diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:14:30 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:14:30 -0700 |
| commit | 4d7bcee7a9c0499321f059da76326aeeece51552 (patch) | |
| tree | 49b3856692ee9cd2f66ad0903b36a27d2ad23496 /old/mcteg10.txt | |
Diffstat (limited to 'old/mcteg10.txt')
| -rw-r--r-- | old/mcteg10.txt | 15111 |
1 files changed, 15111 insertions, 0 deletions
diff --git a/old/mcteg10.txt b/old/mcteg10.txt new file mode 100644 index 0000000..4c5554f --- /dev/null +++ b/old/mcteg10.txt @@ -0,0 +1,15111 @@ +****The Project Gutenberg Etext of McTeague, by Frank Norris**** + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +McTeague, by Frank Norris + +September, 1994 [Etext #165] + + +The Project Gutenberg Etext of McTeague, by Frank Norris +***This file should be named mcteg10.txt or mcteg10.zip** + +Corrected EDITIONS of our etexts get a new NUMBER, mcteg11.txt. +VERSIONS based on separate sources get new LETTER, mcteg10a.txt. + +Prepared by Pauline J. Iacono <pauline@ramsey.lib.mn.us> +nd John Hamm <John_Hamm@MindLink.bc.ca> + +Scanned with OmniPage Professional OCR software +donated to Project Gutenberg by Caere Corporation +1-800-535-7226 Contact Mike Lough <Mikel@caere.com> + +We are now trying to release all our books one month in advance +of the official release dates, for time for better editing. We +have this as a goal to accomplish by the end of the year but we +cannot guarantee to stay that far ahead every month after that. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +fifty hours is one conservative estimate for how long it we take +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $4 +million dollars per hour this year as we release some eight text +files per month: thus upping our productivity from $2 million. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] +This is ten thousand titles each to one hundred million readers, +which is 10% of the expected number of computer users by the end +of the year 2001. + +We need your donations more than ever! + +All donations should be made to "Project Gutenberg/IBC", and are +tax deductible to the extent allowable by law ("IBC" is Illinois +Benedictine College). (Subscriptions to our paper newsletter go +to IBC, too) + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails try our Michael S. Hart, Executive +Director: +hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet) + +We would prefer to send you this information by email +(Internet, Bitnet, Compuserve, ATTMAIL or MCImail). + +****** +If you have an FTP program (or emulator), please +FTP directly to the Project Gutenberg archives: +[Mac users, do NOT point and click. . .type] + +ftp mrcnext.cso.uiuc.edu +login: anonymous +password: your@login +cd etext/etext91 +or cd etext92 +or cd etext93 +or cd etext94 [for new books] +or cd etext/articles [get suggest gut for more information] +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET 0INDEX.GUT +for a list of books +and +GET NEW GUT for general information +and +MGET GUT* for newsletters. + +**Information prepared by the Project Gutenberg legal advisor** +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Illinois Benedictine College (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association / Illinois + Benedictine College" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Illinois Benedictine College". + +This "Small Print!" by Charles B. Kramer, Attorney +Internet (72600.2026@compuserve.com); TEL: (212-254-5093) +*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + +{Editor's note: The word can~on has been changed to canyon +in each case.} + +McTeague +A Story of San Francisco + +by Frank Norris + +CHAPTER 1 + +It was Sunday, and, according to his custom on that day, +McTeague took his dinner at two in the afternoon at the car +conductors' coffee-joint on Polk Street. He had a thick +gray soup; heavy, underdone meat, very hot, on a cold plate; +two kinds of vegetables; and a sort of suet pudding, full of +strong butter and sugar. On his way back to his office, one +block above, he stopped at Joe Frenna's saloon and bought a +pitcher of steam beer. It was his habit to leave the +pitcher there on his way to dinner. + +Once in his office, or, as he called it on his signboard, +"Dental Parlors," he took off his coat and shoes, unbuttoned +his vest, and, having crammed his little stove full of coke, +lay back in his operating chair at the bay window, reading +the paper, drinking his beer, and smoking his huge porcelain +pipe while his food digested; crop-full, stupid, and warm. +By and by, gorged with steam beer, and overcome by the heat +of the room, the cheap tobacco, and the effects of his heavy +meal, he dropped off to sleep. Late in the afternoon his +canary bird, in its gilt cage just over his head, began to +sing. He woke slowly, finished the rest of his beer--very +flat and stale by this time--and taking down his concertina +from the bookcase, where in week days it kept the company of +seven volumes of "Allen's Practical Dentist," played upon it +some half-dozen very mournful airs. + +McTeague looked forward to these Sunday afternoons as a +period of relaxation and enjoyment. He invariably spent +them in the same fashion. These were his only pleasures--to +eat, to smoke, to sleep, and to play upon his concertina. + +The six lugubrious airs that he knew, always carried him +back to the time when he was a car-boy at the Big Dipper +Mine in Placer County, ten years before. He remembered the +years he had spent there trundling the heavy cars of ore +in and out of the tunnel under the direction of his father. +For thirteen days of each fortnight his father was a steady, +hard-working shift-boss of the mine. Every other Sunday he +became an irresponsible animal, a beast, a brute, crazy with +alcohol. + +McTeague remembered his mother, too, who, with the help of +the Chinaman, cooked for forty miners. She was an +overworked drudge, fiery and energetic for all that, filled +with the one idea of having her son rise in life and enter a +profession. The chance had come at last when the father +died, corroded with alcohol, collapsing in a few hours. Two +or three years later a travelling dentist visited the mine +and put up his tent near the bunk-house. He was more or +less of a charlatan, but he fired Mrs. McTeague's ambition, +and young McTeague went away with him to learn his +profession. He had learnt it after a fashion, mostly by +watching the charlatan operate. He had read many of the +necessary books, but he was too hopelessly stupid to get +much benefit from them. + +Then one day at San Francisco had come the news of his +mother's death; she had left him some money--not much, but +enough to set him up in business; so he had cut loose from +the charlatan and had opened his "Dental Parlors" on Polk +Street, an "accommodation street" of small shops in the +residence quarter of the town. Here he had slowly collected +a clientele of butcher boys, shop girls, drug clerks, and +car conductors. He made but few acquaintances. Polk Street +called him the "Doctor" and spoke of his enormous strength. +For McTeague was a young giant, carrying his huge shock of +blond hair six feet three inches from the ground; moving his +immense limbs, heavy with ropes of muscle, slowly, +ponderously. His hands were enormous, red, and covered with +a fell of stiff yellow hair; they were hard as wooden +mallets, strong as vises, the hands of the old-time car-boy. +Often he dispensed with forceps and extracted a refractory +tooth with his thumb and finger. His head was square-cut, +angular; the jaw salient, like that of the carnivora. + +McTeague's mind was as his body, heavy, slow to act, +sluggish. Yet there was nothing vicious about the man. +Altogether he suggested the draught horse, immensely +strong, stupid, docile, obedient. + +When he opened his "Dental Parlors," he felt that his life +was a success, that he could hope for nothing better. In +spite of the name, there was but one room. It was a corner +room on the second floor over the branch post-office, and +faced the street. McTeague made it do for a bedroom as well, +sleeping on the big bed-lounge against the wall opposite the +window. There was a washstand behind the screen in the +corner where he manufactured his moulds. In the round bay +window were his operating chair, his dental engine, and the +movable rack on which he laid out his instruments. Three +chairs, a bargain at the second-hand store, ranged +themselves against the wall with military precision +underneath a steel engraving of the court of Lorenzo de' +Medici, which he had bought because there were a great many +figures in it for the money. Over the bed-lounge hung a +rifle manufacturer's advertisement calendar which he never +used. The other ornaments were a small marble-topped centre +table covered with back numbers of "The American System of +Dentistry," a stone pug dog sitting before the little stove, +and a thermometer. A stand of shelves occupied one corner, +filled with the seven volumes of "Allen's Practical +Dentist." On the top shelf McTeague kept his concertina and +a bag of bird seed for the canary. The whole place exhaled +a mingled odor of bedding, creosote, and ether. + +But for one thing, McTeague would have been perfectly +contented. Just outside his window was his signboard--a +modest affair--that read: "Doctor McTeague. Dental Parlors. +Gas Given"; but that was all. It was his ambition, his +dream, to have projecting from that corner window a huge +gilded tooth, a molar with enormous prongs, something +gorgeous and attractive. He would have it some day, on that +he was resolved; but as yet such a thing was far beyond his +means. + +When he had finished the last of his beer, McTeague slowly +wiped his lips and huge yellow mustache with the side of his +hand. Bull-like, he heaved himself laboriously up, and, +going to the window, stood looking down into the street. + +The street never failed to interest him. It was one of +those cross streets peculiar to Western cities, situated in +the heart of the residence quarter, but occupied by small +tradespeople who lived in the rooms above their shops. +There were corner drug stores with huge jars of red, yellow, +and green liquids in their windows, very brave and gay; +stationers' stores, where illustrated weeklies were tacked +upon bulletin boards; barber shops with cigar stands in +their vestibules; sad-looking plumbers' offices; cheap +restaurants, in whose windows one saw piles of unopened +oysters weighted down by cubes of ice, and china pigs and +cows knee deep in layers of white beans. At one end of the +street McTeague could see the huge power-house of the cable +line. Immediately opposite him was a great market; while +farther on, over the chimney stacks of the intervening +houses, the glass roof of some huge public baths glittered +like crystal in the afternoon sun. Underneath him the +branch post-office was opening its doors, as was its custom +between two and three o'clock on Sunday afternoons. An +acrid odor of ink rose upward to him. Occasionally a cable +car passed, trundling heavily, with a strident whirring of +jostled glass windows. + +On week days the street was very lively. It woke to its +work about seven o'clock, at the time when the newsboys made +their appearance together with the day laborers. The +laborers went trudging past in a straggling file--plumbers' +apprentices, their pockets stuffed with sections of lead +pipe, tweezers, and pliers; carpenters, carrying nothing but +their little pasteboard lunch baskets painted to imitate +leather; gangs of street workers, their overalls soiled with +yellow clay, their picks and long-handled shovels over their +shoulders; plasterers, spotted with lime from head to foot. +This little army of workers, tramping steadily in one +direction, met and mingled with other toilers of a different +description--conductors and "swing men" of the cable company +going on duty; heavy-eyed night clerks from the drug stores +on their way home to sleep; roundsmen returning to the +precinct police station to make their night report, and +Chinese market gardeners teetering past under their heavy +baskets. The cable cars began to fill up; all along the +street could be seen the shopkeepers taking down their +shutters. + +Between seven and eight the street breakfasted. Now and +then a waiter from one of the cheap restaurants crossed from +one sidewalk to the other, balancing on one palm a tray +covered with a napkin. Everywhere was the smell of coffee +and of frying steaks. A little later, following in the path +of the day laborers, came the clerks and shop girls, dressed +with a certain cheap smartness, always in a hurry, glancing +apprehensively at the power-house clock. Their employers +followed an hour or so later--on the cable cars for the most +part whiskered gentlemen with huge stomachs, reading the +morning papers with great gravity; bank cashiers and +insurance clerks with flowers in their buttonholes. + +At the same time the school children invaded the street, +filling the air with a clamor of shrill voices, stopping at +the stationers' shops, or idling a moment in the doorways of +the candy stores. For over half an hour they held +possession of the sidewalks, then suddenly disappeared, +leaving behind one or two stragglers who hurried along with +great strides of their little thin legs, very anxious and +preoccupied. + +Towards eleven o'clock the ladies from the great avenue a +block above Polk Street made their appearance, promenading +the sidewalks leisurely, deliberately. They were at their +morning's marketing. They were handsome women, beautifully +dressed. They knew by name their butchers and grocers and +vegetable men. From his window McTeague saw them in front +of the stalls, gloved and veiled and daintily shod, the +subservient provision men at their elbows, scribbling +hastily in the order books. They all seemed to know one +another, these grand ladies from the fashionable avenue. +Meetings took place here and there; a conversation was +begun; others arrived; groups were formed; little impromptu +receptions were held before the chopping blocks of butchers' +stalls, or on the sidewalk, around boxes of berries and +fruit. + +From noon to evening the population of the street was of +a mixed character. The street was busiest at that time; +a vast and prolonged murmur arose--the mingled shuffling of +feet, the rattle of wheels, the heavy trundling of cable +cars. At four o'clock the school children once more swarmed +the sidewalks, again disappearing with surprising +suddenness. At six the great homeward march commenced; the +cars were crowded, the laborers thronged the sidewalks, the +newsboys chanted the evening papers. Then all at once the +street fell quiet; hardly a soul was in sight; the sidewalks +were deserted. It was supper hour. Evening began; and one +by one a multitude of lights, from the demoniac glare of the +druggists' windows to the dazzling blue whiteness of the +electric globes, grew thick from street corner to street +corner. Once more the street was crowded. Now there was no +thought but for amusement. The cable cars were loaded with +theatre-goers--men in high hats and young girls in furred +opera cloaks. On the sidewalks were groups and couples--the +plumbers' apprentices, the girls of the ribbon counters, the +little families that lived on the second stories over their +shops, the dressmakers, the small doctors, the harness- +makers--all the various inhabitants of the street were +abroad, strolling idly from shop window to shop window, +taking the air after the day's work. Groups of girls +collected on the corners, talking and laughing very loud, +making remarks upon the young men that passed them. The +tamale men appeared. A band of Salvationists began to sing +before a saloon. + +Then, little by little, Polk Street dropped back to +solitude. Eleven o'clock struck from the power-house clock. +Lights were extinguished. At one o'clock the cable stopped, +leaving an abrupt silence in the air. All at once it seemed +very still. The ugly noises were the occasional footfalls of +a policeman and the persistent calling of ducks and geese in +the closed market. The street was asleep. + +Day after day, McTeague saw the same panorama unroll itself. +The bay window of his "Dental Parlors" was for him a point +of vantage from which he watched the world go past. + +On Sundays, however, all was changed. As he stood in the +bay window, after finishing his beer, wiping his lips, and +looking out into the street, McTeague was conscious of +the difference. Nearly all the stores were closed. No +wagons passed. A few people hurried up and down the +sidewalks, dressed in cheap Sunday finery. A cable car went +by; on the outside seats were a party of returning +picnickers. The mother, the father, a young man, and a +young girl, and three children. The two older people held +empty lunch baskets in their laps, while the bands of the +children's hats were stuck full of oak leaves. The girl +carried a huge bunch of wilting poppies and wild flowers. + +As the car approached McTeague's window the young man got up +and swung himself off the platform, waving goodby to the +party. Suddenly McTeague recognized him. + +"There's Marcus Schouler," he muttered behind his mustache. + +Marcus Schouler was the dentist's one intimate friend. The +acquaintance had begun at the car conductors' coffee-joint, +where the two occupied the same table and met at every meal. +Then they made the discovery that they both lived in the +same flat, Marcus occupying a room on the floor above +McTeague. On different occasions McTeague had treated +Marcus for an ulcerated tooth and had refused to accept +payment. Soon it came to be an understood thing between +them. They were "pals." + +McTeague, listening, heard Marcus go up-stairs to his room +above. In a few minutes his door opened again. McTeague +knew that he had come out into the hall and was leaning over +the banisters. + +"Oh, Mac!" he called. McTeague came to his door. + +"Hullo! 'sthat you, Mark?" + +"Sure," answered Marcus. "Come on up." + +"You come on down." + +"No, come on up." + +"Oh, you come on down." + +"Oh, you lazy duck!" retorted Marcus, coming down the +stairs. + +"Been out to the Cliff House on a picnic," he explained as +he sat down on the bed-lounge, "with my uncle and his +people--the Sieppes, you know. By damn! it was hot," he +suddenly vociferated. "Just look at that! Just look at +that!" he cried, dragging at his limp collar. "That's the +third one since morning; it is--it is, for a fact--and you +got your stove going." He began to tell about the picnic, +talking very loud and fast, gesturing furiously, very +excited over trivial details. Marcus could not talk without +getting excited. + +"You ought t'have seen, y'ought t'have seen. I tell you, it +was outa sight. It was; it was, for a fact." + +"Yes, yes," answered McTeague, bewildered, trying to follow. +"Yes, that's so." + +In recounting a certain dispute with an awkward bicyclist, +in which it appeared he had become involved, Marcus quivered +with rage. "'Say that again,' says I to um. 'Just say that +once more, and'"--here a rolling explosion of oaths-- +"'you'll go back to the city in the Morgue wagon. Ain't I +got a right to cross a street even, I'd like to know, +without being run down--what?' I say it's outrageous. I'd +a knifed him in another minute. It was an outrage. I say +it was an OUTRAGE." + +"Sure it was," McTeague hastened to reply. "Sure, sure." + +"Oh, and we had an accident," shouted the other, suddenly +off on another tack. "It was awful. Trina was in the swing +there--that's my cousin Trina, you know who I mean--and she +fell out. By damn! I thought she'd killed herself; struck +her face on a rock and knocked out a front tooth. It's a +wonder she didn't kill herself. It IS a wonder; it is, +for a fact. Ain't it, now? Huh? Ain't it? Y'ought t'have +seen." + +McTeague had a vague idea that Marcus Schouler was stuck on +his cousin Trina. They "kept company" a good deal; Marcus +took dinner with the Sieppes every Saturday evening at their +home at B Street station, across the bay, and Sunday +afternoons he and the family usually made little excursions +into the suburbs. McTeague began to wonder dimly how it was +that on this occasion Marcus had not gone home with his +cousin. As sometimes happens, Marcus furnished the +explanation upon the instant. + +"I promised a duck up here on the avenue I'd call for his +dog at four this afternoon." + +Marcus was Old Grannis's assistant in a little dog +hospital that the latter had opened in a sort of alley just +off Polk Street, some four blocks above Old Grannis lived in +one of the back rooms of McTeague's flat. He was an +Englishman and an expert dog surgeon, but Marcus Schouler +was a bungler in the profession. His father had been a +veterinary surgeon who had kept a livery stable near by, on +California Street, and Marcus's knowledge of the diseases of +domestic animals had been picked up in a haphazard way, much +after the manner of McTeague's education. Somehow he +managed to impress Old Grannis, a gentle, simple-minded old +man, with a sense of his fitness, bewildering him with a +torrent of empty phrases that he delivered with fierce +gestures and with a manner of the greatest conviction. + +"You'd better come along with me, Mac," observed Marcus. +"We'll get the duck's dog, and then we'll take a little +walk, huh? You got nothun to do. Come along." + +McTeague went out with him, and the two friends proceeded up +to the avenue to the house where the dog was to be found. +It was a huge mansion-like place, set in an enormous garden +that occupied a whole third of the block; and while Marcus +tramped up the front steps and rang the doorbell boldly, to +show his independence, McTeague remained below on the +sidewalk, gazing stupidly at the curtained windows, the +marble steps, and the bronze griffins, troubled and a little +confused by all this massive luxury. + +After they had taken the dog to the hospital and had left +him to whimper behind the wire netting, they returned to +Polk Street and had a glass of beer in the back room of Joe +Frenna's corner grocery. + +Ever since they had left the huge mansion on the avenue, +Marcus had been attacking the capitalists, a class which he +pretended to execrate. It was a pose which he often +assumed, certain of impressing the dentist. Marcus had +picked up a few half-truths of political economy--it was +impossible to say where--and as soon as the two had settled +themselves to their beer in Frenna's back room he took up +the theme of the labor question. He discussed it at the +top of his voice, vociferating, shaking his fists, exciting +himself with his own noise. He was continually making use +of the stock phrases of the professional politician--phrases +he had caught at some of the ward "rallies" and +"ratification meetings." These rolled off his tongue with +incredible emphasis, appearing at every turn of his +conversation--"Outraged constituencies," "cause of labor," +"wage earners," "opinions biased by personal interests," +"eyes blinded by party prejudice." McTeague listened to +him, awestruck. + +"There's where the evil lies," Marcus would cry. "The +masses must learn self-control; it stands to reason. Look at +the figures, look at the figures. Decrease the number of +wage earners and you increase wages, don't you? don't you?" + +Absolutely stupid, and understanding never a word, McTeague +would answer: + +"Yes, yes, that's it--self-control--that's the word." + +"It's the capitalists that's ruining the cause of labor," +shouted Marcus, banging the table with his fist till the +beer glasses danced; "white-livered drones, traitors, with +their livers white as snow, eatun the bread of widows and +orphuns; there's where the evil lies." + +Stupefied with his clamor, McTeague answered, wagging his +head: + +"Yes, that's it; I think it's their livers." + +Suddenly Marcus fell calm again, forgetting his pose all in +an instant. + +"Say, Mac, I told my cousin Trina to come round and see you +about that tooth of her's. She'll be in to-morrow, I +guess." + + + +CHAPTER 2 + + +After his breakfast the following Monday morning, McTeague +looked over the appointments he had written down in the +book-slate that hung against the screen. His writing was +immense, very clumsy, and very round, with huge, full- +bellied l's and h's. He saw that he had made an appointment +at one o'clock for Miss Baker, the retired dressmaker, a +little old maid who had a tiny room a few doors down the +hall. It adjoined that of Old Grannis. + +Quite an affair had arisen from this circumstance. Miss +Baker and Old Grannis were both over sixty, and yet it was +current talk amongst the lodgers of the flat that the two +were in love with each other . Singularly enough, they were +not even acquaintances; never a word had passed between +them. At intervals they met on the stairway; he on his way +to his little dog hospital, she returning from a bit of +marketing in the street. At such times they passed each +other with averted eyes, pretending a certain pre- +occupation, suddenly seized with a great embarrassment, the +timidity of a second childhood. He went on about his +business, disturbed and thoughtful. She hurried up to her +tiny room, her curious little false curls shaking with her +agitation, the faintest suggestion of a flush coming and +going in her withered cheeks. The emotion of one of these +chance meetings remained with them during all the rest of +the day. + +Was it the first romance in the lives of each? Did Old +Grannis ever remember a certain face amongst those that he +had known when he was young Grannis--the face of some pale- +haired girl, such as one sees in the old cathedral towns of +England? Did Miss Baker still treasure up in a seldom +opened drawer or box some faded daguerreotype, some strange +old-fashioned likeness, with its curling hair and high +stock? It was impossible to say. + +Maria Macapa, the Mexican woman who took care of the +lodgers' rooms, had been the first to call the flat's +attention to the affair, spreading the news of it from room +to room, from floor to floor. Of late she had made a great +discovery; all the women folk of the flat were yet vibrant +with it. Old Grannis came home from his work at four +o'clock, and between that time and six Miss Baker would sit +in her room, her hands idle in her lap, doing nothing, +listening, waiting. Old Grannis did the same, drawing his +arm-chair near to the wall, knowing that Miss Baker was upon +the other side, conscious, perhaps, that she was thinking of +him; and there the two would sit through the hours of the +afternoon, listening and waiting, they did not know exactly +for what, but near to each other, separated only by the thin +partition of their rooms. They had come to know each +other's habits. Old Grannis knew that at quarter of five +precisely Miss Baker made a cup of tea over the oil stove on +the stand between the bureau and the window. Miss Baker +felt instinctively the exact moment when Old Grannis took +down his little binding apparatus from the second shelf of +his clothes closet and began his favorite occupation of +binding pamphlets--pamphlets that he never read, for all +that. + +In his "Parlors" McTeague began his week's work. He glanced +in the glass saucer in which he kept his sponge-gold, and +noticing that he had used up all his pellets, set about +making some more. In examining Miss Baker's teeth at the +preliminary sitting he had found a cavity in one of the +incisors. Miss Baker had decided to have it filled with +gold. McTeague remembered now that it was what is called a +"proximate case," where there is not sufficient room to fill +with large pieces of gold. He told himself that he should +have to use "mats" in the filling. He made some dozen of +these "mats" from his tape of non-cohesive gold, cutting it +transversely into small pieces that could be inserted +edgewise between the teeth and consolidated by packing. +After he had made his "mats" he continued with the other +kind of gold fillings, such as he would have occasion to use +during the week; "blocks" to be used in large proximal +cavities, made by folding the tape on itself a number of +times and then shaping it with the soldering pliers; +"cylinders" for commencing fillings, which he formed by +rolling the tape around a needle called a "broach," cutting +it afterwards into different lengths. He worked slowly, +mechanically, turning the foil between his fingers with the +manual dexterity that one sometimes sees in stupid persons. +His head was quite empty of all thought, and he did not +whistle over his work as another man might have done. The +canary made up for his silence, trilling and chittering +continually, splashing about in its morning bath, keeping up +an incessant noise and movement that would have been +maddening to any one but McTeague, who seemed to have no +nerves at all. + +After he had finished his fillings, he made a hook broach +from a bit of piano wire to replace an old one that he had +lost. It was time for his dinner then, and when he returned +from the car conductors' coffee-joint, he found Miss Baker +waiting for him. + +The ancient little dressmaker was at all times willing to +talk of Old Grannis to anybody that would listen, quite +unconscious of the gossip of the flat. McTeague found her +all a-flutter with excitement. Something extraordinary had +happened. She had found out that the wall-paper in Old +Grannis's room was the same as that in hers. + +"It has led me to thinking, Doctor McTeague," she exclaimed, +shaking her little false curls at him. "You know my room is +so small, anyhow, and the wall-paper being the same--the +pattern from my room continues right into his--I declare, I +believe at one time that was all one room. Think of it, do +you suppose it was? It almost amounts to our occupying the +same room. I don't know--why, really--do you think I should +speak to the landlady about it? He bound pamphlets last +night until half-past nine. They say that he's the younger +son of a baronet; that there are reasons for his not coming +to the title; his stepfather wronged him cruelly." + +No one had ever said such a thing. It was preposterous to +imagine any mystery connected with Old Grannis. Miss Baker +had chosen to invent the little fiction, had created the +title and the unjust stepfather from some dim memories of +the novels of her girlhood. + +She took her place in the operating chair. McTeague +began the filling. There was a long silence. It was +impossible for McTeague to work and talk at the same time. + +He was just burnishing the last "mat" in Miss Baker's tooth, +when the door of the "Parlors" opened, jangling the bell +which he had hung over it, and which was absolutely +unnecessary. McTeague turned, one foot on the pedal of his +dental engine, the corundum disk whirling between his +fingers. + +It was Marcus Schouler who came in, ushering a young girl of +about twenty. + +"Hello, Mac," exclaimed Marcus; "busy? Brought my cousin +round about that broken tooth." + +McTeague nodded his head gravely. + +"In a minute," he answered. + +Marcus and his cousin Trina sat down in the rigid chairs +underneath the steel engraving of the Court of Lorenzo de' +Medici. They began talking in low tones. The girl looked +about the room, noticing the stone pug dog, the rifle +manufacturer's calendar, the canary in its little gilt +prison, and the tumbled blankets on the unmade bed-lounge +against the wall. Marcus began telling her about McTeague. +"We're pals," he explained, just above a whisper. "Ah, +Mac's all right, you bet. Say, Trina, he's the strongest +duck you ever saw. What do you suppose? He can pull out +your teeth with his fingers; yes, he can. What do you think +of that? With his fingers, mind you; he can, for a fact. +Get on to the size of him, anyhow. Ah, Mac's all right!" + +Maria Macapa had come into the room while he had been +speaking. She was making up McTeague's bed. Suddenly Marcus +exclaimed under his breath: "Now we'll have some fun. It's +the girl that takes care of the rooms. She's a greaser, and +she's queer in the head. She ain't regularly crazy, but +I don't know, she's queer. Y'ought to hear her go on about +a gold dinner service she says her folks used to own. Ask +her what her name is and see what she'll say." Trina shrank +back, a little frightened. + +"No, you ask," she whispered. + +"Ah, go on; what you 'fraid of?" urged Marcus. Trina +shook her head energetically, shutting her lips together. + +"Well, listen here," answered Marcus, nudging her; then +raising his voice, he said: + +"How do, Maria?" Maria nodded to him over her shoulder as +she bent over the lounge. + +"Workun hard nowadays, Maria?" + +"Pretty hard." + +"Didunt always have to work for your living, though, did +you, when you ate offa gold dishes?" Maria didn't answer, +except by putting her chin in the air and shutting her eyes, +as though to say she knew a long story about that if she had +a mind to talk. All Marcus's efforts to draw her out on the +subject were unavailing. She only responded by movements of +her head. + +"Can't always start her going," Marcus told his cousin. + +"What does she do, though, when you ask her about her name?" + +"Oh, sure," said Marcus, who had forgotten. "Say, Maria, +what's your name?" + +"Huh?" asked Maria, straightening up, her hands on he hips. + +"Tell us your name," repeated Marcus. + +"Name is Maria--Miranda--Macapa." Then, after a pause, she +added, as though she had but that moment thought of it, "Had +a flying squirrel an' let him go." + +Invariably Maria Macapa made this answer. It was not always +she would talk about the famous service of gold plate, but a +question as to her name never failed to elicit the same +strange answer, delivered in a rapid undertone: "Name is +Maria--Miranda--Macapa." Then, as if struck with an after +thought, "Had a flying squirrel an' let him go." + +Why Maria should associate the release of the mythical +squirrel with her name could not be said. About Maria the +flat knew absolutely nothing further than that she was +Spanish-American. Miss Baker was the oldest lodger in the +flat, and Maria was a fixture there as maid of all work +when she had come. There was a legend to the effect that +Maria's people had been at one time immensely wealthy in +Central America. + +Maria turned again to her work. Trina and Marcus watched +her curiously. There was a silence. The corundum burr in +McTeague's engine hummed in a prolonged monotone. The +canary bird chittered occasionally. The room was warm, and +the breathing of the five people in the narrow space made +the air close and thick. At long intervals an acrid odor of +ink floated up from the branch post-office immediately +below. + +Maria Macapa finished her work and started to leave. As she +passed near Marcus and his cousin she stopped, and drew a +bunch of blue tickets furtively from her pocket. "Buy a +ticket in the lottery?" she inquired, looking at the girl. +"Just a dollar." + +"Go along with you, Maria," said Marcus, who had but thirty +cents in his pocket. "Go along; it's against the law." + +"Buy a ticket," urged Maria, thrusting the bundle toward +Trina. "Try your luck. The butcher on the next block won +twenty dollars the last drawing." + +Very uneasy, Trina bought a ticket for the sake of being rid +of her. Maria disappeared. + +"Ain't she a queer bird?" muttered Marcus. He was much +embarrassed and disturbed because he had not bought the +ticket for Trina. + +But there was a sudden movement. McTeague had just finished +with Miss Baker. + +"You should notice," the dressmaker said to the dentist, in +a low voice, "he always leaves the door a little ajar in the +afternoon." When she had gone out, Marcus Schouler brought +Trina forward. + +"Say, Mac, this is my cousin, Trina Sieppe." The two shook +hands dumbly, McTeague slowly nodding his huge head with its +great shock of yellow hair. Trina was very small and +prettily made. Her face was round and rather pale; her eyes +long and narrow and blue, like the half-open eyes of a +little baby; her lips and the lobes of her tiny ears +were pale, a little suggestive of anaemia; while across the +bridge of her nose ran an adorable little line of freckles. +But it was to her hair that one's attention was most +attracted. Heaps and heaps of blue-black coils and braids, +a royal crown of swarthy bands, a veritable sable tiara, +heavy, abundant, odorous. All the vitality that should have +given color to her face seemed to have been absorbed by this +marvellous hair. It was the coiffure of a queen that +shadowed the pale temples of this little bourgeoise. So +heavy was it that it tipped her head backward, and the +position thrust her chin out a little. It was a charming +poise, innocent, confiding, almost infantile. + +She was dressed all in black, very modest and plain. The +effect of her pale face in all this contrasting black was +almost monastic. + +"Well," exclaimed Marcus suddenly, "I got to go. Must get +back to work. Don't hurt her too much, Mac. S'long, +Trina." + +McTeague and Trina were left alone. He was embarrassed, +troubled. These young girls disturbed and perplexed him. +He did not like them, obstinately cherishing that intuitive +suspicion of all things feminine--the perverse dislike of an +overgrown boy. On the other hand, she was perfectly at her +ease; doubtless the woman in her was not yet awakened; she +was yet, as one might say, without sex. She was almost like +a boy, frank, candid, unreserved. + +She took her place in the operating chair and told him what +was the matter, looking squarely into his face. She had +fallen out of a swing the afternoon of the preceding day; +one of her teeth had been knocked loose and the other +altogether broken out. + +McTeague listened to her with apparent stolidity, nodding +his head from time to time as she spoke. The keenness of +his dislike of her as a woman began to be blunted. He +thought she was rather pretty, that he even liked her +because she was so small, so prettily made, so good natured +and straightforward. + +"Let's have a look at your teeth," he said, picking up his +mirror. "You better take your hat off." She leaned back in +her chair and opened her mouth, showing the rows of +little round teeth, as white and even as the kernels on an +ear of green corn, except where an ugly gap came at the +side. + +McTeague put the mirror into her mouth, touching one and +another of her teeth with the handle of an excavator. By +and by he straightened up, wiping the moisture from the +mirror on his coat-sleeve. + +"Well, Doctor," said the girl, anxiously, "it's a dreadful +disfigurement, isn't it?" adding, "What can you do about +it?" + +"Well," answered McTeague, slowly, looking vaguely about on +the floor of the room, "the roots of the broken tooth are +still in the gum; they'll have to come out, and I guess I'll +have to pull that other bicuspid. Let me look again. Yes," +he went on in a moment, peering into her mouth with the +mirror, "I guess that'll have to come out, too." The tooth +was loose, discolored, and evidently dead. "It's a curious +case," McTeague went on. "I don't know as I ever had a +tooth like that before. It's what's called necrosis. It +don't often happen. It'll have to come out sure." + +Then a discussion was opened on the subject, Trina sitting +up in the chair, holding her hat in her lap; McTeague +leaning against the window frame his hands in his pockets, +his eyes wandering about on the floor. Trina did not want +the other tooth removed; one hole like that was bad enough; +but two--ah, no, it was not to be thought of. + +But McTeague reasoned with her, tried in vain to make her +understand that there was no vascular connection between the +root and the gum. Trina was blindly persistent, with the +persistency of a girl who has made up her mind. + +McTeague began to like her better and better, and after a +while commenced himself to feel that it would be a pity to +disfigure such a pretty mouth. He became interested; +perhaps he could do something, something in the way of a +crown or bridge. "Let's look at that again," he said, +picking up his mirror. He began to study the situation very +carefully, really desiring to remedy the blemish. + +It was the first bicuspid that was missing, and though part +of the root of the second (the loose one) would remain +after its extraction, he was sure it would not be strong +enough to sustain a crown. All at once he grew obstinate, +resolving, with all the strength of a crude and primitive +man, to conquer the difficulty in spite of everything. He +turned over in his mind the technicalities of the case. No, +evidently the root was not strong enough to sustain a crown; +besides that, it was placed a little irregularly in the +arch. But, fortunately, there were cavities in the two +teeth on either side of the gap--one in the first molar and +one in the palatine surface of the cuspid; might he not +drill a socket in the remaining root and sockets in the +molar and cuspid, and, partly by bridging, partly by +crowning, fill in the gap? He made up his mind to do it. + +Why he should pledge himself to this hazardous case McTeague +was puzzled to know. With most of his clients he would have +contented himself with the extraction of the loose tooth and +the roots of the broken one. Why should he risk his +reputation in this case? He could not say why. + +It was the most difficult operation he had ever performed. +He bungled it considerably, but in the end he succeeded +passably well. He extracted the loose tooth with his +bayonet forceps and prepared the roots of the broken one as +if for filling, fitting into them a flattened piece of +platinum wire to serve as a dowel. But this was only the +beginning; altogether it was a fortnight's work. Trina came +nearly every other day, and passed two, and even three, +hours in the chair. + +By degrees McTeague's first awkwardness and suspicion +vanished entirely. The two became good friends. McTeague +even arrived at that point where he could work and talk to +her at the same time--a thing that had never before been +possible for him. + +Never until then had McTeague become so well acquainted with +a girl of Trina's age. The younger women of Polk Street-- +the shop girls, the young women of the soda fountains, the +waitresses in the cheap restaurants--preferred another +dentist, a young fellow just graduated from the college, a +poser, a rider of bicycles, a man about town, who wore +astonishing waistcoats and bet money on greyhound +coursing. Trina was McTeague's first experience. With her +the feminine element suddenly entered his little world. It +was not only her that he saw and felt, it was the woman, the +whole sex, an entire new humanity, strange and alluring, +that he seemed to have discovered. How had he ignored it so +long? It was dazzling, delicious, charming beyond all +words. His narrow point of view was at once enlarged and +confused, and all at once he saw that there was something +else in life besides concertinas and steam beer. Everything +had to be made over again. His whole rude idea of life had +to be changed. The male virile desire in him tardily +awakened, aroused itself, strong and brutal. It was +resistless, untrained, a thing not to be held in leash an +instant. + +Little by little, by gradual, almost imperceptible degrees, +the thought of Trina Sieppe occupied his mind from day to +day, from hour to hour. He found himself thinking of her +constantly; at every instant he saw her round, pale face; +her narrow, milk-blue eyes; her little out-thrust chin; her +heavy, huge tiara of black hair. At night he lay awake for +hours under the thick blankets of the bed-lounge, staring +upward into the darkness, tormented with the idea of her, +exasperated at the delicate, subtle mesh in which he found +himself entangled. During the forenoons, while he went +about his work, he thought of her. As he made his plaster- +of-paris moulds at the washstand in the corner behind the +screen he turned over in his mind all that had happened, all +that had been said at the previous sitting. Her little +tooth that he had extracted he kept wrapped in a bit of +newspaper in his vest pocket. Often he took it out and held +it in the palm of his immense, horny hand, seized with some +strange elephantine sentiment, wagging his head at it, +heaving tremendous sighs. What a folly! + +At two o'clock on Tuesdays, Thursdays, and Saturdays Trina +arrived and took her place in the operating chair. While at +his work McTeague was every minute obliged to bend closely +over her; his hands touched her face, her cheeks, her +adorable little chin; her lips pressed against his fingers. +She breathed warmly on his forehead and on his eyelids, +while the odor of her hair, a charming feminine perfume, +sweet, heavy, enervating, came to his nostrils, so +penetrating, so delicious, that his flesh pricked and +tingled with it; a veritable sensation of faintness passed +over this huge, callous fellow, with his enormous bones and +corded muscles. He drew a short breath through his nose; +his jaws suddenly gripped together vise-like. + +But this was only at times--a strange, vexing spasm, that +subsided almost immediately. For the most part, McTeague +enjoyed the pleasure of these sittings with Trina with a +certain strong calmness, blindly happy that she was there. +This poor crude dentist of Polk Street, stupid, ignorant, +vulgar, with his sham education and plebeian tastes, whose +only relaxations were to eat, to drink steam beer, and to +play upon his concertina, was living through his first +romance, his first idyl. It was delightful. The long hours +he passed alone with Trina in the "Dental Parlors," silent, +only for the scraping of the instruments and the pouring of +bud-burrs in the engine, in the foul atmosphere, overheated +by the little stove and heavy with the smell of ether, +creosote, and stale bedding, had all the charm of secret +appointments and stolen meetings under the moon. + +By degrees the operation progressed. One day, just after +McTeague had put in the temporary gutta-percha fillings and +nothing more could be done at that sitting, Trina asked him +to examine the rest of her teeth. They were perfect, with +one exception--a spot of white caries on the lateral surface +of an incisor. McTeague filled it with gold, enlarging the +cavity with hard-bits and hoe-excavators, and burring in +afterward with half-cone burrs. The cavity was deep, and +Trina began to wince and moan. To hurt Trina was a positive +anguish for McTeague, yet an anguish which he was obliged to +endure at every hour of the sitting. It was harrowing--he +sweated under it--to be forced to torture her, of all women +in the world; could anything be worse than that? + +"Hurt?" he inquired, anxiously. + +She answered by frowning, with a sharp intake of breath, +putting her fingers over her closed lips and nodding her +head. McTeague sprayed the tooth with glycerite of +tannin, but without effect. Rather than hurt her he found +himself forced to the use of anaesthesia, which he hated. +He had a notion that the nitrous oxide gas was dangerous, so +on this occasion, as on all others, used ether. + +He put the sponge a half dozen times to Trina's face, more +nervous than he had ever been before, watching the symptoms +closely. Her breathing became short and irregular; there +was a slight twitching of the muscles. When her thumbs +turned inward toward the palms, he took the sponge away. +She passed off very quickly, and, with a long sigh, sank +back into the chair. + +McTeague straightened up, putting the sponge upon the rack +behind him, his eyes fixed upon Trina's face. For some time +he stood watching her as she lay there, unconscious and +helpless, and very pretty. He was alone with her, and she +was absolutely without defense. + +Suddenly the animal in the man stirred and woke; the evil +instincts that in him were so close to the surface leaped to +life, shouting and clamoring. + +It was a crisis--a crisis that had arisen all in an instant; +a crisis for which he was totally unprepared. Blindly, and +without knowing why, McTeague fought against it, moved by an +unreasoned instinct of resistance. Within him, a certain +second self, another better McTeague rose with the brute; +both were strong, with the huge crude strength of the man +himself. The two were at grapples. There in that cheap and +shabby "Dental Parlor" a dreaded struggle began. It was the +old battle, old as the world, wide as the world--the sudden +panther leap of the animal, lips drawn, fangs aflash, +hideous, monstrous, not to be resisted, and the simultaneous +arousing of the other man, the better self that cries, +"Down, down," without knowing why; that grips the monster; +that fights to strangle it, to thrust it down and back. + +Dizzied and bewildered with the shock, the like of which he +had never known before, McTeague turned from Trina, gazing +bewilderedly about the room. The struggle was bitter; his +teeth ground themselves together with a little rasping +sound; the blood sang in his ears; his face flushed scarlet; +his hands twisted themselves together like the knotting of +cables. The fury in him was as the fury of a young bull in +the heat of high summer. But for all that he shook his huge +head from time to time, muttering: + +"No, by God! No, by God!" + +Dimly he seemed to realize that should he yield now he would +never be able to care for Trina again. She would never be +the same to him, never so radiant, so sweet, so adorable; +her charm for him would vanish in an instant. Across her +forehead, her little pale forehead, under the shadow of her +royal hair, he would surely see the smudge of a foul ordure, +the footprint of the monster. It would be a sacrilege, an +abomination. He recoiled from it, banding all his strength +to the issue. + +"No, by God! No, by God!" + +He turned to his work, as if seeking a refuge in it. But as +he drew near to her again, the charm of her innocence and +helplessness came over him afresh. It was a final protest +against his resolution. Suddenly he leaned over and kissed +her, grossly, full on the mouth. The thing was done before +he knew it. Terrified at his weakness at the very moment he +believed himself strong, he threw himself once more into his +work with desperate energy. By the time he was fastening +the sheet of rubber upon the tooth, he had himself once more +in hand. He was disturbed, still trembling, still vibrating +with the throes of the crisis, but he was the master; the +animal was downed, was cowed for this time, at least. + +But for all that, the brute was there. Long dormant, it was +now at last alive, awake. From now on he would feel its +presence continually; would feel it tugging at its chain, +watching its opportunity. Ah, the pity of it! Why could he +not always love her purely, cleanly? What was this +perverse, vicious thing that lived within him, knitted to +his flesh? + +Below the fine fabric of all that was good in him ran the +foul stream of hereditary evil, like a sewer. The vices and +sins of his father and of his father's father, to the third +and fourth and five hundredth generation, tainted him. +The evil of an entire race flowed in his veins. Why should +it be? He did not desire it. Was he to blame? + +But McTeague could not understand this thing. It had faced +him, as sooner or later it faces every child of man; but its +significance was not for him. To reason with it was beyond +him. He could only oppose to it an instinctive stubborn +resistance, blind, inert. + +McTeague went on with his work. As he was rapping in the +little blocks and cylinders with the mallet, Trina slowly +came back to herself with a long sigh. She still felt a +little confused, and lay quiet in the chair. There was a +long silence, broken only by the uneven tapping of the +hardwood mallet. By and by she said, "I never felt a +thing," and then she smiled at him very prettily beneath the +rubber dam. McTeague turned to her suddenly, his mallet in +one hand, his pliers holding a pellet of sponge-gold in the +other. All at once he said, with the unreasoned simplicity +and directness of a child: "Listen here, Miss Trina, I like +you better than any one else; what's the matter with us +getting married?" + +Trina sat up in the chair quickly, and then drew back from +him, frightened and bewildered. + +"Will you? Will you?" said McTeague. "Say, Miss Trina, +will you?" + +"What is it? What do you mean?" she cried, confusedly, her +words muffled beneath the rubber. + +"Will you?" repeated McTeague. + +"No, no," she exclaimed, refusing without knowing why, +suddenly seized with a fear of him, the intuitive feminine +fear of the male. McTeague could only repeat the same thing +over and over again. Trina, more and more frightened at his +huge hands--the hands of the old-time car-boy--his immense +square-cut head and his enormous brute strength, cried out: +"No, no," behind the rubber dam, shaking her head violently, +holding out her hands, and shrinking down before him in the +operating chair. McTeague came nearer to her, repeating the +same question. "No, no," she cried, terrified. Then, as +she exclaimed, "Oh, I am sick," was suddenly taken with a +fit of vomiting. It was the not unusual after effect of the +ether, aided now by her excitement and nervousness. +McTeague was checked. He poured some bromide of potassium +into a graduated glass and held it to her lips. + +"Here, swallow this," he said. + + + +CHAPTER 3 + + +Once every two months Maria Macapa set the entire flat in +commotion. She roamed the building from garret to cellar, +searching each corner, ferreting through every old box and +trunk and barrel, groping about on the top shelves of +closets, peering into rag-bags, exasperating the lodgers +with her persistence and importunity. She was collecting +junks, bits of iron, stone jugs, glass bottles, old sacks, +and cast-off garments. It was one of her perquisites. She +sold the junk to Zerkow, the rags-bottles-sacks man, who +lived in a filthy den in the alley just back of the flat, +and who sometimes paid her as much as three cents a pound. +The stone jugs, however, were worth a nickel. The money +that Zerkow paid her, Maria spent on shirt waists and dotted +blue neckties, trying to dress like the girls who tended the +soda-water fountain in the candy store on the corner. She +was sick with envy of these young women. They were in the +world, they were elegant, they were debonair, they had their +"young men." + +On this occasion she presented herself at the door of Old +Grannis's room late in the afternoon. His door stood a +little open. That of Miss Baker was ajar a few inches. The +two old people were "keeping company" after their fashion. + +"Got any junk, Mister Grannis?" inquired Maria, standing +in the door, a very dirty, half-filled pillowcase over one +arm. + +"No, nothing--nothing that I can think of, Maria," replied +Old Grannis, terribly vexed at the interruption, yet not +wishing to be unkind. "Nothing I think of. Yet, however-- +perhaps--if you wish to look." + +He sat in the middle of the room before a small pine table. +His little binding apparatus was before him. In his fingers +was a huge upholsterer's needle threaded with twine, a brad- +awl lay at his elbow, on the floor beside him was a great +pile of pamphlets, the pages uncut. Old Grannis bought the +"Nation" and the "Breeder and Sportsman." In the latter he +occasionally found articles on dogs which interested him. +The former he seldom read. He could not afford to subscribe +regularly to either of the publications, but purchased their +back numbers by the score, almost solely for the pleasure he +took in binding them. + +"What you alus sewing up them books for, Mister Grannis?" +asked Maria, as she began rummaging about in Old Grannis's +closet shelves. "There's just hundreds of 'em in here on +yer shelves; they ain't no good to you." + +"Well, well," answered Old Grannis, timidly, rubbing his +chin, "I--I'm sure I can't quite say; a little habit, you +know; a diversion, a--a--it occupies one, you know. I don't +smoke; it takes the place of a pipe, perhaps." + +"Here's this old yellow pitcher," said Maria, coming out of +the closet with it in her hand. "The handle's cracked; you +don't want it; better give me it." + +Old Grannis did want the pitcher; true, he never used it +now, but he had kept it a long time, and somehow he held to +it as old people hold to trivial, worthless things that they +have had for many years. + +"Oh, that pitcher--well, Maria, I--I don't know. I'm +afraid--you see, that pitcher----" + +"Ah, go 'long," interrupted Maria Macapa, "what's the good +of it?" + +"If you insist, Maria, but I would much rather--" he rubbed +his chin, perplexed and annoyed, hating to refuse, and +wishing that Maria were gone. + +"Why, what's the good of it?" persisted Maria. He could +give no sufficient answer. "That's all right," she +asserted, carrying the pitcher out. + +"Ah--Maria--I say, you--you might leave the door--ah, don't +quite shut it--it's a bit close in here at times." Maria +grinned, and swung the door wide. Old Grannis was horribly +embarrassed; positively, Maria was becoming unbearable. + +"Got any junk?" cried Maria at Miss Baker's door. The +little old lady was sitting close to the wall in her +rocking-chair; her hands resting idly in her lap. + +"Now, Maria," she said plaintively, "you are always after +junk; you know I never have anything laying 'round like +that." + +It was true. The retired dressmaker's tiny room was a +marvel of neatness, from the little red table, with its +three Gorham spoons laid in exact parallels, to the decorous +geraniums and mignonettes growing in the starch box at the +window, underneath the fish globe with its one venerable +gold fish. That day Miss Baker had been doing a bit of +washing; two pocket handkerchiefs, still moist, adhered to +the window panes, drying in the sun. + +"Oh, I guess you got something you don't want," Maria went +on, peering into the corners of the room. "Look-a-here what +Mister Grannis gi' me," and she held out the yellow pitcher. +Instantly Miss Baker was in a quiver of confusion. Every +word spoken aloud could be perfectly heard in the next room. +What a stupid drab was this Maria! Could anything be more +trying than this position? + +"Ain't that right, Mister Grannis?" called Maria; "didn't +you gi' me this pitcher?" Old Grannis affected not to hear; +perspiration stood on his forehead; his timidity overcame +him as if he were a ten-year-old schoolboy. He half rose +from his chair, his fingers dancing nervously upon his chin. + +Maria opened Miss Baker's closet unconcernedly. "What's the +matter with these old shoes?" she exclaimed, turning about +with a pair of half-worn silk gaiters in her hand. They +were by no means old enough to throw away, but Miss +Baker was almost beside herself. There was no telling what +might happen next. Her only thought was to be rid of Maria. + +"Yes, yes, anything. You can have them; but go, go. There's +nothing else, not a thing." + +Maria went out into the hall, leaving Miss Baker's door wide +open, as if maliciously. She had left the dirty pillow-case +on the floor in the hall, and she stood outside, between the +two open doors, stowing away the old pitcher and the half- +worn silk shoes. She made remarks at the top of her voice, +calling now to Miss Baker, now to Old Grannis. In a way she +brought the two old people face to face. Each time they +were forced to answer her questions it was as if they were +talking directly to each other. + +"These here are first-rate shoes, Miss Baker. Look here, +Mister Grannis, get on to the shoes Miss Baker gi' me. You +ain't got a pair you don't want, have you? You two people +have less junk than any one else in the flat. How do you +manage, Mister Grannis? You old bachelors are just like old +maids, just as neat as pins. You two are just alike--you +and Mister Grannis--ain't you, Miss Baker?" + +Nothing could have been more horribly constrained, more +awkward. The two old people suffered veritable torture. +When Maria had gone, each heaved a sigh of unspeakable +relief. Softly they pushed to their doors, leaving open a +space of half a dozen inches. Old Grannis went back to his +binding. Miss Baker brewed a cup of tea to quiet her +nerves. Each tried to regain their composure, but in vain. +Old Grannis's fingers trembled so that he pricked them with +his needle. Miss Baker dropped her spoon twice. Their +nervousness would not wear off. They were perturbed, upset. +In a word, the afternoon was spoiled. + +Maria went on about the flat from room to room. She had +already paid Marcus Schouler a visit early that morning +before he had gone out. Marcus had sworn at her, excitedly +vociferating; "No, by damn! No, he hadn't a thing for her; +he hadn't, for a fact. It was a positive persecution. Every +day his privacy was invaded. He would complain to the +landlady, he would. He'd move out of the place." In the +end he had given Maria seven empty whiskey flasks, an iron +grate, and ten cents--the latter because he said she wore +her hair like a girl he used to know. + +After coming from Miss Baker's room Maria knocked at +McTeague's door. The dentist was lying on the bed-lounge in +his stocking feet, doing nothing apparently, gazing up at +the ceiling, lost in thought. + +Since he had spoken to Trina Sieppe, asking her so abruptly +to marry him, McTeague had passed a week of torment. For +him there was no going back. It was Trina now, and none +other. It was all one with him that his best friend, +Marcus, might be in love with the same girl. He must have +Trina in spite of everything; he would have her even in +spite of herself. He did not stop to reflect about the +matter; he followed his desire blindly, recklessly, furious +and raging at every obstacle. And she had cried "No, no!" +back at him; he could not forget that. She, so small and +pale and delicate, had held him at bay, who was so huge, so +immensely strong. + +Besides that, all the charm of their intimacy was gone. +After that unhappy sitting, Trina was no longer frank and +straight-forward. Now she was circumspect, reserved, +distant. He could no longer open his mouth; words failed +him. At one sitting in particular they had said but good- +day and good-by to each other. He felt that he was clumsy +and ungainly. He told himself that she despised him. + +But the memory of her was with him constantly. Night after +night he lay broad awake thinking of Trina, wondering about +her, racked with the infinite desire of her. His head burnt +and throbbed. The palms of his hands were dry. He dozed +and woke, and walked aimlessly about the dark room, bruising +himself against the three chairs drawn up "at attention" +under the steel engraving, and stumbling over the stone pug +dog that sat in front of the little stove. + +Besides this, the jealousy of Marcus Schouler harassed him. +Maria Macapa, coming into his "Parlor" to ask for junk, +found him flung at length upon the bed-lounge, gnawing at +his fingers in an excess of silent fury. At lunch that +day Marcus had told him of an excursion that was planned for +the next Sunday afternoon. Mr. Sieppe, Trina's father, +belonged to a rifle club that was to hold a meet at +Schuetzen Park across the bay. All the Sieppes were going; +there was to be a basket picnic. Marcus, as usual, was +invited to be one of the party. McTeague was in agony. It +was his first experience, and he suffered all the worse for +it because he was totally unprepared. What miserable +complication was this in which he found himself involved? +It seemed so simple to him since he loved Trina to take her +straight to himself, stopping at nothing, asking no +questions, to have her, and by main strength to carry her +far away somewhere, he did not know exactly where, to some +vague country, some undiscovered place where every day was +Sunday. + +"Got any junk?" + +"Huh? What? What is it?" exclaimed McTeague, suddenly +rousing up from the lounge. Often Maria did very well in +the "Dental Parlors." McTeague was continually breaking +things which he was too stupid to have mended; for him +anything that was broken was lost. Now it was a cuspidor, +now a fire-shovel for the little stove, now a China shaving +mug. + +"Got any junk?" + +"I don't know--I don't remember," muttered McTeague. Maria +roamed about the room, McTeague following her in his huge +stockinged feet. All at once she pounced upon a sheaf of +old hand instruments in a coverless cigar-box, pluggers, +hard bits, and excavators. Maria had long coveted such a +find in McTeague's "Parlor," knowing it should be somewhere +about. The instruments were of the finest tempered steel +and really valuable. + +"Say, Doctor, I can have these, can't I?" exclaimed Maria. +"You got no more use for them." McTeague was not at all sure +of this. There were many in the sheaf that might be +repaired, reshaped. + +"No, no," he said, wagging his head. But Maria Macapa, +knowing with whom she had to deal, at once let loose a +torrent of words. She made the dentist believe that he had +no right to withhold them, that he had promised to save +them for her. She affected a great indignation, pursing her +lips and putting her chin in the air as though wounded in +some finer sense, changing so rapidly from one mood to +another, filling the room with such shrill clamor, that +McTeague was dazed and benumbed. + +"Yes, all right, all right," he said, trying to make himself +heard. "It WOULD be mean. I don't want 'em." As he +turned from her to pick up the box, Maria took advantage of +the moment to steal three "mats" of sponge-gold out of the +glass saucer. Often she stole McTeague's gold, almost under +his very eyes; indeed, it was so easy to do so that there +was but little pleasure in the theft. Then Maria took +herself off. McTeague returned to the sofa and flung +himself upon it face downward. + +A little before supper time Maria completed her search. The +flat was cleaned of its junk from top to bottom. The dirty +pillow-case was full to bursting. She took advantage of the +supper hour to carry her bundle around the corner and up +into the alley where Zerkow lived. + +When Maria entered his shop, Zerkow had just come in from +his daily rounds. His decrepit wagon stood in front of his +door like a stranded wreck; the miserable horse, with its +lamentable swollen joints, fed greedily upon an armful of +spoiled hay in a shed at the back. + +The interior of the junk shop was dark and damp, and foul +with all manner of choking odors. On the walls, on the +floor, and hanging from the rafters was a world of debris, +dust-blackened, rust-corroded. Everything was there, every +trade was represented, every class of society; things of +iron and cloth and wood; all the detritus that a great city +sloughs off in its daily life. Zerkow's junk shop was the +last abiding-place, the almshouse, of such articles as had +outlived their usefulness. + +Maria found Zerkow himself in the back room, cooking some +sort of a meal over an alcohol stove. Zerkow was a Polish +Jew--curiously enough his hair was fiery red. He was a dry, +shrivelled old man of sixty odd. He had the thin, eager, +cat-like lips of the covetous; eyes that had grown keen as +those of a lynx from long searching amidst muck and +debris; and claw-like, prehensile fingers--the fingers of a +man who accumulates, but never disburses. It was impossible +to look at Zerkow and not know instantly that greed-- +inordinate, insatiable greed--was the dominant passion of +the man. He was the Man with the Rake, groping hourly in +the muck-heap of the city for gold, for gold, for gold. It +was his dream, his passion; at every instant he seemed to +feel the generous solid weight of the crude fat metal in his +palms. The glint of it was constantly in his eyes; the +jangle of it sang forever in his ears as the jangling of +cymbals. + +"Who is it? Who is it?" exclaimed Zerkow, as he heard +Maria's footsteps in the outer room. His voice was faint, +husky, reduced almost to a whisper by his prolonged habit of +street crying. + +"Oh, it's you again, is it?" he added, peering through the +gloom of the shop. "Let's see; you've been here before, +ain't you? You're the Mexican woman from Polk Street. +Macapa's your name, hey?" + +Maria nodded. "Had a flying squirrel an' let him go," she +muttered, absently. Zerkow was puzzled; he looked at her +sharply for a moment, then dismissed the matter with a +movement of his head. + +"Well, what you got for me?" he said. He left his supper to +grow cold, absorbed at once in the affair. + +Then a long wrangle began. Every bit of junk in Maria's +pillow-case was discussed and weighed and disputed. They +clamored into each other's faces over Old Grannis's cracked +pitcher, over Miss Baker's silk gaiters, over Marcus +Schouler's whiskey flasks, reaching the climax of +disagreement when it came to McTeague's instruments. + +"Ah, no, no!" shouted Maria. "Fifteen cents for the lot! I +might as well make you a Christmas present! Besides, I got +some gold fillings off him; look at um." + +Zerkow drew a quick breath as the three pellets suddenly +flashed in Maria's palm. There it was, the virgin metal, +the pure, unalloyed ore, his dream, his consuming desire. +His fingers twitched and hooked themselves into his +palms, his thin lips drew tight across his teeth. + +"Ah, you got some gold," he muttered, reaching for it. + +Maria shut her fist over the pellets. "The gold goes with +the others," she declared. "You'll gi' me a fair price for +the lot, or I'll take um back." + +In the end a bargain was struck that satisfied Maria. +Zerkow was not one who would let gold go out of his house. +He counted out to her the price of all her junk, grudging +each piece of money as if it had been the blood of his +veins. The affair was concluded. + +But Zerkow still had something to say. As Maria folded up +the pillow-case and rose to go, the old Jew said: + +"Well, see here a minute, we'll--you'll have a drink before +you go, won't you? Just to show that it's all right between +us." Maria sat down again. + +"Yes, I guess I'll have a drink," she answered. + +Zerkow took down a whiskey bottle and a red glass tumbler +with a broken base from a cupboard on the wall. The two +drank together, Zerkow from the bottle, Maria from the +broken tumbler. They wiped their lips slowly, drawing +breath again. There was a moment's silence. + +"Say," said Zerkow at last, "how about those gold dishes you +told me about the last time you were here?" + +"What gold dishes?" inquired Maria, puzzled. + +"Ah, you know," returned the other. "The plate your father +owned in Central America a long time ago. Don't you know, +it rang like so many bells? Red gold, you know, like +oranges?" + +"Ah," said Maria, putting her chin in the air as if she knew +a long story about that if she had a mind to tell it. "Ah, +yes, that gold service." + +"Tell us about it again," said Zerkow, his bloodless lower +lip moving against the upper, his claw-like fingers feeling +about his mouth and chin. "Tell us about it; go on." + +He was breathing short, his limbs trembled a little. It was +as if some hungry beast of prey had scented a quarry. Maria +still refused, putting up her head, insisting that she had +to be going. + +"Let's have it," insisted the Jew. "Take another +drink." Maria took another swallow of the whiskey. "Now, go +on," repeated Zerkow; "let's have the story." Maria squared +her elbows on the deal table, looking straight in front of +her with eyes that saw nothing. + +"Well, it was this way," she began. "It was when I was +little. My folks must have been rich, oh, rich into the +millions--coffee, I guess--and there was a large house, but +I can only remember the plate. Oh, that service of plate! +It was wonderful. There were more than a hundred pieces, +and every one of them gold. You should have seen the sight +when the leather trunk was opened. It fair dazzled your +eyes. It was a yellow blaze like a fire, like a sunset; +such a glory, all piled up together, one piece over the +other. Why, if the room was dark you'd think you could see +just the same with all that glitter there. There wa'n't a +piece that was so much as scratched; every one was like a +mirror, smooth and bright, just like a little pool when the +sun shines into it. There was dinner dishes and soup +tureens and pitchers; and great, big platters as long as +that and wide too; and cream-jugs and bowls with carved +handles, all vines and things; and drinking mugs, every one +a different shape; and dishes for gravy and sauces; and then +a great, big punch-bowl with a ladle, and the bowl was all +carved out with figures and bunches of grapes. Why, just +only that punch-bowl was worth a fortune, I guess. When all +that plate was set out on a table, it was a sight for a king +to look at. Such a service as that was! Each piece was +heavy, oh, so heavy! and thick, you know; thick, fat gold, +nothing but gold--red, shining, pure gold, orange red--and +when you struck it with your knuckle, ah, you should have +heard! No church bell ever rang sweeter or clearer. It was +soft gold, too; you could bite into it, and leave the dent +of your teeth. Oh, that gold plate! I can see it just as +plain--solid, solid, heavy, rich, pure gold; nothing but +gold, gold, heaps and heaps of it. What a service that was!" + +Maria paused, shaking her head, thinking over the vanished +splendor. Illiterate enough, unimaginative enough on all +other subjects, her distorted wits called up this picture +with marvellous distinctness. It was plain she saw the +plate clearly. Her description was accurate, was almost +eloquent. + +Did that wonderful service of gold plate ever exist outside +of her diseased imagination? Was Maria actually remembering +some reality of a childhood of barbaric luxury? Were her +parents at one time possessed of an incalculable fortune +derived from some Central American coffee plantation, a +fortune long since confiscated by armies of +insurrectionists, or squandered in the support of +revolutionary governments? + +It was not impossible. Of Maria Macapa's past prior to the +time of her appearance at the "flat" absolutely nothing +could be learned. She suddenly appeared from the unknown, a +strange woman of a mixed race, sane on all subjects but that +of the famous service of gold plate; but unusual, complex, +mysterious, even at her best. + +But what misery Zerkow endured as he listened to her tale! +For he chose to believe it, forced himself to believe it, +lashed and harassed by a pitiless greed that checked at no +tale of treasure, however preposterous. The story ravished +him with delight. He was near someone who had possessed +this wealth. He saw someone who had seen this pile of gold. +He seemed near it; it was there, somewhere close by, under +his eyes, under his fingers; it was red, gleaming, +ponderous. He gazed about him wildly; nothing, nothing but +the sordid junk shop and the rust-corroded tins. What +exasperation, what positive misery, to be so near to it and +yet to know that it was irrevocably, irretrievably lost! A +spasm of anguish passed through him. He gnawed at his +bloodless lips, at the hopelessness of it, the rage, the +fury of it. + +"Go on, go on," he whispered; "let's have it all over again. +Polished like a mirror, hey, and heavy? Yes, I know, I +know. A punch-bowl worth a fortune. Ah! and you saw it, +you had it all!" + +Maria rose to go. Zerkow accompanied her to the door, +urging another drink upon her. + +"Come again, come again," he croaked. "Don't wait till +you've got junk; come any time you feel like it, and tell me +more about the plate." + +He followed her a step down the alley. + +"How much do you think it was worth?" he inquired, +anxiously. + +"Oh, a million dollars," answered Maria, vaguely. + +When Maria had gone, Zerkow returned to the back room of the +shop, and stood in front of the alcohol stove, looking down +into his cold dinner, preoccupied, thoughtful. + +"A million dollars," he muttered in his rasping, guttural +whisper, his finger-tips wandering over his thin, cat-like +lips. "A golden service worth a million dollars; a punch- +bowl worth a fortune; red gold plates, heaps and piles. +God!" + + + +CHAPTER 4 + + +The days passed. McTeague had finished the operation on +Trina's teeth. She did not come any more to the "Parlors." +Matters had readjusted themselves a little between the two +during the last sittings. Trina yet stood upon her reserve, +and McTeague still felt himself shambling and ungainly in +her presence; but that constraint and embarrassment that had +followed upon McTeague's blundering declaration broke up +little by little. In spite of themselves they were +gradually resuming the same relative positions they had +occupied when they had first met. + +But McTeague suffered miserably for all that. He never +would have Trina, he saw that clearly. She was too good for +him; too delicate, too refined, too prettily made for him, +who was so coarse, so enormous, so stupid. She was for +someone else--Marcus, no doubt--or at least for some finer- +grained man. She should have gone to some other dentist; +the young fellow on the corner, for instance, the poser, the +rider of bicycles, the courser of grey-hounds. McTeague +began to loathe and to envy this fellow. He spied upon him +going in and out of his office, and noted his salmon-pink +neckties and his astonishing waistcoats. + +One Sunday, a few days after Trina's last sitting, McTeague +met Marcus Schouler at his table in the car conductors' +coffee-joint, next to the harness shop. + +"What you got to do this afternoon, Mac?" inquired the +other, as they ate their suet pudding. + +"Nothing, nothing," replied McTeague, shaking his head. His +mouth was full of pudding. It made him warm to eat, and +little beads of perspiration stood across the bridge of his +nose. He looked forward to an afternoon passed in his +operating chair as usual. On leaving his "Parlors" he had +put ten cents into his pitcher and had left it at Frenna's +to be filled. + +"What do you say we take a walk, huh?" said Marcus. "Ah, +that's the thing--a walk, a long walk, by damn! It'll be +outa sight. I got to take three or four of the dogs out for +exercise, anyhow. Old Grannis thinks they need ut. We'll +walk out to the Presidio." + +Of late it had become the custom of the two friends to take +long walks from time to time. On holidays and on those +Sunday afternoons when Marcus was not absent with the +Sieppes they went out together, sometimes to the park, +sometimes to the Presidio, sometimes even across the bay. +They took a great pleasure in each other's company, but +silently and with reservation, having the masculine horror +of any demonstration of friendship. + +They walked for upwards of five hours that afternoon, out +the length of California Street, and across the Presidio +Reservation to the Golden Gate. Then they turned, and, +following the line of the shore, brought up at the Cliff +House. Here they halted for beer, Marcus swearing that his +mouth was as dry as a hay-bin. Before starting on their +walk they had gone around to the little dog hospital, and +Marcus had let out four of the convalescents, crazed with +joy at the release. + +"Look at that dog," he cried to McTeague, showing him a +finely-bred Irish setter. "That's the dog that belonged +to the duck on the avenue, the dog we called for that day. +I've bought 'um. The duck thought he had the distemper, and +just threw 'um away. Nothun wrong with 'um but a little +catarrh. Ain't he a bird? Say, ain't he a bird? Look at +his flag; it's perfect; and see how he carries his tail on a +line with his back. See how stiff and white his whiskers +are. Oh, by damn! you can't fool me on a dog. That dog's a +winner." + +At the Cliff House the two sat down to their beer in a quiet +corner of the billiard-room. There were but two players. +Somewhere in another part of the building a mammoth music- +box was jangling out a quickstep. From outside came the +long, rhythmical rush of the surf and the sonorous barking +of the seals upon the seal rocks. The four dogs curled +themselves down upon the sanded floor. + +"Here's how," said Marcus, half emptying his glass. "Ah-h!" +he added, with a long breath, "that's good; it is, for a +fact." + +For the last hour of their walk Marcus had done nearly all +the talking. McTeague merely answering him by uncertain +movements of the head. For that matter, the dentist had +been silent and preoccupied throughout the whole afternoon. +At length Marcus noticed it. As he set down his glass with +a bang he suddenly exclaimed: + +"What's the matter with you these days, Mac? You got a bean +about somethun, hey? Spit ut out." + +"No, no," replied McTeague, looking about on the floor, +rolling his eyes; "nothing, no, no." + +"Ah, rats!" returned the other. McTeague kept silence. The +two billiard players departed. The huge music-box struck +into a fresh tune. + +"Huh!" exclaimed Marcus, with a short laugh, "guess you're +in love." + +McTeague gasped, and shuffled his enormous feet under