summaryrefslogtreecommitdiff
path: root/2071-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:18 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:18 -0700
commit59f45b86eda58ac952dcdb2595a552bc9df836f3 (patch)
tree2f2656016d70fcf1b1e8d3b60798cbaa94f55acc /2071-h
initial commit of ebook 2071HEADmain
Diffstat (limited to '2071-h')
-rw-r--r--2071-h/2071-h.htm5460
1 files changed, 5460 insertions, 0 deletions
diff --git a/2071-h/2071-h.htm b/2071-h/2071-h.htm
new file mode 100644
index 0000000..d106297
--- /dev/null
+++ b/2071-h/2071-h.htm
@@ -0,0 +1,5460 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Stories by English Authors in Germany, Etc., by Various Authors
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's Stories By English Authors: Germany, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Stories By English Authors: Germany
+
+Author: Various
+
+Release Date: March 25, 2006 [EBook #2071]
+Last Updated: September 21, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK STORIES BY ENGLISH AUTHORS: ***
+
+
+
+
+Produced by Dagny; John Bickers and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ STORIES BY ENGLISH AUTHORS
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h1>
+ GERMANY, and NORTHERN EUROPE
+ </h1>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> THE BIRD ON ITS JOURNEY, By Beatrice
+ Harraden </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> KOOSJE: A STUDY OF DUTCH LIFE, by John
+ Strange Winter </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> A DOG OF FLANDERS, by Ouida </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> MARKHEIM, by Robert Louis Stevenson </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0005"> <b>QUEEN TITA&rsquo;S WAGER, by William Black</b>
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> I&mdash;FRANZISKA FAHLER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> II&mdash;ZUM &ldquo;GOLDENEN BOCK&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> III&mdash;DR. KRUMM </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> IV&mdash;CONFESSIO AMANTIS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> V&mdash;&ldquo;GAB MIR EIN&rsquo; RING DABEI&rdquo; </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a> <br /> <br />
+ </p>
+ <h2>
+ THE BIRD ON ITS JOURNEY, By Beatrice Harraden
+ </h2>
+ <p>
+ It was about four in the afternoon when a young girl came into the salon
+ of the little hotel at C&mdash;&mdash; in Switzerland, and drew her chair
+ up to the fire.
+ </p>
+ <p>
+ &ldquo;You are soaked through,&rdquo; said an elderly lady, who was herself trying to
+ get roasted. &ldquo;You ought to lose no time in changing your clothes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have not anything to change,&rdquo; said the young girl, laughing. &ldquo;Oh, I
+ shall soon be dry!&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you lost all your luggage?&rdquo; asked the lady, sympathetically.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the young girl; &ldquo;I had none to lose.&rdquo; And she smiled a little
+ mischievously, as though she knew by instinct that her companion&rsquo;s
+ sympathy would at once degenerate into suspicion!
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t mean to say that I have not a knapsack,&rdquo; she added,
+ considerately. &ldquo;I have walked a long distance&mdash;in fact, from Z&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;And where did you leave your companions?&rdquo; asked the lady, with a touch of
+ forgiveness in her voice.
+ </p>
+ <p>
+ &ldquo;I am without companions, just as I am without luggage,&rdquo; laughed the girl.
+ </p>
+ <p>
+ And then she opened the piano, and struck a few notes. There was something
+ caressing in the way in which she touched the keys; whoever she was, she
+ knew how to make sweet music; sad music, too, full of that undefinable
+ longing, like the holding out of one&rsquo;s arms to one&rsquo;s friends in the
+ hopeless distance.
+ </p>
+ <p>
+ The lady bending over the fire looked up at the little girl, and forgot
+ that she had brought neither friends nor luggage with her. She hesitated
+ for one moment, and then she took the childish face between her hands and
+ kissed it.
+ </p>
+ <p>
+ &ldquo;Thank you, dear, for your music,&rdquo; she said, gently.
+ </p>
+ <p>
+ &ldquo;The piano is terribly out of tune,&rdquo; said the little girl, suddenly; and
+ she ran out of the room, and came back carrying her knapsack.
+ </p>
+ <p>
+ &ldquo;What are you going to do?&rdquo; asked her companion.
+ </p>
+ <p>
+ &ldquo;I am going to tune the piano,&rdquo; the little girl said; and she took a
+ tuning-hammer out of her knapsack, and began her work in real earnest. She
+ evidently knew what she was about, and pegged away at the notes as though
+ her whole life depended upon the result.
+ </p>
+ <p>
+ The lady by the fire was lost in amazement. Who could she be? Without
+ luggage and without friends, and with a tuning-hammer!
+ </p>
+ <p>
+ Meanwhile one of the gentlemen had strolled into the salon; but hearing
+ the sound of tuning, and being in secret possession of nerves, he fled,
+ saying, &ldquo;The tuner, by Jove!&rdquo;
+ </p>
+ <p>
+ A few minutes afterward Miss Blake, whose nerves were no secret
+ possession, hastened into the salon, and, in her usual imperious fashion,
+ demanded instant silence.
+ </p>
+ <p>
+ &ldquo;I have just done,&rdquo; said the little girl. &ldquo;The piano was so terribly out
+ of tune, I could not resist the temptation.&rdquo;
+ </p>
+ <p>
+ Miss Blake, who never listened to what any one said, took it for granted
+ that the little girl was the tuner for whom M. le Proprietaire had
+ promised to send; and having bestowed on her a condescending nod, passed
+ out into the garden, where she told some of the visitors that the piano
+ had been tuned at last, and that the tuner was a young woman of rather
+ eccentric appearance.
+ </p>
+ <p>
+ &ldquo;Really, it is quite abominable how women thrust themselves into every
+ profession,&rdquo; she remarked, in her masculine voice. &ldquo;It is so unfeminine,
+ so unseemly.&rdquo;
+ </p>
+ <p>
+ There was nothing of the feminine about Miss Blake; her horse-cloth dress,
+ her waistcoat and high collar, and her billycock hat were of the masculine
+ genus; even her nerves could not be called feminine, since we learn from
+ two or three doctors (taken off their guard) that nerves are neither
+ feminine nor masculine, but common.
+ </p>
+ <p>
+ &ldquo;I should like to see this tuner,&rdquo; said one of the tennis-players, leaning
+ against a tree.
+ </p>
+ <p>
+ &ldquo;Here she comes,&rdquo; said Miss Blake, as the little girl was seen sauntering
+ into the garden.
+ </p>
+ <p>
+ The men put up their eye-glasses, and saw a little lady with a childish
+ face and soft brown hair, of strictly feminine appearance and bearing. The
+ goat came toward her and began nibbling at her frock. She seemed to
+ understand the manner of goats, and played with him to his heart&rsquo;s
+ content. One of the tennis players, Oswald Everard by name, strolled down
+ to the bank where she was having her frolic.
+ </p>
+ <p>
+ &ldquo;Good-afternoon,&rdquo; he said, raising his cap. &ldquo;I hope the goat is not
+ worrying you. Poor little fellow! this is his last day of play. He is to
+ be killed to-morrow for <i>table d&rsquo;hote</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;What a shame!&rdquo; she said. &ldquo;Fancy to be killed, and then grumbled at!&rdquo;
+ </p>
+ <p>
+ &ldquo;That is precisely what we do here,&rdquo; he said, laughing. &ldquo;We grumble at
+ everything we eat. And I own to being one of the grumpiest; though the
+ lady in the horse-cloth dress yonder follows close upon my heels.&rdquo;
+ </p>
+ <p>
+ &ldquo;She was the lady who was annoyed at me because I tuned the piano,&rdquo; the
+ little girl said. &ldquo;Still, it had to be done. It was plainly my duty. I
+ seemed to have come for that purpose.&rdquo;
+ </p>
+ <p>
+ &ldquo;It has been confoundedly annoying having it out of tune,&rdquo; he said. &ldquo;I&rsquo;ve
+ had to give up singing altogether. But what a strange profession you have
+ chosen! Very unusual, isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, surely not,&rdquo; she answered, amused. &ldquo;It seems to me that every other
+ woman has taken to it. The wonder to me is that any one ever scores a
+ success. Nowadays, however, no one could amass a huge fortune out of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;No one, indeed!&rdquo; replied Oswald Everard, laughing. &ldquo;What on earth made
+ you take to it?&rdquo;
+ </p>
+ <p>
+ &ldquo;It took to me,&rdquo; she said simply. &ldquo;It wrapped me round with enthusiasm. I
+ could think of nothing else. I vowed that I would rise to the top of my
+ profession. I worked day and night. But it means incessant toil for years
+ if one wants to make any headway.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good gracious! I thought it was merely a matter of a few months,&rdquo; he
+ said, smiling at the little girl.
+ </p>
+ <p>
+ &ldquo;A few months!&rdquo; she repeated, scornfully. &ldquo;You are speaking the language
+ of an amateur. No; one has to work faithfully year after year; to grasp
+ the possibilities, and pass on to greater possibilities. You imagine what
+ it must feel like to touch the notes, and know that you are keeping the
+ listeners spellbound; that you are taking them into a fairy-land of sound,
+ where petty personality is lost in vague longing and regret.&rdquo;
+ </p>
+ <p>
+ &ldquo;I confess I had not thought of it in that way,&rdquo; he said, humbly. &ldquo;I have
+ only regarded it as a necessary every-day evil; and to be quite honest
+ with you, I fail to see now how it can inspire enthusiasm. I wish I could
+ see,&rdquo; he added, looking up at the engaging little figure before him.
+ </p>
+ <p>
+ &ldquo;Never mind,&rdquo; she said, laughing at his distress; &ldquo;I forgive you. And,
+ after all, you are not the only person who looks upon it as a necessary
+ evil. My poor old guardian abominated it. He made many sacrifices to come
+ and listen to me. He knew I liked to see his kind old face, and that the
+ presence of a real friend inspired me with confidence.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should not have thought it was nervous work,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Try it and see,&rdquo; she answered. &ldquo;But surely you spoke of singing. Are you
+ not nervous when you sing?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sometimes,&rdquo; he replied, rather stiffly. &ldquo;But that is slightly different.&rdquo;
+ (He was very proud of his singing, and made a great fuss about it.) &ldquo;Your
+ profession, as I remarked before, is an unavoidable nuisance. When I think
+ what I have suffered from the gentlemen of your profession, I only wonder
+ that I have any brains left. But I am uncourteous.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; she said; &ldquo;let me hear about your sufferings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whenever I have specially wanted to be quiet,&rdquo; he said&mdash;and then he
+ glanced at her childish little face, and he hesitated. &ldquo;It seems so rude
+ of me,&rdquo; he added. He was the soul of courtesy, although he was an amateur
+ tenor singer.
+ </p>
+ <p>
+ &ldquo;Please tell me,&rdquo; the little girl said, in her winning way.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he said, gathering himself together, &ldquo;it is the one subject on
+ which I can be eloquent. Ever since I can remember, I have been worried
+ and tortured by those rascals. I have tried in every way to escape from
+ them, but there is no hope for me. Yes; I believe that all the tuners in
+ the universe are in league against me, and have marked me out for their
+ special prey.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>All the what</i>?&rdquo; asked the little girl, with a jerk in her voice.
+ </p>
+ <p>
+ &ldquo;All the tuners, of course,&rdquo; he replied, rather snappishly. &ldquo;I know that
+ we cannot do without them; but good heavens! they have no tact, no
+ consideration, no mercy. Whenever I&rsquo;ve wanted to write or read quietly,
+ that fatal knock has come at the door, and I&rsquo;ve known by instinct that all
+ chance of peace was over. Whenever I&rsquo;ve been giving a luncheon party, the
+ tuner has arrived, with his abominable black bag, and his abominable card
+ which has to be signed at once. On one occasion I was just proposing to a
+ girl in her father&rsquo;s library when the tuner struck up in the drawing-room.
+ I left off suddenly, and fled from the house. But there is no escape from
+ these fiends; I believe they are swarming about in the air like so many
+ bacteria. And how, in the name of goodness, you should deliberately choose
+ to be one of them, and should be so enthusiastic over your work, puzzles
+ me beyond all words. Don&rsquo;t say that you carry a black bag, and present
+ cards which have to be filled up at the most inconvenient time; don&rsquo;t&mdash;&rdquo;
+ </p>
+ <p>
+ He stopped suddenly, for the little girl was convulsed with laughter. She
+ laughed until the tears rolled down her cheeks, and then she dried her
+ eyes and laughed again.
+ </p>
+ <p>
+ &ldquo;Excuse me,&rdquo; she said; &ldquo;I can&rsquo;t help myself; it&rsquo;s so funny.&rdquo;
+ </p>
+ <p>
+ &ldquo;It may be funny to you,&rdquo; he said, laughing in spite of himself; &ldquo;but it
+ is not funny to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course it isn&rsquo;t,&rdquo; she replied, making a desperate effort to be
+ serious. &ldquo;Well, tell me something more about these tuners.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not another word,&rdquo; he said, gallantly. &ldquo;I am ashamed of myself as it is.
+ Come to the end of the garden, and let me show you the view down into the
+ valley.&rdquo;
+ </p>
+ <p>
+ She had conquered her fit of merriment, but her face wore a settled look
+ of mischief, and she was evidently the possessor of some secret joke. She
+ seemed in capital health and spirits, and had so much to say that was
+ bright and interesting that Oswald Everard found himself becoming
+ reconciled to the whole race of tuners. He was amazed to learn that she
+ had walked all the way from Z&mdash;&mdash;, and quite alone, too.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t think anything of that,&rdquo; she said; &ldquo;I had a splendid time,
+ and I caught four rare butterflies. I would not have missed those for
+ anything. As for the going about by myself, that is a second nature.
+ Besides, I do not belong to any one. That has its advantages, and I
+ suppose its disadvantages; but at present I have only discovered the
+ advantages. The disadvantages will discover themselves!&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe you are what the novels call an advanced young woman,&rdquo; he said.
+ &ldquo;Perhaps you give lectures on woman&rsquo;s suffrage, or something of that
+ sort?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have very often mounted the platform,&rdquo; she answered. &ldquo;In fact, I am
+ never so happy as when addressing an immense audience. A most unfeminine
+ thing to do, isn&rsquo;t it? What would the lady yonder in the horse-cloth dress
+ and billycock hat say? Don&rsquo;t you think you ought to go and help her drive
+ away the goat? She looks so frightened. She interests me deeply. I wonder
+ whether she has written an essay on the feminine in woman. I should like
+ to read it; it would do me so much good.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are at least a true woman,&rdquo; he said, laughing, &ldquo;for I see you can be
+ spiteful. The tuning has not driven that away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I had forgotten about the tuning,&rdquo; she answered, brightly; &ldquo;but now
+ you remind me, I have been seized with a great idea.&rdquo;
+ </p>
+ <p>
+ &ldquo;Won&rsquo;t you tell it to me?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered; &ldquo;I keep my great ideas for myself, and work them out
+ in secret. And this one is particularly amusing. What fun I shall have!&rdquo;
+ </p>
+ <p>
+ &ldquo;But why keep the fun to yourself?&rdquo; he said. &ldquo;We all want to be amused
+ here; we all want to be stirred up; a little fun would be a charity.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, since you wish it, you shall be stirred up,&rdquo; she answered;
+ &ldquo;but you must give me time to work out my great idea. I do not hurry about
+ things, not even about my professional duties; for I have a strong feeling
+ that it is vulgar to be always amassing riches! As I have neither a
+ husband nor a brother to support, I have chosen less wealth, and more
+ leisure to enjoy all the loveliness of life! So you see I take my time
+ about everything. And to-morrow I shall catch butterflies at my leisure,
+ and lie among the dear old pines, and work at my great idea.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall catch butterflies,&rdquo; said her companion; &ldquo;and I too shall lie
+ among the dear old pines.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just as you please,&rdquo; she said; and at that moment the <i>table d&rsquo;hote</i>
+ bell rang.
+ </p>
+ <p>
+ The little girl hastened to the bureau, and spoke rapidly in German to the
+ cashier.
+ </p>
+ <p>
+ &ldquo;<i>Ach, Fraulein</i>!&rdquo; he said. &ldquo;You are not really serious?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am,&rdquo; she said. &ldquo;I don&rsquo;t want them to know my name. It will only
+ worry me. Say I am the young lady who tuned the piano.&rdquo;
+ </p>
+ <p>
+ She had scarcely given these directions and mounted to her room when
+ Oswald Everard, who was much interested in his mysterious companion, came
+ to the bureau, and asked for the name of the little lady.
+ </p>
+ <p>
+ &ldquo;<i>Es ist das Fraulein welches das Piano gestimmt hat</i>,&rdquo; answered the
+ man, returning with unusual quickness to his account-book.
+ </p>
+ <p>
+ No one spoke to the little girl at <i>table d&rsquo;hote</i>, but for all that
+ she enjoyed her dinner, and gave her serious attention to all the courses.
+ Being thus solidly occupied, she had not much leisure to bestow on the
+ conversation of the other guests. Nor was it specially original; it
+ treated of the short-comings of the chef, the tastelessness of the soup,
+ the toughness of the beef, and all the many failings which go to complete
+ a mountain hotel dinner. But suddenly, so it seemed to the little girl,
+ this time-honoured talk passed into another phase; she heard the word
+ &ldquo;music&rdquo; mentioned, and she became at once interested to learn what these
+ people had to say on a subject which was dearer to her than any other.
+ </p>
+ <p>
+ &ldquo;For my own part,&rdquo; said a stern-looking old man, &ldquo;I have no words to
+ describe what a gracious comfort music has been to me all my life. It is
+ the noblest language which man may understand and speak. And I sometimes
+ think that those who know it, or know something of it, are able at rare
+ moments to find an answer to life&rsquo;s perplexing problems.&rdquo;
+ </p>
+ <p>
+ The little girl looked up from her plate. Robert Browning&rsquo;s words rose to
+ her lips, but she did not give them utterance:
+ </p>
+<pre xml:space="preserve">
+ God has a few of us whom He whispers in the ear;
+ The rest may reason, and welcome; &lsquo;tis we musicians know.
+</pre>
+ <p>
+ &ldquo;I have lived through a long life,&rdquo; said another elderly man, &ldquo;and have
+ therefore had my share of trouble; but the grief of being obliged to give
+ up music was the grief which held me longest, or which perhaps has never
+ left me. I still crave for the gracious pleasure of touching once more the
+ strings of the violoncello, and hearing the dear, tender voice singing and
+ throbbing, and answering even to such poor skill as mine. I still yearn to
+ take my part in concerted music, and be one of those privileged to play
+ Beethoven&rsquo;s string-quartettes. But that will have to be in another
+ incarnation, I think.&rdquo;
+ </p>
+ <p>
+ He glanced at his shrunken arm, and then, as though ashamed of this
+ allusion to his own personal infirmity, he added hastily:
+ </p>
+ <p>
+ &ldquo;But when the first pang of such a pain is over, there remains the comfort
+ of being a listener. At first one does not think it is a comfort; but as
+ time goes on there is no resisting its magic influence. And Lowell said
+ rightly that &lsquo;one of God&rsquo;s great charities is music.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not know you were musical, Mr. Keith,&rdquo; said an English lady. &ldquo;You
+ have never before spoken of music.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps not, madam,&rdquo; he answered. &ldquo;One does not often speak of what one
+ cares for most of all. But when I am in London I rarely miss hearing our
+ best players.&rdquo;
+ </p>
+ <p>
+ At this point others joined in, and the various merits of eminent pianists
+ were warmly discussed.
+ </p>
+ <p>
+ &ldquo;What a wonderful name that little English lady has made for herself!&rdquo;
+ said the major, who was considered an authority on all subjects. &ldquo;I would
+ go anywhere to hear Miss Thyra Flowerdew. We all ought to be very proud of
+ her. She has taken even the German musical world by storm, and they say
+ her recitals at Paris have been brilliantly successful. I myself have
+ heard her at New York, Leipsic, London, Berlin, and even Chicago.&rdquo;
+ </p>
+ <p>
+ The little girl stirred uneasily in her chair.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think Miss Flowerdew has ever been to Chicago,&rdquo; she said.
+ </p>
+ <p>
+ There was a dead silence. The admirer of Miss Thyra Flowerdew looked much
+ annoyed, and twiddled his watch-chain. He had meant to say &ldquo;Philadelphia,&rdquo;
+ but he did not think it necessary to own to his mistake.
+ </p>
+ <p>
+ &ldquo;What impertinence!&rdquo; said one of the ladies to Miss Blake. &ldquo;What can she
+ know about it? Is she not the young person who tuned the piano?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps she tunes Miss Thyra Flowerdew&rsquo;s piano!&rdquo; suggested Miss Blake, in
+ a loud whisper.
+ </p>
+ <p>
+ &ldquo;You are right, madam,&rdquo; said the little girl, quietly. &ldquo;I have often tuned
+ Miss Flowerdew&rsquo;s piano.&rdquo;
+ </p>
+ <p>
+ There was another embarrassing silence; and then a lovely old lady, whom
+ every one reverenced, came to the rescue.
+ </p>
+ <p>
+ &ldquo;I think her playing is simply superb,&rdquo; she said. &ldquo;Nothing that I ever
+ hear satisfies me so entirely. She has all the tenderness of an angel&rsquo;s
+ touch.&rdquo;
+ </p>
+ <p>
+ &ldquo;Listening to her,&rdquo; said the major, who had now recovered from his
+ annoyance at being interrupted, &ldquo;one becomes unconscious of her presence,
+ for she <i>is the music itself</i>. And that is rare. It is but seldom
+ nowadays that we are allowed to forget the personality of the player. And
+ yet her personality is an unusual one; having once seen her, it would not
+ be easy to forget her. I should recognise her anywhere.&rdquo;
+ </p>
+ <p>
+ As he spoke, he glanced at the little tuner, and could not help admiring
+ her dignified composure under circumstances which might have been
+ distressing to any one; and when she rose with the others he followed her,
+ and said stiffly:
+ </p>
+ <p>
+ &ldquo;I regret that I was the indirect cause of putting you in an awkward
+ position.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is really of no consequence,&rdquo; she said, brightly. &ldquo;If you think I was
+ impertinent, I ask your forgiveness. I did not mean to be officious. The
+ words were spoken before I was aware of them.&rdquo;
+ </p>
+ <p>
+ She passed into the salon, where she found a quiet corner for herself, and
+ read some of the newspapers. No one took the slightest notice of her; not
+ a word was spoken to her; but when she relieved the company of her
+ presence her impertinence was commented on.
+ </p>
+ <p>
+ &ldquo;I am sorry that she heard what I said,&rdquo; remarked Miss Blake; &ldquo;but she did
+ not seem to mind. These young women who go out into the world lose the
+ edge of their sensitiveness and femininity. I have always observed that.&rdquo;
+ </p>
+ <p>
+ &ldquo;How much they are spared then!&rdquo; answered some one.
+ </p>
+ <p>
+ Meanwhile the little girl slept soundly. She had merry dreams, and finally
+ woke up laughing. She hurried over her breakfast, and then stood ready to
+ go for a butterfly hunt. She looked thoroughly happy, and evidently had
+ found, and was holding tightly, the key to life&rsquo;s enjoyment.
+ </p>
+ <p>
+ Oswald Everard was waiting on the balcony, and he reminded her that he
+ intended to go with her.
+ </p>
+ <p>
+ &ldquo;Come along then,&rdquo; she answered; &ldquo;we must not lose a moment.&rdquo;
+ </p>
+ <p>
+ They caught butterflies; they picked flowers; they ran; they lingered by
+ the wayside; they sang; they climbed, and he marvelled at her easy speed.
+ Nothing seemed to tire her, and everything seemed to delight her&mdash;the
+ flowers, the birds, the clouds, the grasses, and the fragrance of the pine
+ woods.
+ </p>
+ <p>
+ &ldquo;Is it not good to live?&rdquo; she cried. &ldquo;Is it not splendid to take in the
+ scented air? Draw in as many long breaths as you can. Isn&rsquo;t it good? Don&rsquo;t
+ you feel now as though you were ready to move mountains? I do. What a dear
+ old nurse Nature is! How she pets us, and gives us the best of her
+ treasures!&rdquo;
+ </p>
+ <p>
+ Her happiness invaded Oswald Everard&rsquo;s soul, and he felt like a school-boy
+ once more, rejoicing in a fine day and his liberty, with nothing to spoil
+ the freshness of the air, and nothing to threaten the freedom of the
+ moment.
+ </p>
+ <p>
+ &ldquo;Is it not good to live?&rdquo; he cried. &ldquo;Yes, indeed it is, if we know how to
+ enjoy.&rdquo;
+ </p>
+ <p>
+ They had come upon some haymakers, and the little girl hastened up to help
+ them, laughing and talking to the women, and helping them to pile up the
+ hay on the shoulders of a broad-backed man, who then conveyed his burden
+ to a pear-shaped stack. Oswald Everard watched his companion for a moment,
+ and then, quite forgetting his dignity as an amateur tenor singer, he too
+ lent his aid, and did not leave off until his companion sank exhausted on
+ the ground.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; she laughed, &ldquo;what delightful work for a very short time! Come
+ along; let us go into that brown chatlet yonder and ask for some milk. I
+ am simply parched with thirst. Thank you, but I prefer to carry my own
+ flowers.&rdquo;
+ </p>
+ <p>
+ &ldquo;What an independent little lady you are!&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;It is quite necessary in our profession, I can assure you,&rdquo; she said,
+ with a tone of mischief in her voice. &ldquo;That reminds me that my profession
+ is evidently not looked upon with any favour by the visitors at the hotel.
+ I am heartbroken to think that I have not won the esteem of that lady in
+ the billycock hat. What will she say to you for coming out with me? And
+ what will she say of me for allowing you to come? I wonder whether she
+ will say, &lsquo;How unfeminine!&rsquo; I wish I could hear her!&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t suppose you care,&rdquo; he said. &ldquo;You seem to be a wild little bird.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t care what a person of that description says,&rdquo; replied his
+ companion.
+ </p>
+ <p>
+ &ldquo;What on earth made you contradict the major at dinner last night?&rdquo; he
+ asked. &ldquo;I was not at the table, but some one told me of the incident; and
+ I felt very sorry about it. What could you know of Miss Thyra Flowerdew?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, considering that she is in my profession, of course I know
+ something about her,&rdquo; said the little girl.
+ </p>
+ <p>
+ &ldquo;Confound it all!&rdquo; he said, rather rudely. &ldquo;Surely there is some
+ difference between the bellows-blower and the organist.&rdquo;
+ </p>
+ <p>
+ &ldquo;Absolutely none,&rdquo; she answered; &ldquo;merely a variation of the original
+ theme!&rdquo;
+ </p>
+ <p>
+ As she spoke she knocked at the door of the chalet, and asked the old dame
+ to give them some milk. They sat in the <i>Stube</i>, and the little girl
+ looked about, and admired the spinning-wheel and the quaint chairs and the
+ queer old jugs and the pictures on the walls.
+ </p>
+ <p>
+ &ldquo;Ah, but you shall see the other room,&rdquo; the old peasant woman said; and
+ she led them into a small apartment which was evidently intended for a
+ study. It bore evidences of unusual taste and care, and one could see that
+ some loving hand had been trying to make it a real sanctum of refinement.
+ There was even a small piano. A carved book-rack was fastened to the wall.
+ </p>
+ <p>
+ The old dame did not speak at first; she gave her guests time to recover
+ from the astonishment which she felt they must be experiencing; then she
+ pointed proudly to the piano.
