summaryrefslogtreecommitdiff
path: root/1731-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '1731-0.txt')
-rw-r--r--1731-0.txt1827
1 files changed, 1827 insertions, 0 deletions
diff --git a/1731-0.txt b/1731-0.txt
new file mode 100644
index 0000000..970b6a6
--- /dev/null
+++ b/1731-0.txt
@@ -0,0 +1,1827 @@
+The Project Gutenberg eBook, Sister Songs, by Francis Thompson
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: Sister Songs
+ An Offering to Two Sisters
+
+
+Author: Francis Thompson
+
+
+
+Release Date: February 1, 2015 [eBook #1731]
+[This file was first posted on November 4, 1998]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK SISTER SONGS***
+
+
+Transcribed from the 1908 Burns and Oates edition by David Price, email
+ccx074@pglaf.org
+
+ [Picture: Book cover]
+
+
+
+
+
+ SISTER SONGS
+ _An Offering to Two Sisters_
+
+
+ _BY_
+ FRANCIS THOMPSON
+
+ [Picture: Decorative graphic]
+
+ BURNS & OATES
+ 28, ORCHARD STREET
+ LONDON, W.: 1908
+
+
+
+
+PREFACE
+
+
+THIS poem, though new in the sense of being now for the first time
+printed, was written some four years ago, about the same date as the
+_Hound of Heaven_ in my former volume.
+
+One image in the _Proem_ was an unconscious plagiarism from the beautiful
+image in Mr. Patmore’s _St. Valentine’s Day_:—
+
+ “O baby Spring,
+ That flutter’st sudden ’neath the breast of Earth,
+ A month before the birth!”
+
+Finding I could not disengage it without injury to the passage in which
+it is embedded, I have preferred to leave it, with this acknowledgment to
+a Poet rich enough to lend to the poor.
+
+ FRANCIS THOMPSON.
+
+1895.
+
+ * * * * *
+
+ _To_
+ Monica and Madeline (Sylvia) Meynell
+
+ * * * * *
+
+
+
+
+SISTER SONGS
+An Offering to Two Sisters
+
+
+The Proem
+
+
+ SHREWD winds and shrill—were these the speech of May?
+ A ragged, slag-grey sky—invested so,
+ Mary’s spoilt nursling! wert thou wont to go?
+ Or _thou_, Sun-god and song-god, say
+ Could singer pipe one tiniest linnet-lay,
+ While Song did turn away his face from song?
+ Or who could be
+ In spirit or in body hale for long,—
+ Old Æsculap’s best Master!—lacking thee?
+ At length, then, thou art here!
+ On the earth’s lethèd ear
+ Thy voice of light rings out exultant, strong;
+ Through dreams she stirs and murmurs at that summons dear:
+ From its red leash my heart strains tamelessly,
+ For Spring leaps in the womb of the young year!
+ Nay, was it not brought forth before,
+ And we waited, to behold it,
+ Till the sun’s hand should unfold it,
+ What the year’s young bosom bore?
+ Even so; it came, nor knew we that it came,
+ In the sun’s eclipse.
+ Yet the birds have plighted vows,
+ And from the branches pipe each other’s name;
+ Yet the season all the boughs
+ Has kindled to the finger-tips,—
+ Mark yonder, how the long laburnum drips
+ Its jocund spilth of fire, its honey of wild flame!
+ Yea, and myself put on swift quickening,
+ And answer to the presence of a sudden Spring.
+ From cloud-zoned pinnacles of the secret spirit
+ Song falls precipitant in dizzying streams;
+ And, like a mountain-hold when war-shouts stir it,
+ The mind’s recessèd fastness casts to light
+ Its gleaming multitudes, that from every height
+ Unfurl the flaming of a thousand dreams.
+ Now therefore, thou who bring’st the year to birth,
+ Who guid’st the bare and dabbled feet of May;
+ Sweet stem to that rose Christ, who from the earth
+ Suck’st our poor prayers, conveying them to Him;
+ Be aidant, tender Lady, to my lay!
+ Of thy two maidens somewhat must I say,
+ Ere shadowy twilight lashes, drooping, dim
+ Day’s dreamy eyes from us;
+ Ere eve has struck and furled
+ The beamy-textured tent transpicuous,
+ Of webbèd coerule wrought and woven calms,
+ Whence has paced forth the lambent-footed sun.
+ And Thou disclose my flower of song upcurled,
+ Who from Thy fair irradiant palms
+ Scatterest all love and loveliness as alms;
+ Yea, Holy One,
+ Who coin’st Thyself to beauty for the world!
+
+ _Then_, _Spring’s little children_, _your lauds do ye upraise_
+ _To Sylvia_, _O Sylvia_, _her sweet_, _feat ways_!
+ _Your lovesome labours lay away_,
+ _And trick you out in holiday_,
+ _For syllabling to Sylvia_;
+ _And all you birds on branches_, _lave your mouths with May_,
+ _To bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+
+Part the First
+
+
+ THE leaves dance, the leaves sing,
+ The leaves dance in the breath of the Spring.
+ I bid them dance,
+ I bid them sing,
+ For the limpid glance
+ Of my ladyling;
+ For the gift to the Spring of a dewier spring,
+ For God’s good grace of this ladyling!
+ I know in the lane, by the hedgerow track,
+ The long, broad grasses underneath
+ Are warted with rain like a toad’s knobbed back;
+ But here May weareth a rainless wreath.
+ In the new-sucked milk of the sun’s bosom
+ Is dabbled the mouth of the daisy-blossom;
+ The smouldering rosebud chars through its sheath;
+ The lily stirs her snowy limbs,
+ Ere she swims
+ Naked up through her cloven green,
+ Like the wave-born Lady of Love Hellene;
+ And the scattered snowdrop exquisite
+ Twinkles and gleams,
+ As if the showers of the sunny beams
+ Were splashed from the earth in drops of light.
+ Everything
+ That is child of Spring
+ Casts its bud or blossoming
+ Upon the stream of my delight.
+
+ _Their voices_, _that scents are_, _now let them upraise_
+ _To Sylvia_, _O Sylvia_, _her sweet_, _feat ways_!
+ _Their lovely mother them array_,
+ _And prank them out in holiday_,
+ _For syllabling to Sylvia_;
+ _And all the birds on branches lave their mouths with May_,
+ _To bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+2.
+
+
+ While thus I stood in mazes bound
+ Of vernal sorcery,
+ I heard a dainty dubious sound,
+ As of goodly melody;
+ Which first was faint as if in swound,
+ Then burst so suddenly
+ In warring concord all around,
+ That, whence this thing might be,
+ To see
+ The very marrow longed in me!
+ It seemed of air, it seemed of ground,
+ And never any witchery
+ Drawn from pipe, or reed, or string,
+ Made such dulcet ravishing.
+ ’Twas like no earthly instrument,
+ Yet had something of them all
+ In its rise, and in its fall;
+ As if in one sweet consort there were blent
+ Those archetypes celestial
+ Which our endeavouring instruments recall.
