summaryrefslogtreecommitdiff
path: root/16635.txt
blob: a55c7abfa378647fcb5bcca6537b9751ebc401f7 (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
3570
3571
3572
3573
3574
3575
3576
3577
3578
3579
3580
3581
3582
3583
3584
3585
3586
3587
3588
3589
3590
3591
3592
3593
3594
3595
3596
3597
3598
3599
3600
3601
3602
3603
3604
3605
3606
3607
3608
3609
3610
3611
3612
3613
3614
3615
3616
3617
3618
3619
3620
3621
3622
3623
3624
3625
3626
3627
3628
3629
3630
3631
3632
3633
3634
3635
3636
3637
3638
3639
3640
3641
3642
3643
3644
3645
3646
3647
3648
3649
3650
3651
3652
3653
3654
3655
3656
3657
3658
3659
3660
3661
3662
3663
3664
3665
3666
3667
3668
3669
3670
3671
3672
3673
3674
3675
3676
3677
3678
3679
3680
3681
3682
3683
3684
3685
3686
3687
3688
3689
3690
3691
3692
3693
3694
3695
3696
3697
3698
3699
3700
3701
3702
3703
3704
3705
3706
3707
3708
3709
3710
3711
3712
3713
3714
3715
3716
3717
3718
3719
3720
3721
3722
3723
3724
3725
3726
3727
3728
3729
3730
3731
3732
3733
3734
3735
3736
3737
3738
3739
3740
3741
3742
3743
3744
3745
3746
3747
3748
3749
3750
3751
3752
3753
3754
3755
3756
3757
3758
3759
3760
3761
3762
3763
3764
3765
3766
3767
3768
3769
3770
3771
3772
3773
3774
3775
3776
3777
3778
3779
3780
3781
3782
3783
3784
3785
3786
3787
3788
3789
3790
3791
3792
3793
3794
3795
3796
3797
3798
3799
3800
3801
3802
3803
3804
3805
3806
3807
3808
3809
3810
3811
3812
3813
3814
3815
3816
3817
3818
3819
3820
3821
3822
3823
3824
3825
3826
3827
3828
3829
3830
3831
3832
3833
3834
3835
3836
3837
3838
3839
3840
3841
3842
3843
3844
3845
3846
3847
3848
3849
3850
3851
3852
3853
3854
3855
3856
3857
3858
3859
3860
3861
3862
3863
3864
3865
3866
3867
3868
3869
3870
3871
3872
3873
3874
3875
3876
3877
3878
3879
3880
3881
3882
3883
3884
3885
3886
3887
3888
3889
3890
3891
3892
3893
3894
3895
3896
3897
3898
3899
3900
3901
3902
3903
3904
3905
3906
3907
3908
3909
3910
3911
3912
3913
3914
3915
3916
3917
3918
3919
3920
3921
3922
3923
3924
3925
3926
3927
3928
3929
3930
3931
3932
3933
3934
3935
3936
3937
3938
3939
3940
3941
3942
3943
3944
3945
3946
3947
3948
3949
3950
3951
3952
3953
3954
3955
3956
3957
3958
3959
3960
3961
3962
3963
3964
3965
3966
3967
3968
3969
3970
3971
3972
3973
3974
3975
3976
3977
3978
3979
3980
3981
3982
3983
3984
3985
3986
3987
3988
3989
3990
3991
3992
3993
3994
3995
3996
3997
3998
3999
4000
4001
4002
4003
4004
4005
4006
4007
4008
4009
4010
4011
4012
4013
4014
4015
4016
4017
4018
4019
4020
4021
4022
4023
4024
4025
4026
4027
4028
4029
4030
4031
4032
4033
4034
4035
4036
4037
4038
4039
4040
4041
4042
4043
4044
4045
4046
4047
4048
4049
4050
4051
4052
4053
4054
4055
4056
4057
4058
4059
4060
4061
4062
4063
4064
4065
4066
4067
4068
4069
4070
4071
4072
4073
4074
4075
4076
4077
4078
4079
4080
4081
4082
4083
4084
4085
4086
4087
4088
4089
4090
4091
4092
4093
4094
4095
4096
4097
4098
4099
4100
4101
4102
4103
4104
4105
4106
4107
4108
4109
4110
4111
4112
4113
4114
4115
4116
4117
4118
4119
4120
4121
4122
4123
4124
4125
4126
4127
4128
4129
4130
4131
4132
4133
4134
4135
4136
4137
4138
4139
4140
4141
4142
4143
4144
4145
4146
4147
4148
4149
4150
4151
4152
4153
4154
4155
4156
4157
4158
4159
4160
4161
4162
4163
4164
4165
4166
4167
4168
4169
4170
4171
4172
4173
4174
4175
4176
4177
4178
4179
4180
4181
4182
4183
4184
4185
4186
4187
4188
4189
4190
4191
4192
4193
4194
4195
4196
4197
4198
4199
4200
4201
4202
4203
4204
4205
4206
4207
4208
4209
4210
4211
4212
4213
4214
4215
4216
4217
4218
4219
4220
4221
4222
4223
4224
4225
4226
4227
4228
4229
4230
4231
4232
4233
4234
4235
4236
4237
4238
4239
4240
4241
4242
4243
4244
4245
4246
4247
4248
4249
4250
4251
4252
4253
4254
4255
4256
4257
4258
4259
4260
4261
4262
4263
4264
4265
4266
4267
4268
4269
4270
4271
4272
4273
4274
4275
4276
4277
4278
4279
4280
4281
4282
4283
4284
4285
4286
4287
4288
4289
4290
4291
4292
4293
4294
4295
4296
4297
4298
4299
4300
4301
4302
4303
4304
4305
4306
4307
4308
4309
4310
4311
4312
4313
4314
4315
4316
4317
4318
4319
4320
4321
4322
4323
4324
4325
4326
4327
4328
4329
4330
4331
4332
4333
4334
4335
4336
4337
4338
4339
4340
4341
4342
4343
4344
4345
4346
4347
4348
4349
4350
4351
4352
4353
4354
4355
4356
4357
4358
4359
4360
4361
4362
4363
4364
4365
4366
4367
4368
4369
4370
4371
4372
4373
4374
4375
4376
4377
4378
4379
4380
4381
4382
4383
4384
4385
4386
4387
4388
4389
4390
4391
4392
4393
4394
4395
4396
4397
4398
4399
4400
4401
4402
4403
4404
4405
4406
4407
4408
4409
4410
4411
4412
4413
4414
4415
4416
4417
4418
4419
4420
4421
4422
4423
4424
4425
4426
4427
4428
4429
4430
4431
4432
4433
4434
4435
4436
4437
4438
4439
4440
4441
4442
4443
4444
4445
4446
4447
4448
4449
4450
4451
4452
4453
4454
4455
4456
4457
4458
4459
4460
4461
4462
4463
4464
4465
4466
4467
4468
4469
4470
4471
4472
4473
4474
4475
4476
4477
4478
4479
4480
4481
4482
4483
4484
4485
4486
4487
4488
4489
4490
4491
4492
4493
4494
4495
4496
4497
4498
4499
4500
4501
4502
4503
4504
4505
4506
4507
4508
4509
4510
4511
4512
4513
4514
4515
4516
4517
4518
4519
4520
4521
4522
4523
4524
4525
4526
4527
4528
4529
4530
4531
4532
4533
4534
4535
4536
4537
4538
4539
4540
4541
4542
4543
4544
4545
4546
4547
4548
4549
4550
4551
4552
4553
4554
4555
4556
4557
4558
4559
4560
4561
4562
4563
4564
4565
4566
4567
4568
4569
4570
4571
4572
4573
4574
4575
4576
4577
4578
4579
4580
4581
4582
4583
4584
4585
4586
4587
4588
4589
4590
4591
4592
4593
4594
4595
4596
4597
4598
4599
4600
4601
4602
4603
4604
4605
4606
4607
4608
4609
4610
4611
4612
4613
4614
4615
4616
4617
4618
4619
4620
4621
4622
4623
4624
4625
4626
4627
4628
4629
4630
4631
4632
4633
4634
4635
4636
4637
4638
4639
4640
4641
4642
4643
4644
4645
4646
4647
4648
4649
4650
4651
4652
4653
4654
4655
4656
4657
4658
4659
4660
4661
4662
4663
4664
4665
4666
4667
4668
4669
4670
4671
4672
4673
4674
4675
4676
4677
4678
4679
4680
4681
4682
4683
4684
4685
4686
4687
4688
4689
4690
4691
4692
4693
4694
4695
4696
4697
4698
4699
4700
4701
4702
4703
4704
4705
4706
4707
4708
4709
4710
4711
4712
4713
4714
4715
4716
4717
4718
4719
4720
4721
4722
4723
4724
4725
4726
4727
4728
4729
4730
4731
4732
4733
4734
4735
4736
4737
4738
4739
4740
4741
4742
4743
4744
4745
4746
4747
4748
4749
4750
4751
4752
4753
4754
4755
4756
4757
4758
4759
4760
4761
4762
4763
4764
4765
4766
4767
4768
4769
4770
4771
4772
4773
4774
4775
4776
4777
4778
4779
4780
4781
4782
4783
4784
4785
4786
4787
4788
4789
4790
4791
4792
4793
4794
4795
4796
4797
4798
4799
4800
4801
4802
4803
4804
4805
4806
4807
4808
4809
4810
4811
4812
4813
4814
4815
4816
4817
4818
4819
4820
4821
4822
4823
4824
4825
4826
4827
4828
4829
4830
4831
4832
4833
4834
4835
4836
4837
4838
4839
4840
4841
4842
4843
4844
4845
4846
4847
4848
4849
4850
4851
4852
4853
4854
4855
4856
4857
4858
4859
4860
4861
4862
4863
4864
4865
4866
4867
4868
4869
4870
4871
4872
4873
4874
4875
4876
4877
4878
4879
4880
4881
4882
4883
4884
4885
4886
4887
4888
4889
4890
4891
4892
4893
4894
4895
4896
4897
4898
4899
4900
4901
4902
4903
4904
4905
4906
4907
4908
4909
4910
4911
4912
4913
4914
4915
4916
4917
4918
4919
4920
4921
4922
4923
4924
4925
4926
4927
4928
4929
4930
4931
4932
4933
4934
4935
4936
4937
4938
4939
4940
4941
4942
4943
4944
4945
4946
4947
4948
4949
4950
4951
4952
4953
4954
4955
4956
4957
4958
4959
4960
4961
4962
4963
4964
4965
4966
4967
4968
4969
4970
4971
4972
4973
4974
4975
4976
4977
4978
4979
4980
4981
4982
4983
4984
4985
4986
4987
4988
4989
4990
4991
4992
4993
4994
4995
4996
4997
4998
4999
5000
5001
5002
5003
5004
5005
5006
5007
5008
5009
5010
5011
5012
5013
5014
5015
5016
5017
5018
5019
5020
5021
5022
5023
5024
5025
5026
5027
5028
5029
5030
5031
5032
5033
5034
5035
5036
5037
5038
5039
5040
5041
5042
5043
5044
5045
5046
5047
5048
5049
5050
5051
5052
5053
5054
5055
5056
5057
5058
5059
5060
5061
5062
5063
5064
5065
5066
5067
5068
5069
5070
5071
5072
5073
5074
5075
5076
5077
5078
5079
5080
5081
5082
5083
5084
5085
5086
5087
5088
5089
5090
5091
5092
5093
5094
5095
5096
5097
5098
5099
5100
5101
5102
5103
5104
5105
5106
5107
5108
5109
5110
5111
5112
5113
5114
5115
5116
5117
5118
5119
5120
5121
5122
5123
5124
5125
5126
5127
5128
5129
5130
5131
5132
5133
5134
5135
5136
5137
5138
5139
5140
5141
5142
5143
5144
5145
5146
5147
5148
5149
5150
5151
5152
5153
5154
5155
5156
5157
5158
5159
5160
5161
5162
5163
5164
5165
5166
5167
5168
5169
5170
5171
5172
5173
5174
5175
5176
5177
5178
5179
5180
5181
5182
5183
5184
5185
5186
5187
5188
5189
5190
5191
5192
5193
5194
5195
5196
5197
5198
5199
5200
5201
5202
5203
5204
5205
5206
5207
5208
5209
5210
5211
5212
5213
5214
5215
5216
5217
5218
5219
5220
5221
5222
5223
5224
5225
5226
5227
5228
5229
5230
5231
5232
5233
5234
5235
5236
5237
5238
5239
5240
5241
5242
5243
5244
5245
5246
5247
5248
5249
5250
5251
5252
5253
5254
5255
5256
5257
5258
5259
5260
5261
5262
5263
5264
5265
5266
5267
5268
5269
5270
5271
5272
5273
5274
5275
5276
5277
5278
5279
5280
5281
5282
5283
5284
5285
5286
5287
5288
5289
5290
5291
5292
5293
5294
5295
5296
5297
5298
5299
5300
5301
5302
5303
5304
5305
5306
5307
5308
5309
5310
5311
5312
5313
5314
5315
5316
5317
5318
5319
5320
5321
5322
5323
5324
5325
5326
5327
5328
5329
5330
5331
5332
5333
5334
5335
5336
5337
5338
5339
5340
5341
5342
5343
5344
5345
5346
5347
5348
5349
5350
5351
5352
5353
5354
5355
5356
5357
5358
5359
5360
5361
5362
5363
5364
5365
5366
5367
5368
5369
5370
5371
5372
5373
5374
5375
5376
5377
5378
5379
5380
5381
5382
5383
5384
5385
5386
5387
5388
5389
5390
5391
5392
5393
5394
5395
5396
5397
5398
5399
5400
5401
5402
5403
5404
5405
5406
5407
5408
5409
5410
5411
5412
5413
5414
5415
5416
5417
5418
5419
5420
5421
5422
5423
5424
5425
5426
5427
5428
5429
5430
5431
5432
5433
5434
5435
5436
5437
5438
5439
5440
5441
5442
5443
5444
5445
5446
5447
5448
5449
5450
5451
5452
5453
5454
5455
5456
5457
5458
5459
5460
5461
5462
5463
5464
5465
5466
5467
5468
5469
5470
5471
5472
5473
5474
5475
5476
5477
5478
5479
5480
5481
5482
5483
5484
5485
5486
5487
5488
5489
5490
5491
5492
5493
5494
5495
5496
5497
5498
5499
5500
5501
5502
5503
5504
5505
5506
5507
5508
5509
5510
5511
5512
5513
5514
5515
5516
5517
5518
5519
5520
5521
5522
5523
5524
5525
5526
5527
5528
5529
5530
5531
5532
5533
5534
5535
5536
5537
5538
5539
5540
5541
5542
5543
5544
5545
5546
5547
5548
5549
5550
5551
5552
5553
5554
5555
5556
5557
5558
5559
5560
5561
5562
5563
5564
5565
5566
5567
5568
5569
5570
5571
5572
5573
5574
5575
5576
5577
5578
5579
5580
5581
5582
5583
5584
5585
5586
5587
5588
5589
5590
5591
5592
5593
5594
5595
5596
5597
5598
5599
5600
5601
5602
5603
5604
5605
5606
5607
5608
5609
5610
5611
5612
5613
5614
5615
5616
5617
5618
5619
5620
5621
5622
5623
5624
5625
5626
5627
5628
5629
5630
5631
5632
5633
5634
5635
5636
5637
5638
5639
5640
5641
5642
5643
5644
5645
5646
5647
5648
5649
5650
5651
5652
5653
5654
5655
5656
5657
5658
5659
5660
5661
5662
5663
5664
5665
5666
5667
5668
5669
5670
5671
5672
5673
5674
5675
5676
5677
5678
5679
5680
5681
5682
5683
5684
5685
5686
5687
5688
5689
5690
5691
5692
5693
5694
5695
5696
5697
5698
5699
5700
5701
5702
5703
5704
5705
5706
5707
5708
5709
5710
5711
5712
5713
5714
5715
The Project Gutenberg EBook of The Climbers, by Clyde Fitch

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Climbers
       A Play in Four Acts

Author: Clyde Fitch

Release Date: September 3, 2005 [EBook #16635]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE CLIMBERS ***




Produced by David Garcia, Melissa Er-Raqabi and the Online
Distributed Proofreading Team at https://www.pgdp.net.
Produced from images provided by Kentuckiana Digital
Archive.





THE CLIMBERS
A PLAY IN FOUR ACTS

By
CLYDE FITCH




NEW YORK
SAMUEL FRENCH
PUBLISHER
25 WEST 45th STREET

LONDON
SAMUEL FRENCH, LTD.
26 SOUTHAMPTON ST.
STRAND


Reprinted by permission of Little, Brown & Co.




COPYRIGHT, 1905,
BY LITTLE, BROWN, AND COMPANY.
ALL RIGHTS RESERVED


This play is fully protected by the copyright law, all requirements of
which have been complied with. In its present printed form it is
dedicated to the reading public only, and no performance of it, either
professional or amateur, may be given without the written permission of
the owner of the acting rights, who may be addressed in care of the
publishers, Little, Brown, and Company.




TO
CHARLES T. MATHEWS

IN GRATEFUL RECOGNITION OF HIS
TRUE FRIENDSHIP AND LOYAL ENTHUSIASM
FROM THE BEGINNING

C.F.




[Transcriber's Note: One character is listed as Dr. Steinart in the List
of Characters, but Dr. Steinhart in the body of the play.]




_THE CLIMBERS_


ACT I.    IN LATE WINTER.
          _At the Hunters'._

ACT II.   THE FOLLOWING CHRISTMAS EVE.
          _At the Sterlings'._

ACT III.  CHRISTMAS DAY.
          _At the Hermitage, by the Bronx River._

ACT IV.   THE DAY AFTER CHRISTMAS.
          _At the Sterlings'._


NEW YORK: TO-DAY




_THE PEOPLE IN THE PLAY_


RICHARD STERLING. EDWARD WARDEN. FREDERICK MASON. JOHNNY TROTTER.
GODESBY. DR. STEINART. RYDER. SERVANT _at the Hermitage._ JORDAN.
_Butler at the Sterlings'._ LEONARD. _Footman at the Sterlings'._ MASTER
STERLING. SERVANTS.

MRS. STERLING (_nee Blanche Hunter_). MISS HUNTER. MRS. HUNTER. JESSICA
HUNTER. CLARA HUNTER. MISS GODESBY. MISS SILLERTON. TOMPSON. _Mrs.
Hunter's Maid._ MARIE. _Clara Hunter's Maid._




Originally produced at the Bijou Theatre, New York, January 21, 1901,
with the following cast:--

Richard Sterling                               Mr. Frank Worthing
Edward Warden                                  Mr. Robert Edeson
Frederick Mason                                Mr. John Flood
Johnny Trotter                                 Mr. Ferdinand Gottschalk
Dr. Steinart                                   Mr. George C. Boniface
Godesby                                        Mr. J.B. Sturges
Ryder                                          Mr. Kinard
Servant at the Hermitage                       Mr. Henry Warwick
Jordan    }            Servants              { Mr. Edward Moreland
Leonard   }             at the               { Mr. Henry Stokes
A Footman }            Hunters'              { Mr. Frederick Wallace
Richard Sterling, Jr.                          Master Harry Wright

Mrs. Hunter                                    Mrs. Madge Carr Cook
Mrs. Sterling (_nee_ Blanche Hunter)      Miss Amelia Bingham
Jessica Hunter                                 Miss Maud Monroe
Clara Hunter                                   Miss Minnie Dupree
Miss Hunter                                    Miss Annie Irish
Miss Godesby                                   Miss Clara Bloodgood
Miss Sillerton                                 Miss Ysobel Haskins
Tompson }              Maids at              { Miss Lillian Eldredge
Marie   }            the Hunters'            { Miss Florence Lloyd




Produced at the Comedy Theatre, London, September 5, 1903, with the
following cast:--

Richard Sterling                               Mr. Sydney Valentine
Edward Warden                                  Mr. Reeves-Smith
Frederick Mason                                Mr. J.L. Mackay
Johnny Trotter                                 Mr. G.M. Graham
Godesby                                        Mr. Horace Pollock
Dr. Steinart                                   Mr. Howard Sturges
Master Sterling                                Miss Maidie Andrews
Ryder                                          Mr. Henry Howard
Jordan                                         Mr. Elgar B. Payne
Leonard                                        Mr. Littledale Power
Footman                                        Mr. Rivers Bertram
Servant                                        Mr. George Aubrey

Mrs. Sterling                                  Miss Lily Hanbury
Miss Hunter                                    Miss Kate Tyndall
Mrs. Hunter                                    Miss Lottie Venne
Jessica Hunter                                 Miss Alma Mara
Clara Hunter                                   Mrs. Mouillot
Miss Sillerton                                 Miss Florence Sinclair
Tompson                                        Miss L. Crauford
Marie                                          Miss Armstrong
Miss Godesby                                   Miss Fannie Ward




ACT I


_A drawing-room at the Hunters', handsomely and artistically furnished.
The woodwork and furniture are in the period of Louis XVI. The walls and
furniture are covered with yellow brocade, and the curtains are of the
same golden material. At the back are two large windows which give out
on Fifth Avenue, opposite the Park, the trees of which are seen across
the way. At Left is a double doorway, leading into the hall. At Right,
opposite, is a door which leads to other rooms, and thence to other
parts of the house. In the centre, at back, between the two windows, is
the fireplace; on the mantel are two vases and a clock in dark blue
ormolu. There is a white and gold piano on the Right side of the room.
The room suggests much wealth, and that it has been done by a
professional decorator; the personal note of taste is lacking._

_It is four o'clock in the afternoon. The shades of the windows are
drawn down. There are rows and rows of camp-chairs filling the entire
room._

_The curtain rises slowly. After a moment,_ JORDAN, _the butler, and_
LEONARD, _a footman, enter from the Left and begin to gather together
and carry out the camp-chairs. They do this with very serious faces, and
take great pains to step softly and to make no noise. They enter a
second time for more chairs._


JORDAN. [_Whispers to_ LEONARD.] When are they coming for the chairs?

LEONARD. [_Whispers back._] To-night. Say, it was fine, wasn't it!

JORDAN. Grand!

[_They go out with the chairs and immediately reenter for more. They are
followed in this time by a lady's maid,_ TOMPSON; _she is not a young
woman. As she crosses the room she stoops and picks up a faded flower
which has fallen from some emblem. She goes to the window at Right, and
peeps out. She turns around and looks at the others. They all speak in
subdued voices._

TOMPSON. Jordan, what do you think--can we raise the shades now?

JORDAN. Yes, of course--after they've left the house it's all over as
far as we here are concerned.

[_She raises both shades._

TOMPSON. Phew! what an odor of flowers!

[_She opens one of the windows a little._

[MARIE, _a young, pretty, French woman, enters from the Right._

MARIE. Will I help you?

TOMPSON. Just with this table, thank you, Marie. [_They begin to
rearrange the room, putting it in its normal condition. They replace the
table and put back the ornaments upon it._] Poor Mr. Hunter, and him so
fond of mince pie. I shall never forget how that man ate mince pie.

[_She sighs lugubriously and continues her labor with the room._

LEONARD. I hope as how it's not going to make any difference with us.

JORDAN. [_Pompously._] Of course not; wasn't Mr. Hunter a millionnaire?

TOMPSON. Some millionnaires I've known turned out poor as Job's turkey
in their coffins!

MARIE. What you say? You tink we shall 'ave some of madame's or ze young
ladies' dresses?

TOMPSON. [_Hopefully._] Perhaps.

MARIE. I 'ave already made my choice. I like ze pale pink of Mees
Jessie.

LEONARD. Sh! I heard a carridge.

TOMPSON. Then they're coming back.

[MARIE _quickly goes out Right._

JORDAN. [_To_ LEONARD, _hurriedly, as he quickly goes out Left._] Take
them last two chairs!