+ </p>
+ <p>
+ &ldquo;I bought that for my daughters,&rdquo; she said, with a strange mixture of
+ sadness and triumph. &ldquo;I wanted to keep them at home with me, and I saved
+ and saved, and got enough money to buy the piano. They had always wanted
+ to have one, and I thought they would then stay with me. They liked music
+ and books, and I knew they would be glad to have a room of their own where
+ they might read and play and study; and so I gave them this corner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, mother,&rdquo; asked the little girl, &ldquo;and where are they this
+ afternoon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; she answered sadly, &ldquo;they did not care to stay; but it was natural
+ enough, and I was foolish to grieve. Besides, they come to see me.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then they play to you?&rdquo; asked the little girl, gently.
+ </p>
+ <p>
+ &ldquo;They say the piano is out of tune,&rdquo; the old dame said. &ldquo;I don&rsquo;t know.
+ Perhaps you can tell.&rdquo;
+ </p>
+ <p>
+ The little girl sat down to the piano, and struck a few chords.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said; &ldquo;it is badly out of tune. Give me the tuning-hammer. I am
+ sorry,&rdquo; she added, smiling at Oswald Everard, &ldquo;but I cannot neglect my
+ duty. Don&rsquo;t wait for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will wait for you,&rdquo; he said, sullenly; and he went into the balcony and
+ smoked his pipe, and tried to possess his soul in patience.
+ </p>
+ <p>
+ When she had faithfully done her work she played a few simple melodies,
+ such as she knew the old woman would love and understand; and she turned
+ away when she saw that the listener&rsquo;s eyes were moist.
+ </p>
+ <p>
+ &ldquo;Play once again,&rdquo; the old woman whispered. &ldquo;I am dreaming of beautiful
+ things.&rdquo;
+ </p>
+ <p>
+ So the little tuner touched the keys again with all the tenderness of an
+ angel.
+ </p>
+ <p>
+ &ldquo;Tell your daughters,&rdquo; she said, as she rose to say good-bye, &ldquo;that the
+ piano is now in good tune. Then they will play to you the next time they
+ come.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall always remember you, mademoiselle,&rdquo; the old woman said; and,
+ almost unconsciously, she took the childish face and kissed it.
+ </p>
+ <p>
+ Oswald Everard was waiting in the hay-field for his companion; and when
+ she apologised to him for this little professional intermezzo, as she
+ called it, he recovered from his sulkiness and readjusted his nerves,
+ which the noise of the tuning had somewhat disturbed.
+ </p>
+ <p>
+ &ldquo;It was very good of you to tune the old dame&rsquo;s piano,&rdquo; he said, looking
+ at her with renewed interest.
+ </p>
+ <p>
+ &ldquo;Some one had to do it, of course,&rdquo; she answered, brightly, &ldquo;and I am glad
+ the chance fell to me. What a comfort it is to think that the next time
+ those daughters come to see her they will play to her and make her very
+ happy! Poor old dear!&rdquo;
+ </p>
+ <p>
+ &ldquo;You puzzle me greatly,&rdquo; he said. &ldquo;I cannot for the life of me think what
+ made you choose your calling. You must have many gifts; any one who talks
+ with you must see that at once. And you play quite nicely, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am sorry that my profession sticks in your throat,&rdquo; she answered. &ldquo;Do
+ be thankful that I am nothing worse than a tuner. For I might be something
+ worse&mdash;a snob, for instance.&rdquo;
+ </p>
+ <p>
+ And, so speaking, she dashed after a butterfly, and left him to recover
+ from her words. He was conscious of having deserved a reproof; and when at
+ last he overtook her he said as much, and asked for her kind indulgence.
+ </p>
+ <p>
+ &ldquo;I forgive you,&rdquo; she said, laughing. &ldquo;You and I are not looking at things
+ from the same point of view; but we have had a splendid morning together,
+ and I have enjoyed every minute of it. And to-morrow I go on my way.&rdquo;
+ </p>
+ <p>
+ &ldquo;And to-morrow you go,&rdquo; he repeated. &ldquo;Can it not be the day after
+ to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a bird of passage,&rdquo; she said, shaking her head. &ldquo;You must not seek
+ to detain me. I have taken my rest, and off I go to other climes.&rdquo;
+ </p>
+ <p>
+ They had arrived at the hotel, and Oswald Everard saw no more of his
+ companion until the evening, when she came down rather late for <i>table
+ d&rsquo;hote</i>. She hurried over her dinner and went into the salon. She
+ closed the door, and sat down to the piano, and lingered there without
+ touching the keys; once or twice she raised her hands, and then she let
+ them rest on the notes, and, half unconsciously, they began to move and
+ make sweet music; and then they drifted into Schumann&rsquo;s &ldquo;Abendlied,&rdquo; and
+ then the little girl played some of his &ldquo;Kinderscenen,&rdquo; and some of his
+ &ldquo;Fantasie Stucke,&rdquo; and some of his songs.
+ </p>
+ <p>
+ Her touch and feeling were exquisite, and her phrasing betrayed the true
+ musician. The strains of music reached the dining-room, and, one by one,
+ the guests came creeping in, moved by the music and anxious to see the
+ musician.
+ </p>
+ <p>
+ The little girl did not look up; she was in a Schumann mood that evening,
+ and only the players of Schumann know what enthralling possession he takes
+ of their very spirit. All the passion and pathos and wildness and longing
+ had found an inspired interpreter; and those who listened to her were held
+ by the magic which was her own secret, and which had won for her such
+ honour as comes only to the few. She understood Schumann&rsquo;s music, and was
+ at her best with him.
+ </p>
+ <p>
+ Had she, perhaps, chosen to play his music this evening because she wished
+ to be at her best? Or was she merely being impelled by an overwhelming
+ force within her? Perhaps it was something of both.
+ </p>
+ <p>
+ Was she wishing to humiliate these people who had received her so coldly?
+ This little girl was only human; perhaps there was something of that
+ feeling too. Who can tell? But she played as she had never played in
+ London, or Paris, or Berlin, or New York, or Philadelphia.
+ </p>
+ <p>
+ At last she arrived at the &ldquo;Carnaval,&rdquo; and those who heard her declared
+ afterward that they had never listened to a more magnificent rendering.
+ The tenderness was so restrained; the vigour was so refined. When the last
+ notes of that spirited &ldquo;Marche des Davidsbundler contre les Philistins&rdquo;
+ had died away, she glanced at Oswald Everard, who was standing near her
+ almost dazed.
+ </p>
+ <p>
+ &ldquo;And now my favourite piece of all,&rdquo; she said; and she at once began the
+ &ldquo;Second Novelette,&rdquo; the finest of the eight, but seldom played in public.
+ </p>
+ <p>
+ What can one say of the wild rush of the leading theme, and the pathetic
+ longing of the intermezzo?
+ </p>
+<pre xml:space="preserve">
+ . . . The murmuring dying notes,
+ That fall as soft as snow on the sea;
+</pre>
+ <p>
+ and
+ </p>
+<pre xml:space="preserve">
+ The passionate strain that, deeply going,
+ Refines the bosom it trembles through.
+</pre>
+ <p>
+ What can one say of those vague aspirations and finest thoughts which
+ possess the very dullest among us when such music as that which the little
+ girl had chosen catches us and keeps us, if only for a passing moment, but
+ that moment of the rarest worth and loveliness in our unlovely lives?
+ </p>
+ <p>
+ What can one say of the highest music except that, like death, it is the
+ great leveller: it gathers us all to its tender keeping&mdash;and we rest.
+ </p>
+ <p>
+ The little girl ceased playing. There was not a sound to be heard; the
+ magic was still holding her listeners. When at last they had freed
+ themselves with a sigh, they pressed forward to greet her.
+ </p>
+ <p>
+ &ldquo;There is only one person who can play like that,&rdquo; cried the major, with
+ sudden inspiration&mdash;&ldquo;she is Miss Thyra Flowerdew.&rdquo;
+ </p>
+ <p>
+ The little girl smiled.
+ </p>
+ <p>
+ &ldquo;That is my name,&rdquo; she said, simply; and she slipped out of the room.
+ </p>
+ <p>
+ The next morning, at an early hour, the bird of passage took her flight
+ onward, but she was not destined to go off unobserved. Oswald Everard saw
+ the little figure swinging along the road, and she overtook her.
+ </p>
+ <p>
+ &ldquo;You little wild bird!&rdquo; he said. &ldquo;And so this was your great idea&mdash;to
+ have your fun out of us all, and then play to us and make us feel I don&rsquo;t
+ know how, and then to go.&rdquo;
+ </p>
+ <p>
+ &ldquo;You said the company wanted stirring up,&rdquo; she answered, &ldquo;and I rather
+ fancy I have stirred them up.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what do you suppose you have done for me?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I hope I have proved to you that the bellows-blower and the organist are
+ sometimes identical,&rdquo; she answered.
+ </p>
+ <p>
+ But he shook his head.
+ </p>
+ <p>
+ &ldquo;Little wild bird,&rdquo; he said, &ldquo;you have given me a great idea, and I will
+ tell you what it is: <i>to tame you</i>. So good-bye for the present.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-bye,&rdquo; she said. &ldquo;But wild birds are not so easily tamed.&rdquo;
+ </p>
+ <p>
+ Then she waved her hand over her head, and went on her way singing.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ KOOSJE: A STUDY OF DUTCH LIFE, by John Strange Winter
+ </h2>
+ <p>
+ Her name was Koosje van Kampen, and she lived in Utrecht, that most quaint
+ of quaint cities, the Venice of the North.
+ </p>
+ <p>
+ All her life had been passed under the shadow of the grand old Dom Kerk;
+ she had played bo-peep behind the columns and arcades of the ruined,
+ moss-grown cloisters; had slipped up and fallen down the steps leading to
+ the <i>grachts</i>; had once or twice, in this very early life, been
+ fished out of those same slimy, stagnant waters; had wandered under the
+ great lindens in the Baan, and gazed curiously up at the stork&rsquo;s nest in
+ the tree by the Veterinary School; had pattered about the hollow-sounding
+ streets in her noisy wooden <i>klompen</i>; had danced and laughed, had
+ quarrelled and wept, and fought and made friends again, to the tune of the
+ silver chimes high up in the Dom&mdash;chimes that were sometimes old <i>Nederlandsche</i>
+ hymns, sometimes Mendelssohn&rsquo;s melodies and tender &ldquo;Lieder ohne Worte.&rdquo;
+ </p>
+ <p>
+ But that was ever so long ago, and now she had left her romping childhood
+ behind her, and had become a maid-servant&mdash;a very dignified and
+ aristocratic maid-servant indeed&mdash;with no less a sum than eight
+ pounds ten a year in wages.
+ </p>
+ <p>
+ She lived in the house of a professor, who dwelt on the Munster Kerkhoff,
+ one of the most aristocratic parts of that wonderfully aristocratic city;
+ and once or twice every week you might have seen her, if you had been
+ there to see, busily engaged in washing the red tile and blue slate
+ pathway in front of the professor&rsquo;s house. You would have seen that she
+ was very pleasant to look at, this Koosje, very comely and clean, whether
+ she happened to be very busy, or whether it had been Sunday, and, with her
+ very best gown on, she was out for a promenade in the Baan, after duly
+ going to service as regularly as the Sabbath dawned in the grand old
+ Gothic choir of the cathedral.
+ </p>
+ <p>
+ During the week she wore always the same costume as does every other
+ servant in the country: a skirt of black stuff, short enough to show a
+ pair of very neat-set and well-turned ankles, clad in cloth shoes and
+ knitted stockings that showed no wrinkles; over the skirt a bodice and a
+ kirtle of lilac, made with a neatly gathered frilling about her round
+ brown throat; above the frilling five or six rows of unpolished garnet
+ beads fastened by a massive clasp of gold filigree, and on her head a
+ spotless white cap tied with a neat bow under her chin&mdash;as neat, let
+ me tell you, as an Englishman&rsquo;s tie at a party.
+ </p>
+ <p>
+ But it was on Sunday that Koosje shone forth in all the glory of a black
+ gown and her jewellery&mdash;with great ear-rings to match the clasp of
+ her necklace, and a heavy chain and cross to match that again, and one or
+ two rings; while on her head she wore an immense cap, much too big to put
+ a bonnet over, though for walking she was most particular to have gloves.
+ </p>
+ <p>
+ Then, indeed, she was a young person to be treated with respect, and with
+ respect she was undoubtedly treated. As she passed along the quaint,
+ resounding streets, many a head was turned to look after her; but Koosje
+ went on her way like the staid maiden she was, duly impressed with the
+ fact that she was principal servant of Professor van Dijck, the most
+ celebrated authority on the study of osteology in Europe. So Koosje never
+ heeded the looks, turned her head neither to the right nor to the left,
+ but went sedately on her business or pleasure, whichever it happened to
+ be.
+ </p>
+ <p>
+ It was not likely that such a treasure could remain long unnoticed and
+ unsought after. Servants in the Netherlands, I hear, are not so good but
+ that they might be better; and most people knew what a treasure Professor
+ van Dijck had in his Koosje. However, as the professor conscientiously
+ raised her wages from time to time, Koosje never thought of leaving him.
+ </p>
+ <p>
+ But there is one bribe no woman can resist&mdash;the bribe that is offered
+ by love. As Professor van Dijck had expected and feared, that bribe ere
+ long was held out to Koosje, and Koosje was too weak to resist it. Not
+ that he wished her to do so. If the girl had a chance of settling well and
+ happily for life, he would be the last to dream of throwing any obstacle
+ in her way. He had come to be an old man himself; he lived all alone, save
+ for his servants, in a great, rambling house, whose huge apartments were
+ all set out with horrible anatomical preparations and grisly skeletons;
+ and, though the stately passages were paved with white marble, and led
+ into rooms which would easily have accommodated crowds of guests, he went
+ into no society save that of savants as old and fossil-like as himself; in
+ other words, he was an old bachelor who lived entirely for his profession
+ and the study of the great masters by the interpretation of a genuine old
+ Stradivari. Yet the old professor had a memory; he recalled the time when
+ he had been young who now was old&mdash;the time when his heart was a good
+ deal more tender, his blood a great deal warmer, and his fancy very much
+ more easily stirred than nowadays. There was a dead-and-gone romance which
+ had broken his heart, sentimentally speaking&mdash;a romance long since
+ crumbled into dust, which had sent him for comfort into the study of
+ osteology and the music of the Stradivari; yet the memory thereof made him
+ considerably more lenient to Koosje&rsquo;s weakness than Koosje herself had
+ ever expected to find him.
+ </p>
+ <p>
+ Not that she had intended to tell him at first; she was only three and
+ twenty, and, though Jan van der Welde was as fine a fellow as could be
+ seen in Utrecht, and had good wages and something put by, Koosje was by no
+ means inclined to rush headlong into matrimony with undue hurry. It was
+ more pleasant to live in the professor&rsquo;s good house, to have delightful
+ walks arm in arm with Jan under the trees in the Baan or round the
+ Singels, parting under the stars with many a lingering word and promise to
+ meet again. It was during one of those very partings that the professor
+ suddenly became aware, as he walked placidly home, of the change that had
+ come into Koosje&rsquo;s life.
+ </p>
+ <p>
+ However, Koosje told him blushingly that she did not wish to leave him
+ just at present; so he did not trouble himself about the matter. He was a
+ wise man, this old authority on osteology, and quoted oftentimes,
+ &ldquo;Sufficient unto the day is the evil thereof.&rdquo;
+ </p>
+ <p>
+ So the courtship sped smoothly on, seeming for once to contradict the
+ truth of the old saying, &ldquo;The course of true love never did run smooth.&rdquo;
+ The course of their love did, of a truth, run marvellously smooth indeed.
+ Koosje, if a trifle coy, was pleasant and sweet; Jan as fine a fellow as
+ ever waited round a corner on a cold winter night. So brightly the happy
+ days slipped by, when suddenly a change was effected in the professor&rsquo;s
+ household which made, as a matter of course, somewhat of a change in
+ Koosje&rsquo;s life. It came about in this wise.
+ </p>
+ <p>
+ Koosje had been on an errand for the professor,&mdash;one that had kept
+ her out of doors some time,&mdash;and it happened that the night was
+ bitterly cold; the cold, indeed, was fearful. The air had that damp
+ rawness so noticeable in Dutch climate, a thick mist overhung the city,
+ and a drizzling rain came down with a steady persistence such as quickly
+ soaked through the stoutest and thickest garments. The streets were
+ well-nigh empty. The great thoroughfare, the Oude Gracht, was almost
+ deserted, and as Koosje hurried along the Meinerbroederstraat&mdash;for
+ she had a second commission there&mdash;she drew her great shawl more
+ tightly round her, muttering crossly, &ldquo;What weather! yesterday so warm,
+ to-day so cold. &lsquo;Tis enough to give one the fever.&rdquo;
+ </p>
+ <p>
+ She delivered her message, and ran on through Oude Kerkhoff as fast as her
+ feet could carry her, when, just as she turned the corner into the
+ Domplein, a fierce gust of wind, accompanied by a blinding shower of rain,
+ assailed her; her foot caught against something soft and heavy, and she
+ fell.
+ </p>
+ <p>
+ &ldquo;Bless us!&rdquo; she ejaculated, blankly. &ldquo;What fool has left a bundle out on
+ the path on such a night? Pitch dark, with half the lamps out, and rain
+ and mist enough to blind one.&rdquo;
+ </p>
+ <p>
+ She gathered herself up, rubbing elbows and knees vigorously, casting the
+ while dark glances at the obnoxious bundle which had caused the disaster.
+ Just then the wind was lulled, the lamp close at hand gave out a steady
+ light, which shed its rays through the fog upon Koosje and the bundle,
+ from which, to the girl&rsquo;s horror and dismay, came a faint moan. Quickly
+ she drew nearer, when she perceived that what she had believed to be a
+ bundle was indeed a woman, apparently in the last stage of exhaustion.
+ </p>
+ <p>
+ Koosje tried to lift her; but the dead-weight was beyond her, young and
+ strong as she was. Then the rain and the wind came on again in fiercer
+ gusts than before; the woman&rsquo;s moans grew louder and louder, and what to
+ do Koosje knew not.
+ </p>
+ <p>
+ She struggled on for the few steps that lay between her and the
+ professor&rsquo;s house, and then she rang a peal which resounded through the
+ echoing passages, bringing Dortje, the other maid, running out; after the
+ manner of her class, imagining all sorts of terrible catastrophes had
+ happened. She uttered a cry of relief when she perceived it was only
+ Koosje, who, without vouchsafing any explanation, dashed past her and ran
+ straight into the professor&rsquo;s room.
+ </p>
+ <p>
+ &ldquo;O professor!&rdquo; she gasped out; but, between her efforts to remove the
+ woman, her struggle with the elements, and her race down the passage, her
+ breath was utterly gone.
+ </p>
+ <p>
+ The professor looked up from his book and his tea-tray in surprise. For a
+ moment he thought that Koosje, his domestic treasure, had altogether taken
+ leave of her senses; for she was streaming with water, covered with mud,
+ and head and cap were in a state of disorder, such as neither he nor any
+ one else had ever seen them in since the last time she had been fished out
+ of the Nieuwe Gracht.
+ </p>
+ <p>
+ &ldquo;What is the matter, Koosje?&rdquo; he asked, regarding her gravely over his
+ spectacles.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s a woman outside&mdash;dying,&rdquo; she panted, &ldquo;I fell over her.&rdquo;
+ </p>
+ <p>
+ &ldquo;You had better try to get her in then,&rdquo; the old gentleman said, in quite
+ a relieved tone. &ldquo;You and Dortje must bring her in. Dear, dear, poor soul!
+ but it is a dreadful night.&rdquo;
+ </p>
+ <p>
+ The old gentleman shivered as he spoke, and drew a little nearer to the
+ tall white porcelain stove.
+ </p>
+ <p>
+ It was, as he had said a minute before, a terrible night. He could hear
+ the wind beating about the house and rattling about the casements and
+ moaning down the chimneys; and to think any poor soul should be out on
+ such a night, <i>dying</i>! Heaven preserve others who might be belated or
+ houseless in any part of the world!
+ </p>
+ <p>
+ He fell into a fit of abstraction,&mdash;a habit not uncommon with learned
+ men,&mdash;wondering why life should be so different with different
+ people; why he should be in that warm, handsome room, with its soft rich
+ hangings and carpet, with its beautiful furniture of carved wood, its
+ pictures, and the rare china scattered here and there among the grim array
+ of skeletons which were his delight. He wondered why he should take his
+ tea out of costly and valuable Oriental china, sugar and cream out of
+ antique silver, while other poor souls had no tea at all, and nothing to
+ take it out of even if they had. He wondered why he should have a lamp
+ under his teapot that was a very marvel of art transparencies; why he
+ should have every luxury, and this poor creature should be dying in the
+ street amid the wind and the rain. It was all very unequal.
+ </p>
+ <p>
+ It was very odd, the professor argued, leaning his back against the tall,
+ warm stove; it was very odd indeed. He began to feel that, grand as the
+ study of osteology undoubtedly is, he ought not to permit it to become so
+ engrossing as to blind him to the study of the greater philosophies of
+ life. His reverie was, however, broken by the abrupt reentrance of Koosje,
+ who this time was a trifle less breathless than she had been before.
+ </p>
+ <p>
+ &ldquo;We have got her into the kitchen, professor,&rdquo; she announced. &ldquo;She is a
+ child&mdash;a mere baby, and so pretty! She has opened her eyes and
+ spoken.&rdquo;
+ </p>
+ <p>
+ &ldquo;Give her some soup and wine&mdash;hot,&rdquo; said the professor, without
+ stirring.
+ </p>
+ <p>
+ &ldquo;But won&rsquo;t you come?&rdquo; she asked.
+ </p>
+ <p>
+ The professor hesitated; he hated attending in cases of illness, though he
+ was a properly qualified doctor and in an emergency would lay his
+ prejudice aside.
+ </p>
+ <p>
+ &ldquo;Or shall I run across for the good Dr. Smit?&rdquo; Koosje asked. &ldquo;He would
+ come in a minute, only it is <i>such</i> a night!&rdquo;
+ </p>
+ <p>
+ At that moment a fiercer gust than before rattled at the casements, and
+ the professor laid aside his scruples.
+ </p>
+ <p>
+ He followed his housekeeper down the chilly, marble-flagged passage into
+ the kitchen, where he never went for months together&mdash;a cosey enough,
+ pleasant place, with a deep valance hanging from the mantel-shelf, with
+ many great copper pans, bright and shining as new gold, and furniture all
+ scrubbed to the whiteness of snow.
+ </p>
+ <p>
+ In an arm-chair before the opened stove sat the rescued girl&mdash;a
+ slight, golden-haired thing, with wistful blue eyes and a frightened air.
+ Every moment she caught her breath in a half-hysterical sob, while violent
+ shivers shook her from head to foot.
+ </p>
+ <p>
+ The professor went and looked at her over his spectacles, as if she had
+ been some curious specimen of his favourite study; but at the same time he
+ kept at a respectful distance from her.
+ </p>
+ <p>
+ &ldquo;Give her some soup and wine,&rdquo; he said, at length, putting his hands under
+ the tails of his long dressing-gown of flowered cashmere. &ldquo;Some soup and
+ wine&mdash;hot; and put her to bed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is she then to remain for the night?&rdquo; Koosje asked, a little surprised.
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t send me away!&rdquo; the golden-haired girl broke out, in a voice
+ that was positively a wail, and clasping a pair of pretty, slender hands
+ in piteous supplication.
+ </p>
+ <p>
+ &ldquo;Where do you come from?&rdquo; the old gentleman asked, much as if he expected
+ she might suddenly jump up and bite him.
+ </p>
+ <p>
+ &ldquo;From Beijerland, mynheer,&rdquo; she answered, with a sob.
+ </p>
+ <p>
+ &ldquo;So! Koosje, she is remarkably well dressed, is she not?&rdquo; the professor
+ said, glancing at the costly lace head-gear, the heavy gold head-piece,
+ which lay on the table together with the great gold spiral ornaments and
+ filigree pendants&mdash;a dazzling head of richness. He looked, too, at
+ the girl&rsquo;s white hands, at the rich, crape-laden gown, at their delicate
+ beauty, and shower of waving golden hair, which, released from the
+ confinement of the cap and head-piece, floated in a rich mass of
+ glittering beauty over the pillows which his servant had placed beneath
+ her head.
+ </p>
+ <p>
+ The professor was old; the professor was wholly given up to his
+ profession, which he jokingly called his sweetheart; and, though he cut
+ half of his acquaintances in the street through inattention and the
+ shortness of his sight, he had eyes in his head, and upon occasions could
+ use them. He therefore repeated the question.
+ </p>
+ <p>
+ &ldquo;Very well dressed indeed, professor,&rdquo; returned Koosje, promptly.
+ </p>
+ <p>
+ &ldquo;And what are you doing in Utrecht&mdash;in such a plight as this, too?&rdquo;
+ he asked, still keeping at a safe distance.
+ </p>
+ <p>
+ &ldquo;O mynheer, I am all alone in the world,&rdquo; she answered, her blue misty
+ eyes filled with tears. &ldquo;I had a month ago a dear, good, kind father, but
+ he has died, and I am indeed desolate. I always believed him rich, and to
+ these things,&rdquo; with a gesture that included her dress and the ornaments on
+ the table, &ldquo;I have ever been accustomed. Thus I ordered without
+ consideration such clothes as I thought needful. And then I found there
+ was nothing for me&mdash;not a hundred guilders to call my own when all
+ was paid.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what brought you to Utrecht?&rdquo;
+ </p>
+ <p>
+ &ldquo;He sent me here, mynheer. In his last illness, only of three days&rsquo;
+ duration, he bade me gather all together and come to this city, where I
+ was to ask for a Mevrouw Baake, his cousin.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mevrouw Baake, of the Sigaren Fabrijk,&rdquo; said Dortje, in an aside, to the
+ others. &ldquo;I lived servant with her before I came here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I had heard very little about her, only my father had sometimes mentioned
+ his cousin to me; they had once been betrothed,&rdquo; the stranger continued.
+ &ldquo;But when I reached Utrecht I found she was dead&mdash;two years dead; but
+ we had never heard of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear, dear, dear!&rdquo; exclaimed the professor, pityingly. &ldquo;Well, you had
+ better let Koosje put you to bed, and we will see what can be done for you
+ in the morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;Am I to make up a bed?&rdquo; Koosje asked, following him along the passage.
+ </p>
+ <p>
+ The professor wheeled round and faced her.
+ </p>
+ <p>
+ &ldquo;She had better sleep in the guest room,&rdquo; he said, thoughtfully,
+ regardless of the cold which struck to his slippered feet from the marble
+ floor. &ldquo;That is the only room which does not contain specimens that would
+ probably frighten the poor child. I am very much afraid, Koosje,&rdquo; he
+ concluded, doubtfully, &ldquo;that she is a lady; and what we are to do with a
+ lady I can&rsquo;t think.&rdquo;
+ </p>
+ <p>
+ With that the old gentleman shuffled off to his cosey room, and Koosje
+ turned back to her kitchen.
+ </p>
+ <p>
+ &ldquo;He&rsquo;ll never think of marrying her,&rdquo; mused Koosje, rather blankly. If she
+ had spoken the thoughts to the professor himself, she would have received
+ a very emphatic assurance that, much as the study of osteology and the
+ Stradivari had blinded him to the affairs of this workaday world, he was
+ not yet so thoroughly foolish as to join his fossilised wisdom to the
+ ignorance of a child of sixteen or seventeen.
+ </p>
+ <p>
+ However, on the morrow matters assumed a somewhat different aspect.
+ Gertrude van Floote proved to be not exactly a gentlewoman. It is true
+ that her father had been a well-to-do man for his station in life, and had
+ very much spoiled and indulged his one motherless child. Yet her education
+ was so slight that she could do little more than read and write, besides
+ speaking a little English, which she had picked up from the yachtsmen
+ frequenting her native town. The professor found she had been but a
+ distant relative of the Mevrouw Baake, to seek whom she had come to
+ Utrecht, and that she had no kinsfolk upon whom she could depend&mdash;a
+ fact which accounted for the profusion of her jewellery, all her golden
+ trinkets having descended to her as heirlooms.
