summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--19902-8.txt1972
-rw-r--r--19902-8.zipbin0 -> 32425 bytes
-rw-r--r--19902-h.zipbin0 -> 36364 bytes
-rw-r--r--19902-h/19902-h.htm2165
-rw-r--r--19902.txt1972
-rw-r--r--19902.zipbin0 -> 32410 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 6125 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/19902-8.txt b/19902-8.txt
new file mode 100644
index 0000000..0c82494
--- /dev/null
+++ b/19902-8.txt
@@ -0,0 +1,1972 @@
+Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Affectionate Shepherd
+
+Author: Richard Barnfield
+
+Editor: James Orchard Halliwell
+
+Release Date: November 23, 2006 [EBook #19902]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+
+
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+
+
+
+
+
+
+
+
+THE
+
+AFFECTIONATE SHEPHERD:
+
+BY
+
+RICHARD BARNFIELD.
+
+A.D. 1594.
+
+EDITED BY
+
+JAMES ORCHARD HALLIWELL, Esq. F.R.S.
+
+HON. M.R.I.A., HON. M.R.S.L., F.S.A., ETC.
+
+LONDON.
+
+REPRINTED FOR THE PERCY SOCIETY,
+
+BY T. RICHARDS, 100, ST. MARTIN'S LANE.
+
+M.DCCC.XLV.
+
+
+
+
+COUNCIL
+
+OF
+
+The Percy Society.
+
+
+_President._
+
+THE RT. HON. LORD BRAYBROOKE, F.S.A.
+
+THOMAS AMYOT, ESQ. F.R.S. TREAS. S.A.
+
+WILLIAM HENRY BLACK, ESQ.
+
+WILLIAM CHAPPELL, ESQ. F.S.A.
+
+J. PAYNE COLLIER, ESQ. F.S.A.
+
+C. PURTON COOPER, ESQ. Q.C., F.R.S., F.S.A.
+
+PETER CUNNINGHAM, ESQ.
+
+JAMES HENRY DIXON, ESQ.
+
+WILLIAM JERDAN, ESQ. F.S.A., M.R.S.L.
+
+CAPTAIN JOHNS, R.M.
+
+T. J. PETTIGREW, ESQ. F.R.S., F.S.A.
+
+LEWIS POCOCK, ESQ. F.S.A.
+
+SIR CUTHBERT SHARP.
+
+WILLIAM SANDYS, ESQ. F.S.A.
+
+WILLIAM J. THOMS, ESQ. F.S.A.
+
+THOMAS WRIGHT, ESQ. M.A., F.S.A., _Secretary and Treasurer._
+
+
+
+
+PREFACE.
+
+
+Two copies only of the poem by Barnfield here reprinted, are known to be
+preserved; one in Sion College Library, and another, formerly in Heber's
+possession, mentioned in "Bibliotheca Heberiana," iv. 15. Its merits and
+great rarity have pointed it out as a work deserving to be more known
+and appreciated. Barnfield is, perhaps, chiefly remembered by his
+elegant pieces printed in the "Passionate Pilgrim," attributed by some
+to Shakespeare; but Mr. Collier has distinctly proved them to belong to
+the less eminent poet. The "Affectionate Shepherd" was his first
+production, as he himself confesses in the preface to his "Cynthia,"
+1595, and it has received the well-merited commendation of Warton.
+Besides these poems, he is the author of "The Complaint of Poetrie for
+the death of Liberalitie," 4to. 1598, and others published at the same
+time, reprints of which are in the British Museum; also "The Encomium
+of Lady Pecunia, or the Praise of Money," a curious manuscript in the
+Ashmolean Museum, and likewise printed in the author's life-time. It
+should be mentioned that in the original copies of the following tract
+are a few hexameter verses on the Rape of Helen, which have been omitted
+as of an inferior kind to the other part of the work, and for still more
+obvious reasons. The "Affectionate Shepherd" itself will be found
+remarkably free from the coarseness which disfigures so much of the
+Elizabethan literature,--an additional inducement, if any were
+necessary, for rescuing it from the liability to destruction which is of
+course incident to any book of such excessive rarity. Our thanks are due
+to the Rev. H. Christmas, Librarian of Sion College, for the courtesy
+and liberality with which he permitted our transcript to be made from a
+volume of tracts possessing the greatest charm for the bibliographer;
+for besides the present one, it contains the first edition of
+Shakespeare's Lucrece, and several other pieces of nearly equal value,
+in the finest possible condition.
+
+
+
+
+ THE
+
+ AFFECTIONATE SHEPHEARD.
+
+ CONTAINING THE COMPLAINT OF DAPHNIS FOR
+ THE LOUE OF GANYMEDE.
+
+ _Amor plus mellis, quam fellis, est._
+
+ London:
+
+Printed by John Danter, for T. G. and E. N., and
+ are to bee sold in Saint Dunstones
+ Church-yeard in Fleetstreet.
+
+ 1594.
+
+
+
+
+TO THE RIGHT EXCELLENT AND MOST BEAUTIFULL LADY,
+ THE LADIE PENELOPE RITCH.
+
+
+ Fayre lovely ladie, whose angelique eyes
+ Are vestall candles of sweet beauties treasure,
+ Whose speech is able to inchaunt the wise,
+ Converting joy to paine, and paine to pleasure;
+ Accept this simple toy of my soules dutie,
+ Which I present unto thy matchles beautie.
+
+ And albeit the gift be all too meane,
+ Too meane an offring for thine ivorie shrine;
+ Yet must thy beautie my just blame susteane,
+ Since it is mortall, but thyselfe divine.
+ Then, noble ladie, take in gentle worth
+ This new-borne babe, which here my muse brings forth.
+
+ Your Honours most affectionate and
+ perpetually devoted Shepheard:
+
+ DAPHNIS.
+
+
+
+
+ THE
+ AFFECTIONATE SHEPHEARD.
+
+
+
+
+THE TEARES OF AN AFFECTIONATE SHEPHEARD SICKE FOR LOVE,
+ OR THE COMPLAINT OF DAPHNIS FOR THE
+ LOVE OF GANIMEDE.
+
+
+ Scarce had the morning starre hid from the light
+ Heavens crimson canopie with stars bespangled,
+ But I began to rue th' unhappy sight
+ Of that faire boy that had my hart intangled;
+ Cursing the time, the place, the sense, the sin;
+ I came, I saw, I viewd, I slipped in.
+
+ If it be sinne to love a sweet-fac'd boy,
+ Whose amber locks trust up in golden tramels
+ Dangle adowne his lovely cheekes with joy,
+ When pearle and flowers his faire haire enamels;
+ If it be sinne to love a lovely lad,
+ Oh then sinne I, for whom my soule is sad.
+
+ His ivory-white and alablaster skin
+ Is staind throughout with rare vermillion red,
+ Whose twinckling starrie lights doe never blin
+ To shine on lovely Venus, Beauties bed;
+ But as the lillie and the blushing rose,
+ So white and red on him in order growes.
+
+ Upon a time the nymphs bestird them-selves
+ To trie who could his beautie soonest win;
+ But he accounted them but all as elves,
+ Except it were the faire Queene Guendolen:
+ Her he embrac'd, of her was beloved,
+ With plaints he proved, and with teares he moved.
+
+ But her an old man had beene sutor too,
+ That in his age began to doate againe;
+ Her would he often pray, and often woo,
+ When through old age enfeebled was his braine:
+ But she before had lov'd a lustie youth,
+ That now was dead, the cause of all her ruth.
+
+ And thus it hapned, Death and Cupid met
+ Upon a time at swilling Bacchus house,
+ Where daintie cates upon the boord were set,
+ And goblets full of wine to drinke carouse:
+ Where Love and Death did love the licor so,
+ That out they fall and to the fray they goe.
+
+ And having both their quivers at their backe
+ Fild full of arrows; th' one of fatall steele,
+ The other all of gold; Deaths shaft was black,
+ But Loves was yellow: Fortune turnd her wheele,
+ And from Deaths quiver fell a fatall shaft,
+ That under Cupid by the winde was waft.
+
+ And at the same time by ill hap there fell
+ Another arrow out of Cupids quiver,
+ The which was carried by the winde at will,
+ And under Death the amorous shaft did shiver:
+ They being parted, Love tooke up Deaths dart,
+ And Death tooke up Loves arrow for his part.
+
+ Thus as they wandred both about the world,
+ At last Death met with one of feeble age:
+ Wherewith he drew a shaft and at him hurld
+ The unknowne arrow with a furious rage,
+ Thinking to strike him dead with Deaths blacke dart;
+ But he, alas, with Love did wound his hart!
+
+ This was the doting foole, this was the man
+ That lov'd faire Guendolena, Queene of Beautie;
+ Shee cannot shake him off, doo what she can,
+ For he hath vowd to her his soules last duety:
+ Making him trim upon the holydaies,
+ And crownes his love with garlands made of baies.
+
+ Now doth he stroke his beard, and now againe
+ He wipes the drivel from his filthy chin;
+ Now offers he a kisse, but high Disdaine
+ Will not permit her hart to pity him:
+ Her hart more hard than adamant or steele,
+ Her hart more changeable than Fortunes wheele.
+
+ But leave we him in love up to the eares,
+ And tell how Love behav'd himselfe abroad;
+ Who seeing one that mourned still in teares,
+ A young man groaning under Loves great load,
+ Thinking to ease his burden, rid his paines,
+ For men have griefe as long as life remaines.
+
+ Alas, the while that unawares he drue
+ The fatall shaft that Death had dropt before,
+ By which deceit great harme did then insue,
+ Stayning his face with blood and filthy goare:
+ His face, that was to Guendolen more deere
+ Than love of lords, or any lordly peere.
+
+ This was that faire and beautifull young man,
+ Whom Guendolena so lamented for;
+ This is that Love whom she doth curse and ban,
+ Because she doth that dismall chaunce abhor:
+ And if it were not for his mothers sake,
+ Even Ganimede himselfe she would forsake.
+
+ Oh would shee would forsake my Ganimede,
+ Whose sugred love is full of sweete delight,
+ Upon whose forehead you may plainely reade
+ Loves pleasure grav'd in yvorie tables bright:
+ In whose faire eye-balls you may clearely see
+ Base Love still staind with foule indignitie.
+
+ Oh would to God he would but pitty mee,
+ That love him more than any mortall wight!
+ Then he and I with love would soone agree,
+ That now cannot abide his sutors sight.
+ O would to God, so I might have my fee,
+ My lips were honey, and thy mouth a bee!
+
+ Then shouldst thou sucke my sweete and my faire flower,
+ That now is ripe and full of honey-berries;
+ Then would I leade thee to my pleasant bower,
+ Fild full of grapes, of mulberries, and cherries:
+ Then shouldst thou be my waspe or else my bee,
+ I would thy hive, and thou my honey, bee.
+
+ I would put amber bracelets on thy wrests,
+ Crownets of pearle about thy naked armes:
+ And when thou sitst at swilling Bacchus feasts
+ My lips with charmes should save thee from all harmes:
+ And when in sleepe thou tookst thy chiefest pleasure,
+ Mine eyes should gaze upon thine eyelids treasure.
+
+ And every morne by dawning of the day,
+ When Phoebus riseth with a blushing face,
+ Silvanus chappel-clarkes shall chaunt a lay,
+ And play thee hunts-up in thy resting place:
+ My coote thy chamber, my bosome thy bed
+ Shall be appointed for thy sleepy head.
+
+ And when it pleaseth thee to walke abroad,
+ Abroad into the fields to take fresh ayre,
+ The meades with Floras treasure should be strowde,
+ The mantled meaddowes, and the fields so fayre.
+ And by a silver well with golden sands
+ Ile sit me downe, and wash thine yvory hands.
+
+ And in the sweltring heate of summer time,
+ I would make cabinets for thee, my love;
+ Sweet-smelling arbours made of eglantine
+ Should be thy shrine, and I would be thy dove.
+ Cool cabinets of fresh greene laurell boughs
+ Should shadow us, ore-set with thicke-set eughes.
+
+ Or if thou list to bathe thy naked limbs
+ Within the cristall of a pearle-bright brooke,
+ Paved with dainty pibbles to the brims,
+ Or cleare, wherein thyselfe thyselfe mayst looke;
+ Weele goe to Ladon, whose still trickling noyse
+ Will lull thee fast asleepe amids thy joyes.
+
+ Or if thoult goe unto the river side,
+ To angle for the sweet freshwater fish,
+ Arm'd with thy implements that will abide,
+ Thy rod, hooke, line, to take a dainty dish;
+ Thy rods shall be of cane, thy lines of silke,
+ Thy hooks of silver, and thy bayts of milke.
+
+ Or if thou lov'st to hear sweet melodie,
+ Or pipe a round upon an oaten reede,
+ Or make thyselfe glad with some myrthfull glee,
+ Or play them musicke whilst thy flocke doth feede.
+ To Pans owne pype Ile helpe my lovely lad,
+ Pans golden pype, which he of Syrinx had.
+
+ Or if thou darst to climbe the highest trees
+ For apples, cherries, medlars, peares, or plumbs,
+ Nuts, walnuts, filbeards, chestnuts, cervices,
+ The hoary peach, when snowy winter comes;
+ I have fine orchards full of mellowed frute,
+ Which I will give thee to obtaine my sute.
+
+ Not proud Alcynous himselfe can vaunt
+ Of goodlier orchards or of braver trees
+ Than I have planted; yet thou wilt not graunt
+ My simple sute, but like the honey bees
+ Thou suckst the flowre till all the sweet be gone,
+ And loost mee for my coyne till I have none.
+
+ Leave Guendolen, sweet hart; though she be faire,
+ Yet is she light; not light in vertue shining,
+ But light in her behaviour, to impaire
+ Her honour in her chastities declining;
+ Trust not her teares, for they can wantonnize,
+ When teares in pearle are trickling from her eyes.
+
+ If thou wilt come and dwell with me at home,
+ My sheepcote shall be strowed with new greene rushes:
+ Weele haunt the trembling prickets as they rome
+ About the fields, along the hauthorne bushes;
+ I have a pie-bald curre to hunt the hare,
+ So we will live with daintie forrest fare.
+
+ Nay, more than this, I have a garden plot,
+ Wherein there wants nor hearbs, nor roots, nor flowers;
+ Flowers to smell, roots to eate, hearbs for the pot,
+ And dainty shelters when the welkin lowers:
+ Sweet-smelling beds of lillies, and of roses,
+ Which rosemary banks and lavender incloses.
+
+ There growes the gilliflowre, the mynt, the dayzie
+ Both red and white, the blue-veynd violet;
+ The purple hyacinth, the spyke to please thee,
+ The scarlet dyde carnation bleeding yet:
+ The sage, the savery, and sweet margerum,
+ Isop, tyme, and eye-bright, good for the blinde and dumbe.
+
+ The pinke, the primrose, cowslip and daffodilly,
+ The hare-bell blue, the crimson cullumbine,
+ Sage, lettis, parsley, and the milke-white lilly,
+ The rose and speckled flowre cald sops-in-wine,
+ Fine pretie king-cups, and the yellow bootes,
+ That growes by rivers and by shallow brookes.
+
+ And manie thousand moe I cannot name
+ Of hearbs and flowers that in gardens grow,
+ I have for thee, and coneyes that be tame,
+ Young rabbets, white as swan, and blacke as crow;
+ Some speckled here and there with daintie spots:
+ And more I have two mylch and milke-white goates.
+
+ All these and more Ile give thee for thy love,
+ If these and more may tyce thy love away:
+ I have a pidgeon-house, in it a dove,
+ Which I love more than mortall tongue can say.
+ And last of all Ile give thee a little lambe
+ To play withall, new weaned from her dam.
+
+ But if thou wilt not pittie my complaint,
+ My teares, nor vowes, nor oathes, made to thy beautie:
+ What shall I doo but languish, die, or faint,
+ Since thou dost scorne my teares, and my soules duetie:
+ And teares contemned, vowes and oaths must faile,
+ And where teares cannot, nothing can prevaile.
+
+ Compare the love of faire Queene Guendolin
+ With mine, and thou shalt [s]ee how she doth love thee:
+ I love thee for thy qualities divine,
+ But shee doth love another swaine above thee:
+ I love thee for thy gifts, she for hir pleasure;
+ I for thy vertue, she for beauties treasure.
+
+ And alwaies, I am sure, it cannot last.
+ But sometime Nature will denie those dimples:
+ Insteed of beautie, when thy blossom's past,
+ Thy face will be deformed full of wrinckles;
+ Then she that lov'd thee for thy beauties sake,
+ When age drawes on, thy love will soone forsake.
+
+ But that I lov'd thee for thy gifts divine,
+ In the December of thy beauties waning,
+ Will still admire with joy those lovely eine,
+ That now behold me with their beauties baning.
+ Though Januarie will never come againe,
+ Yet Aprill yeres will come in showers of raine.
+
+ When will my May come, that I may embrace thee?
+ When will the hower be of my soules joying?
+ Why dost thou seeke in mirth still to disgrace mee?
+ Whose mirth's my health, whose griefe's my harts annoying:
+ Thy bane my bale, thy blisse my blessednes,
+ Thy ill my hell, thy weale my welfare is.
+
+ Thus doo I honour thee that love thee so,
+ And love thee so, that so doo honour thee
+ Much more than anie mortall man doth know,
+ Or can discerne by love or jealozie:
+ But if that thou disdainst my loving ever,
+ Oh happie I, if I had loved never!
+
+ FINIS.
+
+ Plus fellis quam mellis amor.
+
+
+
+
+THE SECOND DAYES LAMENTATION OF THE AFFECTIONATE
+ SHEPHEARD.
+
+
+ Next morning, when the golden sunne was risen,
+ And new had bid good morrow to the mountaines;
+ When night her silver light had lockt in prison,
+ Which gave a glimmering on the christall fountaines:
+ Then ended sleepe, and then my cares began,
+ Ev'n with the uprising of the silver swan.
+
+ Oh, glorious sunne! quoth I, viewing the sunne,
+ That lightenst everie thing but me alone:
+ Why is my summer season almost done,
+ My spring-time past, and ages autumne gone?
+ My harvest's come, and yet I reapt no corne:
+ My love is great, and yet I am forlorne.
+
+ Witnes these watrie eyes my sad lament,
+ Receaving cisternes of my ceaseles teares;
+ Witnes my bleeding hart my soules intent,
+ Witnes the weight distressed Daphnis beares:
+ Sweet love, come ease me of thy burthens paine,
+ Or els I die, or else my hart is slaine.
+
+ And thou, love-scorning boy, cruell, unkinde,
+ Oh, let me once againe intreat some pittie:
+ May be thou wilt relent thy marble minde,
+ And lend thine eares unto my dolefull dittie:
+ Oh, pittie him, that pittie craves so sweetly,
+ Or else thou shalt be never named meekly.
+
+ If thou wilt love me, thou shalt be my boy,
+ My sweet delight, the comfort of my minde,
+ My love, my dove, my sollace, and my joy;
+ But if I can no grace nor mercie finde,
+ Ile goe to Caucasus to ease my smart,
+ And let a vulture gnaw upon my hart.
+
+ Yet if thou wilt but show me one kinde looke,
+ A small reward for my so great affection,
+ Ile grave thy name in Beauties golden booke,
+ And shrowd thee under Hellicon's protection:
+ Making the muses chaunt thy lovely prayse,
+ For they delight in shepheard's lowly layes.
+
+ And when th'art wearie of thy keeping sheepe
+ Upon a lovely downe, to please thy minde,
+ Ile give thee fine ruffe-footed doves to keepe,
+ And pretie pidgeons of another kinde:
+ A robbin-redbrest shall thy minstrell bee,
+ Chirping thee sweet and pleasant melodie.
+
+ Or if thou wilt goe shoote at little birds,
+ With bow and boult, the thrustle-cocke and sparrow,
+ Such as our countrey hedges can afford,
+ I have a fine bowe, and an yvorie arrow.
+ And if thou misse, yet meate thou shalt [not] lacke,
+ Ile hang a bag and bottle at thy backe.
+
+ Wilt thou set springes in a frostie night
+ To catch the long-bill'd woodcocke and the snype,
+ By the bright glimmering of the starrie light,
+ The partridge, phæsant, or the greedie grype;
+ Ile lend thee lyme-twigs, and fine sparrow calls,
+ Wherewith the fowler silly birds inthralls.
+
+ Or in a mystie morning if thou wilt
+ Make pitfalls for the larke and pheldifare,
+ Thy prop and sweake shall be both overguilt,
+ With Cyparissus selfe thou shalt compare
+ For gins and wyles, the oozels to beguile,
+ Whilst thou under a bush shalt sit and smile.
+
+ Or with hare-pypes set in a muset hole,
+ Wilt thou deceave the deep-earth-delving coney;
+ Or wilt thou in a yellow boxen bole,
+ Taste with a wooden splent the sweet lythe honey;
+ Clusters of crimson grapes Ile pull thee downe,
+ And with vine-leaves make thee a lovely crowne.
+
+ Or wilt thou drinke a cup of new-made wine,
+ Froathing at top, mixt with a dish of creame
+ And strawberries, or bilberries, in their prime,
+ Bath'd in a melting sugar-candie streame:
+ Bunnell and perry I have for thee alone,
+ When vynes are dead, and all the grapes are gone.
+
+ I have a pleasant noted nightingale,
+ That sings as sweetly as the silver swan,
+ Kept in a cage of bone as white as whale,
+ Which I with singing of Philemon wan:
+ Her shalt thou have, and all I have beside,
+ If thou wilt be my boy, or els my bride.
+
+ Then will I lay out all my lardarie
+ Of cheese, of cracknells, curds and clowted-creame,
+ Before thy malecontent ill-pleasing eye;
+ But why doo I of such great follies dreame?
+ Alas, he will not see my simple coate,
+ For all my speckled lambe, nor milk-white goate!
+
+ Against my birth-day thou shalt be my guest,
+ Weele have greene-cheeses and fine silly-bubs,
+ And thou shalt be the chiefe of all my feast,
+ And I will give thee two fine pretie cubs,
+ With two yong whelps, to make thee sport withall,
+ A golden racket, and a tennis-ball.
+
+ A guilded nutmeg, and a race of ginger,
+ A silken girdle, and a drawn-worke band,
+ Cuffs for thy wrists, a gold ring for thy finger,
+ And sweet rose-water for thy lilly-white hand;
+ A purse of silke, bespangd with spots of gold,
+ As brave a one as ere thou didst behold.
+
+ A paire of knives, a greene hat and a feather,
+ New gloves to put upon thy milk-white hand,
+ Ile give thee, for to keep thee from the weather,
+ With phoenix feathers shall thy face be fand,
+ Cooling those cheekes, that being cool'd wexe red,
+ Like lillyes in a bed of roses shed.
+
+ Why doo thy corall lips disdaine to kisse,
+ And sucke that sweete which manie have desired?
+ That baulme my bane, that meanes would mend my misse,
+ Oh, let me then with thy sweete lips b'inspired!
+ When thy lips touch my lips, my lips will turne
+ To corall too, and, being cold yce, will burne.
+
+ Why should thy sweete love-locke hang dangling downe,
+ Kissing thy girdle-stud with falling pride?
+ Although thy skin be white, thy haire is browne:
+ Oh, let not then thy haire thy beautie hide!
+ Cut off thy locke, and sell it for gold wier:
+ The purest gold is tryde in hottest fier.
+
+ Faire long-haire-wearing Absolon was kild,
+ Because he wore it in a braverie:
+ So that which gracde his beautie, Beautie spild,
+ Making him subject to vile slaverie,
+ In being hangd: a death for him too good,
+ That sought his owne shame and his father's blood.
+
+ Againe we read of old king Priamus,
+ The haplesse syre of valiant Hector slaine,
+ That his haire was so long and odious
+ In youth, that in his age it bred his paine:
+ For if his haire had not been halfe so long,
+ His life had been, and he had had no wrong.
+
+ For when his stately citie was destroyd,
+ That monument of great antiquitie,
+ When his poore hart, with griefe and sorrow cloyd,
+ Fled to his wife, last hope in miserie;
+ Pyrrhus, more hard than adamantine rockes,
+ Held him and halde him by his aged lockes.
+
+ These two examples by the way I show,
+ To prove th' indecencie of men's long haire:
+ Though I could tell thee of a thousand moe,
+ Let these suffice for thee, my lovely faire,
+ Whose eye's my starre, whose smiling is my sunne,
+ Whose love did ende before my joyes begunne.
+
+ Fond love is blinde, and so art thou, my deare,
+ For thou seest not my love and great desart;
+ Blinde love is fond, and so thou dost appeare,
+ For fond and blinde, thou greevst my greeving hart:
+ Be thou fond-blinde, blinde-fond, or one, or all,
+ Thou art my love, and I must be thy thrall!
+
+ Oh lend thine yvorie forehead for loves booke,
+ Thine eyes for candles to behold the same;
+ That when dim-sighted ones therein shall looke,
+ They may discerne that proud disdainefull dame;
+ Yet claspe that booke, and shut that cazement light,
+ Lest, th'one obscurde, the other shine too bright.
+
+ Sell thy sweet breath to th' daintie musk-ball makers,
+ Yet sell it so as thou mayst soone redeeme it:
+ Let others of thy beauty be pertakers,
+ Else none but Daphnis will so well esteeme it.
+ For what is beauty, except it be well knowne?
+ And how can it be knowne, except first showne?
+
+ Learne of the gentlewomen of this age,
+ That set their beauties to the open view,
+ Making disdaine their lord, true love their page,
+ A custome zeale doth hate, desert doth rue:
+ Learne to looke red, anon waxe pale and wan,
+ Making a mocke of love, a scorne of man.
+
+ A candle light, and cover'd with a vaile,
+ Doth no man good, because it gives no light;
+ So Beauty of her beauty seemes to faile,
+ When being not seene it cannot shine so bright:
+ Then show thyselfe and know thyselfe withall,
+ Lest climing high thou catch too great a fall.
+
+ Oh foule eclipser of that fayre sun-shine,
+ Which is intitled Beauty in the best,
+ Making that mortall, which is els divine,
+ That staines the fayre which women steeme not least:
+ Get thee to Hell againe, from whence thou art,
+ And leave the center of a woman's hart.
+
+ Ah be not staind, sweet boy, with this vilde spot,
+ Indulgence daughter, mother of Mischaunce;
+ A blemish that doth every beauty blot,
+ That makes them loath'd, but never doth advaunce
+ Her clyents, fautors, friends, or them that love her,
+ And hates them most of all, that most reprove her.
+
+ Remember age, and thou canst not be prowd,
+ For age puls downe the pride of every man;
+ In youthfull yeares by Nature tis allowde
+ To have selfe-will, doo Nurture what she can;
+ Nature and Nurture once together met,
+ The soule and shape in decent order set.
+
+ Pride looks aloft, still staring on the starres,
+ Humility looks lowly on the ground;
+ Th' one menaceth the gods with civill warres,
+ The other toyles till he have Vertue found.
+ His thoughts are humble, not aspiring hye,
+ But Pride looks haughtily with scornefull eye.
+
+ Humillity is clad in modest weedes,
+ But Pride is brave and glorious to the show;
+ Humillity his friends with kindnes feedes,
+ But Pride his friends in neede will never know,
+ Supplying not their wants, but them disdaining,
+ Whilst they to pitty never neede complayning.
+
+ Humillity in misery is reliev'd,
+ But Pride in neede of no man is regarded;
+ Pitty and Mercy weepe to see him griev'd,
+ That in distresse had them so well rewarded;
+ But Pride is scornd, contemnd, disdaind, derided,
+ Whilst Humblenes of all things is provided.
+
+ Oh then be humble, gentle, meeke, and milde,
+ So shalt thou be of every mouth commended;
+ Be not disdainfull, cruell, proud, sweet childe,
+ So shalt thou be of no man much condemned:
+ Care not for them that vertue doo despise;
+ Vertue is loathde of fooles, lovde of the wise.
+
+ O faire boy, trust not to thy beauties wings,
+ They cannot carry thee above the sunne:
+ Beauty and wealth are transitory things,
+ For all must ende that ever was begunne.
+ But Fame and Vertue never shall decay,
+ For Fame is toombles, Vertue lives for aye.
+
+ The snow is white, and yet the pepper 's blacke,
+ The one is bought, the other is contemned:
+ Pibbles we have, but store of jeat we lacke,
+ So white comparde to blacke is much condemned.
+ We doo not praise the swanne because shees white,
+ But for she doth in musique much delite.
+
+ And yet the silver-noted nightingale,
+ Though she be not so white, is more esteemed;
+ Sturgion is dun of hew, white is the whale,
+ Yet for the daintier dish the first is deemed:
+ What thing is whiter than the milke-bred lilly?
+ That knowes it not for naught, what man so silly?