[LEONARD, _with the chairs, follows_ JORDAN _out Left._ TOMPSON _hastily
puts back a last arm-chair to its usual position in the room and goes
out Right._ MRS. HUNTER _enters Left, followed by her three daughters_,
BLANCHE, JESSICA, _and_ CLARA, _and_ MASTER STERLING, _who is a small,
attractive child, five years of age. All are in the deepest conventional
mourning,_ MRS. HUNTER _in widow's weeds and_ CLARA _with a heavy, black
chiffon veil; the_ BOY _is also dressed in conventional mourning. As
soon as they enter, all four women lift their veils._ MRS. HUNTER _is a
well-preserved woman, with a pretty, rather foolish, and somewhat
querulous face. Her figure is the latest mode._ BLANCHE STERLING, _her
oldest daughter, is her antithesis,--a handsome, dignified woman, young,
sincere, and showing, in her attitude to the others and in her own point
of view, the warmth of a true, evenly-balanced nature._ JESSICA _is a
typical second child,--nice, good, self-effacing, sympathetic,
unspoiled._ CLARA _is her opposite,--spoiled, petulant, pretty, pert,
and selfish._

MRS. HUNTER. [_With a long sigh._] Oh, I am so glad to be back home and
the whole thing over without a hitch!

[_She sinks with a great sigh of relief into a big chair._

BLANCHE. [_Takes her son to_ MRS. HUNTER.] Kiss grandmother good-by, and
then Leonard will take you home.

MRS. HUNTER. Good-by, dear. Be a good boy. Don't eat too much candy.

[_Kisses him carelessly._

MASTER STERLING. Good-by. [_Runs towards the door Left, shouting
happily._] Leonard! Leonard!

MRS. HUNTER. [_Tearfully._] My dears, it was a great success! Everybody
was there!

[_The three younger women stand and look about the room, as if it were
strange to them--as if it were empty. There is a moment's silence._

BLANCHE. [_Tenderly._] Mother, why don't you take off your bonnet?

MRS. HUNTER. Take it off for me; it _will_ be a great relief.

BLANCHE. Help me, Jess.

MRS. HUNTER. [_Irritably._] Yes, _do_ something, Jessie. You've
mortified me terribly to-day! That child hasn't shed a tear. People'll
think you didn't love your father. [_The two are taking off_ MRS.
HUNTER'S _bonnet._ MRS. HUNTER _waits for an answer from_ JESSICA; _none
comes._] I never saw any one so heartless! [_Tearful again._] And her
father adored her. _She_ was one of the things we quarrelled _most_
about!

[_Over_ MRS. HUNTER'S _head_ BLANCHE _exchanges a sympathetic look with_
JESSICA _to show she understands._

CLARA. I'm sure _I've_ cried enough. I've cried buckets.

[_She goes to_ MRS. HUNTER _as_ BLANCHE _and_ JESSICA _take away the
bonnet and veil and put them on the piano._

MRS. HUNTER. [_Kissing Clara._] Yes, dear, you are your mother's own
child. And _you_ lose the most by it, too.

[_Leaning against the side of her mother's chair, with one arm about her
mother._

CLARA. Yes, indeed, instead of coming out next month, and having a
perfectly lovely winter, I'll have to mope the whole season, and, if I
don't look out, be a wallflower without ever having been a bud!

MRS. HUNTER. [_Half amused but feeling_ CLARA'S _remark is perhaps not
quite the right thing._] Sh--

[_During_ CLARA'S _speech above,_ BLANCHE _has taken_ JESSICA _in her
arms a moment and kissed her tenderly, slowly. They rejoin_ MRS. HUNTER,
BLANCHE _wiping her eyes,_ JESSICA _still tearless._

CLARA. And think of all the clothes we brought home from Paris last
month!

MRS. HUNTER. My dear, don't think of clothes--think of your poor father!
That street dress of mine will dye very well, and we'll give the rest to
your aunt and cousins.

BLANCHE. Mother, don't you want to go upstairs?

JESSICA. [_Sincerely moved._] Yes, I hate this room now.

MRS. HUNTER. [_Rising._] Hate this room! When we've just had it done!
Louis Kinge!

BLANCHE. Louis _Quinze_, dear! She means the associations now, mother.

MRS. HUNTER. Oh, yes, but that's weak and foolish, Jessie. No,
Blanche--[_Sitting again._]--I'm too exhausted to move. Ring for tea.

[BLANCHE _rings the bell beside the mantel._

CLARA. [_Crossing to piano, forgets and starts to play a music-hall
song, but_ MRS. HUNTER _stops her._] Oh, yes, tea! I'm starved!

MRS. HUNTER. Clara, darling! As if you could be hungry at such a time!

[JORDAN _enters Left._

BLANCHE. Tea, Jordan.

JORDAN. Yes, madam.

[_He goes out Left._

MRS. HUNTER. Girls, everybody in town was there! I'm sure even your
father himself couldn't have complained.

BLANCHE. Mother!

MRS. HUNTER. Well, you know he always found fault with my _parties_
being too mixed. He wouldn't realize I couldn't throw over all my old
set when I married into his,--not that I ever acknowledged I was your
father's inferior. I consider my family was just as good as his, only we
were _Presbyterians_!

BLANCHE. Mother, dear, take off your gloves.

MRS. HUNTER. I thought I had. [_Crying._] I'm so heartbroken I don't
know what I'm doing.

[_Taking off her gloves._

[BLANCHE _and_ CLARA _comfort their mother._

JESSICA. Here's the tea--

[JORDAN _and_ LEONARD _enter with large, silver tray, with tea, cups,
and thin bread-and-butter sandwiches. They place them on small tea-table
which_ JESSICA _arranges for them._

MRS. HUNTER. I'm afraid I can't touch it.

[_Taking her place behind tea-table and biting eagerly into a sandwich._

JESSICA. [_Dryly._] Try.

[BLANCHE _pours tea for them all, which they take in turn._

MRS. HUNTER. [_Eating._] One thing I was furious about,--did you see the
Witherspoons _here_ at the house?

CLARA. _I_ did.

MRS. HUNTER. The idea! When I've never called on them. They are the
worst social pushers I've ever known.

[_She takes another sandwich._

CLARA. Trying to make people think they are on our visiting list! Using
even a funeral to get in!

MRS. HUNTER. But I _was_ glad the Worthings were here, and I thought it
_sweet_ of old Mr. Dormer to go even to the cemetery. [_Voice breaks a
little._] He never goes to balls any more, and, they say, catches cold
at the slightest change of temperature.

[_She takes a third sandwich._

BLANCHE. A great many people loved father.

MRS. HUNTER. [_Irritably._] They ought to've. It was really foolish the
way he was always doing something for somebody! How good these
sandwiches are! [_Spoken very plaintively._

JESSICA. Shall we have to economize now, mother?

MRS. HUNTER. Of course not; how dare you suggest such an injustice to
your _father_, and _before_ the flowers are withered on his grave!

[_Again becoming tearful._

[JORDAN _enters Left with a small silver tray, heaping full of letters._

Has the new writing paper come?

BLANCHE. [_Who takes the letters and looks through them, giving some to
her mother._] Yes.

[BLANCHE _reads a letter, and passes it to_ JESSICA.

MRS. HUNTER. Is the black border broad enough? They said it was the
thing.

CLARA. If you had it any broader, you'd have to get white ink to write
with!

MRS. HUNTER. [_Sweetly._] Don't be impertinent, darling!

[_Reading another letter._

[_Enter_ MISS RUTH HUNTER. _She is an unmarried woman between thirty and
forty years of age, handsome, distinguished; an aristocrat, without any
pretensions; simple, unaffected, and direct in her effort to do
kindnesses where they are not absolutely undeserved. She enters the room
as if she carried with her an atmosphere of pure ozone. This affects all
those in it. She is dressed in deep mourning and wears a thick chiffon
veil, which she removes as she enters._

RUTH. Oh! you're having tea!

[_Glad that they are._

MRS. HUNTER. [_Taking a second cup._] I thought the children _ought_ to.

RUTH. Of course they ought and so ought you, if you haven't.

MRS. HUNTER. Oh, I've _trifled_ with something.

JESSICA. Sit here, Aunt Ruth.

BLANCHE. Will you have a cup, Aunt Ruth?

RUTH. Yes, dear, I'm feeling _very_ hungry.

[_Sitting on the sofa beside_ JESSICA _and pressing her hand as she does
so._

MRS. HUNTER. Hungry! _How can you!_

RUTH. Because I'm not a _hypocrite_!

MRS. HUNTER. [_Whimpering._] I suppose that's a slur at me!

RUTH. If the slipper fits! But I confess I haven't eaten much for
several days; I couldn't touch anything this morning, and I begin to
feel exhausted; I must have food and, thank Heaven, I want it. Thank
you.

[_To_ BLANCHE, _taking the cup from her._

MRS. HUNTER. I think it's awful, Ruth, and I feel I have a right to say
it--I think you owed it to my feelings to have worn a long veil; people
will think you didn't love your brother.

RUTH. [_Dryly._] Will they? Let them! You know as well as I do that
George loathed the very idea of crepe and all display of mourning.

MRS. HUNTER. [_Feeling out of her element, changes the subject._] You
stayed behind?

RUTH. Yes. I wanted to be the last there. [_Her voice chokes; she tries
to control herself._] Ah! you see my nerves are all gone to pieces. I
_won't_ cry any more!

MRS. HUNTER. I don't see how you could bear it--staying; but you never
had any heart, Ruth.

RUTH. [_Mechanically, biting her lips hard to keep the tears back._]
Haven't I?

MRS. HUNTER. My darling husband always felt that defect in you.

RUTH. George?

MRS. HUNTER. He resented your treatment of me, and often said so.

RUTH. [_Very quietly, but with determination._] Please be careful. Don't
talk to me like this about my brother, Florence--or you'll make me say
something I shall be sorry for.

MRS. HUNTER. I don't care! It wore on him, the way you treated me. I put
up with it for his sake, but it helped undermine his health.

RUTH. Florence, stop!

MRS. HUNTER. [_In foolish anger, the resentment of years bursting out._]
I _won't_ stop! I'm alone now, and the least you can do is to see that
people who've fought shy of me take me up and give me my due. You've
been a cruel, selfish sister-in-law, and your own brother saw and hated
you for it!

BLANCHE. _Mother!_

RUTH. [_Outraged._] Send your daughters out of the room; I wish to
answer you alone.

MRS. HUNTER. [_Frightened._] No! what you have to say to me I prefer my
children to hear!

[CLARA _comes over to her mother and puts her arm about her._

RUTH. I can't remain quiet any longer. George--[_She almost breaks down,
but she controls herself._] This funeral is enough, with its show and
worldliness! I don't believe there was a soul in the church you didn't
see! Look at your handkerchief! Real grief isn't measured by the width
of a black border. I'm ashamed of you, Florence! I never liked you very
much, although I tried to for your husband's sake, but now I'm even more
ashamed of you. My dear brother is gone, and there need be no further
bond between us, but I want you to understand the true reason why, from
to-day, I keep away from you. This funeral was revolting to me!--a show
spectacle, a social function, and for _him_ who you know _hated_ the
very thing. [_She stops a moment to control her tears and her anger._] I
saw the reporters there, and I heard your message to them, and I
contradicted it. I begged them not to use your information, and they
were gentlemen and promised me not to. You are, and always have been, a
silly, frivolous woman. I don't doubt you loved your husband as much as
you could any man, but it wasn't enough for me; he was worth being
adored by the best and noblest woman in the world. I've stood by all
these years, trying with my love and silent sympathy to be some comfort
to him--but I saw the disappointment and disillusionment eat away the
very _hope_ of happiness out of his heart. I tried to help him by
helping you in your foolish ambitions, doing what I could to give my
brother's wife the social position _his name_ entitled her to!

MRS. HUNTER. That's not true; I've had to fight it out all alone!

RUTH. It was not my fault if my best friends found you intolerable; _I_
couldn't blame them. Well, now it's over! George is at rest, please God.
You are a rich woman to do what you please. Go, and do it! and Heaven
forgive you for ruining my brother's life! I'm sorry to have said all
this before your children. Blanche, you know how dearly I love you, and
I hope you have forgiven me by now for my opposition to your marriage.

BLANCHE. Of course I've forgiven you, but you were always unjust to
Dick.

RUTH. Yes; I didn't like your husband then, and I didn't believe in him,
but I like him better now. And I am going to put all my affairs in his
hands. I couldn't show--surely--a better proof of confidence and liking
than that: to trust him as I did--your father. I hope I shall see much
of you and Jessica. As for you, Clara, I must be honest--

CLARA. [_Interrupting her._] Oh, I know you've always hated me! The
presents you gave the other girls were always twice as nice as I got!

MRS. HUNTER. [_Sympathetically._] Come here, darling.

[CLARA _goes and puts her arms about her mother's neck._

RUTH. You are your mother's own child, Clara, and I never could pretend
anything I didn't feel. [_She turns to_ BLANCHE _and_ JESSICA, _who
stand side by side._] You two are all I have left in the world of my
brother. [_She kisses them, and lets the tears come, this time without
struggling._] Take pity on your old-maid aunt and come and see me, won't
you, _often_--[_Trying to smile away her tears._] And now good-by!

JESSICA AND RUTH. [_Taking her hands._] Good-by.

[RUTH _looks about the room to say good-by to it; she cries and
hurriedly begins pulling down her veil, and starts to go out as_ JORDAN
_enters Left and announces "Mr. Mason!"_

[MRS. HUNTER _fluffs her hair a little and hopes she looks becoming._

[MASON _is a typical New Yorker, well built, well preserved, dignified,
and good-looking,--a solid man in every sense of the word._

MASON. [_Meeting_ RUTH, _shakes hands with her._] Miss Hunter.

RUTH. I am just going, Mr. Mason.

MASON. You must stay. I sent word to your house this morning to meet me
here.

[_Shakes hands with the others._

RUTH. I was here all night.

MRS. HUNTER. Will you have some tea? The children were hungry.

MASON. No, thank you. [_To_ BLANCHE.] Isn't your husband here?

[JORDAN, _at a signal from_ MRS. HUNTER, _removes the tea things._

BLANCHE. No, he left us at the door when we came back.

MASON. Didn't he get a letter from me this morning asking him to meet me
here?

BLANCHE. Oh, yes, he did mention a letter at breakfast, but my thoughts
were away. He has been very much worried lately over his affairs; he
doesn't confide in me, but I see it. I wish you could advise him, Mr.
Mason.

MASON. I cannot advise your husband if he won't _ask_ my advice. I don't
think we'll wait for Mr. Sterling.

[_Gives chair to_ MRS. HUNTER.

MRS. HUNTER. I suppose you've come about all the horrid business. Why
not just tell us how much our income is, and let all the details go. I
really think the details are more than I can bear to-day.

MASON. That can be certainly as you wish; but I felt--as your business
adviser--and besides I promised my old friend, your husband--it was my
duty to let you know how matters stand with the least possible delay.

MRS. HUNTER. [_Beginning to break down._] George! George!

[RUTH _looks at her, furious, and bites her lips hard._ JESSICA _is
standing with her back toward them._

MASON. Well, then--

[_He is interrupted by_ MRS. HUNTER, _who sees_ JESSICA.

MRS. HUNTER. Jess! How rude you are! Turn around this minute! [JESSICA
_does not move._] What do you mean! Excuse me, Mr. Mason! Jess! Such
disrespect to your father's will! Turn around! [_Angry._] Do you hear
me?

JESSICA. [_With her back still turned, her shoulders shaking, speaks in
a voice broken with sobs._] Leave me alone! Leave me alone--

[_She sits in a chair beside her and leans her arms upon its back and
buries her face in her arms._

BLANCHE. [_With her hand on her mother's arm._] Mother! Don't worry her!

MRS. HUNTER. Go on, please, Mr. Mason, and remember, _spare us the
details._ What is our income?

MASON. Mrs. Hunter, there is no income.

MRS. HUNTER. [_Quietly, not at all grasping what he means._] No income!
How is our money--

MASON. I am sorry to say there is _no_ money.

MRS. HUNTER. [_Echoes weakly._] No money?

MASON. Not a penny!

MRS. HUNTER. [_Realizing now what he means, cries out in a loud, hard,
amazed voice._] What!

BLANCHE. [_With her hand on her shoulder._] Mother!

MRS. HUNTER. I don't believe it!

RUTH. [_To_ MASON.] My good friend, do you mean that literally--that my
brother died without leaving _any_ money behind him?

MRS. HUNTER. For his wife and family?

MASON. I mean just that.

RUTH. But how?

MRS. HUNTER. Yes, _tell us the details_--every one of them! You can't
imagine the shock this is to me!

MASON. Hunter sent for me two days before he died, and told me things
had gone badly with him last year, but it seemed impossible to retrench
his expenses.

RUTH. _Are you listening, Florence?_

MRS. HUNTER. Yes, of course I am; your brother was a very extravagant
man!

MASON. This year, with his third daughter coming out, there was need of
more money than ever. He was harassed nearly to death with financial
worries. [RUTH _begins to cry softly._ MRS. HUNTER _gets angrier and
angrier._] And finally, in sheer desperation, and trusting to the advice
of the Storrings, he risked everything he had with them in the
Consolidated Copper. The day after, he was taken ill. You know what
happened. The Storrings, Hunter, and others were ruined absolutely; the
next day Hunter died.

RUTH. Poor George! Why didn't he come to me; he must have known that
everything I had was his!

MASON. He was too ill when the final blow came to realize it.

MRS. HUNTER. [_Angry._] But his _life insurance_,--there was a big
policy in my name.

MASON. He had been obliged to let that lapse.

MRS. HUNTER. You mean I haven't even my _life_ insurance?

MASON. As I said, there is nothing, except this house, and that is--

MRS. HUNTER. [_Rises indignantly and almost screams in angry
hysterics._] _Mortgaged_, I presume! Oh, it's insulting! It's an
indignity. It's--it's--Oh, well, it's just like my husband, there!

BLANCHE. Mother!

[RUTH _rises, and, taking_ MASON'S _arm, leads him aside._

MRS. HUNTER. [_To_ BLANCHE.] Oh, don't talk to me now! You always
preferred your father, and now you're punished for it! He has wilfully
left your mother and sisters paupers!

BLANCHE. How can you speak like that! Surely you know father must have
suffered more than we could when he realized he was leaving nothing for
you.

JESSICA. Yes, and it was for us too that he lost all. It was our
extravagance.

MRS. HUNTER. Hush! How dare _you_ side against me, too?

RUTH. Florence--

MRS. HUNTER. Well, Ruth, what do you think of your brother now?

BLANCHE. [_To her mother._] Don't!

MASON. By whom were the arrangements for to-day made?

MRS. HUNTER. My son-in-law had most pressing business, and his friend--

BLANCHE. The friend of all of us--

MRS. HUNTER. Yes, of course, Mr. Warden saw to everything.

BLANCHE. He will be here any moment!

MASON. When he comes, will you send him on to me, please?

RUTH. Yes.

MASON. Very well. Good-by. [_Shakes hands with_ BLANCHE.] I am very
sorry to have been the bearer of such bad news.

MRS. HUNTER. [_Shaking hands with him._] Please overlook anything I may
have said; at such a moment, with the loss of all my money--and my dear
husband--I don't know _what_ to say!

MASON. Naturally. [_To the others._] Good-by. [_To_ RUTH, _who follows
him._] I'll come to see you in the morning.

[_As they shake hands._

RUTH. And I can then tell you what I settle here now. [MASON _goes out
Left._] Florence, I'm very sorry--

[_Interrupted._

MRS. HUNTER. Oh! _You!_ Sorry!

RUTH. Yes, very, very sorry,--first, that I spoke as I did just now.

MRS. HUNTER. It's too late to be sorry for that now.

RUTH. No, it isn't, and I'll prove to you I mean it. Come, we'll talk
things over.

MRS. HUNTER. Go away! I don't want you to prove anything to me! [MRS.
HUNTER _and_ CLARA _sit side by side on the sofa._ BLANCHE _and_ JESSICA
_are in chairs near the table._ RUTH _sits beside_ BLANCHE. MRS. HUNTER
_has something the manner of porcupines and shows a set determination to
accept nothing by way of comfort or expedient._ BLANCHE _looks hopeful
and ready to take the helm for the family._ JESSICA _will back up_
BLANCHE.] My happiness in this world is over. What have I to live for?

RUTH. Your children!

MRS. HUNTER. Beggars like myself!

BLANCHE. But your children will work for you.

CLARA. Work! I see myself.

RUTH. So do I.

MRS. HUNTER. My children work! Don't be absurd!

JESSICA. It is not absurd! I can certainly earn my own living somehow
and so can Clara.

CLARA. Doing _what_, I should like to know! I see myself!

BLANCHE. Jess is right. I'll take care of this family--father always
said I was "his own child." I'll do my best to take his place.

RUTH. I will gladly give Jessica a home.

MRS. HUNTER. [_Whimpers._] You'd rob me of my children, too!

JESSICA. Thank you, Aunt Ruth, but I must stay with mother and be
Blanche's right-hand man!

CLARA. I might go on the stage.

MRS. HUNTER. My dear, smart people don't any more.

CLARA. I'd like to be a sort of Anna Held.

JESSICA. I don't see why I couldn't learn typewriting, Blanche?

MRS. HUNTER. Huh! Why, you could never even learn to play the piano; I
don't think you'd be much good at typewriting.

CLARA. You want to be a typewriter, because in the papers they always
have an old gentleman taking them to theatres and supper! No, sir, if
there is to be any "old man's darling" in this family, _I'll_ be _it_!

RUTH. [_Dryly._] You'll have to learn to spell correctly first!

CLARA. [_Superciliously._] Humph!

JESSICA. There are lots of ways nowadays for women to earn their living.

RUTH. Yes, typewriting we will consider.

MRS. HUNTER. Never!

[_No one pays any attention to her except_ CLARA, _who agrees with her._

RUTH. Jess, you learned enough to _teach_, didn't you?--even at that
fashionable school your mother sent you to?

JESSICA. Oh, yes, I think I could teach.

MRS. HUNTER. Never!

[_Still no one pays any attention except_ CLARA _who again agrees with
her._

CLARA. No, indeed! _I_ wouldn't teach!

BLANCHE. If we only knew some nice elderly woman who wanted a companion,
Jess would be a godsend.

CLARA. If she was a nice _old_ lady with lots of money and delicate
health, I wouldn't mind that position myself.

RUTH. Clara, you seem to take this matter as a supreme joke!

MRS. HUNTER. [_With mock humility._] May _I_ speak? [_She waits. All
turn to her. A moment's, silence._] MAY I speak?

RUTH. Yes, yes. Go on, Florence; don't you see we're listening?

MRS. HUNTER. I didn't know! I've been so completely ignored in this
entire conversation. But there is one thing for the girls--the easiest
possible way for them to earn their living--which you don't seem for a
moment to have thought of!

[_She waits with a smile of coming triumph on her face._

RUTH. Nursing!

MRS. HUNTER. [_Disgusted._] No!

CLARA. Manicuring?

MRS. HUNTER. _Darling!_

BLANCHE. Designing dresses and hats?

MRS. HUNTER. No!

JESSICA. Book-keeping?

MRS. HUNTER. No.

RUTH. Then what in the world is it?

MRS. HUNTER. Marriage!

CLARA. Oh, of course!

RUTH. Humph!

[JESSICA _and_ BLANCHE _exchange glances._

MRS. HUNTER. That young Mr. Trotter would be a fine catch for Jess.

JESSICA. Who loathes him!

MRS. HUNTER. Don't be old-fashioned! He's very nice.

RUTH. A little cad, trying to get into society--nice occupation for a
_man_!

JESSICA. Mother, you can't be serious.

CLARA. Why wouldn't he do for _me_?

RUTH. He _would_! The very thing!

MRS. HUNTER. We'll see, darling; I think Europe is the place for you. I
don't believe all the titles are gobbled up yet.

RUTH. Jess, I might get you some women friends of mine, to whom you
could go mornings and answer their letters.

MRS. HUNTER. I should not allow my daughter to go in that capacity to
the house of any woman who had refused to call on her mother, which is
the way most of your friends have treated me.

RUTH. Do you realize, Florence, this is a question of bread and butter,
a practical suggestion of life, which has nothing whatever to do with
the society columns of the daily papers?

MRS. HUNTER. I do _not_ intend that my daughters shall lose their
positions because their father has been--what shall we call
it--criminally negligent of them.

RUTH. [_Rising._] How dare you! You are to blame for it all. If you say
another word injurious to my brother's memory, I'll leave this house and
let you starve for all I'll do for you.

BLANCHE. Aunt Ruth, please, for father's sake--

CLARA. Well, this house is ours, anyway!

