summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--19204-8.txt3970
-rw-r--r--19204-8.zipbin0 -> 78523 bytes
-rw-r--r--19204-h.zipbin0 -> 83430 bytes
-rw-r--r--19204-h/19204-h.htm4050
-rw-r--r--19204.txt3970
-rw-r--r--19204.zipbin0 -> 78491 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 12006 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/19204-8.txt b/19204-8.txt
new file mode 100644
index 0000000..38f56a4
--- /dev/null
+++ b/19204-8.txt
@@ -0,0 +1,3970 @@
+The Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Lady Larkspur
+
+Author: Meredith Nicholson
+
+Release Date: September 7, 2006 [EBook #19204]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+
+
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+LADY LARKSPUR
+BY
+MEREDITH NICHOLSON
+
+NEW YORK
+CHARLES SCRIBNER'S SONS
+1919
+
+-----------------------------------------------------------------------
+
+COPYRIGHT, 1919, BY
+CHARLES SCRIBNER'S SONS
+
+Published March, 1919
+
+COPYRIGHT, 1918, BY P. F. COLLIER & SONS, INC.
+
+-----------------------------------------------------------------------
+
+TO BENNETT AND PEGGY GATES
+
+-----------------------------------------------------------------------
+
+CONTENTS
+
+CHAPTER PAGE
+
+ I. THE "TROOPS" 1
+ II. THE AMAZING WIDOW 38
+ III. A FAN 79
+ IV. PURSUING KNIGHTS 112
+ V. ALICE 138
+
+-----------------------------------------------------------------------
+
+
+
+
+CHAPTER I
+
+THE "TROOPS"
+
+
+"It was hard luck," said Searles, "that I should spend a year writing a
+play for a woman only to find that she had vanished--jumped off the
+earth into nowhere. This was my highest flight, Singleton, the best
+writing I ever did, and after the vast pains I took with the thing, the
+only woman I ever saw who could possibly act it is unavailable; worse
+than that, absolutely undiscoverable! Nobody knows I have this script;
+I've kept quiet about it simply because I'm not going to be forced into
+accepting a star I don't want. I have a feeling about this play that I
+never had about my other things. That girl was its inspiration. The
+public has been so kind to my small offerings that I'm trying to lead
+'em on to the best I can do; something a little finer and more
+imaginative, with a touch of poetry, if you please. And now----"
+
+He rose from his broad work-table (he scorned the familiar type of desk)
+and glared at me as though I were responsible for his troubles. As he
+knew I had been flying in the French Aviation Corps for two years and
+had just been invalided home, I didn't think it necessary to establish
+an alibi. But I hastened to express my sympathy for his predicament.
+Fate had been kind to Dick Searles. In college he had written a play or
+two that demonstrated his talent, and after a rigid apprenticeship as
+scene-shifter and assistant producer he had made a killing with "Let
+George Do It," a farce that earned enough to put him at ease and make
+possible an upward step into straight comedy. Even as we talked a
+capacity house was laughing at his skit, "Who Killed Cock Robin?" just
+around the corner from his lodgings. So his story was not the invention
+of a rejected playwright to cover the non-appearance of a play which
+nobody would produce.
+
+"Isn't it always a mistake to write a play for a particular star?" I
+suggested. "Seems to me I've read somewhere that that is among the
+besetting sins of you playwrights."
+
+"Old stuff, my boy; but this isn't one of those cases. The person I had
+in mind for this play wasn't a star, but a beginner, quite unknown. It
+was when I was in London putting on 'Fairy Gold' that I saw her; she had
+a small part in a pantomime, and pantomime is the severest test of an
+actor's powers, you know. A little later she appeared in 'Honourable
+Women,' a capital play that died early, but there again I felt her
+peculiar charm--it was just that. Her part was a minor one, but she wore
+it as she might wear a glove; she was exquisite! No one ever captured my
+imagination as she did. I watched her night after night. I was afraid
+that when I heard her voice it would break the spell, and I actually
+shook like a man with an ague when she tripped out on the stage as the
+ingénue in 'Honourable Women.' And her laughter! You know how hollow the
+usual stage mirth is, but that girl's laugh had the joy of the lark
+ascending!"
+
+"By Jove!" I ejaculated, "there's more here than appears. You're in love
+with the girl!"
+
+"Rubbish," he cried impatiently. "You'll think I'm talking rot, but
+this girl was the visualization of a character I had dreamed of and
+groped after for years. That's all; but it's a whole lot, I can tell
+you!"
+
+"Of course, you established lines of communication and gave her a hint
+that you meant to write a play for her?"
+
+"Certainly not! That would have spoiled the whole thing. It was her art,
+not the woman, that interested me. I didn't want to take the chance of
+being disillusioned. I have been through that experience, and I prefer
+not to meet the people who act in my pieces. I want their art, not their
+views on human destiny or the best place to get lobster à la Newburg."
+
+"Let us be practical for a moment, Searles," I urged. "Emperors,
+presidents, and popular murderers are not more conspicuous than the
+people of the stage. No girl talented enough to get two engagements,
+even for small parts, in a first-class London theatre could vanish. With
+your acquaintance in the profession you'd be able to trace her anywhere
+on earth. By the way, what did the paragon call herself?"
+
+"Violet Dewing was her stage name and the only name the managers knew
+her by. I assumed that, of course, all I had to do was to finish my play
+and then have Dalton, who represents me over there, make an appointment
+to read it to her; but Dalton worked for three months trying to find
+her, without success. She clearly wasn't the product of the provincial
+theatres--hadn't any of the marks. I wasn't the only person who was
+interested in her. Dalton said half a dozen managers had their eye on
+her, but after 'Honourable Women' closed she stepped into the void. I
+know what you're thinking--that the other members of the two companies
+she appeared with must have had some inkling of her identity, but I tell
+you Dalton and I exhausted the possibilities. It was by accident that
+she got her chance in the pantomime--some one wouldn't do at the last
+minute, and they gave Miss Dewing a trial. She was well liked by her
+associates in spite of the fact that she was a bit offish and vanished
+from their world the minute the curtain fell."
+
+"A clever governess out of a job, satisfying a craving for excitement
+and playing the mysterious rôle as part of the adventure. Am I to
+assume that you've burned your play and that the incident is closed?"
+
+"Oh, I didn't burn it; I have a copy locked in a safety vault, and
+Dalton left one heavily sealed at a small exclusive London hotel where,
+he found after much difficulty, the girl had lodged during her two
+engagements."
+
+"You're morbid," I said. "Show me her photograph."
+
+He laughed ironically. "Never a chance, Singleton! You haven't yet got
+the idea that this young woman is out of the ordinary. She refused to be
+photographed--wrote it into her two contracts that this was not to be
+asked. I never saw her off the stage, and I can't give you a description
+of her that would be of the slightest assistance to the keenest
+detective alive. As I've tried to convey to your practical mind, it's
+the spirit of the girl--the spirit of comedy, that I've dramatized--not
+a girl you take out to supper only to find that she has no wit, no
+charm, no anything but a monstrous appetite for indigestible food and a
+silly ambition to play rôles the gods never intended her to play. In
+that pantomime she was a frolic, the clown's daughter, and, though
+nobody saw it, she was the whole piece, the elusive sprite that could
+evoke laughter and tears by a gesture, a lifting of the brows, a
+grimace. By utterly different methods in 'Honourable Women' she proved
+her wide range of appeal. The chap who produced 'Honourable Women' told
+me that after the first rehearsal Bayley, the author, begged him for
+God's sake to let the girl do it her own way, so as not to lose her
+freshness and spontaneity. Hers was the one true characterization in the
+piece. When Terry was in her prime you remember how we used to say that
+only one bird sang like that, and from paradise it flew? Well, this bird
+sings on the same branch! Her voice was her charm made audible! She's
+the most natural being I ever saw on the stage, and she can _look_ more
+comedy than anybody else I ever saw act!"
+
+"Rave some more!" I pleaded. "You never talked better in your life."
+
+"Don't be an ass," he said sourly. "Let's forget her and take a squint
+at your affairs. Just what do you mean to do with yourself?"
+
+"My shoulder still creaks a little, and the doctors advise me to sit
+around for a while. They offered me some jobs in Washington, but desk
+work and inspection duty are too tame after a couple of years spent in
+star climbing. The doctors tell me to cultivate repose for a few months
+and maybe they'll pass me into our flying corps, but they don't promise
+anything. I'm going up to Barton-on-the-Sound and I'll camp in the
+garage on my uncle's place. You remember that I built the thing myself,
+and the quarters are good enough for a busted veteran."
+
+"Your uncle played you a nasty trick," interrupted Searles; "getting
+married and then adding to the crime by dying. You couldn't beat that
+for general spitefulness."
+
+"Do you remember the immortal lines:
+
+ "'Oh, skip your dear uncle!'
+ The Bellman exclaimed
+ As he angrily tingled his bell"?
+
+"Oh, I'm not knocking the dead!" he protested. "Mr. Bashford always
+struck me as a pretty decent, square sort of chap, and not at all the
+familiar grouchy uncle of fiction and the drama. I made notes on him
+from time to time with a view to building a play around him--the perfect
+uncle, unobtrusive, never blustering at his nephew; translating the
+avuncular relationship into something remote and chaste like a distant
+view of Mount Washington in winter. As I recall, there were only two
+great passions in your uncle's life--Japanese art and green-turtle soup.
+It was just like him to retire from business on his sixtieth birthday
+and depart for the Orient, there to commit the shameless indiscretion of
+matrimony."
+
+"Like him! It was the greatest shock of my life. To the best of my
+knowledge he never knew any women except the widow of his partner in the
+importing house. He used to dine with her now and then, and I caught him
+once sending her flowers at Easter--probably an annual stunt. She was
+about eighty and perfectly safe. He spent twenty years in the Tyringham,
+the dullest and most respectable hotel in the world, and his chief
+recreation was a leisurely walk in the park before going to bed. You
+could set your clock by him. Pretty thin picking for a dramatist, I
+should think. He used to take me to the theatre regularly every other
+Thursday--it was a date--and his favorite entertainment was vaudeville
+with black-face embellishment preferred. You should add that to Japanese
+pottery and potage à la tortue. He joined the yacht club just because
+the green turtle at that joint is the best in New York. Yachts! He never
+sailed in anything but the biggest steamers, and got no fun out of that.
+I crossed with him twice, and he never left his bunk. But in his shy
+fashion he was kind and generous and mighty good to me."
+
+"If you hadn't gone to war, but had kept right at his elbow, the
+marriage might have been averted," suggested Searles. "He did leave you
+something, didn't he?"
+
+"Fifty thousand cash and the right to use the garage at the Barton farm.
+Calling it a farm is a joke; it's rocks mostly. He bought the house to
+have a place to store his prints and ceramics. He hated motoring except
+in taxis up and down town, and when I urged him to set up a machine, he
+told me to go ahead and buy one and build the garage. He rather sniffed
+at the writing I do, but told me I'd better fix up a studio in the
+garage and have it as a place to work in. His will provides that I may
+lodge in the garage for life."
+
+"The estate footed a million, as I remember, so I can't praise his
+generosity. But the widow, your unknown auntie, the body-snatcher who
+annexed the old boy--what of her?"
+
+"I've asked the trust company people whether she's in sight anywhere,
+and they assure me that she is not on these shores. Torrence, the third
+vice-president--you know Torry; he was in the class ahead of us at
+college, the man who never smiles--Torry seemed anxious to learn about
+her from me, which is certainly droll. He said she acknowledged her last
+remittance three months ago from Bangkok--wherever that is. Torry
+couldn't see that Bangkok is so absurdly remote that the idea of a
+widow's strolling off there is funny. I suppose the old girl's resumed
+her tour of the world looking for another retired merchant to add to her
+list."
+
+"Very likely. To what nation, tribe, or human group does this predatory
+person belong?"
+
+"I'll tell you all I know. Just as I was sailing for France I got a
+letter from Uncle Bash stating in the most businesslike fashion that he
+was about to be married to a lady he had met on his trip out to Japan.
+The dire event was to occur at the American Embassy the following day.
+From which I judged that my presence at the ceremony was neither
+expected nor desired. Oddly enough, months afterward, I picked up an
+English paper in a French inn that contained an announcement of the
+marriage in the usual advertisement form. The lady was succinctly
+described as Mrs. Alice Wellington Cornford, widow of the late Archibald
+Reynolds Cornford, Pepperharrow Road, Hants. All Torrence knows of the
+subsequent proceedings is what he got in official reports of Uncle
+Bash's death from the consul-general at Tokyo. He was buried over there
+and the life-insurance companies were rather fussy about the legal
+proof, Torry says. Whether the widow expects to come to America
+ultimately or will keep moving through the Orient marrying husbands and
+burying them is a dark mystery. If she should turn up, the house at
+Barton is hers, of course, but with her roving disposition I fancy my
+aunt Alice wouldn't like the place. The Jap stuff is worth a bit of
+money, and if the lady is keen for such things and not a mere
+adventuress she may take it into her head one of these days to come over
+and inspect the loot."
+
+"I can see the vampire," said Searles musingly, "landing at the Grand
+Central with enough hand-luggage to fill a freight-car; a big, raw-boned
+creature, with a horse face and a horrible mess as to clothes. You will
+be there to meet her, deferential, anxious to please. You will pilot her
+up the coast to Barton, tip the servants heavily to keep them from
+murdering her, and twiddle your thumbs in your garage as you await her
+further pleasure. By the way, are those ancient freaks still on the
+place--those broken-down hotel employees who were your uncle's sole
+experiment in philanthropy?"
+
+"Torrence assures me that they are all very much there."
+
+Searles yielded himself to laughter. "An Englishwoman with lofty ideas
+of domestic service would certainly enjoy a romp with that crew. I
+supposed the trust company had brushed them into the Sound before this."
+
+"Oh, they are in the same class with me," I explained. "The place can't
+be sold till I die, and while I live they're to be harbored--about
+thirty of them--clothed and victualled."
+
+"I think there's a farce in the idea, and I may try it one of these
+days," he said, scribbling in his note-book. "A refuge for broken-down
+chambermaids, venerable bell-hops grown gray in the service, and the
+head waiter who amassed a fortune in tips and then toyed with the market
+once too often and lost his ill-gotten gains. What was the head waiter's
+name who presided with so much stateliness in the dining-room of the
+Tyringham? I mean the white-haired chap who was so particular about the
+foot-cushions for the nice old ladies in caps and lavender ribbons and
+India shawls--I think I can work him in somewhere."
+
+"That's Antoine, who married the assistant housekeeper at the
+Tyringham. He's the butler and has charge of the place--a sort of
+commander-in-chief of the outfit. When I get settled I'll ask you up and
+you can study the bunch at leisure."
+
+"Splendid! Reserve one room for me on the sunny side of the garage and
+I'll be up in a couple of weeks. I'm going to Ohio to-morrow for a
+family reunion and a look at the loved spots my infancy knew."
+
+"You're lucky to have home-folks even in Ohio," I remarked enviously.
+
+"Well, there's always your distant auntie, cruising the seven seas in
+pursuit of husbands. Nobody with an aunt to his credit can pretend to be
+alone in the world. There _is_ something about an aunt, Singleton! Aunts
+must rank just a little below mothers in the heavenly kingdom. When I
+was a boy out in Ohio there were two great occasions every year in my
+life--one when I went to visit a grand old aunt I had in the country,
+the other when she visited us, arriving with a wagon-load of jam, jelly,
+salt-rising bread, pound-cake, and other unpurchasable manna."
+
+"Stop! or I'll call the food censor," I pleaded, picking up my hat.
+"Send me your copy of 'Lady Geranium,' and I'll tell you whether it's a
+classic or not."
+
+"'Lady Larkspur,'" he corrected with a shudder. "You shall have it by
+trusted messenger to-morrow."
+
+I wired Antoine that I would reach Barton-on-the-Sound the following
+day. This was September, 1917. The former servants of the Tyringham were
+established on the place by my uncle the year before he dropped business
+cares and departed for the Japan of his dreams, and as I had been often
+at the hotel where he spent so many of the years of his life, I knew
+most of the old retainers. They were deeply appreciative of his
+kindness, and when I had gone to the farm for an uninterrupted month in
+finishing some piece of writing they had shown me the greatest
+consideration.
+
+As the train rolled along the familiar shore toward Barton I shook off
+the depression occasioned by my enforced retirement from the great
+struggle overseas. I had done under the French flag all that it was
+possible for me to do; and there was some consolation in the fact that
+by reason of my two years on the battle-line I was just so much ahead of
+the friends I met in New York who were answering the call to the colors
+and had their experience of war all before them. The tranquil life that
+had been recommended by the doctors was not only possible at Barton, but
+it was the only life that could be lived there. Plenty of exercise in
+the open and regular habits would, I had been assured, set me up again,
+and my leisure I meant to employ in beginning a novel that had been
+teasing me ever since I sailed for home.
+
+Of my uncle Bash I had only the happiest and most grateful memories.
+Quite naturally it had occurred to me at times, and my friends had
+encouraged the idea, that my uncle would die some day and leave me his
+money. There was no particular reason why he should do so, as he had
+never manifested any unusual affection for me and I had certainly never
+done anything for him.
+
+Antoine was at the Barton station with the touring-car Uncle Bash had
+bought to establish communication with the village. Flynn, the big
+Irishman who had been the doorman at the Tyringham for years and retired
+because of rheumatism acquired from long exposure to the elements at the
+hostelry's portals, was at the wheel.
+
+Antoine greeted me with that air of lofty condescension tempered with a
+sincere kindliness that had made him a prince among head waiters. As I
+shook hands with him his lips quivered and tears came to his eyes.
+Flynn, standing beside the car, saluted with a welcoming grin.
+
+"Very glad to see you, sorr. The trunk came this mornin' all right,
+sorr, and we put it in your room."
+
+I bade Antoine join me in the back seat that he might the more easily
+bring me up to date as to affairs on the estate.
+
+"It must be a little slow up here after the years you lived in town," I
+suggested, "but of course you're all old friends."
+
+"Well, yes; all friends," he acquiesced, but with so little enthusiasm
+that I glanced at him quickly. He pretended to be absorbed in the flying
+landscape at the moment. Flynn, I noticed, was giving ear to our
+conversation from the wheel.
+
+"It was sad, very sad, Mr. Bashford passing away so far from home, sir.
+It was a great shock. And he had looked forward for years to a quiet
+life abroad. It must have been ten years ago he first mentioned his hope
+of retiring to Japan."
+
+Uncle Bash had given me no such forecast of his intentions, and I felt
+humble before this proof of Antoine's greater intimacy. Once at the
+beginning of our acquaintance, when I had complimented Antoine on his
+English, he explained that he was born in England of French parents. His
+father had been chef and his mother housekeeper for an American banker
+who lived for many years in London. Antoine's speech was that of a
+well-trained English upper servant, and I imagined that in his youth he
+had taken some English butler as his model. He used to pretend that he
+knew French very imperfectly, and I was surprised when he now addressed
+me quite fluently in that language.
+
+"You have been with the armies of dear France," he remarked. "The war is
+very dreadful. My parents were of Verdun; it grieves me to know of the
+suffering in the land of my people."
+
+As I replied sympathetically in French I saw Flynn straighten himself at
+the wheel with an impatient fling of his head. Antoine indicated him
+with a contemptuous nod: "Married Elsie, the German woman who worked in
+the linen-room at the Tyringham! This has caused some trouble, and
+there is a pantry girl, Gretchen, who was ill a long time before the
+master left, and he sent her here for the country air. She is a little
+devil with her dear Fatherland."
+
+I laughed at the old fellow's gravity and earnestness. That the war
+should be making itself felt on the quiet acres at Barton-on-the-Sound
+was absurd.
+
+"But there can be no trouble; everything is peaceful, of course, save
+for a little foolish talk----"
+
+The Gaul asserted itself in a shrug, a form of expression rare in him. I
+was pondering the recrudescence of race hatreds due to the upheaval in
+Europe when he startled me by a statement uttered close to my ear:
+
+"There have been inquiries for the widow; these have caused me much
+anxiety."
+
+"Widow! Whose widow?"
+
+"Madame, the widow of the dear master. It seems that there are persons
+anxious to see her. There have been inquiries, one--two--three times."
+
+"Probably some of her American friends anxious to pay their respects,
+or some of the neighbors making calls of courtesy," I suggested.
+
+"A foreign gentleman who acts very queerly," Antoine persisted.
+
+My uncle's widow was a vague, unknown being whom I had never expected to
+cross my horizons. If she meditated a descent upon Barton-on-the-Sound,
+the trust company would certainly have had some hint of her approach,
+but Torrence clearly had had no tidings of her beyond her last
+communication from Bangkok. Still, it was wholly possible that a
+globe-trotting widow would have friends in many parts of the world, and
+I could see nothing disturbing in the fact that inquiries had been made
+for her. I said as much. Antoine's answer was another shrug and a jerk
+of his head toward Flynn, as though even the employment of an alien
+tongue might not conceal our conversation from the big Irishman. Antoine
+was manifestly impatient at my refusal to be aroused by his hints of
+discord among his associates and my lack of interest in the inquiries
+for Mrs. Bashford. When we had reached the farm and were running
+through the grounds Antoine spoke again:
+
+"We thought we would put you up at the house, Mr. Singleton, and not in
+the garage," he said inquiringly.
+
+"Not at all, Antoine," I answered quickly. "We must stick close to the
+law in such matters."
+
+"Very good, sir. Stop at the garage, Flynn."
+
+To the casual observer the garage was a charming two-story house
+following the general lines of the plaster and timber residence, from
+which it was separated by a strip of woodland and a formal garden. The
+garage and quarters for the chauffeur were at one end and at the other
+were a down-stairs living-room, with a broad fireplace, and three
+chambers above so planned as to afford a charming view of the Sound,
+whose shore curved in deeply at this point. On the chauffeur's side was
+a small kitchen from which I had been served with my meals when I lodged
+there. This thoroughly convenient establishment was the only place I
+could call home, and I experienced a pleasurable sense of comfort as I
+opened the door into the snug living-room.
+
+"The house is in order. You will have your meals at the residence, I
+suppose, sir," Antoine suggested.
+
+I debated this a moment, and when he hinted that dinner could be more
+conveniently served there than in my own quarters, I said that for the
+present the Flynns might give me breakfast and luncheon at the garage,
+but that I would dine at the house. The original owner of the property,
+from whose executor my uncle had purchased it with all its belongings,
+had accumulated a remarkable library, rich in the Elizabethan stuff for
+which I have a weakness, and it occurred to me that it would be pleasant
+to eat my solitary dinner at the residence and loaf in the library for
+an hour afterward. Like most slaves of the inkpot, I habitually postpone
+actual labor as long as possible, and if I were to dine at the garage I
+should have no excuse for not plunging at once into my novel. The
+Tyringham people were domiciled in cottages scattered over the estate,
+though a full staff of house servants was established in the residence.
+
+It was five o'clock when I reached the garage, and Antoine left me after
+opening my bags with the suggestion that I could summon Zimmerman, a
+former valet of the Tyringham, for any service I might require. I knew
+Zimmerman very well and said I would call him when occasion required.
+
+"He is of that race," said Antoine plaintively in the French which now
+seemed to come readily enough to his lips.
+
+"Race? Botheration! You mustn't trouble yourself about race questions
+out here, Antoine. Zimmerman is a good old chap, who's probably
+forgotten the very name of the German town he was born in."
+
+"They do not forget," Antoine replied with emphasis. "There has been
+much discussion--much----"
+
+"Forget it, Antoine! I supposed you were all living here like a happy
+family. You've been sticking too close to the farm, and it would do you
+good to run into town for a week. Please tell them at the residence that
+I'll dine at seven."
+
+"Very good, sir," he said in his pompous Tyringham manner, but I saw
+that he was miffed by my indifference.
+
+Flynn, having disposed of the car, came to ask if there was anything he
+could do for me. When I had explained my arrangement with Antoine he
+still lingered.
+
+"Tony's against the wife and me," he said mournfully. "It's the war,
+sorr, and she and me that lile, sorr, the American flag floats from the
+garage every day. And if a heart can be lile, Elsie's as true to America
+as though she was born in Boston State-house."
+
+"I believe you, Flynn," I said, touched by his earnestness. "Don't you
+worry about Antoine and the rest of them; they're just a little nervous;
+I'll see what I can do to straighten things out."
+
+As I went about my unpacking I was sorry that I had discouraged
+Antoine's confidences. That these old hotel servants, flung upon a farm
+with little to do, should fall to quarrelling was not surprising, but
+what he had said as to the inquiries for Mrs. Bashford had roused my
+curiosity. In spite of my legal right to live on the farm, I had no
+intention of remaining if my uncle's widow turned up. Alone on the
+estate I could lodge in the garage without any loss of dignity, but with
+an aunt on the premises my status would be decidedly uncomfortable. She
+could hardly fail to regard me as an intruding poor relation, no matter
+how strictly I kept to my own quarters. It was possible that she might
+even confuse me with the veterans of the Tyringham, and, while I am no
+snob, I did not relish the idea of being classed by a strange aunt with
+a crowd of broken-down hotel employees.
+
+I whistled myself into good humor as I dressed and started for the house
+along the driveway, which followed the shore, veering off for a look at
+the sunken garden, one of the few features of the place that had ever
+interested my uncle.
+
+As I paused on the steps I caught sight of a man sitting dejectedly on a
+stone bench near a fountain whose jet tossed and caught a ball with
+languid iteration. I had identified him as an old Tyringham bell-hop,
+known familiarly as Dutch, before he heard my step and sprang to his
+feet, grabbing a pitchfork whose prongs he presented threateningly.
+
+"Oh, it's you, sir," he faltered, dropping the implement. "Excuse me,
+sir!"
+
+"What's your trouble, Dutch? You're not expecting burglars, are you?"
+
+"Well, no, sir, but things on the place ain't what they wuz. It's my
+name, which ain't my name, not reg'lar, that's caused feelin'. They've
+drove me out, an' I'm campin' in the tool-house. An' me born right there
+in New York an' American clean through. My grandpap came across when he
+wuz a kid, but it ain't my fault he wuz Goiman. I'd 'a' made 'im a
+Frenchy or a Dago or somethin' else if I could 'a' done it. Mr.
+Singleton, I don't know no Goiman except pretzel, sauerkraut, wiener
+wurst, and them kind o' woids."
+
+"Those belong to the universal language, Dutch," I answered consolingly.
+"What is your name, anyhow?"
+
+"Augustus Schortemeier, and I say it ain't no worse'n Longfellow," he
+protested.
+
+The point was delicate and not one that I felt myself qualified to
+discuss. To cover my confusion I suggested that poets enjoy a certain
+license, but I was honestly sorry for Dutch. If he was not the oldest
+living bell-hop, he was at least entitled to honorable mention among the
+most ancient veterans of the calling, vocation, or avocation of the
+bell-hopper. I bade him cheer up and passed on.
+
+As I reached the house I heard a sharp command in an authoritative voice
+and saw at a curve of the driveway a number of men in military formation
+performing evolutions in the most sprightly manner. They carried
+broomsticks, and at sight of me the commander brought his company to a
+very ragged "Present arms!" Their uniform was that of the Tyringham
+bell-hops and waiters, and it dawned upon me that this was an army of
+protest representing the Allied armies on the shores of Connecticut.
+There was a dozen of them, and the captain I recognized as Scotty, a hop
+who had long worn the Tyringham livery. I waved my hand to them and
+turned to find Antoine awaiting me at the door.
+
+"It's the troops, sir," he explained. "It's to keep Dutch and Gretchen
+and Elsie--she's the wife of that Flynn--in proper order, sir."
+
+"Troops" was a large term for the awkward squad of retired waiters and
+bell-hops, and it was with difficulty that I kept my face straight.
+
+"It's most unfortunate, but we was forced to it. Dinner is served, sir."
+
+From the table in the long dining-room I caught glimpses through the
+gathering dusk of Scotty's battalion at its evolutions.
+
+"They keep a guard all night, sir," Antoine explained, not without
+pride. "The goings on has been most peculiar."
+
+"Antoine!" I said sharply, "what do you mean by these hints of trouble
+on the place? You're not silly enough to imagine that Dutch and a couple
+of women can do anything out here to aid America's enemies! The rest of
+you ought to be ashamed of yourselves for annoying them. And as for
+these inquiries about Mrs. Bashford, they couldn't possibly have
+anything to do with the war. Specifically, who are the persons who've
+asked for her?"
+
+"There's the party I told you about, most persistent, who's motored here
+three times, and another person who seems to be looking for _him_, sir.
+It's most singular."
+
+"It's singularly ridiculous; that's all. They're probably piano-tuners
+or rival agents for a rug house or something of that sort who don't know
+that Mrs. Bashford isn't here or at all likely to be."
+
+"They may be agents, but not that kind, sir." His lips quivered, either
+from fear or vexation at my refusal to take his story seriously.
+
+"If anything tangible happens, Antoine," I said kindly, "anything we can
+really put our hands on, we'll certainly deal with it. But you mustn't
+get nervous or allow yourself to suspect everybody who turns up here of
+evil designs against the Republic. I've come here for quiet, you know,
+and we can't have every passing stranger throwing the place into a
+panic."
+
+I had no sooner reached the library, where he gave me coffee, than I
+heard a slow, measured tread on the broad brick terrace that ran along
+the house on the side toward the Sound. The windows were open and the
+guard was in plain view. I glanced at Antoine, whose attitude toward me
+was that of one benevolently tolerant of stupidity. He meant to save me
+in spite of my obtuseness. "Tell the picket to remove himself where I
+won't hear him, if you please, Antoine."
+
+He disappeared through one of the French windows and in a moment I saw
+the guard patrolling a walk some distance from the house. I now made
+myself comfortable with a book and a cigar, but I had hardly settled
+myself for a quiet hour before I heard a commotion from the direction of
+the gate, followed a few minutes later by a shout and a noisy colloquy,
+after which a roadster arrived in haste at the front door.
+
+"Mr. Torrence, sir," announced Antoine. "I'm sorry, sir, but he ran by
+the guard at the gate, and our man below the house stopped him. It's a
+precaution we've been taking, sir."
+
+Torrence's sense of humor was always a little feeble, and I hastened
+into the hall to reassure him as to his welcome. He was wiping the
+perspiration from his face and swearing under his breath.
+
+"For God's sake, Singleton, what's happened here? A band of pirates
+jumped on my running-board, and after I'd knocked them off a road-agent
+stopped me right there in sight of the house and poked the muzzle of a
+shotgun in my face."
+
+"Mighty sorry you were annoyed, but there have been some queer
+characters about, tramps and that sort of thing, and the people on the
+place are merely a little anxious. Have a cigar?"
+
+"All I can say is that you'd better send your friends the password! That
+fool out there with the gun----"
+
+"Only a bell-hop, nothing more," I interrupted.
+
+"--That fool, I say, is likely to kill somebody. Antoine"--he turned to
+the butler, who was drawing the curtains at the windows--"if the
+property's been threatened, you should have informed me immediately."
+
+"Yes, sir; but it's only been quite recent, and, knowing Mr. Singleton
+was coming, we didn't like to bother you."
+
+"We can only apologize, Torry," I interposed. "The employees have been
+alarmed, but we're bound to commend their zeal."
+
+"Humph!" he ejaculated, the wounds to his dignity still rankling.
+
+I forced a cigar upon him and talked of the weather to cover Antoine's
+retreat. I resolved not to tell him the real cause of the servant's
+apprehensions, knowing his disposition to magnify trifles and fearing he
+might send the police to investigate. He lived only five miles from
+Barton, a fact to which he now referred.
+
+"Hadn't heard of any tramps over my way," he said, frowning. "These old
+lunatics your uncle left here are simply hipped; that's all. Mr.
+Bashford made a mistake in turning the place over to them; it was silly,
+downright silly. It's a wonder you didn't think of upsetting his will on
+the ground of mental unsoundness. It's not up to me to suggest such a
+thing, but I believe you could knock it out!"
+
+"Oh, chuck it! They're well-meaning helpless people, and it's bully that
+Uncle Bash provided a home for them. There's nobody else to use the
+place."
+
+His cigar had proved soothing, but my last remark caused him to sit up
+straight in his chair.
+
+"By George! my hold-up almost made me forget what I came for. I have
+news for you, Singleton; good or bad, as you may take it; Mrs. Bashford
+is in America."
+
+"Mrs. Bashford," I repeated faintly, "where do you get these pleasant
+tidings?"
+
+"This," he answered, producing a telegram, "is all I know about it. Got
+it just as I was leaving the office this afternoon, and thought I'd
+motor over and give you a pleasant surprise."
+
+He seemed to enjoy my discomfiture. The message read:
+
+ PITTSFIELD, MASS., Sept. 20.
+
+ J. B. TORRENCE,
+ _Bainbridge Trust Co., New York._
+
+ Landed at Seattle a week ago, and have been motoring east from
+ Chicago to see the country. Will reach Barton in four or five days.
+ Please wire me at the Washington Inn, Lenox, whether house is in
+ order for occupancy.
+
+ ALICE BASHFORD.
+
+"Well, what do you say to that?" he demanded.
+
+"I say it's taking unfair advantage," I answered savagely. "I've got to
+clear out; that's the first thing."
+
+"Not necessarily. Your right to the garage is settled; she couldn't oust
+you if she wanted to. You've got to stay here anyhow till she comes;
+there's no ducking that. The widow of an uncle who did a lot for you, a
+stranger to the country; it's up to you to see her established. There
+are many little courtesies she would naturally expect from you."
+
+"I'm delighted that you see my duty so clearly! If you hadn't assured me
+that she was safe at the end of the world I wouldn't have set foot
+here."
+
+"The house is in order, I judge," he remarked, glancing about the room.
+"I've got to wire her that we're ready for her."
+
+"You most certainly have! Your duty is as plain as a smoke-stack. You
+might add that she's causing serious inconvenience to her late husband's
+only nephew."
+
+"You really don't mean that?" he inquired anxiously.
+
+"Oh, thunder, no!"
+
+I had forgotten how trying Torrence could be. He now suggested that we
+summon Antoine and take a look at the house. Torrence is a conscientious
+fellow with an exact and orderly mind, and there was no corner of the
+place from cellar to garret that we didn't explore. It was highly
+creditable to the old Tyringham servants that the house was thoroughly
+habitable. All that need be done before Mrs. Bashford arrived was to lay
+linen on the beds and take the jackets from the furniture; a couple of
+hours would suffice, Antoine said.
+
+As we were on our way down-stairs the old fellow detained me a moment.
+
+"Have you told him about the parties? Pardon me, sir," he whispered,
+"but him and the trust company is responsible. I thought likely you'd
+tell him."
+
+I shook my head in angry rejection of the idea that I should tell
+Torrence about "the parties," and dismissed him as soon as we reached
+the hall.
+
+"I suggest," said Torrence, "that when she comes you have flowers in all
+the rooms; the conservatory will supply enough. And it occurs to me that
+the more inconspicuous you make this bunch of lazy dependents the more
+agreeable it will be for Mrs. Bashford."
+
+"You don't expect much of me! It was never in the contract that I should
+become the patriarch of these venerable relics. But I'll warn them to
+conceal themselves as much as possible. I fully expect to leave the
+reservation for good just one hour after the lady arrives."
+
+"That's your affair, of course. As she's motoring, we can't just time
+her arrival, but when I get a wire that she's on the way I'll telephone
+you. And, of course, after she gets here I'll come at once to pay my
+respects."
+
+"You can't come too soon!" I answered spitefully.
+
+
+
+
+CHAPTER II
+
+THE AMAZING WIDOW
+
+
+As soon as Torrence left I returned to the garage, feeling that with
+Mrs. Bashford on American soil my use of the residence even as a
+loafing-place was unbecoming. Mrs. Bashford was not only in America, but
+with a motor at her command she might reach Barton at any hour. And the
+vigorous, dominating woman who had captured my uncle Bash, buried him in
+a far country, and then effected a hop, skip, and jump from Bangkok to
+Seattle, was likely to be a prodigal spender of gasoline. Her propensity
+for travelling encouraged the hope that she would quickly weary of
+Barton and pine for lands where the elephant and jinrickisha flourish.
+
+I had brought with me the manuscript of Searles's play, and I fell upon
+it irritably and began reading the first act. The dialogue moved
+briskly, and I read on as though enfolded in the air of a crisp spring
+morning. It was Searles's whimsical stroke, only with a better vehicle
+than he had ever before found for it. My grouch over the upsetting of my
+plans yielded under the spell of his humor.
+
+"Lady Larkspur" was the name assumed by the daughter of a recluse
+naturalist in the valley of Virginia. She had known no life but that of
+the open country, where she ran wild all summer, aiding her father in
+collecting plants and butterflies. At twenty she had never seen a city,
+and her social contacts had been limited to the country folk, who viewed
+her with commiseration as the prisoner of her misanthrope father, who in
+the fifteen years of his exile had maintained a hostile attitude toward
+his neighbors. He had, however, educated the girl in such manner that
+only the cheer and joy of life were known to her. Hating mankind, he had
+encouraged her in nature-worship. She knew no literature except the
+classics; all history, even the history of the storied valley in which
+she lived, was a sealed book to her.
+
+The girl's curiosity is roused by the sudden appearance of strangers
+from the unknown world beyond, whom she mystifies by her quaint
+old-worldishness. Searles had taken an old theme and given a novel twist
+to it. The solution of the mystery of the father's exile and an amusing
+complication of lovers afforded a suspensive interest well sustained to
+the end. There were innumerable charming scenes, as where the girl in
+the outlandish costume in which she roamed the hills perches on a
+boulder and recites the "Iliad" to her suitors. In the last act she
+appears at a ball at a country house in sophisticated raiment, and the
+story ends in the key of mirth in which it began.
+
+It was a delightful blending and modernization of Diana, Atalanta,
+Cinderella, and Rosalind; but even in the typewritten page it was
+amazingly alive and well calculated to evoke tears and laughter. That a
+play so enthralling should be buried in a safety-vault was not to be
+thought of, and I sat down and wrote Searles a long letter demanding
+that he at once forget the lost star for whom he had written the piece,
+suggesting the names of several well-known actresses I thought worth
+considering for the difficult leading rôle. Not satisfied with this, I
+telephoned a telegram to the agent at Barton for transmission to
+Searles at the Ohio address he had given me.
+
+The next day passed without incident, and on the second, hearing nothing
+from Torrence, I began to doubt Mrs. Bashford's proximity. On the third,
+still hearing nothing, I harkened to an invitation from friends at New
+London and drove over in the runabout for dinner. It was midnight when I
+got back, and when I reached the gates several men dashed out of the
+lodge and halted me.
+
+"She's come, sir," announced Antoine, emerging from the darkness, and
+speaking under stress of deep emotion; "madame the widow has arrived,
+sir!"
+
+"Why not Cleopatra or the Queen of Sheba?" I exclaimed testily to cover
+my annoyance that my aunt had effected her descent in my absence. "Well,
+she was expected; the house is hers; what do you want me to do about
+it?" I ended with affected jocularity.
+
+"We received her the best we could; but it was most unfortunate, your
+not being here, sir."
+
+"Is that your idea, Antoine, or do you reflect the lady's sentiments?
+I'm properly humiliated either way. Tell me just what she said."
+
+"Well, sir, she just laughed when I took the liberty of apologizing."
+
+"The sneering laughter of outraged dignity! Go ahead and give me the
+rest of it."
+
+"It was at ten she came, sir, and the guard held her up, not recognizing
+her, here at the gate, and when the car didn't stop the boys chased her
+and fired at the tires of her machine. It was very dreadful, sir. And at
+the house--at the door, sir--the guard was very harsh with her, sir,
+most regrettable."
+
+"You certainly made a mess of it!" I ejaculated. "But you did let her
+in--into her own house, we must remember--you did grant her the courtesy
+of a lodging for the night?" I inquired ironically.
+
+"She's retired, sir. There was a lady with her; maybe a maid; I can't
+exactly say; and we did everything, sir, to make her comfortable. She
+was not what you might say fussy, sir, but quite human-like. We was all
+relieved, sir, the way she took everything. I hope you'll pardon us,
+sir, which was due to not being warned."
+
+"Oh, it's all right with me, but in the morning she'll probably bounce
+the whole lot of us. An old lady fatigued from a journey cross country
+and shot at on her own premises--it's a very pretty story."
+
+They were a picturesque lot, the ancient waiters and bell-hops grouped
+about Antoine with their lanterns and garden implements and firearms.
+Antoine was swallowing hard in his effort to continue his recital.
+
+"You say an old lady, sir; the mistress is not really what you would
+call so old--not exactly, sir."
+
+"Really a youngish party, I should say," volunteered Graves, the
+gardener.
+
+Just what these veterans would call old was a matter of conjecture.
+"Um," I murmured, and considered the situation.
+
+"Young or old, she would hardly relish her reception. There was a maid,
+and they came in a machine? Did you put up the chauffeur or did you
+shoot him on the spot?"
+
+"It was a hired machine, sir; and madame sent it away. The driver was a
+good deal upset over the shooting. One of the rear tires was quite
+blown away."
+
+"You're in luck if he doesn't have you all arrested to-morrow," I
+remarked consolingly.
+
+"Mrs. Bashford seemed quite amused by the occurrence," Antoine
+continued. "'Wonderful America!' she kept saying after we'd got her
+inside. We gave her tea, which was all she asked for. She takes her tea
+with cream, sir. We did our best to make her comfortable. And there was
+a dog, sir. I recall that the master was not fond of dogs. There was
+never one on the place."
+
+Antoine spoke truly; if there was anything my Uncle Bash detested it was
+a dog, but I reflected that a world-skipping widow who could corral so
+difficult a subject as my uncle would be quite capable of inspiring him
+with delight in the canine species. My respect for the woman's powers of
+persuasion was intensified by this disclosure.
+
+She had failed to wire Torrence as she promised or he had neglected to
+warn me of her coming; either way it was a pretty kettle of fish, and I
+shuddered at the thought of facing her wholly pardonable indignation.
+
+To make sure that nothing was required of me until morning, I drove past
+the house with the army hanging to the footboard. The lower rooms were
+dark, but lights twinkled through the second-story shutters. My aunt was
+established on the premises, and her coming and the circumstances of her
+advent constituted a good joke of which I and not she was the victim.
+When I reached my quarters in the garage I sat down and laughed until
+Flynn appeared, frightened by my noisy mirth that had penetrated to his
+quarters. I got rid of him and smoked a pipe and began the packing I
+meant to finish early in the morning.
+
+I wakened early, rang a bell connecting my rooms with the chauffeur's
+end of the garage as a warning to the Flynns to prepare breakfast, and
+was dressed when the Irishman came in with the tray. In the absence of a
+morning paper I clung to him for company.
+
+"I trust you will not be leaving, sorr," he remarked, eyeing my
+half-packed trunk.
+
+"Very soon, Flynn."
+
+"Then Elsie and I will be going too, sorr. It's most uncomfortable
+they're making us--Dutch and the rest. That Antoine and his army keep
+pesterin' us and callin' us Huns."
+
+"You raise a very interesting question, Flynn, a very delicate question
+of fact and propriety. Satisfied as you and Elsie are of your entire
+loyalty to the United States and the associated Powers, I think you
+should remain, a martyr, if need be, to the great cause of world
+democracy."
+
+"It's most disagreeable we find it, the wife and me," he said
+mournfully.
+
+"Suffer and be strong--that's the watchword! We will hope that Mrs.
+Bashford is a woman of sound sense and tact who will exert herself to
+restore peace on her property. When I call to pay my respects and make
+my adieus I shall speak to her of the situation and vouch for your
+loyalty. You may count on me. You haven't, I suppose, seen the widow
+yet--she's probably sleeping late."
+
+"Quite the contrary, sorr. She's been up and around for an hour an'
+more. She's been all over the place and stopped for a squint at the
+garage, her and the pup."
+
+"She's been here, inspecting the garage?" I asked, glancing at my watch.
+It was not yet eight o'clock. The banter died out of me; clearly it had
+been my duty to be on hand to pilot her over the estate, or at least to
+receive her at the garage. "Just what was the lady's frame of mind--as
+to things generally. Peeved, was she, over the row last night?"
+
+"Oh, no, sorr; quite cheerful an' friendly. She's ordered a big car from
+New York and told me it would be coming up to-day and to make a place
+for it."
+
+Here was news indeed, destroying all my hopes that she meditated only a
+brief sojourn. The purchase of a machine meant definitely that she would
+remain for some time, perhaps for the winter. I poured a second cup of
+coffee, swallowed it, grabbed my hat and stick, and asked enlightment as
+to the course taken by Mrs. Bashford when she left the garage.
+
+"She took the lower road, sorr, toward the Sound and stepped off quite
+brisk-like."
+
+It was the serenest of September mornings, and I hurried away, thinking
+the cloudless blue arch, the twinkling sea, and the crisp air might
+serve to soften my aunt's displeasure at her hostile reception. From the
+conservatories I caught a glimpse of a woman on the beach--a slender,
+agile woman throwing a ball for the amusement of a fox-terrier. She
+threw the ball with a boy's free swing, occasionally varying a hot one
+down the shore with a toss high in air which she caught up herself
+before the terrier could reach it. The two were having no end of a good
+time. She laughed joyfully when the ball fell into her hands and the
+terrier barked his discomfiture and eagerness for a chance to redeem
+himself.
+
+Antoine's equivocal statement as to Mrs. Bashford's age was ridiculous.
+Instead of the middle-aged woman whom I was prepared to meet, here was
+beyond question a vigorous, healthy being whose every movement spoke for
+youth and the joy of life. It might, after all, be the maid of whom
+Antoine had spoken; I advanced slowly, anxious not to break in upon her
+romp with the terrier--they made a charming picture--and trying to
+formulate an introduction. I reached a low stone wall that separated the
+lawn from the beach just as she effected a running pick-up of the ball.
+She turned swiftly and flung it straight at my head. Involuntarily I
+put up my hand and caught it just as she saw me and cried out--a cry of
+warning and contrition. I tossed the ball to the dog.
+
+"What must you think of me!" she exclaimed. "I was blinded by the
+sunlight and I didn't see you--really I did not!"
+
+"I had no business being in the way," I laughed, noting first her
+glowing color, her violet eyes--amazingly fine eyes they were--her fair
+hair with its golden glint, her plain black gown with lawn collar and
+wristbands. It was her age, however, that roused me to instant
+speculation. Twenty-five, I decided, was a maximum; more likely she was
+not more than twenty-two, and if I had been told that eighteen was the
+total of her years I shouldn't have had the heart to dispute it.
+
+"Bob Singleton," I said and stupidly added, "and you are Mrs. Bashford?"
+unable for the life of me to avoid turning the statement into an
+inquiry.
+
+"I am your aunt Alice," she said with a smile, putting out her hand.
+"Down, Rex!" she commanded the dancing terrier; "lie down; school's over
+now"; whereupon Rex obediently sprawled in the sand and began trying to
+swallow the ball.
+
+"Wasn't that silly of me to try to kill you the first time we met!" Her
+eyes danced with merriment. "I didn't know, of course, that any one was
+about. But you made a very nice catch of it! I had expected to receive
+you most formally in the drawing-room, but this really serves very well.
+That tree down yonder is inviting; suppose we stay out here and talk a
+bit."
+
+This struck me as the pleasantest thing imaginable, though I was still
+dazed and my tongue seemed to have died in my mouth. This girl, this
+wholly charming and delightful young woman, was the monstrous being I
+had conjectured as the globe-trotting widow who had kidnapped and
+married my uncle! Not only had she married my uncle Bash and in due
+course buried him; she had been a widow when she married him! I
+furtively studied her face--a face that invited scrutiny--and her candid
+eyes that met my gaze of wonder and frank admiration easily and without
+a trace of self-consciousness. On the third finger of her left hand was
+a slender band of gold. The thing was staggering, bewildering. She was
+clearly anxious to be friendly, but nothing that I had thought of saying
+to her fitted the situation.
+
+"In the first place," I finally began, "I must apologize most humbly for
+the earnest efforts of the servants to murder you last night. Mr.
+Torrence had promised to let me know when you would reach here, but he
+must have forgotten it. I had motored to a friend's house to dine and
+didn't get back until the mischief was done. I'm very sorry. You must
+have thought you had driven into a camp of savages!"
+
+"Not for worlds would I have missed that," she exclaimed with a merry
+laugh. "It was perfectly delicious! And it was all my fault. I meant to
+remain a day at Hartford, you know, and send a message to Mr. Torrence
+from there, but I found that by pushing on I could reach here yesterday.
+Then the machine I hired showed every weakness that motors are subject
+to and we were hours later than the Hartford garage man promised. And
+you know we English always expect strange things to happen in America. I
+don't understand yet why those people at the gates were so jolly
+anxious to kill us; but it doesn't matter; you would only spoil the joke
+by explaining it."
+
+However, I did my best--it was a weak attempt--to explain the
+nervousness of the veteran servants and their display of violence. Her
+arrival made it likely that we should soon know more about the "parties"
+whose visits and inquiries had so alarmed Antoine and his comrades. Now
+that I saw Mrs. Bashford the idea that any one could entertain
+malevolent designs upon her was more preposterous than ever, and I
+resolved that she must be shielded from annoyances of every kind. I told
+her with all the humor I could throw into the recital of the drilling of
+the bell-hops and of the uncomfortable relations between the Allied
+forces and the Teutonic minority on the estate.
+
+"It was dear of Mr. Bashford to provide a home for these people; wasn't
+he really the kindest soul that ever lived?" she said softly.
+
+She gazed wistfully seaward, and I saw the gleam of tears on her long
+lashes. My uncle had, then, meant something to her! No one, in speech
+or manner, could have suggested the adventuress less; Uncle Bash was a
+gentleman, a man of æsthetic tastes, and the girl was adorable. More
+remarkable things had happened in the history of love and marriage than
+that two such persons, meeting in a far corner of the world, would
+honestly care for each other. My respect for Uncle Bash grew; he had
+married the most attractive girl in the world, and here she was with the
+bloom of her girlhood upon her, tripping alone through a world that
+might have been created merely that she might confer light and cheer
+upon it.
+
+"You stopped at Hartford," I began, breaking a long silence. "You have
+friends there----?"
+
+"Not one! I had made a pious pilgrimage to Mark Twain's last home at
+Redding, and, hearing that he had lived at Hartford, I came through
+there to render my fullest homage. He has always been one of my heroes,
+you know." She laughingly lifted her hands and counted upon her
+fingers--"'The Jumping Frog,' Tom and Huck, and 'Mulberry Sellers,' 'The
+Prince and the Pauper,' and 'Pudd'nhead Wilson'! I know them all by
+heart!"
+
+"Our introduction is complete," I said reverently. "Let's consider
+ourselves old friends."
+
+"I rather thought we'd understand each other," she said in her even,
+mellow tones. "You know, we had your photograph out East--a very good
+one, it seems--so I had an idea of what you looked like."
+
+"The photograph gave you an unfair advantage! And I didn't know Uncle
+Bash carried one away with him."
+
+"He was very fond of you," she said gravely. "He was very proud that you
+had gone into the war."
+
+"I am glad to hear that; I thought he disapproved of me for refusing to
+go into business. He offered me a substantial interest before he sold
+out."
+
+"I know that; but I think he liked you rather better for refusing it.
+Business with him was merely a means to an end. And it was doubly sad
+that he should die just when he was free to enjoy the beautiful things
+he loved."
+
+It was at the tip of my tongue to say that the loss of her companionship
+was even more grievous; but nothing in her manner invited such a
+comment. Her grave moods were to be respected, and she talked for some
+time of Uncle Bash's life in the East, of his short illness and quite
+unexpected death.
+
+"But I'm keeping you," she exclaimed suddenly, jumping down from the
+wall. "And I must finish my unpacking."
+
+As we walked to the house I answered her questions about the
+neighborhood, and promised to telephone Torrence immediately of her
+arrival.
+
+"You will have luncheon with us--or maybe dinner would be better--or
+both? Antoine told me of your bachelor establishment, but eating alone
+is bad for the digestion. I shall think you resent my coming if you
+don't dine at the house every day. Mrs. Farnsworth--my friend and
+companion--is a very interesting woman. I am sure you will like her."
+
+The information that she was protected in her youthful widowhood by a
+companion was imparted neatly.
+
+"It was really much nicer, meeting this way," she said, giving me her
+hand. "We shall expect you at seven."
+
+I found them on the veranda, which had been transformed since my last
+glimpse of it. Rugs, wicker furniture, wall-pockets of flowers, and
+paper lanterns dropped over the electric lights gave it the appearance
+of a prettily set scene. She came toward me, a slender figure in white.
+She seemed taller in white; as she took a few steps toward me, I was
+aware of a stateliness I had missed at the shore. A queenly young
+person, but as unaffectedly cordial and friendly as in the bright
+morning sunlight.
+
+"Mrs. Farnsworth, Mr. Singleton."
+
+Mrs. Farnsworth was a pleasant-faced, white-haired woman with remarkably
+fine, dark eyes. If the positions had been changed--if Mrs. Farnsworth
+had been my uncle's choice of a wife, the situation would have been much
+more real. I instantly liked Mrs. Farnsworth. She uttered a few
+commonplaces in an uncommonplace tone without pausing in her knitting.
+Mrs. Bashford had been knitting too, and as she sat down she took up her
+yarn and needles. It was a sweater, I think; it doesn't matter. What
+matters is that her hands moved swiftly and deftly. Her manner of
+knitting was charming. She knew that I was watching her hands and
+remarked with a graceful turn of the head:
+
+"For an English boy somewhere! I began by knitting for my brother and
+cousins, but"--her head bent lower--"that isn't for me to do any more."
+Her eyes, turned upon me for a moment, were bright with tears.
+
+I was speaking of the splendid valor of Englishmen I had known in France
+when Antoine announced dinner.
+
+It had been years since the house had known a woman's hand, and it was
+astonishing how humanized it had become in a few hours. The long
+dining-room, always a bare, forbidding place, had been reduced to cosey
+proportions by screens, and a small round table replaced the massive,
+oblong affair that always looked as though it had been built into the
+house by the carpenters.
+
+"I found those lovely screens in the garret and thought we might as well
+enjoy them, and that Lang Yao jar you see on the sideboard oughtn't to
+be hidden in the vault."
+
+"I am sure Uncle Bash would be happy to know you care for these things
+so much," I said, noting that the white roses she had chosen for the
+jar--I knew the choice was hers--served to emphasize the deep red of its
+exquisite glaze.
+
+"I am among the unelect," remarked Mrs. Farnsworth. "When I am told that
+such things are beautiful I am immediately convinced. I say they are
+beautiful, and that is enough."
+
+"That has always been enough for me," I replied. "My uncle used to try
+to interest me, and I wore out a good many pairs of shoes following him
+through museums and salesrooms, but he gave me up when he found that my
+pagan soul was aroused by nothing but pottery idols. It wasn't the
+pottery that interested me even there, but only the ugliest designs. I
+am a heathen!"
+
+"I am gratified that you make the admission so frankly," said Mrs.
+Farnsworth. "I have always been a great admirer of the heathen."
+
+"I like them when they are nice," said Mrs. Bashford.
+
+"Yes; I have found you very discriminating in your choice of the
+species, Alice. But, you know, Mr. Singleton, Alice and I never can
+agree as to just what a heathen is. All our squabbles have been about
+that. The old hymn pictured the heathen in his blindness bowing down to
+wood and stone; but I'm disposed to broaden my definition to include all
+who believe in fairies good or bad, and persons who honestly believe in
+signs, omens, and lucky stones and all who have the receipt of fern-seed
+and walk invisible--there's Shakespeare for that. Some very good
+Christians are also very nice heathens: we mustn't be narrow and bigoted
+about such things."
+
+"I think," said Mrs. Bashford soberly, "that I have always believed in
+witches; and if I keep on believing I shall see one some day. We shall
+find anything in this world that we believe in hard enough. Now a
+witch--the kind of witch I have always expected to wake up and find
+flourishing a broom at me from the foot of my bed----"
+
+She was talking very gravely, as though witches were the commonest topic
+of conversation, but finding my eyes turned upon her in frank wonder,
+she laughed at my amazement.
+
+"Let us be honest with you, Mr. Singleton," Mrs. Farnsworth explained,
+"and tell you that we are just testing you. It may be a breach of
+hospitality, and you are all but a stranger, but we are curious to know
+whether you are of that small company of the favored of heaven who can
+play at being foolish without becoming idiotic. Alice is sometimes very
+near idiocy. You admit that, Alice!"
+
+"I not only admit it, but I might even boast of it!" my aunt replied.
+
+At the mention of witches I had caught Antoine crossing himself as he
+turned to the sideboard. I confess that I myself had been startled by
+the drift of the talk. Mrs. Farnsworth was far from being the grim
+duenna I had feared might be my aunt's chaperon, and there was certainly
+nothing in her appearance to suggest that she was a believer in witches.
+She and my aunt treated each other as though they were contemporaries,
+and it was Alice and Constance between them. As the talk ran
+exhaustively through the lore of witches and goblins I had hoped that
+one or the other would drop some clew as to the previous history of my
+amazing aunt. It was as plain as day that she and Mrs. Farnsworth
+indulged in whims for the joy of it, and her zest in the discussion of
+witches, carried on while Antoine served the table, lips tightly
+compressed, and with an exaggeration of his stately tread, was the more
+startling from the fact that my aunt's companion was a woman of years, a
+handsome woman with a high-bred air who did not look at all like a
+person who would discuss witches as though they had been made the topic
+of the day by the afternoon newspapers. And when the shape of a witch's
+chin became the immediate point of discussion I knew it was in Antoine's
+mind that such conversation was unbecoming, an offense to the memory of
+Raymond Bashford. Mrs. Farnsworth's brown eyes sparkled, and the color
+deepened in my aunt's cheeks as we discoursed upon witches and the chins
+thereof. I had a friend in college who used to indulge in the same sort
+of piffling, but that my uncle's widow and her elderly companion should
+delight in such absurdities bewildered me. I had been addressing my aunt
+as Mrs. Bashford--it seemed ridiculous to call her Aunt Alice--and in
+the heat of our argument as to whether witches are necessarily naughty
+and malign beings I had just uttered the "Mrs." when she bent toward me
+and said gravely and with no hint of archness: "Can't we make it Alice
+and Bob? I think that would be a lot friendlier."
+
+I experienced a curious flutter of the heart the first time I tried it,
+but after that it came very easily. I found it impossible to think of
+her in terms of auntship, and it was a relief to have the relationship
+waived. She was simply the jolliest, prettiest girl that had ever
+crossed my horizon, and to be talking to her across the table gave me
+thrills compared with which sliding out of clouds in an airplane is only
+a rocking-chair pastime for old men.
+
+The veteran chef of the Tyringham had produced an excellent dinner,
+though the witch talk made Antoine a trifle nervous in serving it.
+
+We had coffee on the veranda (Alice thought it would be nicer there),
+and as Antoine gave me my cup he edged close to my chair to whisper:
+
+"That party, sir. If he should come----"
+
+"Tell the troops not to attack any visitors," I said, loud enough for
+the others to hear. "Mr. Torrence will be here shortly, and it would be
+annoying to have him ushered in on a shutter. We must establish a rule
+that callers are not to be fired upon at the gate."
+
+"I know why this is the land of the free and the home of the brave,"
+laughed Alice. "One has to be brave to live here."
+
+Antoine departed with a resentful twist of the shoulders, and I decided
+to meet squarely the matter of the visitors who had so troubled him.
+
+"Please don't be frightened," I said as lightly as possible, "but these
+old fellows haven't enough to do, and they are full of apprehensions.
+With nobody here to keep them busy it's remarkable they haven't found a
+ghost."
+
+"If they only would!" murmured Mrs. Farnsworth.
+
+"No such luck! They have been alarmed by an agent of some sort who wants
+to welcome you to America by selling you a piano on easy payments."
+
+Antoine had been hovering inside, and my remark brought him to the
+door.
+
+"Beg pardon, Mr. Singleton, but that party is not an agent, but quite
+different, sir. He came to the house, quite like a gentleman, several
+times, and asked if Mrs. Bashford had arrived. He came in a big car, and
+seemed disappointed, madame, that you were not here and not expected.
+The second time he said he was just passing on his way to the city and
+thought he would stop again. A very well-spoken gentleman, and we'd have
+thought nothing of it except that a few days later I caught a man I was
+sure was the same party, but dressed in rough clothes, sneaking across
+the veranda right there where you're sitting. When I called to him he
+ran as hard as he could, and Graves--he's the vegetable-gardener--saw
+him leaving the property by the back way."
+
+"It's hardly possible that a man who impressed you as a gentleman when
+you saw him at the door should have returned in disguise and tried to
+break into the house. The two things don't hang together, Antoine."
+
+"Oh," exclaimed Mrs. Farnsworth, "it would be so much more delightful if
+that were true! Any one in disguise is bound to be interesting. A
+disguise suggests most beautiful possibilities. And to be sought, asked
+for by a stranger!"
+
+I could not be sure in the dim light of the veranda, but I thought I
+detected a white slipper cautiously reach out and touch a black one. At
+any rate, Mrs. Farnsworth lapsed into silence.
+
+"Thank you very much, Antoine," said Alice. "It is very proper for you
+to tell me anything of any stranger on the property, but I see nothing
+here to be alarmed about. If the same gentleman calls again, let me know
+instantly."
+
+"Very good, madame." And then, turning as though conferring upon me a
+part of his responsibility for the security of the premises: "It's a
+party with a limp; just a trifling limp, sir; you'd hardly notice it. It
+was worse the last time as he ran away. A smallish man, rather dark,
+with a little mustache turned up at the ends."
+
+"I have noted all these details, Antoine," I replied; and again I
+thought there was a telegraphic exchange between the ladies, though
+this time a black slipper was the means of communication.
+
+Torrence arrived in a moment, and nothing has ever given me keener joy
+than his shock of surprise at beholding Mrs. Bashford. As I introduced
+the ladies he was so overcome that he greeted Mrs. Farnsworth as Mrs.
+Bashford--a not unnatural mistake--and there was an embarrassing moment
+as I set him right. Having done this, I seated myself beside Mrs.
+Farnsworth that Torrence might be free to talk business with my aunt. I
+was devoutly grateful that he had not been present at the dinner-table,
+for my own efforts to interest Torrence in anything but the most
+practical matters had always been highly unsuccessful, and the
+discussion of ghosts and witches would hardly have amused him. As Mrs.
+Farnsworth and I took up the recent movements on the western front I
+overheard Torrence putting all the machinery of the trust company at
+Mrs. Bashford's disposal. It seemed almost a blasphemy to be talking of
+income and like matters to a woman like Alice Bashford!
+
+They continued their conference for some time, but I got nothing out of
+Mrs. Farnsworth that shed any light on my aunt's history beyond what
+she had told me herself, which was precious little. Mrs. Farnsworth's
+talk was that of a cultivated woman. Her voice interested me
+unaccountably; the tones had all manner of shadings and inflections; it
+was curiously musical, but in speaking of the great war a passionate
+note crept into it that stirred me deeply.
+
+"This has been a dark year for Alice," she remarked. "Mr. Bashford's
+death, followed quickly by that of her brother--an only son--piled a
+cruel burden of grief upon the dear child. She wants to go back to
+England to nurse the wounded, to do anything for our dear country, but I
+want to keep her here a little while until she can readjust herself. You
+must not think, Mr. Singleton, that she has no feeling; you have no idea
+of the depths of that child's nature; they are unfathomable! It is my
+task to encourage her in frivolity and the make-believe she loves--hence
+our absurdities at the table. She's the drollest child, but with
+wonderful understanding. And at times it's not easy to keep the divine
+spark of play alive in her heart."
