaped from the inn at Zeeland.
-You are one of them, and Miss Jethro is the other. On you I can
-absolutely rely; and, after my experience of her, I ought to feel
-sure of Miss Jethro. I admit this; but I cannot get over my
-distrust of Emily's friends. I fear the cunning old doctor; I
-doubt Mr. Wyvil; I hate Alban Morris.
-
-"Do me a favor, my dear. Invite Emily to be your guest, and so
-separate her from these friends. The old servant who attends on
-her will be included in the invitation, of course. Mrs. Ellmother
-is, as I believe, devoted to the interests of Mr. Alban Morris:
-she will be well out of the way of doing mischief, while we have
-her safe in your northern solitude.
-
-"There is no fear that Emily will refuse your invitation.
-
-"In the first place, she is already interested in you. In the
-second place, I shall consider the small proprieties of social
-life; and, instead of traveling with her to your house, I shall
-follow by a later train. In the third place, I am now the chosen
-adviser in whom she trusts; and what I tell her to do, she will
-do. It pains me, really and truly pains me, to be compelled to
-deceive her--but the other alternative is to reveal myself as the
-wretch of whom she is in search. Was there ever such a situation?
-And, oh, Agatha, I am so fond of her! If I fail to persuade her
-to be my wife, I don't care what becomes of me. I used to think
-disgrace, and death on the scaffold, the most frightful prospect
-that a man can contemplate. In my present frame of mind, a life
-without Emily may just as well end in that way as in any other.
-When we are together in your old sea-beaten tower, do your best,
-my dear, to incline the heart of this sweet girl toward me. If
-she remains in London, how do I know that Mr. Morris may not
-recover the place he has lost in her good opinion? The bare idea
-of it turns me cold.
-
-"There is one more point on which I must touch, before I can
-finish my letter.
-
-"When you last wrote, you told me that Sir Jervis Redwood was not
-expected to live much longer, and that the establishment would be
-broken up after his death. Can you find out for me what will
-become, under the circumstances, of Mr. and Mrs. Rook? So far as
-I am concerned, I don't doubt that the alteration in my personal
-appearance, which has protected me for years past, may be trusted
-to preserve me from recognition by these two people. But it is of
-the utmost importance, remembering the project to which Emily has
-devoted herself, that she should not meet with Mrs. Rook. They
-have been already in correspondence; and Mrs. Rook has expressed
-an intention (if the opportunity offers itself) of calling at the
-cottage. Another reason, and a pressing reason, for removing
-Emily from London! We can easily keep the Rooks out of _your_
-house; but I own I should feel more at my ease, if I heard that
-they had left Northumberland."
-
-With that confession, Mrs. Delvin's brother closed his letter.
-
-
-CHAPTER LVI.
-
-ALBAN SEES HIS WAY.
-
-During the first days of Mirabel's sojourn at his hotel in
-London, events were in progress at Netherwoods, affecting the
-interests of the man who was the especial object of his distrust.
-Not long after Miss Ladd had returned to her school, she heard of
-an artist who was capable of filling the place to be vacated by
-Alban Morris. It was then the twenty-third of the month. In four
-days more the new master would be ready to enter on his duties;
-and Alban would be at liberty.
-
-On the twenty-fourth, Alban received a telegram which startled
-him. The person sending the message was Mrs. Ellmother; and the
-words were: "Meet me at your railway station to-day, at two
-o'clock."
-
-He found the old woman in the waiting-room; and he met with a
-rough reception.
-
-"Minutes are precious, Mr. Morris," she said; "you are two
-minutes late. The next train to London stops here in half an
-hour--and I must go back by it."
-
-"Good heavens, what brings you here? Is Emily--?"
-
-"Emily is well enough in health--if that's what you mean? As to
-why I come here, the reason is that it's a deal easier for me
-(worse luck!) to take this journey than to write a letter. One
-good turn deserves another. I don't forget how kind you were to
-me, away there at the school--and I can't, and won't, see what's
-going on at the cottage, behind your back, without letting you
-know of it. Oh, you needn't be alarmed about _her!_ I've made an
-excuse to get away for a few hours--but I haven't left her by
-herself. Miss Wyvil has come to London again; and Mr. Mirabel
-spends the best part of his time with her. Excuse me for a
-moment, will you? I'm so thirsty after the journey, I can hardly
-speak."
-
-She presented herself at the counter in the waiting-room. "I'll
-trouble you, young woman, for a glass of ale." She returned to
-Alban in a better humor. "It's not bad stuff, that! When I have
-said
- my say, I'll have a drop more--just to wash the taste of Mr.
-Mirabel out of my mouth. Wait a bit; I have something to ask you.
-How much longer are you obliged to stop here, teaching the girls
-to draw?"
-
-"I leave Netherwoods in three days more," Alban replied.
-
-"That's all right! You may be in time to bring Miss Emily to her
-senses, yet."
-
-"What do you mean?"
-
-"I mean--if you don't stop it--she will marry the parson."
-
-"I can't believe it, Mrs. Ellmother! I won't believe it!"
-
-"Ah, it's a comfort to him, poor fellow, to say that! Look here,
-Mr. Morris; this is how it stands. You're in disgrace with Miss
-Emily--and he profits by it. I was fool enough to take a liking
-to Mr. Mirabel when I first opened the door to him; I know better
-now. He got on the blind side of me; and now he has got on the
-blind side of _her_. Shall I tell you how? By doing what you
-would have done if you had had the chance. He's helping her--or
-pretending to help her, I don't know which--to find the man who
-murdered poor Mr. Brown. After four years! And when all the
-police in England (with a reward to encourage them) did their
-best, and it came to nothing!"
-
-"Never mind that!" Alban said impatiently. "I want to know how
-Mr. Mirabel is helping her?"
-
-"That's more than I can tell you. You don't suppose they take me
-into their confidence? All I can do is to pick up a word, here
-and there, when fine weather tempts them out into the garden. She
-tells him to suspect Mrs. Rook, and to make inquiries after Miss
-Jethro. And he has his plans; and he writes them down, which is
-dead against his doing anything useful, in my opinion. I don't
-hold with your scribblers. At the same time I wouldn't count too
-positively, in your place, on his being likely to fail. That
-little Mirabel--if it wasn't for his beard, I should believe he
-was a woman, and a sickly woman too; he fainted in our house the
-other day--that little Mirabel is in earnest. Rather than leave
-Miss Emily from Saturday to Monday, he has got a parson out of
-employment to do his Sunday work for him. And, what's more, he
-has persuaded her (for some reasons of his own) to leave London
-next week."
-
-"Is she going back to Monksmoor?"
-
-"Not she! Mr. Mirabel has got a sister, a widow lady; she's a
-cripple, or something of the sort. Her name is Mrs. Delvin. She
-lives far away in the north country, by the sea; and Miss Emily
-is going to stay with her."
-
-"Are you sure of that?"
-
-"Sure? I've seen the letter."
-
-"Do you mean the letter of invitation?"
-
-"Yes--I do. Miss Emily herself showed it to me. I'm to go with
-her--'in attendance on my mistress,' as the lady puts it. This I
-will say for Mrs. Delvin: her handwriting is a credit to the
-school that taught her; and the poor bedridden creature words her
-invitation so nicely, that I myself couldn't have resisted
-it--and I'm a hard one, as you know. You don't seem to heed me,
-Mr. Morris."
-
-"I beg your pardon, I was thinking."
-
-"Thinking of what--if I may make so bold?"
-
-"Of going back to London with you, instead of waiting till the
-new master comes to take my place."
-
-"Don't do that, sir! You would do harm instead of good, if you
-showed yourself at the cottage now. Besides, it would not be fair
-to Miss Ladd, to leave her before the other man takes your girls
-off your hands. Trust me to look after your interests; and don't
-go near Miss Emily--don't even write to her--unless you have got
-something to say about the murder, which she will be eager to
-hear. Make some discovery in that direction, Mr. Morris, while
-the parson is only trying to do it or pretending to do it--and
-I'll answer for the result. Look at the clock! In ten minutes
-more the train will be here. My memory isn't as good as it was;
-but I do think I have told you all I had to tell."
-
-"You are the best of good friends!" Alban said warmly.
-
-"Never mind about that, sir. If you want to do a friendly thing
-in return, tell me if you know what has become of Miss de Sor."
-
-"She has returned to Netherwoods."
-
-"Aha! Miss Ladd is as good as her word. Would you mind writing to
-tell me of it, if Miss de Sor leaves the school again? Good Lord!
-there she is on the platform with bag and baggage. Don't let her
-see me, Mr. Morris! If she comes in here, I shall set the marks
-of my ten finger-nails on that false face of hers, as sure as I
-am a Christian woman."
-
-Alban placed himself at the door, so as to hide Mrs. Ellmother.
-There indeed was Francine, accompanied by one of the teachers at
-the school. She took a seat on the bench outside the
-booking-office, in a state of sullen indifference--absorbed in
-herself--noticing nothing. Urged by ungovernable curiosity, Mrs.
-Ellmother stole on tiptoe to Alban's side to look at her. To a
-person acquainted with the circumstances there could be no
-possible doubt of what had happened. Francine had failed to
-excuse herself, and had been dismissed from Miss Ladd's house.
-
-"I would have traveled to the world's end," Mrs. Ellmother said,
-"to see _that!_"
-
-She returned to her place in the waiting-room, perfectly
-satisfied.
-
-The teacher noticed Alban, on leaving the booking-office after
-taking the tickets. "I shall be glad," she said, looking toward
-Francine, "when I have resigned the charge of that young lady to
-the person who is to receive her in London."
-
-"Is she to be sent back to her parents?" Alban asked.
-
-"We don't know yet. Miss Ladd will write to St. Domingo by the
-next mail. In the meantime, her father's agent in London--the
-same person who pays her allowance--takes care of her until he
-hears from the West Indies."
-
-"Does she consent to this?"
-
-"She doesn't seem to care what becomes of her. Miss Ladd has
-given her every opportunity of explaining and excusing herself,
-and has produced no impression. You can see the state she is in.
-Our good mistress--always hopeful even in the worst cases, as you
-know--thinks she is feeling ashamed of herself, and is too proud
-and self-willed to own it. My own idea is, that some secret
-disappointment is weighing on her mind. Perhaps I am wrong."
-
-No. Miss Ladd was wrong; and the teacher was right.
-
-The passion of revenge, being essentially selfish in its nature,
-is of all passions the narrowest in its range of view. In
-gratifying her jealous hatred of Emily, Francine had correctly
-foreseen consequences, as they might affect the other object of
-her enmity--Alban Morris. But she had failed to perceive the
-imminent danger of another result, which in a calmer frame of
-mind might not have escaped discovery. In triumphing over Emily
-and Alban, she had been the indirect means of inflicting on
-herself the bitterest of all disappointments--she had brought
-Emily and Mirabel together. The first forewarning of this
-catastrophe had reached her, on hearing that Mirabel would not
-return to Monksmoor. Her worst fears had been thereafter
-confirmed by a letter from Cecilia, which had followed her to
-Netherwoods. From that moment, she, who had made others wretched,
-paid the penalty in suffering as keen as any that she had
-inflicted. Completely prostrated; powerless, through ignorance of
-his address in London, to make a last appeal to Mirabel; she was
-literally, as had just been said, careless what became of her.
-When the train approached, she sprang to her feet--advanced to
-the edge of the platform--and suddenly drew back, shuddering. The
-teacher looked in terror at Alban. Had the desperate girl
-meditated throwing herself under the wheels of the engine? The
-thought had been in both their minds; but neither of them
-acknowledged it. Francine stepped quietly into the carriage, when
-the train drew up, and laid her head back in a corner, and closed
-her eyes. Mrs. Ellmother took her place in another compartment,
-and beckoned to Alban to speak to her at the window.
-
-"Where can I see you, when you go to London?" she asked.
-
-"At Doctor Allday's house."
-
-"On what day?"
-
-"On Tuesday next."
-
-
-CHAPTER LVII.
-
-APPROACHING THE END.
-
-Alban reached London early enough in the afternoon to find the
-doctor at his luncheon. "Too late to see Mrs. Ellmother," he
-announced. "Sit down and have something to eat."
-
-"Has she left any message for me?"
-
-"A message, my good friend, that you won't like to hear. She is
-off w ith her mistress, this morning, on a visit to Mr. Mirabel's
-sister."
-
-"Does he go with them?"
-
-"No; he follows by a later train."
-
-"Has Mrs. Ellmother mentioned the address?"
-
-"There it is, in her own handwriting."
-
-Alban read the address:--"Mrs. Delvin, The Clink, Belford,
-Northumberland."
-
-"Turn to the back of that bit of paper," the doctor said. "Mrs.
-Ellmother has written something on it."
-
-She had written these words: "No discoveries made by Mr. Mirabel,
-up to this time. Sir Jervis Redwood is dead. The Rooks are
-believed to be in Scotland; and Miss Emily, if need be, is to
-help the parson to find them. No news of Miss Jethro."
-
-"Now you have got your information," Doctor Allday resumed, "let
-me have a look at you. You're not in a rage: that's a good sign
-to begin with."
-
-"I am not the less determined," Alban answered.
-
-"To bring Emily to her senses?" the doctor asked.
-
-"To do what Mirabel has _not_ done--and then to let her choose
-between us."
-
-"Ay? ay? Your good opinion of her hasn't altered, though she has
-treated you so badly?"
-
-"My good opinion makes allowance for the state of my poor
-darling's mind, after the shock that has fallen on her," Alban
-answered quietly. "She is not _my_ Emily now. She will be _my_
-Emily yet. I told her I was convinced of it, in the old days at
-school--and my conviction is as strong as ever. Have you seen
-her, since I have been away at Netherwoods?"
-
-"Yes; and she is as angry with me as she is with you."
-
-"For the same reason?"
-
-"No, no. I heard enough to warn me to hold my tongue. I refused
-to help her--that's all. You are a man, and you may run risks
-which no young girl ought to encounter. Do you remember when I
-asked you to drop all further inquiries into the murder, for
-Emily's sake? The circumstances have altered since that time. Can
-I be of any use?"
-
-"Of the greatest use, if you can give me Miss Jethro's address."
-
-"Oh! You mean to begin in that way, do you?"
-
-"Yes. You know that Miss Jethro visited me at Netherwoods?"
-
-"Go on."
-
-"She showed me your answer to a letter which she had written to
-you. Have you got that letter?"
-
-Doctor Allday produced it. The address was at a post-office, in a
-town on the south coast. Looking up when he had copied it, Alban
-saw the doctor's eyes fixed on him with an oddly-mingled
-expression: partly of sympathy, partly of hesitation.
-
-"Have you anything to suggest?" he asked.
-
-"You will get nothing out of Miss Jethro," the doctor answered,
-"unless--" there he stopped.
-
-"Unless, what?"
-
-"Unless you can frighten her."
-
-"How am I to do that?"
-
-After a little reflection, Doctor Allday returned, without any
-apparent reason, to the subject of his last visit to Emily.
-
-"There was one thing she said, in the course of our talk," he
-continued, "which struck me as being sensible: possibly (for we
-are all more or less conceited), because I agreed with her
-myself. She suspects Miss Jethro of knowing more about that
-damnable murder than Miss Jethro is willing to acknowledge. If
-you want to produce the right effect on her--" he looked hard at
-Alban and checked himself once more.
-
-"Well? what am I to do?"
-
-"Tell her you have an idea of who the murderer is."
-
-"But I have no idea."
-
-"But _I_ have."
-
-"Good God! what do you mean?"
-
-"Don't mistake me! An impression has been produced on my
-mind--that's all. Call it a freak or fancy; worth trying perhaps
-as a bold experiment, and worth nothing more. Come a little
-nearer. My housekeeper is an excellent woman, but I have once or
-twice caught her rather too near to that door. I think I'll
-whisper it."
-
-He did whisper it. In breathless wonder, Alban heard of the doubt
-which had crossed Doctor Allday's mind, on the evening when
-Mirabel had called at his house.
-
-"You look as if you didn't believe it," the doctor remarked.
-
-"I'm thinking of Emily. For her sake I hope and trust you are
-wrong. Ought I to go to her at once? I don't know what to do!"
-
-"Find out first, my good fellow, whether I am right or wrong. You
-can do it, if you will run the risk with Miss Jethro."
-
-Alban recovered himself. His old friend's advice was clearly the
-right advice to follow. He examined his railway guide, and then
-looked at his watch. "If I can find Miss Jethro," he answered,
-"I'll risk it before the day is out."
-
-Tile doctor accompanied him to the door. "You will write to me,
-won't you?"
-
-"Without fail. Thank you--and good-by."
-
-
-BOOK THE SEVENTH--THE CLINK.
-
-CHAPTER LVIII.
-
-A COUNCIL OF TWO.
-
-Early in the last century one of the picturesque race of robbers
-and murderers, practicing the vices of humanity on the
-borderlands watered by the river Tweed, built a tower of stone on
-the coast of Northumberland. He lived joyously in the
-perpetration of atrocities; and he died penitent, under the
-direction of his priest. Since that event, he has figured in
-poems and pictures; and has been greatly admired by modern ladies
-and gentlemen, whom he would have outraged and robbed if he had
-been lucky enough to meet with them in the good old times.
-
-His son succeeded him, and failed to profit by the paternal
-example: that is to say, he made the fatal mistake of fighting
-for other people instead of fighting for himself.
-
-In the rebellion of Forty-Five, this northern squire sided to
-serious purpose with Prince Charles and the Highlanders. He lost
-his head; and his children lost their inheritance. In the lapse
-of years, the confiscated property fell into the hands of
-strangers; the last of whom (having a taste for the turf)
-discovered, in course of time, that he was in want of money. A
-retired merchant, named Delvin (originally of French extraction),
-took a liking to the wild situation, and purchased the tower. His
-wife--already in failing health--had been ordered by the doctors
-to live a quiet life by the sea. Her husband's death left her a
-rich and lonely widow; by day and night alike, a prisoner in her
-room; wasted by disease, and having but two interests which
-reconciled her to life--writing poetry in the intervals of pain,
-and paying the debts of a reverend brother who succeeded in the
-pulpit, and prospered nowhere else.
-
-In the later days of its life, the tower had been greatly
-improved as a place of residence. The contrast was remarkable
-between the dreary gray outer walls, and the luxuriously
-furnished rooms inside, rising by two at a time to the lofty
-eighth story of the building. Among the scattered populace of the
-country round, the tower was still known by the odd name given to
-it in the bygone time--"The Clink." It had been so called (as was
-supposed) in allusion to the noise made by loose stones, washed
-backward and forward at certain times of the tide, in hollows of
-the rock on which the building stood.
-
-On the evening of her arrival at Mrs. Delvin's retreat, Emily
-retired at an early hour, fatigued by her long journey. Mirabel
-had an opportunity of speaking with his sister privately in her
-own room.
-
-"Send me away, Agatha, if I disturb you," he said, "and let me
-know when I can see you in the morning."
-
-"My dear Miles, have you forgotten that I am never able to sleep
-in calm weather? My lullaby, for years past, has been the moaning
-of the great North Sea, under my window. Listen! There is not a
-sound outside on this peaceful night. It is the right time of the
-tide, just now--and yet, 'the clink' is not to be heard. Is the
-moon up?"
-
-Mirabel opened the curtains. "The whole sky is one great abyss of
-black," he answered. "If I was superstitious, I should think that
-horrid darkness a bad omen for the future. Are you suffering,
-Agatha?"
-
-"Not just now. I suppose I look sadly changed for the worse since
-you saw me last?"
-
-But for the feverish brightness of her eyes, she would have
-looked like a corpse. Her wrinkled forehead, her hollow cheeks,
-her white lips told their terrible tale of the suffering of
-years. The ghastly appearance of her face was heightened by the
-furnishing of the room. This doomed woman, dying slowly day by
-day, delighted in bright colors and sumptuous materials. The
-paper on the walls, the curtains, the carpet presented the hues
-of the rainbow. She lay on a couch covered with purple silk,
-under draperies of green velvet to keep her warm. Rich lace hid h
-er scanty hair, turning prematurely gray; brilliant rings
-glittered on her bony fingers. The room was in a blaze of light
-from lamps and candles. Even the wine at her side that kept her
-alive had been decanted into a bottle of lustrous Venetian glass.
-"My grave is open," she used to say; "and I want all these
-beautiful things to keep me from looking at it. I should die at
-once, if I was left in the dark."
-
-Her brother sat by the couch, thinking "Shall I tell you what is
-in your mind?" she asked.
-
-Mirabel humored the caprice of the moment. "Tell me!" he said.
-
-"You want to know what I think of Emily," she answered. "Your
-letter told me you were in love; but I didn't believe your
-letter. I have always doubted whether you were capable of feeling
-true love--until I saw Emily. The moment she entered the room, I
-knew that I had never properly appreciated my brother. You _are_
-in love with her, Miles; and you are a better man than I thought
-you. Does that express my opinion?"
-
-Mirabel took her wasted hand, and kissed it gratefully.
-
-"What a position I am in!" he said. "To love her as I love her;
-and, if she knew the truth, to be the object of her horror--to be
-the man whom she would hunt to the scaffold, as an act of duty to
-the memory of her father!"
-
-"You have left out the worst part of it," Mrs. Delvin reminded
-him. "You have bound yourself to help her to find the man. Your
-one hope of persuading her to become your wife rests on your
-success in finding him. And you are the man. There is your
-situation! You can't submit to it. How can you escape from it?"
-
-"You are trying to frighten me, Agatha."
-
-"I am trying to encourage you to face your position boldly."
-
-"I am doing my best," Mirabel said, with sullen resignation.
-"Fortune has favored me so far. I have, really and truly, been
-unable to satisfy Emily by discovering Miss Jethro. She has left
-the place at which I saw her last--there is no trace to be found
-of her--and Emily knows it."
-
-"Don't forget," Mrs. Delvin replied, "that there is a trace to be
-found of Mrs. Rook, and that Emily expects you to follow it."
-
-Mirabel shuddered. "I am surrounded by dangers, whichever way I
-look," he said. "Do what I may, it turns out to be wrong. I was
-wrong, perhaps, when I brought Emily here."
-
-"No!"
-
-"I could easily make an excuse," Mirabel persisted "and take her
-back to London."
-
-"And for all you know to the contrary," his wiser sister replied,
-"Mrs. Rook may go to London; and you may take Emily back in time
-to receive her at the cottage. In every way you are safer in my
-old tower. And--don't forget--you have got my money to help you,
-if you want it. In my belief, Miles, you _will_ want it."
-
-"You are the dearest and best of sisters! What do you recommend
-me to do?"
-
-"What you would have been obliged to do," Mrs. Delvin answered,
-"if you had remained in London. You must go to Redwood Hall
-tomorrow, as Emily has arranged it. If Mrs. Rook is not there,
-you must ask for her address in Scotland. If nobody knows the
-address, you must still bestir yourself in trying to find it.
-And, when you do fall in with Mrs. Rook--"
-
-"Well?"
-
-"Take care, wherever it may be, that you see her privately."
-
-Mirabel was alarmed. "Don't keep me in suspense," he burst out.
-"Tell me what you propose."
-
-"Never mind what I propose, to-night. Before I can tell you what
-I have in my mind, I must know whether Mrs. Rook is in England or
-Scotland. Bring me that information to-morrow, and I shall have
-something to say to you. Hark! The wind is rising, the rain is
-falling. There is a chance of sleep for me--I shall soon hear the
-sea. Good-night."
-
-"Good-night, dearest--and thank you again, and again!"
-
-
-CHAPTER LIX.
-
-THE ACCIDENT AT BELFORD.
-
-Early in the morning Mirabel set forth for Redwood Hall, in one
-of the vehicles which Mrs. Delvin still kept at "The Clink" for
-the convenience of visitors. He returned soon after noon; having
-obtained information of the whereabout of Mrs. Rook and her
-husband. When they had last been heard of, they were at Lasswade,
-near Edinburgh. Whether they had, or had not, obtained the
-situation of which they were in search, neither Miss Redwood nor
-any one else at the Hall could tell.
-
-In half an hour more, another horse was harnessed, and Mirabel
-was on his way to the railway station at Belford, to follow Mrs.
-Rook at Emily's urgent request. Before his departure, he had an
-interview with his sister.
-
-Mrs. Delvin was rich enough to believe implicitly in the power of
-money. Her method of extricating her brother from the serious
-difficulties that beset him, was to make it worth the while of
-Mr. and Mrs. Rook to leave England. Their passage to America
-would be secretly paid; and they would take with them a letter of
-credit addressed to a banker in New York. If Mirabel failed to
-discover them, after they had sailed, Emily could not blame his
-want of devotion to her interests. He understood this; but he
-remained desponding and irresolute, even with the money in his
-hands. The one person who could rouse his courage and animate his
-hope, was also the one person who must know nothing of what had
-passed between his sister and himself. He had no choice but to
-leave Emily, without being cheered by her bright looks,
-invigorated by her inspiriting words. Mirabel went away on his
-doubtful errand with a heavy heart.
-
-"The Clink" was so far from the nearest post town, that the few
-letters, usually addressed to the tower, were delivered by
-private arrangement with a messenger. The man's punctuality
-depended on the convenience of his superiors employed at the
-office. Sometimes he arrived early, and sometimes he arrived
-late. On this particular morning he presented himself, at half
-past one o'clock, with a letter for Emily; and when Mrs.
-Ellmother smartly reproved him for the delay, he coolly
-attributed it to the hospitality of friends whom he had met on
-the road.
-
-The letter, directed to Emily at the cottage, had been forwarded
-from London by the person left in charge. It addressed her as
-"Honored Miss." She turned at once to the end--and discovered the
-signature of Mrs. Rook!
-
-"And Mr. Mirabel has gone, "Emily exclaimed, "just when his
-presence is of the greatest importance to us!"
-
-Shrewd Mrs. Ellmother suggested that it might be as well to read
-the letter first--and then to form an opinion.
-
-Emily read it.
-
-
- "Lasswade, near
-Edinburgh, Sept. 26th.
-
-"HONORED MISS--I take up my pen to bespeak your kind sympathy for
-my husband and myself; two old people thrown on the world again
-by the death of our excellent master. We are under a month's
-notice to leave Redwood Hall.
-
-"Hearing of a situation at this place (also that our expenses
-would be paid if we applied personally), we got leave of absence,
-and made our application. The lady and her son are either the
-stingiest people that ever lived--or they have taken a dislike to
-me and my husband, and they make money a means of getting rid of
-us easily. Suffice it to say that we have refused to accept
-starvation wages, and that we are still out of place. It is just
-possible that you may have heard of something to suit us. So I
-write at once, knowing that good chances are often lost through
-needless delay.
-
-"We stop at Belford on our way back, to see some friends of my
-husband, and we hope to get to Redwood Hall in good time on the
-28th. Would you please address me to care of Miss Redwood, in
-case you know of any good situation for which we could apply.
-Perhaps we may be driven to try our luck in London. In this case,
-will you permit me to have the honor of presenting my respects,
-as I ventured to propose when I wrote to you a little time since.
-
-"I beg to remain, Honored Miss,
-
- "Your humble
-servant,
-
- "R.
-ROOK."
-
-
-Emily handed the letter to Mrs. Ellmother. "Read it," she said,
-"and tell me what you think."
-
-"I think you had better be careful."
-
-"Careful of Mrs. Rook?"
-
-"Yes--and careful of Mrs. Delvin too."
-
-Emily was astonished. "Are you really speaking seriously?" she
-said. "Mrs. Delvin is a most interesting person; so patient under
-her sufferings; so kind, so clever; so interested in all that
-interests _me_. I shall take the letter to her at once, and ask
-her advice."
-
-"Have your own way, miss. I can't tell you why--but I don't like
-her!"
-
-Mrs. Delvin's devotion to the interests of her guest took even
-Emily by surprise. After reading Mrs. Rook's letter, she rang the
-bell on her table in a frenzy of impatience. "My brother must be
-instantly recalled," she said. "Telegraph to him in your own
-name, telling him what has happened. He will find the message
-waiting for him, at the end of his journey."
-
-The groom, summoned by the bell, was ordered to saddle the third
-and last horse left in the stables; to take the telegram to
-Belford, and to wait there until the answer arrived.
-
-"How far is it to Redwood Hall?" Emily asked, when the man had
-received his orders.
-
-"Ten miles," Mrs. Delvin answered.
-
-"How can I get there to-day?"
-
-"My dear, you can't get there."
-
-"Pardon me, Mrs. Delvin, I must get there."
-
-"Pardon _me_. My brother represents you in this matter. Leave it
-to my brother."
-
-The tone taken by Mirabel's sister was positive, to say the least
-of it. Emily thought of what her faithful old servant had said,
-and began to doubt her own discretion in so readily showing the
-letter. The mistake--if a mistake it was--had however been
-committed; and, wrong or right, she was not disposed to occupy
-the subordinate position which Mrs. Delvin had assigned to her.
-
-"If you will look at Mrs. Rook's letter again," Emily replied,
-"you will see that I ought to answer it. She supposes I am in
-London."
-
-"Do you propose to tell Mrs. Rook that you are in this house?"
-Mrs. Delvin asked.
-
-"Certainly."
-
-"You had better consult my brother, before you take any
-responsibility on yourself."
-
-Emily kept her temper. "Allow me to remind you," she said, "that
-Mr. Mirabel is not acquainted with Mrs. Rook--and that I am. If I
-speak to her personally, I can do much to assist the object of
-our inquiries, before he returns. She is not an easy woman to
-deal with--"
-
-"And therefore," Mrs. Delvin interposed, "the sort of person who
-requires careful handling by a man like my brother--a man of the
-world."
-
-"The sort of person, as I venture to think," Emily persisted,
-"whom I ought to see with as little loss of time as possible."
-
-Mrs. Delvin waited a while before she replied. In her condition
-of health, anxiety was not easy to bear. Mrs. Rook's letter and
-Emily's obstinacy had seriously irritated her. But, like all
-persons of ability, she was capable, when there was serious
-occasion for it, of exerting self-control. She really liked and
-admired Emily; and, as the elder woman and the hostess, she set
-an example of forbearance and good humor.
-
-"It is out of my power to send you to Redwood Hall at once," she
-resumed. "The only one of my three horses now at your disposal is
-the horse which took my brother to the Hall this morning. A
-distance, there and back, of twenty miles. You are not in too
-great a hurry, I am sure, to allow the horse time to rest?"
-
-Emily made her excuses with perfect grace and sincerity. "I had
-no idea the distance was so great," she confessed. "I will wait,
-dear Mrs. Delvin, as long as you like."
-
-They parted as good friends as ever--with a certain reserve,
-nevertheless, on either side. Emily's eager nature was depressed
-and irritated by the prospect of delay. Mrs. Delvin, on the other
-hand (devoted to her brother's interests), thought hopefully of
-obstacles which might present themselves with the lapse of time.
-The horse might prove to be incapable of further exertion for
-that day. Or the threatening aspect of the weather might end in a
-storm.
-
-But the hours passed--and the sky cleared--and the horse was
-reported to be fit for work again. Fortune was against the lady
-of the tower; she had no choice but to submit.
-
-Mrs. Delvin had just sent word to Emily that the carriage would
-be ready for her in ten minutes, when the coachman who had driven
-Mirabel to Belford returned. He brought news which agreeably
-surprised both the ladies. Mirabel had reached the station five
-minutes too late; the coachman had left him waiting the arrival
-of the next train to the North. He would now receive the
-telegraphic message at Belford, and might return immediately by
-taking the groom's horse. Mrs. Delvin left it to Emily to decide
-whether she would proceed by herself to Redwood Hall, or wait for
-Mirabel's return.
-
-Under the changed circumstances, Emily would have acted
-ungraciously if she had persisted in holding to her first
-intention. She consented to wait.
-
-The sea still remained calm. In the stillness of the moorland
-solitude on the western side of "The Clink," the rapid steps of a
-horse were heard at some little distance on the highroad.
-
-Emily ran out, followed by careful Mrs. Ellmother, expecting to
-meet Mirabel.
-
-She was disappointed: it was the groom who had returned. As he
-pulled up at the house, and dismounted, Emily noticed that the
-man looked excited.
-
-"Is there anything wrong?" she asked.
-
-"There has been an accident, miss."
-
-"Not to Mr. Mirabel!''
-
-"No, no, miss. An accident to a poor foolish woman, traveling
-from Lasswade."
-
-Emily looked at Mrs. Ellmother. "It can't be Mrs. Rook!" she
-said.
-
-"That's the name, miss! She got out before the train had quite
-stopped, and fell on the platform."
-
-"Was she hurt?"
-
-"Seriously hurt, as I heard. They carried her into a house hard
-by--and sent for the doctor."
-
-"Was Mr. Mirabel one of the people who helped her?"
-
-"He was on the other side of the platform, miss; waiting for the
-train from London. I got to the station and gave him the
-telegram, just as the accident took place. We crossed over to
-hear more about it. Mr. Mirabel was telling me that he would
-return to 'The Clink' on my horse--when he heard the woman's name
-mentioned. Upon that, he changed his mind and went to the house."
-
-"Was he let in?"
-
-"The doctor wouldn't hear of it. He was making his examination;
-and he said nobody was to be in the room but her husband and the
-woman of the house."
-
-"Is Mr. Mirabel waiting to see her?"
-
-"Yes, miss. He said he would wait all day, if necessary; and he
-gave me this bit of a note to take to the mistress."
-
-Emily turned to Mrs. Ellmother. "It's impossible to stay here,
-not knowing whether Mrs. Rook is going to live or die," she said.
-"I shall go to Belford--and you will go with me."
-
-The groom interfered. "I beg your pardon, miss. It was Mr.
-Mirabel's most particular wish that you were not, on any account,
-to go to Belford."
-
-"Why not?"
-
-"He didn't say."
-
-Emily eyed the note in the man's hand with well-grounded
-distrust. In all probability, Mirabel's object in writing was to
-instruct his sister to prevent her guest from going to Belford.
-The carriage was waiting at the door. With her usual promptness
-of resolution, Emily decided on taking it for granted that she
-was free to use as she pleased a carriage which had been already
-placed at her disposal.
-
-"Tell your mistress," she said to the groom, "that I am going to
-Belford instead of to Redwood Hall."
-
-In a minute more, she and Mrs. Ellmother were on their way to
-join Mirabel at the station.
-
-
-CHAPTER LX.
-
-OUTSIDE THE ROOM.
-
-Emily found Mirabel in the waiting room at Belford. Her sudden
-appearance might well have amazed him; but his face expressed a
-more serious emotion than surprise--he looked at her as if she
-had alarmed him.
-
-"Didn't you get my message?" he asked. "I told the groom I wished
-you to wait for my return. I sent a note to my sister, in case he
-made any mistake."
-
-"The man made no mistake," Emily answered. "I was in too great a
-hurry to be able to speak with Mrs. Delvin. Did you really
-suppose I could endure the suspense of waiting till you came
-back? Do you think I can be of no use--I who know Mrs. Rook?"
-
-"They won't let you see her."
-
-"Why not? _You_ seem to be waiting to see her."
-
-"I am waiting for the return of the rector of Belford. He is at
-Berwick; and he has been sent for at Mrs. Rook's urgent request."
-
-"Is she dying?"
-
-"She is in fear of death--whether rightly or wrongly, I don't
-know. There is some internal injury from the fall. I hope to see
-her when the rector returns. As a brother cler gyman, I may with
-perfect propriety ask him to use his influence in my favor."
-
-"I am glad to find you so eager about it."
-
-"I am always eager in your interests."
-
-"Don't think me ungrateful," Emily replied gently. "I am no
-stranger to Mrs. Rook; and, if I send in my name, I may be able
-to see her before the clergyman returns."
-
-She stopped. Mirabel suddenly moved so as to place himself
-between her and the door. "I must really beg of you to give up
-that idea," he said; "you don't know what horrid sight you may
-see--what dreadful agonies of pain this unhappy woman may be
-suffering."
-
-His manner suggested to Emily that he might be acting under some
-motive which he was unwilling to acknowledge. "If you have a
-reason for wishing that I should keep away from Mrs. Rook," she
-said, "let me hear what it is. Surely we trust each other? I have
-done my best to set the example, at any rate."
-
-Mirabel seemed to be at a loss for a reply.
-
-While he was hesitating, the station-master passed the door.
-Emily asked him to direct her to the house in which Mrs. Rook had
-been received. He led the way to the end of the platform, and
-pointed to the house. Emily and Mrs. Ellmother immediately left
-the station. Mirabel accompanied them, still remonstrating, still
-raising obstacles.
-
-The house door was opened by an old man. He looked reproachfully
-at Mirabel. "You have been told already," he said, "that no
-strangers are to see my wife?"
-
-Encouraged by discovering that the man was Mr. Rook, Emily
-mentioned her name. "Perhaps you may have heard Mrs. Rook speak
-of me," she added.
-
-"I've heard her speak of you oftentimes."
-
-"What does the doctor say?"
-
-"He thinks she may get over it. She doesn't believe him."
-
-"Will you say that I am anxious to see her, if she feels well
-enough to receive me?"
-
-Mr. Rook looked at Mrs. Ellmother. "Are there two of you wanting
-to go upstairs?" he inquired.
-
-"This is my old friend and servant," Emily answered. "She will
-wait for me down here."
-
-"She can wait in the parlor; the good people of this house are
-well known to me." He pointed to the parlor door--and then led
-the way to the first floor. Emily followed him. Mirabel, as
-obstinate as ever, followed Emily.
-
-Mr. Rook opened a door at the end of the landing; and, turning
-round to speak to Emily, noticed Mirabel standing behind her.
-Without making any remarks, the old man pointed significantly
-down the stairs. His resolution was evidently immovable. Mirabel
-appealed to Emily to help him.
-
-"She will see me, if _you_ ask her," he said, "Let me wait here?"
-
-The sound of his voice was instantly followed by a cry from the
-bed-chamber--a cry of terror.
-
-Mr. Rook hurried into the room, and closed the door. In less than
-a minute, he opened it again, with doubt and horror plainly
-visible in his face. He stepped up to Mirabel--eyed him with the
-closest scrutiny--and drew back again with a look of relief.
-
-"She's wrong," he said; "you are not the man."
-
-This strange proceeding startled Emily.
-
-"What man do you mean?" she asked.
-
-Mr. Rook took no notice of the question. Still looking at
-Mirabel, he pointed down the stairs once more. With vacant
-eyes--moving mechanically, like a sleep-walker in his
-dream--Mirabel silently obeyed. Mr. Rook turned to Emily.
-
-"Are you easily frightened?" he said
-
-"I don't understand you," Emily replied. "Who is going to
-frighten me? Why did you speak to Mr. Mirabel in that strange
-way?"
-
-Mr. Rook looked toward the bedroom door. "Maybe you'll hear why,
-inside there. If I could have my way, you shouldn't see her--but
-she's not to be reasoned with. A caution, miss. Don't be too
-ready to believe what my wife may say to you. She's had a
-fright." He opened the door. "In my belief," he whispered, "she's
-off her head."
-
-Emily crossed the threshold. Mr. Rook softly closed the door
-behind her.
-
-
-CHAPTER LXI.
-
-INSIDE THE ROOM.
-
-A decent elderly woman was seated at the bedside. She rose, and
-spoke to Emily with a mingling of sorrow and confusion strikingly
-expressed on her face. "It isn't my fault," she said, "that Mrs.
-Rook receives you in this manner; I am obliged to humor her."
-
-She drew aside, and showed Mrs. Rook with her head supported by
-many pillows, and her face strangely hidden from view under a
-veil. Emily started back in horror. "Is her face injured?" she
-asked.
-
-Mrs. Rook answered the question herself. Her voice was low and
-weak; but she still spoke with the same nervous hurry of
-articulation which had been remarked by Alban Morris, on the day
-when she asked him to direct her to Netherwoods
-
-"Not exactly injured," she explained; "but one's appearance is a
-matter of some anxiety even on one's death-bed. I am disfigured
-by a thoughtless use of water, to bring me to when I had my
-fall--and I can't get at my toilet-things to put myself right
-again. I don't wish to shock you. Please excuse the veil."
-
-Emily remembered the rouge on her cheeks, and the dye on her
-hair, when they had first seen each other at the school.
-Vanity--of all human frailties the longest-lived--still held its
-firmly-rooted place in this woman's nature; superior to torment
-of conscience, unassailable by terror of death!
-
-The good woman of the house waited a moment before she left the
-room. "What shall I say," she asked, "if the clergyman comes?"
-
-Mrs. Rook lifted her hand solemnly "Say," she answered, "that a
-dying sinner is making atonement for sin. Say this young lady is
-present, by the decree of an all-wise Providence. No mortal
-creature must disturb us." Her hand dropped back heavily on the
-bed. "Are we alone?" she asked.
-
-"We are alone," Emily answered. "What made you scream just before
-I came in?"
-
-"No! I can't allow you to remind me of that," Mrs. Rook
-protested. "I must compose myself. Be quiet. Let me think."
-
-Recovering her composure, she also recovered that sense of
-enjoyment in talking of herself, which was one of the marked
-peculiarities in her character.
-
-"You will excuse me if I exhibit religion," she resumed. "My dear
-parents were exemplary people; I was most carefully brought up.
-Are you pious? Let us hope so."
-
-Emily was once more reminded of the past.
-
-The bygone time returned to her memory--the time when she had
-accepted Sir Jervis Redwood's offer of employment, and when Mrs.
-Rook had arrived at the school to be her traveling companion to
-the North. The wretched creature had entirely forgotten her own
-loose talk, after she had drunk Miss Ladd's good wine to the last
-drop in the bottle. As she was boasting now of her piety, so she
-had boasted then of her lost faith and hope, and had mockingly
-declared her free-thinking opinions to be the result of her
-ill-assorted marriage. Forgotten--all forgotten, in this later
-time of pain and fear. Prostrate under the dread of death, her
-innermost nature--stripped of the concealments of her later
-life--was revealed to view. The early religious training, at
-which she had scoffed in the insolence of health and strength,
-revealed its latent influence--intermitted, but a living
-influence always from first to last. Mrs. Rook was tenderly
-mindful of her exemplary parents, and proud of exhibiting
-religion, on the bed from which she was never to rise again.
-
-"Did I tell you that I am a miserable sinner?" she asked, after
-an interval of silence.
-
-Emily could endure it no longer. "Say that to the clergyman," she
-answered--"not to me."
-
-"Oh, but I must say it," Mrs. Rook insisted. "I _am_ a miserable
-sinner. Let me give you an instance of it," she continued, with a
-shameless relish of the memory of her own frailties. "I have been
-a drinker, in my time. Anything was welcome, when the fit was on
-me, as long as it got into my head. Like other persons in liquor,
-I sometimes talked of things that had better have been kept
-secret. We bore that in mind--my old man and I---when we were
-engaged by Sir Jervis. Miss Redwood wanted to put us in the next
-bedroom to hers--a risk not to be run. I might have talked of the
-murder at the inn; and she might have heard me. Please to remark
-a curious thing. Whatever else I might let out, when I was in my
-cups, not a word about the pocketbook ever dropped from me. You
-will ask how I know it. My dear, I should have heard of it from
-my husband, if I had let _that_ out--and he is as much in the
-dark as you are. Wonderful are the workings of the human mind, as
-the poet says; and drink drowns care, as the proverb says. But
-can drink deliver a person from fear by day, and fear by night? I
-believe, if I had dropped a word about the pocketbook, it would
-have sobered me in an instant. Have you any remark to make on
-this curious circumstance?"
-
-Thus far, Emily had allowed the woman to ramble on, in the hope
-of getting information which direct inquiry might fail to
-produce. It was impossible, however, to pass over the allusion to
-the pocketbook. After giving her time to recover from the
-exhaustion which her heavy breathing sufficiently revealed, Emily
-put the question:
-
-"Who did the pocketbook belong to?"
-
-"Wait a little," said Mrs. Rook. "Everything in its right place,
-is my motto. I mustn't begin with the pocketbook. Why did I begin
-with it? Do you think this veil on my face confuses me? Suppose I
-take it off. But you must promise first--solemnly promise you
-won't look at my face. How can I tell you about the murder (the
-murder is part of my confession, you know), with this lace
-tickling my skin? Go away--and stand there with your back to me.
-Thank you. Now I'll take it off. Ha! the air feels refreshing; I
-know what I am about. Good heavens, I have forgotten something! I
-have forgotten _him_. And after such a fright as he gave me! Did
-you see him on the landing?"
-
-"Who are you talking of?" Emily asked.
-
-Mrs. Rook's failing voice sank lower still.
-
-"Come closer," she said, "this must be whispered. Who am I
-talking of?" she repeated. "I am talking of the man who slept in
-the other bed at the inn; the man who did the deed with his own
-razor. He was gone when I looked into the outhouse in the gray of
-the morning. Oh, I have done my duty! I have told Mr. Rook to
-keep an eye on him downstairs. You haven't an idea how obstinate
-and stupid my husband is. He says I couldn't know the man,
-because I didn't see him. Ha! there's such a thing as hearing,
-when you don't see. I heard--and I knew it again."
-
-Emily turned cold from head to foot.
-
-"What did you know again?" she said.
-
-"His voice," Mrs. Rook answered. "I'll swear to his voice before
-all the judges in England."
-
-Emily rushed to the bed. She looked at the woman who had said
-those dreadful words, speechless with horror.
-
-"You're breaking your promise!" cried Mrs. Rook. "You false girl,
-you're breaking your promise!"
-
-She snatched at the veil, and put it on again. The sight of her
-face, momentary as it had been, reassured Emily. Her wild eyes,
-made wilder still by the blurred stains of rouge below them, half
-washed away--her disheveled hair, with streaks of gray showing
-through the dye--presented a spectacle which would have been
-grotesque under other circumstances, but which now reminded Emily
-of Mr. Rook's last words; warning her not to believe what his
-wife said, and even declaring his conviction that her intellect
-was deranged. Emily drew back from the bed, conscious of an
-overpowering sense of self-reproach. Although it was only for a
-moment, she had allowed her faith in Mirabel to be shaken by a
-woman who was out of her mind.
-
-"Try to forgive me," she said. "I didn't willfully break my
-promise; you frightened me."
-
-Mrs. Rook began to cry. "I was a handsome woman in my time," she
-murmured. "You would say I was handsome still, if the clumsy
-fools about me had not spoiled my appearance. Oh, I do feel so
-weak! Where's my medicine?"
-
-The bottle was on the table. Emily gave her the prescribed dose,
-and revived her failing strength.
-
-"I am an extraordinary person," she resumed. "My resolution has
-always been the admiration of every one who knew me. But my mind
-feels--how shall I express it?--a little vacant. Have mercy on my
-poor wicked soul! Help me."
-
-"How can I help you?"
-
-"I want to recollect. Something happened in the summer time, when
-we were talking at Netherwoods. I mean when that impudent master
-at the school showed his suspicions of me. (Lord! how he
-frightened me, when he turned up afterward at Sir Jervis's
-house.) You must have seen yourself he suspected me. How did he
-show it?"
-
-"He showed you my locket," Emily answered.
-
-"Oh, the horrid reminder of the murder!" Mrs. Rook exclaimed.
-"_I_ didn't mention it: don't blame Me. You poor innocent, I have
-something dreadful to tell you."
-
-Emily's horror of the woman forced her to speak. "Don't tell me!"
-she cried. "I know more than you suppose; I know what I was
-ignorant of when you saw the locket."
-
-Mrs. Rook took offense at the interruption.
-
-"Clever as you are, there's one thing you don't know," she said.
-"You asked me, just now, who the pocketbook belonged to. It
-belonged to your father. What's the matter? Are you crying?"
-
-Emily was thinking of her father. The pocketbook was the last
-present she had given to him--a present on his birthday. "Is it
-lost?" she asked sadly.
-
-"No; it's not lost. You will hear more of it directly. Dry your
-eyes, and expect something interesting--I'm going to talk about
-love. Love, my dear, means myself. Why shouldn't it? I'm not the
-only nice-looking woman, married to an old man, who has had a
-lover."
-
-"Wretch! what has that got to do with it?"
-
-"Everything, you rude girl! My lover was like the rest of them;
-he would bet on race-horses, and he lost. He owned it to me, on
-the day when your father came to our inn. He said, 'I must find
-the money--or be off to America, and say good-by forever.' I was
-fool enough to be fond of him. It broke my heart to hear him talk
-in that way. I said, 'If I find the money, and more than the
-money, will you take me with you wherever you go?' Of course, he
-said Yes. I suppose you have heard of the inquest held at our old
-place by the coroner and jury? Oh, what idiots! They believed I
-was asleep on the night of the murder. I never closed my eyes--I
-was so miserable, I was so tempted."
-
-"Tempted? What tempted you?"
-
-"Do you think I had any money to spare? Your father's pocketbook
-tempted me. I had seen him open it, to pay his bill over-night.
-It was full of bank-notes. Oh, what an overpowering thing love
-is! Perhaps you have known it yourself."
-
-Emily's indignation once more got the better of her prudence.
-"Have you no feeling of decency on your death-bed!" she said.
-
-Mrs. Rook forgot her piety; she was ready with an impudent
-rejoinder. "You hot-headed little woman, your time will come,"
-she answered. "But you're right--I am wandering from the point; I
-am not sufficiently sensible of this solemn occasion. By-the-by,
-do you notice my language? I inherit correct English from my
-mother--a cultivated person, who married beneath her. My paternal
-grandfather was a gentleman. Did I tell you that there came a
-time, on that dreadful night, when I could stay in bed no longer?
-The pocketbook--I did nothing but think of that devilish
-pocketbook, full of bank-notes. My husband was fast asleep all
-the time. I got a chair and stood on it. I looked into the place
-where the two men were sleeping, through the glass in the top of
-the door. Your father was awake; he was walking up and down the
-room. What do you say? Was he agitated? I didn't notice. I don't
-know whether the other man was asleep or awake. I saw nothing but
-the pocketbook stuck under the pillow, half in and half out. Your
-father kept on walking up and down. I thought to myself, 'I'll
-wait till he gets tired, and then I'll have another look at the
-pocketbook.' Where's the wine? The doctor said I might have a
-glass of wine when I wanted it."
-
-Emily found the wine and gave it to her. She shuddered as she
-accidentally touched Mrs. Rook's hand.
-
-The wine helped the sinking woman.
-
-"I must have got up more than once," she resumed. "And more than
-once my heart must have failed me. I don't clearly remember what
-I did, till the gray of the morning came. I think that must have
-been the last time I looked through the glass in the door."
-
-She began to tremble. She tore the veil off her face. She cried
-out piteously, "Lord, be merciful to me a sinner! Come here," she
-said to Emily. "Where are you? No! I daren't tell you what I saw;
-I daren't tell you what I did. When you're pos sessed by the
-devil, there's nothing, nothing, nothing you can't do! Where did
-I find the courage to unlock the door? Where did I find the
-courage to go in? Any other woman would have lost her senses,
-when she found blood on her fingers after taking the
-pocketbook--"
-
-Emily's head swam; her heart beat furiously--she staggered to the
-door, and opened it to escape from the room.
-
-"I'm guilty of robbing him; but I'm innocent of his blood!" Mrs.
-Rook called after her wildly. "The deed was done--the yard door
-was wide open, and the man was gone--when I looked in for the
-last time. Come back, come back!"
-
-Emily looked round.
-
-"I can't go near you," she said, faintly.
-
-"Come near enough to see this."
-
-She opened her bed-gown at the throat, and drew up a loop of
-ribbon over her head. 'The pocketbook was attached to the ribbon.
-She held it out.
-
-"Your father's book," she said. "Won't you take your father's
-book?"
-
-For a moment, and only for a moment, Emily was repelled by the
-profanation associated with her birthday gift. Then, the loving
-remembrance of the dear hands that had so often touched that
-relic, drew the faithful daughter back to the woman whom she
-abhorred. Her eyes rested tenderly on the book. Before it had
-lain in that guilty bosom, it had been _his_ book. The beloved
-memory was all that was left to her now; the beloved memory
-consecrated it to her hand. She took the book.
-
-"Open it," said Mrs. Rook.
-
-There were two five-pound bank-notes in it.
-
-"His?" Emily asked.
-
-"No; mine--the little I have been able to save toward restoring
-what I stole."
-
-"Oh!" Emily cried, "is there some good in this woman, after all?"
-
-"There's no good in the woman!" Mrs. Rook answered desperately.
-"There's nothing but fear--fear of hell now; fear of the
-pocketbook in the past time. Twice I tried to destroy it--and
-twice it came back, to remind me of the duty that I owed to my
-miserable soul. I tried to throw it into the fire. It struck the
-bar, and fell back into the fender at my feet. I went out, and
-cast it into the well. It came back again in the first bucket of
-water that was drawn up. From that moment, I began to save what I
-could. Restitution! Atonement! I tell you the book found a
-tongue--and those were the grand words it dinned in my ears,
-morning and night." She stooped to fetch her breath--stopped, and
-struck her bosom. "I hid it here, so that no person should see
-it, and no person take it from me. Superstition? Oh, yes,
-superstition! Shall tell you something? _You_ may find yourself
-superstitious, if you are ever cut to the heart as I was. He left
-me! The man I had disgraced myself for, deserted me on the day
-when I gave him the stolen money. He suspected it was stolen; he
-took care of his own cowardly self--and left me to the hard mercy
-of the law, if the theft was found out. What do you call that, in
-the way of punishment? Haven't I suffered? Haven't I made
-atonement? Be a Christian--say you forgive me."
-
-"I do forgive you."
-
-"Say you will pray for me."
-
-"I will."
-
-"Ah! that comforts me! Now you can go."
-
-Emily looked at her imploringly. "Don't send me away, knowing no
-more of the murder than I knew when I came here! Is there
-nothing, really nothing, you can tell me?"
-
-Mrs. Rook pointed to the door.
-
-"Haven't I told you already? Go downstairs, and see the wretch
-who escaped in the dawn of the morning!"
-
-"Gently, ma'am, gently! You're talking too loud," cried a mocking
-voice from outside.
-
-"It's only the doctor," said Mrs. Rook. She crossed her hands
-over her bosom with a deep-drawn sigh. "I want no doctor, now. My
-peace is made with my Maker. I'm ready for death; I'm fit for
-Heaven. Go away! go away!"
-
-
-CHAPTER LXII.
-
-DOWNSTAIRS.
-
-In a moment more, the doctor came in--a brisk, smiling,
-self-sufficient man--smartly dressed, with a flower in his
-button-hole. A stifling odor of musk filled the room, as he drew
-out his handkerchief with a flourish, and wiped his forehead.
-
-"Plenty of hard work in my line, just now," he said. "Hullo, Mrs.
-Rook! somebody has been allowing you to excite yourself. I heard
-you, before I opened the door. Have you been encouraging her to
-talk?" he asked, turning to Emily, and shaking his finger at her
-with an air of facetious remonstrance.
-
-Incapable of answering him; forgetful of the ordinary restraints
-of social intercourse--with the one doubt that preserved her
-belief in Mirabel, eager for confirmation--Emily signed to this
-stranger to follow her into a corner of the room, out of hearing.
-She made no excuses: she took no notice of his look of surprise.
-One hope was all she could feel, one word was all she could say,
-after that second assertion of Mirabel's guilt. Indicating Mrs.
-Rook by a glance at the bed, she whispered the word:
-
-"Mad?"
-
-Flippant and familiar, the doctor imitated her; he too looked at
-the bed.
-
-"No more mad than you are, miss. As I said just now, my patient
-has been exciting herself; I daresay she has talked a little
-wildly in consequence. _Hers_ isn't a brain to give way, I can
-tell you. But there's somebody else--"
-
-Emily had fled from the room. He had destroyed her last fragment
-of belief in Mirabel's innocence. She was on the landing trying
-to console herself, when the doctor joined her.
-
-"Are you acquainted with the gentleman downstairs?" he asked.
-
-"What gentleman?"
-
-"I haven't heard his name; he looks like a clergyman. If you know
-him--"
-
-"I do know him. I can't answer questions! My mind--"
-
-"Steady your mind, miss! and take your friend home as soon as you
-can. _He_ hasn't got Mrs. Rook's hard brain; he's in a state of
-nervous prostration, which may end badly. Do you know where he
-lives?"
-
-"He is staying with his sister--Mrs. Delvin."
-
-"Mrs. Delvin! she's a friend and patient of mine. Say I'll look
-in to-morrow morning, and see what I can do for her brother. In
-the meantime, get him to bed, and to rest; and don't be afraid of
-giving him brandy."
-
-The doctor returned to the bedroom. Emily heard Mrs. Ellmother's
-voice below.
-
-"Are you up there, miss?"
-
-"Yes."
-
-Mrs. Ellmother ascended the stairs. "It was an evil hour," she
-said, "that you insisted on going to this place. Mr. Mirabel--"
-The sight of Emily's face suspended the next words on her lips.
-She took the poor young mistress in her motherly arms. "Oh, my
-child! what has happened to you?"
-
-"Don't ask me now. Give me your arm--let us go downstairs."
-
-"You won't be startled when you see Mr. Mirabel--will you, my
-dear? I wouldn't let them disturb you; I said nobody should speak
-to you but myself. The truth is, Mr. Mirabel has had a dreadful
-fright. What are you looking for?"
-
-"Is there a garden here? Any place where we can breathe the fresh
-air?"
-
-There was a courtyard at the back of the house. They found their
-way to it. A bench was placed against one of the walls. They sat
-down.
-
-"Shall I wait till you're better before I say any more?" Mrs.
-Ellmother asked. "No? You want to hear about Mr. Mirabel? My
-dear, he came into the parlor where I was; and Mr. Rook came in
-too---and waited, looking at him. Mr. Mirabel sat down in a
-corner, in a dazed state as I thought. It wasn't for long. He
-jumped up, and clapped his hand on his heart as if his heart hurt
-him. 'I must and will know what's going on upstairs,' he says.
-Mr. Rook pulled him back, and told him to wait till the young
-lady came down. Mr. Mirabel wouldn't hear of it. 'Your wife's
-frightening her,' he says; 'your wife's telling her horrible
-things about me.' He was taken on a sudden with a shivering fit;
-his eyes rolled, and his teeth chattered. Mr. Rook made matters
-worse; he lost his temper. 'I'm damned,' he says, 'if I don't
-begin to think you _are_ the man, after all; I've half a mind to
-send for the police.' Mr. Mirabel dropped into his chair. His
-eyes stared, his mouth fell open. I took hold of his hand.
-Cold--cold as ice. What it all meant I can't say. Oh, miss, _you_
-know! Let me tell you the rest of it some other time."
-
-Emily insisted on hearing more. "The end!" she cried. "How did it
-end?"
-
-"I don't know how it might have ended, if the doctor hadn't come
-in--to pay his visit, you know, upstairs. He said some learned
-words. When he came to plain English, he asked if anybody had
-frig htened the gentleman. I said Mr. Rook had frightened him.
-The doctor says to Mr. Rook, 'Mind what you are about. If you
-frighten him again, you may have his death to answer for.' That
-cowed Mr. Rook. He asked what he had better do. 'Give me some
-brandy for him first,' says the doctor; 'and then get him home at
-once.' I found the brandy, and went away to the inn to order the
-carriage. Your ears are quicker than mine, miss--do I hear it
-now?"
-
-They rose, and went to the house door. The carriage was there.
-
-Still cowed by what the doctor had said, Mr. Rook appeared,
-carefully leading Mirabel out. He had revived under the action of
-the stimulant. Passing Emily he raised his eyes to
-her--trembled--and looked down again. When Mr. Rook opened the
-door of the carriage he paused, with one of his feet on the step.
-A momentary impulse inspired him with a false courage, and
-brought a flush into his ghastly face. He turned to Emily.
-
-"May I speak to you?" he asked.
-
-She started back from him. He looked at Mrs. Ellmother. "Tell her
-I am innocent," he said. The trembling seized on him again. Mr.
-Rook was obliged to lift him into the carriage.
-
-Emily caught at Mrs. Ellmother's arm. "You go with him," she
-said. "I can't."
-
-"How are you to get back, miss?"
-
-She turned away and spoke to the coachman. "I am not very well. I
-want the fresh air--I'll sit by you."
-
-Mrs. Ellmother remonstrated and protested, in vain. As Emily had
-determined it should be, so it was.
-
-"Has he said anything?" she asked, when they had arrived at their
-journey's end.
-
-"He has been like a man frozen up; he hasn't said a word; he
-hasn't even moved."
-
-"Take him to his sister; and tell her all that you know. Be
-careful to repeat what the doctor said. I can't face Mrs. Delvin.
-Be patient, my good old friend; I have no secrets from you. Only
-wait till to-morrow; and leave me by myself to-night."
-
-Alone in her room, Emily opened her writing-case. Searching among
-the letters in it, she drew out a printed paper. It was the
-Handbill describing the man who had escaped from the inn, and
-offering a reward for the discovery of him.
-
-At the first line of the personal description of the fugitive,
-the paper dropped from her hand. Burning tears forced their way
-into her eyes. Feeling for her handkerchief, she touched the
-pocketbook which she had received from Mrs. Rook. After a little
-hesitation she took it out. She looked at it. She opened it.
-
-The sight of the bank-notes repelled her; she hid them in one of
-the pockets of the book. There was a second pocket which she had
-not yet examined. She pat her hand into it, and, touching
-something, drew out a letter.
-
-The envelope (already open) was addressed to "James Brown, Esq.,
-Post Office, Zeeland. "Would it be inconsistent with her respect
-for her father's memory to examine the letter? No; a glance would
-decide whether she ought to read it or not.
-
-It was without date or address; a startling letter to look
-at--for it only contained three words:
-
-"I say No."
-
-The words were signed in initials:
-
-"S. J."
-
-In the instant when she read the initials, the name occurred to
-her.
-
-Sara Jethro.
-
-
-CHAPTER LXIII.
-
-THE DEFENSE OF MIRABEL.
-
-The discovery of the letter gave a new direction to Emily's
-thoughts--and so, for the time at least, relieved her mind from
-the burden that weighed on it. To what question, on her father's
-part, had "I say No" been Miss Jethro's brief and stern reply?
-Neither letter nor envelope offered the slightest hint that might
-assist inquiry; even the postmark had been so carelessly
-impressed that it was illegible.
-
-Emily was still pondering over the three mysterious words, when
-she was interrupted by Mrs. Ellmother's voice at the door.
-
-"I must ask you to let me come in, miss; though I know you wished
-to be left by yourself till to-morrow. Mrs. Delvin says she must
-positively see you to-night. It's my belief that she will send
-for the servants, and have herself carried in here, if you refuse
-to do what she asks. You needn't be afraid of seeing Mr.
-Mirabel."
-
-"Where is he?"
-
-"His sister has given up her bedroom to him," Mrs. Ellmother
-answered. "She thought of your feelings before she sent me
-here--and had the curtains closed between the sitting-room and
-the bedroom. I suspect my nasty temper misled me, when I took a
-dislike to Mrs. Delvin. She's a good creature; I'm sorry you
-didn't go to her as soon as we got back."
-
-"Did she seem to be angry, when she sent you here?"
-
-"Angry! She was crying when I left her."
-
-Emily hesitated no longer.
-
-She noticed a remarkable change in the invalid's sitting-room--so
-brilliantly lighted on other occasions--the moment she entered
-it. The lamps were shaded, and the candles were all extinguished.
-"My eyes don't bear the light so well as usual," Mrs. Delvin
-said. "Come and sit near me, Emily; I hope to quiet your mind. I
-should be grieved if you left my house with a wrong impression of
-me."
-
-Knowing what she knew, suffering as she must have suffered, the
-quiet kindness of her tone implied an exercise of self-restraint
-which appealed irresistibly to Emily's sympathies. "Forgive me,"
-she said, "for having done you an injustice. I am ashamed to
-think that I shrank from seeing you when I returned from
-Belford."
-
-"I will endeavor to be worthy of your better opinion of me," Mrs.
-Delvin replied. "In one respect at least, I may claim to have had
-your best interests at heart--while we were still personally
-strangers. I tried to prevail on my poor brother to own the
-truth, when he discovered the terrible position in which he was
-placed toward you. He was too conscious of the absence of any
-proof which might induce you to believe him, if he attempted to
-defend himself--in one word, he was too timid--to take my advice.
-He has paid the penalty, and I have paid the penalty, of
-deceiving you."
-
-Emily started. "In what way have you deceived me?" she asked.
-
-"In the way that was forced on us by our own conduct," Mrs.
-Delvin said. "We have appeared to help you, without really doing
-so; we calculated on inducing you to marry my brother, and then
-(when he could speak with the authority of a husband) on
-prevailing on you to give up all further inquiries. When you
-insisted on seeing Mrs. Rook, Miles had the money in his hand to
-bribe her and her husband to leave England."
-
-"Oh, Mrs. Delvin!"
-
-"I don't attempt to excuse myself. I don't expect you to consider
-how sorely I was tempted to secure the happiness of my brother's
-life, by marriage with such a woman as yourself. I don't remind
-you that I knew--when I put obstacles in your way--that you were
-blindly devoting yourself to the discovery of an innocent man."
-
-Emily heard her with angry surprise. "Innocent?" she repeated.
-"Mrs. Rook recognized his voice the instant she heard him speak."
-
-Impenetrable to interruption, Mrs. Delvin went on. "But what I do
-ask," she persisted, "even after our short acquaintance, is this.
-Do you suspect me of deliberately scheming to make you the wife
-of a murderer?"
-
-Emily had never viewed the serious question between them in this
-light. Warmly, generously, she answered the appeal that had been
-made to her. "Oh, don't think that of me! I know I spoke
-thoughtlessly and cruelly to you, just now--"
-
-"You spoke impulsively," Mrs. Delvin interposed; "that was all.
-My one desire before we part--how can I expect you to remain
-here, after what has happened?--is to tell you the truth. I have
-no interested object in view; for all hope of your marriage with
-my brother is now at an end. May I ask if you have heard that he
-and your father were strangers, when they met at the inn?"
-
-"Yes; I know that."
-
-"If there had been any conversation between them, when they
-retired to rest, they might have mentioned their names. But your
-father was preoccupied; and my brother, after a long day's walk,
-was so tired that he fell asleep as soon as his head was on the
-pillow. He only woke when the morning dawned. What he saw when he
-looked toward the opposite bed might have struck with terror the
-boldest man that ever lived. His first impulse was naturally to
-alarm the house. When he got on his feet, he saw his own razor--a
-blood-stained razor on the bed by the side of the corp se. At
-that discovery, he lost all control over himself. In a panic of
-terror, he snatched up his knapsack, unfastened the yard door,
-and fled from the house. Knowing him, as you and I know him, can
-we wonder at it? Many a man has been hanged for murder, on
-circumstantial evidence less direct than the evidence against
-poor Miles. His horror of his own recollections was so
-overpowering that he forbade me even to mention the inn at
-Zeeland in my letters, while he was abroad. 'Never tell me (he
-wrote) who that wretched murdered stranger was, if I only heard
-of his name, I believe it would haunt me to my dying day. I ought
-not to trouble you with these details--and yet, I am surely not
-without excuse. In the absence of any proof, I cannot expect you
-to believe as I do in my brother's innocence. But I may at least
-hope to show you that there is some reason for doubt. Will you
-give him the benefit of that doubt?"
-
-"Willingly!" Emily replied. "Am I right in supposing that you
-don't despair of proving his innocence, even yet'?"
-
-"I don't quite despair. But my hopes have grown fainter and
-fainter, as the years have gone on. There is a person associated
-with his escape from Zeeland; a person named Jethro--"
-
-"You mean Miss Jethro!"
-
-"Yes. Do you know her?"
-
-"I know her--and my father knew her. I have found a letter,
-addressed to him, which I have no doubt was written by Miss
-Jethro. It is barely possible that you may understand what it
-means. Pray look at it."
-
-"I am quite unable to help you," Mrs. Delvin answered, after
-reading the letter. "All I know of Miss Jethro is that, but for
-her interposition, my brother might have fallen into the hands of
-the police. She saved him."
-
-"Knowing him, of course?"
-
-"That is the remarkable part of it: they were perfect strangers
-to each other."
-
-"But she must have had some motive."
-
-"_There_ is the foundation of my hope for Miles. Miss Jethro
-declared, when I wrote and put the question to her, that the one
-motive by which she was actuated was the motive of mercy. I don't
-believe her. To my mind, it is in the last degree improbable that
-she would consent to protect a stranger from discovery, who owned
-to her (as my brother did) that he was a fugitive suspected of
-murder. She knows something, I am firmly convinced, of that
-dreadful event at Zeeland--and she has some reason for keeping it
-secret. Have you any influence over her?"
-
-"Tell me where I can find her."
-
-"I can't tell you. She has removed from the address at which my
-brother saw her last. He has made every possible inquiry--without
-result."
-
-As she replied in those discouraging terms, the curtains which
-divided Mrs. Delvin's bedroom from her sitting-room were drawn
-aside. An elderly woman-servant approached her mistress's couch.
-
-"Mr. Mirabel is awake, ma'am. He is very low; I can hardly feel
-his pulse. Shall I give him some more brandy?"
-
-Mrs. Delvin held out her hand to Emily. "Come to me to-morrow
-morning," she said--and signed to the servant to wheel her couch
-into the next room. As the curtain closed over them, Emily heard
-Mirabel's voice. "Where am I?" he said faintly. "Is it all a
-dream?"
-
-The prospect of his recovery the next morning was gloomy indeed.
-He had sunk into a state of deplorable weakness, in mind as well
-as in body. The little memory of events that he still preserved
-was regarded by him as the memory of a dream. He alluded to
-Emily, and to his meeting with her unexpectedly. But from that
-point his recollection failed him. They had talked of something
-interesting, he said--but he was unable to remember what it was.
-And they had waited together at a railway station--but for what
-purpose he could not tell. He sighed and wondered when Emily
-would marry him--and so fell asleep again, weaker than ever.
-
-Not having any confidence in the doctor at Belford, Mrs. Delvin
-had sent an urgent message to a physician at Edinburgh, famous
-for his skill in treating diseases of the nervous system. "I
-cannot expect him to reach this remote place, without some
-delay," she said; "I must bear my suspense as well as I can."
-
-"You shall not bear it alone," Emily answered. "I will wait with
-you till the doctor comes."
-
-Mrs. Delvin lifted her frail wasted hands to Emily's face, drew
-it a little nearer--and kissed her.
-
-
-CHAPTER LXIV.
-
-ON THE WAY TO LONDON.
-
-The parting words had been spoken. Emily and her companion were
-on their way to London.
-
-For some little time, they traveled in silence--alone in the
-railway carriage. After submitting as long as she could to lay an
-embargo on the use of her tongue, Mrs. Ellmother started the
-conversation by means of a question: "Do you think Mr. Mirabel
-will get over it, miss?"
-
-"It's useless to ask me," Emily said. "Even the great man from
-Edinburgh is not able to decide yet, whether he will recover or
-not."
-
-"You have taken me into your confidence, Miss Emily, as you
-promised--and I have got something in my mind in consequence. May
-I mention it without giving offense?"
-
-"What is it?"
-
-"I wish you had never taken up with Mr. Mirabel."
-
-Emily was silent. Mrs. Ellmother, having a design of her own to
-accomplish, ventured to speak more plainly. "I often think of Mr.
-Alban Morris," she proceeded. "I always did like him, and I
-always shall."
-
-Emily suddenly pulled down her veil. "Don't speak of him!" she
-said.
-
-"I didn't mean to offend you."
-
-"You don't offend me. You distress me. Oh, how often I have
-wished--!" She threw herself back in a corner of the carriage and
-said no more.
-
-Although not remarkable for the possession of delicate tact, Mrs.
-Ellmother discovered that the best course she could now follow
-was a course of silence.
-
-Even at the time when she had most implicitly trusted Mirabel,
-the fear that she might have acted hastily and harshly toward
-Alban had occasionally troubled Emily's mind. The impression
-produced by later events had not only intensified this feeling,
-but had presented the motives of that true friend under an
-entirely new point of view. If she had been left in ignorance of
-the manner of her father's death--as Alban had designed to leave
-her; as she would have been left, but for the treachery of
-Francine--how happily free she would have been from thoughts
-which it was now a terror to her to recall. She would have parted
-from Mirabel, when the visit to the pleasant country house had
-come to an end, remembering him as an amusing acquaintance and
-nothing more. He would have been spared, and she would have been
-spared, the shock that had so cruelly assailed them both. What
-had she gained by Mrs. Rook's detestable confession? The result
-had been perpetual disturbance of mind provoked by self-torturing
-speculations on the subject of the murder. If Mirabel was
-innocent, who was guilty? The false wife, without pity and
-without shame--or the brutal husband, who looked capable of any
-enormity? What was her future to be? How was it all to end? In
-the despair of that bitter moment--seeing her devoted old servant
-looking at her with kind compassionate eyes--Emily's troubled
-spirit sought refuge in impetuous self-betrayal; the very
-betrayal which she had resolved should not escape her, hardly a
-minute since!
-
-She bent forward out of her corner, and suddenly drew up her
-veil. "Do you expect to see Mr. Alban Morris, when we get back?"
-she asked.
-
-"I should like to see him, miss--if you have no objection."
-
-"Tell him I am ashamed of myself! and say I ask his pardon with
-all my heart!"
-
-"The Lord be praised!" Mrs. Ellmother burst out--and then, when
-it was too late, remembered the conventional restraints
-appropriate to the occasion. "Gracious, what a fool I am!" she
-said to herself. "Beautiful weather, Miss Emily, isn't it?" she
-continued, in a desperate hurry to change the subject.
-
-Emily reclined again in her corner of the carriage. She smiled,
-for the first time since she had become Mrs. Delvin's guest at
-the tower.
-
-
-BOOK THE LAST--AT HOME AGAIN.
-
-CHAPTER LXV.
-
-CECILIA IN A NEW CHARACTER.
-
-Reaching the cottage at night, Emily found the card of a visitor
-who had called during the day. It bore the name of "Miss Wyvil,"
-and had a message written on it which strongly excited Emily's
-curiosity.
-
-"I have seen the telegra m which tells your servant that you
-return to-night. Expect me early to-morrow morning--with news
-that will deeply interest you."
-
-To what news did Cecilia allude? Emily questioned the woman who
-had been left in charge of the cottage, and found that she had
-next to nothing to tell. Miss Wyvil had flushed up, and had
-looked excited, when she read the telegraphic message--that was
-all. Emily's impatience was, as usual, not to be concealed.
-Expert Mrs. Ellmother treated the case in the right way--first
-with supper, and then with an adjournment to bed. The clock
-struck twelve, when she put out the young mistress's candle. "Ten
-hours to pass before Cecilia comes here!" Emily exclaimed. "Not
-ten minutes," Mrs. Ellmother reminded her, "if you will only go
-to sleep."
-
-Cecilia arrived before the breakfast-table was cleared; as
-lovely, as gentle, as affectionate as ever--but looking unusually
-serious and subdued.
-
-"Out with it at once!" Emily cried. "What have you got to tell
-me?'
-
-"Perhaps, I had better tell you first," Cecilia said, "that I
-know what you kept from me when I came here, after you left us at
-Monksmoor. Don't think, my dear, that I say this by way of
-complaint. Mr. Alban Morris says you had good reasons for keeping
-your secret."
-
-"Mr. Alban Morris! Did you get your information from _him?_"
-
-"Yes. Do I surprise you?"
-
-"More than words can tell!"
-
-"Can you bear another surprise? Mr. Morris has seen Miss Jethro,
-and has discovered that Mr. Mirabel has been wrongly suspected of
-a dreadful crime. Our amiable little clergyman is guilty of being
-a coward--and guilty of nothing else. Are you really quiet enough
-to read about it?"
-
-She produced some leaves of paper filled with writing. "There,"
-she explained, "is Mr. Morris's own account of all that passed
-between Miss Jethro and himself."
-
-"But how do _you_ come by it?"
-
-"Mr. Morris gave it to me. He said, 'Show it to Emily as soon as
-possible; and take care to be with her while she reads it.' There
-is a reason for this--" Cecilia's voice faltered. On the brink of
-some explanation, she seemed to recoil from it. "I will tell you
-by-and-by what the reason is," she said.
-
-Emily looked nervously at the manuscript. "Why doesn't he tell me
-himself what he has discovered? Is he--" The leaves began to
-flutter in her trembling fingers--"is he angry with me?"
-
-"Oh, Emily, angry with You! Read what he has written and you
-shall know why he keeps away."
-
-Emily opened the manuscript.
-
-
-CHAPTER LXVI.
-
-ALBAN'S NARRATIVE.
-
-"The information which I have obtained from Miss Jethro has been
-communicated to me, on the condition that I shall not disclose
-the place of her residence. 'Let me pass out of notice (she said)
-as completely as if I had passed out of life; I wish to be
-forgotten by some, and to be unknown by others.' With this one
-stipulation, she left me free to write the present narrative of
-what passed at the interview between us. I feel that the
-discoveries which I have made are too important to the persons
-interested to be trusted to memory.
-
-
-1. _She Receives Me_.
-
-"Finding Miss Jethro's place of abode, with far less difficulty
-than I had anticipated (thanks to favoring circumstances), I
-stated plainly the object of my visit. She declined to enter into
-conversation with me on the subject of the murder at Zeeland.
-
-"I was prepared to meet with this rebuke, and to take the
-necessary measures for obtaining a more satisfactory reception.
-'A person is suspected of having committed the murder,' I said;
-'and there is reason to believe that you are in a position to say
-whether the suspicion is justified or not. Do you refuse to
-answer me, if I put the question?'
-
-"Miss Jethro asked who the person was.
-
-"I mentioned the name--Mr. Miles Mirabel.
-
-"It is not necessary, and it would certainly be not agreeable to
-me, to describe the effect which this reply produced on Miss
-Jethro. After giving her time to compose herself, I entered into
-certain explanations, in order to convince her at the outset of
-my good faith. The result justified my anticipations. I was at
-once admitted to her confidence.
-
-"She said, 'I must not hesitate to do an act of justice to an
-innocent man. But, in such a serious matter as this, you have a
-right to judge for yourself whether the person who is now
-speaking to you is a person whom you can trust. You may believe
-that I tell the truth about others, if I begin--whatever it may
-cost me--by telling the truth about myself.'
-
-
-2. _She Speaks of Herself_.
-
-"I shall not attempt to place on record the confession of a most
-unhappy woman. It was the common story of sin bitterly repented,
-and of vain effort to recover the lost place in social esteem.
-Too well known a story, surely, to be told again.
-
-"But I may with perfect propriety repeat what Miss Jethro said to
-me, in allusion to later events in her life which are connected
-with my own personal experience. She recalled to my memory a
-visit which she had paid to me at Netherwoods, and a letter
-addressed to her by Doctor Allday, which I had read at her
-express request.
-
-"She said, 'You may remember that the letter contained some
-severe reflections on my conduct. Among other things, the doctor
-mentions that he called at the lodging I occupied during my visit
-to London, and found I had taken to flight: also that he had
-reason to believe I had entered Miss Ladd's service, under false
-pretenses.'
-
-"I asked if the doctor had wronged her.
-
-"She answered 'No: in one case, he is ignorant; in the other, he
-is right. On leaving his house, I found myself followed in the
-street by the man to whom I owe the shame and misery of my past
-life. My horror of him is not to be described in words. The one
-way of escaping was offered by an empty cab that passed me. I
-reached the railway station safely, and went back to my home in
-the country. Do you blame me?'
-
-"It was impossible to blame her--and I said so.
-
-"She then confessed the deception which she had practiced on Miss
-Ladd. 'I have a cousin,' she said, 'who was a Miss Jethro like
-me. Before her marriage she had been employed as a governess. She
-pitied me; she sympathized with my longing to recover the
-character that I had lost. With her permission, I made use of the
-testimonials which she had earned as a teacher--I was betrayed
-(to this day I don't know by whom)--and I was dismissed from
-Netherwoods. Now you know that I deceived Miss Ladd, you may
-reasonably conclude that I am likely to deceive You.'
-
-"I assured her, with perfect sincerity, that I had drawn no such
-conclusion. Encouraged by my reply, Miss Jethro proceeded as
-follows.
-
-
-3. _She Speaks of Mirabel_.
-
-"'Four years ago, I was living near Cowes, in the Isle of
-Wight--in a cottage which had been taken for me by a gentleman
-who was the owner of a yacht. We had just returned from a short
-cruise, and the vessel was under orders to sail for Cherbourg
-with the next tide.
-
-"'While I was walking in my garden, I was startled by the sudden
-appearance Of a man (evidently a gentleman) who was a perfect
-stranger to me. He was in a pitiable state of terror, and he
-implored my protection. In reply to my first inquiries, he
-mentioned the inn at Zeeland, and the dreadful death of a person
-unknown to him; whom I recognized (partly by the description
-given, and partly by comparison of dates) as Mr. James Brown. I
-shall say nothing of the shock inflicted on me: you don't want to
-know what I felt. What I did (having literally only a minute left
-for decision) was to hide the fugitive from discovery, and to
-exert my influence in his favor with the owner of the yacht. I
-saw nothing more of him. He was put on board, as soon as the
-police were out of sight, and was safely landed at Cherbourg.'
-
-"I asked what induced her to run the risk of protecting a
-stranger, who was under suspicion of having committed a murder.
-
-"She said, 'You shall hear my explanation directly. Let us have
-done with Mr. Mirabel first. We occasionally corresponded, during
-the long absence on the continent; never alluding, at his express
-request, to the horrible event at the inn. His last letter
-reached me, after he had established himself at Vale Regis.
-Writing of the society in the neighborhood, he infor med me of
-his introduction to Miss Wyvil, and of the invitation that he had
-received to meet her friend and schoolfellow at Monksmoor. I knew
-that Miss Emily possessed a Handbill describing personal
-peculiarities in Mr. Mirabel, not hidden under the changed
-appearance of his head and face. If she remembered or happened to
-refer to that description, while she was living in the same house
-with him, there was a possibility at least of her suspicion being
-excited. The fear of this took me to you. It was a morbid fear,
-and, as events turned out, an unfounded fear: but I was unable to
-control it. Failing to produce any effect on you, I went to Vale
-Regis, and tried (vainly again) to induce Mr. Mirabel to send an
-excuse to Monksmoor. He, like you, wanted to know what my motive
-was. When I tell you that I acted solely in Miss Emily's
-interests, and that I knew how she had been deceived about her
-father's death, need I say why I was afraid to acknowledge my
-motive?'
-
-"I understood that Miss Jethro might well be afraid of the
-consequences, if she risked any allusion to Mr. Brown's horrible
-death, and if it afterward chanced to reach his daughter's ears.
-But this state of feeling implied an extraordinary interest in
-the preservation of Emily's peace of mind. I asked Miss Jethro
-how that interest had been excited?
-
-"She answered, 'I can only satisfy you in one way. I must speak
-of her father now.'"
-
-
-Emily looked up from the manuscript. She felt Cecilia's arm
-tenderly caressing her. She heard Cecilia say, "My poor dear,
-there is one last trial of your courage still to come. I am
-afraid of what you are going to read, when you turn to the next
-page. And yet--"
-
-"And yet," Emily replied gently, "it must be done. I have learned
-my hard lesson of endurance, Cecilia, don't be afraid."
-
-Emily turned to the next page.
-
-
-4. _She Speaks of the Dead_.
-
-"For the first time, Miss Jethro appeared to be at a loss how to
-proceed. I could see that she was suffering. She rose, and
-opening a drawer in her writing table, took a letter from it.
-
-"She said, 'Will you read this? It was written by Miss Emily's
-father. Perhaps it may say more for me than I can say for
-myself?'
-
-"I copy the letter. It was thus expressed:
-
-
-"'You have declared that our farewell to-day is our farewell
-forever. For the second time, you have refused to be my wife; and
-you have done this, to use your own words, in mercy to Me.
-
-"'In mercy to Me, I implore you to reconsider your decision.
-
-"'If you condemn me to live without you--I feel it, I know
-it--you condemn me to despair which I have not fortitude enough
-to endure. Look at the passages which I have marked for you in
-the New Testament. Again and again, I say it; your true
-repentance has made you worthy of the pardon of God. Are you not
-worthy of the love, admiration, and respect of man? Think! oh,
-Sara, think of what our lives might be, and let them be united
-for time and for eternity.
-
-"'I can write no more. A deadly faintness oppresses me. My mind
-is in a state unknown to me in past years. I am in such confusion
-that I sometimes think I hate you. And then I recover from my
-delusion, and know that man never loved woman as I love you.
-
-"'You will have time to write to me by this evening's post. I
-shall stop at Zeeland to-morrow, on my way back, and ask for a
-letter at the post office. I forbid explanations and excuses. I
-forbid heartless allusions to your duty. Let me have an answer
-which does not keep me for a moment in suspense.
-
-"'For the last time, I ask you: Do you consent to be my wife?
-Say, Yes--or say, No.'
-
-
-"I gave her back the letter--with the one comment on it, which
-the circumstances permitted me to make:
-
-"'You said No?'
-
-"She bent her head in silence.
-
-"I went on--not willingly, for I would have spared her if it had
-been possible. I said, 'He died, despairing, by his own hand--and
-you knew it?'
-
-"She looked up. 'No! To say that I knew it is too much. To say
-that I feared it is the truth.'
-
-"'Did you love him?'
-
-"She eyed me in stern surprise. 'Have _I_ any right to love?
-Could I disgrace an honorable man by allowing him to marry me?
-You look as if you held me responsible for his death.'
-
-"'Innocently responsible,' I said.
-
-"She still followed her own train of thought. 'Do you suppose I
-could for a moment anticipate that he would destroy himself, when
-I wrote my reply? He was a truly religious man. If he had been in
-his right mind, he would have shrunk from the idea of suicide as
-from the idea of a crime.'
-
-"On reflection, I was inclined to agree with her. In his terrible
-position, it was at least possible that the sight of the razor
-(placed ready, with the other appliances of the toilet, for his
-fellow-traveler's use) might have fatally tempted a man whose
-last hope was crushed, whose mind was tortured by despair. I
-should have been merciless indeed, if I had held Miss Jethro
-accountable thus far. But I found it hard to sympathize with the
-course which she had pursued, in permitting Mr. Brown's death to
-be attributed to murder without a word of protest. 'Why were you
-silent?' I said.
-
-"She smiled bitterly.
-
-"'A woman would have known why, without asking,' she replied. 'A
-woman would have understood that I shrank from a public
-confession of my shameful past life. A woman would have
-remembered what reasons I had for pitying the man who loved me,
-and for accepting any responsibility rather than associate his
-memory, before the world, with an unworthy passion for a degraded
-creature, ending in an act of suicide. Even if I had made that
-cruel sacrifice, would public opinion have believed such a person
-as I am--against the evidence of a medical man, and the verdict
-of a jury? No, Mr. Morris! I said nothing, and I was resolved to
-say nothing, so long as the choice of alternatives was left to
-me. On the day when Mr. Mirabel implored me to save him, that
-choice was no longer mine--and you know what I did. And now again
-when suspicion (after all the long interval that had passed) has
-followed and found that innocent man, you know what I have done.
-What more do you ask of me?'
-
-"'Your pardon,' I said, 'for not having understood you--and a
-last favor. May I repeat what I have heard to the one person of
-all others who ought to know, and who must know, what you have
-told me?'
-
-"It was needless to hint more plainly that I was speaking of
-Emily. Miss Jethro granted my request.
-
-"'It shall be as you please,' she answered. 'Say for me to _his_
-daughter, that the grateful remembrance of her is my one refuge
-from the thoughts that tortured me, when we spoke together on her
-last night at school. She has made this dead heart of mine feel a
-reviving breath of life, when I think of her. Never, in our
-earthly pilgrimage, shall we meet again--I implore her to pity
-and forget me. Farewell, Mr. Morris; farewell forever.'
-
-"I confess that the tears came into my eyes. When I could see
-clearly again, I was alone in the room."
-
-
-CHAPTER LXVII.
-
-THE TRUE CONSOLATION.
-
-Emily closed the pages which told her that her father had died by
-his own hand.
-
-Cecilia still held her tenderly embraced. By slow degrees, her
-head dropped until it rested on her friend's bosom. Silently she
-suffered. Silently Cecilia bent forward, and kissed her forehead.
-The sounds that penetrated to the room were not out of harmony
-with the time. From a distant house the voices of children were
-just audible, singing the plaintive melody of a hymn; and, now
-and then, the breeze blew the first faded leaves of autumn
-against the window. Neither of the girls knew how long the
-minutes followed each other uneventfully, before there was a
-change. Emily raised her head, and looked at Cecilia.
-
-"I have one friend left," she said.
-
-"Not only me, love--oh, I hope not only me!"
-
-"Yes. Only you."
-
-"I want to say something, Emily; but I am afraid of hurting you."
-
-"My dear, do you remember what we once read in a book of history
-at school? It told of the death of a tortured man, in the old
-time, who was broken on the wheel. He lived through it long
-enough to say that the agony, after the first stroke of the club,
-dulled his capacity for feeling pain when the next blows fell. I
-fancy pain of the mind must f ollow the same rule. Nothing you
-can say will hurt me now."
-
-"I only wanted to ask, Emily, if you were engaged--at one
-time--to marry Mr. Mirabel. Is it true?"
-
-"False! He pressed me to consent to an engagement--and I said he
-must not hurry me."
-
-"What made you say that?"
-
-"I thought of Alban Morris."
-
-Vainly Cecilia tried to restrain herself. A cry of joy escaped
-her.
-
-"Are you glad?" Emily asked. "Why?"
-
-Cecilia made no direct reply. "May I tell you what you wanted to
-know, a little while since?" she said. "You asked why Mr. Morris
-left it all to me, instead of speaking to you himself. When I put
-the same question to him, he told me to read what he had written.
-'Not a shadow of suspicion rests on Mr. Mirabel,' he said. 'Emily
-is free to marry him--and free through Me. Can _I_ tell her that?
-For her sake, and for mine, it must not be. All that I can do is
-to leave old remembrances to plead for me. If they fail, I shall
-know that she will be happier with Mr. Mirabel than with me.'
-'And you will submit?' I asked. 'Because I love her,' he
-answered, 'I must submit.' Oh, how pale you are! Have I
-distressed you?"
-
-"You have done me good."
-
-"Will you see him?"
-
-Emily pointed to the manuscript. "At such a time as this?" she
-said.
-
-Cecilia still held to her resolution. "Such a time as this is the
-right time," she answered. "It is now, when you most want to be
-comforted, that you ought to see him. Who can quiet your poor
-aching heart as _he_ can quiet it?" She impulsively snatched at
-the manuscript and threw it out of sight. "I can't bear to look
-at it," she said. "Emily! if I have done wrong, will you forgive
-me? I saw him this morning before I came here. I was afraid of
-what might happen--I refused to break the dreadful news to you,
-unless he was somewhere near us. Your good old servant knows
-where to go. Let me send her--"
-
-Mrs. Ellmother herself opened the door, and stood doubtful on the
-threshold, hysterically sobbing and laughing at the same time.
-"I'm everything that's bad!" the good old creature burst out.
-"I've been listening--I've been lying--I said you wanted him.
-Turn me out of my situation, if you like. I've got him! Here he
-is!"
-
-In another moment, Emily was in his arms--and they were alone. On
-his faithful breast the blessed relief of tears came to her at
-last: she burst out crying.
-
-"Oh, Alban, can you forgive me?"
-
-He gently raised her head, so that he could see her face.
-
-"My love, let me look at you," he said. "I want to think again of
-the day when we parted in the garden at school. Do you remember
-the one conviction that sustained me? I told you, Emily, there
-was a time of fulfillment to come in our two lives; and I have
-never wholly lost the dear belief. My own darling, the time has
-come!"
-
-
-POSTSCRIPT.
-
-GOSSIP IN THE STUDIO.
-
-
-The winter time had arrived. Alban was clearing his palette,
-after a hard day's work at the cottage. The servant announced
-that tea was ready, and that Miss Ladd was waiting to see him in
-the next room.
-
-Alban ran in, and received the visitor cordially with both hands.
-"Welcome back to England! I needn't ask if the sea-voyage has
-done you good. You are looking ten years younger than when you
-went away."
-
-Miss Ladd smiled. "I shall soon be ten years older again, if I go
-back to Netherwoods," she replied. "I didn't believe it at the
-time; but I know better now. Our friend Doctor Allday was right,
-when he said that my working days were over. I must give up the
-school to a younger and stronger successor, and make the best I
-can in retirement of what is left of my life. You and Emily may
-expect to have me as a near neighbor. Where is Emily?"
-
-"Far away in the North."
-
-"In the North! You don't mean that she has gone back to Mrs.
-Delvin?"
-
-"She has gone back--with Mrs. Ellmother to take care of her--at
-my express request. You know what Emily is, when there is an act
-of mercy to be done. That unhappy man has been sinking (with
-intervals of partial recovery) for months past. Mrs. Delvin sent
-word to us that the end was near, and that the one last wish her
-brother was able to express was the wish to see Emily. He had
-been for some hours unable to speak when my wife arrived. But he
-knew her, and smiled faintly. He was just able to lift his hand.
-She took it, and waited by him, and spoke words of consolation
-and kindness from time to time. As the night advanced, he sank
-into sleep, still holding her hand. They only knew that he had
-passed from sleep to death--passed without a movement or a
-sigh--when his hand turned cold. Emily remained for a day at the
-tower to comfort poor Mrs. Delvin--and she comes home, thank God,
-this evening!"
-
-"I needn't ask if you are happy?" Miss Ladd said.
-
-"Happy? I sing, when I have my bath in the morning. If that isn't
-happiness (in a man of my age) I don't know what is!"
-
-"And how are you getting on?"
-
-"Famously! I have turned portrait painter, since you were sent
-away for your health. A portrait of Mr. Wyvil is to decorate the
-town hall in the place that he represents; and our dear
-kind-hearted Cecilia has induced a fascinated mayor and
-corporation to confide the work to my hands."
-
-"Is there no hope yet of that sweet girl being married?" Miss
-Ladd asked. "We old maids all believe in marriage, Mr.
-Morris--though some of us don't own it."
-
-"There seems to be a chance," Alban answered. "A young lord has
-turned up at Monksmoor; a handsome pleasant fellow, and a rising
-man in politics. He happened to be in the house a few days before
-Cecilia's birthday; and he asked my advice about the right
-present to give her. I said, 'Try something new in Tarts.' When
-he found I was in earnest, what do you think he did? Sent his
-steam yacht to Rouen for some of the famous pastry! You should
-have seen Cecilia, when the young lord offered his delicious
-gift. If I could paint that smile and those eyes, I should be the
-greatest artist living. I believe she will marry him. Need I say
-how rich they will be? We shall not envy them--we are rich too.
-Everything is comparative. The portrait of Mr. Wyvil will put
-three hundred pounds in my pocket. I have earned a hundred and
-twenty more by illustrations, since we have been married. And my
-wife's income (I like to be particular) is only five shillings
-and tenpence short of two hundred a year. Moral! we are rich as
-well as happy."
-
-"Without a thought of the future?" Miss Ladd asked slyly.
-
-"Oh, Doctor Allday has taken the future in hand! He revels in the
-old-fashioned jokes, which used to be addressed to newly-married
-people, in his time. 'My dear fellow,' he said the other day,
-'you may possibly be under a joyful necessity of sending for the
-doctor, before we are all a year older. In that case, let it be
-understood that I am Honorary Physician to the family.' The
-warm-hearted old man talks of getting me another portrait to do.
-'The greatest ass in the medical profession (he informed me) has
-just been made a baronet; and his admiring friends have decided
-that he is to be painted at full length, with his bandy legs
-hidden under a gown, and his great globular eyes staring at the
-spectator--I'll get you the job.' Shall I tell you what he says
-of Mrs. Rook's recovery?"
-
-Miss Ladd held up her hands in amazement. "Recovery!" she
-exclaimed.
-
-"And a most remarkable recovery too," Alban informed her. "It is
-the first case on record of any person getting over such an
-injury as she has received. Doctor Allday looked grave when he
-heard of it. 'I begin to believe in the devil,' he said; 'nobody
-else could have saved Mrs. Rook.' Other people don't take that
-view. She has been celebrated in all the medical newspapers--and
-she has been admitted to come excellent almshouse, to live in
-comfortable idleness to a green old age. The best of it is that
-she shakes her head, when her wonderful recovery is mentioned.
-'It seems such a pity,' she says; 'I was so fit for heaven.' Mr.
-Rook having got rid of his wife, is in excellent spirits. He is
-occupied in looking after an imbecile old gentleman; and, when he
-is asked if he likes the employment, he winks mysteriously and
-slaps his pocket. Now, Miss Ladd, I think it's my turn to hear
-some news. What have you got to tell me?"
-
-"I believe I can match your account of Mrs. Rook," Miss Ladd
-said. "Do you care to hear what has become of Francine?"
-
-Alban, rattling on hitherto in boyish high spirits, suddenly
-became serious. "I have no doubt Miss de Sor is doing well," he
-said sternly. "She is too heartless and wicked not to prosper."
-
-"You are getting like your old cynical self again, Mr.
-Morris--and you are wrong. I called this morning on the agent who
-had the care of Francine, when I left England. When I mentioned
-her name, he showed me a telegram, sent to him by her father.
-'There's my authority,' he said, 'for letting her leave my
-house.' The message was short enough to be easily remembered:
-'Anything my daughter likes as long as she doesn't come back to
-us.' In those cruel terms Mr. de Sor wrote of his own child. The
-agent was just as unfeeling, in his way. He called her the victim
-of slighted love and clever proselytizing. 'In plain words,' he
-said, 'the priest of the Catholic chapel close by has converted
-her; and she is now a novice in a convent of Carmelite nuns in
-the West of England. Who could have expected it? Who knows how it
-may end?"
-
-As Miss Ladd spoke, the bell rang at the cottage gate. "Here she
-is!" Alban cried, leading the way into the hall. "Emily has come
-home."
-
-
-
-
-
-End of The Project Gutenberg Etext of I Say No, by Wilkie Collins
-
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-*** START OF THE PROJECT GUTENBERG EBOOK 1629 ***
-
-
-
-
-“I SAY NOâ€
-
-By Wilkie Collins
-
-
-
-
-BOOK THE FIRST--AT SCHOOL.
-
-
-
-
-CHAPTER I. THE SMUGGLED SUPPER.
-
-Outside the bedroom the night was black and still.
-
-The small rain fell too softly to be heard in the garden; not a leaf
-stirred in the airless calm; the watch-dog was asleep, the cats were
-indoors; far or near, under the murky heaven, not a sound was stirring.
-
-Inside the bedroom the night was black and still.
-
-Miss Ladd knew her business as a schoolmistress too well to allow
-night-lights; and Miss Ladd’s young ladies were supposed to be fast
-asleep, in accordance with the rules of the house. Only at intervals the
-silence was faintly disturbed, when the restless turning of one of
-the girls in her bed betrayed itself by a gentle rustling between the
-sheets. In the long intervals of stillness, not even the softly audible
-breathing of young creatures asleep was to be heard.
-
-The first sound that told of life and movement revealed the mechanical
-movement of the clock. Speaking from the lower regions, the tongue of
-Father Time told the hour before midnight.
-
-A soft voice rose wearily near the door of the room. It counted the
-strokes of the clock--and reminded one of the girls of the lapse of
-time.
-
-“Emily! eleven o’clock.â€
-
-There was no reply. After an interval the weary voice tried again, in
-louder tones:
-
-“Emily!â€
-
-A girl, whose bed was at the inner end of the room, sighed under
-the heavy heat of the night--and said, in peremptory tones, “Is that
-Cecilia?â€
-
-“Yes.â€
-
-“What do you want?â€
-
-“I’m getting hungry, Emily. Is the new girl asleep?â€
-
-The new girl answered promptly and spitefully, “No, she isn’t.â€
-
-Having a private object of their own in view, the five wise virgins of
-Miss Ladd’s first class had waited an hour, in wakeful anticipation
-of the falling asleep of the stranger--and it had ended in this way!
-A ripple of laughter ran round the room. The new girl, mortified and
-offended, entered her protest in plain words.
-
-“You are treating me shamefully! You all distrust me, because I am a
-stranger.â€
-
-“Say we don’t understand you,†Emily answered, speaking for her
-schoolfellows; “and you will be nearer the truth.â€
-
-“Who expected you to understand me, when I only came here to-day? I have
-told you already my name is Francine de Sor. If want to know more, I’m
-nineteen years old, and I come from the West Indies.â€
-
-Emily still took the lead. “Why do you come _here?_†she asked. “Who
-ever heard of a girl joining a new school just before the holidays? You
-are nineteen years old, are you? I’m a year younger than you--and I have
-finished my education. The next big girl in the room is a year younger
-than me--and she has finished her education. What can you possibly have
-left to learn at your age?â€
-
-“Everything!†cried the stranger from the West Indies, with an outburst
-of tears. “I’m a poor ignorant creature. Your education ought to have
-taught you to pity me instead of making fun of me. I hate you all. For
-shame, for shame!â€
-
-Some of the girls laughed. One of them--the hungry girl who had counted
-the strokes of the clock--took Francine’s part.
-
-“Never mind their laughing, Miss de Sor. You are quite right, you have
-good reason to complain of us.â€
-
-Miss de Sor dried her eyes. “Thank you--whoever you are,†she answered
-briskly.
-
-“My name is Cecilia Wyvil,†the other proceeded. “It was not, perhaps,
-quite nice of you to say you hated us all. At the same time we have
-forgotten our good breeding--and the least we can do is to beg your
-pardon.â€
-
-This expression of generous sentiment appeared to have an irritating
-effect on the peremptory young person who took the lead in the room.
-Perhaps she disapproved of free trade in generous sentiment.
-
-“I can tell you one thing, Cecilia,†she said; “you shan’t beat ME in
-generosity. Strike a light, one of you, and lay the blame on me if Miss
-Ladd finds us out. I mean to shake hands with the new girl--and how can
-I do it in the dark? Miss de Sor, my name’s Brown, and I’m queen of the
-bedroom. I--not Cecilia--offer our apologies if we have offended you.
-Cecilia is my dearest friend, but I don’t allow her to take the lead in
-the room. Oh, what a lovely nightgown!â€
-
-The sudden flow of candle-light had revealed Francine, sitting up in her
-bed, and displaying such treasures of real lace over her bosom that
-the queen lost all sense of royal dignity in irrepressible admiration.
-“Seven and sixpence,†Emily remarked, looking at her own night-gown and
-despising it. One after another, the girls yielded to the attraction of
-the wonderful lace. Slim and plump, fair and dark, they circled round
-the new pupil in their flowing white robes, and arrived by common
-consent at one and the same conclusion: “How rich her father must be!â€
-
-Favored by fortune in the matter of money, was this enviable person
-possessed of beauty as well?
-
-In the disposition of the beds, Miss de Sor was placed between Cecilia
-on the right hand, and Emily on the left. If, by some fantastic turn of
-events, a man--say in the interests of propriety, a married doctor, with
-Miss Ladd to look after him--had been permitted to enter the room, and
-had been asked what he thought of the girls when he came out, he would
-not even have mentioned Francine. Blind to the beauties of the expensive
-night-gown, he would have noticed her long upper lip, her obstinate
-chin, her sallow complexion, her eyes placed too close together--and
-would have turned his attention to her nearest neighbors. On one side
-his languid interest would have been instantly roused by Cecilia’s
-glowing auburn hair, her exquisitely pure skin, and her tender blue
-eyes. On the other, he would have discovered a bright little creature,
-who would have fascinated and perplexed him at one and the same time. If
-he had been questioned about her by a stranger, he would have been at
-a loss to say positively whether she was dark or light: he would have
-remembered how her eyes had held him, but he would not have known of
-what color they were. And yet, she would have remained a vivid picture
-in his memory when other impressions, derived at the same time, had
-vanished. “There was one little witch among them, who was worth all the
-rest put together; and I can’t tell you why. They called her Emily. If
-I wasn’t a married man--†There he would have thought of his wife, and
-would have sighed and said no more.
-
-While the girls were still admiring Francine, the clock struck the
-half-hour past eleven.
-
-Cecilia stole on tiptoe to the door--looked out, and listened--closed
-the door again--and addressed the meeting with the irresistible charm of
-her sweet voice and her persuasive smile.
-
-“Are none of you hungry yet?†she inquired. “The teachers are safe in
-their rooms; we have set ourselves right with Francine. Why keep the
-supper waiting under Emily’s bed?â€
-
-Such reasoning as this, with such personal attractions to recommend
-it, admitted of but one reply. The queen waved her hand graciously, and
-said, “Pull it out.â€
-
-Is a lovely girl--whose face possesses the crowning charm of expression,
-whose slightest movement reveals the supple symmetry of her figure--less
-lovely because she is blessed with a good appetite, and is not ashamed
-to acknowledge it? With a grace all her own, Cecilia dived under
-the bed, and produced a basket of jam tarts, a basket of fruit and
-sweetmeats, a basket of sparkling lemonade, and a superb cake--all
-paid for by general subscriptions, and smuggled into the room by kind
-connivance of the servants. On this occasion, the feast was especially
-plentiful and expensive, in commemoration not only of the arrival of the
-Midsummer holidays, but of the coming freedom of Miss Ladd’s two leading
-young ladies. With widely different destinies before them, Emily and
-Cecilia had completed their school life, and were now to go out into the
-world.
-
-The contrast in the characters of the two girls showed itself, even in
-such a trifle as the preparations for supper.
-
-Gentle Cecilia, sitting on the floor surrounded by good things, left it
-to the ingenuity of others to decide whether the baskets should be all
-emptied at once, or handed round from bed to bed, one at a time. In the
-meanwhile, her lovely blue eyes rested tenderly on the tarts.
-
-Emily’s commanding spirit seized on the reins of government, and
-employed each of her schoolfellows in the occupation which she was
-fittest to undertake. “Miss de Sor, let me look at your hand. Ah! I
-thought so. You have got the thickest wrist among us; you shall draw
-the corks. If you let the lemonade pop, not a drop of it goes down your
-throat. Effie, Annis, Priscilla, you are three notoriously lazy girls;
-it’s doing you a true kindness to set you to work. Effie, clear the
-toilet-table for supper; away with the combs, the brushes, and the
-looking-glass. Annis, tear the leaves out of your book of exercises, and
-set them out for plates. No! I’ll unpack; nobody touches the baskets but
-me. Priscilla, you have the prettiest ears in the room. You shall act as
-sentinel, my dear, and listen at the door. Cecilia, when you have done
-devouring those tarts with your eyes, take that pair of scissors (Miss
-de Sor, allow me to apologize for the mean manner in which this school
-is carried on; the knives and forks are counted and locked up every
-night)--I say take that pair of scissors, Cecilia, and carve the cake,
-and don’t keep the largest bit for yourself. Are we all ready? Very
-well. Now take example by me. Talk as much as you like, so long as you
-don’t talk too loud. There is one other thing before we begin. The men
-always propose toasts on these occasions; let’s be like the men. Can any
-of you make a speech? Ah, it falls on me as usual. I propose the first
-toast. Down with all schools and teachers--especially the new teacher,
-who came this half year. Oh, mercy, how it stings!†The fixed gas in the
-lemonade took the orator, at that moment, by the throat, and effectually
-checked the flow of her eloquence. It made no difference to the girls.
-Excepting the ease of feeble stomachs, who cares for eloquence in
-the presence of a supper-table? There were no feeble stomachs in that
-bedroom. With what inexhaustible energy Miss Ladd’s young ladies ate
-and drank! How merrily they enjoyed the delightful privilege of talking
-nonsense! And--alas! alas!--how vainly they tried, in after life, to
-renew the once unalloyed enjoyment of tarts and lemonade!
-
-In the unintelligible scheme of creation, there appears to be no
-human happiness--not even the happiness of schoolgirls--which is ever
-complete. Just as it was drawing to a close, the enjoyment of the feast
-was interrupted by an alarm from the sentinel at the door.
-
-“Put out the candle!†Priscilla whispered “Somebody on the stairs.â€
-
-
-
-
-CHAPTER II. BIOGRAPHY IN THE BEDROOM.
-
-The candle was instantly extinguished. In discreet silence the girls
-stole back to their beds, and listened.
-
-As an aid to the vigilance of the sentinel, the door had been left ajar.
-Through the narrow opening, a creaking of the broad wooden stairs of
-the old house became audible. In another moment there was silence. An
-interval passed, and the creaking was heard again. This time, the
-sound was distant and diminishing. On a sudden it stopped. The midnight
-silence was disturbed no more.
-
-What did this mean?
-
-Had one among the many persons in authority under Miss Ladd’s roof heard
-the girls talking, and ascended the stairs to surprise them in the act
-of violating one of the rules of the house? So far, such a proceeding
-was by no means uncommon. But was it within the limits of probability
-that a teacher should alter her opinion of her own duty half-way up the
-stairs, and deliberately go back to her own room again? The bare idea
-of such a thing was absurd on the face of it. What more rational
-explanation could ingenuity discover on the spur of the moment?
-
-Francine was the first to offer a suggestion. She shook and shivered in
-her bed, and said, “For heaven’s sake, light the candle again! It’s a
-Ghost.â€
-
-“Clear away the supper, you fools, before the ghost can report us to
-Miss Ladd.â€
-
-With this excellent advice Emily checked the rising panic. The door was
-closed, the candle was lit; all traces of the supper disappeared. For
-five minutes more they listened again. No sound came from the stairs; no
-teacher, or ghost of a teacher, appeared at the door.
-
-Having eaten her supper, Cecilia’s immediate anxieties were at an end;
-she was at leisure to exert her intelligence for the benefit of her
-schoolfellows. In her gentle ingratiating way, she offered a composing
-suggestion. “When we heard the creaking, I don’t believe there was
-anybody on the stairs. In these old houses there are always strange
-noises at night--and they say the stairs here were made more than two
-hundred years since.â€
-
-The girls looked at each other with a sense of relief--but they waited
-to hear the opinion of the queen. Emily, as usual, justified the
-confidence placed in her. She discovered an ingenious method of putting
-Cecilia’s suggestion to the test.
-
-“Let’s go on talking,†she said. “If Cecilia is right, the teachers are
-all asleep, and we have nothing to fear from them. If she’s wrong, we
-shall sooner or later see one of them at the door. Don’t be alarmed,
-Miss de Sor. Catching us talking at night, in this school, only means
-a reprimand. Catching us with a light, ends in punishment. Blow out the
-candle.â€
-
-Francine’s belief in the ghost was too sincerely superstitious to be
-shaken: she started up in bed. “Oh, don’t leave me in the dark! I’ll
-take the punishment, if we are found out.â€
-
-“On your sacred word of honor?†Emily stipulated.
-
-“Yes--yes.â€
-
-The queen’s sense of humor was tickled.
-
-“There’s something funny,†she remarked, addressing her subjects, “in
-a big girl like this coming to a new school and beginning with a
-punishment. May I ask if you are a foreigner, Miss de Sor?â€
-
-“My papa is a Spanish gentleman,†Francine answered, with dignity.
-
-“And your mamma?â€
-
-“My mamma is English.â€
-
-“And you have always lived in the West Indies?â€
-
-“I have always lived in the Island of St. Domingo.â€
-
-Emily checked off on her fingers the different points thus far
-discovered in the character of Mr. de Sor’s daughter. “She’s ignorant,
-and superstitious, and foreign, and rich. My dear (forgive the
-familiarity), you are an interesting girl--and we must really know more
-of you. Entertain the bedroom. What have you been about all your life?
-And what in the name of wonder, brings you here? Before you begin I
-insist on one condition, in the name of all the young ladies in the
-room. No useful information about the West Indies!â€
-
-Francine disappointed her audience.
-
-She was ready enough to make herself an object of interest to her
-companions; but she was not possessed of the capacity to arrange
-events in their proper order, necessary to the recital of the simplest
-narrative. Emily was obliged to help her, by means of questions. In
-one respect, the result justified the trouble taken to obtain it. A
-sufficient reason was discovered for the extraordinary appearance of a
-new pupil, on the day before the school closed for the holidays.
-
-Mr. de Sor’s elder brother had left him an estate in St. Domingo, and a
-fortune in money as well; on the one easy condition that he continued
-to reside in the island. The question of expense being now beneath the
-notice of the family, Francine had been sent to England, especially
-recommended to Miss Ladd as a young lady with grand prospects, sorely
-in need of a fashionable education. The voyage had been so timed, by
-the advice of the schoolmistress, as to make the holidays a means of
-obtaining this object privately. Francine was to be taken to Brighton,
-where excellent masters could be obtained to assist Miss Ladd. With six
-weeks before her, she might in some degree make up for lost time; and,
-when the school opened again, she would avoid the mortification of being
-put down in the lowest class, along with the children.
-
-The examination of Miss de Sor having produced these results was
-pursued no further. Her character now appeared in a new, and not very
-attractive, light. She audaciously took to herself the whole credit of
-telling her story:
-
-“I think it’s my turn now,†she said, “to be interested and amused. May
-I ask you to begin, Miss Emily? All I know of you at present is, that
-your family name is Brown.â€
-
-Emily held up her hand for silence.
-
-Was the mysterious creaking on the stairs making itself heard once more?
-No. The sound that had caught Emily’s quick ear came from the beds, on
-the opposite side of the room, occupied by the three lazy girls. With
-no new alarm to disturb them, Effie, Annis, and Priscilla had yielded
-to the composing influences of a good supper and a warm night. They were
-fast asleep--and the stoutest of the three (softly, as became a young
-lady) was snoring!
-
-The unblemished reputation of the bedroom was dear to Emily, in her
-capacity of queen. She felt herself humiliated in the presence of the
-new pupil.
-
-“If that fat girl ever gets a lover,†she said indignantly, “I shall
-consider it my duty to warn the poor man before he marries her.
-Her ridiculous name is Euphemia. I have christened her (far more
-appropriately) Boiled Veal. No color in her hair, no color in her
-eyes, no color in her complexion. In short, no flavor in Euphemia. You
-naturally object to snoring. Pardon me if I turn my back on you--I am
-going to throw my slipper at her.â€
-
-The soft voice of Cecilia--suspiciously drowsy in tone--interposed in
-the interests of mercy.
-
-“She can’t help it, poor thing; and she really isn’t loud enough to
-disturb us.â€
-
-“She won’t disturb _you_, at any rate! Rouse yourself, Cecilia. We are
-wide awake on this side of the room--and Francine says it’s our turn to
-amuse her.â€
-
-A low murmur, dying away gently in a sigh, was the only answer. Sweet
-Cecilia had yielded to the somnolent influences of the supper and the
-night. The soft infection of repose seemed to be in some danger of
-communicating itself to Francine. Her large mouth opened luxuriously in
-a long-continued yawn.
-
-“Good-night!†said Emily.
-
-Miss de Sor became wide awake in an instant.
-
-“No,†she said positively; “you are quite mistaken if you think I am
-going to sleep. Please exert yourself, Miss Emily--I am waiting to be
-interested.â€
-
-Emily appeared to be unwilling to exert herself. She preferred talking
-of the weather.
-
-“Isn’t the wind rising?†she said.
-
-There could be no doubt of it. The leaves in the garden were beginning
-to rustle, and the pattering of the rain sounded on the windows.
-
-Francine (as her straight chin proclaimed to all students of
-physiognomy) was an obstinate girl. Determined to carry her point she
-tried Emily’s own system on Emily herself--she put questions.
-
-“Have you been long at this school?â€
-
-“More than three years.â€
-
-“Have you got any brothers and sisters?â€
-
-“I am the only child.â€
-
-“Are your father and mother alive?â€
-
-Emily suddenly raised herself in bed.
-
-“Wait a minute,†she said; “I think I hear it again.â€
-
-“The creaking on the stairs?â€
-
-“Yes.â€
-
-Either she was mistaken, or the change for the worse in the weather
-made it not easy to hear slight noises in the house. The wind was still
-rising. The passage of it through the great trees in the garden began
-to sound like the fall of waves on a distant beach. It drove the rain--a
-heavy downpour by this time--rattling against the windows.
-
-“Almost a storm, isn’t it?†Emily said
-
-Francine’s last question had not been answered yet. She took the
-earliest opportunity of repeating it:
-
-“Never mind the weather,†she said. “Tell me about your father and
-mother. Are they both alive?â€
-
-Emily’s reply only related to one of her parents.
-
-“My mother died before I was old enough to feel my loss.â€
-
-“And your father?â€
-
-Emily referred to another relative--her father’s sister. “Since I have
-grown up,†she proceeded, “my good aunt has been a second mother to me.
-My story is, in one respect, the reverse of yours. You are unexpectedly
-rich; and I am unexpectedly poor. My aunt’s fortune was to have been
-my fortune, if I outlived her. She has been ruined by the failure of
-a bank. In her old age, she must live on an income of two hundred a
-year--and I must get my own living when I leave school.â€
-
-“Surely your father can help you?†Francine persisted.
-
-“His property is landed property.†Her voice faltered, as she referred
-to him, even in that indirect manner. “It is entailed; his nearest male
-relative inherits it.â€
-
-The delicacy which is easily discouraged was not one of the weaknesses
-in the nature of Francine.
-
-“Do I understand that your father is dead?†she asked.
-
-Our thick-skinned fellow-creatures have the rest of us at their mercy:
-only give them time, and they carry their point in the end. In sad
-subdued tones--telling of deeply-rooted reserves of feeling, seldom
-revealed to strangers--Emily yielded at last.
-
-“Yes,†she said, “my father is dead.â€
-
-“Long ago?â€
-
-“Some people might think it long ago. I was very fond of my father. It’s
-nearly four years since he died, and my heart still aches when I think
-of him. I’m not easily depressed by troubles, Miss de Sor. But his death
-was sudden--he was in his grave when I first heard of it--and--Oh, he
-was so good to me; he was so good to me!â€
-
-The gay high-spirited little creature who took the lead among them
-all--who was the life and soul of the school--hid her face in her hands,
-and burst out crying.
-
-Startled and--to do her justice--ashamed, Francine attempted to make
-excuses. Emily’s generous nature passed over the cruel persistency
-that had tortured her. “No no; I have nothing to forgive. It isn’t your
-fault. Other girls have not mothers and brothers and sisters--and get
-reconciled to such a loss as mine. Don’t make excuses.â€
-
-“Yes, but I want you to know that I feel for you,†Francine insisted,
-without the slightest approach to sympathy in face, voice, or manner.
-“When my uncle died, and left us all the money, papa was much shocked.
-He trusted to time to help him.â€
-
-“Time has been long about it with me, Francine. I am afraid there is
-something perverse in my nature; the hope of meeting again in a better
-world seems so faint and so far away. No more of it now! Let us talk of
-that good creature who is asleep on the other side of you. Did I tell
-you that I must earn my own bread when I leave school? Well, Cecilia
-has written home and found an employment for me. Not a situation as
-governess--something quite out of the common way. You shall hear all
-about it.â€
-
-In the brief interval that had passed, the weather had begun to change
-again. The wind was as high as ever; but to judge by the lessening
-patter on the windows the rain was passing away.
-
-Emily began.
-
-She was too grateful to her friend and school-fellow, and too deeply
-interested in her story, to notice the air of indifference with which
-Francine settled herself on her pillow to hear the praises of Cecilia.
-The most beautiful girl in the school was not an object of interest to a
-young lady with an obstinate chin and unfortunately-placed eyes.
-Pouring warm from the speaker’s heart the story ran smoothly on, to the
-monotonous accompaniment of the moaning wind. By fine degrees Francine’s
-eyes closed, opened and closed again. Toward the latter part of the
-narrative Emily’s memory became, for the moment only, confused between
-two events. She stopped to consider--noticed Francine’s silence, in an
-interval when she might have said a word of encouragement--and looked
-closer at her. Miss de Sor was asleep.
-
-“She might have told me she was tired,†Emily said to herself quietly.
-“Well! the best thing I can do is to put out the light and follow her
-example.â€
-
-As she took up the extinguisher, the bedroom door was suddenly opened
-from the outer side. A tall woman, robed in a black dressing-gown, stood
-on the threshold, looking at Emily.
-
-
-
-
-CHAPTER III. THE LATE MR. BROWN.
-
-The woman’s lean, long-fingered hand pointed to the candle.
-
-“Don’t put it out.†Saying those words, she looked round the room, and
-satisfied herself that the other girls were asleep.
-
-Emily laid down the extinguisher. “You mean to report us, of course,â€
- she said. “I am the only one awake, Miss Jethro; lay the blame on me.â€
-
-“I have no intention of reporting you. But I have something to say.â€
-
-She paused, and pushed her thick black hair (already streaked with gray)
-back from her temples. Her eyes, large and dark and dim, rested on
-Emily with a sorrowful interest. “When your young friends wake to-morrow
-morning,†she went on, “you can tell them that the new teacher, whom
-nobody likes, has left the school.â€
-
-For once, even quick-witted Emily was bewildered. “Going away,†she
-said, “when you have only been here since Easter!â€
-
-Miss Jethro advanced, not noticing Emily’s expression of surprise. “I am
-not very strong at the best of times,†she continued, “may I sit down
-on your bed?†Remarkable on other occasions for her cold composure, her
-voice trembled as she made that request--a strange request surely, when
-there were chairs at her disposal.
-
-Emily made room for her with the dazed look of a girl in a dream. “I
-beg your pardon, Miss Jethro, one of the things I can’t endure is being
-puzzled. If you don’t mean to report us, why did you come in and catch
-me with the light?â€
-
-Miss Jethro’s explanation was far from relieving the perplexity which
-her conduct had caused.
-
-“I have been mean enough,†she answered, “to listen at the door, and I
-heard you talking of your father. I want to hear more about him. That is
-why I came in.â€
-
-“You knew my father!†Emily exclaimed.
-
-“I believe I knew him. But his name is so common--there are so many
-thousands of ‘James Browns’ in England--that I am in fear of making a
-mistake. I heard you say that he died nearly four years since. Can you
-mention any particulars which might help to enlighten me? If you think I
-am taking a liberty--â€
-
-Emily stopped her. “I would help you if I could,†she said. “But I was
-in poor health at the time; and I was staying with friends far away in
-Scotland, to try change of air. The news of my father’s death brought on
-a relapse. Weeks passed before I was strong enough to travel--weeks and
-weeks before I saw his grave! I can only tell you what I know from my
-aunt. He died of heart-complaint.â€
-
-Miss Jethro started.
-
-Emily looked at her for the first time, with eyes that betrayed a
-feeling of distrust. “What have I said to startle you?†she asked.
-
-“Nothing! I am nervous in stormy weather--don’t notice me.†She went on
-abruptly with her inquiries. “Will you tell me the date of your father’s
-death?â€
-
-“The date was the thirtieth of September, nearly four years since.â€
-
-She waited, after that reply.
-
-Miss Jethro was silent.
-
-“And this,†Emily continued, “is the thirtieth of June, eighteen hundred
-and eighty-one. You can now judge for yourself. Did you know my father?â€
-
-Miss Jethro answered mechanically, using the same words.
-
-“I did know your father.â€
-
-Emily’s feeling of distrust was not set at rest. “I never heard him
-speak of you,†she said.
-
-In her younger days the teacher must have been a handsome woman.
-Her grandly-formed features still suggested the idea of imperial
-beauty--perhaps Jewish in its origin. When Emily said, “I never heard
-him speak of you,†the color flew into her pallid cheeks: her dim eyes
-became alive again with a momentary light. She left her seat on the bed,
-and, turning away, mastered the emotion that shook her.
-
-“How hot the night is!†she said: and sighed, and resumed the subject
-with a steady countenance. “I am not surprised that your father never
-mentioned me--to _you_.†She spoke quietly, but her face was paler than
-ever. She sat down again on the bed. “Is there anything I can do for
-you,†she asked, “before I go away? Oh, I only mean some trifling
-service that would lay you under no obligation, and would not oblige you
-to keep up your acquaintance with me.â€
-
-Her eyes--the dim black eyes that must once have been irresistibly
-beautiful--looked at Emily so sadly that the generous girl reproached
-herself for having doubted her father’s friend. “Are you thinking of
-_him_,†she said gently, “when you ask if you can be of service to me?â€
-
-Miss Jethro made no direct reply. “You were fond of your father?†she
-added, in a whisper. “You told your schoolfellow that your heart still
-aches when you speak of him.â€
-
-“I only told her the truth,†Emily answered simply.
-
-Miss Jethro shuddered--on that hot night!--shuddered as if a chill had
-struck her.
-
-Emily held out her hand; the kind feeling that had been roused in
-her glittered prettily in her eyes. “I am afraid I have not done you
-justice,†she said. “Will you forgive me and shake hands?â€
-
-Miss Jethro rose, and drew back. “Look at the light!†she exclaimed.
-
-The candle was all burned out. Emily still offered her hand--and still
-Miss Jethro refused to see it.
-
-“There is just light enough left,†she said, “to show me my way to the
-door. Good-night--and good-by.â€
-
-Emily caught at her dress, and stopped her. “Why won’t you shake hands
-with me?†she asked.
-
-The wick of the candle fell over in the socket, and left them in the
-dark. Emily resolutely held the teacher’s dress. With or without light,
-she was still bent on making Miss Jethro explain herself.
-
-They had throughout spoken in guarded tones, fearing to disturb the
-sleeping girls. The sudden darkness had its inevitable effect. Their
-voices sank to whispers now. “My father’s friend,†Emily pleaded, “is
-surely my friend?â€
-
-“Drop the subject.â€
-
-“Why?â€
-
-“You can never be _my_ friend.â€
-
-“Why not?â€
-
-“Let me go!â€
-
-Emily’s sense of self-respect forbade her to persist any longer. “I beg
-your pardon for having kept you here against your will,†she said--and
-dropped her hold on the dress.
-
-Miss Jethro instantly yielded on her side. “I am sorry to have been
-obstinate,†she answered. “If you do despise me, it is after all no more
-than I have deserved.†Her hot breath beat on Emily’s face: the unhappy
-woman must have bent over the bed as she made her confession. “I am not
-a fit person for you to associate with.â€
-
-“I don’t believe it!â€
-
-Miss Jethro sighed bitterly. “Young and warm hearted--I was once like
-you!†She controlled that outburst of despair. Her next words were
-spoken in steadier tones. “You _will_ have it--you _shall_ have it!â€
- she said. “Some one (in this house or out of it; I don’t know which)
-has betrayed me to the mistress of the school. A wretch in my situation
-suspects everybody, and worse still, does it without reason or excuse.
-I heard you girls talking when you ought to have been asleep. You all
-dislike me. How did I know it mightn’t be one of you? Absurd, to a
-person with a well-balanced mind! I went halfway up the stairs, and felt
-ashamed of myself, and went back to my room. If I could only have got
-some rest! Ah, well, it was not to be done. My own vile suspicions kept
-me awake; I left my bed again. You know what I heard on the other side
-of that door, and why I was interested in hearing it. Your father never
-told me he had a daughter. ‘Miss Brown,’ at this school, was any ‘Miss
-Brown,’ to me. I had no idea of who you really were until to-night.
-I’m wandering. What does all this matter to you? Miss Ladd has been
-merciful; she lets me go without exposing me. You can guess what has
-happened. No? Not even yet? Is it innocence or kindness that makes
-you so slow to understand? My dear, I have obtained admission to
-this respectable house by means of false references, and I have been
-discovered. _Now_ you know why you must not be the friend of such a
-woman as I am! Once more, good-night--and good-by.â€
-
-Emily shrank from that miserable farewell.
-
-“Bid me good-night,†she said, “but don’t bid me good-by. Let me see you
-again.â€
-
-“Never!â€
-
-The sound of the softly-closed door was just audible in the darkness.
-She had spoken--she had gone--never to be seen by Emily again.
-
-Miserable, interesting, unfathomable creature--the problem that night of
-Emily’s waking thoughts: the phantom of her dreams. “Bad? or good?†she
-asked herself. “False; for she listened at the door. True; for she told
-me the tale of her own disgrace. A friend of my father; and she never
-knew that he had a daughter. Refined, accomplished, lady-like; and she
-stoops to use a false reference. Who is to reconcile such contradictions
-as these?â€
-
-Dawn looked in at the window--dawn of the memorable day which was, for
-Emily, the beginning of a new life. The years were before her; and the
-years in their course reveal baffling mysteries of life and death.
-
-
-
-
-CHAPTER IV. MISS LADD’S DRAWING-MASTER.
-
-Francine was awakened the next morning by one of the housemaids,
-bringing up her breakfast on a tray. Astonished at this concession to
-laziness, in an institution devoted to the practice of all virtues, she
-looked round. The bedroom was deserted.
-
-“The other young ladies are as busy as bees, miss,†the housemaid
-explained. “They were up and dressed two hours ago: and the breakfast
-has been cleared away long since. It’s Miss Emily’s fault. She wouldn’t
-allow them to wake you; she said you could be of no possible use
-downstairs, and you had better be treated like a visitor. Miss Cecilia
-was so distressed at your missing your breakfast that she spoke to the
-housekeeper, and I was sent up to you. Please to excuse it if the tea’s
-cold. This is Grand Day, and we are all topsy-turvy in consequence.â€
-
-Inquiring what “Grand Day†meant, and why it produced this extraordinary
-result in a ladies’ school, Francine discovered that the first day of
-the vacation was devoted to the distribution of prizes, in the
-presence of parents, guardians and friends. An Entertainment was added,
-comprising those merciless tests of human endurance called Recitations;
-light refreshments and musical performances being distributed at
-intervals, to encourage the exhausted audience. The local newspaper sent
-a reporter to describe the proceedings, and some of Miss Ladd’s young
-ladies enjoyed the intoxicating luxury of seeing their names in print.
-
-“It begins at three o’clock,†the housemaid went on, “and, what with
-practicing and rehearsing, and ornamenting the schoolroom, there’s a
-hubbub fit to make a person’s head spin. Besides which,†said the girl,
-lowering her voice, and approaching a little nearer to Francine, “we
-have all been taken by surprise. The first thing in the morning Miss
-Jethro left us, without saying good-by to anybody.â€
-
-“Who is Miss Jethro?â€
-
-“The new teacher, miss. We none of us liked her, and we all suspect
-there’s something wrong. Miss Ladd and the clergyman had a long talk
-together yesterday (in private, you know), and they sent for Miss
-Jethro--which looks bad, doesn’t it? Is there anything more I can do for
-you, miss? It’s a beautiful day after the rain. If I was you, I should
-go and enjoy myself in the garden.â€
-
-Having finished her breakfast, Francine decided on profiting by this
-sensible suggestion.
-
-The servant who showed her the way to the garden was not favorably
-impressed by the new pupil: Francine’s temper asserted itself a little
-too plainly in her face. To a girl possessing a high opinion of her own
-importance it was not very agreeable to feel herself excluded, as
-an illiterate stranger, from the one absorbing interest of her
-schoolfellows. “Will the time ever come,†she wondered bitterly, “when
-I shall win a prize, and sing and play before all the company? How I
-should enjoy making the girls envy me!â€
-
-A broad lawn, overshadowed at one end by fine old trees--flower beds and
-shrubberies, and winding paths prettily and invitingly laid out--made
-the garden a welcome refuge on that fine summer morning. The novelty
-of the scene, after her experience in the West Indies, the delicious
-breezes cooled by the rain of the night, exerted their cheering
-influence even on the sullen disposition of Francine. She smiled, in
-spite of herself, as she followed the pleasant paths, and heard the
-birds singing their summer songs over her head.
-
-Wandering among the trees, which occupied a considerable extent of
-ground, she passed into an open space beyond, and discovered an old
-fish-pond, overgrown by aquatic plants. Driblets of water trickled from
-a dilapidated fountain in the middle. On the further side of the pond
-the ground sloped downward toward the south, and revealed, over a low
-paling, a pretty view of a village and its church, backed by fir woods
-mounting the heathy sides of a range of hills beyond. A fanciful little
-wooden building, imitating the form of a Swiss cottage, was placed so as
-to command the prospect. Near it, in the shadow of the building, stood a
-rustic chair and table--with a color-box on one, and a portfolio on the
-other. Fluttering over the grass, at the mercy of the capricious breeze,
-was a neglected sheet of drawing-paper. Francine ran round the pond, and
-picked up the paper just as it was on the point of being tilted into
-the water. It contained a sketch in water colors of the village and the
-woods, and Francine had looked at the view itself with indifference--the
-picture of the view interested her. Ordinary visitors to Galleries of
-Art, which admit students, show the same strange perversity. The work of
-the copyist commands their whole attention; they take no interest in the
-original picture.
-
-Looking up from the sketch, Francine was startled. She discovered a man,
-at the window of the Swiss summer-house, watching her.
-
-“When you have done with that drawing,†he said quietly, “please let me
-have it back again.â€
-
-He was tall and thin and dark. His finely-shaped intelligent
-face--hidden, as to the lower part of it, by a curly black beard--would
-have been absolutely handsome, even in the eyes of a schoolgirl, but for
-the deep furrows that marked it prematurely between the eyebrows, and at
-the sides of the mouth. In the same way, an underlying mockery impaired
-the attraction of his otherwise refined and gentle manner. Among
-his fellow-creatures, children and dogs were the only critics who
-appreciated his merits without discovering the defects which lessened
-the favorable appreciation of him by men and women. He dressed neatly,
-but his morning coat was badly made, and his picturesque felt hat was
-too old. In short, there seemed to be no good quality about him which
-was not perversely associated with a drawback of some kind. He was one
-of those harmless and luckless men, possessed of excellent qualities,
-who fail nevertheless to achieve popularity in their social sphere.
-
-Francine handed his sketch to him, through the window; doubtful whether
-the words that he had addressed to her were spoken in jest or in
-earnest.
-
-“I only presumed to touch your drawing,†she said, “because it was in
-danger.â€
-
-“What danger?†he inquired.
-
-Francine pointed to the pond. “If I had not been in time to pick it up,
-it would have been blown into the water.â€
-
-“Do you think it was worth picking up?â€
-
-Putting that question, he looked first at the sketch--then at the view
-which it represented--then back again at the sketch. The corners of his
-mouth turned upward with a humorous expression of scorn. “Madam Nature,â€
- he said, “I beg your pardon.†With those words, he composedly tore his
-work of art into small pieces, and scattered them out of the window.
-
-“What a pity!†said Francine.
-
-He joined her on the ground outside the cottage. “Why is it a pity?†he
-asked.
-
-“Such a nice drawing.â€
-
-“It isn’t a nice drawing.â€
-
-“You’re not very polite, sir.â€
-
-He looked at her--and sighed as if he pitied so young a woman for having
-a temper so ready to take offense. In his flattest contradictions he
-always preserved the character of a politely-positive man.
-
-“Put it in plain words, miss,†he replied. “I have offended the
-predominant sense in your nature--your sense of self-esteem. You don’t
-like to be told, even indirectly, that you know nothing of Art. In these
-days, everybody knows everything--and thinks nothing worth knowing after
-all. But beware how you presume on an appearance of indifference, which
-is nothing but conceit in disguise. The ruling passion of civilized
-humanity is, Conceit. You may try the regard of your dearest friend
-in any other way, and be forgiven. Ruffle the smooth surface of your
-friend’s self-esteem--and there will be an acknowledged coolness between
-you which will last for life. Excuse me for giving you the benefit of
-my trumpery experience. This sort of smart talk is _my_ form of conceit.
-Can I be of use to you in some better way? Are you looking for one of
-our young ladies?â€
-
-Francine began to feel a certain reluctant interest in him when he spoke
-of “our young ladies.†She asked if he belonged to the school.
-
-The corners of his mouth turned up again. “I’m one of the masters,†he
-said. “Are _you_ going to belong to the school, too?â€
-
-Francine bent her head, with a gravity and condescension intended
-to keep him at his proper distance. Far from being discouraged, he
-permitted his curiosity to take additional liberties. “Are you to have
-the misfortune of being one of my pupils?†he asked.
-
-“I don’t know who you are.â€
-
-“You won’t be much wiser when you do know. My name is Alban Morris.â€
-
-Francine corrected herself. “I mean, I don’t know what you teach.â€
-
-Alban Morris pointed to the fragments of his sketch from Nature. “I am a
-bad artist,†he said. “Some bad artists become Royal Academicians. Some
-take to drink. Some get a pension. And some--I am one of them--find
-refuge in schools. Drawing is an ‘Extra’ at this school. Will you take
-my advice? Spare your good father’s pocket; say you don’t want to learn
-to draw.â€
-
-He was so gravely in earnest that Francine burst out laughing. “You are
-a strange man,†she said.
-
-“Wrong again, miss. I am only an unhappy man.â€
-
-The furrows in his face deepened, the latent humor died out of his eyes.
-He turned to the summer-house window, and took up a pipe and tobacco
-pouch, left on the ledge.
-
-“I lost my only friend last year,†he said. “Since the death of my dog,
-my pipe is the one companion I have left. Naturally I am not allowed to
-enjoy the honest fellow’s society in the presence of ladies. They have
-their own taste in perfumes. Their clothes and their letters reek with
-the foetid secretion of the musk deer. The clean vegetable smell of
-tobacco is unendurable to them. Allow me to retire--and let me thank you
-for the trouble you took to save my drawing.â€
-
-The tone of indifference in which he expressed his gratitude piqued
-Francine. She resented it by drawing her own conclusion from what he
-had said of the ladies and the musk deer. “I was wrong in admiring your
-drawing,†she remarked; “and wrong again in thinking you a strange man.
-Am I wrong, for the third time, in believing that you dislike women?â€
-
-“I am sorry to say you are right,†Alban Morris answered gravely.
-
-“Is there not even one exception?â€
-
-The instant the words passed her lips, she saw that there was some
-secretly sensitive feeling in him which she had hurt. His black brows
-gathered into a frown, his piercing eyes looked at her with angry
-surprise. It was over in a moment. He raised his shabby hat, and made
-her a bow.
-
-“There is a sore place still left in me,†he said; “and you have
-innocently hit it. Good-morning.â€
-
-Before she could speak again, he had turned the corner of the
-summer-house, and was lost to view in a shrubbery on the westward side
-of the grounds.
-
-
-
-
-CHAPTER V. DISCOVERIES IN THE GARDEN.
-
-Left by herself, Miss de Sor turned back again by way of the trees.
-
-So far, her interview with the drawing-master had helped to pass the
-time. Some girls might have found it no easy task to arrive at a
-true view of the character of Alban Morris. Francine’s essentially
-superficial observation set him down as “a little mad,†and left him
-there, judged and dismissed to her own entire satisfaction.
-
-Arriving at the lawn, she discovered Emily pacing backward and forward,
-with her head down and her hands behind her, deep in thought. Francine’s
-high opinion of herself would have carried her past any of the other
-girls, unless they had made special advances to her. She stopped and
-looked at Emily.
-
-It is the sad fate of little women in general to grow too fat and to be
-born with short legs. Emily’s slim finely-strung figure spoke for itself
-as to the first of these misfortunes, and asserted its happy freedom
-from the second, if she only walked across a room. Nature had built her,
-from head to foot, on a skeleton-scaffolding in perfect proportion. Tall
-or short matters little to the result, in women who possess the first
-and foremost advantage of beginning well in their bones. When they live
-to old age, they often astonish thoughtless men, who walk behind them in
-the street. “I give you my honor, she was as easy and upright as a
-young girl; and when you got in front of her and looked--white hair, and
-seventy years of age.â€
-
-Francine approached Emily, moved by a rare impulse in her nature--the
-impulse to be sociable. “You look out of spirits,†she began. “Surely
-you don’t regret leaving school?â€
-
-In her present mood, Emily took the opportunity (in the popular phrase)
-of snubbing Francine. “You have guessed wrong; I do regret,†she
-answered. “I have found in Cecilia my dearest friend at school. And
-school brought with it the change in my life which has helped me to bear
-the loss of my father. If you must know what I was thinking of just now,
-I was thinking of my aunt. She has not answered my last letter--and I’m
-beginning to be afraid she is ill.â€
-
-“I’m very sorry,†said Francine.
-
-“Why? You don’t know my aunt; and you have only known me since yesterday
-afternoon. Why are you sorry?â€
-
-Francine remained silent. Without realizing it, she was beginning to
-feel the dominant influence that Emily exercised over the weaker natures
-that came in contact with her. To find herself irresistibly attracted
-by a stranger at a new school--an unfortunate little creature, whose
-destiny was to earn her own living--filled the narrow mind of Miss de
-Sor with perplexity. Having waited in vain for a reply, Emily turned
-away, and resumed the train of thought which her schoolfellow had
-interrupted.
-
-
-By an association of ideas, of which she was not herself aware, she
-now passed from thinking of her aunt to thinking of Miss Jethro. The
-interview of the previous night had dwelt on her mind at intervals, in
-the hours of the new day.
-
-Acting on instinct rather than on reason, she had kept that remarkable
-incident in her school life a secret from every one. No discoveries had
-been made by other persons. In speaking to her staff of teachers,
-Miss Ladd had alluded to the affair in the most cautious terms.
-“Circumstances of a private nature have obliged the lady to retire from
-my school. When we meet after the holidays, another teacher will be
-in her place.†There, Miss Ladd’s explanation had begun and ended.
-Inquiries addressed to the servants had led to no result. Miss Jethro’s
-luggage was to be forwarded to the London terminus of the railway--and
-Miss Jethro herself had baffled investigation by leaving the school
-on foot. Emily’s interest in the lost teacher was not the transitory
-interest of curiosity; her father’s mysterious friend was a person
-whom she honestly desired to see again. Perplexed by the difficulty of
-finding a means of tracing Miss Jethro, she reached the shady limit of
-the trees, and turned to walk back again. Approaching the place at which
-she and Francine had met, an idea occurred to her. It was just possible
-that Miss Jethro might not be unknown to her aunt.
-
-Still meditating on the cold reception that she had encountered, and
-still feeling the influence which mastered her in spite of herself,
-Francine interpreted Emily’s return as an implied expression of regret.
-She advanced with a constrained smile, and spoke first.
-
-“How are the young ladies getting on in the schoolroom?†she asked, by
-way of renewing the conversation.
-
-Emily’s face assumed a look of surprise which said plainly, Can’t you
-take a hint and leave me to myself?
-
-Francine was constitutionally impenetrable to reproof of this sort; her
-thick skin was not even tickled. “Why are you not helping them,†she
-went on; “you who have the clearest head among us and take the lead in
-everything?â€
-
-It may be a humiliating confession to make, yet it is surely true that
-we are all accessible to flattery. Different tastes appreciate different
-methods of burning incense--but the perfume is more or less agreeable to
-all varieties of noses. Francine’s method had its tranquilizing effect
-on Emily. She answered indulgently, “Miss de Sor, I have nothing to do
-with it.â€
-
-“Nothing to do with it? No prizes to win before you leave school?â€
-
-“I won all the prizes years ago.â€
-
-“But there are recitations. Surely you recite?â€
-
-Harmless words in themselves, pursuing the same smooth course of
-flattery as before--but with what a different result! Emily’s face
-reddened with anger the moment they were spoken. Having already
-irritated Alban Morris, unlucky Francine, by a second mischievous
-interposition of accident, had succeeded in making Emily smart next.
-“Who has told you,†she burst out; “I insist on knowing!â€
-
-“Nobody has told me anything!†Francine declared piteously.
-
-“Nobody has told you how I have been insulted?â€
-
-“No, indeed! Oh, Miss Brown, who could insult _you?_â€
-
-In a man, the sense of injury does sometimes submit to the discipline of
-silence. In a woman--never. Suddenly reminded of her past wrongs (by
-the pardonable error of a polite schoolfellow), Emily committed the
-startling inconsistency of appealing to the sympathies of Francine!
-
-“Would you believe it? I have been forbidden to recite--I, the head girl
-of the school. Oh, not to-day! It happened a month ago--when we were all
-in consultation, making our arrangements. Miss Ladd asked me if I had
-decided on a piece to recite. I said, ‘I have not only decided, I have
-learned the piece.’ ‘And what may it be?’ ‘The dagger-scene in Macbeth.’
-There was a howl--I can call it by no other name--a howl of indignation.
-A man’s soliloquy, and, worse still, a murdering man’s soliloquy,
-recited by one of Miss Ladd’s young ladies, before an audience of
-parents and guardians! That was the tone they took with me. I was as
-firm as a rock. The dagger-scene or nothing. The result is--nothing! An
-insult to Shakespeare, and an insult to Me. I felt it--I feel it still.
-I was prepared for any sacrifice in the cause of the drama. If Miss Ladd
-had met me in a proper spirit, do you know what I would have done?
-I would have played Macbeth in costume. Just hear me, and judge for
-yourself. I begin with a dreadful vacancy in my eyes, and a hollow
-moaning in my voice: ‘Is this a dagger that I see before me--?’â€
-
-Reciting with her face toward the trees, Emily started, dropped the
-character of Macbeth, and instantly became herself again: herself, with
-a rising color and an angry brightening of the eyes. “Excuse me, I can’t
-trust my memory: I must get the play.†With that abrupt apology, she
-walked away rapidly in the direction of the house.
-
-In some surprise, Francine turned, and looked at the trees. She
-discovered--in full retreat, on his side--the eccentric drawing-master,
-Alban Morris.
-
-Did he, too, admire the dagger-scene? And was he modestly desirous of
-hearing it recited, without showing himself? In that case, why should
-Emily (whose besetting weakness was certainly not want of confidence in
-her own resources) leave the garden the moment she caught sight of him?
-Francine consulted her instincts. She had just arrived at a conclusion
-which expressed itself outwardly by a malicious smile, when gentle
-Cecilia appeared on the lawn--a lovable object in a broad straw hat
-and a white dress, with a nosegay in her bosom--smiling, and fanning
-herself.
-
-“It’s so hot in the schoolroom,†she said, “and some of the girls, poor
-things, are so ill-tempered at rehearsal--I have made my escape. I hope
-you got your breakfast, Miss de Sor. What have you been doing here, all
-by yourself?â€
-
-“I have been making an interesting discovery,†Francine replied.
-
-“An interesting discovery in our garden? What _can_ it be?â€
-
-“The drawing-master, my dear, is in love with Emily. Perhaps she doesn’t
-care about him. Or, perhaps, I have been an innocent obstacle in the way
-of an appointment between them.â€
-
-Cecilia had breakfasted to her heart’s content on her favorite
-dish--buttered eggs. She was in such good spirits that she was inclined
-to be coquettish, even when there was no man present to fascinate. “We
-are not allowed to talk about love in this school,†she said--and hid
-her face behind her fan. “Besides, if it came to Miss Ladd’s ears, poor
-Mr. Morris might lose his situation.â€
-
-“But isn’t it true?†asked Francine.
-
-“It may be true, my dear; but nobody knows. Emily hasn’t breathed a word
-about it to any of us. And Mr. Morris keeps his own secret. Now and then
-we catch him looking at her--and we draw our own conclusions.â€
-
-“Did you meet Emily on your way here?â€
-
-“Yes, and she passed without speaking to me.â€
-
-“Thinking perhaps of Mr. Morris.â€
-
-Cecilia shook her head. “Thinking, Francine, of the new life before
-her--and regretting, I am afraid, that she ever confided her hopes and
-wishes to me. Did she tell you last night what her prospects are when
-she leaves school?â€
-
-“She told me you had been very kind in helping her. I daresay I should
-have heard more, if I had not fallen asleep. What is she going to do?â€
-
-“To live in a dull house, far away in the north,†Cecilia answered;
-“with only old people in it. She will have to write and translate for a
-great scholar, who is studying mysterious inscriptions--hieroglyphics,
-I think they are called--found among the ruins of Central America. It’s
-really no laughing matter, Francine! Emily made a joke of it, too. ‘I’ll
-take anything but a situation as a governess,’ she said; ‘the children
-who have Me to teach them would be to be pitied indeed!’ She begged and
-prayed me to help her to get an honest living. What could I do? I could
-only write home to papa. He is a member of Parliament: and everybody
-who wants a place seems to think he is bound to find it for them. As it
-happened, he had heard from an old friend of his (a certain Sir Jervis
-Redwood), who was in search of a secretary. Being in favor of letting
-the women compete for employment with the men, Sir Jervis was willing to
-try, what he calls, ‘a female.’ Isn’t that a horrid way of speaking of
-us? and Miss Ladd says it’s ungrammatical, besides. Papa had written
-back to say he knew of no lady whom he could recommend. When he got my
-letter speaking of Emily, he kindly wrote again. In the interval, Sir
-Jervis had received two applications for the vacant place. They were
-both from old ladies--and he declined to employ them.â€
-
-“Because they were old,†Francine suggested maliciously.
-
-“You shall hear him give his own reasons, my dear. Papa sent me an
-extract from his letter. It made me rather angry; and (perhaps for that
-reason) I think I can repeat it word for word:--‘We are four old people
-in this house, and we don’t want a fifth. Let us have a young one
-to cheer us. If your daughter’s friend likes the terms, and is not
-encumbered with a sweetheart, I will send for her when the school breaks
-up at midsummer.’ Coarse and selfish--isn’t it? However, Emily didn’t
-agree with me, when I showed her the extract. She accepted the place,
-very much to her aunt’s surprise and regret, when that excellent person
-heard of it. Now that the time has come (though Emily won’t acknowledge
-it), I believe she secretly shrinks, poor dear, from the prospect.â€
-
-“Very likely,†Francine agreed--without even a pretense of sympathy.
-“But tell me, who are the four old people?â€
-
-“First, Sir Jervis himself--seventy, last birthday. Next, his unmarried
-sister--nearly eighty. Next, his man-servant, Mr. Rook--well past sixty.
-And last, his man-servant’s wife, who considers herself young, being
-only a little over forty. That is the household. Mrs. Rook is coming
-to-day to attend Emily on the journey to the North; and I am not at all
-sure that Emily will like her.â€
-
-“A disagreeable woman, I suppose?â€
-
-“No--not exactly that. Rather odd and flighty. The fact is, Mrs. Rook
-has had her troubles; and perhaps they have a little unsettled her. She
-and her husband used to keep the village inn, close to our park: we know
-all about them at home. I am sure I pity these poor people. What are you
-looking at, Francine?â€
-
-Feeling no sort of interest in Mr. and Mrs. Rook, Francine was studying
-her schoolfellow’s lovely face in search of defects. She had already
-discovered that Cecilia’s eyes were placed too widely apart, and that
-her chin wanted size and character.
-
-“I was admiring your complexion, dear,†she answered coolly. “Well, and
-why do you pity the Rooks?â€
-
-Simple Cecilia smiled, and went on with her story.
-
-“They are obliged to go out to service in their old age, through a
-misfortune for which they are in no way to blame. Their customers
-deserted the inn, and Mr. Rook became bankrupt. The inn got what they
-call a bad name--in a very dreadful way. There was a murder committed in
-the house.â€
-
-“A murder?†cried Francine. “Oh, this is exciting! You provoking girl,
-why didn’t you tell me about it before?â€
-
-“I didn’t think of it,†said Cecilia placidly.
-
-“Do go on! Were you at home when it happened?â€
-
-“I was here, at school.â€
-
-“You saw the newspapers, I suppose?â€
-
-“Miss Ladd doesn’t allow us to read newspapers. I did hear of it,
-however, in letters from home. Not that there was much in the letters.
-They said it was too horrible to be described. The poor murdered
-gentleman--â€
-
-Francine was unaffectedly shocked. “A gentleman!†she exclaimed. “How
-dreadful!â€
-
-“The poor man was a stranger in our part of the country,†Cecilia
-resumed; “and the police were puzzled about the motive for a murder. His
-pocketbook was missing; but his watch and his rings were found on the
-body. I remember the initials on his linen because they were the same
-as my mother’s initial before she was married--‘J. B.’ Really, Francine,
-that’s all I know about it.â€
-
-“Surely you know whether the murderer was discovered?â€
-
-“Oh, yes--of course I know that! The government offered a reward; and
-clever people were sent from London to help the county police. Nothing
-came of it. The murderer has never been discovered, from that time to
-this.â€
-
-“When did it happen?â€
-
-“It happened in the autumn.â€
-
-“The autumn of last year?â€
-
-“No! no! Nearly four years since.â€
-
-
-
-
-CHAPTER VI. ON THE WAY TO THE VILLAGE.
-
-Alban Morris--discovered by Emily in concealment among the trees--was
-not content with retiring to another part of the grounds. He pursued
-his retreat, careless in what direction it might take him, to a footpath
-across the fields, which led to the highroad and the railway station.
-
-Miss Ladd’s drawing-master was in that state of nervous irritability
-which seeks relief in rapidity of motion. Public opinion in the
-neighborhood (especially public opinion among the women) had long since
-decided that his manners were offensive, and his temper incurably bad.
-The men who happened to pass him on the footpath said “Good-morningâ€
-grudgingly. The women took no notice of him--with one exception. She
-was young and saucy, and seeing him walking at the top of his speed on
-the way to the railway station, she called after him, “Don’t be in a
-hurry, sir! You’re in plenty of time for the London train.â€
-
-To her astonishment he suddenly stopped. His reputation for rudeness
-was so well established that she moved away to a safe distance, before
-she ventured to look at him again. He took no notice of her--he seemed
-to be considering with himself. The frolicsome young woman had done him
-a service: she had suggested an idea.
-
-“Suppose I go to London?†he thought. “Why not?--the school is breaking
-up for the holidays--and _she_ is going away like the rest of them.†He
-looked round in the direction of the schoolhouse. “If I go back to wish
-her good-by, she will keep out of my way, and part with me at the last
-moment like a stranger. After my experience of women, to be in love
-again--in love with a girl who is young enough to be my daughter--what
-a fool, what a driveling, degraded fool I must be!â€
-
-Hot tears rose in his eyes. He dashed them away savagely, and went on
-again faster than ever--resolved to pack up at once at his lodgings in
-the village, and to take his departure by the next train.
-
-At the point where the footpath led into the road, he came to a
-standstill for the second time.
-
-The cause was once more a person of the sex associated in his mind
-with a bitter sense of injury. On this occasion the person was only a
-miserable little child, crying over the fragments of a broken jug.
-
-Alban Morris looked at her with his grimly humorous smile. “So you’ve
-broken a jug?†he remarked.
-
-“And spilt father’s beer,†the child answered. Her frail little body
-shook with terror. “Mother’ll beat me when I go home,†she said.
-
-“What does mother do when you bring the jug back safe and sound?†Alban
-asked.
-
-“Gives me bren-butter.â€
-
-“Very well. Now listen to me. Mother shall give you bread and butter
-again this time.â€
-
-The child stared at him with the tears suspended in her eyes. He went on
-talking to her as seriously as ever.
-
-“You understand what I have just said to you?â€
-
-“Yes, sir.â€
-
-“Have you got a pocket-handkerchief?â€
-
-“No, sir.â€
-
-“Then dry your eyes with mine.â€
-
-He tossed his handkerchief to her with one hand, and picked up a
-fragment of the broken jug with the other. “This will do for a pattern,â€
- he said to himself. The child stared at the handkerchief--stared at
-Alban--took courage--and rubbed vigorously at her eyes. The instinct,
-which is worth all the reason that ever pretended to enlighten
-mankind--the instinct that never deceives--told this little ignorant
-creature that she had found a friend. She returned the handkerchief in
-grave silence. Alban took her up in his arms.
-
-“Your eyes are dry, and your face is fit to be seen,†he said. “Will you
-give me a kiss?†The child gave him a resolute kiss, with a smack in
-it. “Now come and get another jug,†he said, as he put her down. Her red
-round eyes opened wide in alarm. “Have you got money enough?†she asked.
-Alban slapped his pocket. “Yes, I have,†he answered. “That’s a good
-thing,†said the child; “come along.â€
-
-They went together hand in hand to the village, and bought the new jug,
-and had it filled at the beer-shop. The thirsty father was at the upper
-end of the fields, where they were making a drain. Alban carried the jug
-until they were within sight of the laborer. “You haven’t far to go,†he
-said. “Mind you don’t drop it again--What’s the matter now?â€
-
-“I’m frightened.â€
-
-“Why?â€
-
-“Oh, give me the jug.â€
-
-She almost snatched it out of his hand. If she let the precious minutes
-slip away, there might be another beating in store for her at the drain:
-her father was not of an indulgent disposition when his children were
-late in bringing his beer. On the point of hurrying away, without a
-word of farewell, she remembered the laws of politeness as taught at
-the infant school--and dropped her little curtsey--and said, “Thank you,
-sir.†That bitter sense of injury was still in Alban’s mind as he looked
-after her. “What a pity she should grow up to be a woman!†he said to
-himself.
-
-The adventure of the broken jug had delayed his return to his lodgings
-by more than half an hour. When he reached the road once more, the cheap
-up-train from the North had stopped at the station. He heard the ringing
-of the bell as it resumed the journey to London.
-
-One of the passengers (judging by the handbag that she carried) had not
-stopped at the village.
-
-As she advanced toward him along the road, he remarked that she was
-a small wiry active woman--dressed in bright colors, combined with
-a deplorable want of taste. Her aquiline nose seemed to be her
-most striking feature as she came nearer. It might have been fairly
-proportioned to the rest of her face, in her younger days, before her
-cheeks had lost flesh and roundness. Being probably near-sighted, she
-kept her eyes half-closed; there were cunning little wrinkles at the
-corners of them. In spite of appearances, she was unwilling to present
-any outward acknowledgment of the march of time. Her hair was palpably
-dyed--her hat was jauntily set on her head, and ornamented with a gay
-feather. She walked with a light tripping step, swinging her bag, and
-holding her head up smartly. Her manner, like her dress, said as plainly
-as words could speak, “No matter how long I may have lived, I mean to
-be young and charming to the end of my days.†To Alban’s surprise she
-stopped and addressed him.
-
-“Oh, I beg your pardon. Could you tell me if I am in the right road to
-Miss Ladd’s school?â€
-
-She spoke with nervous rapidity of articulation, and with a singularly
-unpleasant smile. It parted her thin lips just widely enough to show her
-suspiciously beautiful teeth; and it opened her keen gray eyes in the
-strangest manner. The higher lid rose so as to disclose, for a moment,
-the upper part of the eyeball, and to give her the appearance--not of
-a woman bent on making herself agreeable, but of a woman staring in a
-panic of terror. Careless to conceal the unfavorable impression that she
-had produced on him, Alban answered roughly, “Straight on,†and tried to
-pass her.
-
-She stopped him with a peremptory gesture. “I have treated you
-politely,†she said, “and how do you treat me in return? Well! I am not
-surprised. Men are all brutes by nature--and you are a man. ‘Straight
-on’?†she repeated contemptuously; “I should like to know how far that
-helps a person in a strange place. Perhaps you know no more where Miss
-Ladd’s school is than I do? or, perhaps, you don’t care to take the
-trouble of addressing me? Just what I should have expected from a person
-of your sex! Good-morning.â€
-
-Alban felt the reproof; she had appealed to his most readily-impressible
-sense--his sense of humor. He rather enjoyed seeing his own prejudice
-against women grotesquely reflected in this flighty stranger’s prejudice
-against men. As the best excuse for himself that he could make, he gave
-her all the information that she could possibly want--then tried
-again to pass on--and again in vain. He had recovered his place in her
-estimation: she had not done with him yet.
-
-“You know all about the way there,†she said “I wonder whether you know
-anything about the school?â€
-
-No change in her voice, no change in her manner, betrayed any special
-motive for putting this question. Alban was on the point of suggesting
-that she should go on to the school, and make her inquiries there--when
-he happened to notice her eyes. She had hitherto looked him straight in
-the face. She now looked down on the road. It was a trifling change;
-in all probability it meant nothing--and yet, merely because it was a
-change, it roused his curiosity. “I ought to know something about the
-school,†he answered. “I am one of the masters.â€
-
-“Then you’re just the man I want. May I ask your name?â€
-
-“Alban Morris.â€
-
-“Thank you. I am Mrs. Rook. I presume you have heard of Sir Jervis
-Redwood?â€
-
-“No.â€
-
-“Bless my soul! You are a scholar, of course--and you have never heard
-of one of your own trade. Very extraordinary. You see, I am Sir Jervis’s
-housekeeper; and I am sent here to take one of your young ladies back
-with me to our place. Don’t interrupt me! Don’t be a brute again! Sir
-Jervis is not of a communicative disposition. At least, not to me. A
-man--that explains it--a man! He is always poring over his books and
-writings; and Miss Redwood, at her great age, is in bed half the day.
-Not a thing do I know about this new inmate of ours, except that I am
-to take her back with me. You would feel some curiosity yourself in my
-place, wouldn’t you? Now do tell me. What sort of girl is Miss Emily
-Brown?â€
-
-The name that he was perpetually thinking of--on this woman’s lips!
-Alban looked at her.
-
-“Well,†said Mrs. Rook, “am I to have no answer? Ah, you want leading.
-So like a man again! Is she pretty?â€
-
-Still examining the housekeeper with mingled feelings of interest and
-distrust, Alban answered ungraciously:
-
-“Yes.â€
-
-“Good-tempered?â€
-
-Alban again said “Yes.â€
-
-“So much about herself,†Mrs. Rook remarked. “About her family now?†She
-shifted her bag restlessly from one hand to another. “Perhaps you can
-tell me if Miss Emily’s father--†she suddenly corrected herself--“if
-Miss Emily’s parents are living?â€
-
-“I don’t know.â€
-
-“You mean you won’t tell me.â€
-
-“I mean exactly what I have said.â€
-
-“Oh, it doesn’t matter,†Mrs. Rook rejoined; “I shall find out at the
-school. The first turning to the left, I think you said--across the
-fields?â€
-
-He was too deeply interested in Emily to let the housekeeper go without
-putting a question on his side:
-
-“Is Sir Jervis Redwood one of Miss Emily’s old friends?†he asked.
-
-“He? What put that into your head? He has never even seen Miss Emily.
-She’s going to our house--ah, the women are getting the upper hand now,
-and serve the men right, I say!--she’s going to our house to be Sir
-Jervis’s secretary. You would like to have the place yourself, wouldn’t
-you? You would like to keep a poor girl from getting her own living?
-Oh, you may look as fierce as you please--the time’s gone by when a man
-could frighten _me_. I like her Christian name. I call Emily a nice name
-enough. But ‘Brown’! Good-morning, Mr. Morris; you and I are not cursed
-with such a contemptibly common name as that! ‘Brown’? Oh, Lord!â€
-
-She tossed her head scornfully, and walked away, humming a tune.
-
-Alban stood rooted to the spot. The effort of his later life had been to
-conceal the hopeless passion which had mastered him in spite of himself.
-Knowing nothing from Emily--who at once pitied and avoided him--of her
-family circumstances or of her future plans, he had shrunk from making
-inquiries of others, in the fear that they, too, might find out his
-secret, and that their contempt might be added to the contempt which he
-felt for himself. In this position, and with these obstacles in his
-way, the announcement of Emily’s proposed journey--under the care of
-a stranger, to fill an employment in the house of a stranger--not
-only took him by surprise, but inspired him with a strong feeling of
-distrust. He looked after Sir Jervis Redwood’s flighty housekeeper,
-completely forgetting the purpose which had brought him thus far on the
-way to his lodgings. Before Mrs. Rook was out of sight, Alban Morris was
-following her back to the school.
-
-
-
-
-CHAPTER VII. “COMING EVENTS CAST THEIR SHADOWS BEFORE.â€
-
-Miss De Sor and Miss Wyvil were still sitting together under the trees,
-talking of the murder at the inn.
-
-“And is that really all you can tell me?†said Francine.
-
-“That is all,†Cecilia answered.
-
-“Is there no love in it?â€
-
-“None that I know of.â€
-
-“It’s the most uninteresting murder that ever was committed. What shall
-we do with ourselves? I’m tired of being here in the garden. When do the
-performances in the schoolroom begin?â€
-
-“Not for two hours yet.â€
-
-Francine yawned. “And what part do you take in it?†she asked.
-
-“No part, my dear. I tried once--only to sing a simple little song. When
-I found myself standing before all the company and saw rows of ladies
-and gentlemen waiting for me to begin, I was so frightened that Miss
-Ladd had to make an apology for me. I didn’t get over it for the rest of
-the day. For the first time in my life, I had no appetite for my dinner.
-Horrible!†said Cecilia, shuddering over the remembrance of it. “I do
-assure you, I thought I was going to die.â€
-
-Perfectly unimpressed by this harrowing narrative, Francine turned
-her head lazily toward the house. The door was thrown open at the same
-moment. A lithe little person rapidly descended the steps that led to
-the lawn.
-
-“It’s Emily come back again,†said Francine.
-
-“And she seems to be rather in a hurry,†Cecilia remarked.
-
-Francine’s satirical smile showed itself for a moment. Did this
-appearance of hurry in Emily’s movements denote impatience to resume the
-recital of “the dagger-scene� She had no book in her hand; she never
-even looked toward Francine. Sorrow became plainly visible in her face
-as she approached the two girls.
-
-Cecilia rose in alarm. She had been the first person to whom Emily had
-confided her domestic anxieties. “Bad news from your aunt?†she asked.
-
-“No, my dear; no news at all.†Emily put her arms tenderly round her
-friend’s neck. “The time has come, Cecilia,†she said. “We must wish
-each other good-by.â€
-
-“Is Mrs. Rook here already?â€
-
-“It’s _you_, dear, who are going,†Emily answered sadly. “They have sent
-the governess to fetch you. Miss Ladd is too busy in the schoolroom to
-see her--and she has told me all about it. Don’t be alarmed. There is no
-bad news from home. Your plans are altered; that’s all.â€
-
-“Altered?†Cecilia repeated. “In what way?â€
-
-“In a very agreeable way--you are going to travel. Your father wishes
-you to be in London, in time for the evening mail to France.â€
-
-Cecilia guessed what had happened. “My sister is not getting well,†she
-said, “and the doctors are sending her to the Continent.â€
-
-“To the baths at St. Moritz,†Emily added. “There is only one difficulty
-in the way; and you can remove it. Your sister has the good old
-governess to take care of her, and the courier to relieve her of all
-trouble on the journey. They were to have started yesterday. You know
-how fond Julia is of you. At the last moment, she won’t hear of going
-away, unless you go too. The rooms are waiting at St. Moritz; and your
-father is annoyed (the governess says) by the delay that has taken place
-already.â€
-
-She paused. Cecilia was silent. “Surely you don’t hesitate?†Emily said.
-
-“I am too happy to go wherever Julia goes,†Cecilia answered warmly; “I
-was thinking of you, dear.†Her tender nature, shrinking from the hard
-necessities of life, shrank from the cruelly-close prospect of parting.
-“I thought we were to have had some hours together yet,†she said. “Why
-are we hurried in this way? There is no second train to London, from our
-station, till late in the afternoon.â€
-
-“There is the express,†Emily reminded her; “and there is time to catch
-it, if you drive at once to the town.†She took Cecilia’s hand and
-pressed it to her bosom. “Thank you again and again, dear, for all you
-have done for me. Whether we meet again or not, as long as I live I
-shall love you. Don’t cry!†She made a faint attempt to resume her
-customary gayety, for Cecilia’s sake. “Try to be as hard-hearted as I
-am. Think of your sister--don’t think of me. Only kiss me.â€
-
-Cecilia’s tears fell fast. “Oh, my love, I am so anxious about you! I am
-so afraid that you will not be happy with that selfish old man--in that
-dreary house. Give it up, Emily! I have got plenty of money for both
-of us; come abroad with me. Why not? You always got on well with Julia,
-when you came to see us in the holidays. Oh, my darling! my darling!
-What shall I do without you?â€
-
-All that longed for love in Emily’s nature had clung round her
-school-friend since her father’s death. Turning deadly pale under the
-struggle to control herself, she made the effort--and bore the pain of
-it without letting a cry or a tear escape her. “Our ways in life lie far
-apart,†she said gently. “There is the hope of meeting again, dear--if
-there is nothing more.â€
-
-The clasp of Cecilia’s arm tightened round her. She tried to release
-herself; but her resolution had reached its limits. Her hands dropped,
-trembling. She could still try to speak cheerfully, and that was all.
-
-“There is not the least reason, Cecilia, to be anxious about my
-prospects. I mean to be Sir Jervis Redwood’s favorite before I have been
-a week in his service.â€
-
-She stopped, and pointed to the house. The governess was approaching
-them. “One more kiss, darling. We shall not forget the happy hours we
-have spent together; we shall constantly write to each other.†She broke
-down at last. “Oh, Cecilia! Cecilia! leave me for God’s sake--I can’t
-bear it any longer!â€
-
-The governess parted them. Emily dropped into the chair that her friend
-had left. Even her hopeful nature sank under the burden of life at that
-moment.
-
-A hard voice, speaking close at her side, startled her.
-
-“Would you rather be Me,†the voice asked, “without a creature to care
-for you?â€
-
-Emily raised her head. Francine, the unnoticed witness of the parting
-interview, was standing by her, idly picking the leaves from a rose
-which had dropped out of Cecilia’s nosegay.
-
-Had she felt her own isolated position? She had felt it resentfully.
-
-Emily looked at her, with a heart softened by sorrow. There was no
-answering kindness in the eyes of Miss de Sor--there was only a dogged
-endurance, sad to see in a creature so young.
-
-“You and Cecilia are going to write to each other,†she said. “I suppose
-there is some comfort in that. When I left the island they were glad to
-get rid of me. They said, ‘Telegraph when you are safe at Miss Ladd’s
-school.’ You see, we are so rich, the expense of telegraphing to the
-West Indies is nothing to us. Besides, a telegram has an advantage over
-a letter--it doesn’t take long to read. I daresay I shall write home.
-But they are in no hurry; and I am in no hurry. The school’s breaking
-up; you are going your way, and I am going mine--and who cares what
-becomes of me? Only an ugly old schoolmistress, who is paid for caring.
-I wonder why I am saying all this? Because I like you? I don’t know that
-I like you any better than you like me. When I wanted to be friends with
-you, you treated me coolly; I don’t want to force myself on you. I don’t
-particularly care about you. May I write to you from Brighton?â€
-
-Under all this bitterness--the first exhibition of Francine’s temper, at
-its worst, which had taken place since she joined the school--Emily saw,
-or thought she saw, distress that was too proud, or too shy, to show
-itself. “How can you ask the question?†she answered cordially.
-
-Francine was incapable of meeting the sympathy offered to her, even half
-way. “Never mind how,†she said. “Yes or no is all I want from you.â€
-
-“Oh, Francine! Francine! what are you made of! Flesh and blood? or stone
-and iron? Write to me of course--and I will write back again.â€
-
-“Thank you. Are you going to stay here under the trees?â€
-
-“Yes.â€
-
-“All by yourself?â€
-
-“All by myself.â€
-
-“With nothing to do?â€
-
-“I can think of Cecilia.â€
-
-Francine eyed her with steady attention for a moment.
-
-“Didn’t you tell me last night that you were very poor?†she asked.
-
-“I did.â€
-
-“So poor that you are obliged to earn your own living?â€
-
-“Yes.â€
-
-Francine looked at her again.
-
-“I daresay you won’t believe me,†she said. “I wish I was you.â€
-
-She turned away irritably, and walked back to the house.
-
-Were there really longings for kindness and love under the surface of
-this girl’s perverse nature? Or was there nothing to be hoped from a
-better knowledge of her?--In place of tender remembrances of Cecilia,
-these were the perplexing and unwelcome thoughts which the more potent
-personality of Francine forced upon Emily’s mind.
-
-She rose impatiently, and looked at her watch. When would it be her turn
-to leave the school, and begin the new life?
-
-Still undecided what to do next, her interest was excited by the
-appearance of one of the servants on the lawn. The woman approached her,
-and presented a visiting-card; bearing on it the name of _Sir Jervis
-Redwood_. Beneath the name, there was a line written in pencil: “Mrs.
-Rook, to wait on Miss Emily Brown.†The way to the new life was open
-before her at last!
-
-Looking again at the commonplace announcement contained in the line of
-writing, she was not quite satisfied. Was it claiming a deference toward
-herself, to which she was not entitled, to expect a letter either from
-Sir Jervis, or from Miss Redwood; giving her some information as to
-the journey which she was about to undertake, and expressing with some
-little politeness the wish to make her comfortable in her future home?
-At any rate, her employer had done her one service: he had reminded her
-that her station in life was not what it had been in the days when her
-father was living, and when her aunt was in affluent circumstances.
-
-She looked up from the card. The servant had gone. Alban Morris was
-waiting at a little distance--waiting silently until she noticed him.
-
-
-
-
-CHAPTER VIII. MASTER AND PUPIL.
-
-Emily’s impulse was to avoid the drawing-master for the second time.
-The moment afterward, a kinder feeling prevailed. The farewell interview
-with Cecilia had left influences which pleaded for Alban Morris. It
-was the day of parting good wishes and general separations: he had only
-perhaps come to say good-by. She advanced to offer her hand, when he
-stopped her by pointing to Sir Jervis Redwood’s card.
-
-“May I say a word, Miss Emily, about that woman?†he asked
-
-“Do you mean Mrs. Rook?â€
-
-“Yes. You know, of course, why she comes here?â€
-
-“She comes here by appointment, to take me to Sir Jervis Redwood’s
-house. Are you acquainted with her?â€
-
-“She is a perfect stranger to me. I met her by accident on her way
-here. If Mrs. Rook had been content with asking me to direct her to the
-school, I should not be troubling you at this moment. But she forced her
-conversation on me. And she said something which I think you ought to
-know. Have you heard of Sir Jervis Redwood’s housekeeper before to-day?â€
-
-“I have only heard what my friend--Miss Cecilia Wyvil--has told me.â€
-
-“Did Miss Cecilia tell you that Mrs. Rook was acquainted with your
-father or with any members of your family?â€
-
-“Certainly not!â€
-
-Alban reflected. “It was natural enough,†he resumed, “that Mrs. Rook
-should feel some curiosity about You. What reason had she for putting
-a question to me about your father--and putting it in a very strange
-manner?â€
-
-Emily’s interest was instantly excited. She led the way back to the
-seats in the shade. “Tell me, Mr. Morris, exactly what the woman said.â€
- As she spoke, she signed to him to be seated.
-
-Alban observed the natural grace of her action when she set him the
-example of taking a chair, and the little heightening of her color
-caused by anxiety to hear what he had still to tell her. Forgetting the
-restraint that he had hitherto imposed on himself, he enjoyed the luxury
-of silently admiring her. Her manner betrayed none of the conscious
-confusion which would have shown itself, if her heart had been
-secretly inclined toward him. She saw the man looking at her. In simple
-perplexity she looked at the man.
-
-“Are you hesitating on my account?†she asked. “Did Mrs. Rook say
-something of my father which I mustn’t hear?â€
-
-“No, no! nothing of the sort!â€
-
-“You seem to be confused.â€
-
-Her innocent indifference tried his patience sorely. His memory went
-back to the past time--recalled the ill-placed passion of his youth, and
-the cruel injury inflicted on him--his pride was roused. Was he
-making himself ridiculous? The vehement throbbing of his heart almost
-suffocated him. And there she sat, wondering at his odd behavior. “Even
-this girl is as cold-blooded as the rest of her sex!†That angry thought
-gave him back his self-control. He made his excuses with the easy
-politeness of a man of the world.
-
-“I beg your pardon, Miss Emily; I was considering how to put what I have
-to say in the fewest and plainest words. Let me try if I can do it.
-If Mrs. Rook had merely asked me whether your father and mother were
-living, I should have attributed the question to the commonplace
-curiosity of a gossiping woman, and have thought no more of it. What
-she actually did say was this: ‘Perhaps you can tell me if Miss Emily’s
-father--’ There she checked herself, and suddenly altered the question
-in this way: ‘If Miss Emily’s _parents_ are living?’ I may be making
-mountains out of molehills; but I thought at the time (and think still)
-that she had some special interest in inquiring after your father, and,
-not wishing me to notice it for reasons of her own, changed the form
-of the question so as to include your mother. Does this strike you as a
-far-fetched conclusion?â€
-
-“Whatever it may be,†Emily said, “it is my conclusion, too. How did you
-answer her?â€
-
-“Quite easily. I could give her no information--and I said so.â€
-
-“Let me offer you the information, Mr. Morris, before we say anything
-more. I have lost both my parents.â€
-
-Alban’s momentary outbreak of irritability was at an end. He was earnest
-and yet gentle, again; he forgave her for not understanding how dear and
-how delightful to him she was. “Will it distress you,†he said, “if I
-ask how long it is since your father died?â€
-
-“Nearly four years,†she replied. “He was the most generous of men; Mrs.
-Rook’s interest in him may surely have been a grateful interest. He
-may have been kind to her in past years--and she may remember him
-thankfully. Don’t you think so?â€
-
-Alban was unable to agree with her. “If Mrs. Rook’s interest in your
-father was the harmless interest that you have suggested,†he said, “why
-should she have checked herself in that unaccountable manner, when she
-first asked me if he was living? The more I think of it now, the less
-sure I feel that she knows anything at all of your family history. It
-may help me to decide, if you will tell me at what time the death of
-your mother took place.â€
-
-“So long ago,†Emily replied, “that I can’t even remember her death. I
-was an infant at the time.â€
-
-“And yet Mrs. Rook asked me if your ‘parents’ were living! One of two
-things,†Alban concluded. “Either there is some mystery in this matter,
-which we cannot hope to penetrate at present--or Mrs. Rook may have been
-speaking at random; on the chance of discovering whether you are related
-to some ‘Mr. Brown’ whom she once knew.â€
-
-“Besides,†Emily added, “it’s only fair to remember what a common family
-name mine is, and how easily people may make mistakes. I should like
-to know if my dear lost father was really in her mind when she spoke to
-you. Do you think I could find it out?â€
-
-“If Mrs. Rook has any reasons for concealment, I believe you would
-have no chance of finding it out--unless, indeed, you could take her by
-surprise.â€
-
-“In what way, Mr. Morris?â€
-
-“Only one way occurs to me just now,†he said. “Do you happen to have a
-miniature or a photograph of your father?â€
-
-Emily held out a handsome locket, with a monogram in diamonds, attached
-to her watch chain. “I have his photograph here,†she rejoined; “given
-to me by my dear old aunt, in the days of her prosperity. Shall I show
-it to Mrs. Rook?â€
-
-“Yes--if she happens, by good luck, to offer you an opportunity.â€
-
-Impatient to try the experiment, Emily rose as he spoke. “I mustn’t keep
-Mrs. Rook waiting,†she said.
-
-Alban stopped her, on the point of leaving him. The confusion and
-hesitation which she had already noticed began to show themselves in his
-manner once more.
-
-“Miss Emily, may I ask you a favor before you go? I am only one of the
-masters employed in the school; but I don’t think--let me say, I hope I
-am not guilty of presumption--if I offer to be of some small service to
-one of my pupils--â€
-
-There his embarrassment mastered him. He despised himself not only
-for yielding to his own weakness, but for faltering like a fool in the
-expression of a simple request. The next words died away on his lips.
-
-This time, Emily understood him.
-
-The subtle penetration which had long since led her to the discovery
-of his secret--overpowered, thus far, by the absorbing interest of the
-moment--now recovered its activity. In an instant, she remembered that
-Alban’s motive for cautioning her, in her coming intercourse with Mrs.
-Rook, was not the merely friendly motive which might have actuated him,
-in the case of one of the other girls. At the same time, her quickness
-of apprehension warned her not to risk encouraging this persistent
-lover, by betraying any embarrassment on her side. He was evidently
-anxious to be present (in her interests) at the interview with Mrs.
-Rook. Why not? Could he reproach her with raising false hope, if she
-accepted his services, under circumstances of doubt and difficulty which
-he had himself been the first to point out? He could do nothing of the
-sort. Without waiting until he had recovered himself, she answered him
-(to all appearances) as composedly as if he had spoken to her in the
-plainest terms.
-
-“After all that you have told me,†she said, “I shall indeed feel
-obliged if you will be present when I see Mrs. Rook.â€
-
-The eager brightening of his eyes, the flush of happiness that made him
-look young on a sudden, were signs not to be mistaken. The sooner they
-were in the presence of a third person (Emily privately concluded) the
-better it might be for both of them. She led the way rapidly to the
-house.
-
-
-
-
-CHAPTER IX. MRS. ROOK AND THE LOCKET.
-
-As mistress of a prosperous school, bearing a widely-extended
-reputation, Miss Ladd prided herself on the liberality of her household
-arrangements. At breakfast and dinner, not only the solid comforts but
-the elegant luxuries of the table, were set before the young ladies
-“Other schools may, and no doubt do, offer to pupils the affectionate
-care to which they have been accustomed under the parents’ roof,†Miss
-Ladd used to say. “At my school, that care extends to their meals, and
-provides them with a _cuisine_ which, I flatter myself, equals the most
-successful efforts of the cooks at home.†Fathers, mothers, and friends,
-when they paid visits to this excellent lady, brought away with them
-the most gratifying recollections of her hospitality. The men, in
-particular, seldom failed to recognize in their hostess the rarest
-virtue that a single lady can possess--the virtue of putting wine on the
-table which may be gratefully remembered by her guests the next morning.
-
-An agreeable surprise awaited Mrs. Rook when she entered the house of
-bountiful Miss Ladd.
-
-Luncheon was ready for Sir Jervis Redwood’s confidential emissary in the
-waiting-room. Detained at the final rehearsals of music and recitation,
-Miss Ladd was worthily represented by cold chicken and ham, a fruit
-tart, and a pint decanter of generous sherry. “Your mistress is
-a perfect lady!†Mrs. Rook said to the servant, with a burst of
-enthusiasm. “I can carve for myself, thank you; and I don’t care how
-long Miss Emily keeps me waiting.â€
-
-As they ascended the steps leading into the house, Alban asked Emily if
-he might look again at her locket.
-
-“Shall I open it for you?†she suggested.
-
-“No: I only want to look at the outside of it.â€
-
-He examined the side on which the monogram appeared, inlaid with
-diamonds. An inscription was engraved beneath.
-
-“May I read it?†he said.
-
-“Certainly!â€
-
-The inscription ran thus: “In loving memory of my father. Died 30th
-September, 1877.â€
-
-“Can you arrange the locket,†Alban asked, “so that the side on which
-the diamonds appear hangs outward?â€
-
-She understood him. The diamonds might attract Mrs. Rook’s notice; and
-in that case, she might ask to see the locket of her own accord. “You
-are beginning to be of use to me, already,†Emily said, as they turned
-into the corridor which led to the waiting-room.
-
-They found Sir Jervis’s housekeeper luxuriously recumbent in the easiest
-chair in the room.
-
-Of the eatable part of the lunch some relics were yet left. In the pint
-decanter of sherry, not a drop remained. The genial influence of the
-wine (hastened by the hot weather) was visible in Mrs. Rook’s flushed
-face, and in a special development of her ugly smile. Her widening lips
-stretched to new lengths; and the white upper line of her eyeballs were
-more freely and horribly visible than ever.
-
-“And this is the dear young lady?†she said, lifting her hands in
-over-acted admiration. At the first greetings, Alban perceived that
-the impression produced was, in Emily’s case as in his case, instantly
-unfavorable.
-
-The servant came in to clear the table. Emily stepped aside for a minute
-to give some directions about her luggage. In that interval Mrs. Rook’s
-cunning little eyes turned on Alban with an expression of malicious
-scrutiny.
-
-“You were walking the other way,†she whispered, “when I met you.†She
-stopped, and glanced over her shoulder at Emily. “I see what attraction
-has brought you back to the school. Steal your way into that poor little
-fool’s heart; and then make her miserable for the rest of her life!--No
-need, miss, to hurry,†she said, shifting the polite side of her toward
-Emily, who returned at the moment. “The visits of the trains to your
-station here are like the visits of the angels described by the poet,
-‘few and far between.’ Please excuse the quotation. You wouldn’t think
-it to look at me--I’m a great reader.â€
-
-“Is it a long journey to Sir Jervis Redwood’s house?†Emily asked, at a
-loss what else to say to a woman who was already becoming unendurable to
-her.
-
-Mrs. Rook looked at the journey from an oppressively cheerful point of
-view.
-
-“Oh, Miss Emily, you shan’t feel the time hang heavy in my company. I
-can converse on a variety of topics, and if there is one thing more than
-another that I like, it’s amusing a pretty young lady. You think me a
-strange creature, don’t you? It’s only my high spirits. Nothing strange
-about me--unless it’s my queer Christian name. You look a little dull,
-my dear. Shall I begin amusing you before we are on the railway? Shall I
-tell you how I came by my queer name?â€
-
-Thus far, Alban had controlled himself. This last specimen of the
-housekeeper’s audacious familiarity reached the limits of his endurance.
-
-“We don’t care to know how you came by your name,†he said.
-
-“Rude,†Mrs. Rook remarked, composedly. “But nothing surprises me,
-coming from a man.â€
-
-She turned to Emily. “My father and mother were a wicked married
-couple,†she continued, “before I was born. They ‘got religion,’ as
-the saying is, at a Methodist meeting in a field. When I came into the
-world--I don’t know how you feel, miss; I protest against being brought
-into the world without asking my leave first--my mother was determined
-to dedicate me to piety, before I was out of my long clothes. What
-name do you suppose she had me christened by? She chose it, or made it,
-herself--the name of ‘Righteous’! Righteous Rook! Was there ever a poor
-baby degraded by such a ridiculous name before? It’s needless to say,
-when I write letters, I sign R. Rook--and leave people to think it’s
-Rosamond, or Rosabelle, or something sweetly pretty of that kind.
-You should have seen my husband’s face when he first heard that his
-sweetheart’s name was ‘Righteous’! He was on the point of kissing me,
-and he stopped. I daresay he felt sick. Perfectly natural under the
-circumstances.â€
-
-Alban tried to stop her again. “What time does the train go?†he asked.
-
-Emily entreated him to restrain himself, by a look. Mrs. Rook was still
-too inveterately amiable to take offense. She opened her traveling-bag
-briskly, and placed a railway guide in Alban’s hands.
-
-“I’ve heard that the women do the men’s work in foreign parts,†she
-said. “But this is England; and I am an Englishwoman. Find out when the
-train goes, my dear sir, for yourself.â€
-
-Alban at once consulted the guide. If there proved to be no immediate
-need of starting for the station, he was determined that Emily should
-not be condemned to pass the interval in the housekeeper’s company. In
-the meantime, Mrs. Rook was as eager as ever to show her dear young lady
-what an amusing companion she could be.
-
-“Talking of husbands,†she resumed, “don’t make the mistake, my dear,
-that I committed. Beware of letting anybody persuade you to marry an old
-man. Mr. Rook is old enough to be my father. I bear with him. Of course,
-I bear with him. At the same time, I have not (as the poet says) ‘passed
-through the ordeal unscathed.’ My spirit--I have long since ceased
-to believe in anything of the sort: I only use the word for want of
-a better--my spirit, I say, has become embittered. I was once a pious
-young woman; I do assure you I was nearly as good as my name. Don’t let
-me shock you; I have lost faith and hope; I have become--what’s the last
-new name for a free-thinker? Oh, I keep up with the times, thanks to
-old Miss Redwood! She takes in the newspapers, and makes me read them
-to her. What _is_ the new name? Something ending in ic. Bombastic? No,
-Agnostic?--that’s it! I have become an Agnostic. The inevitable result
-of marrying an old man; if there’s any blame it rests on my husband.â€
-
-“There’s more than an hour yet before the train starts,†Alban
-interposed. “I am sure, Miss Emily, you would find it pleasanter to wait
-in the garden.â€
-
-“Not at all a bad notion,†Mrs. Rook declared. “Here’s a man who can
-make himself useful, for once. Let’s go into the garden.â€
-
-She rose, and led the way to the door. Alban seized the opportunity of
-whispering to Emily.
-
-“Did you notice the empty decanter, when we first came in? That horrid
-woman is drunk.â€
-
-Emily pointed significantly to the locket. “Don’t let her go. The garden
-will distract her attention: keep her near me here.â€
-
-Mrs. Rook gayly opened the door. “Take me to the flower-beds,†she said.
-“I believe in nothing--but I adore flowers.â€
-
-Mrs. Rook waited at the door, with her eye on Emily. “What do _you_ say,
-miss?â€
-
-“I think we shall be more comfortable if we stay where we are.â€
-
-“Whatever pleases you, my dear, pleases me.†With this reply, the
-compliant housekeeper--as amiable as ever on the surface--returned to
-her chair.
-
-Would she notice the locket as she sat down? Emily turned toward the
-window, so as to let the light fall on the diamonds.
-
-No: Mrs. Rook was absorbed, at the moment, in her own reflections. Miss
-Emily, having prevented her from seeing the garden, she was maliciously
-bent on disappointing Miss Emily in return. Sir Jervis’s secretary
-(being young) took a hopeful view no doubt of her future prospects.
-Mrs. Rook decided on darkening that view in a mischievously-suggestive
-manner, peculiar to herself.
-
-“You will naturally feel some curiosity about your new home,†she began,
-“and I haven’t said a word about it yet. How very thoughtless of me!
-Inside and out, dear Miss Emily, our house is just a little dull. I say
-_our_ house, and why not--when the management of it is all thrown on me.