BLANCHE. That is what _I've_ been thinking of. The house is yours. It's
huge. You don't need it. You must either give it up altogether--

MRS. HUNTER. [_Interrupts._] _What! Leave it? My house! Never!_

BLANCHE. Or--let out floors to one or two friends,--bachelor friends.
Mr. Mason, perhaps--

CLARA. [_Interrupts, rising, furious._] Take in _boarders_!

MRS. HUNTER. [_Who has listened aghast, now rises in outraged dignity;
she stands a moment glaring at_ BLANCHE, _then speaks._] Take--[_She
chokes._] _That_ is the _last straw_!

[_And she sweeps from the room Right._

CLARA. Mama! Mama!

[_She goes out after her mother._

[_The other three women watch the two leave the room, then turn and look
at each other._

BLANCHE. We'll manage somehow, only I think it would be easier for us to
discuss all practical matters by _ourselves_.

RUTH. And I want you to understand this, girls,--I represent your dear
father; half of everything I have is yours, and you must promise me
always to come to me for everything.

[STERLING _enters suddenly Left._

[_He is a man of thirty-eight or forty, a singularly attractive
personality; he is handsome and distinguished. His hair is grayer than
his years may account for and his manner betrays a nervous system
overtaxed and barely under control. At the moment that he enters he is
evidently laboring under some especial, and only half-concealed, nervous
strain. In spite of his irritability at times with his wife, there is an
undercurrent of tenderness which reveals his real love for_ BLANCHE.

STERLING. Oh, you're all here! Have I missed old Mason?

RUTH. Yes, but Blanche will tell you what he had to say. I'm going
upstairs to try and pacify your mother. We mustn't forget she has a hard
time ahead of her.

[_She goes out Right with_ JESSICA.

STERLING. I suppose Mason came about the will and your father's affairs?

BLANCHE. Yes, you ought to have been here.

STERLING. [_Irritably._] But I couldn't--I told you I couldn't!

BLANCHE. Do you realize, dear, that you haven't been able to do
_anything for me_ for a long time? Lately, even I hardly ever _see_
you--I stay home night after night alone.

STERLING. That's your own fault, dear; Ned Warden's always ready to take
you anywhere you like.

BLANCHE. [_With the ghost of a jest._] But do you think it's quite right
for me to take up all Mr. Warden's time?

STERLING. Why not, if he likes it?

BLANCHE. And don't you think people will soon talk?

STERLING. Darling! People always talk, and who cares!

BLANCHE. It's months since you showed me any sign of affection, and now
when my heart is hungrier than ever for it,--you know how I loved my
father,--I long for sympathy from _you_, and you haven't once thought to
take me, your wife, in your arms and hold me close and comfort me.

STERLING. I'm sorry, old girl, I'm really sorry. [_Embracing her
affectionately._] And surely you know I don't love any other woman in
the world but you. [_He kisses her._] It's only because I've been
terribly worried. I don't want to bother you with business, but I've
been in an awful hole for money. I tried to make a big coup in Wall
Street the other day and only succeeded getting in deeper, and for the
last few days I've been nearly distracted.

BLANCHE. Why didn't you tell me?

STERLING. I thought I'd get out of it with this Consolidated Copper
without worrying you.

BLANCHE. You were in that, too?

STERLING. How do you mean I, "too"?

BLANCHE. Mr. Mason has just told us _father_ lost everything in it.

STERLING. [_Aghast._] You don't mean your father hasn't left any money?

BLANCHE. Nothing.

STERLING. [_Forgetting everything but what this means to him._] Nothing!
But I was counting on your share to save me! What did the damned old
fool mean?

BLANCHE. Dick!

STERLING. Forgive me, I didn't mean to say that.

BLANCHE. Oh, _who are you_! _What_ are you! You are not the man I
thought when I married you! Every day something new happens to frighten
me, to threaten my love for you!

STERLING. No, no, don't say that, old girl.

[_He tries to take her hand._

BLANCHE. What right have you to criticise my father, to curse him--and
to-day!

STERLING. I don't know what I'm saying, Blanche. Try to forgive me. I
wouldn't have thought of such a thing as his money to-day if it wasn't
the only thing that can save me from--disgrace.

[_His voice sinking almost to a whisper and the man himself sinking into
a chair._

BLANCHE. Disgrace! How? What disgrace?

[_Going to him._

STERLING. I can't explain it; you wouldn't understand.

BLANCHE. You must explain it! _Your_ disgrace is _mine_.

STERLING. [_Alarmed at having said so much, tries to retract a little._]
Disgrace was too strong a word--I didn't mean that. I'm in trouble. I'm
in trouble. Good God, can't you see it? And if you love me, why don't
you leave me alone?

BLANCHE. How can I go on loving you without your confidence?--without
ever being suffered to give you any sympathy? Doll wives are out of
fashion, and even if they weren't, I could never be one.

STERLING. [_Laughing._] My dear, I'd never accuse you of being stuffed
with sawdust.

BLANCHE. Oh, and now you joke about it. Take care, Dick.

STERLING. What's this, a threat?

BLANCHE. Yes, if you like to call it that. You've been putting me more
and more completely out of your life; take care that I don't finish your
work and go the last step.

STERLING. [_Seizing her roughly by the wrist._] The last step! What do
you mean by that? [_Holding her hand more roughly._] _You dare_ to be
unfaithful to me!

BLANCHE. What! You could think I meant that! Ugh! How could you?

STERLING. Well, what did you mean then? Eh?

[_Pulling her up close to him, her face close to his. She realizes first
by the odor, then by a searching look at his face, that he is partly
under the influence of liquor._

BLANCHE. [_With pathetic shame._] Let me go! I see what's the matter
with you, but the reason is no excuse; you've been drinking.

STERLING. [_Dropping her hand._] Ugh! The usual whimper of a woman!

[RUTH _reenters Right._

RUTH. Well, Blanche, dear, your mother's in a calmer frame of mind, and
I must go. Dick, can you lunch with me to-morrow?

STERLING. [_Hesitating, not caring about it._] Er--to-morrow?--er--

RUTH. Oh, only for business. I must have a new business man now to do
all that _he_ did for me, and I'm going to try to make up to you for not
having been always your--_best_ friend, by putting my affairs in _your_
hands.

BLANCHE. [_Serious, uneasy, almost frightened._] Aunt Ruth--

[_She stops._

RUTH. What, dear?

BLANCHE. Nothing.

[_She gives_ STERLING _a searching, steady look and keeps her eyes upon
him, trying to read his real self._

RUTH. [_Continues to_ STERLING.] Mr. Mason is coming to me in the
morning, and if you will lunch with me at one, I will then be able to
give all the papers over to you.

[STERLING, _who up to this time has been almost dumbfounded by this
sudden good fortune, now collects himself, and speaks delightedly but
with sufficient reserve of his feelings._ BLANCHE _does not take her
eyes from_ STERLING'S _face._

STERLING. Aunt Ruth, I thank you from the bottom of my heart, and I will
do my best.

BLANCHE. [_Quickly._] Promise her, Dick, before me--give her your word
of honor--you will be faithful to Aunt Ruth's trust.

[_He answers_ BLANCHE'S _look steadily with a hard gaze of his own._

RUTH. His acceptance of my trust is equal to that, Blanche.

BLANCHE. It is of course, isn't it, Dick?

STERLING. Of course.

[BLANCHE _is not content, but has to satisfy herself with this._

RUTH. To-morrow at one, then.

[_She starts to go._

[JORDAN _enters Left._

JORDAN. Mr. Warden.

RUTH. I can't wait. Good-by.

[_She goes out Left._

BLANCHE. We will see Mr. Warden.

JORDAN. Yes, madam.

[_He goes out Left._

STERLING. Blanche, go to your mother and ask her to see Ned to thank
him. I want a minute's talk with him if you don't mind.

BLANCHE. [_Pathetically._] What difference does it make, Dick, if I _do_
mind?

STERLING. Don't say that, old girl, and don't think it.

BLANCHE. Dick, you _are_ honest, aren't you?

STERLING. [_Without flinching._] What a question, Blanche!

[JORDAN _enters Left announcing "Mr. Warden."_ WARDEN _enters, and_
JORDAN _goes out._

[EDWARD WARDEN, _though in reality scarcely younger than_ STERLING,
_looks at least ten years his junior. He is good-looking, practical, a
reasoning being, and self-controlled. He is a thorough American, with
the fresh and strong ideals of his race, and with the feeling of romance
alive in the bottom of his heart._

STERLING. [_In enormous relief, greets him joyfully._] Ned, what do you
think! The greatest news going!

BLANCHE. Dick!

STERLING. Excuse me, Blanche, I forgot; but Ned will know how I can't
help being glad.

[WARDEN _goes to_ MRS. STERLING.

BLANCHE. [_Shaking_ NED'S _hand._] And Mr. Warden knows nothing could
make me "_glad_" to-day. Thank you for all your kindness--

WARDEN. Don't thank me; it was nothing.

BLANCHE. Yes, please let me thank you all I can; it won't be half what I
feel, but I want to know that you know even my silence is full of
gratitude for all you've done for my mother, sisters, and me.

STERLING. Yes, we're all immensely indebted to you, Ned, old man.

BLANCHE. I will tell mother. I know she wants to see you.

[_She goes out Right._

STERLING. [_Speaking with suppressed excitement and uncontrollable
gladness, unable to keep it back any longer._] Ned, my wife's aunt, Miss
Hunter, has put all her business in my hands.

WARDEN. Made you her agent?

STERLING. Yes! What a godsend! Hunter didn't leave a cent.

[_A moment's pause of astonishment._]

WARDEN. What do you mean?

STERLING. It seems he's been losing for a long time. Everything he had
he lost in the copper crash.

WARDEN. But this is awful! What will Mrs. Hunter and her two young
daughters do?

STERLING. I don't know. I hadn't thought of that.

WARDEN. You'll have to think of it.

STERLING. I?

WARDEN. Of course you'll have to help them.

STERLING. I can't! Look here, I didn't tell you the truth about my
affairs last week, when I struck you for that loan.

WARDEN. You don't mean to say you weren't straight with me?

STERLING. Oh, I only didn't want to frighten you till I'd got the money;
if you had made me the loan, I'd have owned up afterwards all right
enough.

WARDEN. Owned up what?

STERLING. That I told you a pack of lies--that I haven't any
security!--that I haven't anything but _debts_.

WARDEN. [_Strongly._] Good things to borrow on! Look here, Dick, how
long have we been friends?

STERLING. Since that day at boarding school when you took a licking for
something I did.

WARDEN. What I mean is we were pals at school, chums at college, stanch
friends for twenty years.

STERLING. Hell! Are we as old as all that?

WARDEN. Inseparable friends till the last two years.

[STERLING'S _eyes shift._

STERLING. I've been overworked lately, and everything has gone wrong!

WARDEN. [_Comes up to him, and speaks firmly but still friendly._] You
_yourself_ have _gone wrong_!

STERLING. [_On the defensive._] What do you mean?

WARDEN. Why did you take your business out of my hands?

STERLING. The law didn't pay me enough. I thought I'd try a little
amateur stockbroking.

[_Smiling insincerely._

WARDEN. You didn't want _me to know_ what you were doing!

STERLING. Rats!

WARDEN. You didn't want me to know what funds--_whose_ funds--you were
using--_mis_using.

STERLING. [_Ugly._] What!

WARDEN. Whose money you were gambling with!

STERLING. Have you been spying on me?

WARDEN. Your _wife's_ money!

STERLING. Well, she's _my_ wife, and you don't know what you're talking
about!

[_He turns from him and picks up a book from the table upside down and
pretends to read it._

WARDEN. You stole from me once when you were a boy!

STERLING. No! I didn't!

[_Throwing the book down._

WARDEN. You lie! Do you hear me? _You lie!_ [_He waits a second._
STERLING _does nothing._] I was never sure till to-day! I fought against
ever thinking it, believing my suspicions were an injustice to you, but
little things were always disappearing out of my rooms--finally, even
money. Lately, that old suspicion has come back with a fuller force, and
to-day it became a certainty.

STERLING. How to-day?

WARDEN. Because if it weren't true, you'd have knocked me down just now
when I called you first a thief and _twice_ a liar!

[_He stands squarely facing him._ STERLING _stands facing him also,
surprised, taken off his guard._

STERLING. Oh, come, you're joking! [WARDEN _makes an angry
exclamation._] Why're you telling me all this now?

WARDEN. Because I want you to be careful. I want you to know some one is
watching you! Some one who knows what you've come to! Some one who knows
you can't resist temptation! Some one who knows money not yours _has_
stuck to your fingers!

STERLING. You mind your own business.

WARDEN. I'll mind _yours_ if it's necessary to protect people who are
dear to me!

[STERLING _looks at him with a sudden suspicion._

STERLING. [_Insinuatingly._] I didn't know you were particularly
attached to Mrs. Hunter.

WARDEN. I'm not.

STERLING. Or to her two unmarried daughters!

WARDEN. Nor am I!

STERLING. [_With whispered intensity._] By God, if you are in love with
my wife!

WARDEN. If you thought that out loud, I'd knock you down!

STERLING. Huh! you talk as if you thought I were a coward!

WARDEN. No, not a _physical_ coward--I've seen you do too many plucky
things--but a _moral_ coward--yes, you are one!

[_Straight to him, standing close and looking him squarely in the eyes._

STERLING. [_Wavering._] Oh, you're too damned preachy!

[MRS. HUNTER _enters Right with_ CLARA. MRS. HUNTER _shakes hands with_
WARDEN _silently, happy in the feeling that she is in great affliction,
and satisfied with the appearance and impression she is making. She
carries her handkerchief, with its black border, ready in her hand._
CLARA _has silently shaken hands with_ WARDEN, _after her mother. She
afterwards goes to_ STERLING _and hands him several of the letters of
condolence. She then goes to the window at Left, pulling aside the
curtain, and stands looking out, rather bored, wishing she could go out
and take a walk._

MRS. HUNTER. We will never forget your kindness. Will the evening papers
have anything in, do you think?

WARDEN. No, not before morning.

MRS. HUNTER. [_Sighs._] Every one was there.

STERLING. Where's Blanche?

MRS. HUNTER. Upstairs. She said she was going after Aunt Ruth.

STERLING. [_Frightened._] After Aunt Ruth? [_Strongly._] What for?

MRS. HUNTER. I don't know. [_Whimpering._] I'm not considered in the
family any longer!

STERLING. I shall stop and take her home.

[JORDAN _enters._

JORDAN. Will you see visitors, madam?

STERLING. No.

[_He goes out Right._

MRS. HUNTER. "No"? Yes, we will! I need to see some one, or I shall
break down. Go upstairs, Clara!

CLARA. No, _why_ need I?

MRS. HUNTER. You're not out yet.

CLARA. I don't care! At this rate I'll never get "out." Who are they,
Jordan?

JORDAN. Miss Sillerton, Miss Godesby, and Mr. Trotter, miss.

WARDEN. I must go, Mrs. Hunter.

MRS. HUNTER. [_Relieved._] So sorry. Could you go straight to Mr. Mason?
He wishes to see you?

[_Shaking hands._

WARDEN. Certainly.

MRS. HUNTER. Thank you.

[WARDEN _inclines his head to_ CLARA.

CLARA. [_Lightly._] Good-by!

[WARDEN _goes out Left._

MRS. HUNTER. I don't think we ought to receive Mr. Trotter.

CLARA. Pshaw! why not? If there's really any idea of my mar--

[_She stops short, silenced by a look from her mother and an indication
toward_ JORDAN.

MRS. HUNTER. Show them up, Jordan. [JORDAN _bows and goes out._] How do I
look, dear?

[_Arranges her handkerchief._

CLARA. [_Looking in the mirror._] How do I?

MRS. HUNTER. [_With her back to_ CLARA.] I asked you first how _I_
looked!

CLARA. [_Not observing._] Oh, you're all right, how am I?

MRS. HUNTER. [_Not looking at_ CLARA.] Charming! We'll go upstairs and
come down again; I don't think it nice to be found here as if we were
expecting visitors.

[_They go out Right._

[JORDAN _steps into the room to announce the visitors, and seeing no one
there, bows as the three pass him._

JORDAN. The ladies will be down at once.

[_He goes out Right._

[_The three turn, looking about the room with curiosity, as if the
funeral might have made some difference in the house._

[MISS SILLERTON _is a handsome, attractive woman, most fashionably
dressed and perfectly conventional in character and intelligence._ MISS
GODESBY _is a little slow, more assertive, sharper of tongue, more
acutely intelligent, and equally smartly dressed. She has still a
remnant of real, sincere feeling buried under a cynical mask which her
life in a fast set has developed for her self-preservation._ TROTTER _is
a foolish young person, meaning well enough according to his lights,
which are not of the biggest and brightest._

TROTTER. Classy house altogether!

MISS SILLERTON. Mrs. Hunter went to the most expensive decorator in
town, and told him, no matter what it cost, to go ahead and do his
_worst_!

[_They all laugh and seat themselves comfortably._

TROTTER. Say! The youngest daughter is a good looker--very classy.

MISS SILLERTON. That's the one we told you about, the one we want you to
marry.

MISS GODESBY. Yes, with your money and her cleverness, she'll rubber
neck you into the smartest push in town!

TROTTER. You've promised I shall know the whole classy lot before
spring.

MISS GODESBY. So you will if you do as we tell you. But you mustn't let
society see that you _know_ you're getting in; nothing pleases society
so much as to think you're a blatant idiot. It makes everybody feel
you're their equal--that's why you get in.

TROTTER. I've got a coach and can drive four-in-hand. I've an automobile
drag, and the biggest private yacht in the world building. I'm going to
have the most expensive house in Long Island, where the oysters come
from, and I've bought a lot in Newport twice as big as the swellest
fellow's there. I've got a house in London and a flat in Paris, and I
make money fly. I think I ought to be a cinch as a classy success.

MISS GODESBY. Don't be a yap; flag Clara Hunter and you're all right!

MISS SILLERTON. Her father's position was the best in this country!

TROTTER. But he's dead.

[_Sitting._

MISS GODESBY. A good thing for you, for he would never have stood for
you!

TROTTER. He'd have had to--or do without me as a son-in-law--I wouldn't
marry the Venus of Milo if her father didn't think I was good enough.
I'm no Dodo bird!

MISS GODESBY. It's up to you now, Trotter! Go in and win.

[_Enter_ TOMPSON _Right; a decided change takes place in all their
manners._

TOMPSON. Madam will be down at once, miss.

MISS SILLERTON. Thank you.

[TOMPSON _goes out Right._

MISS GODESBY. Only stay a minute or two, Trotty--we're doing our best
for you, but we must look out for ourselves, too, and we've come here
to-day on business.

MISS SILLERTON. How'll we ever get the subject on to clothes?

MISS GODESBY. Humph! Do you think you can talk five minutes with Mrs.
Hunter and not hit that topic? It's a bull's eye!

TROTTER. I don't see where I'm going to come into this classy
conversation.

MISS GODESBY. You see, Trotty, they brought over piles of clothes from
Europe this year, and we want to get hold of them before any one else
has a chance--get 'em cheap before they have an idea anybody else'll buy
them.

TROTTER. Who buy what?

MISS SILLERTON. _We_--buy their winter clothes.

TROTTER. For Heaven's sake!

MISS GODESBY. Laugh, you silly! I heard the Reed girls planning to come
to-morrow. They didn't dare come to-day. Those girls haven't any sand!
They're always getting left.

TROTTER. You two _are_ Dodo birds!

MISS GODESBY. I say, Eleanor, you're such a lobster about prices and
Mrs. Hunter's no idiot, we'd better agree on some sort of a signal!
Listen! if you like a gown very much, ask the price, then say to me, "My
dear, your hat pin is coming out." And if I think it's a bargain, I'll
say, "So it is, thank you; won't you put it in for me?" And if I think
Mrs. Hunter's trying to stick you, I'll say "No, it isn't; it's always
like that."

MISS SILLERTON. All right.

[MRS. HUNTER _and_ CLARA _enter Right. The manner of_ MISS SILLERTON
_and_ MISS GODESBY _changes immediately. They speak with rather subdued
voices, in the tone of conventional sympathy which is usually adopted on
such occasions._ MRS. HUNTER _also assumes the manner of a martyr to
grief._ CLARA _is casual and hard._

MISS SILLERTON. [_Shakes hands with_ MRS. HUNTER.] Dear Mrs. Hunter.

[_She kisses her._

Clara, dear.

[_She kisses her._

[MISS GODESBY _goes to_ MRS. HUNTER _and shakes hands while_ MISS
SILLERTON _crosses to_ CLARA; _Trotter shakes hands with_ MRS. HUNTER
_as_ MISS GODESBY _goes to_ CLARA.

TROTTER. I hope you don't think my coming an intrusion.

MRS. HUNTER. Not at all.

MISS GODESBY. I felt we must stop in for a few minutes to give you our
love and sympathy and find out how you are.

MRS. HUNTER. I've been through a terrible strain. My loss is even
greater than I could ever possibly imagine.

CLARA. [_Who misinterprets her mother's remark._] Yes, indeed, I should
say it was!

[MRS. HUNTER _stops her with a warning look._

MRS. HUNTER. But every one has been most kind. _Lady Hopeton_ sent me a
beautiful long letter to-day.

MISS GODESBY. And I'm glad to find you looking so well. Black _suits_
you!

[_She exchanges a knowing glance with_ MISS SILLERTON.

MRS. HUNTER. Oh, I don't know, Julia; I've always thought black very
_trying_ for me.

MISS GODESBY. Oh, _no! every one's_ saying _just_ the reverse!

MRS. HUNTER. But--I suppose clothes don't interest you, Mr. Trotter?

TROTTER. Oh, yes, they do, out of sight!

CLARA. Well, I wish you could have seen the beautiful things we brought
over with us!

MISS SILLERTON. Julia and I were just speaking about it, and pitying you
from the bottom of our hearts.

[MISS SILLERTON _and_ MISS GODESBY _again exchange surreptitious
glances._

MRS. HUNTER. Every one's been most kind.

[_There is an awkward pause for a moment, no one knowing quite what to
say. Both_ MISS GODESBY _and_ MISS SILLERTON _have started the
conversation in the direction of clothing and are fearful of the topic
being changed. As the pause becomes embarrassing, they look helplessly
from one to the other, and all five, suddenly and at once, make an
ineffectual effort to say something--or nothing. Out of the general
confusion_ MRS. HUNTER _comes to the front, mistress of the situation._]
Are you going to stay in New York this winter, Mr. Trotter?

TROTTER. Yes, I'm negotiating for one of the biggest classy building
plots on upper Fifth Avenue.

CLARA. [_To_ MISS GODESBY.] I saw in the papers you were at the dance
last night.

[MISS GODESBY _nods and motions surreptitiously to_ TROTTER _to go. He,
however, doesn't understand._

MRS. HUNTER. [_With interest again in life._] Oh, _were you?_ What did
you wear?

MISS GODESBY. Oh, dowdy old things. I haven't bought my winter frocks
yet.

[_She repeats this casually as if to herself._

[MISS SILLERTON _motions to_ TROTTER _to go, but he has forgotten and
still doesn't understand._

TROTTER. What?

MISS GODESBY. You warned us not to let you forget your engagement!

TROTTER. What engagement?

MISS SILLERTON. How do we know! we only know you said you _had_ to go!

TROTTER. Never said so! Oh! [_As it dawns upon him._] Oh, yes! of
course. [_He rises._] Very sorry--must be off. Only dropped in--er--that
is, came in to express my respectful sympathy.

[_Shaking hands with_ MRS. HUNTER.

MRS. HUNTER. [_Who rises._] I hope you will come and see us again.

CLARA. Do! It'll be a godsend! We'll be dull as ditchwater here this
winter!

TROTTER. I shall be delighted to call again. Good-by. [_He bows to
Clara. In his embarrassment he starts to shake hands all over again,
but, realizing his mistake, laughs nervously._] Oh, I have already.

MISS SILLERTON. Good-by, Trotter.

MISS GODESBY. Don't forget we're booked with you at Sherry's.

TROTTER. Whose treat?

MISS GODESBY. Oh! _Yours_, of course--

TROTTER. I say, why can't I stay? I won't interfere.

MRS. HUNTER. Oh, do stay, Mr. Trotter!

MISS GODESBY. Oh, do stay!

[_Suggesting by her tone that he mustn't dare to remain._

CLARA. Good!