+ So heavenly flutes made murmurous plain
+ To heavenly viols, that again
+ —Aching with music—wailed back pain;
+ Regals release their notes, which rise
+ Welling, like tears from heart to eyes;
+ And the harp thrills with thronging sighs.
+ Horns in mellow flattering
+ Parley with the cithern-string:—
+ Hark!—the floating, long-drawn note
+ Woos the throbbing cithern-string!
+
+ _Their pretty_, _pretty prating those citherns sure upraise_
+ _For homage unto Sylvia_, _her sweet_, _feat ways_:
+ _Those flutes do flute their vowelled lay_,
+ _Their lovely languid language say_,
+ _For lisping to Sylvia_;
+ _Those viols’ lissom bowings break the heart of May_,
+ _And harps harp their burthen_,
+ _For singing to Sylvia_.
+
+
+3.
+
+
+ Now at that music and that mirth
+ Rose, as ’twere, veils from earth;
+ And I spied
+ How beside
+ Bud, bell, bloom, an elf
+ Stood, or was the flower itself
+ ’Mid radiant air
+ All the fair
+ Frequence swayed in irised wavers.
+ Some against the gleaming rims
+ Their bosoms prest
+ Of the kingcups, to the brims
+ Filled with sun, and their white limbs
+ Bathèd in those golden lavers;
+ Some on the brown, glowing breast
+ Of that Indian maid, the pansy,
+ (Through its tenuous veils confest
+ Of swathing light), in a quaint fancy
+ Tied her knot of yellow favours;
+ Others dared open draw
+ Snapdragon’s dreadful jaw:
+ Some, just sprung from out the soil,
+ Sleeked and shook their rumpled fans
+ Dropt with sheen
+ Of moony green;
+ Others, not yet extricate,
+ On their hands leaned their weight,
+ And writhed them free with mickle toil,
+ Still folded in their veiny vans:
+ And all with an unsought accord
+ Sang together from the sward;
+ Whence had come, and from sprites
+ Yet unseen, those delights,
+ As of tempered musics blent,
+ Which had given me such content.
+ For haply our best instrument,
+ Pipe or cithern, stopped or strung,
+ Mimics but some spirit tongue.
+
+ _Their amiable voices_, _I bid them upraise_
+ _To Sylvia_, _O Sylvia_, _her sweet_, _feat ways_;
+ _Their lovesome labours laid away_,
+ _To linger out this holiday_
+ _In syllabling to Sylvia_;
+ _While all the birds on branches lave their mouths with May_,
+ _To bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+4.
+
+
+ Next I saw, wonder-whist,
+ How from the atmosphere a mist,
+ So it seemed, slow uprist;
+ And, looking from those elfin swarms,
+ I was ’ware
+ How the air
+ Was all populous with forms
+ Of the Hours, floating down,
+ Like Nereids through a watery town.
+ Some, with languors of waved arms,
+ Fluctuous oared their flexile way;
+ Some were borne half resupine
+ On the aërial hyaline,
+ Their fluid limbs and rare array
+ Flickering on the wind, as quivers
+ Trailing weed in running rivers;
+ And others, in far prospect seen,
+ Newly loosed on this terrene,
+ Shot in piercing swiftness came,
+ With hair a-stream like pale and goblin flame.
+ As crystálline ice in water,
+ Lay in air each faint daughter;
+ Inseparate (or but separate dim)
+ Circumfused wind from wind-like vest,
+ Wind-like vest from wind-like limb.
+ But outward from each lucid breast,
+ When some passion left its haunt,
+ Radiate surge of colour came,
+ Diffusing blush-wise, palpitant,
+ Dying all the filmy frame.
+ With some sweet tenderness they would
+ Turn to an amber-clear and glossy gold;
+ Or a fine sorrow, lovely to behold,
+ Would sweep them as the sun and wind’s joined flood
+ Sweeps a greening-sapphire sea;
+ Or they would glow enamouredly
+ Illustrious sanguine, like a grape of blood;
+ Or with mantling poetry
+ Curd to the tincture which the opal hath,
+ Like rainbows thawing in a moonbeam bath.
+ So paled they, flushed they, swam they, sang melodiously.
+
+ _Their chanting_, _soon fading_, _let them_, _too_, _upraise_
+ _For homage unto Sylvia_, _her sweet_, _feat ways_;
+ _Weave with suave float their wavèd way_,
+ _And colours take of holiday_,
+ _For syllabling to Sylvia_;
+ _And all the birds on branches lave their mouths with May_,
+ _To bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+5.
+
+
+ Then, through those translucencies,
+ As grew my senses clearer clear,
+ Did I see, and did I hear,
+ How under an elm’s canopy
+ Wheeled a flight of Dryades
+ Murmuring measured melody.
+ Gyre in gyre their treading was,
+ Wheeling with an adverse flight,
+ In twi-circle o’er the grass,
+ These to left, and those to right;
+ All the band
+ Linkèd by each other’s hand;
+ Decked in raiment stainèd as
+ The blue-helmèd aconite.
+ And they advance with flutter, with grace,
+ To the dance
+ Moving on with a dainty pace,
+ As blossoms mince it on river swells.
+ Over their heads their cymbals shine,
+ Round each ankle gleams a twine
+ Of twinkling bells—
+ Tune twirled golden from their cells.
+ Every step was a tinkling sound,
+ As they glanced in their dancing-ground,
+ Clouds in cluster with such a sailing
+ Float o’er the light of the wasting moon,
+ As the cloud of their gliding veiling
+ Swung in the sway of the dancing-tune.
+ There was the clash of their cymbals clanging,
+ Ringing of swinging bells clinging their feet;
+ And the clang on wing it seemed a-hanging,
+ Hovering round their dancing so fleet.—
+ I stirred, I rustled more than meet;
+ Whereat they broke to the left and right,
+ With eddying robes like aconite
+ Blue of helm;
+ And I beheld to the foot o’ the elm.
+
+ _They have not tripped those dances_, _betrayed to my gaze_,
+ _To glad the heart of Sylvia_, _beholding of their maze_;
+ _Through barky walls have slid away_,
+ _And tricked them in their holiday_,
+ _For other than for Sylvia_;
+ _While all the birds on branches lave their mouths with May_,
+ _And bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+6.
+
+
+ Where its umbrage was enrooted,
+ Sat white-suited,
+ Sat green-amiced, and bare-footed,
+ Spring amid her minstrelsy;
+ There she sat amid her ladies,
+ Where the shade is
+ Sheen as Enna mead ere Hades’
+ Gloom fell thwart Persephone.
+ Dewy buds were interstrown
+ Through her tresses hanging down,
+ And her feet
+ Were most sweet,
+ Tinged like sea-stars, rosied brown.
+ A throng of children like to flowers were sown
+ About the grass beside, or clomb her knee:
+ I looked who were that favoured company.