+ </p>
+ <p>
+ &ldquo;I can be your servant, mynheer,&rdquo; she suggested. &ldquo;Indeed, I am a very
+ useful girl, as you will find if you will but try me.&rdquo;
+ </p>
+ <p>
+ Now, as a rule, the professor vigorously set his face against admitting
+ young servants into his house. They broke his china, they disarranged his
+ bones, they meddled with his papers, and made general havoc. So, in truth,
+ he was not very willing to have Gertrude van Floote as a permanent member
+ of his household, and he said so.
+ </p>
+ <p>
+ But Koosje had taken a fancy to the girl; and having an eye to her own
+ departure at no very distant date,&mdash;for she had been betrothed more
+ than two years,&mdash;she pleaded so hard to keep her, promising to train
+ her in all the professor&rsquo;s ways, to teach her the value of old china and
+ osteologic specimens, that eventually, with a good deal of grumbling, the
+ old gentleman gave way, and, being a wise as well as an old gentleman,
+ went back to his studies, dismissing Koosje and the girl alike from his
+ thoughts.
+ </p>
+ <p>
+ Just at first Truide, poor child, was charmed.
+ </p>
+ <p>
+ She put away her splendid ornaments, and some lilac frocks and black
+ skirts were purchased for her. Her box, which she had left at the station,
+ supplied all that was necessary for Sunday.
+ </p>
+ <p>
+ It was great fun! For a whole week this young person danced about the
+ rambling old house, playing at being a servant. Then she began to grow a
+ little weary of it all. She had been accustomed, of course, to performing
+ such offices as all Dutch ladies fulfil&mdash;the care of china, of linen,
+ the dusting of rooms, and the like; but she had done them as a mistress,
+ not as an underling. And that was not the worst; it was when it came to
+ her pretty feet having to be thrust into klompen, and her having to take a
+ pail and syringe and mop and clean the windows and the pathway and the
+ front of the house, that the game of maid-servant began to assume a very
+ different aspect. When, after having been as free as air to come and go as
+ she chose, she was only permitted to attend service on Sundays, and to
+ take an hour&rsquo;s promenade with Dortje, who was dull and heavy and stupid,
+ she began to feel positively desperate; and the result of it all was that
+ when Jan van der Welde came, as he was accustomed to do nearly every
+ evening, to see Koosje, Miss Truide, from sheer longing for excitement and
+ change, began to make eyes at him, with what effect I will endeavour to
+ show.
+ </p>
+ <p>
+ Just at first Koosje noticed nothing. She herself was of so faithful a
+ nature that an idea, a suspicion, of Jan&rsquo;s faithlessness never entered her
+ mind. When the girl laughed and blushed and dimpled and smiled, when she
+ cast her great blue eyes at the big young fellow, Koosje only thought how
+ pretty she was, and it was just a thousand pities she had not been born a
+ great lady.
+ </p>
+ <p>
+ And thus weeks slipped over. Never very demonstrative herself, Koosje saw
+ nothing, Dortje, for her part, saw a great deal; but Dortje was a woman of
+ few words, one who quite believed in the saying, &ldquo;If speech is silver,
+ silence is gold;&rdquo; so she held her peace.
+ </p>
+ <p>
+ Now Truide, rendered fairly frantic by her enforced confinement to the
+ house, grew to look upon Jan as her only chance of excitement and
+ distraction; and Jan, poor, thick-headed noodle of six feet high, was
+ thoroughly wretched. What to do he knew not. A strange, mad, fierce
+ passion for Truide had taken possession of him, and an utter distaste,
+ almost dislike, had come in place of the old love for Koosje. Truide was
+ unlike anything he had ever come in contact with before; she was so
+ fairy-like, so light, so delicate, so dainty. Against Koosje&rsquo;s plumper,
+ maturer charms, she appeared to the infatuated young man like&mdash;if he
+ had ever heard of it he would probably have said like a Dresden china
+ image; but since he had not, he compared her in his own foolish heart to
+ an angel. Her feet were so tiny, her hands so soft, her eyes so
+ expressive, her waist so slim, her manner so bewitching! Somehow Koosje
+ was altogether different; he could not endure the touch of her heavy hand,
+ the tones of her less refined voice; he grew impatient at the denser
+ perceptions of her mind. It was very foolish, very short-sighted; for the
+ hands, though heavy, were clever and willing; the voice, though a trifle
+ coarser in accent than Truide&rsquo;s childish tones, would never tell him a
+ lie; the perceptions, though not brilliant, were the perceptions of good,
+ every-day common sense. It really was very foolish, for what charmed him
+ most in Truide was the merest outside polish, a certain ease of manner
+ which doubtless she had caught from the English aristocrats whom she had
+ known in her native place. She had not half the sterling good qualities
+ and steadfastness of Koosje; but Jan was in love, and did not stop to
+ argue the matter as you or I are able to do. Men in love&mdash;very wise
+ and great men, too&mdash;are often like Jan van der Welde. They lay aside
+ pro tem. the whole amount, be it great or small, of wisdom they possess.
+ And it must be remembered that Jan van der Welde was neither a wise nor a
+ great man.
+ </p>
+ <p>
+ Well, in the end there came what the French call <i>un denouement</i>,&mdash;what
+ we in forcible modern English would call a <i>smash</i>,&mdash;and it
+ happened thus. It was one evening toward the summer that Koosje&rsquo;s eyes
+ were suddenly opened, and she became aware of the free-and-easy
+ familiarity of Truide&rsquo;s manner toward her betrothed lover, Jan. It was
+ some very slight and trivial thing that led her to notice it, but in an
+ instant the whole truth flashed across her mind.
+ </p>
+ <p>
+ &ldquo;Leave the kitchen!&rdquo; she said, in a tone of authority.
+ </p>
+ <p>
+ But it happened that, at the very instant she spoke, Jan was furtively
+ holding Truide&rsquo;s fingers under the cover of the table-cloth; and when, on
+ hearing the sharp words, the girl would have snatched them away, he, with
+ true masculine instinct of opposition, held them fast.
+ </p>
+ <p>
+ &ldquo;What do you mean by speaking to her like that?&rdquo; he demanded, an angry
+ flush overspreading his dark face.
+ </p>
+ <p>
+ &ldquo;What is the maid to you?&rdquo; Koosje asked, indignantly.
+ </p>
+ <p>
+ &ldquo;Maybe more than you are,&rdquo; he retorted; in answer to which Koosje
+ deliberately marched out of the kitchen, leaving them alone.
+ </p>
+ <p>
+ To say she was indignant would be but very mildly to express the state of
+ her feelings; she was <i>furious</i>. She knew that the end of her romance
+ had come. No thoughts of making friends with Jan entered her mind; only a
+ great storm filled her heart till it was ready to burst with pain and
+ anguish.
+ </p>
+ <p>
+ As she went along the passage the professor&rsquo;s bell sounded, and Koosje,
+ being close to the door, went abruptly in. The professor looked up in mild
+ astonishment, quickly enough changed to dismay as he caught sight of his
+ valued Koosje&rsquo;s face, from out of which anger seemed in a moment to have
+ thrust all the bright, comely beauty.
+ </p>
+ <p>
+ &ldquo;How now, my good Koosje?&rdquo; said the old gentleman. &ldquo;Is aught amiss?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, professor, there is,&rdquo; returned Koosje, all in a blaze of anger, and
+ moving, as she spoke, the tea-tray, which she set down upon the oaken
+ buffet with a bang, which made its fair and delicate freight fairly jingle
+ again.
+ </p>
+ <p>
+ &ldquo;But you needn&rsquo;t break my china, Koosje,&rdquo; suggested the old gentleman,
+ mildly, rising from his chair and getting into his favourite attitude
+ before the stove.
+ </p>
+ <p>
+ &ldquo;You are quite right, professor,&rdquo; returned Koosje, curtly; she was
+ sensible even in her trouble.
+ </p>
+ <p>
+ &ldquo;And what is the trouble?&rdquo; he asked, gently.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s just this, professor,&rdquo; cried Koosje, setting her arms akimbo and
+ speaking in a high-pitched, shrill voice; &ldquo;you and I have been warming a
+ viper in our bosoms, and, viper-like, she has turned round and bitten me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it Truide?&rdquo;
+ </p>
+ <p>
+ &ldquo;Truide,&rdquo; she affirmed, disdainfully. &ldquo;Yes, it is Truide, who but for me
+ would be dead now of hunger and cold&mdash;or <i>worse</i>. And she has
+ been making love to that great fool, Jan van der Welde,&mdash;great oaf
+ that he is,&mdash;after all I have done for her; after my dragging her in
+ out of the cold and rain; after all I have taught her. Ah, professor, but
+ it is a vile, venomous viper that we have been warming in our bosoms!&rdquo;
+ </p>
+ <p>
+ &ldquo;I must beg, Koosje,&rdquo; said the old gentleman, sedately, &ldquo;that you will
+ exonerate me from any such proceeding. If you remember rightly, I was
+ altogether against your plan for keeping her in the house.&rdquo; He could not
+ resist giving her that little dig, kind of heart as he was.
+ </p>
+ <p>
+ &ldquo;Serves me right for being so soft-hearted!&rdquo; thundered Koosje. &ldquo;I&rsquo;ll be
+ wiser next time I fall over a bundle, and leave it where I find it.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, Koosje; don&rsquo;t say that,&rdquo; the old gentleman remonstrated, gently.
+ &ldquo;After all, it may be but a blessing in disguise. God sends all our trials
+ for some good and wise purpose. Our heaviest afflictions are often, nay,
+ most times, Koosje, means to some great end which, while the cloud of
+ adversity hangs over us, we are unable to discern.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; sniffed Koosje, scornfully.
+ </p>
+ <p>
+ &ldquo;This oaf&mdash;as I must say you justly term him, for you are a good
+ clever woman, Koosje, as I can testify after the experience of years&mdash;has
+ proved that he can be false; he has shown that he can throw away substance
+ for shadow (for, of a truth, that poor, pretty child would make a sad wife
+ for a poor man); yet it is better you should know it now than at some
+ future date, when&mdash;when there might be other ties to make the
+ knowledge more bitter to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that is true,&rdquo; said Koosje, passing the back of her hand across her
+ trembling lips. She could not shed tears over her trouble; her eyes were
+ dry and burning, as if anger had scorched the blessed drops up ere they
+ should fall. She went on washing up the cups and saucers, or at least <i>the</i>
+ cup and saucer, and other articles the professor had used for his tea; and
+ after a few minutes&rsquo; silence he spoke again.
+ </p>
+ <p>
+ &ldquo;What are you going to do? Punish her, or turn her out, or what?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall let him&mdash;<i>marry</i> her,&rdquo; replied Koosje, with a
+ portentous nod.
+ </p>
+ <p>
+ The old gentleman couldn&rsquo;t help laughing. &ldquo;You think he will pay off your
+ old scores?&rdquo;
+ </p>
+ <p>
+ &ldquo;Before long,&rdquo; answered Koosje, grimly, &ldquo;she will find him out&mdash;as I
+ have done.&rdquo;
+ </p>
+ <p>
+ Then, having finished washing the tea-things, which the professor had
+ shuddered to behold in her angry hands, she whirled herself out of the
+ room and left him alone.
+ </p>
+ <p>
+ &ldquo;Oh, these women&mdash;these women!&rdquo; he cried, in confidence, to the
+ pictures and skeletons. &ldquo;What a worry they are! An old bachelor has the
+ best of it in the main, I do believe. But oh, Jan van der Welde, what a
+ donkey you must be to get yourself mixed up in such a broil! and yet&mdash;ah!&rdquo;
+ </p>
+ <p>
+ The fossilised old gentleman broke off with a sigh as he recalled the
+ memory of a certain dead-and-gone romance which had happened&mdash;goodness
+ only knows how many years before&mdash;when he, like Jan van der Welde,
+ would have thrown the world away for a glance of a certain pair of blue
+ eyes, at the bidding of a certain English tongue, whose broken <i>Nederlandsche
+ taal</i> was to him the sweetest music ever heard on earth&mdash;sweeter
+ even than the strains of the Stradivari when from under his skilful
+ fingers rose the perfect melodies of old masters. Ay, but the sweet eyes
+ had been closed in death many a long, long, year, the sweet voice hushed
+ in silence. He had watched the dear life ebb away, the fire in the blue
+ eyes fade out. He had felt each day that the clasp of the little greeting
+ fingers was less close; each day he had seen the outline of the face grow
+ sharper; and at last there had come one when the poor little English-woman
+ met him with the gaze of one who knew him not, and babbled, not of green
+ fields, but of horses and dogs, and of a brother Jack, who, five years
+ before, had gone down with her Majesty&rsquo;s ship <i>Alligator</i> in
+ mid-Atlantic.
+ </p>
+ <p>
+ Ay, but that was many and many a year agone. His young, blue-eyed love
+ stood out alone in life&rsquo;s history, a thing apart. Of the gentler sex, in a
+ general way, the old professor had not seen that which had raised it in
+ his estimation to the level of the one woman over whose memory hung a
+ bright halo of romance.
+ </p>
+ <p>
+ Fifteen years had passed away; the old professor of osteology had passed
+ away with them; and in the large house on the Domplein lived a baron, with
+ half a dozen noisy, happy, healthy children,&mdash;young <i>fraulas</i>
+ and <i>jonkheers</i>,&mdash;who scampered up and down the marble passages,
+ and fell headlong down the steep, narrow, unlighted stairways, to the
+ imminent danger of dislocating their aristocratic little necks. There was
+ a new race of neat maids, clad in the same neat livery of lilac and black,
+ who scoured and cleaned, just as Koosje and Dortje had done in the old
+ professor&rsquo;s day. You might, indeed, have heard the selfsame names
+ resounding through the echoing rooms: &ldquo;Koos-je! Dort-je!&rdquo;
+ </p>
+ <p>
+ But the Koosje and Dortje were not the same. What had become of Dortje I
+ cannot say; but on the left-hand side of the busy, bustling, picturesque
+ Oude Gracht there was a handsome shop filled with all manner of cakes,
+ sweeties, confections, and liquors&mdash;from absinthe to Benedictine, or
+ arrack to chartreuse. In that shop was a handsome, prosperous, middle-aged
+ woman, well dressed and well mannered, no longer Professor van Dijck&rsquo;s
+ Koosje, but the Jevrouw van Kampen.
+ </p>
+ <p>
+ Yes; Koosje had come to be a prosperous tradeswoman of good position,
+ respected by all. But she was Koosje van Kampen still; the romance which
+ had come to so disastrous and abrupt an end had sufficed for her life.
+ Many an offer had been made to her, it is true; but she had always
+ declared that she had had enough of lovers&mdash;she had found out their
+ real value.
+ </p>
+ <p>
+ I must tell you that at the time of Jan&rsquo;s infidelity, after the first
+ flush of rage was over, Koosje disdained to show any sign of grief or
+ regret. She was very proud, this Netherland servant-maid, far too proud to
+ let those by whom she was surrounded imagine she was wearing the willow
+ for the faithless Jan; and when Dortje, on the day of the wedding,
+ remarked that for her part she had always considered Koosje remarkably
+ cool on the subject of matrimony, Koosje with a careless out-turning of
+ her hands, palms uppermost, answered that she was right.
+ </p>
+ <p>
+ Very soon after their marriage Jan and his young wife left Utrecht for
+ Arnheim, where Jan had promise of higher wages; and thus they passed, as
+ Koosje thought, completely out of her life.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t wish to hear anything more about them, if&mdash;you&mdash;please,&rdquo;
+ she said, severely and emphatically, to Dortje.
+ </p>
+ <p>
+ But not so. In time the professor died, leaving Koosje the large legacy
+ with which she set up the handsome shop in the Oude Gracht; and several
+ years passed on.
+ </p>
+ <p>
+ It happened one day that Koosje was sitting in her shop sewing. In the
+ large inner room a party of ladies and officers were eating cakes and
+ drinking chocolates and liquors with a good deal of fun and laughter, when
+ the door opened timidly, thereby letting in a gust of bitter wind, and a
+ woman crept fearfully in, followed by two small, crying children.
+ </p>
+ <p>
+ Could the lady give her something to eat? she asked; they had had nothing
+ during the day, and the little ones were almost famished.
+ </p>
+ <p>
+ Koosje, who was very charitable, lifted a tray of large, plain buns, and
+ was about to give her some, when her eyes fell upon the poor beggar&rsquo;s
+ faded face, and she exclaimed:
+ </p>
+ <p>
+ &ldquo;Truide!&rdquo;
+ </p>
+ <p>
+ Truide, for it was she, looked up in startled surprise.
+ </p>
+ <p>
+ &ldquo;I did not know, or I would not have come in, Koosje,&rdquo; she said, humbly;
+ &ldquo;for I treated you very badly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ve-ry bad-ly,&rdquo; returned Koosje, emphatically. &ldquo;Then where is Jan?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dead!&rdquo; murmured Truide, sadly.
+ </p>
+ <p>
+ &ldquo;Dead! so&mdash;ah, well! I suppose I must do something for you. Here
+ Yanke!&rdquo; opening the door and calling, &ldquo;Yanke!&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Je, jevrouw</i>,&rdquo; a voice cried, in reply.
+ </p>
+ <p>
+ The next moment a maid came running into the shop.
+ </p>
+ <p>
+ &ldquo;Take these people into the kitchen and give them something to eat. Put
+ them by the stove while you prepare it. There is some soup and that smoked
+ ham we had for <i>koffy</i>. Then come here and take my place for a
+ while.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Je, jevrouw</i>,&rdquo; said Yanke, disappearing again, followed by Truide
+ and her children.
+ </p>
+ <p>
+ Then Koosje sat down again, and began to think.
+ </p>
+ <p>
+ &ldquo;I said,&rdquo; she mused, presently, &ldquo;<i>that</i> night that the next time I
+ fell over a bundle I&rsquo;d leave it where I found it. Ah, well! I&rsquo;m not a
+ barbarian; I couldn&rsquo;t do that. I never thought, though, it would be
+ Truide.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Hi, jevrouw</i>,&rdquo; was called from the inner room.
+ </p>
+ <p>
+ &ldquo;<i>Je, mynheer</i>,&rdquo; jumping up and going to her customers.
+ </p>
+ <p>
+ She attended to their wants, and presently bowed them out.
+ </p>
+ <p>
+ &ldquo;I never thought it would be Truide,&rdquo; she repeated to herself, as she
+ closed the door behind the last of the gay uniforms and jingling
+ scabbards. &ldquo;And Jan is dead&mdash;ah, well!&rdquo;
+ </p>
+ <p>
+ Then she went into the kitchen, where the miserable children&mdash;girls
+ both of them, and pretty had they been clean and less forlornly clad&mdash;were
+ playing about the stove.
+ </p>
+ <p>
+ &ldquo;So Jan is dead,&rdquo; began Koosje, seating herself.
+ </p>
+ <p>
+ &ldquo;Yes, Jan is dead,&rdquo; Truide answered.
+ </p>
+ <p>
+ &ldquo;And he left you nothing?&rdquo; Koosje asked.
+ </p>
+ <p>
+ &ldquo;We had had nothing for a long time,&rdquo; Truide replied, in her sad, crushed
+ voice. &ldquo;We didn&rsquo;t get on very well; he soon got tired of me.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was a weakness of his,&rdquo; remarked Koosje, drily.
+ </p>
+ <p>
+ &ldquo;We lost five little ones, one after another,&rdquo; Truide continued. &ldquo;And Jan
+ was fond of them, and somehow it seemed to sour him. As for me, I was
+ sorry enough at the time, Heaven knows, but it was as well. But Jan said
+ it seemed as if a curse had fallen upon us; he began to wish you back
+ again, and to blame me for having come between you. And then he took to <i>genever</i>,
+ and then to wish for something stronger; so at last every stiver went for
+ absinthe, and once or twice he beat me, and then he died.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just as well,&rdquo; muttered Koosje, under her breath.
+ </p>
+ <p>
+ &ldquo;It is very good of you to have fed and warmed us,&rdquo; Truide went on, in her
+ faint, complaining tones. &ldquo;Many a one would have let me starve, and I
+ should have deserved it. It is very good of you and we are grateful; but
+ &lsquo;tis time we were going, Koosje and Mina;&rdquo; then added, with a shake of her
+ head, &ldquo;but I don&rsquo;t know where.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you&rsquo;d better stay,&rdquo; said Koosje, hurriedly. &ldquo;I live in this big house
+ by myself, and I dare say you&rsquo;ll be more useful in the shop than Yanke&mdash;if
+ your tongue is as glib as it used to be, that is. You know some English,
+ too, don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;A little,&rdquo; Truide answered, eagerly.
+ </p>
+ <p>
+ &ldquo;And after all,&rdquo; Koosje said, philosophically, shrugging her shoulders,
+ &ldquo;you saved me from the beatings and the starvings and the rest. I owe you
+ something for that. Why, if it hadn&rsquo;t been for you I should have been
+ silly enough to have married him.&rdquo;
+ </p>
+ <p>
+ And then she went back to her shop, saying to herself:
+ </p>
+ <p>
+ &ldquo;The professor said it was a blessing in disguise; God sends all our
+ trials to work some great purpose. Yes; that was what he said, and he knew
+ most things. Just think if I were trailing about now with those two little
+ ones, with nothing to look back to but a schnapps-drinking husband who
+ beat me! Ah, well, well! things are best as they are. I don&rsquo;t know that I
+ ought not to be very much obliged to her&mdash;and she&rsquo;ll be very useful
+ in the shop.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A DOG OF FLANDERS, by Ouida
+ </h2>
+ <p>
+ Nello and Patrasche were left all alone in the world.
+ </p>
+ <p>
+ They were friends in a friendship closer than brotherhood. Nello was a
+ little Ardennois; Patrasche was a big Fleming. They were both of the same
+ age by length of years; yet one was still young, and the other was already
+ old. They had dwelt together almost all their days; both were orphaned and
+ destitute, and owed their lives to the same hand. It had been the
+ beginning of the tie between them,&mdash;their first bond of sympathy,&mdash;and
+ it had strengthened day by day, and had grown with their growth, firm and
+ indissoluble, until they loved one another very greatly.
+ </p>
+ <p>
+ Their home was a little hut on the edge of a little village&mdash;a
+ Flemish village a league from Antwerp, set amidst flat breadths of pasture
+ and corn-lands, with long lines of poplars and of alders bending in the
+ breeze on the edge of the great canal which ran through it. It had about a
+ score of houses and homesteads, with shutters of bright green or sky blue,
+ and roofs rose red or black and white, and walls whitewashed until they
+ shone in the sun like snow. In the centre of the village stood a windmill,
+ placed on a little moss-grown slope; it was a landmark to all the level
+ country round. It had once been painted scarlet, sails and all; but that
+ had been in its infancy, half a century or more earlier, when it had
+ ground wheat for the soldiers of Napoleon; and it was now a ruddy brown,
+ tanned by wind and weather. It went queerly by fits and starts, as though
+ rheumatic and stiff in the joints from age; but it served the whole
+ neighborhood, which would have thought it almost as impious to carry grain
+ elsewhere as to attend any other religious service than the mass that was
+ performed at the altar of the little old gray church, with its conical
+ steeple, which stood opposite to it, and whose single bell rang morning,
+ noon, and night with that strange, subdued, hollow sadness which every
+ bell that hangs in the Low Countries seems to gain as an integral part of
+ its melody.
+ </p>
+ <p>
+ Within sound of the little melancholy clock almost from their birth
+ upward, they had dwelt together, Nello and Patrasche, in the little hut on
+ the edge of the village, with the cathedral spire of Antwerp rising in the
+ northeast, beyond the great green plain of seeding grass and spreading
+ corn that stretched away from them like a tideless, changeless sea. It was
+ the hut of a very old man, of a very poor man&mdash;of old Jehan Daas, who
+ in his time had been a soldier, and who remembered the wars that had
+ trampled the country as oxen tread down the furrows, and who had brought
+ from his service nothing except a wound, which had made him a cripple.
+ </p>
+ <p>
+ When old Jehan Daas had reached his full eighty, his daughter had died in
+ the Ardennes, hard by Stavelot, and had left him in legacy her
+ two-year-old son. The old man could ill contrive to support himself, but
+ he took up the additional burden uncomplainingly, and it soon became
+ welcome and precious to him. Little Nello, which was but a pet diminutive
+ for Nicolas, throve with him, and the old man and the little child lived
+ in the poor little hut contentedly.
+ </p>
+ <p>
+ It was a very humble little mud hut indeed, but it was clean and white as
+ a sea-shell, and stood in a small plot of garden ground that yielded beans
+ and herbs and pumpkins. They were very poor, terribly poor; many a day
+ they had nothing at all to eat. They never by any chance had enough; to
+ have had enough to eat would have been to have reached paradise at once.
+ But the old man was very gentle and good to the boy, and the boy was a
+ beautiful, innocent, truthful, tender-natured creature; and they were
+ happy on a crust and a few leaves of cabbage, and asked no more of earth
+ or heaven&mdash;save indeed that Patrasche should be always with them,
+ since without Patrasche where would they have been?
+ </p>
+ <p>
+ For Patrasche was their alpha and omega; their treasury and granary; their
+ store of gold and wand of wealth; their bread-winner and minister; their
+ only friend and comforter. Patrasche dead or gone from them, they must
+ have laid themselves down and died likewise. Patrasche was body, brains,
+ hands, head, and feet to both of them; Patrasche was their very life,
+ their very soul. For Jehan Daas was old and a cripple, and Nello was but a
+ child; and Patrasche was their dog.
+ </p>
+ <p>
+ A dog of Flanders&mdash;yellow of hide, large of head and limb, with
+ wolf-like ears that stood erect, and legs bowed and feet widened in the
+ muscular development wrought in his breed by many generations of hard
+ service. Patrasche came of a race which had toiled hard and cruelly from
+ sire to son in Flanders many a century&mdash;slaves of slaves, dogs of the
+ people, beasts of the shafts and the harness, creatures that lived
+ straining their sinews in the gall of the cart, and died breaking their
+ hearts on the flints of the streets.
+ </p>
+ <p>
+ Patrasche had been born of parents who had labored hard all their days
+ over the sharp-set stones of the various cities and the long, shadowless,
+ weary roads of the two Flanders and of Brabant. He had been born to no
+ other heritage than those of pain and of toil. He had been fed on curses
+ and baptized with blows. Why not? It was a Christian country, and
+ Patrasche was but a dog. Before he was fully grown he had known the bitter
+ gall of the cart and the collar. Before he had entered his thirteenth
+ month he had become the property of a hardware dealer, who was accustomed
+ to wander over the land north and south, from the blue sea to the green
+ mountains. They sold him for a small price, because he was so young.
+ </p>
+ <p>
+ This man was a drunkard and a brute. The life of Patrasche was a life of
+ hell. To deal the tortures of hell on the animal creation is a way which
+ the Christians have of showing their belief in it. His purchaser was a
+ sullen, ill-living, brutal Brabantois, who heaped his cart full with pots
+ and pans and flagons and buckets, and other wares of crockery and brass
+ and tin, and left Patrasche to draw the load as best he might, while he
+ himself lounged idly by the side in fat and sluggish ease, smoking his
+ black pipe and stopping at every wineshop or cafe on the road.