+
+ Yea, what more noysomer unto the smell
+ Than lillies are? What's sweeter then the sage?
+ Yet for pure white the lilly beares the bell,
+ Till it be faded through decaying age.
+ House-doves are white, and oozels blacke-birds bee,
+ Yet what a difference in the taste we see?
+
+ Compare the cow and calfe with ewe and lambe,
+ Rough hayrie hydes with softest downy fell;
+ Hecfar and bull with weather and with ramme,
+ And you shall see how far they doo excell;
+ White kine with blacke, blacke coney-skins with gray,
+ Kine nesh and strong, skins deare and cheape alway.
+
+ The whitest silver is not alwaies best,
+ Lead, tynne, and pewter are of base esteeme;
+ The yellow burnisht gold that comes from th' East,
+ And West, of late invented, may beseeme
+ The worlds ritch treasury, or Mydas eye;
+ The ritch mans god, poore mans felicitie.
+
+ Bugle and jeat with snow and alablaster
+ I will compare; white dammasin with blacke;
+ Bullas and wheaton plumbs, to a good taster
+ The ripe red cherries have the sweetest smacke:
+ When they be greene and young, th' are sowre and naught;
+ But being ripe, with eagernes th' are baught.
+
+ Compare the wyld cat to the brownish beaver,
+ Running for life, with hounds pursued sore,
+ When huntsmen of her pretious stones bereave her,
+ Which with her teeth sh' had bitten off before;
+ Restoratives and costly curious felts
+ Are made of them, and rich imbroydred belts.
+
+ To what use serves a peece of crimbling chalke?
+ The agget stone is white, yet good for nothing:
+ Fie, fie, I am asham'd to heare thee talke,
+ Be not so much of thine owne image doating:
+ So faire Narcissus lost his love and life;
+ Beautie is often with itselfe at strife.
+
+ Right diamonds are of a russet hieu,
+ The brightsome carbuncles are red to see too;
+ The saphyre stone is of a watchet blue,
+ To this thou canst not chuse but soone agree to:
+ Pearles are not white but gray, rubies are red:
+ In praise of blacke what can be better sed?
+
+ For if we doo consider of each mortall thing
+ That flyes in welkin, or in water swims,
+ How everie thing increaseth with the spring,
+ And how the blacker still the brighter dims:
+ We cannot chuse, but needs we must confesse,
+ Sable excels milk-white in more or lesse.
+
+ As for example, in the christall cleare
+ Of a sweete streame, or pleasant running river,
+ Where thousand formes of fishes will appeare,
+ Whose names to thee I cannot now deliver;
+ The blacker still the brighter have disgrac'd,
+ For pleasant profit and delicious taste.
+
+ Salmon and trout are of a ruddie colour,
+ Whiting and dare is of a milk-white hiew;
+ Nature by them perhaps is made the fuller,
+ Little they nowrish, be they old or new:
+ Carp, loach, tench, eeles, though black and bred in mud,
+ Delight the tooth with taste, and breed good blud.
+
+ Innumerable be the kindes, if I could name them,
+ But I a shepheard and no fisher am:
+ Little it skils whether I praise or blame them,
+ I onely meddle with my ew and lamb:
+ Yet this I say that blacke the better is,
+ In birds, beasts, frute, stones, flowres, herbs, mettals, fish.
+
+ And last of all, in blacke there doth appeare
+ Such qualities as not in yvorie;
+ Black cannot blush for shame, looke pale for feare,
+ Scorning to weare another livorie.
+ Blacke is the badge of sober modestie,
+ The wonted weare of ancient gravetie.
+
+ The learned sisters sute themselves in blacke,
+ Learning abandons white and lighter hues;
+ Pleasure and pride light colours never lacke,
+ But true religion doth such toyes refuse:
+ Vertue and gravity are sisters growne,
+ Since blacke by both, and both by blacke are knowne.
+
+ White is the colour of each paltry miller,
+ White is the ensigne of each common woman;
+ White is white vertues for blacke vyces piller,
+ White makes proud fooles inferiour unto no man:
+ White is the white of body, blacke of minde,
+ Vertue we seldome in white habit finde.
+
+ Oh, then be not so proud because th' art fayre,
+ Vertue is onely the ritch gift of God:
+ Let not selfe-pride thy vertues name impayre,
+ Beate not greene youth with sharpe repentance rod:
+ A fiend, a monster, a mishapen divel;
+ Vertues foe, vyces friend, the roote of evill.
+
+ Apply thy minde to be a vertuous man;
+ Avoyd ill company, the spoyle of youth;
+ To follow vertues lore doo what thou can,
+ Whereby great profit unto the ensuth:
+ Reade bookes, hate ignorance, the foe to art,
+ The damme of errour, envy of the hart.
+
+ Serve Jove upon thy knees both day and night,
+ Adore his name above all things on earth;
+ So shall thy vowes be gracious in his sight,
+ So little babes are blessed in their birth:
+ Thinke on no worldly woe, lament thy sin,
+ For lesser cease, when greater griefes begin.
+
+ Sweare no vaine oathes, heare much, but little say,
+ Speake ill of no man, tend thine owne affaires;
+ Bridle thy wrath, thine angrie mood delay,
+ So shall thy minde be seldome cloyd with cares:
+ Be milde and gentle in thy speech to all,
+ Refuse no honest gaine when it doth fall.
+
+ Be not beguild with words, prove not ungratefull,
+ Releeve thy neighbour in his greatest need,
+ Commit no action that to all is hatefull,
+ Their want with welth, the poore with plentie feed:
+ Twit no man in the teeth with what th' hast done;
+ Remember flesh is fraile, and hatred shunne.
+
+ Leave wicked things, which men to mischiefe move,
+ Least crosse mis-hap may thee in danger bring:
+ Crave no preferment of thy heavenly Jove,
+ Nor anie honor of thy earthly king:
+ Boast not thyselfe before th' Almighties sight,
+ Who knowes thy hart, and anie wicked wight.
+
+ Be not offensive to the peoples eye,
+ See that thy praiers harts true zeale affords,
+ Scorne not a man that's falne in miserie,
+ Esteeme no tatling tales, no babling words;
+ That reason is exiled alwaies thinke,
+ When as a drunkard rayles amidst his drinke.
+
+ Use not thy lovely lips to loathsome lyes,
+ By craftie meanes increase no worldly wealth;
+ Strive not with mightie men (whose fortune flies),
+ With temp'rate diet nourish wholesome health:
+ Place well thy words, leave not thy frend for gold;
+ First trie, then trust, in ventring be not bold.
+
+ In Pan repose thy trust; extoll his praise,
+ (That never shall decay, but ever lives):
+ Honor thy parents (to prolong thy dayes),
+ Let not thy left hand know what right hand gives:
+ From needie men turne not thy face away,
+ Though charitie be now yclad in clay.
+
+ Heare shepheards oft (thereby great wisdome growes),
+ With good advice a sober answere make:
+ Be not remoov'd with every winde that blowes,
+ (That course doo onely sinfull sinners take):
+ Thy talke will shew thy fame or els thy shame;
+ (A pratling tongue doth often purchase blame.)
+
+ Obtaine a faithfull frend that will not faile thee,
+ Think on thy mother's paine in her child-bearing;
+ Make no debate, least quickly thou bewaile thee,
+ Visit the sicke with comfortable chearing:
+ Pittie the prisner, helpe the fatherlesse,
+ Revenge the widdowes wrongs in her distresse.
+
+ Thinke on thy grave, remember still thy end,
+ Let not thy winding-sheete be staind with guilt;
+ Trust not a fained reconciled frend,
+ More than an open foe (that blood hath spilt):
+ (Who tutcheth pitch, with pitch shalbe defiled),
+ Be not with wanton companie beguiled.
+
+ Take not a flattring woman to thy wife,
+ A shameles creature, full of wanton words,
+ (Whose bad, thy good, whose lust will end thy life,
+ Cutting thy hart with sharpe two edged knife):
+ Cast not thy minde on her whose lookes allure,
+ But she that shines in truth and vertue pure.
+
+ Praise not thyselfe, let other men commend thee;
+ Beare not a flattring tongue to glaver anie;
+ Let parents due correction not offend thee;
+ Rob not thy neighbor, seeke the love of manie;
+ Hate not to heare good counsell given thee,
+ Lay not thy money unto usurie.
+
+ Restraine thy steps from too much libertie,
+ Fulfill not th' envious mans malitious minde;
+ Embrace thy wife, live not in lecherie;
+ Content thyselfe with what fates have assignde:
+ Be rul'd by reason, warning dangers save;
+ True age is reverend worship to thy grave.
+
+ Be patient in extreame adversitie,
+ (Mans chiefest credit growes by dooing well).
+ Be not high-minded in prosperitie;
+ Falshood abhorre, no lying fable tell.
+ Give not thyselfe to sloth, (the sinke of shame,
+ The moath of time, the enemie to fame).
+
+ This leare I learned of a bel-dame Trot,
+ (When I was yong and wylde as now thou art),
+ But her good counsell I regarded not,
+ I markt it with my eares, not with my hart.
+ But now I finde it too-too true (my sonne),
+ When my age-withered spring is almost done.
+
+ Behold my gray head, full of silver haires,
+ My wrinckled skin, deepe furrowes in my face,
+ Cares bring old age, old age increaseth cares;
+ My time is come, and I have run my race:
+ Winter hath snow'd upon my hoarie head,
+ And with my winter all my joyes are dead.
+
+ And thou love-hating boy, (whom once I loved),
+ Farewell, a thousand-thousand times farewell;
+ My teares the marble-stones to ruth have moved;
+ My sad complaints the babling ecchoes tell:
+ And yet thou wouldst take no compassion on mee,
+ Scorning that crosse which love hath laid upon mee.
+
+ The hardest steele with fier doth mend his misse,
+ Marble is mollifyde with drops of raine;
+ But thou (more hard than steele or marble is),
+ Doost scorne my teares, and my true love disdaine,
+ Which for thy sake shall everlasting bee,
+ Wrote in the annalls of eternitie.
+
+ By this, the night, (with darknes over-spred),
+ Had drawne the curtaines of her cole-blacke bed;
+ And Cynthia, muffling her face with a clowd,
+ (Lest all the world of her should be too proud)
+ Had taken conge of the sable night,
+ (That wanting her cannot be halfe so bright.)
+
+ When I, poore forlorn man and outcast creature,
+ (Despairing of my love, despisde of beautie),
+ Grew malecontent, scorning his lovely feature,
+ That had disdaind my ever zealous dutie:
+ I hy'd me homeward by the moone-shine light,
+ Foreswaring love, and all his fond delight.
+
+ FINIS.
+
+
+
+
+THE SHEPHEARDS CONTENT, OR THE HAPPINES OF A HARMLES
+ LIFE. WRITTEN UPON OCCASION OF THE FORMER
+ SUBJECT.
+
+
+ Of all the kindes of common countrey life,
+ Methinkes a shepheards life is most content;
+ His state is quiet peace, devoyd of strife;
+ His thoughts are pure from all impure intent,
+ His pleasures rate sits at an easie rent;
+ He beares no mallice in his harmles hart,
+ Malicious meaning hath in him no part.
+
+ He is not troubled with th' afflicted minde,
+ His cares are onely over silly sheepe;
+ He is not unto jealozie inclinde,
+ (Thrice happie man) he knowes not how to weepe;
+ Whilst I the treble in deepe sorrowes keepe.
+ I cannot keepe the meane; for why (alas)
+ Griefes have no meane, though I for meane doe passe.
+
+ No briefes nor semi-briefes are in my songs,
+ Because (alas) my griefe is seldome short;
+ My prick-song's alwayes full of largues and longs,
+ (Because I never can obtaine the port
+ Of my desires: hope is a happie fort).
+ Prick song (indeed) because it pricks my hart;
+ And song, because sometimes I ease my smart.
+
+ The mightie monarch of a royall realme,
+ Swaying his scepter with a princely pompe,
+ Of his desires cannot so steare the healme,
+ But sometime falls into a deadly dumpe;
+ When as he heares the shrilly sounding trumpe
+ Of forren enemies, or home-bred foes,
+ His minde of griefe, his hart is full of woes.
+
+ Or when bad subjects gainst their soveraigne
+ (Like hollow harts) unnaturally rebell,
+ How carefull is he to suppresse againe
+ Their desperate forces, and their powers to quell
+ With loyall harts, till all againe be well.
+ When (being subdu'd) his care is rather more,
+ To keepe them under, than it was before.
+
+ Thus is he never full of sweete content,
+ But either this or that his joy debars:
+ Now noblemen gainst noblemen are bent,
+ Now gentlemen and others fall at jarrs:
+ Thus is his countrey full of civill warrs;
+ He still in danger sits, still fearing death,
+ For traitors seeke to stop their princes breath.
+
+ The whylst the other hath no enemie,
+ Without it be the wolfe and cruell fates,
+ (Which no man spare): when as his disagree,
+ He with his sheephooke knaps them on the pates,
+ Schooling his tender lambs from wanton gates.
+ Beasts are more kinde than men, sheepe seeke not blood,
+ But countrey caytives kill their countreyes good.
+
+ The courtier he fawns for his princes favour,
+ In hope to get a princely ritch reward;
+ His tongue is tipt with honey for to glaver,
+ Pride deales the deck, whilst chance doth choose the card;
+ Then comes another and his game hath mard,
+ Sitting betwixt him and the morning sun;
+ Thus night is come before the day is done.
+
+ Some courtiers, carefull of their princes health,
+ Attend his person with all dilligence;
+ Whose hand's their hart, whose welfare is their wealth,
+ Whose safe protection is their sure defence,
+ For pure affection, not for hope of pence:
+ Such is the faithfull hart, such is the minde,
+ Of him that is to vertue still inclinde.
+
+ The skilfull scholler, and brave man at armes,
+ First plies his booke, last fights for countries peace;
+ Th' one feares oblivion, th' other fresh alarmes:
+ His paines nere ende, his travailes never cease;
+ His with the day, his with the night increase:
+ He studies how to get eternall fame,
+ The souldier fights to win a glorious name.
+
+ The knight, the squire, the gentleman, the clowne,
+ Are full of crosses and calamities,
+ Lest fickle fortune should begin to frowne,
+ And turne their mirth to extreame miseries,
+ Nothing more certaine than incertainties!
+ Fortune is full of fresh varietie,
+ Constant in nothing but inconstancie.
+
+ The wealthie merchant that doth crosse the seas,
+ To Denmarke, Poland, Spaine, and Barbarie,
+ For all his ritches, lives not still at ease;
+ Sometimes he feares ship-spoyling pyracie,
+ Another while deceipt and treacherie
+ Of his owne factors in a forren land;
+ Thus doth he still in dread and danger stand.
+
+ Well is he tearmd a merchant-venturer,
+ Since he doth venter lands, and goods and all;
+ When he doth travell for his traffique far,
+ Little he knowes what fortune may befall,
+ Or rather, what mis-fortune happen shall:
+ Sometimes he splits his ship against a rocke,
+ Loosing his men, his goods, his wealth, his stocke.
+
+ And if he so escape with life away,
+ He counts himselfe a man most fortunate,
+ Because the waves their rigorous rage did stay,
+ (When being within their cruell powers of late,
+ The seas did seeme to pittie his estate).
+ But yet he never can recover health,
+ Because his joy was drowned with his wealth.
+
+ The painfull plough-swaine, and the husband-man,
+ Rise up each morning by the breake of day,
+ Taking what toyle and drudging paines they can,
+ And all is for to get a little stay;
+ And yet they cannot put their care away:
+ When night is come, their cares begin afresh,
+ Thinking upon their morrowes busines.
+
+ Thus everie man is troubled with unrest,
+ From rich to poore, from high to low degree:
+ Therefore I thinke that man is truly blest,
+ That neither cares for wealth nor povertie,
+ But laughs at Fortune, and her foolerie,
+ That gives rich churles great store of golde and fee,
+ And lets poore schollers live in miserie.
+
+ O, fading branches of decaying bayes,
+ Who now will water your dry-wither'd armes?
+ Or where is he that sung the lovely layes
+ Of simple shepheards in their countrey-farmes?
+ Ah! he is dead, the cause of all our harmes:
+ And with him dide my joy and sweete delight;
+ The cleare to clowdes, the day is turnd to night.
+
+ SYDNEY, the syren of this latter age;
+ SYDNEY, the blasing-starre of England's glory;
+ SYDNEY, the wonder of the wise and sage;
+ SYDNEY, the subject of true vertues story:
+ This syren, starre, this wonder, and this subject,
+ Is dumbe, dim, gone, and mard by fortune's object.
+
+ And thou, my sweete Amintas, vertuous minde,
+ Should I forget thy learning or thy love,
+ Well might I be accounted but unkinde,
+ Whose pure affection I so oft did prove,
+ Might my poore plaints hard stones to pitty move!
+ His losse should be lamented of each creature,
+ So great his name, so gentle was his nature.
+
+ But sleepe his soule in sweet Elysium,
+ (The happy haven of eternall rest);
+ And let me to my former matter come,
+ Proving, by reason, shepheard's life is best,
+ Because he harbours vertue in his brest;
+ And is content, (the chiefest thing of all),
+ With any fortune that shall him befall.
+
+ He sits all day lowd-piping on a hill,
+ The whilst his flocke about him daunce apace,
+ His hart with joy, his eares with musique fill:
+ Anon a bleating weather beares the bace,
+ A lambe the treble, and to his disgrace
+ Another answers like a middle meane,
+ Thus every one to beare a part are faine.
+
+ Like a great king he rules a little land,
+ Still making statutes and ordayning lawes,
+ Which if they breake, he beates them with his wand;
+ He doth defend them from the greedy jawes
+ Of rav'ning woolves, and lyons bloudy pawes.
+ His field, his realme; his subjects are his sheepe;
+ Which he doth still in due obedience keepe.
+
+ First he ordaines by act of parlament,
+ (Holden by custome in each country towne),
+ That if a sheepe (with any bad intent)
+ Presume to breake the neighbour hedges downe,
+ Or haunt strange pastures that be not his owne,
+ He shall be pounded for his lustines,
+ Untill his master finde out some redres.
+
+ Also if any prove a strageller
+ From his owne fellowes in a forraine field,
+ He shall be taken for a wanderer,
+ And forc'd himselfe immediatly to yeeld;
+ Or with a wyde-mouth'd mastive curre be kild;
+ And if not claimd within a twelve month's space,
+ He shall remaine with land-lord of the place.
+
+ Or if one stray to feede far from the rest,
+ He shall be pincht by his swift pye-bald curre;
+ If any by his fellowes be opprest,
+ The wronger, (for he doth all wrong abhorre),
+ Shall be well bangd so long as he can sturre,
+ Because he did anoy his harmeles brother,
+ That meant not harme to him nor any other.
+
+ And last of all, if any wanton weather,
+ With briers and brambles teare his fleece in twaine,
+ He shall be forc'd t' abide cold frosty weather,
+ And powring showres of ratling stormes of raine,
+ Till his new fleece begins to grow againe:
+ And for his rashnes he is doom'd to goe
+ Without a new coate all the winter throw.
+
+ Thus doth he keepe them still in awfull feare,
+ And yet allowes them liberty inough;
+ So deare to him their welfare doth appeare,
+ That when their fleeces gin to waxen rough,
+ He combs and trims them with a rampicke bough,
+ Washing them in the streames of silver Ladon,
+ To cleanse their skinnes from all corruption.
+
+ Another while he wooes his country wench,
+ With chaplet crownd and gaudy girlonds dight,
+ Whose burning lust her modest eye doth quench;
+ Standing amazed at her heavenly sight,
+ Beauty doth ravish sense with sweet delight,
+ Clearing Arcadia with a smoothed browe,
+ When sun-bright smiles melt flakes of driven snowe.
+
+ Thus doth he frollicke it each day by day,
+ And when night comes drawes homeward to his coate,
+ Singing a jigge or merry roundelay,
+ For who sings commonly so merry a noate,
+ As he that cannot chop or change a groate?
+ And in the winter nights his chiefe desire,
+ He turnes a crabbe or cracknell in the fire.
+
+ He leads his wench a country horne-pipe round,
+ About a may-pole on a holy-day,
+ Kissing his lovely lasse with garlands crownd,
+ With whoopping heigh-ho singing care away.
+ Thus doth he passe the merry month of May,
+ And all th' yere after, in delight and joy;
+ Scorning a king, he cares for no annoy.
+
+ What though with simple cheere he homely fares,
+ He lives content; a king can doo no more,
+ Nay, not so much, for kings have manie cares,
+ But he hath none, except it be that sore
+ Which yong and old, which vexeth ritch and poore,
+ The pangs of love. O! who can vanquish Love?
+ That conquers kingdomes, and the gods above.
+
+ Deepe-wounding arrow, hart-consuming fire,
+ Ruler of reason, slave to tyrant beautie,
+ Monarch of harts, fuell of fond desire,
+ Prentice to folly, foe to fained duetie.
+ Pledge of true zeale, affections moitie,
+ If thou kilst where thou wilt, and whom it list thee,
+ Alas! how can a silly soule resist thee?
+
+ By thee great Collin lost his libertie,
+ By thee sweet Astrophel forwent his joy;
+ By thee Amyntas wept incessantly,
+ By thee good Rowland liv'd in great annoy;
+ O cruell, peevish, vylde, blind-seeing boy,
+ How canst thou hit their harts, and yet not see?
+ If thou be blinde, as thou art faind to bee.
+
+ A shepheard loves no ill, but onely thee;
+ He hath no care, but onely by thy causing:
+ Why doost thou shoot thy cruell shafts at mee?
+ Give me some respite, some short time of pausing:
+ Still my sweet love with bitter lucke th'art sawcing:
+ Oh, if thou hast a minde to shew thy might,
+ Kill mightie kings, and not a wretched wight.
+
+ Yet, O enthraller of infranchizd harts,
+ At my poore hart if thou wilt needs be ayming,
+ Doo me this favour, show me both thy darts,
+ That I may chuse the best for my harts mayming,
+ A free consent is priviledgd from blaming.
+ Then pierce his hard hart with thy golden arrow,
+ That thou my wrong, that he may rue my sorrow.
+
+ But let mee feele the force of thy lead pyle,
+ What should I doo with love when I am old?
+ I know not how to flatter, fawne, or smyle;
+ Then stay thy hand, O cruell bowman, hold!
+ For if thou strik'st me with thy dart of gold,
+ I sweare to thee by Joves immortall curse,
+ I have more in my hart than in my purse.
+
+ The more I weepe, the more he bends his brow,
+ For in my hart a golden shaft I finde.
+ Cruell, unkinde, and wilt thou leave me so?
+ Can no remorce nor pittie move thy minde?
+ Is mercie in the heavens so hard to finde?
+ Oh, then it is no mervaile that on earth
+ Of kinde remorce there is so great a dearth.
+
+ How happie were a harmles shepheards life,
+ If he had never knowen what love did meane;
+ But now fond Love in every place is rife,
+ Staining the purest soule with spots uncleane,
+ Making thicke purses thin, fat bodies leane.
+ Love is a fiend, a fire, a heaven, a hell,
+ Where pleasure, paine, and sad repentance dwell!
+
+ There are so manie Danaes now a dayes,
+ That love for lucre, paine for gaine is sold;
+ No true affection can their fancie please,
+ Except it be a Jove, to raine downe gold
+ Into their laps, which they wyde open hold:
+ If _legem pone_ comes, he is receav'd,
+ When _Vix haud habeo_ is of hope bereav'd.
+
+ Thus have I showed, in my countrey vaine,
+ The sweet content that shepheards still injoy;
+ The mickle pleasure and the little paine
+ That ever doth awayte the shepheards boy:
+ His hart is never troubled with annoy;
+ He is a king, for he commands his sheepe;
+ He knowes no woe, for he doth seldome weepe.
+
+ He is a courtier, for he courts his love;
+ He is a scholler, for he sings sweet ditties;
+ He is a souldier, for he wounds doth prove;
+ He is the fame of townes, the shame of citties:
+ He scornes false fortune, but true vertue pitties.
+ He is a gentleman, because his nature
+ Is kinde and affable to everie creature.
+
+ Who would not then a simple shepheard bee,
+ Rather than be a mightie monarch made?
+ Since he injoyes such perfect libertie
+ As never can decay, nor never fade:
+ He seldome sits in dolefull cypresse shade,
+ But lives in hope, in joy, in peace, in blisse,
+ Joying all joy with this content of his.
+
+ But now good fortune lands my little boate
+ Upon the shoare of his desired rest:
+ Now must I leave awhile my rurall noate,
+ To thinke on him whom my soule loveth best;
+ He that can make the most unhappie blest;
+ In whose sweete lap Ile lay me downe to sleepe,
+ And never wake till marble stones shall weepe.
+
+ FINIS.
+
+
+
+
+ SONNET.
+
+
+ Loe here behold these tributarie teares
+ Paid to thy faire but cruell tyrant eyes;
+ Loe here the blossome of my youthfull yeares,
+ Nipt with the fresh of thy wraths winter, dyes!
+ Here on Loves altar I doo offer up
+ This burning hart for my soules sacrifice;
+ Here I receave this deadly-poysned cu[p]
+ Of Circe charm'd, wherein deepe magicke lyes.
+ Then teares, if you be happie teares indeed,
+ And hart, if thou be lodged in his brest,
+ And cup, if thou canst helpe despaire with speed,
+ Teares, hart, and cup, conjoine to make me blest!
+ Teares move, hart win, cup cause, ruth, love, desire,
+ In word, in deed; by moane, by zeale, by fire.
+
+ FINIS.
+
+
+
+
+THE COMPLAINT OF CHASTITIE, BRIEFELY TOUCHING THE CAUSE
+ OF THE DEATH OF MATILDA FITZWALTERS, AN ENGLISH
+ LADIE, SOMETIME LOVED OF KING JOHN, AFTER
+ POYSONED. THE STORIE IS AT LARGE
+ WRITTEN BY MICHAEL DREYTON.
+
+
+ You modest dames, inricht with chastitie,
+ Maske your bright eyes with Vestaes sable vaile,
+ Since few are left so faire or chast as shee,
+ Matter for me to weepe, you to bewaile!
+ For manie seeming so, of Vertue faile,
+ Whose lovely cheeks, with rare vermilion tainted,
+ Can never blush, because their faire is painted.
+
+ O faire-foule tincture, staine of woman kinde,
+ Mother of Mischiefe, daughter of Deceate,
+ False traitor to the soule, blot to the minde,
+ Usurping tyrant of true beauties seate!
+ Right cousner of the eye, lewd follies baite,
+ The flag of filthines, the sinke of shame,
+ The divells dye, dishonour of thy name!
+
+ Monster of art, bastard of bad desier,
+ Il-worshipt idoll, false imagerie!
+ Ensigne of vice, to thine owne selfe a lier,
+ Silent inchaunter, mindes anatomie,
+ Sly bawd to lust, pandor to infamie,
+ Slaunder of Truth, truth of dissimulation,
+ Staining our clymate more than anie nation!
+
+ What shall I say to thee, thou scorne of Nature,
+ Blacke spot of sinne, vylde lure of lecherie,
+ Injurious blame to everie fæmale creature,
+ Wronger of time, broker of trecherie,
+ Trap of greene youth, false womens witcherie,
+ Handmaid of pride, highway to wickednesse,
+ Yet pathway to repentance nere the lesse?
+
+ Thou dost entice the minde to dooing evill,
+ Thou setst dissention twixt the man and wife;
+ A saint in show, and yet indeed a devill,
+ Thou art the cause of everie common strife;
+ Thou art the life of Death, the death of Life!
+ Thou doost betray thyselfe to infamie,
+ When thou art once discerned by the eye.
+
+ Ah, little knew Matilda of thy being,
+ Those times were pure from all impure complection;
+ Then Love came of Desert, Desert of seeing,
+ Then Vertue was the mother of Affection,
+ But Beautie now is under no subjection;
+ Then women were the same that men did deeme,
+ But now they are the same they doo not seeme.
+
+ What fæmale now intreated of a king
+ With gold and jewels, pearles and precious stones,
+ Would willingly refuse so sweete a thing,
+ Onely for a little show of Vertue ones?
+ Women have kindnes grafted in their bones.
+ Gold is a deepe-perswading orator,
+ Especially where few the fault abhor.
+
+ But yet shee rather deadly poyson chose,
+ Oh cruell bane of most accursed clime!
+ Than staine that milk-white mayden virgin rose,
+ Which shee had kept unspotted till that time,
+ And not corrupted with this earthly slime.
+ Her soule shall live, inclosd eternally
+ In that pure shrine of immortality!
+
+ This is my doome, and this shall come to passe,
+ For what are pleasures but still vading joyes?