+ And one there stood
+ Against the beamy flood
+ Of sinking day, which, pouring its abundance,
+ Sublimed the illuminous and volute redundance
+ Of locks that, half dissolving, floated round her face;
+ As see I might
+ Far off a lily-cluster poised in sun
+ Dispread its gracile curls of light
+ I knew what chosen child was there in place!
+ I knew there might no brows be, save of one,
+ With such Hesperian fulgence compassèd,
+ Which in her moving seemed to wheel about her head.
+
+ _O Spring’s little children_, _more loud your lauds upraise_,
+ _For this is even Sylvia_, _with her sweet_, _feat ways_!
+ _Your lovesome labours lay away_,
+ _And prank you out in holiday_,
+ _For syllabling to Sylvia_;
+ _And all you birds on branches_, _lave your mouths with May_,
+ _To bear with me this burthen_
+ _For singing to Sylvia_!
+
+
+7.
+
+
+ Spring, goddess, is it thou, desirèd long?
+ And art thou girded round with this young train?—
+ If ever I did do thee ease in song,
+ Now of thy grace let me one meed obtain,
+ And list thou to one plain.
+ Oh, keep still in thy train
+ After the years when others therefrom fade,
+ This tiny, well-belovèd maid!
+ To whom the gate of my heart’s fortalice,
+ With all which in it is,
+ And the shy self who doth therein immew him
+ ’Gainst what loud leagurers battailously woo him,
+ I, bribèd traitor to him,
+ Set open for one kiss.
+
+ _Then suffer_, _Spring_, _thy children_, _that lauds they should
+ upraise_
+ _To Sylvia_, _this Sylvia_, _her sweet_, _feat ways_;
+ _Their lovely labours lay away_,
+ _And trick them out in holiday_,
+ _For syllabling to Sylvia_;
+ _And that all birds on branches lave their mouths with May_,
+ _To bear with me this burthen_,
+ _For singing to Sylvia_.
+
+
+8.
+
+
+ A kiss? for a child’s kiss?
+ Aye, goddess, even for this.
+ Once, bright Sylviola! in days not far,
+ Once—in that nightmare-time which still doth haunt
+ My dreams, a grim, unbidden visitant—
+ Forlorn, and faint, and stark,
+ I had endured through watches of the dark
+ The abashless inquisition of each star,
+ Yea, was the outcast mark
+ Of all those heavenly passers’ scrutiny;
+ Stood bound and helplessly
+ For Time to shoot his barbèd minutes at me;
+ Suffered the trampling hoof of every hour
+ In night’s slow-wheelèd car;
+ Until the tardy dawn dragged me at length
+ From under those dread wheels; and, bled of strength,
+ I waited the inevitable last.
+ Then there came past
+ A child; like thee, a spring-flower; but a flower
+ Fallen from the budded coronal of Spring,
+ And through the city-streets blown withering.
+ She passed,—O brave, sad, lovingest, tender thing!—
+ And of her own scant pittance did she give,
+ That I might eat and live:
+ Then fled, a swift and trackless fugitive.
+ Therefore I kissed in thee
+ The heart of Childhood, so divine for me;
+ And her, through what sore ways,
+ And what unchildish days,
+ Borne from me now, as then, a trackless fugitive.
+ Therefore I kissed in thee
+ Her, child! and innocency,
+ And spring, and all things that have gone from me,
+ And that shall never be;
+ All vanished hopes, and all most hopeless bliss,
+ Came with thee to my kiss.
+ And ah! so long myself had strayed afar
+ From child, and woman, and the boon earth’s green,
+ And all wherewith life’s face is fair beseen;
+ Journeying its journey bare
+ Five suns, except of the all-kissing sun
+ Unkissed of one;
+ Almost I had forgot
+ The healing harms,
+ And whitest witchery, a-lurk in that
+ Authentic cestus of two girdling arms:
+ And I remembered not
+ The subtle sanctities which dart
+ From childish lips’ unvalued precious brush,
+ Nor how it makes the sudden lilies push
+ Between the loosening fibres of the heart.
+ Then, that thy little kiss
+ Should be to me all this,
+ Let workaday wisdom blink sage lids thereat;
+ Which towers a flight three hedgerows high, poor bat!
+ And straightway charts me out the empyreal air.
+ Its chart I wing not by, its canon of worth
+ Scorn not, nor reck though mine should breed it mirth:
+ And howso thou and I may be disjoint,
+ Yet still my falcon spirit makes her point
+ Over the covert where
+ Thou, sweetest quarry, hast put in from her!
+
+ (_Soul_, _hush these sad numbers_, _too sad to upraise_
+ _In hymning bright Sylvia_, _unlearn’d in such ways_!
+ _Our mournful moods lay we away_,
+ _And prank our thoughts in holiday_,
+ _For syllabling to Sylvia_;
+ _When all the birds on branches lave their mouths with May_,
+ _To bear with us this burthen_,
+ _For singing to Sylvia_!)
+
+
+9.
+
+
+ Then thus Spring, bounteous lady, made reply:
+ “O lover of me and all my progeny,
+ For grace to you
+ I take her ever to my retinue.
+ Over thy form, dear child, alas! my art
+ Cannot prevail; but mine immortalising
+ Touch I lay upon thy heart.
+ Thy soul’s fair shape
+ In my unfading mantle’s green I drape,
+ And thy white mind shall rest by my devising
+ A Gideon-fleece amid life’s dusty drouth.
+ If Even burst yon globèd yellow grape
+ (Which is the sun to mortals’ sealèd sight)
+ Against her stainèd mouth;
+ Or if white-handed light
+ Draw thee yet dripping from the quiet pools,
+ Still lucencies and cools,
+ Of sleep, which all night mirror constellate dreams;
+ Like to the sign which led the Israelite,
+ Thy soul, through day or dark,
+ A visible brightness on the chosen ark
+ Of thy sweet body and pure,
+ Shall it assure,
+ With auspice large and tutelary gleams,
+ Appointed solemn courts, and covenanted streams.”
+
+ _Cease_, _Spring’s little children_, _now cease your lauds to raise_;
+ _That dream is past_, _and Sylvia_, _with her sweet_, _feat ways_.
+ _Our lovèd labour_, _laid away_,
+ _Is smoothly ended_; _said our say_,
+ _Our syllable to Sylvia_.
+ _Make sweet_, _you birds on branches_! _make sweet your mouths with
+ May_!
+ _But borne is this burthen_,
+ _Sung unto Sylvia_.
+
+
+
+Part the Second
+
+
+ AND now, thou elder nursling of the nest;
+ Ere all the intertangled west
+ Be one magnificence
+ Of multitudinous blossoms that o’errun
+ The flaming brazen bowl o’ the burnished sun
+ Which they do flower from,
+ How shall I ’stablish _thy_ memorial?
+ Nay, how or with what countenance shall I come
+ To plead in my defence
+ For loving thee at all?
