summaryrefslogtreecommitdiff
path: root/old/19815-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/19815-h.htm')
-rw-r--r--old/19815-h.htm5965
1 files changed, 5965 insertions, 0 deletions
diff --git a/old/19815-h.htm b/old/19815-h.htm
new file mode 100644
index 0000000..32d4fa6
--- /dev/null
+++ b/old/19815-h.htm
@@ -0,0 +1,5965 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1">
+<title>The Project Gutenberg eBook of Roy Blakeley, Pathfinder, by Percy Keese Fitzhugh</title>
+<style type="text/css">
+ body {background:#FFF8F0;
+ color:black;
+ font-family: "Times New Roman", serif;
+ font-size:14pt;
+ margin-top:100px;
+ margin-left:10%;
+ margin-right:10%;
+ text-align:justify}
+ table {font-size:14pt}
+ blockquote.small { font-size: 12pt; }
+ .ind10 { margin-left: 10em; }
+ .ind15 { margin-left: 15em; }
+ p {text-indent: 4% }
+ p.noindent {text-indent: 0%; }
+ a:link {color:blue;
+ text-decoration:none}
+ link {color:blue;
+ text-decoration:none}
+ a:visited {color:blue;
+ text-decoration:none}
+ a:hover {color:red}
+ pre {font-size:10pt;}
+ hr.full { width: 100%;
+ height: 5px; }
+</style>
+</head>
+<body>
+<h1 align="center">The Project Gutenberg eBook, Roy Blakeley, Pathfinder, by Percy Keese
+Fitzhugh, Illustrated by Howard L. Hastings</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: Roy Blakeley, Pathfinder</p>
+<p>Author: Percy Keese Fitzhugh</p>
+<p>Release Date: November 14, 2006 [eBook #19815]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK ROY BLAKELEY, PATHFINDER***</p>
+<br><br><center><h3>E-text prepared by James Eager</h3></center><br><br>
+<table border=0 cellpadding=10>
+ <tr>
+ <td valign="top">
+ Note:
+ </td>
+ <td>
+ This is book 3 in the Roy Blakeley series. It concludes
+ the story started in book 1: <i>Roy Blakeley</i> (see
+ <a href="http://www.gutenberg.org/etext/10552">http://www.gutenberg.org/etext/10552</a>).
+ </td>
+ </tr>
+</table>
+<br>
+<br>
+<br>
+<br>
+<hr class="full" noshade>
+<br>
+<br>
+<br>
+<br>
+<br>
+
+<center>
+<img src="images/cover.jpg" alt="Book cover">
+</center>
+
+<br>
+<center>
+<h1>
+ROY BLAKELEY,
+<br>
+PATHFINDER
+</h1>
+
+<h2>
+BY
+</h2>
+
+<h1>
+PERCY KEESE FITZHUGH
+</h1>
+
+<h2>
+AUTHOR OF
+<br>
+<br>
+TOM SLADE, BOY SCOUT, TOM SLADE
+<br>
+WITH THE COLORS, TOM SLADE ON
+<br>
+THE RIVER, ETC.
+</h2>
+
+<h2>
+ILLUSTRATED
+</h2>
+<br>
+<br>
+<br>
+<br>
+<br>
+
+<h3>
+PUBLISHED WITH THE APPROVAL OF
+<br>
+THE BOY SCOUTS OF AMERICA
+</h3>
+
+<h4>
+GROSSET & DUNLAP
+<br>
+PUBLISHERS :: NEW YORK
+</h4>
+
+<h5>
+Made in the United States of America
+</h5>
+
+<h5>
+COPYRIGHT, 1920, BY
+<br>
+GROSSET & DUNLAP.
+</h5>
+<br>
+<br>
+<br>
+<br>
+<br>
+
+<h2>
+TABLE OF CONTENTS
+</h2>
+</center>
+<br>
+
+<table>
+<tr><td align="right">CHAPTER&nbsp;&nbsp;</td>
+
+<tr><td align="right"> I. &nbsp;&nbsp;</td><td><a href="#1">Hello, Here I Am Again</a></td>
+<tr><td align="right"> II. &nbsp;&nbsp;</td><td><a href="#2">An Awful Wilderness</a></td>
+<tr><td align="right"> III. &nbsp;&nbsp;</td><td><a href="#3">Undaunted!</a></td>
+<tr><td align="right"> IV. &nbsp;&nbsp;</td><td><a href="#4">Go!</a></td>
+<tr><td align="right"> V. &nbsp;&nbsp;</td><td><a href="#5">I Go on an Errand</a></td>
+<tr><td align="right"> VI. &nbsp;&nbsp;</td><td><a href="#6">I Discover Some Tracks</a></td>
+<tr><td align="right"> VII. &nbsp;&nbsp;</td><td><a href="#7">I Meet the Stranger</a></td>
+<tr><td align="right"> VIII. &nbsp;&nbsp;</td><td><a href="#8">Up a Tree</a></td>
+<tr><td align="right"> IX. &nbsp;&nbsp;</td><td><a href="#9">Awful Sticky</a></td>
+<tr><td align="right"> X. &nbsp;&nbsp;</td><td><a href="#10">I Make a Promise</a></td>
+<tr><td align="right"> XI. &nbsp;&nbsp;</td><td><a href="#11">Seeing Is Believing</a></td>
+<tr><td align="right"> XII. &nbsp;&nbsp;</td><td><a href="#12">Marshal Foch</a></td>
+<tr><td align="right"> XIII. &nbsp;&nbsp;</td><td><a href="#13">Around The Camp-Fire</a></td>
+<tr><td align="right"> XIV. &nbsp;&nbsp;</td><td><a href="#14">But I Didn't Write It</a></td>
+<tr><td align="right"> XV. &nbsp;&nbsp;</td><td><a href="#15">No! No! No! Go On! Go On!</a></td>
+<tr><td align="right"> XVI. &nbsp;&nbsp;</td><td><a href="#16">The Mystery</a></td>
+<tr><td align="right"> XVII. &nbsp;&nbsp;</td><td><a href="#17">Appalling! Wonderful! Magnificent!</a></td>
+<tr><td align="right"> XVIII. &nbsp;&nbsp;</td><td><a href="#18">On to Glory</a></td>
+<tr><td align="right"> XIX. &nbsp;&nbsp;</td><td><a href="#19">Jib Jab, Is He Human?</a></td>
+<tr><td align="right"> XX. &nbsp;&nbsp;</td><td><a href="#20">The Parade</a></td>
+<tr><td align="right"> XXI. &nbsp;&nbsp;</td><td><a href="#21">We Visit The Side Show</a></td>
+<tr><td align="right"> XXII. &nbsp;&nbsp;</td><td><a href="#22">Brent Gaylong</a></td>
+<tr><td align="right"> XXIII. &nbsp;&nbsp;</td><td><a href="#23">Brent's Story</a></td>
+<tr><td align="right"> XXIV. &nbsp;&nbsp;</td><td><a href="#24">The Light In The Woods</a></td>
+<tr><td align="right"> XXV. &nbsp;&nbsp;</td><td><a href="#25">In The Dark</a></td>
+<tr><td align="right"> XXVI. &nbsp;&nbsp;</td><td><a href="#26">Dorry And I And The Cricket</a></td>
+<tr><td align="right"> XXVII. &nbsp;&nbsp;</td><td><a href="#27">We Take Harry Into Our Confidence</a></td>
+<tr><td align="right"> XXVIII. &nbsp;&nbsp;</td><td><a href="#28">In The Woods</a></td>
+<tr><td align="right"> XXIX. &nbsp;&nbsp;</td><td><a href="#29">Jib Jab And Harry</a></td>
+<tr><td align="right"> XXX. &nbsp;&nbsp;</td><td><a href="#30">Jib Jab Is Surprised</a></td>
+<tr><td align="right"> XXXI. &nbsp;&nbsp;</td><td><a href="#31">Jib Jab's Story</a></td>
+<tr><td align="right"> XXXII. &nbsp;&nbsp;</td><td><a href="#32">Jib Jab Turns Out To Be Human</a></td>
+<tr><td align="right"> XXXIII. &nbsp;&nbsp;</td><td><a href="#33">We Part Company</a></td>
+<tr><td align="right"> XXXIV. &nbsp;&nbsp;</td><td><a href="#34">A Good Idea</a></td>
+<tr><td align="right"> XXXV. &nbsp;&nbsp;</td><td><a href="#35">What I Heard On The Telephone</a></td>
+<tr><td align="right"> XXXVI. &nbsp;&nbsp;</td><td><a href="#36">Up The Trail</a></td>
+<tr><td align="right"> XXXVII. &nbsp;&nbsp;</td><td><a href="#37">A Voice</a></td>
+<tr><td align="right">XXXVIII. &nbsp;&nbsp;</td><td><a href="#38">We Fight And Run Away</a></td>
+<tr><td align="right"> XXXIX. &nbsp;&nbsp;</td><td><a href="#39">Welcome Home</a></td>
+<tr><td align="right"> XL. &nbsp;&nbsp;</td><td><a href="#40">Mmm-Mm-M-M!</a></td>
+</table>
+<br>
+<br>
+<br>
+
+<center>
+<h2>
+ROY BLAKELEY, PATHFINDER
+</h2>
+</center>
+
+<br>
+<br>
+<br>
+<a name="1"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER I
+<br>
+HELLO, HERE I AM AGAIN</h3>
+</center>
+
+<br>
+<p>This story is all about a hike. It starts on Bridge Street and ends on
+Bridge Street. Maybe you'll think it's just a street story. But that's
+where you'll get left. It starts at the soda fountain in Warner's Drug
+Store on Bridge Street in Catskill, New York, and it ends at the soda
+fountain in Bennett's Candy Store on Bridge Street in Bridgeboro, New
+Jersey. That's where I live; not in Bennett's, but in Bridgeboro. But I'm
+in Bennett's a lot.
+
+<p>Believe <i>me</i>, that hike was over a hundred miles long. If you rolled it up
+in a circle it would go around Black Lake twenty times. Black Lake would
+be just a spool&mdash;<i>good night!</i> In one place it was tied in a bowline knot,
+but we didn't count that. It was a good thing Westy Martin knew all about
+bowline knots or we'd have been lost..
+
+<p>Harry Donnelle said it would be all right for, me to say that we hiked all
+the way, except in one place where we were carried away by the scenery.
+Gee, that fellow had us laughing all the time. I told him that if the
+story wasn't about anything except just a hike, maybe it would be slow,
+but he said it couldn't be slow if we went a hundred miles in one book.
+He said more likely the book would be arrested for speeding. I should
+worry. "Forty miles are as many as it's safe to go in one book," he said,
+"and here we are rolling up a hundred. We'll bunk right into the back
+cover of the book, that's what we'll do." Oh boy, you would laugh if you
+heard that fellow talk. He's a big fellow; he's about twenty-five years
+old, I guess.
+
+<p>"Believe <i>me</i>, I hope the book will have a good strong cover," I told him.
+
+<p>Then Will Dawson (he's the only one of us that has any sense), he said,
+"If there are two hundred pages in the book, that means you've got to go
+two miles on every page."
+
+<p>"Suppose a fellow should skip," I told him.
+
+<p>"Then that wouldn't be hiking, would it?" he said.
+
+<p>I said, "Maybe I'll write it scout pace."
+
+<p>"I often skip when I read a book, but I never go scout pace," Charlie
+Seabury said.
+
+<p>"Well," I told him, "this is a different kind of a book."
+
+<p>"I often heard about how a story runs," Harry Donnelle said, "but I never
+heard of one going scout pace."
+
+<p>"You leave it to me," I said, "this story is going to have action."
+
+<p>Then Will Dawson had to start shouting again. Cracky, that fellow's a fiend
+on arithmetic. He said, "If there are two hundred pages and thirty lines on
+a page, that means we've got to go more than one-sixteenth of a mile for
+every line."
+
+<p>"Righto," I told him, "action in every word. The only place a fellow can
+get a chance to rest, is at the illustrations."
+
+<p>Dorry Benton said, "I wish you luck."
+
+<p>"The pleasure is mine," I told him.
+
+<p>"Anyway, who ever told you, you could write a book?" he asked me.
+
+<p>"Nobody <i>had</i> to tell me; I admit I can," I said.
+
+<p>"How about a plot?" he began shouting.
+
+<p>"There's going to be a plot forty-eight by a hundred feet," I came back at
+him, "with a twenty foot frontage. I should worry about plots."
+
+<p>Harry Donnelle said he guessed maybe it would be better not to have any
+plot at all, because a plot would be kind of heavy to carry on a hundred
+mile hike.
+
+<p>"Couldn't we carry it in a wheelbarrow?" Will wanted to know.
+
+<p>"We'd look nice," I told him, "hiking through a book with the plot in a
+wheelbarrow."
+
+<p>"Yes, and it would get heavier too," Westy Martin said, "because plots
+grow thicker all the time."
+
+<p>"Let's not bother with a plot," I said; "there's lots of books without
+plots."
+
+<p>"Sure, look at the dictionary," Harry Donnelle said.
+
+<p>"And the telephone book," I told him, "It's popular too; everybody reads
+it."
+
+<p>"We should worry about a plot," I said.
+
+<p>By now I guess you can see that we're all crazy in our patrol. Even Harry
+Donnelle, he's crazy, and he isn't in our patrol at all. I guess its
+catching, hey? And, oh boy, the worst is yet to come.
+
+<p>So now I guess I'd better begin and tell you how it all happened. The
+story will unfold itself or unwrap itself or untie itself or whatever you
+call it. This is going to be the worst story I ever wrote and it's going
+to be the best, too. This chapter isn't a part of the hike, so really the
+story doesn't begin till you get to Warner's Drug Store. You'll know it by
+the red sign. This chapter is just about our past lives. When I say, "go"
+then you'll know the story has started. And when I finish the pineapple
+soda in Bennett's, you'll know that's the end. So don't stop reading till
+I get to the end of the soda. The story ends way down in the bottom of the
+glass.
+
+<p>Maybe you don't know who Harry Donnelle is, so I'll tell you. He was a
+lieutenant, but he's mustered out now. He got a wound on his arm. His hair
+is kind of red, too. That's how he got the wound-having red hair. The
+Germans shot at the fellow with red hair, but one good thing, they didn't
+hit him in the head.
+
+<p>He came up to Temple Camp where our troop was staying and paid us a visit
+and if you want to know why he came, it's in another story. But, anyway,
+I'll tell you this much. Our three patrols went up to camp in his father's
+house-boat. His father told us we could use the house-boat for the summer.
+Those patrols are the Ravens and the Elks and the Solid Silver Foxes. I'm
+head of the Silver Foxes.
+
+<p>The reason he came to camp was to get something belonging to him that was
+in one of the lockers of the house-boat. I wrote to him and told him about
+it being there and so he came up. He liked me and he called me Skeezeks.
+Most everybody that's grown up calls me by a nickname. As long as he was
+there he decided to stay a few days, because he was stuck on Temple Camp.
+All the fellows were crazy about him. At camp-fire he told us about his
+adventures in France. He said you can't get gum drops in France.
+
+<p>Gee, I wouldn't want to live there.
+
+<br>
+<br>
+<br>
+<a name="2"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER II
+<br>
+AN AWFUL WILDERNESS</h3>
+</center>
+<br>
+
+<p>After he'd been at camp three or four days, Harry Donnelle said to me,
+"Skeezeks, are you game for a real hike-you and your patrol?"
+
+<p>I said, "Real hikes are our specialties-we eat'em alive."
+
+<p>"I don't mean just a little stroll down to the village or even over as far
+as the Hudson," he said; "but a hike that <i>is</i> a hike. Do you think you
+could roll up a hundred miles?"
+
+<p>"As easy as rolling up my sleeves," I told him. "We're so game that a ball
+game isn't anything compared with us. Speak out and tell us the worst."
+
+<p>He said, "Well, I was thinking of a little jaunt back home."
+
+<p><i>"Good night,"</i> I told him, "I thought maybe you meant as far as Kingston
+or Poughkeepsie. But Bridgeboro! Oh boy!"
+
+<p>"Of course, we wouldn't get very far from the Hudson," he said, "and we
+could jump on a West Shore train most anywhere, if you kids got tired."
+
+<p>"The only thing we'll jump on will be <i>you</i>-if you talk like that," I said;
+"Silver Foxes don't jump on trains. But how about the other fellows-the
+Elks and the raving Ravens? United we stand, divided we sprawl."
+
+<p>He said, "Let them rave; I'm not going to head a whole kindergarten. Eight
+of you are enough. Who do you think I am, General Pershing?" And then he
+ruffled up my beautiful curly hair and he gave me a shove-same way as he
+always did. "This is not a grand drive," he said, "it's a hike. Just a few
+shock troops will do."
+
+<p>"We'll shock you all right," I said, "but first you'd better speak to Mr.
+Ellsworth (he's our scoutmaster), and get the first shock out of the way."
+
+<p>"I think I have Mr. Ellsworth eating out of my hand," he said; "you leave
+that to me. I just wanted to sound you and find out if you were game or
+whether you're just tin horn scouts-parlor scouts."
+
+<p>"Well, do I sound all right?" I said. "Believe <i>me</i>, there are only two
+things that keep us from hiking around the world, and those are the
+Atlantic Ocean and the Pacific Ocean."
+
+<p>"Think you could climb over the Equator?" he said, laughing all the while.
+And he gave me another one of those shoves&mdash;<i>you</i> know.
+
+<p>Then he said, "Well then, Skeezeks, I'll tell you what you do. You call a
+meeting of the Foxes and lay this matter on the table-"
+
+<p>"Why should I lay it on the table?" I said; "you'd think it was a plate of
+soup. <i>I'll stand</i> on the table and address them, that's what I'll do."
+
+<p>He said, "All right, you just picture the hardships to them. Tell them that
+for whole hours at a time, we may have to go without ice cream sodas. Tell
+them that we'll have to penetrate a wilderness where there is no peanut
+brittle. Tell them that we'll have to enter a jungle where gum drops are
+unknown. Tell them that we may have to live on grasshoppers. Tell them
+about the vast morass near Kingston, where you can't even get a piece of
+chocolate cake; miles and miles of barren waste where the foot of white man
+has never trod upon a marshmallow-"
+
+<p>"Sure you can find marshmallows in the marshes," I said. "We should worry."
+
+<p>"You ask Willie and Tommy and Dorrie and the others if they are prepared to
+make the sacrifice-and I'll do the rest. I'll speak to Mr. Ellsworth. But
+remember about the heartless desert with its burning sands just above
+Newburgh. Now go chase yourself and round them up. I guess you know how to
+do it."
+
+<p>So I got all the Silver Foxes into our patrol cabin and gave them a spooch.
+I guess I might as well tell you who they all are. First there's me-I mean
+I. Correct, be seated. You learn that in the primary grade. I'm patrol
+leader and it's <i>some</i> job. Then comes Westy Martin; he's my special chum.
+My sister says he has dandy hair. Then comes Dorry Benton-he's got a wart
+on his wrist. Then comes Huntley Manners-Badleigh, that's his middle name.
+Sometimes we call him Bad Manners. Then comes Charlie Seabury and then
+comes Will Dawson and then come Tom Warner and Ralph Warner-they're twins.
+They're both better looking than each other-that's what Pee-wee Harris
+said. He's a scream-he's in the raving Raven patrol. Thank goodness he
+isn't in this story-not much anyway. Ralph says Tom is crazy and Tom says
+Ralph is crazy and Will Dawson says they're both right. I guess we're all
+crazy. Anyway, Ralph and Tom came from Maine, so they're both maniacs, hey?
+
+<p>This is the speech I spooched:
+
+<blockquote><blockquote>
+<p class="noindent">Fellow Foxes:
+
+ <p>Shut up and give me a chance to talk. Sit down, Bad Manners.
+ I've got something to tell you and don't all shout at once&mdash;
+</blockquote></blockquote>
+
+<p><i>Good night!</i> They all began shouting separately. Then I said:
+
+<blockquote><blockquote>
+<p>Harry Donnelle says he's going to hike it all the way home to
+ Bridgeboro. He says we can go with him if we want to. Our time
+ is up Saturday, but we'll have to start three or four days
+ sooner.
+
+ <p>He said for me to sound you fellows, but believe me, there's so
+ much sound that I can't. I suppose the other patrols will go
+ back down the Hudson in the house-boat. Every fellow that's in
+ favor of hiking it home with Mr. Harry Donnelle, will say
+ <i>aye</i>-but don't say it yet. He said to tell you that we take our
+ lives in our hands&mdash;
+</blockquote></blockquote>
+
+<p>"Why can't we put them in our duffel bags?" Westy shouted.
+
+<p>"Did you think we'd take them in our feet?" Dorry yelled.
+
+<p>Then they all began shouting, "<i>Aye, aye, aye!</i>" even before I told them
+about the forests and morasses and jungles and deserts and things. Honest,
+you can't do anything with that bunch.
+
+<br>
+<br>
+<br>
+<a name="3"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER III
+<br>
+UNDAUNTED! (THAT'S PEE-WEE'S HEADING)</h3>
+</center>
+<br>
+
+<p>One thing about Harry Donnelle, he was a dandy fixer. When he fixed the
+camouflage for us so we could watch a chipmunk, I knew he was a good
+fixer. He said he learned how in France. He fixed the chimney on the
+cooking shack, too. That fellow could fix anything.
+
+<p>But a scoutmaster isn't so easy to fix. Lots of times I tried to fix it
+with Mr. Ellsworth and I just couldn't. He'd make me think that I wanted
+to do his way. He's awful funny, he can just make you think that there's
+more fun doing things his way. And I was trembling in my shoes-I mean I
+was trembling in my bare feet-for fear Harry Donnelle wouldn't be able to
+fix it with him. But that fellow could fix it with the sun to shine-that's
+what Mr. Burroughs said.
+
+<p>Pretty soon he came strolling down to the spring-board where a lot of us
+were having a dip in the lake.
+
+<p>"All right," he said, "how about you?"
+
+<p>"Did you fix it?" I asked him.
+
+<p>"All cut and dried," he said; "are you ready for the big adventure?"
+
+<p>That afternoon we had a special troop meeting, to find out how the
+fellows felt about splitting the troop for the journey home. Because you
+see our three patrols always hung together. Mr. Ellsworth made a speech
+and said how Harry Donnelle had offered to lead the fierce and fiery
+Silver Foxes through the perilous wilds of New York State. He said that
+the journey would be filled with interest and data of scientific value
+(that's just the way he talked) and how we hoped to cross the Ashokan
+Reservoir and visit other wild places. He said that we planned to enter
+the heart of the Artists Colony at Woodstock and see the artists in their
+native state and stalk some authors and poets, maybe, and study their
+habits.
+
+<p>Oh boy, you ought to have seen Harry Donnelle. He just sat there on the
+edge of Council Rock (that's where we have important meetings at Temple
+Camp) and laughed and laughed and laughed.
+
+<p>Mr. Ellsworth said, "It is hoped that these brave scouts may succeed in
+capturing a poet and bringing him home as a specimen, and that they may
+find other fossils of interest. Meanwhile, the Ravens and the Elks and
+myself will drift down in our house-boat and endeavor to find someone to
+tow us from Poughkeepsie to New York and up our own dear river to
+Bridgeboro. The Ravens and the Elks wish me to offer the brave explorer,
+Mr. Harry Donnelle, a vote of thinks for taking the Silver Foxes away. They
+appreciate that he does this for the sake, not of the Silver Foxes, but as
+a good turn to the Ravens and the Elks. The Ravens and the Elks hope to
+have a little peace meanwhile. They thank him. In the familiar words of one
+of our famous patrol leaders, <i>'we should worry.'</i> And we wish you all good
+luck in your daring enterprise."
+
+<p>I could see that he winked at Harry Donnelle and Harry Donnelle was
+laughing so hard that he couldn't make a speech. So I climbed up on
+Council Rock and shouted, "Hear, hear" Then I made a speech and this is
+it, because afterwards I wrote it out in our troop book.
+
+<blockquote><blockquote>
+ <p>The Silver Foxes thank the Ravens and the Elks for their
+ kind wishes. I bequeath all my extra helpings of dessert to
+ Pee-wee Harris of the Ravens-up to three helpings. After that
+ it reverts to Vic Norris of the Elks. Reverts means <i>goes to</i>.
+ Who ever reaches Bridgeboro, New Jersey, first will send out a
+ searching part for the others. The searching party will bring
+ their own eats. If we're never heard of again, that's a sign
+ you won't hear from us. If we get to Bridgeboro and don't find
+ you, that'll be a sign that you're not there. If you are there
+ it won't be our fault. We should worry. We go forth for the
+ sake of prosperity-I mean posterity. So please tell posterity
+ in case we don't reach home safely. If our friends and parents
+ are anxious, tell them to wait at Bennett's on Bridge Street,
+ because that'll be the first place we go to.
+</blockquote></blockquote>
+
+<p>The next day was Wednesday and we started early in the morning. The others
+were going to start down in the house-boat on Saturday. I think the Ravens
+and the Elks must have sat up all night making crazy signs on cardboard
+just so as to guy us. And Mr. Ellsworth helped them, too. They had the
+whole camp with them-even Uncle Jeb; he's manager. He used to be a trapper.
+
+<p>When we got out onto the main road, we saw signs tacked up on all the
+trees and I guess even scout in camp was there. One of the signs read,
+<i>Olive oil, but not good-bye</i>. Another one read <i>Day-day to the brave
+explorers</i>. Another one read, <i>Don't forget to wear rubbers going through
+the Newburgh morass</i>. Another one read, <i>Beware of the treacherous Ashokan
+Reservoir</i>. A lot we cared. Didn't people even make fun of Christopher
+Columbus?
+
+<br>
+<br>
+<br>
+<a name="4"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER IV
+<br>
+GO!</h3>
+</center>
+<br>
+
+<p>Buy remember, I told you that the hike didn't really begin till we got to
+Catskill. The reason I don't count the hike from Temple Camp to Catskill
+is because we were all the time hiking down there. It wasn't a hike, it
+was a habit. I wouldn't be particular about three or four miles. Besides,
+I wouldn't ask you to take them, because they've been used before. I
+wouldn't give you any second hand miles.
+
+<p>When we got to Catskill we bought some egg powder and bacon (gee, I love
+bacon) and coffee and sugar and camera films and mosquito dope and beans
+and flour and chocolate. You can make a dandy sandwich putting a slice
+of bacon between two slabs of chocolate. Mm-um! We had a pretty good
+bivouac outfit, because the Warner twins have a balloon silk shelter that
+rolls up so small won can almost put it in a fountain pen-that's what
+Harry Donnelle said. Dorry Benton had his aluminum cooking set along,
+saucepans, cups, dishes, coffee pot-everything fits inside of everything
+else. One thing, we wouldn't starve, that was sure, because we had enough
+stuff to make coffee and flapjacks for more than a week, counting six
+flapjacks to every fellow and fourteen to Hunt Manners; oh boy, but that
+fellow has some appetite! We had plenty of beans, too. Don't you worry
+about our having plenty to eat.
+
+<p>When we got through shopping, we went to Warner's Drug Store for sodas.
+Harry Donnelle said he'd treat us all, because maybe, those would be the
+last sodas that we'd ever have. As we came along we saw Mr. Warner
+standing in the doorway and he was smiling with a regular scout smile.
+
+<p>"There's something wrong," I said; "there's some reason for him smiling
+like that."
+
+<p>"Have a smile for everyone you meet," Will Dawson began singing.
+
+<p>But, believe me, I know all the different kinds of smiles and there was
+something funny about Mr. Warner's smile. When we got inside we saw a big
+sign hanging on the soda fountain. It read:
+
+<center>
+<br> A LAST FAREWELL
+<br> TO THE SILVER PLATED FOXES
+<br> BEFORE THEY ENTER THE JUNGLE
+</center>
+
+<p>By that I knew that some of the fellows up at camp had been down to
+Warner's the night before and put it there, because they knew that would
+be the last store we'd go to.