the +table. + +"Well, somethun's bitun you, anyhow," pursued Marcus. +"Maybe I can help you. We're pals, you know. Better tell +me what's up; guess we can straighten ut out. Ah, go +on; spit ut out." + +The situation was abominable. McTeague could not rise to +it. Marcus was his best friend, his only friend. They were +"pals" and McTeague was very fond of him. Yet they were +both in love, presumably, with the same girl, and now Marcus +would try and force the secret out of him; would rush +blindly at the rock upon which the two must split, stirred +by the very best of motives, wishing only to be of service. +Besides this, there was nobody to whom McTeague would have +better preferred to tell his troubles than to Marcus, and +yet about this trouble, the greatest trouble of his life, he +must keep silent; must refrain from speaking of it to Marcus +above everybody. + +McTeague began dimly to feel that life was too much for him. +How had it all come about? A month ago he was perfectly +content; he was calm and peaceful, taking his little +pleasures as he found them. His life had shaped itself; +was, no doubt, to continue always along these same lines. A +woman had entered his small world and instantly there was +discord. The disturbing element had appeared. Wherever the +woman had put her foot a score of distressing complications +had sprung up, like the sudden growth of strange and +puzzling flowers. + +"Say, Mac, go on; let's have ut straight," urged Marcus, +leaning toward him. "Has any duck been doing you dirt?" he +cried, his face crimson on the instant. + +"No," said McTeague, helplessly. + +"Come along, old man," persisted Marcus; "let's have ut. +What is the row? I'll do all I can to help you." + +It was more than McTeague could bear. The situation had got +beyond him. Stupidly he spoke, his hands deep in his +pockets, his head rolled forward. + +"It's--it's Miss Sieppe," he said. + +"Trina, my cousin? How do you mean?" inquired Marcus +sharply. + +"I--I--I don' know," stammered McTeague, hopelessly +confounded. + +"You mean," cried Marcus, suddenly enlightened, "that +you are--that you, too." + +McTeague stirred in his chair, looking at the walls of the +room, avoiding the other's glance. He nodded his head, then +suddenly broke out: + +"I can't help it. It ain't my fault, is it?" + +Marcus was struck dumb; he dropped back in his chair +breathless. Suddenly McTeague found his tongue. + +"I tell you, Mark, I can't help it. I don't know how it +happened. It came on so slow that I was, that--that--that +it was done before I knew it, before I could help myself. I +know we're pals, us two, and I knew how--how you and Miss +Sieppe were. I know now, I knew then; but that wouldn't +have made any difference. Before I knew it--it--it--there I +was. I can't help it. I wouldn't 'a' had ut happen for +anything, if I could 'a' stopped it, but I don' know, it's +something that's just stronger than you are, that's all. +She came there--Miss Sieppe came to the parlors there three +or four times a week, and she was the first girl I had ever +known,--and you don' know! Why, I was so close to her I +touched her face every minute, and her mouth, and smelt her +hair and her breath--oh, you don't know anything about it. +I can't give you any idea. I don' know exactly myself; I +only know how I'm fixed. I--I--it's been done; it's too +late, there's no going back. Why, I can't think of anything +else night and day. It's everything. It's--it's--oh, it's +everything! I--I--why, Mark, it's everything--I can't +explain." He made a helpless movement with both hands. + +Never had McTeague been so excited; never had he made so +long a speech. His arms moved in fierce, uncertain +gestures, his face flushed, his enormous jaws shut together +with a sharp click at every pause. It was like some +colossal brute trapped in a delicate, invisible mesh, +raging, exasperated, powerless to extricate himself. + +Marcus Schouler said nothing. There was a long silence. +Marcus got up and walked to the window and stood looking +out, but seeing nothing. "Well, who would have thought of +this?" he muttered under his breath. Here was a fix. +Marcus cared for Trina. There was no doubt in his mind +about that. He looked forward eagerly to the Sunday +afternoon excursions. He liked to be with Trina. He, too, +felt the charm of the little girl--the charm of the small, +pale forehead; the little chin thrust out as if in +confidence and innocence; the heavy, odorous crown of black +hair. He liked her immensely. Some day he would speak; he +would ask her to marry him. Marcus put off this matter of +marriage to some future period; it would be some time--a +year, perhaps, or two. The thing did not take definite +shape in his mind. Marcus "kept company" with his cousin +Trina, but he knew plenty of other girls. For the matter of +that, he liked all girls pretty well. Just now the +singleness and strength of McTeague's passion startled him. +McTeague would marry Trina that very afternoon if she would +have him; but would he--Marcus? No, he would not; if it +came to that, no, he would not. Yet he knew he liked Trina. +He could say--yes, he could say--he loved her. She was his +"girl." The Sieppes acknowledged him as Trina's "young +man." Marcus came back to the table and sat down sideways +upon it. + +"Well, what are we going to do about it, Mac?" he said. + +"I don' know," answered McTeague, in great distress. "I +don' want anything to--to come between us, Mark." + +"Well, nothun will, you bet!" vociferated the other. "No, +sir; you bet not, Mac." + +Marcus was thinking hard. He could see very clearly that +McTeague loved Trina more than he did; that in some strange +way this huge, brutal fellow was capable of a greater +passion than himself, who was twice as clever. Suddenly +Marcus jumped impetuously to a resolution. + +"Well, say, Mac," he cried, striking the table with his +fist, "go ahead. I guess you--you want her pretty bad. I'll +pull out; yes, I will. I'll give her up to you, old man." + +The sense of his own magnanimity all at once overcame +Marcus. He saw himself as another man, very noble, self- +sacrificing; he stood apart and watched this second self +with boundless admiration and with infinite pity. He +was so good, so magnificent, so heroic, that he almost +sobbed. Marcus made a sweeping gesture of resignation, +throwing out both his arms, crying: + +"Mac, I'll give her up to you. I won't stand between you." +There were actually tears in Marcus's eyes as he spoke. +There was no doubt he thought himself sincere. At that +moment he almost believed he loved Trina conscientiously, +that he was sacrificing himself for the sake of his friend. +The two stood up and faced each other, gripping hands. It +was a great moment; even McTeague felt the drama of it. +What a fine thing was this friendship between men! the +dentist treats his friend for an ulcerated tooth and refuses +payment; the friend reciprocates by giving up his girl. +This was nobility. Their mutual affection and esteem +suddenly increased enormously. It was Damon and Pythias; it +was David and Jonathan; nothing could ever estrange them. +Now it was for life or death. + +"I'm much obliged," murmured McTeague. He could think of +nothing better to say. "I'm much obliged," he repeated; +"much obliged, Mark." + +"That's all right, that's all right," returned Marcus +Schouler, bravely, and it occurred to him to add, "You'll be +happy together. Tell her for me--tell her---tell her----" +Marcus could not go on. He wrung the dentist's hand +silently. + +It had not appeared to either of them that Trina might +refuse McTeague. McTeague's spirits rose at once. In +Marcus's withdrawal he fancied he saw an end to all his +difficulties. Everything would come right, after all. The +strained, exalted state of Marcus's nerves ended by putting +him into fine humor as well. His grief suddenly changed to +an excess of gaiety. The afternoon was a success. They +slapped each other on the back with great blows of the open +palms, and they drank each other's health in a third round +of beer. + +Ten minutes after his renunciation of Trina Sieppe, Marcus +astounded McTeague with a tremendous feat. + +"Looka here, Mac. I know somethun you can't do. I'll bet +you two bits I'll stump you." They each put a quarter on +the table. "Now watch me," cried Marcus. He caught up +a billiard ball from the rack, poised it a moment in front +of his face, then with a sudden, horrifying distension of +his jaws crammed it into his mouth, and shut his lips over +it. + +For an instant McTeague was stupefied, his eyes bulging. +Then an enormous laugh shook him. He roared and shouted, +swaying in his chair, slapping his knee. What a josher was +this Marcus! Sure, you never could tell what he would do +next. Marcus slipped the ball out, wiped it on the +tablecloth, and passed it to McTeague. + +"Now let's see you do it." + +McTeague fell suddenly grave. The matter was serious. He +parted his thick mustaches and opened his enormous jaws like +an anaconda. The ball disappeared inside his mouth. Marcus +applauded vociferously, shouting, "Good work!" McTeague +reached for the money and put it in his vest pocket, nodding +his head with a knowing air. + +Then suddenly his face grew purple, his jaws moved +convulsively, he pawed at his cheeks with both hands. The +billiard ball had slipped into his mouth easily enough; now, +however, he could not get it out again. + +It was terrible. The dentist rose to his feet, stumbling +about among the dogs, his face working, his eyes starting. +Try as he would, he could not stretch his jaws wide enough +to slip the ball out. Marcus lost his wits, swearing at the +top of his voice. McTeague sweated with terror; +inarticulate sounds came from his crammed mouth; he waved +his arms wildly; all the four dogs caught the excitement and +began to bark. A waiter rushed in, the two billiard players +returned, a little crowd formed. There was a veritable +scene. + +All at once the ball slipped out of McTeague's jaws as +easily as it had gone in. What a relief! He dropped into a +chair, wiping his forehead, gasping for breath. + +On the strength of the occasion Marcus Schouler invited the +entire group to drink with him. + +By the time the affair was over and the group dispersed it +was after five. Marcus and McTeague decided they would +ride home on the cars. But they soon found this impossible. +The dogs would not follow. Only Alexander, Marcus's new +setter, kept his place at the rear of the car. The other +three lost their senses immediately, running wildly about +the streets with their heads in the air, or suddenly +starting off at a furious gallop directly away from the car. +Marcus whistled and shouted and lathered with rage in vain. +The two friends were obliged to walk. When they finally +reached Polk Street, Marcus shut up the three dogs in the +hospital. Alexander he brought back to the flat with him. + +There was a minute back yard in the rear, where Marcus had +made a kennel for Alexander out of an old water barrel. +Before he thought of his own supper Marcus put Alexander to +bed and fed him a couple of dog biscuits. McTeague had +followed him to the yard to keep him company. Alexander +settled to his supper at once, chewing vigorously at the +biscuit, his head on one side. + +"What you going to do about this--about that--about--about +my cousin now, Mac?" inquired Marcus. + +McTeague shook his head helplessly. It was dark by now and +cold. The little back yard was grimy and full of odors. +McTeague was tired with their long walk. All his uneasiness +about his affair with Trina had returned. No, surely she +was not for him. Marcus or some other man would win her in +the end. What could she ever see to desire in him--in him, +a clumsy giant, with hands like wooden mallets? She had +told him once that she would not marry him. Was that not +final? + +"I don' know what to do, Mark," he said. + +"Well, you must make up to her now," answered Marcus. "Go +and call on her." + +McTeague started. He had not thought of calling on her. +The idea frightened him a little. + +"Of course," persisted Marcus, "that's the proper caper. +What did you expect? Did you think you was never going to +see her again?" + +"I don' know, I don' know," responded the dentist, looking +stupidly at the dog. + +"You know where they live," continued Marcus Schouler. +"Over at B Street station, across the bay. I'll take you +over there whenever you want to go. I tell you what, we'll +go over there Washington's Birthday. That's this next +Wednesday; sure, they'll be glad to see you." It was good of +Marcus. All at once McTeague rose to an appreciation of +what his friend was doing for him. He stammered: + +"Say, Mark--you're--you're all right, anyhow." + +"Why, pshaw!" said Marcus. "That's all right, old man. I'd +like to see you two fixed, that's all. We'll go over +Wednesday, sure." + +They turned back to the house. Alexander left off eating +and watched them go away, first with one eye, then with the +other. But he was too self-respecting to whimper. However, +by the time the two friends had reached the second landing +on the back stairs a terrible commotion was under way in the +little yard. They rushed to an open window at the end of the +hall and looked down. + +A thin board fence separated the flat's back yard from that +used by the branch post-office. In the latter place lived a +collie dog. He and Alexander had smelt each other out, +blowing through the cracks of the fence at each other. +Suddenly the quarrel had exploded on either side of the +fence. The dogs raged at each other, snarling and barking, +frantic with hate. Their teeth gleamed. They tore at the +fence with their front paws. They filled the whole night +with their clamor. + +"By damn!" cried Marcus, "they don't love each other. Just +listen; wouldn't that make a fight if the two got together? +Have to try it some day." + + + +CHAPTER 5 + + +Wednesday morning, Washington's Birthday, McTeague rose very +early and shaved himself. Besides the six mournful +concertina airs, the dentist knew one song. Whenever he +shaved, he sung this song; never at any other time. His +voice was a bellowing roar, enough to make the window sashes +rattle. Just now he woke up all the lodgers in his hall +with it. It was a lamentable wail: + + + "No one to love, none to caress, + Left all alone in this world's wilderness." + + +As he paused to strop his razor, Marcus came into his room, +half-dressed, a startling phantom in red flannels. + +Marcus often ran back and forth between his room and the +dentist's "Parlors" in all sorts of undress. Old Miss Baker +had seen him thus several times through her half-open door, +as she sat in her room listening and waiting. The old +dressmaker was shocked out of all expression. She was +outraged, offended, pursing her lips, putting up her head. +She talked of complaining to the landlady. "And Mr. Grannis +right next door, too. You can understand how trying it is +for both of us." She would come out in the hall after one +of these apparitions, her little false curls shaking, +talking loud and shrill to any one in reach of her voice. + +"Well," Marcus would shout, "shut your door, then, if you +don't want to see. Look out, now, here I come again. Not +even a porous plaster on me this time." + +On this Wednesday morning Marcus called McTeague out into +the hall, to the head of the stairs that led down to the +street door. + +"Come and listen to Maria, Mac," said he. + +Maria sat on the next to the lowest step, her chin +propped by her two fists. The red-headed Polish Jew, the +ragman Zerkow, stood in the doorway. He was talking +eagerly. + +"Now, just once more, Maria," he was saying. "Tell it to us +just once more." Maria's voice came up the stairway in a +monotone. Marcus and McTeague caught a phrase from time to +time. + +"There were more than a hundred pieces, and every one of +them gold--just that punch-bowl was worth a fortune-thick, +fat, red gold." + +"Get onto to that, will you?" observed Marcus. "The old +skin has got her started on the plate. Ain't they a pair +for you?" + +"And it rang like bells, didn't it?" prompted Zerkow. + +"Sweeter'n church bells, and clearer." + +"Ah, sweeter'n bells. Wasn't that punch-bowl awful heavy?" + +"All you could do to lift it." + +"I know. Oh, I know," answered Zerkow, clawing at his lips. +"Where did it all go to? Where did it go?" + +Maria shook her head. + +"It's gone, anyhow." + +"Ah, gone, gone! Think of it! The punch-bowl gone, and the +engraved ladle, and the plates and goblets. What a sight it +must have been all heaped together!" + +"It was a wonderful sight." + +"Yes, wonderful; it must have been." + +On the lower steps of that cheap flat, the Mexican woman and +the red-haired Polish Jew mused long over that vanished, +half-mythical gold plate. + +Marcus and the dentist spent Washington's Birthday across +the bay. The journey over was one long agony to McTeague. +He shook with a formless, uncertain dread; a dozen times he +would have turned back had not Marcus been with him. The +stolid giant was as nervous as a schoolboy. He fancied that +his call upon Miss Sieppe was an outrageous affront. She +would freeze him with a stare; he would be shown the door, +would be ejected, disgraced. + +As they got off the local train at B Street station they +suddenly collided with the whole tribe of Sieppes--the +mother, father, three children, and Trina--equipped for +one of their eternal picnics. They were to go to Schuetzen +Park, within walking distance of the station. They were +grouped about four lunch baskets. One of the children, a +little boy, held a black greyhound by a rope around its +neck. Trina wore a blue cloth skirt, a striped shirt waist, +and a white sailor; about her round waist was a belt of +imitation alligator skin. + +At once Mrs. Sieppe began to talk to Marcus. He had written +of their coming, but the picnic had been decided upon after +the arrival of his letter. Mrs. Sieppe explained this to +him. She was an immense old lady with a pink face and +wonderful hair, absolutely white. The Sieppes were a +German-Swiss family. + +"We go to der park, Schuetzen Park, mit alle dem childern, a +little eggs-kursion, eh not soh? We breathe der freshes +air, a celubration, a pignic bei der seashore on. Ach, dot +wull be soh gay, ah?" + +"You bet it will. It'll be outa sight," cried Marcus, +enthusiastic in an instant. "This is m' friend Doctor +McTeague I wrote you about, Mrs. Sieppe." + +"Ach, der doktor," cried Mrs. Sieppe. + +McTeague was presented, shaking hands gravely as Marcus +shouldered him from one to the other. + +Mr. Sieppe was a little man of a military aspect, full of +importance, taking himself very seriously. He was a member +of a rifle team. Over his shoulder was slung a Springfield +rifle, while his breast was decorated by five bronze medals. + +Trina was delighted. McTeague was dumfounded. She appeared +positively glad to see him. + +"How do you do, Doctor McTeague," she said, smiling at him +and shaking his hand. "It's nice to see you again. Look, +see how fine my filling is." She lifted a corner of her lip +and showed him the clumsy gold bridge. + +Meanwhile, Mr. Sieppe toiled and perspired. Upon him +devolved the responsibility of the excursion. He seemed to +consider it a matter of vast importance, a veritable +expedition. + +"Owgooste!" he shouted to the little boy with the black +greyhound, "you will der hound und basket number three +carry. Der tervins," he added, calling to the two smallest +boys, who were dressed exactly alike, "will releef one +unudder mit der camp-stuhl und basket number four. Dat is +comprehend, hay? When we make der start, you childern will +in der advance march. Dat is your orders. But we do not +start," he exclaimed, excitedly; "we remain. Ach Gott, +Selina, who does not arrive." + +Selina, it appeared, was a niece of Mrs. Sieppe's. They were +on the point of starting without her, when she suddenly +arrived, very much out of breath. She was a slender, +unhealthy looking girl, who overworked herself giving +lessons in hand-painting at twenty-five cents an hour. +McTeague was presented. They all began to talk at once, +filling the little station-house with a confusion of +tongues. + +"Attention!" cried Mr. Sieppe, his gold-headed cane in one +hand, his Springfield in the other. "Attention! We +depart." The four little boys moved off ahead; the +greyhound suddenly began to bark, and tug at his leash. The +others picked up their bundles. + +"Vorwarts!" shouted Mr. Sieppe, waving his rifle and +assuming the attitude of a lieutenant of infantry leading a +charge. The party set off down the railroad track. + +Mrs. Sieppe walked with her husband, who constantly left her +side to shout an order up and down the line. Marcus +followed with Selina. McTeague found himself with Trina at +the end of the procession. + +"We go off on these picnics almost every week," said Trina, +by way of a beginning, "and almost every holiday, too. It +is a custom." + +"Yes, yes, a custom," answered McTeague, nodding; "a custom +--that's the word." + +"Don't you think picnics are fine fun, Doctor McTeague?" she +continued. "You take your lunch; you leave the dirty city +all day; you race about in the open air, and when lunchtime +comes, oh, aren't you hungry? And the woods and the grass +smell so fine!" + +"I don' know, Miss Sieppe," he answered, keeping his eyes +fixed on the ground between the rails. "I never went on +a picnic." + +"Never went on a picnic?" she cried, astonished. "Oh, +you'll see what fun we'll have. In the morning father and +the children dig clams in the mud by the shore, an' we bake +them, and--oh, there's thousands of things to do." + +"Once I went sailing on the bay," said McTeague. "It was in +a tugboat; we fished off the heads. I caught three +codfishes." + +"I'm afraid to go out on the bay," answered Trina, shaking +her head, "sailboats tip over so easy. A cousin of mine, +Selina's brother, was drowned one Decoration Day. They +never found his body. Can you swim, Doctor McTeague?" + +"I used to at the mine." + +"At the mine? Oh, yes, I remember, Marcus told me you were a +miner once." + +"I was a car-boy; all the car-boys used to swim in the +reservoir by the ditch every Thursday evening. One of them +was bit by a rattlesnake once while he was dressing. He was +a Frenchman, named Andrew. He swelled up and began to +twitch." + +"Oh, how I hate snakes! They're so crawly and graceful-- +but, just the same, I like to watch them. You know that +drug store over in town that has a showcase full of live +ones?" + +"We killed the rattler with a cart whip." + +"How far do you think you could swim? Did you ever try? +D'you think you could swim a mile?" + +"A mile? I don't know. I never tried. I guess I could." + +"I can swim a little. Sometimes we all go out to the +Crystal Baths." + +"The Crystal Baths, huh? Can you swim across the tank?" + +"Oh, I can swim all right as long as papa holds my chin up. +Soon as he takes his hand away, down I go. Don't you hate +to get water in your ears?" + +"Bathing's good for you." + +"If the water's too warm, it isn't. It weakens you." + +Mr. Sieppe came running down the tracks, waving his cane. + +"To one side," he shouted, motioning them off the track; +"der drain gomes." A local passenger train was just passing +B Street station, some quarter of a mile behind them. +The party stood to one side to let it pass. Marcus put a +nickel and two crossed pins upon the rail, and waved his hat +to the passengers as the train roared past. The children +shouted shrilly. When the train was gone, they all rushed +to see the nickel and the crossed pins. The nickel had been +jolted off, but the pins had been flattened out so that they +bore a faint resemblance to opened scissors. A great +contention arose among the children for the possession of +these "scissors." Mr. Sieppe was obliged to intervene. He +reflected gravely. It was a matter of tremendous moment. +The whole party halted, awaiting his decision. + +"Attend now," he suddenly exclaimed. "It will not be soh +soon. At der end of der day, ven we shall have home +gecommen, den wull it pe adjudge, eh? A REward of merit +to him who der bes' pehaves. It is an order. Vorwarts!" + +"That was a Sacramento train," said Marcus to Selina as they +started off; "it was, for a fact." + +"I know a girl in Sacramento," Trina told McTeague. "She's +forewoman in a glove store, and she's got consumption." + +"I was in Sacramento once," observed McTeague, "nearly eight +years ago." + +"Is it a nice place--as nice as San Francisco?" + +"It's hot. I practised there for a while." + +"I like San Francisco," said Trina, looking across the bay +to where the city piled itself upon its hills. + +"So do I," answered McTeague. "Do you like it better than +living over here?" + +"Oh, sure, I wish we lived in the city. If you want to go +across for anything it takes up the whole day." + +"Yes, yes, the whole day--almost." + +"Do you know many people in the city? Do you know anybody +named Oelbermann? That's my uncle. He has a wholesale toy +store in the Mission. They say he's awful rich." + +"No, I don' know him." + +"His stepdaughter wants to be a nun. Just fancy! And Mr. +Oelbermann won't have it. He says it would be just like +burying his child. Yes, she wants to enter the convent +of the Sacred Heart. Are you a Catholic, Doctor McTeague?" + +"No. No, I--" + +"Papa is a Catholic. He goes to Mass on the feast days once +in a while. But mamma's Lutheran." + +"The Catholics are trying to get control of the schools," +observed McTeague, suddenly remembering one of Marcus's +political tirades. + +"That's what cousin Mark says. We are going to send the +twins to the kindergarten next month." + +"What's the kindergarten?" + +"Oh, they teach them to make things out of straw and +toothpicks--kind of a play place to keep them off the +street." + +"There's one up on Sacramento Street, not far from Polk +Street. I saw the sign." + +"I know where. Why, Selina used to play the piano there." + +"Does she play the piano?" + +"Oh, you ought to hear her. She plays fine. Selina's very +accomplished. She paints, too." + +"I can play on the concertina." + +"Oh, can you? I wish you'd brought it along. Next time you +will. I hope you'll come often on our picnics. You'll see +what fun we'll have." + +"Fine day for a picnic, ain't it? There ain't a cloud." + +"That's so," exclaimed Trina, looking up, "not a single +cloud. Oh, yes; there is one, just over Telegraph Hill." + +"That's smoke." + +"No, it's a cloud. Smoke isn't white that way." + +"'Tis a cloud." + +"I knew I was right. I never say a thing unless I'm pretty +sure." + +"It looks like a dog's head." + +"Don't it? Isn't Marcus fond of dogs?" + +"He got a new dog last week--a setter." + +"Did he?" + +"Yes. He and I took a lot of dogs from his hospital out +for a walk to the Cliff House last Sunday, but we had to +walk all the way home, because they wouldn't follow. You've +been out to the Cliff House?" + +"Not for a long time. We had a picnic there one Fourth of +July, but it rained. Don't you love the ocean?" + +"Yes--yes, I like it pretty well." + +"Oh, I'd like to go off in one of those big sailing ships. +Just away, and away, and away, anywhere. They're different +from a little yacht. I'd love to travel." + +"Sure; so would I." + +"Papa and mamma came over in a sailing ship. They were +twenty-one days. Mamma's uncle used to be a sailor. He was +captain of a steamer on Lake Geneva, in Switzerland." + +"Halt!" shouted Mr. Sieppe, brandishing his rifle. They had +arrived at the gates of the park. All at once McTeague +turned cold. He had only a quarter in his pocket. What was +he expected to do--pay for the whole party, or for Trina and +himself, or merely buy his own ticket? And even in this +latter case would a quarter be enough? He lost his wits, +rolling his eyes helplessly. Then it occurred to him to +feign a great abstraction, pretending not to know that the +time was come to pay. He looked intently up and down the +tracks; perhaps a train was coming. "Here we are," cried +Trina, as they came up to the rest of the party, crowded +about the entrance. "Yes, yes," observed McTeague, his head +in the air. + +"Gi' me four bits, Mac," said Marcus, coming up. "Here's +where we shell out." + +"I--I--I only got a quarter," mumbled the dentist, +miserably. He felt that he had ruined himself forever with +Trina. What was the use of trying to win her? Destiny was +against him. "I only got a quarter," he stammered. He was +on the point of adding that he would not go in the park. +That seemed to be the only alternative. + +"Oh, all right!" said Marcus, easily. "I'll pay for you, +and you can square with me when we go home." + +They filed into the park, Mr. Sieppe counting them off +as they entered. + +"Ah," said Trina, with a long breath, as she and McTeague +pushed through the wicket, "here we are once more, Doctor." +She had not appeared to notice McTeague's embarrassment. +The difficulty had been tided over somehow. Once more +McTeague felt himself saved. + +"To der beach!" shouted Mr. Sieppe. They had checked their +baskets at the peanut stand. The whole party trooped down +to the seashore. The greyhound was turned loose. The +children raced on ahead. + +From one of the larger parcels Mrs. Sieppe had drawn forth a +small tin steamboat--August's birthday present--a gaudy +little toy which could be steamed up and navigated by means +of an alcohol lamp. Her trial trip was to be made this +morning. + +"Gi' me it, gi' me it," shouted August, dancing around his +father. + +"Not soh, not soh," cried Mr. Sieppe, bearing it aloft. "I +must first der eggsperimunt make." + +"No, no!" wailed August. "I want to play with ut." + +"Obey!" thundered Mr. Sieppe. August subsided. A little +jetty ran part of the way into the water. Here, after a +careful study of the directions printed on the cover of the +box, Mr. Sieppe began to fire the little boat. + +"I want to put ut in the wa-ater," cried August. + +"Stand back!" shouted his parent. "You do not know so well +as me; dere is dandger. Mitout attention he will +eggsplode." + +"I want to play with ut," protested August, beginning to +cry. + +"Ach, soh; you cry, bube!" vociferated Mr. Sieppe. "Mommer," +addressing Mrs. Sieppe, "he will soh soon be ge-whipt, eh?" + +"I want my boa-wut," screamed August, dancing. + +"Silence!" roared Mr. Sieppe. The little boat began to hiss +and smoke. + +"Soh," observed the father, "he gommence. Attention! I put +him in der water." He was very excited. The perspiration +dripped from the back of his neck. The little boat was +launched. It hissed more furiously than ever. Clouds +of steam rolled from it, but it refused to move. + +"You don't know how she wo-rks," sobbed August. + +"I know more soh mudge as der grossest liddle fool as you," +cried Mr. Sieppe, fiercely, his face purple. + +"You must give it sh--shove!" exclaimed the boy. + +"Den he eggsplode, idiot!" shouted his father. All at once +the boiler of the steamer blew up with a sharp crack. The +little tin toy turned over and sank out of sight before any +one could interfere. + +"Ah--h! Yah! Yah!" yelled August. "It's go-one!" + +Instantly Mr. Sieppe boxed his ears. There was a lamentable +scene. August rent the air with his outcries; his father +shook him till his boots danced on the jetty, shouting into +his face: + +"Ach, idiot! Ach, imbecile! Ach, miserable! I tol' you he +eggsplode. Stop your cry. Stop! It is an order. Do you +wish I drow you in der water, eh? Speak. Silence, bube! +Mommer, where ist mein stick? He will der grossest whippun +ever of his life receive." + +Little by little the boy subsided, swallowing his sobs, +knuckling his eyes, gazing ruefully at the spot where the +boat had sunk. "Dot is better soh," commented Mr. Sieppe, +finally releasing him. "Next dime berhaps you will your +fat'er better pelief. Now, no more. We will der glams ge- +dig, Mommer, a fire. Ach, himmel! we have der pfeffer +forgotten." + +The work of clam digging began at once, the little boys +taking off their shoes and stockings. At first August +refused to be comforted, and it was not until his father +drove him into the water with his gold-headed cane that he +consented to join the others. + +What a day that was for McTeague! What a never-to-be- +forgotten day! He was with Trina constantly. They laughed +together--she demurely, her lips closed tight, her little +chin thrust out, her small pale nose, with its adorable +little freckles, wrinkling; he roared with all the force of +his lungs, his enormous mouth distended, striking sledge- +hammer blows upon his knee with his clenched fist. + +The lunch was delicious. Trina and her mother made a +clam chowder that melted in one's mouth. The lunch baskets +were emptied. The party were fully two hours eating. There +were huge loaves of rye bread full of grains of chickweed. +There were weiner-wurst and frankfurter sausages. There was +unsalted butter. There were pretzels. There was cold +underdone chicken, which one ate in slices, plastered with a +wonderful kind of mustard that did not sting. There were +dried apples, that gave Mr. Sieppe the hiccoughs. There +were a dozen bottles of beer, and, last of all, a crowning +achievement, a marvellous Gotha truffle. After lunch came +tobacco. Stuffed to the eyes, McTeague drowsed over his +pipe, prone on his back in the sun, while Trina, Mrs. +Sieppe, and Selina washed the dishes. In the afternoon Mr. +Sieppe disappeared. They heard the reports of his rifle on +the range. The others swarmed over the park, now around the +swings, now in the Casino, now in the museum, now invading +the merry-go-round. + +At half-past five o'clock Mr. Sieppe marshalled the party +together. It was time to return home. + +The family insisted that Marcus and McTeague should take +supper with them at their home and should stay over night. +Mrs. Sieppe argued they could get no decent supper if they +went back to the city at that hour; that they could catch an +early morning boat and reach their business in good time. +The two friends accepted. + +The Sieppes lived in a little box of a house at the foot of +B Street, the first house to the right as one went up from +the station. It was two stories high, with a funny red +mansard roof of oval slates. The interior was cut up into +innumerable tiny rooms, some of them so small as to be +hardly better than sleeping closets. In the back yard was a +contrivance for pumping water from the cistern that +interested McTeague at once. It was a dog-wheel, a huge +revolving box in which the unhappy black greyhound spent +most of his waking hours. It was his kennel; he slept in +it. From time to time during the day Mrs. Sieppe appeared +on the back doorstep, crying shrilly, "Hoop, hoop!" She +threw lumps of coal at him, waking him to his work. + +They were all very tired, and went to bed early. After +great discussion it was decided that Marcus would sleep upon +the lounge in the front parlor. Trina would sleep with +August, giving up her room to McTeague. Selina went to her +home, a block or so above the Sieppes's. At nine o'clock +Mr. Sieppe showed McTeague to his room and left him to +himself with a newly lighted candle. + +For a long time after Mr. Sieppe had gone McTeague stood +motionless in the middle of the room, his elbows pressed +close to his sides, looking obliquely from the corners of +his eyes. He hardly dared to move. He was in Trina's room. + +It was an ordinary little room. A clean white matting was +on the floor; gray paper, spotted with pink and green +flowers, covered the walls. In one corner, under a white +netting, was a little bed, the woodwork gayly painted with +knots of bright flowers. Near it, against the wall, was a +black walnut bureau. A work-table with spiral legs stood by +the window, which was hung with a green and gold window +curtain. Opposite the window the closet door stood ajar, +while in the corner across from the bed was a tiny washstand +with two clean towels. + +And that was all. But it was Trina's room. McTeague was in +his lady's bower; it seemed to him a little nest, intimate, +discreet. He felt hideously out of place. He was an +intruder; he, with his enormous feet, his colossal bones, +his crude, brutal gestures. The mere weight of his limbs, +he was sure, would crush the little bed-stead like an +eggshell. + +Then, as this first sensation wore off, he began to feel the +charm of the little chamber. It was as though Trina were +close by, but invisible. McTeague felt all the delight of +her presence without the embarrassment that usually +accompanied it. He was near to her--nearer than he had ever +been before. He saw into her daily life, her little ways +and manners, her habits, her very thoughts. And was there +not in the air of that room a certain faint perfume that he +knew, that recalled her to his mind with marvellous +vividness? + +As he put the candle down upon the bureau he saw her hair- +brush lying there. Instantly he picked it up, and, without +knowing why, held it to his face. With what a delicious +odor was it redolent! That heavy, enervating odor of her +hair--her wonderful, royal hair! The smell of that little +hairbrush was talismanic. He had but to close his eyes to +see her as distinctly as in a mirror. He saw her tiny, +round figure, dressed all in black--for, curiously enough, +it was his very first impression of Trina that came back to +him now--not the Trina of the later occasions, not the Trina +of the blue cloth skirt and white sailor. He saw her as he +had seen her the day that Marcus had introduced them: saw +her pale, round face; her narrow, half-open eyes, blue like +the eyes of a baby; her tiny, pale ears, suggestive of +anaemia; the freckles across the bridge of her nose; her +pale lips; the tiara of royal black hair; and, above all, +the delicious poise of the head, tipped back as though by +the weight of all that hair--the poise that thrust out her +chin a little, with the movement that was so confiding, so +innocent, so nearly infantile. + +McTeague went softly about the room from one object to +another, beholding Trina in everything he touched or looked +at. He came at last to the closet door. It was ajar. He +opened it wide, and paused upon the threshold. + +Trina's clothes were hanging there--skirts and waists, +jackets, and stiff white petticoats. What a vision! For an +instant McTeague caught his breath, spellbound. If he had +suddenly discovered Trina herself there, smiling at him, +holding out her hands, he could hardly have been more +overcome. Instantly he recognized the black dress she had +worn on that famous first day. There it was, the little +jacket she had carried over her arm the day he had terrified +her with his blundering declaration, and still others, and +others--a whole group of Trinas faced him there. He went +farther into the closet, touching the clothes gingerly, +stroking them softly with his huge leathern palms. As he +stirred them a delicate perfume disengaged itself from the +folds. Ah, that exquisite feminine odor! It was not only +her hair now, it was Trina herself--her mouth, her hands, +her neck; the indescribably sweet, fleshly aroma that was a +part of her, pure and clean, and redolent of youth and +freshness. All at once, seized with an unreasoned impulse, +McTeague opened his huge arms and gathered the little +garments close to him, plunging his face deep amongst them, +savoring their delicious odor with long breaths of luxury +and supreme content. + +* * * * * * * * * * * + +The picnic at Schuetzen Park decided matters. McTeague +began to call on Trina regularly Sunday and Wednesday +afternoons. He took Marcus Schouler's place. Sometimes +Marcus accompanied him, but it was generally to meet Selina +by appointment at the Sieppes's house. + +But Marcus made the most of his renunciation of his cousin. +He remembered his pose from time to time. He made McTeague +unhappy and bewildered by wringing his hand, by venting +sighs that seemed to tear his heart out, or by giving +evidences of an infinite melancholy. "What is my life!" he +would exclaim. "What is left for me? Nothing, by damn!" +And when McTeague would attempt remonstrance, he would cry: +"Never mind, old man. Never mind me. Go, be happy. I +forgive you." + +Forgive what? McTeague was all at sea, was harassed with +the thought of some shadowy, irreparable injury he had done +his friend. + +"Oh, don't think of me!" Marcus would exclaim at other +times, even when Trina was by. "Don't think of me; I don't +count any more. I ain't in it." Marcus seemed to take +great pleasure in contemplating the wreck of his life. +There is no doubt he enjoyed himself hugely during these +days. + +The Sieppes were at first puzzled as well over this change +of front. + +"Trina has den a new younge man," cried Mr. Sieppe. "First +Schouler, now der doktor, eh? What die tevil, I say!" + +Weeks passed, February went, March came in very rainy, +putting a stop to all their picnics and Sunday excursions. + +One Wednesday afternoon in the second week in March +McTeague came over to call on Trina, bringing his +concertina with him, as was his custom nowadays. As he got +off the train at the station he was surprised to find Trina +waiting for him. + +"This is the first day it hasn't rained in weeks," she +explained, "an' I thought it would be nice to walk." + +"Sure, sure," assented McTeague. + +B Street station was nothing more than a little shed. There +was no ticket office, nothing but a couple of whittled and +carven benches. It was built close to the railroad tracks, +just across which was the dirty, muddy shore of San +Francisco Bay. About a quarter of a mile back from the +station was the edge of the town of Oakland. Between the +station and the first houses of the town lay immense salt +flats, here and there broken by winding streams of black +water. They were covered with a growth of wiry grass, +strangely discolored in places by enormous stains of orange +yellow. + +Near the station a bit of fence painted with a cigar +advertisement reeled over into the mud, while under its lee +lay an abandoned gravel wagon with dished wheels. The +station was connected with the town by the extension of B +Street, which struck across the flats geometrically +straight, a file of tall poles with intervening wires +marching along with it. At the station these were headed by +an iron electric-light pole that, with its supports and +outriggers, looked for all the world like an immense +grasshopper on its hind legs. + +Across the flats, at the fringe of the town, were the dump +heaps, the figures of a few Chinese rag-pickers moving over +them. Far to the left the view was shut off by the immense +red-brown drum of the gas-works; to the right it was bounded +by the chimneys and workshops of an iron foundry. + +Across the railroad tracks, to seaward, one saw the long +stretch of black mud bank left bare by the tide, which was +far out, nearly half a mile. Clouds of sea-gulls were +forever rising and settling upon this mud bank; a wrecked +and abandoned wharf crawled over it on tottering legs; close +in an old sailboat lay canted on her bilge. + +But farther on, across the yellow waters of the bay, +beyond Goat Island, lay San Francisco, a blue line of hills, +rugged with roofs and spires. Far to the westward opened +the Golden Gate, a bleak cutting in the sand-hills, through +which one caught a glimpse of the open Pacific. + +The station at B Street was solitary; no trains passed at +this hour; except the distant rag-pickers, not a soul was in +sight. The wind blew strong, carrying with it the mingled +smell of salt, of tar, of dead seaweed, and of bilge. The +sky hung low and brown; at long intervals a few drops of +rain fell. + +Near the station Trina and McTeague sat on the roadbed of +the tracks, at the edge of the mud bank, making the most out +of the landscape, enjoying the open air, the salt marshes, +and the sight of the distant water. From time to time +McTeague played his six mournful airs upon his concertina. + +After a while they began walking up and down the tracks, +McTeague talking about his profession, Trina listening, very +interested and absorbed, trying to understand. + +"For pulling the roots of the upper molars we use the cow- +horn forceps," continued the dentist, monotonously. "We get +the inside beak over the palatal roots and the cow-horn beak +over the buccal roots--that's the roots on the outside, you +see. Then we close the forceps, and that breaks right +through the alveolus--that's the part of the socket in the +jaw, you understand." + +At another moment he told her of his one unsatisfied desire. +"Some day I'm going to have a big gilded tooth outside my +window for a sign. Those big gold teeth are beautiful, +beautiful--only they cost so much, I can't afford one just +now." + +"Oh, it's raining," suddenly exclaimed Trina, holding out +her palm. They turned back and reached the station in a +drizzle. The afternoon was closing in dark and rainy. The +tide was coming back, talking and lapping for miles along +the mud bank. Far off across the flats, at the edge of the +town, an electric car went by, stringing out a long row of +diamond sparks on the overhead wires. + +"Say, Miss Trina," said McTeague, after a while, "what's the +good of waiting any longer? Why can't us two get married?" + +Trina still shook her head, saying "No" instinctively, +in spite of herself. + +"Why not?" persisted McTeague. "Don't you like me well +enough?" + +"Yes." + +"Then why not?" + +"Because." + +"Ah, come on," he said, but Trina still shook her head. + +"Ah, come on," urged McTeague. He could think of nothing +else to say, repeating the same phrase over and over again +to all her refusals. + +"Ah, come on! Ah, come on!" + +Suddenly he took her in his enormous arms, crushing down her +struggle with his immense strength. Then Trina gave up, all +in an instant, turning her head to his. They kissed each +other, grossly, full in the mouth. + +A roar and a jarring of the earth suddenly grew near and +passed them in a reek of steam and hot air. It was the +Overland, with its flaming headlight, on its way across the +continent. + +The passage of the train startled them both. Trina +struggled to free herself from McTeague. "Oh, please! +please!" she pleaded, on the point of tears. McTeague +released her, but in that moment a slight, a barely +perceptible, revulsion of feeling had taken place in him. +The instant that Trina gave up, the instant she allowed him +to kiss her, he thought less of her. She was not so +desirable, after all. But this reaction was so faint, so +subtle, so intangible, that in another moment he had doubted +its occurrence. Yet afterward it returned. Was there not +something gone from Trina now? Was he not disappointed in +her for doing that very thing for which he had longed? Was +Trina the submissive, the compliant, the attainable just the +same, just as delicate and adorable as Trina the +inaccessible? Perhaps he dimly saw that this must be so, +that it belonged to the changeless order of things--the man +desiring the woman only for what she withholds; the woman +worshipping the man for that which she yields up to him. +With each concession gained the man's desire cools; with +every surrender made the woman's adoration increases. But +why should it be so? + +Trina wrenched herself free and drew back from McTeague, her +little chin quivering; her face, even to the lobes of her +pale ears, flushed scarlet; her narrow blue eyes brimming. +Suddenly she put her head between her hands and began to +sob. + +"Say, say, Miss Trina, listen--listen here, Miss Trina," +cried McTeague, coming forward a step. + +"Oh, don't!" she gasped, shrinking. "I must go home," she +cried, springing to her feet. "It's late. I must. I must. +Don't come with me, please. Oh, I'm so--so,"--she could not +find any words. "Let me go alone," she went on. "You may-- +you come Sunday. Good-by." + +"Good-by," said McTeague, his head in a whirl at this +sudden, unaccountable change. "Can't I kiss you again?" +But Trina was firm now. When it came to his pleading--a +mere matter of words--she was strong enough. + +"No, no, you must not!" she exclaimed, with energy. She was +gone in another instant. The dentist, stunned, bewildered, +gazed stupidly after her as she ran up the extension of B +Street through the rain. + +But suddenly a great joy took possession of him. He had won +her. Trina was to be for him, after all. An enormous smile +distended his thick lips; his eyes grew wide, and flashed; +and he drew his breath quickly, striking his mallet-like +fist upon his knee, and exclaiming under his breath: + +"I got her, by God! I got her, by God!" At the same time +he thought better of himself; his self-respect increased +enormously. The man that could win Trina Sieppe was a man +of extraordinary ability. + +Trina burst in upon her mother while the latter was setting +a mousetrap in the kitchen. + +"Oh, mamma!" + +"Eh? Trina? Ach, what has happun?" + +Trina told her in a breath. + +"Soh soon?" was Mrs. Sieppe's first comment. "Eh, well, +what you cry for, then?" + +"I don't know," wailed Trina, plucking at the end of her +handkerchief. + +"You loaf der younge doktor?" + +"I don't know." + +"Well, what for you kiss him?" + +"I don't know." + +"You don' know, you don' know? Where haf your sensus gone, +Trina? You kiss der doktor. You cry, and you don' know. +Is ut Marcus den?" + +"No, it's not Cousin Mark." + +"Den ut must be der doktor." + +Trina made no answer. + +"Eh?" + +"I--I guess so." + +"You loaf him?" + +"I don't know." + +Mrs. Sieppe set down the mousetrap with such violence that +it sprung with a sharp snap. + + + +CHAPTER 6 + + +No, Trina did not know. "Do I love him? Do I love him?" A +thousand times she put the question to herself during the +next two or three days. At night she hardly slept, but lay +broad awake for hours in her little, gayly painted bed, with +its white netting, torturing herself with doubts and +questions. At times she remembered the scene in the +station with a veritable agony of shame, and at other times +she was ashamed to recall it with a thrill of joy. Nothing +could have been more sudden, more unexpected, than that +surrender of herself. For over a year she had thought that +Marcus would some day be her husband. They would be +married, she supposed, some time in the future, she did not +know exactly when; the matter did not take definite shape in +her mind. She liked Cousin Mark very well. And then +suddenly this cross-current had set in; this blond giant had +appeared, this huge, stolid fellow, with his immense, crude +strength. She had not loved him at first, that was certain. +The day he had spoken to her in his "Parlors" she had only +been terrified. If he had confined himself to merely +speaking, as did Marcus, to pleading with her, to wooing her +at a distance, forestalling her wishes, showing her little +attentions, sending her boxes of candy, she could have +easily withstood him. But he had only to take her in his +arms, to crush down her struggle with his enormous strength, +to subdue her, conquer her by sheer brute force, and she +gave up in an instant. + +But why--why had she done so? Why did she feel the desire, +the necessity of being conquered by a superior strength? +Why did it please her? Why had it suddenly thrilled her +from head to foot with a quick, terrifying gust of passion, +the like of which she had never known? Never at his best +had Marcus made her feel like that, and yet she had always +thought she cared for Cousin Mark more than for any one +else. + +When McTeague had all at once caught her in his huge arms, +something had leaped to life in her--something that had +hitherto lain dormant, something strong and overpowering. +It frightened her now as she thought of it, this second self +that had wakened within her, and that shouted and clamored +for recognition. And yet, was it to be feared? Was it +something to be ashamed of? Was it not, after all, natural, +clean, spontaneous? Trina knew that she was a pure girl; +knew that this sudden commotion within her carried with it +no suggestion of vice. + +Dimly, as figures seen in a waking dream, these ideas +floated through Trina's mind. It was quite beyond her +to realize them clearly; she could not know what they meant. +Until that rainy day by the shore of the bay Trina had lived +her life with as little self-consciousness as a tree. She +was frank, straightforward, a healthy, natural human being, +without sex as yet. She was almost like a boy. At once +there had been a mysterious disturbance. The woman within +her suddenly awoke. + +Did she love McTeague? Difficult question. Did she choose +him for better or for worse, deliberately, of her own free +will, or was Trina herself allowed even a choice in the +taking of that step that was to make or mar her life? The +Woman is awakened, and, starting from her sleep, catches +blindly at what first her newly opened eyes light upon. It +is a spell, a witchery, ruled by chance alone, inexplicable +--a fairy queen enamored of a clown with ass's ears. + +McTeague had awakened the Woman, and, whether she would or +no, she was his now irrevocably; struggle against it as she +would, she belonged to him, body and soul, for life or for +death. She had not sought it, she had not desired it. The +spell was laid upon her. Was it a blessing? Was it a +curse? It was all one; she was his, indissolubly, for evil +or for good. + +And he? The very act of submission that bound the woman to +him forever had made her seem less desirable in his eyes. +Their undoing had already begun. Yet neither of them was to +blame. From the first they had not sought each other. +Chance had brought them face to face, and mysterious +instincts as ungovernable as the winds of heaven were at +work knitting their lives together. Neither of them had +asked that this thing should be--that their destinies, their +very souls, should be the sport of chance. If they could +have known, they would have shunned the fearful risk. But +they were allowed no voice in the matter. Why should it all +be? + +It had been on a Wednesday that the scene in the B Street +station had taken place. Throughout the rest of the week, +at every hour of the day, Trina asked herself the same +question: "Do I love him? Do I really love him? Is this +what love is like?" As she recalled McTeague--recalled +his huge, square-cut head, his salient jaw, his shock of +yellow hair, his heavy, lumbering body, his slow wits--she +found little to admire in him beyond his physical strength, +and at such moments she shook her head decisively. "No, +surely she did not love him." Sunday afternoon, however, +McTeague called. Trina had prepared a little speech for +him. She was to tell him that she did not know what had +been the matter with her that Wednesday afternoon; that she +had acted like a bad girl; that she did not love him well +enough to marry him; that she had told him as much once +before. + +McTeague saw her alone in the little front parlor. The +instant she appeared he came straight towards her. She saw +what he was bent upon doing. "Wait a minute," she cried, +putting out her hands. "Wait. You don't understand. I +have got something to say to you." She might as well have +talked to the wind. McTeague put aside her hands with a +single gesture, and gripped her to him in a bearlike embrace +that all but smothered her. Trina was but a reed before that +giant strength. McTeague turned her face to his and kissed +her again upon the mouth. Where was all Trina's resolve +then? Where was her carefully prepared little speech? +Where was all her hesitation and torturing doubts of the +last few days? She clasped McTeague's huge red neck with +both her slender arms; she raised her adorable little chin +and kissed him in return, exclaiming: "Oh, I do love you! I +do love you!" Never afterward were the two so happy as at +that moment. + +A little later in that same week, when Marcus and McTeague +were taking lunch at the car conductors' coffee-joint, the +former suddenly exclaimed: + +"Say, Mac, now that you've got Trina, you ought to do more +for her. By damn! you ought to, for a fact. Why don't you +take her out somewhere--to the theatre, or somewhere? You +ain't on to your job." + +Naturally, McTeague had told Marcus of his success with +Trina. Marcus had taken on a grand air. + +"You've got her, have you? Well, I'm glad of it, old man. I +am, for a fact. I know you'll be happy with her. I +know how I would have been. I forgive you; yes, I forgive +you, freely." + +McTeague had not thought of taking Trina to the theatre. + +"You think I ought to, Mark?" he inquired, hesitating. +Marcus answered, with his mouth full of suet pudding: + +"Why, of course. That's the proper caper." + +"Well--well, that's so. The theatre--that's the word." + +"Take her to the variety show at the Orpheum. There's a +good show there this week; you'll have to take Mrs. Sieppe, +too, of course," he added. Marcus was not sure of himself +as regarded certain proprieties, nor, for that matter, were +any of the people of the little world of Polk Street. The +shop girls, the plumbers' apprentices, the small +tradespeople, and their like, whose social position was not +clearly defined, could never be sure how far they could go +and yet preserve their "respectability." When they wished +to be "proper," they invariably overdid the thing. It was +not as if they belonged to the "tough" element, who had no +appearances to keep up. Polk Street rubbed elbows with the +"avenue" one block above. There were certain limits which +its dwellers could not overstep; but unfortunately for them, +these limits were poorly defined. They could never be sure +of themselves. At an unguarded moment they might be taken +for "toughs," so they generally erred in the other +direction, and were absurdly formal. No people have a +keener eye for the amenities than those whose social +position is not assured. + +"Oh, sure, you'll have to take her mother," insisted Marcus. +"It wouldn't be the proper racket if you didn't." + +McTeague undertook the affair. It was an ordeal. Never in +his life had he been so perturbed, so horribly anxious. He +called upon Trina the following Wednesday and made +arrangements. Mrs. Sieppe asked if little August might be +included. It would console him for the loss of his +steamboat. + +"Sure, sure," said McTeague. "August too--everybody," he +added, vaguely. + +"We always have to leave so early," complained Trina, "in +order to catch the last boat. Just when it's becoming +interesting." + +At this McTeague, acting upon a suggestion of Marcus +Schouler's, insisted they should stay at the flat over +night. Marcus and the dentist would give up their rooms to +them and sleep at the dog hospital. There was a bed there +in the sick ward that old Grannis sometimes occupied when a +bad case needed watching. All at once McTeague had an idea, +a veritable inspiration. + +"And we'll--we'll--we'll have--what's the matter with having +something to eat afterward in my "Parlors?" + +"Vairy goot," commented Mrs. Sieppe. "Bier, eh? And some +damales." + +"Oh, I love tamales!" exclaimed Trina, clasping her +hands. + +McTeague returned to the city, rehearsing his instructions +over and over. The theatre party began to assume tremendous +proportions. First of all, he was to get the seats, the +third or fourth row from the front, on the left-hand side, +so as to be out of the hearing of the drums in the +orchestra; he must make arrangements about the rooms with +Marcus, must get in the beer, but not the tamales; must buy +for himself a white lawn tie--so Marcus directed; must look +to it that Maria Macapa put his room in perfect order; and, +finally, must meet the Sieppes at the ferry slip at half- +past seven the following Monday night. + +The real labor of the affair began with the buying of the +tickets. At the theatre McTeague got into wrong entrances; +was sent from one wicket to another; was bewildered, +confused; misunderstood directions; was at one moment +suddenly convinced that he had not enough money with him, +and started to return home. Finally he found himself at the +box-office wicket. + +"Is it here you buy your seats?" + +"How many?" + +"Is it here--" + +"What night do you want 'em? Yes, sir, here's the place." + +McTeague gravely delivered himself of the formula he had +been reciting for the last dozen hours. + +"I want four seats for Monday night in the fourth row from +the front, and on the right-hand side." + +"Right hand as you face the house or as you face the +stage?" McTeague was dumfounded. + +"I want to be on the right-hand side," he insisted, +stolidly; adding, "in order to be away from the drums." + +"Well, the drums are on the right of the orchestra as you +face the stage," shouted the other impatiently; "you want to +the left, then, as you face the house." + +"I want to be on the right-hand side," persisted the +dentist. + +Without a word the seller threw out four tickets with a +magnificent, supercilious gesture. + +"There's four seats on the right-hand side, then, and you're +right up against the drums." + +"But I don't want to be near the drums," protested McTeague, +beginning to perspire. + +"Do you know what you want at all?" said the ticket seller +with calmness, thrusting his head at McTeague. The dentist +knew that he had hurt this young man's feelings. + +"I want--I want," he stammered. The seller slammed down a +plan of the house in front of him and began to explain +excitedly. It was the one thing lacking to complete +McTeague's confusion. + +"There are your seats," finished the seller, shoving the +tickets into McTeague's hands. "They are the fourth row +from the front, and away from the drums. Now are you +satisfied?" + +"Are they on the right-hand side? I want on the right--no, +I want on the left. I want--I don' know, I don' know." + +The seller roared. McTeague moved slowly away, gazing +stupidly at the blue slips of pasteboard. Two girls took +his place at the wicket. In another moment McTeague came +back, peering over the girls' shoulders and calling to the +seller: + +"Are these for Monday night?" + +The other disdained reply. McTeague retreated again +timidly, thrusting the tickets into his immense wallet. For +a moment he stood thoughtful on the steps of the entrance. +Then all at once he became enraged, he did not know exactly +why; somehow he felt himself slighted. Once more he came +back to the wicket. + +"You can't make small of me," he shouted over the girls' +shoulders; "you--you can't make small of me. I'll thump you +in the head, you little--you little--you little--little-- +little pup." The ticket seller shrugged his shoulders +wearily. "A dollar and a half," he said to the two girls. + +McTeague glared at him and breathed loudly. Finally he +decided to let the matter drop. He moved away, but on the +steps was once more seized with a sense of injury and +outraged dignity. + +"You can't make small of me," he called back a last time, +wagging his head and shaking his fist. "I will--I will--I +will--yes, I will." He went off muttering. + +At last Monday night came. McTeague met the Sieppes at the +ferry, dressed in a black Prince Albert coat and his best +slate-blue trousers, and wearing the made-up lawn necktie +that Marcus had selected for him. Trina was very pretty in +the black dress that McTeague knew so well. She wore a pair +of new gloves. Mrs. Sieppe had on lisle-thread mits, and +carried two bananas and an orange in a net reticule. "For +Owgooste," she confided to him. Owgooste was in a +Fauntleroy "costume" very much too small for him. Already +he had been crying. + +"Woult you pelief, Doktor, dot bube has torn his stockun +alreatty? Walk in der front, you; stop cryun. Where is dot +berliceman?" + +At the door of the theatre McTeague was suddenly seized with +a panic terror. He had lost the tickets. He tore through +his pockets, ransacked his wallet. They were nowhere to be +found. All at once he remembered, and with a gasp of relief +removed his hat and took them out from beneath the +sweatband. + +The party entered and took their places. It was absurdly +early. The lights were all darkened, the ushers stood under +the galleries in groups, the empty auditorium echoing with +their noisy talk. Occasionally a waiter with his tray and +clean white apron sauntered up and doun the aisle. Directly +in front of them was the great iron curtain of the stage, +painted with all manner of advertisements. From behind this +came a noise of hammering and of occasional loud voices. + +While waiting they studied their programmes. First was +an overture by the orchestra, after which came "The +Gleasons, in their mirth-moving musical farce, entitled +'McMonnigal's Court-ship.'" This was to be followed by "The +Lamont Sisters, Winnie and Violet, serio-comiques and skirt +dancers." And after this came a great array of other +"artists" and "specialty performers," musical wonders, +acrobats, lightning artists, ventriloquists, and last of +all, "The feature of the evening, the crowning scientific +achievement of the nineteenth century, the kinetoscope." +McTeague was excited, dazzled. In five years he had not +been twice to the theatre. Now he beheld himself inviting +his "girl" and her mother to accompany him. He began to +feel that he was a man of the world. He ordered a cigar. + +Meanwhile the house was filling up. A few side brackets +were turned on. The ushers ran up and down the aisles, +stubs of tickets between their thumb and finger, and from +every part of the auditorium could be heard the sharp clap- +clapping of the seats as the ushers flipped them down. A +buzz of talk arose. In the gallery a street gamin whistled +shrilly, and called to some friends on the other side of the +house. + +"Are they go-wun to begin pretty soon, ma?" whined Owgooste +for the fifth or sixth time; adding, "Say, ma, can't I have +some candy?" A cadaverous little boy had appeared in their +aisle, chanting, "Candies, French mixed candies, popcorn, +peanuts and candy." The orchestra entered, each man +crawling out from an opening under the stage, hardly larger +than the gate of a rabbit hutch. At every instant now the +crowd increased; there were but few seats that were not +taken. The waiters hurried up and down the aisles, their +trays laden with beer glasses. A smell of cigar-smoke +filled the air, and soon a faint blue haze rose from all +corners of the house. + +"Ma, when are they go-wun to begin?" cried Owgooste. As he +spoke the iron advertisement curtain rose, disclosing the +curtain proper underneath. This latter curtain was quite an +affair. Upon it was painted a wonderful picture. A flight +of marble steps led down to a stream of water; two white +swans, their necks arched like the capital letter S, +floated about. At the head of the marble steps were two +vases filled with red and yellow flowers, while at the foot +was moored a gondola. This gondola was full of red velvet +rugs that hung over the side and trailed in the water. In +the prow of the gondola a young man in vermilion tights held +a mandolin in his left hand, and gave his right to a girl in +white satin. A King Charles spaniel, dragging a leading- +string in the shape of a huge pink sash, followed the girl. +Seven scarlet roses were scattered upon the two lowest +steps, and eight floated in the water. + +"Ain't that pretty, Mac?" exclaimed Trina, turning to the +dentist. + +"Ma, ain't they go-wun to begin now-wow?" whined Owgooste. +Suddenly the lights all over the house blazed up. "Ah!" +said everybody all at once. + +"Ain't ut crowdut?" murmured Mr. Sieppe. Every seat was +taken; many were even standing up. + +"I always like it better when there is a crowd," said Trina. +She was in great spirits that evening. Her round, pale face +was positively pink. + +The orchestra banged away at the overture, suddenly +finishing with a great flourish of violins. A short pause +followed. Then the orchestra played a quick-step strain, +and the curtain rose on an interior furnished with two red +chairs and a green sofa. A girl in a short blue dress and +black stockings entered in a hurry and began to dust the two +chairs. She was in a great temper, talking very fast, +disclaiming against the "new lodger." It appeared that this +latter never paid his rent; that he was given to late hours. +Then she came down to the footlights and began to sing in a +tremendous voice, hoarse and flat, almost like a man's. The +chorus, of a feeble originality, ran: + + + "Oh, how happy I will be, + When my darling's face I'll see; + Oh, tell him for to meet me in the moonlight, + Down where the golden lilies bloom." + + +The orchestra played the tune of this chorus a second +time, with certain variations, while the girl danced to it. +She sidled to one side of the stage and kicked, then sidled +to the other and kicked again. As she finished with the +song, a man, evidently the lodger in question, came in. +Instantly McTeague exploded in a roar of laughter. The man +was intoxicated, his hat was knocked in, one end of his +collar was unfastened and stuck up into his face, his watch- +chain dangled from his pocket, and a yellow satin slipper +was tied to a button-hole of his vest; his nose was +vermilion, one eye was black and blue. After a short +dialogue with the girl, a third actor appeared. He was +dressed like a little boy, the girl's younger brother. He +wore an immense turned-down collar, and was continually +doing hand-springs and wonderful back somersaults. The +"act" devolved upon these three people; the lodger making +love to the girl in the short blue dress, the boy playing +all manner of tricks upon him, giving him tremendous digs in +the ribs or slaps upon the back that made him cough, pulling +chairs from under him, running on all fours between his legs +and upsetting him, knocking him over at inopportune moments. +Every one of his falls was accentuated by a bang upon the +bass drum. The whole humor of the "act" seemed to consist +in the tripping up of the intoxicated lodger. + +This horse-play delighted McTeague beyond measure. He +roared and shouted every time the lodger went down, slapping +his knee, wagging his head. Owgooste crowed shrilly, +clapping his hands and continually asking, "What did he say, +ma? What did he say?" Mrs. Sieppe laughed immoderately, her +huge fat body shaking like a mountain of jelly. She +exclaimed from time to time, "Ach, Gott, dot fool!" Even +Trina was moved, laughing demurely, her lips closed, putting +one hand with its new glove to her mouth. + +The performance went on. Now it was the "musical marvels," +two men extravagantly made up as negro minstrels, with +immense shoes and plaid vests. They seemed to be able to +wrestle a tune out of almost anything--glass bottles, cigar- +box fiddles, strings of sleigh-bells, even graduated brass +tubes, which they rubbed with resined fingers. McTeague +was stupefied with admiration . + +"That's what you call musicians," he announced gravely. +"Home, Sweet Home," played upon a trombone. Think of that! +Art could go no farther. + +The acrobats left him breathless. They were dazzling young +men with beautifully parted hair, continually making +graceful gestures to the audience. In one of them the +dentist fancied he saw a strong resemblance to the boy who +had tormented the intoxicated lodger and who had turned such +marvellous somersaults. Trina could not bear to watch their +antics. She turned away her head with a little shudder. +"It always makes me sick," she explained. + +The beautiful young lady, "The Society Contralto," in +evening dress, who sang the sentimental songs, and carried +the sheets of music at which she never looked, pleased +McTeague less. Trina, however, was captivated. She grew +pensive over + + + "You do not love me--no; + Bid me good-by and go;" + + +and split her new gloves in her enthusiasm when it was +finished. + +"Don't you love sad music, Mac?" she murmured. + +Then came the two comedians. They talked with fearful +rapidity; their wit and repartee seemed inexhaustible. + +"As I was going down the street yesterday--" + +"Ah! as YOU were going down the street--all right." + +"I saw a girl at a window----" + +"YOU saw a girl at a window." + +"And this girl she was a corker----" + +"Ah! as YOU were going down the street yesterday YOU +saw a girl at a window, and this girl she was a corker. All +right, go on." + +The other comedian went on. The joke was suddenly evolved. +A certain phrase led to a song, which was sung with +lightning rapidity, each performer making precisely the same +gestures at precisely the same instant. They were +irresistible. McTeague, though he caught but a third of the +jokes, could have listened all night. + +After the comedians had gone out, the iron advertisement +curtain was let down. + +"What comes now?" said McTeague, bewildered. + +"It's the intermission of fifteen minutes now." + +The musicians disappeared through the rabbit hutch, and the +audience stirred and stretched itself. Most of the young +men left their seats. + +During this intermission McTeague and his party had +"refreshments." Mrs. Sieppe and Trina had Queen Charlottes, +McTeague drank a glass of beer, Owgooste ate the orange and +one of the bananas. He begged for a glass of lemonade, +which was finally given him. + +"Joost to geep um quiet," observed Mrs. Sieppe. + +But almost immediately after drinking his lemonade Owgooste +was seized with a sudden restlessness. He twisted and +wriggled in his seat, swinging his legs violently, looking +about him with eyes full of a vague distress. At length, +just as the musicians were returning, he stood up and +whispered energetically in his mother's ear. Mrs. Sieppe +was exasperated at once. + +"No, no," she cried, reseating him brusquely. + +The performance was resumed. A lightning artist appeared, +drawing caricatures and portraits with incredible swiftness. +He even went so far as to ask for subjects from the +audience, and the names of prominent men were shouted to him +from the gallery. He drew portraits of the President, of +Grant, of Washington, of Napoleon Bonaparte, of Bismarck, of +Garibaldi, of P. T. Barnum. + +And so the evening passed. The hall grew very hot, and the +smoke of innumerable cigars made the eyes smart. A thick +blue mist hung low over the heads of the audience. The air +was full of varied smells--the smell of stale cigars, of +flat beer, of orange peel, of gas, of sachet powders, and of +cheap perfumery. + +One "artist" after another came upon the stage. McTeague's +attention never wandered for a minute. Trina and her +mother enjoyed themselves hugely. At every moment they made +comments to one another, their eyes never leaving the stage. + +"Ain't dot fool joost too funny?" + +"That's a pretty song. Don't you like that kind of a song?" + +"Wonderful! It's wonderful! Yes, yes, wonderful! That's +the word." + +Owgooste, however, lost interest. He stood up in his place, +his back to the stage, chewing a piece of orange peel and +watching a little girl in her father's lap across the aisle, +his eyes fixed in a glassy, ox-like stare. But he was +uneasy. He danced from one foot to the other, and at +intervals appealed in hoarse whispers to his mother, who +disdained an answer. + +"Ma, say, ma-ah," he whined, abstractedly chewing his orange +peel, staring at the little girl. + +"Ma-ah, say, ma." At times his monotonous plaint reached +his mother's consciousness. She suddenly realized what this +was that was annoying her. + +"Owgooste, will you sit down?" She caught him up all at +once, and jammed him down into his place. "Be quiet, den; +loog; listun at der yunge girls." + +Three young women and a young man who played a zither +occupied the stage. They were dressed in Tyrolese costume; +they were yodlers, and sang in German about "mountain tops" +and "bold hunters" and the like. The yodling chorus was a +marvel of flute-like modulations. The girls were really +pretty, and were not made up in the least. Their "turn" had +a great success. Mrs. Sieppe was entranced. Instantly she +remembered her girlhood and her native Swiss village. + +"Ach, dot is heavunly; joost like der old country. Mein +gran'mutter used to be one of der mos' famous yodlers. When +I was leedle, I haf seen dem joost like dat." + +"Ma-ah," began Owgooste fretfully, as soon as the yodlers +had departed. He could not keep still an instant; he +twisted from side to side, swinging his legs with incredible +swiftness. + +"Ma-ah, I want to go ho-ome." + +"Pehave!" exclaimed his mother, shaking him by the arm; +"loog, der leedle girl is watchun you. Dis is der last dime +I take you to der blay, you see." + +"I don't ca-are; I'm sleepy." At length, to their great +relief, he went to sleep, his head against his mother's arm. + +The kinetoscope fairly took their breaths away. + +"What will they do next?" observed Trina, in amazement. +"Ain't that wonderful, Mac?" + +McTeague was awe-struck. + +"Look at that horse move his head," he cried excitedly, +quite carried away. "Look at that cable car coming--and the +man going across the street. See, here comes a truck. +Well, I never in all my life! What would Marcus say to +this?" + +"It's all a drick!" exclaimed Mrs. Sieppe, with sudden +conviction. "I ain't no fool; dot's nothun but a drick." + +"Well, of course, mamma," exclaimed Trina, "it's----" + +But Mrs. Sieppe put her head in the air. + +"I'm too old to be fooled," she persisted. "It's a drick." +Nothing more could be got out of her than this. + +The party stayed to the very end of the show, though the +kinetoscope was the last number but one on the programme, +and fully half the audience left immediately afterward. +However, while the unfortunate Irish comedian went through +his "act" to the backs of the departing people, Mrs. Sieppe +woke Owgooste, very cross and sleepy, and began getting her +"things together." As soon as he was awake Owgooste began +fidgeting again. + +"Save der brogramme, Trina," whispered Mrs. Sieppe. "Take +ut home to popper. Where is der hat of Owgooste? Haf you +got mein handkerchief, Trina?" + +But at this moment a dreadful accident happened to Owgooste; +his distress reached its climax; his fortitude collapsed. +What a misery! It was a veritable catastrophe, deplorable, +lamentable, a thing beyond words! For a moment he gazed +wildly about him, helpless and petrified with astonishment +and terror. Then his grief found utterance, and the closing +strains of the orchestra were mingled with a prolonged wail +of infinite sadness. + +"Owgooste, what is ut?" cried his mother eyeing him with +dawning suspicion; then suddenly, "What haf you done? You +haf ruin your new Vauntleroy gostume!" Her face blazed; +without more ado she smacked him soundly. Then it was that +Owgooste touched the limit of his misery, his unhappiness, +his horrible discomfort; his utter wretchedness was +complete. He filled the air with his doleful outcries. The +more he was smacked and shaken, the louder he wept. + +"What--what is the matter?" inquired McTeague. + +Trina's face was scarlet. "Nothing, nothing," she exclaimed +hastily, looking away. "Come, we must be going. It's about +over." The end of the show and the breaking up of the +audience tided over the embarrassment of the moment. + +The party filed out at the tail end of the audience. +Already the lights were being extinguished and the ushers +spreading druggeting over the upholstered seats. + +McTeague and the Sieppes took an uptown car that would bring +them near Polk Street. The car was crowded; McTeague and +Owgooste were obliged to stand. The little boy fretted to +be taken in his mother's lap, but Mrs. Sieppe emphatically +refused. + +On their way home they discussed the performance. + +"I--I like best der yodlers." + +"Ah, the soloist was the best--the lady who sang those sad +songs." + +"Wasn't--wasn't that magic lantern wonderful, where the +figures moved? Wonderful--ah, wonderful! And wasn't that +first act funny, where the fellow fell down all the time? +And that musical act, and the fellow with the burnt-cork +face who played 'Nearer, My God, to Thee' on the beer +bottles." + +They got off at Polk Street and walked up a block to the +flat. The street was dark and empty; opposite the flat, in +the back of the deserted market, the ducks and geese were +calling persistently. + +As they were buying their tamales from the half-breed +Mexican at the street corner, McTeague observed: + +"Marcus ain't gone to bed yet. See, there's a light in his +window. There!" he exclaimed at once, "I forgot the +doorkey. Well, Marcus can let us in." + +Hardly had he rung the bell at the street door of the flat +when the bolt was shot back. In the hall at the top of the +long, narrow staircase there was the sound of a great +scurrying. Maria Macapa stood there, her hand upon the rope +that drew the bolt; Marcus was at her side; Old Grannis was +in the background, looking over their shoulders; while +little Miss Baker leant over the banisters, a strange man in +a drab overcoat at her side. As McTeague's party stepped +into the doorway a half-dozen voices cried: + +"Yes, it's them." + +"Is that you, Mac?" + +"Is that you, Miss