+ I who can scarcely speak my fellows’ speech,
+ Love their love, or mine own love to them teach;
+ A bastard barred from their inheritance,
+ Who seem, in this dim shape’s uneasy nook,
+ Some sun-flower’s spirit which by luckless chance
+ Has mournfully its tenement mistook;
+ When it were better in its right abode,
+ Heartless and happy lackeying its god.
+ How com’st thou, little tender thing of white,
+ Whose very touch full scantly me beseems,
+ How com’st thou resting on my vaporous dreams,
+ Kindling a wraith there of earth’s vernal green?
+ Even so as I have seen,
+ In night’s aërial sea with no wind blust’rous,
+ A ribbèd tract of cloudy malachite
+ Curve a shored crescent wide;
+ And on its slope marge shelving to the night
+ The stranded moon lay quivering like a lustrous
+ Medusa newly washed up from the tide,
+ Lay in an oozy pool of its own deliquious light.
+
+ Yet hear how my excuses may prevail,
+ Nor, tender white orb, be thou opposite!
+ Life and life’s beauty only hold their revels
+ In the abysmal ocean’s luminous levels.
+ There, like the phantasms of a poet pale,
+ The exquisite marvels sail:
+ Clarified silver; greens and azures frail
+ As if the colours sighed themselves away,
+ And blent in supersubtile interplay
+ As if they swooned into each other’s arms;
+ Repured vermilion,
+ Like ear-tips ’gainst the sun;
+ And beings that, under night’s swart pinion,
+ Make every wave upon the harbour-bars
+ A beaten yolk of stars.
+ But where day’s glance turns baffled from the deeps,
+ Die out those lovely swarms;
+ And in the immense profound no creature glides or creeps.
+
+ Love and love’s beauty only hold their revels
+ In life’s familiar, penetrable levels:
+ What of its ocean-floor?
+ I dwell there evermore.
+ From almost earliest youth
+ I raised the lids o’ the truth,
+ And forced her bend on me her shrinking sight;
+ Ever I knew me Beauty’s eremite,
+ In antre of this lowly body set.
+ Girt with a thirsty solitude of soul.
+ Nathless I not forget
+ How I have, even as the anchorite,
+ I too, imperishing essences that console.
+ Under my ruined passions, fallen and sere,
+ The wild dreams stir like little radiant girls,
+ Whom in the moulted plumage of the year
+ Their comrades sweet have buried to the curls.
+ Yet, though their dedicated amorist,
+ How often do I bid my visions hist,
+ Deaf to them, pleading all their piteous fills;
+ Who weep, as weep the maidens of the mist
+ Clinging the necks of the unheeding hills:
+ And their tears wash them lovelier than before,
+ That from grief’s self our sad delight grows more,
+ Fair are the soul’s uncrispèd calms, indeed,
+ Endiapered with many a spiritual form
+ Of blosmy-tinctured weed;
+ But scarce itself is conscious of the store
+ Suckled by it, and only after storm
+ Casts up its loosened thoughts upon the shore.
+ To this end my deeps are stirred;
+ And I deem well why life unshared
+ Was ordainèd me of yore.
+ In pairing-time, we know, the bird
+ Kindles to its deepmost splendour,
+ And the tender
+ Voice is tenderest in its throat;
+ Were its love, for ever nigh it,
+ Never by it,
+ It might keep a vernal note,
+ The crocean and amethystine
+ In their pristine
+ Lustre linger on its coat.
+ Therefore must my song-bower lone be,
+ That my tone be
+ Fresh with dewy pain alway;
+ She, who scorns my dearest care ta’en,
+ An uncertain
+ Shadow of the sprite of May.
+ And is my song sweet, as they say?
+ ’Tis sweet for one whose voice has no reply,
+ Save silence’s sad cry:
+ And are its plumes a burning bright array?
+ They burn for an unincarnated eye
+ A bubble, charioteered by the inward breath
+ Which, ardorous for its own invisible lure,
+ Urges me glittering to aërial death,
+ I am rapt towards that bodiless paramour;
+ Blindly the uncomprehended tyranny
+ Obeying of my heart’s impetuous might.
+ The earth and all its planetary kin,
+ Starry buds tangled in the whirling hair
+ That flames round the Phoebean wassailer,
+ Speed no more ignorant, more predestined flight,
+ Than I, _her_ viewless tresses netted in.
+ As some most beautiful one, with lovely taunting,
+ Her eyes of guileless guile o’ercanopies,
+ Does her hid visage bow,
+ And miserly your covetous gaze allow,
+ By inchmeal, coy degrees,
+ Saying—“Can you see me now?”
+ Yet from the mouth’s reflex you guess the wanting
+ Smile of the coming eyes
+ In all their upturned grievous witcheries,
+ Before that sunbreak rise;
+ And each still hidden feature view within
+ Your mind, as eager scrutinies detail
+ The moon’s young rondure through the shamefast veil
+ Drawn to her gleaming chin:
+ After this wise,
+ From the enticing smile of earth and skies
+ I dream my unknown Fair’s refusèd gaze;
+ And guessingly her love’s close traits devise,
+ Which she with subtile coquetries
+ Through little human glimpses slow displays,
+ Cozening my mateless days
+ By sick, intolerable delays.
+ And so I keep mine uncompanioned ways;
+ And so my touch, to golden poesies
+ Turning love’s bread, is bought at hunger’s price.
+ So,—in the inextinguishable wars
+ Which roll song’s Orient on the sullen night
+ Whose ragged banners in their own despite
+ Take on the tinges of the hated light,—
+ So Sultan Phoebus has his Janizars.
+ But if mine unappeasèd cicatrices
+ Might get them lawful ease;
+ Were any gentle passion hallowed me,
+ Who must none other breath of passion feel
+ Save such as winnows to the fledgèd heel
+ The tremulous Paradisal plumages;
+ The conscious sacramental trees
+ Which ever be
+ Shaken celestially,
+ Consentient with enamoured wings, might know my love for thee.
+ Yet is there more, whereat none guesseth, love!
+ Upon the ending of my deadly night
+ (Whereof thou hast not the surmise, and slight
+ Is all that any mortal knows thereof),
+ Thou wert to me that earnest of day’s light,
+ When, like the back of a gold-mailèd saurian
+ Heaving its slow length from Nilotic slime,
+ The first long gleaming fissure runs Aurorian
+ Athwart the yet dun firmament of prime.
+ Stretched on the margin of the cruel sea
+ Whence they had rescued me,
+ With faint and painful pulses was I lying;
+ Not yet discerning well
+ If I had ’scaped, or were an icicle,
+ Whose thawing is its dying.
+ Like one who sweats before a despot’s gate,
+ Summoned by some presaging scroll of fate,
+ And knows not whether kiss or dagger wait;
+ And all so sickened is his countenance,
+ The courtiers buzz, “Lo, doomed!” and look at him askance:—
+ At Fate’s dread portal then
+ Even so stood I, I ken,
+ Even so stood I, between a joy and fear,
+ And said to mine own heart, “Now if the end be here!”