+
+The light of one of the porch lamps fell upon Alice's face as she
+patiently gave heed to Torrence's account of his stewardship. One of her
+hands gently stroked the terrier that lay quietly in a chair beside her.
+I was sure that his painstaking description of assets and market values
+was boring her. Once her voice rose in expostulation. Torrence, I
+judged, was suggesting that legal means could be found to expel the old
+Tyringham employees from the Barton property.
+
+"Oh, never in the world! It was quite like Mr. Bashford to want to care
+for these people in their old age. And"--she laughed and turned toward
+me--"they can't be dislodged while Bob lives; and we don't want to part
+with him just yet."
+
+I was glad to have him hear her address me in this intimate fashion.
+Torry always inspired in me a desire to shock him. He was trying to
+assure Alice that his only concern was to make her comfortable; he
+wished to save her from every annoyance and that sort of thing.
+
+"I shall help Alice to break them in, Torry," I said, lingering upon her
+name for his special edification.
+
+"Of course, Singleton," he replied. "I wasn't sure you meant to stay on.
+Pardon me, but I didn't----"
+
+"Oh, it isn't that Bob hasn't a right to stay," said Alice quickly;
+"Mrs. Farnsworth and I are hoping that he will like us well enough to
+share our exile on other accounts. We are so unfamiliar with everything
+American that it would be most unkind for him to desert us."
+
+"I am engaging Mr. Singleton to explain American jokes to me," announced
+Mrs. Farnsworth. "Alice seems to get them, but I'm never sure."
+
+It is a part of Torrence's business to counsel widows, which he does
+like the honorable man he is, but as he rose to go presently, remarking
+that his wife would motor down to call shortly, I caught a glimpse of
+his face that indicated deep perplexity. I wanted to warn him that Alice
+Bashford was not an ordinary widow, who vexes officers of trust
+companies with foolish questions and is prone to overdraw her account,
+so I left when he did.
+
+"I want to talk to you," he said nervously when we were outside. "I'll
+send the car ahead to the gate."
+
+When the shrubbery cut us off from the house he stopped abruptly and
+seized my arm. "What do you make of it?" he demanded.
+
+"Make of what?" I asked.
+
+"That girl!" he exclaimed testily.
+
+"If you insist, I must avow that she's adorable, nothing else."
+
+"Don't be a fool! You knew Raymond Bashford much better than I did, and
+you know perfectly well he never married a young girl of that sort!
+Those women are playing a trick, and I'm surprised that you don't see
+through it."
+
+"My uncle was a man of taste and a gentleman," I answered deliberately.
+"There's nothing in the least improbable in his being infatuated with a
+young woman of charm and wit like this girl. And it is hardly profitable
+or decent to speculate as to her interest in him. You mustn't forget
+that Uncle Bash was an unusual man, a man with whom a young girl might
+easily fall in love without reference to his age or money or anything
+else."
+
+"I tell you it won't do," he insisted. "If either of those women at the
+house is Raymond Bashford's widow, it's the one who calls herself
+Farnsworth."
+
+"You did your best to convict them of fraud the first jump out of the
+box," I said, laughing at the recollection of his confusion when I
+introduced him.
+
+"My mistake was a natural one," he said defensively. "They're playing a
+game of some kind and it's no laughing matter, but it won't take long to
+find out what they're up to."
+
+"You'll hardly go the length of having them arrested as imposters,
+Torrence--not without some data to work on!"
+
+"Certainly not. You seem to be hitting it off with both of them, but I
+advise you to be on guard. Are you sure your uncle never sent you his
+wife's photograph? That would have been a perfectly natural thing to
+do."
+
+"If I'd got a photograph, I should have headed for Japan, not for
+France." I laughed, but I was thinking deeply. His line of reasoning as
+to the incongruity of the marriage was not so different from my own that
+I could sneer at his suspicions. Very convincingly, as became a
+practical-minded man, he expanded his views as to the unlikelihood of my
+uncle's marrying a girl but little beyond school age. I shrank from
+telling him that I didn't care a hang whether the widow was a fraud or
+not. If the two women who had settled themselves on the Barton estate
+were imposters, they were extraordinarily daring and clever. My attitude
+toward them was wholly defensive. If women of their quality were
+perpetrating a fraud, I was for giving them every chance, and I had no
+intention of allowing Torrence to spoil the unfolding of the conspiracy.
+
+We were nearing a gateway where his car waited, and I saw several of the
+guard hanging about at a discreet distance. "Look here, Singleton," he
+said angrily, "you don't seem to take this business very seriously. You
+don't want to make the mistake of letting a pretty girl pull the wool
+over your eyes. If we're not careful, we're all of us likely to get into
+trouble." He lowered his voice and added tensely: "Those women are under
+suspicion of something more serious than an attempt to rob an estate.
+An agent of the American State Department called on me yesterday and
+asked embarrassing questions about Mrs. Bashford. Not a Secret Service
+man, you understand, or anything of that kind, but an important man in
+the State Department."
+
+"Of course you knew nothing to tell," I suggested as he beat the walk
+impatiently with his stick.
+
+"I took a chance at lying to him about her expected arrival. I thought
+it only decent to have a look at the woman first. He told me nothing
+except that the British Embassy had made inquiries and that the matter
+was delicate and must be handled carefully."
+
+"Was this inquirer lame--a small dark man with a black mustache?" I
+asked, suddenly interested. "Such a person has been hanging about here,
+so the boys tell me?"
+
+"Not at all! I may as well tell you it was Raynor--you probably remember
+him. He's a specialist in international law, and they took him into the
+State Department just after the _Lusitania_ business. He's a gentleman
+and a good fellow--I've played golf with him a good deal--and I hated
+to lie to him. Of course, with the whole United States back of him he
+can pursue his inquiries without my help; but I thought I'd see this
+woman before telling him she had reached America."
+
+I confess that I was a trifle dismayed by this. Raynor I knew slightly.
+Professionally and socially he stood high, and even without the prestige
+of his official position he was not a chap to sneeze at; but I didn't
+want Torrence to know I had any doubts as to the perfect authenticity of
+my uncle's widow.
+
+"Oh, every transcontinental pilgrim is probably scrutinized closely
+these days," I remarked carelessly. "Mrs. Bashford has lost a brother in
+the war, and I haven't heard any one talk more bitterly against Germany.
+And her companion certainly has no illusions about the Kaiser. You'd
+have to show me the proof to make me believe we're harboring spies."
+
+"I don't like the business," he declared stubbornly.
+
+"Let's do nothing foolish," I insisted. "If Raynor has reason to suspect
+either or both of these women, we'll hear further from him."
+
+"I've put myself in a hole," he said angrily. "Of course I've got to
+advise him immediately that Mrs. Bashford is here. I promised to let him
+know as soon as I heard from her."
+
+"Just wait a few days; I undertake to keep them under surveillance; you
+can put the whole responsibility on me. If they attempt to leave, I'll
+warn you and Raynor instantly, but they have settled themselves as
+though they expected to spend the rest of their lives here. Remembering
+your visit the other night, you ought to be satisfied with the policing
+of the place!"
+
+I told him of Mrs. Bashford's adventures in reaching the house without
+convincing him that there was anything funny in her experiences, and he
+left on my promise to report to him daily at a given hour and instantly
+if anything unusual occurred. I waited for the guards to lock the gates
+and bade them keep watch every night until further orders, and was on my
+way back through the grounds when Antoine arrested me.
+
+"Pardon me, but I'd like to ask what you think of it, sir?" he asked
+hoarsely, falling into step.
+
+"If you mean what do I think of Mrs. Bashford," I replied sharply, "I
+think she's quite charming and delightful and all any one could ask in
+every way."
+
+"It's her manner of speaking of spookish things, Mr. Singleton. It
+doesn't seem fitting in a widow and her so lately bereaved. And the
+older lady's quite as bad, sir. The maids tell me they keep talking all
+day about fairies and pretending they're queens and such like, and
+talking poetry to each other."
+
+"Quoting poetry is a harmless amusement, Antoine, and believing in
+fairies and goblins is no crime. Such pastimes argue for sweetness and
+innocence of character."
+
+"But the late master never indulged in such things, sir."
+
+"He would have lived longer if he had! It was probably the poetry and
+fairies that attracted him to Mrs. Bashford."
+
+"Yes, sir," he acquiesced with a gulp. "I suppose you're right, sir."
+
+"You should be grateful to Mrs. Bashford for not bouncing you all for
+the row you made last night. It could be done; in fact, Mr. Torrence has
+suggested that legal means could be found for getting rid of you."
+
+"That would be very sad, sir," he said humbly.
+
+"Isn't Mrs. Bashford kind to you? Hasn't she taken pains to make you all
+feel at home?"
+
+"Well, yes, sir. But she's taken Elsie back into the house, and there's
+no work for her, there being two women in the laundry already; and she's
+told me Dutch must be given his old place in charge of the poultry; and
+both being Germans, you will recall."
+
+"It's just her kind heart, you idiot! You've all been spoiled; that's
+what's the matter with you. Elsie and Dutch are as law-abiding and
+honest as the best of you."
+
+"It causes feeling; that's all, sir."
+
+"It needn't cause it if you brace up and act like a man," I retorted.
+Then, sorry I had been so harsh, I added: "We must take good care of
+Mrs. Bashford, Antoine. It would be your old master's wish. It will do
+no harm to keep a guard at the house for the present in case your
+mysterious stranger turns up again."
+
+He couldn't have failed to note my change of tone about the unknown
+visitor, but he made no comment.
+
+"The guard's set, sir; front and rear."
+
+"While there's no danger whatever it's just as well to take no chances.
+Please tell the boys to send for me immediately at any hour of the night
+if they see any prowlers about."
+
+"Very good, sir. But if you please, sir"--he had reached the garage and
+he lingered, fingering his hat nervously--"if it wasn't for the ladies
+talking about spirits, we'd all feel better, sir. It's creepy, sir, all
+the talk about witches and ghosts, no matter what names you call 'em
+by."
+
+"You're far from being a fool, Antoine. Those ladies just play at
+believing in such rubbish. If they really believed in ghosts, you may be
+sure they wouldn't talk about it at table before strangers like you and
+me."
+
+Though this seemed to impress him, a moment later, as I was drawing down
+the shades in my bedroom, I saw him running across the lawn like a
+frightened rabbit.
+
+
+
+
+CHAPTER III
+
+A FAN
+
+
+The morning mail brought a letter from Searles acknowledging my
+congratulations on his play. While my enthusiastic praise pleased him,
+he was very scornful of my suggestions about available stars, and seemed
+even more depressed than when he talked to me.
+
+"It's impossible for me to plan other work. 'Lady Larkspur' ate the soul
+out of me. I'm done; finished, clean out of the running. There's only
+this to report. I had a letter from Dalton saying that some time ago he
+asked at the hotel where he sent the script of 'Lady Larkspur' to know
+whether Miss Dewing had sent a forwarding address. He had to see the
+manager before he got any satisfaction, but he did learn that her
+accumulated mail had been called for by some one whose identity was not
+disclosed. Of course this isn't much to hang a hope on, but if that play
+is what I think it is and Miss Violet Dewing ever reads it she's going
+to jump for the telegraph office the moment she finishes the last act. I
+have no plans for returning East; the folks at home let me do as I
+please, and it's a relief to be in seclusion where I hear nothing of the
+doings of Broadway. I hope your ancient globe-trotting aunt still
+lingers in the Far East! Keep the ink flowing, son. That novel ought to
+be well under way when I get back."
+
+The tale I had begun seemed utter trash in comparison with the story of
+Alice Bashford, in which, much against my will, I had become a minor
+character. I had rather prided myself on my ability to see through a
+plot in the first chapter of the most complicated mystery story, but
+there were points in this unwritten tale that baffled me.
+
+I kept away from the house until dinnertime, when I was received quite
+as an old friend by Alice and Mrs. Farnsworth. The table talk was of
+Celtic poetry, and proved less disturbing to Antoine than the previous
+night's discussion of ghosts.
+
+Their day had been spent, they explained, in a further examination of my
+uncle's Japanese loot, and they had taken a long walk beyond the
+estate's boundaries and were enthusiastic about the landscape.
+
+"It's so beautifully peaceful all about here," Alice murmured. "I feel
+that I never want to move again."
+
+"That's a real tribute to America," Mrs. Farnsworth remarked; "for Alice
+dearly loves new scenes. She inherited a taste for travel from her
+father, who put some new places on the maps, you know."
+
+I didn't know and I wanted to ask questions about Alice's father, but as
+though anxious to frustrate such inquiries my aunt asked how close we
+were to the place made famous by Israel Putnam's spectacular escape from
+the British. She had read the story and would motor to the scene, she
+declared. It was quite clear that there were chapters in her life that
+were not to be opened for my perusal. No sooner had I caught a glimpse
+of a promising page than the book was politely closed. A curtain hung
+between the immediate present at Barton-on-the-Sound and other scenes
+and incidents of the girl's life; and Mrs. Farnsworth was equally
+detached from any tangible background. It seemed that I might meet them
+daily for the rest of my life in this same friendly fashion without
+adding a particle to my knowledge of them.
+
+I became alert immediately when, as we rose from the table, Alice said,
+with the air of asking an unimportant favor:
+
+"We were speaking last night of a man who has been asking for us here.
+His visits have alarmed the servants, but there is nothing to fear from
+him. You know"--she smiled at Mrs. Farnsworth--"it's rather he who seems
+to fear us; that, at least, is our impression, though we have no idea
+why he should do so. Still, it's rather good fun to find yourself an
+object of special attention and to be followed, even pursued. We've even
+led him on a little, haven't we, Constance?"
+
+Mrs. Farnsworth laughingly admitted that they had led the gentleman on a
+trifle, "but with all circumspection," she protested.
+
+"We met him here and there in Tokyo, and later were surprised to find
+him crossing on our steamer. We threw him off in the Canadian Rockies,
+where we stopped for a day, and eluded him in Chicago, where he was
+evidently lying in wait for us."
+
+"Delightful!" I exclaimed.
+
+"But please don't get the idea that the man annoys us," interposed Mrs.
+Farnsworth.
+
+"Far from it!" cried Alice.
+
+"You've seen enough of us perhaps to understand that we enjoy little
+adventures," said Mrs. Farnsworth. "The man pretends to be interested in
+Mr. Bashford's art treasures. Antoine's story about the disguise is
+rather against that; but we will give him the benefit of the doubt. What
+we are hoping is that something really amusing may come of his
+persistent pursuit. With you and the army of servants here we feel
+perfectly safe; so we're for giving him every chance to show his hand."
+
+"He is the Count Giuseppe Montani," said my aunt, "who represents
+himself as a connoisseur--a lover of the beautiful."
+
+"The mystery is solved! It is easy to understand why he has haunted the
+place."
+
+"Yes; quite easy. Count Montani is very anxious to see the porcelains."
+
+"I wasn't referring to the pottery; but I shan't press the matter."
+
+"I advise you not to; your remark was highly improper from a nephew to
+an aunt! I have told you about all I know of this Italian gentleman. I
+am going to ask a favor. He telephoned from Stamford this afternoon to
+know whether we had arrived, and I bade him call to-night. I should be
+glad if you would remain until he leaves. I should like to know what you
+make of him."
+
+"Certainly," I assented, pleased that she had taken me into her
+confidence and deeply curious as to the Italian connoisseur. What she
+had told so frankly and plausibly did not, however, touch upon the
+matter of the interest shown by the American State Department in my
+aunt's arrival at Barton, which troubled me much more than the antics of
+the Italian who had followed the women across the Pacific.
+
+Count Montani arrived shortly and was received in the drawing-room. The
+ladies greeted him with the greatest cordiality. As he crossed the room
+I verified the limp and other points of Antoine's description. His
+bearing was that of a gentleman; and in his very correct evening dress
+he hardly looked like a man who would disguise himself and attempt to
+rob a house. He spoke English all but perfectly and proceeded at once to
+talk a great deal.
+
+"I was sad when I found I had so narrowly missed you at Seattle, and
+again at Chicago. You travel far too rapidly for one of my age!"
+
+His age might have been thirty. He was a suave, polished, sophisticated
+person. Nothing was more natural than that he should pause in his
+travels to call upon two agreeable women he had met on a Pacific
+steamer. Possibly he was in love with Alice Bashford; this was not a
+difficult state of heart and mind for a man to argue himself into. She
+was even more strikingly beautiful to-night than I had thought her
+before. She was again in white--it was only in daytime that she wore
+black--and white was exceedingly becoming to her. As we talked she plied
+listlessly a fan--a handsome trinket of ostrich plumes. A pretty woman
+and a fan are the happiest possible combination. There is no severer
+test of grace than a woman's manner of using a fan. A clumsy woman
+makes an implement of this plaything, flourishing it to emphasize her
+talk, or, what is worse, pointing with it like an instructor before a
+blackboard. But in graceful hands it is unobtrusive, a mere bit of
+decoration that teases and fascinates the beholder's eye.
+
+With all his poise and equanimity I was distinctly conscious that
+Montani's dark eyes were intent upon the idly swaying fan. I thought at
+first it was her hands that interested him as they unfailingly
+interested me, but when, from time to time, she put down the fan his
+gaze still followed it. And yet there was nothing novel in the delicate
+combination of ivory and feathers. I had seen many fans that to all
+appearances were just like it. Once, as she picked it up and lazily
+opened it, I saw him bend forward eagerly, then, finding that I had
+noted his eagerness, he rose, pretending that a brass screen before the
+fireplace had caught his eye and asked whether it was not a Florentine
+production, which shook my faith in his connoisseurship, as I had bought
+the thing myself from a New York brassworker who had made it to my
+order.
+
+Montani spoke of the porcelains. "Oh, to be sure! They don't show to
+best advantage in electric light, do they? But I can have a few of the
+prize pieces taken into the dining-room," said Alice.
+
+Mrs. Farnsworth had excused herself to finish a letter, and from my
+chair I could see her head bent over the big desk in the library. Alice
+rang for Antoine, and I followed her into the hall to offer my aid.
+
+"Oh, don't trouble," she said. "Antoine can do anything necessary. Yes;
+thanks; if you will turn on the dining-room lights."
+
+I was gone hardly half a minute. When I reached the drawing-room door
+Montani had crossed the room to the table on which Alice had dropped the
+fan and was examining it closely. He faced the door, and the moment he
+detected me exclaimed carelessly: "An exquisite little bauble! I am
+always curious as to the source of such trifles. I was looking for the
+maker's imprimatur. I know a Parisian who is the leading manufacturer of
+the world. But it is not his, I see."
+
+As we stood talking of other things he plied the fan carelessly as
+though for the pleasure of the faint scent it exhaled, and when Alice
+called us he put it down carefully where he had found it.
+
+He really did seem to know something about ceramics and praised, with
+lively enthusiasm, the pieces that had been set out on the table. One
+piece, as to whose authenticity my uncle had entertained serious doubts,
+Montani unhesitatingly pronounced genuine and stated very plausible
+reasons for his opinion.
+
+On the whole, he was an interesting fellow. When he had finished his
+inspections he lingered for only a few minutes and took his leave,
+saying that he was spending the night at an inn near Stamford.
+
+"Well," said Alice when the whir of his machine had died away, "what do
+you think of him?"
+
+"A very agreeable gentleman," I answered. "If he doesn't know
+porcelains, he fakes his talk admirably."
+
+"And as to fans--" suggested Mrs. Farnsworth.
+
+I had not intended to mention Montani's interest in Alice's fan, and the
+remark surprised me.
+
+"Oh, I saw it all from the library," laughed Mrs. Farnsworth. "My back
+was to the door, but I was facing a mirror. The moment you and Alice
+went into the hall he pounced upon the fan--pounced is the only word
+that describes it. He concealed his interest in it very neatly when you
+caught him examining it."
+
+"Fans are harmless things," said Alice, "and if there's any story
+attached to this one I'm not aware of it. My father bought it in Paris
+about three years ago, and it has never been out of my possession except
+to have it repaired. There's a Japanese jeweller who does wonderful
+things in the way of repairing trinkets of every kind. I left it with
+him for a few days. I can't tell now which panel was broken, he did his
+work so deftly."
+
+I took it from her and balanced it in my fingers. It was a beautiful
+piece of workmanship with the simplest carvings on the ivory panels.
+
+"He couldn't have seen it anywhere before to-night," observed Alice
+musingly. "In fact, I hadn't used it at all for a year. It was really by
+mistake that my maid put it into my trunk when I went to Japan. I
+didn't want to risk breaking it again, so I've been carrying it in a
+hand-bag. The last day we were in Tokyo I think I had it in our
+sitting-room in the hotel, to make sure it wasn't jammed into the trunk
+again. We had a good many callers--a number of people came in to bid us
+good-by, but I'm sure Count Montani was not among them, and it would
+have been impossible for him to see it at any other time."
+
+"Oh, there is nothing disturbing in the count's interest in the thing,"
+said Mrs. Farnsworth with an air of dismissing the matter. "If it were a
+Jade trinket inscribed with Chinese mysteries, you might imagine that it
+would be sought by some one--I have heard of such things--but Alice's
+fan has no such history."
+
+"We weren't very hospitable," said Alice. "I might have asked Count
+Montani to dine with us to-morrow; and we might even have put him up for
+the night in this vast house."
+
+"Not with Antoine on the premises!" I exclaimed. "Antoine is convinced
+that the man is what we call in America a crook. And Antoine takes his
+responsibilities very seriously."
+
+While I was breakfasting at the garage the next morning Antoine appeared
+and, waiting until Flynn was out of hearing, handed me a slip of paper.
+
+"That's a New York automobile number," he said. "It was on the tag of
+that machine the party came in last night. I heard him saying, sir, as
+how he had motored up from the Elkton Inn at Stamford. Visitors from
+Stamford would hardly send in to the city for a machine."
+
+I bade him wait while I called the Elkton by telephone. No such person
+as Giuseppe Montani had spent the night there or had been a guest of the
+house within the memory of the clerk. Antoine's chest swelled at this
+confirmation of his suspicions.
+
+"If the man returns, treat him as you did last night--as though he were
+entitled to the highest consideration."
+
+"He won't come back--not the same way," said Antoine. "He mentioned the
+Elkton just to throw you off. The next you hear of him will be quite
+different."
+
+"You mean he'll come as a burglar?"
+
+"That's what's in my mind, Mr. Singleton. Everything seems very queer,
+sir."
+
+"Such as what, Antoine?"
+
+"The widow has been telegraphing and telephoning considerable, sir."
+
+"There must be no spying upon these ladies!" I admonished severely. "All
+the people on the place must remember that Mrs. Bashford is mistress
+here, and entitled to fullest respect."
+
+He had hardly gone before Torrence had me on the wire to hear my report
+and to say that Raynor had left Washington for a weekend in Virginia.
+
+"That lets us out for a few days, but I'll have to report that Mrs.
+Bashford is at Barton the moment I learn that he is back in Washington."
+
+I assured him that nothing had occurred to encourage a suspicion that
+Mrs. Bashford was not all that she pretended to be. The day was marked
+by unusual activities on the part of the waiters and bell-hops. Instead
+of the company drills to which I had become accustomed they moved about
+in pairs along the shore and the lines of the fences. I learned that
+Antoine had ordered this, and the "troops" were obeying him with the
+utmost seriousness. The "service" on the estate was certainly abundant.
+It was only necessary to whistle and one of the Tyringham veterans would
+come running.
+
+In spite of the complete satisfaction I had expressed to Torrence as to
+the perfect integrity and honest intentions of the two women, the
+curiosity of the American State Department and the visit of Montani
+required elucidation beyond my powers. At dinner they were in the
+merriest humor. The performances of the little army throughout the day
+had amused them greatly.
+
+"How delightfully feudal!" exclaimed Alice. "Really we should have a
+moat and drawbridge to make the thing perfect. Constance and I are the
+best protected women in the world!"
+
+We extracted all the fun possible from the idea that the estate was
+under siege; that Alice was the chatelaine of a beleaguered castle, and
+that before help could reach us we were in danger of being starved out
+by the enemy. They called into play the poetry which had so roused
+Antoine's apprehensions, and their talk bristled with quotations. Alice
+rose after the salad and repeated at least a page of Malory, and the
+Knights of the Round Table having thus been introduced, Mrs. Farnsworth
+recited several sonorous passages from "The Idyls of the King." They
+flung lines from Browning's "In a Balcony" at each other as though they
+were improvising. The befuddlement of Antoine and the waiter who
+assisted him added to the general joy. They undoubtedly thought the two
+women quite out of their heads, and it was plain that I suffered greatly
+in Antoine's estimation by my encouragement of this frivolity. Mrs.
+Farnsworth walked majestically round the table and addressed to me the
+lines from Macbeth beginning:
+
+ "Glamis thou art, and Cawdor; and shalt be What thou art promised,"
+
+while Antoine clung to the sideboard listening with mouth open and eyes
+rolling.
+
+Later, in the living-room, Alice sang some old ballads. She was more
+adorable than ever at the piano. It was a happiness beyond any in my
+experience of women to watch her, to note the play of light upon her
+golden head, to yield to the spell of her voice. Ballads had never been
+sung before with the charm and feeling she put into them; and after
+ending with "Douglas, Douglas," she responded to my importunity with
+"Ben Bolt," and then dashed into a sparkling thing of Chopin's, played
+it brilliantly and rose, laughingly mocking my applause.
+
+I left the house like a man over whom an enchantment has been spoken and
+was not pleased when Antoine blocked my path: "Pardon me, sir."
+
+"Bother my pardon; what's troubling you now?" I demanded.
+
+"It's nothing troubling me, sir; not particularly. If you give me time,
+I think I'll grow used to the poetry talk and playing at being queens.
+It's like children in a family I served once; an English family, most
+respectable. But in a widow, sir----"
+
+"God knows we ought to be glad when grown-ups have the heart to play at
+being children and can get away with it as beautifully as those women
+do! What else is on your mind?"
+
+"It's about Elsie, sir." I groaned at the mention of Flynn's German
+wife. "I'm sorry, sir; but I thought I should report it. It was a man
+who came to see her this afternoon. You was out for your walk, and Flynn
+had taken the ladies for a drive, so Elsie was alone at the garage. This
+person rode in on the grocer's truck from the village, which is how he
+got by the gate. As it happened, Pierre--he was a waiter at the
+Tyringham, a Swiss, who understands German--had gone into the garage for
+a nap; he's quite old, sir, and has his snooze every afternoon."
+
+"He's entitled to it," I remarked; "he must be a thousand years old."
+
+"From what he heard Pierre thought the man a spy, sir. He wanted Elsie
+to steal something from the house, it was a fan he wanted her to take
+most particular, and it was to be done soon, to-day if she could manage.
+It was for the love of the Fatherland that he wanted her to do it. Did
+you notice, sir, that Mrs. Bashford didn't have the fan to-night? Not
+that one she carried last night."
+
+I had noticed that she had substituted a tiny Japanese fan for the one
+that Montani had inspected so eagerly. When I spoke of the change she
+had said the other was too precious for every-day use, and she meant to
+keep it locked up.
+
+"I hate to bother you, sir, knowing you----"
+
+The mention of the fan had brought me to an abrupt halt. I resented
+having the thing thrust at me in the ecstatic mood in which I had left
+the house, but the visit of the German-speaking stranger was serious,
+and Antoine knew that his story had startled me. He told me further that
+the man had carefully outlined to Elsie just how she could take
+advantage of her freedom of the house to appropriate the fan when the
+ladies were out and the servants off the second floor. She was to be
+paid for her assistance; two hundred dollars had been promised; even
+more had been suggested. Elsie and the stranger had left the garage and
+passed out of ear-shot before Elsie fully consented; but Pierre had
+given Antoine the impression that she would make the attempt.
+
+"It was to be for the Kaiser, for Germany," declared Antoine bitterly.
+"And she was to be careful about Flynn. I always thought Flynn was
+straight--I did indeed, sir!"
+
+"I think Flynn and his wife are both honest, but we'll take no chance.
+Warn the guards to be on the alert. We don't want Elsie to get the idea
+that she's being watched; so tell the men to keep away from the garage.
+I'll keep an eye on the Flynns. You go home and go to bed...."
+
+The deep calm of the country night had settled upon the shore, and the
+Flynns' quarters were perfectly tranquil. It didn't seem possible that
+an international episode was in process of incubation in that quiet
+neighborhood. I began to think that the general distrust of the German
+woman by her associates might be responsible for Pierre's story. But,
+viewed in any light, I had a duty to perform. If Elsie had visited the
+house and purloined the fan, she would be very likely to get rid of it
+as quickly as possible, and I determined to keep watch. I drew the
+blinds, got into my dressing-gown and, reinforcing the lampshade with a
+newspaper to deaden the light, proceeded to read.
+
+It was on toward one o'clock and I was dozing when a sound roused me. A
+door on the Flynn side of the hall creaked; there was silence, then I
+heard furtive steps on the stair. I snapped out my light and peered out
+of the window just as Elsie's robust figure disappeared into the
+shadows. I was about to follow when the creaking of the Flynn door was
+repeated. In a moment another peep through the shade showed me Flynn
+himself, and he, too, quickly vanished. Here was a situation indeed! If
+Elsie was keeping tryst with her co-conspirator of the afternoon and her
+husband was spying upon her, a row of large proportions was likely to
+result at any moment. I leaned from the window as far as I dared, and
+saw the woman close to the wall at the farther end of the building. The
+scene was well set for trouble, and I was wondering what I could do to
+avert a disturbance and the exposure of the foolish woman when the whole
+matter was taken out of my hands.
+
+"You fool! You scoundrel!" she bellowed in German. "That you should
+think me a plaything to commit a robbery for you! That I should steal
+from my mistress to satisfy you, you piece of swine-flesh!"
+
+I had often heard Elsie vocally disciplining her Irish husband and knew
+the power of her lungs and the vigor of her invective, but she seemed
+bent upon apprising the whole commonwealth of Connecticut of the fact
+that she was vastly displeased with the person she was addressing, who
+was certainly not Flynn. Amid sounds of a scuffle and the continuous
+outpouring of billingsgate the light over the garage door flashed on
+suddenly and disclosed Flynn in the act of precipitating himself into
+the fray. Elsie had grasped, and was stoutly clinging to a tall man who
+was trying to free himself of her muscular embrace. Her cries meanwhile
+included some of the raciest terms in the German dictionary and
+others--mouthfuls of frightfulness--that I didn't recognize.
+
+When I reached the open Flynn was dancing round the belligerents like an
+excited boxer, occasionally springing in to land a blow; and all the
+while Elsie continued to address her captive and the world at large in
+her native tongue. Flynn was rather more than sixty, and Elsie was not
+much his junior, while the invader was young and agile. The man had
+loosened one arm and drawn a revolver with which he was pounding Elsie
+in the face. I knocked the gun from his hand with my walking-stick and
+shouted to Elsie to let go of him. Her shouts had roused the guards and,
+hearing answering cries and the beat of hurrying feet on the walks, he
+redoubled his efforts to escape. I had hardly got my hands on him when
+with a twist of his body he wrenched himself free and sped away in the
+darkness.
+
+I hadn't gone far in pursuit of him before I tripped over the skirts of
+my dressing-gown and fell into a bed of cannas. This would have been
+less melancholy if Flynn, hard behind, hadn't stumbled over me and,
+believing he had captured the enemy, gripped my legs until I could
+persuade him to let go.
+
+The lights now flared on all the walks and driveways, and Antoine was
+bellowing orders to the guards to surround the sunken garden. I surmised
+that the fugitive, surprised by the attack, had lost his bearings and
+was now far from the boundary wall back of the garage from which
+presumably he had entered the grounds. With the Sound cutting off his
+exit beyond the residence, there was a fair chance of catching him if
+Antoine's veterans were at all vigilant.
+
+I found Antoine, armed with a club and swinging a lantern, majestically
+posed at the nearer entrance to the garden. With a swallow-tail coat
+over his night-shirt and his nightcap tipped over one ear, he was an
+enthralling figure. As he strode toward me his slippers flapped weirdly
+upon the brick walk. "There's somebody in the garden, sir," he whispered
+huskily. "The troops has it surrounded." No general in all history,
+reporting in some critical hour the disposition of his army, could have
+been more composed.
+
+"You have done well, Antoine. Shall you dig in until morning or go over
+the top now?"
+
+"As you say, sir. It's better you should take charge."
+
+I walked round the garden and found his men well distributed, but the
+old fellows were exceedingly nervous. "It's a bit suspicious, sir, that
+he broke for the garden," remarked Antoine.
+
+"He broke for the garden," I suggested, "because his line of retreat was
+cut off and he had to go somewhere."
+
+"It's queer, though, sir, when Dutch has been sleeping on the long bench
+down there by the fountain. You know how we feel about him, sir, he
+being of that race."
+
+"Dutch told me he was camping in the tool-house," I answered.
+
+"The boys drove him out, sir, and he took to the garden."
+
+"Nasty of the boys, I should say. If that interloper should murder
+him----"
+
+A yell rose from the midst of the garden, followed by a crash and an
+instant later by a splash that interrupted another yell. I snatched
+Antoine's lantern and ran down the steps toward the scene of commotion.
+When I reached the circular pool the jet was still playing gayly, but
+the waters on one side were in furious agitation. Two men were rolling
+and tumbling about as though bent upon drowning each other. I swung the
+lantern over them just as Dutch got upon his feet, gripping his
+antagonist by the collar. He flung him backward over the stone curbing
+of the pool and fell upon him in the walk with a swish of wet garments.
+The guards from the outer edges of the garden had clambered down and
+they gathered about us as I began questioning Dutch.
+
+Dutch, undoubtedly enjoying his victorious encounter, was tearing open
+the prostrate captive's collar to give him air and with his knees
+clamping the man's body was disposed to delay the story of his
+adventures to increase its dramatic effect.
+
+"It happens this evenin'," he began, spouting water, "that I seen Elsie,
+who's been sneakin' me meals to the old stables, an' she says to me:
+'Dutch,' she says, 'they's all ag'in us here, callin' us Huns, an' we
+gotta show 'em we's good Americans,' she says. An' she tole me a feller
+been to see 'er 'at wanted 'er to rob the house fer 'im, he thinkin' 'er
+likely to do ut fer love o' the Kaiser. She said as 'ow she'd nail 'im
+when he comes to-night to git a fan she's promised to lift fer 'im. She
+said that'd prove she wasn't no Dutchwoman and recommended if I got the
+chance to do the same. I thought nothin' wuz goin' to happen an' wuz
+sleepin' on me bench here in the garden when the hollerin' at the garage
+woke me up. I sits quiet, listenin' an' this guy drops into the garden
+an' wuz crawlin' past me bench an' I pinches 'im. He wuz fer havin' a
+fight, an' we knocks over one of the big urns an' lit in the tank. He
+says it's a thousand bones an' ye turn me loose, he says, an' I soused
+'im ag'in fer that."
+
+The man was still choking from the sousings and Dutch turned him over
+and pounded him vigorously on the back, assisted by Zimmerman, the
+obliging valet, who had seized the occasion to show his hand on the side
+of the Allies. "Shall I telephone for the Barton police, sir?" asked
+Antoine with an extreme exaggeration of his professional manner.
+
+This obviously was the thing to do, but I feigned not to hear the
+question while I debated the matter. It was plain that many things
+relating to the capture were veiled in mystery: that if Mrs. Bashford
+and her companion were involved in an international tangle and had in
+their possession something that vitally concerned the nations at war,
+common chivalry demanded that I handle the arrest of Montani's agent in
+such manner as to shield them. I was thinking hard and in my perplexity
+even considered sending a messenger for Torrence; but he was already
+suspicious and would be very likely to summon Raynor immediately and
+precipitate a crisis I was not prepared to face. To invite the attention
+of the American State Department to the increasingly complex situation
+would not be giving my aunt the chance I meant she should have to clear
+herself.
+
+The captive had got upon his feet and stood dazedly staring at us. He
+refused to answer my questions, even when I suggested that if he could
+give a satisfactory account of himself he would be released. He only
+doggedly shook his head. When I asked if he had been hurt in his bout
+with Dutch he smiled and extended his arms in denial. He was a very
+decent-looking fellow, blue-eyed and smooth-shaven, who seemed to accept
+his plight with a degree of good humor.
+
+I decided that as nothing would be gained by sending him to the Barton
+calaboose that night, I would assume the responsibility of detaining
+him until I had groped my way through the haze of suspicions and
+circumstances that enveloped him.
+
+"Get some dry clothes for this man and lock him up in the tool-house. Be
+sure he has blankets, and you'd better give him some hot coffee."
+
+The captive manifested relief at my decision and broke his silence to
+thank me, which he did in very good English. His submissiveness only
+deepened my perplexity, but I couldn't help laughing as he walked away
+surrounded by the "troops," with Dutch leading the way--Dutch fully
+conscious that he had vindicated himself and disposed to be rather
+disdainful of his comrades.
+
+I hurried to the house, where I found Alice and Mrs. Farnsworth
+ministering to Elsie, who had been taken there by their order. Elsie,
+sharing with Dutch the honors of the night, lay on a davenport, where
+she had received first aid. Alice rose from her knees as I entered,
+gathering up strips of bandages, and turned to me laughingly.
+
+"Elsie's injuries are not serious; only disagreeable bruises in the
+face. There will be no scars, I'm sure. We'll keep her at the house for
+a few days until she's quite fit again. Surely any one who has
+questioned Elsie's loyalty ought to be satisfied now."
+
+"You certainly managed it very cleverly, Elsie. We're all very
+grateful."
+
+Elsie, her face covered with bandages, acknowledged my thanks by
+wiggling her foot.
+
+Mrs. Farnsworth said she would put Elsie to bed. Now, I thought, Alice
+would make some sign if she knew anything that would explain Montani and
+the prisoner in the tool-house. But the whole affair only moved her to
+laughter and she seemed less a grown woman than ever in her white robe.
+My efforts to impress her with the seriousness of the attempt to secure
+the fan only added to her delight.
+
+"How droll! How very droll! You couldn't possibly have arranged anything
+that would please me more! It's delicious! As you say in America, it's
+perfectly killing!"
+
+I suggested that the holding of a prisoner without process of law might
+present embarrassments.
+
+"I know," she cried, clapping her hands joyfully. "You mean we are
+likely to bump into dear old _habeas corpus_! The sheriff will come and
+read a solemn paper to you and you will have to hie you to court and
+produce the body of the prisoner. That will be splendid!"
+
+"It won't be so funny if----"
+
+I was about to say that the humor of the thing would be spoiled somewhat
+if she were made a witness and there proved to be something irregular
+about the fan which had caused all the trouble, but I hadn't the heart
+to do it. To spoil such merriment as bubbled in her heart would be
+cruel--an atrocity as base as snatching a plaything from a joyous child.
+
+"Constance and I so love the unusual--and it is so hard to find!" she
+continued. "And yet from the moment I reached the gates of these
+premises things have happened! Nothing is omitted! Strange visitors;
+fierce attacks upon our guards, and still the mystery deepens in the wee
+sma' hours, with heroes and heroines at every turn! To think that that
+absurd little Dutch was asleep in the garden and really captured the
+spy or whatever he is! But you are a hero too! You shall be decorated!"
+
+She walked to a stand and pondered a moment before a vase of roses,
+chose a long-stemmed red one and struck me lightly across the shoulder
+with it.
+
+"Arise, sir knight! You should have knelt, but to kneel in skirts
+requires practice; you could hardly have managed in that monk's robe."
+
+I couldn't be sure whether she was mocking me or whether there was
+really liking under this nonsense. I was beyond the point of being
+impatient with her. I was helpless in her hands; she would do with me as
+she willed, and it was my business to laugh with her, to meet her as
+best I could in the realm of folly.
+
+"You must go!" she exclaimed suddenly. "Constance will be calling down
+the stairs for me in a moment."
+
+"To-morrow--" I began. The wistful look she had at times came into her
+eyes as she stood in the centre of the room, playing with the flower.
+
+"To-morrow," she repeated, "and then--to-morrow!"
+
+"There must be endless to-morrows for you and me," I said, and took the
+flower from her hand. The revery died in her eyes, and they were awake
+with reproach and dismissal. At the door I looked back. She hadn't moved
+and she said, very quietly, but smiling a little: "Nothing must happen
+to make me sorry I came. Please remember!"
+
+
+
+
+CHAPTER IV
+
+PURSUING KNIGHTS
+
+
+I didn't sleep until near daybreak, and was aroused at nine o'clock by
+Flynn, who appeared at the door in his chauffeur's togs, carrying a
+tray.
+
+"The wife didn't come back, sorr, but I made coffee and toast. Sorry to
+waken you, but I'm takin' the new car into the city."
+
+I sat up and rubbed my eyes.
+
+"Who's going to the city?" I demanded.
+
+"The ladies is goin' at once, sorr. They sent orders an hour ago to be
+ready with the new machine. Orders was to take my bag; it looks like I'd
+be gone the night. I'm late and you'll have to excuse me, sorr."
+
+I sprang out of bed and plied him with questions, most of which he was
+unable to answer. I did, however, extract from him the information that
+nothing had occurred after I retired for the night that could have
+alarmed the women at the residence and prompted this abrupt departure.
+There was no reason why Alice shouldn't run to town if it pleased her to
+do so, and yet it was odd that she hadn't mentioned the matter. Flynn
+hurried away, and from the window I followed the car's course to the
+house, and a moment later caught a glimpse of it on its way to the
+gates.
+
+I was shaving when Antoine appeared, pale from the stirring incidents of
+the night.
+
+"I suppose you know, sir," he said, straightening the coffee-pot on the
+tray in an attempt to conceal his emotions.
+
+"When did you first hear that the ladies meant to leave to-day?" I
+shouted with a flourish of the razor. "If you knew it last night and
+didn't tell me----"
+
+"I heard it, incidental-like, at breakfast this morning. There was a
+night letter, sir, read by the agent at Barton to the mistress quite
+early, sir. I can't tell you what it was, sir."
+
+"Did they seem alarmed or depressed; was there anything to indicate
+whether they had bad news?"
+
+"They seemed quite merry over it, sir. But you know their goings-on,
+which I never understand, sir. For all I know it may be a death in the
+family; you'd never tell it from their actions. You will pardon me for
+remarking it again, sir; but, considering that they're ladies, their
+actions and goings-on is most peculiar."
+
+"As to luggage, I hope you had the intelligence to note whether they
+went for a long stay?"
+
+"Only the suitcases that fits into the rack of the machine. Louise
+thought they might be going for a week, maybe."
+
+This was all I got out of him. Mrs. Bashford and Mrs. Farnsworth had
+flown, giving no hint of the length of their absence. They had slipped
+away and left me with a prisoner that I didn't know what to do with;
+with an inquiry by the American Department of State hanging over me;
+with Torrence to reckon with, and, in general, a muddled head that only
+a vast number of lucid explanations could restore to sanity.
+
+I called from the window to one of the gardeners who knew how to manage
+a machine and told him to be ready to drive me to the village in half
+an hour. There was an express at ten-forty, and by taking it I would at
+least have the satisfaction of being somewhere in New York when the
+runaways arrived. Antoine packed my suitcase; I am not sure that he
+didn't shed tears on my belongings. The old fellow was awed into silence
+by the rapidity with which history had been made in the past twenty-four
+hours, and clearly was not pleased by my desertion.
+
+We drove past the tool-house, where I found the prisoner seated on a
+wheelbarrow smoking a cigarette. He was no more communicative than when
+I had questioned him after his capture. He smiled in a bored fashion
+when I asked if he wanted anything, and said he would be obliged for
+cigarettes and reading-matter. He volunteered nothing as to his
+identity, and the guards said that a thorough search of the captive's
+clothing had disclosed nothing incriminating. He had three hundred
+dollars in currency (this was to cover Elsie's bribe money, I
+conjectured), a handkerchief, a cigarette-case, and a box of matches. I
+directed that he be well fed and given all the reading-matter he
+wanted, and hurried on to catch my train.
+
+The futility of my errand struck me hard as I felt the city surging
+round me. Without a clew to work on, I was utterly unlikely to find the
+two women, and even if I should stumble upon them, in what way could I
+explain my conduct in following them? I was visited also by the
+discouraging thought that New York might not, after all, be their
+destination.
+
+Flynn was a capable but cautious driver, and they would hardly reach
+town before five o'clock. I took a room at the Thackeray Club and
+pondered carefully whether, in spite of my misgivings, I hadn't better
+see Torrence and tell him all that had happened since his call on Mrs.
+Bashford. If there was any chance of doing the wrong thing in any matter
+not prescribed in the laws governing the administration of estates, he
+would be sure to do it; but I was far from satisfied with the results of
+my own management of affairs at Barton. I finally called up the trust
+company and learned that Torrence was in Albany attending the trial of a
+will case and might not be in town for a couple of days. His secretary
+said he had instructions to wire my daily report to Albany. I told him
+there had been no developments at Barton, and went out and walked the
+Avenue. Inquiries at hotels large and small occupied me until seven
+o'clock. No one had heard of a Mrs. Bashford or a Mrs. Farnsworth. My
+inspection of the occupants of several thousand automobiles proved
+equally fruitless. I ate a lonely dinner at the club and resumed my
+search. Hanging about theatre doors, staring at the crowd, is not a
+dignified occupation, and by nine o'clock, having seen the most belated
+theatre-goers vanish, I was tired and footsore. The flaming sign of
+Searles's "Who Killed Cock Robin?" over the door of the "As You Like It"
+caught my eye. I bought a seat--the last in the rack--and squeezed into
+my place in the middle of the last row. As I had seen the piece at least
+a dozen times, its novelty was gone for me, but the laughter of the
+delighted audience was cheering. The first act was reaching its
+culmination, and I watched it with a glow of pride in Searles and his
+skilful craftsmanship.
+
+As the curtain fell and the lights went up amid murmurs of pleasure and
+expectancy, I glanced across the rows of heads with awakened interest.
+"Who Killed Cock Robin?" had been praised with such unanimity that if
+Alice were in any playhouse that night I was as likely to see her in the
+"As You Like It" as anywhere.
+
+The half-turned face of a man three rows in front of me suddenly caught
+my attention. There was something curiously familiar in his outlines and
+the gesture with which, at the moment, he was drawing his handkerchief
+across his forehead. I judged that he too had come late, for he now
+removed his topcoat and thrust his hat under the seat. It was
+Montani--beyond any question Montani--and I instinctively shrank in my
+seat and lifted my programme as he turned round and swiftly surveyed the
+rows behind him.
+
+I watched his black head intently until I remembered the superstition
+that by staring at a person in a public place you can make him look at
+you. Montani knew a great many things I wanted to know, but I must have
+time to adjust myself to the shock of his propinquity. I satisfied
+myself that he was alone and as he continued to mop his face I judged
+that he had arrived in some haste. The house now took note of a stirring
+in one of the boxes. There was an excited buzz as the tall form and
+unmistakable features of Cecil Arrowsmith, the English actor, were
+recognized. I had read that day of his arrival in New York. With him
+were two women. My breath came hard and I clutched the iron frame of the
+seat in front of me so violently that its occupant turned and glared.
+
+The trio settled into their places quickly, but not before I had
+satisfied myself that Arrowsmith's companions were Alice and Mrs.
+Farnsworth. As they fell into animated talk I saw that Alice was in her
+gayest humor. The distinguished tragedian seemed greatly amused by what
+she was saying to him.
+
+"Must be members of Arrowsmith's company," one of my neighbors remarked.
+"They open in two weeks in Shakespearian repertoire."
+
+Montani had half risen, the better to focus an opera-glass on the box.
+The gong solemnly announced the second act, and Alice moved her chair to
+face the stage. Once more Montani scanned the party with his glass. As
+the lights faded Alice, with the pretty languorous gesture I so well
+remembered, opened her fan--the fan of ostrich plumes, that became a
+blur of white that held my eye through the dusk after the curtain rose.
+
+Alice, Montani, and the fan! To this combination I had now to add the
+new element introduced into the situation by the apparent familiar
+acquaintance of Alice and Mrs. Farnsworth with Cecil Arrowsmith. And
+yet, as the play proceeded on its swift-moving course, I reasoned that
+there was nothing extraordinary in their knowing the eminent actor. He
+had long been a personage in England and had lately been knighted. Their
+appearance with him at the theatre really disposed of the idea that they
+might be impostors. The presence of Arrowsmith had put zest into the
+company, and I hadn't seen a better performance of Searles's play. The
+trio in the box joined in the prolonged applause at the end of the act.
+
+As they resumed their talk Alice, it seemed, was relating something of
+moment for Arrowsmith's benefit, referring now and then to Mrs.
+Farnsworth as though for corroboration. The scene in the box was almost
+as interesting as any in the play, and the audience watched with deep
+absorption. Alice, the least self-conscious of mortals, was, I knew,
+utterly unaware of the curious gaze of the house; whatever she was
+saying with an occasional gesture of her gloved hands or a shrug of her
+shoulders possessed her completely. I thought she might be telling
+Arrowsmith of her adventures at Barton; but the length of her narrative
+was against this, and Arrowsmith's attitude was more that of a critic
+appealed to for an opinion than of a polite listener to a story. He
+nodded his head several times, and finally, as Alice, with a slight dip
+of the head and an outward movement of her arms, settled back in her
+chair, he patted his hands approvingly.
+
+In my absorption I had forgotten Montani's existence, but as the third
+act began I saw that he had gone. Whether I should put myself in Alice's
+way as she left the theatre was still an undetermined question when the
+play ended. With Montani hanging about I felt a certain obligation to
+warn her that he had been watching her. I was among the first to leave,
+and in the foyer I met Forsythe, the house manager, who knew me as a
+friend of Searles.
+
+"You notice that we're still turning 'em away," he remarked. "We don't
+have to worry about this piece; everybody who sees it sends his friends
+the next day. Searles hasn't looked in for some time; hope he's writing
+a new play?"
+
+"He's West visiting his folks. Don't know when he'll be back," I
+answered. "I must write him that Sir Cecil Arrowsmith enjoyed 'Who
+Killed Cock Robin?' just as much as common mortals."
+
+Forsythe had paused at the box-office, and in my uncertainty I stuck to
+him as the crowd began to surge by.
+
+Arrowsmith's approach was advertised by the peculiar type of tall hat
+that he affected, and the departing audience made way for him, or hung
+back to stare. At his left were Alice and Mrs. Farnsworth, and they must
+pass quite close to me. "Who Killed Cock Robin?" was a satisfying play
+that sent audiences away with lightened hearts and smiling faces, and
+the trio were no exception to the rule.
+
+Listening inattentively to Forsythe, I was planning to join Alice when
+the trio should reach me. She saw me; there was a fleeting flash of
+recognition in her eyes, and then she turned toward Arrowsmith. She drew
+nearer; her gaze met mine squarely, but now without a sign to indicate
+that she had ever seen me before. She passed on, talking with greatest
+animation to Arrowsmith.
+
+"Well, remember me to Searles if you write him," I heard Forsythe
+saying. I clutched his arm as he opened the office door.
+
+"Who are those women?" I demanded.
+
+"You may search me! I see you have a good eye. That girl's rather nice
+to look at!"
+
+Crowding my way to the open, I blocked the path of orderly, sane
+citizens awaiting their machines until a policeman pushed me aside.
+Alice I saw for a bewildering instant, framed in the window of a big
+limousine that rolled away up-town.
+
+I had been snubbed! No snub had ever been delivered more deliberately,
+with a nicer calculation of effect, than that administered to me by
+Alice Bashford--a girl with whom, until a moment before, I had believed
+myself on terms of cordial comradeship. She had cut me; Alice who had
+asked me at the very beginning of our acquaintance to call her by her
+first name--Alice had cut me without the quiver of a lash.
+
+I walked to the Thackeray and settled myself in a dark corner of the
+reading-room, thoroughly bruised in spirit. In my resentment I meditated
+flying to Ohio to join Searles, always my chief resource in trouble.
+Affairs at Barton might go to the devil. If Alice and her companion
+wanted to get rid of me, I would not be sorry to be relieved of the
+responsibility I had assumed in trying to protect them. With rising fury
+I reflected that by the time they had shaken off Montani and got rid of
+the prisoner in the tool-house they would think better of me.
+
+"Telephone call, sir."
+
+I followed the boy to the booth in a rage that any one should disturb my
+gloomy reflections.
+
+"Mr. Singleton? Oh! This is Alice speaking----"
+
+I clutched the shelf for support. Not only was it Alice speaking, but in
+the kindest voice imaginable. My anger passed, but my amazement at Alice
+and all her ways blinded me. If she had suddenly stepped through the
+wall, my surprise could not have been greater.
+
+"You told me the Thackeray was your usual refuge in town, so I thought
+I'd try it. Are you very, very cross? I'm sorry, really I am--Bob!"
+
+The "Bob" was added lingeringly, propitiatingly. Huddled in the booth, I
+doubted my senses--wondering indeed whether Alice hadn't a double--even
+whether I hadn't dreamed everything that had occurred at Barton.
+
+"I _wanted_ to speak to you ever so much at the theatre, but I couldn't
+very well without introducing you to Sir Cecil, and I wasn't ready to do
+that. It might have caused complications."
+
+If anything could have multiplied the existing complications, I was
+anxious to know what they were; but her voice was so gentle, so wholly
+amiable, that I restrained an impulse to demand explanations.
+
+"Are you on earth or are you speaking from paradise?" I asked.
+
+"Oh, we're in a very nice house, Constance and I; and we're just about
+having a little supper. I wish you were here, but that can't be
+arranged. No; really it can't! We shall be motoring back to Barton
+to-morrow and hope you can join us. Let us have luncheon and motor up
+together."
+
+When I suggested that I call for them she laughed gayly.
+
+"That would be telling things! And we mustn't spoil everything when
+everything is going so beautifully."
+
+Remembering the man I had locked up in the tool-house and the
+explanations I should have to make sooner or later to the unimaginative
+Torrence, I wasn't wholly convinced of the general beauty of the
+prospect.
+
+"Montani was in the theatre," I suggested.
+
+Her laughter rippled merrily over the wire. "Oh, he tried to follow us
+in a taxi! We had a great time throwing him off in the park. I'm not
+sure he isn't sitting on the curb right now watching the house
+ungraciously."
+
+"You have the fan with you; Montani jumped right out of his seat when
+you opened it in the theatre."
+
+This she received with more laughter; Montani amused her immensely, she
+said. She wasn't in the least afraid of him. Returning to the matter of
+the luncheon, she suggested the Tyringham.
+
+"You know, I want very much to see Mr. Bashford's old home and the place
+all our veteran retainers came from. At one?--yes. Good night!" ...
+
+Alice and Mrs. Farnsworth reached the Tyringham on time to the minute.
+As I had spent the morning on a bench in the park, analyzing my
+problems, I found their good humor a trifle jarring.
+
+"You don't seem a bit glad to see us," Alice complained as she drew off
+her gloves. "How can any one be anything but happy after seeing that
+delicious 'Cock Robin'! It is so deliciously droll."
+
+"I haven't," I remarked with an attempt at severity, "quite your knack
+of ignoring disagreeable facts. There was Montani right in front of me,
+jumping like a jack-in-the-box every time you flourished your fan.
+There's that fellow we've got locked up at Barton----"
+
+"Just hear the man, Constance!" she interrupted with her adorable laugh.
+"We were thinking that he was beginning to see things our way, the only
+true way, the jolly way, and here he cometh like a melancholy Jaques!
+We'll have none of it!"
+
+"We must confess," said Mrs. Farnsworth conciliatingly, "that Mr.
+Singleton is passing through a severe trial. We precipitated ourselves
+upon him without warning, and immediately involved him in a mesh of
+mystery. His imagination must have time to adjust itself."
+
+"Ah, the imagination!" sighed Alice with her wistful smile. "How little
+patience the world has with anything but the soberest facts! Why should
+we bother about that lunatic Montani or the gentleman immured in the
+tool-house? I couldn't introduce you to Sir Cecil without anticipating
+the end of our story; and I want you to keep wondering and wondering
+about us. It's all so jolly! I love it all! And really you wouldn't
+spoil it, Bob! It's dreadful to spoil things."
+
+They were spoiling my appetite; I was perfectly aware of that. I had
+ordered the best luncheon I knew how to compose, and they were doing
+full justice to it; but I was acting, I knew, like a resentful boy.
+
+"I love you that way," said Alice as I stared vacantly at my plate. "But
+you really are not making yourself disagreeable to us--really he is not,
+Constance!"
+
+Mrs. Farnsworth affirmed this. I knew that I was merely being rude, and
+the consciousness of this was not uplifting. At the luncheon hour the
+influx of shoppers gives the Tyringham a cheery tone, and all about us
+were people apparently conversing sanely and happily. The appearance of
+Uncle Bash's ghost in the familiar dining-room would have been a welcome
+diversion. I was speculating as to just what he would say about his
+widow and the whole mess at Barton when Mrs. Farnsworth addressed me
+pleadingly.
+
+"If you knew that we want you to play with us only a few days
+longer--three days, shall we say, Alice?--if you knew that then we'll
+untangle everything, wouldn't you be nice--very nice?"
+
+In spite of myself I couldn't resist this appeal. I was more and more
+impressed by the fineness, the charm of Mrs. Farnsworth. When she
+dropped the make-believe foolishness in which she indulged quite as
+amusingly as Alice, she appeared to be a very sensible person. The humor
+danced in her eyes now, but her glance was more than an appeal; it was a
+command.
+
+"If you knew that our troubles are not at all the troubles you're
+thinking about, but very different----"
+
+"Please pardon me!" I muttered humbly, and wished that Alice were not so
+bewitching in a sailor hat. It may have been the hat or only Mrs.
+Farnsworth's pleading tone that brought me to a friendlier attitude
+toward the universe and its visible inhabitants. The crowd thinned out,
+but we lingered, talking of all manner of things.
+
+"We must come in again very soon," said Alice. "And next time we shan't
+run away, which was very naughty. I suppose when you begin a story you
+just have to keep it going or it will die on your hands. That's the way
+with our story, you know. Of course it's unkind to mystify you: but you
+are in the story just as we are."
+
+My mystification was certainly deep enough without this suggestion that
+I was a mere character in a tale whose awkward beginning aroused only
+the gravest apprehensions as to the conclusion. She looked at her watch
+and continued:
+
+"I'm so absurd--really I am, in ever so many ways, that no one would
+ever put me in a book. Every one would say no such person ever existed!
+It's incredible! And so I have to pretend I'm in a story all the time.
+It's the only way I can keep happy. And so many people are in my story
+now, not only Montani and the poor fellow locked up at Barton--oh, what
+if he should escape! Constance, it would be splendid if he should
+escape!"
+
+"I don't think it would be splendid if he escaped!" I exclaimed, sitting
+up very straight at the bare thought of such a calamity. "He would
+either kill me or sue me for damages."
+
+"Oh, that wouldn't fit into the story at all! Murder and damages are so
+frightfully sordid and generally disagreeable. We must have nothing
+like that in our story."
+
+"You didn't finish your enumeration of characters," I suggested. "Is my
+part an important one or am I only a lay figure?"
+
+"My dear boy," cried Mrs. Farnsworth, "you are the hero! You have been
+the hero from the hour the story began. If you should desert us now,
+whatever should we do!"
+
+"If I'm the hero," I replied in her own key, "I shall begin making love
+to Alice at once."
+
+Alice, far from being disturbed by my declaration, nodded her head
+approvingly.
+
+"Oh, we had expected that! But you needn't be in a hurry. In a story
+like this one, that runs right on from day to day, we must leave a lot
+to chance. And there are ever so many chances----"
+
+"Not all on the side of failure, I hope?"
+
+"We _must_ be going." She laughed. I wished she hadn't that
+characteristic little turn of the head that was so beguiling!
+
+Folly rode with us all the way to Barton. If anything sensible was
+uttered on the drive, I can't recall it. Our talk, chiefly of knights
+and ladies, and wild flights from imaginary enemies, had the effect of
+spurring Flynn to perilous spurts of speed.
+
+"Flynn has caught the spirit!" cried Alice exultingly. "Haven't you,
+Flynn?"
+
+Flynn, turning to confirm this, caused the car to swerve and graze a
+truck piled high with household goods.
+
+"We may elude the pursuing knights," I suggested, "but some village
+constable may take it into his head to pinch us."
+
+"Oh, that would be lovely," cried Alice. "And we'd telegraph dear Mr.
+Torrence to come and bail us out."
+
+We reached Barton at nine o'clock and after an informal supper I
+listened to Antoine's solemn reports as I walked to the garage. The
+prisoner had made no sign, he said, and nothing had occurred during the
+day.
+
+"But there's this, Mr. Singleton, which you ought to know, sir. The old
+Tyringham people don't like the goings on here. You'll admit it's all
+mighty queer. I don't complain, sir, but some of the boys threatens to
+leave, sir. And I look at it this way, that nobody understanding what
+the spying and bribes offered and taking prisoners is all about, is most
+peculiar. We got to know where we stand, that's what it's come to, sir.
+And the widow being flighty-like and Flynn coming home and saying
+nothing, but shaking his head when we ask him where he's been--You see
+for yourself, sir, how it looks to us."
+
+What he said as to the general aspect of things was true, but I didn't
+admit that it was true. Alice had converted me to the notion that I was
+a character in a story, a plaything of fate, and I lightly brushed aside
+Antoine's melancholy plaint.
+
+"Any man of you," I said, "who leaves this property will be brought back
+and shot. Tell that to the boys!"
+
+Nevertheless, the perfect equanimity of the gentleman in the tool-house
+when I visited him the next morning shook my faith a trifle in the
+story-book features of life at Barton. He was an exemplary prisoner, the
+guards reported, and he had maintained the strictest silence in my
+absence. He ate, smoked, and read, courteously thanking the men for
+their attentions, and that was all. When I showed myself at the window
+he rose and threw down the magazine he was reading and replied
+good-naturedly to my inquiry as to how he was getting along.
+
+"I have no complaint except that the guards snore outrageously. The poor
+old chaps will sleep, you know."
+
+"If you're so badly guarded, why don't you escape?" I asked tartly.
+
+"It would relieve your mind a lot if I should disappear?" he asked
+insinuatingly.
+
+"You are impertinent," I replied, irritated that he should have surmised
+that his presence was causing me uneasiness. "If you will come to your
+senses and tell me the meaning of your visits here, we may agree upon
+terms. As it stands, you're a trespasser; you tried to bribe a servant
+to rob the house. If you're at all familiar with criminal law in this
+country, you can estimate the number of years' imprisonment that will be
+handed you for these little indiscretions."
+
+"If it's all so plain, why don't you hand me over to the authorities?"
+he asked, provokingly cool.
+
+"I'm giving you a chance to confess and tell who's back of all this.
+Tell me just why your confederate Montani is annoying Mrs. Bashford, and
+I'll turn you loose."
+
+"Perhaps, my dear sir, the motive that impels you to detain me
+unlawfully is the same that enjoins silence upon me! Please consider
+that a little."
+
+I replied that I would consider nothing short of a confession. In a
+match of wits he was fully my equal, and in the mastery of his temper he
+certainly had the best of me.
+
+"If you wait for me to confess anything, you will wait forever," he
+replied. "I repeat that we are impelled by the same motives, you and I.
+I think I needn't enlighten you as to what they are."
+
+"I shall be glad to hear your idea of my motives," I answered feebly.