+
+<p>Harry Donnelle said, "All right, line up." So we all sat in a row and some
+summer people who were in there began to laugh. What did we care? One girl
+said she wished she was a boy; girls are always saying that. So that proves
+we have plenty of fun. I could see Harry Donnelle wink at Mr. Warner while
+the latter (that means Mr. Warner) was getting the sodas ready. Then all
+of a sudden Harry said:
+
+<p><i>"Attention! Present spoons. Go!"</i>
+
+<p>So then we all started at once and that was the beginning of the big hike.
+Just as I told you, it started at the top of the glasses in Warner's and
+ended in the bottom of the glasses at Bennett's.
+
+<p>When you hear me say <i>M-mm-that's good</i> in Bennett's, you'll know the hike
+is over.
+
+<br>
+<br>
+<br>
+<a name="5"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER V
+<br>
+I GO ON AN ERRAND</h3>
+</center>
+<br>
+
+<p>"Now to skirt the lonesome Catskills," Harry said.
+
+<p>"Now to what them?" Dorry Benton asked him.
+
+<p>"Skirt them," he said, "that's Latin for hiking around the edge of them.
+We don't want to be all the time stumbling over mountains."
+
+<p>"Believe <i>me</i>, if I see one in the road, I'll tell you," I said.
+
+<p>"And we don't want to get mixed up with panthers and wild cats either,"
+Harry said. And he gave me a wink.
+
+<p>"There aren't any wild animals in the Catskills," Charlie Seabury said.
+
+<p>"There are wild flowers," I said, "but they, won't hurt anybody."
+
+<p>"How about poison ivy?" Westy Martin said.
+
+<p>All the while as we hiked along the road toward Saugerties, we kept joking
+about the wild animals in the Catskills. Harry Donnelle said there used to
+be lots of wild cats and foxes, but not any more. He said there were some
+foxes, though.
+
+<p>Westy said, "I bet there are some bears; once Uncle Jeb saw a bear; he
+said there weren't any foxes any more."
+
+<p>"I guess there are some gray ones and maybe a few silver," Harry Donnelle
+said.
+
+<p>"Silver?" I shouted. "Oh boy!" Then I asked him what they fed on mostly.
+
+<p>"Mostly on ice cream sodas," he said; "they're very dangerous after a half
+dozen raspberry; sodas."
+
+<p>We didn't go near Saugerties, because we wanted to keep in the country, so
+we hit down southwest along the road that goes to Woodstock. Then we were
+going to hike it south past West Hurley so we'd bunk our noses right into
+the Ashokan Reservoir. And the next day we were going to spend trying to
+keep out of Kingston.
+
+<p>When it got to be about five o'clock in the afternoon, we hit in from the
+road to find a good place to camp. Maybe you think that's easy, but you
+have to find a place where the drainage is good and where there's good
+drinking water.
+
+<p>Pretty soon we found a dandy place about a quarter of a mile off the road,
+and we put up our tent there.
+
+<p>Harry Donnelle said, "There's one kind of wild animal that I forgot to
+mention and I guess we'll be hunting them all right; that's mosquitoes.
+I guess one or two of you kids had better hit the trail for the nearest
+village and complete our shopping before we get any further. What do you
+say? We're a little short on mosquito dope and we ought to have some
+crackers, and let's see, a little meat would go good. I'm hungry."
+
+<p>When we turned into the woods from the road, we knew that we were coming
+to a village and I guess that's what put the idea into Harry's head to
+have somebody go there and get two or three things that we hadn't been
+able to get in Catskill.
+
+<p>I told him that I'd go, because the rest would be busy getting in fire
+wood and I said it would be good if two or three of them tried to catch
+some fish in the brook.
+
+<p>Oh boy, I had hardly said that, when Ralph Warner shouted that he had a
+perch and that the brook was full of them. Harry Donnelle went over and
+saw for himself how it was, and then he came back and said to me that as
+long as there seemed to be plenty of fish I needn't bother about meat, but
+that I'd better go and see if I could scare up some more mosquito dope and
+some sinkers for fishing and a trowel to dig bait with, because if we liked
+the place we might stay there till noon the next day. That's the best way
+on a long hike-take it easy.
+
+<p>"How about Charlie Seabury?" I said; "he doesn't like fish."
+
+<p>"All right, get him a couple of chops, then," Harry said; "now can you
+remember all the things you're going to get? Mosquito dope, fishing
+sinkers, a writing pad and some stamps, and let's see&mdash;"
+
+<p>"Some crackers," I said.
+
+<p>"Righto," he shouted after me.
+
+<br>
+<br>
+<br>
+<a name="6"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER VI
+<br>
+I DISCOVER SOME TRACKS</h3>
+</center>
+<br>
+
+<p>I went back through the woods and when I got to the road I noticed how it
+curved, and just then I saw a very narrow path on the opposite side of the
+road that led into the woods. I decided it must be a short cut to the
+village. So I started along that path.
+
+<p>Pretty soon the woods grew very thick and it wasn't so easy to follow the
+trail, because it was all overgrown with bushes. But I managed to keep
+hold of it all right, and after about fifteen minutes I came to a little
+stone house with the windows all boarded up and the door standing a little
+open. There was a staple on the door with an old padlock hanging on it,
+but I guess the padlock wasn't any good. One thing sure, nobody lived
+there. I went and peeked inside and saw that it wasn't meant for people
+at all, because there wasn't any floor and it was all dark and damp and
+there were lots of spider webs around. Even there was one across the
+doorway, so by that I knew that nobody had been there lately.
+
+<p>Right in the middle, inside, were a couple of rocks and water was
+trickling up from under them. That's what made me think that the place
+was just a spring house. Anyway, I didn't wait because I was in a hurry.
+When I came out I pushed the door open a little and then I closed it all
+but about a foot or so. Inside of an hour I was mighty sorry that I hadn't
+left it wide open, and you'll see why.
+
+<p>I guess I had gone about a hundred yards further when I noticed something
+in the trail that started me guessing. It was the print of an animal; or
+anyway, if it wasn't, I didn't know what else it was. There were six
+prints, something like a cat's, only the paw that made them had five
+toes. The other mark was the paw mark. It was the biggest print that I
+ever saw.
+
+<p>The first animal I thought about was a wild cat. But of course, I knew
+there weren't any wild cats right there. Even if there were any in that
+part of the country, they wouldn't be roaming around near villages.
+Anyway, the five toe prints had me guessing, because a wild cat has only
+four. I could see that the animal must have been crossing the path,
+because the print was sideways and the bushes alongside of the path were
+kind of trampled down.
+
+<p>You can bet I took a good look in those bushes for hairs, but I couldn't
+find any and I kept wondering what kind of an animal had a paw as big as
+a man's hand and five toes.
+
+<p>After I had gone a little further, I came plunk on a whole line of them
+along the path. I wasn't exactly scared, but anyway, they made me feel
+sort of funny, because they were so big and printed so plain. The animal
+that made those tracks must have been a pretty big animal, I knew that.
+
+<p>Then, all of a sudden, I discovered something else. Some of the prints had
+five toe marks and some of them only four. "Maybe that means the animal
+was lame," I said to myself, and doesn't make a full print with one of its
+feet. But in a minute I had sense enough to see that wasn't the way it
+was, because there were always two of one kind pretty close together and
+then two of the other kind pretty close together. This is the way it was;
+there was a five toe print then another one about a foot in back of it,
+then about three or four feet in back of that a couple more about a foot
+apart with only four toe marks.
+
+<p>Good night! I They had me all flabbergasted.
+
+<p>Pretty soon they left the path altogether and I looked in the bushes for
+hairs, but I couldn't find a single one.
+
+<p>"Anyway," I said to myself, "one thing sure, that animal has five toes on
+his front feet and only four on his hind feet and I never saw any tracks
+like that before or even pictures of them."
+
+<p>I wasn't exactly scared, but just the same I was kind of glad when I got
+to the village.
+
+<br>
+<br>
+<br>
+<a name="7"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER VII
+<br>
+I MEET THE STRANGER</h3>
+</center>
+<br>
+
+<p>Anyway, that was the smallest village I ever saw to have such big tracks
+right near it. All I could see was two houses and the post office, and the
+post office was so small that you could almost put your arm down the
+chimney and open the front door. But, one thing sure, you could buy
+everything you wanted in that post office. You could buy a plough or a
+lollypop or anything. It smelled kind of like corn inside.
+
+<p>I got some lead sinkers and some crackers and a couple of chops for
+Charlie Seabury, because it makes him thirsty to eat fish&mdash;that's what
+he says. The man didn't have any mosquito dope, but there were some boxes
+of fly paper on the counter and just happened to think that if we stayed
+in our bivouac camp the next morning, it might be good to have some on
+account of the flies at dinner time. So I bought a box full.
+
+<p>Then I said to the man, "I guess there are wild animals around here."
+
+<p>He said, "Wall, I reckon thar daon't be many no more. Yer ain't expectin'
+ter catch 'em with fly paper, be yer?"
+
+<p>"Just the same," I told him, "I saw the tracks of one that must be big
+enough to eat this whole village. You'd better put the village in the safe
+before you go home. Safety first." You can bet I know how to jolly if it
+comes to jollying. "I want to get some rope, too," I told him.
+
+<p>He just leaned back and pushed his great big straw hat to the back of his
+head and looked over his spectacles and began to grin. He kept his
+spectacles 'way down near the end of his nose.
+
+<p>"Ye're one of them scaouts, hey?" he said. "Yet ain't thinkin' to lead any
+elephants home with that thar rope naow, be yer?"
+
+<p>I said, "No, I'm going to use the rope to lasso mosquitoes as long as
+you haven't got any mosquito dope."
+
+<p>He said, "Wall naow, ye're quite a comic be'nt yer?"
+
+<p>I told him I was a little cut up and my mother and father couldn't do
+anything with me.
+
+<p>"'N what else can I do fer yer?" he said, laughing all the while. "Them
+tracks wuz caow tracks, youngster, so daon't yer be sceered of 'em."
+
+<p>I told him I wasn't scared of any tracks, not even a railroad track and
+that I'd buy the village for seventy-five cents, if he'd send it C. O. D.
+He just stood there laughing. Anyway, it makes me mad when grown up people
+jolly scouts about tracking and signaling and all that, just as if it was
+only play. Because what do <i>they</i> know about tracks? Who ever heard of a
+cow with feet like a cat? <i>Good night!</i> And, besides, often it turns cut
+that scouts are right. You wait and see.
+
+<p>Now the things I bought I had in a kind of a flat bundle and I hung it over
+my back, because I like to have my hands free. What's the use of wasting
+your hands? You'll never find anything out with your back; all your back
+is good for, is bundles.
+
+<p>I didn't have any adventures on the way back, till I got to that spring
+house in the woods. I was in such a hurry that I didn't even notice the
+tracks again. That's how much I was afraid of them.
+
+<p>When I got to the spring house, I went in for a drink of water, and believe
+me, it was good. I squeezed in, instead of opening the door wide, because
+it scraped so hard on the ground that it was easier to do that than to open
+it; and I did the same coming out.
+
+<p>I was just going to start along the path again, when I got a good idea.
+That's just the way you get them, sudden like. I decided to shinny up a
+tree that was there and see if I couldn't squint our camp over in the west,
+because if I could once see it, maybe I'd be able to get to it by a shorter
+way than by the path. I did that because it was getting late.
+
+<p>When I got up to the second branch I looked off to the west, but all I
+could see was a little smoke curling up into the sky, and I wasn't sure
+whether it was from our camp or from some house. The sun was going down
+over that way and all the clouds were kind of red on the edges and the sky
+looked dandy. At Temple Camp they'd be just about washing up for supper
+then. I thought I could tell about where the road was, but I couldn't
+decide about the camp and I was just going to shinny down and hit the
+trail when I heard a kind of a sound like leaves rustling and then a funny
+sort of growl, different from anything I had ever heard before. I looked
+around and then I saw; coming through the woods, an animal with big spots
+on it and a long tail. I guess it was almost as big as a tiger; anyway, it
+was a good deal bigger than a wild cat. It was making a noise as if it was
+grumbling to itself, then all of a sudden, it opened its mouth wide, as if
+it was going to roar, but it didn't. It came almost up to the tree and
+stood still and its tail hung on the ground and wriggled like a snake.
+
+<p>I have to admit that I was good and scared. I just held onto the tree and
+didn't make a move; I guess I hardly breathed. Then, all of a sudden, the
+branch I was standing on cracked.
+
+<br>
+<br>
+<br>
+<a name="8"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER VIII
+<br>
+UP A TREE</h3>
+</center>
+<br>
+
+<p>Good night!
+
+<p>First I thought I was going to fall, but I reached up and got hold of the
+branch above and scrambled up to it. The animal was crouching on the
+ground, looking up, and its eyes were just like fire. Its tail was
+wriggling just like a snake. <i>Oh boy,</i> I was scared.
+
+<p>But anyway, I wasn't rattled. There's a difference between being scared and
+rattled. That's one thing scouts don't get-rattled. I looked down and saw
+him there and I knew I was in a mighty dangerous fix, but that only made me
+think harder. It seemed to me that that animal must be a leopard because he
+had spots, but of course, I knew there weren't any leopards in America.
+Africa is where <i>they</i> hang out. But you can bet I didn't think much about
+how he happened to be there. He was there, and that was enough for
+me. Gee, I like natural history all right, but not when there's a wild
+animal just below me. Nix! He was crouching and he looked just as if he
+was going to make a spring for the tree. Mr. Ellsworth says that most
+fights are won by quick thinking, so I knew that if I could only think of
+something to do quicker than that animal could spring, I'd be all right.
+
+<p>First I thought I'd just shinny down and run and maybe he wouldn't follow
+me. That was a punk think. All of a sudden he opened his mouth wide and
+kind of hissed at me and came just about two or three inches closer to the
+tree.
+
+<p>Then, all in a jiffy I had a-you know-what do you call those things? <i>An
+inspiration.</i> I pulled the bundle around from my back and tore it open and
+tore open the paper that the two chops were in. Charlie Seabury says he
+ought to have the gold cross because he saved my life, but I don't see it.
+Do you? Just because I was bringing the chops to him. He says he made a
+sacrifice. I should worry.
+
+<p>Even the sound of the paper crunching made the animal move a little nearer
+and hiss louder and paw the ground with one of its fore feet. I guess in a
+couple more seconds he would have had me, but I just threw one of the chops
+right at him and he pounced on it.
+
+<center>
+<br>
+<img src="images/ill1.jpg" alt="The animal was crouching on the ground, looking up.">
+<br>"The animal was crouching on the ground, looking up."
+</center>
+
+<p>That gave me two or three seconds to think. Because you can see for
+yourself that if an animal is ready to eat a boy scout it wouldn't take
+him very long to eat a chop. Maybe you'll say it wasn't good to give him
+raw meat, but how about me. Wasn't I raw meat? It was better to give him
+the chop and have a few seconds to think than to let him do the thinking
+and get me.
+
+<p>That was the time when I did some thinking in four or five seconds. Gee
+whiz, you have to think quick at school exams, but cracky, leopards are
+worse than school principals, I should hope. Anyway, they're just as bad.
+
+<p>Now was the time I wished that I had left the door of the spring house
+open a little wider, because I had a dandy idea. As long as the animal
+knew what it was I was throwing, he'd go after the other chop when I threw
+it. Because chops were his favorite food, I could see that. So if I could
+only just throw the other chop into the doorway he'd go in there after it,
+and while he was eating it I'd shinny down in a hurry and shut the door and
+wedge a board against it. I said to myself that I could do that quicker
+than he could eat the chop, and one thing sure, he wouldn't bother with me
+while he was doing it. An animal can never think about two things at once
+and he thinks about food most of all. Maybe scouts think about food a lot,
+too, but anyway, they can think about two things at once. That's the
+difference between scouts and wild animals.
+
+<p>Oh, if I had only left that door wide open! Then I could have thrown the
+other chop right through the opening and 'way into the house. But now I had
+to throw it down and almost around a corner, as you might say; and even if
+the meat went in at all, it wouldn't go in far. But if I could only throw
+it in far enough so that I could slam the door shut, that would be enough.
+
+<p>Anyway, I saw that if I didn't throw it quick I'd be worse off than before,
+because the animal had had a taste of raw meat and he'd be on the war path.
+I could see he was looking up at me and his eyes were blazing and he was
+making a sound that gave me the shudders. It seemed as if he was giving me
+notice that he was going to spring for the tree. I guess he would have done
+it that very second, too, only he noticed a leaf stuck to his paw and I
+guess it bothered him, because he raised his paw just as a cat does when
+she washes her face, and rubbed it off.
+
+<p>Oh boy, that made me think of something, but you can bet there wasn't any
+time to stop and think then. I guess I felt as nervous as William Tell when
+he was going to shoot the apple off his son's head. Only I had the chop in
+my hand instead of a bow and arrow. Oh, didn't I watch that open space and
+take a good aim I My heart was just pounding and my wrist hurt, because my
+pulse was going so fast. Because, Suppose I should miss? <i>I'd</i> be the third
+chop, I knew that. I just couldn't throw the chop for fear I'd miss.
+
+<p>You can see for yourself that was the only chance I had. All of a sudden I
+happened to think about tearing the chop in half and that would give me
+two chances. But if one of the pieces landed inside maybe it wouldn't be
+big enough to keep him busy two or three seconds. So I decided to take a
+good careful aim and throw the whole chop. If it went in, all right; maybe
+I'd have time enough. If it didn't&mdash;
+
+<p>All of a sudden, I heard the animal give a kind of a hissing growl and I
+just closed one eye and braced myself against the tree and took a good,
+long, careful aim and threw the chop.
+
+<p>It struck the edge of the door and felt outside the little stone house.
+Almost before I saw where it landed, the animal had it.
+
+<p>I just crouched there in that tree shuddering and waiting for what would
+happen next. First, I thought I'd take a chance and drop down and run.
+Then I decided I wouldn't. I didn't exactly <i>decide</i>. I stayed where I
+was, because I was too scared to move. I didn't even dare to climb higher
+for fear the animal would hear me and give a spring. I could even feel my
+teeth chattering.
+
+<br>
+<br>
+<br>
+<a name="9"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER IX
+<br>
+AWFUL STICKY</h3>
+</center>
+<br>
+
+<p>Now that it was too late, I could see that if I had only landed that meat
+inside the house, it would have been easy to get away. And the animal would
+have been a prisoner, too, because he could never have got out of that
+house. The windows were boarded on the inside and the door was good and
+heavy. But what was the good of thinking about that when it was too late?
+
+<p>I have to admit that for about half a minute I wasn't a good scout. I was
+just scared and excited and I didn't do anything. Then I saw the animal
+prowling around the tree and looking up and heard him making that noise.
+Oh boy, it was terrible!
+
+<p>Then, <i>bang,</i> just like that, I remembered about him wiping the leaf off
+his paw by rubbing it on his face. It was lucky for me he did that, because
+it put into my head something I had read, about the way the natives in
+India catch tigers. I read it in a natural history book. There's a kind of
+a tree in India named the prauss tree; anyway, its something like that. And
+it has big flat leaves.
+
+<p>So the natives spread gum on those leaves. They get the gum from the trees,
+too. Then they put the leaves in the path and when the tiger comes along he
+steps on them and rubs his paws over his face, so as to get the leaves off.
+But that only makes it worse for him, because they stick to his face and
+over his eyes and everywhere. He gets just plastered up with them. Then he
+gets excited-gee whiz, you can't blame him. And he rolls around on the
+ground and can't see and just rolls and rolls and bangs against trees and
+gets all played out and then he lies still just like a horse does when he
+falls down. And that's when the natives come and get him. And it's easy,
+too, because he can't see and all the fight is knocked out of him.
+
+<p>Oh boy, wasn't I glad I remembered that! I just tore out that box of fly
+paper and pulled the sheets apart and dropped them on the ground. Some of
+them fell upside down. I should worry. I tried to drop them so they'd fall
+around the foot of the tree and a lot of them did. More than half of them
+fell right side up. A couple of them stuck to the trunk, but I didn't care.
+Maybe that would be good, I thought. Believe me, in about ten seconds I had
+the ground around the tree covered with fly paper. He'd have to do a fancy
+two-step if he wanted to get between them.
+
+<p>All the while he was crouching and watching me with those two eyes that
+were just like fire. Pretty soon a sheet of fly paper drifted down right
+near him and he pawed it. Maybe he thought it was a chop, hey? It just
+caught his paw and he tried to wipe it off against his face. Good night!
+There he was with one of his eyes and the whole top of his head plastered
+flat. He looked as if he had been in a fight.
+
+<p>Then he came closer to the trunk, pawing at his head all the time and
+stepped, kerflop, right on another sheet-plunked his foot right down in
+the middle of it. Oh bibbie, then you should have seen him! He tried to
+rub it off against his head and it stuck there and then there was a circus.
+He rolled over on the ground and caught another sheet against his side. In
+another second he had one flopping on the end of his tail and he kept going
+around after it until pretty soon it got stuck to one of his legs.
+Jiminetty! But you should have heard him howl I bet he was mad clean
+through.
+
+<p>But safety first-oh boy! I dropped another one and it landed right on his
+nose; lucky shot. By now he was acting just like a cat having a fit and
+bowling like mad. I guess he couldn't see at all, because he went,
+kerplunk, up against a tree and then rolled away and went banging against
+the spring house. He had two sheets on his face and another one on his paw
+and the whole front of him was all mucked up with gum and the grass and
+dirt were sticking to him. Believe me, he was a sight. He didn't look much
+like a lord of the jungle; he looked more as if he was on his way home
+from the hospital.
+
+<p>You can talk about tanks and machine guns and poison gas and hand grenades,
+and all the other new fangled weapons, but tangle foot for mine; that's
+what <i>I</i> say. If the Allies had used tanglefoot, the war would have been
+over three years ago. And if they had spread it all along the banks of the
+Marne, the Germans would never have gotten across, that's one sure thing.
+
+<br>
+<br>
+<br>
+<a name="10"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER X
+<br>
+I MAKE A PROMISE</h3>
+</center>
+<br>
+
+<p>Honestly, inside of five minutes that wild animal was a wreck. Every time
+he tried to claw the paper from his head he howled, because it pulled his
+hair and hurt him. I don't say I was glad to sit up there and watch him,
+because there isn't much fun in seeing animals suffer. Maybe he wasn't
+suffering, but anyway, he was half crazy. But how about me? Safety first.
+
+<p>Pretty soon he kind of half rolled and half staggered over against the
+trunk of my tree and I knew he couldn't see at all. Then he lay there with
+his back up against it trying to rub the sheet off his back, and all the
+while he kept pawing his head and making it worse for himself. I guess
+even if he had gotten the paper off, he'd still be blind, because the gum
+would keep his eyes shut. By that time I knew I was safe, because he was
+even more helpless than he would have been if I had shot him and not killed
+him. It was mostly because he couldn't see, and that got him rattled, and
+you're no good when you're rattled. All I wanted was for him to get away
+from the tree so I wouldn't have to be too near him, and then I'd shinny
+down and hit the trail for camp.
+
+<p>But just then I had another thought. Maybe you won't believe me, but I felt
+sorry for that wild animal. I knew how <i>I'd</i> feel if I was in such a fix as
+that. If I had only had a pistol I would have shot him, but boy scouts
+don't carry pistols-only in crazy story books. We never shoot anything,
+except the chutes in Coney Island, and you can't call that cruelty to
+animals.
+
+<p>And if I just went off and left him there, maybe he'd stagger around in the
+woods and claw at himself and tear himself all to pieces and get all bloody
+and just die. That wouldn't be much fun, would it? As soon as I wasn't
+scared any more I felt sorry for him-that's the honest truth. I saw how he
+was beaten and I felt sorry for him. I knew he was really stronger than I
+was, and that it wasn't a fair fight. I don't care what he intended to do,
+it wasn't a fair fight. Even if I had shot him he might have looked brave
+and noble, kind of. But with all that stuff on him and the dirt and grass
+sticking to his fur, I just sort of felt as if nobody has a right to make
+an animal look like that.
+
+<p>So I took the rope and made a lasso knot in it and let myself down the
+trunk as far as I dared. I have to admit I was sort of scared, but you have
+to be decent when you win. You have to be, even if it's only a wild animal.
+
+<p>I tried two or three times to get the noose over his head, but I couldn't,
+because he wasn't still enough. But after a couple of minutes I managed it
+and then I tied the other end of the rope to the tree. After that I climbed
+away out to the end of the lowest branch and it bent down with me and I
+dropped to the ground.
+
+<p>First I thought I'd go over and touch him to see how he felt, but I just
+didn't dare to. I was scared of him even then. So I just started off along
+the path, going scout pace, and when I got a little way off so I <i>knew</i> I
+was safe, I looked back and said, "You stay where you are and don't get
+excited, and I'll fix it for you."
+
+<p>Because anyway, I hadn't done my good turn yet and it was pretty near dark.
+
+<br>
+<br>
+<br>
+<a name="11"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XI
+<br>
+SEEING IS BELIEVING</h3>
+</center>
+<br>
+
+<p>The fellows were just thinking about sending a couple of scouts to hunt for
+me when I went running pell-mell into camp, shouting that I had captured a
+leopard.
+
+<p>"A what?" Westy asked.
+
+<p>"A leopard," I shouted, "as sure as I stand here. Come and see for
+yourselves. He's tied by a rope; he's got fly paper all over him!"
+
+<p>"How many sodas did you have?" Harry Donnelle asked me.
+
+<p>I said, "That's all right, you just come and see."
+
+<p>"It's a leopard; you can see it for yourself." Harry said, "Sit down,
+Kiddo, and&mdash;rest and have a cup of coffee. Guess you fell asleep by the
+wayside, hey? Tell us all about your dream. Here's a plate of beans. Did
+you see any mermaids?"
+
+<p>"Never you mind about beans and mermaids," I told him; "one man told me
+already that they were cow tracks I saw. I guess he wouldn't want to go
+through what I've been through since then. The animal had five toes on
+his fore feet and four on his hind feet-that's a leopard, I'm pretty sure.
+Anyway, he's got spots. You come and see."
+
+<p>"You don't think it could have been a spotted calf, do you, Kid?" Harry
+said in that nice easy way he has of jollying. I don't know much about
+calves' toes, but I've eaten calves' feet.
+
+<p>Even after I had told them all about it, they all said I must have been
+seeing things and that probably the animal was a raccoon or maybe <i>possibly</i>
+a wildcat. Anyway, Harry Donnelle said they'd all go back with me to the
+place, because they thought maybe we'd get in trouble on account of
+plastering some honest, hard working calf with fly paper. But just the same
+he took his rifle, I noticed that. I carried the lantern.
+
+<p>All the way through the woods they were jollying me and calling me <i>Roy the
+Leopard Killer,</i> and Harry Donnelle said I must have been carried off on
+the magic carpet to India, just like the people in the Arabian Nights. All
+the while I didn't say anything and when we came to the tree and the spring
+house, I went ahead and saw that the animal was lying close to the tree, as
+if he were asleep. I guess he was all exhausted. The rope was fast around
+his body just behind his fore legs where it couldn't choke him and where he
+couldn't get free of it. He started up when I went near him, but didn't
+ seem to get excited.
+
+<p>I just held the lantern and said, "You see what a fine calf this is. He
+ought to win a prize at the County Fair. He's disguised as a leopard, but
+he can't fool us&mdash;I mean you fellows. You can bet boy scouts know a calf
+when they see one."
+
+<p>They just stood there about fifteen or twenty feet off, staring. Even Harry
+Donnelle stood stark still, staring. "What's the matter?" I said.
+
+<p>"Are you afraid of a poor calf? Come down in the front row; I won't let him
+hurt you." Then Harry came nearer, but the other fellows stood over near
+the spring house, so they could scoot inside, I suppose. The Safety First
+Patrol!
+
+<p>Harry Donnelle just looked and then he said, "By&mdash;the&mdash;great&mdash;horn&mdash;spoon!
