erratum 20909HEADmain

1 files changed, 29 insertions, 407 deletions

diff --git a/1996-0.txt b/1996-0.txt
index 16e8f41..55fe943 100644
--- a/1996-0.txt
+++ b/1996-0.txt
@@ -1,31 +1,4 @@
-The Project Gutenberg eBook of The Divine Comedy, by Dante Aligheri
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The Divine Comedy
-       Purgatory
-
-Author: Dante Aligheri
-
-Translator: Charles Eliot Norton
-
-Release Date: December, 1999 [eBook #1996]
-[Most recently updated: July 16, 2022]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Dianne Bean
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE DIVINE COMEDY, PURGATORY ***
-
+*** START OF THE PROJECT GUTENBERG EBOOK 1996 ***
 
 
 
@@ -253,7 +226,6 @@ so that even to their inhabitants these stars were invisible. Possibly
 the meaning is that these stars, symbolizing the cardinal virtues, had
 been visible only in the golden age.
 
-
 This old man, as soon appears, is the younger Cato, and the office here
 given to him of warden of the souls in the outer region of Purgatory
 was suggested by the position assigned to him by Virgil in the Aeneid,
@@ -414,7 +386,7 @@ psalm is after written. Then he made the sign of holy cross upon them;
 whereon they all threw themselves upon the strand; and he went away
 swift as he had come.
 
-1 “When Israel went out of Egypt.” Psalm cxiv.
+[1] “When Israel went out of Egypt.” Psalm cxiv.
 
 The crowd which remained there seemed strange to the place, gazing
 round about like him who of new things makes essay. On all sides the
@@ -496,7 +468,6 @@ those upon which he comments in his Convito.
   Than his Casella, whom he woo’d to sing,
    Met in the milder shades of purgatory.”
 
-
 Nothing is known of Casella beyond what is implied in Dante’s
 affectionate record of their meeting.
 
@@ -547,7 +518,7 @@ how it acts be revealed to us. Mad is he who hopes that our reason can
 traverse the infinite way which One Substance in Three Persons holds.
 Be content, human race, with the quia;[1]; for if ye had been able to
 see everything, need had not been for Mary to hear child: and ye have
-seen desiring fruitlessly men such [2] that their desire would have
+seen desiring fruitlessly men such[2] that their desire would have
 been quieted, which is given them eternally for a grief. I speak of
 Aristotle and of Plato, and of many others;” and here he bowed his
 front, and said no more, and remained disturbed.
@@ -672,8 +643,10 @@ unburied, as the body of one excommunicated, on the bank of the Verde.
 prayers of the good on earth in shortening the period of suffering of
 the souls in Purgatory is more than once referred to by him, as well as
 the virtue of the intercession of the souls in Purgatory for the
-benefit of the living.   [8] The prohibition of entering within
-Purgatory.
+benefit of the living.
+
+
+[8] The prohibition of entering within Purgatory.
 
 
 
@@ -739,7 +712,7 @@ one. I first turned my eyes to the low shores, then I raised them to
 the sun, and wondered that on the left we were struck by it. The Poet
 perceived clearly that I was standing all bewildered at the chariot of
 the light, where between us and Aquilo,[2] it was entering. Whereupon
-he to me, “If Castor and Pollux were in company with that mirror [3]
+he to me, “If Castor and Pollux were in company with that mirror[3]
 which up and down guides with its light, thou wouldst see the ruddy
 Zodiac revolving still closer to the Bears, if it went not out of its
 old road.[4] How that may be, if thou wishest to be able to think,
@@ -1000,7 +973,7 @@ promising, I loosed myself from them.
 
 Here was the Aretine,[1] who from the fierce arms of Ghin di Tacco had
 his death; and the other who was drowned when running in pursuit. Here
-Federigo Novello [2] was praying with hands outstretched, and he of
+Federigo Novello[2] was praying with hands outstretched, and he of
 Pisa, who made the good Marzucco seem strong.[3] I saw Count Orso; and
 the soul divided from its body by spite and by envy, as it said, and
 not for fault committed, Pierre do la Brosse,[5] I mean; and here let
@@ -1119,7 +1092,7 @@ didst put thy hand upon the bridle. O German Albert, who abandonest her
 who has become untamed and savage, and oughtest to bestride her
 saddle-bows, may a just judgment from the stars fall upon thy blood,
 and may it be strange and manifest, so that thy successor may have fear
-of it! [2] For thou and thy father, retained up there by greed, have
+of it![2] For thou and thy father, retained up there by greed, have
 suffered the garden of the empire to become desert. Come thou to see
 Montecchi and Cappelletti, Monaldi and Filippeschi,[3] thou man without
 care: those already wretched, and these in dread. Come, cruel one,
@@ -1152,7 +1125,7 @@ at enmity with each other in their respective cities,—types of a common
 condition.
 