+
+"I shall be frank," he replied readily. "The reason you don't turn me
+over to the police is the very simple one that you don't want to
+embarrass the mistress of the house yonder by causing the light of
+publicity to beat upon her very charming head. You wish to save her
+annoyance, and possibly something much graver. I can see that you are
+impressed; but it ought to please you to know that I share your feeling
+of delicacy where she is concerned. And let me add that the Count
+Montani is animated by like feeling. So there we are, exactly on the
+same ground!"
+
+"You haven't answered my questions!" I blustered to hide my annoyance at
+being thrust further into the dark. "You don't understand Mrs.
+Bashford," I went on hurriedly. "It is inconceivable that any one should
+wish to injure her or that she could have committed any act that would
+cause her to be spied upon. She's tremendously imaginative; she indulges
+in little fancies that are a part of her charm!"
+
+"Little fancies!" he repeated, hiding a yawn. "It's deplorable for a
+pretty woman to have an imagination; there's danger there!"
+
+"Your philosophy bores me," I said, and left him. He had lied about the
+snoring of the guards--Antoine satisfied me of that--but I gave
+instructions to double the watch.
+
+
+
+
+CHAPTER V
+
+ALICE
+
+
+I wanted to be alone and struck off for a wood that lay on the northern
+end of the estate. This was the most picturesque spot on the property, a
+wild confusion of trees and boulders. On a summit in the midst of it
+Uncle Bash had built a platform round a majestic pine from which to view
+the Sound. I mounted the ladder and was brushing the dead leaves from
+the bench when, somewhere below me and farther on, I heard voices.
+
+I flattened myself on the platform, listening intently. A stiff breeze
+from the Sound flung the voices clearly to my hiding-place, and I became
+aware that Alice and Mrs. Farnsworth were holding a colloquy in what
+seemed to be the vein of their whimsical make-believe. That they should
+be doing this in the depth of the woodland merely for their own
+amusement did not surprise me--nothing they could have done would have
+astonished me--but the tone of their talk changed abruptly.
+
+"Try it from that boulder there, Alice," said Mrs. Farnsworth. "It's an
+ideal place, created for the very purpose."
+
+I could see them moving about and hear the swish of shrubbery and the
+scraping of their feet on the rough slope.
+
+"How will that do?" asked Alice.
+
+"Beautifully," replied Mrs. Farnsworth. "Now go ahead from the beginning
+of the scene."
+
+Cautiously drawing back the branches, I espied Alice striking a pose on
+a mammoth rock. She bent forward, clasping her knees, and with an
+occasional glance at what appeared to be an open book beside her, she
+began:
+
+"You ask me who I am, my lord? It matters not at all who or what I am;
+let it suffice that berries are my food and the brook that sings behind
+me gives me drink. To be one thing or another is a weariness. Would you
+ask yonder oak for a name, or trouble the wind with like foolish
+questions? No; it is enough that a tree is strong and fine to look upon
+and that a wind has healing in its wings."
+
+With her head to one side and an arresting gesture, and throwing into
+her voice all its charm and a new compelling innocence and sweetness,
+she continued:
+
+"But you would have a name? Then, O foolish one, so much I will tell
+you: Yesterday I was Helen, who launched a thousand ships and shook the
+topless towers of Ilium. To-day I am Rosalind in the forest of Arden,
+and to-morrow I may be Antigone, or Ariel or Viola, or what you will. I
+am what I make myself or choose to be. I pray you, let that suffice."
+
+My face was wet with perspiration, and my heart thumped wildly. For
+either I was stark, staring mad, or these were lines from Searles's
+"Lady Larkspur," the manuscript of which was carefully locked in my
+trunk.
+
+"That should be spoken a trifle more slowly, and with the best air of
+unpremeditatedness you can put into it," Mrs. Farnsworth was saying.
+"You can work it out better when you've memorized the lines. It's
+immensely effective having the last scene come back to the big boulder
+on the mountainside. Let me look at that a minute."
+
+She took up the manuscript--there was no question of the blue cover of
+my copy of "Lady Larkspur"--and turned to the passage she sought.
+
+"Let me read this over," Mrs. Farnsworth continued: "'I have played, my
+lord, at hide-and-seek with the stars, and I have run races with the
+brooks. You alone of all that have sought me are equally fleet of foot
+and heart! If you but touch my hand, I am lost forever. And this hand--I
+beg you look at it--is as brown as a berry and as rough as hickory bark.
+A wild little hand and not lightly to be yielded at any man's behest.
+Look at me carefully, my lord.' She rises to full height quickly. Let me
+see you do that, Alice."
+
+Alice's golden head became more distinctively visible as she stood erect
+upon the boulder.
+
+"Oh, no! You can improve on that; it must be done lightly and quickly,
+just touching the tips of your fingers to the rock. Ah, splendid! Now
+stand with one hand dropped upon the hip--let me see how that looks.
+Very good; now repeat these lines after me. 'This other world, of which
+you speak?' Shake your head slowly, frowning; every hint of sincere
+doubt and questioning you can throw into look and gesture. 'Is it a kind
+world, a place of honest hearts? You have spoken of cities, and crowded
+avenues, of music and theatres and many things I have read of but never
+seen. You promise me much, but what should I do in so vast a company? I
+am very happy here. Spring and summer fill my hands with flowers and in
+winter I lay my face to the wind that carries sleet and snow. All this
+is mine.' Arms stretched out. You mustn't make that stiff--very good.
+'Earth and sky and forest belong to me. The morning comes down the sky
+in search of me and the tired day bids me good-night at the western
+gate. You would change rags for silk.' You turn your body and catch your
+skirt in your hands, looking down. Yes; you are barefoot in this scene.
+You'll have to practise that turn. Now--'And yet I should lose my
+dominion; in that world you boast of I should no more be Lady
+Larkspur.'"
+
+Alice had repeated these lines, testing and trying different
+modulations. Sometimes a dozen repetitions hardly sufficed to satisfy
+Mrs. Farnsworth, who herself recited them and postured for Alice's
+instruction.
+
+"Please read the whole of the second act again," said Alice, seating
+herself on the boulder. I waited for a few minutes, enjoying the
+beautiful flow of Mrs. Farnsworth's voice, then, mystified and awed, I
+crept down the ladder and stole away. "It's Dick Searles's play," I kept
+whispering to myself. It was the "Lady Larkspur" that he was holding
+back until he could find the girl who had so enchanted him in London and
+for whom he had written this very comedy with its setting in the
+Virginia hills.
+
+Hurrying to the garage, I snarled at Flynn, who said Torrence had been
+calling me all morning and had finally left word that he would motor to
+Barton at eight the next evening to see me on urgent business. I
+unlocked my trunk and dug out my copy of "Lady Larkspur." Not even the
+wizardry of Alice and her friend could have extracted the script. The
+two women had in some way possessed themselves of another copy, an exact
+duplicate, even to its blue paper cover; and I sat down and began
+recalling everything Searles had told me about his efforts to find the
+actress.
+
+The telephone on the table at my elbow rang until Flynn came in timidly
+to quiet it.
+
+"If it's Mr. Torrence--" I began.
+
+"It's the Barton station, sir. There's a telegram." I snatched the
+receiver spitefully, thinking it only the methodical Torrence confirming
+the appointment made by telephone. But the operator began reading:
+
+ "SPRINGFIELD, OHIO, September 30, 1917.
+
+ "Cable from London agent says last forwarding address for Violet
+ Dewing was hotel in Seattle. Please ask Harkaway & Stein and anybody
+ else on Broadway who might know what companies are on coast or
+ headed that way. I find no clew in theatrical papers and don't want
+ to mess things by making inquiries direct. If party can be located,
+ will start West immediately.
+
+ "SEARLES."
+
+The thought of Searles was comforting, and I reproached myself for not
+having summoned him at the beginning of my perplexities. I immediately
+dictated this reply:
+
+"Take first train East and come to me at Barton as quickly as possible.
+Hope to have news for you."
+
+I then jotted down on a scratch pad this memorandum:
+
+"The young woman representing herself as Mrs. Bashford and now
+established in my uncle's house is one or all of the following persons:
+
+ 1. Uncle Bash's widow.
+ 2. An impostor.
+ 3. A spy of some sort, pursued by secret agents.
+ 4. Violet Dewing, an actress.
+ 5. The most interesting and the loveliest and most charming girl
+ in the world."
+
+I checked off one, two, and three as doubtful if not incredible; four
+seemed possible, and five was wholly incontrovertible. But the first
+three certainly required much illumination, and the fourth I was
+helpless to reconcile with any of the others but the last. I reviewed
+Searles's enthusiastic description of the young woman who had inspired
+him to write "Lady Larkspur," and could only excuse my stupidity in not
+fitting it to Alice the first time I saw her on the ground that Barton
+was the last place in the world I should have looked for her. And then,
+with all his exuberance, Searles hadn't done her justice!
+
+The following day nothing of importance happened, though Alice and Mrs.
+Farnsworth again spent the morning in the woodland, presumably studying
+Searles's play. My thoughts galloped through my head in a definite
+formula: "If she is not my aunt--" "If she is an impostor--" "If she is
+a spy playing a deep game in the seclusion of Barton--" "If she is the
+actress Searles is seeking--" At any rate, I would respect her wish to
+play the game through; the dangers of carrying the story-book idea to
+one of half a dozen possible conclusions were not inconsiderable, but I
+was resolved that she should finish the tale in her own fashion.
+
+On my way to luncheon I passed Dutch pushing a wheelbarrow containing a
+huge hamper.
+
+"It's vittles for the prisoner, sir," he remarked. "He's some feeder,
+that guy, and I guess the sooner we shake 'im th' better. He kicks on
+th' wine, sir. Says it's questionable vintage. When he gets tired
+readin' he pokes his head through the window and kids th' boys. He says
+he's goin' to remember th' place and come back when he's old. A charmin'
+retreat fer supernumerary superannuates, he calls it. Them's his woids.
+I'm gittin' sort o' nervous havin' 'im round. Zimmerman--he's the
+clothes-presser--tried to talk Goiman to 'im this mornin' an' th' guy
+pretended like his feelin's wuz hoit, an' he never knowed th' Hun's
+language, he says. An' Elsie says she's prepared to swear he talked
+Goiman easy enough to her."
+
+"We'll consider his case later, Dutch. The matter is delicate, most
+delicate."
+
+If I had expected Searles and his play to be introduced into the
+table-talk, I was doomed to disappointment. A dozen times I smothered an
+impulse to tell Alice and Mrs. Farnsworth I had watched them in the
+woodland and of Searles's long search for the ideal of his "Lady
+Larkspur," but I was afraid to risk their displeasure. They enjoyed
+walking in the wood, they said, and when I charged them with
+selfishness in not taking me along, Alice immediately suggested a tramp
+later in the afternoon.
+
+"I'll send you away after luncheon--I have loads of letters to write,
+but by four o'clock I'll be keen for the woods again."
+
+"Letters to all my good fairies," she laughed when I went for her; "and
+you mustn't look at the addresses!" She suggested that we walk to the
+village as she liked to post her letters herself. We went through the
+woods where I had seen her the day before.
+
+"Constance and I were here this morning," she said when we reached the
+big boulder. "Let me see; I think I'll try a little trick to test the
+hand of fate. Give me those letters, please. If this falls with the
+address up, I'll mail it," and she chose one and handed me the others;
+"if the flap side turns up, I'll destroy it."
+
+She sent it spinning into the air. A branch caught and held it an
+instant, then it fell, turning over and over, and lay straight on edge
+against a weed.
+
+"No decision!" I cried. "It's an exact perpendicular."
+
+She knelt beside it, pondering. "I think it leans just a trifle to the
+address side," she announced. "Therefore you may return it to your
+pocket and it goes into the post-office."
+
+"These letters would probably answer a lot of questions for me if I
+dared run away with them," I suggested.
+
+"The thought does you no credit, sir. You promised not to meddle, but
+just to let things take their course, and I must say that you are
+constantly improving. At times you grow suspicious--yes, you know you
+do--but, take it all in all, you do very well."
+
+At the post-office she dropped all the letters but one into the chute.
+"It really _did_ fall a little to the address side?" she questioned.
+
+I gave my judgment that the letter stood straight on edge, inclining
+neither way.
+
+"If my life hung in the balance, I should certainly not act where fate
+had been so timid."
+
+"Perhaps this _does_ affect you," she said, quite soberly. And there in
+the lobby of the little Barton post-office, for the first time, I
+indulged the hope that there was something more than friendliness and
+kindness in her eyes. Her usual composure was gone--for a moment
+only--and she fingered the envelope nervously in her slim, expressive
+hands. A young woman clerk thrust her head through the delivery window
+and manifested a profound interest in our colloquy.
+
+"Suppose," said Alice musingly, "I were to tell you that if I mail this
+letter the effect will be to detain me in America for some time; if I
+don't send it, I shall have to write another that will mean that I shall
+go very soon. If I stay on at Barton instead of going home to take up my
+little part again for England in the war, it will be an act of
+selfishness--just some more of my foolishness, more of the make-believe
+life that Constance and I have been living here."
+
+"I want you to stay," I said earnestly, taking the letter. "Let me be
+your fate in this--in everything that affects your life forever."
+
+She walked quickly to the door, and I dropped the letter into the chute
+and hurried after her.
+
+"You didn't turn round," I said as we started down the street. "For all
+you know, I've got the letter in my pocket."
+
+"Oh, I'm not a bit frightened! It would be just as interesting one way
+as another."
+
+"But I want you to stay forever," I declared as we waited on the curb
+for a truck to pass.
+
+"The remark is almost impertinent," she answered, "when I've known you
+only seven days."
+
+"They've been wonderful days. It really makes no difference about
+letters or your duties elsewhere. Where you go I shall certainly follow;
+that's something I should like to have understood here and now."
+
+Loitering along the beach on our way home, I was guiltily conscious that
+I was making love rather ardently to a lady who had introduced herself
+to me as my uncle's widow. The sensation was, on the whole, very
+agreeable....
+
+"Mr. Torrence and Mr. Raynor," Antoine announced as we were leaving the
+dinner-table.
+
+"Mr. Raynor?" asked Alice. "Who, pray, is Mr. Raynor?"
+
+Their arrival together chilled me, a chill increased by Torrence's
+frosty greeting as he gripped my hand angrily and hissed in my ear:
+
+"You've deceived me about this whole business! I suggest that you leave
+the room."
+
+I was walking toward the door when Mrs. Farnsworth protested.
+
+"You are not going? Alice, there is no reason why Mr. Singleton should
+leave us."
+
+"Of course he is not going," said Alice. She was established at ease in
+a wicker rocker, unconcernedly plying the ostrich-plume fan.
+
+"There may be matters----" began Torrence.
+
+"Oh, nothing that Bob can't hear!" Alice declared.
+
+"Very well," muttered Torrence, frowning his complete disapproval.
+
+He fidgeted for a moment and tried to catch Raynor's eye, but Raynor's
+face expressed amusement. I found myself liking Raynor very much.
+
+"Mr. Raynor told me that he wished to speak to Mrs. Bashford privately,"
+said Torrence. "If he's satisfied, I'm sure I have no objection to Mr.
+Singleton's remaining. I regret that my own duty is a disagreeable one."
+
+"Really!" murmured Alice with nicely shaded impudence.
+
+"I am convinced, beyond any question," said Torrence sharply, "that you
+are not the widow of the late Raymond B. Bashford!"
+
+"That statement," said Alice without ceasing the languid flutter of the
+fan, "is correct--quite correct."
+
+"Certainly: it is entirely true," affirmed Mrs. Farnsworth.
+
+"And your coming here as you did is, if you will pardon my frankness,
+susceptible of very disagreeable constructions. It is my painful
+duty----"
+
+He choked upon his duty until Raynor spoke, smiling broadly.
+
+"I find my duty really a privilege," he said. "Not only are you not Mrs.
+Bashford," he went on with the utmost good humor, "but you are a very
+different person. I should explain that I represent the American State
+Department, and that our government has been asked by the British
+Embassy to find you and deliver a certain message to you."
+
+"Oh, papa wants me to come home!" cried Alice. "It's droll, Constance,
+that papa should have thought of making an affair of state of us. Dear
+papa will always indulge me just so far, and then he becomes alarmed."
+
+"He's certainly alarmed now!" laughed Raynor. "But the ambassador has
+warned us to be most tactful and circumspect. You may not know that Sir
+Arnold Seabring is on his way to this country on a confidential mission.
+That, of course, is not for publication."
+
+"Sir Arnold Seabring?" gasped Torrence.
+
+"The father of the Honorable Miss Seabring," replied Raynor with an
+elucidating nod toward Alice.
+
+"But how--" I began.
+
+"Mrs. Bashford, the widow of your uncle, is the Honorable Miss
+Seabring's aunt. Is that quite correct?"
+
+"It is all true," said Alice. "I am a fraud, an impostor. You might go
+on and say that Mrs. Farnsworth is the wife of Sir Cecil Arrowsmith. But
+all the guilt is mine. It was my idea to come here and play a little,
+because I knew Aunt Alice wouldn't mind. She knew just what I meant to
+do; really she did, Mr. Torrence! In fact, I have her written permission
+to use the house, which I should have shown you if we had got in a
+pinch. But it seemed so much more fun just to let matters take their
+course. It's a pet theory of mine that life is a dull affair unless we
+trust to luck a little. After my brother's death I was very unhappy and
+had gone out East to visit Aunt Alice, who is a great roamer. I thought
+it would be nice to stop here on the way home, just for a lark, without
+telling papa, who was frantically cabling me to hurry back to England.
+This isn't the first time I've played hide-and-seek with my family. I
+was always doing that as a child; and if it hadn't been for my general
+waywardness I should never have known you, Constance. Why, I shouldn't
+have known you, gentlemen! It has all been so delightful!"
+
+This naïve confession amused Raynor greatly, but Torrence was seeing
+nothing in it but a dangerous escapade.
+
+"In the name of the Bainbridge Trust Company, I must notify you," he
+began, "that by representing yourself as another person, entering into
+possession of a large property----"
+
+"But we've been paying all our own expenses; we haven't taken any money
+from you," pleaded Alice.
+
+"Of course you wouldn't do such a thing," affirmed Raynor. "My
+instructions are to give you any sum of money you ask. In fact, the
+Government of the United States is instructed to assume full
+responsibility for you until your father arrives. May I go on and
+clarify matters for these gentlemen, for Mr. Torrence at least is
+entitled to a full explanation?"
+
+"Constance," said Alice, turning with a little shrug to her friend, "we
+have been caught! Our story is being spoiled for us. Please go on, Mr.
+Raynor. Just what does the American State Department have to say about
+us?"
+
+"That you are endowed with a very unusual personality," continued
+Raynor, his eyes twinkling. "You are not at all content to remain in
+that station of life to which you were born; you like playing at being
+all sorts of other persons. Once, so your friend the ambassador confided
+to me, you ran away and followed a band of gypsies, which must have been
+when you were a very little girl."
+
+"I was seven," said Alice, "and the gypsies were nice to me."
+
+"And then you showed talent for the stage----"
+
+"A dreadful revelation!" she exclaimed.
+
+"But you don't know that it was really your father who managed to have
+Mrs. Farnsworth, one of the most distinguished actresses in England,
+take charge of you."
+
+"No! Alice never knew that!" said Mrs. Farnsworth, laughing. "I was her
+chaperon as well as her preceptress; but Alice's father knew that if
+Alice found it out it would spoil the adventure for her. Alice must do
+things in her own way."
+
+"You are a fraud," said Alice, "but I always suspected you a little."
+
+"Speaking of the stage," resumed Raynor, "it is also a part of my
+instructions that the Honorable Miss Seabring shall be discouraged from
+any further adventures in that direction; she's far too talented;
+there's danger of her becoming a great luminary. In other words, she is
+not to grace the boards again as Violet Dewing."
+
+Alice's brow clouded, and she turned to me. "That was settled when you
+mailed that letter for me. It was to make an appointment with an
+American playwright who wants me to appear in a most adorable comedy."
+
+"His name is Dick Searles," I said, "and he's my most intimate friend."
+
+She professed indignation when I told of my eavesdropping in the woods,
+but when I explained that I knew all about the play and Searles's
+despairing search for her she was enormously pleased.
+
+"How wonderful!" she exclaimed. "You know I told you, Constance, that if
+we really threw ourselves in the path of adventure mystery would come
+out to meet us in silken sandals."
+
+"But you will not appear in this play?" asked Raynor anxiously. "It is
+the business of the Government of the United States to see that you
+commit no further indiscretions. There is another matter which I hope
+you can clear up. You are not only a subject of concern to the British
+Embassy, but the French ambassador also has appealed to us to assist him
+in a trifling matter!"
+
+"The French ambassador?" Alice exclaimed with a surprise I knew to be
+unfeigned. "I thought the dear Montani was an Italian?"
+
+"We will continue to call him Montani, but he's a Frenchman and one of
+the keenest men in the French Secret Service. You have caused him the
+deepest anguish."
+
+"Please hurry on!" She bent forward with childish delight. "This is a
+part of the story we've been living that I really know nothing about. I
+hope it won't be disappointing!"
+
+Raynor laughed and shook his head.
+
+"It's fortunate that Montani is a gentleman, anxious to shield and
+protect you. You have a fan in your hand----"
+
+She spread it for our inspection.
+
+"A harmless trinket, but without it the adventure would have been very
+tame."
+
+"The story of the fan is in the most secret archives of Paris and
+Washington. When you were packing up in Tokyo to come home on the very
+last day before your departure a lady called on you whom you knew as
+Madame Volkoff."
+
+"That dear woman!" exclaimed Mrs. Farnsworth. "We knew her very well."
+
+"Almost too well," cried Raynor. "A cultivated woman and exceedingly
+clever, but a German spy. She had collected some most interesting data
+with reference to Japanese armament and defenses, but suspecting that
+she was being watched, she hit upon a most ingenious way of getting the
+information across the Pacific, expecting to communicate with German
+agents in America who could pick it up and pass it on to Berlin. You
+see, she thought you an easy mark. She got hold of a fan which Montani
+informs me is the exact counterpart of that one you hold. She reduced
+her data to the smallest possible compass, concealed it in her fan, and
+watched for a chance to exchange with you. The astute Montani found the
+Japanese artisan who had done the tinkering for her and surmised that
+you were to be made the unconscious bearer of the incriminating papers.
+Montani jumped for the steamer you were sailing on with every
+determination to get the fan. His professional pride was aroused, and it
+was only after he found it impossible to steal the fan that he asked our
+assistance. He's a good fellow, a gentleman in every sense, and with
+true French chivalry wanted to do the job without disturbing you in any
+way."
+
+We pressed closer about Raynor as he took the fan, spread it open, and
+held it close against a table-lamp. "The third, sixth, and ninth," he
+counted. "You will notice that those three pieces of ivory are a trifle
+thicker and not as transparent as the others. Glancing at them casually
+in an ordinary light, you would never suspect that they had been
+hollowed out, an exceedingly delicate piece of work. It's a pity to
+spoil anything so pretty, but----"
+
+He snapped the top of one of the panels, disclosing a neatly folded
+piece of thin paper.
+
+"If you are all satisfied, I will not go further. I want to deliver this
+to the French Embassy intact. I expect Montani here to-night; he will no
+doubt be enormously relieved."
+
+A machine whizzed into the driveway, and Montani came in brushing past
+the astonished Antoine, who had answered the bell.
+
+"The fan is safe," cried Raynor; "you may complete the identification."
+
+"I've handled this whole affair most stupidly," said Montani after a
+hurried examination. "I'm satisfied that a German agent in America has
+picked up the trail of the fan. One or two lines of my own
+communications failed to work, and after reporting the whole matter to
+the French Embassy I began searching for a man, the most dangerous of
+all the German spies, who had been intrusted with the business of
+recovering Madame Volkoff's fan and passing the contents on to Berlin.
+This person has been representing himself as a French secret agent; he's
+enormously plausible. I feared he might attempt what I failed to do.
+If----"
+
+Alice glanced at me, and I stepped to the wall and punched the button.
+
+"Antoine," I said, "tie the arms of the prisoner in the tool-house and
+bring him here."
+
+"A man in the tool-house!" Montani, Torrence, and Raynor ejaculated in
+concert.
+
+"Oh, yes," murmured Alice, "that's the pleasantest chapter of all. Our
+grenadiers captured a whole invading army that made a night attack--one
+of the most remarkable engagements of the present war, Mr. Torrence."
+
+"The battle of the Bell-Hops," I suggested. "The prisoner will be here
+in a moment."
+
+While we waited Montani produced a photograph, instantly recognizable as
+a likeness of our prisoner.
+
+"My reputation is saved!" he exclaimed excitedly. "That he should have
+been caught here! It is too much! I shall never forgive myself for not
+warning you of the danger. But you understand, mesdames, that I was
+sincerely anxious to recover the fan without letting you know its
+importance. When I found at Seattle and Chicago that you were travelling
+under assumed names, I was--pray, pardon me--deeply puzzled, the more
+so because I had satisfied myself in Tokyo that you were loyal
+Englishwomen, and I believed you to be innocent of complicity with
+Madame Volkoff. Why you should have changed your names, I didn't know,
+but it's not my affair now."
+
+"We saw you on the steamer and again in the hotel at Chicago. It was
+very amusing to be followed. We gave you the slip, stopped at Buffalo to
+see Niagara, and you came on here and scared the servants to death! But
+you were generous at every point," said Alice. "We changed our names so
+we could amuse ourselves here--at Bob's expense. So now I ask
+everybody's forgiveness!"
+
+The prisoner, arriving at this moment, became the centre of interest.
+Without a word Montani walked up to him, brushed back his hair, and
+called our attention to a scar on the crown of his head.
+
+"There can be no mistake. This is Adolph Schwenger, who passes as
+readily for a Frenchman as I do for an Italian. The capture is of great
+importance. I shall want the names of all the persons who assisted in
+the matter."
+
+"It isn't quite clear to me," remarked Raynor, turning to me, "why you
+held that fellow and said nothing about it. If there had been a mistake,
+it would have been just a little embarrassing for you, Singleton."
+
+"Chivalry!" Mrs. Farnsworth answered for me. "An anxious concern for the
+peace and dignity of two foolish women! I didn't know there was so much
+chivalry left in the world."
+
+An hour was spent in explanations, and Raynor declared that I must write
+a full account of the Allied army in Connecticut and the capture of the
+spy. The State archives contained nothing that touched this episode for
+piquancy, he declared; and even the bewildered Torrence finally saw the
+joke of the thing and became quite human.
+
+Raynor and Montani decided after a conference that the German agent
+should be taken to New York immediately, and I called Flynn to drive
+them down.
+
+"It's most fortunate, sir, that you sent for him just when you did!"
+announced Antoine, nearly bursting with importance. "The boys had heard
+queer sounds in the night, but could find nothing wrong. The prisoner
+had taken up the flooring at the back of the tool-house, and was
+scooping up the dirt. He'd got a place pretty near big enough to let him
+through. I suppose we ought to have noticed it, sir."
+
+"You managed the whole thing perfectly, Antoine--you and all of you."
+
+It was just as Raynor and Montani were leaving the house with the
+prisoner that we heard a commotion in the direction of the gates. I had
+sent word that no one was to be admitted to the grounds, but as I ran
+out the front door a machine was speeding madly toward the house. A
+dozen of the guards were yelling their protests at the invasion, and a
+spurt of fire preluded the booming of Zimmerman's shotgun.
+
+"Get your man into the car and beat it," I shouted to Raynor, thinking
+an attempt was about to be made to rescue the prisoner.
+
+The touring-car left just as a Barton taxi flashed into the driveway.
+The driver was swearing loudly at one of the Tyringham veterans who had
+wedged himself into the door of the machine. With some difficulty I
+extricated Scotty from his hazardous position.
+
+Searles jumped out (I had forgotten that he might arrive that night),
+but before I could greet him he swung round and assisted a lady to
+alight--a short, stout lady in a travelling cap, wrapped in a coat that
+fell to her heels. She began immediately to deliver orders in an
+authoritative tone as to the rescue of her belongings. Searles dived
+into the taxi and began dragging out a vast amount of small luggage, but
+my attention was diverted for a moment by Alice, who jumped down the
+steps and clasped her arms about the neck of the stout lady.
+
+"Aunt Alice!" I heard her saying. "Why didn't you tell us to meet you?"
+
+"Why didn't I tell you?" demanded the stout lady. "The moment you left
+me I knew I'd made a mistake in letting you come over here on one of
+your absurd larks! And from the row I had getting into the premises I
+judge that you're at your old tricks. Fired upon! Treated as though I
+were an outlaw! You shall never go out of my sight again!"
+
+"Oh, please don't scold me!" Alice pleaded and turning to me: "This is
+Bob Singleton, your nephew."
+
+Mrs. Bashford--and I made no question that Searles's companion was
+indubitably my uncle's widow--gave me her hand and smiled in a way that
+showed that she was not so greatly displeased with Alice as her words
+implied.
+
+"Pay that driver for me and don't fail to tip him. Those Methuselahs at
+the gate all but killed him. It was only the vigorous determination of
+this gentleman, who very generously permitted me to share the only motor
+at the station, that I got through the gates alive! I beg your pardon,
+but what _is_ your name?"
+
+"Mrs. Bashford," I interposed, "my friend, Mr. Searles."
+
+"Mr. Searles!" cried Alice, dropping a cage containing some weird
+Oriental bird which had been among my aunt's impedimenta. The bird
+squawked hideously.
+
+"Miss Violet Dewing, permit me to present the author of 'Lady
+Larkspur'!"
+
+Poor Torrence, clinging to a pillar for support, now revived
+sufficiently to be included in the introductions.
+
+It was a week later that Alice and I sat on the stone wall watching the
+waves, at the point forever memorable as the scene of our first talk.
+
+"Aunt Alice isn't playing fair," she said. "She pretends now that it was
+all my idea--coming over to play at being your uncle's widow, but she
+really encouraged me to do it so I could give her an impartial judgment
+of your character. I'm her only niece and her namesake, and she relies
+on me a good deal. You know she's very, very rich, and she had never any
+idea of keeping your uncle's money. She meant all the while to give it
+to you--provided she found you were nice. And she thinks you are very
+nice."
+
+"Your own opinion of me would be interesting," I suggested.
+
+She had gathered a handful of pebbles and was flinging them fitfully at
+a bit of driftwood. I wished her lips hadn't that little quiver that
+preluded laughter and that her eyes were not the haven of all the dreams
+in the world.
+
+She landed a pebble on the target before replying.
+
+"You are very nice, I think," she said with disconcerting detachment.
+"At first I was afraid you didn't like nonsense, but you really got
+through very well, considering the trouble I caused you. But I'm in
+trouble myself now. Papa will land to-morrow. He's the grandest, dearest
+man in all this world, but when he finds that I'm going to act in Mr.
+Searles's play he will be terribly cut up. Of course it will not be for
+long. Even if it's a big success, I'm to be released in three months.
+Constance and Sir Cecil think I owe it to myself to appear in the piece;
+they're good enough to say nobody else can do it so well--which is a
+question. I'm going to give all the money I earn to the blind soldiers."
+
+(I wished the tears in her eyes didn't make them more lovely still!)
+
+"Being what you are and all you are, it would be brutal for me to add to
+the number of things you have to tell your father. I'm a very obscure
+person, and he is a gentleman of title and otherwise distinguished. You
+are the Honorable Miss----"
+
+"Papa has said numbers of times," she began softly, looking far out
+across the blue Sound--"he has said, oh, very often, that he'll never
+stop troubling about me until--until I'm happily married."
+
+"When you came here you wore a wedding-ring," I remarked casually.
+
+"It was only a 'property' ring, to help deceive you. I bought it in
+Chicago. When Aunt Alice came I threw it away."
+
+"The finger seems lonesome without it," I said. "If I get you another, I
+hope you'll take better care of it."
+
+"If you should put it there," she replied, looking fixedly at the hand,
+"that would be very, very different."
+
+THE END
+
+-----------------------------------------------------------------------
+
+BY MEREDITH NICHOLSON
+
+LADY LARKSPUR
+THE MADNESS OF MAY
+THE VALLEY OF DEMOCRACY
+
+CHARLES SCRIBNER'S SONS
+
+-----------------------------------------------------------------------
+
+Transcriber's Note:
+
+1. Books "By Meredith Nicholson" relocated to end of text.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+***** This file should be named 19204-8.txt or 19204-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/2/0/19204/
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/19204-8.zip b/19204-8.zip
new file mode 100644
index 0000000..14a6131
--- /dev/null
+++ b/19204-8.zip
Binary files differ
diff --git a/19204-h.zip b/19204-h.zip
new file mode 100644
index 0000000..7ebf2cf
--- /dev/null
+++ b/19204-h.zip
Binary files differ
diff --git a/19204-h/19204-h.htm b/19204-h/19204-h.htm
new file mode 100644
index 0000000..d744d5a
--- /dev/null
+++ b/19204-h/19204-h.htm
@@ -0,0 +1,4050 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of Lady Larkspur, by Meredith Nicholson
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2,h3,h4,h5,h6 {text-align: center; clear: both;}
+ table {margin-left: auto; margin-right: auto;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .pagenum {display: inline; font-size: x-small; text-align: right;
+ position: absolute; right: 2%; border:1px solid white;
+ padding: 1px 3px; font-style: normal;
+ font-variant:normal; font-weight:normal; text-decoration: none;
+ color: #444; background-color: #EEE;}
+ .blockquot {margin-left: 5%; margin-right: 10%;}
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ hr.full {width:100%; margin-top: 2em; margin-bottom: 2em;}
+ hr.major {width:75%; margin-top: 2em; margin-bottom: 2em;}
+ hr.minor {width:30%; margin-top: 0.5em; margin-bottom: 0.5em;}
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Lady Larkspur
+
+Author: Meredith Nicholson
+
+Release Date: September 7, 2006 [EBook #19204]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+
+
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div style="text-align: center">
+<table summary=''>
+ <tr><td align='left'>
+ <p style='font-size: 80%; margin-bottom: 1em; text-align: left;'><i>BY MEREDITH NICHOLSON</i></p>
+ <p style='font-size: 80%; margin-bottom: -1.0em; text-align: left;'>LADY LARKSPUR</p>
+ <p style='font-size: 80%; margin-bottom: -1.0em; text-align: left;'>THE MADNESS OF MAY</p>
+ <p style='font-size: 80%; margin-bottom: .3em; text-align: left;'>THE VALLEY OF DEMOCRACY</p>
+ <hr style="margin-top: .5em; margin-bottom: .5em; width: 10%;" />
+ <p style='font-size: 90%; margin-bottom: .3em; text-align: left;'><i>CHARLES SCRIBNER'S SONS</i></p>
+ </td></tr>
+</table>
+</div>
+
+<hr class='major' />
+
+<table width='400' cellpadding='2' cellspacing='0' summary='' border='1'>
+ <tr><td align='center'>
+ <p style='font-size: 200%; margin-bottom: 3em; text-align: center;'>LADY LARKSPUR</p>
+ <p style='font-size: 100%; margin-bottom: 1em; text-align: center;'>BY</p>
+ <p style='font-size: 120%; margin-bottom: 6em; text-align: center;'>MEREDITH NICHOLSON</p>
+ <p style='font-size: 100%; margin-bottom: 0em; text-align: center;'>NEW YORK</p>
+ <p style='font-size: 100%; margin-bottom: 0em; text-align: center;'>CHARLES SCRIBNER'S SONS</p>
+ <p style='font-size: 100%; margin-bottom: 2em; text-align: center;'>1919</p>
+ </td></tr>
+</table>
+
+<hr class='major' />
+
+<table width='450' cellpadding='2' cellspacing='0' summary='' border='0'>
+ <tr><td align='center'>
+ <p style='font-size: 80%; margin-bottom: -1em; text-align: center;'><span class="smcap">Copyright, 1919, by</span></p>
+ <p style='font-size: 80%; margin-bottom: 0em; text-align: center;'>CHARLES SCRIBNER'S SONS</p>
+ <hr style="margin-top: .5em; margin-bottom: .5em; width: 10%;" />
+ <p style='font-size: 80%; margin-bottom: 0em; text-align: center;'>Published March, 1919</p>
+ <hr style="margin-top: .5em; margin-bottom: .5em; width: 10%;" />
+ <p style='font-size: 80%; margin-bottom: 0em; text-align: center;'>COPYRIGHT, 1918, BY P. F. COLLIER &amp; SONS, INC.</p>
+ </td></tr>
+</table>
+
+<hr class='major' />
+
+<table width='450' cellpadding='2' cellspacing='0' summary='' border='0'>
+ <col style='width:100%;' />
+ <tr>
+ <td align='center'>
+ <span style='font-size: 100%;'>TO<br />BENNETT AND PEGGY GATES</span>
+ </td>
+ </tr>
+</table>
+
+<hr class='major' />
+
+<h2><a name="Contents" id="Contents"></a>Contents</h2>
+<div class="smcap">
+<table border="0" width="500" cellpadding="2" cellspacing="0" summary="Contents">
+<col style="width:18%;" />
+<col style="width:3%;" />
+<col style="width:70%;" />
+<col style="width:10%;" />
+<tr><td align="right"><span style='font-size:80%'>CHAPTER</span></td><td></td><td></td><td align="right"><span style='font-size:80%'>PAGE</span></td></tr>
+<tr><td align="right">I.</td><td></td><td align="left"><span class='sc'>The "Troops"</span></td><td align="right"><a href="#CHAPTER_I">1</a></td></tr>
+<tr><td align="right">II.</td><td></td><td align="left"><span class='sc'>The Amazing Widow</span></td><td align="right"><a href="#CHAPTER_II">38</a></td></tr>
+<tr><td align="right">III.</td><td></td><td align="left"><span class='sc'>A Fan</span></td><td align="right"><a href="#CHAPTER_III">79</a></td></tr>
+<tr><td align="right">IV.</td><td></td><td align="left"><span class='sc'>Pursuing Knights</span></td><td align="right"><a href="#CHAPTER_IV">112</a></td></tr>
+<tr><td align="right">V.</td><td></td><td align="left"><span class='sc'>Alice</span></td><td align="right"><a href="#CHAPTER_V">138</a></td></tr>
+</table>
+</div>
+
+<hr class='full' />
+
+<h1>LADY LARKSPUR</h1>
+
+<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'>
+<a name="CHAPTER_I" id="CHAPTER_I"></a>
+<span class='pagenum'><a name="Page_1" id="Page_1">1</a></span>
+<h2>CHAPTER I</h2><h3>THE "TROOPS"</h3>
+</div>
+
+<p>"It was hard luck," said Searles, "that I should spend a year writing a
+play for a woman only to find that she had vanished&mdash;jumped off the
+earth into nowhere. This was my highest flight, Singleton, the best
+writing I ever did, and after the vast pains I took with the thing, the
+only woman I ever saw who could possibly act it is unavailable; worse
+than that, absolutely undiscoverable! Nobody knows I have this script;
+I've kept quiet about it simply because I'm not going to be forced into
+accepting a star I don't want. I have a feeling about this play that I
+never had about my other things. That girl was its inspiration. The
+public has been so kind to my small offerings that I'm trying to lead
+'em on to the best I can do; something a little finer and more
+imaginative, with a touch of poetry, if you please. And now&mdash;&mdash;"<span class='pagenum'><a name="Page_2" id="Page_2">2</a></span></p>
+
+<p>He rose from his broad work-table (he scorned the familiar type of desk)
+and glared at me as though I were responsible for his troubles. As he
+knew I had been flying in the French Aviation Corps for two years and
+had just been invalided home, I didn't think it necessary to establish
+an alibi. But I hastened to express my sympathy for his predicament.
+Fate had been kind to Dick Searles. In college he had written a play or
+two that demonstrated his talent, and after a rigid apprenticeship as
+scene-shifter and assistant producer he had made a killing with "Let
+George Do It," a farce that earned enough to put him at ease and make
+possible an upward step into straight comedy. Even as we talked a
+capacity house was laughing at his skit, "Who Killed Cock Robin?" just
+around the corner from his lodgings. So his story was not the invention
+of a rejected playwright to cover the non-appearance of a play which
+nobody would produce.</p>
+
+<p>"Isn't it always a mistake to write a play for a particular star?" I
+suggested. "Seems to me I've read somewhere that that is among the
+besetting sins of you playwrights."<span class='pagenum'><a name="Page_3" id="Page_3">3</a></span></p>
+
+<p>"Old stuff, my boy; but this isn't one of those cases. The person I had
+in mind for this play wasn't a star, but a beginner, quite unknown. It
+was when I was in London putting on 'Fairy Gold' that I saw her; she had
+a small part in a pantomime, and pantomime is the severest test of an
+actor's powers, you know. A little later she appeared in 'Honourable
+Women,' a capital play that died early, but there again I felt her
+peculiar charm&mdash;it was just that. Her part was a minor one, but she wore
+it as she might wear a glove; she was exquisite! No one ever captured my
+imagination as she did. I watched her night after night. I was afraid
+that when I heard her voice it would break the spell, and I actually
+shook like a man with an ague when she tripped out on the stage as the
+ing&eacute;nue in 'Honourable Women.' And her laughter! You know how hollow the
+usual stage mirth is, but that girl's laugh had the joy of the lark
+ascending!"</p>
+
+<p>"By Jove!" I ejaculated, "there's more here than appears. You're in love
+with the girl!"</p>
+
+<p>"Rubbish," he cried impatiently. "You'll<span class='pagenum'><a name="Page_4" id="Page_4">4</a></span> think I'm talking rot, but
+this girl was the visualization of a character I had dreamed of and
+groped after for years. That's all; but it's a whole lot, I can tell
+you!"</p>
+
+<p>"Of course, you established lines of communication and gave her a hint
+that you meant to write a play for her?"</p>
+
+<p>"Certainly not! That would have spoiled the whole thing. It was her art,
+not the woman, that interested me. I didn't want to take the chance of
+being disillusioned. I have been through that experience, and I prefer
+not to meet the people who act in my pieces. I want their art, not their
+views on human destiny or the best place to get lobster &agrave; la Newburg."</p>
+
+<p>"Let us be practical for a moment, Searles," I urged. "Emperors,
+presidents, and popular murderers are not more conspicuous than the
+people of the stage. No girl talented enough to get two engagements,
+even for small parts, in a first-class London theatre could vanish. With
+your acquaintance in the profession you'd be able to trace her anywhere
+on earth. By the way, what did the paragon call herself?"<span class='pagenum'><a name="Page_5" id="Page_5">5</a></span></p>
+
+<p>"Violet Dewing was her stage name and the only name the managers knew
+her by. I assumed that, of course, all I had to do was to finish my play
+and then have Dalton, who represents me over there, make an appointment
+to read it to her; but Dalton worked for three months trying to find
+her, without success. She clearly wasn't the product of the provincial
+theatres&mdash;hadn't any of the marks. I wasn't the only person who was
+interested in her. Dalton said half a dozen managers had their eye on
+her, but after 'Honourable Women' closed she stepped into the void. I
+know what you're thinking&mdash;that the other members of the two companies
+she appeared with must have had some inkling of her identity, but I tell
+you Dalton and I exhausted the possibilities. It was by accident that
+she got her chance in the pantomime&mdash;some one wouldn't do at the last
+minute, and they gave Miss Dewing a trial. She was well liked by her
+associates in spite of the fact that she was a bit offish and vanished
+from their world the minute the curtain fell."</p>
+
+<p>"A clever governess out of a job, satisfying a craving for excitement
+and playing the mysterious<span class='pagenum'><a name="Page_6" id="Page_6">6</a></span> r&ocirc;le as part of the adventure. Am I to
+assume that you've burned your play and that the incident is closed?"</p>
+
+<p>"Oh, I didn't burn it; I have a copy locked in a safety vault, and
+Dalton left one heavily sealed at a small exclusive London hotel where,
+he found after much difficulty, the girl had lodged during her two
+engagements."</p>
+
+<p>"You're morbid," I said. "Show me her photograph."</p>
+
+<p>He laughed ironically. "Never a chance, Singleton! You haven't yet got
+the idea that this young woman is out of the ordinary. She refused to be
+photographed&mdash;wrote it into her two contracts that this was not to be
+asked. I never saw her off the stage, and I can't give you a description
+of her that would be of the slightest assistance to the keenest
+detective alive. As I've tried to convey to your practical mind, it's
+the spirit of the girl&mdash;the spirit of comedy, that I've dramatized&mdash;not
+a girl you take out to supper only to find that she has no wit, no
+charm, no anything but a monstrous appetite for indigestible food and a
+silly ambition to play r&ocirc;les the gods never intended her to play. In
+that pantomime<span class='pagenum'><a name="Page_7" id="Page_7">7</a></span> she was a frolic, the clown's daughter, and, though
+nobody saw it, she was the whole piece, the elusive sprite that could
+evoke laughter and tears by a gesture, a lifting of the brows, a
+grimace. By utterly different methods in 'Honourable Women' she proved
+her wide range of appeal. The chap who produced 'Honourable Women' told
+me that after the first rehearsal Bayley, the author, begged him for
+God's sake to let the girl do it her own way, so as not to lose her
+freshness and spontaneity. Hers was the one true characterization in the
+piece. When Terry was in her prime you remember how we used to say that
+only one bird sang like that, and from paradise it flew? Well, this bird
+sings on the same branch! Her voice was her charm made audible! She's
+the most natural being I ever saw on the stage, and she can <i>look</i> more
+comedy than anybody else I ever saw act!"</p>
+
+<p>"Rave some more!" I pleaded. "You never talked better in your life."</p>
+
+<p>"Don't be an ass," he said sourly. "Let's forget her and take a squint
+at your affairs. Just what do you mean to do with yourself?"<span class='pagenum'><a name="Page_8" id="Page_8">8</a></span></p>
+
+<p>"My shoulder still creaks a little, and the doctors advise me to sit
+around for a while. They offered me some jobs in Washington, but desk
+work and inspection duty are too tame after a couple of years spent in
+star climbing. The doctors tell me to cultivate repose for a few months
+and maybe they'll pass me into our flying corps, but they don't promise
+anything. I'm going up to Barton-on-the-Sound and I'll camp in the
+garage on my uncle's place. You remember that I built the thing myself,
+and the quarters are good enough for a busted veteran."</p>
+
+<p>"Your uncle played you a nasty trick," interrupted Searles; "getting
+married and then adding to the crime by dying. You couldn't beat that
+for general spitefulness."</p>
+
+<p>"Do you remember the immortal lines:</p>
+
+<p style='padding-left: 3em'>
+<span style="margin-left: 0em;">"'Oh, skip your dear uncle!'</span><br />
+<span style="margin-left: 2em;">The Bellman exclaimed</span><br />
+<span style="margin-left: 0em;">As he angrily tingled his bell"?</span><br />
+</p>
+
+<p>"Oh, I'm not knocking the dead!" he protested. "Mr. Bashford always
+struck me as a pretty decent, square sort of chap, and not at all the
+familiar grouchy uncle of fiction and<span class='pagenum'><a name="Page_9" id="Page_9">9</a></span> the drama. I made notes on him
+from time to time with a view to building a play around him&mdash;the perfect
+uncle, unobtrusive, never blustering at his nephew; translating the
+avuncular relationship into something remote and chaste like a distant
+view of Mount Washington in winter. As I recall, there were only two
+great passions in your uncle's life&mdash;Japanese art and green-turtle soup.
+It was just like him to retire from business on his sixtieth birthday
+and depart for the Orient, there to commit the shameless indiscretion of
+matrimony."</p>
+
+<p>"Like him! It was the greatest shock of my life. To the best of my
+knowledge he never knew any women except the widow of his partner in the
+importing house. He used to dine with her now and then, and I caught him
+once sending her flowers at Easter&mdash;probably an annual stunt. She was
+about eighty and perfectly safe. He spent twenty years in the Tyringham,
+the dullest and most respectable hotel in the world, and his chief
+recreation was a leisurely walk in the park before going to bed. You
+could set your clock by him. Pretty thin picking for a dramatist, I<span class='pagenum'><a name="Page_10" id="Page_10">10</a></span>
+should think. He used to take me to the theatre regularly every other
+Thursday&mdash;it was a date&mdash;and his favorite entertainment was vaudeville
+with black-face embellishment preferred. You should add that to Japanese
+pottery and potage &agrave; la tortue. He joined the yacht club just because
+the green turtle at that joint is the best in New York. Yachts! He never
+sailed in anything but the biggest steamers, and got no fun out of that.
+I crossed with him twice, and he never left his bunk. But in his shy
+fashion he was kind and generous and mighty good to me."</p>
+
+<p>"If you hadn't gone to war, but had kept right at his elbow, the
+marriage might have been averted," suggested Searles. "He did leave you
+something, didn't he?"</p>
+
+<p>"Fifty thousand cash and the right to use the garage at the Barton farm.
+Calling it a farm is a joke; it's rocks mostly. He bought the house to
+have a place to store his prints and ceramics. He hated motoring except
+in taxis up and down town, and when I urged him to set up a machine, he
+told me to go ahead and buy one and build the garage. He rather sniffed
+at the writing I do, but told me<span class='pagenum'><a name="Page_11" id="Page_11">11</a></span> I'd better fix up a studio in the
+garage and have it as a place to work in. His will provides that I may
+lodge in the garage for life."</p>
+
+<p>"The estate footed a million, as I remember, so I can't praise his
+generosity. But the widow, your unknown auntie, the body-snatcher who
+annexed the old boy&mdash;what of her?"</p>
+
+<p>"I've asked the trust company people whether she's in sight anywhere,
+and they assure me that she is not on these shores. Torrence, the third
+vice-president&mdash;you know Torry; he was in the class ahead of us at
+college, the man who never smiles&mdash;Torry seemed anxious to learn about
+her from me, which is certainly droll. He said she acknowledged her last
+remittance three months ago from Bangkok&mdash;wherever that is. Torry
+couldn't see that Bangkok is so absurdly remote that the idea of a
+widow's strolling off there is funny. I suppose the old girl's resumed
+her tour of the world looking for another retired merchant to add to her
+list."</p>
+
+<p>"Very likely. To what nation, tribe, or human group does this predatory
+person belong?"<span class='pagenum'><a name="Page_12" id="Page_12">12</a></span></p>
+
+<p>"I'll tell you all I know. Just as I was sailing for France I got a
+letter from Uncle Bash stating in the most businesslike fashion that he
+was about to be married to a lady he had met on his trip out to Japan.
+The dire event was to occur at the American Embassy the following day.
+From which I judged that my presence at the ceremony was neither
+expected nor desired. Oddly enough, months afterward, I picked up an
+English paper in a French inn that contained an announcement of the
+marriage in the usual advertisement form. The lady was succinctly
+described as Mrs. Alice Wellington Cornford, widow of the late Archibald
+Reynolds Cornford, Pepperharrow Road, Hants. All Torrence knows of the
+subsequent proceedings is what he got in official reports of Uncle
+Bash's death from the consul-general at Tokyo. He was buried over there
+and the life-insurance companies were rather fussy about the legal
+proof, Torry says. Whether the widow expects to come to America
+ultimately or will keep moving through the Orient marrying husbands and
+burying them is a dark mystery. If she should turn up, the house at
+Barton is hers,<span class='pagenum'><a name="Page_13" id="Page_13">13</a></span> of course, but with her roving disposition I fancy my
+aunt Alice wouldn't like the place. The Jap stuff is worth a bit of
+money, and if the lady is keen for such things and not a mere
+adventuress she may take it into her head one of these days to come over
+and inspect the loot."</p>
+
+<p>"I can see the vampire," said Searles musingly, "landing at the Grand
+Central with enough hand-luggage to fill a freight-car; a big, raw-boned
+creature, with a horse face and a horrible mess as to clothes. You will
+be there to meet her, deferential, anxious to please. You will pilot her
+up the coast to Barton, tip the servants heavily to keep them from
+murdering her, and twiddle your thumbs in your garage as you await her
+further pleasure. By the way, are those ancient freaks still on the
+place&mdash;those broken-down hotel employees who were your uncle's sole
+experiment in philanthropy?"</p>
+
+<p>"Torrence assures me that they are all very much there."</p>
+
+<p>Searles yielded himself to laughter. "An Englishwoman with lofty ideas
+of domestic service would certainly enjoy a romp with<span class='pagenum'><a name="Page_14" id="Page_14">14</a></span> that crew. I
+supposed the trust company had brushed them into the Sound before this."</p>
+
+<p>"Oh, they are in the same class with me," I explained. "The place can't
+be sold till I die, and while I live they're to be harbored&mdash;about
+thirty of them&mdash;clothed and victualled."</p>
+
+<p>"I think there's a farce in the idea, and I may try it one of these
+days," he said, scribbling in his note-book. "A refuge for broken-down
+chambermaids, venerable bell-hops grown gray in the service, and the
+head waiter who amassed a fortune in tips and then toyed with the market
+once too often and lost his ill-gotten gains. What was the head waiter's
+name who presided with so much stateliness in the dining-room of the
+Tyringham? I mean the white-haired chap who was so particular about the
+foot-cushions for the nice old ladies in caps and lavender ribbons and
+India shawls&mdash;I think I can work him in somewhere."</p>
+
+<p>"That's Antoine, who married the assistant housekeeper at the Tyringham.
+He's the butler and has charge of the place&mdash;a sort of
+commander-in-chief of the outfit. When I get settled I'll ask you up and
+you can study the bunch at leisure."<span class='pagenum'><a name="Page_15" id="Page_15">15</a></span></p>
+
+<p>"Splendid! Reserve one room for me on the sunny side of the garage and
+I'll be up in a couple of weeks. I'm going to Ohio to-morrow for a
+family reunion and a look at the loved spots my infancy knew."</p>
+
+<p>"You're lucky to have home-folks even in Ohio," I remarked enviously.</p>
+
+<p>"Well, there's always your distant auntie, cruising the seven seas in
+pursuit of husbands. Nobody with an aunt to his credit can pretend to be
+alone in the world. There <i>is</i> something about an aunt, Singleton! Aunts
+must rank just a little below mothers in the heavenly kingdom. When I
+was a boy out in Ohio there were two great occasions every year in my
+life&mdash;one when I went to visit a grand old aunt I had in the country,
+the other when she visited us, arriving with a wagon-load of jam, jelly,
+salt-rising bread, pound-cake, and other unpurchasable manna."</p>
+
+<p>"Stop! or I'll call the food censor," I pleaded, picking up my hat.
+"Send me your copy of 'Lady Geranium,' and I'll tell you whether it's a
+classic or not."</p>
+
+<p>"'Lady Larkspur,'" he corrected with a shudder. "You shall have it by
+trusted messenger to-morrow."<span class='pagenum'><a name="Page_16" id="Page_16">16</a></span></p>
+
+<p>I wired Antoine that I would reach Barton-on-the-Sound the following
+day. This was September, 1917. The former servants of the Tyringham were
+established on the place by my uncle the year before he dropped business
+cares and departed for the Japan of his dreams, and as I had been often
+at the hotel where he spent so many of the years of his life, I knew
+most of the old retainers. They were deeply appreciative of his
+kindness, and when I had gone to the farm for an uninterrupted month in
+finishing some piece of writing they had shown me the greatest
+consideration.</p>
+
+<p>As the train rolled along the familiar shore toward Barton I shook off
+the depression occasioned by my enforced retirement from the great
+struggle overseas. I had done under the French flag all that it was
+possible for me to do; and there was some consolation in the fact that
+by reason of my two years on the battle-line I was just so much ahead of
+the friends I met in New York who were answering the call to the colors
+and had their experience of war all before them. The tranquil life that
+had been recommended by the doctors was not only possible at Barton, but
+it was<span class='pagenum'><a name="Page_17" id="Page_17">17</a></span> the only life that could be lived there. Plenty of exercise in
+the open and regular habits would, I had been assured, set me up again,
+and my leisure I meant to employ in beginning a novel that had been
+teasing me ever since I sailed for home.</p>
+
+<p>Of my uncle Bash I had only the happiest and most grateful memories.
+Quite naturally it had occurred to me at times, and my friends had
+encouraged the idea, that my uncle would die some day and leave me his
+money. There was no particular reason why he should do so, as he had
+never manifested any unusual affection for me and I had certainly never
+done anything for him.</p>
+
+<p>Antoine was at the Barton station with the touring-car Uncle Bash had
+bought to establish communication with the village. Flynn, the big
+Irishman who had been the doorman at the Tyringham for years and retired
+because of rheumatism acquired from long exposure to the elements at the
+hostelry's portals, was at the wheel.</p>
+
+<p>Antoine greeted me with that air of lofty condescension tempered with a
+sincere kindliness that had made him a prince among head<span class='pagenum'><a name="Page_18" id="Page_18">18</a></span> waiters. As I
+shook hands with him his lips quivered and tears came to his eyes.
+Flynn, standing beside the car, saluted with a welcoming grin.</p>
+
+<p>"Very glad to see you, sorr. The trunk came this mornin' all right,
+sorr, and we put it in your room."</p>
+
+<p>I bade Antoine join me in the back seat that he might the more easily
+bring me up to date as to affairs on the estate.</p>
+
+<p>"It must be a little slow up here after the years you lived in town," I
+suggested, "but of course you're all old friends."</p>
+
+<p>"Well, yes; all friends," he acquiesced, but with so little enthusiasm
+that I glanced at him quickly. He pretended to be absorbed in the flying
+landscape at the moment. Flynn, I noticed, was giving ear to our
+conversation from the wheel.</p>
+
+<p>"It was sad, very sad, Mr. Bashford passing away so far from home, sir.
+It was a great shock. And he had looked forward for years to a quiet
+life abroad. It must have been ten years ago he first mentioned his hope
+of retiring to Japan."</p>
+
+<p>Uncle Bash had given me no such forecast<span class='pagenum'><a name="Page_19" id="Page_19">19</a></span> of his intentions, and I felt
+humble before this proof of Antoine's greater intimacy. Once at the
+beginning of our acquaintance, when I had complimented Antoine on his
+English, he explained that he was born in England of French parents. His
+father had been chef and his mother housekeeper for an American banker
+who lived for many years in London. Antoine's speech was that of a
+well-trained English upper servant, and I imagined that in his youth he
+had taken some English butler as his model. He used to pretend that he
+knew French very imperfectly, and I was surprised when he now addressed
+me quite fluently in that language.</p>
+
+<p>"You have been with the armies of dear France," he remarked. "The war is
+very dreadful. My parents were of Verdun; it grieves me to know of the
+suffering in the land of my people."</p>
+
+<p>As I replied sympathetically in French I saw Flynn straighten himself at
+the wheel with an impatient fling of his head. Antoine indicated him
+with a contemptuous nod: "Married Elsie, the German woman who worked in
+the linen-room at the Tyringham!<span class='pagenum'><a name="Page_20" id="Page_20">20</a></span> This has caused some trouble, and
+there is a pantry girl, Gretchen, who was ill a long time before the
+master left, and he sent her here for the country air. She is a little
+devil with her dear Fatherland."</p>
+
+<p>I laughed at the old fellow's gravity and earnestness. That the war
+should be making itself felt on the quiet acres at Barton-on-the-Sound
+was absurd.</p>
+
+<p>"But there can be no trouble; everything is peaceful, of course, save
+for a little foolish talk&mdash;&mdash;"</p>
+
+<p>The Gaul asserted itself in a shrug, a form of expression rare in him. I
+was pondering the recrudescence of race hatreds due to the upheaval in
+Europe when he startled me by a statement uttered close to my ear:</p>
+
+<p>"There have been inquiries for the widow; these have caused me much
+anxiety."</p>
+
+<p>"Widow! Whose widow?"</p>
+
+<p>"Madame, the widow of the dear master. It seems that there are persons
+anxious to see her. There have been inquiries, one&mdash;two&mdash;three times."</p>
+
+<p>"Probably some of her American friends<span class='pagenum'><a name="Page_21" id="Page_21">21</a></span> anxious to pay their respects,
+or some of the neighbors making calls of courtesy," I suggested.</p>
+
+<p>"A foreign gentleman who acts very queerly," Antoine persisted.</p>
+
+<p>My uncle's widow was a vague, unknown being whom I had never expected to
+cross my horizons. If she meditated a descent upon Barton-on-the-Sound,
+the trust company would certainly have had some hint of her approach,
+but Torrence clearly had had no tidings of her beyond her last
+communication from Bangkok. Still, it was wholly possible that a
+globe-trotting widow would have friends in many parts of the world, and
+I could see nothing disturbing in the fact that inquiries had been made
+for her. I said as much. Antoine's answer was another shrug and a jerk
+of his head toward Flynn, as though even the employment of an alien
+tongue might not conceal our conversation from the big Irishman. Antoine
+was manifestly impatient at my refusal to be aroused by his hints of
+discord among his associates and my lack of interest in the inquiries
+for Mrs. Bashford. When we had reached the farm and<span class='pagenum'><a name="Page_22" id="Page_22">22</a></span> were running
+through the grounds Antoine spoke again:</p>
+
+<p>"We thought we would put you up at the house, Mr. Singleton, and not in
+the garage," he said inquiringly.</p>
+
+<p>"Not at all, Antoine," I answered quickly. "We must stick close to the
+law in such matters."</p>
+
+<p>"Very good, sir. Stop at the garage, Flynn."</p>
+
+<p>To the casual observer the garage was a charming two-story house
+following the general lines of the plaster and timber residence, from
+which it was separated by a strip of woodland and a formal garden. The
+garage and quarters for the chauffeur were at one end and at the other
+were a down-stairs living-room, with a broad fireplace, and three
+chambers above so planned as to afford a charming view of the Sound,
+whose shore curved in deeply at this point. On the chauffeur's side was
+a small kitchen from which I had been served with my meals when I lodged
+there. This thoroughly convenient establishment was the only place I
+could call home, and I experienced a pleasurable sense of comfort<span class='pagenum'><a name="Page_23" id="Page_23">23</a></span> as I
+opened the door into the snug living-room.</p>
+
+<p>"The house is in order. You will have your meals at the residence, I
+suppose, sir," Antoine suggested.</p>
+
+<p>I debated this a moment, and when he hinted that dinner could be more
+conveniently served there than in my own quarters, I said that for the
+present the Flynns might give me breakfast and luncheon at the garage,
+but that I would dine at the house. The original owner of the property,
+from whose executor my uncle had purchased it with all its belongings,
+had accumulated a remarkable library, rich in the Elizabethan stuff for
+which I have a weakness, and it occurred to me that it would be pleasant
+to eat my solitary dinner at the residence and loaf in the library for
+an hour afterward. Like most slaves of the inkpot, I habitually postpone
+actual labor as long as possible, and if I were to dine at the garage I
+should have no excuse for not plunging at once into my novel. The
+Tyringham people were domiciled in cottages scattered over the estate,
+though a full staff of house servants was established in the residence.<span class='pagenum'><a name="Page_24" id="Page_24">24</a></span></p>
+
+<p>It was five o'clock when I reached the garage, and Antoine left me after
+opening my bags with the suggestion that I could summon Zimmerman, a
+former valet of the Tyringham, for any service I might require. I knew
+Zimmerman very well and said I would call him when occasion required.</p>
+
+<p>"He is of that race," said Antoine plaintively in the French which now
+seemed to come readily enough to his lips.</p>
+
+<p>"Race? Botheration! You mustn't trouble yourself about race questions
+out here, Antoine. Zimmerman is a good old chap, who's probably
+forgotten the very name of the German town he was born in."</p>
+
+<p>"They do not forget," Antoine replied with emphasis. "There has been
+much discussion&mdash;much&mdash;&mdash;"</p>
+
+<p>"Forget it, Antoine! I supposed you were all living here like a happy
+family. You've been sticking too close to the farm, and it would do you
+good to run into town for a week. Please tell them at the residence that
+I'll dine at seven."</p>
+
+<p>"Very good, sir," he said in his pompous Tyringham manner, but I saw
+that he was miffed by my indifference.<span class='pagenum'><a name="Page_25" id="Page_25">25</a></span></p>
+
+<p>Flynn, having disposed of the car, came to ask if there was anything he
+could do for me. When I had explained my arrangement with Antoine he
+still lingered.</p>
+
+<p>"Tony's against the wife and me," he said mournfully. "It's the war,
+sorr, and she and me that lile, sorr, the American flag floats from the
+garage every day. And if a heart can be lile, Elsie's as true to America
+as though she was born in Boston State-house."</p>
+
+<p>"I believe you, Flynn," I said, touched by his earnestness. "Don't you
+worry about Antoine and the rest of them; they're just a little nervous;
+I'll see what I can do to straighten things out."</p>
+
+<p>As I went about my unpacking I was sorry that I had discouraged
+Antoine's confidences. That these old hotel servants, flung upon a farm
+with little to do, should fall to quarrelling was not surprising, but
+what he had said as to the inquiries for Mrs. Bashford had roused my
+curiosity. In spite of my legal right to live on the farm, I had no
+intention of remaining if my uncle's widow turned up. Alone on the
+estate I could lodge in the garage without any loss of dignity, but with
+an aunt on the premises my status would be decidedly uncomfortable.<span class='pagenum'><a name="Page_26" id="Page_26">26</a></span> She
+could hardly fail to regard me as an intruding poor relation, no matter
+how strictly I kept to my own quarters. It was possible that she might
+even confuse me with the veterans of the Tyringham, and, while I am no
+snob, I did not relish the idea of being classed by a strange aunt with
+a crowd of broken-down hotel employees.</p>
+
+<p>I whistled myself into good humor as I dressed and started for the house
+along the driveway, which followed the shore, veering off for a look at
+the sunken garden, one of the few features of the place that had ever
+interested my uncle.</p>
+
+<p>As I paused on the steps I caught sight of a man sitting dejectedly on a
+stone bench near a fountain whose jet tossed and caught a ball with
+languid iteration. I had identified him as an old Tyringham bell-hop,
+known familiarly as Dutch, before he heard my step and sprang to his
+feet, grabbing a pitchfork whose prongs he presented threateningly.</p>
+
+<p>"Oh, it's you, sir," he faltered, dropping the implement. "Excuse me,
+sir!"</p>
+
+<p>"What's your trouble, Dutch? You're not expecting burglars, are you?"<span class='pagenum'><a name="Page_27" id="Page_27">27</a></span></p>
+
+<p>"Well, no, sir, but things on the place ain't what they wuz. It's my
+name, which ain't my name, not reg'lar, that's caused feelin'. They've
+drove me out, an' I'm campin' in the tool-house. An' me born right there
+in New York an' American clean through. My grandpap came across when he
+wuz a kid, but it ain't my fault he wuz Goiman. I'd 'a' made 'im a
+Frenchy or a Dago or somethin' else if I could 'a' done it. Mr.