+ </p>
+ <p>
+ Happily for Patrasche, or unhappily, he was very strong; he came of an
+ iron race, long born and bred to such cruel travail; so that he did not
+ die, but managed to drag on a wretched existence under the brutal burdens,
+ the scarifying lashes, the hunger, the thirst, the blows, the curses, and
+ the exhaustion which are the only wages with which the Flemings repay the
+ most patient and laborious of all their four-footed victims. One day,
+ after two years of this long and deadly agony, Patrasche was going on as
+ usual along one of the straight, dusty, unlovely roads that lead to the
+ city of Rubens. It was full midsummer, and very warm. His cart was very
+ heavy, piled high with goods in metal and in earthenware. His owner
+ sauntered on without noticing him otherwise than by the crack of the whip
+ as it curled round his quivering loins. The Brabantois had paused to drink
+ beer himself at every wayside house, but he had forbidden Patrasche to
+ stop a moment for a draught from the canal. Going along thus, in the full
+ sun, on a scorching highway, having eaten nothing for twenty-four hours,
+ and, which was far worse to him, not having tasted water for near twelve,
+ being blind with dust, sore with blows, and stupefied with the merciless
+ weight which dragged upon his loins, Patrasche staggered and foamed a
+ little at the mouth, and fell.
+ </p>
+ <p>
+ He fell in the middle of the white, dusty road, in the full glare of the
+ sun; he was sick unto death, and motionless. His master gave him the only
+ medicine in his pharmacy&mdash;kicks and oaths and blows with a cudgel of
+ oak, which had been often the only food and drink, the only wage and
+ reward, ever offered to him. But Patrasche was beyond the reach of any
+ torture or of any curses. Patrasche lay, dead to all appearances, down in
+ the white powder of the summer dust. After a while, finding it useless to
+ assail his ribs with punishment and his ears with maledictions, the
+ Brabantois&mdash;deeming life gone in him, or going, so nearly that his
+ carcass was forever useless, unless, indeed, some one should strip it of
+ the skin for gloves&mdash;cursed him fiercely in farewell, struck off the
+ leathern bands of the harness, kicked his body aside into the grass, and,
+ groaning and muttering in savage wrath, pushed the cart lazily along the
+ road uphill, and left the dying dog for the ants to sting and for the
+ crows to pick.
+ </p>
+ <p>
+ It was the last day before kermess away at Louvain, and the Brabantois was
+ in haste to reach the fair and get a good place for his truck of brass
+ wares. He was in fierce wrath, because Patrasche had been a strong and
+ much-enduring animal, and because he himself had now the hard task of
+ pushing his <i>charette</i> all the way to Louvain. But to stay to look
+ after Patrasche never entered his thoughts; the beast was dying and
+ useless, and he would steal, to replace him, the first large dog that he
+ found wandering alone out of sight of its master. Patrasche had cost him
+ nothing, or next to nothing, and for two long, cruel years he had made him
+ toil ceaselessly in his service from sunrise to sunset, through summer and
+ winter, in fair weather and foul.
+ </p>
+ <p>
+ He had got a fair use and a good profit out of Patrasche; being human, he
+ was wise, and left the dog to draw his last breath alone in the ditch, and
+ have his bloodshot eyes plucked out as they might be by the birds, whilst
+ he himself went on his way to beg and to steal, to eat and to drink, to
+ dance and to sing, in the mirth at Louvain. A dying dog, a dog of the cart&mdash;why
+ should he waste hours over its agonies at peril of losing a handful of
+ copper coins, at peril of a shout of laughter?
+ </p>
+ <p>
+ Patrasche lay there, flung in the grass-green ditch. It was a busy road
+ that day, and hundreds of people, on foot and on mules, in waggons or in
+ carts, went by, tramping quickly and joyously on to Louvain. Some saw him;
+ most did not even look; all passed on. A dead dog more or less&mdash;it
+ was nothing in Brabant; it would be nothing anywhere in the world.
+ </p>
+ <p>
+ After a time, among the holiday-makers, there came a little old man who
+ was bent and lame, and very feeble. He was in no guise for feasting; he
+ was very poorly and miserably clad, and he dragged his silent way slowly
+ through the dust among the pleasure-seekers. He looked at Patrasche,
+ paused, wondered, turned aside, then kneeled down in the rank grass and
+ weeds of the ditch, and surveyed the dog with kindly eyes of pity. There
+ was with him a little rosy, fair-haired, dark-eyed child of a few years
+ old, who pattered in amid the bushes, that were for him breast-high, and
+ stood gazing with a pretty seriousness upon the poor, great, quiet beast.
+ </p>
+ <p>
+ Thus it was that these two first met&mdash;the little Nello and the big
+ Patrasche.
+ </p>
+ <p>
+ The upshot of that day was, that old Jehan Daas, with much laborious
+ effort, drew the sufferer homeward to his own little hut, which was a
+ stone&rsquo;s throw off amidst the fields; and there tended him with so much
+ care that the sickness, which had been a brain seizure brought on by heat
+ and thirst and exhaustion, with time and shade and rest passed away, and
+ health and strength returned, and Patrasche staggered up again upon his
+ four stout, tawny legs.
+ </p>
+ <p>
+ Now for many weeks he had been useless, powerless, sore, near to death;
+ but all this time he had heard no rough word, had felt no harsh touch, but
+ only the pitying murmurs of the child&rsquo;s voice and the soothing caress of
+ the old man&rsquo;s hand.
+ </p>
+ <p>
+ In his sickness they two had grown to care for him, this lonely man and
+ the little happy child. He had a corner of the hut, with a heap of dry
+ grass for his bed; and they had learned to listen eagerly for his
+ breathing in the dark night, to tell them that he lived; and when he first
+ was well enough to essay a loud, hollow, broken bay, they laughed aloud,
+ and almost wept together for joy at such a sign of his sure restoration;
+ and little Nello, in delighted glee, hung round his rugged neck chains of
+ marguerites, and kissed him with fresh and ruddy lips.
+ </p>
+ <p>
+ So then, when Patrasche arose, himself again, strong, big, gaunt,
+ powerful, his great wistful eyes had a gentle astonishment in them that
+ there were no curses to rouse him and no blows to drive him; and his heart
+ awakened to a mighty love, which never wavered once in its fidelity while
+ life abode with him.
+ </p>
+ <p>
+ But Patrasche, being a dog, was grateful. Patrasche lay pondering long
+ with grave, tender, musing brown eyes, watching the movements of his
+ friends.
+ </p>
+ <p>
+ Now, the old soldier, Jehan Daas, could do nothing for his living but limp
+ about a little with a small cart, with which he carried daily the
+ milk-cans of those happier neighbours who owned cattle away into the town
+ of Antwerp. The villagers gave him the employment a little out of charity;
+ more because it suited them well to send their milk into the town by so
+ honest a carrier, and bide at home themselves to look after their gardens,
+ their cows, their poultry, or their little fields. But it was becoming
+ hard work for the old man. He was eighty-three, and Antwerp was a good
+ league off, or more.
+ </p>
+ <p>
+ Patrasche watched the milk-cans come and go that one day when he had got
+ well and was lying in the sun with the wreath of marguerites round his
+ tawny neck.
+ </p>
+ <p>
+ The next morning, Patrasche, before the old man had touched the cart,
+ arose and walked to it and placed himself betwixt its handles, and
+ testified as plainly as dumb-show could do his desire and his ability to
+ work in return for the bread of charity that he had eaten. Jehan Daas
+ resisted long, for the old man was one of those who thought it a foul
+ shame to bind dogs to labor for which Nature never formed them. But
+ Patrasche would not be gainsaid; finding they did not harness him, he
+ tried to draw the cart onward with his teeth.
+ </p>
+ <p>
+ At length Jehan Daas gave way, vanquished by the persistence and the
+ gratitude of this creature whom he had succored. He fashioned his cart so
+ that Patrasche could run in it, and this he did every morning of his life
+ thenceforward.
+ </p>
+ <p>
+ When the winter came, Jehan Daas thanked the blessed fortune that had
+ brought him to the dying dog in the ditch that fair-day of Louvain; for he
+ was very old, and he grew feebler with each year, and he would ill have
+ known how to pull his load of milk-cans over the snows and through the
+ deep ruts in the mud if it had not been for the strength and the industry
+ of the animal he had befriended. As for Patrasche, it seemed heaven to
+ him. After the frightful burdens that his old master had compelled him to
+ strain under, at the call of the whip at every step, it seemed nothing to
+ him but amusement to step out with this little light, green cart, with its
+ bright brass cans, by the side of the gentle old man who always paid him
+ with a tender caress and with a kindly word. Besides, his work was over by
+ three or four in the day, and after that time he was free to do as he
+ would&mdash;to stretch himself, to sleep in the sun, to wander in the
+ fields, to romp with the young child, or to play with his fellow-dogs.
+ Patrasche was very happy.
+ </p>
+ <p>
+ Fortunately for his peace, his former owner was killed in a drunken brawl
+ at the kermess of Mechlin, and so sought not after him nor disturbed him
+ in his new and well-loved home.
+ </p>
+ <p>
+ A few years later, old Jehan Daas, who had always been a cripple, became
+ so paralyzed with rheumatism that it was impossible for him to go out with
+ the cart any more. Then little Nello, being now grown to his sixth year of
+ age, and knowing the town well from having accompanied his grandfather so
+ many times, took his place beside the cart, and sold the milk and received
+ the coins in exchange, and brought them back to their respective owners
+ with a pretty grace and seriousness which charmed all who beheld him.
+ </p>
+ <p>
+ The little Ardennois was a beautiful child, with dark, grave, tender eyes,
+ and a lovely bloom upon his face, and fair locks that clustered to his
+ throat; and many an artist sketched the group as it went by him&mdash;the
+ green cart with the brass flagons of Teniers and Mieris and Van Tal, and
+ the great, tawny-colored, massive dog, with his belled harness that chimed
+ cheerily as he went, and the small figure that ran beside him which had
+ little white feet in great wooden shoes, and a soft, grave, innocent,
+ happy face like the little fair children of Rubens.
+ </p>
+ <p>
+ Nello and Patrasche did the work so well and so joyfully together that
+ Jehan Daas himself, when the summer came and he was better again, had no
+ need to stir out, but could sit in the doorway in the sun and see them go
+ forth through the garden wicket, and then doze and dream and pray a
+ little, and then awake again as the clock tolled three and watch for their
+ return. And on their return Patrasche would shake himself free of his
+ harness with a bay of glee, and Nello would recount with pride the doings
+ of the day; and they would all go in together to their meal of rye bread
+ and milk or soup, and would see the shadows lengthen over the great plain,
+ and see the twilight veil the fair cathedral spire; and then lie down
+ together to sleep peacefully while the old man said a prayer.
+ </p>
+ <p>
+ So the days and the years went on, and the lives of Nello and Patrasche
+ were happy, innocent, and healthful.
+ </p>
+ <p>
+ In the spring and summer especially were they glad. Flanders is not a
+ lovely land, and around the burg of Rubens it is perhaps least lovely of
+ all. Corn and colza, pasture and plough, succeed each other on the
+ characterless plain in wearying repetition, and, save by some gaunt gray
+ tower, with its peal of pathetic bells, or some figure coming athwart the
+ fields, made picturesque by a gleaner&rsquo;s bundle or a woodman&rsquo;s fagot, there
+ is no change, no variety, no beauty anywhere; and he who has dwelt upon
+ the mountains or amid the forests feels oppressed as by imprisonment with
+ the tedium and the endlessness of that vast and dreary level. But it is
+ green and very fertile, and it has wide horizons that have a certain charm
+ of their own even in their dulness and monotony; and among the rushes by
+ the waterside the flowers grow, and the trees rise tall and fresh where
+ the barges glide, with their great hulks black against the sun, and their
+ little green barrels and vari-coloured flags gay against the leaves.
+ Anyway, there is greenery and breadth of space enough to be as good as
+ beauty to a child and a dog; and these two asked no better, when their
+ work was done, than to lie buried in the lush grasses on the side of the
+ canal, and watch the cumbrous vessels drifting by and bringing the crisp
+ salt smell of the sea among the blossoming scents of the country summer.
+ </p>
+ <p>
+ True, in the winter it was harder, and they had to rise in the darkness
+ and the bitter cold, and they had seldom as much as they could have eaten
+ any day; and the hut was scarce better than a shed when the nights were
+ cold, although it looked so pretty in warm weather, buried in a great
+ kindly clambering vine, that never bore fruit, indeed, but which covered
+ it with luxuriant green tracery all through the months of blossom and
+ harvest. In winter the winds found many holes in the walls of the poor
+ little hut, and the vine was black and leafless, and the bare lands looked
+ very bleak and drear without, and sometimes within the floor was flooded
+ and then frozen. In winter it was hard, and the snow numbed the little
+ white limbs of Nello, and the icicles cut the brave, untiring feet of
+ Patrasche.
+ </p>
+ <p>
+ But even then they were never heard to lament, either of them. The child&rsquo;s
+ wooden shoes and the dog&rsquo;s four legs would trot manfully together over the
+ frozen fields to the chime of the bells on the harness; and then
+ sometimes, in the streets of Antwerp, some housewife would bring them a
+ bowl of soup and a handful of bread, or some kindly trader would throw
+ some billets of fuel into the little cart as it went homeward, or some
+ woman in their own village would bid them keep a share of the milk they
+ carried for their own food; and they would run over the white lands,
+ through the early darkness, bright and happy, and burst with a shout of
+ joy into their home.
+ </p>
+ <p>
+ So, on the whole, it was well with them&mdash;very well; and Patrasche,
+ meeting on the highway or in the public streets the many dogs who toiled
+ from daybreak into nightfall, paid only with blows and curses, and
+ loosened from the shafts with a kick to starve and freeze as best they
+ might&mdash;Patrasche in his heart was very grateful to his fate, and
+ thought it the fairest and the kindliest the world could hold. Though he
+ was often very hungry indeed when he lay down at night; though he had to
+ work in the heats of summer noons and the rasping chills of winter dawns;
+ though his feet were often tender with wounds from the sharp edges of the
+ jagged pavement; though he had to perform tasks beyond his strength and
+ against his nature&mdash;yet he was grateful and content; he did his duty
+ with each day, and the eyes that he loved smiled down on him. It was
+ sufficient for Patrasche.
+ </p>
+ <p>
+ There was only one thing which caused Patrasche any uneasiness in his
+ life, and it was this. Antwerp, as all the world knows, is full at every
+ turn of old piles of stones, dark and ancient and majestic, standing in
+ crooked courts, jammed against gateways and taverns, rising by the water&rsquo;s
+ edge, with bells ringing above them in the air, and ever and again out of
+ their arched doors a swell of music pealing. There they remain, the grand
+ old sanctuaries of the past, shut in amid the squalor, the hurry, the
+ crowds, the unloveliness, and the commerce of the modern world; and all
+ day long the clouds drift and the birds circle and the winds sigh around
+ them, and beneath the earth at their feet there sleeps&mdash;RUBENS.
+ </p>
+ <p>
+ And the greatness of the mighty master still rests upon Antwerp, and
+ wherever we turn in its narrow streets his glory lies therein, so that all
+ mean things are thereby transfigured; and as we pace slowly through the
+ winding ways, and by the edge of the stagnant water, and through the
+ noisome courts, his spirit abides with us, and the heroic beauty of his
+ visions is about us, and the stones that once felt his footsteps and bore
+ his shadow seem to arise and speak of him with living voices. For the city
+ which is the tomb of Rubens still lives to us through him, and him alone.
+ </p>
+ <p>
+ It is so quiet there by that great white sepulchre&mdash;so quiet, save
+ only when the organ peals and the choir cries aloud the Salve Regina or
+ the Kyrie eleison. Sure no artist ever had a greater gravestone than that
+ pure marble sanctuary gives to him in the heart of his birthplace in the
+ chancel of St. Jacques.
+ </p>
+ <p>
+ Without Rubens, what were Antwerp? A dirty, dusky, bustling mart, which no
+ man would ever care to look upon save the traders who do business on its
+ wharves. With Rubens, to the whole world of men it is a sacred name, a
+ sacred soil, a Bethlehem where a god of art saw light, a Golgotha where a
+ god of art lies dead.
+ </p>
+ <p>
+ O nations! closely should you treasure your great men; for by them alone
+ will the future know of you. Flanders in her generations has been wise. In
+ his life she glorified this greatest of her sons, and in his death she
+ magnifies his name. But her wisdom is very rare.
+ </p>
+ <p>
+ Now, the trouble of Patrasche was this. Into these great, sad piles of
+ stones, that reared their melancholy majesty above the crowded roofs, the
+ child Nello would many and many a time enter, and disappear through their
+ dark, arched portals, while Patrasche, left without upon the pavement,
+ would wearily and vainly ponder on what could be the charm which thus
+ allured from him his inseparable and beloved companion. Once or twice he
+ did essay to see for himself, clattering up the steps with his milk-cart
+ behind him; but thereon he had been always sent back again summarily by a
+ tall custodian in black clothes and silver chains of office; and fearful
+ of bringing his little master into trouble, he desisted, and remained
+ couched patiently before the churches until such time as the boy
+ reappeared. It was not the fact of his going into them which disturbed
+ Patrasche; he knew that people went to church; all the village went to the
+ small, tumble-down, gray pile opposite the red windmill. What troubled him
+ was that little Nello always looked strangely when he came out, always
+ very flushed or very pale; and whenever he returned home after such
+ visitations would sit silent and dreaming, not caring to play, but gazing
+ out at the evening skies beyond the line of the canal, very subdued and
+ almost sad.
+ </p>
+ <p>
+ What was it? wondered Patrasche. He thought it could not be good or
+ natural for the little lad to be so grave, and in his dumb fashion he
+ tried all he could to keep Nello by him in the sunny fields or in the busy
+ market-place. But to the churches Nello would go; most often of all would
+ he go to the great cathedral; and Patrasche, left without on the stones by
+ the iron fragments of Quentin Matsys&rsquo;s gate, would stretch himself and
+ yawn and sigh, and even howl now and then, all in vain, until the doors
+ closed and the child perforce came forth again, and winding his arms about
+ the dog&rsquo;s neck would kiss him on his broad, tawny-colored forehead, and
+ murmur always the same words, &ldquo;If I could only see them, Patrasche!&mdash;if
+ I could only see them!&rdquo;
+ </p>
+ <p>
+ What were they? pondered Patrasche, looking up with large, wistful,
+ sympathetic eyes.
+ </p>
+ <p>
+ One day, when the custodian was out of the way and the doors left ajar, he
+ got in for a moment after his little friend and saw. &ldquo;They&rdquo; were two great
+ covered pictures on either side of the choir.
+ </p>
+ <p>
+ Nello was kneeling, rapt as in an ecstasy, before the altar-picture of the
+ Assumption, and when he noticed Patrasche, and rose and drew the dog
+ gently out into the air, his face was wet with tears, and he looked up at
+ the veiled places as he passed them, and murmured to his companion, &ldquo;It is
+ so terrible not to see them, Patrasche, just because one is poor and
+ cannot pay! He never meant that the poor should not see them when he
+ painted them, I am sure. He would have had us see them any day, every day;
+ that I am sure. And they keep them shrouded there&mdash;shrouded! in the
+ dark, the beautiful things! And they never feel the light, and no eyes
+ look on them, unless rich people come and pay. If I could only see them, I
+ would be content to die.&rdquo;
+ </p>
+ <p>
+ But he could not see them, and Patrasche could not help him, for to gain
+ the silver piece that the church exacts as the price for looking on the
+ glories of the &ldquo;Elevation of the Cross&rdquo; and the &ldquo;Descent of the Cross&rdquo; was
+ a thing as utterly beyond the powers of either of them as it would have
+ been to scale the heights of the cathedral spire. They had never so much
+ as a sou to spare; if they cleared enough to get a little wood for the
+ stove, a little broth for the pot, it was the utmost they could do. And
+ yet the heart of the child was set in sore and endless longing upon
+ beholding the greatness of the two veiled Rubens.
+ </p>
+ <p>
+ The whole soul of the little Ardennois thrilled and stirred with an
+ absorbing passion for art. Going on his ways through the old city in the
+ early days before the sun or the people had risen, Nello, who looked only
+ a little peasant boy, with a great dog drawing milk to sell from door to
+ door, was in a heaven of dreams whereof Rubens was the god. Nello, cold
+ and hungry, with stockingless feet in wooden shoes, and the winter winds
+ blowing among his curls and lifting his poor thin garments, was in a
+ rapture of meditation, wherein all that he saw was the beautiful fair face
+ of the Mary of the Assumption, with the waves of her golden hair lying
+ upon her shoulders, and the light of an eternal sun shining down upon her
+ brow. Nello, reared in poverty, and buffeted by fortune, and untaught in
+ letters, and unheeded by men, had the compensation or the curse which is
+ called genius. No one knew it; he as little as any. No one knew it. Only,
+ indeed, Patrasche, who, being with him always, saw him draw with chalk
+ upon the stones any and every thing that grew or breathed, heard him on
+ his little bed of hay murmur all manner of timid, pathetic prayers to the
+ spirit of the great master; watched his gaze darken and his face radiate
+ at the evening glow of sunset or the rosy rising of the dawn; and felt
+ many and many a time the tears of a strange, nameless pain and joy,
+ mingled together, fall hotly from the bright young eyes upon his own
+ wrinkled yellow forehead.
+ </p>
+ <p>
+ &ldquo;I should go to my grave quite content if I thought, Nello, that when thou
+ growest a man thou couldst own this hut and the little plot of ground, and
+ labor for thyself, and be called Baas by thy neighbours,&rdquo; said the old man
+ Jehan many an hour from his bed. For to own a bit of soil, and to be
+ called Baas (master) by the hamlet round, is to have achieved the highest
+ ideal of a Flemish peasant; and the old soldier, who had wandered over all
+ the earth in his youth, and had brought nothing back, deemed in his old
+ age that to live and die on one spot in contented humility was the fairest
+ fate he could desire for his darling. But Nello said nothing.
+ </p>
+ <p>
+ The same leaven was working in him that in other times begat Rubens and
+ Jordaens and the Van Eycks, and all their wondrous tribe, and in times
+ more recent begat in the green country of the Ardennes, where the Meuse
+ washes the old walls of Dijon, the great artist of the Patroclus, whose
+ genius is too near us for us aright to measure its divinity.
+ </p>
+ <p>
+ Nello dreamed of other things in the future than of tilling the little
+ rood of earth, and living under the wattle roof, and being called Baas by
+ neighbours a little poorer or a little less poor than himself. The
+ cathedral spire, where it rose beyond the fields in the ruddy evening
+ skies or in the dim, gray, misty mornings, said other things to him than
+ this. But these he told only to Patrasche, whispering, childlike, his
+ fancies in the dog&rsquo;s ear when they went together at their work through the
+ fogs of the daybreak, or lay together at their rest among the rustling
+ rushes by the water&rsquo;s side.
+ </p>
+ <p>
+ For such dreams are not easily shaped into speech to awake the slow
+ sympathies of human auditors; and they would only have sorely perplexed
+ and troubled the poor old man bedridden in his corner, who, for his part,
+ whenever he had trodden the streets of Antwerp, had thought the daub of
+ blue and red that they called a Madonna, on the walls of the wine-shop
+ where he drank his sou&rsquo;s worth of black beer, quite as good as any of the
+ famous altarpieces for which the stranger folk traveled far and wide into
+ Flanders from every land on which the good sun shone.
+ </p>
+ <p>
+ There was only one other beside Patrasche to whom Nello could talk at all
+ of his daring fantasies. This other was little Alois, who lived at the old
+ red mill on the grassy mound, and whose father, the miller, was the
+ best-to-do husbandman in all the village. Little Alois was only a pretty
+ baby with soft round, rosy features, made lovely by those sweet dark eyes
+ that the Spanish rule has left in so many a Flemish face, in testimony of
+ the Alvan dominion, as Spanish art has left broad-sown throughout the
+ country majestic palaces and stately courts, gilded house-fronts and
+ sculptured lintels&mdash;histories in blazonry and poems in stone.
+ </p>
+ <p>
+ Little Alois was often with Nello and Patrasche. They played in the
+ fields, they ran in the snow, they gathered the daisies and bilberries,
+ they went up to the old gray church together, and they often sat together
+ by the broad wood fire in the mill-house. Little Alois, indeed, was the
+ richest child in the hamlet. She had neither brother nor sister; her blue
+ serge dress had never a hole in it; at kermess she had as many gilded nuts
+ and Agni Dei in sugar as her hands could hold; and when she went up for
+ her first communion her flaxen curls were covered with a cap of richest
+ Mechlin lace, which had been her mother&rsquo;s and her grandmother&rsquo;s before it
+ came to her. Men spoke already, though she had but twelve years, of the
+ good wife she would be for their sons to woo and win; but she herself was
+ a little gay, simple child, in no wise conscious of her heritage, and she
+ loved no playfellows so well as Jehan Daas&rsquo;s grandson and his dog.
+ </p>
+ <p>
+ One day her father, Baas Cogez, a good man, but somewhat stern, came on a
+ pretty group in the long meadow behind the mill, where the aftermath had
+ that day been cut. It was his little daughter sitting amid the hay, with
+ the great tawny head of Patrasche on her lap, and many wreaths of poppies
+ and blue corn-flowers round them both; on a clean smooth slab of pine wood
+ the boy Nello drew their likeness with a stick of charcoal.
+ </p>
+ <p>
+ The miller stood and looked at the portrait with tears in his eyes&mdash;it
+ was so strangely like, and he loved his only child closely and well. Then
+ he roughly chid the little girl for idling there while her mother needed
+ her within, and sent her indoors crying and afraid; then, turning, he
+ snatched the wood from Nello&rsquo;s hands. &ldquo;Dost do much of such folly?&rdquo; he
+ asked, but there was a tremble in his voice.
+ </p>
+ <p>
+ Nello coloured and hung his head. &ldquo;I draw everything I see,&rdquo; he murmured.
+ </p>
+ <p>
+ The miller was silent; then he stretched his hand out with a franc in it.
+ &ldquo;It is folly, as I say, and evil waste of time; nevertheless, it is like
+ Alois, and will please the house-mother. Take this silver bit for it and
+ leave it for me.&rdquo;
+ </p>
+ <p>
+ The colour died out of the face of the young Ardennois; he lifted his head
+ and put his hands behind his back. &ldquo;Keep your money and the portrait both,
+ Baas Cogez,&rdquo; he said, simply. &ldquo;You have been often good to me.&rdquo; Then he
+ called Patrasche to him, and walked away across the fields.
+ </p>
+ <p>
+ &ldquo;I could have seen them with that franc,&rdquo; he murmured to Patrasche, &ldquo;but I
+ could not sell her picture&mdash;not even for them.&rdquo;
+ </p>
+ <p>
+ Baas Cogez went into his mill-house sore troubled in his mind. &ldquo;That lad
+ must not be so much with Alois,&rdquo; he said to his wife that night. &ldquo;Trouble
+ may come of it hereafter; he is fifteen now, and she is twelve; and the
+ boy is comely of face and form.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he is a good lad and a loyal,&rdquo; said the housewife, feasting her eyes
+ on the piece of pine wood where it was throned above the chimney with a
+ cuckoo clock in oak and a Calvary in wax.
+ </p>
+ <p>
+ &ldquo;Yea, I do not gainsay that,&rdquo; said the miller, draining his pewter flagon.