[TROTTER _remains, and they all settle themselves again for a long
stay._

MRS. HUNTER. By the way, you were speaking just now of your winter
frocks. It occurs to me--of course I don't know as I really want to
dispose of them, but--er--

[_She hesitates purposely._

MISS GODESBY. Oh, _would_ you? [_Rising, she takes a chair nearer to_
MRS. HUNTER.] You _dear_ thing!

MRS. HUNTER. The dresses are no use to us now, and when _we're_ out of
mourning--_they'll_ be out of style. You could wear Jess' things
perfectly, Julia.

MISS SILLERTON. And even something of yours could be made over for us.

MRS. HUNTER. But I'm so much older than you!

MISS SILLERTON. [_Thoughtlessly._] Yes, but you never dress
appropriately to your age.

CLARA. [_Laughing delightedly._] That's pretty good!

MISS SILLERTON. [_Saves herself._] You know what I mean, you always
_look_ so _youthful_, you _can't_ dress any older.

MRS. HUNTER. [_Rising._] Clara, dear, go upstairs and have Tompson bring
down my Worth dress and Jess' Doucet and your Paquin. [_She goes with_
CLARA _to the door, Right, and then whispers to her._] If you remember,
don't tell what we paid--we ought to get nearly double out of these
girls--and warn Tompson not to be surprised at anything she hears.

[MISS GODESBY _and_ MISS SILLERTON _exchange glances._ CLARA _goes out
Right._

MRS. HUNTER. It seems as if I had no further interest in clothes,
anyway.

MISS GODESBY. Don't say that. Every one I've seen this afternoon is
wildly enthusiastic over your mourning.

MRS. HUNTER. Well, I went straight to Madame O'Hoolihan and gave her
carte blank!

MISS GODESBY. I wouldn't like to be the ice man when your bill comes
in!--and clothes abroad are so much cheaper.

MRS. HUNTER. [_Thoughtlessly._] Oh, _half!_

MISS GODESBY. [_Quickly._] You see you'll be doing us a really great
favor letting us have some of your things!

MRS. HUNTER. [_Realizing her nearly fatal error._] Oh! Oh,
yes--but--er--I must say that _we_ found prices while in Paris _this
year_ rather _atrocious!_

[CLARA _reenters Right._

CLARA. [_Sighs._] O dear! It breaks my heart not to wear my ball dress,
my dear Julia; it was designed specially for me. I told Marie to put it
on, mama; my clothes fit her perfectly, and I thought it would show so
much better what it is.

MRS. HUNTER. Here they are.

[_Rises as_ TOMPSON _enters Right._

TOMPSON. Mrs. Hunter's reception gown.

[_Displaying it._

CLARA. Oh, this _is_ a beauty!

[_She takes the costume and drapes it over a chair._ MISS GODESBY _and_
MISS SILLERTON _come closer to examine._

MRS. HUNTER. Tompson.--[_Taking her to one side, whispers._]--I forget;
do you remember what I paid for this dress?

TOMPSON. [_Whispers back._] One hundred and sixty dollars, madam.

MRS. HUNTER. Oh, yes. Don't say anything. [_Returning to the others._]
Do you like it?

MISS SILLERTON. Perfectly lovely!    }
                                     }        [_At the same time._
MISS GODESBY. Immensely. It's great! }

MRS. HUNTER. [_Hesitates._] I forget just what I paid for it, but I
believe it was two hundred dollars.

[CLARA _half exclaims in astonishment, but on being pinched
surreptitiously on the arm by_ MRS. HUNTER _she grasps the situation and
starts in to do her share._

CLARA. Oh, no, mama! I'm sure it was more than that!

MRS. HUNTER. Well, perhaps it was two--twenty or two--twenty-five.

TROTTER. That's cheap, isn't it?

MISS GODESBY. Shut up.

[TOMPSON'S _face is always a perfect blank, showing no expression or
surprise; she has lived with_ MRS. HUNTER _for many years and "knows her
business."_

MISS GODESBY. [_In a very different tone of voice, influenced by the big
price._] Of course, I see it's made of the best material. But it isn't
my color.

MRS. HUNTER. It's the very latest shade.

MISS GODESBY. Yes, I know; but I think as you said a little while ago,
perhaps it is a trifle too old for me.

MRS. HUNTER. I might let you have it for a little less; say one hundred
and eighty.

MISS GODESBY. Thank you very much. I'll think it over.

MISS SILLERTON. What's the other?

CLARA. This is a dinner dress of Jess'.

[_Holding it up to her own waist._

MISS SILLERTON. [_Carried away by the dress._] Oh, lovely,--perfectly
charming,--an adorable gown!

[MISS GODESBY _pulls her arm and tries to make her less enthusiastic._

MISS GODESBY. [_To_ CLARA _and_ MRS. HUNTER.] Excuse me.

[_She takes_ MISS SILLERTON _to one side and whispers in her ear._

MISS SILLERTON. [_Aloud._] I can't help it. I'm crazy about the dress!

[_Meanwhile_ MRS. HUNTER _and_ TOMPSON _have whispered together._

MRS. HUNTER. They said themselves this was the most successful frock
they turned out this autumn.

MISS SILLERTON. And how much is _this_ one?

MRS. HUNTER. [_Very quickly, trying not to speak consciously._] This was
two hundred and seventy-five.

[CLARA _bites her lips in surprise and winks visibly to_ TOMPSON, _who
gives no sign and is otherwise imperturbable._

MISS SILLERTON. [_To_ MISS GODESBY, _looking hard at her._] My dear,
your hat pin is coming out!

MISS GODESBY. [_Looking hard at her._] No, it isn't; it's always like
that.

MISS SILLERTON. [_Going closer to her, whispers._] Which does that mean?
I forget!

MISS GODESBY. It's a _gouge_!

MISS SILLERTON. I can't help it; I can't resist.

MISS HUNTER. [_Whispers to_ CLARA.] She's going to take it; I wish I'd
asked more.

MISS SILLERTON. Mrs. Hunter, I'll _take_ the dinner dress! I'm crazy
about it!

MRS. HUNTER. I'm glad to have you have it; I'm glad to be able to do
you, in a way, a favor.

[MARIE _at this moment enters dressed in the most exquisite ball dress
of the very latest fashion and looks extremely lovely._

CLARA. Here's mine! I could cry to think I'll never wear it!

MARIE. _Voila_, madame!

[_A short silence, while the women sit down and drink in the gown._

MISS SILLERTON. [_In a subdued voice of awed admiration._] Beautiful!

MISS GODESBY. Great!

TROTTER. [_To_ MISS GODESBY.] _I'm_ stuck on the _girl_; introduce me.
She's out of sight!

[MRS. HUNTER _sighs long and loud,--a sigh of appreciation and
admiration._ MARIE _stands in the centre of the stage facing the
audience._

MISS GODESBY. May we see her back?

CLARA. Her _entire_ back, if she turns around!

MRS. HUNTER. Turn around, Marie.

MARIE. _Oui_, madame.

[_She turns her back--the dress is cut extremely in the back._

MISS SILLERTON. Oh!

MISS GODESBY. Rather!

MRS. HUNTER. The way everything is made this year.

MISS GODESBY. I'm afraid my back is rather full of bones.

CLARA. They told us in Paris, bones were coming in! [_She takes a large
American beauty rose from a vase on the piano and slips it down_ MARIE'S
_back so that the dress seems much less decollete._] There, never too
late to mend!

MISS GODESBY. How much is this one?

[MISS GODESBY _and_ MISS SILLERTON _examine the dress._

CLARA. [_Whispers to_ MRS. HUNTER.] You paid two hundred for it!

MRS. HUNTER. Three hundred dollars. It is really superb.

MISS SILLERTON. [_Pulling_ MISS GODESBY _around quickly._] My dear, your
hat pin is coming out!

MISS GODESBY. Don't be absurd!

MISS SILLERTON. What?

MISS GODESBY. It's my turn, sit down; you got the last! You won't mind
my being frank, Mrs. Hunter?

MRS. HUNTER. [_On the defensive._] Certainly not.

MISS GODESBY. I think the price is too much.

TROTTER. Oh, go on, pay it!

MISS GODESBY. Will you sign the check?

TROTTER. _Excuse me!_

CLARA. I'd give twice that if only I could wear it to one ball this
winter!

MRS. HUNTER. I wouldn't part with it for a penny less. I couldn't afford
to.

[_The manners and voices of all become a little strained._

MISS GODESBY. That is of course your affair.

MRS. HUNTER. [_Politely._] We needn't keep Marie any longer, at any
rate, need we? You can go, Marie, and you too, Tompson.

[CLARA _and_ MRS. HUNTER _help place the other dresses on_ TOMPSON'S
_arms._

MISS SILLERTON. [_To_ MISS GODESBY, _on the opposite side of the room,
in a lowered voice._] I'll take it; I'm willing to pay that.

MISS GODESBY. Don't you dare interfere! I want the gown, but I know
she'll come down,--if she doesn't, I'll make a bluff at going. Then if
she sticks to her price, I'll come back and pay it.

[_They turn to_ MRS. HUNTER.

MISS SILLERTON. Oh, Mrs. Hunter, may I see my dress just one more
minute?

MRS. HUNTER. Certainly.

[_She and_ CLARA _come back with the dress._

MARIE. [_To_ TOMPSON _by the door at Right._]

_Vite!_ Come! Come! Jordan 'ave stole ze photograph machine of Mees
Clara, and he make now one pigsher of me in ze dress!

[_Smiling mischievously, delighted, she goes out Right._

MISS SILLERTON. Thank you.

[_She leaves her dress._

MRS. HUNTER. Take this too, Tompson.

TOMPSON. Yes, madam.

[MRS. HUNTER _speaks to_ TOMPSON, _aside, and_ CLARA, _near them,
watches the two visitors out of the corner of her eye._

MISS GODESBY. [_Aside to_ MISS SILLERTON.] I'll leave my muff; that'll
be a good excuse to come back.

TROTTER. [_Also in a lowered voice to_ MISS GODESBY.] Dodo!

[TOMPSON _goes out Right._

[MRS. HUNTER _and_ CLARA _come back._

MISS GODESBY. You really couldn't take less than three hundred?

MRS. HUNTER. I wish I could if only for your own sake; but I really
couldn't in justice to myself.

MISS GODESBY. I'm very sorry--and I'm afraid we must be going now.

MRS. HUNTER. [_Not believing they will go._] Oh, must you? Well, it was
very kind of you to come.

[MISS GODESBY _leaves her muff upon the table at the Left._

MISS SILLERTON. [_Shakes hands with_ MRS. HUNTER.] Good-by.

[_She goes on to_ CLARA.

[MISS GODESBY _comes to shake hands with_ MRS. HUNTER.

MRS. HUNTER. I think you're making a mistake not to take the dress,
Julia dear.

MISS GODESBY. Perhaps, but I really can't go more than two hundred and
fifty.

[MRS. HUNTER _looks surreptitiously at_ CLARA, _who slyly shakes her
head to her mother._

MRS. HUNTER. Oh, quite impossible!

MISS GODESBY. Good-by.

MRS. HUNTER. Good-by.

MISS GODESBY. Good-by, Clara.

MRS. HUNTER. [_Frightened._] Would you like to see the dress off?

MISS GODESBY. Oh, my dear, it was as _off_ as I would ever like to see
it. Good-by.

MRS. HUNTER. Good-by. [MISS SILLERTON _and_ MISS GODESBY _get to doorway
Left._] You _won't_ take it?

MISS GODESBY. _Can't!_ Good-by.

CLARA. [_Dryly._] You're forgetting your muff!

TROTTER. Rubber!

MISS GODESBY. [_Coming back for it._] How stupid!

[_She goes away to the door again in silence, which is full of suspense
for all of them. As she reaches the door_ MRS. HUNTER _speaks._

MRS. HUNTER. Look here, Julia, don't say another word; you shall have
the dress for two hundred and fifty.

MISS GODESBY. [_Rushing back, followed by all the others._] You dear!
I'm afraid you think I've been rather nasty!

MRS. HUNTER. Oh, no, of course business is business, and I'd _rather
you_ had it than see it wasted on some of our other friends who'd be
sights in it!

MISS SILLERTON. Good-by. [_Kisses her this time._] I haven't said half I
feel; you've been in my thoughts all these last few days.

MRS. HUNTER. Thank you, dear.

[_Kisses her._

MISS GODESBY. Shall we send around for the dresses in the morning?

MRS. HUNTER. Or I'll send them.

MISS GODESBY. No, we won't trouble you.

MISS SILLERTON. Good-by!

MRS. HUNTER AND CLARA. Good-by!

[MISS SILLERTON _and_ MISS GODESBY _go out Left, followed by_ TROTTER,
_who has joined in all the good-bys, and upon whom_ CLARA _has more or
less continuously kept her "weather eye."_

MRS. HUNTER. I'm perfectly sure if I'd stuck to three hundred, Julia
Godesby would have sent around when she got home and paid it!

CLARA. I'm glad you didn't run the risk though, for we'll need every
cent we can get now.

[_She runs her fingers rapidly over the piano keys._

[BLANCHE _reenters Right._

MRS. HUNTER. Why, I thought you'd gone long ago.

BLANCHE. Jess begged me to stay with her. Try to understand her, mother;
I think she will miss father more than any of us.

[JORDAN _enters Left._

JORDAN. Mr. Warden has come back, madam.

[WARDEN _enters Left._

WARDEN. Forgive my intruding so soon again, but did Mr. Mason leave a
letter case of Mr. Hunter's here?

[BLANCHE _begins looking for the case._

MRS. HUNTER. I haven't seen it; I'll ask the servants to look. Excuse
me, I'm quite tired out; we've been receiving a long visit of
condolence.

[_She goes out, Right, with_ CLARA, _who links her arm in her mother's._

BLANCHE. [_Finding the case, which has fallen beneath the table._] Here
it is. Dear old pocket-book--

[_Her voice breaks on the last word, and turning her face away to hide
her tears, she hands him the well-worn letter case._

WARDEN. Mrs. Sterling, I'm glad they left us alone, because Mr. Mason
said he hadn't been able to manage it--to see you alone--and yet he
wanted _you only_ to examine these. They are private papers of Mr.
Hunter; he thought they ought not to be destroyed without being read,
and yet _he_ hesitated to read them. We thought that duty devolved best
upon _you_. [_He hands back the letter case._] Shall I wait and take
back the case to Mr. Mason with the papers you wish him to have?

BLANCHE. Oh, no, I will send them; I mustn't keep you while I read them.
I'm always taking more of your time than I ought.

WARDEN. [_Speaks with sincerity, but without any suggestion of
love-making._] But never as much as I want to give you! Don't forget,
Mrs. Sterling, what you promised me at your wedding,--that your
husband's best man should be your best friend.

BLANCHE. And nobody knows what it means to a woman, even a happily
married woman like me--[_This is spoken with a slight effort, as if she
is persuading herself that she is a happily married woman._]--to have an
honest friend like you. It's those people who have failed that say there
is no such thing as a platonic friendship.

WARDEN. We'll prove them wrong.

BLANCHE. We will. Good-by, and thank you.

WARDEN. And thank _you_! [_Starting to go, he turns._] Shall I bring
that Russian pianist around to play for you some day next week?

BLANCHE. Do--I want some music.

WARDEN. Only let me know what day. [_He goes out Left._ BLANCHE _sits by
the table and opens the case. She looks first at a memoranda and reads
what is on the outside._] A business memoranda. Lists of bonds. [_She
opens and looks at the next paper only a second, and then closes it._]
This, Mr. Mason will understand better than I. [_She puts it back in the
pocket case. She finds a photograph in the case._] My picture!--[_She
looks for others, but finds none._]--and _only_ mine! Oh, father!...
[_She wipes away tears from her eyes so as to see the picture, which is
an old one._] Father, I returned _your_ love. [_She reads on the back of
photograph._] "Blanche, my darling daughter, at fourteen years of age!"
That's mine! that's my own! [_And she puts the picture away separately.
She takes up a small packet of very old love-letters tied with faded old
pink tape._] Old letters from mother; they must be her love-letters. She
shall have them,--they may soften her. [_She takes up a slip of paper
and reads on the outside._] This is something for Mason, too. [_She puts
it back in the case. She takes up a sealed envelope, blank._] Nothing on
it, and sealed. [_She looks at it a moment, thinking._] Father, did you
want this opened? If you didn't, why not have destroyed it? Ah! I
needn't be afraid; _you_ had nothing to hide from the world. [_Tearing
it open, she reads._] "I have discovered my son-in-law, Richard
Sterling, in irregular business dealing. He is not honest. I will watch
him as long as I live; but when you read this, Mason, keep your eye upon
him for my daughter's sake. He has been warned by me--he may never trip
again, and her happiness lies in ignorance." [_She starts, and looks
about her to make sure she is alone. She then sits staring ahead for a
few seconds; then she speaks._] My boy's father dishonest! Disgrace--he
owned it--threatening _my_ boy! It mustn't come! It mustn't! _I'll_
watch now. [_She goes to the fireplace, tearing the paper as she crosses
the room, she burns the letter; then she gathers up the other letters
and the pocket case._] He must give me his word of honor over Richard's
little bed to-night that he will do nothing to ever make the boy ashamed
of bearing his father's name!

[_She watches to see that every piece of the paper burns, as_

THE CURTAIN FALLS




ACT II


_Christmas Eve; fourteen months later; the dining room of the Hunters'
house, which is now lived in jointly by the_ STERLINGS _and_ MRS. HUNTER
_and her daughters. It is a dark wainscoted room, with curtains of
crimson brocade. It is decorated with laurel roping, mistletoe, and
holly, for Christmas. It is the end of a successful dinner party,
fourteen happy and more or less congenial persons being seated at a
table, as follows:_ WARDEN, RUTH, MASON, CLARA, TROTTER, MRS. HUNTER,
BLANCHE, STERLING, MISS SILLERTON, MR. GODESBY, JESSICA, DOCTOR
STEINHART, _and_ MISS GODESBY. _The room is dark on all sides, only a
subdued light being shed on the table by two large, full candelabra with
red shaded candles. As the curtain rises the bare backs of the three
women nearest the footlights gleam out white. Candied fruit and other
sweetmeats are being passed by four men servants, including_ JORDAN
_and_ LEONARD.


RUTH. My dear Blanche, what delicious candy!

MISS SILLERTON. Isn't it!

MISS GODESBY. Half of the candy offered one nowadays seems made of
_papier-mache_.

MRS. HUNTER. [_To_ MISS GODESBY.] Julia, do tell me how Mr. Tomlins
takes his wife's divorce?

MISS GODESBY. He takes it with a grain of salt!

MRS. HUNTER. But isn't he going to bring a counter suit?

STERLING. No.

RUTH. I hope not. I am an old-fashioned woman and don't believe in
divorce!

MISS GODESBY. Really! But then you're not married!

MISS SILLERTON. What is the reason for so much divorce nowadays?

RUTH. Marriage is the principal one.

BLANCHE. _I_ don't believe in divorce, either.

MISS SILLERTON. My dear, no woman married to as handsome a man as Mr.
Sterling would.

TROTTER. You people are all out of date! More people get divorced
nowadays than get married.

BLANCHE. Too many people do--that's the trouble. I meant what I said
when I was married--"for better, for worse, till death us do
part."--What is the opera Monday?

TROTTER. Something of Wagner's. He's a Dodo bird! Bores me to death! Not
catchy enough music for me.

MRS. HUNTER. You'd adore him if you went to Bayreuth. Which was that
opera, Clara, we heard at Bayreuth last summer? Was it _Faust_ or
_Lohengrin_! They play those two so much here I'm always getting them
mixed!

MISS SILLERTON. Wagner didn't write _Faust_!

MRS. HUNTER. Didn't he? I thought he had; he's written so many operas
the last few seasons!

CLARA. I like _Tannhaeuser_, because as soon as you hear the "twinkle,
twinkle, little stars" song, you can cheer up and think of your wraps
and fur boots.

TROTTER. My favorite operas are _San Toy_ and the _Roger Brothers_,
though I saw _Florodora_ thirty-six times!

BLANCHE. Mother would have gone with you every one of those thirty-six
_Florodora_ times. She's not really fond of music.

MRS. HUNTER. Not fond of music! Didn't I have an opera box for four
years?

TROTTER. Why doesn't Conried make some arrangement with Weber and Fields
and introduce their chorus into _Faust_ and _Carmen_?

DR. STEINHART. Great idea! [_To_ MISS GODESBY.] Did you get a lot of
jolly presents?

MISS GODESBY. Not half bad, especially two fine French bulls!

[_All are laughing and talking together._

BLANCHE. What did you get, Mr. Warden?

WARDEN. Three copies of "David Harum," two umbrellas, and a cigar case
too short for my cigars.

MISS GODESBY. Give it to me for cigarettes.

WARDEN. It's too long for cigarettes. Then I had something that's either
a mouchoir or a handkerchief case, or for neckties, or shaving papers,
or something or other.

TROTTER. Yes, I know, I got one of those, too.

DR. STEINHART. So did I!

BLANCHE. I must start the women; we are coming back here to arrange a
surprise for you men.

[_She nods her head in signal to_ STERLING, _and rises. All rise._

STERLING. One moment please. One toast on Christmas night! Ned, give us
a toast.

ALL THE WOMEN. [_But not in unison._] Oh, yes! A toast! [_Ad lib._]

WARDEN. [_Holding up his glass._]

Here's to those whom we love! And to those who love us! And to those who
love those whom we love And to those who love those who love us!

ALL THE MEN. [_Not in unison._] Good! Bravo! Bully toast! [_Ad lib._]

[_Every one drinks._

BLANCHE. One more toast, Dick. [_To the others._] Christmas Day is our
boy's birthday.

RUTH. Surely! a toast to Richard!

STERLING. Long life to Master Sterling, the best boy in the world, and
to all his good friends at this table.

THE MEN. Hear! Hear!

[_All the women speak their next speeches at the same time._

BLANCHE. [_Laughing._] Of course! I've dropped my handkerchief.}
                                                               }
[NED _dives under the table for it._                           }
                                                               }
MISS SILLERTON. O dear, my fan!                                }
                                                               }
MISS GODESBY. What a bore! I've dropped a glove!               }
                                                               }
[STEINHART _goes under the table for it._                      }
                                                               }
CLARA. Both my gloves gone--I'm so sorry!                      }
                                                               }
[GODESBY _goes under the table for them._                      }
                                                               }
MRS. HUNTER. Dick, please, I've dropped my smelling bottle.    }  [ALL
                                                               }  _together_]
[TROTTER _and_ STERLING _go under the table for it._           }
                                                               }
RUTH. My gloves, please, I'm so sorry!                         }
                                                               }
[MASON _goes under the table for them._                        }
                                                               }
[_The speeches of the women are simultaneous, followed         }
by the movements of the men also, all at the same time._       }

BLANCHE. Please don't bother; the servants--

LEONARD, JORDAN _and, two extra men start to hunt under the table, too._

MISS GODESBY. Women ought to have everything they own fastened to them
with rubberneck elastics.

[_The men, somewhat flustered, all rise with the various articles, and
offer them to their respective owners._

[_All the women thank the men profusely, and apologize at the same
time._ STERLING _takes_ MRS. HUNTER _out at back, followed by all the
other couples, all talking._ RUTH _and_ MASON _lag behind._

RUTH. [_To_ BLANCHE, _who with_ WARDEN _waits for_ RUTH _and_ MASON _to
pass._] I want just a minute with Mr. Mason, Blanche. [BLANCHE _and_
WARDEN _pass out before her._ RUTH _is alone with_ MASON. _She speaks as
if she were carrying on a conversation that had been interrupted. She
speaks in a lowered voice, indicating the private nature of what she has
to say._] I sent him imperative word yesterday I must have the bonds. I
told him I wanted one to give to his wife for Christmas. He pretends
to-day he didn't receive this letter, but he must have.

MASON. This makes the third time there has been some excuse for not
giving you the bonds?

RUTH. Yes, and this letter he says he didn't get was sent to his office
by hand.

MASON. I'll speak to him before I leave.

[_They go out at back._

[_As they pass out,_ JORDAN _stands by the doorway holding the curtains
back. The other three men stand stiffly at the Right. As_ MASON _and_
RUTH _go out, the_ SERVANTS _relax and exchange glances, each giving a
little laugh out loud, except_ JORDAN. _During the following dialogue
they empty the table preparatory to arranging the room for the Christmas
tree._

JORDAN. Sh! A very dull dinner, not an interesting word spoke.