Sieppe?" + +"Is your name Trina Sieppe?" + +Then, shriller than all the rest, Maria Macapa screamed: + +"Oh, Miss Sieppe, come up here quick. Your lottery ticket +has won five thousand dollars!" + + + +CHAPTER 7 + + +"What nonsense!" answered Trina. + +"Ach Gott! What is ut?" cried Mrs. Sieppe, +misunderstanding, supposing a calamity. + +"What--what--what," stammered the dentist, confused by the +lights, the crowded stairway, the medley of voices. The +party reached the landing. The others surrounded them. +Marcus alone seemed to rise to the occasion. + +"Le' me be the first to congratulate you," he cried, +catching Trina's hand. Every one was talking at once. + +"Miss Sieppe, Miss Sieppe, your ticket has won five thousand +dollars," cried Maria. "Don't you remember the lottery +ticket I sold you in Doctor McTeague's office?" + +"Trina!" almost screamed her mother. "Five tausend thalers! +five tausend thalers! If popper were only here!" + +"What is it--what is it?" exclaimed McTeague, rolling his +eyes. + +"What are you going to do with it, Trina?" inquired Marcus. + +"You're a rich woman, my dear," said Miss Baker, her little +false curls quivering with excitement, "and I'm glad for +your sake. Let me kiss you. To think I was in the room +when you bought the ticket!" + +"Oh, oh!" interrupted Trina, shaking her head, "there is a +mistake. There must be. Why--why should I win five +thousand dollars? It's nonsense!" + +"No mistake, no mistake," screamed Maria. "Your number was +400,012. Here it is in the paper this evening. I remember +it well, because I keep an account." + +"But I know you're wrong," answered Trina, beginning to +tremble in spite of herself. "Why should I win?" + +"Eh? Why shouldn't you?" cried her mother. + +In fact, why shouldn't she? The idea suddenly occurred to +Trina. After all, it was not a question of effort or merit +on her part. Why should she suppose a mistake? What if it +were true, this wonderful fillip of fortune striking in +there like some chance-driven bolt? + +"Oh, do you think so?" she gasped. + +The stranger in the drab overcoat came forward. + +"It's the agent," cried two or three voices, simultaneously. + +"I guess you're one of the lucky ones, Miss Sieppe," he +said. I suppose you have kept your ticket." + +"Yes, yes; four three oughts twelve--I remember." + +"That's right," admitted the other. "Present your ticket at +the local branch office as soon as possible--the address is +printed on the back of the ticket--and you'll receive a +check on our bank for five thousand dollars. Your number +will have to be verified on our official list, but there's +hardly a chance of a mistake. I congratulate you." + +All at once a great shrill of gladness surged up in Trina. +She was to possess five thousand dollars. She was carried +away with the joy of her good fortune, a natural, +spontaneous joy--the gaiety of a child with a new and +wonderful toy. + +"Oh, I've won, I've won, I've won!" she cried, clapping her +hands. "Mamma, think of it. I've won five thousand +dollars, just by buying a ticket. Mac, what do you say to +that? I've got five thousand dollars. August, do you hear +what's happened to sister?" + +"Kiss your mommer, Trina," suddenly commanded Mrs. Sieppe. +"What efer will you do mit all dose money, eh, Trina?" + +"Huh!" exclaimed Marcus. "Get married on it for one thing. +Thereat they all shouted with laughter. McTeague grinned, +and looked about sheepishly. "Talk about luck," muttered +Marcus, shaking his head at the dentist; then suddenly he +added: + +"Well, are we going to stay talking out here in the hall all +night? Can't we all come into your 'Parlors,' Mac?" + +"Sure, sure," exclaimed McTeague, hastily unlocking his +door. + +"Efery botty gome," cried Mrs. Sieppe, genially. "Ain't ut +so, Doktor?" + +"Everybody," repeated the dentist. "There's--there's some +beer." + +"We'll celebrate, by damn!" exclaimed Marcus. "It ain't +every day you win five thousand dollars. It's only Sundays +and legal holidays." Again he set the company off into a +gale of laughter. Anything was funny at a time like this. +In some way every one of them felt elated. The wheel of +fortune had come spinning close to them. They were near to +this great sum of money. It was as though they too had won. + +"Here's right where I sat when I bought that ticket," cried +Trina, after they had come into the "Parlors," and Marcus +had lit the gas. "Right here in this chair." She sat down +in one of the rigid chairs under the steel engraving. +"And, Marcus, you sat here----" + +"And I was just getting out of the operating chair," +interposed Miss Baker. + +"Yes, yes. That's so; and you," continued Trina, pointing +to Maria, "came up and said, 'Buy a ticket in the lottery; +just a dollar.' Oh, I remember it just as plain as though +it was yesterday, and I wasn't going to at first----" + +"And don't you know I told Maria it was against the law?" + +"Yes, I remember, and then I gave her a dollar and put the +ticket in my pocketbook. It's in my pocketbook now at home +in the top drawer of my bureau--oh, suppose it should be +stolen now," she suddenly exclaimed. + +"It's worth big money now," asserted Marcus. + +"Five thousand dollars. Who would have thought it? It's +wonderful." Everybody started and turned. It was McTeague. +He stood in the middle of the floor, wagging his huge head. +He seemed to have just realized what had happened. + +"Yes, sir, five thousand dollars!" exclaimed Marcus, with a +sudden unaccountable mirthlessness. "Five thousand dollars! +Do you get on to that? Cousin Trina and you will be rich +people." + +"At six per cent, that's twenty-five dollars a month," +hazarded the agent. + +"Think of it. Think of it," muttered McTeague. He went +aimlessly about the room, his eyes wide, his enormous hands +dangling. + +"A cousin of mine won forty dollars once," observed Miss +Baker. "But he spent every cent of it buying more tickets, +and never won anything." + +Then the reminiscences began. Maria told about the butcher +on the next block who had won twenty dollars the last +drawing. Mrs. Sieppe knew a gasfitter in Oakland who had won +several times; once a hundred dollars. Little Miss Baker +announced that she had always believed that lotteries were +wrong; but, just the same, five thousand was five thousand. + +"It's all right when you win, ain't it, Miss Baker?" +observed Marcus, with a certain sarcasm. What was the +matter with Marcus? At moments he seemed singularly out of +temper. + +But the agent was full of stories. He told his experiences, +the legends and myths that had grown up around the history +of the lottery; he told of the poor newsboy with a dying +mother to support who had drawn a prize of fifteen thousand; +of the man who was driven to suicide through want, but who +held (had he but known it) the number that two days after +his death drew the capital prize of thirty thousand dollars; +of the little milliner who for ten years had played the +lottery without success, and who had one day declared that +she would buy but one more ticket and then give up trying, +and of how this last ticket had brought her a fortune upon +which she could retire; of tickets that had been lost or +destroyed, and whose numbers had won fabulous sums at the +drawing; of criminals, driven to vice by poverty, and who +had reformed after winning competencies; of gamblers who +played the lottery as they would play a faro bank, turning +in their winnings again as soon as made, buying thousands of +tickets all over the country; of superstitions as to +terminal and initial numbers, and as to lucky days of +purchase; of marvellous coincidences--three capital prizes +drawn consecutively by the same town; a ticket bought by a +millionaire and given to his boot-black, who won a thousand +dollars upon it; the same number winning the same amount an +indefinite number of times; and so on to infinity. +Invariably it was the needy who won, the destitute and +starving woke to wealth and plenty, the virtuous toiler +suddenly found his reward in a ticket bought at a hazard; +the lottery was a great charity, the friend of the people, a +vast beneficent machine that recognized neither rank nor +wealth nor station. + +The company began to be very gay. Chairs and tables were +brought in from the adjoining rooms, and Maria was sent out +for more beer and tamales, and also commissioned to buy a +bottle of wine and some cake for Miss Baker, who abhorred +beer. + +The "Dental Parlors" were in great confusion. Empty beer +bottles stood on the movable rack where the instruments were +kept; plates and napkins were upon the seat of the +operating chair and upon the stand of shelves in the corner, +side by side with the concertina and the volumes of "Allen's +Practical Dentist." The canary woke and chittered crossly, +his feathers puffed out; the husks of tamales littered the +floor; the stone pug dog sitting before the little stove +stared at the unusual scene, his glass eyes starting from +their sockets. + +They drank and feasted in impromptu fashion. Marcus +Schouler assumed the office of master of ceremonies; he was +in a lather of excitement, rushing about here and there, +opening beer bottles, serving the tamales, slapping McTeague +upon the back, laughing and joking continually. He made +McTeague sit at the head of the table, with Trina at his +right and the agent at his left; he--when he sat down at +all--occupied the foot, Maria Macapa at his left, while next +to her was Mrs. Sieppe, opposite Miss Baker. Owgooste had +been put to bed upon the bed-lounge. + +"Where's Old Grannis?" suddenly exclaimed Marcus. Sure +enough, where had the old Englishman gone? He had been +there at first. + +"I called him down with everybody else," cried Maria Macapa, +"as soon as I saw in the paper that Miss Sieppe had won. We +all came down to Mr. Schouler's room and waited for you to +come home. I think he must have gone back to his room. +I'll bet you'll find him sewing up his books." + +"No, no," observed Miss Baker, "not at this hour." + +Evidently the timid old gentleman had taken advantage of the +confusion to slip unobtrusively away. + +"I'll go bring him down," shouted Marcus; "he's got to join +us." + +Miss Baker was in great agitation. + +"I--I hardly think you'd better," she murmured; "he--he--I +don't think he drinks beer." + +"He takes his amusement in sewin' up books," cried Maria. + +Marcus brought him down, nevertheless, having found him just +preparing for bed. + +"I--I must apologize," stammered Old Grannis, as he stood +in the doorway. "I had not quite expected--I--find-- +find myself a little unprepared." He was without collar and +cravat, owing to Marcus Schouler's precipitate haste. He +was annoyed beyond words that Miss Baker saw him thus. +Could anything be more embarrassing? + +Old Grannis was introduced to Mrs. Sieppe and to Trina as +Marcus's employer. They shook hands solemnly. + +"I don't believe that he an' Miss Baker have ever been +introduced," cried Maria Macapa, shrilly, "an' they've been +livin' side by side for years." + +The two old people were speechless, avoiding each other's +gaze. It had come at last; they were to know each other, to +talk together, to touch each other's hands. + +Marcus brought Old Grannis around the table to little Miss +Baker, dragging him by the coat sleeve, exclaiming: "Well, I +thought you two people knew each other long ago. Miss +Baker, this is Mr. Grannis; Mr. Grannis, this is Miss +Baker." Neither spoke. Like two little children they faced +each other, awkward, constrained, tongue-tied with +embarrassment. Then Miss Baker put out her hand shyly. Old +Grannis touched it for an instant and let it fall. + +"Now you know each other," cried Marcus, "and it's about +time." For the first time their eyes met; Old Grannis +trembled a little, putting his hand uncertainly to his chin. +Miss Baker flushed ever so slightly, but Maria Macapa passed +suddenly between them, carrying a half empty beer bottle. +The two old people fell back from one another, Miss Baker +resuming her seat. + +"Here's a place for you over here, Mr. Grannis," cried +Marcus, making room for him at his side. Old Grannis +slipped into the chair, withdrawing at once from the +company's notice. He stared fixedly at his plate and did +not speak again. Old Miss Baker began to talk volubly +across the table to Mrs. Sieppe about hot-house flowers and +medicated flannels. + +It was in the midst of this little impromptu supper that the +engagement of Trina and the dentist was announced. In a +pause in the chatter of conversation Mrs. Sieppe leaned +forward and, speaking to the agent, said: + +"Vell, you know also my daughter Trina get married bretty +soon. She and der dentist, Doktor McTeague, eh, yes?" + +There was a general exclamation. + +"I thought so all along," cried Miss Baker, excitedly. "The +first time I saw them together I said, 'What a pair!'" + +"Delightful!" exclaimed the agent, "to be married and win a +snug little fortune at the same time." + +"So--So," murmured Old Grannis, nodding at his plate. + +"Good luck to you," cried Maria. + +"He's lucky enough already," growled Marcus under his +breath, relapsing for a moment into one of those strange +moods of sullenness which had marked him throughout the +evening. + +Trina flushed crimson, drawing shyly nearer her mother. +McTeague grinned from ear to ear, looking around from one to +another, exclaiming "Huh! Huh!" + +But the agent rose to his feet, a newly filled beer glass in +his hand. He was a man of the world, this agent. He knew +life. He was suave and easy. A diamond was on his little +finger. + +"Ladies and gentlemen," he began. There was an instant +silence. "This is indeed a happy occasion. I--I am glad to +be here to-night; to be a witness to such good fortune; to +partake in these--in this celebration. Why, I feel almost as +glad as if I had held four three oughts twelve myself; as if +the five thousand were mine instead of belonging to our +charming hostess. The good wishes of my humble self go out +to Miss Sieppe in this moment of her good fortune, and I +think--in fact, I am sure I can speak for the great +institution, the great company I represent. The company +congratulates Miss Sieppe. We--they--ah--They wish her every +happiness her new fortune can procure her. It has been my +duty, my--ah--cheerful duty to call upon the winners of +large prizes and to offer the felicitation of the company. +I have, in my experience, called upon many such; but never +have I seen fortune so happily bestowed as in this case. +The company have dowered the prospective bride. I am +sure I but echo the sentiments of this assembly when I wish +all joy and happiness to this happy pair, happy in the +possession of a snug little fortune, and happy--happy in--" +he finished with a sudden inspiration--"in the possession of +each other; I drink to the health, wealth, and happiness of +the future bride and groom. Let us drink standing up." +They drank with enthusiasm. Marcus was carried away with +the excitement of the moment. + +"Outa sight, outa sight," he vociferated, clapping his +hands. "Very well said. To the health of the bride. +McTeague, McTeague, speech, speech!" + +In an instant the whole table was clamoring for the dentist +to speak. McTeague was terrified; he gripped the table with +both hands, looking wildly about him. + +"Speech, speech!" shouted Marcus, running around the table +and endeavoring to drag McTeague up. + +"No--no--no," muttered the other. "No speech." The company +rattled upon the table with their beer glasses, insisting +upon a speech. McTeague settled obstinately into his chair, +very red in the face, shaking his head energetically. + +"Ah, go on!" he exclaimed; "no speech." + +"Ah, get up and say somethun, anyhow," persisted Marcus; +"you ought to do it. It's the proper caper." + +McTeague heaved himself up; there was a burst of applause; +he looked slowly about him, then suddenly sat down again, +shaking his head hopelessly. + +"Oh, go on, Mac," cried Trina. + +"Get up, say somethun, anyhow, cried Marcus, tugging at his +arm; "you GOT to." + +Once more McTeague rose to his feet. + +"Huh!" he exclaimed, looking steadily at the table. Then he +began: + +"I don' know what to say--I--I--I ain't never made a speech +before; I--I ain't never made a speech before. But I'm glad +Trina's won the prize--" + +"Yes, I'll bet you are," muttered Marcus. + +"I--I--I'm glad Trina's won, and I--I want to--I want +to--I want to--want to say that--you're--all--welcome, an' +drink hearty, an' I'm much obliged to the agent. Trina and +I are goin' to be married, an' I'm glad everybody's here to- +night, an' you're--all--welcome, an' drink hearty, an' I +hope you'll come again, an' you're always welcome--an'--I-- +an'--an'--That's--about--all--I--gotta say." He sat down, +wiping his forehead, amidst tremendous applause. + +Soon after that the company pushed back from the table and +relaxed into couples and groups. The men, with the +exception of Old Grannis, began to smoke, the smell of their +tobacco mingling with the odors of ether, creosote, and +stale bedding, which pervaded the "Parlors." Soon the +windows had to be lowered from the top. Mrs. Sieppe and +old Miss Baker sat together in the bay window exchanging +confidences. Miss Baker had turned back the overskirt of +her dress; a plate of cake was in her lap; from time to time +she sipped her wine with the delicacy of a white cat. The +two women were much interested in each other. Miss Baker +told Mrs. Sieppe all about Old Grannis, not forgetting the +fiction of the title and the unjust stepfather. + +"He's quite a personage really," said Miss Baker. + +Mrs. Sieppe led the conversation around to her children. +"Ach, Trina is sudge a goote girl," she said; "always gay, +yes, und sing from morgen to night. Und Owgooste, he is soh +smart also, yes, eh? He has der genius for machines, always +making somethun mit wheels und sbrings." + +"Ah, if--if--I had children," murmured the little old maid a +trifle wistfully, "one would have been a sailor; he would +have begun as a midshipman on my brother's ship; in time he +would have been an officer. The other would have been a +landscape gardener." + +"Oh, Mac!" exclaimed Trina, looking up into the dentist's +face, "think of all this money coming to us just at this +very moment. Isn't it wonderful? Don't it kind of scare +you?" + +"Wonderful, wonderful!" muttered McTeague, shaking his head. +"Let's buy a lot of tickets," he added, struck with an idea. + +"Now, that's how you can always tell a good cigar," +observed the agent to Marcus as the two sat smoking at the +end of the table. "The light end should be rolled to a +point." + +"Ah, the Chinese cigar-makers," cried Marcus, in a passion, +brandishing his fist. "It's them as is ruining the cause of +white labor. They are, they are for a FACT. Ah, the +rat-eaters! Ah, the white-livered curs!" + +Over in the corner, by the stand of shelves, Old Grannis was +listening to Maria Macapa. The Mexican woman had been +violently stirred over Trina's sudden wealth; Maria's mind +had gone back to her younger days. She leaned forward, her +elbows on her knees, her chin in her hands, her eyes wide +and fixed. Old Grannis listened to her attentively. + +"There wa'n't a piece that was so much as scratched," Maria +was saying. "Every piece was just like a mirror, smooth and +bright; oh, bright as a little sun. Such a service as that +was--platters and soup tureens and an immense big punch- +bowl. Five thousand dollars, what does that amount to? Why, +that punch-bowl alone was worth a fortune." + +"What a wonderful story!" exclaimed Old Grannis, never for +an instant doubting its truth. "And it's all lost now, you +say?" + +"Lost, lost," repeated Maria. + +"Tut, tut! What a pity! What a pity!" + +Suddenly the agent rose and broke out with: + +"Well, I must be going, if I'm to get any car." + +He shook hands with everybody, offered a parting cigar to +Marcus, congratulated McTeague and Trina a last time, and +bowed himself out. + +"What an elegant gentleman," commented Miss Baker. + +"Ah," said Marcus, nodding his head, "there's a man of the +world for you. Right on to himself, by damn!" + +The company broke up. + +"Come along, Mac," cried Marcus; "we're to sleep with the +dogs to-night, you know." + +The two friends said "Good-night" all around and departed +for the little dog hospital. + +Old Grannis hurried to his room furtively, terrified +lest he should again be brought face to face with Miss +Baker. He bolted himself in and listened until he heard her +foot in the hall and the soft closing of her door. She was +there close beside him; as one might say, in the same room; +for he, too, had made the discovery as to the similarity of +the wallpaper. At long intervals he could hear a faint +rustling as she moved about. What an evening that had been +for him! He had met her, had spoken to her, had touched her +hand; he was in a tremor of excitement. In a like manner +the little old dressmaker listened and quivered. HE was +there in that same room which they shared in common, +separated only by the thinnest board partition. He was +thinking of her, she was almost sure of it. They were +strangers no longer; they were acquaintances, friends. What +an event that evening had been in their lives! + +Late as it was, Miss Baker brewed a cup of tea and sat down +in her rocking chair close to the partition; she rocked +gently, sipping her tea, calming herself after the emotions +of that wonderful evening. + +Old Grannis heard the clinking of the tea things and smelt +the faint odor of the tea. It seemed to him a signal, an +invitation. He drew his chair close to his side of the +partition, before his work-table. A pile of half-bound +"Nations" was in the little binding apparatus; he threaded +his huge upholsterer's needle with stout twine and set to +work. + +It was their tete-a-tete. Instinctively they felt each +other's presence, felt each other's thought coming to them +through the thin partition. It was charming; they were +perfectly happy. There in the stillness that settled over +the flat in the half hour after midnight the two old people +"kept company," enjoying after their fashion their little +romance that had come so late into the lives of each. + +On the way to her room in the garret Maria Macapa paused +under the single gas-jet that burned at the top of the well +of the staircase; she assured herself that she was alone, +and then drew from her pocket one of McTeague's "tapes" of +non-cohesive gold. It was the most valuable steal she +had ever yet made in the dentist's "Parlors." She told +herself that it was worth at least a couple of dollars. +Suddenly an idea occurred to her, and she went hastily to a +window at the end of the hall, and, shading her face with +both hands, looked down into the little alley just back of +the flat. On some nights Zerkow, the red-headed Polish Jew, +sat up late, taking account of the week's ragpicking. There +was a dim light in his window now. + +Maria went to her room, threw a shawl around her head, and +descended into the little back yard of the flat by the back +stairs. As she let herself out of the back gate into the +alley, Alexander, Marcus's Irish setter, woke suddenly with +a gruff bark. The collie who lived on the other side of the +fence, in the back yard of the branch post-office, answered +with a snarl. Then in an instant the endless feud between +the two dogs was resumed. They dragged their respective +kennels to the fence, and through the cracks raged at each +other in a frenzy of hate; their teeth snapped and gleamed; +the hackles on their backs rose and stiffened. Their +hideous clamor could have been heard for blocks around. What +a massacre should the two ever meet! + +Meanwhile, Maria was knocking at Zerkow's miserable hovel. + +"Who is it? Who is it?" cried the rag-picker from within, +in his hoarse voice, that was half whisper, starting +nervously, and sweeping a handful of silver into his drawer. + +"It's me, Maria Macapa;" then in a lower voice, and as if +speaking to herself, "had a flying squirrel an' let him go." + +"Ah, Maria," cried Zerkow, obsequiously opening the door. +"Come in, come in, my girl; you're always welcome, even as +late as this. No junk, hey? But you're welcome for all +that. You'll have a drink, won't you?" He led her into his +back room and got down the whiskey bottle and the broken red +tumbler. + +After the two had drunk together Maria produced the gold +"tape." Zerkow's eyes glittered on the instant. The sight +of gold invariably sent a qualm all through him; try as he +would, he could not repress it. His fingers trembled and +clawed at his mouth; his breath grew short. + +"Ah, ah, ah!" he exclaimed, "give it here, give it here; +give it to me, Maria. That's a good girl, come give it to +me." + +They haggled as usual over the price, but to-night Maria was +too excited over other matters to spend much time in +bickering over a few cents. + +"Look here, Zerkow," she said as soon as the transfer was +made, "I got something to tell you. A little while ago I +sold a lottery ticket to a girl at the flat; the drawing was +in this evening's papers. How much do you suppose that girl +has won?" + +"I don't know. How much? How much?" + +"Five thousand dollars." + +It was as though a knife had been run through the Jew; a +spasm of an almost physical pain twisted his face--his +entire body. He raised his clenched fists into the air, his +eyes shut, his teeth gnawing his lip. + +"Five thousand dollars," he whispered; "five thousand +dollars. For what? For nothing, for simply buying a ticket; +and I have worked so hard for it, so hard, so hard. Five +thousand dollars, five thousand dollars. Oh, why couldn't +it have come to me?" he cried, his voice choking, the tears +starting to his eyes; "why couldn't it have come to me? To +come so close, so close, and yet to miss me--me who have +worked for it, fought for it, starved for it, am dying for +it every day. Think of it, Maria, five thousand dollars, +all bright, heavy pieces----" + +"Bright as a sunset," interrupted Maria, her chin propped on +her hands. "Such a glory, and heavy. Yes, every piece was +heavy, and it was all you could do to lift the punch-bowl. +Why, that punch-bowl was worth a fortune alone----" + +"And it rang when you hit it with your knuckles, didn't it?" +prompted Zerkow, eagerly, his lips trembling, his fingers +hooking themselves into claws. + +"Sweeter'n any church bell," continued Maria. + +"Go on, go on, go on," cried Zerkow, drawing his chair +closer, and shutting his eyes in ecstasy. + +"There were more than a hundred pieces, and every one of +them gold----" + +"Ah, every one of them gold." + +"You should have seen the sight when the leather trunk was +opened. There wa'n't a piece that was so much as scratched; +every one was like a mirror, smooth and bright, polished so +that it looked black--you know how I mean." + +"Oh, I know, I know," cried Zerkow, moistening his lips. + +Then he plied her with questions--questions that covered +every detail of that service of plate. It was soft, wasn't +it? You could bite into a plate and leave a dent? The +handles of the knives, now, were they gold, too? All the +knife was made from one piece of gold, was it? And the +forks the same? The interior of the trunk was quilted, of +course? Did Maria ever polish the plates herself? When the +company ate off this service, it must have made a fine +noise--these gold knives and forks clinking together upon +these gold plates. + +"Now, let's have it all over again, Maria," pleaded Zerkow. +"Begin now with 'There were more than a hundred pieces, and +every one of them gold.' Go on, begin, begin, begin!" + +The red-headed Pole was in a fever of excitement. Maria's +recital had become a veritable mania with him. As he +listened, with closed eyes and trembling lips, he fancied he +could see that wonderful plate before him, there on the +table, under his eyes, under his hand, ponderous, massive, +gleaming. He tormented Maria into a second repetition of +the story--into a third. The more his mind dwelt upon it, +the sharper grew his desire. Then, with Maria's refusal to +continue the tale, came the reaction. Zerkow awoke as from +some ravishing dream. The plate was gone, was irretrievably +lost. There was nothing in that miserable room but grimy +rags and rust-corroded iron. What torment! what agony! to +be so near--so near, to see it in one's distorted fancy as +plain as in a mirror. To know every individual piece as an +old friend; to feel its weight; to be dazzled by its +glitter; to call it one's own, own; to have it to oneself, +hugged to the breast; and then to start, to wake, to come +down to the horrible reality. + +"And you, YOU had it once," gasped Zerkow, clawing at +her arm; "you had it once, all your own. Think of it, +and now it's gone." + +"Gone for good and all." + +"Perhaps it's buried near your old place somewhere." + +"It's gone--gone--gone," chanted Maria in a monotone. + +Zerkow dug his nails into his scalp, tearing at his red +hair. + +"Yes, yes, it's gone, it's gone--lost forever! Lost +forever!" + +Marcus and the dentist walked up the silent street and +reached the little dog hospital. They had hardly spoken on +the way. McTeague's brain was in a whirl; speech failed him. +He was busy thinking of the great thing that had happened +that night, and was trying to realize what its effect would +be upon his life--his life and Trina's. As soon as they had +found themselves in the street, Marcus had relapsed at once +to a sullen silence, which McTeague was too abstracted to +notice. + +They entered the tiny office of the hospital with its red +carpet, its gas stove, and its colored prints of famous dogs +hanging against the walls. In one corner stood the iron bed +which they were to occupy. + +"You go on an' get to bed, Mac," observed Marcus. "I'll take +a look at the dogs before I turn in." + +He went outside and passed along into the yard, that was +bounded on three sides by pens where the dogs were kept. A +bull terrier dying of gastritis recognized him and began to +whimper feebly. + +Marcus paid no attention to the dogs. For the first time +that evening he was alone and could give vent to his +thoughts. He took a couple of turns up and down the yard, +then suddenly in a low voice exclaimed: + +"You fool, you fool, Marcus Schouler! If you'd kept Trina +you'd have had that money. You might have had it yourself. +You've thrown away your chance in life--to give up the girl, +yes--but this," he stamped his foot with rage--"to throw +five thousand dollars out of the window--to stuff it into +the pockets of someone else, when it might have been +yours, when you might have had Trina AND the money--and +all for what? Because we were pals . Oh, 'pals' is all +right--but five thousand dollars--to have played it right +into his hands--God DAMN the luck!" + + + +CHAPTER 8 + + +The next two months were delightful. Trina and McTeague saw +each other regularly, three times a week. The dentist went +over to B Street Sunday and Wednesday afternoons as usual; +but on Fridays it was Trina who came to the city. She spent +the morning between nine and twelve o'clock down town, for +the most part in the cheap department stores, doing the +weekly shopping for herself and the family. At noon she +took an uptown car and met McTeague at the corner of Polk +Street. The two lunched together at a small uptown hotel +just around the corner on Sutter Street. They were given a +little room to themselves. Nothing could have been more +delicious. They had but to close the sliding door to shut +themselves off from the whole world. + +Trina would arrive breathless from her raids upon the +bargain counters, her pale cheeks flushed, her hair blown +about her face and into the corners of her lips, her +mother's net reticule stuffed to bursting. Once in their +tiny private room, she would drop into her chair with a +little groan. + +"Oh, MAC, I am so tired; I've just been all OVER +town. Oh, it's good to sit down. Just think, I had to stand +up in the car all the way, after being on my feet the whole +blessed morning. Look here what I've bought. Just things +and things. Look, there's some dotted veiling I got for +myself; see now, do you think it looks pretty?"--she spread +it over her face--"and I got a box of writing paper, and a +roll of crepe paper to make a lamp shade for the front +parlor; and--what do you suppose--I saw a pair of Nottingham +lace curtains for FORTY-NINE CENTS; isn't that cheap? +and some chenille portieres for two and a half. Now what +have YOU been doing since I last saw you? Did Mr. Heise +finally get up enough courage to have his tooth pulled yet?" +Trina took off her hat and veil and rearranged her hair +before the looking-glass. + +"No, no--not yet. I went down to the sign painter's +yesterday afternoon to see about that big gold tooth for a +sign. It costs too much; I can't get it yet a while. +There's two kinds, one German gilt and the other French +gilt; but the German gilt is no good." + +McTeague sighed, and wagged his head. Even Trina and the +five thousand dollars could not make him forget this one +unsatisfied longing. + +At other times they would talk at length over their plans, +while Trina sipped her chocolate and McTeague devoured huge +chunks of butterless bread. They were to be married at the +end of May, and the dentist already had his eye on a couple +of rooms, part of the suite of a bankrupt photographer. +They were situated in the flat, just back of his "Parlors," +and he believed the photographer would sublet them +furnished. + +McTeague and Trina had no apprehensions as to their +finances. They could be sure, in fact, of a tidy little +income. The dentist's practice was fairly good, and they +could count upon the interest of Trina's five thousand +dollars. To McTeague's mind this interest seemed woefully +small. He had had uncertain ideas about that five thousand +dollars; had imagined that they would spend it in some +lavish fashion; would buy a house, perhaps, or would furnish +their new rooms with overwhelming luxury--luxury that +implied red velvet carpets and continued feasting. The old- +time miner's idea of wealth easily gained and quickly spent +persisted in his mind. But when Trina had begun to talk of +investments and interests and per cents, he was troubled and +not a little disappointed. The lump sum of five +thousand dollars was one thing, a miserable little twenty or +twenty-five a month was quite another; and then someone else +had the money. + +"But don't you see, Mac," explained Trina, "it's ours just +the same. We could get it back whenever we wanted it; and +then it's the reasonable way to do. We mustn't let it turn +our heads, Mac, dear, like that man that spent all he won in +buying more tickets. How foolish we'd feel after we'd spent +it all! We ought to go on just the same as before; as if we +hadn't won. We must be sensible about it, mustn't we?" + +"Well, well, I guess perhaps that's right," the dentist +would answer, looking slowly about on the floor. + +Just what should ultimately be done with the money was the +subject of endless discussion in the Sieppe family. The +savings bank would allow only three per cent., but Trina's +parents believed that something better could be got. + +"There's Uncle Oelbermann," Trina had suggested, remembering +the rich relative who had the wholesale toy store in the +Mission. + +Mr. Sieppe struck his hand to his forehead. "Ah, an idea," +he cried. In the end an agreement was made. The money was +invested in Mr. Oelbermann's business. He gave Trina six per +cent. + +Invested in this fashion, Trina's winning would bring in +twenty-five dollars a month. But, besides this, Trina had +her own little trade. She made Noah's ark animals for Uncle +Oelbermann's store. Trina's ancestors on both sides were +German-Swiss, and some long-forgotten forefather of the +sixteenth century, some worsted-leggined wood-carver of the +Tyrol, had handed down the talent of the national industry, +to reappear in this strangely distorted guise. + +She made Noah's ark animals, whittling them out of a block +of soft wood with a sharp jack-knife, the only instrument +she used. Trina was very proud to explain her work to +McTeague as he had already explained his own to her. + +"You see, I take a block of straight-grained pine and cut +out the shape, roughly at first, with the big blade; then I +go over it a second time with the little blade, more +carefully; then I put in the ears and tail with a drop of +glue, and paint it with a 'non-poisonous' paint--Vandyke +brown for the horses, foxes, and cows; slate gray for the +elephants and camels; burnt umber for the chickens, zebras, +and so on; then, last, a dot of Chinese white for the eyes, +and there you are, all finished. They sell for nine cents a +dozen. Only I can't make the manikins." + +"The manikins?" + +"The little figures, you know--Noah and his wife, and Shem, +and all the others." + +It was true. Trina could not whittle them fast enough and +cheap enough to compete with the turning lathe, that could +throw off whole tribes and peoples of manikins while she was +fashioning one family. Everything else, however, she made-- +the ark itself, all windows and no door; the box in which +the whole was packed; even down to pasting on the label, +which read, "Made in France." She earned from three to four +dollars a week. + +The income from these three sources, McTeague's profession, +the interest of the five thousand dollars, and Trina's +whittling, made a respectable little sum taken altogether. +Trina declared they could even lay by something, adding to +the five thousand dollars little by little. + +It soon became apparent that Trina would be an +extraordinarily good housekeeper. Economy was her strong +point. A good deal of peasant blood still ran undiluted in +her veins, and she had all the instinct of a hardy and +penurious mountain race--the instinct which saves without +any thought, without idea of consequence--saving for the +sake of saving, hoarding without knowing why. Even McTeague +did not know how closely Trina held to her new-found wealth. + +But they did not always pass their luncheon hour in this +discussion of incomes and economies. As the dentist came to +know his little woman better she grew to be more and more of +a puzzle and a joy to him. She would suddenly interrupt a +grave discourse upon the rents of rooms and the cost of +light and fuel with a brusque outburst of affection that set +him all a-tremble with delight. All at once she would +set down her chocolate, and, leaning across the narrow +table, would exclaim: + +"Never mind all that! Oh, Mac, do you truly, really love +me--love me BIG?" + +McTeague would stammer something, gasping, and wagging his +head, beside himself for the lack of words. + +"Old bear," Trina would answer, grasping him by both huge +ears and swaying his head from side to side. "Kiss me, +then. Tell me, Mac, did you think any less of me that first +time I let you kiss me there in the station? Oh, Mac, dear, +what a funny nose you've got, all full of hairs inside; and, +Mac, do you know you've got a bald spot--" she dragged his +head down towards her--"right on the top of your head." +Then she would seriously kiss the bald spot in question, +declaring: + +"That'll make the hair grow." + +Trina took an infinite enjoyment in playing with McTeague's +great square-cut head, rumpling his hair till it stood on +end, putting her fingers in his eyes, or stretching his ears +out straight, and watching the effect with her head on one +side. It was like a little child playing with some +gigantic, good-natured Saint Bernard. + +One particular amusement they never wearied of. The two +would lean across the table towards each other, McTeague +folding his arms under his breast. Then Trina, resting on +her elbows, would part his mustache-the great blond mustache +of a viking--with her two hands, pushing it up from his +lips, causing his face to assume the appearance of a Greek +mask. She would curl it around either forefinger, drawing +it to a fine end. Then all at once McTeague would make a +fearful snorting noise through his nose. Invariably--though +she was expecting this, though it was part of the game-- +Trina would jump with a stifled shriek. McTeague would +bellow with laughter till his eyes watered. Then they would +recommence upon the instant, Trina protesting with a nervous +tremulousness: + +"Now--now--now, Mac, DON'T; you SCARE me so." + +But these delicious tete-a-tetes with Trina were offset +by a certain coolness that Marcus Schouler began to +affect towards the dentist. At first McTeague was unaware +of it; but by this time even his slow wits began to perceive +that his best friend--his "pal"--was not the same to him as +formerly. They continued to meet at lunch nearly every day +but Friday at the car conductors' coffee-joint. But Marcus +was sulky; there could be no doubt about that. He avoided +talking to McTeague, read the paper continually, answering +the dentist's timid efforts at conversation in gruff +monosyllables. Sometimes, even, he turned sideways to the +table and talked at great length to Heise the harness-maker, +whose table was next to theirs. They took no more long +walks together when Marcus went out to exercise the dogs. +Nor did Marcus ever again recur to his generosity in +renouncing Trina. + +One Tuesday, as McTeague took his place at the table in the +coffee-joint, he found Marcus already there. + +"Hello, Mark," said the dentist, "you here already?" + +"Hello," returned the other, indifferently, helping himself +to tomato catsup. There was a silence. After a long while +Marcus suddenly looked up. + +"Say, Mac," he exclaimed, "when you going to pay me that +money you owe me?" + +McTeague was astonished. + +"Huh? What? I don't--do I owe you any money, Mark?" + +"Well, you owe me four bits," returned Marcus, doggedly. "I +paid for you and Trina that day at the picnic, and you never +gave it back." + +"Oh--oh!" answered McTeague, in distress. "That's so, +that's so. I--you ought to have told me before. Here's +your money, and I'm obliged to you." + +"It ain't much," observed Marcus, sullenly. "But I need all +I can get now-a-days." + +"Are you--are you broke?" inquired McTeague. + +"And I ain't saying anything about your sleeping at the +hospital that night, either," muttered Marcus, as he +pocketed the coin. + +"Well--well--do you mean--should I have paid for that?" + +"Well, you'd 'a' had to sleep SOMEWHERES, wouldn't +you?" flashed out Marcus. "You 'a' had to pay half a dollar +for a bed at the flat." + +"All right, all right," cried the dentist, hastily, feeling +in his pockets. "I don't want you should be out anything on +my account, old man. Here, will four bits do?" + +"I don't WANT your damn money," shouted Marcus in a +sudden rage, throwing back the coin. "I ain't no beggar." + +McTeague was miserable. How had he offended his pal? + +"Well, I want you should take it, Mark," he said, pushing it +towards him. + +"I tell you I won't touch your money," exclaimed the other +through his clenched teeth, white with passion. "I've been +played for a sucker long enough." + +"What's the matter with you lately, Mark?" remonstrated +McTeague. "You've got a grouch about something. Is there +anything I've done?" + +"Well, that's all right, that's all right," returned Marcus +as he rose from the table. "That's all right. I've been +played for a sucker long enough, that's all. I've been +played for a sucker long enough." He went away with a +parting malevolent glance. + +At the corner of Polk Street, between the flat and the car +conductors' coffee-joint, was Frenna's. It was a corner +grocery; advertisements for cheap butter and eggs, painted +in green marking-ink upon wrapping paper, stood about on the +sidewalk outside. The doorway was decorated with a huge +Milwaukee beer sign. Back of the store proper was a bar +where white sand covered the floor. A few tables and chairs +were scattered here and there. The walls were hung with +gorgeously-colored tobacco advertisements and colored +lithographs of trotting horses. On the wall behind the bar +was a model of a full-rigged ship enclosed in a bottle. + +It was at this place that the dentist used to leave his +pitcher to be filled on Sunday afternoons. Since his +engagement to Trina he had discontinued this habit. +However, he still dropped into Frenna's one or two +nights in the week. He spent a pleasant hour there, smoking +his huge porcelain pipe and drinking his beer. He never +joined any of the groups of piquet players around the +tables. In fact, he hardly spoke to anyone but the +bartender and Marcus. + +For Frenna's was one of Marcus Schouler's haunts; a great +deal of his time was spent there. He involved himself in +fearful political and social discussions with Heise the +harness-maker, and with one or two old German, habitues +of the place. These discussions Marcus carried on, as was +his custom, at the top of his voice, gesticulating fiercely, +banging the table with his fists, brandishing the plates and +glasses, exciting himself with his own clamor. + +On a certain Saturday evening, a few days after the scene at +the coffee-joint, the dentist bethought him to spend a quiet +evening at Frenna's. He had not been there for some time, +and, besides that, it occurred to him that the day was his +birthday. He would permit himself an extra pipe and a few +glasses of beer. When McTeague entered Frenna's back room by +the street door, he found Marcus and Heise already installed +at one of the tables. Two or three of the old Germans sat +opposite them, gulping their beer from time to time. Heise +was smoking a cigar, but Marcus had before him his fourth +whiskey cocktail. At the moment of McTeague's entrance +Marcus had the floor. + +"It can't be proven," he was yelling. "I defy any sane +politician whose eyes are not blinded by party prejudices, +whose opinions are not warped by a personal bias, to +substantiate such a statement. Look at your facts, look at +your figures. I am a free American citizen, ain't I? I pay +my taxes to support a good government, don't I? It's a +contract between me and the government, ain't it? Well, +then, by damn! if the authorities do not or will not afford +me protection for life, liberty, and the pursuit of +happiness, then my obligations are at an end; I withhold my +taxes. I do--I do--I say I do. What?" He glared about +him, seeking opposition. + +"That's nonsense," observed Heise, quietly. "Try it +once; you'll get jugged." But this observation of the +harness-maker's roused Marcus to the last pitch of frenzy. + +"Yes, ah, yes!" he shouted, rising to his feet, shaking his +finger in the other's face. "Yes, I'd go to jail; but +because I--I am crushed by a tyranny, does that make the +tyranny right? Does might make right?" + +"You must make less noise in here, Mister Schouler," said +Frenna, from behind the bar. + +"Well, it makes me mad," answered Marcus, subsiding into a +growl and resuming his chair. "Hullo, Mac." + +"Hullo, Mark." + +But McTeague's presence made Marcus uneasy, rousing in him +at once a sense of wrong. He twisted to and fro in his +chair, shrugging first one shoulder and then another. +Quarrelsome at all times, the heat of the previous +discussion had awakened within him all his natural +combativeness. Besides this, he was drinking his fourth +cocktail. + +McTeague began filling his big porcelain pipe. He lit it, +blew a great cloud of smoke into the room, and settled +himself comfortably in his chair. The smoke of his cheap +tobacco drifted into the faces of the group at the adjoining +table, and Marcus strangled and coughed. Instantly his eyes +flamed. + +"Say, for God's sake," he vociferated, "choke off on that +pipe! If you've got to smoke rope like that, smoke it in a +crowd of muckers; don't come here amongst gentlemen." + +"Shut up, Schouler!" observed Heise in a low voice. + +McTeague was stunned by the suddenness of the attack. He +took his pipe from his mouth, and stared blankly at Marcus; +his lips moved, but he said no word. Marcus turned his back +on him, and the dentist resumed his pipe. + +But Marcus was far from being appeased. McTeague could not +hear the talk that followed between him and the harness- +maker, but it seemed to him that Marcus was telling Heise of +some injury, some grievance, and that the latter was trying +to pacify him. All at once their talk grew louder. Heise +laid a retaining hand upon his companion's coat sleeve, +but Marcus swung himself around in his chair, and, fixing +his eyes on McTeague, cried as if in answer to some +protestation on the part of Heise: + +"All I know is that I've been soldiered out of five thousand +dollars." + +McTeague gaped at him, bewildered. He removed his pipe from +his mouth a second time, and stared at Marcus with eyes full +of trouble and perplexity. + +"If I had my rights," cried Marcus, bitterly, "I'd have part +of that money. It's my due--it's only justice." The +dentist still kept silence. + +"If it hadn't been for me," Marcus continued, addressing +himself directly to McTeague, "you wouldn't have had a cent +of it--no, not a cent. Where's my share, I'd like to know? +Where do I come in? No, I ain't in it any more. I've been +played for a sucker, an' now that you've got all you can out +of me, now that you've done me out of my girl and out of my +money, you give me the go-by. Why, where would you have +been TO-DAY if it hadn't been for me?" Marcus shouted +in a sudden exasperation, "You'd a been plugging teeth at +two bits an hour. Ain't you got any gratitude? Ain't you +got any sense of decency?" + +"Ah, hold up, Schouler," grumbled Heise. "You don't want to +get into a row." + +"No, I don't, Heise," returned Marcus, with a plaintive, +aggrieved air. "But it's too much sometimes when you think +of it. He stole away my girl's affections, and now that +he's rich and prosperous, and has got five thousand dollars +that I might have had, he gives me the go-by; he's played me +for a sucker. Look here," he cried, turning again to +McTeague, "do I get any of that money?" + +"It ain't mine to give," answered McTeague. "You're drunk, +that's what you are." + +"Do I get any of that money?" cried Marcus, persistently. + +The dentist shook his head. "No, you don't get any of it." + +"Now--NOW," clamored the other, turning to the harness- +maker, as though this explained everything. "Look at that, +look at that. Well, I've done with you from now on." +Marcus had risen to his feet by this time and made as if to +leave, but at every instant he came back, shouting his +phrases into McTeague's face, moving off again as he spoke +the last words, in order to give them better effect. + +"This settles it right here. I've done with you. Don't you +ever dare speak to me again"--his voice was shaking with +fury--"and don't you sit at my table in the restaurant +again. I'm sorry I ever lowered myself to keep company with +such dirt. Ah, one-horse dentist! Ah, ten-cent zinc- +plugger--hoodlum--MUCKER! Get your damn smoke outa my +face." + +Then matters reached a sudden climax. In his agitation the +dentist had been pulling hard on his pipe, and as Marcus for +the last time thrust his face close to his own, McTeague, in +opening his lips to reply, blew a stifling, acrid cloud +directly in Marcus Schouler's eyes. Marcus knocked the pipe +from his fingers with a sudden flash of his hand; it spun +across the room and broke into a dozen fragments in a far +corner. + +McTeague rose to his feet, his eyes wide. But as yet he was +not angry, only surprised, taken all aback by the suddenness +of Marcus Schouler's outbreak as well as by its +unreasonableness. Why had Marcus broken his pipe? What did +it all mean, anyway? As he rose the dentist made a vague +motion with his right hand. Did Marcus misinterpret it as a +gesture of menace? He sprang back as though avoiding a +blow. All at once there was a cry. Marcus had made a quick, +peculiar motion, swinging his arm upward with a wide and +sweeping gesture; his jack-knife lay open in his palm; it +shot forward as he flung it, glinted sharply by McTeague's +head, and struck quivering into the wall behind. + +A sudden chill ran through the room; the others stood +transfixed, as at the swift passage of some cold and deadly +wind. Death had stooped there for an instant, had stooped +and past, leaving a trail of terror and confusion. Then the +door leading to the street slammed; Marcus had disappeared. + +Thereon a great babel of exclamation arose. The tension +of that all but fatal instant snapped, and speech +became once more possible. + +"He would have knifed you." + +"Narrow escape." + +"What kind of a man do you call THAT?" + +"'Tain't his fault he ain't a murderer." + +"I'd have him up for it." + +"And they two have been the greatest kind of friends." + +"He didn't touch you, did he?" + +"No--no--no." + +"What a--what a devil! What treachery! A regular greaser +trick!" + +"Look out he don't stab you in the back. If that's the kind +of man he is, you never can tell." + +Frenna drew the knife from the wall. + +"Guess I'll keep this toad-stabber," he observed. "That +fellow won't come round for it in a hurry; goodsized blade, +too." The group examined it with intense interest. + +"Big enough to let the life out of any man," observed Heise. + +"What--what--what did he do it for?" stammered McTeague. "I +got no quarrel with him." + +He was puzzled and harassed by the strangeness of it all. +Marcus would have killed him; had thrown his knife at him in +the true, uncanny "greaser" style. It was inexplicable. +McTeague sat down again, looking stupidly about on the +floor. In a corner of the room his eye encountered his +broken pipe, a dozen little fragments of painted porcelain +and the stem of cherry wood and amber. + +At that sight his tardy wrath, ever lagging behind the +original affront, suddenly blazed up. Instantly his huge +jaws clicked together. + +"He can't make small of ME," he exclaimed, suddenly. +"I'll show Marcus Schouler--I'll show him--I'll----" + +He got up and clapped on his hat. + +"Now, Doctor," remonstrated Heise, standing between him and +the door, "don't go make a fool of yourself." + +"Let 'um alone," joined in Frenna, catching the dentist +by the arm; "he's full, anyhow." + +"He broke my pipe," answered McTeague. + +It was this that had roused him. The thrown knife, the +attempt on his life, was beyond his solution; but the +breaking of his pipe he understood clearly enough. + +"I'll show him," he exclaimed. + +As though they had been little children, McTeague set Frenna +and the harness-maker aside, and strode out at the door like +a raging elephant. Heise stood rubbing his shoulder. + +"Might as well try to stop a locomotive," he muttered. "The +man's made of iron." + +Meanwhile, McTeague went storming up the street toward the +flat, wagging his head and grumbling to himself. Ah, Marcus +would break his pipe, would he? Ah, he was a zinc-plugger, +was he? He'd show Marcus Schouler. No one should make small +of him. He tramped up the stairs to Marcus's room. The +door was locked. The dentist put one enormous hand on the +knob and pushed the door in, snapping the wood-work, tearing +off the lock. Nobody--the room was dark and empty. Never +mind, Marcus would have to come home some time that night. +McTeague would go down and wait for him in his "Parlors." +He was bound to hear him as he came up the stairs. + +As McTeague reached his room he stumbled over, in the +darkness, a big packing-box that stood in the hallway just +outside his door. Puzzled, he stepped over it, and lighting +the gas in his room, dragged it inside and examined it. + +It was addressed to him. What could it mean? He was +expecting nothing. Never since he had first furnished his +room had packing-cases been left for him in this fashion. +No mistake was possible. There were his name and address +unmistakably. "Dr. McTeague, dentist--Polk Street, San +Francisco, Cal.," and the red Wells Fargo tag. + +Seized with the joyful curiosity of an overgrown boy, he +pried off the boards with the corner of his fireshovel. The +case was stuffed full of excelsior. On the top lay an +envelope addressed to him in Trina's handwriting. He +opened it and read, "For my dear Mac's birthday, from +Trina;" and below, in a kind of post-script, "The man will +be round to-morrow to put it in place." McTeague tore away +the excelsior. Suddenly he uttered an exclamation. + +It was the Tooth--the famous golden molar with its huge +prongs--his sign, his ambition, the one unrealized dream of +his life; and it was French gilt, too, not the cheap German +gilt that was no good. Ah, what a dear little woman was +this Trina, to keep so quiet, to remember his birthday! + +"Ain't she--ain't she just a--just a JEWEL," exclaimed +McTeague under his breath, "a JEWEL--yes, just a +JEWEL; that's the word." + +Very carefully he removed the rest of the excelsior, and +lifting the ponderous Tooth from its box, set it upon the +marble-top centre table. How immense it looked in that +little room! The thing was tremendous, overpowering--the +tooth of a gigantic fossil, golden and dazzling. Beside it +everything seemed dwarfed. Even McTeague himself, big boned +and enormous as he was, shrank and dwindled in the presence +of the monster. As for an instant he bore it in his hands, +it was like a puny Gulliver struggling with the molar of +some vast Brobdingnag. + +The dentist circled about that golden wonder, gasping with +delight and stupefaction, touching it gingerly with his +hands as if it were something sacred. At every moment his +thought returned to Trina. No, never was there such a +little woman as his--the very thing he wanted--how had she +remembered? And the money, where had that come from? No +one knew better than he how expensive were these signs; not +another dentist on Polk Street could afford one. Where, +then, had Trina found the money? It came out of her five +thousand dollars, no doubt. + +But what a wonderful, beautiful tooth it was, to be sure, +bright as a mirror, shining there in its coat of French +gilt, as if with a light of its own! No danger of that +tooth turning black with the weather, as did the cheap +German gilt impostures. What would that other dentist, that +poser, that rider of bicycles, that courser of +greyhounds, say when he should see this marvellous molar run +out from McTeague's bay window like a flag of defiance? No +doubt he would suffer veritable convulsions of envy; would +be positively sick with jealousy. If McTeague could only +see his face at the moment! + +For a whole hour the dentist sat there in his little +"Parlor," gazing ecstatically at his treasure, dazzled, +supremely content. The whole room took on a different +aspect because of it. The stone pug dog before the little +stove reflected it in his protruding eyes; the canary woke +and chittered feebly at this new gilt, so much brighter than +the bars of its little prison. Lorenzo de' Medici, in the +steel engraving, sitting in the heart of his court, seemed +to ogle the thing out of the corner of one eye, while the +brilliant colors of the unused rifle manufacturer's calendar +seemed to fade and pale in the brilliance of this greater +glory. + +At length, long after midnight, the dentist started to go to +bed, undressing himself with his eyes still fixed on the +great tooth. All at once he heard Marcus Schouler's foot on +the stairs; he started up with his fists clenched, but +immediately dropped back upon the bed-lounge with a gesture +of indifference. + +He was in no truculent state of mind now. He could not +reinstate himself in that mood of wrath wherein he had left +the corner grocery. The tooth had changed all that. What +was Marcus Schouler's hatred to him, who had Trina's +affection? What did he care about a broken pipe now that he +had the tooth? Let him go. As Frenna said, he was not worth +it. He heard Marcus come out into the hall, shouting +aggrievedly to anyone within sound of his voice: + +"An' now he breaks into my room--into my room, by damn! How +do I know how many things he's stolen? It's come to stealing +from me, now, has it?" He went into his room, banging his +splintered door. + +McTeague looked upward at the ceiling, in the direction of +the voice, muttering: + +"Ah, go to bed, you." + +He went to bed himself, turning out the gas, but leaving the +window-curtains up so that he could see the tooth the +last thing before he went to sleep and the first thing as he +arose in the morning. + +But he was restless during the night. Every now and then he +was awakened by noises to which he had long since become +accustomed. Now it was the cackling of the geese in the +deserted market across the street; now it was the stoppage +of the cable, the sudden silence coming almost like a shock; +and now it was the infuriated barking of the dogs in the +back yard--Alec, the Irish setter, and the collie that +belonged to the branch post-office raging at each other +through the fence, snarling their endless hatred into each +other's faces. As often as he woke, McTeague turned and +looked for the tooth, with a sudden suspicion that he had +only that moment dreamed the whole business. But he always +found it--Trina's gift, his birthday from his little woman-- +a huge, vague bulk, looming there through the half darkness +in the centre of the room, shining dimly out as if with some +mysterious light of its own. + + + +CHAPTER 9 + + +Trina and McTeague were married on the first day of June, in +the photographer's rooms that the dentist had rented. All +through May the Sieppe household had been turned upside +down. The little box of a house vibrated with excitement +and confusion, for not only were the preparations for +Trina's marriage to be made, but also the preliminaries were +to be arranged for the hegira of the entire Sieppe family. + +They were to move to the southern part of the State the +day after Trina's marriage, Mr. Sieppe having bought a third +interest in an upholstering business in the suburbs of Los +Angeles. It was possible that Marcus Schouler would go with +them. + +Not Stanley penetrating for the first time into the Dark +Continent, not Napoleon leading his army across the Alps, +was more weighted with responsibility, more burdened with +care, more overcome with the sense of the importance of his +undertaking, than was Mr. Sieppe during this period of +preparation. From dawn to dark, from dark to early dawn, he +toiled and planned and fretted, organizing and reorganizing, +projecting and devising. The trunks were lettered, A, B, and +C, the packages and smaller bundles numbered. Each member +of the family had his especial duty to perform, his +particular bundles to oversee. Not a detail was forgotten-- +fares, prices, and tips were calculated to two places of +decimals. Even the amount of food that it would be +necessary to carry for the black greyhound was determined. +Mrs. Sieppe was to look after the lunch, "der gomisariat." +Mr. Sieppe would assume charge of the checks, the money, the +tickets, and, of course, general supervision. The twins +would be under the command of Owgooste, who, in turn, would +report for orders to his father. + +Day in and day out these minutiae were rehearsed. The +children were drilled in their parts with a military +exactitude; obedience and punctuality became cardinal +virtues. The vast importance of the undertaking was +insisted upon with scrupulous iteration. It was a +manoeuvre, an army changing its base of operations, a +veritable tribal migration. + +On the other hand, Trina's little room was the centre around +which revolved another and different order of things. The +dressmaker came and went, congratulatory visitors invaded +the little front parlor, the chatter of unfamiliar voices +resounded from the front steps; bonnet-boxes and yards of +dress-goods littered the beds and chairs; wrapping paper, +tissue paper, and bits of string strewed the floor; a pair +of white satin slippers stood on a corner of the toilet +table; lengths of white veiling, like a snow-flurry, +buried the little work-table; and a mislaid box of +artificial orange blossoms was finally discovered behind the +bureau. + +The two systems of operation often clashed and tangled. Mrs. +Sieppe was found by her harassed husband helping Trina with +the waist of her gown when she should have been slicing cold +chicken in the kitchen. Mr. Sieppe packed his frock coat, +which he would have to wear at the wedding, at the very +bottom of "Trunk C." The minister, who called to offer his +congratulations and to make arrangements, was mistaken for +the expressman. + +McTeague came and went furtively, dizzied and made uneasy by +all this bustle. He got in the way; he trod upon and tore +breadths of silk; he tried to help carry the packing-boxes, +and broke the hall gas fixture; he came in upon Trina and +the dress-maker at an ill-timed moment, and retiring +precipitately, overturned the piles of pictures stacked in +the hall. + +There was an incessant going and coming at every moment of +the day, a great calling up and down stairs, a shouting from +room to room, an opening and shutting of doors, and an +intermittent sound of hammering from the laundry, where Mr. +Sieppe in his shirt sleeves labored among the packing-boxes. +The twins clattered about on the carpetless floors of the +denuded rooms. Owgooste was smacked from hour to hour, and +wept upon the front stairs; the dressmaker called over the +banisters for a hot flatiron; expressmen tramped up and down +the stairway. Mrs. Sieppe stopped in the preparation of the +lunches to call "Hoop, Hoop" to the greyhound, throwing +lumps of coal. The dog-wheel creaked, the front door bell +rang, delivery wagons rumbled away, windows rattled--the +little house was in a positive uproar. + +Almost every day of the week now Trina was obliged to run +over to town and meet McTeague. No more philandering over +their lunch now-a-days. It was business now. They haunted +the house-furnishing floors of the great department houses, +inspecting and pricing ranges, hardware, china, and the +like. They rented the photographer's rooms furnished, and +fortunately only the kitchen and dining-room utensils had to +be bought. + +The money for this as well as for her trousseau came +out of Trina's five thousand dollars. For it had been +finally decided that two hundred dollars of this amount +should be devoted to the establishment of the new household. +Now that Trina had made her great winning, Mr. Sieppe no +longer saw the necessity of dowering her further, especially +when he considered the enormous expense to which he would be +put by the voyage of his own family. + +It had been a dreadful wrench for Trina to break in upon her +precious five thousand. She clung to this sum with a +tenacity that was surprising; it had become for her a thing +miraculous, a god-from-the-machine, suddenly descending upon +the stage of her humble little life; she regarded it as +something almost sacred and inviolable. Never, never should +a penny of it be spent. Before she could be induced to part +with two hundred dollars of it, more than one scene had been +enacted between her and her parents. + +Did Trina pay for the golden tooth out of this two hundred? +Later on, the dentist often asked her about it, but Trina +invariably laughed in his face, declaring that it was her +secret. McTeague never found out. + +One day during this period McTeague told Trina about his +affair with Marcus. Instantly she was aroused. + +"He threw his knife at you! The coward! He wouldn't of dared +stand up to you like a man. Oh, Mac, suppose he HAD hit +you?" + +"Came within an inch of my head," put in McTeague, proudly. + +"Think of it!" she gasped; "and he wanted part of my money. +Well, I do like his cheek; part of my five thousand! Why, +it's mine, every single penny of it. Marcus hasn't the least +bit of right to it. It's mine, mine.--I mean, it's ours, +Mac, dear." + +The elder Sieppes, however, made excuses for Marcus. He had +probably been drinking a good deal and didn't know what he +was about. He had a dreadful temper, anyhow. Maybe he only +wanted to scare McTeague. + +The week before the marriage the two men were reconciled. +Mrs. Sieppe brought them together in the front parlor +of the B Street house. + +"Now, you two fellers, don't be dot foolish. Schake hands +und maig ut oop, soh." + +Marcus muttered an apology. McTeague, miserably +embarrassed, rolled his eyes about the room, murmuring, +"That's all right--that's all right--that's all right." + +However, when it was proposed that Marcus should be +McTeague's best man, he flashed out again with renewed +violence. Ah, no! ah, NO! He'd make up with the +dentist now that he was going away, but he'd be damned--yes, +he would--before he'd be his best man. That was rubbing it +in. Let him get Old Grannis. + +"I'm friends with um all right," vociferated Marcus, "but +I'll not stand up with um. I'll not be ANYBODY'S best +man, I won't." + +The wedding was to be very quiet; Trina preferred it that +way. McTeague would invite only Miss Baker and Heise the +harness-maker. The Sieppes sent cards to Selina, who was +counted on to furnish the music; to Marcus, of course; and +to Uncle Oelbermann. + +At last the great day, the first of June, arrived. The +Sieppes had packed their last box and had strapped the last +trunk. Trina's two trunks had already been sent to her new +home--the remodelled photographer's rooms. The B Street +house was deserted; the whole family came over to the city +on the last day of May and stopped over night at one of the +cheap downtown hotels. Trina would be married the following +evening, and immediately after the wedding supper the +Sieppes would leave for the South. + +McTeague spent the day in a fever of agitation, frightened +out of his wits each time that Old Grannis left his elbow. + +Old Grannis was delighted beyond measure at the prospect of +acting the part of best man in the ceremony. This wedding +in which he was to figure filled his mind with vague ideas +and half-formed thoughts. He found himself continually +wondering what Miss Baker would think of it. During all +that day he was in a reflective mood. + +"Marriage is a--a noble institution, is it not, Doctor?" he +observed to McTeague. "The--the foundation of society. +It is not good that man should be alone. No, no," he added, +pensively, "it is not good." + +"Huh? Yes, yes," McTeague answered, his eyes in the air, +hardly hearing him. "Do you think the rooms are all right? +Let's go in and look at them again." + +They went down the hall to where the new rooms were +situated, and the dentist inspected them for the twentieth +time. + +The rooms were three in number--first, the sitting-room, +which was also the dining-room; then the bedroom, and back +of this the tiny kitchen. + +The sitting-room was particularly charming. Clean matting +covered the floor, and two or three bright colored rugs were +scattered here and there. The backs of the chairs were hung +with knitted worsted tidies, very gay. The bay window +should have been occupied by Trina's sewing machine, but +this had been moved to the other side of the room to give +place to a little black walnut table with spiral legs, +before which the pair were to be married. In one corner +stood the parlor melodeon, a family possession of the +Sieppes, but given now to Trina as one of her parents' +wedding presents. Three pictures hung upon the walls. Two +were companion pieces. One of these represented a little +boy wearing huge spectacles and trying to smoke an enormous +pipe. This was called "I'm Grandpa," the title being +printed in large black letters; the companion picture was +entitled "I'm Grandma," a little girl in cap and "specs," +wearing mitts, and knitting. These pictures were hung on +either side of the mantelpiece. The other picture was quite +an affair, very large and striking. It was a colored +lithograph of two little golden-haired girls in their night- +gowns. They were kneeling down and saying their prayers; +their eyes--very large and very blue--rolled upward. This +picture had for name, "Faith," and was bordered with a red +plush mat and a frame of imitation beaten brass. + +A door hung with chenille portieres--a bargain at two +dollars and a half--admitted one to the bedroom. The +bedroom could boast a carpet, three-ply ingrain, the design +being bunches of red and green flowers in yellow +baskets on a white ground. The wall-paper was admirable-- +hundreds and hundreds of tiny Japanese mandarins, all +identically alike, helping hundreds of almond-eyed ladies +into hundreds of impossible junks, while hundreds of bamboo +palms overshadowed the pair, and hundreds of long-legged +storks trailed contemptuously away from the scene. This room +was prolific in pictures. Most of them were framed colored +prints from Christmas editions of the London "Graphic" and +"Illustrated News," the subject of each picture inevitably +involving very alert fox terriers and very pretty moon-faced +little girls. + +Back of the bedroom was the kitchen, a creation of Trina's, +a dream of a kitchen, with its range, its porcelain-lined +sink, its copper boiler, and its overpowering array of +flashing tinware. Everything was new; everything was +complete. + +Maria Macapa and a waiter from one of the restaurants in the +street were to prepare the wedding supper here. Maria had +already put in an appearance. The fire was crackling in the +new stove, that smoked badly; a smell of cooking was in the +air. She drove McTeague and Old Grannis from the room with +great gestures of her bare arms. + +This kitchen was the only one of the three rooms they had +been obliged to furnish throughout. Most of the sitting- +room and bedroom furniture went with the suite; a few pieces +they had bought; the remainder Trina had brought over from +the B Street house. + +The presents had been set out on the extension table in the +sitting-room. Besides the parlor melodeon, Trina's parents +had given her an ice-water set, and a carving knife and fork +with elk-horn handles. Selina had painted a view of the +Golden Gate upon a polished slice of redwood that answered +the purposes of a paper weight. Marcus Schouler--after +impressing upon Trina that his gift was to HER, and not +to McTeague--had sent a chatelaine watch of German silver; +Uncle Oelbermann's present, however, had been awaited with a +good deal of curiosity. What would he send? He was very +rich; in a sense Trina was his protege. A couple of +days before that upon which the wedding was to take +place, two boxes arrived with his card. Trina and +McTeague, assisted by Old Grannis, had opened them. The +first was a box of all sorts of toys. + +"But what--what--I don't make it out," McTeague had +exclaimed. "Why should he send us toys? We have no need of +toys." Scarlet to her hair, Trina dropped into a chair and +laughed till she cried behind her handkerchief. + +"We've no use of toys," muttered McTeague, looking at her in +perplexity. Old Grannis smiled discreetly, raising a +tremulous hand to his chin. + +The other box was heavy, bound with withes at the edges, the +letters and stamps burnt in. + +"I think--I really think it's champagne," said Old Grannis +in a whisper. So it was. A full case of Monopole. What a +wonder! None of them had seen the like before. Ah, this +Uncle Oelbermann! That's what it was to be rich. Not one +of the other presents produced so deep an impression as +this. + +After Old Grannis and the dentist had gone through the +rooms, giving a last look around to see that everything was +ready, they returned to McTeague's "Parlors." At the door +Old Grannis excused himself. + +At four o'clock McTeague began to dress, shaving himself +first before the hand-glass that was hung against the +woodwork of the bay window. While he shaved he sang with +strange inappropriateness: + + + "No one to love, none to Caress, + Left all alone in this world's wilderness." + + +But as he stood before the mirror, intent upon his shaving, +there came a roll of wheels over the cobbles in front of the +house. He rushed to the window. Trina had arrived with her +father and mother. He saw her get out, and as she glanced +upward at his window, their eyes met. + +Ah, there she was. There she was, his little woman, looking +up at him, her adorable little chin thrust upward with that +familiar movement of innocence and confidence. The +dentist saw again, as if for the first time, her small, pale +face looking out from beneath her royal tiara of black hair; +he saw again her long, narrow blue eyes; her lips, nose, and +tiny ears, pale and bloodless, and suggestive of anaemia, as +if all the vitality that should have lent them color had +been sucked up into the strands and coils of that wonderful +hair. + +As their eyes met they waved their hands gayly to each +other; then McTeague heard Trina and her mother come up the +stairs and go into the bedroom of the photographer's suite, +where Trina was to dress. + +No, no; surely there could be no longer any hesitation. He +knew that he loved her. What was the matter with him, that +he should have doubted it for an instant? The great +difficulty was that she was too good, too adorable, too +sweet, too delicate for him, who was so huge, so clumsy, so +brutal. + +There was a knock at the door. It was Old Grannis. He was +dressed in his one black suit of broadcloth, much wrinkled; +his hair was carefully brushed over his bald forehead. + +"Miss Trina has come," he announced, "and the minister. You +have an hour yet." + +The dentist finished dressing. He wore a suit bought for +the occasion--a ready made "Prince Albert" coat too short in +the sleeves, striped "blue" trousers, and new patent leather +shoes--veritable instruments of torture. Around his collar +was a wonderful necktie that Trina had given him; it was of +salmon-pink satin; in its centre Selina had painted a knot +of blue forget-me-nots. + +At length, after an interminable period of waiting, Mr. +Sieppe appeared at the door. + +"Are you reatty?" he asked in a sepulchral whisper. "Gome, +den." It was like King Charles summoned to execution. Mr. +Sieppe preceded them into the hall, moving at a funereal +pace. He paused. Suddenly, in the direction of the sitting- +room, came the strains of the parlor melodeon. Mr. Sieppe +flung his arm in the air. + +"Vowaarts!" he cried. + +He left them at the door of the sitting-room, he +himself going into the bedroom where Trina was waiting, +entering by the hall door. He was in a tremendous state of +nervous tension, fearful lest something should go wrong. He +had employed the period of waiting in going through his part +for the fiftieth time, repeating what he had to say in a low +voice. He had even made chalk marks on the matting in the +places where he was to take positions. + +The dentist and Old Grannis entered the sitting-room; the +minister stood behind the little table in the bay window, +holding a book, one finger marking the place; he was rigid, +erect, impassive. On either side of him, in a semi-circle, +stood the invited guests. A little pock-marked gentleman in +glasses, no doubt the famous Uncle Oelbermann; Miss Baker, +in her black grenadine, false curls, and coral brooch; +Marcus Schouler, his arms folded, his brows bent, grand and +gloomy; Heise the harness-maker, in yellow gloves, intently +studying the pattern of the matting; and Owgooste, in his +Fauntleroy "costume," stupefied and a little frightened, +rolling his eyes from face to face. Selina sat at the parlor +melodeon, fingering the keys, her glance wandering to the +chenille portieres. She stopped playing as McTeague and Old +Grannis entered and took their places. A profound silence +ensued. Uncle Oelbermann's shirt front could be heard +creaking as he breathed. The most solemn expression +pervaded every face. + +All at once the portieres were shaken violently. It was a +signal. Selina pulled open the stops and swung into the +wedding march. + +Trina entered. She was dressed in white silk, a crown of +orange blossoms was around her swarthy hair--dressed high +for the first time--her veil reached to the floor. Her face +was pink, but otherwise she was calm. She looked quietly +around the room as she crossed it, until her glance rested +on McTeague, smiling at him then very prettily and with +perfect self-possession. + +She was on her father's arm. The twins, dressed exactly +alike, walked in front, each carrying an enormous bouquet of +cut flowers in a "lace-paper" holder. Mrs. Sieppe followed +in the rear. She was crying; her handkerchief was rolled +into a wad. From time to time she looked at the train +of Trina's dress through her tears. Mr. Sieppe marched his +daughter to the exact middle of the floor, wheeled at right +angles, and brought her up to the minister. He stepped back +three paces, and stood planted upon one of his chalk marks, +his face glistening with perspiration. + +Then Trina and the dentist were married. The guests stood +in constrained attitudes, looking furtively out of the +corners of their eyes. Mr. Sieppe never moved a muscle; +Mrs. Sieppe cried into her handkerchief all the time. At +the melodeon Selina played "Call Me Thine Own," very softly, +the tremulo stop pulled out. She looked over her shoulder +from time to time. Between the pauses of the music one +could hear the low tones of the minister, the responses of +the participants, and the suppressed sounds of Mrs. Sieppe's +weeping. Outside the noises of the street rose to the +windows in muffled undertones, a cable car rumbled past, a +newsboy went by chanting the evening papers; from somewhere +in the building itself came a persistent noise of sawing. + +Trina and McTeague knelt. The dentist's knees thudded on +the floor and he presented to view the soles of his shoes, +painfully new and unworn, the leather still yellow, the +brass nail heads still glittering. Trina sank at his side +very gracefully, setting her dress and train with a little +gesture of her free hand. The company bowed their heads, +Mr. Sieppe shutting his eyes tight. But Mrs. Sieppe took +advantage of the moment to stop crying and make furtive +gestures towards Owgooste, signing him to pull down his +coat. But Owgooste gave no heed; his eyes were starting +from their sockets, his chin had dropped upon his lace +collar, and his head turned vaguely from side to side with a +continued and maniacal motion. + +All at once the ceremony was over before any one expected +it. The guests kept their positions for a moment, eyeing one +another, each fearing to make the first move, not quite +certain as to whether or not everything were finished. But +the couple faced the room, Trina throwing back her veil. +She--perhaps McTeague as well--felt that there was a certain +inadequateness about the ceremony. Was that all there was +to it? Did just those few muttered phrases make them +man and wife? It had been over in a few moments, but it had +bound them for life. Had not something been left out? Was +not the whole affair cursory, superficial? It was +disappointing. + +But Trina had no time to dwell upon this. Marcus Schouler, +in the manner of a man of the world, who knew how to act in +every situation, stepped forward and, even before Mr. or +Mrs. Sieppe, took Trina's hand. + +"Let me be the first to congratulate Mrs. McTeague," he +said, feeling very noble and heroic. The strain of the +previous moments was relaxed immediately, the guests crowded +around the pair, shaking hands--a babel of talk arose. + +"Owgooste, WILL you pull down your goat, den?" + +"Well, my dear, now you're married and happy. When I first +saw you two together, I said, 'What a pair!' We're to be +neighbors now; you must come up and see me very often and +we'll have tea together." + +"Did you hear that sawing going on all the time? I declare +it regularly got on my nerves." + +Trina kissed her father and mother, crying a little herself +as she saw the tears in Mrs. Sieppe's eyes. + +Marcus came forward a second time, and, with an air of great +gravity, kissed his cousin upon the forehead. Heise was +introduced to Trina and Uncle Oelbermann to the dentist. + +For upwards of half an hour the guests stood about in +groups, filling the little sitting-room with a great chatter +of talk. Then it was time to make ready for supper. + +This was a tremendous task, in which nearly all the guests +were obliged to assist. The sitting-room was transformed +into a dining-room. The presents were removed from the +extension table and the table drawn out to its full length. +The cloth was laid, the chairs--rented from the dancing +academy hard by--drawn up, the dishes set out, and the two +bouquets of cut flowers taken from the twins under their +shrill protests, and "arranged" in vases at either end of +the table. + +There was a great coming and going between the kitchen +and the sitting-room. Trina, who was allowed to do +nothing, sat in the bay window and fretted, calling to her +mother from time to time: + +"The napkins are in the right-hand drawer of the pantry." + +"Yes, yes, I got um. Where do you geep der zoup blates?" + +"The soup plates are here already." + +"Say, Cousin Trina, is there a corkscrew? What is home +without a corkscrew?" + +"In the kitchen-table drawer, in the left-hand corner." + +"Are these the forks you want to use, Mrs. McTeague?" + +"No, no, there's some silver forks. Mamma knows where." + +They were all very gay, laughing over their mistakes, +getting in one another's way, rushing into the sitting-room, +their hands full of plates or knives or glasses, and darting +out again after more. Marcus and Mr. Sieppe took their +coats off. Old Grannis and Miss Baker passed each other in +the hall in a constrained silence, her grenadine brushing +against the elbow of his wrinkled frock coat. Uncle +Oelbermann superintended Heise opening the case of champagne +with the gravity of a magistrate. Owgooste was assigned the +task of filling the new salt and pepper canisters of red and +blue glass. + +In a wonderfully short time everything was ready. Marcus +Schouler resumed his coat, wiping his forehead, and +remarking: + +"I tell you, I've been doing CHORES for MY board." + +"To der table!" commanded Mr. Sieppe. + +The company sat down with a great clatter, Trina at the +foot, the dentist at the head, the others arranged +themselves in haphazard fashion. But it happened that +Marcus Schouler crowded into the seat beside Selina, towards +which Old Grannis was directing himself. There was but one +other chair vacant, and that at the side of Miss Baker. Old +Grannis hesitated, putting his hand to his chin. However, +there was no escape. In great trepidation he sat down +beside the retired dressmaker. Neither of them spoke. Old +Grannis dared not move, but sat rigid, his eyes riveted on +his empty soup plate. + +All at once there was a report like a pistol. The men +started in their places. Mrs. Sieppe uttered a muffled +shriek. The waiter from the cheap restaurant, hired as +Maria's assistant, rose from a bending posture, a champagne +bottle frothing in his hand; he was grinning from ear to +ear. + +"Don't get scairt," he said, reassuringly, "it ain't +loaded." + +When all their glasses had been filled, Marcus proposed the +health of the bride, "standing up." The guests rose and +drank. Hardly one of them had ever tasted champagne before. +The moment's silence after the toast was broken by McTeague +exclaiming with a long breath of satisfaction: "That's the +best beer I ever drank." + +There was a roar of laughter. Especially was Marcus tickled +over the dentist's blunder; he went off in a very spasm of +mirth, banging the table with his fist, laughing until his +eyes watered. All through the meal he kept breaking out +into cackling imitations of McTeague's words: "That's the +best BEER I ever drank. Oh, Lord, ain't that a break!" + +What a wonderful supper that was! There was oyster soup; +there were sea bass and barracuda; there was a gigantic +roast goose stuffed with chestnuts; there were egg-plant and +sweet potatoes--Miss Baker called them "yams." There was +calf's head in oil, over which Mr. Sieppe went into +ecstasies; there was lobster salad; there were rice pudding, +and strawberry ice cream, and wine jelly, and stewed prunes, +and cocoanuts, and mixed nuts, and raisins, and fruit, and +tea, and coffee, and mineral waters, and lemonade. + +For two hours the guests ate; their faces red, their elbows +wide, the perspiration beading their foreheads. All around +the table one saw the same incessant movement of jaws and +heard the same uninterrupted sound of chewing. Three times +Heise passed his plate for more roast goose. Mr. Sieppe +devoured the calf's head with long breaths of contentment; +McTeague ate for the sake of eating, without choice; +everything within reach of his hands found its way into his +enormous mouth. + +There was but little conversation, and that only of the +food; one exchanged opinions with one's neighbor as to the +soup, the egg-plant, or the stewed prunes. Soon the +room became very warm, a faint moisture appeared upon the +windows, the air was heavy with the smell of cooked food. +At every moment Trina or Mrs. Sieppe urged some one of the +company to have his or her plate refilled. They were +constantly employed in dishing potatoes or carving the goose +or ladling gravy. The hired waiter circled around the +room, his limp napkin over his arm, his hands full of plates +and dishes. He was a great joker; he had names of his own +for different articles of food, that sent gales of laughter +around the table. When he spoke of a bunch of parsley as +"scenery," Heise all but strangled himself over a mouthful +of potato. Out in the kitchen Maria Macapa did the work of +three, her face scarlet, her sleeves rolled up; every now +and then she uttered shrill but unintelligible outcries, +supposedly addressed to the waiter. + +"Uncle Oelbermann," said Trina, "let me give you another +helping of prunes." + +The Sieppes paid great deference to Uncle Oelbermann, as +indeed did the whole company. Even Marcus Schouler lowered +his voice when he addressed him. At the beginning of the +meal he had nudged the harness-maker and had whispered +behind his hand, nodding his head toward the wholesale toy +dealer, "Got thirty thousand dollars in the bank; has, for a +fact." + +"Don't have much to say," observed Heise. + +"No, no. That's his way; never opens his face." + +As the evening wore on, the gas and two lamps were lit. The +company were still eating. The men, gorged with food, had +unbuttoned their vests. McTeague's cheeks were distended, +his eyes wide, his huge, salient jaw moved with a machine- +like regularity; at intervals he drew a series of short +breaths through his nose. Mrs. Sieppe wiped her forehead +with her napkin. + +"Hey, dere, poy, gif me some more oaf dat--what you call-- +'bubble-water.'" + +That was how the waiter had spoken of the champagne-- +"bubble-water." The guests had shouted applause, "Outa +sight." He was a heavy josher was that waiter. + +Bottle after bottle was opened, the women stopping +their ears as the corks were drawn. All of a sudden the +dentist uttered an exclamation, clapping his hand to his +nose, his face twisting sharply. + +"Mac, what is it?" cried Trina in alarm. + +"That champagne came to my nose," he cried, his eyes +watering. "It stings like everything." + +"Great BEER, ain't ut?" shouted Marcus. + +"Now, Mark," remonstrated Trina in a low voice. "Now, Mark, +you just shut up; that isn't funny any more. I don't want +you should make fun of Mac. He called it beer on purpose. +I guess HE knows." + +Throughout the meal old Miss Baker had occupied herself +largely with Owgooste and the twins, who had been given a +table by themselves--the black walnut table before which the +ceremony had taken place. The little dressmaker was +continually turning about in her place, inquiring of the +children if they wanted for anything; inquiries they rarely +answered other than by stare, fixed, ox-like, +expressionless. + +Suddenly the little dressmaker turned to Old Grannis and +exclaimed: + +"I'm so very fond of little children." + +"Yes, yes, they're very interesting. I'm very fond of them, +too." + +The next instant both of the old people were overwhelmed +with confusion. What! They had spoken to each other after +all these years of silence; they had for the first time +addressed remarks to each other. + +The old dressmaker was in a torment of embarrassment. How +was it she had come to speak? She had neither planned nor +wished it. Suddenly the words had escaped her, he had +answered, and it was all over--over before they knew it. + +Old Grannis's fingers trembled on the table ledge, his heart +beat heavily, his breath fell short. He had actually talked +to the little dressmaker. That possibility to which he had +looked forward, it seemed to him for years--that +companionship, that intimacy with his fellow-lodger, +that delightful acquaintance which was only to ripen at some +far distant time, he could not exactly say when--behold, it +had suddenly come to a head, here in this over-crowded, +over-heated room, in the midst of all this feeding, +surrounded by odors of hot dishes, accompanied by the sounds +of incessant mastication. How different he had imagined it +would be! They were to be alone--he and Miss Baker--in the +evening somewhere, withdrawn from the world, very quiet, +very calm and peaceful. Their talk was to be of their +lives, their lost illusions, not of other people's children. + +The two old people did not speak again. They sat there side +by side, nearer than they had ever been before, motionless, +abstracted; their thoughts far away from that scene of +feasting. They were thinking of each other and they were +conscious of it. Timid, with the timidity of their second +childhood, constrained and embarrassed by each other's +presence, they were, nevertheless, in a little Elysium of +their own creating. They walked hand in hand in a delicious +garden where it was always autumn; together and alone they +entered upon the long retarded romance of their commonplace +and uneventful lives. + +At last that great supper was over, everything had been +eaten; the enormous roast goose had dwindled to a very +skeleton. Mr. Sieppe had reduced the calf's head to a mere +skull; a row of empty champagne bottles--"dead soldiers," as +the facetious waiter had called them--lined the mantelpiece. +Nothing of the stewed prunes remained but the juice, which +was given to Owgooste and the twins. The platters were as +clean as if they had been washed; crumbs of bread, potato +parings, nutshells, and bits of cake littered the table; +coffee and ice-cream stains and spots of congealed gravy +marked the position of each plate. It was a devastation, a +pillage; the table presented the appearance of an abandoned +battlefield. + +"Ouf," cried Mrs. Sieppe, pushing back, "I haf eatun und +eatun, ach, Gott, how I haf eatun!" + +"Ah, dot kaf's het," murmured her husband, passing his +tongue over his lips. + +The facetious waiter had disappeared. He and Maria +Macapa foregathered in the kitchen. They drew up to the +washboard of the sink, feasting off the remnants of the +supper, slices of goose, the remains of the lobster salad, +and half a bottle of champagne. They were obliged to drink +the latter from teacups. + +"Here's how," said the waiter gallantly, as he raised his +tea-cup, bowing to Maria across the sink. "Hark," he added, +"they're singing inside." + +The company had left the table and had assembled about the +melodeon, where Selina was seated. At first they attempted +some of the popular songs of the day, but were obliged to +give over as none of them knew any of the words beyond the +first line of the chorus. Finally they pitched upon +"Nearer, My God, to Thee," as the only song which they all +knew. Selina sang the "alto," very much off the key; Marcus +intoned the bass, scowling fiercely, his chin drawn into his +collar. They sang in very slow time. The song became a +dirge, a lamentable, prolonged wail of distress: + + + "Nee-rah, my Gahd, to Thee, + Nee-rah to Thee-ah." + + +At the end of the song, Uncle Oelbermann put on his hat +without a word of warning. Instantly there was a hush. The +guests rose. + +"Not going so soon, Uncle Oelbermann?" protested Trina, +politely. He only nodded. Marcus sprang forward to help +him with his overcoat. Mr. Sieppe came up and the two men +shook hands. + +Then Uncle Oelbermann delivered himself of an oracular +phrase. No doubt he had been meditating it during the +supper. Addressing Mr. Sieppe, he said: + +"You have not lost a daughter, but have gained a son." + +These were the only words he had spoken the entire evening. +He departed; the company was profoundly impressed. + +About twenty minutes later, when Marcus Schouler was +entertaining the guests by eating almonds, shells and +all, Mr. Sieppe started to his feet, watch in hand. + +"Haf-bast elevun," he shouted. "Attention! Der dime haf +arrive, shtop eferyting. We depart." + +This was a signal for tremendous confusion. Mr. Sieppe +immediately threw off his previous air of relaxation, the +calf's head was forgotten, he was once again the leader of +vast enterprises. + +"To me, to me," he cried. "Mommer, der tervins, Owgooste." +He marshalled his tribe together, with tremendous commanding +gestures. The sleeping twins were suddenly shaken into a +dazed consciousness; Owgooste, whom the almond-eating of +Marcus Schouler had petrified with admiration, was smacked +to a realization of his surroundings. + +Old Grannis, with a certain delicacy that was one of his +characteristics, felt instinctively that the guests--the +mere outsiders--should depart before the family began its +leave-taking of Trina. He withdrew unobtrusively, after a +hasty good-night to the bride and groom. The rest followed +almost immediately. + +"Well, Mr. Sieppe," exclaimed Marcus, "we won't see each +other for some time." Marcus had given up his first +intention of joining in the Sieppe migration. He spoke in a +large way of certain affairs that would keep him in San +Francisco till the fall. Of late he had entertained +ambitions of a ranch life, he would breed cattle, he had a +little money and was only looking for some one "to go in +with." He dreamed of a cowboy's life and saw himself in an +entrancing vision involving silver spurs and untamed +bronchos. He told himself that Trina had cast him off, that +his best friend had "played him for a sucker," that the +"proper caper" was to withdraw from the world entirely. + +"If you hear of anybody down there," he went on, speaking to +Mr. Sieppe, "that wants to go in for ranching, why just let +me know." + +"Soh, soh," answered Mr. Sieppe abstractedly, peering about +for Owgooste's cap. + +Marcus bade the Sieppes farewell. He and Heise went out +together. One heard them, as they descended the +stairs, discussing the possibility of Frenna's place being +still open. + +Then Miss Baker departed after kissing Trina on both cheeks. +Selina went with her. There was only the family left. + +Trina watched them go, one by one, with an increasing +feeling of uneasiness and vague apprehension. Soon they +would all be gone. + +"Well, Trina," exclaimed Mr. Sieppe, "goot-py; perhaps you +gome visit us somedime." + +Mrs. Sieppe began crying again. + +"Ach, Trina, ven shall I efer see you again?" + +Tears came to Trina's eyes in spite of herself. She put her +arms around her mother. + +"Oh, sometime, sometime," she cried. The twins and Owgooste +clung to Trina's skirts, fretting and whimpering. + +McTeague was miserable. He stood apart from the group, in a +corner. None of them seemed to think of him; he was not of +them. + +"Write to me very often, mamma, and tell me about +everything--about August and the twins." + +"It is dime," cried Mr. Sieppe, nervously. "Goot-py, Trina. +Mommer, Owgooste, say goot-py, den we must go. Goot-py, +Trina." He kissed her. Owgooste and the twins were lifted +up. "Gome, gome," insisted Mr. Sieppe, moving toward the +door. + +"Goot-py, Trina," exclaimed Mrs. Sieppe, crying harder than +ever. "Doktor--where is der doktor--Doktor, pe goot to her, +eh? pe vairy goot, eh, won't you? Zum day, Dokter, you vill +haf a daughter, den you know berhaps how I feel, yes." + +They were standing at the door by this time. Mr. Sieppe, +half way down the stairs, kept calling "Gome, gome, we miss +der drain." + +Mrs. Sieppe released Trina and started down the hall, the +twins and Owgooste following. Trina stood in the doorway, +looking after them through her tears. They were going, +going. When would she ever see them again? She was to be +left alone with this man to whom she had just been married. +A sudden vague terror seized her; she left McTeague and +ran down the hall and caught her mother around the neck. + +"I don't WANT you to go," she whispered in her mother's +ear, sobbing. "Oh, mamma, I--I'm 'fraid." + +"Ach, Trina, you preak my heart. Don't gry, poor leetle +girl." She rocked Trina in her arms as though she were a +child again. "Poor leetle scairt girl, don' gry--soh--soh-- +soh, dere's nuttun to pe 'fraid oaf. Dere, go to your +hoasban'. Listen, popper's galling again; go den; goot-by." + +She loosened Trina's arms and started down the stairs. Trina +leaned over the banisters, straining her eyes after her +mother. + +"What is ut, Trina?" + +"Oh, good-by, good-by." + +"Gome, gome, we miss der drain." + +"Mamma, oh, mamma!" + +"What is ut, Trina?" + +"Good-by." + +"Goot-py, leetle daughter." + +"Good-by, good-by, good-by." + +The street door closed. The silence was profound. + +For another moment Trina stood leaning over the banisters, +looking down into the empty stairway. It was dark. There +was nobody. They--her father, her mother, the children--had +left her, left her alone. She faced about toward the rooms +--faced her husband, faced her new home, the new life that +was to begin now. + +The hall was empty and deserted. The great flat around her +seemed new and huge and strange; she felt horribly alone. +Even Maria and the hired waiter were gone. On one of the +floors above she heard a baby crying. She stood there an +instant in the dark hall, in her wedding finery, looking +about her, listening. From the open door of the sitting- +room streamed a gold bar of light. + +She went down the hall, by the open door of the sitting- +room, going on toward the hall door of the bedroom. + +As she softly passed the sitting-room she glanced hastily +in. The lamps and the gas were burning brightly, the chairs +were pushed back from the table just as the guests had left +them, and the table itself, abandoned, deserted, +presented to view the vague confusion of its dishes, its +knives and forks, its empty platters and crumpled napkins. +The dentist sat there leaning on his elbows, his back toward +her; against the white blur of the table he looked colossal. +Above his giant shoulders rose his thick, red neck and mane +of yellow hair. The light shone pink through the gristle of +his enormous ears. + +Trina entered the bedroom, closing the door after her. At +the sound, she heard McTeague start and rise. + +"Is that you, Trina?" + +She did not answer; but paused in the middle of the room, +holding her breath, trembling. + +The dentist crossed the outside room, parted the chenille +portieres, and came in. He came toward her quickly, making +as if to take her in his arms. His eyes were alight. + +"No, no," cried Trina, shrinking from him. Suddenly seized +with the fear of him--the intuitive feminine fear of the +male--her whole being quailed before him. She was terrified +at his huge, square-cut head; his powerful, salient jaw; his +huge, red hands; his enormous, resistless strength. + +"No, no--I'm afraid," she cried, drawing back from him to +the other side of the room. + +"Afraid?" answered the dentist in perplexity. "What are you +afraid of, Trina? I'm not going to hurt you. What are you +afraid of?" + +What, indeed, was Trina afraid of? She could not tell. But +what did she know of McTeague, after all? Who was this man +that had come into her life, who had taken her from her home +and from her parents, and with whom she was now left alone +here in this strange, vast flat? + +"Oh, I'm afraid. I'm afraid," she cried. + +McTeague came nearer, sat down beside her and put one arm +around her. + +"What are you afraid of, Trina?" he said, reassuringly. "I +don't want to frighten you." + +She looked at him wildly, her adorable little chin +quivering, the tears brimming in her narrow blue eyes. +Then her glance took on a certain intentness, and she peered +curiously into his face, saying almost in a whisper: + +"I'm afraid of YOU." + +But the dentist did not heed her. An immense joy seized +upon him--the joy of possession. Trina was his very own +now. She lay there in the hollow of his arm, helpless and +very pretty. + +Those instincts that in him were so close to the surface +suddenly leaped to life, shouting and clamoring, not to be +resisted. He loved her. Ah, did he not love her? The +smell of her hair, of her neck, rose to him. + +Suddenly he caught her in both his huge arms, crushing down +her struggle with his immense strength, kissing her full +upon the mouth. Then her great love for McTeague suddenly +flashed up in Trina's breast; she gave up to him as she had +done before, yielding all at once to that strange desire of +being conquered and subdued. She clung to him, her hands +clasped behind his neck, whispering in his ear: + +"Oh, you must be good to me--very, very good to me, dear-- +for you're all that I have in the world now." + + + +CHAPTER 10 + + +That summer passed, then the winter. The wet season began +in the last days of September and continued all through +October, November, and December. At long intervals would +come a week of perfect days, the sky without a cloud, the +air motionless, but touched with a certain nimbleness, a +faint effervescence that was exhilarating. Then, +without warning, during a night when a south wind blew, a +gray scroll of cloud would unroll and hang high over the +city, and the rain would come pattering down again, at first +in scattered showers, then in an uninterrupted drizzle. + +All day long Trina sat in the bay window of the sitting-room +that commanded a view of a small section of Polk Street. As +often as she raised her head she could see the big market, a +confectionery store, a bell-hanger's shop, and, farther on, +above the roofs, the glass skylights and water tanks of the +big public baths. In the nearer foreground ran the street +itself; the cable cars trundled up and down, thumping +heavily over the joints of the rails; market carts by the +score came and went, driven at a great rate by preoccupied +young men in their shirt sleeves, with pencils behind their +ears, or by reckless boys in blood-stained butcher's aprons. +Upon the sidewalks the little world of Polk Street swarmed +and jostled through its daily round of life. On fine days +the great ladies from the avenue, one block above, invaded +the street, appearing before the butcher stalls, intent upon +their day's marketing. On rainy days their servants--the +Chinese cooks or the second girls--took their places. These +servants gave themselves great airs, carrying their big +cotton umbrellas as they had seen their mistresses carry +their parasols, and haggling in supercilious fashion with +the market men, their chins in the air. + +The rain persisted. Everything in the range of Trina's +vision, from the tarpaulins on the market-cart horses to the +panes of glass in the roof of the public baths, looked +glazed and varnished. The asphalt of the sidewalks shone +like the surface of a patent leather boot; every hollow in +the street held its little puddle, that winked like an eye +each time a drop of rain struck into it. + +Trina still continued to work for Uncle Oelbermann. In the +mornings she busied herself about the kitchen, the bedroom, +and the sitting-room; but in the afternoon, for two or three +hours after lunch, she was occupied with the Noah's ark +animals. She took her work to the bay window, spreading out +a great square of canvas underneath her chair, to catch the +chips and shavings, which she used afterwards for lighting +fires. One after another she caught up the little +blocks of straight-grained pine, the knife flashed between +her fingers, the little figure grew rapidly under her touch, +was finished and ready for painting in a wonderfully short +time, and was tossed into the basket that stood at her +elbow. + +But very often during that rainy winter after her marriage +Trina would pause in her work, her hands falling idly into +her lap, her eyes--her narrow, pale blue eyes--growing wide +and thoughtful as she gazed, unseeing, out into the rain- +washed street. + +She loved McTeague now with a blind, unreasoning love that +admitted of no doubt or hesitancy. Indeed, it seemed to her +that it was only AFTER her marriage with the dentist +that she had really begun to love him. With the absolute +final surrender of herself, the irrevocable, ultimate +submission, had come an affection the like of which she had +never dreamed in the old B Street days. But Trina loved her +husband, not because she fancied she saw in him any of those +noble and generous qualities that inspire affection. The +dentist might or might not possess them, it was all one with +Trina. She loved him because she had given herself to him +freely, unreservedly; had merged her individuality into his; +she was his, she belonged to him forever and forever. +Nothing that he could do (so she told herself), nothing that +she herself could do, could change her in this respect. +McTeague might cease to love her, might leave her, might +even die; it would be all the same, SHE WAS HIS. + +But it had not been so at first. During those long, rainy +days of the fall, days when Trina was left alone for hours, +at that time when the excitement and novelty of the +honeymoon were dying down, when the new household was +settling into its grooves, she passed through many an hour +of misgiving, of doubt, and even of actual regret. + +Never would she forget one Sunday afternoon in particular. +She had been married but three weeks. After dinner she and +little Miss Baker had gone for a bit of a walk to take +advantage of an hour's sunshine and to look at some +wonderful geraniums in a florist's window on Sutter Street. +They had been caught in a shower, and on returning to the +flat the little dressmaker had insisted on fetching +Trina up to her tiny room and brewing her a cup of strong +tea, "to take the chill off." The two women had chatted over +their teacups the better part of the afternoon, then Trina +had returned to her rooms. For nearly three hours McTeague +had been out of her thoughts, and as she came through their +little suite, singing softly to herself, she suddenly came +upon him quite unexpectedly. Her husband was in the "Dental +Parlors," lying back in his operating chair, fast asleep. +The little stove was crammed with coke, the room was +overheated, the air thick and foul with the odors of ether, +of coke gas, of stale beer and cheap tobacco. The dentist +sprawled his gigantic limbs over the worn velvet of the +operating chair; his coat and vest and shoes were off, and +his huge feet, in their thick gray socks, dangled over the +edge of the foot-rest; his pipe, fallen from his half-open +mouth, had spilled the ashes into his lap; while on the +floor, at his side stood the half-empty pitcher of steam +beer. His head had rolled limply upon one shoulder, his +face was red with sleep, and from his open mouth came a +terrific sound of snoring. + +For a moment Trina stood looking at him as he lay thus, +prone, inert, half-dressed, and stupefied with the heat of +the room, the steam beer, and the fumes of the cheap +tobacco. Then her little chin quivered and a sob rose to +her throat; she fled from the "Parlors," and locking herself +in her bedroom, flung herself on the bed and burst into an +agony of weeping. Ah, no, ah, no, she could not love him. +It had all been a dreadful mistake, and now it was +irrevocable; she was bound to this man for life. If it was +as bad as this now, only three weeks after her marriage, how +would it be in the years to come? Year after year, month +after month, hour after hour, she was to see this same face, +with its salient jaw, was to feel the touch of those +enormous red hands, was to hear the heavy, elephantine tread +of those huge feet--in thick gray socks. Year after year, +day after day, there would be no change, and it would last +all her life. Either it would be one long continued +revulsion, or else--worse than all--she would come to be +content with him, would come to be like him, would sink to +the level of steam beer and cheap tobacco, and all her +pretty ways, her clean, trim little habits, would be +forgotten, since they would be thrown away upon her stupid, +brutish husband. "Her husband!" THAT, was her husband +in there--she could yet hear his snores--for life, for life. +A great despair seized upon her. She buried her face in the +pillow and thought of her mother with an infinite longing. + +Aroused at length by the chittering of the canary, McTeague +had awakened slowly. After a while he had taken down his +concertina and played upon it the six very mournful airs +that he knew. + +Face downward upon the bed, Trina still wept. Throughout +that little suite could be heard but two sounds, the +lugubrious strains of the concertina and the noise of +stifled weeping. + +That her husband should be ignorant of her distress seemed +to Trina an additional grievance. With perverse +inconsistency she began to wish him to come to her, to +comfort her. He ought to know that she was in trouble, that +she was lonely and unhappy. + +"Oh, Mac," she called in a trembling voice. But the +concertina still continued to wail and lament. Then Trina +wished she were dead, and on the instant jumped up and ran +into the "Dental Parlors," and threw herself into her +husband's arms, crying: "Oh, Mac, dear, love me, love me +big! I'm so unhappy." + +"What--what--what--" the dentist exclaimed, starting up +bewildered, a little frightened. + +"Nothing, nothing, only LOVE me, love me always and +always." + +But this first crisis, this momentary revolt, as much a +matter of high-strung feminine nerves as of anything else, +passed, and in the end Trina's affection for her "old bear" +grew in spite of herself. She began to love him more and +more, not for what he was, but for what she had given up to +him. Only once again did Trina undergo a reaction against +her husband, and then it was but the matter of an instant, +brought on, curiously enough, by the sight of a bit of egg +on McTeague's heavy mustache one morning just after +breakfast. + +Then, too, the pair had learned to make concessions, little +by little, and all unconsciously they adapted their +modes of life to suit each other. Instead of sinking to +McTeague's level as she had feared, Trina found that she +could make McTeague rise to hers, and in this saw a solution +of many a difficult and gloomy complication. + +For one thing, the dentist began to dress a little better, +Trina even succeeding in inducing him to wear a high silk +hat and a frock coat of a Sunday. Next he relinquished his +Sunday afternoon's nap and beer in favor of three or four +hours spent in the park with her--the weather permitting. +So that gradually Trina's misgivings ceased, or when they +did assail her, she could at last meet them with a shrug of +the shoulders, saying to herself meanwhile, "Well, it's done +now and it can't be helped; one must make the best of it." + +During the first months of their married life these nervous +relapses of hers had alternated with brusque outbursts of +affection when her only fear was that her husband's love did +not equal her own. Without an instant's warning, she would +clasp him about the neck, rubbing her cheek against his, +murmuring: + +"Dear old Mac, I love you so, I love you so. Oh, aren't we +happy together, Mac, just us two and no one else? You love +me as much as I love you, don't you, Mac? Oh, if you +shouldn't--if you SHOULDN'T." + +But by the middle of the winter Trina's emotions, +oscillating at first from one extreme to another, commenced +to settle themselves to an equilibrium of calmness and +placid quietude. Her household duties began more and more to +absorb her attention, for she was an admirable housekeeper, +keeping the little suite in marvellous good order and +regulating the schedule of expenditure with an economy that +often bordered on positive niggardliness. It was a passion +with her to save money. In the bottom of her trunk, in the +bedroom, she hid a brass match-safe that answered the +purposes of a savings bank. Each time she added a quarter or +a half dollar to the little store she laughed and sang with +a veritable childish delight; whereas, if the butcher or +milkman compelled her to pay an overcharge she was unhappy +for the rest of the day. She did not save this money +for any ulterior purpose, she hoarded instinctively, without +knowing why, responding to the dentist's remonstrances with: + +"Yes, yes, I know I'm a little miser, I know it." + +Trina had always been an economical little body, but it was +only since her great winning in the lottery that she had +become especially penurious. No doubt, in her fear lest +their great good luck should demoralize them and lead to +habits of extravagance, she had recoiled too far in the +other direction. Never, never, never should a penny of that +miraculous fortune be spent; rather should it be added to. +It was a nest egg, a monstrous, roc-like nest egg, not so +large, however, but that it could be made larger. Already +by the end of that winter Trina had begun to make up the +deficit of two hundred dollars that she had been forced to +expend on the preparations for her marriage. + +McTeague, on his part, never asked himself now-a-days +whether he loved Trina the wife as much as he had loved +Trina the young girl. There had been a time when to kiss +Trina, to take her in his arms, had thrilled him from head +to heel with a happiness that was beyond words; even the +smell of her wonderful odorous hair had sent a sensation of +faintness all through him. That time was long past now. +Those sudden outbursts of affection on the part of his +little woman, outbursts that only increased in vehemence the +longer they lived together, puzzled rather than pleased him. +He had come to submit to them good-naturedly, answering her +passionate inquiries with a "Sure, sure, Trina, sure I love +you. What--what's the matter with you?" + +There was no passion in the dentist's regard for his wife. +He dearly liked to have her near him, he took an enormous +pleasure in watching her as she moved about their rooms, +very much at home, gay and singing from morning till night; +and it was his great delight to call her into the "Dental +Parlors" when a patient was in the chair and, while he held +the plugger, to have her rap in the gold fillings with the +little box-wood mallet as he had taught her. But that +tempest of passion, that overpowering desire that had +suddenly taken possession of him that day when he had given +her ether, again when he had caught her in his arms in +the B Street station, and again and again during the early +days of their married life, rarely stirred him now. On the +other hand, he was never assailed with doubts as to the +wisdom of his marriage. + +McTeague had relapsed to his wonted stolidity. He never +questioned himself, never looked for motives, never went to +the bottom of things. The year following upon the summer of +his marriage was a time of great contentment for him; after +the novelty of the honeymoon had passed he slipped easily +into the new order of things without a question. Thus his +life would be for years to come. Trina was there; he was +married and settled. He accepted the situation. The little +animal comforts which for him constituted the enjoyment of +life were ministered to at every turn, or when they were +interfered with--as in the case of his Sunday afternoon's +nap and beer--some agreeable substitute was found. In her +attempts to improve McTeague--to raise him from the stupid +animal life to which he had been accustomed in his bachelor +days--Trina was tactful enough to move so cautiously and +with such slowness that the dentist was unconscious of any +process of change. In the matter of the high silk hat, it +seemed to him that the initiative had come from himself. + +Gradually the dentist improved under the influence of his +little wife. He no longer went abroad with frayed cuffs +about his huge red wrists--or worse, without any cuffs at +all. Trina kept his linen clean and mended, doing most of +his washing herself, and insisting that he should change his +flannels--thick red flannels they were, with enormous bone +buttons--once a week, his linen shirts twice a week, and his +collars and cuffs every second day. She broke him of the +habit of eating with his knife, she caused him to substitute +bottled beer in the place of steam beer, and she induced him +to take off his hat to Miss Baker, to Heise's wife, and to +the other women of his acquaintance. McTeague no longer +spent an evening at Frenna's. Instead of this he brought a +couple of bottles of beer up to the rooms and shared it with +Trina. In his "Parlors" he was no longer gruff and +indifferent to his female patients; he arrived at that stage +where he could work and talk to them at the same time; +he even accompanied them to the door, and held it open for +them when the operation was finished, bowing them out with +great nods of his huge square-cut head. + +Besides all this, he began to observe the broader, larger +interests of life, interests that affected him not as an +individual, but as a member of a class, a profession, or a +political party. He read the papers, he subscribed to a +dental magazine; on Easter, Christmas, and New Year's he +went to church with Trina. He commenced to have opinions, +convictions--it was not fair to deprive tax-paying women of +the privilege to vote; a university education should not be +a prerequisite for admission to a dental college; the +Catholic priests were to be restrained in their efforts to +gain control of the public schools. + +But most wonderful of all, McTeague began to have ambitions +--very vague, very confused ideas of something better--ideas +for the most part borrowed from Trina. Some day, perhaps, +he and his wife would have a house of their own. What a +dream! A little home all to themselves, with six rooms and a +bath, with a grass plat in front and calla-lilies. Then +there would be children. He would have a son, whose name +would be Daniel, who would go to High School, and perhaps +turn out to be a prosperous plumber or house painter. Then +this son Daniel would marry a wife, and they would all live +together in that six-room-and-bath house; Daniel would have +little children. McTeague would grow old among them all. +The dentist saw himself as a venerable patriarch surrounded +by children and grandchildren. + +So the winter passed. It was a season of great happiness +for the McTeagues; the new life jostled itself into its +grooves. A routine began. + +On weekdays they rose at half-past six, being awakened by +the boy who brought the bottled milk, and who had +instructions to pound upon the bedroom door in passing. +Trina made breakfast--coffee, bacon and eggs, and a roll of +Vienna bread from the bakery. The breakfast was eaten in +the kitchen, on the round deal table covered with the shiny +oilcloth table-spread tacked on. After breakfast the +dentist immediately betook himself to his "Parlors" to meet +his early morning appointments--those made with the clerks +and shop girls who stopped in for half an hour on their way +to their work. + +Trina, meanwhile, busied herself about the suite, clearing +away the breakfast, sponging off the oilcloth table-spread, +making the bed, pottering about with a broom or duster or +cleaning rag. Towards ten o'clock she opened the windows to +air the rooms, then put on her drab jacket, her little round +turban with its red wing, took the butcher's and grocer's +books from the knife basket in the drawer of the kitchen +table, and descended to the street, where she spent a +delicious hour--now in the huge market across the way, now +in the grocer's store with its fragrant aroma of coffee and +spices, and now before the counters of the haberdasher's, +intent on a bit of shopping, turning over ends of veiling, +strips of elastic, or slivers of whalebone. On the street +she rubbed elbows with the great ladies of the avenue in +their beautiful dresses, or at intervals she met an +acquaintance or two--Miss Baker, or Heise's lame wife, or +Mrs. Ryer. At times she passed the flat and looked up at +the windows of her home, marked by the huge golden molar +that projected, flashing, from the bay window of the +"Parlors." She saw the open windows of the sitting-room, +the Nottingham lace curtains stirring and billowing in the +draft, and she caught sight of Maria Macapa's towelled head +as the Mexican maid-of-all-work went to and fro in the +suite, sweeping or carrying away the ashes. Occasionally in +the windows of the "Parlors" she beheld McTeague's rounded +back as he bent to his work. Sometimes, even, they saw each +other and waved their hands gayly in recognition. + +By eleven o'clock Trina returned to the flat, her brown net +reticule--once her mother's--full of parcels. At once she +set about getting lunch--sausages, perhaps, with mashed +potatoes; or last evening's joint warmed over or made into a +stew; chocolate, which Trina adored, and a side dish or two +--a salted herring or a couple of artichokes or a salad. At +half-past twelve the dentist came in from the "Parlors," +bringing with him the smell of creosote and of ether. +They sat down to lunch in the sitting-room. They told each +other of their doings throughout the forenoon; Trina showed +her purchases, McTeague recounted the progress of an +operation. At one o'clock they separated, the dentist +returning to the "Parlors," Trina settling to her work on +the Noah's ark animals. At about three o'clock she put this +work away, and for the rest of the afternoon was variously +occupied--sometimes it was the mending, sometimes the wash, +sometimes new curtains to be put up, or a bit of carpet to +be tacked down, or a letter to be written, or a visit-- +generally to Miss Baker--to be returned. Towards five +o'clock the old woman whom they had hired for that purpose +came to cook supper, for even Trina was not equal to the +task of preparing three meals a day. + +This woman was French, and was known to the flat as +Augustine, no one taking enough interest in her to inquire +for her last name; all that was known of her was that she +was a decayed French laundress, miserably poor, her trade +long since ruined by Chinese competition. Augustine cooked +well, but she was otherwise undesirable, and Trina lost +patience with her at every moment. The old French woman's +most marked characteristic was her timidity. Trina could +scarcely address her a simple direction without Augustine +quailing and shrinking; a reproof, however gentle, threw her +into an agony of confusion; while Trina's anger promptly +reduced her to a state of nervous collapse, wherein she lost +all power of speech, while her head began to bob and nod +with an incontrollable twitching of the muscles, much like +the oscillations of the head of a toy donkey. Her timidity +was exasperating, her very presence in the room unstrung the +nerves, while her morbid eagerness to avoid offence only +served to develop in her a clumsiness that was at times +beyond belief. More than once Trina had decided that she +could no longer put up with Augustine but each time she had +retained her as she reflected upon her admirably cooked +cabbage soups and tapioca puddings, and--which in Trina's +eyes was her chiefest recommendation--the pittance for which +she was contented to work. + +Augustine had a husband. He was a spirit-medium--a +"professor." At times he held seances in the larger +rooms of the flat, playing vigorously upon a mouth-organ and +invoking a familiar whom he called "Edna," and whom he +asserted was an Indian maiden. + +The evening was a period of relaxation for Trina and +McTeague. They had supper at six, after which McTeague +smoked his pipe and read the papers for half an hour, while +Trina and Augustine cleared away the table and washed the +dishes. Then, as often as not, they went out together. One +of their amusements was to go "down town" after dark and +promenade Market and Kearney Streets. It was very gay; a +great many others were promenading there also. All of the +stores were brilliantly lighted and many of them still open. +They walked about aimlessly, looking into the shop windows. +Trina would take McTeague's arm, and he, very much +embarrassed at that, would thrust both hands into his +pockets and pretend not to notice. They stopped before the +jewellers' and milliners' windows, finding a great delight +in picking out things for each other, saying how they would +choose this and that if they were rich. Trina did most of +the talking. McTeague merely approving by a growl or a +movement of the head or shoulders; she was interested in the +displays of some of the cheaper stores, but he found an +irresistible charm in an enormous golden molar with four +prongs that hung at a corner of Kearney Street. Sometimes +they would look at Mars or at the moon through the street +telescopes or sit for a time in the rotunda of a vast +department store where a band played every evening. + +Occasionally they met Heise the harness-maker and his wife, +with whom they had become acquainted. Then the evening was +concluded by a four-cornered party in the Luxembourg, a +quiet German restaurant under a theatre. Trina had a tamale +and a glass of beer, Mrs. Heise (who was a decayed writing +teacher) ate salads, with glasses of grenadine and currant +syrups. Heise drank cocktails and whiskey straight, and +urged the dentist to join him. But McTeague was obstinate, +shaking his head. "I can't drink that stuff," he said. "It +don't agree with me, somehow; I go kinda crazy after +two glasses." So he gorged himself with beer and +frankfurter sausages plastered with German mustard. + +When the annual Mechanic's Fair opened, McTeague and Trina +often spent their evenings there, studying the exhibits +carefully (since in Trina's estimation education meant +knowing things and being able to talk about them). Wearying +of this they would go up into the gallery, and, leaning +over, look down into the huge amphitheatre full of light and +color and movement. + +There rose to them the vast shuffling noise of thousands of +feet and a subdued roar of conversation like the sound of a +great mill. Mingled with this was the purring of distant +machinery, the splashing of a temporary fountain, and the +rhythmic jangling of a brass band, while in the piano +exhibit a hired performer was playing upon a concert grand +with a great flourish. Nearer at hand they could catch ends +of conversation and notes of laughter, the noise of moving +dresses, and the rustle of stiffly starched skirts. Here +and there school children elbowed their way through the +crowd, crying shrilly, their hands full of advertisement +pamphlets, fans, picture cards, and toy whips, while the air +itself was full of the smell of fresh popcorn. + +They even spent some time in the art gallery. Trina's +cousin Selina, who gave lessons in hand painting at two bits +an hour, generally had an exhibit on the walls, which they +were interested to find. It usually was a bunch of yellow +poppies painted on black velvet and framed in gilt. They +stood before it some little time, hazarding their opinions, +and then moved on slowly from one picture to another. Trina +had McTeague buy a catalogue and made a duty of finding the +title of every picture. This, too, she told McTeague, as a +kind of education one ought to cultivate. Trina professed +to be fond of art, having perhaps acquired a taste for +painting and sculpture from her experience with the Noah's +ark animals. + +"Of course," she told the dentist, "I'm no critic, I only +know what I like." She knew that she liked the "Ideal +Heads," lovely girls with flowing straw-colored hair and +immense, upturned eyes. These always had for title, +"Reverie," or "An Idyll," or "Dreams of Love." + +"I think those are lovely, don't you, Mac?" she said. + +"Yes, yes," answered McTeague, nodding his head, bewildered, +trying to understand. "Yes, yes, lovely, that's the word. +Are you dead sure now, Trina, that all that's hand-painted +just like the poppies?" + +Thus the winter passed, a year went by, then two. The +little life of Polk Street, the life of small traders, drug +clerks, grocers, stationers, plumbers, dentists, doctors, +spirit-mediums, and the like, ran on monotonously in its +accustomed grooves. The first three years of their married +life wrought little change in the fortunes of the McTeagues. +In the third summer the branch post-office was moved from +the ground floor of the flat to a corner farther up the +street in order to be near the cable line that ran mail +cars. Its place was taken by a German saloon, called a +"Wein Stube," in the face of the protests of every female +lodger. A few months later quite a little flurry of +excitement ran through the street on the occasion of "The +Polk Street Open Air Festival," organized to celebrate the +introduction there of electric lights. The festival lasted +three days and was quite an affair. The street was garlanded +with yellow and white bunting; there were processions and +"floats" and brass bands. Marcus Schouler was in his +element during the whole time of the celebration. He was +one of the marshals of the parade, and was to be seen at +every hour of the day, wearing a borrowed high hat and +cotton gloves, and galloping a broken-down cab-horse over +the cobbles. He carried a baton covered with yellow and +white calico, with which he made furious passes and +gestures. His voice was soon reduced to a whisper by +continued shouting, and he raged and fretted over trifles +till he wore himself thin. McTeague was disgusted with him. +As often as Marcus passed the window of the flat the dentist +would mutter: + +"Ah, you think you're smart, don't you?" + +The result of the festival was the organizing of a body +known as the "Polk Street Improvement Club," of which Marcus +was elected secretary. McTeague and Trina often heard +of him in this capacity through Heise the harness-maker. +Marcus had evidently come to have political aspirations. It +appeared that he was gaining a reputation as a maker of +speeches, delivered with fiery emphasis, and occasionally +reprinted in the "Progress," the organ of the club-- +"outraged constituencies," "opinions warped by personal +bias," "eyes blinded by party prejudice," etc. + +Of her family, Trina heard every fortnight in letters from +her mother. The upholstery business which Mr. Sieppe had +bought was doing poorly, and Mrs. Sieppe bewailed the day +she had ever left B Street. Mr. Sieppe was losing money +every month. Owgooste, who was to have gone to school, had +been forced to go to work in "the store," picking waste. +Mrs. Sieppe was obliged to take a lodger or two. Affairs +were in a very bad way. Occasionally she spoke of Marcus. +Mr. Sieppe had not forgotten him despite his own troubles, +but still had an eye out for some one whom Marcus could "go +in with" on a ranch. + +It was toward the end of this period of three years that +Trina and McTeague had their first serious quarrel. Trina +had talked so much about having a little house of their own +at some future day, that McTeague had at length come to +regard the affair as the end and object of all their labors. +For a long time they had had their eyes upon one house in +particular. It was situated on a cross street close by, +between Polk Street and the great avenue one block above, +and hardly a Sunday afternoon passed that Trina and McTeague +did not go and look at it. They stood for fully half an +hour upon the other side of the street, examining every +detail of its exterior, hazarding guesses as to the +arrangement of the rooms, commenting upon its immediate +neighborhood--which was rather sordid. The house was a +wooden two-story arrangement, built by a misguided +contractor in a sort of hideous Queen Anne style, all +scrolls and meaningless mill work, with a cheap imitation of +stained glass in the light over the door. There was a +microscopic front yard full of dusty calla-lilies. The +front door boasted an electric bell. But for the McTeagues +it was an ideal home. Their idea was to live in this little +house, the dentist retaining merely his office in the +flat. The two places were but around the corner from each +other, so that McTeague could lunch with his wife, as usual, +and could even keep his early morning appointments and +return to breakfast if he so desired. + +However, the house was occupied. A Hungarian family lived +in it. The father kept a stationery and notion "bazaar" +next to Heise's harness-shop on Polk Street, while the +oldest son played a third violin in the orchestra of a +theatre. The family rented the house unfurnished for +thirty-five dollars, paying extra for the water. + +But one Sunday as Trina and McTeague on their way home from +their usual walk turned into the cross street on which the +little house was situated, they became promptly aware of an +unwonted bustle going on upon the sidewalk in front of it. +A dray was back against the curb, an express wagon drove +away loaded with furniture; bedsteads, looking-glasses, and +washbowls littered the sidewalks. The Hungarian family were +moving out. + +"Oh, Mac, look!" gasped Trina. + +"Sure, sure," muttered the dentist. + +After that they spoke but little. For upwards of an hour +the two stood upon the sidewalk opposite, watching intently +all that went forward, absorbed, excited. + +On the evening of the next day they returned and visited the +house, finding a great delight in going from room to room +and imagining themselves installed therein. Here would be +the bedroom, here the dining-room, here a charming little +parlor. As they came out upon the front steps once more they +met the owner, an enormous, red-faced fellow, so fat that +his walking seemed merely a certain movement of his feet by +which he pushed his stomach along in front of him. Trina +talked with him a few moments, but arrived at no +understanding, and the two went away after giving him their +address. At supper that night McTeague said: + +"Huh--what do you think, Trina?" + +Trina put her chin in the air, tilting back her heavy tiara +of swarthy hair. + +"I am not so sure yet. Thirty-five dollars and the +water extra. I don't think we can afford it, Mac." + +"Ah, pshaw!" growled the dentist, "sure we can." + +"It isn't only that," said Trina, "but it'll cost so much to +make the change." + +"Ah, you talk's though we were paupers. Ain't we got five +thousand dollars?" + +Trina flushed on the instant, even to the lobes of her tiny +pale ears, and put her lips together. + +"Now, Mac, you know I don't want you should talk like that. +That money's never, never to be touched." + +"And you've been savun up a good deal, besides," went on +McTeague, exasperated at Trina's persistent economies. "How +much money have you got in that little brass match-safe in +the bottom of your trunk? Pretty near a hundred dollars, I +guess--ah, sure." He shut his eyes and nodded his great +head in a knowing way. + +Trina had more than that in the brass match-safe in +question, but her instinct of hoarding had led her to keep +it a secret from her husband. Now she lied to him with +prompt fluency. + +"A hundred dollars! What are you talking of, Mac? I've not +got fifty. I've not got THIRTY." + +"Oh, let's take that little house," broke in McTeague. "We +got the chance now, and it may never come again. Come on, +Trina, shall we? Say, come on, shall we, huh?" + +"We'd have to be awful saving if we did, Mac." + +"Well, sure, I say let's take it." + +"I don't know," said Trina, hesitating. "Wouldn't it be +lovely to have a house all to ourselves? But let's not +decide until to-morrow." + +The next day the owner of the house called. Trina was out +at her morning's marketing and the dentist, who had no one +in the chair at the time, received him in the "Parlors." +Before he was well aware of it, McTeague had concluded the +bargain. The owner bewildered him with a world of phrases, +made him believe that it would be a great saving to +move into the little house, and finally offered it to him +"water free." + +"All right, all right," said McTeague, "I'll take it." + +The other immediately produced a paper. + +"Well, then, suppose you sign for the first month's rent, +and we'll call it a bargain. That's business, you know," +and McTeague, hesitating, signed. + +"I'd like to have talked more with my wife about it first," +he said, dubiously. + +"Oh, that's all right," answered the owner, easily. "I +guess if the head of the family wants a thing, that's +enough." + +McTeague could not wait until lunch time to tell the news to +Trina. As soon as he heard her come in, he laid down the +plaster-of-paris mould he was making and went out into the +kitchen and found her chopping up onions. + +"Well, Trina," he said, "we got that house. I've taken it." + +"What do you mean?" she answered, quickly. The dentist told +her. + +"And you signed a paper for the first month's rent?" + +"Sure, sure. That's business, you know." + +"Well, why did you DO it?" cried Trina. "You might have +asked ME something about it. Now, what have you done? +I was talking with Mrs. Ryer about that house while I was +out this morning, and she said the Hungarians moved out +because it was absolutely unhealthy; there's water been +standing in the basement for months. And she told me, too," +Trina went on indignantly, "that she knew the owner, and she +was sure we could get the house for thirty if we'd bargain +for it. Now what have you gone and done? I hadn't made up +my mind about taking the house at all. And now I WON'T +take it, with the water in the basement and all." + +"Well--well," stammered McTeague, helplessly, "we needn't go +in if it's unhealthy." + +"But you've signed a PAPER," cried Trina, exasperated. +"You've got to pay that first month's rent, anyhow--to +forfeit it. Oh, you are so stupid! There's thirty- +five dollars just thrown away. I SHAN'T go into that +house; we won't move a FOOT out of here. I've changed +my mind about it, and there's water in the basement +besides." + +"Well, I guess we can stand thirty-five dollars," mumbled +the dentist, "if we've got to." + +"Thirty-five dollars just thrown out of the window," cried +Trina, her teeth clicking, every instinct of her parsimony +aroused. "Oh, you the thick-wittedest man that I ever knew. +Do you think we're millionaires? Oh, to think of losing +thirty-five dollars like that." Tears were in her eyes, +tears of grief as well as of anger. Never had McTeague seen +his little woman so aroused. Suddenly she rose to her feet +and slammed the chopping-bowl down upon the table. "Well, +I won't pay a nickel of it," she exclaimed. + +"Huh? What, what?" stammered the dentist, taken all aback by +her outburst. + +"I say that you will find that money, that thirty-five +dollars, yourself." + +"Why--why----" + +"It's your stupidity got us into this fix, and you'll be the +one that'll suffer by it." + +"I can't do it, I WON'T do it. We'll--we'll share and +share alike. Why, you said--you told me you'd take the +house if the water was free." + +"I NEVER did. I NEVER did. How can you stand there +and say such a thing?" + +"You did tell me that," vociferated McTeague, beginning to +get angry in his turn. + +"Mac, I didn't, and you know it. And what's more, I won't +pay a nickel. Mr. Heise pays his bill next week, it's +forty-three dollars, and you can just pay the thirty-five +out of that." + +"Why, you got a whole hundred dollars saved up in your +match-safe," shouted the dentist, throwing out an arm with +an awkward gesture. "You pay half and I'll pay half, that's +only fair." + +"No, no, NO," exclaimed Trina. "It's not a hundred +dollars. You won't touch it; you won't touch my money, I +tell you." + +"Ah, how does it happen to be yours, I'd like to know?" + +"It's mine! It's mine! It's mine!" cried Trina, her face +scarlet, her teeth clicking like the snap of a closing +purse. + +"It ain't any more yours than it is mine." + +"Every penny of it is mine." + +"Ah, what a fine fix you'd get me into," growled the +dentist. "I've signed the paper with the owner; that's +business, you know, that's business, you know; and now you +go back on me. Suppose we'd taken the house, we'd 'a' shared +the rent, wouldn't we, just as we do here?" + +Trina shrugged her shoulders with a great affectation of +indifference and began chopping the onions again. + +"You settle it with the owner," she said. "It's your +affair; you've got the money." She pretended to assume a +certain calmness as though the matter was something that no +longer affected her. Her manner exasperated McTeague all +the more. + +"No, I won't; no, I won't; I won't either," he shouted. +"I'll pay my half and he can come to you for the other +half." Trina put a hand over her ear to shut out his +clamor. + +"Ah, don't try and be smart," cried McTeague. "Come, now, +yes or no, will you pay your half?" + +"You heard what I said." + +"Will you pay it?" + +"No." + +"Miser!" shouted McTeague. "Miser! you're worse than old +Zerkow. All right, all right, keep your money. I'll pay +the whole thirty-five. I'd rather lose it than be such a +miser as you." + +"Haven't you got anything to do," returned Trina, "instead +of staying here and abusing me?" + +"Well, then, for the last time, will you help me out?" +Trina cut the heads of a fresh bunch of onions and gave no +answer. + +"Huh? will you?" + +"I'd like to have my kitchen to myself, please," she said in +a mincing way, irritating to a last degree. The +dentist stamped out of the room, banging the door behind +him. + +For nearly a week the breach between them remained unhealed. +Trina only spoke to the dentist in monosyllables, while he, +exasperated at her calmness and frigid reserve, sulked in +his "Dental Parlors," muttering terrible things beneath his +mustache, or finding solace in his concertina, playing his +six lugubrious airs over and over again, or swearing +frightful oaths at his canary. When Heise paid his bill, +McTeague, in a fury, sent the amount to the owner of the +little house. + +There was no formal reconciliation between the dentist and +his little woman. Their relations readjusted themselves +inevitably. By the end of the week they were as amicable as +ever, but it was long before they spoke of the little house +again. Nor did they ever revisit it of a Sunday afternoon. +A month or so later the Ryers told them that the owner +himself had moved in. The McTeagues never occupied that +little house. + +But Trina suffered a reaction after the quarrel. She began +to be sorry she had refused to help her husband, sorry she +had brought matters to such an issue. One afternoon as she +was at work on the Noah's ark animals, she surprised herself +crying over the affair. She loved her "old bear" too much +to do him an injustice, and perhaps, after all, she had been +in the wrong. Then it occurred to her how pretty it would be +to come up behind him unexpectedly, and slip the money, +thirty-five dollars, into his hand, and pull his huge head +down to her and kiss his bald spot as she used to do in the +days before they were married. + +Then she hesitated, pausing in her work, her knife dropping +into her lap, a half-whittled figure between her fingers. +If not thirty-five dollars, then at least fifteen or +sixteen, her share of it. But a feeling of reluctance, a +sudden revolt against this intended generosity, arose in +her. + +"No, no," she said to herself. "I'll give him ten dollars. +I'll tell him it's all I can afford. It IS all I can +afford." + +She hastened to finish the figure of the animal she was then +at work upon, putting in the ears and tail with a drop +of glue, and tossing it into the basket at her side. Then +she rose and went into the bedroom and opened her trunk, +taking the key from under a corner of the carpet where she +kept it hid. + +At the very bottom of her trunk, under her bridal dress, she +kept her savings. It was all in change--half dollars and +dollars for the most part, with here and there a gold piece. +Long since the little brass match-box had overflowed. Trina +kept the surplus in a chamois-skin sack she had made from an +old chest protector. Just now, yielding to an impulse which +often seized her, she drew out the match-box and the chamois +sack, and emptying the contents on the bed, counted them +carefully. It came to one hundred and sixty-five dollars, +all told. She counted it and recounted it and made little +piles of it, and rubbed the gold pieces between the folds of +her apron until they shone. + +"Ah, yes, ten dollars is all I can afford to give Mac," said +Trina, "and even then, think of it, ten dollars--it will be +four or five months before I can save that again. But, dear +old Mac, I know it would make him feel glad, and perhaps," +she added, suddenly taken with an idea, "perhaps Mac will +refuse to take it." + +She took a ten-dollar piece from the heap and put the rest +away. Then she paused: + +"No, not the gold piece," she said to herself. "It's too +pretty. He can have the silver." She made the change and +counted out ten silver dollars into her palm. But what a +difference it made in the appearance and weight of the +little chamois bag! The bag was shrunken and withered, long +wrinkles appeared running downward from the draw-string. It +was a lamentable sight. Trina looked longingly at the ten +broad pieces in her hand. Then suddenly all her intuitive +desire of saving, her instinct of hoarding, her love of +money for the money's sake, rose strong within her. + +"No, no, no," she said. "I can't do it. It may be mean, +but I can't help it. It's stronger than I." She returned +the money to the bag and locked it and the brass match-box +in her trunk, turning the key with a long breath of +satisfaction. + +She was a little troubled, however, as she went back +into the sitting-room and took up her work. + +"I didn't use to be so stingy," she told herself. "Since I +won in the lottery I've become a regular little miser. It's +growing on me, but never mind, it's a good fault, and, +anyhow, I can't help it." + + + +CHAPTER 11 + + +On that particular morning the McTeagues had risen a half +hour earlier than usual and taken a hurried breakfast in the +kitchen on the deal table with its oilcloth cover. Trina +was house-cleaning that week and had a presentiment of a +hard day's work ahead of her, while McTeague remembered a +seven o'clock appointment with a little German shoemaker. + +At about eight o'clock, when the dentist had been in his +office for over an hour, Trina descended upon the bedroom, a +towel about her head and the roller-sweeper in her hand. +She covered the bureau and sewing machine with sheets, and +unhooked the chenille portieres between the bedroom and the +sitting-room. As she was tying the Nottingham lace curtains +at the window into great knots, she saw old Miss Baker on +the opposite sidewalk in the street below, and raising the +sash called down to her. + +"Oh, it's you, Mrs. McTeague," cried the retired dressmaker, +facing about, her head in the air. Then a long conversation +was begun, Trina, her arms folded under her breast, her +elbows resting on the window ledge, willing to be idle for a +moment; old Miss Baker, her market-basket on her arm, her +hands wrapped in the ends of her worsted shawl against +the cold of the early morning. They exchanged phrases, +calling to each other from window to curb, their breath +coming from their lips in faint puffs of vapor, their voices +shrill, and raised to dominate the clamor of the waking +street. The newsboys had made their appearance on the +street, together with the day laborers. The cable cars had +begun to fill up; all along the street could be seen the +shopkeepers taking down their shutters; some were still +breakfasting. Now and then a waiter from one of the cheap +restaurants crossed from one sidewalk to another, balancing +on one palm a tray covered with a napkin. + +"Aren't you out pretty early this morning, Miss Baker?" +called Trina. + +"No, no," answered the other. "I'm always up at half-past +six, but I don't always get out so soon. I wanted to get a +nice head of cabbage and some lentils for a soup, and if you +don't go to market early, the restaurants get all the best." + +"And you've been to market already, Miss Baker?" + +"Oh, my, yes; and I got a fish--a sole--see." She drew the +sole in question from her basket. + +"Oh, the lovely sole!" exclaimed Trina. + +"I got this one at Spadella's; he always has good fish on +Friday. How is the doctor, Mrs. McTeague?" + +"Ah, Mac is always well, thank you, Miss Baker." + +"You know, Mrs. Ryer told me," cried the little dressmaker, +moving forward a step out of the way of a "glass-put-in" +man, "that Doctor McTeague pulled a tooth of that Catholic +priest, Father--oh, I forget his name--anyhow, he pulled his +tooth with his fingers. Was that true, Mrs. McTeague?" + +"Oh, of course. Mac does that almost all the time now, +'specially with front teeth. He's got a regular reputation +for it. He says it's brought him more patients than even +the sign I gave him," she added, pointing to the big golden +molar projecting from the office window. + +"With his fingers! Now, think of that," exclaimed Miss +Baker, wagging her head. "Isn't he that strong! It's just +wonderful. Cleaning house to-day?" she inquired, +glancing at Trina's towelled head. + +"Um hum," answered Trina. "Maria Macapa's coming in to help +pretty soon." + +At the mention of Maria's name the little old dressmaker +suddenly uttered an exclamation. + +"Well, if I'm not here talking to you and forgetting +something I was just dying to tell you. Mrs. McTeague, what +ever in the world do you suppose? Maria and old Zerkow, +that red-headed Polish Jew, the rag-bottles-sacks man, you +know, they're going to be married." + +"No!" cried Trina, in blank amazement. "You don't mean it." + +"Of course I do. Isn't it the funniest thing you ever heard +of?" + +"Oh, tell me all about it," said Trina, leaning eagerly from +the window. Miss Baker crossed the street and stood just +beneath her. + +"Well, Maria came to me last night and wanted me to make her +a new gown, said she wanted something gay, like what the +girls at the candy store wear when they go out with their +young men. I couldn't tell what had got into the girl, +until finally she told me she wanted something to get +married in, and that Zerkow had asked her to marry him, and +that she was going to do it. Poor Maria! I guess it's the +first and only offer she ever received, and it's just turned +her head." + +"But what DO those two see in each other?" cried Trina. +"Zerkow is a horror, he's an old man, and his hair is red +and his voice is gone, and then he's a Jew, isn't he?" + +"I know, I know; but it's Maria's only chance for a husband, +and she don't mean to let it pass. You know she isn't quite +right in her head, anyhow. I'm awfully sorry for poor +Maria. But I can't see what Zerkow wants to marry her +for. It's not possible that he's in love with Maria, it's +out of the question. Maria hasn't a sou, either, and I'm +just positive that Zerkow has lots of money." + +"I'll bet I know why," exclaimed Trina, with sudden +conviction; "yes, I know just why. See here, Miss Baker, +you know how crazy old Zerkow is after money and gold +and those sort of things." + +"Yes, I know; but you know Maria hasn't----" + +"Now, just listen. You've heard Maria tell about that +wonderful service of gold dishes she says her folks used to +own in Central America; she's crazy on that subject, don't +you know. She's all right on everything else, but just +start her on that service of gold plate and she'll talk you +deaf. She can describe it just as though she saw it, and +she can make you see it, too, almost. Now, you see, Maria +and Zerkow have known each other pretty well. Maria goes to +him every two weeks or so to sell him junk; they got +acquainted that way, and I know Maria's been dropping in to +see him pretty often this last year, and sometimes he comes +here to see her. He's made Maria tell him the story of that +plate over and over and over again, and Maria does it and is +glad to, because he's the only one that believes it. Now +he's going to marry her just so's he can hear that story +every day, every hour. He's pretty near as crazy on the +subject as Maria is. They're a pair for you, aren't they? +Both crazy over a lot of gold dishes that never existed. +Perhaps Maria'll marry him because it's her only chance to +get a husband, but I'm sure it's more for the reason that +she's got some one to talk to now who believes her story. +Don't you think I'm right?" + +"Yes, yes, I guess you're right," admitted Miss Baker. + +"But it's a queer match anyway you put it," said Trina, +musingly. + +"Ah, you may well say that," returned the other, nodding her +head. There was a silence. For a long moment the dentist's +wife and the retired dressmaker, the one at the window, the +other on the sidewalk, remained lost in thought, wondering +over the strangeness of the affair. + +But suddenly there was a diversion. Alexander, Marcus +Schouler's Irish setter, whom his master had long since +allowed the liberty of running untrammelled about the +neighborhood, turned the corner briskly and came trotting +along the sidewalk where Miss Baker stood. At the same +moment the Scotch collie who had at one time belonged +to the branch post-office issued from the side door of a +house not fifty feet away. In an instant the two enemies +had recognized each other. They halted abruptly, their fore +feet planted rigidly. Trina uttered a little cry. + +"Oh, look out, Miss Baker. Those two dogs hate each other +just like humans. You best look out. They'll fight sure." +Miss Baker sought safety in a nearby vestibule, whence she +peered forth at the scene, very interested and curious. +Maria Macapa's head thrust itself from one of the top-story +windows of the flat, with a shrill cry. Even McTeague's +huge form appeared above the half curtains of the "Parlor" +windows, while over his shoulder could be seen the face of +the "patient," a napkin tucked in his collar, the rubber dam +depending from his mouth. All the flat knew of the feud +between the dogs, but never before had the pair been brought +face to face. + +Meanwhile, the collie and the setter had drawn near to each +other; five feet apart they paused as if by mutual consent. +The collie turned sidewise to the setter; the setter +instantly wheeled himself flank on to the collie. Their +tails rose and stiffened, they raised their lips over their +long white fangs, the napes of their necks bristled, and +they showed each other the vicious whites of their eyes, +while they drew in their breaths with prolonged and rasping +snarls. Each dog seemed to be the personification of fury +and unsatisfied hate. They began to circle about each other +with infinite slowness, walking stiffed-legged and upon the +very points of their feet. Then they wheeled about and +began to circle in the opposite direction. Twice they +repeated this motion, their snarls growing louder. But +still they did not come together, and the distance of five +feet between them was maintained with an almost mathematical +precision. It was magnificent, but it was not war. Then +the setter, pausing in his walk, turned his head slowly from +his enemy. The collie sniffed the air and pretended an +interest in an old shoe lying in the gutter. Gradually and +with all the dignity of monarchs they moved away from each +other. Alexander stalked back to the corner of the street. +The collie paced toward the side gate whence he had +issued, affecting to remember something of great importance. +They disappeared. Once out of sight of one another they +began to bark furiously. + +"Well, I NEVER!" exclaimed Trina in great disgust. "The +way those two dogs have been carrying on you'd 'a' thought +they would 'a' just torn each other to pieces when they had +the chance, and here I'm wasting the whole morning----" she +closed her window with a bang. + +"Sick 'im, sick 'im," called Maria Macapa, in a vain attempt +to promote a fight. + +Old Miss Baker came out of the vestibule, pursing her lips, +quite put out at the fiasco. "And after all that fuss," she +said to herself aggrievedly. + +The little dressmaker bought an envelope of nasturtium seeds +at the florist's, and returned to her tiny room in the flat. +But as she slowly mounted the first flight of steps she +suddenly came face to face with Old Grannis, who was coming +down. It was between eight and nine, and he was on his way +to his little dog hospital, no doubt. Instantly Miss Baker +was seized with trepidation, her curious little false curls +shook, a faint--a very faint--flush came into her withered +cheeks, and her heart beat so violently under the worsted +shawl that she felt obliged to shift the market-basket to +her other arm and put out her free hand to steady herself +against the rail. + +On his part, Old Grannis was instantly overwhelmed with +confusion. His awkwardness seemed to paralyze his limbs, +his lips twitched and turned dry, his hand went tremblingly +to his chin. But what added to Miss Baker's miserable +embarrassment on this occasion was the fact that the old +Englishman should meet her thus, carrying a sordid market- +basket full of sordid fish and cabbage. It seemed as if a +malicious fate persisted in bringing the two old people face +to face at the most inopportune moments. + +Just now, however, a veritable catastrophe occurred. The +little old dressmaker changed her basket to her other arm at +precisely the wrong moment, and Old Grannis, hastening to +pass, removing his hat in a hurried