+ </p>
+ <p>
+ &ldquo;Then, if what you think of were ever to come to pass,&rdquo; said the wife,
+ hesitatingly, &ldquo;would it matter so much? She will have enough for both, and
+ one cannot be better than happy.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are a woman, and therefore a fool,&rdquo; said the miller, harshly,
+ striking his pipe on the table. &ldquo;The lad is naught but a beggar, and, with
+ these painter&rsquo;s fancies, worse than a beggar. Have a care that they are
+ not together in the future, or I will send the child to the surer keeping
+ of the nuns of the Sacred Heart.&rdquo;
+ </p>
+ <p>
+ The poor mother was terrified, and promised humbly to do his will. Not
+ that she could bring herself altogether to separate the child from her
+ favorite playmate, nor did the miller even desire that extreme of cruelty
+ to a young lad who was guilty of nothing except poverty. But there were
+ many ways in which little Alois was kept away from her chosen companion;
+ and Nello, being a boy proud and quiet and sensitive, was quickly wounded,
+ and ceased to turn his own steps and those of Patrasche, as he had been
+ used to do with every moment of leisure, to the old red mill upon the
+ slope. What his offence was he did not know; he supposed he had in some
+ manner angered Baas Cogez by taking the portrait of Alois in the meadow;
+ and when the child who loved him would run to him and nestle her hand in
+ his, he would smile at her very sadly and say with a tender concern for
+ her before himself, &ldquo;Nay, Alois, do not anger your father. He thinks that
+ I make you idle, dear, and he is not pleased that you should be with me.
+ He is a good man and loves you well; we will not anger him, Alois.&rdquo;
+ </p>
+ <p>
+ But it was with a sad heart that he said it, and the earth did not look so
+ bright to him as it had used to do when he went out at sunrise under the
+ poplars down the straight roads with Patrasche. The old red mill had been
+ a landmark to him, and he had been used to pause by it, going and coming,
+ for a cheery greeting with its people as her little flaxen head rose above
+ the low mill wicket, and her little rosy hands had held out a bone or a
+ crust to Patrasche. Now the dog looked wistfully at a closed door, and the
+ boy went on without pausing, with a pang at his heart, and the child sat
+ within with tears dropping slowly on the knitting to which she was set on
+ her little stool by the stove; and Baas Cogez, working among his sacks and
+ his mill-gear, would harden his will and say to himself, &ldquo;It is best so.
+ The lad is all but a beggar, and full of idle, dreaming fooleries. Who
+ knows what mischief might not come of it in the future?&rdquo; So he was wise in
+ his generation, and would not have the door unbarred, except upon rare and
+ formal occasions, which seemed to have neither warmth nor mirth in them to
+ the two children, who had been accustomed so long to a daily gleeful,
+ careless, happy interchange of greeting, speech, and pastime, with no
+ other watcher of their sports or auditor of their fancies than Patrasche,
+ sagely shaking the brazen bells of his collar and responding with all a
+ dog&rsquo;s swift sympathies to their every change of mood.
+ </p>
+ <p>
+ All this while the little panel of pine wood remained over the chimney in
+ the mill kitchen with the cuckoo clock and the waxen Calvary; and
+ sometimes it seemed to Nello a little hard that while his gift was
+ accepted, he himself should be denied.
+ </p>
+ <p>
+ But he did not complain; it was his habit to be quiet. Old Jehan Daas had
+ said ever to him, &ldquo;We are poor; we must take what God sends&mdash;the ill
+ with the good; the poor cannot choose.&rdquo;
+ </p>
+ <p>
+ To which the boy had always listened in silence, being reverent of his old
+ grandfather; but nevertheless a certain vague, sweet hope, such as
+ beguiles the children of genius, had whispered in his heart, &ldquo;Yet the poor
+ do choose sometimes&mdash;choose to be great, so that men cannot say them
+ nay.&rdquo; And he thought so still in his innocence; and one day, when the
+ little Alois, finding him by chance alone among the corn-fields by the
+ canal, ran to him and held him close, and sobbed piteously because the
+ morrow would be her saint&rsquo;s day, and for the first time in all her life
+ her parents had failed to bid him to the little supper and romp in the
+ great barns with which her feast-day was always celebrated, Nello had
+ kissed her and murmured to her in firm faith, &ldquo;It shall be different one
+ day, Alois. One day that little bit of pine wood that your father has of
+ mine shall be worth its weight in silver; and he will not shut the door
+ against me then. Only love me always, dear little Alois; only love me
+ always, and I will be great.&rdquo;
+ </p>
+ <p>
+ &ldquo;And if I do not love you?&rdquo; the pretty child asked, pouting a little
+ through her tears, and moved by the instinctive coquetries of her sex.
+ </p>
+ <p>
+ Nello&rsquo;s eyes left her face and wandered to the distance, where, in the red
+ and gold of the Flemish night, the cathedral spire rose. There was a smile
+ on his face so sweet and yet so sad that little Alois was awed by it. &ldquo;I
+ will be great still,&rdquo; he said under his breath&mdash;&ldquo;great still, or die,
+ Alois.&rdquo;
+ </p>
+ <p>
+ &ldquo;You do not love me,&rdquo; said the little spoiled child, pushing him away; but
+ the boy shook his head and smiled, and went on his way through the tall
+ yellow corn, seeing as in a vision some day in a fair future when he
+ should come into that old familiar land and ask Alois of her people, and
+ be not refused or denied, but received in honour; while the village folk
+ should throng to look upon him and say in one another&rsquo;s ears, &ldquo;Dost see
+ him? He is a king among men; for he is a great artist and the world speaks
+ his name; and yet he was only our poor little Nello, who was a beggar, as
+ one may say, and only got his bread by the help of his dog.&rdquo; And he
+ thought how he would fold his grandsire in furs and purples, and portray
+ him as the old man is portrayed in the Family in the chapel of St.
+ Jacques; and of how he would hang the throat of Patrasche with a collar of
+ gold, and place him on his right hand, and say to the people, &ldquo;This was
+ once my only friend;&rdquo; and of how he would build himself a great white
+ marble palace, and make to himself luxuriant gardens of pleasure, on the
+ slope looking outward to where the cathedral spire rose, and not dwell in
+ it himself, but summon to it, as to a home, all men young and poor and
+ friendless, but of the will to do mighty things; and of how he would say
+ to them always, if they sought to bless his name, &ldquo;Nay, do not thank me&mdash;thank
+ Rubens. Without him, what should I have been?&rdquo; And these dreams&mdash;beautiful,
+ impossible, innocent, free of all selfishness, full of heroical worship&mdash;were
+ so closely about him as he went that he was happy&mdash;happy even on this
+ sad anniversary of Alois&rsquo;s saint&rsquo;s day, when he and Patrasche went home by
+ themselves to the little dark hut and the meal of black bread, while in
+ the mill-house all the children of the village sang and laughed, and ate
+ the big round cakes of Dijon and the almond gingerbread of Brabant, and
+ danced in the great barn to the light of the stars and the music of flute
+ and fiddle.
+ </p>
+ <p>
+ &ldquo;Never mind, Patrasche,&rdquo; he said, with his arms round the dog&rsquo;s neck, as
+ they both sat in the door of the hut, where the sounds of the mirth at the
+ mill came down to them on the night air; &ldquo;never mind. It shall all be
+ changed by-and-by.&rdquo;
+ </p>
+ <p>
+ He believed in the future; Patrasche, of more experience and of more
+ philosophy, thought that the loss of the mill supper in the present was
+ ill compensated by dreams of milk and honey in some vague hereafter. And
+ Patrasche growled whenever he passed by Baas Cogez.
+ </p>
+ <p>
+ &ldquo;This is Alois&rsquo;s name-day, is it not?&rdquo; said the old man Daas that night,
+ from the corner where he was stretched upon his bed of sacking.
+ </p>
+ <p>
+ The boy gave a gesture of assent; he wished that the old man&rsquo;s memory had
+ erred a little, instead of keeping such sure account.
+ </p>
+ <p>
+ &ldquo;And why not there?&rdquo; his grandfather pursued. &ldquo;Thou hast never missed a
+ year before, Nello.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thou art too sick to leave,&rdquo; murmured the lad, bending his handsome head
+ over the bed.
+ </p>
+ <p>
+ &ldquo;Tut! tut! Mother Nulette would have come and sat with me, as she does
+ scores of times. What is the cause, Nello?&rdquo; the old man persisted. &ldquo;Thou
+ surely hast not had ill words with the little one?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, grandfather, never,&rdquo; said the boy quickly, with a hot colour in his
+ bent face. &ldquo;Simply and truly, Baas Cogez did not have me asked this year.
+ He has taken some whim against me.&rdquo;
+ </p>
+ <p>
+ &ldquo;But thou hast done nothing wrong?&rdquo;
+ </p>
+ <p>
+ &ldquo;That I know&mdash;nothing. I took the portrait of Alois on a piece of
+ pine; that is all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; The old man was silent; the truth suggested itself to him with the
+ boy&rsquo;s innocent answer. He was tied to a bed of dried leaves in the corner
+ of a wattle hut, but he had not wholly forgotten what the ways of the
+ world were like.
+ </p>
+ <p>
+ He drew Nello&rsquo;s fair head fondly to his breast with a tenderer gesture.
+ &ldquo;Thou art very poor, my child,&rdquo; he said, with a quiver the more in his
+ aged, trembling voice; &ldquo;so poor! It is very hard for thee.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, I am rich,&rdquo; murmured Nello; and in his innocence he thought so; rich
+ with the imperishable powers that are mightier than the might of kings.
+ And he went and stood by the door of the hut in the quiet autumn night,
+ and watched the stars troop by and the tall poplars bend and shiver in the
+ wind. All the casements of the mill-house were lighted, and every now and
+ then the notes of the flute came to him. The tears fell down his cheeks,
+ for he was but a child; yet he smiled, for he said to himself, &ldquo;In the
+ future!&rdquo; He stayed there until all was quite still and dark; then he and
+ Patrasche went within and slept together, long and deeply, side by side.
+ </p>
+ <p>
+ Now he had a secret which only Patrasche knew. There was a little outhouse
+ to the hut which no one entered but himself&mdash;a dreary place, but with
+ abundant clear light from the north. Here he had fashioned himself rudely
+ an easel in rough lumber, and here, on a great gray sea of stretched
+ paper, he had given shape to one of the innumerable fancies which
+ possessed his brain. No one had ever taught him anything; colours he had
+ no means to buy; he had gone without bread many a time to procure even the
+ few rude vehicles that he had here; and it was only in black or white that
+ he could fashion the things he saw. This great figure which he had drawn
+ here in chalk was only an old man sitting on a fallen tree&mdash;only
+ that. He had seen old Michel, the woodman, sitting so at evening many a
+ time. He had never had a soul to tell him of outline or perspective, of
+ anatomy or of shadow; and yet he had given all the weary, worn-out age,
+ all the sad, quiet patience, all the rugged, care-worn pathos of his
+ original, and given them so that the old, lonely figure was a poem,
+ sitting there meditative and alone, on the dead tree, with the darkness of
+ the descending night behind him.
+ </p>
+ <p>
+ It was rude, of course, in a way, and had many faults, no doubt; and yet
+ it was real, true in nature, true in art, and very mournful, and in a
+ manner beautiful.
+ </p>
+ <p>
+ Patrasche had lain quiet countless hours watching its gradual creation
+ after the labor of each day was done, and he knew that Nello had a hope&mdash;vain
+ and wild perhaps, but strongly cherished&mdash;of sending this great
+ drawing to compete for a prize of two hundred francs a year which it was
+ announced in Antwerp would be open to every lad of talent, scholar or
+ peasant, under eighteen, who would attempt to win it with some unaided
+ work of chalk or pencil. Three of the foremost artists in the town of
+ Rubens were to be the judges and elect the victor according to his merits.
+ </p>
+ <p>
+ All the spring and summer and autumn Nello had been at work upon this
+ treasure, which if triumphant, would build him his first step toward
+ independence and the mysteries of the art which he blindly, ignorantly,
+ and yet passionately adored.
+ </p>
+ <p>
+ He said nothing to any one; his grandfather would not have understood, and
+ little Alois was lost to him. Only to Patrasche he told all, and
+ whispered, &ldquo;Rubens would give it me, I think, if he knew.&rdquo;
+ </p>
+ <p>
+ Patrasche thought so too, for he knew that Rubens had loved dogs or he had
+ never painted them with such exquisite fidelity; and men who loved dogs
+ were, as Patrasche knew, always pitiful.
+ </p>
+ <p>
+ The drawings were to go in on the first day of December, and the decision
+ be given on the twenty-fourth, so that he who should win might rejoice
+ with all his people at the Christmas season.
+ </p>
+ <p>
+ In the twilight of a bitter wintry day, and with a beating heart, now
+ quick with hope, now faint with fear, Nello placed the great picture on
+ his little green milk-cart, and took it, with the help of Patrasche, into
+ the town, and there left it, as enjoined, at the doors of a public
+ building.
+ </p>
+ <p>
+ &ldquo;Perhaps it is worth nothing at all. How can I tell?&rdquo; he thought, with the
+ heart-sickness of a great timidity. Now that he had left it there, it
+ seemed to him so hazardous, so vain, so foolish, to dream that he, a
+ little lad with bare feet who barely knew his letters, could do anything
+ at which great painters, real artists, could ever deign to look. Yet he
+ took heart as he went by the cathedral; the lordly form of Rubens seemed
+ to rise from the fog and the darkness, and to loom in its magnificence
+ before him, while the lips, with their kindly smile, seemed to him to
+ murmur, &ldquo;Nay, have courage! It was not by a weak heart and by faint fears
+ that I wrote my name for all time upon Antwerp.&rdquo;
+ </p>
+ <p>
+ Nello ran home through the cold night, comforted. He had done his best;
+ the rest must be as God willed, he thought, in that innocent,
+ unquestioning faith which had been taught him in the little gray chapel
+ among the willows and the poplar-trees.
+ </p>
+ <p>
+ The winter was very sharp already. That night, after they reached the hut,
+ snow fell, and fell for very many days after that; so that the paths and
+ the divisions in the fields were all obliterated, and all the smaller
+ streams were frozen over, and the cold was intense upon the plains. Then,
+ indeed, it became hard work to go round for the milk while the world was
+ all dark, and carry it through the darkness to the silent town. Hard work,
+ especially for Patrasche, for the passage of the years that were only
+ bringing Nello a stronger youth were bringing him old age, and his joints
+ were stiff and his bones ached often. But he would never give up his share
+ of the labour. Nello would fain have spared him and drawn the cart
+ himself, but Patrasche would not allow it. All he would ever permit or
+ accept was the help of a thrust from behind to the truck as it lumbered
+ along through the ice-ruts. Patrasche had lived in harness, and he was
+ proud of it. He suffered a great deal sometimes from frost and the
+ terrible roads and the rheumatic pains of his limbs; but he only drew his
+ breath hard and bent his stout neck, and trod onward with steady patience.
+ </p>
+ <p>
+ &ldquo;Rest thee at home, Patrasche; it is time thou didst rest, and I can quite
+ well push in the cart by myself,&rdquo; urged Nello many a morning; but
+ Patrasche, who understood him aright, would no more have consented to stay
+ at home than a veteran soldier to shirk when the charge was sounding; and
+ every day he would rise and place himself in his shafts, and plod along
+ over the snow through the fields that his four round feet had left their
+ print upon so many, many years.
+ </p>
+ <p>
+ &ldquo;One must never rest till one dies,&rdquo; thought Patrasche; and sometimes it
+ seemed to him that that time of rest for him was not very far off. His
+ sight was less clear than it had been, and it gave him pain to rise after
+ the night&rsquo;s sleep, though he would never lie a moment in his straw when
+ once the bell of the chapel tolling five let him know that the daybreak of
+ labor had begun.
+ </p>
+ <p>
+ &ldquo;My poor Patrasche, we shall soon lie quiet together, you and I,&rdquo; said old
+ Jehan Daas, stretching out to stroke the head of Patrasche with the old
+ withered hand which had always shared with him its one poor crust of
+ bread; and the hearts of the old man and the old dog ached together with
+ one thought: When they were gone who would care for their darling?
+ </p>
+ <p>
+ One afternoon, as they came back from Antwerp over the snow, which had
+ become hard and smooth as marble over all the Flemish plains, they found
+ dropped in the road a pretty little puppet, a tambourine player, all
+ scarlet and gold, about six inches high, and, unlike greater personages
+ when Fortune lets them drop, quite unspoiled and unhurt by its fall. It
+ was a pretty toy. Nello tried to find its owner, and, failing, thought
+ that it was just the thing to please Alois.
+ </p>
+ <p>
+ It was quite night when he passed the mill-house; he knew the little
+ window of her room; it could be no harm, he thought, if he gave her his
+ little piece of treasure-trove&mdash;they had been play-fellows so long.
+ There was a shed with a sloping roof beneath her casement; he climbed it
+ and tapped softly at the lattice; there was a little light within. The
+ child opened it and looked out half frightened.
+ </p>
+ <p>
+ Nello put the tambourine player into her hands. &ldquo;Here is a doll I found in
+ the snow, Alois. Take it,&rdquo; he whispered; &ldquo;take it, and God bless thee,
+ dear!&rdquo;
+ </p>
+ <p>
+ He slid down from the shed roof before she had time to thank him, and ran
+ off through the darkness.
+ </p>
+ <p>
+ That night there was a fire at the mill. Out-buildings and much corn were
+ destroyed, although the mill itself and the dwelling-house were unharmed.
+ All the village was out in terror, and engines came tearing through the
+ snow from Antwerp. The miller was insured, and would lose nothing;
+ nevertheless, he was in furious wrath, and declared aloud that the fire
+ was due to no accident, but to some foul intent.
+ </p>
+ <p>
+ Nello, awakened from his sleep, ran to help with the rest. Baas Cogez
+ thrust him angrily aside. &ldquo;Thou wert loitering here after dark,&rdquo; he said
+ roughly. &ldquo;I believe, on my soul, that thou dost know more of the fire than
+ any one.&rdquo;
+ </p>
+ <p>
+ Nello heard him in silence, stupefied, not supposing that any one could
+ say such things except in jest, and not comprehending how any one could
+ pass a jest at such a time.
+ </p>
+ <p>
+ Nevertheless, the miller said the brutal thing openly to many of his
+ neighbours in the day that followed; and though no serious charge was ever
+ preferred against the lad, it got bruited about that Nello had been seen
+ in the mill-yard after dark on some unspoken errand, and that he bore Baas
+ Cogez a grudge for forbidding his intercourse with little Alois; and so
+ the hamlet, which followed the sayings of its richest landowner servilely,
+ and whose families all hoped to secure the riches of Alois in some future
+ time for their sons, took the hint to give grave looks and cold words to
+ old Jehan Daas&rsquo;s grandson. No one said anything to him openly, but all the
+ village agreed together to humour the miller&rsquo;s prejudice, and at the
+ cottages and farms where Nello and Patrasche called every morning for the
+ milk for Antwerp, downcast glances and brief phrases replaced to them the
+ broad smiles and cheerful greetings to which they had been always used. No
+ one really credited the miller&rsquo;s absurd suspicions, nor the outrageous
+ accusations born of them; but the people were all very poor and very
+ ignorant, and the one rich man of the place had pronounced against him.
+ Nello, in his innocence and his friendlessness, had no strength to stem
+ the popular tide.
+ </p>
+ <p>
+ &ldquo;Thou art very cruel to the lad,&rdquo; the miller&rsquo;s wife dared to say, weeping,
+ to her lord. &ldquo;Sure, he is an innocent lad and a faithful, and would never
+ dream of any such wickedness, however sore his heart might be.&rdquo;
+ </p>
+ <p>
+ But Baas Cogez being an obstinate man, having once said a thing, held to
+ it doggedly, though in his innermost soul he knew well the injustice that
+ he was committing.
+ </p>
+ <p>
+ Meanwhile, Nello endured the injury done against him with a certain proud
+ patience that disdained to complain; he only gave way a little when he was
+ quite alone with old Patrasche. Besides, he thought, &ldquo;If it should win!
+ They will be sorry then, perhaps.&rdquo;
+ </p>
+ <p>
+ Still, to a boy not quite sixteen, and who had dwelt in one little world
+ all his short life, and in his childhood had been caressed and applauded
+ on all sides, it was a hard trial to have the whole of that little world
+ turn against him for naught. Especially hard in that bleak, snow-bound,
+ famine-stricken winter-time, when the only light and warmth there could be
+ found abode beside the village hearths and in the kindly greetings of
+ neighbours. In the winter-time all drew nearer to each other, all to all,
+ except to Nello and Patrasche, with whom none now would have anything to
+ do, and who were left to fare as they might with the old paralyzed,
+ bedridden man in the little cabin, whose fire was often low, and whose
+ board was often without bread; for there was a buyer from Antwerp who had
+ taken to drive his mule in of a day for the milk of the various dairies,
+ and there were only three or four of the people who had refused his terms
+ of purchase and remained faithful to the little green cart. So that the
+ burden which Patrasche drew had become very light, and the centime pieces
+ in Nello&rsquo;s pouch had become, alas! very small likewise.
+ </p>
+ <p>
+ The dog would stop, as usual, at all the familiar gates which were now
+ closed to him, and look up at them with wistful, mute appeal; and it cost
+ the neighbours a pang to shut their doors and their hearts, and let
+ Patrasche draw his cart on again, empty. Nevertheless, they did it, for
+ they desired to please Baas Cogez.
+ </p>
+ <p>
+ Noel was close at hand.
+ </p>
+ <p>
+ The weather was very wild and cold; the snow was six feet deep, and the
+ ice was firm enough to bear oxen and men upon it everywhere. At this
+ season the little village was always gay and cheerful. At the poorest
+ dwelling there were possets and cakes, joking and dancing, sugared saints
+ and gilded Jesus. The merry Flemish bells jingled everywhere on the
+ horses; everywhere within doors some well-filled soup-pot sang and smoked
+ over the stove; and everywhere over the snow without laughing maidens
+ pattered in bright kerchiefs and stout kirtles, going to and from the
+ mass. Only in the little hut it was very dark and very cold.
+ </p>
+ <p>
+ Nello and Patrasche were left utterly alone, for one night in the week
+ before the Christmas Day, death entered there, and took away from life
+ forever old Jehan Daas, who had never known life aught save its poverty
+ and its pains. He had long been half dead, incapable of any movement
+ except a feeble gesture, and powerless for anything beyond a gentle word;
+ and yet his loss fell on them both with a great horror in it; they mourned
+ him passionately. He had passed away from them in his sleep, and when in
+ the gray dawn they learned their bereavement, unutterable solitude and
+ desolation seemed to close around them. He had long been only a poor,
+ feeble, paralyzed old man, who could not raise a hand in their defence;
+ but he had loved them well, his smile had always welcomed their return.
+ They mourned for him unceasingly, refusing to be comforted, as in the
+ white winter day they followed the deal shell that held his body to the
+ nameless grave by the little gray church. They were his only mourners,
+ these two whom he had left friendless upon earth&mdash;the young boy and
+ the old dog.
+ </p>
+ <p>
+ &ldquo;Surely, he will relent now and let the poor lad come hither?&rdquo; thought the
+ miller&rsquo;s wife, glancing at her husband where he smoked by the hearth.
+ </p>
+ <p>
+ Baas Cogez knew her thought, but he hardened his heart, and would not
+ unbar his door as the little, humble funeral went by. &ldquo;The boy is a
+ beggar,&rdquo; he said to himself; &ldquo;he shall not be about Alois.&rdquo;
+ </p>
+ <p>
+ The woman dared not say anything aloud, but when the grave was closed and
+ the mourners had gone, she put a wreath of immortelles into Alois&rsquo;s hands
+ and bade her go and lay it reverently on the dark, unmarked mound where
+ the snow was displaced.
+ </p>
+ <p>
+ Nello and Patrasche went home with broken hearts. But even of that poor,
+ melancholy, cheerless home they were denied the consolation. There was a
+ month&rsquo;s rent overdue for their little home, and when Nello had paid the
+ last sad service to the dead he had not a coin left. He went and begged
+ grace of the owner of the hut, a cobbler who went every Sunday night to
+ drink his pint of wine and smoke with Baas Cogez. The cobbler would grant
+ no mercy. He was a harsh, miserly man, and loved money. He claimed in
+ default of his rent every stick and stone, every pot and pan, in the hut,
+ and bade Nello and Patrasche be out of it on the morrow.
+ </p>
+ <p>
+ Now, the cabin was lowly enough, and in some sense miserable enough, and
+ yet their hearts clove to it with a great affection. They had been so
+ happy there, and in the summer, with its clambering vine and its flowering
+ beans, it was so pretty and bright in the midst of the sun-lighted fields!
+ Their life in it had been full of labor and privation, and yet they had
+ been so well content, so gay of heart, running together to meet the old
+ man&rsquo;s never-failing smile of welcome!
+ </p>
+ <p>
+ All night long the boy and the dog sat by the fireless hearth in the
+ darkness, drawn close together for warmth and sorrow. Their bodies were
+ insensible to the cold, but their hearts seemed frozen in them.
+ </p>
+ <p>
+ When the morning broke over the white, chill earth it was the morning of
+ Christmas Eve. With a shudder, Nello clasped close to him his only friend,
+ while his tears fell hot and fast on the dog&rsquo;s frank forehead. &ldquo;Let us go,
+ Patrasche&mdash;dear, dear Patrasche,&rdquo; he murmured. &ldquo;We will not wait to
+ be kicked out; let us go.&rdquo;
+ </p>
+ <p>
+ Patrasche had no will but his, and they went sadly, side by side, out from
+ the little place which was so dear to them both, and in which every
+ humble, homely thing was to them precious and beloved. Patrasche drooped
+ his head wearily as he passed by his own green cart; it was no longer his,&mdash;it
+ had to go with the rest to pay the rent,&mdash;and his brass harness lay
+ idle and glittering on the snow. The dog could have lain down beside it
+ and died for very heart-sickness as he went, but while the lad lived and
+ needed him Patrasche would not yield and give way.
+ </p>
+ <p>
+ They took the old accustomed road into Antwerp. The day had yet scarce
+ more than dawned; most of the shutters were still closed, but some of the
+ villagers were about. They took no notice while the dog and the boy passed
+ by them. At one door Nello paused and looked wistfully within; his
+ grandfather had done many a kindly turn in neighbour&rsquo;s service to the
+ people who dwelt there.
+ </p>
+ <p>
+ &ldquo;Would you give Patrasche a crust?&rdquo; he said, timidly. &ldquo;He is old, and he
+ has had nothing since last forenoon.&rdquo;
+ </p>
+ <p>
+ The woman shut the door hastily, murmuring some vague saying about wheat
+ and rye being very dear that season. The boy and the dog went on again
+ wearily; they asked no more.
+ </p>
+ <p>
+ By slow and painful ways they reached Antwerp as the chimes tolled ten.
+ </p>
+ <p>
+ &ldquo;If I had anything about me I could sell to get him bread!&rdquo; thought Nello;
+ but he had nothing except the wisp of linen and serge that covered him,
+ and his pair of wooden shoes.
+ </p>
+ <p>
+ Patrasche understood, and nestled his nose into the lad&rsquo;s hand as though
+ to pray him not to be disquieted for any woe or want of his.
+ </p>
+ <p>
+ The winner of the drawing prize was to be proclaimed at noon, and to the
+ public building where he had left his treasure Nello made his way. On the
+ steps and in the entrance-hall there was a crowd of youths,&mdash;some of
+ his age, some older, all with parents or relatives or friends. His heart
+ was sick with fear as he went among them holding Patrasche close to him.
+ The great bells of the city clashed out the hour of noon with brazen
+ clamour. The doors of the inner hall were opened; the eager, panting
+ throng rushed in. It was known that the selected picture would be raised
+ above the rest upon a wooden dais.
+ </p>
+ <p>
+ A mist obscured Nello&rsquo;s sight, his head swam, his limbs almost failed him.
+ When his vision cleared he saw the drawing raised on high; it was not his
+ own! A slow, sonorous voice was proclaiming aloud that victory had been
+ adjudged to Stephen Kiesslinger, born in the burg of Antwerp, son of a
+ wharfinger in that town.