-We are built of stone; and we are much too long, and are not half high
-enough. Our situation is on the coldest side of the county, away in
-the west. We are close to the Cheviot hills; and if you fancy there is
-anything to see when you look out of window, except sheep, you will find
-yourself woefully mistaken. As for walks, if you go out on one side of
-the house you may, or may not, be gored by cattle. On the other side, if
-the darkness overtakes you, you may, or may not, tumble down a deserted
-lead mine. But the company, inside the house, makes amends for it
-all,†Mrs. Rook proceeded, enjoying the expression of dismay which was
-beginning to show itself on Emily’s face. “Plenty of excitement for you,
-my dear, in our small family. Sir Jervis will introduce you to plaster
-casts of hideous Indian idols; he will keep you writing for him, without
-mercy, from morning to night; and when he does let you go, old Miss
-Redwood will find she can’t sleep, and will send for the pretty young
-lady-secretary to read to her. My husband I am sure you will like. He is
-a respectable man, and bears the highest character. Next to the idols,
-he’s the most hideous object in the house. If you are good enough to
-encourage him, I don’t say that he won’t amuse you; he will tell you,
-for instance, he never in his life hated any human being as he hates
-his wife. By the way, I must not forget--in the interests of truth, you
-know--to mention one drawback that does exist in our domestic circle.
-One of these days we shall have our brains blown out or our throats
-cut. Sir Jervis’s mother left him ten thousand pounds’ worth of precious
-stones all contained in a little cabinet with drawers. He won’t let the
-banker take care of his jewels; he won’t sell them; he won’t even wear
-one of the rings on his finger, or one of the pins at his breast. He
-keeps his cabinet on his dressing-room table; and he says, ‘I like to
-gloat over my jewels, every night, before I go to bed.’ Ten thousand
-pounds’ worth of diamonds, rubies, emeralds, sapphires, and what not--at
-the mercy of the first robber who happens to hear of them. Oh, my dear,
-he would have no choice, I do assure you, but to use his pistols. We
-shouldn’t quietly submit to be robbed. Sir Jervis inherits the spirit
-of his ancestors. My husband has the temper of a game cock. I myself,
-in defense of the property of my employers, am capable of becoming a
-perfect fiend. And we none of us understand the use of firearms!â€
-
-While she was in full enjoyment of this last aggravation of the horrors
-of the prospect, Emily tried another change of position--and, this time,
-with success. Greedy admiration suddenly opened Mrs. Rook’s little eyes
-to their utmost width. “My heart alive, miss, what do I see at your
-watch-chain? How they sparkle! Might I ask for a closer view?â€
-
-Emily’s fingers trembled; but she succeeded in detaching the locket from
-the chain. Alban handed it to Mrs. Rook.
-
-She began by admiring the diamonds--with a certain reserve. “Nothing
-like so large as Sir Jervis’s diamonds; but choice specimens no doubt.
-Might I ask what the value--?â€
-
-She stopped. The inscription had attracted her notice: she began to read
-it aloud: “In loving memory of my father. Died--â€
-
-Her face instantly became rigid. The next words were suspended on her
-lips.
-
-Alban seized the chance of making her betray herself--under pretense of
-helping her. “Perhaps you find the figures not easy to read,†he
-said. “The date is ‘thirtieth September, eighteen hundred and
-seventy-seven’--nearly four years since.â€
-
-Not a word, not a movement, escaped Mrs. Rook. She held the locket
-before her as she had held it from the first. Alban looked at Emily.
-Her eyes were riveted on the housekeeper: she was barely capable of
-preserving the appearance of composure. Seeing the necessity of acting
-for her, he at once said the words which she was unable to say for
-herself.
-
-“Perhaps, Mrs. Rook, you would like to look at the portrait?†he
-suggested. “Shall I open the locket for you?â€
-
-Without speaking, without looking up, she handed the locket to Alban.
-
-He opened it, and offered it to her. She neither accepted nor refused
-it: her hands remained hanging over the arms of the chair. He put the
-locket on her lap.
-
-The portrait produced no marked effect on Mrs. Rook. Had the date
-prepared her to see it? She sat looking at it--still without moving:
-still without saying a word. Alban had no mercy on her. “That is the
-portrait of Miss Emily’s father,†he said. “Does it represent the same
-Mr. Brown whom you had in your mind when you asked me if Miss Emily’s
-father was still living?â€
-
-That question roused her. She looked up, on the instant; she answered
-loudly and insolently: “No!â€
-
-“And yet,†Alban persisted, “you broke down in reading the inscription:
-and considering what talkative woman you are, the portrait has had a
-strange effect on you--to say the least of it.â€
-
-She eyed him steadily while he was speaking--and turned to Emily when he
-had done. “You mentioned the heat just now, miss. The heat has overcome
-me; I shall soon get right again.â€
-
-The insolent futility of that excuse irritated Emily into answering
-her. “You will get right again perhaps all the sooner,†she said, “if
-we trouble you with no more questions, and leave you to recover by
-yourself.â€
-
-The first change of expression which relaxed the iron tensity of the
-housekeeper’s face showed itself when she heard that reply. At last
-there was a feeling in Mrs. Rook which openly declared itself--a feeling
-of impatience to see Alban and Emily leave the room.
-
-They left her, without a word more.
-
-
-
-
-CHAPTER X. GUESSES AT THE TRUTH.
-
-“What are we to do next? Oh, Mr. Morris, you must have seen all sorts of
-people in your time--you know human nature, and I don’t. Help me with a
-word of advice!â€
-
-Emily forgot that he was in love with her--forgot everything, but the
-effect produced by the locket on Mrs. Rook, and the vaguely alarming
-conclusion to which it pointed. In the fervor of her anxiety she took
-Alban’s arm as familiarly as if he had been her brother. He was gentle,
-he was considerate; he tried earnestly to compose her. “We can do
-nothing to any good purpose,†he said, “unless we begin by thinking
-quietly. Pardon me for saying so--you are needlessly exciting yourself.â€
-
-There was a reason for her excitement, of which he was necessarily
-ignorant. Her memory of the night interview with Miss Jethro had
-inevitably intensified the suspicion inspired by the conduct of Mrs.
-Rook. In less than twenty-four hours, Emily had seen two women shrinking
-from secret remembrances of her father--which might well be guilty
-remembrances--innocently excited by herself! How had they injured him?
-Of what infamy, on their parts, did his beloved and stainless memory
-remind them? Who could fathom the mystery of it? “What does it mean?â€
- she cried, looking wildly in Alban’s compassionate face. “You _must_
-have formed some idea of your own. What does it mean?â€
-
-“Come, and sit down, Miss Emily. We will try if we can find out what it
-means, together.â€
-
-They returned to the shady solitude under the trees. Away, in front of
-the house, the distant grating of carriage wheels told of the arrival of
-Miss Ladd’s guests, and of the speedy beginning of the ceremonies of the
-day.
-
-“We must help each other,†Alban resumed.
-
-“When we first spoke of Mrs. Rook, you mentioned Miss Cecilia Wyvil as
-a person who knew something about her. Have you any objection to tell me
-what you may have heard in that way?â€
-
-In complying with his request Emily necessarily repeated what Cecilia
-had told Francine, when the two girls had met that morning in the
-garden.
-
-Alban now knew how Emily had obtained employment as Sir Jervis’s
-secretary; how Mr. and Mrs. Rook had been previously known to Cecilia’s
-father as respectable people keeping an inn in his own neighborhood;
-and, finally, how they had been obliged to begin life again in domestic
-service, because the terrible event of a murder had given the inn a bad
-name, and had driven away the customers on whose encouragement their
-business depended.
-
-Listening in silence, Alban remained silent when Emily’s narrative had
-come to an end.
-
-“Have you nothing to say to me?†she asked.
-
-“I am thinking over what I have just heard,†he answered.
-
-Emily noticed a certain formality in his tone and manner, which
-disagreeably surprised her. He seemed to have made his reply as a mere
-concession to politeness, while he was thinking of something else which
-really interested him.
-
-“Have I disappointed you in any way?†she asked.
-
-“On the contrary, you have interested me. I want to be quite sure that
-I remember exactly what you have said. You mentioned, I think, that your
-friendship with Miss Cecilia Wyvil began here, at the school?â€
-
-“Yes.â€
-
-“And in speaking of the murder at the village inn, you told me that the
-crime was committed--I have forgotten how long ago?â€
-
-His manner still suggested that he was idly talking about what she
-had told him, while some more important subject for reflection was in
-possession of his mind.
-
-“I don’t know that I said anything about the time that had passed since
-the crime was committed,†she answered, sharply. “What does the murder
-matter to _us?_ I think Cecilia told me it happened about four years
-since. Excuse me for noticing it, Mr. Morris--you seem to have some
-interests of your own to occupy your attention. Why couldn’t you say so
-plainly when we came out here? I should not have asked you to help me,
-in that case. Since my poor father’s death, I have been used to fight
-through my troubles by myself.â€
-
-She rose, and looked at him proudly. The next moment her eyes filled
-with tears.
-
-In spite of her resistance, Alban took her hand. “Dear Miss Emily,†he
-said, “you distress me: you have not done me justice. Your interests
-only are in my mind.â€
-
-Answering her in those terms, he had not spoken as frankly as usual. He
-had only told her a part of the truth.
-
-Hearing that the woman whom they had just left had been landlady of an
-inn, and that a murder had been committed under her roof, he was led to
-ask himself if any explanation might be found, in these circumstances,
-of the otherwise incomprehensible effect produced on Mrs. Rook by the
-inscription on the locket.
-
-In the pursuit of this inquiry there had arisen in his mind a monstrous
-suspicion, which pointed to Mrs. Rook. It impelled him to ascertain
-the date at which the murder had been committed, and (if the discovery
-encouraged further investigation) to find out next the manner in which
-Mr. Brown had died.
-
-Thus far, what progress had he made? He had discovered that the date of
-Mr. Brown’s death, inscribed on the locket, and the date of the crime
-committed at the inn, approached each other nearly enough to justify
-further investigation.
-
-In the meantime, had he succeeded in keeping his object concealed
-from Emily? He had perfectly succeeded. Hearing him declare that her
-interests only had occupied his mind, the poor girl innocently entreated
-him to forgive her little outbreak of temper. “If you have any more
-questions to ask me, Mr. Morris, pray go on. I promise never to think
-unjustly of you again.â€
-
-He went on with an uneasy conscience--for it seemed cruel to deceive
-her, even in the interests of truth--but still he went on.
-
-“Suppose we assume that this woman had injured your father in some
-way,†he said. “Am I right in believing that it was in his character to
-forgive injuries?â€
-
-“Entirely right.â€
-
-“In that case, his death may have left Mrs. Rook in a position to be
-called to account, by those who owe a duty to his memory--I mean the
-surviving members of his family.â€
-
-“There are but two of us, Mr. Morris. My aunt and myself.â€
-
-“There are his executors.â€
-
-“My aunt is his only executor.â€
-
-“Your father’s sister--I presume?â€
-
-“Yes.â€
-
-“He may have left instructions with her, which might be of the greatest
-use to us.â€
-
-“I will write to-day, and find out,†Emily replied. “I had already
-planned to consult my aunt,†she added, thinking again of Miss Jethro.
-
-“If your aunt has not received any positive instructions,†Alban
-continued, “she may remember some allusion to Mrs. Rook, on your
-father’s part, at the time of his last illness--â€
-
-Emily stopped him. “You don’t know how my dear father died,†she said.
-“He was struck down--apparently in perfect health--by disease of the
-heart.â€
-
-“Struck down in his own house?â€
-
-“Yes--in his own house.â€
-
-Those words closed Alban’s lips. The investigation so carefully and so
-delicately conducted had failed to serve any useful purpose. He had now
-ascertained the manner of Mr. Brown’s death and the place of Mr. Brown’s
-death--and he was as far from confirming his suspicions of Mrs. Rook as
-ever.
-
-
-
-
-CHAPTER XI. THE DRAWING-MASTER’S CONFESSION.
-
-“Is there nothing else you can suggest?†Emily asked.
-
-“Nothing--at present.â€
-
-“If my aunt fails us, have we no other hope?â€
-
-“I have hope in Mrs. Rook,†Alban answered. “I see I surprise you; but I
-really mean what I say. Sir Jervis’s housekeeper is an excitable woman,
-and she is fond of wine. There is always a weak side in the character
-of such a person as that. If we wait for our chance, and turn it to
-the right use when it comes, we may yet succeed in making her betray
-herself.â€
-
-Emily listened to him in bewilderment.
-
-“You talk as if I was sure of your help in the future,†she said. “Have
-you forgotten that I leave school to-day, never to return? In half an
-hour more, I shall be condemned to a long journey in the company of that
-horrible creature--with a life to look forward to, in the same house
-with her, among strangers! A miserable prospect, and a hard trial of a
-girl’s courage--is it not, Mr. Morris?â€
-
-“You will at least have one person, Miss Emily, who will try with all
-his heart and soul to encourage you.â€
-
-“What do you mean?â€
-
-“I mean,†said Alban, quietly, “that the Midsummer vacation begins
-to-day; and that the drawing-master is going to spend his holidays in
-the North.â€
-
-Emily jumped up from her chair. “You!†she exclaimed. “_You_ are going
-to Northumberland? With me?â€
-
-“Why not?†Alban asked. “The railway is open to all travelers alike, if
-they have money enough to buy a ticket.â€
-
-“Mr. Morris! what _can_ you be thinking of? Indeed, indeed, I am not
-ungrateful. I know you mean kindly--you are a good, generous man. But
-do remember how completely a girl, in my position, is at the mercy of
-appearances. You, traveling in the same carriage with me! and that
-woman putting her own vile interpretation on it, and degrading me in Sir
-Jervis Redwood’s estimation, on the day when I enter his house! Oh, it’s
-worse than thoughtless--it’s madness, downright madness.â€
-
-“You are quite right,†Alban gravely agreed, “it _is_ madness. I lost
-whatever little reason I once possessed, Miss Emily, on the day when I
-first met you out walking with the young ladies of the school.â€
-
-Emily turned away in significant silence. Alban followed her.
-
-“You promised just now,†he said, “never to think unjustly of me again.
-I respect and admire you far too sincerely to take a base advantage of
-this occasion--the only occasion on which I have been permitted to speak
-with you alone. Wait a little before you condemn a man whom you don’t
-understand. I will say nothing to annoy you--I only ask leave to explain
-myself. Will you take your chair again?â€
-
-She returned unwillingly to her seat. “It can only end,†she thought,
-sadly, “in my disappointing him!â€
-
-“I have had the worst possible opinion of women for years past,†Alban
-resumed; “and the only reason I can give for it condemns me out of my
-own mouth. I have been infamously treated by one woman; and my wounded
-self-esteem has meanly revenged itself by reviling the whole sex. Wait
-a little, Miss Emily. My fault has received its fit punishment. I have
-been thoroughly humiliated--and _you_ have done it.â€
-
-“Mr. Morris!â€
-
-“Take no offense, pray, where no offense is meant. Some few years since
-it was the great misfortune of my life to meet with a Jilt. You know
-what I mean?â€
-
-“Yes.â€
-
-“She was my equal by birth (I am a younger son of a country squire), and
-my superior in rank. I can honestly tell you that I was fool enough to
-love her with all my heart and soul. She never allowed me to doubt--I
-may say this without conceit, remembering the miserable end of it--that
-my feeling for her was returned. Her father and mother (excellent
-people) approved of the contemplated marriage. She accepted my presents;
-she allowed all the customary preparations for a wedding to proceed to
-completion; she had not even mercy enough, or shame enough, to prevent
-me from publicly degrading myself by waiting for her at the altar, in
-the presence of a large congregation. The minutes passed--and no bride
-appeared. The clergyman, waiting like me, was requested to return to the
-vestry. I was invited to follow him. You foresee the end of the story,
-of course? She had run away with another man. But can you guess who the
-man was? Her groom!â€
-
-Emily’s face reddened with indignation. “She suffered for it? Oh, Mr.
-Morris, surely she suffered for it?â€
-
-“Not at all. She had money enough to reward the groom for marrying
-her; and she let herself down easily to her husband’s level. It was a
-suitable marriage in every respect. When I last heard of them, they were
-regularly in the habit of getting drunk together. I am afraid I
-have disgusted you? We will drop the subject, and resume my precious
-autobiography at a later date. One showery day in the autumn of last
-year, you young ladies went out with Miss Ladd for a walk. When you were
-all trotting back again, under your umbrellas, did you (in particular)
-notice an ill-tempered fellow standing in the road, and getting a good
-look at you, on the high footpath above him?â€
-
-Emily smiled, in spite of herself. “I don’t remember it,†she said.
-
-“You wore a brown jacket which fitted you as if you had been born in
-it--and you had the smartest little straw hat I ever saw on a woman’s
-head. It was the first time I ever noticed such things. I think I could
-paint a portrait of the boots you wore (mud included), from memory
-alone. That was the impression you produced on me. After believing,
-honestly believing, that love was one of the lost illusions of my
-life--after feeling, honestly feeling, that I would as soon look at
-the devil as look at a woman--there was the state of mind to which
-retribution had reduced me; using for his instrument Miss Emily Brown.
-Oh, don’t be afraid of what I may say next! In your presence, and out
-of your presence, I am man enough to be ashamed of my own folly. I am
-resisting your influence over me at this moment, with the strongest of
-all resolutions--the resolution of despair. Let’s look at the humorous
-side of the story again. What do you think I did when the regiment of
-young ladies had passed by me?â€
-
-Emily declined to guess.
-
-“I followed you back to the school; and, on pretense of having a
-daughter to educate, I got one of Miss Ladd’s prospectuses from the
-porter at the lodge gate. I was in your neighborhood, you must know, on
-a sketching tour. I went back to my inn, and seriously considered what
-had happened to me. The result of my cogitations was that I went
-abroad. Only for a change--not at all because I was trying to weaken the
-impression you had produced on me! After a while I returned to England.
-Only because I was tired of traveling--not at all because your influence
-drew me back! Another interval passed; and luck turned my way, for
-a wonder. The drawing-master’s place became vacant here. Miss Ladd
-advertised; I produced my testimonials; and took the situation. Only
-because the salary was a welcome certainty to a poor man--not at all
-because the new position brought me into personal association with Miss
-Emily Brown! Do you begin to see why I have troubled you with all this
-talk about myself? Apply the contemptible system of self-delusion which
-my confession has revealed, to that holiday arrangement for a tour in
-the north which has astonished and annoyed you. I am going to travel
-this afternoon by your train. Only because I feel an intelligent longing
-to see the northernmost county of England--not at all because I won’t
-let you trust yourself alone with Mrs. Rook! Not at all because I won’t
-leave you to enter Sir Jervis Redwood’s service without a friend within
-reach in case you want him! Mad? Oh, yes--perfectly mad. But, tell me
-this: What do all sensible people do when they find themselves in the
-company of a lunatic? They humor him. Let me take your ticket and see
-your luggage labeled: I only ask leave to be your traveling servant.
-If you are proud--I shall like you all the better, if you are--pay me
-wages, and keep me in my proper place in that way.â€
-
-Some girls, addressed with this reckless intermingling of jest and
-earnest, would have felt confused, and some would have felt flattered.
-With a good-tempered resolution, which never passed the limits of
-modesty and refinement, Emily met Alban Morris on his own ground.
-
-“You have said you respect me,†she began; “I am going to prove that I
-believe you. The least I can do is not to misinterpret you, on my side.
-Am I to understand, Mr. Morris--you won’t think the worse of me, I hope,
-if I speak plainly--am I to understand that you are in love with me?â€
-
-“Yes, Miss Emily--if you please.â€
-
-He had answered with the quaint gravity which was peculiar to him; but
-he was already conscious of a sense of discouragement. Her composure was
-a bad sign--from his point of view.
-
-“My time will come, I daresay,†she proceeded. “At present I
-know nothing of love, by experience; I only know what some of my
-schoolfellows talk about in secret. Judging by what they tell me, a
-girl blushes when her lover pleads with her to favor his addresses. Am I
-blushing?â€
-
-“Must I speak plainly, too?†Alban asked.
-
-“If you have no objection,†she answered, as composedly as if she had
-been addressing her grandfather.
-
-“Then, Miss Emily, I must say--you are not blushing.â€
-
-She went on. “Another token of love--as I am informed--is to tremble. Am
-I trembling?â€
-
-“No.â€
-
-“Am I too confused to look at you?â€
-
-“No.â€
-
-“Do I walk away with dignity--and then stop, and steal a timid glance at
-my lover, over my shoulder?â€
-
-“I wish you did!â€
-
-“A plain answer, Mr. Morris! Yes or No.â€
-
-“No--of course.â€
-
-“In one last word, do I give you any sort of encouragement to try
-again?â€
-
-“In one last word, I have made a fool of myself--and you have taken the
-kindest possible way of telling me so.â€
-
-This time, she made no attempt to reply in his own tone. The
-good-humored gayety of her manner disappeared. She was in
-earnest--truly, sadly in earnest--when she said her next words.
-
-“Is it not best, in your own interests, that we should bid each other
-good-by?†she asked. “In the time to come--when you only remember how
-kind you once were to me--we may look forward to meeting again. After
-all that you have suffered, so bitterly and so undeservedly, don’t, pray
-don’t, make me feel that another woman has behaved cruelly to you, and
-that I--so grieved to distress you--am that heartless creature!â€
-
-Never in her life had she been so irresistibly charming as she was at
-that moment. Her sweet nature showed all its innocent pity for him in
-her face.
-
-He saw it--he felt it--he was not unworthy of it. In silence, he lifted
-her hand to his lips. He turned pale as he kissed it.
-
-“Say that you agree with me?†she pleaded.
-
-“I obey you.â€
-
-As he answered, he pointed to the lawn at their feet. “Look,†he said,
-“at that dead leaf which the air is wafting over the grass. Is it
-possible that such sympathy as you feel for Me, such love as I feel for
-You, can waste, wither, and fall to the ground like that leaf? I leave
-you, Emily--with the firm conviction that there is a time of fulfillment
-to come in our two lives. Happen what may in the interval--I trust the
-future.â€
-
-
-The words had barely passed his lips when the voice of one of the
-servants reached them from the house. “Miss Emily, are you in the
-garden?â€
-
-Emily stepped out into the sunshine. The servant hurried to meet her,
-and placed a telegram in her hand. She looked at it with a sudden
-misgiving. In her small experience, a telegram was associated with the
-communication of bad news. She conquered her hesitation--opened it--read
-it. The color left her face: she shuddered. The telegram dropped on the
-grass.
-
-“Read it,†she said, faintly, as Alban picked it up.
-
-He read these words: “Come to London directly. Miss Letitia is
-dangerously ill.â€
-
-“Your aunt?†he asked.
-
-“Yes--my aunt.â€
-
-
-
-
-BOOK THE SECOND--IN LONDON.
-
-
-
-
-CHAPTER XII. MRS. ELLMOTHER.
-
-The metropolis of Great Britain is, in certain respects, like no other
-metropolis on the face of the earth. In the population that throngs the
-streets, the extremes of Wealth and the extremes of Poverty meet, as
-they meet nowhere else. In the streets themselves, the glory and the
-shame of architecture--the mansion and the hovel--are neighbors in
-situation, as they are neighbors nowhere else. London, in its social
-aspect, is the city of contrasts.
-
-Toward the close of evening Emily left the railway terminus for the
-place of residence in which loss of fortune had compelled her aunt
-to take refuge. As she approached her destination, the cab passed--by
-merely crossing a road--from a spacious and beautiful Park, with its
-surrounding houses topped by statues and cupolas, to a row of cottages,
-hard by a stinking ditch miscalled a canal. The city of contrasts: north
-and south, east and west, the city of social contrasts.
-
-Emily stopped the cab before the garden gate of a cottage, at the
-further end of the row. The bell was answered by the one servant now in
-her aunt’s employ--Miss Letitia’s maid.
-
-Personally, this good creature was one of the ill-fated women whose
-appearance suggests that Nature intended to make men of them and altered
-her mind at the last moment. Miss Letitia’s maid was tall and gaunt and
-awkward. The first impression produced by her face was an impression of
-bones. They rose high on her forehead; they projected on her cheeks;
-and they reached their boldest development in her jaws. In the cavernous
-eyes of this unfortunate person rigid obstinacy and rigid goodness
-looked out together, with equal severity, on all her fellow-creatures
-alike. Her mistress (whom she had served for a quarter of a century and
-more) called her “Bony.†She accepted this cruelly appropriate nick-name
-as a mark of affectionate familiarity which honored a servant. No other
-person was allowed to take liberties with her: to every one but her
-mistress she was known as Mrs. Ellmother.
-
-“How is my aunt?†Emily asked.
-
-“Bad.â€
-
-“Why have I not heard of her illness before?â€
-
-“Because she’s too fond of you to let you be distressed about her.
-‘Don’t tell Emily’; those were her orders, as long as she kept her
-senses.â€
-
-“Kept her senses? Good heavens! what do you mean?â€
-
-“Fever--that’s what I mean.â€
-
-“I must see her directly; I am not afraid of infection.â€
-
-“There’s no infection to be afraid of. But you mustn’t see her, for all
-that.â€
-
-“I insist on seeing her.â€
-
-“Miss Emily, I am disappointing you for your own good. Don’t you know me
-well enough to trust me by this time?â€
-
-“I do trust you.â€
-
-“Then leave my mistress to me--and go and make yourself comfortable in
-your own room.â€
-
-Emily’s answer was a positive refusal. Mrs. Ellmother, driven to her
-last resources, raised a new obstacle.
-
-“It’s not to be done, I tell you! How can you see Miss Letitia when she
-can’t bear the light in her room? Do you know what color her eyes are?
-Red, poor soul--red as a boiled lobster.â€
-
-With every word the woman uttered, Emily’s perplexity and distress
-increased.
-
-“You told me my aunt’s illness was fever,†she said--“and now you speak
-of some complaint in her eyes. Stand out of the way, if you please, and
-let me go to her.â€
-
-Mrs. Ellmother, still keeping her place, looked through the open door.
-
-“Here’s the doctor,†she announced. “It seems I can’t satisfy you; ask
-him what’s the matter. Come in, doctor.†She threw open the door of the
-parlor, and introduced Emily. “This is the mistress’s niece, sir. Please
-try if _you_ can keep her quiet. I can’t.†She placed chairs with the
-hospitable politeness of the old school--and returned to her post at
-Miss Letitia’s bedside.
-
-Doctor Allday was an elderly man, with a cool manner and a ruddy
-complexion--thoroughly acclimatized to the atmosphere of pain and grief
-in which it was his destiny to live. He spoke to Emily (without any
-undue familiarity) as if he had been accustomed to see her for the
-greater part of her life.
-
-“That’s a curious woman,†he said, when Mrs. Ellmother closed the door;
-“the most headstrong person, I think, I ever met with. But devoted
-to her mistress, and, making allowance for her awkwardness, not a bad
-nurse. I am afraid I can’t give you an encouraging report of your aunt.
-The rheumatic fever (aggravated by the situation of this house--built
-on clay, you know, and close to stagnant water) has been latterly
-complicated by delirium.â€
-
-“Is that a bad sign, sir?â€
-
-“The worst possible sign; it shows that the disease has affected the
-heart. Yes: she is suffering from inflammation of the eyes, but that is
-an unimportant symptom. We can keep the pain under by means of cooling
-lotions and a dark room. I’ve often heard her speak of you--especially
-since the illness assumed a serious character. What did you say? Will
-she know you, when you go into her room? This is about the time when the
-delirium usually sets in. I’ll see if there’s a quiet interval.â€
-
-He opened the door--and came back again.
-
-“By the way,†he resumed, “I ought perhaps to explain how it was that I
-took the liberty of sending you that telegram. Mrs. Ellmother refused
-to inform you of her mistress’s serious illness. That circumstance,
-according to my view of it, laid the responsibility on the doctor’s
-shoulders. The form taken by your aunt’s delirium--I mean the apparent
-tendency of the words that escape her in that state--seems to excite
-some incomprehensible feeling in the mind of her crabbed servant. She
-wouldn’t even let _me_ go into the bedroom, if she could possibly help
-it. Did Mrs. Ellmother give you a warm welcome when you came here?â€
-
-“Far from it. My arrival seemed to annoy her.â€
-
-“Ah--just what I expected. These faithful old servants always end by
-presuming on their fidelity. Did you ever hear what a witty poet--I
-forget his name: he lived to be ninety--said of the man who had been his
-valet for more than half a century? ‘For thirty years he was the best
-of servants; and for thirty years he has been the hardest of masters.’
-Quite true--I might say the same of my housekeeper. Rather a good story,
-isn’t it?â€
-
-The story was completely thrown away on Emily; but one subject
-interested her now. “My poor aunt has always been fond of me,†she said.
-“Perhaps she might know me, when she recognizes nobody else.â€
-
-“Not very likely,†the doctor answered. “But there’s no laying down any
-rule in cases of this kind. I have sometimes observed that circumstances
-which have produced a strong impression on patients, when they are in
-a state of health, give a certain direction to the wandering of their
-minds, when they are in a state of fever. You will say, ‘I am not a
-circumstance; I don’t see how this encourages me to hope’--and you will
-be quite right. Instead of talking of my medical experience, I shall do
-better to look at Miss Letitia, and let you know the result. You have
-got other relations, I suppose? No? Very distressing--very distressing.â€
-
-Who has not suffered as Emily suffered, when she was left alone? Are
-there not moments--if we dare to confess the truth--when poor humanity
-loses its hold on the consolations of religion and the hope of
-immortality, and feels the cruelty of creation that bids us live, on the
-condition that we die, and leads the first warm beginnings of love, with
-merciless certainty, to the cold conclusion of the grave?
-
-“She’s quiet, for the time being,†Dr. Allday announced, on his return.
-“Remember, please, that she can’t see you in the inflamed state of her
-eyes, and don’t disturb the bed-curtains. The sooner you go to her
-the better, perhaps--if you have anything to say which depends on her
-recognizing your voice. I’ll call to-morrow morning. Very distressing,â€
- he repeated, taking his hat and making his bow--“Very distressing.â€
-
-Emily crossed the narrow little passage which separated the two
-rooms, and opened the bed-chamber door. Mrs. Ellmother met her on the
-threshold. “No,†said the obstinate old servant, “you can’t come in.â€
-
-The faint voice of Miss Letitia made itself heard, calling Mrs.
-Ellmother by her familiar nick-name.
-
-“Bony, who is it?â€
-
-“Never mind.â€
-
-“Who is it?â€
-
-“Miss Emily, if you must know.â€
-
-“Oh! poor dear, why does she come here? Who told her I was ill?â€
-
-“The doctor told her.â€
-
-“Don’t come in, Emily. It will only distress you--and it will do me no
-good. God bless you, my love. Don’t come in.â€
-
-“There!†said Mrs. Ellmother. “Do you hear that? Go back to the
-sitting-room.â€
-
-Thus far, the hard necessity of controlling herself had kept Emily
-silent. She was now able to speak without tears. “Remember the old
-times, aunt,†she pleaded, gently. “Don’t keep me out of your room, when
-I have come here to nurse you!â€
-
-“I’m her nurse. Go back to the sitting-room,†Mrs. Ellmother repeated.
-
-True love lasts while life lasts. The dying woman relented.
-
-“Bony! Bony! I can’t be unkind to Emily. Let her in.â€
-
-Mrs. Ellmother still insisted on having her way.
-
-“You’re contradicting your own orders,†she said to her mistress. “You
-don’t know how soon you may begin wandering in your mind again. Think,
-Miss Letitia--think.â€
-
-This remonstrance was received in silence. Mrs. Ellmother’s great gaunt
-figure still blocked up the doorway.
-
-“If you force me to it,†Emily said, quietly, “I must go to the doctor,
-and ask him to interfere.â€
-
-“Do you mean that?†Mrs. Ellmother said, quietly, on her side.
-
-“I do mean it,†was the answer.
-
-The old servant suddenly submitted--with a look which took Emily by
-surprise. She had expected to see anger; the face that now confronted
-her was a face subdued by sorrow and fear.
-
-“I wash my hands of it,†Mrs. Ellmother said. “Go in--and take the
-consequences.â€
-
-
-
-
-CHAPTER XIII. MISS LETITIA.
-
-Emily entered the room. The door was immediately closed on her from the
-outer side. Mrs. Ellmother’s heavy steps were heard retreating along the
-passage. Then the banging of the door that led into the kitchen shook
-the flimsily-built cottage. Then, there was silence.
-
-The dim light of a lamp hidden away in a corner and screened by a dingy
-green shade, just revealed the closely-curtained bed, and the table
-near it bearing medicine-bottles and glasses. The only objects on
-the chimney-piece were a clock that had been stopped in mercy to the
-sufferer’s irritable nerves, and an open case containing a machine for
-pouring drops into the eyes. The smell of fumigating pastilles hung
-heavily on the air. To Emily’s excited imagination, the silence was like
-the silence of death. She approached the bed trembling. “Won’t you speak
-to me, aunt?â€
-
-“Is that you, Emily? Who let you come in?â€
-
-“You said I might come in, dear. Are you thirsty? I see some lemonade on
-the table. Shall I give it to you?â€
-
-“No! If you open the bed-curtains, you let in the light. My poor eyes!
-Why are you here, my dear? Why are you not at the school?â€
-
-“It’s holiday-time, aunt. Besides, I have left school for good.â€
-
-“Left school?†Miss Letitia’s memory made an effort, as she repeated
-those words. “You were going somewhere when you left school,†she said,
-“and Cecilia Wyvil had something to do with it. Oh, my love, how cruel
-of you to go away to a stranger, when you might live here with me!â€
- She paused--her sense of what she had herself just said began to grow
-confused. “What stranger?†she asked abruptly. “Was it a man? What name?
-Oh, my mind! Has death got hold of my mind before my body?â€
-
-“Hush! hush! I’ll tell you the name. Sir Jervis Redwood.â€
-
-“I don’t know him. I don’t want to know him. Do you think he means
-to send for you. Perhaps he _has_ sent for you. I won’t allow it! You
-shan’t go!â€
-
-“Don’t excite yourself, dear! I have refused to go; I mean to stay here
-with you.â€
-
-The fevered brain held to its last idea. “_Has_ he sent for you?†she
-said again, louder than before.
-
-Emily replied once more, in terms carefully chosen with the one purpose
-of pacifying her. The attempt proved to be useless, and worse--it seemed
-to make her suspicious. “I won’t be deceived!†she said; “I mean to know
-all about it. He did send for you. Whom did he send?â€
-
-“His housekeeper.â€
-
-“What name?†The tone in which she put the question told of excitement
-that was rising to its climax. “Don’t you know that I’m curious about
-names?†she burst out. “Why do you provoke me? Who is it?â€
-
-“Nobody you know, or need care about, dear aunt. Mrs. Rook.â€
-
-Instantly on the utterance of that name, there followed an unexpected
-result. Silence ensued.
-
-Emily waited--hesitated--advanced, to part the curtains, and look in at
-her aunt. She was stopped by a dreadful sound of laughter--the cheerless
-laughter that is heard among the mad. It suddenly ended in a dreary
-sigh.
-
-Afraid to look in, she spoke, hardly knowing what she said. “Is there
-anything you wish for? Shall I call--?â€
-
-Miss Letitia’s voice interrupted her. Dull, low, rapidly muttering, it
-was unlike, shockingly unlike, the familiar voice of her aunt. It said
-strange words.
-
-“Mrs. Rook? What does Mrs. Rook matter? Or her husband either? Bony,
-Bony, you’re frightened about nothing. Where’s the danger of those two
-people turning up? Do you know how many miles away the village is? Oh,
-you fool--a hundred miles and more. Never mind the coroner, the coroner
-must keep in his own district--and the jury too. A risky deception? I
-call it a pious fraud. And I have a tender conscience, and a cultivated
-mind. The newspaper? How is _our_ newspaper to find its way to her, I
-should like to know? You poor old Bony! Upon my word you do me good--you
-make me laugh.â€
-
-The cheerless laughter broke out again--and died away again drearily in
-a sigh.
-
-Accustomed to decide rapidly in the ordinary emergencies of her life,
-Emily felt herself painfully embarrassed by the position in which she
-was now placed.
-
-After what she had already heard, could she reconcile it to her sense of
-duty to her aunt to remain any longer in the room?
-
-In the hopeless self-betrayal of delirium, Miss Letitia had revealed
-some act of concealment, committed in her past life, and confided to
-her faithful old servant. Under these circumstances, had Emily made
-any discoveries which convicted her of taking a base advantage of her
-position at the bedside? Most assuredly not! The nature of the act of
-concealment; the causes that had led to it; the person (or persons)
-affected by it--these were mysteries which left her entirely in the
-dark. She had found out that her aunt was acquainted with Mrs. Rook, and
-that was literally all she knew.
-
-Blameless, so far, in the line of conduct that she had pursued, might
-she still remain in the bed-chamber--on this distinct understanding
-with herself: that she would instantly return to the sitting-room if she
-heard anything which could suggest a doubt of Miss Letitia’s claim to
-her affection and respect? After some hesitation, she decided on leaving
-it to her conscience to answer that question. Does conscience ever
-say, No--when inclination says, Yes? Emily’s conscience sided with her
-reluctance to leave her aunt.
-
-Throughout the time occupied by these reflections, the silence had
-remained unbroken. Emily began to feel uneasy. She timidly put her hand
-through the curtains, and took Miss Letitia’s hand. The contact with
-the burning skin startled her. She turned away to the door, to call the
-servant--when the sound of her aunt’s voice hurried her back to the bed.
-
-“Are you there, Bony?†the voice asked.
-
-Was her mind getting clear again? Emily tried the experiment of making
-a plain reply. “Your niece is with you,†she said. “Shall I call the
-servant?â€
-
-Miss Letitia’s mind was still far away from Emily, and from the present
-time.
-
-“The servant?†she repeated. “All the servants but you, Bony, have
-been sent away. London’s the place for us. No gossiping servants and no
-curious neighbors in London. Bury the horrid truth in London. Ah, you
-may well say I look anxious and wretched. I hate deception--and yet, it
-must be done. Why do you waste time in talking? Why don’t you find out
-where the vile woman lives? Only let me get at her--and I’ll make Sara
-ashamed of herself.â€
-
-Emily’s heart beat fast when she heard the woman’s name. “Sara†(as she
-and her school-fellows knew) was the baptismal name of Miss Jethro. Had
-her aunt alluded to the disgraced teacher, or to some other woman?
-
-She waited eagerly to hear more. There was nothing to be heard. At this
-most interesting moment, the silence remained undisturbed.
-
-In the fervor of her anxiety to set her doubts at rest, Emily’s faith in
-her own good resolutions began to waver. The temptation to say
-something which might set her aunt talking again was too strong to be
-resisted--if she remained at the bedside. Despairing of herself she rose
-and turned to the door. In the moment that passed while she crossed the
-room the very words occurred to her that would suit her purpose. Her
-cheeks were hot with shame--she hesitated--she looked back at the
-bed--the words passed her lips.
-
-“Sara is only one of the woman’s names,†she said. “Do you like her
-other name?â€
-
-The rapidly-muttering tones broke out again instantly--but not in answer
-to Emily. The sound of a voice had encouraged Miss Letitia to pursue
-her own confused train of thought, and had stimulated the fast-failing
-capacity of speech to exert itself once more.
-
-“No! no! He’s too cunning for you, and too cunning for me. He doesn’t
-leave letters about; he destroys them all. Did I say he was too cunning
-for us? It’s false. We are too cunning for him. Who found the morsels of
-his letter in the basket? Who stuck them together? Ah, _we_ know! Don’t
-read it, Bony. ‘Dear Miss Jethro’--don’t read it again. ‘Miss Jethro’ in
-his letter; and ‘Sara,’ when he talks to himself in the garden. Oh,
-who would have believed it of him, if we hadn’t seen and heard it
-ourselves!â€
-
-There was no more doubt now.
-
-But who was the man, so bitterly and so regretfully alluded to?
-
-No: this time Emily held firmly by the resolution which bound her
-to respect the helpless position of her aunt. The speediest way of
-summoning Mrs. Ellmother would be to ring the bell. As she touched the
-handle a faint cry of suffering from the bed called her back.
-
-“Oh, so thirsty!†murmured the failing voice--“so thirsty!â€
-
-She parted the curtains. The shrouded lamplight just showed her the
-green shade over Miss Letitia’s eyes--the hollow cheeks below it--the
-arms laid helplessly on the bed-clothes. “Oh, aunt, don’t you know my
-voice? Don’t you know Emily? Let me kiss you, dear!†Useless to plead
-with her; useless to kiss her; she only reiterated the words, “So
-thirsty! so thirsty!†Emily raised the poor tortured body with a patient
-caution which spared it pain, and put the glass to her aunt’s lips. She
-drank the lemonade to the last drop. Refreshed for the moment, she spoke
-again--spoke to the visionary servant of her delirious fancy, while she
-rested in Emily’s arms.
-
-“For God’s sake, take care how you answer if she questions you. If _she_
-knew what _we_ know! Are men ever ashamed? Ha! the vile woman! the vile
-woman!â€
-
-Her voice, sinking gradually, dropped to a whisper. The next few words
-that escaped her were muttered inarticulately. Little by little, the
-false energy of fever was wearing itself out. She lay silent and still.
-To look at her now was to look at the image of death. Once more, Emily
-kissed her--closed the curtains--and rang the bell. Mrs. Ellmother
-failed to appear. Emily left the room to call her.
-
-Arrived at the top of the kitchen stairs, she noted a slight change.
-The door below, which she had heard banged on first entering her aunt’s
-room, now stood open. She called to Mrs. Ellmother. A strange voice
-answered her. Its accent was soft and courteous; presenting the
-strongest imaginable contrast to the harsh tones of Miss Letitia’s
-crabbed old maid.
-
-“Is there anything I can do for you, miss?â€
-
-The person making this polite inquiry appeared at the foot of the
-stairs--a plump and comely woman of middle age. She looked up at the
-young lady with a pleasant smile.
-
-“I beg your pardon,†Emily said; “I had no intention of disturbing you.
-I called to Mrs. Ellmother.â€
-
-The stranger advanced a little way up the stairs, and answered, “Mrs.
-Ellmother is not here.â€
-
-“Do you expect her back soon?â€
-
-“Excuse me, miss--I don’t expect her back at all.â€
-
-“Do you mean to say that she has left the house?â€
-
-“Yes, miss. She has left the house.â€
-
-
-
-
-CHAPTER XIV. MRS. MOSEY.
-
-Emily’s first act--after the discovery of Mrs. Ellmother’s
-incomprehensible disappearance--was to invite the new servant to follow
-her into the sitting-room.
-
-“Can you explain this?†she began.
-
-“No, miss.â€
-
-“May I ask if you have come here by Mrs. Ellmother’s invitation?â€
-
-“By Mrs. Ellmother’s _request_, miss.â€
-
-“Can you tell me how she came to make the request?â€
-
-“With pleasure, miss. Perhaps--as you find me here, a stranger to
-yourself, in place of the customary servant--I ought to begin by giving
-you a reference.â€
-
-“And, perhaps (if you will be so kind), by mentioning your name,†Emily
-added.
-
-“Thank you for reminding me, miss. My name is Elizabeth Mosey. I am well
-known to the gentleman who attends Miss Letitia. Dr. Allday will speak
-to my character and also to my experience as a nurse. If it would be in
-any way satisfactory to give you a second reference--â€
-
-“Quite needless, Mrs. Mosey.â€
-
-“Permit me to thank you again, miss. I was at home this evening, when
-Mrs. Ellmother called at my lodgings. Says she, ‘I have come here,
-Elizabeth, to ask a favor of you for old friendship’s sake.’ Says I, ‘My
-dear, pray command me, whatever it may be.’ If this seems rather a hasty
-answer to make, before I knew what the favor was, might I ask you to
-bear in mind that Mrs. Ellmother put it to me ‘for old friendship’s
-sake’--alluding to my late husband, and to the business which we carried
-on at that time? Through no fault of ours, we got into difficulties.
-Persons whom we had trusted proved unworthy. Not to trouble you further,
-I may say at once, we should have been ruined, if our old friend Mrs.
-Ellmother had not come forward, and trusted us with the savings of her
-lifetime. The money was all paid back again, before my husband’s
-death. But I don’t consider--and, I think you won’t consider--that the
-obligation was paid back too. Prudent or not prudent, there is nothing
-Mrs. Ellmother can ask of me that I am not willing to do. If I have put
-myself in an awkward situation (and I don’t deny that it looks so) this
-is the only excuse, miss, that I can make for my conduct.â€
-
-Mrs. Mosey was too fluent, and too fond of hearing the sound of her own
-eminently persuasive voice. Making allowance for these little drawbacks,
-the impression that she produced was decidedly favorable; and, however
-rashly she might have acted, her motive was beyond reproach. Having said
-some kind words to this effect, Emily led her back to the main interest
-of her narrative.
-
-“Did Mrs. Ellmother give no reason for leaving my aunt, at such a time
-as this?†she asked.
-
-“The very words I said to her, miss.â€
-
-“And what did she say, by way of reply?â€
-
-“She burst out crying--a thing I have never known her to do before, in
-an experience of twenty years.â€
-
-“And she really asked you to take her place here, at a moment’s notice?â€
-
-“That was just what she did,†Mrs. Mosey answered. “I had no need to
-tell her I was astonished; my lips spoke for me, no doubt. She’s a hard
-woman in speech and manner, I admit. But there’s more feeling in her
-than you would suppose. ‘If you are the good friend I take you for,’ she
-says, ‘don’t ask me for reasons; I am doing what is forced on me, and
-doing it with a heavy heart.’ In my place, miss, would you have insisted
-on her explaining herself, after that? The one thing I naturally wanted
-to know was, if I could speak to some lady, in the position of mistress
-here, before I ventured to intrude. Mrs. Ellmother understood that it
-was her duty to help me in this particular. Your poor aunt being out of
-the question she mentioned you.â€
-
-“How did she speak of me? In an angry way?â€
-
-“No, indeed--quite the contrary. She says, ‘You will find Miss Emily
-at the cottage. She is Miss Letitia’s niece. Everybody likes her--and
-everybody is right.’â€
-
-“She really said that?â€
-
-“Those were her words. And, what is more, she gave me a message for you
-at parting. ‘If Miss Emily is surprised’ (that was how she put it) ‘give
-her my duty and good wishes; and tell her to remember what I said, when
-she took my place at her aunt’s bedside.’ I don’t presume to inquire
-what this means,†said Mrs. Mosey respectfully, ready to hear what it
-meant, if Emily would only be so good as to tell her. “I deliver the
-message, miss, as it was delivered to me. After which, Mrs. Ellmother
-went her way, and I went mine.â€
-
-“Do you know where she went?â€
-
-“No, miss.â€
-
-“Have you nothing more to tell me?â€
-
-“Nothing more; except that she gave me my directions, of course, about
-the nursing. I took them down in writing--and you will find them in
-their proper place, with the prescriptions and the medicines.â€
-
-Acting at once on this hint, Emily led the way to her aunt’s room.
-
-Miss Letitia was silent, when the new nurse softly parted the
-curtains--looked in--and drew them together again. Consulting her watch,
-Mrs. Mosey compared her written directions with the medicine-bottles on
-the table, and set one apart to be used at the appointed time. “Nothing,
-so far, to alarm us,†she whispered. “You look sadly pale and tired,
-miss. Might I advise you to rest a little?â€
-
-“If there is any change, Mrs. Mosey--either for the better or the
-worse--of course you will let me know?â€
-
-“Certainly, miss.â€
-
-Emily returned to the sitting-room: not to rest (after all that she had
-heard), but to think.
-
-
-Amid much that was unintelligible, certain plain conclusions presented
-themselves to her mind.
-
-After what the doctor had already said to Emily, on the subject of
-delirium generally, Mrs. Ellmother’s proceedings became intelligible:
-they proved that she knew by experience the perilous course taken by her
-mistress’s wandering thoughts, when they expressed themselves in words.
-This explained the concealment of Miss Letitia’s illness from her niece,
-as well as the reiterated efforts of the old servant to prevent Emily
-from entering the bedroom.
-
-But the event which had just happened--that is to say, Mrs. Ellmother’s
-sudden departure from the cottage--was not only of serious importance in
-itself, but pointed to a startling conclusion.
-
-The faithful maid had left the mistress, whom she had loved and served,
-sinking under a fatal illness--and had put another woman in her
-place, careless of what that woman might discover by listening at the
-bedside--rather than confront Emily after she had been within hearing of
-her aunt while the brain of the suffering woman was deranged by fever.
-There was the state of the case, in plain words.
-
-In what frame of mind had Mrs. Ellmother adopted this desperate course
-of action?
-
-To use her own expression, she had deserted Miss Letitia “with a heavy
-heart.†To judge by her own language addressed to Mrs. Mosey, she
-had left Emily to the mercy of a stranger--animated, nevertheless, by
-sincere feelings of attachment and respect. That her fears had taken for
-granted suspicion which Emily had not felt, and discoveries which Emily
-had (as yet) not made, in no way modified the serious nature of the
-inference which her conduct justified. The disclosure which this woman
-dreaded--who could doubt it now?--directly threatened Emily’s peace of
-mind. There was no disguising it: the innocent niece was associated
-with an act of deception, which had been, until that day, the undetected
-secret of the aunt and the aunt’s maid.
-
-In this conclusion, and in this only, was to be found the rational
-explanation of Mrs. Ellmother’s choice--placed between the alternatives
-of submitting to discovery by Emily, or of leaving the house.
-
-
-Poor Miss Letitia’s writing-table stood near the window of the
-sitting-room. Shrinking from the further pursuit of thoughts which might
-end in disposing her mind to distrust of her dying aunt, Emily looked
-round in search of some employment sufficiently interesting to absorb
-her attention. The writing-table reminded her that she owed a letter to
-Cecilia. That helpful friend had surely the first claim to know why she
-had failed to keep her engagement with Sir Jervis Redwood.
-
-After mentioning the telegram which had followed Mrs. Rook’s arrival at
-the school, Emily’s letter proceeded in these terms:
-
-“As soon as I had in some degree recovered myself, I informed Mrs. Rook
-of my aunt’s serious illness.
-
-“Although she carefully confined herself to commonplace expressions of
-sympathy, I could see that it was equally a relief to both of us to feel
-that we were prevented from being traveling companions. Don’t suppose
-that I have taken a capricious dislike to Mrs. Rook--or that you are in
-any way to blame for the unfavorable impression which she has produced
-on me. I will make this plain when we meet. In the meanwhile, I need
-only tell you that I gave her a letter of explanation to present to Sir
-Jervis Redwood. I also informed him of my address in London: adding a
-request that he would forward your letter, in case you have written to
-me before you receive these lines.
-
-“Kind Mr. Alban Morris accompanied me to the railway-station, and
-arranged with the guard to take special care of me on the journey to
-London. We used to think him rather a heartless man. We were quite
-wrong. I don’t know what his plans are for spending the summer holidays.
-Go where he may, I remember his kindness; my best wishes go with him.
-
-“My dear, I must not sadden your enjoyment of your pleasant visit to the
-Engadine, by writing at any length of the sorrow that I am suffering.
-You know how I love my aunt, and how gratefully I have always felt her
-motherly goodness to me. The doctor does not conceal the truth. At her
-age, there is no hope: my father’s last-left relation, my one dearest
-friend, is dying.
-
-“No! I must not forget that I have another friend--I must find some
-comfort in thinking of _you_.
-
-“I do so long in my solitude for a letter from my dear Cecilia. Nobody
-comes to see me, when I most want sympathy; I am a stranger in this vast
-city. The members of my mother’s family are settled in Australia: they
-have not even written to me, in all the long years that have passed
-since her death. You remember how cheerfully I used to look forward to
-my new life, on leaving school? Good-by, my darling. While I can see
-your sweet face, in my thoughts, I don’t despair--dark as it looks
-now--of the future that is before me.â€
-
-Emily had closed and addressed her letter, and was just rising from her
-chair, when she heard the voice of the new nurse at the door.
-
-
-
-
-CHAPTER XV. EMILY.
-
-“May I say a word?†Mrs. Mosey inquired. She entered the room--pale
-and trembling. Seeing that ominous change, Emily dropped back into her
-chair.
-
-“Dead?†she said faintly.
-
-Mrs. Mosey looked at her in vacant surprise.
-
-“I wish to say, miss, that your aunt has frightened me.â€
-
-Even that vague allusion was enough for Emily.
-
-“You need say no more,†she replied. “I know but too well how my aunt’s
-mind is affected by the fever.â€
-
-Confused and frightened as she was, Mrs. Mosey still found relief in her
-customary flow of words.
-
-“Many and many a person have I nursed in fever,†she announced. “Many
-and many a person have I heard say strange things. Never yet, miss, in
-all my experience--!â€
-
-“Don’t tell me of it!†Emily interposed.
-
-“Oh, but I _must_ tell you! In your own interests, Miss Emily--in your
-own interests. I won’t be inhuman enough to leave you alone in the house
-to-night; but if this delirium goes on, I must ask you to get another
-nurse. Shocking suspicions are lying in wait for me in that bedroom, as
-it were. I can’t resist them as I ought, if I go back again, and hear
-your aunt saying what she has been saying for the last half hour and
-more. Mrs. Ellmother has expected impossibilities of me; and Mrs.
-Ellmother must take the consequences. I don’t say she didn’t warn
-me--speaking, you will please to understand, in the strictest
-confidence. ‘Elizabeth,’ she says, ‘you know how wildly people talk in
-Miss Letitia’s present condition. Pay no heed to it,’ she says. ‘Let it
-go in at one ear and out at the other,’ she says. ‘If Miss Emily asks
-questions--you know nothing about it. If she’s frightened--you know
-nothing about it. If she bursts into fits of crying that are dreadful
-to see, pity her, poor thing, but take no notice.’ All very well,
-and sounds like speaking out, doesn’t it? Nothing of the sort! Mrs.
-Ellmother warns me to expect this, that, and the other. But there is one
-horrid thing (which I heard, mind, over and over again at your aunt’s
-bedside) that she does _not_ prepare me for; and that horrid thing
-is--Murder!â€
-
-At that last word, Mrs. Mosey dropped her voice to a whisper--and waited
-to see what effect she had produced.
-
-Sorely tried already by the cruel perplexities of her position, Emily’s
-courage failed to resist the first sensation of horror, aroused in her
-by the climax of the nurse’s hysterical narrative. Encouraged by
-her silence, Mrs. Mosey went on. She lifted one hand with theatrical
-solemnity--and luxuriously terrified herself with her own horrors.
-
-“An inn, Miss Emily; a lonely inn, somewhere in the country; and a
-comfortless room at the inn, with a makeshift bed at one end of it, and
-a makeshift bed at the other--I give you my word of honor, that was
-how your aunt put it. She spoke of two men next; two men asleep (you
-understand) in the two beds. I think she called them ‘gentlemen’; but I
-can’t be sure, and I wouldn’t deceive you--you know I wouldn’t deceive
-you, for the world. Miss Letitia muttered and mumbled, poor soul. I own
-I was getting tired of listening--when she burst out plain again, in
-that one horrid word--Oh, miss, don’t be impatient! don’t interrupt me!â€
-
-Emily did interrupt, nevertheless. In some degree at least she had
-recovered herself. “No more of it!†she said--“I won’t hear a word
-more.â€
-
-But Mrs. Mosey was too resolutely bent on asserting her own importance,
-by making the most of the alarm that she had suffered, to be repressed
-by any ordinary method of remonstrance. Without paying the slightest
-attention to what Emily had said, she went on again more loudly and more
-excitably than ever.
-
-“Listen, miss--listen! The dreadful part of it is to come; you haven’t
-heard about the two gentlemen yet. One of them was murdered--what do
-you think of that!--and the other (I heard your aunt say it, in so many
-words) committed the crime. Did Miss Letitia fancy she was addressing a
-lot of people when _you_ were nursing her? She called out, like a person
-making public proclamation, when I was in her room. ‘Whoever you are,
-good people’ (she says), ‘a hundred pounds reward, if you find the
-runaway murderer. Search everywhere for a poor weak womanish creature,
-with rings on his little white hands. There’s nothing about him like
-a man, except his voice--a fine round voice. You’ll know him, my
-friends--the wretch, the monster--you’ll know him by his voice.’ That
-was how she put it; I tell you again, that was how she put it. Did you
-hear her scream? Ah, my dear young lady, so much the better for you!
-‘O the horrid murder’ (she says)--‘hush it up!’ I’ll take my Bible oath
-before the magistrate,†cried Mrs. Mosey, starting out of her chair,
-“your aunt said, ‘Hush it up!’â€
-
-Emily crossed the room. The energy of her character was roused at last.
-She seized the foolish woman by the shoulders, forced her back in the
-chair, and looked her straight in the face without uttering a word.
-
-For the moment, Mrs. Mosey was petrified. She had fully expected--having
-reached the end of her terrible story--to find Emily at her feet,
-entreating her not to carry out her intention of leaving the cottage
-the next morning; and she had determined, after her sense of her own
-importance had been sufficiently flattered, to grant the prayer of the
-helpless young lady. Those were her anticipations--and how had they been
-fulfilled? She had been treated like a mad woman in a state of revolt!
-
-“How dare you assault me?†she asked piteously. “You ought to be ashamed
-of yourself. God knows I meant well.â€
-
-“You are not the first person,†Emily answered, quietly releasing her,
-“who has done wrong with the best intentions.â€
-
-“I did my duty, miss, when I told you what your aunt said.â€
-
-“You forgot your duty when you listened to what my aunt said.â€
-
-“Allow me to explain myself.â€
-
-“No: not a word more on _that_ subject shall pass between us. Remain
-here, if you please; I have something to suggest in your own interests.
-Wait, and compose yourself.â€
-
-The purpose which had taken a foremost place in Emily’s mind rested on
-the firm foundation of her love and pity for her aunt.
-
-Now that she had regained the power to think, she felt a hateful doubt
-pressed on her by Mrs. Mosey’s disclosures. Having taken for granted
-that there was a foundation in truth for what she herself had heard in
-her aunt’s room, could she reasonably resist the conclusion that there
-must be a foundation in truth for what Mrs. Mosey had heard, under
-similar circumstances?
-
-There was but one way of escaping from this dilemma--and Emily
-deliberately took it. She turned her back on her own convictions; and
-persuaded herself that she had been in the wrong, when she had attached
-importance to anything that her aunt had said, under the influence
-of delirium. Having adopted this conclusion, she resolved to face the
-prospect of a night’s solitude by the death-bed--rather than permit Mrs.
-Mosey to have a second opportunity of drawing her own inferences from
-what she might hear in Miss Letitia’s room.
-
-“Do you mean to keep me waiting much longer, miss?â€
-
-“Not a moment longer, now you are composed again,†Emily answered. “I
-have been thinking of what has happened; and I fail to see any necessity
-for putting off your departure until the doctor comes to-morrow morning.
-There is really no objection to your leaving me to-night.â€
-
-“I beg your pardon, miss; there _is_ an objection. I have already told
-you I can’t reconcile it to my conscience to leave you here by yourself.
-I am not an inhuman woman,†said Mrs. Mosey, putting her handkerchief to
-her eyes--smitten with pity for herself.
-
-Emily tried the effect of a conciliatory reply. “I am grateful for your
-kindness in offering to stay with me,†she said.
-
-“Very good of you, I’m sure,†Mrs. Mosey answered ironically. “But for
-all that, you persist in sending me away.â€
-
-“I persist in thinking that there is no necessity for my keeping you
-here until to-morrow.â€
-
-“Oh, have it your own way! I am not reduced to forcing my company on
-anybody.â€
-
-Mrs. Mosey put her handkerchief in her pocket, and asserted her dignity.
-With head erect and slowly-marching steps she walked out of the room.
-Emily was left in the cottage, alone with her dying aunt.
-
-
-
-
-CHAPTER XVI. MISS JETHRO.
-
-A fortnight after the disappearance of Mrs. Ellmother, and the dismissal
-of Mrs. Mosey, Doctor Allday entered his consulting-room, punctual to
-the hour at which he was accustomed to receive patients.
-
-An occasional wrinkling of his eyebrows, accompanied by an intermittent
-restlessness in his movements, appeared to indicate some disturbance
-of this worthy man’s professional composure. His mind was indeed not at
-ease. Even the inexcitable old doctor had felt the attraction which had
-already conquered three such dissimilar people as Alban Morris, Cecilia
-Wyvil, and Francine de Sor. He was thinking of Emily.
-
-A ring at the door-bell announced the arrival of the first patient.
-
-The servant introduced a tall lady, dressed simply and elegantly in dark
-apparel. Noticeable features, of a Jewish cast--worn and haggard, but
-still preserving their grandeur of form--were visible through her
-veil. She moved with grace and dignity; and she stated her object in
-consulting Doctor Allday with the ease of a well-bred woman.
-
-“I come to ask your opinion, sir, on the state of my heart,†she said;
-“and I am recommended by a patient, who has consulted you with advantage
-to herself.†She placed a card on the doctor’s writing-desk, and added:
-“I have become acquainted with the lady, by being one of the lodgers in
-her house.â€
-
-The doctor recognized the name--and the usual proceedings ensued. After
-careful examination, he arrived at a favorable conclusion. “I may tell
-you at once,†he said--“there is no reason to be alarmed about the state
-of your heart.â€
-
-“I have never felt any alarm about myself,†she answered quietly. “A
-sudden death is an easy death. If one’s affairs are settled, it seems,
-on that account, to be the death to prefer. My object was to settle
-_my_ affairs--such as they are--if you had considered my life to be in
-danger. Is there nothing the matter with me?â€
-
-“I don’t say that,†the doctor replied. “The action of your heart is
-very feeble. Take the medicine that I shall prescribe; pay a little
-more attention to eating and drinking than ladies usually do; don’t run
-upstairs, and don’t fatigue yourself by violent exercise--and I see no
-reason why you shouldn’t live to be an old woman.â€
-
-“God forbid!†the lady said to herself. She turned away, and looked out
-of the window with a bitter smile.
-
-Doctor Allday wrote his prescription. “Are you likely to make a long
-stay in London?†he asked.
-
-“I am here for a little while only. Do you wish to see me again?â€
-
-“I should like to see you once more, before you go away--if you can make
-it convenient. What name shall I put on the prescription?â€
-
-“Miss Jethro.â€
-
-“A remarkable name,†the doctor said, in his matter-of-fact way.
-
-Miss Jethro’s bitter smile showed itself again.
-
-Without otherwise noticing what Doctor Allday had said, she laid the
-consultation fee on the table. At the same moment, the footman appeared
-with a letter. “From Miss Emily Brown,†he said. “No answer required.â€
-
-He held the door open as he delivered the message, seeing that Miss
-Jethro was about to leave the room. She dismissed him by a gesture; and,
-returning to the table, pointed to the letter.
-
-“Was your correspondent lately a pupil at Miss Ladd’s school?†she
-inquired.
-
-“My correspondent has just left Miss Ladd,†the doctor answered. “Are
-you a friend of hers?â€
-
-“I am acquainted with her.â€
-
-“You would be doing the poor child a kindness, if you would go and see
-her. She has no friends in London.â€
-
-“Pardon me--she has an aunt.â€
-
-“Her aunt died a week since.â€
-
-“Are there no other relations?â€
-
-“None. A melancholy state of things, isn’t it? She would have been
-absolutely alone in the house, if I had not sent one of my women
-servants to stay with her for the present. Did you know her father?â€
-
-Miss Jethro passed over the question, as if she had not heard it. “Has
-the young lady dismissed her aunt’s servants?†she asked.
-
-“Her aunt kept but one servant, ma’am. The woman has spared Miss Emily
-the trouble of dismissing her.†He briefly alluded to Mrs. Ellmother’s
-desertion of her mistress. “I can’t explain it,†he said when he had
-done. “Can _you_?â€
-
-“What makes you think, sir, that I can help you? I have never even heard
-of the servant--and the mistress was a stranger to me.â€
-
-At Doctor Allday’s age a man is not easily discouraged by reproof, even
-when it is administered by a handsome woman. “I thought you might have
-known Miss Emily’s father,†he persisted.
-
-Miss Jethro rose, and wished him good-morning. “I must not occupy any
-more of your valuable time,†she said.
-
-“Suppose you wait a minute?†the doctor suggested.
-
-Impenetrable as ever, he rang the bell. “Any patients in the
-waiting-room?†he inquired. “You see I have time to spare,†he resumed,
-when the man had replied in the negative. “I take an interest in this
-poor girl; and I thought--â€
-
-“If you think that I take an interest in her, too,†Miss Jethro
-interposed, “you are perfectly right--I knew her father,†she added
-abruptly; the allusion to Emily having apparently reminded her of the
-question which she had hitherto declined to notice.
-
-“In that case,†Doctor Allday proceeded, “I want a word of advice. Won’t
-you sit down?â€
-
-She took a chair in silence. An irregular movement in the lower part of
-her veil seemed to indicate that she was breathing with difficulty. The
-doctor observed her with close attention. “Let me see my prescription
-again,†he said. Having added an ingredient, he handed it back with a
-word of explanation. “Your nerves are more out of order than I supposed.
-The hardest disease to cure that I know of is--worry.â€
-
-The hint could hardly have been plainer; but it was lost on Miss
-Jethro. Whatever her troubles might be, her medical adviser was not made
-acquainted with them. Quietly folding up the prescription, she reminded
-him that he had proposed to ask her advice.
-
-“In what way can I be of service to you?†she inquired.
-
-“I am afraid I must try your patience,†the doctor acknowledged, “if I
-am to answer that question plainly.â€
-
-With these prefatory words, he described the events that had followed
-Mrs. Mosey’s appearance at the cottage. “I am only doing justice to this
-foolish woman,†he continued, “when I tell you that she came here, after
-she had left Miss Emily, and did her best to set matters right. I went
-to the poor girl directly--and I felt it my duty, after looking at her
-aunt, not to leave her alone for that night. When I got home the next
-morning, whom do you think I found waiting for me? Mrs. Ellmother!â€
-
-He stopped--in the expectation that Miss Jethro would express some
-surprise. Not a word passed her lips.
-
-“Mrs. Ellmother’s object was to ask how her mistress was going on,†the
-doctor proceeded. “Every day while Miss Letitia still lived, she came
-here to make the same inquiry--without a word of explanation. On the day
-of the funeral, there she was at the church, dressed in deep mourning;
-and, as I can personally testify, crying bitterly. When the ceremony was
-over--can you believe it?--she slipped away before Miss Emily or I could
-speak to her. We have seen nothing more of her, and heard nothing more,
-from that time to this.â€
-
-He stopped again, the silent lady still listening without making any
-remark.
-
-“Have you no opinion to express?†the doctor asked bluntly.
-
-“I am waiting,†Miss Jethro answered.
-
-“Waiting--for what?â€
-
-“I haven’t heard yet, why you want my advice.â€
-
-Doctor Allday’s observation of humanity had hitherto reckoned want of
-caution among the deficient moral qualities in the natures of women. He
-set down Miss Jethro as a remarkable exception to a general rule.
-
-“I want you to advise me as to the right course to take with Miss
-Emily,†he said. “She has assured me she attaches no serious importance
-to her aunt’s wanderings, when the poor old lady’s fever was at its
-worst. I don’t doubt that she speaks the truth--but I have my own
-reasons for being afraid that she is deceiving herself. Will you bear
-this in mind?â€
-
-“Yes--if it’s necessary.â€
-
-“In plain words, Miss Jethro, you think I am still wandering from the
-point. I have got to the point. Yesterday, Miss Emily told me that
-she hoped to be soon composed enough to examine the papers left by her
-aunt.â€
-
-Miss Jethro suddenly turned in her chair, and looked at Doctor Allday.
-
-“Are you beginning to feel interested?†the doctor asked mischievously.
-
-She neither acknowledged nor denied it. “Go onâ€--was all she said.
-
-“I don’t know how _you_ feel,†he proceeded; “_I_ am afraid of the
-discoveries which she may make; and I am strongly tempted to advise
-her to leave the proposed examination to her aunt’s lawyer. Is there
-anything in your knowledge of Miss Emily’s late father, which tells you
-that I am right?â€
-
-“Before I reply,†said Miss Jethro, “it may not be amiss to let the
-young lady speak for herself.â€
-
-“How is she to do that?†the doctor asked.
-
-Miss Jethro pointed to the writing table. “Look there,†she said. “You
-have not yet opened Miss Emily’s letter.â€
-
-
-
-
-CHAPTER XVII. DOCTOR ALLDAY.
-
-Absorbed in the effort to overcome his patient’s reserve, the doctor had
-forgotten Emily’s letter. He opened it immediately.
-
-After reading the first sentence, he looked up with an expression of
-annoyance. “She has begun the examination of the papers already,†he
-said.
-
-“Then I can be of no further use to you,†Miss Jethro rejoined. She made
-a second attempt to leave the room.
-
-Doctor Allday turned to the next page of the letter. “Stop!†he cried.
-“She has found something--and here it is.â€
-
-He held up a small printed Handbill, which had been placed between the
-first and second pages. “Suppose you look at it?†he said.
-
-“Whether I am interested in it or not?†Miss Jethro asked.
-
-“You may be interested in what Miss Emily says about it in her letter.â€
-
-“Do you propose to show me her letter?â€
-
-“I propose to read it to you.â€
-
-Miss Jethro took the Handbill without further objection. It was
-expressed in these words:
-
-“MURDER. 100 POUNDS REWARD.--Whereas a murder was committed on the
-thirtieth September, 1877, at the Hand-in-Hand Inn, in the village
-of Zeeland, Hampshire, the above reward will be paid to any person or
-persons whose exertions shall lead to the arrest and conviction of the
-suspected murderer. Name not known. Supposed age, between twenty and
-thirty years. A well-made man, of small stature. Fair complexion,
-delicate features, clear blue eyes. Hair light, and cut rather short.
-Clean shaven, with the exception of narrow half-whiskers. Small, white,
-well-shaped hands. Wore valuable rings on the two last fingers of
-the left hand. Dressed neatly in a dark-gray tourist-suit. Carried
-a knapsack, as if on a pedestrian excursion. Remarkably good voice,
-smooth, full, and persuasive. Ingratiating manners. Apply to the Chief
-Inspector, Metropolitan Police Office, London.â€
-
-Miss Jethro laid aside the Handbill without any visible appearance of
-agitation. The doctor took up Emily’s letter, and read as follows:
-
-“You will be as much relieved as I was, my kind friend, when you look at
-the paper inclosed. I found it loose in a blank book, with cuttings from
-newspapers, and odd announcements of lost property and other curious
-things (all huddled together between the leaves), which my aunt no doubt
-intended to set in order and fix in their proper places. She must have
-been thinking of her book, poor soul, in her last illness. Here is the
-origin of those ‘terrible words’ which frightened stupid Mrs. Mosey! Is
-it not encouraging to have discovered such a confirmation of my opinion
-as this? I feel a new interest in looking over the papers that still
-remain to be examined--â€
-
-Before he could get to the end of the sentence Miss Jethro’s agitation
-broke through her reserve.
-
-“Do what you proposed to do!†she burst out vehemently. “Stop her at
-once from carrying her examination any further! If she hesitates, insist
-on it!â€
-
-At last Doctor Allday had triumphed! “It has been a long time coming,â€
- he remarked, in his cool way; “and it’s all the more welcome on that
-account. You dread the discoveries she may make, Miss Jethro, as I do.
-And _you_ know what those discoveries may be.â€
-
-“What I do know, or don’t know, is of no importance.†she answered
-sharply.
-
-“Excuse me, it is of very serious importance. I have no authority over
-this poor girl--I am not even an old friend. You tell me to insist. Help
-me to declare honestly that I know of circumstances which justify me;
-and I may insist to some purpose.â€
-
-Miss Jethro lifted her veil for the first time, and eyed him
-searchingly.
-
-“I believe I can trust you,†she said. “Now listen! The one
-consideration on which I consent to open my lips, is consideration for
-Miss Emily’s tranquillity. Promise me absolute secrecy, on your word of
-honor.â€
-
-He gave the promise.
-
-“I want to know one thing, first,†Miss Jethro proceeded. “Did she tell
-you--as she once told me--that her father had died of heart-complaint?â€
-
-“Yes.â€
-
-“Did you put any questions to her?â€
-
-“I asked how long ago it was.â€
-
-“And she told you?â€
-
-“She told me.â€
-
-“You wish to know, Doctor Allday, what discoveries Miss Emily may yet
-make, among her aunt’s papers. Judge for yourself, when I tell you that
-she has been deceived about her father’s death.â€
-
-“Do you mean that he is still living?â€
-
-“I mean that she has been deceived--purposely deceived--about the
-_manner_ of his death.â€
-
-“Who was the wretch who did it?â€
-
-“You are wronging the dead, sir! The truth can only have been concealed
-out of the purest motives of love and pity. I don’t desire to disguise
-the conclusion at which I have arrived after what I have heard from
-yourself. The person responsible must be Miss Emily’s aunt--and the old
-servant must have been in her confidence. Remember! You are bound in
-honor not to repeat to any living creature what I have just said.â€
-
-The doctor followed Miss Jethro to the door. “You have not yet told me,â€
- he said, “_how_ her father died.â€
-
-“I have no more to tell you.â€
-
-With those words she left him.
-
-He rang for his servant. To wait until the hour at which he was
-accustomed to go out, might be to leave Emily’s peace of mind at the
-mercy of an accident. “I am going to the cottage,†he said. “If anybody
-wants me, I shall be back in a quarter of an hour.â€
-
-On the point of leaving the house, he remembered that Emily would
-probably expect him to return the Handbill. As he took it up, the first
-lines caught his eye: he read the date at which the murder had been
-committed, for the second time. On a sudden the ruddy color left his
-face.
-
-“Good God!†he cried, “her father was murdered--and that woman was
-concerned in it.â€
-
-Following the impulse that urged him, he secured the Handbill in his
-pocketbook--snatched up the card which his patient had presented as her
-introduction--and instantly left the house. He called the first cab that
-passed him, and drove to Miss Jethro’s lodgings.
-
-“Goneâ€--was the servant’s answer when he inquired for her. He insisted
-on speaking to the landlady. “Hardly ten minutes have passed,†he said,
-“since she left my house.â€
-
-“Hardly ten minutes have passed,†the landlady replied, “since that
-message was brought here by a boy.â€
-
-The message had been evidently written in great haste: “I am
-unexpectedly obliged to leave London. A bank note is inclosed in payment
-of my debt to you. I will send for my luggage.â€
-
-The doctor withdrew.
-
-“Unexpectedly obliged to leave London,†he repeated, as he got into the
-cab again. “Her flight condemns her: not a doubt of it now. As fast
-as you can!†he shouted to the man; directing him to drive to Emily’s
-cottage.
-
-
-
-
-CHAPTER XVIII. MISS LADD.
-
-Arriving at the cottage, Doctor Allday discovered a gentleman, who was
-just closing the garden gate behind him.
-
-“Has Miss Emily had a visitor?†he inquired, when the servant admitted
-him.
-
-“The gentleman left a letter for Miss Emily, sir.â€
-
-“Did he ask to see her?â€
-
-“He asked after Miss Letitia’s health. When he heard that she was dead,
-he seemed to be startled, and went away immediately.â€
-
-“Did he give his name?â€
-
-“No, sir.â€
-
-The doctor found Emily absorbed over her letter. His anxiety to
-forestall any possible discovery of the deception which had concealed
-the terrible story of her father’s death, kept Doctor Allday’s vigilance
-on the watch. He doubted the gentleman who had abstained from giving
-his name; he even distrusted the other unknown person who had written to
-Emily.
-
-She looked up. Her face relieved him of his misgivings, before she could
-speak.
-
-“At last, I have heard from my dearest friend,†she said. “You remember
-what I told you about Cecilia? Here is a letter--a long delightful
-letter--from the Engadine, left at the door by some gentleman unknown. I
-was questioning the servant when you rang the bell.â€
-
-“You may question me, if you prefer it. I arrived just as the gentleman
-was shutting your garden gate.â€
-
-“Oh, tell me! what was he like?â€
-
-“Tall, and thin, and dark. Wore a vile republican-looking felt hat.
-Had nasty ill-tempered wrinkles between his eyebrows. The sort of man I
-distrust by instinct.â€
-
-“Why?â€
-
-“Because he doesn’t shave.â€
-
-“Do you mean that he wore a beard?â€
-
-“Yes; a curly black beard.â€
-
-Emily clasped her hands in amazement. “Can it be Alban Morris?†she
-exclaimed.
-
-The doctor looked at her with a sardonic smile; he thought it likely
-that he had discovered her sweetheart.
-
-“Who is Mr. Alban Morris?†he asked.
-
-“The drawing-master at Miss Ladd’s school.â€
-
-Doctor Allday dropped the subject: masters at ladies’ schools were not
-persons who interested him. He returned to the purpose which had brought
-him to the cottage--and produced the Handbill that had been sent to him
-in Emily’s letter.
-
-“I suppose you want to have it back again?†he said.
-
-She took it from him, and looked at it with interest.
-
-“Isn’t it strange,†she suggested, “that the murderer should have
-escaped, with such a careful description of him as this circulated all
-over England?â€
-
-She read the description to the doctor.
-
-“‘Name not known. Supposed age, between twenty-five and thirty years.
-A well-made man, of small stature. Fair complexion, delicate features,
-clear blue eyes. Hair light, and cut rather short. Clean shaven, with
-the exception of narrow half-whiskers. Small, white, well-shaped hands.
-Wore valuable rings on the two last fingers of the left hand. Dressed
-neatly--’â€
-
-“That part of the description is useless,†the doctor remarked; “he
-would change his clothes.â€
-
-“But could he change his voice?†Emily objected. “Listen to this:
-‘Remarkably good voice, smooth, full, and persuasive.’ And here
-again! ‘Ingratiating manners.’ Perhaps you will say he could put on an
-appearance of rudeness?â€
-
-“I will say this, my dear. He would be able to disguise himself so
-effectually that ninety-nine people out of a hundred would fail to
-identify him, either by his voice or his manner.â€
-
-“How?â€
-
-“Look back at the description: ‘Hair cut rather short, clean shaven,
-with the exception of narrow half-whiskers.’ The wretch was safe from
-pursuit; he had ample time at his disposal--don’t you see how he could
-completely alter the appearance of his head and face? No more, my dear,
-of this disagreeable subject! Let us get to something interesting. Have
-you found anything else among your aunt’s papers?â€
-
-“I have met with a great disappointment,†Emily replied. “Did I tell you
-how I discovered the Handbill?â€
-
-“No.â€
-
-“I found it, with the scrap-book and the newspaper cuttings, under
-a collection of empty boxes and bottles, in a drawer of the
-washhand-stand. And I naturally expected to make far more interesting
-discoveries in this room. My search was over in five minutes. Nothing
-in the cabinet there, in the corner, but a few books and some china.
-Nothing in the writing-desk, on that side-table, but a packet of
-note-paper and some sealing-wax. Nothing here, in the drawers, but
-tradesmen’s receipts, materials for knitting, and old photographs. She
-must have destroyed all her papers, poor dear, before her last illness;
-and the Handbill and the other things can only have escaped, because
-they were left in a place which she never thought of examining. Isn’t it
-provoking?â€
-
-With a mind inexpressibly relieved, good Doctor Allday asked permission
-to return to his patients: leaving Emily to devote herself to her
-friend’s letter.
-
-On his way out, he noticed that the door of the bed-chamber on the
-opposite side of the passage stood open. Since Miss Letitia’s death the
-room had not been used. Well within view stood the washhand-stand
-to which Emily had alluded. The doctor advanced to the house
-door--reflected--hesitated--and looked toward the empty room.
-
-It had struck him that there might be a second drawer which Emily had
-overlooked. Would he be justified in setting this doubt at rest? If
-he passed over ordinary scruples it would not be without excuse. Miss
-Letitia had spoken to him of her affairs, and had asked him to act (in
-Emily’s interest) as co-executor with her lawyer. The rapid progress
-of the illness had made it impossible for her to execute the necessary
-codicil. But the doctor had been morally (if not legally) taken into her
-confidence--and, for that reason, he decided that he had a right in this
-serious matter to satisfy his own mind.
-
-A glance was enough to show him that no second drawer had been
-overlooked.
-
-There was no other discovery to detain the doctor. The wardrobe only
-contained the poor old lady’s clothes; the one cupboard was open
-and empty. On the point of leaving the room, he went back to the
-washhand-stand. While he had the opportunity, it might not be amiss
-to make sure that Emily had thoroughly examined those old boxes and
-bottles, which she had alluded to with some little contempt.
-
-The drawer was of considerable length. When he tried to pull it
-completely out from the grooves in which it ran, it resisted him. In his
-present frame of mind, this was a suspicious circumstance in itself. He
-cleared away the litter so as to make room for the introduction of his
-hand and arm into the drawer. In another moment his fingers touched
-a piece of paper, jammed between the inner end of the drawer and the
-bottom of the flat surface of the washhand-stand. With a little care, he
-succeeded in extricating the paper. Only pausing to satisfy himself
-that there was nothing else to be found, and to close the drawer after
-replacing its contents, he left the cottage.
-
-The cab was waiting for him. On the drive back to his own house, he
-opened the crumpled paper. It proved to be a letter addressed to
-Miss Letitia; and it was signed by no less a person than Emily’s
-schoolmistress. Looking back from the end to the beginning, Doctor
-Allday discovered, in the first sentence, the name of--Miss Jethro.
-
-But for the interview of that morning with his patient he might have
-doubted the propriety of making himself further acquainted with the
-letter. As things were, he read it without hesitation.
-
-“DEAR MADAM--I cannot but regard it as providential circumstance that
-your niece, in writing to you from my house, should have mentioned,
-among other events of her school life, the arrival of my new teacher,
-Miss Jethro.
-
-“To say that I was surprised is to express very inadequately what I felt
-when I read your letter, informing me confidentially that I had employed
-a woman who was unworthy to associate with the young persons placed
-under my care. It is impossible for me to suppose that a lady in your
-position, and possessed of your high principles, would make such a
-serious accusation as this, without unanswerable reasons for doing so.
-At the same time I cannot, consistently with my duty as a Christian,
-suffer my opinion of Miss Jethro to be in any way modified, until proofs
-are laid before me which it is impossible to dispute.
-
-“Placing the same confidence in your discretion, which you have placed
-in mine, I now inclose the references and testimonials which Miss Jethro
-submitted to me, when she presented herself to fill the vacant situation
-in my school.
-
-“I earnestly request you to lose no time in instituting the confidential
-inquiries which you have volunteered to make. Whatever the result may
-be, pray return to me the inclosures which I have trusted to your care,
-and believe me, dear madam, in much suspense and anxiety, sincerely
-yours,
-
-“AMELIA LADD.â€
-
-
-It is needless to describe, at any length, the impression which these
-lines produced on the doctor.
-
-If he had heard what Emily had heard at the time of her aunt’s last
-illness, he would have called to mind Miss Letitia’s betrayal of her
-interest in some man unknown, whom she believed to have been beguiled
-by Miss Jethro--and he would have perceived that the vindictive hatred,
-thus produced, must have inspired the letter of denunciation which the
-schoolmistress had acknowledged. He would also have inferred that Miss
-Letitia’s inquiries had proved her accusation to be well founded--if
-he had known of the new teacher’s sudden dismissal from the school. As
-things were, he was merely confirmed in his bad opinion of Miss Jethro;
-and he was induced, on reflection, to keep his discovery to himself.
-
-“If poor Miss Emily saw the old lady exhibited in the character of an
-informer,†he thought, “what a blow would be struck at her innocent
-respect for the memory of her aunt!â€
-
-
-
-
-CHAPTER XIX. SIR JERVIS REDWOOD.
-
-In the meantime, Emily, left by herself, had her own correspondence to
-occupy her attention. Besides the letter from Cecilia (directed to the
-care of Sir Jervis Redwood), she had received some lines addressed to
-her by Sir Jervis himself. The two inclosures had been secured in a
-sealed envelope, directed to the cottage.
-
-If Alban Morris had been indeed the person trusted as messenger by Sir
-Jervis, the conclusion that followed filled Emily with overpowering
-emotions of curiosity and surprise.
-
-Having no longer the motive of serving and protecting her, Alban must,
-nevertheless, have taken the journey to Northumberland. He must have
-gained Sir Jervis Redwood’s favor and confidence--and he might even
-have been a guest at the baronet’s country seat--when Cecilia’s letter
-arrived. What did it mean?
-
-Emily looked back at her experience of her last day at school, and
-recalled her consultation with Alban on the subject of Mrs. Rook. Was
-he still bent on clearing up his suspicions of Sir Jervis’s housekeeper?
-And, with that end in view, had he followed the woman, on her return to
-her master’s place of abode?
-
-Suddenly, almost irritably, Emily snatched up Sir Jervis’s letter.
-Before the doctor had come in, she had glanced at it, and had thrown it
-aside in her impatience to read what Cecilia had written. In her present
-altered frame of mind, she was inclined to think that Sir Jervis might
-be the more interesting correspondent of the two.
-
-On returning to his letter, she was disappointed at the outset.
-
-In the first place, his handwriting was so abominably bad that she was
-obliged to guess at his meaning. In the second place, he never hinted at
-the circumstances under which Cecilia’s letter had been confided to the
-gentleman who had left it at her door.
-
-She would once more have treated the baronet’s communication with
-contempt--but for the discovery that it contained an offer of employment
-in London, addressed to herself.
-
-Sir Jervis had necessarily been obliged to engage another secretary
-in Emily’s absence. But he was still in want of a person to serve his
-literary interests in London. He had reason to believe that discoveries
-made by modern travelers in Central America had been reported from time
-to time by the English press; and he wished copies to be taken of any
-notices of this sort which might be found, on referring to the files
-of newspapers kept in the reading-room of the British Museum. If
-Emily considered herself capable of contributing in this way to the
-completeness of his great work on “the ruined cities,†she had only
-to apply to his bookseller in London, who would pay her the customary
-remuneration and give her every assistance of which she might stand in
-need. The bookseller’s name and address followed (with nothing legible
-but the two words “Bond Streetâ€), and there was an end of Sir Jervis’s
-proposal.
-
-Emily laid it aside, deferring her answer until she had read Cecilia’s
-letter.
-
-
-
-
-CHAPTER XX. THE REVEREND MILES MIRABEL.
-
-“I am making a little excursion from the Engadine, my dearest of all
-dear friends. Two charming fellow-travelers take care of me; and we may
-perhaps get as far as the Lake of Como.
-
-“My sister (already much improved in health) remains at St. Moritz with
-the old governess. The moment I know what exact course we are going to
-take, I shall write to Julia to forward any letters which arrive in my
-absence. My life, in this earthly paradise, will be only complete when I
-hear from my darling Emily.
-
-“In the meantime, we are staying for the night at some interesting
-place, the name of which I have unaccountably forgotten; and here I am
-in my room, writing to you at last--dying to know if Sir Jervis has yet
-thrown himself at your feet, and offered to make you Lady Redwood with
-magnificent settlements.
-
-“But you are waiting to hear who my new friends are. My dear, one of
-them is, next to yourself, the most delightful creature in existence.
-Society knows her as Lady Janeaway. I love her already, by her Christian
-name; she is my friend Doris. And she reciprocates my sentiments.
-
-“You will now understand that union of sympathies made us acquainted
-with each other.
-
-“If there is anything in me to be proud of, I think it must be my
-admirable appetite. And, if I have a passion, the name of it is Pastry.
-Here again, Lady Doris reciprocates my sentiments. We sit next to each
-other at the _table d’hote_.
-
-“Good heavens, I have forgotten her husband! They have been married
-rather more than a month. Did I tell you that she is just two years
-older than I am?
-
-“I declare I am forgetting him again! He is Lord Janeaway. Such a quiet
-modest man, and so easily amused. He carries with him everywhere a dirty
-little tin case, with air holes in the cover. He goes softly poking
-about among bushes and brambles, and under rocks, and behind old wooden
-houses. When he has caught some hideous insect that makes one shudder,
-he blushes with pleasure, and looks at his wife and me, and says, with
-the prettiest lisp: ‘This is what I call enjoying the day.’ To see the
-manner in which he obeys Her is, between ourselves, to feel proud of
-being a woman.
-
-“Where was I? Oh, at the _table d’hote_.
-
-“Never, Emily--I say it with a solemn sense of the claims of
-truth--never have I eaten such an infamous, abominable, maddeningly bad
-dinner, as the dinner they gave us on our first day at the hotel. I ask
-you if I am not patient; I appeal to your own recollection of occasions
-when I have exhibited extraordinary self-control. My dear, I held out
-until they brought the pastry round. I took one bite, and committed
-the most shocking offense against good manners at table that you can
-imagine. My handkerchief, my poor innocent handkerchief, received the
-horrid--please suppose the rest. My hair stands on end, when I think of
-it. Our neighbors at the table saw me. The coarse men laughed. The sweet
-young bride, sincerely feeling for me, said, ‘Will you allow me to shake
-hands? I did exactly what you have done the day before yesterday.’ Such
-was the beginning of my friendship with Lady Doris Janeaway.
-
-“We are two resolute women--I mean that _she_ is resolute, and that
-I follow her--and we have asserted our right of dining to our own
-satisfaction, by means of an interview with the chief cook.
-
-“This interesting person is an ex-Zouave in the French army. Instead of
-making excuses, he confessed that the barbarous tastes of the English
-and American visitors had so discouraged him, that he had lost all pride
-and pleasure in the exercise of his art. As an example of what he meant,
-he mentioned his experience of two young Englishmen who could speak
-no foreign language. The waiters reported that they objected to their
-breakfasts, and especially to the eggs. Thereupon (to translate the
-Frenchman’s own way of putting it) he exhausted himself in exquisite
-preparations of eggs. _Eggs a la tripe, au gratin, a l’Aurore, a
-la Dauphine, a la Poulette, a la Tartare, a la Venitienne, a la
-Bordelaise_, and so on, and so on. Still the two young gentlemen
-were not satisfied. The ex-Zouave, infuriated; wounded in his honor,
-disgraced as a professor, insisted on an explanation. What, in heaven’s
-name, _did_ they want for breakfast? They wanted boiled eggs; and a fish
-which they called a _Bloaterre_. It was impossible, he said, to express
-his contempt for the English idea of a breakfast, in the presence
-of ladies. You know how a cat expresses herself in the presence of a
-dog--and you will understand the allusion. Oh, Emily, what dinners we
-have had, in our own room, since we spoke to that noble cook!
-
-“Have I any more news to send you? Are you interested, my dear, in
-eloquent young clergymen?
-
-“On our first appearance at the public table we noticed a remarkable air
-of depression among the ladies. Had some adventurous gentleman tried to
-climb a mountain, and failed? Had disastrous political news arrived from
-England; a defeat of the Conservatives, for instance? Had a revolution
-in the fashions broken out in Paris, and had all our best dresses become
-of no earthly value to us? I applied for information to the only lady
-present who shone on the company with a cheerful face--my friend Doris,
-of course. “‘What day was yesterday?’ she asked.
-
-“‘Sunday,’ I answered.
-
-“‘Of all melancholy Sundays,’ she continued, the most melancholy in
-the calendar. Mr. Miles Mirabel preached his farewell sermon, in our
-temporary chapel upstairs.’
-
-“‘And you have not recovered it yet?’
-
-“‘We are all heart-broken, Miss Wyvil.’
-
-“This naturally interested me. I asked what sort of sermons Mr. Mirabel
-preached. Lady Janeaway said: ‘Come up to our room after dinner. The
-subject is too distressing to be discussed in public.’
-
-“She began by making me personally acquainted with the reverend
-gentleman--that is to say, she showed me the photographic portraits of
-him. They were two in number. One only presented his face. The other
-exhibited him at full length, adorned in his surplice. Every lady in the
-congregation had received the two photographs as a farewell present. ‘My
-portraits,’ Lady Doris remarked, ‘are the only complete specimens. The
-others have been irretrievably ruined by tears.’
-
-“You will now expect a personal description of this fascinating man.
-What the photographs failed to tell me, my friend was so kind as to
-complete from the resources of her own experience. Here is the result
-presented to the best of my ability.
-
-“He is young--not yet thirty years of age. His complexion is fair; his
-features are delicate, his eyes are clear blue. He has pretty hands, and
-rings prettier still. And such a voice, and such manners! You will say
-there are plenty of pet parsons who answer to this description. Wait a
-little--I have kept his chief distinction till the last. His beautiful
-light hair flows in profusion over his shoulders; and his glossy beard
-waves, at apostolic length, down to the lower buttons of his waistcoat.
-
-“What do you think of the Reverend Miles Mirabel now?
-
-“The life and adventures of our charming young clergyman, bear eloquent
-testimony to the saintly patience of his disposition, under trials which
-would have overwhelmed an ordinary man. (Lady Doris, please notice,
-quotes in this place the language of his admirers; and I report Lady
-Doris.)
-
-“He has been clerk in a lawyer’s office--unjustly dismissed. He has
-given readings from Shakespeare--infamously neglected. He has been
-secretary to a promenade concert company--deceived by a penniless
-manager. He has been employed in negotiations for making foreign
-railways--repudiated by an unprincipled Government. He has been
-translator to a publishing house--declared incapable by envious
-newspapers and reviews. He has taken refuge in dramatic
-criticism--dismissed by a corrupt editor. Through all these means of
-purification for the priestly career, he passed at last into the one
-sphere that was worthy of him: he entered the Church, under the
-protection of influential friends. Oh, happy change! From that moment
-his labors have been blessed. Twice already he has been presented with
-silver tea-pots filled with sovereigns. Go where he may, precious
-sympathies environ him; and domestic affection places his knife and
-fork at innumerable family tables. After a continental career, which
-will leave undying recollections, he is now recalled to England--at the
-suggestion of a person of distinction in the Church, who prefers a mild
-climate. It will now be his valued privilege to represent an absent
-rector in a country living; remote from cities, secluded in pastoral
-solitude, among simple breeders of sheep. May the shepherd prove worthy
-of the flock!
-
-“Here again, my dear, I must give the merit where the merit is due.
-This memoir of Mr. Mirabel is not of my writing. It formed part of his
-farewell sermon, preserved in the memory of Lady Doris--and it shows
-(once more in the language of his admirers) that the truest humility may
-be found in the character of the most gifted man.
-
-“Let me only add, that you will have opportunities of seeing and
-hearing this popular preacher, when circumstances permit him to address
-congregations in the large towns. I am at the end of my news; and I
-begin to feel--after this long, long letter--that it is time to go to
-bed. Need I say that I have often spoken of you to Doris, and that she
-entreats you to be her friend as well as mine, when we meet again in
-England?
-
-“Good-by, darling, for the present. With fondest love,
-
-“Your CECILIA.â€
-
-“P.S.--I have formed a new habit. In case of feeling hungry in the
-night, I keep a box of chocolate under the pillow. You have no idea what
-a comfort it is. If I ever meet with the man who fulfills my ideal, I
-shall make it a condition of the marriage settlement, that I am to have
-chocolate under the pillow.â€
-
-
-
-
-CHAPTER XXI. POLLY AND SALLY.
-
-Without a care to trouble her; abroad or at home, finding
-inexhaustible varieties of amusement; seeing new places, making new
-acquaintances--what a disheartening contrast did Cecilia’s happy life
-present to the life of her friend! Who, in Emily’s position, could have
-read that joyously-written letter from Switzerland, and not have lost
-heart and faith, for the moment at least, as the inevitable result?
-
-A buoyant temperament is of all moral qualities the most precious, in
-this respect; it is the one force in us--when virtuous resolution proves
-insufficient--which resists by instinct the stealthy approaches of
-despair. “I shall only cry,†Emily thought, “if I stay at home; better
-go out.â€
-
-Observant persons, accustomed to frequent the London parks, can hardly
-have failed to notice the number of solitary strangers sadly endeavoring
-to vary their lives by taking a walk. They linger about the flower-beds;
-they sit for hours on the benches; they look with patient curiosity at
-other people who have companions; they notice ladies on horseback and
-children at play, with submissive interest; some of the men find company
-in a pipe, without appearing to enjoy it; some of the women find a
-substitute for dinner, in little dry biscuits wrapped in crumpled scraps
-of paper; they are not sociable; they are hardly ever seen to make
-acquaintance with each other; perhaps they are shame-faced, or proud, or
-sullen; perhaps they despair of others, being accustomed to despair
-of themselves; perhaps they have their reasons for never venturing to
-encounter curiosity, or their vices which dread detection, or their
-virtues which suffer hardship with the resignation that is sufficient
-for itself. The one thing certain is, that these unfortunate people
-resist discovery. We know that they are strangers in London--and we know
-no more.
-
-And Emily was one of them.
-
-Among the other forlorn wanderers in the Parks, there appeared latterly
-a trim little figure in black (with the face protected from notice
-behind a crape veil), which was beginning to be familiar, day after
-day, to nursemaids and children, and to rouse curiosity among harmless
-solitaries meditating on benches, and idle vagabonds strolling over the
-grass. The woman-servant, whom the considerate doctor had provided, was
-the one person in Emily’s absence left to take care of the house. There
-was no other creature who could be a companion to the friendless girl.
-Mrs. Ellmother had never shown herself again since the funeral. Mrs.
-Mosey could not forget that she had been (no matter how politely)
-requested to withdraw. To whom could Emily say, “Let us go out for a
-walk?†She had communicated the news of her aunt’s death to Miss Ladd,
-at Brighton; and had heard from Francine. The worthy schoolmistress had
-written to her with the truest kindness. “Choose your own time, my poor
-child, and come and stay with me at Brighton; the sooner the better.â€
- Emily shrank--not from accepting the invitation--but from encountering
-Francine. The hard West Indian heiress looked harder than ever with
-a pen in her hand. Her letter announced that she was “getting on
-wretchedly with her studies (which she hated); she found the masters
-appointed to instruct her ugly and disagreeable (and loathed the sight
-of them); she had taken a dislike to Miss Ladd (and time only confirmed
-that unfavorable impression); Brighton was always the same; the sea
-was always the same; the drives were always the same. Francine felt a
-presentiment that she should do something desperate, unless Emily joined
-her, and made Brighton endurable behind the horrid schoolmistress’s
-back.†Solitude in London was a privilege and a pleasure, viewed as the
-alternative to such companionship as this.
-
-Emily wrote gratefully to Miss Ladd, and asked to be excused.
-
-Other days had passed drearily since that time; but the one day that had
-brought with it Cecilia’s letter set past happiness and present sorrow
-together so vividly and so cruelly that Emily’s courage sank. She had
-forced back the tears, in her lonely home; she had gone out to seek
-consolation and encouragement under the sunny sky--to find comfort for
-her sore heart in the radiant summer beauty of flowers and grass, in
-the sweet breathing of the air, in the happy heavenward soaring of the
-birds. No! Mother Nature is stepmother to the sick at heart. Soon,
-too soon, she could hardly see where she went. Again and again she
-resolutely cleared her eyes, under the shelter of her veil, when passing
-strangers noticed her; and again and again the tears found their way
-back. Oh, if the girls at the school were to see her now--the girls
-who used to say in their moments of sadness, “Let us go to Emily and be
-cheeredâ€--would they know her again? She sat down to rest and recover
-herself on the nearest bench. It was unoccupied. No passing footsteps
-were audible on the remote path to which she had strayed. Solitude at
-home! Solitude in the Park! Where was Cecilia at that moment? In
-Italy, among the lakes and mountains, happy in the company of her
-light-hearted friend.
-
-The lonely interval passed, and persons came near. Two sisters, girls
-like herself, stopped to rest on the bench.
-
-They were full of their own interests; they hardly looked at the
-stranger in mourning garments. The younger sister was to be married, and
-the elder was to be bridesmaid. They talked of their dresses and their
-presents; they compared the dashing bridegroom of one with the timid
-lover of the other; they laughed over their own small sallies of wit,
-over their joyous dreams of the future, over their opinions of the
-guests invited to the wedding. Too joyfully restless to remain inactive
-any longer, they jumped up again from the seat. One of them said,
-“Polly, I’m too happy!†and danced as she walked away. The other
-cried, “Sally, for shame!†and laughed, as if she had hit on the most
-irresistible joke that ever was made.
-
-Emily rose and went home.
-
-By some mysterious influence which she was unable to trace, the
-boisterous merriment of the two girls had roused in her a sense of
-revolt against the life that she was leading. Change, speedy change, to
-some occupation that would force her to exert herself, presented the
-one promise of brighter days that she could see. To feel this was to be
-inevitably reminded of Sir Jervis Redwood. Here was a man, who had never
-seen her, transformed by the incomprehensible operation of Chance into
-the friend of whom she stood in need--the friend who pointed the way to
-a new world of action, the busy world of readers in the library of the
-Museum.
-
-Early in the new week, Emily had accepted Sir Jervis’s proposal, and
-had so interested the bookseller to whom she had been directed to apply,
-that he took it on himself to modify the arbitrary instructions of his
-employer.
-
-“The old gentleman has no mercy on himself, and no mercy on others,â€
- he explained, “where his literary labors are concerned. You must spare
-yourself, Miss Emily. It is not only absurd, it’s cruel, to expect you
-to ransack old newspapers for discoveries in Yucatan, from the time when
-Stephens published his ‘Travels in Central America’--nearly forty years
-since! Begin with back numbers published within a few years--say five
-years from the present date--and let us see what your search over that
-interval will bring forth.â€
-
-Accepting this friendly advice, Emily began with the newspaper-volume
-dating from New Year’s Day, 1876.
-
-The first hour of her search strengthened the sincere sense of gratitude
-with which she remembered the bookseller’s kindness. To keep her
-attention steadily fixed on the one subject that interested her
-employer, and to resist the temptation to read those miscellaneous items
-of news which especially interest women, put her patience and resolution
-to a merciless test. Happily for herself, her neighbors on either side
-were no idlers. To see them so absorbed over their work that they never
-once looked at her, after the first moment when she took her place
-between them, was to find exactly the example of which she stood most in
-need. As the hours wore on, she pursued her weary way, down one column
-and up another, resigned at least (if not quite reconciled yet) to her
-task. Her labors ended, for the day, with such encouragement as she
-might derive from the conviction of having, thus far, honestly pursued a
-useless search.
-
-News was waiting for her when she reached home, which raised her sinking
-spirits.
-
-On leaving the cottage that morning she had given certain instructions,
-relating to the modest stranger who had taken charge of her
-correspondence--in case of his paying a second visit, during her absence
-at the Museum. The first words spoken by the servant, on opening the
-door, informed her that the unknown gentleman had called again. This
-time he had boldly left his card. There was the welcome name that she
-had expected to see--Alban Morris.
-
-
-
-
-CHAPTER XXII. ALBAN MORRIS.
-
-Having looked at the card, Emily put her first question to the servant.
-
-“Did you tell Mr. Morris what your orders were?†she asked.
-
-“Yes, miss; I said I was to have shown him in, if you had been at home.
-Perhaps I did wrong; I told him what you told me when you went out this
-morning--I said you had gone to read at the Museum.â€
-
-“What makes you think you did wrong?â€
-
-“Well, miss, he didn’t say anything, but he looked upset.â€
-
-“Do you mean that he looked angry?â€
-
-The servant shook her head. “Not exactly angry--puzzled and put out.â€
-
-“Did he leave any message?â€
-
-“He said he would call later, if you would be so good as to receive
-him.â€
-
-In half an hour more, Alban and Emily were together again. The light
-fell full on her face as she rose to receive him.
-
-“Oh, how you have suffered!â€
-
-The words escaped him before he could restrain himself. He looked at her
-with the tender sympathy, so precious to women, which she had not seen
-in the face of any human creature since the loss of her aunt. Even the
-good doctor’s efforts to console her had been efforts of professional
-routine--the inevitable result of his life-long familiarity with sorrow
-and death. While Alban’s eyes rested on her, Emily felt her tears
-rising. In the fear that he might misinterpret her reception of him, she
-made an effort to speak with some appearance of composure.
-
-“I lead a lonely life,†she said; “and I can well understand that my
-face shows it. You are one of my very few friends, Mr. Morrisâ€--the
-tears rose again; it discouraged her to see him standing irresolute,
-with his hat in his hand, fearful of intruding on her. “Indeed, indeed,
-you are welcome,†she said, very earnestly.
-
-In those sad days her heart was easily touched. She gave him her hand
-for the second time. He held it gently for a moment. Every day since
-they had parted she had been in his thoughts; she had become dearer to
-him than ever. He was too deeply affected to trust himself to answer.
-That silence pleaded for him as nothing had pleaded for him yet. In
-her secret self she remembered with wonder how she had received his
-confession in the school garden. It was a little hard on him, surely, to
-have forbidden him even to hope.
-
-Conscious of her own weakness--even while giving way to it--she felt the
-necessity of turning his attention from herself. In some confusion, she
-pointed to a chair at her side, and spoke of his first visit, when he
-had left her letters at the door. Having confided to him all that she
-had discovered, and all that she had guessed, on that occasion, it
-was by an easy transition that she alluded next to the motive for his
-journey to the North.
-
-“I thought it might be suspicion of Mrs. Rook,†she said. “Was I
-mistaken?â€
-
-“No; you were right.â€
-
-“They were serious suspicions, I suppose?â€
-
-“Certainly! I should not otherwise have devoted my holiday-time to
-clearing them up.â€
-
-“May I know what they were?â€
-
-“I am sorry to disappoint you,†he began.
-
-“But you would rather not answer my question,†she interposed.
-
-“I would rather hear you tell me if you have made any other guess.â€
-
-“One more, Mr. Morris. I guessed that you had become acquainted with Sir
-Jervis Redwood.â€
-
-“For the second time, Miss Emily, you have arrived at a sound
-conclusion. My one hope of finding opportunities for observing Sir
-Jervis’s housekeeper depended on my chance of gaining admission to Sir
-Jervis’s house.â€
-
-“How did you succeed? Perhaps you provided yourself with a letter of
-introduction?â€
-
-“I knew nobody who could introduce me,†Alban replied. “As the event
-proved, a letter would have been needless. Sir Jervis introduced
-himself--and, more wonderful still, he invited me to his house at our
-first interview.â€
-
-“Sir Jervis introduced himself?†Emily repeated, in amazement. “From
-Cecilia’s description of him, I should have thought he was the last
-person in the world to do that!â€
-
-Alban smiled. “And you would like to know how it happened?†he
-suggested.
-
-“The very favor I was going to ask of you,†she replied.
-
-Instead of at once complying with her wishes, he paused--hesitated--and
-made a strange request. “Will you forgive my rudeness, if I ask leave to
-walk up and down the room while I talk? I am a restless man. Walking up
-and down helps me to express myself freely.â€
-
-Her face brightened for the first time. “How like You that is!†she
-exclaimed.
-
-Alban looked at her with surprise and delight. She had betrayed an
-interest in studying his character, which he appreciated at its full
-value. “I should never have dared to hope,†he said, “that you knew me
-so well already.â€
-
-“You are forgetting your story,†she reminded him.
-
-He moved to the opposite side of the room, where there were fewer
-impediments in the shape of furniture. With his head down, and his hands
-crossed behind him, he paced to and fro. Habit made him express himself
-in his usual quaint way--but he became embarrassed as he went on. Was he
-disturbed by his recollections? or by the fear of taking Emily into his
-confidence too freely?
-
-“Different people have different ways of telling a story,†he said.
-“Mine is the methodical way--I begin at the beginning. We will start, if
-you please, in the railway--we will proceed in a one-horse chaise--and
-we will stop at a village, situated in a hole. It was the nearest place
-to Sir Jervis’s house, and it was therefore my destination. I picked out
-the biggest of the cottages--I mean the huts--and asked the woman at
-the door if she had a bed to let. She evidently thought me either mad
-or drunk. I wasted no time in persuasion; the right person to plead my
-cause was asleep in her arms. I began by admiring the baby; and I ended
-by taking the baby’s portrait. From that moment I became a member of the
-family--the member who had his own way. Besides the room occupied by
-the husband and wife, there was a sort of kennel in which the husband’s
-brother slept. He was dismissed (with five shillings of mine to comfort
-him) to find shelter somewhere else; and I was promoted to the vacant
-place. It is my misfortune to be tall. When I went to bed, I slept with
-my head on the pillow, and my feet out of the window. Very cool and
-pleasant in summer weather. The next morning, I set my trap for Sir
-Jervis.â€
-
-“Your trap?†Emily repeated, wondering what he meant.
-
-“I went out to sketch from Nature,†Alban continued. “Can anybody (with
-or without a title, I don’t care), living in a lonely country house, see
-a stranger hard at work with a color-box and brushes, and not stop to
-look at what he is doing? Three days passed, and nothing happened. I was
-quite patient; the grand open country all round me offered lessons of
-inestimable value in what we call aerial perspective. On the fourth
-day, I was absorbed over the hardest of all hard tasks in landscape
-art, studying the clouds straight from Nature. The magnificent moorland
-silence was suddenly profaned by a man’s voice, speaking (or rather
-croaking) behind me. ‘The worst curse of human life,’ the voice said,
-‘is the detestable necessity of taking exercise. I hate losing my time;
-I hate fine scenery; I hate fresh air; I hate a pony. Go on, you brute!’
-Being too deeply engaged with the clouds to look round, I had supposed
-this pretty speech to be addressed to some second person. Nothing of the
-sort; the croaking voice had a habit of speaking to itself. In a minute
-more, there came within my range of view a solitary old man, mounted on
-a rough pony.â€
-
-“Was it Sir Jervis?â€
-
-Alban hesitated.
-
-“It looked more like the popular notion of the devil,†he said.
-
-“Oh, Mr. Morris!â€
-
-“I give you my first impression, Miss Emily, for what it is worth. He
-had his high-peaked hat in his hand, to keep his head cool. His wiry
-iron-gray hair looked like hair standing on end; his bushy eyebrows
-curled upward toward his narrow temples; his horrid old globular eyes
-stared with a wicked brightness; his pointed beard hid his chin; he
-was covered from his throat to his ankles in a loose black garment,
-something between a coat and a cloak; and, to complete him, he had a
-club foot. I don’t doubt that Sir Jervis Redwood is the earthly alias
-which he finds convenient--but I stick to that first impression which
-appeared to surprise you. ‘Ha! an artist; you seem to be the sort of man
-I want!’ In those terms he introduced himself. Observe, if you please,
-that my trap caught him the moment he came my way. Who wouldn’t be an
-artist?â€
-
-“Did he take a liking to you?†Emily inquired.
-
-“Not he! I don’t believe he ever took a liking to anybody in his life.â€
-
-“Then how did you get your invitation to his house?â€
-
-“That’s the amusing part of it, Miss Emily. Give me a little breathing
-time, and you shall hear.â€
-
-
-
-
-CHAPTER XXIII. MISS REDWOOD.
-
-“I got invited to Sir Jervis’s house,†Alban resumed, “by treating the
-old savage as unceremoniously as he had treated me. ‘That’s an idle
-trade of yours,’ he said, looking at my sketch. ‘Other ignorant people
-have made the same remark,’ I answered. He rode away, as if he was not
-used to be spoken to in that manner, and then thought better of it, and
-came back. ‘Do you understand wood engraving?’ he asked. ‘Yes.’
-‘And etching?’ ‘I have practiced etching myself.’ ‘Are you a Royal
-Academician?’ ‘I’m a drawing-master at a ladies’ school.’ ‘Whose
-school?’ ‘Miss Ladd’s.’ ‘Damn it, you know the girl who ought to have
-been my secretary.’ I am not quite sure whether you will take it as a
-compliment--Sir Jervis appeared to view you in the light of a reference
-to my respectability. At any rate, he went on with his questions. ‘How
-long do you stop in these parts?’ ‘I haven’t made up my mind.’ ‘Look
-here; I want to consult you--are you listening?’ ‘No; I’m sketching.’ He
-burst into a horrid scream. I asked if he felt himself taken ill. ‘Ill?’
-he said--‘I’m laughing.’ It was a diabolical laugh, in one syllable--not
-‘ha! ha! ha!’ only ‘ha!’--and it made him look wonderfully like that
-eminent person, whom I persist in thinking he resembles. ‘You’re an
-impudent dog,’ he said; ‘where are you living?’ He was so delighted when
-he heard of my uncomfortable position in the kennel-bedroom, that
-he offered his hospitality on the spot. ‘I can’t go to you in such a
-pigstye as that,’ he said; ‘you must come to me. What’s your name?’
-‘Alban Morris; what’s yours?’ ‘Jervis Redwood. Pack up your traps when
-you’ve done your job, and come and try my kennel. There it is, in a
-corner of your drawing, and devilish like, too.’ I packed up my traps,
-and I tried his kennel. And now you have had enough of Sir Jervis
-Redwood.â€
-
-“Not half enough!†Emily answered. “Your story leaves off just at the
-interesting moment. I want you to take me to Sir Jervis’s house.â€
-
-“And I want you, Miss Emily, to take me to the British Museum. Don’t let
-me startle you! When I called here earlier in the day, I was told that
-you had gone to the reading-room. Is your reading a secret?â€
-
-His manner, when he made that reply, suggested to Emily that there was
-some foregone conclusion in his mind, which he was putting to the test.
-She answered without alluding to the impression which he had produced on
-her.
-
-“My reading is no secret. I am only consulting old newspapers.â€
-
-He repeated the last words to himself. “Old newspapers?†he said--as if
-he was not quite sure of having rightly understood her.
-
-She tried to help him by a more definite reply.
-
-“I am looking through old newspapers,†she resumed, “beginning with the
-year eighteen hundred and seventy-six.â€
-
-“And going back from that time,†he asked eagerly; “to earlier dates
-still?â€
-
-“No--just the contrary--advancing from ‘seventy-six’ to the present
-time.â€
-
-He suddenly turned pale--and tried to hide his face from her by looking
-out of the window. For a moment, his agitation deprived him of his
-presence of mind. In that moment, she saw that she had alarmed him.
-
-“What have I said to frighten you?†she asked.
-
-He tried to assume a tone of commonplace gallantry. “There are limits
-even to your power over me,†he replied. “Whatever else you may do, you
-can never frighten me. Are you searching those old newspapers with any
-particular object in view?â€
-
-“Yes.â€
-
-“May I know what it is?â€
-
-“May I know why I frightened you?â€
-
-He began to walk up and down the room again--then checked himself
-abruptly, and appealed to her mercy.
-
-“Don’t be hard on me,†he pleaded. “I am so fond of you--oh, forgive me!
-I only mean that it distresses me to have any concealments from you. If
-I could open my whole heart at this moment, I should be a happier man.â€
-
-She understood him and believed him. “My curiosity shall never embarrass
-you again,†she answered warmly. “I won’t even remember that I wanted to
-hear how you got on in Sir Jervis’s house.â€
-
-His gratitude seized the opportunity of taking her harmlessly into his
-confidence. “As Sir Jervis’s guest,†he said, “my experience is at your
-service. Only tell me how I can interest you.â€
-
-She replied, with some hesitation, “I should like to know what happened
-when you first saw Mrs. Rook.†To her surprise and relief, he at once
-complied with her wishes.
-
-“We met,†he said, “on the evening when I first entered the house. Sir
-Jervis took me into the dining-room--and there sat Miss Redwood, with
-a large black cat on her lap. Older than her brother, taller than her
-brother, leaner than her brother--with strange stony eyes, and a skin
-like parchment--she looked (if I may speak in contradictions) like
-a living corpse. I was presented, and the corpse revived. The last
-lingering relics of former good breeding showed themselves faintly in
-her brow and in her smile. You will hear more of Miss Redwood presently.
-In the meanwhile, Sir Jervis made me reward his hospitality by
-professional advice. He wished me to decide whether the artists whom
-he had employed to illustrate his wonderful book had cheated him by
-overcharges and bad work--and Mrs. Rook was sent to fetch the engravings
-from his study upstairs. You remember her petrified appearance, when she
-first read the inscription on your locket? The same result followed when
-she found herself face to face with me. I saluted her civilly--she was
-deaf and blind to my politeness. Her master snatched the illustrations
-out of her hand, and told her to leave the room. She stood stockstill,
-staring helplessly. Sir Jervis looked round at his sister; and I
-followed his example. Miss Redwood was observing the housekeeper too
-attentively to notice anything else; her brother was obliged to speak
-to her. ‘Try Rook with the bell,’ he said. Miss Redwood took a fine old
-bronze hand-bell from the table at her side, and rang it. At the shrill
-silvery sound of the bell, Mrs. Rook put her hand to her head as if the
-ringing had hurt her--turned instantly, and left us. ‘Nobody can manage
-Rook but my sister,’ Sir Jervis explained; ‘Rook is crazy.’ Miss Redwood
-differed with him. ‘No!’ she said. Only one word, but there were volumes
-of contradiction in it. Sir Jervis looked at me slyly; meaning, perhaps,
-that he thought his sister crazy too. The dinner was brought in at the
-same moment, and my attention was diverted to Mrs. Rook’s husband.â€
-
-“What was he like?†Emily asked.
-
-“I really can’t tell you; he was one of those essentially commonplace
-persons, whom one never looks at a second time. His dress was shabby,
-his head was bald, and his hands shook when he waited on us at
-table--and that is all I remember. Sir Jervis and I feasted on salt
-fish, mutton, and beer. Miss Redwood had cold broth, with a wine-glass
-full of rum poured into it by Mr. Rook. ‘She’s got no stomach,’ her
-brother informed me; ‘hot things come up again ten minutes after they
-have gone down her throat; she lives on that beastly mixture, and calls
-it broth-grog!’ Miss Redwood sipped her elixir of life, and occasionally
-looked at me with an appearance of interest which I was at a loss to
-understand. Dinner being over, she rang her antique bell. The shabby old
-man-servant answered her call. ‘Where’s your wife?’ she inquired. ‘Ill,
-miss.’ She took Mr. Rook’s arm to go out, and stopped as she passed me.
-‘Come to my room, if you please, sir, to-morrow at two o’clock,’ she
-said. Sir Jervis explained again: ‘She’s all to pieces in the morning’
-(he invariably called his sister ‘She’); ‘and gets patched up toward the
-middle of the day. Death has forgotten her, that’s about the truth of
-it.’ He lighted his pipe and pondered over the hieroglyphics found among
-the ruined cities of Yucatan; I lighted my pipe, and read the only book
-I could find in the dining-room--a dreadful record of shipwrecks and
-disasters at sea. When the room was full of tobacco-smoke we fell asleep
-in our chairs--and when we awoke again we got up and went to bed. There
-is the true story of my first evening at Redwood Hall.â€
-
-Emily begged him to go on. “You have interested me in Miss Redwood,†she
-said. “You kept your appointment, of course?â€
-
-“I kept my appointment in no very pleasant humor. Encouraged by my
-favorable report of the illustrations which he had submitted to
-my judgment, Sir Jervis proposed to make me useful to him in a new
-capacity. ‘You have nothing particular to do,’ he said, ‘suppose you
-clean my pictures?’ I gave him one of my black looks, and made no other
-reply. My interview with his sister tried my powers of self-command in
-another way. Miss Redwood declared her purpose in sending for me the
-moment I entered the room. Without any preliminary remarks--speaking
-slowly and emphatically, in a wonderfully strong voice for a woman of
-her age--she said, ‘I have a favor to ask of you, sir. I want you to
-tell me what Mrs. Rook has done.’ I was so staggered that I stared at
-her like a fool. She went on: ‘I suspected Mrs. Rook, sir, of having
-guilty remembrances on her conscience before she had been a week in
-our service.’ Can you imagine my astonishment when I heard that Miss
-Redwood’s view of Mrs. Rook was my view? Finding that I still said
-nothing, the old lady entered into details: ‘We arranged, sir,’ (she
-persisted in calling me ‘sir,’ with the formal politeness of the old
-school)--‘we arranged, sir, that Mrs. Rook and her husband should occupy
-the bedroom next to mine, so that I might have her near me in case of
-my being taken ill in the night. She looked at the door between the two
-rooms--suspicious! She asked if there was any objection to her changing
-to another room--suspicious! suspicious! Pray take a seat, sir, and tell
-me which Mrs. Rook is guilty of--theft or murder?’â€
-
-“What a dreadful old woman!†Emily exclaimed. “How did you answer her?â€
-
-“I told her, with perfect truth, that I knew nothing of Mrs. Rook’s
-secrets. Miss Redwood’s humor took a satirical turn. ‘Allow me to ask,
-sir, whether your eyes were shut, when our housekeeper found herself
-unexpectedly in your presence?’ I referred the old lady to her brother’s
-opinion. ‘Sir Jervis believes Mrs. Rook to be crazy,’ I reminded her.
-‘Do you refuse to trust me, sir?’ ‘I have no information to give you,
-madam.’ She waved her skinny old hand in the direction of the door.
-I made my bow, and retired. She called me back. ‘Old women used to
-be prophets, sir, in the bygone time,’ she said. ‘I will venture on a
-prediction. You will be the means of depriving us of the services of
-Mr. and Mrs. Rook. If you will be so good as to stay here a day or two
-longer you will hear that those two people have given us notice to
-quit. It will be her doing, mind--he is a mere cypher. I wish you
-good-morning.’ Will you believe me, when I tell you that the prophecy
-was fulfilled?â€
-
-“Do you mean that they actually left the house?â€
-
-“They would certainly have left the house,†Alban answered, “if Sir
-Jervis had not insisted on receiving the customary month’s warning. He
-asserted his resolution by locking up the old husband in the pantry. His
-sister’s suspicions never entered his head; the housekeeper’s conduct
-(he said) simply proved that she was, what he had always considered
-her to be, crazy. ‘A capital servant, in spite of that drawback,’ he
-remarked; ‘and you will see, I shall bring her to her senses.’ The
-impression produced on me was naturally of a very different kind.
-While I was still uncertain how to entrap Mrs. Rook into confirming my
-suspicions, she herself had saved me the trouble. She had placed her own
-guilty interpretation on my appearance in the house--I had driven her
-away!â€
-
-Emily remained true to her resolution not to let her curiosity embarrass
-Alban again. But the unexpressed question was in her thoughts--“Of what
-guilt does he suspect Mrs. Rook? And, when he first felt his suspicions,
-was my father in his mind?â€
-
-Alban proceeded.
-
-“I had only to consider next, whether I could hope to make any further
-discoveries, if I continued to be Sir Jervis’s guest. The object of
-my journey had been gained; and I had no desire to be employed as
-picture-cleaner. Miss Redwood assisted me in arriving at a decision.
-I was sent for to speak to her again. The success of her prophecy had
-raised her spirits. She asked, with ironical humility, if I proposed to
-honor them by still remaining their guest, after the disturbance that I
-had provoked. I answered that I proposed to leave by the first train the
-next morning. ‘Will it be convenient for you to travel to some place at
-a good distance from this part of the world?’ she asked. I had my own
-reasons for going to London, and said so. ‘Will you mention that to my
-brother this evening, just before we sit down to dinner?’ she continued.
-‘And will you tell him plainly that you have no intention of returning
-to the North? I shall make use of Mrs. Rook’s arm, as usual, to help me
-downstairs--and I will take care that she hears what you say. Without
-venturing on another prophecy, I will only hint to you that I have my
-own idea of what will happen; and I should like you to see for yourself,
-sir, whether my anticipations are realized.’ Need I tell you that this
-strange old woman proved to be right once more? Mr. Rook was released;
-Mrs. Rook made humble apologies, and laid the whole blame on her
-husband’s temper: and Sir Jervis bade me remark that his method had
-succeeded in bringing the housekeeper to her senses. Such were
-the results produced by the announcement of my departure for
-London--purposely made in Mrs. Rook’s hearing. Do you agree with me,
-that my journey to Northumberland has not been taken in vain?â€
-
-Once more, Emily felt the necessity of controlling herself.
-
-Alban had said that he had “reasons of his own for going to London.â€
- Could she venture to ask him what those reasons were? She could only
-persist in restraining her curiosity, and conclude that he would have
-mentioned his motive, if it had been (as she had at one time supposed)
-connected with herself. It was a wise decision. No earthly consideration
-would have induced Alban to answer her, if she had put the question to
-him.
-
-All doubt of the correctness of his own first impression was now at an
-end; he was convinced that Mrs. Rook had been an accomplice in the
-crime committed, in 1877, at the village inn. His object in traveling
-to London was to consult the newspaper narrative of the murder. He, too,
-had been one of the readers at the Museum--had examined the back numbers
-of the newspaper--and had arrived at the conclusion that Emily’s father
-had been the victim of the crime. Unless he found means to prevent it,
-her course of reading would take her from the year 1876 to the year
-1877, and under that date, she would see the fatal report, heading the
-top of a column, and printed in conspicuous type.
-
-In the meanwhile Emily had broken the silence, before it could lead to
-embarrassing results, by asking if Alban had seen Mrs. Rook again, on
-the morning when he left Sir Jervis’s house.
-
-“There was nothing to be gained by seeing her,†Alban replied. “Now that
-she and her husband had decided to remain at Redwood Hall, I knew where
-to find her in case of necessity. As it happened I saw nobody, on the
-morning of my departure, but Sir Jervis himself. He still held to his
-idea of having his pictures cleaned for nothing. ‘If you can’t do it
-yourself,’ he said, ‘couldn’t you teach my secretary?’ He described the
-lady whom he had engaged in your place as a ‘nasty middle-aged woman
-with a perpetual cold in her head.’ At the same time (he remarked) he
-was a friend to the women, ‘because he got them cheap.’ I declined to
-teach the unfortunate secretary the art of picture-cleaning. Finding me
-determined, Sir Jervis was quite ready to say good-by. But he made use
-of me to the last. He employed me as postman and saved a stamp. The
-letter addressed to you arrived at breakfast-time. Sir Jervis said, ‘You
-are going to London; suppose you take it with you?’â€
-
-“Did he tell you that there was a letter of his own inclosed in the
-envelope?â€
-
-“No. When he gave me the envelope it was already sealed.â€
-
-Emily at once handed to him Sir Jervis’s letter. “That will tell you who
-employs me at the Museum, and what my work is,†she said.
-
-He looked through the letter, and at once offered--eagerly offered--to
-help her.
-
-“I have been a student in the reading-room at intervals, for years
-past,†he said. “Let me assist you, and I shall have something to do in
-my holiday time.†He was so anxious to be of use that he interrupted her
-before she could thank him. “Let us take alternate years,†he suggested.
-“Did you not tell me you were searching the newspapers published in
-eighteen hundred and seventy-six?â€
-
-“Yes.â€
-
-“Very well. I will take the next year. You will take the year after. And
-so on.â€
-
-“You are very kind,†she answered--“but I should like to propose an
-improvement on your plan.â€
-
-“What improvement?†he asked, rather sharply.
-
-“If you will leave the five years, from ‘seventy-six to ‘eighty-one,
-entirely to me,†she resumed, “and take the next five years, reckoning
-_backward_ from ‘seventy-six, you will help me to better purpose. Sir
-Jervis expects me to look for reports of Central American Explorations,
-through the newspapers of the last forty years; and I have taken the
-liberty of limiting the heavy task imposed on me. When I report my
-progress to my employer, I should like to say that I have got through
-ten years of the examination, instead of five. Do you see any objection
-to the arrangement I propose?â€
-
-He proved to be obstinate--incomprehensibly obstinate.
-
-“Let us try my plan to begin with,†he insisted. “While you are looking
-through ‘seventy-six, let me be at work on ‘seventy-seven. If you still
-prefer your own arrangement, after that, I will follow your suggestion
-with pleasure. Is it agreed?â€
-
-Her acute perception--enlightened by his tone as wall as by his
-words--detected something under the surface already.
-
-“It isn’t agreed until I understand you a little better,†she quietly
-replied. “I fancy you have some object of your own in view.â€
-
-She spoke with her usual directness of look and manner. He was evidently
-disconcerted. “What makes you think so?†he asked.
-
-“My own experience of myself makes me think so,†she answered. “If _I_
-had some object to gain, I should persist in carrying it out--like you.â€
-
-“Does that mean, Miss Emily, that you refuse to give way?â€
-
-“No, Mr. Morris. I have made myself disagreeable, but I know when to
-stop. I trust you--and submit.â€
-
-If he had been less deeply interested in the accomplishment of his
-merciful design, he might have viewed Emily’s sudden submission with
-some distrust. As it was, his eagerness to prevent her from discovering
-the narrative of the murder hurried him into an act of indiscretion.
-He made an excuse to leave her immediately, in the fear that she might
-change her mind.
-
-“I have inexcusably prolonged my visit,†he said. “If I presume on your
-kindness in this way, how can I hope that you will receive me again? We
-meet to-morrow in the reading-room.â€
-
-He hastened away, as if he was afraid to let her say a word in reply.
-
-Emily reflected.
-
-“Is there something he doesn’t want me to see, in the news of the year
-‘seventy-seven?†The one explanation which suggested itself to her mind
-assumed that form of expression--and the one method of satisfying her
-curiosity that seemed likely to succeed, was to search the volume which
-Alban had reserved for his own reading.
-
-For two days they pursued their task together, seated at opposite desks.
-On the third day Emily was absent.
-
-Was she ill?
-
-She was at the library in the City, consulting the file of _The Times_
-for the year 1877.
-
-
-
-
-CHAPTER XXIV. MR. ROOK.
-
-Emily’s first day in the City library proved to be a day wasted.
-
-She began reading the back numbers of the newspaper at haphazard,
-without any definite idea of what she was looking for. Conscious of the
-error into which her own impatience had led her, she was at a loss
-how to retrace the false step that she had taken. But two alternatives
-presented themselves: either to abandon the hope of making any
-discovery--or to attempt to penetrate Alban ‘s motives by means of pure
-guesswork, pursued in the dark.
-
-How was the problem to be solved? This serious question troubled her all
-through the evening, and kept her awake when she went to bed. In despair
-of her capacity to remove the obstacle that stood in her way, she
-decided on resuming her regular work at the Museum--turned her pillow to
-get at the cool side of it--and made up her mind to go asleep.
-
-In the case of the wiser animals, the Person submits to Sleep. It is
-only the superior human being who tries the hopeless experiment of
-making Sleep submit to the Person. Wakeful on the warm side of the
-pillow, Emily remained wakeful on the cool side--thinking again and
-again of the interview with Alban which had ended so strangely.
-
-Little by little, her mind passed the limits which had restrained it
-thus far. Alban’s conduct in keeping his secret, in the matter of
-the newspapers, now began to associate itself with Alban’s conduct in
-keeping that other secret, which concealed from her his suspicions of
-Mrs. Rook.
-
-She started up in bed as the next possibility occurred to her.
-
-In speaking of the disaster which had compelled Mr. and Mrs. Rook to
-close the inn, Cecilia had alluded to an inquest held on the body of the
-murdered man. Had the inquest been mentioned in the newspapers, at the
-time? And had Alban seen something in the report, which concerned Mrs.
-Rook?
-
-Led by the new light that had fallen on her, Emily returned to the
-library the next morning with a definite idea of what she had to look
-for. Incapable of giving exact dates, Cecilia had informed her that the
-crime was committed “in the autumn.†The month to choose, in beginning
-her examination, was therefore the month of August.
-
-No discovery rewarded her. She tried September, next--with the same
-unsatisfactory results. On Monday the first of October she met with some
-encouragement at last. At the top of a column appeared a telegraphic
-summary of all that was then known of the crime. In the number for the
-Wednesday following, she found a full report of the proceedings at the
-inquest.
-
-Passing over the preliminary remarks, Emily read the evidence with the
-closest attention.
-
- -------------
-
-The jury having viewed the body, and having visited an outhouse in which
-the murder had been committed, the first witness called was Mr. Benjamin
-Rook, landlord of the Hand-in-Hand inn.
-
-On the evening of Sunday, September 30th, 1877, two gentlemen presented
-themselves at Mr. Rook’s house, under circumstances which especially
-excited his attention.
-
-The youngest of the two was short, and of fair complexion. He carried a
-knapsack, like a gentleman on a pedestrian excursion; his manners were
-pleasant; and he was decidedly good-looking. His companion, older,
-taller, and darker--and a finer man altogether--leaned on his arm and
-seemed to be exhausted. In every respect they were singularly unlike
-each other. The younger stranger (excepting little half-whiskers) was
-clean shaved. The elder wore his whole beard. Not knowing their names,
-the landlord distinguished them, at the coroner’s suggestion, as the
-fair gentleman, and the dark gentleman.
-
-It was raining when the two arrived at the inn. There were signs in the
-heavens of a stormy night.
-
-On accosting the landlord, the fair gentleman volunteered the following
-statement:
-
-Approaching the village, he had been startled by seeing the dark
-gentleman (a total stranger to him) stretched prostrate on the grass at
-the roadside--so far as he could judge, in a swoon. Having a flask with
-brandy in it, he revived the fainting man, and led him to the inn.
-
-This statement was confirmed by a laborer, who was on his way to the
-village at the time.
-
-The dark gentleman endeavored to explain what had happened to him. He
-had, as he supposed, allowed too long a time to pass (after an early
-breakfast that morning), without taking food: he could only attribute
-the fainting fit to that cause. He was not liable to fainting fits. What
-purpose (if any) had brought him into the neighborhood of Zeeland, he
-did not state. He had no intention of remaining at the inn, except for
-refreshment; and he asked for a carriage to take him to the railway
-station.
-
-The fair gentleman, seeing the signs of bad weather, desired to remain
-in Mr. Rook’s house for the night, and proposed to resume his walking
-tour the next day.
-
-Excepting the case of supper, which could be easily provided, the
-landlord had no choice but to disappoint both his guests. In his small
-way of business, none of his customers wanted to hire a carriage--even
-if he could have afforded to keep one. As for beds, the few rooms which
-the inn contained were all engaged; including even the room occupied by
-himself and his wife. An exhibition of agricultural implements had
-been opened in the neighborhood, only two days since; and a public
-competition between rival machines was to be decided on the coming
-Monday. Not only was the Hand-in-Hand inn crowded, but even the
-accommodation offered by the nearest town had proved barely sufficient
-to meet the public demand.
-
-The gentlemen looked at each other and agreed that there was no help for
-it but to hurry the supper, and walk to the railway station--a distance
-of between five and six miles--in time to catch the last train.
-
-While the meal was being prepared, the rain held off for a while. The
-dark man asked his way to the post-office and went out by himself.
-
-He came back in about ten minutes, and sat down afterward to supper with
-his companion. Neither the landlord, nor any other person in the public
-room, noticed any change in him on his return. He was a grave, quiet
-sort of person, and (unlike the other one) not much of a talker.
-
-As the darkness came on, the rain fell again heavily; and the heavens
-were black.
-
-A flash of lightning startled the gentlemen when they went to the window
-to look out: the thunderstorm began. It was simply impossible that
-two strangers to the neighborhood could find their way to the station,
-through storm and darkness, in time to catch the train. With or without
-bedrooms, they must remain at the inn for the night. Having already
-given up their own room to their lodgers, the landlord and landlady had
-no other place to sleep in than the kitchen. Next to the kitchen, and
-communicating with it by a door, was an outhouse; used, partly as a
-scullery, partly as a lumber-room. There was an old truckle-bed among
-the lumber, on which one of the gentlemen might rest. A mattress on the
-floor could be provided for the other. After adding a table and a basin,
-for the purposes of the toilet, the accommodation which Mr. Rook was
-able to offer came to an end.
-
-The travelers agreed to occupy this makeshift bed-chamber.
-
-The thunderstorm passed away; but the rain continued to fall heavily.
-Soon after eleven the guests at the inn retired for the night. There was
-some little discussion between the two travelers, as to which of them
-should take possession of the truckle-bed. It was put an end to by the
-fair gentleman, in his own pleasant way. He proposed to “toss up
-for itâ€--and he lost. The dark gentleman went to bed first; the fair
-gentleman followed, after waiting a while. Mr. Rook took his knapsack
-into the outhouse; and arranged on the table his appliances for the
-toilet--contained in a leather roll, and including a razor--ready for
-use in the morning.
-
-Having previously barred the second door of the outhouse, which led into
-the yard, Mr. Rook fastened the other door, the lock and bolts of which
-were on the side of the kitchen. He then secured the house door, and the
-shutters over the lower windows. Returning to the kitchen, he noticed
-that the time was ten minutes short of midnight. Soon afterward, he and
-his wife went to bed.
-
-Nothing happened to disturb Mr. and Mrs. Rook during the night.
-
-At a quarter to seven the next morning, he got up; his wife being still
-asleep. He had been instructed to wake the gentlemen early; and he
-knocked at their door. Receiving no answer, after repeatedly knocking,
-he opened the door and stepped into the outhouse.
-
-At this point in his evidence, the witness’s recollections appeared to
-overpower him. “Give me a moment, gentlemen,†he said to the jury. “I
-have had a dreadful fright; and I don’t believe I shall get over it for
-the rest of my life.â€
-
-The coroner helped him by a question: “What did you see when you opened
-the door?â€
-
-Mr. Rook answered: “I saw the dark man stretched out on his bed--dead,
-with a frightful wound in his throat. I saw an open razor, stained with
-smears of blood, at his side.â€
-
-“Did you notice the door, leading into the yard?â€
-
-“It was wide open, sir. When I was able to look round me, the other
-traveler--I mean the man with the fair complexion, who carried the
-knapsack--was nowhere to be seen.â€
-
-“What did you do, after making these discoveries?â€
-
-“I closed the yard door. Then I locked the other door, and put the
-key in my pocket. After that I roused the servant, and sent him to the
-constable--who lived near to us--while I ran for the doctor, whose
-house was at the other end of our village. The doctor sent his groom, on
-horseback, to the police-office in the town. When I returned to the
-inn, the constable was there--and he and the police took the matter into
-their own hands.â€
-
-“You have nothing more to tell us?â€
-
-“Nothing more.â€
-
-
-
-
-CHAPTER XXV. “J. B.â€
-
-Mr. Rook having completed his evidence, the police authorities were the
-next witnesses examined.
-
-They had not found the slightest trace of any attempt to break into
-the house in the night. The murdered man’s gold watch and chain were
-discovered under his pillow. On examining his clothes the money was
-found in his purse, and the gold studs and sleeve buttons were left in
-his shirt. But his pocketbook (seen by witnesses who had not yet been
-examined) was missing. The search for visiting cards and letters had
-proved to be fruitless. Only the initials, “J. B.,†were marked on his
-linen. He had brought no luggage with him to the inn. Nothing could be
-found which led to the discovery of his name or of the purpose which had
-taken him into that part of the country.
-
-The police examined the outhouse next, in search of circumstantial
-evidence against the missing man.
-
-He must have carried away his knapsack, when he took to flight, but
-he had been (probably) in too great a hurry to look for his razor--or
-perhaps too terrified to touch it, if it had attracted his notice. The
-leather roll, and the other articles used for his toilet, had been
-taken away. Mr. Rook identified the blood-stained razor. He had noticed
-overnight the name of the Belgian city, “Liege,†engraved on it.
-
-The yard was the next place inspected. Foot-steps were found on the
-muddy earth up to the wall. But the road on the other side had been
-recently mended with stones, and the trace of the fugitive was lost.
-Casts had been taken of the footsteps; and no other means of discovery
-had been left untried. The authorities in London had also been
-communicated with by telegraph.
-
-The doctor being called, described a personal peculiarity, which he
-had noticed at the post-mortem examination, and which might lead to the
-identification of the murdered man.
-
-As to the cause of death, the witness said it could be stated in
-two words. The internal jugular vein had been cut through, with such
-violence, judging by the appearances, that the wound could not have been
-inflicted, in the act of suicide, by the hand of the deceased person. No
-other injuries, and no sign of disease, was found on the body. The one
-cause of death had been Hemorrhage; and the one peculiarity which called
-for notice had been discovered in the mouth. Two of the front teeth, in
-the upper jaw, were false. They had been so admirably made to resemble
-the natural teeth on either side of them, in form and color, that the
-witness had only hit on the discovery by accidentally touching the inner
-side of the gum with one of his fingers.
-
-The landlady was examined, when the doctor had retired. Mrs. Rook was
-able, in answering questions put to her, to give important information,
-in reference to the missing pocketbook.
-
-Before retiring to rest, the two gentlemen had paid the bill--intending
-to leave the inn the first thing in the morning. The traveler with the
-knapsack paid his share in money. The other unfortunate gentleman looked
-into his purse, and found only a shilling and a sixpence in it. He asked
-Mrs. Rook if she could change a bank-note. She told him it could be
-done, provided the note was for no considerable sum of money. Upon that
-he opened his pocketbook (which the witness described minutely) and
-turned out the contents on the table. After searching among many Bank
-of England notes, some in one pocket of the book and some in another, he
-found a note of the value of five pounds. He thereupon settled his bill,
-and received the change from Mrs. Rook--her husband being in another
-part of the room, attending to the guests. She noticed a letter in an
-envelope, and a few cards which looked (to her judgment) like visiting
-cards, among the bank-notes which he had turned out on the table. When
-she returned to him with the change, he had just put them back, and
-was closing the pocketbook. She saw him place it in one of the breast
-pockets of his coat.
-
-The fellow-traveler who had accompanied him to the inn was present all
-the time, sitting on the opposite side of the table. He made a remark
-when he saw the notes produced. He said, “Put all that money back--don’t
-tempt a poor man like me!†It was said laughing, as if by way of a joke.
-
-Mrs. Rook had observed nothing more that night; had slept as soundly as
-usual; and had been awakened when her husband knocked at the outhouse
-door, according to instructions received from the gentlemen, overnight.
-
-Three of the guests in the public room corroborated Mrs. Rook’s
-evidence. They were respectable persons, well and widely known in that
-part of Hampshire. Besides these, there were two strangers staying
-in the house. They referred the coroner to their employers--eminent
-manufacturers at Sheffield and Wolverhampton--whose testimony spoke for
-itself.
-
-The last witness called was a grocer in the village, who kept the
-post-office.
-
-On the evening of the 30th, a dark gentleman, wearing his beard, knocked
-at the door, and asked for a letter addressed to “J. B., Post-office,
-Zeeland.†The letter had arrived by that morning’s post; but, being
-Sunday evening, the grocer requested that application might be made for
-it the next morning. The stranger said the letter contained news, which
-it was of importance to him to receive without delay. Upon this, the
-grocer made an exception to customary rules and gave him the letter.
-He read it by the light of the lamp in the passage. It must have been
-short, for the reading was done in a moment. He seemed to think over it
-for a while; and then he turned round to go out. There was nothing to
-notice in his look or in his manner. The witness offered a remark on the
-weather; and the gentleman said, “Yes, it looks like a bad nightâ€--and
-so went away.
-
-The postmaster’s evidence was of importance in one respect: it suggested
-the motive which had brought the deceased to Zeeland. The letter
-addressed to “J. B.†was, in all probability, the letter seen by Mrs.
-Rook among the contents of the pocketbook, spread out on the table.
-
-The inquiry being, so far, at an end, the inquest was adjourned--on the
-chance of obtaining additional evidence, when the reported proceedings
-were read by the public.
-
- ........
-
-Consulting a later number of the newspaper Emily discovered that the
-deceased person had been identified by a witness from London.
-
-Henry Forth, gentleman’s valet, being examined, made the following
-statement:
-
-He had read the medical evidence contained in the report of the
-inquest; and, believing that he could identify the deceased, had been
-sent by his present master to assist the object of the inquiry. Ten
-days since, being then out of place, he had answered an advertisement.
-The next day, he was instructed to call at Tracey’s Hotel, London, at
-six o’clock in the evening, and to ask for Mr. James Brown. Arriving at
-the hotel he saw the gentleman for a few minutes only. Mr. Brown had a
-friend with him. After glancing over the valet’s references, he said,
-“I haven’t time enough to speak to you this evening. Call here
-to-morrow morning at nine o’clock.†The gentleman who was present
-laughed, and said, “You won’t be up!†Mr. Brown answered, “That won’t
-matter; the man can come to my bedroom, and let me see how he
-understands his duties, on trial.†At nine the next morning, Mr. Brown
-was reported to be still in bed; and the witness was informed of the
-number of the room. He knocked at the door. A drowsy voice inside said
-something, which he interpreted as meaning “Come in.†He went in. The
-toilet-table was on his left hand, and the bed (with the lower curtain
-drawn) was on his right. He saw on the table a tumbler with a little
-water in it, and with two false teeth in the water. Mr. Brown started
-up in bed--looked at him furiously--abused him for daring to enter the
-room--and shouted to him to “get out.†The witness, not accustomed to
-be treated in that way, felt naturally indignant, and at once
-withdrew--but not before he had plainly seen the vacant place which the
-false teeth had been made to fill. Perhaps Mr. Brown had forgotten that
-he had left his teeth on the table. Or perhaps he (the valet) had
-misunderstood what had been said to him when he knocked at the door.
-Either way, it seemed to be plain enough that the gentleman resented
-the discovery of his false teeth by a stranger.
-
-Having concluded his statement the witness proceeded to identify the
-remains of the deceased.
-
-He at once recognized the gentleman named James Brown, whom he had
-twice seen--once in the evening, and again the next morning--at
-Tracey’s Hotel. In answer to further inquiries, he declared that he
-knew nothing of the family, or of the place of residence, of the
-deceased. He complained to the proprietor of the hotel of the rude
-treatment that he had received, and asked if Mr. Tracey knew anything
-of Mr. James Brown. Mr. Tracey knew nothing of him. On consulting the
-hotel book it was found that he had given notice to leave, that
-afternoon.
-
-Before returning to London, the witness produced references which gave
-him an excellent character. He also left the address of the master who
-had engaged him three days since.
-
-The last precaution adopted was to have the face of the corpse
-photographed, before the coffin was closed. On the same day the jury
-agreed on their verdict: “Willful murder against some person unknown.â€
-
- ........
-
-
-Two days later, Emily found a last allusion to the crime--extracted from
-the columns of the _South Hampshire Gazette_.
-
-A relative of the deceased, seeing the report of the adjourned inquest,
-had appeared (accompanied by a medical gentleman); had seen the
-photograph; and had declared the identification by Henry Forth to be
-correct.
-
-Among other particulars, now communicated for the first time, it was
-stated that the late Mr. James Brown had been unreasonably sensitive on
-the subject of his false teeth, and that the one member of his family
-who knew of his wearing them was the relative who now claimed his
-remains.
-
-The claim having been established to the satisfaction of the
-authorities, the corpse was removed by railroad the same day. No further
-light had been thrown on the murder. The Handbill offering the reward,
-and describing the suspected man, had failed to prove of any assistance
-to the investigations of the police.
-
-From that date, no further notice of the crime committed at the
-Hand-in-Hand inn appeared in the public journals.
-
- ........
-
-
-Emily closed the volume which she had been consulting, and thankfully
-acknowledged the services of the librarian.
-
-The new reader had excited this gentleman’s interest. Noticing how
-carefully she examined the numbers of the old newspaper, he looked at
-her, from time to time, wondering whether it was good news or bad of
-which she was in search. She read steadily and continuously; but she
-never rewarded his curiosity by any outward sign of the impression that
-had been produced on her. When she left the room there was nothing to
-remark in her manner; she looked quietly thoughtful--and that was all.
-
-The librarian smiled--amused by his own folly. Because a stranger’s
-appearance had attracted him, he had taken it for granted that
-circumstances of romantic interest must be connected with her visit to
-the library. Far from misleading him, as he supposed, his fancy might
-have been employed to better purpose, if it had taken a higher flight
-still--and had associated Emily with the fateful gloom of tragedy, in
-place of the brighter interest of romance.
-
-There, among the ordinary readers of the day, was a dutiful and
-affectionate daughter following the dreadful story of the death of
-her father by murder, and believing it to be the story of a
-stranger--because she loved and trusted the person whose short-sighted
-mercy had deceived her. That very discovery, the dread of which had
-shaken the good doctor’s firm nerves, had forced Alban to exclude from
-his confidence the woman whom he loved, and had driven the faithful
-old servant from the bedside of her dying mistress--that very discovery
-Emily had now made, with a face which never changed color, and a heart
-which beat at ease. Was the deception that had won this cruel victory
-over truth destined still to triumph in the days which were to come?
-Yes--if the life of earth is a foretaste of the life of hell. No--if a
-lie _is_ a lie, be the merciful motive for the falsehood what it may.
-No--if all deceit contains in it the seed of retribution, to be ripened
-inexorably in the lapse of time.
-
-
-
-
-CHAPTER XXVI. MOTHER EVE.
-
-The servant received Emily, on her return from the library, with a sly
-smile. “Here he is again, miss, waiting to see you.â€
-
-She opened the parlor door, and revealed Alban Morris, as restless as
-ever, walking up and down the room.
-
-“When I missed you at the Museum, I was afraid you might be ill,†he
-said. “Ought I to have gone away, when my anxiety was relieved? Shall I
-go away now?â€
-
-“You must take a chair, Mr. Morris, and hear what I have to say for
-myself. When you left me after your last visit, I suppose I felt the
-force of example. At any rate I, like you, had my suspicions. I have
-been trying to confirm them--and I have failed.â€
-
-He paused, with the chair in his hand. “Suspicions of Me?†he asked.
-
-“Certainly! Can you guess how I have been employed for the last two
-days? No--not even your ingenuity can do that. I have been hard at work,
-in another reading-room, consulting the same back numbers of the same
-newspaper, which you have been examining at the British Museum. There is
-my confession--and now we will have some tea.â€
-
-She moved to the fireplace, to ring the bell, and failed to see the
-effect produced on Alban by those lightly-uttered words. The common
-phrase is the only phrase that can describe it. He was thunderstruck.
-
-“Yes,†she resumed, “I have read the report of the inquest. If I know
-nothing else, I know that the murder at Zeeland can’t be the discovery
-which you are bent on keeping from me. Don’t be alarmed for the
-preservation of your secret! I am too much discouraged to try again.â€
-
-The servant interrupted them by answering the bell; Alban once more
-escaped detection. Emily gave her orders with an approach to the old
-gayety of her school days. “Tea, as soon as possible--and let us have
-the new cake. Are you too much of a man, Mr. Morris, to like cake?â€
-
-In this state of agitation, he was unreasonably irritated by that
-playful question. “There is one thing I like better than cake,†he said;
-“and that one thing is a plain explanation.â€
-
-His tone puzzled her. “Have I said anything to offend you?†she asked.
-“Surely you can make allowance for a girl’s curiosity? Oh, you shall
-have your explanation--and, what is more, you shall have it without
-reserve!â€
-
-She was as good as her word. What she had thought, and what she had
-planned, when he left her after his last visit, was frankly and fully
-told. “If you wonder how I discovered the library,†she went on, “I must
-refer you to my aunt’s lawyer. He lives in the City--and I wrote to him
-to help me. I don’t consider that my time has been wasted. Mr. Morris,
-we owe an apology to Mrs. Rook.â€
-
-Alban’s astonishment, when he heard this, forced its way to expression
-in words. “What can you possibly mean?†he asked.
-
-The tea was brought in before Emily could reply. She filled the cups,
-and sighed as she looked at the cake. “If Cecilia was here, how she
-would enjoy it!†With that complimentary tribute to her friend, she
-handed a slice to Alban. He never even noticed it.
-
-“We have both of us behaved most unkindly to Mrs. Rook,†she resumed. “I
-can excuse your not seeing it; for I should not have seen it either, but
-for the newspaper. While I was reading, I had an opportunity of thinking
-over what we said and did, when the poor woman’s behavior so needlessly
-offended us. I was too excited to think, at the time--and, besides, I
-had been upset, only the night before, by what Miss Jethro said to me.â€
-
-Alban started. “What has Miss Jethro to do with it?†he asked.
-
-“Nothing at all,†Emily answered. “She spoke to me of her own private
-affairs. A long story--and you wouldn’t be interested in it. Let me
-finish what I had to say. Mrs. Rook was naturally reminded of the
-murder, when she heard that my name was Brown; and she must certainly
-have been struck--as I was--by the coincidence of my father’s death
-taking place at the same time when his unfortunate namesake was killed.
-Doesn’t this sufficiently account for her agitation when she looked at
-the locket? We first took her by surprise: and then we suspected her of
-Heaven knows what, because the poor creature didn’t happen to have her
-wits about her, and to remember at the right moment what a very common
-name ‘James Brown’ is. Don’t you see it as I do?â€
-
-“I see that you have arrived at a remarkable change of opinion, since we
-spoke of the subject in the garden at school.â€
-
-“In my place, you would have changed your opinion too. I shall write to
-Mrs. Rook by tomorrow’s post.â€
-
-Alban heard her with dismay. “Pray be guided by my advice!†he said
-earnestly. “Pray don’t write that letter!â€
-
-“Why not?â€
-
-It was too late to recall the words which he had rashly allowed to
-escape him. How could he reply?
-
-To own that he had not only read what Emily had read, but had carefully
-copied the whole narrative and considered it at his leisure, appeared
-to be simply impossible after what he had now heard. Her peace of
-mind depended absolutely on his discretion. In this serious emergency,
-silence was a mercy, and silence was a lie. If he remained silent, might
-the mercy be trusted to atone for the lie? He was too fond of Emily
-to decide that question fairly, on its own merits. In other words, he
-shrank from the terrible responsibility of telling her the truth.
-
-“Isn’t the imprudence of writing to such a person as Mrs. Rook plain
-enough to speak for itself?†he suggested cautiously.
-
-“Not to me.â€
-
-She made that reply rather obstinately. Alban seemed (in her view) to be
-trying to prevent her from atoning for an act of injustice. Besides,
-he despised her cake. “I want to know why you object,†she said; taking
-back the neglected slice, and eating it herself.
-
-“I object,†Alban answered, “because Mrs. Rook is a coarse presuming
-woman. She may pervert your letter to some use of her own, which you may
-have reason to regret.â€
-
-“Is that all?â€
-
-“Isn’t it enough?â€
-
-“It may be enough for _you_. When I have done a person an injury, and
-wish to make an apology, I don’t think it necessary to inquire whether
-the person’s manners happen to be vulgar or not.â€
-
-Alban’s patience was still equal to any demands that she could make on
-it. “I can only offer you advice which is honestly intended for your own
-good,†he gently replied.
-
-“You would have more influence over me, Mr. Morris, if you were a little
-readier to take me into your confidence. I daresay I am wrong--but I
-don’t like following advice which is given to me in the dark.â€
-
-It was impossible to offend him. “Very naturally,†he said; “I don’t
-blame you.â€
-
-Her color deepened, and her voice rose. Alban’s patient adherence to his
-own view--so courteously and considerately urged--was beginning to try
-her temper. “In plain words,†she rejoined, “I am to believe that you
-can’t be mistaken in your judgment of another person.â€
-
-There was a ring at the door of the cottage while she was speaking. But
-she was too warmly interested in confuting Alban to notice it.
-
-He was quite willing to be confuted. Even when she lost her temper,
-she was still interesting to him. “I don’t expect you to think me
-infallible,†he said. “Perhaps you will remember that I have had some
-experience. I am unfortunately older than you are.â€
-
-“Oh if wisdom comes with age,†she smartly reminded him, “your friend
-Miss Redwood is old enough to be your mother--and she suspected Mrs.
-Rook of murder, because the poor woman looked at a door, and disliked
-being in the next room to a fidgety old maid.â€
-
-Alban’s manner changed: he shrank from that chance allusion to doubts
-and fears which he dare not acknowledge. “Let us talk of something
-else,†he said.
-
-She looked at him with a saucy smile. “Have I driven you into a corner
-at last? And is _that_ your way of getting out of it?â€
-
-Even his endurance failed. “Are you trying to provoke me?†he asked.
-“Are you no better than other women? I wouldn’t have believed it of you,
-Emily.â€
-
-“Emily?†She repeated the name in a tone of surprise, which reminded
-him that he had addressed her with familiarity at a most inappropriate
-time--the time when they were on the point of a quarrel. He felt the
-implied reproach too keenly to be able to answer her with composure.
-
-“I think of Emily--I love Emily--my one hope is that Emily may love me.
-Oh, my dear, is there no excuse if I forget to call you ‘Miss’ when you
-distress me?â€
-
-All that was tender and true in her nature secretly took his part. She
-would have followed that better impulse, if he had only been calm enough
-to understand her momentary silence, and to give her time. But the
-temper of a gentle and generous man, once roused, is slow to subside.
-Alban abruptly left his chair. “I had better go!†he said.
-
-“As you please,†she answered. “Whether you go, Mr. Morris, or whether
-you stay, I shall write to Mrs. Rook.â€
-
-The ring at the bell was followed by the appearance of a visitor. Doctor
-Allday opened the door, just in time to hear Emily’s last words. Her
-vehemence seemed to amuse him.
-
-“Who is Mrs. Rook?†he asked.
-
-“A most respectable person,†Emily answered indignantly; “housekeeper to
-Sir Jervis Redwood. You needn’t sneer at her, Doctor Allday! She has not
-always been in service--she was landlady of the inn at Zeeland.â€
-
-The doctor, about to put his hat on a chair, paused. The inn at Zeeland
-reminded him of the Handbill, and of the visit of Miss Jethro.
-
-“Why are you so hot over it?†he inquired
-
-“Because I detest prejudice!†With this assertion of liberal feeling she
-pointed to Alban, standing quietly apart at the further end of the room.
-“There is the most prejudiced man living--he hates Mrs. Rook. Would you
-like to be introduced to him? You’re a philosopher; you may do him some
-good. Doctor Allday--Mr. Alban Morris.â€
-
-The doctor recognized the man, with the felt hat and the objectionable
-beard, whose personal appearance had not impressed him favorably.
-
-Although they may hesitate to acknowledge it, there are respectable
-Englishmen still left, who regard a felt hat and a beard as symbols of
-republican disaffection to the altar and the throne. Doctor Allday’s
-manner might have expressed this curious form of patriotic feeling, but
-for the associations which Emily had revived. In his present frame of
-mind, he was outwardly courteous, because he was inwardly suspicious.
-Mrs. Rook had been described to him as formerly landlady of the inn at
-Zeeland. Were there reasons for Mr. Morris’s hostile feeling toward this
-woman which might be referable to the crime committed in her house that
-might threaten Emily’s tranquillity if they were made known? It would
-not be amiss to see a little more of Mr. Morris, on the first convenient
-occasion.
-
-“I am glad to make your acquaintance, sir.â€
-
-“You are very kind, Doctor Allday.â€
-
-The exchange of polite conventionalities having been accomplished, Alban
-approached Emily to take his leave, with mingled feelings of regret and
-anxiety--regret for having allowed himself to speak harshly; anxiety to
-part with her in kindness.
-
-“Will you forgive me for differing from you?†It was all he could
-venture to say, in the presence of a stranger.
-
-“Oh, yes!†she said quietly.
-
-“Will you think again, before you decide?â€
-
-“Certainly, Mr. Morris. But it won’t alter my opinion, if I do.â€
-
-The doctor, hearing what passed between them, frowned. On what subject
-had they been differing? And what opinion did Emily decline to alter?
-
-Alban gave it up. He took her hand gently. “Shall I see you at the
-Museum, to-morrow?†he asked.
-
-She was politely indifferent to the last. “Yes--unless something happens
-to keep me at home.â€
-
-The doctor’s eyebrows still expressed disapproval. For what object was
-the meeting proposed? And why at a museum?
-
-“Good-afternoon, Doctor Allday.â€
-
-“Good-afternoon, sir.â€
-
-For a moment after Alban’s departure, the doctor stood irresolute.
-Arriving suddenly at a decision, he snatched up his hat, and turned to
-Emily in a hurry.
-
-“I bring you news, my dear, which will surprise you. Who do you think
-has just left my house? Mrs. Ellmother! Don’t interrupt me. She has
-made up her mind to go out to service again. Tired of leading an
-idle life--that’s her own account of it--and asks me to act as her
-reference.â€
-
-“Did you consent?â€
-
-“Consent! If I act as her reference, I shall be asked how she came
-to leave her last place. A nice dilemma! Either I must own that she
-deserted her mistress on her deathbed--or tell a lie. When I put it to
-her in that way, she walked out of the house in dead silence. If she
-applies to you next, receive her as I did--or decline to see her, which
-would be better still.â€
-
-“Why am I to decline to see her?â€
-
-“In consequence of her behavior to your aunt, to be sure! No: I have
-said all I wanted to say--and I have no time to spare for answering idle
-questions. Good-by.â€
-
-Socially-speaking, doctors try the patience of their nearest and dearest
-friends, in this respect--they are almost always in a hurry. Doctor
-Allday’s precipitate departure did not tend to soothe Emily’s irritated
-nerves. She began to find excuses for Mrs. Ellmother in a spirit of pure
-contradiction. The old servant’s behavior might admit of justification:
-a friendly welcome might persuade her to explain herself. “If she
-applies to me,†Emily determined, “I shall certainly receive her.â€
-
-Having arrived at this resolution, her mind reverted to Alban.
-
-Some of the sharp things she had said to him, subjected to
-after-reflection in solitude, failed to justify themselves. Her better
-sense began to reproach her. She tried to silence that unwelcome monitor
-by laying the blame on Alban. Why had he been so patient and so good?
-What harm was there in his calling her “Emily� If he had told her to
-call _him_ by his Christian name, she might have done it. How noble he
-looked, when he got up to go away; he was actually handsome! Women may
-say what they please and write what they please: their natural instinct
-is to find their master in a man--especially when they like him. Sinking
-lower and lower in her own estimation, Emily tried to turn the current
-of her thoughts in another direction. She took up a book--opened it,
-looked into it, threw it across the room.
-
-If Alban had returned at that moment, resolved on a reconciliation--if
-he had said, “My dear, I want to see you like yourself again; will you
-give me a kiss, and make it upâ€--would he have left her crying, when he
-went away? She was crying now.
-
-
-
-
-CHAPTER XXVII. MENTOR AND TELEMACHUS.
-
-If Emily’s eyes could have followed Alban as her thoughts were following
-him, she would have seen him stop before he reached the end of the road
-in which the cottage stood. His heart was full of tenderness and sorrow:
-the longing to return to her was more than he could resist. It would be
-easy to wait, within view of the gate, until the doctor’s visit came
-to an end. He had just decided to go back and keep watch--when he heard
-rapid footsteps approaching. There (devil take him!) was the doctor
-himself.
-
-“I have something to say to you, Mr. Morris. Which way are you walking?â€
-
-“Any way,†Alban answered--not very graciously.
-
-“Then let us take the turning that leads to my house. It’s not customary
-for strangers, especially when they happen to be Englishmen, to place
-confidence in each other. Let me set the example of violating that rule.
-I want to speak to you about Miss Emily. May I take your arm? Thank
-you. At my age, girls in general--unless they are my patients--are not
-objects of interest to me. But that girl at the cottage--I daresay I
-am in my dotage--I tell you, sir, she has bewitched me! Upon my soul, I
-could hardly be more anxious about her, if I was her father. And, mind,
-I am not an affectionate man by nature. Are you anxious about her too?â€
-
-“Yes.â€
-
-“In what way?â€
-
-“In what way are you anxious, Doctor Allday?â€
-
-The doctor smiled grimly.
-
-“You don’t trust me? Well, I have promised to set the example. Keep your
-mask on, sir--mine is off, come what may of it. But, observe: if you
-repeat what I am going to say--â€
-
-Alban would hear no more. “Whatever you may say, Doctor Allday, is
-trusted to my honor. If you doubt my honor, be so good as to let go my
-arm--I am not walking your way.â€
-
-The doctor’s hand tightened its grasp. “That little flourish of temper,
-my dear sir, is all I want to set me at my ease. I feel I have got hold
-of the right man. Now answer me this. Have you ever heard of a person
-named Miss Jethro?â€
-
-Alban suddenly came to a standstill.
-
-“All right!†said the doctor. “I couldn’t have wished for a more
-satisfactory reply.â€
-
-“Wait a minute,†Alban interposed. “I know Miss Jethro as a teacher
-at Miss Ladd’s school, who left her situation suddenly--and I know no
-more.â€
-
-The doctor’s peculiar smile made its appearance again.
-
-“Speaking in the vulgar tone,†he said, “you seem to be in a hurry to
-wash your hands of Miss Jethro.â€
-
-“I have no reason to feel any interest in her,†Alban replied.
-
-“Don’t be too sure of that, my friend. I have something to tell you
-which may alter your opinion. That ex-teacher at the school, sir, knows
-how the late Mr. Brown met his death, and how his daughter has been
-deceived about it.â€
-
-Alban listened with surprise--and with some little doubt, which he
-thought it wise not to acknowledge.
-
-“The report of the inquest alludes to a ‘relative’ who claimed the
-body,†he said. “Was that ‘relative’ the person who deceived Miss Emily?
-And was the person her aunt?â€
-
-“I must leave you to take your own view,†Doctor Allday replied. “A
-promise binds me not to repeat the information that I have received.
-Setting that aside, we have the same object in view--and we must take
-care not to get in each other’s way. Here is my house. Let us go in, and
-make a clean breast of it on both sides.â€
-
-Established in the safe seclusion of his study, the doctor set the
-example of confession in these plain terms:
-
-“We only differ in opinion on one point,†he said. “We both think it
-likely (from our experience of the women) that the suspected murderer
-had an accomplice. I say the guilty person is Miss Jethro. You say--Mrs.
-Rook.â€
-
-“When you have read my copy of the report,†Alban answered, “I think you
-will arrive at my conclusion. Mrs. Rook might have entered the outhouse
-in which the two men slept, at any time during the night, while her
-husband was asleep. The jury believed her when she declared that she
-never woke till the morning. I don’t.â€
-
-“I am open to conviction, Mr. Morris. Now about the future. Do you mean
-to go on with your inquiries?â€
-
-“Even if I had no other motive than mere curiosity,†Alban answered, “I
-think I should go on. But I have a more urgent purpose in view. All that
-I have done thus far, has been done in Emily’s interests. My object,
-from the first, has been to preserve her from any association--in
-the past or in the future--with the woman whom I believe to have been
-concerned in her father’s death. As I have already told you, she is
-innocently doing all she can, poor thing, to put obstacles in my way.â€
-
-“Yes, yes,†said the doctor; “she means to write to Mrs. Rook--and you
-have nearly quarreled about it. Trust me to take that matter in hand.
-I don’t regard it as serious. But I am mortally afraid of what you are
-doing in Emily’s interests. I wish you would give it up.â€
-
-“Why?â€
-
-“Because I see a danger. I don’t deny that Emily is as innocent of
-suspicion as ever. But the chances, next time, may be against us. How
-do you know to what lengths your curiosity may lead you? Or on what
-shocking discoveries you may not blunder with the best intentions?
-Some unforeseen accident may open her eyes to the truth, before you can
-prevent it. I seem to surprise you?â€
-
-“You do, indeed, surprise me.â€
-
-“In the old story, my dear sir, Mentor sometimes surprised Telemachus.
-I am Mentor--without being, I hope, quite so long-winded as that
-respectable philosopher. Let me put it in two words. Emily’s happiness
-is precious to you. Take care you are not made the means of wrecking it!
-Will you consent to a sacrifice, for her sake?â€
-
-“I will do anything for her sake.â€
-
-“Will you give up your inquiries?â€
-
-“From this moment I have done with them!â€
-
-“Mr. Morris, you are the best friend she has.â€
-
-“The next best friend to you, doctor.â€
-
-In that fond persuasion they now parted--too eagerly devoted to Emily
-to look at the prospect before them in its least hopeful aspect.
-Both clever men, neither one nor the other asked himself if any human
-resistance has ever yet obstructed the progress of truth--when truth has
-once begun to force its way to the light.
-
-For the second time Alban stopped, on his way home. The longing to
-be reconciled with Emily was not to be resisted. He returned to the
-cottage, only to find disappointment waiting for him. The servant
-reported that her young mistress had gone to bed with a bad headache.
-
-Alban waited a day, in the hope that Emily might write to him. No letter
-arrived. He repeated his visit the next morning. Fortune was still
-against him. On this occasion, Emily was engaged.
-
-“Engaged with a visitor?†he asked.
-
-“Yes, sir. A young lady named Miss de Sor.â€
-
-Where had he heard that name before? He remembered immediately that he
-had heard it at the school. Miss de Sor was the unattractive new pupil,
-whom the girls called Francine. Alban looked at the parlor window as
-he left the cottage. It was of serious importance that he should set
-himself right with Emily. “And mere gossip,†he thought contemptuously,
-“stands in my way!â€
-
-If he had been less absorbed in his own interests, he might have
-remembered that mere gossip is not always to be despised. It has worked
-fatal mischief in its time.
-
-
-
-
-CHAPTER XXVIII. FRANCINE.
-
-“You’re surprised to see me, of course?†Saluting Emily in those terms,
-Francine looked round the parlor with an air of satirical curiosity.
-“Dear me, what a little place to live in!â€
-
-“What brings you to London?†Emily inquired.
-
-“You ought to know, my dear, without asking. Why did I try to make
-friends with you at school? And why have I been trying ever since?
-Because I hate you--I mean because I can’t resist you--no! I mean
-because I hate myself for liking you. Oh, never mind my reasons. I
-insisted on going to London with Miss Ladd--when that horrid woman
-announced that she had an appointment with her lawyer. I said, ‘I want
-to see Emily.’ ‘Emily doesn’t like you.’ ‘I don’t care whether she likes
-me or not; I want to see her.’ That’s the way we snap at each other, and
-that’s how I always carry my point. Here I am, till my duenna finishes
-her business and fetches me. What a prospect for You! Have you got any
-cold meat in the house? I’m not a glutton, like Cecilia--but I’m afraid
-I shall want some lunch.â€
-
-“Don’t talk in that way, Francine!â€
-
-“Do you mean to say you’re glad to see me?â€
-
-“If you were only a little less hard and bitter, I should always be glad
-to see you.â€
-
-“You darling! (excuse my impetuosity). What are you looking at? My new
-dress? Do you envy me?â€
-
-“No; I admire the color--that’s all.â€
-
-Francine rose, and shook out her dress, and showed it from every point
-of view. “See how it’s made: Paris, of course! Money, my dear; money
-will do anything--except making one learn one’s lessons.â€
-
-“Are you not getting on any better, Francine?â€
-
-“Worse, my sweet friend--worse. One of the masters, I am happy to say,
-has flatly refused to teach me any longer. ‘Pupils without brains I
-am accustomed to,’ he said in his broken English; ‘but a pupil with no
-heart is beyond my endurance.’ Ha! ha! the mouldy old refugee has an eye
-for character, though. No heart--there I am, described in two words.â€
-
-“And proud of it,†Emily remarked.
-
-“Yes--proud of it. Stop! let me do myself justice. You consider tears
-a sign that one has some heart, don’t you? I was very near crying
-last Sunday. A popular preacher did it; no less a person that Mr.
-Mirabel--you look as if you had heard of him.â€
-
-“I have heard of him from Cecilia.â€
-
-“Is _she_ at Brighton? Then there’s one fool more in a fashionable
-watering place. Oh, she’s in Switzerland, is she? I don’t care where she
-is; I only care about Mr. Mirabel. We all heard he was at Brighton for
-his health, and was going to preach. Didn’t we cram the church! As
-to describing him, I give it up. He is the only little man I ever
-admired--hair as long as mine, and the sort of beard you see in
-pictures. I wish I had his fair complexion and his white hands. We were
-all in love with him--or with his voice, which was it?--when he began
-to read the commandments. I wish I could imitate him when he came to
-the fifth commandment. He began in his deepest bass voice: ‘Honor thy
-father--’ He stopped and looked up to heaven as if he saw the rest of
-it there. He went on with a tremendous emphasis on the next word. ‘_And_
-thy mother,’ he said (as if that was quite a different thing) in a
-tearful, fluty, quivering voice which was a compliment to mothers in
-itself. We all felt it, mothers or not. But the great sensation was when
-he got into the pulpit. The manner in which he dropped on his knees,
-and hid his face in his hands, and showed his beautiful rings was, as a
-young lady said behind me, simply seraphic. We understood his celebrity,
-from that moment--I wonder whether I can remember the sermon.â€
-
-“You needn’t attempt it on my account,†Emily said.
-
-“My dear, don’t be obstinate. Wait till you hear him.â€
-
-“I am quite content to wait.â€
-
-“Ah, you’re just in the right state of mind to be converted; you’re in
-a fair way to become one of his greatest admirers. They say he is so
-agreeable in private life; I am dying to know him.--Do I hear a ring at
-the bell? Is somebody else coming to see you?â€
-
-The servant brought in a card and a message.
-
-“The person will call again, miss.â€
-
-Emily looked at the name written on the card.
-
-“Mrs. Ellmother!†she exclaimed.
-
-“What an extraordinary name!†cried Francine. “Who is she?â€
-
-“My aunt’s old servant.â€
-
-“Does she want a situation?â€
-
-Emily looked at some lines of writing at the back of the card. Doctor
-Allday had rightly foreseen events. Rejected by the doctor, Mrs.
-Ellmother had no alternative but to ask Emily to help her.
-
-“If she is out of place,†Francine went on, “she may be just the sort of
-person I am looking for.â€
-
-“You?†Emily asked, in astonishment.
-
-Francine refused to explain until she got an answer to her question.
-“Tell me first,†she said, “is Mrs. Ellmother engaged?â€
-
-“No; she wants an engagement, and she asks me to be her reference.â€
-
-“Is she sober, honest, middle-aged, clean, steady, good-tempered,
-industrious?†Francine rattled on. “Has she all the virtues, and none of
-the vices? Is she not too good-looking, and has she no male followers?
-In one terrible word--will she satisfy Miss Ladd?â€
-
-“What has Miss Ladd to do with it?â€
-
-“How stupid you are, Emily! Do put the woman’s card down on the table,
-and listen to me. Haven’t I told you that one of my masters has declined
-to have anything more to do with me? Doesn’t that help you to understand
-how I get on with the rest of them? I am no longer Miss Ladd’s pupil,
-my dear. Thanks to my laziness and my temper, I am to be raised to the
-dignity of ‘a parlor boarder.’ In other words, I am to be a young lady
-who patronizes the school; with a room of my own, and a servant of my
-own. All provided for by a private arrangement between my father and
-Miss Ladd, before I left the West Indies. My mother was at the bottom of
-it, I have not the least doubt. You don’t appear to understand me.â€
-
-“I don’t, indeed!â€
-
-Francine considered a little. “Perhaps they were fond of you at home,â€
- she suggested.
-
-“Say they loved me, Francine--and I loved them.â€
-
-“Ah, my position is just the reverse of yours. Now they have got rid of
-me, they don’t want me back again at home. I know as well what my mother
-said to my father, as if I had heard her. ‘Francine will never get on
-at school, at her age. Try her, by all means; but make some other
-arrangement with Miss Ladd in case of a failure--or she will be returned
-on our hands like a bad shilling.’ There is my mother, my anxious,
-affectionate mother, hit off to a T.â€
-
-“She _is_ your mother, Francine; don’t forget that.â€
-
-“Oh, no; I won’t forget it. My cat is my kitten’s mother--there! there!
-I won’t shock your sensibilities. Let us get back to matter of fact.
-When I begin my new life, Miss Ladd makes one condition. My maid is to
-be a model of discretion--an elderly woman, not a skittish young person
-who will only encourage me. I must submit to the elderly woman, or
-I shall be sent back to the West Indies after all. How long did Mrs.
-Ellmother live with your aunt?â€
-
-“Twenty-five years, and more.’
-
-“Good heavens, it’s a lifetime! Why isn’t this amazing creature living
-with you, now your aunt is dead? Did you send her away?â€
-
-“Certainly not.â€
-
-“Then why did she go?â€
-
-“I don’t know.â€
-
-“Do you mean that she went away without a word of explanation?â€
-
-“Yes; that is exactly what I mean.â€
-
-“When did she go? As soon as your aunt was dead?â€
-
-“That doesn’t matter, Francine.â€
-
-“In plain English, you won’t tell me? I am all on fire with
-curiosity--and that’s how you put me out! My dear, if you have the
-slightest regard for me, let us have the woman in here when she comes
-back for her answer. Somebody must satisfy me. I mean to make Mrs.
-Ellmother explain herself.â€
-
-“I don’t think you will succeed, Francine.â€
-
-“Wait a little, and you will see. By-the-by, it is understood that
-my new position at the school gives me the privilege of accepting
-invitations. Do you know any nice people to whom you can introduce me?â€
-
-“I am the last person in the world who has a chance of helping you,â€
- Emily answered. “Excepting good Doctor Allday--†On the point of adding
-the name of Alban Morris, she checked herself without knowing why, and
-substituted the name of her school-friend. “And not forgetting Cecilia,â€
- she resumed, “I know nobody.â€
-
-“Cecilia’s a fool,†Francine remarked gravely; “but now I think of it,
-she may be worth cultivating. Her father is a member of Parliament--and
-didn’t I hear that he has a fine place in the country? You see, Emily,
-I may expect to be married (with my money), if I can only get into good
-society. (Don’t suppose I am dependent on my father; my marriage portion
-is provided for in my uncle’s will.) Cecilia may really be of some use
-to me. Why shouldn’t I make a friend of her, and get introduced to her
-father--in the autumn, you know, when the house is full of company? Have
-you any idea when she is coming back?â€
-
-“No.â€
-
-“Do you think of writing to her?â€
-
-“Of course!â€
-
-“Give her my kind love; and say I hope she enjoys Switzerland.â€
-
-“Francine, you are positively shameless! After calling my dearest friend
-a fool and a glutton, you send her your love for your own selfish ends;
-and you expect me to help you in deceiving her! I won’t do it.â€
-
-“Keep your temper, my child. We are all selfish, you little goose. The
-only difference is--some of us own it, and some of us don’t. I shall
-find my own way to Cecilia’s good graces quite easily: the way is
-through her mouth. You mentioned a certain Doctor Allday. Does he give
-parties? And do the right sort of men go to them? Hush! I think I hear
-the bell again. Go to the door, and see who it is.â€
-
-Emily waited, without taking any notice of this suggestion. The servant
-announced that “the person had called again, to know if there was any
-answer.â€
-
-“Show her in here,†Emily said.
-
-The servant withdrew, and came back again.
-
-“The person doesn’t wish to intrude, miss; it will be quite sufficient
-if you will send a message by me.â€
-
-Emily crossed the room to the door.
-
-“Come in, Mrs. Ellmother,†she said. “You have been too long away
-already. Pray come in.â€
-
-
-
-
-CHAPTER XXIX. “BONY.â€
-
-Mrs. Ellmother reluctantly entered the room.
-
-Since Emily had seen her last, her personal appearance doubly justified
-the nickname by which her late mistress had distinguished her. The old
-servant was worn and wasted; her gown hung loose on her angular body;
-the big bones of her face stood out, more prominently than ever. She
-took Emily’s offered hand doubtingly. “I hope I see you well, miss,â€
-she said--with hardly a vestige left of her former firmness of voice
-and manner.
-
-“I am afraid you have been suffering from illness,†Emily answered
-gently.
-
-“It’s the life I’m leading that wears me down; I want work and change.â€
-
-Making that reply, she looked round, and discovered Francine observing
-her with undisguised curiosity. “You have got company with you,†she
-said to Emily. “I had better go away, and come back another time.â€
-
-Francine stopped her before she could open the door. “You mustn’t go
-away; I wish to speak to you.â€
-
-“About what, miss?â€
-
-The eyes of the two women met--one, near the end of her life,
-concealing under a rugged surface a nature sensitively affectionate and
-incorruptibly true: the other, young in years, without the virtues of
-youth, hard in manner and hard at heart. In silence on either side,
-they stood face to face; strangers brought together by the force of
-circumstances, working inexorably toward their hidden end.
-
-Emily introduced Mrs. Ellmother to Francine. “It may be worth your
-while,†she hinted, “to hear what this young lady has to say.â€
-
-Mrs. Ellmother listened, with little appearance of interest in anything
-that a stranger might have to say: her eyes rested on the card which
-contained her written request to Emily. Francine, watching her closely,
-understood what was passing in her mind. It might be worth while to
-conciliate the old woman by a little act of attention. Turning to Emily,
-Francine pointed to the card lying on the table. “You have not attended
-yet to Mr. Ellmother’s request,†she said.
-
-Emily at once assured Mrs. Ellmother that the request was granted. “But
-is it wise,†she asked, “to go out to service again, at your age?â€
-
-“I have been used to service all my life, Miss Emily--that’s one reason.
-And service may help me to get rid of my own thoughts--that’s another.
-If you can find me a situation somewhere, you will be doing me a good
-turn.â€
-
-“Is it useless to suggest that you might come back, and live with me?â€
- Emily ventured to say.
-
-Mrs. Ellmother’s head sank on her breast. “Thank you kindly, miss; it
-_is_ useless.â€
-
-“Why is it useless?†Francine asked.
-
-Mrs. Ellmother was silent.
-
-“Miss de Sor is speaking to you,†Emily reminded her.
-
-“Am I to answer Miss de Sor?â€
-
-Attentively observing what passed, and placing her own construction on
-looks and tones, it suddenly struck Francine that Emily herself might be
-in Mrs. Ellmother’s confidence, and that she might have reasons of her
-own for assuming ignorance when awkward questions were asked. For the
-moment at least, Francine decided on keeping her suspicions to herself.
-
-“I may perhaps offer you the employment you want,†she said to Mrs.
-Ellmother. “I am staying at Brighton, for the present, with the lady who
-was Miss Emily’s schoolmistress, and I am in need of a maid. Would you
-be willing to consider it, if I proposed to engage you?â€
-
-“Yes, miss.â€
-
-“In that case, you can hardly object to the customary inquiry. Why did
-you leave your last place?â€
-
-Mrs. Ellmother appealed to Emily. “Did you tell this young lady how long
-I remained in my last place?â€
-
-Melancholy remembrances had been revived in Emily by the turn which the
-talk had now taken. Francine’s cat-like patience, stealthily feeling its
-way to its end, jarred on her nerves. “Yes,†she said; “in justice to
-you, I have mentioned your long term of service.â€
-
-Mrs. Ellmother addressed Francine. “You know, miss, that I served
-my late mistress for over twenty-five years. Will you please remember
-that--and let it be a reason for not asking me why I left my place.â€
-
-Francine smiled compassionately. “My good creature, you have mentioned
-the very reason why I _should_ ask. You live five-and-twenty years with
-your mistress--and then suddenly leave her--and you expect me to pass
-over this extraordinary proceeding without inquiry. Take a little time
-to think.â€
-
-“I want no time to think. What I had in my mind, when I left Miss
-Letitia, is something which I refuse to explain, miss, to you, or to
-anybody.â€
-
-She recovered some of her old firmness, when she made that reply.
-Francine saw the necessity of yielding--for the time at least, Emily
-remained silent, oppressed by remembrance of the doubts and fears which
-had darkened the last miserable days of her aunt’s illness. She began
-already to regret having made Francine and Mrs. Ellmother known to each
-other.
-
-“I won’t dwell on what appears to be a painful subject,†Francine
-graciously resumed. “I meant no offense. You are not angry, I hope?â€
-
-“Sorry, miss. I might have been angry, at one time. That time is over.â€
-
-It was said sadly and resignedly: Emily heard the answer. Her heart
-ached as she looked at the old servant, and thought of the contrast
-between past and present. With what a hearty welcome this broken woman
-had been used to receive her in the bygone holiday-time! Her eyes
-moistened. She felt the merciless persistency of Francine, as if it had
-been an insult offered to herself. “Give it up!†she said sharply.
-
-“Leave me, my dear, to manage my own business,†Francine replied. “About
-your qualifications?†she continued, turning coolly to Mrs. Ellmother.
-“Can you dress hair?â€
-
-“Yes.â€
-
-“I ought to tell you,†Francine insisted, “that I am very particular
-about my hair.â€
-
-“My mistress was very particular about her hair,†Mrs. Ellmother
-answered.
-
-“Are you a good needlewoman?â€
-
-“As good as ever I was--with the help of my spectacles.â€
-
-Francine turned to Emily. “See how well we get on together. We are
-beginning to understand each other already. I am an odd creature, Mrs.
-Ellmother. Sometimes, I take sudden likings to persons--I have taken a
-liking to you. Do you begin to think a little better of me than you did?
-I hope you will produce the right impression on Miss Ladd; you shall
-have every assistance that I can give. I will beg Miss Ladd, as a favor
-to me, not to ask you that one forbidden question.â€
-
-Poor Mrs. Ellmother, puzzled by the sudden appearance of Francine in the
-character of an eccentric young lady, the creature of genial impulse,
-thought it right to express her gratitude for the promised interference
-in her favor. “That’s kind of you, miss,†she said.
-
-“No, no, only just. I ought to tell you there’s one thing Miss Ladd
-is strict about--sweethearts. Are you quite sure,†Francine inquired
-jocosely, “that you can answer for yourself, in that particular?â€
-
-This effort of humor produced its intended effect. Mrs. Ellmother,
-thrown off her guard, actually smiled. “Lord, miss, what will you say
-next!â€
-
-“My good soul, I will say something next that is more to the purpose. If
-Miss Ladd asks me why you have so unaccountably refused to be a servant
-again in this house, I shall take care to say that it is certainly not
-out of dislike to Miss Emily.â€
-
-“You need say nothing of the sort,†Emily quietly remarked.
-
-“And still less,†Francine proceeded, without noticing the
-interruption--“still less through any disagreeable remembrances of Miss
-Emily’s aunt.â€
-
-Mrs. Ellmother saw the trap that had been set for her. “It won’t do,
-miss,†she said.
-
-“What won’t do?â€
-
-“Trying to pump me.â€
-
-Francine burst out laughing. Emily noticed an artificial ring in her
-gayety which suggested that she was exasperated, rather than amused, by
-the repulse which had baffled her curiosity once more.
-
-Mrs. Ellmother reminded the merry young lady that the proposed
-arrangement between them had not been concluded yet. “Am I to
-understand, miss, that you will keep a place open for me in your
-service?â€
-
-“You are to understand,†Francine replied sharply, “that I must have
-Miss Ladd’s approval before I can engage you. Suppose you come to
-Brighton? I will pay your fare, of course.â€
-
-“Never mind my fare, miss. Will you give up pumping?â€
-
-“Make your mind easy. It’s quite useless to attempt pumping _you_. When
-will you come?â€
-
-Mrs. Ellmother pleaded for a little delay. “I’m altering my gowns,†she
-said. “I get thinner and thinner--don’t I, Miss Emily? My work won’t be
-done before Thursday.â€
-
-“Let us say Friday, then,†Francine proposed.
-
-“Friday!†Mrs. Ellmother exclaimed. “You forget that Friday is an
-unlucky day.â€
-
-“I forgot that, certainly! How can you be so absurdly superstitious.â€
-
-“You may call it what you like, miss. I have good reason to think as I
-do. I was married on a Friday--and a bitter bad marriage it turned out
-to be. Superstitious, indeed! You don’t know what my experience has
-been. My only sister was one of a party of thirteen at dinner; and she
-died within the year. If we are to get on together nicely, I’ll take
-that journey on Saturday, if you please.â€
-
-“Anything to satisfy you,†Francine agreed; “there is the address. Come
-in the middle of the day, and we will give you your dinner. No fear
-of our being thirteen in number. What will you do, if you have the
-misfortune to spill the salt?â€
-
-“Take a pinch between my finger and thumb, and throw it over my left
-shoulder,†Mrs. Ellmother answered gravely. “Good-day, miss.â€
-
-“Good-day.â€
-
-Emily followed the departing visitor out to the hall. She had seen
-and heard enough to decide her on trying to break off the proposed
-negotiation--with the one kind purpose of protecting Mrs. Ellmother
-against the pitiless curiosity of Francine.
-
-“Do you think you and that young lady are likely to get on well
-together?†she asked.
-
-“I have told you already, Miss Emily, I want to get away from my own
-home and my own thoughts; I don’t care where I go, so long as I do
-that.†Having answered in those words, Mrs. Ellmother opened the door,
-and waited a while, thinking. “I wonder whether the dead know what is
-going on in the world they have left?†she said, looking at Emily. “If
-they do, there’s one among them knows my thoughts, and feels for me.
-Good-by, miss--and don’t think worse of me than I deserve.â€
-
-Emily went back to the parlor. The only resource left was to plead with
-Francine for mercy to Mrs. Ellmother.
-
-“Do you really mean to give it up?†she asked.
-
-“To give up--what? ‘Pumping,’ as that obstinate old creature calls it?â€
-
-Emily persisted. “Don’t worry the poor old soul! However strangely she
-may have left my aunt and me her motives are kind and good--I am sure of
-that. Will you let her keep her harmless little secret?â€
-
-“Oh, of course!â€
-
-“I don’t believe you, Francine!â€
-
-“Don’t you? I am like Cecilia--I am getting hungry. Shall we have some
-lunch?â€
-
-“You hard-hearted creature!â€
-
-“Does that mean--no luncheon until I have owned the truth? Suppose _you_
-own the truth? I won’t tell Mrs. Ellmother that you have betrayed her.â€
-
-“For the last time, Francine--I know no more of it than you do. If you
-persist in taking your own view, you as good as tell me I lie; and you
-will oblige me to leave the room.â€
-
-Even Francine’s obstinacy was compelled to give way, so far as
-appearances went. Still possessed by the delusion that Emily was
-deceiving her, she was now animated by a stronger motive than mere
-curiosity. Her sense of her own importance imperatively urged her to
-prove that she was not a person who could be deceived with impunity.
-
-“I beg your pardon,†she said with humility. “But I must positively have
-it out with Mrs. Ellmother. She has been more than a match for me--my
-turn next. I mean to get the better of her; and I shall succeed.â€
-
-“I have already told you, Francine--you will fail.â€
-
-“My dear, I am a dunce, and I don’t deny it. But let me tell you one
-thing. I haven’t lived all my life in the West Indies, among black
-servants, without learning something.â€
-
-“What do you mean?â€
-
-“More, my clever friend, than you are likely to guess. In the meantime,
-don’t forget the duties of hospitality. Ring the bell for luncheon.â€
-
-
-
-
-CHAPTER XXX. LADY DORIS.
