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diff --git a/1996-h/1996-h.htm b/1996-h/1996-h.htm index e8d011c..f071e96 100644 --- a/1996-h/1996-h.htm +++ b/1996-h/1996-h.htm @@ -1,15 +1,13 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<title>The Project Gutenberg eBook of The Divine Comedy, Purgatory, by Dante Aligheri</title> +<meta charset="utf-8"> +<title>The Divine Comedy, Purgatory | Project Gutenberg</title> -<style type="text/css"> +<style> -body { margin-left: 20%; - margin-right: 20%; +body { margin-left: 10%; + margin-right: 10%; text-align: justify; } h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight: @@ -62,255 +60,234 @@ a:hover {color:red} </head> <body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Divine Comedy, by Dante Aligheri</div> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Divine Comedy<br /> - Purgatory</div> -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Dante Aligheri</div> -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Translator: Charles Eliot Norton</div> -<div style='display:block; margin:1em 0'>Release Date: December, 1999 [eBook #1996]<br /> -[Most recently updated: July 16, 2022]</div> -<div style='display:block; margin:1em 0'>Language: English</div> -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Dianne Bean</div> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE DIVINE COMEDY, PURGATORY ***</div> - +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 1996 ***</div> <h1>The Divine Comedy of Dante Aligheri</h1> <h2 class="no-break">Translated by Charles Eliot Norton</h2> -<hr /> +<hr > <h2>CONTENTS</h2> <p class="noindent"> -<a href="#cantoII.I">CANTO I.</a><br/> +<a href="#cantoII.I">CANTO I.</a><br> Invocation to the Muses.—Dawn of Easter on the shore of Purgatory.—The Four Stars.—Cato.—The cleansing of Dante from -the stains of Hell.<br /><br /> +the stains of Hell.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.II">CANTO II.</a><br/> Sunrise.—The Poets on the +<a href="#cantoII.II">CANTO II.</a><br> Sunrise.—The Poets on the shore.—Coming of a boat, guided by an angel, bearing souls to Purgatory.—Their landing.—Casella and his song.—Cato hurries -the souls to the mountain.<br /><br /> +the souls to the mountain.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.III">CANTO III.</a><br/> +<a href="#cantoII.III">CANTO III.</a><br> Ante-Purgatory.—Souls of those who have died in contumacy of the -Church.—Manfred.<br /><br /> +Church.—Manfred.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.IV">CANTO IV.</a><br/> +<a href="#cantoII.IV">CANTO IV.</a><br> Ante-Purgatory.—Ascent to a shelf of the mountain.—The negligent, -who postponed repentance to the last hour—Belacqua.<br /><br /> +who postponed repentance to the last hour—Belacqua.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.V">CANTO V.</a><br/> +<a href="#cantoII.V">CANTO V.</a><br> Ante-Purgatory.—Spirits who had delayed repentance, and met with death by violence, but died repentant.—Jacopo del Cassero.—Buonconte da -Montefeltro.—Via de’ Tolomei.<br /><br /> +Montefeltro.—Via de’ Tolomei.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.VI">CANTO VI.</a><br/> +<a href="#cantoII.VI">CANTO VI.</a><br> Ante-Purgatory.—More spirits who had deferred repentance till they were overtaken by a violent death.—Efficacy of -prayer.—Sordello.—Apostrophe to Italy.<br /><br /> +prayer.—Sordello.—Apostrophe to Italy.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.VII">CANTO VII.</a><br/> +<a href="#cantoII.VII">CANTO VII.</a><br> Virgil makes himself known to Sordello.—Sordello leads the Poets to the Valley of the Princes who have been negligent of salvation.—He points -them out by name.<br /><br /> +them out by name.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.VIII">CANTO VIII.</a><br/> +<a href="#cantoII.VIII">CANTO VIII.</a><br> Valley of the Princes.—Two Guardian Angels.—Nino -Visconti.—The Serpent.—Corrado Malaspina.<br /><br /> +Visconti.—The Serpent.—Corrado Malaspina.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.IX">CANTO IX.</a><br/> +<a href="#cantoII.IX">CANTO IX.</a><br> Slumber and Dream of Dante.—The Eagle.—Lucia.—The Gate of Purgatory.—The Angelic Gatekeeper.—Seven P’s inscribed on -Dante’s Forehead.—Entrance to the First Ledge.<br /><br /> +Dante’s Forehead.—Entrance to the First Ledge.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.X">CANTO X.</a><br/> -First Ledge the Proud.—Examples of humility sculptured on the Rock.