+ Fading as flowers, brittle as a glasse,
+ Or potters clay, crost with the least annoyes?
+ All things in this life are but trifling toyes,
+ But Fame and Vertue never shall decay,
+ For Fame is toomblesse, Vertue lives for aye!
+
+ FINIS.
+
+
+
+
+NOTES.
+
+
+P. 6, l. 1.--_Blin._] To cease.
+
+ Mon that loveth falsnesse and nule never _blynne_,
+ Sore may him drede the lyf that he is ynne.
+
+_Wright's Political Songs_, p. 212.
+
+P. 7, l. 25.--_Her hart more hard than adamant or steele._] Compare
+"Midsummer Night's Dream," ii. 2.--
+
+ "You draw me, _you hard-hearted adamant_;
+ But yet you draw not iron, for my heart
+ Is true as steel: leave you your power to draw,
+ And I shall have no power to follow you."
+
+P. 8, l. 15.--_Ban._] Curse.
+
+P. 9, l. 13.--_Crownets._] Coronets. The term occurs in Shakespeare.
+
+P. 9, l. 22.--_Hunts-up._] Mr. Collier has printed a very curious song,
+from which it appears that the _hunts-up_ was known as early as 28 Henry
+VIII. The following extract will show the nature of it:--
+
+ "The hunt is up, the hunt is up, &c.
+ The Masters of Art and Doctors of Divinity
+ Have brought this name out of good unity,
+ Three noblemen have this to stay,--
+ My lord of Norfolk, Lord of Surrey,
+ And my Lord of Shrewsbury,
+ The Duke of Suffolk might have made England merry."
+
+P. 10, l. 10.--_Eughes._] Yews.
+
+P. 10, l. 15.--_Ladon._] A river in Arcadia.
+
+P. 11, l. 2.--_Syrinx._] An Arcadian nymph, who, flying from Pan, was
+turned into a reed, which was afterwards made into a pipe by the
+pursuer.
+
+P. 11, l. 24.--_Prickets._] Bucks of the second year.
+
+P. 12, l. 10.--_Spyke._] Lavender.
+
+P. 12, l. 11.--_The scarlet dyde carnation bleeding yet._] The idea of a
+bleeding flower gives additional grace to one of the most beautiful
+passages in Shakespeare.--
+
+ "Yet mark'd I where the bolt of Cupid fell;
+ It fell upon a little western flower,
+ Before milk-white, now purple with love's wound."
+
+P. 12, l. 13.--_Good for the blinde._] According to Gerard, p. 537,
+"eiebright stamped and laid upon the eies, or the juice thereof, mixed
+with white wine, and dropped into the eies, or the destilled water,
+taketh awaie the darknesse and dimnesse of the eies, and cleereth the
+sight."
+
+P. 12, l. 18.--_Sops in wine._] Pinks.
+
+P. 12, l. 19.--_Bootes._] The marsh marigold. According to Gerard, p.
+671, this name for the plant was current only "in Cheshire and those
+parts."
+
+P. 13, l. 2.--_Tyce._] To entice.
+
+P. 15, l. 6.--_The christall fountaines._]
+
+ "Opening on Neptune with fair blessed beams."
+
+_Midsummer Night's Dream_, iii. 2.
+
+P. 16, l. 24.--_Boult._] A short thick arrow.
+
+P. 16, l. 24.--_Thrustle-cocke._] The male thrush.
+
+P. 16, l. 25.--_Afforde._] "Afford's," orig.
+
+P. 17, l. 6.--_Grype._] A griffin.
+
+P. 17, l. 13.--_Oozels._] Blackbirds. See p. 24.
+
+P. 18, l. 3.--_As white as whale._]
+
+ "This is the flower that smiles on every one,
+ That show his teeth _as white as whales bone_."
+
+_Love's Labour's Lost_, v. ii.
+
+P. 20, l. 12.--_My lovely faire._] Compare the Midsummer Night's Dream,
+i. 1.--
+
+ ----"O, happy fair!
+ Your eyes are lode-stars."
+
+P. 22, l. 3.--_Fautors._] Abetters, supporters.
+
+P. 25, l. 1.--_When huntsmen, &c._]
+
+ ----"imitatus castora, qui se
+ Eunuchum ipse facit, cupiens evadere damno
+ Testiculorum."
+
+_Juvenal_, xii. 84.
+
+P. 27, l. 1.--_White is the colour._] This stanza seems to have been
+imitated in "Greenes Funeralls," 4to. London, 1594. See the "First
+Sketches of Henry VI," Introduction, p. xxiii.
+
+P. 30, l. 4.--_Knife._] So in the original, but probably a mistake for
+swords.
+
+P. 30, l. 8.--_Glaver._] To flatter.
+
+P. 35, l. 11.--_Deck._] Pack of cards.
+
+P. 40, l. 12.--_Rampicke._] Partially decayed; a term generally applied
+to a tree which begins to decay at the top through age.
+
+P. 40, l. 21.--_Melt._] "Melts" in the original.
+
+P. 42, l. 24.--_Cruell, unkinde, and wilt thou leave me so._] Compare
+Midsummer Night's Dream, iii. 2, "why unkindly didst thou leave me so?"
+
+P. 46, l. 3.--_After._] Afterwards. The poetical legend by Drayton, here
+alluded to, will be found in the collected works of that writer.
+
+P. 48, l. 4.--_Ones._] Once. After this poem is inserted, in the
+original, three pages entitled, "Hellens Rape, or a light Lanthorne for
+light Ladies. Written in English hexameters."
+
+
+
+
+
+End of Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+***** This file should be named 19902-8.txt or 19902-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/9/0/19902/
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/19902-8.zip b/19902-8.zip
new file mode 100644
index 0000000..7cc5203
--- /dev/null
+++ b/19902-8.zip
Binary files differ
diff --git a/19902-h.zip b/19902-h.zip
new file mode 100644
index 0000000..e7ce181
--- /dev/null
+++ b/19902-h.zip
Binary files differ
diff --git a/19902-h/19902-h.htm b/19902-h/19902-h.htm
new file mode 100644
index 0000000..92e6a83
--- /dev/null
+++ b/19902-h/19902-h.htm
@@ -0,0 +1,2165 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of The Affectionate Shepherd, by Richard Barnfield.
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+
+ table {margin-left: auto; margin-right: auto;}
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 1%;
+ font-size: smaller;
+ text-align: left;
+ color: gray;
+ } /* page numbers */
+
+ .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */
+ .blockquot{margin-left: 5%; margin-right: 10%;}
+ .sidenote {width: 20%; padding-bottom: .5em; padding-top: .5em;
+ padding-left: .5em; padding-right: .5em; margin-left: 1em;
+ float: right; clear: right; margin-top: 1em;
+ font-size: smaller; color: black; background: #eeeeee; border: dashed 1px;}
+
+ .bb {border-bottom: solid 2px;}
+ .bl {border-left: solid 2px;}
+ .bt {border-top: solid 2px;}
+ .br {border-right: solid 2px;}
+ .bbox {border: solid 2px;}
+
+ .center {text-align: center;}
+ .right {text-align: right; margin-right: 35%;}
+ .smcap {font-variant: small-caps;}
+ .u {text-decoration: underline;}
+
+ .caption {font-weight: bold;}
+
+ .figcenter {margin: auto; text-align: center;}
+
+ .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top:
+ 1em; margin-right: 1em; padding: 0; text-align: center;}
+
+ .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em;
+ margin-top: 1em; margin-right: 0; padding: 0; text-align: center;}
+
+ .footnotes {border: dashed 1px;}
+ .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+ .footnote .label {position: absolute; right: 84%; text-align: right;}
+ .fnanchor {vertical-align: super; font-size: .8em; text-decoration: none;}
+
+ .poem {margin-left:20%; margin-right:10%; text-align: left;}
+ .poem br {display: none;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i4 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i6 {display: block; margin-left: 6em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i8 {display: block; margin-left: 8em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i12 {display: block; margin-left: 12em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i16 {display: block; margin-left: 16em; padding-left: 3em; text-indent: -3em;}
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Affectionate Shepherd
+
+Author: Richard Barnfield
+
+Editor: James Orchard Halliwell
+
+Release Date: November 23, 2006 [EBook #19902]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+
+
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+
+
+
+
+</pre>
+
+
+
+
+
+
+
+<h3>THE</h3>
+
+<h1>AFFECTIONATE SHEPHERD:</h1>
+
+<h3>BY</h3>
+
+<h2>RICHARD BARNFIELD.</h2>
+
+<h3>A.D. 1594.</h3>
+
+<hr style="width: 25%;" />
+
+<h4>EDITED BY</h4>
+
+<h3>JAMES ORCHARD HALLIWELL, Esq. F.R.S.</h3>
+
+<h4>HON. M.R.I.A., HON. M.R.S.L., F.S.A., ETC.</h4>
+
+<hr style="width: 25%;" />
+
+<h5>LONDON.</h5>
+
+<h5>REPRINTED FOR THE PERCY SOCIETY,</h5>
+
+<h5>BY T. RICHARDS, 100, ST. MARTIN'S LANE.</h5>
+
+<h5>M.DCCC.XLV.</h5>
+
+
+
+<hr style="width: 65%;" />
+<h2>COUNCIL</h2>
+
+<h3>OF</h3>
+
+<h2>The Percy Society.</h2>
+
+
+<div style="margin-left: 10em;">
+<i>President.</i><br />
+<br />
+<span class="smcap">The Rt. Hon.</span> LORD BRAYBROOKE, F.S.A.<br />
+<br />
+THOMAS AMYOT, <span class="smcap">Esq.</span> F.R.S. <span class="smcap">Treas.</span> S.A.<br />
+<br />
+WILLIAM HENRY BLACK, <span class="smcap">Esq.</span><br />
+<br />
+WILLIAM CHAPPELL, <span class="smcap">Esq.</span> F.S.A.<br />
+<br />
+J. PAYNE COLLIER, <span class="smcap">Esq.</span> F.S.A.<br />
+<br />
+C. PURTON COOPER, <span class="smcap">Esq.</span> Q.C., F.R.S., F.S.A.<br />
+<br />
+PETER CUNNINGHAM, <span class="smcap">Esq.</span><br />
+<br />
+JAMES HENRY DIXON, <span class="smcap">Esq.</span><br />
+<br />
+WILLIAM JERDAN, <span class="smcap">Esq.</span> F.S.A., M.R.S.L.<br />
+<br />
+CAPTAIN JOHNS, R.M.<br />
+<br />
+T. J. PETTIGREW, <span class="smcap">Esq.</span> F.R.S., F.S.A.<br />
+<br />
+LEWIS POCOCK, <span class="smcap">Esq.</span> F.S.A.<br />
+<br />
+SIR CUTHBERT SHARP.<br />
+<br />
+WILLIAM SANDYS, <span class="smcap">Esq.</span> F.S.A.<br />
+<br />
+WILLIAM J. THOMS, <span class="smcap">Esq.</span> F.S.A.<br />
+<br />
+THOMAS WRIGHT, <span class="smcap">Esq.</span> M.A., F.S.A., <i>Secretary and Treasurer.</i><br />
+</div>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_iii" id="Page_iii">[Pg iii]</a></span></p>
+<h2>PREFACE.</h2>
+
+
+<p>Two copies only of the poem by Barnfield here reprinted, are known to be
+preserved; one in Sion College Library, and another, formerly in Heber's
+possession, mentioned in "Bibliotheca Heberiana," iv. 15. Its merits and
+great rarity have pointed it out as a work deserving to be more known
+and appreciated. Barnfield is, perhaps, chiefly remembered by his
+elegant pieces printed in the "Passionate Pilgrim," attributed by some
+to Shakespeare; but Mr. Collier has distinctly proved them to belong to
+the less eminent poet. The "Affectionate Shepherd" was his first
+production, as he himself confesses in the preface to his "Cynthia,"
+1595, and it has received the well-merited commendation of Warton.
+Besides these poems, he is the author of "The Complaint of Poetrie for
+the death of Liberalitie," 4to. 1598, and others published at the same
+time, reprints of which are in the British Museum; also "The<span class='pagenum'><a name="Page_iv" id="Page_iv">[Pg iv]</a></span> Encomium
+of Lady Pecunia, or the Praise of Money," a curious manuscript in the
+Ashmolean Museum, and likewise printed in the author's life-time. It
+should be mentioned that in the original copies of the following tract
+are a few hexameter verses on the Rape of Helen, which have been omitted
+as of an inferior kind to the other part of the work, and for still more
+obvious reasons. The "Affectionate Shepherd" itself will be found
+remarkably free from the coarseness which disfigures so much of the
+Elizabethan literature,&mdash;an additional inducement, if any were
+necessary, for rescuing it from the liability to destruction which is of
+course incident to any book of such excessive rarity. Our thanks are due
+to the Rev. H. Christmas, Librarian of Sion College, for the courtesy
+and liberality with which he permitted our transcript to be made from a
+volume of tracts possessing the greatest charm for the bibliographer;
+for besides the present one, it contains the first edition of
+Shakespeare's Lucrece, and several other pieces of nearly equal value,
+in the finest possible condition.</p>
+
+
+<hr style="width: 65%;" />
+
+
+<h3>THE</h3>
+
+<h1>AFFECTIONATE SHEPHEARD.</h1>
+
+<h3>CONTAINING THE COMPLAINT OF DAPHNIS FOR<br />
+THE LOUE OF GANYMEDE.</h3>
+
+<h4><i>Amor plus mellis, quam fellis, est.</i></h4>
+
+<hr style="width: 25%;" />
+
+<p class="center">London:</p>
+
+<p class="center">Printed by John Danter, for T. G. and E. N., and<br />
+are to bee sold in Saint Dunstones<br />
+Church-yeard in Fleetstreet.</p>
+
+<hr style="width: 15%;" />
+
+<h5>1594.</h5>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_3" id="Page_3">[Pg 3]</a></span></p>
+
+
+<h3>TO THE RIGHT EXCELLENT AND MOST BEAUTIFULL LADY,<br />
+THE LADIE PENELOPE RITCH.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Fayre lovely ladie, whose angelique eyes<br /></span>
+<span class="i2">Are vestall candles of sweet beauties treasure,<br /></span>
+<span class="i0">Whose speech is able to inchaunt the wise,<br /></span>
+<span class="i2">Converting joy to paine, and paine to pleasure;<br /></span>
+<span class="i0">Accept this simple toy of my soules dutie,<br /></span>
+<span class="i0">Which I present unto thy matchles beautie.<br /></span>
+</div><div class="stanza">
+<span class="i0">And albeit the gift be all too meane,<br /></span>
+<span class="i2">Too meane an offring for thine ivorie shrine;<br /></span>
+<span class="i0">Yet must thy beautie my just blame susteane,<br /></span>
+<span class="i2">Since it is mortall, but thyselfe divine.<br /></span>
+<span class="i0">Then, noble ladie, take in gentle worth<br /></span>
+<span class="i0">This new-borne babe, which here my muse brings forth.<br /></span>
+</div><div class="stanza">
+<span class="i6">Your Honours most affectionate and<br /></span>
+<span class="i12">perpetually devoted Shepheard:<br /></span>
+</div><div class="stanza">
+<span class="i16"><span class="smcap">Daphnis</span>.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span></p>
+
+<h2>THE<br />
+AFFECTIONATE SHEPHEARD.</h2>
+
+<hr style="width: 65%;" />
+
+
+<h3>THE TEARES OF AN AFFECTIONATE SHEPHEARD SICKE FOR LOVE,<br />
+OR THE COMPLAINT OF DAPHNIS FOR THE<br />
+LOVE OF GANIMEDE.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Scarce had the morning starre hid from the light<br /></span>
+<span class="i2">Heavens crimson canopie with stars bespangled,<br /></span>
+<span class="i0">But I began to rue th' unhappy sight<br /></span>
+<span class="i2">Of that faire boy that had my hart intangled;<br /></span>
+<span class="i0">Cursing the time, the place, the sense, the sin;<br /></span>
+<span class="i0">I came, I saw, I viewd, I slipped in.<br /></span>
+</div><div class="stanza">
+<span class="i0">If it be sinne to love a sweet-fac'd boy,<br /></span>
+<span class="i2">Whose amber locks trust up in golden tramels<br /></span>
+<span class="i0">Dangle adowne his lovely cheekes with joy,<br /></span>
+<span class="i2">When pearle and flowers his faire haire enamels;<br /></span>
+<span class="i0">If it be sinne to love a lovely lad,<br /></span>
+<span class="i0">Oh then sinne I, for whom my soule is sad.<br /></span>
+</div><div class="stanza">
+<span class="i0">His ivory-white and alablaster skin<br /></span>
+<span class="i2">Is staind throughout with rare vermillion red,<br /></span>
+<span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span>
+<span class="i0">Whose twinckling starrie lights doe never blin<br /></span>
+<span class="i2">To shine on lovely Venus, Beauties bed;<br /></span>
+<span class="i0">But as the lillie and the blushing rose,<br /></span>
+<span class="i0">So white and red on him in order growes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Upon a time the nymphs bestird them-selves<br /></span>
+<span class="i2">To trie who could his beautie soonest win;<br /></span>
+<span class="i0">But he accounted them but all as elves,<br /></span>
+<span class="i2">Except it were the faire Queene Guendolen:<br /></span>
+<span class="i0">Her he embrac'd, of her was beloved,<br /></span>
+<span class="i0">With plaints he proved, and with teares he moved.<br /></span>
+</div><div class="stanza">
+<span class="i0">But her an old man had beene sutor too,<br /></span>
+<span class="i2">That in his age began to doate againe;<br /></span>
+<span class="i0">Her would he often pray, and often woo,<br /></span>
+<span class="i2">When through old age enfeebled was his braine:<br /></span>
+<span class="i0">But she before had lov'd a lustie youth,<br /></span>
+<span class="i0">That now was dead, the cause of all her ruth.<br /></span>
+</div><div class="stanza">
+<span class="i0">And thus it hapned, Death and Cupid met<br /></span>
+<span class="i2">Upon a time at swilling Bacchus house,<br /></span>
+<span class="i0">Where daintie cates upon the boord were set,<br /></span>
+<span class="i2">And goblets full of wine to drinke carouse:<br /></span>
+<span class="i0">Where Love and Death did love the licor so,<br /></span>
+<span class="i0">That out they fall and to the fray they goe.<br /></span>
+</div><div class="stanza">
+<span class="i0">And having both their quivers at their backe<br /></span>
+<span class="i2">Fild full of arrows; th' one of fatall steele,<br /></span>
+<span class="i0">The other all of gold; Deaths shaft was black,<br /></span>
+<span class="i2">But Loves was yellow: Fortune turnd her wheele,<br /></span>
+<span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span>
+<span class="i0">And from Deaths quiver fell a fatall shaft,<br /></span>
+<span class="i0">That under Cupid by the winde was waft.<br /></span>
+</div><div class="stanza">
+<span class="i0">And at the same time by ill hap there fell<br /></span>
+<span class="i2">Another arrow out of Cupids quiver,<br /></span>
+<span class="i0">The which was carried by the winde at will,<br /></span>
+<span class="i2">And under Death the amorous shaft did shiver:<br /></span>
+<span class="i0">They being parted, Love tooke up Deaths dart,<br /></span>
+<span class="i0">And Death tooke up Loves arrow for his part.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus as they wandred both about the world,<br /></span>
+<span class="i2">At last Death met with one of feeble age:<br /></span>
+<span class="i0">Wherewith he drew a shaft and at him hurld<br /></span>
+<span class="i2">The unknowne arrow with a furious rage,<br /></span>
+<span class="i0">Thinking to strike him dead with Deaths blacke dart;<br /></span>
+<span class="i0">But he, alas, with Love did wound his hart!<br /></span>
+</div><div class="stanza">
+<span class="i0">This was the doting foole, this was the man<br /></span>
+<span class="i2">That lov'd faire Guendolena, Queene of Beautie;<br /></span>
+<span class="i0">Shee cannot shake him off, doo what she can,<br /></span>
+<span class="i2">For he hath vowd to her his soules last duety:<br /></span>
+<span class="i0">Making him trim upon the holydaies,<br /></span>
+<span class="i0">And crownes his love with garlands made of baies.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now doth he stroke his beard, and now againe<br /></span>
+<span class="i2">He wipes the drivel from his filthy chin;<br /></span>
+<span class="i0">Now offers he a kisse, but high Disdaine<br /></span>
+<span class="i2">Will not permit her hart to pity him:<br /></span>
+<span class="i0">Her hart more hard than adamant or steele,<br /></span>
+<span class="i0">Her hart more changeable than Fortunes wheele.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span>
+<span class="i0">But leave we him in love up to the eares,<br /></span>
+<span class="i2">And tell how Love behav'd himselfe abroad;<br /></span>
+<span class="i0">Who seeing one that mourned still in teares,<br /></span>
+<span class="i2">A young man groaning under Loves great load,<br /></span>
+<span class="i0">Thinking to ease his burden, rid his paines,<br /></span>
+<span class="i0">For men have griefe as long as life remaines.<br /></span>
+</div><div class="stanza">
+<span class="i0">Alas, the while that unawares he drue<br /></span>
+<span class="i2">The fatall shaft that Death had dropt before,<br /></span>
+<span class="i0">By which deceit great harme did then insue,<br /></span>
+<span class="i2">Stayning his face with blood and filthy goare:<br /></span>
+<span class="i0">His face, that was to Guendolen more deere<br /></span>
+<span class="i0">Than love of lords, or any lordly peere.<br /></span>
+</div><div class="stanza">
+<span class="i0">This was that faire and beautifull young man,<br /></span>
+<span class="i2">Whom Guendolena so lamented for;<br /></span>
+<span class="i0">This is that Love whom she doth curse and ban,<br /></span>
+<span class="i2">Because she doth that dismall chaunce abhor:<br /></span>
+<span class="i0">And if it were not for his mothers sake,<br /></span>
+<span class="i0">Even Ganimede himselfe she would forsake.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh would shee would forsake my Ganimede,<br /></span>
+<span class="i2">Whose sugred love is full of sweete delight,<br /></span>
+<span class="i0">Upon whose forehead you may plainely reade<br /></span>
+<span class="i2">Loves pleasure grav'd in yvorie tables bright:<br /></span>
+<span class="i0">In whose faire eye-balls you may clearely see<br /></span>
+<span class="i0">Base Love still staind with foule indignitie.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh would to God he would but pitty mee,<br /></span>
+<span class="i2">That love him more than any mortall wight!<br /></span>
+<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span>
+<span class="i0">Then he and I with love would soone agree,<br /></span>
+<span class="i2">That now cannot abide his sutors sight.<br /></span>
+<span class="i0">O would to God, so I might have my fee,<br /></span>
+<span class="i0">My lips were honey, and thy mouth a bee!<br /></span>
+</div><div class="stanza">
+<span class="i0">Then shouldst thou sucke my sweete and my faire flower,<br /></span>
+<span class="i2">That now is ripe and full of honey-berries;<br /></span>
+<span class="i0">Then would I leade thee to my pleasant bower,<br /></span>
+<span class="i2">Fild full of grapes, of mulberries, and cherries:<br /></span>
+<span class="i0">Then shouldst thou be my waspe or else my bee,<br /></span>
+<span class="i0">I would thy hive, and thou my honey, bee.<br /></span>
+</div><div class="stanza">
+<span class="i0">I would put amber bracelets on thy wrests,<br /></span>
+<span class="i2">Crownets of pearle about thy naked armes:<br /></span>
+<span class="i0">And when thou sitst at swilling Bacchus feasts<br /></span>
+<span class="i2">My lips with charmes should save thee from all harmes:<br /></span>
+<span class="i0">And when in sleepe thou tookst thy chiefest pleasure,<br /></span>
+<span class="i0">Mine eyes should gaze upon thine eyelids treasure.<br /></span>
+</div><div class="stanza">
+<span class="i0">And every morne by dawning of the day,<br /></span>
+<span class="i2">When Ph&#339;bus riseth with a blushing face,<br /></span>
+<span class="i0">Silvanus chappel-clarkes shall chaunt a lay,<br /></span>
+<span class="i2">And play thee hunts-up in thy resting place:<br /></span>
+<span class="i0">My coote thy chamber, my bosome thy bed<br /></span>
+<span class="i0">Shall be appointed for thy sleepy head.<br /></span>
+</div><div class="stanza">
+<span class="i0">And when it pleaseth thee to walke abroad,<br /></span>
+<span class="i2">Abroad into the fields to take fresh ayre,<br /></span>
+<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span>
+<span class="i0">The meades with Floras treasure should be strowde,<br /></span>
+<span class="i2">The mantled meaddowes, and the fields so fayre.<br /></span>
+<span class="i0">And by a silver well with golden sands<br /></span>
+<span class="i0">Ile sit me downe, and wash thine yvory hands.<br /></span>
+</div><div class="stanza">
+<span class="i0">And in the sweltring heate of summer time,<br /></span>
+<span class="i2">I would make cabinets for thee, my love;<br /></span>
+<span class="i0">Sweet-smelling arbours made of eglantine<br /></span>
+<span class="i2">Should be thy shrine, and I would be thy dove.<br /></span>
+<span class="i0">Cool cabinets of fresh greene laurell boughs<br /></span>
+<span class="i0">Should shadow us, ore-set with thicke-set eughes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if thou list to bathe thy naked limbs<br /></span>
+<span class="i2">Within the cristall of a pearle-bright brooke,<br /></span>
+<span class="i0">Paved with dainty pibbles to the brims,<br /></span>
+<span class="i2">Or cleare, wherein thyselfe thyselfe mayst looke;<br /></span>
+<span class="i0">Weele goe to Ladon, whose still trickling noyse<br /></span>
+<span class="i0">Will lull thee fast asleepe amids thy joyes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if thoult goe unto the river side,<br /></span>
+<span class="i2">To angle for the sweet freshwater fish,<br /></span>
+<span class="i0">Arm'd with thy implements that will abide,<br /></span>
+<span class="i2">Thy rod, hooke, line, to take a dainty dish;<br /></span>
+<span class="i0">Thy rods shall be of cane, thy lines of silke,<br /></span>
+<span class="i0">Thy hooks of silver, and thy bayts of milke.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if thou lov'st to hear sweet melodie,<br /></span>
+<span class="i2">Or pipe a round upon an oaten reede,<br /></span>
+<span class="i0">Or make thyselfe glad with some myrthfull glee,<br /></span>
+<span class="i2">Or play them musicke whilst thy flocke doth feede.<br /></span>
+<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span>
+<span class="i0">To Pans owne pype Ile helpe my lovely lad,<br /></span>
+<span class="i0">Pans golden pype, which he of Syrinx had.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if thou darst to climbe the highest trees<br /></span>
+<span class="i2">For apples, cherries, medlars, peares, or plumbs,<br /></span>
+<span class="i0">Nuts, walnuts, filbeards, chestnuts, cervices,<br /></span>
+<span class="i2">The hoary peach, when snowy winter comes;<br /></span>
+<span class="i0">I have fine orchards full of mellowed frute,<br /></span>
+<span class="i0">Which I will give thee to obtaine my sute.<br /></span>
+</div><div class="stanza">
+<span class="i0">Not proud Alcynous himselfe can vaunt<br /></span>
+<span class="i2">Of goodlier orchards or of braver trees<br /></span>
+<span class="i0">Than I have planted; yet thou wilt not graunt<br /></span>
+<span class="i2">My simple sute, but like the honey bees<br /></span>
+<span class="i0">Thou suckst the flowre till all the sweet be gone,<br /></span>
+<span class="i0">And loost mee for my coyne till I have none.<br /></span>
+</div><div class="stanza">
+<span class="i0">Leave Guendolen, sweet hart; though she be faire,<br /></span>
+<span class="i2">Yet is she light; not light in vertue shining,<br /></span>
+<span class="i0">But light in her behaviour, to impaire<br /></span>
+<span class="i2">Her honour in her chastities declining;<br /></span>
+<span class="i0">Trust not her teares, for they can wantonnize,<br /></span>
+<span class="i0">When teares in pearle are trickling from her eyes.<br /></span>
+</div><div class="stanza">
+<span class="i0">If thou wilt come and dwell with me at home,<br /></span>
+<span class="i2">My sheepcote shall be strowed with new greene rushes:<br /></span>
+<span class="i0">Weele haunt the trembling prickets as they rome<br /></span>
+<span class="i2">About the fields, along the hauthorne bushes;<br /></span>
+<span class="i0">I have a pie-bald curre to hunt the hare,<br /></span>
+<span class="i0">So we will live with daintie forrest fare.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span>
+<span class="i0">Nay, more than this, I have a garden plot,<br /></span>
+<span class="i2">Wherein there wants nor hearbs, nor roots, nor flowers;<br /></span>
+<span class="i0">Flowers to smell, roots to eate, hearbs for the pot,<br /></span>
+<span class="i2">And dainty shelters when the welkin lowers:<br /></span>
+<span class="i0">Sweet-smelling beds of lillies, and of roses,<br /></span>
+<span class="i0">Which rosemary banks and lavender incloses.<br /></span>
+</div><div class="stanza">
+<span class="i0">There growes the gilliflowre, the mynt, the dayzie<br /></span>
+<span class="i2">Both red and white, the blue-veynd violet;<br /></span>
+<span class="i0">The purple hyacinth, the spyke to please thee,<br /></span>