+It's a <i>leopard.</i>"
+
+<p>"I thought maybe it was a nanny goat," I said.
+
+<p>He just shook his head and looked at the animal all over and said, "Jumping
+Christopher! That's a <i>leopard,</i> as sure as you live."
+
+<p>"Well, if you insist," I said.
+
+<p>"I never heard of a leopard on the North American Continent," he said,
+shaking his head-.
+
+<p>"I guess he swam over, hey?" I said.
+
+<p>"Jingoes, I hate to shoot him," he said.
+
+<p>By now all the bold, brave, heroic Silver Foxes began coming closer to get
+a good pike at the leopard. Every time the animal stirred, they'd back away
+again. Once the leopard stood up and pulled against the rope and rubbed his
+paw over his face, and gee whiz, you should have seen that bunch scatter.
+Dorry Benton went scooting into the well house.
+
+<p>But pretty soon they all saw that there wasn't any fight left in that wild
+beast. He wasn't suffering, but he was blind and all exhausted. Even still
+none of us exactly liked to touch him and we didn't get too near; even I
+didn't, I have to admit it.
+
+<p>Harry Donnelle held the lantern over toward the animal and looked at him
+ever so long, as if he just couldn't believe his eyes. "He's a magnificent
+specimen," he said; "I'd give a good deal to know how he happened in these
+parts."
+
+<p>"Oh," I said, "the woods are full of them, they were prowling all around
+here when I came through. One of them was about twice as big as that." Oh
+boy, you should have seen those fellows look around through the woods. Will
+Dawson went into the spring house to get a drink of water; he was thirsty
+all of a sudden.
+
+<p>All the while Harry Donnelle was kind of pondering and then he said, "A
+couple of you kids go into the village and get a wheelbarrow or a cart or
+something. I don't think this fellow is in pain; I'm going to take him
+alive. I can't put a bullet into him. I never saw such a magnificent
+specimen."
+
+<p>"Suppose we should meet some more," Hunt Manners said, just as he and Westy
+were starting along the path.
+
+<p>"Take some fly paper with you," I said, "and think of your brave patrol
+leader."
+
+<p>"You won't meet any more," Harry Donnelle said; "this fellow must have
+strayed down out of the mountains. There is a species of leopard found in
+America, but I never knew they grew to such a size as this, or had spots
+either. Trot along and get back as soon as you can."
+
+<p>While the two fellows were gone, Harry tied
+the leopard's fore feet and then his hind feet together with rope. He wound
+it around good and plenty and tied it fast, you can bet, and then we just
+sat around waiting.
+
+<p>Pretty soon along came the whole village, postmaster and all, and Hunt and
+Westy with a wheelbarrow. Some escort! You'd think Westy and Hunt were
+General Pershing getting home from France. I should think they would have
+been afraid someone would steal the village while they were gone. Because
+you know yourself that there are lots of robberies and hold-ups and thefts
+and things since the war.
+
+<br>
+<br>
+<br>
+<a name="12"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XII
+<br>
+MARSHAL FOCH</h3>
+</center>
+<br>
+
+<p>I was sitting up on a branch of a tree when they came along and I heard the
+postmaster saying that Cy Berry had lost his heifer and he guessed maybe
+now it was found.
+
+<p>I shouted, "You have one more guess. I think the leopard ate his heifer; he
+was terribly hungry."
+
+<p>Well, you should have heard them as soon as they had a look at the animal.
+One of them said, "I haint seed no leo-pods around these parts&mdash;<i>neverrr</i>.
+And I been livin' here nigh on to forty year."
+
+<p>Harry Donnelle said, "Well, the animal is a leopard just the same. Either
+you've been staying home most of the time or else he has." I had to laugh,
+it was so funny the way he said it. Another one said, "There be'nt no
+leopards in the Catskills, that's sartin."
+
+<p>"Well, maybe he was just spending the summer here then," Harry said; "but
+here he is, anyway, and I'd like to get him away from here."
+
+<p>"Yer be'nt goin' ter try to keep him, be yer?" the man asked.
+
+<p>Harry said, "Yes, I'm just that reckless. I think he's worth more alive
+than dead, if I can spruce him up a bit."
+
+<p>"Ye'll get yer hand bit off," one of the men said.
+
+<p>Then Harry said that all he wanted was a place to put the animal till
+morning, and he'd see if he couldn't get some kind of medicine to dope him
+with, while he tried to get the fly paper off. I guess they didn't like the
+idea very much, but one of the men whose name was Hasbrook, said we could
+put the leopard in his barn till morning if we wanted to. So they got him
+into the wheelbarrow and it wasn't hard doing it on account of his legs
+being tied. Then we all started back to the village.
+
+<p>While we were going along Harry said, "I've often heard of a man having an
+elephant on his hands, but never a leopard. Maybe we'll have to shoot him,
+but I just hate to do it. I have an idea that gasoline will melt that
+stuff, only we'll have to be careful about his eyes. I'd try it to-night,
+only I'm afraid to use the gasoline near a lamp. I'm going to send a line
+to the Historical Museum people though, tonight, and one of you kids can
+drop it at the office. I daresay there's a train out of this burg in a
+few days."
+
+<p>I just couldn't help saying to him, "I'll be glad if you don't shoot him-I
+will."
+
+<p>He laughed and gave me a rap on the head and said, "You see I know what it
+is to be shot, Kiddo. I was shot twice in France. Maybe I'm not much use,
+but I'd be less use if I was shot, wouldn't I? Nobody's much good after
+they're shot. Ever think of that?"
+
+<p>"Maybe I didn't," I said, "but anyway, I know you're right. I guess you're
+always right. Anyway, I think the same as you do."
+
+<p>"Shooting is no fun," he said; "don't shoot till you have to. What do you
+say?"
+
+<p>I said, "You're right, that's one sure thing and I'm glad I met you, you
+bet." And you bet I was glad, because he was one fine fellow. Maybe he was
+kind of wild sort of, but he was one fine fellow. Mr. Ellsworth said so,
+and he ought to know.
+
+<p>When we came into the village, there was a
+Fraud car standing in front of a house and a man just getting out of it.
+
+<p>"Whatcher got thar, Cy?" he called.
+
+<p>"A leo-pod," Cy called back, "an honest ter goodness leo-pod."
+
+<p>"Who's them fellers? The posse?" the man asked.
+
+<p>"What posse?" Cy called.
+
+<p>"I thought mebbe you'd caught up with that beast from Costello's. That you,
+Hiram? Taint no reg'lar leo-pod is it?"
+
+<p>"Reg'lar as church goin'; look on 'em yourself."
+
+<p>Harry Donnelle just stood there smiling. Then he said, "Have a look; it
+won't cost you a cent."
+
+<p>After the man had looked and Harry had told him all about it, he hauled out
+of his overalls a newspaper and said, "Lookee here."
+
+<p>We all crowded around him and Harry held the lantern so we could see the
+paper.
+
+<p>"Jest fetched it from Kingston," the man said.
+
+<p>Then Harry began reading out loud. This is what he read, because I pasted
+that article in our hike record book:
+
+<center>
+<h3>
+
+ WILD ANIMAL AT LARGE
+<br>
+ INFURIATED LEOPARD ESCAPES FROM VISITING
+<br>
+ CIRCUS-ARMED POSSE SEARCHING WOODS
+</h3>
+</center>
+
+<blockquote class="small">
+ <p>While transferring one of the leopards from a cage to a parade
+ wagon at Costello's Circus yesterday, the animal becoming
+ frightened at the sudden striking up of the brass band, forced
+ his way between the two barred enclosures and made its escape
+ from the circus grounds.
+
+ <p>An attempt to shoot it as it crouched beneath a Roman chariot
+ in panic fright was unsuccessful, and before its keeper was
+ joined by others with revolvers, the animal had sped through
+ the adjacent fields, frightening some boys who were playing
+ ball, and was last seen at the foot of Merritt's hill, near
+ the west turnpike road. It is supposed that the animal entered
+ the woods and made for the mountains where a party of circus
+ attaches and volunteer citizens, fully armed, hope to
+ encounter and destroy it.
+
+ <p>No serious damage was done by the animal, except the tearing
+ of a tent which had not yet been raised, as it tore at a rope
+ in which its leg became entangled.
+
+ <p>When seen this morning Mr. Rinaldo Costello, owner of the
+ circus, said that no fear need be entertained by citizens, as
+ the animal would undoubtedly avoid human haunts. He added that
+ little hope is entertained of catching the beast alive, as
+ these animals are always taken when cubs, and when grown,
+ fight to the death all efforts to capture them. The escaped
+ animal, a magnificent specimen of the leopard family, was
+ imported by Mr. Costello at a cost of more than six thousand
+ dollars. In captivity it was said to be comparatively docile.
+ The leopard is distinctive among animals of the cat family, in
+ having five toes on its fore paws and four on its hind paws,
+ this being its unique characteristic. It is said that few full
+ grown leopards have ever been captured by man, and their value
+ is hence greater than that of all other animals save the
+ giraffe, which is said to be all but extinct. This leopard was
+ known as Marshall Foch, and was a favorite with all the circus
+ people.
+</blockquote>
+
+<br>
+<br>
+<br>
+<a name="13"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XIII
+<br>
+AROUND THE CAMP-FIRE</h3>
+</center>
+<br>
+
+<p>As soon as we got the leopard into Mr. Hasbrook's barn, we made a hay bed
+in one of the stalls and laid him there. I felt awful sorry for him now
+that I knew about his history. And I wished that he had never come near me,
+but got away into the mountains. Harry Donnelle held the lantern into the
+stall and he looked so helpless lying there, with his feet tied together
+and grass and dirt all over him and the fly paper on his face, that I kind
+of blamed myself. Anyway, I was glad that his people liked him and missed
+him.
+
+<p>Maybe he'd be glad to get back, hey?
+
+<p>Harry said, "Good night, Marshal Foch, and good luck to you. Just have a
+little patience."
+
+<p>He was awfully nice, Harry was. That was just the way he talked.
+
+<p>Before we went into the house he said, "Suppose three or four of you kids
+go back and bring our stuff here and we'll camp right here on the spot
+till we get through with this business." So the Warner twins and Will
+Dawson went back by the road and the rest of us went in the house with
+Harry and Mr. Hasbrook.
+
+<p>When we got in the parlor, Harry looked over the paper and found a big ad.
+This is how it read:
+
+<center>
+<h3>
+ COSTELLO'S MAMMOTH SHOW!
+<br>
+ THREE DAYS IN KINGSTON.
+<br>
+<br>
+ BEASTS OF THE JUNGLE.
+<br>
+ WORLD'S CONGRESS OF FREAKS.
+<br>
+ DARING ACROBATS.
+<br>
+<br>
+ JIB JAB, THE WORLD'S MYSTERY.
+<br>
+ SEE HIM!
+<br>
+ IS HE HUMAN?
+<br>
+ GRAND STREET PARADE TO-MORROW.
+<br>
+ AT THREE P. M. SEE THE ELEPHANTS.
+<br>
+ FREE! FREE! FREE!
+<br>
+<br>
+ TWO PERFORMANCES DAILY.
+<br>
+ COME!
+<br>
+<br>
+ GRANDEST COMBINATION OF WONDERS
+<br>
+ EVER GATHERED UNDER CANVAS.
+<br>
+ SUPERB SPECTACLE
+<br>
+<br>
+ GORGEOUS! STUPEFYING!
+<br>
+ ASTOUNDING!
+</h3>
+</center>
+
+<p>Harry Donnelle said, "I rather like Mr. Costello already; he's so modest.
+I bet he's one of those quiet, retiring little <i>'after you, please'</i> men
+that blushes when you speak to him. We'll just drop him a line and one of
+you kids can hike it over to Saugerties and catch an early train down to
+Kingston and hand it to him."
+
+<p>I said, "I'll go."
+
+<p>But he said, "No, you've had adventures enough and if they ever get you in
+a circus they'll keep you there in the <i>congress of freaks</i>." So it was
+decided that Dorry Benton would go.
+
+<p>While we were waiting for the fellows to come back with our stuff, Harry
+wrote the letter and this is what he said. It's copied word for word out
+of our hike record:
+
+<blockquote class="small">
+
+ <p class="noindent">Mr. Rinaldo Costello, Proprietor,<br>
+ Costello's Mammoth Show.<br>
+ Kingston, N. Y.<br>
+ <br>
+ Dear Sir:
+
+ <p>This is to inform you that your leopard, Marshall Foch, has
+ been captured by a boy scout and is alive and well, save that
+ he is suffering from nervous shock and requires to have his
+ face washed.
+
+ <p>You may call in your armed posse. You are greatly mistaken in
+ supposing that leopards may not be captured alive. It requires
+ only the proper apparatus.
+
+ <p>The bearer of this letter will give you any further information
+ which you may require, and we shall be glad to see you here, as
+ soon as it may be convenient for you to call.
+
+ <p class="ind10">Respectfully,
+ <p class="noindent"><span class="ind15">HARRY C. DONNELLE,</span>
+
+ <p class="noindent"><span class="ind15">In charge of Boy Scouts en route.</span><br>
+ <span class="ind15">Silver Fox Patrol, Bridgeboro,</span><br>
+ <span class="ind15">New Jersey. Stopping on farm</span><br>
+ <span class="ind15">of Mr. Silas Hasbrook, Bently</span><br>
+ <span class="ind15">Centre, N. Y.</span>
+</blockquote>
+
+<p>After a little while the fellows came back with our stuff and we put up
+our tent between a couple of trees in Mr. Hasbrook's orchard. He said we
+could camp in the house if we wanted, but how can anybody camp in a house,
+I'd like to know? You might as well talk about going swimming in a bath
+tub. No siree, the orchard for us. Mr. Hasbrook said we could eat all the
+apples we wanted to, but we didn't eat many. I ate five-that isn't very
+many.
+
+<p>We gathered some sticks and started a campfire and I made coffee and
+flapjacks and scrambled eggs with egg powder. Mr. Hasbrook's daughter
+brought us out some pie and <i>um, um,</i> wasn't it good! Oh boy, it was nice
+sprawling around there. But anyway, we turned in early&mdash;one o'clock in the
+morning is early. You couldn't turn in much earlier or it would be the
+night before. I guess we wouldn't have turned in then, except that Dorry
+had to roll out at about six, so as to catch the train down to Kingston.
+
+<p>Harry Donnelle said, "I suppose Mr. Rinaldo Costello will send a mammoth,
+astounding, bewildering, astonishing, amazing, stupefying, extraordinary,
+remarkable, dazzling, baffling, cavalcade after Marshal Foch, as soon as
+he gets our staggering, unbelievable, incredible letter."
+
+<p>We were all of us just sprawling around the fire and Harry was sitting on
+a little three legged milking stool and kind of guying Costello's mammoth
+show, in that funny way he had, and saying that Mr. Costello would
+probably say I was a matchless, intrepid, dauntless, fearless hero and
+adventurer, when all of a sudden that word adventurer put a thought into
+my head.
+
+<p>I said, "When it comes to being a dauntless, fearless adventurer, I guess
+nobody has anything on you, that's one thing sure."
+
+<p>"Oh, I've had a few games of basketball," he said.
+
+<p>"I bet you've been to lots of places," I told him.
+
+<p>He said, "Well, I've attended one or two pink teas and strawberry
+festivals. Once I was usher at a concert in an Old Ladies' Home. The
+wildest time I ever had was umpiring a game of checkers."
+
+<p>"You didn't win that Distinguished Service Cross umpiring a game of
+checkers," Westy said.
+
+<p>"No, I won that playing hide and seek with Fritzie in No Man's Land," he
+said. "Chuck a little more wood on the fire, Roy."
+
+<p>I said, "There's one thing you never told me about, and you promised to
+tell it, too. It's an adventure, but it's a kind of a mystery, too."
+
+<p>"Well," he said, "adventures aren't so much, but I'll have to make an extra
+charge for mysteries. The high cost of mysteries is something terrible. I
+don't know what the mystery may be, but if you'll go in the house and get
+my cigarette case out of the pocket of my coat that's hanging in the
+sitting room, I'll let you have any mystery I happen to have in stock at
+the wholesale price."
+
+<p>Oh bibbie, didn't I scoot in after that cigarette case. He was always
+smoking cigarettes, that fellow. He told us never to do it, but he was
+always doing it himself. He said he was too old to reform.
+
+<p>When I came back I said. "It's about that money of yours-that two hundred
+dollars that we found in the locker of the house-boat. It made a lot of
+trouble in Temple Camp, that's one sure thing. Don't you remember how you
+said that you'd tell me all a'bout how you got it, some day?"
+
+<p>He said, "Oh that; that wasn't an adventure; that was just an episode."
+
+<p>"I know what episodes are all right," I told him; "didn't my father have a
+couple of them. If there's a narrow escape, that's a sign it's not an
+episode; it's an adventure. You can have episodes any day.
+
+<p>"Well, there wasn't a very narrow escape to that one, anyhow," he said,
+laughing all the while; "it was about six feet wide, I guess. But here
+goes, if you want it. Gather closer around the fire, because this
+adventure is mighty wet."
+
+<p>"That's a sure sign it's an adventure," I told him, "because how can an
+episode get wet?"
+
+<p>"I guess you're right," he said; "it might get a little damp, but not
+really wet. Anyway, do you think you can keep still for about ten minutes?"
+
+<br>
+<br>
+<br>
+<a name="14"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XIV
+<br>
+BUT I DIDN'T WRITE IT</h3>
+</center>
+<br>
+
+<p>The reason I said that about the two hundred dollars causing a lot of
+trouble at Temple Camp, was, because a little fellow there named Skinny
+McCord (you'll see him after a while) was suspected of stealing it. A lot
+of fellows thought he took it from a fellow while he was saving the fellow
+from drowning and then hid it in the house-boat. They thought <i>that</i> just
+because he went to the house-boat, and because they found out that he had
+a key to the locker. But all the while that money belonged to Harry
+Donnelle and he came up to Temple Camp and claimed it, after I wrote and
+told him all about Skinny. That's how he happened to visit Temple Camp
+and you can bet I'm glad he did. Anyway, that's all part of another story,
+and maybe you read it.
+
+<p>Now part of the story that Harry Donnelle told us, I knew already, but the
+other fellows didn't, because I never told them how I had met him before.
+So this is the story just the way he told it to us that night, because
+afterward I got him to write it out for our hike record. And the reason I
+put it in here is, because it has something to do with the story that comes
+after this. So here it is, and oh boy, didn't we listen as we sat around
+that camp-fire in Mr. Hasbrook's orchard. That's where stories are
+best-around the campfire.
+<br>
+<center>
+<br>
+ HARRY DONNELLE'S YARN
+</center>
+<br>
+<p>Well, messmates, when my father told you that you could have the old
+house-boat for the summer, you never knew he had a son in the army, now,
+did you? But just the same, little Harry was trotting around in Camp Dix,
+all dolled up in his lieutenant's uniform, waiting to be mustered out.
+Little Harry had just come home from France where he had been mixed up in
+the big&mdash;<i>episode</i>.
+
+<p>One fine day I said to myself, "While I'm waiting here, I guess I'll go
+home." So I got a short leave and the next that was seen of me I was
+stepping off the train in Bridgeboro. That was early in the morning; the
+dawn was just breaking. Pretty soon it broke. Just as it was all broken I
+saw Jake Holden, the fisherman, standing near the milk train. You'll see
+that this is a fish story. It is a fishing <i>episode</i>.
+
+<p>That man persuaded me to go fishing with him. I knew that if I went home
+I'd have to meet all my sister's friends and maybe drink tea and play
+tennis. So I decided to go fishing with Jake. I thought I'd be safer. I
+was a coward. I was <i>afraid</i> to go home and drink tea and play tennis.
+
+<p>So I went up to the old house-boat where the governor had it tied up in
+the creek near home.
+
+<p>The scene was dark and gloomy. It was early in the morning. Even the swamp
+grass wasn't up; it was all trampled down. Not a sound could be
+heard-except the milkman rattling bottles up near the house.
+
+<p>I crept into the house-boat, took off my uniform, put it into a locker that
+I had the key of and togged myself out in a set of old rags which I found
+there. Many were the times I had fished in those rags. I don't know how
+long I stayed in the house-boat. Jake was to come through the creek in his
+motor boat and I was to meet him. But I was foiled&mdash;foiled by the Boy
+Scouts. I heard voices in the distance and pretty soon I recognized my
+father's voice and the voice of Skeezeks Blakeley and the uproarious clamor
+and frantic utterances of Pee-wee Harris. I can hear it now, it haunts me
+night and day.
+
+<p>I didn't wait to meet those unexpected guests.
+
+<p>I didn't know that the house-boat was to become their's on an extended
+loan. I sneaked out and beat it through the marsh grass for all I was
+worth.
+
+<center>
+<br>
+ I love, I love, I love my home,
+<br>
+ But, oh, you yellow perch!
+<br>
+</center>
+
+<p>So now you know of my miraculous escape from the boy scouts and the awful
+peril I averted of drinking tea and playing tennis. I am now approaching
+the darkest scenes of that frightful adventure.
+
+<p>After my escape from the boy scouts and my honored parent, I went fishing
+off the bleak and barren coast of Coney Island. I was swept by ocean
+breezes and the smoke from Jake Holden's pipe. In the distance we beheld
+the wild and rugged scenery of Luna Park. I caught some perch, some bass,
+a couple of crabs, an eel, two blue fish and a bad cold. We landed at the
+iron pier and sold our catch to a man who keeps a restaurant and serves
+shore dinners.
+
+<p>Then we went forth again. The wind was starting to blow a gale and the
+smoke from Jake Holden's pipe enveloped me like a fog. The sky grew dark.
+Jake wanted to lift anchor and go ashore, but I said, "No, let's stay out,
+because the fish are biting."
+
+<p>What happened next was my fault, not his. We stayed out there fishing in a
+blinding gale, the sea coming in in great rollers. Pretty soon the Luna
+Park tower was 'way around the corner. Either they had moved it or else
+our anchor was dragging.
+
+<p>"Jake," I said, "we're tearing the bottom of the ocean all to pieces; it's
+a shame. We'll be off Rockaway in about ten minutes, if this keeps up."
+
+<p>"The boat'll be all tore to pieces, you mean," he said, "and <i>we'll</i> be in
+the bottom of the ocean if this keeps up. We're shipping water by the
+bucketful. Let's get out of this."
+
+<p>So we hauled in the anchor and tried to get our power started, but it was
+too late. Our plug was short circuiting, the coil was gone plumb crazy,
+and most of the Atlantic Ocean seemed to be in the carburetor. The rest of
+it was on the floor. Besides all this, the pump was on a strike-shorter
+hours, I suppose.
+
+<p>Kids, we were in one dickens of a fix. It was late afternoon and there we
+were blowing around the ocean, bailing to keep on top, and with the land
+moving farther and farther away all the time. By dusk the shore was just a
+misty line, that was all. Every wave that hit us, meant bailing like mad
+to keep our gunwale above water. We took off the muffler and used it to
+bail with.
+
+<p>A dozen times we lighted our lantern and a dozen times the wind or the sea
+put it out. It was water soaked, useless. I said, "Jake, it's all up with
+us," and he said he guessed it was.
+
+<p>Boys, I've gone forty-eight hours without sleeping, in France. I've gone
+three days without food. I've seen a shell burst into smithereens ten feet
+from me. But I'd rather go through all that again, I'd rather play tennis
+and drink tea, even, than to go through another night like that. All night
+we couldn't so much as see each other's faces. Our arms were stiff. We
+just bailed, bailed, bailed and kept her from swamping.
+
+<p>In the morning the weather eased up a little and if we had only had her
+running, she would have taken the seas all right. She's a filthy little
+boat, but game. But an engine is never game; it's always the boat that's
+game. A gas engine is a natural born coward and a quitter. A hull will
+fight to the last. If our engine hadn't lain down, we could have hit the
+sea crossways and we'd have skimmed over it like a car on a scenic
+railway, but the swell got us sideways and we swung like a hammock.
+
+<p>Anyhow, we could ease up a little on the bailing and before the sun was
+well up, we were able to use the oar. We had only one, because the other
+one was carried away. But we managed to keep that little jitney head-on,
+and pretty soon we knew it wasn't a case of drowning, but more likely a
+case of starving. There wasn't a speck of land in sight. We might have
+been half way to Europe for all <i>I</i> knew.
+
+<p>Well, after a while Jake said, "What's that? Looks like a log floating."
+
+<p>It didn't look like anything much, but it wasn't the ocean, that was sure,
+and we tried to make it with our oar. The thing was drifting in on us, so
+we didn't have to do all the work-just get in its path. We could slacken
+our own drifting with the oar, so pretty soon we were alongside it and saw
+it was a swamped life boat. There was one man floating around in it-dead.
+That two hundred dollars belonged-or rather was in his pocket. There were
+some other things in his pockets too; some things that started me guessing.
+
+<p>I think you kids had better tarn in now; it's getting late.
+
+<br>
+<br>
+<br>
+<a name="15"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XV
+<br>
+NO! NO! NO! GO ON! GO ON!</h3>
+</center>
+<br>
+
+<p>All right, there isn't much more. We had no guess how long the man had
+been in the boat or whether he had starved or what. He might have been
+dead several days, I thought. The life boat was awash. There was the name
+of some ship or other on the bows, but the boat had been painted since the
+name was printed there, and all I could make out was a few indistinct
+letters under the fresh paint. I made out an L, then DY, then NNE. I have
+a hunch the name was <i>Lady Anne,</i> but maybe not.
+
+<p>The man must have been a pretty rough character from all I could judge; a
+sailor, I daresay. It was out of the question rescuing the body. Every
+ounce of weight in our own boat made it worse for us, and we couldn't have
+hauled it over the side without danger. So we did the next best thing and
+that was to go through his pockets in the hope of finding something to
+identify him.
+
+<p>You getting sleepy? No? Well, we found a weather wallet on him. Know what
+that is? It's a pocket-book made of rubber. You can see them in ship
+supply stores all along South street in New York. In there he had two
+hundred and seven dollars and a letter. The writing was all smeared and
+some of it I couldn't read at all. I couldn't make out the address, out
+I <i>think</i> it was signed "Father."
+
+<p>That was no place to be doping things out, with the seas rolling us
+goodness knows where, so I just stuffed the money in my trouser pocket,
+because it made too big a wad to go in my wallet. But I dried the letter
+as best I could and put it away in this little case I always carry. Here's
+the case and here's the letter now. And I suppose that if there's any
+mystery, as you call it, why this is <i>it</i>.
+
+<p>Now just wait and don't get excited and you'll see the letter. Just let me
+finish. We pushed off from the life boat and I think it must have sunk
+soon afterward. The sea got pretty calm after a while and late that
+afternoon we were picked up by a schooner and set ashore.
+
+<p>Jake and I agreed to say nothing about our discovery; I'll tell you the
+reason in a minute. He forgot and blurted out something about our finding
+a life boat and it got into the newspapers, but no harm was done, because
+after our rescue we gave the names of Mike Corby and Dan McCann and after
+we had started home, no one knew who to hunt for, even if they wanted to.
+
+<p>But the principal reason we gave false names was, because my leave from
+camp was already up and I didn't want anybody, my own folks especially, to
+know that I had sidestepped home and mother to go off on a crazy fishing
+trip. Get me? Jake went home and I haven't seen him since.
+
+<p>I hustled to Bridgeboro by train, sneaked over to Little Valley in a big
+hurry to change my duds and-the house-boat was gone. The boy scouts had
+carried away my uniform and Lieutenant Donnelle was a ragged outcast, a
+couple of days overdue at camp.
+
+<p>How to get my uniform, that was the question. The boy scouts had done me a
+bad turn. I traced the fugitive house-boat to St. George, Staten Island. I
+lurked near shore till dark, and when a party of you kids came ashore and
+one of you mentioned to another that a certain Roy had remained on board,
+I said, "Here is my chance." I rowed over, made his acquaintance, took him
+into my confidence, obtained his promise of silence, and changed my
+clothes. I found him a bully little scout. The old rags which went by the
+name of trousers I put into the locker, forgetting in my hurry, to take
+the two hundred and seven dollars.