+Singleton, I don't know no Goiman except pretzel, sauerkraut, wiener
+wurst, and them kind o' woids."</p>
+
+<p>"Those belong to the universal language, Dutch," I answered consolingly.
+"What is your name, anyhow?"</p>
+
+<p>"Augustus Schortemeier, and I say it ain't no worse'n Longfellow," he
+protested.</p>
+
+<p>The point was delicate and not one that I felt myself qualified to
+discuss. To cover my confusion I suggested that poets enjoy a certain
+license, but I was honestly sorry for Dutch. If he was not the oldest
+living bell-hop, he was at least entitled to honorable mention among the
+most ancient veterans of the calling, vocation, or avocation of the
+bell-hopper. I bade him cheer up and passed on.<span class='pagenum'><a name="Page_28" id="Page_28">28</a></span></p>
+
+<p>As I reached the house I heard a sharp command in an authoritative voice
+and saw at a curve of the driveway a number of men in military formation
+performing evolutions in the most sprightly manner. They carried
+broomsticks, and at sight of me the commander brought his company to a
+very ragged "Present arms!" Their uniform was that of the Tyringham
+bell-hops and waiters, and it dawned upon me that this was an army of
+protest representing the Allied armies on the shores of Connecticut.
+There was a dozen of them, and the captain I recognized as Scotty, a hop
+who had long worn the Tyringham livery. I waved my hand to them and
+turned to find Antoine awaiting me at the door.</p>
+
+<p>"It's the troops, sir," he explained. "It's to keep Dutch and Gretchen
+and Elsie&mdash;she's the wife of that Flynn&mdash;in proper order, sir."</p>
+
+<p>"Troops" was a large term for the awkward squad of retired waiters and
+bell-hops, and it was with difficulty that I kept my face straight.</p>
+
+<p>"It's most unfortunate, but we was forced to it. Dinner is served, sir."</p>
+
+<p>From the table in the long dining-room I<span class='pagenum'><a name="Page_29" id="Page_29">29</a></span> caught glimpses through the
+gathering dusk of Scotty's battalion at its evolutions.</p>
+
+<p>"They keep a guard all night, sir," Antoine explained, not without
+pride. "The goings on has been most peculiar."</p>
+
+<p>"Antoine!" I said sharply, "what do you mean by these hints of trouble
+on the place? You're not silly enough to imagine that Dutch and a couple
+of women can do anything out here to aid America's enemies! The rest of
+you ought to be ashamed of yourselves for annoying them. And as for
+these inquiries about Mrs. Bashford, they couldn't possibly have
+anything to do with the war. Specifically, who are the persons who've
+asked for her?"</p>
+
+<p>"There's the party I told you about, most persistent, who's motored here
+three times, and another person who seems to be looking for <i>him</i>, sir.
+It's most singular."</p>
+
+<p>"It's singularly ridiculous; that's all. They're probably piano-tuners
+or rival agents for a rug house or something of that sort who don't know
+that Mrs. Bashford isn't here or at all likely to be."</p>
+
+<p>"They may be agents, but not that kind,<span class='pagenum'><a name="Page_30" id="Page_30">30</a></span> sir." His lips quivered, either
+from fear or vexation at my refusal to take his story seriously.</p>
+
+<p>"If anything tangible happens, Antoine," I said kindly, "anything we can
+really put our hands on, we'll certainly deal with it. But you mustn't
+get nervous or allow yourself to suspect everybody who turns up here of
+evil designs against the Republic. I've come here for quiet, you know,
+and we can't have every passing stranger throwing the place into a
+panic."</p>
+
+<p>I had no sooner reached the library, where he gave me coffee, than I
+heard a slow, measured tread on the broad brick terrace that ran along
+the house on the side toward the Sound. The windows were open and the
+guard was in plain view. I glanced at Antoine, whose attitude toward me
+was that of one benevolently tolerant of stupidity. He meant to save me
+in spite of my obtuseness. "Tell the picket to remove himself where I
+won't hear him, if you please, Antoine."</p>
+
+<p>He disappeared through one of the French windows and in a moment I saw
+the guard patrolling a walk some distance from the<span class='pagenum'><a name="Page_31" id="Page_31">31</a></span> house. I now made
+myself comfortable with a book and a cigar, but I had hardly settled
+myself for a quiet hour before I heard a commotion from the direction of
+the gate, followed a few minutes later by a shout and a noisy colloquy,
+after which a roadster arrived in haste at the front door.</p>
+
+<p>"Mr. Torrence, sir," announced Antoine. "I'm sorry, sir, but he ran by
+the guard at the gate, and our man below the house stopped him. It's a
+precaution we've been taking, sir."</p>
+
+<p>Torrence's sense of humor was always a little feeble, and I hastened
+into the hall to reassure him as to his welcome. He was wiping the
+perspiration from his face and swearing under his breath.</p>
+
+<p>"For God's sake, Singleton, what's happened here? A band of pirates
+jumped on my running-board, and after I'd knocked them off a road-agent
+stopped me right there in sight of the house and poked the muzzle of a
+shotgun in my face."</p>
+
+<p>"Mighty sorry you were annoyed, but there have been some queer
+characters about, tramps and that sort of thing, and the people<span class='pagenum'><a name="Page_32" id="Page_32">32</a></span> on the
+place are merely a little anxious. Have a cigar?"</p>
+
+<p>"All I can say is that you'd better send your friends the password! That
+fool out there with the gun&mdash;&mdash;"</p>
+
+<p>"Only a bell-hop, nothing more," I interrupted.</p>
+
+<p>"&mdash;That fool, I say, is likely to kill somebody. Antoine"&mdash;he turned to
+the butler, who was drawing the curtains at the windows&mdash;"if the
+property's been threatened, you should have informed me immediately."</p>
+
+<p>"Yes, sir; but it's only been quite recent, and, knowing Mr. Singleton
+was coming, we didn't like to bother you."</p>
+
+<p>"We can only apologize, Torry," I interposed. "The employees have been
+alarmed, but we're bound to commend their zeal."</p>
+
+<p>"Humph!" he ejaculated, the wounds to his dignity still rankling.</p>
+
+<p>I forced a cigar upon him and talked of the weather to cover Antoine's
+retreat. I resolved not to tell him the real cause of the servant's
+apprehensions, knowing his disposition to magnify trifles and fearing he
+might send the police to investigate. He lived only<span class='pagenum'><a name="Page_33" id="Page_33">33</a></span> five miles from
+Barton, a fact to which he now referred.</p>
+
+<p>"Hadn't heard of any tramps over my way," he said, frowning. "These old
+lunatics your uncle left here are simply hipped; that's all. Mr.
+Bashford made a mistake in turning the place over to them; it was silly,
+downright silly. It's a wonder you didn't think of upsetting his will on
+the ground of mental unsoundness. It's not up to me to suggest such a
+thing, but I believe you could knock it out!"</p>
+
+<p>"Oh, chuck it! They're well-meaning helpless people, and it's bully that
+Uncle Bash provided a home for them. There's nobody else to use the
+place."</p>
+
+<p>His cigar had proved soothing, but my last remark caused him to sit up
+straight in his chair.</p>
+
+<p>"By George! my hold-up almost made me forget what I came for. I have
+news for you, Singleton; good or bad, as you may take it; Mrs. Bashford
+is in America."</p>
+
+<p>"Mrs. Bashford," I repeated faintly, "where do you get these pleasant
+tidings?"</p>
+
+<p>"This," he answered, producing a telegram,<span class='pagenum'><a name="Page_34" id="Page_34">34</a></span> "is all I know about it. Got
+it just as I was leaving the office this afternoon, and thought I'd
+motor over and give you a pleasant surprise."</p>
+
+<p>He seemed to enjoy my discomfiture. The message read:</p>
+
+<div class='blockquot'>
+<p style='text-align: right'><span class="smcap">"Pittsfield, Mass</span>., Sept. 20.</p>
+
+<p><span class="smcap">"J. B. TORRENCE</span>,"<br />
+<i>Bainbridge Trust Co., New York.</i></p>
+
+<p>Landed at Seattle a week ago, and have been motoring east from Chicago
+to see the country. Will reach Barton in four or five days. Please wire
+me at the Washington Inn, Lenox, whether house is in order for
+occupancy.</p>
+
+<p style='text-align: right' class="smcap">"Alice Bashford."</p>
+</div>
+
+<p>"Well, what do you say to that?" he demanded.</p>
+
+<p>"I say it's taking unfair advantage," I answered savagely. "I've got to
+clear out; that's the first thing."</p>
+
+<p>"Not necessarily. Your right to the garage is settled; she couldn't oust
+you if she wanted to. You've got to stay here anyhow till she<span class='pagenum'><a name="Page_35" id="Page_35">35</a></span> comes;
+there's no ducking that. The widow of an uncle who did a lot for you, a
+stranger to the country; it's up to you to see her established. There
+are many little courtesies she would naturally expect from you."</p>
+
+<p>"I'm delighted that you see my duty so clearly! If you hadn't assured me
+that she was safe at the end of the world I wouldn't have set foot
+here."</p>
+
+<p>"The house is in order, I judge," he remarked, glancing about the room.
+"I've got to wire her that we're ready for her."</p>
+
+<p>"You most certainly have! Your duty is as plain as a smoke-stack. You
+might add that she's causing serious inconvenience to her late husband's
+only nephew."</p>
+
+<p>"You really don't mean that?" he inquired anxiously.</p>
+
+<p>"Oh, thunder, no!"</p>
+
+<p>I had forgotten how trying Torrence could be. He now suggested that we
+summon Antoine and take a look at the house. Torrence is a conscientious
+fellow with an exact and orderly mind, and there was no corner of the
+place from cellar to garret that we didn't explore. It was highly
+creditable to the old<span class='pagenum'><a name="Page_36" id="Page_36">36</a></span> Tyringham servants that the house was thoroughly
+habitable. All that need be done before Mrs. Bashford arrived was to lay
+linen on the beds and take the jackets from the furniture; a couple of
+hours would suffice, Antoine said.</p>
+
+<p>As we were on our way down-stairs the old fellow detained me a moment.</p>
+
+<p>"Have you told him about the parties? Pardon me, sir," he whispered,
+"but him and the trust company is responsible. I thought likely you'd
+tell him."</p>
+
+<p>I shook my head in angry rejection of the idea that I should tell
+Torrence about "the parties," and dismissed him as soon as we reached
+the hall.</p>
+
+<p>"I suggest," said Torrence, "that when she comes you have flowers in all
+the rooms; the conservatory will supply enough. And it occurs to me that
+the more inconspicuous you make this bunch of lazy dependents the more
+agreeable it will be for Mrs. Bashford."</p>
+
+<p>"You don't expect much of me! It was never in the contract that I should
+become the patriarch of these venerable relics. But I'll warn them to
+conceal themselves as much as<span class='pagenum'><a name="Page_37" id="Page_37">37</a></span> possible. I fully expect to leave the
+reservation for good just one hour after the lady arrives."</p>
+
+<p>"That's your affair, of course. As she's motoring, we can't just time
+her arrival, but when I get a wire that she's on the way I'll telephone
+you. And, of course, after she gets here I'll come at once to pay my
+respects."</p>
+
+<p>"You can't come too soon!" I answered spitefully.</p>
+
+<hr class="major" />
+<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'>
+<a name="CHAPTER_II" id="CHAPTER_II"></a>
+<span class='pagenum'><a name="Page_38" id="Page_38">38</a></span>
+<h2>CHAPTER II</h2><h3>THE AMAZING WIDOW</h3>
+</div>
+
+<p>As soon as Torrence left I returned to the garage, feeling that with
+Mrs. Bashford on American soil my use of the residence even as a
+loafing-place was unbecoming. Mrs. Bashford was not only in America, but
+with a motor at her command she might reach Barton at any hour. And the
+vigorous, dominating woman who had captured my uncle Bash, buried him in
+a far country, and then effected a hop, skip, and jump from Bangkok to
+Seattle, was likely to be a prodigal spender of gasoline. Her propensity
+for travelling encouraged the hope that she would quickly weary of
+Barton and pine for lands where the elephant and jinrickisha flourish.</p>
+
+<p>I had brought with me the manuscript of Searles's play, and I fell upon
+it irritably and began reading the first act. The dialogue moved
+briskly, and I read on as though enfolded in the air of a crisp spring
+morning.<span class='pagenum'><a name="Page_39" id="Page_39">39</a></span> It was Searles's whimsical stroke, only with a better vehicle
+than he had ever before found for it. My grouch over the upsetting of my
+plans yielded under the spell of his humor.</p>
+
+<p>"Lady Larkspur" was the name assumed by the daughter of a recluse
+naturalist in the valley of Virginia. She had known no life but that of
+the open country, where she ran wild all summer, aiding her father in
+collecting plants and butterflies. At twenty she had never seen a city,
+and her social contacts had been limited to the country folk, who viewed
+her with commiseration as the prisoner of her misanthrope father, who in
+the fifteen years of his exile had maintained a hostile attitude toward
+his neighbors. He had, however, educated the girl in such manner that
+only the cheer and joy of life were known to her. Hating mankind, he had
+encouraged her in nature-worship. She knew no literature except the
+classics; all history, even the history of the storied valley in which
+she lived, was a sealed book to her.</p>
+
+<p>The girl's curiosity is roused by the sudden appearance of strangers
+from the unknown world beyond, whom she mystifies by her<span class='pagenum'><a name="Page_40" id="Page_40">40</a></span> quaint
+old-worldishness. Searles had taken an old theme and given a novel twist
+to it. The solution of the mystery of the father's exile and an amusing
+complication of lovers afforded a suspensive interest well sustained to
+the end. There were innumerable charming scenes, as where the girl in
+the outlandish costume in which she roamed the hills perches on a
+boulder and recites the "Iliad" to her suitors. In the last act she
+appears at a ball at a country house in sophisticated raiment, and the
+story ends in the key of mirth in which it began.</p>
+
+<p>It was a delightful blending and modernization of Diana, Atalanta,
+Cinderella, and Rosalind; but even in the typewritten page it was
+amazingly alive and well calculated to evoke tears and laughter. That a
+play so enthralling should be buried in a safety-vault was not to be
+thought of, and I sat down and wrote Searles a long letter demanding
+that he at once forget the lost star for whom he had written the piece,
+suggesting the names of several well-known actresses I thought worth
+considering for the difficult leading r&ocirc;le. Not satisfied with this, I
+telephoned a telegram to<span class='pagenum'><a name="Page_41" id="Page_41">41</a></span> the agent at Barton for transmission to
+Searles at the Ohio address he had given me.</p>
+
+<p>The next day passed without incident, and on the second, hearing nothing
+from Torrence, I began to doubt Mrs. Bashford's proximity. On the third,
+still hearing nothing, I harkened to an invitation from friends at New
+London and drove over in the runabout for dinner. It was midnight when I
+got back, and when I reached the gates several men dashed out of the
+lodge and halted me.</p>
+
+<p>"She's come, sir," announced Antoine, emerging from the darkness, and
+speaking under stress of deep emotion; "madame the widow has arrived,
+sir!"</p>
+
+<p>"Why not Cleopatra or the Queen of Sheba?" I exclaimed testily to cover
+my annoyance that my aunt had effected her descent in my absence. "Well,
+she was expected; the house is hers; what do you want me to do about
+it?" I ended with affected jocularity.</p>
+
+<p>"We received her the best we could; but it was most unfortunate, your
+not being here, sir."</p>
+
+<p>"Is that your idea, Antoine, or do you reflect<span class='pagenum'><a name="Page_42" id="Page_42">42</a></span> the lady's sentiments?
+I'm properly humiliated either way. Tell me just what she said."</p>
+
+<p>"Well, sir, she just laughed when I took the liberty of apologizing."</p>
+
+<p>"The sneering laughter of outraged dignity! Go ahead and give me the
+rest of it."</p>
+
+<p>"It was at ten she came, sir, and the guard held her up, not recognizing
+her, here at the gate, and when the car didn't stop the boys chased her
+and fired at the tires of her machine. It was very dreadful, sir. And at
+the house&mdash;at the door, sir&mdash;the guard was very harsh with her, sir,
+most regrettable."</p>
+
+<p>"You certainly made a mess of it!" I ejaculated. "But you did let her
+in&mdash;into her own house, we must remember&mdash;you did grant her the courtesy
+of a lodging for the night?" I inquired ironically.</p>
+
+<p>"She's retired, sir. There was a lady with her; maybe a maid; I can't
+exactly say; and we did everything, sir, to make her comfortable. She
+was not what you might say fussy, sir, but quite human-like. We was all
+relieved, sir, the way she took everything. I<span class='pagenum'><a name="Page_43" id="Page_43">43</a></span> hope you'll pardon us,
+sir, which was due to not being warned."</p>
+
+<p>"Oh, it's all right with me, but in the morning she'll probably bounce
+the whole lot of us. An old lady fatigued from a journey cross country
+and shot at on her own premises&mdash;it's a very pretty story."</p>
+
+<p>They were a picturesque lot, the ancient waiters and bell-hops grouped
+about Antoine with their lanterns and garden implements and firearms.
+Antoine was swallowing hard in his effort to continue his recital.</p>
+
+<p>"You say an old lady, sir; the mistress is not really what you would
+call so old&mdash;not exactly, sir."</p>
+
+<p>"Really a youngish party, I should say," volunteered Graves, the
+gardener.</p>
+
+<p>Just what these veterans would call old was a matter of conjecture.
+"Um," I murmured, and considered the situation.</p>
+
+<p>"Young or old, she would hardly relish her reception. There was a maid,
+and they came in a machine? Did you put up the chauffeur or did you
+shoot him on the spot?"</p>
+
+<p>"It was a hired machine, sir; and madame sent it away. The driver was a
+good deal upset<span class='pagenum'><a name="Page_44" id="Page_44">44</a></span> over the shooting. One of the rear tires was quite
+blown away."</p>
+
+<p>"You're in luck if he doesn't have you all arrested to-morrow," I
+remarked consolingly.</p>
+
+<p>"Mrs. Bashford seemed quite amused by the occurrence," Antoine
+continued. "'Wonderful America!' she kept saying after we'd got her
+inside. We gave her tea, which was all she asked for. She takes her tea
+with cream, sir. We did our best to make her comfortable. And there was
+a dog, sir. I recall that the master was not fond of dogs. There was
+never one on the place."</p>
+
+<p>Antoine spoke truly; if there was anything my Uncle Bash detested it was
+a dog, but I reflected that a world-skipping widow who could corral so
+difficult a subject as my uncle would be quite capable of inspiring him
+with delight in the canine species. My respect for the woman's powers of
+persuasion was intensified by this disclosure.</p>
+
+<p>She had failed to wire Torrence as she promised or he had neglected to
+warn me of her coming; either way it was a pretty kettle of fish, and I
+shuddered at the thought of facing her wholly pardonable indignation.<span class='pagenum'><a name="Page_45" id="Page_45">45</a></span></p>
+
+<p>To make sure that nothing was required of me until morning, I drove past
+the house with the army hanging to the footboard. The lower rooms were
+dark, but lights twinkled through the second-story shutters. My aunt was
+established on the premises, and her coming and the circumstances of her
+advent constituted a good joke of which I and not she was the victim.
+When I reached my quarters in the garage I sat down and laughed until
+Flynn appeared, frightened by my noisy mirth that had penetrated to his
+quarters. I got rid of him and smoked a pipe and began the packing I
+meant to finish early in the morning.</p>
+
+<p>I wakened early, rang a bell connecting my rooms with the chauffeur's
+end of the garage as a warning to the Flynns to prepare breakfast, and
+was dressed when the Irishman came in with the tray. In the absence of a
+morning paper I clung to him for company.</p>
+
+<p>"I trust you will not be leaving, sorr," he remarked, eyeing my
+half-packed trunk.</p>
+
+<p>"Very soon, Flynn."</p>
+
+<p>"Then Elsie and I will be going too, sorr. It's most uncomfortable
+they're making us&mdash;Dutch<span class='pagenum'><a name="Page_46" id="Page_46">46</a></span> and the rest. That Antoine and his army keep
+pesterin' us and callin' us Huns."</p>
+
+<p>"You raise a very interesting question, Flynn, a very delicate question
+of fact and propriety. Satisfied as you and Elsie are of your entire
+loyalty to the United States and the associated Powers, I think you
+should remain, a martyr, if need be, to the great cause of world
+democracy."</p>
+
+<p>"It's most disagreeable we find it, the wife and me," he said
+mournfully.</p>
+
+<p>"Suffer and be strong&mdash;that's the watchword! We will hope that Mrs.
+Bashford is a woman of sound sense and tact who will exert herself to
+restore peace on her property. When I call to pay my respects and make
+my adieus I shall speak to her of the situation and vouch for your
+loyalty. You may count on me. You haven't, I suppose, seen the widow
+yet&mdash;she's probably sleeping late."</p>
+
+<p>"Quite the contrary, sorr. She's been up and around for an hour an'
+more. She's been all over the place and stopped for a squint at the
+garage, her and the pup."</p>
+
+<p>"She's been here, inspecting the garage?" I asked, glancing at my watch.
+It was not yet<span class='pagenum'><a name="Page_47" id="Page_47">47</a></span> eight o'clock. The banter died out of me; clearly it had
+been my duty to be on hand to pilot her over the estate, or at least to
+receive her at the garage. "Just what was the lady's frame of mind&mdash;as
+to things generally. Peeved, was she, over the row last night?"</p>
+
+<p>"Oh, no, sorr; quite cheerful an' friendly. She's ordered a big car from
+New York and told me it would be coming up to-day and to make a place
+for it."</p>
+
+<p>Here was news indeed, destroying all my hopes that she meditated only a
+brief sojourn. The purchase of a machine meant definitely that she would
+remain for some time, perhaps for the winter. I poured a second cup of
+coffee, swallowed it, grabbed my hat and stick, and asked enlightment as
+to the course taken by Mrs. Bashford when she left the garage.</p>
+
+<p>"She took the lower road, sorr, toward the Sound and stepped off quite
+brisk-like."</p>
+
+<p>It was the serenest of September mornings, and I hurried away, thinking
+the cloudless blue arch, the twinkling sea, and the crisp air might
+serve to soften my aunt's displeasure at her hostile reception. From the
+conservatories<span class='pagenum'><a name="Page_48" id="Page_48">48</a></span> I caught a glimpse of a woman on the beach&mdash;a slender,
+agile woman throwing a ball for the amusement of a fox-terrier. She
+threw the ball with a boy's free swing, occasionally varying a hot one
+down the shore with a toss high in air which she caught up herself
+before the terrier could reach it. The two were having no end of a good
+time. She laughed joyfully when the ball fell into her hands and the
+terrier barked his discomfiture and eagerness for a chance to redeem
+himself.</p>
+
+<p>Antoine's equivocal statement as to Mrs. Bashford's age was ridiculous.
+Instead of the middle-aged woman whom I was prepared to meet, here was
+beyond question a vigorous, healthy being whose every movement spoke for
+youth and the joy of life. It might, after all, be the maid of whom
+Antoine had spoken; I advanced slowly, anxious not to break in upon her
+romp with the terrier&mdash;they made a charming picture&mdash;and trying to
+formulate an introduction. I reached a low stone wall that separated the
+lawn from the beach just as she effected a running pick-up of the ball.
+She turned swiftly and flung it straight at my<span class='pagenum'><a name="Page_49" id="Page_49">49</a></span> head. Involuntarily I
+put up my hand and caught it just as she saw me and cried out&mdash;a cry of
+warning and contrition. I tossed the ball to the dog.</p>
+
+<p>"What must you think of me!" she exclaimed. "I was blinded by the
+sunlight and I didn't see you&mdash;really I did not!"</p>
+
+<p>"I had no business being in the way," I laughed, noting first her
+glowing color, her violet eyes&mdash;amazingly fine eyes they were&mdash;her fair
+hair with its golden glint, her plain black gown with lawn collar and
+wristbands. It was her age, however, that roused me to instant
+speculation. Twenty-five, I decided, was a maximum; more likely she was
+not more than twenty-two, and if I had been told that eighteen was the
+total of her years I shouldn't have had the heart to dispute it.</p>
+
+<p>"Bob Singleton," I said and stupidly added, "and you are Mrs. Bashford?"
+unable for the life of me to avoid turning the statement into an
+inquiry.</p>
+
+<p>"I am your aunt Alice," she said with a smile, putting out her hand.
+"Down, Rex!" she commanded the dancing terrier; "lie down; school's over
+now"; whereupon Rex<span class='pagenum'><a name="Page_50" id="Page_50">50</a></span> obediently sprawled in the sand and began trying to
+swallow the ball.</p>
+
+<p>"Wasn't that silly of me to try to kill you the first time we met!" Her
+eyes danced with merriment. "I didn't know, of course, that any one was
+about. But you made a very nice catch of it! I had expected to receive
+you most formally in the drawing-room, but this really serves very well.
+That tree down yonder is inviting; suppose we stay out here and talk a
+bit."</p>
+
+<p>This struck me as the pleasantest thing imaginable, though I was still
+dazed and my tongue seemed to have died in my mouth. This girl, this
+wholly charming and delightful young woman, was the monstrous being I
+had conjectured as the globe-trotting widow who had kidnapped and
+married my uncle! Not only had she married my uncle Bash and in due
+course buried him; she had been a widow when she married him! I
+furtively studied her face&mdash;a face that invited scrutiny&mdash;and her candid
+eyes that met my gaze of wonder and frank admiration easily and without
+a trace of self-consciousness. On the third finger of her left hand was
+a slender<span class='pagenum'><a name="Page_51" id="Page_51">51</a></span> band of gold. The thing was staggering, bewildering. She was
+clearly anxious to be friendly, but nothing that I had thought of saying
+to her fitted the situation.</p>
+
+<p>"In the first place," I finally began, "I must apologize most humbly for
+the earnest efforts of the servants to murder you last night. Mr.
+Torrence had promised to let me know when you would reach here, but he
+must have forgotten it. I had motored to a friend's house to dine and
+didn't get back until the mischief was done. I'm very sorry. You must
+have thought you had driven into a camp of savages!"</p>
+
+<p>"Not for worlds would I have missed that," she exclaimed with a merry
+laugh. "It was perfectly delicious! And it was all my fault. I meant to
+remain a day at Hartford, you know, and send a message to Mr. Torrence
+from there, but I found that by pushing on I could reach here yesterday.
+Then the machine I hired showed every weakness that motors are subject
+to and we were hours later than the Hartford garage man promised. And
+you know we English always expect strange things to happen in America. I
+don't understand<span class='pagenum'><a name="Page_52" id="Page_52">52</a></span> yet why those people at the gates were so jolly
+anxious to kill us; but it doesn't matter; you would only spoil the joke
+by explaining it."</p>
+
+<p>However, I did my best&mdash;it was a weak attempt&mdash;to explain the
+nervousness of the veteran servants and their display of violence. Her
+arrival made it likely that we should soon know more about the "parties"
+whose visits and inquiries had so alarmed Antoine and his comrades. Now
+that I saw Mrs. Bashford the idea that any one could entertain
+malevolent designs upon her was more preposterous than ever, and I
+resolved that she must be shielded from annoyances of every kind. I told
+her with all the humor I could throw into the recital of the drilling of
+the bell-hops and of the uncomfortable relations between the Allied
+forces and the Teutonic minority on the estate.</p>
+
+<p>"It was dear of Mr. Bashford to provide a home for these people; wasn't
+he really the kindest soul that ever lived?" she said softly.</p>
+
+<p>She gazed wistfully seaward, and I saw the gleam of tears on her long
+lashes. My uncle had, then, meant something to her! No one,<span class='pagenum'><a name="Page_53" id="Page_53">53</a></span> in speech
+or manner, could have suggested the adventuress less; Uncle Bash was a
+gentleman, a man of &aelig;sthetic tastes, and the girl was adorable. More
+remarkable things had happened in the history of love and marriage than
+that two such persons, meeting in a far corner of the world, would
+honestly care for each other. My respect for Uncle Bash grew; he had
+married the most attractive girl in the world, and here she was with the
+bloom of her girlhood upon her, tripping alone through a world that
+might have been created merely that she might confer light and cheer
+upon it.</p>
+
+<p>"You stopped at Hartford," I began, breaking a long silence. "You have
+friends there&mdash;&mdash;?"</p>
+
+<p>"Not one! I had made a pious pilgrimage to Mark Twain's last home at
+Redding, and, hearing that he had lived at Hartford, I came through
+there to render my fullest homage. He has always been one of my heroes,
+you know." She laughingly lifted her hands and counted upon her
+fingers&mdash;"'The Jumping Frog,' Tom and Huck, and 'Mulberry Sellers,' 'The
+Prince and the Pauper,' and 'Pudd'nhead Wilson'! I know them all by
+heart!"<span class='pagenum'><a name="Page_54" id="Page_54">54</a></span></p>
+
+<p>"Our introduction is complete," I said reverently. "Let's consider
+ourselves old friends."</p>
+
+<p>"I rather thought we'd understand each other," she said in her even,
+mellow tones. "You know, we had your photograph out East&mdash;a very good
+one, it seems&mdash;so I had an idea of what you looked like."</p>
+
+<p>"The photograph gave you an unfair advantage! And I didn't know Uncle
+Bash carried one away with him."</p>
+
+<p>"He was very fond of you," she said gravely. "He was very proud that you
+had gone into the war."</p>
+
+<p>"I am glad to hear that; I thought he disapproved of me for refusing to
+go into business. He offered me a substantial interest before he sold
+out."</p>
+
+<p>"I know that; but I think he liked you rather better for refusing it.
+Business with him was merely a means to an end. And it was doubly sad
+that he should die just when he was free to enjoy the beautiful things
+he loved."</p>
+
+<p>It was at the tip of my tongue to say that the loss of her companionship
+was even more grievous; but nothing in her manner invited<span class='pagenum'><a name="Page_55" id="Page_55">55</a></span> such a
+comment. Her grave moods were to be respected, and she talked for some
+time of Uncle Bash's life in the East, of his short illness and quite
+unexpected death.</p>
+
+<p>"But I'm keeping you," she exclaimed suddenly, jumping down from the
+wall. "And I must finish my unpacking."</p>
+
+<p>As we walked to the house I answered her questions about the
+neighborhood, and promised to telephone Torrence immediately of her
+arrival.</p>
+
+<p>"You will have luncheon with us&mdash;or maybe dinner would be better&mdash;or
+both? Antoine told me of your bachelor establishment, but eating alone
+is bad for the digestion. I shall think you resent my coming if you
+don't dine at the house every day. Mrs. Farnsworth&mdash;my friend and
+companion&mdash;is a very interesting woman. I am sure you will like her."</p>
+
+<p>The information that she was protected in her youthful widowhood by a
+companion was imparted neatly.</p>
+
+<p>"It was really much nicer, meeting this way," she said, giving me her
+hand. "We shall expect you at seven."</p>
+
+<p>I found them on the veranda, which had<span class='pagenum'><a name="Page_56" id="Page_56">56</a></span> been transformed since my last
+glimpse of it. Rugs, wicker furniture, wall-pockets of flowers, and
+paper lanterns dropped over the electric lights gave it the appearance
+of a prettily set scene. She came toward me, a slender figure in white.
+She seemed taller in white; as she took a few steps toward me, I was
+aware of a stateliness I had missed at the shore. A queenly young
+person, but as unaffectedly cordial and friendly as in the bright
+morning sunlight.</p>
+
+<p>"Mrs. Farnsworth, Mr. Singleton."</p>
+
+<p>Mrs. Farnsworth was a pleasant-faced, white-haired woman with remarkably
+fine, dark eyes. If the positions had been changed&mdash;if Mrs. Farnsworth
+had been my uncle's choice of a wife, the situation would have been much
+more real. I instantly liked Mrs. Farnsworth. She uttered a few
+commonplaces in an uncommonplace tone without pausing in her knitting.
+Mrs. Bashford had been knitting too, and as she sat down she took up her
+yarn and needles. It was a sweater, I think; it doesn't matter. What
+matters is that her hands moved swiftly and deftly. Her manner of
+knitting was charming. She knew that I<span class='pagenum'><a name="Page_57" id="Page_57">57</a></span> was watching her hands and
+remarked with a graceful turn of the head:</p>
+
+<p>"For an English boy somewhere! I began by knitting for my brother and
+cousins, but"&mdash;her head bent lower&mdash;"that isn't for me to do any more."
+Her eyes, turned upon me for a moment, were bright with tears.</p>
+
+<p>I was speaking of the splendid valor of Englishmen I had known in France
+when Antoine announced dinner.</p>
+
+<p>It had been years since the house had known a woman's hand, and it was
+astonishing how humanized it had become in a few hours. The long
+dining-room, always a bare, forbidding place, had been reduced to cosey
+proportions by screens, and a small round table replaced the massive,
+oblong affair that always looked as though it had been built into the
+house by the carpenters.</p>
+
+<p>"I found those lovely screens in the garret and thought we might as well
+enjoy them, and that Lang Yao jar you see on the sideboard oughtn't to
+be hidden in the vault."</p>
+
+<p>"I am sure Uncle Bash would be happy to know you care for these things
+so much," I said, noting that the white roses she had<span class='pagenum'><a name="Page_58" id="Page_58">58</a></span> chosen for the
+jar&mdash;I knew the choice was hers&mdash;served to emphasize the deep red of its
+exquisite glaze.</p>
+
+<p>"I am among the unelect," remarked Mrs. Farnsworth. "When I am told that
+such things are beautiful I am immediately convinced. I say they are
+beautiful, and that is enough."</p>
+
+<p>"That has always been enough for me," I replied. "My uncle used to try
+to interest me, and I wore out a good many pairs of shoes following him
+through museums and salesrooms, but he gave me up when he found that my
+pagan soul was aroused by nothing but pottery idols. It wasn't the
+pottery that interested me even there, but only the ugliest designs. I
+am a heathen!"</p>
+
+<p>"I am gratified that you make the admission so frankly," said Mrs.
+Farnsworth. "I have always been a great admirer of the heathen."</p>
+
+<p>"I like them when they are nice," said Mrs. Bashford.</p>
+
+<p>"Yes; I have found you very discriminating in your choice of the
+species, Alice. But, you know, Mr. Singleton, Alice and I never<span class='pagenum'><a name="Page_59" id="Page_59">59</a></span> can
+agree as to just what a heathen is. All our squabbles have been about
+that. The old hymn pictured the heathen in his blindness bowing down to
+wood and stone; but I'm disposed to broaden my definition to include all
+who believe in fairies good or bad, and persons who honestly believe in
+signs, omens, and lucky stones and all who have the receipt of fern-seed
+and walk invisible&mdash;there's Shakespeare for that. Some very good
+Christians are also very nice heathens: we mustn't be narrow and bigoted
+about such things."</p>
+
+<p>"I think," said Mrs. Bashford soberly, "that I have always believed in
+witches; and if I keep on believing I shall see one some day. We shall
+find anything in this world that we believe in hard enough. Now a
+witch&mdash;the kind of witch I have always expected to wake up and find
+flourishing a broom at me from the foot of my bed&mdash;&mdash;"</p>
+
+<p>She was talking very gravely, as though witches were the commonest topic
+of conversation, but finding my eyes turned upon her in frank wonder,
+she laughed at my amazement.<span class='pagenum'><a name="Page_60" id="Page_60">60</a></span></p>
+
+<p>"Let us be honest with you, Mr. Singleton," Mrs. Farnsworth explained,
+"and tell you that we are just testing you. It may be a breach of
+hospitality, and you are all but a stranger, but we are curious to know
+whether you are of that small company of the favored of heaven who can
+play at being foolish without becoming idiotic. Alice is sometimes very
+near idiocy. You admit that, Alice!"</p>
+
+<p>"I not only admit it, but I might even boast of it!" my aunt replied.</p>
+
+<p>At the mention of witches I had caught Antoine crossing himself as he
+turned to the sideboard. I confess that I myself had been startled by
+the drift of the talk. Mrs. Farnsworth was far from being the grim
+duenna I had feared might be my aunt's chaperon, and there was certainly
+nothing in her appearance to suggest that she was a believer in witches.
+She and my aunt treated each other as though they were contemporaries,
+and it was Alice and Constance between them. As the talk ran
+exhaustively through the lore of witches and goblins I had hoped that
+one or the other would drop some clew as to the previous history of my
+amazing aunt. It was as plain as<span class='pagenum'><a name="Page_61" id="Page_61">61</a></span> day that she and Mrs. Farnsworth
+indulged in whims for the joy of it, and her zest in the discussion of
+witches, carried on while Antoine served the table, lips tightly
+compressed, and with an exaggeration of his stately tread, was the more
+startling from the fact that my aunt's companion was a woman of years, a
+handsome woman with a high-bred air who did not look at all like a
+person who would discuss witches as though they had been made the topic
+of the day by the afternoon newspapers. And when the shape of a witch's
+chin became the immediate point of discussion I knew it was in Antoine's
+mind that such conversation was unbecoming, an offense to the memory of
+Raymond Bashford. Mrs. Farnsworth's brown eyes sparkled, and the color
+deepened in my aunt's cheeks as we discoursed upon witches and the chins
+thereof. I had a friend in college who used to indulge in the same sort
+of piffling, but that my uncle's widow and her elderly companion should
+delight in such absurdities bewildered me. I had been addressing my aunt
+as Mrs. Bashford&mdash;it seemed ridiculous to call her Aunt Alice&mdash;and in
+the heat of our argument as to<span class='pagenum'><a name="Page_62" id="Page_62">62</a></span> whether witches are necessarily naughty
+and malign beings I had just uttered the "Mrs." when she bent toward me
+and said gravely and with no hint of archness: "Can't we make it Alice
+and Bob? I think that would be a lot friendlier."</p>
+
+<p>I experienced a curious flutter of the heart the first time I tried it,
+but after that it came very easily. I found it impossible to think of
+her in terms of auntship, and it was a relief to have the relationship
+waived. She was simply the jolliest, prettiest girl that had ever
+crossed my horizon, and to be talking to her across the table gave me
+thrills compared with which sliding out of clouds in an airplane is only
+a rocking-chair pastime for old men.</p>
+
+<p>The veteran chef of the Tyringham had produced an excellent dinner,
+though the witch talk made Antoine a trifle nervous in serving it.</p>
+
+<p>We had coffee on the veranda (Alice thought it would be nicer there),
+and as Antoine gave me my cup he edged close to my chair to whisper:</p>
+
+<p>"That party, sir. If he should come&mdash;&mdash;"</p>
+
+<p>"Tell the troops not to attack any visitors,"<span class='pagenum'><a name="Page_63" id="Page_63">63</a></span> I said, loud enough for
+the others to hear. "Mr. Torrence will be here shortly, and it would be
+annoying to have him ushered in on a shutter. We must establish a rule
+that callers are not to be fired upon at the gate."</p>
+
+<p>"I know why this is the land of the free and the home of the brave,"
+laughed Alice. "One has to be brave to live here."</p>
+
+<p>Antoine departed with a resentful twist of the shoulders, and I decided
+to meet squarely the matter of the visitors who had so troubled him.</p>
+
+<p>"Please don't be frightened," I said as lightly as possible, "but these
+old fellows haven't enough to do, and they are full of apprehensions.
+With nobody here to keep them busy it's remarkable they haven't found a
+ghost."</p>
+
+<p>"If they only would!" murmured Mrs. Farnsworth.</p>
+
+<p>"No such luck! They have been alarmed by an agent of some sort who wants
+to welcome you to America by selling you a piano on easy payments."</p>
+
+<p>Antoine had been hovering inside, and my remark brought him to the
+door.<span class='pagenum'><a name="Page_64" id="Page_64">64</a></span></p>
+
+<p>"Beg pardon, Mr. Singleton, but that party is not an agent, but quite
+different, sir. He came to the house, quite like a gentleman, several
+times, and asked if Mrs. Bashford had arrived. He came in a big car, and
+seemed disappointed, madame, that you were not here and not expected.
+The second time he said he was just passing on his way to the city and
+thought he would stop again. A very well-spoken gentleman, and we'd have
+thought nothing of it except that a few days later I caught a man I was
+sure was the same party, but dressed in rough clothes, sneaking across
+the veranda right there where you're sitting. When I called to him he
+ran as hard as he could, and Graves&mdash;he's the vegetable-gardener&mdash;saw
+him leaving the property by the back way."</p>
+
+<p>"It's hardly possible that a man who impressed you as a gentleman when
+you saw him at the door should have returned in disguise and tried to
+break into the house. The two things don't hang together, Antoine."</p>
+
+<p>"Oh," exclaimed Mrs. Farnsworth, "it would be so much more delightful if
+that were<span class='pagenum'><a name="Page_65" id="Page_65">65</a></span> true! Any one in disguise is bound to be interesting. A
+disguise suggests most beautiful possibilities. And to be sought, asked
+for by a stranger!"</p>
+
+<p>I could not be sure in the dim light of the veranda, but I thought I
+detected a white slipper cautiously reach out and touch a black one. At
+any rate, Mrs. Farnsworth lapsed into silence.</p>
+
+<p>"Thank you very much, Antoine," said Alice. "It is very proper for you
+to tell me anything of any stranger on the property, but I see nothing
+here to be alarmed about. If the same gentleman calls again, let me know
+instantly."</p>
+
+<p>"Very good, madame." And then, turning as though conferring upon me a
+part of his responsibility for the security of the premises: "It's a
+party with a limp; just a trifling limp, sir; you'd hardly notice it. It
+was worse the last time as he ran away. A smallish man, rather dark,
+with a little mustache turned up at the ends."</p>
+
+<p>"I have noted all these details, Antoine," I replied; and again I
+thought there was a telegraphic exchange between the ladies,<span class='pagenum'><a name="Page_66" id="Page_66">66</a></span> though
+this time a black slipper was the means of communication.</p>
+
+<p>Torrence arrived in a moment, and nothing has ever given me keener joy
+than his shock of surprise at beholding Mrs. Bashford. As I introduced
+the ladies he was so overcome that he greeted Mrs. Farnsworth as Mrs.
+Bashford&mdash;a not unnatural mistake&mdash;and there was an embarrassing moment
+as I set him right. Having done this, I seated myself beside Mrs.
+Farnsworth that Torrence might be free to talk business with my aunt. I
+was devoutly grateful that he had not been present at the dinner-table,
+for my own efforts to interest Torrence in anything but the most
+practical matters had always been highly unsuccessful, and the
+discussion of ghosts and witches would hardly have amused him. As Mrs.
+Farnsworth and I took up the recent movements on the western front I
+overheard Torrence putting all the machinery of the trust company at
+Mrs. Bashford's disposal. It seemed almost a blasphemy to be talking of
+income and like matters to a woman like Alice Bashford!</p>
+
+<p>They continued their conference for some time, but I got nothing out of
+Mrs. Farnsworth<span class='pagenum'><a name="Page_67" id="Page_67">67</a></span> that shed any light on my aunt's history beyond what
+she had told me herself, which was precious little. Mrs. Farnsworth's
+talk was that of a cultivated woman. Her voice interested me
+unaccountably; the tones had all manner of shadings and inflections; it
+was curiously musical, but in speaking of the great war a passionate
+note crept into it that stirred me deeply.</p>
+
+<p>"This has been a dark year for Alice," she remarked. "Mr. Bashford's
+death, followed quickly by that of her brother&mdash;an only son&mdash;piled a
+cruel burden of grief upon the dear child. She wants to go back to
+England to nurse the wounded, to do anything for our dear country, but I
+want to keep her here a little while until she can readjust herself. You
+must not think, Mr. Singleton, that she has no feeling; you have no idea
+of the depths of that child's nature; they are unfathomable! It is my
+task to encourage her in frivolity and the make-believe she loves&mdash;hence
+our absurdities at the table. She's the drollest child, but with
+wonderful understanding. And at times it's not easy to keep the divine
+spark of play alive in her heart."</p>
+
+<p>The light of one of the porch lamps fell<span class='pagenum'><a name="Page_68" id="Page_68">68</a></span> upon Alice's face as she
+patiently gave heed to Torrence's account of his stewardship. One of her
+hands gently stroked the terrier that lay quietly in a chair beside her.
+I was sure that his painstaking description of assets and market values
+was boring her. Once her voice rose in expostulation. Torrence, I
+judged, was suggesting that legal means could be found to expel the old
+Tyringham employees from the Barton property.</p>
+
+<p>"Oh, never in the world! It was quite like Mr. Bashford to want to care
+for these people in their old age. And"&mdash;she laughed and turned toward
+me&mdash;"they can't be dislodged while Bob lives; and we don't want to part
+with him just yet."</p>
+
+<p>I was glad to have him hear her address me in this intimate fashion.
+Torry always inspired in me a desire to shock him. He was trying to
+assure Alice that his only concern was to make her comfortable; he
+wished to save her from every annoyance and that sort of thing.</p>
+
+<p>"I shall help Alice to break them in, Torry," I said, lingering upon her
+name for his special edification.<span class='pagenum'><a name="Page_69" id="Page_69">69</a></span></p>
+
+<p>"Of course, Singleton," he replied. "I wasn't sure you meant to stay on.
+Pardon me, but I didn't&mdash;&mdash;"</p>
+
+<p>"Oh, it isn't that Bob hasn't a right to stay," said Alice quickly;
+"Mrs. Farnsworth and I are hoping that he will like us well enough to
+share our exile on other accounts. We are so unfamiliar with everything
+American that it would be most unkind for him to desert us."</p>
+
+<p>"I am engaging Mr. Singleton to explain American jokes to me," announced
+Mrs. Farnsworth. "Alice seems to get them, but I'm never sure."</p>
+
+<p>It is a part of Torrence's business to counsel widows, which he does
+like the honorable man he is, but as he rose to go presently, remarking
+that his wife would motor down to call shortly, I caught a glimpse of
+his face that indicated deep perplexity. I wanted to warn him that Alice
+Bashford was not an ordinary widow, who vexes officers of trust
+companies with foolish questions and is prone to overdraw her account,
+so I left when he did.</p>
+
+<p>"I want to talk to you," he said nervously<span class='pagenum'><a name="Page_70" id="Page_70">70</a></span> when we were outside. "I'll
+send the car ahead to the gate."</p>
+
+<p>When the shrubbery cut us off from the house he stopped abruptly and
+seized my arm. "What do you make of it?" he demanded.</p>
+
+<p>"Make of what?" I asked.</p>
+
+<p>"That girl!" he exclaimed testily.</p>
+
+<p>"If you insist, I must avow that she's adorable, nothing else."</p>
+
+<p>"Don't be a fool! You knew Raymond Bashford much better than I did, and
+you know perfectly well he never married a young girl of that sort!
+Those women are playing a trick, and I'm surprised that you don't see
+through it."</p>
+
+<p>"My uncle was a man of taste and a gentleman," I answered deliberately.
+"There's nothing in the least improbable in his being infatuated with a
+young woman of charm and wit like this girl. And it is hardly profitable
+or decent to speculate as to her interest in him. You mustn't forget
+that Uncle Bash was an unusual man, a man with whom a young girl might
+easily fall in love without reference to his age or money or anything
+else."<span class='pagenum'><a name="Page_71" id="Page_71">71</a></span></p>
+
+<p>"I tell you it won't do," he insisted. "If either of those women at the
+house is Raymond Bashford's widow, it's the one who calls herself
+Farnsworth."</p>
+
+<p>"You did your best to convict them of fraud the first jump out of the
+box," I said, laughing at the recollection of his confusion when I
+introduced him.</p>
+
+<p>"My mistake was a natural one," he said defensively. "They're playing a
+game of some kind and it's no laughing matter, but it won't take long to
+find out what they're up to."</p>
+
+<p>"You'll hardly go the length of having them arrested as imposters,
+Torrence&mdash;not without some data to work on!"</p>
+
+<p>"Certainly not. You seem to be hitting it off with both of them, but I
+advise you to be on guard. Are you sure your uncle never sent you his
+wife's photograph? That would have been a perfectly natural thing to
+do."</p>
+
+<p>"If I'd got a photograph, I should have headed for Japan, not for
+France." I laughed, but I was thinking deeply. His line of reasoning as
+to the incongruity of the marriage was not so different from my own that
+I could<span class='pagenum'><a name="Page_72" id="Page_72">72</a></span> sneer at his suspicions. Very convincingly, as became a
+practical-minded man, he expanded his views as to the unlikelihood of my
+uncle's marrying a girl but little beyond school age. I shrank from
+telling him that I didn't care a hang whether the widow was a fraud or
+not. If the two women who had settled themselves on the Barton estate
+were imposters, they were extraordinarily daring and clever. My attitude
+toward them was wholly defensive. If women of their quality were
+perpetrating a fraud, I was for giving them every chance, and I had no
+intention of allowing Torrence to spoil the unfolding of the conspiracy.</p>
+
+<p>We were nearing a gateway where his car waited, and I saw several of the
+guard hanging about at a discreet distance. "Look here, Singleton," he
+said angrily, "you don't seem to take this business very seriously. You
+don't want to make the mistake of letting a pretty girl pull the wool
+over your eyes. If we're not careful, we're all of us likely to get into
+trouble." He lowered his voice and added tensely: "Those women are under
+suspicion of something more serious than an attempt<span class='pagenum'><a name="Page_73" id="Page_73">73</a></span> to rob an estate.
+An agent of the American State Department called on me yesterday and
+asked embarrassing questions about Mrs. Bashford. Not a Secret Service
+man, you understand, or anything of that kind, but an important man in
+the State Department."</p>
+
+<p>"Of course you knew nothing to tell," I suggested as he beat the walk
+impatiently with his stick.</p>
+
+<p>"I took a chance at lying to him about her expected arrival. I thought
+it only decent to have a look at the woman first. He told me nothing
+except that the British Embassy had made inquiries and that the matter
+was delicate and must be handled carefully."</p>
+
+<p>"Was this inquirer lame&mdash;a small dark man with a black mustache?" I
+asked, suddenly interested. "Such a person has been hanging about here,
+so the boys tell me?"</p>
+
+<p>"Not at all! I may as well tell you it was Raynor&mdash;you probably remember
+him. He's a specialist in international law, and they took him into the
+State Department just after the <i>Lusitania</i> business. He's a gentleman
+and a good fellow&mdash;I've played golf with<span class='pagenum'><a name="Page_74" id="Page_74">74</a></span> him a good deal&mdash;and I hated
+to lie to him. Of course, with the whole United States back of him he
+can pursue his inquiries without my help; but I thought I'd see this
+woman before telling him she had reached America."</p>
+
+<p>I confess that I was a trifle dismayed by this. Raynor I knew slightly.
+Professionally and socially he stood high, and even without the prestige
+of his official position he was not a chap to sneeze at; but I didn't
+want Torrence to know I had any doubts as to the perfect authenticity of
+my uncle's widow.</p>
+
+<p>"Oh, every transcontinental pilgrim is probably scrutinized closely
+these days," I remarked carelessly. "Mrs. Bashford has lost a brother in
+the war, and I haven't heard any one talk more bitterly against Germany.
+And her companion certainly has no illusions about the Kaiser. You'd
+have to show me the proof to make me believe we're harboring spies."</p>
+
+<p>"I don't like the business," he declared stubbornly.</p>
+
+<p>"Let's do nothing foolish," I insisted. "If Raynor has reason to suspect
+either or both of these women, we'll hear further from him."<span class='pagenum'><a name="Page_75" id="Page_75">75</a></span></p>
+
+<p>"I've put myself in a hole," he said angrily. "Of course I've got to
+advise him immediately that Mrs. Bashford is here. I promised to let him
+know as soon as I heard from her."</p>
+
+<p>"Just wait a few days; I undertake to keep them under surveillance; you
+can put the whole responsibility on me. If they attempt to leave, I'll
+warn you and Raynor instantly, but they have settled themselves as
+though they expected to spend the rest of their lives here. Remembering
+your visit the other night, you ought to be satisfied with the policing
+of the place!"</p>
+
+<p>I told him of Mrs. Bashford's adventures in reaching the house without
+convincing him that there was anything funny in her experiences, and he
+left on my promise to report to him daily at a given hour and instantly
+if anything unusual occurred. I waited for the guards to lock the gates
+and bade them keep watch every night until further orders, and was on my
+way back through the grounds when Antoine arrested me.</p>
+
+<p>"Pardon me, but I'd like to ask what you think of it, sir?" he asked
+hoarsely, falling into step.<span class='pagenum'><a name="Page_76" id="Page_76">76</a></span></p>
+
+<p>"If you mean what do I think of Mrs. Bashford," I replied sharply, "I
+think she's quite charming and delightful and all any one could ask in
+every way."</p>
+
+<p>"It's her manner of speaking of spookish things, Mr. Singleton. It
+doesn't seem fitting in a widow and her so lately bereaved. And the
+older lady's quite as bad, sir. The maids tell me they keep talking all
+day about fairies and pretending they're queens and such like, and
+talking poetry to each other."</p>
+
+<p>"Quoting poetry is a harmless amusement, Antoine, and believing in
+fairies and goblins is no crime. Such pastimes argue for sweetness and
+innocence of character."</p>
+
+<p>"But the late master never indulged in such things, sir."</p>
+
+<p>"He would have lived longer if he had! It was probably the poetry and
+fairies that attracted him to Mrs. Bashford."</p>
+
+<p>"Yes, sir," he acquiesced with a gulp. "I suppose you're right, sir."</p>
+
+<p>"You should be grateful to Mrs. Bashford for not bouncing you all for
+the row you made last night. It could be done; in fact, Mr. Torrence has
+suggested that legal means could be found for getting rid of you."<span class='pagenum'><a name="Page_77" id="Page_77">77</a></span></p>
+
+<p>"That would be very sad, sir," he said humbly.</p>
+
+<p>"Isn't Mrs. Bashford kind to you? Hasn't she taken pains to make you all
+feel at home?"</p>
+
+<p>"Well, yes, sir. But she's taken Elsie back into the house, and there's
+no work for her, there being two women in the laundry already; and she's
+told me Dutch must be given his old place in charge of the poultry; and
+both being Germans, you will recall."</p>
+
+<p>"It's just her kind heart, you idiot! You've all been spoiled; that's
+what's the matter with you. Elsie and Dutch are as law-abiding and
+honest as the best of you."</p>
+
+<p>"It causes feeling; that's all, sir."</p>
+
+<p>"It needn't cause it if you brace up and act like a man," I retorted.
+Then, sorry I had been so harsh, I added: "We must take good care of
+Mrs. Bashford, Antoine. It would be your old master's wish. It will do
+no harm to keep a guard at the house for the present in case your
+mysterious stranger turns up again."</p>
+
+<p>He couldn't have failed to note my change of tone about the unknown
+visitor, but he made no comment.<span class='pagenum'><a name="Page_78" id="Page_78">78</a></span></p>
+
+<p>"The guard's set, sir; front and rear."</p>
+
+<p>"While there's no danger whatever it's just as well to take no chances.
+Please tell the boys to send for me immediately at any hour of the night
+if they see any prowlers about."</p>
+
+<p>"Very good, sir. But if you please, sir"&mdash;he had reached the garage and
+he lingered, fingering his hat nervously&mdash;"if it wasn't for the ladies
+talking about spirits, we'd all feel better, sir. It's creepy, sir, all
+the talk about witches and ghosts, no matter what names you call 'em
+by."</p>
+
+<p>"You're far from being a fool, Antoine. Those ladies just play at
+believing in such rubbish. If they really believed in ghosts, you may be
+sure they wouldn't talk about it at table before strangers like you and
+me."</p>
+
+<p>Though this seemed to impress him, a moment later, as I was drawing down
+the shades in my bedroom, I saw him running across the lawn like a
+frightened rabbit.</p>
+
+<hr class="major" />
+<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'>
+<a name="CHAPTER_III" id="CHAPTER_III"></a>
+<span class='pagenum'><a name="Page_79" id="Page_79">79</a></span>
+<h2>CHAPTER III</h2><h3>A FAN</h3>
+</div>
+
+<p>The morning mail brought a letter from Searles acknowledging my
+congratulations on his play. While my enthusiastic praise pleased him,
+he was very scornful of my suggestions about available stars, and seemed
+even more depressed than when he talked to me.</p>
+
+<p>"It's impossible for me to plan other work. 'Lady Larkspur' ate the soul
+out of me. I'm done; finished, clean out of the running. There's only
+this to report. I had a letter from Dalton saying that some time ago he
+asked at the hotel where he sent the script of 'Lady Larkspur' to know
+whether Miss Dewing had sent a forwarding address. He had to see the
+manager before he got any satisfaction, but he did learn that her
+accumulated mail had been called for by some one whose identity was not
+disclosed. Of course this isn't much to hang a hope on, but if that play
+is what I think it is and Miss<span class='pagenum'><a name="Page_80" id="Page_80">80</a></span> Violet Dewing ever reads it she's going
+to jump for the telegraph office the moment she finishes the last act. I
+have no plans for returning East; the folks at home let me do as I
+please, and it's a relief to be in seclusion where I hear nothing of the
+doings of Broadway. I hope your ancient globe-trotting aunt still
+lingers in the Far East! Keep the ink flowing, son. That novel ought to
+be well under way when I get back."</p>
+
+<p>The tale I had begun seemed utter trash in comparison with the story of
+Alice Bashford, in which, much against my will, I had become a minor
+character. I had rather prided myself on my ability to see through a
+plot in the first chapter of the most complicated mystery story, but
+there were points in this unwritten tale that baffled me.</p>
+
+<p>I kept away from the house until dinnertime, when I was received quite
+as an old friend by Alice and Mrs. Farnsworth. The table talk was of
+Celtic poetry, and proved less disturbing to Antoine than the previous
+night's discussion of ghosts.</p>
+
+<p>Their day had been spent, they explained, in a further examination of my
+uncle's Japanese<span class='pagenum'><a name="Page_81" id="Page_81">81</a></span> loot, and they had taken a long walk beyond the
+estate's boundaries and were enthusiastic about the landscape.</p>
+
+<p>"It's so beautifully peaceful all about here," Alice murmured. "I feel
+that I never want to move again."</p>
+
+<p>"That's a real tribute to America," Mrs. Farnsworth remarked; "for Alice
+dearly loves new scenes. She inherited a taste for travel from her
+father, who put some new places on the maps, you know."</p>
+
+<p>I didn't know and I wanted to ask questions about Alice's father, but as
+though anxious to frustrate such inquiries my aunt asked how close we
+were to the place made famous by Israel Putnam's spectacular escape from
+the British. She had read the story and would motor to the scene, she
+declared. It was quite clear that there were chapters in her life that
+were not to be opened for my perusal. No sooner had I caught a glimpse
+of a promising page than the book was politely closed. A curtain hung
+between the immediate present at Barton-on-the-Sound and other scenes
+and incidents of the girl's life; and Mrs. Farnsworth was equally
+detached<span class='pagenum'><a name="Page_82" id="Page_82">82</a></span> from any tangible background. It seemed that I might meet them
+daily for the rest of my life in this same friendly fashion without
+adding a particle to my knowledge of them.</p>
+
+<p>I became alert immediately when, as we rose from the table, Alice said,
+with the air of asking an unimportant favor:</p>
+
+<p>"We were speaking last night of a man who has been asking for us here.
+His visits have alarmed the servants, but there is nothing to fear from
+him. You know"&mdash;she smiled at Mrs. Farnsworth&mdash;"it's rather he who seems
+to fear us; that, at least, is our impression, though we have no idea
+why he should do so. Still, it's rather good fun to find yourself an
+object of special attention and to be followed, even pursued. We've even
+led him on a little, haven't we, Constance?"</p>
+
+<p>Mrs. Farnsworth laughingly admitted that they had led the gentleman on a
+trifle, "but with all circumspection," she protested.</p>
+
+<p>"We met him here and there in Tokyo, and later were surprised to find
+him crossing on our steamer. We threw him off in the Canadian Rockies,
+where we stopped for a day,<span class='pagenum'><a name="Page_83" id="Page_83">83</a></span> and eluded him in Chicago, where he was
+evidently lying in wait for us."</p>
+
+<p>"Delightful!" I exclaimed.</p>
+
+<p>"But please don't get the idea that the man annoys us," interposed Mrs.