+<span class="i2">The scarlet dyde carnation bleeding yet:<br /></span>
+<span class="i0">The sage, the savery, and sweet margerum,<br /></span>
+<span class="i0">Isop, tyme, and eye-bright, good for the blinde and dumbe.<br /></span>
+</div><div class="stanza">
+<span class="i0">The pinke, the primrose, cowslip and daffodilly,<br /></span>
+<span class="i2">The hare-bell blue, the crimson cullumbine,<br /></span>
+<span class="i0">Sage, lettis, parsley, and the milke-white lilly,<br /></span>
+<span class="i2">The rose and speckled flowre cald sops-in-wine,<br /></span>
+<span class="i0">Fine pretie king-cups, and the yellow bootes,<br /></span>
+<span class="i0">That growes by rivers and by shallow brookes.<br /></span>
+</div><div class="stanza">
+<span class="i0">And manie thousand moe I cannot name<br /></span>
+<span class="i2">Of hearbs and flowers that in gardens grow,<br /></span>
+<span class="i0">I have for thee, and coneyes that be tame,<br /></span>
+<span class="i2">Young rabbets, white as swan, and blacke as crow;<br /></span>
+<span class="i0">Some speckled here and there with daintie spots:<br /></span>
+<span class="i0">And more I have two mylch and milke-white goates.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span>
+<span class="i0">All these and more Ile give thee for thy love,<br /></span>
+<span class="i2">If these and more may tyce thy love away:<br /></span>
+<span class="i0">I have a pidgeon-house, in it a dove,<br /></span>
+<span class="i2">Which I love more than mortall tongue can say.<br /></span>
+<span class="i0">And last of all Ile give thee a little lambe<br /></span>
+<span class="i0">To play withall, new weaned from her dam.<br /></span>
+</div><div class="stanza">
+<span class="i0">But if thou wilt not pittie my complaint,<br /></span>
+<span class="i2">My teares, nor vowes, nor oathes, made to thy beautie:<br /></span>
+<span class="i0">What shall I doo but languish, die, or faint,<br /></span>
+<span class="i2">Since thou dost scorne my teares, and my soules duetie:<br /></span>
+<span class="i0">And teares contemned, vowes and oaths must faile,<br /></span>
+<span class="i0">And where teares cannot, nothing can prevaile.<br /></span>
+</div><div class="stanza">
+<span class="i0">Compare the love of faire Queene Guendolin<br /></span>
+<span class="i2">With mine, and thou shalt [s]ee how she doth love thee:<br /></span>
+<span class="i0">I love thee for thy qualities divine,<br /></span>
+<span class="i2">But shee doth love another swaine above thee:<br /></span>
+<span class="i0">I love thee for thy gifts, she for hir pleasure;<br /></span>
+<span class="i0">I for thy vertue, she for beauties treasure.<br /></span>
+</div><div class="stanza">
+<span class="i0">And alwaies, I am sure, it cannot last.<br /></span>
+<span class="i2">But sometime Nature will denie those dimples:<br /></span>
+<span class="i0">Insteed of beautie, when thy blossom's past,<br /></span>
+<span class="i2">Thy face will be deformed full of wrinckles;<br /></span>
+<span class="i0">Then she that lov'd thee for thy beauties sake,<br /></span>
+<span class="i0">When age drawes on, thy love will soone forsake.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span>
+<span class="i0">But that I lov'd thee for thy gifts divine,<br /></span>
+<span class="i2">In the December of thy beauties waning,<br /></span>
+<span class="i0">Will still admire with joy those lovely eine,<br /></span>
+<span class="i2">That now behold me with their beauties baning.<br /></span>
+<span class="i0">Though Januarie will never come againe,<br /></span>
+<span class="i0">Yet Aprill yeres will come in showers of raine.<br /></span>
+</div><div class="stanza">
+<span class="i0">When will my May come, that I may embrace thee?<br /></span>
+<span class="i2">When will the hower be of my soules joying?<br /></span>
+<span class="i0">Why dost thou seeke in mirth still to disgrace mee?<br /></span>
+<span class="i2">Whose mirth's my health, whose griefe's my harts annoying:<br /></span>
+<span class="i0">Thy bane my bale, thy blisse my blessednes,<br /></span>
+<span class="i0">Thy ill my hell, thy weale my welfare is.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus doo I honour thee that love thee so,<br /></span>
+<span class="i2">And love thee so, that so doo honour thee<br /></span>
+<span class="i0">Much more than anie mortall man doth know,<br /></span>
+<span class="i2">Or can discerne by love or jealozie:<br /></span>
+<span class="i0">But if that thou disdainst my loving ever,<br /></span>
+<span class="i0">Oh happie I, if I had loved never!<br /></span>
+</div><div class="stanza">
+<span class="i8">FINIS.<br /></span>
+</div><div class="stanza">
+<span class="i4">Plus fellis quam mellis amor.<br /></span>
+</div></div>
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span></p>
+
+
+<h3>THE SECOND DAYES LAMENTATION OF THE AFFECTIONATE<br />
+SHEPHEARD.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Next morning, when the golden sunne was risen,<br /></span>
+<span class="i2">And new had bid good morrow to the mountaines;<br /></span>
+<span class="i0">When night her silver light had lockt in prison,<br /></span>
+<span class="i2">Which gave a glimmering on the christall fountaines:<br /></span>
+<span class="i0">Then ended sleepe, and then my cares began,<br /></span>
+<span class="i0">Ev'n with the uprising of the silver swan.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh, glorious sunne! quoth I, viewing the sunne,<br /></span>
+<span class="i2">That lightenst everie thing but me alone:<br /></span>
+<span class="i0">Why is my summer season almost done,<br /></span>
+<span class="i2">My spring-time past, and ages autumne gone?<br /></span>
+<span class="i0">My harvest's come, and yet I reapt no corne:<br /></span>
+<span class="i0">My love is great, and yet I am forlorne.<br /></span>
+</div><div class="stanza">
+<span class="i0">Witnes these watrie eyes my sad lament,<br /></span>
+<span class="i2">Receaving cisternes of my ceaseles teares;<br /></span>
+<span class="i0">Witnes my bleeding hart my soules intent,<br /></span>
+<span class="i2">Witnes the weight distressed Daphnis beares:<br /></span>
+<span class="i0">Sweet love, come ease me of thy burthens paine,<br /></span>
+<span class="i0">Or els I die, or else my hart is slaine.<br /></span>
+</div><div class="stanza">
+<span class="i0">And thou, love-scorning boy, cruell, unkinde,<br /></span>
+<span class="i2">Oh, let me once againe intreat some pittie:<br /></span>
+<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span>
+<span class="i0">May be thou wilt relent thy marble minde,<br /></span>
+<span class="i2">And lend thine eares unto my dolefull dittie:<br /></span>
+<span class="i0">Oh, pittie him, that pittie craves so sweetly,<br /></span>
+<span class="i0">Or else thou shalt be never named meekly.<br /></span>
+</div><div class="stanza">
+<span class="i0">If thou wilt love me, thou shalt be my boy,<br /></span>
+<span class="i2">My sweet delight, the comfort of my minde,<br /></span>
+<span class="i0">My love, my dove, my sollace, and my joy;<br /></span>
+<span class="i2">But if I can no grace nor mercie finde,<br /></span>
+<span class="i0">Ile goe to Caucasus to ease my smart,<br /></span>
+<span class="i0">And let a vulture gnaw upon my hart.<br /></span>
+</div><div class="stanza">
+<span class="i0">Yet if thou wilt but show me one kinde looke,<br /></span>
+<span class="i2">A small reward for my so great affection,<br /></span>
+<span class="i0">Ile grave thy name in Beauties golden booke,<br /></span>
+<span class="i2">And shrowd thee under Hellicon's protection:<br /></span>
+<span class="i0">Making the muses chaunt thy lovely prayse,<br /></span>
+<span class="i0">For they delight in shepheard's lowly layes.<br /></span>
+</div><div class="stanza">
+<span class="i0">And when th'art wearie of thy keeping sheepe<br /></span>
+<span class="i2">Upon a lovely downe, to please thy minde,<br /></span>
+<span class="i0">Ile give thee fine ruffe-footed doves to keepe,<br /></span>
+<span class="i2">And pretie pidgeons of another kinde:<br /></span>
+<span class="i0">A robbin-redbrest shall thy minstrell bee,<br /></span>
+<span class="i0">Chirping thee sweet and pleasant melodie.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if thou wilt goe shoote at little birds,<br /></span>
+<span class="i2">With bow and boult, the thrustle-cocke and sparrow,<br /></span>
+<span class="i0">Such as our countrey hedges can afford,<br /></span>
+<span class="i2">I have a fine bowe, and an yvorie arrow.<br /></span>
+<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span>
+<span class="i0">And if thou misse, yet meate thou shalt [not] lacke,<br /></span>
+<span class="i0">Ile hang a bag and bottle at thy backe.<br /></span>
+</div><div class="stanza">
+<span class="i0">Wilt thou set springes in a frostie night<br /></span>
+<span class="i2">To catch the long-bill'd woodcocke and the snype,<br /></span>
+<span class="i0">By the bright glimmering of the starrie light,<br /></span>
+<span class="i2">The partridge, ph&aelig;sant, or the greedie grype;<br /></span>
+<span class="i0">Ile lend thee lyme-twigs, and fine sparrow calls,<br /></span>
+<span class="i0">Wherewith the fowler silly birds inthralls.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or in a mystie morning if thou wilt<br /></span>
+<span class="i2">Make pitfalls for the larke and pheldifare,<br /></span>
+<span class="i0">Thy prop and sweake shall be both overguilt,<br /></span>
+<span class="i2">With Cyparissus selfe thou shalt compare<br /></span>
+<span class="i0">For gins and wyles, the oozels to beguile,<br /></span>
+<span class="i0">Whilst thou under a bush shalt sit and smile.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or with hare-pypes set in a muset hole,<br /></span>
+<span class="i2">Wilt thou deceave the deep-earth-delving coney;<br /></span>
+<span class="i0">Or wilt thou in a yellow boxen bole,<br /></span>
+<span class="i2">Taste with a wooden splent the sweet lythe honey;<br /></span>
+<span class="i0">Clusters of crimson grapes Ile pull thee downe,<br /></span>
+<span class="i0">And with vine-leaves make thee a lovely crowne.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or wilt thou drinke a cup of new-made wine,<br /></span>
+<span class="i2">Froathing at top, mixt with a dish of creame<br /></span>
+<span class="i0">And strawberries, or bilberries, in their prime,<br /></span>
+<span class="i2">Bath'd in a melting sugar-candie streame:<br /></span>
+<span class="i0">Bunnell and perry I have for thee alone,<br /></span>
+<span class="i0">When vynes are dead, and all the grapes are gone.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span>
+<span class="i0">I have a pleasant noted nightingale,<br /></span>
+<span class="i2">That sings as sweetly as the silver swan,<br /></span>
+<span class="i0">Kept in a cage of bone as white as whale,<br /></span>
+<span class="i2">Which I with singing of Philemon wan:<br /></span>
+<span class="i0">Her shalt thou have, and all I have beside,<br /></span>
+<span class="i0">If thou wilt be my boy, or els my bride.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then will I lay out all my lardarie<br /></span>
+<span class="i2">Of cheese, of cracknells, curds and clowted-creame,<br /></span>
+<span class="i0">Before thy malecontent ill-pleasing eye;<br /></span>
+<span class="i2">But why doo I of such great follies dreame?<br /></span>
+<span class="i0">Alas, he will not see my simple coate,<br /></span>
+<span class="i0">For all my speckled lambe, nor milk-white goate!<br /></span>
+</div><div class="stanza">
+<span class="i0">Against my birth-day thou shalt be my guest,<br /></span>
+<span class="i2">Weele have greene-cheeses and fine silly-bubs,<br /></span>
+<span class="i0">And thou shalt be the chiefe of all my feast,<br /></span>
+<span class="i2">And I will give thee two fine pretie cubs,<br /></span>
+<span class="i0">With two yong whelps, to make thee sport withall,<br /></span>
+<span class="i0">A golden racket, and a tennis-ball.<br /></span>
+</div><div class="stanza">
+<span class="i0">A guilded nutmeg, and a race of ginger,<br /></span>
+<span class="i2">A silken girdle, and a drawn-worke band,<br /></span>
+<span class="i0">Cuffs for thy wrists, a gold ring for thy finger,<br /></span>
+<span class="i2">And sweet rose-water for thy lilly-white hand;<br /></span>
+<span class="i0">A purse of silke, bespangd with spots of gold,<br /></span>
+<span class="i0">As brave a one as ere thou didst behold.<br /></span>
+</div><div class="stanza">
+<span class="i0">A paire of knives, a greene hat and a feather,<br /></span>
+<span class="i2">New gloves to put upon thy milk-white hand,<br /></span>
+<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span>
+<span class="i0">Ile give thee, for to keep thee from the weather,<br /></span>
+<span class="i2">With ph&#339;nix feathers shall thy face be fand,<br /></span>
+<span class="i0">Cooling those cheekes, that being cool'd wexe red,<br /></span>
+<span class="i0">Like lillyes in a bed of roses shed.<br /></span>
+</div><div class="stanza">
+<span class="i0">Why doo thy corall lips disdaine to kisse,<br /></span>
+<span class="i2">And sucke that sweete which manie have desired?<br /></span>
+<span class="i0">That baulme my bane, that meanes would mend my misse,<br /></span>
+<span class="i2">Oh, let me then with thy sweete lips b'inspired!<br /></span>
+<span class="i0">When thy lips touch my lips, my lips will turne<br /></span>
+<span class="i0">To corall too, and, being cold yce, will burne.<br /></span>
+</div><div class="stanza">
+<span class="i0">Why should thy sweete love-locke hang dangling downe,<br /></span>
+<span class="i2">Kissing thy girdle-stud with falling pride?<br /></span>
+<span class="i0">Although thy skin be white, thy haire is browne:<br /></span>
+<span class="i2">Oh, let not then thy haire thy beautie hide!<br /></span>
+<span class="i0">Cut off thy locke, and sell it for gold wier:<br /></span>
+<span class="i0">The purest gold is tryde in hottest fier.<br /></span>
+</div><div class="stanza">
+<span class="i0">Faire long-haire-wearing Absolon was kild,<br /></span>
+<span class="i2">Because he wore it in a braverie:<br /></span>
+<span class="i0">So that which gracde his beautie, Beautie spild,<br /></span>
+<span class="i2">Making him subject to vile slaverie,<br /></span>
+<span class="i0">In being hangd: a death for him too good,<br /></span>
+<span class="i0">That sought his owne shame and his father's blood.<br /></span>
+</div><div class="stanza">
+<span class="i0">Againe we read of old king Priamus,<br /></span>
+<span class="i2">The haplesse syre of valiant Hector slaine,<br /></span>
+<span class="i0">That his haire was so long and odious<br /></span>
+<span class="i2">In youth, that in his age it bred his paine:<br /></span>
+<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span>
+<span class="i0">For if his haire had not been halfe so long,<br /></span>
+<span class="i0">His life had been, and he had had no wrong.<br /></span>
+</div><div class="stanza">
+<span class="i0">For when his stately citie was destroyd,<br /></span>
+<span class="i2">That monument of great antiquitie,<br /></span>
+<span class="i0">When his poore hart, with griefe and sorrow cloyd,<br /></span>
+<span class="i2">Fled to his wife, last hope in miserie;<br /></span>
+<span class="i0">Pyrrhus, more hard than adamantine rockes,<br /></span>
+<span class="i0">Held him and halde him by his aged lockes.<br /></span>
+</div><div class="stanza">
+<span class="i0">These two examples by the way I show,<br /></span>
+<span class="i2">To prove th' indecencie of men's long haire:<br /></span>
+<span class="i0">Though I could tell thee of a thousand moe,<br /></span>
+<span class="i2">Let these suffice for thee, my lovely faire,<br /></span>
+<span class="i0">Whose eye's my starre, whose smiling is my sunne,<br /></span>
+<span class="i0">Whose love did ende before my joyes begunne.<br /></span>
+</div><div class="stanza">
+<span class="i0">Fond love is blinde, and so art thou, my deare,<br /></span>
+<span class="i2">For thou seest not my love and great desart;<br /></span>
+<span class="i0">Blinde love is fond, and so thou dost appeare,<br /></span>
+<span class="i2">For fond and blinde, thou greevst my greeving hart:<br /></span>
+<span class="i0">Be thou fond-blinde, blinde-fond, or one, or all,<br /></span>
+<span class="i0">Thou art my love, and I must be thy thrall!<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh lend thine yvorie forehead for loves booke,<br /></span>
+<span class="i2">Thine eyes for candles to behold the same;<br /></span>
+<span class="i0">That when dim-sighted ones therein shall looke,<br /></span>
+<span class="i2">They may discerne that proud disdainefull dame;<br /></span>
+<span class="i0">Yet claspe that booke, and shut that cazement light,<br /></span>
+<span class="i0">Lest, th'one obscurde, the other shine too bright.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span>
+<span class="i0">Sell thy sweet breath to th' daintie musk-ball makers,<br /></span>
+<span class="i2">Yet sell it so as thou mayst soone redeeme it:<br /></span>
+<span class="i0">Let others of thy beauty be pertakers,<br /></span>
+<span class="i2">Else none but Daphnis will so well esteeme it.<br /></span>
+<span class="i0">For what is beauty, except it be well knowne?<br /></span>
+<span class="i0">And how can it be knowne, except first showne?<br /></span>
+</div><div class="stanza">
+<span class="i0">Learne of the gentlewomen of this age,<br /></span>
+<span class="i2">That set their beauties to the open view,<br /></span>
+<span class="i0">Making disdaine their lord, true love their page,<br /></span>
+<span class="i2">A custome zeale doth hate, desert doth rue:<br /></span>
+<span class="i0">Learne to looke red, anon waxe pale and wan,<br /></span>
+<span class="i0">Making a mocke of love, a scorne of man.<br /></span>
+</div><div class="stanza">
+<span class="i0">A candle light, and cover'd with a vaile,<br /></span>
+<span class="i2">Doth no man good, because it gives no light;<br /></span>
+<span class="i0">So Beauty of her beauty seemes to faile,<br /></span>
+<span class="i2">When being not seene it cannot shine so bright:<br /></span>
+<span class="i0">Then show thyselfe and know thyselfe withall,<br /></span>
+<span class="i0">Lest climing high thou catch too great a fall.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh foule eclipser of that fayre sun-shine,<br /></span>
+<span class="i2">Which is intitled Beauty in the best,<br /></span>
+<span class="i0">Making that mortall, which is els divine,<br /></span>
+<span class="i2">That staines the fayre which women steeme not least:<br /></span>
+<span class="i0">Get thee to Hell againe, from whence thou art,<br /></span>
+<span class="i0">And leave the center of a woman's hart.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah be not staind, sweet boy, with this vilde spot,<br /></span>
+<span class="i2">Indulgence daughter, mother of Mischaunce;<br /></span>
+<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>
+<span class="i0">A blemish that doth every beauty blot,<br /></span>
+<span class="i2">That makes them loath'd, but never doth advaunce<br /></span>
+<span class="i0">Her clyents, fautors, friends, or them that love her,<br /></span>
+<span class="i0">And hates them most of all, that most reprove her.<br /></span>
+</div><div class="stanza">
+<span class="i0">Remember age, and thou canst not be prowd,<br /></span>
+<span class="i2">For age puls downe the pride of every man;<br /></span>
+<span class="i0">In youthfull yeares by Nature tis allowde<br /></span>
+<span class="i2">To have selfe-will, doo Nurture what she can;<br /></span>
+<span class="i0">Nature and Nurture once together met,<br /></span>
+<span class="i0">The soule and shape in decent order set.<br /></span>
+</div><div class="stanza">
+<span class="i0">Pride looks aloft, still staring on the starres,<br /></span>
+<span class="i2">Humility looks lowly on the ground;<br /></span>
+<span class="i0">Th' one menaceth the gods with civill warres,<br /></span>
+<span class="i2">The other toyles till he have Vertue found.<br /></span>
+<span class="i0">His thoughts are humble, not aspiring hye,<br /></span>
+<span class="i0">But Pride looks haughtily with scornefull eye.<br /></span>
+</div><div class="stanza">
+<span class="i0">Humillity is clad in modest weedes,<br /></span>
+<span class="i2">But Pride is brave and glorious to the show;<br /></span>
+<span class="i0">Humillity his friends with kindnes feedes,<br /></span>
+<span class="i2">But Pride his friends in neede will never know,<br /></span>
+<span class="i0">Supplying not their wants, but them disdaining,<br /></span>
+<span class="i0">Whilst they to pitty never neede complayning.<br /></span>
+</div><div class="stanza">
+<span class="i0">Humillity in misery is reliev'd,<br /></span>
+<span class="i2">But Pride in neede of no man is regarded;<br /></span>
+<span class="i0">Pitty and Mercy weepe to see him griev'd,<br /></span>
+<span class="i2">That in distresse had them so well rewarded;<br /></span>
+<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span>
+<span class="i0">But Pride is scornd, contemnd, disdaind, derided,<br /></span>
+<span class="i0">Whilst Humblenes of all things is provided.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh then be humble, gentle, meeke, and milde,<br /></span>
+<span class="i2">So shalt thou be of every mouth commended;<br /></span>
+<span class="i0">Be not disdainfull, cruell, proud, sweet childe,<br /></span>
+<span class="i2">So shalt thou be of no man much condemned:<br /></span>
+<span class="i0">Care not for them that vertue doo despise;<br /></span>
+<span class="i0">Vertue is loathde of fooles, lovde of the wise.<br /></span>
+</div><div class="stanza">
+<span class="i0">O faire boy, trust not to thy beauties wings,<br /></span>
+<span class="i2">They cannot carry thee above the sunne:<br /></span>
+<span class="i0">Beauty and wealth are transitory things,<br /></span>
+<span class="i2">For all must ende that ever was begunne.<br /></span>
+<span class="i0">But Fame and Vertue never shall decay,<br /></span>
+<span class="i0">For Fame is toombles, Vertue lives for aye.<br /></span>
+</div><div class="stanza">
+<span class="i0">The snow is white, and yet the pepper 's blacke,<br /></span>
+<span class="i2">The one is bought, the other is contemned:<br /></span>
+<span class="i0">Pibbles we have, but store of jeat we lacke,<br /></span>
+<span class="i2">So white comparde to blacke is much condemned.<br /></span>
+<span class="i0">We doo not praise the swanne because shees white,<br /></span>
+<span class="i0">But for she doth in musique much delite.<br /></span>
+</div><div class="stanza">
+<span class="i0">And yet the silver-noted nightingale,<br /></span>
+<span class="i2">Though she be not so white, is more esteemed;<br /></span>
+<span class="i0">Sturgion is dun of hew, white is the whale,<br /></span>
+<span class="i2">Yet for the daintier dish the first is deemed:<br /></span>
+<span class="i0">What thing is whiter than the milke-bred lilly?<br /></span>
+<span class="i0">That knowes it not for naught, what man so silly?<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span>
+<span class="i0">Yea, what more noysomer unto the smell<br /></span>
+<span class="i2">Than lillies are? What's sweeter then the sage?<br /></span>
+<span class="i0">Yet for pure white the lilly beares the bell,<br /></span>
+<span class="i2">Till it be faded through decaying age.<br /></span>
+<span class="i0">House-doves are white, and oozels blacke-birds bee,<br /></span>
+<span class="i0">Yet what a difference in the taste we see?<br /></span>
+</div><div class="stanza">
+<span class="i0">Compare the cow and calfe with ewe and lambe,<br /></span>
+<span class="i2">Rough hayrie hydes with softest downy fell;<br /></span>
+<span class="i0">Hecfar and bull with weather and with ramme,<br /></span>
+<span class="i2">And you shall see how far they doo excell;<br /></span>
+<span class="i0">White kine with blacke, blacke coney-skins with gray,<br /></span>
+<span class="i0">Kine nesh and strong, skins deare and cheape alway.<br /></span>
+</div><div class="stanza">
+<span class="i0">The whitest silver is not alwaies best,<br /></span>
+<span class="i2">Lead, tynne, and pewter are of base esteeme;<br /></span>
+<span class="i0">The yellow burnisht gold that comes from th' East,<br /></span>
+<span class="i2">And West, of late invented, may beseeme<br /></span>
+<span class="i0">The worlds ritch treasury, or Mydas eye;<br /></span>
+<span class="i0">The ritch mans god, poore mans felicitie.<br /></span>
+</div><div class="stanza">
+<span class="i0">Bugle and jeat with snow and alablaster<br /></span>
+<span class="i2">I will compare; white dammasin with blacke;<br /></span>
+<span class="i0">Bullas and wheaton plumbs, to a good taster<br /></span>
+<span class="i2">The ripe red cherries have the sweetest smacke:<br /></span>
+<span class="i0">When they be greene and young, th' are sowre and naught;<br /></span>
+<span class="i0">But being ripe, with eagernes th' are baught.<br /></span>
+</div><div class="stanza">
+<span class="i0">Compare the wyld cat to the brownish beaver,<br /></span>
+<span class="i2">Running for life, with hounds pursued sore,<br /></span>
+<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span>
+<span class="i0">When huntsmen of her pretious stones bereave her,<br /></span>
+<span class="i2">Which with her teeth sh' had bitten off before;<br /></span>
+<span class="i0">Restoratives and costly curious felts<br /></span>
+<span class="i0">Are made of them, and rich imbroydred belts.<br /></span>
+</div><div class="stanza">
+<span class="i0">To what use serves a peece of crimbling chalke?<br /></span>
+<span class="i2">The agget stone is white, yet good for nothing:<br /></span>
+<span class="i0">Fie, fie, I am asham'd to heare thee talke,<br /></span>
+<span class="i2">Be not so much of thine owne image doating:<br /></span>
+<span class="i0">So faire Narcissus lost his love and life;<br /></span>
+<span class="i0">Beautie is often with itselfe at strife.<br /></span>
+</div><div class="stanza">
+<span class="i0">Right diamonds are of a russet hieu,<br /></span>
+<span class="i2">The brightsome carbuncles are red to see too;<br /></span>
+<span class="i0">The saphyre stone is of a watchet blue,<br /></span>
+<span class="i2">To this thou canst not chuse but soone agree to:<br /></span>
+<span class="i0">Pearles are not white but gray, rubies are red:<br /></span>
+<span class="i0">In praise of blacke what can be better sed?<br /></span>
+</div><div class="stanza">
+<span class="i0">For if we doo consider of each mortall thing<br /></span>
+<span class="i2">That flyes in welkin, or in water swims,<br /></span>
+<span class="i0">How everie thing increaseth with the spring,<br /></span>
+<span class="i2">And how the blacker still the brighter dims:<br /></span>
+<span class="i0">We cannot chuse, but needs we must confesse,<br /></span>
+<span class="i0">Sable excels milk-white in more or lesse.<br /></span>
+</div><div class="stanza">
+<span class="i0">As for example, in the christall cleare<br /></span>
+<span class="i2">Of a sweete streame, or pleasant running river,<br /></span>
+<span class="i0">Where thousand formes of fishes will appeare,<br /></span>
+<span class="i2">Whose names to thee I cannot now deliver;<br /></span>
+<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span>
+<span class="i0">The blacker still the brighter have disgrac'd,<br /></span>
+<span class="i0">For pleasant profit and delicious taste.<br /></span>
+</div><div class="stanza">