<br /><br /> +<a href="#cantoII.X">CANTO X.</a><br> +First Ledge the Proud.—Examples of humility sculptured on the Rock.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XI">CANTO XI.</a><br/> +<a href="#cantoII.XI">CANTO XI.</a><br> First Ledge: the Proud.—Prayer.—Omberto -Aldobrandeschi.—Oderisi d’ Agubbio.—Provinzan Salvani.<br /><br /> +Aldobrandeschi.—Oderisi d’ Agubbio.—Provinzan Salvani.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XII">CANTO XII.</a><br/> +<a href="#cantoII.XII">CANTO XII.</a><br> First Ledge: the Proud.—Examples of the punishment of Pride graven on the pavement.—Meeting with an Angel who removes one of the -P’s.—Ascent to the Second Ledge.<br /><br /> +P’s.—Ascent to the Second Ledge.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XIII">CANTO XIII.</a><br/> +<a href="#cantoII.XIII">CANTO XIII.</a><br> Second Ledge: the Envious.—Examples of Love.—The Shades in -haircloth, and with sealed eyes.—Sapla of Siena.<br /><br /> +haircloth, and with sealed eyes.—Sapla of Siena.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XIV">CANTO XIV.</a><br/> +<a href="#cantoII.XIV">CANTO XIV.</a><br> Second Ledge: the Envious.—Guido del Duca.—Rinieri de’ -Calboli.—Examples of the punishment of Envy.<br /><br /> +Calboli.—Examples of the punishment of Envy.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XV">CANTO XV.</a><br/> +<a href="#cantoII.XV">CANTO XV.</a><br> Second Ledge: the Envious.—An Angel removes the second P from Dante’s forehead.—Discourse concerning the Sharing of Good.—Ascent to the Third Ledge: the Wrathful.—Examples of -Forbearance seen in Vision.<br /><br /> +Forbearance seen in Vision.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XVI">CANTO XVI.</a><br/> +<a href="#cantoII.XVI">CANTO XVI.</a><br> Third Ledge: the Wrathful.—Marco Lombardo.—His discourse on Free -Will, and the Corruption of the World.<br /><br /> +Will, and the Corruption of the World.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XVII">CANTO XVII.</a><br/> +<a href="#cantoII.XVII">CANTO XVII.</a><br> Third Ledge: the Wrathful.—Issue from the Smoke.—Vision of examples of Anger—Ascent to the Fourth Ledge, where Sloth is purged—Second -Nightfall—Virgil explains how Love is the root of Virtue and of Sin.<br /><br /> +Nightfall—Virgil explains how Love is the root of Virtue and of Sin.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XVIII">CANTO XVIII.</a><br/> +<a href="#cantoII.XVIII">CANTO XVIII.</a><br> Fourth Ledge: the Slothful.—Discourse of Virgil on Love and Free Will.—Throng of Spirits running in haste to redeem their Sin.—The -Abbot of San Zeno.—Dante falls asleep.<br /><br /> +Abbot of San Zeno.—Dante falls asleep.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XIX">CANTO XIX.</a><br/> +<a href="#cantoII.XIX">CANTO XIX.</a><br> Fourth Ledge: the Slothful.—Dante dreams of the Siren—The Angel of -the Pass.—Ascent to the Fifth Ledge.—Pope Adrian V.<br /><br /> +the Pass.—Ascent to the Fifth Ledge.—Pope Adrian V.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XX">CANTO XX.</a><br/> +<a href="#cantoII.XX">CANTO XX.</a><br> Fifth Ledge: the Avaricious.—The Spirits celebrate examples of Poverty and Bounty.—Hugh Capet.—His discourse on his -descendants.—Trembling of the Mountain.<br /><br /> +descendants.—Trembling of the Mountain.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXI">CANTO XXI.</a><br/> +<a href="#cantoII.XXI">CANTO XXI.</a><br> Fifth Ledge: the Avaricious.—Statius.—Cause of the trembling of the -Mountain.—Statius does honor to Virgil.<br /><br /> +Mountain.—Statius does honor to Virgil.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXII">CANTO XXII.</a><br/> +<a href="#cantoII.XXII">CANTO XXII.</a><br> Ascent to the Sixth Ledge—Discourse of Statius and Virgil.—Entrance to the Ledge: the Gluttonous.—The Mystic Tree.—Examples of -Temperance.<br /><br /> +Temperance.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXIII">CANTO XXIII.</a><br/> +<a href="#cantoII.XXIII">CANTO XXIII.</a><br> Sixth Ledge the Gluttonous.—Forese Donati.—Nella.—Rebuke of -the women of Florence.<br /><br /> +the women of Florence.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXIV">CANTO XXIV.</a><br/> +<a href="#cantoII.XXIV">CANTO XXIV.</a><br> Sixth Ledge: the Gluttonous.—Forese Donati.—Bonagiunta of Lucca.—Pope Martin IV.—Ubaldin dalla Pila.—Bonifazio.—Messer Marchese.—Prophecy of Bonagiunta concerning Gentucca, and of Forese concerning Corso de’ -Donati.