-
-The arrival of Miss Ladd, some time before she had been expected,
-interrupted the two girls at a critical moment. She had hurried over her
-business in London, eager to pass the rest of the day with her favorite
-pupil. Emily’s affectionate welcome was, in some degree at least,
-inspired by a sensation of relief. To feel herself in the embrace of the
-warm-hearted schoolmistress was like finding a refuge from Francine.
-
-When the hour of departure arrived, Miss Ladd invited Emily to Brighton
-for the second time. “On the last occasion, my dear, you wrote me an
-excuse; I won’t be treated in that way again. If you can’t return with
-us now, come to-morrow.†She added in a whisper, “Otherwise, I shall
-think you include _me_ in your dislike of Francine.â€
-
-There was no resisting this. It was arranged that Emily should go to
-Brighton on the next day.
-
-Left by herself, her thoughts might have reverted to Mrs. Ellmother’s
-doubtful prospects, and to Francine’s strange allusion to her life in
-the West Indies, but for the arrival of two letters by the afternoon
-post. The handwriting on one of them was unknown to her. She opened
-that one first. It was an answer to the letter of apology which she
-had persisted in writing to Mrs. Rook. Happily for herself, Alban’s
-influence had not been without its effect, after his departure. She had
-written kindly--but she had written briefly at the same time.
-
-Mrs. Rook’s reply presented a nicely compounded mixture of gratitude and
-grief. The gratitude was addressed to Emily as a matter of course.
-The grief related to her “excellent master.†Sir Jervis’s strength had
-suddenly failed. His medical attendant, being summoned, had expressed
-no surprise. “My patient is over seventy years of age,†the doctor
-remarked. “He will sit up late at night, writing his book; and he
-refuses to take exercise, till headache and giddiness force him to try
-the fresh air. As the necessary result, he has broken down at last. It
-may end in paralysis, or it may end in death.†Reporting this expression
-of medical opinion, Mrs. Rook’s letter glided imperceptibly from
-respectful sympathy to modest regard for her own interests in the
-future. It might be the sad fate of her husband and herself to be thrown
-on the world again. If necessity brought them to London, would “kind
-Miss Emily grant her the honor of an interview, and favor a poor unlucky
-woman with a word of advice?â€
-
-“She may pervert your letter to some use of her own, which you may have
-reason to regret.†Did Emily remember Alban’s warning words? No: she
-accepted Mrs. Rook’s reply as a gratifying tribute to the justice of her
-own opinions.
-
-Having proposed to write to Alban, feeling penitently that she had
-been in the wrong, she was now readier than ever to send him a letter,
-feeling compassionately that she had been in the right. Besides, it was
-due to the faithful friend, who was still working for her in the reading
-room, that he should be informed of Sir Jervis’s illness. Whether the
-old man lived or whether he died, his literary labors were fatally
-interrupted in either case; and one of the consequences would be the
-termination of her employment at the Museum. Although the second of the
-two letters which she had received was addressed to her in Cecilia’s
-handwriting, Emily waited to read it until she had first written to
-Alban. “He will come to-morrow,†she thought; “and we shall both make
-apologies. I shall regret that I was angry with him and he will regret
-that he was mistaken in his judgment of Mrs. Rook. We shall be as good
-friends again as ever.â€
-
-In this happy frame of mind she opened Cecilia’s letter. It was full of
-good news from first to last.
-
-The invalid sister had made such rapid progress toward recovery that the
-travelers had arranged to set forth on their journey back to England in
-a fortnight. “My one regret,†Cecilia added, “is the parting with Lady
-Doris. She and her husband are going to Genoa, where they will embark
-in Lord Janeaway’s yacht for a cruise in the Mediterranean. When we have
-said that miserable word good-by--oh, Emily, what a hurry I shall be in
-to get back to you! Those allusions to your lonely life are so dreadful,
-my dear, that I have destroyed your letter; it is enough to break one’s
-heart only to look at it. When once I get to London, there shall be no
-more solitude for my poor afflicted friend. Papa will be free from his
-parliamentary duties in August--and he has promised to have the house
-full of delightful people to meet you. Who do you think will be one of
-our guests? He is illustrious; he is fascinating; he deserves a line all
-to himself, thus:
-
-“The Reverend Miles Mirabel!
-
-“Lady Doris has discovered that the country parsonage, in which this
-brilliant clergyman submits to exile, is only twelve miles away from our
-house. She has written to Mr. Mirabel to introduce me, and to
-mention the date of my return. We will have some fun with the popular
-preacher--we will both fall in love with him together.
-
-“Is there anybody to whom you would like me to send an invitation? Shall
-we have Mr. Alban Morris? Now I know how kindly he took care of you at
-the railway station, your good opinion of him is my opinion. Your letter
-also mentions a doctor. Is he nice? and do you think he will let me eat
-pastry, if we have him too? I am so overflowing with hospitality (all
-for your sake) that I am ready to invite anybody, and everybody, to
-cheer you and make you happy. Would you like to meet Miss Ladd and the
-whole school?
-
-“As to our amusements, make your mind easy.
-
-“I have come to a distinct understanding with Papa that we are to have
-dances every evening--except when we try a little concert as a change.
-Private theatricals are to follow, when we want another change after
-the dancing and the music. No early rising; no fixed hour for breakfast;
-everything that is most exquisitely delicious at dinner--and, to crown
-all, your room next to mine, for delightful midnight gossipings, when we
-ought to be in bed. What do you say, darling, to the programme?
-
-“A last piece of news--and I have done.
-
-“I have actually had a proposal of marriage, from a young gentleman who
-sits opposite me at the table d’hote! When I tell you that he has white
-eyelashes, and red hands, and such enormous front teeth that he can’t
-shut his mouth, you will not need to be told that I refused him. This
-vindictive person has abused me ever since, in the most shameful manner.
-I heard him last night, under my window, trying to set one of his
-friends against me. ‘Keep clear of her, my dear fellow; she’s the most
-heartless creature living.’ The friend took my part; he said, ‘I don’t
-agree with you; the young lady is a person of great sensibility.’
-‘Nonsense!’ says my amiable lover; ‘she eats too much--her sensibility
-is all stomach.’ There’s a wretch for you. What a shameful advantage to
-take of sitting opposite to me at dinner! Good-by, my love, till we meet
-soon, and are as happy together as the day is long.â€
-
-Emily kissed the signature. At that moment of all others, Cecilia was
-such a refreshing contrast to Francine!
-
-Before putting the letter away, she looked again at that part of it
-which mentioned Lady Doris’s introduction of Cecilia to Mr. Mirabel. “I
-don’t feel the slightest interest in Mr. Mirabel,†she thought, smiling
-as the idea occurred to her; “and I need never have known him, but for
-Lady Doris--who is a perfect stranger to me.â€
-
-She had just placed the letter in her desk, when a visitor was
-announced. Doctor Allday presented himself (in a hurry as usual).
-
-“Another patient waiting?†Emily asked mischievously. “No time to spare,
-again?â€
-
-“Not a moment,†the old gentleman answered. “Have you heard from Mrs.
-Ellmother?â€
-
-“Yes.â€
-
-“You don’t mean to say you have answered her?â€
-
-“I have done better than that, doctor--I have seen her this morning.â€
-
-“And consented to be her reference, of course?â€
-
-“How well you know me!â€
-
-Doctor Allday was a philosopher: he kept his temper. “Just what I might
-have expected,†he said. “Eve and the apple! Only forbid a woman to do
-anything, and she does it directly--be cause you have forbidden her.
-I’ll try the other way with you now, Miss Emily. There was something
-else that I meant to have forbidden.â€
-
-“What was it?â€
-
-“May I make a special request?â€
-
-“Certainly.â€
-
-“Oh, my dear, write to Mrs. Rook! I beg and entreat of you, write to
-Mrs. Rook!â€
-
-Emily’s playful manner suddenly disappeared.
-
-Ignoring the doctor’s little outbreak of humor, she waited in grave
-surprise, until it was his pleasure to explain himself.
-
-Doctor Allday, on his side, ignored the ominous change in Emily; he went
-on as pleasantly as ever. “Mr. Morris and I have had a long talk about
-you, my dear. Mr. Morris is a capital fellow; I recommend him as a
-sweetheart. I also back him in the matter of Mrs. Rook.--What’s the
-matter now? You’re as red as a rose. Temper again, eh?â€
-
-“Hatred of meanness!†Emily answered indignantly. “I despise a man who
-plots, behind my back, to get another man to help him. Oh, how I have
-been mistaken in Alban Morris!â€
-
-“Oh, how little you know of the best friend you have!†cried the doctor,
-imitating her. “Girls are all alike; the only man they can understand,
-is the man who flatters them. _Will_ you oblige me by writing to Mrs.
-Rook?â€
-
-Emily made an attempt to match the doctor, with his own weapons. “Your
-little joke comes too late,†she said satirically. “There is Mrs. Rook’s
-answer. Read it, and--†she checked herself, even in her anger she was
-incapable of speaking ungenerously to the old man who had so warmly
-befriended her. “I won’t say to _you_,†she resumed, “what I might have
-said to another person.â€
-
-“Shall I say it for you?†asked the incorrigible doctor. “‘Read it, and
-be ashamed of yourself’--That was what you had in your mind, isn’t it?
-Anything to please you, my dear.†He put on his spectacles, read the
-letter, and handed it back to Emily with an impenetrable countenance.
-“What do you think of my new spectacles?†he asked, as he took the
-glasses off his nose. “In the experience of thirty years, I have had
-three grateful patients.†He put the spectacles back in the case. “This
-comes from the third. Very gratifying--very gratifying.â€
-
-Emily’s sense of humor was not the uppermost sense in her at that
-moment. She pointed with a peremptory forefinger to Mrs. Rook’s letter.
-“Have you nothing to say about this?â€
-
-The doctor had so little to say about it that he was able to express
-himself in one word:
-
-“Humbug!â€
-
-He took his hat--nodded kindly to Emily--and hurried away to feverish
-pulses waiting to be felt, and to furred tongues that were ashamed to
-show themselves.
-
-
-
-
-CHAPTER XXXI. MOIRA.
-
-When Alban presented himself the next morning, the hours of the night
-had exercised their tranquilizing influence over Emily. She remembered
-sorrowfully how Doctor Allday had disturbed her belief in the man who
-loved her; no feeling of irritation remained. Alban noticed that her
-manner was unusually subdued; she received him with her customary grace,
-but not with her customary smile.
-
-“Are you not well?†he asked.
-
-“I am a little out of spirits,†she replied. “A disappointment--that is
-all.â€
-
-He waited a moment, apparently in the expectation that she might tell
-him what the disappointment was. She remained silent, and she looked
-away from him. Was he in any way answerable for the depression of
-spirits to which she alluded? The doubt occurred to him--but he said
-nothing.
-
-“I suppose you have received my letter?†she resumed.
-
-“I have come here to thank you for your letter.â€
-
-“It was my duty to tell you of Sir Jervis’s illness; I deserve no
-thanks.â€
-
-“You have written to me so kindly,†Alban reminded her; “you have
-referred to our difference of opinion, the last time I was here, so
-gently and so forgivingly--â€
-
-“If I had written a little later,†she interposed, “the tone of my
-letter might have been less agreeable to you. I happened to send it to
-the post, before I received a visit from a friend of yours--a friend who
-had something to say to me after consulting with you.â€
-
-“Do you mean Doctor Allday?â€
-
-“Yes.â€
-
-“What did he say?â€
-
-“What you wished him to say. He did his best; he was as obstinate and
-unfeeling as you could possibly wish him to be; but he was too late.
-I have written to Mrs. Rook, and I have received a reply.†She spoke
-sadly, not angrily--and pointed to the letter lying on her desk.
-
-Alban understood: he looked at her in despair. “Is that wretched woman
-doomed to set us at variance every time we meet!†he exclaimed.
-
-Emily silently held out the letter.
-
-He refused to take it. “The wrong you have done me is not to be set
-right in that way,†he said. “You believe the doctor’s visit was
-arranged between us. I never knew that he intended to call on you; I had
-no interest in sending him here--and I must not interfere again between
-you and Mrs. Rook.â€
-
-“I don’t understand you.â€
-
-“You will understand me when I tell you how my conversation with Doctor
-Allday ended. I have done with interference; I have done with advice.
-Whatever my doubts may be, all further effort on my part to justify
-them--all further inquiries, no matter in what direction--are at an end:
-I made the sacrifice, for your sake. No! I must repeat what you said
-to me just now; I deserve no thanks. What I have done, has been done in
-deference to Doctor Allday--against my own convictions; in spite of my
-own fears. Ridiculous convictions! ridiculous fears! Men with morbid
-minds are their own tormentors. It doesn’t matter how I suffer, so long
-as you are at ease. I shall never thwart you or vex you again. Have you
-a better opinion of me now?â€
-
-She made the best of all answers--she gave him her hand.
-
-“May I kiss it?†he asked, as timidly as if he had been a boy addressing
-his first sweetheart.
-
-She was half inclined to laugh, and half inclined to cry. “Yes, if you
-like,†she said softly.
-
-“Will you let me come and see you again?â€
-
-“Gladly--when I return to London.â€
-
-“You are going away?â€
-
-“I am going to Brighton this afternoon, to stay with Miss Ladd.â€
-
-It was hard to lose her, on the happy day when they understood each
-other at last. An expression of disappointment passed over his face.
-He rose, and walked restlessly to the window. “Miss Ladd?†he repeated,
-turning to Emily as if an idea had struck him. “Did I hear, at the
-school, that Miss de Sor was to spend the holidays under the care of
-Miss Ladd?â€
-
-“Yes.â€
-
-“The same young lady,†he went on, “who paid you a visit yesterday
-morning?â€
-
-“The same.â€
-
-That haunting distrust of the future, which he had first betrayed and
-then affected to ridicule, exercised its depressing influence over his
-better sense. He was unreasonable enough to feel doubtful of Francine,
-simply because she was a stranger.
-
-“Miss de Sor is a new friend of yours,†he said. “Do you like her?â€
-
-It was not an easy question to answer--without entering into particulars
-which Emily’s delicacy of feeling warned her to avoid. “I must know a
-little more of Miss de Sor,†she said, “before I can decide.â€
-
-Alban’s misgivings were naturally encouraged by this evasive reply. He
-began to regret having left the cottage, on the previous day, when he
-had heard that Emily was engaged. He might have sent in his card,
-and might have been admitted. It was an opportunity lost of observing
-Francine. On the morning of her first day at school, when they had
-accidentally met at the summer house, she had left a disagreeable
-impression on his mind. Ought he to allow his opinion to be influenced
-by this circumstance? or ought he to follow Emily’s prudent example, and
-suspend judgment until he knew a little more of Francine?
-
-“Is any day fixed for your return to London?†he asked.
-
-“Not yet,†she said; “I hardly know how long my visit will be.â€
-
-“In little more than a fortnight,†he continued, “I shall return to my
-classes--they will be dreary classes, without you. Miss de Sor goes back
-to the school with Miss Ladd, I suppose?â€
-
-Emily was at a loss to account for the depression in his looks and
-tones, while he was making these unimportant inquiries. She tried to
-rouse him by speaking lightly in reply.
-
-“Miss de Sor returns in quite a new character; she is to be a guest
-instead of a pupil. Do you wish to be better acquainted with her?â€
-
-“Yes,†he said gravely, “now I know that she is a friend of yours.†He
-returned to his place near her. “A pleasant visit makes the days pass
-quickly,†he resumed. “You may remain at Brighton longer than you
-anticipate; and we may not meet again for some time to come. If anything
-happens--â€
-
-“Do you mean anything serious?†she asked.
-
-“No, no! I only mean--if I can be of any service. In that case, will you
-write to me?â€
-
-“You know I will!â€
-
-She looked at him anxiously. He had completely failed to hide from
-her the uneasy state of his mind: a man less capable of concealment of
-feeling never lived. “You are anxious, and out of spirits,†she said
-gently. “Is it my fault?â€
-
-“Your fault? oh, don’t think that! I have my dull days and my bright
-days--and just now my barometer is down at dull.†His voice faltered,
-in spite of his efforts to control it; he gave up the struggle, and took
-his hat to go. “Do you remember, Emily, what I once said to you in the
-garden at the school? I still believe there is a time of fulfillment to
-come in our lives.†He suddenly checked himself, as if there had been
-something more in his mind to which he hesitated to give expression--and
-held out his hand to bid her good-by.
-
-“My memory of what you said in the garden is better than yours,†she
-reminded him. “You said ‘Happen what may in the interval, I trust the
-future.’ Do you feel the same trust still?â€
-
-He sighed--drew her to him gently--and kissed her on the forehead. Was
-that his own reply? She was not calm enough to ask him the question: it
-remained in her thoughts for some time after he had gone.
-
- ........
-
-On the same day Emily was at Brighton.
-
-Francine happened to be alone in the drawing-room. Her first proceeding,
-when Emily was shown in, was to stop the servant.
-
-“Have you taken my letter to the post?â€
-
-“Yes, miss.â€
-
-“It doesn’t matter.†She dismissed the servant by a gesture, and burst
-into such effusive hospitality that she actually insisted on kissing
-Emily. “Do you know what I have been doing?†she said. “I have been
-writing to Cecilia--directing to the care of her father, at the House of
-Commons. I stupidly forgot that you would be able to give me the right
-address in Switzerland. You don’t object, I hope, to my making myself
-agreeable to our dear, beautiful, greedy girl? It is of such importance
-to me to surround myself with influential friends--and, of course,
-I have given her your love. Don’t look disgusted! Come, and see your
-room.--Oh, never mind Miss Ladd. You will see her when she wakes. Ill?
-Is that sort of old woman ever ill? She’s only taking her nap after
-bathing. Bathing in the sea, at her age! How she must frighten the
-fishes!â€
-
-Having seen her own bed-chamber, Emily was next introduced to the room
-occupied by Francine.
-
-One object that she noticed in it caused her some little surprise--not
-unmingled with disgust. She discovered on the toilet-table a
-coarsely caricatured portrait of Mrs. Ellmother. It was a sketch in
-pencil--wretchedly drawn; but spitefully successful as a likeness.
-“I didn’t know you were an artist,†Emily remarked, with an ironical
-emphasis on the last word. Francine laughed scornfully--crumpled the
-drawing up in her hand--and threw it into the waste-paper basket.
-
-“You satirical creature!†she burst out gayly. “If you had lived a dull
-life at St. Domingo, you would have taken to spoiling paper too. I might
-really have turned out an artist, if I had been clever and industrious
-like you. As it was, I learned a little drawing--and got tired of it.
-I tried modeling in wax--and got tired of it. Who do you think was my
-teacher? One of our slaves.â€
-
-“A slave!†Emily exclaimed.
-
-“Yes--a mulatto, if you wish me to be particular; the daughter of an
-English father and a negro mother. In her young time (at least she
-said so herself) she was quite a beauty, in her particular style.
-Her master’s favorite; he educated her himself. Besides drawing
-and painting, and modeling in wax, she could sing and play--all the
-accomplishments thrown away on a slave! When her owner died, my uncle
-bought her at the sale of the property.â€
-
-A word of natural compassion escaped Emily--to Francine’s surprise.
-
-“Oh, my dear, you needn’t pity her! Sappho (that was her name) fetched
-a high price, even when she was no longer young. She came to us, by
-inheritance, with the estates and the rest of it; and took a fancy to
-me, when she found out I didn’t get on well with my father and mother.
-‘I owe it to _my_ father and mother,’ she used to say, ‘that I am a
-slave. When I see affectionate daughters, it wrings my heart.’ Sappho
-was a strange compound. A woman with a white side to her character, and
-a black side. For weeks together, she would be a civilized being. Then
-she used to relapse, and become as complete a negress as her mother.
-At the risk of her life she stole away, on those occasions, into
-the interior of the island, and looked on, in hiding, at the horrid
-witchcrafts and idolatries of the blacks; they would have murdered a
-half-blood, prying into their ceremonies, if they had discovered her.
-I followed her once, so far as I dared. The frightful yellings and
-drummings in the darkness of the forests frightened me. The blacks
-suspected her, and it came to my ears. I gave her the warning that saved
-her life (I don’t know what I should have done without Sappho to amuse
-me!); and, from that time, I do believe the curious creature loved me.
-You see I can speak generously even of a slave!â€
-
-“I wonder you didn’t bring her with you to England,†Emily said.
-
-“In the first place,†Francine answered, “she was my father’s property,
-not mine. In the second place, she’s dead. Poisoned, as the other
-half-bloods supposed, by some enemy among the blacks. She said herself,
-she was under a spell!â€
-
-“What did she mean?â€
-
-Francine was not interested enough in the subject to explain. “Stupid
-superstition, my dear. The negro side of Sappho was uppermost when she
-was dying--there is the explanation. Be off with you! I hear the old
-woman on the stairs. Meet her before she can come in here. My bedroom is
-my only refuge from Miss Ladd.â€
-
-On the morning of the last day in the week, Emily had a little talk in
-private with her old schoolmistress. Miss Ladd listened to what she had
-to say of Mrs. Ellmother, and did her best to relieve Emily’s anxieties.
-“I think you are mistaken, my child, in supposing that Francine is in
-earnest. It is her great fault that she is hardly ever in earnest. You
-can trust to my discretion; leave the rest to your aunt’s old servant
-and to me.â€
-
-Mrs. Ellmother arrived, punctual to the appointed time. She was shown
-into Miss Ladd’s own room. Francine--ostentatiously resolved to take no
-personal part in the affair--went for a walk. Emily waited to hear the
-result.
-
-After a long interval, Miss Ladd returned to the drawing-room, and
-announced that she had sanctioned the engagement of Mrs. Ellmother.
-
-“I have considered your wishes, in this respect,†she said. “It is
-arranged that a week’s notice, on either side, shall end the term of
-service, after the first month. I cannot feel justified in doing more
-than that. Mrs. Ellmother is such a respectable woman; she is so well
-known to you, and she was so long in your aunt’s service, that I am
-bound to consider the importance of securing a person who is exactly
-fitted to attend on such a girl as Francine. In one word, I can trust
-Mrs. Ellmother.â€
-
-“When does she enter on her service?†Emily inquired.
-
-“On the day after we return to the school,†Miss Ladd replied. “You will
-be glad to see her, I am sure. I will send her here.â€
-
-“One word more before you go,†Emily said.
-
-“Did you ask her why she left my aunt?â€
-
-“My dear child, a woman who has been five-and-twenty years in one place
-is entitled to keep her own secrets. I understand that she had her
-reasons, and that she doesn’t think it necessary to mention them to
-anybody. Never trust people by halves--especially when they are people
-like Mrs. Ellmother.â€
-
-It was too late now to raise any objections. Emily felt relieved, rather
-than disappointed, on discovering that Mrs. Ellmother was in a hurry to
-get back to London by the next train. She had found an opportunity of
-letting her lodgings; and she was eager to conclude the bargain. “You
-see I couldn’t say Yes,†she explained, “till I knew whether I was to
-get this new place or not--and the person wants to go in tonight.â€
-
-Emily stopped her at the door. “Promise to write and tell me how you get
-on with Miss de Sor.â€
-
-“You say that, miss, as if you didn’t feel hopeful about me.â€
-
-“I say it, because I feel interested about you. Promise to write.â€
-
-Mrs. Ellmother promised, and hastened away. Emily looked after her from
-the window, as long as she was in view. “I wish I could feel sure of
-Francine!†she said to herself.
-
-“In what way?†asked the hard voice of Francine, speaking at the door.
-
-It was not in Emily’s nature to shrink from a plain reply. She completed
-her half-formed thought without a moment’s hesitation.
-
-“I wish I could feel sure,†she answered, “that you will be kind to Mrs.
-Ellmother.â€
-
-“Are you afraid I shall make her life one scene of torment?†Francine
-inquired. “How can I answer for myself? I can’t look into the future.â€
-
-“For once in your life, can you be in earnest?†Emily said.
-
-“For once in your life, can you take a joke?†Francine replied.
-
-Emily said no more. She privately resolved to shorten her visit to
-Brighton.
-
-
-
-
-BOOK THE THIRD--NETHERWOODS.
-
-
-
-
-CHAPTER XXXII. IN THE GRAY ROOM.
-
-The house inhabited by Miss Ladd and her pupils had been built, in the
-early part of the present century, by a wealthy merchant--proud of his
-money, and eager to distinguish himself as the owner of the largest
-country seat in the neighborhood.
-
-After his death, Miss Ladd had taken Netherwoods (as the place was
-called), finding her own house insufficient for the accommodation of the
-increasing number of her pupils. A lease was granted to her on moderate
-terms. Netherwoods failed to attract persons of distinction in search
-of a country residence. The grounds were beautiful; but no landed
-property--not even a park--was attached to the house. Excepting the few
-acres on which the building stood, the surrounding land belonged to
-a retired naval officer of old family, who resented the attempt of a
-merchant of low birth to assume the position of a gentleman. No matter
-what proposals might be made to the admiral, he refused them all. The
-privilege of shooting was not one of the attractions offered to tenants;
-the country presented no facilities for hunting; and the only stream in
-the neighborhood was not preserved. In consequence of these drawbacks,
-the merchant’s representatives had to choose between a proposal to use
-Netherwoods as a lunatic asylum, or to accept as tenant the respectable
-mistress of a fashionable and prosperous school. They decided in favor
-of Miss Ladd.
-
-The contemplated change in Francine’s position was accomplished, in that
-vast house, without inconvenience. There were rooms unoccupied, even
-when the limit assigned to the number of pupils had been reached. On the
-re-opening of the school, Francine was offered her choice between two
-rooms on one of the upper stories, and two rooms on the ground floor.
-She chose these last.
-
-Her sitting-room and bedroom, situated at the back of the house,
-communicated with each other. The sitting-room, ornamented with a pretty
-paper of delicate gray, and furnished with curtains of the same color,
-had been accordingly named, “The Gray Room.†It had a French window,
-which opened on the terrace overlooking the garden and the grounds.
-Some fine old engravings from the grand landscapes of Claude (part of a
-collection of prints possessed by Miss Ladd’s father) hung on the walls.
-The carpet was in harmony with the curtains; and the furniture was
-of light-colored wood, which helped the general effect of subdued
-brightness that made the charm of the room. “If you are not happy here,â€
- Miss Ladd said, “I despair of you.†And Francine answered, “Yes, it’s
-very pretty, but I wish it was not so small.â€
-
-On the twelfth of August the regular routine of the school was resumed.
-Alban Morris found two strangers in his class, to fill the vacancies
-left by Emily and Cecilia. Mrs. Ellmother was duly established in her
-new place. She produced an unfavorable impression in the servants’
-hall--not (as the handsome chief housemaid explained) because she
-was ugly and old, but because she was “a person who didn’t talk.†The
-prejudice against habitual silence, among the lower order of the people,
-is almost as inveterate as the prejudice against red hair.
-
-In the evening, on that first day of renewed studies--while the girls
-were in the grounds, after tea--Francine had at last completed the
-arrangement of her rooms, and had dismissed Mrs. Ellmother (kept hard
-at work since the morning) to take a little rest. Standing alone at her
-window, the West Indian heiress wondered what she had better do next.
-She glanced at the girls on the lawn, and decided that they were
-unworthy of serious notice, on the part of a person so specially favored
-as herself. She turned sidewise, and looked along the length of the
-terrace. At the far end a tall man was slowly pacing to and fro, with
-his head down and his hands in his pockets. Francine recognized the rude
-drawing-master, who had torn up his view of the village, after she had
-saved it from being blown into the pond.
-
-She stepped out on the terrace, and called to him. He stopped, and
-looked up.
-
-“Do you want me?†he called back.
-
-“Of course I do!â€
-
-She advanced a little to meet him, and offered encouragement under the
-form of a hard smile. Although his manners might be unpleasant, he
-had claims on the indulgence of a young lady, who was at a loss how to
-employ her idle time. In the first place, he was a man. In the second
-place, he was not as old as the music-master, or as ugly as the
-dancing-master. In the third place, he was an admirer of Emily; and the
-opportunity of trying to shake his allegiance by means of a flirtation,
-in Emily’s absence, was too good an opportunity to be lost.
-
-“Do you remember how rude you were to me, on the day when you
-were sketching in the summer-house?†Francine asked with snappish
-playfulness. “I expect you to make yourself agreeable this time--I am
-going to pay you a compliment.â€
-
-He waited, with exasperating composure, to hear what the proposed
-compliment might be. The furrow between his eyebrows looked deeper than
-ever. There were signs of secret trouble in that dark face, so grimly
-and so resolutely composed. The school, without Emily, presented the
-severest trial of endurance that he had encountered, since the day when
-he had been deserted and disgraced by his affianced wife.
-
-“You are an artist,†Francine proceeded, “and therefore a person of
-taste. I want to have your opinion of my sitting-room. Criticism is
-invited; pray come in.â€
-
-He seemed to be unwilling to accept the invitation--then altered his
-mind, and followed Francine. She had visited Emily; she was perhaps in
-a fair way to become Emily’s friend. He remembered that he had already
-lost an opportunity of studying her character, and--if he saw the
-necessity--of warning Emily not to encourage the advances of Miss de
-Sor.
-
-“Very pretty,†he remarked, looking round the room--without appearing to
-care for anything in it, except the prints.
-
-Francine was bent on fascinating him. She raised her eyebrows and lifted
-her hands, in playful remonstrance. “Do remember it’s _my_ room,†she
-said, “and take some little interest in it, for _my_ sake!â€
-
-“What do you want me to say?†he asked.
-
-“Come and sit down by me.†She made room for him on the sofa. Her one
-favorite aspiration--the longing to excite envy in others--expressed
-itself in her next words. “Say something pretty,†she answered; “say you
-would like to have such a room as this.â€
-
-“I should like to have your prints,†he remarked. “Will that do?â€
-
-“It wouldn’t do--from anybody else. Ah, Mr. Morris, I know why you are
-not as nice as you might be! You are not happy. The school has lost its
-one attraction, in losing our dear Emily. You feel it--I know you feel
-it.†She assisted this expression of sympathy to produce the right
-effect by a sigh. “What would I not give to inspire such devotion as
-yours! I don’t envy Emily; I only wish--†She paused in confusion,
-and opened her fan. “Isn’t it pretty?†she said, with an ostentatious
-appearance of changing the subject. Alban behaved like a monster; he
-began to talk of the weather.
-
-“I think this is the hottest day we have had,†he said; “no wonder you
-want your fan. Netherwoods is an airless place at this season of the
-year.â€
-
-She controlled her temper. “I do indeed feel the heat,†she admitted,
-with a resignation which gently reproved him; “it is so heavy and
-oppressive here after Brighton. Perhaps my sad life, far away from
-home and friends, makes me sensitive to trifles. Do you think so, Mr.
-Morris?â€
-
-The merciless man said he thought it was the situation of the house.
-
-“Miss Ladd took the place in the spring,†he continued; “and only
-discovered the one objection to it some months afterward. We are in the
-highest part of the valley here--but, you see, it’s a valley surrounded
-by hills; and on three sides the hills are near us. All very well in
-winter; but in summer I have heard of girls in this school so out of
-health in the relaxing atmosphere that they have been sent home again.â€
-
-Francine suddenly showed an interest in what he was saying. If he had
-cared to observe her closely, he might have noticed it.
-
-“Do you mean that the girls were really ill?†she asked.
-
-“No. They slept badly--lost appetite--started at trifling noises. In
-short, their nerves were out of order.â€
-
-“Did they get well again at home, in another air?â€
-
-“Not a doubt of it,†he answered, beginning to get weary of the subject.
-“May I look at your books?â€
-
-Francine’s interest in the influence of different atmospheres on health
-was not exhausted yet. “Do you know where the girls lived when they were
-at home?†she inquired.
-
-“I know where one of them lived. She was the best pupil I ever had--and
-I remember she lived in Yorkshire.†He was so weary of the idle
-curiosity--as it appeared to him--which persisted in asking trifling
-questions, that he left his seat, and crossed the room. “May I look at
-your books?†he repeated.
-
-“Oh, yes!â€
-
-The conversation was suspended for a while. The lady thought, “I should
-like to box his ears!†The gentleman thought, “She’s only an inquisitive
-fool after all!†His examination of her books confirmed him in the
-delusion that there was really nothing in Francine’s character which
-rendered it necessary to caution Emily against the advances of her new
-friend. Turning away from the book-case, he made the first excuse that
-occurred to him for putting an end to the interview.
-
-“I must beg you to let me return to my duties, Miss de Sor. I have to
-correct the young ladies’ drawings, before they begin again to-morrow.â€
-
-Francine’s wounded vanity made a last expiring attempt to steal the
-heart of Emily’s lover.
-
-“You remind me that I have a favor to ask,†she said. “I don’t attend
-the other classes--but I should so like to join _your_ class! May I?â€
- She looked up at him with a languishing appearance of entreaty which
-sorely tried Alban’s capacity to keep his face in serious order. He
-acknowledged the compliment paid to him in studiously commonplace terms,
-and got a little nearer to the open window. Francine’s obstinacy was not
-conquered yet.
-
-“My education has been sadly neglected,†she continued; “but I have had
-some little instruction in drawing. You will not find me so ignorant
-as some of the other girls.†She waited a little, anticipating a few
-complimentary words. Alban waited also--in silence. “I shall look
-forward with pleasure to my lessons under such an artist as yourself,â€
- she went on, and waited again, and was disappointed again. “Perhaps,â€
- she resumed, “I may become your favorite pupil--Who knows?â€
-
-“Who indeed!â€
-
-It was not much to say, when he spoke at last--but it was enough to
-encourage Francine. She called him “dear Mr. Morrisâ€; she pleaded
-for permission to take her first lesson immediately; she clasped her
-hands--“Please say Yes!â€
-
-“I can’t say Yes, till you have complied with the rules.â€
-
-“Are they _your_ rules?â€
-
-Her eyes expressed the readiest submission--in that case. He entirely
-failed to see it: he said they were Miss Ladd’s rules--and wished her
-good-evening.
-
-She watched him, walking away down the terrace. How was he paid? Did he
-receive a yearly salary, or did he get a little extra money for each
-new pupil who took drawing lessons? In this last case, Francine saw her
-opportunity of being even with him “You brute! Catch me attending your
-class!â€
-
-
-
-
-CHAPTER XXXIII. RECOLLECTIONS OF ST. DOMINGO.
-
-The night was oppressively hot. Finding it impossible to sleep, Francine
-lay quietly in her bed, thinking. The subject of her reflections was a
-person who occupied the humble position of her new servant.
-
-Mrs. Ellmother looked wretchedly ill. Mrs. Ellmother had told Emily that
-her object, in returning to domestic service, was to try if change would
-relieve her from the oppression of her own thoughts. Mrs. Ellmother
-believed in vulgar superstitions which declared Friday to be an unlucky
-day; and which recommended throwing a pinch over your left shoulder, if
-you happened to spill the salt.
-
-In themselves, these were trifling recollections. But they assumed a
-certain importance, derived from the associations which they called
-forth.
-
-They reminded Francine, by some mental process which she was at a loss
-to trace, of Sappho the slave, and of her life at St. Domingo.
-
-She struck a light, and unlocked her writing desk. From one of the
-drawers she took out an old household account-book.
-
-The first page contained some entries, relating to domestic expenses, in
-her own handwriting. They recalled one of her efforts to occupy her idle
-time, by relieving her mother of the cares of housekeeping. For a day or
-two, she had persevered--and then she had ceased to feel any interest in
-her new employment. The remainder of the book was completely filled
-up, in a beautifully clear handwriting, beginning on the second page. A
-title had been found for the manuscript by Francine. She had written at
-the top of the page: _Sappho’s Nonsense_.
-
-After reading the first few sentences she rapidly turned over the
-leaves, and stopped at a blank space near the end of the book. Here
-again she had added a title. This time it implied a compliment to the
-writer: the page was headed: _Sappho’s Sense_.
-
-She read this latter part of the manuscript with the closest attention.
-
-“I entreat my kind and dear young mistress not to suppose that I believe
-in witchcraft--after such an education as I have received. When I wrote
-down, at your biding, all that I had told you by word of mouth, I cannot
-imagine what delusion possessed me. You say I have a negro side to
-my character, which I inherit from my mother. Did you mean this, dear
-mistress, as a joke? I am almost afraid it is sometimes not far off from
-the truth.
-
-“Let me be careful, however, to avoid leading you into a mistake. It is
-really true that the man-slave I spoke of did pine and die, after the
-spell had been cast on him by my witch-mother’s image of wax. But I
-ought also to have told you that circumstances favored the working of
-the spell: the fatal end was not brought about by supernatural means.
-
-“The poor wretch was not in good health at the time; and our owner had
-occasion to employ him in the valley of the island far inland. I have
-been told, and can well believe, that the climate there is different
-from the climate on the coast--in which the unfortunate slave had been
-accustomed to live. The overseer wouldn’t believe him when he said the
-valley air would be his death--and the negroes, who might otherwise have
-helped him, all avoided a man whom they knew to be under a spell.
-
-“This, you see, accounts for what might appear incredible to civilized
-persons. If you will do me a favor, you will burn this little book, as
-soon as you have read what I have written here. If my request is not
-granted, I can only implore you to let no eyes but your own see these
-pages. My life might be in danger if the blacks knew what I have now
-told you, in the interests of truth.â€
-
-Francine closed the book, and locked it up again in her desk. “Now I
-know,†she said to herself, “what reminded me of St. Domingo.â€
-
-When Francine rang her bell the next morning, so long a time elapsed
-without producing an answer that she began to think of sending one of
-the house-servants to make inquiries. Before she could decide, Mrs.
-Ellmother presented herself, and offered her apologies.
-
-“It’s the first time I have overslept myself, miss, since I was a girl.
-Please to excuse me, it shan’t happen again.â€
-
-“Do you find that the air here makes you drowsy?†Francine asked.
-
-Mrs. Ellmother shook her head. “I didn’t get to sleep,†she said,
-“till morning, and so I was too heavy to be up in time. But air has got
-nothing to do with it. Gentlefolks may have their whims and fancies. All
-air is the same to people like me.â€
-
-“You enjoy good health, Mrs. Ellmother?â€
-
-“Why not, miss? I have never had a doctor.â€
-
-“Oh! That’s your opinion of doctors, is it?â€
-
-“I won’t have anything to do with them--if that’s what you mean by my
-opinion,†Mrs. Ellmother answered doggedly. “How will you have your hair
-done?â€
-
-“The same as yesterday. Have you seen anything of Miss Emily? She went
-back to London the day after you left us.â€
-
-“I haven’t been in London. I’m thankful to say my lodgings are let to a
-good tenant.â€
-
-“Then where have you lived, while you were waiting to come here?â€
-
-“I had only one place to go to, miss; I went to the village where I was
-born. A friend found a corner for me. Ah, dear heart, it’s a pleasant
-place, there!â€
-
-“A place like this?â€
-
-“Lord help you! As little like this as chalk is to cheese. A fine big
-moor, miss, in Cumberland, without a tree in sight--look where you may.
-Something like a wind, I can tell you, when it takes to blowing there.â€
-
-“Have you never been in this part of the country?â€
-
-“Not I! When I left the North, my new mistress took me to Canada. Talk
-about air! If there was anything in it, the people in _that_ air ought
-to live to be a hundred. I liked Canada.â€
-
-“And who was your next mistress?â€
-
-Thus far, Mrs. Ellmother had been ready enough to talk. Had she failed
-to hear what Francine had just said to her? or had she some reason for
-feeling reluctant to answer? In any case, a spirit of taciturnity took
-sudden possession of her--she was silent.
-
-Francine (as usual) persisted. “Was your next place in service with Miss
-Emily’s aunt?â€
-
-“Yes.â€
-
-“Did the old lady always live in London?â€
-
-“No.â€
-
-“What part of the country did she live in?â€
-
-“Kent.â€
-
-“Among the hop gardens?â€
-
-“No.â€
-
-“In what other part, then?â€
-
-“Isle of Thanet.â€
-
-“Near the sea coast?â€
-
-“Yes.â€
-
-Even Francine could insist no longer: Mrs. Ellmother’s reserve had
-beaten her--for that day at least. “Go into the hall,†she said, “and
-see if there are any letters for me in the rack.â€
-
-There was a letter bearing the Swiss postmark. Simple Cecilia was
-flattered and delighted by the charming manner in which Francine had
-written to her. She looked forward with impatience to the time when
-their present acquaintance might ripen into friendship. Would “Dear
-Miss de Sor†waive all ceremony, and consent to be a guest (later in the
-autumn) at her father’s house? Circumstances connected with her sister’s
-health would delay their return to England for a little while. By the
-end of the month she hoped to be at home again, and to hear if Francine
-was disengaged. Her address, in England, was Monksmoor Park, Hants.
-
-Having read the letter, Francine drew a moral from it: “There is great
-use in a fool, when one knows how to manage her.â€
-
-Having little appetite for her breakfast, she tried the experiment of a
-walk on the terrace. Alban Morris was right; the air at Netherwoods, in
-the summer time, _was_ relaxing. The morning mist still hung over the
-lowest part of the valley, between the village and the hills beyond. A
-little exercise produced a feeling of fatigue. Francine returned to her
-room, and trifled with her tea and toast.
-
-Her next proceeding was to open her writing-desk, and look into the old
-account-book once more. While it lay open on her lap, she recalled what
-had passed that morning, between Mrs. Ellmother and herself.
-
-The old woman had been born and bred in the North, on an open moor. She
-had been removed to the keen air of Canada when she left her birthplace.
-She had been in service after that, on the breezy eastward coast of
-Kent. Would the change to the climate of Netherwoods produce any effect
-on Mrs. Ellmother? At her age, and with her seasoned constitution, would
-she feel it as those school-girls had felt it--especially that one among
-them, who lived in the bracing air of the North, the air of Yorkshire?
-
-Weary of solitary thinking on one subject, Francine returned to the
-terrace with a vague idea of finding something to amuse her--that is to
-say, something she could turn into ridicule--if she joined the girls.
-
-The next morning, Mrs. Ellmother answered her mistress’s bell without
-delay. “You have slept better, this time?†Francine said.
-
-“No, miss. When I did get to sleep I was troubled by dreams. Another bad
-night--and no mistake!â€
-
-“I suspect your mind is not quite at ease,†Francine suggested.
-
-“Why do you suspect that, if you please?â€
-
-“You talked, when I met you at Miss Emily’s, of wanting to get away from
-your own thoughts. Has the change to this place helped you?â€
-
-“It hasn’t helped me as I expected. Some people’s thoughts stick fast.â€
-
-“Remorseful thoughts?†Francine inquired.
-
-Mrs. Ellmother held up her forefinger, and shook it with a gesture of
-reproof. “I thought we agreed, miss, that there was to be no pumping.â€
-
-The business of the toilet proceeded in silence.
-
-A week passed. During an interval in the labors of the school, Miss Ladd
-knocked at the door of Francine’s room.
-
-“I want to speak to you, my dear, about Mrs. Ellmother. Have you noticed
-that she doesn’t seem to be in good health?â€
-
-“She looks rather pale, Miss Ladd.â€
-
-“It’s more serious than that, Francine. The servants tell me that she
-has hardly any appetite. She herself acknowledges that she sleeps badly.
-I noticed her yesterday evening in the garden, under the schoolroom
-window. One of the girls dropped a dictionary. She started at that
-slight noise, as if it terrified her. Her nerves are seriously out of
-order. Can you prevail upon her to see the doctor?â€
-
-Francine hesitated--and made an excuse. “I think she would be much more
-likely, Miss Ladd, to listen to you. Do you mind speaking to her?â€
-
-“Certainly not!â€
-
-Mrs. Ellmother was immediately sent for. “What is your pleasure, miss?â€
- she said to Francine.
-
-Miss Ladd interposed. “It is I who wish to speak to you, Mrs. Ellmother.
-For some days past, I have been sorry to see you looking ill.â€
-
-“I never was ill in my life, ma’am.â€
-
-Miss Ladd gently persisted. “I hear that you have lost your appetite.â€
-
-“I never was a great eater, ma’am.â€
-
-It was evidently useless to risk any further allusion to Mrs.
-Ellmother’s symptoms. Miss Ladd tried another method of persuasion.
-“I daresay I may be mistaken,†she said; “but I do really feel anxious
-about you. To set my mind at rest, will you see the doctor?â€
-
-“The doctor! Do you think I’m going to begin taking physic, at my time
-of life? Lord, ma’am! you amuse me--you do indeed!†She burst into a
-sudden fit of laughter; the hysterical laughter which is on the verge of
-tears. With a desperate effort, she controlled herself. “Please, don’t
-make a fool of me again,†she said--and left the room.
-
-“What do you think now?†Miss Ladd asked.
-
-Francine appeared to be still on her guard.
-
-“I don’t know what to think,†she said evasively.
-
-Miss Ladd looked at her in silent surprise, and withdrew.
-
-Left by herself, Francine sat with her elbows on the table and her face
-in her hands, absorbed in thought. After a long interval, she opened her
-desk--and hesitated. She took a sheet of note-paper--and paused, as
-if still in doubt. She snatched up her pen, with a sudden recovery of
-resolution--and addressed these lines to the wife of her father’s agent
-in London:
-
-“When I was placed under your care, on the night of my arrival from
-the West Indies, you kindly said I might ask you for any little service
-which might be within your power. I shall be greatly obliged if you can
-obtain for me, and send to this place, a supply of artists’ modeling
-wax--sufficient for the production of a small image.â€
-
-
-
-
-CHAPTER XXXIV. IN THE DARK.
-
-A week later, Alban Morris happened to be in Miss Ladd’s study, with
-a report to make on the subject of his drawing-class. Mrs. Ellmother
-interrupted them for a moment. She entered the room to return a book
-which Francine had borrowed that morning.
-
-“Has Miss de Sor done with it already?†Miss Ladd asked.
-
-“She won’t read it, ma’am. She says the leaves smell of tobacco-smoke.â€
-
-Miss Ladd turned to Alban, and shook her head with an air of
-good-humored reproof. “I know who has been reading that book last!†she
-said.
-
-Alban pleaded guilty, by a look. He was the only master in the school
-who smoked. As Mrs. Ellmother passed him, on her way out, he noticed the
-signs of suffering in her wasted face.
-
-“That woman is surely in a bad state of health,†he said. “Has she seen
-the doctor?â€
-
-“She flatly refuses to consult the doctor,†Miss Ladd replied. “If she
-was a stranger, I should meet the difficulty by telling Miss de Sor
-(whose servant she is) that Mrs. Ellmother must be sent home. But I
-cannot act in that peremptory manner toward a person in whom Emily is
-interested.â€
-
-From that moment Mrs. Ellmother became a person in whom Alban was
-interested. Later in the day, he met her in one of the lower corridors
-of the house, and spoke to her. “I am afraid the air of this place
-doesn’t agree with you,†he said.
-
-Mrs. Ellmother’s irritable objection to being told (even indirectly)
-that she looked ill, expressed itself roughly in reply. “I daresay you
-mean well, sir--but I don’t see how it matters to you whether the place
-agrees with me or not.â€
-
-“Wait a minute,†Alban answered good-humoredly. “I am not quite a
-stranger to you.â€
-
-“How do you make that out, if you please?â€
-
-“I know a young lady who has a sincere regard for you.â€
-
-“You don’t mean Miss Emily?â€
-
-“Yes, I do. I respect and admire Miss Emily; and I have tried, in my
-poor way, to be of some little service to her.â€
-
-Mrs. Ellmother’s haggard face instantly softened. “Please to forgive me,
-sir, for forgetting my manners,†she said simply. “I have had my health
-since the day I was born--and I don’t like to be told, in my old age,
-that a new place doesn’t agree with me.â€
-
-Alban accepted this apology in a manner which at once won the heart
-of the North-countrywoman. He shook hands with her. “You’re one of the
-right sort,†she said; “there are not many of them in this house.â€
-
-Was she alluding to Francine? Alban tried to make the discovery. Polite
-circumlocution would be evidently thrown away on Mrs. Ellmother. “Is
-your new mistress one of the right sort?†he asked bluntly.
-
-The old servant’s answer was expressed by a frowning look, followed by a
-plain question.
-
-“Do you say that, sir, because you like my new mistress?â€
-
-“No.â€
-
-“Please to shake hands again!†She said it--took his hand with a sudden
-grip that spoke for itself--and walked away.
-
-Here was an exhibition of character which Alban was just the man to
-appreciate. “If I had been an old woman,†he thought in his dryly
-humorous way, “I believe I should have been like Mrs. Ellmother. We
-might have talked of Emily, if she had not left me in such a hurry. When
-shall I see her again?â€
-
-He was destined to see her again, that night--under circumstances which
-he remembered to the end of his life.
-
-The rules of Netherwoods, in summer time, recalled the young ladies from
-their evening’s recreation in the grounds at nine o’clock. After that
-hour, Alban was free to smoke his pipe, and to linger among trees and
-flower-beds before he returned to his hot little rooms in the village.
-As a relief to the drudgery of teaching the young ladies, he had
-been using his pencil, when the day’s lessons were over, for his own
-amusement. It was past ten o’clock before he lighted his pipe, and began
-walking slowly to and fro on the path which led to the summer-house, at
-the southern limit of the grounds.
-
-In the perfect stillness of the night, the clock of the village church
-was distinctly audible, striking the hours and the quarters. The moon
-had not risen; but the mysterious glimmer of starlight trembled on the
-large open space between the trees and the house.
-
-Alban paused, admiring with an artist’s eye the effect of light, so
-faintly and delicately beautiful, on the broad expanse of the lawn.
-“Does the man live who could paint that?†he asked himself. His memory
-recalled the works of the greatest of all landscape painters--the
-English artists of fifty years since. While recollections of many a
-noble picture were still passing through his mind, he was startled by
-the sudden appearance of a bareheaded woman on the terrace steps.
-
-She hurried down to the lawn, staggering as she ran--stopped, and looked
-back at the house--hastened onward toward the trees--stopped again,
-looking backward and forward, uncertain which way to turn next--and then
-advanced once more. He could now hear her heavily gasping for breath. As
-she came nearer, the starlight showed a panic-stricken face--the face of
-Mrs. Ellmother.
-
-Alban ran to meet her. She dropped on the grass before he could cross
-the short distance which separated them. As he raised her in his arms
-she looked at him wildly, and murmured and muttered in the vain attempt
-to speak. “Look at me again,†he said. “Don’t you remember the man who
-had some talk with you to-day?†She still stared at him vacantly: he
-tried again. “Don’t you remember Miss Emily’s friend?â€
-
-As the name passed his lips, her mind in some degree recovered its
-balance. “Yes,†she said; “Emily’s friend; I’m glad I have met with
-Emily’s friend.†She caught at Alban’s arm--starting as if her own words
-had alarmed her. “What am I talking about? Did I say ‘Emily’? A servant
-ought to say ‘Miss Emily.’ My head swims. Am I going mad?â€
-
-Alban led her to one of the garden chairs. “You’re only a little
-frightened,†he said. “Rest, and compose yourself.â€
-
-She looked over her shoulder toward the house. “Not here! I’ve run away
-from a she-devil; I want to be out of sight. Further away, Mister--I
-don’t know your name. Tell me your name; I won’t trust you, unless you
-tell me your name!â€
-
-“Hush! hush! Call me Alban.â€
-
-“I never heard of such a name; I won’t trust you.â€
-
-“You won’t trust your friend, and Emily’s friend? You don’t mean that,
-I’m sure. Call me by my other name--call me ‘Morris.’â€
-
-“Morris?†she repeated. “Ah, I’ve heard of people called ‘Morris.’ Look
-back! Your eyes are young--do you see her on the terrace?â€
-
-“There isn’t a living soul to be seen anywhere.â€
-
-With one hand he raised her as he spoke--and with the other he took up
-the chair. In a minute more, they were out of sight of the house. He
-seated her so that she could rest her head against the trunk of a tree.
-
-“What a good fellow!†the poor old creature said, admiring him; “he
-knows how my head pains me. Don’t stand up! You’re a tall man. She might
-see you.â€
-
-“She can see nothing. Look at the trees behind us. Even the starlight
-doesn’t get through them.â€
-
-Mrs. Ellmother was not satisfied yet. “You take it coolly,†she said.
-“Do you know who saw us together in the passage to-day? You good Morris,
-_she_ saw us--she did. Wretch! Cruel, cunning, shameless wretch.â€
-
-In the shadows that were round them, Alban could just see that she
-was shaking her clinched fists in the air. He made another attempt to
-control her. “Don’t excite yourself! If she comes into the garden, she
-might hear you.â€
-
-The appeal to her fears had its effect.
-
-“That’s true,†she said, in lowered tones. A sudden distrust of him
-seized her the next moment. “Who told me I was excited?†she burst out.
-“It’s you who are excited. Deny it if you dare; I begin to suspect you,
-Mr. Morris; I don’t like your conduct. What has become of your pipe? I
-saw you put your pipe in your coat pocket. You did it when you set me
-down among the trees where _she_ could see me! You are in league
-with her--she is coming to meet you here--you know she does not like
-tobacco-smoke. Are you two going to put me in the madhouse?â€
-
-She started to her feet. It occurred to Alban that the speediest way of
-pacifying her might be by means of the pipe. Mere words would exercise
-no persuasive influence over that bewildered mind. Instant action, of
-some kind, would be far more likely to have the right effect. He put his
-pipe and his tobacco pouch into her hands, and so mastered her attention
-before he spoke.
-
-“Do you know how to fill a man’s pipe for him?†he asked.
-
-“Haven’t I filled my husband’s pipe hundreds of times?†she answered
-sharply.
-
-“Very well. Now do it for me.â€
-
-She took her chair again instantly, and filled the pipe. He lighted it,
-and seated himself on the grass, quietly smoking. “Do you think I’m in
-league with her now?†he asked, purposely adopting the rough tone of a
-man in her own rank of life.
-
-She answered him as she might have answered her husband, in the days of
-her unhappy marriage.
-
-“Oh, don’t gird at me, there’s a good man! If I’ve been off my head for
-a minute or two, please not to notice me. It’s cool and quiet here,â€
- the poor woman said gratefully. “Bless God for the darkness; there’s
-something comforting in the darkness--along with a good man like you.
-Give me a word of advice. You are my friend in need. What am I to do? I
-daren’t go back to the house!â€
-
-She was quiet enough now, to suggest the hope that she might be able
-to give Alban some information “Were you with Miss de Sor,†he asked,
-“before you came out here? What did she do to frighten you?â€
-
-There was no answer; Mrs. Ellmother had abruptly risen once more.
-“Hush!†she whispered. “Don’t I hear somebody near us?â€
-
-Alban at once went back, along the winding path which they had followed.
-No creature was visible in the gardens or on the terrace. On returning,
-he found it impossible to use his eyes to any good purpose in the
-obscurity among the trees. He waited a while, listening intently. No
-sound was audible: there was not even air enough to stir the leaves.
-
-As he returned to the place that he had left, the silence was broken by
-the chimes of the distant church clock, striking the three-quarters past
-ten.
-
-Even that familiar sound jarred on Mrs. Ellmother’s shattered nerves. In
-her state of mind and body, she was evidently at the mercy of any false
-alarm which might be raised by her own fears. Relieved of the feeling
-of distrust which had thus far troubled him, Alban sat down by her
-again--opened his match-box to relight his pipe--and changed his mind.
-Mrs. Ellmother had unconsciously warned him to be cautious.
-
-For the first time, he thought it likely that the heat in the house
-might induce some of the inmates to try the cooler atmosphere in the
-grounds. If this happened, and if he continued to smoke, curiosity might
-tempt them to follow the scent of tobacco hanging on the stagnant air.
-
-“Is there nobody near us?†Mrs. Ellmother asked. “Are you sure?â€
-
-“Quite sure. Now tell me, did you really mean it, when you said just now
-that you wanted my advice?â€
-
-“Need you ask that, sir? Who else have I got to help me?â€
-
-“I am ready and willing to help you--but I can’t do it unless I know
-first what has passed between you and Miss de Sor. Will you trust me?â€
-
-“I will!â€
-
-“May I depend on you?â€
-
-“Try me!â€
-
-
-
-
-CHAPTER XXXV. THE TREACHERY OF THE PIPE.
-
-Alban took Mrs. Ellmother at her word. “I am going to venture on a
-guess,†he said. “You have been with Miss de Sor to-night.â€
-
-“Quite true, Mr. Morris.â€
-
-“I am going to guess again. Did Miss de Sor ask you to stay with her,
-when you went into her room?â€
-
-“That’s it! She rang for me, to see how I was getting on with my
-needlework--and she was what I call hearty, for the first time since
-I have been in her service. I didn’t think badly of her when she first
-talked of engaging me; and I’ve had reason to repent of my opinion ever
-since. Oh, she showed the cloven foot to-night! ‘Sit down,’ she says;
-‘I’ve nothing to read, and I hate work; let’s have a little chat.’ She’s
-got a glib tongue of her own. All I could do was to say a word now and
-then to keep her going. She talked and talked till it was time to light
-the lamp. She was particular in telling me to put the shade over it. We
-were half in the dark, and half in the light. She trapped me (Lord knows
-how!) into talking about foreign parts; I mean the place she lived in
-before they sent her to England. Have you heard that she comes from the
-West Indies?â€
-
-“Yes; I have heard that. Go on.â€
-
-“Wait a bit, sir. There’s something, by your leave, that I want to know.
-Do you believe in Witchcraft?â€
-
-“I know nothing about it. Did Miss de Sor put that question to you?â€
-
-“She did.â€
-
-“And how did you answer?â€
-
-“Neither in one way nor the other. I’m in two minds about that matter
-of Witchcraft. When I was a girl, there was an old woman in our village,
-who was a sort of show. People came to see her from all the country
-round--gentlefolks among them. It was her great age that made her
-famous. More than a hundred years old, sir! One of our neighbors didn’t
-believe in her age, and she heard of it. She cast a spell on his flock.
-I tell you, she sent a plague on his sheep, the plague of the Bots. The
-whole flock died; I remember it well. Some said the sheep would have had
-the Bots anyhow. Some said it was the spell. Which of them was right?
-How am I to settle it?â€
-
-“Did you mention this to Miss de Sor?â€
-
-“I was obliged to mention it. Didn’t I tell you, just now, that I can’t
-make up my mind about Witchcraft? ‘You don’t seem to know whether you
-believe or disbelieve,’ she says. It made me look like a fool. I told
-her I had my reasons, and then I was obliged to give them.â€
-
-“And what did she do then?â€
-
-“She said, ‘I’ve got a better story of Witchcraft than yours.’ And she
-opened a little book, with a lot of writing in it, and began to read.
-Her story made my flesh creep. It turns me cold, sir, when I think of it
-now.â€
-
-He heard her moaning and shuddering. Strongly as his interest was
-excited, there was a compassionate reluctance in him to ask her to go
-on. His merciful scruples proved to be needless. The fascination of
-beauty it is possible to resist. The fascination of horror fastens
-its fearful hold on us, struggle against it as we may. Mrs. Ellmother
-repeated what she had heard, in spite of herself.
-
-“It happened in the West Indies,†she said; “and the writing of a woman
-slave was the writing in the little book. The slave wrote about her
-mother. Her mother was a black--a Witch in her own country. There was
-a forest in her own country. The devil taught her Witchcraft in the
-forest. The serpents and the wild beasts were afraid to touch her.
-She lived without eating. She was sold for a slave, and sent to the
-island--an island in the West Indies. An old man lived there; the
-wickedest man of them all. He filled the black Witch with devilish
-knowledge. She learned to make the image of wax. The image of wax casts
-spells. You put pins in the image of wax. At every pin you put, the
-person under the spell gets nearer and nearer to death. There was a poor
-black in the island. He offended the Witch. She made his image in wax;
-she cast spells on him. He couldn’t sleep; he couldn’t eat; he was such
-a coward that common noises frightened him. Like Me! Oh, God, like me!â€
-
-“Wait a little,†Alban interposed. “You are exciting yourself
-again--wait.â€
-
-“You’re wrong, sir! You think it ended when she finished her story, and
-shut up her book; there’s worse to come than anything you’ve heard yet.
-I don’t know what I did to offend her. She looked at me and spoke to me,
-as if I was the dirt under her feet. ‘If you’re too stupid to understand
-what I have been reading,’ she says, ‘get up and go to the glass. Look
-at yourself, and remember what happened to the slave who was under the
-spell. You’re getting paler and paler, and thinner and thinner; you’re
-pining away just as he did. Shall I tell you why?’ She snatched off the
-shade from the lamp, and put her hand under the table, and brought out
-an image of wax. _My_ image! She pointed to three pins in it. ‘One,’
-she says, ‘for no sleep. One for no appetite. One for broken nerves.’ I
-asked her what I had done to make such a bitter enemy of her. She says,
-‘Remember what I asked of you when we talked of your being my servant.
-Choose which you will do? Die by inches’ (I swear she said it as I hope
-to be saved); ‘die by inches, or tell me--’â€
-
-There--in the full frenzy of the agitation that possessed her--there,
-Mrs. Ellmother suddenly stopped.
-
-Alban’s first impression was that she might have fainted. He looked
-closer, and could just see her shadowy figure still seated in the chair.
-He asked if she was ill. No.
-
-“Then why don’t you go on?â€
-
-“I have done,†she answered.
-
-“Do you think you can put me off,†he rejoined sternly, “with such an
-excuse as that? What did Miss de Sor ask you to tell her? You promised
-to trust me. Be as good as your word.â€
-
-In the days of her health and strength, she would have set him at
-defiance. All she could do now was to appeal to his mercy.
-
-“Make some allowance for me,†she said. “I have been terribly upset.
-What has become of my courage? What has broken me down in this way?
-Spare me, sir.â€
-
-He refused to listen. “This vile attempt to practice on your fears may
-be repeated,†he reminded her. “More cruel advantage may be taken of the
-nervous derangement from which you are suffering in the climate of this
-place. You little know me, if you think I will allow that to go on.â€
-
-She made a last effort to plead with him. “Oh sir, is this behaving
-like the good kind man I thought you were? You say you are Miss Emily’s
-friend? Don’t press me--for Miss Emily’s sake!â€
-
-“Emily!†Alban exclaimed. “Is _she_ concerned in this?â€
-
-There was a change to tenderness in his voice, which persuaded Mrs.
-Ellmother that she had found her way to the weak side of him. Her one
-effort now was to strengthen the impression which she believed herself
-to have produced. “Miss Emily _is_ concerned in it,†she confessed.
-
-“In what way?â€
-
-“Never mind in what way.â€
-
-“But I do mind.â€
-
-“I tell you, sir, Miss Emily must never know it to her dying day!â€
-
-The first suspicion of the truth crossed Alban’s mind.
-
-“I understand you at last,†he said. “What Miss Emily must never
-know--is what Miss de Sor wanted you to tell her. Oh, it’s useless to
-contradict me! Her motive in trying to frighten you is as plain to me
-now as if she had confessed it. Are you sure you didn’t betray yourself,
-when she showed the image of wax?â€
-
-“I should have died first!†The reply had hardly escaped her before she
-regretted it. “What makes you want to be so sure about it?†she said.
-“It looks as if you knew--â€
-
-“I do know.â€
-
-“What!â€
-
-The kindest thing that he could do now was to speak out. “Your secret is
-no secret to _me_,†he said.
-
-Rage and fear shook her together. For the moment she was like the Mrs.
-Ellmother of former days. “You lie!†she cried.
-
-“I speak the truth.â€
-
-“I won’t believe you! I daren’t believe you!â€
-
-“Listen to me. In Emily’s interests, listen to me. I have read of the
-murder at Zeeland--â€
-
-“That’s nothing! The man was a namesake of her father.â€
-
-“The man was her father himself. Keep your seat! There is nothing to be
-alarmed about. I know that Emily is ignorant of the horrid death that
-her father died. I know that you and your late mistress have kept the
-discovery from her to this day. I know the love and pity which plead
-your excuse for deceiving her, and the circumstances that favored the
-deception. My good creature, Emily’s peace of mind is as sacred to me
-as it is to you! I love her as I love my own life--and better. Are you
-calmer, now?â€
-
-He heard her crying: it was the best relief that could come to her.
-After waiting a while to let the tears have their way, he helped her to
-rise. There was no more to be said now. The one thing to do was to take
-her back to the house.
-
-“I can give you a word of advice,†he said, “before we part for the
-night. You must leave Miss de Sor’s service at once. Your health will be
-a sufficient excuse. Give her warning immediately.â€
-
-Mrs. Ellmother hung back, when he offered her his arm. The bare prospect
-of seeing Francine again was revolting to her. On Alban’s assurance
-that the notice to leave could be given in writing, she made no further
-resistance. The village clock struck eleven as they ascended the terrace
-steps.
-
-A minute later, another person left the grounds by the path which led
-to the house. Alban’s precaution had been taken too late. The smell of
-tobacco-smoke had guided Francine, when she was at a loss which way to
-turn next in search of Mrs. Ellmother. For the last quarter of an hour
-she had been listening, hidden among the trees.
-
-
-
-
-CHAPTER XXXVI. CHANGE OF AIR.
-
-The inmates of Netherwoods rose early, and went to bed early. When Alban
-and Mrs. Ellmother arrived at the back door of the house, they found it
-locked.
-
-The only light visible, along the whole length of the building,
-glimmered through the Venetian blind of the window-entrance to
-Francine’s sitting-room. Alban proposed to get admission to the house by
-that way. In her horror of again encountering Francine, Mrs. Ellmother
-positively refused to follow him when he turned away from the door.
-“They can’t be all asleep yet,†she said--and rang the bell.
-
-One person was still out of bed--and that person was the mistress of
-the house. They recognized her voice in the customary question: “Who’s
-there?†The door having been opened, good Miss Ladd looked backward and
-forward between Alban and Mrs. Ellmother, with the bewildered air of
-a lady who doubted the evidence of her own eyes. The next moment, her
-sense of humor overpowered her. She burst out laughing.
-
-“Close the door, Mr. Morris,†she said, “and be so good as to tell me
-what this means. Have you been giving a lesson in drawing by starlight?â€
-
-Mrs. Ellmother moved, so that the light of the lamp in Miss Ladd’s hand
-fell on her face. “I am faint and giddy,†she said; “let me go to my
-bed.â€
-
-Miss Ladd instantly followed her. “Pray forgive me! I didn’t see you
-were ill, when I spoke,†she gently explained. “What can I do for you?â€
-
-“Thank you kindly, ma’am. I want nothing but peace and quiet. I wish you
-good-night.â€
-
-Alban followed Miss Ladd to her study, on the front side of the
-house. He had just mentioned the circumstances under which he and Mrs.
-Ellmother had met, when they were interrupted by a tap at the door.
-Francine had got back to her room unperceived, by way of the French
-window. She now presented herself, with an elaborate apology, and with
-the nearest approach to a penitent expression of which her face was
-capable.
-
-“I am ashamed, Miss Ladd, to intrude on you at this time of night. My
-only excuse is, that I am anxious about Mrs. Ellmother. I heard you just
-now in the hall. If she is really ill, I am the unfortunate cause of
-it.â€
-
-“In what way, Miss de Sor?â€
-
-“I am sorry to say I frightened her--while we were talking in my
-room--quite unintentionally. She rushed to the door and ran out. I
-supposed she had gone to her bedroom; I had no idea she was in the
-grounds.â€
-
-In this false statement there was mingled a grain of truth. It was
-true that Francine believed Mrs. Ellmother to have taken refuge in her
-room--for she had examined the room. Finding it empty, and failing
-to discover the fugitive in other parts of the house, she had become
-alarmed, and had tried the grounds next--with the formidable result
-which has been already related. Concealing this circumstance, she had
-lied in such a skillfully artless manner that Alban (having no suspicion
-of what had really happened to sharpen his wits) was as completely
-deceived as Miss Ladd. Proceeding to further explanation--and
-remembering that she was in Alban’s presence--Francine was careful to
-keep herself within the strict limit of truth. Confessing that she had
-frightened her servant by a description of sorcery, as it was practiced
-among the slaves on her father’s estate, she only lied again, in
-declaring that Mrs. Ellmother had supposed she was in earnest, when she
-was guilty of no more serious offense than playing a practical joke.
-
-In this case, Alban was necessarily in a position to detect the
-falsehood. But it was so evidently in Francine’s interests to present
-her conduct in the most favorable light, that the discovery failed to
-excite his suspicion. He waited in silence, while Miss Ladd administered
-a severe reproof. Francine having left the room, as penitently as she
-had entered it (with her handkerchief over her tearless eyes), he was
-at liberty, with certain reserves, to return to what had passed between
-Mrs. Ellmother and himself.
-
-“The fright which the poor old woman has suffered,†he said, “has led
-to one good result. I have found her ready at last to acknowledge that
-she is ill, and inclined to believe that the change to Netherwoods has
-had something to do with it. I have advised her to take the course which
-you suggested, by leaving this house. Is it possible to dispense with
-the usual delay, when she gives notice to leave Miss de Sor’s service?â€
-
-“She need feel no anxiety, poor soul, on that account,†Miss Ladd
-replied. “In any case, I had arranged that a week’s notice on either
-side should be enough. As it is, I will speak to Francine myself. The
-least she can do, to express her regret, is to place no difficulties in
-Mrs. Ellmother’s way.â€
-
-The next day was Sunday.
-
-Miss Ladd broke through her rule of attending to secular affairs on
-week days only; and, after consulting with Mrs. Ellmother, arranged
-with Francine that her servant should be at liberty to leave Netherwoods
-(health permitting) on the next day. But one difficulty remained. Mrs.
-Ellmother was in no condition to take the long journey to her birthplace
-in Cumberland; and her own lodgings in London had been let.
-
-Under these circumstances, what was the best arrangement that could be
-made for her? Miss Ladd wisely and kindly wrote to Emily on the subject,
-and asked for a speedy reply.
-
-Later in the day, Alban was sent for to see Mrs. Ellmother. He found
-her anxiously waiting to hear what had passed, on the previous night,
-between Miss Ladd and himself. “Were you careful, sir, to say nothing
-about Miss Emily?â€
-
-“I was especially careful; I never alluded to her in any way.â€
-
-“Has Miss de Sor spoken to you?â€
-
-“I have not given her the opportunity.â€
-
-“She’s an obstinate one--she might try.â€
-
-“If she does, she shall hear my opinion of her in plain words.†The talk
-between them turned next on Alban’s discovery of the secret, of which
-Mrs. Ellmother had believed herself to be the sole depositary since Miss
-Letitia’s death. Without alarming her by any needless allusion to Doctor
-Allday or to Miss Jethro, he answered her inquiries (so far as he was
-himself concerned) without reserve. Her curiosity once satisfied, she
-showed no disposition to pursue the topic. She pointed to Miss Ladd’s
-cat, fast asleep by the side of an empty saucer.
-
-“Is it a sin, Mr. Morris, to wish I was Tom? _He_ doesn’t trouble
-himself about his life that is past or his life that is to come. If I
-could only empty my saucer and go to sleep, I shouldn’t be thinking of
-the number of people in this world, like myself, who would be better out
-of it than in it. Miss Ladd has got me my liberty tomorrow; and I don’t
-even know where to go, when I leave this place.â€
-
-“Suppose you follow Tom’s example?†Alban suggested. “Enjoy to-day (in
-that comfortable chair) and let to-morrow take care of itself.â€
-
-To-morrow arrived, and justified Alban’s system of philosophy. Emily
-answered Miss Ladd’s letter, to excellent purpose, by telegraph.
-
-“I leave London to-day with Cecilia†(the message announced) “for
-Monksmoor Park, Hants. Will Mrs. Ellmother take care of the cottage in
-my absence? I shall be away for a month, at least. All is prepared for
-her if she consents.â€
-
-Mrs. Ellmother gladly accepted this proposal. In the interval of Emily’s
-absence, she could easily arrange to return to her own lodgings.
-With words of sincere gratitude she took leave of Miss Ladd; but no
-persuasion would induce her to say good-by to Francine. “Do me one more
-kindness, ma’am; don’t tell Miss de Sor when I go away.†Ignorant of
-the provocation which had produced this unforgiving temper of mind, Miss
-Ladd gently remonstrated. “Miss de Sor received my reproof in a penitent
-spirit; she expresses sincere sorrow for having thoughtlessly frightened
-you. Both yesterday and to-day she has made kind inquiries after
-your health. Come! come! don’t bear malice--wish her good-by.†Mrs.
-Ellmother’s answer was characteristic. “I’ll say good-by by telegraph,
-when I get to London.â€
-
-Her last words were addressed to Alban. “If you can find a way of doing
-it, sir, keep those two apart.â€
-
-“Do you mean Emily and Miss de Sor?
-
-“Yes.â€
-
-“What are you afraid of?â€
-
-“I don’t know.â€
-
-“Is that quite reasonable, Mrs. Ellmother?â€
-
-“I daresay not. I only know that I _am_ afraid.â€
-
-The pony chaise took her away. Alban’s class was not yet ready for him.
-He waited on the terrace.
-
-Innocent alike of all knowledge of the serious reason for fear which
-did really exist, Mrs. Ellmother and Alban felt, nevertheless, the
-same vague distrust of an intimacy between the two girls. Idle, vain,
-malicious, false--to know that Francine’s character presented these
-faults, without any discoverable merits to set against them, was surely
-enough to justify a gloomy view of the prospect, if she succeeded in
-winning the position of Emily’s friend. Alban reasoned it out logically
-in this way--without satisfying himself, and without accounting for
-the remembrance that haunted him of Mrs. Ellmother’s farewell look. “A
-commonplace man would say we are both in a morbid state of mind,†he
-thought; “and sometimes commonplace men turn out to be right.â€
-
-He was too deeply preoccupied to notice that he had advanced perilously
-near Francine’s window. She suddenly stepped out of her room, and spoke
-to him.
-
-“Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone away
-without bidding me good-by?â€
-
-“She was probably afraid, Miss de Sor, that you might make her the
-victim of another joke.â€
-
-Francine eyed him steadily. “Have you any particular reason for speaking
-to me in that way?â€
-
-“I am not aware that I have answered you rudely--if that is what you
-mean.â€
-
-“That is _not_ what I mean. You seem to have taken a dislike to me. I
-should be glad to know why.â€
-
-“I dislike cruelty--and you have behaved cruelly to Mrs. Ellmother.â€
-
-“Meaning to be cruel?†Francine inquired.
-
-“You know as well as I do, Miss de Sor, that I can’t answer that
-question.â€
-
-Francine looked at him again “Am I to understand that we are enemies?â€
- she asked.
-
-“You are to understand,†he replied, “that a person whom Miss Ladd
-employs to help her in teaching, cannot always presume to express his
-sentiments in speaking to the young ladies.â€
-
-“If that means anything, Mr. Morris, it means that we are enemies.â€
-
-“It means, Miss de Sor, that I am the drawing-master at this school, and
-that I am called to my class.â€
-
-Francine returned to her room, relieved of the only doubt that had
-troubled her. Plainly no suspicion that she had overheard what passed
-between Mrs. Ellmother and himself existed in Alban’s mind. As to the
-use to be made of her discovery, she felt no difficulty in deciding to
-wait, and be guided by events. Her curiosity and her self-esteem had
-been alike gratified--she had got the better of Mrs. Ellmother at last,
-and with that triumph she was content. While Emily remained her friend,
-it would be an act of useless cruelty to disclose the terrible truth.
-There had certainly been a coolness between them at Brighton. But
-Francine--still influenced by the magnetic attraction which drew her
-to Emily--did not conceal from herself that she had offered the
-provocation, and had been therefore the person to blame. “I can set all
-that right,†she thought, “when we meet at Monksmoor Park.†She opened
-her desk and wrote the shortest and sweetest of letters to Cecilia. “I
-am entirely at the disposal of my charming friend, on any convenient
-day--may I add, my dear, the sooner the better?â€
-
-
-
-
-CHAPTER XXXVII. “THE LADY WANTS YOU, SIR.â€
-
-The pupils of the drawing-class put away their pencils and color-boxes
-in high good humor: the teacher’s vigilant eye for faults had failed
-him for the first time in their experience. Not one of them had been
-reproved; they had chattered and giggled and drawn caricatures on the
-margin of the paper, as freely as if the master had left the room.
-Alban’s wandering attention was indeed beyond the reach of control. His
-interview with Francine had doubled his sense of responsibility
-toward Emily--while he was further than ever from seeing how he could
-interfere, to any useful purpose, in his present position, and with his
-reasons for writing under reserve.
-
-One of the servants addressed him as he was leaving the schoolroom.
-The landlady’s boy was waiting in the hall, with a message from his
-lodgings.
-
-“Now then! what is it?†he asked, irritably.
-
-“The lady wants you, sir.†With this mysterious answer, the boy
-presented a visiting card. The name inscribed on it was--“Miss Jethro.â€
-
-She had arrived by the train, and she was then waiting at Alban’s
-lodgings. “Say I will be with her directly.†Having given the message,
-he stood for a while, with his hat in his hand--literally lost in
-astonishment. It was simply impossible to guess at Miss Jethro’s
-object: and yet, with the usual perversity of human nature, he was still
-wondering what she could possibly want with him, up to the final moment
-when he opened the door of his sitting-room.
-
-She rose and bowed with the same grace of movement, and the same
-well-bred composure of manner, which Doctor Allday had noticed when she
-entered his consulting-room. Her dark melancholy eyes rested on Alban
-with a look of gentle interest. A faint flush of color animated for
-a moment the faded beauty of her face--passed away again--and left it
-paler than before.
-
-“I cannot conceal from myself,†she began, “that I am intruding on you
-under embarrassing circumstances.â€
-
-“May I ask, Miss Jethro, to what circumstances you allude?â€
-
-“You forget, Mr. Morris, that I left Miss Ladd’s school, in a manner
-which justified doubt of me in the minds of strangers.â€
-
-“Speaking as one of those strangers,†Alban replied, “I cannot feel that
-I had any right to form an opinion, on a matter which only concerned
-Miss Ladd and yourself.â€
-
-Miss Jethro bowed gravely. “You encourage me to hope,†she said. “I
-think you will place a favorable construction on my visit when I mention
-my motive. I ask you to receive me, in the interests of Miss Emily
-Brown.â€
-
-Stating her purpose in calling on him in those plain terms, she added to
-the amazement which Alban already felt, by handing to him--as if she was
-presenting an introduction--a letter marked, “Private,†addressed to her
-by Doctor Allday.
-
-“I may tell you,†she premised, “that I had no idea of troubling you,
-until Doctor Allday suggested it. I wrote to him in the first instance;
-and there is his reply. Pray read it.â€
-
-The letter was dated, “Penzanceâ€; and the doctor wrote, as he spoke,
-without ceremony.
-
-
-“MADAM--Your letter has been forwarded to me. I am spending my autumn
-holiday in the far West of Cornwall. However, if I had been at home,
-it would have made no difference. I should have begged leave to decline
-holding any further conversation with you, on the subject of Miss Emily
-Brown, for the following reasons:
-
-“In the first place, though I cannot doubt your sincere interest in the
-young lady’s welfare, I don’t like your mysterious way of showing it. In
-the second place, when I called at your address in London, after you
-had left my house, I found that you had taken to flight. I place my own
-interpretation on this circumstance; but as it is not founded on any
-knowledge of facts, I merely allude to it, and say no more.â€
-
-Arrived at that point, Alban offered to return the letter. “Do you
-really mean me to go on reading it?†he asked.
-
-“Yes,†she said quietly.
-
-Alban returned to the letter.
-
-“In the third place, I have good reason to believe that you entered Miss
-Ladd’s school as a teacher, under false pretenses. After that discovery,
-I tell you plainly I hesitate to attach credit to any statement that you
-may wish to make. At the same time, I must not permit my prejudices
-(as you will probably call them) to stand in the way of Miss Emily’s
-interests--supposing them to be really depending on any interference
-of yours. Miss Ladd’s drawing-master, Mr. Alban Morris, is even more
-devoted to Miss Emily’s service than I am. Whatever you might have said
-to me, you can say to him--with this possible advantage, that _he_ may
-believe you.â€
-
-There the letter ended. Alban handed it back in silence.
-
-Miss Jethro pointed to the words, “Mr. Alban Morris is even more devoted
-to Miss Emily’s service than I am.â€
-
-“Is that true?†she asked.
-
-“Quite true.â€
-
-“I don’t complain, Mr. Morris, of the hard things said of me in that
-letter; you are at liberty to suppose, if you like, that I deserve them.
-Attribute it to pride, or attribute it to reluctance to make needless
-demands on your time--I shall not attempt to defend myself. I leave
-you to decide whether the woman who has shown you that letter--having
-something important to say to you--is a person who is mean enough to say
-it under false pretenses.â€
-
-“Tell me what I can do for you, Miss Jethro: and be assured, beforehand,
-that I don’t doubt your sincerity.â€
-
-“My purpose in coming here,†she answered, “is to induce you to use your
-influence over Miss Emily Brown--â€
-
-“With what object?†Alban asked, interrupting her.
-
-“My object is her own good. Some years since, I happened to become
-acquainted with a person who has attained some celebrity as a preacher.
-You have perhaps heard of Mr. Miles Mirabel?â€
-
-“I have heard of him.â€
-
-“I have been in correspondence with him,†Miss Jethro proceeded. “He
-tells me he has been introduced to a young lady, who was formerly one of
-Miss Ladd’s pupils, and who is the daughter of Mr. Wyvil, of Monksmoor
-Park. He has called on Mr. Wyvil; and he has since received an
-invitation to stay at Mr. Wyvil’s house. The day fixed for the visit is
-Monday, the fifth of next month.â€
-
-Alban listened--at a loss to know what interest he was supposed to have
-in being made acquainted with Mr. Mirabel’s engagements. Miss Jethro’s
-next words enlightened him.
-
-“You are perhaps aware,†she resumed, “that Miss Emily Brown is Miss
-Wyvil’s intimate friend. She will be one of the guests at Monksmoor
-Park. If there are any obstacles which you can place in her way--if
-there is any influence which you can exert, without exciting suspicion
-of your motive--prevent her, I entreat you, from accepting Miss Wyvil’s
-invitation, until Mr. Mirabel’s visit has come to an end.â€
-
-“Is there anything against Mr. Mirabel?†he asked.
-
-“I say nothing against him.â€
-
-“Is Miss Emily acquainted with him?â€
-
-“No.â€
-
-“Is he a person with whom it would be disagreeable to her to associate?â€
-
-“Quite the contrary.â€
-
-“And yet you expect me to prevent them from meeting! Be reasonable, Miss
-Jethro.â€
-
-“I can only be in earnest, Mr. Morris--more truly, more deeply in
-earnest than you can suppose. I declare to you that I am speaking in
-Miss Emily’s interests. Do you still refuse to exert yourself for her
-sake?â€
-
-“I am spared the pain of refusal,†Alban answered. “The time for
-interference has gone by. She is, at this moment, on her way to
-Monksmoor Park.â€
-
-Miss Jethro attempted to rise--and dropped back into her chair. “Water!â€
- she said faintly. After drinking from the glass to the last drop, she
-began to revive. Her little traveling-bag was on the floor at her side.
-She took out a railway guide, and tried to consult it. Her fingers
-trembled incessantly; she was unable to find the page to which she
-wished to refer. “Help me,†she said, “I must leave this place--by the
-first train that passes.â€
-
-“To see Emily?†Alban asked.
-
-“Quite useless! You have said it yourself--the time for interference has
-gone by. Look at the guide.â€
-
-“What place shall I look for?â€
-
-“Look for Vale Regis.â€
-
-Alban found the place. The train was due in ten minutes. “Surely you are
-not fit to travel so soon?†he suggested.
-
-“Fit or not, I must see Mr. Mirabel--I must make the effort to keep them
-apart by appealing to _him_.â€
-
-“With any hope of success?â€
-
-“With no hope--and with no interest in the man himself. Still I must
-try.â€
-
-“Out of anxiety for Emily’s welfare?â€
-
-“Out of anxiety for more than that.â€
-
-“For what?â€
-
-“If you can’t guess, I daren’t tell you.â€
-
-That strange reply startled Alban. Before he could ask what it meant,
-Miss Jethro had left him.
-
-In the emergencies of life, a person readier of resource than Alban
-Morris it would not have been easy to discover. The extraordinary
-interview that had now come to an end had found its limits. Bewildered
-and helpless, he stood at the window of his room, and asked himself (as
-if he had been the weakest man living), “What shall I do?â€
-
-
-
-
-BOOK THE FOURTH--THE COUNTRY HOUSE.
-
-
-
-
-CHAPTER XXXVIII. DANCING.
-
-The windows of the long drawing-room at Monksmoor are all thrown open
-to the conservatory. Distant masses of plants and flowers, mingled in
-ever-varying forms of beauty, are touched by the melancholy luster of
-the rising moon. Nearer to the house, the restful shadows are disturbed
-at intervals, where streams of light fall over them aslant from the
-lamps in the room. The fountain is playing. In rivalry with its lighter
-music, the nightingales are singing their song of ecstasy. Sometimes,
-the laughter of girls is heard--and, sometimes, the melody of a waltz.
-The younger guests at Monksmoor are dancing.
-
-Emily and Cecilia are dressed alike in white, with flowers in their
-hair. Francine rivals them by means of a gorgeous contrast of color, and
-declares that she is rich with the bright emphasis of diamonds and the
-soft persuasion of pearls.
-
-Miss Plym (from the rectory) is fat and fair and prosperous: she
-overflows with good spirits; she has a waist which defies tight-lacing,
-and she dances joyously on large flat feet. Miss Darnaway (officer’s
-daughter with small means) is the exact opposite of Miss Plym. She is
-thin and tall and faded--poor soul. Destiny has made it her hard lot
-in life to fill the place of head-nursemaid at home. In her pensive
-moments, she thinks of the little brothers and sisters, whose patient
-servant she is, and wonders who comforts them in their tumbles and tells
-them stories at bedtime, while she is holiday-making at the pleasant
-country house.
-
-Tender-hearted Cecilia, remembering how few pleasures this young friend
-has, and knowing how well she dances, never allows her to be without
-a partner. There are three invaluable young gentlemen present, who are
-excellent dancers. Members of different families, they are nevertheless
-fearfully and wonderfully like each other. They present the same rosy
-complexions and straw-colored mustachios, the same plump cheeks, vacant
-eyes and low forehead; and they utter, with the same stolid gravity,
-the same imbecile small talk. On sofas facing each other sit the two
-remaining guests, who have not joined the elders at the card-table
-in another room. They are both men. One of them is drowsy and
-middle-aged--happy in the possession of large landed property: happier
-still in a capacity for drinking Mr. Wyvil’s famous port-wine without
-gouty results.
-
-The other gentleman--ah, who is the other? He is the confidential
-adviser and bosom friend of every young lady in the house. Is it
-necessary to name the Reverend Miles Mirabel?
-
-There he sits enthroned, with room for a fair admirer on either side of
-him--the clerical sultan of a platonic harem. His persuasive ministry
-is felt as well as heard: he has an innocent habit of fondling
-young persons. One of his arms is even long enough to embrace the
-circumference of Miss Plym--while the other clasps the rigid silken
-waist of Francine. “I do it everywhere else,†he says innocently, “why
-not here?†Why not indeed--with that delicate complexion and those
-beautiful blue eyes; with the glorious golden hair that rests on
-his shoulders, and the glossy beard that flows over his breast?
-Familiarities, forbidden to mere men, become privileges and
-condescensions when an angel enters society--and more especially when
-that angel has enough of mortality in him to be amusing. Mr. Mirabel,
-on his social side, is an irresistible companion. He is cheerfulness
-itself; he takes a favorable view of everything; his sweet temper never
-differs with anybody. “In my humble way,†he confesses, “I like to make
-the world about me brighter.†Laughter (harmlessly produced, observe!)
-is the element in which he lives and breathes. Miss Darnaway’s serious
-face puts him out; he has laid a bet with Emily--not in money, not even
-in gloves, only in flowers--that he will make Miss Darnaway laugh; and
-he has won the wager. Emily’s flowers are in his button-hole, peeping
-through the curly interstices of his beard. “Must you leave me?†he asks
-tenderly, when there is a dancing man at liberty, and it is Francine’s
-turn to claim him. She leaves her seat not very willingly. For a while,
-the place is vacant; Miss Plym seizes the opportunity of consulting the
-ladies’ bosom friend.
-
-“Dear Mr. Mirabel, do tell me what you think of Miss de Sor?â€
-
-Dear Mr. Mirabel bursts into enthusiasm and makes a charming reply.
-His large experience of young ladies warns him that they will tell each
-other what he thinks of them, when they retire for the night; and he is
-careful on these occasions to say something that will bear repetition.
-
-“I see in Miss de Sor,†he declares, “the resolution of a man, tempered
-by the sweetness of a woman. When that interesting creature marries,
-her husband will be--shall I use the vulgar word?--henpecked. Dear Miss
-Plym, he will enjoy it; and he will be quite right too; and, if I am
-asked to the wedding, I shall say, with heartfelt sincerity, Enviable
-man!â€
-
-In the height of her admiration for Mr. Mirabel’s wonderful eye for
-character, Miss Plym is called away to the piano. Cecilia succeeds to
-her friend’s place--and has her waist taken in charge as a matter of
-course.
-
-“How do you like Miss Plym?†she asks directly.
-
-Mr. Mirabel smiles, and shows the prettiest little pearly teeth. “I was
-just thinking of her,†he confesses pleasantly; “Miss Plym is so nice
-and plump, so comforting and domestic--such a perfect clergyman’s
-daughter. You love her, don’t you? Is she engaged to be married? In that
-case--between ourselves, dear Miss Wyvil, a clergyman is obliged to be
-cautious--I may own that I love her too.â€
-
-Delicious titillations of flattered self-esteem betray themselves
-in Cecilia’s lovely complexion. She is the chosen confidante of this
-irresistible man; and she would like to express her sense of obligation.
-But Mr. Mirabel is a master in the art of putting the right words in the
-right places; and simple Cecilia distrusts herself and her grammar.
-
-At that moment of embarrassment, a friend leaves the dance, and helps
-Cecilia out of the difficulty.
-
-Emily approaches the sofa-throne, breathless--followed by her partner,
-entreating her to give him “one turn more.†She is not to be tempted;
-she means to rest. Cecilia sees an act of mercy, suggested by the
-presence of the disengaged young man. She seizes his arm, and hurries
-him off to poor Miss Darnaway; sitting forlorn in a corner, and thinking
-of the nursery at home. In the meanwhile a circumstance occurs. Mr.
-Mirabel’s all-embracing arm shows itself in a new character, when Emily
-sits by his side.
-
-It becomes, for the first time, an irresolute arm. It advances a
-little--and hesitates. Emily at once administers an unexpected check;
-she insists on preserving a free waist, in her own outspoken language.
-“No, Mr. Mirabel, keep that for the others. You can’t imagine how
-ridiculous you and the young ladies look, and how absurdly unaware of
-it you all seem to be.†For the first time in his life, the reverend and
-ready-witted man of the world is at a loss for an answer. Why?
-
-For this simple reason. He too has felt the magnetic attraction of the
-irresistible little creature whom every one likes. Miss Jethro has been
-doubly defeated. She has failed to keep them apart; and her unexplained
-misgivings have not been justified by events: Emily and Mr. Mirabel are
-good friends already. The brilliant clergyman is poor; his interests in
-life point to a marriage for money; he has fascinated the heiresses of
-two rich fathers, Mr. Tyvil and Mr. de Sor--and yet he is conscious of
-an influence (an alien influence, without a balance at its bankers),
-which has, in some mysterious way, got between him and his interests.
-
-On Emily’s side, the attraction felt is of another nature altogether.
-Among the merry young people at Monksmoor she is her old happy self
-again; and she finds in Mr. Mirabel the most agreeable and amusing man
-whom she has ever met. After those dismal night watches by the bed of
-her dying aunt, and the dreary weeks of solitude that followed, to
-live in this new world of luxury and gayety is like escaping from the
-darkness of night, and basking in the fall brightn ess of day. Cecilia
-declares that she looks, once more, like the joyous queen of the
-bedroom, in the bygone time at school; and Francine (profaning
-Shakespeare without knowing it), says, “Emily is herself again!â€
-
-“Now that your arm is in its right place, reverend sir,†she gayly
-resumes, “I may admit that there are exceptions to all rules. My waist
-is at your disposal, in a case of necessity--that is to say, in a case
-of waltzing.â€
-
-“The one case of all others,†Mirabel answers, with the engaging
-frankness that has won him so many friends, “which can never happen in
-my unhappy experience. Waltzing, I blush to own it, means picking me
-up off the floor, and putting smelling salts to my nostrils. In other
-words, dear Miss Emily, it is the room that waltzes--not I. I can’t look
-at those whirling couples there, with a steady head. Even the exquisite
-figure of our young hostess, when it describes flying circles, turns me
-giddy.â€
-
-Hearing this allusion to Cecilia, Emily drops to the level of the
-other girls. She too pays her homage to the Pope of private life. “You
-promised me your unbiased opinion of Cecilia,†she reminds him; “and you
-haven’t given it yet.â€
-
-The ladies’ friend gently remonstrates. “Miss Wyvil’s beauty dazzles me.
-How can I give an unbiased opinion? Besides, I am not thinking of her; I
-can only think of you.â€
-
-Emily lifts her eyes, half merrily, half tenderly, and looks at him over
-the top of her fan. It is her first effort at flirtation. She is tempted
-to engage in the most interesting of all games to a girl--the game
-which plays at making love. What has Cecilia told her, in those
-bedroom gossipings, dear to the hearts of the two friends? Cecilia has
-whispered, “Mr. Mirabel admires your figure; he calls you ‘the Venus of
-Milo, in a state of perfect abridgment.’†Where is the daughter of Eve,
-who would not have been flattered by that pretty compliment--who would
-not have talked soft nonsense in return? “You can only think of Me,â€
- Emily repeats coquettishly. “Have you said that to the last young lady
-who occupied my place, and will you say it again to the next who follows
-me?â€
-
-“Not to one of them! Mere compliments are for the others--not for you.â€
-
-“What is for me, Mr. Mirabel?â€
-
-“What I have just offered you--a confession of the truth.â€
-
-Emily is startled by the tone in which he replies. He seems to be in
-earnest; not a vestige is left of the easy gayety of his manner. His
-face shows an expression of anxiety which she has never seen in it yet.
-“Do you believe me?†he asks in a whisper.
-
-She tries to change the subject.
-
-“When am I to hear you preach, Mr. Mirabel?â€
-
-He persists. “When you believe me,†he says.
-
-His eyes add an emphasis to that reply which is not to be mistaken.
-Emily turns away from him, and notices Francine. She has left the dance,
-and is looking with marked attention at Emily and Mirabel. “I want to
-speak to you,†she says, and beckons impatiently to Emily.
-
-Mirabel whispers, “Don’t go!â€
-
-Emily rises nevertheless--ready to avail herself of the first excuse for
-leaving him. Francine meets her half way, and takes her roughly by the
-arm.
-
-“What is it?†Emily asks.
-
-“Suppose you leave off flirting with Mr. Mirabel, and make yourself of
-some use.â€
-
-“In what way?â€
-
-“Use your ears--and look at that girl.â€
-
-She points disdainfully to innocent Miss Plym. The rector’s daughter
-possesses all the virtues, with one exception--the virtue of having an
-ear for music. When she sings, she is out of tune; and, when she plays,
-she murders time.
-
-“Who can dance to such music as that?†says Francine. “Finish the waltz
-for her.â€
-
-Emily naturally hesitates. “How can I take her place, unless she asks
-me?â€
-
-Francine laughs scornfully. “Say at once, you want to go back to Mr.
-Mirabel.â€
-
-“Do you think I should have got up, when you beckoned to me,†Emily
-rejoins, “if I had not wanted to get away from Mr. Mirabel?â€
-
-Instead of resenting this sharp retort, Francine suddenly breaks into
-good humor. “Come along, you little spit-fire; I’ll manage it for you.â€
-
-She leads Emily to the piano, and stops Miss Plym without a word of
-apology: “It’s your turn to dance now. Here’s Miss Brown waiting to
-relieve you.â€
-
-Cecilia has not been unobservant, in her own quiet way, of what has been
-going on. Waiting until Francine and Miss Plym are out of hearing, she
-bends over Emily, and says, “My dear, I really do think Francine is in
-love with Mr. Mirabel.â€
-
-“After having only been a week in the same house with him!†Emily
-exclaims.
-
-“At any rate,†said Cecilia, more smartly than usual, “she is jealous of
-_you_.â€
-
-
-
-
-CHAPTER XXXIX. FEIGNING.
-
-The next morning, Mr. Mirabel took two members of the circle at
-Monksmoor by surprise. One of them was Emily; and one of them was the
-master of the house.
-
-Seeing Emily alone in the garden before breakfast, he left his room
-and joined her. “Let me say one word,†he pleaded, “before we go to
-breakfast. I am grieved to think that I was so unfortunate as to offend
-you, last night.â€
-
-Emily’s look of astonishment answered for her before she could speak.
-“What can I have said or done,†she asked, “to make you think that?â€
-
-“Now I breathe again!†he cried, with the boyish gayety of manner which
-was one of the secrets of his popularity among women. “I really feared
-that I had spoken thoughtlessly. It is a terrible confession for a
-clergyman to make--but it is not the less true that I am one of the most
-indiscreet men living. It is my rock ahead in life that I say the first
-thing which comes uppermost, without stopping to think. Being well aware
-of my own defects, I naturally distrust myself.â€
-
-“Even in the pulpit?†Emily inquired.
-
-He laughed with the readiest appreciation of the satire--although it was
-directed against himself.
-
-“I like that question,†he said; “it tells me we are as good friends
-again as ever. The fact is, the sight of the congregation, when I get
-into the pulpit, has the same effect upon me that the sight of the
-footlights has on an actor. All oratory (though my clerical brethren are
-shy of confessing it) is acting--without the scenery and the costumes.
-Did you really mean it, last night, when you said you would like to hear
-me preach?â€
-
-“Indeed, I did.â€
-
-“How very kind of you. I don’t think myself the sermon is worth the
-sacrifice. (There is another specimen of my indiscreet way of talking!)
-What I mean is, that you will have to get up early on Sunday morning,
-and drive twelve miles to the damp and dismal little village, in which I
-officiate for a man with a rich wife who likes the climate of Italy. My
-congregation works in the fields all the week, and naturally enough
-goes to sleep in church on Sunday. I have had to counteract that. Not by
-preaching! I wouldn’t puzzle the poor people with my eloquence for the
-world. No, no: I tell them little stories out of the Bible--in a nice
-easy gossiping way. A quarter of an hour is my limit of time; and, I
-am proud to say, some of them (mostly the women) do to a certain extent
-keep awake. If you and the other ladies decide to honor me, it is
-needless to say you shall have one of my grand efforts. What will be
-the effect on my unfortunate flock remains to be seen. I will have
-the church brushed up, and luncheon of course at the parsonage. Beans,
-bacon, and beer--I haven’t got anything else in the house. Are you rich?
-I hope not!â€
-
-“I suspect I am quite as poor as you are, Mr. Mirabel.â€
-
-“I am delighted to hear it. (More of my indiscretion!) Our poverty is
-another bond between us.â€
-
-Before he could enlarge on this text, the breakfast bell rang.
-
-He gave Emily his arm, quite satisfied with the result of the morning’s
-talk. In speaking seriously to her on the previous night, he had
-committed the mistake of speaking too soon. To amend this false step,
-and to recover his position in Emily’s estimation, had been his
-object in view--and it had been successfully accomplished. At the
-breakfast-table that morning, the companionable clergyman was more
-amusing than ever.
-
-The meal being over, the company dispersed as usual--with the one
-exception of Mirabel. Without any apparent reason, he kept his place at
-the table. Mr. Wyvil, the most courteous and considerate of men, felt it
-an attention due to his guest not to leave the room first. All that he
-could venture to do was to give a little hint. “Have you any plans for
-the morning?†he asked.
-
-“I have a plan that depends entirely on yourself,†Mirabel answered;
-“and I am afraid of being as indiscreet as usual, if I mention it. Your
-charming daughter tells me you play on the violin.â€
-
-Modest Mr. Wyvil looked confused. “I hope you have not been annoyed,†he
-said; “I practice in a distant room so that nobody may hear me.â€
-
-“My dear sir, I am eager to hear you! Music is my passion; and the
-violin is my favorite instrument.â€
-
-Mr. Wyvil led the way to his room, positively blushing with pleasure.
-Since the death of his wife he had been sadly in want of a little
-encouragement. His daughters and his friends were careful--over-careful,
-as he thought--of intruding on him in his hours of practice. And, sad to
-say, his daughters and his friends were, from a musical point of view,
-perfectly right.
-
-Literature has hardly paid sufficient attention to a social phenomenon
-of a singularly perplexing kind. We hear enough, and more than enough,
-of persons who successfully cultivate the Arts--of the remarkable manner
-in which fitness for their vocation shows itself in early life, of
-the obstacles which family prejudice places in their way, and of the
-unremitting devotion which has led to the achievement of glorious
-results.
-
-But how many writers have noticed those other incomprehensible persons,
-members of families innocent for generations past of practicing Art or
-caring for Art, who have notwithstanding displayed from their earliest
-years the irresistible desire to cultivate poetry, painting, or music;
-who have surmounted obstacles, and endured disappointments, in the
-single-hearted resolution to devote their lives to an intellectual
-pursuit--being absolutely without the capacity which proves the
-vocation, and justifies the sacrifice. Here is Nature, “unerring
-Nature,†presented in flat contradiction with herself. Here are men
-bent on performing feats of running, without having legs; and women,
-hopelessly barren, living in constant expectation of large families to
-the end of their days. The musician is not to be found more completely
-deprived than Mr. Wyvil of natural capacity for playing on an
-instrument--and, for twenty years past, it had been the pride and
-delight of his heart to let no day of his life go by without practicing
-on the violin.
-
-“I am sure I must be tiring you,†he said politely--after having played
-without mercy for an hour and more.
-
-No: the insatiable amateur had his own purpose to gain, and was not
-exhausted yet. Mr. Wyvil got up to look for some more music. In that
-interval desultory conversation naturally took place. Mirabel contrived
-to give it the necessary direction--the direction of Emily.
-
-“The most delightful girl I have met with for many a long year past!â€
- Mr. Wyvil declared warmly. “I don’t wonder at my daughter being so fond
-of her. She leads a solitary life at home, poor thing; and I am honestly
-glad to see her spirits reviving in my house.â€
-
-“An only child?†Mirabel asked.
-
-In the necessary explanation that followed, Emily’s isolated position
-in the world was revealed in few words. But one more discovery--the most
-important of all--remained to be made. Had she used a figure of speech
-in saying that she was as poor as Mirabel himself? or had she told him
-the shocking truth? He put the question with perfect delicacy---but with
-unerring directness as well.
-
-Mr. Wyvil, quoting his daughter’s authority, described Emily’s income as
-falling short even of two hundred a year. Having made that disheartening
-reply, he opened another music book. “You know this sonata, of course?â€
- he said. The next moment, the violin was under his chin and the
-performance began.
-
-While Mirabel was, to all appearance, listening with the utmost
-attention, he was actually endeavoring to reconcile himself to a serious
-sacrifice of his own inclinations. If he remained much longer in the
-same house with Emily, the impression that she had produced on him would
-be certainly strengthened--and he would be guilty of the folly of making
-an offer of marriage to a woman who was as poor as himself. The one
-remedy that could be trusted to preserve him from such infatuation as
-this, was absence. At the end of the week, he had arranged to return to
-Vale Regis for his Sunday duty; engaging to join his friends again at
-Monksmoor on the Monday following. That rash promise, there could be no
-further doubt about it, must not be fulfilled.
-
-He had arrived at this resolution, when the terrible activity of Mr.
-Wyvil’s bow was suspended by the appearance of a third person in the
-room.
-
-Cecilia’s maid was charged with a neat little three-cornered note
-from her young lady, to be presented to her master. Wondering why
-his daughter should write to him, Mr. Wyvil opened the note, and was
-informed of Cecilia’s motive in these words:
-
-“DEAREST PAPA--I hear Mr. Mirabel is with you, and as this is a secret,
-I must write. Emily has received a very strange letter this morning,
-which puzzles her and alarms me. When you are quite at liberty, we shall
-be so much obliged if you will tell us how Emily ought to answer it.â€
-
-Mr. Wyvil stopped Mirabel, on the point of trying to escape from the
-music. “A little domestic matter to attend to,†he said. “But we will
-finish the sonata first.â€
-
-
-
-
-CHAPTER XL. CONSULTING.
-
-Out of the music room, and away from his violin, the sound side of Mr.
-Wyvil’s character was free to assert itself. In his public and in his
-private capacity, he was an eminently sensible man.
-
-As a member of parliament, he set an example which might have been
-followed with advantage by many of his colleagues. In the first place he
-abstained from hastening the downfall of representative institutions by
-asking questions and making speeches. In the second place, he was able
-to distinguish between the duty that he owed to his party, and the
-duty that he owed to his country. When the Legislature acted
-politically--that is to say, when it dealt with foreign complications,
-or electoral reforms--he followed his leader. When the Legislature acted
-socially--that is to say, for the good of the people--he followed his
-conscience. On the last occasion when the great Russian bugbear provoked
-a division, he voted submissively with his Conservative allies. But,
-when the question of opening museums and picture galleries on Sundays
-arrayed the two parties in hostile camps, he broke into open mutiny,
-and went over to the Liberals. He consented to help in preventing
-an extension of the franchise; but he refused to be concerned in
-obstructing the repeal of taxes on knowledge. “I am doubtful in the
-first case,†he said, “but I am sure in the second.†He was asked for an
-explanation: “Doubtful of what? and sure of what?†To the astonishment
-of his leader, he answered: “The benefit to the people.†The same
-sound sense appeared in the transactions of his private life. Lazy and
-dishonest servants found that the gentlest of masters had a side to his
-character which took them by surprise. And, on certain occasions in
-the experience of Cecilia and her sister, the most indulgent of fathers
-proved to be as capable of saying No, as the sternest tyrant who ever
-ruled a fireside.
-
-Called into council by his daughter and his guest, Mr. Wyvil assisted
-them by advice which was equally wise and kind--but which afterward
-proved, under the perverse influence of circumstances, to be advice that
-he had better not have given.
-
-The letter to Emily which Cecilia had recommended to her father’s
-consideration, had come from Netherwoods, and had been written by Alban
-Morris.
-
-He assured Emily that he had only decided on writing to her, after some
-hesitation, in the hope of serving interests which he did not
-himself understand, but which might prove to be interests worthy of
-consideration, nevertheless. Having stated his motive in these terms, he
-proceeded to relate what had passed between Miss Jethro and himself.
-On the subject of Francine, Alban only ventured to add that she had not
-produced a favorable impression on him, and that he could not think her
-likely, on further experience, to prove a desirable friend.
-
-On the last leaf were added some lines, which Emily was at no loss how
-to answer. She had folded back the page, so that no eyes but her own
-should see how the poor drawing-master finished his letter: “I wish
-you all possible happiness, my dear, among your new friends; but don’t
-forget the old friend who thinks of you, and dreams of you, and longs to
-see you again. The little world I live in is a dreary world, Emily, in
-your absence. Will you write to me now and then, and encourage me to
-hope?â€
-
-Mr. Wyvil smiled, as he looked at the folded page, which hid the
-signature.
-
-“I suppose I may take it for granted,†he said slyly, “that this
-gentleman really has your interests at heart? May I know who he is?â€
-
-Emily answered the last question readily enough. Mr. Wyvil went on with
-his inquiries. “About the mysterious lady, with the strange name,†he
-proceeded--“do you know anything of her?â€
-
-Emily related what she knew; without revealing the true reason for Miss
-Jethro’s departure from Netherwoods. In after years, it was one of her
-most treasured remembrances, that she had kept secret the melancholy
-confession which had startled her, on the last night of her life at
-school.
-
-Mr. Wyvil looked at Alban’s letter again. “Do you know how Miss Jethro
-became acquainted with Mr. Mirabel?†he asked.
-
-“I didn’t even know that they were acquainted.â€
-
-“Do you think it likely--if Mr. Morris had been talking to you instead
-of writing to you--that he might have said more than he has said in his
-letter?â€
-
-Cecilia had hitherto remained a model of discretion. Seeing Emily
-hesitate, temptation overcame her. “Not a doubt of it, papa!†she
-declared confidently.
-
-“Is Cecilia right?†Mr. Wyvil inquired.
-
-Reminded in this way of her influence over Alban, Emily could only make
-one honest reply. She admitted that Cecilia was right.
-
-Mr. Wyvil thereupon advised her not to express any opinion, until she
-was in a better position to judge for herself. “When you write to Mr.
-Morris,†he continued, “say that you will wait to tell him what you
-think of Miss Jethro, until you see him again.â€
-
-“I have no prospect at present of seeing him again,†Emily said.
-
-“You can see Mr. Morris whenever it suits him to come here,†Mr. Wyvil
-replied. “I will write and ask him to visit us, and you can inclose the
-invitation in your letter.â€
-
-“Oh, Mr. Wyvil, how good of you!â€
-
-“Oh, papa, the very thing I was going to ask you to do!â€
-
-The excellent master of Monksmoor looked unaffectedly surprised. “What
-are you two young ladies making a fuss about?†he said. “Mr. Morris is
-a gentleman by profession; and--may I venture to say it, Miss Emily?--a
-valued friend of yours as well. Who has a better claim to be one of my
-guests?â€
-
-Cecilia stopped her father as he was about to leave the room. “I suppose
-we mustn’t ask Mr. Mirabel what he knows of Miss Jethro?†she said.
-
-“My dear, what can you be thinking of? What right have we to question
-Mr. Mirabel about Miss Jethro?â€
-
-“It’s so very unsatisfactory, papa. There must be some reason why Emily
-and Mr. Mirabel ought not to meet--or why should Miss Jethro have been
-so very earnest about it?â€
-
-“Miss Jethro doesn’t intend us to know why, Cecilia. It will perhaps
-come out in time. Wait for time.â€
-
-Left together, the girls discussed the course which Alban would probably
-take, on receiving Mr. Wyvil’s invitation.
-
-“He will only be too glad,†Cecilia asserted, “to have the opportunity
-of seeing you again.â€
-
-“I doubt whether he will care about seeing me again, among strangers,â€
- Emily replied. “And you forget that there are obstacles in his way. How
-is he to leave his class?â€
-
-“Quite easily! His class doesn’t meet on the Saturday half-holiday. He
-can be here, if he starts early, in time for luncheon; and he can stay
-till Monday or Tuesday.â€
-
-“Who is to take his place at the school?â€
-
-“Miss Ladd, to be sure--if _you_ make a point of it. Write to her, as
-well as to Mr. Morris.â€
-
-The letters being written--and the order having been given to prepare
-a room for the expected guest--Emily and Cecilia returned to the
-drawing-room. They found the elders of the party variously engaged--the
-men with newspapers, and the ladies with work. Entering the conservatory
-next, they discovered Cecilia’s sister languishing among the flowers in
-an easy chair. Constitutional laziness, in some young ladies, assumes an
-invalid character, and presents the interesting spectacle of perpetual
-convalescence. The doctor declared that the baths at St. Moritz had
-cured Miss Julia. Miss Julia declined to agree with the doctor.
-
-“Come into the garden with Emily and me,†Cecilia said.
-
-“Emily and you don’t know what it is to be ill,†Julia answered.
-
-The two girls left her, and joined the young people who were amusing
-themselves in the garden. Francine had taken possession of Mirabel, and
-had condemned him to hard labor in swinging her. He made an attempt
-to get away when Emily and Cecilia approached, and was peremptorily
-recalled to his duty. “Higher!†cried Miss de Sor, in her hardest
-tones of authority. “I want to swing higher than anybody else!†Mirabel
-submitted with gentleman-like resignation, and was rewarded by tender
-encouragement expressed in a look.
-
-“Do you see that?†Cecilia whispered. “He knows how rich she is--I
-wonder whether he will marry her.â€
-
-Emily smiled. “I doubt it, while he is in this house,†she said.
-“You are as rich as Francine--and don’t forget that you have other
-attractions as well.â€
-
-Cecilia shook her head. “Mr. Mirabel is very nice,†she admitted; “but I
-wouldn’t marry him. Would you?â€
-
-Emily secretly compared Alban with Mirabel. “Not for the world!†she
-answered.
-
-The next day was the day of Mirabel’s departure. His admirers among the
-ladies followed him out to the door, at which Mr. Wyvil’s carriage was
-waiting. Francine threw a nosegay after the departing guest as he got
-in. “Mind you come back to us on Monday!†she said. Mirabel bowed and
-thanked her; but his last look was for Emily, standing apart from the
-others at the top of the steps. Francine said nothing; her lips closed
-convulsively--she turned suddenly pale.
-
-
-
-
-CHAPTER XLI. SPEECHIFYING.
-
-On the Monday, a plowboy from Vale Regis arrived at Monksmoor.
-
-In respect of himself, he was a person beneath notice. In respect of
-his errand, he was sufficiently important to cast a gloom over the
-household. The faithless Mirabel had broken his engagement, and the
-plowboy was the herald of misfortune who brought his apology. To his
-great disappointment (he wrote) he was detained by the affairs of his
-parish. He could only trust to Mr. Wyvil’s indulgence to excuse him, and
-to communicate his sincere sense of regret (on scented note paper) to
-the ladies.
-
-Everybody believed in the affairs of the parish--with the exception of
-Francine. “Mr. Mirabel has made the best excuse he could think of for
-shortening his visit; and I don’t wonder at it,†she said, looking
-significantly at Emily.
-
-Emily was playing with one of the dogs; exercising him in the tricks
-which he had learned. She balanced a morsel of sugar on his nose--and
-had no attention to spare for Francine.
-
-Cecilia, as the mistress of the house, felt it her duty to interfere.
-“That is a strange remark to make,†she answered. “Do you mean to say
-that we have driven Mr. Mirabel away from us?â€
-
-“I accuse nobody,†Francine began with spiteful candor.
-
-“Now she’s going to accuse everybody!†Emily interposed, addressing
-herself facetiously to the dog.
-
-“But when girls are bent on fascinating men, whether they like it or
-not,†Francine proceeded, “men have only one alternative--they must keep
-out of the way.†She looked again at Emily, more pointedly than ever.
-
-Even gentle Cecilia resented this. “Whom do you refer to?†she said
-sharply.
-
-“My dear!†Emily remonstrated, “need you ask?†She glanced at Francine
-as she spoke, and then gave the dog his signal. He tossed up the sugar,
-and caught it in his mouth. His audience applauded him--and so, for that
-time, the skirmish ended.
-
-Among the letters of the next morning’s delivery, arrived Alban’s reply.
-Emily’s anticipations proved to be correct. The drawing-master’s duties
-would not permit him to leave Netherwoods; and he, like Mirabel, sent
-his apologies. His short letter to Emily contained no further allusion
-to Miss Jethro; it began and ended on the first page.
-
-Had he been disappointed by the tone of reserve in which Emily had
-written to him, under Mr. Wyvil’s advice? Or (as Cecilia suggested) had
-his detention at the school so bitterly disappointed him that he was too
-disheartened to write at any length? Emily made no attempt to arrive at
-a conclusion, either one way or the other. She seemed to be in depressed
-spirits; and she spoke superstitiously, for the first time in Cecilia’s
-experience of her.
-
-“I don’t like this reappearance of Miss Jethro,†she said. “If the
-mystery about that woman is ever cleared up, it will bring trouble
-and sorrow to me--and I believe, in his own secret heart, Alban Morris
-thinks so too.â€
-
-“Write, and ask him,†Cecilia suggested.
-
-“He is so kind and so unwilling to distress me,†Emily answered, “that
-he wouldn’t acknowledge it, even if I am right.â€
-
-In the middle of the week, the course of private life at Monksmoor
-suffered an interruption--due to the parliamentary position of the
-master of the house.
-
-The insatiable appetite for making and hearing speeches, which
-represents one of the marked peculiarities of the English race
-(including their cousins in the United States), had seized on Mr.
-Wyvil’s constituents. There was to be a political meeting at the market
-hall, in the neighboring town; and the member was expected to make an
-oration, passing in review contemporary events at home and abroad. “Pray
-don’t think of accompanying me,†the good man said to his guests. “The
-hall is badly ventilated, and the speeches, including my own, will not
-be worth hearing.â€
-
-This humane warning was ungratefully disregarded. The gentlemen were all
-interested in “the objects of the meetingâ€; and the ladies were firm in
-the resolution not to be left at home by themselves. They dressed with a
-view to the large assembly of spectators before whom they were about to
-appear; and they outtalked the men on political subjects, all the way to
-the town.
-
-The most delightful of surprises was in store for them, when they
-reached the market hall. Among the crowd of ordinary gentlemen, waiting
-under the portico until the proceedings began, appeared one person of
-distinction, whose title was “Reverend,†and whose name was Mirabel.
-
-Francine was the first to discover him. She darted up the steps and held
-out her hand.
-
-“This _is_ a pleasure!†she cried. “Have you come here to see--†she
-was about to say Me, but, observing the strangers round her, altered the
-word to Us. “Please give me your arm,†she whispered, before her young
-friends had arrived within hearing. “I am so frightened in a crowd!â€
-
-She held fast by Mirabel, and kept a jealous watch on him. Was it only
-her fancy? or did she detect a new charm in his smile when he spoke to
-Emily?
-
-Before it was possible to decide, the time for the meeting had arrived.
-Mr. Wyvil’s friends were of course accommodated with seats on the
-platform. Francine, still insisting on her claim to Mirabel’s arm, got
-a chair next to him. As she seated herself, she left him free for a
-moment. In that moment, the infatuated man took an empty chair on the
-other side of him, and placed it for Emily. He communicated to that
-hated rival the information which he ought to have reserved for
-Francine. “The committee insist,†he said, “on my proposing one of
-the Resolutions. I promise not to bore you; mine shall be the shortest
-speech delivered at the meeting.â€
-
-The proceedings began.
-
-Among the earlier speakers not one was inspired by a feeling of mercy
-for the audience. The chairman reveled in words. The mover and seconder
-of the first Resolution (not having so much as the ghost of an idea to
-trouble either of them), poured out language in flowing and overflowing
-streams, like water from a perpetual spring. The heat exhaled by the
-crowded audience was already becoming insufferable. Cries of “Sit
-down!†assailed the orator of the moment. The chairman was obliged to
-interfere. A man at the back of the hall roared out, “Ventilation!â€
- and broke a window with his stick. He was rewarded with three rounds of
-cheers; and was ironically invited to mount the platform and take the
-chair.
-
-Under these embarrassing circumstances, Mirabel rose to speak.
-
-He secured silence, at the outset, by a humorous allusion to the prolix
-speaker who had preceded him. “Look at the clock, gentlemen,†he said;
-“and limit my speech to an interval of ten minutes.†The applause which
-followed was heard, through the broken window, in the street. The boys
-among the mob outside intercepted the flow of air by climbing on each
-other’s shoulders and looking in at the meeting, through the gaps left
-by the shattered glass. Having proposed his Resolution with discreet
-brevity of speech, Mirabel courted popularity on the plan adopted by the
-late Lord Palmerston in the House of Commons--he told stories, and
-made jokes, adapted to the intelligence of the dullest people who
-were listening to him. The charm of his voice and manner completed his
-success. Punctually at the tenth minute, he sat down amid cries of “Go
-on.†Francine was the first to take his hand, and to express admiration
-mutely by pressing it. He returned the pressure--but he looked at the
-wrong lady--the lady on the other side.
-
-Although she made no complaint, he instantly saw that Emily was overcome
-by the heat. Her lips were white, and her eyes were closing. “Let me
-take you out,†he said, “or you will faint.â€
-
-Francine started to her feet to follow them. The lower order of the
-audience, eager for amusement, put their own humorous construction on
-the young lady’s action. They roared with laughter. “Let the parson and
-his sweetheart be,†they called out; “two’s company, miss, and three
-isn’t.†Mr. Wyvil interposed his authority and rebuked them. A lady
-seated behind Francine interfered to good purpose by giving her a chair,
-which placed her out of sight of the audience. Order was restored--and
-the proceedings were resumed.
-
-On the conclusion of the meeting, Mirabel and Emily were found waiting
-for their friends at the door. Mr. Wyvil innocently added fuel to the
-fire that was burning in Francine. He insisted that Mirabel should
-return to Monksmoor, and offered him a seat in the carriage at Emily’s
-side.
-
-Later in the evening, when they all met at dinner, there appeared a
-change in Miss de Sor which surprised everybody but Mirabel. She was gay
-and good-humored, and especially amiable and attentive to Emily--who sat
-opposite to her at the table. “What did you and Mr. Mirabel talk about
-while you were away from us?†she asked innocently. “Politics?â€
-
-Emily readily adopted Francine’s friendly tone. “Would you have talked
-politics, in my place?†she asked gayly.
-
-“In your place, I should have had the most delightful of companions,â€
- Francine rejoined; “I wish I had been overcome by the heat too!â€
-
-Mirabel--attentively observing her--acknowledged the compliment by a
-bow, and left Emily to continue the conversation. In perfect good faith
-she owned to having led Mirabel to talk of himself. She had heard from
-Cecilia that his early life had been devoted to various occupations,
-and she was interested in knowing how circumstances had led him into
-devoting himself to the Church. Francine listened with the outward
-appearance of implicit belief, and with the inward conviction that Emily
-was deliberately deceiving her. When the little narrative was at an end,
-she was more agreeable than ever. She admired Emily’s dress, and she
-rivaled Cecilia in enjoyment of the good things on the table; she
-entertained Mirabel with humorous anecdotes of the priests at St.
-Domingo, and was so interested in the manufacture of violins, ancient
-and modern, that Mr. Wyvil promised to show her his famous collection of
-instruments, after dinner. Her overflowing amiability included even
-poor Miss Darnaway and the absent brothers and sisters. She heard with
-flattering sympathy, how they had been ill and had got well again; what
-amusing tricks they played, what alarming accidents happened to them,
-and how remarkably clever they were--“including, I do assure you, dear
-Miss de Sor, the baby only ten months old.†When the ladies rose to
-retire, Francine was, socially speaking, the heroine of the evening.
-
-While the violins were in course of exhibition, Mirabel found an
-opportunity of speaking to Emily, unobserved.
-
-“Have you said, or done, anything to offend Miss de Sor?†he asked.
-
-“Nothing whatever!†Emily declared, startled by the question. “What
-makes you think I have offended her?â€
-
-“I have been trying to find a reason for the change in her,†Mirabel
-answered--“especially the change toward yourself.â€
-
-“Well?â€
-
-“Well--she means mischief.â€
-
-“Mischief of what sort?â€
-
-“Of a sort which may expose her to discovery--unless she disarms
-suspicion at the outset. That is (as I believe) exactly what she has
-been doing this evening. I needn’t warn you to be on your guard.â€
-
-All the next day Emily was on the watch for events--and nothing
-happened. Not the slightest appearance of jealousy betrayed itself in
-Francine. She made no attempt to attract to herself the attentions of
-Mirabel; and she showed no hostility to Emily, either by word, look, or
-manner.
-
-........
-
-The day after, an event occurred at Netherwoods. Alban Morris received
-an anonymous letter, addressed to him in these terms:
-
-“A certain young lady, in whom you are supposed to be interested, is
-forgetting you in your absence. If you are not mean enough to allow
-yourself to be supplanted by another man, join the party at Monksmoor
-before it is too late.â€
-
-
-
-
-CHAPTER XLII. COOKING.
-
-The day after the political meeting was a day of departures, at the
-pleasant country house.
-
-Miss Darnaway was recalled to the nursery at home. The old squire who
-did justice to Mr. Wyvil’s port-wine went away next, having guests to
-entertain at his own house. A far more serious loss followed. The three
-dancing men had engagements which drew them to new spheres of activity
-in other drawing-rooms. They said, with the same dreary grace of manner,
-“Very sorry to goâ€; they drove to the railway, arrayed in the same
-perfect traveling suits of neutral tint; and they had but one difference
-of opinion among them--each firmly believed that he was smoking the best
-cigar to be got in London.
-
-The morning after these departures would have been a dull morning
-indeed, but for the presence of Mirabel.
-
-When breakfast was over, the invalid Miss Julia established herself on
-the sofa with a novel. Her father retired to the other end of the house,
-and profaned the art of music on music’s most expressive instrument.
-Left with Emily, Cecilia, and Francine, Mirabel made one of his happy
-suggestions. “We are thrown on our own resources,†he said. “Let us
-distinguish ourselves by inventing some entirely new amusement for the
-day. You young ladies shall sit in council--and I will be secretary.â€
- He turned to Cecilia. “The meeting waits to hear the mistress of the
-house.â€
-
-Modest Cecilia appealed to her school friends for help; addressing
-herself in the first instance (by the secretary’s advice) to Francine,
-as the eldest. They all noticed another change in this variable young
-person. She was silent and subdued; and she said wearily, “I don’t care
-what we do--shall we go out riding?â€
-
-The unanswerable objection to riding as a form of amusement, was that it
-had been more than once tried already. Something clever and surprising
-was anticipated from Emily when it came to her turn. She, too,
-disappointed expectation. “Let us sit under the trees,†was all that she
-could suggest, “and ask Mr. Mirabel to tell us a story.â€
-
-Mirabel laid down his pen and took it on himself to reject this
-proposal. “Remember,†he remonstrated, “that I have an interest in the
-diversions of the day. You can’t expect me to be amused by my own story.
-I appeal to Miss Wyvil to invent a pleasure which will include the
-secretary.â€
-
-Cecilia blushed and looked uneasy. “I think I have got an idea,†she
-announced, after some hesitation. “May I propose that we all go to the
-keeper’s lodge?†There her courage failed her, and she hesitated again.
-
-Mirabel gravely registered the proposal, as far as it went. “What are we
-to do when we get to the keeper’s lodge?†he inquired.
-
-“We are to ask the keeper’s wife,†Cecilia proceeded, “to lend us her
-kitchen.â€
-
-“To lend us her kitchen,†Mirabel repeated.
-
-“And what are we to do in the kitchen?â€
-
-Cecilia looked down at her pretty hands crossed on her lap, and answered
-softly, “Cook our own luncheon.â€
-
-Here was an entirely new amusement, in the most attractive sense of
-the words! Here was charming Cecilia’s interest in the pleasures of the
-table so happily inspired, that the grateful meeting offered its tribute
-of applause--even including Francine. The members of the council were
-young; their daring digestions contemplated without fear the prospect
-of eating their own amateur cookery. The one question that troubled them
-now was what they were to cook.
-
-“I can make an omelet,†Cecilia ventured to say.
-
-“If there is any cold chicken to be had,†Emily added, “I undertake to
-follow the omelet with a mayonnaise.â€
-
-“There are clergymen in the Church of England who are even clever enough
-to fry potatoes,†Mirabel announced--“and I am one of them. What shall
-we have next? A pudding? Miss de Sor, can you make a pudding?â€
-
-Francine exhibited another new side to her character--a diffident and
-humble side. “I am ashamed to say I don’t know how to cook anything,â€
- she confessed; “you had better leave me out of it.â€
-
-But Cecilia was now in her element. Her plan of operations was wide
-enough even to include Francine. “You shall wash the lettuce, my dear,
-and stone the olives for Emily’s mayonnaise. Don’t be discouraged! You
-shall have a companion; we will send to the rectory for Miss Plym--the
-very person to chop parsley and shallot for my omelet. Oh, Emily, what
-a morning we are going to have!†Her lovely blue eyes sparkled with joy;
-she gave Emily a kiss which Mirabel must have been more or less than man
-not to have coveted. “I declare,†cried Cecilia, completely losing her
-head, “I’m so excited, I don’t know what to do with myself!â€
-
-Emily’s intimate knowledge of her friend applied the right remedy. “You
-don’t know what to do with yourself?†she repeated. “Have you no sense
-of duty? Give the cook your orders.â€
-
-Cecilia instantly recovered her presence of mind. She sat down at the
-writing-table, and made out a list of eatable productions in the animal
-and vegetable world, in which every other word was underlined two or
-three times over. Her serious face was a sight to see, when she rang for
-the cook, and the two held a privy council in a corner.
-
-On the way to the keeper’s lodge, the young mistress of the house headed
-a procession of servants carrying the raw materials. Francine followed,
-held in custody by Miss Plym--who took her responsibilities seriously,
-and clamored for instruction in the art of chopping parsley. Mirabel and
-Emily were together, far behind; they were the only two members of
-the company whose minds were not occupied in one way or another by the
-kitchen.
-
-“This child’s play of ours doesn’t seem to interest you,†Mirabel
-remarked.
-
-“I am thinking,†Emily answered, “of what you said to me about
-Francine.â€
-
-“I can say something more,†he rejoined. “When I noticed the change in
-her at dinner, I told you she meant mischief. There is another change
-to-day, which suggests to my mind that the mischief is done.â€
-
-“And directed against me?†Emily asked.
-
-Mirabel made no direct reply. It was impossible for _him_ to remind her
-that she had, no matter how innocently, exposed herself to the jealous
-hatred of Francine. “Time will tell us, what we don’t know now,†he
-replied evasively.
-
-“You seem to have faith in time, Mr. Mirabel.â€
-
-“The greatest faith. Time is the inveterate enemy of deceit. Sooner or
-later, every hidden thing is a thing doomed to discovery.â€
-
-“Without exception?â€
-
-“Yes,†he answered positively, “without exception.â€
-
-At that moment Francine stopped and looked back at them. Did she think
-that Emily and Mirabel had been talking together long enough? Miss
-Plym--with the parsley still on her mind---advanced to consult Emily’s
-experience. The two walked on together, leaving Mirabel to overtake
-Francine. He saw, in her first look at him, the effort that it cost
-her to suppress those emotions which the pride of women is most deeply
-interested in concealing. Before a word had passed, he regretted that
-Emily had left them together.
-
-“I wish I had your cheerful disposition,†she began, abruptly. “I am out
-of spirits or out of temper--I don’t know which; and I don’t know why.
-Do you ever trouble yourself with thinking of the future?â€
-
-“As seldom as possible, Miss de Sor. In such a situation as mine, most
-people have prospects--I have none.â€
-
-He spoke gravely, conscious of not feeling at ease on his side. If
-he had been the most modest man that ever lived, he must have seen in
-Francine’s face that she loved him.
-
-When they had first been presented to each other, she was still under
-the influence of the meanest instincts in her scheming and selfish
-nature. She had thought to herself, “With my money to help him, that
-man’s celebrity would do the rest; the best society in England would be
-glad to receive Mirabel’s wife.†As the days passed, strong feeling
-had taken the place of those contemptible aspirations: Mirabel had
-unconsciously inspired the one passion which was powerful enough to
-master Francine--sensual passion. Wild hopes rioted in her. Measureless
-desires which she had never felt before, united themselves with
-capacities for wickedness, which had been the horrid growth of a few
-nights--capacities which suggested even viler attempts to rid herself
-of a supposed rivalry than slandering Emily by means of an anonymous
-letter. Without waiting for it to be offered, she took Mirabel’s arm,
-and pressed it to her breast as they slowly walked on. The fear of
-discovery which had troubled her after she had sent her base letter to
-the post, vanished at that inspiriting moment. She bent her head near
-enough to him when he spoke to feel his breath on her face.
-
-“There is a strange similarity,†she said softly, “between your position
-and mine. Is there anything cheering in _my_ prospects? I am far away
-from home--my father and mother wouldn’t care if they never saw me
-again. People talk about my money! What is the use of money to such a
-lonely wretch as I am? Suppose I write to London, and ask the lawyer if
-I may give it all away to some deserving person? Why not to you?â€
-
-“My dear Miss de Sor--!â€
-
-“Is there anything wrong, Mr. Mirabel, in wishing that I could make you
-a prosperous man?â€
-
-“You must not even talk of such a thing!â€
-
-“How proud you are!†she said submissively.
-
-“Oh, I can’t bear to think of you in that miserable village--a position
-so unworthy of your talents and your claims! And you tell me I must not
-talk about it. Would you have said that to Emily, if she was as anxious
-as I am to see you in your right place in the world?â€
-
-“I should have answered her exactly as I have answered you.â€
-
-“She will never embarrass you, Mr. Mirabel, by being as sincere as I am.
-Emily can keep her own secrets.â€
-
-“Is she to blame for doing that?â€
-
-“It depends on your feeling for her.â€
-
-“What feeling do you mean?â€
-
-“Suppose you heard she was engaged to be married?†Francine suggested.
-
-Mirabel’s manner--studiously cold and formal thus far--altered on a
-sudden. He looked with unconcealed anxiety at Francine. “Do you say that
-seriously?†he asked.
-
-“I said ‘suppose.’ I don’t exactly know that she is engaged.â€
-
-“What _do_ you know?â€
-
-“Oh, how interested you are in Emily! She is admired by some people. Are
-you one of them?â€
-
-Mirabel’s experience of women warned him to try silence as a means of
-provoking her into speaking plainly. The experiment succeeded: Francine
-returned to the question that he had put to her, and abruptly answered
-it.
-
-“You may believe me or not, as you like--I know of a man who is in love
-with her. He has had his opportunities; and he has made good use of
-them. Would you like to know who he is?â€
-
-“I should like to know anything which you may wish to tell me.†He did
-his best to make the reply in a tone of commonplace politeness--and he
-might have succeeded in deceiving a man. The woman’s quicker ear told
-her that he was angry. Francine took the full advantage of that change
-in her favor.
-
-“I am afraid your good opinion of Emily will be shaken,†she quietly
-resumed, “when I tell you that she has encouraged a man who is
-only drawing-master at a school. At the same time, a person in her
-circumstances--I mean she has no money--ought not to be very hard to
-please. Of course she has never spoken to you of Mr. Alban Morris?â€
-
-“Not that I remember.â€
-
-Only four words--but they satisfied Francine.
-
-The one thing wanting to complete the obstacle which she had now placed
-in Emily’s way, was that Alban Morris should enter on the scene. He
-might hesitate; but, if he was really fond of Emily, the anonymous
-letter would sooner or later bring him to Monksmoor. In the meantime,
-her object was gained. She dropped Mirabel’s arm.
-
-“Here is the lodge,†she said gayly--“I declare Cecilia has got an apron
-on already! Come, and cook.â€
-
-
-
-
-CHAPTER XLIII. SOUNDING.
-
-Mirabel left Francine to enter the lodge by herself. His mind was
-disturbed: he felt the importance of gaining time for reflection before
-he and Emily met again.
-
-The keeper’s garden was at the back of the lodge. Passing through the
-wicket-gate, he found a little summer-house at a turn in the path.
-Nobody was there: he went in and sat down.
-
-At intervals, he had even yet encouraged himself to underrate the true
-importance of the feeling which Emily had awakened in him. There was an
-end to all self-deception now. After what Francine had said to him, this
-shallow and frivolous man no longer resisted the all-absorbing influence
-of love. He shrank under the one terrible question that forced itself on
-his mind:--Had that jealous girl spoken the truth?
-
-In what process of investigation could he trust, to set this anxiety at
-rest? To apply openly to Emily would be to take a liberty, which Emily
-was the last person in the world to permit. In his recent intercourse
-with her he had felt more strongly than ever the importance of speaking
-with reserve. He had been scrupulously careful to take no unfair
-advantage of his opportunity, when he had removed her from the meeting,
-and when they had walked together, with hardly a creature to observe
-them, in the lonely outskirts of the town. Emily’s gaiety and good humor
-had not led him astray: he knew that these were bad signs, viewed in the
-interests of love. His one hope of touching her deeper sympathies was
-to wait for the help that might yet come from time and chance. With a
-bitter sigh, he resigned himself to the necessity of being as agreeable
-and amusing as ever: it was just possible that he might lure her into
-alluding to Alban Morris, if he began innocently by making her laugh.
-
-As he rose to return to the lodge, the keeper’s little terrier, prowling
-about the garden, looked into the summer-house. Seeing a stranger, the
-dog showed his teeth and growled.
-
-Mirabel shrank back against the wall behind him, trembling in every
-limb. His eyes stared in terror as the dog came nearer: barking in high
-triumph over the discovery of a frightened man whom he could bully.
-Mirabel called out for help. A laborer at work in the garden ran to the
-place--and stopped with a broad grin of amusement at seeing a grown man
-terrified by a barking dog. “Well,†he said to himself, after Mirabel
-had passed out under protection, “there goes a coward if ever there was
-one yet!â€
-
-Mirabel waited a minute behind the lodge to recover himself. He had been
-so completely unnerved that his hair was wet with perspiration. While
-he used his handkerchief, he shuddered at other recollections than the
-recollection of the dog. “After that night at the inn,†he thought, “the
-least thing frightens me!â€
-
-He was received by the young ladies with cries of derisive welcome. “Oh,
-for shame! for shame! here are the potatoes already cut, and nobody to
-fry them!â€
-
-Mirabel assumed the mask of cheerfulness--with the desperate resolution
-of an actor, amusing his audience at a time of domestic distress. He
-astonished the keeper’s wife by showing that he really knew how to use
-her frying-pan. Cecilia’s omelet was tough--but the young ladies ate it.
-Emily’s mayonnaise sauce was almost as liquid as water--they swallowed
-it nevertheless by the help of spoons. The potatoes followed, crisp and
-dry and delicious--and Mirabel became more popular than ever. “He is the
-only one of us,†Cecilia sadly acknowledged, “who knows how to cook.â€
-
-When they all left the lodge for a stroll in the park, Francine attached
-herself to Cecilia and Miss Plym. She resigned Mirabel to Emily--in the
-happy belief that she had paved the way for a misunderstanding between
-them.
-
-The merriment at the luncheon table had revived Emily’s good spirits.
-She had a light-hearted remembrance of the failure of her sauce. Mirabel
-saw her smiling to herself. “May I ask what amuses you?†he said.
-
-“I was thinking of the debt of gratitude that we owe to Mr. Wyvil,†she
-replied. “If he had not persuaded you to return to Monksmoor, we should
-never have seen the famous Mr. Mirabel with a frying pan in his hand,
-and never have tasted the only good dish at our luncheon.â€
-
-Mirabel tried vainly to adopt his companion’s easy tone. Now that he was
-alone with her, the doubts that Francine had aroused shook the prudent
-resolution at which he had arrived in the garden. He ran the risk, and
-told Emily plainly why he had returned to Mr. Wyvil’s house.
-
-“Although I am sensible of our host’s kindness,†he answered, “I should
-have gone back to my parsonage--but for You.â€
-
-She declined to understand him seriously. “Then the affairs of your
-parish are neglected--and I am to blame!†she said.
-
-“Am I the first man who has neglected his duties for your sake?†he
-asked. “I wonder whether the masters at school had the heart to report
-you when you neglected your lessons?â€
-
-She thought of Alban--and betrayed herself by a heightened color. The
-moment after, she changed the subject. Mirabel could no longer resist
-the conclusion that Francine had told him the truth.
-
-“When do you leave us,†she inquired.
-
-“To-morrow is Saturday--I must go back as usual.â€
-
-“And how will your deserted parish receive you?â€
-
-He made a desperate effort to be as amusing as usual.
-
-“I am sure of preserving my popularity,†he said, “while I have a cask
-in the cellar, and a few spare sixpences in my pocket. The public spirit
-of my parishioners asks for nothing but money and beer. Before I went to
-that wearisome meeting, I told my housekeeper that I was going to make
-a speech about reform. She didn’t know what I meant. I explained that
-reform might increase the number of British citizens who had the right
-of voting at elections for parliament. She brightened up directly. ‘Ah,’
-she said, ‘I’ve heard my husband talk about elections. The more there
-are of them (_he_ says) the more money he’ll get for his vote. I’m all
-for reform.’ On my way out of the house, I tried the man who works in
-my garden on the same subject. He didn’t look at the matter from the
-housekeeper’s sanguine point of view. ‘I don’t deny that parliament once
-gave me a good dinner for nothing at the public-house,’ he admitted.
-‘But that was years ago--and (you’ll excuse me, sir) I hear nothing of
-another dinner to come. It’s a matter of opinion, of course. I don’t
-myself believe in reform.’ There are specimens of the state of public
-spirit in our village!†He paused. Emily was listening--but he had not
-succeeded in choosing a subject that amused her. He tried a topic more
-nearly connected with his own interests; the topic of the future. “Our
-good friend has asked me to prolong my visit, after Sunday’s duties are
-over,†he said. “I hope I shall find you here, next week?â€
-
-“Will the affairs of your parish allow you to come back?†Emily asked
-mischievously.
-
-“The affairs of my parish--if you force me to confess it--were only an
-excuse.â€
-
-“An excuse for what?â€
-
-“An excuse for keeping away from Monksmoor--in the interests of my own
-tranquillity. The experiment has failed. While you are here, I can’t
-keep away.â€
-
-She still declined to understand him seriously. “Must I tell you in
-plain words that flattery is thrown away on me?†she said.
-
-“Flattery is not offered to you,†he answered gravely. “I beg your
-pardon for having led to the mistake by talking of myself.†Having
-appealed to her indulgence by that act of submission, he ventured on
-another distant allusion to the man whom he hated and feared. “Shall I
-meet any friends of yours,†he resumed, “when I return on Monday?â€
-
-“What do you mean?â€
-
-“I only meant to ask if Mr. Wyvil expects any new guests?â€
-
-As he put the question, Cecilia’s voice was heard behind them, calling
-to Emily. They both turned round. Mr. Wyvil had joined his daughter and
-her two friends. He advanced to meet Emily.
-
-“I have some news for you that you little expect,†he said. “A telegram
-has just arrived from Netherwoods. Mr. Alban Morris has got leave of
-absence, and is coming here to-morrow.â€
-
-
-
-
-CHAPTER XLIV. COMPETING.
-
-Time at Monksmoor had advanced to the half hour before dinner, on
-Saturday evening.
-
-Cecilia and Francine, Mr. Wyvil and Mirabel, were loitering in the
-conservatory. In the drawing-room, Emily had been considerately left
-alone with Alban. He had missed the early train from Netherwoods; but
-he had arrived in time to dress for dinner, and to offer the necessary
-explanations.
-
-If it had been possible for Alban to allude to the anonymous letter, he
-might have owned that his first impulse had led him to destroy it, and
-to assert his confidence in Emily by refusing Mr. Wyvil’s invitation.
-But try as he might to forget them, the base words that he had read
-remained in his memory. Irritating him at the outset, they had ended
-in rousing his jealousy. Under that delusive influence, he persuaded
-himself that he had acted, in the first instance, without due
-consideration. It was surely his interest--it might even be his duty--to
-go to Mr. Wyvil’s house, and judge for himself. After some last wretched
-moments of hesitation, he had decided on effecting a compromise with
-his own better sense, by consulting Miss Ladd. That excellent lady did
-exactly what he had expected her to do. She made arrangements which
-granted him leave of absence, from the Saturday to the Tuesday
-following. The excuse which had served him, in telegraphing to Mr.
-Wyvil, must now be repeated, in accounting for his unexpected appearance
-to Emily. “I found a person to take charge of my class,†he said; “and I
-gladly availed myself of the opportunity of seeing you again.â€
-
-After observing him attentively, while he was speaking to her, Emily
-owned, with her customary frankness, that she had noticed something in
-his manner which left her not quite at her ease.
-
-“I wonder,†she said, “if there is any foundation for a doubt that has
-troubled me?†To his unutterable relief, she at once explained what the
-doubt was. “I am afraid I offended you, in replying to your letter about
-Miss Jethro.â€
-
-In this case, Alban could enjoy the luxury of speaking unreservedly. He
-confessed that Emily’s letter had disappointed him.
-
-“I expected you to answer me with less reserve,†he replied; “and I
-began to think I had acted rashly in writing to you at all. When there
-is a better opportunity, I may have a word to say--†He was apparently
-interrupted by something that he saw in the conservatory. Looking that
-way, Emily perceived that Mirabel was the object which had attracted
-Alban’s attention. The vile anonymous letter was in his mind again.
-Without a preliminary word to prepare Emily, he suddenly changed the
-subject. “How do you like the clergyman?†he asked.
-
-“Very much indeed,†she replied, without the slightest embarrassment.
-“Mr. Mirabel is clever and agreeable--and not at all spoiled by his
-success. I am sure,†she said innocently, “you will like him too.â€
-
-Alban’s face answered her unmistakably in the negative sense--but
-Emily’s attention was drawn the other way by Francine. She joined them
-at the moment, on the lookout for any signs of an encouraging result
-which her treachery might already have produced. Alban had been inclined
-to suspect her when he had received the letter. He rose and bowed as she
-approached. Something--he was unable to realize what it was--told him,
-in the moment when they looked at each other, that his suspicion had hit
-the mark.
-
-In the conservatory the ever-amiable Mirabel had left his friends for
-a while in search of flowers for Cecilia. She turned to her father when
-they were alone, and asked him which of the gentlemen was to take her in
-to dinner--Mr. Mirabel or Mr. Morris?
-
-“Mr. Morris, of course,†he answered. “He is the new guest--and he turns
-out to be more than the equal, socially-speaking, of our other friend.
-When I showed him his room, I asked if he was related to a man who
-bore the same name--a fellow student of mine, years and years ago, at
-college. He is my friend’s younger son; one of a ruined family--but
-persons of high distinction in their day.â€
-
-Mirabel returned with the flowers, just as dinner was announced.
-
-“You are to take Emily to-day,†Cecilia said to him, leading the way out
-of the conservatory. As they entered the drawing-room, Alban was just
-offering his arm to Emily. “Papa gives you to me, Mr. Morris,†Cecilia
-explained pleasantly. Alban hesitated, apparently not understanding the
-allusion. Mirabel interfered with his best grace: “Mr. Wyvil offers
-you the honor of taking his daughter to the dining-room.†Alban’s face
-darkened ominously, as the elegant little clergyman gave his arm to
-Emily, and followed Mr. Wyvil and Francine out of the room. Cecilia
-looked at her silent and surly companion, and almost envied her lazy
-sister, dining--under cover of a convenient headache--in her own room.
-
-Having already made up his mind that Alban Morris required careful
-handling, Mirabel waited a little before he led the conversation as
-usual. Between the soup and the fish, he made an interesting confession,
-addressed to Emily in the strictest confidence.
-
-“I have taken a fancy to your friend Mr. Morris,†he said. “First
-impressions, in my case, decide everything; I like people or dislike
-them on impulse. That man appeals to my sympathies. Is he a good
-talker?â€
-
-“I should say Yes,†Emily answered prettily, “if _you_ were not
-present.â€
-
-Mirabel was not to be beaten, even by a woman, in the art of paying
-compliments. He looked admiringly at Alban (sitting opposite to him),
-and said: “Let us listen.â€
-
-This flattering suggestion not only pleased Emily--it artfully served
-Mirabel’s purpose. That is to say, it secured him an opportunity for
-observation of what was going on at the other side of the table.
-
-Alban’s instincts as a gentleman had led him to control his irritation
-and to regret that he had suffered it to appear. Anxious to please, he
-presented himself at his best. Gentle Cecilia forgave and forgot the
-angry look which had startled her. Mr. Wyvil was delighted with the son
-of his old friend. Emily felt secretly proud of the good opinions which
-her admirer was gathering; and Francine saw with pleasure that he was
-asserting his claim to Emily’s preference, in the way of all others
-which would be most likely to discourage his rival. These various
-impressions--produced while Alban’s enemy was ominously silent--began
-to suffer an imperceptible change, from the moment when Mirabel decided
-that his time had come to take the lead. A remark made by Alban offered
-him the chance for which he had been on the watch. He agreed with the
-remark; he enlarged on the remark; he was brilliant and familiar, and
-instructive and amusing--and still it was all due to the remark. Alban’s
-temper was once more severely tried. Mirabel’s mischievous object had
-not escaped his penetration. He did his best to put obstacles in the
-adversary’s way--and was baffled, time after time, with the readiest
-ingenuity. If he interrupted--the sweet-tempered clergyman submitted,
-and went on. If he differed--modest Mr. Mirabel said, in the most
-amiable manner, “I daresay I am wrong,†and handled the topic from his
-opponent’s point of view. Never had such a perfect Christian sat before
-at Mr. Wyvil’s table: not a hard word, not an impatient look, escaped
-him. The longer Alban resisted, the more surely he lost ground in the
-general estimation. Cecilia was disappointed; Emily was grieved; Mr.
-Wyvil’s favorable opinion began to waver; Francine was disgusted. When
-dinner was over, and the carriage was waiting to take the shepherd back
-to his flock by moonlight, Mirabel’s triumph was complete. He had made
-Alban the innocent means of publicly exhibiting his perfect temper and
-perfect politeness, under their best and brightest aspect.
-
-So that day ended. Sunday promised to pass quietly, in the absence of
-Mirabel. The morning came--and it seemed doubtful whether the promise
-would be fulfilled.
-
-Francine had passed an uneasy night. No such encouraging result as she
-had anticipated had hitherto followed the appearance of Alban Morris
-at Monksmoor. He had clumsily allowed Mirabel to improve his
-position--while he had himself lost ground--in Emily’s estimation. If
-this first disastrous consequence of the meeting between the two men was
-permitted to repeat itself on future occasions, Emily and Mirabel would
-be brought more closely together, and Alban himself would be the unhappy
-cause of it. Francine rose, on the Sunday morning, before the table
-was laid for breakfast--resolved to try the effect of a timely word of
-advice.
-
-Her bedroom was situated in the front of the house. The man she was
-looking for presently passed within her range of view from the window,
-on his way to take a morning walk in the park. She followed him
-immediately.
-
-“Good-morning, Mr. Morris.â€
-
-He raised his hat and bowed--without speaking, and without looking at
-her.
-
-“We resemble each other in one particular,†she proceeded, graciously;
-“we both like to breathe the fresh air before breakfast.â€
-
-He said exactly what common politeness obliged him to say, and no
-more--he said, “Yes.â€
-
-Some girls might have been discouraged. Francine went on.
-
-“It is no fault of mine, Mr. Morris, that we have not been better
-friends. For some reason, into which I don’t presume to inquire, you
-seem to distrust me. I really don’t know what I have done to deserve
-it.â€
-
-“Are you sure of that?†he asked--eying her suddenly and searchingly as
-he spoke.
-
-Her hard face settled into a rigid look; her eyes met his eyes with a
-stony defiant stare. Now, for the first time, she knew that he suspected
-her of having written the anonymous letter. Every evil quality in
-her nature steadily defied him. A hardened old woman could not have
-sustained the shock of discovery with a more devilish composure than
-this girl displayed. “Perhaps you will explain yourself,†she said.
-
-“I _have_ explained myself,†he answered.
-
-“Then I must be content,†she rejoined, “to remain in the dark. I had
-intended, out of my regard for Emily, to suggest that you might--with
-advantage to yourself, and to interests that are very dear to you--be
-more careful in your behavior to Mr. Mirabel. Are you disposed to listen
-to me?â€
-
-“Do you wish me to answer that question plainly, Miss de Sor?â€
-
-“I insist on your answering it plainly.â€
-
-“Then I am _not_ disposed to listen to you.â€
-
-“May I know why? or am I to be left in the dark again?â€
-
-“You are to be left, if you please, to your own ingenuity.â€
-
-Francine looked at him, with a malignant smile. “One of these days, Mr.
-Morris--I will deserve your confidence in my ingenuity.†She said it,
-and went back to the house.
-
-This was the only element of disturbance that troubled the perfect
-tranquillity of the day. What Francine had proposed to do, with the one
-idea of making Alban serve her purpose, was accomplished a few hours
-later by Emily’s influence for good over the man who loved her.
-
-They passed the afternoon together uninterruptedly in the distant
-solitudes of the park. In the course of conversation Emily found an
-opportunity of discreetly alluding to Mirabel. “You mustn’t be jealous
-of our clever little friend,†she said; “I like him, and admire him;
-but--â€
-
-“But you don’t love him?â€
-
-She smiled at the eager way in which Alban put the question.
-
-“There is no fear of that,†she answered brightly.
-
-“Not even if you discovered that he loves you?â€
-
-“Not even then. Are you content at last? Promise me not to be rude to
-Mr. Mirabel again.â€
-
-“For his sake?â€
-
-“No--for my sake. I don’t like to see you place yourself at a
-disadvantage toward another man; I don’t like you to disappoint me.â€
-
-The happiness of hearing her say those words transfigured him--the
-manly beauty of his earlier and happier years seemed to have returned to
-Alban. He took her hand--he was too agitated to speak.
-
-“You are forgetting Mr. Mirabel,†she reminded him gently.
-
-“I will be all that is civil and kind to Mr. Mirabel; I will like him
-and admire him as you do. Oh, Emily, are you a little, only a very
-little, fond of me?â€
-
-“I don’t quite know.â€
-
-“May I try to find out?â€
-
-“How?†she asked.
-
-Her fair cheek was very near to him. The softly-rising color on it said,
-Answer me here--and he answered.
-
-
-
-
-CHAPTER XLV. MISCHIEF--MAKING.
-
-On Monday, Mirabel made his appearance--and the demon of discord
-returned with him.
-
-Alban had employed the earlier part of the day in making a sketch in the
-park--intended as a little present for Emily. Presenting himself in the
-drawing-room, when his work was completed, he found Cecilia and Francine
-alone. He asked where Emily was.
-
-The question had been addressed to Cecilia. Francine answered it.
-
-“Emily mustn’t be disturbed,†she said.
-
-“Why not?â€
-
-“She is with Mr. Mirabel in the rose garden. I saw them talking
-together--evidently feeling the deepest interest in what they were
-saying to each other. Don’t interrupt them--you will only be in the
-way.â€
-
-Cecilia at once protested against this last assertion. “She is trying
-to make mischief, Mr. Morris--don’t believe her. I am sure they will be
-glad to see you, if you join them in the garden.â€
-
-Francine rose, and left the room. She turned, and looked at Alban as she
-opened the door. “Try it,†she said--“and you will find I am right.â€
-
-“Francine sometimes talks in a very ill-natured way,†Cecilia gently
-remarked. “Do you think she means it, Mr. Morris?’
-
-“I had better not offer an opinion,†Alban replied.
-
-“Why?â€
-
-“I can’t speak impartially; I dislike Miss de Sor.â€
-
-There was a pause. Alban’s sense of self-respect forbade him to try the
-experiment which Francine had maliciously suggested. His thoughts--less
-easy to restrain--wandered in the direction of the garden. The attempt
-to make him jealous had failed; but he was conscious, at the same time,
-that Emily had disappointed him. After what they had said to each other
-in the park, she ought to have remembered that women are at the mercy of
-appearances. If Mirabel had something of importance to say to her,
-she might have avoided exposing herself to Francine’s spiteful
-misconstruction: it would have been easy to arrange with Cecilia that a
-third person should be present at the interview.
-
-While he was absorbed in these reflections, Cecilia--embarrassed by
-the silence--was trying to find a topic of conversation. Alban roughly
-pushed his sketch-book away from him, on the table. Was he displeased
-with Emily? The same question had occurred to Cecilia at the time of the
-correspondence, on the subject of Miss Jethro. To recall those letters
-led her, by natural sequence, to another effort of memory. She was
-reminded of the person who had been the cause of the correspondence: her
-interest was revived in the mystery of Miss Jethro.
-
-“Has Emily told you that I have seen your letter?†she asked.
-
-He roused himself with a start. “I beg your pardon. What letter are you
-thinking of?â€
-
-“I was thinking of the letter which mentions Miss Jethro’s strange
-visit. Emily was so puzzled and so surprised that she showed it to
-me--and we both consulted my father. Have you spoken to Emily about Miss
-Jethro?â€
-
-“I have tried--but she seemed to be unwilling to pursue the subject.â€
-
-“Have you made any discoveries since you wrote to Emily?â€
-
-“No. The mystery is as impenetrable as ever.â€
-
-As he replied in those terms, Mirabel entered the conservatory from the
-garden, evidently on his way to the drawing-room.
-
-To see the man, whose introduction to Emily it had been Miss Jethro’s
-mysterious object to prevent--at the very moment when he had been
-speaking of Miss Jethro herself--was, not only a temptation of
-curiosity, but a direct incentive (in Emily’s own interests) to make an
-effort at discovery. Alban pursued the conversation with Cecilia, in a
-tone which was loud enough to be heard in the conservatory.
-
-“The one chance of getting any information that I can see,†he
-proceeded, “is to speak to Mr. Mirabel.â€
-
-“I shall be only too glad, if I can be of any service to Miss Wyvil and
-Mr. Morris.â€
-
-With those obliging words, Mirabel made a dramatic entry, and looked at
-Cecilia with his irresistible smile. Startled by his sudden appearance,
-she unconsciously assisted Alban’s design. Her silence gave him the
-opportunity of speaking in her place.
-
-“We were talking,†he said quietly to Mirabel, “of a lady with whom you
-are acquainted.â€
-
-“Indeed! May I ask the lady’s name?â€
-
-“Miss Jethro.â€
-
-Mirabel sustained the shock with extraordinary self-possession--so far
-as any betrayal by sudden movement was concerned. But his color told the
-truth: it faded to paleness--it revealed, even to Cecilia’s eyes, a man
-overpowered by fright.
-
-Alban offered him a chair. He refused to take it by a gesture. Alban
-tried an apology next. “I am afraid I have ignorantly revived some
-painful associations. Pray excuse me.â€
-
-The apology roused Mirabel: he felt the necessity of offering some
-explanation. In timid animals, the one defensive capacity which is
-always ready for action is cunning. Mirabel was too wily to dispute
-the inference--the inevitable inference--which any one must have
-drawn, after seeing the effect on him that the name of Miss Jethro had
-produced. He admitted that “painful associations†had been revived, and
-deplored the “nervous sensibility†which had permitted it to be seen.
-
-“No blame can possibly attach to _you_, my dear sir,†he continued, in
-his most amiable manner. “Will it be indiscreet, on my part, if I ask
-how you first became acquainted with Miss Jethro?â€
-
-“I first became acquainted with her at Miss Ladd’s school,†Alban
-answered. “She was, for a short time only, one of the teachers; and
-she left her situation rather suddenly.†He paused--but Mirabel made
-no remark. “After an interval of a few months,†he resumed, “I saw Miss
-Jethro again. She called on me at my lodgings, near Netherwoods.â€
-
-“Merely to renew your former acquaintance?â€
-
-Mirabel made that inquiry with an eager anxiety for the reply which he
-was quite unable to conceal. Had he any reason to dread what Miss Jethro
-might have it in her power to say of him to another person? Alban was
-in no way pledged to secrecy, and he was determined to leave no means
-untried of throwing light on Miss Jethro’s mysterious warning. He
-repeated the plain narrative of the interview, which he had communicated
-by letter to Emily. Mirabel listened without making any remark.
-
-“After what I have told you, can you give me no explanation?†Alban
-asked.
-
-“I am quite unable, Mr. Morris, to help you.â€
-
-Was he lying? or speaking, the truth? The impression produced on Alban
-was that he had spoken the truth.
-
-Women are never so ready as men to resign themselves to the
-disappointment of their hopes. Cecilia, silently listening up to this
-time, now ventured to speak--animated by her sisterly interest in Emily.
-
-“Can you not tell us,†she said to Mirabel, “why Miss Jethro tried to
-prevent Emily Brown from meeting you here?â€
-
-“I know no more of her motive than you do,†Mirabel replied.
-
-Alban interposed. “Miss Jethro left me,†he said, “with the
-intention--quite openly expressed--of trying to prevent you from
-accepting Mr. Wyvil’s invitation. Did she make the attempt?â€
-
-Mirabel admitted that she had made the attempt. “But,†he added,
-“without mentioning Miss Emily’s name. I was asked to postpone my visit,
-as a favor to herself, because she had her own reasons for wishing it. I
-had _my_ reasons†(he bowed with gallantry to Cecilia) “for being eager
-to have the honor of knowing Mr. Wyvil and his daughter; and I refused.â€
-
-Once more, the doubt arose: was he lying? or speaking the truth? And,
-once more, Alban could not resist the conclusion that he was speaking
-the truth.
-
-“There is one thing I should like to know,†Mirabel continued, after
-some hesitation. “Has Miss Emily been informed of this strange affair?â€
-
-“Certainly!â€
-
-Mirabel seemed to be disposed to continue his inquiries--and suddenly
-changed his mind. Was he beginning to doubt if Alban had spoken without
-concealment, in describing Miss Jethro’s visit? Was he still afraid of
-what Miss Jethro might have said of him? In any case, he changed the
-subject, and made an excuse for leaving the room.
-
-“I am forgetting my errand,†he said to Alban. “Miss Emily was anxious
-to know if you had finished your sketch. I must tell her that you have
-returned.â€
-
-He bowed and withdrew.
-
-Alban rose to follow him--and checked himself.
-
-“No,†he thought, “I trust Emily!†He sat down again by Cecilia’s side.
-
-
-Mirabel had indeed returned to the rose garden. He found Emily employed
-as he had left her, in making a crown of roses, to be worn by Cecilia in
-the evening. But, in one other respect, there was a change. Francine was
-present.
-
-“Excuse me for sending you on a needless errand,†Emily said to Mirabel;
-“Miss de Sor tells me Mr. Morris has finished his sketch. She left him
-in the drawing-room--why didn’t you bring him here?â€
-
-“He was talking with Miss Wyvil.â€
-
-Mirabel answered absently--with his eyes on Francine. He gave her one
-of those significant looks, which says to a third person, “Why are
-you here?†Francine’s jealousy declined to understand him. He tried a
-broader hint, in words.
-
-“Are you going to walk in the garden?†he said.
-
-Francine was impenetrable. “No,†she answered, “I am going to stay here
-with Emily.â€
-
-Mirabel had no choice but to yield. Imperative anxieties forced him
-to say, in Francine’s presence, what he had hoped to say to Emily
-privately.
-
-“When I joined Miss Wyvil and Mr. Morris,†he began, “what do you think
-they were doing? They were talking of--Miss Jethro.â€
-
-Emily dropped the rose-crown on her lap. It was easy to see that she had
-been disagreeably surprised.
-
-“Mr. Morris has told me the curious story of Miss Jethro’s visit,â€
- Mirabel continued; “but I am in some doubt whether he has spoken to me
-without reserve. Perhaps he expressed himself more freely when he spoke
-to _you_. Miss Jethro may have said something to him which tended to
-lower me in your estimation?â€
-
-“Certainly not, Mr. Mirabel--so far as I know. If I had heard anything
-of the kind, I should have thought it my duty to tell you. Will it
-relieve your anxiety, if I go at once to Mr. Morris, and ask him plainly
-whether he has concealed anything from you or from me?â€
-
-Mirabel gratefully kissed her hand. “Your kindness overpowers me,†he
-said--speaking, for once, with true emotion.
-
-Emily immediately returned to the house. As soon as she was out of
-sight, Francine approached Mirabel, trembling with suppressed rage.
-
-
-
-
-CHAPTER XLVI. PRETENDING.
-
-Miss de Sor began cautiously with an apology. “Excuse me, Mr. Mirabel,
-for reminding you of my presence.â€
-
-Mr. Mirabel made no reply.
-
-“I beg to say,†Francine proceeded, “that I didn’t intentionally see you
-kiss Emily’s hand.â€
-
-Mirabel stood, looking at the roses which Emily had left on her chair,
-as completely absorbed in his own thoughts as if he had been alone in
-the garden.
-
-“Am I not even worth notice?†Francine asked. “Ah, I know to whom I
-am indebted for your neglect!†She took him familiarly by the arm, and
-burst into a harsh laugh. “Tell me now, in confidence--do you think
-Emily is fond of you?â€
-
-The impression left by Emily’s kindness was still fresh in Mirabel’s
-memory: he was in no humor to submit to the jealous resentment of a
-woman whom he regarded with perfect indifference. Through the varnish
-of politeness which overlaid his manner, there rose to the surface the
-underlying insolence, hidden, on all ordinary occasions, from all human
-eyes. He answered Francine--mercilessly answered her--at last.
-
-“It is the dearest hope of my life that she may be fond of me,†he said.
-
-Francine dropped his arm “And fortune favors your hopes,†she added,
-with an ironical assumption of interest in Mirabel’s prospects. “When
-Mr. Morris leaves us to-morrow, he removes the only obstacle you have to
-fear. Am I right?â€
-
-“No; you are wrong.â€
-
-“In what way, if you please?â€
-
-“In this way. I don’t regard Mr. Morris as an obstacle. Emily is too
-delicate and too kind to hurt his feelings--she is not in love with him.
-There is no absorbing interest in her mind to divert her thoughts from
-me. She is idle and happy; she thoroughly enjoys her visit to this
-house, and I am associated with her enjoyment. There is my chance--!â€
-
-He suddenly stopped. Listening to him thus far, unnaturally calm and
-cold, Francine now showed that she felt the lash of his contempt. A
-hideous smile passed slowly over her white face. It threatened the
-vengeance which knows no fear, no pity, no remorse--the vengeance of a
-jealous woman. Hysterical anger, furious language, Mirabel was prepared
-for. The smile frightened him.
-
-“Well?†she said scornfully, “why don’t you go on?â€
-
-A bolder man might still have maintained the audacious position which
-he had assumed. Mirabel’s faint heart shrank from it. He was eager
-to shelter himself under the first excuse that he could find. His
-ingenuity, paralyzed by his fears, was unable to invent anything new. He
-feebly availed himself of the commonplace trick of evasion which he had
-read of in novels, and seen in action on the stage.
-
-“Is it possible,†he asked, with an overacted assumption of surprise,
-“that you think I am in earnest?â€
-
-In the case of any other person, Francine would have instantly seen
-through that flimsy pretense. But the love which accepts the meanest
-crumbs of comfort that can be thrown to it--which fawns and grovels
-and deliberately deceives itself, in its own intensely selfish
-interests--was the love that burned in Francine’s breast. The wretched
-girl believed Mirabel with such an ecstatic sense of belief that she
-trembled in every limb, and dropped into the nearest chair.
-
-“_I_ was in earnest,†she said faintly. “Didn’t you see it?â€
-
-He was perfectly shameless; he denied that he had seen it, in the most
-positive manner. “Upon my honor, I thought you were mystifying me, and I
-humored the joke.â€
-
-She sighed, and looking at him with an expression of tender reproach. “I
-wonder whether I can believe you,†she said softly.
-
-“Indeed you may believe me!†he assured her.
-
-She hesitated--for the pleasure of hesitating. “I don’t know. Emily is
-very much admired by some men. Why not by you?â€
-
-“For the best of reasons,†he answered “She is poor, and I am poor.
-Those are facts which speak for themselves.â€
-
-“Yes--but Emily is bent on attracting you. She would marry you
-to-morrow, if you asked her. Don’t attempt to deny it! Besides, you
-kissed her hand.â€
-
-“Oh, Miss de Sor!â€
-
-“Don’t call me ‘Miss de Sor’! Call me Francine. I want to know why you
-kissed her hand.â€
-
-He humored her with inexhaustible servility. “Allow me to kiss _your_
-hand, Francine!--and let me explain that kissing a lady’s hand is only a
-form of thanking her for her kindness. You must own that Emily--â€
-
-She interrupted him for the third time. “Emily?†she repeated. “Are you
-as familiar as that already? Does she call you ‘Miles,’ when you are
-by yourselves? Is there any effort at fascination which this charming
-creature has left untried? She told you no doubt what a lonely life she
-leads in her poor little home?â€
-
-Even Mirabel felt that he must not permit this to pass.
-
-“She has said nothing to me about herself,†he answered. “What I know of
-her, I know from Mr. Wyvil.â€
-
-“Oh, indeed! You asked Mr. Wyvil about her family, of course? What did
-he say?â€
-
-“He said she lost her mother when she was a child--and he told me her
-father had died suddenly, a few years since, of heart complaint.â€
-
-“Well, and what else?--Never mind now! Here is somebody coming.â€
-
-The person was only one of the servants. Mirabel felt grateful to
-the man for interrupting them. Animated by sentiments of a precisely
-opposite nature, Francine spoke to him sharply.
-
-“What do you want here?â€
-
-“A message, miss.â€
-
-“From whom?â€
-
-“From Miss Brown.â€
-
-“For me?â€
-
-“No, miss.†He turned to Mirabel. “Miss Brown wishes to speak to you,
-sir, if you are not engaged.â€
-
-Francine controlled herself until the man was out of hearing.
-
-“Upon my word, this is too shameless!†she declared indignantly. “Emily
-can’t leave you with me for five minutes, without wanting to see you
-again. If you go to her after all that you have said to me,†she cried,
-threatening Mirabel with her outstretched hand, “you are the meanest of
-men!â€
-
-He _was_ the meanest of men--he carried out his cowardly submission to
-the last extremity.
-
-“Only say what you wish me to do,†he replied.
-
-Even Francine expected some little resistance from a creature bearing
-the outward appearance of a man. “Oh, do you really mean it?†she asked
-“I want you to disappoint Emily. Will you stay here, and let me make
-your excuses?â€
-
-“I will do anything to please you.â€
-
-Francine gave him a farewell look. Her admiration made a desperate
-effort to express itself appropriately in words. “You are not a man,â€
- she said, “you are an angel!â€
-
-Left by himself, Mirabel sat down to rest. He reviewed his own conduct
-with perfect complacency. “Not one man in a hundred could have managed
-that she-devil as I have done,†he thought. “How shall I explain matters
-to Emily?â€
-
-Considering this question, he looked by chance at the unfinished
-crown of roses. “The very thing to help me!†he said--and took out his
-pocketbook, and wrote these lines on a blank page: “I have had a scene
-of jealousy with Miss de Sor, which is beyond all description. To spare
-_you_ a similar infliction, I have done violence to my own feelings.
-Instead of instantly obeying the message which you have so kindly sent
-to me, I remain here for a little while--entirely for your sake.â€
-
-Having torn out the page, and twisted it up among the roses, so that
-only a corner of the paper appeared in view, Mirabel called to a lad who
-was at work in the garden, and gave him his directions, accompanied by a
-shilling. “Take those flowers to the servants’ hall, and tell one of the
-maids to put them in Miss Brown’s room. Stop! Which is the way to the
-fruit garden?â€
-
-The lad gave the necessary directions. Mirabel walked away slowly,
-with his hands in his pockets. His nerves had been shaken; he thought a
-little fruit might refresh him.
-
-
-
-
-CHAPTER XLVII. DEBATING.
-
-In the meanwhile Emily had been true to her promise to relieve Mirabel’s
-anxieties, on the subject of Miss Jethro. Entering the drawing-room in
-search of Alban, she found him talking with Cecilia, and heard her own
-name mentioned as she opened the door.
-
-“Here she is at last!†Cecilia exclaimed. “What in the world has kept
-you all this time in the rose garden?â€
-
-“Has Mr. Mirabel been more interesting than usual?†Alban asked gayly.
-Whatever sense of annoyance he might have felt in Emily’s absence, was
-forgotten the moment she appeared; all traces of trouble in his face
-vanished when they looked at each other.
-
-“You shall judge for yourself,†Emily replied with a smile. “Mr. Mirabel
-has been speaking to me of a relative who is very dear to him--his
-sister.â€
-
-Cecilia was surprised. “Why has he never spoken to _us_ of his sister?â€
- she asked.
-
-“It’s a sad subject to speak of, my dear. His sister lives a life of
-suffering--she has been for years a prisoner in her room. He writes to
-her constantly. His letters from Monksmoor have interested her, poor
-soul. It seems he said something about me--and she has sent a kind
-message, inviting me to visit her one of these days. Do you understand
-it now, Cecilia?â€
-
-“Of course I do! Tell me--is Mr. Mirabel’s sister older or younger than
-he is?â€
-
-“Older.â€
-
-“Is she married?â€
-
-“She is a widow.â€
-
-“Does she live with her brother?†Alban asked.
-
-“Oh, no! She has her own house--far away in Northumberland.â€
-
-“Is she near Sir Jervis Redwood?â€
-
-“I fancy not. Her house is on the coast.â€
-
-“Any children?†Cecilia inquired.
-
-“No; she is quite alone. Now, Cecilia, I have told you all I know--and
-I have something to say to Mr. Morris. No, you needn’t leave us; it’s a
-subject in which you are interested. A subject,†she repeated, turning
-to Alban, “which you may have noticed is not very agreeable to me.â€
-
-“Miss Jethro?†Alban guessed.
-
-“Yes; Miss Jethro.â€
-
-Cecilia’s curiosity instantly asserted itself.
-
-“_We_ have tried to get Mr. Mirabel to enlighten us, and tried in vain,â€
- she said. “You are a favorite. Have you succeeded?â€
-
-“I have made no attempt to succeed,†Emily replied. “My only object is
-to relieve Mr. Mirabel’s anxiety, if I can--with your help, Mr. Morris.â€
-
-“In what way can I help you?â€
-
-“You mustn’t be angry.â€
-
-“Do I look angry?â€
-
-“You look serious. It is a very simple thing. Mr. Mirabel is afraid that
-Miss Jethro may have said something disagreeable about him, which
-you might hesitate to repeat. Is he making himself uneasy without any
-reason?â€
-
-“Without the slightest reason. I have concealed nothing from Mr.
-Mirabel.â€
-
-“Thank you for the explanation.†She turned to Cecilia. “May I send
-one of the servants with a message? I may as well put an end to Mr.
-Mirabel’s suspense.â€
-
-The man was summoned, and was dispatched with the message. Emily would
-have done well, after this, if she had abstained from speaking further
-of Miss Jethro. But Mirabel’s doubts had, unhappily, inspired a
-similar feeling of uncertainty in her own mind. She was now disposed to
-attribute the tone of mystery in Alban’s unlucky letter to some possible
-concealment suggested by regard for herself. “I wonder whether _I_ have
-any reason to feel uneasy?†she said--half in jest, half in earnest.
-
-“Uneasy about what?†Alban inquired.
-
-“About Miss Jethro, of course! Has she said anything of me which your
-kindness has concealed?â€
-
-Alban seemed to be a little hurt by the doubt which her question
-implied. “Was that your motive,†he asked, “for answering my letter as
-cautiously as if you had been writing to a stranger?â€
-
-“Indeed you are quite wrong!†Emily earnestly assured him. “I was
-perplexed and startled--and I took Mr. Wyvil’s advice, before I wrote to
-you. Shall we drop the subject?â€
-
-Alban would have willingly dropped the subject--but for that unfortunate
-allusion to Mr. Wyvil. Emily had unconsciously touched him on a sore
-place. He had already heard from Cecilia of the consultation over his
-letter, and had disapproved of it. “I think you were wrong to trouble
-Mr. Wyvil,†he said.
-
-The altered tone of his voice suggested to Emily that he would have
-spoken more severely, if Cecilia had not been in the room. She thought
-him needlessly ready to complain of a harmless proceeding--and she too
-returned to the subject, after having proposed to drop it not a minute
-since!
-
-“You didn’t tell me I was to keep your letter a secret,†she replied.
-
-Cecilia made matters worse--with the best intentions. “I’m sure, Mr.
-Morris, my father was only too glad to give Emily his advice.â€
-
-Alban remained silent--ungraciously silent as Emily thought, after Mr.
-Wyvil’s kindness to him.
-
-“The thing to regret,†she remarked, “is that Mr. Morris allowed Miss
-Jethro to leave him without explaining herself. In his place, I should
-have insisted on knowing why she wanted to prevent me from meeting Mr.
-Mirabel in this house.â€
-
-Cecilia made another unlucky attempt at judicious interference. This
-time, she tried a gentle remonstrance.
-
-“Remember, Emily, how Mr. Morris was situated. He could hardly be rude
-to a lady. And I daresay Miss Jethro had good reasons for not wishing to
-explain herself.â€
-
-Francine opened the drawing-room door and heard Cecilia’s last words.
-
-“Miss Jethro again!†she exclaimed.
-
-“Where is Mr. Mirabel?†Emily asked. “I sent him a message.â€
-
-“He regrets to say he is otherwise engaged for the present,†Francine
-replied with spiteful politeness. “Don’t let me interrupt the
-conversation. Who is this Miss Jethro, whose name is on everybody’s
-lips?â€
-
-Alban could keep silent no longer. “We have done with the subject,†he
-said sharply.
-
-“Because I am here?â€
-
-“Because we have said more than enough about Miss Jethro already.â€
-
-“Speak for yourself, Mr. Morris,†Emily answered, resenting the
-masterful tone which Alban’s interference had assumed. “I have not done
-with Miss Jethro yet, I can assure you.â€
-
-“My dear, you don’t know where she lives,†Cecilia reminded her.
-
-“Leave me to discover it!†Emily answered hotly. “Perhaps Mr. Mirabel
-knows. I shall ask Mr. Mirabel.â€
-
-“I thought you would find a reason for returning to Mr. Mirabel,â€
- Francine remarked.
-
-Before Emily could reply, one of the maids entered the room with a
-wreath of roses in her hand.
-
-“Mr. Mirabel sends you these flowers, miss,†the woman said, addressing
-Emily. “The boy told me they were to be taken to your room. I thought it
-was a mistake, and I have brought them to you here.â€
-
-Francine, who happened to be nearest to the door, took the roses from
-the girl on pretense of handing them to Emily. Her jealous vigilance
-detected the one visible morsel of Mirabel’s letter, twisted up with the
-flowers. Had Emily entrapped him into a secret correspondence with her?
-“A scrap of waste paper among your roses,†she said, crumpling it up in
-her hand as if she meant to throw it away.
-
-But Emily was too quick for her. She caught Francine by the wrist.
-“Waste paper or not,†she said; “it was among my flowers and it belongs
-to me.â€
-
-Francine gave up the letter, with a look which might have startled Emily
-if she had noticed it. She handed the roses to Cecilia. “I was making
-a wreath for you to wear this evening, my dear--and I left it in the
-garden. It’s not quite finished yet.â€
-
-Cecilia was delighted. “How lovely it is!†she exclaimed. “And how
-very kind of you! I’ll finish it myself.†She turned away to the
-conservatory.
-
-“I had no idea I was interfering with a letter,†said Francine; watching
-Emily with fiercely-attentive eyes, while she smoothed out the crumpled
-paper.
-
-Having read what Mirabel had written to her, Emily looked up, and saw
-that Alban was on the point of following Cecilia into the conservatory.
-He had noticed something in Francine’s face which he was at a loss to
-understand, but which made her presence in the room absolutely hateful
-to him. Emily followed and spoke to him.
-
-“I am going back to the rose garden,†she said.
-
-“For any particular purpose?†Alban inquired
-
-“For a purpose which, I am afraid, you won’t approve of. I mean to ask
-Mr. Mirabel if he knows Miss Jethro’s address.â€
-
-“I hope he is as ignorant of it as I am,†Alban answered gravely.
-
-“Are we going to quarrel over Miss Jethro, as we once quarreled over
-Mrs. Rook?†Emily asked--with the readiest recovery of her good humor.
-“Come! come! I am sure you are as anxious, in your own private mind, to
-have this matter cleared up as I am.â€
-
-“With one difference--that I think of consequences, and you don’t.â€
- He said it, in his gentlest and kindest manner, and stepped into the
-conservatory.
-
-“Never mind the consequences,†she called after him, “if we can only get
-at the truth. I hate being deceived!â€
-
-“There is no person living who has better reason than you have to say
-that.â€
-
-Emily looked round with a start. Alban was out of hearing. It was
-Francine who had answered her.
-
-“What do you mean?†she said.
-
-Francine hesitated. A ghastly paleness overspread her face.
-
-“Are you ill?†Emily asked.
-
-“No--I am thinking.â€
-
-After waiting for a moment in silence, Emily moved away toward the door
-of the drawing-room. Francine suddenly held up her hand.
-
-“Stop!†she cried.
-
-Emily stood still.
-
-“My mind is made up,†Francine said.
-
-“Made up--to what?â€
-
-“You asked what I meant, just now.â€
-
-“I did.â€
-
-“Well, my mind is made up to answer you. Miss Emily Brown, you are
-leading a sadly frivolous life in this house. I am going to give you
-something more serious to think about than your flirtation with Mr.
-Mirabel. Oh, don’t be impatient! I am coming to the point. Without
-knowing it yourself, you have been the victim of deception for years
-past--cruel deception--wicked deception that puts on the mask of mercy.â€
-
-“Are you alluding to Miss Jethro?†Emily asked, in astonishment. “I
-thought you were strangers to each other. Just now, you wanted to know
-who she was.â€
-
-“I know nothing about her. I care nothing about her. I am not thinking
-of Miss Jethro.â€
-
-“Who are you thinking of?â€
-
-“I am thinking,†Francine answered, “of your dead father.â€
-
-
-
-
-CHAPTER XLVIII. INVESTIGATING.
-
-Having revived his sinking energies in the fruit garden, Mirabel
-seated himself under the shade of a tree, and reflected on the critical
-position in which he was placed by Francine’s jealousy.
-
-If Miss de Sor continued to be Mr. Wyvil’s guest, there seemed to be no
-other choice before Mirabel than to leave Monksmoor--and to trust to
-a favorable reply to his sister’s invitation for the free enjoyment of
-Emily’s society under another roof. Try as he might, he could arrive
-at no more satisfactory conclusion than this. In his preoccupied state,
-time passed quickly. Nearly an hour had elapsed before he rose to return
-to the house.
-
-Entering the hall, he was startled by a cry of terror in a woman’s
-voice, coming from the upper regions. At the same time Mr. Wyvil,
-passing along the bedroom corridor after leaving the music-room, was
-confronted by his daughter, hurrying out of Emily’s bedchamber in such a
-state of alarm that she could hardly speak.
-
-“Gone!†she cried, the moment she saw her father.
-
-Mr. Wyvil took her in his arms and tried to compose her. “Who has gone?â€
- he asked.
-
-“Emily! Oh, papa, Emily has left us! She has heard dreadful news--she
-told me so herself.â€
-
-“What news? How did she hear it?â€
-
-“I don’t know how she heard it. I went back to the drawing-room to show
-her my roses--â€
-
-“Was she alone?â€
-
-“Yes! She frightened me--she seemed quite wild. She said, ‘Let me be by
-myself; I shall have to go home.’ She kissed me--and ran up to her room.
-Oh, I am such a fool! Anybody else would have taken care not to lose
-sight of her.â€
-
-“How long did you leave her by herself?â€
-
-“I can’t say. I thought I would go and tell you. And then I got anxious
-about her, and knocked at her door, and looked into the room. Gone!
-Gone!â€
-
-Mr. Wyvil rang the bell and confided Cecilia to the care of her maid.
-Mirabel had already joined him in the corridor. They went downstairs
-together and consulted with Alban. He volunteered to make immediate
-inquiries at the railway station. Mr. Wyvil followed him, as far as the
-lodge gate which opened on the highroad--while Mirabel went to a second
-gate, at the opposite extremity of the park.
-
-Mr. Wyvil obtained the first news of Emily. The lodge keeper had seen
-her pass him, on her way out of the park, in the greatest haste. He had
-called after her, “Anything wrong, miss?†and had received no reply.
-Asked what time had elapsed since this had happened, he was too confused
-to be able to answer with any certainty. He knew that she had taken the
-road which led to the station--and he knew no more.
-
-Mr. Wyvil and Mirabel met again at the house, and instituted an
-examination of the servants. No further discoveries were made.
-
-The question which occurred to everybody was suggested by the words
-which Cecilia had repeated to her father. Emily had said she had “heard
-dreadful newsâ€--how had that news reached her? The one postal delivery
-at Monksmoor was in the morning. Had any special messenger arrived, with
-a letter for Emily? The servants were absolutely certain that no such
-person had entered the house. The one remaining conclusion suggested
-that somebody must have communicated the evil tidings by word of mouth.
-But here again no evidence was to be obtained. No visitor had called
-during the day, and no new guests had arrived. Investigation was
-completely baffled.
-
-Alban returned from the railway, with news of the fugitive.
-
-He had reached the station, some time after the departure of the London
-train. The clerk at the office recognized his description of Emily, and
-stated that she had taken her ticket for London. The station-master had
-opened the carriage door for her, and had noticed that the young lady
-appeared to be very much agitated. This information obtained, Alban had
-dispatched a telegram to Emily--in Cecilia’s name: “Pray send us a
-few words to relieve our anxiety, and let us know if we can be of any
-service to you.â€
-
-This was plainly all that could be done--but Cecilia was not satisfied.
-If her father had permitted it, she would have followed Emily. Alban
-comforted her. He apologized to Mr. Wyvil for shortening his visit, and
-announced his intention of traveling to London by the next train. “We
-may renew our inquiries to some advantage,†he added, after hearing what
-had happened in his absence, “if we can find out who was the last person
-who saw her, and spoke to her, before your daughter found her alone in
-the drawing-room. When I went out of the room, I left her with Miss de
-Sor.â€
-
-The maid who waited on Miss de Sor was sent for. Francine had been out,
-by herself, walking in the park. She was then in her room, changing her
-dress. On hearing of Emily’s sudden departure, she had been (as the
-maid reported) “much shocked and quite at a loss to understand what it
-meant.â€
-
-Joining her friends a few minutes later, Francine presented, so far
-as personal appearance went, a strong contrast to the pale and anxious
-faces round her. She looked wonderfully well, after her walk. In other
-respects, she was in perfect harmony with the prevalent feeling. She
-expressed herself with the utmost propriety; her sympathy moved poor
-Cecilia to tears.
-
-“I am sure, Miss de Sor, you will try to help us?†Mr. Wyvil began
-
-“With the greatest pleasure,†Francine answered.
-
-“How long were you and Miss Emily Brown together, after Mr. Morris left
-you?â€
-
-“Not more than a quarter of an hour, I should think.â€
-
-“Did anything remarkable occur in the course of conversation?â€
-
-“Nothing whatever.â€
-
-Alban interfered for the first time. “Did you say anything,†he asked,
-“which agitated or offended Miss Brown?â€
-
-“That’s rather an extraordinary question,†Francine remarked.
-
-“Have you no other answer to give?†Alban inquired.
-
-“I answer--No!†she said, with a sudden outburst of anger.
-
-There, the matter dropped. While she spoke in reply to Mr. Wyvil,
-Francine had confronted him without embarrassment. When Alban
-interposed, she never looked at him--except when he provoked her to
-anger. Did she remember that the man who was questioning her, was also
-the man who had suspected her of writing the anonymous letter? Alban
-was on his guard against himself, knowing how he disliked her. But the
-conviction in his own mind was not to be resisted. In some unimaginable
-way, Francine was associated with Emily’s flight from the house.
-
-The answer to the telegram sent from the railway station had not
-arrived, when Alban took his departure for London. Cecilia’s suspense
-began to grow unendurable: she looked to Mirabel for comfort, and found
-none. His office was to console, and his capacity for performing that
-office was notorious among his admirers; but he failed to present
-himself to advantage, when Mr. Wyvil’s lovely daughter had need of his
-services. He was, in truth, too sincerely anxious and distressed to be
-capable of commanding his customary resources of ready-made sentiment
-and fluently-pious philosophy. Emily’s influence had awakened the only
-earnest and true feeling which had ever ennobled the popular preacher’s
-life.
-
-Toward evening, the long-expected telegram was received at last. What
-could be said, under the circumstances, it said in these words:
-
-“Safe at home--don’t be uneasy about me--will write soon.â€
-
-With that promise they were, for the time, forced to be content.
-
-
-
-
-BOOK THE FIFTH--THE COTTAGE.
-
-
-
-
-CHAPTER XLIX. EMILY SUFFERS.
-
-Mrs. Ellmother--left in charge of Emily’s place of abode, and feeling
-sensible of her lonely position from time to time--had just thought of
-trying the cheering influence of a cup of tea, when she heard a cab draw
-up at the cottage gate. A violent ring at the bell followed. She opened
-the door--and found Emily on the steps. One look at that dear and
-familiar face was enough for the old servant.
-
-“God help us,†she cried, “what’s wrong now?â€
-
-Without a word of reply, Emily led the way into the bedchamber which had
-been the scene of Miss Letitia’s death. Mrs. Ellmother hesitated on the
-threshold.
-
-“Why do you bring me in here?†she asked.
-
-“Why did you try to keep me out?†Emily answered.
-
-“When did I try to keep you out, miss?â€
-
-“When I came home from school, to nurse my aunt. Ah, you remember now!
-Is it true--I ask you here, where your old mistress died--is it true
-that my aunt deceived me about my father’s death? And that you knew it?â€
-
-There was dead silence. Mrs. Ellmother trembled horribly--her lips
-dropped apart--her eyes wandered round the room with a stare of idiotic
-terror. “Is it her ghost tells you that?†she whispered. “Where is her
-ghost? The room whirls round and round, miss--and the air sings in my
-ears.â€
-
-Emily sprang forward to support her. She staggered to a chair, and
-lifted her great bony hands in wild entreaty. “Don’t frighten me,†she
-said. “Stand back.â€
-
-Emily obeyed her. She dashed the cold sweat off her forehead. “You were
-talking about your father’s death just now,†she burst out, in desperate
-defiant tones. “Well! we know it and we are sorry for it--your father
-died suddenly.â€
-
-“My father died murdered in the inn at Zeeland! All the long way to
-London, I have tried to doubt it. Oh, me, I know it now!â€
-
-Answering in those words, she looked toward the bed. Harrowing
-remembrances of her aunt’s delirious self-betrayal made the room
-unendurable to her. She ran out. The parlor door was open. Entering the
-room, she passed by a portrait of her father, which her aunt had hung
-on the wall over the fireplace. She threw herself on the sofa and burst
-into a passionate fit of crying. “Oh, my father--my dear, gentle, loving
-father; my first, best, truest friend--murdered! murdered! Oh, God,
-where was your justice, where was your mercy, when he died that dreadful
-death?â€
-
-A hand was laid on her shoulder; a voice said to her, “Hush, my child!