+<span class="i0">Salmon and trout are of a ruddie colour,<br /></span>
+<span class="i2">Whiting and dare is of a milk-white hiew;<br /></span>
+<span class="i0">Nature by them perhaps is made the fuller,<br /></span>
+<span class="i2">Little they nowrish, be they old or new:<br /></span>
+<span class="i0">Carp, loach, tench, eeles, though black and bred in mud,<br /></span>
+<span class="i0">Delight the tooth with taste, and breed good blud.<br /></span>
+</div><div class="stanza">
+<span class="i0">Innumerable be the kindes, if I could name them,<br /></span>
+<span class="i2">But I a shepheard and no fisher am:<br /></span>
+<span class="i0">Little it skils whether I praise or blame them,<br /></span>
+<span class="i2">I onely meddle with my ew and lamb:<br /></span>
+<span class="i0">Yet this I say that blacke the better is,<br /></span>
+<span class="i0">In birds, beasts, frute, stones, flowres, herbs, mettals, fish.<br /></span>
+</div><div class="stanza">
+<span class="i0">And last of all, in blacke there doth appeare<br /></span>
+<span class="i2">Such qualities as not in yvorie;<br /></span>
+<span class="i0">Black cannot blush for shame, looke pale for feare,<br /></span>
+<span class="i2">Scorning to weare another livorie.<br /></span>
+<span class="i0">Blacke is the badge of sober modestie,<br /></span>
+<span class="i0">The wonted weare of ancient gravetie.<br /></span>
+</div><div class="stanza">
+<span class="i0">The learned sisters sute themselves in blacke,<br /></span>
+<span class="i2">Learning abandons white and lighter hues;<br /></span>
+<span class="i0">Pleasure and pride light colours never lacke,<br /></span>
+<span class="i2">But true religion doth such toyes refuse:<br /></span>
+<span class="i0">Vertue and gravity are sisters growne,<br /></span>
+<span class="i0">Since blacke by both, and both by blacke are knowne.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span>
+<span class="i0">White is the colour of each paltry miller,<br /></span>
+<span class="i2">White is the ensigne of each common woman;<br /></span>
+<span class="i0">White is white vertues for blacke vyces piller,<br /></span>
+<span class="i2">White makes proud fooles inferiour unto no man:<br /></span>
+<span class="i0">White is the white of body, blacke of minde,<br /></span>
+<span class="i0">Vertue we seldome in white habit finde.<br /></span>
+</div><div class="stanza">
+<span class="i0">Oh, then be not so proud because th' art fayre,<br /></span>
+<span class="i2">Vertue is onely the ritch gift of God:<br /></span>
+<span class="i0">Let not selfe-pride thy vertues name impayre,<br /></span>
+<span class="i2">Beate not greene youth with sharpe repentance rod:<br /></span>
+<span class="i0">A fiend, a monster, a mishapen divel;<br /></span>
+<span class="i0">Vertues foe, vyces friend, the roote of evill.<br /></span>
+</div><div class="stanza">
+<span class="i0">Apply thy minde to be a vertuous man;<br /></span>
+<span class="i2">Avoyd ill company, the spoyle of youth;<br /></span>
+<span class="i0">To follow vertues lore doo what thou can,<br /></span>
+<span class="i2">Whereby great profit unto the ensuth:<br /></span>
+<span class="i0">Reade bookes, hate ignorance, the foe to art,<br /></span>
+<span class="i0">The damme of errour, envy of the hart.<br /></span>
+</div><div class="stanza">
+<span class="i0">Serve Jove upon thy knees both day and night,<br /></span>
+<span class="i2">Adore his name above all things on earth;<br /></span>
+<span class="i0">So shall thy vowes be gracious in his sight,<br /></span>
+<span class="i2">So little babes are blessed in their birth:<br /></span>
+<span class="i0">Thinke on no worldly woe, lament thy sin,<br /></span>
+<span class="i0">For lesser cease, when greater griefes begin.<br /></span>
+</div><div class="stanza">
+<span class="i0">Sweare no vaine oathes, heare much, but little say,<br /></span>
+<span class="i2">Speake ill of no man, tend thine owne affaires;<br /></span>
+<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span>
+<span class="i0">Bridle thy wrath, thine angrie mood delay,<br /></span>
+<span class="i2">So shall thy minde be seldome cloyd with cares:<br /></span>
+<span class="i0">Be milde and gentle in thy speech to all,<br /></span>
+<span class="i0">Refuse no honest gaine when it doth fall.<br /></span>
+</div><div class="stanza">
+<span class="i0">Be not beguild with words, prove not ungratefull,<br /></span>
+<span class="i2">Releeve thy neighbour in his greatest need,<br /></span>
+<span class="i0">Commit no action that to all is hatefull,<br /></span>
+<span class="i2">Their want with welth, the poore with plentie feed:<br /></span>
+<span class="i0">Twit no man in the teeth with what th' hast done;<br /></span>
+<span class="i0">Remember flesh is fraile, and hatred shunne.<br /></span>
+</div><div class="stanza">
+<span class="i0">Leave wicked things, which men to mischiefe move,<br /></span>
+<span class="i2">Least crosse mis-hap may thee in danger bring:<br /></span>
+<span class="i0">Crave no preferment of thy heavenly Jove,<br /></span>
+<span class="i2">Nor anie honor of thy earthly king:<br /></span>
+<span class="i0">Boast not thyselfe before th' Almighties sight,<br /></span>
+<span class="i0">Who knowes thy hart, and anie wicked wight.<br /></span>
+</div><div class="stanza">
+<span class="i0">Be not offensive to the peoples eye,<br /></span>
+<span class="i2">See that thy praiers harts true zeale affords,<br /></span>
+<span class="i0">Scorne not a man that's falne in miserie,<br /></span>
+<span class="i2">Esteeme no tatling tales, no babling words;<br /></span>
+<span class="i0">That reason is exiled alwaies thinke,<br /></span>
+<span class="i0">When as a drunkard rayles amidst his drinke.<br /></span>
+</div><div class="stanza">
+<span class="i0">Use not thy lovely lips to loathsome lyes,<br /></span>
+<span class="i2">By craftie meanes increase no worldly wealth;<br /></span>
+<span class="i0">Strive not with mightie men (whose fortune flies),<br /></span>
+<span class="i2">With temp'rate diet nourish wholesome health:<br /></span>
+<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span>
+<span class="i0">Place well thy words, leave not thy frend for gold;<br /></span>
+<span class="i0">First trie, then trust, in ventring be not bold.<br /></span>
+</div><div class="stanza">
+<span class="i0">In Pan repose thy trust; extoll his praise,<br /></span>
+<span class="i2">(That never shall decay, but ever lives):<br /></span>
+<span class="i0">Honor thy parents (to prolong thy dayes),<br /></span>
+<span class="i2">Let not thy left hand know what right hand gives:<br /></span>
+<span class="i0">From needie men turne not thy face away,<br /></span>
+<span class="i0">Though charitie be now yclad in clay.<br /></span>
+</div><div class="stanza">
+<span class="i0">Heare shepheards oft (thereby great wisdome growes),<br /></span>
+<span class="i2">With good advice a sober answere make:<br /></span>
+<span class="i0">Be not remoov'd with every winde that blowes,<br /></span>
+<span class="i2">(That course doo onely sinfull sinners take):<br /></span>
+<span class="i0">Thy talke will shew thy fame or els thy shame;<br /></span>
+<span class="i0">(A pratling tongue doth often purchase blame.)<br /></span>
+</div><div class="stanza">
+<span class="i0">Obtaine a faithfull frend that will not faile thee,<br /></span>
+<span class="i2">Think on thy mother's paine in her child-bearing;<br /></span>
+<span class="i0">Make no debate, least quickly thou bewaile thee,<br /></span>
+<span class="i2">Visit the sicke with comfortable chearing:<br /></span>
+<span class="i0">Pittie the prisner, helpe the fatherlesse,<br /></span>
+<span class="i0">Revenge the widdowes wrongs in her distresse.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thinke on thy grave, remember still thy end,<br /></span>
+<span class="i2">Let not thy winding-sheete be staind with guilt;<br /></span>
+<span class="i0">Trust not a fained reconciled frend,<br /></span>
+<span class="i2">More than an open foe (that blood hath spilt):<br /></span>
+<span class="i0">(Who tutcheth pitch, with pitch shalbe defiled),<br /></span>
+<span class="i0">Be not with wanton companie beguiled.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span>
+<span class="i0">Take not a flattring woman to thy wife,<br /></span>
+<span class="i2">A shameles creature, full of wanton words,<br /></span>
+<span class="i0">(Whose bad, thy good, whose lust will end thy life,<br /></span>
+<span class="i2">Cutting thy hart with sharpe two edged knife):<br /></span>
+<span class="i0">Cast not thy minde on her whose lookes allure,<br /></span>
+<span class="i0">But she that shines in truth and vertue pure.<br /></span>
+</div><div class="stanza">
+<span class="i0">Praise not thyselfe, let other men commend thee;<br /></span>
+<span class="i2">Beare not a flattring tongue to glaver anie;<br /></span>
+<span class="i0">Let parents due correction not offend thee;<br /></span>
+<span class="i2">Rob not thy neighbor, seeke the love of manie;<br /></span>
+<span class="i0">Hate not to heare good counsell given thee,<br /></span>
+<span class="i0">Lay not thy money unto usurie.<br /></span>
+</div><div class="stanza">
+<span class="i0">Restraine thy steps from too much libertie,<br /></span>
+<span class="i2">Fulfill not th' envious mans malitious minde;<br /></span>
+<span class="i0">Embrace thy wife, live not in lecherie;<br /></span>
+<span class="i2">Content thyselfe with what fates have assignde:<br /></span>
+<span class="i0">Be rul'd by reason, warning dangers save;<br /></span>
+<span class="i0">True age is reverend worship to thy grave.<br /></span>
+</div><div class="stanza">
+<span class="i0">Be patient in extreame adversitie,<br /></span>
+<span class="i2">(Mans chiefest credit growes by dooing well).<br /></span>
+<span class="i0">Be not high-minded in prosperitie;<br /></span>
+<span class="i2">Falshood abhorre, no lying fable tell.<br /></span>
+<span class="i0">Give not thyselfe to sloth, (the sinke of shame,<br /></span>
+<span class="i0">The moath of time, the enemie to fame).<br /></span>
+</div><div class="stanza">
+<span class="i0">This leare I learned of a bel-dame Trot,<br /></span>
+<span class="i2">(When I was yong and wylde as now thou art),<br /></span>
+<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span>
+<span class="i0">But her good counsell I regarded not,<br /></span>
+<span class="i2">I markt it with my eares, not with my hart.<br /></span>
+<span class="i0">But now I finde it too-too true (my sonne),<br /></span>
+<span class="i0">When my age-withered spring is almost done.<br /></span>
+</div><div class="stanza">
+<span class="i0">Behold my gray head, full of silver haires,<br /></span>
+<span class="i2">My wrinckled skin, deepe furrowes in my face,<br /></span>
+<span class="i0">Cares bring old age, old age increaseth cares;<br /></span>
+<span class="i2">My time is come, and I have run my race:<br /></span>
+<span class="i0">Winter hath snow'd upon my hoarie head,<br /></span>
+<span class="i0">And with my winter all my joyes are dead.<br /></span>
+</div><div class="stanza">
+<span class="i0">And thou love-hating boy, (whom once I loved),<br /></span>
+<span class="i2">Farewell, a thousand-thousand times farewell;<br /></span>
+<span class="i0">My teares the marble-stones to ruth have moved;<br /></span>
+<span class="i2">My sad complaints the babling ecchoes tell:<br /></span>
+<span class="i0">And yet thou wouldst take no compassion on mee,<br /></span>
+<span class="i0">Scorning that crosse which love hath laid upon mee.<br /></span>
+</div><div class="stanza">
+<span class="i0">The hardest steele with fier doth mend his misse,<br /></span>
+<span class="i2">Marble is mollifyde with drops of raine;<br /></span>
+<span class="i0">But thou (more hard than steele or marble is),<br /></span>
+<span class="i2">Doost scorne my teares, and my true love disdaine,<br /></span>
+<span class="i0">Which for thy sake shall everlasting bee,<br /></span>
+<span class="i0">Wrote in the annalls of eternitie.<br /></span>
+</div><div class="stanza">
+<span class="i0">By this, the night, (with darknes over-spred),<br /></span>
+<span class="i2">Had drawne the curtaines of her cole-blacke bed;<br /></span>
+<span class="i0">And Cynthia, muffling her face with a clowd,<br /></span>
+<span class="i2">(Lest all the world of her should be too proud)<br /></span>
+<span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span>
+<span class="i0">Had taken conge of the sable night,<br /></span>
+<span class="i0">(That wanting her cannot be halfe so bright.)<br /></span>
+</div><div class="stanza">
+<span class="i0">When I, poore forlorn man and outcast creature,<br /></span>
+<span class="i2">(Despairing of my love, despisde of beautie),<br /></span>
+<span class="i0">Grew malecontent, scorning his lovely feature,<br /></span>
+<span class="i2">That had disdaind my ever zealous dutie:<br /></span>
+<span class="i0">I hy'd me homeward by the moone-shine light,<br /></span>
+<span class="i0">Foreswaring love, and all his fond delight.<br /></span>
+</div><div class="stanza">
+<span class="i8">FINIS.<br /></span>
+</div></div>
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span></p>
+
+
+<h3>THE SHEPHEARDS CONTENT, OR THE HAPPINES OF A HARMLES<br />
+LIFE. WRITTEN UPON OCCASION OF THE FORMER<br />
+SUBJECT.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Of all the kindes of common countrey life,<br /></span>
+<span class="i2">Methinkes a shepheards life is most content;<br /></span>
+<span class="i0">His state is quiet peace, devoyd of strife;<br /></span>
+<span class="i2">His thoughts are pure from all impure intent,<br /></span>
+<span class="i2">His pleasures rate sits at an easie rent;<br /></span>
+<span class="i0">He beares no mallice in his harmles hart,<br /></span>
+<span class="i0">Malicious meaning hath in him no part.<br /></span>
+</div><div class="stanza">
+<span class="i0">He is not troubled with th' afflicted minde,<br /></span>
+<span class="i2">His cares are onely over silly sheepe;<br /></span>
+<span class="i0">He is not unto jealozie inclinde,<br /></span>
+<span class="i2">(Thrice happie man) he knowes not how to weepe;<br /></span>
+<span class="i2">Whilst I the treble in deepe sorrowes keepe.<br /></span>
+<span class="i0">I cannot keepe the meane; for why (alas)<br /></span>
+<span class="i0">Griefes have no meane, though I for meane doe passe.<br /></span>
+</div><div class="stanza">
+<span class="i0">No briefes nor semi-briefes are in my songs,<br /></span>
+<span class="i2">Because (alas) my griefe is seldome short;<br /></span>
+<span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span>
+<span class="i0">My prick-song's alwayes full of largues and longs,<br /></span>
+<span class="i2">(Because I never can obtaine the port<br /></span>
+<span class="i2">Of my desires: hope is a happie fort).<br /></span>
+<span class="i0">Prick song (indeed) because it pricks my hart;<br /></span>
+<span class="i0">And song, because sometimes I ease my smart.<br /></span>
+</div><div class="stanza">
+<span class="i0">The mightie monarch of a royall realme,<br /></span>
+<span class="i2">Swaying his scepter with a princely pompe,<br /></span>
+<span class="i0">Of his desires cannot so steare the healme,<br /></span>
+<span class="i2">But sometime falls into a deadly dumpe;<br /></span>
+<span class="i2">When as he heares the shrilly sounding trumpe<br /></span>
+<span class="i0">Of forren enemies, or home-bred foes,<br /></span>
+<span class="i0">His minde of griefe, his hart is full of woes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or when bad subjects gainst their soveraigne<br /></span>
+<span class="i2">(Like hollow harts) unnaturally rebell,<br /></span>
+<span class="i0">How carefull is he to suppresse againe<br /></span>
+<span class="i2">Their desperate forces, and their powers to quell<br /></span>
+<span class="i2">With loyall harts, till all againe be well.<br /></span>
+<span class="i0">When (being subdu'd) his care is rather more,<br /></span>
+<span class="i0">To keepe them under, than it was before.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus is he never full of sweete content,<br /></span>
+<span class="i2">But either this or that his joy debars:<br /></span>
+<span class="i0">Now noblemen gainst noblemen are bent,<br /></span>
+<span class="i2">Now gentlemen and others fall at jarrs:<br /></span>
+<span class="i2">Thus is his countrey full of civill warrs;<br /></span>
+<span class="i0">He still in danger sits, still fearing death,<br /></span>
+<span class="i0">For traitors seeke to stop their princes breath.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span>
+<span class="i0">The whylst the other hath no enemie,<br /></span>
+<span class="i2">Without it be the wolfe and cruell fates,<br /></span>
+<span class="i0">(Which no man spare): when as his disagree,<br /></span>
+<span class="i2">He with his sheephooke knaps them on the pates,<br /></span>
+<span class="i2">Schooling his tender lambs from wanton gates.<br /></span>
+<span class="i0">Beasts are more kinde than men, sheepe seeke not blood,<br /></span>
+<span class="i0">But countrey caytives kill their countreyes good.<br /></span>
+</div><div class="stanza">
+<span class="i0">The courtier he fawns for his princes favour,<br /></span>
+<span class="i2">In hope to get a princely ritch reward;<br /></span>
+<span class="i0">His tongue is tipt with honey for to glaver,<br /></span>
+<span class="i2">Pride deales the deck, whilst chance doth choose the card;<br /></span>
+<span class="i2">Then comes another and his game hath mard,<br /></span>
+<span class="i0">Sitting betwixt him and the morning sun;<br /></span>
+<span class="i0">Thus night is come before the day is done.<br /></span>
+</div><div class="stanza">
+<span class="i0">Some courtiers, carefull of their princes health,<br /></span>
+<span class="i2">Attend his person with all dilligence;<br /></span>
+<span class="i0">Whose hand's their hart, whose welfare is their wealth,<br /></span>
+<span class="i2">Whose safe protection is their sure defence,<br /></span>
+<span class="i2">For pure affection, not for hope of pence:<br /></span>
+<span class="i0">Such is the faithfull hart, such is the minde,<br /></span>
+<span class="i0">Of him that is to vertue still inclinde.<br /></span>
+</div><div class="stanza">
+<span class="i0">The skilfull scholler, and brave man at armes,<br /></span>
+<span class="i2">First plies his booke, last fights for countries peace;<br /></span>
+<span class="i0">Th' one feares oblivion, th' other fresh alarmes:<br /></span>
+<span class="i2">His paines nere ende, his travailes never cease;<br /></span>
+<span class="i2">His with the day, his with the night increase:<br /></span>
+<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span>
+<span class="i0">He studies how to get eternall fame,<br /></span>
+<span class="i0">The souldier fights to win a glorious name.<br /></span>
+</div><div class="stanza">
+<span class="i0">The knight, the squire, the gentleman, the clowne,<br /></span>
+<span class="i2">Are full of crosses and calamities,<br /></span>
+<span class="i0">Lest fickle fortune should begin to frowne,<br /></span>
+<span class="i2">And turne their mirth to extreame miseries,<br /></span>
+<span class="i2">Nothing more certaine than incertainties!<br /></span>
+<span class="i0">Fortune is full of fresh varietie,<br /></span>
+<span class="i0">Constant in nothing but inconstancie.<br /></span>
+</div><div class="stanza">
+<span class="i0">The wealthie merchant that doth crosse the seas,<br /></span>
+<span class="i2">To Denmarke, Poland, Spaine, and Barbarie,<br /></span>
+<span class="i0">For all his ritches, lives not still at ease;<br /></span>
+<span class="i2">Sometimes he feares ship-spoyling pyracie,<br /></span>
+<span class="i2">Another while deceipt and treacherie<br /></span>
+<span class="i0">Of his owne factors in a forren land;<br /></span>
+<span class="i0">Thus doth he still in dread and danger stand.<br /></span>
+</div><div class="stanza">
+<span class="i0">Well is he tearmd a merchant-venturer,<br /></span>
+<span class="i2">Since he doth venter lands, and goods and all;<br /></span>
+<span class="i0">When he doth travell for his traffique far,<br /></span>
+<span class="i2">Little he knowes what fortune may befall,<br /></span>
+<span class="i2">Or rather, what mis-fortune happen shall:<br /></span>
+<span class="i0">Sometimes he splits his ship against a rocke,<br /></span>
+<span class="i0">Loosing his men, his goods, his wealth, his stocke.<br /></span>
+</div><div class="stanza">
+<span class="i0">And if he so escape with life away,<br /></span>
+<span class="i2">He counts himselfe a man most fortunate,<br /></span>
+<span class="i0">Because the waves their rigorous rage did stay,<br /></span>
+<span class="i2">(When being within their cruell powers of late,<br /></span>
+<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span>
+<span class="i2">The seas did seeme to pittie his estate).<br /></span>
+<span class="i0">But yet he never can recover health,<br /></span>
+<span class="i0">Because his joy was drowned with his wealth.<br /></span>
+</div><div class="stanza">
+<span class="i0">The painfull plough-swaine, and the husband-man,<br /></span>
+<span class="i2">Rise up each morning by the breake of day,<br /></span>
+<span class="i0">Taking what toyle and drudging paines they can,<br /></span>
+<span class="i2">And all is for to get a little stay;<br /></span>
+<span class="i2">And yet they cannot put their care away:<br /></span>
+<span class="i0">When night is come, their cares begin afresh,<br /></span>
+<span class="i0">Thinking upon their morrowes busines.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus everie man is troubled with unrest,<br /></span>
+<span class="i2">From rich to poore, from high to low degree:<br /></span>
+<span class="i0">Therefore I thinke that man is truly blest,<br /></span>
+<span class="i2">That neither cares for wealth nor povertie,<br /></span>
+<span class="i2">But laughs at Fortune, and her foolerie,<br /></span>
+<span class="i0">That gives rich churles great store of golde and fee,<br /></span>
+<span class="i0">And lets poore schollers live in miserie.<br /></span>
+</div><div class="stanza">
+<span class="i0">O, fading branches of decaying bayes,<br /></span>
+<span class="i2">Who now will water your dry-wither'd armes?<br /></span>
+<span class="i0">Or where is he that sung the lovely layes<br /></span>
+<span class="i2">Of simple shepheards in their countrey-farmes?<br /></span>
+<span class="i2">Ah! he is dead, the cause of all our harmes:<br /></span>
+<span class="i0">And with him dide my joy and sweete delight;<br /></span>
+<span class="i0">The cleare to clowdes, the day is turnd to night.<br /></span>
+</div><div class="stanza">
+<span class="i0"><span class="smcap">Sydney</span>, the syren of this latter age;<br /></span>
+<span class="i2"><span class="smcap">Sydney</span>, the blasing-starre of England's glory;<br /></span>
+<span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span>
+<span class="i0"><span class="smcap">Sydney</span>, the wonder of the wise and sage;<br /></span>
+<span class="i2"><span class="smcap">Sydney</span>, the subject of true vertues story:<br /></span>
+<span class="i0">This syren, starre, this wonder, and this subject,<br /></span>
+<span class="i0">Is dumbe, dim, gone, and mard by fortune's object.<br /></span>
+</div><div class="stanza">
+<span class="i0">And thou, my sweete Amintas, vertuous minde,<br /></span>
+<span class="i2">Should I forget thy learning or thy love,<br /></span>
+<span class="i0">Well might I be accounted but unkinde,<br /></span>
+<span class="i2">Whose pure affection I so oft did prove,<br /></span>
+<span class="i2">Might my poore plaints hard stones to pitty move!<br /></span>
+<span class="i0">His losse should be lamented of each creature,<br /></span>
+<span class="i0">So great his name, so gentle was his nature.<br /></span>
+</div><div class="stanza">
+<span class="i0">But sleepe his soule in sweet Elysium,<br /></span>
+<span class="i2">(The happy haven of eternall rest);<br /></span>
+<span class="i0">And let me to my former matter come,<br /></span>
+<span class="i2">Proving, by reason, shepheard's life is best,<br /></span>
+<span class="i2">Because he harbours vertue in his brest;<br /></span>
+<span class="i0">And is content, (the chiefest thing of all),<br /></span>
+<span class="i0">With any fortune that shall him befall.<br /></span>
+</div><div class="stanza">
+<span class="i0">He sits all day lowd-piping on a hill,<br /></span>
+<span class="i2">The whilst his flocke about him daunce apace,<br /></span>
+<span class="i0">His hart with joy, his eares with musique fill:<br /></span>
+<span class="i2">Anon a bleating weather beares the bace,<br /></span>
+<span class="i2">A lambe the treble, and to his disgrace<br /></span>
+<span class="i0">Another answers like a middle meane,<br /></span>
+<span class="i0">Thus every one to beare a part are faine.<br /></span>
+</div><div class="stanza">
+<span class="i0">Like a great king he rules a little land,<br /></span>
+<span class="i2">Still making statutes and ordayning lawes,<br /></span>
+<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span>
+<span class="i0">Which if they breake, he beates them with his wand;<br /></span>
+<span class="i2">He doth defend them from the greedy jawes<br /></span>
+<span class="i2">Of rav'ning woolves, and lyons bloudy pawes.<br /></span>
+<span class="i0">His field, his realme; his subjects are his sheepe;<br /></span>
+<span class="i0">Which he doth still in due obedience keepe.<br /></span>
+</div><div class="stanza">
+<span class="i0">First he ordaines by act of parlament,<br /></span>
+<span class="i2">(Holden by custome in each country towne),<br /></span>
+<span class="i0">That if a sheepe (with any bad intent)<br /></span>
+<span class="i2">Presume to breake the neighbour hedges downe,<br /></span>
+<span class="i2">Or haunt strange pastures that be not his owne,<br /></span>
+<span class="i0">He shall be pounded for his lustines,<br /></span>
+<span class="i0">Untill his master finde out some redres.<br /></span>
+</div><div class="stanza">
+<span class="i0">Also if any prove a strageller<br /></span>
+<span class="i2">From his owne fellowes in a forraine field,<br /></span>
+<span class="i0">He shall be taken for a wanderer,<br /></span>
+<span class="i2">And forc'd himselfe immediatly to yeeld;<br /></span>
+<span class="i2">Or with a wyde-mouth'd mastive curre be kild;<br /></span>
+<span class="i0">And if not claimd within a twelve month's space,<br /></span>
+<span class="i0">He shall remaine with land-lord of the place.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or if one stray to feede far from the rest,<br /></span>
+<span class="i2">He shall be pincht by his swift pye-bald curre;<br /></span>
+<span class="i0">If any by his fellowes be opprest,<br /></span>
+<span class="i2">The wronger, (for he doth all wrong abhorre),<br /></span>
+<span class="i2">Shall be well bangd so long as he can sturre,<br /></span>
+<span class="i0">Because he did anoy his harmeles brother,<br /></span>
+<span class="i0">That meant not harme to him nor any other.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span>
+<span class="i0">And last of all, if any wanton weather,<br /></span>
+<span class="i2">With briers and brambles teare his fleece in twaine,<br /></span>
+<span class="i0">He shall be forc'd t' abide cold frosty weather,<br /></span>
+<span class="i2">And powring showres of ratling stormes of raine,<br /></span>
+<span class="i2">Till his new fleece begins to grow againe:<br /></span>
+<span class="i0">And for his rashnes he is doom'd to goe<br /></span>