—Second Mystic Tree.—The Angel of the Pass.<br /><br /> +Donati.—Second Mystic Tree.—The Angel of the Pass.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXV">CANTO XXV.</a><br/> +<a href="#cantoII.XXV">CANTO XXV.</a><br> Ascent to the Seventh Ledge.—Discourse of Statius on generation, the infusion of the Soul into the body, and the corporeal semblance of Souls after death.—The Seventh Ledge:the Lustful.—The mode of their -Purification.<br /><br /> +Purification.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXVI">CANTO XXVI.</a><br/> +<a href="#cantoII.XXVI">CANTO XXVI.</a><br> Seventh Ledge: the Lustful.—Sinners in the fire, going in opposite -directions.—Guido Guinicelli.—Arnaut Daniel.<br /><br /> +directions.—Guido Guinicelli.—Arnaut Daniel.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXVII">CANTO XXVII.</a><br/> +<a href="#cantoII.XXVII">CANTO XXVII.</a><br> Seventh Ledge: the Lustful.—Passage through the Flames.—Stairway in the rock.—Night upon the stairs.—Dream of Dante.—Morning.—Ascent to the Earthly Paradise.—Last words of -Virgil.<br /><br /> +Virgil.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXVIII">CANTO XXVIII.</a><br/> +<a href="#cantoII.XXVIII">CANTO XXVIII.</a><br> The Earthly Paradise.—The Forest.—A Lady gathering flowers on the bank of a little stream.—Discourse with her concerning the nature of the -place.<br /><br /> +place.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXIX">CANTO XXIX.</a><br/> -The Earthly Paradise.—Mystic Procession or Triumph of the Church.<br /><br /> +<a href="#cantoII.XXIX">CANTO XXIX.</a><br> +The Earthly Paradise.—Mystic Procession or Triumph of the Church.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXX">CANTO XXX.</a><br/> +<a href="#cantoII.XXX">CANTO XXX.</a><br> The Earthly Paradise.—Beatrice appears.—Departure of -Virgil.—Reproof of Dante by Beatrice.<br /><br /> +Virgil.—Reproof of Dante by Beatrice.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXXI">CANTO XXXI.</a><br/> +<a href="#cantoII.XXXI">CANTO XXXI.</a><br> The Earthly Paradise.—Reproachful discourse of Beatrice, and confession of Dante.—Passage of Lethe.—Appeal of the Virtues to -Beatrice.—Her Unveiling.<br /><br /> +Beatrice.—Her Unveiling.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXXII">CANTO XXXII.</a><br/> +<a href="#cantoII.XXXII">CANTO XXXII.</a><br> The Earthly Paradise.—Return of the Triumphal procession.—The Chariot bound to the Mystic Tree.—Sleep of Dante.—His waking to find the Triumph departed.—Transformation of the Chariot.—The -Harlot and the Giant.<br /><br /> +Harlot and the Giant.<br ><br > </p> <p class="noindent"> -<a href="#cantoII.XXXIII">CANTO XXXIII.</a><br/> +<a href="#cantoII.XXXIII">CANTO XXXIII.</a><br> The Earthly Paradise.—Prophecy of Beatrice concerning one who shall restore the Empire.—Her discourse with Dante.—The river -Eunoe.—Dante drinks of it, and is fit to ascend to Heaven.<br /><br /> +Eunoe.—Dante drinks of it, and is fit to ascend to Heaven.<br ><br > </p> <div class="chapter"> @@ -321,7 +298,7 @@ Eunoe.—Dante drinks of it, and is fit to ascend to Heaven.<br /><br /> <div class="chapter"> -<h2><a name="cantoII.I"></a>CANTO I.</h2> +<h2><a id="cantoII.I"></a>CANTO I.</h2> <p class="letter"> Invocation to the Muses.—Dawn of Easter on the shore of @@ -515,7 +492,7 @@ up again there whence he tore it.[1] <div class="chapter"> -<h2><a name="cantoII.II"></a>CANTO II.</h2> +<h2><a id="cantoII.II"></a>CANTO II.</h2> <p class="letter"> Sunrise.—The Poets on the shore.—Coming of a boat, guided by an @@ -669,9 +646,9 @@ upon which he comments in his Convito. <p class="footnote"> [2] Every English reader recalls Milton’s Sonnet to Mr. Henry -Lawes:—<br/> -“Dante shall give Fame leave to set thee higher<br/> - Than his Casella, whom he woo’d to sing,<br/> +Lawes:—<br> +“Dante shall give Fame leave to set thee higher<br> + Than his Casella, whom he woo’d to sing,<br> Met in the milder shades of purgatory.” </p> @@ -700,7 +677,7 @@ less speedy. <div class="chapter"> -<h2><a name="cantoII.III"></a>CANTO III.</h2> +<h2><a id="cantoII.III"></a>CANTO III.</h2> <p class="letter"> Ante-Purgatory.