FIRST FOOTMAN. The widder seemed chipper like!

LEONARD. And did you get on to the old lady's rig-out; mourning don't
hang very heavy on her shoulders.

[_One chair is moved back._

JORDAN. [_To_ FIRST FOOTMAN.] Get the coffee. [_He goes out Right. To_
LEONARD.] Get the smoking lay-out!

[LEONARD _goes out Right and brings back a silver tray laden with
cigarettes, cigar boxes, and a burning alcohol lamp._

LEONARD. If you ask me, I think she's going to put a bit more on the
matrimonial mare if she gets the chance.

JORDAN. It's none of your business. You're _Mrs. Sterling's_ servant
now.

LEONARD. Good thing, too; it was a happy day for us when _they_ moved
in.

FIRST FOOTMAN. [_Reenters with the coffee._] Say, did you see how that
young feller over there [_Motioning to the lower right-hand corner of
the table._] shovelled the food in?

LEONARD. And the way he poured down the liquid--regular hog! My arm's
tired a-filling of his glass.

[_And he drinks a glass of champagne which has been left untouched by a
guest._

JORDAN. He ain't nobody; he hasn't any money; he was just asked to fill
up. He's one of these yere singing chaps what's asked to pass the time
after dinner with a song or two _gratis_. This dinner'll last him for
food for a week!

_Their manners suddenly change as the men reenter and take seats about
the two ends of the table._ STERLING, MASON, _and_ DOCTOR _down Left
form one group. The other men are in a group between the window and the
other end. On entering_ STERLING _speaks._

STERLING. Jordan, for heaven's sake, give us something to see by! You
can't tell which end of your cigar to light in this confounded woman's
candle-light. If I had my way, I'd have candelabras made of Welsbachs!

TROTTER. Bright idea, Sterling.

[STERLING, _laughing, joins his group, who laugh gently with him._
JORDAN _turns on the electric light. The servants pass the coffee,
liqueurs, and the cigars and cigarettes. Meanwhile the following
dialogue takes place, the men beginning to talk at once on their
entrance._

STERLING. Mr. Mason, I'd like to ask your honest opinion on something if
you'll give it me.

MASON. Certainly.

STERLING. This Hudson Electric Company.

DR. STEINHART. Oh! Dropped fearfully to-day.

STERLING. But that can happen easily with the best thing. To-morrow--

MASON. [_Interrupting._] To-morrow it will drop to its _very bottom_!

STERLING. I don't believe it.

DR. STEINHART. Surely, Mr. Mason, the men who floated that are too
clever to ruin _themselves_?

MASON. They're out of it.

STERLING. Out of it!

MASON. They got out last week quietly.

STERLING. But--

MASON. Mark my words, the day after to-morrow there'll be several
foolish people ruined, and _not one of the promoters of that company
will lose a penny_!

STERLING. I don't believe it!

[_The crowd at the other end of the table, who have been listening to a
tale from_ TROTTER, _laugh heartily._

TROTTER. [_Delighted with his success._] I'm no Dodo bird!

[WARDEN _leaves this group casually and joins the other._

MASON. [_To_ STERLING.] Don't tell me _you're_ in it?

STERLING. [_Ugly._] Yes, I am in it!

MASON. Not _much?_

STERLING. Yes, _much!_

WARDEN. Much what?

STERLING. Oh, nothing; we were just discussing stocks.

WARDEN. And up there they're discussing Jeffreys and Fitzsimmons.

MASON. Listen, Dick, after a lifelong experience in Wall Street, I defy
any broker to produce one customer who can show a profit after three
consecutive years of speculation.

STERLING. Oh, you're too conservative; nothing venture, nothing have.
Excuse me, I think Jeffreys and Fitzsimmons more amusing topics. Come
along.

[STERLING _and_ DR. STEINHART _join the other group Right._

MASON. [_To_ WARDEN.] You're Sterling's broker.

WARDEN. No, not for over a year.

MASON. Then you can't tell me how deep he is in this Hudson Electric
swindle?

WARDEN. Is he in it at all?

MASON. Yes, he says, deep.

WARDEN. I suspected it yesterday.

MASON. But what with--his wife's money?

WARDEN. That went fourteen months ago. I put him on his feet then, gave
him some tips that enabled him to take this house with her mother, so
that with his regular law business he ought to have done very well, but
his living could not leave one cent over to speculate with.

MASON. [_To himself._] Good God!

WARDEN. I know what you're afraid of.

MASON. No!

WARDEN. Yes. The reason I'm no longer his broker is he was ashamed to
let me know about his dealings.

MASON. But you don't mean you think he'd actually _steal_!

WARDEN. His _aunt's_ money? Why not? _He did his wife's!_

MASON. Does he handle any one else's affairs?

WARDEN. I know he takes care of that Godesby woman's property.

MASON. And she wouldn't hold her tongue if a crash came!

WARDEN. Not for a minute! Is Miss Hunter suspicious?

MASON. Yes. Does Sterling realize that to-morrow he will most probably
be a ruined cheat?

WARDEN. Very likely.

MASON. If he made up his mind to-night it was all up with him, he might
do--what?

WARDEN. Run away with whatever money he has left, or kill himself. I
don't know if he's enough of a coward for that or not. There's _one_
hold on him--he loves his wife.

MASON. Which will make him all the more ashamed of discovery. Do you
believe she suspects?

WARDEN. Not a bit. She loves him too dearly.

MASON. Can _we_ do anything?

WARDEN. Nothing but watch him closely till the people go. Then force him
to make a clean breast of it, so we can all know where we stand; how we
can best protect his aunt from ruin and his wife and boy from public
disgrace.

MASON. He is watching us.

WARDEN. He knows I know him; we must be careful. He's coming toward us.
[_He then speaks in a different tone, but no louder._] You're certain of
the trustworthiness of your information?

MASON. Absolutely. Every man left in that concern will be ruined before
the 'Change closes after to-morrow. [STERLING _has joined them in time
to hear the end of_ MASON'S _speech._ MASON _continues._] I am telling
Warden what I told you about the Hudson Electric Company.

STERLING. Can't you talk of something pleasanter?

[BLANCHE _reenters at back. On her entrance all the men rise. The
servants finish preparing the room for the tree._

BLANCHE. I'm very sorry--I really can't let you men stay here any
longer.

ALL THE MEN. Why not? How's that? [_Ad lib._]

BLANCHE. You know we want to get this room ready for Santa Claus! Dick!
[_She goes to her husband. All the men go out at back in a group led by_
WARDEN _and_ MASON. _They are all talking and laughing._ BLANCHE _is
left alone with her husband._] What is this Aunt Ruth has been telling
me about not being able to get some bonds from you?

STERLING. Oh, nothing. I forgot to send them up to her, that's all.

BLANCHE. But she says she sent three times.

STERLING. One time too late to get into the vault; and the other, her
letter was mislaid--I mean not given to me.

BLANCHE. You haven't broken your word to me?

STERLING. What if I had?

BLANCHE. I would let the law take its course.

STERLING. You must love me very little.

BLANCHE. I _live_ with you. First you robbed me of my respect for you;
then you dried up my heart with neglect.

STERLING. And our boy?

BLANCHE. Your blood runs in his veins; your shame and disgrace would be
a fearful warning to him. It might kill _me_; but never mind, if it
_saved him_.

STERLING. Oh, well, I haven't broken my word! So you needn't worry. I've
been honest enough.

BLANCHE. [_With a long sigh of relief._] Oh! I hope so!

MRS. HUNTER. [_Appearing in doorway at back._] The men are in the
drawing-room--shall we come _here_?

BLANCHE. Yes, we'll bring the others, mother. Come, Dick.

[_She goes out with_ MRS. HUNTER _at back._

STERLING. [_Goes to door Right, opens it, and calls._] Leonard!

[LEONARD _enters Right_

LEONARD. Yes, sir?

STERLING. Go up to my library at the top of the house, get a railroad
guide you will find there, and bring it down and put it on the table in
the hall just outside the drawing-room door.

LEONARD. Yes, sir.

STERLING. Then go to my room and pack my bag and dressing case. Do you
understand?

LEONARD. Yes, sir.

[_The women are heard singing "Follow the Man from Cook's," and
gradually coming nearer._

STERLING. Be quick, and say nothing to any one.

LEONARD. Yes, sir.

[_He goes out quickly Right._ STERLING _goes up stage and stands beside
the door at back as the women dance in, singing "Follow the Man from
Cook's." They are led by_ CLARA, _with_ MRS. HUNTER _on the end._
BLANCHE _and_ RUTH _follow alone, not dancing. The others dance around
the chairs and_ CLARA _jumps on and off one of them; this stops the
rest, who balk at it._ STERLING _goes out at back. The_ SERVANTS _enter
Right._

CLARA. I don't care for this dinner party at all. The women are all the
time being chased away from the men! I prefer being with Mr. Trotter.
Don't you, mama?

MISS SILLERTON. He doesn't seem able to give a dinner party any more
without you to chaperone, Mrs. Hunter.

BLANCHE. Mother, how can you?

MRS. HUNTER. Oh, I don't know as it's _chaperoning_! I like Mr. Trotter
very much.

MISS SILLERTON. But he's such a little cad. I tried to give him a lift,
but he was too heavy for me.

CLARA. Oh, well, you ought just to pretend it's the money in his pocket
makes him so heavy; then you'd find him dead easy.

[_Meanwhile the_ SERVANTS _have arranged the table, taken out the extra
leaves and made it square, and left the room. They now reenter, bringing
in a gorgeously decorated and lighted Christmas tree. There is at once a
loud chorus of delighted approval from the women. The_ SERVANTS _place
the tree in the centre of the table. The women who are sitting rise and
come near to examine the tree._

RUTH. What a beautiful tree, Blanche!

BLANCHE. The boy is to have it to-morrow morning--it's really _his_
tree! [TOMPSON _brings in a large basket containing seven small
stockings and six small boys' socks--very small stockings and very small
socks. They are made of bright and different colors and are stuffed into
absurd, bulgy shapes._] There's a name on each one. Come along now!

[_Taking out a little sock. The women crowd around the basket and each
hangs a sock on the tree,_ MISS GODESBY _and_ CLARA _standing on
chairs._

CLARA. [_Reading the name on her sock._] Oh! mine's for Mr. Mason.
What's in it, Blanche?

BLANCHE. I really can't tell you. I asked the clerk where I bought it
what it was for, and he said he didn't know; it was a "Christmas
present."

MISS GODESBY. [_Laughing._] Oh, I know the kind! Mine's for Howard
Godesby. What's his present?

BLANCHE. A silver golf marker.

MISS GODESBY. But he doesn't play golf!

BLANCHE. Well, he ought to; it'll keep him young.

CLARA. It will be all right, anyway, Julia! _You_ can give it away to
some one next Christmas.

MISS SILLERTON. What's in Mr. Trotter's?

BLANCHE. Oh, that present has almost been my death! Men are so hard to
find things for! I had put in a gold pencil for his key chain, but
to-night while we were eating our oysters, I saw him show a beauty that
his mother had given him this morning! So I whispered to Jordan between
the soup and fish to change Mr. Ryder's name to Mr. Trotter's stocking,
and put Mr. Trotter's name on the one that had a cigarette case in it. I
sneaked a message down to Dick on my dinner card--was it all right?--and
he sent back word during the game that Trotter only smoked cigars; so
before the ices were passed I shuffled Mr. Trotter's and Mr. Mason's
names,--I'd given Mason the cigar case,--and just as Jordan signalled to
me the transfer had been successfully effected, I heard Trotter casually
observe he'd been obliged to give up smoking entirely--_doctor's
orders_!

[_They laugh punctiliously, rather bored by_ BLANCHE'S _long account._

MRS. HUNTER. Isn't the tree stunning?

CLARA. [_Getting down from her chair._] It makes the table look like one
of Mr. Trotter's "informal little dinners."

MISS GODESBY. They say he has one of those men who arrange shop windows
decorate his dinner table for him!

BLANCHE. The only time I ever dined with him I was really ashamed to go
home with my dinner favor--it was so gorgeous! And there were such big
bunches of violets in the finger bowls there wasn't room for your little
finger.

MISS GODESBY. You never saw such a lot of decoration! The game have
ribbon garters on their legs, and even the raw oysters wear corsage
bouquets! [_To_ MRS. HUNTER.] I hope you don't mind what we're saying,
Mrs. Hunter?

MRS. HUNTER. [_Offended._] I must say I do mind very much.--[_A
pause._]--because--[_A second pause._]--well, I am going to marry Mr.
Trotter--[_All, not believing her, laugh merrily._] You are all very
rude!

MISS GODESBY. Not on the level! Not _Trotter_!

MISS SILLERTON. Not _really_!

BLANCHE. No, no, of course not!

[_She rings bell._

MRS. HUNTER. But I _am_! And I thought here at my daughter's table,
among my own friends (I was allowed to name the guests to-night), I
could count on good wishes and congratulations.

[_There is a dead silence._

[_The musicians, a band of Neapolitan players, enter and take their
places in a recess at Left._

BLANCHE. [_To the musicians._] You may play. [_To_ JORDAN, _who has
brought in the Neapolitans._] We are ready, Jordan.

[JORDAN _goes out at back._

[RUTH _goes to_ BLANCHE.

[_The guitars and mandolins begin a popular song._

MISS GODESBY. [_To_ MRS. HUNTER.] Oh, well, Mrs. Hunter, we were only
codding! There's lots of good in Trotter, and I'm sure you'll bring it
out. Good luck!

[_Shaking her hand._

RUTH. [_To_ BLANCHE, _aside._] You won't allow this!

BLANCHE. Certainly not. [BLANCHE _crosses to her mother and they go to
one side together;_ BLANCHE _speaks in a lowered voice._] You've amazed
and shocked me! I will not tolerate such a thing; we'll talk it over
to-night.

[_She leaves her and returns to her guests_, MRS. HUNTER _standing where
she is left, biting her lips and almost crying with rage and
mortification._

MISS GODESBY. [_Before the musicians, to_ BLANCHE _as she joins her._]
I'm crazy about these men, Mrs. Sterling; they play so awfully
well--especially that one with the lovely legs!

[JORDAN _pulls aside the curtains at back and all the men reenter
except_ WARDEN. _They all join hands and dance around the tree, singing
with the musicians; they break, and go up to a side table, where
everything to drink is displayed._ WARDEN _enters at this moment and
motions to_ MASON _and leads him down stage._

WARDEN. There was a railway guide in the hall--that's what he went there
for; he's _going to run away to-night_.

MASON. How'll we prevent it?

WARDEN. First, we must break up this party!

MASON. How?

WARDEN. I haven't quite thought yet. Go back to the others; send Jordan
to me; don't lose sight of Dick. Jordan! [_He takes him aside._] I want
you to go out of this room for a minute, pretend to go upstairs, then
come back and tell Mrs. Sterling, loud enough for the others to hear
you, that Master Richard is very ill, and say the maid is frightened.

JORDAN. [_Hesitating._] But--

WARDEN. [_Quickly and firmly._] Do as I tell you. I am responsible for
whatever happens.

[JORDAN _goes out at back. The men and women are laughing and talking
about the sideboard._

BLANCHE. Come now, everybody! Let's have the presents. Dick, you know
you are to be Santa Claus.

[STERLING _looks nervously at his watch._

STERLING. Just a minute, dear! Ned! [_Takes_ WARDEN _to one side. The
women move about the tree, hunting for their own names on the stockings
on the table at the foot of the tree._] Ned, I've been suddenly called
out of town on business--must catch the eleven-twenty train. I don't
want to break up the party, so you empty the tree, and when the time
comes for me to go, I'll slip out.

WARDEN. And when your guests go?

STERLING. Oh, then you can explain for me.

[JORDAN _enters at back._

JORDAN. [_To_ BLANCHE.] Beg pardon, madam, but Master Richard is very
ill.

BLANCHE. [_Alarmed._] Richard!

JORDAN. Yes, ma'am, and Droves is very frightened, ma'am.

RUTH. Richard ill?

[_All give exclamations of surprise and regret and sympathy._

BLANCHE. My little boy ill? Excuse me, I must go to him.

[_She hurries out at back._ RUTH _speaks to the musicians, who stop
playing._

STERLING. [_Moved._] My boy ill--why, I can't--I can't--

WARDEN. "Can't" what?

STERLING. How can I go away?

WARDEN. Surely you won't let business take you away from your boy who
may be dying.

STERLING. No! I won't go! I'll face it out! I can't leave my boy like
this--

RUTH. [_Coming to_ STERLING.] I'm going to take these women away; tell
Blanche not to give them a thought. Their evening up to now has been
charming.

[_During_ RUTH'S _speech_, WARDEN _has spoken aside with_ MASON.

WARDEN. [_Aside to_ MASON.] Don't let Miss Hunter go.

RUTH. [_To the other guests._] Come to the drawing-room.

MRS. HUNTER. I was crazy to see what was in my stocking.

[_All pass out talking, expressing conventional sympathy on account of_
RICHARD, _but evidently resenting the breaking up of the party._
STERLING _and_ WARDEN _are left alone in the room._ STERLING _moves to
go up to back;_ WARDEN _interrupts him._

WARDEN. [_To_ STERLING.] Where are you going?

STERLING. To my boy and my wife.

WARDEN. Wait a minute; I want to speak to you.

STERLING. Speak to me later; I can't wait now.

BLANCHE. [_Off stage, at back, excitedly._] Jordan! [_She enters,
excited, half hysterical._] Jordan! Where is Jordan? It was a lie! What
did he mean? Richard is sleeping sweetly. The maid knows nothing of
being alarmed! Where is Jordan?

[_She starts to go toward the door Right._

WARDEN. [_Stops her._] Mrs. Sterling, he had nothing to do with it! _I_
told Jordan to say what he said.

[BLANCHE _turns and looks at_ WARDEN _in astonishment._

STERLING. [_Stunned and at once suspicious._] What?

BLANCHE. But--

WARDEN. Forgive me for so cruelly alarming you; it was the only way I
could think of for getting rid at once of your guests!

STERLING. [_Angry._] You'll interfere once too often in the affairs of
this house.

BLANCHE. [_Indignant._] But what excuse can you make, Mr. Warden?

WARDEN. Will you be so good as to ask Miss Hunter and Mr. Mason to come
here? They will explain what I have done, partly, and your husband will
tell you the rest when you come back.

[STERLING _sneers aloud._

BLANCHE. I don't understand, I don't understand.

[_She goes out at back._

STERLING. Well, I _do_ understand, at least enough.

WARDEN. Good! That spares me a very disagreeable speech.

STERLING. No, it doesn't! Come out with it! What is it you want? What is
it you've found out?

WARDEN. From betraying a trust, you've come, in less than two years, to
an outright embezzlement.

STERLING. Speak out--give us facts!

WARDEN. You've stolen your aunt's fortune.

STERLING. _Prove that!_

WARDEN. It's _her money_ that's lost in the Hudson Electric Company!

STERLING. PROVE IT!

WARDEN. Easy enough, to-morrow.

STERLING. You've got to excuse your action _to-night_ or _be kicked_ out
of my house!

WARDEN. [_Strong._] Isn't what I say the truth?

STERLING. [_Equally strong._] No! And now get out!

WARDEN. [_Looks at his watch._] I'll not leave this house till it's too
late for you to take that eleven-twenty.

STERLING. [_More ugly._] Yes, you will and mighty--

WARDEN. _No, I'll not!_

[_He is interrupted by the entrance of_ BLANCHE, RUTH, _and_ MASON.

WARDEN. [_To_ BLANCHE.] I _hope_ you forgive me now--

BLANCHE. [_Pathetically._] You did right; I thank you.

STERLING. [_Heartbroken._] Blanche--without hearing a word from me!

BLANCHE. No, I've come now to hear what _you_ have to say.

[_A deep-toned clock strikes eleven._ STERLING, _at the second stroke,
takes out his watch with a hurried movement._

WARDEN. [_Quickly._] Eleven o'clock.

STERLING. I wish Warden to leave the room.

BLANCHE. [_Firmly._] And I wish him to stay.

[_A short pause._

STERLING. Well, of what am I accused?

WARDEN. Nobody wants to accuse you. We want you to make a clean breast
of it.

STERLING. Don't you talk to me; let my wife do the talking if you want
me to answer.

BLANCHE. Sit down, Aunt Ruth. [RUTH _sits by the table_, WARDEN _stands
at back._ STERLING _stands at Right and_ BLANCHE _and_ MASON _sit near
the centre._] Aunt Ruth asks you to give her a true account of her trust
in you. Mr. Mason is here as her friend and my father's.

STERLING. I haven't said I betrayed her trust. I told her she should
_have_ the bonds she wants to-morrow.

BLANCHE. But _will_ she? That's what I want to know. I ask you if you
haven't her bonds, to tell us here now,--tell _us_, who have been and
must be still the best friends, perhaps the only friends, you can have.
Tell us where we all stand--are we the only ones to suffer or are there
others who will perhaps be less generous in their treatment of you? Tell
us now while there is time perhaps to save us from public scandal, from
the disgrace which would stamp your wife as the wife of a thief, and
send your boy out into the world the son of a convict cheat. [_She
breaks down, but in a moment controls herself. There is no answer._
STERLING _sinks into a chair, his arms on the table, his head on his
arms. A moment's silence._] You _love_ me--I know that. I appeal to your
love; let your love of me persuade you to do what I ask. I ask it for
your sake and for _mine_! Tell us here the truth now--it will spare me
much to-morrow, perhaps--me whom you love--for love of me--

STERLING. [_In an agony._] I'm afraid I'll lose you--

BLANCHE. No, I'll promise to stand by you if you'll only tell _us all_
the truth.

STERLING. [_In a low, shamed voice._] I'll tell _you_, but not
_now_--not before all these others.

[BLANCHE _looks up questioningly to_ MASON. MASON _shakes his head._

BLANCHE. It _must_ be _now_, Dick.

STERLING. No! no! I can't look you in the face and tell it! Let me tell
it to you _alone_, later, in the dark.

[BLANCHE _looks up questioningly to_ MASON. _He shakes his head._

BLANCHE. It must be now.

STERLING. No, no, I'm too ashamed, I can't face you; in the dark I'll
make a clean breast of it--let me tell you in the dark.

[WARDEN _moves and puts his hand on the electric-light button beside the
doorway at back._

WARDEN. In the DARK, then, _tell it_!

[_He presses the button and all the lights go out. The stage is in
complete darkness; only the voices are heard from the different places
in which the actors are last seen._

BLANCHE. [_Quickly._] Remember, to help you to help ourselves, we must
know everything. Go on.

STERLING. It began fourteen months ago, after Ned Warden put me on my
feet; I got a little ahead--why not get way ahead? There were plenty of
men around me making their fortunes! I wanted to equal them--climb as
high as they; it seemed easy enough for them, and luck had begun to come
my way. We're all climbers of some sort in this world. I was a climber
after wealth and everything it brings--

[_He stops a moment._

BLANCHE. [_Her voice comes throbbing with pathetic emotion through the
darkness._] And _I_ after _happiness_ and all it brings.

STERLING. [_Deeply moved, his voice trembles for a moment, but only for
a moment._] Don't, Blanche, or I can't finish. Well, I borrowed on some
of Aunt Ruth's bonds and speculated--I made a hundred thousand in a
week! I put back the bonds. But it had been so easy! I could see those
bonds grinning at me through the iron side of the vault box. They seemed
to smile and beckon, to _beg_ me to take them out into the air again!
They grew to be like living things to me, servants of mine to get me
gold--and finally I determined to make one bigger coup than ever! I took
Aunt Ruth's bonds out and all the money available in my trust, and put
it _all_ into this new company! It seemed so safe. I stood to be a
prince among the richest! And, for a day or so, I've known nothing short
of a miracle could save me from being wanted by the police! To-night I
gave up even the miracle. That's all. It's no use saying I'm sorry.

[_A moment's pause._

MASON. Have others suffered besides Miss Hunter?

STERLING. There is some money of Aunt Ruth's left--stock I couldn't
transfer. But I used the money of others--Miss Godesby and Ryder's.

MASON. Miss Ruth, a large part of your fortune is gone, used unlawfully
by this man. Will you resort to the law?

RUTH. [_Very quietly._] No!

BLANCHE. [_In a voice broken with emotion and gratitude._] Aunt Ruth!