+Farnsworth.</p>
+
+<p>"Far from it!" cried Alice.</p>
+
+<p>"You've seen enough of us perhaps to understand that we enjoy little
+adventures," said Mrs. Farnsworth. "The man pretends to be interested in
+Mr. Bashford's art treasures. Antoine's story about the disguise is
+rather against that; but we will give him the benefit of the doubt. What
+we are hoping is that something really amusing may come of his
+persistent pursuit. With you and the army of servants here we feel
+perfectly safe; so we're for giving him every chance to show his hand."</p>
+
+<p>"He is the Count Giuseppe Montani," said my aunt, "who represents
+himself as a connoisseur&mdash;a lover of the beautiful."</p>
+
+<p>"The mystery is solved! It is easy to understand why he has haunted the
+place."</p>
+
+<p>"Yes; quite easy. Count Montani is very anxious to see the porcelains."</p>
+
+<p>"I wasn't referring to the pottery; but I shan't press the matter."<span class='pagenum'><a name="Page_84" id="Page_84">84</a></span></p>
+
+<p>"I advise you not to; your remark was highly improper from a nephew to
+an aunt! I have told you about all I know of this Italian gentleman. I
+am going to ask a favor. He telephoned from Stamford this afternoon to
+know whether we had arrived, and I bade him call to-night. I should be
+glad if you would remain until he leaves. I should like to know what you
+make of him."</p>
+
+<p>"Certainly," I assented, pleased that she had taken me into her
+confidence and deeply curious as to the Italian connoisseur. What she
+had told so frankly and plausibly did not, however, touch upon the
+matter of the interest shown by the American State Department in my
+aunt's arrival at Barton, which troubled me much more than the antics of
+the Italian who had followed the women across the Pacific.</p>
+
+<p>Count Montani arrived shortly and was received in the drawing-room. The
+ladies greeted him with the greatest cordiality. As he crossed the room
+I verified the limp and other points of Antoine's description. His
+bearing was that of a gentleman; and in his very correct evening dress
+he hardly looked<span class='pagenum'><a name="Page_85" id="Page_85">85</a></span> like a man who would disguise himself and attempt to
+rob a house. He spoke English all but perfectly and proceeded at once to
+talk a great deal.</p>
+
+<p>"I was sad when I found I had so narrowly missed you at Seattle, and
+again at Chicago. You travel far too rapidly for one of my age!"</p>
+
+<p>His age might have been thirty. He was a suave, polished, sophisticated
+person. Nothing was more natural than that he should pause in his
+travels to call upon two agreeable women he had met on a Pacific
+steamer. Possibly he was in love with Alice Bashford; this was not a
+difficult state of heart and mind for a man to argue himself into. She
+was even more strikingly beautiful to-night than I had thought her
+before. She was again in white&mdash;it was only in daytime that she wore
+black&mdash;and white was exceedingly becoming to her. As we talked she plied
+listlessly a fan&mdash;a handsome trinket of ostrich plumes. A pretty woman
+and a fan are the happiest possible combination. There is no severer
+test of grace than a woman's manner of using a fan. A clumsy woman<span class='pagenum'><a name="Page_86" id="Page_86">86</a></span>
+makes an implement of this plaything, flourishing it to emphasize her
+talk, or, what is worse, pointing with it like an instructor before a
+blackboard. But in graceful hands it is unobtrusive, a mere bit of
+decoration that teases and fascinates the beholder's eye.</p>
+
+<p>With all his poise and equanimity I was distinctly conscious that
+Montani's dark eyes were intent upon the idly swaying fan. I thought at
+first it was her hands that interested him as they unfailingly
+interested me, but when, from time to time, she put down the fan his
+gaze still followed it. And yet there was nothing novel in the delicate
+combination of ivory and feathers. I had seen many fans that to all
+appearances were just like it. Once, as she picked it up and lazily
+opened it, I saw him bend forward eagerly, then, finding that I had
+noted his eagerness, he rose, pretending that a brass screen before the
+fireplace had caught his eye and asked whether it was not a Florentine
+production, which shook my faith in his connoisseurship, as I had bought
+the thing myself from a New York brassworker who had made it to my
+order.<span class='pagenum'><a name="Page_87" id="Page_87">87</a></span></p>
+
+<p>Montani spoke of the porcelains. "Oh, to be sure! They don't show to
+best advantage in electric light, do they? But I can have a few of the
+prize pieces taken into the dining-room," said Alice.</p>
+
+<p>Mrs. Farnsworth had excused herself to finish a letter, and from my
+chair I could see her head bent over the big desk in the library. Alice
+rang for Antoine, and I followed her into the hall to offer my aid.</p>
+
+<p>"Oh, don't trouble," she said. "Antoine can do anything necessary. Yes;
+thanks; if you will turn on the dining-room lights."</p>
+
+<p>I was gone hardly half a minute. When I reached the drawing-room door
+Montani had crossed the room to the table on which Alice had dropped the
+fan and was examining it closely. He faced the door, and the moment he
+detected me exclaimed carelessly: "An exquisite little bauble! I am
+always curious as to the source of such trifles. I was looking for the
+maker's imprimatur. I know a Parisian who is the leading manufacturer of
+the world. But it is not his, I see."</p>
+
+<p>As we stood talking of other things he plied the fan carelessly as
+though for the<span class='pagenum'><a name="Page_88" id="Page_88">88</a></span> pleasure of the faint scent it exhaled, and when Alice
+called us he put it down carefully where he had found it.</p>
+
+<p>He really did seem to know something about ceramics and praised, with
+lively enthusiasm, the pieces that had been set out on the table. One
+piece, as to whose authenticity my uncle had entertained serious doubts,
+Montani unhesitatingly pronounced genuine and stated very plausible
+reasons for his opinion.</p>
+
+<p>On the whole, he was an interesting fellow. When he had finished his
+inspections he lingered for only a few minutes and took his leave,
+saying that he was spending the night at an inn near Stamford.</p>
+
+<p>"Well," said Alice when the whir of his machine had died away, "what do
+you think of him?"</p>
+
+<p>"A very agreeable gentleman," I answered. "If he doesn't know
+porcelains, he fakes his talk admirably."</p>
+
+<p>"And as to fans&mdash;" suggested Mrs. Farnsworth.</p>
+
+<p>I had not intended to mention Montani's interest in Alice's fan, and the
+remark surprised me.<span class='pagenum'><a name="Page_89" id="Page_89">89</a></span></p>
+
+<p>"Oh, I saw it all from the library," laughed Mrs. Farnsworth. "My back
+was to the door, but I was facing a mirror. The moment you and Alice
+went into the hall he pounced upon the fan&mdash;pounced is the only word
+that describes it. He concealed his interest in it very neatly when you
+caught him examining it."</p>
+
+<p>"Fans are harmless things," said Alice, "and if there's any story
+attached to this one I'm not aware of it. My father bought it in Paris
+about three years ago, and it has never been out of my possession except
+to have it repaired. There's a Japanese jeweller who does wonderful
+things in the way of repairing trinkets of every kind. I left it with
+him for a few days. I can't tell now which panel was broken, he did his
+work so deftly."</p>
+
+<p>I took it from her and balanced it in my fingers. It was a beautiful
+piece of workmanship with the simplest carvings on the ivory panels.</p>
+
+<p>"He couldn't have seen it anywhere before to-night," observed Alice
+musingly. "In fact, I hadn't used it at all for a year. It was really by
+mistake that my maid put it into my trunk when I went to Japan. I
+didn't<span class='pagenum'><a name="Page_90" id="Page_90">90</a></span> want to risk breaking it again, so I've been carrying it in a
+hand-bag. The last day we were in Tokyo I think I had it in our
+sitting-room in the hotel, to make sure it wasn't jammed into the trunk
+again. We had a good many callers&mdash;a number of people came in to bid us
+good-by, but I'm sure Count Montani was not among them, and it would
+have been impossible for him to see it at any other time."</p>
+
+<p>"Oh, there is nothing disturbing in the count's interest in the thing,"
+said Mrs. Farnsworth with an air of dismissing the matter. "If it were a
+Jade trinket inscribed with Chinese mysteries, you might imagine that it
+would be sought by some one&mdash;I have heard of such things&mdash;but Alice's
+fan has no such history."</p>
+
+<p>"We weren't very hospitable," said Alice. "I might have asked Count
+Montani to dine with us to-morrow; and we might even have put him up for
+the night in this vast house."</p>
+
+<p>"Not with Antoine on the premises!" I exclaimed. "Antoine is convinced
+that the man is what we call in America a crook. And<span class='pagenum'><a name="Page_91" id="Page_91">91</a></span> Antoine takes his
+responsibilities very seriously."</p>
+
+<p>While I was breakfasting at the garage the next morning Antoine appeared
+and, waiting until Flynn was out of hearing, handed me a slip of paper.</p>
+
+<p>"That's a New York automobile number," he said. "It was on the tag of
+that machine the party came in last night. I heard him saying, sir, as
+how he had motored up from the Elkton Inn at Stamford. Visitors from
+Stamford would hardly send in to the city for a machine."</p>
+
+<p>I bade him wait while I called the Elkton by telephone. No such person
+as Giuseppe Montani had spent the night there or had been a guest of the
+house within the memory of the clerk. Antoine's chest swelled at this
+confirmation of his suspicions.</p>
+
+<p>"If the man returns, treat him as you did last night&mdash;as though he were
+entitled to the highest consideration."</p>
+
+<p>"He won't come back&mdash;not the same way," said Antoine. "He mentioned the
+Elkton just to throw you off. The next you hear of him will be quite
+different."<span class='pagenum'><a name="Page_92" id="Page_92">92</a></span></p>
+
+<p>"You mean he'll come as a burglar?"</p>
+
+<p>"That's what's in my mind, Mr. Singleton. Everything seems very queer,
+sir."</p>
+
+<p>"Such as what, Antoine?"</p>
+
+<p>"The widow has been telegraphing and telephoning considerable, sir."</p>
+
+<p>"There must be no spying upon these ladies!" I admonished severely. "All
+the people on the place must remember that Mrs. Bashford is mistress
+here, and entitled to fullest respect."</p>
+
+<p>He had hardly gone before Torrence had me on the wire to hear my report
+and to say that Raynor had left Washington for a weekend in Virginia.</p>
+
+<p>"That lets us out for a few days, but I'll have to report that Mrs.
+Bashford is at Barton the moment I learn that he is back in Washington."</p>
+
+<p>I assured him that nothing had occurred to encourage a suspicion that
+Mrs. Bashford was not all that she pretended to be. The day was marked
+by unusual activities on the part of the waiters and bell-hops. Instead
+of the company drills to which I had become accustomed they moved about
+in pairs along<span class='pagenum'><a name="Page_93" id="Page_93">93</a></span> the shore and the lines of the fences. I learned that
+Antoine had ordered this, and the "troops" were obeying him with the
+utmost seriousness. The "service" on the estate was certainly abundant.
+It was only necessary to whistle and one of the Tyringham veterans would
+come running.</p>
+
+<p>In spite of the complete satisfaction I had expressed to Torrence as to
+the perfect integrity and honest intentions of the two women, the
+curiosity of the American State Department and the visit of Montani
+required elucidation beyond my powers. At dinner they were in the
+merriest humor. The performances of the little army throughout the day
+had amused them greatly.</p>
+
+<p>"How delightfully feudal!" exclaimed Alice. "Really we should have a
+moat and drawbridge to make the thing perfect. Constance and I are the
+best protected women in the world!"</p>
+
+<p>We extracted all the fun possible from the idea that the estate was
+under siege; that Alice was the chatelaine of a beleaguered castle, and
+that before help could reach us we were in danger of being starved out
+by<span class='pagenum'><a name="Page_94" id="Page_94">94</a></span> the enemy. They called into play the poetry which had so roused
+Antoine's apprehensions, and their talk bristled with quotations. Alice
+rose after the salad and repeated at least a page of Malory, and the
+Knights of the Round Table having thus been introduced, Mrs. Farnsworth
+recited several sonorous passages from "The Idyls of the King." They
+flung lines from Browning's "In a Balcony" at each other as though they
+were improvising. The befuddlement of Antoine and the waiter who
+assisted him added to the general joy. They undoubtedly thought the two
+women quite out of their heads, and it was plain that I suffered greatly
+in Antoine's estimation by my encouragement of this frivolity. Mrs.
+Farnsworth walked majestically round the table and addressed to me the
+lines from Macbeth beginning:</p>
+
+<p style='padding-left: 3em'>
+"Glamis thou art, and Cawdor; and shalt be What thou art promised,"
+</p>
+
+<p>while Antoine clung to the sideboard listening with mouth open and eyes
+rolling.</p>
+
+<p>Later, in the living-room, Alice sang some old ballads. She was more
+adorable than<span class='pagenum'><a name="Page_95" id="Page_95">95</a></span> ever at the piano. It was a happiness beyond any in my
+experience of women to watch her, to note the play of light upon her
+golden head, to yield to the spell of her voice. Ballads had never been
+sung before with the charm and feeling she put into them; and after
+ending with "Douglas, Douglas," she responded to my importunity with
+"Ben Bolt," and then dashed into a sparkling thing of Chopin's, played
+it brilliantly and rose, laughingly mocking my applause.</p>
+
+<p>I left the house like a man over whom an enchantment has been spoken and
+was not pleased when Antoine blocked my path: "Pardon me, sir."</p>
+
+<p>"Bother my pardon; what's troubling you now?" I demanded.</p>
+
+<p>"It's nothing troubling me, sir; not particularly. If you give me time,
+I think I'll grow used to the poetry talk and playing at being queens.
+It's like children in a family I served once; an English family, most
+respectable. But in a widow, sir&mdash;&mdash;"</p>
+
+<p>"God knows we ought to be glad when grown-ups have the heart to play at
+being children and can get away with it as beautifully<span class='pagenum'><a name="Page_96" id="Page_96">96</a></span> as those women
+do! What else is on your mind?"</p>
+
+<p>"It's about Elsie, sir." I groaned at the mention of Flynn's German
+wife. "I'm sorry, sir; but I thought I should report it. It was a man
+who came to see her this afternoon. You was out for your walk, and Flynn
+had taken the ladies for a drive, so Elsie was alone at the garage. This
+person rode in on the grocer's truck from the village, which is how he
+got by the gate. As it happened, Pierre&mdash;he was a waiter at the
+Tyringham, a Swiss, who understands German&mdash;had gone into the garage for
+a nap; he's quite old, sir, and has his snooze every afternoon."</p>
+
+<p>"He's entitled to it," I remarked; "he must be a thousand years old."</p>
+
+<p>"From what he heard Pierre thought the man a spy, sir. He wanted Elsie
+to steal something from the house, it was a fan he wanted her to take
+most particular, and it was to be done soon, to-day if she could manage.
+It was for the love of the Fatherland that he wanted her to do it. Did
+you notice, sir, that Mrs. Bashford didn't have the fan to-night? Not
+that one she carried last night."<span class='pagenum'><a name="Page_97" id="Page_97">97</a></span></p>
+
+<p>I had noticed that she had substituted a tiny Japanese fan for the one
+that Montani had inspected so eagerly. When I spoke of the change she
+had said the other was too precious for every-day use, and she meant to
+keep it locked up.</p>
+
+<p>"I hate to bother you, sir, knowing you&mdash;&mdash;"</p>
+
+<p>The mention of the fan had brought me to an abrupt halt. I resented
+having the thing thrust at me in the ecstatic mood in which I had left
+the house, but the visit of the German-speaking stranger was serious,
+and Antoine knew that his story had startled me. He told me further that
+the man had carefully outlined to Elsie just how she could take
+advantage of her freedom of the house to appropriate the fan when the
+ladies were out and the servants off the second floor. She was to be
+paid for her assistance; two hundred dollars had been promised; even
+more had been suggested. Elsie and the stranger had left the garage and
+passed out of ear-shot before Elsie fully consented; but Pierre had
+given Antoine the impression that she would make the attempt.</p>
+
+<p>"It was to be for the Kaiser, for Germany,"<span class='pagenum'><a name="Page_98" id="Page_98">98</a></span> declared Antoine bitterly.
+"And she was to be careful about Flynn. I always thought Flynn was
+straight&mdash;I did indeed, sir!"</p>
+
+<p>"I think Flynn and his wife are both honest, but we'll take no chance.
+Warn the guards to be on the alert. We don't want Elsie to get the idea
+that she's being watched; so tell the men to keep away from the garage.
+I'll keep an eye on the Flynns. You go home and go to bed...."</p>
+
+<p>The deep calm of the country night had settled upon the shore, and the
+Flynns' quarters were perfectly tranquil. It didn't seem possible that
+an international episode was in process of incubation in that quiet
+neighborhood. I began to think that the general distrust of the German
+woman by her associates might be responsible for Pierre's story. But,
+viewed in any light, I had a duty to perform. If Elsie had visited the
+house and purloined the fan, she would be very likely to get rid of it
+as quickly as possible, and I determined to keep watch. I drew the
+blinds, got into my dressing-gown and, reinforcing the lampshade with a
+newspaper to deaden the light, proceeded to read.<span class='pagenum'><a name="Page_99" id="Page_99">99</a></span></p>
+
+<p>It was on toward one o'clock and I was dozing when a sound roused me. A
+door on the Flynn side of the hall creaked; there was silence, then I
+heard furtive steps on the stair. I snapped out my light and peered out
+of the window just as Elsie's robust figure disappeared into the
+shadows. I was about to follow when the creaking of the Flynn door was
+repeated. In a moment another peep through the shade showed me Flynn
+himself, and he, too, quickly vanished. Here was a situation indeed! If
+Elsie was keeping tryst with her co-conspirator of the afternoon and her
+husband was spying upon her, a row of large proportions was likely to
+result at any moment. I leaned from the window as far as I dared, and
+saw the woman close to the wall at the farther end of the building. The
+scene was well set for trouble, and I was wondering what I could do to
+avert a disturbance and the exposure of the foolish woman when the whole
+matter was taken out of my hands.</p>
+
+<p>"You fool! You scoundrel!" she bellowed in German. "That you should
+think me a plaything to commit a robbery for you! That<span class='pagenum'><a name="Page_100" id="Page_100">100</a></span> I should steal
+from my mistress to satisfy you, you piece of swine-flesh!"</p>
+
+<p>I had often heard Elsie vocally disciplining her Irish husband and knew
+the power of her lungs and the vigor of her invective, but she seemed
+bent upon apprising the whole commonwealth of Connecticut of the fact
+that she was vastly displeased with the person she was addressing, who
+was certainly not Flynn. Amid sounds of a scuffle and the continuous
+outpouring of billingsgate the light over the garage door flashed on
+suddenly and disclosed Flynn in the act of precipitating himself into
+the fray. Elsie had grasped, and was stoutly clinging to a tall man who
+was trying to free himself of her muscular embrace. Her cries meanwhile
+included some of the raciest terms in the German dictionary and
+others&mdash;mouthfuls of frightfulness&mdash;that I didn't recognize.</p>
+
+<p>When I reached the open Flynn was dancing round the belligerents like an
+excited boxer, occasionally springing in to land a blow; and all the
+while Elsie continued to address her captive and the world at large in
+her native tongue. Flynn was rather more<span class='pagenum'><a name="Page_101" id="Page_101">101</a></span> than sixty, and Elsie was not
+much his junior, while the invader was young and agile. The man had
+loosened one arm and drawn a revolver with which he was pounding Elsie
+in the face. I knocked the gun from his hand with my walking-stick and
+shouted to Elsie to let go of him. Her shouts had roused the guards and,
+hearing answering cries and the beat of hurrying feet on the walks, he
+redoubled his efforts to escape. I had hardly got my hands on him when
+with a twist of his body he wrenched himself free and sped away in the
+darkness.</p>
+
+<p>I hadn't gone far in pursuit of him before I tripped over the skirts of
+my dressing-gown and fell into a bed of cannas. This would have been
+less melancholy if Flynn, hard behind, hadn't stumbled over me and,
+believing he had captured the enemy, gripped my legs until I could
+persuade him to let go.</p>
+
+<p>The lights now flared on all the walks and driveways, and Antoine was
+bellowing orders to the guards to surround the sunken garden. I surmised
+that the fugitive, surprised by the attack, had lost his bearings and
+was now far from the boundary wall back of the garage<span class='pagenum'><a name="Page_102" id="Page_102">102</a></span> from which
+presumably he had entered the grounds. With the Sound cutting off his
+exit beyond the residence, there was a fair chance of catching him if
+Antoine's veterans were at all vigilant.</p>
+
+<p>I found Antoine, armed with a club and swinging a lantern, majestically
+posed at the nearer entrance to the garden. With a swallow-tail coat
+over his night-shirt and his nightcap tipped over one ear, he was an
+enthralling figure. As he strode toward me his slippers flapped weirdly
+upon the brick walk. "There's somebody in the garden, sir," he whispered
+huskily. "The troops has it surrounded." No general in all history,
+reporting in some critical hour the disposition of his army, could have
+been more composed.</p>
+
+<p>"You have done well, Antoine. Shall you dig in until morning or go over
+the top now?"</p>
+
+<p>"As you say, sir. It's better you should take charge."</p>
+
+<p>I walked round the garden and found his men well distributed, but the
+old fellows were exceedingly nervous. "It's a bit suspicious,<span class='pagenum'><a name="Page_103" id="Page_103">103</a></span> sir, that
+he broke for the garden," remarked Antoine.</p>
+
+<p>"He broke for the garden," I suggested, "because his line of retreat was
+cut off and he had to go somewhere."</p>
+
+<p>"It's queer, though, sir, when Dutch has been sleeping on the long bench
+down there by the fountain. You know how we feel about him, sir, he
+being of that race."</p>
+
+<p>"Dutch told me he was camping in the tool-house," I answered.</p>
+
+<p>"The boys drove him out, sir, and he took to the garden."</p>
+
+<p>"Nasty of the boys, I should say. If that interloper should murder
+him&mdash;&mdash;"</p>
+
+<p>A yell rose from the midst of the garden, followed by a crash and an
+instant later by a splash that interrupted another yell. I snatched
+Antoine's lantern and ran down the steps toward the scene of commotion.
+When I reached the circular pool the jet was still playing gayly, but
+the waters on one side were in furious agitation. Two men were rolling
+and tumbling about as though bent upon drowning each other. I swung the
+lantern over them just as Dutch got upon<span class='pagenum'><a name="Page_104" id="Page_104">104</a></span> his feet, gripping his
+antagonist by the collar. He flung him backward over the stone curbing
+of the pool and fell upon him in the walk with a swish of wet garments.
+The guards from the outer edges of the garden had clambered down and
+they gathered about us as I began questioning Dutch.</p>
+
+<p>Dutch, undoubtedly enjoying his victorious encounter, was tearing open
+the prostrate captive's collar to give him air and with his knees
+clamping the man's body was disposed to delay the story of his
+adventures to increase its dramatic effect.</p>
+
+<p>"It happens this evenin'," he began, spouting water, "that I seen Elsie,
+who's been sneakin' me meals to the old stables, an' she says to me:
+'Dutch,' she says, 'they's all ag'in us here, callin' us Huns, an' we
+gotta show 'em we's good Americans,' she says. An' she tole me a feller
+been to see 'er 'at wanted 'er to rob the house fer 'im, he thinkin' 'er
+likely to do ut fer love o' the Kaiser. She said as 'ow she'd nail 'im
+when he comes to-night to git a fan she's promised to lift fer 'im. She
+said that'd prove she wasn't no Dutchwoman and recommended if I got the<span class='pagenum'><a name="Page_105" id="Page_105">105</a></span>
+chance to do the same. I thought nothin' wuz goin' to happen an' wuz
+sleepin' on me bench here in the garden when the hollerin' at the garage
+woke me up. I sits quiet, listenin' an' this guy drops into the garden
+an' wuz crawlin' past me bench an' I pinches 'im. He wuz fer havin' a
+fight, an' we knocks over one of the big urns an' lit in the tank. He
+says it's a thousand bones an' ye turn me loose, he says, an' I soused
+'im ag'in fer that."</p>
+
+<p>The man was still choking from the sousings and Dutch turned him over
+and pounded him vigorously on the back, assisted by Zimmerman, the
+obliging valet, who had seized the occasion to show his hand on the side
+of the Allies. "Shall I telephone for the Barton police, sir?" asked
+Antoine with an extreme exaggeration of his professional manner.</p>
+
+<p>This obviously was the thing to do, but I feigned not to hear the
+question while I debated the matter. It was plain that many things
+relating to the capture were veiled in mystery: that if Mrs. Bashford
+and her companion were involved in an international tangle and had in
+their possession something that vitally concerned the nations at war,<span class='pagenum'><a name="Page_106" id="Page_106">106</a></span>
+common chivalry demanded that I handle the arrest of Montani's agent in
+such manner as to shield them. I was thinking hard and in my perplexity
+even considered sending a messenger for Torrence; but he was already
+suspicious and would be very likely to summon Raynor immediately and
+precipitate a crisis I was not prepared to face. To invite the attention
+of the American State Department to the increasingly complex situation
+would not be giving my aunt the chance I meant she should have to clear
+herself.</p>
+
+<p>The captive had got upon his feet and stood dazedly staring at us. He
+refused to answer my questions, even when I suggested that if he could
+give a satisfactory account of himself he would be released. He only
+doggedly shook his head. When I asked if he had been hurt in his bout
+with Dutch he smiled and extended his arms in denial. He was a very
+decent-looking fellow, blue-eyed and smooth-shaven, who seemed to accept
+his plight with a degree of good humor.</p>
+
+<p>I decided that as nothing would be gained by sending him to the Barton
+calaboose that night, I would assume the responsibility of<span class='pagenum'><a name="Page_107" id="Page_107">107</a></span> detaining
+him until I had groped my way through the haze of suspicions and
+circumstances that enveloped him.</p>
+
+<p>"Get some dry clothes for this man and lock him up in the tool-house. Be
+sure he has blankets, and you'd better give him some hot coffee."</p>
+
+<p>The captive manifested relief at my decision and broke his silence to
+thank me, which he did in very good English. His submissiveness only
+deepened my perplexity, but I couldn't help laughing as he walked away
+surrounded by the "troops," with Dutch leading the way&mdash;Dutch fully
+conscious that he had vindicated himself and disposed to be rather
+disdainful of his comrades.</p>
+
+<p>I hurried to the house, where I found Alice and Mrs. Farnsworth
+ministering to Elsie, who had been taken there by their order. Elsie,
+sharing with Dutch the honors of the night, lay on a davenport, where
+she had received first aid. Alice rose from her knees as I entered,
+gathering up strips of bandages, and turned to me laughingly.</p>
+
+<p>"Elsie's injuries are not serious; only disagreeable bruises in the
+face. There will be<span class='pagenum'><a name="Page_108" id="Page_108">108</a></span> no scars, I'm sure. We'll keep her at the house for
+a few days until she's quite fit again. Surely any one who has
+questioned Elsie's loyalty ought to be satisfied now."</p>
+
+<p>"You certainly managed it very cleverly, Elsie. We're all very
+grateful."</p>
+
+<p>Elsie, her face covered with bandages, acknowledged my thanks by
+wiggling her foot.</p>
+
+<p>Mrs. Farnsworth said she would put Elsie to bed. Now, I thought, Alice
+would make some sign if she knew anything that would explain Montani and
+the prisoner in the tool-house. But the whole affair only moved her to
+laughter and she seemed less a grown woman than ever in her white robe.
+My efforts to impress her with the seriousness of the attempt to secure
+the fan only added to her delight.</p>
+
+<p>"How droll! How very droll! You couldn't possibly have arranged anything
+that would please me more! It's delicious! As you say in America, it's
+perfectly killing!"</p>
+
+<p>I suggested that the holding of a prisoner without process of law might
+present embarrassments.<span class='pagenum'><a name="Page_109" id="Page_109">109</a></span></p>
+
+<p>"I know," she cried, clapping her hands joyfully. "You mean we are
+likely to bump into dear old <i>habeas corpus</i>! The sheriff will come and
+read a solemn paper to you and you will have to hie you to court and
+produce the body of the prisoner. That will be splendid!"</p>
+
+<p>"It won't be so funny if&mdash;&mdash;"</p>
+
+<p>I was about to say that the humor of the thing would be spoiled somewhat
+if she were made a witness and there proved to be something irregular
+about the fan which had caused all the trouble, but I hadn't the heart
+to do it. To spoil such merriment as bubbled in her heart would be
+cruel&mdash;an atrocity as base as snatching a plaything from a joyous child.</p>
+
+<p>"Constance and I so love the unusual&mdash;and it is so hard to find!" she
+continued. "And yet from the moment I reached the gates of these
+premises things have happened! Nothing is omitted! Strange visitors;
+fierce attacks upon our guards, and still the mystery deepens in the wee
+sma' hours, with heroes and heroines at every turn! To think that that
+absurd little Dutch was asleep in<span class='pagenum'><a name="Page_110" id="Page_110">110</a></span> the garden and really captured the
+spy or whatever he is! But you are a hero too! You shall be decorated!"</p>
+
+<p>She walked to a stand and pondered a moment before a vase of roses,
+chose a long-stemmed red one and struck me lightly across the shoulder
+with it.</p>
+
+<p>"Arise, sir knight! You should have knelt, but to kneel in skirts
+requires practice; you could hardly have managed in that monk's robe."</p>
+
+<p>I couldn't be sure whether she was mocking me or whether there was
+really liking under this nonsense. I was beyond the point of being
+impatient with her. I was helpless in her hands; she would do with me as
+she willed, and it was my business to laugh with her, to meet her as
+best I could in the realm of folly.</p>
+
+<p>"You must go!" she exclaimed suddenly. "Constance will be calling down
+the stairs for me in a moment."</p>
+
+<p>"To-morrow&mdash;" I began. The wistful look she had at times came into her
+eyes as she stood in the centre of the room, playing with the flower.<span class='pagenum'><a name="Page_111" id="Page_111">111</a></span></p>
+
+<p>"To-morrow," she repeated, "and then&mdash;to-morrow!"</p>
+
+<p>"There must be endless to-morrows for you and me," I said, and took the
+flower from her hand. The revery died in her eyes, and they were awake
+with reproach and dismissal. At the door I looked back. She hadn't moved
+and she said, very quietly, but smiling a little: "Nothing must happen
+to make me sorry I came. Please remember!"</p>
+
+<hr class="major" />
+<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'>
+<a name="CHAPTER_IV" id="CHAPTER_IV"></a>
+<span class='pagenum'><a name="Page_112" id="Page_112">112</a></span>
+<h2>CHAPTER IV</h2><h3>PURSUING KNIGHTS</h3>
+</div>
+
+<p>I didn't sleep until near daybreak, and was aroused at nine o'clock by
+Flynn, who appeared at the door in his chauffeur's togs, carrying a
+tray.</p>
+
+<p>"The wife didn't come back, sorr, but I made coffee and toast. Sorry to
+waken you, but I'm takin' the new car into the city."</p>
+
+<p>I sat up and rubbed my eyes.</p>
+
+<p>"Who's going to the city?" I demanded.</p>
+
+<p>"The ladies is goin' at once, sorr. They sent orders an hour ago to be
+ready with the new machine. Orders was to take my bag; it looks like I'd
+be gone the night. I'm late and you'll have to excuse me, sorr."</p>
+
+<p>I sprang out of bed and plied him with questions, most of which he was
+unable to answer. I did, however, extract from him the information that
+nothing had occurred after I retired for the night that could have<span class='pagenum'><a name="Page_113" id="Page_113">113</a></span>
+alarmed the women at the residence and prompted this abrupt departure.
+There was no reason why Alice shouldn't run to town if it pleased her to
+do so, and yet it was odd that she hadn't mentioned the matter. Flynn
+hurried away, and from the window I followed the car's course to the
+house, and a moment later caught a glimpse of it on its way to the
+gates.</p>
+
+<p>I was shaving when Antoine appeared, pale from the stirring incidents of
+the night.</p>
+
+<p>"I suppose you know, sir," he said, straightening the coffee-pot on the
+tray in an attempt to conceal his emotions.</p>
+
+<p>"When did you first hear that the ladies meant to leave to-day?" I
+shouted with a flourish of the razor. "If you knew it last night and
+didn't tell me&mdash;&mdash;"</p>
+
+<p>"I heard it, incidental-like, at breakfast this morning. There was a
+night letter, sir, read by the agent at Barton to the mistress quite
+early, sir. I can't tell you what it was, sir."</p>
+
+<p>"Did they seem alarmed or depressed; was there anything to indicate
+whether they had bad news?"<span class='pagenum'><a name="Page_114" id="Page_114">114</a></span></p>
+
+<p>"They seemed quite merry over it, sir. But you know their goings-on,
+which I never understand, sir. For all I know it may be a death in the
+family; you'd never tell it from their actions. You will pardon me for
+remarking it again, sir; but, considering that they're ladies, their
+actions and goings-on is most peculiar."</p>
+
+<p>"As to luggage, I hope you had the intelligence to note whether they
+went for a long stay?"</p>
+
+<p>"Only the suitcases that fits into the rack of the machine. Louise
+thought they might be going for a week, maybe."</p>
+
+<p>This was all I got out of him. Mrs. Bashford and Mrs. Farnsworth had
+flown, giving no hint of the length of their absence. They had slipped
+away and left me with a prisoner that I didn't know what to do with;
+with an inquiry by the American Department of State hanging over me;
+with Torrence to reckon with, and, in general, a muddled head that only
+a vast number of lucid explanations could restore to sanity.</p>
+
+<p>I called from the window to one of the gardeners who knew how to manage
+a machine<span class='pagenum'><a name="Page_115" id="Page_115">115</a></span> and told him to be ready to drive me to the village in half
+an hour. There was an express at ten-forty, and by taking it I would at
+least have the satisfaction of being somewhere in New York when the
+runaways arrived. Antoine packed my suitcase; I am not sure that he
+didn't shed tears on my belongings. The old fellow was awed into silence
+by the rapidity with which history had been made in the past twenty-four
+hours, and clearly was not pleased by my desertion.</p>
+
+<p>We drove past the tool-house, where I found the prisoner seated on a
+wheelbarrow smoking a cigarette. He was no more communicative than when
+I had questioned him after his capture. He smiled in a bored fashion
+when I asked if he wanted anything, and said he would be obliged for
+cigarettes and reading-matter. He volunteered nothing as to his
+identity, and the guards said that a thorough search of the captive's
+clothing had disclosed nothing incriminating. He had three hundred
+dollars in currency (this was to cover Elsie's bribe money, I
+conjectured), a handkerchief, a cigarette-case, and a box of matches. I
+directed that he be well<span class='pagenum'><a name="Page_116" id="Page_116">116</a></span> fed and given all the reading-matter he
+wanted, and hurried on to catch my train.</p>
+
+<p>The futility of my errand struck me hard as I felt the city surging
+round me. Without a clew to work on, I was utterly unlikely to find the
+two women, and even if I should stumble upon them, in what way could I
+explain my conduct in following them? I was visited also by the
+discouraging thought that New York might not, after all, be their
+destination.</p>
+
+<p>Flynn was a capable but cautious driver, and they would hardly reach
+town before five o'clock. I took a room at the Thackeray Club and
+pondered carefully whether, in spite of my misgivings, I hadn't better
+see Torrence and tell him all that had happened since his call on Mrs.
+Bashford. If there was any chance of doing the wrong thing in any matter
+not prescribed in the laws governing the administration of estates, he
+would be sure to do it; but I was far from satisfied with the results of
+my own management of affairs at Barton. I finally called up the trust
+company and learned that Torrence was in Albany attending the trial of a
+will case and might not be in town for a couple<span class='pagenum'><a name="Page_117" id="Page_117">117</a></span> of days. His secretary
+said he had instructions to wire my daily report to Albany. I told him
+there had been no developments at Barton, and went out and walked the
+Avenue. Inquiries at hotels large and small occupied me until seven
+o'clock. No one had heard of a Mrs. Bashford or a Mrs. Farnsworth. My
+inspection of the occupants of several thousand automobiles proved
+equally fruitless. I ate a lonely dinner at the club and resumed my
+search. Hanging about theatre doors, staring at the crowd, is not a
+dignified occupation, and by nine o'clock, having seen the most belated
+theatre-goers vanish, I was tired and footsore. The flaming sign of
+Searles's "Who Killed Cock Robin?" over the door of the "As You Like It"
+caught my eye. I bought a seat&mdash;the last in the rack&mdash;and squeezed into
+my place in the middle of the last row. As I had seen the piece at least
+a dozen times, its novelty was gone for me, but the laughter of the
+delighted audience was cheering. The first act was reaching its
+culmination, and I watched it with a glow of pride in Searles and his
+skilful craftsmanship.</p>
+
+<p>As the curtain fell and the lights went up<span class='pagenum'><a name="Page_118" id="Page_118">118</a></span> amid murmurs of pleasure and
+expectancy, I glanced across the rows of heads with awakened interest.
+"Who Killed Cock Robin?" had been praised with such unanimity that if
+Alice were in any playhouse that night I was as likely to see her in the
+"As You Like It" as anywhere.</p>
+
+<p>The half-turned face of a man three rows in front of me suddenly caught
+my attention. There was something curiously familiar in his outlines and
+the gesture with which, at the moment, he was drawing his handkerchief
+across his forehead. I judged that he too had come late, for he now
+removed his topcoat and thrust his hat under the seat. It was
+Montani&mdash;beyond any question Montani&mdash;and I instinctively shrank in my
+seat and lifted my programme as he turned round and swiftly surveyed the
+rows behind him.</p>
+
+<p>I watched his black head intently until I remembered the superstition
+that by staring at a person in a public place you can make him look at
+you. Montani knew a great many things I wanted to know, but I must have
+time to adjust myself to the shock of his propinquity. I satisfied
+myself that he<span class='pagenum'><a name="Page_119" id="Page_119">119</a></span> was alone and as he continued to mop his face I judged
+that he had arrived in some haste. The house now took note of a stirring
+in one of the boxes. There was an excited buzz as the tall form and
+unmistakable features of Cecil Arrowsmith, the English actor, were
+recognized. I had read that day of his arrival in New York. With him
+were two women. My breath came hard and I clutched the iron frame of the
+seat in front of me so violently that its occupant turned and glared.</p>
+
+<p>The trio settled into their places quickly, but not before I had
+satisfied myself that Arrowsmith's companions were Alice and Mrs.
+Farnsworth. As they fell into animated talk I saw that Alice was in her
+gayest humor. The distinguished tragedian seemed greatly amused by what
+she was saying to him.</p>
+
+<p>"Must be members of Arrowsmith's company," one of my neighbors remarked.
+"They open in two weeks in Shakespearian repertoire."</p>
+
+<p>Montani had half risen, the better to focus an opera-glass on the box.
+The gong solemnly announced the second act, and Alice moved her chair to
+face the stage. Once more Montani<span class='pagenum'><a name="Page_120" id="Page_120">120</a></span> scanned the party with his glass. As
+the lights faded Alice, with the pretty languorous gesture I so well
+remembered, opened her fan&mdash;the fan of ostrich plumes, that became a
+blur of white that held my eye through the dusk after the curtain rose.</p>
+
+<p>Alice, Montani, and the fan! To this combination I had now to add the
+new element introduced into the situation by the apparent familiar
+acquaintance of Alice and Mrs. Farnsworth with Cecil Arrowsmith. And
+yet, as the play proceeded on its swift-moving course, I reasoned that
+there was nothing extraordinary in their knowing the eminent actor. He
+had long been a personage in England and had lately been knighted. Their
+appearance with him at the theatre really disposed of the idea that they
+might be impostors. The presence of Arrowsmith had put zest into the
+company, and I hadn't seen a better performance of Searles's play. The
+trio in the box joined in the prolonged applause at the end of the act.</p>
+
+<p>As they resumed their talk Alice, it seemed, was relating something of
+moment for Arrowsmith's benefit, referring now and then to<span class='pagenum'><a name="Page_121" id="Page_121">121</a></span> Mrs.
+Farnsworth as though for corroboration. The scene in the box was almost
+as interesting as any in the play, and the audience watched with deep
+absorption. Alice, the least self-conscious of mortals, was, I knew,
+utterly unaware of the curious gaze of the house; whatever she was
+saying with an occasional gesture of her gloved hands or a shrug of her
+shoulders possessed her completely. I thought she might be telling
+Arrowsmith of her adventures at Barton; but the length of her narrative
+was against this, and Arrowsmith's attitude was more that of a critic
+appealed to for an opinion than of a polite listener to a story. He
+nodded his head several times, and finally, as Alice, with a slight dip
+of the head and an outward movement of her arms, settled back in her
+chair, he patted his hands approvingly.</p>
+
+<p>In my absorption I had forgotten Montani's existence, but as the third
+act began I saw that he had gone. Whether I should put myself in Alice's
+way as she left the theatre was still an undetermined question when the
+play ended. With Montani hanging about I felt a certain obligation to
+warn her that he<span class='pagenum'><a name="Page_122" id="Page_122">122</a></span> had been watching her. I was among the first to leave,
+and in the foyer I met Forsythe, the house manager, who knew me as a
+friend of Searles.</p>
+
+<p>"You notice that we're still turning 'em away," he remarked. "We don't
+have to worry about this piece; everybody who sees it sends his friends
+the next day. Searles hasn't looked in for some time; hope he's writing
+a new play?"</p>
+
+<p>"He's West visiting his folks. Don't know when he'll be back," I
+answered. "I must write him that Sir Cecil Arrowsmith enjoyed 'Who
+Killed Cock Robin?' just as much as common mortals."</p>
+
+<p>Forsythe had paused at the box-office, and in my uncertainty I stuck to
+him as the crowd began to surge by.</p>
+
+<p>Arrowsmith's approach was advertised by the peculiar type of tall hat
+that he affected, and the departing audience made way for him, or hung
+back to stare. At his left were Alice and Mrs. Farnsworth, and they must
+pass quite close to me. "Who Killed Cock Robin?" was a satisfying play
+that sent audiences away with lightened hearts and<span class='pagenum'><a name="Page_123" id="Page_123">123</a></span> smiling faces, and
+the trio were no exception to the rule.</p>
+
+<p>Listening inattentively to Forsythe, I was planning to join Alice when
+the trio should reach me. She saw me; there was a fleeting flash of
+recognition in her eyes, and then she turned toward Arrowsmith. She drew
+nearer; her gaze met mine squarely, but now without a sign to indicate
+that she had ever seen me before. She passed on, talking with greatest
+animation to Arrowsmith.</p>
+
+<p>"Well, remember me to Searles if you write him," I heard Forsythe
+saying. I clutched his arm as he opened the office door.</p>
+
+<p>"Who are those women?" I demanded.</p>
+
+<p>"You may search me! I see you have a good eye. That girl's rather nice
+to look at!"</p>
+
+<p>Crowding my way to the open, I blocked the path of orderly, sane
+citizens awaiting their machines until a policeman pushed me aside.
+Alice I saw for a bewildering instant, framed in the window of a big
+limousine that rolled away up-town.</p>
+
+<p>I had been snubbed! No snub had ever been delivered more deliberately,
+with a nicer calculation of effect, than that administered<span class='pagenum'><a name="Page_124" id="Page_124">124</a></span> to me by
+Alice Bashford&mdash;a girl with whom, until a moment before, I had believed
+myself on terms of cordial comradeship. She had cut me; Alice who had
+asked me at the very beginning of our acquaintance to call her by her
+first name&mdash;Alice had cut me without the quiver of a lash.</p>
+
+<p>I walked to the Thackeray and settled myself in a dark corner of the
+reading-room, thoroughly bruised in spirit. In my resentment I meditated
+flying to Ohio to join Searles, always my chief resource in trouble.
+Affairs at Barton might go to the devil. If Alice and her companion
+wanted to get rid of me, I would not be sorry to be relieved of the
+responsibility I had assumed in trying to protect them. With rising fury
+I reflected that by the time they had shaken off Montani and got rid of
+the prisoner in the tool-house they would think better of me.</p>
+
+<p>"Telephone call, sir."</p>
+
+<p>I followed the boy to the booth in a rage that any one should disturb my
+gloomy reflections.</p>
+
+<p>"Mr. Singleton? Oh! This is Alice speaking&mdash;&mdash;"<span class='pagenum'><a name="Page_125" id="Page_125">125</a></span></p>
+
+<p>I clutched the shelf for support. Not only was it Alice speaking, but in
+the kindest voice imaginable. My anger passed, but my amazement at Alice
+and all her ways blinded me. If she had suddenly stepped through the
+wall, my surprise could not have been greater.</p>
+
+<p>"You told me the Thackeray was your usual refuge in town, so I thought
+I'd try it. Are you very, very cross? I'm sorry, really I am&mdash;Bob!"</p>
+
+<p>The "Bob" was added lingeringly, propitiatingly. Huddled in the booth, I
+doubted my senses&mdash;wondering indeed whether Alice hadn't a double&mdash;even
+whether I hadn't dreamed everything that had occurred at Barton.</p>
+
+<p>"I <i>wanted</i> to speak to you ever so much at the theatre, but I couldn't
+very well without introducing you to Sir Cecil, and I wasn't ready to do
+that. It might have caused complications."</p>
+
+<p>If anything could have multiplied the existing complications, I was
+anxious to know what they were; but her voice was so gentle, so wholly
+amiable, that I restrained an impulse to demand explanations.<span class='pagenum'><a name="Page_126" id="Page_126">126</a></span></p>
+
+<p>"Are you on earth or are you speaking from paradise?" I asked.</p>
+
+<p>"Oh, we're in a very nice house, Constance and I; and we're just about
+having a little supper. I wish you were here, but that can't be
+arranged. No; really it can't! We shall be motoring back to Barton
+to-morrow and hope you can join us. Let us have luncheon and motor up
+together."</p>
+
+<p>When I suggested that I call for them she laughed gayly.</p>
+
+<p>"That would be telling things! And we mustn't spoil everything when
+everything is going so beautifully."</p>
+
+<p>Remembering the man I had locked up in the tool-house and the
+explanations I should have to make sooner or later to the unimaginative
+Torrence, I wasn't wholly convinced of the general beauty of the
+prospect.</p>
+
+<p>"Montani was in the theatre," I suggested.</p>
+
+<p>Her laughter rippled merrily over the wire. "Oh, he tried to follow us
+in a taxi! We had a great time throwing him off in the park. I'm not
+sure he isn't sitting on the curb right now watching the house
+ungraciously."</p>
+
+<p>"You have the fan with you; Montani<span class='pagenum'><a name="Page_127" id="Page_127">127</a></span> jumped right out of his seat when
+you opened it in the theatre."</p>
+
+<p>This she received with more laughter; Montani amused her immensely, she
+said. She wasn't in the least afraid of him. Returning to the matter of
+the luncheon, she suggested the Tyringham.</p>
+
+<p>"You know, I want very much to see Mr. Bashford's old home and the place
+all our veteran retainers came from. At one?&mdash;yes. Good night!" ...</p>
+
+<p>Alice and Mrs. Farnsworth reached the Tyringham on time to the minute.
+As I had spent the morning on a bench in the park, analyzing my
+problems, I found their good humor a trifle jarring.</p>
+
+<p>"You don't seem a bit glad to see us," Alice complained as she drew off
+her gloves. "How can any one be anything but happy after seeing that
+delicious 'Cock Robin'! It is so deliciously droll."</p>
+
+<p>"I haven't," I remarked with an attempt at severity, "quite your knack
+of ignoring disagreeable facts. There was Montani right in front of me,
+jumping like a jack-in-the-box every time you flourished your fan.<span class='pagenum'><a name="Page_128" id="Page_128">128</a></span>
+There's that fellow we've got locked up at Barton&mdash;&mdash;"</p>
+
+<p>"Just hear the man, Constance!" she interrupted with her adorable laugh.
+"We were thinking that he was beginning to see things our way, the only
+true way, the jolly way, and here he cometh like a melancholy Jaques!
+We'll have none of it!"</p>
+
+<p>"We must confess," said Mrs. Farnsworth conciliatingly, "that Mr.
+Singleton is passing through a severe trial. We precipitated ourselves
+upon him without warning, and immediately involved him in a mesh of
+mystery. His imagination must have time to adjust itself."</p>
+
+<p>"Ah, the imagination!" sighed Alice with her wistful smile. "How little
+patience the world has with anything but the soberest facts! Why should
+we bother about that lunatic Montani or the gentleman immured in the
+tool-house? I couldn't introduce you to Sir Cecil without anticipating
+the end of our story; and I want you to keep wondering and wondering
+about us. It's all so jolly! I love it all! And really you wouldn't
+spoil it, Bob! It's dreadful to spoil things."<span class='pagenum'><a name="Page_129" id="Page_129">129</a></span></p>
+
+<p>They were spoiling my appetite; I was perfectly aware of that. I had
+ordered the best luncheon I knew how to compose, and they were doing
+full justice to it; but I was acting, I knew, like a resentful boy.</p>
+
+<p>"I love you that way," said Alice as I stared vacantly at my plate. "But
+you really are not making yourself disagreeable to us&mdash;really he is not,
+Constance!"</p>
+
+<p>Mrs. Farnsworth affirmed this. I knew that I was merely being rude, and
+the consciousness of this was not uplifting. At the luncheon hour the
+influx of shoppers gives the Tyringham a cheery tone, and all about us
+were people apparently conversing sanely and happily. The appearance of
+Uncle Bash's ghost in the familiar dining-room would have been a welcome
+diversion. I was speculating as to just what he would say about his
+widow and the whole mess at Barton when Mrs. Farnsworth addressed me
+pleadingly.</p>
+
+<p>"If you knew that we want you to play with us only a few days
+longer&mdash;three days, shall we say, Alice?&mdash;if you knew that then we'll
+untangle everything, wouldn't you be nice&mdash;very nice?"<span class='pagenum'><a name="Page_130" id="Page_130">130</a></span></p>
+
+<p>In spite of myself I couldn't resist this appeal. I was more and more
+impressed by the fineness, the charm of Mrs. Farnsworth. When she
+dropped the make-believe foolishness in which she indulged quite as
+amusingly as Alice, she appeared to be a very sensible person. The humor
+danced in her eyes now, but her glance was more than an appeal; it was a
+command.</p>
+
+<p>"If you knew that our troubles are not at all the troubles you're
+thinking about, but very different&mdash;&mdash;"</p>
+
+<p>"Please pardon me!" I muttered humbly, and wished that Alice were not so
+bewitching in a sailor hat. It may have been the hat or only Mrs.
+Farnsworth's pleading tone that brought me to a friendlier attitude
+toward the universe and its visible inhabitants. The crowd thinned out,
+but we lingered, talking of all manner of things.</p>
+
+<p>"We must come in again very soon," said Alice. "And next time we shan't
+run away, which was very naughty. I suppose when you begin a story you
+just have to keep it going or it will die on your hands. That's the way
+with our story, you know. Of course<span class='pagenum'><a name="Page_131" id="Page_131">131</a></span> it's unkind to mystify you: but you
+are in the story just as we are."</p>
+
+<p>My mystification was certainly deep enough without this suggestion that
+I was a mere character in a tale whose awkward beginning aroused only
+the gravest apprehensions as to the conclusion. She looked at her watch
+and continued:</p>
+
+<p>"I'm so absurd&mdash;really I am, in ever so many ways, that no one would
+ever put me in a book. Every one would say no such person ever existed!
+It's incredible! And so I have to pretend I'm in a story all the time.
+It's the only way I can keep happy. And so many people are in my story
+now, not only Montani and the poor fellow locked up at Barton&mdash;oh, what
+if he should escape! Constance, it would be splendid if he should
+escape!"</p>
+
+<p>"I don't think it would be splendid if he escaped!" I exclaimed, sitting
+up very straight at the bare thought of such a calamity. "He would
+either kill me or sue me for damages."</p>
+
+<p>"Oh, that wouldn't fit into the story at all! Murder and damages are so
+frightfully<span class='pagenum'><a name="Page_132" id="Page_132">132</a></span> sordid and generally disagreeable. We must have nothing
+like that in our story."</p>
+
+<p>"You didn't finish your enumeration of characters," I suggested. "Is my
+part an important one or am I only a lay figure?"</p>
+
+<p>"My dear boy," cried Mrs. Farnsworth, "you are the hero! You have been
+the hero from the hour the story began. If you should desert us now,
+whatever should we do!"</p>
+
+<p>"If I'm the hero," I replied in her own key, "I shall begin making love
+to Alice at once."</p>
+
+<p>Alice, far from being disturbed by my declaration, nodded her head
+approvingly.</p>
+
+<p>"Oh, we had expected that! But you needn't be in a hurry. In a story
+like this one, that runs right on from day to day, we must leave a lot
+to chance. And there are ever so many chances&mdash;&mdash;"</p>
+
+<p>"Not all on the side of failure, I hope?"</p>
+
+<p>"We <i>must</i> be going." She laughed. I wished she hadn't that
+characteristic little turn of the head that was so beguiling!</p>
+
+<p>Folly rode with us all the way to Barton. If anything sensible was
+uttered on the drive, I can't recall it. Our talk, chiefly of knights<span class='pagenum'><a name="Page_133" id="Page_133">133</a></span>
+and ladies, and wild flights from imaginary enemies, had the effect of
+spurring Flynn to perilous spurts of speed.</p>
+
+<p>"Flynn has caught the spirit!" cried Alice exultingly. "Haven't you,
+Flynn?"</p>
+
+<p>Flynn, turning to confirm this, caused the car to swerve and graze a
+truck piled high with household goods.</p>
+
+<p>"We may elude the pursuing knights," I suggested, "but some village
+constable may take it into his head to pinch us."</p>
+
+<p>"Oh, that would be lovely," cried Alice. "And we'd telegraph dear Mr.
+Torrence to come and bail us out."</p>
+
+<p>We reached Barton at nine o'clock and after an informal supper I
+listened to Antoine's solemn reports as I walked to the garage. The
+prisoner had made no sign, he said, and nothing had occurred during the
+day.</p>
+
+<p>"But there's this, Mr. Singleton, which you ought to know, sir. The old
+Tyringham people don't like the goings on here. You'll admit it's all
+mighty queer. I don't complain, sir, but some of the boys threatens to
+leave, sir. And I look at it this way, that<span class='pagenum'><a name="Page_134" id="Page_134">134</a></span> nobody understanding what
+the spying and bribes offered and taking prisoners is all about, is most
+peculiar. We got to know where we stand, that's what it's come to, sir.
+And the widow being flighty-like and Flynn coming home and saying
+nothing, but shaking his head when we ask him where he's been&mdash;You see
+for yourself, sir, how it looks to us."</p>
+
+<p>What he said as to the general aspect of things was true, but I didn't
+admit that it was true. Alice had converted me to the notion that I was
+a character in a story, a plaything of fate, and I lightly brushed aside
+Antoine's melancholy plaint.</p>
+
+<p>"Any man of you," I said, "who leaves this property will be brought back
+and shot. Tell that to the boys!"</p>
+
+<p>Nevertheless, the perfect equanimity of the gentleman in the tool-house
+when I visited him the next morning shook my faith a trifle in the
+story-book features of life at Barton. He was an exemplary prisoner, the
+guards reported, and he had maintained the strictest silence in my
+absence. He ate, smoked, and read, courteously thanking the men for
+their<span class='pagenum'><a name="Page_135" id="Page_135">135</a></span> attentions, and that was all. When I showed myself at the window
+he rose and threw down the magazine he was reading and replied
+good-naturedly to my inquiry as to how he was getting along.</p>
+
+<p>"I have no complaint except that the guards snore outrageously. The poor
+old chaps will sleep, you know."</p>
+
+<p>"If you're so badly guarded, why don't you escape?" I asked tartly.</p>
+
+<p>"It would relieve your mind a lot if I should disappear?" he asked
+insinuatingly.</p>
+
+<p>"You are impertinent," I replied, irritated that he should have surmised
+that his presence was causing me uneasiness. "If you will come to your
+senses and tell me the meaning of your visits here, we may agree upon
+terms. As it stands, you're a trespasser; you tried to bribe a servant
+to rob the house. If you're at all familiar with criminal law in this
+country, you can estimate the number of years' imprisonment that will be
+handed you for these little indiscretions."</p>
+
+<p>"If it's all so plain, why don't you hand me over to the authorities?"
+he asked, provokingly cool.<span class='pagenum'><a name="Page_136" id="Page_136">136</a></span></p>
+
+<p>"I'm giving you a chance to confess and tell who's back of all this.
+Tell me just why your confederate Montani is annoying Mrs. Bashford, and
+I'll turn you loose."</p>
+
+<p>"Perhaps, my dear sir, the motive that impels you to detain me
+unlawfully is the same that enjoins silence upon me! Please consider
+that a little."</p>
+
+<p>I replied that I would consider nothing short of a confession. In a
+match of wits he was fully my equal, and in the mastery of his temper he
+certainly had the best of me.</p>
+
+<p>"If you wait for me to confess anything, you will wait forever," he
+replied. "I repeat that we are impelled by the same motives, you and I.
+I think I needn't enlighten you as to what they are."</p>
+
+<p>"I shall be glad to hear your idea of my motives," I answered feebly.</p>
+
+<p>"I shall be frank," he replied readily. "The reason you don't turn me
+over to the police is the very simple one that you don't want to
+embarrass the mistress of the house yonder by causing the light of
+publicity to beat upon her very charming head. You<span class='pagenum'><a name="Page_137" id="Page_137">137</a></span> wish to save her
+annoyance, and possibly something much graver. I can see that you are
+impressed; but it ought to please you to know that I share your feeling
+of delicacy where she is concerned. And let me add that the Count
+Montani is animated by like feeling. So there we are, exactly on the
+same ground!"</p>
+
+<p>"You haven't answered my questions!" I blustered to hide my annoyance at
+being thrust further into the dark. "You don't understand Mrs.
+Bashford," I went on hurriedly. "It is inconceivable that any one should
+wish to injure her or that she could have committed any act that would
+cause her to be spied upon. She's tremendously imaginative; she indulges
+in little fancies that are a part of her charm!"</p>
+
+<p>"Little fancies!" he repeated, hiding a yawn. "It's deplorable for a
+pretty woman to have an imagination; there's danger there!"</p>
+
+<p>"Your philosophy bores me," I said, and left him. He had lied about the
+snoring of the guards&mdash;Antoine satisfied me of that&mdash;but I gave
+instructions to double the watch.</p>
+
+<hr class="major" />
+<div style='margin: auto; text-align: center; padding-top: 1em; padding-bottom: 1em;'>
+<a name="CHAPTER_V" id="CHAPTER_V"></a>
+<span class='pagenum'><a name="Page_138" id="Page_138">138</a></span>
+<h2>CHAPTER V</h2><h3>ALICE</h3>
+</div>
+
+<p>I wanted to be alone and struck off for a wood that lay on the northern
+end of the estate. This was the most picturesque spot on the property, a
+wild confusion of trees and boulders. On a summit in the midst of it
+Uncle Bash had built a platform round a majestic pine from which to view
+the Sound. I mounted the ladder and was brushing the dead leaves from
+the bench when, somewhere below me and farther on, I heard voices.</p>
+
+<p>I flattened myself on the platform, listening intently. A stiff breeze
+from the Sound flung the voices clearly to my hiding-place, and I became
+aware that Alice and Mrs. Farnsworth were holding a colloquy in what
+seemed to be the vein of their whimsical make-believe. That they should
+be doing this in the depth of the woodland merely for their own
+amusement did not surprise me&mdash;nothing<span class='pagenum'><a name="Page_139" id="Page_139">139</a></span> they could have done would have
+astonished me&mdash;but the tone of their talk changed abruptly.</p>
+
+<p>"Try it from that boulder there, Alice," said Mrs. Farnsworth. "It's an
+ideal place, created for the very purpose."</p>
+
+<p>I could see them moving about and hear the swish of shrubbery and the
+scraping of their feet on the rough slope.</p>
+
+<p>"How will that do?" asked Alice.</p>
+
+<p>"Beautifully," replied Mrs. Farnsworth. "Now go ahead from the beginning
+of the scene."</p>
+
+<p>Cautiously drawing back the branches, I espied Alice striking a pose on
+a mammoth rock. She bent forward, clasping her knees, and with an
+occasional glance at what appeared to be an open book beside her, she
+began:</p>
+
+<p>"You ask me who I am, my lord? It matters not at all who or what I am;
+let it suffice that berries are my food and the brook that sings behind
+me gives me drink. To be one thing or another is a weariness. Would you
+ask yonder oak for a name, or trouble the wind with like foolish
+questions? No;<span class='pagenum'><a name="Page_140" id="Page_140">140</a></span> it is enough that a tree is strong and fine to look upon
+and that a wind has healing in its wings."</p>
+
+<p>With her head to one side and an arresting gesture, and throwing into
+her voice all its charm and a new compelling innocence and sweetness,
+she continued:</p>
+
+<p>"But you would have a name? Then, O foolish one, so much I will tell
+you: Yesterday I was Helen, who launched a thousand ships and shook the
+topless towers of Ilium. To-day I am Rosalind in the forest of Arden,
+and to-morrow I may be Antigone, or Ariel or Viola, or what you will. I
+am what I make myself or choose to be. I pray you, let that suffice."</p>
+
+<p>My face was wet with perspiration, and my heart thumped wildly. For
+either I was stark, staring mad, or these were lines from Searles's
+"Lady Larkspur," the manuscript of which was carefully locked in my
+trunk.</p>
+
+<p>"That should be spoken a trifle more slowly, and with the best air of
+unpremeditatedness you can put into it," Mrs. Farnsworth was saying.
+"You can work it out better when you've memorized the lines. It's<span class='pagenum'><a name="Page_141" id="Page_141">141</a></span>
+immensely effective having the last scene come back to the big boulder
+on the mountainside. Let me look at that a minute."</p>
+
+<p>She took up the manuscript&mdash;there was no question of the blue cover of
+my copy of "Lady Larkspur"&mdash;and turned to the passage she sought.</p>
+
+<p>"Let me read this over," Mrs. Farnsworth continued: "'I have played, my
+lord, at hide-and-seek with the stars, and I have run races with the
+brooks. You alone of all that have sought me are equally fleet of foot
+and heart! If you but touch my hand, I am lost forever. And this hand&mdash;I
+beg you look at it&mdash;is as brown as a berry and as rough as hickory bark.
+A wild little hand and not lightly to be yielded at any man's behest.
+Look at me carefully, my lord.' She rises to full height quickly. Let me
+see you do that, Alice."</p>
+
+<p>Alice's golden head became more distinctively visible as she stood erect
+upon the boulder.</p>
+
+<p>"Oh, no! You can improve on that; it must be done lightly and quickly,
+just touching the tips of your fingers to the rock. Ah,<span class='pagenum'><a name="Page_142" id="Page_142">142</a></span> splendid! Now
+stand with one hand dropped upon the hip&mdash;let me see how that looks.
+Very good; now repeat these lines after me. 'This other world, of which
+you speak?' Shake your head slowly, frowning; every hint of sincere
+doubt and questioning you can throw into look and gesture. 'Is it a kind
+world, a place of honest hearts? You have spoken of cities, and crowded
+avenues, of music and theatres and many things I have read of but never
+seen. You promise me much, but what should I do in so vast a company? I
+am very happy here. Spring and summer fill my hands with flowers and in
+winter I lay my face to the wind that carries sleet and snow. All this
+is mine.' Arms stretched out. You mustn't make that stiff&mdash;very good.
+'Earth and sky and forest belong to me. The morning comes down the sky
+in search of me and the tired day bids me good-night at the western
+gate. You would change rags for silk.' You turn your body and catch your
+skirt in your hands, looking down. Yes; you are barefoot in this scene.