—Souls of those who have died in contumacy of the @@ -732,7 +709,7 @@ the Power ordains, which wills not that how it acts be revealed to us. Mad is he who hopes that our reason can traverse the infinite way which One Substance in Three Persons holds. Be content, human race, with the quia;[1]; for if ye had been able to see everything, need had not been for Mary to hear child: and -ye have seen desiring fruitlessly men such [2] that their desire would have +ye have seen desiring fruitlessly men such[2] that their desire would have been quieted, which is given them eternally for a grief. I speak of Aristotle and of Plato, and of many others;” and here he bowed his front, and said no more, and remained disturbed. @@ -825,7 +802,7 @@ Pastor of Cosenza,[3] who was set on the hunt of me by Clement, had then rightly read this page in God, the bones of my body would still be at the head of the bridge near Benevento, under the guard of the heavy cairn. Now the rain bathes them, and the wind moves them forth from the kingdom, almost along the -Verde, whither he transferred them with extinguished light.[4] By their [5] +Verde, whither he transferred them with extinguished light.[4] By their[5] malediction the Eternal Love is not so lost that it cannot return, while hope hath speck of green. True is it, that whoso dies in contumacy of Holy Church, though he repent him at the end, needs must stay outside[6] upon this bank @@ -873,15 +850,18 @@ body of one excommunicated, on the bank of the Verde. [7] This seems to be a doctrine peculiar to Dante. The value of the prayers of the good on earth in shortening the period of suffering of the souls in Purgatory is more than once referred to by him, as well as the virtue of the -intercession of the souls in Purgatory for the benefit of the living. [8] The -prohibition of entering within Purgatory. +intercession of the souls in Purgatory for the benefit of the living. +</p> + +<p class="footnote"> +[8] The prohibition of entering within Purgatory. </p> </div><!--end chapter--> <div class="chapter"> -<h2><a name="cantoII.IV"></a>CANTO IV.</h2> +<h2><a id="cantoII.IV"></a>CANTO IV.</h2> <p class="letter"> Ante-Purgatory.—Ascent to a shelf of the mountain.—The negligent, @@ -952,7 +932,7 @@ I first turned my eyes to the low shores, then I raised them to the sun, and wondered that on the left we were struck by it. The Poet perceived clearly that I was standing all bewildered at the chariot of the light, where between us and Aquilo,[2] it was entering. Whereupon he to me, “If Castor and Pollux -were in company with that mirror [3] which up and down guides with its light, +were in company with that mirror[3] which up and down guides with its light, thou wouldst see the ruddy Zodiac revolving still closer to the Bears, if it went not out of its old road.[4] How that may be, if thou wishest to be able to think, collected in thyself imagine Zion and this mountain to stand upon the @@ -1047,7 +1027,7 @@ now covers with her foot Morocco.” <div class="chapter"> -<h2><a name="cantoII.V"></a>CANTO V.</h2> +<h2><a id="cantoII.V"></a>CANTO V.</h2> <p class="letter"> Ante-Purgatory.—Spirits who had delayed repentance, and met with death by @@ -1222,7 +1202,7 @@ her murder. <div class="chapter"> -<h2><a name="cantoII.VI"></a>CANTO VI.</h2> +<h2><a id="cantoII.VI"></a>CANTO VI.</h2> <p class="letter"> Ante-Purgatory.—More spirits who had deferred repentance till they were @@ -1243,7 +1223,7 @@ that; and, promising, I loosed myself from them. <p> Here was the Aretine,[1] who from the fierce arms of Ghin di Tacco had his death; and the other who was drowned when running in pursuit. Here Federigo -Novello [2] was praying with hands outstretched, and he of Pisa, who made the +Novello[2] was praying with hands outstretched, and he of Pisa, who made the good Marzucco seem strong.[3] I saw Count Orso; and the soul divided from its body by spite and by envy, as it said, and not for fault committed, Pierre do la Brosse,[5] I mean; and here let the Lady of Brabant take forethought, while @@ -1371,7 +1351,7 @@ this wild beast has become, through not being corrected by the spurs, since thou didst put thy hand upon the bridle. O German Albert, who abandonest her who has become untamed and savage, and oughtest to bestride her saddle-bows, may a just judgment from the stars fall upon thy blood, and may it be strange -and manifest, so that thy successor may have fear of it! [2] For thou and thy +and manifest, so that thy successor may have fear of it![2] For thou and thy father, retained up there by greed, have suffered the garden of the empire to become desert. Come thou to see Montecchi and Cappelletti, Monaldi and Filippeschi,[3] thou man without care: those already wretched, and these in @@ -1408,7 +1388,7 @@ condition. </p> <p class="footnote"> -[4]The Counts of Santafiora were once the most powerful Ghibelline nobles in +[4] The Counts of Santafiora were once the most powerful Ghibelline nobles in the Sienese territory. Their power had declined since the Hohenstaufen Emperors had been succeeded by the Hapsburgs, and they were now subjected to the Guelphs of Siena. @@ -1440,7 +1420,7 @@ repose upon the feathers, but with her tossing seeks to relieve her pain. <div class="chapter"> -<h2><a name="cantoII.VII"></a>CANTO VII.