 
-[4]The Counts of Santafiora were once the most powerful Ghibelline
+[4] The Counts of Santafiora were once the most powerful Ghibelline
 nobles in the Sienese territory. Their power had declined since the
 Hohenstaufen Emperors had been succeeded by the Hapsburgs, and they
 were now subjected to the Guelphs of Siena.
@@ -1262,7 +1235,7 @@ blended.
 
 Upon the green and upon the flowers I saw souls who, because of the
 valley, were not visible from without, seated here singing “Salve
-regina.” [1] “Before the lessening sun sinks to his nest,” began the
+regina.”[1] “Before the lessening sun sinks to his nest,” began the
 Mantuan who had turned us thither, “desire not that among these I guide
 you. From this bank ye will better become acquainted with the acts and
 countenances of all of them, than received among them on the level
@@ -1393,7 +1366,6 @@ easy.[2]
 [1] The opening words of a hymn sung at Complines, the last service of
 the day:
 
-
  Te locis ante terminum,
   Rerom Creator poscimus,
   Ut tus pro clementia
@@ -1501,7 +1473,7 @@ merely to rest on Nino’s disapproval of her second marriage.
 My greedy eyes were going ever to the sky, ever there where the stars
 are slowest, even as a wheel nearest the axle. And my Leader, “Son, at
 what lookest thou up there?” And I to him, “At those three torches with
-which the pole on this side is all aflame.” [1] And he to me, “The four
+which the pole on this side is all aflame.”[1] And he to me, “The four
 bright stars which thou sawest this morning are low on the other side,
 and these are risen where those were.”
 
@@ -1674,7 +1646,6 @@ if with more art I reenforce it.[1]
 [1] These words may be intended to call attention to the doctrine which
 underlies the imagery of the verse.
 
-
 The entrance within the gate of Purgatory is the assurance of
 justification, which is the change of the soul from a state of sin to a
 state of justice or righteousness. Justification itself consists,
@@ -1702,7 +1673,7 @@ more and more, I saw him sitting on the upper step, such in his face
 that I endured it not.[1] And he had in his hand a naked sword, which
 so reflected the rays toward us that I often raised my sight in vain.
 “Tell it from there, what would ye?” began he to say; “where is the
-guide? Beware lest the coming up be harmful to you.” [2] “A lady from
+guide? Beware lest the coming up be harmful to you.”[2] “A lady from
 Heaven with these things acquainted,” replied my Master to him, “only
 just now said to us, ‘Go thither, here is the gate.’” “And may she
 speed your progress in good,” began again the courteous gatekeeper,
@@ -2324,7 +2295,7 @@ and with sealed eyes.—Sapia of Siena.
 We were at the top of the stairway, where the mountain, ascent of which
 frees one from ill, is the second time cut back. There a cornice binds
 the hill round about, in like manner as the first, except that its arc
-bends more quickly. No shadow is there, nor mark which is apparent [1]
+bends more quickly. No shadow is there, nor mark which is apparent[1]
 so that the bank appears smooth and so the path, with the livid color
 of the stone.
 
@@ -2346,7 +2317,7 @@ to fly, not however seen, spirits uttering courteous invitations to the
 table of love. The first voice that passed flying, “Virum non
 habent,”[1] loudly said, and went on behind us reiterating it. And
 before it had become quite inaudible through distance, another passed
-by, crying, “I am Orestes,” [2] and also did not stay. “O Father,” said
+by, crying, “I am Orestes,”[2] and also did not stay. “O Father,” said
 I, “what voices are these?” and even as I was asking, lo! the third,
 saying, “Love them from whom ye have had wrong.” And the good Master:
 “This circle scourges the sin of envy, and therefore from love are
@@ -2635,7 +2606,7 @@ the Demon was Mainardo, who died in 1302.
 We knew that those dear souls heard us go; therefore by silence they
 made us confident of the road. After we had become alone by going on, a
 voice that seemed like lightning when it cleaves the air, came counter
-to us, saying, “Everyone that findeth me shall slay me,” [1] and fled
+to us, saying, “Everyone that findeth me shall slay me,”[1] and fled
 like thunder which rolls away, if suddenly the cloud is rent. Soon as
 our hearing had a truce from it, lo! now another with so great a crash
 that it resembled thunderings in swift succession: “I am Aglauros who
@@ -2719,7 +2690,7 @@ When we had reached the blessed Angel, with a glad voice he said,
 “Enter ye here to a stairway far less steep than the others.”
 