+You'll have to practise that turn. Now&mdash;'And yet I should lose my
+dominion; in that<span class='pagenum'><a name="Page_143" id="Page_143">143</a></span> world you boast of I should no more be Lady
+Larkspur.'"</p>
+
+<p>Alice had repeated these lines, testing and trying different
+modulations. Sometimes a dozen repetitions hardly sufficed to satisfy
+Mrs. Farnsworth, who herself recited them and postured for Alice's
+instruction.</p>
+
+<p>"Please read the whole of the second act again," said Alice, seating
+herself on the boulder. I waited for a few minutes, enjoying the
+beautiful flow of Mrs. Farnsworth's voice, then, mystified and awed, I
+crept down the ladder and stole away. "It's Dick Searles's play," I kept
+whispering to myself. It was the "Lady Larkspur" that he was holding
+back until he could find the girl who had so enchanted him in London and
+for whom he had written this very comedy with its setting in the
+Virginia hills.</p>
+
+<p>Hurrying to the garage, I snarled at Flynn, who said Torrence had been
+calling me all morning and had finally left word that he would motor to
+Barton at eight the next evening to see me on urgent business. I
+unlocked my trunk and dug out my copy of "Lady Larkspur." Not even the
+wizardry<span class='pagenum'><a name="Page_144" id="Page_144">144</a></span> of Alice and her friend could have extracted the script. The
+two women had in some way possessed themselves of another copy, an exact
+duplicate, even to its blue paper cover; and I sat down and began
+recalling everything Searles had told me about his efforts to find the
+actress.</p>
+
+<p>The telephone on the table at my elbow rang until Flynn came in timidly
+to quiet it.</p>
+
+<p>"If it's Mr. Torrence&mdash;" I began.</p>
+
+<p>"It's the Barton station, sir. There's a telegram." I snatched the
+receiver spitefully, thinking it only the methodical Torrence confirming
+the appointment made by telephone. But the operator began reading:</p>
+
+<div class="blockquot"><p><span class="smcap">"Springfield, Ohio</span>, September 30, 1917.</p>
+
+<p>"Cable from London agent says last forwarding address for Violet
+Dewing was hotel in Seattle. Please ask Harkaway &amp; Stein and anybody
+else on Broadway who might know what companies are on coast or
+headed that way. I find no clew in theatrical papers and don't want
+to mess things by making inquiries direct. If party can be located,
+will start West immediately.</p>
+
+<p>"<span class="smcap">Searles</span>."<span class='pagenum'><a name="Page_145" id="Page_145">145</a></span></p></div>
+
+<p>The thought of Searles was comforting, and I reproached myself for not
+having summoned him at the beginning of my perplexities. I immediately
+dictated this reply:</p>
+
+<p>"Take first train East and come to me at Barton as quickly as possible.
+Hope to have news for you."</p>
+
+<p>I then jotted down on a scratch pad this memorandum:</p>
+
+<p>"The young woman representing herself as Mrs. Bashford and now
+established in my uncle's house is one or all of the following persons:</p>
+
+<div class="blockquot"><p>1. Uncle Bash's widow.</p>
+
+<p>2. An impostor.</p>
+
+<p>3. A spy of some sort, pursued by secret agents.</p>
+
+<p>4. Violet Dewing, an actress.</p>
+
+<p>5. The most interesting and the loveliest and most charming girl in
+the world."</p></div>
+
+<p>I checked off one, two, and three as doubtful if not incredible; four
+seemed possible, and five was wholly incontrovertible. But the first
+three certainly required much illumination, and the fourth I was
+helpless to reconcile with any of the others but the last. I reviewed
+Searles's enthusiastic description<span class='pagenum'><a name="Page_146" id="Page_146">146</a></span> of the young woman who had inspired
+him to write "Lady Larkspur," and could only excuse my stupidity in not
+fitting it to Alice the first time I saw her on the ground that Barton
+was the last place in the world I should have looked for her. And then,
+with all his exuberance, Searles hadn't done her justice!</p>
+
+<p>The following day nothing of importance happened, though Alice and Mrs.
+Farnsworth again spent the morning in the woodland, presumably studying
+Searles's play. My thoughts galloped through my head in a definite
+formula: "If she is not my aunt&mdash;" "If she is an impostor&mdash;" "If she is
+a spy playing a deep game in the seclusion of Barton&mdash;" "If she is the
+actress Searles is seeking&mdash;" At any rate, I would respect her wish to
+play the game through; the dangers of carrying the story-book idea to
+one of half a dozen possible conclusions were not inconsiderable, but I
+was resolved that she should finish the tale in her own fashion.</p>
+
+<p>On my way to luncheon I passed Dutch pushing a wheelbarrow containing a
+huge hamper.</p>
+
+<p>"It's vittles for the prisoner, sir," he remarked.<span class='pagenum'><a name="Page_147" id="Page_147">147</a></span> "He's some feeder,
+that guy, and I guess the sooner we shake 'im th' better. He kicks on
+th' wine, sir. Says it's questionable vintage. When he gets tired
+readin' he pokes his head through the window and kids th' boys. He says
+he's goin' to remember th' place and come back when he's old. A charmin'
+retreat fer supernumerary superannuates, he calls it. Them's his woids.
+I'm gittin' sort o' nervous havin' 'im round. Zimmerman&mdash;he's the
+clothes-presser&mdash;tried to talk Goiman to 'im this mornin' an' th' guy
+pretended like his feelin's wuz hoit, an' he never knowed th' Hun's
+language, he says. An' Elsie says she's prepared to swear he talked
+Goiman easy enough to her."</p>
+
+<p>"We'll consider his case later, Dutch. The matter is delicate, most
+delicate."</p>
+
+<p>If I had expected Searles and his play to be introduced into the
+table-talk, I was doomed to disappointment. A dozen times I smothered an
+impulse to tell Alice and Mrs. Farnsworth I had watched them in the
+woodland and of Searles's long search for the ideal of his "Lady
+Larkspur," but I was afraid to risk their displeasure. They enjoyed
+walking<span class='pagenum'><a name="Page_148" id="Page_148">148</a></span> in the wood, they said, and when I charged them with
+selfishness in not taking me along, Alice immediately suggested a tramp
+later in the afternoon.</p>
+
+<p>"I'll send you away after luncheon&mdash;I have loads of letters to write,
+but by four o'clock I'll be keen for the woods again."</p>
+
+<p>"Letters to all my good fairies," she laughed when I went for her; "and
+you mustn't look at the addresses!" She suggested that we walk to the
+village as she liked to post her letters herself. We went through the
+woods where I had seen her the day before.</p>
+
+<p>"Constance and I were here this morning," she said when we reached the
+big boulder. "Let me see; I think I'll try a little trick to test the
+hand of fate. Give me those letters, please. If this falls with the
+address up, I'll mail it," and she chose one and handed me the others;
+"if the flap side turns up, I'll destroy it."</p>
+
+<p>She sent it spinning into the air. A branch caught and held it an
+instant, then it fell, turning over and over, and lay straight on edge
+against a weed.<span class='pagenum'><a name="Page_149" id="Page_149">149</a></span></p>
+
+<p>"No decision!" I cried. "It's an exact perpendicular."</p>
+
+<p>She knelt beside it, pondering. "I think it leans just a trifle to the
+address side," she announced. "Therefore you may return it to your
+pocket and it goes into the post-office."</p>
+
+<p>"These letters would probably answer a lot of questions for me if I
+dared run away with them," I suggested.</p>
+
+<p>"The thought does you no credit, sir. You promised not to meddle, but
+just to let things take their course, and I must say that you are
+constantly improving. At times you grow suspicious&mdash;yes, you know you
+do&mdash;but, take it all in all, you do very well."</p>
+
+<p>At the post-office she dropped all the letters but one into the chute.
+"It really <i>did</i> fall a little to the address side?" she questioned.</p>
+
+<p>I gave my judgment that the letter stood straight on edge, inclining
+neither way.</p>
+
+<p>"If my life hung in the balance, I should certainly not act where fate
+had been so timid."</p>
+
+<p>"Perhaps this <i>does</i> affect you," she said, quite soberly. And there in
+the lobby of<span class='pagenum'><a name="Page_150" id="Page_150">150</a></span> the little Barton post-office, for the first time, I
+indulged the hope that there was something more than friendliness and
+kindness in her eyes. Her usual composure was gone&mdash;for a moment
+only&mdash;and she fingered the envelope nervously in her slim, expressive
+hands. A young woman clerk thrust her head through the delivery window
+and manifested a profound interest in our colloquy.</p>
+
+<p>"Suppose," said Alice musingly, "I were to tell you that if I mail this
+letter the effect will be to detain me in America for some time; if I
+don't send it, I shall have to write another that will mean that I shall
+go very soon. If I stay on at Barton instead of going home to take up my
+little part again for England in the war, it will be an act of
+selfishness&mdash;just some more of my foolishness, more of the make-believe
+life that Constance and I have been living here."</p>
+
+<p>"I want you to stay," I said earnestly, taking the letter. "Let me be
+your fate in this&mdash;in everything that affects your life forever."</p>
+
+<p>She walked quickly to the door, and I dropped the letter into the chute
+and hurried after her.<span class='pagenum'><a name="Page_151" id="Page_151">151</a></span></p>
+
+<p>"You didn't turn round," I said as we started down the street. "For all
+you know, I've got the letter in my pocket."</p>
+
+<p>"Oh, I'm not a bit frightened! It would be just as interesting one way
+as another."</p>
+
+<p>"But I want you to stay forever," I declared as we waited on the curb
+for a truck to pass.</p>
+
+<p>"The remark is almost impertinent," she answered, "when I've known you
+only seven days."</p>
+
+<p>"They've been wonderful days. It really makes no difference about
+letters or your duties elsewhere. Where you go I shall certainly follow;
+that's something I should like to have understood here and now."</p>
+
+<p>Loitering along the beach on our way home, I was guiltily conscious that
+I was making love rather ardently to a lady who had introduced herself
+to me as my uncle's widow. The sensation was, on the whole, very
+agreeable....</p>
+
+<p>"Mr. Torrence and Mr. Raynor," Antoine announced as we were leaving the
+dinner-table.</p>
+
+<p>"Mr. Raynor?" asked Alice. "Who, pray, is Mr. Raynor?"<span class='pagenum'><a name="Page_152" id="Page_152">152</a></span></p>
+
+<p>Their arrival together chilled me, a chill increased by Torrence's
+frosty greeting as he gripped my hand angrily and hissed in my ear:</p>
+
+<p>"You've deceived me about this whole business! I suggest that you leave
+the room."</p>
+
+<p>I was walking toward the door when Mrs. Farnsworth protested.</p>
+
+<p>"You are not going? Alice, there is no reason why Mr. Singleton should
+leave us."</p>
+
+<p>"Of course he is not going," said Alice. She was established at ease in
+a wicker rocker, unconcernedly plying the ostrich-plume fan.</p>
+
+<p>"There may be matters&mdash;&mdash;" began Torrence.</p>
+
+<p>"Oh, nothing that Bob can't hear!" Alice declared.</p>
+
+<p>"Very well," muttered Torrence, frowning his complete disapproval.</p>
+
+<p>He fidgeted for a moment and tried to catch Raynor's eye, but Raynor's
+face expressed amusement. I found myself liking Raynor very much.</p>
+
+<p>"Mr. Raynor told me that he wished to speak to Mrs. Bashford privately,"
+said<span class='pagenum'><a name="Page_153" id="Page_153">153</a></span> Torrence. "If he's satisfied, I'm sure I have no objection to Mr.
+Singleton's remaining. I regret that my own duty is a disagreeable one."</p>
+
+<p>"Really!" murmured Alice with nicely shaded impudence.</p>
+
+<p>"I am convinced, beyond any question," said Torrence sharply, "that you
+are not the widow of the late Raymond B. Bashford!"</p>
+
+<p>"That statement," said Alice without ceasing the languid flutter of the
+fan, "is correct&mdash;quite correct."</p>
+
+<p>"Certainly: it is entirely true," affirmed Mrs. Farnsworth.</p>
+
+<p>"And your coming here as you did is, if you will pardon my frankness,
+susceptible of very disagreeable constructions. It is my painful
+duty&mdash;&mdash;"</p>
+
+<p>He choked upon his duty until Raynor spoke, smiling broadly.</p>
+
+<p>"I find my duty really a privilege," he said. "Not only are you not Mrs.
+Bashford," he went on with the utmost good humor, "but you are a very
+different person. I should explain that I represent the American<span class='pagenum'><a name="Page_154" id="Page_154">154</a></span> State
+Department, and that our government has been asked by the British
+Embassy to find you and deliver a certain message to you."</p>
+
+<p>"Oh, papa wants me to come home!" cried Alice. "It's droll, Constance,
+that papa should have thought of making an affair of state of us. Dear
+papa will always indulge me just so far, and then he becomes alarmed."</p>
+
+<p>"He's certainly alarmed now!" laughed Raynor. "But the ambassador has
+warned us to be most tactful and circumspect. You may not know that Sir
+Arnold Seabring is on his way to this country on a confidential mission.
+That, of course, is not for publication."</p>
+
+<p>"Sir Arnold Seabring?" gasped Torrence.</p>
+
+<p>"The father of the Honorable Miss Seabring," replied Raynor with an
+elucidating nod toward Alice.</p>
+
+<p>"But how&mdash;" I began.</p>
+
+<p>"Mrs. Bashford, the widow of your uncle, is the Honorable Miss
+Seabring's aunt. Is that quite correct?"</p>
+
+<p>"It is all true," said Alice. "I am a fraud,<span class='pagenum'><a name="Page_155" id="Page_155">155</a></span> an impostor. You might go
+on and say that Mrs. Farnsworth is the wife of Sir Cecil Arrowsmith. But
+all the guilt is mine. It was my idea to come here and play a little,
+because I knew Aunt Alice wouldn't mind. She knew just what I meant to
+do; really she did, Mr. Torrence! In fact, I have her written permission
+to use the house, which I should have shown you if we had got in a
+pinch. But it seemed so much more fun just to let matters take their
+course. It's a pet theory of mine that life is a dull affair unless we
+trust to luck a little. After my brother's death I was very unhappy and
+had gone out East to visit Aunt Alice, who is a great roamer. I thought
+it would be nice to stop here on the way home, just for a lark, without
+telling papa, who was frantically cabling me to hurry back to England.
+This isn't the first time I've played hide-and-seek with my family. I
+was always doing that as a child; and if it hadn't been for my general
+waywardness I should never have known you, Constance. Why, I shouldn't
+have known you, gentlemen! It has all been so delightful!"</p>
+
+<p>This na&iuml;ve confession amused Raynor<span class='pagenum'><a name="Page_156" id="Page_156">156</a></span> greatly, but Torrence was seeing
+nothing in it but a dangerous escapade.</p>
+
+<p>"In the name of the Bainbridge Trust Company, I must notify you," he
+began, "that by representing yourself as another person, entering into
+possession of a large property&mdash;&mdash;"</p>
+
+<p>"But we've been paying all our own expenses; we haven't taken any money
+from you," pleaded Alice.</p>
+
+<p>"Of course you wouldn't do such a thing," affirmed Raynor. "My
+instructions are to give you any sum of money you ask. In fact, the
+Government of the United States is instructed to assume full
+responsibility for you until your father arrives. May I go on and
+clarify matters for these gentlemen, for Mr. Torrence at least is
+entitled to a full explanation?"</p>
+
+<p>"Constance," said Alice, turning with a little shrug to her friend, "we
+have been caught! Our story is being spoiled for us. Please go on, Mr.
+Raynor. Just what does the American State Department have to say about
+us?"</p>
+
+<p>"That you are endowed with a very unusual<span class='pagenum'><a name="Page_157" id="Page_157">157</a></span> personality," continued
+Raynor, his eyes twinkling. "You are not at all content to remain in
+that station of life to which you were born; you like playing at being
+all sorts of other persons. Once, so your friend the ambassador confided
+to me, you ran away and followed a band of gypsies, which must have been
+when you were a very little girl."</p>
+
+<p>"I was seven," said Alice, "and the gypsies were nice to me."</p>
+
+<p>"And then you showed talent for the stage&mdash;&mdash;"</p>
+
+<p>"A dreadful revelation!" she exclaimed.</p>
+
+<p>"But you don't know that it was really your father who managed to have
+Mrs. Farnsworth, one of the most distinguished actresses in England,
+take charge of you."</p>
+
+<p>"No! Alice never knew that!" said Mrs. Farnsworth, laughing. "I was her
+chaperon as well as her preceptress; but Alice's father knew that if
+Alice found it out it would spoil the adventure for her. Alice must do
+things in her own way."</p>
+
+<p>"You are a fraud," said Alice, "but I always suspected you a little."</p>
+
+<p>"Speaking of the stage," resumed Raynor,<span class='pagenum'><a name="Page_158" id="Page_158">158</a></span> "it is also a part of my
+instructions that the Honorable Miss Seabring shall be discouraged from
+any further adventures in that direction; she's far too talented;
+there's danger of her becoming a great luminary. In other words, she is
+not to grace the boards again as Violet Dewing."</p>
+
+<p>Alice's brow clouded, and she turned to me. "That was settled when you
+mailed that letter for me. It was to make an appointment with an
+American playwright who wants me to appear in a most adorable comedy."</p>
+
+<p>"His name is Dick Searles," I said, "and he's my most intimate friend."</p>
+
+<p>She professed indignation when I told of my eavesdropping in the woods,
+but when I explained that I knew all about the play and Searles's
+despairing search for her she was enormously pleased.</p>
+
+<p>"How wonderful!" she exclaimed. "You know I told you, Constance, that if
+we really threw ourselves in the path of adventure mystery would come
+out to meet us in silken sandals."</p>
+
+<p>"But you will not appear in this play?"<span class='pagenum'><a name="Page_159" id="Page_159">159</a></span> asked Raynor anxiously. "It is
+the business of the Government of the United States to see that you
+commit no further indiscretions. There is another matter which I hope
+you can clear up. You are not only a subject of concern to the British
+Embassy, but the French ambassador also has appealed to us to assist him
+in a trifling matter!"</p>
+
+<p>"The French ambassador?" Alice exclaimed with a surprise I knew to be
+unfeigned. "I thought the dear Montani was an Italian?"</p>
+
+<p>"We will continue to call him Montani, but he's a Frenchman and one of
+the keenest men in the French Secret Service. You have caused him the
+deepest anguish."</p>
+
+<p>"Please hurry on!" She bent forward with childish delight. "This is a
+part of the story we've been living that I really know nothing about. I
+hope it won't be disappointing!"</p>
+
+<p>Raynor laughed and shook his head.</p>
+
+<p>"It's fortunate that Montani is a gentleman, anxious to shield and
+protect you. You have a fan in your hand&mdash;&mdash;"</p>
+
+<p>She spread it for our inspection.<span class='pagenum'><a name="Page_160" id="Page_160">160</a></span></p>
+
+<p>"A harmless trinket, but without it the adventure would have been very
+tame."</p>
+
+<p>"The story of the fan is in the most secret archives of Paris and
+Washington. When you were packing up in Tokyo to come home on the very
+last day before your departure a lady called on you whom you knew as
+Madame Volkoff."</p>
+
+<p>"That dear woman!" exclaimed Mrs. Farnsworth. "We knew her very well."</p>
+
+<p>"Almost too well," cried Raynor. "A cultivated woman and exceedingly
+clever, but a German spy. She had collected some most interesting data
+with reference to Japanese armament and defenses, but suspecting that
+she was being watched, she hit upon a most ingenious way of getting the
+information across the Pacific, expecting to communicate with German
+agents in America who could pick it up and pass it on to Berlin. You
+see, she thought you an easy mark. She got hold of a fan which Montani
+informs me is the exact counterpart of that one you hold. She reduced
+her data to the smallest possible compass, concealed it in her fan, and
+watched for a chance to exchange with you. The<span class='pagenum'><a name="Page_161" id="Page_161">161</a></span> astute Montani found the
+Japanese artisan who had done the tinkering for her and surmised that
+you were to be made the unconscious bearer of the incriminating papers.
+Montani jumped for the steamer you were sailing on with every
+determination to get the fan. His professional pride was aroused, and it
+was only after he found it impossible to steal the fan that he asked our
+assistance. He's a good fellow, a gentleman in every sense, and with
+true French chivalry wanted to do the job without disturbing you in any
+way."</p>
+
+<p>We pressed closer about Raynor as he took the fan, spread it open, and
+held it close against a table-lamp. "The third, sixth, and ninth," he
+counted. "You will notice that those three pieces of ivory are a trifle
+thicker and not as transparent as the others. Glancing at them casually
+in an ordinary light, you would never suspect that they had been
+hollowed out, an exceedingly delicate piece of work. It's a pity to
+spoil anything so pretty, but&mdash;&mdash;"</p>
+
+<p>He snapped the top of one of the panels, disclosing a neatly folded
+piece of thin paper.<span class='pagenum'><a name="Page_162" id="Page_162">162</a></span></p>
+
+<p>"If you are all satisfied, I will not go further. I want to deliver this
+to the French Embassy intact. I expect Montani here to-night; he will no
+doubt be enormously relieved."</p>
+
+<p>A machine whizzed into the driveway, and Montani came in brushing past
+the astonished Antoine, who had answered the bell.</p>
+
+<p>"The fan is safe," cried Raynor; "you may complete the identification."</p>
+
+<p>"I've handled this whole affair most stupidly," said Montani after a
+hurried examination. "I'm satisfied that a German agent in America has
+picked up the trail of the fan. One or two lines of my own
+communications failed to work, and after reporting the whole matter to
+the French Embassy I began searching for a man, the most dangerous of
+all the German spies, who had been intrusted with the business of
+recovering Madame Volkoff's fan and passing the contents on to Berlin.
+This person has been representing himself as a French secret agent; he's
+enormously plausible. I feared he might attempt what I failed to do.
+If&mdash;&mdash;"</p>
+
+<p>Alice glanced at me, and I stepped to the wall and punched the button.<span class='pagenum'><a name="Page_163" id="Page_163">163</a></span></p>
+
+<p>"Antoine," I said, "tie the arms of the prisoner in the tool-house and
+bring him here."</p>
+
+<p>"A man in the tool-house!" Montani, Torrence, and Raynor ejaculated in
+concert.</p>
+
+<p>"Oh, yes," murmured Alice, "that's the pleasantest chapter of all. Our
+grenadiers captured a whole invading army that made a night attack&mdash;one
+of the most remarkable engagements of the present war, Mr. Torrence."</p>
+
+<p>"The battle of the Bell-Hops," I suggested. "The prisoner will be here
+in a moment."</p>
+
+<p>While we waited Montani produced a photograph, instantly recognizable as
+a likeness of our prisoner.</p>
+
+<p>"My reputation is saved!" he exclaimed excitedly. "That he should have
+been caught here! It is too much! I shall never forgive myself for not
+warning you of the danger. But you understand, mesdames, that I was
+sincerely anxious to recover the fan without letting you know its
+importance. When I found at Seattle and Chicago that you were travelling
+under assumed names, I was&mdash;pray, pardon me&mdash;deeply puzzled, the more<span class='pagenum'><a name="Page_164" id="Page_164">164</a></span>
+so because I had satisfied myself in Tokyo that you were loyal
+Englishwomen, and I believed you to be innocent of complicity with
+Madame Volkoff. Why you should have changed your names, I didn't know,
+but it's not my affair now."</p>
+
+<p>"We saw you on the steamer and again in the hotel at Chicago. It was
+very amusing to be followed. We gave you the slip, stopped at Buffalo to
+see Niagara, and you came on here and scared the servants to death! But
+you were generous at every point," said Alice. "We changed our names so
+we could amuse ourselves here&mdash;at Bob's expense. So now I ask
+everybody's forgiveness!"</p>
+
+<p>The prisoner, arriving at this moment, became the centre of interest.
+Without a word Montani walked up to him, brushed back his hair, and
+called our attention to a scar on the crown of his head.</p>
+
+<p>"There can be no mistake. This is Adolph Schwenger, who passes as
+readily for a Frenchman as I do for an Italian. The capture is of great
+importance. I shall want the names of all the persons who assisted in
+the matter."<span class='pagenum'><a name="Page_165" id="Page_165">165</a></span></p>
+
+<p>"It isn't quite clear to me," remarked Raynor, turning to me, "why you
+held that fellow and said nothing about it. If there had been a mistake,
+it would have been just a little embarrassing for you, Singleton."</p>
+
+<p>"Chivalry!" Mrs. Farnsworth answered for me. "An anxious concern for the
+peace and dignity of two foolish women! I didn't know there was so much
+chivalry left in the world."</p>
+
+<p>An hour was spent in explanations, and Raynor declared that I must write
+a full account of the Allied army in Connecticut and the capture of the
+spy. The State archives contained nothing that touched this episode for
+piquancy, he declared; and even the bewildered Torrence finally saw the
+joke of the thing and became quite human.</p>
+
+<p>Raynor and Montani decided after a conference that the German agent
+should be taken to New York immediately, and I called Flynn to drive
+them down.</p>
+
+<p>"It's most fortunate, sir, that you sent for him just when you did!"
+announced Antoine, nearly bursting with importance. "The boys had heard
+queer sounds in the night,<span class='pagenum'><a name="Page_166" id="Page_166">166</a></span> but could find nothing wrong. The prisoner
+had taken up the flooring at the back of the tool-house, and was
+scooping up the dirt. He'd got a place pretty near big enough to let him
+through. I suppose we ought to have noticed it, sir."</p>
+
+<p>"You managed the whole thing perfectly, Antoine&mdash;you and all of you."</p>
+
+<p>It was just as Raynor and Montani were leaving the house with the
+prisoner that we heard a commotion in the direction of the gates. I had
+sent word that no one was to be admitted to the grounds, but as I ran
+out the front door a machine was speeding madly toward the house. A
+dozen of the guards were yelling their protests at the invasion, and a
+spurt of fire preluded the booming of Zimmerman's shotgun.</p>
+
+<p>"Get your man into the car and beat it," I shouted to Raynor, thinking
+an attempt was about to be made to rescue the prisoner.</p>
+
+<p>The touring-car left just as a Barton taxi flashed into the driveway.
+The driver was swearing loudly at one of the Tyringham veterans who had
+wedged himself into the door of the machine. With some difficulty<span class='pagenum'><a name="Page_167" id="Page_167">167</a></span> I
+extricated Scotty from his hazardous position.</p>
+
+<p>Searles jumped out (I had forgotten that he might arrive that night),
+but before I could greet him he swung round and assisted a lady to
+alight&mdash;a short, stout lady in a travelling cap, wrapped in a coat that
+fell to her heels. She began immediately to deliver orders in an
+authoritative tone as to the rescue of her belongings. Searles dived
+into the taxi and began dragging out a vast amount of small luggage, but
+my attention was diverted for a moment by Alice, who jumped down the
+steps and clasped her arms about the neck of the stout lady.</p>
+
+<p>"Aunt Alice!" I heard her saying. "Why didn't you tell us to meet you?"</p>
+
+<p>"Why didn't I tell you?" demanded the stout lady. "The moment you left
+me I knew I'd made a mistake in letting you come over here on one of
+your absurd larks! And from the row I had getting into the premises I
+judge that you're at your old tricks. Fired upon! Treated as though I
+were an outlaw! You shall never go out of my sight again!"<span class='pagenum'><a name="Page_168" id="Page_168">168</a></span></p>
+
+<p>"Oh, please don't scold me!" Alice pleaded and turning to me: "This is
+Bob Singleton, your nephew."</p>
+
+<p>Mrs. Bashford&mdash;and I made no question that Searles's companion was
+indubitably my uncle's widow&mdash;gave me her hand and smiled in a way that
+showed that she was not so greatly displeased with Alice as her words
+implied.</p>
+
+<p>"Pay that driver for me and don't fail to tip him. Those Methuselahs at
+the gate all but killed him. It was only the vigorous determination of
+this gentleman, who very generously permitted me to share the only motor
+at the station, that I got through the gates alive! I beg your pardon,
+but what <i>is</i> your name?"</p>
+
+<p>"Mrs. Bashford," I interposed, "my friend, Mr. Searles."</p>
+
+<p>"Mr. Searles!" cried Alice, dropping a cage containing some weird
+Oriental bird which had been among my aunt's impedimenta. The bird
+squawked hideously.</p>
+
+<p>"Miss Violet Dewing, permit me to present the author of 'Lady
+Larkspur'!"</p>
+
+<p>Poor Torrence, clinging to a pillar for support,<span class='pagenum'><a name="Page_169" id="Page_169">169</a></span> now revived
+sufficiently to be included in the introductions.</p>
+
+<p>It was a week later that Alice and I sat on the stone wall watching the
+waves, at the point forever memorable as the scene of our first talk.</p>
+
+<p>"Aunt Alice isn't playing fair," she said. "She pretends now that it was
+all my idea&mdash;coming over to play at being your uncle's widow, but she
+really encouraged me to do it so I could give her an impartial judgment
+of your character. I'm her only niece and her namesake, and she relies
+on me a good deal. You know she's very, very rich, and she had never any
+idea of keeping your uncle's money. She meant all the while to give it
+to you&mdash;provided she found you were nice. And she thinks you are very
+nice."</p>
+
+<p>"Your own opinion of me would be interesting," I suggested.</p>
+
+<p>She had gathered a handful of pebbles and was flinging them fitfully at
+a bit of driftwood. I wished her lips hadn't that little quiver that
+preluded laughter and that her eyes were not the haven of all the dreams
+in the world.<span class='pagenum'><a name="Page_170" id="Page_170">170</a></span></p>
+
+<p>She landed a pebble on the target before replying.</p>
+
+<p>"You are very nice, I think," she said with disconcerting detachment.
+"At first I was afraid you didn't like nonsense, but you really got
+through very well, considering the trouble I caused you. But I'm in
+trouble myself now. Papa will land to-morrow. He's the grandest, dearest
+man in all this world, but when he finds that I'm going to act in Mr.
+Searles's play he will be terribly cut up. Of course it will not be for
+long. Even if it's a big success, I'm to be released in three months.
+Constance and Sir Cecil think I owe it to myself to appear in the piece;
+they're good enough to say nobody else can do it so well&mdash;which is a
+question. I'm going to give all the money I earn to the blind soldiers."</p>
+
+<p>(I wished the tears in her eyes didn't make them more lovely still!)</p>
+
+<p>"Being what you are and all you are, it would be brutal for me to add to
+the number of things you have to tell your father. I'm a very obscure
+person, and he is a gentleman of title and otherwise distinguished. You
+are the Honorable Miss&mdash;&mdash;"<span class='pagenum'><a name="Page_171" id="Page_171">171</a></span></p>
+
+<p>"Papa has said numbers of times," she began softly, looking far out
+across the blue Sound&mdash;"he has said, oh, very often, that he'll never
+stop troubling about me until&mdash;until I'm happily married."</p>
+
+<p>"When you came here you wore a wedding-ring," I remarked casually.</p>
+
+<p>"It was only a 'property' ring, to help deceive you. I bought it in
+Chicago. When Aunt Alice came I threw it away."</p>
+
+<p>"The finger seems lonesome without it," I said. "If I get you another, I
+hope you'll take better care of it."</p>
+
+<p>"If you should put it there," she replied, looking fixedly at the hand,
+"that would be very, very different."</p>
+
+<p style='text-align:center; margin-top: 2em; margin-bottom: 3em;'>THE END</p>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+***** This file should be named 19204-h.htm or 19204-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/2/0/19204/
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/19204.txt b/19204.txt
new file mode 100644
index 0000000..a845cc2
--- /dev/null
+++ b/19204.txt
@@ -0,0 +1,3970 @@
+The Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Lady Larkspur
+
+Author: Meredith Nicholson
+
+Release Date: September 7, 2006 [EBook #19204]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+
+
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+LADY LARKSPUR
+BY
+MEREDITH NICHOLSON
+
+NEW YORK
+CHARLES SCRIBNER'S SONS
+1919
+
+-----------------------------------------------------------------------
+
+COPYRIGHT, 1919, BY
+CHARLES SCRIBNER'S SONS
+
+Published March, 1919
+
+COPYRIGHT, 1918, BY P. F. COLLIER & SONS, INC.
+
+-----------------------------------------------------------------------
+
+TO BENNETT AND PEGGY GATES
+
+-----------------------------------------------------------------------
+
+CONTENTS
+
+CHAPTER PAGE
+
+ I. THE "TROOPS" 1
+ II. THE AMAZING WIDOW 38
+ III. A FAN 79
+ IV. PURSUING KNIGHTS 112
+ V. ALICE 138
+
+-----------------------------------------------------------------------
+
+
+
+
+CHAPTER I
+
+THE "TROOPS"
+
+
+"It was hard luck," said Searles, "that I should spend a year writing a
+play for a woman only to find that she had vanished--jumped off the
+earth into nowhere. This was my highest flight, Singleton, the best
+writing I ever did, and after the vast pains I took with the thing, the
+only woman I ever saw who could possibly act it is unavailable; worse
+than that, absolutely undiscoverable! Nobody knows I have this script;
+I've kept quiet about it simply because I'm not going to be forced into
+accepting a star I don't want. I have a feeling about this play that I
+never had about my other things. That girl was its inspiration. The
+public has been so kind to my small offerings that I'm trying to lead
+'em on to the best I can do; something a little finer and more
+imaginative, with a touch of poetry, if you please. And now----"
+
+He rose from his broad work-table (he scorned the familiar type of desk)
+and glared at me as though I were responsible for his troubles. As he
+knew I had been flying in the French Aviation Corps for two years and
+had just been invalided home, I didn't think it necessary to establish
+an alibi. But I hastened to express my sympathy for his predicament.
+Fate had been kind to Dick Searles. In college he had written a play or
+two that demonstrated his talent, and after a rigid apprenticeship as
+scene-shifter and assistant producer he had made a killing with "Let
+George Do It," a farce that earned enough to put him at ease and make
+possible an upward step into straight comedy. Even as we talked a
+capacity house was laughing at his skit, "Who Killed Cock Robin?" just
+around the corner from his lodgings. So his story was not the invention
+of a rejected playwright to cover the non-appearance of a play which
+nobody would produce.
+
+"Isn't it always a mistake to write a play for a particular star?" I
+suggested. "Seems to me I've read somewhere that that is among the
+besetting sins of you playwrights."
+
+"Old stuff, my boy; but this isn't one of those cases. The person I had
+in mind for this play wasn't a star, but a beginner, quite unknown. It
+was when I was in London putting on 'Fairy Gold' that I saw her; she had
+a small part in a pantomime, and pantomime is the severest test of an
+actor's powers, you know. A little later she appeared in 'Honourable
+Women,' a capital play that died early, but there again I felt her
+peculiar charm--it was just that. Her part was a minor one, but she wore
+it as she might wear a glove; she was exquisite! No one ever captured my
+imagination as she did. I watched her night after night. I was afraid
+that when I heard her voice it would break the spell, and I actually
+shook like a man with an ague when she tripped out on the stage as the
+ingenue in 'Honourable Women.' And her laughter! You know how hollow the
+usual stage mirth is, but that girl's laugh had the joy of the lark
+ascending!"
+
+"By Jove!" I ejaculated, "there's more here than appears. You're in love
+with the girl!"
+
+"Rubbish," he cried impatiently. "You'll think I'm talking rot, but
+this girl was the visualization of a character I had dreamed of and
+groped after for years. That's all; but it's a whole lot, I can tell
+you!"
+
+"Of course, you established lines of communication and gave her a hint
+that you meant to write a play for her?"
+
+"Certainly not! That would have spoiled the whole thing. It was her art,
+not the woman, that interested me. I didn't want to take the chance of
+being disillusioned. I have been through that experience, and I prefer
+not to meet the people who act in my pieces. I want their art, not their
+views on human destiny or the best place to get lobster a la Newburg."
+
+"Let us be practical for a moment, Searles," I urged. "Emperors,
+presidents, and popular murderers are not more conspicuous than the
+people of the stage. No girl talented enough to get two engagements,
+even for small parts, in a first-class London theatre could vanish. With
+your acquaintance in the profession you'd be able to trace her anywhere
+on earth. By the way, what did the paragon call herself?"
+
+"Violet Dewing was her stage name and the only name the managers knew
+her by. I assumed that, of course, all I had to do was to finish my play
+and then have Dalton, who represents me over there, make an appointment
+to read it to her; but Dalton worked for three months trying to find
+her, without success. She clearly wasn't the product of the provincial
+theatres--hadn't any of the marks. I wasn't the only person who was
+interested in her. Dalton said half a dozen managers had their eye on
+her, but after 'Honourable Women' closed she stepped into the void. I
+know what you're thinking--that the other members of the two companies
+she appeared with must have had some inkling of her identity, but I tell
+you Dalton and I exhausted the possibilities. It was by accident that
+she got her chance in the pantomime--some one wouldn't do at the last
+minute, and they gave Miss Dewing a trial. She was well liked by her
+associates in spite of the fact that she was a bit offish and vanished
+from their world the minute the curtain fell."
+
+"A clever governess out of a job, satisfying a craving for excitement
+and playing the mysterious role as part of the adventure. Am I to
+assume that you've burned your play and that the incident is closed?"
+
+"Oh, I didn't burn it; I have a copy locked in a safety vault, and
+Dalton left one heavily sealed at a small exclusive London hotel where,
+he found after much difficulty, the girl had lodged during her two
+engagements."
+
+"You're morbid," I said. "Show me her photograph."
+
+He laughed ironically. "Never a chance, Singleton! You haven't yet got
+the idea that this young woman is out of the ordinary. She refused to be
+photographed--wrote it into her two contracts that this was not to be
+asked. I never saw her off the stage, and I can't give you a description
+of her that would be of the slightest assistance to the keenest
+detective alive. As I've tried to convey to your practical mind, it's
+the spirit of the girl--the spirit of comedy, that I've dramatized--not
+a girl you take out to supper only to find that she has no wit, no
+charm, no anything but a monstrous appetite for indigestible food and a
+silly ambition to play roles the gods never intended her to play. In
+that pantomime she was a frolic, the clown's daughter, and, though
+nobody saw it, she was the whole piece, the elusive sprite that could
+evoke laughter and tears by a gesture, a lifting of the brows, a
+grimace. By utterly different methods in 'Honourable Women' she proved
+her wide range of appeal. The chap who produced 'Honourable Women' told
+me that after the first rehearsal Bayley, the author, begged him for
+God's sake to let the girl do it her own way, so as not to lose her
+freshness and spontaneity. Hers was the one true characterization in the
+piece. When Terry was in her prime you remember how we used to say that
+only one bird sang like that, and from paradise it flew? Well, this bird
+sings on the same branch! Her voice was her charm made audible! She's
+the most natural being I ever saw on the stage, and she can _look_ more
+comedy than anybody else I ever saw act!"
+
+"Rave some more!" I pleaded. "You never talked better in your life."
+
+"Don't be an ass," he said sourly. "Let's forget her and take a squint
+at your affairs. Just what do you mean to do with yourself?"
+
+"My shoulder still creaks a little, and the doctors advise me to sit
+around for a while. They offered me some jobs in Washington, but desk
+work and inspection duty are too tame after a couple of years spent in
+star climbing. The doctors tell me to cultivate repose for a few months
+and maybe they'll pass me into our flying corps, but they don't promise
+anything. I'm going up to Barton-on-the-Sound and I'll camp in the
+garage on my uncle's place. You remember that I built the thing myself,
+and the quarters are good enough for a busted veteran."
+
+"Your uncle played you a nasty trick," interrupted Searles; "getting
+married and then adding to the crime by dying. You couldn't beat that
+for general spitefulness."
+
+"Do you remember the immortal lines:
+
+ "'Oh, skip your dear uncle!'
+ The Bellman exclaimed
+ As he angrily tingled his bell"?
+
+"Oh, I'm not knocking the dead!" he protested. "Mr. Bashford always
+struck me as a pretty decent, square sort of chap, and not at all the
+familiar grouchy uncle of fiction and the drama. I made notes on him
+from time to time with a view to building a play around him--the perfect
+uncle, unobtrusive, never blustering at his nephew; translating the
+avuncular relationship into something remote and chaste like a distant
+view of Mount Washington in winter. As I recall, there were only two
+great passions in your uncle's life--Japanese art and green-turtle soup.
+It was just like him to retire from business on his sixtieth birthday
+and depart for the Orient, there to commit the shameless indiscretion of
+matrimony."
+
+"Like him! It was the greatest shock of my life. To the best of my
+knowledge he never knew any women except the widow of his partner in the
+importing house. He used to dine with her now and then, and I caught him
+once sending her flowers at Easter--probably an annual stunt. She was
+about eighty and perfectly safe. He spent twenty years in the Tyringham,
+the dullest and most respectable hotel in the world, and his chief
+recreation was a leisurely walk in the park before going to bed. You
+could set your clock by him. Pretty thin picking for a dramatist, I
+should think. He used to take me to the theatre regularly every other
+Thursday--it was a date--and his favorite entertainment was vaudeville
+with black-face embellishment preferred. You should add that to Japanese
+pottery and potage a la tortue. He joined the yacht club just because
+the green turtle at that joint is the best in New York. Yachts! He never
+sailed in anything but the biggest steamers, and got no fun out of that.
+I crossed with him twice, and he never left his bunk. But in his shy
+fashion he was kind and generous and mighty good to me."
+
+"If you hadn't gone to war, but had kept right at his elbow, the
+marriage might have been averted," suggested Searles. "He did leave you
+something, didn't he?"
+
+"Fifty thousand cash and the right to use the garage at the Barton farm.
+Calling it a farm is a joke; it's rocks mostly. He bought the house to
+have a place to store his prints and ceramics. He hated motoring except
+in taxis up and down town, and when I urged him to set up a machine, he
+told me to go ahead and buy one and build the garage. He rather sniffed
+at the writing I do, but told me I'd better fix up a studio in the
+garage and have it as a place to work in. His will provides that I may
+lodge in the garage for life."
+
+"The estate footed a million, as I remember, so I can't praise his
+generosity. But the widow, your unknown auntie, the body-snatcher who
+annexed the old boy--what of her?"
+
+"I've asked the trust company people whether she's in sight anywhere,
+and they assure me that she is not on these shores. Torrence, the third
+vice-president--you know Torry; he was in the class ahead of us at
+college, the man who never smiles--Torry seemed anxious to learn about
+her from me, which is certainly droll. He said she acknowledged her last
+remittance three months ago from Bangkok--wherever that is. Torry
+couldn't see that Bangkok is so absurdly remote that the idea of a
+widow's strolling off there is funny. I suppose the old girl's resumed
+her tour of the world looking for another retired merchant to add to her
+list."
+
+"Very likely. To what nation, tribe, or human group does this predatory
+person belong?"
+
+"I'll tell you all I know. Just as I was sailing for France I got a
+letter from Uncle Bash stating in the most businesslike fashion that he
+was about to be married to a lady he had met on his trip out to Japan.
+The dire event was to occur at the American Embassy the following day.
+From which I judged that my presence at the ceremony was neither
+expected nor desired. Oddly enough, months afterward, I picked up an
+English paper in a French inn that contained an announcement of the
+marriage in the usual advertisement form. The lady was succinctly
+described as Mrs. Alice Wellington Cornford, widow of the late Archibald
+Reynolds Cornford, Pepperharrow Road, Hants. All Torrence knows of the
+subsequent proceedings is what he got in official reports of Uncle
+Bash's death from the consul-general at Tokyo. He was buried over there
+and the life-insurance companies were rather fussy about the legal
+proof, Torry says. Whether the widow expects to come to America
+ultimately or will keep moving through the Orient marrying husbands and
+burying them is a dark mystery. If she should turn up, the house at
+Barton is hers, of course, but with her roving disposition I fancy my
+aunt Alice wouldn't like the place. The Jap stuff is worth a bit of
+money, and if the lady is keen for such things and not a mere
+adventuress she may take it into her head one of these days to come over
+and inspect the loot."
+
+"I can see the vampire," said Searles musingly, "landing at the Grand
+Central with enough hand-luggage to fill a freight-car; a big, raw-boned
+creature, with a horse face and a horrible mess as to clothes. You will
+be there to meet her, deferential, anxious to please. You will pilot her
+up the coast to Barton, tip the servants heavily to keep them from
+murdering her, and twiddle your thumbs in your garage as you await her
+further pleasure. By the way, are those ancient freaks still on the
+place--those broken-down hotel employees who were your uncle's sole
+experiment in philanthropy?"
+
+"Torrence assures me that they are all very much there."
+
+Searles yielded himself to laughter. "An Englishwoman with lofty ideas
+of domestic service would certainly enjoy a romp with that crew. I
+supposed the trust company had brushed them into the Sound before this."
+
+"Oh, they are in the same class with me," I explained. "The place can't
+be sold till I die, and while I live they're to be harbored--about
+thirty of them--clothed and victualled."
+
+"I think there's a farce in the idea, and I may try it one of these
+days," he said, scribbling in his note-book. "A refuge for broken-down
+chambermaids, venerable bell-hops grown gray in the service, and the
+head waiter who amassed a fortune in tips and then toyed with the market
+once too often and lost his ill-gotten gains. What was the head waiter's
+name who presided with so much stateliness in the dining-room of the
+Tyringham? I mean the white-haired chap who was so particular about the
+foot-cushions for the nice old ladies in caps and lavender ribbons and
+India shawls--I think I can work him in somewhere."
+
+"That's Antoine, who married the assistant housekeeper at the
+Tyringham. He's the butler and has charge of the place--a sort of
+commander-in-chief of the outfit. When I get settled I'll ask you up and
+you can study the bunch at leisure."
+
+"Splendid! Reserve one room for me on the sunny side of the garage and
+I'll be up in a couple of weeks. I'm going to Ohio to-morrow for a
+family reunion and a look at the loved spots my infancy knew."
+
+"You're lucky to have home-folks even in Ohio," I remarked enviously.
+
+"Well, there's always your distant auntie, cruising the seven seas in
+pursuit of husbands. Nobody with an aunt to his credit can pretend to be
+alone in the world. There _is_ something about an aunt, Singleton! Aunts
+must rank just a little below mothers in the heavenly kingdom. When I
+was a boy out in Ohio there were two great occasions every year in my
+life--one when I went to visit a grand old aunt I had in the country,
+the other when she visited us, arriving with a wagon-load of jam, jelly,
+salt-rising bread, pound-cake, and other unpurchasable manna."
+
+"Stop! or I'll call the food censor," I pleaded, picking up my hat.
+"Send me your copy of 'Lady Geranium,' and I'll tell you whether it's a
+classic or not."
+
+"'Lady Larkspur,'" he corrected with a shudder. "You shall have it by
+trusted messenger to-morrow."
+
+I wired Antoine that I would reach Barton-on-the-Sound the following
+day. This was September, 1917. The former servants of the Tyringham were
+established on the place by my uncle the year before he dropped business
+cares and departed for the Japan of his dreams, and as I had been often
+at the hotel where he spent so many of the years of his life, I knew
+most of the old retainers. They were deeply appreciative of his
+kindness, and when I had gone to the farm for an uninterrupted month in
+finishing some piece of writing they had shown me the greatest
+consideration.
+
+As the train rolled along the familiar shore toward Barton I shook off
+the depression occasioned by my enforced retirement from the great
+struggle overseas. I had done under the French flag all that it was
+possible for me to do; and there was some consolation in the fact that
+by reason of my two years on the battle-line I was just so much ahead of
+the friends I met in New York who were answering the call to the colors
+and had their experience of war all before them. The tranquil life that
+had been recommended by the doctors was not only possible at Barton, but
+it was the only life that could be lived there. Plenty of exercise in
+the open and regular habits would, I had been assured, set me up again,
+and my leisure I meant to employ in beginning a novel that had been
+teasing me ever since I sailed for home.
+
+Of my uncle Bash I had only the happiest and most grateful memories.
+Quite naturally it had occurred to me at times, and my friends had
+encouraged the idea, that my uncle would die some day and leave me his
+money. There was no particular reason why he should do so, as he had
+never manifested any unusual affection for me and I had certainly never
+done anything for him.
+
+Antoine was at the Barton station with the touring-car Uncle Bash had
+bought to establish communication with the village. Flynn, the big
+Irishman who had been the doorman at the Tyringham for years and retired
+because of rheumatism acquired from long exposure to the elements at the
+hostelry's portals, was at the wheel.
+
+Antoine greeted me with that air of lofty condescension tempered with a
+sincere kindliness that had made him a prince among head waiters. As I
+shook hands with him his lips quivered and tears came to his eyes.
+Flynn, standing beside the car, saluted with a welcoming grin.
+
+"Very glad to see you, sorr. The trunk came this mornin' all right,
+sorr, and we put it in your room."
+
+I bade Antoine join me in the back seat that he might the more easily
+bring me up to date as to affairs on the estate.
+
+"It must be a little slow up here after the years you lived in town," I
+suggested, "but of course you're all old friends."
+
+"Well, yes; all friends," he acquiesced, but with so little enthusiasm
+that I glanced at him quickly. He pretended to be absorbed in the flying
+landscape at the moment. Flynn, I noticed, was giving ear to our
+conversation from the wheel.
+
+"It was sad, very sad, Mr. Bashford passing away so far from home, sir.
+It was a great shock. And he had looked forward for years to a quiet
+life abroad. It must have been ten years ago he first mentioned his hope
+of retiring to Japan."
+
+Uncle Bash had given me no such forecast of his intentions, and I felt
+humble before this proof of Antoine's greater intimacy. Once at the
+beginning of our acquaintance, when I had complimented Antoine on his
+English, he explained that he was born in England of French parents. His
+father had been chef and his mother housekeeper for an American banker
+who lived for many years in London. Antoine's speech was that of a
+well-trained English upper servant, and I imagined that in his youth he
+had taken some English butler as his model. He used to pretend that he
+knew French very imperfectly, and I was surprised when he now addressed
+me quite fluently in that language.
+
+"You have been with the armies of dear France," he remarked. "The war is
+very dreadful. My parents were of Verdun; it grieves me to know of the
+suffering in the land of my people."
+
+As I replied sympathetically in French I saw Flynn straighten himself at
+the wheel with an impatient fling of his head. Antoine indicated him
+with a contemptuous nod: "Married Elsie, the German woman who worked in
+the linen-room at the Tyringham! This has caused some trouble, and
+there is a pantry girl, Gretchen, who was ill a long time before the
+master left, and he sent her here for the country air. She is a little
+devil with her dear Fatherland."
+
+I laughed at the old fellow's gravity and earnestness. That the war
+should be making itself felt on the quiet acres at Barton-on-the-Sound
+was absurd.
+
+"But there can be no trouble; everything is peaceful, of course, save
+for a little foolish talk----"
+
+The Gaul asserted itself in a shrug, a form of expression rare in him. I
+was pondering the recrudescence of race hatreds due to the upheaval in
+Europe when he startled me by a statement uttered close to my ear:
+
+"There have been inquiries for the widow; these have caused me much
+anxiety."
+
+"Widow! Whose widow?"
+
+"Madame, the widow of the dear master. It seems that there are persons
+anxious to see her. There have been inquiries, one--two--three times."
+
+"Probably some of her American friends anxious to pay their respects,
+or some of the neighbors making calls of courtesy," I suggested.
+
+"A foreign gentleman who acts very queerly," Antoine persisted.
+
+My uncle's widow was a vague, unknown being whom I had never expected to
+cross my horizons. If she meditated a descent upon Barton-on-the-Sound,
+the trust company would certainly have had some hint of her approach,
+but Torrence clearly had had no tidings of her beyond her last
+communication from Bangkok. Still, it was wholly possible that a
+globe-trotting widow would have friends in many parts of the world, and
+I could see nothing disturbing in the fact that inquiries had been made
+for her. I said as much. Antoine's answer was another shrug and a jerk
+of his head toward Flynn, as though even the employment of an alien
+tongue might not conceal our conversation from the big Irishman. Antoine
+was manifestly impatient at my refusal to be aroused by his hints of
+discord among his associates and my lack of interest in the inquiries
+for Mrs. Bashford. When we had reached the farm and were running
+through the grounds Antoine spoke again:
+
+"We thought we would put you up at the house, Mr. Singleton, and not in
+the garage," he said inquiringly.
+
+"Not at all, Antoine," I answered quickly. "We must stick close to the
+law in such matters."
+
+"Very good, sir. Stop at the garage, Flynn."
+
+To the casual observer the garage was a charming two-story house
+following the general lines of the plaster and timber residence, from
+which it was separated by a strip of woodland and a formal garden. The
+garage and quarters for the chauffeur were at one end and at the other
+were a down-stairs living-room, with a broad fireplace, and three
+chambers above so planned as to afford a charming view of the Sound,
+whose shore curved in deeply at this point. On the chauffeur's side was
+a small kitchen from which I had been served with my meals when I lodged
+there. This thoroughly convenient establishment was the only place I
+could call home, and I experienced a pleasurable sense of comfort as I
+opened the door into the snug living-room.
+
+"The house is in order. You will have your meals at the residence, I
+suppose, sir," Antoine suggested.
+
+I debated this a moment, and when he hinted that dinner could be more
+conveniently served there than in my own quarters, I said that for the
+present the Flynns might give me breakfast and luncheon at the garage,
+but that I would dine at the house. The original owner of the property,
+from whose executor my uncle had purchased it with all its belongings,
+had accumulated a remarkable library, rich in the Elizabethan stuff for
+which I have a weakness, and it occurred to me that it would be pleasant
+to eat my solitary dinner at the residence and loaf in the library for
+an hour afterward. Like most slaves of the inkpot, I habitually postpone
+actual labor as long as possible, and if I were to dine at the garage I
+should have no excuse for not plunging at once into my novel. The
+Tyringham people were domiciled in cottages scattered over the estate,
+though a full staff of house servants was established in the residence.
+
+It was five o'clock when I reached the garage, and Antoine left me after
+opening my bags with the suggestion that I could summon Zimmerman, a
+former valet of the Tyringham, for any service I might require. I knew
+Zimmerman very well and said I would call him when occasion required.
+
+"He is of that race," said Antoine plaintively in the French which now
+seemed to come readily enough to his lips.
+
+"Race? Botheration! You mustn't trouble yourself about race questions
+out here, Antoine. Zimmerman is a good old chap, who's probably
+forgotten the very name of the German town he was born in."
+
+"They do not forget," Antoine replied with emphasis. "There has been
+much discussion--much----"
+
+"Forget it, Antoine! I supposed you were all living here like a happy
+family. You've been sticking too close to the farm, and it would do you
+good to run into town for a week. Please tell them at the residence that
+I'll dine at seven."
+
+"Very good, sir," he said in his pompous Tyringham manner, but I saw
+that he was miffed by my indifference.
+
+Flynn, having disposed of the car, came to ask if there was anything he
+could do for me. When I had explained my arrangement with Antoine he
+still lingered.
+
+"Tony's against the wife and me," he said mournfully. "It's the war,
+sorr, and she and me that lile, sorr, the American flag floats from the
+garage every day. And if a heart can be lile, Elsie's as true to America
+as though she was born in Boston State-house."
+
+"I believe you, Flynn," I said, touched by his earnestness. "Don't you
+worry about Antoine and the rest of them; they're just a little nervous;
+I'll see what I can do to straighten things out."
+
+As I went about my unpacking I was sorry that I had discouraged
+Antoine's confidences. That these old hotel servants, flung upon a farm
+with little to do, should fall to quarrelling was not surprising, but
+what he had said as to the inquiries for Mrs. Bashford had roused my
+curiosity. In spite of my legal right to live on the farm, I had no
+intention of remaining if my uncle's widow turned up. Alone on the
+estate I could lodge in the garage without any loss of dignity, but with
+an aunt on the premises my status would be decidedly uncomfortable. She
+could hardly fail to regard me as an intruding poor relation, no matter
+how strictly I kept to my own quarters. It was possible that she might
+even confuse me with the veterans of the Tyringham, and, while I am no
+snob, I did not relish the idea of being classed by a strange aunt with
+a crowd of broken-down hotel employees.
+
+I whistled myself into good humor as I dressed and started for the house
+along the driveway, which followed the shore, veering off for a look at
+the sunken garden, one of the few features of the place that had ever
+interested my uncle.
+
+As I paused on the steps I caught sight of a man sitting dejectedly on a
+stone bench near a fountain whose jet tossed and caught a ball with
+languid iteration. I had identified him as an old Tyringham bell-hop,
+known familiarly as Dutch, before he heard my step and sprang to his
+feet, grabbing a pitchfork whose prongs he presented threateningly.
+
+"Oh, it's you, sir," he faltered, dropping the implement. "Excuse me,
+sir!"
+
+"What's your trouble, Dutch? You're not expecting burglars, are you?"
+
+"Well, no, sir, but things on the place ain't what they wuz. It's my
+name, which ain't my name, not reg'lar, that's caused feelin'. They've
+drove me out, an' I'm campin' in the tool-house. An' me born right there
+in New York an' American clean through. My grandpap came across when he
+wuz a kid, but it ain't my fault he wuz Goiman. I'd 'a' made 'im a
+Frenchy or a Dago or somethin' else if I could 'a' done it. Mr.
+Singleton, I don't know no Goiman except pretzel, sauerkraut, wiener
+wurst, and them kind o' woids."
+
+"Those belong to the universal language, Dutch," I answered consolingly.
+"What is your name, anyhow?"
+
+"Augustus Schortemeier, and I say it ain't no worse'n Longfellow," he
+protested.
+
+The point was delicate and not one that I felt myself qualified to
+discuss. To cover my confusion I suggested that poets enjoy a certain
+license, but I was honestly sorry for Dutch. If he was not the oldest
+living bell-hop, he was at least entitled to honorable mention among the
+most ancient veterans of the calling, vocation, or avocation of the
+bell-hopper. I bade him cheer up and passed on.
+
+As I reached the house I heard a sharp command in an authoritative voice
+and saw at a curve of the driveway a number of men in military formation
+performing evolutions in the most sprightly manner. They carried
+broomsticks, and at sight of me the commander brought his company to a
+very ragged "Present arms!" Their uniform was that of the Tyringham
+bell-hops and waiters, and it dawned upon me that this was an army of
+protest representing the Allied armies on the shores of Connecticut.
+There was a dozen of them, and the captain I recognized as Scotty, a hop
+who had long worn the Tyringham livery. I waved my hand to them and
+turned to find Antoine awaiting me at the door.
+
+"It's the troops, sir," he explained. "It's to keep Dutch and Gretchen
+and Elsie--she's the wife of that Flynn--in proper order, sir."
+
+"Troops" was a large term for the awkward squad of retired waiters and
+bell-hops, and it was with difficulty that I kept my face straight.
+
+"It's most unfortunate, but we was forced to it. Dinner is served, sir."
+
+From the table in the long dining-room I caught glimpses through the
+gathering dusk of Scotty's battalion at its evolutions.
+
+"They keep a guard all night, sir," Antoine explained, not without
+pride. "The goings on has been most peculiar."
+
+"Antoine!" I said sharply, "what do you mean by these hints of trouble
+on the place? You're not silly enough to imagine that Dutch and a couple
+of women can do anything out here to aid America's enemies! The rest of
+you ought to be ashamed of yourselves for annoying them. And as for
+these inquiries about Mrs. Bashford, they couldn't possibly have
+anything to do with the war. Specifically, who are the persons who've
+asked for her?"
+
+"There's the party I told you about, most persistent, who's motored here
+three times, and another person who seems to be looking for _him_, sir.
+It's most singular."
+
+"It's singularly ridiculous; that's all. They're probably piano-tuners
+or rival agents for a rug house or something of that sort who don't know
+that Mrs. Bashford isn't here or at all likely to be."
+
+"They may be agents, but not that kind, sir." His lips quivered, either
+from fear or vexation at my refusal to take his story seriously.
+
+"If anything tangible happens, Antoine," I said kindly, "anything we can
+really put our hands on, we'll certainly deal with it. But you mustn't
+get nervous or allow yourself to suspect everybody who turns up here of
+evil designs against the Republic. I've come here for quiet, you know,
+and we can't have every passing stranger throwing the place into a
+panic."
+
+I had no sooner reached the library, where he gave me coffee, than I
+heard a slow, measured tread on the broad brick terrace that ran along
+the house on the side toward the Sound. The windows were open and the
+guard was in plain view. I glanced at Antoine, whose attitude toward me
+was that of one benevolently tolerant of stupidity. He meant to save me
+in spite of my obtuseness. "Tell the picket to remove himself where I
+won't hear him, if you please, Antoine."
+
+He disappeared through one of the French windows and in a moment I saw
+the guard patrolling a walk some distance from the house. I now made
+myself comfortable with a book and a cigar, but I had hardly settled
+myself for a quiet hour before I heard a commotion from the direction of
+the gate, followed a few minutes later by a shout and a noisy colloquy,
+after which a roadster arrived in haste at the front door.
+
+"Mr. Torrence, sir," announced Antoine. "I'm sorry, sir, but he ran by
+the guard at the gate, and our man below the house stopped him. It's a
+precaution we've been taking, sir."
+
+Torrence's sense of humor was always a little feeble, and I hastened
+into the hall to reassure him as to his welcome. He was wiping the
+perspiration from his face and swearing under his breath.
+
+"For God's sake, Singleton, what's happened here? A band of pirates
+jumped on my running-board, and after I'd knocked them off a road-agent
+stopped me right there in sight of the house and poked the muzzle of a
+shotgun in my face."
+
+"Mighty sorry you were annoyed, but there have been some queer
+characters about, tramps and that sort of thing, and the people on the
+place are merely a little anxious. Have a cigar?"
+
+"All I can say is that you'd better send your friends the password! That
+fool out there with the gun----"
+
+"Only a bell-hop, nothing more," I interrupted.
+
+"--That fool, I say, is likely to kill somebody. Antoine"--he turned to
+the butler, who was drawing the curtains at the windows--"if the
+property's been threatened, you should have informed me immediately."
+
+"Yes, sir; but it's only been quite recent, and, knowing Mr. Singleton
+was coming, we didn't like to bother you."
+
+"We can only apologize, Torry," I interposed. "The employees have been
+alarmed, but we're bound to commend their zeal."
+
+"Humph!" he ejaculated, the wounds to his dignity still rankling.
+
+I forced a cigar upon him and talked of the weather to cover Antoine's
+retreat. I resolved not to tell him the real cause of the servant's
+apprehensions, knowing his disposition to magnify trifles and fearing he
+might send the police to investigate. He lived only five miles from
+Barton, a fact to which he now referred.
+
+"Hadn't heard of any tramps over my way," he said, frowning. "These old
+lunatics your uncle left here are simply hipped; that's all. Mr.
+Bashford made a mistake in turning the place over to them; it was silly,
+downright silly. It's a wonder you didn't think of upsetting his will on
+the ground of mental unsoundness. It's not up to me to suggest such a
+thing, but I believe you could knock it out!"
+
+"Oh, chuck it! They're well-meaning helpless people, and it's bully that
+Uncle Bash provided a home for them. There's nobody else to use the
+place."
+
+His cigar had proved soothing, but my last remark caused him to sit up
+straight in his chair.
+
+"By George! my hold-up almost made me forget what I came for. I have
+news for you, Singleton; good or bad, as you may take it; Mrs. Bashford
+is in America."
+
+"Mrs. Bashford," I repeated faintly, "where do you get these pleasant
+tidings?"
+
+"This," he answered, producing a telegram, "is all I know about it. Got
+it just as I was leaving the office this afternoon, and thought I'd
+motor over and give you a pleasant surprise."
+
+He seemed to enjoy my discomfiture. The message read:
+
+ PITTSFIELD, MASS., Sept. 20.