+
+ They say, Earth’s beauty seems completest
+ To them that on their death-beds rest;
+ Gentle lady! she smiles sweetest
+ Just ere she clasp us to her breast.
+ And I,—now _my_ Earth’s countenance grew bright,
+ Did she but smile me towards that nuptial-night?
+ But whileas on such dubious bed I lay,
+ One unforgotten day,
+ As a sick child waking sees
+ Wide-eyed daisies
+ Gazing on it from its hand,
+ Slipped there for its dear amazes;
+ So between thy father’s knees
+ I saw _thee_ stand,
+ And through my hazes
+ Of pain and fear thine eyes’ young wonder shone.
+ Then, as flies scatter from a carrion,
+ Or rooks in spreading gyres like broken smoke
+ Wheel, when some sound their quietude has broke,
+ Fled, at thy countenance, all that doubting spawn:
+ The heart which I had questioned spoke,
+ A cry impetuous from its depths was drawn,—
+ “I take the omen of this face of dawn!”
+ And with the omen to my heart cam’st thou.
+ Even with a spray of tears
+ That one light draft was fixed there for the years.
+
+ And now?—
+ The hours I tread ooze memories of thee, Sweet!
+ Beneath my casual feet.
+ With rainfall as the lea,
+ The day is drenched with thee;
+ In little exquisite surprises
+ Bubbling deliciousness of thee arises
+ From sudden places,
+ Under the common traces
+ Of my most lethargied and customed paces.
+
+ As an Arab journeyeth
+ Through a sand of Ayaman,
+ Lean Thirst, lolling its cracked tongue,
+ Lagging by his side along;
+ And a rusty-wingèd Death
+ Grating its low flight before,
+ Casting ribbèd shadows o’er
+ The blank desert, blank and tan:
+ He lifts by hap toward where the morning’s roots are
+ His weary stare,—
+ Sees, although they plashless mutes are,
+ Set in a silver air
+ Fountains of gelid shoots are,
+ Making the daylight fairest fair;
+ Sees the palm and tamarind
+ Tangle the tresses of a phantom wind;—
+ A sight like innocence when one has sinned!
+ A green and maiden freshness smiling there,
+ While with unblinking glare
+ The tawny-hided desert crouches watching her.
+
+ ’Tis a vision:
+ Yet the greeneries Elysian
+ He has known in tracts afar;
+ Thus the enamouring fountains flow,
+ Those the very palms that grow,
+ By rare-gummed Sava, or Herbalimar.—
+
+ Such a watered dream has tarried
+ Trembling on my desert arid;
+ Even so
+ Its lovely gleamings
+ Seemings show
+ Of things not seemings;
+ And I gaze,
+ Knowing that, beyond my ways,
+ Verily
+ All these _are_, for these are she.
+ Eve no gentlier lays her cooling cheek
+ On the burning brow of the sick earth,
+ Sick with death, and sick with birth,
+ Aeon to aeon, in secular fever twirled,
+ Than thy shadow soothes this weak
+ And distempered being of mine.
+ In all I work, my hand includeth thine;
+ Thou rushest down in every stream
+ Whose passion frets my spirit’s deepening gorge;
+ Unhood’st mine eyas-heart, and fliest my dream;
+ Thou swing’st the hammers of my forge;
+ As the innocent moon, that nothing does but shine,
+ Moves all the labouring surges of the world.
+ Pierce where thou wilt the springing thought in me,
+ And there thy pictured countenance lies enfurled,
+ As in the cut fern lies the imaged tree.
+ This poor song that sings of thee,
+ This fragile song, is but a curled
+ Shell outgathered from thy sea,
+ And murmurous still of its nativity.
+ Princess of Smiles!
+ Sorceress of most unlawful-lawful wiles!
+ Cunning pit for gazers’ senses,
+ Overstrewn with innocences!
+ Purities gleam white like statues
+ In the fair lakes of thine eyes,
+ And I watch the sparkles that use
+ There to rise,
+ Knowing these
+ Are bubbles from the calyces
+ Of the lovely thoughts that breathe
+ Paving, like water-flowers, thy spirit’s floor beneath.
+
+ O thou most dear!
+ Who art thy sex’s complex harmony
+ God-set more facilely;
+ To thee may love draw near
+ Without one blame or fear,
+ Unchidden save by his humility:
+ Thou Perseus’ Shield! wherein I view secure
+ The mirrored Woman’s fateful-fair allure!
+ Whom Heaven still leaves a twofold dignity,
+ As girlhood gentle, and as boyhood free;
+ With whom no most diaphanous webs enwind
+ The barèd limbs of the rebukeless mind.
+ Wild Dryad! all unconscious of thy tree,
+ With which indissolubly
+ The tyrannous time shall one day make thee whole;
+ Whose frank arms pass unfretted through its bole:
+ Who wear’st thy femineity
+ Light as entrailèd blossoms, that shalt find
+ It erelong silver shackles unto thee.
+ Thou whose young sex is yet but in thy soul;—
+ As hoarded in the vine
+ Hang the gold skins of undelirious wine,
+ As air sleeps, till it toss its limbs in breeze:—
+ In whom the mystery which lures and sunders,
+ Grapples and thrusts apart; endears, estranges;
+ —The dragon to its own Hesperides—
+ Is gated under slow-revolving changes,
+ Manifold doors of heavy-hingèd years.
+ So once, ere Heaven’s eyes were filled with wonders
+ To see Laughter rise from Tears,
+ Lay in beauty not yet mighty,
+ Conchèd in translucencies,
+ The antenatal Aphrodite,
+ Caved magically under magic seas;
+ Caved dreamlessly beneath the dreamful seas.
+
+ “Whose sex is in thy soul!”
+ What think we of thy soul?
+ Which has no parts, and cannot grow,
+ Unfurled not from an embryo;
+ Born of full stature, lineal to control;
+ And yet a pigmy’s yoke must undergo.
+ Yet must keep pace and tarry, patient, kind,
+ With its unwilling scholar, the dull, tardy mind;
+ Must be obsequious to the body’s powers,
+ Whose low hands mete its paths, set ope and close its ways;
+ Must do obeisance to the days,
+ And wait the little pleasure of the hours;
+ Yea, ripe for kingship, yet must be
+ Captive in statuted minority!
+ So is all power fulfilled, as soul in thee.
+ So still the ruler by the ruled takes rule,
+ And wisdom weaves itself i’ the loom o’ the fool.
+ The splendent sun no splendour can display,
+ Till on gross things he dash his broken ray,
+ From cloud and tree and flower re-tossed in prismy spray.
+ Did not obstruction’s vessel hem it in,
+ Force were not force, would spill itself in vain
+ We know the Titan by his champèd chain.
+ Stay is heat’s cradle, it is rocked therein,
+ And by check’s hand is burnished into light;
+ If hate were none, would love burn lowlier bright?