</h2> +<h2><a id="cantoII.VII"></a>CANTO VII.</h2> <p class="letter"> Virgil makes himself known to Sordello.—Sordello leads the Poets to the @@ -1549,7 +1529,7 @@ foul life, and thence comes the grief that so pierces them. He who looks so large-limbed,[7] and who accords in singing with him of the masculine nose,[8] wore girt the cord of every worth, and if the youth that is sitting behind him had followed him as king, truly had worth gone from vase to vase, which cannot -be said of the other heirs: James and Frederick hold the realms; [9] the better +be said of the other heirs: James and Frederick hold the realms;[9] the better heritage no one possesses. Rarely doth human goodness rise through the branches, and this He wills who gives it, in order that it may be asked from Him. To the large-nosed one also my words apply not less than to the other, @@ -1563,12 +1543,12 @@ and the Canavese mourn.” </p> <p class="footnote"> -[1] The beginning of a Church hymn to the Virgin, sung after<br/> -vespers, of which the first verses are:—<br/> - Salve, Regina, mater misericordiae!<br/> - Vita, dulcedo et spes nostra, salve!<br/> - Ad te clamamus exsules filii Hevae;<br/> - Ad te suspiramus, gementes et flentes<br/> +[1] The beginning of a Church hymn to the Virgin, sung after<br> +vespers, of which the first verses are:—<br> + Salve, Regina, mater misericordiae!<br> + Vita, dulcedo et spes nostra, salve!<br> + Ad te clamamus exsules filii Hevae;<br> + Ad te suspiramus, gementes et flentes<br> In hac lacrymarum valle. </p> @@ -1647,7 +1627,7 @@ death, was kept in an iron cage. Dante refers to him in the Convito, iv. 11, as <div class="chapter"> -<h2><a name="cantoII.VIII"></a>CANTO VIII.</h2> +<h2><a id="cantoII.VIII"></a>CANTO VIII.</h2> <p class="letter"> Valley of the Princes.—Two Guardian Angels.—Kino @@ -1674,9 +1654,9 @@ the veil is now indeed so thin that surely passing through within is easy.[2] </p> <p> - Te locis ante terminum,<br/> - Rerom Creator poscimus,<br/> - Ut tus pro clementia<br/> + Te locis ante terminum,<br> + Rerom Creator poscimus,<br> + Ut tus pro clementia<br> Sis presul et custodia:— </p> @@ -1796,7 +1776,7 @@ rest on Nino’s disapproval of her second marriage. My greedy eyes were going ever to the sky, ever there where the stars are slowest, even as a wheel nearest the axle. And my Leader, “Son, at what lookest thou up there?” And I to him, “At those three torches with -which the pole on this side is all aflame.” [1] And he to me, “The +which the pole on this side is all aflame.”[1] And he to me, “The four bright stars which thou sawest this morning are low on the other side, and these are risen where those were.” </p> @@ -1871,7 +1851,7 @@ Ram. <div class="chapter"> -<h2><a name="cantoII.IX"></a>CANTO IX.</h2> +<h2><a id="cantoII.IX"></a>CANTO IX.</h2> <p class="letter"> Slumber and Dream of Dante.—The Eagle.—Lucia.—The Gate of @@ -2021,7 +2001,7 @@ on the upper step, such in his face that I endured it not.[1] And he had in his hand a naked sword, which so reflected the rays toward us that I often raised my sight in vain. “Tell it from there, what would ye?” began he to say; “where is the guide? Beware lest the coming up be harmful to -you.” [2] “A lady from Heaven with these things acquainted,” +you.”[2] “A lady from Heaven with these things acquainted,” replied my Master to him, “only just now said to us, ‘Go thither, here is the gate.’” “And may she speed your progress in good,” began again the courteous gatekeeper, “come forward then @@ -2129,7 +2109,7 @@ people stand singing with an organ, and the words now are, now are not caught. <div class="chapter"> -<h2><a name="cantoII.X"></a>CANTO X.</h2> +<h2><a id="cantoII.X"></a>CANTO X.</h2> <p class="letter"> First Ledge: the Proud.