+
+<p>After fastening the locker I took some change out of my uniform to reward
+our young friend, but he spurned my offer. I must have dropped the locker
+key when I pulled the change out of my pocket. As you all know, little
+Skinny found it and got himself suspected of hiding the money in the
+locker. So much for that. I returned to camp and got slapped on the wrist
+for being late.
+
+<p>But the letter which I had taken from that dead man I had with me, and
+here it is now. When I visited Temple Camp upon the urgent plea of my old
+pal Skeezeks, I claimed the two hundred and seven dollars, but it was not
+mine.
+
+<p><i>It wasn't the dead man's either.</i>
+
+<p>Now listen to this water soaked letter, or as
+much of it as I can make out:
+
+<blockquote><blockquote><blockquote>
+
+ &mdash;hundred dol&mdash;is a good deal of money.&mdash;
+<br> to&mdash;be careful.&mdash;such places&mdash;are likely
+<br> &mdash;get robbed.
+<br>
+<br> thought you&mdash;glad&mdash;get the ring.&mdash;wear
+<br> &mdash;on second finger of left hand&mdash;war.&mdash;
+<br> these fifty years. &mdash;real cameo-heado&mdash;
+<br> Lincoln.&mdash;getting along&mdash;to&mdash;make two
+<br> ends meet&mdash;to each one who left our village
+<br> ----------------------------
+</blockquote></blockquote></blockquote>
+
+
+<p>There is quite a lot more, but I can't make it out.
+
+<p>Well, kids, I've studied that letter like a spelling lesson and this is
+what I make out of it. I can kind of see a picture of an old fellow that
+fought in the Civil War. I don't know who he is or where he is. But I can
+see him in an old faded blue uniform. I kind of like him. Look in the
+fire, everyone of you, and keep your eyes fixed on the blaze. See him? I
+do. I can see him just as plain&mdash;poor old codger. Funny thing, a campfire,
+isn't it? I can see him better now than I could before. He's got white
+hair and he's writing a letter to that kid of his in France and telling
+him to be careful of that money. He's having a hard time trying to make
+two ends meet. Poor old fellow, he's warning that son of his about places
+in France where soldiers get robbed. I've seen some of those places,
+sailors' hang-outs, in Brest, and I can back him up there.
+
+<p>I have a kind of hunch that the old fellow-put some more wood on, Roy-I
+have a kind of a hunch that he sent the kid a ring, a cameo ring,
+with the head of President Lincoln on it. I can see old honest Abe
+now&mdash;right there where the new sticks are blazing up. Huh? Maybe it's only
+a crazy notion; what do you say? But I've doped out a kind of a notion
+that that old fellow got the ring when he started off to war; that somebody
+or other presented one to each fellow; that left the village. I'd give a
+doughnut to know where that village is.
+
+<p>Anyway, the old man wore it on the second finger of his left hand and I
+kind of think he wanted that kid of his to do the same&mdash;over there in the
+trenches.
+
+<p>Maybe I'm just a sort of a day dreamer, but that's the picture I've had in
+my mind ever since I was fishing with Jake Holden. And it seems to all fit
+together now when I look right there in that blaze. Pretty good camp-fire
+yarn, hey? Not so worse? Just look into the fire yourselves and think
+about that letter. Nothing but a kind of fancy, hey? Faces in the blaze
+and all that sort of stuff. Never saw me get sentimental before, did
+you&mdash;Skeezeks?
+
+<p>The funny part of the whole thing is that the man we saw in the boat
+<i>didn't have any second finger on his left hand.</i> It couldn't have been
+his finger the writer of the letter meant.
+
+<br>
+<br>
+<br>
+<a name="16"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XVI
+<br>
+THE MYSTERY</h3>
+</center>
+<br>
+
+<p>Gee whiz, I didn't even know that he had stopped talking. I was just
+looking into the blaze and I could see the whole thing right there. Maybe
+it wasn't true at all, but anyway, I could see it. Especially I could see
+the old man. That's just the way it is with camp-fires.
+
+<p>Then, all of a sudden Harry Donnelle poked up the fire and began to laugh.
+"Funny, hey?" he said.
+
+<p>I said, "Do you think the dead man in the boat stole the money and the
+letter?"
+
+<p>"The letter happened to be with the money," Harry said; "I don't know that
+I think anything in particular. But how did a sailor with the second finger
+of his left hand gone, happen to have a letter asking him to wear a ring on
+that finger. How about the soldier who is warned against going where he
+will get robbed? Maybe he went, after all, and got robbed. We might start a
+search for a soldier who happens to have a second finger on his left hand.
+But then, quite a few soldiers enjoy that distinction. So there we are-up a
+tree. But here is a sailor with two hundred odd dollars and a letter
+referring to two hundred dollars. There is something about him wearing a
+ring on a certain finger and he doesn't happen to have that finger. Funny."
+
+<p>Well then, here's a query-as long as queries don't cost anything. Might not
+the sailor have robbed the soldier of his two hundred and odd dollars? And
+just neglected to destroy the letter that was with it? You see, kids, I
+just ran plunk into the middle of the thing and I'd like to get hold of one
+end or the other. Somebody or other got a ring when he went away to war
+fifty years ago. He lived in a village. Who was he? Whoever he is, he's
+having a hard job making two ends meet. If I could find him I think I'd
+turn over this money to him. Now at the other end of the line, somewhere,
+is a fellow that ran chances of being robbed-reckless, like your Uncle
+Dudley. He's got a ring with President Lincoln's face cut on it&mdash;a cameo.
+I'd like to find <i>him</i>. But you see I haven't any way of finding either
+of them. The only thing I'm sure about is that the dead sailor couldn't
+have worn the ring. His finger had been gone many years, that's sure. So
+what are we going to do about it? I guess we'll go to bed. But that isn't
+getting us anywhere, is it?
+
+<p>Funny, hey? Kind of a mystery after all-Skeezeks.
+
+<p>I guess every one of us lay awake thinking about it that night. Anyway, I
+know I did. And most all the time till the day we got home, we kept talking
+about it. Harry Donnelle would always laugh and say maybe there wasn't
+anything to it at all and that if he knew who the sailor was, he'd go and
+give the money to his people-probably.
+
+<p>He said he guessed the camp-fire up at Temple Camp was what started him
+seeing pictures. But always he would say how it was funny that a man
+without his second finger should have that letter on him. But he said that
+as long as there wasn't any finger, it couldn't point anywheres, and we
+should worry.
+
+<p>But just the same all the way home, whenever we started a camp-fire, we'd
+look into it and kind of see an old soldier with white hair and a blue
+coat and then we'd see a young fellow, wearing khaki, and a ring with
+Lincoln's head cut on it.
+
+<p>In the fire we made near Orange Lake just before we hit Newburgh, we saw a
+soldier in a kind of a restaurant where there were a lot of sailors and we
+saw them take something away from him. But that's always the way it is with
+camp-fires. Mostly we saw the old soldier.
+
+<p>Harry Donnelle always laughed about it and said the camp-fire was a regular
+art gallery and he guessed he'd give that unlucky two hundred dollars to an
+orphan asylum, or to the widows and orphans of the poor garage keepers or
+to the destitute Standard Oil Company. So it got to be a kind of a joke,
+and that's the way it was till the whole thing was solved. And I'm going to
+tell you all about it, too, but I can't bother now, because I have to tell
+you about our hike and the crazy thing that happened next day.
+
+<br>
+<br>
+<br>
+<a name="17"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XVII
+<br>
+APPALLING! WONDERFUL! MAGNIFICENT!</h3>
+</center>
+<br>
+
+<p>Anyway, there was one person we never saw in the camp-fire blaze and that
+was Mr. Costello. If we had, we wouldn't have seen the blaze. He was so big
+that he would have filled the whole fire. Harry Donnelle said he could even
+have blown a camp-fire out if he wanted to-even the big one at Temple Camp.
+
+<p>I wasn't awake when Dorry started for Kingston in the morning, so I didn't
+hear him go. But I knew when he came back all right. If I hadn't known it,
+it would have been because I was dead.
+
+<p>He got back before noon and the first I saw of him he was sitting on a big,
+high fancy seat of a cage wagon, wedged in alongside a great big man with a
+high hat on and a cutaway coat and a red Vest. The big man was driving and
+the two horses had sleigh bells on them and fancy harness and they made an
+awful racket. They were dandy white horses, though. Dorry looked awful
+scared and little alongside the big man. The cage wagon was all gold color
+and fancy on the top and the wheels looked like Fourth of July pinwheels.
+
+<p>Harry said, "Mr. Costello doesn't exactly look as if he had sneaked off,
+does he? He's not ashamed to be seen. What's that, a searchlight?"
+
+<p>I said, "No, it's a diamond; he's got diamonds all over him. Somebody must
+have sprinkled him with diamonds before he started. He had them everywhere
+except on his feet. He had a big long whip in his hand, too. There was a
+man in the cage, besides; I guess he was a keeper."
+
+<p>Harry said, "Get me a pair of smoked glasses, will you?"
+
+<p>As soon as the big man got down he took off his high hat and waved it and
+said, "How do you do, sir." He said it in a big round voice, kind of.
+
+<p>Then he said, "I am Mr. Rinaldo Costello, proprietor of Costello's Mammoth
+Show." He talked so loud that he almost scared us.
+
+<p>Harry just said, "When I saw you coming I thought it was the village
+undertaker. We're glad to welcome you to our temporary camp. We are also
+touring the country; this is my mammoth show." Then he pointed to all of
+us fellows who were standing around, and Mr. Costello took off his hat
+again and waved it and bowed very low and held his whip so that I thought
+he was going to give us a crack with it, only he didn't. I guess he was
+used to cracking that whip. It was awful funny the way Harry sat on the
+fence talking to him. I don't know how it was, but that fellow could be
+awful funny.
+
+<p>Mr. Costello said, "This young gentleman who you were kind enough to send,
+has told me a very; <i>thrilling</i> story. If it is all true I must pay my
+tribute to the dauntless young scout whose valor in combat is truly
+matchless."
+
+<p>"Excuse me while I blush," I said. I just couldn't help saying it.
+
+<p>"He is known as Roy the Leopard Catcher," Harry said. "In the wilds of
+Catskill village he is known by the natives as Skeezeks-Skeezeks the Bold.
+Allow me to introduce him." Then he grabbed me by the hair and shoved me
+right out in front. Then he said, "Like all true heroes, he is modest. But
+perhaps you will wish to see Marshal Foch. We shall be sorry to part with
+him."
+
+<p>Then they all followed Mr. Costello and Harry to the barn. Mr. Costello
+walked as if the whole world was looking at him. He looked awful
+funny, all dressed up that way in the country. I bet he was hot. I didn't
+go, because I wanted to look at that cage wagon. It had gold mermaids on
+the corners of it, and oh boy, wasn't it fancy. The mermaids' tails went
+all along the sides. Inside there was hay on the floor. I bet it was fun
+for Dorry, riding on that thing. Every time the white horses stamped the
+bells would jingle afterward Harry said it sounded like a junk wagon, but
+<i>I</i> liked them anyway.
+
+<p>I wished I was the man to ride inside of that cage with Marshal Foch. I
+guess he knew how to handle leopards all right, hey? Maybe they were good
+friends even. Gee whiz, I like hiking better than anything else, except
+apple pie, but anyway, I'd like to be in a parade, that's one thing. That's
+just what I said. I said it out loud to myself.
+
+<br>
+<br>
+<br>
+<a name="18"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XVIII
+<br>
+ON TO GLORY</h3>
+</center>
+<br>
+
+<p>When they came back the keeper was leading Marshal Foch with a rope, and
+the fly paper was gone from his head and his body. Harry Donnelle said they
+melted the stickum with gasoline and that it didn't hurt the leopard much.
+He said it came off easier than a porous plaster does. You bet I was glad;
+because that leopard and I were kind of friends. Anyway I would have been
+glad. The keeper had a pistol but I guess it was just safety first because
+the animal walked along by him just as meek as could bet and walked right
+up the slanting board into the wagon. I guess he knew that keeper all
+right. His eyes were kind of half shut and all sticky like, and his nice
+fur was all stuck up but the men said they could fix him all right as soon
+as they had time.
+
+<p>I just couldn't help saying "So long, Marshal Foch, I'm sorry I had to do
+it; see you later." He just walked back and forth in the cage, awful
+graceful, as if he was looking to see if everything was all right, and
+maybe he was glad to get back, hey?
+
+<p>Then Mr. Costello said in his big loud voice, just as if he was making a
+speech, "I am going to give the people of Kingston, <i>absolutely free,</i> an
+opportunity to view for the first time in America, the dauntless young
+hero of two continents." I don't know why he said two continents, because
+I only live on one, and believe me, that's enough.
+
+<p>But most everything he said had <i>two continents</i> in it. Harry said it was a
+wonder he forgot Mars and the Moon. "The dauntless young hero scout, pride
+of two continents," that's what he said. Oh boy, didn't I blush I And
+didn't Harry Donnelle laugh!
+
+<p>"May I ask your name, sir?" Mr. Costello said. I told him, "Roy Blakeley."
+
+<p>"I would like you to ride with Marshal Foch in the parade," he said, "and
+later at the performances. I think I will call you <i>Roy the Redoubtable;</i>
+or perhaps <i>Blakeley the Bold</i> would be better. This is an opportunity of
+a lifetime to the people of Kingston. It will rejoice the scouts of two
+continents to see their intrepid young hero riding in triumph with the
+savage, man eating, beast that he subdued."
+
+<p>Harry said, "That would be delightful. What do you say, Roy?"
+
+<p>I said, <i>"Good night,</i> I won't have to ride in the cage with him, will I?
+I like him all right, but&mdash;but we're not-kind of, we're not yet well
+acquainted yet."
+
+<p>Mr. Costello said, "You will ride on the seat outside, as his triumphant
+conqueror. You will out rival the gladiators of ancient Rome. You will
+listen to the plaudits of the multitude. Are you able to look fierce? Just
+a little fiery? Just a little suggestion of fearless courage and intrepid
+power in your eyes? Something like <i>this</i>." Oh boy, he gave me a look that
+nearly knocked me over.
+
+<p>Harry said, "Try it, Roy."
+
+<p>I looked as fierce as I could, and all the fellows broke out laughing.
+
+<p>"That will be fine," Mr. Costello said; "just a little glance of the eye to
+strike terror as you look from left to right. Our advance agent will do the
+rest. There is not much time, but he will see that the people are advised
+of their opportunity. The boys of Kingston will thrill with pride and
+glory. Step up to the seat, my young friend." I said, "I don't believe I
+can look fierce enough, honest I don't."
+
+<p>Harry Donnelle was just sitting there on the fence laughing so hard I
+thought he'd fall off.
+
+<p>All of the fellows began guying me and saying I was a fool to be scared and
+that they wished they had the chance. But gee whiz, I was never part of a
+circus before, and I didn't want to sit way up on the top of that fancy
+wagon and just look fierce. I bet you wouldn't, either.
+
+<p>Pretty soon we were driving away and Mr. Costello looked awful big sitting
+there beside me. He kept cracking his whip all the time.
+
+<p>"So long, see you at the parade!", the fellows shouted.
+
+<p>"Don't get nervous," Harry called.
+
+<p>"I should worry," I called back; "I don't care what becomes of me now."
+
+<p>They had big red shutters with gold designs to cover up the cage so no one
+could see Marshal Foch, and the keeper sat on the step in back. Oh boy,
+how that Mr. Costello did drive; and lie could crack the whip so it sounded
+like a rifle going off.
+
+<p>Pretty soon we came pell-mell into Kingston and I could see the circus
+posters in all the store windows and on the fences. The pictures of Mr.
+Costello looked just like him, kind of brave and bold like, and he always
+had a whip in his hand. I guess he slept with that whip under his pillow,
+hey?
+
+<p>While we were passing along one of the streets, a half a dozen scouts
+shouted to me and I gave them the scout salute.
+
+<p>Mr. Costello said, "Those intrepid young gentlemen will be proud of their
+young comrade; the whole city will do you honor for your daring and
+dauntless deed." I noticed that whenever he strung together a lot of words
+they all began with the same letter. It sounded fine, too.
+
+<p>I said, "I know one thing, and that is I'd like to have a rich, red, rare,
+racy, raspberry soda, just now."
+
+<p>"You will soon be able to regale your ravenous and rapacious capacity among
+the freaks of two continents who will accord you a warm and wonderful
+welcome," he said.
+
+<p>Gee, you couldn't beat him at it, that was one sure thing.
+
+<center>
+<br>
+<img src="images/ill2.jpg" alt="I gave them the scout salute.">
+<br>"I gave them the scout salute."
+</center>
+
+<br>
+<br>
+<br>
+<a name="19"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XIX
+<br>
+JIB JAB, IS HE HUMAN?</h3>
+</center>
+<br>
+
+<p>Jiminy crinkums, I may be a nut (that's what the troop calls me anyway),
+but I'm not a freak and, believe me, when I saw who I was going to have
+dinner with that day&mdash;<i>good night!</i>
+
+<p>They all sat around a big mess board that stood on horses just like at
+Temple Camp. It was in a side tent. Judge Dot sat right next to me, he was
+a midget. I guess he was only about three feet high, and he had a special
+chair. On the other side of me was Lieutenant Lemuel Long; he was the thin
+man. He was about as fat as a clothes pole. He didn't eat much, but it
+wasn't because he didn't have any appetite. He said he had a contract with
+Mr. Costello not to eat much, because that would make him fat. He said he
+had a contract not to weigh more than eighty pounds. Gee, you've got to
+keep a contract if you make one, that's one thing.
+
+<p>But anyway, Madame Whopper could eat all she wanted to; she was the fat
+lady. She was a marvelous mammoth-that's what it said under the picture.
+She ate nine pieces of pie. I ate four, but anyway, she was a professional.
+They kept bringing her more pie. Judge Dot said once she ate eleven pieces.
+I liked Judge Dot, because he said he was sorry about Marshal Foch. He gave
+me his picture with his name on. He said if it was anyone else but me, it
+would cost a quarter.
+
+<center>
+<br>
+<img src="images/ill3.jpg" alt="He took the fur right off his head">
+<br>"He took the fur right off his head"
+</center>
+
+<p>But anyway, the one I liked best was Jib Jab, is he human? He had fur just
+like a bear, but a head like a man, only his face was brown and it had
+long hair on it. His face didn't look exactly like a man and it didn't look
+exactly like animal. First I was kind of scared, because in the pictures
+he was in a cage and he was grabbing hold of the bars and glaring awful
+fierce and wild. And, gee whiz, I didn't want to eat dinner with a wild
+animal. Oh boy, didn't I have a good scare when I saw him coming to the
+table!
+
+<p>He jumped over the board seat and sat down right opposite me and took the
+fur right off his Head, just as if he was scalping himself and laid it on
+the ground. He looked more like a man then.
+
+<p>He looked across arid said to me, "Hello, old top, how are they treating
+you?"
+
+<p>I said, "I'm feeling pretty well."
+
+<p>"Going into the parade, I hear," he said.
+
+<p>"That was quite a stunt you pulled. You'd never catch me like that if I
+once broke loose. Think you could?"
+
+<p>I said, "Maybe I couldn't, but anyway, I guess you're human, all right."
+
+<p>Then he began to laugh and said to the thin man, "How goes it, Skinny; you
+going to ride?"
+
+<p>I guess he meant the parade. The fat woman said, "I wouldn' do no ridin'
+fer no proprietor, not me. The public has got to come to <i>me;</i> I wouldn'
+never go to <i>them."</i>'
+
+<p>Jib Jab said, "All in the game."
+
+<p>Judge Dot said, "It's different with you, Jib; you ain't human and you
+can't say for yourself. You're in the menagerie class. You got to ride in
+your cage. You ain't a regular freak. I never heard of no parade work in a
+freak contract."
+
+<p>Madame Whopper said, "I wouldn' do parade work fer no proprietor, ride or
+walk, I wouldn' not even Barnum hisself, I wouldn'."
+
+<p>Jib Jab said for me to pass him the butter and then he winked at me and he
+said, "You're too particular, Ma. Parade work is all right. I like
+parade work, except I can't smoke. How about it, Kid?"
+
+<p>I said I didn't mind being in a parade, but I wouldn't want to ride in a
+cage like he had to do.
+
+<p>He laughed and said it was all in the game. He said if he ever broke out of
+that cage, I'd never capture him until he came back for his money on
+Saturday night.
+
+<p>I said "Sometimes boy scouts find people; sometimes they hunt for people
+that are lost. In our magazine there's always a notice if a scout is lost
+and all the scouts are on the look out for him."
+
+<p>"Yes, but those people are human," he said.
+
+<p>I said, "Gee whiz, I can't deny that."
+
+<p>"You never hunted for a <i>what-is-it,</i> did you?" he asked, awful funny like.
+
+<p>I told him, "No, I never did, but once a troop of scouts found a girl that
+was lost on a mountain, and there was another troop that found a fellow
+just from seeing his name in the newspapers."
+
+<p>He said, "You're a wide awake bunch, you kids. They don't have any boy
+scouts in the jungle where I was captured alive. If you ever get on my
+trail, I'd give you a run all right."
+
+<p>I asked him where that jungle was where he was captured alive, and he said
+it was on Washington Avenue in the Bronx.
+
+<p>He was an awful nice fellow.
+
+<br>
+<br>
+<br>
+<a name="20"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XX
+<br>
+THE PARADE</h3>
+</center>
+<br>
+
+<p>Before we were finished I could hear the band playing outside and when I
+went out all the wagons and chariots and things were in a line ready to
+start. There were two elephants, a big one and a baby one, and about a
+half a dozen cage wagons with animals in them and a steam calliope and a
+lot of things, all gold and red. There were some dandy white horses.
+
+<p>On Marshal Foch's cage was a big sign that said:
+
+<center>
+<h3>
+<br>
+ MARSHAL FOCH
+<br>
+ THE RETURNED LEOPARD
+<br>
+ AND
+<br>
+ SCOUT BLAKELEY
+<br>
+ PRIDE OF TWO CONTINENTS!
+<br>
+ HIS DARING AND DAUNTLESS CAPTOR.
+<br>
+</h3>
+</center>
+
+<p>I climbed up to the seat and sat by the driver.
+
+<p>He had an awful fancy hat and kind of tinsel stuff all over him. He had a
+tassel on his hat and it kept blowing in my face. I didn't know what they
+were waiting for, but pretty soon Jib Jab came out and he had a chain
+around his leg. He looked pretty fierce and savage. A keeper was holding
+the chain and Jib Jab pulled and jerked on it, so a lot of people who were
+standing around backed away. The wagons were all around in a circle so I
+could see him in his cage, and he winked at me while the keeper was fixing
+the chain to one of the bars.
+
+<p>Oh boy, but that was some parade! The streets were all full of people and
+the steam calliope made so much noise you'd think you were in a boiler
+factory. Oh, didn't everybody stare at me! I guess my face was as red as
+the fancy wagons, but what did I care? On one of the streets I saw Harry
+Donnelle and the other fellows coming out of a candy store. They were all
+wiping their mouths with their handkerchiefs and Westy was rubbing his
+stomach with his hand, as if he had been eating something good. They just
+aid that to jolly me, I bet. I should worry about them. Then they all
+began laughing at me, because I was trying to look fierce and bold. Maybe
+you think that's easy.
+
+<p>Gee, I guess we went through every street in Kingston, with people staring
+at me all the while, and kids hooting, but I didn't care. Anyway, I was
+proud to ride on that wagon.
+
+<p>Just when we were coming back into the circus grounds, I saw Harry Donnelle
+and the patrol and some other scouts waiting, so I climbed down, because I
+wanted to be with them. Mr. Costello came out and talked to us and said
+that I did fine.
+
+<p>He said I was the idol of thronging multitudes-that's just what he said. I
+was good and thirsty, I know that. Gee, didn't Harry Donnelle laugh.
+
+<p>Mr. Costello said, "The boy scouts are an honor to this great and glorious
+country and I should like to take our intrepid young friend to Europe to
+appear before the high nobility."
+
+<p>Harry said that I was a modest kid and that he guessed one continent was
+about all I could carry in my pocket. He said that some day maybe I'd pick
+up Europe if I happened to be passing that way.
+
+<p>Then Mr. Costello gave us all tickets to the show that night and after
+that he made me a speech and said how I was beloved by all the world
+renowned personages in the side show. He said that Madame Whopper told
+him I was a little gentleman. 'A' scout is courteous-oh joy.
+
+<p>Then he put his arm over my shoulder and walked away with me and told me
+not to talk very much about Jib Jab being human, because he wanted the
+people to decide for themselves. He said it wasn't telling a lie, because
+he never said Jib Jab wasn't human. He just said, "Is he human?"
+
+<p>He said it's all right to ask a question.
+
+<p>Gee whiz, nobody can deny that.
+
+<br>
+<br>
+<br>
+<a name="21"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXI
+<br>
+WE VISIT THE SIDE SHOW</h3>
+</center>
+<br>
+
+<p>Those scouts that we met were nice fellows. They were hiking back to
+Newburgh; that's where they lived. They told us they had hiked up along the
+river to visit a place named Elm Center, about ten or fifteen miles west of
+Kingston. They said they had a bivouac camp just outside the city and that
+they had stayed there for a couple of days, so as to take in the circus.
+
+<p>We all went to the show together that night, and I sat on Marshal Foch's
+cage wagon and rode around in the parade at the beginning of the show. All
+the fellows cheered me, even those new fellows. After the show I told them
+all that I wanted to go into the side show and say good-bye to my friends.
+We were all standing outside and Dorry Benton said, "I'll go with you."
+
+<p>Of course, as soon as he said that, they all wanted to go, but Harry said
+he guessed two were enough. So Dorry and I went in and made a call. The
+freaks were getting ready to go to bed, but anyway, they were glad to see
+us. I guess Madame Whopper slept in another tent; anyway, we didn't see
+her. Maybe she had a whole tent to herself.
+
+<p>Mr. Lemuel Long said he was hungry and he wished he could eat a lot like
+scouts do. Gee, I have to admit that scouts eat a lot-especially dessert.
+You can bet I wouldn't want to be a human skeleton. Judge Dot said he
+should worry, because he couldn't grow any taller no matter what happened.
+He said he was fifty-two years old and after you get to be fifty-five you
+begin to shrink. He said everybody does, mostly. He said if he shrunk, he
+was going to make Mr. Costello give him more money. Gee whiz, I couldn't
+blame him, especially on account of the high cost of living. He said Madame
+Whopper had gained fifty pounds and she made Mr. Costello give her a raise.
+
+<p>While we were talking with Judge Dot, Jib Jab came in and said, "Hello,
+S'couty, how did you like the show?"
+
+<p>I said, "You looked good and wild, that's one thing, especially with that
+chain on." He said that chain was his own idea.
+
+<p>I guess he had just been washing his face, anyway, there wasn't any hair on
+it and the brown was all cleaned off. I could see now that he was a mighty
+nice looking fellow. His hair was kind of curly and his eyes were awful
+bright. He took off his fur covering and put on a kind of a bath robe and
+then sat down on a chair and stuck his feet up on Madame Whopper's
+platform. Oh boy, you should have seen Dorry stare. First he looked at the
+fur covering. It had paws and claws on it just like an animal. Then he
+looked at Jib Jab. I guess he didn't know what to make of him.
+
+<p>Jib Jab said, "Now for a smoke," and he lighted a cigarette; "nothing like
+a quiet smoke after the day's work is over. Back in the jungle I never had
+all this bother of dressing and undressing. Civilization is just killing
+me. Fact is I can't be tamed. Anybody got a newspaper? I suppose I ought
+to be thankful I haven't got my face all plastered up with fly paper.
+Where's old Sky Scraper?" That's what he called the, giant.
+
+<p>"Gone to bed," Judge Dot said.
+"How about you, Shorty; got a match?" he asked Judge Dot.