+ God’s Fair were guessed scarce but for opposite sin;
+ Yea, and His Mercy, I do think it well,
+ Is flashed back from the brazen gates of Hell.
+ The heavens decree
+ All power fulfil itself as soul in thee.
+ For supreme Spirit subject was to clay,
+ And Law from its own servants learned a law,
+ And Light besought a lamp unto its way,
+ And Awe was reined in awe,
+ At one small house of Nazareth;
+ And Golgotha
+ Saw Breath to breathlessness resign its breath,
+ And Life do homage for its crown to death.
+
+ So is all power, as soul in thee increased!
+ But, knowing this, in knowledge’s despite
+ I fret against the law severe that stains
+ Thy spirit with eclipse;
+ When—as a nymph’s carven head sweet water drips,
+ For others oozing so the cool delight
+ Which cannot steep her stiffened mouth of stone—
+ Thy nescient lips repeat maternal strains.
+ Memnonian lips!
+ Smitten with singing from thy mother’s east,
+ And murmurous with music not their own:
+ Nay, the lips flexile, while the mind alone
+ A passionless statue stands.
+ Oh, pardon, innocent one!
+ Pardon at thine unconscious hands!
+ “Murmurous with music not their own,” I say?
+ And in that saying how do I missay,
+ When from the common sands
+ Of poorest common speech of common day
+ Thine accents sift the golden musics out!
+ And ah, we poets, I misdoubt,
+ Are little more than thou!
+ We speak a lesson taught we know not how,
+ And what it is that from us flows
+ The hearer better than the utterer knows.
+
+ Thou canst foreshape thy word;
+ The poet is not lord
+ Of the next syllable may come
+ With the returning pendulum;
+ And what he plans to-day in song,
+ To-morrow sings it in another tongue.
+ Where the last leaf fell from his bough,
+ He knows not if a leaf shall grow,
+ Where he sows he doth not reap,
+ He reapeth where he did not sow;
+ He sleeps, and dreams forsake his sleep
+ To meet him on his waking way.
+ Vision will mate him not by law and vow:
+ Disguised in life’s most hodden-grey,
+ By the most beaten road of everyday
+ She waits him, unsuspected and unknown.
+ The hardest pang whereon
+ He lays his mutinous head may be a Jacob’s stone.
+ In the most iron crag his foot can tread
+ A Dream may strew her bed,
+ And suddenly his limbs entwine,
+ And draw him down through rock as sea-nymphs might through brine.
+ But, unlike those feigned temptress-ladies who
+ In guerdon of a night the lover slew,
+ When the embrace has failed, the rapture fled,
+ Not he, not he, the wild sweet witch is dead!
+ And, though he cherisheth
+ The babe most strangely born from out her death,
+ Some tender trick of her it hath, maybe,—
+ It is not she!
+
+ Yet, even as the air is rumorous of fray
+ Before the first shafts of the sun’s onslaught
+ From gloom’s black harness splinter,
+ And Summer move on Winter
+ With the trumpet of the March, and the pennon of the May;
+ As gesture outstrips thought;
+ So, haply, toyer with ethereal strings!
+ Are thy blind repetitions of high things
+ The murmurous gnats whose aimless hoverings
+ Reveal song’s summer in the air;
+ The outstretched hand, which cannot thought declare,
+ Yet is thought’s harbinger.
+ These strains the way for thine own strains prepare;
+ We feel the music moist upon this breeze,
+ And hope the congregating poesies.
+ Sundered yet by thee from us
+ Wait, with wild eyes luminous,
+ All thy wingèd things that are to be;
+ They flit against thee, Gate of Ivory!
+ They clamour on the portress Destiny,—
+ “Set her wide, so we may issue through!
+ Our vans are quick for that they have to do!”
+ Suffer still your young desire;
+ Your plumes but bicker at the tips with fire,
+ Tarry their kindling; they will beat the higher.
+ And thou, bright girl, not long shalt thou repeat
+ Idly the music from thy mother caught;
+ Not vainly has she wrought,
+ Not vainly from the cloudward-jetting turret
+ Of her aërial mind, for thy weak feet,
+ Let down the silken ladder of her thought.
+ She bare thee with a double pain,
+ Of the body and the spirit;
+ Thou thy fleshly weeds hast ta’en,
+ Thy diviner weeds inherit!
+ The precious streams which through thy young lips roll
+ Shall leave their lovely delta in thy soul:
+ Where sprites of so essential kind
+ Set their paces,
+ Surely they shall leave behind
+ The green traces
+ Of their sportance in the mind,
+ And thou shalt, ere we well may know it,
+ Turn that daintiness, a poet,—
+ Elfin-ring
+ Where sweet fancies foot and sing.
+ So it may be, so it _shall_ be,—
+ Oh, take the prophecy from me!
+ What if the old fastidious sculptor, Time,
+ This crescent marvel of his hands
+ Carveth all too painfully,
+ And I who prophesy shall never see?
+ What if the niche of its predestined rhyme,
+ Its aching niche, too long expectant stands?
+ Yet shall he after sore delays
+ On some exultant day of days
+ The white enshrouding childhood raise
+ From thy fair spirit, finished for our gaze;
+ While we (but ’mongst that happy “we”
+ The prophet cannot be!)
+ While we behold with no astonishments,
+ With that serene fulfilment of delight
+ Wherewith we view the sight
+ When the stars pitch the golden tents
+ Of their high campment on the plains of night.
+ Why should amazement be our satellite?
+ What wonder in such things?
+ If angels have hereditary wings,
+ If not by Salic law is handed down
+ The poet’s crown,
+ To thee, born in the purple of the throne,
+ The laurel must belong:
+ Thou, in thy mother’s right
+ Descendant of Castalian-chrismed kings—
+ O Princess of the Blood of Song!
+
+ Peace; too impetuously have I been winging
+ Toward vaporous heights which beckon and beguile
+ I sink back, saddened to my inmost mind;
+ Even as I list a-dream that mother singing
+ The poesy of sweet tone, and sadden, while
+ Her voice is cast in troubled wake behind
+ The keel of her keen spirit. Thou art enshrined
+ In a too primal innocence for this eye—
+ Intent on such untempered radiancy—
+ Not to be pained; my clay can scarce endure
+ Ungrieved the effluence near of essences so pure.
+ Therefore, little, tender maiden,
+ Never be thou overshaden
+ With a mind whose canopy
+ Would shut out the sky from thee;
+ Whose tangled branches intercept Heaven’s light:
+ I will not feed my unpastured heart
+ On thee, green pleasaunce as thou art,
+ To lessen by one flower thy happy daisies white.
+ The water-rat is earth-hued like the runlet
+ Whereon he swims; and how in me should lurk
+ Thoughts apt to neighbour thine, thou creature sunlit?
+ If through long fret and irk
+ Thine eyes within their browed recesses were
+ Worn caves where thought lay couchant in its lair;
+ Wert thou a spark among dank leaves, ah ruth!
+ With age in all thy veins, while all thy heart was youth;
+ Our contact might run smooth.