+ </p>
+ <p>
+ When Nello recovered his consciousness he was lying on the stones without,
+ and Patrasche was trying with every art he knew to call him back to life.
+ In the distance a throng of the youths of Antwerp were shouting around
+ their successful comrade, and escorting him with acclamations to his home
+ upon the quay.
+ </p>
+ <p>
+ The boy staggered to his feet and drew the dog into his embrace. &ldquo;It is
+ all over, dear Patrasche,&rdquo; he murmured&mdash;&ldquo;all over!&rdquo;
+ </p>
+ <p>
+ He rallied himself as best he could, for he was weak from fasting, and
+ retraced his steps to the village. Patrasche paced by his side with his
+ head drooping and his old limbs feeble from hunger and sorrow.
+ </p>
+ <p>
+ The snow was falling fast; a keen hurricane blew from the north; it was
+ bitter as death on the plains. It took them long to traverse the familiar
+ path, and the bells were sounding four of the clock as they approached the
+ hamlet. Suddenly Patrasche paused, arrested by a scent in the snow,
+ scratched, whined, and drew out with his teeth a small case of brown
+ leather. He held it up to Nello in the darkness. Where they were there
+ stood a little Calvary, and a lamp burned dully under the cross; the boy
+ mechanically turned the case to the light; on it was the name of Baas
+ Cogez, and within it were notes for two thousand francs.
+ </p>
+ <p>
+ The sight roused the lad a little from his stupor. He thrust it in his
+ shirt, and stroked Patrasche and drew him onward. The dog looked up
+ wistfully in his face.
+ </p>
+ <p>
+ Nello made straight for the mill-house, and went to the house door and
+ struck on its panels. The miller&rsquo;s wife opened it weeping, with little
+ Alois clinging close to her skirts. &ldquo;Is it thee, thou poor lad?&rdquo; she said
+ kindly, through her tears. &ldquo;Get thee gone ere the Baas see thee. We are in
+ sore trouble to-night. He is out seeking for a power of money that he has
+ let fall riding homeward, and in this snow he never will find it; and God
+ knows it will go nigh to ruin us. It is Heaven&rsquo;s own judgment for the
+ things we have done to thee.&rdquo;
+ </p>
+ <p>
+ Nello put the note-case in her hand and called Patrasche within the house.
+ &ldquo;Patrasche found the money to-night,&rdquo; he said quickly. &ldquo;Tell Baas Cogez
+ so; I think he will not deny the dog shelter and food in his old age. Keep
+ him from pursuing me, and I pray of you to be good to him.&rdquo;
+ </p>
+ <p>
+ Ere either woman or dog knew what he meant he had stooped and kissed
+ Patrasche, then closed the door hurriedly, and disappeared in the gloom of
+ the fast-falling night.
+ </p>
+ <p>
+ The woman and the child stood speechless with joy and fear; Patrasche
+ vainly spent the fury of his anguish against the iron-bound oak of the
+ barred house door. They did not dare unbar the door and let him forth;
+ they tried all they could to solace him. They brought him sweet cakes and
+ juicy meats; they tempted him with the best they had; they tried to lure
+ him to abide by the warmth of the hearth; but it was of no avail.
+ Patrasche refused to be comforted or to stir from the barred portal.
+ </p>
+ <p>
+ It was six o&rsquo;clock when from an opposite entrance the miller at last came,
+ jaded and broken, into his wife&rsquo;s presence. &ldquo;It is lost forever,&rdquo; he said,
+ with an ashen cheek and a quiver in his stern voice. &ldquo;We have looked with
+ lanterns everywhere; it is gone&mdash;the little maiden&rsquo;s portion and
+ all!&rdquo;
+ </p>
+ <p>
+ His wife put the money into his hand, and told him how it had come to her.
+ The strong man sank trembling into a seat and covered his face, ashamed
+ and almost afraid. &ldquo;I have been cruel to the lad,&rdquo; he muttered at length;
+ &ldquo;I deserved not to have good at his hands.&rdquo;
+ </p>
+ <p>
+ Little Alois, taking courage, crept close to her father and nestled
+ against him her fair curly head. &ldquo;Nello may come here again, father?&rdquo; she
+ whispered. &ldquo;He may come to-morrow as he used to do?&rdquo;
+ </p>
+ <p>
+ The miller pressed her in his arms; his hard, sunburnt face was very pale
+ and his mouth trembled. &ldquo;Surely, surely,&rdquo; he answered his child. &ldquo;He shall
+ bide here on Christmas Day, and any other day he will. God helping me, I
+ will make amends to the boy&mdash;I will make amends.&rdquo;
+ </p>
+ <p>
+ Little Alois kissed him in gratitude and joy; then slid from his knees and
+ ran to where the dog kept watch by the door. &ldquo;And to-night I may feast
+ Patrasche?&rdquo; she cried in a child&rsquo;s thoughtless glee.
+ </p>
+ <p>
+ Her father bent his head gravely: &ldquo;Ay, ay! let the dog have the best;&rdquo; for
+ the stern old man was moved and shaken to his heart&rsquo;s depths.
+ </p>
+ <p>
+ It was Christmas eve, and the mill-house was filled with oak logs and
+ squares of turf, with cream and honey, with meat and bread, and the
+ rafters were hung with wreaths of evergreen, and the Calvary and the
+ cuckoo clock looked out from a mass of holly. There were little paper
+ lanterns, too, for Alois, and toys of various fashions and sweetmeats in
+ bright-pictured papers. There were light and warmth and abundance
+ everywhere, and the child would fain have made the dog a guest honoured
+ and feasted.
+ </p>
+ <p>
+ But Patrasche would neither lie in the warmth nor share in the cheer.
+ Famished he was and very cold, but without Nello he would partake neither
+ of comfort nor food. Against all temptation he was proof, and close
+ against the door he leaned always, watching only for a means of escape.
+ </p>
+ <p>
+ &ldquo;He wants the lad,&rdquo; said Baas Cogez. &ldquo;Good dog! good dog! I will go over
+ to the lad the first thing at day-dawn.&rdquo; For no one but Patrasche knew
+ that Nello had left the hut, and no one but Patrasche divined that Nello
+ had gone to face starvation and misery alone.
+ </p>
+ <p>
+ The mill kitchen was very warm; great logs crackled and flamed on the
+ hearth; neighbours came in for a glass of wine and a slice of the fat
+ goose baking for supper. Alois, gleeful and sure of her playmate back on
+ the morrow, bounded and sang and tossed back her yellow hair. Baas Cogez,
+ in the fulness of his heart, smiled on her through moistened eyes, and
+ spoke of the way in which he would befriend her favourite companion; the
+ house-mother sat with calm, contented face at the spinning-wheel; the
+ cuckoo in the clock chirped mirthful hours. Amidst it all Patrasche was
+ bidden with a thousand words of welcome to tarry there a cherished guest.
+ But neither peace nor plenty could allure him where Nello was not.
+ </p>
+ <p>
+ When the supper smoked on the board, and the voices were loudest and
+ gladdest, and the Christ-child brought choicest gifts to Alois, Patrasche,
+ watching always an occasion, glided out when the door was unlatched by a
+ careless new-comer, and, as swiftly as his weak and tired limbs would bear
+ him sped over the snow in the bitter, black night. He had only one thought&mdash;to
+ follow Nello. A human friend might have paused for the pleasant meal, the
+ cheery warmth, the cosey slumber; but that was not the friendship of
+ Patrasche. He remembered a bygone time, when an old man and a little child
+ had found him sick unto death in the wayside ditch.
+ </p>
+ <p>
+ Snow had fallen freshly all the evening long; it was now nearly ten; the
+ trail of the boy&rsquo;s footsteps was almost obliterated. It took Patrasche
+ long to discover any scent. When at last he found it, it was lost again
+ quickly, and lost and recovered, and again lost and again recovered, a
+ hundred times or more.
+ </p>
+ <p>
+ The night was very wild. The lamps under the wayside crosses were blown
+ out; the roads were sheets of ice; the impenetrable darkness hid every
+ trace of habitations; there was no living thing abroad. All the cattle
+ were housed, and in all the huts and homesteads men and women rejoiced and
+ feasted. There was only Patrasche out in the cruel cold&mdash;old and
+ famished and full of pain, but with the strength and the patience of a
+ great love to sustain him in his search.
+ </p>
+ <p>
+ The trail of Nello&rsquo;s steps, faint and obscure as it was under the new
+ snow, went straightly along the accustomed tracks into Antwerp. It was
+ past midnight when Patrasche traced it over the boundaries of the town and
+ into the narrow, tortuous, gloomy streets. It was all quite dark in the
+ town, save where some light gleamed ruddily through the crevices of house
+ shutters, or some group went homeward with lanterns chanting
+ drinking-songs. The streets were all white with ice; the high walls and
+ roofs loomed black against them. There was scarce a sound save the riot of
+ the winds down the passages as they tossed the creaking signs and shook
+ the tall lamp-irons.
+ </p>
+ <p>
+ So many passers-by had trodden through and through the snow, so many
+ diverse paths had crossed and recrossed each other, that the dog had a
+ hard task to retain any hold on the track he followed. But he kept on his
+ way, though the cold pierced him to the bone, and the jagged ice cut his
+ feet, and the hunger in his body gnawed like a rat&rsquo;s teeth. He kept on his
+ way,&mdash;a poor gaunt, shivering thing,&mdash;and by long patience
+ traced the steps he loved into the very heart of the burg and up to the
+ steps of the great cathedral.
+ </p>
+ <p>
+ &ldquo;He is gone to the things that he loved,&rdquo; thought Patrasche; he could not
+ understand, but he was full of sorrow and of pity for the art passion that
+ to him was so incomprehensible and yet so sacred.
+ </p>
+ <p>
+ The portals of the cathedral were unclosed after the midnight mass. Some
+ heedlessness in the custodians, too eager to go home and feast or sleep,
+ or too drowsy to know whether they turned the keys aright, had left one of
+ the doors unlocked. By that accident the footfalls Patrasche sought had
+ passed through into the building, leaving the white marks of snow upon the
+ dark stone floor. By that slender white thread, frozen as it fell, he was
+ guided through the intense silence, through the immensity of the vaulted
+ space&mdash;guided straight to the gates of the chancel, and, stretched
+ there upon the stones, he found Nello. He crept up, and touched the face
+ of the boy. &ldquo;Didst thou dream that I should be faithless and forsake thee?
+ I&mdash;a dog?&rdquo; said that mute caress.
+ </p>
+ <p>
+ The lad raised himself with a low cry and clasped him close. &ldquo;Let us lie
+ down and die together,&rdquo; he murmured. &ldquo;Men have no need of us, and we are
+ all alone.&rdquo;
+ </p>
+ <p>
+ In answer, Patrasche crept closer yet, and laid his head upon the young
+ boy&rsquo;s breast. The great tears stood in his brown, sad eyes; not for
+ himself&mdash;for himself he was happy.
+ </p>
+ <p>
+ They lay close together in the piercing cold. The blasts that blew over
+ the Flemish dikes from the northern seas were like waves of ice, which
+ froze every living thing they touched. The interior of the immense vault
+ of stone in which they were was even more bitterly chill than the
+ snow-covered plains without. Now and then a bat moved in the shadows; now
+ and then a gleam of light came on the ranks of carven figures. Under the
+ Rubens they lay together quite still, and soothed almost into a dreaming
+ slumber by the numbing narcotic of the cold. Together they dreamed of the
+ old glad days when they had chased each other through the flowering
+ grasses of the summer meadows, or sat hidden in the tall bulrushes by the
+ water&rsquo;s side, watching the boats go seaward in the sun.
+ </p>
+ <p>
+ Suddenly through the darkness a great white radiance streamed through the
+ vastness of the aisles; the moon, that was at her height, had broken
+ through the clouds; the snow had ceased to fall; the light reflected from
+ the snow without was clear as the light of dawn. It fell through the
+ arches full upon the two pictures above, from which the boy on his
+ entrance had flung back the veil: the &ldquo;Elevation&rdquo; and the &ldquo;Descent of the
+ Cross&rdquo; were for one instant visible.
+ </p>
+ <p>
+ Nello rose to his feet and stretched his arms to them; the tears of a
+ passionate ecstasy glistened on the paleness of his face. &ldquo;I have seen
+ them at last!&rdquo; he cried aloud. &ldquo;O God, it is enough!&rdquo;
+ </p>
+ <p>
+ His limbs failed under him, and he sank upon his knees, still gazing
+ upward at the majesty that he adored. For a few brief moments the light
+ illumined the divine visions that had been denied to him so long&mdash;light
+ clear and sweet and strong as though it streamed from the throne of
+ Heaven. Then suddenly it passed away; once more a great darkness covered
+ the face of Christ.
+ </p>
+ <p>
+ The arms of the boy drew close again the body of the dog. &ldquo;We shall see
+ His face&mdash;<i>there</i>,&rdquo; he murmured; &ldquo;and He will not part us, I
+ think.&rdquo;
+ </p>
+ <p>
+ On the morrow, by the chancel of the cathedral, the people of Antwerp
+ found them both. They were both dead; the cold of the night had frozen
+ into stillness alike the young life and the old. When the Christmas
+ morning broke and the priests came to the temple, they saw them lying thus
+ on the stones together. Above, the veils were drawn back from the great
+ visions of Rubens, and the fresh rays of the sunrise touched the
+ thorn-crowned head of the Christ.
+ </p>
+ <p>
+ As the day grew on there came an old, hard-featured man who wept as women
+ weep. &ldquo;I was cruel to the lad,&rdquo; he muttered; &ldquo;and now I would have made
+ amends,&mdash;yea, to the half of my substance,&mdash;and he should have
+ been to me as a son.&rdquo;
+ </p>
+ <p>
+ There came also, as the day grew apace, a painter who had fame in the
+ world, and who was liberal of hand and of spirit. &ldquo;I seek one who should
+ have had the prize yesterday had worth won,&rdquo; he said to the people&mdash;&ldquo;a
+ boy of rare promise and genius. An old wood-cutter on a fallen tree at
+ eventide&mdash;that was all his theme; but there was greatness for the
+ future in it. I would fain find him, and take him with me and teach him
+ art.&rdquo;
+ </p>
+ <p>
+ And a little child with curling fair hair, sobbing bitterly as she clung
+ to her father&rsquo;s arm, cried aloud, &ldquo;Oh, Nello, come! We have all ready for
+ thee. The Christ-child&rsquo;s hands are full of gifts, and the old piper will
+ play for us; and the mother says thou shalt stay by the hearth and burn
+ nuts with us all the Noel week long&mdash;yes, even to the Feast of the
+ Kings! And Patrasche will be so happy! Oh, Nello, wake and come!&rdquo;
+ </p>
+ <p>
+ But the young pale face, turned upward to the light of the great Rubens
+ with a smile upon its mouth, answered them all, &ldquo;It is too late.&rdquo;
+ </p>
+ <p>
+ For the sweet, sonorous bells went ringing through the frost, and the
+ sunlight shone upon the plains of snow, and the populace trooped gay and
+ glad through the streets, but Nello and Patrasche no more asked charity at
+ their hands. All they needed now Antwerp gave unbidden.
+ </p>
+ <p>
+ Death had been more pitiful to them than longer life would have been. It
+ had taken the one in the loyalty of love, and the other in the innocence
+ of faith, from a world which for love has no recompense and for faith no
+ fulfilment.
+ </p>
+ <p>
+ All their lives they had been together, and in their deaths they were not
+ divided; for when they were found the arms of the boy were folded too
+ closely around the dog to be severed without violence, and the people of
+ their little village, contrite and ashamed, implored a special grace for
+ them, and, making them one grave, laid them to rest there side by side&mdash;forever!
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ MARKHEIM, by Robert Louis Stevenson
+ </h2>
+ <p>
+ &ldquo;Yes,&rdquo; said the dealer, &ldquo;our windfalls are of various kinds. Some
+ customers are ignorant, and then I touch a dividend on my superior
+ knowledge. Some are dishonest,&rdquo; and here he held up the candle, so that
+ the light fell strongly on his visitor, &ldquo;and in that case,&rdquo; he continued,
+ &ldquo;I profit by my virtue.&rdquo;
+ </p>
+ <p>
+ Markheim had but just entered from the daylight streets, and his eyes had
+ not yet grown familiar with the mingled shine and darkness in the shop. At
+ these pointed words, and before the near presence of the flame, he blinked
+ painfully and looked aside.
+ </p>
+ <p>
+ The dealer chuckled. &ldquo;You come to me on Christmas Day,&rdquo; he resumed, &ldquo;when
+ you know that I am alone in my house, put up my shutters, and make a point
+ of refusing business. Well, you will have to pay for that; you will have
+ to pay for my loss of time, when I should be balancing my books; you will
+ have to pay, besides, for a kind of manner that I remark in you to-day
+ very strongly. I am the essence of discretion, and ask no awkward
+ questions; but when a customer cannot look me in the eye, he has to pay
+ for it.&rdquo; The dealer once more chuckled; and then, changing to his usual
+ business voice, though still with a note of irony, &ldquo;You can give, as
+ usual, a clear account of how you came into the possession of the object?&rdquo;
+ he continued. &ldquo;Still your uncle&rsquo;s cabinet? A remarkable collector, sir!&rdquo;
+ </p>
+ <p>
+ And the little pale, round-shouldered dealer stood almost on tip-toe,
+ looking over the top of his gold spectacles, and nodding his head with
+ every mark of disbelief. Markheim returned his gaze with one of infinite
+ pity, and a touch of horror.
+ </p>
+ <p>
+ &ldquo;This time,&rdquo; said he, &ldquo;you are in error. I have not come to sell, but to
+ buy. I have no curios to dispose of; my uncle&rsquo;s cabinet is bare to the
+ wainscot; even were it still intact, I have done well on the Stock
+ Exchange, and should more likely add to it than otherwise, and my errand
+ to-day is simplicity itself. I seek a Christmas present for a lady,&rdquo; he
+ continued, waxing more fluent as he struck into the speech he had
+ prepared; &ldquo;and certainly I owe you every excuse for thus disturbing you
+ upon so small a matter. But the thing was neglected yesterday; I must
+ produce my little compliment at dinner; and, as you very well know, a rich
+ marriage is not a thing to be neglected.&rdquo;
+ </p>
+ <p>
+ There followed a pause, during which the dealer seemed to weigh this
+ statement incredulously. The ticking of many clocks among the curious
+ lumber of the shop, and the faint rushing of the cabs in a near
+ thoroughfare, filled up the interval of silence.
+ </p>
+ <p>
+ &ldquo;Well, sir,&rdquo; said the dealer, &ldquo;be it so. You are an old customer after
+ all; and if, as you say, you have the chance of a good marriage, far be it
+ from me to be an obstacle. Here is a nice thing for a lady now,&rdquo; he went
+ on, &ldquo;this hand-glass&mdash;fifteenth century, warranted; comes from a good
+ collection, too; but I reserve the name, in the interests of my customer,
+ who was just like yourself, my dear sir, the nephew and sole heir of a
+ remarkable collector.&rdquo;
+ </p>
+ <p>
+ The dealer, while he thus ran on in his dry and biting voice, had stooped
+ to take the object from its place; and, as he had done so, a shock had
+ passed through Markheim, a start both of hand and foot, a sudden leap of
+ many tumultuous passions to the face. It passed as swiftly as it came, and
+ left no trace beyond a certain trembling of the hand that now received the
+ glass.
+ </p>
+ <p>
+ &ldquo;A glass,&rdquo; he said hoarsely, and then paused, and repeated it more
+ clearly. &ldquo;A glass? For Christmas? Surely not?&rdquo;
+ </p>
+ <p>
+ &ldquo;And why not?&rdquo; cried the dealer. &ldquo;Why not a glass?&rdquo;
+ </p>
+ <p>
+ Markheim was looking upon him with an indefinable expression. &ldquo;You ask me
+ why not?&rdquo; he said. &ldquo;Why, look here&mdash;look in it&mdash;look at
+ yourself! Do you like to see it? No! nor I&mdash;nor any man.&rdquo;
+ </p>
+ <p>
+ The little man had jumped back when Markheim had so suddenly confronted
+ him with the mirror; but now, perceiving there was nothing worse on hand,
+ he chuckled. &ldquo;Your future lady, sir, must be pretty hard favoured,&rdquo; said
+ he.
+ </p>
+ <p>
+ &ldquo;I ask you,&rdquo; said Markheim, &ldquo;for a Christmas present, and you give me this&mdash;this
+ damned reminder of years, and sins and follies&mdash;this hand-conscience!
+ Did you mean it? Had you a thought in your mind? Tell me. It will be
+ better for you if you do. Come, tell me about yourself. I hazard a guess
+ now, that you are in secret a very charitable man.&rdquo;
+ </p>
+ <p>
+ The dealer looked closely at his companion. It was very odd, Markheim did
+ not appear to be laughing; there was something in his face like an eager
+ sparkle of hope, but nothing of mirth.
+ </p>
+ <p>
+ &ldquo;What are you driving at?&rdquo; the dealer asked.
+ </p>
+ <p>
+ &ldquo;Not charitable?&rdquo; returned the other, gloomily. &ldquo;Not charitable; not
+ pious; not scrupulous; unloving, unbeloved; a hand to get money, a safe to
+ keep it. Is that all? Dear God, man, is that all?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will tell you what it is,&rdquo; began the dealer, with some sharpness, and
+ then broke off again into a chuckle. &ldquo;But I see this is a love match of
+ yours, and you have been drinking the lady&rsquo;s health.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; cried Markheim, with a strange curiosity. &ldquo;Ah, have you been in
+ love? Tell me about that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I,&rdquo; cried the dealer. &ldquo;I in love! I never had the time, nor have I the
+ time to-day for all this nonsense. Will you take the glass?&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is the hurry?&rdquo; returned Markheim. &ldquo;It is very pleasant to stand
+ here talking; and life is so short and insecure that I would not hurry
+ away from any pleasure&mdash;no, not even from so mild a one as this. We
+ should rather cling, cling to what little we can get, like a man at a
+ cliff&rsquo;s edge. Every second is a cliff, if you think upon it&mdash;a cliff
+ a mile high&mdash;high enough, if we fall, to dash us out of every feature
+ of humanity. Hence it is best to talk pleasantly. Let us talk of each
+ other; why should we wear this mask? Let us be confidential. Who knows? we
+ might become friends.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have just one word to say to you,&rdquo; said the dealer. &ldquo;Either make your
+ purchase, or walk out of my shop.&rdquo;
+ </p>
+ <p>
+ &ldquo;True, true,&rdquo; said Markheim. &ldquo;Enough fooling. To business. Show me
+ something else.&rdquo;
+ </p>
+ <p>
+ The dealer stooped once more, this time to replace the glass upon the
+ shelf, his thin blond hair falling over his eyes as he did so. Markheim
+ moved a little nearer, with one hand in the pocket of his greatcoat; he
+ drew himself up and filled his lungs; at the same time many different
+ emotions were depicted together on his face&mdash;terror, horror, and
+ resolve, fascination and a physical repulsion; and through a haggard lift
+ of his upper lip, his teeth looked out.
+ </p>
+ <p>
+ &ldquo;This, perhaps, may suit,&rdquo; observed the dealer. And then, as he began to
+ rearise, Markheim bounded from behind upon his victim. The long,
+ skewer-like dagger flashed and fell. The dealer struggled like a hen,
+ striking his temple on the shelf, and then tumbled on the floor in a heap.
+ </p>
+ <p>
+ Time had some score of small voices in that shop&mdash;some stately and
+ slow as was becoming to their great age; others garrulous and hurried. All
+ these told out the seconds in an intricate chorus of tickings. Then the
+ passage of a lad&rsquo;s feet, heavily running on the pavement, broke in upon
+ these smaller voices and startled Markheim into the consciousness of his
+ surroundings. He looked about him awfully. The candle stood on the
+ counter, its flame solemnly wagging in a draught; and by that
+ inconsiderable movement the whole room was filled with noiseless bustle
+ and kept heaving like a sea: the tall shadows nodding, the gross blots of
+ darkness swelling and dwindling as with respiration, the faces of the
+ portraits and the china gods changing and wavering like images in water.
+ The inner door stood ajar, and peered into that leaguer of shadows with a
+ long slit of daylight like a pointing finger.
+ </p>
+ <p>
+ From these fear-stricken rovings, Markheim&rsquo;s eyes returned to the body of
+ his victim, where it lay, both humped and sprawling, incredibly small and
+ strangely meaner than in life. In these poor, miserly clothes, in that
+ ungainly attitude, the dealer lay like so much sawdust. Markheim had
+ feared to see it, and, lo! it was nothing. And yet, as he gazed, this
+ bundle of old clothes and pool of blood began to find eloquent voices.
+ There it must lie; there was none to work the cunning hinges or direct the
+ miracle of locomotion; there it must lie till it was found. Found! ay, and
+ then? Then would this dead flesh lift up a cry that would ring over
+ England, and fill the world with the echoes of pursuit. Ay, dead or not,
+ this was still the enemy. &ldquo;Time was that when the brains were out,&rdquo; he
+ thought; and the first word struck into his mind. Time, now that the deed
+ was accomplished&mdash;time, which had closed for the victim, had become
+ instant and momentous for the slayer.
+ </p>
+ <p>
+ The thought was yet in his mind, when, first one and then another, with
+ every variety of pace and voice&mdash;one deep as the bell from a
+ cathedral turret, another ringing on its treble notes the prelude of a
+ waltz,&mdash;the clocks began to strike the hour of three in the
+ afternoon.
+ </p>
+ <p>
+ The sudden outbreak of so many tongues in that dumb chamber staggered him.
+ He began to bestir himself, going to and fro with the candle, beleaguered
+ by moving shadows, and startled to the soul by chance reflections. In many
+ rich mirrors, some of home design, some from Venice or Amsterdam, he saw
+ his face repeated and repeated, as it were an army of spies; his own eyes
+ met and detected him; and the sound of his own steps, lightly as they
+ fell, vexed the surrounding quiet. And still, as he continued to fill his
+ pockets, his mind accused him with a sickening iteration, of the thousand
+ faults of his design. He should have chosen a more quiet hour; he should
+ have prepared an alibi; he should not have used a knife; he should have
+ been more cautious, and only bound and gagged the dealer, and not killed
+ him; he should have been more bold, and killed the servant also; he should
+ have done all things otherwise. Poignant regrets, weary, incessant toiling
+ of the mind to change what was unchangeable, to plan what was now useless,
+ to be the architect of the irrevocable past. Meanwhile, and behind all
+ this activity, brute terrors, like the scurrying of rats in a deserted
+ attic, filled the more remote chambers of his brain with riot; the hand of
+ the constable would fall heavy on his shoulder, and his nerves would jerk
+ like a hooked fish; or he beheld, in galloping defile, the dock, the
+ prison, the gallows, and the black coffin.
+ </p>
+ <p>
+ Terror of the people in the street sat down before his mind like a
+ besieging army. It was impossible, he thought, but that some rumour of the
+ struggle must have reached their ears and set on edge their curiosity; and
+ now, in all the neighbouring houses, he divined them sitting motionless
+ and with uplifted ear&mdash;solitary people, condemned to spend Christmas
+ dwelling alone on memories of the past, and now startingly recalled from
+ that tender exercise; happy family parties struck into silence round the
+ table, the mother still with raised finger&mdash;every degree and age and
+ humour, but all, by their own hearths, prying and hearkening and weaving
+ the rope that was to hang him. Sometimes it seemed to him he could not
+ move too softly; the clink of the tall Bohemian goblets rang out loudly
+ like a bell; and alarmed by the bigness of the ticking, he was tempted to
+ stop the clocks. And then, again, with a swift transition of his terrors,
+ the very silence of the place appeared a source of peril, and a thing to
+ strike and freeze the passer-by; and he would step more boldly, and bustle
+ aloud among the contents of the shop, and imitate, with elaborate bravado,
+ the movements of a busy man at ease in his own house.