+
+<p>Judge Dot just said very stiff like, "I'll bid you good night, sir ."
+
+<p>"Happy dreams, Shorty," Jib Jab called after him. Then he said, "That's the
+trouble with all these freaks-uppish, especially the giant. Why he looks
+down on everybody. Ma's about the best of the lot. Shorty thinks he's the
+whole circus just because he has three rings on his hands. Same with
+Skinny. I'd rather be back in the jungle than living with this bunch. Half
+the time they don't speak to me. You see I'm not a regular freak; they
+look on me as a kind of a butt-in."
+
+<p>I said, "Gee, I'm sorry; I should think they'd like you."
+
+<p>"They're all jealous," he said; "that's the trouble. They're all down on
+parade work, even Ma. They couldn't stand for me making a hit with that
+chain. Last week, up in Albany, I started to growl just as Shorty started
+selling his photographs. The louder he piped away with that silly little
+squeaky voice of his, the more I roared. When it comes to roaring, I've
+got even the lions jealous. Fact is I'm not liked; they are all jealous,
+even the animals. And I feel it, too; any honest hard working
+<i>what-is-it</i> would. Especially if he's human. The little two-headed boy
+we had was about the best of the lot, only he was double faced. He's with
+Barnum's now-fifty a week and overtime."
+
+<p>"I don't see why you want to be a <i>what-is-it,</i>" I told him; "especially
+if they don't treat you right."
+
+<p>He just went on smoking, awful funny, kind of. Jiminy, I couldn't make him
+out at all.
+
+<p>He said, "Now you take Teddy Roosevelt, the elephant. He's what you'd call
+a big attraction-very big. Do you suppose he'd refuse to pal with me just
+because I'm a poor, neglected <i>what-is-it?</i> Only this morning we had a bag
+of peanuts together; he and I and little Ruth. He's just as plain and
+democratic as he can be. But you see my position isn't easy. I'm human and
+yet I'm not. I don't know where I fit in. The animals are kind of leery;
+you can't blame them. And the freaks are as stuck up as poor old Marshal
+Foch was. Sometimes I wish I was back in the jungle."
+
+<p>Jingoes, I didn't know how to take him at all, and I could see Dorry was
+just staring at him as if he "didn't know whether he was jollying us or
+not.
+
+<p>"Anyway, we have to be sorry for you," I said. He just kept puffing on his
+cigarette and he said, "Well, it's good to sit back here when the freaks
+have turned in and have a quiet smoke. Pretty strenuous work jerking and
+pulling on that chain. It's a hard life being a question mark." "You said
+something," I told him; "cracky, I wouldn't want to be a <i>what-is-it.</i>"
+
+<p>He just said, "No, when you grow up, make up your mind whether you're
+going to be human or not. Don't try to be two things. Don't be a question
+mark. Why away down in my savage, primeval heart, I wouldn't hurt a
+kitten. Yet here I am growling and roaring and wrenching at my cage bars
+and straining at that old chain, and the children and old ladies back up
+on the street when they see me, frightened out of their lives. I'm not
+loved by anyone. It's mighty hard. Either one of you kids got a cigarette
+about you?"
+
+<p>I told him no, that scouts didn't smoke cigarettes.
+
+<p>He said, "Well, drop in and see me down at Poughkeepsie or Newburgh if you
+happen in when we're there. You're always welcome."
+
+<p>Gee, we just couldn't make heads or tails of that fellow. Anyway, I liked
+him. And I had to admit that that was good advice he gave me about making
+up my mind whether to be human or not.
+
+<br>
+<br>
+<br>
+<a name="22"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXII
+<br>
+BRENT GAYLONG</h3>
+</center>
+<br>
+
+<p>The fellows were all waiting for us when we came out and we hiked out to
+where those scouts had their camp. There were only five of them, one
+patrol, and the biggest one was a kind of scoutmaster and patrol leader
+rolled into one. His name was Brent Gaylong. I walked with him behind the
+others and he told me all about his patrol and the troubles they had. He
+was an awful nice fellow, kind of quiet like; but he was funny, too.
+Christopher, that little troop must have been started on Friday the
+thirteenth, that's one thing sure.
+
+<p>I said, "What's the name of your patrol?"
+
+<p>"Well," he said, "we call ourselves the Church Mice, because we're so poor.
+First we were going to call ourselves the Job's Turkeys, but we decided
+that a church mouse was poorer than Job's turkey."
+
+<p>I had to laugh. I said, "I've heard of most every kind of an animal's name
+used for patrols, but never a church mouse. My patrol is the Silver Fox."
+
+<p>"That's a bully name," he said.
+
+<p>"Anyway," I told him, "the name hasn't got so much to do with it. There was
+a patrol up at Temple Camp named the Polliwogs and they were all nice
+fellows. But they couldn't keep still, they were always wriggling. Maybe
+they're frogs by this time, hey? A fellow up there told me about a patrol
+named the Caterpillars and afterwards they changed it to the Butterflies.
+He said there's a patrol out west named the Mock Turtles. There's a lot of
+crazy fellows come to Temple Camp. One of them said there was a fellow in
+his troop named Welsh and he was chosen leader of a new patrol and they
+wanted to call it the Welsh Rabbits. Church Mice is all right, I think."
+
+<p>He said, "It's appropriate anyway. I'd like to see a camp like that Temple
+Camp; it must be great. Trouble with us is we've had such plaguey hard
+luck. I guess there's only one thing harder than our luck and that's the
+biscuits we make."
+
+<p>I said, "I can make hard ones."
+
+<p>Then he said, "You see, first our scoutmaster had to go to war. We were
+just starting then. It hit us a good whack. We tried to get another, but
+scoutmasters were pretty scarce; they were scarcer than coal and sugar.
+They were all in France. So I took the job. I suppose we could get one
+now, but since we've worried along all this time without one, we decided
+to wait till our scoutmaster gets back. He'll be back in a couple of weeks,
+I understand, and we want to give him a welcome. We've got two dollars and
+fourteen cents toward it so far-two dollars and four cents, really, because
+there's a Canadian dime. If there are any Canadian dimes around, we're sure
+to get them. Then our little shanty burned down. It was about the best
+camp-fire I ever saw, only it left us without a meeting-place. We still
+have our scout smiles; they don't cost anything. If they did, we couldn't
+afford them."
+
+<p>I said, "That's one thing about scout smiles; they're the only things that
+haven't gone up."
+
+<p>"So here we are," he said, "hiking back home after one of our fool
+enterprises. We intended to go down on the train, but we went to the
+circus instead."
+
+<p>"It's about thirty miles down to Newburgh," I said; "you'll have to
+bivouac twice anyway."
+
+<p>He said, "I guess we've got eats enough."
+
+<p>"We might as well all hike that far together," I told him.
+
+<p>"Good idea," he said, "if you don't mind chumming up with a traveling
+poor-house."
+
+<p>"We should worry about being poor," I said; "I know a man that's rich and
+he can't hike at all. He goes on crutches. How would you like to be him?
+Anyway, don't you fellows get discouraged."
+
+<p>"Don't worry," he said; "first it was hard, but now we've come to like it.
+You can get a lot of fun out of hard luck. And all we need is time, I
+suppose. This winter we're all going to work on Saturdays. Trouble is that
+isn't going to help us give our scoutmaster a <i>welcome home</i>. We've done
+more crazy things this summer trying to get a little money together! I
+guess it would have been better if we'd all knuckled down to jobs. But I
+wanted these poor kids to get a taste of scouting. Too late now, anyway.
+Why if I told you why we hiked up to Elm Center, you'd just laugh in my
+face. You'd say we were crazy. But we've had a good time anyway."
+
+<p>I said, "One thing sure, everything will come out all right and it's better
+to go on a hike and camping and all that in the summer than to be working
+in the city. One of those fellows ahead of us is named Dorry Benton and
+he's kind of&mdash;not exactly poor, but&mdash;Anyway, he's crazy to get a motorcycle
+and he was going to stay home and work this summer, but Mr. Ellsworth (he's
+our scoutmaster) told him no, that it was better for him to go up to Temple
+Camp. That big fellow with us isn't our regular scoutmaster.
+
+<p>"Anyway, Dorry is crazy to have a motorcycle and you can bet he'll have more
+fun with it if he has to wait for it, won't he? Anyway, I wish you'd tell
+me what you came up this way for. I won't tell any of the follows if you
+don't want me to."
+
+<p>"Oh," he said, "they might as well all have a good laugh. And I don't want
+you to think that I'm grouching about hard luck, either. We'll land right
+side up-scouts mostly do. The woods are free, thank goodness. All that's
+troubling us is that when Mr. Jennis went away he gave us a spread and
+presented each one of us with a scout knife and we'd like to return the
+compliment, that's all. We'd like to show him how much we think of him. I
+had a crazy notion we'd all go down to New York and meet him and give him
+something or other when the transport arrives. Happy dreams. I guess all
+we'll give him is the scout salute. But we'll come out right side up yet,
+even if we have to sweep up the streets in Newburgh. Principal trouble
+with us is that we're a lot of dreamers; I guess I'm the worst of the lot.
+Not much money in adventures. So now we're up against it. You don't make
+money <i>scouting</i>, you make it <i>working</i>."
+
+<p>I said, "I wish you'd please tell me why you came up this way, will you?"
+
+<p>"Sure I will," he said; "it's a joke-it's a peach of a joke. Only I tell
+you beforehand, we're a band of wild adventurers. Here we are at our
+luxurious camp. Pretty big tent, hey?"
+
+<p>"I don't see any tent," I said.
+
+<p>He said, "Don't you see that big blue tent?"
+
+<p>"Where?" I asked him.
+
+<p>"With the little gold spots all over it?"
+
+<p>"Oh, you mean the sky?" I said.
+
+<p>"Some tent, hey?" he said. And then he began laughing.
+
+<p>"There's no man can make a tent like that," I told him.
+
+<p>"It's only intended for rich scouts," he laughed "we don't even bother to
+take it with us when we go; we just leave it here. Oh, we're a reckless,
+extravagant bunch."
+
+<br>
+<br>
+<br>
+<a name="23"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXIII
+<br>
+BRENT'S STORY</h3>
+</center>
+<br>
+
+<p>The Church Mice didn't even make up a full patrol, because there were only
+five of them counting Brent Gaylong. Maybe the rest of them stayed home.
+Only three of them had the uniform, and Brent didn't have any. They didn't
+even have duffel bags or a camp kit and when I saw how it was with them, I
+just had to admire that fellow who was keeping them together.
+
+<p>Especially I felt sorry for them, because our troop has about everything
+and that's mostly the way it is with all the troops that go to Temple Camp.
+
+<p>Anyway, we made up some pretty good late eats and after that we got a good
+big fire started and all sat around it. Brent lay on his back near the
+blaze and had his knees drawn up and was looking up at the sky. That's just
+the way he lay all the while he was telling us about his patrol and why
+they came up that way. It seemed as if he thought it was all just a big
+joke, but I could see he thought a good deal about scouting and about those
+fellows. I had to laugh at him, but I liked him a lot just the same. He was
+kind of happy-go-lucky, I could see that. Harry Donnelle liked him, that
+was sure. I guess it was because he was kind of happy-go-lucky, too.
+
+<p>"Buried treasure is all right," that's what he said, "and so are missing
+people, and people lost in the woods and all that; and liberal rewards are
+very nifty. But if you're after fifty or so buckarinos, the best thing is
+driving a grocery wagon or selling the Saturday Evening Post on street
+corners. You don't get much adventure mowing people's lawns, but it's sure
+money. The trouble with us is we've been speculating in adventure and now
+we're going to walk back home. Take a lesson from our terrible example-and
+don't read the newspapers."
+
+<p>Harry Donnelle said, "There's seventy-five per cent profit in adventures.
+I'd go to South Africa if I thought there was a ten cent piece buried
+there." That was just exactly like him.
+
+<p>"Anyway," I said, "I'd like to know why I shouldn't read the newspapers."
+"Because they will lead you astray. They sent us off on a get-rich-quick
+enterprise," Brent said.
+
+<p>Of course, I knew he was half joking, but that was always the funny way he
+talked. He reached over and held a stick in the fire till the end of it was
+all flaming, then he stuck it in the ground near his head and pulled a
+clipping out of his pocket. He kept lying on his back all the time and he
+looked so funny, I just had to laugh.
+
+<p>Then he said, "Well, now, this is what brought us up into these woolly
+wilds", and he began to read the clipping. This is it, because he gave it
+to me afterwards:
+
+<center>
+<br>
+ BOY SCOUTS ASKED TO SEARCH
+<br>
+ FOR MISSING DOUGHBOY.
+<br>
+</center>
+<blockquote class="small">
+
+ <p>Boy scouts in all sections of the country have been asked to
+ watch for Horace E. Chandler, late of the American
+ Expeditionary Forces in France, who has been missing since
+ his discharge from Camp Upton several weeks ago.
+
+ <p>Private Chandler was mustered out on August third, having
+ served with great courage and distinction in the Argonne
+ Forest, where he received honorable mention for unusual
+ heroism in raiding-single handed an enemy machine gun nest.
+
+ <p>Private Chandler's home is in Greendale near Plattsburg in
+ New York. He is reported to have been seen in Albany several
+ days after the date of his discharge, by several young men
+ who had known him formerly, but on being questioned they
+ were not certain of the identity of their former friend.
+
+ <p>His whereabouts are now a mystery and no reason can be
+ ascribed to his disappearance. It is thought that he may
+ have been the victim of foul play while on his journey home.
+
+ <p>A wealthy and public spirited citizen of Greendale, Mr.
+ Horace E. Wade, whose namesake, Private Chandler was, has
+ offered the sum of one hundred dollars for any information
+ leading to the discovery of young Chandler's whereabouts.
+
+ <p>Boy scouts have often succeeded in discovering missing
+ persons. Their large organization, covering as it does,
+ the entire country and their predilection for long tramps
+ and journeys afford them some of the best facilities for
+ such quests.
+
+ <p>Mr. Wade has offered his reward after the futile efforts
+ of the police in many large cities to locate the returned
+ soldier.
+</blockquote>
+
+<p>"And here's his picture to go by." Gaylong said; "good looking chap, huh?
+Here's what it says underneath it, <i>'Private Horace E. Chandler from a
+photo taken the week before he sailed for France.'</i>"
+
+<p>Nobody said anything for a minute and Dorry, who was nearest to Brent
+Gaylong, leaned over and looked at the picture. "I'd like to read it over
+in a better light," he said.
+
+<p>Brent said, "Take it; it's no use to us. It gave us a good hike, that's
+all. We thought we might come back with the hundred. We had scout uniforms
+and everything all bought-in our minds. We had a sumptuous gold headed cane
+for Mr. Jennis. We had a meeting shack all furnished up. Oh, we were
+regular prosperous scouts for a couple of days&mdash;in our imaginations. I
+think I ought to have the badge for day dreaming, if there is one. I think
+I could get a job in a dime hovel. Up to Elm Center and back again chasing
+a rainbow!"
+
+<p>He was so funny about it that I didn't know how disappointed he really
+was. He was kind of funny and serious at the same time. But I could see
+they were all disappointed.
+
+<p>All of a sudden Harry Donnelle said, "What started you up to Elm Center
+near Kingston, when our wandering warrior lived away up near Plattsburg?"
+
+<p>"Oh, yes," Brent said; "I forgot the best part of it. Quite some time after
+we read that accursed article, little Willie here and I happened to drop in
+at a movie show in Newburgh-ten cents counting the war tax. Cheap but
+filling. There was a picture in the Pathe jigamerig of an aviator landing
+in the village of Elm Center near Kingston, New York. I had never heard of
+Elm Center before. But anyway, an aviator had to come down there and so Elm
+Center got on the screen. There were a lot of people standing around
+looking at the machine and little Willie wide-awake here, said to me,
+'Do you see that soldier in the film? The one leaning against the fence
+and kind of glancing this way? He's the fellow whose picture was in the
+paper.' I took a good squint at him and, by jingoes, it was! It was
+Horace E. Chandler. 'Caught at last,' I said."
+
+<p>"So here we are on our way home from Elm Center. It's a pretty little
+village-post office, two stables, a hardware store where you can buy cake,
+and a watering trough. One of the nicest watering troughs I ever saw.
+
+<p>"And Horace E. Chandler? Oh, they never saw him or heard of him. Maybe he
+went up in the airplane, huh? If I only had a Curtis biplane, I'd search
+the skies."
+
+<br>
+<br>
+<br>
+<a name="24"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXIV
+<br>
+THE LIGHT IN THE WOODS</h3>
+</center>
+<br>
+
+<p>Gaylong just rested his leg on his other knee and clasped his hands in back
+of his head and kept looking up at the sky. He said, "So that's the story
+of the adventurous Church Mice. The next time we go in for a hundred
+dollars, we're going to get jobs in grocery stores. Hey, kids?" I could see
+he thought an awful lot of those fellows.
+
+<p>All the while Harry Donnelle was whistling to himself, as if he didn't care
+much. Pretty soon he said, "You had your turn; what more do you want?
+What's a hundred dollars?"
+
+<p>"It's a good deal to <i>us</i>," Gaylong laughed.
+
+<p>"You said something about treasure hunting," Harry said; "you don't suppose
+anybody ever goes treasure hunting on account of the treasure, do you?
+They go on account of the adventure. So treasure hunting is <i>always</i> a
+success; even if you only find a tin spoon. You had your hike; you had your
+fun; you made a hundred per cent profit. That's the difference between a
+scout and a detective. It's <i>going after</i> something that makes the fun;
+not <i>getting</i> it."
+
+<p>Brent Gaylong said, "I get you."
+
+<p>"I've flopped around all over the world and I haven't got a cent to show
+for it," Harry said, "and if anybody told me there was a lead pencil buried
+up near the North Pole, I'd go after it. What fun is there buying a lead
+pencil in a store? Poor old John D. Rockerfeller could do that much."
+
+<p>"I get you," Gaylong said.
+
+<p>"Besides, didn't you meet <i>us?</i>" Harry said.
+
+<p>"We're better than a hundred dollars, I hope. Fun hasn't cost a cent; it's
+the only thing that hasn't gone up in price. Maybe the wandering warrior
+is having the time of his life, too. And you'd go and spoil it all for
+him. Maybe he doesn't want to be found. Never thought of that, did you?
+What you fellows need is not a hundred dollars. You need the scout idea.
+Adventure!"
+
+<p>"Righto," Gaylong said.
+
+<p>"But we'd like to have that hundred dollars," the little fellow named
+Willie piped up.
+
+<p>"True again," Gaylong said-awful funny.
+
+<p>Of course, I knew that was the way Harry would think about it, because's
+he's one of that reckless, happy-go-lucky sort. I guess Brent Gaylong was
+kind of the same way. Anyway, before we lay down to go to sleep, I said to
+Gaylong:
+
+<p>"Would you mind letting me have that article to read by our lantern while
+you fellows are spreading the balsam?"1
+<br>
+<p>1 Balsam is used for making beds.
+<br>
+<p>He said, "Sure," and began feeling in his pockets. "Guess that other fellow
+has it," he said, sort of careless; "it's no use anyway."
+
+<p>Pretty soon we were all fixed for the night. We made those Newburgh scouts
+sleep under our balloon silk shelter. They didn't want to, but we told
+them we'd like to sleep in the open for a change.
+
+<p>I guess I must have been asleep for an hour or so, when all of a sudden I
+was awake again. Anyway, it couldn't have been more than an hour, because
+the wood from our fire was still warm. It was awful nice and dark and
+quiet. There wasn't any sound at all, except a cricket. Pretty soon I
+could hear the whistle of a train very far away; I guess it was way over at
+the Hudson. I just lay there kind of thinking and wondering what made me
+wake up. Because, oh boy, I'm usually dead to the world when I sleep
+outdoors.
+
+<p>All of a sudden I saw a little light not very far away, in among the trees.
+As soon as I saw it it went out, and then it came again. First I thought it
+was a fire fly. Then I knew it couldn't be&mdash;it was too big. Then I saw it
+steady for about a minute and then it went out.
+
+<p>I sat up and just stared at the spot where I had seen it and I didn't make
+a sound. I wasn't exactly scared, but I wondered what it could be.
+
+<p>Then I crept away and started over that way in the dark. I wasn't scared,
+but I was kind of nervous, sort of.
+
+<br>
+<br>
+<br>
+<a name="25"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXV
+<br>
+IN THE DARK</h3>
+</center>
+<br>
+
+<p>Just then I heard a rustle and I could see a black form quite near. I saw
+it move behind a tree.
+
+<p>"Who's there?" I said; but there wasn't any answer.
+
+<p>I stopped for two or three seconds, because I didn't know just what to do,
+then I walked up to the tree and just as I came near, the form stepped out
+from behind it.
+
+<p>Then I heard a voice say, "What do <i>you</i> want here?"
+
+<p>I said, very surprised, "Dorry? Is it you?"
+
+<p>He said, "What do you <i>want</i> here?"
+
+<p>"I don't want anything," I said; "I just saw a light and I came to see what
+it was. What's the matter?"
+
+<p>He said, "Nothing, I'm going to bed."
+
+<p>"Did you have the light?" I asked him.
+"Maybe you only saw it same as I did. Only you act awful funny, sort of."
+
+<p>He said, "I've got as much right to be up as you have. Nobody can sleep on
+that hard ground."
+
+<p>"Why didn't you dig a hollow for your hip?" I asked him, "same as I do.
+Hard ground will never keep a fellow awake. It's your hip. Gee, you're a
+scout; you ought to know that."
+
+<p>"Come on back," he said.
+
+<p>I don't know, but something about the way he acted made me feel sort of
+funny-suspicious, kind of.
+
+<p>I said, "Were you hunting for something with your flashlight? What's the
+matter? Why don't you tell me what you came out for?"
+
+<p>"There isn't any reason, and why should I tell you anyway?" he said.
+
+<p>"Well," I said, "because I'm your patrol leader for one thing. And as long
+as Mr. Ellsworth isn't here, I have a right to ask you. I'm not mad. Only
+I wonder why you got up and came away, that's all. Anyway, I got a splinter
+in my finger grabbing one of these trees, I know that."
+
+<p>"You want to find out if I've got the flashlight?" he said.
+
+<p>"No, I don't want to find out if you've got your flashlight," I said,
+"because I know you have. I'm not that kind. First you have to say I didn't
+speak about the splinter for that reason." I said; "you have to take back
+what you said."
+
+<p>"I never said you were sneaky," he said; "here, take it."
+
+<p>"It's no crime to have a flashlight, I hope," he said; "here take it."
+
+<p>"I wouldn't try to find out that way," I told him.
+
+<p>"I know you wouldn't," he said.
+
+<p>So then he held his flashlight to my finger and I said, "what do you know
+about that? I'm carrying a lumber yard around with me. I <i>thought</i> I felt
+kind of heavy."
+
+<p>"Have you got a needle?" he asked.
+
+<p>"A crowbar would be better," I told him.
+
+<p>"Hold still," he said, and then he just pulled it out with his fingers.
+
+<p>"That ought to be worth a couple of dollars, hey?" I said, "with the high
+cost of timber."
+
+<p>So then we both laughed. Anyway, Dorry and I were always good friends, you
+can bet. He was just going to turn off the flashlight when I noticed that
+piece of newspaper sticking out of his jacket pocket and I pulled it out,
+just kind of half joking, and I said, "Here's what I want. Gaylong said I
+could read it."
+
+<p>Gee whiz, there wasn't any harm in that. Oftentimes I'd do things like that
+with fellows, and especially Dorry, because I'd known him so long.
+
+<p>"You put that back," he said, kind of mad.
+
+<p>"What's the use of getting mad?" I said.
+
+<p>"You're grouchy because you can't sleep. Here, let's have your flashlight."
+And I just grabbed that out of his pocket, too.
+
+<p>I guess he was going to grab them both away from me; anyway, it seemed that
+way for a couple of seconds.
+
+<p>Then he said, "Now you'll go and spoil it all."
+
+<p>"Spoil what?" I asked him.
+
+<p>"Go on, read it," he said.
+
+<p>"Sure I'll read it," I told him; "what's all the excitement about?"
+
+<p>"I hope you can keep your mouth shut," he said.
+
+<p>But, believe <i>me</i>, I didn't read very much of it, because all I could see
+was the picture. I held the flashlight on it and just stared and stared
+and stared.
+
+<p>Then I said, "Dorry!&mdash;You know&mdash;? I was just flabbergasted and I could
+hardly speak.
+
+<p>"Sure I know," he said; "it's Jib Jab. I'm going to get my motorcycle after
+all."
+
+<br>
+<br>
+<br>
+<a name="26"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXVI
+<br>
+DORRY AND I AND THE CRICKET</h3>
+</center>
+<br>
+
+<p>For a couple of minutes I could hardly speak, I was so surprised. The
+picture in that article was the picture of <i>Jib Jab, is he human?</i> I knew
+by the wavy hair and the look he had, that made me not know whether he was
+jollying me or not. He had that very same look in the picture. I could
+almost hear him speak to me. And I just couldn't take my eyes off it. Even
+that funny kind of twinkle in his eye was there, just the same as when he
+made Judge Dot mad.
+
+<p>"You and I are the only ones that saw his real face; that's one good
+thing," Dorry said; "It's Jib Jab all right, hey?"
+
+<p>"Yes, it's Jib Jab," I said, kind of half dreaming, I was so surprised.
+"And that's why you came out here; so as to read it and look at it all
+alone. Dorry, if you got the hundred dollars and bought a motorcycle, you'd
+fall off it and break your neck. You'd never get any fun out of a
+motorcycle you bought that way."
+
+<p>"Give me the paper," he said.
+
+<p>"Here," I said, "take it."
+
+<p>I guess neither of us spoke for about a minute. All the while I could hear
+the cricket chirping, it was so quiet.
+
+<p>"You heard what Harry told him about how they'd had their fun already,"
+Dorry said; "you heard what he told them&mdash;about how they'd had their fun
+already&mdash;didn't you? Now it's <i>our</i> turn. If we can find him&mdash;
+
+<p>"Shut up," I said.
+
+<p>"You heard him," he just kept up, "and you know it's true. They had their
+adventure. They had their hike&mdash;didn't they?"
+
+<p>All the while I could hear the cricket, just chirping, chirping, chirping.
+It was awful dark and quiet.
+
+<p>I said, "Dorry, don't talk like that, because you know you don't mean it.
+If you meant it, you wouldn't be a Silver Fox, you wouldn't. And it's just
+the same as telling lies about Harry Donnelle. I dare you to go and ask him
+about it; I <i>dare</i> you to; and see what he says. Maybe he's reckless and
+crazy about adventures and doesn't care anything about having money, and
+maybe he's kind of as you might say wild. Maybe he flirts a lot with girls
+and likes to risk his life, maybe, but anyway, he's fair and square, and he
+never did a mean thing in all his life. Mr. Ellsworth said so, and I guess
+he ought to know. If you think you've got a right to do that, go and ask
+Harry Donnelle. I <i>dare</i> you to. Go and tell him you know where that
+soldier is and that you're going to notify his people up there near
+Plattsburg and claim the hundred dollars so you can get your motorcycle.
+Just go and do that."
+
+<p>"Why should I do that?" he asked me. "What's that noise?"
+
+<p>"It's a hawk," I said; "he's after little birds in their nests. Don't you
+remember how we wouldn't name our patrol the Hawks, because they
+sneak&mdash;<i>you voted against it yourself&mdash;</i>you did."
+
+<p>"I mean that other&mdash;"
+
+<p>"It's just a cricket," I said. "I'm glad we're out here all alone. I'm glad
+it's so quiet and dark. Maybe you can't see in the dark, but you can see
+what's right or wrong better in the dark, because I'm not mad&mdash;honest I'm
+not. You know what Tom Slade said about trails. Maybe he's dead now, over
+in France; but anyway, you know what he said about trails."
+
+<p>"He wanted a motorcycle, too," Dorry said.
+
+<p>"Yes, but you know what he said about trails?