+ But life’s Eoan dews still moist thy ringèd hair;
+ Dian’s chill finger-tips
+ Thaw if at night they happen on thy lips;
+ The flying fringes of the sun’s cloak frush
+ The fragile leaves which on those warm lips blush;
+ And joy only lurks retirèd
+ In the dim gloaming of thine irid.
+ Then since my love drags this poor shadow, me,
+ And one without the other may not be,
+ From both I guard thee free.
+ It still is much, yes, it is much,
+ Only—my dream!—to love my love of thee;
+ And it is much, yes, it is much,
+ In hands which thou hast touched to feel thy touch
+ In voices which have mingled with thine own
+ To hear a double tone.
+ As anguish, for supreme expression prest,
+ Borrows its saddest tongue from jest,
+ Thou hast of absence so create
+ A presence more importunate;
+ And thy voice pleads its sweetest suit
+ When it is mute.
+ I thank the once accursèd star
+ Which did me teach
+ To make of Silence my familiar,
+ Who hath the rich reversion of thy speech,
+ Since the most charming sounds thy thought can wear,
+ Cast off, fall to that pale attendant’s share;
+ And thank the gift which made my mind
+ A shadow-world, wherethrough the shadows wind
+ Of all the loved and lovely of my kind.
+
+ Like a maiden Saxon, folden,
+ As she flits, in moon-drenched mist;
+ Whose curls streaming flaxen-golden,
+ By the misted moonbeams kist,
+ Dispread their filmy floating silk
+ Like honey steeped in milk:
+ So, vague goldenness remote,
+ Through my thoughts I watch thee float.
+ When the snake summer casts her blazoned skin
+ We find it at the turn of autumn’s path,
+ And think it summer that rewinded hath,
+ Joying therein;
+ And this enamouring slough of thee, mine elf,
+ I take it for thyself;
+ Content. Content? Yea, title it content.
+ The very loves that belt thee must prevent
+ My love, I know, with their legitimacy:
+ As the metallic vapours, that are swept
+ Athwart the sun, in his light intercept
+ The very hues
+ Which _their_ conflagrant elements effuse.
+ But, my love, my heart, my fair,
+ That only I should see thee rare,
+ Or tent to the hid core thy rarity,—
+ This were a mournfulness more piercing far
+ Than that those other loves my own must bar,
+ Or thine for others leave thee none for me.
+
+ But on a day whereof I think,
+ One shall dip his hand to drink
+ In that still water of thy soul,
+ And its imaged tremors race
+ Over thy joy-troubled face,
+ As the intervolved reflections roll
+ From a shaken fountain’s brink,
+ With swift light wrinkling its alcove.
+ From the hovering wing of Love
+ The warm stain shall flit roseal on thy cheek,
+ Then, sweet blushet! whenas he,
+ The destined paramount of thy universe,
+ Who has no worlds to sigh for, ruling thee,
+ Àscends his vermeil throne of empery,
+ One grace alone I seek.
+ Oh! may this treasure-galleon of my verse,
+ Fraught with its golden passion, oared with cadent rhyme,
+ Set with a towering press of fantasies,
+ Drop safely down the time,
+ Leaving mine islèd self behind it far
+ Soon to be sunken in the abysm of seas,
+ (As down the years the splendour voyages
+ From some long ruined and night-submergèd star),
+ And in thy subject sovereign’s havening heart
+ Anchor the freightage of its virgin ore;
+ Adding its wasteful more
+ To his own overflowing treasury.
+ So through his river mine shall reach thy sea,
+ Bearing its confluent part;
+ In his pulse mine shall thrill;
+ And the quick heart shall quicken from the heart that’s still.
+
+ Ah! help, my Dæmon that hast served me well!
+ Not at this last, oh, do not me disgrace!
+ I faint, I sicken, darkens all my sight,
+ As, poised upon this unprevisioned height,
+ I lift into its place
+ The utmost aery traceried pinnacle.
+ So; it is builded, the high tenement,
+ —God grant—to mine intent!
+ Most like a palace of the Occident,
+ Up-thrusting, toppling maze on maze,
+ Its mounded blaze,
+ And washèd by the sunset’s rosy waves,
+ Whose sea drinks rarer hue from those rare walls it laves.
+ Yet wail, my spirits, wail!
+ So few therein to enter shall prevail!
+ Scarce fewer could win way, if their desire
+ A dragon baulked, with involuted spire,
+ And writhen snout spattered with yeasty fire.
+ For at the elfin portal hangs a horn
+ Which none can wind aright
+ Save the appointed knight
+ Whose lids the fay-wings brushed when he was born.
+ All others stray forlorn,
+ Or glimpsing, through the blazoned windows scrolled
+ Receding labyrinths lessening tortuously
+ In half obscurity;
+ With mystic images, inhuman, cold,
+ That flameless torches hold.
+ But who can wind that horn of might
+ (The horn of dead Heliades) aright,—
+ Straight
+ Open for him shall roll the conscious gate;
+ And light leap up from all the torches there,
+ And life leap up in every torchbearer,
+ And the stone faces kindle in the glow,
+ And into the blank eyes the irids grow,
+ And through the dawning irids ambushed meanings show.
+ Illumined this wise on,
+ He threads securely the far intricacies,
+ With brede from Heaven’s wrought vesture overstrewn;
+ Swift Tellus’ purfled tunic, girt upon
+ With the blown chlamys of her fluttering seas;
+ And the freaked kirtle of the pearlèd moon:
+ Until he gain the structure’s core, where stands—
+ A toil of magic hands—
+ The unbodied spirit of the sorcerer,
+ Most strangely rare,
+ As is a vision remembered in the noon;
+ Unbodied, yet to mortal seeing clear,
+ Like sighs exhaled in eager atmosphere.
+ From human haps and mutabilities
+ It rests exempt, beneath the edifice
+ To which itself gave rise;
+ Sustaining centre to the bubble of stone
+ Which, breathed from it, exists by it alone.
+ Yea, ere Saturnian earth her child consumes,
+ And I lie down with outworn ossuaries,
+ Ere death’s grim tongue anticipates the tomb’s
+ _Siste viator_, in this storied urn
+ My living heart is laid to throb and burn,
+ Till end be ended, and till ceasing cease.
+
+ And thou by whom this strain hath parentage;
+ Wantoner between the yet untreacherous claws
+ Of newly-whelped existence! ere he pause,
+ What gift to thee can yield the archimage?
+ For coming seasons’ frets
+ What aids, what amulets,
+ What softenings, or what brightenings?
+ As Thunder writhes the lash of his long lightnings
+ About the growling heads of the brute main
+ Foaming at mouth, until it wallow again
+ In the scooped oozes of its bed of pain;
+ So all the gnashing jaws, the leaping heads
+ Of hungry menaces, and of ravening dreads,
+ Of pangs
+ Twitch-lipped, with quivering nostrils and immitigate fangs,
+ I scourge beneath the torment of my charms
+ That their repentless nature fear to work thee harms.