+ </p>
+ <p>
+ But he was now so pulled about by different alarms that, while one portion
+ of his mind was still alert and cunning, another trembled on the brink of
+ lunacy. One hallucination in particular took a strong hold on his
+ credulity. The neighbour hearkening with white face beside his window, the
+ passer-by arrested by a horrible surmise on the pavement&mdash;these could
+ at worst suspect, they could not know; through the brick walls and
+ shuttered windows only sounds could penetrate. But here, within the house,
+ was he alone? He knew he was; he had watched the servant set forth
+ sweet-hearting, in her poor best, &ldquo;out for the day&rdquo; written in every
+ ribbon and smile. Yes, he was alone, of course; and yet, in the bulk of
+ empty house above him, he could surely hear a stir of delicate footing; he
+ was surely conscious, inexplicably conscious of some presence. Ay, surely;
+ to every room and corner of the house his imagination followed it; and now
+ it was a faceless thing, and yet had eyes to see with; and again it was a
+ shadow of himself; and yet again behold the image of the dead dealer,
+ reinspired with cunning and hatred.
+ </p>
+ <p>
+ At times, with a strong effort, he would glance at the open door which
+ still seemed to repel his eyes. The house was tall, the skylight small and
+ dirty, the day blind with fog; and the light that filtered down to the
+ ground story was exceedingly faint, and showed dimly on the threshold of
+ the shop. And yet, in that strip of doubtful brightness, did there not
+ hang wavering a shadow?
+ </p>
+ <p>
+ Suddenly, from the street outside, a very jovial gentleman began to beat
+ with a staff on the shop door, accompanying his blows with shouts and
+ railleries in which the dealer was continually called upon by name.
+ Markheim, smitten into ice, glanced at the dead man. But no! he lay quite
+ still; he was fled away far beyond earshot of these blows and shoutings;
+ he was sunk beneath seas of silence; and his name, which would once have
+ caught his notice above the howling of a storm, had become an empty sound.
+ And presently the jovial gentleman desisted from his knocking and
+ departed.
+ </p>
+ <p>
+ Here was a broad hint to hurry what remained to be done, to get forth from
+ this accusing neighbourhood, to plunge into a bath of London multitudes,
+ and to reach, on the other side of day, that haven of safety and apparent
+ innocence&mdash;his bed. One visitor had come; at any moment another might
+ follow and be more obstinate. To have done the deed, and yet not to reap
+ the profit, would be too abhorrent a failure. The money&mdash;that was now
+ Markheim&rsquo;s concern; and as a means to that, the keys.
+ </p>
+ <p>
+ He glanced over his shoulder at the open door, where the shadow was still
+ lingering and shivering; and with no conscious repugnance of the mind, yet
+ with a tremor of the belly, he drew near the body of his victim. The human
+ character had quite departed. Like a suit half-stuffed with bran, the
+ limbs lay scattered, the trunk doubled, on the floor; and yet the thing
+ repelled him. Although so dingy and inconsiderable to the eye, he feared
+ it might have more significance to the touch. He took the body by the
+ shoulders, and turned it on its back. It was strangely light and supple,
+ and the limbs, as if they had been broken, fell into the oddest postures.
+ The face was robbed of all expression; but it was as pale as wax, and
+ shockingly smeared with blood about one temple. That was, for Markheim,
+ the one displeasing circumstance. It carried him back, upon the instant,
+ to a certain fair-day in a fishers&rsquo; village: a gray day, a piping wind, a
+ crowd upon the street, the blare of brasses, the booming of drums, the
+ nasal voice of a ballad singer; and a boy going to and fro, buried
+ overhead in the crowd and divided between interest and fear, until, coming
+ out upon the chief place of concourse, he beheld a booth and a great
+ screen with pictures, dismally designed, garishly coloured&mdash;Brownrigg
+ with her apprentice, the Mannings with their murdered guest, Weare in the
+ death-grip of Thurtell, and a score besides of famous crimes. The thing
+ was as clear as an illusion He was once again that little boy; he was
+ looking once again, and with the same sense of physical revolt, at these
+ vile pictures; he was still stunned by the thumping of the drums. A bar of
+ that day&rsquo;s music returned upon his memory; and at that, for the first
+ time, a qualm came over him, a breath of nausea, a sudden weakness of the
+ joints, which he must instantly resist and conquer.
+ </p>
+ <p>
+ He judged it more prudent to confront than to flee from these
+ considerations, looking the more hardily in the dead face, bending his
+ mind to realise the nature and greatness of his crime. So little a while
+ ago that face had moved with every change of sentiment, that pale mouth
+ had spoken, that body had been all on fire with governable energies; and
+ now, and by his act, that piece of life had been arrested, as the
+ horologist, with interjected finger, arrests the beating of the clock. So
+ he reasoned in vain; he could rise to no more remorseful consciousness;
+ the same heart which had shuddered before the painted effigies of crime,
+ looked on its reality unmoved. At best, he felt a gleam of pity for one
+ who had been endowed in vain with all those faculties that can make the
+ world a garden of enchantment, one who had never lived and who was now
+ dead. But of penitence, no, not a tremor.
+ </p>
+ <p>
+ With that, shaking himself clear of these considerations, he found the
+ keys and advanced toward the open door of the shop. Outside, it had begun
+ to rain smartly, and the sound of the shower upon the roof had banished
+ silence. Like some dripping cavern, the chambers of the house were haunted
+ by an incessant echoing, which filled the ear and mingled with the ticking
+ of the clocks. And, as Markheim approached the door, he seemed to hear, in
+ answer to his own cautious tread, the steps of another foot withdrawing up
+ the stair. The shadow still palpitated loosely on the threshold. He threw
+ a ton&rsquo;s weight of resolve upon his muscles, and drew back the door.
+ </p>
+ <p>
+ The faint, foggy daylight glimmered dimly on the bare floor and stairs; on
+ the bright suit of armour posted, halbert in hand, upon the landing; and
+ on the dark wood-carvings, and framed pictures that hung against the
+ yellow panels of the wainscot. So loud was the beating of the rain through
+ all the house that, in Markheim&rsquo;s ears, it began to be distinguished into
+ many different sounds. Footsteps and sighs, the tread of regiments
+ marching in the distance, the chink of money in the counting, and the
+ creaking of doors held stealthily ajar, appeared to mingle with the patter
+ of the drops upon the cupola and the gushing of the water in the pipes.
+ The sense that he was not alone grew upon him to the verge of madness. On
+ every side he was haunted and begirt by presences. He heard them moving in
+ the upper chambers; from the shop, he heard the dead man getting to his
+ legs; and as he began with a great effort to mount the stairs, feet fled
+ quietly before him and followed stealthily behind. If he were but deaf, he
+ thought, how tranquilly he would possess his soul! And then again, and
+ hearkening with ever fresh attention, he blessed himself for that
+ unresting sense which held the outposts and stood a trusty sentinel upon
+ his life. His head turned continually on his neck; his eyes, which seemed
+ starting from their orbits, scouted on every side, and on every side were
+ half rewarded as with the tail of something nameless vanishing. The four
+ and twenty steps to the first floor were four and twenty agonies.
+ </p>
+ <p>
+ On that first story, the doors stood ajar&mdash;three of them, like three
+ ambushes, shaking his nerves like the throats of cannon. He could never
+ again, he felt, be sufficiently immured and fortified from men&rsquo;s observing
+ eyes; he longed to be home, girt in by walls, buried among bedclothes, and
+ invisible to all but God. And at that thought he wondered a little,
+ recollecting tales of other murderers and the fear they were said to
+ entertain of heavenly avengers. It was not so, at least, with him. He
+ feared the laws of nature, lest, in their callous and immutable procedure,
+ they should preserve some damning evidence of his crime. He feared tenfold
+ more, with a slavish, superstitious terror, some scission in the
+ continuity of man&rsquo;s experience, some wilful illegality of nature. He
+ played a game of skill, depending on the rules, calculating consequence
+ from cause; and what if nature, as the defeated tyrant overthrew the
+ chess-board, should break the mould of their succession? The like had
+ befallen Napoleon (so writers said) when the winter changed the time of
+ its appearance. The like might befall Markheim: the solid walls might
+ become transparent and reveal his doings like those of bees in a glass
+ hive; the stout planks might yield under his foot like quicksands and
+ detain him in their clutch. Ay, and there were soberer accidents that
+ might destroy him; if, for instance, the house should fall and imprison
+ him beside the body of his victim, or the house next door should fly on
+ fire, and the firemen invade him from all sides. These things he feared;
+ and, in a sense, these things might be called the hands of God reached
+ forth against sin. But about God himself he was at ease; his act was
+ doubtless exceptional, but so were his excuses, which God knew; it was
+ there, and not among men, that he felt sure of justice.
+ </p>
+ <p>
+ When he had got safe into the drawing-room, and shut the door behind him,
+ he was aware of a respite from alarms. The room was quite dismantled,
+ uncarpeted besides, and strewn with packing-cases and incongruous
+ furniture; several great pier-glasses, in which he beheld himself at
+ various angles, like an actor on a stage; many pictures, framed and
+ unframed, standing, with their faces to the wall; a fine Sheraton
+ sideboard, a cabinet of marquetry, and a great old bed, with tapestry
+ hangings. The windows opened to the floor; but by great good fortune the
+ lower part of the shutters had been closed, and this concealed him from
+ the neighbours. Here, then, Markheim drew in a packing-case before the
+ cabinet, and began to search among the keys. It was a long business, for
+ there were many; and it was irksome, besides; for, after all, there might
+ be nothing in the cabinet, and time was on the wing. But the closeness of
+ the occupation sobered him. With the tail of his eye he saw the door&mdash;even
+ glanced at it from time to time directly, like a besieged commander
+ pleased to verify the good estate of his defences. But in truth he was at
+ peace. The rain falling in the street sounded natural and pleasant.
+ Presently, on the other side, the notes of a piano were wakened to the
+ music of a hymn, and the voices of many children took up the air and
+ words. How stately, how comfortable was the melody! How fresh the youthful
+ voices! Markheim gave ear to it smilingly, as he sorted out the keys; and
+ his mind was thronged with answerable ideas and images: church-going
+ children, and the pealing of the high organ; children afield, bathers by
+ the brookside, ramblers on the brambly common, kite-flyers in the windy
+ and cloud-navigated sky; and then, at another cadence of the hymn, back
+ again to church, and the somnolence of summer Sundays, and the high
+ genteel voice of the parson (which he smiled a little to recall) and the
+ painted Jacobean tombs, and the dim lettering of the Ten Commandments in
+ the chancel.
+ </p>
+ <p>
+ And as he sat thus, at once busy and absent, he was startled to his feet.
+ A flash of ice, a flash of fire, a bursting gush of blood, went over him,
+ and then he stood transfixed and thrilling. A step mounted the stair
+ slowly and steadily, and presently a hand was laid upon the knob, and the
+ lock clicked, and the door opened.
+ </p>
+ <p>
+ Fear held Markheim in a vice. What to expect he knew not&mdash;whether the
+ dead man walking, or the official ministers of human justice, or some
+ chance witness blindly stumbling in to consign him to the gallows. But
+ when a face was thrust into the aperture, glanced round the room, looked
+ at him, nodded and smiled as if in friendly recognition, and then withdrew
+ again, and the door closed behind it, his fear broke loose from his
+ control in a hoarse cry. At the sound of this the visitant returned.
+ </p>
+ <p>
+ &ldquo;Did you call me?&rdquo; he asked, pleasantly, and with that he entered the room
+ and closed the door behind him.
+ </p>
+ <p>
+ Markheim stood and gazed at him with all his eyes. Perhaps there was a
+ film upon his sight, but the outlines of the new comer seemed to change
+ and waver like those of the idols in the wavering candle-light of the
+ shop; and at times he thought he knew him; and at times he thought he bore
+ a likeness to himself; and always, like a lump of living terror, there lay
+ in his bosom the conviction that this thing was not of the earth and not
+ of God.
+ </p>
+ <p>
+ And yet the creature had a strange air of the commonplace, as he stood
+ looking on Markheim with a smile; and when he added, &ldquo;You are looking for
+ the money, I believe?&rdquo; it was in the tones of everyday politeness.
+ </p>
+ <p>
+ Markheim made no answer.
+ </p>
+ <p>
+ &ldquo;I should warn you,&rdquo; resumed the other, &ldquo;that the maid has left her
+ sweetheart earlier than usual and will soon be here. If Mr. Markheim be
+ found in this house, I need not describe to him the consequences.&rdquo;
+ </p>
+ <p>
+ &ldquo;You know me?&rdquo; cried the murderer.
+ </p>
+ <p>
+ The visitor smiled. &ldquo;You have long been a favourite of mine,&rdquo; he said;
+ &ldquo;and I have long observed and often sought to help you.&rdquo;
+ </p>
+ <p>
+ &ldquo;What are you?&rdquo; cried Markheim; &ldquo;the devil?&rdquo;
+ </p>
+ <p>
+ &ldquo;What I may be,&rdquo; returned the other, &ldquo;cannot affect the service I propose
+ to render you.&rdquo;
+ </p>
+ <p>
+ &ldquo;It can,&rdquo; cried Markheim; &ldquo;it does! Be helped by you? No, never; not by
+ you! You do not know me yet; thank God, you do not know me!&rdquo;
+ </p>
+ <p>
+ &ldquo;I know you,&rdquo; replied the visitant, with a sort of kind severity or rather
+ firmness. &ldquo;I know you to the soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;Know me!&rdquo; cried Markheim. &ldquo;Who can do so? My life is but a travesty and
+ slander on myself. I have lived to belie my nature. All men do; all men
+ are better than this disguise that grows about and stifles them. You see
+ each dragged away by life, like one whom bravos have seized and muffled in
+ a cloak. If they had their own control&mdash;if you could see their faces,
+ they would be altogether different, they would shine out for heroes and
+ saints! I am worse than most; myself is more overlaid; my excuse is known
+ to me and God. But, had I the time, I could disclose myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;To me?&rdquo; inquired the visitant.
+ </p>
+ <p>
+ &ldquo;To you before all,&rdquo; returned the murderer. &ldquo;I supposed you were
+ intelligent. I thought&mdash;since you exist&mdash;you would prove a
+ reader of the heart. And yet you would propose to judge me by my acts!
+ Think of it&mdash;my acts! I was born and I have lived in a land of
+ giants; giants have dragged me by the wrists since I was born out of my
+ mother&mdash;the giants of circumstance. And you would judge me by my
+ acts! But can you not look within? Can you not understand that evil is
+ hateful to me? Can you not see within me the clear writing of conscience,
+ never blurred by any wilful sophistry, although too often disregarded? Can
+ you not read me for a thing that surely must be common as humanity&mdash;the
+ unwilling sinner?&rdquo;
+ </p>
+ <p>
+ &ldquo;All this is very feelingly expressed,&rdquo; was the reply, &ldquo;but it regards me
+ not. These points of consistency are beyond my province, and I care not in
+ the least by what compulsion you may have been dragged away, so as you are
+ but carried in the right direction. But time flies; the servant delays,
+ looking in the faces of the crowd and at the pictures on the hoardings,
+ but still she keeps moving nearer; and remember, it is as if the gallows
+ itself was striding towards you through the Christmas streets! Shall I
+ help you&mdash;I, who know all? Shall I tell you where to find the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;For what price?&rdquo; asked Markheim.
+ </p>
+ <p>
+ &ldquo;I offer you the service for a Christmas gift,&rdquo; returned the other.
+ </p>
+ <p>
+ Markheim could not refrain from smiling with a kind of bitter triumph.
+ &ldquo;No,&rdquo; said he, &ldquo;I will take nothing at your hands; if I were dying of
+ thirst, and it was your hand that put the pitcher to my lips, I should
+ find the courage to refuse. It may be credulous, but I will do nothing to
+ commit myself to evil.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have no objection to a death-bed repentance,&rdquo; observed the visitant.
+ </p>
+ <p>
+ &ldquo;Because you disbelieve their efficacy!&rdquo; Markheim cried.
+ </p>
+ <p>
+ &ldquo;I do not say so,&rdquo; returned the other; &ldquo;but I look on these things from a
+ different side, and when the life is done my interest falls. The man has
+ lived to serve me, to spread black looks under colour of religion, or to
+ sow tares in the wheat-field, as you do, in a course of weak compliance
+ with desire. Now that he draws so near to his deliverance, he can add but
+ one act of service: to repent, to die smiling, and thus to build up in
+ confidence and hope the more timorous of my surviving followers. I am not
+ so hard a master. Try me; accept my help. Please yourself in life as you
+ have done hitherto; please yourself more amply, spread your elbows at the
+ board; and when the night begins to fall and the curtains to be drawn, I
+ tell you, for your greater comfort, that you will find it even easy to
+ compound your quarrel with your conscience, and to make a truckling peace
+ with God. I came but now from such a death-bed, and the room was full of
+ sincere mourners, listening to the man&rsquo;s last words; and when I looked
+ into that face, which had been set as a flint against mercy, I found it
+ smiling with hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;And do you, then, suppose me such a creature?&rdquo; asked Markheim. &ldquo;Do you
+ think I have no more generous aspirations than to sin and sin and sin and
+ at last sneak into heaven? My heart rises at the thought. Is this, then,
+ your experience of mankind? or is it because you find me with red hands
+ that you presume such baseness? And is this crime of murder indeed so
+ impious as to dry up the very springs of good?&rdquo;
+ </p>
+ <p>
+ &ldquo;Murder is to me no special category,&rdquo; replied the other. &ldquo;All sins are
+ murder, even as all life is war. I behold your race, like starving
+ mariners on a raft, plucking crusts out of the hands of famine and feeding
+ on each other&rsquo;s lives. I follow sins beyond the moment of their acting; I
+ find in all that the last consequence is death, and to my eyes, the pretty
+ maid who thwarts her mother with such taking graces on a question of a
+ ball, drips no less visibly with human gore than such a murderer as
+ yourself. Do I say that I follow sins? I follow virtues also. They differ
+ not by the thickness of a nail; they are both scythes for the reaping
+ angel of Death. Evil, for which I live, consists not in action but in
+ character. The bad man is dear to me, not the bad act, whose fruits, if we
+ could follow them far enough down the hurtling cataract of the ages, might
+ yet be found more blessed than those of the rarest virtues. And it is not
+ because you have killed a dealer, but because you are Markheim, that I
+ offer to forward your escape.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will lay my heart open to you,&rdquo; answered Markheim. &ldquo;This crime on which
+ you find me is my last. On my way to it I have learned many lessons;
+ itself is a lesson&mdash;a momentous lesson. Hitherto I have been driven
+ with revolt to what I would not; I was a bond-slave to poverty, driven and
+ scourged. There are robust virtues that can stand in these temptations;
+ mine was not so; I had a thirst of pleasure. But to-day, and out of this
+ deed, I pluck both warning and riches&mdash;both the power and a fresh
+ resolve to be myself. I become in all things a free actor in the world; I
+ begin to see myself all changed, these hands the agents of good, this
+ heart at peace. Something comes over me out of the past&mdash;something of
+ what I have dreamed on Sabbath evenings to the sound of the church organ,
+ of what I forecast when I shed tears over noble books, or talked, an
+ innocent child, with my mother. There lies my life; I have wandered a few
+ years, but now I see once more my city of destination.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are to use this money on the Stock Exchange, I think?&rdquo; remarked the
+ visitor; &ldquo;and there, if I mistake not, you have already lost some
+ thousands?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; said Markheim, &ldquo;but this time I have a sure thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;This time, again, you will lose,&rdquo; replied the visitor quietly.
+ </p>
+ <p>
+ &ldquo;Ah, but I keep back the half!&rdquo; cried Markheim.
+ </p>
+ <p>
+ &ldquo;That also you will lose,&rdquo; said the other.
+ </p>
+ <p>
+ The sweat started upon Markheim&rsquo;s brow. &ldquo;Well then, what matter?&rdquo; he
+ exclaimed. &ldquo;Say it be lost, say I am plunged again in poverty, shall one
+ part of me, and that the worse, continue until the end to override the
+ better? Evil and good run strong in me, hailing me both ways. I do not
+ love the one thing; I love all. I can conceive great deeds, renunciations,
+ martyrdoms; and though I be fallen to such a crime as murder, pity is no
+ stranger to my thoughts. I pity the poor; who knows their trials better
+ than myself? I pity and help them. I prize love; I love honest laughter;
+ there is no good thing nor true thing on earth but I love it from my
+ heart. And are my vices only to direct my life, and my virtues to lie
+ without effect, like some passive lumber of the mind? Not so; good, also,
+ is a spring of acts.&rdquo;
+ </p>
+ <p>
+ But the visitant raised his finger. &ldquo;For six and thirty years that you
+ have been in this world,&rdquo; said he, &ldquo;through many changes of fortune and
+ varieties of humour, I have watched you steadily fall. Fifteen years ago
+ you would have started at a theft. Three years back you would have
+ blenched at the name of murder. Is there any crime, is there any cruelty
+ or meanness, from which you still recoil? Five years from now I shall
+ detect you in the fact! Downward, downward, lies your way; nor can
+ anything but death avail to stop you.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is true,&rdquo; Markheim said huskily, &ldquo;I have in some degree complied with
+ evil. But it is so with all; the very saints, in the mere exercise of
+ living, grow less dainty, and take on the tone of their surroundings.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will propound to you one simple question,&rdquo; said the other; &ldquo;and as you
+ answer I shall read to you your moral horoscope. You have grown in many
+ things more lax; possibly you do right to be so; and at any account, it is
+ the same with all men. But granting that, are you in any one particular,
+ however trifling, more difficult to please with your own conduct, or do
+ you go in all things with a looser rein?&rdquo;
+ </p>
+ <p>
+ &ldquo;In any one?&rdquo; repeated Markheim, with an anguish of consideration. &ldquo;No,&rdquo;
+ he added, with despair; &ldquo;in none! I have gone down in all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; said the visitor, &ldquo;content yourself with what you are, for you
+ will never change; and the words of your part on this stage are
+ irrevocably written down.&rdquo;
+ </p>
+ <p>
+ Markheim stood for a long while silent, and, indeed, it was the visitor
+ who first broke the silence. &ldquo;That being so,&rdquo; he said, &ldquo;shall I show you
+ the money?&rdquo;
+ </p>
+ <p>
+ &ldquo;And grace?&rdquo; cried Markheim.
+ </p>
+ <p>
+ &ldquo;Have you not tried it?&rdquo; returned the other. &ldquo;Two or three years ago did I
+ not see you on the platform of revival meetings, and was not your voice
+ the loudest in the hymn?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is true,&rdquo; said Markheim; &ldquo;and I see clearly what remains for me by way
+ of duty. I thank you for these lessons from my soul; my eyes are opened,
+ and I behold myself at last for what I am.&rdquo;
+ </p>
+ <p>
+ At this moment, the sharp note of the door-bell rang through the house;
+ and the visitant, as though this were some concerted signal for which he
+ had been waiting, changed at once in his demeanour.
+ </p>
+ <p>
+ &ldquo;The maid!&rdquo; he cried. &ldquo;She has returned, as I forewarned you, and there is
+ now before you one more difficult passage. Her master, you must say, is
+ ill; you must let her in, with an assured but rather serious countenance;
+ no smiles, no overacting, and I promise you success! Once the girl within,
+ and the door closed, the same dexterity that has already rid you of the
+ dealer will relieve you of this last danger in your path. Thenceforward
+ you have the whole evening&mdash;the whole night, if needful&mdash;to
+ ransack the treasures of the house and to make good your safety. This is
+ help that comes to you with the mask of danger. Up!&rdquo; he cried; &ldquo;up,
+ friend. Your life hangs trembling in the scales; up, and act!&rdquo;
+ </p>
+ <p>
+ Markheim steadily regarded his counsellor. &ldquo;If I be condemned to evil
+ acts,&rdquo; he said, &ldquo;there is still one door of freedom open: I can cease from
+ action. If my life be an ill thing, I can lay it down. Though I be, as you
+ say truly, at the beck of every small temptation, I can yet, by one
+ decisive gesture, place myself beyond the reach of all. My love of good is
+ damned to barrenness; it may, and let it be! But I have still my hatred of
+ evil; and from that, to your galling disappointment, you shall see that I
+ can draw both energy and courage.&rdquo;
+ </p>
+ <p>
+ The features of the visitor began to undergo a wonderful and lovely
+ change: they brightened and softened with a tender triumph, and, even as
+ they brightened, faded and dislimned. But Markheim did not pause to watch
+ or understand the transformation. He opened the door and went downstairs
+ very slowly, thinking to himself. His past went soberly before him; he
+ beheld it as it was, ugly and strenuous like a dream, random as chance
+ medley&mdash;a scene of defeat. Life, as he thus reviewed it, tempted him
+ no longer; but on the further side he perceived a quiet haven for his
+ bark. He paused in the passage, and looked into the shop, where the candle
+ still burned by the dead body. It was strangely silent. Thoughts of the
+ dealer swarmed into his mind, as he stood gazing. And then the bell once
+ more broke out into impatient clamour.
+ </p>
+ <p>
+ He confronted the maid upon the threshold with something like a smile.
+ </p>
+ <p>
+ &ldquo;You had better go for the police,&rdquo; said he; &ldquo;I have killed your master.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ QUEEN TITA&rsquo;S WAGER, by William Black
+ </h2>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I&mdash;FRANZISKA FAHLER
+ </h2>
+ <p>
+ It is a Christmas morning in Surrey&mdash;cold, still and gray, with a
+ frail glimmer of sunshine coming through the bare trees to melt the
+ hoar-frost on the lawn. The postman has just gone out, swinging the gate
+ behind him. A fire burns brightly in the breakfast-room; and there is
+ silence about the house, for the children have gone off to climb Box Hill
+ before being marched to church.
+ </p>
+ <p>
+ The small and gentle lady who presides over the household walks sedately
+ in, and lifts the solitary letter that is lying on her plate. About three
+ seconds suffice to let her run through its contents, and then she suddenly
+ cries:
+ </p>
+ <p>
+ &ldquo;I knew it! I said it! I told you two months ago she was only flirting
+ with him; and now she has rejected him. And oh! I am so glad of it! The
+ poor boy!&rdquo;
+ </p>
+ <p>
+ The other person in the room, who had been meekly waiting for his
+ breakfast for half an hour, ventures to point out that there is nothing to
+ rejoice over in the fact of a young man having been rejected by a young
+ woman.
+ </p>
+ <p>
+ &ldquo;If it were final, yes! If these two young folks were not certain to go
+ and marry somebody else, you might congratulate them both. But you know
+ they will. The poor boy will go courting again in three months&rsquo; time, and
+ be vastly pleased with his condition.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, never, never!&rdquo; she says. &ldquo;He has had such a lesson! You know I warned
+ him. I knew she was only flirting with him. Poor Charlie! Now I hope he
+ will get on with his profession, and leave such things out of his head.
+ And as for that creature&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I will do you the justice to say,&rdquo; observes her husband, who is still
+ regarding the table with a longing eye, &ldquo;that you did oppose this match,
+ because you hadn&rsquo;t the making of it. If you had brought these two together
+ they would have been married ere this. Never mind; you can marry him to
+ somebody of your own choosing now.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she says, with much decision; &ldquo;he must not think of marriage. He
+ cannot think of it. It will take the poor lad a long time to get over this
+ blow.&rdquo;
+ </p>
+ <p>
+ &ldquo;He will marry within a year.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will bet you whatever you like that he doesn&rsquo;t,&rdquo; she says,
+ triumphantly.