+<span class="i0">Without a new coate all the winter throw.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus doth he keepe them still in awfull feare,<br /></span>
+<span class="i2">And yet allowes them liberty inough;<br /></span>
+<span class="i0">So deare to him their welfare doth appeare,<br /></span>
+<span class="i2">That when their fleeces gin to waxen rough,<br /></span>
+<span class="i2">He combs and trims them with a rampicke bough,<br /></span>
+<span class="i0">Washing them in the streames of silver Ladon,<br /></span>
+<span class="i0">To cleanse their skinnes from all corruption.<br /></span>
+</div><div class="stanza">
+<span class="i0">Another while he wooes his country wench,<br /></span>
+<span class="i2">With chaplet crownd and gaudy girlonds dight,<br /></span>
+<span class="i0">Whose burning lust her modest eye doth quench;<br /></span>
+<span class="i2">Standing amazed at her heavenly sight,<br /></span>
+<span class="i2">Beauty doth ravish sense with sweet delight,<br /></span>
+<span class="i0">Clearing Arcadia with a smoothed browe,<br /></span>
+<span class="i0">When sun-bright smiles melt flakes of driven snowe.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus doth he frollicke it each day by day,<br /></span>
+<span class="i2">And when night comes drawes homeward to his coate,<br /></span>
+<span class="i0">Singing a jigge or merry roundelay,<br /></span>
+<span class="i2">For who sings commonly so merry a noate,<br /></span>
+<span class="i2">As he that cannot chop or change a groate?<br /></span>
+<span class="i0">And in the winter nights his chiefe desire,<br /></span>
+<span class="i0">He turnes a crabbe or cracknell in the fire.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_41" id="Page_41">[Pg 41]</a></span>
+<span class="i0">He leads his wench a country horne-pipe round,<br /></span>
+<span class="i2">About a may-pole on a holy-day,<br /></span>
+<span class="i0">Kissing his lovely lasse with garlands crownd,<br /></span>
+<span class="i2">With whoopping heigh-ho singing care away.<br /></span>
+<span class="i2">Thus doth he passe the merry month of May,<br /></span>
+<span class="i0">And all th' yere after, in delight and joy;<br /></span>
+<span class="i0">Scorning a king, he cares for no annoy.<br /></span>
+</div><div class="stanza">
+<span class="i0">What though with simple cheere he homely fares,<br /></span>
+<span class="i2">He lives content; a king can doo no more,<br /></span>
+<span class="i0">Nay, not so much, for kings have manie cares,<br /></span>
+<span class="i2">But he hath none, except it be that sore<br /></span>
+<span class="i2">Which yong and old, which vexeth ritch and poore,<br /></span>
+<span class="i0">The pangs of love. O! who can vanquish Love?<br /></span>
+<span class="i0">That conquers kingdomes, and the gods above.<br /></span>
+</div><div class="stanza">
+<span class="i0">Deepe-wounding arrow, hart-consuming fire,<br /></span>
+<span class="i2">Ruler of reason, slave to tyrant beautie,<br /></span>
+<span class="i0">Monarch of harts, fuell of fond desire,<br /></span>
+<span class="i2">Prentice to folly, foe to fained duetie.<br /></span>
+<span class="i2">Pledge of true zeale, affections moitie,<br /></span>
+<span class="i0">If thou kilst where thou wilt, and whom it list thee,<br /></span>
+<span class="i0">Alas! how can a silly soule resist thee?<br /></span>
+</div><div class="stanza">
+<span class="i0">By thee great Collin lost his libertie,<br /></span>
+<span class="i2">By thee sweet Astrophel forwent his joy;<br /></span>
+<span class="i0">By thee Amyntas wept incessantly,<br /></span>
+<span class="i2">By thee good Rowland liv'd in great annoy;<br /></span>
+<span class="i2">O cruell, peevish, vylde, blind-seeing boy,<br /></span>
+<span class="i0">How canst thou hit their harts, and yet not see?<br /></span>
+<span class="i0">If thou be blinde, as thou art faind to bee.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_42" id="Page_42">[Pg 42]</a></span>
+<span class="i0">A shepheard loves no ill, but onely thee;<br /></span>
+<span class="i2">He hath no care, but onely by thy causing:<br /></span>
+<span class="i0">Why doost thou shoot thy cruell shafts at mee?<br /></span>
+<span class="i2">Give me some respite, some short time of pausing:<br /></span>
+<span class="i2">Still my sweet love with bitter lucke th'art sawcing:<br /></span>
+<span class="i0">Oh, if thou hast a minde to shew thy might,<br /></span>
+<span class="i0">Kill mightie kings, and not a wretched wight.<br /></span>
+</div><div class="stanza">
+<span class="i0">Yet, O enthraller of infranchizd harts,<br /></span>
+<span class="i2">At my poore hart if thou wilt needs be ayming,<br /></span>
+<span class="i0">Doo me this favour, show me both thy darts,<br /></span>
+<span class="i2">That I may chuse the best for my harts mayming,<br /></span>
+<span class="i2">A free consent is priviledgd from blaming.<br /></span>
+<span class="i0">Then pierce his hard hart with thy golden arrow,<br /></span>
+<span class="i0">That thou my wrong, that he may rue my sorrow.<br /></span>
+</div><div class="stanza">
+<span class="i0">But let mee feele the force of thy lead pyle,<br /></span>
+<span class="i2">What should I doo with love when I am old?<br /></span>
+<span class="i0">I know not how to flatter, fawne, or smyle;<br /></span>
+<span class="i2">Then stay thy hand, O cruell bowman, hold!<br /></span>
+<span class="i2">For if thou strik'st me with thy dart of gold,<br /></span>
+<span class="i0">I sweare to thee by Joves immortall curse,<br /></span>
+<span class="i0">I have more in my hart than in my purse.<br /></span>
+</div><div class="stanza">
+<span class="i0">The more I weepe, the more he bends his brow,<br /></span>
+<span class="i2">For in my hart a golden shaft I finde.<br /></span>
+<span class="i0">Cruell, unkinde, and wilt thou leave me so?<br /></span>
+<span class="i2">Can no remorce nor pittie move thy minde?<br /></span>
+<span class="i2">Is mercie in the heavens so hard to finde?<br /></span>
+<span class="i0">Oh, then it is no mervaile that on earth<br /></span>
+<span class="i0">Of kinde remorce there is so great a dearth.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_43" id="Page_43">[Pg 43]</a></span>
+<span class="i0">How happie were a harmles shepheards life,<br /></span>
+<span class="i2">If he had never knowen what love did meane;<br /></span>
+<span class="i0">But now fond Love in every place is rife,<br /></span>
+<span class="i2">Staining the purest soule with spots uncleane,<br /></span>
+<span class="i2">Making thicke purses thin, fat bodies leane.<br /></span>
+<span class="i0">Love is a fiend, a fire, a heaven, a hell,<br /></span>
+<span class="i0">Where pleasure, paine, and sad repentance dwell!<br /></span>
+</div><div class="stanza">
+<span class="i0">There are so manie Danaes now a dayes,<br /></span>
+<span class="i2">That love for lucre, paine for gaine is sold;<br /></span>
+<span class="i0">No true affection can their fancie please,<br /></span>
+<span class="i2">Except it be a Jove, to raine downe gold<br /></span>
+<span class="i2">Into their laps, which they wyde open hold:<br /></span>
+<span class="i0">If <i>legem pone</i> comes, he is receav'd,<br /></span>
+<span class="i0">When <i>Vix haud habeo</i> is of hope bereav'd.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus have I showed, in my countrey vaine,<br /></span>
+<span class="i2">The sweet content that shepheards still injoy;<br /></span>
+<span class="i0">The mickle pleasure and the little paine<br /></span>
+<span class="i2">That ever doth awayte the shepheards boy:<br /></span>
+<span class="i2">His hart is never troubled with annoy;<br /></span>
+<span class="i0">He is a king, for he commands his sheepe;<br /></span>
+<span class="i0">He knowes no woe, for he doth seldome weepe.<br /></span>
+</div><div class="stanza">
+<span class="i0">He is a courtier, for he courts his love;<br /></span>
+<span class="i2">He is a scholler, for he sings sweet ditties;<br /></span>
+<span class="i0">He is a souldier, for he wounds doth prove;<br /></span>
+<span class="i2">He is the fame of townes, the shame of citties:<br /></span>
+<span class="i2">He scornes false fortune, but true vertue pitties.<br /></span>
+<span class="i0">He is a gentleman, because his nature<br /></span>
+<span class="i0">Is kinde and affable to everie creature.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_44" id="Page_44">[Pg 44]</a></span>
+<span class="i0">Who would not then a simple shepheard bee,<br /></span>
+<span class="i2">Rather than be a mightie monarch made?<br /></span>
+<span class="i0">Since he injoyes such perfect libertie<br /></span>
+<span class="i2">As never can decay, nor never fade:<br /></span>
+<span class="i2">He seldome sits in dolefull cypresse shade,<br /></span>
+<span class="i0">But lives in hope, in joy, in peace, in blisse,<br /></span>
+<span class="i0">Joying all joy with this content of his.<br /></span>
+</div><div class="stanza">
+<span class="i0">But now good fortune lands my little boate<br /></span>
+<span class="i2">Upon the shoare of his desired rest:<br /></span>
+<span class="i0">Now must I leave awhile my rurall noate,<br /></span>
+<span class="i2">To thinke on him whom my soule loveth best;<br /></span>
+<span class="i2">He that can make the most unhappie blest;<br /></span>
+<span class="i0">In whose sweete lap Ile lay me downe to sleepe,<br /></span>
+<span class="i0">And never wake till marble stones shall weepe.<br /></span>
+</div><div class="stanza">
+<span class="i8">FINIS.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_45" id="Page_45">[Pg 45]</a></span></p>
+<h3>SONNET.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Loe here behold these tributarie teares<br /></span>
+<span class="i2">Paid to thy faire but cruell tyrant eyes;<br /></span>
+<span class="i0">Loe here the blossome of my youthfull yeares,<br /></span>
+<span class="i2">Nipt with the fresh of thy wraths winter, dyes!<br /></span>
+<span class="i0">Here on Loves altar I doo offer up<br /></span>
+<span class="i2">This burning hart for my soules sacrifice;<br /></span>
+<span class="i0">Here I receave this deadly-poysned cu[p]<br /></span>
+<span class="i2">Of Circe charm'd, wherein deepe magicke lyes.<br /></span>
+<span class="i0">Then teares, if you be happie teares indeed,<br /></span>
+<span class="i2">And hart, if thou be lodged in his brest,<br /></span>
+<span class="i0">And cup, if thou canst helpe despaire with speed,<br /></span>
+<span class="i2">Teares, hart, and cup, conjoine to make me blest!<br /></span>
+<span class="i0">Teares move, hart win, cup cause, ruth, love, desire,<br /></span>
+<span class="i0">In word, in deed; by moane, by zeale, by fire.<br /></span>
+</div><div class="stanza">
+<span class="i8">FINIS.<br /></span>
+</div></div>
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_46" id="Page_46">[Pg 46]</a></span></p>
+
+
+<h3>THE COMPLAINT OF CHASTITIE, BRIEFELY TOUCHING THE CAUSE<br />
+OF THE DEATH OF MATILDA FITZWALTERS, AN ENGLISH<br />
+LADIE, SOMETIME LOVED OF KING JOHN, AFTER<br />
+POYSONED. THE STORIE IS AT LARGE<br />
+WRITTEN BY MICHAEL DREYTON.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">You modest dames, inricht with chastitie,<br /></span>
+<span class="i2">Maske your bright eyes with Vestaes sable vaile,<br /></span>
+<span class="i0">Since few are left so faire or chast as shee,<br /></span>
+<span class="i2">Matter for me to weepe, you to bewaile!<br /></span>
+<span class="i2">For manie seeming so, of Vertue faile,<br /></span>
+<span class="i0">Whose lovely cheeks, with rare vermilion tainted,<br /></span>
+<span class="i0">Can never blush, because their faire is painted.<br /></span>
+</div><div class="stanza">
+<span class="i0">O faire-foule tincture, staine of woman kinde,<br /></span>
+<span class="i2">Mother of Mischiefe, daughter of Deceate,<br /></span>
+<span class="i0">False traitor to the soule, blot to the minde,<br /></span>
+<span class="i2">Usurping tyrant of true beauties seate!<br /></span>
+<span class="i2">Right cousner of the eye, lewd follies baite,<br /></span>
+<span class="i0">The flag of filthines, the sinke of shame,<br /></span>
+<span class="i0">The divells dye, dishonour of thy name!<br /></span>
+</div><div class="stanza">
+<span class="i0">Monster of art, bastard of bad desier,<br /></span>
+<span class="i2">Il-worshipt idoll, false imagerie!<br /></span>
+<span class='pagenum'><a name="Page_47" id="Page_47">[Pg 47]</a></span>
+<span class="i0">Ensigne of vice, to thine owne selfe a lier,<br /></span>
+<span class="i2">Silent inchaunter, mindes anatomie,<br /></span>
+<span class="i2">Sly bawd to lust, pandor to infamie,<br /></span>
+<span class="i0">Slaunder of Truth, truth of dissimulation,<br /></span>
+<span class="i0">Staining our clymate more than anie nation!<br /></span>
+</div><div class="stanza">
+<span class="i0">What shall I say to thee, thou scorne of Nature,<br /></span>
+<span class="i2">Blacke spot of sinne, vylde lure of lecherie,<br /></span>
+<span class="i0">Injurious blame to everie f&aelig;male creature,<br /></span>
+<span class="i2">Wronger of time, broker of trecherie,<br /></span>
+<span class="i2">Trap of greene youth, false womens witcherie,<br /></span>
+<span class="i0">Handmaid of pride, highway to wickednesse,<br /></span>
+<span class="i0">Yet pathway to repentance nere the lesse?<br /></span>
+</div><div class="stanza">
+<span class="i0">Thou dost entice the minde to dooing evill,<br /></span>
+<span class="i2">Thou setst dissention twixt the man and wife;<br /></span>
+<span class="i0">A saint in show, and yet indeed a devill,<br /></span>
+<span class="i2">Thou art the cause of everie common strife;<br /></span>
+<span class="i2">Thou art the life of Death, the death of Life!<br /></span>
+<span class="i0">Thou doost betray thyselfe to infamie,<br /></span>
+<span class="i0">When thou art once discerned by the eye.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah, little knew Matilda of thy being,<br /></span>
+<span class="i2">Those times were pure from all impure complection;<br /></span>
+<span class="i0">Then Love came of Desert, Desert of seeing,<br /></span>
+<span class="i2">Then Vertue was the mother of Affection,<br /></span>
+<span class="i2">But Beautie now is under no subjection;<br /></span>
+<span class="i0">Then women were the same that men did deeme,<br /></span>
+<span class="i0">But now they are the same they doo not seeme.<br /></span>
+</div><div class="stanza">
+<span class='pagenum'><a name="Page_48" id="Page_48">[Pg 48]</a></span>
+<span class="i0">What f&aelig;male now intreated of a king<br /></span>
+<span class="i2">With gold and jewels, pearles and precious stones,<br /></span>
+<span class="i0">Would willingly refuse so sweete a thing,<br /></span>
+<span class="i2">Onely for a little show of Vertue ones?<br /></span>
+<span class="i2">Women have kindnes grafted in their bones.<br /></span>
+<span class="i0">Gold is a deepe-perswading orator,<br /></span>
+<span class="i0">Especially where few the fault abhor.<br /></span>
+</div><div class="stanza">
+<span class="i0">But yet shee rather deadly poyson chose,<br /></span>
+<span class="i2">Oh cruell bane of most accursed clime!<br /></span>
+<span class="i0">Than staine that milk-white mayden virgin rose,<br /></span>
+<span class="i2">Which shee had kept unspotted till that time,<br /></span>
+<span class="i2">And not corrupted with this earthly slime.<br /></span>
+<span class="i0">Her soule shall live, inclosd eternally<br /></span>
+<span class="i0">In that pure shrine of immortality!<br /></span>
+</div><div class="stanza">
+<span class="i0">This is my doome, and this shall come to passe,<br /></span>
+<span class="i2">For what are pleasures but still vading joyes?<br /></span>
+<span class="i0">Fading as flowers, brittle as a glasse,<br /></span>
+<span class="i2">Or potters clay, crost with the least annoyes?<br /></span>
+<span class="i2">All things in this life are but trifling toyes,<br /></span>
+<span class="i0">But Fame and Vertue never shall decay,<br /></span>
+<span class="i0">For Fame is toomblesse, Vertue lives for aye!<br /></span>
+</div><div class="stanza">
+<span class="i8">FINIS.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_49" id="Page_49">[Pg 49]</a></span></p>
+<h2>NOTES.</h2>
+
+
+<p>P. <a href='#Page_6'>6</a>, l. 1.&mdash;<i>Blin.</i>] To cease.</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Mon that loveth falsnesse and nule never <i>blynne</i>,<br /></span>
+<span class="i0">Sore may him drede the lyf that he is ynne.<br /></span>
+</div></div>
+
+<p class="right"><i>Wright's Political Songs</i>, p. 212.</p>
+
+<p>P. <a href='#Page_7'>7</a>, l. 25.&mdash;<i>Her hart more hard than adamant or steele.</i>] Compare
+"Midsummer Night's Dream," ii. 2.&mdash;</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"You draw me, <i>you hard-hearted adamant</i>;<br /></span>
+<span class="i0">But yet you draw not iron, for my heart<br /></span>
+<span class="i0">Is true as steel: leave you your power to draw,<br /></span>
+<span class="i0">And I shall have no power to follow you."<br /></span>
+</div></div>
+
+<p>P. <a href='#Page_8'>8</a>, l. 15.&mdash;<i>Ban.</i>] Curse.</p>
+
+<p>P. <a href='#Page_9'>9</a>, l. 13.&mdash;<i>Crownets.</i>] Coronets. The term occurs in Shakespeare.</p>
+
+<p>P. <a href='#Page_9'>9</a>, l. 22.&mdash;<i>Hunts-up.</i>] Mr. Collier has printed a very curious song,
+from which it appears that the <i>hunts-up</i> was known as early as 28 Henry
+VIII. The following extract will show the nature of it:&mdash;</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"The hunt is up, the hunt is up, &amp;c.<br /></span>
+<span class="i0">The Masters of Art and Doctors of Divinity<br /></span>
+<span class="i0">Have brought this name out of good unity,<br /></span>
+<span class="i0">Three noblemen have this to stay,&mdash;<br /></span>
+<span class="i0">My lord of Norfolk, Lord of Surrey,<br /></span>
+<span class="i0">And my Lord of Shrewsbury,<br /></span>
+<span class="i0">The Duke of Suffolk might have made England merry."<br /></span>
+</div></div>
+
+<p>P. <a href='#Page_10'>10</a>, l. 10.&mdash;<i>Eughes.</i>] Yews.</p>
+
+<p>P. <a href='#Page_10'>10</a>, l. 15.&mdash;<i>Ladon.</i>] A river in Arcadia.</p>
+
+<p><span class='pagenum'><a name="Page_50" id="Page_50">[Pg 50]</a></span>P. <a href='#Page_11'>11</a>, l. 2.&mdash;<i>Syrinx.</i>] An Arcadian nymph, who, flying from Pan, was
+turned into a reed, which was afterwards made into a pipe by the
+pursuer.</p>
+
+<p>P. <a href='#Page_11'>11</a>, l. 24.&mdash;<i>Prickets.</i>] Bucks of the second year.</p>
+
+<p>P. <a href='#Page_12'>12</a>, l. 10.&mdash;<i>Spyke.</i>] Lavender.</p>
+
+<p>P. <a href='#Page_12'>12</a>, l. 11.&mdash;<i>The scarlet dyde carnation bleeding yet.</i>] The idea of a
+bleeding flower gives additional grace to one of the most beautiful
+passages in Shakespeare.&mdash;</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"Yet mark'd I where the bolt of Cupid fell;<br /></span>
+<span class="i0">It fell upon a little western flower,<br /></span>
+<span class="i0">Before milk-white, now purple with love's wound."<br /></span>
+</div></div>
+
+<p>P. <a href='#Page_12'>12</a>, l. 13.&mdash;<i>Good for the blinde.</i>] According to Gerard, p. 537,
+"eiebright stamped and laid upon the eies, or the juice thereof, mixed
+with white wine, and dropped into the eies, or the destilled water,
+taketh awaie the darknesse and dimnesse of the eies, and cleereth the
+sight."</p>
+
+<p>P. <a href='#Page_12'>12</a>, l. 18.&mdash;<i>Sops in wine.</i>] Pinks.</p>
+
+<p>P. <a href='#Page_12'>12</a>, l. 19.&mdash;<i>Bootes.</i>] The marsh marigold. According to Gerard, p.
+671, this name for the plant was current only "in Cheshire and those
+parts."</p>
+
+<p>P. <a href='#Page_13'>13</a>, l. 2.&mdash;<i>Tyce.</i>] To entice.</p>
+
+<p>P. <a href='#Page_15'>15</a>, l. 6.&mdash;<i>The christall fountaines.</i>]</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"Opening on Neptune with fair blessed beams."<br /></span>
+</div></div>
+
+<p class="right"><i>Midsummer Night's Dream</i>, iii. 2.</p>
+
+<p>P. <a href='#Page_16'>16</a>, l. 24.&mdash;<i>Boult.</i>] A short thick arrow.</p>
+
+<p>P. <a href='#Page_16'>16</a>, l. 24.&mdash;<i>Thrustle-cocke.</i>] The male thrush.</p>
+
+<p>P. <a href='#Page_16'>16</a>, l. 25.&mdash;<i>Afforde.</i>] "Afford's," orig.</p>
+
+<p>P. <a href='#Page_17'>17</a>, l. 6.&mdash;<i>Grype.</i>] A griffin.</p>
+
+<p>P. <a href='#Page_17'>17</a>, l. 13.&mdash;<i>Oozels.</i>] Blackbirds. See p. 24.</p>
+
+<p>P. <a href='#Page_18'>18</a>, l. 3.&mdash;<i>As white as whale.</i>]</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"This is the flower that smiles on every one,<br /></span>
+<span class="i0">That show his teeth <i>as white as whales bone</i>."<br /></span>
+</div></div>
+
+<p class="right"><i>Love's Labour's Lost</i>, v. ii.</p>
+
+<p><span class='pagenum'><a name="Page_51" id="Page_51">[Pg 51]</a></span>P. <a href='#Page_20'>20</a>, l. 12.&mdash;<i>My lovely faire.</i>] Compare the Midsummer Night's Dream,
+i. 1.&mdash;</p>
+
+<div class="poem"><div class="stanza">
+<span class="i2">&mdash;&mdash;"O, happy fair!<br /></span>
+<span class="i0">Your eyes are lode-stars."<br /></span>
+</div></div>
+
+<p>P. <a href='#Page_22'>22</a>, l. 3.&mdash;<i>Fautors.</i>] Abetters, supporters.</p>
+
+<p>P. <a href='#Page_25'>25</a>, l. 1.&mdash;<i>When huntsmen, &amp;c.</i>]</p>
+
+<div class="poem"><div class="stanza">
+<span class="i4">&mdash;&mdash;"imitatus castora, qui se<br /></span>
+<span class="i0">Eunuchum ipse facit, cupiens evadere damno<br /></span>
+<span class="i0">Testiculorum."<br /></span>
+</div></div>
+
+<p class="right"><i>Juvenal</i>, xii. 84.</p>
+
+<p>P. <a href='#Page_27'>27</a>, l. 1.&mdash;<i>White is the colour.</i>] This stanza seems to have been
+imitated in "Greenes Funeralls," 4to. London, 1594. See the "First
+Sketches of Henry VI," Introduction, p. xxiii.</p>
+
+<p>P. <a href='#Page_30'>30</a>, l. 4.&mdash;<i>Knife.</i>] So in the original, but probably a mistake for
+swords.</p>
+
+<p>P. <a href='#Page_30'>30</a>, l. 8.&mdash;<i>Glaver.</i>] To flatter.</p>
+
+<p>P. <a href='#Page_35'>35</a>, l. 11.&mdash;<i>Deck.</i>] Pack of cards.</p>
+
+<p>P. <a href='#Page_40'>40</a>, l. 12.&mdash;<i>Rampicke.</i>] Partially decayed; a term generally applied
+to a tree which begins to decay at the top through age.</p>
+
+<p>P. <a href='#Page_40'>40</a>, l. 21.&mdash;<i>Melt.</i>] "Melts" in the original.</p>
+
+<p>P. <a href='#Page_42'>42</a>, l. 24.&mdash;<i>Cruell, unkinde, and wilt thou leave me so.</i>] Compare
+Midsummer Night's Dream, iii. 2, "why unkindly didst thou leave me so?"</p>
+
+<p>P. <a href='#Page_46'>46</a>, l. 3.&mdash;<i>After.</i>] Afterwards. The poetical legend by Drayton, here
+alluded to, will be found in the collected works of that writer.</p>
+
+<p>P. <a href='#Page_48'>48</a>, l. 4.&mdash;<i>Ones.</i>] Once. After this poem is inserted, in the
+original, three pages entitled, "Hellens Rape, or a light Lanthorne for
+light Ladies. Written in English hexameters."</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+***** This file should be named 19902-h.htm or 19902-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/9/0/19902/
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/19902.txt b/19902.txt
new file mode 100644
index 0000000..20d7bc6
--- /dev/null
+++ b/19902.txt
@@ -0,0 +1,1972 @@
+Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Affectionate Shepherd
+
+Author: Richard Barnfield
+
+Editor: James Orchard Halliwell
+
+Release Date: November 23, 2006 [EBook #19902]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+
+
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+
+
+
+
+
+
+
+
+THE
+
+AFFECTIONATE SHEPHERD:
+
+BY
+
+RICHARD BARNFIELD.
+
+A.D. 1594.
+
+EDITED BY
+
+JAMES ORCHARD HALLIWELL, Esq. F.R.S.
+
+HON. M.R.I.A., HON. M.R.S.L., F.S.A., ETC.
+
+LONDON.
+
+REPRINTED FOR THE PERCY SOCIETY,
+
+BY T. RICHARDS, 100, ST. MARTIN'S LANE.
+
+M.DCCC.XLV.
+
+
+
+
+COUNCIL
+
+OF
+
+The Percy Society.
+
+
+_President._
+
+THE RT. HON. LORD BRAYBROOKE, F.S.A.
+
+THOMAS AMYOT, ESQ. F.R.S. TREAS. S.A.
+
+WILLIAM HENRY BLACK, ESQ.
+
+WILLIAM CHAPPELL, ESQ. F.S.A.
+
+J. PAYNE COLLIER, ESQ. F.S.A.
+
+C. PURTON COOPER, ESQ. Q.C., F.R.S., F.S.A.
+
+PETER CUNNINGHAM, ESQ.
+
+JAMES HENRY DIXON, ESQ.
+
+WILLIAM JERDAN, ESQ. F.S.A., M.R.S.L.
+
+CAPTAIN JOHNS, R.M.
+
+T. J. PETTIGREW, ESQ. F.R.S., F.S.A.
+
+LEWIS POCOCK, ESQ. F.S.A.
+
+SIR CUTHBERT SHARP.
+
+WILLIAM SANDYS, ESQ. F.S.A.
+
+WILLIAM J. THOMS, ESQ. F.S.A.
+
+THOMAS WRIGHT, ESQ. M.A., F.S.A., _Secretary and Treasurer._
+
+
+
+
+PREFACE.
+
+
+Two copies only of the poem by Barnfield here reprinted, are known to be
+preserved; one in Sion College Library, and another, formerly in Heber's
+possession, mentioned in "Bibliotheca Heberiana," iv. 15. Its merits and
+great rarity have pointed it out as a work deserving to be more known
+and appreciated. Barnfield is, perhaps, chiefly remembered by his
+elegant pieces printed in the "Passionate Pilgrim," attributed by some
+to Shakespeare; but Mr. Collier has distinctly proved them to belong to
+the less eminent poet. The "Affectionate Shepherd" was his first
+production, as he himself confesses in the preface to his "Cynthia,"
+1595, and it has received the well-merited commendation of Warton.
+Besides these poems, he is the author of "The Complaint of Poetrie for
+the death of Liberalitie," 4to. 1598, and others published at the same
+time, reprints of which are in the British Museum; also "The Encomium
+of Lady Pecunia, or the Praise of Money," a curious manuscript in the
+Ashmolean Museum, and likewise printed in the author's life-time. It
+should be mentioned that in the original copies of the following tract
+are a few hexameter verses on the Rape of Helen, which have been omitted
+as of an inferior kind to the other part of the work, and for still more
+obvious reasons. The "Affectionate Shepherd" itself will be found
+remarkably free from the coarseness which disfigures so much of the
+Elizabethan literature,--an additional inducement, if any were
+necessary, for rescuing it from the liability to destruction which is of
+course incident to any book of such excessive rarity. Our thanks are due
+to the Rev. H. Christmas, Librarian of Sion College, for the courtesy
+and liberality with which he permitted our transcript to be made from a
+volume of tracts possessing the greatest charm for the bibliographer;
+for besides the present one, it contains the first edition of
+Shakespeare's Lucrece, and several other pieces of nearly equal value,
+in the finest possible condition.
+
+
+
+
+ THE
+
+ AFFECTIONATE SHEPHEARD.
+
+ CONTAINING THE COMPLAINT OF DAPHNIS FOR
+ THE LOUE OF GANYMEDE.
+
+ _Amor plus mellis, quam fellis, est._
+
+ London:
+
+Printed by John Danter, for T. G. and E. N., and
+ are to bee sold in Saint Dunstones
+ Church-yeard in Fleetstreet.
+
+ 1594.
+
+
+
+
+TO THE RIGHT EXCELLENT AND MOST BEAUTIFULL LADY,
+ THE LADIE PENELOPE RITCH.
+
+
+ Fayre lovely ladie, whose angelique eyes
+ Are vestall candles of sweet beauties treasure,
+ Whose speech is able to inchaunt the wise,
+ Converting joy to paine, and paine to pleasure;
+ Accept this simple toy of my soules dutie,
+ Which I present unto thy matchles beautie.
+
+ And albeit the gift be all too meane,
+ Too meane an offring for thine ivorie shrine;
+ Yet must thy beautie my just blame susteane,
+ Since it is mortall, but thyselfe divine.
+ Then, noble ladie, take in gentle worth
+ This new-borne babe, which here my muse brings forth.
+
+ Your Honours most affectionate and
+ perpetually devoted Shepheard:
+
+ DAPHNIS.
+
+
+
+
+ THE
+ AFFECTIONATE SHEPHEARD.