MASON. We can't hope Miss Godesby and Ryder will be as lenient! You must
go to them in the morning--tell them everything, put yourself at their
mercy, ask for time and their silence.

STERLING. _Never!_ I couldn't do it.

MASON. It is the only honorable way out of your dishonorable action--the
least you can do!

STERLING. Confess to their faces, and probably to no good? Eat the dust
at their feet, and most likely be clapped into prison for it? _No, thank
you!_

BLANCHE. Suppose _I_ went to them?

STERLING. You?

RUTH. No! Why should _you_!

STERLING. Yes! Why not? They might keep silent for _her_!

BLANCHE. I would do it for my boy's sake. Yes, _I'll_ go.

STERLING. _Yes!_ _You_ go, Blanche.

RUTH. No, you _shan't_ go--you shan't humiliate yourself in his place!

MASON. Certainly not; and if your husband is willing, we are not
willing! _He_ must go.

BLANCHE. But if he _won't_?

MASON. He _must_!

RUTH. You must demand his going, Blanche, and I demand it, too, as
something due to me.

BLANCHE. Very well. I demand it. Will you go?

[_A moment's silence._

WARDEN. Why don't you speak? [_He presses the electric button and all
the lights come on._ STERLING _is at the doorway at back, about to steal
out. There is an exclamation aloud from all of surprise and disgust. The
clock strikes the quarter;_ WARDEN _catches hold of_ STERLING'S _arm._]
What's your hurry, Dick? There goes the quarter hour; you could never
catch the eleven-twenty.

STERLING. Damn you!

[_Facing_ WARDEN _squarely, as_

THE CURTAIN FALLS QUICKLY




ACT III


_At "The Hermitage," on the Bronx River, the next afternoon. The house
is on the Left, and on the Right and at the back are the green lattice
arches. Snow lies thick everywhere, on the benches at the Right and on
the little iron table beside it, on the swing between two trees at the
Right, in the red boxes of dead shrubs, on the rocks and dried grass of
a "rookery" in the centre, and on the branches of the trees._ CLARA
_comes out from the house, followed by_ TROTTER.


CLARA. Come on and let mama rest awhile--naturally she's excited and
tired out, being married so suddenly and away from home. [_She stops
beside the swing, taking hold of its side rope with her hand._] It isn't
every mother who can elope without her oldest child's consent and have
her youngest daughter for a bridesmaid.

[_Laughing._

TROTTER. I hope Mrs. Sterling will forgive me. Perhaps she will when she
sees how my money can help your mother and me to get right in with all
the smarties!

CLARA. Oh, don't you be too sure about your getting in; it isn't as easy
as the papers say! But, anyway, that wouldn't make any difference to
Blanche. She was never a climber like mama and me. I suppose that's why
she is asked to all sorts of houses through Aunt Ruth that wouldn't let
mama and me even leave our cards on the butler!

TROTTER. I thought your mother could go anywhere she liked.

CLARA. Oh, no, she couldn't! if she made you think that, it was only a
jolly! Blanche is the only one of us who really went everywhere. Come
along, "_Poppa_," give me a swing! I haven't had one for years!

[_She sweeps off the snow from the seat of the swing with her hand._

TROTTER. Your mother certainly did represent--

CLARA. [_Sitting in the swing._] Oh, well, now don't blame mama! She
couldn't help herself; she always thought you _dreadfully handsome_!
Swing me!

TROTTER. I don't care, anyway. I'm deucedly proud of your mother,--I
mean of _my wife_,--and I'd just as lief throw up the whole society
business and go off and live happily by ourselves.

CLARA. O dear! I think mama would find that awfully dull. Go on, swing
me! [TROTTER _swings her._] Of course, you'll find mama a little
different when you see her all the time. You really won't see much more
of her, though, than you do now. She doesn't get up till noon, and has
her masseuse for an hour every morning, her manicure and her mental
science visitor every other day, and her face steamed three times a
week! She has to lie down a lot, too, but you mustn't mind that; you
must remember she isn't our age!

TROTTER. [_Swings her._] She _suits_ me!

CLARA. That's just what _I feel_! You'll take care of her, and me, too,
all our lives, and that's what makes me so happy. I'm full of plans!
We'll go abroad soon and stay two years. [_He has stopped swinging
her._] Go on, swing me!

TROTTER. [_Holding the swing still._] Say! if you think you are going to
run me and the whole family, you're a Dodo bird! Remember that you're my
daughter; you must wait a little if you want to be a mother-in-law.

[_Sleigh-bells are heard in the distance, coming nearer._

CLARA. Good gracious! If you ask _me_, I think mama has got her hands
full. What's become of Miss Godesby and her brother?

TROTTER. When you went upstairs with your mother, they went down the
road.

CLARA. You know originally the idea was _I_ was to marry you.

TROTTER. Really--

CLARA. [_Laughingly._] Yes, and mama cut me out.

TROTTER. Oh, well, it can't be helped; we can't marry everybody.

CLARA. [_Noticing the bells._] _Somebody else arriving!_ That's
queer--nobody comes here in the winter; that's why we chose it, because
it would be quiet! Let's play this game.

[_Going to an iron frog on a box which stands near the house._

TROTTER. Perhaps it's Mrs. Sterling.

CLARA. No; if she was coming at all, she'd have come in time for the
wedding. [_She takes up the disks which lie beside the frog._] I should
hate to get married like you and mama--no splurge and no presents! Why,
the presents'd be half the fun! And think of all those you and she've
given in your life, and have lost now a good chance of getting back.

[_Throws a disk into the frog's open mouth._

TROTTER. _I'll_ give your mother all the presents she wants. I can
afford it; I don't want anybody to give us anything!

CLARA. You talk like Jess! [_Throws another disk._] You know Jess earns
her own living. She goes around to smart women's houses answering their
invitations and letters for 'em. She calls it being a visiting
secretary, but I tell her she's a _co-respon-dent_!

[_Throws a disk._

[WARDEN _and_ MASON _enter from behind the house quickly, with a manner
of suppressed excitement. They are surprised to find_ CLARA _and_
TROTTER.

WARDEN. Why, here they are!

MASON. No, only Miss Clara and Trotter.

WARDEN. Lucky I met you--you must take me back in your sleigh.

MASON. Yes, the riding's beastly.

TROTTER. Hello! I say, were you invited?

CLARA. Merry Christmas!

WARDEN. We came to see the Godesbys.

CLARA. They've gone down the road.

MASON. Sterling isn't here, is he?

TROTTER. No, haven't seen him.

CLARA. Do you know _why_ we're here?

[MASON _and_ WARDEN _are embarrassed._

MASON. Yes--er--er--a--many happy returns, Mr. Trotter.

TROTTER. It's a great day for me, Mr. Mason!

WARDEN. Wish you joy, Trotter!

[_Embarrassed and not going near him._ TROTTER _rushes eagerly to him
and grasps his hand warmly._

TROTTER. Thank you, old man! I say! _Thank you!_

MASON. Miss Clara, would you do me the great favor of going down the
road and hurrying the Godesbys back if you see them?

CLARA. Yes, I don't mind; come along, Trotty!

WARDEN. You must excuse Trotter. I want a talk with him if he will give
me five minutes.

CLARA. Oh, certainly.

[_She goes out Left behind the house._

WARDEN. [_To_ MASON.] Will you see Mrs. Hunter?

TROTTER. I beg your pardon, Mrs. _Trotter_!

WARDEN. [_Politely._] I beg yours. [_To_ MASON.] See Mrs. Trotter.

MASON. [_Aside to_ WARDEN.] You're going to ask _him_ to go on Dick's
note for Ryder?

WARDEN. [_In a low voice._] Yes.

MASON. You're a wonder! As if _he_ would!

WARDEN. _Somebody must_, and there's nobody else. That boy and that
mother have got to be saved!

MASON. I'm sorry my name's no good for us.

WARDEN. And mine mustn't be used.

MASON. No, indeed! The minute that was done, there'd be a new
complication, and more trouble would tumble down on Mrs. Sterling's
head. Good luck.

[_Shakes his hand and enters the house._

TROTTER. What's up? _You_ haven't come to kick about my wedding, have
you? I wouldn't stand for that, you know!

WARDEN. It's not that, Mr. Trotter. Your wife's son-in-law, Sterling,
has turned out a blackguard; he has had intrusted to him Miss Ruth
Hunter's money and several other people's, and he's used it all for
speculation of his own.

TROTTER. Then he's a damned thief!

[_He sits on the bench with the manner that he has settled the subject._

WARDEN. So he is, and he's ruined.

TROTTER. Well, prison is the place for _him_.

WARDEN. We won't argue that, but how about his family--they get punished
for what he has done; they must share his disgrace.

TROTTER. Oh, well, my wife is out of all that now--_she's Mrs. Trotter_.

WARDEN. Yes, but _her own daughter_ suffers.

TROTTER. [_On the defensive._] She isn't very chummy with her classy
eldest daughter.

WARDEN. Never mind that; you know without my telling you that Mrs.
Sterling is a fine woman.

TROTTER. She's always snubbed me right and left, but, by George, I must
own she is a fine woman.

WARDEN. That's right! [_Clapping him on the back and putting his arm
around his shoulder._] Look here--help us save her!

TROTTER. How?

WARDEN. Indorse a note of Sterling's to give Ryder to keep him quiet.

TROTTER. I'd have to ask my wife.

WARDEN. No! Don't start off like that! Keep the reins in your own hands
at the very beginning,--make her realize from this very day that you're
raised up on the cushion beside her; that she's sitting lower down
admiring the scenery, while you do the driving through life!

TROTTER. [_Half laughing._] Ha! I guess you're right. Box seat and reins
are good enough for me!

WARDEN. Good boy! Then we can count on you to sign this note?

TROTTER. Where's _my_ security?

WARDEN. I can get you security if you want it.

TROTTER. Of course I want it! And I say, where are _you_? Why aren't
_you_ in it?

WARDEN. There are reasons why my name had better not appear; you are in
the family. But I'll tell you what I'll do, Trotter; I'll secure _you_
with a note of my own--only you must keep it dark; you mustn't even let
Mason know.

TROTTER. All right, perhaps I'm a Dodo bird, but I'll do it. Say, I seem
to have married a good many of this classy family!

WARDEN. Trotter, no one's done you justice! And, by George! you deserve
a better fate--er--I mean--my best wishes on your wedding day.

[TROTTER _shakes his hand delightedly._

TROTTER. Great day for me! What I wanted was style and position, and
some one classy who would know how to spend my money for me!

WARDEN. Well, you've got _that, surely_!

[CLARA _comes back from the house._

CLARA. The Godesbys are coming. Trotter, there's skating on the river
near here, and they've skates in the house--don't you want a spin?

TROTTER. Yes, I don't mind--if my wife doesn't need me! [CLARA _laughs
as_ GODESBY _and_ MISS GODESBY _enter from behind the house._ TROTTER
_meets them, with_ CLARA _on his arm._] Excuse us for a little while!

CLARA. _Poppa_ and I're going skating!

[_They go out Left._

GODESBY. Hello, Warden.

WARDEN. Good morning, Miss Godesby.

MISS GODESBY. Good morning.

WARDEN. How are you, Godesby? I've come on a matter most serious, most
urgent--something very painful.

GODESBY. What is it?

[_Comes forward._

WARDEN. Both of you trusted Dick Sterling.

MISS GODESBY. What's he done?

WARDEN. Misused your funds.

GODESBY. How d'you mean?

WARDEN. I mean that the money you intrusted to him is gone, and I've
come to make a proposition to you.

MISS GODESBY. Gone?

[GODESBY _and_ MISS GODESBY _are aghast. A second's silence, during
which_ GODESBY _and_ MISS GODESBY _look at each other, then back at_
WARDEN.

GODESBY. Do you mean to say--

WARDEN. The money is _gone_, every penny of it, and I want you to accept
a note from Sterling to cover the amount.

MISS GODESBY. I can't _grasp_ it!

GODESBY. Where is Sterling? Why didn't _he_ come?

WARDEN. He was ashamed.

GODESBY. I should hope so!

WARDEN. Several of us are going to stick by him; we'll manage to put him
on his feet again, and we want you to accept his note.

GODESBY. [_Incredulous._] Accept his note?

MISS GODESBY. [_Also incredulous._] On _what security_?

GODESBY. [_Quickly._] You'll do nothing of the sort, Julia!

MISS GODESBY. I'll see him where he belongs, in State's Prison, first!

WARDEN. That wouldn't bring you back your money.

MISS GODESBY. Neither will his note!

WARDEN. If I get it indorsed?

GODESBY. Likely!

MISS GODESBY. Rather!

WARDEN. I want your silence to keep it from the public for the family's
sake. I've secured a satisfactory indorser for a note to satisfy Ryder's
claim.

MISS GODESBY. Why didn't you give him to _me_ instead of Ryder?

WARDEN. I felt you would be willing, out of friendship--

[_There are sleigh-bells in the distance, coming nearer._

MISS GODESBY. Huh! you must take me for an idiot!

WARDEN. Out of friendship for his wife.

MISS GODESBY. Blanche Sterling! I never could bear her! She's always
treated me like the dirt under her feet!

WARDEN. You dined with her last night.

MISS GODESBY. That was to please her mother. No, if my money's gone,
Sterling's got to suffer, and the one slight consolation I shall have
will be that Blanche Sterling will have to come off her high horse.

[_The sleigh-bells stop._

GODESBY. [_To_ MISS GODESBY.] Ten to one if you agree to sign this
note--

WARDEN. And keep silent.

MISS GODESBY. [_Satirically._] Oh, yes, of course, the next morning when
I wake up Sterling will be gone! Nobody knows where!

WARDEN. I've had it out with Sterling! I am here as his representative.
I give you my word of honor Sterling will not run away. It is under such
an understanding with him that I am pleading his case in his stead. He
will stay here and work till he has paid you back, every cent.

[JESSICA _enters hurriedly from the house._

JESSICA. [_In great excitement._] Mr. Warden, Mr. Warden, Dick has gone!

WARDEN. _Sterling? Gone?_

MISS GODESBY. _Gone?_

GODESBY. That's _good_!

WARDEN. Don't be a fool, Godesby. How do you mean "gone," Miss Hunter?

JESSICA. I don't altogether know. While I was out this morning, Blanche
received a message from mother saying she'd been--

[_She hesitates, looking toward_ GODESBY _and_ MISS GODESBY.

WARDEN. They know. They're your mother's guests here.

JESSICA. She told Blanche they would be glad to have her here at one
o'clock for breakfast. Blanche ordered the sleigh at once and went away,
leaving word for me I was to open any message which might come for her.

WARDEN. [_To_ GODESBY.] Has she been here?

GODESBY. Not that I know of.

MISS GODESBY. [_Eager to hear more._] No, no!

JESSICA. No, they say not. She probably went first to Aunt Ruth's.
Before I got back, Dick, who'd been out--

WARDEN. He was at my house.

JESSICA. Yes. He came back, questioned Jordan as to where Blanche was,
went upstairs, and then went away again, leaving a note for Blanche,
which I found when I came home--

WARDEN. [_Eagerly._] Yes?

JESSICA. It simply said, "Good-by. Dick."

MISS GODESBY. [_Very angry._] Oh!

GODESBY. [_Quickly._] He's taken a train! He's cleared out!

WARDEN. Do you know if he took a bag or anything with him?

JESSICA. No, he took nothing of that sort. Jordan went into his room and
found a drawer open and empty, a drawer in which Dick kept--a
_pistol_!--

[_She drops her voice almost to a whisper._

WARDEN. Good God, he's shot himself!

JESSICA. Perhaps not--he left the house.

WARDEN. Yes, if he were really determined to shoot himself, why wouldn't
he have done it there in his own room?

JESSICA. What can we do? What can we do?

WARDEN. I'll get Mr. Mason; he's with your mother; he must go back to
town at once.

[_Going to the house._

JESSICA. He can go with me; I'd better be at the house. Some one must be
there.

WARDEN. Good!

[_He goes into the house._

[MISS GODESBY _and her brother ignore and apparently forget the presence
of_ JESSICA _in their excitement. They both speak and move excitedly._

MISS GODESBY. I ought to have suspected something when Sterling told me
he was getting ten per cent for my money,--the blackguard!

GODESBY. I always told you you were a fool not to take care of your
money yourself! You know more about business than most men.

MISS GODESBY. I didn't want to be bothered; besides, there was always
something very attractive about Sterling. I don't mind telling you that
if he had fallen in love with me instead of the stiff-necked woman he
married, I'd have tumbled over myself to get him.

GODESBY. How do you feel about him now?

MISS GODESBY. Now! Thank God, I'm saved such a waking up! It's going to
make a big difference with my income, Howard! I wonder if his wife knew
he was crooked! I'll bet you she's got a pot of money stowed away all
right in her own name.

JESSICA. [_Who can bear no more, interrupts._]

Please--please! Remember that you're speaking of my sister and that
every word you are saying cuts through me like a knife.

MISS GODESBY. I beg your pardon; I ought to have thought. I like and
respect you, Jess, and I've been very rude.

JESSICA. You've been more than that; you've been cruelly unjust to
Blanche in all that you've said!

MISS GODESBY. Perhaps I have, but I don't feel in a very generous mood;
I've some excuse--so please forgive me.

[WARDEN _reenters Left._

WARDEN. [_To_ JESSICA.] Mason is waiting for you with the sleigh. He's
going first to my house. Dick may have gone back there to hear the
result of my interview with Ryder,--then Mason'll try his own house and
Sterling's club.

GODESBY. The _police_ are the best men to find Sterling, whatever's
happened.

WARDEN. [_To_ GODESBY.] You wait a minute with me; I haven't finished
with you yet. [_To_ JESSICA.] I'll stay here for your sister, in case
she comes.

[JESSICA _goes out Left._

GODESBY. [_To_ MISS GODESBY.] Don't you give in!

MISS GODESBY. Not for a minute! [_To_ WARDEN.] Don't you think, under
the circumstances, the wedding breakfast had better be called off, and
my brother and I go back to town?

WARDEN. Not till you've given me your promise, both of you, that you
will keep silent about the embezzlement of your bonds for the sake of
Mrs. Sterling and her son.

MISS GODESBY. [_Half laughs._] Huh!

WARDEN. For the sake of her mother, who is your friend.

[_Sleigh-bells start up loud and die off quickly;_ JESSICA _has gone._

MISS GODESBY. Oh, come, you know what sort of friends we are,--for the
amusement we can get out of each other. This is the case,--I trusted
this man with my affairs. He was very attractive--I don't deny that;
business with Dick Sterling became more or less of a pleasure--but that
doesn't cut any ice with me; he's stolen my money. To put it plainly,
he's a common thief, and he ought to be punished; why should he go scot
free and a lot of others not? You know perfectly well his note wouldn't
be worth the paper it was written on; and, anyway, if he hasn't gone and
sneaked out of the world, I won't lift my little finger to keep him from
the punishment he deserves!

GODESBY. Good for you, Julia!

WARDEN. Don't you put your oar in, Godesby; just let this matter rest
between your sister and me! She's always been known as the best man in
your family.

GODESBY. You don't choose a very conciliatory way of bringing us around!

WARDEN. I'm not choosing any way at all; I'm striking right out from the
shoulder. There isn't time for beating round the bush! I'm pleading for
the good name and honorable position of a perfectly innocent, a fine,
woman, and for the reputation and unimpeded career of her son! And I
make that appeal as man to man and woman!

MISS GODESBY. I have nothing to do with any one in this matter but
Sterling himself, who has robbed me, and I'll gladly see him suffer for
it!

WARDEN. Now look here, Miss Godesby, you belong to a pretty tough crowd
in society, but I know at heart you're not a bad sort! What good will it
do you? Granted even that you don't care for Mrs. Sterling, still don't
tell me you're the kind of woman to take a cruel pleasure in seeing
another woman suffer! I wouldn't believe it! You're not one of those
catty creatures! You're a clever woman, and I don't doubt you can be a
pretty hard one, too, at times; but you're _just_--that's the point
now--you're _JUST_--

MISS GODESBY. [_Interrupting._] Exactly! I'm just, an eye for an eye!
Sterling is a thief, let him get the deserts of one!

[_She sits on the bench determinedly._

WARDEN. But you can't look at only one side! You can't shut your eyes to
his wife's suffering, too, and she doesn't deserve it! Neither does her
boy deserve to share his disgrace. [_He sits beside her._] Why, you have
it in your power to handicap that boy through his whole life by
publishing his father a criminal; or you can give that boy a fair show
to prove himself more his _mother's son_ than his father's, and to live
an honest--who knows--perhaps a noble life!

MISS GODESBY. I refuse to accept such a responsibility. Ryder--

WARDEN. [_Rises, interrupting her._] Ryder's word is given to be silent.

MISS GODESBY. Well, that's _his_ lookout.

WARDEN. You'll have many a heart wrench, I'll bet you! You'll have to
run across the results of the harm you do to Mrs. Sterling and Richard
day in and day out, year after year! I don't believe you realize what it
means! Why, I know _you_ can't bear to see a _dog_ suffer! I met you
last week on the street carrying a mangy, crippled brute of a little dog
in your arms, afraid lest he'd get into the hands of the
vivisectionists, and yet here you'll let a boy and his mother--

MISS GODESBY. [_Interrupts him, struggling against a tiny emotion which
he has stirred._] Stop Stop! I don't want you working on my feelings
that way.

[_She rises and turns from him_

WARDEN. [_Follows her._] I'm only knocking at the door of your heart.
And now because it's opened just a tiny way, you want to shut it in my
face again. Will you leave this woman's name fit for her to use? _Won't_
you make that boy's life worth living to him?

MISS GODESBY. [_After a moment's pause, looks straight into_ WARDEN'S
_face._] I'll tell you what I'll do. Get me some security, some sort of
indorsement of Sterling's note--

WARDEN. If the man's only alive!

MISS GODESBY. And I'll hold my tongue.

WARDEN. How long will you give me?

MISS GODESBY. Oh, come, I can't have any monkey business! You must get
me my security to-day.

WARDEN. To-day?

MISS GODESBY. Yes.

WARDEN. But--

MISS GODESBY. That's my last word.

GODESBY. Stick to that, Julia!

WARDEN. I shan't try to persuade her against that. Will you leave your
sister alone with me a moment. Perhaps you'll see about your sleigh
being ready to return to town.

GODESBY. I've no objection--if Julia wishes it.

MISS GODESBY. Yes, go on, Howard!

[GODESBY _goes out back of house._

WARDEN. [_Left alone with_ MISS GODESBY, _goes nearer to her._] Look,
here! Will you accept _my_ indorsement? Will _I_ be all right?

MISS GODESBY. [_Incredulously._] Certainly.

WARDEN. Then it's settled?

MISS GODESBY. You don't mean it!

WARDEN. I do.

MISS GODESBY. You'd be willing to lose--[_A revelation comes to her._]
Oh--for _Mrs. Sterling_! I see!

WARDEN. [_Very seriously._] I _wouldn't_. I wouldn't see.

MISS GODESBY. And she's always been blackguarding me for my affairs with
men! And all the time--

WARDEN. [_Interrupts strongly._] Don't say any more, please, _Miss
Godesby_! I only wish your brother had said that much instead of you.

MISS GODESBY. [_Disagreeably._] So you're in love with Blanche Sterling?

WARDEN. No!

MISS GODESBY. Oh, come, don't tell a lie about it; that will only make
it seem worse.

WARDEN. Well, suppose I were in love with her--what of it?

MISS GODESBY. Nothing; only, my dear Warden, that woman--

WARDEN. [_Interrupts._] Wait a minute! You've got me in a corner, but
knowing half the truth, you mustn't _guess_ the whole. She is even more
ignorant of my love for her than you were ten minutes ago! [MISS GODESBY
_smiles and makes a little satirical exclamation._] You don't believe
that, but I'll _make_ you. I'm going to tell _you_ something I've never
even told myself. I'm going to put you to a big test, because I've got
to. Apparently, I can't help myself; but after all, somehow I believe in
the human nature in you, and you've got it in your power to help or hurt
the woman I love--I say those words aloud for the first time--the woman
I love!

[_He has finished his speech in a lowered tone throbbing with controlled
feeling._

MISS GODESBY. [_Incredulously._] You've never told her?

WARDEN. Never; and you show how little you really know her when you ask
that question! She loves her husband.

MISS GODESBY. I'm not so sure about that!