salutation, struck it +with his fore arm, knocking it from her grasp, and +sending it rolling and bumping down the stairs. The sole +fell flat upon the first landing; the lentils scattered +themselves over the entire flight; while the cabbage, +leaping from step to step, thundered down the incline and +brought up against the street door with a shock that +reverberated through the entire building. + +The little retired dressmaker, horribly vexed, nervous and +embarrassed, was hard put to it to keep back the tears. Old +Grannis stood for a moment with averted eyes, murmuring: +"Oh, I'm so sorry, I'm so sorry. I--I really--I beg your +pardon, really--really." + +Marcus Schouler, coming down stairs from his room, saved the +situation. + +"Hello, people," he cried. "By damn! you've upset your +basket--you have, for a fact. Here, let's pick um up." He +and Old Grannis went up and down the flight, gathering up +the fish, the lentils, and the sadly battered cabbage. +Marcus was raging over the pusillanimity of Alexander, of +which Maria had just told him. + +"I'll cut him in two--with the whip," he shouted. "I will, +I will, I say I will, for a fact. He wouldn't fight, hey? +I'll give um all the fight he wants, nasty, mangy cur. If +he won't fight he won't eat. I'm going to get the butcher's +bull pup and I'll put um both in a bag and shake um up. I +will, for a fact, and I guess Alec will fight. Come along, +Mister Grannis," and he took the old Englishman away. + +Little Miss Baker hastened to her room and locked herself +in. She was excited and upset during all the rest of the +day, and listened eagerly for Old Grannis's return that +evening. He went instantly to work binding up "The Breeder +and Sportsman," and back numbers of the "Nation." She heard +him softly draw his chair and the table on which he had +placed his little binding apparatus close to the wall. At +once she did the same, brewing herself a cup of tea. All +through that evening the two old people "kept company" with +each other, after their own peculiar fashion. "Setting out +with each other" Miss Baker had begun to call it. That they +had been presented, that they had even been forced to +talk together, had made no change in their relative +positions. Almost immediately they had fallen back into +their old ways again, quite unable to master their timidity, +to overcome the stifling embarrassment that seized upon them +when in each other's presence. It was a sort of hypnotism, +a thing stronger than themselves. But they were not +altogether dissatisfied with the way things had come to be. +It was their little romance, their last, and they were +living through it with supreme enjoyment and calm +contentment. + +Marcus Schouler still occupied his old room on the floor +above the McTeagues. They saw but little of him, however. +At long intervals the dentist or his wife met him on the +stairs of the flat. Sometimes he would stop and talk with +Trina, inquiring after the Sieppes, asking her if Mr. Sieppe +had yet heard of any one with whom he, Marcus, could "go in +with on a ranch." McTeague, Marcus merely nodded to. Never +had the quarrel between the two men been completely patched +up. It did not seem possible to the dentist now that Marcus +had ever been his "pal," that they had ever taken long walks +together. He was sorry that he had treated Marcus gratis +for an ulcerated tooth, while Marcus daily recalled the fact +that he had given up his "girl" to his friend--the girl who +had won a fortune--as the great mistake of his life. Only +once since the wedding had he called upon Trina, at a time +when he knew McTeague would be out. Trina had shown him +through the rooms and had told him, innocently enough, how +gay was their life there. Marcus had come away fairly sick +with envy; his rancor against the dentist--and against +himself, for that matter--knew no bounds. "And you might +'a' had it all yourself, Marcus Schouler," he muttered to +himself on the stairs. "You mushhead, you damn fool!" + +Meanwhile, Marcus was becoming involved in the politics of +his ward. As secretary of the Polk Street Improvement Club +--which soon developed into quite an affair and began to +assume the proportions of a Republican political machine--he +found he could make a little, a very little more than enough +to live on. At once he had given up his position as Old +Grannis's assistant in the dog hospital. Marcus felt +that he needed a wider sphere. He had his eye upon a place +connected with the city pound. When the great railroad +strike occurred, he promptly got himself engaged as deputy- +sheriff, and spent a memorable week in Sacramento, where he +involved himself in more than one terrible melee with the +strikers. Marcus had that quickness of temper and +passionate readiness to take offence which passes among his +class for bravery. But whatever were his motives, his +promptness to face danger could not for a moment be doubted. +After the strike he returned to Polk Street, and throwing +himself into the Improvement Club, heart, soul, and body, +soon became one of its ruling spirits. In a certain local +election, where a huge paving contract was at stake, the +club made itself felt in the ward, and Marcus so managed his +cards and pulled his wires that, at the end of the matter, +he found himself some four hundred dollars to the good. + +When McTeague came out of his "Parlors" at noon of the day +upon which Trina had heard the news of Maria Macapa's +intended marriage, he found Trina burning coffee on a shovel +in the sitting-room. Try as she would, Trina could never +quite eradicate from their rooms a certain faint and +indefinable odor, particularly offensive to her. The smell +of the photographer's chemicals persisted in spite of all +Trina could do to combat it. She burnt pastilles and +Chinese punk, and even, as now, coffee on a shovel, all to +no purpose. Indeed, the only drawback to their delightful +home was the general unpleasant smell that pervaded it--a +smell that arose partly from the photographer's chemicals, +partly from the cooking in the little kitchen, and partly +from the ether and creosote of the dentist's "Parlors." + +As McTeague came in to lunch on this occasion, he found the +table already laid, a red cloth figured with white flowers +was spread, and as he took his seat his wife put down the +shovel on a chair and brought in the stewed codfish and the +pot of chocolate. As he tucked his napkin into his enormous +collar, McTeague looked vaguely about the room, rolling his +eyes. + +During the three years of their married life the McTeagues +had made but few additions to their furniture, Trina +declaring that they could not afford it. The sitting- +room could boast of but three new ornaments. Over the +melodeon hung their marriage certificate in a black frame. +It was balanced upon one side by Trina's wedding bouquet +under a glass case, preserved by some fearful unknown +process, and upon the other by the photograph of Trina and +the dentist in their wedding finery. This latter picture +was quite an affair, and had been taken immediately after +the wedding, while McTeague's broadcloth was still new, and +before Trina's silks and veil had lost their stiffness. It +represented Trina, her veil thrown back, sitting very +straight in a rep armchair, her elbows well in at her sides, +holding her bouquet of cut flowers directly before her. The +dentist stood at her side, one hand on her shoulder, the +other thrust into the breast of his "Prince Albert," his +chin in the air, his eyes to one side, his left foot forward +in the attitude of a statue of a Secretary of State. + +"Say, Trina," said McTeague, his mouth full of codfish, +"Heise looked in on me this morning. He says 'What's the +matter with a basket picnic over at Schuetzen Park next +Tuesday?' You know the paper-hangers are going to be in the +"Parlors" all that day, so I'll have a holiday. That's what +made Heise think of it. Heise says he'll get the Ryers to go +too. It's the anniversary of their wedding day. We'll ask +Selina to go; she can meet us on the other side. Come on, +let's go, huh, will you?" + +Trina still had her mania for family picnics, which had been +one of the Sieppes most cherished customs; but now there +were other considerations. + +"I don't know as we can afford it this month, Mac," she +said, pouring the chocolate. "I got to pay the gas bill +next week, and there's the papering of your office to be +paid for some time." + +"I know, I know," answered her husband. "But I got a new +patient this week, had two molars and an upper incisor +filled at the very first sitting, and he's going to bring +his children round. He's a barber on the next block." + +"Well you pay half, then," said Trina. "It'll cost three or +four dollars at the very least; and mind, the Heises pay +their own fare both ways, Mac, and everybody gets their +OWN lunch. Yes," she added, after a pause, "I'll write +and have Selina join us. I haven't seen Selina in months. +I guess I'll have to put up a lunch for her, though," +admitted Trina, "the way we did last time, because she lives +in a boarding-house now, and they make a fuss about putting +up a lunch." + +They could count on pleasant weather at this time of the +year--it was May--and that particular Tuesday was all that +could be desired. The party assembled at the ferry slip at +nine o'clock, laden with baskets. The McTeagues came last +of all; Ryer and his wife had already boarded the boat. +They met the Heises in the waiting-room. + +"Hello, Doctor," cried the harness-maker as the McTeagues +came up. "This is what you'd call an old folks' picnic, all +married people this time." + +The party foregathered on the upper deck as the boat +started, and sat down to listen to the band of Italian +musicians who were playing outside this morning because of +the fineness of the weather. + +"Oh, we're going to have lots of fun," cried Trina. "If +it's anything I do love it's a picnic. Do you remember our +first picnic, Mac?" + +"Sure, sure," replied the dentist; "we had a Gotha truffle." + +"And August lost his steamboat, put in Trina, "and papa +smacked him. I remember it just as well." + +"Why, look there," said Mrs. Heise, nodding at a figure +coming up the companion-way. "Ain't that Mr. Schouler?" + +It was Marcus, sure enough. As he caught sight of the party +he gaped at them a moment in blank astonishment, and then +ran up, his eyes wide. + +"Well, by damn!" he exclaimed, excitedly. "What's up? +Where you all going, anyhow? Say, ain't ut queer we should +all run up against each other like this?" He made great +sweeping bows to the three women, and shook hands with +"Cousin Trina," adding, as he turned to the men of the +party, "Glad to see you, Mister Heise. How do, Mister +Ryer?" The dentist, who had formulated some sort of +reserved greeting, he ignored completely. McTeague +settled himself in his seat, growling inarticulately +behind his mustache. + +"Say, say, what's all up, anyhow?" cried Marcus again. + +"It's a picnic," exclaimed the three women, all speaking at +once; and Trina added, "We're going over to the same old +Schuetzen Park again. But you're all fixed up yourself, +Cousin Mark; you look as though you were going somewhere +yourself." + +In fact, Marcus was dressed with great care. He wore a new +pair of slate-blue trousers, a black "cutaway," and a white +lawn "tie" (for him the symbol of the height of elegance). +He carried also his cane, a thin wand of ebony with a gold +head, presented to him by the Improvement Club in +"recognition of services." + +"That's right, that's right," said Marcus, with a grin. +"I'm takun a holiday myself to-day. I had a bit of business +to do over at Oakland, an' I thought I'd go up to B Street +afterward and see Selina. I haven't called on----" + +But the party uttered an exclamation. + +"Why, Selina is going with us." + +"She's going to meet us at the Schuetzen Park station" +explained Trina. + +Marcus's business in Oakland was a fiction. He was crossing +the bay that morning solely to see Selina. Marcus had +"taken up with" Selina a little after Trina had married, and +had been "rushing" her ever since, dazzled and attracted by +her accomplishments, for which he pretended a great respect. +At the prospect of missing Selina on this occasion, he was +genuinely disappointed. His vexation at once assumed the +form of exasperation against McTeague. It was all the +dentist's fault. Ah, McTeague was coming between him and +Selina now as he had come between him and Trina. Best look +out, by damn! how he monkeyed with him now. Instantly his +face flamed and he glanced over furiously at the dentist, +who, catching his eye, began again to mutter behind his +mustache. + +"Well, say," began Mrs. Ryer, with some hesitation, looking +to Ryer for approval, "why can't Marcus come along with us?" + +"Why, of course," exclaimed Mrs. Heise, disregarding her +husband's vigorous nudges. "I guess we got lunch +enough to go round, all right; don't you say so, Mrs. +McTeague?" + +Thus appealed to, Trina could only concur. + +"Why, of course, Cousin Mark," she said; "of course, come +along with us if you want to." + +"Why, you bet I will," cried Marcus, enthusiastic in an +instant. "Say, this is outa sight; it is, for a fact; a +picnic--ah, sure--and we'll meet Selina at the station." + +Just as the boat was passing Goat Island, the harness-maker +proposed that the men of the party should go down to the bar +on the lower deck and shake for the drinks. The idea had an +immediate success. + +"Have to see you on that," said Ryer. + +"By damn, we'll have a drink! Yes, sir, we will, for a +fact." + +"Sure, sure, drinks, that's the word." + +At the bar Heise and Ryer ordered cocktails, Marcus called +for a "creme Yvette" in order to astonish the others. The +dentist spoke for a glass of beer. + +"Say, look here," suddenly exclaimed Heise as they took +their glasses. "Look here, you fellahs," he had turned to +Marcus and the dentist. "You two fellahs have had a grouch +at each other for the last year or so; now what's the matter +with your shaking hands and calling quits?" + +McTeague was at once overcome with a great feeling of +magnanimity. He put out his great hand. + +"I got nothing against Marcus," he growled. + +"Well, I don't care if I shake," admitted Marcus, a little +shamefacedly, as their palms touched. "I guess that's all +right." + +"That's the idea," exclaimed Heise, delighted at his +success. "Come on, boys, now let's drink." Their elbows +crooked and they drank silently. + +Their picnic that day was very jolly. Nothing had changed +at Schuetzen Park since the day of that other memorable +Sieppe picnic four years previous. After lunch the men took +themselves off to the rifle range, while Selina, Trina, and +the other two women put away the dishes. An hour later the +men joined them in great spirits. Ryer had won the +impromptu match which they had arranged, making quite a +wonderful score, which included three clean bulls' eyes, +while McTeague had not been able even to hit the target +itself. + +Their shooting match had awakened a spirit of rivalry in the +men, and the rest of the afternoon was passed in athletic +exercises between them. The women sat on the slope of the +grass, their hats and gloves laid aside, watching the men as +they strove together. Aroused by the little feminine cries +of wonder and the clapping of their ungloved palms, these +latter began to show off at once. They took off their coats +and vests, even their neckties and collars, and worked +themselves into a lather of perspiration for the sake of +making an impression on their wives. They ran hundred-yard +sprints on the cinder path and executed clumsy feats on the +rings and on the parallel bars. They even found a huge +round stone on the beach and "put the shot" for a while. As +long as it was a question of agility, Marcus was easily the +best of the four; but the dentist's enormous strength, his +crude, untutored brute force, was a matter of wonder for the +entire party. McTeague cracked English walnuts--taken from +the lunch baskets--in the hollow of his arm, and tossed the +round stone a full five feet beyond their best mark. Heise +believed himself to be particularly strong in the wrists, +but the dentist, using but one hand, twisted a cane out of +Heise's two with a wrench that all but sprained the harness- +maker's arm. Then the dentist raised weights and chinned +himself on the rings till they thought he would never tire. + +His great success quite turned his head; he strutted back +and forth in front of the women, his chest thrown out, and +his great mouth perpetually expanded in a triumphant grin. +As he felt his strength more and more, he began to abuse it; +he domineered over the others, gripping suddenly at their +arms till they squirmed with pain, and slapping Marcus on +the back so that he gasped and gagged for breath. The +childish vanity of the great fellow was as undisguised as +that of a schoolboy. He began to tell of wonderful feats of +strength he had accomplished when he was a young man. Why, +at one time he had knocked down a half-grown heifer with +a blow of his fist between the eyes, sure, and the +heifer had just stiffened out and trembled all over and died +without getting up. + +McTeague told this story again, and yet again. All through +the afternoon he could be overheard relating the wonder to +any one who would listen, exaggerating the effect of his +blow, inventing terrific details. Why, the heifer had just +frothed at the mouth, and his eyes had rolled up--ah, sure, +his eyes rolled up just like that--and the butcher had said +his skull was all mashed in--just all mashed in, sure, +that's the word--just as if from a sledge-hammer. + +Notwithstanding his reconciliation with the dentist on the +boat, Marcus's gorge rose within him at McTeague's boasting +swagger. When McTeague had slapped him on the back, Marcus +had retired to some little distance while he recovered his +breath, and glared at the dentist fiercely as he strode up +and down, glorying in the admiring glances of the women. + +"Ah, one-horse dentist," he muttered between his teeth. +"Ah, zinc-plugger, cow-killer, I'd like to show you once, +you overgrown mucker, you--you--COW-KILLER!" + +When he rejoined the group, he found them preparing for a +wrestling bout. + +"I tell you what," said Heise, "we'll have a tournament. +Marcus and I will rastle, and Doc and Ryer, and then the +winners will rastle each other." + +The women clapped their hands excitedly. This would be +exciting. Trina cried: + +"Better let me hold your money, Mac, and your keys, so as +you won't lose them out of your pockets." The men gave +their valuables into the keeping of their wives and promptly +set to work. + +The dentist thrust Ryer down without even changing his grip; +Marcus and the harness-maker struggled together for a few +moments till Heise all at once slipped on a bit of turf and +fell backwards. As they toppled over together, Marcus +writhed himself from under his opponent, and, as they +reached the ground, forced down first one shoulder and then +the other. + +"All right, all right," panted the harness-maker, good- +naturedly, "I'm down. It's up to you and Doc now," he +added, as he got to his feet. + +The match between McTeague and Marcus promised to be +interesting. The dentist, of course, had an enormous +advantage in point of strength, but Marcus prided himself on +his wrestling, and knew something about strangle-holds and +half-Nelsons. The men drew back to allow them a free space +as they faced each other, while Trina and the other women +rose to their feet in their excitement. + +"I bet Mac will throw him, all the same," said Trina. + +"All ready!" cried Ryer. + +The dentist and Marcus stepped forward, eyeing each other +cautiously. They circled around the impromptu ring. Marcus +watching eagerly for an opening. He ground his teeth, +telling himself he would throw McTeague if it killed him. +Ah, he'd show him now. Suddenly the two men caught at each +other; Marcus went to his knees. The dentist threw his vast +bulk on his adversary's shoulders and, thrusting a huge palm +against his face, pushed him backwards and downwards. It +was out of the question to resist that enormous strength. +Marcus wrenched himself over and fell face downward on the +ground. + +McTeague rose on the instant with a great laugh of +exultation. + +"You're down!" he exclaimed. + +Marcus leaped to his feet. + +"Down nothing," he vociferated, with clenched fists. "Down +nothing, by damn! You got to throw me so's my shoulders +touch. + +McTeague was stalking about, swelling with pride. + +"Hoh, you're down. I threw you. Didn't I throw him, Trina? +Hoh, you can't rastle ME." + +Marcus capered with rage. + +"You didn't! you didn't! you didn't! and you can't! You got +to give me another try." + +The other men came crowding up. Everybody was talking at +once. + +"He's right." + +"You didn't throw him." + +"Both his shoulders at the same time." + +Trina clapped and waved her hand at McTeague from where she +stood on the little slope of lawn above the wrestlers. +Marcus broke through the group, shaking all over with +excitement and rage. + +"I tell you that ain't the WAY to rastle. You've got to +throw a man so's his shoulders touch. You got to give me +another bout." + +"That's straight," put in Heise, "both his shoulders down at +the same time. Try it again. You and Schouler have another +try." + +McTeague was bewildered by so much simultaneous talk. He +could not make out what it was all about. Could he have +offended Marcus again? + +"What? What? Huh? What is it?" he exclaimed in +perplexity, looking from one to the other. + +"Come on, you must rastle me again," shouted Marcus. + +"Sure, sure," cried the dentist. "I'll rastle you again. +I'll rastle everybody," he cried, suddenly struck with an +idea. Trina looked on in some apprehension. + +"Mark gets so mad," she said, half aloud. + +"Yes," admitted Selina. "Mister Schouler's got an awful +quick temper, but he ain't afraid of anything." + +"All ready!" shouted Ryer. + +This time Marcus was more careful. Twice, as McTeague +rushed at him, he slipped cleverly away. But as the dentist +came in a third time, with his head bowed, Marcus, raising +himself to his full height, caught him with both arms around +the neck. The dentist gripped at him and rent away the +sleeve of his shirt. There was a great laugh. + +"Keep your shirt on," cried Mrs. Ryer. + +The two men were grappling at each other wildly. The party +could hear them panting and grunting as they labored and +struggled. Their boots tore up great clods of turf. +Suddenly they came to the ground with a tremendous shock. +But even as they were in the act of falling, Marcus, +like a very eel, writhed in the dentist's clasp and fell +upon his side. McTeague crashed down upon him like the +collapse of a felled ox. + +"Now, you gotta turn him on his back," shouted Heise to the +dentist. "He ain't down if you don't." + +With his huge salient chin digging into Marcus's shoulder, +the dentist heaved and tugged. His face was flaming, his +huge shock of yellow hair fell over his forehead, matted +with sweat. Marcus began to yield despite his frantic +efforts. One shoulder was down, now the other began to go; +gradually, gradually it was forced over. The little +audience held its breath in the suspense of the moment. +Selina broke the silence, calling out shrilly: + +"Ain't Doctor McTeague just that strong!" + +Marcus heard it, and his fury came instantly to a head. +Rage at his defeat at the hands of the dentist and before +Selina's eyes, the hate he still bore his old-time "pal" and +the impotent wrath of his own powerlessness were suddenly +unleashed. + +"God damn you! get off of me," he cried under his breath, +spitting the words as a snake spits its venom. The little +audience uttered a cry. With the oath Marcus had twisted +his head and had bitten through the lobe of the dentist's +ear. There was a sudden flash of bright-red blood. + +Then followed a terrible scene. The brute that in McTeague +lay so close to the surface leaped instantly to life, +monstrous, not to be resisted. He sprang to his feet with a +shrill and meaningless clamor, totally unlike the ordinary +bass of his speaking tones. It was the hideous yelling of a +hurt beast, the squealing of a wounded elephant. He framed +no words; in the rush of high-pitched sound that issued from +his wide-open mouth there was nothing articulate. It was +something no longer human; it was rather an echo from the +jungle. + +Sluggish enough and slow to anger on ordinary occasions, +McTeague when finally aroused became another man. His rage +was a kind of obsession, an evil mania, the drunkenness of +passion, the exalted and perverted fury of the Berserker, +blind and deaf, a thing insensate. + +As he rose he caught Marcus's wrist in both his hands. +He did not strike, he did not know what he was doing. His +only idea was to batter the life out of the man before him, +to crush and annihilate him upon the instant. Gripping his +enemy in his enormous hands, hard and knotted, and covered +with a stiff fell of yellow hair--the hands of the old-time +car-boy--he swung him wide, as a hammer-thrower swings his +hammer. Marcus's feet flipped from the ground, he spun +through the air about McTeague as helpless as a bundle of +clothes. All at once there was a sharp snap, almost like +the report of a small pistol. Then Marcus rolled over and +over upon the ground as McTeague released his grip; his arm, +the one the dentist had seized, bending suddenly, as though +a third joint had formed between wrist and elbow. The arm +was broken. + +But by this time every one was crying out at once. Heise +and Ryan ran in between the two men. Selina turned her head +away. Trina was wringing her hands and crying in an agony of +dread: + +"Oh, stop them, stop them! Don't let them fight. Oh, it's +too awful." + +"Here, here, Doc, quit. Don't make a fool of yourself," +cried Heise, clinging to the dentist. "That's enough now. +LISTEN to me, will you?" + +"Oh, Mac, Mac," cried Trina, running to her husband. "Mac, +dear, listen; it's me, it's Trina, look at me, you----" + +"Get hold of his other arm, will you, Ryer?" panted Heise. +"Quick!" + +"Mac, Mac," cried Trina, her arms about his neck. + +"For God's sake, hold up, Doc, will you?" shouted the +harness-maker. "You don't want to kill him, do you?" + +Mrs. Ryer and Heise's lame wife were filling the air with +their outcries. Selina was giggling with hysteria. Marcus, +terrified, but too brave to run, had picked up a jagged +stone with his left hand and stood on the defensive. His +swollen right arm, from which the shirt sleeve had been +torn, dangled at his side, the back of the hand twisted +where the palm should have been. The shirt itself was a +mass of grass stains and was spotted with the dentist's +blood. + +But McTeague, in the centre of the group that struggled +to hold him, was nigh to madness. The side of his face, his +neck, and all the shoulder and breast of his shirt were +covered with blood. He had ceased to cry out, but kept +muttering between his gripped jaws, as he labored to tear +himself free of the retaining hands: + +"Ah, I'll kill him! Ah, I'll kill him! I'll kill him! +Damn you, Heise," he exclaimed suddenly, trying to strike +the harness-maker, "let go of me, will you!" + +Little by little they pacified him, or rather (for he paid +but little attention to what was said to him) his bestial +fury lapsed by degrees. He turned away and let fall his +arms, drawing long breaths, and looking stupidly about him, +now searching helplessly upon the ground, now gazing vaguely +into the circle of faces about him. His ear bled as though +it would never stop. + +"Say, Doctor," asked Heise, "what's the best thing to do?" + +"Huh?" answered McTeague. "What--what do you mean? What is +it?" + +"What'll we do to stop this bleeding here?" + +McTeague did not answer, but looked intently at the blood- +stained bosom of his shirt. + +"Mac," cried Trina, her face close to his, "tell us +something--the best thing we can do to stop your ear +bleeding." + +"Collodium," said the dentist. + +"But we can't get to that right away; we--" + +"There's some ice in our lunch basket," broke in Heise. "We +brought it for the beer; and take the napkins and make a +bandage." + +"Ice," muttered the dentist, "sure, ice, that's the word." + +Mrs. Heise and the Ryers were looking after Marcus's broken +arm. Selina sat on the slope of the grass, gasping and +sobbing. Trina tore the napkins into strips, and, crushing +some of the ice, made a bandage for her husband's head.' + +The party resolved itself into two groups; the Ryers and +Mrs. Heise bending over Marcus, while the harness-maker and +Trina came and went about McTeague, sitting on the ground, +his shirt, a mere blur of red and white, detaching itself +violently from the background of pale-green grass. Between +the two groups was the torn and trampled bit of turf, the +wrestling ring; the picnic baskets, together with empty beer +bottles, broken egg-shells, and discarded sardine tins, were +scattered here and there. In the middle of the improvised +wrestling ring the sleeve of Marcus's shirt fluttered +occasionally in the sea breeze. + +Nobody was paying any attention to Selina. All at once she +began to giggle hysterically again, then cried out with a +peal of laughter: + +"Oh, what a way for our picnic to end!" + + + +CHAPTER 12 + + +"Now, then, Maria," said Zerkow, his cracked, strained voice +just rising above a whisper, hitching his chair closer to +the table, "now, then, my girl, let's have it all over +again. Tell us about the gold plate--the service. Begin +with, 'There were over a hundred pieces and every one of +them gold.'" + +"I don't know what you're talking about, Zerkow," answered +Maria. "There never was no gold plate, no gold service. I +guess you must have dreamed it." + +Maria and the red-headed Polish Jew had been married about a +month after the McTeague's picnic which had ended in such +lamentable fashion. Zerkow had taken Maria home to his +wretched hovel in the alley back of the flat, and the flat +had been obliged to get another maid of all work. Time +passed, a month, six months, a whole year went by. At +length Maria gave birth to a child, a wretched, sickly +child, with not even strength enough nor wits enough to +cry. At the time of its birth Maria was out of her mind, +and continued in a state of dementia for nearly ten days. +She recovered just in time to make the arrangements for the +baby's burial. Neither Zerkow nor Maria was much affected +by either the birth or the death of this little child. +Zerkow had welcomed it with pronounced disfavor, since it +had a mouth to be fed and wants to be provided for. Maria +was out of her head so much of the time that she could +scarcely remember how it looked when alive. The child was a +mere incident in their lives, a thing that had come +undesired and had gone unregretted. It had not even a name; +a strange, hybrid little being, come and gone within a +fortnight's time, yet combining in its puny little body the +blood of the Hebrew, the Pole, and the Spaniard. + +But the birth of this child had peculiar consequences. +Maria came out of her dementia, and in a few days the +household settled itself again to its sordid regime and +Maria went about her duties as usual. Then one evening, +about a week after the child's burial, Zerkow had asked +Maria to tell him the story of the famous service of gold +plate for the hundredth time. + +Zerkow had come to believe in this story infallibly. He was +immovably persuaded that at one time Maria or Maria's people +had possessed these hundred golden dishes. In his perverted +mind the hallucination had developed still further. Not +only had that service of gold plate once existed, but it +existed now, entire, intact; not a single burnished golden +piece of it was missing. It was somewhere, somebody had it, +locked away in that leather trunk with its quilted lining +and round brass locks. It was to be searched for and +secured, to be fought for, to be gained at all hazards. +Maria must know where it was; by dint of questioning, Zerkow +would surely get the information from her. Some day, if only +he was persistent, he would hit upon the right combination +of questions, the right suggestion that would disentangle +Maria's confused recollections. Maria would tell him where +the thing was kept, was concealed, was buried, and he would +go to that place and secure it, and all that wonderful gold +would be his forever and forever. This service of plate had +come to be Zerkow's mania. + +On this particular evening, about a week after the +child's burial, in the wretched back room of the Junk shop, +Zerkow had made Maria sit down to the table opposite him-- +the whiskey bottle and the red glass tumbler with its broken +base between them--and had said: + +"Now, then, Maria, tell us that story of the gold dishes +again." + +Maria stared at him, an expression of perplexity coming into +her face. + +"What gold dishes?" said she. + +"The ones your people used to own in Central America. Come +on, Maria, begin, begin." The Jew craned himself forward, +his lean fingers clawing eagerly at his lips. + +"What gold plate?" said Maria, frowning at him as she drank +her whiskey. "What gold plate? I don' know what you're +talking about, Zerkow." + +Zerkow sat back in his chair, staring at her. + +"Why, your people's gold dishes, what they used to eat off +of. You've told me about it a hundred times." + +"You're crazy, Zerkow," said Maria. "Push the bottle here, +will you?" + +"Come, now," insisted Zerkow, sweating with desire, "come, +now, my girl, don't be a fool; let's have it, let's have it. +Begin now, 'There were more'n a hundred pieces, and every +one of 'em gold.' Oh, YOU know; come on, come on." + +"I don't remember nothing of the kind," protested Maria, +reaching for the bottle. Zerkow snatched it from her. + +"You fool!" he wheezed, trying to raise his broken voice to +a shout. "You fool! Don't you dare try an' cheat ME, or +I'll DO for you. You know about the gold plate, and you +know where it is." Suddenly he pitched his voice at the +prolonged rasping shout with which he made his street cry. +He rose to his feet, his long, prehensile fingers curled +into fists. He was menacing, terrible in his rage. He +leaned over Maria, his fists in her face. + +"I believe you've got it!" he yelled. "I believe you've got +it, an' are hiding it from me. Where is it, where is it? Is +it here?" he rolled his eyes wildly about the room. +"Hey? hey?" he went on, shaking Maria by the shoulders. +"Where is it? Is it here? Tell me where it is. Tell me, +or I'll do for you!" + +"It ain't here," cried Maria, wrenching from him. "It ain't +anywhere. What gold plate? What are you talking about? I +don't remember nothing about no gold plate at all." + +No, Maria did not remember. The trouble and turmoil of her +mind consequent upon the birth of her child seemed to have +readjusted her disordered ideas upon this point. Her mania +had come to a crisis, which in subsiding had cleared her +brain of its one illusion. She did not remember. Or it was +possible that the gold plate she had once remembered had had +some foundation in fact, that her recital of its splendors +had been truth, sound and sane. It was possible that now +her FORGETFULNESS of it was some form of brain trouble, +a relic of the dementia of childbirth. At all events Maria +did not remember; the idea of the gold plate had passed +entirely out of her mind, and it was now Zerkow who labored +under its hallucination. It was now Zerkow, the raker of +the city's muck heap, the searcher after gold, that saw that +wonderful service in the eye of his perverted mind. It was +he who could now describe it in a language almost eloquent. +Maria had been content merely to remember it; but Zerkow's +avarice goaded him to a belief that it was still in +existence, hid somewhere, perhaps in that very house, stowed +away there by Maria. For it stood to reason, didn't it, +that Maria could not have described it with such wonderful +accuracy and such careful detail unless she had seen it +recently--the day before, perhaps, or that very day, or that +very hour, that very HOUR? + +"Look out for yourself," he whispered, hoarsely, to his +wife. "Look out for yourself, my girl. I'll hunt for it, +and hunt for it, and hunt for it, and some day I'll find it +--I will, you'll see--I'll find it, I'll find it; and if +I don't, I'll find a way that'll make you tell me where it +is. I'll make you speak--believe me, I will, I will, my +girl--trust me for that." + +And at night Maria would sometimes wake to find Zerkow +gone from the bed, and would see him burrowing into +some corner by the light of his dark-lantern and would hear +him mumbling to himself: "There were more'n a hundred +pieces, and every one of 'em gold--when the leather trunk +was opened it fair dazzled your eyes--why, just that punch- +bowl was worth a fortune, I guess; solid, solid, heavy, +rich, pure gold, nothun but gold, gold, heaps and heaps of +it--what a glory! I'll find it yet, I'll find it. It's +here somewheres, hid somewheres in this house." + +At length his continued ill success began to exasperate him. +One day he took his whip from his junk wagon and thrashed +Maria with it, gasping the while, "Where is it, you beast? +Where is it? Tell me where it is; I'll make you speak." + +"I don' know, I don' know," cried Maria, dodging his blows. +"I'd tell you, Zerkow, if I knew; but I don' know nothing +about it. How can I tell you if I don' know?" + +Then one evening matters reached a crisis. Marcus Schouler +was in his room, the room in the flat just over McTeague's +"Parlors" which he had always occupied. It was between +eleven and twelve o'clock. The vast house was quiet; Polk +Street outside was very still, except for the occasional +whirr and trundle of a passing cable car and the persistent +calling of ducks and geese in the deserted market directly +opposite. Marcus was in his shirt sleeves, perspiring and +swearing with exertion as he tried to get all his belongings +into an absurdly inadequate trunk. The room was in great +confusion. It looked as though Marcus was about to move. +He stood in front of his trunk, his precious silk hat in its +hat-box in his hand. He was raging at the perverseness of a +pair of boots that refused to fit in his trunk, no matter +how he arranged them. + +"I've tried you SO, and I've tried you SO," he +exclaimed fiercely, between his teeth, "and you won't go." +He began to swear horribly, grabbing at the boots with his +free hand. "Pretty soon I won't take you at all; I won't, +for a fact." + +He was interrupted by a rush of feet upon the back stairs +and a clamorous pounding upon his door. He opened it to let +in Maria Macapa, her hair dishevelled and her eyes starting +with terror. + +"Oh, MISTER Schouler," she gasped, "lock the door +quick. Don't let him get me. He's got a knife, and he says +sure he's going to do for me, if I don't tell him where it +is." + +"Who has? What has? Where is what?" shouted Marcus, +flaming with excitement upon the instant. He opened the +door and peered down the dark hall, both fists clenched, +ready to fight--he did not know whom, and he did not know +why. + +"It's Zerkow," wailed Maria, pulling him back into the room +and bolting the door, "and he's got a knife as long as +THAT. Oh, my Lord, here he comes now! Ain't that him? +Listen." + +Zerkow was coming up the stairs, calling for Maria. + +"Don't you let him get me, will you, Mister Schouler?" +gasped Maria. + +"I'll break him in two," shouted Marcus, livid with rage. +"Think I'm afraid of his knife?" + +"I know where you are," cried Zerkow, on the landing +outside. "You're in Schouler's room. What are you doing in +Schouler's room at this time of night? Come outa there; you +oughta be ashamed. I'll do for you yet, my girl. Come outa +there once, an' see if I don't." + +"I'll do for you myself, you dirty Jew," shouted Marcus, +unbolting the door and running out into the hall. + +"I want my wife," exclaimed the Jew, backing down the +stairs. "What's she mean by running away from me and going +into your room?" + +"Look out, he's got a knife!" cried Maria through the crack +of the door. + +"Ah, there you are. Come outa that, and come back home," +exclaimed Zerkow. + +"Get outa here yourself," cried Marcus, advancing on him +angrily. "Get outa here." + +"Maria's gota come too." + +"Get outa here," vociferated Marcus, "an' put up that knife. +I see it; you needn't try an' hide it behind your leg. +Give it to me, anyhow," he shouted suddenly, and before +Zerkow was aware, Marcus had wrenched it away. "Now, get +outa here." + +Zerkow backed away, peering and peeping over Marcus's +shoulder. + +"I want Maria." + +"Get outa here. Get along out, or I'll PUT you out." +The street door closed. The Jew was gone. + +"Huh!" snorted Marcus, swelling with arrogance. "Huh! +Think I'm afraid of his knife? I ain't afraid of +ANYBODY," he shouted pointedly, for McTeague and his wife, +roused by the clamor, were peering over the banisters from +the landing above. "Not of anybody," repeated Marcus. + +Maria came out into the hall. + +"Is he gone? Is he sure gone?" + +"What was the trouble?" inquired Marcus, suddenly. + +"I woke up about an hour ago," Maria explained, "and Zerkow +wasn't in bed; maybe he hadn't come to bed at all. He was +down on his knees by the sink, and he'd pried up some boards +off the floor and was digging there. He had his dark- +lantern. He was digging with that knife, I guess, and all +the time he kept mumbling to himself, 'More'n a hundred +pieces, an' every one of 'em gold; more'n a hundred pieces, +an' every one of 'em gold.' Then, all of a sudden, he caught +sight of me. I was sitting up in bed, and he jumped up and +came at me with his knife, an' he says, 'Where is it? Where +is it? I know you got it hid somewhere. Where is it? Tell +me or I'll knife you.' I kind of fooled him and kept him +off till I got my wrapper on, an' then I run out. I didn't +dare stay." + +"Well, what did you tell him about your gold dishes for in +the first place?" cried Marcus. + +"I never told him," protested Maria, with the greatest +energy. "I never told him; I never heard of any gold dishes. +I don' know where he got the idea; he must be crazy." + +By this time Trina and McTeague, Old Grannis, and little +Miss Baker--all the lodgers on the upper floors of the flat +--had gathered about Maria. Trina and the dentist, who had +gone to bed, were partially dressed, and Trina's enormous +mane of black hair was hanging in two thick braids far down +her back. But, late as it was, Old Grannis and the +retired dressmaker had still been up and about when Maria +had aroused them. + +"Why, Maria," said Trina, "you always used to tell us about +your gold dishes. You said your folks used to have them." + +"Never, never, never!" exclaimed Maria, vehemently. "You +folks must all be crazy. I never HEARD of any gold +dishes." + +"Well," spoke up Miss Baker, "you're a queer girl, Maria; +that's all I can say." She left the group and returned to +her room. Old Grannis watched her go from the corner of his +eye, and in a few moments followed her, leaving the group as +unnoticed as he had joined it. By degrees the flat quieted +down again. Trina and McTeague returned to their rooms. + +"I guess I'll go back now," said Maria. "He's all right +now. I ain't afraid of him so long as he ain't got his +knife." + +"Well, say," Marcus called to her as she went down stairs, +"if he gets funny again, you just yell out; I'LL hear +you. I won't let him hurt you." + +Marcus went into his room again and resumed his wrangle with +the refractory boots. His eye fell on Zerkow's knife, a +long, keen-bladed hunting-knife, with a buckhorn handle. +"I'll take you along with me," he exclaimed, suddenly. +"I'll just need you where I'm going." + +Meanwhile, old Miss Baker was making tea to calm her nerves +after the excitement of Maria's incursion. This evening she +went so far as to make tea for two, laying an extra place on +the other side of her little teatable, setting out a cup and +saucer and one of the Gorham silver spoons. Close upon the +other side of the partition Old Grannis bound uncut numbers +of the "Nation." + +"Do you know what I think, Mac?" said Trina, when the couple +had returned to their rooms. "I think Marcus is going +away." + +"What? What?" muttered the dentist, very sleepy and stupid, +"what you saying? What's that about Marcus?" + +"I believe Marcus has been packing up, the last two or three +days. I wonder if he's going away." + +"Who's going away?" said McTeague, blinking at her. + +"Oh, go to bed," said Trina, pushing him goodnaturedly. +"Mac, you're the stupidest man I ever knew." + +But it was true. Marcus was going away. Trina received a +letter the next morning from her mother. The carpet- +cleaning and upholstery business in which Mr. Sieppe had +involved himself was going from bad to worse. Mr. Sieppe +had even been obliged to put a mortgage upon their house. +Mrs. Sieppe didn't know what was to become of them all. Her +husband had even begun to talk of emigrating to New Zealand. +Meanwhile, she informed Trina that Mr. Sieppe had finally +come across a man with whom Marcus could "go in with on a +ranch," a cattle ranch in the southeastern portion of the +State. Her ideas were vague upon the subject, but she knew +that Marcus was wildly enthusiastic at the prospect, and was +expected down before the end of the month. In the meantime, +could Trina send them fifty dollars? + +"Marcus IS going away, after all, Mac," said Trina to +her husband that day as he came out of his "Parlors" and sat +down to the lunch of sausages, mashed potatoes, and +chocolate in the sitting-room. + +"Huh?" said the dentist, a little confused. "Who's going +away? Schouler going away? Why's Schouler going away?" + +Trina explained. "Oh!" growled McTeague, behind his thick +mustache, "he can go far before I'LL stop him." + +"And, say, Mac," continued Trina, pouring the chocolate, +"what do you think? Mamma wants me--wants us to send her +fifty dollars. She says they're hard up." + +"Well," said the dentist, after a moment, "well, I guess we +can send it, can't we?" + +"Oh, that's easy to say," complained Trina, her little chin +in the air, her small pale lips pursed. "I wonder if mamma +thinks we're millionaires?" + +"Trina, you're getting to be regular stingy," muttered +McTeague. "You're getting worse and worse every day." + +"But fifty dollars is fifty dollars, Mac. Just think how +long it takes you to earn fifty dollars. Fifty dollars! +That's two months of our interest." + +"Well," said McTeague, easily, his mouth full of mashed +potato, "you got a lot saved up." + +Upon every reference to that little hoard in the brass +match-safe and chamois-skin bag at the bottom of her trunk, +Trina bridled on the instant. + +"Don't TALK that way, Mac. 'A lot of money.' What do +you call a lot of money? I don't believe I've got fifty +dollars saved." + +"Hoh!" exclaimed McTeague. "Hoh! I guess you got nearer a +hundred AN' fifty. That's what I guess YOU got." + +"I've NOT, I've NOT," declared Trina, "and you know +I've not. I wish mamma hadn't asked me for any money. Why +can't she be a little more economical? I manage all +right. No, no, I can't possibly afford to send her fifty." + +"Oh, pshaw! What WILL you do, then?" grumbled her +husband. + +"I'll send her twenty-five this month, and tell her I'll +send the rest as soon as I can afford it." + +"Trina, you're a regular little miser," said McTeague. + +"I don't care," answered Trina, beginning to laugh. "I +guess I am, but I can't help it, and it's a good fault." + +Trina put off sending this money for a couple of weeks, and +her mother made no mention of it in her next letter. "Oh, I +guess if she wants it so bad," said Trina, "she'll speak +about it again." So she again postponed the sending of it. +Day by day she put it off. When her mother asked her for it +a second time, it seemed harder than ever for Trina to part +with even half the sum requested. She answered her mother, +telling her that they were very hard up themselves for that +month, but that she would send down the amount in a few +weeks. + +"I'll tell you what we'll do, Mac," she said to her husband, +"you send half and I'll send half; we'll send twenty-five +dollars altogether. Twelve and a half apiece. That's an +idea. How will that do?" + +"Sure, sure," McTeague had answered, giving her the money. +Trina sent McTeague's twelve dollars, but never sent the +twelve that was to be her share. One day the dentist +happened to ask her about it. + +"You sent that twenty-five to your mother, didn't you?" said +he. + +"Oh, long ago," answered Trina, without thinking. + +In fact, Trina never allowed herself to think very much of +this affair. And, in fact, another matter soon came to +engross her attention. + +One Sunday evening Trina and her husband were in their +sitting-room together. It was dark, but the lamp had not +been lit. McTeague had brought up some bottles of beer from +the "Wein Stube" on the ground floor, where the branch post- +office used to be. But they had not opened the beer. It +was a warm evening in summer. Trina was sitting on +McTeague's lap in the bay window, and had looped back the +Nottingham curtains so the two could look out into the +darkened street and watch the moon coming up over the glass +roof of the huge public baths. On occasions they sat like +this for an hour or so, "philandering," Trina cuddling +herself down upon McTeague's enormous body, rubbing her +cheek against the grain of his unshaven chin, kissing the +bald spot on the top of his head, or putting her fingers +into his ears and eyes. At times, a brusque access of +passion would seize upon her, and, with a nervous little +sigh, she would clasp his thick red neck in both her small +arms and whisper in his ear: + +"Do you love me, Mac, dear? Love me BIG, BIG? +Sure, do you love me as much as you did when we were +married?" + +Puzzled, McTeague would answer: "Well, you know it, don't +you, Trina?" + +"But I want you to SAY so; say so always and always." + +"Well, I do, of course I do." + +"Say it, then." + +"Well, then, I love you." + +"But you don't say it of your own accord." + +"Well, what--what--what--I don't understand," stammered the +dentist, bewildered. + +There was a knock on the door. Confused and +embarrassed, as if they were not married, Trina scrambled +off McTeague's lap, hastening to light the lamp, whispering, +"Put on your coat, Mac, and smooth your hair," and making +gestures for him to put the beer bottles out of sight. She +opened the door and uttered an exclamation. + +"Why, Cousin Mark!" she said. McTeague glared at him, +struck speechless, confused beyond expression. Marcus +Schouler, perfectly at his ease, stood in the doorway, +smiling with great affability. + +"Say," he remarked, "can I come in?" + +Taken all aback, Trina could only answer: + +"Why--I suppose so. Yes, of course--come in." + +"Yes, yes, come in," exclaimed the dentist, suddenly, +speaking without thought. "Have some beer?" he added, +struck with an idea. + +"No, thanks, Doctor," said Marcus, pleasantly. + +McTeague and Trina were puzzled. What could it all mean? +Did Marcus want to become reconciled to his enemy? "I +know." Trina said to herself. "He's going away, and he +wants to borrow some money. He won't get a penny, not a +penny." She set her teeth together hard. + +"Well," said Marcus, "how's business, Doctor?" + +"Oh," said McTeague, uneasily, "oh, I don' know. I guess--I +guess," he broke off in helpless embarrassment. They had +all sat down by now. Marcus continued, holding his hat and +his cane--the black wand of ebony with the gold top +presented to him by the "Improvement Club." + +"Ah!" said he, wagging his head and looking about the +sitting-room, "you people have got the best fixed rooms in +the whole flat. Yes, sir; you have, for a fact." He +glanced from the lithograph framed in gilt and red plush-- +the two little girls at their prayers--to the "I'm Grandpa" +and "I'm Grandma" pictures, noted the clean white matting +and the gay worsted tidies over the chair backs, and +appeared to contemplate in ecstasy the framed +photograph of McTeague and Trina in their wedding finery. + +"Well, you two are pretty happy together, ain't you?" said +he, smiling good-humoredly. + +"Oh, we don't complain," answered Trina. + +"Plenty of money, lots to do, everything fine, hey?" + +"We've got lots to do," returned Trina, thinking to head him +off, "but we've not got lots of money." + +But evidently Marcus wanted no money. + +"Well, Cousin Trina," he said, rubbing his knee, "I'm going +away." + +"Yes, mamma wrote me; you're going on a ranch." + +"I'm going in ranching with an English duck," corrected +Marcus. "Mr. Sieppe has fixed things. We'll see if we can't +raise some cattle. I know a lot about horses, and he's +ranched some before--this English duck. And then I'm going +to keep my eye open for a political chance down there. I +got some introductions from the President of the Improvement +Club. I'll work things somehow, oh, sure." + +"How long you going to be gone?" asked Trina. + +Marcus stared. + +"Why, I ain't EVER coming back," he vociferated. "I'm +going to-morrow, and I'm going for good. I come to say +good-by." + +Marcus stayed for upwards of an hour that evening. He +talked on easily and agreeably, addressing himself as much +to McTeague as to Trina. At last he rose. + +"Well, good-by, Doc." + +"Good-by, Marcus," returned McTeague. The two shook hands. + +"Guess we won't ever see each other again," continued +Marcus. "But good luck to you, Doc. Hope some day you'll +have the patients standing in line on the stairs." + +"Huh! I guess so, I guess so," said the dentist. + +"Good-by, Cousin Trina." + +"Good-by, Marcus," answered Trina. "You be sure to +remember me to mamma, and papa, and everybody. I'm +going to make two great big sets of Noah's ark animals for +the twins on their next birthday; August is too old for +toys. But you can tell the twins that I'll make them some +great big animals. Good-by, success to you, Marcus." + +"Good-by, good-by. Good luck to you both." + +"Good-by, Cousin Mark." + +"Good-by, Marcus." + +He was gone. + + + +CHAPTER 13 + + +One morning about a week after Marcus had left for the +southern part of the State, McTeague found an oblong letter +thrust through the letter-drop of the door of his "Parlors." +The address was typewritten. He opened it. The letter had +been sent from the City Hall and was stamped in one corner +with the seal of the State of California, very official; the +form and file numbers superscribed. + +McTeague had been making fillings when this letter arrived. +He was in his "Parlors," pottering over his movable rack +underneath the bird cage in the bay window. He was making +"blocks" to be used in large proximal cavities and +"cylinders" for commencing fillings. He heard the postman's +step in the hall and saw the envelopes begin to shuttle +themselves through the slit of his letter-drop. Then came +the fat oblong envelope, with its official seal, that +dropped flatwise to the floor with a sodden, dull impact. + +The dentist put down the broach and scissors and gathered +up his mail. There were four letters altogether. One +was for Trina, in Selina's "elegant" handwriting; another +was an advertisement of a new kind of operating chair for +dentists; the third was a card from a milliner on the next +block, announcing an opening; and the fourth, contained in +the fat oblong envelope, was a printed form with blanks left +for names and dates, and addressed to McTeague, from an +office in the City Hall. McTeague read it through +laboriously. "I don' know, I don' know," he muttered, +looking stupidly at the rifle manufacturer's calendar. Then +he heard Trina, from the kitchen, singing as she made a +clattering noise with the breakfast dishes. "I guess I'll +ask Trina about it," he muttered. + +He went through the suite, by the sitting-room, where the +sun was pouring in through the looped backed Nottingham +curtains upon the clean white matting and the varnished +surface of the melodeon, passed on through the bedroom, with +its framed lithographs of round-cheeked English babies and +alert fox terriers, and came out into the brick-paved +kitchen. The kitchen was clean as a new whistle; the +freshly blackened cook stove glowed like a negro's hide; the +tins and porcelain-lined stew-pans might have been of silver +and of ivory. Trina was in the centre of the room, wiping +off, with a damp sponge, the oilcloth table-cover, on which +they had breakfasted. Never had she looked so pretty. +Early though it was, her enormous tiara of swarthy hair was +neatly combed and coiled, not a pin was so much as loose. +She wore a blue calico skirt with a white figure, and a belt +of imitation alligator skin clasped around her small, +firmly-corseted waist; her shirt waist was of pink linen, so +new and crisp that it crackled with every movement, while +around the collar, tied in a neat knot, was one of +McTeague's lawn ties which she had appropriated. Her +sleeves were carefully rolled up almost to her shoulders, +and nothing could have been more delicious than the sight of +her small round arms, white as milk, moving back and forth +as she sponged the table-cover, a faint touch of pink coming +and going at the elbows as they bent and straightened. She +looked up quickly as her husband entered, her narrow eyes +alight, her adorable little chin in the air; her lips +rounded and opened with the last words of her song, so +that one could catch a glint of gold in the fillings of her +upper teeth. + +The whole scene--the clean kitchen and its clean brick +floor; the smell of coffee that lingered in the air; Trina +herself, fresh as if from a bath, and singing at her work; +the morning sun, striking obliquely through the white muslin +half-curtain of the window and spanning the little kitchen +with a bridge of golden mist--gave off, as it were, a note +of gayety that was not to be resisted. Through the opened +top of the window came the noises of Polk Street, already +long awake. One heard the chanting of street cries, the +shrill calling of children on their way to school, the merry +rattle of a butcher's cart, the brisk noise of hammering, or +the occasional prolonged roll of a cable car trundling +heavily past, with a vibrant whirring of its jostled glass +and the joyous clanging of its bells. + +"What is it, Mac, dear?" said Trina. + +McTeague shut the door behind him with his heel and handed +her the letter. Trina read it through. Then suddenly her +small hand gripped tightly upon the sponge, so that the +water started from it and dripped in a little pattering +deluge upon the bricks. + +The letter--or rather printed notice--informed McTeague that +he had never received a diploma from a dental college, and +that in consequence he was forbidden to practise his +profession any longer. A legal extract bearing upon the +case was attached in small type. + +"Why, what's all this?" said Trina, calmly, without thought +as yet. + +"I don' know, I don' know," answered her husband. + +"You can't practise any longer," continued Trina,--"'is +herewith prohibited and enjoined from further continuing---- +'" She re-read the extract, her forehead lifting and +puckering. She put the sponge carefully away in its wire +rack over the sink, and drew up a chair to the table, +spreading out the notice before her. "Sit down," she said to +McTeague. "Draw up to the table here, Mac, and let's see +what this is." + +"I got it this morning," murmured the dentist. "It just now +came. I was making some fillings--there, in the +'Parlors,' in the window--and the postman shoved it through +the door. I thought it was a number of the 'American System +of Dentistry' at first, and when I'd opened it and looked at +it I thought I'd better----" + +"Say, Mac," interrupted Trina, looking up from the notice, +"DIDN'T you ever go to a dental college?" + +"Huh? What? What?" exclaimed McTeague. + +"How did you learn to be a dentist? Did you go to a +college?" + +"I went along with a fellow who came to the mine once. My +mother sent me. We used to go from one camp to another. I +sharpened his excavators for him, and put up his notices in +the towns--stuck them up in the post-offices and on the +doors of the Odd Fellows' halls. He had a wagon." + +"But didn't you never go to a college?" + +"Huh? What? College? No, I never went. I learned from +the fellow." + +Trina rolled down her sleeves. She was a little paler than +usual. She fastened the buttons into the cuffs and said: + +"But do you know you can't practise unless you're graduated +from a college? You haven't the right to call yourself, +'doctor.'" + +McTeague stared a moment; then: + +"Why, I've been practising ten years. More--nearly twelve." + +"But it's the law." + +"What's the law?" + +"That you can't practise, or call yourself doctor, unless +you've got a diploma." + +"What's that--a diploma?" + +"I don't know exactly. It's a kind of paper that--that--oh, +Mac, we're ruined." Trina's voice rose to a cry. + +"What do you mean, Trina? Ain't I a dentist? Ain't I a +doctor? Look at my sign, and the gold tooth you gave me. +Why, I've been practising nearly twelve years." + +Trina shut her lips tightly, cleared her throat, and +pretended to resettle a hair-pin at the back of her head. + +"I guess it isn't as bad as that," she said, very quietly. +"Let's read this again. 'Herewith prohibited and +enjoined from further continuing----'" She read to the end. + +"Why, it isn't possible," she cried. "They can't mean--oh, +Mac, I do believe--pshaw!" she exclaimed, her pale face +flushing. "They don't know how good a dentist you are. +What difference does a diploma make, if you're a first-class +dentist? I guess that's all right. Mac, didn't you ever go +to a dental college?" + +"No," answered McTeague, doggedly. "What was the good? I +learned how to operate; wa'n't that enough?" + +"Hark," said Trina, suddenly. "Wasn't that the bell of your +office?" They had both heard the jangling of the bell that +McTeague had hung over the door of his "Parlors." The +dentist looked at the kitchen clock. + +"That's Vanovitch," said he. "He's a plumber round on +Sutter Street. He's got an appointment with me to have a +bicuspid pulled. I got to go back to work." He rose. + +"But you can't," cried Trina, the back of her hand upon her +lips, her eyes brimming. "Mac, don't you see? Can't you +understand? You've got to stop. Oh, it's dreadful! +Listen." She hurried around the table to him and caught his +arm in both her hands. + +"Huh?" growled McTeague, looking at her with a puzzled +frown. + +"They'll arrest you. You'll go to prison. You can't work-- +can't work any more. We're ruined." + +Vanovitch was pounding on the door of the sitting-room. + +"He'll be gone in a minute," exclaimed McTeague. + +"Well, let him go. Tell him to go; tell him to come again." + +"Why, he's got an APPOINTMENT with me," exclaimed +McTeague, his hand upon the door. + +Trina caught him back. "But, Mac, you ain't a dentist any +longer; you ain't a doctor. You haven't the right to work. +You never went to a dental college." + +"Well, suppose I never went to a college, ain't I a dentist +just the same? Listen, he's pounding there again. No, I'm +going, sure." + +"Well, of course, go," said Trina, with sudden reaction. +"It ain't possible they'll make you stop. If you're a +good dentist, that's all that's wanted. Go on, Mac; hurry, +before he goes." + +McTeague went out, closing the door. Trina stood for a +moment looking intently at the bricks at her feet. Then she +returned to the table, and sat down again before the notice, +and, resting her head in both her fists, read it yet another +time. Suddenly the conviction seized upon her that it was +all true. McTeague would be obliged to stop work, no matter +how good a dentist he was. But why had the authorities at +the City Hall waited this long before serving the notice? +All at once Trina snapped her fingers, with a quick flash of +intelligence. + +"It's Marcus that's done it," she cried. + +* * * * * * * * * * * * * + +It was like a clap of thunder. McTeague was stunned, +stupefied. He said nothing. Never in his life had he been +so taciturn. At times he did not seem to hear Trina when she +spoke to him, and often she had to shake him by the shoulder +to arouse his attention. He would sit apart in his +"Parlors," turning the notice about in his enormous clumsy +fingers, reading it stupidly over and over again. He +couldn't understand. What had a clerk at the City Hall to +do with him? Why couldn't they let him alone? + +"Oh, what's to become of us NOW?" wailed Trina. "What's +to become of us now? We're paupers, beggars--and all so +sudden." And once, in a quick, inexplicable fury, totally +unlike anything that McTeague had noticed in her before, she +had started up, with fists and teeth shut tight, and had +cried, "Oh, if you'd only KILLED Marcus Schouler that +time he fought you!" + +McTeague had continued his work, acting from sheer force of +habit; his sluggish, deliberate nature, methodical, +obstinate, refusing to adapt itself to the new conditions. + +"Maybe Marcus was only trying to scare us," Trina had said. +"How are they going to know whether you're practising or +not?" + +"I got a mould to make to-morrow," McTeague said, "and +Vanovitch, that plumber round on Sutter Street, he's +coming again at three." + +"Well, you go right ahead," Trina told him, decisively; "you +go right ahead and make the mould, and pull every tooth in +Vanovitch's head if you want to. Who's going to know? +Maybe they just sent that notice as a matter of form. Maybe +Marcus got that paper and filled it in himself." + +The two would lie awake all night long, staring up into the +dark, talking, talking, talking. + +"Haven't you got any right to practise if you've not been to +a dental college, Mac? Didn't you ever go?" Trina would ask +again and again. + +"No, no," answered the dentist, "I never went. I learnt +from the fellow I was apprenticed to. I don' know anything +about a dental college. Ain't I got a right to do as I +like?" he suddenly exclaimed. + +"If you know your profession, isn't that enough?" cried +Trina. + +"Sure, sure," growled McTeague. "I ain't going to stop for +them." + +"You go right on," Trina said, "and I bet you won't hear +another word about it." + +"Suppose I go round to the City Hall and see them," hazarded +McTeague. + +"No, no, don't you do it, Mac," exclaimed Trina. "Because, +if Marcus has done this just to scare you, they won't know +anything about it there at the City Hall; but they'll begin +to ask you questions, and find out that you never HAD +graduated from a dental college, and you'd be just as bad +off as ever." + +"Well, I ain't going to quit for just a piece of paper," +declared the dentist. The phrase stuck to him. All day +long he went about their rooms or continued at his work in +the "Parlors," growling behind his thick mustache: "I ain't +going to quit for just a piece of paper. No, I ain't going +to quit for just a piece of paper. Sure not." + +The days passed, a week went by, McTeague continued his +work as usual. They heard no more from the City Hall, +but the suspense of the situation was harrowing. Trina was +actually sick with it. The terror of the thing was ever at +their elbows, going to bed with them, sitting down with them +at breakfast in the kitchen, keeping them company all +through the day. Trina dared not think of what would be +their fate if the income derived from McTeague's practice +was suddenly taken from them. Then they would have to fall +back on the interest of her lottery money and the pittance +she derived from the manufacture of the Noah's ark animals, +a little over thirty dollars a month. No, no, it was not to +be thought of. It could not be that their means of +livelihood was to be thus stricken from them. + +A fortnight went by. "I guess we're all right, Mac," Trina +allowed herself to say. "It looks as though we were all +right. How are they going to tell whether you're practising +or not?" + +That day a second and much more peremptory notice was served +upon McTeague by an official in person. Then suddenly Trina +was seized with a panic terror, unreasoned, instinctive. If +McTeague persisted they would both be sent to a prison, she +was sure of it; a place where people were chained to the +wall, in the dark, and fed on bread and water. + +"Oh, Mac, you've got to quit," she wailed. "You can't go +on. They can make you stop. Oh, why didn't you go to a +dental college? Why didn't you find out that you had to +have a college degree? And now we're paupers, beggars. +We've got to leave here--leave this flat where I've been-- +where WE'VE been so happy, and sell all the pretty +things; sell the pictures and the melodeon, and--Oh, it's +too dreadful!" + +"Huh? Huh? What? What?" exclaimed the dentist, +bewildered. "I ain't going to quit for just a piece of +paper. Let them put me out. I'll show them. They--they +can't make small of me." + +"Oh, that's all very fine to talk that way, but you'll have +to quit." + +"Well, we ain't paupers," McTeague suddenly exclaimed, an +idea entering his mind. "We've got our money yet. You've +got your five thousand dollars and the money you've been +saving up. People ain't paupers when they've got over +five thousand dollars." + +"What do you mean, Mac?" cried Trina, apprehensively. + +"Well, we can live on THAT money until--until--until--" +he broke off with an uncertain movement of his shoulders, +looking about him stupidly. + +"Until WHEN?" cried Trina. "There ain't ever going to +be any 'until.' We've got the INTEREST of that five +thousand and we've got what Uncle Oelbermann gives me, a +little over thirty dollars a month, and that's all we've +got. You'll have to find something else to do." + +"What will I find to do?" + +What, indeed? McTeague was over thirty now, sluggish and +slow-witted at best. What new trade could he learn at this +age? + +Little by little Trina made the dentist understand the +calamity that had befallen them, and McTeague at last began +cancelling his appointments. Trina gave it out that he was +sick. + +"Not a soul need know what's happened to us," she said to +her husband. + +But it was only by slow degrees that McTeague abandoned his +profession. Every morning after breakfast he would go into +his "Parlors" as usual and potter about his instruments, his +dental engine, and his washstand in the corner behind his +screen where he made his moulds. Now he would sharpen a +"hoe" excavator, now he would busy himself for a whole hour +making "mats" and "cylinders." Then he would look over his +slate where he kept a record of his appointments. + +One day Trina softly opened the door of the "Parlors" and +came in from the sitting-room. She had not heard McTeague +moving about for some time and had begun to wonder what he +was doing. She came in, quietly shutting the door behind +her. + +McTeague had tidied the room with the greatest care. The +volumes of the "Practical Dentist" and the "American System +of Dentistry" were piled upon the marble-top centre-table in +rectangular blocks. The few chairs were drawn up against +the wall under the steel engraving of "Lorenzo de' +Medici" with more than usual precision. The dental engine +and the nickelled trimmings of the operating chair had been +furbished till they shone, while on the movable rack in the +bay window McTeague had arranged his instruments with the +greatest neatness and regularity. "Hoe" excavators, +pluggers, forceps, pliers, corundum disks and burrs, even +the boxwood mallet that Trina was never to use again, all +were laid out and ready for immediate use. + +McTeague himself sat in his operating chair, looking +stupidly out of the windows, across the roofs opposite, with +an unseeing gaze, his red hands lying idly in his lap. +Trina came up to him. There was something in his eyes that +made her put both arms around his neck and lay his huge head +with its coarse blond hair upon her shoulder. + +"I--I got everything fixed," he said. "I got everything +fixed an' ready. See, everything ready an' waiting, an'-- +an'--an' nobody comes, an' nobody's ever going to come any +more. Oh, Trina!" He put his arms about her and drew her +down closer to him. + +"Never mind, dear; never mind," cried Trina, through her +tears. "It'll all come right in the end, and we'll be poor +together if we have to. You can sure find something else to +do. We'll start in again." + +"Look at the slate there," said McTeague, pulling away from +her and reaching down the slate on which he kept a record of +his appointments. "Look at them. There's Vanovitch at two +on Wednesday, and Loughhead's wife Thursday morning, and +Heise's little girl Thursday afternoon at one-thirty; Mrs. +Watson on Friday, and Vanovitch again Saturday morning +early--at seven. That's what I was to have had, and they +ain't going to come. They ain't ever going to come any +more." + +Trina took the little slate from him and looked at it +ruefully. + +"Rub them out," she said, her voice trembling; "rub it all +out;" and as she spoke her eyes brimmed again, and a great +tear dropped on the slate. "That's it," she said; "that's +the way to rub it out, by me crying on it." Then she +passed her fingers over the tear-blurred writing and washed +the slate clean. "All gone, all gone," she said. + +"All gone," echoed the dentist. There was a silence. Then +McTeague heaved himself up to his full six feet two, his +face purpling, his enormous mallet-like fists raised over +his head. His massive jaw protruded more than ever, while +his teeth clicked and grated together; then he growled: + +"If ever I meet Marcus Schouler--" he broke off abruptly, +the white of his eyes growing suddenly pink. + +"Oh, if ever you DO," exclaimed Trina, catching her +breath. + + + +CHAPTER 14 + + +"Well, what do you think?" said Trina. + +She and McTeague stood in a tiny room at the back of the +flat and on its very top floor. The room was whitewashed. +It contained a bed, three cane-seated chairs, and a wooden +washstand with its washbowl and pitcher. From its single +uncurtained window one looked down into the flat's dirty +back yard and upon the roofs of the hovels that bordered the +alley in the rear. There was a rag carpet on the floor. In +place of a closet some dozen wooden pegs were affixed to the +wall over the washstand. There was a smell of cheap soap +and of ancient hair-oil in the air. + +"That's a single bed," said Trina, "but the landlady says +she'll put in a double one for us. You see----" + +"I ain't going to live here," growled McTeague. + +"Well, you've got to live somewhere," said Trina, +impatiently. "We've looked Polk Street over, and this +is the only thing we can afford." + +"Afford, afford," muttered the dentist. "You with your five +thousand dollars, and the two or three hundred you got saved +up, talking about 'afford.' You make me sick." + +"Now, Mac," exclaimed Trina, deliberately, sitting down in +one of the cane-seated chairs; "now, Mac, let's have this +thing----" + +"Well, I don't figure on living in one room," growled the +dentist, sullenly. "Let's live decently until we can get a +fresh start. We've got the money." + +"Who's got the money?" + +"WE'VE got it." + +"We!" + +"Well, it's all in the family. What's yours is mine, and +what's mine is yours, ain't it?" + +"No, it's not; no, it's not," cried Trina, vehemently. +"It's all mine, mine. There's not a penny of it belongs to +anybody else. I don't like to have to talk this way to you, +but you just make me. We're not going to touch a penny of +my five thousand nor a penny of that little money I managed +to save--that seventy-five." + +"That TWO hundred, you mean." + +"That SEVENTY-FIVE. We're just going to live on the +interest of that and on what I earn from Uncle Oelbermann-- +on just that thirty-one or two dollars." + +"Huh! Think I'm going to do that, an' live in such a room +as this?" + +Trina folded her arms and looked him squarely in the face. + +"Well, what ARE you going to do, then?" + +"Huh?" + +"I say, what ARE you going to do? You can go on and +find something to do and earn some more money, and THEN +we'll talk." + +"Well, I ain't going to live here." + +"Oh, very well, suit yourself. I'M going to live here." + +"You'll live where I TELL you," the dentist suddenly +cried, exasperated at the mincing tone she affected. + +"Then YOU'LL pay the rent," exclaimed Trina, quite +as angry as he. + +"Are you my boss, I'd like to know? Who's the boss, you or +I?" + +"Who's got the MONEY, I'd like to know?" cried Trina, +flushing to her pale lips. "Answer me that, McTeague, +who's got the money?" + +"You make me sick, you and your money. Why, you're a +miser. I never saw anything like it. When I was +practising, I never thought of my fees as my own; we lumped +everything in together." + +"Exactly; and I'M doing the working now. I'm working +for Uncle Oelbermann, and you're not lumping in ANYTHING +now. I'm doing it all. Do you know what I'm doing, +McTeague? I'm supporting you." + +"Ah, shut up; you make me sick." + +"You got no RIGHT to talk to me that way. I won't let +you. I--I won't have it." She caught her breath. Tears +were in her eyes. + +"Oh, live where you like, then," said McTeague, sullenly. + +"Well, shall we take this room then?" + +"All right, we'll take it. But why can't you take a little +of your money an'--an'--sort of fix it up?" + +"Not a penny, not a single penny." + +"Oh, I don't care WHAT you do." And for the rest of the +day the dentist and his wife did not speak. + +This was not the only quarrel they had during these days +when they were occupied in moving from their suite and in +looking for new quarters. Every hour the question of money +came up. Trina had become more niggardly than ever since the +loss of McTeague's practice. It was not mere economy with +her now. It was a panic terror lest a fraction of a cent of +her little savings should be touched; a passionate eagerness +to continue to save in spite of all that had happened. +Trina could have easily afforded better quarters than the +single whitewashed room at the top of the flat, but she made +McTeague believe that it was impossible. + +"I can still save a little," she said to herself, after the +room had been engaged; "perhaps almost as much as ever. +I'll have three hundred dollars pretty soon, and Mac thinks +it's only two hundred. It's almost two hundred and fifty; +and I'll get a good deal out of the sale." + +But this sale was a long agony. It lasted a week. +Everything went--everything but the few big pieces that went +with the suite, and that belonged to the photographer. The +melodeon, the chairs, the black walnut table before which +they were married, the extension table in the sitting-room, +the kitchen table with its oilcloth cover, the framed +lithographs from the English illustrated papers, the very +carpets on the floors. But Trina's heart nearly broke when +the kitchen utensils and furnishings began to go. Every +pot, every stewpan, every knife and fork, was an old friend. +How she had worked over them! How clean she had kept them! +What a pleasure it had been to invade that little brick- +paved kitchen every morning, and to wash up and put to +rights after breakfast, turning on the hot water at the +sink, raking down the ashes in the cook-stove, going and +coming over the warm bricks, her head in the air, singing at +her work, proud in the sense of her proprietorship and her +independence! How happy had she been the day after her +marriage when she had first entered that kitchen and knew +that it was all her own! And how well she remembered her +raids upon the bargain counters in the house-furnishing +departments of the great down-town stores! And now it was +all to go. Some one else would have it all, while she was +relegated to cheap restaurants and meals cooked by hired +servants. Night after night she sobbed herself to sleep at +the thought of her past happiness and her present +wretchedness. However, she was not alone in her unhappiness. + +"Anyhow, I'm going to keep the steel engraving an' the stone +pug dog," declared the dentist, his fist clenching. When it +had come to the sale of his office effects McTeague had +rebelled with the instinctive obstinacy of a boy, shutting +his eyes and ears. Only little by little did Trina induce +him to part with his office furniture. He fought over every +article, over the little iron stove, the bed-lounge, the +marble-topped centre table, the whatnot in the corner, +the bound volumes of "Allen's Practical Dentist," the rifle +manufacturer's calendar, and the prim, military chairs. A +veritable scene took place between him and his wife before +he could bring himself to part with the steel engraving of +"Lorenzo de' Medici and His Court" and the stone pug dog +with its goggle eyes. + +"Why," he would cry, "I've had 'em ever since--ever since I +BEGAN; long before I knew you, Trina. That steel +engraving I bought in Sacramento