+
+
+
+
+THE TEARES OF AN AFFECTIONATE SHEPHEARD SICKE FOR LOVE,
+ OR THE COMPLAINT OF DAPHNIS FOR THE
+ LOVE OF GANIMEDE.
+
+
+ Scarce had the morning starre hid from the light
+ Heavens crimson canopie with stars bespangled,
+ But I began to rue th' unhappy sight
+ Of that faire boy that had my hart intangled;
+ Cursing the time, the place, the sense, the sin;
+ I came, I saw, I viewd, I slipped in.
+
+ If it be sinne to love a sweet-fac'd boy,
+ Whose amber locks trust up in golden tramels
+ Dangle adowne his lovely cheekes with joy,
+ When pearle and flowers his faire haire enamels;
+ If it be sinne to love a lovely lad,
+ Oh then sinne I, for whom my soule is sad.
+
+ His ivory-white and alablaster skin
+ Is staind throughout with rare vermillion red,
+ Whose twinckling starrie lights doe never blin
+ To shine on lovely Venus, Beauties bed;
+ But as the lillie and the blushing rose,
+ So white and red on him in order growes.
+
+ Upon a time the nymphs bestird them-selves
+ To trie who could his beautie soonest win;
+ But he accounted them but all as elves,
+ Except it were the faire Queene Guendolen:
+ Her he embrac'd, of her was beloved,
+ With plaints he proved, and with teares he moved.
+
+ But her an old man had beene sutor too,
+ That in his age began to doate againe;
+ Her would he often pray, and often woo,
+ When through old age enfeebled was his braine:
+ But she before had lov'd a lustie youth,
+ That now was dead, the cause of all her ruth.
+
+ And thus it hapned, Death and Cupid met
+ Upon a time at swilling Bacchus house,
+ Where daintie cates upon the boord were set,
+ And goblets full of wine to drinke carouse:
+ Where Love and Death did love the licor so,
+ That out they fall and to the fray they goe.
+
+ And having both their quivers at their backe
+ Fild full of arrows; th' one of fatall steele,
+ The other all of gold; Deaths shaft was black,
+ But Loves was yellow: Fortune turnd her wheele,
+ And from Deaths quiver fell a fatall shaft,
+ That under Cupid by the winde was waft.
+
+ And at the same time by ill hap there fell
+ Another arrow out of Cupids quiver,
+ The which was carried by the winde at will,
+ And under Death the amorous shaft did shiver:
+ They being parted, Love tooke up Deaths dart,
+ And Death tooke up Loves arrow for his part.
+
+ Thus as they wandred both about the world,
+ At last Death met with one of feeble age:
+ Wherewith he drew a shaft and at him hurld
+ The unknowne arrow with a furious rage,
+ Thinking to strike him dead with Deaths blacke dart;
+ But he, alas, with Love did wound his hart!
+
+ This was the doting foole, this was the man
+ That lov'd faire Guendolena, Queene of Beautie;
+ Shee cannot shake him off, doo what she can,
+ For he hath vowd to her his soules last duety:
+ Making him trim upon the holydaies,
+ And crownes his love with garlands made of baies.
+
+ Now doth he stroke his beard, and now againe
+ He wipes the drivel from his filthy chin;
+ Now offers he a kisse, but high Disdaine
+ Will not permit her hart to pity him:
+ Her hart more hard than adamant or steele,
+ Her hart more changeable than Fortunes wheele.
+
+ But leave we him in love up to the eares,
+ And tell how Love behav'd himselfe abroad;
+ Who seeing one that mourned still in teares,
+ A young man groaning under Loves great load,
+ Thinking to ease his burden, rid his paines,
+ For men have griefe as long as life remaines.
+
+ Alas, the while that unawares he drue
+ The fatall shaft that Death had dropt before,
+ By which deceit great harme did then insue,
+ Stayning his face with blood and filthy goare:
+ His face, that was to Guendolen more deere
+ Than love of lords, or any lordly peere.
+
+ This was that faire and beautifull young man,
+ Whom Guendolena so lamented for;
+ This is that Love whom she doth curse and ban,
+ Because she doth that dismall chaunce abhor:
+ And if it were not for his mothers sake,
+ Even Ganimede himselfe she would forsake.
+
+ Oh would shee would forsake my Ganimede,
+ Whose sugred love is full of sweete delight,
+ Upon whose forehead you may plainely reade
+ Loves pleasure grav'd in yvorie tables bright:
+ In whose faire eye-balls you may clearely see
+ Base Love still staind with foule indignitie.
+
+ Oh would to God he would but pitty mee,
+ That love him more than any mortall wight!
+ Then he and I with love would soone agree,
+ That now cannot abide his sutors sight.
+ O would to God, so I might have my fee,
+ My lips were honey, and thy mouth a bee!
+
+ Then shouldst thou sucke my sweete and my faire flower,
+ That now is ripe and full of honey-berries;
+ Then would I leade thee to my pleasant bower,
+ Fild full of grapes, of mulberries, and cherries:
+ Then shouldst thou be my waspe or else my bee,
+ I would thy hive, and thou my honey, bee.
+
+ I would put amber bracelets on thy wrests,
+ Crownets of pearle about thy naked armes:
+ And when thou sitst at swilling Bacchus feasts
+ My lips with charmes should save thee from all harmes:
+ And when in sleepe thou tookst thy chiefest pleasure,
+ Mine eyes should gaze upon thine eyelids treasure.
+
+ And every morne by dawning of the day,
+ When Phoebus riseth with a blushing face,
+ Silvanus chappel-clarkes shall chaunt a lay,
+ And play thee hunts-up in thy resting place:
+ My coote thy chamber, my bosome thy bed
+ Shall be appointed for thy sleepy head.
+
+ And when it pleaseth thee to walke abroad,
+ Abroad into the fields to take fresh ayre,
+ The meades with Floras treasure should be strowde,
+ The mantled meaddowes, and the fields so fayre.
+ And by a silver well with golden sands
+ Ile sit me downe, and wash thine yvory hands.
+
+ And in the sweltring heate of summer time,
+ I would make cabinets for thee, my love;
+ Sweet-smelling arbours made of eglantine
+ Should be thy shrine, and I would be thy dove.
+ Cool cabinets of fresh greene laurell boughs
+ Should shadow us, ore-set with thicke-set eughes.
+
+ Or if thou list to bathe thy naked limbs
+ Within the cristall of a pearle-bright brooke,
+ Paved with dainty pibbles to the brims,
+ Or cleare, wherein thyselfe thyselfe mayst looke;
+ Weele goe to Ladon, whose still trickling noyse
+ Will lull thee fast asleepe amids thy joyes.
+
+ Or if thoult goe unto the river side,
+ To angle for the sweet freshwater fish,
+ Arm'd with thy implements that will abide,
+ Thy rod, hooke, line, to take a dainty dish;
+ Thy rods shall be of cane, thy lines of silke,
+ Thy hooks of silver, and thy bayts of milke.
+
+ Or if thou lov'st to hear sweet melodie,
+ Or pipe a round upon an oaten reede,
+ Or make thyselfe glad with some myrthfull glee,
+ Or play them musicke whilst thy flocke doth feede.
+ To Pans owne pype Ile helpe my lovely lad,
+ Pans golden pype, which he of Syrinx had.
+
+ Or if thou darst to climbe the highest trees
+ For apples, cherries, medlars, peares, or plumbs,
+ Nuts, walnuts, filbeards, chestnuts, cervices,
+ The hoary peach, when snowy winter comes;
+ I have fine orchards full of mellowed frute,
+ Which I will give thee to obtaine my sute.
+
+ Not proud Alcynous himselfe can vaunt
+ Of goodlier orchards or of braver trees
+ Than I have planted; yet thou wilt not graunt
+ My simple sute, but like the honey bees
+ Thou suckst the flowre till all the sweet be gone,
+ And loost mee for my coyne till I have none.
+
+ Leave Guendolen, sweet hart; though she be faire,
+ Yet is she light; not light in vertue shining,
+ But light in her behaviour, to impaire
+ Her honour in her chastities declining;
+ Trust not her teares, for they can wantonnize,
+ When teares in pearle are trickling from her eyes.
+
+ If thou wilt come and dwell with me at home,
+ My sheepcote shall be strowed with new greene rushes:
+ Weele haunt the trembling prickets as they rome
+ About the fields, along the hauthorne bushes;
+ I have a pie-bald curre to hunt the hare,
+ So we will live with daintie forrest fare.
+
+ Nay, more than this, I have a garden plot,
+ Wherein there wants nor hearbs, nor roots, nor flowers;
+ Flowers to smell, roots to eate, hearbs for the pot,
+ And dainty shelters when the welkin lowers:
+ Sweet-smelling beds of lillies, and of roses,
+ Which rosemary banks and lavender incloses.
+
+ There growes the gilliflowre, the mynt, the dayzie
+ Both red and white, the blue-veynd violet;
+ The purple hyacinth, the spyke to please thee,
+ The scarlet dyde carnation bleeding yet:
+ The sage, the savery, and sweet margerum,
+ Isop, tyme, and eye-bright, good for the blinde and dumbe.
+
+ The pinke, the primrose, cowslip and daffodilly,
+ The hare-bell blue, the crimson cullumbine,
+ Sage, lettis, parsley, and the milke-white lilly,
+ The rose and speckled flowre cald sops-in-wine,
+ Fine pretie king-cups, and the yellow bootes,
+ That growes by rivers and by shallow brookes.
+
+ And manie thousand moe I cannot name
+ Of hearbs and flowers that in gardens grow,
+ I have for thee, and coneyes that be tame,
+ Young rabbets, white as swan, and blacke as crow;
+ Some speckled here and there with daintie spots:
+ And more I have two mylch and milke-white goates.
+
+ All these and more Ile give thee for thy love,
+ If these and more may tyce thy love away:
+ I have a pidgeon-house, in it a dove,
+ Which I love more than mortall tongue can say.
+ And last of all Ile give thee a little lambe
+ To play withall, new weaned from her dam.
+
+ But if thou wilt not pittie my complaint,
+ My teares, nor vowes, nor oathes, made to thy beautie:
+ What shall I doo but languish, die, or faint,
+ Since thou dost scorne my teares, and my soules duetie:
+ And teares contemned, vowes and oaths must faile,
+ And where teares cannot, nothing can prevaile.
+
+ Compare the love of faire Queene Guendolin
+ With mine, and thou shalt [s]ee how she doth love thee:
+ I love thee for thy qualities divine,
+ But shee doth love another swaine above thee:
+ I love thee for thy gifts, she for hir pleasure;
+ I for thy vertue, she for beauties treasure.
+
+ And alwaies, I am sure, it cannot last.
+ But sometime Nature will denie those dimples:
+ Insteed of beautie, when thy blossom's past,
+ Thy face will be deformed full of wrinckles;
+ Then she that lov'd thee for thy beauties sake,
+ When age drawes on, thy love will soone forsake.
+
+ But that I lov'd thee for thy gifts divine,
+ In the December of thy beauties waning,
+ Will still admire with joy those lovely eine,
+ That now behold me with their beauties baning.
+ Though Januarie will never come againe,
+ Yet Aprill yeres will come in showers of raine.
+
+ When will my May come, that I may embrace thee?
+ When will the hower be of my soules joying?
+ Why dost thou seeke in mirth still to disgrace mee?
+ Whose mirth's my health, whose griefe's my harts annoying:
+ Thy bane my bale, thy blisse my blessednes,
+ Thy ill my hell, thy weale my welfare is.
+
+ Thus doo I honour thee that love thee so,
+ And love thee so, that so doo honour thee
+ Much more than anie mortall man doth know,
+ Or can discerne by love or jealozie:
+ But if that thou disdainst my loving ever,
+ Oh happie I, if I had loved never!
+
+ FINIS.
+
+ Plus fellis quam mellis amor.
+
+
+
+
+THE SECOND DAYES LAMENTATION OF THE AFFECTIONATE
+ SHEPHEARD.
+
+
+ Next morning, when the golden sunne was risen,
+ And new had bid good morrow to the mountaines;
+ When night her silver light had lockt in prison,
+ Which gave a glimmering on the christall fountaines:
+ Then ended sleepe, and then my cares began,
+ Ev'n with the uprising of the silver swan.
+
+ Oh, glorious sunne! quoth I, viewing the sunne,
+ That lightenst everie thing but me alone:
+ Why is my summer season almost done,
+ My spring-time past, and ages autumne gone?
+ My harvest's come, and yet I reapt no corne:
+ My love is great, and yet I am forlorne.
+
+ Witnes these watrie eyes my sad lament,
+ Receaving cisternes of my ceaseles teares;
+ Witnes my bleeding hart my soules intent,
+ Witnes the weight distressed Daphnis beares:
+ Sweet love, come ease me of thy burthens paine,
+ Or els I die, or else my hart is slaine.
+
+ And thou, love-scorning boy, cruell, unkinde,
+ Oh, let me once againe intreat some pittie:
+ May be thou wilt relent thy marble minde,
+ And lend thine eares unto my dolefull dittie:
+ Oh, pittie him, that pittie craves so sweetly,
+ Or else thou shalt be never named meekly.
+
+ If thou wilt love me, thou shalt be my boy,
+ My sweet delight, the comfort of my minde,
+ My love, my dove, my sollace, and my joy;
+ But if I can no grace nor mercie finde,
+ Ile goe to Caucasus to ease my smart,
+ And let a vulture gnaw upon my hart.
+
+ Yet if thou wilt but show me one kinde looke,
+ A small reward for my so great affection,
+ Ile grave thy name in Beauties golden booke,
+ And shrowd thee under Hellicon's protection:
+ Making the muses chaunt thy lovely prayse,
+ For they delight in shepheard's lowly layes.
+
+ And when th'art wearie of thy keeping sheepe
+ Upon a lovely downe, to please thy minde,
+ Ile give thee fine ruffe-footed doves to keepe,
+ And pretie pidgeons of another kinde:
+ A robbin-redbrest shall thy minstrell bee,
+ Chirping thee sweet and pleasant melodie.
+
+ Or if thou wilt goe shoote at little birds,
+ With bow and boult, the thrustle-cocke and sparrow,
+ Such as our countrey hedges can afford,
+ I have a fine bowe, and an yvorie arrow.
+ And if thou misse, yet meate thou shalt [not] lacke,
+ Ile hang a bag and bottle at thy backe.
+
+ Wilt thou set springes in a frostie night
+ To catch the long-bill'd woodcocke and the snype,
+ By the bright glimmering of the starrie light,
+ The partridge, phaesant, or the greedie grype;
+ Ile lend thee lyme-twigs, and fine sparrow calls,
+ Wherewith the fowler silly birds inthralls.
+
+ Or in a mystie morning if thou wilt
+ Make pitfalls for the larke and pheldifare,
+ Thy prop and sweake shall be both overguilt,
+ With Cyparissus selfe thou shalt compare
+ For gins and wyles, the oozels to beguile,
+ Whilst thou under a bush shalt sit and smile.
+
+ Or with hare-pypes set in a muset hole,
+ Wilt thou deceave the deep-earth-delving coney;
+ Or wilt thou in a yellow boxen bole,
+ Taste with a wooden splent the sweet lythe honey;
+ Clusters of crimson grapes Ile pull thee downe,
+ And with vine-leaves make thee a lovely crowne.
+
+ Or wilt thou drinke a cup of new-made wine,
+ Froathing at top, mixt with a dish of creame
+ And strawberries, or bilberries, in their prime,
+ Bath'd in a melting sugar-candie streame:
+ Bunnell and perry I have for thee alone,
+ When vynes are dead, and all the grapes are gone.
+
+ I have a pleasant noted nightingale,
+ That sings as sweetly as the silver swan,
+ Kept in a cage of bone as white as whale,
+ Which I with singing of Philemon wan:
+ Her shalt thou have, and all I have beside,
+ If thou wilt be my boy, or els my bride.
+
+ Then will I lay out all my lardarie
+ Of cheese, of cracknells, curds and clowted-creame,
+ Before thy malecontent ill-pleasing eye;
+ But why doo I of such great follies dreame?
+ Alas, he will not see my simple coate,
+ For all my speckled lambe, nor milk-white goate!
+
+ Against my birth-day thou shalt be my guest,
+ Weele have greene-cheeses and fine silly-bubs,
+ And thou shalt be the chiefe of all my feast,
+ And I will give thee two fine pretie cubs,
+ With two yong whelps, to make thee sport withall,
+ A golden racket, and a tennis-ball.
+
+ A guilded nutmeg, and a race of ginger,
+ A silken girdle, and a drawn-worke band,
+ Cuffs for thy wrists, a gold ring for thy finger,
+ And sweet rose-water for thy lilly-white hand;
+ A purse of silke, bespangd with spots of gold,
+ As brave a one as ere thou didst behold.
+
+ A paire of knives, a greene hat and a feather,
+ New gloves to put upon thy milk-white hand,
+ Ile give thee, for to keep thee from the weather,
+ With phoenix feathers shall thy face be fand,
+ Cooling those cheekes, that being cool'd wexe red,
+ Like lillyes in a bed of roses shed.
+
+ Why doo thy corall lips disdaine to kisse,
+ And sucke that sweete which manie have desired?
+ That baulme my bane, that meanes would mend my misse,
+ Oh, let me then with thy sweete lips b'inspired!
+ When thy lips touch my lips, my lips will turne
+ To corall too, and, being cold yce, will burne.
+
+ Why should thy sweete love-locke hang dangling downe,
+ Kissing thy girdle-stud with falling pride?
+ Although thy skin be white, thy haire is browne:
+ Oh, let not then thy haire thy beautie hide!
+ Cut off thy locke, and sell it for gold wier:
+ The purest gold is tryde in hottest fier.
+
+ Faire long-haire-wearing Absolon was kild,
+ Because he wore it in a braverie:
+ So that which gracde his beautie, Beautie spild,
+ Making him subject to vile slaverie,
+ In being hangd: a death for him too good,
+ That sought his owne shame and his father's blood.
+
+ Againe we read of old king Priamus,
+ The haplesse syre of valiant Hector slaine,
+ That his haire was so long and odious
+ In youth, that in his age it bred his paine:
+ For if his haire had not been halfe so long,
+ His life had been, and he had had no wrong.
+
+ For when his stately citie was destroyd,
+ That monument of great antiquitie,
+ When his poore hart, with griefe and sorrow cloyd,
+ Fled to his wife, last hope in miserie;
+ Pyrrhus, more hard than adamantine rockes,
+ Held him and halde him by his aged lockes.
+
+ These two examples by the way I show,
+ To prove th' indecencie of men's long haire:
+ Though I could tell thee of a thousand moe,
+ Let these suffice for thee, my lovely faire,
+ Whose eye's my starre, whose smiling is my sunne,
+ Whose love did ende before my joyes begunne.
+
+ Fond love is blinde, and so art thou, my deare,
+ For thou seest not my love and great desart;
+ Blinde love is fond, and so thou dost appeare,
+ For fond and blinde, thou greevst my greeving hart:
+ Be thou fond-blinde, blinde-fond, or one, or all,
+ Thou art my love, and I must be thy thrall!
+
+ Oh lend thine yvorie forehead for loves booke,
+ Thine eyes for candles to behold the same;
+ That when dim-sighted ones therein shall looke,
+ They may discerne that proud disdainefull dame;
+ Yet claspe that booke, and shut that cazement light,
+ Lest, th'one obscurde, the other shine too bright.
+
+ Sell thy sweet breath to th' daintie musk-ball makers,
+ Yet sell it so as thou mayst soone redeeme it:
+ Let others of thy beauty be pertakers,
+ Else none but Daphnis will so well esteeme it.
+ For what is beauty, except it be well knowne?
+ And how can it be knowne, except first showne?
+
+ Learne of the gentlewomen of this age,
+ That set their beauties to the open view,
+ Making disdaine their lord, true love their page,
+ A custome zeale doth hate, desert doth rue:
+ Learne to looke red, anon waxe pale and wan,
+ Making a mocke of love, a scorne of man.
+
+ A candle light, and cover'd with a vaile,
+ Doth no man good, because it gives no light;
+ So Beauty of her beauty seemes to faile,
+ When being not seene it cannot shine so bright:
+ Then show thyselfe and know thyselfe withall,
+ Lest climing high thou catch too great a fall.
+
+ Oh foule eclipser of that fayre sun-shine,
+ Which is intitled Beauty in the best,
+ Making that mortall, which is els divine,
+ That staines the fayre which women steeme not least:
+ Get thee to Hell againe, from whence thou art,
+ And leave the center of a woman's hart.
+
+ Ah be not staind, sweet boy, with this vilde spot,
+ Indulgence daughter, mother of Mischaunce;
+ A blemish that doth every beauty blot,
+ That makes them loath'd, but never doth advaunce
+ Her clyents, fautors, friends, or them that love her,
+ And hates them most of all, that most reprove her.
+
+ Remember age, and thou canst not be prowd,
+ For age puls downe the pride of every man;
+ In youthfull yeares by Nature tis allowde
+ To have selfe-will, doo Nurture what she can;
+ Nature and Nurture once together met,
+ The soule and shape in decent order set.
+
+ Pride looks aloft, still staring on the starres,
+ Humility looks lowly on the ground;
+ Th' one menaceth the gods with civill warres,
+ The other toyles till he have Vertue found.
+ His thoughts are humble, not aspiring hye,
+ But Pride looks haughtily with scornefull eye.
+
+ Humillity is clad in modest weedes,
+ But Pride is brave and glorious to the show;
+ Humillity his friends with kindnes feedes,
+ But Pride his friends in neede will never know,
+ Supplying not their wants, but them disdaining,
+ Whilst they to pitty never neede complayning.
+
+ Humillity in misery is reliev'd,
+ But Pride in neede of no man is regarded;
+ Pitty and Mercy weepe to see him griev'd,
+ That in distresse had them so well rewarded;
+ But Pride is scornd, contemnd, disdaind, derided,
+ Whilst Humblenes of all things is provided.
+
+ Oh then be humble, gentle, meeke, and milde,
+ So shalt thou be of every mouth commended;
+ Be not disdainfull, cruell, proud, sweet childe,
+ So shalt thou be of no man much condemned:
+ Care not for them that vertue doo despise;
+ Vertue is loathde of fooles, lovde of the wise.
+
+ O faire boy, trust not to thy beauties wings,
+ They cannot carry thee above the sunne:
+ Beauty and wealth are transitory things,
+ For all must ende that ever was begunne.
+ But Fame and Vertue never shall decay,
+ For Fame is toombles, Vertue lives for aye.
+
+ The snow is white, and yet the pepper 's blacke,
+ The one is bought, the other is contemned:
+ Pibbles we have, but store of jeat we lacke,
+ So white comparde to blacke is much condemned.
+ We doo not praise the swanne because shees white,
+ But for she doth in musique much delite.
+
+ And yet the silver-noted nightingale,
+ Though she be not so white, is more esteemed;
+ Sturgion is dun of hew, white is the whale,
+ Yet for the daintier dish the first is deemed:
+ What thing is whiter than the milke-bred lilly?
+ That knowes it not for naught, what man so silly?
+
+ Yea, what more noysomer unto the smell
+ Than lillies are? What's sweeter then the sage?
+ Yet for pure white the lilly beares the bell,
+ Till it be faded through decaying age.
+ House-doves are white, and oozels blacke-birds bee,
+ Yet what a difference in the taste we see?
+
+ Compare the cow and calfe with ewe and lambe,
+ Rough hayrie hydes with softest downy fell;
+ Hecfar and bull with weather and with ramme,
+ And you shall see how far they doo excell;
+ White kine with blacke, blacke coney-skins with gray,
+ Kine nesh and strong, skins deare and cheape alway.
+
+ The whitest silver is not alwaies best,
+ Lead, tynne, and pewter are of base esteeme;
+ The yellow burnisht gold that comes from th' East,
+ And West, of late invented, may beseeme
+ The worlds ritch treasury, or Mydas eye;
+ The ritch mans god, poore mans felicitie.
+
+ Bugle and jeat with snow and alablaster
+ I will compare; white dammasin with blacke;
+ Bullas and wheaton plumbs, to a good taster
+ The ripe red cherries have the sweetest smacke:
+ When they be greene and young, th' are sowre and naught;
+ But being ripe, with eagernes th' are baught.
+
+ Compare the wyld cat to the brownish beaver,
+ Running for life, with hounds pursued sore,
+ When huntsmen of her pretious stones bereave her,
+ Which with her teeth sh' had bitten off before;
+ Restoratives and costly curious felts
+ Are made of them, and rich imbroydred belts.
+
+ To what use serves a peece of crimbling chalke?
+ The agget stone is white, yet good for nothing:
+ Fie, fie, I am asham'd to heare thee talke,
+ Be not so much of thine owne image doating:
+ So faire Narcissus lost his love and life;
+ Beautie is often with itselfe at strife.
+
+ Right diamonds are of a russet hieu,
+ The brightsome carbuncles are red to see too;
+ The saphyre stone is of a watchet blue,
+ To this thou canst not chuse but soone agree to:
+ Pearles are not white but gray, rubies are red:
+ In praise of blacke what can be better sed?
+
+ For if we doo consider of each mortall thing
+ That flyes in welkin, or in water swims,
+ How everie thing increaseth with the spring,
+ And how the blacker still the brighter dims:
+ We cannot chuse, but needs we must confesse,
+ Sable excels milk-white in more or lesse.
+
+ As for example, in the christall cleare
+ Of a sweete streame, or pleasant running river,
+ Where thousand formes of fishes will appeare,
+ Whose names to thee I cannot now deliver;
+ The blacker still the brighter have disgrac'd,
+ For pleasant profit and delicious taste.
+
+ Salmon and trout are of a ruddie colour,
+ Whiting and dare is of a milk-white hiew;
+ Nature by them perhaps is made the fuller,
+ Little they nowrish, be they old or new:
+ Carp, loach, tench, eeles, though black and bred in mud,
+ Delight the tooth with taste, and breed good blud.
+
+ Innumerable be the kindes, if I could name them,
+ But I a shepheard and no fisher am:
+ Little it skils whether I praise or blame them,
+ I onely meddle with my ew and lamb:
+ Yet this I say that blacke the better is,
+ In birds, beasts, frute, stones, flowres, herbs, mettals, fish.
+
+ And last of all, in blacke there doth appeare
+ Such qualities as not in yvorie;
+ Black cannot blush for shame, looke pale for feare,
+ Scorning to weare another livorie.
+ Blacke is the badge of sober modestie,
+ The wonted weare of ancient gravetie.
+
+ The learned sisters sute themselves in blacke,
+ Learning abandons white and lighter hues;
+ Pleasure and pride light colours never lacke,
+ But true religion doth such toyes refuse:
+ Vertue and gravity are sisters growne,
+ Since blacke by both, and both by blacke are knowne.
+
+ White is the colour of each paltry miller,
+ White is the ensigne of each common woman;
+ White is white vertues for blacke vyces piller,
+ White makes proud fooles inferiour unto no man:
+ White is the white of body, blacke of minde,
+ Vertue we seldome in white habit finde.
+
+ Oh, then be not so proud because th' art fayre,
+ Vertue is onely the ritch gift of God:
+ Let not selfe-pride thy vertues name impayre,
+ Beate not greene youth with sharpe repentance rod:
+ A fiend, a monster, a mishapen divel;
+ Vertues foe, vyces friend, the roote of evill.
+
+ Apply thy minde to be a vertuous man;
+ Avoyd ill company, the spoyle of youth;
+ To follow vertues lore doo what thou can,
+ Whereby great profit unto the ensuth:
+ Reade bookes, hate ignorance, the foe to art,
+ The damme of errour, envy of the hart.
+
+ Serve Jove upon thy knees both day and night,
+ Adore his name above all things on earth;
+ So shall thy vowes be gracious in his sight,
+ So little babes are blessed in their birth:
+ Thinke on no worldly woe, lament thy sin,
+ For lesser cease, when greater griefes begin.
+
+ Sweare no vaine oathes, heare much, but little say,
+ Speake ill of no man, tend thine owne affaires;
+ Bridle thy wrath, thine angrie mood delay,
+ So shall thy minde be seldome cloyd with cares:
+ Be milde and gentle in thy speech to all,
+ Refuse no honest gaine when it doth fall.
+
+ Be not beguild with words, prove not ungratefull,
+ Releeve thy neighbour in his greatest need,
+ Commit no action that to all is hatefull,
+ Their want with welth, the poore with plentie feed:
+ Twit no man in the teeth with what th' hast done;
+ Remember flesh is fraile, and hatred shunne.
+
+ Leave wicked things, which men to mischiefe move,
+ Least crosse mis-hap may thee in danger bring:
+ Crave no preferment of thy heavenly Jove,
+ Nor anie honor of thy earthly king:
+ Boast not thyselfe before th' Almighties sight,
+ Who knowes thy hart, and anie wicked wight.