WARDEN. I am, and I _love her_. But surely the silent love of a man,
like mine, is no insult to a good woman--cannot harm her! A love that is
never spoken, not even whispered, can't hurt any one, except, perhaps,
the one who loves. You must acknowledge even _you_ have never heard a
hint; you _showed_ just now your real surprise at what circumstances
revealed to you! I'd die sooner than bring the slightest shadow of a
scandal on her, and I've hugged my secret tight. Have you any idea what
such a love means? How it grows and grows, its strength shut in, held
back, doubling and redoubling its powers!--its ideality increasing, the
passion _suppressed_, locked up! Good God! I tremble sometimes when I
think--suppose some day it should burst out, _break_ my control, MASTER
ME! [_A pause._] And here, now, I've told _you_; I'm sorry, but I had to
for _her_ sake again. Will you help me keep my secret?

MISS GODESBY. [_After a second's pause._] Yes, because I believe you.

WARDEN. And Mrs. Sterling?

MISS GODESBY. [_Slowly, with sincere meaning._] I envy her!

[_Her voice breaks and she turns away from him._

WARDEN. No one is to know I indorse Sterling's note?

MISS GODESBY. You needn't sign the note; my brother'd have to see it.
I'll take your word for the indorsement.

[_She offers him her hand. They shake hands._

WARDEN. What a brick you are! You know you don't do yourself anything
like justice in the world!

[GODESBY _reenters Left and after him a_ MAN SERVANT _in ordinary
clothes, who passes through the archway at back Centre._

GODESBY. Ready!

WARDEN. [_Aside to her._] You can promise his silence about Sterling?

MISS GODESBY. Oh, yes, he's absolutely dependent upon me.

WARDEN. Thank you.

MISS GODESBY. [_To_ NED _with a forced gaiety._] Good-by!

WARDEN. [_Again shaking her hand_] Good-by.

[_He looks his thanks at her._

GODESBY. Well? What did you do?

MISS GODESBY. [_As they go._] Don't worry; I've taken care of myself for
many years, and I still feel up to it!

[_They go out Left and at the same time the_ SERVANT _enters from the
archway at back Centre carrying some fire logs in his arms. This_
SERVANT _speaks with a slight French accent. As he reaches the house,_
WARDEN _stops him with a question, and the_ GODESBYS' _sleigh-bells
start up and quickly die away. The sun begins to set._

WARDEN Have you an empty sitting room?

SERVANT. Yes, sair.

WARDEN Warm?

SERVANT. I will soon arrange a fire.

WARDEN I wish you would, please.

SERVANT. Ze big room for ze breakfast is altogether ready and warm; you
will be able to go in there now.

WARDEN. No, that wouldn't do. It's all right out here for _me_, only I
am expecting a lady.

[_Sleigh-bells are heard in the distance, coming quickly nearer._

SERVANT. Yes, sair.

WARDEN. I hear a sleigh coming. If a lady is in it, ask if her name is
Mrs. Sterling, and if she says yes, tell her Mr. Warden is here and
would like to speak with her a moment before she goes in to Mrs.--

[_He hesitates a second._

SERVANT. Trottair?

WARDEN. Yes.

SERVANT. Yes, sair.

[_He goes into the house._

[_The sun grows red, and the colors of sunset creep over the sky during
the scene which follows. After a moment the_ SERVANT _shows_ BLANCHE
_out from the house._

BLANCHE. [_Surprised and depressed._] Good morning, Mr. Warden, have you
been asked to these funeral baked meats?

WARDEN. No, I'll explain why I am here in a few minutes. Only let me ask
you first when you last saw your husband?

BLANCHE. Early this morning.

WARDEN. And you have come just now from where?

BLANCHE. Aunt Ruth's. Of course you know about my mother? When I heard
it I started to come here, but my heart failed me and I turned back to
my aunt's. She has persuaded me that I ought to come and put the best
face on the matter possible, but it seems as if I'd had now a little
more than I _can_ bear!

[_Her voice breaks and her eyes fill with tears._

WARDEN. [_Almost tenderly._] Shall we go inside?

BLANCHE. No, no! Let us stay out in the air; my head would burst in one
of these close little rooms. Have you seen mother?

WARDEN. No, not yet.

BLANCHE. Where is Dick? Did he go to Ryder's?

WARDEN. No, but I have some good news to tell you all the same--Ryder
has promised silence.

BLANCHE. [_With tremendous relief._] Oh! that's too good, too good to be
true! To whom did he promise?

WARDEN. I want you not to ask me that.

BLANCHE. I can guess, it was--

WARDEN. [_Lying._] No, it was--_Mason_.

BLANCHE. [_Doubting him._] Mr. Mason?

WARDEN. And I've more good news for you, Mrs. Sterling--the _Godesbys_,
too; _they_ will be silent.

BLANCHE. You're sure?

WARDEN. We have their word!

BLANCHE. [_Pointedly._] Mr. Mason again?--

[WARDEN _bows his head in assent._] He was _here_?

WARDEN. Some time ago, but only for a minute. He didn't stay; he went to
find your husband.

BLANCHE. But the _Godesbys_? I just met them now on the road going back.
How could Mr. Mason, if he didn't stay--[WARDEN _is embarrassed, and is
silent, searching a way out of it._] Oh, no! no! it wasn't Mr. Mason! I
see the whole thing clearly. Dick was too great a coward, and _you_ did
it! It was _you_ who won over Ryder! It was _you_ who persuaded the
Godesbys!--

[WARDEN _shakes his head and makes a movement to deny it._ BLANCHE
_continues speaking, the words rushing to her lips, as her pent-up heart
opens and lets all her emotions suddenly free._] Don't try to deny it;
you can't make me believe you! It's to _you_ I owe whatever promise the
future has for me! It is _you_ who have given me all the happiness I've
had for years. It is _you_ who have watched over, taken care of,
me--_you_, the best friend any woman in this world ever had. It is _you_
now who have saved my boy's honor. It is _you_ who lift the weight off
my shoulders, the weight off my heart! You!--you!--you!

[_She sinks sobbing on the bench. It begins to snow very quietly and
slowly._

WARDEN. [_All his love bursting out into his face and into his voice,
cries._] Blanche! Blanche!

[_Leaning over her as if to protect her from her trouble and take her to
his breast._

BLANCHE. [_Rising and looking straight into his eyes with a suddenly
revealed great love in her own._] Ned!--

[_They hold this position some moments, gazing into each other's eyes;
then finally_ WARDEN _makes a movement towards her, crying out more
triumphantly, having read and realized her love for him._

WARDEN. Blanche!

BLANCHE. [_Moving a half step back from him._] No--

WARDEN. No?

BLANCHE. Look--look, it's beginning to snow!

WARDEN. [_Very softly._] What do you mean?

BLANCHE. [_Desperately._] I mean to speak of anything except what is in
your thoughts at this moment! Help me not to forget that no matter what
he has done, Dick is still my husband.

WARDEN. You don't know all he has done!

BLANCHE. How not "all"? What else? Where is he?

[_With a sudden new alarm._

WARDEN. He has left you.

BLANCHE. [_Echoes._] Left me?--

WARDEN. Mason is searching for him. He left a note at your house which
Jess read; it was only one word "Good-by."

BLANCHE. [_Echoes again._] Good-by! [_Sleigh-bells are heard in the
distance, coming quickly nearer._] What does it mean? You're hiding
something from me! Tell me what else you know?

WARDEN. He left the house, but took something with him--something from a
drawer in his room.

BLANCHE. [_After a second's pause she whispers._] His pistol?

WARDEN. Yes.

BLANCHE. [_Aghast, still whispers._] Has he done it?

WARDEN. I don't know; I'm waiting word from Mason.

[_The sleigh-bells stop._

BLANCHE. [_Excited._] But we can't wait here doing nothing; we must go,
too!

WARDEN. Mason is doing all that can be done; we'd better wait here.

[_He takes her hand in sympathy, but without suggesting the passion of a
few moments before._ STERLING _enters hurriedly Left. He is wild with
drink and jealousy._

STERLING. Drop my wife's hand!

[_They turn in great surprise._

BLANCHE. Dick!

[_Fright at his appearance is mingled with her surprise._

WARDEN. [_At the same time as_ BLANCHE.] Sterling!

[_They do not drop hands._

STERLING. [_Coming nearer, very strong._] Drop my wife's hand! [_They do
so quickly, not understanding yet._] So I've _caught_ you!

WARDEN. [_Angry._] Caught us!

STERLING. Yes, I had my suspicions roused some time ago!

BLANCHE. Of what?

STERLING. _I_ could go to the devil--what did _you two_ care! I could go
to State's Prison! All the better--_out of your way!_

WARDEN. You're speaking like a madman!

STERLING. I went back to my house this morning; my wife was gone--no
message left where to! But I questioned the servant. She'd driven here!
Why? Ha! [_A bitter half laugh; he turns to_ BLANCHE.] _You've come here
once too often!_

WARDEN. [_Very strong._] Sterling!

STERLING. [_To_ WARDEN, _but ignoring his exclamation._] Then I went to
_your_ house. _They knew_ where _you'd_ gone! You ought to train your
servants better! _Both here!_

WARDEN. If you're not careful, I'll ram your insinuations down your
throat.

STERLING. [_Jeers._] "Insinuations?" I've caught you! I make no
"_insinuations_." I tell you _both you're caught!_ You're my wife's
lover, and she's your damned mis--

[_Interrupted._

WARDEN. [_Seizing_ STERLING _by the throat._] Don't you finish!

BLANCHE. Sh!--for Heaven's sake! [_To_ WARDEN.] Let him alone; I'm not
afraid of what he says.

[WARDEN _leaves_ STERLING.

STERLING. No, you never were a liar, I'll give you credit for that,--so
confess the truth--you're his--

[_Interrupted._

BLANCHE. [_Excited beyond her control._] Listen! And you shall have the
truth if you want it! These years that he's been befriending me I never
dreamed of loving him nor thought of his loving me. [DICK _sneers._]
_Wait!_ No, not even the day my father was buried, when I learned
outright you were _dishonest!_

STERLING. [_Surprised._] What do you mean?

BLANCHE. What I say--I learned it then from a paper of my father's. I
shouldn't have kept my knowledge to myself--I see that now; but I did,
for your sake, not for love of you--the love went for good that day. But
here, a moment ago, I realized for the first time that my old friend
_did_ love me, love me with an ideal devotion the noblest woman in the
world might be proud of! I didn't tell him then I loved him, but now I
take this chance, I _take it_ GLADLY before you!--_forced by you!_ I
tell him now, what perhaps he has already guessed, I love him with all
my heart--I _love him_! I LOVE HIM!

STERLING. Damn you both! then it's the _end_ of _me!_

[_He pulls out a pistol and tries to put it to his temple._

BLANCHE. [_Cries out._] Ned!

WARDEN. [_Seizes_ STERLING, _catches his arm, and wrenches the pistol
from him._] So that's what you planned to do, is it--make a wretched
scene like that?

[_It begins to snow more heavily._

STERLING. [_In utter collapse and shame._] Why did you stop me? I'm
better out of the world. I'm crazy with shame. First I disgraced and now
I've insulted--_degraded_--the only living thing I care for,--that's my
wife.

[_A moment's pause._

BLANCHE. [_Speaks quietly._] Come back to the house. Mr. Mason is
looking for you; he has something to tell you.

STERLING. I know--more bad news.

BLANCHE. No, good.

STERLING. [_Echoes._] Good! [_Starting to go, he turns at the porch._] I
want _you_ to know that _I_ know I'm a rotten beast.

[_He goes out Left._

WARDEN. You're going back _home_?

BLANCHE. "_Home!_" [_With a faint smile._] I should hardly call it that.

WARDEN. [_Aside to her._] You're not afraid?

BLANCHE. [_Half smiling._] Oh, no! And my boy's there.

[_The thick falling snow almost hides them, but they are unconscious of
it._

WARDEN. What's to be done?

BLANCHE. Wait; we'll see--we'll see--let it be something we could never
regret. Good-by, Ned.

[_Giving him her hand._

WARDEN. Good-by, Blanche.

[_Kissing her hand very tenderly and almost with a certain kind of awe,
as_

THE CURTAIN SLOWLY FALLS




ACT IV


_The following morning; at the_ STERLINGS'; _the library; a warm,
livable, and lovable room, full of pictures, photographs, and books;
mistletoe and holly decorate everywhere. In the bow-window at back there
is a large bird-cage with half a dozen birds in it. The furniture is
comfortable and heavily upholstered. At Left there is a fireplace with
logs ready, but the fire is not lit. There a big table near the centre,
full of magazines, illustrated papers, and books. A big arm-chair is
beside the table, and other chairs conversationally close. There is a
table near the door at Right, piled with Christmas gifts, still wrapped
in white paper; they are tied with many colored ribbons and bunches of
holly. There are doors Right and Left. After the curtain rises on an
empty stage,_ RUTH _enters quickly; while she has her buoyant manner,
she is, of course, more serious than usual. She carries a bunch of fresh
violets in her hand. She looks about the room with a sort of curiosity.
She is waiting for some one to appear. She takes up a silver-framed
photograph of her brother which stands on a table and speaks aloud to
it._


RUTH. I'm glad you're spared this. [_With a long-drawn breath she places
the photograph back upon the table and turns to greet_ BLANCHE, _who
comes in Right._] Good morning, my dear.

[_She kisses her._

BLANCHE. Good morning. You've had my note? [RUTH _nods._] Thank you. I
wanted to see you before I saw any one else. You must help me decide,
only _you_ can.

RUTH. Have you seen your husband this morning?

BLANCHE. No. He sent word he was feeling ill, but would like to see me
when I was willing.

RUTH. And you?

[_They sit near each other._

BLANCHE. I don't want to talk with him till I see more clearly what I am
going to do.

RUTH. Mr. Warden told me last night all that happened at "The
Hermitage." But on your ride home with Dick?

BLANCHE. We never spoke. [_She rises._] Aunt Ruth, I am going to leave
him.

RUTH. [_Rising._] No!

BLANCHE. [_Walking up and down._] Why not? _Everybody_ does.

RUTH. [_Going to her._] That's just it. _Be somebody!_ Don't do the
easy, weak thing. Be strong; be an example to other women. Heaven knows
it's time they had one!

[MRS. HUNTER _enters Right._ BLANCHE _meets her._

MRS. HUNTER. Good morning, my poor dear.

[_Going to kiss_ BLANCHE.

BLANCHE. [_Taking_ MRS. HUNTER'S _hand and not kissing her._] Good
morning.

MRS. HUNTER. Clara's gone upstairs to see little Richard. Good morning,
Ruth.

[_She adds this with a manner of being on the defensive._

RUTH. [_Dryly._] Good morning.

MRS. HUNTER. [_Sitting by the table and looking at the picture papers._]
Isn't it awful! What are you going to do?

BLANCHE. I don't know yet, mother.

MRS. HUNTER. _Don't know?_ Absolute divorce--no legal separation! [_To_
RUTH.] We're staying at the Waldorf.

[BLANCHE _sits discouragedly on the sofa._

RUTH. [_Sitting beside her._] I shall advise against, and do everything
in my power to prevent, Blanche's getting a divorce!

MRS. HUNTER. You don't mean to say you'll carry those ridiculous notions
of yours into practice?--now that a scandal has come into our very
family?

RUTH. Oh, I know selfish, cynical, and worldly people won't agree with
me, and I pity and sympathize with Blanche from the bottom of my heart.
[_Taking and holding_ BLANCHE'S _hand._] But I want her not to decide
anything now; wait till the first blows over, and then--well, then I
feel sure she will do the strong, noble thing--the difficult thing--not
the easy.

BLANCHE. [_Withdraws her hand from_ RUTH'S.] _No_, you ask too much of
me, Aunt Ruth; I can't do it.

RUTH. I say don't decide now--wait.

BLANCHE. I don't want to wait. I want to decide now and to cut my life
free, entirely, from Dick's.

RUTH. You used to agree with me. I've heard you decry these snapshot,
rapid-transit, tunnel divorces many a time. I've heard you say when a
woman has made her bed, she must lie in it--make the best of her bad
bargain.

BLANCHE. I always sympathized with a woman who sought a divorce in this
state.

RUTH. Oh, yes, but _you can't_, can you?

BLANCHE. No, but I'm not strong enough to fight out an unhappy life for
the sake of setting an example to other women--women who _don't want_
the example set!

RUTH. Blanche, I counted on you to be strong, to be big--

BLANCHE. [_With a voice full of emotion._] But I love Ned Warden. He
loves me--life stretches out long before us. Dick has disgraced us all.
I don't love him--should I give _my_ happiness and Mr. Warden's
happiness for _him_?

MRS. HUNTER. Absurd! We all have a right to happiness if we can get it.
I have chosen; let Blanche follow my example.

BLANCHE. [_Disgusted._] _Yours?_ [_Rises._] Oh!

RUTH. [_Following up the advantage._] Yes, Blanche, do you want to
follow your mother's example?

BLANCHE. No! But the cases are not analogous!

MRS. HUNTER. Not what? You needn't fling any innuendoes at Mr. Trotter;
it's he who said it was my duty to stand by you, advise you, and all
that sort of thing. I'm not here to please myself! Goodness knows, a
divorce court isn't a very pleasant place to spend your honeymoon!

BLANCHE. Thank both you and Mr. Trotter, mother; but I ask you to allow
Aunt Ruth and me to decide this matter between us.

MRS. HUNTER. Trotter says _divorce_ was _made_ for woman!

RUTH. And what was made for man, please? Polygamy?

MRS. HUNTER. I don't know anything about politics! But I could count a
dozen women in a breath, all divorced, or trying to be, or _ought_ to
be!

RUTH. And each one of them getting a cold shoulder.

BLANCHE. What of it if their hearts are warm--poor climbers after
happiness!

RUTH. Believe me, dear, the chill spreads. You're going to be selfish?

MRS. HUNTER. She's going to be sensible.

[CLARA _enters Right._

CLARA. Hello, everybody! I just saw Dick coming out of his room and I
cut him dead.

BLANCHE. Clara!

RUTH. [_To_ BLANCHE.] You've taken a certain responsibility upon
yourself, and you can't shirk it.

BLANCHE. He isn't what I thought him!

RUTH. The day the sun shone on you as a bride, in God's presence, you
said you took him for better for worse--

CLARA. Dear me, is that in it? The marriage service ought to be
expurgated!

RUTH. [_To_ CLARA.] I'm ashamed of you.

CLARA. That's nothing new!

BLANCHE. Aunt Ruth, let us talk some other time.

MRS. HUNTER. Oh, if we are in the way, we'll go!

[_Rises._

CLARA. Yes, come on, let's go to Atlantic City.

MRS. HUNTER. No, I'd rather go to Lakewood.

CLARA. Oh, pshaw, Lakewood's no fun! I'm surprised you don't say go to
Aiken, North Carolina.

MRS. HUNTER. Mr. Trotter says we can't leave town anyway while Blanche
is in this trouble.

BLANCHE. Mother, please discuss your affairs somewhere else.

RUTH. And if I may be permitted to suggest, you will find Mr. Trotter's
advice always pretty good to follow. That young man has better qualities
than we have suspected. I have some thing to thank him for; will you be
good enough to ask him to come and see me?

MRS. HUNTER. He will not go to your house with my permission. I shall
tell him you have never asked me inside your door.

CLARA. Mother, if you ask _me_--[MRS. HUNTER _interjects_ "Which I
don't," _but_ CLARA _continues without paying any attention to the
interruption._]--I don't think Mr. Trotter is going to cry himself to
sleep for your permission about anything!

MRS. HUNTER. [_To_ BLANCHE.] Good-by, my dear; if you want me, let me
know; I'll be glad to do anything I can. I'm staying at the Waldorf.

CLARA. It's full of people from Kansas and Wyoming Territory come to
hear the Opera!

RUTH. A little western blood wouldn't hurt our New York life a bit!

CLARA. Ah! Got you there! The west is the place where the divorces come
from!

MRS. HUNTER. [_Laughs._] What's the matter with Providence? I think
Rhode Island tips the scales pretty even for the east!

BLANCHE. Please go, mother; please leave me for a little while.

MRS. HUNTER. Oh, very well, good-by! [LEONARD _enters Right with a
Christmas parcel, which he places on the table Right._] Dear me, have
you had all these Christmas presents and not opened them?

BLANCHE. It is only little Richard in this house who is celebrating
Christmas to-day.

MRS. HUNTER. It's a terrible affair; I only hope the newspapers won't
get hold of it. [_To_ LEONARD.] If any women come here asking for _me_
who look like ladies, don't let 'em in! They ain't my friends; they're
reporters.

[LEONARD _bows and goes out._

CLARA. I'm awfully sorry, Blanche, I honestly am; but I think you'll
have only yourself to blame if you don't strike out now and throw Dick
over. Good-by!

[MRS. HUNTER _and_ CLARA _go out Right._

BLANCHE. I wish _they_ wouldn't advise me to do what I _want_ to.

RUTH. Ah!

BLANCHE. But who do I harm by it? Surely, it wouldn't be for _his_ good
to be brought up under the influence of his father!

RUTH. If he saw you patiently bearing a cross for the sake of duty, can
you imagine a stronger force for good on the boy's character? What an
example _you_ will set him! What a chance for a mother!

BLANCHE. But my own life, my own happiness?

RUTH. Ah, my dear, that's just it! The watchword of our age is self! We
are all for ourselves; the twentieth century is to be a glorification of
selfishness, the Era of Egotism! Forget yourself, and what would you do?
The dignified thing. You would live quietly _beside_ your husband if not
_with_ him. And your son would be worthy of such a mother!

BLANCHE. And I?

RUTH. You would be _glad_ in the end.

BLANCHE. Perhaps--

RUTH. Surely! Blanche, for twenty years Mr. Mason and I have loved each
other.

[BLANCHE _is astonished. There is a pause._

[RUTH _smiles while she speaks, though her voice breaks._]

You never guessed! Ah, well, your father knew.

BLANCHE. But Mrs. Mason is hopelessly insane; surely--

RUTH. A principle is a principle; I took my stand against divorce. What
can you do for a principle if you don't give up everything for it?
Nothing! And that is what I mean. To-day I am not sorry--I am happy.

[_There is another slight pause._ RICHARD _is heard upstairs singing a
Christmas carol, "Once in Royal David's City," etc._

BLANCHE. [_With great emotion._] But if it breaks my heart--if it breaks
my heart?

RUTH. Hearts don't break from the pain that comes of doing right, but
from the sorrow of doing wrong! [_Neither woman speaks for a minute; in
the silence_ RUTH _hears_ RICHARD.] What's that?

BLANCHE. [_Hearing now for the first time._] Richard singing one of his
carols.

RUTH. I'd forgotten it _was_ Christmas.

[LEONARD _enters Left._

LEONARD. Doctor Steinhart is here to see Mr. Sterling. Where shall I
show him, madame?

BLANCHE. Here; we'll go--

[_Rising._

LEONARD. Yes, madame.

[_He goes out._

RUT. Well? What are you going to do?

BLANCHE. I'm _thinking_--

RUTH. May I come with you, or shall I--

BLANCHE. No, come.

[_The two women start to leave the room together Right, with their arms
around each other. They meet_ STERLING, _who enters; he starts, they
stop._

STERLING. I beg your pardon, I didn't know you were here.

BLANCHE. We are going to my room; I am sorry you are not well.

STERLING. Oh, it's nothing, thank you.

RUTH. If we can do anything, let us know.

STERLING. [_Overwhelmed with shame, bows his head._] Thank you.

[_The women go out Right. At the same moment_ DR. STEINHART _is shown in
by_ LEONARD _Left._

DR. STEINHART. Good morning, Sterling.

STERLING. Good morning, doctor; sit down.

DR. STEINHART. No, thanks, I'm very rushed this morning. What can I do
for you?

STERLING. I've been drinking too much for some time; I can't eat--my
nerves are all gone to pieces. I've some--some business troubles, and I
haven't slept for a week.

DR. STEINHART. Is that all! Brace up, help yourself a little, and we can
soon make a man of you.

STERLING. I'm afraid it would take more than a doctor to do that.

DR. STEINHART. Oh, come, we must get rid of melancholy. Come and drive
with me to 79th Street.

STERLING. No, I'm too worn out. Look at my hand! [_Holds out a trembling
hand._] I tell you literally I haven't slept for weeks--I thought you'd
give me some chloral or something.