one day when it was +raining. I saw it in the window of a second-hand store, and +a fellow GAVE me that stone pug dog. He was a druggist. +It was in Sacramento too. We traded. I gave him a shaving- +mug and a razor, and he gave me the pug dog." + +There were, however, two of his belongings that even Trina +could not induce him to part with. + +"And your concertina, Mac," she prompted, as they were +making out the list for the second-hand dealer. "The +concertina, and--oh, yes, the canary and the bird cage." + +"No." + +"Mac, you MUST be reasonable. The concertina would +bring quite a sum, and the bird cage is as good as new. +I'll sell the canary to the bird-store man on Kearney +Street." + +"No." + +"If you're going to make objections to every single thing, +we might as well quit. Come, now, Mac, the concertina and +the bird cage. We'll put them in Lot D." + +"No." + +"You'll have to come to it sooner or later. I'M giving +up everything. I'm going to put them down, see." + +"No." + +And she could get no further than that. The dentist did not +lose his temper, as in the case of the steel engraving or +the stone pug dog; he simply opposed her entreaties and +persuasions with a passive, inert obstinacy that nothing +could move. In the end Trina was obliged to submit. +McTeague kept his concertina and his canary, even going so +far as to put them both away in the bedroom, attaching +to them tags on which he had scrawled in immense round +letters, "Not for Sale." + +One evening during that same week the dentist and his wife +were in the dismantled sitting-room. The room presented +the appearance of a wreck. The Nottingham lace curtains +were down. The extension table was heaped high with dishes, +with tea and coffee pots, and with baskets of spoons and +knives and forks. The melodeon was hauled out into the +middle of the floor, and covered with a sheet marked "Lot +A," the pictures were in a pile in a corner, the chenille +portieres were folded on top of the black walnut table. The +room was desolate, lamentable. Trina was going over the +inventory; McTeague, in his shirt sleeves, was smoking his +pipe, looking stupidly out of the window. All at once there +was a brisk rapping at the door. + +"Come in," called Trina, apprehensively. Now-a-days at +every unexpected visit she anticipated a fresh calamity. +The door opened to let in a young man wearing a checked +suit, a gay cravat, and a marvellously figured waistcoat. +Trina and McTeague recognized him at once. It was the +Other Dentist, the debonair fellow whose clients were the +barbers and the young women of the candy stores and soda- +water fountains, the poser, the wearer of waistcoats, who +bet money on greyhound races. + +"How'do?" said this one, bowing gracefully to the McTeagues +as they stared at him distrustfully. + +"How'do? They tell me, Doctor, that you are going out of +the profession." + +McTeague muttered indistinctly behind his mustache and +glowered at him. + +"Well, say," continued the other, cheerily, "I'd like to +talk business with you. That sign of yours, that big golden +tooth that you got outside of your window, I don't suppose +you'll have any further use for it. Maybe I'd buy it if we +could agree on terms." + +Trina shot a glance at her husband. McTeague began to +glower again. + +"What do you say?" said the Other Dentist. + +"I guess not," growled McTeague + +"What do you say to ten dollars?" + +"Ten dollars!" cried Trina, her chin in the air. + +"Well, what figure DO you put on it?" + +Trina was about to answer when she was interrupted by +McTeague. + +"You go out of here." + +"Hey? What?" + +"You go out of here." + +The other retreated toward the door. + +"You can't make small of me. Go out of here." + +McTeague came forward a step, his great red fist clenching. +The young man fled. But half way down the stairs he paused +long enough to call back: + +"You don't want to trade anything for a diploma, do you?" + +McTeague and his wife exchanged looks. + +"How did he know?" exclaimed Trina, sharply. They had +invented and spread the fiction that McTeague was merely +retiring from business, without assigning any reason. But +evidently every one knew the real cause. The humiliation +was complete now. Old Miss Baker confirmed their suspicions +on this point the next day. The little retired dressmaker +came down and wept with Trina over her misfortune, and did +what she could to encourage her. But she too knew that +McTeague had been forbidden by the authorities from +practising. Marcus had evidently left them no loophole of +escape. + +"It's just like cutting off your husband's hands, my dear," +said Miss Baker. "And you two were so happy. When I first +saw you together I said, 'What a pair!'" + +Old Grannis also called during this period of the breaking +up of the McTeague household. + +"Dreadful, dreadful," murmured the old Englishman, his hand +going tremulously to his chin. "It seems unjust; it does. +But Mr. Schouler could not have set them on to do it. I +can't quite believe it of him." + +"Of Marcus!" cried Trina. "Hoh! Why, he threw his knife at +Mac one time, and another time he bit him, actually bit him +with his teeth, while they were wrestling just for fun. +Marcus would do anything to injure Mac." + +"Dear, dear," returned Old Grannis, genuinely pained. "I +had always believed Schouler to be such a good fellow." + +"That's because you're so good yourself, Mr. Grannis," +responded Trina. + +"I tell you what, Doc," declared Heise the harness-maker, +shaking his finger impressively at the dentist, "you must +fight it; you must appeal to the courts; you've been +practising too long to be debarred now. The statute of +limitations, you know." + +"No, no," Trina had exclaimed, when the dentist had repeated +this advice to her. "No, no, don't go near the law courts. +I know them. The lawyers take all your money, and you +lose your case. We're bad off as it is, without lawing +about it." + +Then at last came the sale. McTeague and Trina, whom Miss +Baker had invited to her room for that day, sat there side +by side, holding each other's hands, listening nervously to +the turmoil that rose to them from the direction of their +suite. From nine o'clock till dark the crowds came and +went. All Polk Street seemed to have invaded the suite, +lured on by the red flag that waved from the front windows. +It was a fete, a veritable holiday, for the whole +neighborhood. People with no thought of buying presented +themselves. Young women--the candy-store girls and +florist's apprentices--came to see the fun, walking arm in +arm from room to room, making jokes about the pretty +lithographs and mimicking the picture of the two little +girls saying their prayers. + +"Look here," they would cry, "look here what she used for +curtains--NOTTINGHAM lace, actually! Whoever thinks of +buying Nottingham lace now-a-days? Say, don't that JAR +you?" + +"And a melodeon," another one would exclaim, lifting the +sheet. "A melodeon, when you can rent a piano for a dollar a +week; and say, I really believe they used to eat in the +kitchen." + +"Dollarn-half, dollarn-half, dollarn-half, give me two," +intoned the auctioneer from the second-hand store. By noon +the crowd became a jam. Wagons backed up to the curb +outside and departed heavily laden. In all directions +people could be seen going away from the house, +carrying small articles of furniture--a clock, a water +pitcher, a towel rack. Every now and then old Miss Baker, +who had gone below to see how things were progressing, +returned with reports of the foray. + +"Mrs. Heise bought the chenille portieres. Mister Ryer made +a bid for your bed, but a man in a gray coat bid over him. +It was knocked down for three dollars and a half. The +German shoe-maker on the next block bought the stone pug +dog. I saw our postman going away with a lot of the +pictures. Zerkow has come, on my word! the rags-bottles- +sacks man; he's buying lots; he bought all Doctor McTeague's +gold tape and some of the instruments. Maria's there too. +That dentist on the corner took the dental engine, and +wanted to get the sign, the big gold tooth," and so on and +so on. Cruelest of all, however, at least to Trina, was +when Miss Baker herself began to buy, unable to resist a +bargain. The last time she came up she carried a bundle of +the gay tidies that used to hang over the chair backs. + +"He offered them, three for a nickel," she explained to +Trina, "and I thought I'd spend just a quarter. You don't +mind, now, do you, Mrs. McTeague?" + +"Why, no, of course not, Miss Baker," answered Trina, +bravely. + +"They'll look very pretty on some of my chairs," went on the +little old dressmaker, innocently. "See." She spread one +of them on a chair back for inspection. Trina's chin +quivered. + +"Oh, VERY pretty," she answered. + +At length that dreadful day was over. The crowd dispersed. +Even the auctioneer went at last, and as he closed the door +with a bang, the reverberation that went through the suite +gave evidence of its emptiness. + +"Come," said Trina to the dentist, "let's go down and look-- +take a last look." + +They went out of Miss Baker's room and descended to the +floor below. On the stairs, however, they were met by Old +Grannis. In his hands he carried a little package. Was it +possible that he too had taken advantage of their +misfortunes to join in the raid upon the suite? + +"I went in," he began, timidly, "for--for a few moments. +This"--he indicated the little package he carried--"this was +put up. It was of no value but to you. I--I ventured to +bid it in. I thought perhaps"--his hand went to his chin, +"that you wouldn't mind; that--in fact, I bought it for you +--as a present. Will you take it?" He handed the package +to Trina and hurried on. Trina tore off the wrappings. + +It was the framed photograph of McTeague and his wife in +their wedding finery, the one that had been taken +immediately after the marriage. It represented Trina +sitting very erect in a rep armchair, holding her wedding +bouquet straight before her, McTeague standing at her side, +his left foot forward, one hand upon her shoulder, and the +other thrust into the breast of his "Prince Albert" coat, in +the attitude of a statue of a Secretary of State. + +"Oh, it WAS good of him, it WAS good of him," cried +Trina, her eyes filling again. "I had forgotten to put it +away. Of course it was not for sale." + +They went on down the stairs, and arriving at the door of +the sitting-room, opened it and looked in. It was late in +the afternoon, and there was just light enough for the +dentist and his wife to see the results of that day of sale. +Nothing was left, not even the carpet. It was a pillage, a +devastation, the barrenness of a field after the passage of +a swarm of locusts. The room had been picked and stripped +till only the bare walls and floor remained. Here where +they had been married, where the wedding supper had taken +place, where Trina had bade farewell to her father and +mother, here where she had spent those first few hard months +of her married life, where afterward she had grown to be +happy and contented, where she had passed the long hours of +the afternoon at her work of whittling, and where she and +her husband had spent so many evenings looking out of the +window before the lamp was lit--here in what had been her +home, nothing was left but echoes and the emptiness of +complete desolation. Only one thing remained. On the wall +between the windows, in its oval glass frame, preserved by +some unknown and fearful process, a melancholy relic of a +vanished happiness, unsold, neglected, and forgotten, a +thing that nobody wanted, hung Trina's wedding bouquet. + + + +CHAPTER 15 + + +Then the grind began. It would have been easier for the +McTeagues to have faced their misfortunes had they befallen +them immediately after their marriage, when their love for +each other was fresh and fine, and when they could have +found a certain happiness in helping each other and sharing +each other's privations. Trina, no doubt, loved her husband +more than ever, in the sense that she felt she belonged to +him. But McTeague's affection for his wife was dwindling a +little every day--HAD been dwindling for a long time, in +fact. He had become used to her by now. She was part of +the order of the things with which he found himself +surrounded. He saw nothing extraordinary about her; it was +no longer a pleasure for him to kiss her and take her in his +arms; she was merely his wife. He did not dislike her; he +did not love her. She was his wife, that was all. But he +sadly missed and regretted all those little animal comforts +which in the old prosperous life Trina had managed to find +for him. He missed the cabbage soups and steaming chocolate +that Trina had taught him to like; he missed his good +tobacco that Trina had educated him to prefer; he missed the +Sunday afternoon walks that she had caused him to substitute +in place of his nap in the operating chair; and he +missed the bottled beer that she had induced him to +drink in place of the steam beer from Frenna's. In the end +he grew morose and sulky, and sometimes neglected to answer +his wife when she spoke to him. Besides this, Trina's +avarice was a perpetual annoyance to him. Oftentimes when a +considerable alleviation of this unhappiness could have been +obtained at the expense of a nickel or a dime, Trina refused +the money with a pettishness that was exasperating. + +"No, no," she would exclaim. "To ride to the park Sunday +afternoon, that means ten cents, and I can't afford it." + +"Let's walk there, then." + +"I've got to work." + +"But you've worked morning and afternoon every day this +week." + +"I don't care, I've got to work." + +There had been a time when Trina had hated the idea of +McTeague drinking steam beer as common and vulgar. + +"Say, let's have a bottle of beer to-night. We haven't had +a drop of beer in three weeks." + +"We can't afford it. It's fifteen cents a bottle." + +"But I haven't had a swallow of beer in three weeks." + +"Drink STEAM beer, then. You've got a nickel. I gave +you a quarter day before yesterday." + +"But I don't like steam beer now." + +It was so with everything. Unfortunately, Trina had +cultivated tastes in McTeague which now could not be +gratified. He had come to be very proud of his silk hat and +"Prince Albert" coat, and liked to wear them on Sundays. +Trina had made him sell both. He preferred "Yale mixture" +in his pipe; Trina had made him come down to "Mastiff," a +five-cent tobacco with which he was once contented, but now +abhorred. He liked to wear clean cuffs; Trina allowed him a +fresh pair on Sundays only. At first these deprivations +angered McTeague. Then, all of a sudden, he slipped back +into the old habits (that had been his before he knew Trina) +with an ease that was surprising. Sundays he dined at the +car conductors' coffee-joint once more, and spent the +afternoon lying full length upon the bed, crop-full, +stupid, warm, smoking his huge pipe, drinking his steam +beer, and playing his six mournful tunes upon his +concertina, dozing off to sleep towards four o'clock. + +The sale of their furniture had, after paying the rent and +outstanding bills, netted about a hundred and thirty +dollars. Trina believed that the auctioneer from the second- +hand store had swindled and cheated them and had made a +great outcry to no effect. But she had arranged the affair +with the auctioneer herself, and offset her disappointment +in the matter of the sale by deceiving her husband as to the +real amount of the returns. It was easy to lie to McTeague, +who took everything for granted; and since the occasion of +her trickery with the money that was to have been sent to +her mother, Trina had found falsehood easier than ever. + +"Seventy dollars is all the auctioneer gave me," she told +her husband; "and after paying the balance due on the rent, +and the grocer's bill, there's only fifty left." + +"Only fifty?" murmured McTeague, wagging his head, "only +fifty? Think of that." + +"Only fifty," declared Trina. Afterwards she said to +herself with a certain admiration for her cleverness: + +"Couldn't save sixty dollars much easier than that," and she +had added the hundred and thirty to the little hoard in the +chamois-skin bag and brass match-box in the bottom of her +trunk. + +In these first months of their misfortunes the routine of +the McTeagues was as follows: They rose at seven and +breakfasted in their room, Trina cooking the very meagre +meal on an oil stove. Immediately after breakfast Trina sat +down to her work of whittling the Noah's ark animals, and +McTeague took himself off to walk down town. He had by the +greatest good luck secured a position with a manufacturer of +surgical instruments, where his manual dexterity in the +making of excavators, pluggers, and other dental +contrivances stood him in fairly good stead. He lunched at +a sailor's boarding-house near the water front, and in the +afternoon worked till six. He was home at six-thirty, and +he and Trina had supper together in the "ladies' dining +parlor," an adjunct of the car conductors' coffee- +joint. Trina, meanwhile, had worked at her whittling all +day long, with but half an hour's interval for lunch, which +she herself prepared upon the oil stove. In the evening +they were both so tired that they were in no mood for +conversation, and went to bed early, worn out, harried, +nervous, and cross. + +Trina was not quite so scrupulously tidy now as in the old +days. At one time while whittling the Noah's ark animals +she had worn gloves. She never wore them now. She still +took pride in neatly combing and coiling her wonderful black +hair, but as the days passed she found it more and more +comfortable to work in her blue flannel wrapper. Whittlings +and chips accumulated under the window where she did her +work, and she was at no great pains to clear the air of the +room vitiated by the fumes of the oil stove and heavy with +the smell of cooking. It was not gay, that life. The room +itself was not gay. The huge double bed sprawled over +nearly a fourth of the available space; the angles of +Trina's trunk and the washstand projected into the room from +the walls, and barked shins and scraped elbows. Streaks and +spots of the "non-poisonous" paint that Trina used were upon +the walls and wood-work. However, in one corner of the +room, next the window, monstrous, distorted, brilliant, +shining with a light of its own, stood the dentist's sign, +the enormous golden tooth, the tooth of a Brobdingnag. + +One afternoon in September, about four months after the +McTeagues had left their suite, Trina was at her work by the +window. She had whittled some half-dozen sets of animals, +and was now busy painting them and making the arks. Little +pots of "non-poisonous" paint stood at her elbow on the +table, together with a box of labels that read, "Made in +France." Her huge clasp-knife was stuck into the under side +of the table. She was now occupied solely with the brushes +and the glue pot. She turned the little figures in her +fingers with a wonderful lightness and deftness, painting +the chickens Naples yellow, the elephants blue gray, the +horses Vandyke brown, adding a dot of Chinese white for the +eyes and sticking in the ears and tail with a drop of glue. +The animals once done, she put together and painted the +arks, some dozen of them, all windows and no doors, each one +opening only by a lid which was half the roof. She had all +the work she could handle these days, for, from this time +till a week before Christmas, Uncle Oelbermann could take as +many "Noah's ark sets" as she could make. + +Suddenly Trina paused in her work, looking expectantly +toward the door. McTeague came in. + +"Why, Mac," exclaimed Trina. "It's only three o'clock. What +are you home so early for? Have they discharged you?" + +"They've fired me," said McTeague, sitting down on the bed. + +"Fired you! What for?" + +"I don' know. Said the times were getting hard an' they had +to let me go." + +Trina let her paint-stained hands fall into her lap. + +"OH!" she cried. "If we don't have the HARDEST luck +of any two people I ever heard of. What can you do now? Is +there another place like that where they make surgical +instruments?" + +"Huh? No, I don' know. There's three more." + +"Well, you must try them right away. Go down there right +now." + +"Huh? Right now? No, I'm tired. I'll go down in the +morning." + +"Mac," cried Trina, in alarm, "what are you thinking of? +You talk as though we were millionaires. You must go down +this minute. You're losing money every second you sit +there." She goaded the huge fellow to his feet again, +thrust his hat into his hands, and pushed him out of the +door, he obeying the while, docile and obedient as a big +cart horse. He was on the stairs when she came running +after him. + +"Mac, they paid you off, didn't they, when they discharged +you?" + +"Yes." + +"Then you must have some money. Give it to me." + +The dentist heaved a shoulder uneasily. + +"No, I don' want to." + +"I've got to have that money. There's no more oil for +the stove, and I must buy some more meal tickets to-night." + + "Always after me about money," muttered the dentist; but he +emptied his pockets for her, nevertheless. + +"I--you've taken it all," he grumbled. "Better leave me +something for car fare. It's going to rain." + +"Pshaw! You can walk just as well as not. A big fellow +like you 'fraid of a little walk; and it ain't going to +rain." + +Trina had lied again both as to the want of oil for the +stove and the commutation ticket for the restaurant. But +she knew by instinct that McTeague had money about him, and +she did not intend to let it go out of the house. She +listened intently until she was sure McTeague was gone. +Then she hurriedly opened her trunk and hid the money in the +chamois bag at the bottom. + +The dentist presented himself at every one of the makers of +surgical instruments that afternoon and was promptly turned +away in each case. Then it came on to rain, a fine, cold +drizzle, that chilled him and wet him to the bone. He had +no umbrella, and Trina had not left him even five cents for +car fare. He started to walk home through the rain. It was +a long way to Polk Street, as the last manufactory he had +visited was beyond even Folsom Street, and not far from the +city front. + +By the time McTeague reached Polk Street his teeth were +chattering with the cold. He was wet from head to foot. As +he was passing Heise's harness shop a sudden deluge of rain +overtook him and he was obliged to dodge into the vestibule +for shelter. He, who loved to be warm, to sleep and to be +well fed, was icy cold, was exhausted and footsore from +tramping the city. He could look forward to nothing better +than a badly-cooked supper at the coffee-joint--hot meat on +a cold plate, half done suet pudding, muddy coffee, and bad +bread, and he was cold, miserably cold, and wet to the bone. +All at once a sudden rage against Trina took possession of +him. It was her fault. She knew it was going to rain, and +she had not let him have a nickel for car fare--she who had +five thousand dollars. She let him walk the streets in the +cold and in the rain. "Miser," he growled behind his +mustache. "Miser, nasty little old miser. You're worse +than old Zerkow, always nagging about money, money, and you +got five thousand dollars. You got more, an' you live in +that stinking hole of a room, and you won't drink any decent +beer. I ain't going to stand it much longer. She knew it +was going to rain. She KNEW it. Didn't I TELL her? +And she drives me out of my own home in the rain, for me to +get money for her; more money, and she takes it. She took +that money from me that I earned. 'Twasn't hers; it was +mine, I earned it--and not a nickel for car fare. She don't +care if I get wet and get a cold and DIE. No, she +don't, as long as she's warm and's got her money." He +became more and more indignant at the picture he made of +himself. "I ain't going to stand it much longer," he +repeated. + +"Why, hello, Doc. Is that you?" exclaimed Heise, opening +the door of the harness shop behind him. "Come in out of +the wet. Why, you're soaked through," he added as he and +McTeague came back into the shop, that reeked of oiled +leather. "Didn't you have any umbrella? Ought to have +taken a car." + +"I guess so--I guess so," murmured the dentist, confused. +His teeth were chattering. + +"YOU'RE going to catch your death-a-cold," exclaimed +Heise. "Tell you what," he said, reaching for his hat, "come +in next door to Frenna's and have something to warm you up. +I'll get the old lady to mind the shop." He called Mrs. +Heise down from the floor above and took McTeague into Joe +Frenna's saloon, which was two doors above his harness shop. + +"Whiskey and gum twice, Joe," said he to the barkeeper as he +and the dentist approached the bar. + +"Huh? What?" said McTeague. "Whiskey? No, I can't drink +whiskey. It kind of disagrees with me." + +"Oh, the hell!" returned Heise, easily. "Take it as +medicine. You'll get your death-a-cold if you stand round +soaked like that. Two whiskey and gum, Joe." + +McTeague emptied the pony glass at a single enormous gulp. + +"That's the way," said Heise, approvingly. "Do you good." +He drank his off slowly. + +"I'd--I'd ask you to have a drink with me, Heise," said +the dentist, who had an indistinct idea of the amenities of +the barroom, "only," he added shamefacedly, "only--you see, +I don't believe I got any change." His anger against Trina, +heated by the whiskey he had drank, flamed up afresh. What +a humiliating position for Trina to place him in, not to +leave him the price of a drink with a friend, she who had +five thousand dollars! + +"Sha! That's all right, Doc," returned Heise, nibbling on a +grain of coffee. "Want another? Hey? This my treat. Two +more of the same, Joe." + +McTeague hesitated. It was lamentably true that whiskey did +not agree with him; he knew it well enough. However, by +this time he felt very comfortably warm at the pit of his +stomach. The blood was beginning to circulate in his +chilled finger-tips and in his soggy, wet feet. He had had +a hard day of it; in fact, the last week, the last month, +the last three or four months, had been hard. He deserved a +little consolation. Nor could Trina object to this. It +wasn't costing a cent. He drank again with Heise. + +"Get up here to the stove and warm yourself," urged Heise, +drawing up a couple of chairs and cocking his feet upon the +guard. The two fell to talking while McTeague's draggled +coat and trousers smoked. + +"What a dirty turn that was that Marcus Schouler did you!" +said Heise, wagging his head. "You ought to have fought +that, Doc, sure. You'd been practising too long." They +discussed this question some ten or fifteen minutes and then +Heise rose. + +"Well, this ain't earning any money. I got to get back to +the shop." McTeague got up as well, and the pair started +for the door. Just as they were going out Ryer met them. + +"Hello, hello," he cried. "Lord, what a wet day! You two +are going the wrong way. You're going to have a drink with +me. Three whiskey punches, Joe." + +"No, no," answered McTeague, shaking his head. "I'm going +back home. I've had two glasses of whiskey already." + +"Sha!" cried Heise, catching his arm. "A strapping big chap +like you ain't afraid of a little whiskey." + +"Well, I--I--I got to go right afterwards," protested +McTeague. + +About half an hour after the dentist had left to go down +town, Maria Macapa had come in to see Trina. Occasionally +Maria dropped in on Trina in this fashion and spent an hour +or so chatting with her while she worked. At first Trina +had been inclined to resent these intrusions of the Mexican +woman, but of late she had begun to tolerate them. Her day +was long and cheerless at the best, and there was no one to +talk to. Trina even fancied that old Miss Baker had come to +be less cordial since their misfortune. Maria retailed to +her all the gossip of the flat and the neighborhood, and, +which was much more interesting, told her of her troubles +with Zerkow. + +Trina said to herself that Maria was common and vulgar, but +one had to have some diversion, and Trina could talk and +listen without interrupting her work. On this particular +occasion Maria was much excited over Zerkow's demeanor of +late. + +"He's gettun worse an' worse," she informed Trina as she sat +on the edge of the bed, her chin in her hand. "He says he +knows I got the dishes and am hidun them from him. The +other day I thought he'd gone off with his wagon, and I was +doin' a bit of ir'ning, an' by an' by all of a sudden I saw +him peeping at me through the crack of the door. I never +let on that I saw him, and, honest, he stayed there over two +hours, watchun everything I did. I could just feel his eyes +on the back of my neck all the time. Last Sunday he took +down part of the wall, 'cause he said he'd seen me making +figures on it. Well, I was, but it was just the wash list. +All the time he says he'll kill me if I don't tell." + +"Why, what do you stay with him for?" exclaimed Trina. "I'd +be deathly 'fraid of a man like that; and he did take a +knife to you once." + +"Hoh! HE won't kill me, never fear. If he'd kill me +he'd never know where the dishes were; that's what HE +thinks." + +"But I can't understand, Maria; you told him about those +gold dishes yourself." + +"Never, never! I never saw such a lot of crazy folks as +you are." + +"But you say he hits you sometimes." + +"Ah!" said Maria, tossing her head scornfully, "I ain't +afraid of him. He takes his horsewhip to me now and then, +but I can always manage. I say, 'If you touch me with that, +then I'll NEVER tell you.' Just pretending, you know, +and he drops it as though it was red hot. Say, Mrs. +McTeague, have you got any tea? Let's make a cup of tea +over the stove." + +"No, no," cried Trina, with niggardly apprehension; "no, I +haven't got a bit of tea." Trina's stinginess had increased +to such an extent that it had gone beyond the mere hoarding +of money. She grudged even the food that she and McTeague +ate, and even brought away half loaves of bread, lumps of +sugar, and fruit from the car conductors' coffee-joint. She +hid these pilferings away on the shelf by the window, and +often managed to make a very creditable lunch from them, +enjoying the meal with the greater relish because it cost +her nothing. + +"No, Maria, I haven't got a bit of tea," she said, shaking +her head decisively. "Hark, ain't that Mac?" she added, her +chin in the air. "That's his step, sure." + +"Well, I'm going to skip," said Maria. She left hurriedly, +passing the dentist in the hall just outside the door. +"Well?" said Trina interrogatively as her husband entered. +McTeague did not answer. He hung his hat on the hook behind +the door and dropped heavily into a chair. + +"Well," asked Trina, anxiously, "how did you make out, Mac?" + +Still the dentist pretended not to hear, scowling fiercely +at his muddy boots. + +"Tell me, Mac, I want to know. Did you get a place? Did +you get caught in the rain?" + +"Did I? Did I?" cried the dentist, sharply, an alacrity in +his manner and voice that Trina had never observed before. + +"Look at me. Look at me," he went on, speaking with an +unwonted rapidity, his wits sharp, his ideas succeeding +each other quickly. "Look at me, drenched through, +shivering cold. I've walked the city over. Caught in the +rain! Yes, I guess I did get caught in the rain, and it +ain't your fault I didn't catch my death-a-cold; wouldn't +even let me have a nickel for car fare." + +"But, Mac," protested Trina, "I didn't know it was going to +rain." + +The dentist put back his head and laughed scornfully. His +face was very red, and his small eyes twinkled. "Hoh! no, +you didn't know it was going to rain. Didn't I TELL you +it was?" he exclaimed, suddenly angry again. "Oh, you're a +DAISY, you are. Think I'm going to put up with your +foolishness ALL the time? Who's the boss, you or I?" + +"Why, Mac, I never saw you this way before. You talk like a +different man." + +"Well, I AM a different man," retorted the dentist, +savagely. "You can't make small of me ALWAYS." + +"Well, never mind that. You know I'm not trying to make +small of you. But never mind that. Did you get a place?" + +"Give me my money," exclaimed McTeague, jumping up briskly. +There was an activity, a positive nimbleness about the huge +blond giant that had never been his before; also his +stupidity, the sluggishness of his brain, seemed to be +unusually stimulated. + +"Give me my money, the money I gave you as I was going +away." + +"I can't," exclaimed Trina. "I paid the grocer's bill with +it while you were gone." + +"Don't believe you." + +"Truly, truly, Mac. Do you think I'd lie to you? Do you +think I'd lower myself to do that?" + +"Well, the next time I earn any money I'll keep it myself." + +"But tell me, Mac, DID you get a place?" + +McTeague turned his back on her. + +"Tell me, Mac, please, did you?" + +The dentist jumped up and thrust his face close to +hers, his heavy jaw protruding, his little eyes twinkling +meanly. + +"No," he shouted. "No, no, NO. Do you hear? NO." + +Trina cowered before him. Then suddenly she began to sob +aloud, weeping partly at his strange brutality, partly at +the disappointment of his failure to find employment. + +McTeague cast a contemptuous glance about him, a glance that +embraced the dingy, cheerless room, the rain streaming down +the panes of the one window, and the figure of his weeping +wife. + +"Oh, ain't this all FINE?" he exclaimed. "Ain't it +lovely?" + +"It's not my fault," sobbed Trina. + +"It is too," vociferated McTeague. "It is too. We could +live like Christians and decent people if you wanted to. +You got more'n five thousand dollars, and you're so damned +stingy that you'd rather live in a rat hole--and make me +live there too--before you'd part with a nickel of it. I +tell you I'm sick and tired of the whole business." + +An allusion to her lottery money never failed to rouse +Trina. + +"And I'll tell you this much too," she cried, winking back +the tears. "Now that you're out of a job, we can't afford +even to live in your rat hole, as you call it. We've got to +find a cheaper place than THIS even." + +"What!" exclaimed the dentist, purple with rage. "What, get +into a worse hole in the wall than this? Well, we'll +SEE if we will. We'll just see about that. You're going +to do just as I tell you after this, Trina McTeague," and +once more he thrust his face close to hers. + +"I know what's the matter," cried Trina, with a half +sob; "I know, I can smell it on your breath. You've been +drinking whiskey." + +"Yes, I've been drinking whiskey," retorted her husband. +"I've been drinking whiskey. Have you got anything to say +about it? Ah, yes, you're RIGHT, I've been drinking +whiskey. What have YOU got to say about my drinking +whiskey? Let's hear it." + +"Oh! Oh! Oh!" sobbed Trina, covering her face with her +hands. McTeague caught her wrists in one palm and +pulled them down. Trina's pale face was streaming with +tears; her long, narrow blue eyes were swimming; her +adorable little chin upraised and quivering. + +"Let's hear what you got to say," exclaimed McTeague. + +"Nothing, nothing," said Trina, between her sobs. + +"Then stop that noise. Stop it, do you hear me? Stop it." +He threw up his open hand threateningly. "STOP!" he +exclaimed. + +Trina looked at him fearfully, half blinded with weeping. +Her husband's thick mane of yellow hair was disordered and +rumpled upon his great square-cut head; his big red ears +were redder than ever; his face was purple; the thick +eyebrows were knotted over the small, twinkling eyes; the +heavy yellow mustache, that smelt of alcohol, drooped over +the massive, protruding chin, salient, like that of the +carnivora; the veins were swollen and throbbing on his thick +red neck; while over her head Trina saw his upraised palm, +callused, enormous. + +"Stop!" he exclaimed. And Trina, watching fearfully, saw +the palm suddenly contract into a fist, a fist that was hard +as a wooden mallet, the fist of the old-time car-boy. And +then her ancient terror of him, the intuitive fear of the +male, leaped to life again. She was afraid of him. Every +nerve of her quailed and shrank from him. She choked back +her sobs, catching her breath. + +"There," growled the dentist, releasing her, "that's more +like. Now," he went on, fixing her with his little eyes, +"now listen to me. I'm beat out. I've walked the city +over--ten miles, I guess--an' I'm going to bed, an' I don't +want to be bothered. You understand? I want to be let +alone." Trina was silent. + +"Do you HEAR?" he snarled. + +"Yes, Mac." + +The dentist took off his coat, his collar and necktie, +unbuttoned his vest, and slipped his heavy-soled boots from +his big feet. Then he stretched himself upon the bed and +rolled over towards the wall. In a few minutes the sound of +his snoring filled the room. + +Trina craned her neck and looked at her husband over the +footboard of the bed. She saw his red, congested face; +the huge mouth wide open; his unclean shirt, with its frayed +wristbands; and his huge feet encased in thick woollen +socks. Then her grief and the sense of her unhappiness +returned more poignant than ever. She stretched her arms +out in front of her on her work-table, and, burying her face +in them, cried and sobbed as though her heart would break. + +The rain continued. The panes of the single window ran with +sheets of water; the eaves dripped incessantly. It grew +darker. The tiny, grimy room, full of the smells of cooking +and of "non-poisonous" paint, took on an aspect of +desolation and cheerlessness lamentable beyond words. The +canary in its little gilt prison chittered feebly from time +to time. Sprawled at full length upon the bed, the dentist +snored and snored, stupefied, inert, his legs wide apart, +his hands lying palm upward at his sides. + +At last Trina raised her head, with a long, trembling +breath. She rose, and going over to the washstand, poured +some water from the pitcher into the basin, and washed her +face and swollen eyelids, and rearranged her hair. +Suddenly, as she was about to return to her work, she was +struck with an idea. + +"I wonder," she said to herself, "I wonder where he got the +money to buy his whiskey." She searched the pockets of his +coat, which he had flung into a corner of the room, and even +came up to him as he lay upon the bed and went through the +pockets of his vest and trousers. She found nothing. + +"I wonder," she murmured, "I wonder if he's got any +money he don't tell me about. I'll have to look out for +that." + + + +CHAPTER 16 + + +A week passed, then a fortnight, then a month. It was a +month of the greatest anxiety and unquietude for Trina. +McTeague was out of a job, could find nothing to do; and +Trina, who saw the impossibility of saving as much money as +usual out of her earnings under the present conditions, was +on the lookout for cheaper quarters. In spite of his +outcries and sulky resistance Trina had induced her husband +to consent to such a move, bewildering him with a torrent of +phrases and marvellous columns of figures by which she +proved conclusively that they were in a condition but one +remove from downright destitution. + +The dentist continued idle. Since his ill success with the +manufacturers of surgical instruments he had made but two +attempts to secure a job. Trina had gone to see Uncle +Oelbermann and had obtained for McTeague a position in the +shipping department of the wholesale toy store. However, it +was a position that involved a certain amount of ciphering, +and McTeague had been obliged to throw it up in two days. + +Then for a time they had entertained a wild idea that a +place on the police force could be secured for McTeague. He +could pass the physical examination with flying colors, and +Ryer, who had become the secretary of the Polk Street +Improvement Club, promised the requisite political "pull." +If McTeague had shown a certain energy in the matter the +attempt might have been successful; but he was too +stupid, or of late had become too listless to exert himself +greatly, and the affair resulted only in a violent quarrel +with Ryer. + +McTeague had lost his ambition. He did not care to better +his situation. All he wanted was a warm place to sleep and +three good meals a day. At the first--at the very first--he +had chafed at his idleness and had spent the days with his +wife in their one narrow room, walking back and forth with +the restlessness of a caged brute, or sitting motionless for +hours, watching Trina at her work, feeling a dull glow of +shame at the idea that she was supporting him. This feeling +had worn off quickly, however. Trina's work was only hard +when she chose to make it so, and as a rule she supported +their misfortunes with a silent fortitude. + +Then, wearied at his inaction and feeling the need of +movement and exercise, McTeague would light his pipe and +take a turn upon the great avenue one block above Polk +Street. A gang of laborers were digging the foundations for +a large brownstone house, and McTeague found interest and +amusement in leaning over the barrier that surrounded the +excavations and watching the progress of the work. He came +to see it every afternoon; by and by he even got to know the +foreman who superintended the job, and the two had long +talks together. Then McTeague would return to Polk Street +and find Heise in the back room of the harness shop, and +occasionally the day ended with some half dozen drinks of +whiskey at Joe Frenna's saloon. + +It was curious to note the effect of the alcohol upon the +dentist. It did not make him drunk, it made him vicious. +So far from being stupefied, he became, after the fourth +glass, active, alert, quick-witted, even talkative; a +certain wickedness stirred in him then; he was intractable, +mean; and when he had drunk a little more heavily than +usual, he found a certain pleasure in annoying and +exasperating Trina, even in abusing and hurting her. + +It had begun on the evening of Thanksgiving Day, when Heise +had taken McTeague out to dinner with him. The dentist on +this occasion had drunk very freely. He and Heise had +returned to Polk Street towards ten o'clock, and Heise +at once suggested a couple of drinks at Frenna's. + +"All right, all right," said McTeague. "Drinks, that's the +word. I'll go home and get some money and meet you at +Joe's." + +Trina was awakened by her husband pinching her arm. + +"Oh, Mac," she cried, jumping up in bed with a little +scream, "how you hurt! Oh, that hurt me dreadfully." + +"Give me a little money," answered the dentist, grinning, +and pinching her again. + +"I haven't a cent. There's not a--oh, MAC, will you +stop? I won't have you pinch me that way." + +"Hurry up," answered her husband, calmly, nipping the flesh +of her shoulder between his thumb and finger. "Heise's +waiting for me." Trina wrenched from him with a sharp +intake of breath, frowning with pain, and caressing her +shoulder. + +"Mac, you've no idea how that hurts. Mac, STOP!" + +"Give me some money, then." + +In the end Trina had to comply. She gave him half a dollar +from her dress pocket, protesting that it was the only piece +of money she had. + +"One more, just for luck," said McTeague, pinching her +again; "and another." + +"How can you--how CAN you hurt a woman so!" exclaimed +Trina, beginning to cry with the pain. + +"Ah, now, CRY," retorted the dentist. "That's right, +CRY. I never saw such a little fool." He went out, +slamming the door in disgust. + +But McTeague never became a drunkard in the generally +received sense of the term. He did not drink to excess more +than two or three times in a month, and never upon any +occasion did he become maudlin or staggering. Perhaps his +nerves were naturally too dull to admit of any excitation; +perhaps he did not really care for the whiskey, and only +drank because Heise and the other men at Frenna's did. +Trina could often reproach him with drinking too much; she +never could say that he was drunk. The alcohol had its +effect for all that. It roused the man, or rather the brute +in the man, and now not only roused it, but goaded it to +evil. McTeague's nature changed. It was not only the +alcohol, it was idleness and a general throwing off of the +good influence his wife had had over him in the days of +their prosperity. McTeague disliked Trina. She was a +perpetual irritation to him. She annoyed him because she +was so small, so prettily made, so invariably correct and +precise. Her avarice incessantly harassed him. Her +industry was a constant reproach to him. She seemed to +flaunt her work defiantly in his face. It was the red flag +in the eyes of the bull. One time when he had just come +back from Frenna's and had been sitting in the chair near +her, silently watching her at her work, he exclaimed all of +a sudden: + +"Stop working. Stop it, I tell you. Put 'em away. Put 'em +all away, or I'll pinch you." + +"But why--why?" Trina protested. + +The dentist cuffed her ears. "I won't have you work." He +took her knife and her paint-pots away, and made her sit +idly in the window the rest of the afternoon. + +It was, however, only when his wits had been stirred with +alcohol that the dentist was brutal to his wife. At other +times, say three weeks of every month, she was merely an +incumbrance to him. They often quarrelled about Trina's +money, her savings. The dentist was bent upon having at +least a part of them. What he would do with the money once +he had it, he did not precisely know. He would spend it in +royal fashion, no doubt, feasting continually, buying +himself wonderful clothes. The miner's idea of money quickly +gained and lavishly squandered, persisted in his mind. As +for Trina, the more her husband stormed, the tighter she +drew the strings of the little chamois-skin bag that she hid +at the bottom of her trunk underneath her bridal dress. Her +five thousand dollars invested in Uncle Oelbermann's +business was a glittering, splendid dream which came to her +almost every hour of the day as a solace and a compensation +for all her unhappiness. + +At times, when she knew that McTeague was far from +home, she would lock her door, open her trunk, and pile all +her little hoard on her table. By now it was four hundred +and seven dollars and fifty cents. Trina would play with +this money by the hour, piling it, and repiling it, or +gathering it all into one heap, and drawing back to the +farthest corner of the room to note the effect, her head on +one side. She polished the gold pieces with a mixture of +soap and ashes until they shone, wiping them carefully on +her apron. Or, again, she would draw the heap lovingly +toward her and bury her face in it, delighted at the smell +of it and the feel of the smooth, cool metal on her cheeks. +She even put the smaller gold pieces in her mouth, and +jingled them there. She loved her money with an intensity +that she could hardly express. She would plunge her small +fingers into the pile with little murmurs of affection, her +long, narrow eyes half closed and shining, her breath coming +in long sighs. + +"Ah, the dear money, the dear money," she would whisper. "I +love you so! All mine, every penny of it. No one shall +ever, ever get you. How I've worked for you! How I've +slaved and saved for you! And I'm going to get more; I'm +going to get more, more, more; a little every day." + +She was still looking for cheaper quarters. Whenever she +could spare a moment from her work, she would put on her hat +and range up and down the entire neighborhood from Sutter to +Sacramento Streets, going into all the alleys and bystreets, +her head in the air, looking for the "Rooms-to-let" sign. +But she was in despair. All the cheaper tenements were +occupied. She could find no room more reasonable than the +one she and the dentist now occupied. + +As time went on, McTeague's idleness became habitual. He +drank no more whiskey than at first, but his dislike for +Trina increased with every day of their poverty, with every +day of Trina's persistent stinginess. At times--fortunately +rare he was more than ever brutal to her. He would box her +ears or hit her a great blow with the back of a hair-brush, +or even with his closed fist. His old-time affection +for his "little woman," unable to stand the test of +privation, had lapsed by degrees, and what little of it was +left was changed, distorted, and made monstrous by the +alcohol. + +The people about the house and the clerks at the provision +stores often remarked that Trina's fingertips were swollen +and the nails purple as though they had been shut in a door. +Indeed, this was the explanation she gave. The fact of the +matter was that McTeague, when he had been drinking, used to +bite them, crunching and grinding them with his immense +teeth, always ingenious enough to remember which were the +sorest. Sometimes he extorted money from her by this means, +but as often as not he did it for his own satisfaction. + +And in some strange, inexplicable way this brutality made +Trina all the more affectionate; aroused in her a morbid, +unwholesome love of submission, a strange, unnatural +pleasure in yielding, in surrendering herself to the will of +an irresistible, virile power. + +Trina's emotions had narrowed with the narrowing of her +daily life. They reduced themselves at last to but two, her +passion for her money and her perverted love for her husband +when he was brutal. She was a strange woman during these +days. + +Trina had come to be on very intimate terms with Maria +Macapa, and in the end the dentist's wife and the maid of +all work became great friends. Maria was constantly in and +out of Trina's room, and, whenever she could, Trina threw a +shawl over her head and returned Maria's calls. Trina could +reach Zerkow's dirty house without going into the street. +The back yard of the flat had a gate that opened into a +little inclosure where Zerkow kept his decrepit horse and +ramshackle wagon, and from thence Trina could enter directly +into Maria's kitchen. Trina made long visits to Maria +during the morning in her dressing-gown and curl papers, and +the two talked at great length over a cup of tea served on +the edge of the sink or a corner of the laundry table. The +talk was all of their husbands and of what to do when they +came home in aggressive moods. + +"You never ought to fight um," advised Maria. "It only +makes um worse. Just hump your back, and it's soonest +over." + +They told each other of their husbands' brutalities, taking +a strange sort of pride in recounting some particularly +savage blow, each trying to make out that her own husband +was the most cruel. They critically compared each other's +bruises, each one glad when she could exhibit the worst. +They exaggerated, they invented details, and, as if proud of +their beatings, as if glorying in their husbands' +mishandling, lied to each other, magnifying their own +maltreatment. They had long and excited arguments as to +which were the most effective means of punishment, the +rope's ends and cart whips such as Zerkow used, or the fists +and backs of hair-brushes affected by McTeague. Maria +contended that the lash of the whip hurt the most; Trina, +that the butt did the most injury. + +Maria showed Trina the holes in the walls and the loosened +boards in the flooring where Zerkow had been searching for +the gold plate. Of late he had been digging in the back +yard and had ransacked the hay in his horse-shed for the +concealed leather chest he imagined he would find. But he +was becoming impatient, evidently. + +"The way he goes on," Maria told Trina, "is somethun +dreadful. He's gettun regularly sick with it--got a fever +every night--don't sleep, and when he does, talks to +himself. Says 'More'n a hundred pieces, an' every one of +'em gold. More'n a hundred pieces, an' every one of 'em +gold.' Then he'll whale me with his whip, and shout, 'You +know where it is. Tell me, tell me, you swine, or I'll do +for you.' An' then he'll get down on his knees and whimper, +and beg me to tell um where I've hid it. He's just gone plum +crazy. Sometimes he has regular fits, he gets so mad, and +rolls on the floor and scratches himself." + +One morning in November, about ten o'clock, Trina pasted a +"Made in France" label on the bottom of a Noah's ark, and +leaned back in her chair with a long sigh of relief. She +had just finished a large Christmas order for Uncle +Oelbermann, and there was nothing else she could do that +morning. The bed had not yet been made, nor had the +breakfast things been washed. Trina hesitated for a moment, +then put her chin in the air indifferently. + +"Bah!" she said, "let them go till this afternoon. I don't +care WHEN the room is put to rights, and I know Mac +don't." She determined that instead of making the bed or +washing the dishes she would go and call on Miss Baker on +the floor below. The little dressmaker might ask her to +stay to lunch, and that would be something saved, as the +dentist had announced his intention that morning of taking a +long walk out to the Presidio to be gone all day. + +But Trina rapped on Miss Baker's door in vain that morning. +She was out. Perhaps she was gone to the florist's to buy +some geranium seeds. However, Old Grannis's door stood a +little ajar, and on hearing Trina at Miss Baker's room, the +old Englishman came out into the hall. + +"She's gone out," he said, uncertainly, and in a half +whisper, "went out about half an hour ago. I--I think she +went to the drug store to get some wafers for the goldfish." + +"Don't you go to your dog hospital any more, Mister +Grannis?" said Trina, leaning against the balustrade in the +hall, willing to talk a moment. + +Old Grannis stood in the doorway of his room, in his carpet +slippers and faded corduroy jacket that he wore when at +home. + +"Why--why," he said, hesitating, tapping his chin +thoughtfully. "You see I'm thinking of giving up the little +hospital." + +"Giving it up?" + +"You see, the people at the book store where I buy my +pamphlets have found out--I told them of my contrivance for +binding books, and one of the members of the firm came up to +look at it. He offered me quite a sum if I would sell him +the right of it--the--patent of it--quite a sum. In fact-- +in fact--yes, quite a sum, quite." He rubbed his chin +tremulously and looked about him on the floor. + +"Why, isn't that fine?" said Trina, good-naturedly. "I'm +very glad, Mister Grannis. Is it a good price?" + +"Quite a sum--quite. In fact, I never dreamed of +having so much money." + +"Now, see here, Mister Grannis," said Trina, decisively, "I +want to give you a good piece of advice. Here are you and +Miss Baker----" The old Englishman started nervously--"You +and Miss Baker, that have been in love with each other for----" + +"Oh, Mrs. McTeague, that subject--if you would please--Miss +Baker is such an estimable lady." + +"Fiddlesticks!" said Trina. "You're in love with each +other, and the whole flat knows it; and you two have been +living here side by side year in and year out, and you've +never said a word to each other. It's all nonsense. Now, I +want you should go right in and speak to her just as soon as +she comes home, and say you've come into money and you want +her to marry you." + +"Impossible--impossible!" exclaimed the old Englishman, +alarmed and perturbed. "It's quite out of the question. I +wouldn't presume." + +"Well, do you love her, or not?" + +"Really, Mrs. McTeague, I--I--you must excuse me. It's a +matter so personal--so--I--Oh, yes, I love her. Oh, yes, +indeed," he exclaimed, suddenly. + +"Well, then, she loves you. She told me so." + +"Oh!" + +"She did. She said those very words." + +Miss Baker had said nothing of the kind--would have died +sooner than have made such a confession; but Trina had drawn +her own conclusions, like every other lodger of the flat, +and thought the time was come for decided action. + +"Now you do just as I tell you, and when she comes home, go +right in and see her, and have it over with. Now, don't say +another word. I'm going; but you do just as I tell you." + +Trina turned about and went down-stairs. She had decided, +since Miss Baker was not at home, that she would run over +and see Maria; possibly she could have lunch there. At any +rate, Maria would offer her a cup of tea. + +Old Grannis stood for a long time just as Trina had +left him, his hands trembling, the blood coming and going in +his withered cheeks. + +"She said, she--she--she told her--she said that--that----" +he could get no farther. + +Then he faced about and entered his room, closing the door +behind him. For a long time he sat in his armchair, drawn +close to the wall in front of the table on which stood his +piles of pamphlets and his little binding apparatus. + +"I wonder," said Trina, as she crossed the yard back of +Zerkow's house, "I wonder what rent Zerkow and Maria pay for +this place. I'll bet it's cheaper than where Mac and I are." + +Trina found Maria sitting in front of the kitchen stove, her +chin upon her breast. Trina went up to her. She was dead. +And as Trina touched her shoulder, her head rolled sideways +and showed a fearful gash in her throat under her ear. All +the front of her dress was soaked through and through. + +Trina backed sharply away from the body, drawing her hands +up to her very shoulders, her eyes staring and wide, an +expression of unutterable horror twisting her face. + +"Oh-h-h!" she exclaimed in a long breath, her voice hardly +rising above a whisper. "Oh-h, isn't that horrible!" +Suddenly she turned and fled through the front part of the +house to the street door, that opened upon the little alley. +She looked wildly about her. Directly across the way a +butcher's boy was getting into his two-wheeled cart drawn up +in front of the opposite house, while near by a peddler of +wild game was coming down the street, a brace of ducks in +his hand. + +"Oh, say--say," gasped Trina, trying to get her voice, "say, +come over here quick." + +The butcher's boy paused, one foot on the wheel, and stared. +Trina beckoned frantically. + +"Come over here, come over here quick." + +The young fellow swung himself into his seat. + +"What's the matter with that woman?" he said, half aloud. + +"There's a murder been done," cried Trina, swaying in +the doorway. + +The young fellow drove away, his head over his shoulder, +staring at Trina with eyes that were fixed and absolutely +devoid of expression. + +"What's the matter with that woman?" he said again to +himself as he turned the corner. + +Trina wondered why she didn't scream, how she could keep +from it--how, at such a moment as this, she could remember +that it was improper to make a disturbance and create a +scene in the street. The peddler of wild game was looking +at her suspiciously. It would not do to tell him. He would +go away like the butcher's boy. + +"Now, wait a minute," Trina said to herself, speaking aloud. +She put her hands to her head. "Now, wait a minute. It +won't do for me to lose my wits now. What must I do?" She +looked about her. There was the same familiar aspect of +Polk Street. She could see it at the end of the alley. The +big market opposite the flat, the delivery carts rattling up +and down, the great ladies from the avenue at their morning +shopping, the cable cars trundling past, loaded with +passengers. She saw a little boy in a flat leather cap +whistling and calling for an unseen dog, slapping his small +knee from time to time. Two men came out of Frenna's +saloon, laughing heartily. Heise the harness-maker stood in +the vestibule of his shop, a bundle of whittlings in his +apron of greasy ticking. And all this was going on, people +were laughing and living, buying and selling, walking about +out there on the sunny sidewalks, while behind her in there +--in there--in there---- + +Heise started back from the sudden apparition of a white- +lipped woman in a blue dressing-gown that seemed to rise up +before him from his very doorstep. + +"Well, Mrs. McTeague, you did scare me, for----" + +"Oh, come over here quick." Trina put her hand to her neck; +swallowing something that seemed to be choking her. +"Maria's killed--Zerkow's wife--I found her." + +"Get out!" exclaimed Heise, "you're joking." + +"Come over here--over into the house--I found her--she's +dead." + +Heise dashed across the street on the run, with Trina at his +heels, a trail of spilled whittlings marking his course. +The two ran down the alley. The wild-game peddler, a woman +who had been washing down the steps in a neighboring house, +and a man in a broad-brimmed hat stood at Zerkow's doorway, +looking in from time to time, and talking together. They +seemed puzzled. + +"Anything wrong in here?" asked the wild-game peddler as +Heise and Trina came up. Two more men stopped on the corner +of the alley and Polk Street and looked at the group. A +woman with a towel round her head raised a window opposite +Zerkow's house and called to the woman who had been washing +the steps, "What is it, Mrs. Flint?" + +Heise was already inside the house. He turned to Trina, +panting from his run. + +"Where did you say--where was it--where?" + +"In there," said Trina, "farther in--the next room." They +burst into the kitchen. + +"LORD!" ejaculated Heise, stopping a yard or so from the +body, and bending down to peer into the gray face with its +brown lips. + +"By God! he's killed her." + +"Who?" + +"Zerkow, by God! he's killed her. Cut her throat. He +always said he would." + +"Zerkow?" + +"He's killed her. Her throat's cut. Good Lord, how she did +bleed! By God! he's done for her in good shape this time." + +"Oh, I told her--I TOLD her," cried Trina. + +"He's done for her SURE this time." + +"She said she could always manage--Oh-h! It's horrible." + +"He's done for her sure this trip. Cut her throat. +LORD, how she has BLED! Did you ever see so much-- +that's murder--that's cold-blooded murder. He's killed +her. Say, we must get a policeman. Come on." + +They turned back through the house. Half a dozen people-- +the wild-game peddler, the man with the broad-brimmed hat, +the washwoman, and three other men--were in the front room +of the junk shop, a bank of excited faces surged at the +door. Beyond this, outside, the crowd was packed solid from +one end of the alley to the other. Out in Polk Street the +cable cars were nearly blocked and were bunting a way slowly +through the throng with clanging bells. Every window had +its group. And as Trina and the harness-maker tried to +force the way from the door of the junk shop the throng +suddenly parted right and left before the passage of two +blue-coated policemen who clove a passage through the press, +working their elbows energetically. They were accompanied +by a third man in citizen's clothes. + +Heise and Trina went back into the kitchen with the two +policemen, the third man in citizen's clothes cleared the +intruders from the front room of the junk shop and kept the +crowd back, his arm across the open door. + +"Whew!" whistled one of the officers as they came out into +the kitchen, "cutting scrape? By George! SOMEBODY'S +been using his knife all right." He turned to the other +officer. "Better get the wagon. There's a box on the +second corner south. Now, then," he continued, turning to +Trina and the harness-maker and taking out his note-book and +pencil, "I want your names and addresses." + +It was a day of tremendous excitement for the entire street. +Long after the patrol wagon had driven away, the crowd +remained. In fact, until seven o'clock that evening groups +collected about the door of the junk shop, where a policeman +stood guard, asking all manner of questions, advancing all +manner of opinions. + +"Do you think they'll get him?" asked Ryer of the policeman. +A dozen necks craned forward eagerly. + +"Hoh, we'll get him all right, easy enough," answered the +other, with a grand air. + +"What? What's that? What did he say?" asked the +people on the outskirts of the group. Those in front passed +the answer back. + +"He says they'll get him all right, easy enough." + +The group looked at the policeman admiringly. + +"He's skipped to San Jose." + +Where the rumor started, and how, no one knew. But every +one seemed persuaded that Zerkow had gone to San Jose. + +"But what did he kill her for? Was he drunk?" + +"No, he was crazy, I tell you--crazy in the head. Thought +she was hiding some money from him." + +Frenna did a big business all day long. The murder was the +one subject of conversation. Little parties were made up in +his saloon--parties of twos and threes--to go over and have +a look at the outside of the junk shop. Heise was the most +important man the length and breadth of Polk Street; almost +invariably he accompanied these parties, telling again and +again of the part he had played in the affair. + +"It was about eleven o'clock. I was standing in front of +the shop, when Mrs. McTeague--you know, the dentist's wife-- +came running across the street," and so on and so on. + +The next day came a fresh sensation. Polk Street read of it +in the morning papers. Towards midnight on the day of the +murder Zerkow's body had been found floating in the bay near +Black Point. No one knew whether he had drowned himself or +fallen from one of the wharves. Clutched in both his hands +was a sack full of old and rusty pans, tin dishes--fully a +hundred of them--tin cans, and iron knives and forks, +collected from some dump heap. + +"And all this," exclaimed Trina, "on account of a set of +gold dishes that never existed." + + + +CHAPTER 17 + +One day, about a fortnight after the coroner's inquest had +been held, and when the excitement of the terrible affair +was calming down and Polk Street beginning to resume its +monotonous routine, Old Grannis sat in his clean, well-kept +little room, in his cushioned armchair, his hands lying idly +upon his knees. It was evening; not quite time to light the +lamps. Old Grannis had drawn his chair close to the wall-- +so close, in fact, that he could hear Miss Baker's grenadine +brushing against the other side of the thin partition, at +his very elbow, while she rocked gently back and forth, a +cup of tea in her hands. + +Old Grannis's occupation was gone. That morning the book- +selling firm where he had bought his pamphlets had taken his +little binding apparatus from him to use as a model. The +transaction had been concluded. Old Grannis had received +his check. It was large enough, to be sure, but when all +was over, he returned to his room and sat there sad and +unoccupied, looking at the pattern in the carpet and +counting the heads of the tacks in the zinc guard that was +fastened to the wall behind his little stove. By and by he +heard Miss Baker moving about. It was five o'clock, the time +when she was accustomed to make her cup of tea and "keep +company" with him on her side of the partition. Old Grannis +drew up his chair to the wall near where he knew she was +sitting. The minutes passed; side by side, and separated by +only a couple of inches of board, the two old people sat +there together, while the afternoon grew darker. + +But for Old Grannis all was different that evening. There +was nothing for him to do. His hands lay idly in his lap. +His table, with its pile of pamphlets, was in a far corner +of the room, and, from time to time, stirred with an +uncertain trouble, he turned his head and looked at it +sadly, reflecting that he would never use it again. The +absence of his accustomed work seemed to leave something out +of his life. It did not appear to him that he could be the +same to Miss Baker now; their little habits were +disarranged, their customs broken up. He could no longer +fancy himself so near to her. They would drift apart now, +and she would no longer make herself a cup of tea and "keep +company" with him when she knew that he would never again +sit before his table binding uncut pamphlets. He had sold +his happiness for money; he had bartered all his tardy +romance for some miserable banknotes. He had not foreseen +that it would be like this. A vast regret welled up within +him. What was that on the back of his hand? He wiped it +dry with his ancient silk handkerchief. + +Old Grannis leant his face in his hands. Not only did an +inexplicable regret stir within him, but a certain great +tenderness came upon him. The tears that swam in his faded +blue eyes were not altogether those of unhappiness. No, +this long-delayed affection that had come upon him in his +later years filled him with a joy for which tears seemed to +be the natural expression. For thirty years his eyes had +not been wet, but tonight he felt as if he were young again. +He had never loved before, and there was still a part of him +that was only twenty years of age. He could not tell +whether he was profoundly sad or deeply happy; but he was +not ashamed of the tears that brought the smart to his eyes +and the ache to his throat. He did not hear the timid +rapping on his door, and it was not until the door itself +opened that he looked up quickly and saw the little retired +dressmaker standing on the threshold, carrying a cup of tea +on a tiny Japanese tray. She held it toward him. + +"I was making some tea," she said, "and I thought you would +like to have a cup." + +Never after could the little dressmaker understand how she +had brought herself to do this thing. One moment she had +been sitting quietly on her side of the partition, stirring +her cup of tea with one of her Gorham spoons. She was +quiet, she was peaceful. The evening was closing down +tranquilly. Her room was the picture of calmness and order. +The geraniums blooming in the starch boxes in the window, +the aged goldfish occasionally turning his iridescent flank +to catch a sudden glow of the setting sun. The next moment +she had been all trepidation. It seemed to her the most +natural thing in the world to make a steaming cup of tea and +carry it in to Old Grannis next door. It seemed to her that +he was wanting her, that she ought to go to him. With the +brusque resolve and intrepidity that sometimes seizes upon +very timid people--the courage of the coward greater than +all others--she had presented herself at the old +Englishman's half-open door, and, when he had not heeded her +knock, had pushed it open, and at last, after all these +years, stood upon the threshold of his room. She had found +courage enough to explain her intrusion. + +"I was making some tea, and I thought you would like to have +a cup." + +Old Grannis dropped his hands upon either arm of his chair, +and, leaning forward a little, looked at her blankly. He +did not speak. + +The retired dressmaker's courage had carried her thus far; +now it deserted her as abruptly as it had come. Her cheeks +became scarlet; her funny little false curls trembled with +her agitation. What she had done seemed to her indecorous +beyond expression. It was an enormity. Fancy, she had gone +into his room, INTO HIS ROOM--Mister Grannis's room. +She had done this--she who could not pass him on the stairs +without a qualm. What to do she did not know. She stood, a +fixture, on the threshold of his room, without even +resolution enough to beat a retreat. Helplessly, and with a +little quaver in her voice, she repeated obstinately: + +"I was making some tea, and I thought you would like to have +a cup of tea." Her agitation betrayed itself in the +repetition of the word. She felt that she could not hold +the tray out another instant. Already she was trembling so +that half the tea was spilled. + +Old Grannis still kept silence, still bending forward, +with wide eyes, his hands gripping the arms of his chair. + +Then with the tea-tray still held straight before her, the +little dressmaker exclaimed tearfully: + +"Oh, I didn't mean--I didn't mean--I didn't know it would +seem like this. I only meant to be kind and bring you some +tea; and now it seems SO improper. I--I--I'm SO +ashamed! I don't know what you will think of me. I--" she +caught her breath--"improper"--she managed to exclaim, +"unlady-like--you can never think well of me--I'll go. I'll +go." She turned about. + +"Stop," cried Old Grannis, finding his voice at last. Miss +Baker paused, looking at him over her shoulder, her eyes +very wide open, blinking through her tears, for all the +world like a frightened child. + +"Stop," exclaimed the old Englishman, rising to his feet. +"I didn't know it was you at first. I hadn't dreamed--I +couldn't believe you would be so good, so kind to me. Oh," +he cried, with a sudden sharp breath, "oh, you ARE kind. +I--I--you have--have made me very happy." + +"No, no," exclaimed Miss Baker, ready to sob. "It was +unlady-like. You will--you must think ill of me." She +stood in the hall. The tears were running down her cheeks, +and she had no free hand to dry them. + +"Let me--I'll take the tray from you," cried Old Grannis, +coming forward. A tremulous joy came upon him. Never in +his life had he been so happy. At last it had come--come +when he had least expected it. That which he had longed for +and hoped for through so many years, behold, it was come to- +night. He felt his awkwardness leaving him. He was almost +certain that the little dressmaker loved him, and the +thought gave him boldness. He came toward her and took the +tray from her hands, and, turning back into the room with +it, made as if to set it upon his table. But the piles of +his pamphlets were in the way. Both of his hands were +occupied with the tray; he could not make a place for it on +the table. He stood for a moment uncertain, his +embarrassment returning. + +"Oh, won't you--won't you please--" He turned his head, +looking appealingly at the little old dressmaker. + +"Wait, I'll help you," she said. She came into the room, up +to the table, and moved the pamphlets to one side. + +"Thanks, thanks," murmured Old Grannis, setting down the +tray. + +"Now--now--now I will go back," she exclaimed, hurriedly. + +"No--no," returned the old Englishman. "Don't go, don't go. +I've been so lonely to-night--and last night too--all this +year--all my life," he suddenly cried. + +"I--I--I've forgotten the sugar." + +"But I never take sugar in my tea." + +"But it's rather cold, and I've spilled it--almost all of +it." + +"I'll drink it from the saucer." Old Grannis had drawn up +his armchair for her. + +"Oh, I shouldn't. This is--this is SO--You must think +ill of me." Suddenly she sat down, and resting her elbows +on the table, hid her face in her hands. + +"Think ILL of you?" cried Old Grannis, "think ILL of +you? Why, you don't know--you have no idea--all these +years--living so close to you, I--I--" he paused suddenly. +It seemed to him as if the beating of his heart was choking +him. + +"I thought you were binding your books to-night," said Miss +Baker, suddenly, "and you looked tired. I thought you +looked tired when I last saw you, and a cup of tea, you +know, it--that--that does you so much good when you're +tired. But you weren't binding books." + +"No, no," returned Old Grannis, drawing up a chair and +sitting down. "No, I--the fact is, I've sold my apparatus; +a firm of booksellers has bought the rights of it." + +"And aren't you going to bind books any more?" exclaimed the +little dressmaker, a shade of disappointment in her manner. +"I thought you always did about four o'clock. I used to +hear you when I was making tea." + +It hardly seemed possible to Miss Baker that she was +actually talking to Old Grannis, that the two were really +chatting together, face to face, and without the dreadful +embarrassment that used to overwhelm them both when they met +on the stairs. She had often dreamed of this, but had always +put it off to some far-distant day. It was to come +gradually, little by little, instead of, as now, abruptly +and with no preparation. That she should permit herself the +indiscretion of actually intruding herself into his room had +never so much as occurred to her. Yet here she was, IN +HIS ROOM, and they were talking together, and little by +little her embarrassment was wearing away. + +"Yes, yes, I always heard you when you were making tea," +returned the old Englishman; "I heard the tea things. Then +I used to draw my chair and my work-table close to the wall +on my side, and sit there and work while you drank your tea +just on the other side; and I used to feel very near to you +then. I used to pass the whole evening that way." + +"And, yes--yes--I did too," she answered. "I used to make +tea just at that time and sit there for a whole hour." + +"And didn't you sit close to the partition on your side? +Sometimes I was sure of it. I could even fancy that I could +hear your dress brushing against the wall-paper close beside +me. Didn't you sit close to the partition?" + +"I--I don't know where I sat." + +Old Grannis shyly put out his hand and took hers as it lay +upon her lap. + +"Didn't you sit close to the partition on your side?" he +insisted. + +"No--I don't know--perhaps--sometimes. Oh, yes," she +exclaimed, with a little gasp, "Oh, yes, I often did." + +Then Old Grannis put his arm about her, and kissed her faded +cheek, that flushed to pink upon the instant. + +After that they spoke but little. The day lapsed slowly +into twilight, and the two old people sat there in the gray +evening, quietly, quietly, their hands in each other's +hands, "keeping company," but now with nothing to separate +them. It had come at last. After all these years they +were together; they understood each other. They stood at +length in a little Elysium of their own creating. They +walked hand in hand in a delicious garden where it was +always autumn. Far from the world and together they entered +upon the long retarded romance of their commonplace and +uneventful lives. + + + +CHAPTER 18 + + +That same night McTeague was awakened by a shrill scream, +and woke to find Trina's arms around his neck. She was +trembling so that the bed-springs creaked. + +"Huh?" cried the dentist, sitting up in bed, raising his +clinched fists. "Huh? What? What? What is it? What is +it?" + +"Oh, Mac," gasped his wife, "I had such an awful dream. I +dreamed about Maria. I thought she was chasing me, and I +couldn't run, and her throat was--Oh, she was all covered +with blood. Oh-h, I am so frightened!" + +Trina had borne up very well for the first day or so after +the affair, and had given her testimony to the coroner with +far greater calmness than Heise. It was only a week later +that the horror of the thing came upon her again. She was +so nervous that she hardly dared to be alone in the daytime, +and almost every night woke with a cry of terror, trembling +with the recollection of some dreadful nightmare. The +dentist was irritated beyond all expression by her +nervousness, and especially was he exasperated when her +cries woke him suddenly in the middle of the night. He +would sit up in bed, rolling his eyes wildly, throwing out +his huge fists--at what, he did not know--exclaiming, "What +what--" bewildered and hopelessly confused. Then when +he realized that it was only Trina, his anger kindled +abruptly. + +"Oh, you and your dreams! You go to sleep, or I'll give you +a dressing down." Sometimes he would hit her a great thwack +with his open palm, or catch her hand and bite the tips of +her fingers. Trina would lie awake for hours afterward, +crying softly to herself. Then, by and by, "Mac," she would +say timidly. + +"Huh?" + +"Mac, do you love me?" + +"Huh? What? Go to sleep." + +"Don't you love me any more, Mac?" + +"Oh, go to sleep. Don't bother me." + +"Well, do you LOVE me, Mac?" + +"I guess so." + +"Oh, Mac, I've only you now, and if you don't love me, what +is going to become of me?" + +"Shut up, an' let me go to sleep." + +"Well, just tell me that you love me." + +The dentist would turn abruptly away from her, burying his +big blond head in the pillow, and covering up his ears with +the blankets. Then Trina would sob herself to sleep. + +The dentist had long since given up looking for a job. +Between breakfast and supper time Trina saw but little of +him. Once the morning meal over, McTeague bestirred +himself, put on his cap--he had given up wearing even a hat +since his wife had made him sell his silk hat--and went out. +He had fallen into the habit of taking long and solitary +walks beyond the suburbs of the city. Sometimes it was to +the Cliff House, occasionally to the Park (where he would +sit on the sun-warmed benches, smoking his pipe and reading +ragged ends of old newspapers), but more often it was to the +Presidio Reservation. McTeague would walk out to the end of +the Union Street car line, entering the Reservation at the +terminus, then he would work down to the shore of the bay, +follow the shore line to the Old Fort at the Golden Gate, +and, turning the Point here, come out suddenly upon the full +sweep of the Pacific. Then he would follow the beach +down to a certain point of rocks that he knew. Here he +would turn inland, climbing the bluffs to a rolling grassy +down sown with blue iris and a yellow flower that he did not +know the name of. On the far side of this down was a