+
+ J. B. TORRENCE,
+ _Bainbridge Trust Co., New York._
+
+ Landed at Seattle a week ago, and have been motoring east from
+ Chicago to see the country. Will reach Barton in four or five days.
+ Please wire me at the Washington Inn, Lenox, whether house is in
+ order for occupancy.
+
+ ALICE BASHFORD.
+
+"Well, what do you say to that?" he demanded.
+
+"I say it's taking unfair advantage," I answered savagely. "I've got to
+clear out; that's the first thing."
+
+"Not necessarily. Your right to the garage is settled; she couldn't oust
+you if she wanted to. You've got to stay here anyhow till she comes;
+there's no ducking that. The widow of an uncle who did a lot for you, a
+stranger to the country; it's up to you to see her established. There
+are many little courtesies she would naturally expect from you."
+
+"I'm delighted that you see my duty so clearly! If you hadn't assured me
+that she was safe at the end of the world I wouldn't have set foot
+here."
+
+"The house is in order, I judge," he remarked, glancing about the room.
+"I've got to wire her that we're ready for her."
+
+"You most certainly have! Your duty is as plain as a smoke-stack. You
+might add that she's causing serious inconvenience to her late husband's
+only nephew."
+
+"You really don't mean that?" he inquired anxiously.
+
+"Oh, thunder, no!"
+
+I had forgotten how trying Torrence could be. He now suggested that we
+summon Antoine and take a look at the house. Torrence is a conscientious
+fellow with an exact and orderly mind, and there was no corner of the
+place from cellar to garret that we didn't explore. It was highly
+creditable to the old Tyringham servants that the house was thoroughly
+habitable. All that need be done before Mrs. Bashford arrived was to lay
+linen on the beds and take the jackets from the furniture; a couple of
+hours would suffice, Antoine said.
+
+As we were on our way down-stairs the old fellow detained me a moment.
+
+"Have you told him about the parties? Pardon me, sir," he whispered,
+"but him and the trust company is responsible. I thought likely you'd
+tell him."
+
+I shook my head in angry rejection of the idea that I should tell
+Torrence about "the parties," and dismissed him as soon as we reached
+the hall.
+
+"I suggest," said Torrence, "that when she comes you have flowers in all
+the rooms; the conservatory will supply enough. And it occurs to me that
+the more inconspicuous you make this bunch of lazy dependents the more
+agreeable it will be for Mrs. Bashford."
+
+"You don't expect much of me! It was never in the contract that I should
+become the patriarch of these venerable relics. But I'll warn them to
+conceal themselves as much as possible. I fully expect to leave the
+reservation for good just one hour after the lady arrives."
+
+"That's your affair, of course. As she's motoring, we can't just time
+her arrival, but when I get a wire that she's on the way I'll telephone
+you. And, of course, after she gets here I'll come at once to pay my
+respects."
+
+"You can't come too soon!" I answered spitefully.
+
+
+
+
+CHAPTER II
+
+THE AMAZING WIDOW
+
+
+As soon as Torrence left I returned to the garage, feeling that with
+Mrs. Bashford on American soil my use of the residence even as a
+loafing-place was unbecoming. Mrs. Bashford was not only in America, but
+with a motor at her command she might reach Barton at any hour. And the
+vigorous, dominating woman who had captured my uncle Bash, buried him in
+a far country, and then effected a hop, skip, and jump from Bangkok to
+Seattle, was likely to be a prodigal spender of gasoline. Her propensity
+for travelling encouraged the hope that she would quickly weary of
+Barton and pine for lands where the elephant and jinrickisha flourish.
+
+I had brought with me the manuscript of Searles's play, and I fell upon
+it irritably and began reading the first act. The dialogue moved
+briskly, and I read on as though enfolded in the air of a crisp spring
+morning. It was Searles's whimsical stroke, only with a better vehicle
+than he had ever before found for it. My grouch over the upsetting of my
+plans yielded under the spell of his humor.
+
+"Lady Larkspur" was the name assumed by the daughter of a recluse
+naturalist in the valley of Virginia. She had known no life but that of
+the open country, where she ran wild all summer, aiding her father in
+collecting plants and butterflies. At twenty she had never seen a city,
+and her social contacts had been limited to the country folk, who viewed
+her with commiseration as the prisoner of her misanthrope father, who in
+the fifteen years of his exile had maintained a hostile attitude toward
+his neighbors. He had, however, educated the girl in such manner that
+only the cheer and joy of life were known to her. Hating mankind, he had
+encouraged her in nature-worship. She knew no literature except the
+classics; all history, even the history of the storied valley in which
+she lived, was a sealed book to her.
+
+The girl's curiosity is roused by the sudden appearance of strangers
+from the unknown world beyond, whom she mystifies by her quaint
+old-worldishness. Searles had taken an old theme and given a novel twist
+to it. The solution of the mystery of the father's exile and an amusing
+complication of lovers afforded a suspensive interest well sustained to
+the end. There were innumerable charming scenes, as where the girl in
+the outlandish costume in which she roamed the hills perches on a
+boulder and recites the "Iliad" to her suitors. In the last act she
+appears at a ball at a country house in sophisticated raiment, and the
+story ends in the key of mirth in which it began.
+
+It was a delightful blending and modernization of Diana, Atalanta,
+Cinderella, and Rosalind; but even in the typewritten page it was
+amazingly alive and well calculated to evoke tears and laughter. That a
+play so enthralling should be buried in a safety-vault was not to be
+thought of, and I sat down and wrote Searles a long letter demanding
+that he at once forget the lost star for whom he had written the piece,
+suggesting the names of several well-known actresses I thought worth
+considering for the difficult leading role. Not satisfied with this, I
+telephoned a telegram to the agent at Barton for transmission to
+Searles at the Ohio address he had given me.
+
+The next day passed without incident, and on the second, hearing nothing
+from Torrence, I began to doubt Mrs. Bashford's proximity. On the third,
+still hearing nothing, I harkened to an invitation from friends at New
+London and drove over in the runabout for dinner. It was midnight when I
+got back, and when I reached the gates several men dashed out of the
+lodge and halted me.
+
+"She's come, sir," announced Antoine, emerging from the darkness, and
+speaking under stress of deep emotion; "madame the widow has arrived,
+sir!"
+
+"Why not Cleopatra or the Queen of Sheba?" I exclaimed testily to cover
+my annoyance that my aunt had effected her descent in my absence. "Well,
+she was expected; the house is hers; what do you want me to do about
+it?" I ended with affected jocularity.
+
+"We received her the best we could; but it was most unfortunate, your
+not being here, sir."
+
+"Is that your idea, Antoine, or do you reflect the lady's sentiments?
+I'm properly humiliated either way. Tell me just what she said."
+
+"Well, sir, she just laughed when I took the liberty of apologizing."
+
+"The sneering laughter of outraged dignity! Go ahead and give me the
+rest of it."
+
+"It was at ten she came, sir, and the guard held her up, not recognizing
+her, here at the gate, and when the car didn't stop the boys chased her
+and fired at the tires of her machine. It was very dreadful, sir. And at
+the house--at the door, sir--the guard was very harsh with her, sir,
+most regrettable."
+
+"You certainly made a mess of it!" I ejaculated. "But you did let her
+in--into her own house, we must remember--you did grant her the courtesy
+of a lodging for the night?" I inquired ironically.
+
+"She's retired, sir. There was a lady with her; maybe a maid; I can't
+exactly say; and we did everything, sir, to make her comfortable. She
+was not what you might say fussy, sir, but quite human-like. We was all
+relieved, sir, the way she took everything. I hope you'll pardon us,
+sir, which was due to not being warned."
+
+"Oh, it's all right with me, but in the morning she'll probably bounce
+the whole lot of us. An old lady fatigued from a journey cross country
+and shot at on her own premises--it's a very pretty story."
+
+They were a picturesque lot, the ancient waiters and bell-hops grouped
+about Antoine with their lanterns and garden implements and firearms.
+Antoine was swallowing hard in his effort to continue his recital.
+
+"You say an old lady, sir; the mistress is not really what you would
+call so old--not exactly, sir."
+
+"Really a youngish party, I should say," volunteered Graves, the
+gardener.
+
+Just what these veterans would call old was a matter of conjecture.
+"Um," I murmured, and considered the situation.
+
+"Young or old, she would hardly relish her reception. There was a maid,
+and they came in a machine? Did you put up the chauffeur or did you
+shoot him on the spot?"
+
+"It was a hired machine, sir; and madame sent it away. The driver was a
+good deal upset over the shooting. One of the rear tires was quite
+blown away."
+
+"You're in luck if he doesn't have you all arrested to-morrow," I
+remarked consolingly.
+
+"Mrs. Bashford seemed quite amused by the occurrence," Antoine
+continued. "'Wonderful America!' she kept saying after we'd got her
+inside. We gave her tea, which was all she asked for. She takes her tea
+with cream, sir. We did our best to make her comfortable. And there was
+a dog, sir. I recall that the master was not fond of dogs. There was
+never one on the place."
+
+Antoine spoke truly; if there was anything my Uncle Bash detested it was
+a dog, but I reflected that a world-skipping widow who could corral so
+difficult a subject as my uncle would be quite capable of inspiring him
+with delight in the canine species. My respect for the woman's powers of
+persuasion was intensified by this disclosure.
+
+She had failed to wire Torrence as she promised or he had neglected to
+warn me of her coming; either way it was a pretty kettle of fish, and I
+shuddered at the thought of facing her wholly pardonable indignation.
+
+To make sure that nothing was required of me until morning, I drove past
+the house with the army hanging to the footboard. The lower rooms were
+dark, but lights twinkled through the second-story shutters. My aunt was
+established on the premises, and her coming and the circumstances of her
+advent constituted a good joke of which I and not she was the victim.
+When I reached my quarters in the garage I sat down and laughed until
+Flynn appeared, frightened by my noisy mirth that had penetrated to his
+quarters. I got rid of him and smoked a pipe and began the packing I
+meant to finish early in the morning.
+
+I wakened early, rang a bell connecting my rooms with the chauffeur's
+end of the garage as a warning to the Flynns to prepare breakfast, and
+was dressed when the Irishman came in with the tray. In the absence of a
+morning paper I clung to him for company.
+
+"I trust you will not be leaving, sorr," he remarked, eyeing my
+half-packed trunk.
+
+"Very soon, Flynn."
+
+"Then Elsie and I will be going too, sorr. It's most uncomfortable
+they're making us--Dutch and the rest. That Antoine and his army keep
+pesterin' us and callin' us Huns."
+
+"You raise a very interesting question, Flynn, a very delicate question
+of fact and propriety. Satisfied as you and Elsie are of your entire
+loyalty to the United States and the associated Powers, I think you
+should remain, a martyr, if need be, to the great cause of world
+democracy."
+
+"It's most disagreeable we find it, the wife and me," he said
+mournfully.
+
+"Suffer and be strong--that's the watchword! We will hope that Mrs.
+Bashford is a woman of sound sense and tact who will exert herself to
+restore peace on her property. When I call to pay my respects and make
+my adieus I shall speak to her of the situation and vouch for your
+loyalty. You may count on me. You haven't, I suppose, seen the widow
+yet--she's probably sleeping late."
+
+"Quite the contrary, sorr. She's been up and around for an hour an'
+more. She's been all over the place and stopped for a squint at the
+garage, her and the pup."
+
+"She's been here, inspecting the garage?" I asked, glancing at my watch.
+It was not yet eight o'clock. The banter died out of me; clearly it had
+been my duty to be on hand to pilot her over the estate, or at least to
+receive her at the garage. "Just what was the lady's frame of mind--as
+to things generally. Peeved, was she, over the row last night?"
+
+"Oh, no, sorr; quite cheerful an' friendly. She's ordered a big car from
+New York and told me it would be coming up to-day and to make a place
+for it."
+
+Here was news indeed, destroying all my hopes that she meditated only a
+brief sojourn. The purchase of a machine meant definitely that she would
+remain for some time, perhaps for the winter. I poured a second cup of
+coffee, swallowed it, grabbed my hat and stick, and asked enlightment as
+to the course taken by Mrs. Bashford when she left the garage.
+
+"She took the lower road, sorr, toward the Sound and stepped off quite
+brisk-like."
+
+It was the serenest of September mornings, and I hurried away, thinking
+the cloudless blue arch, the twinkling sea, and the crisp air might
+serve to soften my aunt's displeasure at her hostile reception. From the
+conservatories I caught a glimpse of a woman on the beach--a slender,
+agile woman throwing a ball for the amusement of a fox-terrier. She
+threw the ball with a boy's free swing, occasionally varying a hot one
+down the shore with a toss high in air which she caught up herself
+before the terrier could reach it. The two were having no end of a good
+time. She laughed joyfully when the ball fell into her hands and the
+terrier barked his discomfiture and eagerness for a chance to redeem
+himself.
+
+Antoine's equivocal statement as to Mrs. Bashford's age was ridiculous.
+Instead of the middle-aged woman whom I was prepared to meet, here was
+beyond question a vigorous, healthy being whose every movement spoke for
+youth and the joy of life. It might, after all, be the maid of whom
+Antoine had spoken; I advanced slowly, anxious not to break in upon her
+romp with the terrier--they made a charming picture--and trying to
+formulate an introduction. I reached a low stone wall that separated the
+lawn from the beach just as she effected a running pick-up of the ball.
+She turned swiftly and flung it straight at my head. Involuntarily I
+put up my hand and caught it just as she saw me and cried out--a cry of
+warning and contrition. I tossed the ball to the dog.
+
+"What must you think of me!" she exclaimed. "I was blinded by the
+sunlight and I didn't see you--really I did not!"
+
+"I had no business being in the way," I laughed, noting first her
+glowing color, her violet eyes--amazingly fine eyes they were--her fair
+hair with its golden glint, her plain black gown with lawn collar and
+wristbands. It was her age, however, that roused me to instant
+speculation. Twenty-five, I decided, was a maximum; more likely she was
+not more than twenty-two, and if I had been told that eighteen was the
+total of her years I shouldn't have had the heart to dispute it.
+
+"Bob Singleton," I said and stupidly added, "and you are Mrs. Bashford?"
+unable for the life of me to avoid turning the statement into an
+inquiry.
+
+"I am your aunt Alice," she said with a smile, putting out her hand.
+"Down, Rex!" she commanded the dancing terrier; "lie down; school's over
+now"; whereupon Rex obediently sprawled in the sand and began trying to
+swallow the ball.
+
+"Wasn't that silly of me to try to kill you the first time we met!" Her
+eyes danced with merriment. "I didn't know, of course, that any one was
+about. But you made a very nice catch of it! I had expected to receive
+you most formally in the drawing-room, but this really serves very well.
+That tree down yonder is inviting; suppose we stay out here and talk a
+bit."
+
+This struck me as the pleasantest thing imaginable, though I was still
+dazed and my tongue seemed to have died in my mouth. This girl, this
+wholly charming and delightful young woman, was the monstrous being I
+had conjectured as the globe-trotting widow who had kidnapped and
+married my uncle! Not only had she married my uncle Bash and in due
+course buried him; she had been a widow when she married him! I
+furtively studied her face--a face that invited scrutiny--and her candid
+eyes that met my gaze of wonder and frank admiration easily and without
+a trace of self-consciousness. On the third finger of her left hand was
+a slender band of gold. The thing was staggering, bewildering. She was
+clearly anxious to be friendly, but nothing that I had thought of saying
+to her fitted the situation.
+
+"In the first place," I finally began, "I must apologize most humbly for
+the earnest efforts of the servants to murder you last night. Mr.
+Torrence had promised to let me know when you would reach here, but he
+must have forgotten it. I had motored to a friend's house to dine and
+didn't get back until the mischief was done. I'm very sorry. You must
+have thought you had driven into a camp of savages!"
+
+"Not for worlds would I have missed that," she exclaimed with a merry
+laugh. "It was perfectly delicious! And it was all my fault. I meant to
+remain a day at Hartford, you know, and send a message to Mr. Torrence
+from there, but I found that by pushing on I could reach here yesterday.
+Then the machine I hired showed every weakness that motors are subject
+to and we were hours later than the Hartford garage man promised. And
+you know we English always expect strange things to happen in America. I
+don't understand yet why those people at the gates were so jolly
+anxious to kill us; but it doesn't matter; you would only spoil the joke
+by explaining it."
+
+However, I did my best--it was a weak attempt--to explain the
+nervousness of the veteran servants and their display of violence. Her
+arrival made it likely that we should soon know more about the "parties"
+whose visits and inquiries had so alarmed Antoine and his comrades. Now
+that I saw Mrs. Bashford the idea that any one could entertain
+malevolent designs upon her was more preposterous than ever, and I
+resolved that she must be shielded from annoyances of every kind. I told
+her with all the humor I could throw into the recital of the drilling of
+the bell-hops and of the uncomfortable relations between the Allied
+forces and the Teutonic minority on the estate.
+
+"It was dear of Mr. Bashford to provide a home for these people; wasn't
+he really the kindest soul that ever lived?" she said softly.
+
+She gazed wistfully seaward, and I saw the gleam of tears on her long
+lashes. My uncle had, then, meant something to her! No one, in speech
+or manner, could have suggested the adventuress less; Uncle Bash was a
+gentleman, a man of aesthetic tastes, and the girl was adorable. More
+remarkable things had happened in the history of love and marriage than
+that two such persons, meeting in a far corner of the world, would
+honestly care for each other. My respect for Uncle Bash grew; he had
+married the most attractive girl in the world, and here she was with the
+bloom of her girlhood upon her, tripping alone through a world that
+might have been created merely that she might confer light and cheer
+upon it.
+
+"You stopped at Hartford," I began, breaking a long silence. "You have
+friends there----?"
+
+"Not one! I had made a pious pilgrimage to Mark Twain's last home at
+Redding, and, hearing that he had lived at Hartford, I came through
+there to render my fullest homage. He has always been one of my heroes,
+you know." She laughingly lifted her hands and counted upon her
+fingers--"'The Jumping Frog,' Tom and Huck, and 'Mulberry Sellers,' 'The
+Prince and the Pauper,' and 'Pudd'nhead Wilson'! I know them all by
+heart!"
+
+"Our introduction is complete," I said reverently. "Let's consider
+ourselves old friends."
+
+"I rather thought we'd understand each other," she said in her even,
+mellow tones. "You know, we had your photograph out East--a very good
+one, it seems--so I had an idea of what you looked like."
+
+"The photograph gave you an unfair advantage! And I didn't know Uncle
+Bash carried one away with him."
+
+"He was very fond of you," she said gravely. "He was very proud that you
+had gone into the war."
+
+"I am glad to hear that; I thought he disapproved of me for refusing to
+go into business. He offered me a substantial interest before he sold
+out."
+
+"I know that; but I think he liked you rather better for refusing it.
+Business with him was merely a means to an end. And it was doubly sad
+that he should die just when he was free to enjoy the beautiful things
+he loved."
+
+It was at the tip of my tongue to say that the loss of her companionship
+was even more grievous; but nothing in her manner invited such a
+comment. Her grave moods were to be respected, and she talked for some
+time of Uncle Bash's life in the East, of his short illness and quite
+unexpected death.
+
+"But I'm keeping you," she exclaimed suddenly, jumping down from the
+wall. "And I must finish my unpacking."
+
+As we walked to the house I answered her questions about the
+neighborhood, and promised to telephone Torrence immediately of her
+arrival.
+
+"You will have luncheon with us--or maybe dinner would be better--or
+both? Antoine told me of your bachelor establishment, but eating alone
+is bad for the digestion. I shall think you resent my coming if you
+don't dine at the house every day. Mrs. Farnsworth--my friend and
+companion--is a very interesting woman. I am sure you will like her."
+
+The information that she was protected in her youthful widowhood by a
+companion was imparted neatly.
+
+"It was really much nicer, meeting this way," she said, giving me her
+hand. "We shall expect you at seven."
+
+I found them on the veranda, which had been transformed since my last
+glimpse of it. Rugs, wicker furniture, wall-pockets of flowers, and
+paper lanterns dropped over the electric lights gave it the appearance
+of a prettily set scene. She came toward me, a slender figure in white.
+She seemed taller in white; as she took a few steps toward me, I was
+aware of a stateliness I had missed at the shore. A queenly young
+person, but as unaffectedly cordial and friendly as in the bright
+morning sunlight.
+
+"Mrs. Farnsworth, Mr. Singleton."
+
+Mrs. Farnsworth was a pleasant-faced, white-haired woman with remarkably
+fine, dark eyes. If the positions had been changed--if Mrs. Farnsworth
+had been my uncle's choice of a wife, the situation would have been much
+more real. I instantly liked Mrs. Farnsworth. She uttered a few
+commonplaces in an uncommonplace tone without pausing in her knitting.
+Mrs. Bashford had been knitting too, and as she sat down she took up her
+yarn and needles. It was a sweater, I think; it doesn't matter. What
+matters is that her hands moved swiftly and deftly. Her manner of
+knitting was charming. She knew that I was watching her hands and
+remarked with a graceful turn of the head:
+
+"For an English boy somewhere! I began by knitting for my brother and
+cousins, but"--her head bent lower--"that isn't for me to do any more."
+Her eyes, turned upon me for a moment, were bright with tears.
+
+I was speaking of the splendid valor of Englishmen I had known in France
+when Antoine announced dinner.
+
+It had been years since the house had known a woman's hand, and it was
+astonishing how humanized it had become in a few hours. The long
+dining-room, always a bare, forbidding place, had been reduced to cosey
+proportions by screens, and a small round table replaced the massive,
+oblong affair that always looked as though it had been built into the
+house by the carpenters.
+
+"I found those lovely screens in the garret and thought we might as well
+enjoy them, and that Lang Yao jar you see on the sideboard oughtn't to
+be hidden in the vault."
+
+"I am sure Uncle Bash would be happy to know you care for these things
+so much," I said, noting that the white roses she had chosen for the
+jar--I knew the choice was hers--served to emphasize the deep red of its
+exquisite glaze.
+
+"I am among the unelect," remarked Mrs. Farnsworth. "When I am told that
+such things are beautiful I am immediately convinced. I say they are
+beautiful, and that is enough."
+
+"That has always been enough for me," I replied. "My uncle used to try
+to interest me, and I wore out a good many pairs of shoes following him
+through museums and salesrooms, but he gave me up when he found that my
+pagan soul was aroused by nothing but pottery idols. It wasn't the
+pottery that interested me even there, but only the ugliest designs. I
+am a heathen!"
+
+"I am gratified that you make the admission so frankly," said Mrs.
+Farnsworth. "I have always been a great admirer of the heathen."
+
+"I like them when they are nice," said Mrs. Bashford.
+
+"Yes; I have found you very discriminating in your choice of the
+species, Alice. But, you know, Mr. Singleton, Alice and I never can
+agree as to just what a heathen is. All our squabbles have been about
+that. The old hymn pictured the heathen in his blindness bowing down to
+wood and stone; but I'm disposed to broaden my definition to include all
+who believe in fairies good or bad, and persons who honestly believe in
+signs, omens, and lucky stones and all who have the receipt of fern-seed
+and walk invisible--there's Shakespeare for that. Some very good
+Christians are also very nice heathens: we mustn't be narrow and bigoted
+about such things."
+
+"I think," said Mrs. Bashford soberly, "that I have always believed in
+witches; and if I keep on believing I shall see one some day. We shall
+find anything in this world that we believe in hard enough. Now a
+witch--the kind of witch I have always expected to wake up and find
+flourishing a broom at me from the foot of my bed----"
+
+She was talking very gravely, as though witches were the commonest topic
+of conversation, but finding my eyes turned upon her in frank wonder,
+she laughed at my amazement.
+
+"Let us be honest with you, Mr. Singleton," Mrs. Farnsworth explained,
+"and tell you that we are just testing you. It may be a breach of
+hospitality, and you are all but a stranger, but we are curious to know
+whether you are of that small company of the favored of heaven who can
+play at being foolish without becoming idiotic. Alice is sometimes very
+near idiocy. You admit that, Alice!"
+
+"I not only admit it, but I might even boast of it!" my aunt replied.
+
+At the mention of witches I had caught Antoine crossing himself as he
+turned to the sideboard. I confess that I myself had been startled by
+the drift of the talk. Mrs. Farnsworth was far from being the grim
+duenna I had feared might be my aunt's chaperon, and there was certainly
+nothing in her appearance to suggest that she was a believer in witches.
+She and my aunt treated each other as though they were contemporaries,
+and it was Alice and Constance between them. As the talk ran
+exhaustively through the lore of witches and goblins I had hoped that
+one or the other would drop some clew as to the previous history of my
+amazing aunt. It was as plain as day that she and Mrs. Farnsworth
+indulged in whims for the joy of it, and her zest in the discussion of
+witches, carried on while Antoine served the table, lips tightly
+compressed, and with an exaggeration of his stately tread, was the more
+startling from the fact that my aunt's companion was a woman of years, a
+handsome woman with a high-bred air who did not look at all like a
+person who would discuss witches as though they had been made the topic
+of the day by the afternoon newspapers. And when the shape of a witch's
+chin became the immediate point of discussion I knew it was in Antoine's
+mind that such conversation was unbecoming, an offense to the memory of
+Raymond Bashford. Mrs. Farnsworth's brown eyes sparkled, and the color
+deepened in my aunt's cheeks as we discoursed upon witches and the chins
+thereof. I had a friend in college who used to indulge in the same sort
+of piffling, but that my uncle's widow and her elderly companion should
+delight in such absurdities bewildered me. I had been addressing my aunt
+as Mrs. Bashford--it seemed ridiculous to call her Aunt Alice--and in
+the heat of our argument as to whether witches are necessarily naughty
+and malign beings I had just uttered the "Mrs." when she bent toward me
+and said gravely and with no hint of archness: "Can't we make it Alice
+and Bob? I think that would be a lot friendlier."
+
+I experienced a curious flutter of the heart the first time I tried it,
+but after that it came very easily. I found it impossible to think of
+her in terms of auntship, and it was a relief to have the relationship
+waived. She was simply the jolliest, prettiest girl that had ever
+crossed my horizon, and to be talking to her across the table gave me
+thrills compared with which sliding out of clouds in an airplane is only
+a rocking-chair pastime for old men.
+
+The veteran chef of the Tyringham had produced an excellent dinner,
+though the witch talk made Antoine a trifle nervous in serving it.
+
+We had coffee on the veranda (Alice thought it would be nicer there),
+and as Antoine gave me my cup he edged close to my chair to whisper:
+
+"That party, sir. If he should come----"
+
+"Tell the troops not to attack any visitors," I said, loud enough for
+the others to hear. "Mr. Torrence will be here shortly, and it would be
+annoying to have him ushered in on a shutter. We must establish a rule
+that callers are not to be fired upon at the gate."
+
+"I know why this is the land of the free and the home of the brave,"
+laughed Alice. "One has to be brave to live here."
+
+Antoine departed with a resentful twist of the shoulders, and I decided
+to meet squarely the matter of the visitors who had so troubled him.
+
+"Please don't be frightened," I said as lightly as possible, "but these
+old fellows haven't enough to do, and they are full of apprehensions.
+With nobody here to keep them busy it's remarkable they haven't found a
+ghost."
+
+"If they only would!" murmured Mrs. Farnsworth.
+
+"No such luck! They have been alarmed by an agent of some sort who wants
+to welcome you to America by selling you a piano on easy payments."
+
+Antoine had been hovering inside, and my remark brought him to the
+door.
+
+"Beg pardon, Mr. Singleton, but that party is not an agent, but quite
+different, sir. He came to the house, quite like a gentleman, several
+times, and asked if Mrs. Bashford had arrived. He came in a big car, and
+seemed disappointed, madame, that you were not here and not expected.
+The second time he said he was just passing on his way to the city and
+thought he would stop again. A very well-spoken gentleman, and we'd have
+thought nothing of it except that a few days later I caught a man I was
+sure was the same party, but dressed in rough clothes, sneaking across
+the veranda right there where you're sitting. When I called to him he
+ran as hard as he could, and Graves--he's the vegetable-gardener--saw
+him leaving the property by the back way."
+
+"It's hardly possible that a man who impressed you as a gentleman when
+you saw him at the door should have returned in disguise and tried to
+break into the house. The two things don't hang together, Antoine."
+
+"Oh," exclaimed Mrs. Farnsworth, "it would be so much more delightful if
+that were true! Any one in disguise is bound to be interesting. A
+disguise suggests most beautiful possibilities. And to be sought, asked
+for by a stranger!"
+
+I could not be sure in the dim light of the veranda, but I thought I
+detected a white slipper cautiously reach out and touch a black one. At
+any rate, Mrs. Farnsworth lapsed into silence.
+
+"Thank you very much, Antoine," said Alice. "It is very proper for you
+to tell me anything of any stranger on the property, but I see nothing
+here to be alarmed about. If the same gentleman calls again, let me know
+instantly."
+
+"Very good, madame." And then, turning as though conferring upon me a
+part of his responsibility for the security of the premises: "It's a
+party with a limp; just a trifling limp, sir; you'd hardly notice it. It
+was worse the last time as he ran away. A smallish man, rather dark,
+with a little mustache turned up at the ends."
+
+"I have noted all these details, Antoine," I replied; and again I
+thought there was a telegraphic exchange between the ladies, though
+this time a black slipper was the means of communication.
+
+Torrence arrived in a moment, and nothing has ever given me keener joy
+than his shock of surprise at beholding Mrs. Bashford. As I introduced
+the ladies he was so overcome that he greeted Mrs. Farnsworth as Mrs.
+Bashford--a not unnatural mistake--and there was an embarrassing moment
+as I set him right. Having done this, I seated myself beside Mrs.
+Farnsworth that Torrence might be free to talk business with my aunt. I
+was devoutly grateful that he had not been present at the dinner-table,
+for my own efforts to interest Torrence in anything but the most
+practical matters had always been highly unsuccessful, and the
+discussion of ghosts and witches would hardly have amused him. As Mrs.
+Farnsworth and I took up the recent movements on the western front I
+overheard Torrence putting all the machinery of the trust company at
+Mrs. Bashford's disposal. It seemed almost a blasphemy to be talking of
+income and like matters to a woman like Alice Bashford!
+
+They continued their conference for some time, but I got nothing out of
+Mrs. Farnsworth that shed any light on my aunt's history beyond what
+she had told me herself, which was precious little. Mrs. Farnsworth's
+talk was that of a cultivated woman. Her voice interested me
+unaccountably; the tones had all manner of shadings and inflections; it
+was curiously musical, but in speaking of the great war a passionate
+note crept into it that stirred me deeply.
+
+"This has been a dark year for Alice," she remarked. "Mr. Bashford's
+death, followed quickly by that of her brother--an only son--piled a
+cruel burden of grief upon the dear child. She wants to go back to
+England to nurse the wounded, to do anything for our dear country, but I
+want to keep her here a little while until she can readjust herself. You
+must not think, Mr. Singleton, that she has no feeling; you have no idea
+of the depths of that child's nature; they are unfathomable! It is my
+task to encourage her in frivolity and the make-believe she loves--hence
+our absurdities at the table. She's the drollest child, but with
+wonderful understanding. And at times it's not easy to keep the divine
+spark of play alive in her heart."
+
+The light of one of the porch lamps fell upon Alice's face as she
+patiently gave heed to Torrence's account of his stewardship. One of her
+hands gently stroked the terrier that lay quietly in a chair beside her.
+I was sure that his painstaking description of assets and market values
+was boring her. Once her voice rose in expostulation. Torrence, I
+judged, was suggesting that legal means could be found to expel the old
+Tyringham employees from the Barton property.
+
+"Oh, never in the world! It was quite like Mr. Bashford to want to care
+for these people in their old age. And"--she laughed and turned toward
+me--"they can't be dislodged while Bob lives; and we don't want to part
+with him just yet."
+
+I was glad to have him hear her address me in this intimate fashion.
+Torry always inspired in me a desire to shock him. He was trying to
+assure Alice that his only concern was to make her comfortable; he
+wished to save her from every annoyance and that sort of thing.
+
+"I shall help Alice to break them in, Torry," I said, lingering upon her
+name for his special edification.
+
+"Of course, Singleton," he replied. "I wasn't sure you meant to stay on.
+Pardon me, but I didn't----"
+
+"Oh, it isn't that Bob hasn't a right to stay," said Alice quickly;
+"Mrs. Farnsworth and I are hoping that he will like us well enough to
+share our exile on other accounts. We are so unfamiliar with everything
+American that it would be most unkind for him to desert us."
+
+"I am engaging Mr. Singleton to explain American jokes to me," announced
+Mrs. Farnsworth. "Alice seems to get them, but I'm never sure."
+
+It is a part of Torrence's business to counsel widows, which he does
+like the honorable man he is, but as he rose to go presently, remarking
+that his wife would motor down to call shortly, I caught a glimpse of
+his face that indicated deep perplexity. I wanted to warn him that Alice
+Bashford was not an ordinary widow, who vexes officers of trust
+companies with foolish questions and is prone to overdraw her account,
+so I left when he did.
+
+"I want to talk to you," he said nervously when we were outside. "I'll
+send the car ahead to the gate."
+
+When the shrubbery cut us off from the house he stopped abruptly and
+seized my arm. "What do you make of it?" he demanded.
+
+"Make of what?" I asked.
+
+"That girl!" he exclaimed testily.
+
+"If you insist, I must avow that she's adorable, nothing else."
+
+"Don't be a fool! You knew Raymond Bashford much better than I did, and
+you know perfectly well he never married a young girl of that sort!
+Those women are playing a trick, and I'm surprised that you don't see
+through it."
+
+"My uncle was a man of taste and a gentleman," I answered deliberately.
+"There's nothing in the least improbable in his being infatuated with a
+young woman of charm and wit like this girl. And it is hardly profitable
+or decent to speculate as to her interest in him. You mustn't forget
+that Uncle Bash was an unusual man, a man with whom a young girl might
+easily fall in love without reference to his age or money or anything
+else."
+
+"I tell you it won't do," he insisted. "If either of those women at the
+house is Raymond Bashford's widow, it's the one who calls herself
+Farnsworth."
+
+"You did your best to convict them of fraud the first jump out of the
+box," I said, laughing at the recollection of his confusion when I
+introduced him.
+
+"My mistake was a natural one," he said defensively. "They're playing a
+game of some kind and it's no laughing matter, but it won't take long to
+find out what they're up to."
+
+"You'll hardly go the length of having them arrested as imposters,
+Torrence--not without some data to work on!"
+
+"Certainly not. You seem to be hitting it off with both of them, but I
+advise you to be on guard. Are you sure your uncle never sent you his
+wife's photograph? That would have been a perfectly natural thing to
+do."
+
+"If I'd got a photograph, I should have headed for Japan, not for
+France." I laughed, but I was thinking deeply. His line of reasoning as
+to the incongruity of the marriage was not so different from my own that
+I could sneer at his suspicions. Very convincingly, as became a
+practical-minded man, he expanded his views as to the unlikelihood of my
+uncle's marrying a girl but little beyond school age. I shrank from
+telling him that I didn't care a hang whether the widow was a fraud or
+not. If the two women who had settled themselves on the Barton estate
+were imposters, they were extraordinarily daring and clever. My attitude
+toward them was wholly defensive. If women of their quality were
+perpetrating a fraud, I was for giving them every chance, and I had no
+intention of allowing Torrence to spoil the unfolding of the conspiracy.
+
+We were nearing a gateway where his car waited, and I saw several of the
+guard hanging about at a discreet distance. "Look here, Singleton," he
+said angrily, "you don't seem to take this business very seriously. You
+don't want to make the mistake of letting a pretty girl pull the wool
+over your eyes. If we're not careful, we're all of us likely to get into
+trouble." He lowered his voice and added tensely: "Those women are under
+suspicion of something more serious than an attempt to rob an estate.
+An agent of the American State Department called on me yesterday and
+asked embarrassing questions about Mrs. Bashford. Not a Secret Service
+man, you understand, or anything of that kind, but an important man in
+the State Department."
+
+"Of course you knew nothing to tell," I suggested as he beat the walk
+impatiently with his stick.
+
+"I took a chance at lying to him about her expected arrival. I thought
+it only decent to have a look at the woman first. He told me nothing
+except that the British Embassy had made inquiries and that the matter
+was delicate and must be handled carefully."
+
+"Was this inquirer lame--a small dark man with a black mustache?" I
+asked, suddenly interested. "Such a person has been hanging about here,
+so the boys tell me?"
+
+"Not at all! I may as well tell you it was Raynor--you probably remember
+him. He's a specialist in international law, and they took him into the
+State Department just after the _Lusitania_ business. He's a gentleman
+and a good fellow--I've played golf with him a good deal--and I hated
+to lie to him. Of course, with the whole United States back of him he
+can pursue his inquiries without my help; but I thought I'd see this
+woman before telling him she had reached America."
+
+I confess that I was a trifle dismayed by this. Raynor I knew slightly.
+Professionally and socially he stood high, and even without the prestige
+of his official position he was not a chap to sneeze at; but I didn't
+want Torrence to know I had any doubts as to the perfect authenticity of
+my uncle's widow.
+
+"Oh, every transcontinental pilgrim is probably scrutinized closely
+these days," I remarked carelessly. "Mrs. Bashford has lost a brother in
+the war, and I haven't heard any one talk more bitterly against Germany.
+And her companion certainly has no illusions about the Kaiser. You'd
+have to show me the proof to make me believe we're harboring spies."
+
+"I don't like the business," he declared stubbornly.
+
+"Let's do nothing foolish," I insisted. "If Raynor has reason to suspect
+either or both of these women, we'll hear further from him."
+
+"I've put myself in a hole," he said angrily. "Of course I've got to
+advise him immediately that Mrs. Bashford is here. I promised to let him
+know as soon as I heard from her."
+
+"Just wait a few days; I undertake to keep them under surveillance; you
+can put the whole responsibility on me. If they attempt to leave, I'll
+warn you and Raynor instantly, but they have settled themselves as
+though they expected to spend the rest of their lives here. Remembering
+your visit the other night, you ought to be satisfied with the policing
+of the place!"
+
+I told him of Mrs. Bashford's adventures in reaching the house without
+convincing him that there was anything funny in her experiences, and he
+left on my promise to report to him daily at a given hour and instantly
+if anything unusual occurred. I waited for the guards to lock the gates
+and bade them keep watch every night until further orders, and was on my
+way back through the grounds when Antoine arrested me.
+
+"Pardon me, but I'd like to ask what you think of it, sir?" he asked
+hoarsely, falling into step.
+
+"If you mean what do I think of Mrs. Bashford," I replied sharply, "I
+think she's quite charming and delightful and all any one could ask in
+every way."
+
+"It's her manner of speaking of spookish things, Mr. Singleton. It
+doesn't seem fitting in a widow and her so lately bereaved. And the
+older lady's quite as bad, sir. The maids tell me they keep talking all
+day about fairies and pretending they're queens and such like, and
+talking poetry to each other."
+
+"Quoting poetry is a harmless amusement, Antoine, and believing in
+fairies and goblins is no crime. Such pastimes argue for sweetness and
+innocence of character."
+
+"But the late master never indulged in such things, sir."
+
+"He would have lived longer if he had! It was probably the poetry and
+fairies that attracted him to Mrs. Bashford."
+
+"Yes, sir," he acquiesced with a gulp. "I suppose you're right, sir."
+
+"You should be grateful to Mrs. Bashford for not bouncing you all for
+the row you made last night. It could be done; in fact, Mr. Torrence has
+suggested that legal means could be found for getting rid of you."
+
+"That would be very sad, sir," he said humbly.
+
+"Isn't Mrs. Bashford kind to you? Hasn't she taken pains to make you all
+feel at home?"
+
+"Well, yes, sir. But she's taken Elsie back into the house, and there's
+no work for her, there being two women in the laundry already; and she's
+told me Dutch must be given his old place in charge of the poultry; and
+both being Germans, you will recall."
+
+"It's just her kind heart, you idiot! You've all been spoiled; that's
+what's the matter with you. Elsie and Dutch are as law-abiding and
+honest as the best of you."
+
+"It causes feeling; that's all, sir."
+
+"It needn't cause it if you brace up and act like a man," I retorted.
+Then, sorry I had been so harsh, I added: "We must take good care of
+Mrs. Bashford, Antoine. It would be your old master's wish. It will do
+no harm to keep a guard at the house for the present in case your
+mysterious stranger turns up again."
+
+He couldn't have failed to note my change of tone about the unknown
+visitor, but he made no comment.
+
+"The guard's set, sir; front and rear."
+
+"While there's no danger whatever it's just as well to take no chances.
+Please tell the boys to send for me immediately at any hour of the night
+if they see any prowlers about."
+
+"Very good, sir. But if you please, sir"--he had reached the garage and
+he lingered, fingering his hat nervously--"if it wasn't for the ladies
+talking about spirits, we'd all feel better, sir. It's creepy, sir, all
+the talk about witches and ghosts, no matter what names you call 'em
+by."
+
+"You're far from being a fool, Antoine. Those ladies just play at
+believing in such rubbish. If they really believed in ghosts, you may be
+sure they wouldn't talk about it at table before strangers like you and
+me."
+
+Though this seemed to impress him, a moment later, as I was drawing down
+the shades in my bedroom, I saw him running across the lawn like a
+frightened rabbit.
+
+
+
+
+CHAPTER III
+
+A FAN
+
+
+The morning mail brought a letter from Searles acknowledging my
+congratulations on his play. While my enthusiastic praise pleased him,
+he was very scornful of my suggestions about available stars, and seemed
+even more depressed than when he talked to me.
+
+"It's impossible for me to plan other work. 'Lady Larkspur' ate the soul
+out of me. I'm done; finished, clean out of the running. There's only
+this to report. I had a letter from Dalton saying that some time ago he
+asked at the hotel where he sent the script of 'Lady Larkspur' to know
+whether Miss Dewing had sent a forwarding address. He had to see the
+manager before he got any satisfaction, but he did learn that her
+accumulated mail had been called for by some one whose identity was not
+disclosed. Of course this isn't much to hang a hope on, but if that play
+is what I think it is and Miss Violet Dewing ever reads it she's going
+to jump for the telegraph office the moment she finishes the last act. I
+have no plans for returning East; the folks at home let me do as I
+please, and it's a relief to be in seclusion where I hear nothing of the
+doings of Broadway. I hope your ancient globe-trotting aunt still
+lingers in the Far East! Keep the ink flowing, son. That novel ought to
+be well under way when I get back."
+
+The tale I had begun seemed utter trash in comparison with the story of
+Alice Bashford, in which, much against my will, I had become a minor
+character. I had rather prided myself on my ability to see through a
+plot in the first chapter of the most complicated mystery story, but
+there were points in this unwritten tale that baffled me.
+
+I kept away from the house until dinnertime, when I was received quite
+as an old friend by Alice and Mrs. Farnsworth. The table talk was of
+Celtic poetry, and proved less disturbing to Antoine than the previous
+night's discussion of ghosts.
+
+Their day had been spent, they explained, in a further examination of my
+uncle's Japanese loot, and they had taken a long walk beyond the
+estate's boundaries and were enthusiastic about the landscape.
+
+"It's so beautifully peaceful all about here," Alice murmured. "I feel
+that I never want to move again."
+
+"That's a real tribute to America," Mrs. Farnsworth remarked; "for Alice
+dearly loves new scenes. She inherited a taste for travel from her
+father, who put some new places on the maps, you know."
+
+I didn't know and I wanted to ask questions about Alice's father, but as
+though anxious to frustrate such inquiries my aunt asked how close we
+were to the place made famous by Israel Putnam's spectacular escape from
+the British. She had read the story and would motor to the scene, she
+declared. It was quite clear that there were chapters in her life that
+were not to be opened for my perusal. No sooner had I caught a glimpse
+of a promising page than the book was politely closed. A curtain hung
+between the immediate present at Barton-on-the-Sound and other scenes
+and incidents of the girl's life; and Mrs. Farnsworth was equally
+detached from any tangible background. It seemed that I might meet them
+daily for the rest of my life in this same friendly fashion without
+adding a particle to my knowledge of them.
+
+I became alert immediately when, as we rose from the table, Alice said,
+with the air of asking an unimportant favor:
+
+"We were speaking last night of a man who has been asking for us here.
+His visits have alarmed the servants, but there is nothing to fear from
+him. You know"--she smiled at Mrs. Farnsworth--"it's rather he who seems
+to fear us; that, at least, is our impression, though we have no idea
+why he should do so. Still, it's rather good fun to find yourself an
+object of special attention and to be followed, even pursued. We've even
+led him on a little, haven't we, Constance?"
+
+Mrs. Farnsworth laughingly admitted that they had led the gentleman on a
+trifle, "but with all circumspection," she protested.
+
+"We met him here and there in Tokyo, and later were surprised to find
+him crossing on our steamer. We threw him off in the Canadian Rockies,
+where we stopped for a day, and eluded him in Chicago, where he was
+evidently lying in wait for us."
+
+"Delightful!" I exclaimed.
+
+"But please don't get the idea that the man annoys us," interposed Mrs.
+Farnsworth.
+
+"Far from it!" cried Alice.
+
+"You've seen enough of us perhaps to understand that we enjoy little
+adventures," said Mrs. Farnsworth. "The man pretends to be interested in
+Mr. Bashford's art treasures. Antoine's story about the disguise is
+rather against that; but we will give him the benefit of the doubt. What
+we are hoping is that something really amusing may come of his
+persistent pursuit. With you and the army of servants here we feel
+perfectly safe; so we're for giving him every chance to show his hand."
+
+"He is the Count Giuseppe Montani," said my aunt, "who represents
+himself as a connoisseur--a lover of the beautiful."
+
+"The mystery is solved! It is easy to understand why he has haunted the
+place."
+
+"Yes; quite easy. Count Montani is very anxious to see the porcelains."
+
+"I wasn't referring to the pottery; but I shan't press the matter."
+
+"I advise you not to; your remark was highly improper from a nephew to
+an aunt! I have told you about all I know of this Italian gentleman. I
+am going to ask a favor. He telephoned from Stamford this afternoon to
+know whether we had arrived, and I bade him call to-night. I should be
+glad if you would remain until he leaves. I should like to know what you
+make of him."
+
+"Certainly," I assented, pleased that she had taken me into her
+confidence and deeply curious as to the Italian connoisseur. What she
+had told so frankly and plausibly did not, however, touch upon the
+matter of the interest shown by the American State Department in my
+aunt's arrival at Barton, which troubled me much more than the antics of
+the Italian who had followed the women across the Pacific.
+
+Count Montani arrived shortly and was received in the drawing-room. The
+ladies greeted him with the greatest cordiality. As he crossed the room
+I verified the limp and other points of Antoine's description. His
+bearing was that of a gentleman; and in his very correct evening dress
+he hardly looked like a man who would disguise himself and attempt to
+rob a house. He spoke English all but perfectly and proceeded at once to
+talk a great deal.
+
+"I was sad when I found I had so narrowly missed you at Seattle, and
+again at Chicago. You travel far too rapidly for one of my age!"
+
+His age might have been thirty. He was a suave, polished, sophisticated
+person. Nothing was more natural than that he should pause in his
+travels to call upon two agreeable women he had met on a Pacific
+steamer. Possibly he was in love with Alice Bashford; this was not a
+difficult state of heart and mind for a man to argue himself into. She
+was even more strikingly beautiful to-night than I had thought her
+before. She was again in white--it was only in daytime that she wore
+black--and white was exceedingly becoming to her. As we talked she plied
+listlessly a fan--a handsome trinket of ostrich plumes. A pretty woman
+and a fan are the happiest possible combination. There is no severer
+test of grace than a woman's manner of using a fan. A clumsy woman
+makes an implement of this plaything, flourishing it to emphasize her
+talk, or, what is worse, pointing with it like an instructor before a
+blackboard. But in graceful hands it is unobtrusive, a mere bit of
+decoration that teases and fascinates the beholder's eye.
+
+With all his poise and equanimity I was distinctly conscious that
+Montani's dark eyes were intent upon the idly swaying fan. I thought at
+first it was her hands that interested him as they unfailingly
+interested me, but when, from time to time, she put down the fan his
+gaze still followed it. And yet there was nothing novel in the delicate
+combination of ivory and feathers. I had seen many fans that to all
+appearances were just like it. Once, as she picked it up and lazily
+opened it, I saw him bend forward eagerly, then, finding that I had
+noted his eagerness, he rose, pretending that a brass screen before the
+fireplace had caught his eye and asked whether it was not a Florentine
+production, which shook my faith in his connoisseurship, as I had bought
+the thing myself from a New York brassworker who had made it to my
+order.
+
+Montani spoke of the porcelains. "Oh, to be sure! They don't show to
+best advantage in electric light, do they? But I can have a few of the
+prize pieces taken into the dining-room," said Alice.
+
+Mrs. Farnsworth had excused herself to finish a letter, and from my
+chair I could see her head bent over the big desk in the library. Alice
+rang for Antoine, and I followed her into the hall to offer my aid.
+
+"Oh, don't trouble," she said. "Antoine can do anything necessary. Yes;
+thanks; if you will turn on the dining-room lights."
+
+I was gone hardly half a minute. When I reached the drawing-room door
+Montani had crossed the room to the table on which Alice had dropped the
+fan and was examining it closely. He faced the door, and the moment he
+detected me exclaimed carelessly: "An exquisite little bauble! I am
+always curious as to the source of such trifles. I was looking for the
+maker's imprimatur. I know a Parisian who is the leading manufacturer of
+the world. But it is not his, I see."
+
+As we stood talking of other things he plied the fan carelessly as
+though for the pleasure of the faint scent it exhaled, and when Alice
+called us he put it down carefully where he had found it.
+
+He really did seem to know something about ceramics and praised, with
+lively enthusiasm, the pieces that had been set out on the table. One
+piece, as to whose authenticity my uncle had entertained serious doubts,
+Montani unhesitatingly pronounced genuine and stated very plausible
+reasons for his opinion.
+
+On the whole, he was an interesting fellow. When he had finished his
+inspections he lingered for only a few minutes and took his leave,
+saying that he was spending the night at an inn near Stamford.
+
+"Well," said Alice when the whir of his machine had died away, "what do
+you think of him?"
+
+"A very agreeable gentleman," I answered. "If he doesn't know
+porcelains, he fakes his talk admirably."
+
+"And as to fans--" suggested Mrs. Farnsworth.
+
+I had not intended to mention Montani's interest in Alice's fan, and the
+remark surprised me.
+
+"Oh, I saw it all from the library," laughed Mrs. Farnsworth. "My back
+was to the door, but I was facing a mirror. The moment you and Alice
+went into the hall he pounced upon the fan--pounced is the only word
+that describes it. He concealed his interest in it very neatly when you
+caught him examining it."
+
+"Fans are harmless things," said Alice, "and if there's any story
+attached to this one I'm not aware of it. My father bought it in Paris
+about three years ago, and it has never been out of my possession except
+to have it repaired. There's a Japanese jeweller who does wonderful
+things in the way of repairing trinkets of every kind. I left it with
+him for a few days. I can't tell now which panel was broken, he did his
+work so deftly."
+
+I took it from her and balanced it in my fingers. It was a beautiful
+piece of workmanship with the simplest carvings on the ivory panels.
+
+"He couldn't have seen it anywhere before to-night," observed Alice
+musingly. "In fact, I hadn't used it at all for a year. It was really by
+mistake that my maid put it into my trunk when I went to Japan. I
+didn't want to risk breaking it again, so I've been carrying it in a
+hand-bag. The last day we were in Tokyo I think I had it in our
+sitting-room in the hotel, to make sure it wasn't jammed into the trunk
+again. We had a good many callers--a number of people came in to bid us
+good-by, but I'm sure Count Montani was not among them, and it would
+have been impossible for him to see it at any other time."
+
+"Oh, there is nothing disturbing in the count's interest in the thing,"
+said Mrs. Farnsworth with an air of dismissing the matter. "If it were a
+Jade trinket inscribed with Chinese mysteries, you might imagine that it
+would be sought by some one--I have heard of such things--but Alice's
+fan has no such history."
+
+"We weren't very hospitable," said Alice. "I might have asked Count
+Montani to dine with us to-morrow; and we might even have put him up for
+the night in this vast house."
+
+"Not with Antoine on the premises!" I exclaimed. "Antoine is convinced
+that the man is what we call in America a crook. And Antoine takes his
+responsibilities very seriously."
+
+While I was breakfasting at the garage the next morning Antoine appeared
+and, waiting until Flynn was out of hearing, handed me a slip of paper.
+
+"That's a New York automobile number," he said. "It was on the tag of
+that machine the party came in last night. I heard him saying, sir, as
+how he had motored up from the Elkton Inn at Stamford. Visitors from
+Stamford would hardly send in to the city for a machine."
+
+I bade him wait while I called the Elkton by telephone. No such person
+as Giuseppe Montani had spent the night there or had been a guest of the
+house within the memory of the clerk. Antoine's chest swelled at this
+confirmation of his suspicions.
+
+"If the man returns, treat him as you did last night--as though he were
+entitled to the highest consideration."
+
+"He won't come back--not the same way," said Antoine. "He mentioned the
+Elkton just to throw you off. The next you hear of him will be quite
+different."
+
+"You mean he'll come as a burglar?"
+
+"That's what's in my mind, Mr. Singleton. Everything seems very queer,
+sir."
+
+"Such as what, Antoine?"
+
+"The widow has been telegraphing and telephoning considerable, sir."
+
+"There must be no spying upon these ladies!" I admonished severely. "All
+the people on the place must remember that Mrs. Bashford is mistress
+here, and entitled to fullest respect."
+
+He had hardly gone before Torrence had me on the wire to hear my report
+and to say that Raynor had left Washington for a weekend in Virginia.
+
+"That lets us out for a few days, but I'll have to report that Mrs.
+Bashford is at Barton the moment I learn that he is back in Washington."
+
+I assured him that nothing had occurred to encourage a suspicion that
+Mrs. Bashford was not all that she pretended to be. The day was marked
+by unusual activities on the part of the waiters and bell-hops. Instead
+of the company drills to which I had become accustomed they moved about
+in pairs along the shore and the lines of the fences. I learned that
+Antoine had ordered this, and the "troops" were obeying him with the
+utmost seriousness. The "service" on the estate was certainly abundant.
+It was only necessary to whistle and one of the Tyringham veterans would
+come running.
+
+In spite of the complete satisfaction I had expressed to Torrence as to
+the perfect integrity and honest intentions of the two women, the
+curiosity of the American State Department and the visit of Montani
+required elucidation beyond my powers. At dinner they were in the
+merriest humor. The performances of the little army throughout the day
+had amused them greatly.
+
+"How delightfully feudal!" exclaimed Alice. "Really we should have a
+moat and drawbridge to make the thing perfect. Constance and I are the
+best protected women in the world!"
+
+We extracted all the fun possible from the idea that the estate was
+under siege; that Alice was the chatelaine of a beleaguered castle, and
+that before help could reach us we were in danger of being starved out
+by the enemy. They called into play the poetry which had so roused
+Antoine's apprehensions, and their talk bristled with quotations. Alice
+rose after the salad and repeated at least a page of Malory, and the
+Knights of the Round Table having thus been introduced, Mrs. Farnsworth
+recited several sonorous passages from "The Idyls of the King." They
+flung lines from Browning's "In a Balcony" at each other as though they
+were improvising. The befuddlement of Antoine and the waiter who
+assisted him added to the general joy. They undoubtedly thought the two
+women quite out of their heads, and it was plain that I suffered greatly
+in Antoine's estimation by my encouragement of this frivolity. Mrs.
+Farnsworth walked majestically round the table and addressed to me the
+lines from Macbeth beginning:
+
+ "Glamis thou art, and Cawdor; and shalt be What thou art promised,"
+
+while Antoine clung to the sideboard listening with mouth open and eyes
+rolling.
+
+Later, in the living-room, Alice sang some old ballads. She was more
+adorable than ever at the piano. It was a happiness beyond any in my
+experience of women to watch her, to note the play of light upon her
+golden head, to yield to the spell of her voice. Ballads had never been
+sung before with the charm and feeling she put into them; and after
+ending with "Douglas, Douglas," she responded to my importunity with
+"Ben Bolt," and then dashed into a sparkling thing of Chopin's, played
+it brilliantly and rose, laughingly mocking my applause.
+
+I left the house like a man over whom an enchantment has been spoken and
+was not pleased when Antoine blocked my path: "Pardon me, sir."
+
+"Bother my pardon; what's troubling you now?" I demanded.
+
+"It's nothing troubling me, sir; not particularly. If you give me time,
+I think I'll grow used to the poetry talk and playing at being queens.
+It's like children in a family I served once; an English family, most
+respectable. But in a widow, sir----"
+
+"God knows we ought to be glad when grown-ups have the heart to play at
+being children and can get away with it as beautifully as those women
+do! What else is on your mind?"
+
+"It's about Elsie, sir." I groaned at the mention of Flynn's German
+wife. "I'm sorry, sir; but I thought I should report it. It was a man
+who came to see her this afternoon. You was out for your walk, and Flynn
+had taken the ladies for a drive, so Elsie was alone at the garage. This
+person rode in on the grocer's truck from the village, which is how he
+got by the gate. As it happened, Pierre--he was a waiter at the
+Tyringham, a Swiss, who understands German--had gone into the garage for
+a nap; he's quite old, sir, and has his snooze every afternoon."
+
+"He's entitled to it," I remarked; "he must be a thousand years old."
+
+"From what he heard Pierre thought the man a spy, sir. He wanted Elsie
+to steal something from the house, it was a fan he wanted her to take
+most particular, and it was to be done soon, to-day if she could manage.
+It was for the love of the Fatherland that he wanted her to do it. Did
+you notice, sir, that Mrs. Bashford didn't have the fan to-night? Not
+that one she carried last night."
+
+I had noticed that she had substituted a tiny Japanese fan for the one
+that Montani had inspected so eagerly. When I spoke of the change she
+had said the other was too precious for every-day use, and she meant to
+keep it locked up.
+
+"I hate to bother you, sir, knowing you----"
+
+The mention of the fan had brought me to an abrupt halt. I resented
+having the thing thrust at me in the ecstatic mood in which I had left
+the house, but the visit of the German-speaking stranger was serious,
+and Antoine knew that his story had startled me. He told me further that
+the man had carefully outlined to Elsie just how she could take
+advantage of her freedom of the house to appropriate the fan when the
+ladies were out and the servants off the second floor. She was to be
+paid for her assistance; two hundred dollars had been promised; even
+more had been suggested. Elsie and the stranger had left the garage and
+passed out of ear-shot before Elsie fully consented; but Pierre had
+given Antoine the impression that she would make the attempt.
+
+"It was to be for the Kaiser, for Germany," declared Antoine bitterly.
+"And she was to be careful about Flynn. I always thought Flynn was
+straight--I did indeed, sir!"
+
+"I think Flynn and his wife are both honest, but we'll take no chance.
+Warn the guards to be on the alert. We don't want Elsie to get the idea
+that she's being watched; so tell the men to keep away from the garage.
+I'll keep an eye on the Flynns. You go home and go to bed...."
+
+The deep calm of the country night had settled upon the shore, and the
+Flynns' quarters were perfectly tranquil. It didn't seem possible that
+an international episode was in process of incubation in that quiet
+neighborhood. I began to think that the general distrust of the German
+woman by her associates might be responsible for Pierre's story. But,
+viewed in any light, I had a duty to perform. If Elsie had visited the
+house and purloined the fan, she would be very likely to get rid of it
+as quickly as possible, and I determined to keep watch. I drew the
+blinds, got into my dressing-gown and, reinforcing the lampshade with a
+newspaper to deaden the light, proceeded to read.
+
+It was on toward one o'clock and I was dozing when a sound roused me. A
+door on the Flynn side of the hall creaked; there was silence, then I
+heard furtive steps on the stair. I snapped out my light and peered out
+of the window just as Elsie's robust figure disappeared into the
+shadows. I was about to follow when the creaking of the Flynn door was
+repeated. In a moment another peep through the shade showed me Flynn
+himself, and he, too, quickly vanished. Here was a situation indeed! If
+Elsie was keeping tryst with her co-conspirator of the afternoon and her
+husband was spying upon her, a row of large proportions was likely to
+result at any moment. I leaned from the window as far as I dared, and
+saw the woman close to the wall at the farther end of the building. The
+scene was well set for trouble, and I was wondering what I could do to
+avert a disturbance and the exposure of the foolish woman when the whole
+matter was taken out of my hands.
+
+"You fool! You scoundrel!" she bellowed in German. "That you should
+think me a plaything to commit a robbery for you! That I should steal
+from my mistress to satisfy you, you piece of swine-flesh!"
+
+I had often heard Elsie vocally disciplining her Irish husband and knew
+the power of her lungs and the vigor of her invective, but she seemed
+bent upon apprising the whole commonwealth of Connecticut of the fact
+that she was vastly displeased with the person she was addressing, who
+was certainly not Flynn. Amid sounds of a scuffle and the continuous
+outpouring of billingsgate the light over the garage door flashed on
+suddenly and disclosed Flynn in the act of precipitating himself into
+the fray. Elsie had grasped, and was stoutly clinging to a tall man who
+was trying to free himself of her muscular embrace. Her cries meanwhile
+included some of the raciest terms in the German dictionary and
+others--mouthfuls of frightfulness--that I didn't recognize.
+
+When I reached the open Flynn was dancing round the belligerents like an
+excited boxer, occasionally springing in to land a blow; and all the
+while Elsie continued to address her captive and the world at large in
+her native tongue. Flynn was rather more than sixty, and Elsie was not
+much his junior, while the invader was young and agile. The man had
+loosened one arm and drawn a revolver with which he was pounding Elsie
+in the face. I knocked the gun from his hand with my walking-stick and
+shouted to Elsie to let go of him. Her shouts had roused the guards and,
+hearing answering cries and the beat of hurrying feet on the walks, he
+redoubled his efforts to escape. I had hardly got my hands on him when
+with a twist of his body he wrenched himself free and sped away in the
+darkness.
+
+I hadn't gone far in pursuit of him before I tripped over the skirts of
+my dressing-gown and fell into a bed of cannas. This would have been
+less melancholy if Flynn, hard behind, hadn't stumbled over me and,
+believing he had captured the enemy, gripped my legs until I could
+persuade him to let go.
+
+The lights now flared on all the walks and driveways, and Antoine was
+bellowing orders to the guards to surround the sunken garden. I surmised
+that the fugitive, surprised by the attack, had lost his bearings and
+was now far from the boundary wall back of the garage from which
+presumably he had entered the grounds. With the Sound cutting off his
+exit beyond the residence, there was a fair chance of catching him if
+Antoine's veterans were at all vigilant.
+
+I found Antoine, armed with a club and swinging a lantern, majestically
+posed at the nearer entrance to the garden. With a swallow-tail coat
+over his night-shirt and his nightcap tipped over one ear, he was an
+enthralling figure. As he strode toward me his slippers flapped weirdly
+upon the brick walk. "There's somebody in the garden, sir," he whispered
+huskily. "The troops has it surrounded." No general in all history,
+reporting in some critical hour the disposition of his army, could have
+been more composed.
+
+"You have done well, Antoine. Shall you dig in until morning or go over
+the top now?"
+
+"As you say, sir. It's better you should take charge."
+
+I walked round the garden and found his men well distributed, but the
+old fellows were exceedingly nervous. "It's a bit suspicious, sir, that
+he broke for the garden," remarked Antoine.