+
+<p>"How if you get thinking about doing something that isn't fair and square,
+it just means you're on the wrong trail. And you know yourself how hard it
+is to find the right trail if you once get started on the wrong one? Maybe
+you don't think much about Tom Slade, these days, but I do. Often when
+nobody knows it, I do."
+
+<p>"I don't see anything wrong in it," Dorry said; "<i>we</i> were the first to see
+him."
+
+<p>"Then what makes you feel so mean about it?" I asked him. "What makes you
+ask me about a little sound like a cricket? It's because you're kind of
+rattled and you're not sure, that's why. Once a murderer went and confessed
+after hearing a cricket all night. Maybe you don't know that it's in a book
+how crickets start your conscience&mdash;maybe you don't. Listen!"
+
+<p>He said, "You mean you'll tell and you won't help me?"
+
+<p>"No, I won't tell," I said, "and I <i>will</i> help you. I'll help you to put
+the Church Mice on their feet. I'll help you to give that scoutmaster a
+good welcome. I'll help you to fix it so those poor little codgers all have
+uniforms. I'll help you to fix it so you can look Harry Donnelle in the
+face&mdash;and Mr. Ellsworth, when you see him. And Tom Slade. And if it's a
+case of sneaking, I'll help you with that too. We'll make those fellows
+think that <i>they</i> discovered Jib Jab, otherwise satisfactory, you can go
+and ask Harry Donnelle they'd never take the reward. And if that isn't if
+it's all right for you to get the reward. And if he says yes, I'll say so
+too. I bet he has no use for motorcycles anyway."
+
+<p>Dorry didn't say anything, only just stood there.
+
+<p>"What do you say?" I asked him.
+
+<p>He didn't answer me.
+
+<p>"What do you say&mdash;Dorry?" I asked him.
+
+<p>"How does a cricket make that sound, anyway?" he asked.
+
+<p>"I should worry about how he makes it," I told him.
+
+<p>He just said, "Funny, isn't it?"
+
+<br>
+<br>
+<br>
+<a name="27"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXVII
+<br>
+WE TAKE HARRY INTO OUR CONFIDENCE</h3>
+</center>
+<br>
+
+<p>One thing, I wouldn't let anybody talk against Dorry Benton. Even I
+wouldn't have told you about that, only he said it was all right. I knew
+all the time that he would never cheat those fellows out of their reward.
+He didn't say anything more that night, but in the morning he came after me
+when I went to get sticks for the fire, and then I knew everything was all
+right.
+
+<p>He said, "You and I are the only ones that know who Jib Jab is. What are
+we going to do about it? And another thing, would it be all right for
+scouts to take a reward like that? Something for a service?"
+
+<p>"Sure it would be all right," I told him; "something for a service means
+tips and things like that. Scouts can take presents and win rewards, I
+hope. Didn't Pee-wee win an extra helping of pie up at camp for keeping
+still all through dinner? Mr. Ellsworth said it was all right."
+Gee, Dorry couldn't answer that argument.
+
+<p>"You should worry about its being an right," I said; "but, oh boy, if we
+make a mistake we'll spoil everything. We have to watch our step. We've
+just got to make Brent Gaylong discover that fellow without any help. If we
+don't, <i>good night!</i> he'll never claim the reward. I know that fellow."
+
+<p>"Maybe we'd better tell Harry; Donnelle," Dorry said.
+
+<p>"That's just what I was thinking," I told him; "because maybe he can think
+of a way."
+
+<p>So as soon as we could, we got Harry off in the woods alone. There wasn't
+much time, because we were all going to hit the trail for Newburgh after
+breakfast.
+
+<p>I said, "Harry, that freak fellow in the circus is the same fellow who's
+picture was in the paper; he's Horace E. Chandler, I'm positive."
+
+<p>He said, "I told you if you ate too many of those flapjacks last night,
+you'd be dreaming dreams."
+
+<p>"All right," I told him, "you remember about Marshal Foch; how you said he
+was a calf?"
+
+<p>"Let's have a squint at the picture," Harry said; "these remarkable
+discoveries of yours are getting to be a bad habit. A leopard is bad
+enough, but a <i>what-is-it!</i>"
+
+<p>So we showed him the picture and he screwed up his face and looked at it
+awful funny. Then he read the article all through.
+
+<p>"Well, so you think that's Wandering Horace, do you?" he asked.
+
+<p>I said, "Yes, because his hair is the same, and that funny kind of a look
+in his eye and everything. You've got to admit Jib Jab is human. He's a
+nice fellow, too. I bet he'd want to see these fellows get the reward."
+
+<p>Harry said, "Yes, I don't exactly hold it against him that he's human; he
+couldn't help it I suppose. I'm kind of human myself. But just suppose, for
+the fun of it, that you're right&mdash;"
+
+<p>"There's no fun about it," I told him; "Dorry and I both saw him."
+
+<p>"All right," he said; "and you want to sacrifice him to the Church Mice.
+You want to put them on his trail. How do <i>we</i> know he wants to be
+discovered?"
+
+<p>"It's a good turn," Dorry said.
+
+<p>Harry said, "Well, I'm not a scout and I don't deal much in good turns&mdash;"
+I said, "I bet you did hundreds of them." And I bet he did, too.
+
+<p>He just said, "But who is the good turn going to hit? What is it you want
+to do?"
+
+<p>Dorry said, "We want these fellows to find out who Jib Jab is; we want to
+start things going so they can find out of their own accord, before its too
+late."
+
+<p>"Yes, and how about poor Jib Jab?" Harry said. "If you harm one person to
+help another, do you call that a good turn? How do we know why he's
+traveling with that circus and living in an animal's skin? Seems to me
+we've got to consider <i>him</i> when we act."
+
+<p>Gee, by that I saw that there's a lot more to good turns than some fellows
+think.
+
+<p>"But anyway," I said, "Harry, that fellow is reckless just like you. Do you
+mean to tell me his mother and father haven't got a right to know where he
+is? Just because <i>you</i> went all over the world doesn't say&mdash;"
+
+<p>"Well, there isn't any mention of his mother and father here," he said;
+"only Mr. Horace E. Wade! up there in Greendale, or whatever they call it."
+
+<p>For a couple of minutes, Dorry and I didn't say
+anything, and Harry just sat there on a log whittling a stick.
+
+<p>Then he said, "Let's see that picture again." Dorry handed it to him and he
+looked at it in that funny, squinty way, same as before, then handed it
+back.
+
+<p>"Then can't we do anything about it?" I asked him.
+
+<p>"How about getting the reward ourselves?" he asked me.
+
+<p>"What do we want it for?" I said. "We're having plenty of fun. We don't
+need anything." He just went on whittling and looked up kind of funny like,
+at Dorry.
+
+<p>"How about you?" he asked. "You saw the picture first, and recognized him.
+Come in handy, that hundred, I dare say?"
+
+<p>Dorry just said, "Nix."
+
+<p>"Bully for you," Harry said, and he gave him a push in the chest. Didn't I
+tell you I knew how he'd feel about it?
+
+<p>"Well, then," he said, "since you are the only ones who would have any
+claims, we'll have to see what kind of a scout the Honorable Mr. Jib Jab
+is. I kind of like that fellow's face&mdash;"
+
+<p>"Don't you go and ask him to go off to South
+Africa with you," I said. Because I knew Harry Donnelle, all right.
+
+<p>"We'll just have to see if he's game for a little conspiracy. I kind of
+think from that twinkle in his eye, that he will be. We'll just have to
+lay the whole thing before him. We'll tell him about Gaylong and the poor
+Church Mice and if he's human-"
+
+<p>"Sure he's human!" I said. "Doesn't he smoke cigarettes and jolly the
+freaks, and wink at us and all that? <i>Sure</i> he's human-he's <i>especially
+human!</i>"
+
+<br>
+<br>
+<br>
+<a name="28"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXVIII
+<br>
+IN THE WOODS</h3>
+</center>
+<br>
+
+<p>So you see it's best to always think twice before you do a good turn. Don't
+be in too much of a hurry about it. Because a good turn might go wild and
+cause a lot of trouble. You've got to take a good aim.
+
+<p>As long as Jib Jab had told us we'd always be welcome, Harry said, it would
+be best for him and Dorry and I to wait till the show was over that night
+and then go in and make a call on him. So he told the fellows that we'd
+hang around in the woods for one more day and hike it for Newburgh in the
+morning. He said that would give us a chance to get some provisions in
+Kingston and to stalk in the mountains. They all liked the idea, only Brent
+Gaylong said his fellows didn't have many eats and they didn't want to be
+sponging on us.
+
+<p>Harry said, "We're all one family and I'm sick of this Silver Fox outfit,
+anyway. It'll help to vary the monotony." That was always the way he
+talked.
+
+<p>In the afternoon I took a walk through the woods with Brent Gaylong and the
+little fellow he called Willie Wide-awake. He was a nice little fellow. He
+found a four-leaf clover and he said, "Maybe that will change our luck."
+
+<p>I said, "Maybe; you never can tell." And, oh' boy, didn't I just laugh to
+myself. <i>You wait</i>, that's what I said to myself.
+
+<p>Gaylong said, "The trouble with us fellows is that we started our great and
+glorious troop during the war. Everybody was organizing troops&mdash;France,
+Germany, Uncle Sam, Italy&mdash;and we got lost in the shuffle. Too much
+competition. We'll land rightside up yet. But when I look over that scout
+magazine and see all the ads of things scouts want, it sort of makes me
+discouraged. Knives, cameras, bicycles, canoes, magic lanterns, toy steam
+engines, tin railroads, fancy memorandum books, electric motors, I suppose
+I'm behind the times, but just about all we want is a little place to meet
+in, and our scoutmaster back again and the price of a welcome for him,
+that's all. That, and the woods."
+
+<p>"You said it," I told him. "You should worry about all those ads; they
+have nothing to do with scouting. All they've got to do with scouting is
+that they're good to kindle a camp-fire with. Scouting doesn't cost
+anything when you once get started."
+
+<p>"It would cost about ten dollars a minute if some people had their way,"
+he said.
+
+<p>"Sure," I said, "they'd have you looking like Santa Claus. You should
+worry."
+
+<p>"But I ought not to kick," he said; "because I'm to blame for this wild
+goose chase. You see I wanted to get the kids out of doors. I wanted to get
+their minds off patent sleds and go-carts, and goodness knows what all. I
+was brought up in the country and I wanted them to have a taste of
+adventure&mdash;the kind of stuff that isn't advertised, you know ."
+
+<p>I said, "You bet I know; and I have to admit you're right, too."
+
+<p>"Of course, there wasn't any chance of finding that fellow, Chandler," he
+said; "but what's the difference? We had about seven dollars, and the kids
+wanted to buy one of those moving picture machines, <i>'Boy Scouts,
+Attention! Here is just what you want!'</i> You know. So I just took the
+seven plunks and brought them up this way on a hike. Something they <i>really
+did</i> want. I thought maybe there was one chance in twenty of finding that
+Chandler, but I didn't say so. I let them think the chance was fair.
+Anyway, we had a hike. We were out for adventure. They forgot about the
+cornets and the clock-work gew-gaws that they really <i>didn't want</i>. We've
+been scouting. We're broke, but we've been scouting. We hiked up to a
+remote village after a missing person. Romance! Adventure! We've been
+<i>scouting</i>. Hurrah, and a couple of bravos! That fellow Donnelle has the
+right idea; and he's a brick."
+
+<p>"Believe <i>me</i>, that's the biggest compliment you ever paid a brick," I
+said.
+
+<p>"So here we are," he said; "cleaned out and happy, and living on our scout
+brothers. That's the idea, isn't it? Brothers? Poor relations, hey? But
+we're real, honest to goodness, scouts. None genuine unless labeled
+<i>Church Mice</i>. Boy Scouts, Attention! Here is something you <i>really</i> want.
+Hiking! Adventure! Some day or other we'll stumble into fifty or a hundred
+dollars, but by the Big Dipper we'll get it <i>scouting</i>. That fellow
+Donnelle has the right idea; he's a peach."
+
+<p>"Believe <i>me</i>, he's a whole orchard," I said
+
+<p>Then neither of us said anything for about a minute, only we kept wandering
+along through the woods and we stopped and watched a chipmunk in a tree and
+kept good and still so lie wouldn't be scared. And Brent Gaylong picked up
+a locust, awful careful, and held it in his two fingers and showed Willie
+Wide-awake how its wings went and how it was different from a bird. And
+Willie Wide-awake held it in one hand, because he had the four-leaf
+clover in the other hand. It was nice in the woods. I found a red lizard,
+too; the kind that come out after it rains. I guess he made a mistake, hey?
+There are lots of them up that way.
+
+<p>I said, "You just keep that four-leaf clover and it'll bring you luck. If
+you can stand a pine cone on your thumb and hold it that way till you count
+ten, then you can make a wish and it'll come true."
+
+<p>So Willie Wide-awake balanced a pine cone like that and counted ten and
+then he said, "I wish we'd get a hundred dollars and I wish Mr. Jennis
+would hurry up and come back."
+
+<p>And then I batted the pine cone away with a birch stick, So as to make the
+wish come true. You've got to be sure the stick is made of birch.
+
+<br>
+<br>
+<br>
+<a name="29"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXIX
+<br>
+JIB JAB AND HARRY</h3>
+</center>
+<br>
+
+<p>Anyway, the day passed soon enough, even if we didn't have much to do, and
+after supper, Harry said very innocent sort of, "Roy, suppose you and Dorry
+hike into Kingston with me and carry home some stuff. The rest of you start
+a fire."
+
+<p>Little Willie Wide-awake piped up, "I'll go with you." But Harry just
+ruffled up his hair, the same as he was always doing with me and said, "You
+just sit here and watch the fire. See what you can find in the fire. The
+other night we were seeing all sorts of things in the fire-pictures and
+things. You can find all kinds of pictures in fires, can't you, Brent?"
+
+<p>Brent Gaylong said, "That's the idea."
+
+<p>So then Harry gave the little fellow a kind of a push so he went sprawling
+right down all over the other fellows. Gee, I bet those kids liked him. I
+don't know, but he had a way about him that everybody liked. After we
+started I told him he ought to be a scoutmaster, and he said he would only
+he had a date in Labrador. He said he had a date to go hunting seals.
+Another time he told us he had a date to kill a man in Australia. He had a
+lot of dates.
+
+<p>On the way to Kingston he said to us, "Did you give that newspaper article
+back to Gaylong?"
+
+<p>And I told him, "Yes."
+
+<p>"All right," he said; "we don't want that in our possession. We have
+nothing to do with this business; see?"
+
+<p>Dorry said, "Sure, we understand."
+
+<p>Then Harry said, "Now I don't want you kids to be disappointed if this wild
+man of Borneo turns out not to be wandering Horace at all; see?"
+
+<p>"I can't be mistaken," I told him.
+
+<p>He said, "Well, Columbus was mistaken when he thought he'd reached India,
+and he was smarter than you."
+
+<p>"Gee whiz," I said, "I don't deny he was smarter than I am. But anyway, I
+know we're not mistaken."
+
+<p>"All right," he said; "but I want you to let me do the talking. All I know
+about this savage beast is the twinkle in his eye. Twinkles are good
+things; you can usually bank on a twinkle. But you kids leave it to me;
+understand?"
+
+<p>I said, "It'll be so still you'll be able to hear the silence."
+
+<p>"Because this is a pretty delicate business," Harry said. "Even if Jib
+comes across all right, there's still Gaylong. Our fingers mustn't be seen
+in this pie. We're going to try to make something <i>happen,</i> that's all. If
+he knows that we had anything to do with it, he wouldn't <i>touch</i> the
+reward. Gaylong is as white as a snowstorm."
+
+<p>I said, "Take it from me a snowstorm is dark brown compared to him. I know
+that fellow."
+
+<p>"Well, if we can just handle this wild <i>what-is-it,</i> we'll put one over on
+Gaylong all right," Harry said. "We'll buy that cane for what's-his-name
+and we'll build that scout meeting-place. I'm getting kind of interested
+myself now. I haven't been so worked up since I sold a phonograph to a king
+over there in the Cannibal Islands. As soon as he heard it talk, he wanted
+to eat it. Come on, get a hustle."
+
+<p>When we got to Costello's Mammoth Show, the people were crowding out. Harry
+went up to the wagon where they sold tickets and said, "Hello, Mr.
+Costello, how's business?"
+
+<p>"Marvelous, magnificent!" he said in that big voice of his. "The town is
+spellbound by our sumptuous show. How are the young scouts?"
+
+<p>Harry told him we were all well, and asked him if I might go in and say
+good-bye to my friends.
+
+<p>"They will be proud to receive the young hero and his companions," he said.
+And he waved his whip toward the door of the small tent. I kind of liked
+that man. You can like a person, even if he's a kind of a faker.
+
+<p>In the side show tent, Lemuel Long was playing checkers with Judge Dot.
+Over in the corner, Jib Jab sat with his feet up on one of the platforms,
+smoking a cigarette. He had his bathrobe on and his face was all clean. I
+guess he was tired after pulling at that chain all day. He turned his head
+and said, "Hello, Scouty, glad to see you."
+
+<p>I said, "Jib Jab, this is the fellow who's looking after us on our hike;
+its Mr. Donnelle. I thought I'd come and see you before we go away and I
+brought him, too. He wouldn't tell anybody about you being human."
+
+<p>Harry Donnelle put out his hand in that nice off hand way he had, to shake
+hands with him, and Jib Jab started to reach out too. Then, all of a sudden
+he stood up and raised his arm and saluted.
+
+<p>"How are you, Lieutenant?" he said; "I see you're mustered out, but I
+salute you just the same, because you saved my life in France. I know you
+even if you don't know me, Lieutenant."
+
+<p>Just then Dorry whispered in my ear, "Did you notice his hand when he
+saluted. There's a cameo ring on it. Look close and see if that's Abraham
+Lincoln's head carved on it. Its awful old and clumsy looking."
+
+<p>Just then Jib Jab took my hand and I had a good look at that ring. Oh boy,
+you can bet I was excited. And you can bet a scout knows Abraham Lincoln's
+head when he sees it. But even if I was flabbergasted, I could seem to just
+hear those words, <i>"saved my life."</i>
+
+<p>I bet that fellow Harry Donnelle had hundreds and hundreds of adventures
+that he never told <i>us</i> about. I guess he didn't even notice the ring.
+That's one thing about a scout, he's observant.
+
+<br>
+<br>
+<br>
+<a name="30"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXX
+<br>
+JIB JAB IS SURPRISED</h3>
+</center>
+<br>
+
+<p>Just then Mr. Lemuel Long and Judge Dot got up to go to bed and Jib Jab
+called, "So long, Shorty! So short, Longy!"
+
+<p>While he was laughing at them, I whispered to Harry, "Notice the ring on
+his finger." I guess Harry noticed it all right, only he didn't say
+anything.
+
+<p>He just said, "Your face seems familiar to me; you were in my regiment,
+eh?"
+
+<p>"I was one of those in the machine gun nest," Jib Jab said; "don't you
+remember the four privates you saved?"
+
+<p>Harry said, "Oh, you were one of those fellows, eh? Glad to see that you
+got back to the States all right. I came to see you, but I didn't know who
+you were; that is, I didn't know you had been in France. You're Horace E.
+Chandler, I think, aren't you? I'm glad to see that you're human; there
+seems to be some question. Will you have a cigarette?"
+
+<p>Gee, it was awful funny to watch the two of them. Jib Jab just stared at
+him while Harry lifted himself up on the edge of the exhibition platform
+and lighted a cigarette, kind of off hand and friendly like.
+
+<p>"How's the savage beast business?" he asked him.
+
+<p>"What makes you thing I'm Chandler?" Jib Jab said.
+
+<p>Harry said, "Oh, I've suspected you were Chandler ever since these boys saw
+your picture in the paper, but of course, I didn't know you had been mixed
+up in the big scrap with me. Funny how things come about, huh?"
+
+<p>"Well, I suppose I'll have to admit it," Jib Jab said; "I hope you're not
+going to shout it out loud."
+
+<p>"No, I just want your assistance. I think you're a good sport. Far be it
+from me to criticise you for being a <i>what-is-it</i>. I'd like to be one
+myself. Must be kind of nice flopping around the country with a lot of
+freaks. How much does that skinny fellow weigh, anyhow? He looks like
+a ramrod. Little fellow's kind of pesky, isn't he?"
+
+<p>The two of them just sat there smoking cigarettes. Harry was dangling his
+legs from the platform and Jib Jab had his feet resting on it and his chair
+tilted back. It was awful funny to see them. For a couple of minutes
+neither of them said anything, only Harry kept looking around at the
+platforms where the freaks usually were. Pretty soon he just blurted out,
+"How'd you happen to hit this job, Chandler?"
+
+<p>Jib Jab said, "Oh, I don't know; its a long story. It's a pretty good job
+when you want to lie low."
+
+<p>"Lie low, huh? Why, what's the matter?" Harry asked.
+
+<p>"Cracky, I never saw Jib Jab so serious before." He said, "Oh, I was just
+one of the heroes that didn't get a job, that's all. I'm a happy-go-lucky."
+
+<p>"Same here," Harry said, and he just kept looking at him, awful sharp and
+searching, kind of.
+
+<p>"I came back from France broke."
+
+<p>"Same here," Harry said.
+
+<p>"And I just thought I'd try to pull together a bit before I hit the trail
+for home," Jib Jab went on. "I had a little over two hundred dollars to
+bring home to my old dad, but they relieved me of it in a sailors' dance
+hall over in Brest."
+
+<p>"Live up near Plattsburg, eh?"
+
+<p>"Yop, and I started home as soon as I was mustered out, but didn't make it.
+Just couldn't face the old folks&mdash;busted. I tried to get a job in Albany,
+in Poughkeepsie; nothing doing. Worked for a couple of days for a farmer
+over here in Elm Center, then hit the circus. Circus is a great place when
+you're down and out. Ever work in a circus?"
+
+<p>"I kinder think I'd like to," Harry said; "I've done most everything else."
+
+<p>"So here I am among the missing till I can save as much as I promised to
+bring home. I sent the old gent a letter saying I had two hundred bucks. I
+don't know who's got that two hundred, but I know one thing; I'm not going
+up to Greendale till I have that much. I'm not human till then."
+
+<p>"Old gent write you a letter?" Harry asked, kind of careless.
+
+<p>"Yop, and warned me. Didn't do much good." For about a minute Harry just
+sat there smoking and Jib Jab did the same thing. Neither one of them
+spoke. Harry was whistling <i>Over There</i>. Then he reached down into his
+pocket and threw a roll of bills into Jib Jab's lap.
+
+<p>"Here's your two hundred, Jib," he said; "and here's part of the letter.
+Let's have a squint at that ring, will you?"
+
+<p>Gee whiz, I guess you could have knocked Jib Jab down with a feather.
+
+<br>
+<br>
+<br>
+<a name="31"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXI
+<br>
+JIB JAB'S STORY</h3>
+</center>
+<br>
+
+<p>Then Harry told him all about his adventure cut on the ocean and how he
+found the dead man in the boat, and the money.
+
+<p>"Funny thing, too," he said; "but we were trying to dope out the meaning of
+that letter, all sitting around the camp-fire. We even thought we could see
+the old gent. Old veteran, isn't he? Huh, that's just what we thought.
+Blamed funny thing, a camp-fire."
+
+<p>Jib Jab didn't say anything, only just looked straight ahead of him. Harry
+just kept smoking and swinging his legs.
+
+<p>"Guess we hit it about right, hey?" he said.
+
+<p>Jib Jab just kept looking straight ahead of him.
+
+<p>"Pretty near," he said. He sounded kind of strange. Even still he didn't
+put the money in his pocket, or the water-soaked letter either, but they
+just stayed where Harry threw them, on the bathrobe.
+
+<p>"Pretty tough, being broke," Harry said.
+
+<p>"Bet the old gent'll be proud to see you. Under Grant, I suppose?"
+
+<p>"Sherman," Jib Jab said, very quiet.
+
+<p>Then neither of them spoke for about a couple of minutes, only Harry asked
+him for a light.
+
+<p>"Ever get mixed up with the boy scouts, Jib?" Harry asked him.
+
+<p>Jib Jab just shook his head.
+
+<p>"Well, listen here," Harry said; "and here's the test of whether you're
+really human."
+
+<p>"I guess I'm pretty human," Jib Jab said, very low.
+
+<p>Then Harry said, "We ran into a party of scouts, Jib, who went up to Elm
+Center to see if a fellow they saw in a moving picture was you. I guess it
+was all right. They had an idea of winning that reward; you know about the
+offer, of course?"
+
+<p>"Yes, I knew," Jib Jab said.
+
+<p>"How about this old gent you're named after? Friend of your father's? I
+thought as much. Pretty rich, I suppose? Good. Now, Jib, you and I know
+what it is to go broke. I've gone broke forty-eleven times. And we're both
+keen for adventure; that's our trouble, I guess. There's a fellow over
+where we're camping, a young fellow, with a bunch of little tenderfoot
+scouts. They came up to hunt for you and to get that reward. They're broke.
+They need some mazuma to start in with. They need a hundred. Do they get
+it?"
+
+<p>Jib Jab said, "What do you mean?"
+
+<p>"Well, first you're willing to go home?"
+
+<p>"Do you have to ask me that?"
+
+<p>"All right then," Harry said; "here's the plan of campaign and General
+Pershing himself couldn't plan it better. You're going home, that's
+settled. Prodigal son, and all that stuff. But first you've got to be
+discovered. Give us another light, will you? I put it to you from man to
+man, or from tramp to <i>what-is-it, you can't go home without being
+discovered.</i> You've got to come over our way and get yourself discovered.
+These scouts need a shack to meet in and a lot of stuff. They want to give
+their scoutmaster a welcome home. He was in the scrap same as you and I.
+It all hangs on that hundred dollars, Jib. I'm sorry, but you'll have to be
+the goat. That young fellow Gaylong is a double barrel scout and he's
+trying to pull through with that outfit of kids. He wouldn't take a cent as
+an ordinary present. I've got his number, Of course, if you've got the
+instinct of a baboon that doesn't mean anything to you. But all over the
+fences in this happy berg, Costello is wanting to know if you're human. You
+can't show you're human just by taking off that bear skin and washing your
+face. I want to know if you're <i>human</i> or not."
+
+<p>"Run out and ask Costello for a couple of marvelous, matchless matches,
+will you, Roy?"
+
+<br>
+<br>
+<br>
+<a name="32"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXII
+<br>
+JIB JAB TURNS OUT TO BE HUMAN</h3>
+</center>
+<br>
+
+<p>So that's all I can tell you about their talk, because when I went back
+Harry was waiting for us near the entrance. All I can tell you is what
+happened. On the way back through the woods Harry wouldn't talk at all,
+only he said that the scouts were a blamed nuisance and he guessed he'd go
+and work in a circus. Gee whiz, I hope he doesn't. But, oh boy, he'd make a
+dandy <i>what-is-it</i>.
+
+<p>When we got to camp there was a peachy big fire and they were all sitting
+around it. Brent Gaylong was lying on his back, same way as he always did,
+with his knees up.
+
+<p>"Move up and give us a chance here," Harry said; "we're tired." And he
+squeezed right in between little Willie Wide-awake and another one of those
+kids. "Regular sewing circle, huh?" he said. "Well, Bill old top, what did
+you see in the blaze?"
+
+<p>"He's been seein' things," Brent said, kind of laughing.
+
+<p>"Get out&mdash;<i>no</i>," Harry said.
+
+<p>"I saw a transport," Willie Wide-awake said; "that long log looked like a
+transport. Then it crackled and I didn't see it any more."
+
+<p>Harry said, "Torpedoed, I guess. Didn't see anything of that scoutmaster of
+yours, did you?"
+
+<p>"I looked, but I didn't see him," Willie said.
+
+<p>"Down in the cabin eating his dinner, probably," Harry said. "Chuck on a
+couple more logs, Westy old boy."
+
+<p>"He saw a meeting-shack, too," Gaylong said.
+
+<p>"It was just like real," the kid piped up.