broad, +well-kept road. McTeague would keep to this road until he +reached the city again by the way of the Sacramento Street +car line. The dentist loved these walks. He liked to be +alone. He liked the solitude of the tremendous, tumbling +ocean; the fresh, windy downs; he liked to feel the gusty +Trades flogging his face, and he would remain for hours +watching the roll and plunge of the breakers with the +silent, unreasoned enjoyment of a child. All at once he +developed a passion for fishing. He would sit all day +nearly motionless upon a point of rocks, his fish-line +between his fingers, happy if he caught three perch in +twelve hours. At noon he would retire to a bit of level +turf around an angle of the shore and cook his fish, eating +them without salt or knife or fork. He thrust a pointed +stick down the mouth of the perch, and turned it slowly over +the blaze. When the grease stopped dripping, he knew that +it was done, and would devour it slowly and with tremendous +relish, picking the bones clean, eating even the head. He +remembered how often he used to do this sort of thing when +he was a boy in the mountains of Placer County, before he +became a car-boy at the mine. The dentist enjoyed himself +hugely during these days. The instincts of the old-time +miner were returning. In the stress of his misfortune +McTeague was lapsing back to his early estate. + +One evening as he reached home after such a tramp, he was +surprised to find Trina standing in front of what had been +Zerkow's house, looking at it thoughtfully, her finger on +her lips. + +"What you doing here'?" growled the dentist as he came up. +There was a "Rooms-to-let" sign on the street door of the +house. + +"Now we've found a place to move to," exclaimed Trina. + +"What?" cried McTeague. "There, in that dirty house, where +you found Maria?" + +"I can't afford that room in the flat any more, now that you +can't get any work to do." + +"But there's where Zerkow killed Maria--the very house +--an' you wake up an' squeal in the night just thinking of +it." + +"I know. I know it will be bad at first, but I'll get used +to it, an' it's just half again as cheap as where we are +now. I was looking at a room; we can have it dirt cheap. +It's a back room over the kitchen. A German family are +going to take the front part of the house and sublet the +rest. I'm going to take it. It'll be money in my pocket." + +"But it won't be any in mine," vociferated the dentist, +angrily. "I'll have to live in that dirty rat hole just +so's you can save money. I ain't any the better off for +it." + +"Find work to do, and then we'll talk," declared Trina. +"I'M going to save up some money against a rainy day; and if +I can save more by living here I'm going to do it, even if +it is the house Maria was killed in. I don't care." + +"All right," said McTeague, and did not make any further +protest. His wife looked at him surprised. She could not +understand this sudden acquiescence. Perhaps McTeague was +so much away from home of late that he had ceased to care +where or how he lived. But this sudden change troubled her +a little for all that. + +The next day the McTeagues moved for a second time. It did +not take them long. They were obliged to buy the bed from +the landlady, a circumstance which nearly broke Trina's +heart; and this bed, a couple of chairs, Trina's trunk, an +ornament or two, the oil stove, and some plates and kitchen +ware were all that they could call their own now; and this +back room in that wretched house with its grisly memories, +the one window looking out into a grimy maze of back yards +and broken sheds, was what they now knew as their home. + +The McTeagues now began to sink rapidly lower and lower. +They became accustomed to their surroundings. Worst of all, +Trina lost her pretty ways and her good looks. The combined +effects of hard work, avarice, poor food, and her husband's +brutalities told on her swiftly. Her charming little figure +grew coarse, stunted, and dumpy. She who had once been of a +catlike neatness, now slovened all day about the room +in a dirty flannel wrapper, her slippers clap-clapping after +her as she walked. At last she even neglected her hair, the +wonderful swarthy tiara, the coiffure of a queen, that +shaded her little pale forehead. In the morning she braided +it before it was half combed, and piled and coiled it about +her head in haphazard fashion. It came down half a dozen +times a day; by evening it was an unkempt, tangled mass, a +veritable rat's nest. + +Ah, no, it was not very gay, that life of hers, when one had +to rustle for two, cook and work and wash, to say nothing of +paying the rent. What odds was it if she was slatternly, +dirty, coarse? Was there time to make herself look +otherwise, and who was there to be pleased when she was all +prinked out? Surely not a great brute of a husband who bit +you like a dog, and kicked and pounded you as though you +were made of iron. Ah, no, better let things go, and take +it as easy as you could. Hump your back, and it was soonest +over. + +The one room grew abominably dirty, reeking with the odors +of cooking and of "non-poisonous" paint. The bed was not +made until late in the afternoon, sometimes not at all. +Dirty, unwashed crockery, greasy knives, sodden fragments of +yesterday's meals cluttered the table, while in one corner +was the heap of evil-smelling, dirty linen. Cockroaches +appeared in the crevices of the woodwork, the wall-paper +bulged from the damp walls and began to peel. Trina had +long ago ceased to dust or to wipe the furniture with a bit +of rag. The grime grew thick upon the window panes and in +the corners of the room. All the filth of the alley invaded +their quarters like a rising muddy tide. + +Between the windows, however, the faded photograph of the +couple in their wedding finery looked down upon the +wretchedness, Trina still holding her set bouquet straight +before her, McTeague standing at her side, his left foot +forward, in the attitude of a Secretary of State; while near +by hung the canary, the one thing the dentist clung to +obstinately, piping and chittering all day in its little +gilt prison. + +And the tooth, the gigantic golden molar of French gilt, +enormous and ungainly, sprawled its branching prongs in +one corner of the room, by the footboard of the bed. The +McTeague's had come to use it as a sort of substitute for a +table. After breakfast and supper Trina piled the plates +and greasy dishes upon it to have them out of the way. + +One afternoon the Other Dentist, McTeague's old-time rival, +the wearer of marvellous waistcoats, was surprised out of +all countenance to receive a visit from McTeague. The Other +Dentist was in his operating room at the time, at work upon +a plaster-of-paris mould. To his call of "'Come right in. +Don't you see the sign, 'Enter without knocking'?" McTeague +came in. He noted at once how airy and cheerful was the +room. A little fire coughed and tittered on the hearth, a +brindled greyhound sat on his haunches watching it intently, +a great mirror over the mantle offered to view an array of +actresses' pictures thrust between the glass and the frame, +and a big bunch of freshly-cut violets stood in a glass bowl +on the polished cherrywood table. The Other Dentist came +forward briskly, exclaiming cheerfully: + +"Oh, Doctor--Mister McTeague, how do? how do?" + +The fellow was actually wearing a velvet smoking jacket. A +cigarette was between his lips; his patent leather boots +reflected the firelight. McTeague wore a black surah +neglige shirt without a cravat; huge buckled brogans, hob- +nailed, gross, encased his feet; the hems of his trousers +were spotted with mud; his coat was frayed at the sleeves +and a button was gone. In three days he had not shaved; his +shock of heavy blond hair escaped from beneath the visor of +his woollen cap and hung low over his forehead. He stood +with awkward, shifting feet and uncertain eyes before the +dapper young fellow who reeked of the barber shop, and whom +he had once ordered from his rooms. + +"What can I do for you this morning, Mister McTeague? +Something wrong with the teeth, eh?" + +"No, no." McTeague, floundering in the difficulties of his +speech, forgot the carefully rehearsed words with which he +had intended to begin this interview. + +"I want to sell you my sign," he said, stupidly. "That big +tooth of French gilt--YOU know--that you made an +offer for once." + +"Oh, I don't want that now," said the other loftily. "I +prefer a little quiet signboard, nothing pretentious--just +the name, and "Dentist" after it. These big signs are +vulgar. No, I don't want it." + +McTeague remained, looking about on the floor, horribly +embarrassed, not knowing whether to go or to stay. + +"But I don't know," said the Other Dentist, reflectively. +"If it will help you out any--I guess you're pretty hard up +--I'll--well, I tell you what--I'll give you five dollars for +it." + +"All right, all right." + +On the following Thursday morning McTeague woke to hear the +eaves dripping and the prolonged rattle of the rain upon the +roof. + +"Raining," he growled, in deep disgust, sitting up in bed, +and winking at the blurred window. + +"It's been raining all night," said Trina. She was already +up and dressed, and was cooking breakfast on the oil stove. + +McTeague dressed himself, grumbling, "Well, I'll go, anyhow. +The fish will bite all the better for the rain." + +"Look here, Mac," said Trina, slicing a bit of bacon as +thinly as she could. "Look here, why don't you bring some +of your fish home sometime?" + +"Huh!" snorted the dentist, "so's we could have 'em for +breakfast. Might save you a nickel, mightn't it?" + +"Well, and if it did! Or you might fish for the market. +The fisherman across the street would buy 'em of you." + +"Shut up!" exclaimed the dentist, and Trina obediently +subsided. + +"Look here," continued her husband, fumbling in his trousers +pocket and bringing out a dollar, "I'm sick and tired of +coffee and bacon and mashed potatoes. Go over to the market +and get some kind of meat for breakfast. Get a steak, or +chops, or something. + +"Why, Mac, that's a whole dollar, and he only gave you five +for your sign. We can't afford it. Sure, Mac. Let me put +that money away against a rainy day. You're just as +well off without meat for breakfast." + +"You do as I tell you. Get some steak, or chops, or +something." + +"Please, Mac, dear." + +"Go on, now. I'll bite your fingers again pretty soon." + +"But----" + +The dentist took a step towards her, snatching at her hand. + +"All right, I'll go," cried Trina, wincing and shrinking. +"I'll go." + +She did not get the chops at the big market, however. +Instead, she hurried to a cheaper butcher shop on a side +street two blocks away, and bought fifteen cents' worth of +chops from a side of mutton some two or three days old. She +was gone some little time. + +"Give me the change," exclaimed the dentist as soon as she +returned. Trina handed him a quarter; and when McTeague was +about to protest, broke in upon him with a rapid stream of +talk that confused him upon the instant. But for that +matter, it was never difficult for Trina to deceive the +dentist. He never went to the bottom of things. He would +have believed her if she had told him the chops had cost a +dollar. + +"There's sixty cents saved, anyhow," thought Trina, as she +clutched the money in her pocket to keep it from rattling. + +Trina cooked the chops, and they breakfasted in silence. +"Now," said McTeague as he rose, wiping the coffee from his +thick mustache with the hollow of his palm, "now I'm going +fishing, rain or no rain. I'm going to be gone all day." + +He stood for a moment at the door, his fish-line in his +hand, swinging the heavy sinker back and forth. He looked +at Trina as she cleared away the breakfast things. + +"So long," said he, nodding his huge square-cut head. This +amiability in the matter of leave taking was unusual. Trina +put the dishes down and came up to him, her little chin, +once so adorable, in the air: + +"Kiss me good-by, Mac," she said, putting her arms around +his neck. "You DO love me a little yet, don't you, +Mac? We'll be happy again some day. This is hard times +now, but we'll pull out. You'll find something to do pretty +soon." + +"I guess so," growled McTeague, allowing her to kiss +him. + +The canary was stirring nimbly in its cage, and just now +broke out into a shrill trilling, its little throat bulging +and quivering. The dentist stared at it. "Say," he remarked +slowly, "I think I'll take that bird of mine along." + +"Sell it?" inquired Trina. + +"Yes, yes, sell it." + +"Well, you ARE coming to your senses at last," answered +Trina, approvingly. "But don't you let the bird-store man +cheat you. That's a good songster; and with the cage, you +ought to make him give you five dollars. You stick out for +that at first, anyhow." + +McTeague unhooked the cage and carefully wrapped it in an +old newspaper, remarking, "He might get cold. Well, so +long," he repeated, "so long." + +"Good-by, Mac." + +When he was gone, Trina took the sixty cents she had stolen +from him out of her pocket and recounted it. "It's sixty +cents, all right," she said proudly. "But I DO believe +that dime is too smooth." She looked at it critically. The +clock on the power-house of the Sutter Street cable struck +eight. "Eight o'clock already," she exclaimed. "I must get +to work." She cleared the breakfast things from the table, +and drawing up her chair and her workbox began painting the +sets of Noah's ark animals she had whittled the day before. +She worked steadily all the morning. At noon she lunched, +warming over the coffee left from breakfast, and frying a +couple of sausages. By one she was bending over her table +again. Her fingers--some of them lacerated by McTeague's +teeth--flew, and the little pile of cheap toys in the basket +at her elbow grew steadily. + +"Where DO all the toys go to?" she murmured. "The +thousands and thousands of these Noah's arks that I have +made--horses and chickens and elephants--and always there +never seems to be enough. It's a good thing for me that +children break their things, and that they all have to +have birthdays and Christmases." She dipped her brush into +a pot of Vandyke brown and painted one of the whittled toy +horses in two strokes. Then a touch of ivory black with a +small flat brush created the tail and mane, and dots of +Chinese white made the eyes. The turpentine in the paint +dried it almost immediately, and she tossed the completed +little horse into the basket. + +At six o'clock the dentist had not returned. Trina waited +until seven, and then put her work away, and ate her supper +alone. + +"I wonder what's keeping Mac," she exclaimed as the clock +from the power-house on Sutter Street struck half-past +seven. "I KNOW he's drinking somewhere," she cried, +apprehensively. "He had the money from his sign with him." + +At eight o'clock she threw a shawl over her head and went +over to the harness shop. If anybody would know where +McTeague was it would be Heise. But the harness-maker had +seen nothing of him since the day before. + +"He was in here yesterday afternoon, and we had a drink or +two at Frenna's. Maybe he's been in there to-day." + +"Oh, won't you go in and see?" said Trina. "Mac always came +home to his supper--he never likes to miss his meals--and +I'm getting frightened about him." + +Heise went into the barroom next door, and returned with no +definite news. Frenna had not seen the dentist since he had +come in with the harness-maker the previous afternoon. +Trina even humbled herself to ask of the Ryers--with whom +they had quarrelled--if they knew anything of the dentist's +whereabouts, but received a contemptuous negative. + +"Maybe he's come in while I've been out," said Trina to +herself. She went down Polk Street again, going towards the +flat. The rain had stopped, but the sidewalks were still +glistening. The cable cars trundled by, loaded with +theatregoers. The barbers were just closing their shops. +The candy store on the corner was brilliantly lighted and +was filling up, while the green and yellow lamps from the +drug store directly opposite threw kaleidoscopic reflections +deep down into the shining surface of the asphalt. A +band of Salvationists began to play and pray in front +of Frenna's saloon. Trina hurried on down the gay street, +with its evening's brilliancy and small activities, her +shawl over her head, one hand lifting her faded skirt from +off the wet pavements. She turned into the alley, entered +Zerkow's old home by the ever-open door, and ran up-stairs +to the room. Nobody. + +"Why, isn't this FUNNY," she exclaimed, half aloud, +standing on the threshold, her little milk-white forehead +curdling to a frown, one sore finger on her lips. Then a +great fear seized upon her. Inevitably she associated the +house with a scene of violent death. + +"No, no," she said to the darkness, "Mac is all right. +HE can take care of himself." But for all that she had a +clear-cut vision of her husband's body, bloated with sea- +water, his blond hair streaming like kelp, rolling inertly +in shifting waters. + +"He couldn't have fallen off the rocks," she declared +firmly. "There--THERE he is now." She heaved a great +sigh of relief as a heavy tread sounded in the hallway +below. She ran to the banisters, looking over, and calling, +"Oh, Mac! Is that you, Mac?" It was the German whose +family occupied the lower floor. The power-house clock +struck nine. + +"My God, where is Mac?" cried Trina, stamping her foot. + +She put the shawl over her head again, and went out and +stood on the corner of the alley and Polk Street, watching +and waiting, craning her neck to see down the street. Once, +even, she went out upon the sidewalk in front of the flat +and sat down for a moment upon the horse-block there. She +could not help remembering the day when she had been driven +up to that horse-block in a hack. Her mother and father and +Owgooste and the twins were with her. It was her wedding +day. Her wedding dress was in a huge tin trunk on the +driver's seat. She had never been happier before in all her +life. She remembered how she got out of the hack and stood +for a moment upon the horse-block, looking up at McTeague's +windows. She had caught a glimpse of him at his shaving, +the lather still on his cheek, and they had waved their +hands at each other. Instinctively Trina looked up at the +flat behind her; looked up at the bay window where her +husband's "Dental Parlors" had been. It was all dark; the +windows had the blind, sightless appearance imparted by +vacant, untenanted rooms. A rusty iron rod projected +mournfully from one of the window ledges. + +"There's where our sign hung once," said Trina. She turned +her head and looked down Polk Street towards where the Other +Dentist had his rooms, and there, overhanging the street +from his window, newly furbished and brightened, hung the +huge tooth, her birthday present to her husband, flashing +and glowing in the white glare of the electric lights like a +beacon of defiance and triumph. + +"Ah, no; ah, no," whispered Trina, choking back a sob. +"Life isn't so gay. But I wouldn't mind, no I wouldn't mind +anything, if only Mac was home all right." She got up from +the horse-block and stood again on the corner of the alley, +watching and listening. + +It grew later. The hours passed. Trina kept at her post. +The noise of approaching footfalls grew less and less +frequent. Little by little Polk Street dropped back into +solitude. Eleven o'clock struck from the power-house clock; +lights were extinguished; at one o'clock the cable stopped, +leaving an abrupt and numbing silence in the air. All at +once it seemed very still. The only noises were the +occasional footfalls of a policeman and the persistent +calling of ducks and geese in the closed market across the +way. The street was asleep. + +When it is night and dark, and one is awake and alone, one's +thoughts take the color of the surroundings; become gloomy, +sombre, and very dismal. All at once an idea came to Trina, +a dark, terrible idea; worse, even, than the idea of +McTeague's death. + +"Oh, no," she cried. "Oh, no. It isn't true. But suppose +--suppose." + +She left her post and hurried back to the house. + +"No, no," she was saying under her breath, "it isn't +possible. Maybe he's even come home already by another way. +But suppose--suppose--suppose." + +She ran up the stairs, opened the door of the room, and +paused, out of breath. The room was dark and empty. With +cold, trembling fingers she lighted the lamp, and, turning +about, looked at her trunk. The lock was burst. + +"No, no, no," cried Trina, "it's not true; it's not true." +She dropped on her knees before the trunk, and tossed back +the lid, and plunged her hands down into the corner +underneath her wedding dress, where she always kept the +savings. The brass match-safe and the chamois-skin bag were +there. They were empty. + +Trina flung herself full length upon the floor, burying her +face in her arms, rolling her head from side to side. Her +voice rose to a wail. + +"No, no, no, it's not true; it's not true; it's not true. +Oh, he couldn't have done it. Oh, how could he have done +it? All my money, all my little savings--and deserted me. +He's gone, my money's gone, my dear money--my dear, dear +gold pieces that I've worked so hard for. Oh, to have +deserted me--gone for good--gone and never coming back--gone +with my gold pieces. Gone-gone--gone. I'll never see them +again, and I've worked so hard, so so hard for him--for +them. No, no, NO, it's not true. It IS true. What +will become of me now? Oh, if you'll only come back you can +have all the money--half of it. Oh, give me back my money. +Give me back my money, and I'll forgive you. You can leave +me then if you want to. Oh, my money. Mac, Mac, you've +gone for good. You don't love me any more, and now I'm a +beggar. My money's gone, my husband's gone, gone, gone, +gone!" + +Her grief was terrible. She dug her nails into her scalp, +and clutching the heavy coils of her thick black hair tore +it again and again. She struck her forehead with her +clenched fists. Her little body shook from head to foot with +the violence of her sobbing. She ground her small teeth +together and beat her head upon the floor with all her +strength. + +Her hair was uncoiled and hanging a tangled, dishevelled +mass far below her waist; her dress was torn; a spot of +blood was upon her forehead; her eyes were swollen; her +cheeks flamed vermilion from the fever that raged in +her veins. Old Miss Baker found her thus towards five +o'clock the next morning. + +What had happened between one o'clock and dawn of that +fearful night Trina never remembered. She could only recall +herself, as in a picture, kneeling before her broken and +rifled trunk, and then--weeks later, so it seemed to her-- +she woke to find herself in her own bed with an iced bandage +about her forehead and the little old dressmaker at her +side, stroking her hot, dry palm. + +The facts of the matter were that the German woman who lived +below had been awakened some hours after midnight by the +sounds of Trina's weeping. She had come upstairs and into +the room to find Trina stretched face downward upon the +floor, half-conscious and sobbing, in the throes of an +hysteria for which there was no relief. The woman, +terrified, had called her husband, and between them they had +got Trina upon the bed. Then the German woman happened to +remember that Trina had friends in the big flat near by, and +had sent her husband to fetch the retired dressmaker, while +she herself remained behind to undress Trina and put her to +bed. Miss Baker had come over at once, and began to cry +herself at the sight of the dentist's poor little wife. She +did not stop to ask what the trouble was, and indeed it +would have been useless to attempt to get any coherent +explanation from Trina at that time. Miss Baker had sent +the German woman's husband to get some ice at one of the +"all-night" restaurants of the street; had kept cold, wet +towels on Trina's head; had combed and recombed her +wonderful thick hair; and had sat down by the side of the +bed, holding her hot hand, with its poor maimed fingers, +waiting patiently until Trina should be able to speak. + +Towards morning Trina awoke--or perhaps it was a mere +regaining of consciousness--looked a moment at Miss Baker, +then about the room until her eyes fell upon her trunk with +its broken lock. Then she turned over upon the pillow and +began to sob again. She refused to answer any of the little +dressmaker's questions, shaking her head violently, her face +hidden in the pillow. + +By breakfast time her fever had increased to such a point +that Miss Baker took matters into her own hands and had the +German woman call a doctor. He arrived some twenty +minutes later. He was a big, kindly fellow who lived over +the drug store on the corner. He had a deep voice and a +tremendous striding gait less suggestive of a physician than +of a sergeant of a cavalry troop. + +By the time of his arrival little Miss Baker had divined +intuitively the entire trouble. She heard the doctor's +swinging tramp in the entry below, and heard the German +woman saying: + +"Righd oop der stairs, at der back of der halle. Der room +mit der door oppen." + +Miss Baker met the doctor at the landing, she told him in a +whisper of the trouble. + +"Her husband's deserted her, I'm afraid, doctor, and took +all of her money--a good deal of it. It's about killed the +poor child. She was out of her head a good deal of the +night, and now she's got a raging fever." + +The doctor and Miss Baker returned to the room and entered, +closing the door. The big doctor stood for a moment looking +down at Trina rolling her head from side to side upon the +pillow, her face scarlet, her enormous mane of hair spread +out on either side of her. The little dressmaker remained +at his elbow, looking from him to Trina. + +"Poor little woman!" said the doctor; "poor little woman!" + +Miss Baker pointed to the trunk, whispering: + +"See, there's where she kept her savings. See, he broke the +lock." + +"Well, Mrs. McTeague," said the doctor, sitting down by the +bed, and taking Trina's wrist, "a little fever, eh?" + +Trina opened her eyes and looked at him, and then at Miss +Baker. She did not seem in the least surprised at the +unfamiliar faces. She appeared to consider it all as a +matter of course. + +"Yes," she said, with a long, tremulous breath, "I have a +fever, and my head--my head aches and aches." + +The doctor prescribed rest and mild opiates. Then his eye +fell upon the fingers of Trina's right hand. He looked at +them sharply. A deep red glow, unmistakable to a +physician's eyes, was upon some of them, extending from +the finger tips up to the second knuckle. + +"Hello," he exclaimed, "what's the matter here?" In fact +something was very wrong indeed. For days Trina had noticed +it. The fingers of her right hand had swollen as never +before, aching and discolored. Cruelly lacerated by +McTeague's brutality as they were, she had nevertheless gone +on about her work on the Noah's ark animals, constantly in +contact with the "non-poisonous" paint. She told as much to +the doctor in answer to his questions. He shook his head +with an exclamation. + +"Why, this is blood-poisoning, you know," he told her; "the +worst kind. You'll have to have those fingers amputated, +beyond a doubt, or lose the entire hand--or even worse." + +"And my work!" exclaimed Trina. + + + +CHAPTER 19 + + +One can hold a scrubbing-brush with two good fingers and the +stumps of two others even if both joints of the thumb are +gone, but it takes considerable practice to get used to it. + +Trina became a scrub-woman. She had taken council of +Selina, and through her had obtained the position of care- +taker in a little memorial kindergarten over on Pacific +Street. Like Polk Street, it was an accommodation street, +but running through a much poorer and more sordid quarter. +Trina had a little room over the kindergarten schoolroom. +It was not an unpleasant room. It looked out upon a sunny +little court floored with boards and used as the children's +playground. Two great cherry trees grew here, the leaves +almost brushing against the window of Trina's room and +filtering the sunlight so that it fell in round golden spots +upon the floor of the room. "Like gold pieces," Trina said +to herself. + +Trina's work consisted in taking care of the kindergarten +rooms, scrubbing the floors, washing the windows, dusting +and airing, and carrying out the ashes. Besides this she +earned some five dollars a month by washing down the front +steps of some big flats on Washington Street, and by +cleaning out vacant houses after the tenants had left. She +saw no one. Nobody knew her. She went about her work from +dawn to dark, and often entire days passed when she did not +hear the sound of her own voice. She was alone, a solitary, +abandoned woman, lost in the lowest eddies of the great +city's tide--the tide that always ebbs. + +When Trina had been discharged from the hospital after the +operation on her fingers, she found herself alone in the +world, alone with her five thousand dollars. The interest +of this would support her, and yet allow her to save a +little. + +But for a time Trina had thought of giving up the fight +altogether and of joining her family in the southern part of +the State. But even while she hesitated about this she +received a long letter from her mother, an answer to one she +herself had written just before the amputation of her right- +hand fingers--the last letter she would ever be able to +write. Mrs. Sieppe's letter was one long lamentation; she +had her own misfortunes to bewail as well as those of her +daughter. The carpet-cleaning and upholstery business had +failed. Mr. Sieppe and Owgooste had left for New Zealand +with a colonization company, whither Mrs. Sieppe and the +twins were to follow them as soon as the colony established +itself. So far from helping Trina in her ill fortune, it +was she, her mother, who might some day in the near future +be obliged to turn to Trina for aid. So Trina had given up +the idea of any help from her family. For that matter she +needed none. She still had her five thousand, and Uncle +Oelbermann paid her the interest with a machine-like +regularity. Now that McTeague had left her, there was one +less mouth to feed; and with this saving, together with the +little she could earn as scrub-woman, Trina could +almost manage to make good the amount she lost by being +obliged to cease work upon the Noah's ark animals. + +Little by little her sorrow over the loss of her precious +savings overcame the grief of McTeague's desertion of her. +Her avarice had grown to be her one dominant passion; her +love of money for the money's sake brooded in her heart, +driving out by degrees every other natural affection. She +grew thin and meagre; her flesh clove tight to her small +skeleton; her small pale mouth and little uplifted chin grew +to have a certain feline eagerness of expression; her long, +narrow eyes glistened continually, as if they caught and +held the glint of metal. One day as she sat in her room, +the empty brass match-box and the limp chamois bag in her +hands, she suddenly exclaimed: + +"I could have forgiven him if he had only gone away and left +me my money. I could have--yes, I could have forgiven him +even THIS"--she looked at the stumps of her fingers. +"But now," her teeth closed tight and her eyes flashed, +"now--I'll--never--forgive--him--as-long--as--I--live." + +The empty bag and the hollow, light match-box troubled her. +Day after day she took them from her trunk and wept over +them as other women weep over a dead baby's shoe. Her four +hundred dollars were gone, were gone, were gone. She would +never see them again. She could plainly see her husband +spending her savings by handfuls; squandering her beautiful +gold pieces that she had been at such pains to polish with +soap and ashes. The thought filled her with an unspeakable +anguish. She would wake at night from a dream of McTeague +revelling down her money, and ask of the darkness, "How much +did he spend to-day? How many of the gold pieces are left? +Has he broken either of the two twenty-dollar pieces yet? +What did he spend it for?" + +The instant she was out of the hospital Trina had begun to +save again, but now it was with an eagerness that amounted +at times to a veritable frenzy. She even denied herself +lights and fuel in order to put by a quarter or so, grudging +every penny she was obliged to spend. She did her own +washing and cooking. Finally she sold her wedding dress, +that had hitherto lain in the bottom of her trunk. + +The day she moved from Zerkow's old house, she came suddenly +upon the dentist's concertina under a heap of old clothes in +the closet. Within twenty minutes she had sold it to the +dealer in second-hand furniture, returning to her room with +seven dollars in her pocket, happy for the first time since +McTeague had left her. + +But for all that the match-box and the bag refused to fill +up; after three weeks of the most rigid economy they +contained but eighteen dollars and some small change. What +was that compared with four hundred? Trina told herself +that she must have her money in hand. She longed to see +again the heap of it upon her work-table, where she could +plunge her hands into it, her face into it, feeling the +cool, smooth metal upon her cheeks. At such moments she +would see in her imagination her wonderful five thousand +dollars piled in columns, shining and gleaming somewhere at +the bottom of Uncle Oelbermann's vault. She would look at +the paper that Uncle Oelbermann had given her, and tell +herself that it represented five thousand dollars. But in +the end this ceased to satisfy her, she must have the money +itself. She must have her four hundred dollars back again, +there in her trunk, in her bag and her match-box, where she +could touch it and see it whenever she desired. + +At length she could stand it no longer, and one day +presented herself before Uncle Oelbermann as he sat in his +office in the wholesale toy store, and told him she wanted +to have four hundred dollars of her money. + +"But this is very irregular, you know, Mrs. McTeague," said +the great man. "Not business-like at all." + +But his niece's misfortunes and the sight of her poor maimed +hand appealed to him. He opened his check-book. "You +understand, of course," he said, "that this will reduce the +amount of your interest by just so much." + +"I know, I know. I've thought of that," said Trina. + +"Four hundred, did you say?" remarked Uncle Oelbermann, +taking the cap from his fountain pen. + +"Yes, four hundred," exclaimed Trina, quickly, her eyes +glistening. + +Trina cashed the check and returned home with the money--all +in twenty-dollar pieces as she had desired--in an ecstasy of +delight. For half of that night she sat up playing with her +money, counting it and recounting it, polishing the duller +pieces until they shone. Altogether there were twenty +twenty-dollar gold pieces. + +"Oh-h, you beauties!" murmured Trina, running her palms over +them, fairly quivering with pleasure. "You beauties! +IS there anything prettier than a twenty-dollar gold piece? +You dear, dear money! Oh, don't I LOVE you! Mine, mine, +mine--all of you mine." + +She laid them out in a row on the ledge of the table, or +arranged them in patterns--triangles, circles, and squares-- +or built them all up into a pyramid which she afterward +overthrew for the sake of hearing the delicious clink of the +pieces tumbling against each other. Then at last she put +them away in the brass match-box and chamois bag, delighted +beyond words that they were once more full and heavy. + +Then, a few days after, the thought of the money still +remaining in Uncle Oelbermann's keeping returned to her. It +was hers, all hers--all that four thousand six hundred. She +could have as much of it or as little of it as she chose. +She only had to ask. For a week Trina resisted, knowing +very well that taking from her capital was proportionately +reducing her monthly income. Then at last she yielded. + +"Just to make it an even five hundred, anyhow," she told +herself. That day she drew a hundred dollars more, in +twenty-dollar gold pieces as before. From that time Trina +began to draw steadily upon her capital, a little at a time. +It was a passion with her, a mania, a veritable mental +disease; a temptation such as drunkards only know. + +It would come upon her all of a sudden. While she was about +her work, scrubbing the floor of some vacant house; or in +her room, in the morning, as she made her coffee on the oil +stove, or when she woke in the night, a brusque access +of cupidity would seize upon her. Her cheeks flushed, her +eyes glistened, her breath came short. At times she would +leave her work just as it was, put on her old bonnet of +black straw, throw her shawl about her, and go straight to +Uncle Oelbermann's store and draw against her money. Now it +would be a hundred dollars, now sixty; now she would content +herself with only twenty; and once, after a fortnight's +abstinence, she permitted herself a positive debauch of five +hundred. Little by little she drew her capital from Uncle +Oelbermann, and little by little her original interest of +twenty-five dollars a month dwindled. + +One day she presented herself again in the office of the +whole-sale toy store. + +"Will you let me have a check for two hundred dollars, Uncle +Oelbermann?" she said. + +The great man laid down his fountain pen and leaned back in +his swivel chair with great deliberation. + +"I don't understand, Mrs. McTeague," he said. "Every week +you come here and draw out a little of your money. I've told +you that it is not at all regular or business-like for me to +let you have it this way. And more than this, it's a great +inconvenience to me to give you these checks at unstated +times. If you wish to draw out the whole amount let's have +some understanding. Draw it in monthly installments of, +say, five hundred dollars, or else," he added, abruptly, +"draw it all at once, now, to-day. I would even prefer it +that way. Otherwise it's--it's annoying. Come, shall I +draw you a check for thirty-seven hundred, and have it over +and done with?" + +"No, no," cried Trina, with instinctive apprehension, +refusing, she did not know why. "No, I'll leave it with +you. I won't draw out any more." + +She took her departure, but paused on the pavement outside +the store, and stood for a moment lost in thought, her eyes +beginning to glisten and her breath coming short. Slowly +she turned about and reentered the store; she came back into +the office, and stood trembling at the corner of Uncle +Oelbermann's desk. He looked up sharply. Twice Trina +tried to get her voice, and when it did come to her, she +could hardly recognize it. Between breaths she said: + +"Yes, all right--I'll--you can give me--will you give me a +check for thirty-seven hundred? Give me ALL of my +money." + +A few hours later she entered her little room over the +kindergarten, bolted the door with shaking fingers, and +emptied a heavy canvas sack upon the middle of her bed. +Then she opened her trunk, and taking thence the brass +match-box and chamois-skin bag added their contents to the +pile. Next she laid herself upon the bed and gathered the +gleaming heaps of gold pieces to her with both arms, burying +her face in them with long sighs of unspeakable delight. + +It was a little past noon, and the day was fine and warm. +The leaves of the huge cherry trees threw off a certain +pungent aroma that entered through the open window, together +with long thin shafts of golden sunlight. Below, in the +kindergarten, the children were singing gayly and marching +to the jangling of the piano. Trina heard nothing, saw +nothing. She lay on her bed, her eyes closed, her face +buried in a pile of gold that she encircled with both her +arms. + +Trina even told herself at last that she was happy once +more. McTeague became a memory--a memory that faded a little +every day--dim and indistinct in the golden splendor of five +thousand dollars. + +"And yet," Trina would say, "I did love Mac, loved him +dearly, only a little while ago. Even when he hurt me, it +only made me love him more. How is it I've changed so +sudden? How COULD I forget him so soon? It must be +because he stole my money. That is it. I couldn't forgive +anyone that--no, not even my MOTHER. And I never-- +never--will forgive him." + +What had become of her husband Trina did not know. She +never saw any of the old Polk Street people. There was no +way she could have news of him, even if she had cared to +have it. She had her money, that was the main thing. Her +passion for it excluded every other sentiment. There it was +in the bottom of her trunk, in the canvas sack, the +chamois-skin bag, and the little brass match-safe. Not a +day passed that Trina did not have it out where she could +see and touch it. One evening she had even spread all the +gold pieces between the sheets, and had then gone to bed, +stripping herself, and had slept all night upon the money, +taking a strange and ecstatic pleasure in the touch of the +smooth flat pieces the length of her entire body. + +One night, some three months after she had come to live at +the kindergarten, Trina was awakened by a sharp tap on the +pane of the window. She sat up quickly in bed, her heart +beating thickly, her eyes rolling wildly in the direction of +her trunk. The tap was repeated. Trina rose and went +fearfully to the window. The little court below was bright +with moonlight, and standing just on the edge of the shadow +thrown by one of the cherry trees was McTeague. A bunch of +half-ripe cherries was in his hand. He was eating them and +throwing the pits at the window. As he caught sight of her, +he made an eager sign for her to raise the sash. Reluctant +and wondering, Trina obeyed, and the dentist came quickly +forward. He was wearing a pair of blue overalls; a navy- +blue flannel shirt without a cravat; an old coat, faded, +rain-washed, and ripped at the seams; and his woollen cap. + +"Say, Trina," he exclaimed, his heavy bass voice pitched +just above a whisper, "let me in, will you, huh? Say, will +you? I'm regularly starving, and I haven't slept in a +Christian bed for two weeks." + +At sight at him standing there in the moonlight, Trina could +only think of him as the man who had beaten and bitten her, +had deserted her and stolen her money, had made her suffer +as she had never suffered before in all her life. Now that +he had spent the money that he had stolen from her, he was +whining to come back--so that he might steal more, no doubt. +Once in her room he could not help but smell out her five +thousand dollars. Her indignation rose. + +"No," she whispered back at him. "No, I will not let you +in." + +"But listen here, Trina, I tell you I am starving, +regularly----" + +"Hoh!" interrupted Trina scornfully. "A man can't +starve with four hundred dollars, I guess." + +"Well--well--I--well--" faltered the dentist. "Never mind +now. Give me something to eat, an' let me in an' sleep. +I've been sleeping in the Plaza for the last ten nights, and +say, I--Damn it, Trina, I ain't had anything to eat since--" + +"Where's the four hundred dollars you robbed me of when you +deserted me?" returned Trina, coldly. + +"Well, I've spent it," growled the dentist. "But you +CAN'T see me starve, Trina, no matter what's happened. +Give me a little money, then." + +"I'll see you starve before you get any more of MY +money." + +The dentist stepped back a pace and stared up at her wonder- +stricken. His face was lean and pinched. Never had the jaw +bone looked so enormous, nor the square-cut head so huge. +The moonlight made deep black shadows in the shrunken +cheeks. + +"Huh?" asked the dentist, puzzled. "What did you say?" + +"I won't give you any money--never again--not a cent." + +"But do you know that I'm hungry?" + +"Well, I've been hungry myself. Besides, I DON'T +believe you." + +"Trina, I ain't had a thing to eat since yesterday morning; +that's God's truth. Even if I did get off with your money, +you CAN'T see me starve, can you? You can't see me walk +the streets all night because I ain't got a place to sleep. +Will you let me in? Say, will you? Huh?" + +"No." + +"Well, will you give me some money then--just a little? +Give me a dollar. Give me half a dol--Say, give me a +DIME, an' I can get a cup of coffee." + +"No." + +The dentist paused and looked at her with curious +intentness, bewildered, nonplussed. + +"Say, you--you must be crazy, Trina. I--I--wouldn't let a +DOG go hungry." + +"Not even if he'd bitten you, perhaps." + +The dentist stared again. + +There was another pause. McTeague looked up at her in +silence, a mean and vicious twinkle coming into his small +eyes. He uttered a low exclamation, and then checked +himself. + +"Well, look here, for the last time. I'm starving. I've got +nowhere to sleep. Will you give me some money, or something +to eat? Will you let me in?" + +"No--no--no." + +Trina could fancy she almost saw the brassy glint in her +husband's eyes. He raised one enormous lean fist. Then he +growled: + +"If I had hold of you for a minute, by God, I'd make you +dance. An' I will yet, I will yet. Don't you be afraid of +that." + +He turned about, the moonlight showing like a layer of snow +upon his massive shoulders. Trina watched him as he passed +under the shadow of the cherry trees and crossed the little +court. She heard his great feet grinding on the board +flooring. He disappeared. + +Miser though she was, Trina was only human, and the echo of +the dentist's heavy feet had not died away before she began +to he sorry for what she had done. She stood by the open +window in her nightgown, her finger upon her lips. + +"He did looked pinched," she said half aloud. "Maybe he +WAS hungry. I ought to have given him something. I wish I +had, I WISH I had. Oh," she cried, suddenly, with a +frightened gesture of both hands, "what have I come to be +that I would see Mac--my husband--that I would see him +starve rather than give him money? No, no. It's too +dreadful. I WILL give him some. I'll send it to him +to-morrow. Where?--well, he'll come back." She leaned from +the window and called as loudly as she dared, "Mac, oh, +Mac." There was no answer. + +When McTeague had told Trina he had been without food for +nearly two days he was speaking the truth. The week before +he had spent the last of the four hundred dollars in the bar +of a sailor's lodging-house near the water front, and since +that time had lived a veritable hand-to-mouth existence. + +He had spent her money here and there about the city in +royal fashion, absolutely reckless of the morrow, feasting +and drinking for the most part with companions he +picked up heaven knows where, acquaintances of twenty-four +hours, whose names he forgot in two days. Then suddenly he +found himself at the end of his money. He no longer had any +friends. Hunger rode him and rowelled him. He was no +longer well fed, comfortable. There was no longer a warm +place for him to sleep. He went back to Polk Street in the +evening, walking on the dark side of the street, lurking in +the shadows, ashamed to have any of his old-time friends see +him. He entered Zerkow's old house and knocked at the door +of the room Trina and he had occupied. It was empty. + +Next day he went to Uncle Oelbermann's store and asked news +of Trina. Trina had not told Uncle Oelbermann of McTeague's +brutalities, giving him other reasons to explain the loss of +her fingers; neither had she told him of her husband's +robbery. So when the dentist had asked where Trina could be +found, Uncle Oelbermann, believing that McTeague was seeking +a reconciliation, had told him without hesitation, and, he +added: + +"She was in here only yesterday and drew out the balance of +her money. She's been drawing against her money for the +last month or so. She's got it all now, I guess." + +"Ah, she's got it all." + +The dentist went away from his bootless visit to his wife +shaking with rage, hating her with all the strength of a +crude and primitive nature. He clenched his fists till his +knuckles whitened, his teeth ground furiously upon one +another. + +"Ah, if I had hold of you once, I'd make you dance. She had +five thousand dollars in that room, while I stood there, not +twenty feet away, and told her I was starving, and she +wouldn't give me a dime to get a cup of coffee with; not a +dime to get a cup of coffee. Oh, if I once get my hands on +you!" His wrath strangled him. He clutched at the darkness +in front of him, his breath fairly whistling between his +teeth. + +That night he walked the streets until the morning, +wondering what now he was to do to fight the wolf away. The +morning of the next day towards ten o'clock he was on +Kearney Street, still walking, still tramping the streets, +since there was nothing else for him to do. By and by +he paused on a corner near a music store, finding a +momentary amusement in watching two or three men loading a +piano upon a dray. Already half its weight was supported by +the dray's backboard. One of the men, a big mulatto, almost +hidden under the mass of glistening rosewood, was guiding +its course, while the other two heaved and tugged in the +rear. Something in the street frightened the horses and they +shied abruptly. The end of the piano was twitched sharply +from the backboard. There was a cry, the mulatto staggered +and fell with the falling piano, and its weight dropped +squarely upon his thigh, which broke with a resounding +crack. + +An hour later McTeague had found his job. The music store +engaged him as handler at six dollars a week. McTeague's +enormous strength, useless all his life, stood him in good +stead at last. + +He slept in a tiny back room opening from the storeroom of +the music store. He was in some sense a watchman as well as +handler, and went the rounds of the store twice every night. +His room was a box of a place that reeked with odors of +stale tobacco smoke. The former occupant had papered the +walls with newspapers and had pasted up figures cut out from +the posters of some Kiralfy ballet, very gaudy. By the one +window, chittering all day in its little gilt prison, hung +the canary bird, a tiny atom of life that McTeague still +clung to with a strange obstinacy. + +McTeague drank a good deal of whiskey in these days, but the +only effect it had upon him was to increase the viciousness +and bad temper that had developed in him since the beginning +of his misfortunes. He terrorized his fellow-handlers, +powerful men though they were. For a gruff word, for an +awkward movement in lading the pianos, for a surly look or a +muttered oath, the dentist's elbow would crook and his hand +contract to a mallet-like fist. As often as not the blow +followed, colossal in its force, swift as the leap of the +piston from its cylinder. + +His hatred of Trina increased from day to day. He'd make +her dance yet. Wait only till he got his hands upon her. +She'd let him starve, would she? She'd turn him out of +doors while she hid her five thousand dollars in the bottom +of her trunk. Aha, he would see about that some day. +She couldn't make small of him. Ah, no. She'd dance all +right--all right. McTeague was not an imaginative man by +nature, but he would lie awake nights, his clumsy wits +galloping and frisking under the lash of the alcohol, and +fancy himself thrashing his wife, till a sudden frenzy of +rage would overcome him, and he would shake all over, +rolling upon the bed and biting the mattress. + +On a certain day, about a week after Christmas of that year, +McTeague was on one of the top floors of the music store, +where the second-hand instruments were kept, helping to move +about and rearrange some old pianos. As he passed by one of +the counters he paused abruptly, his eye caught by an object +that was strangely familiar. + +"Say," he inquired, addressing the clerk in charge, "say, +where'd this come from?" + +"Why, let's see. We got that from a second-hand store up on +Polk Street, I guess. It's a fairly good machine; a little +tinkering with the stops and a bit of shellac, and we'll +make it about's good as new. Good tone. See." And the +clerk drew a long, sonorous wail from the depths of +McTeague's old concertina. + +"Well, it's mine," growled the dentist. + +The other laughed. "It's yours for eleven dollars." + +"It's mine," persisted McTeague. "I want it." + +"Go 'long with you, Mac. What do you mean?" + +"I mean that it's mine, that's what I mean. You got no +right to it. It was STOLEN from me, that's what I +mean," he added, a sullen anger flaming up in his little +eyes. + +The clerk raised a shoulder and put the concertina on an +upper shelf. + +"You talk to the boss about that; t'ain't none of my affair. +If you want to buy it, it's eleven dollars." + +The dentist had been paid off the day before and had four +dollars in his wallet at the moment. He gave the money to +the clerk. + +"Here, there's part of the money. You--you put that +concertina aside for me, an' I'll give you the rest in a +week or so--I'll give it to you tomorrow," he +exclaimed, struck with a sudden idea. + +McTeague had sadly missed his concertina. Sunday afternoons +when there was no work to be done, he was accustomed to lie +flat on his back on his springless bed in the little room in +the rear of the music store, his coat and shoes off, reading +the paper, drinking steam beer from a pitcher, and smoking +his pipe. But he could no longer play his six lugubrious +airs upon his concertina, and it was a deprivation. He +often wondered where it was gone. It had been lost, no +doubt, in the general wreck of his fortunes. Once, even, +the dentist had taken a concertina from the lot kept by the +music store. It was a Sunday and no one was about. But he +found he could not play upon it. The stops were arranged +upon a system he did not understand. + +Now his own concertina was come back to him. He would buy +it back. He had given the clerk four dollars. He knew +where he would get the remaining seven. + +The clerk had told him the concertina had been sold on Polk +Street to the second-hand store there. Trina had sold it. +McTeague knew it. Trina had sold his concertina--had stolen +it and sold it--his concertina, his beloved concertina, that +he had had all his life. Why, barring the canary, there was +not one of all his belongings that McTeague had cherished +more dearly. His steel engraving of "Lorenzo de' Medici and +his Court" might be lost, his stone pug dog might go, but +his concertina! + +"And she sold it--stole it from me and sold it. Just +because I happened to forget to take it along with me. Well, +we'll just see about that. You'll give me the money to buy +it back, or----" + +His rage loomed big within him. His hatred of Trina came +back upon him like a returning surge. He saw her small, +prim mouth, her narrow blue eyes, her black mane of hair, +and up-tilted chin, and hated her the more because of them. +Aha, he'd show her; he'd make her dance. He'd get that +seven dollars from her, or he'd know the reason why. He +went through his work that day, heaving and hauling at the +ponderous pianos, handling them with the ease of a lifting +crane, impatient for the coming of evening, when he could be +left to his own devices. As often as he had a moment +to spare he went down the street to the nearest saloon and +drank a pony of whiskey. Now and then as he fought and +struggled with the vast masses of ebony, rosewood, and +mahogany on the upper floor of the music store, raging and +chafing at their inertness and unwillingness, while the +whiskey pirouetted in his brain, he would mutter to himself: + +"An' I got to do this. I got to work like a dray horse +while she sits at home by her stove and counts her money-- +and sells my concertina." + +Six o'clock came. Instead of supper, McTeague drank some +more whiskey, five ponies in rapid succession. After supper +he was obliged to go out with the dray to deliver a concert +grand at the Odd Fellows' Hall, where a piano "recital" was +to take place. + +"Ain't you coming back with us?" asked one of the handlers +as he climbed upon the driver's seat after the piano had +been put in place. + +"No, no," returned the dentist; "I got something else to +do." The brilliant lights of a saloon near the City Hall +caught his eye. He decided he would have another drink of +whiskey. It was about eight o'clock. + +The following day was to be a fete day at the +kindergarten, the Christmas and New Year festivals combined. +All that afternoon the little two-story building on Pacific +Street had been filled with a number of grand ladies of the +Kindergarten Board, who were hanging up ropes of evergreen +and sprays of holly, and arranging a great Christmas tree +that stood in the centre of the ring in the schoolroom. The +whole place was pervaded with a pungent, piney odor. Trina +had been very busy since the early morning, coming and going +at everybody's call, now running down the street after +another tack-hammer or a fresh supply of cranberries, now +tying together the ropes of evergreen and passing them up to +one of the grand ladies as she carefully balanced herself on +a step-ladder. By evening everything was in place. As the +last grand lady left the school, she gave Trina an extra +dollar for her work, and said: + +"Now, if you'll just tidy up here, Mrs. McTeague, I think +that will be all. Sweep up the pine needles here--you +see they are all over the floor--and look through all the +rooms, and tidy up generally. Good night--and a Happy New +Year," she cried pleasantly as she went out. + +Trina put the dollar away in her trunk before she did +anything else and cooked herself a bit of supper. Then she +came downstairs again. + +The kindergarten was not large. On the lower floor were but +two rooms, the main schoolroom and another room, a +cloakroom, very small, where the children hung their hats +and coats. This cloakroom opened off the back of the main +schoolroom. Trina cast a critical glance into both of these +rooms. There had been a great deal of going and coming in +them during the day, and she decided that the first thing to +do would be to scrub the floors. She went up again to her +room overhead and heated some water over her oil stove; +then, re-descending, set to work vigorously. + +By nine o'clock she had almost finished with the schoolroom. +She was down on her hands and knees in the midst of a +steaming muck of soapy water. On her feet were a pair of +man's shoes fastened with buckles; a dirty cotton gown, damp +with the water, clung about her shapeless, stunted figure. +From time to time she sat back on her heels to ease the +strain of her position, and with one smoking hand, white and +parboiled with the hot water, brushed her hair, already +streaked with gray, out of her weazened, pale face and the +corners of her mouth. + +It was very quiet. A gas-jet without a globe lit up the +place with a crude, raw light. The cat who lived on the +premises, preferring to be dirty rather than to be wet, had +got into the coal scuttle, and over its rim watched her +sleepily with a long, complacent purr. + +All at once he stopped purring, leaving an abrupt silence in +the air like the sudden shutting off of a stream of water, +while his eyes grew wide, two lambent disks of yellow in the +heap of black fur. + +"Who is there?" cried Trina, sitting back on her heels. In +the stillness that succeeded, the water dripped from her +hands with the steady tick of a clock. Then a brutal +fist swung open the street door of the schoolroom and +McTeague came in. He was drunk; not with that drunkenness +which is stupid, maudlin, wavering on its feet, but with +that which is alert, unnaturally intelligent, vicious, +perfectly steady, deadly wicked. Trina only had to look +once at him, and in an instant, with some strange sixth +sense, born of the occasion, knew what she had to expect. + +She jumped up and ran from him into the little cloakroom. +She locked and bolted the door after her, and leaned her +weight against it, panting and trembling, every nerve +shrinking and quivering with the fear of him. + +McTeague put his hand on the knob of the door outside and +opened it, tearing off the lock and bolt guard, and sending +her staggering across the room. + +"Mac," she cried to him, as he came in, speaking with horrid +rapidity, cringing and holding out her hands, "Mac, listen. +Wait a minute--look here--listen here. It wasn't my fault. +I'll give you some money. You can come back. I'll do +ANYTHING you want. Won't you just LISTEN to me? Oh, +don't! I'll scream. I can't help it, you know. The people +will hear." + +McTeague came towards her slowly, his immense feet dragging +and grinding on the floor; his enormous fists, hard as +wooden mallets, swinging at his sides. Trina backed from him +to the corner of the room, cowering before him, holding her +elbow crooked in front of her face, watching him with +fearful intentness, ready to dodge. + +"I want that money," he said, pausing in front of her. + +"What money?" cried Trina. + +"I want that money. You got it--that five thousand dollars. +I want every nickel of it! You understand?" + +"I haven't it. It isn't here. Uncle Oelbermann's got it." + +"That's a lie. He told me that you came and got it. You've +had it long enough; now I want it. Do you hear?" + +"Mac, I can't give you that money. I--I WON'T give it +to you," Trina cried, with sudden resolution. + +"Yes, you will. You'll give me every nickel of it." + +"No, NO." + +"You ain't going to make small of me this time. Give me +that money." + +"NO." + +"For the last time, will you give me that money?" + +"No." + +"You won't, huh? You won't give me it? For the last time." + +"No, NO." + +Usually the dentist was slow in his movements, but now the +alcohol had awakened in him an ape-like agility. He kept +his small eyes upon her, and all at once sent his fist into +the middle of her face with the suddenness of a relaxed +spring. + +Beside herself with terror, Trina turned and fought him +back; fought for her miserable life with the exasperation +and strength of a harassed cat; and with such energy and +such wild, unnatural force, that even McTeague for the +moment drew back from her. But her resistance was the one +thing to drive him to the top of his fury. He came back at +her again, his eyes drawn to two fine twinkling points, and +his enormous fists, clenched till the knuckles whitened, +raised in the air. + +Then it became abominable. + +In the schoolroom outside, behind the coal scuttle, the cat +listened to the sounds of stamping and struggling and the +muffled noise of blows, wildly terrified, his eyes bulging +like brass knobs. At last the sounds stopped on a sudden; +he heard nothing more. Then McTeague came out, closing the +door. The cat followed him with distended eyes as he +crossed the room and disappeared through the street door. + +The dentist paused for a moment on the sidewalk, looking +carefully up and down the street. It was deserted and +quiet. He turned sharply to the right and went down a narrow +passage that led into the little court yard behind the +school. A candle was burning in Trina's room. He went up +by the outside stairway and entered. + +The trunk stood locked in one corner of the room. The +dentist took the lid-lifter from the little oil stove, put +it underneath the lock-clasp and wrenched it open. +Groping beneath a pile of dresses he found the chamois-skin +bag, the little brass match-box, and, at the very bottom, +carefully thrust into one corner, the canvas sack crammed to +the mouth with twenty-dollar gold pieces. He emptied the +chamois-skin bag and the matchbox into the pockets of his +trousers. But the canvas sack was too bulky to hide about +his clothes. "I guess I'll just naturally have to carry +YOU," he muttered. He blew out the candle, closed the +door, and gained the street again. + +The dentist crossed the city, going back to the music store. +It was a little after eleven o'clock. The night was +moonless, filled with a gray blur of faint light that seemed +to come from all quarters of the horizon at once. From time +to time there were sudden explosions of a southeast wind at +the street corners. McTeague went on, slanting his head +against the gusts, to keep his cap from blowing off, +carrying the sack close to his side. Once he looked +critically at the sky. + +"I bet it'll rain to-morrow," he muttered, "if this wind +works round to the south." + +Once in his little den behind the music store, he washed his +hands and forearms, and put on his working clothes, blue +overalls and a jumper, over cheap trousers and vest. Then +he got together his small belongings--an old campaign hat, a +pair of boots, a tin of tobacco, and a pinchbeck bracelet +which he had found one Sunday in the Park, and which he +believed to be valuable. He stripped his blanket from his +bed and rolled up in it all these objects, together with the +canvas sack, fastening the roll with a half hitch such as +miners use, the instincts of the old-time car-boy coming +back to him in his present confusion of mind. He changed his +pipe and his knife--a huge jackknife with a yellowed bone +handle--to the pockets of his overalls. + +Then at last he stood with his hand on the door, holding up +the lamp before blowing it out, looking about to make sure +he was ready to go. The wavering light woke his canary. It +stirred and began to chitter feebly, very sleepy and cross +at being awakened. McTeague started, staring at it, and +reflecting. He believed that it would be a long time before +anyone came into that room again. The canary would be days +without food; it was likely it would starve, would die +there, hour by hour, in its little gilt prison. McTeague +resolved to take it with him. He took down the cage, +touching it gently with his enormous hands, and tied a +couple of sacks about it to shelter the little bird from the +sharp night wind. + +Then he went out, locking all the doors behind him, and +turned toward the ferry slips. The boats had ceased running +hours ago, but he told himself that by waiting till four +o'clock he could get across the bay on the tug that took +over the morning papers. + +* * * * * * * * * * * * * + +Trina lay unconscious, just as she had fallen under the last +of McTeague's blows, her body twitching with an occasional +hiccough that stirred the pool of blood in which she lay +face downward. Towards morning she died with a rapid series +of hiccoughs that sounded like a piece of clockwork running +down. + +The thing had been done in the cloakroom where the +kindergarten children hung their hats and coats. There was +no other entrance except by going through the main +schoolroom. McTeague going out had shut the door of the +cloakroom, but had left the street door open; so when the +children arrived in the morning, they entered as usual. + +About half-past eight, two or three five-year-olds, one a +little colored girl, came into the schoolroom of the +kindergarten with a great chatter of voices, going across to +the cloakroom to hang up their hats and coats as they had +been taught. + +Half way across the room one of them stopped and put her +small nose in the air, crying, "Um-o-o, what a funnee +smell!" The others began to sniff the air as well, and one, +the daughter of a butcher, exclaimed, "'Tsmells like my pa's +shop," adding in the next breath, "Look, what's the matter +with the kittee?" + +In fact, the cat was acting strangely. He lay quite flat on +the floor, his nose pressed close to the crevice under the +door of the little cloakroom, winding his tail slowly +back and forth, excited, very eager. At times he would draw +back and make a strange little clacking noise down in his +throat. + +"Ain't he funnee?" said the little girl again. The cat +slunk swiftly away as the children came up. Then the +tallest of the little girls swung the door of the little +cloakroom wide open and they all ran in. + + + +CHAPTER 20 + + +The day was very hot, and the silence of high noon lay close +and thick between the steep slopes of the canyons like an +invisible, muffling fluid. At intervals the drone of an +insect bored the air and trailed slowly to silence again. +Everywhere were pungent, aromatic smells. The vast, +moveless heat seemed to distil countless odors from the +brush--odors of warm sap, of pine needles, and of tar-weed, +and above all the medicinal odor of witch hazel. As far as +one could look, uncounted multitudes of trees and manzanita +bushes were quietly and motionlessly growing, growing, +growing. A tremendous, immeasurable Life pushed steadily +heavenward without a sound, without a motion. At turns of +the road, on the higher points, canyons disclosed themselves +far away, gigantic grooves in the landscape, deep blue in +the distance, opening one into another, ocean-deep, silent, +huge, and suggestive of colossal primeval forces held in +reserve. At their bottoms they were solid, massive; on +their crests they broke delicately into fine serrated edges +where the pines and redwoods outlined their million of tops +against the high white horizon. Here and there the +mountains lifted themselves out of the narrow river +beds in groups like giant lions rearing their heads after +drinking. The entire region was untamed. In some places +east of the Mississippi nature is cosey, intimate, small, +and homelike, like a good-natured housewife. In Placer +County, California, she is a vast, unconquered brute of the +Pliocene epoch, savage, sullen, and magnificently +indifferent to man. + +But there were men in these mountains, like lice on +mammoths' hides, fighting them stubbornly, now with +hydraulic "monitors," now with drill and dynamite, boring +into the vitals of them, or tearing away great yellow +gravelly scars in the flanks of them, sucking their blood, +extracting gold. + +Here and there at long distances upon the canyon sides rose +the headgear of a mine, surrounded with its few unpainted +houses, and topped by its never-failing feather of black +smoke. On near approach one heard the prolonged thunder of +the stamp-mill, the crusher, the insatiable monster, +gnashing the rocks to powder with its long iron teeth, +vomiting them out again in a thin stream of wet gray mud. +Its enormous maw, fed night and day with the car-boys' +loads, gorged itself with gravel, and spat out the gold, +grinding the rocks between its jaws, glutted, as it were, +with the very entrails of the earth, and growling over its +endless meal, like some savage animal, some legendary +dragon, some fabulous beast, symbol of inordinate and +monstrous gluttony. + +McTeague had left the Overland train at Colfax, and the same +afternoon had ridden some eight miles across the mountains +in the stage that connects Colfax with Iowa Hill. Iowa Hill +was a small one-street town, the headquarters of the mines +of the district. Originally it had been built upon the +summit of a mountain, but the sides of this mountain have +long since been "hydrau-licked" away, so that the town now +clings to a mere back bone, and the rear windows of the +houses on both sides of the street look down over sheer +precipices, into vast pits hundreds of feet deep. + +The dentist stayed over night at the Hill, and the next +morning started off on foot farther into the mountains. He +still wore his blue overalls and jumper; his woollen +cap was pulled down over his eye; on his feet were hob- +nailed boots he had bought at the store in Colfax; his +blanket roll was over his back; in his left hand swung the +bird cage wrapped in sacks. + +Just outside the town he paused, as if suddenly remembering +something. + +"There ought to be a trail just off the road here," he +muttered. "There used to be a trail--a short cut." + +The next instant, without moving from his position, he saw +where it opened just before him. His instinct had halted +him at the exact spot. The trail zigzagged down the abrupt +descent of the canyon, debouching into a gravelly river bed. + +"Indian River," muttered the dentist. "I remember--I +remember. I ought to hear the Morning Star's stamps from +here." He cocked his head. A low, sustained roar, like a +distant cataract, came to his ears from across the river. +"That's right," he said, contentedly. He crossed the river +and regained the road beyond. The slope rose under his +feet; a little farther on he passed the Morning Star mine, +smoking and thundering. McTeague pushed steadily on. The +road rose with the rise of the mountain, turned at a sharp +angle where a great live-oak grew, and held level for nearly +a quarter of a mile. Twice again the dentist left the road +and took to the trail that cut through deserted hydraulic +pits. He knew exactly where to look for these trails; not +once did his instinct deceive him. He recognized familiar +points at once. Here was Cold Canyon, where invariably, +winter and summer, a chilly wind was blowing; here was where +the road to Spencer's branched off; here was Bussy's old +place, where at one time there were so many dogs; here was +Delmue's cabin, where unlicensed whiskey used to be sold; +here was the plank bridge with its one rotten board; and +here the flat overgrown with manzanita, where he once had +shot three quail. + +At noon, after he had been tramping for some two hours, he +halted at a point where the road dipped suddenly. A little +to the right of him, and flanking the road, an enormous +yellow gravel-pit like an emptied lake gaped to heaven. +Farther on, in the distance, a canyon zigzagged toward +the horizon, rugged with pine-clad mountain crests. Nearer +at hand, and directly in the line of the road, was an +irregular cluster of unpainted cabins. A dull, prolonged +roar vibrated in the air. McTeague nodded his head as if +satisfied. + +"That's the place," he muttered. + +He reshouldered his blanket roll and descended the road. At +last he halted again. He stood before a low one-story +building, differing from the others in that it was painted. +A verandah, shut in with mosquito netting, surrounded it. +McTeague dropped his blanket roll on a lumber pile outside, +and came up and knocked at the open door. Some one called +to him to come in. + +McTeague entered, rolling his eyes about him, noting the +changes that had been made since he had last seen this +place. A partition had been knocked down, making one big +room out of the two former small ones. A counter and +railing stood inside the door. There was a telephone on the +wall. In one corner he also observed a stack of surveyor's +instruments; a big drawing-board straddled on spindle legs +across one end of the room, a mechanical drawing of some +kind, no doubt the plan of the mine, unrolled upon it; a +chromo representing a couple of peasants in a ploughed field +(Millet's "Angelus") was nailed unframed upon the wall, and +hanging from the same wire nail that secured one of its +corners in place was a bullion bag and a cartridge belt with +a loaded revolver in the pouch. + +The dentist approached the counter and leaned his elbows +upon it. Three men were in the room--a tall, lean young +man, with a thick head of hair surprisingly gray, who was +playing with a half-grown great Dane puppy; another fellow +about as young, but with a jaw almost as salient as +McTeague's, stood at the letter-press taking a copy of a +letter; a third man, a little older than the other two, was +pottering over a transit. This latter was massively built, +and wore overalls and low boots streaked and stained and +spotted in every direction with gray mud. The dentist +looked slowly from one to the other; then at length, "Is the +foreman about?" he asked. + +The man in the muddy overalls came forward. + +"What you want?" + +He spoke with a strong German accent. + +The old invariable formula came back to McTeague on the +instant. + +"What's the show for a job?" + +At once the German foreman became preoccupied, looking +aimlessly out of the window. There was a silence. + +"You hev been miner alretty?" + +"Yes, yes." + +"Know how to hendle pick'n shov'le?" + +"Yes, I know." + +The other seemed unsatisfied. "Are you a 'cousin Jack'?" + +The dentist grinned. This prejudice against Cornishmen he +remembered too. + +"No. American." + +"How long sence you mine?" + +"Oh, year or two." + +"Show your hends." McTeague exhibited his hard, callused +palms. + +"When ken you go to work? I want a chuck-tender on der +night-shift." + +"I can tend a chuck. I'll go on to-night." + +"What's your name?" + +The dentist started. He had forgotten to be prepared for +this. + +"Huh? What?" + +"What's the name?" + +McTeague's eye was caught by a railroad calendar hanging +over the desk. There was no time to think. + +"Burlington," he said, loudly. + +The German took a card from a file and wrote it down. + +"Give dis card to der boarding-boss, down at der boarding- +haus, den gome find me bei der mill at sex o'clock, und I +set you to work." + +Straight as a homing pigeon, and following a blind and +unreasoned instinct, McTeague had returned to the Big Dipper +mine. Within a week's time it seemed to him as though +he had never been away. He picked up his life again exactly +where he had left it the day when his mother had sent him +away with the travelling dentist, the charlatan who had set +up his tent by the bunk house. The house McTeague had once +lived in was still there, occupied by one of the shift +bosses and his family. The dentist passed it on his way to +and from the mine. + +He himself slept in the bunk house with some thirty others +of his shift. At half-past five in the evening the cook at +the boarding-house sounded a prolonged alarm upon a crowbar +bent in the form of a triangle, that hung upon the porch of +the boarding-house. McTeague rose and dressed, and with his +shift had supper. Their lunch-pails were distributed to +them. Then he made his way to the tunnel mouth, climbed +into a car in the waiting ore train, and was hauled into the +mine. + +Once inside, the hot evening air turned to a cool dampness, +and the forest odors gave place to the smell of stale +dynamite smoke, suggestive of burning rubber. A cloud of +steam came from McTeague's mouth; underneath, the water +swashed and rippled around the car-wheels, while the light +from the miner's candlesticks threw wavering blurs of pale +yellow over the gray rotting quartz of the roof and walls. +Occasionally McTeague bent down his head to avoid the +lagging of the roof or the projections of an overhanging +shute. From car to car all along the line the miners called +to one another as the train trundled along, joshing and +laughing. + +A mile from the entrance the train reached the breast where +McTeague's gang worked. The men clambered from the cars and +took up the labor where the day shift had left it, burrowing +their way steadily through a primeval river bed. + +The candlesticks thrust into the crevices of the gravel +strata lit up faintly the half dozen moving figures befouled +with sweat and with wet gray mould. The picks struck into +the loose gravel with a yielding shock. The long-handled +shovels clinked amidst the piles of bowlders and scraped +dully in the heaps of rotten quartz. The Burly drill boring +for blasts broke out from time to time in an irregular +chug-chug, chug-chug, while the engine that pumped the water +from the mine coughed and strangled at short intervals. + +McTeague tended the chuck. In a way he was the assistant of +the man who worked the Burly. It was his duty to replace +the drills in the Burly, putting in longer ones as the hole +got deeper and deeper. From time to time he rapped the +drill with a pole-pick when it stuck fast or fitchered. + +Once it even occurred to him that there was a resemblance +between his present work and the profession he had been +forced to abandon. In the Burly drill he saw a queer +counterpart of his old-time dental engine; and what were the +drills and chucks but enormous hoe excavators, hard bits, +and burrs? It was the same work he had so often performed +in his "Parlors," only magnified, made monstrous, distorted, +and grotesqued, the caricature of dentistry. + +He passed his nights thus in the midst of the play of crude +and simple forces--the powerful attacks of the Burly drills; +the great exertions of bared, bent backs overlaid with +muscle; the brusque, resistless expansion of dynamite; and +the silent, vast, Titanic force, mysterious and slow, that +cracked the timbers supporting the roof of the tunnel, and +that gradually flattened the lagging till it was thin as +paper. + +The life pleased the dentist beyond words. The still, +colossal mountains took him back again like a returning +prodigal, and vaguely, without knowing why, he yielded to +their influence--their immensity, their enormous power, +crude and blind, reflecting themselves in his own nature, +huge, strong, brutal in its simplicity. And this, though he +only saw the mountains at night. They appeared far different +then than in the