—Examples of Humility sculptured on the Rock. @@ -2246,7 +2226,7 @@ where I am will do it for thee.” And she, “What will the good deed of another be to thee if thou art mindless of thine own?” Whereon he, “Now comfort thee; for it behoves that I discharge my own duty ere I go; justice requires it, and pity constrains me.” He who hath never seen new -thing [2] had produced that visible speech, novel to us, since on earth it is +thing[2] had produced that visible speech, novel to us, since on earth it is not found. </p> @@ -2308,7 +2288,7 @@ to say, “I can no more.” <div class="chapter"> -<h2><a name="cantoII.XI"></a>CANTO XI.</h2> +<h2><a id="cantoII.XI"></a>CANTO XI.</h2> <p class="letter"> First Ledge: the Proud.—Prayer.—Omberto @@ -2486,7 +2466,7 @@ tarrying outside the gate of Purgatory. <div class="chapter"> -<h2><a name="cantoII.XII"></a>CANTO XII.</h2> +<h2><a id="cantoII.XII"></a>CANTO XII.</h2> <p class="letter"> First Ledge: the Proud.—Examples of the punishment of Pride graven on the @@ -2747,7 +2727,7 @@ of pride.” Summa Theol., II. 2, quaest. 162, art. 7. <div class="chapter"> -<h2><a name="cantoII.XIII"></a>CANTO XIII.</h2> +<h2><a id="cantoII.XIII"></a>CANTO XIII.</h2> <p class="letter"> Second Ledge the Envious.—Examples of Love.—The Shades in @@ -2758,7 +2738,7 @@ haircloth, and with sealed eyes.—Sapia of Siena. We were at the top of the stairway, where the mountain, ascent of which frees one from ill, is the second time cut back. There a cornice binds the hill round about, in like manner as the first, except that its arc bends more quickly. No -shadow is there, nor mark which is apparent [1] so that the bank appears smooth +shadow is there, nor mark which is apparent[1] so that the bank appears smooth and so the path, with the livid color of the stone. </p> @@ -2783,7 +2763,7 @@ little time because of ready will; and towards us were heard to fly, not however seen, spirits uttering courteous invitations to the table of love. The first voice that passed flying, “Virum non habent,”[1] loudly said, and went on behind us reiterating it. And before it had become quite inaudible -through distance, another passed by, crying, “I am Orestes,” [2] +through distance, another passed by, crying, “I am Orestes,”[2] and also did not stay. “O Father,” said I, “what voices are these?” and even as I was asking, lo! the third, saying, “Love them from whom ye have had wrong.” And the good Master: “This circle @@ -2937,7 +2917,7 @@ themselves rivals at sea of the Pisans and Genoese. <div class="chapter"> -<h2><a name="cantoII.XIV"></a>CANTO XIV.</h2> +<h2><a id="cantoII.XIV"></a>CANTO XIV.</h2> <p class="letter"> Second Ledge: the Envious—Guido del Duca.—Rinieri de’ @@ -3108,7 +3088,7 @@ Demon was Mainardo, who died in 1302. We knew that those dear souls heard us go; therefore by silence they made us confident of the road. After we had become alone by going on, a voice that seemed like lightning when it cleaves the air, came counter to us, saying, -“Everyone that findeth me shall slay me,” [1] and fled like thunder +“Everyone that findeth me shall slay me,”[1] and fled like thunder which rolls away, if suddenly the cloud is rent. Soon as our hearing had a truce from it, lo! now another with so great a crash that it resembled thunderings in swift succession: “I am Aglauros who became a @@ -3137,7 +3117,7 @@ ground; wherefore He who discerns everything scourges you. <div class="chapter"> -<h2><a name="cantoII.XV"></a>CANTO XV.</h2> +<h2><a id="cantoII.XV"></a>CANTO XV.</h2> <p class="letter"> Second Ledge: the Envious.—An Angel removes the second P from @@ -3210,7 +3190,7 @@ ye here to a stairway far less steep than the others.” <p> We were mounting, already departed thence, and “Beati misericordes”[1] had been sung behind us, and “Rejoice thou that -overcomest.” [2] My Master and I, we two alone, were going on upward, and +overcomest.”[2] My Master and I, we two alone, were going on upward, and I was thinking to win profit as we went from his words; and I addressed me to him, thus enquiring, “What did the spirit from Romagna mean, mentioning exclusion and companionship?”[3] Wherefore he to me, “Of his own @@ -3342,7 +3322,7 @@ from it. This took from us our eyes and the pure air. <div class="chapter"> -<h2><a name="cantoII.XVI"></a>CANTO XVI.</h2> +<h2><a id="cantoII.XVI"></a>CANTO XVI.</h2> <p class="letter"> Third Ledge the Wrathful.—Marco Lombardo.—His discourse on Free @@ -3372,7 +3352,7 @@ one word there was in all, and one measure; so that among them seemed entire concord. “Are these spirits, Master, that I hear?” said I. And he to me, “Thou apprehendest truly; and they go loosening the knot of anger.” “Now who art thou that cleavest our smoke, and yet dost -speak of us even as if thou didst still divide the time by calends?” [2] +speak of us even as if thou didst still divide the time by calends?”