+ And as yon Apollonian harp-player,
+ Yon wandering psalterist of the sky,
+ With flickering strings which scatter melody,
+ The silver-stolèd damsels of the sea,
+ Or lake, or fount, or stream,
+ Enchants from their ancestral heaven of waters
+ To Naiad it through the unfrothing air;
+ My song enchants so out of undulous dream
+ The glimmering shapes of its dim-tressèd daughters,
+ And missions each to be thy minister.
+ Saying; “O ye,
+ The organ-stops of being’s harmony;
+ The blushes on existence’s pale face,
+ Lending it sudden grace;
+ Without whom we should but guess Heaven’s worth
+ By blank negations of this sordid earth,
+ (So haply to the blind may light
+ Be but gloom’s undetermined opposite);
+ Ye who are thus as the refracting air
+ Whereby we see Heaven’s sun before it rise
+ Above the dull line of our mortal skies;
+ As breathing on the strainèd ear that sighs
+ From comrades viewless unto strainèd eyes,
+ Soothing our terrors in the lampless night;
+ Ye who can make this world where all is deeming
+ What world ye list, being arbiters of seeming;
+ Attend upon her ways, benignant powers!
+ Unroll ye life a carpet for her feet,
+ And cast ye down before them blossomy hours,
+ Until her going shall be clogged with sweet!
+ All dear emotions whose new-bathèd hair,
+ Still streaming from the soul, in love’s warm air
+ Smokes with a mist of tender fantasies;
+ All these,
+ And all the heart’s wild growths which, swiftly bright,
+ Spring up the crimson agarics of a night,
+ No pain in withering, yet a joy arisen;
+ And all thin shapes more exquisitely rare,
+ More subtly fair,
+ Than these weak ministering words have spell to prison
+ Within the magic circle of this rhyme;
+ And all the fays who in our creedless clime
+ Have sadly ceased
+ Bearing to other children childhood’s proper feast;
+ Whose robes are fluent crystal, crocus-hued,
+ Whose wings are wind a-fire, whose mantles wrought
+ From spray that falling rainbows shake
+ These, ye familiars to my wizard thought,
+ Make things of journal custom unto her;
+ With lucent feet imbrued,
+ If young Day tread, a glorious vintager,
+ The wine-press of the purple-foamèd east;
+ Or round the nodding sun, flush-faced and sunken,
+ His wild bacchantes drunken
+ Reel, with rent woofs a-flaunt, their westering rout.
+ —But lo! at length the day is lingered out,
+ At length my Ariel lays his viol by;
+ We sing no more to thee, child, he and I;
+ The day is lingered out:
+ In slow wreaths folden
+ Around yon censer, spherèd, golden,
+ Vague Vesper’s fumes aspire;
+ And glimmering to eclipse
+ The long laburnum drips
+ Its honey of wild flame, its jocund spilth of fire.
+
+ _Now pass your ways_, _fair bird_, _and pass your ways_,
+ _If you will_;
+ _I have you through the days_!
+ _A flit or hold you still_,
+ _And perch you where you list_
+ _On what wrist_,—
+ _You are mine through the times_!
+ _I have caught you fast for ever in a tangle of sweet rhymes_.
+ _And in your young maiden morn_,
+ _You may scorn_,
+ _But you must be_
+ _Bound and sociate to me_;
+ _With this thread from out the tomb my dead hand shall tether thee_!
+
+ * * * * *
+
+ Go, sister-songs, to that sweet sister-pair
+ For whom I have your frail limbs fashionèd,
+ And framèd feateously;—
+ For whom I have your frail limbs fashionèd
+ With how great shamefastness and how great dread,
+ Knowing you frail, but not if you be fair,
+ Though framèd feateously;
+ Go unto them from me.
+ Go from my shadow to their sunshine sight,
+ Made for all sights’ delight;
+ Go like twin swans that oar the surgy storms
+ To bate with pennoned snows in candent air:
+ Nigh with abasèd head,
+ Yourselves linked sisterly, that sister-pair,
+ And go in presence there;
+ Saying—“Your young eyes cannot see our forms,
+ Nor read the yearning of our looks aright;
+ But time shall trail the veilings from our hair,
+ And cleanse your seeing with his euphrasy,
+ (Yea, even your bright seeing make more bright,
+ Which is all sights’ delight),
+ And ye shall know us for what things we be.
+
+ “Whilom, within a poet’s calyxed heart,
+ A dewy love we trembled all apart;
+ Whence it took rise
+ Beneath your radiant eyes,
+ Which misted it to music. We must long,
+ A floating haze of silver subtile song,
+ Await love-laden
+ Above each maiden
+ The appointed hour that o’er the hearts of you—
+ As vapours into dew
+ Unweave, whence they were wove,—
+ Shall turn our loosening musics back to love.”
+
+
+
+
+Inscription
+
+
+ WHEN the last stir of bubbling melodies
+ Broke as my chants sank underneath the wave
+ Of dulcitude, but sank again to rise
+ Where man’s embaying mind those waters lave,
+ (For music hath its Oceanides
+ Flexuously floating through their parent seas,
+ And such are these),
+ I saw a vision—or may it be
+ The effluence of a dear desired reality?
+ I saw two spirits high,—
+ Two spirits, dim within the silver smoke
+ Which is for ever woke
+ By snowing lights of fountained Poesy.
+ Two shapes they were familiar as love;
+ They were those souls, whereof
+ One twines from finest gracious daily things,
+ Strong, constant, noticeless, as are heart-strings
+ The golden cage wherein this song-bird sings;
+ And the other’s sun gives hue to all my flowers,
+ Which else pale flowers of Tartarus would grow,
+ Where ghosts watch ghosts of blooms in ghostly bowers;—
+ For we do know
+ The hidden player by his harmonies,
+ And by my thoughts I know what still hands thrill the keys.
+
+ And to these twain—as from the mind’s abysses
+ All thoughts draw toward the awakening heart’s sweet kisses,
+ With proffer of their wreathen fantasies,—
+ Even so to these
+ I saw how many brought their garlands fair,
+ Whether of song, or simple love, they were,—
+ Of simple love, that makes best garlands fair.
+ But one I marked who lingered still behind,
+ As for such souls no seemly gift had he:
+ He was not of their strain,
+ Nor worthy of so bright beings to entertain,
+ Nor fit compeer for such high company.
+ Yet was he, surely, born to them in mind,
+ Their youngest nursling of the spirit’s kind.
+ Last stole this one,
+ With timid glance, of watching eyes adread,
+ And dropped his frightened flower when all were gone;
+ And where the frail flower fell, it witherèd.
+ But yet methought those high souls smiled thereon;
+ As when a child, upstraining at your knees
+ Some fond and fancied nothings, says, “I give you these!”
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK SISTER SONGS***
+
+
+******* This file should be named 1731-0.txt or 1731-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/7/3/1731
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+