daytime. At twelve o'clock he came out of +the mine and lunched on the contents of his dinner-pail, +sitting upon the embankment of the track, eating with both +hands, and looking around him with a steady ox-like gaze. +The mountains rose sheer from every side, heaving their +gigantic crests far up into the night, the black peaks +crowding together, and looking now less like beasts than +like a company of cowled giants. In the daytime they +were silent; but at night they seemed to stir and rouse +themselves. Occasionally the stamp-mill stopped, its thunder +ceasing abruptly. Then one could hear the noises that the +mountains made in their living. From the canyon, from the +crowding crests, from the whole immense landscape, there +rose a steady and prolonged sound, coming from all sides at +once. It was that incessant and muffled roar which +disengages itself from all vast bodies, from oceans, from +cities, from forests, from sleeping armies, and which is +like the breathing of an infinitely great monster, alive, +palpitating. + +McTeague returned to his work. At six in the morning his +shift was taken off, and he went out of the mine and back to +the bunk house. All day long he slept, flung at length upon +the strong-smelling blankets--slept the dreamless sleep of +exhaustion, crushed and overpowered with the work, flat and +prone upon his belly, till again in the evening the cook +sounded the alarm upon the crowbar bent into a triangle. + +Every alternate week the shifts were changed. The second +week McTeague's shift worked in the daytime and slept at +night. Wednesday night of this second week the dentist woke +suddenly. He sat up in his bed in the bunk house, looking +about him from side to side; an alarm clock hanging on the +wall, over a lantern, marked half-past three. + +"What was it?" muttered the dentist. "I wonder what it +was." The rest of the shift were sleeping soundly, filling +the room with the rasping sound of snoring. Everything was +in its accustomed place; nothing stirred. But for all that +McTeague got up and lit his miner's candlestick and went +carefully about the room, throwing the light into the dark +corners, peering under all the beds, including his own. +Then he went to the door and stepped outside. The night was +warm and still; the moon, very low, and canted on her side +like a galleon foundering. The camp was very quiet; nobody +was in sight. "I wonder what it was," muttered the dentist. +"There was something--why did I wake up? Huh?" He made a +circuit about the bunk house, unusually alert, his small +eyes twinkling rapidly, seeing everything. All was +quiet. An old dog who invariably slept on the steps of the +bunk house had not even wakened. McTeague went back to bed, +but did not sleep. + +"There was SOMETHING," he muttered, looking in a puzzled +way at his canary in the cage that hung from the wall at his +bedside; "something. What was it? There is something +NOW. There it is again--the same thing." He sat up in bed +with eyes and ears strained. "What is it? I don' know what +it is. I don' hear anything, an' I don' see anything. I +feel something--right now; feel it now. I wonder--I don' +know--I don' know." + +Once more he got up, and this time dressed himself. He made +a complete tour of the camp, looking and listening, for what +he did not know. He even went to the outskirts of the camp +and for nearly half an hour watched the road that led into +the camp from the direction of Iowa Hill. He saw nothing; +not even a rabbit stirred. He went to bed. + +But from this time on there was a change. The dentist grew +restless, uneasy. Suspicion of something, he could not say +what, annoyed him incessantly. He went wide around sharp +corners. At every moment he looked sharply over his +shoulder. He even went to bed with his clothes and cap on, +and at every hour during the night would get up and prowl +about the bunk house, one ear turned down the wind, his eyes +gimleting the darkness. From time to time he would murmur: + +"There's something. What is it? I wonder what it is." + +What strange sixth sense stirred in McTeague at this time? +What animal cunning, what brute instinct clamored for +recognition and obedience? What lower faculty was it that +roused his suspicion, that drove him out into the night a +score of times between dark and dawn, his head in the air, +his eyes and ears keenly alert? + +One night as he stood on the steps of the bunk house, +peering into the shadows of the camp, he uttered an +exclamation as of a man suddenly enlightened. He turned +back into the house, drew from under his bed the blanket +roll in which he kept his money hid, and took the +canary down from the wall. He strode to the door and +disappeared into the night. When the sheriff of Placer +County and the two deputies from San Francisco reached the +Big Dipper mine, McTeague had been gone two days. + + + +CHAPTER 21 + + +"Well," said one of the deputies, as he backed the horse +into the shafts of the buggy in which the pursuers had +driven over from the Hill, "we've about as good as got him. +It isn't hard to follow a man who carries a bird cage with +him wherever he goes." + +McTeague crossed the mountains on foot the Friday and +Saturday of that week, going over through Emigrant Gap, +following the line of the Overland railroad. He reached +Reno Monday night. By degrees a vague plan of action +outlined itself in the dentist's mind. + +"Mexico," he muttered to himself. "Mexico, that's the +place. They'll watch the coast and they'll watch the Eastern +trains, but they won't think of Mexico." + +The sense of pursuit which had harassed him during the last +week of his stay at the Big Dipper mine had worn off, and he +believed himself to be very cunning. + +"I'm pretty far ahead now, I guess," he said. At Reno he +boarded a south-bound freight on the line of the Carson and +Colorado railroad, paying for a passage in the caboose. +"Freights don' run on schedule time," he muttered, "and a +conductor on a passenger train makes it his business to +study faces. I'll stay with this train as far as it goes." + +The freight worked slowly southward, through western +Nevada, the country becoming hourly more and more desolate +and abandoned. After leaving Walker Lake the sage-brush +country began, and the freight rolled heavily over tracks +that threw off visible layers of heat. At times it stopped +whole half days on sidings or by water tanks, and the +engineer and fireman came back to the caboose and played +poker with the conductor and train crew. The dentist sat +apart, behind the stove, smoking pipe after pipe of cheap +tobacco. Sometimes he joined in the poker games. He had +learned poker when a boy at the mine, and after a few deals +his knowledge returned to him; but for the most part he was +taciturn and unsociable, and rarely spoke to the others +unless spoken to first. The crew recognized the type, and +the impression gained ground among them that he had "done +for" a livery-stable keeper at Truckee and was trying to get +down into Arizona. + +McTeague heard two brakemen discussing him one night as they +stood outside by the halted train. "The livery-stable +keeper called him a bastard; that's what Picachos told me," +one of them remarked, "and started to draw his gun; an' this +fellar did for him with a hayfork. He's a horse doctor, +this chap is, and the livery-stable keeper had got the law +on him so's he couldn't practise any more, an' he was sore +about it." + +Near a place called Queen's the train reentered California, +and McTeague observed with relief that the line of track +which had hitherto held westward curved sharply to the south +again. The train was unmolested; occasionally the crew +fought with a gang of tramps who attempted to ride the brake +beams, and once in the northern part of Inyo County, while +they were halted at a water tank, an immense Indian buck, +blanketed to the ground, approached McTeague as he stood on +the roadbed stretching his legs, and without a word +presented to him a filthy, crumpled letter. The letter was +to the effect that the buck Big Jim was a good Indian and +deserving of charity; the signature was illegible. The +dentist stared at the letter, returned it to the buck, and +regained the train just as it started. Neither had spoken; +the buck did not move from his position, and fully five +minutes afterward, when the slow-moving freight was +miles away, the dentist looked back and saw him still +standing motionless between the rails, a forlorn and +solitary point of red, lost in the immensity of the +surrounding white blur of the desert. + +At length the mountains began again, rising up on either +side of the track; vast, naked hills of white sand and red +rock, spotted with blue shadows. Here and there a patch of +green was spread like a gay table-cloth over the sand. All +at once Mount Whitney leaped over the horizon. Independence +was reached and passed; the freight, nearly emptied by now, +and much shortened, rolled along the shores of Owen Lake. +At a place called Keeler it stopped definitely. It was the +terminus of the road. + +The town of Keeler was a one-street town, not unlike Iowa +Hill--the post-office, the bar and hotel, the Odd Fellows' +Hall, and the livery stable being the principal buildings. + +"Where to now?" muttered McTeague to himself as he sat on +the edge of the bed in his room in the hotel. He hung the +canary in the window, filled its little bathtub, and watched +it take its bath with enormous satisfaction. "Where to +now?" he muttered again. "This is as far as the railroad +goes, an' it won' do for me to stay in a town yet a while; +no, it won' do. I got to clear out. Where to? That's the +word, where to? I'll go down to supper now"--He went on +whispering his thoughts aloud, so that they would take more +concrete shape in his mind--"I'll go down to supper now, an' +then I'll hang aroun' the bar this evening till I get the +lay of this land. Maybe this is fruit country, though it +looks more like a cattle country. Maybe it's a mining +country. If it's a mining country," he continued, puckering +his heavy eyebrows, "if it's a mining country, an' the mines +are far enough off the roads, maybe I'd better get to the +mines an' lay quiet for a month before I try to get any +farther south." + +He washed the cinders and dust of a week's railroading from +his face and hair, put on a fresh pair of boots, and went +down to supper. The dining-room was of the invariable type +of the smaller interior towns of California. There was but +one table, covered with oilcloth; rows of benches +answered for chairs; a railroad map, a chromo with a gilt +frame protected by mosquito netting, hung on the walls, +together with a yellowed photograph of the proprietor in +Masonic regalia. Two waitresses whom the guests--all men-- +called by their first names, came and went with large trays. + +Through the windows outside McTeague observed a great number +of saddle horses tied to trees and fences. Each one of +these horses had a riata on the pommel of the saddle. He +sat down to the table, eating his thick hot soup, watching +his neighbors covertly, listening to everything that was +said. It did not take him long to gather that the country +to the east and south of Keeler was a cattle country. + +Not far off, across a range of hills, was the Panamint +Valley, where the big cattle ranges were. Every now and +then this name was tossed to and fro across the table in the +flow of conversation--"Over in the Panamint." "Just going +down for a rodeo in the Panamint." "Panamint brands." "Has +a range down in the Panamint." Then by and by the remark, +"Hoh, yes, Gold Gulch, they're down to good pay there. +That's on the other side of the Panamint Range. Peters came +in yesterday and told me." + +McTeague turned to the speaker. + +"Is that a gravel mine?" he asked. + +"No, no, quartz." + +"I'm a miner; that's why I asked." + +"Well I've mined some too. I had a hole in the ground +meself, but she was silver; and when the skunks at +Washington lowered the price of silver, where was I? +Fitchered, b'God!" + +"I was looking for a job." + +"Well, it's mostly cattle down here in the Panamint, but +since the strike over at Gold Gulch some of the boys have +gone prospecting. There's gold in them damn Panamint +Mountains. If you can find a good long 'contact' of country +rocks you ain't far from it. There's a couple of fellars +from Redlands has located four claims around Gold Gulch. +They got a vein eighteen inches wide, an' Peters says +you can trace it for more'n a thousand feet. Were you +thinking of prospecting over there?" + +"Well, well, I don' know, I don' know." + +"Well, I'm going over to the other side of the range day +after t'morrow after some ponies of mine, an' I'm going to +have a look around. You say you've been a miner?" + +"Yes, yes." + +"If you're going over that way, you might come along and see +if we can't find a contact, or copper sulphurets, or +something. Even if we don't find color we may find silver- +bearing galena." Then, after a pause, "Let's see, I didn't +catch your name." + +"Huh? My name's Carter," answered McTeague, promptly. Why +he should change his name again the dentist could not say. +"Carter" came to his mind at once, and he answered without +reflecting that he had registered as "Burlington" when he +had arrived at the hotel. + +"Well, my name's Cribbens," answered the other. The two +shook hands solemnly. + +"You're about finished?" continued Cribbens, pushing back. +"Le's go out in the bar an' have a drink on it." + +"Sure, sure," said the dentist. + +The two sat up late that night in a corner of the barroom +discussing the probability of finding gold in the Panamint +hills. It soon became evident that they held differing +theories. McTeague clung to the old prospector's idea that +there was no way of telling where gold was until you +actually saw it. Cribbens had evidently read a good many +books upon the subject, and had already prospected in +something of a scientific manner. + +"Shucks!" he exclaimed. "Gi' me a long distinct contact +between sedimentary and igneous rocks, an' I'll sink a shaft +without ever SEEING 'color.'" + +The dentist put his huge chin in the air. "Gold is where +you find it," he returned, doggedly. + +"Well, it's my idea as how pardners ought to work along +different lines," said Cribbens. He tucked the corners of +his mustache into his mouth and sucked the tobacco juice +from them. For a moment he was thoughtful, then he blew +out his mustache abruptly, and exclaimed: + +"Say, Carter, le's make a go of this. You got a little cash +I suppose--fifty dollars or so?" + +"Huh ? Yes--I--I--" + +"Well, I got about fifty. We'll go pardners on the +proposition, an' we'll dally 'round the range yonder an' see +what we can see. What do you say?" + +"Sure, sure," answered the dentist. + +"Well, it's a go then, hey?" + +"That's the word." + +"Well, le's have a drink on it." + +They drank with profound gravity. + +They fitted out the next day at the general merchandise +store of Keeler--picks, shovels, prospectors' hammers, a +couple of cradles, pans, bacon, flour, coffee, and the like, +and they bought a burro on which to pack their kit. + +"Say, by jingo, you ain't got a horse," suddenly exclaimed +Cribbens as they came out of the store. "You can't get +around this country without a pony of some kind." + +Cribbens already owned and rode a buckskin cayuse that had +to be knocked in the head and stunned before it could be +saddled. "I got an extry saddle an' a headstall at the +hotel that you can use," he said, "but you'll have to get a +horse." + +In the end the dentist bought a mule at the livery stable +for forty dollars. It turned out to be a good bargain, +however, for the mule was a good traveller and seemed +actually to fatten on sage-brush and potato parings. When +the actual transaction took place, McTeague had been obliged +to get the money to pay for the mule out of the canvas sack. +Cribbens was with him at the time, and as the dentist +unrolled his blankets and disclosed the sack, whistled in +amazement. + +"An' me asking you if you had fifty dollars!" he exclaimed. +"You carry your mine right around with you, don't you?" + +"Huh, I guess so," muttered the dentist. "I--I just sold a +claim I had up in El Dorado County," he added. + +At five o'clock on a magnificent May morning the +"pardners" jogged out of Keeler, driving the burro before +them. Cribbens rode his cayuse, McTeague following in his +rear on the mule. + +"Say," remarked Cribbens, "why in thunder don't you leave +that fool canary behind at the hotel? It's going to be in +your way all the time, an' it will sure die. Better break +its neck an' chuck it." + +"No, no," insisted the dentist. "I've had it too long. I'll +take it with me." + +"Well, that's the craziest idea I ever heard of," remarked +Cribbens, "to take a canary along prospecting. Why not kid +gloves, and be done with it?" + +They travelled leisurely to the southeast during the day, +following a well-beaten cattle road, and that evening camped +on a spur of some hills at the head of the Panamint Valley +where there was a spring. The next day they crossed the +Panamint itself. + +"That's a smart looking valley," observed the dentist. + +"NOW you're talking straight talk," returned Cribbens, +sucking his mustache. The valley was beautiful, wide, +level, and very green. Everywhere were herds of cattle, +scarcely less wild than deer. Once or twice cowboys passed +them on the road, big-boned fellows, picturesque in their +broad hats, hairy trousers, jingling spurs, and revolver +belts, surprisingly like the pictures McTeague remembered to +have seen. Everyone of them knew Cribbens, and almost +invariably joshed him on his venture. + +"Say, Crib, ye'd best take a wagon train with ye to bring +your dust back." + +Cribbens resented their humor, and after they had passed, +chewed fiercely on his mustache. + +"I'd like to make a strike, b'God! if it was only to get +the laugh on them joshers." + +By noon they were climbing the eastern slope of the Panamint +Range. Long since they had abandoned the road; vegetation +ceased; not a tree was in sight. They followed faint cattle +trails that led from one water hole to another. By degrees +these water holes grew dryer and dryer, and at three +o'clock Cribbens halted and filled their canteens. + +"There ain't any TOO much water on the other side," he +observed grimly. + +"It's pretty hot," muttered the dentist, wiping his +streaming forehead with the back of his hand. + +"Huh!" snorted the other more grimly than ever. The +motionless air was like the mouth of a furnace. Cribbens's +pony lathered and panted. McTeague's mule began to droop +his long ears. Only the little burro plodded resolutely on, +picking the trail where McTeague could see but trackless +sand and stunted sage. Towards evening Cribbens, who was in +the lead, drew rein on the summit of the hills. + +Behind them was the beautiful green Panamint Valley, but +before and below them for miles and miles, as far as the eye +could reach, a flat, white desert, empty even of sage-brush, +unrolled toward the horizon. In the immediate foreground a +broken system of arroyos, and little canyons tumbled down to +meet it. To the north faint blue hills shouldered +themselves above the horizon. + +"Well," observed Cribbens, "we're on the top of the Panamint +Range now. It's along this eastern slope, right below us +here, that we're going to prospect. Gold Gulch"--he pointed +with the butt of his quirt--"is about eighteen or nineteen +miles along here to the north of us. Those hills way over +yonder to the northeast are the Telescope hills." + +"What do you call the desert out yonder?" McTeague's eyes +wandered over the illimitable stretch of alkali that +stretched out forever and forever to the east, to the north, +and to the south. + +"That," said Cribbens, "that's Death Valley." + +There was a long pause. The horses panted irregularly, the +sweat dripping from their heaving bellies. Cribbens and the +dentist sat motionless in their saddles, looking out over +that abominable desolation, silent, troubled. + +"God!" ejaculated Cribbens at length, under his breath, with +a shake of his head. Then he seemed to rouse himself. +"Well," he remarked, "first thing we got to do now is to +find water." + +This was a long and difficult task. They descended +into one little canyon after another, followed the course of +numberless arroyos, and even dug where there seemed +indications of moisture, all to no purpose. But at length +McTeague's mule put his nose in the air and blew once or +twice through his nostrils. + +"Smells it, the son of a gun!" exclaimed Cribbens. The +dentist let the animal have his head, and in a few minutes +he had brought them to the bed of a tiny canyon where a thin +stream of brackish water filtered over a ledge of rocks. + +"We'll camp here," observed Cribbens, "but we can't turn the +horses loose. We'll have to picket 'em with the lariats. I +saw some loco-weed back here a piece, and if they get to +eating that, they'll sure go plum crazy. The burro won't +eat it, but I wouldn't trust the others." + +A new life began for McTeague. After breakfast the +"pardners" separated, going in opposite directions along the +slope of the range, examining rocks, picking and chipping at +ledges and bowlders, looking for signs, prospecting. +McTeague went up into the little canyons where the streams +had cut through the bed rock, searching for veins of quartz, +breaking out this quartz when he had found it, pulverizing +and panning it. Cribbens hunted for "contacts," closely +examining country rocks and out-crops, continually on the +lookout for spots where sedimentary and igneous rock came +together. + +One day, after a week of prospecting, they met unexpectedly +on the slope of an arroyo. It was late in the afternoon. +"Hello, pardner," exclaimed Cribbens as he came down to +where McTeague was bending over his pan. "What luck?" + +The dentist emptied his pan and straightened up. "Nothing, +nothing. You struck anything?" + +"Not a trace. Guess we might as well be moving towards +camp." They returned together, Cribbens telling the dentist +of a group of antelope he had seen. + +"We might lay off to-morrow, an' see if we can plug a couple +of them fellers. Antelope steak would go pretty well after +beans an' bacon an' coffee week in an' week out." + +McTeague was answering, when Cribbens interrupted him +with an exclamation of profound disgust. "I thought we were +the first to prospect along in here, an' now look at that. +Don't it make you sick?" + +He pointed out evidences of an abandoned prospector's camp +just before them--charred ashes, empty tin cans, one or two +gold-miner's pans, and a broken pick. "Don't that make you +sick?" muttered Cribbens, sucking his mustache furiously. +"To think of us mushheads going over ground that's been +covered already! Say, pardner, we'll dig out of here to- +morrow. I've been thinking, anyhow, we'd better move to the +south; that water of ours is pretty low." + +"Yes, yes, I guess so," assented the dentist. "There ain't +any gold here." + +"Yes, there is," protested Cribbens doggedly; "there's gold +all through these hills, if we could only strike it. I tell +you what, pardner, I got a place in mind where I'll bet no +one ain't prospected--least not very many. There don't very +many care to try an' get to it. It's over on the other side +of Death Valley. It's called Gold Mountain, an' there's only +one mine been located there, an' it's paying like a nitrate +bed. There ain't many people in that country, because it's +all hell to get into. First place, you got to cross Death +Valley and strike the Armagosa Range fur off to the south. +Well, no one ain't stuck on crossing the Valley, not if they +can help it. But we could work down the Panamint some +hundred or so miles, maybe two hundred, an' fetch around by +the Armagosa River, way to the south'erd. We could prospect +on the way. But I guess the Armagosa'd be dried up at this +season. Anyhow," he concluded, "we'll move camp to the +south to-morrow. We got to get new feed an' water for the +horses. We'll see if we can knock over a couple of antelope +to-morrow, and then we'll scoot." + +"I ain't got a gun," said the dentist; "not even a revolver. +I--" + +"Wait a second," said Cribbens, pausing in his scramble down +the side of one of the smaller gulches. "Here's some slate +here; I ain't seen no slate around here yet. Let's see +where it goes to." + +McTeague followed him along the side of the gulch. Cribbens +went on ahead, muttering to himself from time to time: + +"Runs right along here, even enough, and here's water too. +Didn't know this stream was here; pretty near dry, though. +Here's the slate again. See where it runs, pardner?" + +"Look at it up there ahead," said McTeague. "It runs right +up over the back of this hill." + +"That's right," assented Cribbens. "Hi!" he shouted +suddenly, "HERE'S A 'CONTACT,' and here it is again, and +there, and yonder. Oh, look at it, will you? That's grano- +diorite on slate. Couldn't want it any more distinct than +that. GOD! if we could only find the quartz between the +two now." + +"Well, there it is," exclaimed McTeague. "Look on ahead +there; ain't that quartz?" + +"You're shouting right out loud," vociferated Cribbens, +looking where McTeague was pointing. His face went suddenly +pale. He turned to the dentist, his eyes wide. + +"By God, pardner," he exclaimed, breathlessly. "By God--" +he broke off abruptly. + +"That's what you been looking for, ain't it?" asked the +dentist. + +"LOOKING for! LOOKING for!" Cribbens checked +himself . "That's SLATE all right, and that's grano- +diorite, I know"--he bent down and examined the rock-- +"and here's the quartz between 'em; there can't be no +mistake about that. Gi' me that hammer," he cried, +excitedly. "Come on, git to work. Jab into the quartz with +your pick; git out some chunks of it." Cribbens went down on +his hands and knees, attacking the quartz vein furiously. +The dentist followed his example, swinging his pick with +enormous force, splintering the rocks at every stroke. +Cribbens was talking to himself in his excitement. + +"Got you THIS time, you son of a gun! By God! I guess +we got you THIS time, at last. Looks like it, anyhow. +GET a move on, pardner. There ain't anybody 'round, is +there? Hey?" Without looking, he drew his revolver and +threw it to the dentist. "Take the gun an' look around, +pardner. If you see any son of a gun ANYWHERE, PLUG +him. This yere's OUR claim. I guess we got it THIS +tide, pardner. Come on." He gathered up the chunks of +quartz he had broken out, and put them in his hat and +started towards their camp. The two went along with great +strides, hurrying as fast as they could over the uneven +ground. + +"I don' know," exclaimed Cribbens, breathlessly, "I don' +want to say too much. Maybe we're fooled. Lord, that damn +camp's a long ways off. Oh, I ain't goin' to fool along +this way. Come on, pardner." He broke into a run. +McTeague followed at a lumbering gallop. Over the scorched, +parched ground, stumbling and tripping over sage-brush and +sharp-pointed rocks, under the palpitating heat of the +desert sun, they ran and scrambled, carrying the quartz +lumps in their hats. + +"See any 'COLOR' in it, pardner?" gasped Cribbens. "I +can't, can you? 'Twouldn't be visible nohow, I guess. +Hurry up. Lord, we ain't ever going to get to that camp." + +Finally they arrived. Cribbens dumped the quartz fragments +into a pan. + +"You pestle her, pardner, an' I'll fix the scales." +McTeague ground the lumps to fine dust in the iron mortar +while Cribbens set up the tiny scales and got out the +"spoons" from their outfit. + +"That's fine enough," Cribbens exclaimed, impatiently. "Now +we'll spoon her. Gi' me the water." + +Cribbens scooped up a spoonful of the fine white powder and +began to spoon it carefully. The two were on their hands +and knees upon the ground, their heads close together, still +panting with excitement and the exertion of their run. + +"Can't do it," exclaimed Cribbens, sitting back on his +heels, "hand shakes so. YOU take it, pardner. Careful, +now." + +McTeague took the horn spoon and began rocking it gently in +his huge fingers, sluicing the water over the edge a little +at a time, each movement washing away a little more of the +powdered quartz. The two watched it with the intensest +eagerness. + +"Don't see it yet; don't see it yet," whispered Cribbens, +chewing his mustache. "LEETLE faster, pardner. +That's the ticket. Careful, steady, now; leetle more, +leetle more. Don't see color yet, do you?" + +The quartz sediment dwindled by degrees as McTeague spooned +it steadily. Then at last a thin streak of a foreign +substance began to show just along the edge. It was yellow. + +Neither spoke. Cribbens dug his nails into the sand, and +ground his mustache between his teeth. The yellow streak +broadened as the quartz sediment washed away. Cribbens +whispered: + +"We got it, pardner. That's gold." + +McTeague washed the last of the white quartz dust away, and +let the water trickle after it. A pinch of gold, fine as +flour, was left in the bottom of the spoon. + +"There you are," he said. The two looked at each other. +Then Cribbens rose into the air with a great leap and a yell +that could have been heard for half a mile. + +"Yee-e-ow! We GOT it, we struck it. Pardner, we got +it. Out of sight. We're millionaires." He snatched up his +revolver and fired it with inconceivable rapidity. "PUT +it there, old man," he shouted, gripping McTeague's palm. + +"That's gold, all right," muttered McTeague, studying the +contents of the spoon. + +"You bet your great-grandma's Cochin-China Chessy cat it's +gold," shouted Cribbens. "Here, now, we got a lot to do. +We got to stake her out an' put up the location notice. +We'll take our full acreage, you bet. You--we haven't +weighed this yet. Where's the scales?" He weighed the pinch +of gold with shaking hands. "Two grains," he cried. +"That'll run five dollars to the ton. Rich, it's rich; it's +the richest kind of pay, pardner. We're millionaires. Why +don't you say something? Why don't you get excited? Why +don't you run around an' do something?" + +"Huh!" said McTeague, rolling his eyes. "Huh! I know, I +know, we've struck it pretty rich." + +"Come on," exclaimed Cribbens, jumping up again. "We'll +stake her out an' put up the location notice. Lord, suppose +anyone should have come on her while we've been away." He +reloaded his revolver deliberately. "We'll drop +HIM all right, if there's anyone fooling round there; I'll +tell you those right now. Bring the rifle, pardner, an' if +you see anyone, PLUG him, an' ask him what he wants +afterward." + +They hurried back to where they had made their discovery. + +"To think," exclaimed Cribbens, as he drove the first stake, +"to think those other mushheads had their camp within +gunshot of her and never located her. Guess they didn't +know the meaning of a 'contact.' Oh, I knew I was solid on +'contacts.'" + +They staked out their claim, and Cribbens put up the notice +of location. It was dark before they were through. +Cribbens broke off some more chunks of quarts in the vein. + +"I'll spoon this too, just for the fun of it, when I get +home," he explained, as they tramped back to the camp. + +"Well," said the dentist, "we got the laugh on those +cowboys." + +"Have we?" shouted Cribbens. "HAVE we? Just wait and +see the rush for this place when we tell 'em about it down +in Keeler. Say, what'll we call her?" + +"I don' know, I don' know." + +"We might call her the 'Last Chance.' 'Twas our last +chance, wasn't it? We'd 'a' gone antelope shooting +tomorrow, and the next day we'd 'a'--say, what you stopping +for?" he added, interrupting himself. "What's up?" + +The dentist had paused abruptly on the crest of a canyon. +Cribbens, looking back, saw him standing motionless in his +tracks. + +"What's up?" asked Cribbens a second time. + +McTeague slowly turned his head and looked over one +shoulder, then over the other. Suddenly he wheeled sharply +about, cocking the Winchester and tossing it to his +shoulder. Cribbens ran back to his side, whipping out his +revolver. + +"What is it?" he cried. "See anybody?" He peered on ahead +through the gathering twilight. + +"No, no." + +"Hear anything?" + +"No, didn't hear anything." + +"What is it then? What's up?" + +"I don' know, I don' know," muttered the dentist, lowering +the rifle. "There was something." + +"What?" + +"Something--didn't you notice?" + +"Notice what?" + +"I don' know. Something--something or other." + +"Who? What? Notice what? What did you see?" + +The dentist let down the hammer of the rifle. + +"I guess it wasn't anything," he said rather foolishly. + +"What d'you think you saw--anybody on the claim?" + +"I didn't see anything. I didn't hear anything either. I +had an idea, that's all; came all of a sudden, like that. +Something, I don' know what." + +"I guess you just imagined something. There ain't anybody +within twenty miles of us, I guess." + +"Yes, I guess so, just imagined it, that's the word." + +Half an hour later they had the fire going. McTeague was +frying strips of bacon over the coals, and Cribbens was +still chattering and exclaiming over their great strike. +All at once McTeague put down the frying-pan. + +"What's that?" he growled. + +"Hey? What's what?" exclaimed Cribbens, getting up. + +"Didn't you notice something?" + +"Where?" + +"Off there." The dentist made a vague gesture toward the +eastern horizon. "Didn't you hear something--I mean see +something--I mean--" + +"What's the matter with you, pardner?" + +"Nothing. I guess I just imagined it." + +But it was not imagination. Until midnight the partners lay +broad awake, rolled in their blankets under the open sky, +talking and discussing and making plans. At last Cribbens +rolled over on his side and slept. The dentist could not +sleep. + +What! It was warning him again, that strange sixth sense, +that obscure brute instinct. It was aroused again and +clamoring to be obeyed. Here, in these desolate barren +hills, twenty miles from the nearest human being, it stirred +and woke and rowelled him to be moving on. It had goaded +him to flight from the Big Dipper mine, and he had obeyed. +But now it was different; now he had suddenly become rich; +he had lighted on a treasure--a treasure far more valuable +than the Big Dipper mine itself. How was he to leave that? +He could not move on now. He turned about in his blankets. +No, he would not move on. Perhaps it was his fancy, after +all. He saw nothing, heard nothing. The emptiness of +primeval desolation stretched from him leagues and leagues +upon either hand. The gigantic silence of the night lay +close over everything, like a muffling Titanic palm. Of what +was he suspicious? In that treeless waste an object could be +seen at half a day's journey distant. In that vast silence +the click of a pebble was as audible as a pistol-shot. And +yet there was nothing, nothing. + +The dentist settled himself in his blankets and tried to +sleep. In five minutes he was sitting up, staring into the +blue-gray shimmer of the moonlight, straining his ears, +watching and listening intently. Nothing was in sight. The +browned and broken flanks of the Panamint hills lay quiet +and familiar under the moon. The burro moved its head with a +clinking of its bell; and McTeagues mule, dozing on three +legs, changed its weight to another foot, with a long +breath. Everything fell silent again. + +"What is it?" muttered the dentist. "If I could only see +something, hear something." + +He threw off the blankets, and, rising, climbed to the +summit of the nearest hill and looked back in the direction +in which he and Cribbens had travelled a fortnight before. +For half an hour he waited, watching and listening in vain. +But as he returned to camp, and prepared to roll his +blankets about him, the strange impulse rose in him again +abruptly, never so strong, never so insistent. It seemed as +though he were bitted and ridden; as if some unseen hand +were turning him toward the east; some unseen heel spurring +him to precipitate and instant flight. + +Flight from what? "No," he muttered under his breath. "Go +now and leave the claim, and leave a fortune! What a fool +I'd be, when I can't see anything or hear anything. To +leave a fortune! No, I won't. No, by God!" He drew +Cribbens's Winchester toward him and slipped a cartridge +into the magazine. + +"No," he growled. "Whatever happens, I'm going to stay. If +anybody comes--" He depressed the lever of the rifle, and +sent the cartridge clashing into the breech. + +"I ain't going to sleep," he muttered under his mustache. +"I can't sleep; I'll watch." He rose a second time, +clambered to the nearest hilltop and sat down, drawing the +blanket around him, and laying the Winchester across his +knees. The hours passed. The dentist sat on the hilltop a +motionless, crouching figure, inky black against the pale +blur of the sky. By and by the edge of the eastern horizon +began to grow blacker and more distinct in out-line. The +dawn was coming. Once more McTeague felt the mysterious +intuition of approaching danger; an unseen hand seemed +reining his head eastward; a spur was in his flanks that +seemed to urge him to hurry, hurry, hurry. The influence +grew stronger with every moment. The dentist set his great +jaws together and held his ground. + +"No," he growled between his set teeth. "No, I'll stay." +He made a long circuit around the camp, even going as far as +the first stake of the new claim, his Winchester cocked, his +ears pricked, his eyes alert. There was nothing; yet as +plainly as though it were shouted at the very nape of his +neck he felt an enemy. It was not fear. McTeague was not +afraid. + +"If I could only SEE something--somebody," he muttered, +as he held the cocked rifle ready, "I--I'd show him." + +He returned to camp. Cribbens was snoring. The burro had +come down to the stream for its morning drink. The mule was +awake and browsing. McTeague stood irresolutely by the cold +ashes of the camp-fire, looking from side to side with all +the suspicion and wariness of a tracked stag. Stronger and +stronger grew the strange impulse. It seemed to him that on +the next instant he MUST perforce wheel sharply eastward +and rush away headlong in a clumsy, lumbering gallop. He +fought against it with all the ferocious obstinacy of his +simple brute nature. + +"Go, and leave the mine? Go and leave a million +dollars? No, NO, I won't go. No, I'll stay. Ah," he +exclaimed, under his breath, with a shake of his huge head, +like an exasperated and harassed brute, "ah, show yourself, +will you?" He brought the rifle to his shoulder and covered +point after point along the range of hills to the west. +"Come on, show yourself. Come on a little, all of you. I +ain't afraid of you; but don't skulk this way. You ain't +going to drive me away from my mine. I'm going to stay." + +An hour passed. Then two. The stars winked out, and the +dawn whitened. The air became warmer. The whole east, +clean of clouds, flamed opalescent from horizon to zenith, +crimson at the base, where the earth blackened against it; +at the top fading from pink to pale yellow, to green, to +light blue, to the turquoise iridescence of the desert sky. +The long, thin shadows of the early hours drew backward like +receding serpents, then suddenly the sun looked over the +shoulder of the world, and it was day. + +At that moment McTeague was already eight miles away from +the camp, going steadily eastward. He was descending the +lowest spurs of the Panamint hills, following an old and +faint cattle trail. Before him he drove his mule, laden +with blankets, provisions for six days, Cribben's rifle, and +a canteen full of water. Securely bound to the pommel of +the saddle was the canvas sack with its precious five +thousand dollars, all in twenty-dollar gold pieces. But +strange enough in that horrid waste of sand and sage was the +object that McTeague himself persistently carried--the +canary in its cage, about which he had carefully wrapped a +couple of old flour-bags. + +At about five o'clock that morning McTeague had crossed +several trails which seemed to be converging, and, guessing +that they led to a water hole, had followed one of them and +had brought up at a sort of small sundried sink which +nevertheless contained a little water at the bottom. He had +watered the mule here, refilled the canteen, and drank deep +himself. He had also dampened the old flour-sacks around +the bird cage to protect the little canary as far as +possible from the heat that he knew would increase now with +every hour. He had made ready to go forward again, but +had paused irresolute again, hesitating for the last time. + +"I'm a fool," he growled, scowling back at the range behind +him. "I'm a fool. What's the matter with me? I'm just +walking right away from a million dollars. I know it's +there. No, by God!" he exclaimed, savagely, "I ain't going +to do it. I'm going back. I can't leave a mine like that." +He had wheeled the mule about, and had started to return on +his tracks, grinding his teeth fiercely, inclining his head +forward as though butting against a wind that would beat him +back. "Go on, go on," he cried, sometimes addressing the +mule, sometimes himself. "Go on, go back, go back. I +WILL go back." It was as though he were climbing a hill +that grew steeper with every stride. The strange impelling +instinct fought his advance yard by yard. By degrees the +dentist's steps grew slower; he stopped, went forward again +cautiously, almost feeling his way, like someone approaching +a pit in the darkness. He stopped again, hesitating, +gnashing his teeth, clinching his fists with blind fury. +Suddenly he turned the mule about, and once more set his +face to the eastward. + +"I can't," he cried aloud to the desert; "I can't, I can't. +It's stronger than I am. I CAN'T go back. Hurry now, +hurry, hurry, hurry." + +He hastened on furtively, his head and shoulders bent. At +times one could almost say he crouched as he pushed forward +with long strides; now and then he even looked over his +shoulder. Sweat rolled from him, he lost his hat, and the +matted mane of thick yellow hair swept over his forehead and +shaded his small, twinkling eyes. At times, with a vague, +nearly automatic gesture, he reached his hand forward, the +fingers prehensile, and directed towards the horizon, as if +he would clutch it and draw it nearer; and at intervals he +muttered, "Hurry, hurry, hurry on, hurry on." For now at +last McTeague was afraid. + +His plans were uncertain. He remembered what Cribbens had +said about the Armagosa Mountains in the country on the +other side of Death Valley. It was all hell to get into +that country, Cribbens had said, and not many men went +there, because of the terrible valley of alkali that +barred the way, a horrible vast sink of white sand and salt +below even the sea level, the dry bed, no doubt, of some +prehistoric lake. But McTeague resolved to make a circuit +of the valley, keeping to the south, until he should strike +the Armagosa River. He would make a circuit of the valley +and come up on the other side. He would get into that +country around Gold Mountain in the Armagosa hills, barred +off from the world by the leagues of the red-hot alkali of +Death Valley. "They" would hardly reach him there. He +would stay at Gold Mountain two or three months, and then +work his way down into Mexico. + +McTeague tramped steadily forward, still descending the +lower irregularities of the Panamint Range. By nine o'clock +the slope flattened out abruptly; the hills were behind him; +before him, to the east, all was level. He had reached the +region where even the sand and sage-brush begin to dwindle, +giving place to white, powdered alkali. The trails were +numerous, but old and faint; and they had been made by +cattle, not by men. They led in all directions but one-- +north, south, and west; but not one, however faint, struck +out towards the valley. + +"If I keep along the edge of the hills where these trails +are," muttered the dentist, "I ought to find water up in the +arroyos from time to time." + +At once he uttered an exclamation. The mule had begun to +squeal and lash out with alternate hoofs, his eyes rolling, +his ears flattened. He ran a few steps, halted, and +squealed again. Then, suddenly wheeling at right angles, set +off on a jog trot to the north, squealing and kicking from +time to time. McTeague ran after him shouting and swearing, +but for a long time the mule would not allow himself to be +caught. He seemed more bewildered than frightened. + +"He's eatun some of that loco-weed that Cribbens spoke +about," panted McTeague. "Whoa, there; steady, you." At +length the mule stopped of his own accord, and seemed to +come to his senses again. McTeague came up and took the +bridle rein, speaking to him and rubbing his nose. + +"There, there, what's the matter with you?" The mule +was docile again. McTeague washed his mouth and set forward +once more. + +The day was magnificent. From horizon to horizon was one +vast span of blue, whitening as it dipped earthward. Miles +upon miles to the east and southeast the desert unrolled +itself, white, naked, inhospitable, palpitating and +shimmering under the sun, unbroken by so much as a rock or +cactus stump. In the distance it assumed all manner of +faint colors, pink, purple, and pale orange. To the west +rose the Panamint Range, sparsely sprinkled with gray sage- +brush; here the earths and sands were yellow, ochre, and +rich, deep red, the hollows and canyons picked out with +intense blue shadows. It seemed strange that such +barrenness could exhibit this radiance of color, but nothing +could have been more beautiful than the deep red of the +higher bluffs and ridges, seamed with purple shadows, +standing sharply out against the pale-blue whiteness of the +horizon. + +By nine o'clock the sun stood high in the sky. The heat was +intense; the atmosphere was thick and heavy with it. +McTeague gasped for breath and wiped the beads of +perspiration from his forehead, his cheeks, and his neck. +Every inch and pore of his skin was tingling and pricking +under the merciless lash of the sun's rays. + +"If it gets much hotter," he muttered, with a long breath, +"if it gets much hotter, I--I don' know--" He wagged his +head and wiped the sweat from his eyelids, where it was +running like tears. + +The sun rose higher; hour by hour, as the dentist tramped +steadily on, the heat increased. The baked dry sand +crackled into innumerable tiny flakes under his feet. The +twigs of the sage-brush snapped like brittle pipestems as he +pushed through them. It grew hotter. At eleven the earth +was like the surface of a furnace; the air, as McTeague +breathed it in, was hot to his lips and the roof of his +mouth. The sun was a disk of molten brass swimming in the +burnt-out blue of the sky. McTeague stripped off his +woollen shirt, and even unbuttoned his flannel +undershirt, tying a handkerchief loosely about his neck. + +"Lord!" he exclaimed. "I never knew it COULD get as hot +as this." + +The heat grew steadily fiercer; all distant objects were +visibly shimmering and palpitating under it. At noon a +mirage appeared on the hills to the northwest. McTeague +halted the mule, and drank from the tepid water in the +canteen, dampening the sack around the canary's cage. As +soon as he ceased his tramp and the noise of his crunching, +grinding footsteps died away, the silence, vast, +illimitable, enfolded him like an immeasurable tide. From +all that gigantic landscape, that colossal reach of baking +sand, there arose not a single sound. Not a twig rattled, +not an insect hummed, not a bird or beast invaded that huge +solitude with call or cry. Everything as far as the eye +could reach, to north, to south, to east, and west, lay +inert, absolutely quiet and moveless under the remorseless +scourge of the noon sun. The very shadows shrank away, +hiding under sage-bushes, retreating to the farthest nooks +and crevices in the canyons of the hills. All the world was +one gigantic blinding glare, silent, motionless. "If it +gets much hotter," murmured the dentist again, moving his +head from side to side, "if it gets much hotter, I don' know +what I'll do." + +Steadily the heat increased. At three o'clock it was even +more terrible than it had been at noon. + +"Ain't it EVER going to let up?" groaned the dentist, +rolling his eyes at the sky of hot blue brass. Then, as he +spoke, the stillness was abruptly stabbed through and +through by a shrill sound that seemed to come from all sides +at once. It ceased; then, as McTeague took another forward +step, began again with the suddenness of a blow, shriller, +nearer at hand, a hideous, prolonged note that brought both +man and mule to an instant halt. + +"I know what THAT is," exclaimed the dentist. His eyes +searched the ground swiftly until he saw what he expected he +should see--the round thick coil, the slowly waving clover- +shaped head and erect whirring tail with its vibrant +rattles. + +For fully thirty seconds the man and snake remained +looking into each other's eyes. Then the snake uncoiled and +swiftly wound from sight amidst the sagebrush. McTeague +drew breath again, and his eyes once more beheld the +illimitable leagues of quivering sand and alkali. + +"Good Lord! What a country!" he exclaimed. But his voice +was trembling as he urged forward the mule once more. + +Fiercer and fiercer grew the heat as the afternoon advanced. +At four McTeague stopped again. He was dripping at every +pore, but there was no relief in perspiration. The very +touch of his clothes upon his body was unendurable. The +mule's ears were drooping and his tongue lolled from his +mouth. The cattle trails seemed to be drawing together +toward a common point; perhaps a water hole was near by. + +"I'll have to lay up, sure," muttered the dentist. "I ain't +made to travel in such heat as this." + +He drove the mule up into one of the larger canyons and +halted in the shadow of a pile of red rock. After a long +search he found water, a few quarts, warm and brackish, at +the bottom of a hollow of sunwracked mud; it was little more +than enough to water the mule and refill his canteen. Here +he camped, easing the mule of the saddle, and turning him +loose to find what nourishment he might. A few hours later +the sun set in a cloudless glory of red and gold, and the +heat became by degrees less intolerable. McTeague cooked +his supper, chiefly coffee and bacon, and watched the +twilight come on, revelling in the delicious coolness of the +evening. As he spread his blankets on the ground he +resolved that hereafter he would travel only at night, +laying up in the daytime in the shade of the canyons. He +was exhausted with his terrible day's march. Never in his +life had sleep seemed so sweet to him. + +But suddenly he was broad awake, his jaded senses all alert. + +"What was that?" he muttered. "I thought I heard something +--saw something." + +He rose to his feet, reaching for the Winchester. Desolation +lay still around him. There was not a sound but his own +breathing; on the face of the desert not a grain of sand was +in motion. McTeague looked furtively and quickly from +side to side, his teeth set, his eyes rolling. Once more +the rowel was in his flanks, once more an unseen hand reined +him toward the east. After all the miles of that dreadful +day's flight he was no better off than when he started. If +anything, he was worse, for never had that mysterious +instinct in him been more insistent than now; never had the +impulse toward precipitate flight been stronger; never had +the spur bit deeper. Every nerve of his body cried aloud +for rest; yet every instinct seemed aroused and alive, +goading him to hurry on, to hurry on. + +"What IS it, then? What is it?" he cried, between his +teeth. "Can't I ever get rid of you? Ain't I EVER going +to shake you off? Don' keep it up this way. Show +yourselves. Let's have it out right away. Come on. I +ain't afraid if you'll only come on; but don't skulk this +way." Suddenly he cried aloud in a frenzy of exasperation, +"Damn you, come on, will you? Come on and have it out." +His rifle was at his shoulder, he was covering bush after +bush, rock after rock, aiming at every denser shadow. All +at once, and quite involuntarily, his forefinger crooked, +and the rifle spoke and flamed. The canyons roared back the +echo, tossing it out far over the desert in a rippling, +widening wave of sound. + +McTeague lowered the rifle hastily, with an exclamation of +dismay. + +"You fool," he said to himself, "you fool. You've done it +now. They could hear that miles away. You've done it now." + +He stood listening intently, the rifle smoking in his hands. +The last echo died away. The smoke vanished, the vast +silence closed upon the passing echoes of the rifle as the +ocean closes upon a ship's wake. Nothing moved; yet +McTeague bestirred himself sharply, rolling up his blankets, +resaddling the mule, getting his outfit together again. +From time to time he muttered: + +"Hurry now; hurry on. You fool, you've done it now. They +could hear that miles away. Hurry now. They ain't far off +now." + +As he depressed the lever of the rifle to reload it, he +found that the magazine was empty. He clapped his hands to +his sides, feeling rapidly first in one pocket, then in +another. He had forgotten to take extra cartridges +with him. McTeague swore under his breath as he flung the +rifle away. Henceforth he must travel unarmed. + +A little more water had gathered in the mud hole near which +he had camped. He watered the mule for the last time and +wet the sacks around the canary's cage. Then once more he +set forward. + +But there was a change in the direction of McTeague's +flight. Hitherto he had held to the south, keeping upon the +very edge of the hills; now he turned sharply at right +angles. The slope fell away beneath his hurrying feet; the +sage-brush dwindled, and at length ceased; the sand gave +place to a fine powder, white as snow; and an hour after he +had fired the rifle his mule's hoofs were crisping and +cracking the sun-baked flakes of alkali on the surface of +Death Valley. + +Tracked and harried, as he felt himself to be, from one +camping place to another, McTeague had suddenly resolved to +make one last effort to rid himself of the enemy that seemed +to hang upon his heels. He would strike straight out into +that horrible wilderness where even the beasts were afraid. +He would cross Death Valley at once and put its arid wastes +between him and his pursuer. + +"You don't dare follow me now," he muttered, as he hurried +on. "Let's see you come out HERE after me." + +He hurried on swiftly, urging the mule to a rapid racking +walk. Towards four o'clock the sky in front of him began to +flush pink and golden. McTeague halted and breakfasted, +pushing on again immediately afterward. The dawn flamed and +glowed like a brazier, and the sun rose a vast red-hot coal +floating in fire. An hour passed, then another, and another. +It was about nine o'clock. Once more the dentist paused, +and stood panting and blowing, his arms dangling, his eyes +screwed up and blinking as he looked about him. + +Far behind him the Panamint hills were already but blue +hummocks on the horizon. Before him and upon either side, +to the north and to the east and to the south, stretched +primordial desolation. League upon league the infinite +reaches of dazzling white alkali laid themselves out like an +immeasurable scroll unrolled from horizon to horizon; not a +bush, not a twig relieved that horrible monotony. Even the +sand of the desert would have been a welcome sight; a single +clump of sage-brush would have fascinated the eye; but this +was worse than the desert. It was abominable, this hideous +sink of alkali, this bed of some primeval lake lying so far +below the level of the ocean. The great mountains of Placer +County had been merely indifferent to man; but this awful +sink of alkali was openly and unreservedly iniquitous and +malignant. + +McTeague had told himself that the heat upon the lower +slopes of the Panamint had been dreadful; here in Death +Valley it became a thing of terror. There was no longer any +shadow but his own. He was scorched and parched from head to +heel. It seemed to him that the smart of his tortured body +could not have been keener if he had been flayed. + +"If it gets much hotter," he muttered, wringing the sweat +from his thick fell of hair and mustache, "if it gets much +hotter, I don' know what I'll do." He was thirsty, and +drank a little from his canteen. "I ain't got any too much +water," he murmured, shaking the canteen. "I got to get out +of this place in a hurry, sure." + +By eleven o'clock the heat had increased to such an extent +that McTeague could feel the burning of the ground come +pringling and stinging through the soles of his boots. +Every step he took threw up clouds of impalpable alkali +dust, salty and choking, so that he strangled and coughed +and sneezed with it. + +"LORD! what a country!" exclaimed the dentist. + +An hour later, the mule stopped and lay down, his jaws wide +open, his ears dangling. McTeague washed his mouth with a +handful of water and for a second time since sunrise wetted +the flour-sacks around the bird cage. The air was quivering +and palpitating like that in the stoke-hold of a steamship. +The sun, small and contracted, swam molten overhead. + +"I can't stand it," said McTeague at length. "I'll have to +stop and make some kinda shade." + +The mule was crouched upon the ground, panting rapidly, +with half-closed eyes. The dentist removed the saddle, and +unrolling his blanket, propped it up as best he could +between him and the sun. As he stooped down to crawl +beneath it, his palm touched the ground. He snatched it +away with a cry of pain. The surface alkali was oven-hot; +he was obliged to scoop out a trench in it before he dared +to lie down. + +By degrees the dentist began to doze. He had had little or +no sleep the night before, and the hurry of his flight under +the blazing sun had exhausted him. But his rest was broken; +between waking and sleeping, all manner of troublous images +galloped through his brain. He thought he was back in the +Panamint hills again with Cribbens. They had just +discovered the mine and were returning toward camp. +McTeague saw himself as another man, striding along over the +sand and sagebrush. At once he saw himself stop and wheel +sharply about, peering back suspiciously. There was +something behind him; something was following him. He +looked, as it were, over the shoulder of this other +McTeague, and saw down there, in the half light of the +canyon, something dark crawling upon the ground, an +indistinct gray figure, man or brute, he did not know. Then +he saw another, and another; then another. A score of +black, crawling objects were following him, crawling from +bush to bush, converging upon him. "THEY" were after +him, were closing in upon him, were within touch of his +hand, were at his feet--WERE AT HIS THROAT. + +McTeague jumped up with a shout, oversetting the blanket. +There was nothing in sight. For miles around, the alkali +was empty, solitary, quivering and shimmering under the +pelting fire of the afternoon's sun. + +But once more the spur bit into his body, goading him on. +There was to be no rest, no going back, no pause, no stop. +Hurry, hurry, hurry on. The brute that in him slept so +close to the surface was alive and alert, and tugging to be +gone. There was no resisting that instinct. The brute felt +an enemy, scented the trackers, clamored and struggled and +fought, and would not be gainsaid. + +"I CAN'T go on," groaned McTeague, his eyes +sweeping the horizon behind him, "I'm beat out. I'm dog +tired. I ain't slept any for two nights." But for all that +he roused himself again, saddled the mule, scarcely less +exhausted than himself, and pushed on once more over the +scorching alkali and under the blazing sun. + +From that time on the fear never left him, the spur never +ceased to bite, the instinct that goaded him to fight never +was dumb; hurry or halt, it was all the same. On he went, +straight on, chasing the receding horizon; flagellated with +heat; tortured with thirst; crouching over; looking +furtively behind, and at times reaching his hand forward, +the fingers prehensile, grasping, as it were, toward the +horizon, that always fled before him. + +The sun set upon the third day of McTeague's flight, night +came on, the stars burned slowly into the cool dark purple +of the sky. The gigantic sink of white alkali glowed like +snow. McTeague, now far into the desert, held steadily on, +swinging forward with great strides. His enormous strength +held him doggedly to his work. Sullenly, with his huge jaws +gripping stolidly together, he pushed on. At midnight he +stopped. + +"Now," he growled, with a certain desperate defiance, as +though he expected to be heard, "now, I'm going to lay up +and get some sleep. You can come or not." + +He cleared away the hot surface alkali, spread out his +blanket, and slept until the next day's heat aroused him. +His water was so low that he dared not make coffee now, and +so breakfasted without it. Until ten o'clock he tramped +forward, then camped again in the shade of one of the rare +rock ledges, and "lay up" during the heat of the day. By +five o'clock he was once more on the march. + +He travelled on for the greater part of that night, stopping +only once towards three in the morning to water the mule +from the canteen. Again the red-hot day burned up over the +horizon. Even at six o'clock it was hot. + +"It's going to be worse than ever to-day," he groaned. "I +wish I could find another rock to camp by. Ain't I ever +going to get out of this place?" + +There was no change in the character of the desert. +Always the same measureless leagues of white-hot alkali +stretched away toward the horizon on every hand. Here and +there the flat, dazzling surface of the desert broke and +raised into long low mounds, from the summit of which +McTeague could look for miles and miles over its horrible +desolation. No shade was in sight. Not a rock, not a stone +broke the monotony of the ground. Again and again he +ascended the low unevennesses, looking and searching for a +camping place, shading his eyes from the glitter of sand and +sky. + +He tramped forward a little farther, then paused at length +in a hollow between two breaks, resolving to make camp +there. + +Suddenly there was a shout. + +"Hands up. By damn, I got the drop on you!" + +McTeague looked up. + +It was Marcus. + + + +CHAPTER 22 + + +Within a month after his departure from San Francisco, +Marcus had "gone in on a cattle ranch" in the Panamint +Valley with an Englishman, an acquaintance of Mr. Sieppe's. +His headquarters were at a place called Modoc, at the lower +extremity of the valley, about fifty miles by trail to the +south of Keeler. + +His life was the life of a cowboy. He realized his former +vision of himself, booted, sombreroed, and revolvered, +passing his days in the saddle and the better part of his +nights around the poker tables in Modoc's one saloon. To +his intense satisfaction he even involved himself in a +gun fight that arose over a disputed brand, with the result +that two fingers of his left hand were shot away. + +News from the outside world filtered slowly into the +Panamint Valley, and the telegraph had never been built +beyond Keeler. At intervals one of the local papers of +Independence, the nearest large town, found its way into the +cattle camps on the ranges, and occasionally one of the +Sunday editions of a Sacramento journal, weeks old, was +passed from hand to hand. Marcus ceased to hear from the +Sieppes. As for San Francisco, it was as far from him as +was London or Vienna. + +One day, a fortnight after McTeague's flight from San +Francisco, Marcus rode into Modoc, to find a group of men +gathered about a notice affixed to the outside of the Wells- +Fargo office. It was an offer of reward for the arrest and +apprehension of a murderer. The crime had been committed in +San Francisco, but the man wanted had been traced as far as +the western portion of Inyo County, and was believed at that +time to be in hiding in either the Pinto or Panamint hills, +in the vicinity of Keeler. + +Marcus reached Keeler on the afternoon of that same day. +Half a mile from the town his pony fell and died from +exhaustion. Marcus did not stop even to remove the saddle. +He arrived in the barroom of the hotel in Keeler just after +the posse had been made up. The sheriff, who had come down +from Independence that morning, at first refused his offer +of assistance. He had enough men already--too many, in +fact. The country travelled through would be hard, and it +would be difficult to find water for so many men and horses. + +"But none of you fellers have ever seen um," vociferated +Marcus, quivering with excitement and wrath. "I know um +well. I could pick um out in a million. I can identify um, +and you fellers can't. And I knew--I knew--good GOD! I +knew that girl--his wife--in Frisco. She's a cousin of +mine, she is--she was--I thought once of--This thing's a +personal matter of mine--an' that money he got away with, +that five thousand, belongs to me by rights. Oh, never +mind, I'm going along. Do you hear?" he shouted, his fists +raised, "I'm going along, I tell you. There ain't a +man of you big enough to stop me. Let's see you try and +stop me going. Let's see you once, any two of you." He +filled the barroom with his clamor. + +"Lord love you, come along, then," said the sheriff. + +The posse rode out of Keeler that same night. The keeper of +the general merchandise store, from whom Marcus had borrowed +a second pony, had informed them that Cribbens and his +partner, whose description tallied exactly with that given +in the notice of reward, had outfitted at his place with a +view to prospecting in the Panamint hills. The posse +trailed them at once to their first camp at the head of the +valley. It was an easy matter. It was only necessary to +inquire of the cowboys and range riders of the valley if +they had seen and noted the passage of two men, one of whom +carried a bird cage. + +Beyond this first camp the trail was lost, and a week was +wasted in a bootless search around the mine at Gold Gulch, +whither it seemed probable the partners had gone. Then a +travelling peddler, who included Gold Gulch in his route, +brought in the news of a wonderful strike of gold-bearing +quartz some ten miles to the south on the western slope of +the range. Two men from Keeler had made a strike, the +peddler had said, and added the curious detail that one of +the men had a canary bird in a cage with him. + +The posse made Cribbens's camp three days after the +unaccountable disappearance of his partner. Their man was +gone, but the narrow hoof prints of a mule, mixed with those +of huge hob-nailed boots, could be plainly followed in the +sand. Here they picked up the trail and held to it steadily +till the point was reached where, instead of tending +southward it swerved abruptly to the east. The men could +hardly believe their eyes. + +"It ain't reason," exclaimed the sheriff. "What in thunder +is he up to? This beats me. Cutting out into Death Valley +at this time of year." + +"He's heading for Gold Mountain over in the Armagosa, sure." + +The men decided that this conjecture was true. It was the +only inhabited locality in that direction. A +discussion began as to the further movements of the posse. + +"I don't figure on going into that alkali sink with no eight +men and horses," declared the sheriff. "One man can't carry +enough water to take him and his mount across, let alone +EIGHT. No, sir. Four couldn't do it. No, THREE +couldn't. We've got to make a circuit round the valley and +come up on the other side and head him off at Gold Mountain. +That's what we got to do, and ride like hell to do it, too." + +But Marcus protested with all the strength of his lungs +against abandoning the trail now that they had found it. He +argued that they were but a day and a half behind their man +now. There was no possibility of their missing the trail-- +as distinct in the white alkali as in snow. They could make +a dash into the valley, secure their man, and return long +before their water failed them. He, for one, would not give +up the pursuit, now that they were so close. In the haste +of the departure from Keeler the sheriff had neglected to +swear him in. He was under no orders. He would do as he +pleased. + +"Go on, then, you darn fool," answered the sheriff. "We'll +cut on round the valley, for all that. It's a gamble he'll +be at Gold Mountain before you're half way across. But if +you catch him, here"--he tossed Marcus a pair of handcuffs-- +"put 'em on him and bring him back to Keeler." + +Two days after he had left the posse, and when he was +already far out in the desert, Marcus's horse gave out. In +the fury of his impatience he had spurred mercilessly +forward on the trail, and on the morning of the third day +found that his horse was unable to move. The joints of his +legs seemed locked rigidly. He would go his own length, +stumbling and interfering, then collapse helplessly upon the +ground with a pitiful groan. He was used up. + +Marcus believed himself to be close upon McTeague now. The +ashes at his last camp had still been smoldering. Marcus +took what supplies of food and water he could carry, and +hurried on. But McTeague was farther ahead than he had +guessed, and by evening of his third day upon the desert +Marcus, raging with thirst, had drunk his last mouthful +of water and had flung away the empty canteen. + +"If he ain't got water with um," he said to himself as he +pushed on, "If he ain't got water with um, by damn! I'll be +in a bad way. I will, for a fact." + +* * * * * * * * * * * * * + +At Marcus's shout McTeague looked up and around him. For the +instant he saw no one. The white glare of alkali was still +unbroken. Then his swiftly rolling eyes lighted upon a head +and shoulder that protruded above the low crest of the break +directly in front of him. A man was there, lying at full +length upon the ground, covering him with a revolver. For a +few seconds McTeague looked at the man stupidly, bewildered, +confused, as yet without definite thought. Then he noticed +that the man was singularly like Marcus Schouler. It +WAS Marcus Schouler. How in the world did Marcus Schouler +come to be in that desert? What did he mean by pointing a +pistol at him that way? He'd best look out or the pistol +would go off. Then his thoughts readjusted themselves with +a swiftness born of a vivid sense of danger. Here was the +enemy at last, the tracker he had felt upon his footsteps. +Now at length he had "come on" and shown himself, after all +those days of skulking. McTeague was glad of it. He'd show +him now. They two would have it out right then and there. +His rifle! He had thrown it away long since. He was +helpless. Marcus had ordered him to put up his hands. If +he did not, Marcus would kill him. He had the drop on him. +McTeague stared, scowling fiercely at the levelled pistol. +He did not move. + +"Hands up!" shouted Marcus a second time. "I'll give you +three to do it in. One, two----" + +Instinctively McTeague put his hands above his head. + +Marcus rose and came towards him over the break. + +"Keep 'em up," he cried. "If you move 'em once I'll kill +you, sure." + +He came up to McTeague and searched him, going through +his pockets; but McTeague had no revolver; not even a +hunting knife. + +"What did you do with that money, with that five thousand +dollars?" + +"It's on the mule," answered McTeague, sullenly. + +Marcus grunted, and cast a glance at the mule, who was +standing some distance away, snorting nervously, and from +time to time flattening his long ears. + +"Is that it there on the horn of the saddle, there in that +canvas sack?" Marcus demanded. + +"Yes, that's it." + +A gleam of satisfaction came into Marcus's eyes, and under +his breath he muttered: + +"Got it at last." + +He was singularly puzzled to know what next to do. He had +got McTeague. There he stood at length, with his big hands +over his head, scowling at him sullenly. Marcus had caught +his enemy, had run down the man for whom every officer in +the State had been looking. What should he do with him now? +He couldn't keep him standing there forever with his hands +over his head. + +"Got any water?" he demanded. + +"There's a canteen of water on the mule." + +Marcus moved toward the mule and made as if to reach the +bridle-rein. The mule squealed, threw up his head, and +galloped to a little distance, rolling his eyes and +flattening his ears. + +Marcus swore wrathfully. + +"He acted that way once before," explained McTeague, his +hands still in the air. "He ate some loco-weed back in the +hills before I started." + +For a moment Marcus hesitated. While he was catching the +mule McTeague might get away. But where to, in heaven's +name? A rat could not hide on the surface of that +glistening alkali, and besides, all McTeague's store of +provisions and his priceless supply of water were on the +mule. Marcus ran after the mule, revolver in hand, shouting +and cursing. But the mule would not be caught. He +acted as if possessed, squealing, lashing out, and galloping +in wide circles, his head high in the air. + +"Come on," shouted Marcus, furious, turning back to +McTeague. "Come on, help me catch him. We got to catch him. +All the water we got is on the saddle." + +McTeague came up. + +"He's eatun some loco-weed," he repeated. "He went kinda +crazy once before." + +"If he should take it into his head to bolt and keep on +running----" + +Marcus did not finish. A sudden great fear seemed to widen +around and inclose the two men. Once their water gone, the +end would not be long. + +"We can catch him all right," said the dentist. "I caught +him once before." + +"Oh, I guess we can catch him," answered Marcus, +reassuringly. + +Already the sense of enmity between the two had weakened in +the face of a common peril. Marcus let down the hammer of +his revolver and slid it back into the holster. + +The mule was trotting on ahead, snorting and throwing up +great clouds of alkali dust. At every step the canvas sack +jingled, and McTeague's bird cage, still wrapped in the +flour-bags, bumped against the saddlepads. By and by the +mule stopped, blowing out his nostrils excitedly. + +"He's clean crazy," fumed Marcus, panting and swearing. + +"We ought to come up on him quiet," observed McTeague. + +"I'll try and sneak up," said Marcus; "two of us would scare +him again. You stay here." + +Marcus went forward a step at a time. He was almost within +arm's length of the bridle when the mule shied from him +abruptly and galloped away. + +Marcus danced with rage, shaking his fists, and swearing +horribly. Some hundred yards away the mule paused and began +blowing and snuffing in the alkali as though in search of +feed. Then, for no reason, he shied again, and started +off on a jog trot toward the east. + +"We've GOT to follow him," exclaimed Marcus as McTeague +came up. "There's no water within seventy miles of here." + +Then began an interminable pursuit. Mile after mile, under +the terrible heat of the desert sun, the two men followed +the mule, racked with a thirst that grew fiercer every hour. +A dozen times they could almost touch the canteen of water, +and as often the distraught animal shied away and fled +before them. At length Marcus cried: + +"It's no use, we can't catch him, and we're killing +ourselves with thirst. We got to take our chances." He drew +his revolver from its holster, cocked it, and crept forward. + +"Steady, now," said McTeague; "it won' do to shoot through +the canteen." + +Within twenty yards Marcus paused, made a rest of his left +forearm and fired. + +"You GOT him," cried McTeague. "No, he's up again. +Shoot him again. He's going to bolt." + +Marcus ran on, firing as he ran. The mule, one foreleg +trailing, scrambled along, squealing and snorting. Marcus +fired his last shot. The mule pitched forward upon his +head, then, rolling sideways, fell upon the canteen, +bursting it open and spilling its entire contents into the +sand. + +Marcus and McTeague ran up, and Marcus snatched the battered +canteen from under the reeking, bloody hide. There was no +water left. Marcus flung the canteen from him and stood up, +facing McTeague. There was a pause. + +"We're dead men," said Marcus. + +McTeague looked from him out over the desert. Chaotic +desolation stretched from them on either hand, flaming and +glaring with the afternoon heat. There was the brazen sky +and the leagues upon leagues of alkali, leper white. There +was nothing more. They were in the heart of Death Valley. + +"Not a drop of water," muttered McTeague; "not a drop of +water." + +"We can drink the mule's blood," said Marcus. "It's +been done before. But--but--" he looked down at the +quivering, gory body--"but I ain't thirsty enough for that +yet." + +"Where's the nearest water?" + +"Well, it's about a hundred miles or more back of us in the +Panamint hills," returned Marcus, doggedly. "We'd be crazy +long before we reached it. I tell you, we're done for, by +damn, we're DONE for. We ain't ever going to get outa +here." + +"Done for?" murmured the other, looking about stupidly. +"Done for, that's the word. Done for? Yes, I guess we're +done for." + +"What are we going to do NOW?" exclaimed Marcus, +sharply, after a while. + +"Well, let's--let's be moving along--somewhere." + +"WHERE, I'd like to know? What's the good of moving +on?" + +"What's the good of stopping here?" + +There was a silence. + +"Lord, it's hot," said the dentist, finally, wiping his +forehead with the back of his hand. Marcus ground his +teeth. + +"Done for," he muttered; "done for." + +"I never WAS so thirsty," continued McTeague. "I'm that +dry I can hear my tongue rubbing against the roof of my +mouth." + +"Well, we can't stop here," said Marcus, finally; "we got to +go somewhere. We'll try and get back, but it ain't no +manner of use. Anything we want to take along with us from +the mule? We can----" + +Suddenly he paused. In an instant the eyes of the two +doomed men had met as the same thought simultaneously rose +in their minds. The canvas sack with its five thousand +dollars was still tied to the horn of the saddle. + +Marcus had emptied his revolver at the mule, and though he +still wore his cartridge belt, he was for the moment as +unarmed as McTeague. + +"I guess," began McTeague coming forward a step, "I guess, +even if we are done for, I'll take--some of my truck along." + +"Hold on," exclaimed Marcus, with rising aggressiveness. +"Let's talk about that. I ain't so sure about who +that--who that money belongs to." + +"Well, I AM, you see," growled the dentist. + +The old enmity between the two men, their ancient hate, was +flaming up again. + +"Don't try an' load that gun either," cried McTeague, fixing +Marcus with his little eyes. + +"Then don't lay your finger on that sack," shouted the +other. "You're my prisoner, do you understand? You'll do as +I say." Marcus had drawn the handcuffs from his pocket, and +stood ready with his revolver held as a club. "You +soldiered me out of that money once, and played me for a +sucker, an' it's my turn now. Don't you lay your finger on +that sack." + +Marcus barred McTeague's way, white with passion. McTeague +did not answer. His eyes drew to two fine, twinkling +points, and his enormous hands knotted themselves into +fists, hard as wooden mallets. He moved a step nearer to +Marcus, then another. + +Suddenly the men grappled, and in another instant were +rolling and struggling upon the hot white ground. McTeague +thrust Marcus backward until he tripped and fell over the +body of the dead mule. The little bird cage broke from the +saddle with the violence of their fall, and rolled out upon +the ground, the flour-bags slipping from it. McTeague tore +the revolver from Marcus's grip and struck out with it +blindly. Clouds of alkali dust, fine and pungent, enveloped +the two fighting men, all but strangling them. + +McTeague did not know how he killed his enemy, but all at +once Marcus grew still beneath his blows. Then there was a +sudden last return of energy. McTeague's right wrist was +caught, something licked upon it, then the struggling body +fell limp and motionless with a long breath. + +As McTeague rose to his feet, he felt a pull at his right +wrist; something held it fast. Looking down, he saw that +Marcus in that last struggle had found strength to handcuff +their wrists together. Marcus was dead now; McTeague was +locked to the body. All about him, vast interminable, +stretched the measureless leagues of Death Valley. + +McTeague remained stupidly looking around him, now at the +distant horizon, now at the ground, now at the half-dead +canary chittering feebly in its little gilt prison. + + +The End of Project Gutenberg etext of McTeague by Norris + + + + + + |