+
+<p>"That point on the blaze made the roof. You can see things better if you
+half shut your eyes."
+
+<p>"That's the idea," Harry said; "you've got to get kind of dreamy. You're
+getting the hang of it all right. Over in France one night I saw the house
+I live in at home. There was a new chicken coop. Once I saw Teddy
+Roosevelt."
+
+<p>"One good thing," Brent said in that funny way he had; "the things you see
+in the fire don't cost anything."
+
+<p>Harry said, "Yes, but they're going up like everything else. They go up in
+smoke."
+
+<p>"Like everything else," Gaylong said.
+
+<p>"There you go," Harry said; "Hard Luck Gaylong, the boy grouch. How do you
+know when you may strike luck. Look at Charlie Collins over there on the
+west front; ran plunk into his own brother while he was on sentry duty;
+brother said, 'H'lo Charlie'&mdash;just like that. Neither one knew the other
+was in France. You've been looking at maps and things and you believe
+everything the geography tells you. I've been all around this world and you
+can take it from me, its about the size of a coconut. Look how Stanley
+met Livingstone in South Africa. You take a tip from me and keep that
+newspaper picture."
+
+<p>Brent said, "I'd paste it in a scrapbook only we haven't got a scrapbook."
+
+<p>"We haven't got any paste either," Willie shouted.
+
+<p>"Poor, but honest," Gaylong said.
+
+<p>Then Harry put his arm around little Willie Wide-awake's shoulder, awful
+nice and friendly like, and he said, "Don't you mind him, Bill old boy. Let
+him grouch. Now let's you and I see what we can find there."
+
+<p>Gee, he was awful nice and it made me like him a lot. Because, anyway, it
+showed that even if he was kind of wild and reckless, he could be nice to a
+little fellow like that. I wish he'd be a scoutmaster, but I don't believe
+he ever will. He's got too many dates. We all looked into the fire and
+listened when he began.
+
+<p>He said, "I can see old Grouch Gaylong, there, with a fine scout uniform
+and one of those big long sticks and about 'steen hundred badges; badges
+for being sarcastic, badges for lying on his back and sticking his feet up
+in the air, Calamity Jane badges-all kinds. I can see you head of the
+Church Mice patrol, only the Church Mice have struck it rich. They won't
+speak to the Silver Foxes any more. See that long, thin flame? That's one
+of their tails."
+
+<p>"I can see the American flag," Willie Wide-awake said.
+
+<p>"Sure, Old Glory;&mdash;right underneath it is a little kind of a bungalow all
+fixed up, and a canoe right near it. See the canoe? And I can see a
+face-yes sir, I can see a face. Mr. Jennis, is it? See, right through the
+middle of the flame? That's Mr. Jennis, all right. And&mdash;"
+
+<p>"I can see it!" Willie Wide-awake shouted.
+
+<p>"Sure you can," Harry said, "plain as day&mdash;"
+
+<p>"<i>Look! Look!</i>" the little fellow shouted, and he clutched Harry by the
+arm, all excited. <i>"I see it! It's real! Look!"</i>
+
+<p>I was looking, too, and I saw it and then I knew. And I wanted, I just
+wanted to go over and clutch Harry Donnelle by the arm, just like that kid
+was doing. I could see Brent Gaylong roll over and look, kind of curious,
+through the blaze. And all the fellows seemed to start, all except Dorry
+and I. But I didn't budge, only sat there watching Brent Gaylong. His face
+looked kind of strange. Then he stood up. And the other face behind the
+blaze rose up, too. And Jib Jab was standing there and the fire was shining
+on his face. And even I could see the twinkle in his eye.
+
+<p>Then I heard Harry Donnelle speak and his voice sounded queer, because it
+was so still around there. And there wasn't any sound except the fire
+crackling.
+
+<p>He said, "Who are you? What do you want here?"
+
+<p>"Just a stranger after food and shelter," I heard; "I've been wandering in
+the woods. I am a discharged soldier and I'm in hard luck."
+
+<p>But I didn't notice him, because I was looking at Brent Gaylong. He was
+standing up straight and looking steady, right across the fire, into that
+face. And he didn't take his eyes off it; just stared.
+
+<br>
+<br>
+<br>
+<a name="33"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXIII
+<br>
+WE PART COMPANY</h3>
+</center>
+<br>
+
+<p>Oh, it was great to watch Harry&mdash;the way he acted. He just said, "A
+soldier, eh? Sit down, we were just going to have a bite to eat. I was in
+the big scrap, myself." That's what he always called it&mdash;the big scrap. He
+didn't pay any attention to Brent Gaylong, and Brent just stood there
+staring.
+
+<p>Pretty soon Brent said, "Your name isn't Chandler, is it?"
+
+<p>"Maybe, and maybe not," Jib Jab said. "Who are you?"
+
+<p>He didn't admit he was Chandler right away and Harry Donnelle said, kind of
+careless sort of, "If you're the missing Chandler you might as well so say.
+We're all tramps and wanderers here. All broke, too."
+
+<p>So pretty Soon <i>Jib Jab, is he human?</i> admitted that he was Horace E.
+Chandler, and Harry Donnelle said it was mighty lucky we had decided to
+stay over night in that neighborhood. He said he had always thought that
+the world was about as big as a coconut, but now he knew it was the size
+of a green pea. He said the trouble with it was there wasn't enough elbow
+room, and scouts couldn't get away into the woods and be alone, because on
+account of the crowds&mdash;crowds of missing people. Oh, he was great and,
+believe me, we liked that fellow.
+
+<p>None of those Church Mice even knew that Horace E. Chandler was Jib Jab who
+was in the circus. On the quiet, Jib told us that Mr. Costello didn't mind
+his leaving like that, because <i>what-is-its</i> were easy to get, on account
+of so many of them being out of work&mdash;I mean people. But Jib said, Mr.
+Costello told him he was the best <i>what-is-it</i> he ever had, and he would
+give him a good recommendation, if he wanted it.
+
+<p>So that's the end of <i>Jib Jab is he human?</i> And, gee, you'll have to admit
+he was human, all right. He said he wouldn't go home to Greendale unless
+the Church Mice went with him and stayed for a few days on his father's
+farm. Harry Donnelle stood up for him and said that was right. I bet
+he knew about it all the time. He said that he wouldn't trust Chandler to
+go home alone.
+
+<p>"Now you've got him, hang onto him," that's what he said to Brent. "Safety
+first, don't take any chances. Go up there and get your hundred. These
+discharged soldiers are a bad lot. See what kind of a farm he lives on, and
+if it's any good we'll hike up there next summer and strip the apple trees.
+Got any good russets up there, Horace?"
+
+<p>So that's the way they fixed it, and the next morning Horace Chandler and
+the Church Mice started off on their journey to Greendale. Brent Gaylong
+said he was going to phone home from Kingston, so that their people would
+know. Anyway, I guess their mothers and fathers wouldn't worry much,
+because Brent was the kind of a fellow they could trust, that was one sure
+thing.
+
+<p>Harry told Horace Chandler to start off with them just as if they were
+going to hike all the way, and then when they got good and tired, to buy
+tickets on the railroad. Do you know what I think? I think Harry had some
+money and that he gave it to Horace so he could do that. That's what I
+kind of think. It would be just like him anyway.
+
+<p>One thing, you're going to meet all those fellows again, but not in this
+story. Because after a while we went up to that farm in Greendale and
+camped there, and met old Major Chandler and Mr. Wade and Horace, and had a
+lot of fun, you can bet. It's a whole story all by itself. They have dandy
+russet apples up there, and, oh boy, can't Horace's sister Betty make apple
+dumplings. I ate four one night. Hunt Manners ate six, but anyway he
+started before I did.
+
+<br>
+<br>
+<br>
+<a name="34"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXIV
+<br>
+A GOOD IDEA</h3>
+</center>
+<br>
+
+<p>That same day we hiked out through Woodstock. Harry Donnelle said we had to
+be careful, because the woods were infested with poets and authors and
+artists, but I should worry, who's afraid of a poet? We saw a lot of them
+and they wore funny big neckties and long hair. But anyway, Harry said they
+were harmless. They live in little shacks.
+
+<p>We went around the Ashokan Reservoir and then along the road down through
+Atwood and Stone Ridge till we got to the Wallkill River, and that night we
+camped near New Paltz. There's a great big abnormal school there, or a
+normal school, or whatever you call it. I should worry. Anyway, there's one
+thing I like about school, and that's vacation.
+
+<p>The next day we followed the Wallkill River and caught some perch and
+cooked them "for supper", and that night, around the fire, we made Harry
+tell us how he saved four privates on the West Front. The next morning we
+started off again and passed a place named Great Bluff. It was a great
+bluff all right, because it was so small you could send it by Parcels Post.
+
+<p>Pretty soon we came to a place named Tanner's Crossroads. I couldn't see
+anything so cross about them. But anyway Mr. Tanner was cross enough to
+make up. He wouldn't let us take a short cut across his land. What cared
+we? I don't know how big the village was, because I didn't have a ruler
+with me. I guess somebody must have dropped the village there and never
+noticed it. That night we slept just inside of a village named <i>Slow</i>.
+Anyway, that's what it said on a sign alongside the road. Harry said it
+meant for autos to go slow. I made flapjacks that night. In two days we
+came in sight of the Hudson. I knew it would be there. Oh boy, but we
+climbed some hills. Pretty soon we could see Haverstraw, but we didn't go
+near it. We camped in a dandy place outside the town. And that's the place
+where we had our big adventure. Maybe you'll remember how I said our hike
+got tied in a knot in one place. Well, that was the place.
+
+<p>So now I'm going to tell you about that adventure. It has girls in it and
+everything. And it shows you how boy scouts can be heroes. It has two
+heroines, so maybe if you don't like one, you'll like the other. One's an
+emergency heroine, that's what Harry said.
+
+<p>Now maybe if you've read all about our adventures up at Temple Camp, you'll
+remember that my sister Marjorie was going to have a birthday party. I told
+Mr. Ellsworth that I would like to go home for that party and go back to
+Temple Camp the next day. Maybe you will remember about it, on account of
+my saying that she was going to have coconut frosted cake.
+
+<p>Now on that night that we were camping near Haverstraw, I happened to think
+about it being my sister's birthday. I just happened to think of it while
+we were sitting around our campfire.
+
+<p>I said, "This is my sister's birthday and she's going to have a party and
+coconut frosted cake and things, and I'd like to be there. I wish I had
+thought about it yesterday-I'd have sent her a postcard." Because, one
+thing, I never forgot about my sister's birthdays.
+
+<p>Harry said, "Why don't you call her up?"
+"Sure," Westy said, "they'll just about be having the eats now ."
+
+<p>I said, "What good will that do me?"
+
+<p>"Anyway, where's the telephone?" Dorry said.
+
+<p>"I bet there's a booth over in that little station," Harry said; "why don't
+you go over and see? It would be a big surprise, hey?"
+
+<p>I said, "You bet it would. Come on over and we'll see if there's one there,
+Westy." The station that Harry spoke about was a little dinky station that
+we had passed about a half of a mile back. When we passed it, Harry said he
+guessed maybe it was the West Haverstraw Station. It was all dark even
+then. But anyway, Westy and I decided we would go back to it and see if it
+was open and if there was a 'phone booth there.
+
+<p>"Let's wait till half-past nine before we start," I said; "and then we'll
+call up at exactly ten o'clock, because that's the time they'll all be
+going in for the eats and they'll be giving the presents then, too. It'll
+kind of seem as if I were there just at the right minute."
+
+<p>So at half-past nine, Westy and I started down the road.
+
+<p>"Give her our best wishes," Harry called after us.
+
+<p>It was awful dark and we could hardly see our way going along the road. A
+couple of times I went stumbling into the ditch. But, anyway, all the
+while I kept thinking about Marjorie and how it would look at home with all
+those people there and lots of presents and things.
+
+<p>"I'm mighty glad Harry thought about that," I said.
+
+<p>Westy said, "Jiminies, it will be great. Just when they're all sitting down
+around the table, all of a sudden the 'phone will ring-"
+
+<p>"Yop," I said, "and Marjorie will answer it, because she always answers the
+'phone, on account of Charlie Wentworth all the time calling her up. He's
+in Philadelphia. That's what makes the 'phone service so bad, because he
+keeps all the operators busy. Believe me, they ought to have a private
+wire. Anyway, that's what my father says."
+
+<p>"I bet you won't be able to get her," Westy said.
+
+<p>"There you go," I told him; "Calamity Jane!"
+
+<p>"To call her up, you'll have to call Central down," he said.
+
+<p>"I should worry," I told him.
+
+<br>
+<br>
+<br>
+<a name="35"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXV
+<br>
+WHAT I HEARD ON THE TELEPHONE</h3>
+</center>
+<br>
+
+<p>That station stood all by itself, and it was pitch dark all around. It
+reminded me of the Grand Central Station, it was so different. First we
+tried the door and it was locked. Then we tried one of the windows and it
+opened.
+
+<p>I said, "Do you think it would be all right to climb in?"
+
+<p>"Sure it would," Westy said; "because the window doesn't open into the
+ticket agent's room, only into the waiting room. Go ahead."
+
+<p>I didn't see any harm in climbing in, because the window was part open and
+there was a sign outside that said "Public Telephone."
+
+<p>"Anyway," Westy said; "if anybody should come and find us here, we could
+say we just wanted to 'phone. And we could prove that's all we wanted, too,
+by our really getting the number."
+
+<p>First I didn't know what we ought to do, but as long as we didn't have to
+break anything open, and as long as all we wanted was to 'phone, I decided
+it would be all right.
+
+<p>So we climbed in and I saw there was a booth in the corner. I dropped a
+nickel into the 'phone and held the receiver to my ear and waited and
+waited and waited and waited. Gee, I waited about as long as three whole
+chapters would be.
+
+<p>Then I heard a girl's voice. It said, "Hello, hello."
+
+<p>I said, "I want three, two, one, Bridgeboro, New Jersey, and please hurry
+up, because my sister's having a party."
+
+<p>I guess the wire was crossed, the girl was awful excited, and every time I
+said hello, she'd say, "Hello, hello, is this you, father?"
+
+<p>I guess she was so rattled, she didn't know who she was talking to.
+
+<p>By this time I was getting kind of sore at the operator, because I wanted
+to get my sister the minute of ten o'clock, and she was sort of spoiling
+my plan. I had just three more minutes to get her, because Westy lighted
+a match and looked at his watch. Then I said, "Hello, hello."
+
+<p>The same voice kept saying, "Hello, hello, is this you, father?"
+
+<p>I said, "No, it isn't. How long does it take to get the operator in this
+berg?"
+
+<p>The poor girl was almost crying by now. She said, "I've been trying for an
+<i>age</i> to get my father. Won't you <i>please</i> let me get him? I want my
+father! Why <i>don't</i> they give me my father?"
+
+<p>Gee whiz, you'd think I had her father in my pocket. I said, "I'm trying to
+get my sister, too. If you happen to see her, tell her, will you?"
+
+<p>She said, "Oh dear; it's just <i>exasperating</i>. Won't you <i>please</i> get off
+the wire. I want Central. Why can't they help me? We're in such a <i>dreadful
+predicament</i>."
+
+<p>I said, "I guess Central went to the movies or somewhere. I'm a boy scout
+and I'm in a dark station somewhere or other near Haverstraw&mdash;"
+
+<p>"Oh, isn't that just too <i>provoking!</i>" she said. I said, "Oh, it isn't so
+bad in here, only it's dark."
+
+<p>"Is there <i>anything</i> I can <i>do</i>?" she said; "we're lost on the top of
+Eagle's Nest Mountain. Oh, I wonder if you'd be willing to go to Haverstraw
+and tell my people&mdash;Judge Edwards. It's <i>dreadful!</i> We've been here since
+five o'clock. We haven't had a thing to eat and we're nearly perishing. The
+boys made a mistake about the trail. Oh, it's <i>terrible!</i> We're frightened
+out of our lives. I'll <i>never, never</i> come up this <i>horrible</i> mountain
+again!"
+
+<p>I said, "Are the boys scouts?"
+
+<p>She said, "No, they're regular young men and they're <i>utterly bewildered!"</i>
+
+<p>I said, "Now I <i>know</i> they're not scouts. But anyway, you don't need to
+worry, because we'll come up and get you. Trails are our middle names. You
+should worry about Central. But, one thing, I'd like to know how there
+happens to be a 'phone up there."
+
+<p>She said, "Oh, you're just a <i>dear."</i> That's just exactly what she
+said&mdash;honest.
+
+<p>I said, "Mountains aren't horrible. I've met a whole lot of them and
+they're all right. Don't you worry. I was trying to get my sister on the
+'phone to tell her Many Happy Wishes, because it's her birthday, and she's
+having a party. She's just seventeen. We're on a hike."
+
+<p>"Oh, I'm just seventeen, too," she said; "and you're perfectly <i>wonderful</i>.
+I <i>know</i> you'll save us. We're up here at the fire observation station. If
+you'll go to my father and go to the police&mdash;"
+
+<p>"We should worry about the police," I said; "the only trail they can follow
+is a trail around the block. One of us fellows will go to your father's
+house and tell him, and meanwhile, the rest of us will come up there.
+Anyway, I'd like to see that observation station. So now maybe you'll calm
+down and tell me how to find the mountain road."
+
+<p>"Oh, do you <i>think</i> you <i>can?"</i> she asked.
+
+<p>"Sure, we can," I told her.
+
+<p>Just then somebody must have pulled her away; from the 'phone. Anyway, a
+fellow's voice said, "Let me talk to him. What is he? Just a kid?" Then he
+said, "Will you please run to Haverstraw and notify Judge Edwards, 22
+Terrace Street, that his daughter and three friends are on the top of
+Eagle's Nest, and to please have the authorities notified and a party
+formed to come here. I will see that you're suitably rewarded."
+
+<p>I said, "I'd be ashamed to have the whole town of Haverstraw coming up
+after met and scouts don't accept rewards. We'll send to Haverstraw and
+tell Judge Edwards, and then we'll come up and get you. All you have to do
+is to sit there and ten riddles till you see us. Which road do you take for
+Eagle's Nest?"
+
+<p>Then he said how we should follow the west road from Haverstraw till we got
+to a big white house with a windmill in front of it. Pretty soon after we
+got past that, he said, we'd come to a cow path that led through the
+fields. He said we should follow that till we got into the woods where we'd
+see picnic grounds and then we'd find a trail that went up the mountain. He
+said other trails branched off from it, so we'd have to be careful. He said
+it didn't go right to the top, and I suppose that's why they couldn't find
+it coming down.
+
+<p>He said, "Did you ever hit a mountain trail?"
+
+<p>"<i>Hit</i> one?" I said. "We give one a knock-out blow every couple of days. So
+long, we'll see you later. Tell that girl not to worry."
+
+<p>Gee whiz, I forgot all about Marjorie.
+
+<br>
+<br>
+<br>
+<a name="36"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXVI
+<br>
+UP THE TRAIL</h3>
+</center>
+<br>
+
+<p>As soon as I told Westy about it, he said he'd go into Haverstraw so as to
+save time, while I went back to camp and got the rest of the fellows. Oh
+boy, didn't I hustle. I went running into camp shouting that there were two
+fellows and two girls on the top of Eagle's Nest, and that we had to go and
+rescue them.
+
+<p>"Are they human?" Harry asked in that funny way he had.
+
+<p>"Yes, they're human," I said.
+
+<p>"Five toes on their front feet and four on their hind feet?" he asked me.
+"Had we better take some flypaper?"
+
+<p>"All right, you can laugh," I said.
+
+<p>He said, "I've followed you through many wild adventures, but I never
+accompanied you in rescuing a maiden in distress."
+
+<p>"Two maidens," I said.
+"All right," he laughed; "the more the merrier."
+
+<p>"And one of those fellows said I was a kid," I told him. "Anyway, if I took
+a girl out, I'd know how to bring her back, that's one thing. Wait till I
+see that fellow."
+
+<p>Harry just laughed and said he wouldn't miss it for anything. So we took
+two lanterns and started off along the road that ran north, and pretty soon
+we hit into the main road out of Haverstraw and came to the big white house
+with the windmill. Pretty soon we hit into the cow path that led up through
+the woods. It wasn't just like the fellow said, because it fizzled out in a
+pasture. Anyway, across the pasture were thicker woods and we picked up the
+mountain trail there. If he had told us that it started right near a big
+stone, it would have saved us a lot of hunting around with our lanterns.
+That's just the way it is with big fellows; they think they're so smart
+that they don't know anything. Gee whiz, you didn't need a microscope to
+see that rock, but he never even mentioned it over the 'phone.
+
+<p>One thing, who ever named that mountain Eagle's Nest ought to apologize to
+the first eagle he meets. It would have been a crazy eagle that would build
+a nest like that. As nearly as I could make out it was a lot of mountains
+all jumbled into one. Harry said it was a kind of a bouquet of mountains.
+
+<p>The trail led up through a pine forest and first it was easy following it.
+Then It went down into a hollow and got mixed up with a lot of rocks. I
+guess that must have been one of the rooms of the eagle's nest. Anyway, we
+couldn't follow it through there so we took a chance and picked it up on
+the other side.
+
+<p>That's where the climbing began. Oh boy, that was some tangle-all
+underbrush and scrub oak. <i>Good night</i>, I don't know how those girls ever
+got through there. Pretty soon I stopped and began sniffing.
+
+<p>"Do you know what it reminds me of?" I said.
+
+<p>"It reminds me of raking up the leaves at home."
+
+<p>"It smells like a rake," Hunt Manners said, just joking.
+
+<p>"Not but I mean burning autumn leaves," I said; "you know how it smells in
+Bridgeboro in the autumn. Then you know it's getting cold and Thanksgiving
+and Christmas are coming. Anyway, you can laugh, but that smell always
+reminds me of Thanksgiving."
+
+<p>Harry just sniffed, but didn't say anything, and we started up again. There
+were lots of big hubbles, kind of valleys in the mountain, and most of them
+were rocky. I guess in the daytime it would be easy enough to keep the
+trail in those places, but at night, we had some job.
+
+<p>In one of those places we heard a sound as if some one was moving and we an
+stopped short and looked around. Pretty soon Dorry whispered for me to
+look, and he pointed to a dark thing kind of sneaking away.
+
+<p>Harry called, "Who's there?"
+
+<p>There wasn't any answer and the man, or whatever it was, was gone. It was
+so dark we couldn't see which way he had gone.
+
+<p>Harry said, "That's funny; this is a queer place to meet anybody."
+
+<p>Will Dawson said, "I guess it was just a tramp."
+
+<p>"Or a leopard," Tom Warner said.
+
+<p>"Or maybe a <i>what-is-it</i>," Charlie Seabury chimed in.
+
+<p>Anyway, we didn't want to run any risk of losing the trail, so we didn't
+bother about him, but kept on up the mountain.
+
+<p>The higher we got, the worse it was. There was what we call mongrel forest,
+tall trees and thick brush underneath. But it was straight going now,
+without any up and down places. The trail was easy to follow, only we had
+to go in single file, the first fellow (that was Harry), keeping it by
+holding a lantern low.
+
+<p>Pretty soon he stopped and said, "There's brush burning somewhere around
+here; I can smell it."
+
+<p>Ralph Warner said, "<i>Listen</i>."
+
+<p>We all stood stark still and just as plain as could be, I could hear a
+crackling sound quite a way off.
+
+<p>"I don't smell it now," I said; "I did a little while ago."
+
+<p>"Wait till the breeze is this way," Harry said, and then, in just a minute
+we got a good whiff of it&mdash;strong, just like when I burned the leaves on
+our lawn at home. Then all of a sudden I couldn't smell it at all. Dorry
+tied his scout scarf on a stick and held it up, and when it blew out
+straight we got a strong whiff, and the crackling was louder. Sometimes it
+blew around the other way, up the mountain. Sometimes we couldn't smell
+anything at all, but mostly we could hear the crackling a little. It was
+too dark to see any smoke and there wasn't any blaze. Harry said he guessed
+it was pretty far away. He said the breeze could carry the smell a long
+distance.
+
+<p>"It couldn't carry the sound so far, though," I said.
+
+<p>"Trouble is, a stiff breeze can carry most anything," Harry said; "well,
+let's move along and rescue the maidens."
+
+<p>Just then Hunt Manners said, "<i>Listen!</i>"
+
+<p>Far off we could hear the whistle of a locomotive and a kind of rattling,
+not very clear, but I knew it was the rattling of a train.
+
+<p>"That's 'way over at the Hudson," Harry said; "shows you how far sound will
+carry in the night."
+
+<p>Just then I looked at Dorry's scarf that was tied on the stick, and I saw
+it was blowing the way we were going&mdash;up the mountain.
+
+<p>I said, "That's why we hear the train; the breeze is blowing from the east.
+But I can't hear the crackling now."
+
+<p>"Guess the breeze is blowing that up the mountain, too," Harry said.
+
+<p>Then we started up the trail again toward the summit.
+
+<br>
+<br>
+<br>
+<a name="37"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXVII
+<br>
+A VOICE</h3>
+</center>
+<br>
+
+<p>It was a jungle of underbrush, that's what Harry said. Pretty soon the
+trail just fizzled out in the bushes. We poked around with our lanterns and
+found a spring there. I guess the wood between there and the summit must
+have been where the party got lost. Sometimes we could hear the crackling
+and sometimes we couldn't, but we could smell the burning brush all the
+time.
+
+<p>"Guess we're pretty near the summit," Harry said; "let's call that we're
+coming. The breeze will carry our voices."
+
+<p>So we all called together, "Hello, we're coming."
+
+<p>There wasn't any answer, but anyway, we couldn't have heard on account of
+the breeze blowing up the mountain.
+
+<p>That was the only thing we had to guide us now&mdash;the breeze. We kept the
+scarf in the air and just followed it, pushing through the brush. Sometimes
+we had to stop and tear away an opening, so as to get through. There must
+have been an easier way or those girls and fellows would never have managed
+it, but Harry thought it was better to push right up than to be groping
+around for a path.
+
+<p>All of a sudden, Ralph Warner said, <i>"Look!" Good night!</i> A long line of
+fire was coming up the mountain, maybe a quarter of a mile in back of us.
+First it seemed like a dotted line, kind of, because there were dark
+spaces. But even while we looked some of these filled up. The thing it
+reminded me of most of all was soldiers; it seemed like a line of soldiers,
+all bright and fiery, charging up the mountain. It was coming fast and I
+have to admit it scared me. Because even if we could get through the brush
+fast enough, I saw we couldn't get out of range of it. Kind of, the thought
+came to me that it was like soldiers who had just scrambled out of the
+trenches. That was just how suddenly we saw it. I remember I heard Harry
+say something about wind and fire being allies, but we didn't stop to talk,
+only pushed up through the brush as fast as we could, but all the while it
+kept gaining on us.
+
+<p>Pretty soon I said, all out of breath, "We can't keep this up; it's
+gaining; I can even feel the heat."
+
+<p>"We can't flank it, that's sure," Harry said; "hustle for all you're worth;
+that's all I can say."
+
+<p>Gee, I'll never forget that night. We just pushed on up through the brush,
+stumbling and falling and lifting each other and trying to run. Our clothes
+were all torn and we were panting like a lot of dogs.
+
+<p>"Watch and see that no fellow is left behind," Harry panted.
+
+<p>Every minute two or three of us were just dragging some fellow up out of
+the brush. I guess it was a case of more haste, less speed; it's pretty
+hard running through brush.
+
+<p>Harry just panted out, "Boys, we're in a pretty tight place; don't get
+rattled. Lift your feet high with each step and follow right in my tracks.
+If anybody falls, <i>shout.</i>"
+
+<p>I said, "We're losing all the time; what's the use?"
+
+<p>"We can keep ahead of it for a couple of hundred yards," he said; "maybe
+we'll strike clear land. Anyway, we can't do anything else than give it a
+race."
+
+<p>By that time we could feel the heat and sometimes sparks blew almost over
+our heads, but they were out when they reached ground. Harry just kept
+panting out, "Hustle," and "Keep your nerve."