-God knows best.â€
-
-Emily looked up, and saw that Mrs. Ellmother had followed her. “You
-poor old soul,†she said, suddenly remembering; “I frightened you in the
-other room.â€
-
-“I have got over it, my dear. I am old; and I have lived a hard life.
-A hard life schools a person. I make no complaints.†She stopped, and
-began to shudder again. “Will you believe me if I tell you something?â€
- she asked. “I warned my self-willed mistress. Standing by your father’s
-coffin, I warned her. Hide the truth as you may (I said), a time will
-come when our child will know what you are keeping from her now. One or
-both of us may live to see it. I am the one who has lived; no refuge
-in the grave for me. I want to hear about it--there’s no fear of
-frightening or hurting me now. I want to hear how you found it out. Was
-it by accident, my dear? or did a person tell you?â€
-
-Emily’s mind was far away from Mrs. Ellmother. She rose from the sofa,
-with her hands held fast over her aching heart.
-
-“The one duty of my life,†she said--“I am thinking of the one duty of
-my life. Look! I am calm now; I am resigned to my hard lot. Never, never
-again, can the dear memory of my father be what it was! From this time,
-it is the horrid memory of a crime. The crime has gone unpunished; the
-man has escaped others. He shall not escape Me.†She paused, and looked
-at Mrs. Ellmother absently. “What did you say just now? You want to hear
-how I know what I know? Naturally! naturally! Sit down here--sit
-down, my old friend, on the sofa with me--and take your mind back to
-Netherwoods. Alban Morris--â€
-
-Mrs. Ellmother recoiled from Emily in dismay. “Don’t tell me _he_ had
-anything to do with it! The kindest of men; the best of men!â€
-
-“The man of all men living who least deserves your good opinion or
-mine,†Emily answered sternly.
-
-“You!†Mrs. Ellmother exclaimed, “_you_ say that!â€
-
-“I say it. He--who won on me to like him--he was in the conspiracy to
-deceive me; and you know it! He heard me talk of the newspaper story of
-the murder of my father--I say, he heard me talk of it composedly, talk
-of it carelessly, in the innocent belief that it was the murder of
-a stranger--and he never opened his lips to prevent that horrid
-profanation! He never even said, speak of something else; I won’t hear
-you! No more of him! God forbid I should ever see him again. No! Do
-what I told you. Carry your mind back to Netherwoods. One night you let
-Francine de Sor frighten you. You ran away from her into the garden.
-Keep quiet! At your age, must I set you an example of self-control?
-
-“I want to know, Miss Emily, where Francine de Sor is now?â€
-
-“She is at the house in the country, which I have left.â€
-
-“Where does she go next, if you please? Back to Miss Ladd?â€
-
-“I suppose so. What interest have you in knowing where she goes next?â€
-
-“I won’t interrupt you, miss. It’s true that I ran away into the garden.
-I can guess who followed me. How did she find her way to me and Mr.
-Morris, in the dark?â€
-
-“The smell of tobacco guided her--she knew who smoked--she had seen him
-talking to you, on that very day--she followed the scent--she heard what
-you two said to each other--and she has repeated it to me. Oh, my old
-friend, the malice of a revengeful girl has enlightened me, when you,
-my nurse--and he, my lover--left me in the dark: it has told me how my
-father died!â€
-
-“That’s said bitterly, miss!â€
-
-“Is it said truly?â€
-
-“No. It isn’t said truly of myself. God knows you would never have
-been kept in the dark, if your aunt had listened to me. I begged and
-prayed--I went down on my knees to her--I warned her, as I told you just
-now. Must I tell _you_ what a headstrong woman Miss Letitia was? She
-insisted. She put the choice before me of leaving her at once and
-forever--or giving in. I wouldn’t have given in to any other creature on
-the face of this earth. I am obstinate, as you have often told me.
-Well, your aunt’s obstinacy beat mine; I was too fond of her to say No.
-Besides, if you ask me who was to blame in the first place, I tell you
-it wasn’t your aunt; she was frightened into it.â€
-
-“Who frightened her?â€
-
-“Your godfather--the great London surgeon--he who was visiting in our
-house at the time.â€
-
-“Sir Richard?â€
-
-“Yes--Sir Richard. He said he wouldn’t answer for the consequences, in
-the delicate state of your health, if we told you the truth. Ah, he had
-it all his own way after that. He went with Miss Letitia to the inquest;
-he won over the coroner and the newspaper men to his will; he kept your
-aunt’s name out of the papers; he took charge of the coffin; he
-hired the undertaker and his men, strangers from London; he wrote the
-certificate--who but he! Everybody was cap in hand to the famous man!â€
-
-“Surely, the servants and the neighbors asked questions?â€
-
-“Hundreds of questions! What did that matter to Sir Richard? They were
-like so many children, in _his_ hands. And, mind you, the luck helped
-him. To begin with, there was the common name. Who was to pick out your
-poor father among the thousands of James Browns? Then, again, the house
-and lands went to the male heir, as they called him--the man your father
-quarreled with in the bygone time. He brought his own establishment
-with him. Long before you got back from the friends you were staying
-with--don’t you remember it?--we had cleared out of the house; we
-were miles and miles away; and the old servants were scattered abroad,
-finding new situations wherever they could. How could you suspect us?
-We had nothing to fear in that way; but my conscience pricked me. I made
-another attempt to prevail on Miss Letitia, when you had recovered
-your health. I said, ‘There’s no fear of a relapse now; break it to her
-gently, but tell her the truth.’ No! Your aunt was too fond of you. She
-daunted me with dreadful fits of crying, when I tried to persuade her.
-And that wasn’t the worst of it. She bade me remember what an excitable
-man your father was--she reminded me that the misery of your mother’s
-death laid him low with brain fever--she said, ‘Emily takes after her
-father; I have heard you say it yourself; she has his constitution, and
-his sensitive nerves. Don’t you know how she loved him--how she talks
-of him to this day? Who can tell (if we are not careful) what dreadful
-mischief we may do?’ That was how my mistress worked on me. I got
-infected with her fears; it was as if I had caught an infection of
-disease. Oh, my dear, blame me if it must be; but don’t forget how I
-have suffered for it since! I was driven away from my dying mistress, in
-terror of what she might say, while you were watching at her bedside. I
-have lived in fear of what you might ask me--and have longed to go back
-to you--and have not had the courage to do it. Look at me now!â€
-
-The poor woman tried to take out her handkerchief; her quivering hand
-helplessly entangled itself in her dress. “I can’t even dry my eyes,â€
- she said faintly. “Try to forgive me, miss!â€
-
-Emily put her arms round the old nurse’s neck. “It is _you_,†she said
-sadly, “who must forgive me.â€
-
-For a while they were silent. Through the window that was open to
-the little garden, came the one sound that could be heard--the gentle
-trembling of leaves in the evening wind.
-
-The silence was harshly broken by the bell at the cottage door. They
-both started.
-
-Emily’s heart beat fast. “Who can it be?†she said.
-
-Mrs. Ellmother rose. “Shall I say you can’t see anybody?†she asked,
-before leaving the room.
-
-“Yes! yes!â€
-
-Emily heard the door opened--heard low voices in the passage. There was
-a momentary interval. Then, Mrs. Ellmother returned. She said nothing.
-Emily spoke to her.
-
-“Is it a visitor?â€
-
-“Yes.â€
-
-“Have you said I can’t see anybody?â€
-
-“I couldn’t say it.â€
-
-“Why not?â€
-
-“Don’t be hard on him, my dear. It’s Mr. Alban Morris.â€
-
-
-
-
-CHAPTER L. MISS LADD ADVISES.
-
-Mrs. Ellmother sat by the dying embers of the kitchen fire; thinking
-over the events of the day in perplexity and distress.
-
-She had waited at the cottage door for a friendly word with Alban, after
-he had left Emily. The stern despair in his face warned her to let him
-go in silence. She had looked into the parlor next. Pale and cold, Emily
-lay on the sofa--sunk in helpless depression of body and mind. “Don’t
-speak to me,†she whispered; “I am quite worn out.†It was but too plain
-that the view of Alban’s conduct which she had already expressed, was
-the view to which she had adhered at the interview between them. They
-had parted in grief---perhaps in anger--perhaps forever. Mrs. Ellmother
-lifted Emily in compassionate silence, and carried her upstairs, and
-waited by her until she slept.
-
-In the still hours of the night, the thoughts of the faithful old
-servant--dwelling for a while on past and present--advanced, by slow
-degrees, to consideration of the doubtful future. Measuring, to the best
-of her ability, the responsibility which had fallen on her, she felt
-that it was more than she could bear, or ought to bear, alone. To whom
-could she look for help?
-
-The gentlefolks at Monksmoor were strangers to her. Doctor Allday was
-near at hand--but Emily had said, “Don’t send for him; he will torment
-me with questions--and I want to keep my mind quiet, if I can.†But
-one person was left, to whose ever-ready kindness Mrs. Ellmother could
-appeal--and that person was Miss Ladd.
-
-It would have been easy to ask the help of the good schoolmistress in
-comforting and advising the favorite pupil whom she loved. But Mrs.
-Ellmother had another object in view: she was determined that the
-cold-blooded cruelty of Emily’s treacherous friend should not be allowed
-to triumph with impunity. If an ignorant old woman could do nothing
-else, she could tell the plain truth, and could leave Miss Ladd to
-decide whether such a person as Francine deserved to remain under her
-care.
-
-To feel justified in taking this step was one thing: to put it all
-clearly in writing was another. After vainly making the attempt
-overnight, Mrs. Ellmother tore up her letter, and communicated with Miss
-Ladd by means of a telegraphic message, in the morning. “Miss Emily is
-in great distress. I must not leave her. I have something besides to say
-to you which cannot be put into a letter. Will you please come to us?â€
-
-Later in the forenoon, Mrs. Ellmother was called to the door by the
-arrival of a visitor. The personal appearance of the stranger impressed
-her favorably. He was a handsome little gentleman; his manners were
-winning, and his voice was singularly pleasant to hear.
-
-“I have come from Mr. Wyvil’s house in the country,†he said; “and I
-bring a letter from his daughter. May I take the opportunity of asking
-if Miss Emily is well?â€
-
-“Far from it, sir, I am sorry to say. She is so poorly that she keeps
-her bed.â€
-
-At this reply, the visitor’s face revealed such sincere sympathy and
-regret, that Mrs. Ellmother was interested in him: she added a word
-more. “My mistress has had a hard trial to bear, sir. I hope there is no
-bad news for her in the young lady’s letter?â€
-
-“On the contrary, there is news that she will be glad to hear--Miss
-Wyvil is coming here this evening. Will you excuse my asking if Miss
-Emily has had medical advice?â€
-
-“She won’t hear of seeing the doctor, sir. He’s a good friend of
-hers--and he lives close by. I am unfortunately alone in the house. If I
-could leave her, I would go at once and ask his advice.â€
-
-“Let _me_ go!†Mirabel eagerly proposed.
-
-Mrs. Ellmother’s face brightened. “That’s kindly thought of, sir--if you
-don’t mind the trouble.â€
-
-“My good lady, nothing is a trouble in your young mistress’s service.
-Give me the doctor’s name and address--and tell me what to say to him.â€
-
-“There’s one thing you must be careful of,†Mrs. Ellmother answered. “He
-mustn’t come here, as if he had been sent for--she would refuse to see
-him.â€
-
-Mirabel understood her. “I will not forget to caution him. Kindly tell
-Miss Emily I called--my name is Mirabel. I will return to-morrow.â€
-
-He hastened away on his errand--only to find that he had arrived too
-late. Doctor Allday had left London; called away to a serious case of
-illness. He was not expected to get back until late in the afternoon.
-Mirabel left a message, saying that he would return in the evening.
-
-The next visitor who arrived at the cottage was the trusty friend, in
-whose generous nature Mrs. Ellmother had wisely placed confidence. Miss
-Ladd had resolved to answer the telegram in person, the moment she read
-it.
-
-“If there is bad news,†she said, “let me hear it at once. I am not well
-enough to bear suspense; my busy life at the school is beginning to tell
-on me.â€
-
-“There is nothing that need alarm you, ma’am--but there is a great
-deal to say, before you see Miss Emily. My stupid head turns giddy with
-thinking of it. I hardly know where to begin.â€
-
-“Begin with Emily,†Miss Ladd suggested.
-
-Mrs. Ellmother took the advice. She described Emily’s unexpected arrival
-on the previous day; and she repeated what had passed between them
-afterward. Miss Ladd’s first impulse, when she had recovered her
-composure, was to go to Emily without waiting to hear more. Not
-presuming to stop her, Mrs. Ellmother ventured to put a question “Do
-you happen to have my telegram about you, ma’am?†Miss Ladd produced it.
-“Will you please look at the last part of it again?â€
-
-Miss Ladd read the words: “I have something besides to say to you which
-cannot be put into a letter.†She at once returned to her chair.
-
-“Does what you have still to tell me refer to any person whom I know?â€
- she said.
-
-“It refers, ma’am, to Miss de Sor. I am afraid I shall distress you.â€
-
-“What did I say, when I came in?†Miss Ladd asked. “Speak out plainly;
-and try--it’s not easy, I know--but try to begin at the beginning.â€
-
-Mrs. Ellmother looked back through her memory of past events, and
-began by alluding to the feeling of curiosity which she had excited in
-Francine, on the day when Emily had made them known to one another.
-From this she advanced to the narrative of what had taken place at
-Netherwoods--to the atrocious attempt to frighten her by means of
-the image of wax--to the discovery made by Francine in the garden at
-night--and to the circumstances under which that discovery had been
-communicated to Emily.
-
-Miss Ladd’s face reddened with indignation. “Are you sure of all that
-you have said?†she asked.
-
-“I am quite sure, ma’am. I hope I have not done wrong,†Mrs. Ellmother
-added simply, “in telling you all this?â€
-
-“Wrong?†Miss Ladd repeated warmly. “If that wretched girl has no
-defense to offer, she is a disgrace to my school--and I owe you a debt
-of gratitude for showing her to me in her true character. She shall
-return at once to Netherwoods; and she shall answer me to my entire
-satisfaction--or leave my house. What cruelty! what duplicity! In all my
-experience of girls, I have never met with the like of it. Let me go to
-my dear little Emily--and try to forget what I have heard.â€
-
-Mrs. Ellmother led the good lady to Emily’s room--and, returning to the
-lower part of the house, went out into the garden. The mental effort
-that she had made had left its result in an aching head, and in an
-overpowering sense of depression. “A mouthful of fresh air will revive
-me,†she thought.
-
-The front garden and back garden at the cottage communicated with each
-other. Walking slowly round and round, Mrs. Ellmother heard footsteps
-on the road outside, which stopped at the gate. She looked through the
-grating, and discovered Alban Morris.
-
-“Come in, sir!†she said, rejoiced to see him. He obeyed in silence. The
-full view of his face shocked Mrs. Ellmother. Never in her experience of
-the friend who had been so kind to her at Netherwoods, had he looked so
-old and so haggard as he looked now. “Oh, Mr. Alban, I see how she
-has distressed you! Don’t take her at her word. Keep a good heart,
-sir--young girls are never long together of the same mind.â€
-
-Alban gave her his hand. “I mustn’t speak about it,†he said. “Silence
-helps me to bear my misfortune as becomes a man. I have had some hard
-blows in my time: they don’t seem to have blunted my sense of feeling
-as I thought they had. Thank God, she doesn’t know how she has made me
-suffer! I want to ask her pardon for having forgotten myself yesterday.
-I spoke roughly to her, at one time. No: I won’t intrude on her; I have
-said I am sorry, in writing. Do you mind giving it to her? Good-by--and
-thank you. I mustn’t stay longer; Miss Ladd expects me at Netherwoods.â€
-
-“Miss Ladd is in the house, sir, at this moment.â€
-
-“Here, in London!â€
-
-“Upstairs, with Miss Emily.â€
-
-“Upstairs? Is Emily ill?â€
-
-“She is getting better, sir. Would you like to see Miss Ladd?â€
-
-“I should indeed! I have something to say to her--and time is of
-importance to me. May I wait in the garden?â€
-
-“Why not in the parlor, sir?â€
-
-“The parlor reminds me of happier days. In time, I may have courage
-enough to look at the room again. Not now.â€
-
-“If she doesn’t make it up with that good man,†Mrs. Ellmother thought,
-on her way back to the house, “my nurse-child is what I have never
-believed her to be yet--she’s a fool.â€
-
-In half an hour more, Miss Ladd joined Alban on the little plot of grass
-behind the cottage. “I bring Emily’s reply to your letter,†she said.
-“Read it, before you speak to me.â€
-
-Alban read it: “Don’t suppose you have offended me--and be assured that
-I feel gratefully the tone in which your note is written. I try to write
-forbearingly on my side; I wish I could write acceptably as well. It is
-not to be done. I am as unable as ever to enter into your motives. You
-are not my relation; you were under no obligation of secrecy: you heard
-me speak ignorantly of the murder of my father, as if it had been the
-murder of a stranger; and yet you kept me--deliberately, cruelly kept
-me--deceived! The remembrance of it burns me like fire. I cannot--oh,
-Alban, I cannot restore you to the place in my estimation which you have
-lost! If you wish to help me to bear my trouble, I entreat you not to
-write to me again.â€
-
-Alban offered the letter silently to Miss Ladd. She signed to him to
-keep it.
-
-“I know what Emily has written,†she said; “and I have told her, what I
-now tell you--she is wrong; in every way, wrong. It is the misfortune
-of her impetuous nature that she rushes to conclusions--and those
-conclusions once formed, she holds to them with all the strength of her
-character. In this matter, she has looked at her side of the question
-exclusively; she is blind to your side.â€
-
-“Not willfully!†Alban interposed.
-
-Miss Ladd looked at him with admiration. “You defend Emily?†she said.
-
-“I love her,†Alban answered.
-
-Miss Ladd felt for him, as Mrs. Ellmother had felt for him. “Trust to
-time, Mr. Morris,†she resumed. “The danger to be afraid of is--the
-danger of some headlong action, on her part, in the interval. Who can
-say what the end may be, if she persists in her present way of thinking?
-There is something monstrous, in a young girl declaring that it is _her_
-duty to pursue a murderer, and to bring him to justice! Don’t you see it
-yourself?â€
-
-Alban still defended Emily. “It seems to me to be a natural impulse,â€
- he said--“natural, and noble.â€
-
-“Noble!†Miss Ladd exclaimed.
-
-“Yes--for it grows out of the love which has not died with her father’s
-death.â€
-
-“Then you encourage her?â€
-
-“With my whole heart--if she would give me the opportunity!â€
-
-“We won’t pursue the subject, Mr. Morris. I am told by Mrs. Ellmother
-that you have something to say to me. What is it?â€
-
-“I have to ask you,†Alban replied, “to let me resign my situation at
-Netherwoods.â€
-
-Miss Ladd was not only surprised; she was also--a very rare thing with
-her--inclined to be suspicious. After what he had said to Emily, it
-occurred to her that Alban might be meditating some desperate project,
-with the hope of recovering his lost place in her favor.
-
-“Have you heard of some better employment?†she asked.
-
-“I have heard of no employment. My mind is not in a state to give the
-necessary attention to my pupils.â€
-
-“Is that your only reason for wishing to leave me?â€
-
-“It is one of my reasons.â€
-
-“The only one which you think it necessary to mention?â€
-
-“Yes.â€
-
-“I shall be sorry to lose you, Mr. Morris.â€
-
-“Believe me, Miss Ladd, I am not ungrateful for your kindness.â€
-
-“Will you let me, in all kindness, say something more?†Miss Ladd
-answered. “I don’t intrude on your secrets--I only hope that you have no
-rash project in view.â€
-
-“I don’t understand you, Miss Ladd.â€
-
-“Yes, Mr. Morris--you do.â€
-
-She shook hands with him--and went back to Emily.
-
-
-
-
-CHAPTER LI. THE DOCTOR SEES.
-
-Alban returned to Netherwoods--to continue his services, until another
-master could be found to take his place.
-
-By a later train Miss Ladd followed him. Emily was too well aware of the
-importance of the mistress’s presence to the well-being of the school,
-to permit her to remain at the cottage. It was understood that they were
-to correspond, and that Emily’s room was waiting for her at Netherwoods,
-whenever she felt inclined to occupy it.
-
-Mrs. Ellmother made the tea, that evening, earlier than usual. Being
-alone again with Emily, it struck her that she might take advantage of
-her position to say a word in Alban’s favor. She had chosen her time
-unfortunately. The moment she pronounced the name, Emily checked her by
-a look, and spoke of another person--that person being Miss Jethro.
-
-Mrs. Ellmother at once entered her protest, in her own downright way.
-“Whatever you do,†she said, “don’t go back to that! What does Miss
-Jethro matter to you?â€
-
-“I am more interested in her than you suppose--I happen to know why she
-left the school.â€
-
-“Begging your pardon, miss, that’s quite impossible!â€
-
-“She left the school,†Emily persisted, “for a serious reason. Miss Ladd
-discovered that she had used false references.â€
-
-“Good Lord! who told you that?â€
-
-“You see I know it. I asked Miss Ladd how she got her information. She
-was bound by a promise never to mention the person’s name. I didn’t say
-it to her--but I may say it to you. I am afraid I have an idea of who
-the person was.â€
-
-“No,†Mrs. Ellmother obstinately asserted, “you can’t possibly know who
-it was! How should you know?â€
-
-“Do you wish me to repeat what I heard in that room opposite, when my
-aunt was dying?â€
-
-“Drop it, Miss Emily! For God’s sake, drop it!â€
-
-“I can’t drop it. It’s dreadful to me to have suspicions of my aunt--and
-no better reason for them than what she said in a state of delirium.
-Tell me, if you love me, was it her wandering fancy? or was it the
-truth?â€
-
-“As I hope to be saved, Miss Emily, I can only guess as you do--I don’t
-rightly know. My mistress trusted me half way, as it were. I’m afraid I
-have a rough tongue of my own sometimes. I offended her--and from that
-time she kept her own counsel. What she did, she did in the dark, so far
-as I was concerned.â€
-
-“How did you offend her?â€
-
-“I shall be obliged to speak of your father if I tell you how?â€
-
-“Speak of him.â€
-
-“_He_ was not to blame--mind that!†Mrs. Ellmother said earnestly. “If I
-wasn’t certain of what I say now you wouldn’t get a word out of me. Good
-harmless man--there’s no denying it--he _was_ in love with Miss Jethro!
-What’s the matter?â€
-
-Emily was thinking of her memorable conversation with the disgraced
-teacher on her last night at school. “Nothing†she answered. “Go on.â€
-
-“If he had not tried to keep it secret from us,†Mrs. Ellmother resumed,
-“your aunt might never have taken it into her head that he was entangled
-in a love affair of the shameful sort. I don’t deny that I helped her in
-her inquiries; but it was only because I felt sure from the first that
-the more she discovered the more certainly my master’s innocence would
-show itself. He used to go away and visit Miss Jethro privately. In the
-time when your aunt trusted me, we never could find out where. She
-made that discovery afterward for herself (I can’t tell you how long
-afterward); and she spent money in employing mean wretches to pry into
-Miss Jethro’s past life. She had (if you will excuse me for saying it)
-an old maid’s hatred of the handsome young woman, who lured your father
-away from home, and set up a secret (in a manner of speaking) between
-her brother and herself. I won’t tell you how we looked at letters and
-other things which he forgot to leave under lock and key. I will only
-say there was one bit, in a journal he kept, which made me ashamed of
-myself. I read it out to Miss Letitia; and I told her in so many words,
-not to count any more on me. No; I haven’t got a copy of the words--I
-can remember them without a copy. ‘Even if my religion did not forbid
-me to peril my soul by leading a life of sin with this woman whom I
-love’--that was how it began--‘the thought of my daughter would keep
-me pure. No conduct of mine shall ever make me unworthy of my child’s
-affection and respect.’ There! I’m making you cry; I won’t stay here any
-longer. All that I had to say has been said. Nobody but Miss Ladd knows
-for certain whether your aunt was innocent or guilty in the matter
-of Miss Jethro’s disgrace. Please to excuse me; my work’s waiting
-downstairs.â€
-
-
-From time to time, as she pursued her domestic labors, Mrs. Ellmother
-thought of Mirabel. Hours on hours had passed--and the doctor had not
-appeared. Was he too busy to spare even a few minutes of his time? Or
-had the handsome little gentleman, after promising so fairly, failed to
-perform his errand? This last doubt wronged Mirabel. He had engaged to
-return to the doctor’s house; and he kept his word.
-
-Doctor Allday was at home again, and was seeing patients. Introduced
-in his turn, Mirabel had no reason to complain of his reception. At the
-same time, after he had stated the object of his visit, something odd
-began to show itself in the doctor’s manner.
-
-He looked at Mirabel with an appearance of uneasy curiosity; and he
-contrived an excuse for altering the visitor’s position in the room, so
-that the light fell full on Mirabel’s face.
-
-“I fancy I must have seen you,†the doctor said, “at some former time.â€
-
-“I am ashamed to say I don’t remember it,†Mirabel answered.
-
-“Ah, very likely I’m wrong! I’ll call on Miss Emily, sir, you may depend
-on it.â€
-
-Left in his consulting-room, Doctor Allday failed to ring the bell which
-summoned the next patient who was waiting for him. He took his diary
-from the table drawer, and turned to the daily entries for the past
-month of July.
-
-Arriving at the fifteenth day of the month, he glanced at the first
-lines of writing: “A visit from a mysterious lady, calling herself Miss
-Jethro. Our conference led to some very unexpected results.â€
-
-No: that was not what he was in search of. He looked a little lower
-down: and read on regularly, from that point, as follows:
-
-“Called on Miss Emily, in great anxiety about the discoveries which
-she might make among her aunt’s papers. Papers all destroyed, thank
-God--except the Handbill, offering a reward for discovery of the
-murderer, which she found in the scrap-book. Gave her back the Handbill.
-Emily much surprised that the wretch should have escaped, with such
-a careful description of him circulated everywhere. She read the
-description aloud to me, in her nice clear voice: ‘Supposed age between
-twenty-five and thirty years. A well-made man of small stature. Fair
-complexion, delicate features, clear blue eyes. Hair light, and
-cut rather short. Clean shaven, with the exception of narrow
-half-whiskers’--and so on. Emily at a loss to understand how the
-fugitive could disguise himself. Reminded her that he could effectually
-disguise his head and face (with time to help him) by letting his hair
-grow long, and cultivating his beard. Emily not convinced, even by this
-self-evident view of the case. Changed the subject.â€
-
-The doctor put away his diary, and rang the bell.
-
-“Curious,†he thought. “That dandified little clergyman has certainly
-reminded me of my discussion with Emily, more than two months since. Was
-it his flowing hair, I wonder? or his splendid beard? Good God! suppose
-it should turn out--?â€
-
-He was interrupted by the appearance of his patient. Other ailing people
-followed. Doctor Allday’s mind was professionally occupied for the rest
-of the evening.
-
-
-
-
-CHAPTER LII. “IF I COULD FIND A FRIEND!â€
-
-Shortly after Miss Ladd had taken her departure, a parcel arrived for
-Emily, bearing the name of a bookseller printed on the label. It was
-large, and it was heavy. “Reading enough, I should think, to last for a
-lifetime,†Mrs. Ellmother remarked, after carrying the parcel upstairs.
-
-Emily called her back as she was leaving the room. “I want to caution
-you,†she said, “before Miss Wyvil comes. Don’t tell her--don’t tell
-anybody--how my father met his death. If other persons are taken into
-our confidence, they will talk of it. We don’t know how near to us the
-murderer may be. The slightest hint may put him on his guard.â€
-
-“Oh, miss, are you still thinking of that!â€
-
-“I think of nothing else.â€
-
-“Bad for your mind, Miss Emily--and bad for your body, as your looks
-show. I wish you would take counsel with some discreet person, before
-you move in this matter by yourself.â€
-
-Emily sighed wearily. “In my situation, where is the person whom I can
-trust?â€
-
-“You can trust the good doctor.â€
-
-“Can I? Perhaps I was wrong when I told you I wouldn’t see him. He might
-be of some use to me.â€
-
-Mrs. Ellmother made the most of this concession, in the fear that Emily
-might change her mind. “Doctor Allday may call on you tomorrow,†she
-said.
-
-“Do you mean that you have sent for him?â€
-
-“Don’t be angry! I did it for the best--and Mr. Mirabel agreed with me.â€
-
-“Mr. Mirabel! What have you told Mr. Mirabel?â€
-
-“Nothing, except that you are ill. When he heard that, he proposed to go
-for the doctor. He will be here again to-morrow, to ask for news of your
-health. Will you see him?â€
-
-“I don’t know yet--I have other things to think of. Bring Miss Wyvil up
-here when she comes.â€
-
-“Am I to get the spare room ready for her?â€
-
-“No. She is staying with her father at the London house.â€
-
-Emily made that reply almost with an air of relief. When Cecilia
-arrived, it was only by an effort that she could show grateful
-appreciation of the sympathy of her dearest friend. When the visit came
-to an end, she felt an ungrateful sense of freedom: the restraint was
-off her mind; she could think again of the one terrible subject that had
-any interest for her now. Over love, over friendship, over the natural
-enjoyment of her young life, predominated the blighting resolution which
-bound her to avenge her father’s death. Her dearest remembrances of
-him--tender remembrances once--now burned in her (to use her own words)
-like fire. It was no ordinary love that had bound parent and child
-together in the bygone time. Emily had grown from infancy to girlhood,
-owing all the brightness of her life--a life without a mother, without
-brothers, without sisters--to her father alone. To submit to lose this
-beloved, this only companion, by the cruel stroke of disease was of all
-trials of resignation the hardest to bear. But to be severed from him by
-the murderous hand of a man, was more than Emily’s fervent nature could
-passively endure. Before the garden gate had closed on her friend
-she had returned to her one thought, she was breathing again her one
-aspiration. The books that she had ordered, with her own purpose in
-view--books that might supply her want of experience, and might reveal
-the perils which beset the course that lay before her--were unpacked and
-spread out on the table. Hour after hour, when the old servant believed
-that her mistress was in bed, she was absorbed over biographies in
-English and French, which related the stratagems by means of which
-famous policemen had captured the worst criminals of their time. From
-these, she turned to works of fiction, which found their chief topic of
-interest in dwelling on the discovery of hidden crime. The night passed,
-and dawn glimmered through the window--and still she opened book
-after book with sinking courage--and still she gained nothing but the
-disheartening conviction of her inability to carry out her own plans.
-Almost every page that she turned over revealed the immovable obstacles
-set in her way by her sex and her age. Could _she_ mix with the people,
-or visit the scenes, familiar to the experience of men (in fact and
-in fiction), who had traced the homicide to his hiding-place, and had
-marked him among his harmless fellow-creatures with the brand of Cain?
-No! A young girl following, or attempting to follow, that career, must
-reckon with insult and outrage--paying their abominable tribute to her
-youth and her beauty, at every turn. What proportion would the men
-who might respect her bear to the men who might make her the object of
-advances, which it was hardly possible to imagine without shuddering.
-She crept exhausted to her bed, the most helpless, hopeless creature on
-the wide surface of the earth--a girl self-devoted to the task of a man.
-
-
-Careful to perform his promise to Mirabel, without delay, the doctor
-called on Emily early in the morning--before the hour at which he
-usually entered his consulting-room.
-
-“Well? What’s the matter with the pretty young mistress?†he asked,
-in his most abrupt manner, when Mrs. Ellmother opened the door. “Is it
-love? or jealousy? or a new dress with a wrinkle in it?â€
-
-“You will hear about it, sir, from Miss Emily herself. I am forbidden to
-say anything.â€
-
-“But you mean to say something--for all that?â€
-
-“Don’t joke, Doctor Allday! The state of things here is a great deal too
-serious for joking. Make up your mind to be surprised--I say no more.â€
-
-Before the doctor could ask what this meant, Emily opened the parlor
-door. “Come in!†she said, impatiently.
-
-Doctor Allday’s first greeting was strictly professional. “My dear
-child, I never expected this,†he began. “You are looking wretchedly
-ill.†He attempted to feel her pulse. She drew her hand away from him.
-
-“It’s my mind that’s ill,†she answered. “Feeling my pulse won’t cure
-me of anxiety and distress. I want advice; I want help. Dear old doctor,
-you have always been a good friend to me--be a better friend than ever
-now.â€
-
-“What can I do?â€
-
-“Promise you will keep secret what I am going to say to you--and listen,
-pray listen patiently, till I have done.â€
-
-Doctor Allday promised, and listened. He had been, in some degree at
-least, prepared for a surprise--but the disclosure which now burst on
-him was more than his equanimity could sustain. He looked at Emily in
-silent dismay. She had surprised and shocked him, not only by what she
-said, but by what she unconsciously suggested. Was it possible that
-Mirabel’s personal appearance had produced on her the same impression
-which was present in his own mind? His first impulse, when he was
-composed enough to speak, urged him to put the question cautiously.
-
-“If you happened to meet with the suspected man,†he said, “have you any
-means of identifying him?â€
-
-“None whatever, doctor. If you would only think it over--â€
-
-He stopped her there; convinced of the danger of encouraging her, and
-resolved to act on his conviction.
-
-“I have enough to occupy me in my profession,†he said. “Ask your other
-friend to think it over.â€
-
-“What other friend?â€
-
-“Mr. Alban Morris.â€
-
-The moment he pronounced the name, he saw that he had touched on some
-painful association. “Has Mr. Morris refused to help you?†he inquired.
-
-“I have not asked him to help me.â€
-
-“Why?â€
-
-There was no choice (with such a man as Doctor Allday) between offending
-him or answering him. Emily adopted the last alternative. On this
-occasion she had no reason to complain of his silence.
-
-“Your view of Mr. Morris’s conduct surprises me,†he replied--“surprises
-me more than I can say,†he added; remembering that he too was guilty
-of having kept her in ignorance of the truth, out of regard--mistaken
-regard, as it now seemed to be--for her peace of mind.
-
-“Be good to me, and pass it over if I am wrong,†Emily said: “I can’t
-dispute with you; I can only tell you what I feel. You have always been
-so kind to me--may I count on your kindness still?â€
-
-Doctor Allday relapsed into silence.
-
-“May I at least ask,†she went on, “if you know anything of persons--â€
- She paused, discouraged by the cold expression of inquiry in the old
-man’s eyes as he looked at her.
-
-“What persons?†he said.
-
-“Persons whom I suspect.â€
-
-“Name them.â€
-
-Emily named the landlady of the inn at Zeeland: she could now place the
-right interpretation on Mrs. Rook’s conduct, when the locket had been
-put into her hand at Netherwoods. Doctor Allday answered shortly and
-stiffly: he had never even seen Mrs. Rook. Emily mentioned Miss Jethro
-next--and saw at once that she had interested him.
-
-“What do you suspect Miss Jethro of doing?†he asked.
-
-“I suspect her of knowing more of my father’s death than she is willing
-to acknowledge,†Emily replied.
-
-The doctor’s manner altered for the better. “I agree with you,†he said
-frankly. “But I have some knowledge of that lady. I warn you not to
-waste time and trouble in trying to discover the weak side of Miss
-Jethro.â€
-
-“That was not my experience of her at school,†Emily rejoined. “At the
-same time I don’t know what may have happened since those days. I may
-perhaps have lost the place I once held in her regard.â€
-
-“How?â€
-
-“Through my aunt.â€
-
-“Through your aunt?â€
-
-“I hope and trust I am wrong,†Emily continued; “but I fear my aunt had
-something to do with Miss Jethro’s dismissal from the school--and in
-that case Miss Jethro may have found it out.†Her eyes, resting on
-the doctor, suddenly brightened. “You know something about it!†she
-exclaimed.
-
-He considered a little--whether he should or should not tell her of the
-letter addressed by Miss Ladd to Miss Letitia, which he had found at the
-cottage.
-
-“If I could satisfy you that your fears are well founded,†he asked,
-“would the discovery keep you away from Miss Jethro?â€
-
-“I should be ashamed to speak to her--even if we met.â€
-
-“Very well. I can tell you positively, that your aunt was the person who
-turned Miss Jethro out of the school. When I get home, I will send you a
-letter that proves it.â€
-
-Emily’s head sank on her breast. “Why do I only hear of this now?†she
-said.
-
-“Because I had no reason for letting you know of it, before to-day. If
-I have done nothing else, I have at least succeeded in keeping you and
-Miss Jethro apart.â€
-
-Emily looked at him in alarm. He went on without appearing to notice
-that he had startled her. “I wish to God I could as easily put a stop to
-the mad project which you are contemplating.â€
-
-“The mad project?†Emily repeated. “Oh, Doctor Allday. Do you cruelly
-leave me to myself, at the time of all others, when I am most in need of
-your sympathy?â€
-
-That appeal moved him. He spoke more gently; he pitied, while he
-condemned her.
-
-“My poor dear child, I should be cruel indeed, if I encouraged you. You
-are giving yourself up to an enterprise, so shockingly unsuited to a
-young girl like you, that I declare I contemplate it with horror. Think,
-I entreat you, think; and let me hear that you have yielded--not to my
-poor entreaties--but to your own better sense!†His voice faltered; his
-eyes moistened. “I shall make a fool of myself,†he burst out furiously,
-“if I stay here any longer. Good-by.â€
-
-He left her.
-
-She walked to the window, and looked out at the fair morning. No one to
-feel for her--no one to understand her--nothing nearer that could speak
-to poor mortality of hope and encouragement than the bright heaven, so
-far away! She turned from the window. “The sun shines on the murderer,â€
- she thought, “as it shines on me.â€
-
-She sat down at the table, and tried to quiet her mind; to think
-steadily to some good purpose. Of the few friends that she possessed,
-every one had declared that she was in the wrong. Had _they_ lost the
-one loved being of all beings on earth, and lost him by the hand of a
-homicide--and that homicide free? All that was faithful, all that was
-devoted in the girl’s nature, held her to her desperate resolution as
-with a hand of iron. If she shrank at that miserable moment, it was not
-from her design--it was from the sense of her own helplessness. “Oh, if
-I had been a man!†she said to herself. “Oh, if I could find a friend!â€
-
-
-
-
-CHAPTER LIII. THE FRIEND IS FOUND.
-
-Mrs. Ellmother looked into the parlor. “I told you Mr. Mirabel would
-call again,†she announced. “Here he is.â€
-
-“Has he asked to see me?â€
-
-“He leaves it entirely to you.â€
-
-For a moment, and a moment only, Emily was undecided. “Show him in,†she
-said.
-
-Mirabel’s embarrassment was visible the moment he entered the room.
-For the first time in his life--in the presence of a woman--the
-popular preacher was shy. He who had taken hundreds of fair hands with
-sympathetic pressure--he who had offered fluent consolation, abroad and
-at home, to beauty in distress--was conscious of a rising color, and was
-absolutely at a loss for words when Emily received him. And yet, though
-he appeared at disadvantage--and, worse still, though he was aware of
-it himself--there was nothing contemptible in his look and manner. His
-silence and confusion revealed a change in him which inspired respect.
-Love had developed this spoiled darling of foolish congregations, this
-effeminate pet of drawing-rooms and boudoirs, into the likeness of a
-Man--and no woman, in Emily’s position, could have failed to see that it
-was love which she herself had inspired.
-
-Equally ill at ease, they both took refuge in the commonplace phrases
-suggested by the occasion. These exhausted there was a pause. Mirabel
-alluded to Cecilia, as a means of continuing the conversation.
-
-“Have you seen Miss Wyvil?†he inquired.
-
-“She was here last night; and I expect to see her again to-day before
-she returns to Monksmoor with her father. Do you go back with them?â€
-
-“Yes--if _you_ do.â€
-
-“I remain in London.â€
-
-“Then I remain in London, too.â€
-
-The strong feeling that was in him had forced its way to expression
-at last. In happier days--when she had persistently refused to let him
-speak to her seriously--she would have been ready with a light-hearted
-reply. She was silent now. Mirabel pleaded with her not to misunderstand
-him, by an honest confession of his motives which presented him under a
-new aspect. The easy plausible man, who had hardly ever seemed to be in
-earnest before--meant, seriously meant, what he said now.
-
-“May I try to explain myself?†he asked.
-
-“Certainly, if you wish it.â€
-
-“Pray, don’t suppose me capable,†Mirabel said earnestly, “of presuming
-to pay you an idle compliment. I cannot think of you, alone and in
-trouble, without feeling anxiety which can only be relieved in one
-way--I must be near enough to hear of you, day by day. Not by repeating
-this visit! Unless you wish it, I will not again cross the threshold
-of your door. Mrs. Ellmother will tell me if your mind is more at ease;
-Mrs. Ellmother will tell me if there is any new trial of your fortitude.
-She needn’t even mention that I have been speaking to her at the
-door; and she may be sure, and you may be sure, that I shall ask no
-inquisitive questions. I can feel for you in your misfortune, without
-wishing to know what that misfortune is. If I can ever be of the
-smallest use, think of me as your other servant. Say to Mrs. Ellmother,
-‘I want him’--and say no more.â€
-
-Where is the woman who could have resisted such devotion as
-this--inspired, truly inspired, by herself? Emily’s eyes softened as she
-answered him.
-
-“You little know how your kindness touches me,†she said.
-
-“Don’t speak of my kindness until you have put me to the proof,†he
-interposed. “Can a friend (such a friend as I am, I mean) be of any
-use?â€
-
-“Of the greatest use if I could feel justified in trying you.â€
-
-“I entreat you to try me!â€
-
-“But, Mr. Mirabel, you don’t know what I am thinking of.â€
-
-“I don’t want to know.â€
-
-“I may be wrong. My friends all say I _am_ wrong.â€
-
-“I don’t care what your friends say; I don’t care about any earthly
-thing but your tranquillity. Does your dog ask whether you are right or
-wrong? I am your dog. I think of You, and I think of nothing else.â€
-
-She looked back through the experience of the last few days. Miss
-Ladd--Mrs. Ellmother--Doctor Allday: not one of them had felt for her,
-not one of them had spoken to her, as this man had felt and had spoken.
-She remembered the dreadful sense of solitude and helplessness which
-had wrung her heart, in the interval before Mirabel came in. Her father
-himself could hardly have been kinder to her than this friend of a few
-weeks only. She looked at him through her tears; she could say nothing
-that was eloquent, nothing even that was adequate. “You are very good to
-me,†was her only acknowledgment of all that he had offered. How poor it
-seemed to be! and yet how much it meant!
-
-He rose--saying considerately that he would leave her to recover
-herself, and would wait to hear if he was wanted.
-
-“No,†she said; “I must not let you go. In common gratitude I ought
-to decide before you leave me, and I do decide to take you into my
-confidence.†She hesitated; her color rose a little. “I know how
-unselfishly you offer me your help,†she resumed; “I know you speak to
-me as a brother might speak to a sister--â€
-
-He gently interrupted her. “No,†he said; “I can’t honestly claim to do
-that. And--may I venture to remind you?--you know why.â€
-
-She started. Her eyes rested on him with a momentary expression of
-reproach.
-
-“Is it quite fair,†she asked, “in my situation, to say that?â€
-
-“Would it have been quite fair,†he rejoined, “to allow you to deceive
-yourself? Should I deserve to be taken into your confidence, if I
-encouraged you to trust me, under false pretenses? Not a word more of
-those hopes on which the happiness of my life depends shall pass my
-lips, unless you permit it. In my devotion to your interests, I promise
-to forget myself. My motives may be misinterpreted; my position may be
-misunderstood. Ignorant people may take me for that other happier man,
-who is an object of interest to you--â€
-
-“Stop, Mr. Mirabel! The person to whom you refer has no such claim on me
-as you suppose.â€
-
-“Dare I say how happy I am to hear it? Will you forgive me?â€
-
-“I will forgive you if you say no more.â€
-
-Their eyes met. Completely overcome by the new hope that she had
-inspired, Mirabel was unable to answer her. His sensitive nerves
-trembled under emotion, like the nerves of a woman; his delicate
-complexion faded away slowly into whiteness. Emily was alarmed--he
-seemed to be on the point of fainting. She ran to the window to open it
-more widely.
-
-“Pray don’t trouble yourself,†he said, “I am easily agitated by any
-sudden sensation--and I am a little overcome at this moment by my own
-happiness.â€
-
-“Let me give you a glass of wine.â€
-
-“Thank you--I don’t need it indeed.â€
-
-“You really feel better?â€
-
-“I feel quite well again--and eager to hear how I can serve you.â€
-
-“It’s a long story, Mr. Mirabel--and a dreadful story.â€
-
-“Dreadful?â€
-
-“Yes! Let me tell you first how you can serve me. I am in search of
-a man who has done me the cruelest wrong that one human creature can
-inflict on another. But the chances are all against me--I am only
-a woman; and I don’t know how to take even the first step toward
-discovery.â€
-
-“You will know, when I guide you.â€
-
-He reminded her tenderly of what she might expect from him, and was
-rewarded by a grateful look. Seeing nothing, suspecting nothing, they
-advanced together nearer and nearer to the end.
-
-“Once or twice,†Emily continued, “I spoke to you of my poor father,
-when we were at Monksmoor--and I must speak of him again. You could have
-no interest in inquiring about a stranger--and you cannot have heard how
-he died.â€
-
-“Pardon me, I heard from Mr. Wyvil how he died.â€
-
-“You heard what I had told Mr. Wyvil,†Emily said: “I was wrong.â€
-
-“Wrong!†Mirabel exclaimed, in a tone of courteous surprise. “Was it not
-a sudden death?â€
-
-“It _was_ a sudden death.â€
-
-“Caused by disease of the heart?â€
-
-“Caused by no disease. I have been deceived about my father’s death--and
-I have only discovered it a few days since.â€
-
-At the impending moment of the frightful shock which she was innocently
-about to inflict on him, she stopped--doubtful whether it would be best
-to relate how the discovery had been made, or to pass at once to the
-result. Mirabel supposed that she had paused to control her agitation.
-He was so immeasurably far away from the faintest suspicion of what was
-coming that he exerted his ingenuity, in the hope of sparing her.
-
-“I can anticipate the rest,†he said. “Your sad loss has been caused by
-some fatal accident. Let us change the subject; tell me more of that man
-whom I must help you to find. It will only distress you to dwell on your
-father’s death.â€
-
-“Distress me?†she repeated. “His death maddens me!â€
-
-“Oh, don’t say that!â€
-
-“Hear me! hear me! My father died murdered, at Zeeland--and the man you
-must help me to find is the wretch who killed him.â€
-
-She started to her feet with a cry of terror. Mirabel dropped from his
-chair senseless to the floor.
-
-
-
-
-CHAPTER LIV. THE END OF THE FAINTING FIT.
-
-Emily recovered her presence of mind. She opened the door, so as to
-make a draught of air in the room, and called for water. Returning to
-Mirabel, she loosened his cravat. Mrs. Ellmother came in, just in
-time to prevent her from committing a common error in the treatment of
-fainting persons, by raising Mirabel’s head. The current of air, and the
-sprinkling of water over his face, soon produced their customary effect.
-“He’ll come round, directly,†Mrs. Ellmother remarked. “Your aunt was
-sometimes taken with these swoons, miss; and I know something about
-them. He looks a poor weak creature, in spite of his big beard. Has
-anything frightened him?â€
-
-Emily little knew how correctly that chance guess had hit on the truth!
-
-“Nothing can possibly have frightened him,†she replied; “I am afraid he
-is in bad health. He turned suddenly pale while we were talking; and I
-thought he was going to be taken ill; he made light of it, and seemed
-to recover. Unfortunately, I was right; it was the threatening of a
-fainting fit--he dropped on the floor a minute afterward.â€
-
-A sigh fluttered over Mirabel’s lips. His eyes opened, looked at Mrs.
-Ellmother in vacant terror, and closed again. Emily whispered to her
-to leave the room. The old woman smiled satirically as she opened the
-door--then looked back, with a sudden change of humor. To see the kind
-young mistress bending over the feeble little clergyman set her--by
-some strange association of ideas--thinking of Alban Morris. “Ah,†she
-muttered to herself, on her way out, “I call _him_ a Man!â€
-
-There was wine in the sideboard--the wine which Emily had once already
-offered in vain. Mirabel drank it eagerly, this time. He looked round
-the room, as if he wished to be sure that they were alone. “Have I
-fallen to a low place in your estimation?†he asked, smiling faintly. “I
-am afraid you will think poorly enough of your new ally, after this?â€
-
-“I only think you should take more care of your health,†Emily replied,
-with sincere interest in his recovery. “Let me leave you to rest on the
-sofa.â€
-
-He refused to remain at the cottage--he asked, with a sudden change to
-fretfulness, if she would let her servant get him a cab. She ventured to
-doubt whether he was quite strong enough yet to go away by himself. He
-reiterated, piteously reiterated, his request. A passing cab was stopped
-directly. Emily accompanied him to the gate. “I know what to do,†he
-said, in a hurried absent way. “Rest and a little tonic medicine will
-soon set me right.†The clammy coldness of his skin made Emily shudder,
-as they shook hands. “You won’t think the worse of me for this?†he
-asked.
-
-“How can you imagine such a thing!†she answered warmly.
-
-“Will you see me, if I come to-morrow?â€
-
-“I shall be anxious to see you.â€
-
-So they parted. Emily returned to the house, pitying him with all her
-heart.
-
-
-
-
-BOOK THE SIXTH--HERE AND THERE.
-
-
-
-
-CHAPTER LV. MIRABEL SEES HIS WAY.
-
-Reaching the hotel at which he was accustomed to stay when he was in
-London, Mirabel locked the door of his room. He looked at the houses on
-the opposite side of the street. His mind was in such a state of morbid
-distrust that he lowered the blind over the window. In solitude and
-obscurity, the miserable wretch sat down in a corner, and covered his
-face with his hands, and tried to realize what had happened to him.
-
-Nothing had been said at the fatal interview with Emily, which could
-have given him the slightest warning of what was to come. Her father’s
-name--absolutely unknown to him when he fled from the inn--had only been
-communicated to the public by the newspaper reports of the adjourned
-inquest. At the time when those reports appeared, he was in hiding,
-under circumstances which prevented him from seeing a newspaper. While
-the murder was still a subject of conversation, he was in France--far
-out of the track of English travelers--and he remained on the continent
-until the summer of eighteen hundred and eighty-one. No exercise of
-discretion, on his part, could have extricated him from the terrible
-position in which he was now placed. He stood pledged to Emily to
-discover the man suspected of the murder of her father; and that man
-was--himself!
-
-What refuge was left open to him?
-
-If he took to flight, his sudden disappearance would be a suspicious
-circumstance in itself, and would therefore provoke inquiries which
-might lead to serious results. Supposing that he overlooked the risk
-thus presented, would he be capable of enduring a separation from
-Emily, which might be a separation for life? Even in the first horror
-of discovering his situation, her influence remained unshaken--the
-animating spirit of the one manly capacity for resistance which raised
-him above the reach of his own fears. The only prospect before him which
-he felt himself to be incapable of contemplating, was the prospect of
-leaving Emily.
-
-Having arrived at this conclusion, his fears urged him to think of
-providing for his own safety.
-
-The first precaution to adopt was to separate Emily from friends whose
-advice might be hostile to his interests--perhaps even subversive of his
-security. To effect this design, he had need of an ally whom he could
-trust. That ally was at his disposal, far away in the north.
-
-At the time when Francine’s jealousy began to interfere with all
-freedom of intercourse between Emily and himself at Monksmoor, he had
-contemplated making arrangements which might enable them to meet at the
-house of his invalid sister, Mrs. Delvin. He had spoken of her, and of
-the bodily affliction which confined her to her room, in terms which
-had already interested Emily. In the present emergency, he decided on
-returning to the subject, and on hastening the meeting between the two
-women which he had first suggested at Mr. Wyvil’s country seat.
-
-No time was to be lost in carrying out this intention. He wrote to Mrs.
-Delvin by that day’s post; confiding to her, in the first place, the
-critical position in which he now found himself. This done, he proceeded
-as follows:
-
-“To your sound judgment, dearest Agatha, it may appear that I am making
-myself needlessly uneasy about the future. Two persons only know that I
-am the man who escaped from the inn at Zeeland. You are one of them, and
-Miss Jethro is the other. On you I can absolutely rely; and, after my
-experience of her, I ought to feel sure of Miss Jethro. I admit this;
-but I cannot get over my distrust of Emily’s friends. I fear the cunning
-old doctor; I doubt Mr. Wyvil; I hate Alban Morris.
-
-“Do me a favor, my dear. Invite Emily to be your guest, and so separate
-her from these friends. The old servant who attends on her will be
-included in the invitation, of course. Mrs. Ellmother is, as I believe,
-devoted to the interests of Mr. Alban Morris: she will be well out
-of the way of doing mischief, while we have her safe in your northern
-solitude.
-
-“There is no fear that Emily will refuse your invitation.
-
-“In the first place, she is already interested in you. In the second
-place, I shall consider the small proprieties of social life; and,
-instead of traveling with her to your house, I shall follow by a later
-train. In the third place, I am now the chosen adviser in whom she
-trusts; and what I tell her to do, she will do. It pains me, really
-and truly pains me, to be compelled to deceive her--but the other
-alternative is to reveal myself as the wretch of whom she is in search.
-Was there ever such a situation? And, oh, Agatha, I am so fond of her!
-If I fail to persuade her to be my wife, I don’t care what becomes
-of me. I used to think disgrace, and death on the scaffold, the most
-frightful prospect that a man can contemplate. In my present frame of
-mind, a life without Emily may just as well end in that way as in any
-other. When we are together in your old sea-beaten tower, do your best,
-my dear, to incline the heart of this sweet girl toward me. If she
-remains in London, how do I know that Mr. Morris may not recover the
-place he has lost in her good opinion? The bare idea of it turns me
-cold.
-
-“There is one more point on which I must touch, before I can finish my
-letter.
-
-“When you last wrote, you told me that Sir Jervis Redwood was not
-expected to live much longer, and that the establishment would be broken
-up after his death. Can you find out for me what will become, under the
-circumstances, of Mr. and Mrs. Rook? So far as I am concerned, I don’t
-doubt that the alteration in my personal appearance, which has protected
-me for years past, may be trusted to preserve me from recognition by
-these two people. But it is of the utmost importance, remembering the
-project to which Emily has devoted herself, that she should not meet
-with Mrs. Rook. They have been already in correspondence; and Mrs. Rook
-has expressed an intention (if the opportunity offers itself) of calling
-at the cottage. Another reason, and a pressing reason, for removing
-Emily from London! We can easily keep the Rooks out of _your_ house;
-but I own I should feel more at my ease, if I heard that they had left
-Northumberland.â€
-
-With that confession, Mrs. Delvin’s brother closed his letter.
-
-
-
-
-CHAPTER LVI. ALBAN SEES HIS WAY.
-
-During the first days of Mirabel’s sojourn at his hotel in London,
-events were in progress at Netherwoods, affecting the interests of the
-man who was the especial object of his distrust. Not long after Miss
-Ladd had returned to her school, she heard of an artist who was capable
-of filling the place to be vacated by Alban Morris. It was then the
-twenty-third of the month. In four days more the new master would be
-ready to enter on his duties; and Alban would be at liberty.
-
-On the twenty-fourth, Alban received a telegram which startled him. The
-person sending the message was Mrs. Ellmother; and the words were: “Meet
-me at your railway station to-day, at two o’clock.â€
-
-He found the old woman in the waiting-room; and he met with a rough
-reception.
-
-“Minutes are precious, Mr. Morris,†she said; “you are two minutes late.
-The next train to London stops here in half an hour--and I must go back
-by it.â€
-
-“Good heavens, what brings you here? Is Emily--?â€
-
-“Emily is well enough in health--if that’s what you mean? As to why I
-come here, the reason is that it’s a deal easier for me (worse luck!)
-to take this journey than to write a letter. One good turn deserves
-another. I don’t forget how kind you were to me, away there at the
-school--and I can’t, and won’t, see what’s going on at the cottage,
-behind your back, without letting you know of it. Oh, you needn’t
-be alarmed about _her!_ I’ve made an excuse to get away for a few
-hours--but I haven’t left her by herself. Miss Wyvil has come to London
-again; and Mr. Mirabel spends the best part of his time with her. Excuse
-me for a moment, will you? I’m so thirsty after the journey, I can
-hardly speak.â€
-
-She presented herself at the counter in the waiting-room. “I’ll trouble
-you, young woman, for a glass of ale.†She returned to Alban in a better
-humor. “It’s not bad stuff, that! When I have said my say, I’ll have a
-drop more--just to wash the taste of Mr. Mirabel out of my mouth. Wait
-a bit; I have something to ask you. How much longer are you obliged to
-stop here, teaching the girls to draw?â€
-
-“I leave Netherwoods in three days more,†Alban replied.
-
-“That’s all right! You may be in time to bring Miss Emily to her senses,
-yet.â€
-
-“What do you mean?â€
-
-“I mean--if you don’t stop it--she will marry the parson.â€
-
-“I can’t believe it, Mrs. Ellmother! I won’t believe it!â€
-
-“Ah, it’s a comfort to him, poor fellow, to say that! Look here, Mr.
-Morris; this is how it stands. You’re in disgrace with Miss Emily--and
-he profits by it. I was fool enough to take a liking to Mr. Mirabel when
-I first opened the door to him; I know better now. He got on the blind
-side of me; and now he has got on the blind side of _her_. Shall I tell
-you how? By doing what you would have done if you had had the chance.
-He’s helping her--or pretending to help her, I don’t know which--to find
-the man who murdered poor Mr. Brown. After four years! And when all the
-police in England (with a reward to encourage them) did their best, and
-it came to nothing!â€
-
-“Never mind that!†Alban said impatiently. “I want to know how Mr.
-Mirabel is helping her?â€
-
-“That’s more than I can tell you. You don’t suppose they take me into
-their confidence? All I can do is to pick up a word, here and there,
-when fine weather tempts them out into the garden. She tells him to
-suspect Mrs. Rook, and to make inquiries after Miss Jethro. And he has
-his plans; and he writes them down, which is dead against his doing
-anything useful, in my opinion. I don’t hold with your scribblers. At
-the same time I wouldn’t count too positively, in your place, on his
-being likely to fail. That little Mirabel--if it wasn’t for his beard, I
-should believe he was a woman, and a sickly woman too; he fainted in
-our house the other day--that little Mirabel is in earnest. Rather than
-leave Miss Emily from Saturday to Monday, he has got a parson out of
-employment to do his Sunday work for him. And, what’s more, he has
-persuaded her (for some reasons of his own) to leave London next week.â€
-
-“Is she going back to Monksmoor?â€
-
-“Not she! Mr. Mirabel has got a sister, a widow lady; she’s a cripple,
-or something of the sort. Her name is Mrs. Delvin. She lives far away
-in the north country, by the sea; and Miss Emily is going to stay with
-her.â€
-
-“Are you sure of that?â€
-
-“Sure? I’ve seen the letter.â€
-
-“Do you mean the letter of invitation?â€
-
-“Yes--I do. Miss Emily herself showed it to me. I’m to go with her--‘in
-attendance on my mistress,’ as the lady puts it. This I will say for
-Mrs. Delvin: her handwriting is a credit to the school that taught her;
-and the poor bedridden creature words her invitation so nicely, that I
-myself couldn’t have resisted it--and I’m a hard one, as you know. You
-don’t seem to heed me, Mr. Morris.â€
-
-“I beg your pardon, I was thinking.â€
-
-“Thinking of what--if I may make so bold?â€
-
-“Of going back to London with you, instead of waiting till the new
-master comes to take my place.â€
-
-“Don’t do that, sir! You would do harm instead of good, if you showed
-yourself at the cottage now. Besides, it would not be fair to Miss Ladd,
-to leave her before the other man takes your girls off your hands. Trust
-me to look after your interests; and don’t go near Miss Emily--don’t
-even write to her--unless you have got something to say about the
-murder, which she will be eager to hear. Make some discovery in that
-direction, Mr. Morris, while the parson is only trying to do it or
-pretending to do it--and I’ll answer for the result. Look at the clock!
-In ten minutes more the train will be here. My memory isn’t as good as
-it was; but I do think I have told you all I had to tell.â€
-
-“You are the best of good friends!†Alban said warmly.
-
-“Never mind about that, sir. If you want to do a friendly thing in
-return, tell me if you know what has become of Miss de Sor.â€
-
-“She has returned to Netherwoods.â€
-
-“Aha! Miss Ladd is as good as her word. Would you mind writing to tell
-me of it, if Miss de Sor leaves the school again? Good Lord! there
-she is on the platform with bag and baggage. Don’t let her see me,
-Mr. Morris! If she comes in here, I shall set the marks of my ten
-finger-nails on that false face of hers, as sure as I am a Christian
-woman.â€
-
-Alban placed himself at the door, so as to hide Mrs. Ellmother. There
-indeed was Francine, accompanied by one of the teachers at the school.
-She took a seat on the bench outside the booking-office, in a state of
-sullen indifference--absorbed in herself--noticing nothing. Urged by
-ungovernable curiosity, Mrs. Ellmother stole on tiptoe to Alban’s side
-to look at her. To a person acquainted with the circumstances there
-could be no possible doubt of what had happened. Francine had failed to
-excuse herself, and had been dismissed from Miss Ladd’s house.
-
-“I would have traveled to the world’s end,†Mrs. Ellmother said, “to see
-_that!_â€
-
-She returned to her place in the waiting-room, perfectly satisfied.
-
-The teacher noticed Alban, on leaving the booking-office after taking
-the tickets. “I shall be glad,†she said, looking toward Francine, “when
-I have resigned the charge of that young lady to the person who is to
-receive her in London.â€
-
-“Is she to be sent back to her parents?†Alban asked.
-
-“We don’t know yet. Miss Ladd will write to St. Domingo by the next
-mail. In the meantime, her father’s agent in London--the same person
-who pays her allowance--takes care of her until he hears from the West
-Indies.â€
-
-“Does she consent to this?â€
-
-“She doesn’t seem to care what becomes of her. Miss Ladd has given her
-every opportunity of explaining and excusing herself, and has
-produced no impression. You can see the state she is in. Our good
-mistress--always hopeful even in the worst cases, as you know--thinks
-she is feeling ashamed of herself, and is too proud and self-willed to
-own it. My own idea is, that some secret disappointment is weighing on
-her mind. Perhaps I am wrong.â€
-
-No. Miss Ladd was wrong; and the teacher was right.
-
-The passion of revenge, being essentially selfish in its nature, is
-of all passions the narrowest in its range of view. In gratifying her
-jealous hatred of Emily, Francine had correctly foreseen consequences,
-as they might affect the other object of her enmity--Alban Morris. But
-she had failed to perceive the imminent danger of another result,
-which in a calmer frame of mind might not have escaped discovery. In
-triumphing over Emily and Alban, she had been the indirect means of
-inflicting on herself the bitterest of all disappointments--she had
-brought Emily and Mirabel together. The first forewarning of this
-catastrophe had reached her, on hearing that Mirabel would not return
-to Monksmoor. Her worst fears had been thereafter confirmed by a letter
-from Cecilia, which had followed her to Netherwoods. From that moment,
-she, who had made others wretched, paid the penalty in suffering as keen
-as any that she had inflicted. Completely prostrated; powerless, through
-ignorance of his address in London, to make a last appeal to Mirabel;
-she was literally, as had just been said, careless what became of her.
-When the train approached, she sprang to her feet--advanced to the edge
-of the platform--and suddenly drew back, shuddering. The teacher looked
-in terror at Alban. Had the desperate girl meditated throwing herself
-under the wheels of the engine? The thought had been in both their
-minds; but neither of them acknowledged it. Francine stepped quietly
-into the carriage, when the train drew up, and laid her head back in a
-corner, and closed her eyes. Mrs. Ellmother took her place in another
-compartment, and beckoned to Alban to speak to her at the window.
-
-“Where can I see you, when you go to London?†she asked.
-
-“At Doctor Allday’s house.â€
-
-“On what day?â€
-
-“On Tuesday next.â€
-
-
-
-
-CHAPTER LVII. APPROACHING THE END.
-
-Alban reached London early enough in the afternoon to find the doctor at
-his luncheon. “Too late to see Mrs. Ellmother,†he announced. “Sit down
-and have something to eat.â€
-
-“Has she left any message for me?â€
-
-“A message, my good friend, that you won’t like to hear. She is off
-with her mistress, this morning, on a visit to Mr. Mirabel’s sister.â€
-
-“Does he go with them?â€
-
-“No; he follows by a later train.â€
-
-“Has Mrs. Ellmother mentioned the address?â€
-
-“There it is, in her own handwriting.â€
-
-Alban read the address:--“Mrs. Delvin, The Clink, Belford,
-Northumberland.â€
-
-“Turn to the back of that bit of paper,†the doctor said. “Mrs.
-Ellmother has written something on it.â€
-
-She had written these words: “No discoveries made by Mr. Mirabel, up to
-this time. Sir Jervis Redwood is dead. The Rooks are believed to be
-in Scotland; and Miss Emily, if need be, is to help the parson to find
-them. No news of Miss Jethro.â€
-
-“Now you have got your information,†Doctor Allday resumed, “let me have
-a look at you. You’re not in a rage: that’s a good sign to begin with.â€
-
-“I am not the less determined,†Alban answered.
-
-“To bring Emily to her senses?†the doctor asked.
-
-“To do what Mirabel has _not_ done--and then to let her choose between
-us.â€
-
-“Ay? ay? Your good opinion of her hasn’t altered, though she has treated
-you so badly?â€
-
-“My good opinion makes allowance for the state of my poor darling’s
-mind, after the shock that has fallen on her,†Alban answered quietly.
-“She is not _my_ Emily now. She will be _my_ Emily yet. I told her I
-was convinced of it, in the old days at school--and my conviction is
-as strong as ever. Have you seen her, since I have been away at
-Netherwoods?â€
-
-“Yes; and she is as angry with me as she is with you.â€
-
-“For the same reason?â€
-
-“No, no. I heard enough to warn me to hold my tongue. I refused to help
-her--that’s all. You are a man, and you may run risks which no young
-girl ought to encounter. Do you remember when I asked you to drop all
-further inquiries into the murder, for Emily’s sake? The circumstances
-have altered since that time. Can I be of any use?â€
-
-“Of the greatest use, if you can give me Miss Jethro’s address.â€
-
-“Oh! You mean to begin in that way, do you?â€
-
-“Yes. You know that Miss Jethro visited me at Netherwoods?â€
-
-“Go on.â€
-
-“She showed me your answer to a letter which she had written to you.
-Have you got that letter?â€
-
-Doctor Allday produced it. The address was at a post-office, in a town
-on the south coast. Looking up when he had copied it, Alban saw the
-doctor’s eyes fixed on him with an oddly-mingled expression: partly of
-sympathy, partly of hesitation.
-
-“Have you anything to suggest?†he asked.
-
-“You will get nothing out of Miss Jethro,†the doctor answered,
-“unless--†there he stopped.
-
-“Unless, what?â€
-
-“Unless you can frighten her.â€
-
-“How am I to do that?â€
-
-After a little reflection, Doctor Allday returned, without any apparent
-reason, to the subject of his last visit to Emily.
-
-“There was one thing she said, in the course of our talk,†he continued,
-“which struck me as being sensible: possibly (for we are all more or
-less conceited), because I agreed with her myself. She suspects Miss
-Jethro of knowing more about that damnable murder than Miss Jethro
-is willing to acknowledge. If you want to produce the right effect on
-her--†he looked hard at Alban and checked himself once more.
-
-“Well? what am I to do?â€
-
-“Tell her you have an idea of who the murderer is.â€
-
-“But I have no idea.â€
-
-“But _I_ have.â€
-
-“Good God! what do you mean?â€
-
-“Don’t mistake me! An impression has been produced on my mind--that’s
-all. Call it a freak or fancy; worth trying perhaps as a bold
-experiment, and worth nothing more. Come a little nearer. My housekeeper
-is an excellent woman, but I have once or twice caught her rather too
-near to that door. I think I’ll whisper it.â€
-
-He did whisper it. In breathless wonder, Alban heard of the doubt which
-had crossed Doctor Allday’s mind, on the evening when Mirabel had called
-at his house.
-
-“You look as if you didn’t believe it,†the doctor remarked.
-
-“I’m thinking of Emily. For her sake I hope and trust you are wrong.
-Ought I to go to her at once? I don’t know what to do!â€
-
-“Find out first, my good fellow, whether I am right or wrong. You can do
-it, if you will run the risk with Miss Jethro.â€
-
-Alban recovered himself. His old friend’s advice was clearly the right
-advice to follow. He examined his railway guide, and then looked at his
-watch. “If I can find Miss Jethro,†he answered, “I’ll risk it before
-the day is out.â€
-
-The doctor accompanied him to the door. “You will write to me, won’t
-you?â€
-
-“Without fail. Thank you--and good-by.â€
-
-
-
-
-BOOK THE SEVENTH--THE CLINK.
-
-
-
-
-CHAPTER LVIII. A COUNCIL OF TWO.
-
-Early in the last century one of the picturesque race of robbers and
-murderers, practicing the vices of humanity on the borderlands
-watered by the river Tweed, built a tower of stone on the coast of
-Northumberland. He lived joyously in the perpetration of atrocities; and
-he died penitent, under the direction of his priest. Since that event,
-he has figured in poems and pictures; and has been greatly admired by
-modern ladies and gentlemen, whom he would have outraged and robbed if
-he had been lucky enough to meet with them in the good old times.
-
-His son succeeded him, and failed to profit by the paternal example:
-that is to say, he made the fatal mistake of fighting for other people
-instead of fighting for himself.
-
-In the rebellion of Forty-Five, this northern squire sided to serious
-purpose with Prince Charles and the Highlanders. He lost his head;
-and his children lost their inheritance. In the lapse of years, the
-confiscated property fell into the hands of strangers; the last of whom
-(having a taste for the turf) discovered, in course of time, that he was
-in want of money. A retired merchant, named Delvin (originally of French
-extraction), took a liking to the wild situation, and purchased the
-tower. His wife--already in failing health--had been ordered by the
-doctors to live a quiet life by the sea. Her husband’s death left her a
-rich and lonely widow; by day and night alike, a prisoner in her room;
-wasted by disease, and having but two interests which reconciled her to
-life--writing poetry in the intervals of pain, and paying the debts of
-a reverend brother who succeeded in the pulpit, and prospered nowhere
-else.
-
-In the later days of its life, the tower had been greatly improved as a
-place of residence. The contrast was remarkable between the dreary gray
-outer walls, and the luxuriously furnished rooms inside, rising by two
-at a time to the lofty eighth story of the building. Among the scattered
-populace of the country round, the tower was still known by the odd name
-given to it in the bygone time--“The Clink.†It had been so called (as
-was supposed) in allusion to the noise made by loose stones, washed
-backward and forward at certain times of the tide, in hollows of the
-rock on which the building stood.
-
-On the evening of her arrival at Mrs. Delvin’s retreat, Emily retired at
-an early hour, fatigued by her long journey. Mirabel had an opportunity
-of speaking with his sister privately in her own room.
-
-“Send me away, Agatha, if I disturb you,†he said, “and let me know when
-I can see you in the morning.â€
-
-“My dear Miles, have you forgotten that I am never able to sleep in calm
-weather? My lullaby, for years past, has been the moaning of the great
-North Sea, under my window. Listen! There is not a sound outside on this
-peaceful night. It is the right time of the tide, just now--and yet,
-‘the clink’ is not to be heard. Is the moon up?â€
-
-Mirabel opened the curtains. “The whole sky is one great abyss of
-black,†he answered. “If I was superstitious, I should think that horrid
-darkness a bad omen for the future. Are you suffering, Agatha?â€
-
-“Not just now. I suppose I look sadly changed for the worse since you
-saw me last?â€
-
-But for the feverish brightness of her eyes, she would have looked like
-a corpse. Her wrinkled forehead, her hollow cheeks, her white lips told
-their terrible tale of the suffering of years. The ghastly appearance
-of her face was heightened by the furnishing of the room. This doomed
-woman, dying slowly day by day, delighted in bright colors and sumptuous
-materials. The paper on the walls, the curtains, the carpet presented
-the hues of the rainbow. She lay on a couch covered with purple silk,
-under draperies of green velvet to keep her warm. Rich lace hid her
-scanty hair, turning prematurely gray; brilliant rings glittered on her
-bony fingers. The room was in a blaze of light from lamps and candles.
-Even the wine at her side that kept her alive had been decanted into a
-bottle of lustrous Venetian glass. “My grave is open,†she used to say;
-“and I want all these beautiful things to keep me from looking at it. I
-should die at once, if I was left in the dark.â€
-
-Her brother sat by the couch, thinking “Shall I tell you what is in your
-mind?†she asked.
-
-Mirabel humored the caprice of the moment. “Tell me!†he said.
-
-“You want to know what I think of Emily,†she answered. “Your letter
-told me you were in love; but I didn’t believe your letter. I have
-always doubted whether you were capable of feeling true love--until
-I saw Emily. The moment she entered the room, I knew that I had never
-properly appreciated my brother. You _are_ in love with her, Miles; and
-you are a better man than I thought you. Does that express my opinion?â€
-
-Mirabel took her wasted hand, and kissed it gratefully.
-
-“What a position I am in!†he said. “To love her as I love her; and, if
-she knew the truth, to be the object of her horror--to be the man whom
-she would hunt to the scaffold, as an act of duty to the memory of her
-father!â€
-
-“You have left out the worst part of it,†Mrs. Delvin reminded him.
-“You have bound yourself to help her to find the man. Your one hope of
-persuading her to become your wife rests on your success in finding him.
-And you are the man. There is your situation! You can’t submit to it.
-How can you escape from it?â€
-
-“You are trying to frighten me, Agatha.â€
-
-“I am trying to encourage you to face your position boldly.â€
-
-“I am doing my best,†Mirabel said, with sullen resignation. “Fortune
-has favored me so far. I have, really and truly, been unable to satisfy
-Emily by discovering Miss Jethro. She has left the place at which I saw
-her last--there is no trace to be found of her--and Emily knows it.â€
-
-“Don’t forget,†Mrs. Delvin replied, “that there is a trace to be found
-of Mrs. Rook, and that Emily expects you to follow it.â€
-
-Mirabel shuddered. “I am surrounded by dangers, whichever way I look,â€
-he said. “Do what I may, it turns out to be wrong. I was wrong,
-perhaps, when I brought Emily here.â€
-
-“No!â€
-
-“I could easily make an excuse,†Mirabel persisted “and take her back
-to London.â€
-
-“And for all you know to the contrary,†his wiser sister replied, “Mrs.
-Rook may go to London; and you may take Emily back in time to receive
-her at the cottage. In every way you are safer in my old tower.
-And--don’t forget--you have got my money to help you, if you want it.
-In my belief, Miles, you _will_ want it.â€
-
-“You are the dearest and best of sisters! What do you recommend me to
-do?â€
-
-“What you would have been obliged to do,†Mrs. Delvin answered, “if you
-had remained in London. You must go to Redwood Hall tomorrow, as Emily
-has arranged it. If Mrs. Rook is not there, you must ask for her
-address in Scotland. If nobody knows the address, you must still bestir
-yourself in trying to find it. And, when you do fall in with Mrs.
-Rook--â€
-
-“Well?â€
-
-“Take care, wherever it may be, that you see her privately.â€
-
-Mirabel was alarmed. “Don’t keep me in suspense,†he burst out. “Tell me
-what you propose.â€
-
-“Never mind what I propose, to-night. Before I can tell you what I have
-in my mind, I must know whether Mrs. Rook is in England or Scotland.
-Bring me that information to-morrow, and I shall have something to say
-to you. Hark! The wind is rising, the rain is falling. There is a chance
-of sleep for me--I shall soon hear the sea. Good-night.â€
-
-“Good-night, dearest--and thank you again, and again!â€
-
-
-
-
-CHAPTER LIX. THE ACCIDENT AT BELFORD.
-
-Early in the morning Mirabel set forth for Redwood Hall, in one of the
-vehicles which Mrs. Delvin still kept at “The Clink†for the convenience
-of visitors. He returned soon after noon; having obtained information
-of the whereabout of Mrs. Rook and her husband. When they had last been
-heard of, they were at Lasswade, near Edinburgh. Whether they had, or
-had not, obtained the situation of which they were in search, neither
-Miss Redwood nor any one else at the Hall could tell.
-
-In half an hour more, another horse was harnessed, and Mirabel was
-on his way to the railway station at Belford, to follow Mrs. Rook at
-Emily’s urgent request. Before his departure, he had an interview with
-his sister.
-
-Mrs. Delvin was rich enough to believe implicitly in the power of money.
-Her method of extricating her brother from the serious difficulties that
-beset him, was to make it worth the while of Mr. and Mrs. Rook to leave
-England. Their passage to America would be secretly paid; and they would
-take with them a letter of credit addressed to a banker in New York. If
-Mirabel failed to discover them, after they had sailed, Emily could not
-blame his want of devotion to her interests. He understood this; but he
-remained desponding and irresolute, even with the money in his hands.
-The one person who could rouse his courage and animate his hope, was
-also the one person who must know nothing of what had passed between his
-sister and himself. He had no choice but to leave Emily, without being
-cheered by her bright looks, invigorated by her inspiriting words.
-Mirabel went away on his doubtful errand with a heavy heart.
-
-“The Clink†was so far from the nearest post town, that the few letters,
-usually addressed to the tower, were delivered by private arrangement
-with a messenger. The man’s punctuality depended on the convenience of
-his superiors employed at the office. Sometimes he arrived early, and
-sometimes he arrived late. On this particular morning he presented
-himself, at half past one o’clock, with a letter for Emily; and when
-Mrs. Ellmother smartly reproved him for the delay, he coolly attributed
-it to the hospitality of friends whom he had met on the road.
-
-The letter, directed to Emily at the cottage, had been forwarded from
-London by the person left in charge. It addressed her as “Honored Miss.â€
- She turned at once to the end--and discovered the signature of Mrs.
-Rook!
-
-“And Mr. Mirabel has gone,†Emily exclaimed, “just when his presence is
-of the greatest importance to us!â€
-
-Shrewd Mrs. Ellmother suggested that it might be as well to read the
-letter first--and then to form an opinion.
-
-Emily read it.
-
-
-“Lasswade, near Edinburgh, Sept. 26th.
-
-“HONORED MISS--I take up my pen to bespeak your kind sympathy for my
-husband and myself; two old people thrown on the world again by the
-death of our excellent master. We are under a month’s notice to leave
-Redwood Hall.
-
-“Hearing of a situation at this place (also that our expenses would be
-paid if we applied personally), we got leave of absence, and made our
-application. The lady and her son are either the stingiest people that
-ever lived--or they have taken a dislike to me and my husband, and they
-make money a means of getting rid of us easily. Suffice it to say that
-we have refused to accept starvation wages, and that we are still out of
-place. It is just possible that you may have heard of something to suit
-us. So I write at once, knowing that good chances are often lost through
-needless delay.
-
-“We stop at Belford on our way back, to see some friends of my husband,
-and we hope to get to Redwood Hall in good time on the 28th. Would you
-please address me to care of Miss Redwood, in case you know of any good
-situation for which we could apply. Perhaps we may be driven to try our
-luck in London. In this case, will you permit me to have the honor of
-presenting my respects, as I ventured to propose when I wrote to you a
-little time since.
-
-“I beg to remain, Honored Miss,
-
-“Your humble servant,
-
-“R. ROOK.â€
-
-
-Emily handed the letter to Mrs. Ellmother. “Read it,†she said, “and
-tell me what you think.â€
-
-“I think you had better be careful.â€
-
-“Careful of Mrs. Rook?â€
-
-“Yes--and careful of Mrs. Delvin too.â€
-
-Emily was astonished. “Are you really speaking seriously?†she said.
-“Mrs. Delvin is a most interesting person; so patient under her
-sufferings; so kind, so clever; so interested in all that interests
-_me_. I shall take the letter to her at once, and ask her advice.â€
-
-“Have your own way, miss. I can’t tell you why--but I don’t like her!â€
-
-Mrs. Delvin’s devotion to the interests of her guest took even Emily
-by surprise. After reading Mrs. Rook’s letter, she rang the bell on
-her table in a frenzy of impatience. “My brother must be instantly
-recalled,†she said. “Telegraph to him in your own name, telling him
-what has happened. He will find the message waiting for him, at the end
-of his journey.â€
-
-The groom, summoned by the bell, was ordered to saddle the third and
-last horse left in the stables; to take the telegram to Belford, and to
-wait there until the answer arrived.
-
-“How far is it to Redwood Hall?†Emily asked, when the man had received
-his orders.
-
-“Ten miles,†Mrs. Delvin answered.
-
-“How can I get there to-day?â€
-
-“My dear, you can’t get there.â€
-
-“Pardon me, Mrs. Delvin, I must get there.â€
-
-“Pardon _me_. My brother represents you in this matter. Leave it to my
-brother.â€
-
-The tone taken by Mirabel’s sister was positive, to say the least of it.
-Emily thought of what her faithful old servant had said, and began
-to doubt her own discretion in so readily showing the letter. The
-mistake--if a mistake it was--had however been committed; and, wrong
-or right, she was not disposed to occupy the subordinate position which
-Mrs. Delvin had assigned to her.
-
-“If you will look at Mrs. Rook’s letter again,†Emily replied, “you will
-see that I ought to answer it. She supposes I am in London.â€
-
-“Do you propose to tell Mrs. Rook that you are in this house?†Mrs.
-Delvin asked.
-
-“Certainly.â€
-
-“You had better consult my brother, before you take any responsibility
-on yourself.â€
-
-Emily kept her temper. “Allow me to remind you,†she said, “that Mr.
-Mirabel is not acquainted with Mrs. Rook--and that I am. If I speak to
-her personally, I can do much to assist the object of our inquiries,
-before he returns. She is not an easy woman to deal with--â€
-
-“And therefore,†Mrs. Delvin interposed, “the sort of person who
-requires careful handling by a man like my brother--a man of the world.â€
-
-“The sort of person, as I venture to think,†Emily persisted, “whom I
-ought to see with as little loss of time as possible.â€
-
-Mrs. Delvin waited a while before she replied. In her condition of
-health, anxiety was not easy to bear. Mrs. Rook’s letter and Emily’s
-obstinacy had seriously irritated her. But, like all persons of ability,
-she was capable, when there was serious occasion for it, of exerting
-self-control. She really liked and admired Emily; and, as the elder
-woman and the hostess, she set an example of forbearance and good humor.
-
-“It is out of my power to send you to Redwood Hall at once,†she
-resumed. “The only one of my three horses now at your disposal is the
-horse which took my brother to the Hall this morning. A distance, there
-and back, of twenty miles. You are not in too great a hurry, I am sure,
-to allow the horse time to rest?â€
-
-Emily made her excuses with perfect grace and sincerity. “I had no
-idea the distance was so great,†she confessed. “I will wait, dear Mrs.
-Delvin, as long as you like.â€
-
-They parted as good friends as ever--with a certain reserve,
-nevertheless, on either side. Emily’s eager nature was depressed and
-irritated by the prospect of delay. Mrs. Delvin, on the other hand
-(devoted to her brother’s interests), thought hopefully of obstacles
-which might present themselves with the lapse of time. The horse
-might prove to be incapable of further exertion for that day. Or the
-threatening aspect of the weather might end in a storm.
-
-But the hours passed--and the sky cleared--and the horse was reported
-to be fit for work again. Fortune was against the lady of the tower; she
-had no choice but to submit.
-
-Mrs. Delvin had just sent word to Emily that the carriage would be ready
-for her in ten minutes, when the coachman who had driven Mirabel to
-Belford returned. He brought news which agreeably surprised both the
-ladies. Mirabel had reached the station five minutes too late; the
-coachman had left him waiting the arrival of the next train to the
-North. He would now receive the telegraphic message at Belford, and
-might return immediately by taking the groom’s horse. Mrs. Delvin left
-it to Emily to decide whether she would proceed by herself to Redwood
-Hall, or wait for Mirabel’s return.
-
-Under the changed circumstances, Emily would have acted ungraciously if
-she had persisted in holding to her first intention. She consented to
-wait.
-
-The sea still remained calm. In the stillness of the moorland solitude
-on the western side of “The Clink,†the rapid steps of a horse were
-heard at some little distance on the highroad.
-
-Emily ran out, followed by careful Mrs. Ellmother, expecting to meet
-Mirabel.
-
-She was disappointed: it was the groom who had returned. As he pulled up
-at the house, and dismounted, Emily noticed that the man looked excited.
-
-“Is there anything wrong?†she asked.
-
-“There has been an accident, miss.â€
-
-“Not to Mr. Mirabel!â€
-
-“No, no, miss. An accident to a poor foolish woman, traveling from
-Lasswade.â€
-
-Emily looked at Mrs. Ellmother. “It can’t be Mrs. Rook!†she said.
-
-“That’s the name, miss! She got out before the train had quite stopped,
-and fell on the platform.â€
-
-“Was she hurt?â€
-
-“Seriously hurt, as I heard. They carried her into a house hard by--and
-sent for the doctor.â€
-
-“Was Mr. Mirabel one of the people who helped her?â€
-
-“He was on the other side of the platform, miss; waiting for the train
-from London. I got to the station and gave him the telegram, just as the
-accident took place. We crossed over to hear more about it. Mr. Mirabel
-was telling me that he would return to ‘The Clink’ on my horse--when
-he heard the woman’s name mentioned. Upon that, he changed his mind and
-went to the house.â€
-
-“Was he let in?â€
-
-“The doctor wouldn’t hear of it. He was making his examination; and he
-said nobody was to be in the room but her husband and the woman of the
-house.â€
-
-“Is Mr. Mirabel waiting to see her?â€
-
-“Yes, miss. He said he would wait all day, if necessary; and he gave me
-this bit of a note to take to the mistress.â€
-
-Emily turned to Mrs. Ellmother. “It’s impossible to stay here, not
-knowing whether Mrs. Rook is going to live or die,†she said. “I shall
-go to Belford--and you will go with me.â€
-
-The groom interfered. “I beg your pardon, miss. It was Mr. Mirabel’s
-most particular wish that you were not, on any account, to go to
-Belford.â€
-
-“Why not?â€
-
-“He didn’t say.â€
-
-Emily eyed the note in the man’s hand with well-grounded distrust. In
-all probability, Mirabel’s object in writing was to instruct his sister
-to prevent her guest from going to Belford. The carriage was waiting
-at the door. With her usual promptness of resolution, Emily decided on
-taking it for granted that she was free to use as she pleased a carriage
-which had been already placed at her disposal.
-
-“Tell your mistress,†she said to the groom, “that I am going to Belford
-instead of to Redwood Hall.â€
-
-In a minute more, she and Mrs. Ellmother were on their way to join
-Mirabel at the station.
-
-
-
-
-CHAPTER LX. OUTSIDE THE ROOM.
-
-Emily found Mirabel in the waiting room at Belford. Her sudden
-appearance might well have amazed him; but his face expressed a more
-serious emotion than surprise--he looked at her as if she had alarmed
-him.
-
-“Didn’t you get my message?†he asked. “I told the groom I wished you
-to wait for my return. I sent a note to my sister, in case he made any
-mistake.â€
-
-“The man made no mistake,†Emily answered. “I was in too great a hurry
-to be able to speak with Mrs. Delvin. Did you really suppose I could
-endure the suspense of waiting till you came back? Do you think I can be
-of no use--I who know Mrs. Rook?â€
-
-“They won’t let you see her.â€
-
-“Why not? _You_ seem to be waiting to see her.â€
-
-“I am waiting for the return of the rector of Belford. He is at Berwick;
-and he has been sent for at Mrs. Rook’s urgent request.â€
-
-“Is she dying?â€
-
-“She is in fear of death--whether rightly or wrongly, I don’t know.
-There is some internal injury from the fall. I hope to see her when the
-rector returns. As a brother clergyman, I may with perfect propriety
-ask him to use his influence in my favor.â€
-
-“I am glad to find you so eager about it.â€
-
-“I am always eager in your interests.â€
-
-“Don’t think me ungrateful,†Emily replied gently. “I am no stranger to
-Mrs. Rook; and, if I send in my name, I may be able to see her before
-the clergyman returns.â€
-
-She stopped. Mirabel suddenly moved so as to place himself between her
-and the door. “I must really beg of you to give up that idea,†he said;
-“you don’t know what horrid sight you may see--what dreadful agonies of
-pain this unhappy woman may be suffering.â€
-
-His manner suggested to Emily that he might be acting under some motive
-which he was unwilling to acknowledge. “If you have a reason for wishing
-that I should keep away from Mrs. Rook,†she said, “let me hear what it
-is. Surely we trust each other? I have done my best to set the example,
-at any rate.â€
-
-Mirabel seemed to be at a loss for a reply.
-
-While he was hesitating, the station-master passed the door. Emily asked
-him to direct her to the house in which Mrs. Rook had been received. He
-led the way to the end of the platform, and pointed to the house. Emily
-and Mrs. Ellmother immediately left the station. Mirabel accompanied
-them, still remonstrating, still raising obstacles.
-
-The house door was opened by an old man. He looked reproachfully at
-Mirabel. “You have been told already,†he said, “that no strangers are
-to see my wife?â€
-
-Encouraged by discovering that the man was Mr. Rook, Emily mentioned her
-name. “Perhaps you may have heard Mrs. Rook speak of me,†she added.
-
-“I’ve heard her speak of you oftentimes.â€
-
-“What does the doctor say?â€
-
-“He thinks she may get over it. She doesn’t believe him.â€
-
-“Will you say that I am anxious to see her, if she feels well enough to
-receive me?â€
-
-Mr. Rook looked at Mrs. Ellmother. “Are there two of you wanting to go
-upstairs?†he inquired.
-
-“This is my old friend and servant,†Emily answered. “She will wait for
-me down here.â€
-
-“She can wait in the parlor; the good people of this house are well
-known to me.†He pointed to the parlor door--and then led the way to the
-first floor. Emily followed him. Mirabel, as obstinate as ever, followed
-Emily.
-
-Mr. Rook opened a door at the end of the landing; and, turning round to
-speak to Emily, noticed Mirabel standing behind her. Without making
-any remarks, the old man pointed significantly down the stairs. His
-resolution was evidently immovable. Mirabel appealed to Emily to help
-him.
-
-“She will see me, if _you_ ask her,†he said, “Let me wait here?â€
-
-The sound of his voice was instantly followed by a cry from the
-bed-chamber--a cry of terror.
-
-Mr. Rook hurried into the room, and closed the door. In less than a
-minute, he opened it again, with doubt and horror plainly visible in his
-face. He stepped up to Mirabel--eyed him with the closest scrutiny--and
-drew back again with a look of relief.
-
-“She’s wrong,†he said; “you are not the man.â€
-
-This strange proceeding startled Emily.
-
-“What man do you mean?†she asked.
-
-Mr. Rook took no notice of the question. Still looking at Mirabel,
-he pointed down the stairs once more. With vacant eyes--moving
-mechanically, like a sleep-walker in his dream--Mirabel silently obeyed.
-Mr. Rook turned to Emily.
-
-“Are you easily frightened?†he said
-
-“I don’t understand you,†Emily replied. “Who is going to frighten me?
-Why did you speak to Mr. Mirabel in that strange way?â€
-
-Mr. Rook looked toward the bedroom door. “Maybe you’ll hear why, inside
-there. If I could have my way, you shouldn’t see her--but she’s not to
-be reasoned with. A caution, miss. Don’t be too ready to believe what
-my wife may say to you. She’s had a fright.†He opened the door. “In my
-belief,†he whispered, “she’s off her head.â€
-
-Emily crossed the threshold. Mr. Rook softly closed the door behind her.
-
-
-
-
-CHAPTER LXI. INSIDE THE ROOM.
-
-A decent elderly woman was seated at the bedside. She rose, and spoke
-to Emily with a mingling of sorrow and confusion strikingly expressed on
-her face. “It isn’t my fault,†she said, “that Mrs. Rook receives you in
-this manner; I am obliged to humor her.â€
-
-She drew aside, and showed Mrs. Rook with her head supported by many
-pillows, and her face strangely hidden from view under a veil. Emily
-started back in horror. “Is her face injured?†she asked.
-
-Mrs. Rook answered the question herself. Her voice was low and weak; but
-she still spoke with the same nervous hurry of articulation which had
-been remarked by Alban Morris, on the day when she asked him to direct
-her to Netherwoods.
-
-“Not exactly injured,†she explained; “but one’s appearance is a
-matter of some anxiety even on one’s death-bed. I am disfigured by a
-thoughtless use of water, to bring me to when I had my fall--and I can’t
-get at my toilet-things to put myself right again. I don’t wish to shock
-you. Please excuse the veil.â€
-
-Emily remembered the rouge on her cheeks, and the dye on her hair,
-when they had first seen each other at the school. Vanity--of all human
-frailties the longest-lived--still held its firmly-rooted place in
-this woman’s nature; superior to torment of conscience, unassailable by
-terror of death!
-
-The good woman of the house waited a moment before she left the room.
-“What shall I say,†she asked, “if the clergyman comes?â€
-
-Mrs. Rook lifted her hand solemnly “Say,†she answered, “that a dying
-sinner is making atonement for sin. Say this young lady is present, by
-the decree of an all-wise Providence. No mortal creature must disturb
-us.†Her hand dropped back heavily on the bed. “Are we alone?†she
-asked.
-
-“We are alone,†Emily answered. “What made you scream just before I came
-in?â€
-
-“No! I can’t allow you to remind me of that,†Mrs. Rook protested. “I
-must compose myself. Be quiet. Let me think.â€
-
-Recovering her composure, she also recovered that sense of enjoyment
-in talking of herself, which was one of the marked peculiarities in her
-character.
-
-“You will excuse me if I exhibit religion,†she resumed. “My dear
-parents were exemplary people; I was most carefully brought up. Are you
-pious? Let us hope so.â€
-
-Emily was once more reminded of the past.
-
-The bygone time returned to her memory--the time when she had accepted
-Sir Jervis Redwood’s offer of employment, and when Mrs. Rook had arrived
-at the school to be her traveling companion to the North. The wretched
-creature had entirely forgotten her own loose talk, after she had
-drunk Miss Ladd’s good wine to the last drop in the bottle. As she was
-boasting now of her piety, so she had boasted then of her lost faith and
-hope, and had mockingly declared her free-thinking opinions to be the
-result of her ill-assorted marriage. Forgotten--all forgotten, in this
-later time of pain and fear. Prostrate under the dread of death, her
-innermost nature--stripped of the concealments of her later life--was
-revealed to view. The early religious training, at which she had
-scoffed in the insolence of health and strength, revealed its latent
-influence--intermitted, but a living influence always from first to
-last. Mrs. Rook was tenderly mindful of her exemplary parents, and proud
-of exhibiting religion, on the bed from which she was never to rise
-again.
-
-“Did I tell you that I am a miserable sinner?†she asked, after an
-interval of silence.
-
-Emily could endure it no longer. “Say that to the clergyman,†she
-answered--“not to me.â€
-
-“Oh, but I must say it,†Mrs. Rook insisted. “I _am_ a miserable sinner.
-Let me give you an instance of it,†she continued, with a shameless
-relish of the memory of her own frailties. “I have been a drinker, in
-my time. Anything was welcome, when the fit was on me, as long as it got
-into my head. Like other persons in liquor, I sometimes talked of things
-that had better have been kept secret. We bore that in mind--my old man
-and I---when we were engaged by Sir Jervis. Miss Redwood wanted to
-put us in the next bedroom to hers--a risk not to be run. I might have
-talked of the murder at the inn; and she might have heard me. Please to
-remark a curious thing. Whatever else I might let out, when I was in my
-cups, not a word about the pocketbook ever dropped from me. You will ask
-how I know it. My dear, I should have heard of it from my husband, if I
-had let _that_ out--and he is as much in the dark as you are. Wonderful
-are the workings of the human mind, as the poet says; and drink drowns
-care, as the proverb says. But can drink deliver a person from fear by
-day, and fear by night? I believe, if I had dropped a word about the
-pocketbook, it would have sobered me in an instant. Have you any remark
-to make on this curious circumstance?â€
-
-Thus far, Emily had allowed the woman to ramble on, in the hope of
-getting information which direct inquiry might fail to produce. It was
-impossible, however, to pass over the allusion to the pocketbook. After
-giving her time to recover from the exhaustion which her heavy breathing
-sufficiently revealed, Emily put the question:
-
-“Who did the pocketbook belong to?â€
-
-“Wait a little,†said Mrs. Rook. “Everything in its right place, is my
-motto. I mustn’t begin with the pocketbook. Why did I begin with it? Do
-you think this veil on my face confuses me? Suppose I take it off. But
-you must promise first--solemnly promise you won’t look at my face. How
-can I tell you about the murder (the murder is part of my confession,
-you know), with this lace tickling my skin? Go away--and stand there
-with your back to me. Thank you. Now I’ll take it off. Ha! the air
-feels refreshing; I know what I am about. Good heavens, I have forgotten
-something! I have forgotten _him_. And after such a fright as he gave
-me! Did you see him on the landing?â€
-
-“Who are you talking of?†Emily asked.
-
-Mrs. Rook’s failing voice sank lower still.
-
-“Come closer,†she said, “this must be whispered. Who am I talking of?â€
- she repeated. “I am talking of the man who slept in the other bed at
-the inn; the man who did the deed with his own razor. He was gone when I
-looked into the outhouse in the gray of the morning. Oh, I have done my
-duty! I have told Mr. Rook to keep an eye on him downstairs. You haven’t
-an idea how obstinate and stupid my husband is. He says I couldn’t know
-the man, because I didn’t see him. Ha! there’s such a thing as hearing,
-when you don’t see. I heard--and I knew it again.â€
-
-Emily turned cold from head to foot.
-
-“What did you know again?†she said.
-
-“His voice,†Mrs. Rook answered. “I’ll swear to his voice before all the
-judges in England.â€
-
-Emily rushed to the bed. She looked at the woman who had said those
-dreadful words, speechless with horror.
-
-“You’re breaking your promise!†cried Mrs. Rook. “You false girl, you’re
-breaking your promise!â€
-
-She snatched at the veil, and put it on again. The sight of her face,
-momentary as it had been, reassured Emily. Her wild eyes, made wilder
-still by the blurred stains of rouge below them, half washed away--her
-disheveled hair, with streaks of gray showing through the dye--presented
-a spectacle which would have been grotesque under other circumstances,
-but which now reminded Emily of Mr. Rook’s last words; warning her not
-to believe what his wife said, and even declaring his conviction that
-her intellect was deranged. Emily drew back from the bed, conscious
-of an overpowering sense of self-reproach. Although it was only for a
-moment, she had allowed her faith in Mirabel to be shaken by a woman who
-was out of her mind.
-
-“Try to forgive me,†she said. “I didn’t willfully break my promise; you
-frightened me.â€
-
-Mrs. Rook began to cry. “I was a handsome woman in my time,†she
-murmured. “You would say I was handsome still, if the clumsy fools about
-me had not spoiled my appearance. Oh, I do feel so weak! Where’s my
-medicine?â€
-
-The bottle was on the table. Emily gave her the prescribed dose, and
-revived her failing strength.
-
-“I am an extraordinary person,†she resumed. “My resolution has always
-been the admiration of every one who knew me. But my mind feels--how
-shall I express it?--a little vacant. Have mercy on my poor wicked soul!
-Help me.â€
-
-“How can I help you?â€
-
-“I want to recollect. Something happened in the summer time, when we
-were talking at Netherwoods. I mean when that impudent master at the
-school showed his suspicions of me. (Lord! how he frightened me, when he
-turned up afterward at Sir Jervis’s house.) You must have seen yourself
-he suspected me. How did he show it?â€
-
-“He showed you my locket,†Emily answered.
-
-“Oh, the horrid reminder of the murder!†Mrs. Rook exclaimed. “_I_
-didn’t mention it: don’t blame Me. You poor innocent, I have something
-dreadful to tell you.â€
-
-Emily’s horror of the woman forced her to speak. “Don’t tell me!†she
-cried. “I know more than you suppose; I know what I was ignorant of when
-you saw the locket.â€
-
-Mrs. Rook took offense at the interruption.
-
-“Clever as you are, there’s one thing you don’t know,†she said. “You
-asked me, just now, who the pocketbook belonged to. It belonged to your
-father. What’s the matter? Are you crying?â€
-
-Emily was thinking of her father. The pocketbook was the last present
-she had given to him--a present on his birthday. “Is it lost?†she asked
-sadly.
-
-“No; it’s not lost. You will hear more of it directly. Dry your eyes,
-and expect something interesting--I’m going to talk about love. Love,
-my dear, means myself. Why shouldn’t it? I’m not the only nice-looking
-woman, married to an old man, who has had a lover.â€
-
-“Wretch! what has that got to do with it?â€
-
-“Everything, you rude girl! My lover was like the rest of them; he would
-bet on race-horses, and he lost. He owned it to me, on the day when your
-father came to our inn. He said, ‘I must find the money--or be off to
-America, and say good-by forever.’ I was fool enough to be fond of him.
-It broke my heart to hear him talk in that way. I said, ‘If I find the
-money, and more than the money, will you take me with you wherever you
-go?’ Of course, he said Yes. I suppose you have heard of the inquest
-held at our old place by the coroner and jury? Oh, what idiots! They
-believed I was asleep on the night of the murder. I never closed my
-eyes--I was so miserable, I was so tempted.â€
-
-“Tempted? What tempted you?â€
-
-“Do you think I had any money to spare? Your father’s pocketbook tempted
-me. I had seen him open it, to pay his bill over-night. It was full of
-bank-notes. Oh, what an overpowering thing love is! Perhaps you have
-known it yourself.â€
-
-Emily’s indignation once more got the better of her prudence. “Have you
-no feeling of decency on your death-bed!†she said.
-
-Mrs. Rook forgot her piety; she was ready with an impudent rejoinder.
-“You hot-headed little woman, your time will come,†she answered. “But
-you’re right--I am wandering from the point; I am not sufficiently
-sensible of this solemn occasion. By-the-by, do you notice my language?
-I inherit correct English from my mother--a cultivated person, who
-married beneath her. My paternal grandfather was a gentleman. Did I tell
-you that there came a time, on that dreadful night, when I could stay in
-bed no longer? The pocketbook--I did nothing but think of that devilish
-pocketbook, full of bank-notes. My husband was fast asleep all the time.
-I got a chair and stood on it. I looked into the place where the two men
-were sleeping, through the glass in the top of the door. Your father
-was awake; he was walking up and down the room. What do you say? Was he
-agitated? I didn’t notice. I don’t know whether the other man was asleep
-or awake. I saw nothing but the pocketbook stuck under the pillow, half
-in and half out. Your father kept on walking up and down. I thought to
-myself, ‘I’ll wait till he gets tired, and then I’ll have another look
-at the pocketbook.’ Where’s the wine? The doctor said I might have a
-glass of wine when I wanted it.â€
-
-Emily found the wine and gave it to her. She shuddered as she
-accidentally touched Mrs. Rook’s hand.
-
-The wine helped the sinking woman.
-
-“I must have got up more than once,†she resumed. “And more than once my
-heart must have failed me. I don’t clearly remember what I did, till the
-gray of the morning came. I think that must have been the last time I
-looked through the glass in the door.â€
-
-She began to tremble. She tore the veil off her face. She cried out
-piteously, “Lord, be merciful to me a sinner! Come here,†she said to
-Emily. “Where are you? No! I daren’t tell you what I saw; I daren’t tell
-you what I did. When you’re possessed by the devil, there’s nothing,
-nothing, nothing you can’t do! Where did I find the courage to unlock
-the door? Where did I find the courage to go in? Any other woman would
-have lost her senses, when she found blood on her fingers after taking
-the pocketbook--â€
-
-Emily’s head swam; her heart beat furiously--she staggered to the door,
-and opened it to escape from the room.
-
-“I’m guilty of robbing him; but I’m innocent of his blood!†Mrs. Rook
-called after her wildly. “The deed was done--the yard door was wide
-open, and the man was gone--when I looked in for the last time. Come
-back, come back!â€
-
-Emily looked round.
-
-“I can’t go near you,†she said, faintly.
-
-“Come near enough to see this.â€
-
-She opened her bed-gown at the throat, and drew up a loop of ribbon over
-her head. ‘The pocketbook was attached to the ribbon. She held it out.
-
-“Your father’s book,†she said. “Won’t you take your father’s book?â€
-
-For a moment, and only for a moment, Emily was repelled by the
-profanation associated with her birthday gift. Then, the loving
-remembrance of the dear hands that had so often touched that relic,
-drew the faithful daughter back to the woman whom she abhorred. Her eyes
-rested tenderly on the book. Before it had lain in that guilty bosom,
-it had been _his_ book. The beloved memory was all that was left to her
-now; the beloved memory consecrated it to her hand. She took the book.
-
-“Open it,†said Mrs. Rook.
-
-There were two five-pound bank-notes in it.
-
-“His?†Emily asked.
-
-“No; mine--the little I have been able to save toward restoring what I
-stole.â€
-
-“Oh!†Emily cried, “is there some good in this woman, after all?â€
-
-“There’s no good in the woman!†Mrs. Rook answered desperately. “There’s
-nothing but fear--fear of hell now; fear of the pocketbook in the past
-time. Twice I tried to destroy it--and twice it came back, to remind me
-of the duty that I owed to my miserable soul. I tried to throw it into
-the fire. It struck the bar, and fell back into the fender at my feet.
-I went out, and cast it into the well. It came back again in the first
-bucket of water that was drawn up. From that moment, I began to save
-what I could. Restitution! Atonement! I tell you the book found a
-tongue--and those were the grand words it dinned in my ears, morning and
-night.†She stooped to fetch her breath--stopped, and struck her bosom.
-“I hid it here, so that no person should see it, and no person take it
-from me. Superstition? Oh, yes, superstition! Shall tell you something?
-_You_ may find yourself superstitious, if you are ever cut to the heart
-as I was. He left me! The man I had disgraced myself for, deserted me on
-the day when I gave him the stolen money. He suspected it was stolen; he
-took care of his own cowardly self--and left me to the hard mercy of the
-law, if the theft was found out. What do you call that, in the way
-of punishment? Haven’t I suffered? Haven’t I made atonement? Be a
-Christian--say you forgive me.â€
-
-“I do forgive you.â€
-
-“Say you will pray for me.â€
-
-“I will.â€
-
-“Ah! that comforts me! Now you can go.â€
-
-Emily looked at her imploringly. “Don’t send me away, knowing no more
-of the murder than I knew when I came here! Is there nothing, really
-nothing, you can tell me?â€
-
-Mrs. Rook pointed to the door.
-
-“Haven’t I told you already? Go downstairs, and see the wretch who
-escaped in the dawn of the morning!â€
-
-“Gently, ma’am, gently! You’re talking too loud,†cried a mocking voice
-from outside.
-
-“It’s only the doctor,†said Mrs. Rook. She crossed her hands over her
-bosom with a deep-drawn sigh. “I want no doctor, now. My peace is made
-with my Maker. I’m ready for death; I’m fit for Heaven. Go away! go
-away!â€
-
-
-
-
-CHAPTER LXII. DOWNSTAIRS.
-
-In a moment more, the doctor came in--a brisk, smiling, self-sufficient
-man--smartly dressed, with a flower in his button-hole. A stifling
-odor of musk filled the room, as he drew out his handkerchief with a
-flourish, and wiped his forehead.
-
-“Plenty of hard work in my line, just now,†he said. “Hullo, Mrs. Rook!
-somebody has been allowing you to excite yourself. I heard you, before
-I opened the door. Have you been encouraging her to talk?†he asked,
-turning to Emily, and shaking his finger at her with an air of facetious
-remonstrance.
-
-Incapable of answering him; forgetful of the ordinary restraints of
-social intercourse--with the one doubt that preserved her belief in
-Mirabel, eager for confirmation--Emily signed to this stranger to follow
-her into a corner of the room, out of hearing. She made no excuses: she
-took no notice of his look of surprise. One hope was all she could feel,
-one word was all she could say, after that second assertion of Mirabel’s
-guilt. Indicating Mrs. Rook by a glance at the bed, she whispered the
-word:
-
-“Mad?â€
-
-Flippant and familiar, the doctor imitated her; he too looked at the
-bed.
-
-“No more mad than you are, miss. As I said just now, my patient has
-been exciting herself; I daresay she has talked a little wildly in
-consequence. _Hers_ isn’t a brain to give way, I can tell you. But
-there’s somebody else--â€
-
-Emily had fled from the room. He had destroyed her last fragment of
-belief in Mirabel’s innocence. She was on the landing trying to console
-herself, when the doctor joined her.
-
-“Are you acquainted with the gentleman downstairs?†he asked.
-
-“What gentleman?â€
-
-“I haven’t heard his name; he looks like a clergyman. If you know him--â€
-
-“I do know him. I can’t answer questions! My mind--â€
-
-“Steady your mind, miss! and take your friend home as soon as you can.
-_He_ hasn’t got Mrs. Rook’s hard brain; he’s in a state of nervous
-prostration, which may end badly. Do you know where he lives?â€
-
-“He is staying with his sister--Mrs. Delvin.â€
-
-“Mrs. Delvin! she’s a friend and patient of mine. Say I’ll look in
-to-morrow morning, and see what I can do for her brother. In the
-meantime, get him to bed, and to rest; and don’t be afraid of giving him
-brandy.â€
-
-The doctor returned to the bedroom. Emily heard Mrs. Ellmother’s voice
-below.
-
-“Are you up there, miss?â€
-
-“Yes.â€
-
-Mrs. Ellmother ascended the stairs. “It was an evil hour,†she said,
-“that you insisted on going to this place. Mr. Mirabel--†The sight of
-Emily’s face suspended the next words on her lips. She took the poor
-young mistress in her motherly arms. “Oh, my child! what has happened to
-you?â€
-
-“Don’t ask me now. Give me your arm--let us go downstairs.â€
-
-“You won’t be startled when you see Mr. Mirabel--will you, my dear? I
-wouldn’t let them disturb you; I said nobody should speak to you but
-myself. The truth is, Mr. Mirabel has had a dreadful fright. What are
-you looking for?â€
-
-“Is there a garden here? Any place where we can breathe the fresh air?â€
-
-There was a courtyard at the back of the house. They found their way to
-it. A bench was placed against one of the walls. They sat down.
-
-“Shall I wait till you’re better before I say any more?†Mrs. Ellmother
-asked. “No? You want to hear about Mr. Mirabel? My dear, he came into
-the parlor where I was; and Mr. Rook came in too---and waited, looking
-at him. Mr. Mirabel sat down in a corner, in a dazed state as I thought.
-It wasn’t for long. He jumped up, and clapped his hand on his heart as
-if his heart hurt him. ‘I must and will know what’s going on upstairs,’
-he says. Mr. Rook pulled him back, and told him to wait till the
-young lady came down. Mr. Mirabel wouldn’t hear of it. ‘Your wife’s
-frightening her,’ he says; ‘your wife’s telling her horrible things
-about me.’ He was taken on a sudden with a shivering fit; his eyes
-rolled, and his teeth chattered. Mr. Rook made matters worse; he lost
-his temper. ‘I’m damned,’ he says, ‘if I don’t begin to think you
-_are_ the man, after all; I’ve half a mind to send for the police.’ Mr.
-Mirabel dropped into his chair. His eyes stared, his mouth fell open. I
-took hold of his hand. Cold--cold as ice. What it all meant I can’t say.
-Oh, miss, _you_ know! Let me tell you the rest of it some other time.â€
-
-Emily insisted on hearing more. “The end!†she cried. “How did it end?â€
-
-“I don’t know how it might have ended, if the doctor hadn’t come in--to
-pay his visit, you know, upstairs. He said some learned words. When
-he came to plain English, he asked if anybody had frightened the
-gentleman. I said Mr. Rook had frightened him. The doctor says to Mr.
-Rook, ‘Mind what you are about. If you frighten him again, you may have
-his death to answer for.’ That cowed Mr. Rook. He asked what he had
-better do. ‘Give me some brandy for him first,’ says the doctor; ‘and
-then get him home at once.’ I found the brandy, and went away to the inn
-to order the carriage. Your ears are quicker than mine, miss--do I hear
-it now?â€
-
-They rose, and went to the house door. The carriage was there.
-
-Still cowed by what the doctor had said, Mr. Rook appeared, carefully
-leading Mirabel out. He had revived under the action of the stimulant.
-Passing Emily he raised his eyes to her--trembled--and looked down
-again. When Mr. Rook opened the door of the carriage he paused, with one
-of his feet on the step. A momentary impulse inspired him with a false
-courage, and brought a flush into his ghastly face. He turned to Emily.
-
-“May I speak to you?†he asked.
-
-She started back from him. He looked at Mrs. Ellmother. “Tell her I
-am innocent,†he said. The trembling seized on him again. Mr. Rook was
-obliged to lift him into the carriage.
-
-Emily caught at Mrs. Ellmother’s arm. “You go with him,†she said. “I
-can’t.â€
-
-“How are you to get back, miss?â€
-
-She turned away and spoke to the coachman. “I am not very well. I want
-the fresh air--I’ll sit by you.â€
-
-Mrs. Ellmother remonstrated and protested, in vain. As Emily had
-determined it should be, so it was.
-
-“Has he said anything?†she asked, when they had arrived at their
-journey’s end.
-
-“He has been like a man frozen up; he hasn’t said a word; he hasn’t even
-moved.â€
-
-“Take him to his sister; and tell her all that you know. Be careful to
-repeat what the doctor said. I can’t face Mrs. Delvin. Be patient, my
-good old friend; I have no secrets from you. Only wait till to-morrow;
-and leave me by myself to-night.â€
-
-Alone in her room, Emily opened her writing-case. Searching among
-the letters in it, she drew out a printed paper. It was the Handbill
-describing the man who had escaped from the inn, and offering a reward
-for the discovery of him.
-
-At the first line of the personal description of the fugitive, the paper
-dropped from her hand. Burning tears forced their way into her eyes.
-Feeling for her handkerchief, she touched the pocketbook which she had
-received from Mrs. Rook. After a little hesitation she took it out. She
-looked at it. She opened it.
-
-The sight of the bank-notes repelled her; she hid them in one of the
-pockets of the book. There was a second pocket which she had not yet
-examined. She pat her hand into it, and, touching something, drew out a
-letter.
-
-The envelope (already open) was addressed to “James Brown, Esq., Post
-Office, Zeeland.†Would it be inconsistent with her respect for her
-father’s memory to examine the letter? No; a glance would decide whether
-she ought to read it or not.
-
-It was without date or address; a startling letter to look at--for it
-only contained three words:
-
-“I say No.â€
-
-The words were signed in initials:
-
-“S. J.â€
-
-In the instant when she read the initials, the name occurred to her.
-
-Sara Jethro.
-
-
-
-
-CHAPTER LXIII. THE DEFENSE OF MIRABEL.
-
-The discovery of the letter gave a new direction to Emily’s
-thoughts--and so, for the time at least, relieved her mind from the
-burden that weighed on it. To what question, on her father’s part, had
-“I say No†been Miss Jethro’s brief and stern reply? Neither letter nor
-envelope offered the slightest hint that might assist inquiry; even the
-postmark had been so carelessly impressed that it was illegible.
-
-Emily was still pondering over the three mysterious words, when she was
-interrupted by Mrs. Ellmother’s voice at the door.
-
-“I must ask you to let me come in, miss; though I know you wished to be
-left by yourself till to-morrow. Mrs. Delvin says she must positively
-see you to-night. It’s my belief that she will send for the servants,
-and have herself carried in here, if you refuse to do what she asks. You
-needn’t be afraid of seeing Mr. Mirabel.â€
-
-“Where is he?â€
-
-“His sister has given up her bedroom to him,†Mrs. Ellmother answered.
-“She thought of your feelings before she sent me here--and had the
-curtains closed between the sitting-room and the bedroom. I suspect my
-nasty temper misled me, when I took a dislike to Mrs. Delvin. She’s a
-good creature; I’m sorry you didn’t go to her as soon as we got back.â€
-
-“Did she seem to be angry, when she sent you here?â€
-
-“Angry! She was crying when I left her.â€
-
-Emily hesitated no longer.
-
-She noticed a remarkable change in the invalid’s sitting-room--so
-brilliantly lighted on other occasions--the moment she entered it. The
-lamps were shaded, and the candles were all extinguished. “My eyes don’t
-bear the light so well as usual,†Mrs. Delvin said. “Come and sit near
-me, Emily; I hope to quiet your mind. I should be grieved if you left my
-house with a wrong impression of me.â€
-
-Knowing what she knew, suffering as she must have suffered, the quiet
-kindness of her tone implied an exercise of self-restraint which
-appealed irresistibly to Emily’s sympathies. “Forgive me,†she said,
-“for having done you an injustice. I am ashamed to think that I shrank
-from seeing you when I returned from Belford.â€
-
-“I will endeavor to be worthy of your better opinion of me,†Mrs. Delvin
-replied. “In one respect at least, I may claim to have had your best
-interests at heart--while we were still personally strangers. I tried
-to prevail on my poor brother to own the truth, when he discovered
-the terrible position in which he was placed toward you. He was too
-conscious of the absence of any proof which might induce you to
-believe him, if he attempted to defend himself--in one word, he was too
-timid--to take my advice. He has paid the penalty, and I have paid the
-penalty, of deceiving you.â€
-
-Emily started. “In what way have you deceived me?†she asked.
-
-“In the way that was forced on us by our own conduct,†Mrs. Delvin said.
-“We have appeared to help you, without really doing so; we calculated on
-inducing you to marry my brother, and then (when he could speak with
-the authority of a husband) on prevailing on you to give up all further
-inquiries. When you insisted on seeing Mrs. Rook, Miles had the money in
-his hand to bribe her and her husband to leave England.â€
-
-“Oh, Mrs. Delvin!â€
-
-“I don’t attempt to excuse myself. I don’t expect you to consider how
-sorely I was tempted to secure the happiness of my brother’s life,
-by marriage with such a woman as yourself. I don’t remind you that I
-knew--when I put obstacles in your way--that you were blindly devoting
-yourself to the discovery of an innocent man.â€
-
-Emily heard her with angry surprise. “Innocent?†she repeated. “Mrs.
-Rook recognized his voice the instant she heard him speak.â€
-
-Impenetrable to interruption, Mrs. Delvin went on. “But what I do ask,â€
- she persisted, “even after our short acquaintance, is this. Do you
-suspect me of deliberately scheming to make you the wife of a murderer?â€
-
-Emily had never viewed the serious question between them in this light.
-Warmly, generously, she answered the appeal that had been made to her.
-“Oh, don’t think that of me! I know I spoke thoughtlessly and cruelly to
-you, just now--â€
-
-“You spoke impulsively,†Mrs. Delvin interposed; “that was all. My one
-desire before we part--how can I expect you to remain here, after what
-has happened?--is to tell you the truth. I have no interested object in
-view; for all hope of your marriage with my brother is now at an end.
-May I ask if you have heard that he and your father were strangers, when
-they met at the inn?â€
-
-“Yes; I know that.â€
-
-“If there had been any conversation between them, when they retired
-to rest, they might have mentioned their names. But your father was
-preoccupied; and my brother, after a long day’s walk, was so tired that
-he fell asleep as soon as his head was on the pillow. He only woke when
-the morning dawned. What he saw when he looked toward the opposite bed
-might have struck with terror the boldest man that ever lived. His first
-impulse was naturally to alarm the house. When he got on his feet, he
-saw his own razor--a blood-stained razor on the bed by the side of the
-corpse. At that discovery, he lost all control over himself. In a panic
-of terror, he snatched up his knapsack, unfastened the yard door, and
-fled from the house. Knowing him, as you and I know him, can we wonder
-at it? Many a man has been hanged for murder, on circumstantial evidence
-less direct than the evidence against poor Miles. His horror of his own
-recollections was so overpowering that he forbade me even to mention the
-inn at Zeeland in my letters, while he was abroad. ‘Never tell me (he
-wrote) who that wretched murdered stranger was, if I only heard of
-his name, I believe it would haunt me to my dying day. I ought not to
-trouble you with these details--and yet, I am surely not without excuse.
-In the absence of any proof, I cannot expect you to believe as I do in
-my brother’s innocence. But I may at least hope to show you that there
-is some reason for doubt. Will you give him the benefit of that doubt?â€
-
-“Willingly!†Emily replied. “Am I right in supposing that you don’t
-despair of proving his innocence, even yet’?â€
-
-“I don’t quite despair. But my hopes have grown fainter and fainter,
-as the years have gone on. There is a person associated with his escape
-from Zeeland; a person named Jethro--â€
-
-“You mean Miss Jethro!â€
-
-“Yes. Do you know her?â€
-
-“I know her--and my father knew her. I have found a letter, addressed
-to him, which I have no doubt was written by Miss Jethro. It is barely
-possible that you may understand what it means. Pray look at it.â€
-
-“I am quite unable to help you,†Mrs. Delvin answered, after reading the
-letter. “All I know of Miss Jethro is that, but for her interposition,
-my brother might have fallen into the hands of the police. She saved
-him.â€
-
-“Knowing him, of course?â€
-
-“That is the remarkable part of it: they were perfect strangers to each
-other.â€
-
-“But she must have had some motive.â€
-
-“_There_ is the foundation of my hope for Miles. Miss Jethro declared,
-when I wrote and put the question to her, that the one motive by which
-she was actuated was the motive of mercy. I don’t believe her. To my
-mind, it is in the last degree improbable that she would consent to
-protect a stranger from discovery, who owned to her (as my brother did)
-that he was a fugitive suspected of murder. She knows something, I am
-firmly convinced, of that dreadful event at Zeeland--and she has some
-reason for keeping it secret. Have you any influence over her?â€
-
-“Tell me where I can find her.â€
-
-“I can’t tell you. She has removed from the address at which my brother
-saw her last. He has made every possible inquiry--without result.â€
-
-As she replied in those discouraging terms, the curtains which divided
-Mrs. Delvin’s bedroom from her sitting-room were drawn aside. An elderly
-woman-servant approached her mistress’s couch.
-
-“Mr. Mirabel is awake, ma’am. He is very low; I can hardly feel his
-pulse. Shall I give him some more brandy?â€
-
-Mrs. Delvin held out her hand to Emily. “Come to me to-morrow morning,â€
- she said--and signed to the servant to wheel her couch into the next
-room. As the curtain closed over them, Emily heard Mirabel’s voice.
-“Where am I?†he said faintly. “Is it all a dream?â€
-
-The prospect of his recovery the next morning was gloomy indeed. He had
-sunk into a state of deplorable weakness, in mind as well as in body.
-The little memory of events that he still preserved was regarded by him
-as the memory of a dream. He alluded to Emily, and to his meeting with
-her unexpectedly. But from that point his recollection failed him.
-They had talked of something interesting, he said--but he was unable
-to remember what it was. And they had waited together at a railway
-station--but for what purpose he could not tell. He sighed and wondered
-when Emily would marry him--and so fell asleep again, weaker than ever.
-
-Not having any confidence in the doctor at Belford, Mrs. Delvin had sent
-an urgent message to a physician at Edinburgh, famous for his skill in
-treating diseases of the nervous system. “I cannot expect him to reach
-this remote place, without some delay,†she said; “I must bear my
-suspense as well as I can.â€
-
-“You shall not bear it alone,†Emily answered. “I will wait with you
-till the doctor comes.â€
-
-Mrs. Delvin lifted her frail wasted hands to Emily’s face, drew it a
-little nearer--and kissed her.
-
-
-
-
-CHAPTER LXIV. ON THE WAY TO LONDON.
-
-The parting words had been spoken. Emily and her companion were on their
-way to London.
-
-For some little time, they traveled in silence--alone in the railway
-carriage. After submitting as long as she could to lay an embargo on the
-use of her tongue, Mrs. Ellmother started the conversation by means of a
-question: “Do you think Mr. Mirabel will get over it, miss?â€
-
-“It’s useless to ask me,†Emily said. “Even the great man from Edinburgh
-is not able to decide yet, whether he will recover or not.â€
-
-“You have taken me into your confidence, Miss Emily, as you
-promised--and I have got something in my mind in consequence. May I
-mention it without giving offense?â€
-
-“What is it?â€
-
-“I wish you had never taken up with Mr. Mirabel.â€
-
-Emily was silent. Mrs. Ellmother, having a design of her own to
-accomplish, ventured to speak more plainly. “I often think of Mr. Alban
-Morris,†she proceeded. “I always did like him, and I always shall.â€
-
-Emily suddenly pulled down her veil. “Don’t speak of him!†she said.
-
-“I didn’t mean to offend you.â€
-
-“You don’t offend me. You distress me. Oh, how often I have wished--!â€
- She threw herself back in a corner of the carriage and said no more.
-
-Although not remarkable for the possession of delicate tact, Mrs.
-Ellmother discovered that the best course she could now follow was a
-course of silence.
-
-Even at the time when she had most implicitly trusted Mirabel, the
-fear that she might have acted hastily and harshly toward Alban had
-occasionally troubled Emily’s mind. The impression produced by later
-events had not only intensified this feeling, but had presented the
-motives of that true friend under an entirely new point of view. If she
-had been left in ignorance of the manner of her father’s death--as Alban
-had designed to leave her; as she would have been left, but for the
-treachery of Francine--how happily free she would have been from
-thoughts which it was now a terror to her to recall. She would have
-parted from Mirabel, when the visit to the pleasant country house had
-come to an end, remembering him as an amusing acquaintance and nothing
-more. He would have been spared, and she would have been spared, the
-shock that had so cruelly assailed them both. What had she gained
-by Mrs. Rook’s detestable confession? The result had been perpetual
-disturbance of mind provoked by self-torturing speculations on the
-subject of the murder. If Mirabel was innocent, who was guilty? The
-false wife, without pity and without shame--or the brutal husband, who
-looked capable of any enormity? What was her future to be? How was it
-all to end? In the despair of that bitter moment--seeing her devoted old
-servant looking at her with kind compassionate eyes--Emily’s troubled
-spirit sought refuge in impetuous self-betrayal; the very betrayal which
-she had resolved should not escape her, hardly a minute since!
-
-She bent forward out of her corner, and suddenly drew up her veil. “Do
-you expect to see Mr. Alban Morris, when we get back?†she asked.
-
-“I should like to see him, miss--if you have no objection.â€
-
-“Tell him I am ashamed of myself! and say I ask his pardon with all my
-heart!â€
-
-“The Lord be praised!†Mrs. Ellmother burst out--and then, when it was
-too late, remembered the conventional restraints appropriate to the
-occasion. “Gracious, what a fool I am!†she said to herself. “Beautiful
-weather, Miss Emily, isn’t it?†she continued, in a desperate hurry to
-change the subject.
-
-Emily reclined again in her corner of the carriage. She smiled, for the
-first time since she had become Mrs. Delvin’s guest at the tower.
-
-
-
-
-BOOK THE LAST--AT HOME AGAIN.
-
-
-
-
-CHAPTER LXV. CECILIA IN A NEW CHARACTER.
-
-Reaching the cottage at night, Emily found the card of a visitor who
-had called during the day. It bore the name of “Miss Wyvil,†and had a
-message written on it which strongly excited Emily’s curiosity.
-
-“I have seen the telegram which tells your servant that you return
-to-night. Expect me early to-morrow morning--with news that will deeply
-interest you.â€
-
-To what news did Cecilia allude? Emily questioned the woman who had been
-left in charge of the cottage, and found that she had next to nothing to
-tell. Miss Wyvil had flushed up, and had looked excited, when she read
-the telegraphic message--that was all. Emily’s impatience was, as usual,
-not to be concealed. Expert Mrs. Ellmother treated the case in the right
-way--first with supper, and then with an adjournment to bed. The clock
-struck twelve, when she put out the young mistress’s candle. “Ten hours
-to pass before Cecilia comes here!†Emily exclaimed. “Not ten minutes,â€
- Mrs. Ellmother reminded her, “if you will only go to sleep.â€
-
-Cecilia arrived before the breakfast-table was cleared; as lovely,
-as gentle, as affectionate as ever--but looking unusually serious and
-subdued.
-
-“Out with it at once!†Emily cried. “What have you got to tell me?’
-
-“Perhaps, I had better tell you first,†Cecilia said, “that I know what
-you kept from me when I came here, after you left us at Monksmoor. Don’t
-think, my dear, that I say this by way of complaint. Mr. Alban Morris
-says you had good reasons for keeping your secret.â€
-
-“Mr. Alban Morris! Did you get your information from _him?_â€
-
-“Yes. Do I surprise you?â€
-
-“More than words can tell!â€
-
-“Can you bear another surprise? Mr. Morris has seen Miss Jethro, and
-has discovered that Mr. Mirabel has been wrongly suspected of a dreadful
-crime. Our amiable little clergyman is guilty of being a coward--and
-guilty of nothing else. Are you really quiet enough to read about it?â€
-
-She produced some leaves of paper filled with writing. “There,†she
-explained, “is Mr. Morris’s own account of all that passed between Miss
-Jethro and himself.â€
-
-“But how do _you_ come by it?â€
-
-“Mr. Morris gave it to me. He said, ‘Show it to Emily as soon as
-possible; and take care to be with her while she reads it.’ There is
-a reason for this--†Cecilia’s voice faltered. On the brink of some
-explanation, she seemed to recoil from it. “I will tell you by-and-by
-what the reason is,†she said.
-
-Emily looked nervously at the manuscript. “Why doesn’t he tell me
-himself what he has discovered? Is he--†The leaves began to flutter in
-her trembling fingers--“is he angry with me?â€
-
-“Oh, Emily, angry with You! Read what he has written and you shall know
-why he keeps away.â€
-
-Emily opened the manuscript.
-
-
-
-
-CHAPTER LXVI. ALBAN’S NARRATIVE.
-
-“The information which I have obtained from Miss Jethro has been
-communicated to me, on the condition that I shall not disclose the
-place of her residence. ‘Let me pass out of notice (she said) as
-completely as if I had passed out of life; I wish to be forgotten by
-some, and to be unknown by others.’†With this one stipulation, she
-left me free to write the present narrative of what passed at the
-interview between us. I feel that the discoveries which I have made are
-too important to the persons interested to be trusted to memory.
-
-
-1. _She Receives Me_.
-
-“Finding Miss Jethro’s place of abode, with far less difficulty than I
-had anticipated (thanks to favoring circumstances), I stated plainly
-the object of my visit. She declined to enter into conversation with me
-on the subject of the murder at Zeeland.
-
-“I was prepared to meet with this rebuke, and to take the necessary
-measures for obtaining a more satisfactory reception. ‘A person is
-suspected of having committed the murder,’ I said; ‘and there is reason
-to believe that you are in a position to say whether the suspicion is
-justified or not. Do you refuse to answer me, if I put the question?’
-
-“Miss Jethro asked who the person was.
-
-“I mentioned the name--Mr. Miles Mirabel.
-
-“It is not necessary, and it would certainly be not agreeable to me,
-to describe the effect which this reply produced on Miss Jethro. After
-giving her time to compose herself, I entered into certain explanations,
-in order to convince her at the outset of my good faith. The result
-justified my anticipations. I was at once admitted to her confidence.
-
-“She said, ‘I must not hesitate to do an act of justice to an innocent
-man. But, in such a serious matter as this, you have a right to judge
-for yourself whether the person who is now speaking to you is a person
-whom you can trust. You may believe that I tell the truth about others,
-if I begin--whatever it may cost me--by telling the truth about
-myself.’â€
-
-
-2. _She Speaks of Herself_.
-
-“I shall not attempt to place on record the confession of a most unhappy
-woman. It was the common story of sin bitterly repented, and of vain
-effort to recover the lost place in social esteem. Too well known a
-story, surely, to be told again.
-
-“But I may with perfect propriety repeat what Miss Jethro said to me,
-in allusion to later events in her life which are connected with my own
-personal experience. She recalled to my memory a visit which she had
-paid to me at Netherwoods, and a letter addressed to her by Doctor
-Allday, which I had read at her express request.
-
-“She said, ‘You may remember that the letter contained some severe
-reflections on my conduct. Among other things, the doctor mentions that
-he called at the lodging I occupied during my visit to London, and found
-I had taken to flight: also that he had reason to believe I had entered
-Miss Ladd’s service, under false pretenses.’
-
-“I asked if the doctor had wronged her.
-
-“She answered ‘No: in one case, he is ignorant; in the other, he is
-right. On leaving his house, I found myself followed in the street by
-the man to whom I owe the shame and misery of my past life. My horror of
-him is not to be described in words. The one way of escaping was offered
-by an empty cab that passed me. I reached the railway station safely,
-and went back to my home in the country. Do you blame me?’
-
-“It was impossible to blame her--and I said so.
-
-“She then confessed the deception which she had practiced on Miss Ladd.
-‘I have a cousin,’ she said, ‘who was a Miss Jethro like me. Before
-her marriage she had been employed as a governess. She pitied me; she
-sympathized with my longing to recover the character that I had lost.
-With her permission, I made use of the testimonials which she had earned
-as a teacher--I was betrayed (to this day I don’t know by whom)--and I
-was dismissed from Netherwoods. Now you know that I deceived Miss Ladd,
-you may reasonably conclude that I am likely to deceive You.’
-
-“I assured her, with perfect sincerity, that I had drawn no such
-conclusion. Encouraged by my reply, Miss Jethro proceeded as follows.â€
-
-
-3. _She Speaks of Mirabel_.
-
-“‘Four years ago, I was living near Cowes, in the Isle of Wight--in a
-cottage which had been taken for me by a gentleman who was the owner of
-a yacht. We had just returned from a short cruise, and the vessel was
-under orders to sail for Cherbourg with the next tide.
-
-“‘While I was walking in my garden, I was startled by the sudden
-appearance of a man (evidently a gentleman) who was a perfect stranger
-to me. He was in a pitiable state of terror, and he implored my
-protection. In reply to my first inquiries, he mentioned the inn at
-Zeeland, and the dreadful death of a person unknown to him; whom I
-recognized (partly by the description given, and partly by comparison of
-dates) as Mr. James Brown. I shall say nothing of the shock inflicted
-on me: you don’t want to know what I felt. What I did (having literally
-only a minute left for decision) was to hide the fugitive from
-discovery, and to exert my influence in his favor with the owner of the
-yacht. I saw nothing more of him. He was put on board, as soon as the
-police were out of sight, and was safely landed at Cherbourg.’
-
-“I asked what induced her to run the risk of protecting a stranger, who
-was under suspicion of having committed a murder.
-
-“She said, ‘You shall hear my explanation directly. Let us have done
-with Mr. Mirabel first. We occasionally corresponded, during the long
-absence on the continent; never alluding, at his express request, to
-the horrible event at the inn. His last letter reached me, after he
-had established himself at Vale Regis. Writing of the society in the
-neighborhood, he informed me of his introduction to Miss Wyvil, and of
-the invitation that he had received to meet her friend and schoolfellow
-at Monksmoor. I knew that Miss Emily possessed a Handbill describing
-personal peculiarities in Mr. Mirabel, not hidden under the changed
-appearance of his head and face. If she remembered or happened to refer
-to that description, while she was living in the same house with him,
-there was a possibility at least of her suspicion being excited. The
-fear of this took me to you. It was a morbid fear, and, as events turned
-out, an unfounded fear: but I was unable to control it. Failing to
-produce any effect on you, I went to Vale Regis, and tried (vainly
-again) to induce Mr. Mirabel to send an excuse to Monksmoor. He, like
-you, wanted to know what my motive was. When I tell you that I acted
-solely in Miss Emily’s interests, and that I knew how she had been
-deceived about her father’s death, need I say why I was afraid to
-acknowledge my motive?’
-
-“I understood that Miss Jethro might well be afraid of the consequences,
-if she risked any allusion to Mr. Brown’s horrible death, and if it
-afterward chanced to reach his daughter’s ears. But this state of
-feeling implied an extraordinary interest in the preservation of Emily’s
-peace of mind. I asked Miss Jethro how that interest had been excited?
-
-“She answered, ‘I can only satisfy you in one way. I must speak of her
-father now.’â€
-
-
-Emily looked up from the manuscript. She felt Cecilia’s arm tenderly
-caressing her. She heard Cecilia say, “My poor dear, there is one last
-trial of your courage still to come. I am afraid of what you are going
-to read, when you turn to the next page. And yet--â€
-
-“And yet,†Emily replied gently, “it must be done. I have learned my
-hard lesson of endurance, Cecilia, don’t be afraid.â€
-
-Emily turned to the next page.
-
-
-4. _She Speaks of the Dead_.
-
-“For the first time, Miss Jethro appeared to be at a loss how to
-proceed. I could see that she was suffering. She rose, and opening a
-drawer in her writing table, took a letter from it.
-
-“She said, ‘Will you read this? It was written by Miss Emily’s father.
-Perhaps it may say more for me than I can say for myself?’
-
-“I copy the letter. It was thus expressed:
-
-“‘You have declared that our farewell to-day is our farewell forever.
-For the second time, you have refused to be my wife; and you have done
-this, to use your own words, in mercy to Me.
-
-“‘In mercy to Me, I implore you to reconsider your decision.
-
-“‘If you condemn me to live without you--I feel it, I know it--you
-condemn me to despair which I have not fortitude enough to endure. Look
-at the passages which I have marked for you in the New Testament. Again
-and again, I say it; your true repentance has made you worthy of the
-pardon of God. Are you not worthy of the love, admiration, and respect
-of man? Think! oh, Sara, think of what our lives might be, and let them
-be united for time and for eternity.
-
-“‘I can write no more. A deadly faintness oppresses me. My mind is in
-a state unknown to me in past years. I am in such confusion that I
-sometimes think I hate you. And then I recover from my delusion, and
-know that man never loved woman as I love you.
-
-“‘You will have time to write to me by this evening’s post. I shall stop
-at Zeeland to-morrow, on my way back, and ask for a letter at the post
-office. I forbid explanations and excuses. I forbid heartless allusions
-to your duty. Let me have an answer which does not keep me for a moment
-in suspense.
-
-“‘For the last time, I ask you: Do you consent to be my wife? Say,
-Yes--or say, No.’
-
-“I gave her back the letter--with the one comment on it, which the
-circumstances permitted me to make:
-
-“‘You said No?’
-
-“She bent her head in silence.
-
-“I went on--not willingly, for I would have spared her if it had been
-possible. I said, ‘He died, despairing, by his own hand--and you knew
-it?’
-
-“She looked up. ‘No! To say that I knew it is too much. To say that I
-feared it is the truth.’
-
-“‘Did you love him?’
-
-“She eyed me in stern surprise. ‘Have _I_ any right to love? Could I
-disgrace an honorable man by allowing him to marry me? You look as if
-you held me responsible for his death.’
-
-“‘Innocently responsible,’ I said.
-
-“She still followed her own train of thought. ‘Do you suppose I could
-for a moment anticipate that he would destroy himself, when I wrote my
-reply? He was a truly religious man. If he had been in his right mind,
-he would have shrunk from the idea of suicide as from the idea of a
-crime.’
-
-“On reflection, I was inclined to agree with her. In his terrible
-position, it was at least possible that the sight of the razor
-(placed ready, with the other appliances of the toilet, for his
-fellow-traveler’s use) might have fatally tempted a man whose last hope
-was crushed, whose mind was tortured by despair. I should have been
-merciless indeed, if I had held Miss Jethro accountable thus far. But
-I found it hard to sympathize with the course which she had pursued, in
-permitting Mr. Brown’s death to be attributed to murder without a word
-of protest. ‘Why were you silent?’ I said.
-
-“She smiled bitterly.
-
-“‘A woman would have known why, without asking,’ she replied. ‘A woman
-would have understood that I shrank from a public confession of my
-shameful past life. A woman would have remembered what reasons I had
-for pitying the man who loved me, and for accepting any responsibility
-rather than associate his memory, before the world, with an unworthy
-passion for a degraded creature, ending in an act of suicide. Even if I
-had made that cruel sacrifice, would public opinion have believed such
-a person as I am--against the evidence of a medical man, and the verdict
-of a jury? No, Mr. Morris! I said nothing, and I was resolved to say
-nothing, so long as the choice of alternatives was left to me. On the
-day when Mr. Mirabel implored me to save him, that choice was no longer
-mine--and you know what I did. And now again when suspicion (after all
-the long interval that had passed) has followed and found that innocent
-man, you know what I have done. What more do you ask of me?’
-
-“‘Your pardon,’ I said, ‘for not having understood you--and a last
-favor. May I repeat what I have heard to the one person of all others
-who ought to know, and who must know, what you have told me?’
-
-“It was needless to hint more plainly that I was speaking of Emily. Miss
-Jethro granted my request.
-
-“‘It shall be as you please,’ she answered. ‘Say for me to _his_
-daughter, that the grateful remembrance of her is my one refuge from the
-thoughts that tortured me, when we spoke together on her last night at
-school. She has made this dead heart of mine feel a reviving breath of
-life, when I think of her. Never, in our earthly pilgrimage, shall we
-meet again--I implore her to pity and forget me. Farewell, Mr. Morris;
-farewell forever.’
-
-“I confess that the tears came into my eyes. When I could see clearly
-again, I was alone in the room.â€
-
-
-
-
-CHAPTER LXVII. THE TRUE CONSOLATION.
-
-Emily closed the pages which told her that her father had died by his
-own hand.
-
-Cecilia still held her tenderly embraced. By slow degrees, her head
-dropped until it rested on her friend’s bosom. Silently she suffered.
-Silently Cecilia bent forward, and kissed her forehead. The sounds that
-penetrated to the room were not out of harmony with the time. From a
-distant house the voices of children were just audible, singing the
-plaintive melody of a hymn; and, now and then, the breeze blew the first
-faded leaves of autumn against the window. Neither of the girls knew how
-long the minutes followed each other uneventfully, before there was a
-change. Emily raised her head, and looked at Cecilia.
-
-“I have one friend left,†she said.
-
-“Not only me, love--oh, I hope not only me!â€
-
-“Yes. Only you.â€
-
-“I want to say something, Emily; but I am afraid of hurting you.â€
-
-“My dear, do you remember what we once read in a book of history at
-school? It told of the death of a tortured man, in the old time, who
-was broken on the wheel. He lived through it long enough to say that
-the agony, after the first stroke of the club, dulled his capacity for
-feeling pain when the next blows fell. I fancy pain of the mind must
-follow the same rule. Nothing you can say will hurt me now.â€
-
-“I only wanted to ask, Emily, if you were engaged--at one time--to marry
-Mr. Mirabel. Is it true?â€
-
-“False! He pressed me to consent to an engagement--and I said he must
-not hurry me.â€
-
-“What made you say that?â€
-
-“I thought of Alban Morris.â€
-
-Vainly Cecilia tried to restrain herself. A cry of joy escaped her.
-
-“Are you glad?†Emily asked. “Why?â€
-
-Cecilia made no direct reply. “May I tell you what you wanted to know, a
-little while since?†she said. “You asked why Mr. Morris left it all to
-me, instead of speaking to you himself. When I put the same question to
-him, he told me to read what he had written. ‘Not a shadow of suspicion
-rests on Mr. Mirabel,’ he said. ‘Emily is free to marry him--and free
-through Me. Can _I_ tell her that? For her sake, and for mine, it must
-not be. All that I can do is to leave old remembrances to plead for me.
-If they fail, I shall know that she will be happier with Mr. Mirabel
-than with me.’ ‘And you will submit?’ I asked. ‘Because I love her,’ he
-answered, ‘I must submit.’ Oh, how pale you are! Have I distressed you?â€
-
-“You have done me good.â€
-
-“Will you see him?â€
-
-Emily pointed to the manuscript. “At such a time as this?†she said.
-
-Cecilia still held to her resolution. “Such a time as this is the right
-time,†she answered. “It is now, when you most want to be comforted,
-that you ought to see him. Who can quiet your poor aching heart as _he_
-can quiet it?†She impulsively snatched at the manuscript and threw it
-out of sight. “I can’t bear to look at it,†she said. “Emily! if I have
-done wrong, will you forgive me? I saw him this morning before I came
-here. I was afraid of what might happen--I refused to break the dreadful
-news to you, unless he was somewhere near us. Your good old servant
-knows where to go. Let me send her--â€
-
-Mrs. Ellmother herself opened the door, and stood doubtful on the
-threshold, hysterically sobbing and laughing at the same time. “I’m
-everything that’s bad!†the good old creature burst out. “I’ve been
-listening--I’ve been lying--I said you wanted him. Turn me out of my
-situation, if you like. I’ve got him! Here he is!â€
-
-In another moment, Emily was in his arms--and they were alone. On his
-faithful breast the blessed relief of tears came to her at last: she
-burst out crying.
-
-“Oh, Alban, can you forgive me?â€
-
-He gently raised her head, so that he could see her face.
-
-“My love, let me look at you,†he said. “I want to think again of the
-day when we parted in the garden at school. Do you remember the one
-conviction that sustained me? I told you, Emily, there was a time of
-fulfillment to come in our two lives; and I have never wholly lost the
-dear belief. My own darling, the time has come!â€
-
-
-
-
-POSTSCRIPT.
-
-GOSSIP IN THE STUDIO.
-
-
-The winter time had arrived. Alban was clearing his palette, after
-a hard day’s work at the cottage. The servant announced that tea was
-ready, and that Miss Ladd was waiting to see him in the next room.
-
-Alban ran in, and received the visitor cordially with both hands.
-“Welcome back to England! I needn’t ask if the sea-voyage has done you
-good. You are looking ten years younger than when you went away.â€
-
-Miss Ladd smiled. “I shall soon be ten years older again, if I go back
-to Netherwoods,†she replied. “I didn’t believe it at the time; but I
-know better now. Our friend Doctor Allday was right, when he said that
-my working days were over. I must give up the school to a younger and
-stronger successor, and make the best I can in retirement of what is
-left of my life. You and Emily may expect to have me as a near neighbor.
-Where is Emily?â€
-
-“Far away in the North.â€
-
-“In the North! You don’t mean that she has gone back to Mrs. Delvin?â€
-
-“She has gone back--with Mrs. Ellmother to take care of her--at my
-express request. You know what Emily is, when there is an act of mercy
-to be done. That unhappy man has been sinking (with intervals of partial
-recovery) for months past. Mrs. Delvin sent word to us that the end was
-near, and that the one last wish her brother was able to express was the
-wish to see Emily. He had been for some hours unable to speak when my
-wife arrived. But he knew her, and smiled faintly. He was just able
-to lift his hand. She took it, and waited by him, and spoke words of
-consolation and kindness from time to time. As the night advanced, he
-sank into sleep, still holding her hand. They only knew that he had
-passed from sleep to death--passed without a movement or a sigh--when
-his hand turned cold. Emily remained for a day at the tower to comfort
-poor Mrs. Delvin--and she comes home, thank God, this evening!â€
-
-“I needn’t ask if you are happy?†Miss Ladd said.
-
-“Happy? I sing, when I have my bath in the morning. If that isn’t
-happiness (in a man of my age) I don’t know what is!â€
-
-“And how are you getting on?â€
-
-“Famously! I have turned portrait painter, since you were sent away for
-your health. A portrait of Mr. Wyvil is to decorate the town hall in the
-place that he represents; and our dear kind-hearted Cecilia has induced
-a fascinated mayor and corporation to confide the work to my hands.â€
-
-“Is there no hope yet of that sweet girl being married?†Miss Ladd
-asked. “We old maids all believe in marriage, Mr. Morris--though some of
-us don’t own it.â€
-
-“There seems to be a chance,†Alban answered. “A young lord has turned
-up at Monksmoor; a handsome pleasant fellow, and a rising man in
-politics. He happened to be in the house a few days before Cecilia’s
-birthday; and he asked my advice about the right present to give her. I
-said, ‘Try something new in Tarts.’ When he found I was in earnest,
-what do you think he did? Sent his steam yacht to Rouen for some of the
-famous pastry! You should have seen Cecilia, when the young lord offered
-his delicious gift. If I could paint that smile and those eyes, I should
-be the greatest artist living. I believe she will marry him. Need I
-say how rich they will be? We shall not envy them--we are rich too.
-Everything is comparative. The portrait of Mr. Wyvil will put three
-hundred pounds in my pocket. I have earned a hundred and twenty more by
-illustrations, since we have been married. And my wife’s income (I
-like to be particular) is only five shillings and tenpence short of two
-hundred a year. Moral! we are rich as well as happy.â€
-
-“Without a thought of the future?†Miss Ladd asked slyly.
-
-“Oh, Doctor Allday has taken the future in hand! He revels in the
-old-fashioned jokes, which used to be addressed to newly-married people,
-in his time. ‘My dear fellow,’ he said the other day, ‘you may possibly
-be under a joyful necessity of sending for the doctor, before we are
-all a year older. In that case, let it be understood that I am Honorary
-Physician to the family.’ The warm-hearted old man talks of getting me
-another portrait to do. ‘The greatest ass in the medical profession (he
-informed me) has just been made a baronet; and his admiring friends have
-decided that he is to be painted at full length, with his bandy
-legs hidden under a gown, and his great globular eyes staring at the
-spectator--I’ll get you the job.’ Shall I tell you what he says of Mrs.
-Rook’s recovery?â€
-
-Miss Ladd held up her hands in amazement. “Recovery!†she exclaimed.
-
-“And a most remarkable recovery too,†Alban informed her. “It is the
-first case on record of any person getting over such an injury as she
-has received. Doctor Allday looked grave when he heard of it. ‘I begin
-to believe in the devil,’ he said; ‘nobody else could have saved Mrs.
-Rook.’ Other people don’t take that view. She has been celebrated in
-all the medical newspapers--and she has been admitted to some excellent
-almshouse, to live in comfortable idleness to a green old age. The
-best of it is that she shakes her head, when her wonderful recovery is
-mentioned. ‘It seems such a pity,’ she says; ‘I was so fit for heaven.’
-Mr. Rook having got rid of his wife, is in excellent spirits. He is
-occupied in looking after an imbecile old gentleman; and, when he is
-asked if he likes the employment, he winks mysteriously and slaps his
-pocket. Now, Miss Ladd, I think it’s my turn to hear some news. What
-have you got to tell me?â€
-
-“I believe I can match your account of Mrs. Rook,†Miss Ladd said. “Do
-you care to hear what has become of Francine?â€
-
-Alban, rattling on hitherto in boyish high spirits, suddenly became
-serious. “I have no doubt Miss de Sor is doing well,†he said sternly.
-“She is too heartless and wicked not to prosper.â€
-
-“You are getting like your old cynical self again, Mr. Morris--and
-you are wrong. I called this morning on the agent who had the care of
-Francine, when I left England. When I mentioned her name, he showed me
-a telegram, sent to him by her father. ‘There’s my authority,’ he said,
-‘for letting her leave my house.’ The message was short enough to be
-easily remembered: ‘Anything my daughter likes as long as she doesn’t
-come back to us.’ In those cruel terms Mr. de Sor wrote of his own
-child. The agent was just as unfeeling, in his way. He called her the
-victim of slighted love and clever proselytizing. ‘In plain words,’ he
-said, ‘the priest of the Catholic chapel close by has converted her;
-and she is now a novice in a convent of Carmelite nuns in the West of
-England. Who could have expected it? Who knows how it may end?â€
-
-As Miss Ladd spoke, the bell rang at the cottage gate. “Here she is!â€
- Alban cried, leading the way into the hall. “Emily has come home.â€
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK 1629 *** \ No newline at end of file
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-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
- <meta charset="UTF-8">
- <title>
- 'I Say No' | Project Gutenberg
- </title>
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- </head>
- <body>
-<div>*** START OF THE PROJECT GUTENBERG EBOOK 1629 ***</div>
-
- <p>
- <br><br>
- </p>
- <h1>
- &ldquo;I SAY NO&rdquo;
- </h1>
- <p>
- <br>
- </p>
- <p class="big">
- By Wilkie Collins
- </p>
- <p>
- <br> <br>
- </p>
- <hr>
- <p>
- <br> <br>
- </p>
- <blockquote>
- <p class="toc">
- <span class="big"><b>CONTENTS</b></span>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> <b>BOOK THE FIRST&mdash;AT SCHOOL.</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> CHAPTER I. THE SMUGGLED SUPPER. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> CHAPTER II. BIOGRAPHY IN THE BEDROOM. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> CHAPTER III. THE LATE MR. BROWN. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> CHAPTER IV. MISS LADD&rsquo;S DRAWING-MASTER. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> CHAPTER V. DISCOVERIES IN THE GARDEN. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> CHAPTER VI. ON THE WAY TO THE VILLAGE. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> CHAPTER VII. &ldquo;COMING EVENTS CAST THEIR SHADOWS
- BEFORE.&rdquo; </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> CHAPTER VIII. MASTER AND PUPIL. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> CHAPTER IX. MRS. ROOK AND THE LOCKET. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> CHAPTER X. GUESSES AT THE TRUTH. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> CHAPTER XI. THE DRAWING-MASTER&rsquo;S CONFESSION.
- </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0013"> <b>BOOK THE SECOND&mdash;IN LONDON.</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> CHAPTER XII. MRS. ELLMOTHER. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> CHAPTER XIII. MISS LETITIA. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> CHAPTER XIV. MRS. MOSEY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> CHAPTER XV. EMILY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> CHAPTER XVI. MISS JETHRO. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> CHAPTER XVII. DOCTOR ALLDAY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> CHAPTER XVIII. MISS LADD. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> CHAPTER XIX. SIR JERVIS REDWOOD. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0020"> CHAPTER XX. THE REVEREND MILES MIRABEL. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0021"> CHAPTER XXI. POLLY AND SALLY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0022"> CHAPTER XXII. ALBAN MORRIS. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0023"> CHAPTER XXIII. MISS REDWOOD. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0024"> CHAPTER XXIV. MR. ROOK. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0025"> CHAPTER XXV. &ldquo;J. B.&rdquo; </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0026"> CHAPTER XXVI. MOTHER EVE. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0027"> CHAPTER XXVII. MENTOR AND TELEMACHUS. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0028"> CHAPTER XXVIII. FRANCINE. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0029"> CHAPTER XXIX. &ldquo;BONY.&rdquo; </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0030"> CHAPTER XXX. LADY DORIS. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0031"> CHAPTER XXXI. MOIRA. </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0034"> <b>BOOK THE THIRD&mdash;NETHERWOODS.</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0032"> CHAPTER XXXII. IN THE GRAY ROOM. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0033"> CHAPTER XXXIII. RECOLLECTIONS OF ST. DOMINGO.
- </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0034"> CHAPTER XXXIV. IN THE DARK. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0035"> CHAPTER XXXV. THE TREACHERY OF THE PIPE. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0036"> CHAPTER XXXVI. CHANGE OF AIR. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0037"> CHAPTER XXXVII. &ldquo;THE LADY WANTS YOU, SIR.&rdquo; </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0041"> <b>BOOK THE FOURTH&mdash;THE COUNTRY HOUSE.</b>
- </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0038"> CHAPTER XXXVIII. DANCING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0039"> CHAPTER XXXIX. FEIGNING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0040"> CHAPTER XL. CONSULTING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0041"> CHAPTER XLI. SPEECHIFYING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0042"> CHAPTER XLII. COOKING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0043"> CHAPTER XLIII. SOUNDING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0044"> CHAPTER XLIV. COMPETING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0045"> CHAPTER XLV. MISCHIEF&mdash;MAKING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0046"> CHAPTER XLVI. PRETENDING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0047"> CHAPTER XLVII. DEBATING. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0048"> CHAPTER XLVIII. INVESTIGATING. </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0053"> <b>BOOK THE FIFTH&mdash;THE COTTAGE.</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0049"> CHAPTER XLIX. EMILY SUFFERS. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0050"> CHAPTER L. MISS LADD ADVISES. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0051"> CHAPTER LI. THE DOCTOR SEES. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0052"> CHAPTER LII. &ldquo;IF I COULD FIND A FRIEND!&rdquo; </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0053"> CHAPTER LIII. THE FRIEND IS FOUND. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0054"> CHAPTER LIV. THE END OF THE FAINTING FIT. </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0060"> <b>BOOK THE SIXTH&mdash;HERE AND THERE.</b>
- </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0055"> CHAPTER LV. MIRABEL SEES HIS WAY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0056"> CHAPTER LVI. ALBAN SEES HIS WAY. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0057"> CHAPTER LVII. APPROACHING THE END. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0058"> CHAPTER LVIII. A COUNCIL OF TWO. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0059"> CHAPTER LIX. THE ACCIDENT AT BELFORD. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0060"> CHAPTER LX. OUTSIDE THE ROOM. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0061"> CHAPTER LXI. INSIDE THE ROOM. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0062"> CHAPTER LXII. DOWNSTAIRS. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0063"> CHAPTER LXIII. THE DEFENSE OF MIRABEL. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0064"> CHAPTER LXIV. ON THE WAY TO LONDON. </a>
- </p>
- <p>
- <br>
- </p>
- <p class="toc">
- <a href="#link2H_4_0071"> <b>BOOK THE LAST&mdash;AT HOME AGAIN.</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0065"> CHAPTER LXV. CECILIA IN A NEW CHARACTER. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0066"> CHAPTER LXVI. ALBAN&rsquo;S NARRATIVE. </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0067"> CHAPTER LXVII. THE TRUE CONSOLATION. </a>
- </p>
- </blockquote>
- <p>
- <br> <br>
- </p>
- <hr>
- <p>
- <br> <br> <a name="link2H_4_0001" id="link2H_4_0001">
- <!-- H2 anchor --> </a>
- </p>
- <h2>
- BOOK THE FIRST&mdash;AT SCHOOL.
- </h2>
- <p>
- <a name="link2HCH0001" id="link2HCH0001">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER I. THE SMUGGLED SUPPER.
- </h3>
- <p>
- Outside the bedroom the night was black and still. The small rain fell too
- softly to be heard in the garden; not a leaf stirred in the airless calm;
- the watch-dog was asleep, the cats were indoors; far or near, under the
- murky heaven, not a sound was stirring.
- </p>
- <p>
- Inside the bedroom the night was black and still.
- </p>
- <p>
- Miss Ladd knew her business as a schoolmistress too well to allow
- night-lights; and Miss Ladd&rsquo;s young ladies were supposed to be fast
- asleep, in accordance with the rules of the house. Only at intervals the
- silence was faintly disturbed, when the restless turning of one of the
- girls in her bed betrayed itself by a gentle rustling between the sheets.
- In the long intervals of stillness, not even the softly audible breathing
- of young creatures asleep was to be heard.
- </p>
- <p>
- The first sound that told of life and movement revealed the mechanical
- movement of the clock. Speaking from the lower regions, the tongue of
- Father Time told the hour before midnight.
- </p>
- <p>
- A soft voice rose wearily near the door of the room. It counted the
- strokes of the clock&mdash;and reminded one of the girls of the lapse of
- time.
- </p>
- <p>
- &ldquo;Emily! eleven o&rsquo;clock.&rdquo;
- </p>
- <p>
- There was no reply. After an interval the weary voice tried again, in
- louder tones:
- </p>
- <p>
- &ldquo;Emily!&rdquo;
- </p>
- <p>
- A girl, whose bed was at the inner end of the room, sighed under the heavy
- heat of the night&mdash;and said, in peremptory tones, &ldquo;Is that Cecilia?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;What do you want?&rdquo;
- </p>
- <p>
- &ldquo;I&rsquo;m getting hungry, Emily. Is the new girl asleep?&rdquo;
- </p>
- <p>
- The new girl answered promptly and spitefully, &ldquo;No, she isn&rsquo;t.&rdquo;
- </p>
- <p>
- Having a private object of their own in view, the five wise virgins of
- Miss Ladd&rsquo;s first class had waited an hour, in wakeful anticipation of the
- falling asleep of the stranger&mdash;and it had ended in this way! A
- ripple of laughter ran round the room. The new girl, mortified and
- offended, entered her protest in plain words.
- </p>
- <p>
- &ldquo;You are treating me shamefully! You all distrust me, because I am a
- stranger.&rdquo;
- </p>
- <p>
- &ldquo;Say we don&rsquo;t understand you,&rdquo; Emily answered, speaking for her
- schoolfellows; &ldquo;and you will be nearer the truth.&rdquo;
- </p>
- <p>
- &ldquo;Who expected you to understand me, when I only came here to-day? I have
- told you already my name is Francine de Sor. If want to know more, I&rsquo;m
- nineteen years old, and I come from the West Indies.&rdquo;
- </p>
- <p>
- Emily still took the lead. &ldquo;Why do you come <i>here?</i>&rdquo; she asked. &ldquo;Who
- ever heard of a girl joining a new school just before the holidays? You
- are nineteen years old, are you? I&rsquo;m a year younger than you&mdash;and I
- have finished my education. The next big girl in the room is a year
- younger than me&mdash;and she has finished her education. What can you
- possibly have left to learn at your age?&rdquo;
- </p>
- <p>
- &ldquo;Everything!&rdquo; cried the stranger from the West Indies, with an outburst of
- tears. &ldquo;I&rsquo;m a poor ignorant creature. Your education ought to have taught
- you to pity me instead of making fun of me. I hate you all. For shame, for
- shame!&rdquo;
- </p>
- <p>
- Some of the girls laughed. One of them&mdash;the hungry girl who had
- counted the strokes of the clock&mdash;took Francine&rsquo;s part.
- </p>
- <p>
- &ldquo;Never mind their laughing, Miss de Sor. You are quite right, you have
- good reason to complain of us.&rdquo;
- </p>
- <p>
- Miss de Sor dried her eyes. &ldquo;Thank you&mdash;whoever you are,&rdquo; she
- answered briskly.
- </p>
- <p>
- &ldquo;My name is Cecilia Wyvil,&rdquo; the other proceeded. &ldquo;It was not, perhaps,
- quite nice of you to say you hated us all. At the same time we have
- forgotten our good breeding&mdash;and the least we can do is to beg your
- pardon.&rdquo;
- </p>
- <p>
- This expression of generous sentiment appeared to have an irritating
- effect on the peremptory young person who took the lead in the room.
- Perhaps she disapproved of free trade in generous sentiment.
- </p>
- <p>
- &ldquo;I can tell you one thing, Cecilia,&rdquo; she said; &ldquo;you shan&rsquo;t beat ME in
- generosity. Strike a light, one of you, and lay the blame on me if Miss
- Ladd finds us out. I mean to shake hands with the new girl&mdash;and how
- can I do it in the dark? Miss de Sor, my name&rsquo;s Brown, and I&rsquo;m queen of
- the bedroom. I&mdash;not Cecilia&mdash;offer our apologies if we have
- offended you. Cecilia is my dearest friend, but I don&rsquo;t allow her to take
- the lead in the room. Oh, what a lovely nightgown!&rdquo;
- </p>
- <p>
- The sudden flow of candle-light had revealed Francine, sitting up in her
- bed, and displaying such treasures of real lace over her bosom that the
- queen lost all sense of royal dignity in irrepressible admiration. &ldquo;Seven
- and sixpence,&rdquo; Emily remarked, looking at her own night-gown and despising
- it. One after another, the girls yielded to the attraction of the
- wonderful lace. Slim and plump, fair and dark, they circled round the new
- pupil in their flowing white robes, and arrived by common consent at one
- and the same conclusion: &ldquo;How rich her father must be!&rdquo;
- </p>
- <p>
- Favored by fortune in the matter of money, was this enviable person
- possessed of beauty as well?
- </p>
- <p>
- In the disposition of the beds, Miss de Sor was placed between Cecilia on
- the right hand, and Emily on the left. If, by some fantastic turn of
- events, a man&mdash;say in the interests of propriety, a married doctor,
- with Miss Ladd to look after him&mdash;had been permitted to enter the
- room, and had been asked what he thought of the girls when he came out, he
- would not even have mentioned Francine. Blind to the beauties of the
- expensive night-gown, he would have noticed her long upper lip, her
- obstinate chin, her sallow complexion, her eyes placed too close together&mdash;and
- would have turned his attention to her nearest neighbors. On one side his
- languid interest would have been instantly roused by Cecilia&rsquo;s glowing
- auburn hair, her exquisitely pure skin, and her tender blue eyes. On the
- other, he would have discovered a bright little creature, who would have
- fascinated and perplexed him at one and the same time. If he had been
- questioned about her by a stranger, he would have been at a loss to say
- positively whether she was dark or light: he would have remembered how her
- eyes had held him, but he would not have known of what color they were.
- And yet, she would have remained a vivid picture in his memory when other
- impressions, derived at the same time, had vanished. &ldquo;There was one little
- witch among them, who was worth all the rest put together; and I can&rsquo;t
- tell you why. They called her Emily. If I wasn&rsquo;t a married man&mdash;&rdquo;
- There he would have thought of his wife, and would have sighed and said no
- more.
- </p>
- <p>
- While the girls were still admiring Francine, the clock struck the
- half-hour past eleven.
- </p>
- <p>
- Cecilia stole on tiptoe to the door&mdash;looked out, and listened&mdash;closed
- the door again&mdash;and addressed the meeting with the irresistible charm
- of her sweet voice and her persuasive smile.
- </p>
- <p>
- &ldquo;Are none of you hungry yet?&rdquo; she inquired. &ldquo;The teachers are safe in
- their rooms; we have set ourselves right with Francine. Why keep the
- supper waiting under Emily&rsquo;s bed?&rdquo;
- </p>
- <p>
- Such reasoning as this, with such personal attractions to recommend it,
- admitted of but one reply. The queen waved her hand graciously, and said,
- &ldquo;Pull it out.&rdquo;
- </p>
- <p>
- Is a lovely girl&mdash;whose face possesses the crowning charm of
- expression, whose slightest movement reveals the supple symmetry of her
- figure&mdash;less lovely because she is blessed with a good appetite, and
- is not ashamed to acknowledge it? With a grace all her own, Cecilia dived
- under the bed, and produced a basket of jam tarts, a basket of fruit and
- sweetmeats, a basket of sparkling lemonade, and a superb cake&mdash;all
- paid for by general subscriptions, and smuggled into the room by kind
- connivance of the servants. On this occasion, the feast was especially
- plentiful and expensive, in commemoration not only of the arrival of the
- Midsummer holidays, but of the coming freedom of Miss Ladd&rsquo;s two leading
- young ladies. With widely different destinies before them, Emily and
- Cecilia had completed their school life, and were now to go out into the
- world.
- </p>
- <p>
- The contrast in the characters of the two girls showed itself, even in
- such a trifle as the preparations for supper.
- </p>
- <p>
- Gentle Cecilia, sitting on the floor surrounded by good things, left it to
- the ingenuity of others to decide whether the baskets should be all
- emptied at once, or handed round from bed to bed, one at a time. In the
- meanwhile, her lovely blue eyes rested tenderly on the tarts.
- </p>
- <p>
- Emily&rsquo;s commanding spirit seized on the reins of government, and employed
- each of her schoolfellows in the occupation which she was fittest to
- undertake. &ldquo;Miss de Sor, let me look at your hand. Ah! I thought so. You
- have got the thickest wrist among us; you shall draw the corks. If you let
- the lemonade pop, not a drop of it goes down your throat. Effie, Annis,
- Priscilla, you are three notoriously lazy girls; it&rsquo;s doing you a true
- kindness to set you to work. Effie, clear the toilet-table for supper;
- away with the combs, the brushes, and the looking-glass. Annis, tear the
- leaves out of your book of exercises, and set them out for plates. No!
- I&rsquo;ll unpack; nobody touches the baskets but me. Priscilla, you have the
- prettiest ears in the room. You shall act as sentinel, my dear, and listen
- at the door. Cecilia, when you have done devouring those tarts with your
- eyes, take that pair of scissors (Miss de Sor, allow me to apologize for
- the mean manner in which this school is carried on; the knives and forks
- are counted and locked up every night)&mdash;I say take that pair of
- scissors, Cecilia, and carve the cake, and don&rsquo;t keep the largest bit for
- yourself. Are we all ready? Very well. Now take example by me. Talk as
- much as you like, so long as you don&rsquo;t talk too loud. There is one other
- thing before we begin. The men always propose toasts on these occasions;
- let&rsquo;s be like the men. Can any of you make a speech? Ah, it falls on me as
- usual. I propose the first toast. Down with all schools and teachers&mdash;especially
- the new teacher, who came this half year. Oh, mercy, how it stings!&rdquo; The
- fixed gas in the lemonade took the orator, at that moment, by the throat,
- and effectually checked the flow of her eloquence. It made no difference
- to the girls. Excepting the ease of feeble stomachs, who cares for
- eloquence in the presence of a supper-table? There were no feeble stomachs
- in that bedroom. With what inexhaustible energy Miss Ladd&rsquo;s young ladies
- ate and drank! How merrily they enjoyed the delightful privilege of
- talking nonsense! And&mdash;alas! alas!&mdash;how vainly they tried, in
- after life, to renew the once unalloyed enjoyment of tarts and lemonade!
- </p>
- <p>
- In the unintelligible scheme of creation, there appears to be no human
- happiness&mdash;not even the happiness of schoolgirls&mdash;which is ever
- complete. Just as it was drawing to a close, the enjoyment of the feast
- was interrupted by an alarm from the sentinel at the door.
- </p>
- <p>
- &ldquo;Put out the candle!&rdquo; Priscilla whispered &ldquo;Somebody on the stairs.&rdquo;
- </p>
- <p>
- <a name="link2HCH0002" id="link2HCH0002">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER II. BIOGRAPHY IN THE BEDROOM.
- </h3>
- <p>
- The candle was instantly extinguished. In discreet silence the girls stole
- back to their beds, and listened.
- </p>
- <p>
- As an aid to the vigilance of the sentinel, the door had been left ajar.
- Through the narrow opening, a creaking of the broad wooden stairs of the
- old house became audible. In another moment there was silence. An interval
- passed, and the creaking was heard again. This time, the sound was distant
- and diminishing. On a sudden it stopped. The midnight silence was
- disturbed no more.
- </p>
- <p>
- What did this mean?
- </p>
- <p>
- Had one among the many persons in authority under Miss Ladd&rsquo;s roof heard
- the girls talking, and ascended the stairs to surprise them in the act of
- violating one of the rules of the house? So far, such a proceeding was by
- no means uncommon. But was it within the limits of probability that a
- teacher should alter her opinion of her own duty half-way up the stairs,
- and deliberately go back to her own room again? The bare idea of such a
- thing was absurd on the face of it. What more rational explanation could
- ingenuity discover on the spur of the moment?
- </p>
- <p>
- Francine was the first to offer a suggestion. She shook and shivered in
- her bed, and said, &ldquo;For heaven&rsquo;s sake, light the candle again! It&rsquo;s a
- Ghost.&rdquo;
- </p>
- <p>
- &ldquo;Clear away the supper, you fools, before the ghost can report us to Miss
- Ladd.&rdquo;
- </p>
- <p>
- With this excellent advice Emily checked the rising panic. The door was
- closed, the candle was lit; all traces of the supper disappeared. For five
- minutes more they listened again. No sound came from the stairs; no
- teacher, or ghost of a teacher, appeared at the door.
- </p>
- <p>
- Having eaten her supper, Cecilia&rsquo;s immediate anxieties were at an end; she
- was at leisure to exert her intelligence for the benefit of her
- schoolfellows. In her gentle ingratiating way, she offered a composing
- suggestion. &ldquo;When we heard the creaking, I don&rsquo;t believe there was anybody
- on the stairs. In these old houses there are always strange noises at
- night&mdash;and they say the stairs here were made more than two hundred
- years since.&rdquo;
- </p>
- <p>
- The girls looked at each other with a sense of relief&mdash;but they
- waited to hear the opinion of the queen. Emily, as usual, justified the
- confidence placed in her. She discovered an ingenious method of putting
- Cecilia&rsquo;s suggestion to the test.
- </p>
- <p>
- &ldquo;Let&rsquo;s go on talking,&rdquo; she said. &ldquo;If Cecilia is right, the teachers are
- all asleep, and we have nothing to fear from them. If she&rsquo;s wrong, we
- shall sooner or later see one of them at the door. Don&rsquo;t be alarmed, Miss
- de Sor. Catching us talking at night, in this school, only means a
- reprimand. Catching us with a light, ends in punishment. Blow out the
- candle.&rdquo;
- </p>
- <p>
- Francine&rsquo;s belief in the ghost was too sincerely superstitious to be
- shaken: she started up in bed. &ldquo;Oh, don&rsquo;t leave me in the dark! I&rsquo;ll take
- the punishment, if we are found out.&rdquo;
- </p>
- <p>
- &ldquo;On your sacred word of honor?&rdquo; Emily stipulated.
- </p>
- <p>
- &ldquo;Yes&mdash;yes.&rdquo;
- </p>
- <p>
- The queen&rsquo;s sense of humor was tickled.
- </p>
- <p>
- &ldquo;There&rsquo;s something funny,&rdquo; she remarked, addressing her subjects, &ldquo;in a
- big girl like this coming to a new school and beginning with a punishment.
- May I ask if you are a foreigner, Miss de Sor?&rdquo;
- </p>
- <p>
- &ldquo;My papa is a Spanish gentleman,&rdquo; Francine answered, with dignity.
- </p>
- <p>
- &ldquo;And your mamma?&rdquo;
- </p>
- <p>
- &ldquo;My mamma is English.&rdquo;
- </p>
- <p>
- &ldquo;And you have always lived in the West Indies?&rdquo;
- </p>
- <p>
- &ldquo;I have always lived in the Island of St. Domingo.&rdquo;
- </p>
- <p>
- Emily checked off on her fingers the different points thus far discovered
- in the character of Mr. de Sor&rsquo;s daughter. &ldquo;She&rsquo;s ignorant, and
- superstitious, and foreign, and rich. My dear (forgive the familiarity),
- you are an interesting girl&mdash;and we must really know more of you.
- Entertain the bedroom. What have you been about all your life? And what in
- the name of wonder, brings you here? Before you begin I insist on one
- condition, in the name of all the young ladies in the room. No useful
- information about the West Indies!&rdquo;
- </p>
- <p>
- Francine disappointed her audience.
- </p>
- <p>
- She was ready enough to make herself an object of interest to her
- companions; but she was not possessed of the capacity to arrange events in
- their proper order, necessary to the recital of the simplest narrative.
- Emily was obliged to help her, by means of questions. In one respect, the
- result justified the trouble taken to obtain it. A sufficient reason was
- discovered for the extraordinary appearance of a new pupil, on the day
- before the school closed for the holidays.
- </p>
- <p>
- Mr. de Sor&rsquo;s elder brother had left him an estate in St. Domingo, and a
- fortune in money as well; on the one easy condition that he continued to
- reside in the island. The question of expense being now beneath the notice
- of the family, Francine had been sent to England, especially recommended
- to Miss Ladd as a young lady with grand prospects, sorely in need of a
- fashionable education. The voyage had been so timed, by the advice of the
- schoolmistress, as to make the holidays a means of obtaining this object
- privately. Francine was to be taken to Brighton, where excellent masters
- could be obtained to assist Miss Ladd. With six weeks before her, she
- might in some degree make up for lost time; and, when the school opened
- again, she would avoid the mortification of being put down in the lowest
- class, along with the children.
- </p>
- <p>
- The examination of Miss de Sor having produced these results was pursued
- no further. Her character now appeared in a new, and not very attractive,
- light. She audaciously took to herself the whole credit of telling her
- story:
- </p>
- <p>
- &ldquo;I think it&rsquo;s my turn now,&rdquo; she said, &ldquo;to be interested and amused. May I
- ask you to begin, Miss Emily? All I know of you at present is, that your
- family name is Brown.&rdquo;
- </p>
- <p>
- Emily held up her hand for silence.
- </p>
- <p>
- Was the mysterious creaking on the stairs making itself heard once more?
- No. The sound that had caught Emily&rsquo;s quick ear came from the beds, on the
- opposite side of the room, occupied by the three lazy girls. With no new
- alarm to disturb them, Effie, Annis, and Priscilla had yielded to the
- composing influences of a good supper and a warm night. They were fast
- asleep&mdash;and the stoutest of the three (softly, as became a young
- lady) was snoring!
- </p>
- <p>
- The unblemished reputation of the bedroom was dear to Emily, in her
- capacity of queen. She felt herself humiliated in the presence of the new
- pupil.
- </p>
- <p>
- &ldquo;If that fat girl ever gets a lover,&rdquo; she said indignantly, &ldquo;I shall
- consider it my duty to warn the poor man before he marries her. Her
- ridiculous name is Euphemia. I have christened her (far more
- appropriately) Boiled Veal. No color in her hair, no color in her eyes, no
- color in her complexion. In short, no flavor in Euphemia. You naturally
- object to snoring. Pardon me if I turn my back on you&mdash;I am going to
- throw my slipper at her.&rdquo;
- </p>
- <p>
- The soft voice of Cecilia&mdash;suspiciously drowsy in tone&mdash;interposed
- in the interests of mercy.
- </p>
- <p>
- &ldquo;She can&rsquo;t help it, poor thing; and she really isn&rsquo;t loud enough to
- disturb us.&rdquo;
- </p>
- <p>
- &ldquo;She won&rsquo;t disturb <i>you</i>, at any rate! Rouse yourself, Cecilia. We
- are wide awake on this side of the room&mdash;and Francine says it&rsquo;s our
- turn to amuse her.&rdquo;
- </p>
- <p>
- A low murmur, dying away gently in a sigh, was the only answer. Sweet
- Cecilia had yielded to the somnolent influences of the supper and the
- night. The soft infection of repose seemed to be in some danger of
- communicating itself to Francine. Her large mouth opened luxuriously in a
- long-continued yawn.
- </p>
- <p>
- &ldquo;Good-night!&rdquo; said Emily.
- </p>
- <p>
- Miss de Sor became wide awake in an instant.
- </p>
- <p>
- &ldquo;No,&rdquo; she said positively; &ldquo;you are quite mistaken if you think I am going
- to sleep. Please exert yourself, Miss Emily&mdash;I am waiting to be
- interested.&rdquo;
- </p>
- <p>
- Emily appeared to be unwilling to exert herself. She preferred talking of
- the weather.
- </p>
- <p>
- &ldquo;Isn&rsquo;t the wind rising?&rdquo; she said.
- </p>
- <p>
- There could be no doubt of it. The leaves in the garden were beginning to
- rustle, and the pattering of the rain sounded on the windows.
- </p>
- <p>
- Francine (as her straight chin proclaimed to all students of physiognomy)
- was an obstinate girl. Determined to carry her point she tried Emily&rsquo;s own
- system on Emily herself&mdash;she put questions.
- </p>
- <p>
- &ldquo;Have you been long at this school?&rdquo;
- </p>
- <p>
- &ldquo;More than three years.&rdquo;
- </p>
- <p>
- &ldquo;Have you got any brothers and sisters?&rdquo;
- </p>
- <p>
- &ldquo;I am the only child.&rdquo;
- </p>
- <p>
- &ldquo;Are your father and mother alive?&rdquo;
- </p>
- <p>
- Emily suddenly raised herself in bed.
- </p>
- <p>
- &ldquo;Wait a minute,&rdquo; she said; &ldquo;I think I hear it again.&rdquo;
- </p>
- <p>
- &ldquo;The creaking on the stairs?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- Either she was mistaken, or the change for the worse in the weather made
- it not easy to hear slight noises in the house. The wind was still rising.
- The passage of it through the great trees in the garden began to sound
- like the fall of waves on a distant beach. It drove the rain&mdash;a heavy
- downpour by this time&mdash;rattling against the windows.
- </p>
- <p>
- &ldquo;Almost a storm, isn&rsquo;t it?&rdquo; Emily said
- </p>
- <p>
- Francine&rsquo;s last question had not been answered yet. She took the earliest
- opportunity of repeating it:
- </p>
- <p>
- &ldquo;Never mind the weather,&rdquo; she said. &ldquo;Tell me about your father and mother.
- Are they both alive?&rdquo;
- </p>
- <p>
- Emily&rsquo;s reply only related to one of her parents.
- </p>
- <p>
- &ldquo;My mother died before I was old enough to feel my loss.&rdquo;
- </p>
- <p>
- &ldquo;And your father?&rdquo;
- </p>
- <p>
- Emily referred to another relative&mdash;her father&rsquo;s sister. &ldquo;Since I
- have grown up,&rdquo; she proceeded, &ldquo;my good aunt has been a second mother to
- me. My story is, in one respect, the reverse of yours. You are
- unexpectedly rich; and I am unexpectedly poor. My aunt&rsquo;s fortune was to
- have been my fortune, if I outlived her. She has been ruined by the
- failure of a bank. In her old age, she must live on an income of two
- hundred a year&mdash;and I must get my own living when I leave school.&rdquo;
- </p>
- <p>
- &ldquo;Surely your father can help you?&rdquo; Francine persisted.
- </p>
- <p>
- &ldquo;His property is landed property.&rdquo; Her voice faltered, as she referred to
- him, even in that indirect manner. &ldquo;It is entailed; his nearest male
- relative inherits it.&rdquo;
- </p>
- <p>
- The delicacy which is easily discouraged was not one of the weaknesses in
- the nature of Francine.
- </p>
- <p>
- &ldquo;Do I understand that your father is dead?&rdquo; she asked.
- </p>
- <p>
- Our thick-skinned fellow-creatures have the rest of us at their mercy:
- only give them time, and they carry their point in the end. In sad subdued
- tones&mdash;telling of deeply-rooted reserves of feeling, seldom revealed
- to strangers&mdash;Emily yielded at last.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said, &ldquo;my father is dead.&rdquo;
- </p>
- <p>
- &ldquo;Long ago?&rdquo;
- </p>
- <p>
- &ldquo;Some people might think it long ago. I was very fond of my father. It&rsquo;s
- nearly four years since he died, and my heart still aches when I think of
- him. I&rsquo;m not easily depressed by troubles, Miss de Sor. But his death was
- sudden&mdash;he was in his grave when I first heard of it&mdash;and&mdash;Oh,
- he was so good to me; he was so good to me!&rdquo;
- </p>
- <p>
- The gay high-spirited little creature who took the lead among them all&mdash;who
- was the life and soul of the school&mdash;hid her face in her hands, and
- burst out crying.
- </p>
- <p>
- Startled and&mdash;to do her justice&mdash;ashamed, Francine attempted to
- make excuses. Emily&rsquo;s generous nature passed over the cruel persistency
- that had tortured her. &ldquo;No no; I have nothing to forgive. It isn&rsquo;t your
- fault. Other girls have not mothers and brothers and sisters&mdash;and get
- reconciled to such a loss as mine. Don&rsquo;t make excuses.&rdquo;
- </p>
- <p>
- &ldquo;Yes, but I want you to know that I feel for you,&rdquo; Francine insisted,
- without the slightest approach to sympathy in face, voice, or manner.
- &ldquo;When my uncle died, and left us all the money, papa was much shocked. He
- trusted to time to help him.&rdquo;
- </p>
- <p>
- &ldquo;Time has been long about it with me, Francine. I am afraid there is
- something perverse in my nature; the hope of meeting again in a better
- world seems so faint and so far away. No more of it now! Let us talk of
- that good creature who is asleep on the other side of you. Did I tell you
- that I must earn my own bread when I leave school? Well, Cecilia has
- written home and found an employment for me. Not a situation as governess&mdash;something
- quite out of the common way. You shall hear all about it.&rdquo;
- </p>
- <p>
- In the brief interval that had passed, the weather had begun to change
- again. The wind was as high as ever; but to judge by the lessening patter
- on the windows the rain was passing away.
- </p>
- <p>
- Emily began.
- </p>
- <p>
- She was too grateful to her friend and school-fellow, and too deeply
- interested in her story, to notice the air of indifference with which
- Francine settled herself on her pillow to hear the praises of Cecilia. The
- most beautiful girl in the school was not an object of interest to a young
- lady with an obstinate chin and unfortunately-placed eyes. Pouring warm
- from the speaker&rsquo;s heart the story ran smoothly on, to the monotonous
- accompaniment of the moaning wind. By fine degrees Francine&rsquo;s eyes closed,
- opened and closed again. Toward the latter part of the narrative Emily&rsquo;s
- memory became, for the moment only, confused between two events. She
- stopped to consider&mdash;noticed Francine&rsquo;s silence, in an interval when
- she might have said a word of encouragement&mdash;and looked closer at
- her. Miss de Sor was asleep.
- </p>
- <p>
- &ldquo;She might have told me she was tired,&rdquo; Emily said to herself quietly.
- &ldquo;Well! the best thing I can do is to put out the light and follow her
- example.&rdquo;
- </p>
- <p>
- As she took up the extinguisher, the bedroom door was suddenly opened from
- the outer side. A tall woman, robed in a black dressing-gown, stood on the
- threshold, looking at Emily.
- </p>
- <p>
- <a name="link2HCH0003" id="link2HCH0003">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER III. THE LATE MR. BROWN.
- </h3>
- <p>
- The woman&rsquo;s lean, long-fingered hand pointed to the candle.
- </p>
- <p>
- &ldquo;Don&rsquo;t put it out.&rdquo; Saying those words, she looked round the room, and
- satisfied herself that the other girls were asleep.
- </p>
- <p>
- Emily laid down the extinguisher. &ldquo;You mean to report us, of course,&rdquo; she
- said. &ldquo;I am the only one awake, Miss Jethro; lay the blame on me.&rdquo;
- </p>
- <p>
- &ldquo;I have no intention of reporting you. But I have something to say.&rdquo;
- </p>
- <p>
- She paused, and pushed her thick black hair (already streaked with gray)
- back from her temples. Her eyes, large and dark and dim, rested on Emily
- with a sorrowful interest. &ldquo;When your young friends wake to-morrow
- morning,&rdquo; she went on, &ldquo;you can tell them that the new teacher, whom
- nobody likes, has left the school.&rdquo;
- </p>
- <p>
- For once, even quick-witted Emily was bewildered. &ldquo;Going away,&rdquo; she said,
- &ldquo;when you have only been here since Easter!&rdquo;
- </p>
- <p>
- Miss Jethro advanced, not noticing Emily&rsquo;s expression of surprise. &ldquo;I am
- not very strong at the best of times,&rdquo; she continued, &ldquo;may I sit down on
- your bed?&rdquo; Remarkable on other occasions for her cold composure, her voice
- trembled as she made that request&mdash;a strange request surely, when
- there were chairs at her disposal.
- </p>
- <p>
- Emily made room for her with the dazed look of a girl in a dream. &ldquo;I beg
- your pardon, Miss Jethro, one of the things I can&rsquo;t endure is being
- puzzled. If you don&rsquo;t mean to report us, why did you come in and catch me
- with the light?&rdquo;
- </p>
- <p>
- Miss Jethro&rsquo;s explanation was far from relieving the perplexity which her
- conduct had caused.
- </p>
- <p>
- &ldquo;I have been mean enough,&rdquo; she answered, &ldquo;to listen at the door, and I
- heard you talking of your father. I want to hear more about him. That is
- why I came in.&rdquo;
- </p>
- <p>
- &ldquo;You knew my father!&rdquo; Emily exclaimed.
- </p>
- <p>
- &ldquo;I believe I knew him. But his name is so common&mdash;there are so many
- thousands of &lsquo;James Browns&rsquo; in England&mdash;that I am in fear of making a
- mistake. I heard you say that he died nearly four years since. Can you
- mention any particulars which might help to enlighten me? If you think I
- am taking a liberty&mdash;&rdquo;
- </p>
- <p>
- Emily stopped her. &ldquo;I would help you if I could,&rdquo; she said. &ldquo;But I was in
- poor health at the time; and I was staying with friends far away in
- Scotland, to try change of air. The news of my father&rsquo;s death brought on a
- relapse. Weeks passed before I was strong enough to travel&mdash;weeks and
- weeks before I saw his grave! I can only tell you what I know from my
- aunt. He died of heart-complaint.&rdquo;
- </p>
- <p>
- Miss Jethro started.
- </p>
- <p>
- Emily looked at her for the first time, with eyes that betrayed a feeling
- of distrust. &ldquo;What have I said to startle you?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Nothing! I am nervous in stormy weather&mdash;don&rsquo;t notice me.&rdquo; She went
- on abruptly with her inquiries. &ldquo;Will you tell me the date of your
- father&rsquo;s death?&rdquo;
- </p>
- <p>
- &ldquo;The date was the thirtieth of September, nearly four years since.&rdquo;
- </p>
- <p>
- She waited, after that reply.
- </p>
- <p>
- Miss Jethro was silent.
- </p>
- <p>
- &ldquo;And this,&rdquo; Emily continued, &ldquo;is the thirtieth of June, eighteen hundred
- and eighty-one. You can now judge for yourself. Did you know my father?&rdquo;
- </p>
- <p>
- Miss Jethro answered mechanically, using the same words.
- </p>
- <p>
- &ldquo;I did know your father.&rdquo;
- </p>
- <p>
- Emily&rsquo;s feeling of distrust was not set at rest. &ldquo;I never heard him speak
- of you,&rdquo; she said.