[2] Thus by one voice was said: whereon my Master said, “Reply, and ask if by this way one goeth up.” And I, “O creature, that cleansest thyself in order to return beautiful unto Him who made thee, a marvel shalt thou hear @@ -3550,7 +3530,7 @@ Angel of the Pass. <div class="chapter"> -<h2><a name="cantoII.XVII"></a>CANTO XVII.</h2> +<h2><a id="cantoII.XVII"></a>CANTO XVII.</h2> <p class="letter"> Third Ledge the Wrathful.—Issue from the Smoke.—Vision of examples @@ -3701,7 +3681,7 @@ it to be for his own good. </p> <p class="footnote"> -[2]The source of being. +[2] The source of being. </p> <p class="footnote"> @@ -3752,7 +3732,7 @@ tripartite, I am silent, in order that thou seek it for thyself.” <div class="chapter"> -<h2><a name="cantoII.XVIII"></a>CANTO XVIII.</h2> +<h2><a id="cantoII.XVIII"></a>CANTO XVIII.</h2> <p class="letter"> Fourth Ledge The Slothful.—Discourse of Virgil on Love and Free @@ -3825,7 +3805,7 @@ effect, as by green leaves the life in a plant. Yet, whence the intelligence of the first cognitions comes man doth not know, nor whence the affection for the first objects of desire, which exist in you even as zeal in the bee for making honey: and this first will admits not desert of praise or blame. Now in order -that to this every other may be gathered,[3] the virtue that counsels [4] is +that to this every other may be gathered,[3] the virtue that counsels[4] is innate in you, and ought to keep the threshold of assent. This is the principle wherefrom is derived the reason of desert in you, according as it gathers in and winnows good and evil loves. Those who in reasoning went to the foundation @@ -3967,7 +3947,7 @@ closed my eyes, and transmuted my meditation into dream. <div class="chapter"> -<h2><a name="cantoII.XIX"></a>CANTO XIX.</h2> +<h2><a id="cantoII.XIX"></a>CANTO XIX.</h2> <p class="letter"> Fourth Ledge: the Slothful—Dante dreams of the Siren.—The Angel of @@ -4178,7 +4158,7 @@ coming from a good heart, would avail him. <div class="chapter"> -<h2><a name="cantoII.XX"></a>CANTO XX.</h2> +<h2><a id="cantoII.XX"></a>CANTO XX.</h2> <p class="letter"> Fifth Ledge: the Avaricious.—The Spirits celebrate examples of Poverty @@ -4199,7 +4179,7 @@ possesses all the world, approach too near the edge.[1] </p> <p class="footnote"> -[1]Too close to leave a space for walking. +[1] Too close to leave a space for walking. </p> <p> @@ -4435,7 +4415,7 @@ timid and thoughtful. <div class="chapter"> -<h2><a name="cantoII.XXI"></a>CANTO XXI.</h2> +<h2><a id="cantoII.XXI"></a>CANTO XXI.</h2> <p class="letter"> Fifth Ledge: the Avaricious.—Statius.—Cause of the trembling of the @@ -4605,7 +4585,7 @@ reverence is not becoming from a soul redeemed, to one banned in eternal exile. <div class="chapter"> -<h2><a name="cantoII.XXII"></a>CANTO XXII.</h2> +<h2><a id="cantoII.XXII"></a>CANTO XXII.</h2> <p class="letter"> Ascent to the Sixth Ledge.—Discourse of Statius and @@ -4697,8 +4677,8 @@ sisters.” </p> <p class="footnote"> -[1] Quid non mortalia peetora yogis,<br/> - Auri sacra fames?<br/> +[1] Quid non mortalia peetora yogis,<br> + Auri sacra fames?<br> Aeneid. iii. 56-57. </p> @@ -4737,9 +4717,9 @@ them against those rolled by the avaricious. See Hell, Canto VII. <p class="footnote"> [10] The famous prophecy of the Cumaean Sibyl, very early applied to the coming -of Christ:—<br/> -Magnus ab integro saeclorum nascitur ordo.<br/> -Jam redit et virgo, redeunt Saturnia regna:<br/> +of Christ:—<br> +Magnus ab integro saeclorum nascitur ordo.<br> +Jam redit et virgo, redeunt Saturnia regna:<br> Jam nova progenies caelo demittitur alto.—Ecloga, iv. 5-7. </p> @@ -4823,7 +4803,7 @@ he is in glory, and so great as by the Gospel is revealed to you. <div class="chapter"> -<h2><a name="cantoII.XXIII"></a>CANTO XXIII.</h2> +<h2><a id="cantoII.XXIII"></a>CANTO XXIII.</h2> <p class="letter"> Sixth Ledge: the Gluttonous.—Forese Donati.—Nella.—Rebuke of @@ -4895,7 +4875,7 @@ Gemma de’ Donati. </p> <p> -“Ah, strive not [1] with the dry scab that discolors my skin,” he +“Ah, strive not[1] with the dry scab that discolors my skin,” he prayed, “nor with my lack of flesh, but tell me the truth about thyself; and who are these two souls, who yonder make an escort for thee: stay not thou from speaking to me.” “Thy face, which once I wept for dead, now @@ -4969,7 +4949,7 @@ customs. <div class="chapter"> -<h2><a name="cantoII.XXIV"></a>CANTO XXIV.