 We were mounting, already departed thence, and “Beati misericordes”[1]
-had been sung behind us, and “Rejoice thou that overcomest.” [2] My
+had been sung behind us, and “Rejoice thou that overcomest.”[2] My
 Master and I, we two alone, were going on upward, and I was thinking to
 win profit as we went from his words; and I addressed me to him, thus
 enquiring, “What did the spirit from Romagna mean, mentioning exclusion
@@ -2861,7 +2832,7 @@ them seemed entire concord. “Are these spirits, Master, that I hear?”
 said I. And he to me, “Thou apprehendest truly; and they go loosening
 the knot of anger.” “Now who art thou that cleavest our smoke, and yet
 dost speak of us even as if thou didst still divide the time by
-calends?” [2] Thus by one voice was said: whereon my Master said,
+calends?”[2] Thus by one voice was said: whereon my Master said,
 “Reply, and ask if by this way one goeth up.” And I, “O creature, that
 cleansest thyself in order to return beautiful unto Him who made thee,
 a marvel shalt thou hear if thou accompanyest me.” “I will follow thee,
@@ -3149,7 +3120,7 @@ for others.[6] This triform love is lamented down below.[7]
 believes it to be for his own good.
 
 
-[2]The source of being.
+[2] The source of being.
 
 
 [3] God, the First Cause.
@@ -3308,7 +3279,7 @@ Thebans were in need of Bacchus, so, according to what I saw of them as
 they came, those who by good will and right love are ridden curve their
 steps along that circle. Soon they were upon us; because, running, all
 that great crowd was moving on; and two in front, weeping, were crying
-out, “Mary ran with haste unto the mountain [7] and Caesar, to subdue
+out, “Mary ran with haste unto the mountain[7] and Caesar, to subdue
 Ilerda, thrust at Marseilles, and then ran on to Spain.”[8] “Swift,
 swift, that time be not lost by little love,” cried the others
 following, “for zeal in doing well may refreshen grace.” “O people, in
@@ -3589,7 +3560,7 @@ battlements. For on the other side the people, that through their eyes
 are pouring drop by drop the evil that possesses all the world,
 approach too near the edge.[1]
 
-[1]Too close to leave a space for walking.
+[1] Too close to leave a space for walking.
 
 
 Accursed be thou, old she-wolf, who more than all the other beasts hast
@@ -4206,7 +4177,7 @@ recognized the face of Forese.[2]
 wife was Gemma de’ Donati.
 
 
-“Ah, strive not [1] with the dry scab that discolors my skin,” he
+“Ah, strive not[1] with the dry scab that discolors my skin,” he
 prayed, “nor with my lack of flesh, but tell me the truth about
 thyself; and who are these two souls, who yonder make an escort for
 thee: stay not thou from speaking to me.” “Thy face, which once I wept
@@ -4325,9 +4296,9 @@ he dictates within, I go revealing.” “O brother, now I see,” said he,
 short of the sweet new style that I hear. I see clearly how your pens
 go on close following the dictator, which surely befell not with ours.
 And he who most sets himself to look further sees nothing more between
-one style and the other.” [13] And, as if contented, he was silent.
+one style and the other.”[13] And, as if contented, he was silent.
 
-[1]Statius; more slowly, for the sake of remaining with Virgil.
+[1] Statius; more slowly, for the sake of remaining with Virgil.
 
 
 [2] The sister of Forese, whom Dante meets in Paradise (Canto III.).
@@ -4610,7 +4581,7 @@ individual. Hence there was no personal immortality.
 [8] The faculties of sense mute because their organs no longer exist.
 
 
-[9]The spiritual faculties.
+[9] The spiritual faculties.
 
 
 [10] Of Acheron or of Tiber, according as the soul is damned or saved.
@@ -4813,7 +4784,7 @@ before me the day I hope for. Now I pray you by that virtue which
 guides you to the summit of the stair, at times be mindful of my pain.”
 Then he hid himself in the fire that refines them.
 
-[1]  The words of Daniel are in the Provencal tongue.
+[1] The words of Daniel are in the Provencal tongue.
 
 
 
@@ -5909,7 +5880,7 @@ alters not the imprinted figure, is my brain now stamped by you. But
 why does your desired word fly so far above my sight, that the more it
 strives the more it loses it?” “In order that thou mayst know,” she
 said, “that school which thou hast followed, and mayst see how its
-doctrine can follow my word [14] and mayst see your path distant so far
+doctrine can follow my word[14] and mayst see your path distant so far
 from the divine, as the heaven which highest hastens is remote from
 earth.” Whereon I replied to her, “I do not remember that I ever
 estranged myself from you, nor have I conscience of it that may sting
@@ -6024,353 +5995,4 @@ new plants renewed with new foliage, pure and disposed to mount unto
 the stars.
 
 
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE DIVINE COMEDY, PURGATORY ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you will have to check the laws of the country where
-  you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
+*** END OF THE PROJECT GUTENBERG EBOOK 1996 ***