- </p>
- <p>
- In her younger days the teacher must have been a handsome woman. Her
- grandly-formed features still suggested the idea of imperial beauty&mdash;perhaps
- Jewish in its origin. When Emily said, &ldquo;I never heard him speak of you,&rdquo;
- the color flew into her pallid cheeks: her dim eyes became alive again
- with a momentary light. She left her seat on the bed, and, turning away,
- mastered the emotion that shook her.
- </p>
- <p>
- &ldquo;How hot the night is!&rdquo; she said: and sighed, and resumed the subject with
- a steady countenance. &ldquo;I am not surprised that your father never mentioned
- me&mdash;to <i>you</i>.&rdquo; She spoke quietly, but her face was paler than
- ever. She sat down again on the bed. &ldquo;Is there anything I can do for you,&rdquo;
- she asked, &ldquo;before I go away? Oh, I only mean some trifling service that
- would lay you under no obligation, and would not oblige you to keep up
- your acquaintance with me.&rdquo;
- </p>
- <p>
- Her eyes&mdash;the dim black eyes that must once have been irresistibly
- beautiful&mdash;looked at Emily so sadly that the generous girl reproached
- herself for having doubted her father&rsquo;s friend. &ldquo;Are you thinking of <i>him</i>,&rdquo;
- she said gently, &ldquo;when you ask if you can be of service to me?&rdquo;
- </p>
- <p>
- Miss Jethro made no direct reply. &ldquo;You were fond of your father?&rdquo; she
- added, in a whisper. &ldquo;You told your schoolfellow that your heart still
- aches when you speak of him.&rdquo;
- </p>
- <p>
- &ldquo;I only told her the truth,&rdquo; Emily answered simply.
- </p>
- <p>
- Miss Jethro shuddered&mdash;on that hot night!&mdash;shuddered as if a
- chill had struck her.
- </p>
- <p>
- Emily held out her hand; the kind feeling that had been roused in her
- glittered prettily in her eyes. &ldquo;I am afraid I have not done you justice,&rdquo;
- she said. &ldquo;Will you forgive me and shake hands?&rdquo;
- </p>
- <p>
- Miss Jethro rose, and drew back. &ldquo;Look at the light!&rdquo; she exclaimed.
- </p>
- <p>
- The candle was all burned out. Emily still offered her hand&mdash;and
- still Miss Jethro refused to see it.
- </p>
- <p>
- &ldquo;There is just light enough left,&rdquo; she said, &ldquo;to show me my way to the
- door. Good-night&mdash;and good-by.&rdquo;
- </p>
- <p>
- Emily caught at her dress, and stopped her. &ldquo;Why won&rsquo;t you shake hands
- with me?&rdquo; she asked.
- </p>
- <p>
- The wick of the candle fell over in the socket, and left them in the dark.
- Emily resolutely held the teacher&rsquo;s dress. With or without light, she was
- still bent on making Miss Jethro explain herself.
- </p>
- <p>
- They had throughout spoken in guarded tones, fearing to disturb the
- sleeping girls. The sudden darkness had its inevitable effect. Their
- voices sank to whispers now. &ldquo;My father&rsquo;s friend,&rdquo; Emily pleaded, &ldquo;is
- surely my friend?&rdquo;
- </p>
- <p>
- &ldquo;Drop the subject.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;You can never be <i>my</i> friend.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;Let me go!&rdquo;
- </p>
- <p>
- Emily&rsquo;s sense of self-respect forbade her to persist any longer. &ldquo;I beg
- your pardon for having kept you here against your will,&rdquo; she said&mdash;and
- dropped her hold on the dress.
- </p>
- <p>
- Miss Jethro instantly yielded on her side. &ldquo;I am sorry to have been
- obstinate,&rdquo; she answered. &ldquo;If you do despise me, it is after all no more
- than I have deserved.&rdquo; Her hot breath beat on Emily&rsquo;s face: the unhappy
- woman must have bent over the bed as she made her confession. &ldquo;I am not a
- fit person for you to associate with.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t believe it!&rdquo;
- </p>
- <p>
- Miss Jethro sighed bitterly. &ldquo;Young and warm hearted&mdash;I was once like
- you!&rdquo; She controlled that outburst of despair. Her next words were spoken
- in steadier tones. &ldquo;You <i>will</i> have it&mdash;you <i>shall</i> have
- it!&rdquo; she said. &ldquo;Some one (in this house or out of it; I don&rsquo;t know which)
- has betrayed me to the mistress of the school. A wretch in my situation
- suspects everybody, and worse still, does it without reason or excuse. I
- heard you girls talking when you ought to have been asleep. You all
- dislike me. How did I know it mightn&rsquo;t be one of you? Absurd, to a person
- with a well-balanced mind! I went halfway up the stairs, and felt ashamed
- of myself, and went back to my room. If I could only have got some rest!
- Ah, well, it was not to be done. My own vile suspicions kept me awake; I
- left my bed again. You know what I heard on the other side of that door,
- and why I was interested in hearing it. Your father never told me he had a
- daughter. &lsquo;Miss Brown,&rsquo; at this school, was any &lsquo;Miss Brown,&rsquo; to me. I had
- no idea of who you really were until to-night. I&rsquo;m wandering. What does
- all this matter to you? Miss Ladd has been merciful; she lets me go
- without exposing me. You can guess what has happened. No? Not even yet? Is
- it innocence or kindness that makes you so slow to understand? My dear, I
- have obtained admission to this respectable house by means of false
- references, and I have been discovered. <i>Now</i> you know why you must
- not be the friend of such a woman as I am! Once more, good-night&mdash;and
- good-by.&rdquo;
- </p>
- <p>
- Emily shrank from that miserable farewell.
- </p>
- <p>
- &ldquo;Bid me good-night,&rdquo; she said, &ldquo;but don&rsquo;t bid me good-by. Let me see you
- again.&rdquo;
- </p>
- <p>
- &ldquo;Never!&rdquo;
- </p>
- <p>
- The sound of the softly-closed door was just audible in the darkness. She
- had spoken&mdash;she had gone&mdash;never to be seen by Emily again.
- </p>
- <p>
- Miserable, interesting, unfathomable creature&mdash;the problem that night
- of Emily&rsquo;s waking thoughts: the phantom of her dreams. &ldquo;Bad? or good?&rdquo; she
- asked herself. &ldquo;False; for she listened at the door. True; for she told me
- the tale of her own disgrace. A friend of my father; and she never knew
- that he had a daughter. Refined, accomplished, lady-like; and she stoops
- to use a false reference. Who is to reconcile such contradictions as
- these?&rdquo;
- </p>
- <p>
- Dawn looked in at the window&mdash;dawn of the memorable day which was,
- for Emily, the beginning of a new life. The years were before her; and the
- years in their course reveal baffling mysteries of life and death.
- </p>
- <p>
- <a name="link2HCH0004" id="link2HCH0004">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER IV. MISS LADD&rsquo;S DRAWING-MASTER.
- </h3>
- <p>
- Francine was awakened the next morning by one of the housemaids, bringing
- up her breakfast on a tray. Astonished at this concession to laziness, in
- an institution devoted to the practice of all virtues, she looked round.
- The bedroom was deserted.
- </p>
- <p>
- &ldquo;The other young ladies are as busy as bees, miss,&rdquo; the housemaid
- explained. &ldquo;They were up and dressed two hours ago: and the breakfast has
- been cleared away long since. It&rsquo;s Miss Emily&rsquo;s fault. She wouldn&rsquo;t allow
- them to wake you; she said you could be of no possible use downstairs, and
- you had better be treated like a visitor. Miss Cecilia was so distressed
- at your missing your breakfast that she spoke to the housekeeper, and I
- was sent up to you. Please to excuse it if the tea&rsquo;s cold. This is Grand
- Day, and we are all topsy-turvy in consequence.&rdquo;
- </p>
- <p>
- Inquiring what &ldquo;Grand Day&rdquo; meant, and why it produced this extraordinary
- result in a ladies&rsquo; school, Francine discovered that the first day of the
- vacation was devoted to the distribution of prizes, in the presence of
- parents, guardians and friends. An Entertainment was added, comprising
- those merciless tests of human endurance called Recitations; light
- refreshments and musical performances being distributed at intervals, to
- encourage the exhausted audience. The local newspaper sent a reporter to
- describe the proceedings, and some of Miss Ladd&rsquo;s young ladies enjoyed the
- intoxicating luxury of seeing their names in print.
- </p>
- <p>
- &ldquo;It begins at three o&rsquo;clock,&rdquo; the housemaid went on, &ldquo;and, what with
- practicing and rehearsing, and ornamenting the schoolroom, there&rsquo;s a
- hubbub fit to make a person&rsquo;s head spin. Besides which,&rdquo; said the girl,
- lowering her voice, and approaching a little nearer to Francine, &ldquo;we have
- all been taken by surprise. The first thing in the morning Miss Jethro
- left us, without saying good-by to anybody.&rdquo;
- </p>
- <p>
- &ldquo;Who is Miss Jethro?&rdquo;
- </p>
- <p>
- &ldquo;The new teacher, miss. We none of us liked her, and we all suspect
- there&rsquo;s something wrong. Miss Ladd and the clergyman had a long talk
- together yesterday (in private, you know), and they sent for Miss Jethro&mdash;which
- looks bad, doesn&rsquo;t it? Is there anything more I can do for you, miss? It&rsquo;s
- a beautiful day after the rain. If I was you, I should go and enjoy myself
- in the garden.&rdquo;
- </p>
- <p>
- Having finished her breakfast, Francine decided on profiting by this
- sensible suggestion.
- </p>
- <p>
- The servant who showed her the way to the garden was not favorably
- impressed by the new pupil: Francine&rsquo;s temper asserted itself a little too
- plainly in her face. To a girl possessing a high opinion of her own
- importance it was not very agreeable to feel herself excluded, as an
- illiterate stranger, from the one absorbing interest of her schoolfellows.
- &ldquo;Will the time ever come,&rdquo; she wondered bitterly, &ldquo;when I shall win a
- prize, and sing and play before all the company? How I should enjoy making
- the girls envy me!&rdquo;
- </p>
- <p>
- A broad lawn, overshadowed at one end by fine old trees&mdash;flower beds
- and shrubberies, and winding paths prettily and invitingly laid out&mdash;made
- the garden a welcome refuge on that fine summer morning. The novelty of
- the scene, after her experience in the West Indies, the delicious breezes
- cooled by the rain of the night, exerted their cheering influence even on
- the sullen disposition of Francine. She smiled, in spite of herself, as
- she followed the pleasant paths, and heard the birds singing their summer
- songs over her head.
- </p>
- <p>
- Wandering among the trees, which occupied a considerable extent of ground,
- she passed into an open space beyond, and discovered an old fish-pond,
- overgrown by aquatic plants. Driblets of water trickled from a dilapidated
- fountain in the middle. On the further side of the pond the ground sloped
- downward toward the south, and revealed, over a low paling, a pretty view
- of a village and its church, backed by fir woods mounting the heathy sides
- of a range of hills beyond. A fanciful little wooden building, imitating
- the form of a Swiss cottage, was placed so as to command the prospect.
- Near it, in the shadow of the building, stood a rustic chair and table&mdash;with
- a color-box on one, and a portfolio on the other. Fluttering over the
- grass, at the mercy of the capricious breeze, was a neglected sheet of
- drawing-paper. Francine ran round the pond, and picked up the paper just
- as it was on the point of being tilted into the water. It contained a
- sketch in water colors of the village and the woods, and Francine had
- looked at the view itself with indifference&mdash;the picture of the view
- interested her. Ordinary visitors to Galleries of Art, which admit
- students, show the same strange perversity. The work of the copyist
- commands their whole attention; they take no interest in the original
- picture.
- </p>
- <p>
- Looking up from the sketch, Francine was startled. She discovered a man,
- at the window of the Swiss summer-house, watching her.
- </p>
- <p>
- &ldquo;When you have done with that drawing,&rdquo; he said quietly, &ldquo;please let me
- have it back again.&rdquo;
- </p>
- <p>
- He was tall and thin and dark. His finely-shaped intelligent face&mdash;hidden,
- as to the lower part of it, by a curly black beard&mdash;would have been
- absolutely handsome, even in the eyes of a schoolgirl, but for the deep
- furrows that marked it prematurely between the eyebrows, and at the sides
- of the mouth. In the same way, an underlying mockery impaired the
- attraction of his otherwise refined and gentle manner. Among his
- fellow-creatures, children and dogs were the only critics who appreciated
- his merits without discovering the defects which lessened the favorable
- appreciation of him by men and women. He dressed neatly, but his morning
- coat was badly made, and his picturesque felt hat was too old. In short,
- there seemed to be no good quality about him which was not perversely
- associated with a drawback of some kind. He was one of those harmless and
- luckless men, possessed of excellent qualities, who fail nevertheless to
- achieve popularity in their social sphere.
- </p>
- <p>
- Francine handed his sketch to him, through the window; doubtful whether
- the words that he had addressed to her were spoken in jest or in earnest.
- </p>
- <p>
- &ldquo;I only presumed to touch your drawing,&rdquo; she said, &ldquo;because it was in
- danger.&rdquo;
- </p>
- <p>
- &ldquo;What danger?&rdquo; he inquired.
- </p>
- <p>
- Francine pointed to the pond. &ldquo;If I had not been in time to pick it up, it
- would have been blown into the water.&rdquo;
- </p>
- <p>
- &ldquo;Do you think it was worth picking up?&rdquo;
- </p>
- <p>
- Putting that question, he looked first at the sketch&mdash;then at the
- view which it represented&mdash;then back again at the sketch. The corners
- of his mouth turned upward with a humorous expression of scorn. &ldquo;Madam
- Nature,&rdquo; he said, &ldquo;I beg your pardon.&rdquo; With those words, he composedly
- tore his work of art into small pieces, and scattered them out of the
- window.
- </p>
- <p>
- &ldquo;What a pity!&rdquo; said Francine.
- </p>
- <p>
- He joined her on the ground outside the cottage. &ldquo;Why is it a pity?&rdquo; he
- asked.
- </p>
- <p>
- &ldquo;Such a nice drawing.&rdquo;
- </p>
- <p>
- &ldquo;It isn&rsquo;t a nice drawing.&rdquo;
- </p>
- <p>
- &ldquo;You&rsquo;re not very polite, sir.&rdquo;
- </p>
- <p>
- He looked at her&mdash;and sighed as if he pitied so young a woman for
- having a temper so ready to take offense. In his flattest contradictions
- he always preserved the character of a politely-positive man.
- </p>
- <p>
- &ldquo;Put it in plain words, miss,&rdquo; he replied. &ldquo;I have offended the
- predominant sense in your nature&mdash;your sense of self-esteem. You
- don&rsquo;t like to be told, even indirectly, that you know nothing of Art. In
- these days, everybody knows everything&mdash;and thinks nothing worth
- knowing after all. But beware how you presume on an appearance of
- indifference, which is nothing but conceit in disguise. The ruling passion
- of civilized humanity is, Conceit. You may try the regard of your dearest
- friend in any other way, and be forgiven. Ruffle the smooth surface of
- your friend&rsquo;s self-esteem&mdash;and there will be an acknowledged coolness
- between you which will last for life. Excuse me for giving you the benefit
- of my trumpery experience. This sort of smart talk is <i>my</i> form of
- conceit. Can I be of use to you in some better way? Are you looking for
- one of our young ladies?&rdquo;
- </p>
- <p>
- Francine began to feel a certain reluctant interest in him when he spoke
- of &ldquo;our young ladies.&rdquo; She asked if he belonged to the school.
- </p>
- <p>
- The corners of his mouth turned up again. &ldquo;I&rsquo;m one of the masters,&rdquo; he
- said. &ldquo;Are <i>you</i> going to belong to the school, too?&rdquo;
- </p>
- <p>
- Francine bent her head, with a gravity and condescension intended to keep
- him at his proper distance. Far from being discouraged, he permitted his
- curiosity to take additional liberties. &ldquo;Are you to have the misfortune of
- being one of my pupils?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I don&rsquo;t know who you are.&rdquo;
- </p>
- <p>
- &ldquo;You won&rsquo;t be much wiser when you do know. My name is Alban Morris.&rdquo;
- </p>
- <p>
- Francine corrected herself. &ldquo;I mean, I don&rsquo;t know what you teach.&rdquo;
- </p>
- <p>
- Alban Morris pointed to the fragments of his sketch from Nature. &ldquo;I am a
- bad artist,&rdquo; he said. &ldquo;Some bad artists become Royal Academicians. Some
- take to drink. Some get a pension. And some&mdash;I am one of them&mdash;find
- refuge in schools. Drawing is an &lsquo;Extra&rsquo; at this school. Will you take my
- advice? Spare your good father&rsquo;s pocket; say you don&rsquo;t want to learn to
- draw.&rdquo;
- </p>
- <p>
- He was so gravely in earnest that Francine burst out laughing. &ldquo;You are a
- strange man,&rdquo; she said.
- </p>
- <p>
- &ldquo;Wrong again, miss. I am only an unhappy man.&rdquo;
- </p>
- <p>
- The furrows in his face deepened, the latent humor died out of his eyes.
- He turned to the summer-house window, and took up a pipe and tobacco
- pouch, left on the ledge.
- </p>
- <p>
- &ldquo;I lost my only friend last year,&rdquo; he said. &ldquo;Since the death of my dog, my
- pipe is the one companion I have left. Naturally I am not allowed to enjoy
- the honest fellow&rsquo;s society in the presence of ladies. They have their own
- taste in perfumes. Their clothes and their letters reek with the foetid
- secretion of the musk deer. The clean vegetable smell of tobacco is
- unendurable to them. Allow me to retire&mdash;and let me thank you for the
- trouble you took to save my drawing.&rdquo;
- </p>
- <p>
- The tone of indifference in which he expressed his gratitude piqued
- Francine. She resented it by drawing her own conclusion from what he had
- said of the ladies and the musk deer. &ldquo;I was wrong in admiring your
- drawing,&rdquo; she remarked; &ldquo;and wrong again in thinking you a strange man. Am
- I wrong, for the third time, in believing that you dislike women?&rdquo;
- </p>
- <p>
- &ldquo;I am sorry to say you are right,&rdquo; Alban Morris answered gravely.
- </p>
- <p>
- &ldquo;Is there not even one exception?&rdquo;
- </p>
- <p>
- The instant the words passed her lips, she saw that there was some
- secretly sensitive feeling in him which she had hurt. His black brows
- gathered into a frown, his piercing eyes looked at her with angry
- surprise. It was over in a moment. He raised his shabby hat, and made her
- a bow.
- </p>
- <p>
- &ldquo;There is a sore place still left in me,&rdquo; he said; &ldquo;and you have
- innocently hit it. Good-morning.&rdquo;
- </p>
- <p>
- Before she could speak again, he had turned the corner of the
- summer-house, and was lost to view in a shrubbery on the westward side of
- the grounds.
- </p>
- <p>
- <a name="link2HCH0005" id="link2HCH0005">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER V. DISCOVERIES IN THE GARDEN.
- </h3>
- <p>
- Left by herself, Miss de Sor turned back again by way of the trees.
- </p>
- <p>
- So far, her interview with the drawing-master had helped to pass the time.
- Some girls might have found it no easy task to arrive at a true view of
- the character of Alban Morris. Francine&rsquo;s essentially superficial
- observation set him down as &ldquo;a little mad,&rdquo; and left him there, judged and
- dismissed to her own entire satisfaction.
- </p>
- <p>
- Arriving at the lawn, she discovered Emily pacing backward and forward,
- with her head down and her hands behind her, deep in thought. Francine&rsquo;s
- high opinion of herself would have carried her past any of the other
- girls, unless they had made special advances to her. She stopped and
- looked at Emily.
- </p>
- <p>
- It is the sad fate of little women in general to grow too fat and to be
- born with short legs. Emily&rsquo;s slim finely-strung figure spoke for itself
- as to the first of these misfortunes, and asserted its happy freedom from
- the second, if she only walked across a room. Nature had built her, from
- head to foot, on a skeleton-scaffolding in perfect proportion. Tall or
- short matters little to the result, in women who possess the first and
- foremost advantage of beginning well in their bones. When they live to old
- age, they often astonish thoughtless men, who walk behind them in the
- street. &ldquo;I give you my honor, she was as easy and upright as a young girl;
- and when you got in front of her and looked&mdash;white hair, and seventy
- years of age.&rdquo;
- </p>
- <p>
- Francine approached Emily, moved by a rare impulse in her nature&mdash;the
- impulse to be sociable. &ldquo;You look out of spirits,&rdquo; she began. &ldquo;Surely you
- don&rsquo;t regret leaving school?&rdquo;
- </p>
- <p>
- In her present mood, Emily took the opportunity (in the popular phrase) of
- snubbing Francine. &ldquo;You have guessed wrong; I do regret,&rdquo; she answered. &ldquo;I
- have found in Cecilia my dearest friend at school. And school brought with
- it the change in my life which has helped me to bear the loss of my
- father. If you must know what I was thinking of just now, I was thinking
- of my aunt. She has not answered my last letter&mdash;and I&rsquo;m beginning to
- be afraid she is ill.&rdquo;
- </p>
- <p>
- &ldquo;I&rsquo;m very sorry,&rdquo; said Francine.
- </p>
- <p>
- &ldquo;Why? You don&rsquo;t know my aunt; and you have only known me since yesterday
- afternoon. Why are you sorry?&rdquo;
- </p>
- <p>
- Francine remained silent. Without realizing it, she was beginning to feel
- the dominant influence that Emily exercised over the weaker natures that
- came in contact with her. To find herself irresistibly attracted by a
- stranger at a new school&mdash;an unfortunate little creature, whose
- destiny was to earn her own living&mdash;filled the narrow mind of Miss de
- Sor with perplexity. Having waited in vain for a reply, Emily turned away,
- and resumed the train of thought which her schoolfellow had interrupted.
- </p>
- <p>
- By an association of ideas, of which she was not herself aware, she now
- passed from thinking of her aunt to thinking of Miss Jethro. The interview
- of the previous night had dwelt on her mind at intervals, in the hours of
- the new day.
- </p>
- <p>
- Acting on instinct rather than on reason, she had kept that remarkable
- incident in her school life a secret from every one. No discoveries had
- been made by other persons. In speaking to her staff of teachers, Miss
- Ladd had alluded to the affair in the most cautious terms. &ldquo;Circumstances
- of a private nature have obliged the lady to retire from my school. When
- we meet after the holidays, another teacher will be in her place.&rdquo; There,
- Miss Ladd&rsquo;s explanation had begun and ended. Inquiries addressed to the
- servants had led to no result. Miss Jethro&rsquo;s luggage was to be forwarded
- to the London terminus of the railway&mdash;and Miss Jethro herself had
- baffled investigation by leaving the school on foot. Emily&rsquo;s interest in
- the lost teacher was not the transitory interest of curiosity; her
- father&rsquo;s mysterious friend was a person whom she honestly desired to see
- again. Perplexed by the difficulty of finding a means of tracing Miss
- Jethro, she reached the shady limit of the trees, and turned to walk back
- again. Approaching the place at which she and Francine had met, an idea
- occurred to her. It was just possible that Miss Jethro might not be
- unknown to her aunt.
- </p>
- <p>
- Still meditating on the cold reception that she had encountered, and still
- feeling the influence which mastered her in spite of herself, Francine
- interpreted Emily&rsquo;s return as an implied expression of regret. She
- advanced with a constrained smile, and spoke first.
- </p>
- <p>
- &ldquo;How are the young ladies getting on in the schoolroom?&rdquo; she asked, by way
- of renewing the conversation.
- </p>
- <p>
- Emily&rsquo;s face assumed a look of surprise which said plainly, Can&rsquo;t you take
- a hint and leave me to myself?
- </p>
- <p>
- Francine was constitutionally impenetrable to reproof of this sort; her
- thick skin was not even tickled. &ldquo;Why are you not helping them,&rdquo; she went
- on; &ldquo;you who have the clearest head among us and take the lead in
- everything?&rdquo;
- </p>
- <p>
- It may be a humiliating confession to make, yet it is surely true that we
- are all accessible to flattery. Different tastes appreciate different
- methods of burning incense&mdash;but the perfume is more or less agreeable
- to all varieties of noses. Francine&rsquo;s method had its tranquilizing effect
- on Emily. She answered indulgently, &ldquo;Miss de Sor, I have nothing to do
- with it.&rdquo;
- </p>
- <p>
- &ldquo;Nothing to do with it? No prizes to win before you leave school?&rdquo;
- </p>
- <p>
- &ldquo;I won all the prizes years ago.&rdquo;
- </p>
- <p>
- &ldquo;But there are recitations. Surely you recite?&rdquo;
- </p>
- <p>
- Harmless words in themselves, pursuing the same smooth course of flattery
- as before&mdash;but with what a different result! Emily&rsquo;s face reddened
- with anger the moment they were spoken. Having already irritated Alban
- Morris, unlucky Francine, by a second mischievous interposition of
- accident, had succeeded in making Emily smart next. &ldquo;Who has told you,&rdquo;
- she burst out; &ldquo;I insist on knowing!&rdquo;
- </p>
- <p>
- &ldquo;Nobody has told me anything!&rdquo; Francine declared piteously.
- </p>
- <p>
- &ldquo;Nobody has told you how I have been insulted?&rdquo;
- </p>
- <p>
- &ldquo;No, indeed! Oh, Miss Brown, who could insult <i>you?</i>&rdquo;
- </p>
- <p>
- In a man, the sense of injury does sometimes submit to the discipline of
- silence. In a woman&mdash;never. Suddenly reminded of her past wrongs (by
- the pardonable error of a polite schoolfellow), Emily committed the
- startling inconsistency of appealing to the sympathies of Francine!
- </p>
- <p>
- &ldquo;Would you believe it? I have been forbidden to recite&mdash;I, the head
- girl of the school. Oh, not to-day! It happened a month ago&mdash;when we
- were all in consultation, making our arrangements. Miss Ladd asked me if I
- had decided on a piece to recite. I said, &lsquo;I have not only decided, I have
- learned the piece.&rsquo; &lsquo;And what may it be?&rsquo; &lsquo;The dagger-scene in Macbeth.&rsquo;
- There was a howl&mdash;I can call it by no other name&mdash;a howl of
- indignation. A man&rsquo;s soliloquy, and, worse still, a murdering man&rsquo;s
- soliloquy, recited by one of Miss Ladd&rsquo;s young ladies, before an audience
- of parents and guardians! That was the tone they took with me. I was as
- firm as a rock. The dagger-scene or nothing. The result is&mdash;nothing!
- An insult to Shakespeare, and an insult to Me. I felt it&mdash;I feel it
- still. I was prepared for any sacrifice in the cause of the drama. If Miss
- Ladd had met me in a proper spirit, do you know what I would have done? I
- would have played Macbeth in costume. Just hear me, and judge for
- yourself. I begin with a dreadful vacancy in my eyes, and a hollow moaning
- in my voice: &lsquo;Is this a dagger that I see before me&mdash;?&rsquo;&rdquo;
- </p>
- <p>
- Reciting with her face toward the trees, Emily started, dropped the
- character of Macbeth, and instantly became herself again: herself, with a
- rising color and an angry brightening of the eyes. &ldquo;Excuse me, I can&rsquo;t
- trust my memory: I must get the play.&rdquo; With that abrupt apology, she
- walked away rapidly in the direction of the house.
- </p>
- <p>
- In some surprise, Francine turned, and looked at the trees. She discovered&mdash;in
- full retreat, on his side&mdash;the eccentric drawing-master, Alban
- Morris.
- </p>
- <p>
- Did he, too, admire the dagger-scene? And was he modestly desirous of
- hearing it recited, without showing himself? In that case, why should
- Emily (whose besetting weakness was certainly not want of confidence in
- her own resources) leave the garden the moment she caught sight of him?
- Francine consulted her instincts. She had just arrived at a conclusion
- which expressed itself outwardly by a malicious smile, when gentle Cecilia
- appeared on the lawn&mdash;a lovable object in a broad straw hat and a
- white dress, with a nosegay in her bosom&mdash;smiling, and fanning
- herself.
- </p>
- <p>
- &ldquo;It&rsquo;s so hot in the schoolroom,&rdquo; she said, &ldquo;and some of the girls, poor
- things, are so ill-tempered at rehearsal&mdash;I have made my escape. I
- hope you got your breakfast, Miss de Sor. What have you been doing here,
- all by yourself?&rdquo;
- </p>
- <p>
- &ldquo;I have been making an interesting discovery,&rdquo; Francine replied.
- </p>
- <p>
- &ldquo;An interesting discovery in our garden? What <i>can</i> it be?&rdquo;
- </p>
- <p>
- &ldquo;The drawing-master, my dear, is in love with Emily. Perhaps she doesn&rsquo;t
- care about him. Or, perhaps, I have been an innocent obstacle in the way
- of an appointment between them.&rdquo;
- </p>
- <p>
- Cecilia had breakfasted to her heart&rsquo;s content on her favorite dish&mdash;buttered
- eggs. She was in such good spirits that she was inclined to be coquettish,
- even when there was no man present to fascinate. &ldquo;We are not allowed to
- talk about love in this school,&rdquo; she said&mdash;and hid her face behind
- her fan. &ldquo;Besides, if it came to Miss Ladd&rsquo;s ears, poor Mr. Morris might
- lose his situation.&rdquo;
- </p>
- <p>
- &ldquo;But isn&rsquo;t it true?&rdquo; asked Francine.
- </p>
- <p>
- &ldquo;It may be true, my dear; but nobody knows. Emily hasn&rsquo;t breathed a word
- about it to any of us. And Mr. Morris keeps his own secret. Now and then
- we catch him looking at her&mdash;and we draw our own conclusions.&rdquo;
- </p>
- <p>
- &ldquo;Did you meet Emily on your way here?&rdquo;
- </p>
- <p>
- &ldquo;Yes, and she passed without speaking to me.&rdquo;
- </p>
- <p>
- &ldquo;Thinking perhaps of Mr. Morris.&rdquo;
- </p>
- <p>
- Cecilia shook her head. &ldquo;Thinking, Francine, of the new life before her&mdash;and
- regretting, I am afraid, that she ever confided her hopes and wishes to
- me. Did she tell you last night what her prospects are when she leaves
- school?&rdquo;
- </p>
- <p>
- &ldquo;She told me you had been very kind in helping her. I daresay I should
- have heard more, if I had not fallen asleep. What is she going to do?&rdquo;
- </p>
- <p>
- &ldquo;To live in a dull house, far away in the north,&rdquo; Cecilia answered; &ldquo;with
- only old people in it. She will have to write and translate for a great
- scholar, who is studying mysterious inscriptions&mdash;hieroglyphics, I
- think they are called&mdash;found among the ruins of Central America. It&rsquo;s
- really no laughing matter, Francine! Emily made a joke of it, too. &lsquo;I&rsquo;ll
- take anything but a situation as a governess,&rsquo; she said; &lsquo;the children who
- have Me to teach them would be to be pitied indeed!&rsquo; She begged and prayed
- me to help her to get an honest living. What could I do? I could only
- write home to papa. He is a member of Parliament: and everybody who wants
- a place seems to think he is bound to find it for them. As it happened, he
- had heard from an old friend of his (a certain Sir Jervis Redwood), who
- was in search of a secretary. Being in favor of letting the women compete
- for employment with the men, Sir Jervis was willing to try, what he calls,
- &lsquo;a female.&rsquo; Isn&rsquo;t that a horrid way of speaking of us? and Miss Ladd says
- it&rsquo;s ungrammatical, besides. Papa had written back to say he knew of no
- lady whom he could recommend. When he got my letter speaking of Emily, he
- kindly wrote again. In the interval, Sir Jervis had received two
- applications for the vacant place. They were both from old ladies&mdash;and
- he declined to employ them.&rdquo;
- </p>
- <p>
- &ldquo;Because they were old,&rdquo; Francine suggested maliciously.
- </p>
- <p>
- &ldquo;You shall hear him give his own reasons, my dear. Papa sent me an extract
- from his letter. It made me rather angry; and (perhaps for that reason) I
- think I can repeat it word for word:&mdash;&lsquo;We are four old people in this
- house, and we don&rsquo;t want a fifth. Let us have a young one to cheer us. If
- your daughter&rsquo;s friend likes the terms, and is not encumbered with a
- sweetheart, I will send for her when the school breaks up at midsummer.&rsquo;
- Coarse and selfish&mdash;isn&rsquo;t it? However, Emily didn&rsquo;t agree with me,
- when I showed her the extract. She accepted the place, very much to her
- aunt&rsquo;s surprise and regret, when that excellent person heard of it. Now
- that the time has come (though Emily won&rsquo;t acknowledge it), I believe she
- secretly shrinks, poor dear, from the prospect.&rdquo;
- </p>
- <p>
- &ldquo;Very likely,&rdquo; Francine agreed&mdash;without even a pretense of sympathy.
- &ldquo;But tell me, who are the four old people?&rdquo;
- </p>
- <p>
- &ldquo;First, Sir Jervis himself&mdash;seventy, last birthday. Next, his
- unmarried sister&mdash;nearly eighty. Next, his man-servant, Mr. Rook&mdash;well
- past sixty. And last, his man-servant&rsquo;s wife, who considers herself young,
- being only a little over forty. That is the household. Mrs. Rook is coming
- to-day to attend Emily on the journey to the North; and I am not at all
- sure that Emily will like her.&rdquo;
- </p>
- <p>
- &ldquo;A disagreeable woman, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;not exactly that. Rather odd and flighty. The fact is, Mrs. Rook
- has had her troubles; and perhaps they have a little unsettled her. She
- and her husband used to keep the village inn, close to our park: we know
- all about them at home. I am sure I pity these poor people. What are you
- looking at, Francine?&rdquo;
- </p>
- <p>
- Feeling no sort of interest in Mr. and Mrs. Rook, Francine was studying
- her schoolfellow&rsquo;s lovely face in search of defects. She had already
- discovered that Cecilia&rsquo;s eyes were placed too widely apart, and that her
- chin wanted size and character.
- </p>
- <p>
- &ldquo;I was admiring your complexion, dear,&rdquo; she answered coolly. &ldquo;Well, and
- why do you pity the Rooks?&rdquo;
- </p>
- <p>
- Simple Cecilia smiled, and went on with her story.
- </p>
- <p>
- &ldquo;They are obliged to go out to service in their old age, through a
- misfortune for which they are in no way to blame. Their customers deserted
- the inn, and Mr. Rook became bankrupt. The inn got what they call a bad
- name&mdash;in a very dreadful way. There was a murder committed in the
- house.&rdquo;
- </p>
- <p>
- &ldquo;A murder?&rdquo; cried Francine. &ldquo;Oh, this is exciting! You provoking girl, why
- didn&rsquo;t you tell me about it before?&rdquo;
- </p>
- <p>
- &ldquo;I didn&rsquo;t think of it,&rdquo; said Cecilia placidly.
- </p>
- <p>
- &ldquo;Do go on! Were you at home when it happened?&rdquo;
- </p>
- <p>
- &ldquo;I was here, at school.&rdquo;
- </p>
- <p>
- &ldquo;You saw the newspapers, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;Miss Ladd doesn&rsquo;t allow us to read newspapers. I did hear of it, however,
- in letters from home. Not that there was much in the letters. They said it
- was too horrible to be described. The poor murdered gentleman&mdash;&rdquo;
- </p>
- <p>
- Francine was unaffectedly shocked. &ldquo;A gentleman!&rdquo; she exclaimed. &ldquo;How
- dreadful!&rdquo;
- </p>
- <p>
- &ldquo;The poor man was a stranger in our part of the country,&rdquo; Cecilia resumed;
- &ldquo;and the police were puzzled about the motive for a murder. His pocketbook
- was missing; but his watch and his rings were found on the body. I
- remember the initials on his linen because they were the same as my
- mother&rsquo;s initial before she was married&mdash;&lsquo;J. B.&rsquo; Really, Francine,
- that&rsquo;s all I know about it.&rdquo;
- </p>
- <p>
- &ldquo;Surely you know whether the murderer was discovered?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes&mdash;of course I know that! The government offered a reward; and
- clever people were sent from London to help the county police. Nothing
- came of it. The murderer has never been discovered, from that time to
- this.&rdquo;
- </p>
- <p>
- &ldquo;When did it happen?&rdquo;
- </p>
- <p>
- &ldquo;It happened in the autumn.&rdquo;
- </p>
- <p>
- &ldquo;The autumn of last year?&rdquo;
- </p>
- <p>
- &ldquo;No! no! Nearly four years since.&rdquo;
- </p>
- <p>
- <a name="link2HCH0006" id="link2HCH0006">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER VI. ON THE WAY TO THE VILLAGE.
- </h3>
- <p>
- Alban Morris&mdash;discovered by Emily in concealment among the trees&mdash;was
- not content with retiring to another part of the grounds. He pursued his
- retreat, careless in what direction it might take him, to a footpath
- across the fields, which led to the highroad and the railway station.
- </p>
- <p>
- Miss Ladd&rsquo;s drawing-master was in that state of nervous irritability which
- seeks relief in rapidity of motion. Public opinion in the neighborhood
- (especially public opinion among the women) had long since decided that
- his manners were offensive, and his temper incurably bad. The men who
- happened to pass him on the footpath said &ldquo;Good-morning&rdquo; grudgingly. The
- women took no notice of him&mdash;with one exception. She was young and
- saucy, and seeing him walking at the top of his speed on the way to the
- railway station, she called after him, &ldquo;Don&rsquo;t be in a hurry, sir! You&rsquo;re
- in plenty of time for the London train.&rdquo;
- </p>
- <p>
- To her astonishment he suddenly stopped. His reputation for rudeness was
- so well established that she moved away to a safe distance, before she
- ventured to look at him again. He took no notice of her&mdash;he seemed to
- be considering with himself. The frolicsome young woman had done him a
- service: she had suggested an idea.
- </p>
- <p>
- &ldquo;Suppose I go to London?&rdquo; he thought. &ldquo;Why not?&mdash;the school is
- breaking up for the holidays&mdash;and <i>she</i> is going away like the
- rest of them.&rdquo; He looked round in the direction of the schoolhouse. &ldquo;If I
- go back to wish her good-by, she will keep out of my way, and part with me
- at the last moment like a stranger. After my experience of women, to be in
- love again&mdash;in love with a girl who is young enough to be my daughter&mdash;what
- a fool, what a driveling, degraded fool I must be!&rdquo;
- </p>
- <p>
- Hot tears rose in his eyes. He dashed them away savagely, and went on
- again faster than ever&mdash;resolved to pack up at once at his lodgings
- in the village, and to take his departure by the next train.
- </p>
- <p>
- At the point where the footpath led into the road, he came to a standstill
- for the second time.
- </p>
- <p>
- The cause was once more a person of the sex associated in his mind with a
- bitter sense of injury. On this occasion the person was only a miserable
- little child, crying over the fragments of a broken jug.
- </p>
- <p>
- Alban Morris looked at her with his grimly humorous smile. &ldquo;So you&rsquo;ve
- broken a jug?&rdquo; he remarked.
- </p>
- <p>
- &ldquo;And spilt father&rsquo;s beer,&rdquo; the child answered. Her frail little body shook
- with terror. &ldquo;Mother&rsquo;ll beat me when I go home,&rdquo; she said.
- </p>
- <p>
- &ldquo;What does mother do when you bring the jug back safe and sound?&rdquo; Alban
- asked.
- </p>
- <p>
- &ldquo;Gives me bren-butter.&rdquo;
- </p>
- <p>
- &ldquo;Very well. Now listen to me. Mother shall give you bread and butter again
- this time.&rdquo;
- </p>
- <p>
- The child stared at him with the tears suspended in her eyes. He went on
- talking to her as seriously as ever.
- </p>
- <p>
- &ldquo;You understand what I have just said to you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir.&rdquo;
- </p>
- <p>
- &ldquo;Have you got a pocket-handkerchief?&rdquo;
- </p>
- <p>
- &ldquo;No, sir.&rdquo;
- </p>
- <p>
- &ldquo;Then dry your eyes with mine.&rdquo;
- </p>
- <p>
- He tossed his handkerchief to her with one hand, and picked up a fragment
- of the broken jug with the other. &ldquo;This will do for a pattern,&rdquo; he said to
- himself. The child stared at the handkerchief&mdash;stared at Alban&mdash;took
- courage&mdash;and rubbed vigorously at her eyes. The instinct, which is
- worth all the reason that ever pretended to enlighten mankind&mdash;the
- instinct that never deceives&mdash;told this little ignorant creature that
- she had found a friend. She returned the handkerchief in grave silence.
- Alban took her up in his arms.
- </p>
- <p>
- &ldquo;Your eyes are dry, and your face is fit to be seen,&rdquo; he said. &ldquo;Will you
- give me a kiss?&rdquo; The child gave him a resolute kiss, with a smack in it.
- &ldquo;Now come and get another jug,&rdquo; he said, as he put her down. Her red round
- eyes opened wide in alarm. &ldquo;Have you got money enough?&rdquo; she asked. Alban
- slapped his pocket. &ldquo;Yes, I have,&rdquo; he answered. &ldquo;That&rsquo;s a good thing,&rdquo;
- said the child; &ldquo;come along.&rdquo;
- </p>
- <p>
- They went together hand in hand to the village, and bought the new jug,
- and had it filled at the beer-shop. The thirsty father was at the upper
- end of the fields, where they were making a drain. Alban carried the jug
- until they were within sight of the laborer. &ldquo;You haven&rsquo;t far to go,&rdquo; he
- said. &ldquo;Mind you don&rsquo;t drop it again&mdash;What&rsquo;s the matter now?&rdquo;
- </p>
- <p>
- &ldquo;I&rsquo;m frightened.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;Oh, give me the jug.&rdquo;
- </p>
- <p>
- She almost snatched it out of his hand. If she let the precious minutes
- slip away, there might be another beating in store for her at the drain:
- her father was not of an indulgent disposition when his children were late
- in bringing his beer. On the point of hurrying away, without a word of
- farewell, she remembered the laws of politeness as taught at the infant
- school&mdash;and dropped her little curtsey&mdash;and said, &ldquo;Thank you,
- sir.&rdquo; That bitter sense of injury was still in Alban&rsquo;s mind as he looked
- after her. &ldquo;What a pity she should grow up to be a woman!&rdquo; he said to
- himself.
- </p>
- <p>
- The adventure of the broken jug had delayed his return to his lodgings by
- more than half an hour. When he reached the road once more, the cheap
- up-train from the North had stopped at the station. He heard the ringing
- of the bell as it resumed the journey to London.
- </p>
- <p>
- One of the passengers (judging by the handbag that she carried) had not
- stopped at the village.
- </p>
- <p>
- As she advanced toward him along the road, he remarked that she was a
- small wiry active woman&mdash;dressed in bright colors, combined with a
- deplorable want of taste. Her aquiline nose seemed to be her most striking
- feature as she came nearer. It might have been fairly proportioned to the
- rest of her face, in her younger days, before her cheeks had lost flesh
- and roundness. Being probably near-sighted, she kept her eyes half-closed;
- there were cunning little wrinkles at the corners of them. In spite of
- appearances, she was unwilling to present any outward acknowledgment of
- the march of time. Her hair was palpably dyed&mdash;her hat was jauntily
- set on her head, and ornamented with a gay feather. She walked with a
- light tripping step, swinging her bag, and holding her head up smartly.
- Her manner, like her dress, said as plainly as words could speak, &ldquo;No
- matter how long I may have lived, I mean to be young and charming to the
- end of my days.&rdquo; To Alban&rsquo;s surprise she stopped and addressed him.
- </p>
- <p>
- &ldquo;Oh, I beg your pardon. Could you tell me if I am in the right road to
- Miss Ladd&rsquo;s school?&rdquo;
- </p>
- <p>
- She spoke with nervous rapidity of articulation, and with a singularly
- unpleasant smile. It parted her thin lips just widely enough to show her
- suspiciously beautiful teeth; and it opened her keen gray eyes in the
- strangest manner. The higher lid rose so as to disclose, for a moment, the
- upper part of the eyeball, and to give her the appearance&mdash;not of a
- woman bent on making herself agreeable, but of a woman staring in a panic
- of terror. Careless to conceal the unfavorable impression that she had
- produced on him, Alban answered roughly, &ldquo;Straight on,&rdquo; and tried to pass
- her.
- </p>
- <p>
- She stopped him with a peremptory gesture. &ldquo;I have treated you politely,&rdquo;
- she said, &ldquo;and how do you treat me in return? Well! I am not surprised.
- Men are all brutes by nature&mdash;and you are a man. &lsquo;Straight on&rsquo;?&rdquo; she
- repeated contemptuously; &ldquo;I should like to know how far that helps a
- person in a strange place. Perhaps you know no more where Miss Ladd&rsquo;s
- school is than I do? or, perhaps, you don&rsquo;t care to take the trouble of
- addressing me? Just what I should have expected from a person of your sex!
- Good-morning.&rdquo;
- </p>
- <p>
- Alban felt the reproof; she had appealed to his most readily-impressible
- sense&mdash;his sense of humor. He rather enjoyed seeing his own prejudice
- against women grotesquely reflected in this flighty stranger&rsquo;s prejudice
- against men. As the best excuse for himself that he could make, he gave
- her all the information that she could possibly want&mdash;then tried
- again to pass on&mdash;and again in vain. He had recovered his place in
- her estimation: she had not done with him yet.
- </p>
- <p>
- &ldquo;You know all about the way there,&rdquo; she said &ldquo;I wonder whether you know
- anything about the school?&rdquo;
- </p>
- <p>
- No change in her voice, no change in her manner, betrayed any special
- motive for putting this question. Alban was on the point of suggesting
- that she should go on to the school, and make her inquiries there&mdash;when
- he happened to notice her eyes. She had hitherto looked him straight in
- the face. She now looked down on the road. It was a trifling change; in
- all probability it meant nothing&mdash;and yet, merely because it was a
- change, it roused his curiosity. &ldquo;I ought to know something about the
- school,&rdquo; he answered. &ldquo;I am one of the masters.&rdquo;
- </p>
- <p>
- &ldquo;Then you&rsquo;re just the man I want. May I ask your name?&rdquo;
- </p>
- <p>
- &ldquo;Alban Morris.&rdquo;
- </p>
- <p>
- &ldquo;Thank you. I am Mrs. Rook. I presume you have heard of Sir Jervis
- Redwood?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Bless my soul! You are a scholar, of course&mdash;and you have never
- heard of one of your own trade. Very extraordinary. You see, I am Sir
- Jervis&rsquo;s housekeeper; and I am sent here to take one of your young ladies
- back with me to our place. Don&rsquo;t interrupt me! Don&rsquo;t be a brute again! Sir
- Jervis is not of a communicative disposition. At least, not to me. A man&mdash;that
- explains it&mdash;a man! He is always poring over his books and writings;
- and Miss Redwood, at her great age, is in bed half the day. Not a thing do
- I know about this new inmate of ours, except that I am to take her back
- with me. You would feel some curiosity yourself in my place, wouldn&rsquo;t you?
- Now do tell me. What sort of girl is Miss Emily Brown?&rdquo;
- </p>
- <p>
- The name that he was perpetually thinking of&mdash;on this woman&rsquo;s lips!
- Alban looked at her.
- </p>
- <p>
- &ldquo;Well,&rdquo; said Mrs. Rook, &ldquo;am I to have no answer? Ah, you want leading. So
- like a man again! Is she pretty?&rdquo;
- </p>
- <p>
- Still examining the housekeeper with mingled feelings of interest and
- distrust, Alban answered ungraciously:
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;Good-tempered?&rdquo;
- </p>
- <p>
- Alban again said &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;So much about herself,&rdquo; Mrs. Rook remarked. &ldquo;About her family now?&rdquo; She
- shifted her bag restlessly from one hand to another. &ldquo;Perhaps you can tell
- me if Miss Emily&rsquo;s father&mdash;&rdquo; she suddenly corrected herself&mdash;&ldquo;if
- Miss Emily&rsquo;s parents are living?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know.&rdquo;
- </p>
- <p>
- &ldquo;You mean you won&rsquo;t tell me.&rdquo;
- </p>
- <p>
- &ldquo;I mean exactly what I have said.&rdquo;
- </p>
- <p>
- &ldquo;Oh, it doesn&rsquo;t matter,&rdquo; Mrs. Rook rejoined; &ldquo;I shall find out at the
- school. The first turning to the left, I think you said&mdash;across the
- fields?&rdquo;
- </p>
- <p>
- He was too deeply interested in Emily to let the housekeeper go without
- putting a question on his side:
- </p>
- <p>
- &ldquo;Is Sir Jervis Redwood one of Miss Emily&rsquo;s old friends?&rdquo; he asked.
- </p>
- <p>
- &ldquo;He? What put that into your head? He has never even seen Miss Emily.
- She&rsquo;s going to our house&mdash;ah, the women are getting the upper hand
- now, and serve the men right, I say!&mdash;she&rsquo;s going to our house to be
- Sir Jervis&rsquo;s secretary. You would like to have the place yourself,
- wouldn&rsquo;t you? You would like to keep a poor girl from getting her own
- living? Oh, you may look as fierce as you please&mdash;the time&rsquo;s gone by
- when a man could frighten <i>me</i>. I like her Christian name. I call
- Emily a nice name enough. But &lsquo;Brown&rsquo;! Good-morning, Mr. Morris; you and I
- are not cursed with such a contemptibly common name as that! &lsquo;Brown&rsquo;? Oh,
- Lord!&rdquo;
- </p>
- <p>
- She tossed her head scornfully, and walked away, humming a tune.
- </p>
- <p>
- Alban stood rooted to the spot. The effort of his later life had been to
- conceal the hopeless passion which had mastered him in spite of himself.
- Knowing nothing from Emily&mdash;who at once pitied and avoided him&mdash;of
- her family circumstances or of her future plans, he had shrunk from making
- inquiries of others, in the fear that they, too, might find out his
- secret, and that their contempt might be added to the contempt which he
- felt for himself. In this position, and with these obstacles in his way,
- the announcement of Emily&rsquo;s proposed journey&mdash;under the care of a
- stranger, to fill an employment in the house of a stranger&mdash;not only
- took him by surprise, but inspired him with a strong feeling of distrust.
- He looked after Sir Jervis Redwood&rsquo;s flighty housekeeper, completely
- forgetting the purpose which had brought him thus far on the way to his
- lodgings. Before Mrs. Rook was out of sight, Alban Morris was following
- her back to the school.
- </p>
- <p>
- <a name="link2HCH0007" id="link2HCH0007">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER VII. &ldquo;COMING EVENTS CAST THEIR SHADOWS BEFORE.&rdquo;
- </h3>
- <p>
- Miss De Sor and Miss Wyvil were still sitting together under the trees,
- talking of the murder at the inn.
- </p>
- <p>
- &ldquo;And is that really all you can tell me?&rdquo; said Francine.
- </p>
- <p>
- &ldquo;That is all,&rdquo; Cecilia answered.
- </p>
- <p>
- &ldquo;Is there no love in it?&rdquo;
- </p>
- <p>
- &ldquo;None that I know of.&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s the most uninteresting murder that ever was committed. What shall we
- do with ourselves? I&rsquo;m tired of being here in the garden. When do the
- performances in the schoolroom begin?&rdquo;
- </p>
- <p>
- &ldquo;Not for two hours yet.&rdquo;
- </p>
- <p>
- Francine yawned. &ldquo;And what part do you take in it?&rdquo; she asked.
- </p>
- <p>
- &ldquo;No part, my dear. I tried once&mdash;only to sing a simple little song.
- When I found myself standing before all the company and saw rows of ladies
- and gentlemen waiting for me to begin, I was so frightened that Miss Ladd
- had to make an apology for me. I didn&rsquo;t get over it for the rest of the
- day. For the first time in my life, I had no appetite for my dinner.
- Horrible!&rdquo; said Cecilia, shuddering over the remembrance of it. &ldquo;I do
- assure you, I thought I was going to die.&rdquo;
- </p>
- <p>
- Perfectly unimpressed by this harrowing narrative, Francine turned her
- head lazily toward the house. The door was thrown open at the same moment.
- A lithe little person rapidly descended the steps that led to the lawn.
- </p>
- <p>
- &ldquo;It&rsquo;s Emily come back again,&rdquo; said Francine.
- </p>
- <p>
- &ldquo;And she seems to be rather in a hurry,&rdquo; Cecilia remarked.
- </p>
- <p>
- Francine&rsquo;s satirical smile showed itself for a moment. Did this appearance
- of hurry in Emily&rsquo;s movements denote impatience to resume the recital of
- &ldquo;the dagger-scene&rdquo;? She had no book in her hand; she never even looked
- toward Francine. Sorrow became plainly visible in her face as she
- approached the two girls.
- </p>
- <p>
- Cecilia rose in alarm. She had been the first person to whom Emily had
- confided her domestic anxieties. &ldquo;Bad news from your aunt?&rdquo; she asked.
- </p>
- <p>
- &ldquo;No, my dear; no news at all.&rdquo; Emily put her arms tenderly round her
- friend&rsquo;s neck. &ldquo;The time has come, Cecilia,&rdquo; she said. &ldquo;We must wish each
- other good-by.&rdquo;
- </p>
- <p>
- &ldquo;Is Mrs. Rook here already?&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s <i>you</i>, dear, who are going,&rdquo; Emily answered sadly. &ldquo;They have
- sent the governess to fetch you. Miss Ladd is too busy in the schoolroom
- to see her&mdash;and she has told me all about it. Don&rsquo;t be alarmed. There
- is no bad news from home. Your plans are altered; that&rsquo;s all.&rdquo;
- </p>
- <p>
- &ldquo;Altered?&rdquo; Cecilia repeated. &ldquo;In what way?&rdquo;
- </p>
- <p>
- &ldquo;In a very agreeable way&mdash;you are going to travel. Your father wishes
- you to be in London, in time for the evening mail to France.&rdquo;
- </p>
- <p>
- Cecilia guessed what had happened. &ldquo;My sister is not getting well,&rdquo; she
- said, &ldquo;and the doctors are sending her to the Continent.&rdquo;
- </p>
- <p>
- &ldquo;To the baths at St. Moritz,&rdquo; Emily added. &ldquo;There is only one difficulty
- in the way; and you can remove it. Your sister has the good old governess
- to take care of her, and the courier to relieve her of all trouble on the
- journey. They were to have started yesterday. You know how fond Julia is
- of you. At the last moment, she won&rsquo;t hear of going away, unless you go
- too. The rooms are waiting at St. Moritz; and your father is annoyed (the
- governess says) by the delay that has taken place already.&rdquo;
- </p>
- <p>
- She paused. Cecilia was silent. &ldquo;Surely you don&rsquo;t hesitate?&rdquo; Emily said.
- </p>
- <p>
- &ldquo;I am too happy to go wherever Julia goes,&rdquo; Cecilia answered warmly; &ldquo;I
- was thinking of you, dear.&rdquo; Her tender nature, shrinking from the hard
- necessities of life, shrank from the cruelly-close prospect of parting. &ldquo;I
- thought we were to have had some hours together yet,&rdquo; she said. &ldquo;Why are
- we hurried in this way? There is no second train to London, from our
- station, till late in the afternoon.&rdquo;
- </p>
- <p>
- &ldquo;There is the express,&rdquo; Emily reminded her; &ldquo;and there is time to catch
- it, if you drive at once to the town.&rdquo; She took Cecilia&rsquo;s hand and pressed
- it to her bosom. &ldquo;Thank you again and again, dear, for all you have done
- for me. Whether we meet again or not, as long as I live I shall love you.
- Don&rsquo;t cry!&rdquo; She made a faint attempt to resume her customary gayety, for
- Cecilia&rsquo;s sake. &ldquo;Try to be as hard-hearted as I am. Think of your sister&mdash;don&rsquo;t
- think of me. Only kiss me.&rdquo;
- </p>
- <p>
- Cecilia&rsquo;s tears fell fast. &ldquo;Oh, my love, I am so anxious about you! I am
- so afraid that you will not be happy with that selfish old man&mdash;in
- that dreary house. Give it up, Emily! I have got plenty of money for both
- of us; come abroad with me. Why not? You always got on well with Julia,
- when you came to see us in the holidays. Oh, my darling! my darling! What
- shall I do without you?&rdquo;
- </p>
- <p>
- All that longed for love in Emily&rsquo;s nature had clung round her
- school-friend since her father&rsquo;s death. Turning deadly pale under the
- struggle to control herself, she made the effort&mdash;and bore the pain
- of it without letting a cry or a tear escape her. &ldquo;Our ways in life lie
- far apart,&rdquo; she said gently. &ldquo;There is the hope of meeting again, dear&mdash;if
- there is nothing more.&rdquo;
- </p>
- <p>
- The clasp of Cecilia&rsquo;s arm tightened round her. She tried to release
- herself; but her resolution had reached its limits. Her hands dropped,
- trembling. She could still try to speak cheerfully, and that was all.
- </p>
- <p>
- &ldquo;There is not the least reason, Cecilia, to be anxious about my prospects.
- I mean to be Sir Jervis Redwood&rsquo;s favorite before I have been a week in
- his service.&rdquo;
- </p>
- <p>
- She stopped, and pointed to the house. The governess was approaching them.
- &ldquo;One more kiss, darling. We shall not forget the happy hours we have spent
- together; we shall constantly write to each other.&rdquo; She broke down at
- last. &ldquo;Oh, Cecilia! Cecilia! leave me for God&rsquo;s sake&mdash;I can&rsquo;t bear it
- any longer!&rdquo;
- </p>
- <p>
- The governess parted them. Emily dropped into the chair that her friend
- had left. Even her hopeful nature sank under the burden of life at that
- moment.
- </p>
- <p>
- A hard voice, speaking close at her side, startled her.
- </p>
- <p>
- &ldquo;Would you rather be Me,&rdquo; the voice asked, &ldquo;without a creature to care for
- you?&rdquo;
- </p>
- <p>
- Emily raised her head. Francine, the unnoticed witness of the parting
- interview, was standing by her, idly picking the leaves from a rose which
- had dropped out of Cecilia&rsquo;s nosegay.
- </p>
- <p>
- Had she felt her own isolated position? She had felt it resentfully.
- </p>
- <p>
- Emily looked at her, with a heart softened by sorrow. There was no
- answering kindness in the eyes of Miss de Sor&mdash;there was only a
- dogged endurance, sad to see in a creature so young.
- </p>
- <p>
- &ldquo;You and Cecilia are going to write to each other,&rdquo; she said. &ldquo;I suppose
- there is some comfort in that. When I left the island they were glad to
- get rid of me. They said, &lsquo;Telegraph when you are safe at Miss Ladd&rsquo;s
- school.&rsquo; You see, we are so rich, the expense of telegraphing to the West
- Indies is nothing to us. Besides, a telegram has an advantage over a
- letter&mdash;it doesn&rsquo;t take long to read. I daresay I shall write home.
- But they are in no hurry; and I am in no hurry. The school&rsquo;s breaking up;
- you are going your way, and I am going mine&mdash;and who cares what
- becomes of me? Only an ugly old schoolmistress, who is paid for caring. I
- wonder why I am saying all this? Because I like you? I don&rsquo;t know that I
- like you any better than you like me. When I wanted to be friends with
- you, you treated me coolly; I don&rsquo;t want to force myself on you. I don&rsquo;t
- particularly care about you. May I write to you from Brighton?&rdquo;
- </p>
- <p>
- Under all this bitterness&mdash;the first exhibition of Francine&rsquo;s temper,
- at its worst, which had taken place since she joined the school&mdash;Emily
- saw, or thought she saw, distress that was too proud, or too shy, to show
- itself. &ldquo;How can you ask the question?&rdquo; she answered cordially.
- </p>
- <p>
- Francine was incapable of meeting the sympathy offered to her, even half
- way. &ldquo;Never mind how,&rdquo; she said. &ldquo;Yes or no is all I want from you.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Francine! Francine! what are you made of! Flesh and blood? or stone
- and iron? Write to me of course&mdash;and I will write back again.&rdquo;
- </p>
- <p>
- &ldquo;Thank you. Are you going to stay here under the trees?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;All by yourself?&rdquo;
- </p>
- <p>
- &ldquo;All by myself.&rdquo;
- </p>
- <p>
- &ldquo;With nothing to do?&rdquo;
- </p>
- <p>
- &ldquo;I can think of Cecilia.&rdquo;
- </p>
- <p>
- Francine eyed her with steady attention for a moment.
- </p>
- <p>
- &ldquo;Didn&rsquo;t you tell me last night that you were very poor?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I did.&rdquo;
- </p>
- <p>
- &ldquo;So poor that you are obliged to earn your own living?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- Francine looked at her again.
- </p>
- <p>
- &ldquo;I daresay you won&rsquo;t believe me,&rdquo; she said. &ldquo;I wish I was you.&rdquo;
- </p>
- <p>
- She turned away irritably, and walked back to the house.
- </p>
- <p>
- Were there really longings for kindness and love under the surface of this
- girl&rsquo;s perverse nature? Or was there nothing to be hoped from a better
- knowledge of her?&mdash;In place of tender remembrances of Cecilia, these
- were the perplexing and unwelcome thoughts which the more potent
- personality of Francine forced upon Emily&rsquo;s mind.
- </p>
- <p>
- She rose impatiently, and looked at her watch. When would it be her turn
- to leave the school, and begin the new life?
- </p>
- <p>
- Still undecided what to do next, her interest was excited by the
- appearance of one of the servants on the lawn. The woman approached her,
- and presented a visiting-card; bearing on it the name of <i>Sir Jervis
- Redwood</i>. Beneath the name, there was a line written in pencil: &ldquo;Mrs.
- Rook, to wait on Miss Emily Brown.&rdquo; The way to the new life was open
- before her at last!
- </p>
- <p>
- Looking again at the commonplace announcement contained in the line of
- writing, she was not quite satisfied. Was it claiming a deference toward
- herself, to which she was not entitled, to expect a letter either from Sir
- Jervis, or from Miss Redwood; giving her some information as to the
- journey which she was about to undertake, and expressing with some little
- politeness the wish to make her comfortable in her future home? At any
- rate, her employer had done her one service: he had reminded her that her
- station in life was not what it had been in the days when her father was
- living, and when her aunt was in affluent circumstances.
- </p>
- <p>
- She looked up from the card. The servant had gone. Alban Morris was
- waiting at a little distance&mdash;waiting silently until she noticed him.
- </p>
- <p>
- <a name="link2HCH0008" id="link2HCH0008">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER VIII. MASTER AND PUPIL.
- </h3>
- <p>
- Emily&rsquo;s impulse was to avoid the drawing-master for the second time. The
- moment afterward, a kinder feeling prevailed. The farewell interview with
- Cecilia had left influences which pleaded for Alban Morris. It was the day
- of parting good wishes and general separations: he had only perhaps come
- to say good-by. She advanced to offer her hand, when he stopped her by
- pointing to Sir Jervis Redwood&rsquo;s card.
- </p>
- <p>
- &ldquo;May I say a word, Miss Emily, about that woman?&rdquo; he asked
- </p>
- <p>
- &ldquo;Do you mean Mrs. Rook?&rdquo;
- </p>
- <p>
- &ldquo;Yes. You know, of course, why she comes here?&rdquo;
- </p>
- <p>
- &ldquo;She comes here by appointment, to take me to Sir Jervis Redwood&rsquo;s house.
- Are you acquainted with her?&rdquo;
- </p>
- <p>
- &ldquo;She is a perfect stranger to me. I met her by accident on her way here.
- If Mrs. Rook had been content with asking me to direct her to the school,
- I should not be troubling you at this moment. But she forced her
- conversation on me. And she said something which I think you ought to
- know. Have you heard of Sir Jervis Redwood&rsquo;s housekeeper before to-day?&rdquo;
- </p>
- <p>
- &ldquo;I have only heard what my friend&mdash;Miss Cecilia Wyvil&mdash;has told
- me.&rdquo;
- </p>
- <p>
- &ldquo;Did Miss Cecilia tell you that Mrs. Rook was acquainted with your father
- or with any members of your family?&rdquo;
- </p>
- <p>
- &ldquo;Certainly not!&rdquo;
- </p>
- <p>
- Alban reflected. &ldquo;It was natural enough,&rdquo; he resumed, &ldquo;that Mrs. Rook
- should feel some curiosity about You. What reason had she for putting a
- question to me about your father&mdash;and putting it in a very strange
- manner?&rdquo;
- </p>
- <p>
- Emily&rsquo;s interest was instantly excited. She led the way back to the seats
- in the shade. &ldquo;Tell me, Mr. Morris, exactly what the woman said.&rdquo; As she
- spoke, she signed to him to be seated.
- </p>
- <p>
- Alban observed the natural grace of her action when she set him the
- example of taking a chair, and the little heightening of her color caused
- by anxiety to hear what he had still to tell her. Forgetting the restraint
- that he had hitherto imposed on himself, he enjoyed the luxury of silently
- admiring her. Her manner betrayed none of the conscious confusion which
- would have shown itself, if her heart had been secretly inclined toward
- him. She saw the man looking at her. In simple perplexity she looked at
- the man.
- </p>
- <p>
- &ldquo;Are you hesitating on my account?&rdquo; she asked. &ldquo;Did Mrs. Rook say
- something of my father which I mustn&rsquo;t hear?&rdquo;
- </p>
- <p>
- &ldquo;No, no! nothing of the sort!&rdquo;
- </p>
- <p>
- &ldquo;You seem to be confused.&rdquo;
- </p>
- <p>
- Her innocent indifference tried his patience sorely. His memory went back
- to the past time&mdash;recalled the ill-placed passion of his youth, and
- the cruel injury inflicted on him&mdash;his pride was roused. Was he
- making himself ridiculous? The vehement throbbing of his heart almost
- suffocated him. And there she sat, wondering at his odd behavior. &ldquo;Even
- this girl is as cold-blooded as the rest of her sex!&rdquo; That angry thought
- gave him back his self-control. He made his excuses with the easy
- politeness of a man of the world.
- </p>
- <p>
- &ldquo;I beg your pardon, Miss Emily; I was considering how to put what I have
- to say in the fewest and plainest words. Let me try if I can do it. If
- Mrs. Rook had merely asked me whether your father and mother were living,
- I should have attributed the question to the commonplace curiosity of a
- gossiping woman, and have thought no more of it. What she actually did say
- was this: &lsquo;Perhaps you can tell me if Miss Emily&rsquo;s father&mdash;&rsquo; There
- she checked herself, and suddenly altered the question in this way: &lsquo;If
- Miss Emily&rsquo;s <i>parents</i> are living?&rsquo; I may be making mountains out of
- molehills; but I thought at the time (and think still) that she had some
- special interest in inquiring after your father, and, not wishing me to
- notice it for reasons of her own, changed the form of the question so as
- to include your mother. Does this strike you as a far-fetched conclusion?&rdquo;
- </p>
- <p>
- &ldquo;Whatever it may be,&rdquo; Emily said, &ldquo;it is my conclusion, too. How did you
- answer her?&rdquo;
- </p>
- <p>
- &ldquo;Quite easily. I could give her no information&mdash;and I said so.&rdquo;
- </p>
- <p>
- &ldquo;Let me offer you the information, Mr. Morris, before we say anything
- more. I have lost both my parents.&rdquo;
- </p>
- <p>
- Alban&rsquo;s momentary outbreak of irritability was at an end. He was earnest
- and yet gentle, again; he forgave her for not understanding how dear and
- how delightful to him she was. &ldquo;Will it distress you,&rdquo; he said, &ldquo;if I ask
- how long it is since your father died?&rdquo;
- </p>
- <p>
- &ldquo;Nearly four years,&rdquo; she replied. &ldquo;He was the most generous of men; Mrs.
- Rook&rsquo;s interest in him may surely have been a grateful interest. He may
- have been kind to her in past years&mdash;and she may remember him
- thankfully. Don&rsquo;t you think so?&rdquo;
- </p>
- <p>
- Alban was unable to agree with her. &ldquo;If Mrs. Rook&rsquo;s interest in your
- father was the harmless interest that you have suggested,&rdquo; he said, &ldquo;why
- should she have checked herself in that unaccountable manner, when she
- first asked me if he was living? The more I think of it now, the less sure
- I feel that she knows anything at all of your family history. It may help
- me to decide, if you will tell me at what time the death of your mother
- took place.&rdquo;
- </p>
- <p>
- &ldquo;So long ago,&rdquo; Emily replied, &ldquo;that I can&rsquo;t even remember her death. I was
- an infant at the time.&rdquo;
- </p>
- <p>
- &ldquo;And yet Mrs. Rook asked me if your &lsquo;parents&rsquo; were living! One of two
- things,&rdquo; Alban concluded. &ldquo;Either there is some mystery in this matter,
- which we cannot hope to penetrate at present&mdash;or Mrs. Rook may have
- been speaking at random; on the chance of discovering whether you are
- related to some &lsquo;Mr. Brown&rsquo; whom she once knew.&rdquo;
- </p>
- <p>
- &ldquo;Besides,&rdquo; Emily added, &ldquo;it&rsquo;s only fair to remember what a common family
- name mine is, and how easily people may make mistakes. I should like to
- know if my dear lost father was really in her mind when she spoke to you.
- Do you think I could find it out?&rdquo;
- </p>
- <p>
- &ldquo;If Mrs. Rook has any reasons for concealment, I believe you would have no
- chance of finding it out&mdash;unless, indeed, you could take her by
- surprise.&rdquo;
- </p>
- <p>
- &ldquo;In what way, Mr. Morris?&rdquo;
- </p>
- <p>
- &ldquo;Only one way occurs to me just now,&rdquo; he said. &ldquo;Do you happen to have a
- miniature or a photograph of your father?&rdquo;
- </p>
- <p>
- Emily held out a handsome locket, with a monogram in diamonds, attached to
- her watch chain. &ldquo;I have his photograph here,&rdquo; she rejoined; &ldquo;given to me
- by my dear old aunt, in the days of her prosperity. Shall I show it to
- Mrs. Rook?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;if she happens, by good luck, to offer you an opportunity.&rdquo;
- </p>
- <p>
- Impatient to try the experiment, Emily rose as he spoke. &ldquo;I mustn&rsquo;t keep
- Mrs. Rook waiting,&rdquo; she said.
- </p>
- <p>
- Alban stopped her, on the point of leaving him. The confusion and
- hesitation which she had already noticed began to show themselves in his
- manner once more.
- </p>
- <p>
- &ldquo;Miss Emily, may I ask you a favor before you go? I am only one of the
- masters employed in the school; but I don&rsquo;t think&mdash;let me say, I hope
- I am not guilty of presumption&mdash;if I offer to be of some small
- service to one of my pupils&mdash;&rdquo;
- </p>
- <p>
- There his embarrassment mastered him. He despised himself not only for
- yielding to his own weakness, but for faltering like a fool in the
- expression of a simple request. The next words died away on his lips.
- </p>
- <p>
- This time, Emily understood him.
- </p>
- <p>
- The subtle penetration which had long since led her to the discovery of
- his secret&mdash;overpowered, thus far, by the absorbing interest of the
- moment&mdash;now recovered its activity. In an instant, she remembered
- that Alban&rsquo;s motive for cautioning her, in her coming intercourse with
- Mrs. Rook, was not the merely friendly motive which might have actuated
- him, in the case of one of the other girls. At the same time, her
- quickness of apprehension warned her not to risk encouraging this
- persistent lover, by betraying any embarrassment on her side. He was
- evidently anxious to be present (in her interests) at the interview with
- Mrs. Rook. Why not? Could he reproach her with raising false hope, if she
- accepted his services, under circumstances of doubt and difficulty which
- he had himself been the first to point out? He could do nothing of the
- sort. Without waiting until he had recovered himself, she answered him (to
- all appearances) as composedly as if he had spoken to her in the plainest
- terms.
- </p>
- <p>
- &ldquo;After all that you have told me,&rdquo; she said, &ldquo;I shall indeed feel obliged
- if you will be present when I see Mrs. Rook.&rdquo;
- </p>
- <p>
- The eager brightening of his eyes, the flush of happiness that made him
- look young on a sudden, were signs not to be mistaken. The sooner they
- were in the presence of a third person (Emily privately concluded) the
- better it might be for both of them. She led the way rapidly to the house.
- </p>
- <p>
- <a name="link2HCH0009" id="link2HCH0009">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER IX. MRS. ROOK AND THE LOCKET.
- </h3>
- <p>
- As mistress of a prosperous school, bearing a widely-extended reputation,
- Miss Ladd prided herself on the liberality of her household arrangements.
- At breakfast and dinner, not only the solid comforts but the elegant
- luxuries of the table, were set before the young ladies &ldquo;Other schools
- may, and no doubt do, offer to pupils the affectionate care to which they
- have been accustomed under the parents&rsquo; roof,&rdquo; Miss Ladd used to say. &ldquo;At
- my school, that care extends to their meals, and provides them with a <i>cuisine</i>
- which, I flatter myself, equals the most successful efforts of the cooks
- at home.&rdquo; Fathers, mothers, and friends, when they paid visits to this
- excellent lady, brought away with them the most gratifying recollections
- of her hospitality. The men, in particular, seldom failed to recognize in
- their hostess the rarest virtue that a single lady can possess&mdash;the
- virtue of putting wine on the table which may be gratefully remembered by
- her guests the next morning.
- </p>
- <p>
- An agreeable surprise awaited Mrs. Rook when she entered the house of
- bountiful Miss Ladd.
- </p>
- <p>
- Luncheon was ready for Sir Jervis Redwood&rsquo;s confidential emissary in the
- waiting-room. Detained at the final rehearsals of music and recitation,
- Miss Ladd was worthily represented by cold chicken and ham, a fruit tart,
- and a pint decanter of generous sherry. &ldquo;Your mistress is a perfect lady!&rdquo;
- Mrs. Rook said to the servant, with a burst of enthusiasm. &ldquo;I can carve
- for myself, thank you; and I don&rsquo;t care how long Miss Emily keeps me
- waiting.&rdquo;
- </p>
- <p>
- As they ascended the steps leading into the house, Alban asked Emily if he
- might look again at her locket.
- </p>
- <p>
- &ldquo;Shall I open it for you?&rdquo; she suggested.
- </p>
- <p>
- &ldquo;No: I only want to look at the outside of it.&rdquo;
- </p>
- <p>
- He examined the side on which the monogram appeared, inlaid with diamonds.
- An inscription was engraved beneath.
- </p>
- <p>
- &ldquo;May I read it?&rdquo; he said.
- </p>
- <p>
- &ldquo;Certainly!&rdquo;
- </p>
- <p>
- The inscription ran thus: &ldquo;In loving memory of my father. Died 30th
- September, 1877.&rdquo;
- </p>
- <p>
- &ldquo;Can you arrange the locket,&rdquo; Alban asked, &ldquo;so that the side on which the
- diamonds appear hangs outward?&rdquo;
- </p>
- <p>
- She understood him. The diamonds might attract Mrs. Rook&rsquo;s notice; and in
- that case, she might ask to see the locket of her own accord. &ldquo;You are
- beginning to be of use to me, already,&rdquo; Emily said, as they turned into
- the corridor which led to the waiting-room.
- </p>
- <p>
- They found Sir Jervis&rsquo;s housekeeper luxuriously recumbent in the easiest
- chair in the room.
- </p>
- <p>
- Of the eatable part of the lunch some relics were yet left. In the pint
- decanter of sherry, not a drop remained. The genial influence of the wine
- (hastened by the hot weather) was visible in Mrs. Rook&rsquo;s flushed face, and
- in a special development of her ugly smile. Her widening lips stretched to
- new lengths; and the white upper line of her eyeballs were more freely and
- horribly visible than ever.
- </p>
- <p>
- &ldquo;And this is the dear young lady?&rdquo; she said, lifting her hands in
- over-acted admiration. At the first greetings, Alban perceived that the
- impression produced was, in Emily&rsquo;s case as in his case, instantly
- unfavorable.
- </p>
- <p>
- The servant came in to clear the table. Emily stepped aside for a minute
- to give some directions about her luggage. In that interval Mrs. Rook&rsquo;s
- cunning little eyes turned on Alban with an expression of malicious
- scrutiny.
- </p>
- <p>
- &ldquo;You were walking the other way,&rdquo; she whispered, &ldquo;when I met you.&rdquo; She
- stopped, and glanced over her shoulder at Emily. &ldquo;I see what attraction
- has brought you back to the school. Steal your way into that poor little
- fool&rsquo;s heart; and then make her miserable for the rest of her life!&mdash;No
- need, miss, to hurry,&rdquo; she said, shifting the polite side of her toward
- Emily, who returned at the moment. &ldquo;The visits of the trains to your
- station here are like the visits of the angels described by the poet, &lsquo;few
- and far between.&rsquo; Please excuse the quotation. You wouldn&rsquo;t think it to
- look at me&mdash;I&rsquo;m a great reader.&rdquo;
- </p>
- <p>
- &ldquo;Is it a long journey to Sir Jervis Redwood&rsquo;s house?&rdquo; Emily asked, at a
- loss what else to say to a woman who was already becoming unendurable to
- her.
- </p>
- <p>
- Mrs. Rook looked at the journey from an oppressively cheerful point of
- view.
- </p>
- <p>
- &ldquo;Oh, Miss Emily, you shan&rsquo;t feel the time hang heavy in my company. I can
- converse on a variety of topics, and if there is one thing more than
- another that I like, it&rsquo;s amusing a pretty young lady. You think me a
- strange creature, don&rsquo;t you? It&rsquo;s only my high spirits. Nothing strange
- about me&mdash;unless it&rsquo;s my queer Christian name. You look a little
- dull, my dear. Shall I begin amusing you before we are on the railway?
- Shall I tell you how I came by my queer name?&rdquo;
- </p>
- <p>
- Thus far, Alban had controlled himself. This last specimen of the
- housekeeper&rsquo;s audacious familiarity reached the limits of his endurance.
- </p>
- <p>
- &ldquo;We don&rsquo;t care to know how you came by your name,&rdquo; he said.
- </p>
- <p>
- &ldquo;Rude,&rdquo; Mrs. Rook remarked, composedly. &ldquo;But nothing surprises me, coming
- from a man.&rdquo;
- </p>
- <p>
- She turned to Emily. &ldquo;My father and mother were a wicked married couple,&rdquo;
- she continued, &ldquo;before I was born. They &lsquo;got religion,&rsquo; as the saying is,
- at a Methodist meeting in a field. When I came into the world&mdash;I
- don&rsquo;t know how you feel, miss; I protest against being brought into the
- world without asking my leave first&mdash;my mother was determined to
- dedicate me to piety, before I was out of my long clothes. What name do
- you suppose she had me christened by? She chose it, or made it, herself&mdash;the
- name of &lsquo;Righteous&rsquo;! Righteous Rook! Was there ever a poor baby degraded
- by such a ridiculous name before? It&rsquo;s needless to say, when I write
- letters, I sign R. Rook&mdash;and leave people to think it&rsquo;s Rosamond, or
- Rosabelle, or something sweetly pretty of that kind. You should have seen
- my husband&rsquo;s face when he first heard that his sweetheart&rsquo;s name was
- &lsquo;Righteous&rsquo;! He was on the point of kissing me, and he stopped. I daresay
- he felt sick. Perfectly natural under the circumstances.&rdquo;
- </p>
- <p>
- Alban tried to stop her again. &ldquo;What time does the train go?&rdquo; he asked.
- </p>
- <p>
- Emily entreated him to restrain himself, by a look. Mrs. Rook was still
- too inveterately amiable to take offense. She opened her traveling-bag
- briskly, and placed a railway guide in Alban&rsquo;s hands.
- </p>
- <p>
- &ldquo;I&rsquo;ve heard that the women do the men&rsquo;s work in foreign parts,&rdquo; she said.
- &ldquo;But this is England; and I am an Englishwoman. Find out when the train
- goes, my dear sir, for yourself.&rdquo;
- </p>
- <p>
- Alban at once consulted the guide. If there proved to be no immediate need
- of starting for the station, he was determined that Emily should not be
- condemned to pass the interval in the housekeeper&rsquo;s company. In the
- meantime, Mrs. Rook was as eager as ever to show her dear young lady what
- an amusing companion she could be.
- </p>
- <p>
- &ldquo;Talking of husbands,&rdquo; she resumed, &ldquo;don&rsquo;t make the mistake, my dear, that
- I committed. Beware of letting anybody persuade you to marry an old man.
- Mr. Rook is old enough to be my father. I bear with him. Of course, I bear
- with him. At the same time, I have not (as the poet says) &lsquo;passed through
- the ordeal unscathed.&rsquo; My spirit&mdash;I have long since ceased to believe
- in anything of the sort: I only use the word for want of a better&mdash;my
- spirit, I say, has become embittered. I was once a pious young woman; I do
- assure you I was nearly as good as my name. Don&rsquo;t let me shock you; I have
- lost faith and hope; I have become&mdash;what&rsquo;s the last new name for a
- free-thinker? Oh, I keep up with the times, thanks to old Miss Redwood!
- She takes in the newspapers, and makes me read them to her. What <i>is</i>
- the new name? Something ending in ic. Bombastic? No, Agnostic?&mdash;that&rsquo;s
- it! I have become an Agnostic. The inevitable result of marrying an old
- man; if there&rsquo;s any blame it rests on my husband.&rdquo;
- </p>
- <p>
- &ldquo;There&rsquo;s more than an hour yet before the train starts,&rdquo; Alban interposed.
- &ldquo;I am sure, Miss Emily, you would find it pleasanter to wait in the
- garden.&rdquo;
- </p>
- <p>
- &ldquo;Not at all a bad notion,&rdquo; Mrs. Rook declared. &ldquo;Here&rsquo;s a man who can make
- himself useful, for once. Let&rsquo;s go into the garden.&rdquo;
- </p>
- <p>
- She rose, and led the way to the door. Alban seized the opportunity of
- whispering to Emily.
- </p>
- <p>
- &ldquo;Did you notice the empty decanter, when we first came in? That horrid
- woman is drunk.&rdquo;
- </p>
- <p>
- Emily pointed significantly to the locket. &ldquo;Don&rsquo;t let her go. The garden
- will distract her attention: keep her near me here.&rdquo;
- </p>
- <p>
- Mrs. Rook gayly opened the door. &ldquo;Take me to the flower-beds,&rdquo; she said.
- &ldquo;I believe in nothing&mdash;but I adore flowers.&rdquo;
- </p>
- <p>
- Mrs. Rook waited at the door, with her eye on Emily. &ldquo;What do <i>you</i>
- say, miss?&rdquo;
- </p>
- <p>
- &ldquo;I think we shall be more comfortable if we stay where we are.&rdquo;
- </p>
- <p>
- &ldquo;Whatever pleases you, my dear, pleases me.&rdquo; With this reply, the
- compliant housekeeper&mdash;as amiable as ever on the surface&mdash;returned
- to her chair.
- </p>
- <p>
- Would she notice the locket as she sat down? Emily turned toward the
- window, so as to let the light fall on the diamonds.
- </p>
- <p>
- No: Mrs. Rook was absorbed, at the moment, in her own reflections. Miss
- Emily, having prevented her from seeing the garden, she was maliciously
- bent on disappointing Miss Emily in return. Sir Jervis&rsquo;s secretary (being
- young) took a hopeful view no doubt of her future prospects. Mrs. Rook
- decided on darkening that view in a mischievously-suggestive manner,
- peculiar to herself.
- </p>
- <p>
- &ldquo;You will naturally feel some curiosity about your new home,&rdquo; she began,
- &ldquo;and I haven&rsquo;t said a word about it yet. How very thoughtless of me!
- Inside and out, dear Miss Emily, our house is just a little dull. I say <i>our</i>
- house, and why not&mdash;when the management of it is all thrown on me. We
- are built of stone; and we are much too long, and are not half high
- enough. Our situation is on the coldest side of the county, away in the
- west. We are close to the Cheviot hills; and if you fancy there is
- anything to see when you look out of window, except sheep, you will find
- yourself woefully mistaken. As for walks, if you go out on one side of the
- house you may, or may not, be gored by cattle. On the other side, if the
- darkness overtakes you, you may, or may not, tumble down a deserted lead
- mine. But the company, inside the house, makes amends for it all,&rdquo; Mrs.
- Rook proceeded, enjoying the expression of dismay which was beginning to
- show itself on Emily&rsquo;s face. &ldquo;Plenty of excitement for you, my dear, in
- our small family. Sir Jervis will introduce you to plaster casts of
- hideous Indian idols; he will keep you writing for him, without mercy,
- from morning to night; and when he does let you go, old Miss Redwood will
- find she can&rsquo;t sleep, and will send for the pretty young lady-secretary to
- read to her. My husband I am sure you will like. He is a respectable man,
- and bears the highest character. Next to the idols, he&rsquo;s the most hideous
- object in the house. If you are good enough to encourage him, I don&rsquo;t say
- that he won&rsquo;t amuse you; he will tell you, for instance, he never in his
- life hated any human being as he hates his wife. By the way, I must not
- forget&mdash;in the interests of truth, you know&mdash;to mention one
- drawback that does exist in our domestic circle. One of these days we
- shall have our brains blown out or our throats cut. Sir Jervis&rsquo;s mother
- left him ten thousand pounds&rsquo; worth of precious stones all contained in a
- little cabinet with drawers. He won&rsquo;t let the banker take care of his
- jewels; he won&rsquo;t sell them; he won&rsquo;t even wear one of the rings on his
- finger, or one of the pins at his breast. He keeps his cabinet on his
- dressing-room table; and he says, &lsquo;I like to gloat over my jewels, every
- night, before I go to bed.&rsquo; Ten thousand pounds&rsquo; worth of diamonds,
- rubies, emeralds, sapphires, and what not&mdash;at the mercy of the first
- robber who happens to hear of them. Oh, my dear, he would have no choice,
- I do assure you, but to use his pistols. We shouldn&rsquo;t quietly submit to be
- robbed. Sir Jervis inherits the spirit of his ancestors. My husband has
- the temper of a game cock. I myself, in defense of the property of my
- employers, am capable of becoming a perfect fiend. And we none of us
- understand the use of firearms!&rdquo;
- </p>
- <p>
- While she was in full enjoyment of this last aggravation of the horrors of
- the prospect, Emily tried another change of position&mdash;and, this time,
- with success. Greedy admiration suddenly opened Mrs. Rook&rsquo;s little eyes to
- their utmost width. &ldquo;My heart alive, miss, what do I see at your
- watch-chain? How they sparkle! Might I ask for a closer view?&rdquo;
- </p>
- <p>
- Emily&rsquo;s fingers trembled; but she succeeded in detaching the locket from
- the chain. Alban handed it to Mrs. Rook.
- </p>
- <p>
- She began by admiring the diamonds&mdash;with a certain reserve. &ldquo;Nothing
- like so large as Sir Jervis&rsquo;s diamonds; but choice specimens no doubt.
- Might I ask what the value&mdash;?&rdquo;
- </p>
- <p>
- She stopped. The inscription had attracted her notice: she began to read
- it aloud: &ldquo;In loving memory of my father. Died&mdash;&rdquo;
- </p>
- <p>
- Her face instantly became rigid. The next words were suspended on her
- lips.
- </p>
- <p>
- Alban seized the chance of making her betray herself&mdash;under pretense
- of helping her. &ldquo;Perhaps you find the figures not easy to read,&rdquo; he said.
- &ldquo;The date is &lsquo;thirtieth September, eighteen hundred and seventy-seven&rsquo;&mdash;nearly
- four years since.&rdquo;
- </p>
- <p>
- Not a word, not a movement, escaped Mrs. Rook. She held the locket before
- her as she had held it from the first. Alban looked at Emily. Her eyes
- were riveted on the housekeeper: she was barely capable of preserving the
- appearance of composure. Seeing the necessity of acting for her, he at
- once said the words which she was unable to say for herself.
- </p>
- <p>
- &ldquo;Perhaps, Mrs. Rook, you would like to look at the portrait?&rdquo; he
- suggested. &ldquo;Shall I open the locket for you?&rdquo;
- </p>
- <p>
- Without speaking, without looking up, she handed the locket to Alban.
- </p>
- <p>
- He opened it, and offered it to her. She neither accepted nor refused it:
- her hands remained hanging over the arms of the chair. He put the locket
- on her lap.
- </p>
- <p>
- The portrait produced no marked effect on Mrs. Rook. Had the date prepared
- her to see it? She sat looking at it&mdash;still without moving: still
- without saying a word. Alban had no mercy on her. &ldquo;That is the portrait of
- Miss Emily&rsquo;s father,&rdquo; he said. &ldquo;Does it represent the same Mr. Brown whom
- you had in your mind when you asked me if Miss Emily&rsquo;s father was still
- living?&rdquo;
- </p>
- <p>
- That question roused her. She looked up, on the instant; she answered
- loudly and insolently: &ldquo;No!&rdquo;
- </p>
- <p>
- &ldquo;And yet,&rdquo; Alban persisted, &ldquo;you broke down in reading the inscription:
- and considering what talkative woman you are, the portrait has had a
- strange effect on you&mdash;to say the least of it.&rdquo;
- </p>
- <p>
- She eyed him steadily while he was speaking&mdash;and turned to Emily when
- he had done. &ldquo;You mentioned the heat just now, miss. The heat has overcome
- me; I shall soon get right again.&rdquo;
- </p>
- <p>
- The insolent futility of that excuse irritated Emily into answering her.
- &ldquo;You will get right again perhaps all the sooner,&rdquo; she said, &ldquo;if we
- trouble you with no more questions, and leave you to recover by yourself.&rdquo;
- </p>
- <p>
- The first change of expression which relaxed the iron tensity of the
- housekeeper&rsquo;s face showed itself when she heard that reply. At last there
- was a feeling in Mrs. Rook which openly declared itself&mdash;a feeling of
- impatience to see Alban and Emily leave the room.
- </p>
- <p>
- They left her, without a word more.
- </p>
- <p>
- <a name="link2HCH0010" id="link2HCH0010">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER X. GUESSES AT THE TRUTH.
- </h3>
- <p>
- &ldquo;What are we to do next? Oh, Mr. Morris, you must have seen all sorts of
- people in your time&mdash;you know human nature, and I don&rsquo;t. Help me with
- a word of advice!&rdquo;
- </p>
- <p>
- Emily forgot that he was in love with her&mdash;forgot everything, but the
- effect produced by the locket on Mrs. Rook, and the vaguely alarming
- conclusion to which it pointed. In the fervor of her anxiety she took
- Alban&rsquo;s arm as familiarly as if he had been her brother. He was gentle, he
- was considerate; he tried earnestly to compose her. &ldquo;We can do nothing to
- any good purpose,&rdquo; he said, &ldquo;unless we begin by thinking quietly. Pardon
- me for saying so&mdash;you are needlessly exciting yourself.&rdquo;
- </p>
- <p>
- There was a reason for her excitement, of which he was necessarily
- ignorant. Her memory of the night interview with Miss Jethro had
- inevitably intensified the suspicion inspired by the conduct of Mrs. Rook.
- In less than twenty-four hours, Emily had seen two women shrinking from
- secret remembrances of her father&mdash;which might well be guilty
- remembrances&mdash;innocently excited by herself! How had they injured
- him? Of what infamy, on their parts, did his beloved and stainless memory
- remind them? Who could fathom the mystery of it? &ldquo;What does it mean?&rdquo; she
- cried, looking wildly in Alban&rsquo;s compassionate face. &ldquo;You <i>must</i> have
- formed some idea of your own. What does it mean?&rdquo;
- </p>
- <p>
- &ldquo;Come, and sit down, Miss Emily. We will try if we can find out what it
- means, together.&rdquo;
- </p>
- <p>
- They returned to the shady solitude under the trees. Away, in front of the
- house, the distant grating of carriage wheels told of the arrival of Miss
- Ladd&rsquo;s guests, and of the speedy beginning of the ceremonies of the day.
- </p>
- <p>
- &ldquo;We must help each other,&rdquo; Alban resumed.
- </p>
- <p>
- &ldquo;When we first spoke of Mrs. Rook, you mentioned Miss Cecilia Wyvil as a
- person who knew something about her. Have you any objection to tell me
- what you may have heard in that way?&rdquo;
- </p>
- <p>
- In complying with his request Emily necessarily repeated what Cecilia had
- told Francine, when the two girls had met that morning in the garden.
- </p>
- <p>
- Alban now knew how Emily had obtained employment as Sir Jervis&rsquo;s
- secretary; how Mr. and Mrs. Rook had been previously known to Cecilia&rsquo;s
- father as respectable people keeping an inn in his own neighborhood; and,
- finally, how they had been obliged to begin life again in domestic
- service, because the terrible event of a murder had given the inn a bad
- name, and had driven away the customers on whose encouragement their
- business depended.
- </p>
- <p>
- Listening in silence, Alban remained silent when Emily&rsquo;s narrative had
- come to an end.
- </p>
- <p>
- &ldquo;Have you nothing to say to me?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I am thinking over what I have just heard,&rdquo; he answered.
- </p>
- <p>
- Emily noticed a certain formality in his tone and manner, which
- disagreeably surprised her. He seemed to have made his reply as a mere
- concession to politeness, while he was thinking of something else which
- really interested him.
- </p>
- <p>
- &ldquo;Have I disappointed you in any way?&rdquo; she asked.
- </p>
- <p>
- &ldquo;On the contrary, you have interested me. I want to be quite sure that I
- remember exactly what you have said. You mentioned, I think, that your
- friendship with Miss Cecilia Wyvil began here, at the school?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;And in speaking of the murder at the village inn, you told me that the
- crime was committed&mdash;I have forgotten how long ago?&rdquo;
- </p>
- <p>
- His manner still suggested that he was idly talking about what she had
- told him, while some more important subject for reflection was in
- possession of his mind.
- </p>
- <p>
- &ldquo;I don&rsquo;t know that I said anything about the time that had passed since
- the crime was committed,&rdquo; she answered, sharply. &ldquo;What does the murder
- matter to <i>us?</i> I think Cecilia told me it happened about four years
- since. Excuse me for noticing it, Mr. Morris&mdash;you seem to have some
- interests of your own to occupy your attention. Why couldn&rsquo;t you say so
- plainly when we came out here? I should not have asked you to help me, in
- that case. Since my poor father&rsquo;s death, I have been used to fight through
- my troubles by myself.&rdquo;
- </p>
- <p>
- She rose, and looked at him proudly. The next moment her eyes filled with
- tears.
- </p>
- <p>
- In spite of her resistance, Alban took her hand. &ldquo;Dear Miss Emily,&rdquo; he
- said, &ldquo;you distress me: you have not done me justice. Your interests only
- are in my mind.&rdquo;
- </p>
- <p>
- Answering her in those terms, he had not spoken as frankly as usual. He
- had only told her a part of the truth.
- </p>
- <p>
- Hearing that the woman whom they had just left had been landlady of an
- inn, and that a murder had been committed under her roof, he was led to
- ask himself if any explanation might be found, in these circumstances, of
- the otherwise incomprehensible effect produced on Mrs. Rook by the
- inscription on the locket.
- </p>
- <p>
- In the pursuit of this inquiry there had arisen in his mind a monstrous
- suspicion, which pointed to Mrs. Rook. It impelled him to ascertain the
- date at which the murder had been committed, and (if the discovery
- encouraged further investigation) to find out next the manner in which Mr.
- Brown had died.
- </p>
- <p>
- Thus far, what progress had he made? He had discovered that the date of
- Mr. Brown&rsquo;s death, inscribed on the locket, and the date of the crime
- committed at the inn, approached each other nearly enough to justify
- further investigation.
- </p>
- <p>
- In the meantime, had he succeeded in keeping his object concealed from
- Emily? He had perfectly succeeded. Hearing him declare that her interests
- only had occupied his mind, the poor girl innocently entreated him to
- forgive her little outbreak of temper. &ldquo;If you have any more questions to
- ask me, Mr. Morris, pray go on. I promise never to think unjustly of you
- again.&rdquo;
- </p>
- <p>
- He went on with an uneasy conscience&mdash;for it seemed cruel to deceive
- her, even in the interests of truth&mdash;but still he went on.
- </p>
- <p>
- &ldquo;Suppose we assume that this woman had injured your father in some way,&rdquo;
- he said. &ldquo;Am I right in believing that it was in his character to forgive
- injuries?&rdquo;
- </p>
- <p>
- &ldquo;Entirely right.&rdquo;
- </p>
- <p>
- &ldquo;In that case, his death may have left Mrs. Rook in a position to be
- called to account, by those who owe a duty to his memory&mdash;I mean the
- surviving members of his family.&rdquo;
- </p>
- <p>
- &ldquo;There are but two of us, Mr. Morris. My aunt and myself.&rdquo;
- </p>
- <p>
- &ldquo;There are his executors.&rdquo;
- </p>
- <p>
- &ldquo;My aunt is his only executor.&rdquo;
- </p>
- <p>
- &ldquo;Your father&rsquo;s sister&mdash;I presume?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;He may have left instructions with her, which might be of the greatest
- use to us.&rdquo;
- </p>
- <p>
- &ldquo;I will write to-day, and find out,&rdquo; Emily replied. &ldquo;I had already planned
- to consult my aunt,&rdquo; she added, thinking again of Miss Jethro.
- </p>
- <p>
- &ldquo;If your aunt has not received any positive instructions,&rdquo; Alban
- continued, &ldquo;she may remember some allusion to Mrs. Rook, on your father&rsquo;s
- part, at the time of his last illness&mdash;&rdquo;
- </p>
- <p>
- Emily stopped him. &ldquo;You don&rsquo;t know how my dear father died,&rdquo; she said. &ldquo;He
- was struck down&mdash;apparently in perfect health&mdash;by disease of the
- heart.&rdquo;
- </p>
- <p>
- &ldquo;Struck down in his own house?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;in his own house.&rdquo;
- </p>
- <p>
- Those words closed Alban&rsquo;s lips. The investigation so carefully and so
- delicately conducted had failed to serve any useful purpose. He had now
- ascertained the manner of Mr. Brown&rsquo;s death and the place of Mr. Brown&rsquo;s
- death&mdash;and he was as far from confirming his suspicions of Mrs. Rook
- as ever.
- </p>
- <p>
- <a name="link2HCH0011" id="link2HCH0011">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XI. THE DRAWING-MASTER&rsquo;S CONFESSION.
- </h3>
- <p>
- &ldquo;Is there nothing else you can suggest?&rdquo; Emily asked.
- </p>
- <p>
- &ldquo;Nothing&mdash;at present.&rdquo;
- </p>
- <p>
- &ldquo;If my aunt fails us, have we no other hope?&rdquo;
- </p>
- <p>
- &ldquo;I have hope in Mrs. Rook,&rdquo; Alban answered. &ldquo;I see I surprise you; but I
- really mean what I say. Sir Jervis&rsquo;s housekeeper is an excitable woman,
- and she is fond of wine. There is always a weak side in the character of
- such a person as that. If we wait for our chance, and turn it to the right
- use when it comes, we may yet succeed in making her betray herself.&rdquo;
- </p>
- <p>
- Emily listened to him in bewilderment.
- </p>
- <p>
- &ldquo;You talk as if I was sure of your help in the future,&rdquo; she said. &ldquo;Have
- you forgotten that I leave school to-day, never to return? In half an hour
- more, I shall be condemned to a long journey in the company of that
- horrible creature&mdash;with a life to look forward to, in the same house
- with her, among strangers! A miserable prospect, and a hard trial of a
- girl&rsquo;s courage&mdash;is it not, Mr. Morris?&rdquo;
- </p>
- <p>
- &ldquo;You will at least have one person, Miss Emily, who will try with all his
- heart and soul to encourage you.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- &ldquo;I mean,&rdquo; said Alban, quietly, &ldquo;that the Midsummer vacation begins to-day;
- and that the drawing-master is going to spend his holidays in the North.&rdquo;
- </p>
- <p>
- Emily jumped up from her chair. &ldquo;You!&rdquo; she exclaimed. &ldquo;<i>You</i> are
- going to Northumberland? With me?&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo; Alban asked. &ldquo;The railway is open to all travelers alike, if
- they have money enough to buy a ticket.&rdquo;
- </p>
- <p>
- &ldquo;Mr. Morris! what <i>can</i> you be thinking of? Indeed, indeed, I am not
- ungrateful. I know you mean kindly&mdash;you are a good, generous man. But
- do remember how completely a girl, in my position, is at the mercy of
- appearances. You, traveling in the same carriage with me! and that woman
- putting her own vile interpretation on it, and degrading me in Sir Jervis
- Redwood&rsquo;s estimation, on the day when I enter his house! Oh, it&rsquo;s worse
- than thoughtless&mdash;it&rsquo;s madness, downright madness.&rdquo;
- </p>
- <p>
- &ldquo;You are quite right,&rdquo; Alban gravely agreed, &ldquo;it <i>is</i> madness. I lost
- whatever little reason I once possessed, Miss Emily, on the day when I
- first met you out walking with the young ladies of the school.&rdquo;
- </p>
- <p>
- Emily turned away in significant silence. Alban followed her.
- </p>
- <p>
- &ldquo;You promised just now,&rdquo; he said, &ldquo;never to think unjustly of me again. I
- respect and admire you far too sincerely to take a base advantage of this
- occasion&mdash;the only occasion on which I have been permitted to speak
- with you alone. Wait a little before you condemn a man whom you don&rsquo;t
- understand. I will say nothing to annoy you&mdash;I only ask leave to
- explain myself. Will you take your chair again?&rdquo;
- </p>
- <p>
- She returned unwillingly to her seat. &ldquo;It can only end,&rdquo; she thought,
- sadly, &ldquo;in my disappointing him!&rdquo;
- </p>
- <p>
- &ldquo;I have had the worst possible opinion of women for years past,&rdquo; Alban
- resumed; &ldquo;and the only reason I can give for it condemns me out of my own
- mouth. I have been infamously treated by one woman; and my wounded
- self-esteem has meanly revenged itself by reviling the whole sex. Wait a
- little, Miss Emily. My fault has received its fit punishment. I have been
- thoroughly humiliated&mdash;and <i>you</i> have done it.&rdquo;
- </p>
- <p>
- &ldquo;Mr. Morris!&rdquo;
- </p>
- <p>
- &ldquo;Take no offense, pray, where no offense is meant. Some few years since it
- was the great misfortune of my life to meet with a Jilt. You know what I
- mean?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;She was my equal by birth (I am a younger son of a country squire), and
- my superior in rank. I can honestly tell you that I was fool enough to
- love her with all my heart and soul. She never allowed me to doubt&mdash;I
- may say this without conceit, remembering the miserable end of it&mdash;that
- my feeling for her was returned. Her father and mother (excellent people)
- approved of the contemplated marriage. She accepted my presents; she
- allowed all the customary preparations for a wedding to proceed to
- completion; she had not even mercy enough, or shame enough, to prevent me
- from publicly degrading myself by waiting for her at the altar, in the
- presence of a large congregation. The minutes passed&mdash;and no bride
- appeared. The clergyman, waiting like me, was requested to return to the
- vestry. I was invited to follow him. You foresee the end of the story, of
- course? She had run away with another man. But can you guess who the man
- was? Her groom!&rdquo;
- </p>
- <p>
- Emily&rsquo;s face reddened with indignation. &ldquo;She suffered for it? Oh, Mr.
- Morris, surely she suffered for it?&rdquo;
- </p>
- <p>
- &ldquo;Not at all. She had money enough to reward the groom for marrying her;
- and she let herself down easily to her husband&rsquo;s level. It was a suitable
- marriage in every respect. When I last heard of them, they were regularly
- in the habit of getting drunk together. I am afraid I have disgusted you?
- We will drop the subject, and resume my precious autobiography at a later
- date. One showery day in the autumn of last year, you young ladies went
- out with Miss Ladd for a walk. When you were all trotting back again,
- under your umbrellas, did you (in particular) notice an ill-tempered
- fellow standing in the road, and getting a good look at you, on the high
- footpath above him?&rdquo;
- </p>
- <p>
- Emily smiled, in spite of herself. &ldquo;I don&rsquo;t remember it,&rdquo; she said.
- </p>
- <p>
- &ldquo;You wore a brown jacket which fitted you as if you had been born in it&mdash;and
- you had the smartest little straw hat I ever saw on a woman&rsquo;s head. It was
- the first time I ever noticed such things. I think I could paint a
- portrait of the boots you wore (mud included), from memory alone. That was
- the impression you produced on me. After believing, honestly believing,
- that love was one of the lost illusions of my life&mdash;after feeling,
- honestly feeling, that I would as soon look at the devil as look at a
- woman&mdash;there was the state of mind to which retribution had reduced
- me; using for his instrument Miss Emily Brown. Oh, don&rsquo;t be afraid of what
- I may say next! In your presence, and out of your presence, I am man
- enough to be ashamed of my own folly. I am resisting your influence over
- me at this moment, with the strongest of all resolutions&mdash;the
- resolution of despair. Let&rsquo;s look at the humorous side of the story again.
- What do you think I did when the regiment of young ladies had passed by
- me?&rdquo;
- </p>
- <p>
- Emily declined to guess.
- </p>
- <p>
- &ldquo;I followed you back to the school; and, on pretense of having a daughter
- to educate, I got one of Miss Ladd&rsquo;s prospectuses from the porter at the
- lodge gate. I was in your neighborhood, you must know, on a sketching
- tour. I went back to my inn, and seriously considered what had happened to
- me. The result of my cogitations was that I went abroad. Only for a change&mdash;not
- at all because I was trying to weaken the impression you had produced on
- me! After a while I returned to England. Only because I was tired of
- traveling&mdash;not at all because your influence drew me back! Another
- interval passed; and luck turned my way, for a wonder. The
- drawing-master&rsquo;s place became vacant here. Miss Ladd advertised; I
- produced my testimonials; and took the situation. Only because the salary
- was a welcome certainty to a poor man&mdash;not at all because the new
- position brought me into personal association with Miss Emily Brown! Do
- you begin to see why I have troubled you with all this talk about myself?
- Apply the contemptible system of self-delusion which my confession has
- revealed, to that holiday arrangement for a tour in the north which has
- astonished and annoyed you. I am going to travel this afternoon by your
- train. Only because I feel an intelligent longing to see the northernmost
- county of England&mdash;not at all because I won&rsquo;t let you trust yourself
- alone with Mrs. Rook! Not at all because I won&rsquo;t leave you to enter Sir
- Jervis Redwood&rsquo;s service without a friend within reach in case you want
- him! Mad? Oh, yes&mdash;perfectly mad. But, tell me this: What do all
- sensible people do when they find themselves in the company of a lunatic?
- They humor him. Let me take your ticket and see your luggage labeled: I
- only ask leave to be your traveling servant. If you are proud&mdash;I
- shall like you all the better, if you are&mdash;pay me wages, and keep me
- in my proper place in that way.&rdquo;
- </p>
- <p>
- Some girls, addressed with this reckless intermingling of jest and
- earnest, would have felt confused, and some would have felt flattered.
- With a good-tempered resolution, which never passed the limits of modesty
- and refinement, Emily met Alban Morris on his own ground.
- </p>
- <p>
- &ldquo;You have said you respect me,&rdquo; she began; &ldquo;I am going to prove that I
- believe you. The least I can do is not to misinterpret you, on my side. Am
- I to understand, Mr. Morris&mdash;you won&rsquo;t think the worse of me, I hope,
- if I speak plainly&mdash;am I to understand that you are in love with me?&rdquo;
- </p>
- <p>
- &ldquo;Yes, Miss Emily&mdash;if you please.&rdquo;
- </p>
- <p>
- He had answered with the quaint gravity which was peculiar to him; but he
- was already conscious of a sense of discouragement. Her composure was a
- bad sign&mdash;from his point of view.
- </p>
- <p>
- &ldquo;My time will come, I daresay,&rdquo; she proceeded. &ldquo;At present I know nothing
- of love, by experience; I only know what some of my schoolfellows talk
- about in secret. Judging by what they tell me, a girl blushes when her
- lover pleads with her to favor his addresses. Am I blushing?&rdquo;
- </p>
- <p>
- &ldquo;Must I speak plainly, too?&rdquo; Alban asked.
- </p>
- <p>
- &ldquo;If you have no objection,&rdquo; she answered, as composedly as if she had been
- addressing her grandfather.
- </p>
- <p>
- &ldquo;Then, Miss Emily, I must say&mdash;you are not blushing.&rdquo;
- </p>
- <p>
- She went on. &ldquo;Another token of love&mdash;as I am informed&mdash;is to
- tremble. Am I trembling?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Am I too confused to look at you?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Do I walk away with dignity&mdash;and then stop, and steal a timid glance
- at my lover, over my shoulder?&rdquo;
- </p>
- <p>
- &ldquo;I wish you did!&rdquo;
- </p>
- <p>
- &ldquo;A plain answer, Mr. Morris! Yes or No.&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;of course.&rdquo;
- </p>
- <p>
- &ldquo;In one last word, do I give you any sort of encouragement to try again?&rdquo;
- </p>
- <p>
- &ldquo;In one last word, I have made a fool of myself&mdash;and you have taken
- the kindest possible way of telling me so.&rdquo;
- </p>
- <p>
- This time, she made no attempt to reply in his own tone. The good-humored
- gayety of her manner disappeared. She was in earnest&mdash;truly, sadly in
- earnest&mdash;when she said her next words.
- </p>
- <p>
- &ldquo;Is it not best, in your own interests, that we should bid each other
- good-by?&rdquo; she asked. &ldquo;In the time to come&mdash;when you only remember how
- kind you once were to me&mdash;we may look forward to meeting again. After
- all that you have suffered, so bitterly and so undeservedly, don&rsquo;t, pray
- don&rsquo;t, make me feel that another woman has behaved cruelly to you, and
- that I&mdash;so grieved to distress you&mdash;am that heartless creature!&rdquo;
- </p>
- <p>
- Never in her life had she been so irresistibly charming as she was at that
- moment. Her sweet nature showed all its innocent pity for him in her face.
- </p>
- <p>
- He saw it&mdash;he felt it&mdash;he was not unworthy of it. In silence, he
- lifted her hand to his lips. He turned pale as he kissed it.
- </p>
- <p>
- &ldquo;Say that you agree with me?&rdquo; she pleaded.
- </p>
- <p>
- &ldquo;I obey you.&rdquo;
- </p>
- <p>
- As he answered, he pointed to the lawn at their feet. &ldquo;Look,&rdquo; he said, &ldquo;at
- that dead leaf which the air is wafting over the grass. Is it possible
- that such sympathy as you feel for Me, such love as I feel for You, can
- waste, wither, and fall to the ground like that leaf? I leave you, Emily&mdash;with
- the firm conviction that there is a time of fulfillment to come in our two
- lives. Happen what may in the interval&mdash;I trust the future.&rdquo;
- </p>
- <p>
- The words had barely passed his lips when the voice of one of the servants
- reached them from the house. &ldquo;Miss Emily, are you in the garden?&rdquo;
- </p>
- <p>
- Emily stepped out into the sunshine. The servant hurried to meet her, and
- placed a telegram in her hand. She looked at it with a sudden misgiving.
- In her small experience, a telegram was associated with the communication
- of bad news. She conquered her hesitation&mdash;opened it&mdash;read it.
- The color left her face: she shuddered. The telegram dropped on the grass.
- </p>
- <p>
- &ldquo;Read it,&rdquo; she said, faintly, as Alban picked it up.
- </p>
- <p>
- He read these words: &ldquo;Come to London directly. Miss Letitia is dangerously
- ill.&rdquo;
- </p>
- <p>
- &ldquo;Your aunt?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Yes&mdash;my aunt.&rdquo;
- </p>
- <p>
- <a name="link2H_4_0013" id="link2H_4_0013">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h2>
- BOOK THE SECOND&mdash;IN LONDON.
- </h2>
- <p>
- <a name="link2HCH0012" id="link2HCH0012">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XII. MRS. ELLMOTHER.
- </h3>
- <p>
- The metropolis of Great Britain is, in certain respects, like no other
- metropolis on the face of the earth. In the population that throngs the
- streets, the extremes of Wealth and the extremes of Poverty meet, as they
- meet nowhere else. In the streets themselves, the glory and the shame of
- architecture&mdash;the mansion and the hovel&mdash;are neighbors in
- situation, as they are neighbors nowhere else. London, in its social
- aspect, is the city of contrasts.
- </p>
- <p>
- Toward the close of evening Emily left the railway terminus for the place
- of residence in which loss of fortune had compelled her aunt to take
- refuge. As she approached her destination, the cab passed&mdash;by merely
- crossing a road&mdash;from a spacious and beautiful Park, with its
- surrounding houses topped by statues and cupolas, to a row of cottages,
- hard by a stinking ditch miscalled a canal. The city of contrasts: north
- and south, east and west, the city of social contrasts.
- </p>
- <p>
- Emily stopped the cab before the garden gate of a cottage, at the further
- end of the row. The bell was answered by the one servant now in her aunt&rsquo;s
- employ&mdash;Miss Letitia&rsquo;s maid.
- </p>
- <p>
- Personally, this good creature was one of the ill-fated women whose
- appearance suggests that Nature intended to make men of them and altered
- her mind at the last moment. Miss Letitia&rsquo;s maid was tall and gaunt and
- awkward. The first impression produced by her face was an impression of
- bones. They rose high on her forehead; they projected on her cheeks; and
- they reached their boldest development in her jaws. In the cavernous eyes
- of this unfortunate person rigid obstinacy and rigid goodness looked out
- together, with equal severity, on all her fellow-creatures alike. Her
- mistress (whom she had served for a quarter of a century and more) called
- her &ldquo;Bony.&rdquo; She accepted this cruelly appropriate nick-name as a mark of
- affectionate familiarity which honored a servant. No other person was
- allowed to take liberties with her: to every one but her mistress she was
- known as Mrs. Ellmother.
- </p>
- <p>
- &ldquo;How is my aunt?&rdquo; Emily asked.
- </p>
- <p>
- &ldquo;Bad.&rdquo;
- </p>
- <p>
- &ldquo;Why have I not heard of her illness before?&rdquo;
- </p>
- <p>
- &ldquo;Because she&rsquo;s too fond of you to let you be distressed about her. &lsquo;Don&rsquo;t
- tell Emily&rsquo;; those were her orders, as long as she kept her senses.&rdquo;
- </p>
- <p>
- &ldquo;Kept her senses? Good heavens! what do you mean?&rdquo;
- </p>
- <p>
- &ldquo;Fever&mdash;that&rsquo;s what I mean.&rdquo;
- </p>
- <p>
- &ldquo;I must see her directly; I am not afraid of infection.&rdquo;
- </p>
- <p>
- &ldquo;There&rsquo;s no infection to be afraid of. But you mustn&rsquo;t see her, for all
- that.&rdquo;
- </p>
- <p>
- &ldquo;I insist on seeing her.&rdquo;
- </p>
- <p>
- &ldquo;Miss Emily, I am disappointing you for your own good. Don&rsquo;t you know me
- well enough to trust me by this time?&rdquo;
- </p>
- <p>
- &ldquo;I do trust you.&rdquo;
- </p>
- <p>
- &ldquo;Then leave my mistress to me&mdash;and go and make yourself comfortable
- in your own room.&rdquo;
- </p>
- <p>
- Emily&rsquo;s answer was a positive refusal. Mrs. Ellmother, driven to her last
- resources, raised a new obstacle.
- </p>
- <p>
- &ldquo;It&rsquo;s not to be done, I tell you! How can you see Miss Letitia when she
- can&rsquo;t bear the light in her room? Do you know what color her eyes are?
- Red, poor soul&mdash;red as a boiled lobster.&rdquo;
- </p>
- <p>
- With every word the woman uttered, Emily&rsquo;s perplexity and distress
- increased.
- </p>
- <p>
- &ldquo;You told me my aunt&rsquo;s illness was fever,&rdquo; she said&mdash;&ldquo;and now you
- speak of some complaint in her eyes. Stand out of the way, if you please,
- and let me go to her.&rdquo;
- </p>
- <p>
- Mrs. Ellmother, still keeping her place, looked through the open door.
- </p>
- <p>
- &ldquo;Here&rsquo;s the doctor,&rdquo; she announced. &ldquo;It seems I can&rsquo;t satisfy you; ask him
- what&rsquo;s the matter. Come in, doctor.&rdquo; She threw open the door of the
- parlor, and introduced Emily. &ldquo;This is the mistress&rsquo;s niece, sir. Please
- try if <i>you</i> can keep her quiet. I can&rsquo;t.&rdquo; She placed chairs with the
- hospitable politeness of the old school&mdash;and returned to her post at
- Miss Letitia&rsquo;s bedside.
- </p>
- <p>
- Doctor Allday was an elderly man, with a cool manner and a ruddy
- complexion&mdash;thoroughly acclimatized to the atmosphere of pain and
- grief in which it was his destiny to live. He spoke to Emily (without any
- undue familiarity) as if he had been accustomed to see her for the greater
- part of her life.
- </p>
- <p>
- &ldquo;That&rsquo;s a curious woman,&rdquo; he said, when Mrs. Ellmother closed the door;
- &ldquo;the most headstrong person, I think, I ever met with. But devoted to her
- mistress, and, making allowance for her awkwardness, not a bad nurse. I am
- afraid I can&rsquo;t give you an encouraging report of your aunt. The rheumatic
- fever (aggravated by the situation of this house&mdash;built on clay, you
- know, and close to stagnant water) has been latterly complicated by
- delirium.&rdquo;
- </p>
- <p>
- &ldquo;Is that a bad sign, sir?&rdquo;
- </p>
- <p>
- &ldquo;The worst possible sign; it shows that the disease has affected the
- heart. Yes: she is suffering from inflammation of the eyes, but that is an
- unimportant symptom. We can keep the pain under by means of cooling
- lotions and a dark room. I&rsquo;ve often heard her speak of you&mdash;especially
- since the illness assumed a serious character. What did you say? Will she
- know you, when you go into her room? This is about the time when the
- delirium usually sets in. I&rsquo;ll see if there&rsquo;s a quiet interval.&rdquo;
- </p>
- <p>
- He opened the door&mdash;and came back again.
- </p>
- <p>
- &ldquo;By the way,&rdquo; he resumed, &ldquo;I ought perhaps to explain how it was that I
- took the liberty of sending you that telegram. Mrs. Ellmother refused to
- inform you of her mistress&rsquo;s serious illness. That circumstance, according
- to my view of it, laid the responsibility on the doctor&rsquo;s shoulders. The
- form taken by your aunt&rsquo;s delirium&mdash;I mean the apparent tendency of
- the words that escape her in that state&mdash;seems to excite some
- incomprehensible feeling in the mind of her crabbed servant. She wouldn&rsquo;t
- even let <i>me</i> go into the bedroom, if she could possibly help it. Did
- Mrs. Ellmother give you a warm welcome when you came here?&rdquo;
- </p>
- <p>
- &ldquo;Far from it. My arrival seemed to annoy her.&rdquo;
- </p>
- <p>
- &ldquo;Ah&mdash;just what I expected. These faithful old servants always end by
- presuming on their fidelity. Did you ever hear what a witty poet&mdash;I
- forget his name: he lived to be ninety&mdash;said of the man who had been
- his valet for more than half a century? &lsquo;For thirty years he was the best
- of servants; and for thirty years he has been the hardest of masters.&rsquo;
- Quite true&mdash;I might say the same of my housekeeper. Rather a good
- story, isn&rsquo;t it?&rdquo;
- </p>
- <p>
- The story was completely thrown away on Emily; but one subject interested
- her now. &ldquo;My poor aunt has always been fond of me,&rdquo; she said. &ldquo;Perhaps she
- might know me, when she recognizes nobody else.&rdquo;
- </p>
- <p>
- &ldquo;Not very likely,&rdquo; the doctor answered. &ldquo;But there&rsquo;s no laying down any
- rule in cases of this kind. I have sometimes observed that circumstances
- which have produced a strong impression on patients, when they are in a
- state of health, give a certain direction to the wandering of their minds,
- when they are in a state of fever. You will say, &lsquo;I am not a circumstance;
- I don&rsquo;t see how this encourages me to hope&rsquo;&mdash;and you will be quite
- right. Instead of talking of my medical experience, I shall do better to
- look at Miss Letitia, and let you know the result. You have got other
- relations, I suppose? No? Very distressing&mdash;very distressing.&rdquo;
- </p>
- <p>
- Who has not suffered as Emily suffered, when she was left alone? Are there
- not moments&mdash;if we dare to confess the truth&mdash;when poor humanity
- loses its hold on the consolations of religion and the hope of
- immortality, and feels the cruelty of creation that bids us live, on the
- condition that we die, and leads the first warm beginnings of love, with
- merciless certainty, to the cold conclusion of the grave?
- </p>
- <p>
- &ldquo;She&rsquo;s quiet, for the time being,&rdquo; Dr. Allday announced, on his return.
- &ldquo;Remember, please, that she can&rsquo;t see you in the inflamed state of her
- eyes, and don&rsquo;t disturb the bed-curtains. The sooner you go to her the
- better, perhaps&mdash;if you have anything to say which depends on her
- recognizing your voice. I&rsquo;ll call to-morrow morning. Very distressing,&rdquo; he
- repeated, taking his hat and making his bow&mdash;&ldquo;Very distressing.&rdquo;
- </p>
- <p>
- Emily crossed the narrow little passage which separated the two rooms, and
- opened the bed-chamber door. Mrs. Ellmother met her on the threshold.
- &ldquo;No,&rdquo; said the obstinate old servant, &ldquo;you can&rsquo;t come in.&rdquo;
- </p>
- <p>
- The faint voice of Miss Letitia made itself heard, calling Mrs. Ellmother
- by her familiar nick-name.
- </p>
- <p>
- &ldquo;Bony, who is it?&rdquo;
- </p>
- <p>
- &ldquo;Never mind.&rdquo;
- </p>
- <p>
- &ldquo;Who is it?&rdquo;
- </p>
- <p>
- &ldquo;Miss Emily, if you must know.&rdquo;
- </p>
- <p>
- &ldquo;Oh! poor dear, why does she come here? Who told her I was ill?&rdquo;
- </p>
- <p>
- &ldquo;The doctor told her.&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t come in, Emily. It will only distress you&mdash;and it will do me
- no good. God bless you, my love. Don&rsquo;t come in.&rdquo;
- </p>
- <p>
- &ldquo;There!&rdquo; said Mrs. Ellmother. &ldquo;Do you hear that? Go back to the
- sitting-room.&rdquo;
- </p>
- <p>
- Thus far, the hard necessity of controlling herself had kept Emily silent.
- She was now able to speak without tears. &ldquo;Remember the old times, aunt,&rdquo;
- she pleaded, gently. &ldquo;Don&rsquo;t keep me out of your room, when I have come
- here to nurse you!&rdquo;
- </p>
- <p>
- &ldquo;I&rsquo;m her nurse. Go back to the sitting-room,&rdquo; Mrs. Ellmother repeated.
- </p>
- <p>
- True love lasts while life lasts. The dying woman relented.
- </p>
- <p>
- &ldquo;Bony! Bony! I can&rsquo;t be unkind to Emily. Let her in.&rdquo;
- </p>
- <p>
- Mrs. Ellmother still insisted on having her way.
- </p>
- <p>
- &ldquo;You&rsquo;re contradicting your own orders,&rdquo; she said to her mistress. &ldquo;You
- don&rsquo;t know how soon you may begin wandering in your mind again. Think,
- Miss Letitia&mdash;think.&rdquo;
- </p>
- <p>
- This remonstrance was received in silence. Mrs. Ellmother&rsquo;s great gaunt
- figure still blocked up the doorway.
- </p>
- <p>
- &ldquo;If you force me to it,&rdquo; Emily said, quietly, &ldquo;I must go to the doctor,
- and ask him to interfere.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that?&rdquo; Mrs. Ellmother said, quietly, on her side.
- </p>
- <p>
- &ldquo;I do mean it,&rdquo; was the answer.
- </p>
- <p>
- The old servant suddenly submitted&mdash;with a look which took Emily by
- surprise. She had expected to see anger; the face that now confronted her
- was a face subdued by sorrow and fear.
- </p>
- <p>
- &ldquo;I wash my hands of it,&rdquo; Mrs. Ellmother said. &ldquo;Go in&mdash;and take the
- consequences.&rdquo;
- </p>
- <p>
- <a name="link2HCH0013" id="link2HCH0013">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XIII. MISS LETITIA.
- </h3>
- <p>
- Emily entered the room. The door was immediately closed on her from the
- outer side. Mrs. Ellmother&rsquo;s heavy steps were heard retreating along the
- passage. Then the banging of the door that led into the kitchen shook the
- flimsily-built cottage. Then, there was silence.
- </p>
- <p>
- The dim light of a lamp hidden away in a corner and screened by a dingy
- green shade, just revealed the closely-curtained bed, and the table near
- it bearing medicine-bottles and glasses. The only objects on the
- chimney-piece were a clock that had been stopped in mercy to the
- sufferer&rsquo;s irritable nerves, and an open case containing a machine for
- pouring drops into the eyes. The smell of fumigating pastilles hung
- heavily on the air. To Emily&rsquo;s excited imagination, the silence was like
- the silence of death. She approached the bed trembling. &ldquo;Won&rsquo;t you speak
- to me, aunt?&rdquo;
- </p>
- <p>
- &ldquo;Is that you, Emily? Who let you come in?&rdquo;
- </p>
- <p>
- &ldquo;You said I might come in, dear. Are you thirsty? I see some lemonade on
- the table. Shall I give it to you?&rdquo;
- </p>
- <p>
- &ldquo;No! If you open the bed-curtains, you let in the light. My poor eyes! Why
- are you here, my dear? Why are you not at the school?&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s holiday-time, aunt. Besides, I have left school for good.&rdquo;
- </p>
- <p>
- &ldquo;Left school?&rdquo; Miss Letitia&rsquo;s memory made an effort, as she repeated those
- words. &ldquo;You were going somewhere when you left school,&rdquo; she said, &ldquo;and
- Cecilia Wyvil had something to do with it. Oh, my love, how cruel of you
- to go away to a stranger, when you might live here with me!&rdquo; She paused&mdash;her
- sense of what she had herself just said began to grow confused. &ldquo;What
- stranger?&rdquo; she asked abruptly. &ldquo;Was it a man? What name? Oh, my mind! Has
- death got hold of my mind before my body?&rdquo;
- </p>
- <p>
- &ldquo;Hush! hush! I&rsquo;ll tell you the name. Sir Jervis Redwood.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know him. I don&rsquo;t want to know him. Do you think he means to send
- for you. Perhaps he <i>has</i> sent for you. I won&rsquo;t allow it! You shan&rsquo;t
- go!&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t excite yourself, dear! I have refused to go; I mean to stay here
- with you.&rdquo;
- </p>
- <p>
- The fevered brain held to its last idea. &ldquo;<i>Has</i> he sent for you?&rdquo; she
- said again, louder than before.
- </p>
- <p>
- Emily replied once more, in terms carefully chosen with the one purpose of
- pacifying her. The attempt proved to be useless, and worse&mdash;it seemed
- to make her suspicious. &ldquo;I won&rsquo;t be deceived!&rdquo; she said; &ldquo;I mean to know
- all about it. He did send for you. Whom did he send?&rdquo;
- </p>
- <p>
- &ldquo;His housekeeper.&rdquo;
- </p>
- <p>
- &ldquo;What name?&rdquo; The tone in which she put the question told of excitement
- that was rising to its climax. &ldquo;Don&rsquo;t you know that I&rsquo;m curious about
- names?&rdquo; she burst out. &ldquo;Why do you provoke me? Who is it?&rdquo;
- </p>
- <p>
- &ldquo;Nobody you know, or need care about, dear aunt. Mrs. Rook.&rdquo;
- </p>
- <p>
- Instantly on the utterance of that name, there followed an unexpected
- result. Silence ensued.
- </p>
- <p>
- Emily waited&mdash;hesitated&mdash;advanced, to part the curtains, and
- look in at her aunt. She was stopped by a dreadful sound of laughter&mdash;the
- cheerless laughter that is heard among the mad. It suddenly ended in a
- dreary sigh.
- </p>
- <p>
- Afraid to look in, she spoke, hardly knowing what she said. &ldquo;Is there
- anything you wish for? Shall I call&mdash;?&rdquo;
- </p>
- <p>
- Miss Letitia&rsquo;s voice interrupted her. Dull, low, rapidly muttering, it was
- unlike, shockingly unlike, the familiar voice of her aunt. It said strange
- words.
- </p>
- <p>
- &ldquo;Mrs. Rook? What does Mrs. Rook matter? Or her husband either? Bony, Bony,
- you&rsquo;re frightened about nothing. Where&rsquo;s the danger of those two people
- turning up? Do you know how many miles away the village is? Oh, you fool&mdash;a
- hundred miles and more. Never mind the coroner, the coroner must keep in
- his own district&mdash;and the jury too. A risky deception? I call it a
- pious fraud. And I have a tender conscience, and a cultivated mind. The
- newspaper? How is <i>our</i> newspaper to find its way to her, I should
- like to know? You poor old Bony! Upon my word you do me good&mdash;you
- make me laugh.&rdquo;
- </p>
- <p>
- The cheerless laughter broke out again&mdash;and died away again drearily
- in a sigh.
- </p>
- <p>
- Accustomed to decide rapidly in the ordinary emergencies of her life,
- Emily felt herself painfully embarrassed by the position in which she was
- now placed.
- </p>
- <p>
- After what she had already heard, could she reconcile it to her sense of
- duty to her aunt to remain any longer in the room?
- </p>
- <p>
- In the hopeless self-betrayal of delirium, Miss Letitia had revealed some
- act of concealment, committed in her past life, and confided to her
- faithful old servant. Under these circumstances, had Emily made any
- discoveries which convicted her of taking a base advantage of her position
- at the bedside? Most assuredly not! The nature of the act of concealment;
- the causes that had led to it; the person (or persons) affected by it&mdash;these
- were mysteries which left her entirely in the dark. She had found out that
- her aunt was acquainted with Mrs. Rook, and that was literally all she
- knew.
- </p>
- <p>
- Blameless, so far, in the line of conduct that she had pursued, might she
- still remain in the bed-chamber&mdash;on this distinct understanding with
- herself: that she would instantly return to the sitting-room if she heard
- anything which could suggest a doubt of Miss Letitia&rsquo;s claim to her
- affection and respect? After some hesitation, she decided on leaving it to
- her conscience to answer that question. Does conscience ever say, No&mdash;when
- inclination says, Yes? Emily&rsquo;s conscience sided with her reluctance to
- leave her aunt.
- </p>
- <p>
- Throughout the time occupied by these reflections, the silence had
- remained unbroken. Emily began to feel uneasy. She timidly put her hand
- through the curtains, and took Miss Letitia&rsquo;s hand. The contact with the
- burning skin startled her. She turned away to the door, to call the
- servant&mdash;when the sound of her aunt&rsquo;s voice hurried her back to the
- bed.
- </p>
- <p>
- &ldquo;Are you there, Bony?&rdquo; the voice asked.
- </p>
- <p>
- Was her mind getting clear again? Emily tried the experiment of making a
- plain reply. &ldquo;Your niece is with you,&rdquo; she said. &ldquo;Shall I call the
- servant?&rdquo;
- </p>
- <p>
- Miss Letitia&rsquo;s mind was still far away from Emily, and from the present
- time.
- </p>
- <p>
- &ldquo;The servant?&rdquo; she repeated. &ldquo;All the servants but you, Bony, have been
- sent away. London&rsquo;s the place for us. No gossiping servants and no curious
- neighbors in London. Bury the horrid truth in London. Ah, you may well say
- I look anxious and wretched. I hate deception&mdash;and yet, it must be
- done. Why do you waste time in talking? Why don&rsquo;t you find out where the
- vile woman lives? Only let me get at her&mdash;and I&rsquo;ll make Sara ashamed
- of herself.&rdquo;
- </p>
- <p>
- Emily&rsquo;s heart beat fast when she heard the woman&rsquo;s name. &ldquo;Sara&rdquo; (as she
- and her school-fellows knew) was the baptismal name of Miss Jethro. Had
- her aunt alluded to the disgraced teacher, or to some other woman?
- </p>
- <p>
- She waited eagerly to hear more. There was nothing to be heard. At this
- most interesting moment, the silence remained undisturbed.
- </p>
- <p>
- In the fervor of her anxiety to set her doubts at rest, Emily&rsquo;s faith in
- her own good resolutions began to waver. The temptation to say something
- which might set her aunt talking again was too strong to be resisted&mdash;if
- she remained at the bedside. Despairing of herself she rose and turned to
- the door. In the moment that passed while she crossed the room the very
- words occurred to her that would suit her purpose. Her cheeks were hot
- with shame&mdash;she hesitated&mdash;she looked back at the bed&mdash;the
- words passed her lips.
- </p>
- <p>
- &ldquo;Sara is only one of the woman&rsquo;s names,&rdquo; she said. &ldquo;Do you like her other
- name?&rdquo;
- </p>
- <p>
- The rapidly-muttering tones broke out again instantly&mdash;but not in
- answer to Emily. The sound of a voice had encouraged Miss Letitia to
- pursue her own confused train of thought, and had stimulated the
- fast-failing capacity of speech to exert itself once more.
- </p>
- <p>
- &ldquo;No! no! He&rsquo;s too cunning for you, and too cunning for me. He doesn&rsquo;t
- leave letters about; he destroys them all. Did I say he was too cunning
- for us? It&rsquo;s false. We are too cunning for him. Who found the morsels of
- his letter in the basket? Who stuck them together? Ah, <i>we</i> know!
- Don&rsquo;t read it, Bony. &lsquo;Dear Miss Jethro&rsquo;&mdash;don&rsquo;t read it again. &lsquo;Miss
- Jethro&rsquo; in his letter; and &lsquo;Sara,&rsquo; when he talks to himself in the garden.
- Oh, who would have believed it of him, if we hadn&rsquo;t seen and heard it
- ourselves!&rdquo;
- </p>
- <p>
- There was no more doubt now.
- </p>
- <p>
- But who was the man, so bitterly and so regretfully alluded to?
- </p>
- <p>
- No: this time Emily held firmly by the resolution which bound her to
- respect the helpless position of her aunt. The speediest way of summoning
- Mrs. Ellmother would be to ring the bell. As she touched the handle a
- faint cry of suffering from the bed called her back.
- </p>
- <p>
- &ldquo;Oh, so thirsty!&rdquo; murmured the failing voice&mdash;&ldquo;so thirsty!&rdquo;
- </p>
- <p>
- She parted the curtains. The shrouded lamplight just showed her the green
- shade over Miss Letitia&rsquo;s eyes&mdash;the hollow cheeks below it&mdash;the
- arms laid helplessly on the bed-clothes. &ldquo;Oh, aunt, don&rsquo;t you know my
- voice? Don&rsquo;t you know Emily? Let me kiss you, dear!&rdquo; Useless to plead with
- her; useless to kiss her; she only reiterated the words, &ldquo;So thirsty! so
- thirsty!&rdquo; Emily raised the poor tortured body with a patient caution which
- spared it pain, and put the glass to her aunt&rsquo;s lips. She drank the
- lemonade to the last drop. Refreshed for the moment, she spoke again&mdash;spoke
- to the visionary servant of her delirious fancy, while she rested in
- Emily&rsquo;s arms.
- </p>
- <p>
- &ldquo;For God&rsquo;s sake, take care how you answer if she questions you. If <i>she</i>
- knew what <i>we</i> know! Are men ever ashamed? Ha! the vile woman! the
- vile woman!&rdquo;
- </p>
- <p>
- Her voice, sinking gradually, dropped to a whisper. The next few words
- that escaped her were muttered inarticulately. Little by little, the false
- energy of fever was wearing itself out. She lay silent and still. To look
- at her now was to look at the image of death. Once more, Emily kissed her&mdash;closed
- the curtains&mdash;and rang the bell. Mrs. Ellmother failed to appear.
- Emily left the room to call her.
- </p>
- <p>
- Arrived at the top of the kitchen stairs, she noted a slight change. The
- door below, which she had heard banged on first entering her aunt&rsquo;s room,
- now stood open. She called to Mrs. Ellmother. A strange voice answered
- her. Its accent was soft and courteous; presenting the strongest
- imaginable contrast to the harsh tones of Miss Letitia&rsquo;s crabbed old maid.
- </p>
- <p>
- &ldquo;Is there anything I can do for you, miss?&rdquo;
- </p>
- <p>
- The person making this polite inquiry appeared at the foot of the stairs&mdash;a
- plump and comely woman of middle age. She looked up at the young lady with
- a pleasant smile.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; Emily said; &ldquo;I had no intention of disturbing you. I
- called to Mrs. Ellmother.&rdquo;
- </p>
- <p>
- The stranger advanced a little way up the stairs, and answered, &ldquo;Mrs.
- Ellmother is not here.&rdquo;
- </p>
- <p>
- &ldquo;Do you expect her back soon?&rdquo;
- </p>
- <p>
- &ldquo;Excuse me, miss&mdash;I don&rsquo;t expect her back at all.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean to say that she has left the house?&rdquo;
- </p>
- <p>
- &ldquo;Yes, miss. She has left the house.&rdquo;
- </p>
- <p>
- <a name="link2HCH0014" id="link2HCH0014">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XIV. MRS. MOSEY.
- </h3>
- <p>
- Emily&rsquo;s first act&mdash;after the discovery of Mrs. Ellmother&rsquo;s
- incomprehensible disappearance&mdash;was to invite the new servant to
- follow her into the sitting-room.
- </p>
- <p>
- &ldquo;Can you explain this?&rdquo; she began.
- </p>
- <p>
- &ldquo;No, miss.&rdquo;
- </p>
- <p>
- &ldquo;May I ask if you have come here by Mrs. Ellmother&rsquo;s invitation?&rdquo;
- </p>
- <p>
- &ldquo;By Mrs. Ellmother&rsquo;s <i>request</i>, miss.&rdquo;
- </p>
- <p>
- &ldquo;Can you tell me how she came to make the request?&rdquo;
- </p>
- <p>
- &ldquo;With pleasure, miss. Perhaps&mdash;as you find me here, a stranger to
- yourself, in place of the customary servant&mdash;I ought to begin by
- giving you a reference.&rdquo;
- </p>
- <p>
- &ldquo;And, perhaps (if you will be so kind), by mentioning your name,&rdquo; Emily
- added.
- </p>
- <p>
- &ldquo;Thank you for reminding me, miss. My name is Elizabeth Mosey. I am well
- known to the gentleman who attends Miss Letitia. Dr. Allday will speak to
- my character and also to my experience as a nurse. If it would be in any
- way satisfactory to give you a second reference&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Quite needless, Mrs. Mosey.&rdquo;
- </p>
- <p>
- &ldquo;Permit me to thank you again, miss. I was at home this evening, when Mrs.
- Ellmother called at my lodgings. Says she, &lsquo;I have come here, Elizabeth,
- to ask a favor of you for old friendship&rsquo;s sake.&rsquo; Says I, &lsquo;My dear, pray
- command me, whatever it may be.&rsquo; If this seems rather a hasty answer to
- make, before I knew what the favor was, might I ask you to bear in mind
- that Mrs. Ellmother put it to me &lsquo;for old friendship&rsquo;s sake&rsquo;&mdash;alluding
- to my late husband, and to the business which we carried on at that time?
- Through no fault of ours, we got into difficulties. Persons whom we had
- trusted proved unworthy. Not to trouble you further, I may say at once, we
- should have been ruined, if our old friend Mrs. Ellmother had not come
- forward, and trusted us with the savings of her lifetime. The money was
- all paid back again, before my husband&rsquo;s death. But I don&rsquo;t consider&mdash;and,
- I think you won&rsquo;t consider&mdash;that the obligation was paid back too.
- Prudent or not prudent, there is nothing Mrs. Ellmother can ask of me that
- I am not willing to do. If I have put myself in an awkward situation (and
- I don&rsquo;t deny that it looks so) this is the only excuse, miss, that I can
- make for my conduct.&rdquo;
- </p>
- <p>
- Mrs. Mosey was too fluent, and too fond of hearing the sound of her own
- eminently persuasive voice. Making allowance for these little drawbacks,
- the impression that she produced was decidedly favorable; and, however
- rashly she might have acted, her motive was beyond reproach. Having said
- some kind words to this effect, Emily led her back to the main interest of
- her narrative.
- </p>
- <p>
- &ldquo;Did Mrs. Ellmother give no reason for leaving my aunt, at such a time as
- this?&rdquo; she asked.
- </p>
- <p>
- &ldquo;The very words I said to her, miss.&rdquo;
- </p>
- <p>
- &ldquo;And what did she say, by way of reply?&rdquo;
- </p>
- <p>
- &ldquo;She burst out crying&mdash;a thing I have never known her to do before,
- in an experience of twenty years.&rdquo;
- </p>
- <p>
- &ldquo;And she really asked you to take her place here, at a moment&rsquo;s notice?&rdquo;
- </p>
- <p>
- &ldquo;That was just what she did,&rdquo; Mrs. Mosey answered. &ldquo;I had no need to tell
- her I was astonished; my lips spoke for me, no doubt. She&rsquo;s a hard woman
- in speech and manner, I admit. But there&rsquo;s more feeling in her than you
- would suppose. &lsquo;If you are the good friend I take you for,&rsquo; she says,
- &lsquo;don&rsquo;t ask me for reasons; I am doing what is forced on me, and doing it
- with a heavy heart.&rsquo; In my place, miss, would you have insisted on her
- explaining herself, after that? The one thing I naturally wanted to know
- was, if I could speak to some lady, in the position of mistress here,
- before I ventured to intrude. Mrs. Ellmother understood that it was her
- duty to help me in this particular. Your poor aunt being out of the
- question she mentioned you.&rdquo;
- </p>
- <p>
- &ldquo;How did she speak of me? In an angry way?&rdquo;
- </p>
- <p>
- &ldquo;No, indeed&mdash;quite the contrary. She says, &lsquo;You will find Miss Emily
- at the cottage. She is Miss Letitia&rsquo;s niece. Everybody likes her&mdash;and
- everybody is right.&rsquo;&rdquo;
- </p>
- <p>
- &ldquo;She really said that?&rdquo;
- </p>
- <p>
- &ldquo;Those were her words. And, what is more, she gave me a message for you at
- parting. &lsquo;If Miss Emily is surprised&rsquo; (that was how she put it) &lsquo;give her
- my duty and good wishes; and tell her to remember what I said, when she
- took my place at her aunt&rsquo;s bedside.&rsquo; I don&rsquo;t presume to inquire what this
- means,&rdquo; said Mrs. Mosey respectfully, ready to hear what it meant, if
- Emily would only be so good as to tell her. &ldquo;I deliver the message, miss,
- as it was delivered to me. After which, Mrs. Ellmother went her way, and I
- went mine.&rdquo;
- </p>
- <p>
- &ldquo;Do you know where she went?&rdquo;
- </p>
- <p>
- &ldquo;No, miss.&rdquo;
- </p>
- <p>
- &ldquo;Have you nothing more to tell me?&rdquo;
- </p>
- <p>
- &ldquo;Nothing more; except that she gave me my directions, of course, about the
- nursing. I took them down in writing&mdash;and you will find them in their
- proper place, with the prescriptions and the medicines.&rdquo;
- </p>
- <p>
- Acting at once on this hint, Emily led the way to her aunt&rsquo;s room.
- </p>
- <p>
- Miss Letitia was silent, when the new nurse softly parted the curtains&mdash;looked
- in&mdash;and drew them together again. Consulting her watch, Mrs. Mosey
- compared her written directions with the medicine-bottles on the table,
- and set one apart to be used at the appointed time. &ldquo;Nothing, so far, to
- alarm us,&rdquo; she whispered. &ldquo;You look sadly pale and tired, miss. Might I
- advise you to rest a little?&rdquo;
- </p>
- <p>
- &ldquo;If there is any change, Mrs. Mosey&mdash;either for the better or the
- worse&mdash;of course you will let me know?&rdquo;
- </p>
- <p>
- &ldquo;Certainly, miss.&rdquo;
- </p>
- <p>
- Emily returned to the sitting-room: not to rest (after all that she had
- heard), but to think.
- </p>
- <p>
- Amid much that was unintelligible, certain plain conclusions presented
- themselves to her mind.
- </p>
- <p>
- After what the doctor had already said to Emily, on the subject of
- delirium generally, Mrs. Ellmother&rsquo;s proceedings became intelligible: they
- proved that she knew by experience the perilous course taken by her
- mistress&rsquo;s wandering thoughts, when they expressed themselves in words.
- This explained the concealment of Miss Letitia&rsquo;s illness from her niece,
- as well as the reiterated efforts of the old servant to prevent Emily from
- entering the bedroom.
- </p>
- <p>
- But the event which had just happened&mdash;that is to say, Mrs.
- Ellmother&rsquo;s sudden departure from the cottage&mdash;was not only of
- serious importance in itself, but pointed to a startling conclusion.
- </p>
- <p>
- The faithful maid had left the mistress, whom she had loved and served,
- sinking under a fatal illness&mdash;and had put another woman in her
- place, careless of what that woman might discover by listening at the
- bedside&mdash;rather than confront Emily after she had been within hearing
- of her aunt while the brain of the suffering woman was deranged by fever.
- There was the state of the case, in plain words.
- </p>
- <p>
- In what frame of mind had Mrs. Ellmother adopted this desperate course of
- action?
- </p>
- <p>
- To use her own expression, she had deserted Miss Letitia &ldquo;with a heavy
- heart.&rdquo; To judge by her own language addressed to Mrs. Mosey, she had left
- Emily to the mercy of a stranger&mdash;animated, nevertheless, by sincere
- feelings of attachment and respect. That her fears had taken for granted
- suspicion which Emily had not felt, and discoveries which Emily had (as
- yet) not made, in no way modified the serious nature of the inference
- which her conduct justified. The disclosure which this woman dreaded&mdash;who
- could doubt it now?&mdash;directly threatened Emily&rsquo;s peace of mind. There
- was no disguising it: the innocent niece was associated with an act of
- deception, which had been, until that day, the undetected secret of the
- aunt and the aunt&rsquo;s maid.
- </p>
- <p>
- In this conclusion, and in this only, was to be found the rational
- explanation of Mrs. Ellmother&rsquo;s choice&mdash;placed between the
- alternatives of submitting to discovery by Emily, or of leaving the house.
- </p>
- <p>
- Poor Miss Letitia&rsquo;s writing-table stood near the window of the
- sitting-room. Shrinking from the further pursuit of thoughts which might
- end in disposing her mind to distrust of her dying aunt, Emily looked
- round in search of some employment sufficiently interesting to absorb her
- attention. The writing-table reminded her that she owed a letter to
- Cecilia. That helpful friend had surely the first claim to know why she
- had failed to keep her engagement with Sir Jervis Redwood.
- </p>
- <p>
- After mentioning the telegram which had followed Mrs. Rook&rsquo;s arrival at
- the school, Emily&rsquo;s letter proceeded in these terms:
- </p>
- <p>
- &ldquo;As soon as I had in some degree recovered myself, I informed Mrs. Rook of
- my aunt&rsquo;s serious illness.
- </p>
- <p>
- &ldquo;Although she carefully confined herself to commonplace expressions of
- sympathy, I could see that it was equally a relief to both of us to feel
- that we were prevented from being traveling companions. Don&rsquo;t suppose that
- I have taken a capricious dislike to Mrs. Rook&mdash;or that you are in
- any way to blame for the unfavorable impression which she has produced on
- me. I will make this plain when we meet. In the meanwhile, I need only
- tell you that I gave her a letter of explanation to present to Sir Jervis
- Redwood. I also informed him of my address in London: adding a request
- that he would forward your letter, in case you have written to me before
- you receive these lines.
- </p>
- <p>
- &ldquo;Kind Mr. Alban Morris accompanied me to the railway-station, and arranged
- with the guard to take special care of me on the journey to London. We
- used to think him rather a heartless man. We were quite wrong. I don&rsquo;t
- know what his plans are for spending the summer holidays. Go where he may,
- I remember his kindness; my best wishes go with him.
- </p>
- <p>
- &ldquo;My dear, I must not sadden your enjoyment of your pleasant visit to the
- Engadine, by writing at any length of the sorrow that I am suffering. You
- know how I love my aunt, and how gratefully I have always felt her
- motherly goodness to me. The doctor does not conceal the truth. At her
- age, there is no hope: my father&rsquo;s last-left relation, my one dearest
- friend, is dying.
- </p>
- <p>
- &ldquo;No! I must not forget that I have another friend&mdash;I must find some
- comfort in thinking of <i>you</i>.
- </p>
- <p>
- &ldquo;I do so long in my solitude for a letter from my dear Cecilia. Nobody
- comes to see me, when I most want sympathy; I am a stranger in this vast
- city. The members of my mother&rsquo;s family are settled in Australia: they
- have not even written to me, in all the long years that have passed since
- her death. You remember how cheerfully I used to look forward to my new
- life, on leaving school? Good-by, my darling. While I can see your sweet
- face, in my thoughts, I don&rsquo;t despair&mdash;dark as it looks now&mdash;of
- the future that is before me.&rdquo;
- </p>
- <p>
- Emily had closed and addressed her letter, and was just rising from her
- chair, when she heard the voice of the new nurse at the door.
- </p>
- <p>
- <a name="link2HCH0015" id="link2HCH0015">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XV. EMILY.
- </h3>
- <p>
- &ldquo;May I say a word?&rdquo; Mrs. Mosey inquired. She entered the room&mdash;pale
- and trembling. Seeing that ominous change, Emily dropped back into her
- chair.
- </p>
- <p>
- &ldquo;Dead?&rdquo; she said faintly.
- </p>
- <p>
- Mrs. Mosey looked at her in vacant surprise.
- </p>
- <p>
- &ldquo;I wish to say, miss, that your aunt has frightened me.&rdquo;
- </p>
- <p>
- Even that vague allusion was enough for Emily.
- </p>
- <p>
- &ldquo;You need say no more,&rdquo; she replied. &ldquo;I know but too well how my aunt&rsquo;s
- mind is affected by the fever.&rdquo;
- </p>
- <p>
- Confused and frightened as she was, Mrs. Mosey still found relief in her
- customary flow of words.
- </p>
- <p>
- &ldquo;Many and many a person have I nursed in fever,&rdquo; she announced. &ldquo;Many and
- many a person have I heard say strange things. Never yet, miss, in all my
- experience&mdash;!&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t tell me of it!&rdquo; Emily interposed.
- </p>
- <p>
- &ldquo;Oh, but I <i>must</i> tell you! In your own interests, Miss Emily&mdash;in
- your own interests. I won&rsquo;t be inhuman enough to leave you alone in the
- house to-night; but if this delirium goes on, I must ask you to get
- another nurse. Shocking suspicions are lying in wait for me in that
- bedroom, as it were. I can&rsquo;t resist them as I ought, if I go back again,
- and hear your aunt saying what she has been saying for the last half hour
- and more. Mrs. Ellmother has expected impossibilities of me; and Mrs.
- Ellmother must take the consequences. I don&rsquo;t say she didn&rsquo;t warn me&mdash;speaking,
- you will please to understand, in the strictest confidence. &lsquo;Elizabeth,&rsquo;
- she says, &lsquo;you know how wildly people talk in Miss Letitia&rsquo;s present
- condition. Pay no heed to it,&rsquo; she says. &lsquo;Let it go in at one ear and out
- at the other,&rsquo; she says. &lsquo;If Miss Emily asks questions&mdash;you know
- nothing about it. If she&rsquo;s frightened&mdash;you know nothing about it. If
- she bursts into fits of crying that are dreadful to see, pity her, poor
- thing, but take no notice.&rsquo; All very well, and sounds like speaking out,
- doesn&rsquo;t it? Nothing of the sort! Mrs. Ellmother warns me to expect this,
- that, and the other. But there is one horrid thing (which I heard, mind,
- over and over again at your aunt&rsquo;s bedside) that she does <i>not</i>
- prepare me for; and that horrid thing is&mdash;Murder!&rdquo;
- </p>
- <p>
- At that last word, Mrs. Mosey dropped her voice to a whisper&mdash;and
- waited to see what effect she had produced.
- </p>
- <p>
- Sorely tried already by the cruel perplexities of her position, Emily&rsquo;s
- courage failed to resist the first sensation of horror, aroused in her by
- the climax of the nurse&rsquo;s hysterical narrative. Encouraged by her silence,
- Mrs. Mosey went on. She lifted one hand with theatrical solemnity&mdash;and
- luxuriously terrified herself with her own horrors.
- </p>
- <p>
- &ldquo;An inn, Miss Emily; a lonely inn, somewhere in the country; and a
- comfortless room at the inn, with a makeshift bed at one end of it, and a
- makeshift bed at the other&mdash;I give you my word of honor, that was how
- your aunt put it. She spoke of two men next; two men asleep (you
- understand) in the two beds. I think she called them &lsquo;gentlemen&rsquo;; but I
- can&rsquo;t be sure, and I wouldn&rsquo;t deceive you&mdash;you know I wouldn&rsquo;t
- deceive you, for the world. Miss Letitia muttered and mumbled, poor soul.
- I own I was getting tired of listening&mdash;when she burst out plain
- again, in that one horrid word&mdash;Oh, miss, don&rsquo;t be impatient! don&rsquo;t
- interrupt me!&rdquo;
- </p>
- <p>
- Emily did interrupt, nevertheless. In some degree at least she had
- recovered herself. &ldquo;No more of it!&rdquo; she said&mdash;&ldquo;I won&rsquo;t hear a word
- more.&rdquo;
- </p>
- <p>
- But Mrs. Mosey was too resolutely bent on asserting her own importance, by
- making the most of the alarm that she had suffered, to be repressed by any
- ordinary method of remonstrance. Without paying the slightest attention to
- what Emily had said, she went on again more loudly and more excitably than
- ever.
- </p>
- <p>
- &ldquo;Listen, miss&mdash;listen! The dreadful part of it is to come; you
- haven&rsquo;t heard about the two gentlemen yet. One of them was murdered&mdash;what
- do you think of that!&mdash;and the other (I heard your aunt say it, in so
- many words) committed the crime. Did Miss Letitia fancy she was addressing
- a lot of people when <i>you</i> were nursing her? She called out, like a
- person making public proclamation, when I was in her room. &lsquo;Whoever you
- are, good people&rsquo; (she says), &lsquo;a hundred pounds reward, if you find the
- runaway murderer. Search everywhere for a poor weak womanish creature,
- with rings on his little white hands. There&rsquo;s nothing about him like a
- man, except his voice&mdash;a fine round voice. You&rsquo;ll know him, my
- friends&mdash;the wretch, the monster&mdash;you&rsquo;ll know him by his voice.&rsquo;
- That was how she put it; I tell you again, that was how she put it. Did
- you hear her scream? Ah, my dear young lady, so much the better for you!
- &lsquo;O the horrid murder&rsquo; (she says)&mdash;&lsquo;hush it up!&rsquo; I&rsquo;ll take my Bible
- oath before the magistrate,&rdquo; cried Mrs. Mosey, starting out of her chair,
- &ldquo;your aunt said, &lsquo;Hush it up!&rsquo;&rdquo;
- </p>
- <p>
- Emily crossed the room. The energy of her character was roused at last.
- She seized the foolish woman by the shoulders, forced her back in the
- chair, and looked her straight in the face without uttering a word.
- </p>
- <p>
- For the moment, Mrs. Mosey was petrified. She had fully expected&mdash;having
- reached the end of her terrible story&mdash;to find Emily at her feet,
- entreating her not to carry out her intention of leaving the cottage the
- next morning; and she had determined, after her sense of her own
- importance had been sufficiently flattered, to grant the prayer of the
- helpless young lady. Those were her anticipations&mdash;and how had they
- been fulfilled? She had been treated like a mad woman in a state of
- revolt!
- </p>
- <p>
- &ldquo;How dare you assault me?&rdquo; she asked piteously. &ldquo;You ought to be ashamed
- of yourself. God knows I meant well.&rdquo;
- </p>
- <p>
- &ldquo;You are not the first person,&rdquo; Emily answered, quietly releasing her,
- &ldquo;who has done wrong with the best intentions.&rdquo;
- </p>
- <p>
- &ldquo;I did my duty, miss, when I told you what your aunt said.&rdquo;
- </p>
- <p>
- &ldquo;You forgot your duty when you listened to what my aunt said.&rdquo;
- </p>
- <p>
- &ldquo;Allow me to explain myself.&rdquo;
- </p>
- <p>
- &ldquo;No: not a word more on <i>that</i> subject shall pass between us. Remain
- here, if you please; I have something to suggest in your own interests.
- Wait, and compose yourself.&rdquo;
- </p>
- <p>
- The purpose which had taken a foremost place in Emily&rsquo;s mind rested on the
- firm foundation of her love and pity for her aunt.
- </p>
- <p>
- Now that she had regained the power to think, she felt a hateful doubt
- pressed on her by Mrs. Mosey&rsquo;s disclosures. Having taken for granted that
- there was a foundation in truth for what she herself had heard in her
- aunt&rsquo;s room, could she reasonably resist the conclusion that there must be
- a foundation in truth for what Mrs. Mosey had heard, under similar
- circumstances?
- </p>
- <p>
- There was but one way of escaping from this dilemma&mdash;and Emily
- deliberately took it. She turned her back on her own convictions; and
- persuaded herself that she had been in the wrong, when she had attached
- importance to anything that her aunt had said, under the influence of
- delirium. Having adopted this conclusion, she resolved to face the
- prospect of a night&rsquo;s solitude by the death-bed&mdash;rather than permit
- Mrs. Mosey to have a second opportunity of drawing her own inferences from
- what she might hear in Miss Letitia&rsquo;s room.
- </p>
- <p>
- &ldquo;Do you mean to keep me waiting much longer, miss?&rdquo;
- </p>
- <p>
- &ldquo;Not a moment longer, now you are composed again,&rdquo; Emily answered. &ldquo;I have
- been thinking of what has happened; and I fail to see any necessity for
- putting off your departure until the doctor comes to-morrow morning. There
- is really no objection to your leaving me to-night.&rdquo;
- </p>
- <p>
- &ldquo;I beg your pardon, miss; there <i>is</i> an objection. I have already
- told you I can&rsquo;t reconcile it to my conscience to leave you here by
- yourself. I am not an inhuman woman,&rdquo; said Mrs. Mosey, putting her
- handkerchief to her eyes&mdash;smitten with pity for herself.
- </p>
- <p>
- Emily tried the effect of a conciliatory reply. &ldquo;I am grateful for your
- kindness in offering to stay with me,&rdquo; she said.
- </p>
- <p>
- &ldquo;Very good of you, I&rsquo;m sure,&rdquo; Mrs. Mosey answered ironically. &ldquo;But for all
- that, you persist in sending me away.&rdquo;
- </p>
- <p>
- &ldquo;I persist in thinking that there is no necessity for my keeping you here
- until to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;Oh, have it your own way! I am not reduced to forcing my company on
- anybody.&rdquo;
- </p>
- <p>
- Mrs. Mosey put her handkerchief in her pocket, and asserted her dignity.
- With head erect and slowly-marching steps she walked out of the room.
- Emily was left in the cottage, alone with her dying aunt.
- </p>
- <p>
- <a name="link2HCH0016" id="link2HCH0016">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XVI. MISS JETHRO.
- </h3>
- <p>
- A fortnight after the disappearance of Mrs. Ellmother, and the dismissal
- of Mrs. Mosey, Doctor Allday entered his consulting-room, punctual to the
- hour at which he was accustomed to receive patients.
- </p>
- <p>
- An occasional wrinkling of his eyebrows, accompanied by an intermittent
- restlessness in his movements, appeared to indicate some disturbance of
- this worthy man&rsquo;s professional composure. His mind was indeed not at ease.
- Even the inexcitable old doctor had felt the attraction which had already
- conquered three such dissimilar people as Alban Morris, Cecilia Wyvil, and
- Francine de Sor. He was thinking of Emily.
- </p>
- <p>
- A ring at the door-bell announced the arrival of the first patient.
- </p>
- <p>
- The servant introduced a tall lady, dressed simply and elegantly in dark
- apparel. Noticeable features, of a Jewish cast&mdash;worn and haggard, but
- still preserving their grandeur of form&mdash;were visible through her
- veil. She moved with grace and dignity; and she stated her object in
- consulting Doctor Allday with the ease of a well-bred woman.
- </p>
- <p>
- &ldquo;I come to ask your opinion, sir, on the state of my heart,&rdquo; she said;
- &ldquo;and I am recommended by a patient, who has consulted you with advantage
- to herself.&rdquo; She placed a card on the doctor&rsquo;s writing-desk, and added: &ldquo;I
- have become acquainted with the lady, by being one of the lodgers in her
- house.&rdquo;
- </p>
- <p>
- The doctor recognized the name&mdash;and the usual proceedings ensued.
- After careful examination, he arrived at a favorable conclusion. &ldquo;I may
- tell you at once,&rdquo; he said&mdash;&ldquo;there is no reason to be alarmed about
- the state of your heart.&rdquo;
- </p>
- <p>
- &ldquo;I have never felt any alarm about myself,&rdquo; she answered quietly. &ldquo;A
- sudden death is an easy death. If one&rsquo;s affairs are settled, it seems, on
- that account, to be the death to prefer. My object was to settle <i>my</i>
- affairs&mdash;such as they are&mdash;if you had considered my life to be
- in danger. Is there nothing the matter with me?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t say that,&rdquo; the doctor replied. &ldquo;The action of your heart is very
- feeble. Take the medicine that I shall prescribe; pay a little more
- attention to eating and drinking than ladies usually do; don&rsquo;t run
- upstairs, and don&rsquo;t fatigue yourself by violent exercise&mdash;and I see
- no reason why you shouldn&rsquo;t live to be an old woman.&rdquo;
- </p>
- <p>
- &ldquo;God forbid!&rdquo; the lady said to herself. She turned away, and looked out of
- the window with a bitter smile.
- </p>
- <p>
- Doctor Allday wrote his prescription. &ldquo;Are you likely to make a long stay
- in London?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I am here for a little while only. Do you wish to see me again?&rdquo;
- </p>
- <p>
- &ldquo;I should like to see you once more, before you go away&mdash;if you can
- make it convenient. What name shall I put on the prescription?&rdquo;
- </p>
- <p>
- &ldquo;Miss Jethro.&rdquo;
- </p>
- <p>
- &ldquo;A remarkable name,&rdquo; the doctor said, in his matter-of-fact way.
- </p>
- <p>
- Miss Jethro&rsquo;s bitter smile showed itself again.
- </p>
- <p>
- Without otherwise noticing what Doctor Allday had said, she laid the
- consultation fee on the table. At the same moment, the footman appeared
- with a letter. &ldquo;From Miss Emily Brown,&rdquo; he said. &ldquo;No answer required.&rdquo;
- </p>
- <p>
- He held the door open as he delivered the message, seeing that Miss Jethro
- was about to leave the room. She dismissed him by a gesture; and,
- returning to the table, pointed to the letter.
- </p>
- <p>
- &ldquo;Was your correspondent lately a pupil at Miss Ladd&rsquo;s school?&rdquo; she
- inquired.
- </p>
- <p>
- &ldquo;My correspondent has just left Miss Ladd,&rdquo; the doctor answered. &ldquo;Are you
- a friend of hers?&rdquo;
- </p>
- <p>
- &ldquo;I am acquainted with her.&rdquo;
- </p>
- <p>
- &ldquo;You would be doing the poor child a kindness, if you would go and see
- her. She has no friends in London.&rdquo;
- </p>
- <p>
- &ldquo;Pardon me&mdash;she has an aunt.&rdquo;
- </p>
- <p>
- &ldquo;Her aunt died a week since.&rdquo;
- </p>
- <p>
- &ldquo;Are there no other relations?&rdquo;
- </p>
- <p>
- &ldquo;None. A melancholy state of things, isn&rsquo;t it? She would have been
- absolutely alone in the house, if I had not sent one of my women servants
- to stay with her for the present. Did you know her father?&rdquo;
- </p>
- <p>
- Miss Jethro passed over the question, as if she had not heard it. &ldquo;Has the
- young lady dismissed her aunt&rsquo;s servants?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Her aunt kept but one servant, ma&rsquo;am. The woman has spared Miss Emily the
- trouble of dismissing her.&rdquo; He briefly alluded to Mrs. Ellmother&rsquo;s
- desertion of her mistress. &ldquo;I can&rsquo;t explain it,&rdquo; he said when he had done.
- &ldquo;Can <i>you</i>?&rdquo;
- </p>
- <p>
- &ldquo;What makes you think, sir, that I can help you? I have never even heard
- of the servant&mdash;and the mistress was a stranger to me.&rdquo;
- </p>
- <p>
- At Doctor Allday&rsquo;s age a man is not easily discouraged by reproof, even
- when it is administered by a handsome woman. &ldquo;I thought you might have
- known Miss Emily&rsquo;s father,&rdquo; he persisted.
- </p>
- <p>
- Miss Jethro rose, and wished him good-morning. &ldquo;I must not occupy any more
- of your valuable time,&rdquo; she said.
- </p>
- <p>
- &ldquo;Suppose you wait a minute?&rdquo; the doctor suggested.
- </p>
- <p>
- Impenetrable as ever, he rang the bell. &ldquo;Any patients in the
- waiting-room?&rdquo; he inquired. &ldquo;You see I have time to spare,&rdquo; he resumed,
- when the man had replied in the negative. &ldquo;I take an interest in this poor
- girl; and I thought&mdash;&rdquo;
- </p>
- <p>
- &ldquo;If you think that I take an interest in her, too,&rdquo; Miss Jethro
- interposed, &ldquo;you are perfectly right&mdash;I knew her father,&rdquo; she added
- abruptly; the allusion to Emily having apparently reminded her of the
- question which she had hitherto declined to notice.
- </p>
- <p>
- &ldquo;In that case,&rdquo; Doctor Allday proceeded, &ldquo;I want a word of advice. Won&rsquo;t
- you sit down?&rdquo;
- </p>
- <p>
- She took a chair in silence. An irregular movement in the lower part of
- her veil seemed to indicate that she was breathing with difficulty. The
- doctor observed her with close attention. &ldquo;Let me see my prescription
- again,&rdquo; he said. Having added an ingredient, he handed it back with a word
- of explanation. &ldquo;Your nerves are more out of order than I supposed. The
- hardest disease to cure that I know of is&mdash;worry.&rdquo;
- </p>
- <p>
- The hint could hardly have been plainer; but it was lost on Miss Jethro.
- Whatever her troubles might be, her medical adviser was not made
- acquainted with them. Quietly folding up the prescription, she reminded
- him that he had proposed to ask her advice.
- </p>
- <p>
- &ldquo;In what way can I be of service to you?&rdquo; she inquired.
- </p>
- <p>
- &ldquo;I am afraid I must try your patience,&rdquo; the doctor acknowledged, &ldquo;if I am
- to answer that question plainly.&rdquo;
- </p>
- <p>
- With these prefatory words, he described the events that had followed Mrs.
- Mosey&rsquo;s appearance at the cottage. &ldquo;I am only doing justice to this
- foolish woman,&rdquo; he continued, &ldquo;when I tell you that she came here, after
- she had left Miss Emily, and did her best to set matters right. I went to
- the poor girl directly&mdash;and I felt it my duty, after looking at her
- aunt, not to leave her alone for that night. When I got home the next
- morning, whom do you think I found waiting for me? Mrs. Ellmother!&rdquo;
- </p>
- <p>
- He stopped&mdash;in the expectation that Miss Jethro would express some
- surprise. Not a word passed her lips.
- </p>
- <p>
- &ldquo;Mrs. Ellmother&rsquo;s object was to ask how her mistress was going on,&rdquo; the
- doctor proceeded. &ldquo;Every day while Miss Letitia still lived, she came here
- to make the same inquiry&mdash;without a word of explanation. On the day
- of the funeral, there she was at the church, dressed in deep mourning;
- and, as I can personally testify, crying bitterly. When the ceremony was
- over&mdash;can you believe it?&mdash;she slipped away before Miss Emily or
- I could speak to her. We have seen nothing more of her, and heard nothing
- more, from that time to this.&rdquo;
- </p>
- <p>
- He stopped again, the silent lady still listening without making any
- remark.
- </p>
- <p>
- &ldquo;Have you no opinion to express?&rdquo; the doctor asked bluntly.
- </p>
- <p>
- &ldquo;I am waiting,&rdquo; Miss Jethro answered.
- </p>
- <p>
- &ldquo;Waiting&mdash;for what?&rdquo;
- </p>
- <p>
- &ldquo;I haven&rsquo;t heard yet, why you want my advice.&rdquo;
- </p>
- <p>
- Doctor Allday&rsquo;s observation of humanity had hitherto reckoned want of
- caution among the deficient moral qualities in the natures of women. He
- set down Miss Jethro as a remarkable exception to a general rule.
- </p>
- <p>
- &ldquo;I want you to advise me as to the right course to take with Miss Emily,&rdquo;
- he said. &ldquo;She has assured me she attaches no serious importance to her
- aunt&rsquo;s wanderings, when the poor old lady&rsquo;s fever was at its worst. I
- don&rsquo;t doubt that she speaks the truth&mdash;but I have my own reasons for
- being afraid that she is deceiving herself. Will you bear this in mind?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;if it&rsquo;s necessary.&rdquo;
- </p>
- <p>
- &ldquo;In plain words, Miss Jethro, you think I am still wandering from the
- point. I have got to the point. Yesterday, Miss Emily told me that she
- hoped to be soon composed enough to examine the papers left by her aunt.&rdquo;
- </p>
- <p>
- Miss Jethro suddenly turned in her chair, and looked at Doctor Allday.
- </p>
- <p>
- &ldquo;Are you beginning to feel interested?&rdquo; the doctor asked mischievously.
- </p>
- <p>
- She neither acknowledged nor denied it. &ldquo;Go on&rdquo;&mdash;was all she said.
- </p>
- <p>
- &ldquo;I don&rsquo;t know how <i>you</i> feel,&rdquo; he proceeded; &ldquo;<i>I</i> am afraid of
- the discoveries which she may make; and I am strongly tempted to advise
- her to leave the proposed examination to her aunt&rsquo;s lawyer. Is there
- anything in your knowledge of Miss Emily&rsquo;s late father, which tells you
- that I am right?&rdquo;
- </p>
- <p>
- &ldquo;Before I reply,&rdquo; said Miss Jethro, &ldquo;it may not be amiss to let the young
- lady speak for herself.&rdquo;
- </p>
- <p>
- &ldquo;How is she to do that?&rdquo; the doctor asked.
- </p>
- <p>
- Miss Jethro pointed to the writing table. &ldquo;Look there,&rdquo; she said. &ldquo;You
- have not yet opened Miss Emily&rsquo;s letter.&rdquo;
- </p>
- <p>
- <a name="link2HCH0017" id="link2HCH0017">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XVII. DOCTOR ALLDAY.
- </h3>
- <p>
- Absorbed in the effort to overcome his patient&rsquo;s reserve, the doctor had
- forgotten Emily&rsquo;s letter. He opened it immediately.
- </p>
- <p>
- After reading the first sentence, he looked up with an expression of
- annoyance. &ldquo;She has begun the examination of the papers already,&rdquo; he said.
- </p>
- <p>
- &ldquo;Then I can be of no further use to you,&rdquo; Miss Jethro rejoined. She made a
- second attempt to leave the room.
- </p>
- <p>
- Doctor Allday turned to the next page of the letter. &ldquo;Stop!&rdquo; he cried.
- &ldquo;She has found something&mdash;and here it is.&rdquo;
- </p>
- <p>
- He held up a small printed Handbill, which had been placed between the
- first and second pages. &ldquo;Suppose you look at it?&rdquo; he said.
- </p>
- <p>
- &ldquo;Whether I am interested in it or not?&rdquo; Miss Jethro asked.
- </p>
- <p>
- &ldquo;You may be interested in what Miss Emily says about it in her letter.&rdquo;
- </p>
- <p>
- &ldquo;Do you propose to show me her letter?&rdquo;
- </p>
- <p>
- &ldquo;I propose to read it to you.&rdquo;
- </p>
- <p>
- Miss Jethro took the Handbill without further objection. It was expressed
- in these words:
- </p>
- <p>
- &ldquo;MURDER. 100 POUNDS REWARD.&mdash;Whereas a murder was committed on the
- thirtieth September, 1877, at the Hand-in-Hand Inn, in the village of
- Zeeland, Hampshire, the above reward will be paid to any person or persons
- whose exertions shall lead to the arrest and conviction of the suspected
- murderer. Name not known. Supposed age, between twenty and thirty years. A
- well-made man, of small stature. Fair complexion, delicate features, clear
- blue eyes. Hair light, and cut rather short. Clean shaven, with the
- exception of narrow half-whiskers. Small, white, well-shaped hands. Wore
- valuable rings on the two last fingers of the left hand. Dressed neatly in
- a dark-gray tourist-suit. Carried a knapsack, as if on a pedestrian
- excursion. Remarkably good voice, smooth, full, and persuasive.
- Ingratiating manners. Apply to the Chief Inspector, Metropolitan Police
- Office, London.&rdquo;
- </p>
- <p>
- Miss Jethro laid aside the Handbill without any visible appearance of
- agitation. The doctor took up Emily&rsquo;s letter, and read as follows:
- </p>
- <p>
- &ldquo;You will be as much relieved as I was, my kind friend, when you look at
- the paper inclosed. I found it loose in a blank book, with cuttings from
- newspapers, and odd announcements of lost property and other curious
- things (all huddled together between the leaves), which my aunt no doubt
- intended to set in order and fix in their proper places. She must have
- been thinking of her book, poor soul, in her last illness. Here is the
- origin of those &lsquo;terrible words&rsquo; which frightened stupid Mrs. Mosey! Is it
- not encouraging to have discovered such a confirmation of my opinion as
- this? I feel a new interest in looking over the papers that still remain
- to be examined&mdash;&rdquo;
- </p>
- <p>
- Before he could get to the end of the sentence Miss Jethro&rsquo;s agitation
- broke through her reserve.
- </p>
- <p>
- &ldquo;Do what you proposed to do!&rdquo; she burst out vehemently. &ldquo;Stop her at once
- from carrying her examination any further! If she hesitates, insist on
- it!&rdquo;
- </p>
- <p>
- At last Doctor Allday had triumphed! &ldquo;It has been a long time coming,&rdquo; he
- remarked, in his cool way; &ldquo;and it&rsquo;s all the more welcome on that account.
- You dread the discoveries she may make, Miss Jethro, as I do. And <i>you</i>
- know what those discoveries may be.&rdquo;
- </p>
- <p>
- &ldquo;What I do know, or don&rsquo;t know, is of no importance.&rdquo; she answered
- sharply.
- </p>
- <p>
- &ldquo;Excuse me, it is of very serious importance. I have no authority over
- this poor girl&mdash;I am not even an old friend. You tell me to insist.
- Help me to declare honestly that I know of circumstances which justify me;
- and I may insist to some purpose.&rdquo;
- </p>
- <p>
- Miss Jethro lifted her veil for the first time, and eyed him searchingly.
- </p>
- <p>
- &ldquo;I believe I can trust you,&rdquo; she said. &ldquo;Now listen! The one consideration
- on which I consent to open my lips, is consideration for Miss Emily&rsquo;s
- tranquillity. Promise me absolute secrecy, on your word of honor.&rdquo;
- </p>
- <p>
- He gave the promise.
- </p>
- <p>
- &ldquo;I want to know one thing, first,&rdquo; Miss Jethro proceeded. &ldquo;Did she tell
- you&mdash;as she once told me&mdash;that her father had died of
- heart-complaint?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;Did you put any questions to her?&rdquo;
- </p>
- <p>
- &ldquo;I asked how long ago it was.&rdquo;
- </p>
- <p>
- &ldquo;And she told you?&rdquo;
- </p>
- <p>
- &ldquo;She told me.&rdquo;
- </p>
- <p>
- &ldquo;You wish to know, Doctor Allday, what discoveries Miss Emily may yet
- make, among her aunt&rsquo;s papers. Judge for yourself, when I tell you that
- she has been deceived about her father&rsquo;s death.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that he is still living?&rdquo;
- </p>
- <p>
- &ldquo;I mean that she has been deceived&mdash;purposely deceived&mdash;about
- the <i>manner</i> of his death.&rdquo;
- </p>
- <p>
- &ldquo;Who was the wretch who did it?&rdquo;
- </p>
- <p>
- &ldquo;You are wronging the dead, sir! The truth can only have been concealed
- out of the purest motives of love and pity. I don&rsquo;t desire to disguise the
- conclusion at which I have arrived after what I have heard from yourself.
- The person responsible must be Miss Emily&rsquo;s aunt&mdash;and the old servant
- must have been in her confidence. Remember! You are bound in honor not to
- repeat to any living creature what I have just said.&rdquo;
- </p>
- <p>
- The doctor followed Miss Jethro to the door. &ldquo;You have not yet told me,&rdquo;
- he said, &ldquo;<i>how</i> her father died.&rdquo;
- </p>
- <p>
- &ldquo;I have no more to tell you.&rdquo;
- </p>
- <p>
- With those words she left him.
- </p>
- <p>
- He rang for his servant. To wait until the hour at which he was accustomed
- to go out, might be to leave Emily&rsquo;s peace of mind at the mercy of an
- accident. &ldquo;I am going to the cottage,&rdquo; he said. &ldquo;If anybody wants me, I
- shall be back in a quarter of an hour.&rdquo;
- </p>
- <p>
- On the point of leaving the house, he remembered that Emily would probably
- expect him to return the Handbill. As he took it up, the first lines
- caught his eye: he read the date at which the murder had been committed,
- for the second time. On a sudden the ruddy color left his face.
- </p>
- <p>
- &ldquo;Good God!&rdquo; he cried, &ldquo;her father was murdered&mdash;and that woman was
- concerned in it.&rdquo;
- </p>
- <p>
- Following the impulse that urged him, he secured the Handbill in his
- pocketbook&mdash;snatched up the card which his patient had presented as
- her introduction&mdash;and instantly left the house. He called the first
- cab that passed him, and drove to Miss Jethro&rsquo;s lodgings.
- </p>
- <p>
- &ldquo;Gone&rdquo;&mdash;was the servant&rsquo;s answer when he inquired for her. He
- insisted on speaking to the landlady. &ldquo;Hardly ten minutes have passed,&rdquo; he
- said, &ldquo;since she left my house.&rdquo;
- </p>
- <p>
- &ldquo;Hardly ten minutes have passed,&rdquo; the landlady replied, &ldquo;since that
- message was brought here by a boy.&rdquo;
- </p>
- <p>
- The message had been evidently written in great haste: &ldquo;I am unexpectedly
- obliged to leave London. A bank note is inclosed in payment of my debt to
- you. I will send for my luggage.&rdquo;
- </p>
- <p>
- The doctor withdrew.
- </p>
- <p>
- &ldquo;Unexpectedly obliged to leave London,&rdquo; he repeated, as he got into the
- cab again. &ldquo;Her flight condemns her: not a doubt of it now. As fast as you
- can!&rdquo; he shouted to the man; directing him to drive to Emily&rsquo;s cottage.
- </p>
- <p>
- <a name="link2HCH0018" id="link2HCH0018">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XVIII. MISS LADD.
- </h3>
- <p>
- Arriving at the cottage, Doctor Allday discovered a gentleman, who was
- just closing the garden gate behind him.
- </p>
- <p>
- &ldquo;Has Miss Emily had a visitor?&rdquo; he inquired, when the servant admitted
- him.
- </p>
- <p>
- &ldquo;The gentleman left a letter for Miss Emily, sir.&rdquo;
- </p>
- <p>
- &ldquo;Did he ask to see her?&rdquo;
- </p>
- <p>
- &ldquo;He asked after Miss Letitia&rsquo;s health. When he heard that she was dead, he
- seemed to be startled, and went away immediately.&rdquo;
- </p>
- <p>
- &ldquo;Did he give his name?&rdquo;
- </p>
- <p>
- &ldquo;No, sir.&rdquo;
- </p>
- <p>
- The doctor found Emily absorbed over her letter. His anxiety to forestall
- any possible discovery of the deception which had concealed the terrible
- story of her father&rsquo;s death, kept Doctor Allday&rsquo;s vigilance on the watch.
- He doubted the gentleman who had abstained from giving his name; he even
- distrusted the other unknown person who had written to Emily.
- </p>
- <p>
- She looked up. Her face relieved him of his misgivings, before she could
- speak.
- </p>
- <p>
- &ldquo;At last, I have heard from my dearest friend,&rdquo; she said. &ldquo;You remember
- what I told you about Cecilia? Here is a letter&mdash;a long delightful
- letter&mdash;from the Engadine, left at the door by some gentleman
- unknown. I was questioning the servant when you rang the bell.&rdquo;
- </p>
- <p>
- &ldquo;You may question me, if you prefer it. I arrived just as the gentleman
- was shutting your garden gate.&rdquo;
- </p>
- <p>
- &ldquo;Oh, tell me! what was he like?&rdquo;
- </p>
- <p>
- &ldquo;Tall, and thin, and dark. Wore a vile republican-looking felt hat. Had
- nasty ill-tempered wrinkles between his eyebrows. The sort of man I
- distrust by instinct.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;Because he doesn&rsquo;t shave.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that he wore a beard?&rdquo;
- </p>
- <p>
- &ldquo;Yes; a curly black beard.&rdquo;
- </p>
- <p>
- Emily clasped her hands in amazement. &ldquo;Can it be Alban Morris?&rdquo; she
- exclaimed.
- </p>
- <p>
- The doctor looked at her with a sardonic smile; he thought it likely that
- he had discovered her sweetheart.
- </p>
- <p>
- &ldquo;Who is Mr. Alban Morris?&rdquo; he asked.
- </p>
- <p>
- &ldquo;The drawing-master at Miss Ladd&rsquo;s school.&rdquo;
- </p>
- <p>
- Doctor Allday dropped the subject: masters at ladies&rsquo; schools were not
- persons who interested him. He returned to the purpose which had brought
- him to the cottage&mdash;and produced the Handbill that had been sent to
- him in Emily&rsquo;s letter.
- </p>
- <p>
- &ldquo;I suppose you want to have it back again?&rdquo; he said.
- </p>
- <p>
- She took it from him, and looked at it with interest.
- </p>
- <p>
- &ldquo;Isn&rsquo;t it strange,&rdquo; she suggested, &ldquo;that the murderer should have escaped,
- with such a careful description of him as this circulated all over
- England?&rdquo;
- </p>
- <p>
- She read the description to the doctor.
- </p>
- <p>
- &ldquo;&lsquo;Name not known. Supposed age, between twenty-five and thirty years. A
- well-made man, of small stature. Fair complexion, delicate features, clear
- blue eyes. Hair light, and cut rather short. Clean shaven, with the
- exception of narrow half-whiskers. Small, white, well-shaped hands. Wore
- valuable rings on the two last fingers of the left hand. Dressed neatly&mdash;&rsquo;&rdquo;
- </p>
- <p>
- &ldquo;That part of the description is useless,&rdquo; the doctor remarked; &ldquo;he would
- change his clothes.&rdquo;
- </p>
- <p>
- &ldquo;But could he change his voice?&rdquo; Emily objected. &ldquo;Listen to this:
- &lsquo;Remarkably good voice, smooth, full, and persuasive.&rsquo; And here again!
- &lsquo;Ingratiating manners.&rsquo; Perhaps you will say he could put on an appearance
- of rudeness?&rdquo;
- </p>
- <p>
- &ldquo;I will say this, my dear. He would be able to disguise himself so
- effectually that ninety-nine people out of a hundred would fail to
- identify him, either by his voice or his manner.&rdquo;
- </p>
- <p>
- &ldquo;How?&rdquo;
- </p>
- <p>
- &ldquo;Look back at the description: &lsquo;Hair cut rather short, clean shaven, with
- the exception of narrow half-whiskers.&rsquo; The wretch was safe from pursuit;
- he had ample time at his disposal&mdash;don&rsquo;t you see how he could
- completely alter the appearance of his head and face? No more, my dear, of
- this disagreeable subject! Let us get to something interesting. Have you
- found anything else among your aunt&rsquo;s papers?&rdquo;
- </p>
- <p>
- &ldquo;I have met with a great disappointment,&rdquo; Emily replied. &ldquo;Did I tell you
- how I discovered the Handbill?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;I found it, with the scrap-book and the newspaper cuttings, under a
- collection of empty boxes and bottles, in a drawer of the washhand-stand.
- And I naturally expected to make far more interesting discoveries in this
- room. My search was over in five minutes. Nothing in the cabinet there, in
- the corner, but a few books and some china. Nothing in the writing-desk,
- on that side-table, but a packet of note-paper and some sealing-wax.
- Nothing here, in the drawers, but tradesmen&rsquo;s receipts, materials for
- knitting, and old photographs. She must have destroyed all her papers,
- poor dear, before her last illness; and the Handbill and the other things
- can only have escaped, because they were left in a place which she never
- thought of examining. Isn&rsquo;t it provoking?&rdquo;
- </p>
- <p>
- With a mind inexpressibly relieved, good Doctor Allday asked permission to
- return to his patients: leaving Emily to devote herself to her friend&rsquo;s
- letter.
- </p>
- <p>
- On his way out, he noticed that the door of the bed-chamber on the
- opposite side of the passage stood open. Since Miss Letitia&rsquo;s death the
- room had not been used. Well within view stood the washhand-stand to which
- Emily had alluded. The doctor advanced to the house door&mdash;reflected&mdash;hesitated&mdash;and
- looked toward the empty room.
- </p>
- <p>
- It had struck him that there might be a second drawer which Emily had
- overlooked. Would he be justified in setting this doubt at rest? If he
- passed over ordinary scruples it would not be without excuse. Miss Letitia
- had spoken to him of her affairs, and had asked him to act (in Emily&rsquo;s
- interest) as co-executor with her lawyer. The rapid progress of the
- illness had made it impossible for her to execute the necessary codicil.
- But the doctor had been morally (if not legally) taken into her confidence&mdash;and,
- for that reason, he decided that he had a right in this serious matter to
- satisfy his own mind.
- </p>
- <p>
- A glance was enough to show him that no second drawer had been overlooked.
- </p>
- <p>
- There was no other discovery to detain the doctor. The wardrobe only
- contained the poor old lady&rsquo;s clothes; the one cupboard was open and
- empty. On the point of leaving the room, he went back to the
- washhand-stand. While he had the opportunity, it might not be amiss to
- make sure that Emily had thoroughly examined those old boxes and bottles,
- which she had alluded to with some little contempt.
- </p>
- <p>
- The drawer was of considerable length. When he tried to pull it completely
- out from the grooves in which it ran, it resisted him. In his present
- frame of mind, this was a suspicious circumstance in itself. He cleared
- away the litter so as to make room for the introduction of his hand and
- arm into the drawer. In another moment his fingers touched a piece of
- paper, jammed between the inner end of the drawer and the bottom of the
- flat surface of the washhand-stand. With a little care, he succeeded in
- extricating the paper. Only pausing to satisfy himself that there was
- nothing else to be found, and to close the drawer after replacing its
- contents, he left the cottage.
- </p>
- <p>
- The cab was waiting for him. On the drive back to his own house, he opened
- the crumpled paper. It proved to be a letter addressed to Miss Letitia;
- and it was signed by no less a person than Emily&rsquo;s schoolmistress. Looking
- back from the end to the beginning, Doctor Allday discovered, in the first
- sentence, the name of&mdash;Miss Jethro.
- </p>
- <p>
- But for the interview of that morning with his patient he might have
- doubted the propriety of making himself further acquainted with the
- letter. As things were, he read it without hesitation.
- </p>
- <p>
- &ldquo;DEAR MADAM&mdash;I cannot but regard it as providential circumstance that
- your niece, in writing to you from my house, should have mentioned, among
- other events of her school life, the arrival of my new teacher, Miss
- Jethro.
- </p>
- <p>
- &ldquo;To say that I was surprised is to express very inadequately what I felt
- when I read your letter, informing me confidentially that I had employed a
- woman who was unworthy to associate with the young persons placed under my
- care. It is impossible for me to suppose that a lady in your position, and
- possessed of your high principles, would make such a serious accusation as
- this, without unanswerable reasons for doing so. At the same time I
- cannot, consistently with my duty as a Christian, suffer my opinion of
- Miss Jethro to be in any way modified, until proofs are laid before me
- which it is impossible to dispute.
- </p>
- <p>
- &ldquo;Placing the same confidence in your discretion, which you have placed in
- mine, I now inclose the references and testimonials which Miss Jethro
- submitted to me, when she presented herself to fill the vacant situation
- in my school.
- </p>
- <p>
- &ldquo;I earnestly request you to lose no time in instituting the confidential
- inquiries which you have volunteered to make. Whatever the result may be,
- pray return to me the inclosures which I have trusted to your care, and
- believe me, dear madam, in much suspense and anxiety, sincerely yours,
- </p>
- <p>
- &ldquo;AMELIA LADD.&rdquo;
- </p>
- <p>
- It is needless to describe, at any length, the impression which these
- lines produced on the doctor.