+
+<p>By now the crackling was loud and I could taste smoke. I knew there wasn't
+much chance for us, but I didn't say so. Anywhere a blown fire is bad
+enough, but uphill it just rushes. It seemed funny that I'd have to die on
+Marjorie's birthday, and all of a sudden I thought how I had tried to
+'phone her. Gee, she'd never even know that.
+
+<p>"Hustle," Harry said.
+
+<p>"Do you hear a voice?" Dorry asked; <i>"listen."</i> As plain as could be, I
+heard a girl's voice, crying. It kind of seemed as if it might be Marjorie
+crying, because I was dead.
+
+<p>Then I heard Hunt Manners say, "Yes, I hear it."
+
+<p>Harry just panted out, "Never mind, step high and hustle."
+
+<br>
+<br>
+<br>
+<a name="38"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXVIII
+<br>
+WE FIGHT AND RUN AWAY</h3>
+</center>
+<br>
+
+<p>"Where are you?" Harry shouted; "all call together."
+
+<p>We could hear several voices answering all together, "Here."
+
+<p>"Keep shouting," he called; "we're coming. Is there any open land up
+there?"
+
+<p>"No," a voice said; "hurry!"
+
+<p>We followed the voices and pretty soon came to the observation station. It
+was just a little shanty with a trestle-work wooden tower close to it.
+
+<p>"Did you get 'phone connection yet?" Harry called as we came up.
+
+<p>"Guess the poles are burned down," a fellow's voice answered. "We can't
+even get Central. Have you got water?" he fairly wailed. "We're going to
+be burned alive! Have you got water?"
+
+<p>Inside were two girls and two young fellows.
+
+<p>One of the girls was wringing her hands and just sobbing, and the other
+girl was trying to calm her down. She just kept crying, "It's coming nearer
+and nearer! What shall we do? Oh, what shall we do?" One of the fellows was
+all gone to pieces, too, and he just clutched Harry's arm and said, "Save
+us; can't you save us?"
+
+<p>Harry just kind of threw him off. He said, "We're here to save you if we
+can, and die with you if we can't. The first thing is, not to be a coward.
+Remember, when the Titanic went down, the band was playing. There have been
+a couple of million people killed in the last two years. Who are you, to be
+standing here crying like a baby?"
+
+<p>Oh boy, that hit the girl if it didn't hit the fellow. She just got up and
+grabbed Harry by the hand and said, "I'm <i>not</i> a coward. I <i>can</i> be brave."
+
+<p>"All right," he said; "we've got about eight minutes. Sit down and be
+calm. These boys are scouts. Take a lesson from them."
+
+<p><i>Oh, didn't I admire that fellow!</i> I bet the girl did, too. Gee, you
+couldn't blame her.
+
+<p>"There ought to be some axes here," he said; "hustle and turn things over."
+
+<center>
+<br>
+<img src="images/ill4.jpg" alt="We chopped away the brush to make a long clear space">
+<br>"We chopped away the brush to make a long clear space."
+</center>
+
+<p>Oh boy, it didn't take us long to have that shanty inside out. We found
+five axes.
+
+<p>"All right," Harry said; "now we've got just one slim chance and it all
+depends upon how fast we can work. We've got to chop down and tear up a
+line of brush and start a fire back to meet the other one. Everybody get
+busy-woman's place is on the fire line; <i>hustle!</i>"
+
+<p>Oh boy, you should have seen that girl who had been crying. She just
+grabbed an axe and wouldn't give it up. Now this is the way we did, and all
+the while that line of fire was coming along, nearer, nearer, nearer. We
+chopped away the brush so as to make a long clear space about ten or
+fifteen feet wide. Harry and three of the scouts and one of the girls used
+the axes; because that girl just wouldn't hand over the axe and we couldn't
+make her. And didn't she turn out to be a regular Mrs. Daniel Boone!
+
+<p>The rest of us threw the brush over toward the fire as fast as we could.
+Some of the small bushes we just dragged up out of the earth. Some
+hustling!
+
+<p>The fire was so near us now, that we could feel the heat good and strong
+and sparks kept falling among us, so we had to keep stamping them out.
+I don't know how long it took us, but pretty soon we had a long, narrow
+space cleared. I know my hands were bleeding. As fast as the brush was
+chopped away, some of the fellows dragged it over toward where the fire
+was, as near as they dared. That girl would go almost up to the blaze and
+push a big clump of brush toward it and then run back. Her dress was all
+torn, but she didn't care.
+
+<p>Then we lighted the brush along the edge of the cleared space that was
+nearest to the fire. If the wind had been blowing that way, the fire would
+have moved right out to meet the other one. But it had to buck the wind and
+that was bad. Anyway, the clearing we had made prevented it from coming our
+way, but the sparks kept blowing across the clearing, and we knew that all
+we had done was to check the fire long enough to get another good head
+start away from it.
+
+<p>Believe <i>me</i>, we didn't wait long.
+
+<p>Harry was panting so hard he could only just talk. "We've got to get down
+the other side of the mountain," he said, "I figure it'll be about ten
+minutes or so before the land this side of the clearing gets started. The
+sparks'll start it. The clearing isn't wide enough and the wind is wrong.
+Drop everything and follow me&mdash;quick."
+
+<p>Then Will Dawson spoke up. He never talked very much, but he was a good
+scout just the same. He was breathing so hard he just gulped. "Do either
+of you girls or fellows know where the man who lived here got his water?
+There must be water here somewheres or they wouldn't have built the house
+here."
+
+<p>"We can't stem this advance with spring water," Harry said; "we'd need a
+reservoir. Come on!"
+
+<p>"But if we could find the spring," Will said, "we could follow the trickle
+and get into a brook lower down. How are we going to find our way down the
+other side of the mountain. It's worse than this side. The west side of the
+mountain is always worse."
+
+<p>"The fire won't climb down as fast is it climbs up," Harry panted; "it
+doesn't work that way. The mountain itself acts as a wind shield. We've
+got to get over the top blamed quick. I'll find a way down. Don't let's
+waste time here!"
+
+<p>Will just said, "The best trail in the world is a brook. It goes the
+quickest way. If it takes us fifteen minutes to find the spring, even then
+it's best. It's better than getting lost. The brook knows it's way and we
+don't. Water is a scout."
+
+<p>"Who says so?" Harry said, kind of impatient.
+
+<p>"Kit Carson said so," Will said.
+
+<p>"Well, I guess you're a pretty good scout, too," Harry said; "hike around,
+only <i>hustle!</i>" In about two minutes we found the spring, about a hundred
+feet from the house.
+
+<p>"Lucky it's there," one of those new fellows said.
+
+<p>"It had to be there," Will answered him; "because people drink water. Where
+there are people, there is water."
+
+<p>Gee whiz, I never knew Will Dawson till that night. And I was mighty proud
+that he was in my patrol, you can bet.
+
+<p>That girl said, "Isn't he just <i>wonderful?</i>" I said, "You're wonderful,
+too, and I'd like to have you in my patrol."
+
+<p>But, one thing, there wasn't any time to talk, because the sparks were
+blowing across the clearing and dropping all around the house. The fire
+that we had started back toward the other one had cleared some land between
+us and the blaze, but not enough.
+
+<p>The water from the spring trickled down over the rocks and we followed it.
+It went through a kind of cavern on the top of the mountain, and when we
+got through there, we could see plain enough that we were on the west
+slope. The mountain wasn't all down hill right there, but the trickle of
+water flowed down through hollows and anybody could see now that Will
+Dawson was right. He was right for three reasons.
+
+<p>First, because as long as we followed the brook there wouldn't be any going
+up and down, like there was climbing up the east side of the mountain.
+Second, because it took us down the quickest way. And third, because we'd
+always be near water. In some places we had to scramble down steep
+precipices where the water fell, but we always managed it, and every time
+we did that, we knew we were saving space.
+
+<p>After we got about half a mile, we could see points of flame up over the
+top of the mountain and we knew the fire had reached the spot where we had
+been. Harry said he guessed the shanty was on fire. Maybe it would come
+down the east side a ways, we didn't know, but anyway it wouldn't have such
+a breeze to drive it, and we were coming into open land, so we should
+worry. The west slope of that mountain was easy, once we got down a ways
+from the top. That's the way it is with most all the mountains near the
+Hudson; the steep side faces the river. Pretty soon we were hiking across
+pastures and then we came to a road. We didn't bother with the brook after
+we passed the steep part. I don't know where it went, but it did us a good
+turn, that's one thing. Some fellows like fire better than water, and I'm
+not saying anything against camp-fires. And I don't say that water is
+always a friend, either, because look at floods and things like that. But
+I like water better.
+
+<p>Only I gee whiz, I don't like it to rain in vacation.
+
+<br>
+<br>
+<br>
+<a name="39"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XXXIX
+<br>
+WELCOME HOME</h3>
+</center>
+<br>
+
+<p>Now this chapter goes from the bottom of that mountain to the top of a
+pineapple soda in Bennett's. That's in Bridgeboro where I live. The first
+house we came to along the road we got the farmer up and told him about
+the fire on the east side of Eagle's Nest, and how we got away from it. He
+asked us if it was very bad.
+
+<p>"Jiminetty!" I said, "I don't know how bad it is, but I hope the eagles up
+there have their nests insured."
+
+<p>Harry asked him if he had a telephone and he said, "No."
+
+<p>"We probably couldn't get a number if you did," Harry said; "the telephone
+company reminds me of Rip Van Winkle, they seem to have gone to sleep at
+the switch-board for twenty years. Have you got a flivver?"
+
+<p>We kind of knew he had, because they raise flivvers on all the farms up
+that way. But he was a <i>regular</i> farmer-he had a Packard, 1776 model. And,
+believe me, we packed that Packard, and in ten minutes we were rolling over
+the road that runs around the mountain, headed for Haverstraw.
+
+<p>Harry kept talking to the girls; it was awful funny to hear him. Those
+other two fellows didn't have a chance at all. Gee, I was glad of it,
+because what right did that fellow have to say I was just a kid? That girl
+that helped us, said we were <i>just wonderful</i>. Cracky, I wouldn't say that
+we're so smart, but when there's a fire we don't stand wringing our hands
+as if they were a fire bell.
+
+<p>When we came into Haverstraw, we found the streets full of people,
+everybody watching the fire on the mountain. We could see the east side
+of Eagle's Nest and the fire, just as plain as if it were all on a movie
+screen. It seemed kind of funny, because while we were up there we never
+thought about how it would look from the village. The fire was right up on
+the top of the mountain now, with little patches in other places, and we
+could see a great big burned space. I guess that was the very part we had
+passed through on our way up.
+
+<p>I could see now, even better than before, the danger we had been in. I
+guess everybody in the village thought we were dead, because when we looked
+away up there it just seemed as if nobody could have escaped out of all
+that.
+
+<p>"We went out the stage entrance," Harry said, as the auto rolled up along
+the main street; "sneaked through the back yard, hey?"
+
+<p>"Oh, I think you're just <i>marvelous!</i>" one of the girls said.
+
+<p>Harry said to her, "Let it be a lesson to you never to throw a lighted
+cigar away in the woods."
+
+<p>"Oh, the <i>idea!</i>" she said; "I think you're just horrid. I wouldn't touch
+a <i>horrid</i> cigar!"
+
+<p>"Well, don't throw a good one away, either," Harry said; "the good ones are
+just as bad."
+
+<p>"Aren't you <i>perfectly terrible!</i>" the other girl said.
+
+<p>But she didn't think he was terrible. Anyway, I knew from what he had said
+that the dark figure we had seen on our way up was probably to blame for
+the whole business. Cracky, I've got nothing to say against cigars, because
+my father smokes them, but anyway, a cigar isn't worth as much as a
+mountain, I should hope. And you bet it was a lesson to us never to throw
+matches in the woods and always to trample our campfires out before we turn
+in. But, jiminies, I guess all scouts know that.
+
+<p>When we stopped at Judge Edwards' house, a big crowd of people pressed all
+around us wanting to know how we escaped. They said that men had tried
+three times to get up the mountain, but were driven back by the flames;
+they thought we were all dead.
+
+<p>Mrs. Edwards came running out calling, <i>"You're not dead! You're not dead!
+Oh, you're not dead!"</i>
+
+<p>Gee, anybody could see that.
+
+<p>She just threw her arms around her daughter and around the other girl and
+around those two fellows. Oh boy, I thought I was in for it, too! I don't
+mind leopards and <i>what-is-its</i>, but nix on hugging and kissing, Then
+Judge Edwards and Westy came out and, oh, I can't tell you everything that
+happened, because everybody was talking all at once. Harry said it was a
+regular west front, all over again.
+
+<p>Mrs. Edwards made us all go into the house and have cake and hot coffee,
+and just to show you how things happen, what kind of cake do you suppose it
+was? I bet you can't guess. Yum, yum&mdash;m&mdash;m, it was coconut frosted cake.
+And you can bet I thought about my sister Marjorie while I was eating it. I
+had three helpings and home in Bridgeboro I would only have had two, so
+that shows you that it's worth while doing a good turn.
+
+<p>After that we didn't have any more adventures. Good night, we had had
+enough of them, that's what <i>I</i> said. We bunked in Judge Edwards' house and
+the overflow bunked in the barn, and the next morning we hit the trail for
+home. Believe me, we stuck to that trail as if it were a tight rope. Harry
+said if anyone of us looked right or left, he'd put blinders on us. That
+night we camped near Nyack and early in the morning we said good-bye to the
+Hudson and struck in southwest till We' came to our own little
+river&mdash;that's the Bridgeboro River. At about four o'clock that afternoon we
+went tramping over the River Road bridge and hit into Main Street. Right on
+the corner was Bradly's grocery wagon, and oh boy, it looked good to me,
+because it proved we were back home. <i>"Bradly's Casli Grocery,"</i> Dorry
+said; "those are the three sweetest words in the world.
+
+<p>"Wrong the first time," I said; "the three sweetest words in the world are
+<i>Bennett's Fresh Confectionery.</i>"
+
+<p>"Me for Bennett's!" Charlie Seabury shouted.
+
+<p>"Same here!" Dorry piped up.
+
+<p>"Bennett's or die!" screamed Ralph Warner.
+
+<p>"Lend me a dime, will you?" Tom Warner shouted at his brother.
+
+<p>"Lend me two dimes, somebody!" Bad Manners began howling.
+
+<p>Good night, it was some circus!
+
+<p>Harry said, "Come ahead, I'll take you all to Bennett's and treat you, and
+I hope I'll never get mixed up with this crew again. I've had enough."
+
+<p>"Hurrah for Harry Donnelle!" everybody yelled.
+
+<p>Cracky, everybody was staring at us and laughing as we went down Main
+Street. We should worry.
+
+<p>In Bennett's we all lined up and Harry told Mr. Bennett to please put
+arsenic or carbolic acid or some other nice flavoring in our sodas;
+something to keep us quiet.
+
+<p>I ordered a pineapple soda and yum, yum-m-m, didn't that first spoonful of
+ice cream taste good.
+
+<br>
+<br>
+<br>
+<a name="40"></a>
+<br>
+<br>
+<center>
+<h3>CHAPTER XL
+<br>
+MMM&mdash;MM-M-M!</h3>
+</center>
+<br>
+
+<p>This is the last chapter and it's very short. Maybe you'll say that's one
+good thing. But it's a good one just the same. It's a peach&mdash;I mean a
+pineapple. It's the best chapter I ever wrote. It goes from the top of the
+glass to the bottom of the glass. And that's the end of the story. So even
+if the story's no good, it has a good ending. It had a good beginning, too.
+Harry Donnelle said there should be a special chapter about that soda.
+
+<p>Of course, there were seven other sodas, too. I don't mean that I drank
+seven more. But mine is the best one to end with, because I always go
+right down to the bottom of the glass. The bottom is the only thing that
+stops me.
+
+<p>So that's the way it is with this story. It has a happy ending. It bunks
+right into the bottom of the glass. The plot is all cleared up. So is the
+glass. There's nothing left to tell&mdash;or to drink.
+
+<p>Harry Donnelle said if I didn't look out I'd scrape the polish off the
+glass with my spoon. I should worry, a scout is thorough. So long.
+
+<center>
+<h3>END</h3>
+<br>
+<br>
+<br>
+<hr width="50%">
+
+<br>
+<br>
+<br>
+<h2>Percy Keese Fitzhugh</h2>
+</center>
+<br>
+<br>
+
+<p>Percy Keese Fitzhugh (7 Sep 1876 - 5 Jul 1950) was the author of nearly
+100 books for children and adolescents. From 1917 to 1935 he was one
+of the most popular childrens authors in the United States.
+
+<p>He was born in Brooklyn, NY on September 7, 1876. He attended Part
+Institute, Brooklyn, and eventually moved to Hackensack, NJ. He
+married Harriet Lloyd LePorte on July 13, 1900.
+
+<p>His first published work, The Golden Rod Story-Book was released in
+1906. It was in Hackensack that his writing career began to take off.
+
+<p>In 1914, after the release of a silent picture "The Adventures of a
+Boy Scout", he was commissioned by the Boy Scouts of America to write a
+book based on the film. That book was "Tom Slade Boy Scout of the Moving
+Pictures" (Gutenberg #6655), the book that really launched his career.
+The book became an instant success and was followed by several, equally
+successful novels. The Tom Slade series gave birth to several other
+series based on the characters from Troop 1, Bridgeboro, NJ. The other
+series included Pee Wee Harris, Westy Martin, Roy Blakeley, Mark Gilmore,
+and some of The Buddy Books for boys. In all, millions of his Scouting
+books were published. In 1931, he began writing the Hal Keene Mystery
+series (10 titles) under the pseudonym Hugh Lloyd. The Hal Keene books
+were followed by the Skippy Dare series (3 titles) in 1934.
+
+<p>On July 5th, 1950, Percy Keese succumbed to a long illness and
+passed away. He was 73.
+
+<p>What Mr. Fitzhugh did to promote the Boy Scouting movement can
+never be measured, but it is safe to say that thousands of boys joined
+the Scouts because of his writings. Today his books are sought after
+by collectors all over the world.
+
+<p>Note that characters from each series crossover to or are mentioned in
+the others. These are the books about various members of Troop 1,
+Bridgeboro, NJ.
+
+<p>More can be found about Percy Keese Fitzhugh at the website at:
+www.bridgeboro.com
+<br>
+<br>
+<center>
+<table width="84%" border="1" cellpadding="2">
+<tr>
+<th width="5%" height="19"><div align="right"><b> </b></div></th>
+<th width="50%" height="19"><div align="left"><b> </b></div></th>
+<th width="10%" height="19"><div align="center"><b>Copy</b></div></th>
+<th width="10%" height="19"><div align="center"><b>Stat</b></div></th>
+<th width="15%" height="19"><div align="center"><b>Guten</b></div></th>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 1</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> #9833</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 2</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris On The Trail</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#15750</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 3</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris In Camp</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 4</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris In Luck</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 5</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris Adrift</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#17767</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 6</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris F.O.B. Bridgeboro</div></td>
+<td width="10%" height="19"><div align="center">1923</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 7</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris: Fixer</div></td>
+<td width="10%" height="19"><div align="center">1924</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 8</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris As Good As His Word</div></td>
+<td width="10%" height="19"><div align="center">1925</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 9</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris: Mayor for a Day</div></td>
+<td width="10%" height="19"><div align="center">1926</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">10</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris and The Sunken Treasure</div></td>
+<td width="10%" height="19"><div align="center">1927</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">11</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris On The Briny Deep</div></td>
+<td width="10%" height="19"><div align="center">1928</div></td>
+<td width="10%" height="19"><div align="center">U</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">12</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris In Darkest Africa</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">13</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris Turns Detective</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">14</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris Warrior Bold</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">U</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">15</div></td>
+<td width="50%" height="19"><div align="left">Pee-Wee Harris Goldbrick &mdash; an unpublished manuscript!</div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> </div></td>
+<td width="50%" height="19"><div align="left"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 1</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#10552</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 2</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Adventures in Camp</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#10316</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 3</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley Pathfinder</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#19815</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 4</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Camp On Wheels</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 5</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Silver Fox Patrol</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 6</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Motor Caravan</div></td>
+<td width="10%" height="19"><div align="center">1921</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 7</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley Lost Strayed or Stolen</div></td>
+<td width="10%" height="19"><div align="center">1921</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 8</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Bee-line Hike</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 9</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley at The Haunted Camp</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">10</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Funny-Bone Hike</div></td>
+<td width="10%" height="19"><div align="center">1923</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">11</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Tangled Trail</div></td>
+<td width="10%" height="19"><div align="center">1924</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">12</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley on the Mohawk Trail</div></td>
+<td width="10%" height="19"><div align="center">1925</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">13</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Elastic Hike</div></td>
+<td width="10%" height="19"><div align="center">1926</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">14</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Roundabout Hike</div></td>
+<td width="10%" height="19"><div align="center">1927</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">15</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Happy-Go-Lucky Hike</div></td>
+<td width="10%" height="19"><div align="center">1928</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">16</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley's Go-As-You Please Hike</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">U</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">17</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley Wild Goose Chase</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">18</div></td>
+<td width="50%" height="19"><div align="left">Roy Blakeley Up In The Air</div></td>
+<td width="10%" height="19"><div align="center">1931</div></td>
+<td width="10%" height="19"><div align="center">U</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> </div></td>
+<td width="50%" height="19"><div align="left"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 1</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade - Boy Scout</div></td>
+<td width="10%" height="19"><div align="center">1915</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> #6655</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 2</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade At Temple Camp</div></td>
+<td width="10%" height="19"><div align="center">1917</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 3</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade On The River</div></td>
+<td width="10%" height="19"><div align="center">1917</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 4</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade With The Colors</div></td>
+<td width="10%" height="19"><div align="center">1918</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 5</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade On A Transport</div></td>
+<td width="10%" height="19"><div align="center">1918</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 6</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade With The Boys Over There</div></td>
+<td width="10%" height="19"><div align="center">1918</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#18954</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 7</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade' Motor-cycle Dispatch Bearer</div></td>
+<td width="10%" height="19"><div align="center">1918</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 8</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade With The Flying Corps</div></td>
+<td width="10%" height="19"><div align="center">1919</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 9</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade at Black Lake</div></td>
+<td width="10%" height="19"><div align="center">1920</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#18943</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">10</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade On Mystery Trail</div></td>
+<td width="10%" height="19"><div align="center">1921</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center">#18180</div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">11</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade's Double Dare</div></td>
+<td width="10%" height="19"><div align="center">1922</div></td>
+<td width="10%" height="19"><div align="center">P</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">12</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade On Overlook Mountain</div></td>
+<td width="10%" height="19"><div align="center">1923</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">13</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade Picks a Winner</div></td>
+<td width="10%" height="19"><div align="center">1924</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">14</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade At Bear Mountain</div></td>
+<td width="10%" height="19"><div align="center">1925</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">15</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade: Forest Ranger</div></td>
+<td width="10%" height="19"><div align="center">1926</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">16</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade At Shadow Isle</div></td>
+<td width="10%" height="19"><div align="center">1928</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">17</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade In The North Woods</div></td>
+<td width="10%" height="19"><div align="center">1927</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">18</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade in the Haunted Cavern</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right">19</div></td>
+<td width="50%" height="19"><div align="left">Tom Slade Parachute Jumper</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> </div></td>
+<td width="50%" height="19"><div align="left"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 1</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin</div></td>
+<td width="10%" height="19"><div align="center">1924</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 2</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin In The Yellowstone</div></td>
+<td width="10%" height="19"><div align="center">1924</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 3</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin In The Rockies</div></td>
+<td width="10%" height="19"><div align="center">1925</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 4</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin On The Santa Fe Trail</div></td>
+<td width="10%" height="19"><div align="center">1926</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 5</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin On The Old Indian Trail</div></td>
+<td width="10%" height="19"><div align="center">1928</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 6</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin In The Land Of The Purple Sage</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 7</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin On The Mississippi</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 8</div></td>
+<td width="50%" height="19"><div align="left">Westy Martin In The Sierras</div></td>
+<td width="10%" height="19"><div align="center">1931</div></td>
+<td width="10%" height="19"><div align="center">U</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> </div></td>
+<td width="50%" height="19"><div align="left"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="10%" height="19"><div align="center"> </div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 1</div></td>
+<td width="50%" height="19"><div align="left">Lefty Leighton</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 2</div></td>
+<td width="50%" height="19"><div align="left">Spiffy Hewnshaw</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 3</div></td>
+<td width="50%" height="19"><div align="left">Wigwag Weigand</div></td>
+<td width="10%" height="19"><div align="center">1929</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 4</div></td>
+<td width="50%" height="19"><div align="left">Hervey Willets</div></td>
+<td width="10%" height="19"><div align="center">1927</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 5</div></td>
+<td width="50%" height="19"><div align="left">Skinny McCord</div></td>
+<td width="10%" height="19"><div align="center">1928</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</tr>
+<tr>
+<td width="5%" height="19"><div align="right"> 7</div></td>
+<td width="50%" height="19"><div align="left">The Story of Terrible Terry</div></td>
+<td width="10%" height="19"><div align="center">1930</div></td>
+<td width="10%" height="19"><div align="center">R</div></td>
+<td width="15%" height="19"><div align="center"> </div></td>
+</table>
+
+<a name="cpr3"></a>
+<br>
+<table><tr><td>
+Copy = Copyright date<br>
+<br>
+Stat = Copyright status, P=Public Domain, R=Renewed, U=Unknown<br>
+<br>
+Guten = Gutenberg book number
+</td></tr></table>
+</center>
+<br>
+
+<table>
+<tr><td width="18%"></td><td align="left">
+ <font size="-1">
+ Copyright &copy; 2006 James Eager.<br>
+ This biography and bibliography of Percy Keese Fitzhugh
+ is protected by copyright and/or other applicable law.
+ Any use of the work other than as authorized in
+ <a href="#cpr2">"The Legal Small Print"</a> section
+ (found at the end of the book) is prohibited.
+ </font>
+ </td><td width="10%"></td>
+</table>
+<br>
+<br>
+<br>
+<hr class="full" noshade>
+<p>***END OF THE PROJECT GUTENBERG EBOOK ROY BLAKELEY, PATHFINDER***</p>
+<p>******* This file should be named 19815-h.txt or 19815-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/1/9/8/1/19815">http://www.gutenberg.org/1/9/8/1/19815</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+<a name="cpr2"></a>
+<pre>
+
+**The Legal Small Print**
+
+
+***START** SMALL PRINT! for COPYRIGHT PROTECTED Biography and
+Bibliography of Percy Keese Fitzhugh by James Eager included
+in this EBOOK ***
+
+TITLE AND COPYRIGHT NOTICE. The Biography and Bibliography of
+Percy Keese Fitzhugh in this EBook is Copyright &copy; 2006
+by James Eager.
+
+LICENSE. You can (and are encouraged!) to copy and distribute
+this Biography and Bibliography. Your right to copy and
+distribute it is limited by the copyright laws and by the
+conditions of this "Small Print!" statement.
+
+ATTRIBUTION. The licensor permits others to copy, distribute,
+display, and perform the work. In return, licensees must give
+the original author credit.
+
+NO DERIVATIVE WORKS. The licensor permits others to copy,
+distribute, display and perform only unaltered copies of the
+work or portions of the work--not derivative works based on it.
+
+NONCOMMERCIAL. The licensor permits others to copy, distribute,
+display, and perform the work. In return, licensees may not use
+the work for commercial purposes--unless they get the licensor's
+permission.
+
+Questions concerning the use of this Biography and Bibliography
+of Percy Keese Fitzhugh should be addressed to James Eager
+(jjeager at tampabay.rr.com).
+</pre>
+<center>
+<font size="-1"><a href="#cpr3">Return to end of<br>
+Biography and Bibliography</a></font>
+</center>
+<pre>
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>