</h2> +<h2><a id="cantoII.XXIV"></a>CANTO XXIV.</h2> <p class="letter"> Sixth Ledge: the Gluttonous.—Forese Donati.—Bonagiunta of @@ -5020,11 +5000,11 @@ said he, “the knot which held back the Notary,[11] and Guittone,[12] and me short of the sweet new style that I hear. I see clearly how your pens go on close following the dictator, which surely befell not with ours. And he who most sets himself to look further sees nothing more between one style and the -other.” [13] And, as if contented, he was silent. +other.”[13] And, as if contented, he was silent. </p> <p class="footnote"> -[1]Statius; more slowly, for the sake of remaining with Virgil. +[1] Statius; more slowly, for the sake of remaining with Virgil. </p> <p class="footnote"> @@ -5210,7 +5190,7 @@ the word “hunger,” as here he omits the “and thirst.” <div class="chapter"> -<h2><a name="cantoII.XXV"></a>CANTO XXV.</h2> +<h2><a id="cantoII.XXV"></a>CANTO XXV.</h2> <p class="letter"> Ascent to the Seventh Ledge.—Discourse of Statius on generation, the @@ -5348,7 +5328,7 @@ was no personal immortality. </p> <p class="footnote"> -[9]The spiritual faculties. +[9] The spiritual faculties. </p> <p class="footnote"> @@ -5417,7 +5397,7 @@ heavens, where they are seen as the Great and Little Bear. <div class="chapter"> -<h2><a name="cantoII.XXVI"></a>CANTO XXVI.</h2> +<h2><a id="cantoII.XXVI"></a>CANTO XXVI.</h2> <p class="letter"> Seventh Ledge: the Lustful.—Sinners in the fire, going in opposite @@ -5581,14 +5561,14 @@ refines them. </p> <p class="footnote"> -[1] The words of Daniel are in the Provencal tongue. +[1] The words of Daniel are in the Provencal tongue. </p> </div><!--end chapter--> <div class="chapter"> -<h2><a name="cantoII.XXVII"></a>CANTO XXVII.</h2> +<h2><a id="cantoII.XXVII"></a>CANTO XXVII.</h2> <p class="letter"> Seventh Ledge: the Lustful.—Passage through the Flames.—Stairway in @@ -5743,7 +5723,7 @@ crown and mitre.” <div class="chapter"> -<h2><a name="cantoII.XXVIII"></a>CANTO XXVIII.</h2> +<h2><a id="cantoII.XXVIII"></a>CANTO XXVIII.</h2> <p class="letter"> The Earthly Paradise.—The Forest.—A Lady gathering flowers on the @@ -5887,7 +5867,7 @@ heard the last sentence; then to the beautiful Lady I turned my face. <div class="chapter"> -<h2><a name="cantoII.XXIX"></a>CANTO XXIX.</h2> +<h2><a id="cantoII.XXIX"></a>CANTO XXIX.</h2> <p class="letter"> The Earthly Paradise.—Mystic Procession or Triumph of the Church. @@ -6079,7 +6059,7 @@ when he beheld his vision. <div class="chapter"> -<h2><a name="cantoII.XXX"></a>CANTO XXX.</h2> +<h2><a id="cantoII.XXX"></a>CANTO XXX.</h2> <p class="letter"> The Earthly Paradise.—Beatrice appears.—Departure of @@ -6280,7 +6260,7 @@ may pour forth tears.” <div class="chapter"> -<h2><a name="cantoII.XXXI"></a>CANTO XXXI.</h2> +<h2><a id="cantoII.XXXI"></a>CANTO XXXI.</h2> <p class="letter"> The Earthly Paradise.—Reproachful discourse of Beatrice, amid confession @@ -6463,7 +6443,7 @@ disclose? <div class="chapter"> -<h2><a name="cantoII.XXXII"></a>CANTO XXXII.</h2> +<h2><a id="cantoII.XXXII"></a>CANTO XXXII.</h2> <p class="letter"> The Earthly Paradise.—Return of the Triumphal procession.—The @@ -6736,7 +6716,7 @@ seat of the Papacy from Rome to Avignon, in 1305. <div class="chapter"> -<h2><a name="cantoII.XXXIII"></a>CANTO XXXIII.</h2> +<h2><a id="cantoII.XXXIII"></a>CANTO XXXIII.</h2> <p class="letter"> The Earthly Paradise.—Prophecy of Beatrice concerning one who shall @@ -6815,7 +6795,7 @@ that the pilgrim’s staff is carried wreathed with palm.”[13] And I, now stamped by you. But why does your desired word fly so far above my sight, that the more it strives the more it loses it?” “In order that thou mayst know,” she said, “that school which thou hast followed, and -mayst see how its doctrine can follow my word [14] and mayst see your path +mayst see how its doctrine can follow my word[14] and mayst see your path distant so far from the divine, as the heaven which highest hastens is remote from earth.” Whereon I replied to her, “I do not remember that I ever estranged myself from you, nor have I conscience of it that may sting @@ -6948,454 +6928,8 @@ returned from the most holy wave, renovated as new plants renewed with new foliage, pure and disposed to mount unto the stars. </p> - </div><!--end chapter--> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE DIVINE COMEDY, PURGATORY ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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