- </p>
- <p>
- If he had heard what Emily had heard at the time of her aunt&rsquo;s last
- illness, he would have called to mind Miss Letitia&rsquo;s betrayal of her
- interest in some man unknown, whom she believed to have been beguiled by
- Miss Jethro&mdash;and he would have perceived that the vindictive hatred,
- thus produced, must have inspired the letter of denunciation which the
- schoolmistress had acknowledged. He would also have inferred that Miss
- Letitia&rsquo;s inquiries had proved her accusation to be well founded&mdash;if
- he had known of the new teacher&rsquo;s sudden dismissal from the school. As
- things were, he was merely confirmed in his bad opinion of Miss Jethro;
- and he was induced, on reflection, to keep his discovery to himself.
- </p>
- <p>
- &ldquo;If poor Miss Emily saw the old lady exhibited in the character of an
- informer,&rdquo; he thought, &ldquo;what a blow would be struck at her innocent
- respect for the memory of her aunt!&rdquo;
- </p>
- <p>
- <a name="link2HCH0019" id="link2HCH0019">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XIX. SIR JERVIS REDWOOD.
- </h3>
- <p>
- In the meantime, Emily, left by herself, had her own correspondence to
- occupy her attention. Besides the letter from Cecilia (directed to the
- care of Sir Jervis Redwood), she had received some lines addressed to her
- by Sir Jervis himself. The two inclosures had been secured in a sealed
- envelope, directed to the cottage.
- </p>
- <p>
- If Alban Morris had been indeed the person trusted as messenger by Sir
- Jervis, the conclusion that followed filled Emily with overpowering
- emotions of curiosity and surprise.
- </p>
- <p>
- Having no longer the motive of serving and protecting her, Alban must,
- nevertheless, have taken the journey to Northumberland. He must have
- gained Sir Jervis Redwood&rsquo;s favor and confidence&mdash;and he might even
- have been a guest at the baronet&rsquo;s country seat&mdash;when Cecilia&rsquo;s
- letter arrived. What did it mean?
- </p>
- <p>
- Emily looked back at her experience of her last day at school, and
- recalled her consultation with Alban on the subject of Mrs. Rook. Was he
- still bent on clearing up his suspicions of Sir Jervis&rsquo;s housekeeper? And,
- with that end in view, had he followed the woman, on her return to her
- master&rsquo;s place of abode?
- </p>
- <p>
- Suddenly, almost irritably, Emily snatched up Sir Jervis&rsquo;s letter. Before
- the doctor had come in, she had glanced at it, and had thrown it aside in
- her impatience to read what Cecilia had written. In her present altered
- frame of mind, she was inclined to think that Sir Jervis might be the more
- interesting correspondent of the two.
- </p>
- <p>
- On returning to his letter, she was disappointed at the outset.
- </p>
- <p>
- In the first place, his handwriting was so abominably bad that she was
- obliged to guess at his meaning. In the second place, he never hinted at
- the circumstances under which Cecilia&rsquo;s letter had been confided to the
- gentleman who had left it at her door.
- </p>
- <p>
- She would once more have treated the baronet&rsquo;s communication with contempt&mdash;but
- for the discovery that it contained an offer of employment in London,
- addressed to herself.
- </p>
- <p>
- Sir Jervis had necessarily been obliged to engage another secretary in
- Emily&rsquo;s absence. But he was still in want of a person to serve his
- literary interests in London. He had reason to believe that discoveries
- made by modern travelers in Central America had been reported from time to
- time by the English press; and he wished copies to be taken of any notices
- of this sort which might be found, on referring to the files of newspapers
- kept in the reading-room of the British Museum. If Emily considered
- herself capable of contributing in this way to the completeness of his
- great work on &ldquo;the ruined cities,&rdquo; she had only to apply to his bookseller
- in London, who would pay her the customary remuneration and give her every
- assistance of which she might stand in need. The bookseller&rsquo;s name and
- address followed (with nothing legible but the two words &ldquo;Bond Street&rdquo;),
- and there was an end of Sir Jervis&rsquo;s proposal.
- </p>
- <p>
- Emily laid it aside, deferring her answer until she had read Cecilia&rsquo;s
- letter.
- </p>
- <p>
- <a name="link2HCH0020" id="link2HCH0020">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XX. THE REVEREND MILES MIRABEL.
- </h3>
- <p>
- &ldquo;I am making a little excursion from the Engadine, my dearest of all dear
- friends. Two charming fellow-travelers take care of me; and we may perhaps
- get as far as the Lake of Como.
- </p>
- <p>
- &ldquo;My sister (already much improved in health) remains at St. Moritz with
- the old governess. The moment I know what exact course we are going to
- take, I shall write to Julia to forward any letters which arrive in my
- absence. My life, in this earthly paradise, will be only complete when I
- hear from my darling Emily.
- </p>
- <p>
- &ldquo;In the meantime, we are staying for the night at some interesting place,
- the name of which I have unaccountably forgotten; and here I am in my
- room, writing to you at last&mdash;dying to know if Sir Jervis has yet
- thrown himself at your feet, and offered to make you Lady Redwood with
- magnificent settlements.
- </p>
- <p>
- &ldquo;But you are waiting to hear who my new friends are. My dear, one of them
- is, next to yourself, the most delightful creature in existence. Society
- knows her as Lady Janeaway. I love her already, by her Christian name; she
- is my friend Doris. And she reciprocates my sentiments.
- </p>
- <p>
- &ldquo;You will now understand that union of sympathies made us acquainted with
- each other.
- </p>
- <p>
- &ldquo;If there is anything in me to be proud of, I think it must be my
- admirable appetite. And, if I have a passion, the name of it is Pastry.
- Here again, Lady Doris reciprocates my sentiments. We sit next to each
- other at the <i>table d&rsquo;hote</i>.
- </p>
- <p>
- &ldquo;Good heavens, I have forgotten her husband! They have been married rather
- more than a month. Did I tell you that she is just two years older than I
- am?
- </p>
- <p>
- &ldquo;I declare I am forgetting him again! He is Lord Janeaway. Such a quiet
- modest man, and so easily amused. He carries with him everywhere a dirty
- little tin case, with air holes in the cover. He goes softly poking about
- among bushes and brambles, and under rocks, and behind old wooden houses.
- When he has caught some hideous insect that makes one shudder, he blushes
- with pleasure, and looks at his wife and me, and says, with the prettiest
- lisp: &lsquo;This is what I call enjoying the day.&rsquo; To see the manner in which
- he obeys Her is, between ourselves, to feel proud of being a woman.
- </p>
- <p>
- &ldquo;Where was I? Oh, at the <i>table d&rsquo;hote</i>.
- </p>
- <p>
- &ldquo;Never, Emily&mdash;I say it with a solemn sense of the claims of truth&mdash;never
- have I eaten such an infamous, abominable, maddeningly bad dinner, as the
- dinner they gave us on our first day at the hotel. I ask you if I am not
- patient; I appeal to your own recollection of occasions when I have
- exhibited extraordinary self-control. My dear, I held out until they
- brought the pastry round. I took one bite, and committed the most shocking
- offense against good manners at table that you can imagine. My
- handkerchief, my poor innocent handkerchief, received the horrid&mdash;please
- suppose the rest. My hair stands on end, when I think of it. Our neighbors
- at the table saw me. The coarse men laughed. The sweet young bride,
- sincerely feeling for me, said, &lsquo;Will you allow me to shake hands? I did
- exactly what you have done the day before yesterday.&rsquo; Such was the
- beginning of my friendship with Lady Doris Janeaway.
- </p>
- <p>
- &ldquo;We are two resolute women&mdash;I mean that <i>she</i> is resolute, and
- that I follow her&mdash;and we have asserted our right of dining to our
- own satisfaction, by means of an interview with the chief cook.
- </p>
- <p>
- &ldquo;This interesting person is an ex-Zouave in the French army. Instead of
- making excuses, he confessed that the barbarous tastes of the English and
- American visitors had so discouraged him, that he had lost all pride and
- pleasure in the exercise of his art. As an example of what he meant, he
- mentioned his experience of two young Englishmen who could speak no
- foreign language. The waiters reported that they objected to their
- breakfasts, and especially to the eggs. Thereupon (to translate the
- Frenchman&rsquo;s own way of putting it) he exhausted himself in exquisite
- preparations of eggs. <i>Eggs a la tripe, au gratin, a l&rsquo;Aurore, a la
- Dauphine, a la Poulette, a la Tartare, a la Venitienne, a la Bordelaise</i>,
- and so on, and so on. Still the two young gentlemen were not satisfied.
- The ex-Zouave, infuriated; wounded in his honor, disgraced as a professor,
- insisted on an explanation. What, in heaven&rsquo;s name, <i>did</i> they want
- for breakfast? They wanted boiled eggs; and a fish which they called a <i>Bloaterre</i>.
- It was impossible, he said, to express his contempt for the English idea
- of a breakfast, in the presence of ladies. You know how a cat expresses
- herself in the presence of a dog&mdash;and you will understand the
- allusion. Oh, Emily, what dinners we have had, in our own room, since we
- spoke to that noble cook!
- </p>
- <p>
- &ldquo;Have I any more news to send you? Are you interested, my dear, in
- eloquent young clergymen?
- </p>
- <p>
- &ldquo;On our first appearance at the public table we noticed a remarkable air
- of depression among the ladies. Had some adventurous gentleman tried to
- climb a mountain, and failed? Had disastrous political news arrived from
- England; a defeat of the Conservatives, for instance? Had a revolution in
- the fashions broken out in Paris, and had all our best dresses become of
- no earthly value to us? I applied for information to the only lady present
- who shone on the company with a cheerful face&mdash;my friend Doris, of
- course. &ldquo;&lsquo;What day was yesterday?&rsquo; she asked.
- </p>
- <p>
- &ldquo;&lsquo;Sunday,&rsquo; I answered.
- </p>
- <p>
- &ldquo;&lsquo;Of all melancholy Sundays,&rsquo; she continued, the most melancholy in the
- calendar. Mr. Miles Mirabel preached his farewell sermon, in our temporary
- chapel upstairs.&rsquo;
- </p>
- <p>
- &ldquo;&lsquo;And you have not recovered it yet?&rsquo;
- </p>
- <p>
- &ldquo;&lsquo;We are all heart-broken, Miss Wyvil.&rsquo;
- </p>
- <p>
- &ldquo;This naturally interested me. I asked what sort of sermons Mr. Mirabel
- preached. Lady Janeaway said: &lsquo;Come up to our room after dinner. The
- subject is too distressing to be discussed in public.&rsquo;
- </p>
- <p>
- &ldquo;She began by making me personally acquainted with the reverend gentleman&mdash;that
- is to say, she showed me the photographic portraits of him. They were two
- in number. One only presented his face. The other exhibited him at full
- length, adorned in his surplice. Every lady in the congregation had
- received the two photographs as a farewell present. &lsquo;My portraits,&rsquo; Lady
- Doris remarked, &lsquo;are the only complete specimens. The others have been
- irretrievably ruined by tears.&rsquo;
- </p>
- <p>
- &ldquo;You will now expect a personal description of this fascinating man. What
- the photographs failed to tell me, my friend was so kind as to complete
- from the resources of her own experience. Here is the result presented to
- the best of my ability.
- </p>
- <p>
- &ldquo;He is young&mdash;not yet thirty years of age. His complexion is fair;
- his features are delicate, his eyes are clear blue. He has pretty hands,
- and rings prettier still. And such a voice, and such manners! You will say
- there are plenty of pet parsons who answer to this description. Wait a
- little&mdash;I have kept his chief distinction till the last. His
- beautiful light hair flows in profusion over his shoulders; and his glossy
- beard waves, at apostolic length, down to the lower buttons of his
- waistcoat.
- </p>
- <p>
- &ldquo;What do you think of the Reverend Miles Mirabel now?
- </p>
- <p>
- &ldquo;The life and adventures of our charming young clergyman, bear eloquent
- testimony to the saintly patience of his disposition, under trials which
- would have overwhelmed an ordinary man. (Lady Doris, please notice, quotes
- in this place the language of his admirers; and I report Lady Doris.)
- </p>
- <p>
- &ldquo;He has been clerk in a lawyer&rsquo;s office&mdash;unjustly dismissed. He has
- given readings from Shakespeare&mdash;infamously neglected. He has been
- secretary to a promenade concert company&mdash;deceived by a penniless
- manager. He has been employed in negotiations for making foreign railways&mdash;repudiated
- by an unprincipled Government. He has been translator to a publishing
- house&mdash;declared incapable by envious newspapers and reviews. He has
- taken refuge in dramatic criticism&mdash;dismissed by a corrupt editor.
- Through all these means of purification for the priestly career, he passed
- at last into the one sphere that was worthy of him: he entered the Church,
- under the protection of influential friends. Oh, happy change! From that
- moment his labors have been blessed. Twice already he has been presented
- with silver tea-pots filled with sovereigns. Go where he may, precious
- sympathies environ him; and domestic affection places his knife and fork
- at innumerable family tables. After a continental career, which will leave
- undying recollections, he is now recalled to England&mdash;at the
- suggestion of a person of distinction in the Church, who prefers a mild
- climate. It will now be his valued privilege to represent an absent rector
- in a country living; remote from cities, secluded in pastoral solitude,
- among simple breeders of sheep. May the shepherd prove worthy of the
- flock!
- </p>
- <p>
- &ldquo;Here again, my dear, I must give the merit where the merit is due. This
- memoir of Mr. Mirabel is not of my writing. It formed part of his farewell
- sermon, preserved in the memory of Lady Doris&mdash;and it shows (once
- more in the language of his admirers) that the truest humility may be
- found in the character of the most gifted man.
- </p>
- <p>
- &ldquo;Let me only add, that you will have opportunities of seeing and hearing
- this popular preacher, when circumstances permit him to address
- congregations in the large towns. I am at the end of my news; and I begin
- to feel&mdash;after this long, long letter&mdash;that it is time to go to
- bed. Need I say that I have often spoken of you to Doris, and that she
- entreats you to be her friend as well as mine, when we meet again in
- England?
- </p>
- <p>
- &ldquo;Good-by, darling, for the present. With fondest love,
- </p>
- <p>
- &ldquo;Your CECILIA.&rdquo;
- </p>
- <p>
- &ldquo;P.S.&mdash;I have formed a new habit. In case of feeling hungry in the
- night, I keep a box of chocolate under the pillow. You have no idea what a
- comfort it is. If I ever meet with the man who fulfills my ideal, I shall
- make it a condition of the marriage settlement, that I am to have
- chocolate under the pillow.&rdquo;
- </p>
- <p>
- <a name="link2HCH0021" id="link2HCH0021">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXI. POLLY AND SALLY.
- </h3>
- <p>
- Without a care to trouble her; abroad or at home, finding inexhaustible
- varieties of amusement; seeing new places, making new acquaintances&mdash;what
- a disheartening contrast did Cecilia&rsquo;s happy life present to the life of
- her friend! Who, in Emily&rsquo;s position, could have read that
- joyously-written letter from Switzerland, and not have lost heart and
- faith, for the moment at least, as the inevitable result?
- </p>
- <p>
- A buoyant temperament is of all moral qualities the most precious, in this
- respect; it is the one force in us&mdash;when virtuous resolution proves
- insufficient&mdash;which resists by instinct the stealthy approaches of
- despair. &ldquo;I shall only cry,&rdquo; Emily thought, &ldquo;if I stay at home; better go
- out.&rdquo;
- </p>
- <p>
- Observant persons, accustomed to frequent the London parks, can hardly
- have failed to notice the number of solitary strangers sadly endeavoring
- to vary their lives by taking a walk. They linger about the flower-beds;
- they sit for hours on the benches; they look with patient curiosity at
- other people who have companions; they notice ladies on horseback and
- children at play, with submissive interest; some of the men find company
- in a pipe, without appearing to enjoy it; some of the women find a
- substitute for dinner, in little dry biscuits wrapped in crumpled scraps
- of paper; they are not sociable; they are hardly ever seen to make
- acquaintance with each other; perhaps they are shame-faced, or proud, or
- sullen; perhaps they despair of others, being accustomed to despair of
- themselves; perhaps they have their reasons for never venturing to
- encounter curiosity, or their vices which dread detection, or their
- virtues which suffer hardship with the resignation that is sufficient for
- itself. The one thing certain is, that these unfortunate people resist
- discovery. We know that they are strangers in London&mdash;and we know no
- more.
- </p>
- <p>
- And Emily was one of them.
- </p>
- <p>
- Among the other forlorn wanderers in the Parks, there appeared latterly a
- trim little figure in black (with the face protected from notice behind a
- crape veil), which was beginning to be familiar, day after day, to
- nursemaids and children, and to rouse curiosity among harmless solitaries
- meditating on benches, and idle vagabonds strolling over the grass. The
- woman-servant, whom the considerate doctor had provided, was the one
- person in Emily&rsquo;s absence left to take care of the house. There was no
- other creature who could be a companion to the friendless girl. Mrs.
- Ellmother had never shown herself again since the funeral. Mrs. Mosey
- could not forget that she had been (no matter how politely) requested to
- withdraw. To whom could Emily say, &ldquo;Let us go out for a walk?&rdquo; She had
- communicated the news of her aunt&rsquo;s death to Miss Ladd, at Brighton; and
- had heard from Francine. The worthy schoolmistress had written to her with
- the truest kindness. &ldquo;Choose your own time, my poor child, and come and
- stay with me at Brighton; the sooner the better.&rdquo; Emily shrank&mdash;not
- from accepting the invitation&mdash;but from encountering Francine. The
- hard West Indian heiress looked harder than ever with a pen in her hand.
- Her letter announced that she was &ldquo;getting on wretchedly with her studies
- (which she hated); she found the masters appointed to instruct her ugly
- and disagreeable (and loathed the sight of them); she had taken a dislike
- to Miss Ladd (and time only confirmed that unfavorable impression);
- Brighton was always the same; the sea was always the same; the drives were
- always the same. Francine felt a presentiment that she should do something
- desperate, unless Emily joined her, and made Brighton endurable behind the
- horrid schoolmistress&rsquo;s back.&rdquo; Solitude in London was a privilege and a
- pleasure, viewed as the alternative to such companionship as this.
- </p>
- <p>
- Emily wrote gratefully to Miss Ladd, and asked to be excused.
- </p>
- <p>
- Other days had passed drearily since that time; but the one day that had
- brought with it Cecilia&rsquo;s letter set past happiness and present sorrow
- together so vividly and so cruelly that Emily&rsquo;s courage sank. She had
- forced back the tears, in her lonely home; she had gone out to seek
- consolation and encouragement under the sunny sky&mdash;to find comfort
- for her sore heart in the radiant summer beauty of flowers and grass, in
- the sweet breathing of the air, in the happy heavenward soaring of the
- birds. No! Mother Nature is stepmother to the sick at heart. Soon, too
- soon, she could hardly see where she went. Again and again she resolutely
- cleared her eyes, under the shelter of her veil, when passing strangers
- noticed her; and again and again the tears found their way back. Oh, if
- the girls at the school were to see her now&mdash;the girls who used to
- say in their moments of sadness, &ldquo;Let us go to Emily and be cheered&rdquo;&mdash;would
- they know her again? She sat down to rest and recover herself on the
- nearest bench. It was unoccupied. No passing footsteps were audible on the
- remote path to which she had strayed. Solitude at home! Solitude in the
- Park! Where was Cecilia at that moment? In Italy, among the lakes and
- mountains, happy in the company of her light-hearted friend.
- </p>
- <p>
- The lonely interval passed, and persons came near. Two sisters, girls like
- herself, stopped to rest on the bench.
- </p>
- <p>
- They were full of their own interests; they hardly looked at the stranger
- in mourning garments. The younger sister was to be married, and the elder
- was to be bridesmaid. They talked of their dresses and their presents;
- they compared the dashing bridegroom of one with the timid lover of the
- other; they laughed over their own small sallies of wit, over their joyous
- dreams of the future, over their opinions of the guests invited to the
- wedding. Too joyfully restless to remain inactive any longer, they jumped
- up again from the seat. One of them said, &ldquo;Polly, I&rsquo;m too happy!&rdquo; and
- danced as she walked away. The other cried, &ldquo;Sally, for shame!&rdquo; and
- laughed, as if she had hit on the most irresistible joke that ever was
- made.
- </p>
- <p>
- Emily rose and went home.
- </p>
- <p>
- By some mysterious influence which she was unable to trace, the boisterous
- merriment of the two girls had roused in her a sense of revolt against the
- life that she was leading. Change, speedy change, to some occupation that
- would force her to exert herself, presented the one promise of brighter
- days that she could see. To feel this was to be inevitably reminded of Sir
- Jervis Redwood. Here was a man, who had never seen her, transformed by the
- incomprehensible operation of Chance into the friend of whom she stood in
- need&mdash;the friend who pointed the way to a new world of action, the
- busy world of readers in the library of the Museum.
- </p>
- <p>
- Early in the new week, Emily had accepted Sir Jervis&rsquo;s proposal, and had
- so interested the bookseller to whom she had been directed to apply, that
- he took it on himself to modify the arbitrary instructions of his
- employer.
- </p>
- <p>
- &ldquo;The old gentleman has no mercy on himself, and no mercy on others,&rdquo; he
- explained, &ldquo;where his literary labors are concerned. You must spare
- yourself, Miss Emily. It is not only absurd, it&rsquo;s cruel, to expect you to
- ransack old newspapers for discoveries in Yucatan, from the time when
- Stephens published his &lsquo;Travels in Central America&rsquo;&mdash;nearly forty
- years since! Begin with back numbers published within a few years&mdash;say
- five years from the present date&mdash;and let us see what your search
- over that interval will bring forth.&rdquo;
- </p>
- <p>
- Accepting this friendly advice, Emily began with the newspaper-volume
- dating from New Year&rsquo;s Day, 1876.
- </p>
- <p>
- The first hour of her search strengthened the sincere sense of gratitude
- with which she remembered the bookseller&rsquo;s kindness. To keep her attention
- steadily fixed on the one subject that interested her employer, and to
- resist the temptation to read those miscellaneous items of news which
- especially interest women, put her patience and resolution to a merciless
- test. Happily for herself, her neighbors on either side were no idlers. To
- see them so absorbed over their work that they never once looked at her,
- after the first moment when she took her place between them, was to find
- exactly the example of which she stood most in need. As the hours wore on,
- she pursued her weary way, down one column and up another, resigned at
- least (if not quite reconciled yet) to her task. Her labors ended, for the
- day, with such encouragement as she might derive from the conviction of
- having, thus far, honestly pursued a useless search.
- </p>
- <p>
- News was waiting for her when she reached home, which raised her sinking
- spirits.
- </p>
- <p>
- On leaving the cottage that morning she had given certain instructions,
- relating to the modest stranger who had taken charge of her correspondence&mdash;in
- case of his paying a second visit, during her absence at the Museum. The
- first words spoken by the servant, on opening the door, informed her that
- the unknown gentleman had called again. This time he had boldly left his
- card. There was the welcome name that she had expected to see&mdash;Alban
- Morris.
- </p>
- <p>
- <a name="link2HCH0022" id="link2HCH0022">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXII. ALBAN MORRIS.
- </h3>
- <p>
- Having looked at the card, Emily put her first question to the servant.
- </p>
- <p>
- &ldquo;Did you tell Mr. Morris what your orders were?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Yes, miss; I said I was to have shown him in, if you had been at home.
- Perhaps I did wrong; I told him what you told me when you went out this
- morning&mdash;I said you had gone to read at the Museum.&rdquo;
- </p>
- <p>
- &ldquo;What makes you think you did wrong?&rdquo;
- </p>
- <p>
- &ldquo;Well, miss, he didn&rsquo;t say anything, but he looked upset.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that he looked angry?&rdquo;
- </p>
- <p>
- The servant shook her head. &ldquo;Not exactly angry&mdash;puzzled and put out.&rdquo;
- </p>
- <p>
- &ldquo;Did he leave any message?&rdquo;
- </p>
- <p>
- &ldquo;He said he would call later, if you would be so good as to receive him.&rdquo;
- </p>
- <p>
- In half an hour more, Alban and Emily were together again. The light fell
- full on her face as she rose to receive him.
- </p>
- <p>
- &ldquo;Oh, how you have suffered!&rdquo;
- </p>
- <p>
- The words escaped him before he could restrain himself. He looked at her
- with the tender sympathy, so precious to women, which she had not seen in
- the face of any human creature since the loss of her aunt. Even the good
- doctor&rsquo;s efforts to console her had been efforts of professional routine&mdash;the
- inevitable result of his life-long familiarity with sorrow and death.
- While Alban&rsquo;s eyes rested on her, Emily felt her tears rising. In the fear
- that he might misinterpret her reception of him, she made an effort to
- speak with some appearance of composure.
- </p>
- <p>
- &ldquo;I lead a lonely life,&rdquo; she said; &ldquo;and I can well understand that my face
- shows it. You are one of my very few friends, Mr. Morris&rdquo;&mdash;the tears
- rose again; it discouraged her to see him standing irresolute, with his
- hat in his hand, fearful of intruding on her. &ldquo;Indeed, indeed, you are
- welcome,&rdquo; she said, very earnestly.
- </p>
- <p>
- In those sad days her heart was easily touched. She gave him her hand for
- the second time. He held it gently for a moment. Every day since they had
- parted she had been in his thoughts; she had become dearer to him than
- ever. He was too deeply affected to trust himself to answer. That silence
- pleaded for him as nothing had pleaded for him yet. In her secret self she
- remembered with wonder how she had received his confession in the school
- garden. It was a little hard on him, surely, to have forbidden him even to
- hope.
- </p>
- <p>
- Conscious of her own weakness&mdash;even while giving way to it&mdash;she
- felt the necessity of turning his attention from herself. In some
- confusion, she pointed to a chair at her side, and spoke of his first
- visit, when he had left her letters at the door. Having confided to him
- all that she had discovered, and all that she had guessed, on that
- occasion, it was by an easy transition that she alluded next to the motive
- for his journey to the North.
- </p>
- <p>
- &ldquo;I thought it might be suspicion of Mrs. Rook,&rdquo; she said. &ldquo;Was I
- mistaken?&rdquo;
- </p>
- <p>
- &ldquo;No; you were right.&rdquo;
- </p>
- <p>
- &ldquo;They were serious suspicions, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;Certainly! I should not otherwise have devoted my holiday-time to
- clearing them up.&rdquo;
- </p>
- <p>
- &ldquo;May I know what they were?&rdquo;
- </p>
- <p>
- &ldquo;I am sorry to disappoint you,&rdquo; he began.
- </p>
- <p>
- &ldquo;But you would rather not answer my question,&rdquo; she interposed.
- </p>
- <p>
- &ldquo;I would rather hear you tell me if you have made any other guess.&rdquo;
- </p>
- <p>
- &ldquo;One more, Mr. Morris. I guessed that you had become acquainted with Sir
- Jervis Redwood.&rdquo;
- </p>
- <p>
- &ldquo;For the second time, Miss Emily, you have arrived at a sound conclusion.
- My one hope of finding opportunities for observing Sir Jervis&rsquo;s
- housekeeper depended on my chance of gaining admission to Sir Jervis&rsquo;s
- house.&rdquo;
- </p>
- <p>
- &ldquo;How did you succeed? Perhaps you provided yourself with a letter of
- introduction?&rdquo;
- </p>
- <p>
- &ldquo;I knew nobody who could introduce me,&rdquo; Alban replied. &ldquo;As the event
- proved, a letter would have been needless. Sir Jervis introduced himself&mdash;and,
- more wonderful still, he invited me to his house at our first interview.&rdquo;
- </p>
- <p>
- &ldquo;Sir Jervis introduced himself?&rdquo; Emily repeated, in amazement. &ldquo;From
- Cecilia&rsquo;s description of him, I should have thought he was the last person
- in the world to do that!&rdquo;
- </p>
- <p>
- Alban smiled. &ldquo;And you would like to know how it happened?&rdquo; he suggested.
- </p>
- <p>
- &ldquo;The very favor I was going to ask of you,&rdquo; she replied.
- </p>
- <p>
- Instead of at once complying with her wishes, he paused&mdash;hesitated&mdash;and
- made a strange request. &ldquo;Will you forgive my rudeness, if I ask leave to
- walk up and down the room while I talk? I am a restless man. Walking up
- and down helps me to express myself freely.&rdquo;
- </p>
- <p>
- Her face brightened for the first time. &ldquo;How like You that is!&rdquo; she
- exclaimed.
- </p>
- <p>
- Alban looked at her with surprise and delight. She had betrayed an
- interest in studying his character, which he appreciated at its full
- value. &ldquo;I should never have dared to hope,&rdquo; he said, &ldquo;that you knew me so
- well already.&rdquo;
- </p>
- <p>
- &ldquo;You are forgetting your story,&rdquo; she reminded him.
- </p>
- <p>
- He moved to the opposite side of the room, where there were fewer
- impediments in the shape of furniture. With his head down, and his hands
- crossed behind him, he paced to and fro. Habit made him express himself in
- his usual quaint way&mdash;but he became embarrassed as he went on. Was he
- disturbed by his recollections? or by the fear of taking Emily into his
- confidence too freely?
- </p>
- <p>
- &ldquo;Different people have different ways of telling a story,&rdquo; he said. &ldquo;Mine
- is the methodical way&mdash;I begin at the beginning. We will start, if
- you please, in the railway&mdash;we will proceed in a one-horse chaise&mdash;and
- we will stop at a village, situated in a hole. It was the nearest place to
- Sir Jervis&rsquo;s house, and it was therefore my destination. I picked out the
- biggest of the cottages&mdash;I mean the huts&mdash;and asked the woman at
- the door if she had a bed to let. She evidently thought me either mad or
- drunk. I wasted no time in persuasion; the right person to plead my cause
- was asleep in her arms. I began by admiring the baby; and I ended by
- taking the baby&rsquo;s portrait. From that moment I became a member of the
- family&mdash;the member who had his own way. Besides the room occupied by
- the husband and wife, there was a sort of kennel in which the husband&rsquo;s
- brother slept. He was dismissed (with five shillings of mine to comfort
- him) to find shelter somewhere else; and I was promoted to the vacant
- place. It is my misfortune to be tall. When I went to bed, I slept with my
- head on the pillow, and my feet out of the window. Very cool and pleasant
- in summer weather. The next morning, I set my trap for Sir Jervis.&rdquo;
- </p>
- <p>
- &ldquo;Your trap?&rdquo; Emily repeated, wondering what he meant.
- </p>
- <p>
- &ldquo;I went out to sketch from Nature,&rdquo; Alban continued. &ldquo;Can anybody (with or
- without a title, I don&rsquo;t care), living in a lonely country house, see a
- stranger hard at work with a color-box and brushes, and not stop to look
- at what he is doing? Three days passed, and nothing happened. I was quite
- patient; the grand open country all round me offered lessons of
- inestimable value in what we call aerial perspective. On the fourth day, I
- was absorbed over the hardest of all hard tasks in landscape art, studying
- the clouds straight from Nature. The magnificent moorland silence was
- suddenly profaned by a man&rsquo;s voice, speaking (or rather croaking) behind
- me. &lsquo;The worst curse of human life,&rsquo; the voice said, &lsquo;is the detestable
- necessity of taking exercise. I hate losing my time; I hate fine scenery;
- I hate fresh air; I hate a pony. Go on, you brute!&rsquo; Being too deeply
- engaged with the clouds to look round, I had supposed this pretty speech
- to be addressed to some second person. Nothing of the sort; the croaking
- voice had a habit of speaking to itself. In a minute more, there came
- within my range of view a solitary old man, mounted on a rough pony.&rdquo;
- </p>
- <p>
- &ldquo;Was it Sir Jervis?&rdquo;
- </p>
- <p>
- Alban hesitated.
- </p>
- <p>
- &ldquo;It looked more like the popular notion of the devil,&rdquo; he said.
- </p>
- <p>
- &ldquo;Oh, Mr. Morris!&rdquo;
- </p>
- <p>
- &ldquo;I give you my first impression, Miss Emily, for what it is worth. He had
- his high-peaked hat in his hand, to keep his head cool. His wiry iron-gray
- hair looked like hair standing on end; his bushy eyebrows curled upward
- toward his narrow temples; his horrid old globular eyes stared with a
- wicked brightness; his pointed beard hid his chin; he was covered from his
- throat to his ankles in a loose black garment, something between a coat
- and a cloak; and, to complete him, he had a club foot. I don&rsquo;t doubt that
- Sir Jervis Redwood is the earthly alias which he finds convenient&mdash;but
- I stick to that first impression which appeared to surprise you. &lsquo;Ha! an
- artist; you seem to be the sort of man I want!&rsquo; In those terms he
- introduced himself. Observe, if you please, that my trap caught him the
- moment he came my way. Who wouldn&rsquo;t be an artist?&rdquo;
- </p>
- <p>
- &ldquo;Did he take a liking to you?&rdquo; Emily inquired.
- </p>
- <p>
- &ldquo;Not he! I don&rsquo;t believe he ever took a liking to anybody in his life.&rdquo;
- </p>
- <p>
- &ldquo;Then how did you get your invitation to his house?&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s the amusing part of it, Miss Emily. Give me a little breathing
- time, and you shall hear.&rdquo;
- </p>
- <p>
- <a name="link2HCH0023" id="link2HCH0023">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXIII. MISS REDWOOD.
- </h3>
- <p>
- &ldquo;I got invited to Sir Jervis&rsquo;s house,&rdquo; Alban resumed, &ldquo;by treating the old
- savage as unceremoniously as he had treated me. &lsquo;That&rsquo;s an idle trade of
- yours,&rsquo; he said, looking at my sketch. &lsquo;Other ignorant people have made
- the same remark,&rsquo; I answered. He rode away, as if he was not used to be
- spoken to in that manner, and then thought better of it, and came back.
- &lsquo;Do you understand wood engraving?&rsquo; he asked. &lsquo;Yes.&rsquo; &lsquo;And etching?&rsquo; &lsquo;I
- have practiced etching myself.&rsquo; &lsquo;Are you a Royal Academician?&rsquo; &lsquo;I&rsquo;m a
- drawing-master at a ladies&rsquo; school.&rsquo; &lsquo;Whose school?&rsquo; &lsquo;Miss Ladd&rsquo;s.&rsquo; &lsquo;Damn
- it, you know the girl who ought to have been my secretary.&rsquo; I am not quite
- sure whether you will take it as a compliment&mdash;Sir Jervis appeared to
- view you in the light of a reference to my respectability. At any rate, he
- went on with his questions. &lsquo;How long do you stop in these parts?&rsquo; &lsquo;I
- haven&rsquo;t made up my mind.&rsquo; &lsquo;Look here; I want to consult you&mdash;are you
- listening?&rsquo; &lsquo;No; I&rsquo;m sketching.&rsquo; He burst into a horrid scream. I asked if
- he felt himself taken ill. &lsquo;Ill?&rsquo; he said&mdash;&lsquo;I&rsquo;m laughing.&rsquo; It was a
- diabolical laugh, in one syllable&mdash;not &lsquo;ha! ha! ha!&rsquo; only &lsquo;ha!&rsquo;&mdash;and
- it made him look wonderfully like that eminent person, whom I persist in
- thinking he resembles. &lsquo;You&rsquo;re an impudent dog,&rsquo; he said; &lsquo;where are you
- living?&rsquo; He was so delighted when he heard of my uncomfortable position in
- the kennel-bedroom, that he offered his hospitality on the spot. &lsquo;I can&rsquo;t
- go to you in such a pigstye as that,&rsquo; he said; &lsquo;you must come to me.
- What&rsquo;s your name?&rsquo; &lsquo;Alban Morris; what&rsquo;s yours?&rsquo; &lsquo;Jervis Redwood. Pack up
- your traps when you&rsquo;ve done your job, and come and try my kennel. There it
- is, in a corner of your drawing, and devilish like, too.&rsquo; I packed up my
- traps, and I tried his kennel. And now you have had enough of Sir Jervis
- Redwood.&rdquo;
- </p>
- <p>
- &ldquo;Not half enough!&rdquo; Emily answered. &ldquo;Your story leaves off just at the
- interesting moment. I want you to take me to Sir Jervis&rsquo;s house.&rdquo;
- </p>
- <p>
- &ldquo;And I want you, Miss Emily, to take me to the British Museum. Don&rsquo;t let
- me startle you! When I called here earlier in the day, I was told that you
- had gone to the reading-room. Is your reading a secret?&rdquo;
- </p>
- <p>
- His manner, when he made that reply, suggested to Emily that there was
- some foregone conclusion in his mind, which he was putting to the test.
- She answered without alluding to the impression which he had produced on
- her.
- </p>
- <p>
- &ldquo;My reading is no secret. I am only consulting old newspapers.&rdquo;
- </p>
- <p>
- He repeated the last words to himself. &ldquo;Old newspapers?&rdquo; he said&mdash;as
- if he was not quite sure of having rightly understood her.
- </p>
- <p>
- She tried to help him by a more definite reply.
- </p>
- <p>
- &ldquo;I am looking through old newspapers,&rdquo; she resumed, &ldquo;beginning with the
- year eighteen hundred and seventy-six.&rdquo;
- </p>
- <p>
- &ldquo;And going back from that time,&rdquo; he asked eagerly; &ldquo;to earlier dates
- still?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;just the contrary&mdash;advancing from &lsquo;seventy-six&rsquo; to the
- present time.&rdquo;
- </p>
- <p>
- He suddenly turned pale&mdash;and tried to hide his face from her by
- looking out of the window. For a moment, his agitation deprived him of his
- presence of mind. In that moment, she saw that she had alarmed him.
- </p>
- <p>
- &ldquo;What have I said to frighten you?&rdquo; she asked.
- </p>
- <p>
- He tried to assume a tone of commonplace gallantry. &ldquo;There are limits even
- to your power over me,&rdquo; he replied. &ldquo;Whatever else you may do, you can
- never frighten me. Are you searching those old newspapers with any
- particular object in view?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;May I know what it is?&rdquo;
- </p>
- <p>
- &ldquo;May I know why I frightened you?&rdquo;
- </p>
- <p>
- He began to walk up and down the room again&mdash;then checked himself
- abruptly, and appealed to her mercy.
- </p>
- <p>
- &ldquo;Don&rsquo;t be hard on me,&rdquo; he pleaded. &ldquo;I am so fond of you&mdash;oh, forgive
- me! I only mean that it distresses me to have any concealments from you.
- If I could open my whole heart at this moment, I should be a happier man.&rdquo;
- </p>
- <p>
- She understood him and believed him. &ldquo;My curiosity shall never embarrass
- you again,&rdquo; she answered warmly. &ldquo;I won&rsquo;t even remember that I wanted to
- hear how you got on in Sir Jervis&rsquo;s house.&rdquo;
- </p>
- <p>
- His gratitude seized the opportunity of taking her harmlessly into his
- confidence. &ldquo;As Sir Jervis&rsquo;s guest,&rdquo; he said, &ldquo;my experience is at your
- service. Only tell me how I can interest you.&rdquo;
- </p>
- <p>
- She replied, with some hesitation, &ldquo;I should like to know what happened
- when you first saw Mrs. Rook.&rdquo; To her surprise and relief, he at once
- complied with her wishes.
- </p>
- <p>
- &ldquo;We met,&rdquo; he said, &ldquo;on the evening when I first entered the house. Sir
- Jervis took me into the dining-room&mdash;and there sat Miss Redwood, with
- a large black cat on her lap. Older than her brother, taller than her
- brother, leaner than her brother&mdash;with strange stony eyes, and a skin
- like parchment&mdash;she looked (if I may speak in contradictions) like a
- living corpse. I was presented, and the corpse revived. The last lingering
- relics of former good breeding showed themselves faintly in her brow and
- in her smile. You will hear more of Miss Redwood presently. In the
- meanwhile, Sir Jervis made me reward his hospitality by professional
- advice. He wished me to decide whether the artists whom he had employed to
- illustrate his wonderful book had cheated him by overcharges and bad work&mdash;and
- Mrs. Rook was sent to fetch the engravings from his study upstairs. You
- remember her petrified appearance, when she first read the inscription on
- your locket? The same result followed when she found herself face to face
- with me. I saluted her civilly&mdash;she was deaf and blind to my
- politeness. Her master snatched the illustrations out of her hand, and
- told her to leave the room. She stood stockstill, staring helplessly. Sir
- Jervis looked round at his sister; and I followed his example. Miss
- Redwood was observing the housekeeper too attentively to notice anything
- else; her brother was obliged to speak to her. &lsquo;Try Rook with the bell,&rsquo;
- he said. Miss Redwood took a fine old bronze hand-bell from the table at
- her side, and rang it. At the shrill silvery sound of the bell, Mrs. Rook
- put her hand to her head as if the ringing had hurt her&mdash;turned
- instantly, and left us. &lsquo;Nobody can manage Rook but my sister,&rsquo; Sir Jervis
- explained; &lsquo;Rook is crazy.&rsquo; Miss Redwood differed with him. &lsquo;No!&rsquo; she
- said. Only one word, but there were volumes of contradiction in it. Sir
- Jervis looked at me slyly; meaning, perhaps, that he thought his sister
- crazy too. The dinner was brought in at the same moment, and my attention
- was diverted to Mrs. Rook&rsquo;s husband.&rdquo;
- </p>
- <p>
- &ldquo;What was he like?&rdquo; Emily asked.
- </p>
- <p>
- &ldquo;I really can&rsquo;t tell you; he was one of those essentially commonplace
- persons, whom one never looks at a second time. His dress was shabby, his
- head was bald, and his hands shook when he waited on us at table&mdash;and
- that is all I remember. Sir Jervis and I feasted on salt fish, mutton, and
- beer. Miss Redwood had cold broth, with a wine-glass full of rum poured
- into it by Mr. Rook. &lsquo;She&rsquo;s got no stomach,&rsquo; her brother informed me; &lsquo;hot
- things come up again ten minutes after they have gone down her throat; she
- lives on that beastly mixture, and calls it broth-grog!&rsquo; Miss Redwood
- sipped her elixir of life, and occasionally looked at me with an
- appearance of interest which I was at a loss to understand. Dinner being
- over, she rang her antique bell. The shabby old man-servant answered her
- call. &lsquo;Where&rsquo;s your wife?&rsquo; she inquired. &lsquo;Ill, miss.&rsquo; She took Mr. Rook&rsquo;s
- arm to go out, and stopped as she passed me. &lsquo;Come to my room, if you
- please, sir, to-morrow at two o&rsquo;clock,&rsquo; she said. Sir Jervis explained
- again: &lsquo;She&rsquo;s all to pieces in the morning&rsquo; (he invariably called his
- sister &lsquo;She&rsquo;); &lsquo;and gets patched up toward the middle of the day. Death
- has forgotten her, that&rsquo;s about the truth of it.&rsquo; He lighted his pipe and
- pondered over the hieroglyphics found among the ruined cities of Yucatan;
- I lighted my pipe, and read the only book I could find in the dining-room&mdash;a
- dreadful record of shipwrecks and disasters at sea. When the room was full
- of tobacco-smoke we fell asleep in our chairs&mdash;and when we awoke
- again we got up and went to bed. There is the true story of my first
- evening at Redwood Hall.&rdquo;
- </p>
- <p>
- Emily begged him to go on. &ldquo;You have interested me in Miss Redwood,&rdquo; she
- said. &ldquo;You kept your appointment, of course?&rdquo;
- </p>
- <p>
- &ldquo;I kept my appointment in no very pleasant humor. Encouraged by my
- favorable report of the illustrations which he had submitted to my
- judgment, Sir Jervis proposed to make me useful to him in a new capacity.
- &lsquo;You have nothing particular to do,&rsquo; he said, &lsquo;suppose you clean my
- pictures?&rsquo; I gave him one of my black looks, and made no other reply. My
- interview with his sister tried my powers of self-command in another way.
- Miss Redwood declared her purpose in sending for me the moment I entered
- the room. Without any preliminary remarks&mdash;speaking slowly and
- emphatically, in a wonderfully strong voice for a woman of her age&mdash;she
- said, &lsquo;I have a favor to ask of you, sir. I want you to tell me what Mrs.
- Rook has done.&rsquo; I was so staggered that I stared at her like a fool. She
- went on: &lsquo;I suspected Mrs. Rook, sir, of having guilty remembrances on her
- conscience before she had been a week in our service.&rsquo; Can you imagine my
- astonishment when I heard that Miss Redwood&rsquo;s view of Mrs. Rook was my
- view? Finding that I still said nothing, the old lady entered into
- details: &lsquo;We arranged, sir,&rsquo; (she persisted in calling me &lsquo;sir,&rsquo; with the
- formal politeness of the old school)&mdash;&lsquo;we arranged, sir, that Mrs.
- Rook and her husband should occupy the bedroom next to mine, so that I
- might have her near me in case of my being taken ill in the night. She
- looked at the door between the two rooms&mdash;suspicious! She asked if
- there was any objection to her changing to another room&mdash;suspicious!
- suspicious! Pray take a seat, sir, and tell me which Mrs. Rook is guilty
- of&mdash;theft or murder?&rsquo;&rdquo;
- </p>
- <p>
- &ldquo;What a dreadful old woman!&rdquo; Emily exclaimed. &ldquo;How did you answer her?&rdquo;
- </p>
- <p>
- &ldquo;I told her, with perfect truth, that I knew nothing of Mrs. Rook&rsquo;s
- secrets. Miss Redwood&rsquo;s humor took a satirical turn. &lsquo;Allow me to ask,
- sir, whether your eyes were shut, when our housekeeper found herself
- unexpectedly in your presence?&rsquo; I referred the old lady to her brother&rsquo;s
- opinion. &lsquo;Sir Jervis believes Mrs. Rook to be crazy,&rsquo; I reminded her. &lsquo;Do
- you refuse to trust me, sir?&rsquo; &lsquo;I have no information to give you, madam.&rsquo;
- She waved her skinny old hand in the direction of the door. I made my bow,
- and retired. She called me back. &lsquo;Old women used to be prophets, sir, in
- the bygone time,&rsquo; she said. &lsquo;I will venture on a prediction. You will be
- the means of depriving us of the services of Mr. and Mrs. Rook. If you
- will be so good as to stay here a day or two longer you will hear that
- those two people have given us notice to quit. It will be her doing, mind&mdash;he
- is a mere cypher. I wish you good-morning.&rsquo; Will you believe me, when I
- tell you that the prophecy was fulfilled?&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that they actually left the house?&rdquo;
- </p>
- <p>
- &ldquo;They would certainly have left the house,&rdquo; Alban answered, &ldquo;if Sir Jervis
- had not insisted on receiving the customary month&rsquo;s warning. He asserted
- his resolution by locking up the old husband in the pantry. His sister&rsquo;s
- suspicions never entered his head; the housekeeper&rsquo;s conduct (he said)
- simply proved that she was, what he had always considered her to be,
- crazy. &lsquo;A capital servant, in spite of that drawback,&rsquo; he remarked; &lsquo;and
- you will see, I shall bring her to her senses.&rsquo; The impression produced on
- me was naturally of a very different kind. While I was still uncertain how
- to entrap Mrs. Rook into confirming my suspicions, she herself had saved
- me the trouble. She had placed her own guilty interpretation on my
- appearance in the house&mdash;I had driven her away!&rdquo;
- </p>
- <p>
- Emily remained true to her resolution not to let her curiosity embarrass
- Alban again. But the unexpressed question was in her thoughts&mdash;&ldquo;Of
- what guilt does he suspect Mrs. Rook? And, when he first felt his
- suspicions, was my father in his mind?&rdquo;
- </p>
- <p>
- Alban proceeded.
- </p>
- <p>
- &ldquo;I had only to consider next, whether I could hope to make any further
- discoveries, if I continued to be Sir Jervis&rsquo;s guest. The object of my
- journey had been gained; and I had no desire to be employed as
- picture-cleaner. Miss Redwood assisted me in arriving at a decision. I was
- sent for to speak to her again. The success of her prophecy had raised her
- spirits. She asked, with ironical humility, if I proposed to honor them by
- still remaining their guest, after the disturbance that I had provoked. I
- answered that I proposed to leave by the first train the next morning.
- &lsquo;Will it be convenient for you to travel to some place at a good distance
- from this part of the world?&rsquo; she asked. I had my own reasons for going to
- London, and said so. &lsquo;Will you mention that to my brother this evening,
- just before we sit down to dinner?&rsquo; she continued. &lsquo;And will you tell him
- plainly that you have no intention of returning to the North? I shall make
- use of Mrs. Rook&rsquo;s arm, as usual, to help me downstairs&mdash;and I will
- take care that she hears what you say. Without venturing on another
- prophecy, I will only hint to you that I have my own idea of what will
- happen; and I should like you to see for yourself, sir, whether my
- anticipations are realized.&rsquo; Need I tell you that this strange old woman
- proved to be right once more? Mr. Rook was released; Mrs. Rook made humble
- apologies, and laid the whole blame on her husband&rsquo;s temper: and Sir
- Jervis bade me remark that his method had succeeded in bringing the
- housekeeper to her senses. Such were the results produced by the
- announcement of my departure for London&mdash;purposely made in Mrs.
- Rook&rsquo;s hearing. Do you agree with me, that my journey to Northumberland
- has not been taken in vain?&rdquo;
- </p>
- <p>
- Once more, Emily felt the necessity of controlling herself.
- </p>
- <p>
- Alban had said that he had &ldquo;reasons of his own for going to London.&rdquo; Could
- she venture to ask him what those reasons were? She could only persist in
- restraining her curiosity, and conclude that he would have mentioned his
- motive, if it had been (as she had at one time supposed) connected with
- herself. It was a wise decision. No earthly consideration would have
- induced Alban to answer her, if she had put the question to him.
- </p>
- <p>
- All doubt of the correctness of his own first impression was now at an
- end; he was convinced that Mrs. Rook had been an accomplice in the crime
- committed, in 1877, at the village inn. His object in traveling to London
- was to consult the newspaper narrative of the murder. He, too, had been
- one of the readers at the Museum&mdash;had examined the back numbers of
- the newspaper&mdash;and had arrived at the conclusion that Emily&rsquo;s father
- had been the victim of the crime. Unless he found means to prevent it, her
- course of reading would take her from the year 1876 to the year 1877, and
- under that date, she would see the fatal report, heading the top of a
- column, and printed in conspicuous type.
- </p>
- <p>
- In the meanwhile Emily had broken the silence, before it could lead to
- embarrassing results, by asking if Alban had seen Mrs. Rook again, on the
- morning when he left Sir Jervis&rsquo;s house.
- </p>
- <p>
- &ldquo;There was nothing to be gained by seeing her,&rdquo; Alban replied. &ldquo;Now that
- she and her husband had decided to remain at Redwood Hall, I knew where to
- find her in case of necessity. As it happened I saw nobody, on the morning
- of my departure, but Sir Jervis himself. He still held to his idea of
- having his pictures cleaned for nothing. &lsquo;If you can&rsquo;t do it yourself,&rsquo; he
- said, &lsquo;couldn&rsquo;t you teach my secretary?&rsquo; He described the lady whom he had
- engaged in your place as a &lsquo;nasty middle-aged woman with a perpetual cold
- in her head.&rsquo; At the same time (he remarked) he was a friend to the women,
- &lsquo;because he got them cheap.&rsquo; I declined to teach the unfortunate secretary
- the art of picture-cleaning. Finding me determined, Sir Jervis was quite
- ready to say good-by. But he made use of me to the last. He employed me as
- postman and saved a stamp. The letter addressed to you arrived at
- breakfast-time. Sir Jervis said, &lsquo;You are going to London; suppose you
- take it with you?&rsquo;&rdquo;
- </p>
- <p>
- &ldquo;Did he tell you that there was a letter of his own inclosed in the
- envelope?&rdquo;
- </p>
- <p>
- &ldquo;No. When he gave me the envelope it was already sealed.&rdquo;
- </p>
- <p>
- Emily at once handed to him Sir Jervis&rsquo;s letter. &ldquo;That will tell you who
- employs me at the Museum, and what my work is,&rdquo; she said.
- </p>
- <p>
- He looked through the letter, and at once offered&mdash;eagerly offered&mdash;to
- help her.
- </p>
- <p>
- &ldquo;I have been a student in the reading-room at intervals, for years past,&rdquo;
- he said. &ldquo;Let me assist you, and I shall have something to do in my
- holiday time.&rdquo; He was so anxious to be of use that he interrupted her
- before she could thank him. &ldquo;Let us take alternate years,&rdquo; he suggested.
- &ldquo;Did you not tell me you were searching the newspapers published in
- eighteen hundred and seventy-six?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;Very well. I will take the next year. You will take the year after. And
- so on.&rdquo;
- </p>
- <p>
- &ldquo;You are very kind,&rdquo; she answered&mdash;&ldquo;but I should like to propose an
- improvement on your plan.&rdquo;
- </p>
- <p>
- &ldquo;What improvement?&rdquo; he asked, rather sharply.
- </p>
- <p>
- &ldquo;If you will leave the five years, from &lsquo;seventy-six to &lsquo;eighty-one,
- entirely to me,&rdquo; she resumed, &ldquo;and take the next five years, reckoning <i>backward</i>
- from &lsquo;seventy-six, you will help me to better purpose. Sir Jervis expects
- me to look for reports of Central American Explorations, through the
- newspapers of the last forty years; and I have taken the liberty of
- limiting the heavy task imposed on me. When I report my progress to my
- employer, I should like to say that I have got through ten years of the
- examination, instead of five. Do you see any objection to the arrangement
- I propose?&rdquo;
- </p>
- <p>
- He proved to be obstinate&mdash;incomprehensibly obstinate.
- </p>
- <p>
- &ldquo;Let us try my plan to begin with,&rdquo; he insisted. &ldquo;While you are looking
- through &lsquo;seventy-six, let me be at work on &lsquo;seventy-seven. If you still
- prefer your own arrangement, after that, I will follow your suggestion
- with pleasure. Is it agreed?&rdquo;
- </p>
- <p>
- Her acute perception&mdash;enlightened by his tone as wall as by his words&mdash;detected
- something under the surface already.
- </p>
- <p>
- &ldquo;It isn&rsquo;t agreed until I understand you a little better,&rdquo; she quietly
- replied. &ldquo;I fancy you have some object of your own in view.&rdquo;
- </p>
- <p>
- She spoke with her usual directness of look and manner. He was evidently
- disconcerted. &ldquo;What makes you think so?&rdquo; he asked.
- </p>
- <p>
- &ldquo;My own experience of myself makes me think so,&rdquo; she answered. &ldquo;If <i>I</i>
- had some object to gain, I should persist in carrying it out&mdash;like
- you.&rdquo;
- </p>
- <p>
- &ldquo;Does that mean, Miss Emily, that you refuse to give way?&rdquo;
- </p>
- <p>
- &ldquo;No, Mr. Morris. I have made myself disagreeable, but I know when to stop.
- I trust you&mdash;and submit.&rdquo;
- </p>
- <p>
- If he had been less deeply interested in the accomplishment of his
- merciful design, he might have viewed Emily&rsquo;s sudden submission with some
- distrust. As it was, his eagerness to prevent her from discovering the
- narrative of the murder hurried him into an act of indiscretion. He made
- an excuse to leave her immediately, in the fear that she might change her
- mind.
- </p>
- <p>
- &ldquo;I have inexcusably prolonged my visit,&rdquo; he said. &ldquo;If I presume on your
- kindness in this way, how can I hope that you will receive me again? We
- meet to-morrow in the reading-room.&rdquo;
- </p>
- <p>
- He hastened away, as if he was afraid to let her say a word in reply.
- </p>
- <p>
- Emily reflected.
- </p>
- <p>
- &ldquo;Is there something he doesn&rsquo;t want me to see, in the news of the year
- &lsquo;seventy-seven?&rdquo; The one explanation which suggested itself to her mind
- assumed that form of expression&mdash;and the one method of satisfying her
- curiosity that seemed likely to succeed, was to search the volume which
- Alban had reserved for his own reading.
- </p>
- <p>
- For two days they pursued their task together, seated at opposite desks.
- On the third day Emily was absent.
- </p>
- <p>
- Was she ill?
- </p>
- <p>
- She was at the library in the City, consulting the file of <i>The Times</i>
- for the year 1877.
- </p>
- <p>
- <a name="link2HCH0024" id="link2HCH0024">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXIV. MR. ROOK.
- </h3>
- <p>
- Emily&rsquo;s first day in the City library proved to be a day wasted.
- </p>
- <p>
- She began reading the back numbers of the newspaper at haphazard, without
- any definite idea of what she was looking for. Conscious of the error into
- which her own impatience had led her, she was at a loss how to retrace the
- false step that she had taken. But two alternatives presented themselves:
- either to abandon the hope of making any discovery&mdash;or to attempt to
- penetrate Alban &lsquo;s motives by means of pure guesswork, pursued in the
- dark.
- </p>
- <p>
- How was the problem to be solved? This serious question troubled her all
- through the evening, and kept her awake when she went to bed. In despair
- of her capacity to remove the obstacle that stood in her way, she decided
- on resuming her regular work at the Museum&mdash;turned her pillow to get
- at the cool side of it&mdash;and made up her mind to go asleep.
- </p>
- <p>
- In the case of the wiser animals, the Person submits to Sleep. It is only
- the superior human being who tries the hopeless experiment of making Sleep
- submit to the Person. Wakeful on the warm side of the pillow, Emily
- remained wakeful on the cool side&mdash;thinking again and again of the
- interview with Alban which had ended so strangely.
- </p>
- <p>
- Little by little, her mind passed the limits which had restrained it thus
- far. Alban&rsquo;s conduct in keeping his secret, in the matter of the
- newspapers, now began to associate itself with Alban&rsquo;s conduct in keeping
- that other secret, which concealed from her his suspicions of Mrs. Rook.
- </p>
- <p>
- She started up in bed as the next possibility occurred to her.
- </p>
- <p>
- In speaking of the disaster which had compelled Mr. and Mrs. Rook to close
- the inn, Cecilia had alluded to an inquest held on the body of the
- murdered man. Had the inquest been mentioned in the newspapers, at the
- time? And had Alban seen something in the report, which concerned Mrs.
- Rook?
- </p>
- <p>
- Led by the new light that had fallen on her, Emily returned to the library
- the next morning with a definite idea of what she had to look for.
- Incapable of giving exact dates, Cecilia had informed her that the crime
- was committed &ldquo;in the autumn.&rdquo; The month to choose, in beginning her
- examination, was therefore the month of August.
- </p>
- <p>
- No discovery rewarded her. She tried September, next&mdash;with the same
- unsatisfactory results. On Monday the first of October she met with some
- encouragement at last. At the top of a column appeared a telegraphic
- summary of all that was then known of the crime. In the number for the
- Wednesday following, she found a full report of the proceedings at the
- inquest.
- </p>
- <p>
- Passing over the preliminary remarks, Emily read the evidence with the
- closest attention.
- </p>
-<hr>
- <p>
- The jury having viewed the body, and having visited an outhouse in which
- the murder had been committed, the first witness called was Mr. Benjamin
- Rook, landlord of the Hand-in-Hand inn.
- </p>
- <p>
- On the evening of Sunday, September 30th, 1877, two gentlemen presented
- themselves at Mr. Rook&rsquo;s house, under circumstances which especially
- excited his attention.
- </p>
- <p>
- The youngest of the two was short, and of fair complexion. He carried a
- knapsack, like a gentleman on a pedestrian excursion; his manners were
- pleasant; and he was decidedly good-looking. His companion, older, taller,
- and darker&mdash;and a finer man altogether&mdash;leaned on his arm and
- seemed to be exhausted. In every respect they were singularly unlike each
- other. The younger stranger (excepting little half-whiskers) was clean
- shaved. The elder wore his whole beard. Not knowing their names, the
- landlord distinguished them, at the coroner&rsquo;s suggestion, as the fair
- gentleman, and the dark gentleman.
- </p>
- <p>
- It was raining when the two arrived at the inn. There were signs in the
- heavens of a stormy night.
- </p>
- <p>
- On accosting the landlord, the fair gentleman volunteered the following
- statement:
- </p>
- <p>
- Approaching the village, he had been startled by seeing the dark gentleman
- (a total stranger to him) stretched prostrate on the grass at the roadside&mdash;so
- far as he could judge, in a swoon. Having a flask with brandy in it, he
- revived the fainting man, and led him to the inn.
- </p>
- <p>
- This statement was confirmed by a laborer, who was on his way to the
- village at the time.
- </p>
- <p>
- The dark gentleman endeavored to explain what had happened to him. He had,
- as he supposed, allowed too long a time to pass (after an early breakfast
- that morning), without taking food: he could only attribute the fainting
- fit to that cause. He was not liable to fainting fits. What purpose (if
- any) had brought him into the neighborhood of Zeeland, he did not state.
- He had no intention of remaining at the inn, except for refreshment; and
- he asked for a carriage to take him to the railway station.
- </p>
- <p>
- The fair gentleman, seeing the signs of bad weather, desired to remain in
- Mr. Rook&rsquo;s house for the night, and proposed to resume his walking tour
- the next day.
- </p>
- <p>
- Excepting the case of supper, which could be easily provided, the landlord
- had no choice but to disappoint both his guests. In his small way of
- business, none of his customers wanted to hire a carriage&mdash;even if he
- could have afforded to keep one. As for beds, the few rooms which the inn
- contained were all engaged; including even the room occupied by himself
- and his wife. An exhibition of agricultural implements had been opened in
- the neighborhood, only two days since; and a public competition between
- rival machines was to be decided on the coming Monday. Not only was the
- Hand-in-Hand inn crowded, but even the accommodation offered by the
- nearest town had proved barely sufficient to meet the public demand.
- </p>
- <p>
- The gentlemen looked at each other and agreed that there was no help for
- it but to hurry the supper, and walk to the railway station&mdash;a
- distance of between five and six miles&mdash;in time to catch the last
- train.
- </p>
- <p>
- While the meal was being prepared, the rain held off for a while. The dark
- man asked his way to the post-office and went out by himself.
- </p>
- <p>
- He came back in about ten minutes, and sat down afterward to supper with
- his companion. Neither the landlord, nor any other person in the public
- room, noticed any change in him on his return. He was a grave, quiet sort
- of person, and (unlike the other one) not much of a talker.
- </p>
- <p>
- As the darkness came on, the rain fell again heavily; and the heavens were
- black.
- </p>
- <p>
- A flash of lightning startled the gentlemen when they went to the window
- to look out: the thunderstorm began. It was simply impossible that two
- strangers to the neighborhood could find their way to the station, through
- storm and darkness, in time to catch the train. With or without bedrooms,
- they must remain at the inn for the night. Having already given up their
- own room to their lodgers, the landlord and landlady had no other place to
- sleep in than the kitchen. Next to the kitchen, and communicating with it
- by a door, was an outhouse; used, partly as a scullery, partly as a
- lumber-room. There was an old truckle-bed among the lumber, on which one
- of the gentlemen might rest. A mattress on the floor could be provided for
- the other. After adding a table and a basin, for the purposes of the
- toilet, the accommodation which Mr. Rook was able to offer came to an end.
- </p>
- <p>
- The travelers agreed to occupy this makeshift bed-chamber.
- </p>
- <p>
- The thunderstorm passed away; but the rain continued to fall heavily. Soon
- after eleven the guests at the inn retired for the night. There was some
- little discussion between the two travelers, as to which of them should
- take possession of the truckle-bed. It was put an end to by the fair
- gentleman, in his own pleasant way. He proposed to &ldquo;toss up for it&rdquo;&mdash;and
- he lost. The dark gentleman went to bed first; the fair gentleman
- followed, after waiting a while. Mr. Rook took his knapsack into the
- outhouse; and arranged on the table his appliances for the toilet&mdash;contained
- in a leather roll, and including a razor&mdash;ready for use in the
- morning.
- </p>
- <p>
- Having previously barred the second door of the outhouse, which led into
- the yard, Mr. Rook fastened the other door, the lock and bolts of which
- were on the side of the kitchen. He then secured the house door, and the
- shutters over the lower windows. Returning to the kitchen, he noticed that
- the time was ten minutes short of midnight. Soon afterward, he and his
- wife went to bed.
- </p>
- <p>
- Nothing happened to disturb Mr. and Mrs. Rook during the night.
- </p>
- <p>
- At a quarter to seven the next morning, he got up; his wife being still
- asleep. He had been instructed to wake the gentlemen early; and he knocked
- at their door. Receiving no answer, after repeatedly knocking, he opened
- the door and stepped into the outhouse.
- </p>
- <p>
- At this point in his evidence, the witness&rsquo;s recollections appeared to
- overpower him. &ldquo;Give me a moment, gentlemen,&rdquo; he said to the jury. &ldquo;I have
- had a dreadful fright; and I don&rsquo;t believe I shall get over it for the
- rest of my life.&rdquo;
- </p>
- <p>
- The coroner helped him by a question: &ldquo;What did you see when you opened
- the door?&rdquo;
- </p>
- <p>
- Mr. Rook answered: &ldquo;I saw the dark man stretched out on his bed&mdash;dead,
- with a frightful wound in his throat. I saw an open razor, stained with
- smears of blood, at his side.&rdquo;
- </p>
- <p>
- &ldquo;Did you notice the door, leading into the yard?&rdquo;
- </p>
- <p>
- &ldquo;It was wide open, sir. When I was able to look round me, the other
- traveler&mdash;I mean the man with the fair complexion, who carried the
- knapsack&mdash;was nowhere to be seen.&rdquo;
- </p>
- <p>
- &ldquo;What did you do, after making these discoveries?&rdquo;
- </p>
- <p>
- &ldquo;I closed the yard door. Then I locked the other door, and put the key in
- my pocket. After that I roused the servant, and sent him to the constable&mdash;who
- lived near to us&mdash;while I ran for the doctor, whose house was at the
- other end of our village. The doctor sent his groom, on horseback, to the
- police-office in the town. When I returned to the inn, the constable was
- there&mdash;and he and the police took the matter into their own hands.&rdquo;
- </p>
- <p>
- &ldquo;You have nothing more to tell us?&rdquo;
- </p>
- <p>
- &ldquo;Nothing more.&rdquo;
- </p>
- <p>
- <a name="link2HCH0025" id="link2HCH0025">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXV. &ldquo;J. B.&rdquo;
- </h3>
- <p>
- Mr. Rook having completed his evidence, the police authorities were the
- next witnesses examined.
- </p>
- <p>
- They had not found the slightest trace of any attempt to break into the
- house in the night. The murdered man&rsquo;s gold watch and chain were
- discovered under his pillow. On examining his clothes the money was found
- in his purse, and the gold studs and sleeve buttons were left in his
- shirt. But his pocketbook (seen by witnesses who had not yet been
- examined) was missing. The search for visiting cards and letters had
- proved to be fruitless. Only the initials, &ldquo;J. B.,&rdquo; were marked on his
- linen. He had brought no luggage with him to the inn. Nothing could be
- found which led to the discovery of his name or of the purpose which had
- taken him into that part of the country.
- </p>
- <p>
- The police examined the outhouse next, in search of circumstantial
- evidence against the missing man.
- </p>
- <p>
- He must have carried away his knapsack, when he took to flight, but he had
- been (probably) in too great a hurry to look for his razor&mdash;or
- perhaps too terrified to touch it, if it had attracted his notice. The
- leather roll, and the other articles used for his toilet, had been taken
- away. Mr. Rook identified the blood-stained razor. He had noticed
- overnight the name of the Belgian city, &ldquo;Liege,&rdquo; engraved on it.
- </p>
- <p>
- The yard was the next place inspected. Foot-steps were found on the muddy
- earth up to the wall. But the road on the other side had been recently
- mended with stones, and the trace of the fugitive was lost. Casts had been
- taken of the footsteps; and no other means of discovery had been left
- untried. The authorities in London had also been communicated with by
- telegraph.
- </p>
- <p>
- The doctor being called, described a personal peculiarity, which he had
- noticed at the post-mortem examination, and which might lead to the
- identification of the murdered man.
- </p>
- <p>
- As to the cause of death, the witness said it could be stated in two
- words. The internal jugular vein had been cut through, with such violence,
- judging by the appearances, that the wound could not have been inflicted,
- in the act of suicide, by the hand of the deceased person. No other
- injuries, and no sign of disease, was found on the body. The one cause of
- death had been Hemorrhage; and the one peculiarity which called for notice
- had been discovered in the mouth. Two of the front teeth, in the upper
- jaw, were false. They had been so admirably made to resemble the natural
- teeth on either side of them, in form and color, that the witness had only
- hit on the discovery by accidentally touching the inner side of the gum
- with one of his fingers.
- </p>
- <p>
- The landlady was examined, when the doctor had retired. Mrs. Rook was
- able, in answering questions put to her, to give important information, in
- reference to the missing pocketbook.
- </p>
- <p>
- Before retiring to rest, the two gentlemen had paid the bill&mdash;intending
- to leave the inn the first thing in the morning. The traveler with the
- knapsack paid his share in money. The other unfortunate gentleman looked
- into his purse, and found only a shilling and a sixpence in it. He asked
- Mrs. Rook if she could change a bank-note. She told him it could be done,
- provided the note was for no considerable sum of money. Upon that he
- opened his pocketbook (which the witness described minutely) and turned
- out the contents on the table. After searching among many Bank of England
- notes, some in one pocket of the book and some in another, he found a note
- of the value of five pounds. He thereupon settled his bill, and received
- the change from Mrs. Rook&mdash;her husband being in another part of the
- room, attending to the guests. She noticed a letter in an envelope, and a
- few cards which looked (to her judgment) like visiting cards, among the
- bank-notes which he had turned out on the table. When she returned to him
- with the change, he had just put them back, and was closing the
- pocketbook. She saw him place it in one of the breast pockets of his coat.
- </p>
- <p>
- The fellow-traveler who had accompanied him to the inn was present all the
- time, sitting on the opposite side of the table. He made a remark when he
- saw the notes produced. He said, &ldquo;Put all that money back&mdash;don&rsquo;t
- tempt a poor man like me!&rdquo; It was said laughing, as if by way of a joke.
- </p>
- <p>
- Mrs. Rook had observed nothing more that night; had slept as soundly as
- usual; and had been awakened when her husband knocked at the outhouse
- door, according to instructions received from the gentlemen, overnight.
- </p>
- <p>
- Three of the guests in the public room corroborated Mrs. Rook&rsquo;s evidence.
- They were respectable persons, well and widely known in that part of
- Hampshire. Besides these, there were two strangers staying in the house.
- They referred the coroner to their employers&mdash;eminent manufacturers
- at Sheffield and Wolverhampton&mdash;whose testimony spoke for itself.
- </p>
- <p>
- The last witness called was a grocer in the village, who kept the
- post-office.
- </p>
- <p>
- On the evening of the 30th, a dark gentleman, wearing his beard, knocked
- at the door, and asked for a letter addressed to &ldquo;J. B., Post-office,
- Zeeland.&rdquo; The letter had arrived by that morning&rsquo;s post; but, being Sunday
- evening, the grocer requested that application might be made for it the
- next morning. The stranger said the letter contained news, which it was of
- importance to him to receive without delay. Upon this, the grocer made an
- exception to customary rules and gave him the letter. He read it by the
- light of the lamp in the passage. It must have been short, for the reading
- was done in a moment. He seemed to think over it for a while; and then he
- turned round to go out. There was nothing to notice in his look or in his
- manner. The witness offered a remark on the weather; and the gentleman
- said, &ldquo;Yes, it looks like a bad night&rdquo;&mdash;and so went away.
- </p>
- <p>
- The postmaster&rsquo;s evidence was of importance in one respect: it suggested
- the motive which had brought the deceased to Zeeland. The letter addressed
- to &ldquo;J. B.&rdquo; was, in all probability, the letter seen by Mrs. Rook among the
- contents of the pocketbook, spread out on the table.
- </p>
- <p>
- The inquiry being, so far, at an end, the inquest was adjourned&mdash;on
- the chance of obtaining additional evidence, when the reported proceedings
- were read by the public.
- </p>
-<hr> <p>
- Consulting a later number of the newspaper Emily discovered that the
- deceased person had been identified by a witness from London.
- </p>
- <p>
- Henry Forth, gentleman&rsquo;s valet, being examined, made the following
- statement:
- </p>
- <p>
- He had read the medical evidence contained in the report of the inquest;
- and, believing that he could identify the deceased, had been sent by his
- present master to assist the object of the inquiry. Ten days since, being
- then out of place, he had answered an advertisement. The next day, he was
- instructed to call at Tracey&rsquo;s Hotel, London, at six o&rsquo;clock in the
- evening, and to ask for Mr. James Brown. Arriving at the hotel he saw the
- gentleman for a few minutes only. Mr. Brown had a friend with him. After
- glancing over the valet&rsquo;s references, he said, &ldquo;I haven&rsquo;t time enough to
- speak to you this evening. Call here to-morrow morning at nine o&rsquo;clock.&rdquo;
- The gentleman who was present laughed, and said, &ldquo;You won&rsquo;t be up!&rdquo; Mr.
- Brown answered, &ldquo;That won&rsquo;t matter; the man can come to my bedroom, and
- let me see how he understands his duties, on trial.&rdquo; At nine the next
- morning, Mr. Brown was reported to be still in bed; and the witness was
- informed of the number of the room. He knocked at the door. A drowsy voice
- inside said something, which he interpreted as meaning &ldquo;Come in.&rdquo; He went
- in. The toilet-table was on his left hand, and the bed (with the lower
- curtain drawn) was on his right. He saw on the table a tumbler with a
- little water in it, and with two false teeth in the water. Mr. Brown
- started up in bed&mdash;looked at him furiously&mdash;abused him for
- daring to enter the room&mdash;and shouted to him to &ldquo;get out.&rdquo; The
- witness, not accustomed to be treated in that way, felt naturally
- indignant, and at once withdrew&mdash;but not before he had plainly seen
- the vacant place which the false teeth had been made to fill. Perhaps Mr.
- Brown had forgotten that he had left his teeth on the table. Or perhaps he
- (the valet) had misunderstood what had been said to him when he knocked at
- the door. Either way, it seemed to be plain enough that the gentleman
- resented the discovery of his false teeth by a stranger.
- </p>
- <p>
- Having concluded his statement the witness proceeded to identify the
- remains of the deceased.
- </p>
- <p>
- He at once recognized the gentleman named James Brown, whom he had twice
- seen&mdash;once in the evening, and again the next morning&mdash;at
- Tracey&rsquo;s Hotel. In answer to further inquiries, he declared that he knew
- nothing of the family, or of the place of residence, of the deceased. He
- complained to the proprietor of the hotel of the rude treatment that he
- had received, and asked if Mr. Tracey knew anything of Mr. James Brown.
- Mr. Tracey knew nothing of him. On consulting the hotel book it was found
- that he had given notice to leave, that afternoon.
- </p>
- <p>
- Before returning to London, the witness produced references which gave him
- an excellent character. He also left the address of the master who had
- engaged him three days since.
- </p>
- <p>
- The last precaution adopted was to have the face of the corpse
- photographed, before the coffin was closed. On the same day the jury
- agreed on their verdict: &ldquo;Willful murder against some person unknown.&rdquo;
- </p>
-<hr>
- <p>
- Two days later, Emily found a last allusion to the crime&mdash;extracted
- from the columns of the <i>South Hampshire Gazette</i>.
- </p>
- <p>
- A relative of the deceased, seeing the report of the adjourned inquest,
- had appeared (accompanied by a medical gentleman); had seen the
- photograph; and had declared the identification by Henry Forth to be
- correct.
- </p>
- <p>
- Among other particulars, now communicated for the first time, it was
- stated that the late Mr. James Brown had been unreasonably sensitive on
- the subject of his false teeth, and that the one member of his family who
- knew of his wearing them was the relative who now claimed his remains.
- </p>
- <p>
- The claim having been established to the satisfaction of the authorities,
- the corpse was removed by railroad the same day. No further light had been
- thrown on the murder. The Handbill offering the reward, and describing the
- suspected man, had failed to prove of any assistance to the investigations
- of the police.
- </p>
- <p>
- From that date, no further notice of the crime committed at the
- Hand-in-Hand inn appeared in the public journals.
- </p>
-<hr>
- <p>
- Emily closed the volume which she had been consulting, and thankfully
- acknowledged the services of the librarian.
- </p>
- <p>
- The new reader had excited this gentleman&rsquo;s interest. Noticing how
- carefully she examined the numbers of the old newspaper, he looked at her,
- from time to time, wondering whether it was good news or bad of which she
- was in search. She read steadily and continuously; but she never rewarded
- his curiosity by any outward sign of the impression that had been produced
- on her. When she left the room there was nothing to remark in her manner;
- she looked quietly thoughtful&mdash;and that was all.
- </p>
- <p>
- The librarian smiled&mdash;amused by his own folly. Because a stranger&rsquo;s
- appearance had attracted him, he had taken it for granted that
- circumstances of romantic interest must be connected with her visit to the
- library. Far from misleading him, as he supposed, his fancy might have
- been employed to better purpose, if it had taken a higher flight still&mdash;and
- had associated Emily with the fateful gloom of tragedy, in place of the
- brighter interest of romance.
- </p>
- <p>
- There, among the ordinary readers of the day, was a dutiful and
- affectionate daughter following the dreadful story of the death of her
- father by murder, and believing it to be the story of a stranger&mdash;because
- she loved and trusted the person whose short-sighted mercy had deceived
- her. That very discovery, the dread of which had shaken the good doctor&rsquo;s
- firm nerves, had forced Alban to exclude from his confidence the woman
- whom he loved, and had driven the faithful old servant from the bedside of
- her dying mistress&mdash;that very discovery Emily had now made, with a
- face which never changed color, and a heart which beat at ease. Was the
- deception that had won this cruel victory over truth destined still to
- triumph in the days which were to come? Yes&mdash;if the life of earth is
- a foretaste of the life of hell. No&mdash;if a lie <i>is</i> a lie, be the
- merciful motive for the falsehood what it may. No&mdash;if all deceit
- contains in it the seed of retribution, to be ripened inexorably in the
- lapse of time.
- </p>
- <p>
- <a name="link2HCH0026" id="link2HCH0026">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXVI. MOTHER EVE.
- </h3>
- <p>
- The servant received Emily, on her return from the library, with a sly
- smile. &ldquo;Here he is again, miss, waiting to see you.&rdquo;
- </p>
- <p>
- She opened the parlor door, and revealed Alban Morris, as restless as
- ever, walking up and down the room.
- </p>
- <p>
- &ldquo;When I missed you at the Museum, I was afraid you might be ill,&rdquo; he said.
- &ldquo;Ought I to have gone away, when my anxiety was relieved? Shall I go away
- now?&rdquo;
- </p>
- <p>
- &ldquo;You must take a chair, Mr. Morris, and hear what I have to say for
- myself. When you left me after your last visit, I suppose I felt the force
- of example. At any rate I, like you, had my suspicions. I have been trying
- to confirm them&mdash;and I have failed.&rdquo;
- </p>
- <p>
- He paused, with the chair in his hand. &ldquo;Suspicions of Me?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Certainly! Can you guess how I have been employed for the last two days?
- No&mdash;not even your ingenuity can do that. I have been hard at work, in
- another reading-room, consulting the same back numbers of the same
- newspaper, which you have been examining at the British Museum. There is
- my confession&mdash;and now we will have some tea.&rdquo;
- </p>
- <p>
- She moved to the fireplace, to ring the bell, and failed to see the effect
- produced on Alban by those lightly-uttered words. The common phrase is the
- only phrase that can describe it. He was thunderstruck.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she resumed, &ldquo;I have read the report of the inquest. If I know
- nothing else, I know that the murder at Zeeland can&rsquo;t be the discovery
- which you are bent on keeping from me. Don&rsquo;t be alarmed for the
- preservation of your secret! I am too much discouraged to try again.&rdquo;
- </p>
- <p>
- The servant interrupted them by answering the bell; Alban once more
- escaped detection. Emily gave her orders with an approach to the old
- gayety of her school days. &ldquo;Tea, as soon as possible&mdash;and let us have
- the new cake. Are you too much of a man, Mr. Morris, to like cake?&rdquo;
- </p>
- <p>
- In this state of agitation, he was unreasonably irritated by that playful
- question. &ldquo;There is one thing I like better than cake,&rdquo; he said; &ldquo;and that
- one thing is a plain explanation.&rdquo;
- </p>
- <p>
- His tone puzzled her. &ldquo;Have I said anything to offend you?&rdquo; she asked.
- &ldquo;Surely you can make allowance for a girl&rsquo;s curiosity? Oh, you shall have
- your explanation&mdash;and, what is more, you shall have it without
- reserve!&rdquo;
- </p>
- <p>
- She was as good as her word. What she had thought, and what she had
- planned, when he left her after his last visit, was frankly and fully
- told. &ldquo;If you wonder how I discovered the library,&rdquo; she went on, &ldquo;I must
- refer you to my aunt&rsquo;s lawyer. He lives in the City&mdash;and I wrote to
- him to help me. I don&rsquo;t consider that my time has been wasted. Mr.
- Morris, we owe an apology to Mrs. Rook.&rdquo;
- </p>
- <p>
- Alban&rsquo;s astonishment, when he heard this, forced its way to expression in
- words. &ldquo;What can you possibly mean?&rdquo; he asked.
- </p>
- <p>
- The tea was brought in before Emily could reply. She filled the cups, and
- sighed as she looked at the cake. &ldquo;If Cecilia was here, how she would
- enjoy it!&rdquo; With that complimentary tribute to her friend, she handed a
- slice to Alban. He never even noticed it.
- </p>
- <p>
- &ldquo;We have both of us behaved most unkindly to Mrs. Rook,&rdquo; she resumed. &ldquo;I
- can excuse your not seeing it; for I should not have seen it either, but
- for the newspaper. While I was reading, I had an opportunity of thinking
- over what we said and did, when the poor woman&rsquo;s behavior so needlessly
- offended us. I was too excited to think, at the time&mdash;and, besides, I
- had been upset, only the night before, by what Miss Jethro said to me.&rdquo;
- </p>
- <p>
- Alban started. &ldquo;What has Miss Jethro to do with it?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Nothing at all,&rdquo; Emily answered. &ldquo;She spoke to me of her own private
- affairs. A long story&mdash;and you wouldn&rsquo;t be interested in it. Let me
- finish what I had to say. Mrs. Rook was naturally reminded of the murder,
- when she heard that my name was Brown; and she must certainly have been
- struck&mdash;as I was&mdash;by the coincidence of my father&rsquo;s death taking
- place at the same time when his unfortunate namesake was killed. Doesn&rsquo;t
- this sufficiently account for her agitation when she looked at the locket?
- We first took her by surprise: and then we suspected her of Heaven knows
- what, because the poor creature didn&rsquo;t happen to have her wits about her,
- and to remember at the right moment what a very common name &lsquo;James Brown&rsquo;
- is. Don&rsquo;t you see it as I do?&rdquo;
- </p>
- <p>
- &ldquo;I see that you have arrived at a remarkable change of opinion, since we
- spoke of the subject in the garden at school.&rdquo;
- </p>
- <p>
- &ldquo;In my place, you would have changed your opinion too. I shall write to
- Mrs. Rook by tomorrow&rsquo;s post.&rdquo;
- </p>
- <p>
- Alban heard her with dismay. &ldquo;Pray be guided by my advice!&rdquo; he said
- earnestly. &ldquo;Pray don&rsquo;t write that letter!&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- It was too late to recall the words which he had rashly allowed to escape
- him. How could he reply?
- </p>
- <p>
- To own that he had not only read what Emily had read, but had carefully
- copied the whole narrative and considered it at his leisure, appeared to
- be simply impossible after what he had now heard. Her peace of mind
- depended absolutely on his discretion. In this serious emergency, silence
- was a mercy, and silence was a lie. If he remained silent, might the mercy
- be trusted to atone for the lie? He was too fond of Emily to decide that
- question fairly, on its own merits. In other words, he shrank from the
- terrible responsibility of telling her the truth.
- </p>
- <p>
- &ldquo;Isn&rsquo;t the imprudence of writing to such a person as Mrs. Rook plain
- enough to speak for itself?&rdquo; he suggested cautiously.
- </p>
- <p>
- &ldquo;Not to me.&rdquo;
- </p>
- <p>
- She made that reply rather obstinately. Alban seemed (in her view) to be
- trying to prevent her from atoning for an act of injustice. Besides, he
- despised her cake. &ldquo;I want to know why you object,&rdquo; she said; taking back
- the neglected slice, and eating it herself.
- </p>
- <p>
- &ldquo;I object,&rdquo; Alban answered, &ldquo;because Mrs. Rook is a coarse presuming
- woman. She may pervert your letter to some use of her own, which you may
- have reason to regret.&rdquo;
- </p>
- <p>
- &ldquo;Is that all?&rdquo;
- </p>
- <p>
- &ldquo;Isn&rsquo;t it enough?&rdquo;
- </p>
- <p>
- &ldquo;It may be enough for <i>you</i>. When I have done a person an injury, and
- wish to make an apology, I don&rsquo;t think it necessary to inquire whether the
- person&rsquo;s manners happen to be vulgar or not.&rdquo;
- </p>
- <p>
- Alban&rsquo;s patience was still equal to any demands that she could make on it.
- &ldquo;I can only offer you advice which is honestly intended for your own
- good,&rdquo; he gently replied.
- </p>
- <p>
- &ldquo;You would have more influence over me, Mr. Morris, if you were a little
- readier to take me into your confidence. I daresay I am wrong&mdash;but I
- don&rsquo;t like following advice which is given to me in the dark.&rdquo;
- </p>
- <p>
- It was impossible to offend him. &ldquo;Very naturally,&rdquo; he said; &ldquo;I don&rsquo;t blame
- you.&rdquo;
- </p>
- <p>
- Her color deepened, and her voice rose. Alban&rsquo;s patient adherence to his
- own view&mdash;so courteously and considerately urged&mdash;was beginning
- to try her temper. &ldquo;In plain words,&rdquo; she rejoined, &ldquo;I am to believe that
- you can&rsquo;t be mistaken in your judgment of another person.&rdquo;
- </p>
- <p>
- There was a ring at the door of the cottage while she was speaking. But
- she was too warmly interested in confuting Alban to notice it.
- </p>
- <p>
- He was quite willing to be confuted. Even when she lost her temper, she
- was still interesting to him. &ldquo;I don&rsquo;t expect you to think me infallible,&rdquo;
- he said. &ldquo;Perhaps you will remember that I have had some experience. I am
- unfortunately older than you are.&rdquo;
- </p>
- <p>
- &ldquo;Oh if wisdom comes with age,&rdquo; she smartly reminded him, &ldquo;your friend Miss
- Redwood is old enough to be your mother&mdash;and she suspected Mrs. Rook
- of murder, because the poor woman looked at a door, and disliked being in
- the next room to a fidgety old maid.&rdquo;
- </p>
- <p>
- Alban&rsquo;s manner changed: he shrank from that chance allusion to doubts and
- fears which he dare not acknowledge. &ldquo;Let us talk of something else,&rdquo; he
- said.
- </p>
- <p>
- She looked at him with a saucy smile. &ldquo;Have I driven you into a corner at
- last? And is <i>that</i> your way of getting out of it?&rdquo;
- </p>
- <p>
- Even his endurance failed. &ldquo;Are you trying to provoke me?&rdquo; he asked. &ldquo;Are
- you no better than other women? I wouldn&rsquo;t have believed it of you,
- Emily.&rdquo;
- </p>
- <p>
- &ldquo;Emily?&rdquo; She repeated the name in a tone of surprise, which reminded him
- that he had addressed her with familiarity at a most inappropriate time&mdash;the
- time when they were on the point of a quarrel. He felt the implied
- reproach too keenly to be able to answer her with composure.
- </p>
- <p>
- &ldquo;I think of Emily&mdash;I love Emily&mdash;my one hope is that Emily may
- love me. Oh, my dear, is there no excuse if I forget to call you &lsquo;Miss&rsquo;
- when you distress me?&rdquo;
- </p>
- <p>
- All that was tender and true in her nature secretly took his part. She
- would have followed that better impulse, if he had only been calm enough
- to understand her momentary silence, and to give her time. But the temper
- of a gentle and generous man, once roused, is slow to subside. Alban
- abruptly left his chair. &ldquo;I had better go!&rdquo; he said.
- </p>
- <p>
- &ldquo;As you please,&rdquo; she answered. &ldquo;Whether you go, Mr. Morris, or whether you
- stay, I shall write to Mrs. Rook.&rdquo;
- </p>
- <p>
- The ring at the bell was followed by the appearance of a visitor. Doctor
- Allday opened the door, just in time to hear Emily&rsquo;s last words. Her
- vehemence seemed to amuse him.
- </p>
- <p>
- &ldquo;Who is Mrs. Rook?&rdquo; he asked.
- </p>
- <p>
- &ldquo;A most respectable person,&rdquo; Emily answered indignantly; &ldquo;housekeeper to
- Sir Jervis Redwood. You needn&rsquo;t sneer at her, Doctor Allday! She has not
- always been in service&mdash;she was landlady of the inn at Zeeland.&rdquo;
- </p>
- <p>
- The doctor, about to put his hat on a chair, paused. The inn at Zeeland
- reminded him of the Handbill, and of the visit of Miss Jethro.
- </p>
- <p>
- &ldquo;Why are you so hot over it?&rdquo; he inquired
- </p>
- <p>
- &ldquo;Because I detest prejudice!&rdquo; With this assertion of liberal feeling she
- pointed to Alban, standing quietly apart at the further end of the room.
- &ldquo;There is the most prejudiced man living&mdash;he hates Mrs. Rook. Would
- you like to be introduced to him? You&rsquo;re a philosopher; you may do him
- some good. Doctor Allday&mdash;Mr. Alban Morris.&rdquo;
- </p>
- <p>
- The doctor recognized the man, with the felt hat and the objectionable
- beard, whose personal appearance had not impressed him favorably.
- </p>
- <p>
- Although they may hesitate to acknowledge it, there are respectable
- Englishmen still left, who regard a felt hat and a beard as symbols of
- republican disaffection to the altar and the throne. Doctor Allday&rsquo;s
- manner might have expressed this curious form of patriotic feeling, but
- for the associations which Emily had revived. In his present frame of
- mind, he was outwardly courteous, because he was inwardly suspicious. Mrs.
- Rook had been described to him as formerly landlady of the inn at Zeeland.
- Were there reasons for Mr. Morris&rsquo;s hostile feeling toward this woman
- which might be referable to the crime committed in her house that might
- threaten Emily&rsquo;s tranquillity if they were made known? It would not be
- amiss to see a little more of Mr. Morris, on the first convenient
- occasion.
- </p>
- <p>
- &ldquo;I am glad to make your acquaintance, sir.&rdquo;
- </p>
- <p>
- &ldquo;You are very kind, Doctor Allday.&rdquo;
- </p>
- <p>
- The exchange of polite conventionalities having been accomplished, Alban
- approached Emily to take his leave, with mingled feelings of regret and
- anxiety&mdash;regret for having allowed himself to speak harshly; anxiety
- to part with her in kindness.
- </p>
- <p>
- &ldquo;Will you forgive me for differing from you?&rdquo; It was all he could venture
- to say, in the presence of a stranger.
- </p>
- <p>
- &ldquo;Oh, yes!&rdquo; she said quietly.
- </p>
- <p>
- &ldquo;Will you think again, before you decide?&rdquo;
- </p>
- <p>
- &ldquo;Certainly, Mr. Morris. But it won&rsquo;t alter my opinion, if I do.&rdquo;
- </p>
- <p>
- The doctor, hearing what passed between them, frowned. On what subject had
- they been differing? And what opinion did Emily decline to alter?
- </p>
- <p>
- Alban gave it up. He took her hand gently. &ldquo;Shall I see you at the Museum,
- to-morrow?&rdquo; he asked.
- </p>
- <p>
- She was politely indifferent to the last. &ldquo;Yes&mdash;unless something
- happens to keep me at home.&rdquo;
- </p>
- <p>
- The doctor&rsquo;s eyebrows still expressed disapproval. For what object was the
- meeting proposed? And why at a museum?
- </p>
- <p>
- &ldquo;Good-afternoon, Doctor Allday.&rdquo;
- </p>
- <p>
- &ldquo;Good-afternoon, sir.&rdquo;
- </p>
- <p>
- For a moment after Alban&rsquo;s departure, the doctor stood irresolute.
- Arriving suddenly at a decision, he snatched up his hat, and turned to
- Emily in a hurry.
- </p>
- <p>
- &ldquo;I bring you news, my dear, which will surprise you. Who do you think has
- just left my house? Mrs. Ellmother! Don&rsquo;t interrupt me. She has made up
- her mind to go out to service again. Tired of leading an idle life&mdash;that&rsquo;s
- her own account of it&mdash;and asks me to act as her reference.&rdquo;
- </p>
- <p>
- &ldquo;Did you consent?&rdquo;
- </p>
- <p>
- &ldquo;Consent! If I act as her reference, I shall be asked how she came to
- leave her last place. A nice dilemma! Either I must own that she deserted
- her mistress on her deathbed&mdash;or tell a lie. When I put it to her in
- that way, she walked out of the house in dead silence. If she applies to
- you next, receive her as I did&mdash;or decline to see her, which would be
- better still.&rdquo;
- </p>
- <p>
- &ldquo;Why am I to decline to see her?&rdquo;
- </p>
- <p>
- &ldquo;In consequence of her behavior to your aunt, to be sure! No: I have said
- all I wanted to say&mdash;and I have no time to spare for answering idle
- questions. Good-by.&rdquo;
- </p>
- <p>
- Socially-speaking, doctors try the patience of their nearest and dearest
- friends, in this respect&mdash;they are almost always in a hurry. Doctor
- Allday&rsquo;s precipitate departure did not tend to soothe Emily&rsquo;s irritated
- nerves. She began to find excuses for Mrs. Ellmother in a spirit of pure
- contradiction. The old servant&rsquo;s behavior might admit of justification: a
- friendly welcome might persuade her to explain herself. &ldquo;If she applies to
- me,&rdquo; Emily determined, &ldquo;I shall certainly receive her.&rdquo;
- </p>
- <p>
- Having arrived at this resolution, her mind reverted to Alban.
- </p>
- <p>
- Some of the sharp things she had said to him, subjected to
- after-reflection in solitude, failed to justify themselves. Her better
- sense began to reproach her. She tried to silence that unwelcome monitor
- by laying the blame on Alban. Why had he been so patient and so good? What
- harm was there in his calling her &ldquo;Emily&rdquo;? If he had told her to call <i>him</i>
- by his Christian name, she might have done it. How noble he looked, when
- he got up to go away; he was actually handsome! Women may say what they
- please and write what they please: their natural instinct is to find their
- master in a man&mdash;especially when they like him. Sinking lower and
- lower in her own estimation, Emily tried to turn the current of her
- thoughts in another direction. She took up a book&mdash;opened it, looked
- into it, threw it across the room.
- </p>
- <p>
- If Alban had returned at that moment, resolved on a reconciliation&mdash;if
- he had said, &ldquo;My dear, I want to see you like yourself again; will you
- give me a kiss, and make it up&rdquo;&mdash;would he have left her crying, when
- he went away? She was crying now.
- </p>
- <p>
- <a name="link2HCH0027" id="link2HCH0027">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXVII. MENTOR AND TELEMACHUS.
- </h3>
- <p>
- If Emily&rsquo;s eyes could have followed Alban as her thoughts were following
- him, she would have seen him stop before he reached the end of the road in
- which the cottage stood. His heart was full of tenderness and sorrow: the
- longing to return to her was more than he could resist. It would be easy
- to wait, within view of the gate, until the doctor&rsquo;s visit came to an end.
- He had just decided to go back and keep watch&mdash;when he heard rapid
- footsteps approaching. There (devil take him!) was the doctor himself.
- </p>
- <p>
- &ldquo;I have something to say to you, Mr. Morris. Which way are you walking?&rdquo;
- </p>
- <p>
- &ldquo;Any way,&rdquo; Alban answered&mdash;not very graciously.
- </p>
- <p>
- &ldquo;Then let us take the turning that leads to my house. It&rsquo;s not customary
- for strangers, especially when they happen to be Englishmen, to place
- confidence in each other. Let me set the example of violating that rule. I
- want to speak to you about Miss Emily. May I take your arm? Thank you. At
- my age, girls in general&mdash;unless they are my patients&mdash;are not
- objects of interest to me. But that girl at the cottage&mdash;I daresay I
- am in my dotage&mdash;I tell you, sir, she has bewitched me! Upon my soul,
- I could hardly be more anxious about her, if I was her father. And, mind,
- I am not an affectionate man by nature. Are you anxious about her too?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;In what way?&rdquo;
- </p>
- <p>
- &ldquo;In what way are you anxious, Doctor Allday?&rdquo;
- </p>
- <p>
- The doctor smiled grimly.
- </p>
- <p>
- &ldquo;You don&rsquo;t trust me? Well, I have promised to set the example. Keep your
- mask on, sir&mdash;mine is off, come what may of it. But, observe: if you
- repeat what I am going to say&mdash;&rdquo;
- </p>
- <p>
- Alban would hear no more. &ldquo;Whatever you may say, Doctor Allday, is trusted
- to my honor. If you doubt my honor, be so good as to let go my arm&mdash;I
- am not walking your way.&rdquo;
- </p>
- <p>
- The doctor&rsquo;s hand tightened its grasp. &ldquo;That little flourish of temper, my
- dear sir, is all I want to set me at my ease. I feel I have got hold of
- the right man. Now answer me this. Have you ever heard of a person named
- Miss Jethro?&rdquo;
- </p>
- <p>
- Alban suddenly came to a standstill.
- </p>
- <p>
- &ldquo;All right!&rdquo; said the doctor. &ldquo;I couldn&rsquo;t have wished for a more
- satisfactory reply.&rdquo;
- </p>
- <p>
- &ldquo;Wait a minute,&rdquo; Alban interposed. &ldquo;I know Miss Jethro as a teacher at
- Miss Ladd&rsquo;s school, who left her situation suddenly&mdash;and I know no
- more.&rdquo;
- </p>
- <p>
- The doctor&rsquo;s peculiar smile made its appearance again.
- </p>
- <p>
- &ldquo;Speaking in the vulgar tone,&rdquo; he said, &ldquo;you seem to be in a hurry to wash
- your hands of Miss Jethro.&rdquo;
- </p>
- <p>
- &ldquo;I have no reason to feel any interest in her,&rdquo; Alban replied.
- </p>
- <p>
- &ldquo;Don&rsquo;t be too sure of that, my friend. I have something to tell you which
- may alter your opinion. That ex-teacher at the school, sir, knows how the
- late Mr. Brown met his death, and how his daughter has been deceived about
- it.&rdquo;
- </p>
- <p>
- Alban listened with surprise&mdash;and with some little doubt, which he
- thought it wise not to acknowledge.
- </p>
- <p>
- &ldquo;The report of the inquest alludes to a &lsquo;relative&rsquo; who claimed the body,&rdquo;
- he said. &ldquo;Was that &lsquo;relative&rsquo; the person who deceived Miss Emily? And was
- the person her aunt?&rdquo;
- </p>
- <p>
- &ldquo;I must leave you to take your own view,&rdquo; Doctor Allday replied. &ldquo;A
- promise binds me not to repeat the information that I have received.
- Setting that aside, we have the same object in view&mdash;and we must take
- care not to get in each other&rsquo;s way. Here is my house. Let us go in, and
- make a clean breast of it on both sides.&rdquo;
- </p>
- <p>
- Established in the safe seclusion of his study, the doctor set the example
- of confession in these plain terms:
- </p>
- <p>
- &ldquo;We only differ in opinion on one point,&rdquo; he said. &ldquo;We both think it
- likely (from our experience of the women) that the suspected murderer had
- an accomplice. I say the guilty person is Miss Jethro. You say&mdash;Mrs.
- Rook.&rdquo;
- </p>
- <p>
- &ldquo;When you have read my copy of the report,&rdquo; Alban answered, &ldquo;I think you
- will arrive at my conclusion. Mrs. Rook might have entered the outhouse in
- which the two men slept, at any time during the night, while her husband
- was asleep. The jury believed her when she declared that she never woke
- till the morning. I don&rsquo;t.&rdquo;
- </p>
- <p>
- &ldquo;I am open to conviction, Mr. Morris. Now about the future. Do you mean to
- go on with your inquiries?&rdquo;
- </p>
- <p>
- &ldquo;Even if I had no other motive than mere curiosity,&rdquo; Alban answered, &ldquo;I
- think I should go on. But I have a more urgent purpose in view. All that I
- have done thus far, has been done in Emily&rsquo;s interests. My object, from
- the first, has been to preserve her from any association&mdash;in the past
- or in the future&mdash;with the woman whom I believe to have been
- concerned in her father&rsquo;s death. As I have already told you, she is
- innocently doing all she can, poor thing, to put obstacles in my way.&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes,&rdquo; said the doctor; &ldquo;she means to write to Mrs. Rook&mdash;and
- you have nearly quarreled about it. Trust me to take that matter in hand.
- I don&rsquo;t regard it as serious. But I am mortally afraid of what you are
- doing in Emily&rsquo;s interests. I wish you would give it up.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;Because I see a danger. I don&rsquo;t deny that Emily is as innocent of
- suspicion as ever. But the chances, next time, may be against us. How do
- you know to what lengths your curiosity may lead you? Or on what shocking
- discoveries you may not blunder with the best intentions? Some unforeseen
- accident may open her eyes to the truth, before you can prevent it. I seem
- to surprise you?&rdquo;
- </p>
- <p>
- &ldquo;You do, indeed, surprise me.&rdquo;
- </p>
- <p>
- &ldquo;In the old story, my dear sir, Mentor sometimes surprised Telemachus. I
- am Mentor&mdash;without being, I hope, quite so long-winded as that
- respectable philosopher. Let me put it in two words. Emily&rsquo;s happiness is
- precious to you. Take care you are not made the means of wrecking it! Will
- you consent to a sacrifice, for her sake?&rdquo;
- </p>
- <p>
- &ldquo;I will do anything for her sake.&rdquo;
- </p>
- <p>
- &ldquo;Will you give up your inquiries?&rdquo;
- </p>
- <p>
- &ldquo;From this moment I have done with them!&rdquo;
- </p>
- <p>
- &ldquo;Mr. Morris, you are the best friend she has.&rdquo;
- </p>
- <p>
- &ldquo;The next best friend to you, doctor.&rdquo;
- </p>
- <p>
- In that fond persuasion they now parted&mdash;too eagerly devoted to Emily
- to look at the prospect before them in its least hopeful aspect. Both
- clever men, neither one nor the other asked himself if any human
- resistance has ever yet obstructed the progress of truth&mdash;when truth
- has once begun to force its way to the light.
- </p>
- <p>
- For the second time Alban stopped, on his way home. The longing to be
- reconciled with Emily was not to be resisted. He returned to the cottage,
- only to find disappointment waiting for him. The servant reported that her
- young mistress had gone to bed with a bad headache.
- </p>
- <p>
- Alban waited a day, in the hope that Emily might write to him. No letter
- arrived. He repeated his visit the next morning. Fortune was still against
- him. On this occasion, Emily was engaged.
- </p>
- <p>
- &ldquo;Engaged with a visitor?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Yes, sir. A young lady named Miss de Sor.&rdquo;
- </p>
- <p>
- Where had he heard that name before? He remembered immediately that he had
- heard it at the school. Miss de Sor was the unattractive new pupil, whom
- the girls called Francine. Alban looked at the parlor window as he left
- the cottage. It was of serious importance that he should set himself right
- with Emily. &ldquo;And mere gossip,&rdquo; he thought contemptuously, &ldquo;stands in my
- way!&rdquo;
- </p>
- <p>
- If he had been less absorbed in his own interests, he might have
- remembered that mere gossip is not always to be despised. It has worked
- fatal mischief in its time.
- </p>
- <p>
- <a name="link2HCH0028" id="link2HCH0028">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXVIII. FRANCINE.
- </h3>
- <p>
- &ldquo;You&rsquo;re surprised to see me, of course?&rdquo; Saluting Emily in those terms,
- Francine looked round the parlor with an air of satirical curiosity. &ldquo;Dear
- me, what a little place to live in!&rdquo;
- </p>
- <p>
- &ldquo;What brings you to London?&rdquo; Emily inquired.
- </p>
- <p>
- &ldquo;You ought to know, my dear, without asking. Why did I try to make friends
- with you at school? And why have I been trying ever since? Because I hate
- you&mdash;I mean because I can&rsquo;t resist you&mdash;no! I mean because I
- hate myself for liking you. Oh, never mind my reasons. I insisted on going
- to London with Miss Ladd&mdash;when that horrid woman announced that she
- had an appointment with her lawyer. I said, &lsquo;I want to see Emily.&rsquo; &lsquo;Emily
- doesn&rsquo;t like you.&rsquo; &lsquo;I don&rsquo;t care whether she likes me or not; I want to
- see her.&rsquo; That&rsquo;s the way we snap at each other, and that&rsquo;s how I always
- carry my point. Here I am, till my duenna finishes her business and
- fetches me. What a prospect for You! Have you got any cold meat in the
- house? I&rsquo;m not a glutton, like Cecilia&mdash;but I&rsquo;m afraid I shall want
- some lunch.&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t talk in that way, Francine!&rdquo;
- </p>
- <p>
- &ldquo;Do you mean to say you&rsquo;re glad to see me?&rdquo;
- </p>
- <p>
- &ldquo;If you were only a little less hard and bitter, I should always be glad
- to see you.&rdquo;
- </p>
- <p>
- &ldquo;You darling! (excuse my impetuosity). What are you looking at? My new
- dress? Do you envy me?&rdquo;
- </p>
- <p>
- &ldquo;No; I admire the color&mdash;that&rsquo;s all.&rdquo;
- </p>
- <p>
- Francine rose, and shook out her dress, and showed it from every point of
- view. &ldquo;See how it&rsquo;s made: Paris, of course! Money, my dear; money will do
- anything&mdash;except making one learn one&rsquo;s lessons.&rdquo;
- </p>
- <p>
- &ldquo;Are you not getting on any better, Francine?&rdquo;
- </p>
- <p>
- &ldquo;Worse, my sweet friend&mdash;worse. One of the masters, I am happy to
- say, has flatly refused to teach me any longer. &lsquo;Pupils without brains I
- am accustomed to,&rsquo; he said in his broken English; &lsquo;but a pupil with no
- heart is beyond my endurance.&rsquo; Ha! ha! the mouldy old refugee has an eye
- for character, though. No heart&mdash;there I am, described in two words.&rdquo;
- </p>
- <p>
- &ldquo;And proud of it,&rdquo; Emily remarked.
- </p>
- <p>
- &ldquo;Yes&mdash;proud of it. Stop! let me do myself justice. You consider tears
- a sign that one has some heart, don&rsquo;t you? I was very near crying last
- Sunday. A popular preacher did it; no less a person that Mr. Mirabel&mdash;you
- look as if you had heard of him.&rdquo;
- </p>
- <p>
- &ldquo;I have heard of him from Cecilia.&rdquo;
- </p>
- <p>
- &ldquo;Is <i>she</i> at Brighton? Then there&rsquo;s one fool more in a fashionable
- watering place. Oh, she&rsquo;s in Switzerland, is she? I don&rsquo;t care where she
- is; I only care about Mr. Mirabel. We all heard he was at Brighton for his
- health, and was going to preach. Didn&rsquo;t we cram the church! As to
- describing him, I give it up. He is the only little man I ever admired&mdash;hair
- as long as mine, and the sort of beard you see in pictures. I wish I had
- his fair complexion and his white hands. We were all in love with him&mdash;or
- with his voice, which was it?&mdash;when he began to read the
- commandments. I wish I could imitate him when he came to the fifth
- commandment. He began in his deepest bass voice: &lsquo;Honor thy father&mdash;&rsquo;
- He stopped and looked up to heaven as if he saw the rest of it there. He
- went on with a tremendous emphasis on the next word. &lsquo;<i>And</i> thy
- mother,&rsquo; he said (as if that was quite a different thing) in a tearful,
- fluty, quivering voice which was a compliment to mothers in itself. We all
- felt it, mothers or not. But the great sensation was when he got into the
- pulpit. The manner in which he dropped on his knees, and hid his face in
- his hands, and showed his beautiful rings was, as a young lady said behind
- me, simply seraphic. We understood his celebrity, from that moment&mdash;I
- wonder whether I can remember the sermon.&rdquo;
- </p>
- <p>
- &ldquo;You needn&rsquo;t attempt it on my account,&rdquo; Emily said.
- </p>
- <p>
- &ldquo;My dear, don&rsquo;t be obstinate. Wait till you hear him.&rdquo;
- </p>
- <p>
- &ldquo;I am quite content to wait.&rdquo;
- </p>
- <p>
- &ldquo;Ah, you&rsquo;re just in the right state of mind to be converted; you&rsquo;re in a
- fair way to become one of his greatest admirers. They say he is so
- agreeable in private life; I am dying to know him.&mdash;Do I hear a ring
- at the bell? Is somebody else coming to see you?&rdquo;
- </p>
- <p>
- The servant brought in a card and a message.
- </p>
- <p>
- &ldquo;The person will call again, miss.&rdquo;
- </p>
- <p>
- Emily looked at the name written on the card.
- </p>
- <p>
- &ldquo;Mrs. Ellmother!&rdquo; she exclaimed.
- </p>
- <p>
- &ldquo;What an extraordinary name!&rdquo; cried Francine. &ldquo;Who is she?&rdquo;
- </p>
- <p>
- &ldquo;My aunt&rsquo;s old servant.&rdquo;
- </p>
- <p>
- &ldquo;Does she want a situation?&rdquo;
- </p>
- <p>
- Emily looked at some lines of writing at the back of the card. Doctor
- Allday had rightly foreseen events. Rejected by the doctor, Mrs. Ellmother
- had no alternative but to ask Emily to help her.
- </p>
- <p>
- &ldquo;If she is out of place,&rdquo; Francine went on, &ldquo;she may be just the sort of
- person I am looking for.&rdquo;
- </p>
- <p>
- &ldquo;You?&rdquo; Emily asked, in astonishment.
- </p>
- <p>
- Francine refused to explain until she got an answer to her question. &ldquo;Tell
- me first,&rdquo; she said, &ldquo;is Mrs. Ellmother engaged?&rdquo;
- </p>
- <p>
- &ldquo;No; she wants an engagement, and she asks me to be her reference.&rdquo;
- </p>
- <p>
- &ldquo;Is she sober, honest, middle-aged, clean, steady, good-tempered,
- industrious?&rdquo; Francine rattled on. &ldquo;Has she all the virtues, and none of
- the vices? Is she not too good-looking, and has she no male followers? In
- one terrible word&mdash;will she satisfy Miss Ladd?&rdquo;
- </p>
- <p>
- &ldquo;What has Miss Ladd to do with it?&rdquo;
- </p>
- <p>
- &ldquo;How stupid you are, Emily! Do put the woman&rsquo;s card down on the table, and
- listen to me. Haven&rsquo;t I told you that one of my masters has declined to
- have anything more to do with me? Doesn&rsquo;t that help you to understand how
- I get on with the rest of them? I am no longer Miss Ladd&rsquo;s pupil, my dear.
- Thanks to my laziness and my temper, I am to be raised to the dignity of
- &lsquo;a parlor boarder.&rsquo; In other words, I am to be a young lady who patronizes
- the school; with a room of my own, and a servant of my own. All provided
- for by a private arrangement between my father and Miss Ladd, before I
- left the West Indies. My mother was at the bottom of it, I have not the
- least doubt. You don&rsquo;t appear to understand me.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t, indeed!&rdquo;
- </p>
- <p>
- Francine considered a little. &ldquo;Perhaps they were fond of you at home,&rdquo; she
- suggested.
- </p>
- <p>
- &ldquo;Say they loved me, Francine&mdash;and I loved them.&rdquo;
- </p>
- <p>
- &ldquo;Ah, my position is just the reverse of yours. Now they have got rid of
- me, they don&rsquo;t want me back again at home. I know as well what my mother
- said to my father, as if I had heard her. &lsquo;Francine will never get on at
- school, at her age. Try her, by all means; but make some other arrangement
- with Miss Ladd in case of a failure&mdash;or she will be returned on our
- hands like a bad shilling.&rsquo; There is my mother, my anxious, affectionate
- mother, hit off to a T.&rdquo;
- </p>
- <p>
- &ldquo;She <i>is</i> your mother, Francine; don&rsquo;t forget that.&rdquo;
- </p>
- <p>
- &ldquo;Oh, no; I won&rsquo;t forget it. My cat is my kitten&rsquo;s mother&mdash;there!
- there! I won&rsquo;t shock your sensibilities. Let us get back to matter of
- fact. When I begin my new life, Miss Ladd makes one condition. My maid is
- to be a model of discretion&mdash;an elderly woman, not a skittish young
- person who will only encourage me. I must submit to the elderly woman, or
- I shall be sent back to the West Indies after all. How long did Mrs.
- Ellmother live with your aunt?&rdquo;
- </p>
- <p>
- &ldquo;Twenty-five years, and more.&rsquo;
- </p>
- <p>
- &ldquo;Good heavens, it&rsquo;s a lifetime! Why isn&rsquo;t this amazing creature living
- with you, now your aunt is dead? Did you send her away?&rdquo;
- </p>
- <p>
- &ldquo;Certainly not.&rdquo;
- </p>
- <p>
- &ldquo;Then why did she go?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean that she went away without a word of explanation?&rdquo;
- </p>
- <p>
- &ldquo;Yes; that is exactly what I mean.&rdquo;
- </p>
- <p>
- &ldquo;When did she go? As soon as your aunt was dead?&rdquo;
- </p>
- <p>
- &ldquo;That doesn&rsquo;t matter, Francine.&rdquo;
- </p>
- <p>
- &ldquo;In plain English, you won&rsquo;t tell me? I am all on fire with curiosity&mdash;and
- that&rsquo;s how you put me out! My dear, if you have the slightest regard for
- me, let us have the woman in here when she comes back for her answer.
- Somebody must satisfy me. I mean to make Mrs. Ellmother explain herself.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t think you will succeed, Francine.&rdquo;
- </p>
- <p>
- &ldquo;Wait a little, and you will see. By-the-by, it is understood that my new
- position at the school gives me the privilege of accepting invitations. Do
- you know any nice people to whom you can introduce me?&rdquo;
- </p>
- <p>
- &ldquo;I am the last person in the world who has a chance of helping you,&rdquo; Emily
- answered. &ldquo;Excepting good Doctor Allday&mdash;&rdquo; On the point of adding the
- name of Alban Morris, she checked herself without knowing why, and
- substituted the name of her school-friend. &ldquo;And not forgetting Cecilia,&rdquo;
- she resumed, &ldquo;I know nobody.&rdquo;
- </p>
- <p>
- &ldquo;Cecilia&rsquo;s a fool,&rdquo; Francine remarked gravely; &ldquo;but now I think of it, she
- may be worth cultivating. Her father is a member of Parliament&mdash;and
- didn&rsquo;t I hear that he has a fine place in the country? You see, Emily, I
- may expect to be married (with my money), if I can only get into good
- society. (Don&rsquo;t suppose I am dependent on my father; my marriage portion
- is provided for in my uncle&rsquo;s will.) Cecilia may really be of some use to
- me. Why shouldn&rsquo;t I make a friend of her, and get introduced to her father&mdash;in
- the autumn, you know, when the house is full of company? Have you any idea
- when she is coming back?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Do you think of writing to her?&rdquo;
- </p>
- <p>
- &ldquo;Of course!&rdquo;
- </p>
- <p>
- &ldquo;Give her my kind love; and say I hope she enjoys Switzerland.&rdquo;
- </p>
- <p>
- &ldquo;Francine, you are positively shameless! After calling my dearest friend a
- fool and a glutton, you send her your love for your own selfish ends; and
- you expect me to help you in deceiving her! I won&rsquo;t do it.&rdquo;
- </p>
- <p>
- &ldquo;Keep your temper, my child. We are all selfish, you little goose. The
- only difference is&mdash;some of us own it, and some of us don&rsquo;t. I shall
- find my own way to Cecilia&rsquo;s good graces quite easily: the way is through
- her mouth. You mentioned a certain Doctor Allday. Does he give parties?
- And do the right sort of men go to them? Hush! I think I hear the bell
- again. Go to the door, and see who it is.&rdquo;
- </p>
- <p>
- Emily waited, without taking any notice of this suggestion. The servant
- announced that &ldquo;the person had called again, to know if there was any
- answer.&rdquo;
- </p>
- <p>
- &ldquo;Show her in here,&rdquo; Emily said.
- </p>
- <p>
- The servant withdrew, and came back again.
- </p>
- <p>
- &ldquo;The person doesn&rsquo;t wish to intrude, miss; it will be quite sufficient if
- you will send a message by me.&rdquo;
- </p>
- <p>
- Emily crossed the room to the door.
- </p>
- <p>
- &ldquo;Come in, Mrs. Ellmother,&rdquo; she said. &ldquo;You have been too long away already.
- Pray come in.&rdquo;
- </p>
- <p>
- <a name="link2HCH0029" id="link2HCH0029">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXIX. &ldquo;BONY.&rdquo;
- </h3>
- <p>
- Mrs. Ellmother reluctantly entered the room.
- </p>
- <p>
- Since Emily had seen her last, her personal appearance doubly justified
- the nickname by which her late mistress had distinguished her. The old
- servant was worn and wasted; her gown hung loose on her angular body; the
- big bones of her face stood out, more prominently than ever. She took
- Emily&rsquo;s offered hand doubtingly. &ldquo;I hope I see you well, miss,&rdquo; she said&mdash;with
- hardly a vestige left of her former firmness of voice and manner.
- </p>
- <p>
- &ldquo;I am afraid you have been suffering from illness,&rdquo; Emily answered gently.
- </p>
- <p>
- &ldquo;It&rsquo;s the life I&rsquo;m leading that wears me down; I want work and change.&rdquo;
- </p>
- <p>
- Making that reply, she looked round, and discovered Francine observing her
- with undisguised curiosity. &ldquo;You have got company with you,&rdquo; she said to
- Emily. &ldquo;I had better go away, and come back another time.&rdquo;
- </p>
- <p>
- Francine stopped her before she could open the door. &ldquo;You mustn&rsquo;t go away;
- I wish to speak to you.&rdquo;
- </p>
- <p>
- &ldquo;About what, miss?&rdquo;
- </p>
- <p>
- The eyes of the two women met&mdash;one, near the end of her life,
- concealing under a rugged surface a nature sensitively affectionate and
- incorruptibly true: the other, young in years, without the virtues of
- youth, hard in manner and hard at heart. In silence on either side, they
- stood face to face; strangers brought together by the force of
- circumstances, working inexorably toward their hidden end.
- </p>
- <p>
- Emily introduced Mrs. Ellmother to Francine. &ldquo;It may be worth your while,&rdquo;
- she hinted, &ldquo;to hear what this young lady has to say.&rdquo;
- </p>
- <p>
- Mrs. Ellmother listened, with little appearance of interest in anything
- that a stranger might have to say: her eyes rested on the card which
- contained her written request to Emily. Francine, watching her closely,
- understood what was passing in her mind. It might be worth while to
- conciliate the old woman by a little act of attention. Turning to Emily,
- Francine pointed to the card lying on the table. &ldquo;You have not attended
- yet to Mr. Ellmother&rsquo;s request,&rdquo; she said.
- </p>
- <p>
- Emily at once assured Mrs. Ellmother that the request was granted. &ldquo;But is
- it wise,&rdquo; she asked, &ldquo;to go out to service again, at your age?&rdquo;
- </p>
- <p>
- &ldquo;I have been used to service all my life, Miss Emily&mdash;that&rsquo;s one
- reason. And service may help me to get rid of my own thoughts&mdash;that&rsquo;s
- another. If you can find me a situation somewhere, you will be doing me a
- good turn.&rdquo;
- </p>
- <p>
- &ldquo;Is it useless to suggest that you might come back, and live with me?&rdquo;
- Emily ventured to say.
- </p>
- <p>
- Mrs. Ellmother&rsquo;s head sank on her breast. &ldquo;Thank you kindly, miss; it <i>is</i>
- useless.&rdquo;
- </p>
- <p>
- &ldquo;Why is it useless?&rdquo; Francine asked.
- </p>
- <p>
- Mrs. Ellmother was silent.
- </p>
- <p>
- &ldquo;Miss de Sor is speaking to you,&rdquo; Emily reminded her.
- </p>
- <p>
- &ldquo;Am I to answer Miss de Sor?&rdquo;
- </p>
- <p>
- Attentively observing what passed, and placing her own construction on
- looks and tones, it suddenly struck Francine that Emily herself might be
- in Mrs. Ellmother&rsquo;s confidence, and that she might have reasons of her own
- for assuming ignorance when awkward questions were asked. For the moment
- at least, Francine decided on keeping her suspicions to herself.
- </p>
- <p>
- &ldquo;I may perhaps offer you the employment you want,&rdquo; she said to Mrs.
- Ellmother. &ldquo;I am staying at Brighton, for the present, with the lady who
- was Miss Emily&rsquo;s schoolmistress, and I am in need of a maid. Would you be
- willing to consider it, if I proposed to engage you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, miss.&rdquo;
- </p>
- <p>
- &ldquo;In that case, you can hardly object to the customary inquiry. Why did you
- leave your last place?&rdquo;
- </p>
- <p>
- Mrs. Ellmother appealed to Emily. &ldquo;Did you tell this young lady how long I
- remained in my last place?&rdquo;
- </p>
- <p>
- Melancholy remembrances had been revived in Emily by the turn which the
- talk had now taken. Francine&rsquo;s cat-like patience, stealthily feeling its
- way to its end, jarred on her nerves. &ldquo;Yes,&rdquo; she said; &ldquo;in justice to you,
- I have mentioned your long term of service.&rdquo;
- </p>
- <p>
- Mrs. Ellmother addressed Francine. &ldquo;You know, miss, that I served my late
- mistress for over twenty-five years. Will you please remember that&mdash;and
- let it be a reason for not asking me why I left my place.&rdquo;
- </p>
- <p>
- Francine smiled compassionately. &ldquo;My good creature, you have mentioned the
- very reason why I <i>should</i> ask. You live five-and-twenty years with
- your mistress&mdash;and then suddenly leave her&mdash;and you expect me to
- pass over this extraordinary proceeding without inquiry. Take a little
- time to think.&rdquo;
- </p>
- <p>
- &ldquo;I want no time to think. What I had in my mind, when I left Miss Letitia,
- is something which I refuse to explain, miss, to you, or to anybody.&rdquo;
- </p>
- <p>
- She recovered some of her old firmness, when she made that reply. Francine
- saw the necessity of yielding&mdash;for the time at least, Emily remained
- silent, oppressed by remembrance of the doubts and fears which had
- darkened the last miserable days of her aunt&rsquo;s illness. She began already
- to regret having made Francine and Mrs. Ellmother known to each other.
- </p>
- <p>
- &ldquo;I won&rsquo;t dwell on what appears to be a painful subject,&rdquo; Francine
- graciously resumed. &ldquo;I meant no offense. You are not angry, I hope?&rdquo;
- </p>
- <p>
- &ldquo;Sorry, miss. I might have been angry, at one time. That time is over.&rdquo;
- </p>
- <p>
- It was said sadly and resignedly: Emily heard the answer. Her heart ached
- as she looked at the old servant, and thought of the contrast between past
- and present. With what a hearty welcome this broken woman had been used to
- receive her in the bygone holiday-time! Her eyes moistened. She felt the
- merciless persistency of Francine, as if it had been an insult offered to
- herself. &ldquo;Give it up!&rdquo; she said sharply.
- </p>
- <p>
- &ldquo;Leave me, my dear, to manage my own business,&rdquo; Francine replied. &ldquo;About
- your qualifications?&rdquo; she continued, turning coolly to Mrs. Ellmother.
- &ldquo;Can you dress hair?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;I ought to tell you,&rdquo; Francine insisted, &ldquo;that I am very particular about
- my hair.&rdquo;
- </p>
- <p>
- &ldquo;My mistress was very particular about her hair,&rdquo; Mrs. Ellmother answered.
- </p>
- <p>
- &ldquo;Are you a good needlewoman?&rdquo;
- </p>
- <p>
- &ldquo;As good as ever I was&mdash;with the help of my spectacles.&rdquo;
- </p>
- <p>
- Francine turned to Emily. &ldquo;See how well we get on together. We are
- beginning to understand each other already. I am an odd creature, Mrs.
- Ellmother. Sometimes, I take sudden likings to persons&mdash;I have taken
- a liking to you. Do you begin to think a little better of me than you did?
- I hope you will produce the right impression on Miss Ladd; you shall have
- every assistance that I can give. I will beg Miss Ladd, as a favor to me,
- not to ask you that one forbidden question.&rdquo;
- </p>
- <p>
- Poor Mrs. Ellmother, puzzled by the sudden appearance of Francine in the
- character of an eccentric young lady, the creature of genial impulse,
- thought it right to express her gratitude for the promised interference in
- her favor. &ldquo;That&rsquo;s kind of you, miss,&rdquo; she said.
- </p>
- <p>
- &ldquo;No, no, only just. I ought to tell you there&rsquo;s one thing Miss Ladd is
- strict about&mdash;sweethearts. Are you quite sure,&rdquo; Francine inquired
- jocosely, &ldquo;that you can answer for yourself, in that particular?&rdquo;
- </p>
- <p>
- This effort of humor produced its intended effect. Mrs. Ellmother, thrown
- off her guard, actually smiled. &ldquo;Lord, miss, what will you say next!&rdquo;
- </p>
- <p>
- &ldquo;My good soul, I will say something next that is more to the purpose. If
- Miss Ladd asks me why you have so unaccountably refused to be a servant
- again in this house, I shall take care to say that it is certainly not out
- of dislike to Miss Emily.&rdquo;
- </p>
- <p>
- &ldquo;You need say nothing of the sort,&rdquo; Emily quietly remarked.
- </p>
- <p>
- &ldquo;And still less,&rdquo; Francine proceeded, without noticing the interruption&mdash;&ldquo;still
- less through any disagreeable remembrances of Miss Emily&rsquo;s aunt.&rdquo;
- </p>
- <p>
- Mrs. Ellmother saw the trap that had been set for her. &ldquo;It won&rsquo;t do,
- miss,&rdquo; she said.
- </p>
- <p>
- &ldquo;What won&rsquo;t do?&rdquo;
- </p>
- <p>
- &ldquo;Trying to pump me.&rdquo;
- </p>
- <p>
- Francine burst out laughing. Emily noticed an artificial ring in her
- gayety which suggested that she was exasperated, rather than amused, by
- the repulse which had baffled her curiosity once more.
- </p>
- <p>
- Mrs. Ellmother reminded the merry young lady that the proposed arrangement
- between them had not been concluded yet. &ldquo;Am I to understand, miss, that
- you will keep a place open for me in your service?&rdquo;
- </p>
- <p>
- &ldquo;You are to understand,&rdquo; Francine replied sharply, &ldquo;that I must have Miss
- Ladd&rsquo;s approval before I can engage you. Suppose you come to Brighton? I
- will pay your fare, of course.&rdquo;
- </p>
- <p>
- &ldquo;Never mind my fare, miss. Will you give up pumping?&rdquo;
- </p>
- <p>
- &ldquo;Make your mind easy. It&rsquo;s quite useless to attempt pumping <i>you</i>.
- When will you come?&rdquo;
- </p>
- <p>
- Mrs. Ellmother pleaded for a little delay. &ldquo;I&rsquo;m altering my gowns,&rdquo; she
- said. &ldquo;I get thinner and thinner&mdash;don&rsquo;t I, Miss Emily? My work won&rsquo;t
- be done before Thursday.&rdquo;
- </p>
- <p>
- &ldquo;Let us say Friday, then,&rdquo; Francine proposed.
- </p>
- <p>
- &ldquo;Friday!&rdquo; Mrs. Ellmother exclaimed. &ldquo;You forget that Friday is an unlucky
- day.&rdquo;
- </p>
- <p>
- &ldquo;I forgot that, certainly! How can you be so absurdly superstitious.&rdquo;
- </p>
- <p>
- &ldquo;You may call it what you like, miss. I have good reason to think as I do.
- I was married on a Friday&mdash;and a bitter bad marriage it turned out to
- be. Superstitious, indeed! You don&rsquo;t know what my experience has been. My
- only sister was one of a party of thirteen at dinner; and she died within
- the year. If we are to get on together nicely, I&rsquo;ll take that journey on
- Saturday, if you please.&rdquo;
- </p>
- <p>
- &ldquo;Anything to satisfy you,&rdquo; Francine agreed; &ldquo;there is the address. Come in
- the middle of the day, and we will give you your dinner. No fear of our
- being thirteen in number. What will you do, if you have the misfortune to
- spill the salt?&rdquo;
- </p>
- <p>
- &ldquo;Take a pinch between my finger and thumb, and throw it over my left
- shoulder,&rdquo; Mrs. Ellmother answered gravely. &ldquo;Good-day, miss.&rdquo;
- </p>
- <p>
- &ldquo;Good-day.&rdquo;
- </p>
- <p>
- Emily followed the departing visitor out to the hall. She had seen and
- heard enough to decide her on trying to break off the proposed negotiation&mdash;with
- the one kind purpose of protecting Mrs. Ellmother against the pitiless
- curiosity of Francine.
- </p>
- <p>
- &ldquo;Do you think you and that young lady are likely to get on well together?&rdquo;
- she asked.
- </p>
- <p>
- &ldquo;I have told you already, Miss Emily, I want to get away from my own home
- and my own thoughts; I don&rsquo;t care where I go, so long as I do that.&rdquo;
- Having answered in those words, Mrs. Ellmother opened the door, and waited
- a while, thinking. &ldquo;I wonder whether the dead know what is going on in the
- world they have left?&rdquo; she said, looking at Emily. &ldquo;If they do, there&rsquo;s
- one among them knows my thoughts, and feels for me. Good-by, miss&mdash;and
- don&rsquo;t think worse of me than I deserve.&rdquo;
- </p>
- <p>
- Emily went back to the parlor. The only resource left was to plead with
- Francine for mercy to Mrs. Ellmother.
- </p>
- <p>
- &ldquo;Do you really mean to give it up?&rdquo; she asked.
- </p>
- <p>
- &ldquo;To give up&mdash;what? &lsquo;Pumping,&rsquo; as that obstinate old creature calls
- it?&rdquo;
- </p>
- <p>
- Emily persisted. &ldquo;Don&rsquo;t worry the poor old soul! However strangely she may
- have left my aunt and me her motives are kind and good&mdash;I am sure of
- that. Will you let her keep her harmless little secret?&rdquo;
- </p>
- <p>
- &ldquo;Oh, of course!&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t believe you, Francine!&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t you? I am like Cecilia&mdash;I am getting hungry. Shall we have
- some lunch?&rdquo;
- </p>
- <p>
- &ldquo;You hard-hearted creature!&rdquo;
- </p>
- <p>
- &ldquo;Does that mean&mdash;no luncheon until I have owned the truth? Suppose <i>you</i>
- own the truth? I won&rsquo;t tell Mrs. Ellmother that you have betrayed her.&rdquo;
- </p>
- <p>
- &ldquo;For the last time, Francine&mdash;I know no more of it than you do. If
- you persist in taking your own view, you as good as tell me I lie; and you
- will oblige me to leave the room.&rdquo;
- </p>
- <p>
- Even Francine&rsquo;s obstinacy was compelled to give way, so far as appearances
- went. Still possessed by the delusion that Emily was deceiving her, she
- was now animated by a stronger motive than mere curiosity. Her sense of
- her own importance imperatively urged her to prove that she was not a
- person who could be deceived with impunity.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; she said with humility. &ldquo;But I must positively have
- it out with Mrs. Ellmother. She has been more than a match for me&mdash;my
- turn next. I mean to get the better of her; and I shall succeed.&rdquo;
- </p>
- <p>
- &ldquo;I have already told you, Francine&mdash;you will fail.&rdquo;
- </p>
- <p>
- &ldquo;My dear, I am a dunce, and I don&rsquo;t deny it. But let me tell you one
- thing. I haven&rsquo;t lived all my life in the West Indies, among black
- servants, without learning something.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- &ldquo;More, my clever friend, than you are likely to guess. In the meantime,
- don&rsquo;t forget the duties of hospitality. Ring the bell for luncheon.&rdquo;
- </p>
- <p>
- <a name="link2HCH0030" id="link2HCH0030">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXX. LADY DORIS.
- </h3>
- <p>
- The arrival of Miss Ladd, some time before she had been expected,
- interrupted the two girls at a critical moment. She had hurried over her
- business in London, eager to pass the rest of the day with her favorite
- pupil. Emily&rsquo;s affectionate welcome was, in some degree at least, inspired
- by a sensation of relief. To feel herself in the embrace of the
- warm-hearted schoolmistress was like finding a refuge from Francine.
- </p>
- <p>
- When the hour of departure arrived, Miss Ladd invited Emily to Brighton
- for the second time. &ldquo;On the last occasion, my dear, you wrote me an
- excuse; I won&rsquo;t be treated in that way again. If you can&rsquo;t return with us
- now, come to-morrow.&rdquo; She added in a whisper, &ldquo;Otherwise, I shall think
- you include <i>me</i> in your dislike of Francine.&rdquo;
- </p>
- <p>
- There was no resisting this. It was arranged that Emily should go to
- Brighton on the next day.
- </p>
- <p>
- Left by herself, her thoughts might have reverted to Mrs. Ellmother&rsquo;s
- doubtful prospects, and to Francine&rsquo;s strange allusion to her life in the
- West Indies, but for the arrival of two letters by the afternoon post. The
- handwriting on one of them was unknown to her. She opened that one first.
- It was an answer to the letter of apology which she had persisted in
- writing to Mrs. Rook. Happily for herself, Alban&rsquo;s influence had not been
- without its effect, after his departure. She had written kindly&mdash;but
- she had written briefly at the same time.
- </p>
- <p>
- Mrs. Rook&rsquo;s reply presented a nicely compounded mixture of gratitude and
- grief. The gratitude was addressed to Emily as a matter of course. The
- grief related to her &ldquo;excellent master.&rdquo; Sir Jervis&rsquo;s strength had
- suddenly failed. His medical attendant, being summoned, had expressed no
- surprise. &ldquo;My patient is over seventy years of age,&rdquo; the doctor remarked.
- &ldquo;He will sit up late at night, writing his book; and he refuses to take
- exercise, till headache and giddiness force him to try the fresh air. As
- the necessary result, he has broken down at last. It may end in paralysis,
- or it may end in death.&rdquo; Reporting this expression of medical opinion,
- Mrs. Rook&rsquo;s letter glided imperceptibly from respectful sympathy to modest
- regard for her own interests in the future. It might be the sad fate of
- her husband and herself to be thrown on the world again. If necessity
- brought them to London, would &ldquo;kind Miss Emily grant her the honor of an
- interview, and favor a poor unlucky woman with a word of advice?&rdquo;
- </p>
- <p>
- &ldquo;She may pervert your letter to some use of her own, which you may have
- reason to regret.&rdquo; Did Emily remember Alban&rsquo;s warning words? No: she
- accepted Mrs. Rook&rsquo;s reply as a gratifying tribute to the justice of her
- own opinions.
- </p>
- <p>
- Having proposed to write to Alban, feeling penitently that she had been in
- the wrong, she was now readier than ever to send him a letter, feeling
- compassionately that she had been in the right. Besides, it was due to the
- faithful friend, who was still working for her in the reading room, that
- he should be informed of Sir Jervis&rsquo;s illness. Whether the old man lived
- or whether he died, his literary labors were fatally interrupted in either
- case; and one of the consequences would be the termination of her
- employment at the Museum. Although the second of the two letters which she
- had received was addressed to her in Cecilia&rsquo;s handwriting, Emily waited
- to read it until she had first written to Alban. &ldquo;He will come to-morrow,&rdquo;
- she thought; &ldquo;and we shall both make apologies. I shall regret that I was
- angry with him and he will regret that he was mistaken in his judgment of
- Mrs. Rook. We shall be as good friends again as ever.&rdquo;
- </p>
- <p>
- In this happy frame of mind she opened Cecilia&rsquo;s letter. It was full of
- good news from first to last.
- </p>
- <p>
- The invalid sister had made such rapid progress toward recovery that the
- travelers had arranged to set forth on their journey back to England in a
- fortnight. &ldquo;My one regret,&rdquo; Cecilia added, &ldquo;is the parting with Lady
- Doris. She and her husband are going to Genoa, where they will embark in
- Lord Janeaway&rsquo;s yacht for a cruise in the Mediterranean. When we have said
- that miserable word good-by&mdash;oh, Emily, what a hurry I shall be in to
- get back to you! Those allusions to your lonely life are so dreadful, my
- dear, that I have destroyed your letter; it is enough to break one&rsquo;s heart
- only to look at it. When once I get to London, there shall be no more
- solitude for my poor afflicted friend. Papa will be free from his
- parliamentary duties in August&mdash;and he has promised to have the house
- full of delightful people to meet you. Who do you think will be one of our
- guests? He is illustrious; he is fascinating; he deserves a line all to
- himself, thus:
- </p>
- <p>
- &ldquo;The Reverend Miles Mirabel!
- </p>
- <p>
- &ldquo;Lady Doris has discovered that the country parsonage, in which this
- brilliant clergyman submits to exile, is only twelve miles away from our
- house. She has written to Mr. Mirabel to introduce me, and to mention the
- date of my return. We will have some fun with the popular preacher&mdash;we
- will both fall in love with him together.
- </p>
- <p>
- &ldquo;Is there anybody to whom you would like me to send an invitation? Shall
- we have Mr. Alban Morris? Now I know how kindly he took care of you at the
- railway station, your good opinion of him is my opinion. Your letter also
- mentions a doctor. Is he nice? and do you think he will let me eat pastry,
- if we have him too? I am so overflowing with hospitality (all for your
- sake) that I am ready to invite anybody, and everybody, to cheer you and
- make you happy. Would you like to meet Miss Ladd and the whole school?
- </p>
- <p>
- &ldquo;As to our amusements, make your mind easy.
- </p>
- <p>
- &ldquo;I have come to a distinct understanding with Papa that we are to have
- dances every evening&mdash;except when we try a little concert as a
- change. Private theatricals are to follow, when we want another change
- after the dancing and the music. No early rising; no fixed hour for
- breakfast; everything that is most exquisitely delicious at dinner&mdash;and,
- to crown all, your room next to mine, for delightful midnight gossipings,
- when we ought to be in bed. What do you say, darling, to the programme?
- </p>
- <p>
- &ldquo;A last piece of news&mdash;and I have done.
- </p>
- <p>
- &ldquo;I have actually had a proposal of marriage, from a young gentleman who
- sits opposite me at the table d&rsquo;hote! When I tell you that he has white
- eyelashes, and red hands, and such enormous front teeth that he can&rsquo;t shut
- his mouth, you will not need to be told that I refused him. This
- vindictive person has abused me ever since, in the most shameful manner. I
- heard him last night, under my window, trying to set one of his friends
- against me. &lsquo;Keep clear of her, my dear fellow; she&rsquo;s the most heartless
- creature living.&rsquo; The friend took my part; he said, &lsquo;I don&rsquo;t agree with
- you; the young lady is a person of great sensibility.&rsquo; &lsquo;Nonsense!&rsquo; says my
- amiable lover; &lsquo;she eats too much&mdash;her sensibility is all stomach.&rsquo;
- There&rsquo;s a wretch for you. What a shameful advantage to take of sitting
- opposite to me at dinner! Good-by, my love, till we meet soon, and are as
- happy together as the day is long.&rdquo;
- </p>
- <p>
- Emily kissed the signature. At that moment of all others, Cecilia was such
- a refreshing contrast to Francine!
- </p>
- <p>
- Before putting the letter away, she looked again at that part of it which
- mentioned Lady Doris&rsquo;s introduction of Cecilia to Mr. Mirabel. &ldquo;I don&rsquo;t
- feel the slightest interest in Mr. Mirabel,&rdquo; she thought, smiling as the
- idea occurred to her; &ldquo;and I need never have known him, but for Lady Doris&mdash;who
- is a perfect stranger to me.&rdquo;
- </p>
- <p>
- She had just placed the letter in her desk, when a visitor was announced.
- Doctor Allday presented himself (in a hurry as usual).
- </p>
- <p>
- &ldquo;Another patient waiting?&rdquo; Emily asked mischievously. &ldquo;No time to spare,
- again?&rdquo;
- </p>
- <p>
- &ldquo;Not a moment,&rdquo; the old gentleman answered. &ldquo;Have you heard from Mrs.
- Ellmother?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;You don&rsquo;t mean to say you have answered her?&rdquo;
- </p>
- <p>
- &ldquo;I have done better than that, doctor&mdash;I have seen her this morning.&rdquo;
- </p>
- <p>
- &ldquo;And consented to be her reference, of course?&rdquo;
- </p>
- <p>
- &ldquo;How well you know me!&rdquo;
- </p>
- <p>
- Doctor Allday was a philosopher: he kept his temper. &ldquo;Just what I might
- have expected,&rdquo; he said. &ldquo;Eve and the apple! Only forbid a woman to do
- anything, and she does it directly&mdash;be cause you have forbidden her.
- I&rsquo;ll try the other way with you now, Miss Emily. There was something else
- that I meant to have forbidden.&rdquo;
- </p>
- <p>
- &ldquo;What was it?&rdquo;
- </p>
- <p>
- &ldquo;May I make a special request?&rdquo;
- </p>
- <p>
- &ldquo;Certainly.&rdquo;
- </p>
- <p>
- &ldquo;Oh, my dear, write to Mrs. Rook! I beg and entreat of you, write to Mrs.
- Rook!&rdquo;
- </p>
- <p>
- Emily&rsquo;s playful manner suddenly disappeared.
- </p>
- <p>
- Ignoring the doctor&rsquo;s little outbreak of humor, she waited in grave
- surprise, until it was his pleasure to explain himself.
- </p>
- <p>
- Doctor Allday, on his side, ignored the ominous change in Emily; he went
- on as pleasantly as ever. &ldquo;Mr. Morris and I have had a long talk about
- you, my dear. Mr. Morris is a capital fellow; I recommend him as a
- sweetheart. I also back him in the matter of Mrs. Rook.&mdash;What&rsquo;s the
- matter now? You&rsquo;re as red as a rose. Temper again, eh?&rdquo;
- </p>
- <p>
- &ldquo;Hatred of meanness!&rdquo; Emily answered indignantly. &ldquo;I despise a man who
- plots, behind my back, to get another man to help him. Oh, how I have been
- mistaken in Alban Morris!&rdquo;
- </p>
- <p>
- &ldquo;Oh, how little you know of the best friend you have!&rdquo; cried the doctor,
- imitating her. &ldquo;Girls are all alike; the only man they can understand, is
- the man who flatters them. <i>Will</i> you oblige me by writing to Mrs.
- Rook?&rdquo;
- </p>
- <p>
- Emily made an attempt to match the doctor, with his own weapons. &ldquo;Your
- little joke comes too late,&rdquo; she said satirically. &ldquo;There is Mrs. Rook&rsquo;s
- answer. Read it, and&mdash;&rdquo; she checked herself, even in her anger she
- was incapable of speaking ungenerously to the old man who had so warmly
- befriended her. &ldquo;I won&rsquo;t say to <i>you</i>,&rdquo; she resumed, &ldquo;what I might
- have said to another person.&rdquo;
- </p>
- <p>
- &ldquo;Shall I say it for you?&rdquo; asked the incorrigible doctor. &ldquo;&lsquo;Read it, and be
- ashamed of yourself&rsquo;&mdash;That was what you had in your mind, isn&rsquo;t it?
- Anything to please you, my dear.&rdquo; He put on his spectacles, read the
- letter, and handed it back to Emily with an impenetrable countenance.
- &ldquo;What do you think of my new spectacles?&rdquo; he asked, as he took the glasses
- off his nose. &ldquo;In the experience of thirty years, I have had three
- grateful patients.&rdquo; He put the spectacles back in the case. &ldquo;This comes
- from the third. Very gratifying&mdash;very gratifying.&rdquo;
- </p>
- <p>
- Emily&rsquo;s sense of humor was not the uppermost sense in her at that moment.
- She pointed with a peremptory forefinger to Mrs. Rook&rsquo;s letter. &ldquo;Have you
- nothing to say about this?&rdquo;
- </p>
- <p>
- The doctor had so little to say about it that he was able to express
- himself in one word:
- </p>
- <p>
- &ldquo;Humbug!&rdquo;
- </p>
- <p>
- He took his hat&mdash;nodded kindly to Emily&mdash;and hurried away to
- feverish pulses waiting to be felt, and to furred tongues that were
- ashamed to show themselves.
- </p>
- <p>
- <a name="link2HCH0031" id="link2HCH0031">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXI. MOIRA.
- </h3>
- <p>
- When Alban presented himself the next morning, the hours of the night had
- exercised their tranquilizing influence over Emily. She remembered
- sorrowfully how Doctor Allday had disturbed her belief in the man who
- loved her; no feeling of irritation remained. Alban noticed that her
- manner was unusually subdued; she received him with her customary grace,
- but not with her customary smile.
- </p>
- <p>
- &ldquo;Are you not well?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I am a little out of spirits,&rdquo; she replied. &ldquo;A disappointment&mdash;that
- is all.&rdquo;
- </p>
- <p>
- He waited a moment, apparently in the expectation that she might tell him
- what the disappointment was. She remained silent, and she looked away from
- him. Was he in any way answerable for the depression of spirits to which
- she alluded? The doubt occurred to him&mdash;but he said nothing.
- </p>
- <p>
- &ldquo;I suppose you have received my letter?&rdquo; she resumed.
- </p>
- <p>
- &ldquo;I have come here to thank you for your letter.&rdquo;
- </p>
- <p>
- &ldquo;It was my duty to tell you of Sir Jervis&rsquo;s illness; I deserve no thanks.&rdquo;
- </p>
- <p>
- &ldquo;You have written to me so kindly,&rdquo; Alban reminded her; &ldquo;you have referred
- to our difference of opinion, the last time I was here, so gently and so
- forgivingly&mdash;&rdquo;
- </p>
- <p>
- &ldquo;If I had written a little later,&rdquo; she interposed, &ldquo;the tone of my letter
- might have been less agreeable to you. I happened to send it to the post,
- before I received a visit from a friend of yours&mdash;a friend who had
- something to say to me after consulting with you.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean Doctor Allday?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;What did he say?&rdquo;
- </p>
- <p>
- &ldquo;What you wished him to say. He did his best; he was as obstinate and
- unfeeling as you could possibly wish him to be; but he was too late. I
- have written to Mrs. Rook, and I have received a reply.&rdquo; She spoke sadly,
- not angrily&mdash;and pointed to the letter lying on her desk.
- </p>
- <p>
- Alban understood: he looked at her in despair. &ldquo;Is that wretched woman
- doomed to set us at variance every time we meet!&rdquo; he exclaimed.
- </p>
- <p>
- Emily silently held out the letter.
- </p>
- <p>
- He refused to take it. &ldquo;The wrong you have done me is not to be set right
- in that way,&rdquo; he said. &ldquo;You believe the doctor&rsquo;s visit was arranged
- between us. I never knew that he intended to call on you; I had no
- interest in sending him here&mdash;and I must not interfere again between
- you and Mrs. Rook.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t understand you.&rdquo;
- </p>
- <p>
- &ldquo;You will understand me when I tell you how my conversation with Doctor
- Allday ended. I have done with interference; I have done with advice.
- Whatever my doubts may be, all further effort on my part to justify them&mdash;all
- further inquiries, no matter in what direction&mdash;are at an end: I made
- the sacrifice, for your sake. No! I must repeat what you said to me just
- now; I deserve no thanks. What I have done, has been done in deference to
- Doctor Allday&mdash;against my own convictions; in spite of my own fears.
- Ridiculous convictions! ridiculous fears! Men with morbid minds are their
- own tormentors. It doesn&rsquo;t matter how I suffer, so long as you are at
- ease. I shall never thwart you or vex you again. Have you a better opinion
- of me now?&rdquo;
- </p>
- <p>
- She made the best of all answers&mdash;she gave him her hand.
- </p>
- <p>
- &ldquo;May I kiss it?&rdquo; he asked, as timidly as if he had been a boy addressing
- his first sweetheart.
- </p>
- <p>
- She was half inclined to laugh, and half inclined to cry. &ldquo;Yes, if you
- like,&rdquo; she said softly.
- </p>
- <p>
- &ldquo;Will you let me come and see you again?&rdquo;
- </p>
- <p>
- &ldquo;Gladly&mdash;when I return to London.&rdquo;
- </p>
- <p>
- &ldquo;You are going away?&rdquo;
- </p>
- <p>
- &ldquo;I am going to Brighton this afternoon, to stay with Miss Ladd.&rdquo;
- </p>
- <p>
- It was hard to lose her, on the happy day when they understood each other
- at last. An expression of disappointment passed over his face. He rose,
- and walked restlessly to the window. &ldquo;Miss Ladd?&rdquo; he repeated, turning to
- Emily as if an idea had struck him. &ldquo;Did I hear, at the school, that Miss
- de Sor was to spend the holidays under the care of Miss Ladd?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;The same young lady,&rdquo; he went on, &ldquo;who paid you a visit yesterday
- morning?&rdquo;
- </p>
- <p>
- &ldquo;The same.&rdquo;
- </p>
- <p>
- That haunting distrust of the future, which he had first betrayed and then
- affected to ridicule, exercised its depressing influence over his better
- sense. He was unreasonable enough to feel doubtful of Francine, simply
- because she was a stranger.
- </p>
- <p>
- &ldquo;Miss de Sor is a new friend of yours,&rdquo; he said. &ldquo;Do you like her?&rdquo;
- </p>
- <p>
- It was not an easy question to answer&mdash;without entering into
- particulars which Emily&rsquo;s delicacy of feeling warned her to avoid. &ldquo;I must
- know a little more of Miss de Sor,&rdquo; she said, &ldquo;before I can decide.&rdquo;
- </p>
- <p>
- Alban&rsquo;s misgivings were naturally encouraged by this evasive reply. He
- began to regret having left the cottage, on the previous day, when he had
- heard that Emily was engaged. He might have sent in his card, and might
- have been admitted. It was an opportunity lost of observing Francine. On
- the morning of her first day at school, when they had accidentally met at
- the summer house, she had left a disagreeable impression on his mind.
- Ought he to allow his opinion to be influenced by this circumstance? or
- ought he to follow Emily&rsquo;s prudent example, and suspend judgment until he
- knew a little more of Francine?
- </p>
- <p>
- &ldquo;Is any day fixed for your return to London?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Not yet,&rdquo; she said; &ldquo;I hardly know how long my visit will be.&rdquo;
- </p>
- <p>
- &ldquo;In little more than a fortnight,&rdquo; he continued, &ldquo;I shall return to my
- classes&mdash;they will be dreary classes, without you. Miss de Sor goes
- back to the school with Miss Ladd, I suppose?&rdquo;
- </p>
- <p>
- Emily was at a loss to account for the depression in his looks and tones,
- while he was making these unimportant inquiries. She tried to rouse him by
- speaking lightly in reply.
- </p>
- <p>
- &ldquo;Miss de Sor returns in quite a new character; she is to be a guest
- instead of a pupil. Do you wish to be better acquainted with her?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said gravely, &ldquo;now I know that she is a friend of yours.&rdquo; He
- returned to his place near her. &ldquo;A pleasant visit makes the days pass
- quickly,&rdquo; he resumed. &ldquo;You may remain at Brighton longer than you
- anticipate; and we may not meet again for some time to come. If anything
- happens&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Do you mean anything serious?&rdquo; she asked.
- </p>
- <p>
- &ldquo;No, no! I only mean&mdash;if I can be of any service. In that case, will
- you write to me?&rdquo;
- </p>
- <p>
- &ldquo;You know I will!&rdquo;
- </p>
- <p>
- She looked at him anxiously. He had completely failed to hide from her the
- uneasy state of his mind: a man less capable of concealment of feeling
- never lived. &ldquo;You are anxious, and out of spirits,&rdquo; she said gently. &ldquo;Is
- it my fault?&rdquo;
- </p>
- <p>
- &ldquo;Your fault? oh, don&rsquo;t think that! I have my dull days and my bright days&mdash;and
- just now my barometer is down at dull.&rdquo; His voice faltered, in spite of
- his efforts to control it; he gave up the struggle, and took his hat to
- go. &ldquo;Do you remember, Emily, what I once said to you in the garden at the
- school? I still believe there is a time of fulfillment to come in our
- lives.&rdquo; He suddenly checked himself, as if there had been something more
- in his mind to which he hesitated to give expression&mdash;and held out
- his hand to bid her good-by.
- </p>
- <p>
- &ldquo;My memory of what you said in the garden is better than yours,&rdquo; she
- reminded him. &ldquo;You said &lsquo;Happen what may in the interval, I trust the
- future.&rsquo; Do you feel the same trust still?&rdquo;
- </p>
- <p>
- He sighed&mdash;drew her to him gently&mdash;and kissed her on the
- forehead. Was that his own reply? She was not calm enough to ask him the
- question: it remained in her thoughts for some time after he had gone.
- </p>
-<hr>
- <p>
- On the same day Emily was at Brighton.
- </p>
- <p>
- Francine happened to be alone in the drawing-room. Her first proceeding,
- when Emily was shown in, was to stop the servant.
- </p>
- <p>
- &ldquo;Have you taken my letter to the post?&rdquo;
- </p>
- <p>
- &ldquo;Yes, miss.&rdquo;
- </p>
- <p>
- &ldquo;It doesn&rsquo;t matter.&rdquo; She dismissed the servant by a gesture, and burst
- into such effusive hospitality that she actually insisted on kissing
- Emily. &ldquo;Do you know what I have been doing?&rdquo; she said. &ldquo;I have been
- writing to Cecilia&mdash;directing to the care of her father, at the House
- of Commons. I stupidly forgot that you would be able to give me the right
- address in Switzerland. You don&rsquo;t object, I hope, to my making myself
- agreeable to our dear, beautiful, greedy girl? It is of such importance to
- me to surround myself with influential friends&mdash;and, of course, I
- have given her your love. Don&rsquo;t look disgusted! Come, and see your room.&mdash;Oh,
- never mind Miss Ladd. You will see her when she wakes. Ill? Is that sort
- of old woman ever ill? She&rsquo;s only taking her nap after bathing. Bathing in
- the sea, at her age! How she must frighten the fishes!&rdquo;
- </p>
- <p>
- Having seen her own bed-chamber, Emily was next introduced to the room
- occupied by Francine.
- </p>
- <p>
- One object that she noticed in it caused her some little surprise&mdash;not
- unmingled with disgust. She discovered on the toilet-table a coarsely
- caricatured portrait of Mrs. Ellmother. It was a sketch in pencil&mdash;wretchedly
- drawn; but spitefully successful as a likeness. &ldquo;I didn&rsquo;t know you were an
- artist,&rdquo; Emily remarked, with an ironical emphasis on the last word.
- Francine laughed scornfully&mdash;crumpled the drawing up in her hand&mdash;and
- threw it into the waste-paper basket.
- </p>
- <p>
- &ldquo;You satirical creature!&rdquo; she burst out gayly. &ldquo;If you had lived a dull
- life at St. Domingo, you would have taken to spoiling paper too. I might
- really have turned out an artist, if I had been clever and industrious
- like you. As it was, I learned a little drawing&mdash;and got tired of it.
- I tried modeling in wax&mdash;and got tired of it. Who do you think was my
- teacher? One of our slaves.&rdquo;
- </p>
- <p>
- &ldquo;A slave!&rdquo; Emily exclaimed.
- </p>
- <p>
- &ldquo;Yes&mdash;a mulatto, if you wish me to be particular; the daughter of an
- English father and a negro mother. In her young time (at least she said so
- herself) she was quite a beauty, in her particular style. Her master&rsquo;s
- favorite; he educated her himself. Besides drawing and painting, and
- modeling in wax, she could sing and play&mdash;all the accomplishments
- thrown away on a slave! When her owner died, my uncle bought her at the
- sale of the property.&rdquo;
- </p>
- <p>
- A word of natural compassion escaped Emily&mdash;to Francine&rsquo;s surprise.
- </p>
- <p>
- &ldquo;Oh, my dear, you needn&rsquo;t pity her! Sappho (that was her name) fetched a
- high price, even when she was no longer young. She came to us, by
- inheritance, with the estates and the rest of it; and took a fancy to me,
- when she found out I didn&rsquo;t get on well with my father and mother. &lsquo;I owe
- it to <i>my</i> father and mother,&rsquo; she used to say, &lsquo;that I am a slave.
- When I see affectionate daughters, it wrings my heart.&rsquo; Sappho was a
- strange compound. A woman with a white side to her character, and a black
- side. For weeks together, she would be a civilized being. Then she used to
- relapse, and become as complete a negress as her mother. At the risk of
- her life she stole away, on those occasions, into the interior of the
- island, and looked on, in hiding, at the horrid witchcrafts and idolatries
- of the blacks; they would have murdered a half-blood, prying into their
- ceremonies, if they had discovered her. I followed her once, so far as I
- dared. The frightful yellings and drummings in the darkness of the forests
- frightened me. The blacks suspected her, and it came to my ears. I gave
- her the warning that saved her life (I don&rsquo;t know what I should have done
- without Sappho to amuse me!); and, from that time, I do believe the
- curious creature loved me. You see I can speak generously even of a
- slave!&rdquo;
- </p>
- <p>
- &ldquo;I wonder you didn&rsquo;t bring her with you to England,&rdquo; Emily said.
- </p>
- <p>
- &ldquo;In the first place,&rdquo; Francine answered, &ldquo;she was my father&rsquo;s property,
- not mine. In the second place, she&rsquo;s dead. Poisoned, as the other
- half-bloods supposed, by some enemy among the blacks. She said herself,
- she was under a spell!&rdquo;
- </p>
- <p>
- &ldquo;What did she mean?&rdquo;
- </p>
- <p>
- Francine was not interested enough in the subject to explain. &ldquo;Stupid
- superstition, my dear. The negro side of Sappho was uppermost when she was
- dying&mdash;there is the explanation. Be off with you! I hear the old
- woman on the stairs. Meet her before she can come in here. My bedroom is
- my only refuge from Miss Ladd.&rdquo;
- </p>
- <p>
- On the morning of the last day in the week, Emily had a little talk in
- private with her old schoolmistress. Miss Ladd listened to what she had to
- say of Mrs. Ellmother, and did her best to relieve Emily&rsquo;s anxieties. &ldquo;I
- think you are mistaken, my child, in supposing that Francine is in
- earnest. It is her great fault that she is hardly ever in earnest. You can
- trust to my discretion; leave the rest to your aunt&rsquo;s old servant and to
- me.&rdquo;
- </p>
- <p>
- Mrs. Ellmother arrived, punctual to the appointed time. She was shown into
- Miss Ladd&rsquo;s own room. Francine&mdash;ostentatiously resolved to take no
- personal part in the affair&mdash;went for a walk. Emily waited to hear
- the result.
- </p>
- <p>
- After a long interval, Miss Ladd returned to the drawing-room, and
- announced that she had sanctioned the engagement of Mrs. Ellmother.
- </p>
- <p>
- &ldquo;I have considered your wishes, in this respect,&rdquo; she said. &ldquo;It is
- arranged that a week&rsquo;s notice, on either side, shall end the term of
- service, after the first month. I cannot feel justified in doing more than
- that. Mrs. Ellmother is such a respectable woman; she is so well known to
- you, and she was so long in your aunt&rsquo;s service, that I am bound to
- consider the importance of securing a person who is exactly fitted to
- attend on such a girl as Francine. In one word, I can trust Mrs.
- Ellmother.&rdquo;
- </p>
- <p>
- &ldquo;When does she enter on her service?&rdquo; Emily inquired.
- </p>
- <p>
- &ldquo;On the day after we return to the school,&rdquo; Miss Ladd replied. &ldquo;You will
- be glad to see her, I am sure. I will send her here.&rdquo;
- </p>
- <p>
- &ldquo;One word more before you go,&rdquo; Emily said.
- </p>
- <p>
- &ldquo;Did you ask her why she left my aunt?&rdquo;
- </p>
- <p>
- &ldquo;My dear child, a woman who has been five-and-twenty years in one place is
- entitled to keep her own secrets. I understand that she had her reasons,
- and that she doesn&rsquo;t think it necessary to mention them to anybody. Never
- trust people by halves&mdash;especially when they are people like Mrs.
- Ellmother.&rdquo;
- </p>
- <p>
- It was too late now to raise any objections. Emily felt relieved, rather
- than disappointed, on discovering that Mrs. Ellmother was in a hurry to
- get back to London by the next train. She had found an opportunity of
- letting her lodgings; and she was eager to conclude the bargain. &ldquo;You see
- I couldn&rsquo;t say Yes,&rdquo; she explained, &ldquo;till I knew whether I was to get this
- new place or not&mdash;and the person wants to go in tonight.&rdquo;
- </p>
- <p>
- Emily stopped her at the door. &ldquo;Promise to write and tell me how you get
- on with Miss de Sor.&rdquo;
- </p>
- <p>
- &ldquo;You say that, miss, as if you didn&rsquo;t feel hopeful about me.&rdquo;
- </p>
- <p>
- &ldquo;I say it, because I feel interested about you. Promise to write.&rdquo;
- </p>
- <p>
- Mrs. Ellmother promised, and hastened away. Emily looked after her from
- the window, as long as she was in view. &ldquo;I wish I could feel sure of
- Francine!&rdquo; she said to herself.
- </p>
- <p>
- &ldquo;In what way?&rdquo; asked the hard voice of Francine, speaking at the door.
- </p>
- <p>
- It was not in Emily&rsquo;s nature to shrink from a plain reply. She completed
- her half-formed thought without a moment&rsquo;s hesitation.
- </p>
- <p>
- &ldquo;I wish I could feel sure,&rdquo; she answered, &ldquo;that you will be kind to Mrs.
- Ellmother.&rdquo;
- </p>
- <p>
- &ldquo;Are you afraid I shall make her life one scene of torment?&rdquo; Francine
- inquired. &ldquo;How can I answer for myself? I can&rsquo;t look into the future.&rdquo;
- </p>
- <p>
- &ldquo;For once in your life, can you be in earnest?&rdquo; Emily said.
- </p>
- <p>
- &ldquo;For once in your life, can you take a joke?&rdquo; Francine replied.
- </p>
- <p>
- Emily said no more. She privately resolved to shorten her visit to
- Brighton.
- </p>
- <p>
- <a name="link2H_4_0034" id="link2H_4_0034">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h2>
- BOOK THE THIRD&mdash;NETHERWOODS.
- </h2>
- <p>
- <a name="link2HCH0032" id="link2HCH0032">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXII. IN THE GRAY ROOM.
- </h3>
- <p>
- The house inhabited by Miss Ladd and her pupils had been built, in the
- early part of the present century, by a wealthy merchant&mdash;proud of
- his money, and eager to distinguish himself as the owner of the largest
- country seat in the neighborhood.
- </p>
- <p>
- After his death, Miss Ladd had taken Netherwoods (as the place was
- called), finding her own house insufficient for the accommodation of the
- increasing number of her pupils. A lease was granted to her on moderate
- terms. Netherwoods failed to attract persons of distinction in search of a
- country residence. The grounds were beautiful; but no landed property&mdash;not
- even a park&mdash;was attached to the house. Excepting the few acres on
- which the building stood, the surrounding land belonged to a retired naval
- officer of old family, who resented the attempt of a merchant of low birth
- to assume the position of a gentleman. No matter what proposals might be
- made to the admiral, he refused them all. The privilege of shooting was
- not one of the attractions offered to tenants; the country presented no
- facilities for hunting; and the only stream in the neighborhood was not
- preserved. In consequence of these drawbacks, the merchant&rsquo;s
- representatives had to choose between a proposal to use Netherwoods as a
- lunatic asylum, or to accept as tenant the respectable mistress of a
- fashionable and prosperous school. They decided in favor of Miss Ladd.
- </p>
- <p>
- The contemplated change in Francine&rsquo;s position was accomplished, in that
- vast house, without inconvenience. There were rooms unoccupied, even when
- the limit assigned to the number of pupils had been reached. On the
- re-opening of the school, Francine was offered her choice between two
- rooms on one of the upper stories, and two rooms on the ground floor. She
- chose these last.
- </p>
- <p>
- Her sitting-room and bedroom, situated at the back of the house,
- communicated with each other. The sitting-room, ornamented with a pretty
- paper of delicate gray, and furnished with curtains of the same color, had
- been accordingly named, &ldquo;The Gray Room.&rdquo; It had a French window, which
- opened on the terrace overlooking the garden and the grounds. Some fine
- old engravings from the grand landscapes of Claude (part of a collection
- of prints possessed by Miss Ladd&rsquo;s father) hung on the walls. The carpet
- was in harmony with the curtains; and the furniture was of light-colored
- wood, which helped the general effect of subdued brightness that made the
- charm of the room. &ldquo;If you are not happy here,&rdquo; Miss Ladd said, &ldquo;I despair
- of you.&rdquo; And Francine answered, &ldquo;Yes, it&rsquo;s very pretty, but I wish it was
- not so small.&rdquo;
- </p>
- <p>
- On the twelfth of August the regular routine of the school was resumed.
- Alban Morris found two strangers in his class, to fill the vacancies left
- by Emily and Cecilia. Mrs. Ellmother was duly established in her new
- place. She produced an unfavorable impression in the servants&rsquo; hall&mdash;not
- (as the handsome chief housemaid explained) because she was ugly and old,
- but because she was &ldquo;a person who didn&rsquo;t talk.&rdquo; The prejudice against
- habitual silence, among the lower order of the people, is almost as
- inveterate as the prejudice against red hair.
- </p>
- <p>
- In the evening, on that first day of renewed studies&mdash;while the girls
- were in the grounds, after tea&mdash;Francine had at last completed the
- arrangement of her rooms, and had dismissed Mrs. Ellmother (kept hard at
- work since the morning) to take a little rest. Standing alone at her
- window, the West Indian heiress wondered what she had better do next. She
- glanced at the girls on the lawn, and decided that they were unworthy of
- serious notice, on the part of a person so specially favored as herself.
- She turned sidewise, and looked along the length of the terrace. At the
- far end a tall man was slowly pacing to and fro, with his head down and
- his hands in his pockets. Francine recognized the rude drawing-master, who
- had torn up his view of the village, after she had saved it from being
- blown into the pond.
- </p>
- <p>
- She stepped out on the terrace, and called to him. He stopped, and looked
- up.
- </p>
- <p>
- &ldquo;Do you want me?&rdquo; he called back.
- </p>
- <p>
- &ldquo;Of course I do!&rdquo;
- </p>
- <p>
- She advanced a little to meet him, and offered encouragement under the
- form of a hard smile. Although his manners might be unpleasant, he had
- claims on the indulgence of a young lady, who was at a loss how to employ
- her idle time. In the first place, he was a man. In the second place, he
- was not as old as the music-master, or as ugly as the dancing-master. In
- the third place, he was an admirer of Emily; and the opportunity of trying
- to shake his allegiance by means of a flirtation, in Emily&rsquo;s absence, was
- too good an opportunity to be lost.
- </p>
- <p>
- &ldquo;Do you remember how rude you were to me, on the day when you were
- sketching in the summer-house?&rdquo; Francine asked with snappish playfulness.
- &ldquo;I expect you to make yourself agreeable this time&mdash;I am going to pay
- you a compliment.&rdquo;
- </p>
- <p>
- He waited, with exasperating composure, to hear what the proposed
- compliment might be. The furrow between his eyebrows looked deeper than
- ever. There were signs of secret trouble in that dark face, so grimly and
- so resolutely composed. The school, without Emily, presented the severest
- trial of endurance that he had encountered, since the day when he had been
- deserted and disgraced by his affianced wife.
- </p>
- <p>
- &ldquo;You are an artist,&rdquo; Francine proceeded, &ldquo;and therefore a person of taste.
- I want to have your opinion of my sitting-room. Criticism is invited; pray
- come in.&rdquo;
- </p>
- <p>
- He seemed to be unwilling to accept the invitation&mdash;then altered his
- mind, and followed Francine. She had visited Emily; she was perhaps in a
- fair way to become Emily&rsquo;s friend. He remembered that he had already lost
- an opportunity of studying her character, and&mdash;if he saw the
- necessity&mdash;of warning Emily not to encourage the advances of Miss de
- Sor.
- </p>
- <p>
- &ldquo;Very pretty,&rdquo; he remarked, looking round the room&mdash;without appearing
- to care for anything in it, except the prints.
- </p>
- <p>
- Francine was bent on fascinating him. She raised her eyebrows and lifted
- her hands, in playful remonstrance. &ldquo;Do remember it&rsquo;s <i>my</i> room,&rdquo; she
- said, &ldquo;and take some little interest in it, for <i>my</i> sake!&rdquo;
- </p>
- <p>
- &ldquo;What do you want me to say?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Come and sit down by me.&rdquo; She made room for him on the sofa. Her one
- favorite aspiration&mdash;the longing to excite envy in others&mdash;expressed
- itself in her next words. &ldquo;Say something pretty,&rdquo; she answered; &ldquo;say you
- would like to have such a room as this.&rdquo;
- </p>
- <p>
- &ldquo;I should like to have your prints,&rdquo; he remarked. &ldquo;Will that do?&rdquo;
- </p>
- <p>
- &ldquo;It wouldn&rsquo;t do&mdash;from anybody else. Ah, Mr. Morris, I know why you
- are not as nice as you might be! You are not happy. The school has lost
- its one attraction, in losing our dear Emily. You feel it&mdash;I know you
- feel it.&rdquo; She assisted this expression of sympathy to produce the right
- effect by a sigh. &ldquo;What would I not give to inspire such devotion as
- yours! I don&rsquo;t envy Emily; I only wish&mdash;&rdquo; She paused in confusion,
- and opened her fan. &ldquo;Isn&rsquo;t it pretty?&rdquo; she said, with an ostentatious
- appearance of changing the subject. Alban behaved like a monster; he began
- to talk of the weather.
- </p>
- <p>
- &ldquo;I think this is the hottest day we have had,&rdquo; he said; &ldquo;no wonder you
- want your fan. Netherwoods is an airless place at this season of the
- year.&rdquo;
- </p>
- <p>
- She controlled her temper. &ldquo;I do indeed feel the heat,&rdquo; she admitted, with
- a resignation which gently reproved him; &ldquo;it is so heavy and oppressive
- here after Brighton. Perhaps my sad life, far away from home and friends,
- makes me sensitive to trifles. Do you think so, Mr. Morris?&rdquo;
- </p>
- <p>
- The merciless man said he thought it was the situation of the house.
- </p>
- <p>
- &ldquo;Miss Ladd took the place in the spring,&rdquo; he continued; &ldquo;and only
- discovered the one objection to it some months afterward. We are in the
- highest part of the valley here&mdash;but, you see, it&rsquo;s a valley
- surrounded by hills; and on three sides the hills are near us. All very
- well in winter; but in summer I have heard of girls in this school so out
- of health in the relaxing atmosphere that they have been sent home again.&rdquo;
- </p>
- <p>
- Francine suddenly showed an interest in what he was saying. If he had
- cared to observe her closely, he might have noticed it.
- </p>
- <p>
- &ldquo;Do you mean that the girls were really ill?&rdquo; she asked.
- </p>
- <p>
- &ldquo;No. They slept badly&mdash;lost appetite&mdash;started at trifling
- noises. In short, their nerves were out of order.&rdquo;
- </p>
- <p>
- &ldquo;Did they get well again at home, in another air?&rdquo;
- </p>
- <p>
- &ldquo;Not a doubt of it,&rdquo; he answered, beginning to get weary of the subject.
- &ldquo;May I look at your books?&rdquo;
- </p>
- <p>
- Francine&rsquo;s interest in the influence of different atmospheres on health
- was not exhausted yet. &ldquo;Do you know where the girls lived when they were
- at home?&rdquo; she inquired.
- </p>
- <p>
- &ldquo;I know where one of them lived. She was the best pupil I ever had&mdash;and
- I remember she lived in Yorkshire.&rdquo; He was so weary of the idle curiosity&mdash;as
- it appeared to him&mdash;which persisted in asking trifling questions,
- that he left his seat, and crossed the room. &ldquo;May I look at your books?&rdquo;
- he repeated.
- </p>
- <p>
- &ldquo;Oh, yes!&rdquo;
- </p>
- <p>
- The conversation was suspended for a while. The lady thought, &ldquo;I should
- like to box his ears!&rdquo; The gentleman thought, &ldquo;She&rsquo;s only an inquisitive
- fool after all!&rdquo; His examination of her books confirmed him in the
- delusion that there was really nothing in Francine&rsquo;s character which
- rendered it necessary to caution Emily against the advances of her new
- friend. Turning away from the book-case, he made the first excuse that
- occurred to him for putting an end to the interview.
- </p>
- <p>
- &ldquo;I must beg you to let me return to my duties, Miss de Sor. I have to
- correct the young ladies&rsquo; drawings, before they begin again to-morrow.&rdquo;
- </p>
- <p>
- Francine&rsquo;s wounded vanity made a last expiring attempt to steal the heart
- of Emily&rsquo;s lover.
- </p>
- <p>
- &ldquo;You remind me that I have a favor to ask,&rdquo; she said. &ldquo;I don&rsquo;t attend the
- other classes&mdash;but I should so like to join <i>your</i> class! May
- I?&rdquo; She looked up at him with a languishing appearance of entreaty which
- sorely tried Alban&rsquo;s capacity to keep his face in serious order. He
- acknowledged the compliment paid to him in studiously commonplace terms,
- and got a little nearer to the open window. Francine&rsquo;s obstinacy was not
- conquered yet.
- </p>
- <p>
- &ldquo;My education has been sadly neglected,&rdquo; she continued; &ldquo;but I have had
- some little instruction in drawing. You will not find me so ignorant as
- some of the other girls.&rdquo; She waited a little, anticipating a few
- complimentary words. Alban waited also&mdash;in silence. &ldquo;I shall look
- forward with pleasure to my lessons under such an artist as yourself,&rdquo; she
- went on, and waited again, and was disappointed again. &ldquo;Perhaps,&rdquo; she
- resumed, &ldquo;I may become your favorite pupil&mdash;Who knows?&rdquo;
- </p>
- <p>
- &ldquo;Who indeed!&rdquo;
- </p>
- <p>
- It was not much to say, when he spoke at last&mdash;but it was enough to
- encourage Francine. She called him &ldquo;dear Mr. Morris&rdquo;; she pleaded for
- permission to take her first lesson immediately; she clasped her hands&mdash;&ldquo;Please
- say Yes!&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t say Yes, till you have complied with the rules.&rdquo;
- </p>
- <p>
- &ldquo;Are they <i>your</i> rules?&rdquo;
- </p>
- <p>
- Her eyes expressed the readiest submission&mdash;in that case. He entirely
- failed to see it: he said they were Miss Ladd&rsquo;s rules&mdash;and wished her
- good-evening.
- </p>
- <p>
- She watched him, walking away down the terrace. How was he paid? Did he
- receive a yearly salary, or did he get a little extra money for each new
- pupil who took drawing lessons? In this last case, Francine saw her
- opportunity of being even with him &ldquo;You brute! Catch me attending your
- class!&rdquo;
- </p>
- <p>
- <a name="link2HCH0033" id="link2HCH0033">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXIII. RECOLLECTIONS OF ST. DOMINGO.
- </h3>
- <p>
- The night was oppressively hot. Finding it impossible to sleep, Francine
- lay quietly in her bed, thinking. The subject of her reflections was a
- person who occupied the humble position of her new servant.
- </p>
- <p>
- Mrs. Ellmother looked wretchedly ill. Mrs. Ellmother had told Emily that
- her object, in returning to domestic service, was to try if change would
- relieve her from the oppression of her own thoughts. Mrs. Ellmother
- believed in vulgar superstitions which declared Friday to be an unlucky
- day; and which recommended throwing a pinch over your left shoulder, if
- you happened to spill the salt.
- </p>
- <p>
- In themselves, these were trifling recollections. But they assumed a
- certain importance, derived from the associations which they called forth.
- </p>
- <p>
- They reminded Francine, by some mental process which she was at a loss to
- trace, of Sappho the slave, and of her life at St. Domingo.
- </p>
- <p>
- She struck a light, and unlocked her writing desk. From one of the drawers
- she took out an old household account-book.
- </p>
- <p>
- The first page contained some entries, relating to domestic expenses, in
- her own handwriting. They recalled one of her efforts to occupy her idle
- time, by relieving her mother of the cares of housekeeping. For a day or
- two, she had persevered&mdash;and then she had ceased to feel any interest
- in her new employment. The remainder of the book was completely filled up,
- in a beautifully clear handwriting, beginning on the second page. A title
- had been found for the manuscript by Francine. She had written at the top
- of the page: <i>Sappho&rsquo;s Nonsense</i>.
- </p>
- <p>
- After reading the first few sentences she rapidly turned over the leaves,
- and stopped at a blank space near the end of the book. Here again she had
- added a title. This time it implied a compliment to the writer: the page
- was headed: <i>Sappho&rsquo;s Sense</i>.
- </p>
- <p>
- She read this latter part of the manuscript with the closest attention.
- </p>
- <p>
- &ldquo;I entreat my kind and dear young mistress not to suppose that I believe
- in witchcraft&mdash;after such an education as I have received. When I
- wrote down, at your biding, all that I had told you by word of mouth, I
- cannot imagine what delusion possessed me. You say I have a negro side to
- my character, which I inherit from my mother. Did you mean this, dear
- mistress, as a joke? I am almost afraid it is sometimes not far off from
- the truth.
- </p>
- <p>
- &ldquo;Let me be careful, however, to avoid leading you into a mistake. It is
- really true that the man-slave I spoke of did pine and die, after the
- spell had been cast on him by my witch-mother&rsquo;s image of wax. But I ought
- also to have told you that circumstances favored the working of the spell:
- the fatal end was not brought about by supernatural means.
- </p>
- <p>
- &ldquo;The poor wretch was not in good health at the time; and our owner had
- occasion to employ him in the valley of the island far inland. I have been
- told, and can well believe, that the climate there is different from the
- climate on the coast&mdash;in which the unfortunate slave had been
- accustomed to live. The overseer wouldn&rsquo;t believe him when he said the
- valley air would be his death&mdash;and the negroes, who might otherwise
- have helped him, all avoided a man whom they knew to be under a spell.
- </p>
- <p>
- &ldquo;This, you see, accounts for what might appear incredible to civilized
- persons. If you will do me a favor, you will burn this little book, as
- soon as you have read what I have written here. If my request is not
- granted, I can only implore you to let no eyes but your own see these
- pages. My life might be in danger if the blacks knew what I have now told
- you, in the interests of truth.&rdquo;
- </p>
- <p>
- Francine closed the book, and locked it up again in her desk. &ldquo;Now I
- know,&rdquo; she said to herself, &ldquo;what reminded me of St. Domingo.&rdquo;
- </p>
- <p>
- When Francine rang her bell the next morning, so long a time elapsed
- without producing an answer that she began to think of sending one of the
- house-servants to make inquiries. Before she could decide, Mrs. Ellmother
- presented herself, and offered her apologies.
- </p>
- <p>
- &ldquo;It&rsquo;s the first time I have overslept myself, miss, since I was a girl.
- Please to excuse me, it shan&rsquo;t happen again.&rdquo;
- </p>
- <p>
- &ldquo;Do you find that the air here makes you drowsy?&rdquo; Francine asked.
- </p>
- <p>
- Mrs. Ellmother shook her head. &ldquo;I didn&rsquo;t get to sleep,&rdquo; she said, &ldquo;till
- morning, and so I was too heavy to be up in time. But air has got nothing
- to do with it. Gentlefolks may have their whims and fancies. All air is
- the same to people like me.&rdquo;
- </p>
- <p>
- &ldquo;You enjoy good health, Mrs. Ellmother?&rdquo;
- </p>
- <p>
- &ldquo;Why not, miss? I have never had a doctor.&rdquo;
- </p>
- <p>
- &ldquo;Oh! That&rsquo;s your opinion of doctors, is it?&rdquo;
- </p>
- <p>
- &ldquo;I won&rsquo;t have anything to do with them&mdash;if that&rsquo;s what you mean by my
- opinion,&rdquo; Mrs. Ellmother answered doggedly. &ldquo;How will you have your hair
- done?&rdquo;
- </p>
- <p>
- &ldquo;The same as yesterday. Have you seen anything of Miss Emily? She went
- back to London the day after you left us.&rdquo;
- </p>
- <p>
- &ldquo;I haven&rsquo;t been in London. I&rsquo;m thankful to say my lodgings are let to a
- good tenant.&rdquo;
- </p>
- <p>
- &ldquo;Then where have you lived, while you were waiting to come here?&rdquo;
- </p>
- <p>
- &ldquo;I had only one place to go to, miss; I went to the village where I was
- born. A friend found a corner for me. Ah, dear heart, it&rsquo;s a pleasant
- place, there!&rdquo;
- </p>
- <p>
- &ldquo;A place like this?&rdquo;
- </p>
- <p>
- &ldquo;Lord help you! As little like this as chalk is to cheese. A fine big
- moor, miss, in Cumberland, without a tree in sight&mdash;look where you
- may. Something like a wind, I can tell you, when it takes to blowing
- there.&rdquo;
- </p>
- <p>
- &ldquo;Have you never been in this part of the country?&rdquo;
- </p>
- <p>
- &ldquo;Not I! When I left the North, my new mistress took me to Canada. Talk
- about air! If there was anything in it, the people in <i>that</i> air
- ought to live to be a hundred. I liked Canada.&rdquo;
- </p>
- <p>
- &ldquo;And who was your next mistress?&rdquo;
- </p>
- <p>
- Thus far, Mrs. Ellmother had been ready enough to talk. Had she failed to
- hear what Francine had just said to her? or had she some reason for
- feeling reluctant to answer? In any case, a spirit of taciturnity took
- sudden possession of her&mdash;she was silent.
- </p>
- <p>
- Francine (as usual) persisted. &ldquo;Was your next place in service with Miss
- Emily&rsquo;s aunt?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;Did the old lady always live in London?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;What part of the country did she live in?&rdquo;
- </p>
- <p>
- &ldquo;Kent.&rdquo;
- </p>
- <p>
- &ldquo;Among the hop gardens?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;In what other part, then?&rdquo;
- </p>
- <p>
- &ldquo;Isle of Thanet.&rdquo;
- </p>
- <p>
- &ldquo;Near the sea coast?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- Even Francine could insist no longer: Mrs. Ellmother&rsquo;s reserve had beaten
- her&mdash;for that day at least. &ldquo;Go into the hall,&rdquo; she said, &ldquo;and see if
- there are any letters for me in the rack.&rdquo;
- </p>
- <p>
- There was a letter bearing the Swiss postmark. Simple Cecilia was
- flattered and delighted by the charming manner in which Francine had
- written to her. She looked forward with impatience to the time when their
- present acquaintance might ripen into friendship. Would &ldquo;Dear Miss de Sor&rdquo;
- waive all ceremony, and consent to be a guest (later in the autumn) at her
- father&rsquo;s house? Circumstances connected with her sister&rsquo;s health would
- delay their return to England for a little while. By the end of the month
- she hoped to be at home again, and to hear if Francine was disengaged. Her
- address, in England, was Monksmoor Park, Hants.
- </p>
- <p>
- Having read the letter, Francine drew a moral from it: &ldquo;There is great use
- in a fool, when one knows how to manage her.&rdquo;
- </p>
- <p>
- Having little appetite for her breakfast, she tried the experiment of a
- walk on the terrace. Alban Morris was right; the air at Netherwoods, in
- the summer time, <i>was</i> relaxing. The morning mist still hung over the
- lowest part of the valley, between the village and the hills beyond. A
- little exercise produced a feeling of fatigue. Francine returned to her
- room, and trifled with her tea and toast.
- </p>
- <p>
- Her next proceeding was to open her writing-desk, and look into the old
- account-book once more. While it lay open on her lap, she recalled what
- had passed that morning, between Mrs. Ellmother and herself.
- </p>
- <p>
- The old woman had been born and bred in the North, on an open moor. She
- had been removed to the keen air of Canada when she left her birthplace.
- She had been in service after that, on the breezy eastward coast of Kent.
- Would the change to the climate of Netherwoods produce any effect on Mrs.
- Ellmother? At her age, and with her seasoned constitution, would she feel
- it as those school-girls had felt it&mdash;especially that one among them,
- who lived in the bracing air of the North, the air of Yorkshire?
- </p>
- <p>
- Weary of solitary thinking on one subject, Francine returned to the
- terrace with a vague idea of finding something to amuse her&mdash;that is
- to say, something she could turn into ridicule&mdash;if she joined the
- girls.
- </p>
- <p>
- The next morning, Mrs. Ellmother answered her mistress&rsquo;s bell without
- delay. &ldquo;You have slept better, this time?&rdquo; Francine said.
- </p>
- <p>
- &ldquo;No, miss. When I did get to sleep I was troubled by dreams. Another bad
- night&mdash;and no mistake!&rdquo;
- </p>
- <p>
- &ldquo;I suspect your mind is not quite at ease,&rdquo; Francine suggested.
- </p>
- <p>
- &ldquo;Why do you suspect that, if you please?&rdquo;
- </p>
- <p>
- &ldquo;You talked, when I met you at Miss Emily&rsquo;s, of wanting to get away from
- your own thoughts. Has the change to this place helped you?&rdquo;
- </p>
- <p>
- &ldquo;It hasn&rsquo;t helped me as I expected. Some people&rsquo;s thoughts stick fast.&rdquo;
- </p>
- <p>
- &ldquo;Remorseful thoughts?&rdquo; Francine inquired.
- </p>
- <p>
- Mrs. Ellmother held up her forefinger, and shook it with a gesture of
- reproof. &ldquo;I thought we agreed, miss, that there was to be no pumping.&rdquo;
- </p>
- <p>
- The business of the toilet proceeded in silence.
- </p>
- <p>
- A week passed. During an interval in the labors of the school, Miss Ladd
- knocked at the door of Francine&rsquo;s room.
- </p>
- <p>
- &ldquo;I want to speak to you, my dear, about Mrs. Ellmother. Have you noticed
- that she doesn&rsquo;t seem to be in good health?&rdquo;
- </p>
- <p>
- &ldquo;She looks rather pale, Miss Ladd.&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s more serious than that, Francine. The servants tell me that she has
- hardly any appetite. She herself acknowledges that she sleeps badly. I
- noticed her yesterday evening in the garden, under the schoolroom window.
- One of the girls dropped a dictionary. She started at that slight noise,
- as if it terrified her. Her nerves are seriously out of order. Can you
- prevail upon her to see the doctor?&rdquo;
- </p>
- <p>
- Francine hesitated&mdash;and made an excuse. &ldquo;I think she would be much
- more likely, Miss Ladd, to listen to you. Do you mind speaking to her?&rdquo;
- </p>
- <p>
- &ldquo;Certainly not!&rdquo;
- </p>
- <p>
- Mrs. Ellmother was immediately sent for. &ldquo;What is your pleasure, miss?&rdquo;
- she said to Francine.
- </p>
- <p>
- Miss Ladd interposed. &ldquo;It is I who wish to speak to you, Mrs. Ellmother.
- For some days past, I have been sorry to see you looking ill.&rdquo;
- </p>
- <p>
- &ldquo;I never was ill in my life, ma&rsquo;am.&rdquo;
- </p>
- <p>
- Miss Ladd gently persisted. &ldquo;I hear that you have lost your appetite.&rdquo;
- </p>
- <p>
- &ldquo;I never was a great eater, ma&rsquo;am.&rdquo;
- </p>
- <p>
- It was evidently useless to risk any further allusion to Mrs. Ellmother&rsquo;s
- symptoms. Miss Ladd tried another method of persuasion. &ldquo;I daresay I may
- be mistaken,&rdquo; she said; &ldquo;but I do really feel anxious about you. To set my
- mind at rest, will you see the doctor?&rdquo;
- </p>
- <p>
- &ldquo;The doctor! Do you think I&rsquo;m going to begin taking physic, at my time of
- life? Lord, ma&rsquo;am! you amuse me&mdash;you do indeed!&rdquo; She burst into a
- sudden fit of laughter; the hysterical laughter which is on the verge of
- tears. With a desperate effort, she controlled herself. &ldquo;Please, don&rsquo;t
- make a fool of me again,&rdquo; she said&mdash;and left the room.
- </p>
- <p>
- &ldquo;What do you think now?&rdquo; Miss Ladd asked.
- </p>
- <p>
- Francine appeared to be still on her guard.
- </p>
- <p>
- &ldquo;I don&rsquo;t know what to think,&rdquo; she said evasively.
- </p>
- <p>
- Miss Ladd looked at her in silent surprise, and withdrew.
- </p>
- <p>
- Left by herself, Francine sat with her elbows on the table and her face in
- her hands, absorbed in thought. After a long interval, she opened her desk&mdash;and
- hesitated. She took a sheet of note-paper&mdash;and paused, as if still in
- doubt. She snatched up her pen, with a sudden recovery of resolution&mdash;and
- addressed these lines to the wife of her father&rsquo;s agent in London:
- </p>
- <p>
- &ldquo;When I was placed under your care, on the night of my arrival from the
- West Indies, you kindly said I might ask you for any little service which
- might be within your power. I shall be greatly obliged if you can obtain
- for me, and send to this place, a supply of artists&rsquo; modeling wax&mdash;sufficient
- for the production of a small image.&rdquo;
- </p>
- <p>
- <a name="link2HCH0034" id="link2HCH0034">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXIV. IN THE DARK.