+
+ Be not offensive to the peoples eye,
+ See that thy praiers harts true zeale affords,
+ Scorne not a man that's falne in miserie,
+ Esteeme no tatling tales, no babling words;
+ That reason is exiled alwaies thinke,
+ When as a drunkard rayles amidst his drinke.
+
+ Use not thy lovely lips to loathsome lyes,
+ By craftie meanes increase no worldly wealth;
+ Strive not with mightie men (whose fortune flies),
+ With temp'rate diet nourish wholesome health:
+ Place well thy words, leave not thy frend for gold;
+ First trie, then trust, in ventring be not bold.
+
+ In Pan repose thy trust; extoll his praise,
+ (That never shall decay, but ever lives):
+ Honor thy parents (to prolong thy dayes),
+ Let not thy left hand know what right hand gives:
+ From needie men turne not thy face away,
+ Though charitie be now yclad in clay.
+
+ Heare shepheards oft (thereby great wisdome growes),
+ With good advice a sober answere make:
+ Be not remoov'd with every winde that blowes,
+ (That course doo onely sinfull sinners take):
+ Thy talke will shew thy fame or els thy shame;
+ (A pratling tongue doth often purchase blame.)
+
+ Obtaine a faithfull frend that will not faile thee,
+ Think on thy mother's paine in her child-bearing;
+ Make no debate, least quickly thou bewaile thee,
+ Visit the sicke with comfortable chearing:
+ Pittie the prisner, helpe the fatherlesse,
+ Revenge the widdowes wrongs in her distresse.
+
+ Thinke on thy grave, remember still thy end,
+ Let not thy winding-sheete be staind with guilt;
+ Trust not a fained reconciled frend,
+ More than an open foe (that blood hath spilt):
+ (Who tutcheth pitch, with pitch shalbe defiled),
+ Be not with wanton companie beguiled.
+
+ Take not a flattring woman to thy wife,
+ A shameles creature, full of wanton words,
+ (Whose bad, thy good, whose lust will end thy life,
+ Cutting thy hart with sharpe two edged knife):
+ Cast not thy minde on her whose lookes allure,
+ But she that shines in truth and vertue pure.
+
+ Praise not thyselfe, let other men commend thee;
+ Beare not a flattring tongue to glaver anie;
+ Let parents due correction not offend thee;
+ Rob not thy neighbor, seeke the love of manie;
+ Hate not to heare good counsell given thee,
+ Lay not thy money unto usurie.
+
+ Restraine thy steps from too much libertie,
+ Fulfill not th' envious mans malitious minde;
+ Embrace thy wife, live not in lecherie;
+ Content thyselfe with what fates have assignde:
+ Be rul'd by reason, warning dangers save;
+ True age is reverend worship to thy grave.
+
+ Be patient in extreame adversitie,
+ (Mans chiefest credit growes by dooing well).
+ Be not high-minded in prosperitie;
+ Falshood abhorre, no lying fable tell.
+ Give not thyselfe to sloth, (the sinke of shame,
+ The moath of time, the enemie to fame).
+
+ This leare I learned of a bel-dame Trot,
+ (When I was yong and wylde as now thou art),
+ But her good counsell I regarded not,
+ I markt it with my eares, not with my hart.
+ But now I finde it too-too true (my sonne),
+ When my age-withered spring is almost done.
+
+ Behold my gray head, full of silver haires,
+ My wrinckled skin, deepe furrowes in my face,
+ Cares bring old age, old age increaseth cares;
+ My time is come, and I have run my race:
+ Winter hath snow'd upon my hoarie head,
+ And with my winter all my joyes are dead.
+
+ And thou love-hating boy, (whom once I loved),
+ Farewell, a thousand-thousand times farewell;
+ My teares the marble-stones to ruth have moved;
+ My sad complaints the babling ecchoes tell:
+ And yet thou wouldst take no compassion on mee,
+ Scorning that crosse which love hath laid upon mee.
+
+ The hardest steele with fier doth mend his misse,
+ Marble is mollifyde with drops of raine;
+ But thou (more hard than steele or marble is),
+ Doost scorne my teares, and my true love disdaine,
+ Which for thy sake shall everlasting bee,
+ Wrote in the annalls of eternitie.
+
+ By this, the night, (with darknes over-spred),
+ Had drawne the curtaines of her cole-blacke bed;
+ And Cynthia, muffling her face with a clowd,
+ (Lest all the world of her should be too proud)
+ Had taken conge of the sable night,
+ (That wanting her cannot be halfe so bright.)
+
+ When I, poore forlorn man and outcast creature,
+ (Despairing of my love, despisde of beautie),
+ Grew malecontent, scorning his lovely feature,
+ That had disdaind my ever zealous dutie:
+ I hy'd me homeward by the moone-shine light,
+ Foreswaring love, and all his fond delight.
+
+ FINIS.
+
+
+
+
+THE SHEPHEARDS CONTENT, OR THE HAPPINES OF A HARMLES
+ LIFE. WRITTEN UPON OCCASION OF THE FORMER
+ SUBJECT.
+
+
+ Of all the kindes of common countrey life,
+ Methinkes a shepheards life is most content;
+ His state is quiet peace, devoyd of strife;
+ His thoughts are pure from all impure intent,
+ His pleasures rate sits at an easie rent;
+ He beares no mallice in his harmles hart,
+ Malicious meaning hath in him no part.
+
+ He is not troubled with th' afflicted minde,
+ His cares are onely over silly sheepe;
+ He is not unto jealozie inclinde,
+ (Thrice happie man) he knowes not how to weepe;
+ Whilst I the treble in deepe sorrowes keepe.
+ I cannot keepe the meane; for why (alas)
+ Griefes have no meane, though I for meane doe passe.
+
+ No briefes nor semi-briefes are in my songs,
+ Because (alas) my griefe is seldome short;
+ My prick-song's alwayes full of largues and longs,
+ (Because I never can obtaine the port
+ Of my desires: hope is a happie fort).
+ Prick song (indeed) because it pricks my hart;
+ And song, because sometimes I ease my smart.
+
+ The mightie monarch of a royall realme,
+ Swaying his scepter with a princely pompe,
+ Of his desires cannot so steare the healme,
+ But sometime falls into a deadly dumpe;
+ When as he heares the shrilly sounding trumpe
+ Of forren enemies, or home-bred foes,
+ His minde of griefe, his hart is full of woes.
+
+ Or when bad subjects gainst their soveraigne
+ (Like hollow harts) unnaturally rebell,
+ How carefull is he to suppresse againe
+ Their desperate forces, and their powers to quell
+ With loyall harts, till all againe be well.
+ When (being subdu'd) his care is rather more,
+ To keepe them under, than it was before.
+
+ Thus is he never full of sweete content,
+ But either this or that his joy debars:
+ Now noblemen gainst noblemen are bent,
+ Now gentlemen and others fall at jarrs:
+ Thus is his countrey full of civill warrs;
+ He still in danger sits, still fearing death,
+ For traitors seeke to stop their princes breath.
+
+ The whylst the other hath no enemie,
+ Without it be the wolfe and cruell fates,
+ (Which no man spare): when as his disagree,
+ He with his sheephooke knaps them on the pates,
+ Schooling his tender lambs from wanton gates.
+ Beasts are more kinde than men, sheepe seeke not blood,
+ But countrey caytives kill their countreyes good.
+
+ The courtier he fawns for his princes favour,
+ In hope to get a princely ritch reward;
+ His tongue is tipt with honey for to glaver,
+ Pride deales the deck, whilst chance doth choose the card;
+ Then comes another and his game hath mard,
+ Sitting betwixt him and the morning sun;
+ Thus night is come before the day is done.
+
+ Some courtiers, carefull of their princes health,
+ Attend his person with all dilligence;
+ Whose hand's their hart, whose welfare is their wealth,
+ Whose safe protection is their sure defence,
+ For pure affection, not for hope of pence:
+ Such is the faithfull hart, such is the minde,
+ Of him that is to vertue still inclinde.
+
+ The skilfull scholler, and brave man at armes,
+ First plies his booke, last fights for countries peace;
+ Th' one feares oblivion, th' other fresh alarmes:
+ His paines nere ende, his travailes never cease;
+ His with the day, his with the night increase:
+ He studies how to get eternall fame,
+ The souldier fights to win a glorious name.
+
+ The knight, the squire, the gentleman, the clowne,
+ Are full of crosses and calamities,
+ Lest fickle fortune should begin to frowne,
+ And turne their mirth to extreame miseries,
+ Nothing more certaine than incertainties!
+ Fortune is full of fresh varietie,
+ Constant in nothing but inconstancie.
+
+ The wealthie merchant that doth crosse the seas,
+ To Denmarke, Poland, Spaine, and Barbarie,
+ For all his ritches, lives not still at ease;
+ Sometimes he feares ship-spoyling pyracie,
+ Another while deceipt and treacherie
+ Of his owne factors in a forren land;
+ Thus doth he still in dread and danger stand.
+
+ Well is he tearmd a merchant-venturer,
+ Since he doth venter lands, and goods and all;
+ When he doth travell for his traffique far,
+ Little he knowes what fortune may befall,
+ Or rather, what mis-fortune happen shall:
+ Sometimes he splits his ship against a rocke,
+ Loosing his men, his goods, his wealth, his stocke.
+
+ And if he so escape with life away,
+ He counts himselfe a man most fortunate,
+ Because the waves their rigorous rage did stay,
+ (When being within their cruell powers of late,
+ The seas did seeme to pittie his estate).
+ But yet he never can recover health,
+ Because his joy was drowned with his wealth.
+
+ The painfull plough-swaine, and the husband-man,
+ Rise up each morning by the breake of day,
+ Taking what toyle and drudging paines they can,
+ And all is for to get a little stay;
+ And yet they cannot put their care away:
+ When night is come, their cares begin afresh,
+ Thinking upon their morrowes busines.
+
+ Thus everie man is troubled with unrest,
+ From rich to poore, from high to low degree:
+ Therefore I thinke that man is truly blest,
+ That neither cares for wealth nor povertie,
+ But laughs at Fortune, and her foolerie,
+ That gives rich churles great store of golde and fee,
+ And lets poore schollers live in miserie.
+
+ O, fading branches of decaying bayes,
+ Who now will water your dry-wither'd armes?
+ Or where is he that sung the lovely layes
+ Of simple shepheards in their countrey-farmes?
+ Ah! he is dead, the cause of all our harmes:
+ And with him dide my joy and sweete delight;
+ The cleare to clowdes, the day is turnd to night.
+
+ SYDNEY, the syren of this latter age;
+ SYDNEY, the blasing-starre of England's glory;
+ SYDNEY, the wonder of the wise and sage;
+ SYDNEY, the subject of true vertues story:
+ This syren, starre, this wonder, and this subject,
+ Is dumbe, dim, gone, and mard by fortune's object.
+
+ And thou, my sweete Amintas, vertuous minde,
+ Should I forget thy learning or thy love,
+ Well might I be accounted but unkinde,
+ Whose pure affection I so oft did prove,
+ Might my poore plaints hard stones to pitty move!
+ His losse should be lamented of each creature,
+ So great his name, so gentle was his nature.
+
+ But sleepe his soule in sweet Elysium,
+ (The happy haven of eternall rest);
+ And let me to my former matter come,
+ Proving, by reason, shepheard's life is best,
+ Because he harbours vertue in his brest;
+ And is content, (the chiefest thing of all),
+ With any fortune that shall him befall.
+
+ He sits all day lowd-piping on a hill,
+ The whilst his flocke about him daunce apace,
+ His hart with joy, his eares with musique fill:
+ Anon a bleating weather beares the bace,
+ A lambe the treble, and to his disgrace
+ Another answers like a middle meane,
+ Thus every one to beare a part are faine.
+
+ Like a great king he rules a little land,
+ Still making statutes and ordayning lawes,
+ Which if they breake, he beates them with his wand;
+ He doth defend them from the greedy jawes
+ Of rav'ning woolves, and lyons bloudy pawes.
+ His field, his realme; his subjects are his sheepe;
+ Which he doth still in due obedience keepe.
+
+ First he ordaines by act of parlament,
+ (Holden by custome in each country towne),
+ That if a sheepe (with any bad intent)
+ Presume to breake the neighbour hedges downe,
+ Or haunt strange pastures that be not his owne,
+ He shall be pounded for his lustines,
+ Untill his master finde out some redres.
+
+ Also if any prove a strageller
+ From his owne fellowes in a forraine field,
+ He shall be taken for a wanderer,
+ And forc'd himselfe immediatly to yeeld;
+ Or with a wyde-mouth'd mastive curre be kild;
+ And if not claimd within a twelve month's space,
+ He shall remaine with land-lord of the place.
+
+ Or if one stray to feede far from the rest,
+ He shall be pincht by his swift pye-bald curre;
+ If any by his fellowes be opprest,
+ The wronger, (for he doth all wrong abhorre),
+ Shall be well bangd so long as he can sturre,
+ Because he did anoy his harmeles brother,
+ That meant not harme to him nor any other.
+
+ And last of all, if any wanton weather,
+ With briers and brambles teare his fleece in twaine,
+ He shall be forc'd t' abide cold frosty weather,
+ And powring showres of ratling stormes of raine,
+ Till his new fleece begins to grow againe:
+ And for his rashnes he is doom'd to goe
+ Without a new coate all the winter throw.
+
+ Thus doth he keepe them still in awfull feare,
+ And yet allowes them liberty inough;
+ So deare to him their welfare doth appeare,
+ That when their fleeces gin to waxen rough,
+ He combs and trims them with a rampicke bough,
+ Washing them in the streames of silver Ladon,
+ To cleanse their skinnes from all corruption.
+
+ Another while he wooes his country wench,
+ With chaplet crownd and gaudy girlonds dight,
+ Whose burning lust her modest eye doth quench;
+ Standing amazed at her heavenly sight,
+ Beauty doth ravish sense with sweet delight,
+ Clearing Arcadia with a smoothed browe,
+ When sun-bright smiles melt flakes of driven snowe.
+
+ Thus doth he frollicke it each day by day,
+ And when night comes drawes homeward to his coate,
+ Singing a jigge or merry roundelay,
+ For who sings commonly so merry a noate,
+ As he that cannot chop or change a groate?
+ And in the winter nights his chiefe desire,
+ He turnes a crabbe or cracknell in the fire.
+
+ He leads his wench a country horne-pipe round,
+ About a may-pole on a holy-day,
+ Kissing his lovely lasse with garlands crownd,
+ With whoopping heigh-ho singing care away.
+ Thus doth he passe the merry month of May,
+ And all th' yere after, in delight and joy;
+ Scorning a king, he cares for no annoy.
+
+ What though with simple cheere he homely fares,
+ He lives content; a king can doo no more,
+ Nay, not so much, for kings have manie cares,
+ But he hath none, except it be that sore
+ Which yong and old, which vexeth ritch and poore,
+ The pangs of love. O! who can vanquish Love?
+ That conquers kingdomes, and the gods above.
+
+ Deepe-wounding arrow, hart-consuming fire,
+ Ruler of reason, slave to tyrant beautie,
+ Monarch of harts, fuell of fond desire,
+ Prentice to folly, foe to fained duetie.
+ Pledge of true zeale, affections moitie,
+ If thou kilst where thou wilt, and whom it list thee,
+ Alas! how can a silly soule resist thee?
+
+ By thee great Collin lost his libertie,
+ By thee sweet Astrophel forwent his joy;
+ By thee Amyntas wept incessantly,
+ By thee good Rowland liv'd in great annoy;
+ O cruell, peevish, vylde, blind-seeing boy,
+ How canst thou hit their harts, and yet not see?
+ If thou be blinde, as thou art faind to bee.
+
+ A shepheard loves no ill, but onely thee;
+ He hath no care, but onely by thy causing:
+ Why doost thou shoot thy cruell shafts at mee?
+ Give me some respite, some short time of pausing:
+ Still my sweet love with bitter lucke th'art sawcing:
+ Oh, if thou hast a minde to shew thy might,
+ Kill mightie kings, and not a wretched wight.
+
+ Yet, O enthraller of infranchizd harts,
+ At my poore hart if thou wilt needs be ayming,
+ Doo me this favour, show me both thy darts,
+ That I may chuse the best for my harts mayming,
+ A free consent is priviledgd from blaming.
+ Then pierce his hard hart with thy golden arrow,
+ That thou my wrong, that he may rue my sorrow.
+
+ But let mee feele the force of thy lead pyle,
+ What should I doo with love when I am old?
+ I know not how to flatter, fawne, or smyle;
+ Then stay thy hand, O cruell bowman, hold!
+ For if thou strik'st me with thy dart of gold,
+ I sweare to thee by Joves immortall curse,
+ I have more in my hart than in my purse.
+
+ The more I weepe, the more he bends his brow,
+ For in my hart a golden shaft I finde.
+ Cruell, unkinde, and wilt thou leave me so?
+ Can no remorce nor pittie move thy minde?
+ Is mercie in the heavens so hard to finde?
+ Oh, then it is no mervaile that on earth
+ Of kinde remorce there is so great a dearth.
+
+ How happie were a harmles shepheards life,
+ If he had never knowen what love did meane;
+ But now fond Love in every place is rife,
+ Staining the purest soule with spots uncleane,
+ Making thicke purses thin, fat bodies leane.
+ Love is a fiend, a fire, a heaven, a hell,
+ Where pleasure, paine, and sad repentance dwell!
+
+ There are so manie Danaes now a dayes,
+ That love for lucre, paine for gaine is sold;
+ No true affection can their fancie please,
+ Except it be a Jove, to raine downe gold
+ Into their laps, which they wyde open hold:
+ If _legem pone_ comes, he is receav'd,
+ When _Vix haud habeo_ is of hope bereav'd.
+
+ Thus have I showed, in my countrey vaine,
+ The sweet content that shepheards still injoy;
+ The mickle pleasure and the little paine
+ That ever doth awayte the shepheards boy:
+ His hart is never troubled with annoy;
+ He is a king, for he commands his sheepe;
+ He knowes no woe, for he doth seldome weepe.
+
+ He is a courtier, for he courts his love;
+ He is a scholler, for he sings sweet ditties;
+ He is a souldier, for he wounds doth prove;
+ He is the fame of townes, the shame of citties:
+ He scornes false fortune, but true vertue pitties.
+ He is a gentleman, because his nature
+ Is kinde and affable to everie creature.
+
+ Who would not then a simple shepheard bee,
+ Rather than be a mightie monarch made?
+ Since he injoyes such perfect libertie
+ As never can decay, nor never fade:
+ He seldome sits in dolefull cypresse shade,
+ But lives in hope, in joy, in peace, in blisse,
+ Joying all joy with this content of his.
+
+ But now good fortune lands my little boate
+ Upon the shoare of his desired rest:
+ Now must I leave awhile my rurall noate,
+ To thinke on him whom my soule loveth best;
+ He that can make the most unhappie blest;
+ In whose sweete lap Ile lay me downe to sleepe,
+ And never wake till marble stones shall weepe.
+
+ FINIS.
+
+
+
+
+ SONNET.
+
+
+ Loe here behold these tributarie teares
+ Paid to thy faire but cruell tyrant eyes;
+ Loe here the blossome of my youthfull yeares,
+ Nipt with the fresh of thy wraths winter, dyes!
+ Here on Loves altar I doo offer up
+ This burning hart for my soules sacrifice;
+ Here I receave this deadly-poysned cu[p]
+ Of Circe charm'd, wherein deepe magicke lyes.
+ Then teares, if you be happie teares indeed,
+ And hart, if thou be lodged in his brest,
+ And cup, if thou canst helpe despaire with speed,
+ Teares, hart, and cup, conjoine to make me blest!
+ Teares move, hart win, cup cause, ruth, love, desire,
+ In word, in deed; by moane, by zeale, by fire.
+
+ FINIS.
+
+
+
+
+THE COMPLAINT OF CHASTITIE, BRIEFELY TOUCHING THE CAUSE
+ OF THE DEATH OF MATILDA FITZWALTERS, AN ENGLISH
+ LADIE, SOMETIME LOVED OF KING JOHN, AFTER
+ POYSONED. THE STORIE IS AT LARGE
+ WRITTEN BY MICHAEL DREYTON.
+
+
+ You modest dames, inricht with chastitie,
+ Maske your bright eyes with Vestaes sable vaile,
+ Since few are left so faire or chast as shee,
+ Matter for me to weepe, you to bewaile!
+ For manie seeming so, of Vertue faile,
+ Whose lovely cheeks, with rare vermilion tainted,
+ Can never blush, because their faire is painted.
+
+ O faire-foule tincture, staine of woman kinde,
+ Mother of Mischiefe, daughter of Deceate,
+ False traitor to the soule, blot to the minde,
+ Usurping tyrant of true beauties seate!
+ Right cousner of the eye, lewd follies baite,
+ The flag of filthines, the sinke of shame,
+ The divells dye, dishonour of thy name!
+
+ Monster of art, bastard of bad desier,
+ Il-worshipt idoll, false imagerie!
+ Ensigne of vice, to thine owne selfe a lier,
+ Silent inchaunter, mindes anatomie,
+ Sly bawd to lust, pandor to infamie,
+ Slaunder of Truth, truth of dissimulation,
+ Staining our clymate more than anie nation!
+
+ What shall I say to thee, thou scorne of Nature,
+ Blacke spot of sinne, vylde lure of lecherie,
+ Injurious blame to everie faemale creature,
+ Wronger of time, broker of trecherie,
+ Trap of greene youth, false womens witcherie,
+ Handmaid of pride, highway to wickednesse,
+ Yet pathway to repentance nere the lesse?
+
+ Thou dost entice the minde to dooing evill,
+ Thou setst dissention twixt the man and wife;
+ A saint in show, and yet indeed a devill,
+ Thou art the cause of everie common strife;
+ Thou art the life of Death, the death of Life!
+ Thou doost betray thyselfe to infamie,
+ When thou art once discerned by the eye.
+
+ Ah, little knew Matilda of thy being,
+ Those times were pure from all impure complection;
+ Then Love came of Desert, Desert of seeing,
+ Then Vertue was the mother of Affection,
+ But Beautie now is under no subjection;
+ Then women were the same that men did deeme,
+ But now they are the same they doo not seeme.
+
+ What faemale now intreated of a king
+ With gold and jewels, pearles and precious stones,
+ Would willingly refuse so sweete a thing,
+ Onely for a little show of Vertue ones?
+ Women have kindnes grafted in their bones.
+ Gold is a deepe-perswading orator,
+ Especially where few the fault abhor.
+
+ But yet shee rather deadly poyson chose,
+ Oh cruell bane of most accursed clime!
+ Than staine that milk-white mayden virgin rose,
+ Which shee had kept unspotted till that time,
+ And not corrupted with this earthly slime.
+ Her soule shall live, inclosd eternally
+ In that pure shrine of immortality!
+
+ This is my doome, and this shall come to passe,
+ For what are pleasures but still vading joyes?
+ Fading as flowers, brittle as a glasse,
+ Or potters clay, crost with the least annoyes?
+ All things in this life are but trifling toyes,
+ But Fame and Vertue never shall decay,
+ For Fame is toomblesse, Vertue lives for aye!
+
+ FINIS.
+
+
+
+
+NOTES.
+
+
+P. 6, l. 1.--_Blin._] To cease.
+
+ Mon that loveth falsnesse and nule never _blynne_,
+ Sore may him drede the lyf that he is ynne.
+
+_Wright's Political Songs_, p. 212.
+
+P. 7, l. 25.--_Her hart more hard than adamant or steele._] Compare
+"Midsummer Night's Dream," ii. 2.--
+
+ "You draw me, _you hard-hearted adamant_;
+ But yet you draw not iron, for my heart
+ Is true as steel: leave you your power to draw,
+ And I shall have no power to follow you."
+
+P. 8, l. 15.--_Ban._] Curse.
+
+P. 9, l. 13.--_Crownets._] Coronets. The term occurs in Shakespeare.
+
+P. 9, l. 22.--_Hunts-up._] Mr. Collier has printed a very curious song,
+from which it appears that the _hunts-up_ was known as early as 28 Henry
+VIII. The following extract will show the nature of it:--
+
+ "The hunt is up, the hunt is up, &c.
+ The Masters of Art and Doctors of Divinity
+ Have brought this name out of good unity,
+ Three noblemen have this to stay,--
+ My lord of Norfolk, Lord of Surrey,
+ And my Lord of Shrewsbury,
+ The Duke of Suffolk might have made England merry."
+
+P. 10, l. 10.--_Eughes._] Yews.
+
+P. 10, l. 15.--_Ladon._] A river in Arcadia.
+
+P. 11, l. 2.--_Syrinx._] An Arcadian nymph, who, flying from Pan, was
+turned into a reed, which was afterwards made into a pipe by the
+pursuer.
+
+P. 11, l. 24.--_Prickets._] Bucks of the second year.
+
+P. 12, l. 10.--_Spyke._] Lavender.
+
+P. 12, l. 11.--_The scarlet dyde carnation bleeding yet._] The idea of a
+bleeding flower gives additional grace to one of the most beautiful
+passages in Shakespeare.--
+
+ "Yet mark'd I where the bolt of Cupid fell;
+ It fell upon a little western flower,
+ Before milk-white, now purple with love's wound."
+
+P. 12, l. 13.--_Good for the blinde._] According to Gerard, p. 537,
+"eiebright stamped and laid upon the eies, or the juice thereof, mixed
+with white wine, and dropped into the eies, or the destilled water,
+taketh awaie the darknesse and dimnesse of the eies, and cleereth the
+sight."
+
+P. 12, l. 18.--_Sops in wine._] Pinks.
+
+P. 12, l. 19.--_Bootes._] The marsh marigold. According to Gerard, p.
+671, this name for the plant was current only "in Cheshire and those
+parts."
+
+P. 13, l. 2.--_Tyce._] To entice.
+
+P. 15, l. 6.--_The christall fountaines._]
+
+ "Opening on Neptune with fair blessed beams."
+
+_Midsummer Night's Dream_, iii. 2.
+
+P. 16, l. 24.--_Boult._] A short thick arrow.
+
+P. 16, l. 24.--_Thrustle-cocke._] The male thrush.
+
+P. 16, l. 25.--_Afforde._] "Afford's," orig.
+
+P. 17, l. 6.--_Grype._] A griffin.
+
+P. 17, l. 13.--_Oozels._] Blackbirds. See p. 24.
+
+P. 18, l. 3.--_As white as whale._]
+
+ "This is the flower that smiles on every one,
+ That show his teeth _as white as whales bone_."
+
+_Love's Labour's Lost_, v. ii.
+
+P. 20, l. 12.--_My lovely faire._] Compare the Midsummer Night's Dream,
+i. 1.--
+
+ ----"O, happy fair!
+ Your eyes are lode-stars."
+
+P. 22, l. 3.--_Fautors._] Abetters, supporters.
+
+P. 25, l. 1.--_When huntsmen, &c._]
+
+ ----"imitatus castora, qui se
+ Eunuchum ipse facit, cupiens evadere damno
+ Testiculorum."
+
+_Juvenal_, xii. 84.
+
+P. 27, l. 1.--_White is the colour._] This stanza seems to have been
+imitated in "Greenes Funeralls," 4to. London, 1594. See the "First
+Sketches of Henry VI," Introduction, p. xxiii.
+
+P. 30, l. 4.--_Knife._] So in the original, but probably a mistake for
+swords.
+
+P. 30, l. 8.--_Glaver._] To flatter.
+
+P. 35, l. 11.--_Deck._] Pack of cards.
+
+P. 40, l. 12.--_Rampicke._] Partially decayed; a term generally applied
+to a tree which begins to decay at the top through age.
+
+P. 40, l. 21.--_Melt._] "Melts" in the original.
+
+P. 42, l. 24.--_Cruell, unkinde, and wilt thou leave me so._] Compare
+Midsummer Night's Dream, iii. 2, "why unkindly didst thou leave me so?"
+
+P. 46, l. 3.--_After._] Afterwards. The poetical legend by Drayton, here
+alluded to, will be found in the collected works of that writer.
+
+P. 48, l. 4.--_Ones._] Once. After this poem is inserted, in the
+original, three pages entitled, "Hellens Rape, or a light Lanthorne for
+light Ladies. Written in English hexameters."
+
+
+
+
+
+End of Project Gutenberg's The Affectionate Shepherd, by Richard Barnfield
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE AFFECTIONATE SHEPHERD ***
+
+***** This file should be named 19902.txt or 19902.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/9/9/0/19902/
+
+Produced by Taavi Kalju and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/19902.zip b/19902.zip
new file mode 100644
index 0000000..086afdc
--- /dev/null
+++ b/19902.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..6239949
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #19902 (https://www.gutenberg.org/ebooks/19902)