DR. STEINHART. What? Now?

STERLING. Yes; I've tried sulphonal and all that rot; if doesn't have
any effect on me. Give me a hypodermic--

DR. STEINHART. Nonsense! Come out into the air!

STERLING. I've _been_ out.

DR. STEINHART. Good! Then try lying down again, and perhaps you'll go to
sleep _now_.

STERLING. Very well, but give me something to take to-night in case I
can't sleep then.

DR. STEINHART. [_Takes out a note-book and writes with a stylographic
pen._] Be careful what you eat to-day. How about this drinking--did your
business trouble come after it began, or did the whiskey come after the
business trouble?

STERLING. That's it.

DR. STEINHART. Um--[_Giving_ STERLING _the paper which he tears out of
his note-book._] Look here, I've a busy day before me; but I'll look in
to-morrow, and we'll have a good talk.

STERLING. Thank you. I say, what _is_ this?

DR. STEINHART. It's all right. Sulphate of morphia--one-quarter-grain
tablets.

STERLING. Isn't that very little?

DR. STEINHART. Oh, no; you try one, and repeat in an hour if it hasn't
done its work.

STERLING. But you've only given me two tablets, and I tell you I'm
awfully hard to influence!

DR. STEINHART. Two's enough; we don't give a lot of drugs to a man in a
nervous condition like yours. Don't let them wake you for luncheon if
you're asleep. Sleep's best for you. Good-by--pleasant dreams.

[_He goes out Left._

STERLING. [_Reads off the prescription._] "Two one-quarter-grain tablets
sulphate of morphia, Wm. B. Steinhart--" And in _ink!_ Why didn't he
write it with a lead-pencil? How can I make it more? Two--wait a minute!
Two! [_Taking out his own stylographic pen._] What's his ink? [_Makes a
mark with his pen on his cuff._] Good! the same! Why not make it twelve?
[_Marking a one before the two._] Just in case--I might as well be on
the safe side!

[_He rings an electric bell beside the mantel, and waves the paper in
the air to dry it._ BLANCHE _enters Right._

BLANCHE. I heard the doctor go. Is anything serious the matter?

STERLING. _If_ it were my _body_ only that had gone wrong, Blanche!

[LEONARD _enters Left._

[_To_ LEONARD.] Take this prescription round the corner and have it put
up.

LEONARD. Yes, sir.

STERLING. And bring it to me with a glass of water.

LEONARD. Yes, sir.

[_He goes out Left._

[BLANCHE _is still standing._ STERLING _sinks into a chair, and puts his
head in his hands, his elbows on the table. He lifts his head and looks
at her._

STERLING. I know what you're going to do; you don't have to tell me; of
course you're going to divorce me.

BLANCHE. No.

STERLING. What!

[_His hands drop to the table; he looks her straight in the face,
doubting what he hears._

BLANCHE. [_Looking back into his eyes._] No.

STERLING. [_Cries._] Blanche!

[_In a tone of amazement and joy._

BLANCHE. I give you one more chance, for your sake _only as my boy's
father_. But--_don't make it impossible for me_--do you understand?

STERLING. Yes! I must take the true advantage of this chance your
goodness gives me. I must right myself, so that people need not hesitate
to speak of his father in Richard's presence. _And this I will do._
[_With great conviction he rises._] I know I am at the cross-roads, and
I know the way; _but_ I don't choose it for _your_ reasons; I choose for
my own reason--which is that, unfit as _I am, I love you._

[_He speaks deliberately and with real feeling, bending over her._

BLANCHE. I tell you truly my love for you is gone for good.

STERLING. I'll win it back--you _did_ love me, you _did_, didn't you,
Blanche?

BLANCHE.. I loved the man I thought you were. Do you remember that day
in the mountains when we first really came to know each other, when we
walked many, many miles without dreaming of being tired?

STERLING. And found ourselves at sunset at the top instead of below, by
our hotel! Oh, yes, I remember! The world changed for me that day.

[_He sinks back into the arm-chair, overcome, in his weakened state, by
his memories and his realization of what he has made of the present._

BLANCHE. And for me! I knew then for the first time you loved me, and
that I loved you. Oh! how short life of a sudden seemed! Not half long
enough for the happiness it held for me! [_She turns upon him with a
vivid change of feeling._] Has it turned out so?

STERLING. How different! Oh, what a beast! what a fool!

BLANCHE. [_Speaking with pathetic emotion, tears in her throat and in
her eyes._] And that early summer's day you asked me to be your wife!
[_She gives a little exclamation, half a sob, half a laugh._] It was in
the corner of the garden; I can smell the lilacs now! And the raindrops
fell from the branches as my happy tears did on father's shoulder that
night, when I said, "Father, he will make me the happiest woman in the
world!"

STERLING. O God! to have your love back!

BLANCHE. You can't breathe life back into a dead thing; how different
the world would be if one could!

STERLING. You can bring back life to the drowned; perhaps your love is
only drowned in the sorrow I've caused.

BLANCHE. [_Smiles sadly and shakes her head; the smile dies away._] Life
to me then was like a glorious staircase, and I mounted happy step after
step led by your hand till everything _seemed_ to culminate on the day
of our wedding. You men don't, _can't_ realize, what that service means
to a girl. In those few moments she parts from all that have cherished
her, made her life, and gives her whole self, her love, her body, and
even her soul sometimes--for love often overwhelms us women--to _the_
man who, she believes, wants, _starves_, for her gifts. All that a woman
who marries for love feels at the altar I tell you a _man_ can't
understand! You treated this gift of mine, Dick, like a child does a
Santa Claus plaything--for a while you were never happy away from it,
then you grew accustomed to it, then you broke it, and now you have even
lost the broken pieces!

STERLING. [_Comes to her, growing more and more determined._] I will
_find_ them, and put them together again.

BLANCHE. [_Again smiles sadly and shakes her head._] First we made of
_every Tuesday_ a festival--our wedding anniversary. After a while we
kept the twenty-eighth of _every month_! The second year you were
satisfied with the twenty-eighth of April only, and last year you forgot
the day altogether. And yet what a happy first year it was!

STERLING. Ah, you see I _did_ make you happy once!

BLANCHE. Blessedly happy! Our long silences in those days were not
broken by an oath and a fling out of the room. Oh, the happiness it
means to a wife to see it is hard for her husband to leave her in the
morning, and to be taken so quickly--even roughly--into his arms at
night that she knows he has been longing to come back to her. Nothing
grew tame that first year. And at its end I climbed to the highest step
I had reached yet, when you leaned over my bed and cried big man's
tears, the first I'd ever seen you cry, and kissed me first, and then
little Richard lying on my warm arm, and said, "God bless you, little
mother." [_There is a pause._ BLANCHE _cries softly a moment._ STERLING
_is silent, ashamed. Again she turns upon him, rousing herself, but with
a voice broken with emotion._] And what a _bad_ father you've been to
that boy!

STERLING. I didn't mean to! That's done, that's past, but Richard's my
boy. I'll make him proud of me, somehow! I'll win your love back--you'll
see!

[BLANCHE _is about to speak in remonstrance, but stops because of the
entrance of_ LEONARD. _He brings a small chemist's box of tablets in an
envelope and a glass of water on a small silver tray._

LEONARD. Your medicine, sir.

[_He puts it on the table and goes out Right._

STERLING. Thank you, thank you!

[_He takes the box of tablets out of the envelope._

BLANCHE. [_Going to him._] _You don't realize_ why I've told you all
this!

STERLING. [_Counting out the tablets._] One, two. To give me hope! To
give me hope!

[_He empties the other ten tablets into the envelope, twists it up, and
throws it in the fireplace._

BLANCHE. No, no, just the opposite!

STERLING. Then you've defeated your end, dear; you will stay here with
me.

BLANCHE. [_Trying to make him realize the exact position._] Opposite you
at the table, receiving our friends, keeping up appearances, yes--but
nearer to you than that? No! Never!

STERLING. But you _will_ stay?

[LEONARD _enters from Left._

LEONARD. Miss Godesby, Mr. Warden.

[_They enter._

[_All greet each other._ WARDEN _nods stiffly to_ STERLING, _barely
acknowledging his greeting._

MISS GODESBY. [_To_ STERLING, _purposely speaking with good-humored
raillery to relieve the tension of the situation._] Well, you're a nice
lot, aren't you?

STERLING. I'm so ashamed! I'm so ashamed!

MISS GODESBY. Oh, never mind that now.

BLANCHE. I have no words to thank you with.

MISS GODESBY. Oh, that's all right. The truth is, I've made Warden bring
me here, Sterling, for a bit of business. I had an emotional moment
yesterday and went off my head a bit. I stand by what I said as to
keeping quiet, but--well, I'm like any other old maid who hates dust on
her mantelpiece--I'm fidgety not to make some sort of a bluff at putting
this thing on a business basis.

WARDEN. Excuse me, Miss Godesby, I think Sterling ought to know the
truth.

STERLING. _Now_ what?

MISS GODESBY. Well, the truth is, my fool of a brother has kicked up an
infernal row, and refuses to hold his tongue.

STERLING. Then I'm ruined after all!

MISS GODESBY. Wait, I've left him with Mr. Mason. I feel certain I can
assure his silence if I can only show him some sort of an agreement to
pay, an acknowledgment of the--the--affair, signed and sealed.

BLANCHE. Signed by whom?

MISS GODESBY. Your husband and yourself will do.

STERLING. But both names are worthless.

MISS GODESBY. Not as a point of honor.

STERLING. Ah! no, not my wife's.

MISS GODESBY. Nor yours to me. Come along!

[_She goes to the table with_ STERLING, _and unfolding a paper gives it
to him. He signs it._

WARDEN. [_Aside to_ BLANCHE, _apologizing for his presence._] She made
me come--she wouldn't come alone; otherwise I should have waited till
you sent for me.

BLANCHE. It's as well--I've decided. Oh, I wonder if I'm doing wrong.

[_Looking him straight in the face._

WARDEN. [_Looking back searchingly in hers to read the truth, but
believing that she will certainly leave her husband._] No, _you_ can't
do wrong! But I must warn you of one thing--I'm not any longer the
controlled man I was.

MISS GODESBY. Come along now, Mrs. Sterling, brace up and give me your
name, and Warden, witness, please. [_They do so._] Of course, my dears,
I know perfectly well that legally this isn't worth the paper it's
written on. [_Exchanging a serious and meaning look with_ WARDEN.] But
my idiot of a brother won't realize that, which is the point. One thing
more--will you both dine with me next week, Thursday? [_There is an
embarrassed pause, which, with quick intuition, she understands._] Yes,
you _will_--for _silence_ gives consent! [_Laughing._] Now, that's
settled!

STERLING. What an awfully good sort you are!

MISS GODESBY. Thanks, not always--I've been a mucker more than once in
my life! I must go [_Shaking hands with_ BLANCHE.] and relieve Mr. Mason
of my brother, or he'll be accusing me of inhuman treatment; more than
one consecutive hour of my brother ought to be prevented by the police.

BLANCHE. You are very, _very_ good.

MISS GODESBY. I think if you and I can get well over this, we'll be real
friends, and I haven't many, have you?

BLANCHE. [_Takes her hand._] You can count upon me and my boy so long as
we live.

[_She impulsively but tenderly kisses her._

[MISS GODESBY _is very much surprised, but moved._

MISS GODESBY. [_Half laughing, half crying, and pulling her veil down to
hide her emotion._] By George! I haven't been kissed by a woman for
years! Good-by.

[WARDEN _starts to go out with_ MISS GODESBY. BLANCHE _stops him._

BLANCHE. Wait one moment--I want to speak alone to Miss Godesby.

[MISS GODESBY _goes out Left._

BLANCHE. [_Aside to_ STERLING.] You tell him; I cannot. Tell him the
_truth_.

[_She goes out after_ MISS GODESBY.

WARDEN. Dick.

STERLING. Ned?

WARDEN. I have nothing to say to you, Sterling.

[WARDEN _looks away and whistles a tune to show his unwillingness to
listen._ STERLING _speaks clearly so_ WARDEN _shall hear._

STERLING. I have a message for you from my wife. [_There is a second's
pause._ WARDEN _stops whistling and turns and looks at_ STERLING.] She
asks me to explain--to tell--to tell you a decision she has come to.

[_There is another pause._

WARDEN. Yes?

[_Anxious, at a supreme tension, and now a little alarmed as to the
decision._

STERLING. She has decided not to leave my house.

WARDEN. [_Adds._] _Yet!_

STERLING. _Ever!_

WARDEN. [_Losing his control._] That's a lie!

STERLING. I couldn't believe it, either, when she told me. It was her
first word to me to-day. I said, "You are going to divorce me," and she
answered, "No."

WARDEN. She's sacrificing herself for some reason--her boy!

STERLING. Never mind, she won't leave me; I have her promise, and I'll
win back her love!

WARDEN. You fool! You can't win her back! She would never have loved me
if you hadn't disillusioned, _dishonored_ her! I'm not worthy of her,
but I'll never dishonor her, and, please God, never disappoint her, and
so I'll keep her love.

STERLING. Well, as to that, she decides to stay, leaving love out of the
question.

WARDEN. And you'll accept that sacrifice! You don't even _love_ her.
You're only thinking of _yourself_ now. Love, real love, forgets itself.
You, after having spoilt half her life, are willing to spoil the rest,
for _your own sake_!

STERLING. No, for the boy's sake, and her sake--to save a scandal--the
world--

[_Interrupted._

WARDEN. [_Beside himself._] Oh, damn the world! It's _heaven_ and _hell_
you'd better think of. _Scandal!_ It couldn't harm _her_, and the hurt
it would do you is a small price to pay. Those whom _God_ has
joined--yes! but it was the devil bound her to you!

STERLING. Here! I've had enough! Look out!

WARDEN. [_Moves toward him._] _You_ look out--you shan't rob her of her
happiness. You--a drunkard! A forger! A thief!

STERLING. _I'd keep her now if only to spite you!_

WARDEN. Hah! There spoke the true man in you! Would to heaven the old
days of duelling were back!

STERLING. A brave wish, as you know they're not!

WARDEN. They fight in other countries still for their love and honor,
and I'm ready here, now, if you are, with any weapons you choose!

[STERLING _sneers._]

Sneer! But will you fight? We'll find a place, and something to fight
with, or fists if you'd rather! You wouldn't kill me before I'd got you
out of her way for good. Will you fight?

[_Coming closer to him._

STERLING. No!

WARDEN. [_Getting more and more enraged._] If _you lose, you go away_,
and set her free of your own will!

STERLING. _No!_

WARDEN. [_Losing entirely his self-control._] What do you want to _make_
you fight--will that?

[_He gives him a stinging blow in the face._

STERLING. Yes!

[_He springs toward_ WARDEN _as_ RUTH _and_ MASON _enter Left. The two
men stand rigid_, WARDEN _breathing heavily._

RUTH. Blanche, may I bring in--where's Blanche?

STERLING. I don't know.

MASON. Good morning, gentlemen.

[_There is no response._ WARDEN _is with great difficulty restraining
himself. His lips are compressed lightly and his hands clenched._

RUTH. What's the trouble?

STERLING. I have just told Warden my wife's decision not to leave me.

RUTH. [_Showing her relief and satisfaction in her face, turns to_
WARDEN.] You won't try to shake that resolve?

WARDEN. [_Unable to control himself._] But I will! I _will_--I tell you
all! I hardly know what I say or do! But look out for me, I'm desperate!
I'm a torrent that's only let loose since yesterday, and now all of a
sudden you try to stop me! But it's too late; I've got my impetus; the
repressed passion of years is behind me; nothing can stop me--and God
keep me from doing the wrong thing! I am determined to clear him out of
the way of the happiness of the woman I love. [_To_ RUTH.] Do you mean
to say you approve of her decision? [RUTH _turns her head; he turns to_
MASON.] Do _you_?

RUTH. No.

STERLING. [_To_ RUTH, _holding out his hand._] You will stand by me,
Aunt Ruth, and together we--

RUTH. [_Interrupting and refusing his hand._] Oh, no.

STERLING. Don't you think I can win her love back?

RUTH. No.

STERLING. Won't you help me try?

RUTH. No. It would be useless.

WARDEN. Come with me to Blanche; I must speak with her.

[WARDEN _and_ RUTH _go out Right._

MASON. [_Alone with_ STERLING.] Go away and make your wife understand
you are never coming back.

STERLING. But the loneliness, the misery, away--alone.

MASON. Kill them with hard work; _you have other heavy debts_, you know.
I came to see you about this business of your acknowledgments to Miss
Godesby and Miss Hunter.

STERLING. Later, later. To-morrow I will decide--

[_He motions him away._ MASON _goes to him and puts his hand on his
shoulder._

MASON. Decide well--

[_He hesitates a moment and then goes out Right._

STERLING. [_Watching him go._] There's not one soul in this world who
cares for me, and it's my _own fault_. [RICHARD _is heard upstairs again
singing "Once in Royal David's City._" STERLING _lifts his head and
listens._] Yes, one little soul loves me, and it would be better for
him, too, if I went away. I'll go to sleep and see how I feel about it
when I wake up. [_He moves the glass of water and takes out the box of
tablets. He starts suddenly, but very slightly, and his muscles
tighten._]

After all, why not end it all _now_, at once, without any more bother?
[_He looks in the box, and glances up questioningly; then he remembers
the fireplace where he threw the other tablets and looks across the room
at the logs. He rises, goes over, and sees in the fireplace the twisted
envelope which holds the other tablets. He bends over to pick it up; he
stops short._] No! Why shouldn't I try it, anyway? She, herself, gives
me the chance! [_He rings the electric bell, and walking away from the
fireplace, takes up with a trembling hand the papers left by_ MASON; _he
wipes the damp from his forehead with his handkerchief. To_ JORDAN, _who
enters Left._] Light the fire quickly; I feel cold.

[_He sinks into the arm-chair, weak from the mental strain._

LEONARD. It's very warm in the house, sir.

STERLING. Do as I tell you--light the fire.

LEONARD. [_Looking for matches on the mantel, finds the box empty._]
There are no matches, sir; I must get one.

STERLING. No, don't go--here--here--

[_He gives him a match from his own box._ LEONARD _notices the trembling
hand and suppressed excitement of_ STERLING, _and involuntarily glances
up, but quickly looks back to his work and strikes a match. The match
goes out._

LEONARD. I shall need another match, please, sir.

STERLING. [_With one in his fingers taken from his match-box, he alters
his mind._] I have no more. [_He puts away his match-box._] Never mind
the fire; get me a pint bottle of champagne.

LEONARD. [_With a surreptitious side glance of curiosity._] Very well,
sir.

[_He goes out Left._

STERLING. That was funny; that was very funny! I wonder if it was
accident, or if there's such a thing as fatality. [_He goes to the
fireplace and picks up the twisted envelope._] If not now--perhaps some
other time--who knows? [_He thrusts the envelope in his vest pocket, and
takes up the papers again from the table to look over them._] I can't
read these things! [_Throwing them down._] The words mean nothing to me!

[_There is the sound outside of a cork being drawn._ LEONARD _enters
with the champagne and a glass and places them beside_ STERLING.

LEONARD. Shall I light the fire now, sir?

STERLING. No, never mind now.

LEONARD. Yes, sir.

[_He goes out Left._

[STERLING _half fills the glass with champagne. He takes out the box of
tablets and counts aloud._

STERLING. One, two, three, four--[_He puts all in the glass, dropping
them as he counts. He hesitates, then quickly drops in two more and
drinks quickly. The glass is empty. He sits by the table thinking a
moment, then lakes a piece of paper and makes ready his stylographic
pen._] Let me see; can I make it seem accidental; it would be so much
less bother and trouble for them! [_He thinks a second, then writes._]
"I have accidentally taken an overdose of my sleeping draught. I have
tried to call some one, but it's no use. I ask only one thing, that you
forget all my sins, wipe out their memory with my name. I want my boy to
change his name, too." [_He hesitates a moment, and then scratches that
sentence heavily out._] No, I won't say that. [_He waits a moment._] God
in heaven, what wouldn't I give for one friendly word just now! Some one
to sort of say _good-by_ to me--take my hand--even a _servant_!

[_He looks about him, showing signs of drowsiness. The door Right bursts
open._ STERLING _quickly hides the letter in his inside pocket as_
WARDEN _comes in._

WARDEN. My hat! Where's my hat!

[_He looks about for it._

STERLING. [_Quietly._] Ned?

WARDEN. My hat, I say! Where's my hat?

[_Looking._

STERLING. Ned!

[_Something in his voice arrests_ WARDEN'S _attention._

WARDEN. What? [_He looks at him._] What's the matter--

STERLING. Nothing--I'm half asleep, that's all--the reaction--I'm worn
out and I've changed my mind--

WARDEN. How do you mean?

STERLING. I'm going away for good--that's the best I can do; I want you
to forgive me--_could_ you? What do you say? Forgive me for everything!
For the sake of the old schoolboy days--

WARDEN. When are you going?

STERLING. To-day. Will you say good-by to me and wish me well on my
journey?

WARDEN. [_Speaks without sympathy._] You can count on me always to help
you in any way I can. You can still retrieve a good deal if you're
strong enough.

STERLING. I know what a beastly friend I've been, and yesterday was more
than any man would stand, but forgive that, too, will you? I've always
been a bad lot!

WARDEN. [_Goes to him and speaks, with the sympathy of a man for a child
coming into his voice._] No, a weak lot; that's been your ruin, Dickie.
I'll see you again before you go.

STERLING. No, I'm going to sleep as long as I can now, and I don't want
any one to wake me up; but when I do wake, I shall have other things to
do. This is good-by.

WARDEN. Well, good luck! [_He starts to go. The two men look at each
other, and finally_ STERLING _gets the courage to hold out his hand._
WARDEN _hesitates a moment, then shakes it._] Good luck!

[_He goes out Left._

[STERLING, _who has been growing more and more drowsy, as soon as he is
alone, goes with difficulty to the door and locks it. He is so drowsy
that he leans against the door for a moment; then he starts to go back
to the table, but is unable to get there and sinks on the sofa half way
between the table and the door. His eyes close, but suddenly he starts
violently and tries to rise, but cannot, crying out faintly._

STERLING. Good God--the money! I forgot the money--who'll pay my debts?
Ah, this is a fitting climax for my life--the weakest, dirtiest thing
I've done--[_He gets the letter from his pocket and holds it in his
hand; the light of the afternoon grows slowly dim, like his fading sight
and senses. He murmurs twice in a faint, drowsy voice._] Coward! Coward!

[BLANCHE, _in the hall outside Right, calls his name._

BLANCHE. Dick!

[STERLING'S _body relaxes and sets. The letter drops from his lifeless
hands._

[BLANCHE _enters with_ RUTH, _followed by_ RICHARD, _who rides a stick
with a horse's head and wears a soldier's cap._

RICHARD. Merry Christmas, father!

BLANCHE. [_Going toward the sofa._] Dick!

RICHARD. Merry Christmas, father!

BLANCHE. Sh! Father's asleep.

[_They steal back toward the other door when_ WARDEN _enters Right._

WARDEN. Oh, you are here! I went down into the drawing-room where I left
you.

BLANCHE. Sh!

[_She points to_ STERLING, _who lies apparently asleep. They speak in
lowered voices._

WARDEN. Yes, I have a message for you from him.

[_Looking at_ RICHARD _and_ RUTH.

RUTH. [_Who understands._] Come, Richard, I haven't seen your tree yet.

[_She goes out Right with_ RICHARD.

WARDEN. [_To_ BLANCHE.] Give me your hand.

[_She does so wonderingly._

WARDEN. [_Softly, with a man's tenderness in his voice._] He is going
away for good.

BLANCHE. Away?

WARDEN. For good.

BLANCHE. [_Slowly, withdrawing her hand._] For good? [_She looks over
toward_ STERLING, _and then back to_ WARDEN.] What does he mean?

WARDEN. We will know when he wakes.

THE CURTAIN STEALS SOFTLY DOWN





End of the Project Gutenberg EBook of The Climbers, by Clyde Fitch

*** END OF THIS PROJECT GUTENBERG EBOOK THE CLIMBERS ***

***** This file should be named 16635.txt or 16635.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/6/6/3/16635/

Produced by David Garcia, Melissa Er-Raqabi and the Online
Distributed Proofreading Team at https://www.pgdp.net.
Produced from images provided by Kentuckiana Digital
Archive.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***