- </h3>
- <p>
- A week later, Alban Morris happened to be in Miss Ladd&rsquo;s study, with a
- report to make on the subject of his drawing-class. Mrs. Ellmother
- interrupted them for a moment. She entered the room to return a book which
- Francine had borrowed that morning.
- </p>
- <p>
- &ldquo;Has Miss de Sor done with it already?&rdquo; Miss Ladd asked.
- </p>
- <p>
- &ldquo;She won&rsquo;t read it, ma&rsquo;am. She says the leaves smell of tobacco-smoke.&rdquo;
- </p>
- <p>
- Miss Ladd turned to Alban, and shook her head with an air of good-humored
- reproof. &ldquo;I know who has been reading that book last!&rdquo; she said.
- </p>
- <p>
- Alban pleaded guilty, by a look. He was the only master in the school who
- smoked. As Mrs. Ellmother passed him, on her way out, he noticed the signs
- of suffering in her wasted face.
- </p>
- <p>
- &ldquo;That woman is surely in a bad state of health,&rdquo; he said. &ldquo;Has she seen
- the doctor?&rdquo;
- </p>
- <p>
- &ldquo;She flatly refuses to consult the doctor,&rdquo; Miss Ladd replied. &ldquo;If she was
- a stranger, I should meet the difficulty by telling Miss de Sor (whose
- servant she is) that Mrs. Ellmother must be sent home. But I cannot act in
- that peremptory manner toward a person in whom Emily is interested.&rdquo;
- </p>
- <p>
- From that moment Mrs. Ellmother became a person in whom Alban was
- interested. Later in the day, he met her in one of the lower corridors of
- the house, and spoke to her. &ldquo;I am afraid the air of this place doesn&rsquo;t
- agree with you,&rdquo; he said.
- </p>
- <p>
- Mrs. Ellmother&rsquo;s irritable objection to being told (even indirectly) that
- she looked ill, expressed itself roughly in reply. &ldquo;I daresay you mean
- well, sir&mdash;but I don&rsquo;t see how it matters to you whether the place
- agrees with me or not.&rdquo;
- </p>
- <p>
- &ldquo;Wait a minute,&rdquo; Alban answered good-humoredly. &ldquo;I am not quite a stranger
- to you.&rdquo;
- </p>
- <p>
- &ldquo;How do you make that out, if you please?&rdquo;
- </p>
- <p>
- &ldquo;I know a young lady who has a sincere regard for you.&rdquo;
- </p>
- <p>
- &ldquo;You don&rsquo;t mean Miss Emily?&rdquo;
- </p>
- <p>
- &ldquo;Yes, I do. I respect and admire Miss Emily; and I have tried, in my poor
- way, to be of some little service to her.&rdquo;
- </p>
- <p>
- Mrs. Ellmother&rsquo;s haggard face instantly softened. &ldquo;Please to forgive me,
- sir, for forgetting my manners,&rdquo; she said simply. &ldquo;I have had my health
- since the day I was born&mdash;and I don&rsquo;t like to be told, in my old age,
- that a new place doesn&rsquo;t agree with me.&rdquo;
- </p>
- <p>
- Alban accepted this apology in a manner which at once won the heart of the
- North-countrywoman. He shook hands with her. &ldquo;You&rsquo;re one of the right
- sort,&rdquo; she said; &ldquo;there are not many of them in this house.&rdquo;
- </p>
- <p>
- Was she alluding to Francine? Alban tried to make the discovery. Polite
- circumlocution would be evidently thrown away on Mrs. Ellmother. &ldquo;Is your
- new mistress one of the right sort?&rdquo; he asked bluntly.
- </p>
- <p>
- The old servant&rsquo;s answer was expressed by a frowning look, followed by a
- plain question.
- </p>
- <p>
- &ldquo;Do you say that, sir, because you like my new mistress?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Please to shake hands again!&rdquo; She said it&mdash;took his hand with a
- sudden grip that spoke for itself&mdash;and walked away.
- </p>
- <p>
- Here was an exhibition of character which Alban was just the man to
- appreciate. &ldquo;If I had been an old woman,&rdquo; he thought in his dryly humorous
- way, &ldquo;I believe I should have been like Mrs. Ellmother. We might have
- talked of Emily, if she had not left me in such a hurry. When shall I see
- her again?&rdquo;
- </p>
- <p>
- He was destined to see her again, that night&mdash;under circumstances
- which he remembered to the end of his life.
- </p>
- <p>
- The rules of Netherwoods, in summer time, recalled the young ladies from
- their evening&rsquo;s recreation in the grounds at nine o&rsquo;clock. After that
- hour, Alban was free to smoke his pipe, and to linger among trees and
- flower-beds before he returned to his hot little rooms in the village. As
- a relief to the drudgery of teaching the young ladies, he had been using
- his pencil, when the day&rsquo;s lessons were over, for his own amusement. It
- was past ten o&rsquo;clock before he lighted his pipe, and began walking slowly
- to and fro on the path which led to the summer-house, at the southern
- limit of the grounds.
- </p>
- <p>
- In the perfect stillness of the night, the clock of the village church was
- distinctly audible, striking the hours and the quarters. The moon had not
- risen; but the mysterious glimmer of starlight trembled on the large open
- space between the trees and the house.
- </p>
- <p>
- Alban paused, admiring with an artist&rsquo;s eye the effect of light, so
- faintly and delicately beautiful, on the broad expanse of the lawn. &ldquo;Does
- the man live who could paint that?&rdquo; he asked himself. His memory recalled
- the works of the greatest of all landscape painters&mdash;the English
- artists of fifty years since. While recollections of many a noble picture
- were still passing through his mind, he was startled by the sudden
- appearance of a bareheaded woman on the terrace steps.
- </p>
- <p>
- She hurried down to the lawn, staggering as she ran&mdash;stopped, and
- looked back at the house&mdash;hastened onward toward the trees&mdash;stopped
- again, looking backward and forward, uncertain which way to turn next&mdash;and
- then advanced once more. He could now hear her heavily gasping for breath.
- As she came nearer, the starlight showed a panic-stricken face&mdash;the
- face of Mrs. Ellmother.
- </p>
- <p>
- Alban ran to meet her. She dropped on the grass before he could cross the
- short distance which separated them. As he raised her in his arms she
- looked at him wildly, and murmured and muttered in the vain attempt to
- speak. &ldquo;Look at me again,&rdquo; he said. &ldquo;Don&rsquo;t you remember the man who had
- some talk with you to-day?&rdquo; She still stared at him vacantly: he tried
- again. &ldquo;Don&rsquo;t you remember Miss Emily&rsquo;s friend?&rdquo;
- </p>
- <p>
- As the name passed his lips, her mind in some degree recovered its
- balance. &ldquo;Yes,&rdquo; she said; &ldquo;Emily&rsquo;s friend; I&rsquo;m glad I have met with
- Emily&rsquo;s friend.&rdquo; She caught at Alban&rsquo;s arm&mdash;starting as if her own
- words had alarmed her. &ldquo;What am I talking about? Did I say &lsquo;Emily&rsquo;? A
- servant ought to say &lsquo;Miss Emily.&rsquo; My head swims. Am I going mad?&rdquo;
- </p>
- <p>
- Alban led her to one of the garden chairs. &ldquo;You&rsquo;re only a little
- frightened,&rdquo; he said. &ldquo;Rest, and compose yourself.&rdquo;
- </p>
- <p>
- She looked over her shoulder toward the house. &ldquo;Not here! I&rsquo;ve run away
- from a she-devil; I want to be out of sight. Further away, Mister&mdash;I
- don&rsquo;t know your name. Tell me your name; I won&rsquo;t trust you, unless you
- tell me your name!&rdquo;
- </p>
- <p>
- &ldquo;Hush! hush! Call me Alban.&rdquo;
- </p>
- <p>
- &ldquo;I never heard of such a name; I won&rsquo;t trust you.&rdquo;
- </p>
- <p>
- &ldquo;You won&rsquo;t trust your friend, and Emily&rsquo;s friend? You don&rsquo;t mean that, I&rsquo;m
- sure. Call me by my other name&mdash;call me &lsquo;Morris.&rsquo;&rdquo;
- </p>
- <p>
- &ldquo;Morris?&rdquo; she repeated. &ldquo;Ah, I&rsquo;ve heard of people called &lsquo;Morris.&rsquo; Look
- back! Your eyes are young&mdash;do you see her on the terrace?&rdquo;
- </p>
- <p>
- &ldquo;There isn&rsquo;t a living soul to be seen anywhere.&rdquo;
- </p>
- <p>
- With one hand he raised her as he spoke&mdash;and with the other he took
- up the chair. In a minute more, they were out of sight of the house. He
- seated her so that she could rest her head against the trunk of a tree.
- </p>
- <p>
- &ldquo;What a good fellow!&rdquo; the poor old creature said, admiring him; &ldquo;he knows
- how my head pains me. Don&rsquo;t stand up! You&rsquo;re a tall man. She might see
- you.&rdquo;
- </p>
- <p>
- &ldquo;She can see nothing. Look at the trees behind us. Even the starlight
- doesn&rsquo;t get through them.&rdquo;
- </p>
- <p>
- Mrs. Ellmother was not satisfied yet. &ldquo;You take it coolly,&rdquo; she said. &ldquo;Do
- you know who saw us together in the passage to-day? You good Morris, <i>she</i>
- saw us&mdash;she did. Wretch! Cruel, cunning, shameless wretch.&rdquo;
- </p>
- <p>
- In the shadows that were round them, Alban could just see that she was
- shaking her clinched fists in the air. He made another attempt to control
- her. &ldquo;Don&rsquo;t excite yourself! If she comes into the garden, she might hear
- you.&rdquo;
- </p>
- <p>
- The appeal to her fears had its effect.
- </p>
- <p>
- &ldquo;That&rsquo;s true,&rdquo; she said, in lowered tones. A sudden distrust of him seized
- her the next moment. &ldquo;Who told me I was excited?&rdquo; she burst out. &ldquo;It&rsquo;s you
- who are excited. Deny it if you dare; I begin to suspect you, Mr. Morris;
- I don&rsquo;t like your conduct. What has become of your pipe? I saw you put
- your pipe in your coat pocket. You did it when you set me down among the
- trees where <i>she</i> could see me! You are in league with her&mdash;she
- is coming to meet you here&mdash;you know she does not like tobacco-smoke.
- Are you two going to put me in the madhouse?&rdquo;
- </p>
- <p>
- She started to her feet. It occurred to Alban that the speediest way of
- pacifying her might be by means of the pipe. Mere words would exercise no
- persuasive influence over that bewildered mind. Instant action, of some
- kind, would be far more likely to have the right effect. He put his pipe
- and his tobacco pouch into her hands, and so mastered her attention before
- he spoke.
- </p>
- <p>
- &ldquo;Do you know how to fill a man&rsquo;s pipe for him?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Haven&rsquo;t I filled my husband&rsquo;s pipe hundreds of times?&rdquo; she answered
- sharply.
- </p>
- <p>
- &ldquo;Very well. Now do it for me.&rdquo;
- </p>
- <p>
- She took her chair again instantly, and filled the pipe. He lighted it,
- and seated himself on the grass, quietly smoking. &ldquo;Do you think I&rsquo;m in
- league with her now?&rdquo; he asked, purposely adopting the rough tone of a man
- in her own rank of life.
- </p>
- <p>
- She answered him as she might have answered her husband, in the days of
- her unhappy marriage.
- </p>
- <p>
- &ldquo;Oh, don&rsquo;t gird at me, there&rsquo;s a good man! If I&rsquo;ve been off my head for a
- minute or two, please not to notice me. It&rsquo;s cool and quiet here,&rdquo; the
- poor woman said gratefully. &ldquo;Bless God for the darkness; there&rsquo;s something
- comforting in the darkness&mdash;along with a good man like you. Give me a
- word of advice. You are my friend in need. What am I to do? I daren&rsquo;t go
- back to the house!&rdquo;
- </p>
- <p>
- She was quiet enough now, to suggest the hope that she might be able to
- give Alban some information &ldquo;Were you with Miss de Sor,&rdquo; he asked, &ldquo;before
- you came out here? What did she do to frighten you?&rdquo;
- </p>
- <p>
- There was no answer; Mrs. Ellmother had abruptly risen once more. &ldquo;Hush!&rdquo;
- she whispered. &ldquo;Don&rsquo;t I hear somebody near us?&rdquo;
- </p>
- <p>
- Alban at once went back, along the winding path which they had followed.
- No creature was visible in the gardens or on the terrace. On returning, he
- found it impossible to use his eyes to any good purpose in the obscurity
- among the trees. He waited a while, listening intently. No sound was
- audible: there was not even air enough to stir the leaves.
- </p>
- <p>
- As he returned to the place that he had left, the silence was broken by
- the chimes of the distant church clock, striking the three-quarters past
- ten.
- </p>
- <p>
- Even that familiar sound jarred on Mrs. Ellmother&rsquo;s shattered nerves. In
- her state of mind and body, she was evidently at the mercy of any false
- alarm which might be raised by her own fears. Relieved of the feeling of
- distrust which had thus far troubled him, Alban sat down by her again&mdash;opened
- his match-box to relight his pipe&mdash;and changed his mind. Mrs.
- Ellmother had unconsciously warned him to be cautious.
- </p>
- <p>
- For the first time, he thought it likely that the heat in the house might
- induce some of the inmates to try the cooler atmosphere in the grounds. If
- this happened, and if he continued to smoke, curiosity might tempt them to
- follow the scent of tobacco hanging on the stagnant air.
- </p>
- <p>
- &ldquo;Is there nobody near us?&rdquo; Mrs. Ellmother asked. &ldquo;Are you sure?&rdquo;
- </p>
- <p>
- &ldquo;Quite sure. Now tell me, did you really mean it, when you said just now
- that you wanted my advice?&rdquo;
- </p>
- <p>
- &ldquo;Need you ask that, sir? Who else have I got to help me?&rdquo;
- </p>
- <p>
- &ldquo;I am ready and willing to help you&mdash;but I can&rsquo;t do it unless I know
- first what has passed between you and Miss de Sor. Will you trust me?&rdquo;
- </p>
- <p>
- &ldquo;I will!&rdquo;
- </p>
- <p>
- &ldquo;May I depend on you?&rdquo;
- </p>
- <p>
- &ldquo;Try me!&rdquo;
- </p>
- <p>
- <a name="link2HCH0035" id="link2HCH0035">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXV. THE TREACHERY OF THE PIPE.
- </h3>
- <p>
- Alban took Mrs. Ellmother at her word. &ldquo;I am going to venture on a guess,&rdquo;
- he said. &ldquo;You have been with Miss de Sor to-night.&rdquo;
- </p>
- <p>
- &ldquo;Quite true, Mr. Morris.&rdquo;
- </p>
- <p>
- &ldquo;I am going to guess again. Did Miss de Sor ask you to stay with her, when
- you went into her room?&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s it! She rang for me, to see how I was getting on with my
- needlework&mdash;and she was what I call hearty, for the first time since
- I have been in her service. I didn&rsquo;t think badly of her when she first
- talked of engaging me; and I&rsquo;ve had reason to repent of my opinion ever
- since. Oh, she showed the cloven foot to-night! &lsquo;Sit down,&rsquo; she says;
- &lsquo;I&rsquo;ve nothing to read, and I hate work; let&rsquo;s have a little chat.&rsquo; She&rsquo;s
- got a glib tongue of her own. All I could do was to say a word now and
- then to keep her going. She talked and talked till it was time to light
- the lamp. She was particular in telling me to put the shade over it. We
- were half in the dark, and half in the light. She trapped me (Lord knows
- how!) into talking about foreign parts; I mean the place she lived in
- before they sent her to England. Have you heard that she comes from the
- West Indies?&rdquo;
- </p>
- <p>
- &ldquo;Yes; I have heard that. Go on.&rdquo;
- </p>
- <p>
- &ldquo;Wait a bit, sir. There&rsquo;s something, by your leave, that I want to know.
- Do you believe in Witchcraft?&rdquo;
- </p>
- <p>
- &ldquo;I know nothing about it. Did Miss de Sor put that question to you?&rdquo;
- </p>
- <p>
- &ldquo;She did.&rdquo;
- </p>
- <p>
- &ldquo;And how did you answer?&rdquo;
- </p>
- <p>
- &ldquo;Neither in one way nor the other. I&rsquo;m in two minds about that matter of
- Witchcraft. When I was a girl, there was an old woman in our village, who
- was a sort of show. People came to see her from all the country round&mdash;gentlefolks
- among them. It was her great age that made her famous. More than a hundred
- years old, sir! One of our neighbors didn&rsquo;t believe in her age, and she
- heard of it. She cast a spell on his flock. I tell you, she sent a plague
- on his sheep, the plague of the Bots. The whole flock died; I remember it
- well. Some said the sheep would have had the Bots anyhow. Some said it was
- the spell. Which of them was right? How am I to settle it?&rdquo;
- </p>
- <p>
- &ldquo;Did you mention this to Miss de Sor?&rdquo;
- </p>
- <p>
- &ldquo;I was obliged to mention it. Didn&rsquo;t I tell you, just now, that I can&rsquo;t
- make up my mind about Witchcraft? &lsquo;You don&rsquo;t seem to know whether you
- believe or disbelieve,&rsquo; she says. It made me look like a fool. I told her
- I had my reasons, and then I was obliged to give them.&rdquo;
- </p>
- <p>
- &ldquo;And what did she do then?&rdquo;
- </p>
- <p>
- &ldquo;She said, &lsquo;I&rsquo;ve got a better story of Witchcraft than yours.&rsquo; And she
- opened a little book, with a lot of writing in it, and began to read. Her
- story made my flesh creep. It turns me cold, sir, when I think of it now.&rdquo;
- </p>
- <p>
- He heard her moaning and shuddering. Strongly as his interest was excited,
- there was a compassionate reluctance in him to ask her to go on. His
- merciful scruples proved to be needless. The fascination of beauty it is
- possible to resist. The fascination of horror fastens its fearful hold on
- us, struggle against it as we may. Mrs. Ellmother repeated what she had
- heard, in spite of herself.
- </p>
- <p>
- &ldquo;It happened in the West Indies,&rdquo; she said; &ldquo;and the writing of a woman
- slave was the writing in the little book. The slave wrote about her
- mother. Her mother was a black&mdash;a Witch in her own country. There was
- a forest in her own country. The devil taught her Witchcraft in the
- forest. The serpents and the wild beasts were afraid to touch her. She
- lived without eating. She was sold for a slave, and sent to the island&mdash;an
- island in the West Indies. An old man lived there; the wickedest man of
- them all. He filled the black Witch with devilish knowledge. She learned
- to make the image of wax. The image of wax casts spells. You put pins in
- the image of wax. At every pin you put, the person under the spell gets
- nearer and nearer to death. There was a poor black in the island. He
- offended the Witch. She made his image in wax; she cast spells on him. He
- couldn&rsquo;t sleep; he couldn&rsquo;t eat; he was such a coward that common noises
- frightened him. Like Me! Oh, God, like me!&rdquo;
- </p>
- <p>
- &ldquo;Wait a little,&rdquo; Alban interposed. &ldquo;You are exciting yourself again&mdash;wait.&rdquo;
- </p>
- <p>
- &ldquo;You&rsquo;re wrong, sir! You think it ended when she finished her story, and
- shut up her book; there&rsquo;s worse to come than anything you&rsquo;ve heard yet. I
- don&rsquo;t know what I did to offend her. She looked at me and spoke to me, as
- if I was the dirt under her feet. &lsquo;If you&rsquo;re too stupid to understand what
- I have been reading,&rsquo; she says, &lsquo;get up and go to the glass. Look at
- yourself, and remember what happened to the slave who was under the spell.
- You&rsquo;re getting paler and paler, and thinner and thinner; you&rsquo;re pining
- away just as he did. Shall I tell you why?&rsquo; She snatched off the shade
- from the lamp, and put her hand under the table, and brought out an image
- of wax. <i>My</i> image! She pointed to three pins in it. &lsquo;One,&rsquo; she says,
- &lsquo;for no sleep. One for no appetite. One for broken nerves.&rsquo; I asked her
- what I had done to make such a bitter enemy of her. She says, &lsquo;Remember
- what I asked of you when we talked of your being my servant. Choose which
- you will do? Die by inches&rsquo; (I swear she said it as I hope to be saved);
- &lsquo;die by inches, or tell me&mdash;&rsquo;&rdquo;
- </p>
- <p>
- There&mdash;in the full frenzy of the agitation that possessed her&mdash;there,
- Mrs. Ellmother suddenly stopped.
- </p>
- <p>
- Alban&rsquo;s first impression was that she might have fainted. He looked
- closer, and could just see her shadowy figure still seated in the chair.
- He asked if she was ill. No.
- </p>
- <p>
- &ldquo;Then why don&rsquo;t you go on?&rdquo;
- </p>
- <p>
- &ldquo;I have done,&rdquo; she answered.
- </p>
- <p>
- &ldquo;Do you think you can put me off,&rdquo; he rejoined sternly, &ldquo;with such an
- excuse as that? What did Miss de Sor ask you to tell her? You promised to
- trust me. Be as good as your word.&rdquo;
- </p>
- <p>
- In the days of her health and strength, she would have set him at
- defiance. All she could do now was to appeal to his mercy.
- </p>
- <p>
- &ldquo;Make some allowance for me,&rdquo; she said. &ldquo;I have been terribly upset. What
- has become of my courage? What has broken me down in this way? Spare me,
- sir.&rdquo;
- </p>
- <p>
- He refused to listen. &ldquo;This vile attempt to practice on your fears may be
- repeated,&rdquo; he reminded her. &ldquo;More cruel advantage may be taken of the
- nervous derangement from which you are suffering in the climate of this
- place. You little know me, if you think I will allow that to go on.&rdquo;
- </p>
- <p>
- She made a last effort to plead with him. &ldquo;Oh sir, is this behaving like
- the good kind man I thought you were? You say you are Miss Emily&rsquo;s friend?
- Don&rsquo;t press me&mdash;for Miss Emily&rsquo;s sake!&rdquo;
- </p>
- <p>
- &ldquo;Emily!&rdquo; Alban exclaimed. &ldquo;Is <i>she</i> concerned in this?&rdquo;
- </p>
- <p>
- There was a change to tenderness in his voice, which persuaded Mrs.
- Ellmother that she had found her way to the weak side of him. Her one
- effort now was to strengthen the impression which she believed herself to
- have produced. &ldquo;Miss Emily <i>is</i> concerned in it,&rdquo; she confessed.
- </p>
- <p>
- &ldquo;In what way?&rdquo;
- </p>
- <p>
- &ldquo;Never mind in what way.&rdquo;
- </p>
- <p>
- &ldquo;But I do mind.&rdquo;
- </p>
- <p>
- &ldquo;I tell you, sir, Miss Emily must never know it to her dying day!&rdquo;
- </p>
- <p>
- The first suspicion of the truth crossed Alban&rsquo;s mind.
- </p>
- <p>
- &ldquo;I understand you at last,&rdquo; he said. &ldquo;What Miss Emily must never know&mdash;is
- what Miss de Sor wanted you to tell her. Oh, it&rsquo;s useless to contradict
- me! Her motive in trying to frighten you is as plain to me now as if she
- had confessed it. Are you sure you didn&rsquo;t betray yourself, when she showed
- the image of wax?&rdquo;
- </p>
- <p>
- &ldquo;I should have died first!&rdquo; The reply had hardly escaped her before she
- regretted it. &ldquo;What makes you want to be so sure about it?&rdquo; she said. &ldquo;It
- looks as if you knew&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I do know.&rdquo;
- </p>
- <p>
- &ldquo;What!&rdquo;
- </p>
- <p>
- The kindest thing that he could do now was to speak out. &ldquo;Your secret is
- no secret to <i>me</i>,&rdquo; he said.
- </p>
- <p>
- Rage and fear shook her together. For the moment she was like the Mrs.
- Ellmother of former days. &ldquo;You lie!&rdquo; she cried.
- </p>
- <p>
- &ldquo;I speak the truth.&rdquo;
- </p>
- <p>
- &ldquo;I won&rsquo;t believe you! I daren&rsquo;t believe you!&rdquo;
- </p>
- <p>
- &ldquo;Listen to me. In Emily&rsquo;s interests, listen to me. I have read of the
- murder at Zeeland&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s nothing! The man was a namesake of her father.&rdquo;
- </p>
- <p>
- &ldquo;The man was her father himself. Keep your seat! There is nothing to be
- alarmed about. I know that Emily is ignorant of the horrid death that her
- father died. I know that you and your late mistress have kept the
- discovery from her to this day. I know the love and pity which plead your
- excuse for deceiving her, and the circumstances that favored the
- deception. My good creature, Emily&rsquo;s peace of mind is as sacred to me as
- it is to you! I love her as I love my own life&mdash;and better. Are you
- calmer, now?&rdquo;
- </p>
- <p>
- He heard her crying: it was the best relief that could come to her. After
- waiting a while to let the tears have their way, he helped her to rise.
- There was no more to be said now. The one thing to do was to take her back
- to the house.
- </p>
- <p>
- &ldquo;I can give you a word of advice,&rdquo; he said, &ldquo;before we part for the night.
- You must leave Miss de Sor&rsquo;s service at once. Your health will be a
- sufficient excuse. Give her warning immediately.&rdquo;
- </p>
- <p>
- Mrs. Ellmother hung back, when he offered her his arm. The bare prospect
- of seeing Francine again was revolting to her. On Alban&rsquo;s assurance that
- the notice to leave could be given in writing, she made no further
- resistance. The village clock struck eleven as they ascended the terrace
- steps.
- </p>
- <p>
- A minute later, another person left the grounds by the path which led to
- the house. Alban&rsquo;s precaution had been taken too late. The smell of
- tobacco-smoke had guided Francine, when she was at a loss which way to
- turn next in search of Mrs. Ellmother. For the last quarter of an hour she
- had been listening, hidden among the trees.
- </p>
- <p>
- <a name="link2HCH0036" id="link2HCH0036">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXVI. CHANGE OF AIR.
- </h3>
- <p>
- The inmates of Netherwoods rose early, and went to bed early. When Alban
- and Mrs. Ellmother arrived at the back door of the house, they found it
- locked.
- </p>
- <p>
- The only light visible, along the whole length of the building, glimmered
- through the Venetian blind of the window-entrance to Francine&rsquo;s
- sitting-room. Alban proposed to get admission to the house by that way. In
- her horror of again encountering Francine, Mrs. Ellmother positively
- refused to follow him when he turned away from the door. &ldquo;They can&rsquo;t be
- all asleep yet,&rdquo; she said&mdash;and rang the bell.
- </p>
- <p>
- One person was still out of bed&mdash;and that person was the mistress of
- the house. They recognized her voice in the customary question: &ldquo;Who&rsquo;s
- there?&rdquo; The door having been opened, good Miss Ladd looked backward and
- forward between Alban and Mrs. Ellmother, with the bewildered air of a
- lady who doubted the evidence of her own eyes. The next moment, her sense
- of humor overpowered her. She burst out laughing.
- </p>
- <p>
- &ldquo;Close the door, Mr. Morris,&rdquo; she said, &ldquo;and be so good as to tell me what
- this means. Have you been giving a lesson in drawing by starlight?&rdquo;
- </p>
- <p>
- Mrs. Ellmother moved, so that the light of the lamp in Miss Ladd&rsquo;s hand
- fell on her face. &ldquo;I am faint and giddy,&rdquo; she said; &ldquo;let me go to my bed.&rdquo;
- </p>
- <p>
- Miss Ladd instantly followed her. &ldquo;Pray forgive me! I didn&rsquo;t see you were
- ill, when I spoke,&rdquo; she gently explained. &ldquo;What can I do for you?&rdquo;
- </p>
- <p>
- &ldquo;Thank you kindly, ma&rsquo;am. I want nothing but peace and quiet. I wish you
- good-night.&rdquo;
- </p>
- <p>
- Alban followed Miss Ladd to her study, on the front side of the house. He
- had just mentioned the circumstances under which he and Mrs. Ellmother had
- met, when they were interrupted by a tap at the door. Francine had got
- back to her room unperceived, by way of the French window. She now
- presented herself, with an elaborate apology, and with the nearest
- approach to a penitent expression of which her face was capable.
- </p>
- <p>
- &ldquo;I am ashamed, Miss Ladd, to intrude on you at this time of night. My only
- excuse is, that I am anxious about Mrs. Ellmother. I heard you just now in
- the hall. If she is really ill, I am the unfortunate cause of it.&rdquo;
- </p>
- <p>
- &ldquo;In what way, Miss de Sor?&rdquo;
- </p>
- <p>
- &ldquo;I am sorry to say I frightened her&mdash;while we were talking in my room&mdash;quite
- unintentionally. She rushed to the door and ran out. I supposed she had
- gone to her bedroom; I had no idea she was in the grounds.&rdquo;
- </p>
- <p>
- In this false statement there was mingled a grain of truth. It was true
- that Francine believed Mrs. Ellmother to have taken refuge in her room&mdash;for
- she had examined the room. Finding it empty, and failing to discover the
- fugitive in other parts of the house, she had become alarmed, and had
- tried the grounds next&mdash;with the formidable result which has been
- already related. Concealing this circumstance, she had lied in such a
- skillfully artless manner that Alban (having no suspicion of what had
- really happened to sharpen his wits) was as completely deceived as Miss
- Ladd. Proceeding to further explanation&mdash;and remembering that she was
- in Alban&rsquo;s presence&mdash;Francine was careful to keep herself within the
- strict limit of truth. Confessing that she had frightened her servant by a
- description of sorcery, as it was practiced among the slaves on her
- father&rsquo;s estate, she only lied again, in declaring that Mrs. Ellmother had
- supposed she was in earnest, when she was guilty of no more serious
- offense than playing a practical joke.
- </p>
- <p>
- In this case, Alban was necessarily in a position to detect the falsehood.
- But it was so evidently in Francine&rsquo;s interests to present her conduct in
- the most favorable light, that the discovery failed to excite his
- suspicion. He waited in silence, while Miss Ladd administered a severe
- reproof. Francine having left the room, as penitently as she had entered
- it (with her handkerchief over her tearless eyes), he was at liberty, with
- certain reserves, to return to what had passed between Mrs. Ellmother and
- himself.
- </p>
- <p>
- &ldquo;The fright which the poor old woman has suffered,&rdquo; he said, &ldquo;has led to
- one good result. I have found her ready at last to acknowledge that she is
- ill, and inclined to believe that the change to Netherwoods has had
- something to do with it. I have advised her to take the course which you
- suggested, by leaving this house. Is it possible to dispense with the
- usual delay, when she gives notice to leave Miss de Sor&rsquo;s service?&rdquo;
- </p>
- <p>
- &ldquo;She need feel no anxiety, poor soul, on that account,&rdquo; Miss Ladd replied.
- &ldquo;In any case, I had arranged that a week&rsquo;s notice on either side should be
- enough. As it is, I will speak to Francine myself. The least she can do,
- to express her regret, is to place no difficulties in Mrs. Ellmother&rsquo;s
- way.&rdquo;
- </p>
- <p>
- The next day was Sunday.
- </p>
- <p>
- Miss Ladd broke through her rule of attending to secular affairs on week
- days only; and, after consulting with Mrs. Ellmother, arranged with
- Francine that her servant should be at liberty to leave Netherwoods
- (health permitting) on the next day. But one difficulty remained. Mrs.
- Ellmother was in no condition to take the long journey to her birthplace
- in Cumberland; and her own lodgings in London had been let.
- </p>
- <p>
- Under these circumstances, what was the best arrangement that could be
- made for her? Miss Ladd wisely and kindly wrote to Emily on the subject,
- and asked for a speedy reply.
- </p>
- <p>
- Later in the day, Alban was sent for to see Mrs. Ellmother. He found her
- anxiously waiting to hear what had passed, on the previous night, between
- Miss Ladd and himself. &ldquo;Were you careful, sir, to say nothing about Miss
- Emily?&rdquo;
- </p>
- <p>
- &ldquo;I was especially careful; I never alluded to her in any way.&rdquo;
- </p>
- <p>
- &ldquo;Has Miss de Sor spoken to you?&rdquo;
- </p>
- <p>
- &ldquo;I have not given her the opportunity.&rdquo;
- </p>
- <p>
- &ldquo;She&rsquo;s an obstinate one&mdash;she might try.&rdquo;
- </p>
- <p>
- &ldquo;If she does, she shall hear my opinion of her in plain words.&rdquo; The talk
- between them turned next on Alban&rsquo;s discovery of the secret, of which Mrs.
- Ellmother had believed herself to be the sole depositary since Miss
- Letitia&rsquo;s death. Without alarming her by any needless allusion to Doctor
- Allday or to Miss Jethro, he answered her inquiries (so far as he was
- himself concerned) without reserve. Her curiosity once satisfied, she
- showed no disposition to pursue the topic. She pointed to Miss Ladd&rsquo;s cat,
- fast asleep by the side of an empty saucer.
- </p>
- <p>
- &ldquo;Is it a sin, Mr. Morris, to wish I was Tom? <i>He</i> doesn&rsquo;t trouble
- himself about his life that is past or his life that is to come. If I
- could only empty my saucer and go to sleep, I shouldn&rsquo;t be thinking of the
- number of people in this world, like myself, who would be better out of it
- than in it. Miss Ladd has got me my liberty tomorrow; and I don&rsquo;t even
- know where to go, when I leave this place.&rdquo;
- </p>
- <p>
- &ldquo;Suppose you follow Tom&rsquo;s example?&rdquo; Alban suggested. &ldquo;Enjoy to-day (in
- that comfortable chair) and let to-morrow take care of itself.&rdquo;
- </p>
- <p>
- To-morrow arrived, and justified Alban&rsquo;s system of philosophy. Emily
- answered Miss Ladd&rsquo;s letter, to excellent purpose, by telegraph.
- </p>
- <p>
- &ldquo;I leave London to-day with Cecilia&rdquo; (the message announced) &ldquo;for
- Monksmoor Park, Hants. Will Mrs. Ellmother take care of the cottage in my
- absence? I shall be away for a month, at least. All is prepared for her if
- she consents.&rdquo;
- </p>
- <p>
- Mrs. Ellmother gladly accepted this proposal. In the interval of Emily&rsquo;s
- absence, she could easily arrange to return to her own lodgings. With
- words of sincere gratitude she took leave of Miss Ladd; but no persuasion
- would induce her to say good-by to Francine. &ldquo;Do me one more kindness,
- ma&rsquo;am; don&rsquo;t tell Miss de Sor when I go away.&rdquo; Ignorant of the provocation
- which had produced this unforgiving temper of mind, Miss Ladd gently
- remonstrated. &ldquo;Miss de Sor received my reproof in a penitent spirit; she
- expresses sincere sorrow for having thoughtlessly frightened you. Both
- yesterday and to-day she has made kind inquiries after your health. Come!
- come! don&rsquo;t bear malice&mdash;wish her good-by.&rdquo; Mrs. Ellmother&rsquo;s answer
- was characteristic. &ldquo;I&rsquo;ll say good-by by telegraph, when I get to London.&rdquo;
- </p>
- <p>
- Her last words were addressed to Alban. &ldquo;If you can find a way of doing
- it, sir, keep those two apart.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean Emily and Miss de Sor?
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;What are you afraid of?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know.&rdquo;
- </p>
- <p>
- &ldquo;Is that quite reasonable, Mrs. Ellmother?&rdquo;
- </p>
- <p>
- &ldquo;I daresay not. I only know that I <i>am</i> afraid.&rdquo;
- </p>
- <p>
- The pony chaise took her away. Alban&rsquo;s class was not yet ready for him. He
- waited on the terrace.
- </p>
- <p>
- Innocent alike of all knowledge of the serious reason for fear which did
- really exist, Mrs. Ellmother and Alban felt, nevertheless, the same vague
- distrust of an intimacy between the two girls. Idle, vain, malicious,
- false&mdash;to know that Francine&rsquo;s character presented these faults,
- without any discoverable merits to set against them, was surely enough to
- justify a gloomy view of the prospect, if she succeeded in winning the
- position of Emily&rsquo;s friend. Alban reasoned it out logically in this way&mdash;without
- satisfying himself, and without accounting for the remembrance that
- haunted him of Mrs. Ellmother&rsquo;s farewell look. &ldquo;A commonplace man would
- say we are both in a morbid state of mind,&rdquo; he thought; &ldquo;and sometimes
- commonplace men turn out to be right.&rdquo;
- </p>
- <p>
- He was too deeply preoccupied to notice that he had advanced perilously
- near Francine&rsquo;s window. She suddenly stepped out of her room, and spoke to
- him.
- </p>
- <p>
- &ldquo;Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone away
- without bidding me good-by?&rdquo;
- </p>
- <p>
- &ldquo;She was probably afraid, Miss de Sor, that you might make her the victim
- of another joke.&rdquo;
- </p>
- <p>
- Francine eyed him steadily. &ldquo;Have you any particular reason for speaking
- to me in that way?&rdquo;
- </p>
- <p>
- &ldquo;I am not aware that I have answered you rudely&mdash;if that is what you
- mean.&rdquo;
- </p>
- <p>
- &ldquo;That is <i>not</i> what I mean. You seem to have taken a dislike to me. I
- should be glad to know why.&rdquo;
- </p>
- <p>
- &ldquo;I dislike cruelty&mdash;and you have behaved cruelly to Mrs. Ellmother.&rdquo;
- </p>
- <p>
- &ldquo;Meaning to be cruel?&rdquo; Francine inquired.
- </p>
- <p>
- &ldquo;You know as well as I do, Miss de Sor, that I can&rsquo;t answer that
- question.&rdquo;
- </p>
- <p>
- Francine looked at him again &ldquo;Am I to understand that we are enemies?&rdquo; she
- asked.
- </p>
- <p>
- &ldquo;You are to understand,&rdquo; he replied, &ldquo;that a person whom Miss Ladd employs
- to help her in teaching, cannot always presume to express his sentiments
- in speaking to the young ladies.&rdquo;
- </p>
- <p>
- &ldquo;If that means anything, Mr. Morris, it means that we are enemies.&rdquo;
- </p>
- <p>
- &ldquo;It means, Miss de Sor, that I am the drawing-master at this school, and
- that I am called to my class.&rdquo;
- </p>
- <p>
- Francine returned to her room, relieved of the only doubt that had
- troubled her. Plainly no suspicion that she had overheard what passed
- between Mrs. Ellmother and himself existed in Alban&rsquo;s mind. As to the use
- to be made of her discovery, she felt no difficulty in deciding to wait,
- and be guided by events. Her curiosity and her self-esteem had been alike
- gratified&mdash;she had got the better of Mrs. Ellmother at last, and with
- that triumph she was content. While Emily remained her friend, it would be
- an act of useless cruelty to disclose the terrible truth. There had
- certainly been a coolness between them at Brighton. But Francine&mdash;still
- influenced by the magnetic attraction which drew her to Emily&mdash;did
- not conceal from herself that she had offered the provocation, and had
- been therefore the person to blame. &ldquo;I can set all that right,&rdquo; she
- thought, &ldquo;when we meet at Monksmoor Park.&rdquo; She opened her desk and wrote
- the shortest and sweetest of letters to Cecilia. &ldquo;I am entirely at the
- disposal of my charming friend, on any convenient day&mdash;may I add, my
- dear, the sooner the better?&rdquo;
- </p>
- <p>
- <a name="link2HCH0037" id="link2HCH0037">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXVII. &ldquo;THE LADY WANTS YOU, SIR.&rdquo;
- </h3>
- <p>
- The pupils of the drawing-class put away their pencils and color-boxes in
- high good humor: the teacher&rsquo;s vigilant eye for faults had failed him for
- the first time in their experience. Not one of them had been reproved;
- they had chattered and giggled and drawn caricatures on the margin of the
- paper, as freely as if the master had left the room. Alban&rsquo;s wandering
- attention was indeed beyond the reach of control. His interview with
- Francine had doubled his sense of responsibility toward Emily&mdash;while
- he was further than ever from seeing how he could interfere, to any useful
- purpose, in his present position, and with his reasons for writing under
- reserve.
- </p>
- <p>
- One of the servants addressed him as he was leaving the schoolroom. The
- landlady&rsquo;s boy was waiting in the hall, with a message from his lodgings.
- </p>
- <p>
- &ldquo;Now then! what is it?&rdquo; he asked, irritably.
- </p>
- <p>
- &ldquo;The lady wants you, sir.&rdquo; With this mysterious answer, the boy presented
- a visiting card. The name inscribed on it was&mdash;&ldquo;Miss Jethro.&rdquo;
- </p>
- <p>
- She had arrived by the train, and she was then waiting at Alban&rsquo;s
- lodgings. &ldquo;Say I will be with her directly.&rdquo; Having given the message, he
- stood for a while, with his hat in his hand&mdash;literally lost in
- astonishment. It was simply impossible to guess at Miss Jethro&rsquo;s object:
- and yet, with the usual perversity of human nature, he was still wondering
- what she could possibly want with him, up to the final moment when he
- opened the door of his sitting-room.
- </p>
- <p>
- She rose and bowed with the same grace of movement, and the same well-bred
- composure of manner, which Doctor Allday had noticed when she entered his
- consulting-room. Her dark melancholy eyes rested on Alban with a look of
- gentle interest. A faint flush of color animated for a moment the faded
- beauty of her face&mdash;passed away again&mdash;and left it paler than
- before.
- </p>
- <p>
- &ldquo;I cannot conceal from myself,&rdquo; she began, &ldquo;that I am intruding on you
- under embarrassing circumstances.&rdquo;
- </p>
- <p>
- &ldquo;May I ask, Miss Jethro, to what circumstances you allude?&rdquo;
- </p>
- <p>
- &ldquo;You forget, Mr. Morris, that I left Miss Ladd&rsquo;s school, in a manner which
- justified doubt of me in the minds of strangers.&rdquo;
- </p>
- <p>
- &ldquo;Speaking as one of those strangers,&rdquo; Alban replied, &ldquo;I cannot feel that I
- had any right to form an opinion, on a matter which only concerned Miss
- Ladd and yourself.&rdquo;
- </p>
- <p>
- Miss Jethro bowed gravely. &ldquo;You encourage me to hope,&rdquo; she said. &ldquo;I think
- you will place a favorable construction on my visit when I mention my
- motive. I ask you to receive me, in the interests of Miss Emily Brown.&rdquo;
- </p>
- <p>
- Stating her purpose in calling on him in those plain terms, she added to
- the amazement which Alban already felt, by handing to him&mdash;as if she
- was presenting an introduction&mdash;a letter marked, &ldquo;Private,&rdquo; addressed
- to her by Doctor Allday.
- </p>
- <p>
- &ldquo;I may tell you,&rdquo; she premised, &ldquo;that I had no idea of troubling you,
- until Doctor Allday suggested it. I wrote to him in the first instance;
- and there is his reply. Pray read it.&rdquo;
- </p>
- <p>
- The letter was dated, &ldquo;Penzance&rdquo;; and the doctor wrote, as he spoke,
- without ceremony.
- </p>
- <p>
- &ldquo;MADAM&mdash;Your letter has been forwarded to me. I am spending my autumn
- holiday in the far West of Cornwall. However, if I had been at home, it
- would have made no difference. I should have begged leave to decline
- holding any further conversation with you, on the subject of Miss Emily
- Brown, for the following reasons:
- </p>
- <p>
- &ldquo;In the first place, though I cannot doubt your sincere interest in the
- young lady&rsquo;s welfare, I don&rsquo;t like your mysterious way of showing it. In
- the second place, when I called at your address in London, after you had
- left my house, I found that you had taken to flight. I place my own
- interpretation on this circumstance; but as it is not founded on any
- knowledge of facts, I merely allude to it, and say no more.&rdquo;
- </p>
- <p>
- Arrived at that point, Alban offered to return the letter. &ldquo;Do you really
- mean me to go on reading it?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said quietly.
- </p>
- <p>
- Alban returned to the letter.
- </p>
- <p>
- &ldquo;In the third place, I have good reason to believe that you entered Miss
- Ladd&rsquo;s school as a teacher, under false pretenses. After that discovery, I
- tell you plainly I hesitate to attach credit to any statement that you may
- wish to make. At the same time, I must not permit my prejudices (as you
- will probably call them) to stand in the way of Miss Emily&rsquo;s interests&mdash;supposing
- them to be really depending on any interference of yours. Miss Ladd&rsquo;s
- drawing-master, Mr. Alban Morris, is even more devoted to Miss Emily&rsquo;s
- service than I am. Whatever you might have said to me, you can say to him&mdash;with
- this possible advantage, that <i>he</i> may believe you.&rdquo;
- </p>
- <p>
- There the letter ended. Alban handed it back in silence.
- </p>
- <p>
- Miss Jethro pointed to the words, &ldquo;Mr. Alban Morris is even more devoted
- to Miss Emily&rsquo;s service than I am.&rdquo;
- </p>
- <p>
- &ldquo;Is that true?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Quite true.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t complain, Mr. Morris, of the hard things said of me in that
- letter; you are at liberty to suppose, if you like, that I deserve them.
- Attribute it to pride, or attribute it to reluctance to make needless
- demands on your time&mdash;I shall not attempt to defend myself. I leave
- you to decide whether the woman who has shown you that letter&mdash;having
- something important to say to you&mdash;is a person who is mean enough to
- say it under false pretenses.&rdquo;
- </p>
- <p>
- &ldquo;Tell me what I can do for you, Miss Jethro: and be assured, beforehand,
- that I don&rsquo;t doubt your sincerity.&rdquo;
- </p>
- <p>
- &ldquo;My purpose in coming here,&rdquo; she answered, &ldquo;is to induce you to use your
- influence over Miss Emily Brown&mdash;&rdquo;
- </p>
- <p>
- &ldquo;With what object?&rdquo; Alban asked, interrupting her.
- </p>
- <p>
- &ldquo;My object is her own good. Some years since, I happened to become
- acquainted with a person who has attained some celebrity as a preacher.
- You have perhaps heard of Mr. Miles Mirabel?&rdquo;
- </p>
- <p>
- &ldquo;I have heard of him.&rdquo;
- </p>
- <p>
- &ldquo;I have been in correspondence with him,&rdquo; Miss Jethro proceeded. &ldquo;He tells
- me he has been introduced to a young lady, who was formerly one of Miss
- Ladd&rsquo;s pupils, and who is the daughter of Mr. Wyvil, of Monksmoor Park. He
- has called on Mr. Wyvil; and he has since received an invitation to stay
- at Mr. Wyvil&rsquo;s house. The day fixed for the visit is Monday, the fifth of
- next month.&rdquo;
- </p>
- <p>
- Alban listened&mdash;at a loss to know what interest he was supposed to
- have in being made acquainted with Mr. Mirabel&rsquo;s engagements. Miss
- Jethro&rsquo;s next words enlightened him.
- </p>
- <p>
- &ldquo;You are perhaps aware,&rdquo; she resumed, &ldquo;that Miss Emily Brown is Miss
- Wyvil&rsquo;s intimate friend. She will be one of the guests at Monksmoor Park.
- If there are any obstacles which you can place in her way&mdash;if there
- is any influence which you can exert, without exciting suspicion of your
- motive&mdash;prevent her, I entreat you, from accepting Miss Wyvil&rsquo;s
- invitation, until Mr. Mirabel&rsquo;s visit has come to an end.&rdquo;
- </p>
- <p>
- &ldquo;Is there anything against Mr. Mirabel?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I say nothing against him.&rdquo;
- </p>
- <p>
- &ldquo;Is Miss Emily acquainted with him?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;Is he a person with whom it would be disagreeable to her to associate?&rdquo;
- </p>
- <p>
- &ldquo;Quite the contrary.&rdquo;
- </p>
- <p>
- &ldquo;And yet you expect me to prevent them from meeting! Be reasonable, Miss
- Jethro.&rdquo;
- </p>
- <p>
- &ldquo;I can only be in earnest, Mr. Morris&mdash;more truly, more deeply in
- earnest than you can suppose. I declare to you that I am speaking in Miss
- Emily&rsquo;s interests. Do you still refuse to exert yourself for her sake?&rdquo;
- </p>
- <p>
- &ldquo;I am spared the pain of refusal,&rdquo; Alban answered. &ldquo;The time for
- interference has gone by. She is, at this moment, on her way to Monksmoor
- Park.&rdquo;
- </p>
- <p>
- Miss Jethro attempted to rise&mdash;and dropped back into her chair.
- &ldquo;Water!&rdquo; she said faintly. After drinking from the glass to the last drop,
- she began to revive. Her little traveling-bag was on the floor at her
- side. She took out a railway guide, and tried to consult it. Her fingers
- trembled incessantly; she was unable to find the page to which she wished
- to refer. &ldquo;Help me,&rdquo; she said, &ldquo;I must leave this place&mdash;by the first
- train that passes.&rdquo;
- </p>
- <p>
- &ldquo;To see Emily?&rdquo; Alban asked.
- </p>
- <p>
- &ldquo;Quite useless! You have said it yourself&mdash;the time for interference
- has gone by. Look at the guide.&rdquo;
- </p>
- <p>
- &ldquo;What place shall I look for?&rdquo;
- </p>
- <p>
- &ldquo;Look for Vale Regis.&rdquo;
- </p>
- <p>
- Alban found the place. The train was due in ten minutes. &ldquo;Surely you are
- not fit to travel so soon?&rdquo; he suggested.
- </p>
- <p>
- &ldquo;Fit or not, I must see Mr. Mirabel&mdash;I must make the effort to keep
- them apart by appealing to <i>him</i>.&rdquo;
- </p>
- <p>
- &ldquo;With any hope of success?&rdquo;
- </p>
- <p>
- &ldquo;With no hope&mdash;and with no interest in the man himself. Still I must
- try.&rdquo;
- </p>
- <p>
- &ldquo;Out of anxiety for Emily&rsquo;s welfare?&rdquo;
- </p>
- <p>
- &ldquo;Out of anxiety for more than that.&rdquo;
- </p>
- <p>
- &ldquo;For what?&rdquo;
- </p>
- <p>
- &ldquo;If you can&rsquo;t guess, I daren&rsquo;t tell you.&rdquo;
- </p>
- <p>
- That strange reply startled Alban. Before he could ask what it meant, Miss
- Jethro had left him.
- </p>
- <p>
- In the emergencies of life, a person readier of resource than Alban Morris
- it would not have been easy to discover. The extraordinary interview that
- had now come to an end had found its limits. Bewildered and helpless, he
- stood at the window of his room, and asked himself (as if he had been the
- weakest man living), &ldquo;What shall I do?&rdquo;
- </p>
- <p>
- <a name="link2H_4_0041" id="link2H_4_0041">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h2>
- BOOK THE FOURTH&mdash;THE COUNTRY HOUSE.
- </h2>
- <p>
- <a name="link2HCH0038" id="link2HCH0038">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXVIII. DANCING.
- </h3>
- <p>
- The windows of the long drawing-room at Monksmoor are all thrown open to
- the conservatory. Distant masses of plants and flowers, mingled in
- ever-varying forms of beauty, are touched by the melancholy luster of the
- rising moon. Nearer to the house, the restful shadows are disturbed at
- intervals, where streams of light fall over them aslant from the lamps in
- the room. The fountain is playing. In rivalry with its lighter music, the
- nightingales are singing their song of ecstasy. Sometimes, the laughter of
- girls is heard&mdash;and, sometimes, the melody of a waltz. The younger
- guests at Monksmoor are dancing.
- </p>
- <p>
- Emily and Cecilia are dressed alike in white, with flowers in their hair.
- Francine rivals them by means of a gorgeous contrast of color, and
- declares that she is rich with the bright emphasis of diamonds and the
- soft persuasion of pearls.
- </p>
- <p>
- Miss Plym (from the rectory) is fat and fair and prosperous: she overflows
- with good spirits; she has a waist which defies tight-lacing, and she
- dances joyously on large flat feet. Miss Darnaway (officer&rsquo;s daughter with
- small means) is the exact opposite of Miss Plym. She is thin and tall and
- faded&mdash;poor soul. Destiny has made it her hard lot in life to fill
- the place of head-nursemaid at home. In her pensive moments, she thinks of
- the little brothers and sisters, whose patient servant she is, and wonders
- who comforts them in their tumbles and tells them stories at bedtime,
- while she is holiday-making at the pleasant country house.
- </p>
- <p>
- Tender-hearted Cecilia, remembering how few pleasures this young friend
- has, and knowing how well she dances, never allows her to be without a
- partner. There are three invaluable young gentlemen present, who are
- excellent dancers. Members of different families, they are nevertheless
- fearfully and wonderfully like each other. They present the same rosy
- complexions and straw-colored mustachios, the same plump cheeks, vacant
- eyes and low forehead; and they utter, with the same stolid gravity, the
- same imbecile small talk. On sofas facing each other sit the two remaining
- guests, who have not joined the elders at the card-table in another room.
- They are both men. One of them is drowsy and middle-aged&mdash;happy in
- the possession of large landed property: happier still in a capacity for
- drinking Mr. Wyvil&rsquo;s famous port-wine without gouty results.
- </p>
- <p>
- The other gentleman&mdash;ah, who is the other? He is the confidential
- adviser and bosom friend of every young lady in the house. Is it necessary
- to name the Reverend Miles Mirabel?
- </p>
- <p>
- There he sits enthroned, with room for a fair admirer on either side of
- him&mdash;the clerical sultan of a platonic harem. His persuasive ministry
- is felt as well as heard: he has an innocent habit of fondling young
- persons. One of his arms is even long enough to embrace the circumference
- of Miss Plym&mdash;while the other clasps the rigid silken waist of
- Francine. &ldquo;I do it everywhere else,&rdquo; he says innocently, &ldquo;why not here?&rdquo;
- Why not indeed&mdash;with that delicate complexion and those beautiful
- blue eyes; with the glorious golden hair that rests on his shoulders, and
- the glossy beard that flows over his breast? Familiarities, forbidden to
- mere men, become privileges and condescensions when an angel enters
- society&mdash;and more especially when that angel has enough of mortality
- in him to be amusing. Mr. Mirabel, on his social side, is an irresistible
- companion. He is cheerfulness itself; he takes a favorable view of
- everything; his sweet temper never differs with anybody. &ldquo;In my humble
- way,&rdquo; he confesses, &ldquo;I like to make the world about me brighter.&rdquo; Laughter
- (harmlessly produced, observe!) is the element in which he lives and
- breathes. Miss Darnaway&rsquo;s serious face puts him out; he has laid a bet
- with Emily&mdash;not in money, not even in gloves, only in flowers&mdash;that
- he will make Miss Darnaway laugh; and he has won the wager. Emily&rsquo;s
- flowers are in his button-hole, peeping through the curly interstices of
- his beard. &ldquo;Must you leave me?&rdquo; he asks tenderly, when there is a dancing
- man at liberty, and it is Francine&rsquo;s turn to claim him. She leaves her
- seat not very willingly. For a while, the place is vacant; Miss Plym
- seizes the opportunity of consulting the ladies&rsquo; bosom friend.
- </p>
- <p>
- &ldquo;Dear Mr. Mirabel, do tell me what you think of Miss de Sor?&rdquo;
- </p>
- <p>
- Dear Mr. Mirabel bursts into enthusiasm and makes a charming reply. His
- large experience of young ladies warns him that they will tell each other
- what he thinks of them, when they retire for the night; and he is careful
- on these occasions to say something that will bear repetition.
- </p>
- <p>
- &ldquo;I see in Miss de Sor,&rdquo; he declares, &ldquo;the resolution of a man, tempered by
- the sweetness of a woman. When that interesting creature marries, her
- husband will be&mdash;shall I use the vulgar word?&mdash;henpecked. Dear
- Miss Plym, he will enjoy it; and he will be quite right too; and, if I am
- asked to the wedding, I shall say, with heartfelt sincerity, Enviable
- man!&rdquo;
- </p>
- <p>
- In the height of her admiration for Mr. Mirabel&rsquo;s wonderful eye for
- character, Miss Plym is called away to the piano. Cecilia succeeds to her
- friend&rsquo;s place&mdash;and has her waist taken in charge as a matter of
- course.
- </p>
- <p>
- &ldquo;How do you like Miss Plym?&rdquo; she asks directly.
- </p>
- <p>
- Mr. Mirabel smiles, and shows the prettiest little pearly teeth. &ldquo;I was
- just thinking of her,&rdquo; he confesses pleasantly; &ldquo;Miss Plym is so nice and
- plump, so comforting and domestic&mdash;such a perfect clergyman&rsquo;s
- daughter. You love her, don&rsquo;t you? Is she engaged to be married? In that
- case&mdash;between ourselves, dear Miss Wyvil, a clergyman is obliged to
- be cautious&mdash;I may own that I love her too.&rdquo;
- </p>
- <p>
- Delicious titillations of flattered self-esteem betray themselves in
- Cecilia&rsquo;s lovely complexion. She is the chosen confidante of this
- irresistible man; and she would like to express her sense of obligation.
- But Mr. Mirabel is a master in the art of putting the right words in the
- right places; and simple Cecilia distrusts herself and her grammar.
- </p>
- <p>
- At that moment of embarrassment, a friend leaves the dance, and helps
- Cecilia out of the difficulty.
- </p>
- <p>
- Emily approaches the sofa-throne, breathless&mdash;followed by her
- partner, entreating her to give him &ldquo;one turn more.&rdquo; She is not to be
- tempted; she means to rest. Cecilia sees an act of mercy, suggested by the
- presence of the disengaged young man. She seizes his arm, and hurries him
- off to poor Miss Darnaway; sitting forlorn in a corner, and thinking of
- the nursery at home. In the meanwhile a circumstance occurs. Mr. Mirabel&rsquo;s
- all-embracing arm shows itself in a new character, when Emily sits by his
- side.
- </p>
- <p>
- It becomes, for the first time, an irresolute arm. It advances a little&mdash;and
- hesitates. Emily at once administers an unexpected check; she insists on
- preserving a free waist, in her own outspoken language. &ldquo;No, Mr. Mirabel,
- keep that for the others. You can&rsquo;t imagine how ridiculous you and the
- young ladies look, and how absurdly unaware of it you all seem to be.&rdquo; For
- the first time in his life, the reverend and ready-witted man of the world
- is at a loss for an answer. Why?
- </p>
- <p>
- For this simple reason. He too has felt the magnetic attraction of the
- irresistible little creature whom every one likes. Miss Jethro has been
- doubly defeated. She has failed to keep them apart; and her unexplained
- misgivings have not been justified by events: Emily and Mr. Mirabel are
- good friends already. The brilliant clergyman is poor; his interests in
- life point to a marriage for money; he has fascinated the heiresses of two
- rich fathers, Mr. Tyvil and Mr. de Sor&mdash;and yet he is conscious of an
- influence (an alien influence, without a balance at its bankers), which
- has, in some mysterious way, got between him and his interests.
- </p>
- <p>
- On Emily&rsquo;s side, the attraction felt is of another nature altogether.
- Among the merry young people at Monksmoor she is her old happy self again;
- and she finds in Mr. Mirabel the most agreeable and amusing man whom she
- has ever met. After those dismal night watches by the bed of her dying
- aunt, and the dreary weeks of solitude that followed, to live in this new
- world of luxury and gayety is like escaping from the darkness of night,
- and basking in the fall brightn ess of day. Cecilia declares that she
- looks, once more, like the joyous queen of the bedroom, in the bygone time
- at school; and Francine (profaning Shakespeare without knowing it), says,
- &ldquo;Emily is herself again!&rdquo;
- </p>
- <p>
- &ldquo;Now that your arm is in its right place, reverend sir,&rdquo; she gayly
- resumes, &ldquo;I may admit that there are exceptions to all rules. My waist is
- at your disposal, in a case of necessity&mdash;that is to say, in a case
- of waltzing.&rdquo;
- </p>
- <p>
- &ldquo;The one case of all others,&rdquo; Mirabel answers, with the engaging frankness
- that has won him so many friends, &ldquo;which can never happen in my unhappy
- experience. Waltzing, I blush to own it, means picking me up off the
- floor, and putting smelling salts to my nostrils. In other words, dear
- Miss Emily, it is the room that waltzes&mdash;not I. I can&rsquo;t look at those
- whirling couples there, with a steady head. Even the exquisite figure of
- our young hostess, when it describes flying circles, turns me giddy.&rdquo;
- </p>
- <p>
- Hearing this allusion to Cecilia, Emily drops to the level of the other
- girls. She too pays her homage to the Pope of private life. &ldquo;You promised
- me your unbiased opinion of Cecilia,&rdquo; she reminds him; &ldquo;and you haven&rsquo;t
- given it yet.&rdquo;
- </p>
- <p>
- The ladies&rsquo; friend gently remonstrates. &ldquo;Miss Wyvil&rsquo;s beauty dazzles me.
- How can I give an unbiased opinion? Besides, I am not thinking of her; I
- can only think of you.&rdquo;
- </p>
- <p>
- Emily lifts her eyes, half merrily, half tenderly, and looks at him over
- the top of her fan. It is her first effort at flirtation. She is tempted
- to engage in the most interesting of all games to a girl&mdash;the game
- which plays at making love. What has Cecilia told her, in those bedroom
- gossipings, dear to the hearts of the two friends? Cecilia has whispered,
- &ldquo;Mr. Mirabel admires your figure; he calls you &lsquo;the Venus of Milo, in a
- state of perfect abridgment.&rsquo;&rdquo; Where is the daughter of Eve, who would not
- have been flattered by that pretty compliment&mdash;who would not have
- talked soft nonsense in return? &ldquo;You can only think of Me,&rdquo; Emily repeats
- coquettishly. &ldquo;Have you said that to the last young lady who occupied my
- place, and will you say it again to the next who follows me?&rdquo;
- </p>
- <p>
- &ldquo;Not to one of them! Mere compliments are for the others&mdash;not for
- you.&rdquo;
- </p>
- <p>
- &ldquo;What is for me, Mr. Mirabel?&rdquo;
- </p>
- <p>
- &ldquo;What I have just offered you&mdash;a confession of the truth.&rdquo;
- </p>
- <p>
- Emily is startled by the tone in which he replies. He seems to be in
- earnest; not a vestige is left of the easy gayety of his manner. His face
- shows an expression of anxiety which she has never seen in it yet. &ldquo;Do you
- believe me?&rdquo; he asks in a whisper.
- </p>
- <p>
- She tries to change the subject.
- </p>
- <p>
- &ldquo;When am I to hear you preach, Mr. Mirabel?&rdquo;
- </p>
- <p>
- He persists. &ldquo;When you believe me,&rdquo; he says.
- </p>
- <p>
- His eyes add an emphasis to that reply which is not to be mistaken. Emily
- turns away from him, and notices Francine. She has left the dance, and is
- looking with marked attention at Emily and Mirabel. &ldquo;I want to speak to
- you,&rdquo; she says, and beckons impatiently to Emily.
- </p>
- <p>
- Mirabel whispers, &ldquo;Don&rsquo;t go!&rdquo;
- </p>
- <p>
- Emily rises nevertheless&mdash;ready to avail herself of the first excuse
- for leaving him. Francine meets her half way, and takes her roughly by the
- arm.
- </p>
- <p>
- &ldquo;What is it?&rdquo; Emily asks.
- </p>
- <p>
- &ldquo;Suppose you leave off flirting with Mr. Mirabel, and make yourself of
- some use.&rdquo;
- </p>
- <p>
- &ldquo;In what way?&rdquo;
- </p>
- <p>
- &ldquo;Use your ears&mdash;and look at that girl.&rdquo;
- </p>
- <p>
- She points disdainfully to innocent Miss Plym. The rector&rsquo;s daughter
- possesses all the virtues, with one exception&mdash;the virtue of having
- an ear for music. When she sings, she is out of tune; and, when she plays,
- she murders time.
- </p>
- <p>
- &ldquo;Who can dance to such music as that?&rdquo; says Francine. &ldquo;Finish the waltz
- for her.&rdquo;
- </p>
- <p>
- Emily naturally hesitates. &ldquo;How can I take her place, unless she asks me?&rdquo;
- </p>
- <p>
- Francine laughs scornfully. &ldquo;Say at once, you want to go back to Mr.
- Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;Do you think I should have got up, when you beckoned to me,&rdquo; Emily
- rejoins, &ldquo;if I had not wanted to get away from Mr. Mirabel?&rdquo;
- </p>
- <p>
- Instead of resenting this sharp retort, Francine suddenly breaks into good
- humor. &ldquo;Come along, you little spit-fire; I&rsquo;ll manage it for you.&rdquo;
- </p>
- <p>
- She leads Emily to the piano, and stops Miss Plym without a word of
- apology: &ldquo;It&rsquo;s your turn to dance now. Here&rsquo;s Miss Brown waiting to
- relieve you.&rdquo;
- </p>
- <p>
- Cecilia has not been unobservant, in her own quiet way, of what has been
- going on. Waiting until Francine and Miss Plym are out of hearing, she
- bends over Emily, and says, &ldquo;My dear, I really do think Francine is in
- love with Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;After having only been a week in the same house with him!&rdquo; Emily
- exclaims.
- </p>
- <p>
- &ldquo;At any rate,&rdquo; said Cecilia, more smartly than usual, &ldquo;she is jealous of
- <i>you</i>.&rdquo;
- </p>
- <p>
- <a name="link2HCH0039" id="link2HCH0039">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XXXIX. FEIGNING.
- </h3>
- <p>
- The next morning, Mr. Mirabel took two members of the circle at Monksmoor
- by surprise. One of them was Emily; and one of them was the master of the
- house.
- </p>
- <p>
- Seeing Emily alone in the garden before breakfast, he left his room and
- joined her. &ldquo;Let me say one word,&rdquo; he pleaded, &ldquo;before we go to breakfast.
- I am grieved to think that I was so unfortunate as to offend you, last
- night.&rdquo;
- </p>
- <p>
- Emily&rsquo;s look of astonishment answered for her before she could speak.
- &ldquo;What can I have said or done,&rdquo; she asked, &ldquo;to make you think that?&rdquo;
- </p>
- <p>
- &ldquo;Now I breathe again!&rdquo; he cried, with the boyish gayety of manner which
- was one of the secrets of his popularity among women. &ldquo;I really feared
- that I had spoken thoughtlessly. It is a terrible confession for a
- clergyman to make&mdash;but it is not the less true that I am one of the
- most indiscreet men living. It is my rock ahead in life that I say the
- first thing which comes uppermost, without stopping to think. Being well
- aware of my own defects, I naturally distrust myself.&rdquo;
- </p>
- <p>
- &ldquo;Even in the pulpit?&rdquo; Emily inquired.
- </p>
- <p>
- He laughed with the readiest appreciation of the satire&mdash;although it
- was directed against himself.
- </p>
- <p>
- &ldquo;I like that question,&rdquo; he said; &ldquo;it tells me we are as good friends again
- as ever. The fact is, the sight of the congregation, when I get into the
- pulpit, has the same effect upon me that the sight of the footlights has
- on an actor. All oratory (though my clerical brethren are shy of
- confessing it) is acting&mdash;without the scenery and the costumes. Did
- you really mean it, last night, when you said you would like to hear me
- preach?&rdquo;
- </p>
- <p>
- &ldquo;Indeed, I did.&rdquo;
- </p>
- <p>
- &ldquo;How very kind of you. I don&rsquo;t think myself the sermon is worth the
- sacrifice. (There is another specimen of my indiscreet way of talking!)
- What I mean is, that you will have to get up early on Sunday morning, and
- drive twelve miles to the damp and dismal little village, in which I
- officiate for a man with a rich wife who likes the climate of Italy. My
- congregation works in the fields all the week, and naturally enough goes
- to sleep in church on Sunday. I have had to counteract that. Not by
- preaching! I wouldn&rsquo;t puzzle the poor people with my eloquence for the
- world. No, no: I tell them little stories out of the Bible&mdash;in a nice
- easy gossiping way. A quarter of an hour is my limit of time; and, I am
- proud to say, some of them (mostly the women) do to a certain extent keep
- awake. If you and the other ladies decide to honor me, it is needless to
- say you shall have one of my grand efforts. What will be the effect on my
- unfortunate flock remains to be seen. I will have the church brushed up,
- and luncheon of course at the parsonage. Beans, bacon, and beer&mdash;I
- haven&rsquo;t got anything else in the house. Are you rich? I hope not!&rdquo;
- </p>
- <p>
- &ldquo;I suspect I am quite as poor as you are, Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;I am delighted to hear it. (More of my indiscretion!) Our poverty is
- another bond between us.&rdquo;
- </p>
- <p>
- Before he could enlarge on this text, the breakfast bell rang.
- </p>
- <p>
- He gave Emily his arm, quite satisfied with the result of the morning&rsquo;s
- talk. In speaking seriously to her on the previous night, he had committed
- the mistake of speaking too soon. To amend this false step, and to recover
- his position in Emily&rsquo;s estimation, had been his object in view&mdash;and
- it had been successfully accomplished. At the breakfast-table that
- morning, the companionable clergyman was more amusing than ever.
- </p>
- <p>
- The meal being over, the company dispersed as usual&mdash;with the one
- exception of Mirabel. Without any apparent reason, he kept his place at
- the table. Mr. Wyvil, the most courteous and considerate of men, felt it
- an attention due to his guest not to leave the room first. All that he
- could venture to do was to give a little hint. &ldquo;Have you any plans for the
- morning?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I have a plan that depends entirely on yourself,&rdquo; Mirabel answered; &ldquo;and
- I am afraid of being as indiscreet as usual, if I mention it. Your
- charming daughter tells me you play on the violin.&rdquo;
- </p>
- <p>
- Modest Mr. Wyvil looked confused. &ldquo;I hope you have not been annoyed,&rdquo; he
- said; &ldquo;I practice in a distant room so that nobody may hear me.&rdquo;
- </p>
- <p>
- &ldquo;My dear sir, I am eager to hear you! Music is my passion; and the violin
- is my favorite instrument.&rdquo;
- </p>
- <p>
- Mr. Wyvil led the way to his room, positively blushing with pleasure.
- Since the death of his wife he had been sadly in want of a little
- encouragement. His daughters and his friends were careful&mdash;over-careful,
- as he thought&mdash;of intruding on him in his hours of practice. And, sad
- to say, his daughters and his friends were, from a musical point of view,
- perfectly right.
- </p>
- <p>
- Literature has hardly paid sufficient attention to a social phenomenon of
- a singularly perplexing kind. We hear enough, and more than enough, of
- persons who successfully cultivate the Arts&mdash;of the remarkable manner
- in which fitness for their vocation shows itself in early life, of the
- obstacles which family prejudice places in their way, and of the
- unremitting devotion which has led to the achievement of glorious results.
- </p>
- <p>
- But how many writers have noticed those other incomprehensible persons,
- members of families innocent for generations past of practicing Art or
- caring for Art, who have notwithstanding displayed from their earliest
- years the irresistible desire to cultivate poetry, painting, or music; who
- have surmounted obstacles, and endured disappointments, in the
- single-hearted resolution to devote their lives to an intellectual pursuit&mdash;being
- absolutely without the capacity which proves the vocation, and justifies
- the sacrifice. Here is Nature, &ldquo;unerring Nature,&rdquo; presented in flat
- contradiction with herself. Here are men bent on performing feats of
- running, without having legs; and women, hopelessly barren, living in
- constant expectation of large families to the end of their days. The
- musician is not to be found more completely deprived than Mr. Wyvil of
- natural capacity for playing on an instrument&mdash;and, for twenty years
- past, it had been the pride and delight of his heart to let no day of his
- life go by without practicing on the violin.
- </p>
- <p>
- &ldquo;I am sure I must be tiring you,&rdquo; he said politely&mdash;after having
- played without mercy for an hour and more.
- </p>
- <p>
- No: the insatiable amateur had his own purpose to gain, and was not
- exhausted yet. Mr. Wyvil got up to look for some more music. In that
- interval desultory conversation naturally took place. Mirabel contrived to
- give it the necessary direction&mdash;the direction of Emily.
- </p>
- <p>
- &ldquo;The most delightful girl I have met with for many a long year past!&rdquo; Mr.
- Wyvil declared warmly. &ldquo;I don&rsquo;t wonder at my daughter being so fond of
- her. She leads a solitary life at home, poor thing; and I am honestly glad
- to see her spirits reviving in my house.&rdquo;
- </p>
- <p>
- &ldquo;An only child?&rdquo; Mirabel asked.
- </p>
- <p>
- In the necessary explanation that followed, Emily&rsquo;s isolated position in
- the world was revealed in few words. But one more discovery&mdash;the most
- important of all&mdash;remained to be made. Had she used a figure of
- speech in saying that she was as poor as Mirabel himself? or had she told
- him the shocking truth? He put the question with perfect delicacy&mdash;-but
- with unerring directness as well.
- </p>
- <p>
- Mr. Wyvil, quoting his daughter&rsquo;s authority, described Emily&rsquo;s income as
- falling short even of two hundred a year. Having made that disheartening
- reply, he opened another music book. &ldquo;You know this sonata, of course?&rdquo; he
- said. The next moment, the violin was under his chin and the performance
- began.
- </p>
- <p>
- While Mirabel was, to all appearance, listening with the utmost attention,
- he was actually endeavoring to reconcile himself to a serious sacrifice of
- his own inclinations. If he remained much longer in the same house with
- Emily, the impression that she had produced on him would be certainly
- strengthened&mdash;and he would be guilty of the folly of making an offer
- of marriage to a woman who was as poor as himself. The one remedy that
- could be trusted to preserve him from such infatuation as this, was
- absence. At the end of the week, he had arranged to return to Vale Regis
- for his Sunday duty; engaging to join his friends again at Monksmoor on
- the Monday following. That rash promise, there could be no further doubt
- about it, must not be fulfilled.
- </p>
- <p>
- He had arrived at this resolution, when the terrible activity of Mr.
- Wyvil&rsquo;s bow was suspended by the appearance of a third person in the room.
- </p>
- <p>
- Cecilia&rsquo;s maid was charged with a neat little three-cornered note from her
- young lady, to be presented to her master. Wondering why his daughter
- should write to him, Mr. Wyvil opened the note, and was informed of
- Cecilia&rsquo;s motive in these words:
- </p>
- <p>
- &ldquo;DEAREST PAPA&mdash;I hear Mr. Mirabel is with you, and as this is a
- secret, I must write. Emily has received a very strange letter this
- morning, which puzzles her and alarms me. When you are quite at liberty,
- we shall be so much obliged if you will tell us how Emily ought to answer
- it.&rdquo;
- </p>
- <p>
- Mr. Wyvil stopped Mirabel, on the point of trying to escape from the
- music. &ldquo;A little domestic matter to attend to,&rdquo; he said. &ldquo;But we will
- finish the sonata first.&rdquo;
- </p>
- <p>
- <a name="link2HCH0040" id="link2HCH0040">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XL. CONSULTING.
- </h3>
- <p>
- Out of the music room, and away from his violin, the sound side of Mr.
- Wyvil&rsquo;s character was free to assert itself. In his public and in his
- private capacity, he was an eminently sensible man.
- </p>
- <p>
- As a member of parliament, he set an example which might have been
- followed with advantage by many of his colleagues. In the first place he
- abstained from hastening the downfall of representative institutions by
- asking questions and making speeches. In the second place, he was able to
- distinguish between the duty that he owed to his party, and the duty that
- he owed to his country. When the Legislature acted politically&mdash;that
- is to say, when it dealt with foreign complications, or electoral reforms&mdash;he
- followed his leader. When the Legislature acted socially&mdash;that is to
- say, for the good of the people&mdash;he followed his conscience. On the
- last occasion when the great Russian bugbear provoked a division, he voted
- submissively with his Conservative allies. But, when the question of
- opening museums and picture galleries on Sundays arrayed the two parties
- in hostile camps, he broke into open mutiny, and went over to the
- Liberals. He consented to help in preventing an extension of the
- franchise; but he refused to be concerned in obstructing the repeal of
- taxes on knowledge. &ldquo;I am doubtful in the first case,&rdquo; he said, &ldquo;but I am
- sure in the second.&rdquo; He was asked for an explanation: &ldquo;Doubtful of what?
- and sure of what?&rdquo; To the astonishment of his leader, he answered: &ldquo;The
- benefit to the people.&rdquo; The same sound sense appeared in the transactions
- of his private life. Lazy and dishonest servants found that the gentlest
- of masters had a side to his character which took them by surprise. And,
- on certain occasions in the experience of Cecilia and her sister, the most
- indulgent of fathers proved to be as capable of saying No, as the sternest
- tyrant who ever ruled a fireside.
- </p>
- <p>
- Called into council by his daughter and his guest, Mr. Wyvil assisted them
- by advice which was equally wise and kind&mdash;but which afterward
- proved, under the perverse influence of circumstances, to be advice that
- he had better not have given.
- </p>
- <p>
- The letter to Emily which Cecilia had recommended to her father&rsquo;s
- consideration, had come from Netherwoods, and had been written by Alban
- Morris.
- </p>
- <p>
- He assured Emily that he had only decided on writing to her, after some
- hesitation, in the hope of serving interests which he did not himself
- understand, but which might prove to be interests worthy of consideration,
- nevertheless. Having stated his motive in these terms, he proceeded to
- relate what had passed between Miss Jethro and himself. On the subject of
- Francine, Alban only ventured to add that she had not produced a favorable
- impression on him, and that he could not think her likely, on further
- experience, to prove a desirable friend.
- </p>
- <p>
- On the last leaf were added some lines, which Emily was at no loss how to
- answer. She had folded back the page, so that no eyes but her own should
- see how the poor drawing-master finished his letter: &ldquo;I wish you all
- possible happiness, my dear, among your new friends; but don&rsquo;t forget the
- old friend who thinks of you, and dreams of you, and longs to see you
- again. The little world I live in is a dreary world, Emily, in your
- absence. Will you write to me now and then, and encourage me to hope?&rdquo;
- </p>
- <p>
- Mr. Wyvil smiled, as he looked at the folded page, which hid the
- signature.
- </p>
- <p>
- &ldquo;I suppose I may take it for granted,&rdquo; he said slyly, &ldquo;that this gentleman
- really has your interests at heart? May I know who he is?&rdquo;
- </p>
- <p>
- Emily answered the last question readily enough. Mr. Wyvil went on with
- his inquiries. &ldquo;About the mysterious lady, with the strange name,&rdquo; he
- proceeded&mdash;&ldquo;do you know anything of her?&rdquo;
- </p>
- <p>
- Emily related what she knew; without revealing the true reason for Miss
- Jethro&rsquo;s departure from Netherwoods. In after years, it was one of her
- most treasured remembrances, that she had kept secret the melancholy
- confession which had startled her, on the last night of her life at
- school.
- </p>
- <p>
- Mr. Wyvil looked at Alban&rsquo;s letter again. &ldquo;Do you know how Miss Jethro
- became acquainted with Mr. Mirabel?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I didn&rsquo;t even know that they were acquainted.&rdquo;
- </p>
- <p>
- &ldquo;Do you think it likely&mdash;if Mr. Morris had been talking to you
- instead of writing to you&mdash;that he might have said more than he has
- said in his letter?&rdquo;
- </p>
- <p>
- Cecilia had hitherto remained a model of discretion. Seeing Emily
- hesitate, temptation overcame her. &ldquo;Not a doubt of it, papa!&rdquo; she declared
- confidently.
- </p>
- <p>
- &ldquo;Is Cecilia right?&rdquo; Mr. Wyvil inquired.
- </p>
- <p>
- Reminded in this way of her influence over Alban, Emily could only make
- one honest reply. She admitted that Cecilia was right.
- </p>
- <p>
- Mr. Wyvil thereupon advised her not to express any opinion, until she was
- in a better position to judge for herself. &ldquo;When you write to Mr. Morris,&rdquo;
- he continued, &ldquo;say that you will wait to tell him what you think of Miss
- Jethro, until you see him again.&rdquo;
- </p>
- <p>
- &ldquo;I have no prospect at present of seeing him again,&rdquo; Emily said.
- </p>
- <p>
- &ldquo;You can see Mr. Morris whenever it suits him to come here,&rdquo; Mr. Wyvil
- replied. &ldquo;I will write and ask him to visit us, and you can inclose the
- invitation in your letter.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Mr. Wyvil, how good of you!&rdquo;
- </p>
- <p>
- &ldquo;Oh, papa, the very thing I was going to ask you to do!&rdquo;
- </p>
- <p>
- The excellent master of Monksmoor looked unaffectedly surprised. &ldquo;What are
- you two young ladies making a fuss about?&rdquo; he said. &ldquo;Mr. Morris is a
- gentleman by profession; and&mdash;may I venture to say it, Miss Emily?&mdash;a
- valued friend of yours as well. Who has a better claim to be one of my
- guests?&rdquo;
- </p>
- <p>
- Cecilia stopped her father as he was about to leave the room. &ldquo;I suppose
- we mustn&rsquo;t ask Mr. Mirabel what he knows of Miss Jethro?&rdquo; she said.
- </p>
- <p>
- &ldquo;My dear, what can you be thinking of? What right have we to question Mr.
- Mirabel about Miss Jethro?&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s so very unsatisfactory, papa. There must be some reason why Emily
- and Mr. Mirabel ought not to meet&mdash;or why should Miss Jethro have
- been so very earnest about it?&rdquo;
- </p>
- <p>
- &ldquo;Miss Jethro doesn&rsquo;t intend us to know why, Cecilia. It will perhaps come
- out in time. Wait for time.&rdquo;
- </p>
- <p>
- Left together, the girls discussed the course which Alban would probably
- take, on receiving Mr. Wyvil&rsquo;s invitation.
- </p>
- <p>
- &ldquo;He will only be too glad,&rdquo; Cecilia asserted, &ldquo;to have the opportunity of
- seeing you again.&rdquo;
- </p>
- <p>
- &ldquo;I doubt whether he will care about seeing me again, among strangers,&rdquo;
- Emily replied. &ldquo;And you forget that there are obstacles in his way. How is
- he to leave his class?&rdquo;
- </p>
- <p>
- &ldquo;Quite easily! His class doesn&rsquo;t meet on the Saturday half-holiday. He can
- be here, if he starts early, in time for luncheon; and he can stay till
- Monday or Tuesday.&rdquo;
- </p>
- <p>
- &ldquo;Who is to take his place at the school?&rdquo;
- </p>
- <p>
- &ldquo;Miss Ladd, to be sure&mdash;if <i>you</i> make a point of it. Write to
- her, as well as to Mr. Morris.&rdquo;
- </p>
- <p>
- The letters being written&mdash;and the order having been given to prepare
- a room for the expected guest&mdash;Emily and Cecilia returned to the
- drawing-room. They found the elders of the party variously engaged&mdash;the
- men with newspapers, and the ladies with work. Entering the conservatory
- next, they discovered Cecilia&rsquo;s sister languishing among the flowers in an
- easy chair. Constitutional laziness, in some young ladies, assumes an
- invalid character, and presents the interesting spectacle of perpetual
- convalescence. The doctor declared that the baths at St. Moritz had cured
- Miss Julia. Miss Julia declined to agree with the doctor.
- </p>
- <p>
- &ldquo;Come into the garden with Emily and me,&rdquo; Cecilia said.
- </p>
- <p>
- &ldquo;Emily and you don&rsquo;t know what it is to be ill,&rdquo; Julia answered.
- </p>
- <p>
- The two girls left her, and joined the young people who were amusing
- themselves in the garden. Francine had taken possession of Mirabel, and
- had condemned him to hard labor in swinging her. He made an attempt to get
- away when Emily and Cecilia approached, and was peremptorily recalled to
- his duty. &ldquo;Higher!&rdquo; cried Miss de Sor, in her hardest tones of authority.
- &ldquo;I want to swing higher than anybody else!&rdquo; Mirabel submitted with
- gentleman-like resignation, and was rewarded by tender encouragement
- expressed in a look.
- </p>
- <p>
- &ldquo;Do you see that?&rdquo; Cecilia whispered. &ldquo;He knows how rich she is&mdash;I
- wonder whether he will marry her.&rdquo;
- </p>
- <p>
- Emily smiled. &ldquo;I doubt it, while he is in this house,&rdquo; she said. &ldquo;You are
- as rich as Francine&mdash;and don&rsquo;t forget that you have other attractions
- as well.&rdquo;
- </p>
- <p>
- Cecilia shook her head. &ldquo;Mr. Mirabel is very nice,&rdquo; she admitted; &ldquo;but I
- wouldn&rsquo;t marry him. Would you?&rdquo;
- </p>
- <p>
- Emily secretly compared Alban with Mirabel. &ldquo;Not for the world!&rdquo; she
- answered.
- </p>
- <p>
- The next day was the day of Mirabel&rsquo;s departure. His admirers among the
- ladies followed him out to the door, at which Mr. Wyvil&rsquo;s carriage was
- waiting. Francine threw a nosegay after the departing guest as he got in.
- &ldquo;Mind you come back to us on Monday!&rdquo; she said. Mirabel bowed and thanked
- her; but his last look was for Emily, standing apart from the others at
- the top of the steps. Francine said nothing; her lips closed convulsively&mdash;she
- turned suddenly pale.
- </p>
- <p>
- <a name="link2HCH0041" id="link2HCH0041">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLI. SPEECHIFYING.
- </h3>
- <p>
- On the Monday, a plowboy from Vale Regis arrived at Monksmoor.
- </p>
- <p>
- In respect of himself, he was a person beneath notice. In respect of his
- errand, he was sufficiently important to cast a gloom over the household.
- The faithless Mirabel had broken his engagement, and the plowboy was the
- herald of misfortune who brought his apology. To his great disappointment
- (he wrote) he was detained by the affairs of his parish. He could only
- trust to Mr. Wyvil&rsquo;s indulgence to excuse him, and to communicate his
- sincere sense of regret (on scented note paper) to the ladies.
- </p>
- <p>
- Everybody believed in the affairs of the parish&mdash;with the exception
- of Francine. &ldquo;Mr. Mirabel has made the best excuse he could think of for
- shortening his visit; and I don&rsquo;t wonder at it,&rdquo; she said, looking
- significantly at Emily.
- </p>
- <p>
- Emily was playing with one of the dogs; exercising him in the tricks which
- he had learned. She balanced a morsel of sugar on his nose&mdash;and had
- no attention to spare for Francine.
- </p>
- <p>
- Cecilia, as the mistress of the house, felt it her duty to interfere.
- &ldquo;That is a strange remark to make,&rdquo; she answered. &ldquo;Do you mean to say that
- we have driven Mr. Mirabel away from us?&rdquo;
- </p>
- <p>
- &ldquo;I accuse nobody,&rdquo; Francine began with spiteful candor.
- </p>
- <p>
- &ldquo;Now she&rsquo;s going to accuse everybody!&rdquo; Emily interposed, addressing
- herself facetiously to the dog.
- </p>
- <p>
- &ldquo;But when girls are bent on fascinating men, whether they like it or not,&rdquo;
- Francine proceeded, &ldquo;men have only one alternative&mdash;they must keep
- out of the way.&rdquo; She looked again at Emily, more pointedly than ever.
- </p>
- <p>
- Even gentle Cecilia resented this. &ldquo;Whom do you refer to?&rdquo; she said
- sharply.
- </p>
- <p>
- &ldquo;My dear!&rdquo; Emily remonstrated, &ldquo;need you ask?&rdquo; She glanced at Francine as
- she spoke, and then gave the dog his signal. He tossed up the sugar, and
- caught it in his mouth. His audience applauded him&mdash;and so, for that
- time, the skirmish ended.
- </p>
- <p>
- Among the letters of the next morning&rsquo;s delivery, arrived Alban&rsquo;s reply.
- Emily&rsquo;s anticipations proved to be correct. The drawing-master&rsquo;s duties
- would not permit him to leave Netherwoods; and he, like Mirabel, sent his
- apologies. His short letter to Emily contained no further allusion to Miss
- Jethro; it began and ended on the first page.
- </p>
- <p>
- Had he been disappointed by the tone of reserve in which Emily had written
- to him, under Mr. Wyvil&rsquo;s advice? Or (as Cecilia suggested) had his
- detention at the school so bitterly disappointed him that he was too
- disheartened to write at any length? Emily made no attempt to arrive at a
- conclusion, either one way or the other. She seemed to be in depressed
- spirits; and she spoke superstitiously, for the first time in Cecilia&rsquo;s
- experience of her.
- </p>
- <p>
- &ldquo;I don&rsquo;t like this reappearance of Miss Jethro,&rdquo; she said. &ldquo;If the mystery
- about that woman is ever cleared up, it will bring trouble and sorrow to
- me&mdash;and I believe, in his own secret heart, Alban Morris thinks so
- too.&rdquo;
- </p>
- <p>
- &ldquo;Write, and ask him,&rdquo; Cecilia suggested.
- </p>
- <p>
- &ldquo;He is so kind and so unwilling to distress me,&rdquo; Emily answered, &ldquo;that he
- wouldn&rsquo;t acknowledge it, even if I am right.&rdquo;
- </p>
- <p>
- In the middle of the week, the course of private life at Monksmoor
- suffered an interruption&mdash;due to the parliamentary position of the
- master of the house.
- </p>
- <p>
- The insatiable appetite for making and hearing speeches, which represents
- one of the marked peculiarities of the English race (including their
- cousins in the United States), had seized on Mr. Wyvil&rsquo;s constituents.
- There was to be a political meeting at the market hall, in the neighboring
- town; and the member was expected to make an oration, passing in review
- contemporary events at home and abroad. &ldquo;Pray don&rsquo;t think of accompanying
- me,&rdquo; the good man said to his guests. &ldquo;The hall is badly ventilated, and
- the speeches, including my own, will not be worth hearing.&rdquo;
- </p>
- <p>
- This humane warning was ungratefully disregarded. The gentlemen were all
- interested in &ldquo;the objects of the meeting&rdquo;; and the ladies were firm in
- the resolution not to be left at home by themselves. They dressed with a
- view to the large assembly of spectators before whom they were about to
- appear; and they outtalked the men on political subjects, all the way to
- the town.
- </p>
- <p>
- The most delightful of surprises was in store for them, when they reached
- the market hall. Among the crowd of ordinary gentlemen, waiting under the
- portico until the proceedings began, appeared one person of distinction,
- whose title was &ldquo;Reverend,&rdquo; and whose name was Mirabel.
- </p>
- <p>
- Francine was the first to discover him. She darted up the steps and held
- out her hand.
- </p>
- <p>
- &ldquo;This <i>is</i> a pleasure!&rdquo; she cried. &ldquo;Have you come here to see&mdash;&rdquo;
- she was about to say Me, but, observing the strangers round her, altered
- the word to Us. &ldquo;Please give me your arm,&rdquo; she whispered, before her young
- friends had arrived within hearing. &ldquo;I am so frightened in a crowd!&rdquo;
- </p>
- <p>
- She held fast by Mirabel, and kept a jealous watch on him. Was it only her
- fancy? or did she detect a new charm in his smile when he spoke to Emily?
- </p>
- <p>
- Before it was possible to decide, the time for the meeting had arrived.
- Mr. Wyvil&rsquo;s friends were of course accommodated with seats on the
- platform. Francine, still insisting on her claim to Mirabel&rsquo;s arm, got a
- chair next to him. As she seated herself, she left him free for a moment.
- In that moment, the infatuated man took an empty chair on the other side
- of him, and placed it for Emily. He communicated to that hated rival the
- information which he ought to have reserved for Francine. &ldquo;The committee
- insist,&rdquo; he said, &ldquo;on my proposing one of the Resolutions. I promise not
- to bore you; mine shall be the shortest speech delivered at the meeting.&rdquo;
- </p>
- <p>
- The proceedings began.
- </p>
- <p>
- Among the earlier speakers not one was inspired by a feeling of mercy for
- the audience. The chairman reveled in words. The mover and seconder of the
- first Resolution (not having so much as the ghost of an idea to trouble
- either of them), poured out language in flowing and overflowing streams,
- like water from a perpetual spring. The heat exhaled by the crowded
- audience was already becoming insufferable. Cries of &ldquo;Sit down!&rdquo; assailed
- the orator of the moment. The chairman was obliged to interfere. A man at
- the back of the hall roared out, &ldquo;Ventilation!&rdquo; and broke a window with
- his stick. He was rewarded with three rounds of cheers; and was ironically
- invited to mount the platform and take the chair.
- </p>
- <p>
- Under these embarrassing circumstances, Mirabel rose to speak.
- </p>
- <p>
- He secured silence, at the outset, by a humorous allusion to the prolix
- speaker who had preceded him. &ldquo;Look at the clock, gentlemen,&rdquo; he said;
- &ldquo;and limit my speech to an interval of ten minutes.&rdquo; The applause which
- followed was heard, through the broken window, in the street. The boys
- among the mob outside intercepted the flow of air by climbing on each
- other&rsquo;s shoulders and looking in at the meeting, through the gaps left by
- the shattered glass. Having proposed his Resolution with discreet brevity
- of speech, Mirabel courted popularity on the plan adopted by the late Lord
- Palmerston in the House of Commons&mdash;he told stories, and made jokes,
- adapted to the intelligence of the dullest people who were listening to
- him. The charm of his voice and manner completed his success. Punctually
- at the tenth minute, he sat down amid cries of &ldquo;Go on.&rdquo; Francine was the
- first to take his hand, and to express admiration mutely by pressing it.
- He returned the pressure&mdash;but he looked at the wrong lady&mdash;the
- lady on the other side.
- </p>
- <p>
- Although she made no complaint, he instantly saw that Emily was overcome
- by the heat. Her lips were white, and her eyes were closing. &ldquo;Let me take
- you out,&rdquo; he said, &ldquo;or you will faint.&rdquo;
- </p>
- <p>
- Francine started to her feet to follow them. The lower order of the
- audience, eager for amusement, put their own humorous construction on the
- young lady&rsquo;s action. They roared with laughter. &ldquo;Let the parson and his
- sweetheart be,&rdquo; they called out; &ldquo;two&rsquo;s company, miss, and three isn&rsquo;t.&rdquo;
- Mr. Wyvil interposed his authority and rebuked them. A lady seated behind
- Francine interfered to good purpose by giving her a chair, which placed
- her out of sight of the audience. Order was restored&mdash;and the
- proceedings were resumed.
- </p>
- <p>
- On the conclusion of the meeting, Mirabel and Emily were found waiting for
- their friends at the door. Mr. Wyvil innocently added fuel to the fire
- that was burning in Francine. He insisted that Mirabel should return to
- Monksmoor, and offered him a seat in the carriage at Emily&rsquo;s side.
- </p>
- <p>
- Later in the evening, when they all met at dinner, there appeared a change
- in Miss de Sor which surprised everybody but Mirabel. She was gay and
- good-humored, and especially amiable and attentive to Emily&mdash;who sat
- opposite to her at the table. &ldquo;What did you and Mr. Mirabel talk about
- while you were away from us?&rdquo; she asked innocently. &ldquo;Politics?&rdquo;
- </p>
- <p>
- Emily readily adopted Francine&rsquo;s friendly tone. &ldquo;Would you have talked
- politics, in my place?&rdquo; she asked gayly.
- </p>
- <p>
- &ldquo;In your place, I should have had the most delightful of companions,&rdquo;
- Francine rejoined; &ldquo;I wish I had been overcome by the heat too!&rdquo;
- </p>
- <p>
- Mirabel&mdash;attentively observing her&mdash;acknowledged the compliment
- by a bow, and left Emily to continue the conversation. In perfect good
- faith she owned to having led Mirabel to talk of himself. She had heard
- from Cecilia that his early life had been devoted to various occupations,
- and she was interested in knowing how circumstances had led him into
- devoting himself to the Church. Francine listened with the outward
- appearance of implicit belief, and with the inward conviction that Emily
- was deliberately deceiving her. When the little narrative was at an end,
- she was more agreeable than ever. She admired Emily&rsquo;s dress, and she
- rivaled Cecilia in enjoyment of the good things on the table; she
- entertained Mirabel with humorous anecdotes of the priests at St. Domingo,
- and was so interested in the manufacture of violins, ancient and modern,
- that Mr. Wyvil promised to show her his famous collection of instruments,
- after dinner. Her overflowing amiability included even poor Miss Darnaway
- and the absent brothers and sisters. She heard with flattering sympathy,
- how they had been ill and had got well again; what amusing tricks they
- played, what alarming accidents happened to them, and how remarkably
- clever they were&mdash;&ldquo;including, I do assure you, dear Miss de Sor, the
- baby only ten months old.&rdquo; When the ladies rose to retire, Francine was,
- socially speaking, the heroine of the evening.
- </p>
- <p>
- While the violins were in course of exhibition, Mirabel found an
- opportunity of speaking to Emily, unobserved.
- </p>
- <p>
- &ldquo;Have you said, or done, anything to offend Miss de Sor?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Nothing whatever!&rdquo; Emily declared, startled by the question. &ldquo;What makes
- you think I have offended her?&rdquo;
- </p>
- <p>
- &ldquo;I have been trying to find a reason for the change in her,&rdquo; Mirabel
- answered&mdash;&ldquo;especially the change toward yourself.&rdquo;
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- &ldquo;Well&mdash;she means mischief.&rdquo;
- </p>
- <p>
- &ldquo;Mischief of what sort?&rdquo;
- </p>
- <p>
- &ldquo;Of a sort which may expose her to discovery&mdash;unless she disarms
- suspicion at the outset. That is (as I believe) exactly what she has been
- doing this evening. I needn&rsquo;t warn you to be on your guard.&rdquo;
- </p>
- <p>
- All the next day Emily was on the watch for events&mdash;and nothing
- happened. Not the slightest appearance of jealousy betrayed itself in
- Francine. She made no attempt to attract to herself the attentions of
- Mirabel; and she showed no hostility to Emily, either by word, look, or
- manner.
- </p>
- <p>
- ........
- </p>
- <p>
- The day after, an event occurred at Netherwoods. Alban Morris received an
- anonymous letter, addressed to him in these terms:
- </p>
- <p>
- &ldquo;A certain young lady, in whom you are supposed to be interested, is
- forgetting you in your absence. If you are not mean enough to allow
- yourself to be supplanted by another man, join the party at Monksmoor
- before it is too late.&rdquo;
- </p>
- <p>
- <a name="link2HCH0042" id="link2HCH0042">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLII. COOKING.
- </h3>
- <p>
- The day after the political meeting was a day of departures, at the
- pleasant country house.
- </p>
- <p>
- Miss Darnaway was recalled to the nursery at home. The old squire who did
- justice to Mr. Wyvil&rsquo;s port-wine went away next, having guests to
- entertain at his own house. A far more serious loss followed. The three
- dancing men had engagements which drew them to new spheres of activity in
- other drawing-rooms. They said, with the same dreary grace of manner,
- &ldquo;Very sorry to go&rdquo;; they drove to the railway, arrayed in the same perfect
- traveling suits of neutral tint; and they had but one difference of
- opinion among them&mdash;each firmly believed that he was smoking the best
- cigar to be got in London.
- </p>
- <p>
- The morning after these departures would have been a dull morning indeed,
- but for the presence of Mirabel.
- </p>
- <p>
- When breakfast was over, the invalid Miss Julia established herself on the
- sofa with a novel. Her father retired to the other end of the house, and
- profaned the art of music on music&rsquo;s most expressive instrument. Left with
- Emily, Cecilia, and Francine, Mirabel made one of his happy suggestions.
- &ldquo;We are thrown on our own resources,&rdquo; he said. &ldquo;Let us distinguish
- ourselves by inventing some entirely new amusement for the day. You young
- ladies shall sit in council&mdash;and I will be secretary.&rdquo; He turned to
- Cecilia. &ldquo;The meeting waits to hear the mistress of the house.&rdquo;
- </p>
- <p>
- Modest Cecilia appealed to her school friends for help; addressing herself
- in the first instance (by the secretary&rsquo;s advice) to Francine, as the
- eldest. They all noticed another change in this variable young person. She
- was silent and subdued; and she said wearily, &ldquo;I don&rsquo;t care what we do&mdash;shall
- we go out riding?&rdquo;
- </p>
- <p>
- The unanswerable objection to riding as a form of amusement, was that it
- had been more than once tried already. Something clever and surprising was
- anticipated from Emily when it came to her turn. She, too, disappointed
- expectation. &ldquo;Let us sit under the trees,&rdquo; was all that she could suggest,
- &ldquo;and ask Mr. Mirabel to tell us a story.&rdquo;
- </p>
- <p>
- Mirabel laid down his pen and took it on himself to reject this proposal.
- &ldquo;Remember,&rdquo; he remonstrated, &ldquo;that I have an interest in the diversions of
- the day. You can&rsquo;t expect me to be amused by my own story. I appeal to
- Miss Wyvil to invent a pleasure which will include the secretary.&rdquo;
- </p>
- <p>
- Cecilia blushed and looked uneasy. &ldquo;I think I have got an idea,&rdquo; she
- announced, after some hesitation. &ldquo;May I propose that we all go to the
- keeper&rsquo;s lodge?&rdquo; There her courage failed her, and she hesitated again.
- </p>
- <p>
- Mirabel gravely registered the proposal, as far as it went. &ldquo;What are we
- to do when we get to the keeper&rsquo;s lodge?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;We are to ask the keeper&rsquo;s wife,&rdquo; Cecilia proceeded, &ldquo;to lend us her
- kitchen.&rdquo;
- </p>
- <p>
- &ldquo;To lend us her kitchen,&rdquo; Mirabel repeated.
- </p>
- <p>
- &ldquo;And what are we to do in the kitchen?&rdquo;
- </p>
- <p>
- Cecilia looked down at her pretty hands crossed on her lap, and answered
- softly, &ldquo;Cook our own luncheon.&rdquo;
- </p>
- <p>
- Here was an entirely new amusement, in the most attractive sense of the
- words! Here was charming Cecilia&rsquo;s interest in the pleasures of the table
- so happily inspired, that the grateful meeting offered its tribute of
- applause&mdash;even including Francine. The members of the council were
- young; their daring digestions contemplated without fear the prospect of
- eating their own amateur cookery. The one question that troubled them now
- was what they were to cook.
- </p>
- <p>
- &ldquo;I can make an omelet,&rdquo; Cecilia ventured to say.
- </p>
- <p>
- &ldquo;If there is any cold chicken to be had,&rdquo; Emily added, &ldquo;I undertake to
- follow the omelet with a mayonnaise.&rdquo;
- </p>
- <p>
- &ldquo;There are clergymen in the Church of England who are even clever enough
- to fry potatoes,&rdquo; Mirabel announced&mdash;&ldquo;and I am one of them. What
- shall we have next? A pudding? Miss de Sor, can you make a pudding?&rdquo;
- </p>
- <p>
- Francine exhibited another new side to her character&mdash;a diffident and
- humble side. &ldquo;I am ashamed to say I don&rsquo;t know how to cook anything,&rdquo; she
- confessed; &ldquo;you had better leave me out of it.&rdquo;
- </p>
- <p>
- But Cecilia was now in her element. Her plan of operations was wide enough
- even to include Francine. &ldquo;You shall wash the lettuce, my dear, and stone
- the olives for Emily&rsquo;s mayonnaise. Don&rsquo;t be discouraged! You shall have a
- companion; we will send to the rectory for Miss Plym&mdash;the very person
- to chop parsley and shallot for my omelet. Oh, Emily, what a morning we
- are going to have!&rdquo; Her lovely blue eyes sparkled with joy; she gave Emily
- a kiss which Mirabel must have been more or less than man not to have
- coveted. &ldquo;I declare,&rdquo; cried Cecilia, completely losing her head, &ldquo;I&rsquo;m so
- excited, I don&rsquo;t know what to do with myself!&rdquo;
- </p>
- <p>
- Emily&rsquo;s intimate knowledge of her friend applied the right remedy. &ldquo;You
- don&rsquo;t know what to do with yourself?&rdquo; she repeated. &ldquo;Have you no sense of
- duty? Give the cook your orders.&rdquo;
- </p>
- <p>
- Cecilia instantly recovered her presence of mind. She sat down at the
- writing-table, and made out a list of eatable productions in the animal
- and vegetable world, in which every other word was underlined two or three
- times over. Her serious face was a sight to see, when she rang for the
- cook, and the two held a privy council in a corner.
- </p>
- <p>
- On the way to the keeper&rsquo;s lodge, the young mistress of the house headed a
- procession of servants carrying the raw materials. Francine followed, held
- in custody by Miss Plym&mdash;who took her responsibilities seriously, and
- clamored for instruction in the art of chopping parsley. Mirabel and Emily
- were together, far behind; they were the only two members of the company
- whose minds were not occupied in one way or another by the kitchen.
- </p>
- <p>
- &ldquo;This child&rsquo;s play of ours doesn&rsquo;t seem to interest you,&rdquo; Mirabel
- remarked.
- </p>
- <p>
- &ldquo;I am thinking,&rdquo; Emily answered, &ldquo;of what you said to me about Francine.&rdquo;
- </p>
- <p>
- &ldquo;I can say something more,&rdquo; he rejoined. &ldquo;When I noticed the change in her
- at dinner, I told you she meant mischief. There is another change to-day,
- which suggests to my mind that the mischief is done.&rdquo;
- </p>
- <p>
- &ldquo;And directed against me?&rdquo; Emily asked.
- </p>
- <p>
- Mirabel made no direct reply. It was impossible for <i>him</i> to remind
- her that she had, no matter how innocently, exposed herself to the jealous
- hatred of Francine. &ldquo;Time will tell us, what we don&rsquo;t know now,&rdquo; he
- replied evasively.
- </p>
- <p>
- &ldquo;You seem to have faith in time, Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;The greatest faith. Time is the inveterate enemy of deceit. Sooner or
- later, every hidden thing is a thing doomed to discovery.&rdquo;
- </p>
- <p>
- &ldquo;Without exception?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; he answered positively, &ldquo;without exception.&rdquo;
- </p>
- <p>
- At that moment Francine stopped and looked back at them. Did she think
- that Emily and Mirabel had been talking together long enough? Miss Plym&mdash;with
- the parsley still on her mind&mdash;-advanced to consult Emily&rsquo;s
- experience. The two walked on together, leaving Mirabel to overtake
- Francine. He saw, in her first look at him, the effort that it cost her to
- suppress those emotions which the pride of women is most deeply interested
- in concealing. Before a word had passed, he regretted that Emily had left
- them together.
- </p>
- <p>
- &ldquo;I wish I had your cheerful disposition,&rdquo; she began, abruptly. &ldquo;I am out
- of spirits or out of temper&mdash;I don&rsquo;t know which; and I don&rsquo;t know
- why. Do you ever trouble yourself with thinking of the future?&rdquo;
- </p>
- <p>
- &ldquo;As seldom as possible, Miss de Sor. In such a situation as mine, most
- people have prospects&mdash;I have none.&rdquo;
- </p>
- <p>
- He spoke gravely, conscious of not feeling at ease on his side. If he had
- been the most modest man that ever lived, he must have seen in Francine&rsquo;s
- face that she loved him.
- </p>
- <p>
- When they had first been presented to each other, she was still under the
- influence of the meanest instincts in her scheming and selfish nature. She
- had thought to herself, &ldquo;With my money to help him, that man&rsquo;s celebrity
- would do the rest; the best society in England would be glad to receive
- Mirabel&rsquo;s wife.&rdquo; As the days passed, strong feeling had taken the place of
- those contemptible aspirations: Mirabel had unconsciously inspired the one
- passion which was powerful enough to master Francine&mdash;sensual
- passion. Wild hopes rioted in her. Measureless desires which she had never
- felt before, united themselves with capacities for wickedness, which had
- been the horrid growth of a few nights&mdash;capacities which suggested
- even viler attempts to rid herself of a supposed rivalry than slandering
- Emily by means of an anonymous letter. Without waiting for it to be
- offered, she took Mirabel&rsquo;s arm, and pressed it to her breast as they
- slowly walked on. The fear of discovery which had troubled her after she
- had sent her base letter to the post, vanished at that inspiriting moment.
- She bent her head near enough to him when he spoke to feel his breath on
- her face.
- </p>
- <p>
- &ldquo;There is a strange similarity,&rdquo; she said softly, &ldquo;between your position
- and mine. Is there anything cheering in <i>my</i> prospects? I am far away
- from home&mdash;my father and mother wouldn&rsquo;t care if they never saw me
- again. People talk about my money! What is the use of money to such a
- lonely wretch as I am? Suppose I write to London, and ask the lawyer if I
- may give it all away to some deserving person? Why not to you?&rdquo;
- </p>
- <p>
- &ldquo;My dear Miss de Sor&mdash;!&rdquo;
- </p>
- <p>
- &ldquo;Is there anything wrong, Mr. Mirabel, in wishing that I could make you a
- prosperous man?&rdquo;
- </p>
- <p>
- &ldquo;You must not even talk of such a thing!&rdquo;
- </p>
- <p>
- &ldquo;How proud you are!&rdquo; she said submissively.
- </p>
- <p>
- &ldquo;Oh, I can&rsquo;t bear to think of you in that miserable village&mdash;a
- position so unworthy of your talents and your claims! And you tell me I
- must not talk about it. Would you have said that to Emily, if she was as
- anxious as I am to see you in your right place in the world?&rdquo;
- </p>
- <p>
- &ldquo;I should have answered her exactly as I have answered you.&rdquo;
- </p>
- <p>
- &ldquo;She will never embarrass you, Mr. Mirabel, by being as sincere as I am.
- Emily can keep her own secrets.&rdquo;
- </p>
- <p>
- &ldquo;Is she to blame for doing that?&rdquo;
- </p>
- <p>
- &ldquo;It depends on your feeling for her.&rdquo;
- </p>
- <p>
- &ldquo;What feeling do you mean?&rdquo;
- </p>
- <p>
- &ldquo;Suppose you heard she was engaged to be married?&rdquo; Francine suggested.
- </p>
- <p>
- Mirabel&rsquo;s manner&mdash;studiously cold and formal thus far&mdash;altered
- on a sudden. He looked with unconcealed anxiety at Francine. &ldquo;Do you say
- that seriously?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I said &lsquo;suppose.&rsquo; I don&rsquo;t exactly know that she is engaged.&rdquo;
- </p>
- <p>
- &ldquo;What <i>do</i> you know?&rdquo;
- </p>
- <p>
- &ldquo;Oh, how interested you are in Emily! She is admired by some people. Are
- you one of them?&rdquo;
- </p>
- <p>
- Mirabel&rsquo;s experience of women warned him to try silence as a means of
- provoking her into speaking plainly. The experiment succeeded: Francine
- returned to the question that he had put to her, and abruptly answered it.
- </p>
- <p>
- &ldquo;You may believe me or not, as you like&mdash;I know of a man who is in
- love with her. He has had his opportunities; and he has made good use of
- them. Would you like to know who he is?&rdquo;
- </p>
- <p>
- &ldquo;I should like to know anything which you may wish to tell me.&rdquo; He did his
- best to make the reply in a tone of commonplace politeness&mdash;and he
- might have succeeded in deceiving a man. The woman&rsquo;s quicker ear told her
- that he was angry. Francine took the full advantage of that change in her
- favor.
- </p>
- <p>
- &ldquo;I am afraid your good opinion of Emily will be shaken,&rdquo; she quietly
- resumed, &ldquo;when I tell you that she has encouraged a man who is only
- drawing-master at a school. At the same time, a person in her
- circumstances&mdash;I mean she has no money&mdash;ought not to be very
- hard to please. Of course she has never spoken to you of Mr. Alban
- Morris?&rdquo;
- </p>
- <p>
- &ldquo;Not that I remember.&rdquo;
- </p>
- <p>
- Only four words&mdash;but they satisfied Francine.
- </p>
- <p>
- The one thing wanting to complete the obstacle which she had now placed in
- Emily&rsquo;s way, was that Alban Morris should enter on the scene. He might
- hesitate; but, if he was really fond of Emily, the anonymous letter would
- sooner or later bring him to Monksmoor. In the meantime, her object was
- gained. She dropped Mirabel&rsquo;s arm.
- </p>
- <p>
- &ldquo;Here is the lodge,&rdquo; she said gayly&mdash;&ldquo;I declare Cecilia has got an
- apron on already! Come, and cook.&rdquo;
- </p>
- <p>
- <a name="link2HCH0043" id="link2HCH0043">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLIII. SOUNDING.
- </h3>
- <p>
- Mirabel left Francine to enter the lodge by herself. His mind was
- disturbed: he felt the importance of gaining time for reflection before he
- and Emily met again.
- </p>
- <p>
- The keeper&rsquo;s garden was at the back of the lodge. Passing through the
- wicket-gate, he found a little summer-house at a turn in the path. Nobody
- was there: he went in and sat down.
- </p>
- <p>
- At intervals, he had even yet encouraged himself to underrate the true
- importance of the feeling which Emily had awakened in him. There was an
- end to all self-deception now. After what Francine had said to him, this
- shallow and frivolous man no longer resisted the all-absorbing influence
- of love. He shrank under the one terrible question that forced itself on
- his mind:&mdash;Had that jealous girl spoken the truth?
- </p>
- <p>
- In what process of investigation could he trust, to set this anxiety at
- rest? To apply openly to Emily would be to take a liberty, which Emily was
- the last person in the world to permit. In his recent intercourse with her
- he had felt more strongly than ever the importance of speaking with
- reserve. He had been scrupulously careful to take no unfair advantage of
- his opportunity, when he had removed her from the meeting, and when they
- had walked together, with hardly a creature to observe them, in the lonely
- outskirts of the town. Emily&rsquo;s gaiety and good humor had not led him
- astray: he knew that these were bad signs, viewed in the interests of
- love. His one hope of touching her deeper sympathies was to wait for the
- help that might yet come from time and chance. With a bitter sigh, he
- resigned himself to the necessity of being as agreeable and amusing as
- ever: it was just possible that he might lure her into alluding to Alban
- Morris, if he began innocently by making her laugh.
- </p>
- <p>
- As he rose to return to the lodge, the keeper&rsquo;s little terrier, prowling
- about the garden, looked into the summer-house. Seeing a stranger, the dog
- showed his teeth and growled.
- </p>
- <p>
- Mirabel shrank back against the wall behind him, trembling in every limb.
- His eyes stared in terror as the dog came nearer: barking in high triumph
- over the discovery of a frightened man whom he could bully. Mirabel called
- out for help. A laborer at work in the garden ran to the place&mdash;and
- stopped with a broad grin of amusement at seeing a grown man terrified by
- a barking dog. &ldquo;Well,&rdquo; he said to himself, after Mirabel had passed out
- under protection, &ldquo;there goes a coward if ever there was one yet!&rdquo;
- </p>
- <p>
- Mirabel waited a minute behind the lodge to recover himself. He had been
- so completely unnerved that his hair was wet with perspiration. While he
- used his handkerchief, he shuddered at other recollections than the
- recollection of the dog. &ldquo;After that night at the inn,&rdquo; he thought, &ldquo;the
- least thing frightens me!&rdquo;
- </p>
- <p>
- He was received by the young ladies with cries of derisive welcome. &ldquo;Oh,
- for shame! for shame! here are the potatoes already cut, and nobody to fry
- them!&rdquo;
- </p>
- <p>
- Mirabel assumed the mask of cheerfulness&mdash;with the desperate
- resolution of an actor, amusing his audience at a time of domestic
- distress. He astonished the keeper&rsquo;s wife by showing that he really knew
- how to use her frying-pan. Cecilia&rsquo;s omelet was tough&mdash;but the young
- ladies ate it. Emily&rsquo;s mayonnaise sauce was almost as liquid as water&mdash;they
- swallowed it nevertheless by the help of spoons. The potatoes followed,
- crisp and dry and delicious&mdash;and Mirabel became more popular than
- ever. &ldquo;He is the only one of us,&rdquo; Cecilia sadly acknowledged, &ldquo;who knows
- how to cook.&rdquo;
- </p>
- <p>
- When they all left the lodge for a stroll in the park, Francine attached
- herself to Cecilia and Miss Plym. She resigned Mirabel to Emily&mdash;in
- the happy belief that she had paved the way for a misunderstanding between
- them.
- </p>
- <p>
- The merriment at the luncheon table had revived Emily&rsquo;s good spirits. She
- had a light-hearted remembrance of the failure of her sauce. Mirabel saw
- her smiling to herself. &ldquo;May I ask what amuses you?&rdquo; he said.
- </p>
- <p>
- &ldquo;I was thinking of the debt of gratitude that we owe to Mr. Wyvil,&rdquo; she
- replied. &ldquo;If he had not persuaded you to return to Monksmoor, we should
- never have seen the famous Mr. Mirabel with a frying pan in his hand, and
- never have tasted the only good dish at our luncheon.&rdquo;
- </p>
- <p>
- Mirabel tried vainly to adopt his companion&rsquo;s easy tone. Now that he was
- alone with her, the doubts that Francine had aroused shook the prudent
- resolution at which he had arrived in the garden. He ran the risk, and
- told Emily plainly why he had returned to Mr. Wyvil&rsquo;s house.
- </p>
- <p>
- &ldquo;Although I am sensible of our host&rsquo;s kindness,&rdquo; he answered, &ldquo;I should
- have gone back to my parsonage&mdash;but for You.&rdquo;
- </p>
- <p>
- She declined to understand him seriously. &ldquo;Then the affairs of your parish
- are neglected&mdash;and I am to blame!&rdquo; she said.
- </p>
- <p>
- &ldquo;Am I the first man who has neglected his duties for your sake?&rdquo; he asked.
- &ldquo;I wonder whether the masters at school had the heart to report you when
- you neglected your lessons?&rdquo;
- </p>
- <p>
- She thought of Alban&mdash;and betrayed herself by a heightened color. The
- moment after, she changed the subject. Mirabel could no longer resist the
- conclusion that Francine had told him the truth.
- </p>
- <p>
- &ldquo;When do you leave us,&rdquo; she inquired.
- </p>
- <p>
- &ldquo;To-morrow is Saturday&mdash;I must go back as usual.&rdquo;
- </p>
- <p>
- &ldquo;And how will your deserted parish receive you?&rdquo;
- </p>
- <p>
- He made a desperate effort to be as amusing as usual.
- </p>
- <p>
- &ldquo;I am sure of preserving my popularity,&rdquo; he said, &ldquo;while I have a cask in
- the cellar, and a few spare sixpences in my pocket. The public spirit of
- my parishioners asks for nothing but money and beer. Before I went to that
- wearisome meeting, I told my housekeeper that I was going to make a speech
- about reform. She didn&rsquo;t know what I meant. I explained that reform might
- increase the number of British citizens who had the right of voting at
- elections for parliament. She brightened up directly. &lsquo;Ah,&rsquo; she said,
- &lsquo;I&rsquo;ve heard my husband talk about elections. The more there are of them (<i>he</i>
- says) the more money he&rsquo;ll get for his vote. I&rsquo;m all for reform.&rsquo; On my
- way out of the house, I tried the man who works in my garden on the same
- subject. He didn&rsquo;t look at the matter from the housekeeper&rsquo;s sanguine
- point of view. &lsquo;I don&rsquo;t deny that parliament once gave me a good dinner
- for nothing at the public-house,&rsquo; he admitted. &lsquo;But that was years ago&mdash;and
- (you&rsquo;ll excuse me, sir) I hear nothing of another dinner to come. It&rsquo;s a
- matter of opinion, of course. I don&rsquo;t myself believe in reform.&rsquo; There are
- specimens of the state of public spirit in our village!&rdquo; He paused. Emily
- was listening&mdash;but he had not succeeded in choosing a subject that
- amused her. He tried a topic more nearly connected with his own interests;
- the topic of the future. &ldquo;Our good friend has asked me to prolong my
- visit, after Sunday&rsquo;s duties are over,&rdquo; he said. &ldquo;I hope I shall find you
- here, next week?&rdquo;
- </p>
- <p>
- &ldquo;Will the affairs of your parish allow you to come back?&rdquo; Emily asked
- mischievously.
- </p>
- <p>
- &ldquo;The affairs of my parish&mdash;if you force me to confess it&mdash;were
- only an excuse.&rdquo;
- </p>
- <p>
- &ldquo;An excuse for what?&rdquo;
- </p>
- <p>
- &ldquo;An excuse for keeping away from Monksmoor&mdash;in the interests of my
- own tranquillity. The experiment has failed. While you are here, I can&rsquo;t
- keep away.&rdquo;
- </p>
- <p>
- She still declined to understand him seriously. &ldquo;Must I tell you in plain
- words that flattery is thrown away on me?&rdquo; she said.
- </p>
- <p>
- &ldquo;Flattery is not offered to you,&rdquo; he answered gravely. &ldquo;I beg your pardon
- for having led to the mistake by talking of myself.&rdquo; Having appealed to
- her indulgence by that act of submission, he ventured on another distant
- allusion to the man whom he hated and feared. &ldquo;Shall I meet any friends of
- yours,&rdquo; he resumed, &ldquo;when I return on Monday?&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- &ldquo;I only meant to ask if Mr. Wyvil expects any new guests?&rdquo;
- </p>
- <p>
- As he put the question, Cecilia&rsquo;s voice was heard behind them, calling to
- Emily. They both turned round. Mr. Wyvil had joined his daughter and her
- two friends. He advanced to meet Emily.
- </p>
- <p>
- &ldquo;I have some news for you that you little expect,&rdquo; he said. &ldquo;A telegram
- has just arrived from Netherwoods. Mr. Alban Morris has got leave of
- absence, and is coming here to-morrow.&rdquo;
- </p>
- <p>
- <a name="link2HCH0044" id="link2HCH0044">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLIV. COMPETING.
- </h3>
- <p>
- Time at Monksmoor had advanced to the half hour before dinner, on Saturday
- evening.
- </p>
- <p>
- Cecilia and Francine, Mr. Wyvil and Mirabel, were loitering in the
- conservatory. In the drawing-room, Emily had been considerately left alone
- with Alban. He had missed the early train from Netherwoods; but he had
- arrived in time to dress for dinner, and to offer the necessary
- explanations.
- </p>
- <p>
- If it had been possible for Alban to allude to the anonymous letter, he
- might have owned that his first impulse had led him to destroy it, and to
- assert his confidence in Emily by refusing Mr. Wyvil&rsquo;s invitation. But try
- as he might to forget them, the base words that he had read remained in
- his memory. Irritating him at the outset, they had ended in rousing his
- jealousy. Under that delusive influence, he persuaded himself that he had
- acted, in the first instance, without due consideration. It was surely his
- interest&mdash;it might even be his duty&mdash;to go to Mr. Wyvil&rsquo;s house,
- and judge for himself. After some last wretched moments of hesitation, he
- had decided on effecting a compromise with his own better sense, by
- consulting Miss Ladd. That excellent lady did exactly what he had expected
- her to do. She made arrangements which granted him leave of absence, from
- the Saturday to the Tuesday following. The excuse which had served him, in
- telegraphing to Mr. Wyvil, must now be repeated, in accounting for his
- unexpected appearance to Emily. &ldquo;I found a person to take charge of my
- class,&rdquo; he said; &ldquo;and I gladly availed myself of the opportunity of seeing
- you again.&rdquo;
- </p>
- <p>
- After observing him attentively, while he was speaking to her, Emily
- owned, with her customary frankness, that she had noticed something in his
- manner which left her not quite at her ease.
- </p>
- <p>
- &ldquo;I wonder,&rdquo; she said, &ldquo;if there is any foundation for a doubt that has
- troubled me?&rdquo; To his unutterable relief, she at once explained what the
- doubt was. &ldquo;I am afraid I offended you, in replying to your letter about
- Miss Jethro.&rdquo;
- </p>
- <p>
- In this case, Alban could enjoy the luxury of speaking unreservedly. He
- confessed that Emily&rsquo;s letter had disappointed him.
- </p>
- <p>
- &ldquo;I expected you to answer me with less reserve,&rdquo; he replied; &ldquo;and I began
- to think I had acted rashly in writing to you at all. When there is a
- better opportunity, I may have a word to say&mdash;&rdquo; He was apparently
- interrupted by something that he saw in the conservatory. Looking that
- way, Emily perceived that Mirabel was the object which had attracted
- Alban&rsquo;s attention. The vile anonymous letter was in his mind again.
- Without a preliminary word to prepare Emily, he suddenly changed the
- subject. &ldquo;How do you like the clergyman?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Very much indeed,&rdquo; she replied, without the slightest embarrassment. &ldquo;Mr.
- Mirabel is clever and agreeable&mdash;and not at all spoiled by his
- success. I am sure,&rdquo; she said innocently, &ldquo;you will like him too.&rdquo;
- </p>
- <p>
- Alban&rsquo;s face answered her unmistakably in the negative sense&mdash;but
- Emily&rsquo;s attention was drawn the other way by Francine. She joined them at
- the moment, on the lookout for any signs of an encouraging result which
- her treachery might already have produced. Alban had been inclined to
- suspect her when he had received the letter. He rose and bowed as she
- approached. Something&mdash;he was unable to realize what it was&mdash;told
- him, in the moment when they looked at each other, that his suspicion had
- hit the mark.
- </p>
- <p>
- In the conservatory the ever-amiable Mirabel had left his friends for a
- while in search of flowers for Cecilia. She turned to her father when they
- were alone, and asked him which of the gentlemen was to take her in to
- dinner&mdash;Mr. Mirabel or Mr. Morris?
- </p>
- <p>
- &ldquo;Mr. Morris, of course,&rdquo; he answered. &ldquo;He is the new guest&mdash;and he
- turns out to be more than the equal, socially-speaking, of our other
- friend. When I showed him his room, I asked if he was related to a man who
- bore the same name&mdash;a fellow student of mine, years and years ago, at
- college. He is my friend&rsquo;s younger son; one of a ruined family&mdash;but
- persons of high distinction in their day.&rdquo;
- </p>
- <p>
- Mirabel returned with the flowers, just as dinner was announced.
- </p>
- <p>
- &ldquo;You are to take Emily to-day,&rdquo; Cecilia said to him, leading the way out
- of the conservatory. As they entered the drawing-room, Alban was just
- offering his arm to Emily. &ldquo;Papa gives you to me, Mr. Morris,&rdquo; Cecilia
- explained pleasantly. Alban hesitated, apparently not understanding the
- allusion. Mirabel interfered with his best grace: &ldquo;Mr. Wyvil offers you
- the honor of taking his daughter to the dining-room.&rdquo; Alban&rsquo;s face
- darkened ominously, as the elegant little clergyman gave his arm to Emily,
- and followed Mr. Wyvil and Francine out of the room. Cecilia looked at her
- silent and surly companion, and almost envied her lazy sister, dining&mdash;under
- cover of a convenient headache&mdash;in her own room.
- </p>
- <p>
- Having already made up his mind that Alban Morris required careful
- handling, Mirabel waited a little before he led the conversation as usual.
- Between the soup and the fish, he made an interesting confession,
- addressed to Emily in the strictest confidence.
- </p>
- <p>
- &ldquo;I have taken a fancy to your friend Mr. Morris,&rdquo; he said. &ldquo;First
- impressions, in my case, decide everything; I like people or dislike them
- on impulse. That man appeals to my sympathies. Is he a good talker?&rdquo;
- </p>
- <p>
- &ldquo;I should say Yes,&rdquo; Emily answered prettily, &ldquo;if <i>you</i> were not
- present.&rdquo;
- </p>
- <p>
- Mirabel was not to be beaten, even by a woman, in the art of paying
- compliments. He looked admiringly at Alban (sitting opposite to him), and
- said: &ldquo;Let us listen.&rdquo;
- </p>
- <p>
- This flattering suggestion not only pleased Emily&mdash;it artfully served
- Mirabel&rsquo;s purpose. That is to say, it secured him an opportunity for
- observation of what was going on at the other side of the table.
- </p>
- <p>
- Alban&rsquo;s instincts as a gentleman had led him to control his irritation and
- to regret that he had suffered it to appear. Anxious to please, he
- presented himself at his best. Gentle Cecilia forgave and forgot the angry
- look which had startled her. Mr. Wyvil was delighted with the son of his
- old friend. Emily felt secretly proud of the good opinions which her
- admirer was gathering; and Francine saw with pleasure that he was
- asserting his claim to Emily&rsquo;s preference, in the way of all others which
- would be most likely to discourage his rival. These various impressions&mdash;produced
- while Alban&rsquo;s enemy was ominously silent&mdash;began to suffer an
- imperceptible change, from the moment when Mirabel decided that his time
- had come to take the lead. A remark made by Alban offered him the chance
- for which he had been on the watch. He agreed with the remark; he enlarged
- on the remark; he was brilliant and familiar, and instructive and amusing&mdash;and
- still it was all due to the remark. Alban&rsquo;s temper was once more severely
- tried. Mirabel&rsquo;s mischievous object had not escaped his penetration. He
- did his best to put obstacles in the adversary&rsquo;s way&mdash;and was
- baffled, time after time, with the readiest ingenuity. If he interrupted&mdash;the
- sweet-tempered clergyman submitted, and went on. If he differed&mdash;modest
- Mr. Mirabel said, in the most amiable manner, &ldquo;I daresay I am wrong,&rdquo; and
- handled the topic from his opponent&rsquo;s point of view. Never had such a
- perfect Christian sat before at Mr. Wyvil&rsquo;s table: not a hard word, not an
- impatient look, escaped him. The longer Alban resisted, the more surely he
- lost ground in the general estimation. Cecilia was disappointed; Emily was
- grieved; Mr. Wyvil&rsquo;s favorable opinion began to waver; Francine was
- disgusted. When dinner was over, and the carriage was waiting to take the
- shepherd back to his flock by moonlight, Mirabel&rsquo;s triumph was complete.
- He had made Alban the innocent means of publicly exhibiting his perfect
- temper and perfect politeness, under their best and brightest aspect.
- </p>
- <p>
- So that day ended. Sunday promised to pass quietly, in the absence of
- Mirabel. The morning came&mdash;and it seemed doubtful whether the promise
- would be fulfilled.
- </p>
- <p>
- Francine had passed an uneasy night. No such encouraging result as she had
- anticipated had hitherto followed the appearance of Alban Morris at
- Monksmoor. He had clumsily allowed Mirabel to improve his position&mdash;while
- he had himself lost ground&mdash;in Emily&rsquo;s estimation. If this first
- disastrous consequence of the meeting between the two men was permitted to
- repeat itself on future occasions, Emily and Mirabel would be brought more
- closely together, and Alban himself would be the unhappy cause of it.
- Francine rose, on the Sunday morning, before the table was laid for
- breakfast&mdash;resolved to try the effect of a timely word of advice.
- </p>
- <p>
- Her bedroom was situated in the front of the house. The man she was
- looking for presently passed within her range of view from the window, on
- his way to take a morning walk in the park. She followed him immediately.
- </p>
- <p>
- &ldquo;Good-morning, Mr. Morris.&rdquo;
- </p>
- <p>
- He raised his hat and bowed&mdash;without speaking, and without looking at
- her.
- </p>
- <p>
- &ldquo;We resemble each other in one particular,&rdquo; she proceeded, graciously; &ldquo;we
- both like to breathe the fresh air before breakfast.&rdquo;
- </p>
- <p>
- He said exactly what common politeness obliged him to say, and no more&mdash;he
- said, &ldquo;Yes.&rdquo;
- </p>
- <p>
- Some girls might have been discouraged. Francine went on.
- </p>
- <p>
- &ldquo;It is no fault of mine, Mr. Morris, that we have not been better friends.
- For some reason, into which I don&rsquo;t presume to inquire, you seem to
- distrust me. I really don&rsquo;t know what I have done to deserve it.&rdquo;
- </p>
- <p>
- &ldquo;Are you sure of that?&rdquo; he asked&mdash;eying her suddenly and searchingly
- as he spoke.
- </p>
- <p>
- Her hard face settled into a rigid look; her eyes met his eyes with a
- stony defiant stare. Now, for the first time, she knew that he suspected
- her of having written the anonymous letter. Every evil quality in her
- nature steadily defied him. A hardened old woman could not have sustained
- the shock of discovery with a more devilish composure than this girl
- displayed. &ldquo;Perhaps you will explain yourself,&rdquo; she said.
- </p>
- <p>
- &ldquo;I <i>have</i> explained myself,&rdquo; he answered.
- </p>
- <p>
- &ldquo;Then I must be content,&rdquo; she rejoined, &ldquo;to remain in the dark. I had
- intended, out of my regard for Emily, to suggest that you might&mdash;with
- advantage to yourself, and to interests that are very dear to you&mdash;be
- more careful in your behavior to Mr. Mirabel. Are you disposed to listen
- to me?&rdquo;
- </p>
- <p>
- &ldquo;Do you wish me to answer that question plainly, Miss de Sor?&rdquo;
- </p>
- <p>
- &ldquo;I insist on your answering it plainly.&rdquo;
- </p>
- <p>
- &ldquo;Then I am <i>not</i> disposed to listen to you.&rdquo;
- </p>
- <p>
- &ldquo;May I know why? or am I to be left in the dark again?&rdquo;
- </p>
- <p>
- &ldquo;You are to be left, if you please, to your own ingenuity.&rdquo;
- </p>
- <p>
- Francine looked at him, with a malignant smile. &ldquo;One of these days, Mr.
- Morris&mdash;I will deserve your confidence in my ingenuity.&rdquo; She said it,
- and went back to the house.
- </p>
- <p>
- This was the only element of disturbance that troubled the perfect
- tranquillity of the day. What Francine had proposed to do, with the one
- idea of making Alban serve her purpose, was accomplished a few hours later
- by Emily&rsquo;s influence for good over the man who loved her.
- </p>
- <p>
- They passed the afternoon together uninterruptedly in the distant
- solitudes of the park. In the course of conversation Emily found an
- opportunity of discreetly alluding to Mirabel. &ldquo;You mustn&rsquo;t be jealous of
- our clever little friend,&rdquo; she said; &ldquo;I like him, and admire him; but&mdash;&rdquo;
- </p>
- <p>
- &ldquo;But you don&rsquo;t love him?&rdquo;
- </p>
- <p>
- She smiled at the eager way in which Alban put the question.
- </p>
- <p>
- &ldquo;There is no fear of that,&rdquo; she answered brightly.
- </p>
- <p>
- &ldquo;Not even if you discovered that he loves you?&rdquo;
- </p>
- <p>
- &ldquo;Not even then. Are you content at last? Promise me not to be rude to Mr.
- Mirabel again.&rdquo;
- </p>
- <p>
- &ldquo;For his sake?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;for my sake. I don&rsquo;t like to see you place yourself at a
- disadvantage toward another man; I don&rsquo;t like you to disappoint me.&rdquo;
- </p>
- <p>
- The happiness of hearing her say those words transfigured him&mdash;the
- manly beauty of his earlier and happier years seemed to have returned to
- Alban. He took her hand&mdash;he was too agitated to speak.
- </p>
- <p>
- &ldquo;You are forgetting Mr. Mirabel,&rdquo; she reminded him gently.
- </p>
- <p>
- &ldquo;I will be all that is civil and kind to Mr. Mirabel; I will like him and
- admire him as you do. Oh, Emily, are you a little, only a very little,
- fond of me?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t quite know.&rdquo;
- </p>
- <p>
- &ldquo;May I try to find out?&rdquo;
- </p>
- <p>
- &ldquo;How?&rdquo; she asked.
- </p>
- <p>
- Her fair cheek was very near to him. The softly-rising color on it said,
- Answer me here&mdash;and he answered.
- </p>
- <p>
- <a name="link2HCH0045" id="link2HCH0045">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLV. MISCHIEF&mdash;MAKING.
- </h3>
- <p>
- On Monday, Mirabel made his appearance&mdash;and the demon of discord
- returned with him.
- </p>
- <p>
- Alban had employed the earlier part of the day in making a sketch in the
- park&mdash;intended as a little present for Emily. Presenting himself in
- the drawing-room, when his work was completed, he found Cecilia and
- Francine alone. He asked where Emily was.
- </p>
- <p>
- The question had been addressed to Cecilia. Francine answered it.
- </p>
- <p>
- &ldquo;Emily mustn&rsquo;t be disturbed,&rdquo; she said.
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;She is with Mr. Mirabel in the rose garden. I saw them talking together&mdash;evidently
- feeling the deepest interest in what they were saying to each other. Don&rsquo;t
- interrupt them&mdash;you will only be in the way.&rdquo;
- </p>
- <p>
- Cecilia at once protested against this last assertion. &ldquo;She is trying to
- make mischief, Mr. Morris&mdash;don&rsquo;t believe her. I am sure they will be
- glad to see you, if you join them in the garden.&rdquo;
- </p>
- <p>
- Francine rose, and left the room. She turned, and looked at Alban as she
- opened the door. &ldquo;Try it,&rdquo; she said&mdash;&ldquo;and you will find I am right.&rdquo;
- </p>
- <p>
- &ldquo;Francine sometimes talks in a very ill-natured way,&rdquo; Cecilia gently
- remarked. &ldquo;Do you think she means it, Mr. Morris?&rsquo;
- </p>
- <p>
- &ldquo;I had better not offer an opinion,&rdquo; Alban replied.
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t speak impartially; I dislike Miss de Sor.&rdquo;
- </p>
- <p>
- There was a pause. Alban&rsquo;s sense of self-respect forbade him to try the
- experiment which Francine had maliciously suggested. His thoughts&mdash;less
- easy to restrain&mdash;wandered in the direction of the garden. The
- attempt to make him jealous had failed; but he was conscious, at the same
- time, that Emily had disappointed him. After what they had said to each
- other in the park, she ought to have remembered that women are at the
- mercy of appearances. If Mirabel had something of importance to say to
- her, she might have avoided exposing herself to Francine&rsquo;s spiteful
- misconstruction: it would have been easy to arrange with Cecilia that a
- third person should be present at the interview.
- </p>
- <p>
- While he was absorbed in these reflections, Cecilia&mdash;embarrassed by
- the silence&mdash;was trying to find a topic of conversation. Alban
- roughly pushed his sketch-book away from him, on the table. Was he
- displeased with Emily? The same question had occurred to Cecilia at the
- time of the correspondence, on the subject of Miss Jethro. To recall those
- letters led her, by natural sequence, to another effort of memory. She was
- reminded of the person who had been the cause of the correspondence: her
- interest was revived in the mystery of Miss Jethro.
- </p>
- <p>
- &ldquo;Has Emily told you that I have seen your letter?&rdquo; she asked.
- </p>
- <p>
- He roused himself with a start. &ldquo;I beg your pardon. What letter are you
- thinking of?&rdquo;
- </p>
- <p>
- &ldquo;I was thinking of the letter which mentions Miss Jethro&rsquo;s strange visit.
- Emily was so puzzled and so surprised that she showed it to me&mdash;and
- we both consulted my father. Have you spoken to Emily about Miss Jethro?&rdquo;
- </p>
- <p>
- &ldquo;I have tried&mdash;but she seemed to be unwilling to pursue the subject.&rdquo;
- </p>
- <p>
- &ldquo;Have you made any discoveries since you wrote to Emily?&rdquo;
- </p>
- <p>
- &ldquo;No. The mystery is as impenetrable as ever.&rdquo;
- </p>
- <p>
- As he replied in those terms, Mirabel entered the conservatory from the
- garden, evidently on his way to the drawing-room.
- </p>
- <p>
- To see the man, whose introduction to Emily it had been Miss Jethro&rsquo;s
- mysterious object to prevent&mdash;at the very moment when he had been
- speaking of Miss Jethro herself&mdash;was, not only a temptation of
- curiosity, but a direct incentive (in Emily&rsquo;s own interests) to make an
- effort at discovery. Alban pursued the conversation with Cecilia, in a
- tone which was loud enough to be heard in the conservatory.
- </p>
- <p>
- &ldquo;The one chance of getting any information that I can see,&rdquo; he proceeded,
- &ldquo;is to speak to Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;I shall be only too glad, if I can be of any service to Miss Wyvil and
- Mr. Morris.&rdquo;
- </p>
- <p>
- With those obliging words, Mirabel made a dramatic entry, and looked at
- Cecilia with his irresistible smile. Startled by his sudden appearance,
- she unconsciously assisted Alban&rsquo;s design. Her silence gave him the
- opportunity of speaking in her place.
- </p>
- <p>
- &ldquo;We were talking,&rdquo; he said quietly to Mirabel, &ldquo;of a lady with whom you
- are acquainted.&rdquo;
- </p>
- <p>
- &ldquo;Indeed! May I ask the lady&rsquo;s name?&rdquo;
- </p>
- <p>
- &ldquo;Miss Jethro.&rdquo;
- </p>
- <p>
- Mirabel sustained the shock with extraordinary self-possession&mdash;so
- far as any betrayal by sudden movement was concerned. But his color told
- the truth: it faded to paleness&mdash;it revealed, even to Cecilia&rsquo;s eyes,
- a man overpowered by fright.
- </p>
- <p>
- Alban offered him a chair. He refused to take it by a gesture. Alban tried
- an apology next. &ldquo;I am afraid I have ignorantly revived some painful
- associations. Pray excuse me.&rdquo;
- </p>
- <p>
- The apology roused Mirabel: he felt the necessity of offering some
- explanation. In timid animals, the one defensive capacity which is always
- ready for action is cunning. Mirabel was too wily to dispute the inference&mdash;the
- inevitable inference&mdash;which any one must have drawn, after seeing the
- effect on him that the name of Miss Jethro had produced. He admitted that
- &ldquo;painful associations&rdquo; had been revived, and deplored the &ldquo;nervous
- sensibility&rdquo; which had permitted it to be seen.
- </p>
- <p>
- &ldquo;No blame can possibly attach to <i>you</i>, my dear sir,&rdquo; he continued,
- in his most amiable manner. &ldquo;Will it be indiscreet, on my part, if I ask
- how you first became acquainted with Miss Jethro?&rdquo;
- </p>
- <p>
- &ldquo;I first became acquainted with her at Miss Ladd&rsquo;s school,&rdquo; Alban
- answered. &ldquo;She was, for a short time only, one of the teachers; and she
- left her situation rather suddenly.&rdquo; He paused&mdash;but Mirabel made no
- remark. &ldquo;After an interval of a few months,&rdquo; he resumed, &ldquo;I saw Miss
- Jethro again. She called on me at my lodgings, near Netherwoods.&rdquo;
- </p>
- <p>
- &ldquo;Merely to renew your former acquaintance?&rdquo;
- </p>
- <p>
- Mirabel made that inquiry with an eager anxiety for the reply which he was
- quite unable to conceal. Had he any reason to dread what Miss Jethro might
- have it in her power to say of him to another person? Alban was in no way
- pledged to secrecy, and he was determined to leave no means untried of
- throwing light on Miss Jethro&rsquo;s mysterious warning. He repeated the plain
- narrative of the interview, which he had communicated by letter to Emily.
- Mirabel listened without making any remark.
- </p>
- <p>
- &ldquo;After what I have told you, can you give me no explanation?&rdquo; Alban asked.
- </p>
- <p>
- &ldquo;I am quite unable, Mr. Morris, to help you.&rdquo;
- </p>
- <p>
- Was he lying? or speaking, the truth? The impression produced on Alban was
- that he had spoken the truth.
- </p>
- <p>
- Women are never so ready as men to resign themselves to the disappointment
- of their hopes. Cecilia, silently listening up to this time, now ventured
- to speak&mdash;animated by her sisterly interest in Emily.
- </p>
- <p>
- &ldquo;Can you not tell us,&rdquo; she said to Mirabel, &ldquo;why Miss Jethro tried to
- prevent Emily Brown from meeting you here?&rdquo;
- </p>
- <p>
- &ldquo;I know no more of her motive than you do,&rdquo; Mirabel replied.
- </p>
- <p>
- Alban interposed. &ldquo;Miss Jethro left me,&rdquo; he said, &ldquo;with the intention&mdash;quite
- openly expressed&mdash;of trying to prevent you from accepting Mr. Wyvil&rsquo;s
- invitation. Did she make the attempt?&rdquo;
- </p>
- <p>
- Mirabel admitted that she had made the attempt. &ldquo;But,&rdquo; he added, &ldquo;without
- mentioning Miss Emily&rsquo;s name. I was asked to postpone my visit, as a favor
- to herself, because she had her own reasons for wishing it. I had <i>my</i>
- reasons&rdquo; (he bowed with gallantry to Cecilia) &ldquo;for being eager to have the
- honor of knowing Mr. Wyvil and his daughter; and I refused.&rdquo;
- </p>
- <p>
- Once more, the doubt arose: was he lying? or speaking the truth? And, once
- more, Alban could not resist the conclusion that he was speaking the
- truth.
- </p>
- <p>
- &ldquo;There is one thing I should like to know,&rdquo; Mirabel continued, after some
- hesitation. &ldquo;Has Miss Emily been informed of this strange affair?&rdquo;
- </p>
- <p>
- &ldquo;Certainly!&rdquo;
- </p>
- <p>
- Mirabel seemed to be disposed to continue his inquiries&mdash;and suddenly
- changed his mind. Was he beginning to doubt if Alban had spoken without
- concealment, in describing Miss Jethro&rsquo;s visit? Was he still afraid of
- what Miss Jethro might have said of him? In any case, he changed the
- subject, and made an excuse for leaving the room.
- </p>
- <p>
- &ldquo;I am forgetting my errand,&rdquo; he said to Alban. &ldquo;Miss Emily was anxious to
- know if you had finished your sketch. I must tell her that you have
- returned.&rdquo;
- </p>
- <p>
- He bowed and withdrew.
- </p>
- <p>
- Alban rose to follow him&mdash;and checked himself.
- </p>
- <p>
- &ldquo;No,&rdquo; he thought, &ldquo;I trust Emily!&rdquo; He sat down again by Cecilia&rsquo;s side.
- </p>
- <p>
- Mirabel had indeed returned to the rose garden. He found Emily employed as
- he had left her, in making a crown of roses, to be worn by Cecilia in the
- evening. But, in one other respect, there was a change. Francine was
- present.
- </p>
- <p>
- &ldquo;Excuse me for sending you on a needless errand,&rdquo; Emily said to Mirabel;
- &ldquo;Miss de Sor tells me Mr. Morris has finished his sketch. She left him in
- the drawing-room&mdash;why didn&rsquo;t you bring him here?&rdquo;
- </p>
- <p>
- &ldquo;He was talking with Miss Wyvil.&rdquo;
- </p>
- <p>
- Mirabel answered absently&mdash;with his eyes on Francine. He gave her one
- of those significant looks, which says to a third person, &ldquo;Why are you
- here?&rdquo; Francine&rsquo;s jealousy declined to understand him. He tried a broader
- hint, in words.
- </p>
- <p>
- &ldquo;Are you going to walk in the garden?&rdquo; he said.
- </p>
- <p>
- Francine was impenetrable. &ldquo;No,&rdquo; she answered, &ldquo;I am going to stay here
- with Emily.&rdquo;
- </p>
- <p>
- Mirabel had no choice but to yield. Imperative anxieties forced him to
- say, in Francine&rsquo;s presence, what he had hoped to say to Emily privately.
- </p>
- <p>
- &ldquo;When I joined Miss Wyvil and Mr. Morris,&rdquo; he began, &ldquo;what do you think
- they were doing? They were talking of&mdash;Miss Jethro.&rdquo;
- </p>
- <p>
- Emily dropped the rose-crown on her lap. It was easy to see that she had
- been disagreeably surprised.
- </p>
- <p>
- &ldquo;Mr. Morris has told me the curious story of Miss Jethro&rsquo;s visit,&rdquo; Mirabel
- continued; &ldquo;but I am in some doubt whether he has spoken to me without
- reserve. Perhaps he expressed himself more freely when he spoke to <i>you</i>.
- Miss Jethro may have said something to him which tended to lower me in
- your estimation?&rdquo;
- </p>
- <p>
- &ldquo;Certainly not, Mr. Mirabel&mdash;so far as I know. If I had heard
- anything of the kind, I should have thought it my duty to tell you. Will
- it relieve your anxiety, if I go at once to Mr. Morris, and ask him
- plainly whether he has concealed anything from you or from me?&rdquo;
- </p>
- <p>
- Mirabel gratefully kissed her hand. &ldquo;Your kindness overpowers me,&rdquo; he said&mdash;speaking,
- for once, with true emotion.
- </p>
- <p>
- Emily immediately returned to the house. As soon as she was out of sight,
- Francine approached Mirabel, trembling with suppressed rage.
- </p>
- <p>
- <a name="link2HCH0046" id="link2HCH0046">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLVI. PRETENDING.
- </h3>
- <p>
- Miss de Sor began cautiously with an apology. &ldquo;Excuse me, Mr. Mirabel, for
- reminding you of my presence.&rdquo;
- </p>
- <p>
- Mr. Mirabel made no reply.
- </p>
- <p>
- &ldquo;I beg to say,&rdquo; Francine proceeded, &ldquo;that I didn&rsquo;t intentionally see you
- kiss Emily&rsquo;s hand.&rdquo;
- </p>
- <p>
- Mirabel stood, looking at the roses which Emily had left on her chair, as
- completely absorbed in his own thoughts as if he had been alone in the
- garden.
- </p>
- <p>
- &ldquo;Am I not even worth notice?&rdquo; Francine asked. &ldquo;Ah, I know to whom I am
- indebted for your neglect!&rdquo; She took him familiarly by the arm, and burst
- into a harsh laugh. &ldquo;Tell me now, in confidence&mdash;do you think Emily
- is fond of you?&rdquo;
- </p>
- <p>
- The impression left by Emily&rsquo;s kindness was still fresh in Mirabel&rsquo;s
- memory: he was in no humor to submit to the jealous resentment of a woman
- whom he regarded with perfect indifference. Through the varnish of
- politeness which overlaid his manner, there rose to the surface the
- underlying insolence, hidden, on all ordinary occasions, from all human
- eyes. He answered Francine&mdash;mercilessly answered her&mdash;at last.
- </p>
- <p>
- &ldquo;It is the dearest hope of my life that she may be fond of me,&rdquo; he said.
- </p>
- <p>
- Francine dropped his arm &ldquo;And fortune favors your hopes,&rdquo; she added, with
- an ironical assumption of interest in Mirabel&rsquo;s prospects. &ldquo;When Mr.
- Morris leaves us to-morrow, he removes the only obstacle you have to fear.
- Am I right?&rdquo;
- </p>
- <p>
- &ldquo;No; you are wrong.&rdquo;
- </p>
- <p>
- &ldquo;In what way, if you please?&rdquo;
- </p>
- <p>
- &ldquo;In this way. I don&rsquo;t regard Mr. Morris as an obstacle. Emily is too
- delicate and too kind to hurt his feelings&mdash;she is not in love with
- him. There is no absorbing interest in her mind to divert her thoughts
- from me. She is idle and happy; she thoroughly enjoys her visit to this
- house, and I am associated with her enjoyment. There is my chance&mdash;!&rdquo;
- </p>
- <p>
- He suddenly stopped. Listening to him thus far, unnaturally calm and cold,
- Francine now showed that she felt the lash of his contempt. A hideous
- smile passed slowly over her white face. It threatened the vengeance which
- knows no fear, no pity, no remorse&mdash;the vengeance of a jealous woman.
- Hysterical anger, furious language, Mirabel was prepared for. The smile
- frightened him.
- </p>
- <p>
- &ldquo;Well?&rdquo; she said scornfully, &ldquo;why don&rsquo;t you go on?&rdquo;
- </p>
- <p>
- A bolder man might still have maintained the audacious position which he
- had assumed. Mirabel&rsquo;s faint heart shrank from it. He was eager to shelter
- himself under the first excuse that he could find. His ingenuity,
- paralyzed by his fears, was unable to invent anything new. He feebly
- availed himself of the commonplace trick of evasion which he had read of
- in novels, and seen in action on the stage.
- </p>
- <p>
- &ldquo;Is it possible,&rdquo; he asked, with an overacted assumption of surprise,
- &ldquo;that you think I am in earnest?&rdquo;
- </p>
- <p>
- In the case of any other person, Francine would have instantly seen
- through that flimsy pretense. But the love which accepts the meanest
- crumbs of comfort that can be thrown to it&mdash;which fawns and grovels
- and deliberately deceives itself, in its own intensely selfish interests&mdash;was
- the love that burned in Francine&rsquo;s breast. The wretched girl believed
- Mirabel with such an ecstatic sense of belief that she trembled in every
- limb, and dropped into the nearest chair.
- </p>
- <p>
- &ldquo;<i>I</i> was in earnest,&rdquo; she said faintly. &ldquo;Didn&rsquo;t you see it?&rdquo;
- </p>
- <p>
- He was perfectly shameless; he denied that he had seen it, in the most
- positive manner. &ldquo;Upon my honor, I thought you were mystifying me, and I
- humored the joke.&rdquo;
- </p>
- <p>
- She sighed, and looking at him with an expression of tender reproach. &ldquo;I
- wonder whether I can believe you,&rdquo; she said softly.
- </p>
- <p>
- &ldquo;Indeed you may believe me!&rdquo; he assured her.
- </p>
- <p>
- She hesitated&mdash;for the pleasure of hesitating. &ldquo;I don&rsquo;t know. Emily
- is very much admired by some men. Why not by you?&rdquo;
- </p>
- <p>
- &ldquo;For the best of reasons,&rdquo; he answered &ldquo;She is poor, and I am poor. Those
- are facts which speak for themselves.&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;but Emily is bent on attracting you. She would marry you
- to-morrow, if you asked her. Don&rsquo;t attempt to deny it! Besides, you kissed
- her hand.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Miss de Sor!&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t call me &lsquo;Miss de Sor&rsquo;! Call me Francine. I want to know why you
- kissed her hand.&rdquo;
- </p>
- <p>
- He humored her with inexhaustible servility. &ldquo;Allow me to kiss <i>your</i>
- hand, Francine!&mdash;and let me explain that kissing a lady&rsquo;s hand is
- only a form of thanking her for her kindness. You must own that Emily&mdash;&rdquo;
- </p>
- <p>
- She interrupted him for the third time. &ldquo;Emily?&rdquo; she repeated. &ldquo;Are you as
- familiar as that already? Does she call you &lsquo;Miles,&rsquo; when you are by
- yourselves? Is there any effort at fascination which this charming
- creature has left untried? She told you no doubt what a lonely life she
- leads in her poor little home?&rdquo;
- </p>
- <p>
- Even Mirabel felt that he must not permit this to pass.
- </p>
- <p>
- &ldquo;She has said nothing to me about herself,&rdquo; he answered. &ldquo;What I know of
- her, I know from Mr. Wyvil.&rdquo;
- </p>
- <p>
- &ldquo;Oh, indeed! You asked Mr. Wyvil about her family, of course? What did he
- say?&rdquo;
- </p>
- <p>
- &ldquo;He said she lost her mother when she was a child&mdash;and he told me her
- father had died suddenly, a few years since, of heart complaint.&rdquo;
- </p>
- <p>
- &ldquo;Well, and what else?&mdash;Never mind now! Here is somebody coming.&rdquo;
- </p>
- <p>
- The person was only one of the servants. Mirabel felt grateful to the man
- for interrupting them. Animated by sentiments of a precisely opposite
- nature, Francine spoke to him sharply.
- </p>
- <p>
- &ldquo;What do you want here?&rdquo;
- </p>
- <p>
- &ldquo;A message, miss.&rdquo;
- </p>
- <p>
- &ldquo;From whom?&rdquo;
- </p>
- <p>
- &ldquo;From Miss Brown.&rdquo;
- </p>
- <p>
- &ldquo;For me?&rdquo;
- </p>
- <p>
- &ldquo;No, miss.&rdquo; He turned to Mirabel. &ldquo;Miss Brown wishes to speak to you, sir,
- if you are not engaged.&rdquo;
- </p>
- <p>
- Francine controlled herself until the man was out of hearing.
- </p>
- <p>
- &ldquo;Upon my word, this is too shameless!&rdquo; she declared indignantly. &ldquo;Emily
- can&rsquo;t leave you with me for five minutes, without wanting to see you
- again. If you go to her after all that you have said to me,&rdquo; she cried,
- threatening Mirabel with her outstretched hand, &ldquo;you are the meanest of
- men!&rdquo;
- </p>
- <p>
- He <i>was</i> the meanest of men&mdash;he carried out his cowardly
- submission to the last extremity.
- </p>
- <p>
- &ldquo;Only say what you wish me to do,&rdquo; he replied.
- </p>
- <p>
- Even Francine expected some little resistance from a creature bearing the
- outward appearance of a man. &ldquo;Oh, do you really mean it?&rdquo; she asked &ldquo;I
- want you to disappoint Emily. Will you stay here, and let me make your
- excuses?&rdquo;
- </p>
- <p>
- &ldquo;I will do anything to please you.&rdquo;
- </p>
- <p>
- Francine gave him a farewell look. Her admiration made a desperate effort
- to express itself appropriately in words. &ldquo;You are not a man,&rdquo; she said,
- &ldquo;you are an angel!&rdquo;
- </p>
- <p>
- Left by himself, Mirabel sat down to rest. He reviewed his own conduct
- with perfect complacency. &ldquo;Not one man in a hundred could have managed
- that she-devil as I have done,&rdquo; he thought. &ldquo;How shall I explain matters
- to Emily?&rdquo;
- </p>
- <p>
- Considering this question, he looked by chance at the unfinished crown of
- roses. &ldquo;The very thing to help me!&rdquo; he said&mdash;and took out his
- pocketbook, and wrote these lines on a blank page: &ldquo;I have had a scene of
- jealousy with Miss de Sor, which is beyond all description. To spare <i>you</i>
- a similar infliction, I have done violence to my own feelings. Instead of
- instantly obeying the message which you have so kindly sent to me, I
- remain here for a little while&mdash;entirely for your sake.&rdquo;
- </p>
- <p>
- Having torn out the page, and twisted it up among the roses, so that only
- a corner of the paper appeared in view, Mirabel called to a lad who was at
- work in the garden, and gave him his directions, accompanied by a
- shilling. &ldquo;Take those flowers to the servants&rsquo; hall, and tell one of the
- maids to put them in Miss Brown&rsquo;s room. Stop! Which is the way to the
- fruit garden?&rdquo;
- </p>
- <p>
- The lad gave the necessary directions. Mirabel walked away slowly, with
- his hands in his pockets. His nerves had been shaken; he thought a little
- fruit might refresh him.
- </p>
- <p>
- <a name="link2HCH0047" id="link2HCH0047">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLVII. DEBATING.
- </h3>
- <p>
- In the meanwhile Emily had been true to her promise to relieve Mirabel&rsquo;s
- anxieties, on the subject of Miss Jethro. Entering the drawing-room in
- search of Alban, she found him talking with Cecilia, and heard her own
- name mentioned as she opened the door.
- </p>
- <p>
- &ldquo;Here she is at last!&rdquo; Cecilia exclaimed. &ldquo;What in the world has kept you
- all this time in the rose garden?&rdquo;
- </p>
- <p>
- &ldquo;Has Mr. Mirabel been more interesting than usual?&rdquo; Alban asked gayly.
- Whatever sense of annoyance he might have felt in Emily&rsquo;s absence, was
- forgotten the moment she appeared; all traces of trouble in his face
- vanished when they looked at each other.
- </p>
- <p>
- &ldquo;You shall judge for yourself,&rdquo; Emily replied with a smile. &ldquo;Mr. Mirabel
- has been speaking to me of a relative who is very dear to him&mdash;his
- sister.&rdquo;
- </p>
- <p>
- Cecilia was surprised. &ldquo;Why has he never spoken to <i>us</i> of his
- sister?&rdquo; she asked.
- </p>
- <p>
- &ldquo;It&rsquo;s a sad subject to speak of, my dear. His sister lives a life of
- suffering&mdash;she has been for years a prisoner in her room. He writes
- to her constantly. His letters from Monksmoor have interested her, poor
- soul. It seems he said something about me&mdash;and she has sent a kind
- message, inviting me to visit her one of these days. Do you understand it
- now, Cecilia?&rdquo;
- </p>
- <p>
- &ldquo;Of course I do! Tell me&mdash;is Mr. Mirabel&rsquo;s sister older or younger
- than he is?&rdquo;
- </p>
- <p>
- &ldquo;Older.&rdquo;
- </p>
- <p>
- &ldquo;Is she married?&rdquo;
- </p>
- <p>
- &ldquo;She is a widow.&rdquo;
- </p>
- <p>
- &ldquo;Does she live with her brother?&rdquo; Alban asked.
- </p>
- <p>
- &ldquo;Oh, no! She has her own house&mdash;far away in Northumberland.&rdquo;
- </p>
- <p>
- &ldquo;Is she near Sir Jervis Redwood?&rdquo;
- </p>
- <p>
- &ldquo;I fancy not. Her house is on the coast.&rdquo;
- </p>
- <p>
- &ldquo;Any children?&rdquo; Cecilia inquired.
- </p>
- <p>
- &ldquo;No; she is quite alone. Now, Cecilia, I have told you all I know&mdash;and
- I have something to say to Mr. Morris. No, you needn&rsquo;t leave us; it&rsquo;s a
- subject in which you are interested. A subject,&rdquo; she repeated, turning to
- Alban, &ldquo;which you may have noticed is not very agreeable to me.&rdquo;
- </p>
- <p>
- &ldquo;Miss Jethro?&rdquo; Alban guessed.
- </p>
- <p>
- &ldquo;Yes; Miss Jethro.&rdquo;
- </p>
- <p>
- Cecilia&rsquo;s curiosity instantly asserted itself.
- </p>
- <p>
- &ldquo;<i>We</i> have tried to get Mr. Mirabel to enlighten us, and tried in
- vain,&rdquo; she said. &ldquo;You are a favorite. Have you succeeded?&rdquo;
- </p>
- <p>
- &ldquo;I have made no attempt to succeed,&rdquo; Emily replied. &ldquo;My only object is to
- relieve Mr. Mirabel&rsquo;s anxiety, if I can&mdash;with your help, Mr. Morris.&rdquo;
- </p>
- <p>
- &ldquo;In what way can I help you?&rdquo;
- </p>
- <p>
- &ldquo;You mustn&rsquo;t be angry.&rdquo;
- </p>
- <p>
- &ldquo;Do I look angry?&rdquo;
- </p>
- <p>
- &ldquo;You look serious. It is a very simple thing. Mr. Mirabel is afraid that
- Miss Jethro may have said something disagreeable about him, which you
- might hesitate to repeat. Is he making himself uneasy without any reason?&rdquo;
- </p>
- <p>
- &ldquo;Without the slightest reason. I have concealed nothing from Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;Thank you for the explanation.&rdquo; She turned to Cecilia. &ldquo;May I send one of
- the servants with a message? I may as well put an end to Mr. Mirabel&rsquo;s
- suspense.&rdquo;
- </p>
- <p>
- The man was summoned, and was dispatched with the message. Emily would
- have done well, after this, if she had abstained from speaking further of
- Miss Jethro. But Mirabel&rsquo;s doubts had, unhappily, inspired a similar
- feeling of uncertainty in her own mind. She was now disposed to attribute
- the tone of mystery in Alban&rsquo;s unlucky letter to some possible concealment
- suggested by regard for herself. &ldquo;I wonder whether <i>I</i> have any
- reason to feel uneasy?&rdquo; she said&mdash;half in jest, half in earnest.
- </p>
- <p>
- &ldquo;Uneasy about what?&rdquo; Alban inquired.
- </p>
- <p>
- &ldquo;About Miss Jethro, of course! Has she said anything of me which your
- kindness has concealed?&rdquo;
- </p>
- <p>
- Alban seemed to be a little hurt by the doubt which her question implied.
- &ldquo;Was that your motive,&rdquo; he asked, &ldquo;for answering my letter as cautiously
- as if you had been writing to a stranger?&rdquo;
- </p>
- <p>
- &ldquo;Indeed you are quite wrong!&rdquo; Emily earnestly assured him. &ldquo;I was
- perplexed and startled&mdash;and I took Mr. Wyvil&rsquo;s advice, before I wrote
- to you. Shall we drop the subject?&rdquo;
- </p>
- <p>
- Alban would have willingly dropped the subject&mdash;but for that
- unfortunate allusion to Mr. Wyvil. Emily had unconsciously touched him on
- a sore place. He had already heard from Cecilia of the consultation over
- his letter, and had disapproved of it. &ldquo;I think you were wrong to trouble
- Mr. Wyvil,&rdquo; he said.
- </p>
- <p>
- The altered tone of his voice suggested to Emily that he would have spoken
- more severely, if Cecilia had not been in the room. She thought him
- needlessly ready to complain of a harmless proceeding&mdash;and she too
- returned to the subject, after having proposed to drop it not a minute
- since!
- </p>
- <p>
- &ldquo;You didn&rsquo;t tell me I was to keep your letter a secret,&rdquo; she replied.
- </p>
- <p>
- Cecilia made matters worse&mdash;with the best intentions. &ldquo;I&rsquo;m sure, Mr.
- Morris, my father was only too glad to give Emily his advice.&rdquo;
- </p>
- <p>
- Alban remained silent&mdash;ungraciously silent as Emily thought, after
- Mr. Wyvil&rsquo;s kindness to him.
- </p>
- <p>
- &ldquo;The thing to regret,&rdquo; she remarked, &ldquo;is that Mr. Morris allowed Miss
- Jethro to leave him without explaining herself. In his place, I should
- have insisted on knowing why she wanted to prevent me from meeting Mr.
- Mirabel in this house.&rdquo;
- </p>
- <p>
- Cecilia made another unlucky attempt at judicious interference. This time,
- she tried a gentle remonstrance.
- </p>
- <p>
- &ldquo;Remember, Emily, how Mr. Morris was situated. He could hardly be rude to
- a lady. And I daresay Miss Jethro had good reasons for not wishing to
- explain herself.&rdquo;
- </p>
- <p>
- Francine opened the drawing-room door and heard Cecilia&rsquo;s last words.
- </p>
- <p>
- &ldquo;Miss Jethro again!&rdquo; she exclaimed.
- </p>
- <p>
- &ldquo;Where is Mr. Mirabel?&rdquo; Emily asked. &ldquo;I sent him a message.&rdquo;
- </p>
- <p>
- &ldquo;He regrets to say he is otherwise engaged for the present,&rdquo; Francine
- replied with spiteful politeness. &ldquo;Don&rsquo;t let me interrupt the
- conversation. Who is this Miss Jethro, whose name is on everybody&rsquo;s lips?&rdquo;
- </p>
- <p>
- Alban could keep silent no longer. &ldquo;We have done with the subject,&rdquo; he
- said sharply.
- </p>
- <p>
- &ldquo;Because I am here?&rdquo;
- </p>
- <p>
- &ldquo;Because we have said more than enough about Miss Jethro already.&rdquo;
- </p>
- <p>
- &ldquo;Speak for yourself, Mr. Morris,&rdquo; Emily answered, resenting the masterful
- tone which Alban&rsquo;s interference had assumed. &ldquo;I have not done with Miss
- Jethro yet, I can assure you.&rdquo;
- </p>
- <p>
- &ldquo;My dear, you don&rsquo;t know where she lives,&rdquo; Cecilia reminded her.
- </p>
- <p>
- &ldquo;Leave me to discover it!&rdquo; Emily answered hotly. &ldquo;Perhaps Mr. Mirabel
- knows. I shall ask Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;I thought you would find a reason for returning to Mr. Mirabel,&rdquo; Francine
- remarked.
- </p>
- <p>
- Before Emily could reply, one of the maids entered the room with a wreath
- of roses in her hand.
- </p>
- <p>
- &ldquo;Mr. Mirabel sends you these flowers, miss,&rdquo; the woman said, addressing
- Emily. &ldquo;The boy told me they were to be taken to your room. I thought it
- was a mistake, and I have brought them to you here.&rdquo;
- </p>
- <p>
- Francine, who happened to be nearest to the door, took the roses from the
- girl on pretense of handing them to Emily. Her jealous vigilance detected
- the one visible morsel of Mirabel&rsquo;s letter, twisted up with the flowers.
- Had Emily entrapped him into a secret correspondence with her? &ldquo;A scrap of
- waste paper among your roses,&rdquo; she said, crumpling it up in her hand as if
- she meant to throw it away.
- </p>
- <p>
- But Emily was too quick for her. She caught Francine by the wrist. &ldquo;Waste
- paper or not,&rdquo; she said; &ldquo;it was among my flowers and it belongs to me.&rdquo;
- </p>
- <p>
- Francine gave up the letter, with a look which might have startled Emily
- if she had noticed it. She handed the roses to Cecilia. &ldquo;I was making a
- wreath for you to wear this evening, my dear&mdash;and I left it in the
- garden. It&rsquo;s not quite finished yet.&rdquo;
- </p>
- <p>
- Cecilia was delighted. &ldquo;How lovely it is!&rdquo; she exclaimed. &ldquo;And how very
- kind of you! I&rsquo;ll finish it myself.&rdquo; She turned away to the conservatory.
- </p>
- <p>
- &ldquo;I had no idea I was interfering with a letter,&rdquo; said Francine; watching
- Emily with fiercely-attentive eyes, while she smoothed out the crumpled
- paper.
- </p>
- <p>
- Having read what Mirabel had written to her, Emily looked up, and saw that
- Alban was on the point of following Cecilia into the conservatory. He had
- noticed something in Francine&rsquo;s face which he was at a loss to understand,
- but which made her presence in the room absolutely hateful to him. Emily
- followed and spoke to him.
- </p>
- <p>
- &ldquo;I am going back to the rose garden,&rdquo; she said.
- </p>
- <p>
- &ldquo;For any particular purpose?&rdquo; Alban inquired
- </p>
- <p>
- &ldquo;For a purpose which, I am afraid, you won&rsquo;t approve of. I mean to ask Mr.
- Mirabel if he knows Miss Jethro&rsquo;s address.&rdquo;
- </p>
- <p>
- &ldquo;I hope he is as ignorant of it as I am,&rdquo; Alban answered gravely.
- </p>
- <p>
- &ldquo;Are we going to quarrel over Miss Jethro, as we once quarreled over Mrs.
- Rook?&rdquo; Emily asked&mdash;with the readiest recovery of her good humor.
- &ldquo;Come! come! I am sure you are as anxious, in your own private mind, to
- have this matter cleared up as I am.&rdquo;
- </p>
- <p>
- &ldquo;With one difference&mdash;that I think of consequences, and you don&rsquo;t.&rdquo;
- He said it, in his gentlest and kindest manner, and stepped into the
- conservatory.
- </p>
- <p>
- &ldquo;Never mind the consequences,&rdquo; she called after him, &ldquo;if we can only get
- at the truth. I hate being deceived!&rdquo;
- </p>
- <p>
- &ldquo;There is no person living who has better reason than you have to say
- that.&rdquo;
- </p>
- <p>
- Emily looked round with a start. Alban was out of hearing. It was Francine
- who had answered her.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; she said.
- </p>
- <p>
- Francine hesitated. A ghastly paleness overspread her face.
- </p>
- <p>
- &ldquo;Are you ill?&rdquo; Emily asked.
- </p>
- <p>
- &ldquo;No&mdash;I am thinking.&rdquo;
- </p>
- <p>
- After waiting for a moment in silence, Emily moved away toward the door of
- the drawing-room. Francine suddenly held up her hand.
- </p>
- <p>
- &ldquo;Stop!&rdquo; she cried.
- </p>
- <p>
- Emily stood still.
- </p>
- <p>
- &ldquo;My mind is made up,&rdquo; Francine said.
- </p>
- <p>
- &ldquo;Made up&mdash;to what?&rdquo;
- </p>
- <p>
- &ldquo;You asked what I meant, just now.&rdquo;
- </p>
- <p>
- &ldquo;I did.&rdquo;
- </p>
- <p>
- &ldquo;Well, my mind is made up to answer you. Miss Emily Brown, you are leading
- a sadly frivolous life in this house. I am going to give you something
- more serious to think about than your flirtation with Mr. Mirabel. Oh,
- don&rsquo;t be impatient! I am coming to the point. Without knowing it yourself,
- you have been the victim of deception for years past&mdash;cruel deception&mdash;wicked
- deception that puts on the mask of mercy.&rdquo;
- </p>
- <p>
- &ldquo;Are you alluding to Miss Jethro?&rdquo; Emily asked, in astonishment. &ldquo;I
- thought you were strangers to each other. Just now, you wanted to know who
- she was.&rdquo;
- </p>
- <p>
- &ldquo;I know nothing about her. I care nothing about her. I am not thinking of
- Miss Jethro.&rdquo;
- </p>
- <p>
- &ldquo;Who are you thinking of?&rdquo;
- </p>
- <p>
- &ldquo;I am thinking,&rdquo; Francine answered, &ldquo;of your dead father.&rdquo;
- </p>
- <p>
- <a name="link2HCH0048" id="link2HCH0048">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLVIII. INVESTIGATING.
- </h3>
- <p>
- Having revived his sinking energies in the fruit garden, Mirabel seated
- himself under the shade of a tree, and reflected on the critical position
- in which he was placed by Francine&rsquo;s jealousy.
- </p>
- <p>
- If Miss de Sor continued to be Mr. Wyvil&rsquo;s guest, there seemed to be no
- other choice before Mirabel than to leave Monksmoor&mdash;and to trust to
- a favorable reply to his sister&rsquo;s invitation for the free enjoyment of
- Emily&rsquo;s society under another roof. Try as he might, he could arrive at no
- more satisfactory conclusion than this. In his preoccupied state, time
- passed quickly. Nearly an hour had elapsed before he rose to return to the
- house.
- </p>
- <p>
- Entering the hall, he was startled by a cry of terror in a woman&rsquo;s voice,
- coming from the upper regions. At the same time Mr. Wyvil, passing along
- the bedroom corridor after leaving the music-room, was confronted by his
- daughter, hurrying out of Emily&rsquo;s bedchamber in such a state of alarm that
- she could hardly speak.
- </p>
- <p>
- &ldquo;Gone!&rdquo; she cried, the moment she saw her father.
- </p>
- <p>
- Mr. Wyvil took her in his arms and tried to compose her. &ldquo;Who has gone?&rdquo;
- he asked.
- </p>
- <p>
- &ldquo;Emily! Oh, papa, Emily has left us! She has heard dreadful news&mdash;she
- told me so herself.&rdquo;
- </p>
- <p>
- &ldquo;What news? How did she hear it?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know how she heard it. I went back to the drawing-room to show
- her my roses&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Was she alone?&rdquo;
- </p>
- <p>
- &ldquo;Yes! She frightened me&mdash;she seemed quite wild. She said, &lsquo;Let me be
- by myself; I shall have to go home.&rsquo; She kissed me&mdash;and ran up to her
- room. Oh, I am such a fool! Anybody else would have taken care not to lose
- sight of her.&rdquo;
- </p>
- <p>
- &ldquo;How long did you leave her by herself?&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t say. I thought I would go and tell you. And then I got anxious
- about her, and knocked at her door, and looked into the room. Gone! Gone!&rdquo;
- </p>
- <p>
- Mr. Wyvil rang the bell and confided Cecilia to the care of her maid.
- Mirabel had already joined him in the corridor. They went downstairs
- together and consulted with Alban. He volunteered to make immediate
- inquiries at the railway station. Mr. Wyvil followed him, as far as the
- lodge gate which opened on the highroad&mdash;while Mirabel went to a
- second gate, at the opposite extremity of the park.
- </p>
- <p>
- Mr. Wyvil obtained the first news of Emily. The lodge keeper had seen her
- pass him, on her way out of the park, in the greatest haste. He had called
- after her, &ldquo;Anything wrong, miss?&rdquo; and had received no reply. Asked what
- time had elapsed since this had happened, he was too confused to be able
- to answer with any certainty. He knew that she had taken the road which
- led to the station&mdash;and he knew no more.
- </p>
- <p>
- Mr. Wyvil and Mirabel met again at the house, and instituted an
- examination of the servants. No further discoveries were made.
- </p>
- <p>
- The question which occurred to everybody was suggested by the words which
- Cecilia had repeated to her father. Emily had said she had &ldquo;heard dreadful
- news&rdquo;&mdash;how had that news reached her? The one postal delivery at
- Monksmoor was in the morning. Had any special messenger arrived, with a
- letter for Emily? The servants were absolutely certain that no such person
- had entered the house. The one remaining conclusion suggested that
- somebody must have communicated the evil tidings by word of mouth. But
- here again no evidence was to be obtained. No visitor had called during
- the day, and no new guests had arrived. Investigation was completely
- baffled.
- </p>
- <p>
- Alban returned from the railway, with news of the fugitive.
- </p>
- <p>
- He had reached the station, some time after the departure of the London
- train. The clerk at the office recognized his description of Emily, and
- stated that she had taken her ticket for London. The station-master had
- opened the carriage door for her, and had noticed that the young lady
- appeared to be very much agitated. This information obtained, Alban had
- dispatched a telegram to Emily&mdash;in Cecilia&rsquo;s name: &ldquo;Pray send us a
- few words to relieve our anxiety, and let us know if we can be of any
- service to you.&rdquo;
- </p>
- <p>
- This was plainly all that could be done&mdash;but Cecilia was not
- satisfied. If her father had permitted it, she would have followed Emily.
- Alban comforted her. He apologized to Mr. Wyvil for shortening his visit,
- and announced his intention of traveling to London by the next train. &ldquo;We
- may renew our inquiries to some advantage,&rdquo; he added, after hearing what
- had happened in his absence, &ldquo;if we can find out who was the last person
- who saw her, and spoke to her, before your daughter found her alone in the
- drawing-room. When I went out of the room, I left her with Miss de Sor.&rdquo;
- </p>
- <p>
- The maid who waited on Miss de Sor was sent for. Francine had been out, by
- herself, walking in the park. She was then in her room, changing her
- dress. On hearing of Emily&rsquo;s sudden departure, she had been (as the maid
- reported) &ldquo;much shocked and quite at a loss to understand what it meant.&rdquo;
- </p>
- <p>
- Joining her friends a few minutes later, Francine presented, so far as
- personal appearance went, a strong contrast to the pale and anxious faces
- round her. She looked wonderfully well, after her walk. In other respects,
- she was in perfect harmony with the prevalent feeling. She expressed
- herself with the utmost propriety; her sympathy moved poor Cecilia to
- tears.
- </p>
- <p>
- &ldquo;I am sure, Miss de Sor, you will try to help us?&rdquo; Mr. Wyvil began
- </p>
- <p>
- &ldquo;With the greatest pleasure,&rdquo; Francine answered.
- </p>
- <p>
- &ldquo;How long were you and Miss Emily Brown together, after Mr. Morris left
- you?&rdquo;
- </p>
- <p>
- &ldquo;Not more than a quarter of an hour, I should think.&rdquo;
- </p>
- <p>
- &ldquo;Did anything remarkable occur in the course of conversation?&rdquo;
- </p>
- <p>
- &ldquo;Nothing whatever.&rdquo;
- </p>
- <p>
- Alban interfered for the first time. &ldquo;Did you say anything,&rdquo; he asked,
- &ldquo;which agitated or offended Miss Brown?&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s rather an extraordinary question,&rdquo; Francine remarked.
- </p>
- <p>
- &ldquo;Have you no other answer to give?&rdquo; Alban inquired.
- </p>
- <p>
- &ldquo;I answer&mdash;No!&rdquo; she said, with a sudden outburst of anger.
- </p>
- <p>
- There, the matter dropped. While she spoke in reply to Mr. Wyvil, Francine
- had confronted him without embarrassment. When Alban interposed, she never
- looked at him&mdash;except when he provoked her to anger. Did she remember
- that the man who was questioning her, was also the man who had suspected
- her of writing the anonymous letter? Alban was on his guard against
- himself, knowing how he disliked her. But the conviction in his own mind
- was not to be resisted. In some unimaginable way, Francine was associated
- with Emily&rsquo;s flight from the house.
- </p>
- <p>
- The answer to the telegram sent from the railway station had not arrived,
- when Alban took his departure for London. Cecilia&rsquo;s suspense began to grow
- unendurable: she looked to Mirabel for comfort, and found none. His office
- was to console, and his capacity for performing that office was notorious
- among his admirers; but he failed to present himself to advantage, when
- Mr. Wyvil&rsquo;s lovely daughter had need of his services. He was, in truth,
- too sincerely anxious and distressed to be capable of commanding his
- customary resources of ready-made sentiment and fluently-pious philosophy.
- Emily&rsquo;s influence had awakened the only earnest and true feeling which had
- ever ennobled the popular preacher&rsquo;s life.
- </p>
- <p>
- Toward evening, the long-expected telegram was received at last. What
- could be said, under the circumstances, it said in these words:
- </p>
- <p>
- &ldquo;Safe at home&mdash;don&rsquo;t be uneasy about me&mdash;will write soon.&rdquo;
- </p>
- <p>
- With that promise they were, for the time, forced to be content.
- </p>
- <p>
- <a name="link2H_4_0053" id="link2H_4_0053">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- BOOK THE FIFTH&mdash;THE COTTAGE.
- </h3>
- <p>
- <a name="link2HCH0049" id="link2HCH0049">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER XLIX. EMILY SUFFERS.
- </h3>
- <p>
- Mrs. Ellmother&mdash;left in charge of Emily&rsquo;s place of abode, and feeling
- sensible of her lonely position from time to time&mdash;had just thought
- of trying the cheering influence of a cup of tea, when she heard a cab
- draw up at the cottage gate. A violent ring at the bell followed. She
- opened the door&mdash;and found Emily on the steps. One look at that dear
- and familiar face was enough for the old servant.
- </p>
- <p>
- &ldquo;God help us,&rdquo; she cried, &ldquo;what&rsquo;s wrong now?&rdquo;
- </p>
- <p>
- Without a word of reply, Emily led the way into the bedchamber which had
- been the scene of Miss Letitia&rsquo;s death. Mrs. Ellmother hesitated on the
- threshold.
- </p>
- <p>
- &ldquo;Why do you bring me in here?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Why did you try to keep me out?&rdquo; Emily answered.
- </p>
- <p>
- &ldquo;When did I try to keep you out, miss?&rdquo;
- </p>
- <p>
- &ldquo;When I came home from school, to nurse my aunt. Ah, you remember now! Is
- it true&mdash;I ask you here, where your old mistress died&mdash;is it
- true that my aunt deceived me about my father&rsquo;s death? And that you knew
- it?&rdquo;
- </p>
- <p>
- There was dead silence. Mrs. Ellmother trembled horribly&mdash;her lips
- dropped apart&mdash;her eyes wandered round the room with a stare of
- idiotic terror. &ldquo;Is it her ghost tells you that?&rdquo; she whispered. &ldquo;Where is
- her ghost? The room whirls round and round, miss&mdash;and the air sings
- in my ears.&rdquo;
- </p>
- <p>
- Emily sprang forward to support her. She staggered to a chair, and lifted
- her great bony hands in wild entreaty. &ldquo;Don&rsquo;t frighten me,&rdquo; she said.
- &ldquo;Stand back.&rdquo;
- </p>
- <p>
- Emily obeyed her. She dashed the cold sweat off her forehead. &ldquo;You were
- talking about your father&rsquo;s death just now,&rdquo; she burst out, in desperate
- defiant tones. &ldquo;Well! we know it and we are sorry for it&mdash;your father
- died suddenly.&rdquo;
- </p>
- <p>
- &ldquo;My father died murdered in the inn at Zeeland! All the long way to
- London, I have tried to doubt it. Oh, me, I know it now!&rdquo;
- </p>
- <p>
- Answering in those words, she looked toward the bed. Harrowing
- remembrances of her aunt&rsquo;s delirious self-betrayal made the room
- unendurable to her. She ran out. The parlor door was open. Entering the
- room, she passed by a portrait of her father, which her aunt had hung on
- the wall over the fireplace. She threw herself on the sofa and burst into
- a passionate fit of crying. &ldquo;Oh, my father&mdash;my dear, gentle, loving
- father; my first, best, truest friend&mdash;murdered! murdered! Oh, God,
- where was your justice, where was your mercy, when he died that dreadful
- death?&rdquo;
- </p>
- <p>
- A hand was laid on her shoulder; a voice said to her, &ldquo;Hush, my child! God
- knows best.&rdquo;
- </p>
- <p>
- Emily looked up, and saw that Mrs. Ellmother had followed her. &ldquo;You poor
- old soul,&rdquo; she said, suddenly remembering; &ldquo;I frightened you in the other
- room.&rdquo;
- </p>
- <p>
- &ldquo;I have got over it, my dear. I am old; and I have lived a hard life. A
- hard life schools a person. I make no complaints.&rdquo; She stopped, and began
- to shudder again. &ldquo;Will you believe me if I tell you something?&rdquo; she
- asked. &ldquo;I warned my self-willed mistress. Standing by your father&rsquo;s
- coffin, I warned her. Hide the truth as you may (I said), a time will come
- when our child will know what you are keeping from her now. One or both of
- us may live to see it. I am the one who has lived; no refuge in the grave
- for me. I want to hear about it&mdash;there&rsquo;s no fear of frightening or
- hurting me now. I want to hear how you found it out. Was it by accident,
- my dear? or did a person tell you?&rdquo;
- </p>
- <p>
- Emily&rsquo;s mind was far away from Mrs. Ellmother. She rose from the sofa,
- with her hands held fast over her aching heart.
- </p>
- <p>
- &ldquo;The one duty of my life,&rdquo; she said&mdash;&ldquo;I am thinking of the one duty
- of my life. Look! I am calm now; I am resigned to my hard lot. Never,
- never again, can the dear memory of my father be what it was! From this
- time, it is the horrid memory of a crime. The crime has gone unpunished;
- the man has escaped others. He shall not escape Me.&rdquo; She paused, and
- looked at Mrs. Ellmother absently. &ldquo;What did you say just now? You want to
- hear how I know what I know? Naturally! naturally! Sit down here&mdash;sit
- down, my old friend, on the sofa with me&mdash;and take your mind back to
- Netherwoods. Alban Morris&mdash;&rdquo;
- </p>
- <p>
- Mrs. Ellmother recoiled from Emily in dismay. &ldquo;Don&rsquo;t tell me <i>he</i> had
- anything to do with it! The kindest of men; the best of men!&rdquo;
- </p>
- <p>
- &ldquo;The man of all men living who least deserves your good opinion or mine,&rdquo;
- Emily answered sternly.
- </p>
- <p>
- &ldquo;You!&rdquo; Mrs. Ellmother exclaimed, &ldquo;<i>you</i> say that!&rdquo;
- </p>
- <p>
- &ldquo;I say it. He&mdash;who won on me to like him&mdash;he was in the
- conspiracy to deceive me; and you know it! He heard me talk of the
- newspaper story of the murder of my father&mdash;I say, he heard me talk
- of it composedly, talk of it carelessly, in the innocent belief that it
- was the murder of a stranger&mdash;and he never opened his lips to prevent
- that horrid profanation! He never even said, speak of something else; I
- won&rsquo;t hear you! No more of him! God forbid I should ever see him again.
- No! Do what I told you. Carry your mind back to Netherwoods. One night you
- let Francine de Sor frighten you. You ran away from her into the garden.
- Keep quiet! At your age, must I set you an example of self-control?
- </p>
- <p>
- &ldquo;I want to know, Miss Emily, where Francine de Sor is now?&rdquo;
- </p>
- <p>
- &ldquo;She is at the house in the country, which I have left.&rdquo;
- </p>
- <p>
- &ldquo;Where does she go next, if you please? Back to Miss Ladd?&rdquo;
- </p>
- <p>
- &ldquo;I suppose so. What interest have you in knowing where she goes next?&rdquo;
- </p>
- <p>
- &ldquo;I won&rsquo;t interrupt you, miss. It&rsquo;s true that I ran away into the garden. I
- can guess who followed me. How did she find her way to me and Mr. Morris,
- in the dark?&rdquo;
- </p>
- <p>
- &ldquo;The smell of tobacco guided her&mdash;she knew who smoked&mdash;she had
- seen him talking to you, on that very day&mdash;she followed the scent&mdash;she
- heard what you two said to each other&mdash;and she has repeated it to me.
- Oh, my old friend, the malice of a revengeful girl has enlightened me,
- when you, my nurse&mdash;and he, my lover&mdash;left me in the dark: it
- has told me how my father died!&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s said bitterly, miss!&rdquo;
- </p>
- <p>
- &ldquo;Is it said truly?&rdquo;
- </p>
- <p>
- &ldquo;No. It isn&rsquo;t said truly of myself. God knows you would never have been
- kept in the dark, if your aunt had listened to me. I begged and prayed&mdash;I
- went down on my knees to her&mdash;I warned her, as I told you just now.