+
+"He broke for the garden," I suggested, "because his line of retreat was
+cut off and he had to go somewhere."
+
+"It's queer, though, sir, when Dutch has been sleeping on the long bench
+down there by the fountain. You know how we feel about him, sir, he
+being of that race."
+
+"Dutch told me he was camping in the tool-house," I answered.
+
+"The boys drove him out, sir, and he took to the garden."
+
+"Nasty of the boys, I should say. If that interloper should murder
+him----"
+
+A yell rose from the midst of the garden, followed by a crash and an
+instant later by a splash that interrupted another yell. I snatched
+Antoine's lantern and ran down the steps toward the scene of commotion.
+When I reached the circular pool the jet was still playing gayly, but
+the waters on one side were in furious agitation. Two men were rolling
+and tumbling about as though bent upon drowning each other. I swung the
+lantern over them just as Dutch got upon his feet, gripping his
+antagonist by the collar. He flung him backward over the stone curbing
+of the pool and fell upon him in the walk with a swish of wet garments.
+The guards from the outer edges of the garden had clambered down and
+they gathered about us as I began questioning Dutch.
+
+Dutch, undoubtedly enjoying his victorious encounter, was tearing open
+the prostrate captive's collar to give him air and with his knees
+clamping the man's body was disposed to delay the story of his
+adventures to increase its dramatic effect.
+
+"It happens this evenin'," he began, spouting water, "that I seen Elsie,
+who's been sneakin' me meals to the old stables, an' she says to me:
+'Dutch,' she says, 'they's all ag'in us here, callin' us Huns, an' we
+gotta show 'em we's good Americans,' she says. An' she tole me a feller
+been to see 'er 'at wanted 'er to rob the house fer 'im, he thinkin' 'er
+likely to do ut fer love o' the Kaiser. She said as 'ow she'd nail 'im
+when he comes to-night to git a fan she's promised to lift fer 'im. She
+said that'd prove she wasn't no Dutchwoman and recommended if I got the
+chance to do the same. I thought nothin' wuz goin' to happen an' wuz
+sleepin' on me bench here in the garden when the hollerin' at the garage
+woke me up. I sits quiet, listenin' an' this guy drops into the garden
+an' wuz crawlin' past me bench an' I pinches 'im. He wuz fer havin' a
+fight, an' we knocks over one of the big urns an' lit in the tank. He
+says it's a thousand bones an' ye turn me loose, he says, an' I soused
+'im ag'in fer that."
+
+The man was still choking from the sousings and Dutch turned him over
+and pounded him vigorously on the back, assisted by Zimmerman, the
+obliging valet, who had seized the occasion to show his hand on the side
+of the Allies. "Shall I telephone for the Barton police, sir?" asked
+Antoine with an extreme exaggeration of his professional manner.
+
+This obviously was the thing to do, but I feigned not to hear the
+question while I debated the matter. It was plain that many things
+relating to the capture were veiled in mystery: that if Mrs. Bashford
+and her companion were involved in an international tangle and had in
+their possession something that vitally concerned the nations at war,
+common chivalry demanded that I handle the arrest of Montani's agent in
+such manner as to shield them. I was thinking hard and in my perplexity
+even considered sending a messenger for Torrence; but he was already
+suspicious and would be very likely to summon Raynor immediately and
+precipitate a crisis I was not prepared to face. To invite the attention
+of the American State Department to the increasingly complex situation
+would not be giving my aunt the chance I meant she should have to clear
+herself.
+
+The captive had got upon his feet and stood dazedly staring at us. He
+refused to answer my questions, even when I suggested that if he could
+give a satisfactory account of himself he would be released. He only
+doggedly shook his head. When I asked if he had been hurt in his bout
+with Dutch he smiled and extended his arms in denial. He was a very
+decent-looking fellow, blue-eyed and smooth-shaven, who seemed to accept
+his plight with a degree of good humor.
+
+I decided that as nothing would be gained by sending him to the Barton
+calaboose that night, I would assume the responsibility of detaining
+him until I had groped my way through the haze of suspicions and
+circumstances that enveloped him.
+
+"Get some dry clothes for this man and lock him up in the tool-house. Be
+sure he has blankets, and you'd better give him some hot coffee."
+
+The captive manifested relief at my decision and broke his silence to
+thank me, which he did in very good English. His submissiveness only
+deepened my perplexity, but I couldn't help laughing as he walked away
+surrounded by the "troops," with Dutch leading the way--Dutch fully
+conscious that he had vindicated himself and disposed to be rather
+disdainful of his comrades.
+
+I hurried to the house, where I found Alice and Mrs. Farnsworth
+ministering to Elsie, who had been taken there by their order. Elsie,
+sharing with Dutch the honors of the night, lay on a davenport, where
+she had received first aid. Alice rose from her knees as I entered,
+gathering up strips of bandages, and turned to me laughingly.
+
+"Elsie's injuries are not serious; only disagreeable bruises in the
+face. There will be no scars, I'm sure. We'll keep her at the house for
+a few days until she's quite fit again. Surely any one who has
+questioned Elsie's loyalty ought to be satisfied now."
+
+"You certainly managed it very cleverly, Elsie. We're all very
+grateful."
+
+Elsie, her face covered with bandages, acknowledged my thanks by
+wiggling her foot.
+
+Mrs. Farnsworth said she would put Elsie to bed. Now, I thought, Alice
+would make some sign if she knew anything that would explain Montani and
+the prisoner in the tool-house. But the whole affair only moved her to
+laughter and she seemed less a grown woman than ever in her white robe.
+My efforts to impress her with the seriousness of the attempt to secure
+the fan only added to her delight.
+
+"How droll! How very droll! You couldn't possibly have arranged anything
+that would please me more! It's delicious! As you say in America, it's
+perfectly killing!"
+
+I suggested that the holding of a prisoner without process of law might
+present embarrassments.
+
+"I know," she cried, clapping her hands joyfully. "You mean we are
+likely to bump into dear old _habeas corpus_! The sheriff will come and
+read a solemn paper to you and you will have to hie you to court and
+produce the body of the prisoner. That will be splendid!"
+
+"It won't be so funny if----"
+
+I was about to say that the humor of the thing would be spoiled somewhat
+if she were made a witness and there proved to be something irregular
+about the fan which had caused all the trouble, but I hadn't the heart
+to do it. To spoil such merriment as bubbled in her heart would be
+cruel--an atrocity as base as snatching a plaything from a joyous child.
+
+"Constance and I so love the unusual--and it is so hard to find!" she
+continued. "And yet from the moment I reached the gates of these
+premises things have happened! Nothing is omitted! Strange visitors;
+fierce attacks upon our guards, and still the mystery deepens in the wee
+sma' hours, with heroes and heroines at every turn! To think that that
+absurd little Dutch was asleep in the garden and really captured the
+spy or whatever he is! But you are a hero too! You shall be decorated!"
+
+She walked to a stand and pondered a moment before a vase of roses,
+chose a long-stemmed red one and struck me lightly across the shoulder
+with it.
+
+"Arise, sir knight! You should have knelt, but to kneel in skirts
+requires practice; you could hardly have managed in that monk's robe."
+
+I couldn't be sure whether she was mocking me or whether there was
+really liking under this nonsense. I was beyond the point of being
+impatient with her. I was helpless in her hands; she would do with me as
+she willed, and it was my business to laugh with her, to meet her as
+best I could in the realm of folly.
+
+"You must go!" she exclaimed suddenly. "Constance will be calling down
+the stairs for me in a moment."
+
+"To-morrow--" I began. The wistful look she had at times came into her
+eyes as she stood in the centre of the room, playing with the flower.
+
+"To-morrow," she repeated, "and then--to-morrow!"
+
+"There must be endless to-morrows for you and me," I said, and took the
+flower from her hand. The revery died in her eyes, and they were awake
+with reproach and dismissal. At the door I looked back. She hadn't moved
+and she said, very quietly, but smiling a little: "Nothing must happen
+to make me sorry I came. Please remember!"
+
+
+
+
+CHAPTER IV
+
+PURSUING KNIGHTS
+
+
+I didn't sleep until near daybreak, and was aroused at nine o'clock by
+Flynn, who appeared at the door in his chauffeur's togs, carrying a
+tray.
+
+"The wife didn't come back, sorr, but I made coffee and toast. Sorry to
+waken you, but I'm takin' the new car into the city."
+
+I sat up and rubbed my eyes.
+
+"Who's going to the city?" I demanded.
+
+"The ladies is goin' at once, sorr. They sent orders an hour ago to be
+ready with the new machine. Orders was to take my bag; it looks like I'd
+be gone the night. I'm late and you'll have to excuse me, sorr."
+
+I sprang out of bed and plied him with questions, most of which he was
+unable to answer. I did, however, extract from him the information that
+nothing had occurred after I retired for the night that could have
+alarmed the women at the residence and prompted this abrupt departure.
+There was no reason why Alice shouldn't run to town if it pleased her to
+do so, and yet it was odd that she hadn't mentioned the matter. Flynn
+hurried away, and from the window I followed the car's course to the
+house, and a moment later caught a glimpse of it on its way to the
+gates.
+
+I was shaving when Antoine appeared, pale from the stirring incidents of
+the night.
+
+"I suppose you know, sir," he said, straightening the coffee-pot on the
+tray in an attempt to conceal his emotions.
+
+"When did you first hear that the ladies meant to leave to-day?" I
+shouted with a flourish of the razor. "If you knew it last night and
+didn't tell me----"
+
+"I heard it, incidental-like, at breakfast this morning. There was a
+night letter, sir, read by the agent at Barton to the mistress quite
+early, sir. I can't tell you what it was, sir."
+
+"Did they seem alarmed or depressed; was there anything to indicate
+whether they had bad news?"
+
+"They seemed quite merry over it, sir. But you know their goings-on,
+which I never understand, sir. For all I know it may be a death in the
+family; you'd never tell it from their actions. You will pardon me for
+remarking it again, sir; but, considering that they're ladies, their
+actions and goings-on is most peculiar."
+
+"As to luggage, I hope you had the intelligence to note whether they
+went for a long stay?"
+
+"Only the suitcases that fits into the rack of the machine. Louise
+thought they might be going for a week, maybe."
+
+This was all I got out of him. Mrs. Bashford and Mrs. Farnsworth had
+flown, giving no hint of the length of their absence. They had slipped
+away and left me with a prisoner that I didn't know what to do with;
+with an inquiry by the American Department of State hanging over me;
+with Torrence to reckon with, and, in general, a muddled head that only
+a vast number of lucid explanations could restore to sanity.
+
+I called from the window to one of the gardeners who knew how to manage
+a machine and told him to be ready to drive me to the village in half
+an hour. There was an express at ten-forty, and by taking it I would at
+least have the satisfaction of being somewhere in New York when the
+runaways arrived. Antoine packed my suitcase; I am not sure that he
+didn't shed tears on my belongings. The old fellow was awed into silence
+by the rapidity with which history had been made in the past twenty-four
+hours, and clearly was not pleased by my desertion.
+
+We drove past the tool-house, where I found the prisoner seated on a
+wheelbarrow smoking a cigarette. He was no more communicative than when
+I had questioned him after his capture. He smiled in a bored fashion
+when I asked if he wanted anything, and said he would be obliged for
+cigarettes and reading-matter. He volunteered nothing as to his
+identity, and the guards said that a thorough search of the captive's
+clothing had disclosed nothing incriminating. He had three hundred
+dollars in currency (this was to cover Elsie's bribe money, I
+conjectured), a handkerchief, a cigarette-case, and a box of matches. I
+directed that he be well fed and given all the reading-matter he
+wanted, and hurried on to catch my train.
+
+The futility of my errand struck me hard as I felt the city surging
+round me. Without a clew to work on, I was utterly unlikely to find the
+two women, and even if I should stumble upon them, in what way could I
+explain my conduct in following them? I was visited also by the
+discouraging thought that New York might not, after all, be their
+destination.
+
+Flynn was a capable but cautious driver, and they would hardly reach
+town before five o'clock. I took a room at the Thackeray Club and
+pondered carefully whether, in spite of my misgivings, I hadn't better
+see Torrence and tell him all that had happened since his call on Mrs.
+Bashford. If there was any chance of doing the wrong thing in any matter
+not prescribed in the laws governing the administration of estates, he
+would be sure to do it; but I was far from satisfied with the results of
+my own management of affairs at Barton. I finally called up the trust
+company and learned that Torrence was in Albany attending the trial of a
+will case and might not be in town for a couple of days. His secretary
+said he had instructions to wire my daily report to Albany. I told him
+there had been no developments at Barton, and went out and walked the
+Avenue. Inquiries at hotels large and small occupied me until seven
+o'clock. No one had heard of a Mrs. Bashford or a Mrs. Farnsworth. My
+inspection of the occupants of several thousand automobiles proved
+equally fruitless. I ate a lonely dinner at the club and resumed my
+search. Hanging about theatre doors, staring at the crowd, is not a
+dignified occupation, and by nine o'clock, having seen the most belated
+theatre-goers vanish, I was tired and footsore. The flaming sign of
+Searles's "Who Killed Cock Robin?" over the door of the "As You Like It"
+caught my eye. I bought a seat--the last in the rack--and squeezed into
+my place in the middle of the last row. As I had seen the piece at least
+a dozen times, its novelty was gone for me, but the laughter of the
+delighted audience was cheering. The first act was reaching its
+culmination, and I watched it with a glow of pride in Searles and his
+skilful craftsmanship.
+
+As the curtain fell and the lights went up amid murmurs of pleasure and
+expectancy, I glanced across the rows of heads with awakened interest.
+"Who Killed Cock Robin?" had been praised with such unanimity that if
+Alice were in any playhouse that night I was as likely to see her in the
+"As You Like It" as anywhere.
+
+The half-turned face of a man three rows in front of me suddenly caught
+my attention. There was something curiously familiar in his outlines and
+the gesture with which, at the moment, he was drawing his handkerchief
+across his forehead. I judged that he too had come late, for he now
+removed his topcoat and thrust his hat under the seat. It was
+Montani--beyond any question Montani--and I instinctively shrank in my
+seat and lifted my programme as he turned round and swiftly surveyed the
+rows behind him.
+
+I watched his black head intently until I remembered the superstition
+that by staring at a person in a public place you can make him look at
+you. Montani knew a great many things I wanted to know, but I must have
+time to adjust myself to the shock of his propinquity. I satisfied
+myself that he was alone and as he continued to mop his face I judged
+that he had arrived in some haste. The house now took note of a stirring
+in one of the boxes. There was an excited buzz as the tall form and
+unmistakable features of Cecil Arrowsmith, the English actor, were
+recognized. I had read that day of his arrival in New York. With him
+were two women. My breath came hard and I clutched the iron frame of the
+seat in front of me so violently that its occupant turned and glared.
+
+The trio settled into their places quickly, but not before I had
+satisfied myself that Arrowsmith's companions were Alice and Mrs.
+Farnsworth. As they fell into animated talk I saw that Alice was in her
+gayest humor. The distinguished tragedian seemed greatly amused by what
+she was saying to him.
+
+"Must be members of Arrowsmith's company," one of my neighbors remarked.
+"They open in two weeks in Shakespearian repertoire."
+
+Montani had half risen, the better to focus an opera-glass on the box.
+The gong solemnly announced the second act, and Alice moved her chair to
+face the stage. Once more Montani scanned the party with his glass. As
+the lights faded Alice, with the pretty languorous gesture I so well
+remembered, opened her fan--the fan of ostrich plumes, that became a
+blur of white that held my eye through the dusk after the curtain rose.
+
+Alice, Montani, and the fan! To this combination I had now to add the
+new element introduced into the situation by the apparent familiar
+acquaintance of Alice and Mrs. Farnsworth with Cecil Arrowsmith. And
+yet, as the play proceeded on its swift-moving course, I reasoned that
+there was nothing extraordinary in their knowing the eminent actor. He
+had long been a personage in England and had lately been knighted. Their
+appearance with him at the theatre really disposed of the idea that they
+might be impostors. The presence of Arrowsmith had put zest into the
+company, and I hadn't seen a better performance of Searles's play. The
+trio in the box joined in the prolonged applause at the end of the act.
+
+As they resumed their talk Alice, it seemed, was relating something of
+moment for Arrowsmith's benefit, referring now and then to Mrs.
+Farnsworth as though for corroboration. The scene in the box was almost
+as interesting as any in the play, and the audience watched with deep
+absorption. Alice, the least self-conscious of mortals, was, I knew,
+utterly unaware of the curious gaze of the house; whatever she was
+saying with an occasional gesture of her gloved hands or a shrug of her
+shoulders possessed her completely. I thought she might be telling
+Arrowsmith of her adventures at Barton; but the length of her narrative
+was against this, and Arrowsmith's attitude was more that of a critic
+appealed to for an opinion than of a polite listener to a story. He
+nodded his head several times, and finally, as Alice, with a slight dip
+of the head and an outward movement of her arms, settled back in her
+chair, he patted his hands approvingly.
+
+In my absorption I had forgotten Montani's existence, but as the third
+act began I saw that he had gone. Whether I should put myself in Alice's
+way as she left the theatre was still an undetermined question when the
+play ended. With Montani hanging about I felt a certain obligation to
+warn her that he had been watching her. I was among the first to leave,
+and in the foyer I met Forsythe, the house manager, who knew me as a
+friend of Searles.
+
+"You notice that we're still turning 'em away," he remarked. "We don't
+have to worry about this piece; everybody who sees it sends his friends
+the next day. Searles hasn't looked in for some time; hope he's writing
+a new play?"
+
+"He's West visiting his folks. Don't know when he'll be back," I
+answered. "I must write him that Sir Cecil Arrowsmith enjoyed 'Who
+Killed Cock Robin?' just as much as common mortals."
+
+Forsythe had paused at the box-office, and in my uncertainty I stuck to
+him as the crowd began to surge by.
+
+Arrowsmith's approach was advertised by the peculiar type of tall hat
+that he affected, and the departing audience made way for him, or hung
+back to stare. At his left were Alice and Mrs. Farnsworth, and they must
+pass quite close to me. "Who Killed Cock Robin?" was a satisfying play
+that sent audiences away with lightened hearts and smiling faces, and
+the trio were no exception to the rule.
+
+Listening inattentively to Forsythe, I was planning to join Alice when
+the trio should reach me. She saw me; there was a fleeting flash of
+recognition in her eyes, and then she turned toward Arrowsmith. She drew
+nearer; her gaze met mine squarely, but now without a sign to indicate
+that she had ever seen me before. She passed on, talking with greatest
+animation to Arrowsmith.
+
+"Well, remember me to Searles if you write him," I heard Forsythe
+saying. I clutched his arm as he opened the office door.
+
+"Who are those women?" I demanded.
+
+"You may search me! I see you have a good eye. That girl's rather nice
+to look at!"
+
+Crowding my way to the open, I blocked the path of orderly, sane
+citizens awaiting their machines until a policeman pushed me aside.
+Alice I saw for a bewildering instant, framed in the window of a big
+limousine that rolled away up-town.
+
+I had been snubbed! No snub had ever been delivered more deliberately,
+with a nicer calculation of effect, than that administered to me by
+Alice Bashford--a girl with whom, until a moment before, I had believed
+myself on terms of cordial comradeship. She had cut me; Alice who had
+asked me at the very beginning of our acquaintance to call her by her
+first name--Alice had cut me without the quiver of a lash.
+
+I walked to the Thackeray and settled myself in a dark corner of the
+reading-room, thoroughly bruised in spirit. In my resentment I meditated
+flying to Ohio to join Searles, always my chief resource in trouble.
+Affairs at Barton might go to the devil. If Alice and her companion
+wanted to get rid of me, I would not be sorry to be relieved of the
+responsibility I had assumed in trying to protect them. With rising fury
+I reflected that by the time they had shaken off Montani and got rid of
+the prisoner in the tool-house they would think better of me.
+
+"Telephone call, sir."
+
+I followed the boy to the booth in a rage that any one should disturb my
+gloomy reflections.
+
+"Mr. Singleton? Oh! This is Alice speaking----"
+
+I clutched the shelf for support. Not only was it Alice speaking, but in
+the kindest voice imaginable. My anger passed, but my amazement at Alice
+and all her ways blinded me. If she had suddenly stepped through the
+wall, my surprise could not have been greater.
+
+"You told me the Thackeray was your usual refuge in town, so I thought
+I'd try it. Are you very, very cross? I'm sorry, really I am--Bob!"
+
+The "Bob" was added lingeringly, propitiatingly. Huddled in the booth, I
+doubted my senses--wondering indeed whether Alice hadn't a double--even
+whether I hadn't dreamed everything that had occurred at Barton.
+
+"I _wanted_ to speak to you ever so much at the theatre, but I couldn't
+very well without introducing you to Sir Cecil, and I wasn't ready to do
+that. It might have caused complications."
+
+If anything could have multiplied the existing complications, I was
+anxious to know what they were; but her voice was so gentle, so wholly
+amiable, that I restrained an impulse to demand explanations.
+
+"Are you on earth or are you speaking from paradise?" I asked.
+
+"Oh, we're in a very nice house, Constance and I; and we're just about
+having a little supper. I wish you were here, but that can't be
+arranged. No; really it can't! We shall be motoring back to Barton
+to-morrow and hope you can join us. Let us have luncheon and motor up
+together."
+
+When I suggested that I call for them she laughed gayly.
+
+"That would be telling things! And we mustn't spoil everything when
+everything is going so beautifully."
+
+Remembering the man I had locked up in the tool-house and the
+explanations I should have to make sooner or later to the unimaginative
+Torrence, I wasn't wholly convinced of the general beauty of the
+prospect.
+
+"Montani was in the theatre," I suggested.
+
+Her laughter rippled merrily over the wire. "Oh, he tried to follow us
+in a taxi! We had a great time throwing him off in the park. I'm not
+sure he isn't sitting on the curb right now watching the house
+ungraciously."
+
+"You have the fan with you; Montani jumped right out of his seat when
+you opened it in the theatre."
+
+This she received with more laughter; Montani amused her immensely, she
+said. She wasn't in the least afraid of him. Returning to the matter of
+the luncheon, she suggested the Tyringham.
+
+"You know, I want very much to see Mr. Bashford's old home and the place
+all our veteran retainers came from. At one?--yes. Good night!" ...
+
+Alice and Mrs. Farnsworth reached the Tyringham on time to the minute.
+As I had spent the morning on a bench in the park, analyzing my
+problems, I found their good humor a trifle jarring.
+
+"You don't seem a bit glad to see us," Alice complained as she drew off
+her gloves. "How can any one be anything but happy after seeing that
+delicious 'Cock Robin'! It is so deliciously droll."
+
+"I haven't," I remarked with an attempt at severity, "quite your knack
+of ignoring disagreeable facts. There was Montani right in front of me,
+jumping like a jack-in-the-box every time you flourished your fan.
+There's that fellow we've got locked up at Barton----"
+
+"Just hear the man, Constance!" she interrupted with her adorable laugh.
+"We were thinking that he was beginning to see things our way, the only
+true way, the jolly way, and here he cometh like a melancholy Jaques!
+We'll have none of it!"
+
+"We must confess," said Mrs. Farnsworth conciliatingly, "that Mr.
+Singleton is passing through a severe trial. We precipitated ourselves
+upon him without warning, and immediately involved him in a mesh of
+mystery. His imagination must have time to adjust itself."
+
+"Ah, the imagination!" sighed Alice with her wistful smile. "How little
+patience the world has with anything but the soberest facts! Why should
+we bother about that lunatic Montani or the gentleman immured in the
+tool-house? I couldn't introduce you to Sir Cecil without anticipating
+the end of our story; and I want you to keep wondering and wondering
+about us. It's all so jolly! I love it all! And really you wouldn't
+spoil it, Bob! It's dreadful to spoil things."
+
+They were spoiling my appetite; I was perfectly aware of that. I had
+ordered the best luncheon I knew how to compose, and they were doing
+full justice to it; but I was acting, I knew, like a resentful boy.
+
+"I love you that way," said Alice as I stared vacantly at my plate. "But
+you really are not making yourself disagreeable to us--really he is not,
+Constance!"
+
+Mrs. Farnsworth affirmed this. I knew that I was merely being rude, and
+the consciousness of this was not uplifting. At the luncheon hour the
+influx of shoppers gives the Tyringham a cheery tone, and all about us
+were people apparently conversing sanely and happily. The appearance of
+Uncle Bash's ghost in the familiar dining-room would have been a welcome
+diversion. I was speculating as to just what he would say about his
+widow and the whole mess at Barton when Mrs. Farnsworth addressed me
+pleadingly.
+
+"If you knew that we want you to play with us only a few days
+longer--three days, shall we say, Alice?--if you knew that then we'll
+untangle everything, wouldn't you be nice--very nice?"
+
+In spite of myself I couldn't resist this appeal. I was more and more
+impressed by the fineness, the charm of Mrs. Farnsworth. When she
+dropped the make-believe foolishness in which she indulged quite as
+amusingly as Alice, she appeared to be a very sensible person. The humor
+danced in her eyes now, but her glance was more than an appeal; it was a
+command.
+
+"If you knew that our troubles are not at all the troubles you're
+thinking about, but very different----"
+
+"Please pardon me!" I muttered humbly, and wished that Alice were not so
+bewitching in a sailor hat. It may have been the hat or only Mrs.
+Farnsworth's pleading tone that brought me to a friendlier attitude
+toward the universe and its visible inhabitants. The crowd thinned out,
+but we lingered, talking of all manner of things.
+
+"We must come in again very soon," said Alice. "And next time we shan't
+run away, which was very naughty. I suppose when you begin a story you
+just have to keep it going or it will die on your hands. That's the way
+with our story, you know. Of course it's unkind to mystify you: but you
+are in the story just as we are."
+
+My mystification was certainly deep enough without this suggestion that
+I was a mere character in a tale whose awkward beginning aroused only
+the gravest apprehensions as to the conclusion. She looked at her watch
+and continued:
+
+"I'm so absurd--really I am, in ever so many ways, that no one would
+ever put me in a book. Every one would say no such person ever existed!
+It's incredible! And so I have to pretend I'm in a story all the time.
+It's the only way I can keep happy. And so many people are in my story
+now, not only Montani and the poor fellow locked up at Barton--oh, what
+if he should escape! Constance, it would be splendid if he should
+escape!"
+
+"I don't think it would be splendid if he escaped!" I exclaimed, sitting
+up very straight at the bare thought of such a calamity. "He would
+either kill me or sue me for damages."
+
+"Oh, that wouldn't fit into the story at all! Murder and damages are so
+frightfully sordid and generally disagreeable. We must have nothing
+like that in our story."
+
+"You didn't finish your enumeration of characters," I suggested. "Is my
+part an important one or am I only a lay figure?"
+
+"My dear boy," cried Mrs. Farnsworth, "you are the hero! You have been
+the hero from the hour the story began. If you should desert us now,
+whatever should we do!"
+
+"If I'm the hero," I replied in her own key, "I shall begin making love
+to Alice at once."
+
+Alice, far from being disturbed by my declaration, nodded her head
+approvingly.
+
+"Oh, we had expected that! But you needn't be in a hurry. In a story
+like this one, that runs right on from day to day, we must leave a lot
+to chance. And there are ever so many chances----"
+
+"Not all on the side of failure, I hope?"
+
+"We _must_ be going." She laughed. I wished she hadn't that
+characteristic little turn of the head that was so beguiling!
+
+Folly rode with us all the way to Barton. If anything sensible was
+uttered on the drive, I can't recall it. Our talk, chiefly of knights
+and ladies, and wild flights from imaginary enemies, had the effect of
+spurring Flynn to perilous spurts of speed.
+
+"Flynn has caught the spirit!" cried Alice exultingly. "Haven't you,
+Flynn?"
+
+Flynn, turning to confirm this, caused the car to swerve and graze a
+truck piled high with household goods.
+
+"We may elude the pursuing knights," I suggested, "but some village
+constable may take it into his head to pinch us."
+
+"Oh, that would be lovely," cried Alice. "And we'd telegraph dear Mr.
+Torrence to come and bail us out."
+
+We reached Barton at nine o'clock and after an informal supper I
+listened to Antoine's solemn reports as I walked to the garage. The
+prisoner had made no sign, he said, and nothing had occurred during the
+day.
+
+"But there's this, Mr. Singleton, which you ought to know, sir. The old
+Tyringham people don't like the goings on here. You'll admit it's all
+mighty queer. I don't complain, sir, but some of the boys threatens to
+leave, sir. And I look at it this way, that nobody understanding what
+the spying and bribes offered and taking prisoners is all about, is most
+peculiar. We got to know where we stand, that's what it's come to, sir.
+And the widow being flighty-like and Flynn coming home and saying
+nothing, but shaking his head when we ask him where he's been--You see
+for yourself, sir, how it looks to us."
+
+What he said as to the general aspect of things was true, but I didn't
+admit that it was true. Alice had converted me to the notion that I was
+a character in a story, a plaything of fate, and I lightly brushed aside
+Antoine's melancholy plaint.
+
+"Any man of you," I said, "who leaves this property will be brought back
+and shot. Tell that to the boys!"
+
+Nevertheless, the perfect equanimity of the gentleman in the tool-house
+when I visited him the next morning shook my faith a trifle in the
+story-book features of life at Barton. He was an exemplary prisoner, the
+guards reported, and he had maintained the strictest silence in my
+absence. He ate, smoked, and read, courteously thanking the men for
+their attentions, and that was all. When I showed myself at the window
+he rose and threw down the magazine he was reading and replied
+good-naturedly to my inquiry as to how he was getting along.
+
+"I have no complaint except that the guards snore outrageously. The poor
+old chaps will sleep, you know."
+
+"If you're so badly guarded, why don't you escape?" I asked tartly.
+
+"It would relieve your mind a lot if I should disappear?" he asked
+insinuatingly.
+
+"You are impertinent," I replied, irritated that he should have surmised
+that his presence was causing me uneasiness. "If you will come to your
+senses and tell me the meaning of your visits here, we may agree upon
+terms. As it stands, you're a trespasser; you tried to bribe a servant
+to rob the house. If you're at all familiar with criminal law in this
+country, you can estimate the number of years' imprisonment that will be
+handed you for these little indiscretions."
+
+"If it's all so plain, why don't you hand me over to the authorities?"
+he asked, provokingly cool.
+
+"I'm giving you a chance to confess and tell who's back of all this.
+Tell me just why your confederate Montani is annoying Mrs. Bashford, and
+I'll turn you loose."
+
+"Perhaps, my dear sir, the motive that impels you to detain me
+unlawfully is the same that enjoins silence upon me! Please consider
+that a little."
+
+I replied that I would consider nothing short of a confession. In a
+match of wits he was fully my equal, and in the mastery of his temper he
+certainly had the best of me.
+
+"If you wait for me to confess anything, you will wait forever," he
+replied. "I repeat that we are impelled by the same motives, you and I.
+I think I needn't enlighten you as to what they are."
+
+"I shall be glad to hear your idea of my motives," I answered feebly.
+
+"I shall be frank," he replied readily. "The reason you don't turn me
+over to the police is the very simple one that you don't want to
+embarrass the mistress of the house yonder by causing the light of
+publicity to beat upon her very charming head. You wish to save her
+annoyance, and possibly something much graver. I can see that you are
+impressed; but it ought to please you to know that I share your feeling
+of delicacy where she is concerned. And let me add that the Count
+Montani is animated by like feeling. So there we are, exactly on the
+same ground!"
+
+"You haven't answered my questions!" I blustered to hide my annoyance at
+being thrust further into the dark. "You don't understand Mrs.
+Bashford," I went on hurriedly. "It is inconceivable that any one should
+wish to injure her or that she could have committed any act that would
+cause her to be spied upon. She's tremendously imaginative; she indulges
+in little fancies that are a part of her charm!"
+
+"Little fancies!" he repeated, hiding a yawn. "It's deplorable for a
+pretty woman to have an imagination; there's danger there!"
+
+"Your philosophy bores me," I said, and left him. He had lied about the
+snoring of the guards--Antoine satisfied me of that--but I gave
+instructions to double the watch.
+
+
+
+
+CHAPTER V
+
+ALICE
+
+
+I wanted to be alone and struck off for a wood that lay on the northern
+end of the estate. This was the most picturesque spot on the property, a
+wild confusion of trees and boulders. On a summit in the midst of it
+Uncle Bash had built a platform round a majestic pine from which to view
+the Sound. I mounted the ladder and was brushing the dead leaves from
+the bench when, somewhere below me and farther on, I heard voices.
+
+I flattened myself on the platform, listening intently. A stiff breeze
+from the Sound flung the voices clearly to my hiding-place, and I became
+aware that Alice and Mrs. Farnsworth were holding a colloquy in what
+seemed to be the vein of their whimsical make-believe. That they should
+be doing this in the depth of the woodland merely for their own
+amusement did not surprise me--nothing they could have done would have
+astonished me--but the tone of their talk changed abruptly.
+
+"Try it from that boulder there, Alice," said Mrs. Farnsworth. "It's an
+ideal place, created for the very purpose."
+
+I could see them moving about and hear the swish of shrubbery and the
+scraping of their feet on the rough slope.
+
+"How will that do?" asked Alice.
+
+"Beautifully," replied Mrs. Farnsworth. "Now go ahead from the beginning
+of the scene."
+
+Cautiously drawing back the branches, I espied Alice striking a pose on
+a mammoth rock. She bent forward, clasping her knees, and with an
+occasional glance at what appeared to be an open book beside her, she
+began:
+
+"You ask me who I am, my lord? It matters not at all who or what I am;
+let it suffice that berries are my food and the brook that sings behind
+me gives me drink. To be one thing or another is a weariness. Would you
+ask yonder oak for a name, or trouble the wind with like foolish
+questions? No; it is enough that a tree is strong and fine to look upon
+and that a wind has healing in its wings."
+
+With her head to one side and an arresting gesture, and throwing into
+her voice all its charm and a new compelling innocence and sweetness,
+she continued:
+
+"But you would have a name? Then, O foolish one, so much I will tell
+you: Yesterday I was Helen, who launched a thousand ships and shook the
+topless towers of Ilium. To-day I am Rosalind in the forest of Arden,
+and to-morrow I may be Antigone, or Ariel or Viola, or what you will. I
+am what I make myself or choose to be. I pray you, let that suffice."
+
+My face was wet with perspiration, and my heart thumped wildly. For
+either I was stark, staring mad, or these were lines from Searles's
+"Lady Larkspur," the manuscript of which was carefully locked in my
+trunk.
+
+"That should be spoken a trifle more slowly, and with the best air of
+unpremeditatedness you can put into it," Mrs. Farnsworth was saying.
+"You can work it out better when you've memorized the lines. It's
+immensely effective having the last scene come back to the big boulder
+on the mountainside. Let me look at that a minute."
+
+She took up the manuscript--there was no question of the blue cover of
+my copy of "Lady Larkspur"--and turned to the passage she sought.
+
+"Let me read this over," Mrs. Farnsworth continued: "'I have played, my
+lord, at hide-and-seek with the stars, and I have run races with the
+brooks. You alone of all that have sought me are equally fleet of foot
+and heart! If you but touch my hand, I am lost forever. And this hand--I
+beg you look at it--is as brown as a berry and as rough as hickory bark.
+A wild little hand and not lightly to be yielded at any man's behest.
+Look at me carefully, my lord.' She rises to full height quickly. Let me
+see you do that, Alice."
+
+Alice's golden head became more distinctively visible as she stood erect
+upon the boulder.
+
+"Oh, no! You can improve on that; it must be done lightly and quickly,
+just touching the tips of your fingers to the rock. Ah, splendid! Now
+stand with one hand dropped upon the hip--let me see how that looks.
+Very good; now repeat these lines after me. 'This other world, of which
+you speak?' Shake your head slowly, frowning; every hint of sincere
+doubt and questioning you can throw into look and gesture. 'Is it a kind
+world, a place of honest hearts? You have spoken of cities, and crowded
+avenues, of music and theatres and many things I have read of but never
+seen. You promise me much, but what should I do in so vast a company? I
+am very happy here. Spring and summer fill my hands with flowers and in
+winter I lay my face to the wind that carries sleet and snow. All this
+is mine.' Arms stretched out. You mustn't make that stiff--very good.
+'Earth and sky and forest belong to me. The morning comes down the sky
+in search of me and the tired day bids me good-night at the western
+gate. You would change rags for silk.' You turn your body and catch your
+skirt in your hands, looking down. Yes; you are barefoot in this scene.
+You'll have to practise that turn. Now--'And yet I should lose my
+dominion; in that world you boast of I should no more be Lady
+Larkspur.'"
+
+Alice had repeated these lines, testing and trying different
+modulations. Sometimes a dozen repetitions hardly sufficed to satisfy
+Mrs. Farnsworth, who herself recited them and postured for Alice's
+instruction.
+
+"Please read the whole of the second act again," said Alice, seating
+herself on the boulder. I waited for a few minutes, enjoying the
+beautiful flow of Mrs. Farnsworth's voice, then, mystified and awed, I
+crept down the ladder and stole away. "It's Dick Searles's play," I kept
+whispering to myself. It was the "Lady Larkspur" that he was holding
+back until he could find the girl who had so enchanted him in London and
+for whom he had written this very comedy with its setting in the
+Virginia hills.
+
+Hurrying to the garage, I snarled at Flynn, who said Torrence had been
+calling me all morning and had finally left word that he would motor to
+Barton at eight the next evening to see me on urgent business. I
+unlocked my trunk and dug out my copy of "Lady Larkspur." Not even the
+wizardry of Alice and her friend could have extracted the script. The
+two women had in some way possessed themselves of another copy, an exact
+duplicate, even to its blue paper cover; and I sat down and began
+recalling everything Searles had told me about his efforts to find the
+actress.
+
+The telephone on the table at my elbow rang until Flynn came in timidly
+to quiet it.
+
+"If it's Mr. Torrence--" I began.
+
+"It's the Barton station, sir. There's a telegram." I snatched the
+receiver spitefully, thinking it only the methodical Torrence confirming
+the appointment made by telephone. But the operator began reading:
+
+ "SPRINGFIELD, OHIO, September 30, 1917.
+
+ "Cable from London agent says last forwarding address for Violet
+ Dewing was hotel in Seattle. Please ask Harkaway & Stein and anybody
+ else on Broadway who might know what companies are on coast or
+ headed that way. I find no clew in theatrical papers and don't want
+ to mess things by making inquiries direct. If party can be located,
+ will start West immediately.
+
+ "SEARLES."
+
+The thought of Searles was comforting, and I reproached myself for not
+having summoned him at the beginning of my perplexities. I immediately
+dictated this reply:
+
+"Take first train East and come to me at Barton as quickly as possible.
+Hope to have news for you."
+
+I then jotted down on a scratch pad this memorandum:
+
+"The young woman representing herself as Mrs. Bashford and now
+established in my uncle's house is one or all of the following persons:
+
+ 1. Uncle Bash's widow.
+ 2. An impostor.
+ 3. A spy of some sort, pursued by secret agents.
+ 4. Violet Dewing, an actress.
+ 5. The most interesting and the loveliest and most charming girl
+ in the world."
+
+I checked off one, two, and three as doubtful if not incredible; four
+seemed possible, and five was wholly incontrovertible. But the first
+three certainly required much illumination, and the fourth I was
+helpless to reconcile with any of the others but the last. I reviewed
+Searles's enthusiastic description of the young woman who had inspired
+him to write "Lady Larkspur," and could only excuse my stupidity in not
+fitting it to Alice the first time I saw her on the ground that Barton
+was the last place in the world I should have looked for her. And then,
+with all his exuberance, Searles hadn't done her justice!
+
+The following day nothing of importance happened, though Alice and Mrs.
+Farnsworth again spent the morning in the woodland, presumably studying
+Searles's play. My thoughts galloped through my head in a definite
+formula: "If she is not my aunt--" "If she is an impostor--" "If she is
+a spy playing a deep game in the seclusion of Barton--" "If she is the
+actress Searles is seeking--" At any rate, I would respect her wish to
+play the game through; the dangers of carrying the story-book idea to
+one of half a dozen possible conclusions were not inconsiderable, but I
+was resolved that she should finish the tale in her own fashion.
+
+On my way to luncheon I passed Dutch pushing a wheelbarrow containing a
+huge hamper.
+
+"It's vittles for the prisoner, sir," he remarked. "He's some feeder,
+that guy, and I guess the sooner we shake 'im th' better. He kicks on
+th' wine, sir. Says it's questionable vintage. When he gets tired
+readin' he pokes his head through the window and kids th' boys. He says
+he's goin' to remember th' place and come back when he's old. A charmin'
+retreat fer supernumerary superannuates, he calls it. Them's his woids.
+I'm gittin' sort o' nervous havin' 'im round. Zimmerman--he's the
+clothes-presser--tried to talk Goiman to 'im this mornin' an' th' guy
+pretended like his feelin's wuz hoit, an' he never knowed th' Hun's
+language, he says. An' Elsie says she's prepared to swear he talked
+Goiman easy enough to her."
+
+"We'll consider his case later, Dutch. The matter is delicate, most
+delicate."
+
+If I had expected Searles and his play to be introduced into the
+table-talk, I was doomed to disappointment. A dozen times I smothered an
+impulse to tell Alice and Mrs. Farnsworth I had watched them in the
+woodland and of Searles's long search for the ideal of his "Lady
+Larkspur," but I was afraid to risk their displeasure. They enjoyed
+walking in the wood, they said, and when I charged them with
+selfishness in not taking me along, Alice immediately suggested a tramp
+later in the afternoon.
+
+"I'll send you away after luncheon--I have loads of letters to write,
+but by four o'clock I'll be keen for the woods again."
+
+"Letters to all my good fairies," she laughed when I went for her; "and
+you mustn't look at the addresses!" She suggested that we walk to the
+village as she liked to post her letters herself. We went through the
+woods where I had seen her the day before.
+
+"Constance and I were here this morning," she said when we reached the
+big boulder. "Let me see; I think I'll try a little trick to test the
+hand of fate. Give me those letters, please. If this falls with the
+address up, I'll mail it," and she chose one and handed me the others;
+"if the flap side turns up, I'll destroy it."
+
+She sent it spinning into the air. A branch caught and held it an
+instant, then it fell, turning over and over, and lay straight on edge
+against a weed.
+
+"No decision!" I cried. "It's an exact perpendicular."
+
+She knelt beside it, pondering. "I think it leans just a trifle to the
+address side," she announced. "Therefore you may return it to your
+pocket and it goes into the post-office."
+
+"These letters would probably answer a lot of questions for me if I
+dared run away with them," I suggested.
+
+"The thought does you no credit, sir. You promised not to meddle, but
+just to let things take their course, and I must say that you are
+constantly improving. At times you grow suspicious--yes, you know you
+do--but, take it all in all, you do very well."
+
+At the post-office she dropped all the letters but one into the chute.
+"It really _did_ fall a little to the address side?" she questioned.
+
+I gave my judgment that the letter stood straight on edge, inclining
+neither way.
+
+"If my life hung in the balance, I should certainly not act where fate
+had been so timid."
+
+"Perhaps this _does_ affect you," she said, quite soberly. And there in
+the lobby of the little Barton post-office, for the first time, I
+indulged the hope that there was something more than friendliness and
+kindness in her eyes. Her usual composure was gone--for a moment
+only--and she fingered the envelope nervously in her slim, expressive
+hands. A young woman clerk thrust her head through the delivery window
+and manifested a profound interest in our colloquy.
+
+"Suppose," said Alice musingly, "I were to tell you that if I mail this
+letter the effect will be to detain me in America for some time; if I
+don't send it, I shall have to write another that will mean that I shall
+go very soon. If I stay on at Barton instead of going home to take up my
+little part again for England in the war, it will be an act of
+selfishness--just some more of my foolishness, more of the make-believe
+life that Constance and I have been living here."
+
+"I want you to stay," I said earnestly, taking the letter. "Let me be
+your fate in this--in everything that affects your life forever."
+
+She walked quickly to the door, and I dropped the letter into the chute
+and hurried after her.
+
+"You didn't turn round," I said as we started down the street. "For all
+you know, I've got the letter in my pocket."
+
+"Oh, I'm not a bit frightened! It would be just as interesting one way
+as another."
+
+"But I want you to stay forever," I declared as we waited on the curb
+for a truck to pass.
+
+"The remark is almost impertinent," she answered, "when I've known you
+only seven days."
+
+"They've been wonderful days. It really makes no difference about
+letters or your duties elsewhere. Where you go I shall certainly follow;
+that's something I should like to have understood here and now."
+
+Loitering along the beach on our way home, I was guiltily conscious that
+I was making love rather ardently to a lady who had introduced herself
+to me as my uncle's widow. The sensation was, on the whole, very
+agreeable....
+
+"Mr. Torrence and Mr. Raynor," Antoine announced as we were leaving the
+dinner-table.
+
+"Mr. Raynor?" asked Alice. "Who, pray, is Mr. Raynor?"
+
+Their arrival together chilled me, a chill increased by Torrence's
+frosty greeting as he gripped my hand angrily and hissed in my ear:
+
+"You've deceived me about this whole business! I suggest that you leave
+the room."
+
+I was walking toward the door when Mrs. Farnsworth protested.
+
+"You are not going? Alice, there is no reason why Mr. Singleton should
+leave us."
+
+"Of course he is not going," said Alice. She was established at ease in
+a wicker rocker, unconcernedly plying the ostrich-plume fan.
+
+"There may be matters----" began Torrence.
+
+"Oh, nothing that Bob can't hear!" Alice declared.
+
+"Very well," muttered Torrence, frowning his complete disapproval.
+
+He fidgeted for a moment and tried to catch Raynor's eye, but Raynor's
+face expressed amusement. I found myself liking Raynor very much.
+
+"Mr. Raynor told me that he wished to speak to Mrs. Bashford privately,"
+said Torrence. "If he's satisfied, I'm sure I have no objection to Mr.
+Singleton's remaining. I regret that my own duty is a disagreeable one."
+
+"Really!" murmured Alice with nicely shaded impudence.
+
+"I am convinced, beyond any question," said Torrence sharply, "that you
+are not the widow of the late Raymond B. Bashford!"
+
+"That statement," said Alice without ceasing the languid flutter of the
+fan, "is correct--quite correct."
+
+"Certainly: it is entirely true," affirmed Mrs. Farnsworth.
+
+"And your coming here as you did is, if you will pardon my frankness,
+susceptible of very disagreeable constructions. It is my painful
+duty----"
+
+He choked upon his duty until Raynor spoke, smiling broadly.
+
+"I find my duty really a privilege," he said. "Not only are you not Mrs.
+Bashford," he went on with the utmost good humor, "but you are a very
+different person. I should explain that I represent the American State
+Department, and that our government has been asked by the British
+Embassy to find you and deliver a certain message to you."
+
+"Oh, papa wants me to come home!" cried Alice. "It's droll, Constance,
+that papa should have thought of making an affair of state of us. Dear
+papa will always indulge me just so far, and then he becomes alarmed."
+
+"He's certainly alarmed now!" laughed Raynor. "But the ambassador has
+warned us to be most tactful and circumspect. You may not know that Sir
+Arnold Seabring is on his way to this country on a confidential mission.
+That, of course, is not for publication."
+
+"Sir Arnold Seabring?" gasped Torrence.
+
+"The father of the Honorable Miss Seabring," replied Raynor with an
+elucidating nod toward Alice.
+
+"But how--" I began.
+
+"Mrs. Bashford, the widow of your uncle, is the Honorable Miss
+Seabring's aunt. Is that quite correct?"
+
+"It is all true," said Alice. "I am a fraud, an impostor. You might go
+on and say that Mrs. Farnsworth is the wife of Sir Cecil Arrowsmith. But
+all the guilt is mine. It was my idea to come here and play a little,
+because I knew Aunt Alice wouldn't mind. She knew just what I meant to
+do; really she did, Mr. Torrence! In fact, I have her written permission
+to use the house, which I should have shown you if we had got in a
+pinch. But it seemed so much more fun just to let matters take their
+course. It's a pet theory of mine that life is a dull affair unless we
+trust to luck a little. After my brother's death I was very unhappy and
+had gone out East to visit Aunt Alice, who is a great roamer. I thought
+it would be nice to stop here on the way home, just for a lark, without
+telling papa, who was frantically cabling me to hurry back to England.
+This isn't the first time I've played hide-and-seek with my family. I
+was always doing that as a child; and if it hadn't been for my general
+waywardness I should never have known you, Constance. Why, I shouldn't
+have known you, gentlemen! It has all been so delightful!"
+
+This naive confession amused Raynor greatly, but Torrence was seeing
+nothing in it but a dangerous escapade.
+
+"In the name of the Bainbridge Trust Company, I must notify you," he
+began, "that by representing yourself as another person, entering into
+possession of a large property----"
+
+"But we've been paying all our own expenses; we haven't taken any money
+from you," pleaded Alice.
+
+"Of course you wouldn't do such a thing," affirmed Raynor. "My
+instructions are to give you any sum of money you ask. In fact, the
+Government of the United States is instructed to assume full
+responsibility for you until your father arrives. May I go on and
+clarify matters for these gentlemen, for Mr. Torrence at least is
+entitled to a full explanation?"
+
+"Constance," said Alice, turning with a little shrug to her friend, "we
+have been caught! Our story is being spoiled for us. Please go on, Mr.
+Raynor. Just what does the American State Department have to say about
+us?"
+
+"That you are endowed with a very unusual personality," continued
+Raynor, his eyes twinkling. "You are not at all content to remain in
+that station of life to which you were born; you like playing at being
+all sorts of other persons. Once, so your friend the ambassador confided
+to me, you ran away and followed a band of gypsies, which must have been
+when you were a very little girl."
+
+"I was seven," said Alice, "and the gypsies were nice to me."
+
+"And then you showed talent for the stage----"
+
+"A dreadful revelation!" she exclaimed.
+
+"But you don't know that it was really your father who managed to have
+Mrs. Farnsworth, one of the most distinguished actresses in England,
+take charge of you."
+
+"No! Alice never knew that!" said Mrs. Farnsworth, laughing. "I was her
+chaperon as well as her preceptress; but Alice's father knew that if
+Alice found it out it would spoil the adventure for her. Alice must do
+things in her own way."
+
+"You are a fraud," said Alice, "but I always suspected you a little."
+
+"Speaking of the stage," resumed Raynor, "it is also a part of my
+instructions that the Honorable Miss Seabring shall be discouraged from
+any further adventures in that direction; she's far too talented;
+there's danger of her becoming a great luminary. In other words, she is
+not to grace the boards again as Violet Dewing."
+
+Alice's brow clouded, and she turned to me. "That was settled when you
+mailed that letter for me. It was to make an appointment with an
+American playwright who wants me to appear in a most adorable comedy."
+
+"His name is Dick Searles," I said, "and he's my most intimate friend."
+
+She professed indignation when I told of my eavesdropping in the woods,
+but when I explained that I knew all about the play and Searles's
+despairing search for her she was enormously pleased.
+
+"How wonderful!" she exclaimed. "You know I told you, Constance, that if
+we really threw ourselves in the path of adventure mystery would come
+out to meet us in silken sandals."
+
+"But you will not appear in this play?" asked Raynor anxiously. "It is
+the business of the Government of the United States to see that you
+commit no further indiscretions. There is another matter which I hope
+you can clear up. You are not only a subject of concern to the British
+Embassy, but the French ambassador also has appealed to us to assist him
+in a trifling matter!"
+
+"The French ambassador?" Alice exclaimed with a surprise I knew to be
+unfeigned. "I thought the dear Montani was an Italian?"
+
+"We will continue to call him Montani, but he's a Frenchman and one of
+the keenest men in the French Secret Service. You have caused him the
+deepest anguish."
+
+"Please hurry on!" She bent forward with childish delight. "This is a
+part of the story we've been living that I really know nothing about. I
+hope it won't be disappointing!"
+
+Raynor laughed and shook his head.
+
+"It's fortunate that Montani is a gentleman, anxious to shield and
+protect you. You have a fan in your hand----"
+
+She spread it for our inspection.
+
+"A harmless trinket, but without it the adventure would have been very
+tame."
+
+"The story of the fan is in the most secret archives of Paris and
+Washington. When you were packing up in Tokyo to come home on the very
+last day before your departure a lady called on you whom you knew as
+Madame Volkoff."
+
+"That dear woman!" exclaimed Mrs. Farnsworth. "We knew her very well."
+
+"Almost too well," cried Raynor. "A cultivated woman and exceedingly
+clever, but a German spy. She had collected some most interesting data
+with reference to Japanese armament and defenses, but suspecting that
+she was being watched, she hit upon a most ingenious way of getting the
+information across the Pacific, expecting to communicate with German
+agents in America who could pick it up and pass it on to Berlin. You
+see, she thought you an easy mark. She got hold of a fan which Montani
+informs me is the exact counterpart of that one you hold. She reduced
+her data to the smallest possible compass, concealed it in her fan, and
+watched for a chance to exchange with you. The astute Montani found the
+Japanese artisan who had done the tinkering for her and surmised that
+you were to be made the unconscious bearer of the incriminating papers.
+Montani jumped for the steamer you were sailing on with every
+determination to get the fan. His professional pride was aroused, and it
+was only after he found it impossible to steal the fan that he asked our
+assistance. He's a good fellow, a gentleman in every sense, and with
+true French chivalry wanted to do the job without disturbing you in any
+way."
+
+We pressed closer about Raynor as he took the fan, spread it open, and
+held it close against a table-lamp. "The third, sixth, and ninth," he
+counted. "You will notice that those three pieces of ivory are a trifle
+thicker and not as transparent as the others. Glancing at them casually
+in an ordinary light, you would never suspect that they had been
+hollowed out, an exceedingly delicate piece of work. It's a pity to
+spoil anything so pretty, but----"
+
+He snapped the top of one of the panels, disclosing a neatly folded
+piece of thin paper.
+
+"If you are all satisfied, I will not go further. I want to deliver this
+to the French Embassy intact. I expect Montani here to-night; he will no
+doubt be enormously relieved."
+
+A machine whizzed into the driveway, and Montani came in brushing past
+the astonished Antoine, who had answered the bell.
+
+"The fan is safe," cried Raynor; "you may complete the identification."
+
+"I've handled this whole affair most stupidly," said Montani after a
+hurried examination. "I'm satisfied that a German agent in America has
+picked up the trail of the fan. One or two lines of my own
+communications failed to work, and after reporting the whole matter to
+the French Embassy I began searching for a man, the most dangerous of
+all the German spies, who had been intrusted with the business of
+recovering Madame Volkoff's fan and passing the contents on to Berlin.
+This person has been representing himself as a French secret agent; he's
+enormously plausible. I feared he might attempt what I failed to do.
+If----"
+
+Alice glanced at me, and I stepped to the wall and punched the button.
+
+"Antoine," I said, "tie the arms of the prisoner in the tool-house and
+bring him here."
+
+"A man in the tool-house!" Montani, Torrence, and Raynor ejaculated in
+concert.
+
+"Oh, yes," murmured Alice, "that's the pleasantest chapter of all. Our
+grenadiers captured a whole invading army that made a night attack--one
+of the most remarkable engagements of the present war, Mr. Torrence."
+
+"The battle of the Bell-Hops," I suggested. "The prisoner will be here
+in a moment."
+
+While we waited Montani produced a photograph, instantly recognizable as
+a likeness of our prisoner.
+
+"My reputation is saved!" he exclaimed excitedly. "That he should have
+been caught here! It is too much! I shall never forgive myself for not
+warning you of the danger. But you understand, mesdames, that I was
+sincerely anxious to recover the fan without letting you know its
+importance. When I found at Seattle and Chicago that you were travelling
+under assumed names, I was--pray, pardon me--deeply puzzled, the more
+so because I had satisfied myself in Tokyo that you were loyal
+Englishwomen, and I believed you to be innocent of complicity with
+Madame Volkoff. Why you should have changed your names, I didn't know,
+but it's not my affair now."
+
+"We saw you on the steamer and again in the hotel at Chicago. It was
+very amusing to be followed. We gave you the slip, stopped at Buffalo to
+see Niagara, and you came on here and scared the servants to death! But
+you were generous at every point," said Alice. "We changed our names so
+we could amuse ourselves here--at Bob's expense. So now I ask
+everybody's forgiveness!"
+
+The prisoner, arriving at this moment, became the centre of interest.
+Without a word Montani walked up to him, brushed back his hair, and
+called our attention to a scar on the crown of his head.
+
+"There can be no mistake. This is Adolph Schwenger, who passes as
+readily for a Frenchman as I do for an Italian. The capture is of great
+importance. I shall want the names of all the persons who assisted in
+the matter."
+
+"It isn't quite clear to me," remarked Raynor, turning to me, "why you
+held that fellow and said nothing about it. If there had been a mistake,
+it would have been just a little embarrassing for you, Singleton."
+
+"Chivalry!" Mrs. Farnsworth answered for me. "An anxious concern for the
+peace and dignity of two foolish women! I didn't know there was so much
+chivalry left in the world."
+
+An hour was spent in explanations, and Raynor declared that I must write
+a full account of the Allied army in Connecticut and the capture of the
+spy. The State archives contained nothing that touched this episode for
+piquancy, he declared; and even the bewildered Torrence finally saw the
+joke of the thing and became quite human.
+
+Raynor and Montani decided after a conference that the German agent
+should be taken to New York immediately, and I called Flynn to drive
+them down.
+
+"It's most fortunate, sir, that you sent for him just when you did!"
+announced Antoine, nearly bursting with importance. "The boys had heard
+queer sounds in the night, but could find nothing wrong. The prisoner
+had taken up the flooring at the back of the tool-house, and was
+scooping up the dirt. He'd got a place pretty near big enough to let him
+through. I suppose we ought to have noticed it, sir."
+
+"You managed the whole thing perfectly, Antoine--you and all of you."
+
+It was just as Raynor and Montani were leaving the house with the
+prisoner that we heard a commotion in the direction of the gates. I had
+sent word that no one was to be admitted to the grounds, but as I ran
+out the front door a machine was speeding madly toward the house. A
+dozen of the guards were yelling their protests at the invasion, and a
+spurt of fire preluded the booming of Zimmerman's shotgun.
+
+"Get your man into the car and beat it," I shouted to Raynor, thinking
+an attempt was about to be made to rescue the prisoner.
+
+The touring-car left just as a Barton taxi flashed into the driveway.
+The driver was swearing loudly at one of the Tyringham veterans who had
+wedged himself into the door of the machine. With some difficulty I
+extricated Scotty from his hazardous position.
+
+Searles jumped out (I had forgotten that he might arrive that night),
+but before I could greet him he swung round and assisted a lady to
+alight--a short, stout lady in a travelling cap, wrapped in a coat that
+fell to her heels. She began immediately to deliver orders in an
+authoritative tone as to the rescue of her belongings. Searles dived
+into the taxi and began dragging out a vast amount of small luggage, but
+my attention was diverted for a moment by Alice, who jumped down the
+steps and clasped her arms about the neck of the stout lady.
+
+"Aunt Alice!" I heard her saying. "Why didn't you tell us to meet you?"
+
+"Why didn't I tell you?" demanded the stout lady. "The moment you left
+me I knew I'd made a mistake in letting you come over here on one of
+your absurd larks! And from the row I had getting into the premises I
+judge that you're at your old tricks. Fired upon! Treated as though I
+were an outlaw! You shall never go out of my sight again!"
+
+"Oh, please don't scold me!" Alice pleaded and turning to me: "This is
+Bob Singleton, your nephew."
+
+Mrs. Bashford--and I made no question that Searles's companion was
+indubitably my uncle's widow--gave me her hand and smiled in a way that
+showed that she was not so greatly displeased with Alice as her words
+implied.
+
+"Pay that driver for me and don't fail to tip him. Those Methuselahs at
+the gate all but killed him. It was only the vigorous determination of
+this gentleman, who very generously permitted me to share the only motor
+at the station, that I got through the gates alive! I beg your pardon,
+but what _is_ your name?"
+
+"Mrs. Bashford," I interposed, "my friend, Mr. Searles."
+
+"Mr. Searles!" cried Alice, dropping a cage containing some weird
+Oriental bird which had been among my aunt's impedimenta. The bird
+squawked hideously.
+
+"Miss Violet Dewing, permit me to present the author of 'Lady
+Larkspur'!"
+
+Poor Torrence, clinging to a pillar for support, now revived
+sufficiently to be included in the introductions.
+
+It was a week later that Alice and I sat on the stone wall watching the
+waves, at the point forever memorable as the scene of our first talk.
+
+"Aunt Alice isn't playing fair," she said. "She pretends now that it was
+all my idea--coming over to play at being your uncle's widow, but she
+really encouraged me to do it so I could give her an impartial judgment
+of your character. I'm her only niece and her namesake, and she relies
+on me a good deal. You know she's very, very rich, and she had never any
+idea of keeping your uncle's money. She meant all the while to give it
+to you--provided she found you were nice. And she thinks you are very
+nice."
+
+"Your own opinion of me would be interesting," I suggested.
+
+She had gathered a handful of pebbles and was flinging them fitfully at
+a bit of driftwood. I wished her lips hadn't that little quiver that
+preluded laughter and that her eyes were not the haven of all the dreams
+in the world.
+
+She landed a pebble on the target before replying.
+
+"You are very nice, I think," she said with disconcerting detachment.
+"At first I was afraid you didn't like nonsense, but you really got
+through very well, considering the trouble I caused you. But I'm in
+trouble myself now. Papa will land to-morrow. He's the grandest, dearest
+man in all this world, but when he finds that I'm going to act in Mr.
+Searles's play he will be terribly cut up. Of course it will not be for
+long. Even if it's a big success, I'm to be released in three months.
+Constance and Sir Cecil think I owe it to myself to appear in the piece;
+they're good enough to say nobody else can do it so well--which is a
+question. I'm going to give all the money I earn to the blind soldiers."
+
+(I wished the tears in her eyes didn't make them more lovely still!)
+
+"Being what you are and all you are, it would be brutal for me to add to
+the number of things you have to tell your father. I'm a very obscure
+person, and he is a gentleman of title and otherwise distinguished. You
+are the Honorable Miss----"
+
+"Papa has said numbers of times," she began softly, looking far out
+across the blue Sound--"he has said, oh, very often, that he'll never
+stop troubling about me until--until I'm happily married."
+
+"When you came here you wore a wedding-ring," I remarked casually.
+
+"It was only a 'property' ring, to help deceive you. I bought it in
+Chicago. When Aunt Alice came I threw it away."
+
+"The finger seems lonesome without it," I said. "If I get you another, I
+hope you'll take better care of it."
+
+"If you should put it there," she replied, looking fixedly at the hand,
+"that would be very, very different."
+
+THE END
+
+-----------------------------------------------------------------------
+
+BY MEREDITH NICHOLSON
+
+LADY LARKSPUR
+THE MADNESS OF MAY
+THE VALLEY OF DEMOCRACY
+
+CHARLES SCRIBNER'S SONS
+
+-----------------------------------------------------------------------
+
+Transcriber's Note:
+
+1. Books "By Meredith Nicholson" relocated to end of text.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Lady Larkspur, by Meredith Nicholson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LADY LARKSPUR ***
+
+***** This file should be named 19204.txt or 19204.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/2/0/19204/
+
+Produced by Roger Frank and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/19204.zip b/19204.zip
new file mode 100644
index 0000000..7803d4b
--- /dev/null
+++ b/19204.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..bb0c2a1
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #19204 (https://www.gutenberg.org/ebooks/19204)