- Must I tell <i>you</i> what a headstrong woman Miss Letitia was? She
- insisted. She put the choice before me of leaving her at once and forever&mdash;or
- giving in. I wouldn&rsquo;t have given in to any other creature on the face of
- this earth. I am obstinate, as you have often told me. Well, your aunt&rsquo;s
- obstinacy beat mine; I was too fond of her to say No. Besides, if you ask
- me who was to blame in the first place, I tell you it wasn&rsquo;t your aunt;
- she was frightened into it.&rdquo;
- </p>
- <p>
- &ldquo;Who frightened her?&rdquo;
- </p>
- <p>
- &ldquo;Your godfather&mdash;the great London surgeon&mdash;he who was visiting
- in our house at the time.&rdquo;
- </p>
- <p>
- &ldquo;Sir Richard?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;Sir Richard. He said he wouldn&rsquo;t answer for the consequences,
- in the delicate state of your health, if we told you the truth. Ah, he had
- it all his own way after that. He went with Miss Letitia to the inquest;
- he won over the coroner and the newspaper men to his will; he kept your
- aunt&rsquo;s name out of the papers; he took charge of the coffin; he hired the
- undertaker and his men, strangers from London; he wrote the certificate&mdash;who
- but he! Everybody was cap in hand to the famous man!&rdquo;
- </p>
- <p>
- &ldquo;Surely, the servants and the neighbors asked questions?&rdquo;
- </p>
- <p>
- &ldquo;Hundreds of questions! What did that matter to Sir Richard? They were
- like so many children, in <i>his</i> hands. And, mind you, the luck helped
- him. To begin with, there was the common name. Who was to pick out your
- poor father among the thousands of James Browns? Then, again, the house
- and lands went to the male heir, as they called him&mdash;the man your
- father quarreled with in the bygone time. He brought his own establishment
- with him. Long before you got back from the friends you were staying with&mdash;don&rsquo;t
- you remember it?&mdash;we had cleared out of the house; we were miles and
- miles away; and the old servants were scattered abroad, finding new
- situations wherever they could. How could you suspect us? We had nothing
- to fear in that way; but my conscience pricked me. I made another attempt
- to prevail on Miss Letitia, when you had recovered your health. I said,
- &lsquo;There&rsquo;s no fear of a relapse now; break it to her gently, but tell her
- the truth.&rsquo; No! Your aunt was too fond of you. She daunted me with
- dreadful fits of crying, when I tried to persuade her. And that wasn&rsquo;t the
- worst of it. She bade me remember what an excitable man your father was&mdash;she
- reminded me that the misery of your mother&rsquo;s death laid him low with brain
- fever&mdash;she said, &lsquo;Emily takes after her father; I have heard you say
- it yourself; she has his constitution, and his sensitive nerves. Don&rsquo;t you
- know how she loved him&mdash;how she talks of him to this day? Who can
- tell (if we are not careful) what dreadful mischief we may do?&rsquo; That was
- how my mistress worked on me. I got infected with her fears; it was as if
- I had caught an infection of disease. Oh, my dear, blame me if it must be;
- but don&rsquo;t forget how I have suffered for it since! I was driven away from
- my dying mistress, in terror of what she might say, while you were
- watching at her bedside. I have lived in fear of what you might ask me&mdash;and
- have longed to go back to you&mdash;and have not had the courage to do it.
- Look at me now!&rdquo;
- </p>
- <p>
- The poor woman tried to take out her handkerchief; her quivering hand
- helplessly entangled itself in her dress. &ldquo;I can&rsquo;t even dry my eyes,&rdquo; she
- said faintly. &ldquo;Try to forgive me, miss!&rdquo;
- </p>
- <p>
- Emily put her arms round the old nurse&rsquo;s neck. &ldquo;It is <i>you</i>,&rdquo; she
- said sadly, &ldquo;who must forgive me.&rdquo;
- </p>
- <p>
- For a while they were silent. Through the window that was open to the
- little garden, came the one sound that could be heard&mdash;the gentle
- trembling of leaves in the evening wind.
- </p>
- <p>
- The silence was harshly broken by the bell at the cottage door. They both
- started.
- </p>
- <p>
- Emily&rsquo;s heart beat fast. &ldquo;Who can it be?&rdquo; she said.
- </p>
- <p>
- Mrs. Ellmother rose. &ldquo;Shall I say you can&rsquo;t see anybody?&rdquo; she asked,
- before leaving the room.
- </p>
- <p>
- &ldquo;Yes! yes!&rdquo;
- </p>
- <p>
- Emily heard the door opened&mdash;heard low voices in the passage. There
- was a momentary interval. Then, Mrs. Ellmother returned. She said nothing.
- Emily spoke to her.
- </p>
- <p>
- &ldquo;Is it a visitor?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;Have you said I can&rsquo;t see anybody?&rdquo;
- </p>
- <p>
- &ldquo;I couldn&rsquo;t say it.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t be hard on him, my dear. It&rsquo;s Mr. Alban Morris.&rdquo;
- </p>
- <p>
- <a name="link2HCH0050" id="link2HCH0050">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER L. MISS LADD ADVISES.
- </h3>
- <p>
- Mrs. Ellmother sat by the dying embers of the kitchen fire; thinking over
- the events of the day in perplexity and distress.
- </p>
- <p>
- She had waited at the cottage door for a friendly word with Alban, after
- he had left Emily. The stern despair in his face warned her to let him go
- in silence. She had looked into the parlor next. Pale and cold, Emily lay
- on the sofa&mdash;sunk in helpless depression of body and mind. &ldquo;Don&rsquo;t
- speak to me,&rdquo; she whispered; &ldquo;I am quite worn out.&rdquo; It was but too plain
- that the view of Alban&rsquo;s conduct which she had already expressed, was the
- view to which she had adhered at the interview between them. They had
- parted in grief&mdash;-perhaps in anger&mdash;perhaps forever. Mrs.
- Ellmother lifted Emily in compassionate silence, and carried her upstairs,
- and waited by her until she slept.
- </p>
- <p>
- In the still hours of the night, the thoughts of the faithful old servant&mdash;dwelling
- for a while on past and present&mdash;advanced, by slow degrees, to
- consideration of the doubtful future. Measuring, to the best of her
- ability, the responsibility which had fallen on her, she felt that it was
- more than she could bear, or ought to bear, alone. To whom could she look
- for help?
- </p>
- <p>
- The gentlefolks at Monksmoor were strangers to her. Doctor Allday was near
- at hand&mdash;but Emily had said, &ldquo;Don&rsquo;t send for him; he will torment me
- with questions&mdash;and I want to keep my mind quiet, if I can.&rdquo; But one
- person was left, to whose ever-ready kindness Mrs. Ellmother could appeal&mdash;and
- that person was Miss Ladd.
- </p>
- <p>
- It would have been easy to ask the help of the good schoolmistress in
- comforting and advising the favorite pupil whom she loved. But Mrs.
- Ellmother had another object in view: she was determined that the
- cold-blooded cruelty of Emily&rsquo;s treacherous friend should not be allowed
- to triumph with impunity. If an ignorant old woman could do nothing else,
- she could tell the plain truth, and could leave Miss Ladd to decide
- whether such a person as Francine deserved to remain under her care.
- </p>
- <p>
- To feel justified in taking this step was one thing: to put it all clearly
- in writing was another. After vainly making the attempt overnight, Mrs.
- Ellmother tore up her letter, and communicated with Miss Ladd by means of
- a telegraphic message, in the morning. &ldquo;Miss Emily is in great distress. I
- must not leave her. I have something besides to say to you which cannot be
- put into a letter. Will you please come to us?&rdquo;
- </p>
- <p>
- Later in the forenoon, Mrs. Ellmother was called to the door by the
- arrival of a visitor. The personal appearance of the stranger impressed
- her favorably. He was a handsome little gentleman; his manners were
- winning, and his voice was singularly pleasant to hear.
- </p>
- <p>
- &ldquo;I have come from Mr. Wyvil&rsquo;s house in the country,&rdquo; he said; &ldquo;and I bring
- a letter from his daughter. May I take the opportunity of asking if Miss
- Emily is well?&rdquo;
- </p>
- <p>
- &ldquo;Far from it, sir, I am sorry to say. She is so poorly that she keeps her
- bed.&rdquo;
- </p>
- <p>
- At this reply, the visitor&rsquo;s face revealed such sincere sympathy and
- regret, that Mrs. Ellmother was interested in him: she added a word more.
- &ldquo;My mistress has had a hard trial to bear, sir. I hope there is no bad
- news for her in the young lady&rsquo;s letter?&rdquo;
- </p>
- <p>
- &ldquo;On the contrary, there is news that she will be glad to hear&mdash;Miss
- Wyvil is coming here this evening. Will you excuse my asking if Miss Emily
- has had medical advice?&rdquo;
- </p>
- <p>
- &ldquo;She won&rsquo;t hear of seeing the doctor, sir. He&rsquo;s a good friend of hers&mdash;and
- he lives close by. I am unfortunately alone in the house. If I could leave
- her, I would go at once and ask his advice.&rdquo;
- </p>
- <p>
- &ldquo;Let <i>me</i> go!&rdquo; Mirabel eagerly proposed.
- </p>
- <p>
- Mrs. Ellmother&rsquo;s face brightened. &ldquo;That&rsquo;s kindly thought of, sir&mdash;if
- you don&rsquo;t mind the trouble.&rdquo;
- </p>
- <p>
- &ldquo;My good lady, nothing is a trouble in your young mistress&rsquo;s service. Give
- me the doctor&rsquo;s name and address&mdash;and tell me what to say to him.&rdquo;
- </p>
- <p>
- &ldquo;There&rsquo;s one thing you must be careful of,&rdquo; Mrs. Ellmother answered. &ldquo;He
- mustn&rsquo;t come here, as if he had been sent for&mdash;she would refuse to
- see him.&rdquo;
- </p>
- <p>
- Mirabel understood her. &ldquo;I will not forget to caution him. Kindly tell
- Miss Emily I called&mdash;my name is Mirabel. I will return to-morrow.&rdquo;
- </p>
- <p>
- He hastened away on his errand&mdash;only to find that he had arrived too
- late. Doctor Allday had left London; called away to a serious case of
- illness. He was not expected to get back until late in the afternoon.
- Mirabel left a message, saying that he would return in the evening.
- </p>
- <p>
- The next visitor who arrived at the cottage was the trusty friend, in
- whose generous nature Mrs. Ellmother had wisely placed confidence. Miss
- Ladd had resolved to answer the telegram in person, the moment she read
- it.
- </p>
- <p>
- &ldquo;If there is bad news,&rdquo; she said, &ldquo;let me hear it at once. I am not well
- enough to bear suspense; my busy life at the school is beginning to tell
- on me.&rdquo;
- </p>
- <p>
- &ldquo;There is nothing that need alarm you, ma&rsquo;am&mdash;but there is a great
- deal to say, before you see Miss Emily. My stupid head turns giddy with
- thinking of it. I hardly know where to begin.&rdquo;
- </p>
- <p>
- &ldquo;Begin with Emily,&rdquo; Miss Ladd suggested.
- </p>
- <p>
- Mrs. Ellmother took the advice. She described Emily&rsquo;s unexpected arrival
- on the previous day; and she repeated what had passed between them
- afterward. Miss Ladd&rsquo;s first impulse, when she had recovered her
- composure, was to go to Emily without waiting to hear more. Not presuming
- to stop her, Mrs. Ellmother ventured to put a question &ldquo;Do you happen to
- have my telegram about you, ma&rsquo;am?&rdquo; Miss Ladd produced it. &ldquo;Will you
- please look at the last part of it again?&rdquo;
- </p>
- <p>
- Miss Ladd read the words: &ldquo;I have something besides to say to you which
- cannot be put into a letter.&rdquo; She at once returned to her chair.
- </p>
- <p>
- &ldquo;Does what you have still to tell me refer to any person whom I know?&rdquo; she
- said.
- </p>
- <p>
- &ldquo;It refers, ma&rsquo;am, to Miss de Sor. I am afraid I shall distress you.&rdquo;
- </p>
- <p>
- &ldquo;What did I say, when I came in?&rdquo; Miss Ladd asked. &ldquo;Speak out plainly; and
- try&mdash;it&rsquo;s not easy, I know&mdash;but try to begin at the beginning.&rdquo;
- </p>
- <p>
- Mrs. Ellmother looked back through her memory of past events, and began by
- alluding to the feeling of curiosity which she had excited in Francine, on
- the day when Emily had made them known to one another. From this she
- advanced to the narrative of what had taken place at Netherwoods&mdash;to
- the atrocious attempt to frighten her by means of the image of wax&mdash;to
- the discovery made by Francine in the garden at night&mdash;and to the
- circumstances under which that discovery had been communicated to Emily.
- </p>
- <p>
- Miss Ladd&rsquo;s face reddened with indignation. &ldquo;Are you sure of all that you
- have said?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I am quite sure, ma&rsquo;am. I hope I have not done wrong,&rdquo; Mrs. Ellmother
- added simply, &ldquo;in telling you all this?&rdquo;
- </p>
- <p>
- &ldquo;Wrong?&rdquo; Miss Ladd repeated warmly. &ldquo;If that wretched girl has no defense
- to offer, she is a disgrace to my school&mdash;and I owe you a debt of
- gratitude for showing her to me in her true character. She shall return at
- once to Netherwoods; and she shall answer me to my entire satisfaction&mdash;or
- leave my house. What cruelty! what duplicity! In all my experience of
- girls, I have never met with the like of it. Let me go to my dear little
- Emily&mdash;and try to forget what I have heard.&rdquo;
- </p>
- <p>
- Mrs. Ellmother led the good lady to Emily&rsquo;s room&mdash;and, returning to
- the lower part of the house, went out into the garden. The mental effort
- that she had made had left its result in an aching head, and in an
- overpowering sense of depression. &ldquo;A mouthful of fresh air will revive
- me,&rdquo; she thought.
- </p>
- <p>
- The front garden and back garden at the cottage communicated with each
- other. Walking slowly round and round, Mrs. Ellmother heard footsteps on
- the road outside, which stopped at the gate. She looked through the
- grating, and discovered Alban Morris.
- </p>
- <p>
- &ldquo;Come in, sir!&rdquo; she said, rejoiced to see him. He obeyed in silence. The
- full view of his face shocked Mrs. Ellmother. Never in her experience of
- the friend who had been so kind to her at Netherwoods, had he looked so
- old and so haggard as he looked now. &ldquo;Oh, Mr. Alban, I see how she has
- distressed you! Don&rsquo;t take her at her word. Keep a good heart, sir&mdash;young
- girls are never long together of the same mind.&rdquo;
- </p>
- <p>
- Alban gave her his hand. &ldquo;I mustn&rsquo;t speak about it,&rdquo; he said. &ldquo;Silence
- helps me to bear my misfortune as becomes a man. I have had some hard
- blows in my time: they don&rsquo;t seem to have blunted my sense of feeling as I
- thought they had. Thank God, she doesn&rsquo;t know how she has made me suffer!
- I want to ask her pardon for having forgotten myself yesterday. I spoke
- roughly to her, at one time. No: I won&rsquo;t intrude on her; I have said I am
- sorry, in writing. Do you mind giving it to her? Good-by&mdash;and thank
- you. I mustn&rsquo;t stay longer; Miss Ladd expects me at Netherwoods.&rdquo;
- </p>
- <p>
- &ldquo;Miss Ladd is in the house, sir, at this moment.&rdquo;
- </p>
- <p>
- &ldquo;Here, in London!&rdquo;
- </p>
- <p>
- &ldquo;Upstairs, with Miss Emily.&rdquo;
- </p>
- <p>
- &ldquo;Upstairs? Is Emily ill?&rdquo;
- </p>
- <p>
- &ldquo;She is getting better, sir. Would you like to see Miss Ladd?&rdquo;
- </p>
- <p>
- &ldquo;I should indeed! I have something to say to her&mdash;and time is of
- importance to me. May I wait in the garden?&rdquo;
- </p>
- <p>
- &ldquo;Why not in the parlor, sir?&rdquo;
- </p>
- <p>
- &ldquo;The parlor reminds me of happier days. In time, I may have courage enough
- to look at the room again. Not now.&rdquo;
- </p>
- <p>
- &ldquo;If she doesn&rsquo;t make it up with that good man,&rdquo; Mrs. Ellmother thought, on
- her way back to the house, &ldquo;my nurse-child is what I have never believed
- her to be yet&mdash;she&rsquo;s a fool.&rdquo;
- </p>
- <p>
- In half an hour more, Miss Ladd joined Alban on the little plot of grass
- behind the cottage. &ldquo;I bring Emily&rsquo;s reply to your letter,&rdquo; she said.
- &ldquo;Read it, before you speak to me.&rdquo;
- </p>
- <p>
- Alban read it: &ldquo;Don&rsquo;t suppose you have offended me&mdash;and be assured
- that I feel gratefully the tone in which your note is written. I try to
- write forbearingly on my side; I wish I could write acceptably as well. It
- is not to be done. I am as unable as ever to enter into your motives. You
- are not my relation; you were under no obligation of secrecy: you heard me
- speak ignorantly of the murder of my father, as if it had been the murder
- of a stranger; and yet you kept me&mdash;deliberately, cruelly kept me&mdash;deceived!
- The remembrance of it burns me like fire. I cannot&mdash;oh, Alban, I
- cannot restore you to the place in my estimation which you have lost! If
- you wish to help me to bear my trouble, I entreat you not to write to me
- again.&rdquo;
- </p>
- <p>
- Alban offered the letter silently to Miss Ladd. She signed to him to keep
- it.
- </p>
- <p>
- &ldquo;I know what Emily has written,&rdquo; she said; &ldquo;and I have told her, what I
- now tell you&mdash;she is wrong; in every way, wrong. It is the misfortune
- of her impetuous nature that she rushes to conclusions&mdash;and those
- conclusions once formed, she holds to them with all the strength of her
- character. In this matter, she has looked at her side of the question
- exclusively; she is blind to your side.&rdquo;
- </p>
- <p>
- &ldquo;Not willfully!&rdquo; Alban interposed.
- </p>
- <p>
- Miss Ladd looked at him with admiration. &ldquo;You defend Emily?&rdquo; she said.
- </p>
- <p>
- &ldquo;I love her,&rdquo; Alban answered.
- </p>
- <p>
- Miss Ladd felt for him, as Mrs. Ellmother had felt for him. &ldquo;Trust to
- time, Mr. Morris,&rdquo; she resumed. &ldquo;The danger to be afraid of is&mdash;the
- danger of some headlong action, on her part, in the interval. Who can say
- what the end may be, if she persists in her present way of thinking? There
- is something monstrous, in a young girl declaring that it is <i>her</i>
- duty to pursue a murderer, and to bring him to justice! Don&rsquo;t you see it
- yourself?&rdquo;
- </p>
- <p>
- Alban still defended Emily. &ldquo;It seems to me to be a natural impulse,&rdquo; he
- said&mdash;&ldquo;natural, and noble.&rdquo;
- </p>
- <p>
- &ldquo;Noble!&rdquo; Miss Ladd exclaimed.
- </p>
- <p>
- &ldquo;Yes&mdash;for it grows out of the love which has not died with her
- father&rsquo;s death.&rdquo;
- </p>
- <p>
- &ldquo;Then you encourage her?&rdquo;
- </p>
- <p>
- &ldquo;With my whole heart&mdash;if she would give me the opportunity!&rdquo;
- </p>
- <p>
- &ldquo;We won&rsquo;t pursue the subject, Mr. Morris. I am told by Mrs. Ellmother that
- you have something to say to me. What is it?&rdquo;
- </p>
- <p>
- &ldquo;I have to ask you,&rdquo; Alban replied, &ldquo;to let me resign my situation at
- Netherwoods.&rdquo;
- </p>
- <p>
- Miss Ladd was not only surprised; she was also&mdash;a very rare thing
- with her&mdash;inclined to be suspicious. After what he had said to Emily,
- it occurred to her that Alban might be meditating some desperate project,
- with the hope of recovering his lost place in her favor.
- </p>
- <p>
- &ldquo;Have you heard of some better employment?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I have heard of no employment. My mind is not in a state to give the
- necessary attention to my pupils.&rdquo;
- </p>
- <p>
- &ldquo;Is that your only reason for wishing to leave me?&rdquo;
- </p>
- <p>
- &ldquo;It is one of my reasons.&rdquo;
- </p>
- <p>
- &ldquo;The only one which you think it necessary to mention?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- &ldquo;I shall be sorry to lose you, Mr. Morris.&rdquo;
- </p>
- <p>
- &ldquo;Believe me, Miss Ladd, I am not ungrateful for your kindness.&rdquo;
- </p>
- <p>
- &ldquo;Will you let me, in all kindness, say something more?&rdquo; Miss Ladd
- answered. &ldquo;I don&rsquo;t intrude on your secrets&mdash;I only hope that you have
- no rash project in view.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t understand you, Miss Ladd.&rdquo;
- </p>
- <p>
- &ldquo;Yes, Mr. Morris&mdash;you do.&rdquo;
- </p>
- <p>
- She shook hands with him&mdash;and went back to Emily.
- </p>
- <p>
- <a name="link2HCH0051" id="link2HCH0051">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LI. THE DOCTOR SEES.
- </h3>
- <p>
- Alban returned to Netherwoods&mdash;to continue his services, until
- another master could be found to take his place.
- </p>
- <p>
- By a later train Miss Ladd followed him. Emily was too well aware of the
- importance of the mistress&rsquo;s presence to the well-being of the school, to
- permit her to remain at the cottage. It was understood that they were to
- correspond, and that Emily&rsquo;s room was waiting for her at Netherwoods,
- whenever she felt inclined to occupy it.
- </p>
- <p>
- Mrs. Ellmother made the tea, that evening, earlier than usual. Being alone
- again with Emily, it struck her that she might take advantage of her
- position to say a word in Alban&rsquo;s favor. She had chosen her time
- unfortunately. The moment she pronounced the name, Emily checked her by a
- look, and spoke of another person&mdash;that person being Miss Jethro.
- </p>
- <p>
- Mrs. Ellmother at once entered her protest, in her own downright way.
- &ldquo;Whatever you do,&rdquo; she said, &ldquo;don&rsquo;t go back to that! What does Miss Jethro
- matter to you?&rdquo;
- </p>
- <p>
- &ldquo;I am more interested in her than you suppose&mdash;I happen to know why
- she left the school.&rdquo;
- </p>
- <p>
- &ldquo;Begging your pardon, miss, that&rsquo;s quite impossible!&rdquo;
- </p>
- <p>
- &ldquo;She left the school,&rdquo; Emily persisted, &ldquo;for a serious reason. Miss Ladd
- discovered that she had used false references.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord! who told you that?&rdquo;
- </p>
- <p>
- &ldquo;You see I know it. I asked Miss Ladd how she got her information. She was
- bound by a promise never to mention the person&rsquo;s name. I didn&rsquo;t say it to
- her&mdash;but I may say it to you. I am afraid I have an idea of who the
- person was.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; Mrs. Ellmother obstinately asserted, &ldquo;you can&rsquo;t possibly know who it
- was! How should you know?&rdquo;
- </p>
- <p>
- &ldquo;Do you wish me to repeat what I heard in that room opposite, when my aunt
- was dying?&rdquo;
- </p>
- <p>
- &ldquo;Drop it, Miss Emily! For God&rsquo;s sake, drop it!&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t drop it. It&rsquo;s dreadful to me to have suspicions of my aunt&mdash;and
- no better reason for them than what she said in a state of delirium. Tell
- me, if you love me, was it her wandering fancy? or was it the truth?&rdquo;
- </p>
- <p>
- &ldquo;As I hope to be saved, Miss Emily, I can only guess as you do&mdash;I
- don&rsquo;t rightly know. My mistress trusted me half way, as it were. I&rsquo;m
- afraid I have a rough tongue of my own sometimes. I offended her&mdash;and
- from that time she kept her own counsel. What she did, she did in the
- dark, so far as I was concerned.&rdquo;
- </p>
- <p>
- &ldquo;How did you offend her?&rdquo;
- </p>
- <p>
- &ldquo;I shall be obliged to speak of your father if I tell you how?&rdquo;
- </p>
- <p>
- &ldquo;Speak of him.&rdquo;
- </p>
- <p>
- &ldquo;<i>He</i> was not to blame&mdash;mind that!&rdquo; Mrs. Ellmother said
- earnestly. &ldquo;If I wasn&rsquo;t certain of what I say now you wouldn&rsquo;t get a word
- out of me. Good harmless man&mdash;there&rsquo;s no denying it&mdash;he <i>was</i>
- in love with Miss Jethro! What&rsquo;s the matter?&rdquo;
- </p>
- <p>
- Emily was thinking of her memorable conversation with the disgraced
- teacher on her last night at school. &ldquo;Nothing&rdquo; she answered. &ldquo;Go on.&rdquo;
- </p>
- <p>
- &ldquo;If he had not tried to keep it secret from us,&rdquo; Mrs. Ellmother resumed,
- &ldquo;your aunt might never have taken it into her head that he was entangled
- in a love affair of the shameful sort. I don&rsquo;t deny that I helped her in
- her inquiries; but it was only because I felt sure from the first that the
- more she discovered the more certainly my master&rsquo;s innocence would show
- itself. He used to go away and visit Miss Jethro privately. In the time
- when your aunt trusted me, we never could find out where. She made that
- discovery afterward for herself (I can&rsquo;t tell you how long afterward); and
- she spent money in employing mean wretches to pry into Miss Jethro&rsquo;s past
- life. She had (if you will excuse me for saying it) an old maid&rsquo;s hatred
- of the handsome young woman, who lured your father away from home, and set
- up a secret (in a manner of speaking) between her brother and herself. I
- won&rsquo;t tell you how we looked at letters and other things which he forgot
- to leave under lock and key. I will only say there was one bit, in a
- journal he kept, which made me ashamed of myself. I read it out to Miss
- Letitia; and I told her in so many words, not to count any more on me. No;
- I haven&rsquo;t got a copy of the words&mdash;I can remember them without a
- copy. &lsquo;Even if my religion did not forbid me to peril my soul by leading a
- life of sin with this woman whom I love&rsquo;&mdash;that was how it began&mdash;&lsquo;the
- thought of my daughter would keep me pure. No conduct of mine shall ever
- make me unworthy of my child&rsquo;s affection and respect.&rsquo; There! I&rsquo;m making
- you cry; I won&rsquo;t stay here any longer. All that I had to say has been
- said. Nobody but Miss Ladd knows for certain whether your aunt was
- innocent or guilty in the matter of Miss Jethro&rsquo;s disgrace. Please to
- excuse me; my work&rsquo;s waiting downstairs.&rdquo;
- </p>
- <p>
- From time to time, as she pursued her domestic labors, Mrs. Ellmother
- thought of Mirabel. Hours on hours had passed&mdash;and the doctor had not
- appeared. Was he too busy to spare even a few minutes of his time? Or had
- the handsome little gentleman, after promising so fairly, failed to
- perform his errand? This last doubt wronged Mirabel. He had engaged to
- return to the doctor&rsquo;s house; and he kept his word.
- </p>
- <p>
- Doctor Allday was at home again, and was seeing patients. Introduced in
- his turn, Mirabel had no reason to complain of his reception. At the same
- time, after he had stated the object of his visit, something odd began to
- show itself in the doctor&rsquo;s manner.
- </p>
- <p>
- He looked at Mirabel with an appearance of uneasy curiosity; and he
- contrived an excuse for altering the visitor&rsquo;s position in the room, so
- that the light fell full on Mirabel&rsquo;s face.
- </p>
- <p>
- &ldquo;I fancy I must have seen you,&rdquo; the doctor said, &ldquo;at some former time.&rdquo;
- </p>
- <p>
- &ldquo;I am ashamed to say I don&rsquo;t remember it,&rdquo; Mirabel answered.
- </p>
- <p>
- &ldquo;Ah, very likely I&rsquo;m wrong! I&rsquo;ll call on Miss Emily, sir, you may depend
- on it.&rdquo;
- </p>
- <p>
- Left in his consulting-room, Doctor Allday failed to ring the bell which
- summoned the next patient who was waiting for him. He took his diary from
- the table drawer, and turned to the daily entries for the past month of
- July.
- </p>
- <p>
- Arriving at the fifteenth day of the month, he glanced at the first lines
- of writing: &ldquo;A visit from a mysterious lady, calling herself Miss Jethro.
- Our conference led to some very unexpected results.&rdquo;
- </p>
- <p>
- No: that was not what he was in search of. He looked a little lower down:
- and read on regularly, from that point, as follows:
- </p>
- <p>
- &ldquo;Called on Miss Emily, in great anxiety about the discoveries which she
- might make among her aunt&rsquo;s papers. Papers all destroyed, thank God&mdash;except
- the Handbill, offering a reward for discovery of the murderer, which she
- found in the scrap-book. Gave her back the Handbill. Emily much surprised
- that the wretch should have escaped, with such a careful description of
- him circulated everywhere. She read the description aloud to me, in her
- nice clear voice: &lsquo;Supposed age between twenty-five and thirty years. A
- well-made man of small stature. Fair complexion, delicate features, clear
- blue eyes. Hair light, and cut rather short. Clean shaven, with the
- exception of narrow half-whiskers&rsquo;&mdash;and so on. Emily at a loss to
- understand how the fugitive could disguise himself. Reminded her that he
- could effectually disguise his head and face (with time to help him) by
- letting his hair grow long, and cultivating his beard. Emily not
- convinced, even by this self-evident view of the case. Changed the
- subject.&rdquo;
- </p>
- <p>
- The doctor put away his diary, and rang the bell.
- </p>
- <p>
- &ldquo;Curious,&rdquo; he thought. &ldquo;That dandified little clergyman has certainly
- reminded me of my discussion with Emily, more than two months since. Was
- it his flowing hair, I wonder? or his splendid beard? Good God! suppose it
- should turn out&mdash;?&rdquo;
- </p>
- <p>
- He was interrupted by the appearance of his patient. Other ailing people
- followed. Doctor Allday&rsquo;s mind was professionally occupied for the rest of
- the evening.
- </p>
- <p>
- <a name="link2HCH0052" id="link2HCH0052">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LII. &ldquo;IF I COULD FIND A FRIEND!&rdquo;
- </h3>
- <p>
- Shortly after Miss Ladd had taken her departure, a parcel arrived for
- Emily, bearing the name of a bookseller printed on the label. It was
- large, and it was heavy. &ldquo;Reading enough, I should think, to last for a
- lifetime,&rdquo; Mrs. Ellmother remarked, after carrying the parcel upstairs.
- </p>
- <p>
- Emily called her back as she was leaving the room. &ldquo;I want to caution
- you,&rdquo; she said, &ldquo;before Miss Wyvil comes. Don&rsquo;t tell her&mdash;don&rsquo;t tell
- anybody&mdash;how my father met his death. If other persons are taken into
- our confidence, they will talk of it. We don&rsquo;t know how near to us the
- murderer may be. The slightest hint may put him on his guard.&rdquo;
- </p>
- <p>
- &ldquo;Oh, miss, are you still thinking of that!&rdquo;
- </p>
- <p>
- &ldquo;I think of nothing else.&rdquo;
- </p>
- <p>
- &ldquo;Bad for your mind, Miss Emily&mdash;and bad for your body, as your looks
- show. I wish you would take counsel with some discreet person, before you
- move in this matter by yourself.&rdquo;
- </p>
- <p>
- Emily sighed wearily. &ldquo;In my situation, where is the person whom I can
- trust?&rdquo;
- </p>
- <p>
- &ldquo;You can trust the good doctor.&rdquo;
- </p>
- <p>
- &ldquo;Can I? Perhaps I was wrong when I told you I wouldn&rsquo;t see him. He might
- be of some use to me.&rdquo;
- </p>
- <p>
- Mrs. Ellmother made the most of this concession, in the fear that Emily
- might change her mind. &ldquo;Doctor Allday may call on you tomorrow,&rdquo; she said.
- </p>
- <p>
- &ldquo;Do you mean that you have sent for him?&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t be angry! I did it for the best&mdash;and Mr. Mirabel agreed with
- me.&rdquo;
- </p>
- <p>
- &ldquo;Mr. Mirabel! What have you told Mr. Mirabel?&rdquo;
- </p>
- <p>
- &ldquo;Nothing, except that you are ill. When he heard that, he proposed to go
- for the doctor. He will be here again to-morrow, to ask for news of your
- health. Will you see him?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know yet&mdash;I have other things to think of. Bring Miss Wyvil
- up here when she comes.&rdquo;
- </p>
- <p>
- &ldquo;Am I to get the spare room ready for her?&rdquo;
- </p>
- <p>
- &ldquo;No. She is staying with her father at the London house.&rdquo;
- </p>
- <p>
- Emily made that reply almost with an air of relief. When Cecilia arrived,
- it was only by an effort that she could show grateful appreciation of the
- sympathy of her dearest friend. When the visit came to an end, she felt an
- ungrateful sense of freedom: the restraint was off her mind; she could
- think again of the one terrible subject that had any interest for her now.
- Over love, over friendship, over the natural enjoyment of her young life,
- predominated the blighting resolution which bound her to avenge her
- father&rsquo;s death. Her dearest remembrances of him&mdash;tender remembrances
- once&mdash;now burned in her (to use her own words) like fire. It was no
- ordinary love that had bound parent and child together in the bygone time.
- Emily had grown from infancy to girlhood, owing all the brightness of her
- life&mdash;a life without a mother, without brothers, without sisters&mdash;to
- her father alone. To submit to lose this beloved, this only companion, by
- the cruel stroke of disease was of all trials of resignation the hardest
- to bear. But to be severed from him by the murderous hand of a man, was
- more than Emily&rsquo;s fervent nature could passively endure. Before the garden
- gate had closed on her friend she had returned to her one thought, she was
- breathing again her one aspiration. The books that she had ordered, with
- her own purpose in view&mdash;books that might supply her want of
- experience, and might reveal the perils which beset the course that lay
- before her&mdash;were unpacked and spread out on the table. Hour after
- hour, when the old servant believed that her mistress was in bed, she was
- absorbed over biographies in English and French, which related the
- stratagems by means of which famous policemen had captured the worst
- criminals of their time. From these, she turned to works of fiction, which
- found their chief topic of interest in dwelling on the discovery of hidden
- crime. The night passed, and dawn glimmered through the window&mdash;and
- still she opened book after book with sinking courage&mdash;and still she
- gained nothing but the disheartening conviction of her inability to carry
- out her own plans. Almost every page that she turned over revealed the
- immovable obstacles set in her way by her sex and her age. Could <i>she</i>
- mix with the people, or visit the scenes, familiar to the experience of
- men (in fact and in fiction), who had traced the homicide to his
- hiding-place, and had marked him among his harmless fellow-creatures with
- the brand of Cain? No! A young girl following, or attempting to follow,
- that career, must reckon with insult and outrage&mdash;paying their
- abominable tribute to her youth and her beauty, at every turn. What
- proportion would the men who might respect her bear to the men who might
- make her the object of advances, which it was hardly possible to imagine
- without shuddering. She crept exhausted to her bed, the most helpless,
- hopeless creature on the wide surface of the earth&mdash;a girl
- self-devoted to the task of a man.
- </p>
- <p>
- Careful to perform his promise to Mirabel, without delay, the doctor
- called on Emily early in the morning&mdash;before the hour at which he
- usually entered his consulting-room.
- </p>
- <p>
- &ldquo;Well? What&rsquo;s the matter with the pretty young mistress?&rdquo; he asked, in his
- most abrupt manner, when Mrs. Ellmother opened the door. &ldquo;Is it love? or
- jealousy? or a new dress with a wrinkle in it?&rdquo;
- </p>
- <p>
- &ldquo;You will hear about it, sir, from Miss Emily herself. I am forbidden to
- say anything.&rdquo;
- </p>
- <p>
- &ldquo;But you mean to say something&mdash;for all that?&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t joke, Doctor Allday! The state of things here is a great deal too
- serious for joking. Make up your mind to be surprised&mdash;I say no
- more.&rdquo;
- </p>
- <p>
- Before the doctor could ask what this meant, Emily opened the parlor door.
- &ldquo;Come in!&rdquo; she said, impatiently.
- </p>
- <p>
- Doctor Allday&rsquo;s first greeting was strictly professional. &ldquo;My dear child,
- I never expected this,&rdquo; he began. &ldquo;You are looking wretchedly ill.&rdquo; He
- attempted to feel her pulse. She drew her hand away from him.
- </p>
- <p>
- &ldquo;It&rsquo;s my mind that&rsquo;s ill,&rdquo; she answered. &ldquo;Feeling my pulse won&rsquo;t cure me
- of anxiety and distress. I want advice; I want help. Dear old doctor, you
- have always been a good friend to me&mdash;be a better friend than ever
- now.&rdquo;
- </p>
- <p>
- &ldquo;What can I do?&rdquo;
- </p>
- <p>
- &ldquo;Promise you will keep secret what I am going to say to you&mdash;and
- listen, pray listen patiently, till I have done.&rdquo;
- </p>
- <p>
- Doctor Allday promised, and listened. He had been, in some degree at
- least, prepared for a surprise&mdash;but the disclosure which now burst on
- him was more than his equanimity could sustain. He looked at Emily in
- silent dismay. She had surprised and shocked him, not only by what she
- said, but by what she unconsciously suggested. Was it possible that
- Mirabel&rsquo;s personal appearance had produced on her the same impression
- which was present in his own mind? His first impulse, when he was composed
- enough to speak, urged him to put the question cautiously.
- </p>
- <p>
- &ldquo;If you happened to meet with the suspected man,&rdquo; he said, &ldquo;have you any
- means of identifying him?&rdquo;
- </p>
- <p>
- &ldquo;None whatever, doctor. If you would only think it over&mdash;&rdquo;
- </p>
- <p>
- He stopped her there; convinced of the danger of encouraging her, and
- resolved to act on his conviction.
- </p>
- <p>
- &ldquo;I have enough to occupy me in my profession,&rdquo; he said. &ldquo;Ask your other
- friend to think it over.&rdquo;
- </p>
- <p>
- &ldquo;What other friend?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Alban Morris.&rdquo;
- </p>
- <p>
- The moment he pronounced the name, he saw that he had touched on some
- painful association. &ldquo;Has Mr. Morris refused to help you?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;I have not asked him to help me.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- There was no choice (with such a man as Doctor Allday) between offending
- him or answering him. Emily adopted the last alternative. On this occasion
- she had no reason to complain of his silence.
- </p>
- <p>
- &ldquo;Your view of Mr. Morris&rsquo;s conduct surprises me,&rdquo; he replied&mdash;&ldquo;surprises
- me more than I can say,&rdquo; he added; remembering that he too was guilty of
- having kept her in ignorance of the truth, out of regard&mdash;mistaken
- regard, as it now seemed to be&mdash;for her peace of mind.
- </p>
- <p>
- &ldquo;Be good to me, and pass it over if I am wrong,&rdquo; Emily said: &ldquo;I can&rsquo;t
- dispute with you; I can only tell you what I feel. You have always been so
- kind to me&mdash;may I count on your kindness still?&rdquo;
- </p>
- <p>
- Doctor Allday relapsed into silence.
- </p>
- <p>
- &ldquo;May I at least ask,&rdquo; she went on, &ldquo;if you know anything of persons&mdash;&rdquo;
- She paused, discouraged by the cold expression of inquiry in the old man&rsquo;s
- eyes as he looked at her.
- </p>
- <p>
- &ldquo;What persons?&rdquo; he said.
- </p>
- <p>
- &ldquo;Persons whom I suspect.&rdquo;
- </p>
- <p>
- &ldquo;Name them.&rdquo;
- </p>
- <p>
- Emily named the landlady of the inn at Zeeland: she could now place the
- right interpretation on Mrs. Rook&rsquo;s conduct, when the locket had been put
- into her hand at Netherwoods. Doctor Allday answered shortly and stiffly:
- he had never even seen Mrs. Rook. Emily mentioned Miss Jethro next&mdash;and
- saw at once that she had interested him.
- </p>
- <p>
- &ldquo;What do you suspect Miss Jethro of doing?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I suspect her of knowing more of my father&rsquo;s death than she is willing to
- acknowledge,&rdquo; Emily replied.
- </p>
- <p>
- The doctor&rsquo;s manner altered for the better. &ldquo;I agree with you,&rdquo; he said
- frankly. &ldquo;But I have some knowledge of that lady. I warn you not to waste
- time and trouble in trying to discover the weak side of Miss Jethro.&rdquo;
- </p>
- <p>
- &ldquo;That was not my experience of her at school,&rdquo; Emily rejoined. &ldquo;At the
- same time I don&rsquo;t know what may have happened since those days. I may
- perhaps have lost the place I once held in her regard.&rdquo;
- </p>
- <p>
- &ldquo;How?&rdquo;
- </p>
- <p>
- &ldquo;Through my aunt.&rdquo;
- </p>
- <p>
- &ldquo;Through your aunt?&rdquo;
- </p>
- <p>
- &ldquo;I hope and trust I am wrong,&rdquo; Emily continued; &ldquo;but I fear my aunt had
- something to do with Miss Jethro&rsquo;s dismissal from the school&mdash;and in
- that case Miss Jethro may have found it out.&rdquo; Her eyes, resting on the
- doctor, suddenly brightened. &ldquo;You know something about it!&rdquo; she exclaimed.
- </p>
- <p>
- He considered a little&mdash;whether he should or should not tell her of
- the letter addressed by Miss Ladd to Miss Letitia, which he had found at
- the cottage.
- </p>
- <p>
- &ldquo;If I could satisfy you that your fears are well founded,&rdquo; he asked,
- &ldquo;would the discovery keep you away from Miss Jethro?&rdquo;
- </p>
- <p>
- &ldquo;I should be ashamed to speak to her&mdash;even if we met.&rdquo;
- </p>
- <p>
- &ldquo;Very well. I can tell you positively, that your aunt was the person who
- turned Miss Jethro out of the school. When I get home, I will send you a
- letter that proves it.&rdquo;
- </p>
- <p>
- Emily&rsquo;s head sank on her breast. &ldquo;Why do I only hear of this now?&rdquo; she
- said.
- </p>
- <p>
- &ldquo;Because I had no reason for letting you know of it, before to-day. If I
- have done nothing else, I have at least succeeded in keeping you and Miss
- Jethro apart.&rdquo;
- </p>
- <p>
- Emily looked at him in alarm. He went on without appearing to notice that
- he had startled her. &ldquo;I wish to God I could as easily put a stop to the
- mad project which you are contemplating.&rdquo;
- </p>
- <p>
- &ldquo;The mad project?&rdquo; Emily repeated. &ldquo;Oh, Doctor Allday. Do you cruelly
- leave me to myself, at the time of all others, when I am most in need of
- your sympathy?&rdquo;
- </p>
- <p>
- That appeal moved him. He spoke more gently; he pitied, while he condemned
- her.
- </p>
- <p>
- &ldquo;My poor dear child, I should be cruel indeed, if I encouraged you. You
- are giving yourself up to an enterprise, so shockingly unsuited to a young
- girl like you, that I declare I contemplate it with horror. Think, I
- entreat you, think; and let me hear that you have yielded&mdash;not to my
- poor entreaties&mdash;but to your own better sense!&rdquo; His voice faltered;
- his eyes moistened. &ldquo;I shall make a fool of myself,&rdquo; he burst out
- furiously, &ldquo;if I stay here any longer. Good-by.&rdquo;
- </p>
- <p>
- He left her.
- </p>
- <p>
- She walked to the window, and looked out at the fair morning. No one to
- feel for her&mdash;no one to understand her&mdash;nothing nearer that
- could speak to poor mortality of hope and encouragement than the bright
- heaven, so far away! She turned from the window. &ldquo;The sun shines on the
- murderer,&rdquo; she thought, &ldquo;as it shines on me.&rdquo;
- </p>
- <p>
- She sat down at the table, and tried to quiet her mind; to think steadily
- to some good purpose. Of the few friends that she possessed, every one had
- declared that she was in the wrong. Had <i>they</i> lost the one loved
- being of all beings on earth, and lost him by the hand of a homicide&mdash;and
- that homicide free? All that was faithful, all that was devoted in the
- girl&rsquo;s nature, held her to her desperate resolution as with a hand of
- iron. If she shrank at that miserable moment, it was not from her design&mdash;it
- was from the sense of her own helplessness. &ldquo;Oh, if I had been a man!&rdquo; she
- said to herself. &ldquo;Oh, if I could find a friend!&rdquo;
- </p>
- <p>
- <a name="link2HCH0053" id="link2HCH0053">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LIII. THE FRIEND IS FOUND.
- </h3>
- <p>
- Mrs. Ellmother looked into the parlor. &ldquo;I told you Mr. Mirabel would call
- again,&rdquo; she announced. &ldquo;Here he is.&rdquo;
- </p>
- <p>
- &ldquo;Has he asked to see me?&rdquo;
- </p>
- <p>
- &ldquo;He leaves it entirely to you.&rdquo;
- </p>
- <p>
- For a moment, and a moment only, Emily was undecided. &ldquo;Show him in,&rdquo; she
- said.
- </p>
- <p>
- Mirabel&rsquo;s embarrassment was visible the moment he entered the room. For
- the first time in his life&mdash;in the presence of a woman&mdash;the
- popular preacher was shy. He who had taken hundreds of fair hands with
- sympathetic pressure&mdash;he who had offered fluent consolation, abroad
- and at home, to beauty in distress&mdash;was conscious of a rising color,
- and was absolutely at a loss for words when Emily received him. And yet,
- though he appeared at disadvantage&mdash;and, worse still, though he was
- aware of it himself&mdash;there was nothing contemptible in his look and
- manner. His silence and confusion revealed a change in him which inspired
- respect. Love had developed this spoiled darling of foolish congregations,
- this effeminate pet of drawing-rooms and boudoirs, into the likeness of a
- Man&mdash;and no woman, in Emily&rsquo;s position, could have failed to see that
- it was love which she herself had inspired.
- </p>
- <p>
- Equally ill at ease, they both took refuge in the commonplace phrases
- suggested by the occasion. These exhausted there was a pause. Mirabel
- alluded to Cecilia, as a means of continuing the conversation.
- </p>
- <p>
- &ldquo;Have you seen Miss Wyvil?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;She was here last night; and I expect to see her again to-day before she
- returns to Monksmoor with her father. Do you go back with them?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;if <i>you</i> do.&rdquo;
- </p>
- <p>
- &ldquo;I remain in London.&rdquo;
- </p>
- <p>
- &ldquo;Then I remain in London, too.&rdquo;
- </p>
- <p>
- The strong feeling that was in him had forced its way to expression at
- last. In happier days&mdash;when she had persistently refused to let him
- speak to her seriously&mdash;she would have been ready with a
- light-hearted reply. She was silent now. Mirabel pleaded with her not to
- misunderstand him, by an honest confession of his motives which presented
- him under a new aspect. The easy plausible man, who had hardly ever seemed
- to be in earnest before&mdash;meant, seriously meant, what he said now.
- </p>
- <p>
- &ldquo;May I try to explain myself?&rdquo; he asked.
- </p>
- <p>
- &ldquo;Certainly, if you wish it.&rdquo;
- </p>
- <p>
- &ldquo;Pray, don&rsquo;t suppose me capable,&rdquo; Mirabel said earnestly, &ldquo;of presuming to
- pay you an idle compliment. I cannot think of you, alone and in trouble,
- without feeling anxiety which can only be relieved in one way&mdash;I must
- be near enough to hear of you, day by day. Not by repeating this visit!
- Unless you wish it, I will not again cross the threshold of your door.
- Mrs. Ellmother will tell me if your mind is more at ease; Mrs. Ellmother
- will tell me if there is any new trial of your fortitude. She needn&rsquo;t even
- mention that I have been speaking to her at the door; and she may be sure,
- and you may be sure, that I shall ask no inquisitive questions. I can feel
- for you in your misfortune, without wishing to know what that misfortune
- is. If I can ever be of the smallest use, think of me as your other
- servant. Say to Mrs. Ellmother, &lsquo;I want him&rsquo;&mdash;and say no more.&rdquo;
- </p>
- <p>
- Where is the woman who could have resisted such devotion as this&mdash;inspired,
- truly inspired, by herself? Emily&rsquo;s eyes softened as she answered him.
- </p>
- <p>
- &ldquo;You little know how your kindness touches me,&rdquo; she said.
- </p>
- <p>
- &ldquo;Don&rsquo;t speak of my kindness until you have put me to the proof,&rdquo; he
- interposed. &ldquo;Can a friend (such a friend as I am, I mean) be of any use?&rdquo;
- </p>
- <p>
- &ldquo;Of the greatest use if I could feel justified in trying you.&rdquo;
- </p>
- <p>
- &ldquo;I entreat you to try me!&rdquo;
- </p>
- <p>
- &ldquo;But, Mr. Mirabel, you don&rsquo;t know what I am thinking of.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t want to know.&rdquo;
- </p>
- <p>
- &ldquo;I may be wrong. My friends all say I <i>am</i> wrong.&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t care what your friends say; I don&rsquo;t care about any earthly thing
- but your tranquillity. Does your dog ask whether you are right or wrong? I
- am your dog. I think of You, and I think of nothing else.&rdquo;
- </p>
- <p>
- She looked back through the experience of the last few days. Miss Ladd&mdash;Mrs.
- Ellmother&mdash;Doctor Allday: not one of them had felt for her, not one
- of them had spoken to her, as this man had felt and had spoken. She
- remembered the dreadful sense of solitude and helplessness which had wrung
- her heart, in the interval before Mirabel came in. Her father himself
- could hardly have been kinder to her than this friend of a few weeks only.
- She looked at him through her tears; she could say nothing that was
- eloquent, nothing even that was adequate. &ldquo;You are very good to me,&rdquo; was
- her only acknowledgment of all that he had offered. How poor it seemed to
- be! and yet how much it meant!
- </p>
- <p>
- He rose&mdash;saying considerately that he would leave her to recover
- herself, and would wait to hear if he was wanted.
- </p>
- <p>
- &ldquo;No,&rdquo; she said; &ldquo;I must not let you go. In common gratitude I ought to
- decide before you leave me, and I do decide to take you into my
- confidence.&rdquo; She hesitated; her color rose a little. &ldquo;I know how
- unselfishly you offer me your help,&rdquo; she resumed; &ldquo;I know you speak to me
- as a brother might speak to a sister&mdash;&rdquo;
- </p>
- <p>
- He gently interrupted her. &ldquo;No,&rdquo; he said; &ldquo;I can&rsquo;t honestly claim to do
- that. And&mdash;may I venture to remind you?&mdash;you know why.&rdquo;
- </p>
- <p>
- She started. Her eyes rested on him with a momentary expression of
- reproach.
- </p>
- <p>
- &ldquo;Is it quite fair,&rdquo; she asked, &ldquo;in my situation, to say that?&rdquo;
- </p>
- <p>
- &ldquo;Would it have been quite fair,&rdquo; he rejoined, &ldquo;to allow you to deceive
- yourself? Should I deserve to be taken into your confidence, if I
- encouraged you to trust me, under false pretenses? Not a word more of
- those hopes on which the happiness of my life depends shall pass my lips,
- unless you permit it. In my devotion to your interests, I promise to
- forget myself. My motives may be misinterpreted; my position may be
- misunderstood. Ignorant people may take me for that other happier man, who
- is an object of interest to you&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Stop, Mr. Mirabel! The person to whom you refer has no such claim on me
- as you suppose.&rdquo;
- </p>
- <p>
- &ldquo;Dare I say how happy I am to hear it? Will you forgive me?&rdquo;
- </p>
- <p>
- &ldquo;I will forgive you if you say no more.&rdquo;
- </p>
- <p>
- Their eyes met. Completely overcome by the new hope that she had inspired,
- Mirabel was unable to answer her. His sensitive nerves trembled under
- emotion, like the nerves of a woman; his delicate complexion faded away
- slowly into whiteness. Emily was alarmed&mdash;he seemed to be on the
- point of fainting. She ran to the window to open it more widely.
- </p>
- <p>
- &ldquo;Pray don&rsquo;t trouble yourself,&rdquo; he said, &ldquo;I am easily agitated by any
- sudden sensation&mdash;and I am a little overcome at this moment by my own
- happiness.&rdquo;
- </p>
- <p>
- &ldquo;Let me give you a glass of wine.&rdquo;
- </p>
- <p>
- &ldquo;Thank you&mdash;I don&rsquo;t need it indeed.&rdquo;
- </p>
- <p>
- &ldquo;You really feel better?&rdquo;
- </p>
- <p>
- &ldquo;I feel quite well again&mdash;and eager to hear how I can serve you.&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s a long story, Mr. Mirabel&mdash;and a dreadful story.&rdquo;
- </p>
- <p>
- &ldquo;Dreadful?&rdquo;
- </p>
- <p>
- &ldquo;Yes! Let me tell you first how you can serve me. I am in search of a man
- who has done me the cruelest wrong that one human creature can inflict on
- another. But the chances are all against me&mdash;I am only a woman; and I
- don&rsquo;t know how to take even the first step toward discovery.&rdquo;
- </p>
- <p>
- &ldquo;You will know, when I guide you.&rdquo;
- </p>
- <p>
- He reminded her tenderly of what she might expect from him, and was
- rewarded by a grateful look. Seeing nothing, suspecting nothing, they
- advanced together nearer and nearer to the end.
- </p>
- <p>
- &ldquo;Once or twice,&rdquo; Emily continued, &ldquo;I spoke to you of my poor father, when
- we were at Monksmoor&mdash;and I must speak of him again. You could have
- no interest in inquiring about a stranger&mdash;and you cannot have heard
- how he died.&rdquo;
- </p>
- <p>
- &ldquo;Pardon me, I heard from Mr. Wyvil how he died.&rdquo;
- </p>
- <p>
- &ldquo;You heard what I had told Mr. Wyvil,&rdquo; Emily said: &ldquo;I was wrong.&rdquo;
- </p>
- <p>
- &ldquo;Wrong!&rdquo; Mirabel exclaimed, in a tone of courteous surprise. &ldquo;Was it not a
- sudden death?&rdquo;
- </p>
- <p>
- &ldquo;It <i>was</i> a sudden death.&rdquo;
- </p>
- <p>
- &ldquo;Caused by disease of the heart?&rdquo;
- </p>
- <p>
- &ldquo;Caused by no disease. I have been deceived about my father&rsquo;s death&mdash;and
- I have only discovered it a few days since.&rdquo;
- </p>
- <p>
- At the impending moment of the frightful shock which she was innocently
- about to inflict on him, she stopped&mdash;doubtful whether it would be
- best to relate how the discovery had been made, or to pass at once to the
- result. Mirabel supposed that she had paused to control her agitation. He
- was so immeasurably far away from the faintest suspicion of what was
- coming that he exerted his ingenuity, in the hope of sparing her.
- </p>
- <p>
- &ldquo;I can anticipate the rest,&rdquo; he said. &ldquo;Your sad loss has been caused by
- some fatal accident. Let us change the subject; tell me more of that man
- whom I must help you to find. It will only distress you to dwell on your
- father&rsquo;s death.&rdquo;
- </p>
- <p>
- &ldquo;Distress me?&rdquo; she repeated. &ldquo;His death maddens me!&rdquo;
- </p>
- <p>
- &ldquo;Oh, don&rsquo;t say that!&rdquo;
- </p>
- <p>
- &ldquo;Hear me! hear me! My father died murdered, at Zeeland&mdash;and the man
- you must help me to find is the wretch who killed him.&rdquo;
- </p>
- <p>
- She started to her feet with a cry of terror. Mirabel dropped from his
- chair senseless to the floor.
- </p>
- <p>
- <a name="link2HCH0054" id="link2HCH0054">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LIV. THE END OF THE FAINTING FIT.
- </h3>
- <p>
- Emily recovered her presence of mind. She opened the door, so as to make a
- draught of air in the room, and called for water. Returning to Mirabel,
- she loosened his cravat. Mrs. Ellmother came in, just in time to prevent
- her from committing a common error in the treatment of fainting persons,
- by raising Mirabel&rsquo;s head. The current of air, and the sprinkling of water
- over his face, soon produced their customary effect. &ldquo;He&rsquo;ll come round,
- directly,&rdquo; Mrs. Ellmother remarked. &ldquo;Your aunt was sometimes taken with
- these swoons, miss; and I know something about them. He looks a poor weak
- creature, in spite of his big beard. Has anything frightened him?&rdquo;
- </p>
- <p>
- Emily little knew how correctly that chance guess had hit on the truth!
- </p>
- <p>
- &ldquo;Nothing can possibly have frightened him,&rdquo; she replied; &ldquo;I am afraid he
- is in bad health. He turned suddenly pale while we were talking; and I
- thought he was going to be taken ill; he made light of it, and seemed to
- recover. Unfortunately, I was right; it was the threatening of a fainting
- fit&mdash;he dropped on the floor a minute afterward.&rdquo;
- </p>
- <p>
- A sigh fluttered over Mirabel&rsquo;s lips. His eyes opened, looked at Mrs.
- Ellmother in vacant terror, and closed again. Emily whispered to her to
- leave the room. The old woman smiled satirically as she opened the door&mdash;then
- looked back, with a sudden change of humor. To see the kind young mistress
- bending over the feeble little clergyman set her&mdash;by some strange
- association of ideas&mdash;thinking of Alban Morris. &ldquo;Ah,&rdquo; she muttered to
- herself, on her way out, &ldquo;I call <i>him</i> a Man!&rdquo;
- </p>
- <p>
- There was wine in the sideboard&mdash;the wine which Emily had once
- already offered in vain. Mirabel drank it eagerly, this time. He looked
- round the room, as if he wished to be sure that they were alone. &ldquo;Have I
- fallen to a low place in your estimation?&rdquo; he asked, smiling faintly. &ldquo;I
- am afraid you will think poorly enough of your new ally, after this?&rdquo;
- </p>
- <p>
- &ldquo;I only think you should take more care of your health,&rdquo; Emily replied,
- with sincere interest in his recovery. &ldquo;Let me leave you to rest on the
- sofa.&rdquo;
- </p>
- <p>
- He refused to remain at the cottage&mdash;he asked, with a sudden change
- to fretfulness, if she would let her servant get him a cab. She ventured
- to doubt whether he was quite strong enough yet to go away by himself. He
- reiterated, piteously reiterated, his request. A passing cab was stopped
- directly. Emily accompanied him to the gate. &ldquo;I know what to do,&rdquo; he said,
- in a hurried absent way. &ldquo;Rest and a little tonic medicine will soon set
- me right.&rdquo; The clammy coldness of his skin made Emily shudder, as they
- shook hands. &ldquo;You won&rsquo;t think the worse of me for this?&rdquo; he asked.
- </p>
- <p>
- &ldquo;How can you imagine such a thing!&rdquo; she answered warmly.
- </p>
- <p>
- &ldquo;Will you see me, if I come to-morrow?&rdquo;
- </p>
- <p>
- &ldquo;I shall be anxious to see you.&rdquo;
- </p>
- <p>
- So they parted. Emily returned to the house, pitying him with all her
- heart.
- </p>
- <p>
- <a name="link2H_4_0060" id="link2H_4_0060">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h2>
- BOOK THE SIXTH&mdash;HERE AND THERE.
- </h2>
- <p>
- <a name="link2HCH0055" id="link2HCH0055">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LV. MIRABEL SEES HIS WAY.
- </h3>
- <p>
- Reaching the hotel at which he was accustomed to stay when he was in
- London, Mirabel locked the door of his room. He looked at the houses on
- the opposite side of the street. His mind was in such a state of morbid
- distrust that he lowered the blind over the window. In solitude and
- obscurity, the miserable wretch sat down in a corner, and covered his face
- with his hands, and tried to realize what had happened to him.
- </p>
- <p>
- Nothing had been said at the fatal interview with Emily, which could have
- given him the slightest warning of what was to come. Her father&rsquo;s name&mdash;absolutely
- unknown to him when he fled from the inn&mdash;had only been communicated
- to the public by the newspaper reports of the adjourned inquest. At the
- time when those reports appeared, he was in hiding, under circumstances
- which prevented him from seeing a newspaper. While the murder was still a
- subject of conversation, he was in France&mdash;far out of the track of
- English travelers&mdash;and he remained on the continent until the summer
- of eighteen hundred and eighty-one. No exercise of discretion, on his
- part, could have extricated him from the terrible position in which he was
- now placed. He stood pledged to Emily to discover the man suspected of the
- murder of her father; and that man was&mdash;himself!
- </p>
- <p>
- What refuge was left open to him?
- </p>
- <p>
- If he took to flight, his sudden disappearance would be a suspicious
- circumstance in itself, and would therefore provoke inquiries which might
- lead to serious results. Supposing that he overlooked the risk thus
- presented, would he be capable of enduring a separation from Emily, which
- might be a separation for life? Even in the first horror of discovering
- his situation, her influence remained unshaken&mdash;the animating spirit
- of the one manly capacity for resistance which raised him above the reach
- of his own fears. The only prospect before him which he felt himself to be
- incapable of contemplating, was the prospect of leaving Emily.
- </p>
- <p>
- Having arrived at this conclusion, his fears urged him to think of
- providing for his own safety.
- </p>
- <p>
- The first precaution to adopt was to separate Emily from friends whose
- advice might be hostile to his interests&mdash;perhaps even subversive of
- his security. To effect this design, he had need of an ally whom he could
- trust. That ally was at his disposal, far away in the north.
- </p>
- <p>
- At the time when Francine&rsquo;s jealousy began to interfere with all freedom
- of intercourse between Emily and himself at Monksmoor, he had contemplated
- making arrangements which might enable them to meet at the house of his
- invalid sister, Mrs. Delvin. He had spoken of her, and of the bodily
- affliction which confined her to her room, in terms which had already
- interested Emily. In the present emergency, he decided on returning to the
- subject, and on hastening the meeting between the two women which he had
- first suggested at Mr. Wyvil&rsquo;s country seat.
- </p>
- <p>
- No time was to be lost in carrying out this intention. He wrote to Mrs.
- Delvin by that day&rsquo;s post; confiding to her, in the first place, the
- critical position in which he now found himself. This done, he proceeded
- as follows:
- </p>
- <p>
- &ldquo;To your sound judgment, dearest Agatha, it may appear that I am making
- myself needlessly uneasy about the future. Two persons only know that I am
- the man who escaped from the inn at Zeeland. You are one of them, and Miss
- Jethro is the other. On you I can absolutely rely; and, after my
- experience of her, I ought to feel sure of Miss Jethro. I admit this; but
- I cannot get over my distrust of Emily&rsquo;s friends. I fear the cunning old
- doctor; I doubt Mr. Wyvil; I hate Alban Morris.
- </p>
- <p>
- &ldquo;Do me a favor, my dear. Invite Emily to be your guest, and so separate
- her from these friends. The old servant who attends on her will be
- included in the invitation, of course. Mrs. Ellmother is, as I believe,
- devoted to the interests of Mr. Alban Morris: she will be well out of the
- way of doing mischief, while we have her safe in your northern solitude.
- </p>
- <p>
- &ldquo;There is no fear that Emily will refuse your invitation.
- </p>
- <p>
- &ldquo;In the first place, she is already interested in you. In the second
- place, I shall consider the small proprieties of social life; and, instead
- of traveling with her to your house, I shall follow by a later train. In
- the third place, I am now the chosen adviser in whom she trusts; and what
- I tell her to do, she will do. It pains me, really and truly pains me, to
- be compelled to deceive her&mdash;but the other alternative is to reveal
- myself as the wretch of whom she is in search. Was there ever such a
- situation? And, oh, Agatha, I am so fond of her! If I fail to persuade her
- to be my wife, I don&rsquo;t care what becomes of me. I used to think disgrace,
- and death on the scaffold, the most frightful prospect that a man can
- contemplate. In my present frame of mind, a life without Emily may just as
- well end in that way as in any other. When we are together in your old
- sea-beaten tower, do your best, my dear, to incline the heart of this
- sweet girl toward me. If she remains in London, how do I know that Mr.
- Morris may not recover the place he has lost in her good opinion? The bare
- idea of it turns me cold.
- </p>
- <p>
- &ldquo;There is one more point on which I must touch, before I can finish my
- letter.
- </p>
- <p>
- &ldquo;When you last wrote, you told me that Sir Jervis Redwood was not expected
- to live much longer, and that the establishment would be broken up after
- his death. Can you find out for me what will become, under the
- circumstances, of Mr. and Mrs. Rook? So far as I am concerned, I don&rsquo;t
- doubt that the alteration in my personal appearance, which has protected
- me for years past, may be trusted to preserve me from recognition by these
- two people. But it is of the utmost importance, remembering the project to
- which Emily has devoted herself, that she should not meet with Mrs. Rook.
- They have been already in correspondence; and Mrs. Rook has expressed an
- intention (if the opportunity offers itself) of calling at the cottage.
- Another reason, and a pressing reason, for removing Emily from London! We
- can easily keep the Rooks out of <i>your</i> house; but I own I should
- feel more at my ease, if I heard that they had left Northumberland.&rdquo;
- </p>
- <p>
- With that confession, Mrs. Delvin&rsquo;s brother closed his letter.
- </p>
- <p>
- <a name="link2HCH0056" id="link2HCH0056">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LVI. ALBAN SEES HIS WAY.
- </h3>
- <p>
- During the first days of Mirabel&rsquo;s sojourn at his hotel in London, events
- were in progress at Netherwoods, affecting the interests of the man who
- was the especial object of his distrust. Not long after Miss Ladd had
- returned to her school, she heard of an artist who was capable of filling
- the place to be vacated by Alban Morris. It was then the twenty-third of
- the month. In four days more the new master would be ready to enter on his
- duties; and Alban would be at liberty.
- </p>
- <p>
- On the twenty-fourth, Alban received a telegram which startled him. The
- person sending the message was Mrs. Ellmother; and the words were: &ldquo;Meet
- me at your railway station to-day, at two o&rsquo;clock.&rdquo;
- </p>
- <p>
- He found the old woman in the waiting-room; and he met with a rough
- reception.
- </p>
- <p>
- &ldquo;Minutes are precious, Mr. Morris,&rdquo; she said; &ldquo;you are two minutes late.
- The next train to London stops here in half an hour&mdash;and I must go
- back by it.&rdquo;
- </p>
- <p>
- &ldquo;Good heavens, what brings you here? Is Emily&mdash;?&rdquo;
- </p>
- <p>
- &ldquo;Emily is well enough in health&mdash;if that&rsquo;s what you mean? As to why I
- come here, the reason is that it&rsquo;s a deal easier for me (worse luck!) to
- take this journey than to write a letter. One good turn deserves another.
- I don&rsquo;t forget how kind you were to me, away there at the school&mdash;and
- I can&rsquo;t, and won&rsquo;t, see what&rsquo;s going on at the cottage, behind your back,
- without letting you know of it. Oh, you needn&rsquo;t be alarmed about <i>her!</i>
- I&rsquo;ve made an excuse to get away for a few hours&mdash;but I haven&rsquo;t left
- her by herself. Miss Wyvil has come to London again; and Mr. Mirabel
- spends the best part of his time with her. Excuse me for a moment, will
- you? I&rsquo;m so thirsty after the journey, I can hardly speak.&rdquo;
- </p>
- <p>
- She presented herself at the counter in the waiting-room. &ldquo;I&rsquo;ll trouble
- you, young woman, for a glass of ale.&rdquo; She returned to Alban in a better
- humor. &ldquo;It&rsquo;s not bad stuff, that! When I have said my say, I&rsquo;ll have a
- drop more&mdash;just to wash the taste of Mr. Mirabel out of my mouth.
- Wait a bit; I have something to ask you. How much longer are you obliged
- to stop here, teaching the girls to draw?&rdquo;
- </p>
- <p>
- &ldquo;I leave Netherwoods in three days more,&rdquo; Alban replied.
- </p>
- <p>
- &ldquo;That&rsquo;s all right! You may be in time to bring Miss Emily to her senses,
- yet.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- &ldquo;I mean&mdash;if you don&rsquo;t stop it&mdash;she will marry the parson.&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t believe it, Mrs. Ellmother! I won&rsquo;t believe it!&rdquo;
- </p>
- <p>
- &ldquo;Ah, it&rsquo;s a comfort to him, poor fellow, to say that! Look here, Mr.
- Morris; this is how it stands. You&rsquo;re in disgrace with Miss Emily&mdash;and
- he profits by it. I was fool enough to take a liking to Mr. Mirabel when I
- first opened the door to him; I know better now. He got on the blind side
- of me; and now he has got on the blind side of <i>her</i>. Shall I tell
- you how? By doing what you would have done if you had had the chance. He&rsquo;s
- helping her&mdash;or pretending to help her, I don&rsquo;t know which&mdash;to
- find the man who murdered poor Mr. Brown. After four years! And when all
- the police in England (with a reward to encourage them) did their best,
- and it came to nothing!&rdquo;
- </p>
- <p>
- &ldquo;Never mind that!&rdquo; Alban said impatiently. &ldquo;I want to know how Mr. Mirabel
- is helping her?&rdquo;
- </p>
- <p>
- &ldquo;That&rsquo;s more than I can tell you. You don&rsquo;t suppose they take me into
- their confidence? All I can do is to pick up a word, here and there, when
- fine weather tempts them out into the garden. She tells him to suspect
- Mrs. Rook, and to make inquiries after Miss Jethro. And he has his plans;
- and he writes them down, which is dead against his doing anything useful,
- in my opinion. I don&rsquo;t hold with your scribblers. At the same time I
- wouldn&rsquo;t count too positively, in your place, on his being likely to fail.
- That little Mirabel&mdash;if it wasn&rsquo;t for his beard, I should believe he
- was a woman, and a sickly woman too; he fainted in our house the other day&mdash;that
- little Mirabel is in earnest. Rather than leave Miss Emily from Saturday
- to Monday, he has got a parson out of employment to do his Sunday work for
- him. And, what&rsquo;s more, he has persuaded her (for some reasons of his own)
- to leave London next week.&rdquo;
- </p>
- <p>
- &ldquo;Is she going back to Monksmoor?&rdquo;
- </p>
- <p>
- &ldquo;Not she! Mr. Mirabel has got a sister, a widow lady; she&rsquo;s a cripple, or
- something of the sort. Her name is Mrs. Delvin. She lives far away in the
- north country, by the sea; and Miss Emily is going to stay with her.&rdquo;
- </p>
- <p>
- &ldquo;Are you sure of that?&rdquo;
- </p>
- <p>
- &ldquo;Sure? I&rsquo;ve seen the letter.&rdquo;
- </p>
- <p>
- &ldquo;Do you mean the letter of invitation?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;I do. Miss Emily herself showed it to me. I&rsquo;m to go with her&mdash;&lsquo;in
- attendance on my mistress,&rsquo; as the lady puts it. This I will say for Mrs.
- Delvin: her handwriting is a credit to the school that taught her; and the
- poor bedridden creature words her invitation so nicely, that I myself
- couldn&rsquo;t have resisted it&mdash;and I&rsquo;m a hard one, as you know. You don&rsquo;t
- seem to heed me, Mr. Morris.&rdquo;
- </p>
- <p>
- &ldquo;I beg your pardon, I was thinking.&rdquo;
- </p>
- <p>
- &ldquo;Thinking of what&mdash;if I may make so bold?&rdquo;
- </p>
- <p>
- &ldquo;Of going back to London with you, instead of waiting till the new master
- comes to take my place.&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t do that, sir! You would do harm instead of good, if you showed
- yourself at the cottage now. Besides, it would not be fair to Miss Ladd,
- to leave her before the other man takes your girls off your hands. Trust
- me to look after your interests; and don&rsquo;t go near Miss Emily&mdash;don&rsquo;t
- even write to her&mdash;unless you have got something to say about the
- murder, which she will be eager to hear. Make some discovery in that
- direction, Mr. Morris, while the parson is only trying to do it or
- pretending to do it&mdash;and I&rsquo;ll answer for the result. Look at the
- clock! In ten minutes more the train will be here. My memory isn&rsquo;t as good
- as it was; but I do think I have told you all I had to tell.&rdquo;
- </p>
- <p>
- &ldquo;You are the best of good friends!&rdquo; Alban said warmly.
- </p>
- <p>
- &ldquo;Never mind about that, sir. If you want to do a friendly thing in return,
- tell me if you know what has become of Miss de Sor.&rdquo;
- </p>
- <p>
- &ldquo;She has returned to Netherwoods.&rdquo;
- </p>
- <p>
- &ldquo;Aha! Miss Ladd is as good as her word. Would you mind writing to tell me
- of it, if Miss de Sor leaves the school again? Good Lord! there she is on
- the platform with bag and baggage. Don&rsquo;t let her see me, Mr. Morris! If
- she comes in here, I shall set the marks of my ten finger-nails on that
- false face of hers, as sure as I am a Christian woman.&rdquo;
- </p>
- <p>
- Alban placed himself at the door, so as to hide Mrs. Ellmother. There
- indeed was Francine, accompanied by one of the teachers at the school. She
- took a seat on the bench outside the booking-office, in a state of sullen
- indifference&mdash;absorbed in herself&mdash;noticing nothing. Urged by
- ungovernable curiosity, Mrs. Ellmother stole on tiptoe to Alban&rsquo;s side to
- look at her. To a person acquainted with the circumstances there could be
- no possible doubt of what had happened. Francine had failed to excuse
- herself, and had been dismissed from Miss Ladd&rsquo;s house.
- </p>
- <p>
- &ldquo;I would have traveled to the world&rsquo;s end,&rdquo; Mrs. Ellmother said, &ldquo;to see
- <i>that!</i>&rdquo;
- </p>
- <p>
- She returned to her place in the waiting-room, perfectly satisfied.
- </p>
- <p>
- The teacher noticed Alban, on leaving the booking-office after taking the
- tickets. &ldquo;I shall be glad,&rdquo; she said, looking toward Francine, &ldquo;when I
- have resigned the charge of that young lady to the person who is to
- receive her in London.&rdquo;
- </p>
- <p>
- &ldquo;Is she to be sent back to her parents?&rdquo; Alban asked.
- </p>
- <p>
- &ldquo;We don&rsquo;t know yet. Miss Ladd will write to St. Domingo by the next mail.
- In the meantime, her father&rsquo;s agent in London&mdash;the same person who
- pays her allowance&mdash;takes care of her until he hears from the West
- Indies.&rdquo;
- </p>
- <p>
- &ldquo;Does she consent to this?&rdquo;
- </p>
- <p>
- &ldquo;She doesn&rsquo;t seem to care what becomes of her. Miss Ladd has given her
- every opportunity of explaining and excusing herself, and has produced no
- impression. You can see the state she is in. Our good mistress&mdash;always
- hopeful even in the worst cases, as you know&mdash;thinks she is feeling
- ashamed of herself, and is too proud and self-willed to own it. My own
- idea is, that some secret disappointment is weighing on her mind. Perhaps
- I am wrong.&rdquo;
- </p>
- <p>
- No. Miss Ladd was wrong; and the teacher was right.
- </p>
- <p>
- The passion of revenge, being essentially selfish in its nature, is of all
- passions the narrowest in its range of view. In gratifying her jealous
- hatred of Emily, Francine had correctly foreseen consequences, as they
- might affect the other object of her enmity&mdash;Alban Morris. But she
- had failed to perceive the imminent danger of another result, which in a
- calmer frame of mind might not have escaped discovery. In triumphing over
- Emily and Alban, she had been the indirect means of inflicting on herself
- the bitterest of all disappointments&mdash;she had brought Emily and
- Mirabel together. The first forewarning of this catastrophe had reached
- her, on hearing that Mirabel would not return to Monksmoor. Her worst
- fears had been thereafter confirmed by a letter from Cecilia, which had
- followed her to Netherwoods. From that moment, she, who had made others
- wretched, paid the penalty in suffering as keen as any that she had
- inflicted. Completely prostrated; powerless, through ignorance of his
- address in London, to make a last appeal to Mirabel; she was literally, as
- had just been said, careless what became of her. When the train
- approached, she sprang to her feet&mdash;advanced to the edge of the
- platform&mdash;and suddenly drew back, shuddering. The teacher looked in
- terror at Alban. Had the desperate girl meditated throwing herself under
- the wheels of the engine? The thought had been in both their minds; but
- neither of them acknowledged it. Francine stepped quietly into the
- carriage, when the train drew up, and laid her head back in a corner, and
- closed her eyes. Mrs. Ellmother took her place in another compartment, and
- beckoned to Alban to speak to her at the window.
- </p>
- <p>
- &ldquo;Where can I see you, when you go to London?&rdquo; she asked.
- </p>
- <p>
- &ldquo;At Doctor Allday&rsquo;s house.&rdquo;
- </p>
- <p>
- &ldquo;On what day?&rdquo;
- </p>
- <p>
- &ldquo;On Tuesday next.&rdquo;
- </p>
- <p>
- <a name="link2HCH0057" id="link2HCH0057">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LVII. APPROACHING THE END.
- </h3>
- <p>
- Alban reached London early enough in the afternoon to find the doctor at
- his luncheon. &ldquo;Too late to see Mrs. Ellmother,&rdquo; he announced. &ldquo;Sit down
- and have something to eat.&rdquo;
- </p>
- <p>
- &ldquo;Has she left any message for me?&rdquo;
- </p>
- <p>
- &ldquo;A message, my good friend, that you won&rsquo;t like to hear. She is off with
- her mistress, this morning, on a visit to Mr. Mirabel&rsquo;s sister.&rdquo;
- </p>
- <p>
- &ldquo;Does he go with them?&rdquo;
- </p>
- <p>
- &ldquo;No; he follows by a later train.&rdquo;
- </p>
- <p>
- &ldquo;Has Mrs. Ellmother mentioned the address?&rdquo;
- </p>
- <p>
- &ldquo;There it is, in her own handwriting.&rdquo;
- </p>
- <p>
- Alban read the address:&mdash;&ldquo;Mrs. Delvin, The Clink, Belford,
- Northumberland.&rdquo;
- </p>
- <p>
- &ldquo;Turn to the back of that bit of paper,&rdquo; the doctor said. &ldquo;Mrs. Ellmother
- has written something on it.&rdquo;
- </p>
- <p>
- She had written these words: &ldquo;No discoveries made by Mr. Mirabel, up to
- this time. Sir Jervis Redwood is dead. The Rooks are believed to be in
- Scotland; and Miss Emily, if need be, is to help the parson to find them.
- No news of Miss Jethro.&rdquo;
- </p>
- <p>
- &ldquo;Now you have got your information,&rdquo; Doctor Allday resumed, &ldquo;let me have a
- look at you. You&rsquo;re not in a rage: that&rsquo;s a good sign to begin with.&rdquo;
- </p>
- <p>
- &ldquo;I am not the less determined,&rdquo; Alban answered.
- </p>
- <p>
- &ldquo;To bring Emily to her senses?&rdquo; the doctor asked.
- </p>
- <p>
- &ldquo;To do what Mirabel has <i>not</i> done&mdash;and then to let her choose
- between us.&rdquo;
- </p>
- <p>
- &ldquo;Ay? ay? Your good opinion of her hasn&rsquo;t altered, though she has treated
- you so badly?&rdquo;
- </p>
- <p>
- &ldquo;My good opinion makes allowance for the state of my poor darling&rsquo;s mind,
- after the shock that has fallen on her,&rdquo; Alban answered quietly. &ldquo;She is
- not <i>my</i> Emily now. She will be <i>my</i> Emily yet. I told her I was
- convinced of it, in the old days at school&mdash;and my conviction is as
- strong as ever. Have you seen her, since I have been away at Netherwoods?&rdquo;
- </p>
- <p>
- &ldquo;Yes; and she is as angry with me as she is with you.&rdquo;
- </p>
- <p>
- &ldquo;For the same reason?&rdquo;
- </p>
- <p>
- &ldquo;No, no. I heard enough to warn me to hold my tongue. I refused to help
- her&mdash;that&rsquo;s all. You are a man, and you may run risks which no young
- girl ought to encounter. Do you remember when I asked you to drop all
- further inquiries into the murder, for Emily&rsquo;s sake? The circumstances
- have altered since that time. Can I be of any use?&rdquo;
- </p>
- <p>
- &ldquo;Of the greatest use, if you can give me Miss Jethro&rsquo;s address.&rdquo;
- </p>
- <p>
- &ldquo;Oh! You mean to begin in that way, do you?&rdquo;
- </p>
- <p>
- &ldquo;Yes. You know that Miss Jethro visited me at Netherwoods?&rdquo;
- </p>
- <p>
- &ldquo;Go on.&rdquo;
- </p>
- <p>
- &ldquo;She showed me your answer to a letter which she had written to you. Have
- you got that letter?&rdquo;
- </p>
- <p>
- Doctor Allday produced it. The address was at a post-office, in a town on
- the south coast. Looking up when he had copied it, Alban saw the doctor&rsquo;s
- eyes fixed on him with an oddly-mingled expression: partly of sympathy,
- partly of hesitation.
- </p>
- <p>
- &ldquo;Have you anything to suggest?&rdquo; he asked.
- </p>
- <p>
- &ldquo;You will get nothing out of Miss Jethro,&rdquo; the doctor answered, &ldquo;unless&mdash;&rdquo;
- there he stopped.
- </p>
- <p>
- &ldquo;Unless, what?&rdquo;
- </p>
- <p>
- &ldquo;Unless you can frighten her.&rdquo;
- </p>
- <p>
- &ldquo;How am I to do that?&rdquo;
- </p>
- <p>
- After a little reflection, Doctor Allday returned, without any apparent
- reason, to the subject of his last visit to Emily.
- </p>
- <p>
- &ldquo;There was one thing she said, in the course of our talk,&rdquo; he continued,
- &ldquo;which struck me as being sensible: possibly (for we are all more or less
- conceited), because I agreed with her myself. She suspects Miss Jethro of
- knowing more about that damnable murder than Miss Jethro is willing to
- acknowledge. If you want to produce the right effect on her&mdash;&rdquo; he
- looked hard at Alban and checked himself once more.
- </p>
- <p>
- &ldquo;Well? what am I to do?&rdquo;
- </p>
- <p>
- &ldquo;Tell her you have an idea of who the murderer is.&rdquo;
- </p>
- <p>
- &ldquo;But I have no idea.&rdquo;
- </p>
- <p>
- &ldquo;But <i>I</i> have.&rdquo;
- </p>
- <p>
- &ldquo;Good God! what do you mean?&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t mistake me! An impression has been produced on my mind&mdash;that&rsquo;s
- all. Call it a freak or fancy; worth trying perhaps as a bold experiment,
- and worth nothing more. Come a little nearer. My housekeeper is an
- excellent woman, but I have once or twice caught her rather too near to
- that door. I think I&rsquo;ll whisper it.&rdquo;
- </p>
- <p>
- He did whisper it. In breathless wonder, Alban heard of the doubt which
- had crossed Doctor Allday&rsquo;s mind, on the evening when Mirabel had called
- at his house.
- </p>
- <p>
- &ldquo;You look as if you didn&rsquo;t believe it,&rdquo; the doctor remarked.
- </p>
- <p>
- &ldquo;I&rsquo;m thinking of Emily. For her sake I hope and trust you are wrong. Ought
- I to go to her at once? I don&rsquo;t know what to do!&rdquo;
- </p>
- <p>
- &ldquo;Find out first, my good fellow, whether I am right or wrong. You can do
- it, if you will run the risk with Miss Jethro.&rdquo;
- </p>
- <p>
- Alban recovered himself. His old friend&rsquo;s advice was clearly the right
- advice to follow. He examined his railway guide, and then looked at his
- watch. &ldquo;If I can find Miss Jethro,&rdquo; he answered, &ldquo;I&rsquo;ll risk it before the
- day is out.&rdquo;
- </p>
- <p>
- The doctor accompanied him to the door. &ldquo;You will write to me, won&rsquo;t you?&rdquo;
- </p>
- <p>
- &ldquo;Without fail. Thank you&mdash;and good-by.&rdquo;
- </p>
- <p>
- BOOK THE SEVENTH&mdash;THE CLINK. <a name="link2HCH0058" id="link2HCH0058">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LVIII. A COUNCIL OF TWO.
- </h3>
- <p>
- Early in the last century one of the picturesque race of robbers and
- murderers, practicing the vices of humanity on the borderlands watered by
- the river Tweed, built a tower of stone on the coast of Northumberland. He
- lived joyously in the perpetration of atrocities; and he died penitent,
- under the direction of his priest. Since that event, he has figured in
- poems and pictures; and has been greatly admired by modern ladies and
- gentlemen, whom he would have outraged and robbed if he had been lucky
- enough to meet with them in the good old times.
- </p>
- <p>
- His son succeeded him, and failed to profit by the paternal example: that
- is to say, he made the fatal mistake of fighting for other people instead
- of fighting for himself.
- </p>
- <p>
- In the rebellion of Forty-Five, this northern squire sided to serious
- purpose with Prince Charles and the Highlanders. He lost his head; and his
- children lost their inheritance. In the lapse of years, the confiscated
- property fell into the hands of strangers; the last of whom (having a
- taste for the turf) discovered, in course of time, that he was in want of
- money. A retired merchant, named Delvin (originally of French extraction),
- took a liking to the wild situation, and purchased the tower. His wife&mdash;already
- in failing health&mdash;had been ordered by the doctors to live a quiet
- life by the sea. Her husband&rsquo;s death left her a rich and lonely widow; by
- day and night alike, a prisoner in her room; wasted by disease, and having
- but two interests which reconciled her to life&mdash;writing poetry in the
- intervals of pain, and paying the debts of a reverend brother who
- succeeded in the pulpit, and prospered nowhere else.
- </p>
- <p>
- In the later days of its life, the tower had been greatly improved as a
- place of residence. The contrast was remarkable between the dreary gray
- outer walls, and the luxuriously furnished rooms inside, rising by two at
- a time to the lofty eighth story of the building. Among the scattered
- populace of the country round, the tower was still known by the odd name
- given to it in the bygone time&mdash;&ldquo;The Clink.&rdquo; It had been so called
- (as was supposed) in allusion to the noise made by loose stones, washed
- backward and forward at certain times of the tide, in hollows of the rock
- on which the building stood.
- </p>
- <p>
- On the evening of her arrival at Mrs. Delvin&rsquo;s retreat, Emily retired at
- an early hour, fatigued by her long journey. Mirabel had an opportunity of
- speaking with his sister privately in her own room.
- </p>
- <p>
- &ldquo;Send me away, Agatha, if I disturb you,&rdquo; he said, &ldquo;and let me know when I
- can see you in the morning.&rdquo;
- </p>
- <p>
- &ldquo;My dear Miles, have you forgotten that I am never able to sleep in calm
- weather? My lullaby, for years past, has been the moaning of the great
- North Sea, under my window. Listen! There is not a sound outside on this
- peaceful night. It is the right time of the tide, just now&mdash;and yet,
- &lsquo;the clink&rsquo; is not to be heard. Is the moon up?&rdquo;
- </p>
- <p>
- Mirabel opened the curtains. &ldquo;The whole sky is one great abyss of black,&rdquo;
- he answered. &ldquo;If I was superstitious, I should think that horrid darkness
- a bad omen for the future. Are you suffering, Agatha?&rdquo;
- </p>
- <p>
- &ldquo;Not just now. I suppose I look sadly changed for the worse since you saw
- me last?&rdquo;
- </p>
- <p>
- But for the feverish brightness of her eyes, she would have looked like a
- corpse. Her wrinkled forehead, her hollow cheeks, her white lips told
- their terrible tale of the suffering of years. The ghastly appearance of
- her face was heightened by the furnishing of the room. This doomed woman,
- dying slowly day by day, delighted in bright colors and sumptuous
- materials. The paper on the walls, the curtains, the carpet presented the
- hues of the rainbow. She lay on a couch covered with purple silk, under
- draperies of green velvet to keep her warm. Rich lace hid her scanty
- hair, turning prematurely gray; brilliant rings glittered on her bony
- fingers. The room was in a blaze of light from lamps and candles. Even the
- wine at her side that kept her alive had been decanted into a bottle of
- lustrous Venetian glass. &ldquo;My grave is open,&rdquo; she used to say; &ldquo;and I want
- all these beautiful things to keep me from looking at it. I should die at
- once, if I was left in the dark.&rdquo;
- </p>
- <p>
- Her brother sat by the couch, thinking &ldquo;Shall I tell you what is in your
- mind?&rdquo; she asked.
- </p>
- <p>
- Mirabel humored the caprice of the moment. &ldquo;Tell me!&rdquo; he said.
- </p>
- <p>
- &ldquo;You want to know what I think of Emily,&rdquo; she answered. &ldquo;Your letter told
- me you were in love; but I didn&rsquo;t believe your letter. I have always
- doubted whether you were capable of feeling true love&mdash;until I saw
- Emily. The moment she entered the room, I knew that I had never properly
- appreciated my brother. You <i>are</i> in love with her, Miles; and you
- are a better man than I thought you. Does that express my opinion?&rdquo;
- </p>
- <p>
- Mirabel took her wasted hand, and kissed it gratefully.
- </p>
- <p>
- &ldquo;What a position I am in!&rdquo; he said. &ldquo;To love her as I love her; and, if
- she knew the truth, to be the object of her horror&mdash;to be the man
- whom she would hunt to the scaffold, as an act of duty to the memory of
- her father!&rdquo;
- </p>
- <p>
- &ldquo;You have left out the worst part of it,&rdquo; Mrs. Delvin reminded him. &ldquo;You
- have bound yourself to help her to find the man. Your one hope of
- persuading her to become your wife rests on your success in finding him.
- And you are the man. There is your situation! You can&rsquo;t submit to it. How
- can you escape from it?&rdquo;
- </p>
- <p>
- &ldquo;You are trying to frighten me, Agatha.&rdquo;
- </p>
- <p>
- &ldquo;I am trying to encourage you to face your position boldly.&rdquo;
- </p>
- <p>
- &ldquo;I am doing my best,&rdquo; Mirabel said, with sullen resignation. &ldquo;Fortune has
- favored me so far. I have, really and truly, been unable to satisfy Emily
- by discovering Miss Jethro. She has left the place at which I saw her last&mdash;there
- is no trace to be found of her&mdash;and Emily knows it.&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t forget,&rdquo; Mrs. Delvin replied, &ldquo;that there is a trace to be found of
- Mrs. Rook, and that Emily expects you to follow it.&rdquo;
- </p>
- <p>
- Mirabel shuddered. &ldquo;I am surrounded by dangers, whichever way I look,&rdquo; he
- said. &ldquo;Do what I may, it turns out to be wrong. I was wrong, perhaps, when
- I brought Emily here.&rdquo;
- </p>
- <p>
- &ldquo;No!&rdquo;
- </p>
- <p>
- &ldquo;I could easily make an excuse,&rdquo; Mirabel persisted &ldquo;and take her back to
- London.&rdquo;
- </p>
- <p>
- &ldquo;And for all you know to the contrary,&rdquo; his wiser sister replied, &ldquo;Mrs.
- Rook may go to London; and you may take Emily back in time to receive her
- at the cottage. In every way you are safer in my old tower. And&mdash;don&rsquo;t
- forget&mdash;you have got my money to help you, if you want it. In my
- belief, Miles, you <i>will</i> want it.&rdquo;
- </p>
- <p>
- &ldquo;You are the dearest and best of sisters! What do you recommend me to do?&rdquo;
- </p>
- <p>
- &ldquo;What you would have been obliged to do,&rdquo; Mrs. Delvin answered, &ldquo;if you
- had remained in London. You must go to Redwood Hall tomorrow, as Emily has
- arranged it. If Mrs. Rook is not there, you must ask for her address in
- Scotland. If nobody knows the address, you must still bestir yourself in
- trying to find it. And, when you do fall in with Mrs. Rook&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- &ldquo;Take care, wherever it may be, that you see her privately.&rdquo;
- </p>
- <p>
- Mirabel was alarmed. &ldquo;Don&rsquo;t keep me in suspense,&rdquo; he burst out. &ldquo;Tell me
- what you propose.&rdquo;
- </p>
- <p>
- &ldquo;Never mind what I propose, to-night. Before I can tell you what I have in
- my mind, I must know whether Mrs. Rook is in England or Scotland. Bring me
- that information to-morrow, and I shall have something to say to you.
- Hark! The wind is rising, the rain is falling. There is a chance of sleep
- for me&mdash;I shall soon hear the sea. Good-night.&rdquo;
- </p>
- <p>
- &ldquo;Good-night, dearest&mdash;and thank you again, and again!&rdquo;
- </p>
- <p>
- <a name="link2HCH0059" id="link2HCH0059">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LIX. THE ACCIDENT AT BELFORD.
- </h3>
- <p>
- Early in the morning Mirabel set forth for Redwood Hall, in one of the
- vehicles which Mrs. Delvin still kept at &ldquo;The Clink&rdquo; for the convenience
- of visitors. He returned soon after noon; having obtained information of
- the whereabout of Mrs. Rook and her husband. When they had last been heard
- of, they were at Lasswade, near Edinburgh. Whether they had, or had not,
- obtained the situation of which they were in search, neither Miss Redwood
- nor any one else at the Hall could tell.
- </p>
- <p>
- In half an hour more, another horse was harnessed, and Mirabel was on his
- way to the railway station at Belford, to follow Mrs. Rook at Emily&rsquo;s
- urgent request. Before his departure, he had an interview with his sister.
- </p>
- <p>
- Mrs. Delvin was rich enough to believe implicitly in the power of money.
- Her method of extricating her brother from the serious difficulties that
- beset him, was to make it worth the while of Mr. and Mrs. Rook to leave
- England. Their passage to America would be secretly paid; and they would
- take with them a letter of credit addressed to a banker in New York. If
- Mirabel failed to discover them, after they had sailed, Emily could not
- blame his want of devotion to her interests. He understood this; but he
- remained desponding and irresolute, even with the money in his hands. The
- one person who could rouse his courage and animate his hope, was also the
- one person who must know nothing of what had passed between his sister and
- himself. He had no choice but to leave Emily, without being cheered by her
- bright looks, invigorated by her inspiriting words. Mirabel went away on
- his doubtful errand with a heavy heart.
- </p>
- <p>
- &ldquo;The Clink&rdquo; was so far from the nearest post town, that the few letters,
- usually addressed to the tower, were delivered by private arrangement with
- a messenger. The man&rsquo;s punctuality depended on the convenience of his
- superiors employed at the office. Sometimes he arrived early, and
- sometimes he arrived late. On this particular morning he presented
- himself, at half past one o&rsquo;clock, with a letter for Emily; and when Mrs.
- Ellmother smartly reproved him for the delay, he coolly attributed it to
- the hospitality of friends whom he had met on the road.
- </p>
- <p>
- The letter, directed to Emily at the cottage, had been forwarded from
- London by the person left in charge. It addressed her as &ldquo;Honored Miss.&rdquo;
- She turned at once to the end&mdash;and discovered the signature of Mrs.
- Rook!
- </p>
- <p>
- &ldquo;And Mr. Mirabel has gone,&rdquo; Emily exclaimed, &ldquo;just when his presence is of
- the greatest importance to us!&rdquo;
- </p>
- <p>
- Shrewd Mrs. Ellmother suggested that it might be as well to read the
- letter first&mdash;and then to form an opinion.
- </p>
- <p>
- Emily read it.
- </p>
- <p>
- &ldquo;Lasswade, near Edinburgh, Sept. 26th.
- </p>
- <p>
- &ldquo;HONORED MISS&mdash;I take up my pen to bespeak your kind sympathy for my
- husband and myself; two old people thrown on the world again by the death
- of our excellent master. We are under a month&rsquo;s notice to leave Redwood
- Hall.
- </p>
- <p>
- &ldquo;Hearing of a situation at this place (also that our expenses would be
- paid if we applied personally), we got leave of absence, and made our
- application. The lady and her son are either the stingiest people that
- ever lived&mdash;or they have taken a dislike to me and my husband, and
- they make money a means of getting rid of us easily. Suffice it to say
- that we have refused to accept starvation wages, and that we are still out
- of place. It is just possible that you may have heard of something to suit
- us. So I write at once, knowing that good chances are often lost through
- needless delay.
- </p>
- <p>
- &ldquo;We stop at Belford on our way back, to see some friends of my husband,
- and we hope to get to Redwood Hall in good time on the 28th. Would you
- please address me to care of Miss Redwood, in case you know of any good
- situation for which we could apply. Perhaps we may be driven to try our
- luck in London. In this case, will you permit me to have the honor of
- presenting my respects, as I ventured to propose when I wrote to you a
- little time since.
- </p>
- <p>
- &ldquo;I beg to remain, Honored Miss,
- </p>
- <p>
- &ldquo;Your humble servant,
- </p>
- <p>
- &ldquo;R. ROOK.&rdquo;
- </p>
- <p>
- Emily handed the letter to Mrs. Ellmother. &ldquo;Read it,&rdquo; she said, &ldquo;and tell
- me what you think.&rdquo;
- </p>
- <p>
- &ldquo;I think you had better be careful.&rdquo;
- </p>
- <p>
- &ldquo;Careful of Mrs. Rook?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;and careful of Mrs. Delvin too.&rdquo;
- </p>
- <p>
- Emily was astonished. &ldquo;Are you really speaking seriously?&rdquo; she said. &ldquo;Mrs.
- Delvin is a most interesting person; so patient under her sufferings; so
- kind, so clever; so interested in all that interests <i>me</i>. I shall
- take the letter to her at once, and ask her advice.&rdquo;
- </p>
- <p>
- &ldquo;Have your own way, miss. I can&rsquo;t tell you why&mdash;but I don&rsquo;t like
- her!&rdquo;
- </p>
- <p>
- Mrs. Delvin&rsquo;s devotion to the interests of her guest took even Emily by
- surprise. After reading Mrs. Rook&rsquo;s letter, she rang the bell on her table
- in a frenzy of impatience. &ldquo;My brother must be instantly recalled,&rdquo; she
- said. &ldquo;Telegraph to him in your own name, telling him what has happened.
- He will find the message waiting for him, at the end of his journey.&rdquo;
- </p>
- <p>
- The groom, summoned by the bell, was ordered to saddle the third and last
- horse left in the stables; to take the telegram to Belford, and to wait
- there until the answer arrived.
- </p>
- <p>
- &ldquo;How far is it to Redwood Hall?&rdquo; Emily asked, when the man had received
- his orders.
- </p>
- <p>
- &ldquo;Ten miles,&rdquo; Mrs. Delvin answered.
- </p>
- <p>
- &ldquo;How can I get there to-day?&rdquo;
- </p>
- <p>
- &ldquo;My dear, you can&rsquo;t get there.&rdquo;
- </p>
- <p>
- &ldquo;Pardon me, Mrs. Delvin, I must get there.&rdquo;
- </p>
- <p>
- &ldquo;Pardon <i>me</i>. My brother represents you in this matter. Leave it to
- my brother.&rdquo;
- </p>
- <p>
- The tone taken by Mirabel&rsquo;s sister was positive, to say the least of it.
- Emily thought of what her faithful old servant had said, and began to
- doubt her own discretion in so readily showing the letter. The mistake&mdash;if
- a mistake it was&mdash;had however been committed; and, wrong or right,
- she was not disposed to occupy the subordinate position which Mrs. Delvin
- had assigned to her.
- </p>
- <p>
- &ldquo;If you will look at Mrs. Rook&rsquo;s letter again,&rdquo; Emily replied, &ldquo;you will
- see that I ought to answer it. She supposes I am in London.&rdquo;
- </p>
- <p>
- &ldquo;Do you propose to tell Mrs. Rook that you are in this house?&rdquo; Mrs. Delvin
- asked.
- </p>
- <p>
- &ldquo;Certainly.&rdquo;
- </p>
- <p>
- &ldquo;You had better consult my brother, before you take any responsibility on
- yourself.&rdquo;
- </p>
- <p>
- Emily kept her temper. &ldquo;Allow me to remind you,&rdquo; she said, &ldquo;that Mr.
- Mirabel is not acquainted with Mrs. Rook&mdash;and that I am. If I speak
- to her personally, I can do much to assist the object of our inquiries,
- before he returns. She is not an easy woman to deal with&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And therefore,&rdquo; Mrs. Delvin interposed, &ldquo;the sort of person who requires
- careful handling by a man like my brother&mdash;a man of the world.&rdquo;
- </p>
- <p>
- &ldquo;The sort of person, as I venture to think,&rdquo; Emily persisted, &ldquo;whom I
- ought to see with as little loss of time as possible.&rdquo;
- </p>
- <p>
- Mrs. Delvin waited a while before she replied. In her condition of health,
- anxiety was not easy to bear. Mrs. Rook&rsquo;s letter and Emily&rsquo;s obstinacy had
- seriously irritated her. But, like all persons of ability, she was
- capable, when there was serious occasion for it, of exerting self-control.
- She really liked and admired Emily; and, as the elder woman and the
- hostess, she set an example of forbearance and good humor.
- </p>
- <p>
- &ldquo;It is out of my power to send you to Redwood Hall at once,&rdquo; she resumed.
- &ldquo;The only one of my three horses now at your disposal is the horse which
- took my brother to the Hall this morning. A distance, there and back, of
- twenty miles. You are not in too great a hurry, I am sure, to allow the
- horse time to rest?&rdquo;
- </p>
- <p>
- Emily made her excuses with perfect grace and sincerity. &ldquo;I had no idea
- the distance was so great,&rdquo; she confessed. &ldquo;I will wait, dear Mrs. Delvin,
- as long as you like.&rdquo;
- </p>
- <p>
- They parted as good friends as ever&mdash;with a certain reserve,
- nevertheless, on either side. Emily&rsquo;s eager nature was depressed and
- irritated by the prospect of delay. Mrs. Delvin, on the other hand
- (devoted to her brother&rsquo;s interests), thought hopefully of obstacles which
- might present themselves with the lapse of time. The horse might prove to
- be incapable of further exertion for that day. Or the threatening aspect
- of the weather might end in a storm.
- </p>
- <p>
- But the hours passed&mdash;and the sky cleared&mdash;and the horse was
- reported to be fit for work again. Fortune was against the lady of the
- tower; she had no choice but to submit.
- </p>
- <p>
- Mrs. Delvin had just sent word to Emily that the carriage would be ready
- for her in ten minutes, when the coachman who had driven Mirabel to
- Belford returned. He brought news which agreeably surprised both the
- ladies. Mirabel had reached the station five minutes too late; the
- coachman had left him waiting the arrival of the next train to the North.
- He would now receive the telegraphic message at Belford, and might return
- immediately by taking the groom&rsquo;s horse. Mrs. Delvin left it to Emily to
- decide whether she would proceed by herself to Redwood Hall, or wait for
- Mirabel&rsquo;s return.
- </p>
- <p>
- Under the changed circumstances, Emily would have acted ungraciously if
- she had persisted in holding to her first intention. She consented to
- wait.
- </p>
- <p>
- The sea still remained calm. In the stillness of the moorland solitude on
- the western side of &ldquo;The Clink,&rdquo; the rapid steps of a horse were heard at
- some little distance on the highroad.
- </p>
- <p>
- Emily ran out, followed by careful Mrs. Ellmother, expecting to meet
- Mirabel.
- </p>
- <p>
- She was disappointed: it was the groom who had returned. As he pulled up
- at the house, and dismounted, Emily noticed that the man looked excited.
- </p>
- <p>
- &ldquo;Is there anything wrong?&rdquo; she asked.
- </p>
- <p>
- &ldquo;There has been an accident, miss.&rdquo;
- </p>
- <p>
- &ldquo;Not to Mr. Mirabel!&rdquo;
- </p>
- <p>
- &ldquo;No, no, miss. An accident to a poor foolish woman, traveling from
- Lasswade.&rdquo;
- </p>
- <p>
- Emily looked at Mrs. Ellmother. &ldquo;It can&rsquo;t be Mrs. Rook!&rdquo; she said.
- </p>
- <p>
- &ldquo;That&rsquo;s the name, miss! She got out before the train had quite stopped,
- and fell on the platform.&rdquo;
- </p>
- <p>
- &ldquo;Was she hurt?&rdquo;
- </p>
- <p>
- &ldquo;Seriously hurt, as I heard. They carried her into a house hard by&mdash;and
- sent for the doctor.&rdquo;
- </p>
- <p>
- &ldquo;Was Mr. Mirabel one of the people who helped her?&rdquo;
- </p>
- <p>
- &ldquo;He was on the other side of the platform, miss; waiting for the train
- from London. I got to the station and gave him the telegram, just as the
- accident took place. We crossed over to hear more about it. Mr. Mirabel
- was telling me that he would return to &lsquo;The Clink&rsquo; on my horse&mdash;when
- he heard the woman&rsquo;s name mentioned. Upon that, he changed his mind and
- went to the house.&rdquo;
- </p>
- <p>
- &ldquo;Was he let in?&rdquo;
- </p>
- <p>
- &ldquo;The doctor wouldn&rsquo;t hear of it. He was making his examination; and he
- said nobody was to be in the room but her husband and the woman of the
- house.&rdquo;
- </p>
- <p>
- &ldquo;Is Mr. Mirabel waiting to see her?&rdquo;
- </p>
- <p>
- &ldquo;Yes, miss. He said he would wait all day, if necessary; and he gave me
- this bit of a note to take to the mistress.&rdquo;
- </p>
- <p>
- Emily turned to Mrs. Ellmother. &ldquo;It&rsquo;s impossible to stay here, not knowing
- whether Mrs. Rook is going to live or die,&rdquo; she said. &ldquo;I shall go to
- Belford&mdash;and you will go with me.&rdquo;
- </p>
- <p>
- The groom interfered. &ldquo;I beg your pardon, miss. It was Mr. Mirabel&rsquo;s most
- particular wish that you were not, on any account, to go to Belford.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;He didn&rsquo;t say.&rdquo;
- </p>
- <p>
- Emily eyed the note in the man&rsquo;s hand with well-grounded distrust. In all
- probability, Mirabel&rsquo;s object in writing was to instruct his sister to
- prevent her guest from going to Belford. The carriage was waiting at the
- door. With her usual promptness of resolution, Emily decided on taking it
- for granted that she was free to use as she pleased a carriage which had
- been already placed at her disposal.
- </p>
- <p>
- &ldquo;Tell your mistress,&rdquo; she said to the groom, &ldquo;that I am going to Belford
- instead of to Redwood Hall.&rdquo;
- </p>
- <p>
- In a minute more, she and Mrs. Ellmother were on their way to join Mirabel
- at the station.
- </p>
- <p>
- <a name="link2HCH0060" id="link2HCH0060">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LX. OUTSIDE THE ROOM.
- </h3>
- <p>
- Emily found Mirabel in the waiting room at Belford. Her sudden appearance
- might well have amazed him; but his face expressed a more serious emotion
- than surprise&mdash;he looked at her as if she had alarmed him.
- </p>
- <p>
- &ldquo;Didn&rsquo;t you get my message?&rdquo; he asked. &ldquo;I told the groom I wished you to
- wait for my return. I sent a note to my sister, in case he made any
- mistake.&rdquo;
- </p>
- <p>
- &ldquo;The man made no mistake,&rdquo; Emily answered. &ldquo;I was in too great a hurry to
- be able to speak with Mrs. Delvin. Did you really suppose I could endure
- the suspense of waiting till you came back? Do you think I can be of no
- use&mdash;I who know Mrs. Rook?&rdquo;
- </p>
- <p>
- &ldquo;They won&rsquo;t let you see her.&rdquo;
- </p>
- <p>
- &ldquo;Why not? <i>You</i> seem to be waiting to see her.&rdquo;
- </p>
- <p>
- &ldquo;I am waiting for the return of the rector of Belford. He is at Berwick;
- and he has been sent for at Mrs. Rook&rsquo;s urgent request.&rdquo;
- </p>
- <p>
- &ldquo;Is she dying?&rdquo;
- </p>
- <p>
- &ldquo;She is in fear of death&mdash;whether rightly or wrongly, I don&rsquo;t know.
- There is some internal injury from the fall. I hope to see her when the
- rector returns. As a brother clergyman, I may with perfect propriety ask
- him to use his influence in my favor.&rdquo;
- </p>
- <p>
- &ldquo;I am glad to find you so eager about it.&rdquo;
- </p>
- <p>
- &ldquo;I am always eager in your interests.&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t think me ungrateful,&rdquo; Emily replied gently. &ldquo;I am no stranger to
- Mrs. Rook; and, if I send in my name, I may be able to see her before the
- clergyman returns.&rdquo;
- </p>
- <p>
- She stopped. Mirabel suddenly moved so as to place himself between her and
- the door. &ldquo;I must really beg of you to give up that idea,&rdquo; he said; &ldquo;you
- don&rsquo;t know what horrid sight you may see&mdash;what dreadful agonies of
- pain this unhappy woman may be suffering.&rdquo;
- </p>
- <p>
- His manner suggested to Emily that he might be acting under some motive
- which he was unwilling to acknowledge. &ldquo;If you have a reason for wishing
- that I should keep away from Mrs. Rook,&rdquo; she said, &ldquo;let me hear what it
- is. Surely we trust each other? I have done my best to set the example, at
- any rate.&rdquo;
- </p>
- <p>
- Mirabel seemed to be at a loss for a reply.
- </p>
- <p>
- While he was hesitating, the station-master passed the door. Emily asked
- him to direct her to the house in which Mrs. Rook had been received. He
- led the way to the end of the platform, and pointed to the house. Emily
- and Mrs. Ellmother immediately left the station. Mirabel accompanied them,
- still remonstrating, still raising obstacles.
- </p>
- <p>
- The house door was opened by an old man. He looked reproachfully at
- Mirabel. &ldquo;You have been told already,&rdquo; he said, &ldquo;that no strangers are to
- see my wife?&rdquo;
- </p>
- <p>
- Encouraged by discovering that the man was Mr. Rook, Emily mentioned her
- name. &ldquo;Perhaps you may have heard Mrs. Rook speak of me,&rdquo; she added.
- </p>
- <p>
- &ldquo;I&rsquo;ve heard her speak of you oftentimes.&rdquo;
- </p>
- <p>
- &ldquo;What does the doctor say?&rdquo;
- </p>
- <p>
- &ldquo;He thinks she may get over it. She doesn&rsquo;t believe him.&rdquo;
- </p>
- <p>
- &ldquo;Will you say that I am anxious to see her, if she feels well enough to
- receive me?&rdquo;
- </p>
- <p>
- Mr. Rook looked at Mrs. Ellmother. &ldquo;Are there two of you wanting to go
- upstairs?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;This is my old friend and servant,&rdquo; Emily answered. &ldquo;She will wait for me
- down here.&rdquo;
- </p>
- <p>
- &ldquo;She can wait in the parlor; the good people of this house are well known
- to me.&rdquo; He pointed to the parlor door&mdash;and then led the way to the
- first floor. Emily followed him. Mirabel, as obstinate as ever, followed
- Emily.
- </p>
- <p>
- Mr. Rook opened a door at the end of the landing; and, turning round to
- speak to Emily, noticed Mirabel standing behind her. Without making any
- remarks, the old man pointed significantly down the stairs. His resolution
- was evidently immovable. Mirabel appealed to Emily to help him.
- </p>
- <p>
- &ldquo;She will see me, if <i>you</i> ask her,&rdquo; he said, &ldquo;Let me wait here?&rdquo;
- </p>
- <p>
- The sound of his voice was instantly followed by a cry from the
- bed-chamber&mdash;a cry of terror.
- </p>
- <p>
- Mr. Rook hurried into the room, and closed the door. In less than a
- minute, he opened it again, with doubt and horror plainly visible in his
- face. He stepped up to Mirabel&mdash;eyed him with the closest scrutiny&mdash;and
- drew back again with a look of relief.
- </p>
- <p>
- &ldquo;She&rsquo;s wrong,&rdquo; he said; &ldquo;you are not the man.&rdquo;
- </p>
- <p>
- This strange proceeding startled Emily.
- </p>
- <p>
- &ldquo;What man do you mean?&rdquo; she asked.
- </p>
- <p>
- Mr. Rook took no notice of the question. Still looking at Mirabel, he
- pointed down the stairs once more. With vacant eyes&mdash;moving
- mechanically, like a sleep-walker in his dream&mdash;Mirabel silently
- obeyed. Mr. Rook turned to Emily.
- </p>
- <p>
- &ldquo;Are you easily frightened?&rdquo; he said
- </p>
- <p>
- &ldquo;I don&rsquo;t understand you,&rdquo; Emily replied. &ldquo;Who is going to frighten me? Why
- did you speak to Mr. Mirabel in that strange way?&rdquo;
- </p>
- <p>
- Mr. Rook looked toward the bedroom door. &ldquo;Maybe you&rsquo;ll hear why, inside
- there. If I could have my way, you shouldn&rsquo;t see her&mdash;but she&rsquo;s not
- to be reasoned with. A caution, miss. Don&rsquo;t be too ready to believe what
- my wife may say to you. She&rsquo;s had a fright.&rdquo; He opened the door. &ldquo;In my
- belief,&rdquo; he whispered, &ldquo;she&rsquo;s off her head.&rdquo;
- </p>
- <p>
- Emily crossed the threshold. Mr. Rook softly closed the door behind her.
- </p>
- <p>
- <a name="link2HCH0061" id="link2HCH0061">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXI. INSIDE THE ROOM.
- </h3>
- <p>
- A decent elderly woman was seated at the bedside. She rose, and spoke to
- Emily with a mingling of sorrow and confusion strikingly expressed on her
- face. &ldquo;It isn&rsquo;t my fault,&rdquo; she said, &ldquo;that Mrs. Rook receives you in this
- manner; I am obliged to humor her.&rdquo;
- </p>
- <p>
- She drew aside, and showed Mrs. Rook with her head supported by many
- pillows, and her face strangely hidden from view under a veil. Emily
- started back in horror. &ldquo;Is her face injured?&rdquo; she asked.
- </p>
- <p>
- Mrs. Rook answered the question herself. Her voice was low and weak; but
- she still spoke with the same nervous hurry of articulation which had been
- remarked by Alban Morris, on the day when she asked him to direct her to
- Netherwoods.
- </p>
- <p>
- &ldquo;Not exactly injured,&rdquo; she explained; &ldquo;but one&rsquo;s appearance is a matter of
- some anxiety even on one&rsquo;s death-bed. I am disfigured by a thoughtless use
- of water, to bring me to when I had my fall&mdash;and I can&rsquo;t get at my
- toilet-things to put myself right again. I don&rsquo;t wish to shock you. Please
- excuse the veil.&rdquo;
- </p>
- <p>
- Emily remembered the rouge on her cheeks, and the dye on her hair, when
- they had first seen each other at the school. Vanity&mdash;of all human
- frailties the longest-lived&mdash;still held its firmly-rooted place in
- this woman&rsquo;s nature; superior to torment of conscience, unassailable by
- terror of death!
- </p>
- <p>
- The good woman of the house waited a moment before she left the room.
- &ldquo;What shall I say,&rdquo; she asked, &ldquo;if the clergyman comes?&rdquo;
- </p>
- <p>
- Mrs. Rook lifted her hand solemnly &ldquo;Say,&rdquo; she answered, &ldquo;that a dying
- sinner is making atonement for sin. Say this young lady is present, by the
- decree of an all-wise Providence. No mortal creature must disturb us.&rdquo; Her
- hand dropped back heavily on the bed. &ldquo;Are we alone?&rdquo; she asked.
- </p>
- <p>
- &ldquo;We are alone,&rdquo; Emily answered. &ldquo;What made you scream just before I came
- in?&rdquo;
- </p>
- <p>
- &ldquo;No! I can&rsquo;t allow you to remind me of that,&rdquo; Mrs. Rook protested. &ldquo;I must
- compose myself. Be quiet. Let me think.&rdquo;
- </p>
- <p>
- Recovering her composure, she also recovered that sense of enjoyment in
- talking of herself, which was one of the marked peculiarities in her
- character.
- </p>
- <p>
- &ldquo;You will excuse me if I exhibit religion,&rdquo; she resumed. &ldquo;My dear parents
- were exemplary people; I was most carefully brought up. Are you pious? Let
- us hope so.&rdquo;
- </p>
- <p>
- Emily was once more reminded of the past.
- </p>
- <p>
- The bygone time returned to her memory&mdash;the time when she had
- accepted Sir Jervis Redwood&rsquo;s offer of employment, and when Mrs. Rook had
- arrived at the school to be her traveling companion to the North. The
- wretched creature had entirely forgotten her own loose talk, after she had
- drunk Miss Ladd&rsquo;s good wine to the last drop in the bottle. As she was
- boasting now of her piety, so she had boasted then of her lost faith and
- hope, and had mockingly declared her free-thinking opinions to be the
- result of her ill-assorted marriage. Forgotten&mdash;all forgotten, in
- this later time of pain and fear. Prostrate under the dread of death, her
- innermost nature&mdash;stripped of the concealments of her later life&mdash;was
- revealed to view. The early religious training, at which she had scoffed
- in the insolence of health and strength, revealed its latent influence&mdash;intermitted,
- but a living influence always from first to last. Mrs. Rook was tenderly
- mindful of her exemplary parents, and proud of exhibiting religion, on the
- bed from which she was never to rise again.
- </p>
- <p>
- &ldquo;Did I tell you that I am a miserable sinner?&rdquo; she asked, after an
- interval of silence.
- </p>
- <p>
- Emily could endure it no longer. &ldquo;Say that to the clergyman,&rdquo; she answered&mdash;&ldquo;not
- to me.&rdquo;
- </p>
- <p>
- &ldquo;Oh, but I must say it,&rdquo; Mrs. Rook insisted. &ldquo;I <i>am</i> a miserable
- sinner. Let me give you an instance of it,&rdquo; she continued, with a
- shameless relish of the memory of her own frailties. &ldquo;I have been a
- drinker, in my time. Anything was welcome, when the fit was on me, as long
- as it got into my head. Like other persons in liquor, I sometimes talked
- of things that had better have been kept secret. We bore that in mind&mdash;my
- old man and I&mdash;-when we were engaged by Sir Jervis. Miss Redwood
- wanted to put us in the next bedroom to hers&mdash;a risk not to be run. I
- might have talked of the murder at the inn; and she might have heard me.
- Please to remark a curious thing. Whatever else I might let out, when I
- was in my cups, not a word about the pocketbook ever dropped from me. You
- will ask how I know it. My dear, I should have heard of it from my
- husband, if I had let <i>that</i> out&mdash;and he is as much in the dark
- as you are. Wonderful are the workings of the human mind, as the poet
- says; and drink drowns care, as the proverb says. But can drink deliver a
- person from fear by day, and fear by night? I believe, if I had dropped a
- word about the pocketbook, it would have sobered me in an instant. Have
- you any remark to make on this curious circumstance?&rdquo;
- </p>
- <p>
- Thus far, Emily had allowed the woman to ramble on, in the hope of getting
- information which direct inquiry might fail to produce. It was impossible,
- however, to pass over the allusion to the pocketbook. After giving her
- time to recover from the exhaustion which her heavy breathing sufficiently
- revealed, Emily put the question:
- </p>
- <p>
- &ldquo;Who did the pocketbook belong to?&rdquo;
- </p>
- <p>
- &ldquo;Wait a little,&rdquo; said Mrs. Rook. &ldquo;Everything in its right place, is my
- motto. I mustn&rsquo;t begin with the pocketbook. Why did I begin with it? Do
- you think this veil on my face confuses me? Suppose I take it off. But you
- must promise first&mdash;solemnly promise you won&rsquo;t look at my face. How
- can I tell you about the murder (the murder is part of my confession, you
- know), with this lace tickling my skin? Go away&mdash;and stand there with
- your back to me. Thank you. Now I&rsquo;ll take it off. Ha! the air feels
- refreshing; I know what I am about. Good heavens, I have forgotten
- something! I have forgotten <i>him</i>. And after such a fright as he gave
- me! Did you see him on the landing?&rdquo;
- </p>
- <p>
- &ldquo;Who are you talking of?&rdquo; Emily asked.
- </p>
- <p>
- Mrs. Rook&rsquo;s failing voice sank lower still.
- </p>
- <p>
- &ldquo;Come closer,&rdquo; she said, &ldquo;this must be whispered. Who am I talking of?&rdquo;
- she repeated. &ldquo;I am talking of the man who slept in the other bed at the
- inn; the man who did the deed with his own razor. He was gone when I
- looked into the outhouse in the gray of the morning. Oh, I have done my
- duty! I have told Mr. Rook to keep an eye on him downstairs. You haven&rsquo;t
- an idea how obstinate and stupid my husband is. He says I couldn&rsquo;t know
- the man, because I didn&rsquo;t see him. Ha! there&rsquo;s such a thing as hearing,
- when you don&rsquo;t see. I heard&mdash;and I knew it again.&rdquo;
- </p>
- <p>
- Emily turned cold from head to foot.
- </p>
- <p>
- &ldquo;What did you know again?&rdquo; she said.
- </p>
- <p>
- &ldquo;His voice,&rdquo; Mrs. Rook answered. &ldquo;I&rsquo;ll swear to his voice before all the
- judges in England.&rdquo;
- </p>
- <p>
- Emily rushed to the bed. She looked at the woman who had said those
- dreadful words, speechless with horror.
- </p>
- <p>
- &ldquo;You&rsquo;re breaking your promise!&rdquo; cried Mrs. Rook. &ldquo;You false girl, you&rsquo;re
- breaking your promise!&rdquo;
- </p>
- <p>
- She snatched at the veil, and put it on again. The sight of her face,
- momentary as it had been, reassured Emily. Her wild eyes, made wilder
- still by the blurred stains of rouge below them, half washed away&mdash;her
- disheveled hair, with streaks of gray showing through the dye&mdash;presented
- a spectacle which would have been grotesque under other circumstances, but
- which now reminded Emily of Mr. Rook&rsquo;s last words; warning her not to
- believe what his wife said, and even declaring his conviction that her
- intellect was deranged. Emily drew back from the bed, conscious of an
- overpowering sense of self-reproach. Although it was only for a moment,
- she had allowed her faith in Mirabel to be shaken by a woman who was out
- of her mind.
- </p>
- <p>
- &ldquo;Try to forgive me,&rdquo; she said. &ldquo;I didn&rsquo;t willfully break my promise; you
- frightened me.&rdquo;
- </p>
- <p>
- Mrs. Rook began to cry. &ldquo;I was a handsome woman in my time,&rdquo; she murmured.
- &ldquo;You would say I was handsome still, if the clumsy fools about me had not
- spoiled my appearance. Oh, I do feel so weak! Where&rsquo;s my medicine?&rdquo;
- </p>
- <p>
- The bottle was on the table. Emily gave her the prescribed dose, and
- revived her failing strength.
- </p>
- <p>
- &ldquo;I am an extraordinary person,&rdquo; she resumed. &ldquo;My resolution has always
- been the admiration of every one who knew me. But my mind feels&mdash;how
- shall I express it?&mdash;a little vacant. Have mercy on my poor wicked
- soul! Help me.&rdquo;
- </p>
- <p>
- &ldquo;How can I help you?&rdquo;
- </p>
- <p>
- &ldquo;I want to recollect. Something happened in the summer time, when we were
- talking at Netherwoods. I mean when that impudent master at the school
- showed his suspicions of me. (Lord! how he frightened me, when he turned
- up afterward at Sir Jervis&rsquo;s house.) You must have seen yourself he
- suspected me. How did he show it?&rdquo;
- </p>
- <p>
- &ldquo;He showed you my locket,&rdquo; Emily answered.
- </p>
- <p>
- &ldquo;Oh, the horrid reminder of the murder!&rdquo; Mrs. Rook exclaimed. &ldquo;<i>I</i>
- didn&rsquo;t mention it: don&rsquo;t blame Me. You poor innocent, I have something
- dreadful to tell you.&rdquo;
- </p>
- <p>
- Emily&rsquo;s horror of the woman forced her to speak. &ldquo;Don&rsquo;t tell me!&rdquo; she
- cried. &ldquo;I know more than you suppose; I know what I was ignorant of when
- you saw the locket.&rdquo;
- </p>
- <p>
- Mrs. Rook took offense at the interruption.
- </p>
- <p>
- &ldquo;Clever as you are, there&rsquo;s one thing you don&rsquo;t know,&rdquo; she said. &ldquo;You
- asked me, just now, who the pocketbook belonged to. It belonged to your
- father. What&rsquo;s the matter? Are you crying?&rdquo;
- </p>
- <p>
- Emily was thinking of her father. The pocketbook was the last present she
- had given to him&mdash;a present on his birthday. &ldquo;Is it lost?&rdquo; she asked
- sadly.
- </p>
- <p>
- &ldquo;No; it&rsquo;s not lost. You will hear more of it directly. Dry your eyes, and
- expect something interesting&mdash;I&rsquo;m going to talk about love. Love, my
- dear, means myself. Why shouldn&rsquo;t it? I&rsquo;m not the only nice-looking woman,
- married to an old man, who has had a lover.&rdquo;
- </p>
- <p>
- &ldquo;Wretch! what has that got to do with it?&rdquo;
- </p>
- <p>
- &ldquo;Everything, you rude girl! My lover was like the rest of them; he would
- bet on race-horses, and he lost. He owned it to me, on the day when your
- father came to our inn. He said, &lsquo;I must find the money&mdash;or be off to
- America, and say good-by forever.&rsquo; I was fool enough to be fond of him. It
- broke my heart to hear him talk in that way. I said, &lsquo;If I find the money,
- and more than the money, will you take me with you wherever you go?&rsquo; Of
- course, he said Yes. I suppose you have heard of the inquest held at our
- old place by the coroner and jury? Oh, what idiots! They believed I was
- asleep on the night of the murder. I never closed my eyes&mdash;I was so
- miserable, I was so tempted.&rdquo;
- </p>
- <p>
- &ldquo;Tempted? What tempted you?&rdquo;
- </p>
- <p>
- &ldquo;Do you think I had any money to spare? Your father&rsquo;s pocketbook tempted
- me. I had seen him open it, to pay his bill over-night. It was full of
- bank-notes. Oh, what an overpowering thing love is! Perhaps you have known
- it yourself.&rdquo;
- </p>
- <p>
- Emily&rsquo;s indignation once more got the better of her prudence. &ldquo;Have you no
- feeling of decency on your death-bed!&rdquo; she said.
- </p>
- <p>
- Mrs. Rook forgot her piety; she was ready with an impudent rejoinder. &ldquo;You
- hot-headed little woman, your time will come,&rdquo; she answered. &ldquo;But you&rsquo;re
- right&mdash;I am wandering from the point; I am not sufficiently sensible
- of this solemn occasion. By-the-by, do you notice my language? I inherit
- correct English from my mother&mdash;a cultivated person, who married
- beneath her. My paternal grandfather was a gentleman. Did I tell you that
- there came a time, on that dreadful night, when I could stay in bed no
- longer? The pocketbook&mdash;I did nothing but think of that devilish
- pocketbook, full of bank-notes. My husband was fast asleep all the time. I
- got a chair and stood on it. I looked into the place where the two men
- were sleeping, through the glass in the top of the door. Your father was
- awake; he was walking up and down the room. What do you say? Was he
- agitated? I didn&rsquo;t notice. I don&rsquo;t know whether the other man was asleep
- or awake. I saw nothing but the pocketbook stuck under the pillow, half in
- and half out. Your father kept on walking up and down. I thought to
- myself, &lsquo;I&rsquo;ll wait till he gets tired, and then I&rsquo;ll have another look at
- the pocketbook.&rsquo; Where&rsquo;s the wine? The doctor said I might have a glass of
- wine when I wanted it.&rdquo;
- </p>
- <p>
- Emily found the wine and gave it to her. She shuddered as she accidentally
- touched Mrs. Rook&rsquo;s hand.
- </p>
- <p>
- The wine helped the sinking woman.
- </p>
- <p>
- &ldquo;I must have got up more than once,&rdquo; she resumed. &ldquo;And more than once my
- heart must have failed me. I don&rsquo;t clearly remember what I did, till the
- gray of the morning came. I think that must have been the last time I
- looked through the glass in the door.&rdquo;
- </p>
- <p>
- She began to tremble. She tore the veil off her face. She cried out
- piteously, &ldquo;Lord, be merciful to me a sinner! Come here,&rdquo; she said to
- Emily. &ldquo;Where are you? No! I daren&rsquo;t tell you what I saw; I daren&rsquo;t tell
- you what I did. When you&rsquo;re possessed by the devil, there&rsquo;s nothing,
- nothing, nothing you can&rsquo;t do! Where did I find the courage to unlock the
- door? Where did I find the courage to go in? Any other woman would have
- lost her senses, when she found blood on her fingers after taking the
- pocketbook&mdash;&rdquo;
- </p>
- <p>
- Emily&rsquo;s head swam; her heart beat furiously&mdash;she staggered to the
- door, and opened it to escape from the room.
- </p>
- <p>
- &ldquo;I&rsquo;m guilty of robbing him; but I&rsquo;m innocent of his blood!&rdquo; Mrs. Rook
- called after her wildly. &ldquo;The deed was done&mdash;the yard door was wide
- open, and the man was gone&mdash;when I looked in for the last time. Come
- back, come back!&rdquo;
- </p>
- <p>
- Emily looked round.
- </p>
- <p>
- &ldquo;I can&rsquo;t go near you,&rdquo; she said, faintly.
- </p>
- <p>
- &ldquo;Come near enough to see this.&rdquo;
- </p>
- <p>
- She opened her bed-gown at the throat, and drew up a loop of ribbon over
- her head. &lsquo;The pocketbook was attached to the ribbon. She held it out.
- </p>
- <p>
- &ldquo;Your father&rsquo;s book,&rdquo; she said. &ldquo;Won&rsquo;t you take your father&rsquo;s book?&rdquo;
- </p>
- <p>
- For a moment, and only for a moment, Emily was repelled by the profanation
- associated with her birthday gift. Then, the loving remembrance of the
- dear hands that had so often touched that relic, drew the faithful
- daughter back to the woman whom she abhorred. Her eyes rested tenderly on
- the book. Before it had lain in that guilty bosom, it had been <i>his</i>
- book. The beloved memory was all that was left to her now; the beloved
- memory consecrated it to her hand. She took the book.
- </p>
- <p>
- &ldquo;Open it,&rdquo; said Mrs. Rook.
- </p>
- <p>
- There were two five-pound bank-notes in it.
- </p>
- <p>
- &ldquo;His?&rdquo; Emily asked.
- </p>
- <p>
- &ldquo;No; mine&mdash;the little I have been able to save toward restoring what
- I stole.&rdquo;
- </p>
- <p>
- &ldquo;Oh!&rdquo; Emily cried, &ldquo;is there some good in this woman, after all?&rdquo;
- </p>
- <p>
- &ldquo;There&rsquo;s no good in the woman!&rdquo; Mrs. Rook answered desperately. &ldquo;There&rsquo;s
- nothing but fear&mdash;fear of hell now; fear of the pocketbook in the
- past time. Twice I tried to destroy it&mdash;and twice it came back, to
- remind me of the duty that I owed to my miserable soul. I tried to throw
- it into the fire. It struck the bar, and fell back into the fender at my
- feet. I went out, and cast it into the well. It came back again in the
- first bucket of water that was drawn up. From that moment, I began to save
- what I could. Restitution! Atonement! I tell you the book found a tongue&mdash;and
- those were the grand words it dinned in my ears, morning and night.&rdquo; She
- stooped to fetch her breath&mdash;stopped, and struck her bosom. &ldquo;I hid it
- here, so that no person should see it, and no person take it from me.
- Superstition? Oh, yes, superstition! Shall tell you something? <i>You</i>
- may find yourself superstitious, if you are ever cut to the heart as I
- was. He left me! The man I had disgraced myself for, deserted me on the
- day when I gave him the stolen money. He suspected it was stolen; he took
- care of his own cowardly self&mdash;and left me to the hard mercy of the
- law, if the theft was found out. What do you call that, in the way of
- punishment? Haven&rsquo;t I suffered? Haven&rsquo;t I made atonement? Be a Christian&mdash;say
- you forgive me.&rdquo;
- </p>
- <p>
- &ldquo;I do forgive you.&rdquo;
- </p>
- <p>
- &ldquo;Say you will pray for me.&rdquo;
- </p>
- <p>
- &ldquo;I will.&rdquo;
- </p>
- <p>
- &ldquo;Ah! that comforts me! Now you can go.&rdquo;
- </p>
- <p>
- Emily looked at her imploringly. &ldquo;Don&rsquo;t send me away, knowing no more of
- the murder than I knew when I came here! Is there nothing, really nothing,
- you can tell me?&rdquo;
- </p>
- <p>
- Mrs. Rook pointed to the door.
- </p>
- <p>
- &ldquo;Haven&rsquo;t I told you already? Go downstairs, and see the wretch who escaped
- in the dawn of the morning!&rdquo;
- </p>
- <p>
- &ldquo;Gently, ma&rsquo;am, gently! You&rsquo;re talking too loud,&rdquo; cried a mocking voice
- from outside.
- </p>
- <p>
- &ldquo;It&rsquo;s only the doctor,&rdquo; said Mrs. Rook. She crossed her hands over her
- bosom with a deep-drawn sigh. &ldquo;I want no doctor, now. My peace is made
- with my Maker. I&rsquo;m ready for death; I&rsquo;m fit for Heaven. Go away! go away!&rdquo;
- </p>
- <p>
- <a name="link2HCH0062" id="link2HCH0062">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXII. DOWNSTAIRS.
- </h3>
- <p>
- In a moment more, the doctor came in&mdash;a brisk, smiling,
- self-sufficient man&mdash;smartly dressed, with a flower in his
- button-hole. A stifling odor of musk filled the room, as he drew out his
- handkerchief with a flourish, and wiped his forehead.
- </p>
- <p>
- &ldquo;Plenty of hard work in my line, just now,&rdquo; he said. &ldquo;Hullo, Mrs. Rook!
- somebody has been allowing you to excite yourself. I heard you, before I
- opened the door. Have you been encouraging her to talk?&rdquo; he asked, turning
- to Emily, and shaking his finger at her with an air of facetious
- remonstrance.
- </p>
- <p>
- Incapable of answering him; forgetful of the ordinary restraints of social
- intercourse&mdash;with the one doubt that preserved her belief in Mirabel,
- eager for confirmation&mdash;Emily signed to this stranger to follow her
- into a corner of the room, out of hearing. She made no excuses: she took
- no notice of his look of surprise. One hope was all she could feel, one
- word was all she could say, after that second assertion of Mirabel&rsquo;s
- guilt. Indicating Mrs. Rook by a glance at the bed, she whispered the
- word:
- </p>
- <p>
- &ldquo;Mad?&rdquo;
- </p>
- <p>
- Flippant and familiar, the doctor imitated her; he too looked at the bed.
- </p>
- <p>
- &ldquo;No more mad than you are, miss. As I said just now, my patient has been
- exciting herself; I daresay she has talked a little wildly in consequence.
- <i>Hers</i> isn&rsquo;t a brain to give way, I can tell you. But there&rsquo;s
- somebody else&mdash;&rdquo;
- </p>
- <p>
- Emily had fled from the room. He had destroyed her last fragment of belief
- in Mirabel&rsquo;s innocence. She was on the landing trying to console herself,
- when the doctor joined her.
- </p>
- <p>
- &ldquo;Are you acquainted with the gentleman downstairs?&rdquo; he asked.
- </p>
- <p>
- &ldquo;What gentleman?&rdquo;
- </p>
- <p>
- &ldquo;I haven&rsquo;t heard his name; he looks like a clergyman. If you know him&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I do know him. I can&rsquo;t answer questions! My mind&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Steady your mind, miss! and take your friend home as soon as you can. <i>He</i>
- hasn&rsquo;t got Mrs. Rook&rsquo;s hard brain; he&rsquo;s in a state of nervous prostration,
- which may end badly. Do you know where he lives?&rdquo;
- </p>
- <p>
- &ldquo;He is staying with his sister&mdash;Mrs. Delvin.&rdquo;
- </p>
- <p>
- &ldquo;Mrs. Delvin! she&rsquo;s a friend and patient of mine. Say I&rsquo;ll look in
- to-morrow morning, and see what I can do for her brother. In the meantime,
- get him to bed, and to rest; and don&rsquo;t be afraid of giving him brandy.&rdquo;
- </p>
- <p>
- The doctor returned to the bedroom. Emily heard Mrs. Ellmother&rsquo;s voice
- below.
- </p>
- <p>
- &ldquo;Are you up there, miss?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- Mrs. Ellmother ascended the stairs. &ldquo;It was an evil hour,&rdquo; she said, &ldquo;that
- you insisted on going to this place. Mr. Mirabel&mdash;&rdquo; The sight of
- Emily&rsquo;s face suspended the next words on her lips. She took the poor young
- mistress in her motherly arms. &ldquo;Oh, my child! what has happened to you?&rdquo;
- </p>
- <p>
- &ldquo;Don&rsquo;t ask me now. Give me your arm&mdash;let us go downstairs.&rdquo;
- </p>
- <p>
- &ldquo;You won&rsquo;t be startled when you see Mr. Mirabel&mdash;will you, my dear? I
- wouldn&rsquo;t let them disturb you; I said nobody should speak to you but
- myself. The truth is, Mr. Mirabel has had a dreadful fright. What are you
- looking for?&rdquo;
- </p>
- <p>
- &ldquo;Is there a garden here? Any place where we can breathe the fresh air?&rdquo;
- </p>
- <p>
- There was a courtyard at the back of the house. They found their way to
- it. A bench was placed against one of the walls. They sat down.
- </p>
- <p>
- &ldquo;Shall I wait till you&rsquo;re better before I say any more?&rdquo; Mrs. Ellmother
- asked. &ldquo;No? You want to hear about Mr. Mirabel? My dear, he came into the
- parlor where I was; and Mr. Rook came in too&mdash;-and waited, looking at
- him. Mr. Mirabel sat down in a corner, in a dazed state as I thought. It
- wasn&rsquo;t for long. He jumped up, and clapped his hand on his heart as if his
- heart hurt him. &lsquo;I must and will know what&rsquo;s going on upstairs,&rsquo; he says.
- Mr. Rook pulled him back, and told him to wait till the young lady came
- down. Mr. Mirabel wouldn&rsquo;t hear of it. &lsquo;Your wife&rsquo;s frightening her,&rsquo; he
- says; &lsquo;your wife&rsquo;s telling her horrible things about me.&rsquo; He was taken on
- a sudden with a shivering fit; his eyes rolled, and his teeth chattered.
- Mr. Rook made matters worse; he lost his temper. &lsquo;I&rsquo;m damned,&rsquo; he says,
- &lsquo;if I don&rsquo;t begin to think you <i>are</i> the man, after all; I&rsquo;ve half a
- mind to send for the police.&rsquo; Mr. Mirabel dropped into his chair. His eyes
- stared, his mouth fell open. I took hold of his hand. Cold&mdash;cold as
- ice. What it all meant I can&rsquo;t say. Oh, miss, <i>you</i> know! Let me tell
- you the rest of it some other time.&rdquo;
- </p>
- <p>
- Emily insisted on hearing more. &ldquo;The end!&rdquo; she cried. &ldquo;How did it end?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t know how it might have ended, if the doctor hadn&rsquo;t come in&mdash;to
- pay his visit, you know, upstairs. He said some learned words. When he
- came to plain English, he asked if anybody had frightened the gentleman. I
- said Mr. Rook had frightened him. The doctor says to Mr. Rook, &lsquo;Mind what
- you are about. If you frighten him again, you may have his death to answer
- for.&rsquo; That cowed Mr. Rook. He asked what he had better do. &lsquo;Give me some
- brandy for him first,&rsquo; says the doctor; &lsquo;and then get him home at once.&rsquo; I
- found the brandy, and went away to the inn to order the carriage. Your
- ears are quicker than mine, miss&mdash;do I hear it now?&rdquo;
- </p>
- <p>
- They rose, and went to the house door. The carriage was there.
- </p>
- <p>
- Still cowed by what the doctor had said, Mr. Rook appeared, carefully
- leading Mirabel out. He had revived under the action of the stimulant.
- Passing Emily he raised his eyes to her&mdash;trembled&mdash;and looked
- down again. When Mr. Rook opened the door of the carriage he paused, with
- one of his feet on the step. A momentary impulse inspired him with a false
- courage, and brought a flush into his ghastly face. He turned to Emily.
- </p>
- <p>
- &ldquo;May I speak to you?&rdquo; he asked.
- </p>
- <p>
- She started back from him. He looked at Mrs. Ellmother. &ldquo;Tell her I am
- innocent,&rdquo; he said. The trembling seized on him again. Mr. Rook was
- obliged to lift him into the carriage.
- </p>
- <p>
- Emily caught at Mrs. Ellmother&rsquo;s arm. &ldquo;You go with him,&rdquo; she said. &ldquo;I
- can&rsquo;t.&rdquo;
- </p>
- <p>
- &ldquo;How are you to get back, miss?&rdquo;
- </p>
- <p>
- She turned away and spoke to the coachman. &ldquo;I am not very well. I want the
- fresh air&mdash;I&rsquo;ll sit by you.&rdquo;
- </p>
- <p>
- Mrs. Ellmother remonstrated and protested, in vain. As Emily had
- determined it should be, so it was.
- </p>
- <p>
- &ldquo;Has he said anything?&rdquo; she asked, when they had arrived at their
- journey&rsquo;s end.
- </p>
- <p>
- &ldquo;He has been like a man frozen up; he hasn&rsquo;t said a word; he hasn&rsquo;t even
- moved.&rdquo;
- </p>
- <p>
- &ldquo;Take him to his sister; and tell her all that you know. Be careful to
- repeat what the doctor said. I can&rsquo;t face Mrs. Delvin. Be patient, my good
- old friend; I have no secrets from you. Only wait till to-morrow; and
- leave me by myself to-night.&rdquo;
- </p>
- <p>
- Alone in her room, Emily opened her writing-case. Searching among the
- letters in it, she drew out a printed paper. It was the Handbill
- describing the man who had escaped from the inn, and offering a reward for
- the discovery of him.
- </p>
- <p>
- At the first line of the personal description of the fugitive, the paper
- dropped from her hand. Burning tears forced their way into her eyes.
- Feeling for her handkerchief, she touched the pocketbook which she had
- received from Mrs. Rook. After a little hesitation she took it out. She
- looked at it. She opened it.
- </p>
- <p>
- The sight of the bank-notes repelled her; she hid them in one of the
- pockets of the book. There was a second pocket which she had not yet
- examined. She pat her hand into it, and, touching something, drew out a
- letter.
- </p>
- <p>
- The envelope (already open) was addressed to &ldquo;James Brown, Esq., Post
- Office, Zeeland.&rdquo; Would it be inconsistent with her respect for her
- father&rsquo;s memory to examine the letter? No; a glance would decide whether
- she ought to read it or not.
- </p>
- <p>
- It was without date or address; a startling letter to look at&mdash;for it
- only contained three words:
- </p>
- <p>
- &ldquo;I say No.&rdquo;
- </p>
- <p>
- The words were signed in initials:
- </p>
- <p>
- &ldquo;S. J.&rdquo;
- </p>
- <p>
- In the instant when she read the initials, the name occurred to her.
- </p>
- <p>
- Sara Jethro.
- </p>
- <p>
- <a name="link2HCH0063" id="link2HCH0063">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXIII. THE DEFENSE OF MIRABEL.
- </h3>
- <p>
- The discovery of the letter gave a new direction to Emily&rsquo;s thoughts&mdash;and
- so, for the time at least, relieved her mind from the burden that weighed
- on it. To what question, on her father&rsquo;s part, had &ldquo;I say No&rdquo; been Miss
- Jethro&rsquo;s brief and stern reply? Neither letter nor envelope offered the
- slightest hint that might assist inquiry; even the postmark had been so
- carelessly impressed that it was illegible.
- </p>
- <p>
- Emily was still pondering over the three mysterious words, when she was
- interrupted by Mrs. Ellmother&rsquo;s voice at the door.
- </p>
- <p>
- &ldquo;I must ask you to let me come in, miss; though I know you wished to be
- left by yourself till to-morrow. Mrs. Delvin says she must positively see
- you to-night. It&rsquo;s my belief that she will send for the servants, and have
- herself carried in here, if you refuse to do what she asks. You needn&rsquo;t be
- afraid of seeing Mr. Mirabel.&rdquo;
- </p>
- <p>
- &ldquo;Where is he?&rdquo;
- </p>
- <p>
- &ldquo;His sister has given up her bedroom to him,&rdquo; Mrs. Ellmother answered.
- &ldquo;She thought of your feelings before she sent me here&mdash;and had the
- curtains closed between the sitting-room and the bedroom. I suspect my
- nasty temper misled me, when I took a dislike to Mrs. Delvin. She&rsquo;s a good
- creature; I&rsquo;m sorry you didn&rsquo;t go to her as soon as we got back.&rdquo;
- </p>
- <p>
- &ldquo;Did she seem to be angry, when she sent you here?&rdquo;
- </p>
- <p>
- &ldquo;Angry! She was crying when I left her.&rdquo;
- </p>
- <p>
- Emily hesitated no longer.
- </p>
- <p>
- She noticed a remarkable change in the invalid&rsquo;s sitting-room&mdash;so
- brilliantly lighted on other occasions&mdash;the moment she entered it.
- The lamps were shaded, and the candles were all extinguished. &ldquo;My eyes
- don&rsquo;t bear the light so well as usual,&rdquo; Mrs. Delvin said. &ldquo;Come and sit
- near me, Emily; I hope to quiet your mind. I should be grieved if you left
- my house with a wrong impression of me.&rdquo;
- </p>
- <p>
- Knowing what she knew, suffering as she must have suffered, the quiet
- kindness of her tone implied an exercise of self-restraint which appealed
- irresistibly to Emily&rsquo;s sympathies. &ldquo;Forgive me,&rdquo; she said, &ldquo;for having
- done you an injustice. I am ashamed to think that I shrank from seeing you
- when I returned from Belford.&rdquo;
- </p>
- <p>
- &ldquo;I will endeavor to be worthy of your better opinion of me,&rdquo; Mrs. Delvin
- replied. &ldquo;In one respect at least, I may claim to have had your best
- interests at heart&mdash;while we were still personally strangers. I tried
- to prevail on my poor brother to own the truth, when he discovered the
- terrible position in which he was placed toward you. He was too conscious
- of the absence of any proof which might induce you to believe him, if he
- attempted to defend himself&mdash;in one word, he was too timid&mdash;to
- take my advice. He has paid the penalty, and I have paid the penalty, of
- deceiving you.&rdquo;
- </p>
- <p>
- Emily started. &ldquo;In what way have you deceived me?&rdquo; she asked.
- </p>
- <p>
- &ldquo;In the way that was forced on us by our own conduct,&rdquo; Mrs. Delvin said.
- &ldquo;We have appeared to help you, without really doing so; we calculated on
- inducing you to marry my brother, and then (when he could speak with the
- authority of a husband) on prevailing on you to give up all further
- inquiries. When you insisted on seeing Mrs. Rook, Miles had the money in
- his hand to bribe her and her husband to leave England.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Mrs. Delvin!&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t attempt to excuse myself. I don&rsquo;t expect you to consider how
- sorely I was tempted to secure the happiness of my brother&rsquo;s life, by
- marriage with such a woman as yourself. I don&rsquo;t remind you that I knew&mdash;when
- I put obstacles in your way&mdash;that you were blindly devoting yourself
- to the discovery of an innocent man.&rdquo;
- </p>
- <p>
- Emily heard her with angry surprise. &ldquo;Innocent?&rdquo; she repeated. &ldquo;Mrs. Rook
- recognized his voice the instant she heard him speak.&rdquo;
- </p>
- <p>
- Impenetrable to interruption, Mrs. Delvin went on. &ldquo;But what I do ask,&rdquo;
- she persisted, &ldquo;even after our short acquaintance, is this. Do you suspect
- me of deliberately scheming to make you the wife of a murderer?&rdquo;
- </p>
- <p>
- Emily had never viewed the serious question between them in this light.
- Warmly, generously, she answered the appeal that had been made to her.
- &ldquo;Oh, don&rsquo;t think that of me! I know I spoke thoughtlessly and cruelly to
- you, just now&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You spoke impulsively,&rdquo; Mrs. Delvin interposed; &ldquo;that was all. My one
- desire before we part&mdash;how can I expect you to remain here, after
- what has happened?&mdash;is to tell you the truth. I have no interested
- object in view; for all hope of your marriage with my brother is now at an
- end. May I ask if you have heard that he and your father were strangers,
- when they met at the inn?&rdquo;
- </p>
- <p>
- &ldquo;Yes; I know that.&rdquo;
- </p>
- <p>
- &ldquo;If there had been any conversation between them, when they retired to
- rest, they might have mentioned their names. But your father was
- preoccupied; and my brother, after a long day&rsquo;s walk, was so tired that he
- fell asleep as soon as his head was on the pillow. He only woke when the
- morning dawned. What he saw when he looked toward the opposite bed might
- have struck with terror the boldest man that ever lived. His first impulse
- was naturally to alarm the house. When he got on his feet, he saw his own
- razor&mdash;a blood-stained razor on the bed by the side of the corpse. At
- that discovery, he lost all control over himself. In a panic of terror, he
- snatched up his knapsack, unfastened the yard door, and fled from the
- house. Knowing him, as you and I know him, can we wonder at it? Many a man
- has been hanged for murder, on circumstantial evidence less direct than
- the evidence against poor Miles. His horror of his own recollections was
- so overpowering that he forbade me even to mention the inn at Zeeland in
- my letters, while he was abroad. &lsquo;Never tell me (he wrote) who that
- wretched murdered stranger was, if I only heard of his name, I believe it
- would haunt me to my dying day. I ought not to trouble you with these
- details&mdash;and yet, I am surely not without excuse. In the absence of
- any proof, I cannot expect you to believe as I do in my brother&rsquo;s
- innocence. But I may at least hope to show you that there is some reason
- for doubt. Will you give him the benefit of that doubt?&rdquo;
- </p>
- <p>
- &ldquo;Willingly!&rdquo; Emily replied. &ldquo;Am I right in supposing that you don&rsquo;t
- despair of proving his innocence, even yet&rsquo;?&rdquo;
- </p>
- <p>
- &ldquo;I don&rsquo;t quite despair. But my hopes have grown fainter and fainter, as
- the years have gone on. There is a person associated with his escape from
- Zeeland; a person named Jethro&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You mean Miss Jethro!&rdquo;
- </p>
- <p>
- &ldquo;Yes. Do you know her?&rdquo;
- </p>
- <p>
- &ldquo;I know her&mdash;and my father knew her. I have found a letter, addressed
- to him, which I have no doubt was written by Miss Jethro. It is barely
- possible that you may understand what it means. Pray look at it.&rdquo;
- </p>
- <p>
- &ldquo;I am quite unable to help you,&rdquo; Mrs. Delvin answered, after reading the
- letter. &ldquo;All I know of Miss Jethro is that, but for her interposition, my
- brother might have fallen into the hands of the police. She saved him.&rdquo;
- </p>
- <p>
- &ldquo;Knowing him, of course?&rdquo;
- </p>
- <p>
- &ldquo;That is the remarkable part of it: they were perfect strangers to each
- other.&rdquo;
- </p>
- <p>
- &ldquo;But she must have had some motive.&rdquo;
- </p>
- <p>
- &ldquo;<i>There</i> is the foundation of my hope for Miles. Miss Jethro
- declared, when I wrote and put the question to her, that the one motive by
- which she was actuated was the motive of mercy. I don&rsquo;t believe her. To my
- mind, it is in the last degree improbable that she would consent to
- protect a stranger from discovery, who owned to her (as my brother did)
- that he was a fugitive suspected of murder. She knows something, I am
- firmly convinced, of that dreadful event at Zeeland&mdash;and she has some
- reason for keeping it secret. Have you any influence over her?&rdquo;
- </p>
- <p>
- &ldquo;Tell me where I can find her.&rdquo;
- </p>
- <p>
- &ldquo;I can&rsquo;t tell you. She has removed from the address at which my brother
- saw her last. He has made every possible inquiry&mdash;without result.&rdquo;
- </p>
- <p>
- As she replied in those discouraging terms, the curtains which divided
- Mrs. Delvin&rsquo;s bedroom from her sitting-room were drawn aside. An elderly
- woman-servant approached her mistress&rsquo;s couch.
- </p>
- <p>
- &ldquo;Mr. Mirabel is awake, ma&rsquo;am. He is very low; I can hardly feel his pulse.
- Shall I give him some more brandy?&rdquo;
- </p>
- <p>
- Mrs. Delvin held out her hand to Emily. &ldquo;Come to me to-morrow morning,&rdquo;
- she said&mdash;and signed to the servant to wheel her couch into the next
- room. As the curtain closed over them, Emily heard Mirabel&rsquo;s voice. &ldquo;Where
- am I?&rdquo; he said faintly. &ldquo;Is it all a dream?&rdquo;
- </p>
- <p>
- The prospect of his recovery the next morning was gloomy indeed. He had
- sunk into a state of deplorable weakness, in mind as well as in body. The
- little memory of events that he still preserved was regarded by him as the
- memory of a dream. He alluded to Emily, and to his meeting with her
- unexpectedly. But from that point his recollection failed him. They had
- talked of something interesting, he said&mdash;but he was unable to
- remember what it was. And they had waited together at a railway station&mdash;but
- for what purpose he could not tell. He sighed and wondered when Emily
- would marry him&mdash;and so fell asleep again, weaker than ever.
- </p>
- <p>
- Not having any confidence in the doctor at Belford, Mrs. Delvin had sent
- an urgent message to a physician at Edinburgh, famous for his skill in
- treating diseases of the nervous system. &ldquo;I cannot expect him to reach
- this remote place, without some delay,&rdquo; she said; &ldquo;I must bear my suspense
- as well as I can.&rdquo;
- </p>
- <p>
- &ldquo;You shall not bear it alone,&rdquo; Emily answered. &ldquo;I will wait with you till
- the doctor comes.&rdquo;
- </p>
- <p>
- Mrs. Delvin lifted her frail wasted hands to Emily&rsquo;s face, drew it a
- little nearer&mdash;and kissed her.
- </p>
- <p>
- <a name="link2HCH0064" id="link2HCH0064">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXIV. ON THE WAY TO LONDON.
- </h3>
- <p>
- The parting words had been spoken. Emily and her companion were on their
- way to London.
- </p>
- <p>
- For some little time, they traveled in silence&mdash;alone in the railway
- carriage. After submitting as long as she could to lay an embargo on the
- use of her tongue, Mrs. Ellmother started the conversation by means of a
- question: &ldquo;Do you think Mr. Mirabel will get over it, miss?&rdquo;
- </p>
- <p>
- &ldquo;It&rsquo;s useless to ask me,&rdquo; Emily said. &ldquo;Even the great man from Edinburgh
- is not able to decide yet, whether he will recover or not.&rdquo;
- </p>
- <p>
- &ldquo;You have taken me into your confidence, Miss Emily, as you promised&mdash;and
- I have got something in my mind in consequence. May I mention it without
- giving offense?&rdquo;
- </p>
- <p>
- &ldquo;What is it?&rdquo;
- </p>
- <p>
- &ldquo;I wish you had never taken up with Mr. Mirabel.&rdquo;
- </p>
- <p>
- Emily was silent. Mrs. Ellmother, having a design of her own to
- accomplish, ventured to speak more plainly. &ldquo;I often think of Mr. Alban
- Morris,&rdquo; she proceeded. &ldquo;I always did like him, and I always shall.&rdquo;
- </p>
- <p>
- Emily suddenly pulled down her veil. &ldquo;Don&rsquo;t speak of him!&rdquo; she said.
- </p>
- <p>
- &ldquo;I didn&rsquo;t mean to offend you.&rdquo;
- </p>
- <p>
- &ldquo;You don&rsquo;t offend me. You distress me. Oh, how often I have wished&mdash;!&rdquo;
- She threw herself back in a corner of the carriage and said no more.
- </p>
- <p>
- Although not remarkable for the possession of delicate tact, Mrs.
- Ellmother discovered that the best course she could now follow was a
- course of silence.
- </p>
- <p>
- Even at the time when she had most implicitly trusted Mirabel, the fear
- that she might have acted hastily and harshly toward Alban had
- occasionally troubled Emily&rsquo;s mind. The impression produced by later
- events had not only intensified this feeling, but had presented the
- motives of that true friend under an entirely new point of view. If she
- had been left in ignorance of the manner of her father&rsquo;s death&mdash;as
- Alban had designed to leave her; as she would have been left, but for the
- treachery of Francine&mdash;how happily free she would have been from
- thoughts which it was now a terror to her to recall. She would have parted
- from Mirabel, when the visit to the pleasant country house had come to an
- end, remembering him as an amusing acquaintance and nothing more. He would
- have been spared, and she would have been spared, the shock that had so
- cruelly assailed them both. What had she gained by Mrs. Rook&rsquo;s detestable
- confession? The result had been perpetual disturbance of mind provoked by
- self-torturing speculations on the subject of the murder. If Mirabel was
- innocent, who was guilty? The false wife, without pity and without shame&mdash;or
- the brutal husband, who looked capable of any enormity? What was her
- future to be? How was it all to end? In the despair of that bitter moment&mdash;seeing
- her devoted old servant looking at her with kind compassionate eyes&mdash;Emily&rsquo;s
- troubled spirit sought refuge in impetuous self-betrayal; the very
- betrayal which she had resolved should not escape her, hardly a minute
- since!
- </p>
- <p>
- She bent forward out of her corner, and suddenly drew up her veil. &ldquo;Do you
- expect to see Mr. Alban Morris, when we get back?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I should like to see him, miss&mdash;if you have no objection.&rdquo;
- </p>
- <p>
- &ldquo;Tell him I am ashamed of myself! and say I ask his pardon with all my
- heart!&rdquo;
- </p>
- <p>
- &ldquo;The Lord be praised!&rdquo; Mrs. Ellmother burst out&mdash;and then, when it
- was too late, remembered the conventional restraints appropriate to the
- occasion. &ldquo;Gracious, what a fool I am!&rdquo; she said to herself. &ldquo;Beautiful
- weather, Miss Emily, isn&rsquo;t it?&rdquo; she continued, in a desperate hurry to
- change the subject.
- </p>
- <p>
- Emily reclined again in her corner of the carriage. She smiled, for the
- first time since she had become Mrs. Delvin&rsquo;s guest at the tower.
- </p>
- <p>
- <a name="link2H_4_0071" id="link2H_4_0071">
- <!-- H2 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h2>
- BOOK THE LAST&mdash;AT HOME AGAIN.
- </h2>
- <p>
- <a name="link2HCH0065" id="link2HCH0065">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXV. CECILIA IN A NEW CHARACTER.
- </h3>
- <p>
- Reaching the cottage at night, Emily found the card of a visitor who had
- called during the day. It bore the name of &ldquo;Miss Wyvil,&rdquo; and had a message
- written on it which strongly excited Emily&rsquo;s curiosity.
- </p>
- <p>
- &ldquo;I have seen the telegram which tells your servant that you return
- to-night. Expect me early to-morrow morning&mdash;with news that will
- deeply interest you.&rdquo;
- </p>
- <p>
- To what news did Cecilia allude? Emily questioned the woman who had been
- left in charge of the cottage, and found that she had next to nothing to
- tell. Miss Wyvil had flushed up, and had looked excited, when she read the
- telegraphic message&mdash;that was all. Emily&rsquo;s impatience was, as usual,
- not to be concealed. Expert Mrs. Ellmother treated the case in the right
- way&mdash;first with supper, and then with an adjournment to bed. The
- clock struck twelve, when she put out the young mistress&rsquo;s candle. &ldquo;Ten
- hours to pass before Cecilia comes here!&rdquo; Emily exclaimed. &ldquo;Not ten
- minutes,&rdquo; Mrs. Ellmother reminded her, &ldquo;if you will only go to sleep.&rdquo;
- </p>
- <p>
- Cecilia arrived before the breakfast-table was cleared; as lovely, as
- gentle, as affectionate as ever&mdash;but looking unusually serious and
- subdued.
- </p>
- <p>
- &ldquo;Out with it at once!&rdquo; Emily cried. &ldquo;What have you got to tell me?&rsquo;
- </p>
- <p>
- &ldquo;Perhaps, I had better tell you first,&rdquo; Cecilia said, &ldquo;that I know what
- you kept from me when I came here, after you left us at Monksmoor. Don&rsquo;t
- think, my dear, that I say this by way of complaint. Mr. Alban Morris says
- you had good reasons for keeping your secret.&rdquo;
- </p>
- <p>
- &ldquo;Mr. Alban Morris! Did you get your information from <i>him?</i>&rdquo;
- </p>
- <p>
- &ldquo;Yes. Do I surprise you?&rdquo;
- </p>
- <p>
- &ldquo;More than words can tell!&rdquo;
- </p>
- <p>
- &ldquo;Can you bear another surprise? Mr. Morris has seen Miss Jethro, and has
- discovered that Mr. Mirabel has been wrongly suspected of a dreadful
- crime. Our amiable little clergyman is guilty of being a coward&mdash;and
- guilty of nothing else. Are you really quiet enough to read about it?&rdquo;
- </p>
- <p>
- She produced some leaves of paper filled with writing. &ldquo;There,&rdquo; she
- explained, &ldquo;is Mr. Morris&rsquo;s own account of all that passed between Miss
- Jethro and himself.&rdquo;
- </p>
- <p>
- &ldquo;But how do <i>you</i> come by it?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Morris gave it to me. He said, &lsquo;Show it to Emily as soon as possible;
- and take care to be with her while she reads it.&rsquo; There is a reason for
- this&mdash;&rdquo; Cecilia&rsquo;s voice faltered. On the brink of some explanation,
- she seemed to recoil from it. &ldquo;I will tell you by-and-by what the reason
- is,&rdquo; she said.
- </p>
- <p>
- Emily looked nervously at the manuscript. &ldquo;Why doesn&rsquo;t he tell me himself
- what he has discovered? Is he&mdash;&rdquo; The leaves began to flutter in her
- trembling fingers&mdash;&ldquo;is he angry with me?&rdquo;
- </p>
- <p>
- &ldquo;Oh, Emily, angry with You! Read what he has written and you shall know
- why he keeps away.&rdquo;
- </p>
- <p>
- Emily opened the manuscript.
- </p>
- <p>
- <a name="link2HCH0066" id="link2HCH0066">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXVI. ALBAN&rsquo;S NARRATIVE.
- </h3>
- <p>
- &ldquo;The information which I have obtained from Miss Jethro has been
- communicated to me, on the condition that I shall not disclose the place
- of her residence. &lsquo;Let me pass out of notice (she said) as completely as
- if I had passed out of life; I wish to be forgotten by some, and to be
- unknown by others.&rsquo;&rdquo; With this one stipulation, she left me free to write
- the present narrative of what passed at the interview between us. I feel
- that the discoveries which I have made are too important to the persons
- interested to be trusted to memory.
- </p>
- <p>
- 1. <i>She Receives Me</i>.
- </p>
- <p>
- &ldquo;Finding Miss Jethro&rsquo;s place of abode, with far less difficulty than I had
- anticipated (thanks to favoring circumstances), I stated plainly the
- object of my visit. She declined to enter into conversation with me on the
- subject of the murder at Zeeland.
- </p>
- <p>
- &ldquo;I was prepared to meet with this rebuke, and to take the necessary
- measures for obtaining a more satisfactory reception. &lsquo;A person is
- suspected of having committed the murder,&rsquo; I said; &lsquo;and there is reason to
- believe that you are in a position to say whether the suspicion is
- justified or not. Do you refuse to answer me, if I put the question?&rsquo;
- </p>
- <p>
- &ldquo;Miss Jethro asked who the person was.
- </p>
- <p>
- &ldquo;I mentioned the name&mdash;Mr. Miles Mirabel.
- </p>
- <p>
- &ldquo;It is not necessary, and it would certainly be not agreeable to me, to
- describe the effect which this reply produced on Miss Jethro. After giving
- her time to compose herself, I entered into certain explanations, in order
- to convince her at the outset of my good faith. The result justified my
- anticipations. I was at once admitted to her confidence.
- </p>
- <p>
- &ldquo;She said, &lsquo;I must not hesitate to do an act of justice to an innocent
- man. But, in such a serious matter as this, you have a right to judge for
- yourself whether the person who is now speaking to you is a person whom
- you can trust. You may believe that I tell the truth about others, if I
- begin&mdash;whatever it may cost me&mdash;by telling the truth about
- myself.&rsquo;&rdquo;
- </p>
- <p>
- 2. <i>She Speaks of Herself</i>.
- </p>
- <p>
- &ldquo;I shall not attempt to place on record the confession of a most unhappy
- woman. It was the common story of sin bitterly repented, and of vain
- effort to recover the lost place in social esteem. Too well known a story,
- surely, to be told again.
- </p>
- <p>
- &ldquo;But I may with perfect propriety repeat what Miss Jethro said to me, in
- allusion to later events in her life which are connected with my own
- personal experience. She recalled to my memory a visit which she had paid
- to me at Netherwoods, and a letter addressed to her by Doctor Allday,
- which I had read at her express request.
- </p>
- <p>
- &ldquo;She said, &lsquo;You may remember that the letter contained some severe
- reflections on my conduct. Among other things, the doctor mentions that he
- called at the lodging I occupied during my visit to London, and found I
- had taken to flight: also that he had reason to believe I had entered Miss
- Ladd&rsquo;s service, under false pretenses.&rsquo;
- </p>
- <p>
- &ldquo;I asked if the doctor had wronged her.
- </p>
- <p>
- &ldquo;She answered &lsquo;No: in one case, he is ignorant; in the other, he is right.
- On leaving his house, I found myself followed in the street by the man to
- whom I owe the shame and misery of my past life. My horror of him is not
- to be described in words. The one way of escaping was offered by an empty
- cab that passed me. I reached the railway station safely, and went back to
- my home in the country. Do you blame me?&rsquo;
- </p>
- <p>
- &ldquo;It was impossible to blame her&mdash;and I said so.
- </p>
- <p>
- &ldquo;She then confessed the deception which she had practiced on Miss Ladd. &lsquo;I
- have a cousin,&rsquo; she said, &lsquo;who was a Miss Jethro like me. Before her
- marriage she had been employed as a governess. She pitied me; she
- sympathized with my longing to recover the character that I had lost. With
- her permission, I made use of the testimonials which she had earned as a
- teacher&mdash;I was betrayed (to this day I don&rsquo;t know by whom)&mdash;and
- I was dismissed from Netherwoods. Now you know that I deceived Miss Ladd,
- you may reasonably conclude that I am likely to deceive You.&rsquo;
- </p>
- <p>
- &ldquo;I assured her, with perfect sincerity, that I had drawn no such
- conclusion. Encouraged by my reply, Miss Jethro proceeded as follows.&rdquo;
- </p>
- <p>
- 3. <i>She Speaks of Mirabel</i>.
- </p>
- <p>
- &ldquo;&lsquo;Four years ago, I was living near Cowes, in the Isle of Wight&mdash;in a
- cottage which had been taken for me by a gentleman who was the owner of a
- yacht. We had just returned from a short cruise, and the vessel was under
- orders to sail for Cherbourg with the next tide.
- </p>
- <p>
- &ldquo;&lsquo;While I was walking in my garden, I was startled by the sudden
- appearance of a man (evidently a gentleman) who was a perfect stranger to
- me. He was in a pitiable state of terror, and he implored my protection.
- In reply to my first inquiries, he mentioned the inn at Zeeland, and the
- dreadful death of a person unknown to him; whom I recognized (partly by
- the description given, and partly by comparison of dates) as Mr. James
- Brown. I shall say nothing of the shock inflicted on me: you don&rsquo;t want to
- know what I felt. What I did (having literally only a minute left for
- decision) was to hide the fugitive from discovery, and to exert my
- influence in his favor with the owner of the yacht. I saw nothing more of
- him. He was put on board, as soon as the police were out of sight, and was
- safely landed at Cherbourg.&rsquo;
- </p>
- <p>
- &ldquo;I asked what induced her to run the risk of protecting a stranger, who
- was under suspicion of having committed a murder.
- </p>
- <p>
- &ldquo;She said, &lsquo;You shall hear my explanation directly. Let us have done with
- Mr. Mirabel first. We occasionally corresponded, during the long absence
- on the continent; never alluding, at his express request, to the horrible
- event at the inn. His last letter reached me, after he had established
- himself at Vale Regis. Writing of the society in the neighborhood, he
- informed me of his introduction to Miss Wyvil, and of the invitation that
- he had received to meet her friend and schoolfellow at Monksmoor. I knew
- that Miss Emily possessed a Handbill describing personal peculiarities in
- Mr. Mirabel, not hidden under the changed appearance of his head and face.
- If she remembered or happened to refer to that description, while she was
- living in the same house with him, there was a possibility at least of her
- suspicion being excited. The fear of this took me to you. It was a morbid
- fear, and, as events turned out, an unfounded fear: but I was unable to
- control it. Failing to produce any effect on you, I went to Vale Regis,
- and tried (vainly again) to induce Mr. Mirabel to send an excuse to
- Monksmoor. He, like you, wanted to know what my motive was. When I tell
- you that I acted solely in Miss Emily&rsquo;s interests, and that I knew how she
- had been deceived about her father&rsquo;s death, need I say why I was afraid to
- acknowledge my motive?&rsquo;
- </p>
- <p>
- &ldquo;I understood that Miss Jethro might well be afraid of the consequences,
- if she risked any allusion to Mr. Brown&rsquo;s horrible death, and if it
- afterward chanced to reach his daughter&rsquo;s ears. But this state of feeling
- implied an extraordinary interest in the preservation of Emily&rsquo;s peace of
- mind. I asked Miss Jethro how that interest had been excited?
- </p>
- <p>
- &ldquo;She answered, &lsquo;I can only satisfy you in one way. I must speak of her
- father now.&rsquo;&rdquo;
- </p>
- <p>
- Emily looked up from the manuscript. She felt Cecilia&rsquo;s arm tenderly
- caressing her. She heard Cecilia say, &ldquo;My poor dear, there is one last
- trial of your courage still to come. I am afraid of what you are going to
- read, when you turn to the next page. And yet&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And yet,&rdquo; Emily replied gently, &ldquo;it must be done. I have learned my hard
- lesson of endurance, Cecilia, don&rsquo;t be afraid.&rdquo;
- </p>
- <p>
- Emily turned to the next page.
- </p>
- <p>
- 4. <i>She Speaks of the Dead</i>.
- </p>
- <p>
- &ldquo;For the first time, Miss Jethro appeared to be at a loss how to proceed.
- I could see that she was suffering. She rose, and opening a drawer in her
- writing table, took a letter from it.
- </p>
- <p>
- &ldquo;She said, &lsquo;Will you read this? It was written by Miss Emily&rsquo;s father.
- Perhaps it may say more for me than I can say for myself?&rsquo;
- </p>
- <p>
- &ldquo;I copy the letter. It was thus expressed:
- </p>
- <p>
- &ldquo;&lsquo;You have declared that our farewell to-day is our farewell forever. For
- the second time, you have refused to be my wife; and you have done this,
- to use your own words, in mercy to Me.
- </p>
- <p>
- &ldquo;&lsquo;In mercy to Me, I implore you to reconsider your decision.
- </p>
- <p>
- &ldquo;&lsquo;If you condemn me to live without you&mdash;I feel it, I know it&mdash;you
- condemn me to despair which I have not fortitude enough to endure. Look at
- the passages which I have marked for you in the New Testament. Again and
- again, I say it; your true repentance has made you worthy of the pardon of
- God. Are you not worthy of the love, admiration, and respect of man?
- Think! oh, Sara, think of what our lives might be, and let them be united
- for time and for eternity.
- </p>
- <p>
- &ldquo;&lsquo;I can write no more. A deadly faintness oppresses me. My mind is in a
- state unknown to me in past years. I am in such confusion that I sometimes
- think I hate you. And then I recover from my delusion, and know that man
- never loved woman as I love you.
- </p>
- <p>
- &ldquo;&lsquo;You will have time to write to me by this evening&rsquo;s post. I shall stop
- at Zeeland to-morrow, on my way back, and ask for a letter at the post
- office. I forbid explanations and excuses. I forbid heartless allusions to
- your duty. Let me have an answer which does not keep me for a moment in
- suspense.
- </p>
- <p>
- &ldquo;&lsquo;For the last time, I ask you: Do you consent to be my wife? Say, Yes&mdash;or
- say, No.&rsquo;
- </p>
- <p>
- &ldquo;I gave her back the letter&mdash;with the one comment on it, which the
- circumstances permitted me to make:
- </p>
- <p>
- &ldquo;&lsquo;You said No?&rsquo;
- </p>
- <p>
- &ldquo;She bent her head in silence.
- </p>
- <p>
- &ldquo;I went on&mdash;not willingly, for I would have spared her if it had been
- possible. I said, &lsquo;He died, despairing, by his own hand&mdash;and you knew
- it?&rsquo;
- </p>
- <p>
- &ldquo;She looked up. &lsquo;No! To say that I knew it is too much. To say that I
- feared it is the truth.&rsquo;
- </p>
- <p>
- &ldquo;&lsquo;Did you love him?&rsquo;
- </p>
- <p>
- &ldquo;She eyed me in stern surprise. &lsquo;Have <i>I</i> any right to love? Could I
- disgrace an honorable man by allowing him to marry me? You look as if you
- held me responsible for his death.&rsquo;
- </p>
- <p>
- &ldquo;&lsquo;Innocently responsible,&rsquo; I said.
- </p>
- <p>
- &ldquo;She still followed her own train of thought. &lsquo;Do you suppose I could for
- a moment anticipate that he would destroy himself, when I wrote my reply?
- He was a truly religious man. If he had been in his right mind, he would
- have shrunk from the idea of suicide as from the idea of a crime.&rsquo;
- </p>
- <p>
- &ldquo;On reflection, I was inclined to agree with her. In his terrible
- position, it was at least possible that the sight of the razor (placed
- ready, with the other appliances of the toilet, for his fellow-traveler&rsquo;s
- use) might have fatally tempted a man whose last hope was crushed, whose
- mind was tortured by despair. I should have been merciless indeed, if I
- had held Miss Jethro accountable thus far. But I found it hard to
- sympathize with the course which she had pursued, in permitting Mr.
- Brown&rsquo;s death to be attributed to murder without a word of protest. &lsquo;Why
- were you silent?&rsquo; I said.
- </p>
- <p>
- &ldquo;She smiled bitterly.
- </p>
- <p>
- &ldquo;&lsquo;A woman would have known why, without asking,&rsquo; she replied. &lsquo;A woman
- would have understood that I shrank from a public confession of my
- shameful past life. A woman would have remembered what reasons I had for
- pitying the man who loved me, and for accepting any responsibility rather
- than associate his memory, before the world, with an unworthy passion for
- a degraded creature, ending in an act of suicide. Even if I had made that
- cruel sacrifice, would public opinion have believed such a person as I am&mdash;against
- the evidence of a medical man, and the verdict of a jury? No, Mr. Morris!
- I said nothing, and I was resolved to say nothing, so long as the choice
- of alternatives was left to me. On the day when Mr. Mirabel implored me to
- save him, that choice was no longer mine&mdash;and you know what I did.
- And now again when suspicion (after all the long interval that had passed)
- has followed and found that innocent man, you know what I have done. What
- more do you ask of me?&rsquo;
- </p>
- <p>
- &ldquo;&lsquo;Your pardon,&rsquo; I said, &lsquo;for not having understood you&mdash;and a last
- favor. May I repeat what I have heard to the one person of all others who
- ought to know, and who must know, what you have told me?&rsquo;
- </p>
- <p>
- &ldquo;It was needless to hint more plainly that I was speaking of Emily. Miss
- Jethro granted my request.
- </p>
- <p>
- &ldquo;&lsquo;It shall be as you please,&rsquo; she answered. &lsquo;Say for me to <i>his</i>
- daughter, that the grateful remembrance of her is my one refuge from the
- thoughts that tortured me, when we spoke together on her last night at
- school. She has made this dead heart of mine feel a reviving breath of
- life, when I think of her. Never, in our earthly pilgrimage, shall we meet
- again&mdash;I implore her to pity and forget me. Farewell, Mr. Morris;
- farewell forever.&rsquo;
- </p>
- <p>
- &ldquo;I confess that the tears came into my eyes. When I could see clearly
- again, I was alone in the room.&rdquo;
- </p>
- <p>
- <a name="link2HCH0067" id="link2HCH0067">
- <!-- h3 anchor --> </a>
- </p>
- <div style="height: 4em;">
- <br><br><br><br>
- </div>
- <h3>
- CHAPTER LXVII. THE TRUE CONSOLATION.
- </h3>
- <p>
- Emily closed the pages which told her that her father had died by his own
- hand.
- </p>
- <p>
- Cecilia still held her tenderly embraced. By slow degrees, her head
- dropped until it rested on her friend&rsquo;s bosom. Silently she suffered.
- Silently Cecilia bent forward, and kissed her forehead. The sounds that
- penetrated to the room were not out of harmony with the time. From a
- distant house the voices of children were just audible, singing the
- plaintive melody of a hymn; and, now and then, the breeze blew the first
- faded leaves of autumn against the window. Neither of the girls knew how
- long the minutes followed each other uneventfully, before there was a
- change. Emily raised her head, and looked at Cecilia.
- </p>
- <p>
- &ldquo;I have one friend left,&rdquo; she said.
- </p>
- <p>
- &ldquo;Not only me, love&mdash;oh, I hope not only me!&rdquo;
- </p>
- <p>
- &ldquo;Yes. Only you.&rdquo;
- </p>
- <p>
- &ldquo;I want to say something, Emily; but I am afraid of hurting you.&rdquo;
- </p>
- <p>
- &ldquo;My dear, do you remember what we once read in a book of history at
- school? It told of the death of a tortured man, in the old time, who was
- broken on the wheel. He lived through it long enough to say that the
- agony, after the first stroke of the club, dulled his capacity for feeling
- pain when the next blows fell. I fancy pain of the mind must follow the
- same rule. Nothing you can say will hurt me now.&rdquo;
- </p>
- <p>
- &ldquo;I only wanted to ask, Emily, if you were engaged&mdash;at one time&mdash;to
- marry Mr. Mirabel. Is it true?&rdquo;
- </p>
- <p>
- &ldquo;False! He pressed me to consent to an engagement&mdash;and I said he must
- not hurry me.&rdquo;
- </p>
- <p>
- &ldquo;What made you say that?&rdquo;
- </p>
- <p>
- &ldquo;I thought of Alban Morris.&rdquo;
- </p>
- <p>
- Vainly Cecilia tried to restrain herself. A cry of joy escaped her.
- </p>
- <p>
- &ldquo;Are you glad?&rdquo; Emily asked. &ldquo;Why?&rdquo;
- </p>
- <p>
- Cecilia made no direct reply. &ldquo;May I tell you what you wanted to know, a
- little while since?&rdquo; she said. &ldquo;You asked why Mr. Morris left it all to
- me, instead of speaking to you himself. When I put the same question to
- him, he told me to read what he had written. &lsquo;Not a shadow of suspicion
- rests on Mr. Mirabel,&rsquo; he said. &lsquo;Emily is free to marry him&mdash;and free
- through Me. Can <i>I</i> tell her that? For her sake, and for mine, it
- must not be. All that I can do is to leave old remembrances to plead for
- me. If they fail, I shall know that she will be happier with Mr. Mirabel
- than with me.&rsquo; &lsquo;And you will submit?&rsquo; I asked. &lsquo;Because I love her,&rsquo; he
- answered, &lsquo;I must submit.&rsquo; Oh, how pale you are! Have I distressed you?&rdquo;
- </p>
- <p>
- &ldquo;You have done me good.&rdquo;
- </p>
- <p>
- &ldquo;Will you see him?&rdquo;
- </p>
- <p>
- Emily pointed to the manuscript. &ldquo;At such a time as this?&rdquo; she said.
- </p>
- <p>
- Cecilia still held to her resolution. &ldquo;Such a time as this is the right
- time,&rdquo; she answered. &ldquo;It is now, when you most want to be comforted, that
- you ought to see him. Who can quiet your poor aching heart as <i>he</i>
- can quiet it?&rdquo; She impulsively snatched at the manuscript and threw it out
- of sight. &ldquo;I can&rsquo;t bear to look at it,&rdquo; she said. &ldquo;Emily! if I have done
- wrong, will you forgive me? I saw him this morning before I came here. I
- was afraid of what might happen&mdash;I refused to break the dreadful news
- to you, unless he was somewhere near us. Your good old servant knows where
- to go. Let me send her&mdash;&rdquo;
- </p>
- <p>
- Mrs. Ellmother herself opened the door, and stood doubtful on the
- threshold, hysterically sobbing and laughing at the same time. &ldquo;I&rsquo;m
- everything that&rsquo;s bad!&rdquo; the good old creature burst out. &ldquo;I&rsquo;ve been
- listening&mdash;I&rsquo;ve been lying&mdash;I said you wanted him. Turn me out
- of my situation, if you like. I&rsquo;ve got him! Here he is!&rdquo;
- </p>
- <p>
- In another moment, Emily was in his arms&mdash;and they were alone. On his
- faithful breast the blessed relief of tears came to her at last: she burst
- out crying.
- </p>
- <p>
- &ldquo;Oh, Alban, can you forgive me?&rdquo;
- </p>
- <p>
- He gently raised her head, so that he could see her face.
- </p>
- <p>
- &ldquo;My love, let me look at you,&rdquo; he said. &ldquo;I want to think again of the day
- when we parted in the garden at school. Do you remember the one conviction
- that sustained me? I told you, Emily, there was a time of fulfillment to
- come in our two lives; and I have never wholly lost the dear belief. My
- own darling, the time has come!&rdquo;
- </p>
- <p>
- POSTSCRIPT. GOSSIP IN THE STUDIO.
- </p>
- <p>
- The winter time had arrived. Alban was clearing his palette, after a hard
- day&rsquo;s work at the cottage. The servant announced that tea was ready, and
- that Miss Ladd was waiting to see him in the next room.
- </p>
- <p>
- Alban ran in, and received the visitor cordially with both hands. &ldquo;Welcome
- back to England! I needn&rsquo;t ask if the sea-voyage has done you good. You
- are looking ten years younger than when you went away.&rdquo;
- </p>
- <p>
- Miss Ladd smiled. &ldquo;I shall soon be ten years older again, if I go back to
- Netherwoods,&rdquo; she replied. &ldquo;I didn&rsquo;t believe it at the time; but I know
- better now. Our friend Doctor Allday was right, when he said that my
- working days were over. I must give up the school to a younger and
- stronger successor, and make the best I can in retirement of what is left
- of my life. You and Emily may expect to have me as a near neighbor. Where
- is Emily?&rdquo;
- </p>
- <p>
- &ldquo;Far away in the North.&rdquo;
- </p>
- <p>
- &ldquo;In the North! You don&rsquo;t mean that she has gone back to Mrs. Delvin?&rdquo;
- </p>
- <p>
- &ldquo;She has gone back&mdash;with Mrs. Ellmother to take care of her&mdash;at
- my express request. You know what Emily is, when there is an act of mercy
- to be done. That unhappy man has been sinking (with intervals of partial
- recovery) for months past. Mrs. Delvin sent word to us that the end was
- near, and that the one last wish her brother was able to express was the
- wish to see Emily. He had been for some hours unable to speak when my wife
- arrived. But he knew her, and smiled faintly. He was just able to lift his
- hand. She took it, and waited by him, and spoke words of consolation and
- kindness from time to time. As the night advanced, he sank into sleep,
- still holding her hand. They only knew that he had passed from sleep to
- death&mdash;passed without a movement or a sigh&mdash;when his hand turned
- cold. Emily remained for a day at the tower to comfort poor Mrs. Delvin&mdash;and
- she comes home, thank God, this evening!&rdquo;
- </p>
- <p>
- &ldquo;I needn&rsquo;t ask if you are happy?&rdquo; Miss Ladd said.
- </p>
- <p>
- &ldquo;Happy? I sing, when I have my bath in the morning. If that isn&rsquo;t
- happiness (in a man of my age) I don&rsquo;t know what is!&rdquo;
- </p>
- <p>
- &ldquo;And how are you getting on?&rdquo;
- </p>
- <p>
- &ldquo;Famously! I have turned portrait painter, since you were sent away for
- your health. A portrait of Mr. Wyvil is to decorate the town hall in the
- place that he represents; and our dear kind-hearted Cecilia has induced a
- fascinated mayor and corporation to confide the work to my hands.&rdquo;
- </p>
- <p>
- &ldquo;Is there no hope yet of that sweet girl being married?&rdquo; Miss Ladd asked.
- &ldquo;We old maids all believe in marriage, Mr. Morris&mdash;though some of us
- don&rsquo;t own it.&rdquo;
- </p>
- <p>
- &ldquo;There seems to be a chance,&rdquo; Alban answered. &ldquo;A young lord has turned up
- at Monksmoor; a handsome pleasant fellow, and a rising man in politics. He
- happened to be in the house a few days before Cecilia&rsquo;s birthday; and he
- asked my advice about the right present to give her. I said, &lsquo;Try
- something new in Tarts.&rsquo; When he found I was in earnest, what do you think
- he did? Sent his steam yacht to Rouen for some of the famous pastry! You
- should have seen Cecilia, when the young lord offered his delicious gift.
- If I could paint that smile and those eyes, I should be the greatest
- artist living. I believe she will marry him. Need I say how rich they will
- be? We shall not envy them&mdash;we are rich too. Everything is
- comparative. The portrait of Mr. Wyvil will put three hundred pounds in my
- pocket. I have earned a hundred and twenty more by illustrations, since we
- have been married. And my wife&rsquo;s income (I like to be particular) is only
- five shillings and tenpence short of two hundred a year. Moral! we are
- rich as well as happy.&rdquo;
- </p>
- <p>
- &ldquo;Without a thought of the future?&rdquo; Miss Ladd asked slyly.
- </p>
- <p>
- &ldquo;Oh, Doctor Allday has taken the future in hand! He revels in the
- old-fashioned jokes, which used to be addressed to newly-married people,
- in his time. &lsquo;My dear fellow,&rsquo; he said the other day, &lsquo;you may possibly be
- under a joyful necessity of sending for the doctor, before we are all a
- year older. In that case, let it be understood that I am Honorary
- Physician to the family.&rsquo; The warm-hearted old man talks of getting me
- another portrait to do. &lsquo;The greatest ass in the medical profession (he
- informed me) has just been made a baronet; and his admiring friends have
- decided that he is to be painted at full length, with his bandy legs
- hidden under a gown, and his great globular eyes staring at the spectator&mdash;I&rsquo;ll
- get you the job.&rsquo; Shall I tell you what he says of Mrs. Rook&rsquo;s recovery?&rdquo;
- </p>
- <p>
- Miss Ladd held up her hands in amazement. &ldquo;Recovery!&rdquo; she exclaimed.
- </p>
- <p>
- &ldquo;And a most remarkable recovery too,&rdquo; Alban informed her. &ldquo;It is the first
- case on record of any person getting over such an injury as she has
- received. Doctor Allday looked grave when he heard of it. &lsquo;I begin to
- believe in the devil,&rsquo; he said; &lsquo;nobody else could have saved Mrs. Rook.&rsquo;
- Other people don&rsquo;t take that view. She has been celebrated in all the
- medical newspapers&mdash;and she has been admitted to some excellent
- almshouse, to live in comfortable idleness to a green old age. The best of
- it is that she shakes her head, when her wonderful recovery is mentioned.
- &lsquo;It seems such a pity,&rsquo; she says; &lsquo;I was so fit for heaven.&rsquo; Mr. Rook
- having got rid of his wife, is in excellent spirits. He is occupied in
- looking after an imbecile old gentleman; and, when he is asked if he likes
- the employment, he winks mysteriously and slaps his pocket. Now, Miss
- Ladd, I think it&rsquo;s my turn to hear some news. What have you got to tell
- me?&rdquo;
- </p>
- <p>
- &ldquo;I believe I can match your account of Mrs. Rook,&rdquo; Miss Ladd said. &ldquo;Do you
- care to hear what has become of Francine?&rdquo;
- </p>
- <p>
- Alban, rattling on hitherto in boyish high spirits, suddenly became
- serious. &ldquo;I have no doubt Miss de Sor is doing well,&rdquo; he said sternly.
- &ldquo;She is too heartless and wicked not to prosper.&rdquo;
- </p>
- <p>
- &ldquo;You are getting like your old cynical self again, Mr. Morris&mdash;and
- you are wrong. I called this morning on the agent who had the care of
- Francine, when I left England. When I mentioned her name, he showed me a
- telegram, sent to him by her father. &lsquo;There&rsquo;s my authority,&rsquo; he said, &lsquo;for
- letting her leave my house.&rsquo; The message was short enough to be easily
- remembered: &lsquo;Anything my daughter likes as long as she doesn&rsquo;t come back
- to us.&rsquo; In those cruel terms Mr. de Sor wrote of his own child. The agent
- was just as unfeeling, in his way. He called her the victim of slighted
- love and clever proselytizing. &lsquo;In plain words,&rsquo; he said, &lsquo;the priest of
- the Catholic chapel close by has converted her; and she is now a novice in
- a convent of Carmelite nuns in the West of England. Who could have
- expected it? Who knows how it may end?&rdquo;
- </p>
- <p>
- As Miss Ladd spoke, the bell rang at the cottage gate. &ldquo;Here she is!&rdquo;
- Alban cried, leading the way into the hall. &ldquo;Emily has come home.&rdquo;
- </p>
- <p>
- <br><br><br><br>
- </p>
-<div>*** END OF THE PROJECT GUTENBERG EBOOK 1629 ***</div>
- </body>
-</html>
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