+ </p>
+ <p>
+ &ldquo;Whatever I like! That is a big wager. If you lose, do you think you could
+ pay? I should like, for example, to have my own way in my own house.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I lose you shall,&rdquo; says the generous creature; and the bargain is
+ concluded.
+ </p>
+ <p>
+ Nothing further is said about this matter for the moment. The children
+ return from Box Hill, and are rigged out for church. Two young people,
+ friends of ours, and recently married, having no domestic circle of their
+ own, and having promised to spend the whole Christmas Day with us,
+ arrived. Then we set out, trying as much as possible to think that
+ Christmas Day is different from any other day, and pleased to observe that
+ the younger folk, at least, cherish the delusion.
+ </p>
+ <p>
+ But just before reaching the church I say to the small lady who got the
+ letter in the morning, and whom we generally call Tita:
+ </p>
+ <p>
+ &ldquo;When do you expect to see Charlie?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; she answers. &ldquo;After this cruel affair he won&rsquo;t like to go
+ about much.&rdquo;
+ </p>
+ <p>
+ &ldquo;You remember that he promised to go with us to the Black Forest?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; and I am sure it will be a pleasant trip for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shall we go to Huferschingen?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Franziska is a pretty girl.&rdquo;
+ </p>
+ <p>
+ Now you would not think that any great mischief could be done by the mere
+ remark that Franziska was a pretty girl. Anybody who had seen Franziska
+ Fahler, niece of the proprietor of the &ldquo;Goldenen Bock&rdquo; in Huferschingen,
+ would admit that in a moment. But this is nevertheless true, that our
+ important but diminutive Queen Tita was very thoughtful during the rest of
+ our walk to this little church; and in church, too, she was thinking so
+ deeply that she almost forgot to look at the effect of the decorations she
+ had nailed up the day before. Yet nothing could have offended in the bare
+ observation that Franziska was a pretty girl.
+ </p>
+ <p>
+ At dinner in the evening we had our two guests and a few young fellows
+ from London who did not happen to have their families or homes there.
+ Curiously enough, there was a vast deal of talk about travelling, and also
+ about Baden, and more particularly about the southern districts of Baden.
+ Tita said the Black Forest was the most charming place in the world; and
+ as it was Christmas Day, and as we had been listening to a sermon all
+ about charity and kindness and consideration for others, nobody was rude
+ enough to contradict her. But our forbearance was put to a severe test
+ when, after dinner, she produced a photographic album and handed it round,
+ and challenged everybody to say whether the young lady in the corner was
+ not absolutely lovely. Most of them said that she was certainly very
+ nice-looking; and Tita seemed a little disappointed.
+ </p>
+ <p>
+ I perceived that it would no longer do to say that Franziska was a pretty
+ girl. We should henceforth have to swear by everything we held dear that
+ she was absolutely lovely.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II&mdash;ZUM &ldquo;GOLDENEN BOCK&rdquo;
+ </h2>
+ <p>
+ We felt some pity for the lad when we took him abroad with us; but it must
+ be confessed that at first he was not a very desirable travelling
+ companion. There was a gloom about him. Despite the eight months that had
+ elapsed, he professed that his old wound was still open. Tita treated him
+ with the kindest maternal solicitude, which was a great mistake; tonics,
+ not sweets, are required in such cases. Yet he was very grateful, and he
+ said, with a blush, that, in any case, he would not rail against all women
+ because of the badness of one. Indeed, you would not have fancied he had
+ any great grudge against womankind. There were a great many English abroad
+ that autumn, and we met whole batches of pretty girls at every station and
+ at every <i>table d&rsquo;hote</i> on our route. Did he avoid them, or glare at
+ them savagely, or say hard things of them? Oh no! quite the reverse. He
+ was a little shy at first; and when he saw a party of distressed damsels
+ in a station, with their bewildered father in vain attempting to make
+ himself understood to a porter, he would assist them in a brief and
+ businesslike manner as if it were a duty, lift his cap, and then march off
+ relieved. But by-and-by he began to make acquaintances in the hotel; and
+ as he was a handsome, English-looking lad, who bore a certificate of
+ honesty in his clear gray eyes and easy gait, he was rather made much of.
+ Nor could any fault be decently found with his appetite.
+ </p>
+ <p>
+ So we passed on from Konigswinter to Coblenz, and from Coblenz to
+ Heidelberg, and from Heidelberg south to Freiburg, where we bade adieu to
+ the last of the towns, and laid hold of a trap with a pair of ancient and
+ angular horses, and plunged into the Hollenthal, the first great gorge of
+ the Black Forest mountains. From one point to another we slowly urged our
+ devious course, walking the most of the day, indeed, and putting the trap
+ and ourselves up for the night at some quaint roadside hostelry, where we
+ ate of roe-deer and drank of Affenthaler, and endeavoured to speak German
+ with a pure Waldshut accent. And then, one evening, when the last rays of
+ the sun were shining along the hills and touching the stems of the tall
+ pines, we drove into a narrow valley and caught sight of a large brown
+ building of wood, with projecting eaves and quaint windows, that stood
+ close by the forest.
+ </p>
+ <p>
+ &ldquo;Here is my dear inn!&rdquo; cried Tita, with a great glow of delight and
+ affection in her face. &ldquo;Here is <i>mein gutes Thal! Ich gruss&rsquo; dich ein
+ tausend Mal!</i> And here is old Peter come out to see us; and there is
+ Franziska!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, this is Franziska, is it?&rdquo; said Charlie.
+ </p>
+ <p>
+ Yes, this was Franziska. She was a well-built, handsome girl of nineteen
+ or twenty, with a healthy, sunburnt complexion, and dark hair plaited into
+ two long tails, which were taken up and twisted into a knot behind. That
+ you could see from a distance. But on nearer approach you found that
+ Franziska had really fine and intelligent features, and a pair of frank,
+ clear, big brown eyes that had a very straight look about them. They were
+ something of the eyes of a deer, indeed; wide apart, soft, and
+ apprehensive, yet looking with a certain directness and unconsciousness
+ that overcame her natural girlish timidity. Tita simply flew at her and
+ kissed her heartily and asked her twenty questions at once. Franziska
+ answered in very fair English, a little slow and formal, but quite
+ grammatical. Then she was introduced to Charlie, and she shook hands with
+ him in a simple and unembarrassed way; and then she turned to one of the
+ servants and gave some directions about the luggage. Finally she begged
+ Tita to go indoors and get off her travelling attire, which was done,
+ leaving us two outside.
+ </p>
+ <p>
+ &ldquo;She&rsquo;s a very pretty girl,&rdquo; Charlie said, carelessly. &ldquo;I suppose she&rsquo;s
+ sort of head cook and kitchen-maid here.&rdquo;
+ </p>
+ <p>
+ The impudence of these young men is something extraordinary.
+ </p>
+ <p>
+ &ldquo;If you wish to have your head in your hands,&rdquo; I remarked to him, &ldquo;just
+ you repeat that remark at dinner. Why, Franziska is no end of a swell. She
+ has two thousand pounds and the half of a mill. She has a sister married
+ to the Geheimer-Ober-Hofbaurath of Hesse-Cassel. She had visited both
+ Paris and Munich, and she has her dresses made in Freiburg.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why does such an illustrious creature bury herself in this valley,
+ and in an old inn, and go about bareheaded?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because there are folks in the world without ambition, who like to live a
+ quiet, decent, homely life. Every girl can&rsquo;t marry a
+ Geheimer-Ober-Hofbaurath. Ziska, now, is much more likely to marry the
+ young doctor here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, indeed! and live here all her days. She couldn&rsquo;t do better. Happy
+ Franziska!&rdquo;
+ </p>
+ <p>
+ We went indoors. It was a low, large, rambling place, with one immense
+ room all hung round with roe-deers&rsquo; horns, and with one lesser room fitted
+ up with a billiard-table. The inn lay a couple of hundred yards back from
+ Huferschingen; but it had been made the headquarters of the keepers, and
+ just outside this room there were a number of pegs for them to sling their
+ guns and bags on when they came in of an evening to have a pipe and a
+ chopin of white wine. Ziska&rsquo;s uncle and aunt were both large, stout, and
+ somnolent people, very good-natured and kind, but a trifle dull. Ziska
+ really had the management of the place, and she was not slow to lend a
+ hand if the servants were remiss in waiting on us. But that, it was
+ understood, was done out of compliment to our small Queen Tita.
+ </p>
+ <p>
+ By-and-by we sat down to dinner, and Franziska came to see that everything
+ was going on straight. It was a dinner &ldquo;with scenery.&rdquo; You forgot to be
+ particular about the soup, the venison, and the Affenthaler when from the
+ window at your elbow you could look across the narrow valley and behold a
+ long stretch of the Black Forest shining in the red glow of the sunset.
+ The lower the sun sank the more intense became the crimson light on the
+ tall stems of the pines; and then you could see the line of shadow slowly
+ rising up the side of the opposite hill until only the topmost trees were
+ touched with fire. Then these too lost it, and all the forest around us
+ seemed to have a pale-blue mist stealing over it as the night fell and the
+ twilight faded out of the sky overhead. Presently the long undulations of
+ fir grew black, the stars came out, and the sound of the stream could be
+ heard distantly in the hollow; and then, at Tita&rsquo;s wish, we went off for a
+ last stroll in among the soft moss and under the darkness of the pines,
+ now and again starting some great capercailzie, and sending it flying and
+ whirring down the glades.
+ </p>
+ <p>
+ When we returned from that prowl into the forest, we found the inn dark.
+ Such people as may have called in had gone home; but we suspected that
+ Franziska had given the neighbours a hint not to overwhelm us on our first
+ arrival. When we entered the big room, Franziska came in with candles;
+ then she brought some matches, and also put on the table an odd little
+ pack of cards, and went out. Her uncle and aunt had, even before we went
+ out, come and bade us good-night formally, and shaken hands all round.
+ They are early folk in the Black Forest.
+ </p>
+ <p>
+ &ldquo;Where has that girl gone now?&rdquo; says Charlie. &ldquo;Into that lonely
+ billiard-room! Couldn&rsquo;t you ask her to come in here? Or shall we go and
+ play billiards?&rdquo;
+ </p>
+ <p>
+ Tita stares, and then demurely smiles; but it is with an assumed severity
+ that she rebukes him for such a wicked proposal, and reminds him that he
+ must start early next morning. He groans assent. Then she takes her leave.
+ </p>
+ <p>
+ The big young man was silent for a moment or two, with his hands in his
+ pockets and his legs stretched out. I begin to think I am in for it&mdash;the
+ old story of blighted hopes and angry denunciation and hypocritical joy,
+ and all the rest of it. But suddenly Charlie looks up with a businesslike
+ air and says:
+ </p>
+ <p>
+ &ldquo;Who is that doctor fellow you were speaking about! Shall we see him
+ to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;You saw him to-night. It was he who passed us on the road with the two
+ beagles.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! that little fellow with the bandy legs and the spectacles?&rdquo; he
+ cries, with a great laugh.
+ </p>
+ <p>
+ &ldquo;That little fellow,&rdquo; I observe to him, &ldquo;is a person of some importance, I
+ can tell you. He&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose his sister married a Geheimer-Ober-under&mdash;what the dickens
+ is it?&rdquo; says this disrespectful young man.
+ </p>
+ <p>
+ &ldquo;Dr. Krumm has got the Iron Cross.&rdquo;
+ </p>
+ <p>
+ &ldquo;That won&rsquo;t make his legs any the straighter.&rdquo;
+ </p>
+ <p>
+ &ldquo;He was at Weissenburg.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose he got that cast in the eye there.&rdquo;
+ </p>
+ <p>
+ &ldquo;He can play the zither in a way that would astonish you. He has got a
+ little money. Franziska and he would be able to live very comfortably
+ together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Franziska and that fellow?&rdquo; says Charlie; and then he rises with a sulky
+ air, and proposes we should take our candles with us.
+ </p>
+ <p>
+ But he is not sulky very long; for Ziska, hearing our footsteps, comes to
+ the passage and bids us a friendly good-night.
+ </p>
+ <p>
+ &ldquo;Good-night, Miss Fahler!&rdquo; he says, in rather a shamefaced way; &ldquo;and I am
+ so awfully sorry we have kept you up so late. We sha&rsquo;n&rsquo;t do it again.&rdquo;
+ </p>
+ <p>
+ You would have thought by his manner that it was two o&rsquo;clock, whereas it
+ was only half-past eleven!
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III&mdash;DR. KRUMM
+ </h2>
+ <p>
+ There was no particular reason why Dr. Krumm should marry Franziska
+ Fahler, except that he was the most important young man in Huferschingen,
+ and she was the most important young woman. People therefore thought they
+ would make a good match, although Franziska certainly had the most to give
+ in the way of good looks. Dr. Krumm was a short, bandy-legged, sturdy
+ young man, with long, fair hair, a tanned complexion, light-blue eyes not
+ quite looking the same way, spectacles, and a general air of industrious
+ common sense about him, if one may use such a phrase. There was certainly
+ little of the lover in his manner toward Ziska, and as little in hers
+ toward him. They were very good friends, though, and he called her Ziska,
+ while she gave him his nickname of Fidelio, his real name being Fidele.
+ </p>
+ <p>
+ Now on this, the first morning of our stay in Huferschingen, all the
+ population had turned out at an early hour to see us start for the forest;
+ and as the Ober-Forster had gone away to visit his parents in Bavaria, Dr.
+ Krumm was appointed to superintend the operations of the day. And when
+ everybody was busy renewing acquaintance with us, gathering the straying
+ dogs, examining guns and cartridge-belts, and generally aiding in the
+ profound commotion of our setting out, Dr. Krumm was found to be talking
+ in a very friendly and familiar manner with our pretty Franziska. Charlie
+ eyed them askance. He began to say disrespectful things of Krumm: he
+ thought Krumm a plain person. And then, when the bandy-legged doctor had
+ got all the dogs, keepers, and beaters together, we set off along the
+ road, and presently plunged into the cool shade of the forest, where the
+ thick moss suddenly silenced our footsteps, and where there was a moist
+ and resinous smell in the air.
+ </p>
+ <p>
+ Well, the incidents of the forenoon&rsquo;s shooting, picturesque as they were,
+ and full of novelty to Tita&rsquo;s protege, need not be described. At the end
+ of the fourth drive, when we had got on nearly to luncheon-time, it
+ appeared that Charlie had killed a handsome buck, and he was so pleased
+ with this performance that he grew friendly with Dr. Krumm, who had,
+ indeed, given him the <i>haupt-stelle</i>. But when, as we sat down to our
+ sausages and bread and red wine, Charlie incidentally informed our
+ commander-in-chief that, during one of the drives, a splendid yellow fox
+ had come out of the underwood and stood and stared at him for three or
+ four seconds, the doctor uttered a cry of despair.
+ </p>
+ <p>
+ &ldquo;I should have told you that,&rdquo; he said, in English that was not quite so
+ good as Ziska&rsquo;s, &ldquo;if I had remembered, yes! The English will not shoot the
+ foxes; but they are very bad for us; they kill the young deer. We are glad
+ to shoot them; and Franziska she told me she wanted a yellow fox for the
+ skin to make something.&rdquo;
+ </p>
+ <p>
+ Charlie got very red in the face. He <i>had</i> missed a chance. If he had
+ known that Franziska wanted a yellow fox, all the instinctive veneration
+ for that animal that was in him would have gone clean out, and the fate of
+ the animal&mdash;for Charlie was a smart shot&mdash;would have been
+ definitely sealed.
+ </p>
+ <p>
+ &ldquo;Are there many of them?&rdquo; said he, gloomily.
+ </p>
+ <p>
+ &ldquo;No; not many. But where there is one there are generally four or five. In
+ the next drive we may come on them, yes! I will put you in a good place,
+ sir, and you must not think of letting him go away; for Franziska, who has
+ waited two, three weeks, and not one yellow fox not anywhere, and it is
+ for the variety of the skin in a&mdash;a&mdash;I do not know what you call
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;A rug, I suppose,&rdquo; said Charlie.
+ </p>
+ <p>
+ I subsequently heard that Charlie went to his post with a fixed
+ determination to shoot anything of yellow colour that came near him. His
+ station was next to that of Dr. Krumm; but of course they were invisible
+ to each other. The horns of the beaters sounded a warning; the gunners
+ cocked their guns and stood on the alert; in the perfect silence each one
+ waited for the first glimmer of a brown hide down the long green glades of
+ young fir. Then, according to Charlie&rsquo;s account, by went two or three deer
+ like lightning&mdash;all of them does. A buck came last, but swerved just
+ as he came in sight, and backed and made straight for the line of beaters.
+ Two more does, and then an absolute blank. One or two shots had been heard
+ at a distance; either some of the more distant stations had been more
+ fortunate, or one or other of the beaters had tried his luck. Suddenly
+ there was a shot fired close to Charlie; he knew it must have been the
+ doctor. In about a minute afterward he saw some pale-yellow object slowly
+ worming its way through the ferns; and here, at length, he made sure he
+ was going to get his yellow fox. But just as the animal came within fair
+ distance, it turned over, made a struggle or two, and lay still. Charlie
+ rushed along to the spot: it was, indeed, a yellow fox, shot in the head,
+ and now as dead as a door-nail.
+ </p>
+ <p>
+ What was he to do? Let Dr. Krumm take home this prize to Franziska, after
+ he had had such a chance in the afternoon? Never! Charlie fired a barrel
+ into the air, and then calmly awaited the coming up of the beaters and the
+ drawing together of the sportsmen.
+ </p>
+ <p>
+ Dr. Krumm, being at the next station, was the first to arrive. He found
+ Charlie standing by the side of the slain fox.
+ </p>
+ <p>
+ &ldquo;Ha!&rdquo; he said, his spectacles fairly gleaming with delight, &ldquo;you have
+ shotted him! You have killed him! That is very good&mdash;that is
+ excellent! Now you will present the skin to Miss Franziska, if you do not
+ wish to take it to England.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no!&rdquo; said Charlie, with a lordly indifference. &ldquo;I don&rsquo;t care about it.
+ Franziska may have it.&rdquo;
+ </p>
+ <p>
+ Charlie pulled me aside, and said, with a solemn wink:
+ </p>
+ <p>
+ &ldquo;Can you keep a secret?&rdquo;
+ </p>
+ <p>
+ &ldquo;My wife and I can keep a secret. I am not allowed to have any for
+ myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen,&rdquo; said the unabashed young man; &ldquo;Krumm shot that fox. Mind you
+ don&rsquo;t say a word. I must have the skin to present to Franziska.&rdquo;
+ </p>
+ <p>
+ I stared at him; I had never known him guilty of a dishonest action. But
+ when you do get a decent young English fellow condescending to do anything
+ shabby, be sure it is a girl who is the cause. I said nothing, of course;
+ and in the evening a trap came for us, and we drove back to Huferschingen.
+ </p>
+ <p>
+ Tita clapped her hands with delight; for Charlie was a favourite of hers,
+ and now he was returning like a hero, with a sprig of fir in his cap to
+ show that he had killed a buck.
+ </p>
+ <p>
+ &ldquo;And here, Miss Franziska,&rdquo; he said, quite gaily, &ldquo;here is a yellow fox
+ for you. I was told that you wanted the skin of one.&rdquo;
+ </p>
+ <p>
+ Franziska fairly blushed for pleasure; not that the skin of a fox was very
+ valuable for her, but that the compliment was so open and marked. She came
+ forward, in German fashion, and rather shyly shook hands with him in token
+ of her thanks.
+ </p>
+ <p>
+ When Tita was getting ready for dinner I told her about the yellow fox. A
+ married man must have no secrets.
+ </p>
+ <p>
+ &ldquo;He is not capable of such a thing,&rdquo; she says, with a grand air.
+ </p>
+ <p>
+ &ldquo;But he did it,&rdquo; I point out. &ldquo;What is more, he glories in it. What did he
+ say when I remonstrated with him on the way home! &lsquo;<i>Why</i>,&rsquo; says he, &lsquo;<i>I
+ will put an end to Krumm! I will abolish Krumm! I will extinguish Krumm!</i>&rsquo;
+ Now, madame, who is responsible for this? Who had been praising Franziska
+ night and day as the sweetest, gentlest, cleverest girl in the world,
+ until this young man determines to have a flirtation with her and astonish
+ you?&rdquo;
+ </p>
+ <p>
+ &ldquo;A flirtation!&rdquo; says Tita, faintly. &ldquo;Oh no! Oh, I never meant that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ask him just now, and he will tell you that women deserve no better. They
+ have no hearts; they are treacherous. They have beautiful eyes, but no
+ conscience. And so he means to take them as they are, and have his measure
+ of amusement.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I am sure he never said anything so abominably wicked,&rdquo; cried Tita,
+ laying down the rose that Franziska had given her for her hair. &ldquo;I know he
+ could not say such things. But if he is so wicked&mdash;if he has said
+ them&mdash;it is not too late to interfere. <i>I</i> will see about it.&rdquo;
+ </p>
+ <p>
+ She drew herself up as if Jupiter had suddenly armed her with his
+ thunderbolts. If Charlie had seen her at this moment he would have
+ quailed. He might by chance have told the truth, and confessed that all
+ the wicked things he had been saying about woman&rsquo;s affection were only a
+ sort of rhetoric, and that he had no sort of intention to flirt with poor
+ Franziska, nor yet to extinguish and annihilate Dr. Krumm.
+ </p>
+ <p>
+ The heartbroken boy was in very good spirits at dinner. He was inclined to
+ wink. Tita, on the contrary, maintained an impressive dignity of
+ demeanour; and when Franziska&rsquo;s name happened to be mentioned she spoke of
+ the young girl as her very particular friend, as though she would dare
+ Charlie to attempt a flirtation with one who held that honour. But the
+ young man was either blind or reckless, or acting a part for mere
+ mischief. He pointed the finger of scorn at Dr. Krumm. He asked Tita if he
+ should bring her a yellow fox next day. He declared he wished he could
+ spend the remainder of his life in a Black Forest Inn, with a napkin over
+ his arm, serving chopins. He said he would brave the wrath of the Furst by
+ shooting a capercailzie on the very first opportunity, to bring the
+ shining feathers home to Franziska.
+ </p>
+ <p>
+ When Tita and I went upstairs at night the small and gentle creature was
+ grievously perplexed.
+ </p>
+ <p>
+ &ldquo;I cannot make it out,&rdquo; she said. &ldquo;He is quite changed. What is the matter
+ with him?&rdquo;
+ </p>
+ <p>
+ &ldquo;You behold, madam, in that young man the moral effects of vulpicide. A
+ demon has entered into him. You remember, in &lsquo;Der Freischutz,&rsquo; how&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you say vulpicide?&rdquo; she asks, with a sweet smile. &ldquo;I understood that
+ Charlie&rsquo;s crime was that he did <i>not</i> kill the fox.&rdquo;
+ </p>
+ <p>
+ I allow her the momentary triumph. Who would grudge to a woman a little
+ verbal victory of that sort? And, indeed, Tita&rsquo;s satisfaction did not last
+ long. Her perplexity became visible on her face once more.
+ </p>
+ <p>
+ &ldquo;We are to be here three weeks,&rdquo; she said, almost to herself, &ldquo;and he
+ talks of flirting with poor Franziska. Oh, I never meant that!&rdquo;
+ </p>
+ <p>
+ &ldquo;But what did you mean?&rdquo; I ask her, with innocent wonder.
+ </p>
+ <p>
+ Tita hangs down her head, and there is an end to that conversation; but
+ one of us, at least, has some recollection of a Christmas wager.
+ </p>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV&mdash;CONFESSIO AMANTIS
+ </h2>
+ <p>
+ Charlie was not in such good spirits next morning. He was standing outside
+ the inn, in the sweet, resinous-scented air, watching Franziska coming and
+ going, with her bright face touched by the early sunlight, and her frank
+ and honest eyes lit up by a kindly look when she passed us. His conscience
+ began to smite him for claiming that fox.
+ </p>
+ <p>
+ We spent the day in fishing a stream some few miles distant from
+ Huferschingen, and Franziska accompanied us. What need to tell of our
+ success with the trout and the grayling, or of the beautiful weather, or
+ of the attentive and humble manner in which the unfortunate youth
+ addressed Franziska from time to time?
+ </p>
+ <p>
+ In the evening we drove back to Huferschingen. It was a still and
+ beautiful evening, with the silence of the twilight falling over the
+ lonely valleys and the miles upon miles of darkening pines. Charlie has
+ not much of a voice, but he made an effort to sing with Tita:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;The winds whistle cold and the stars glimmer red,
+ The sheep are in fold and the cattle in shed;&rdquo;
+ </pre>
+ <p>
+ and the fine old glee sounded fairly well as we drove through the
+ gathering gloom of the forest. But Tita sang, in her low, sweet fashion,
+ that Swedish bridal song that begins:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Oh, welcome her so fair, with bright and flowing hair;
+ May Fate through life befriend her, love and smiles attend her;&rdquo;
+ </pre>
+ <p>
+ and though she sang quietly, just as if she were singing to herself, we
+ all listened with great attention, and with great gratitude too. When we
+ got out of Huferschingen, the stars were out over the dark stretches of
+ forest, and the windows of the quaint old inn were burning brightly.
+ </p>
+ <p>
+ &ldquo;And have you enjoyed the amusement of the day?&rdquo; says Miss Fahler, rather
+ shyly, to a certain young man who is emptying his creel of fish. He drops
+ the basket to turn round and look at her face and say earnestly:
+ </p>
+ <p>
+ &ldquo;I have never spent so delightful a day; but it wasn&rsquo;t the fishing.&rdquo;
+ </p>
+ <p>
+ Things were becoming serious.
+ </p>
+ <p>
+ And next morning Charlie got hold of Tita, and said to her, in rather a
+ shamefaced way:
+ </p>
+ <p>
+ &ldquo;What am I to do about that fox? It was only a joke, you know; but if Miss
+ Fahler gets to hear of it, she&rsquo;ll think it was rather shabby.&rdquo;
+ </p>
+ <p>
+ It was always Miss Fahler now; a couple of days before it was Franziska.
+ </p>
+ <p>
+ &ldquo;For my part,&rdquo; says Tita, &ldquo;I can&rsquo;t understand why you did it. What honour
+ is there in shooting a fox?&rdquo;
+ </p>
+ <p>
+ &ldquo;But I wanted to give the skin to her.&rdquo;
+ </p>
+ <p>
+ It was &ldquo;her&rdquo; by this time.
+ </p>
+ <p>
+ &ldquo;Well, I think the best thing you can do is to go and tell her all about
+ it; and also to go and apologise to Dr. Krumm.&rdquo;
+ </p>
+ <p>
+ Charlie started.
+ </p>
+ <p>
+ &ldquo;I will go and tell her, certainly; but as for apologising to Krumm, that
+ is absurd!&rdquo;
+ </p>
+ <p>
+ &ldquo;As you please,&rdquo; says Tita.
+ </p>
+ <p>
+ By-and-by Franziska&mdash;or rather Miss Fahler&mdash;came out of the
+ small garden and round by the front of the house.
+ </p>
+ <p>
+ &ldquo;O Miss Fahler,&rdquo; says Charlie, suddenly,&mdash;and with that she stops and
+ blushes slightly,&mdash;&ldquo;I&rsquo;ve got something to say to you. I am going to
+ make a confession. Don&rsquo;t be frightened; it&rsquo;s only about a fox&mdash;the
+ fox that was brought home the day before yesterday; Dr. Krumm shot that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed,&rdquo; says Franziska, quite innocently, &ldquo;I thought you shot it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I let them imagine so. It was only a joke.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it is of no matter; there are many yellow foxes. Dr. Krumm can shoot
+ them at another time; he is always here. Perhaps you will shoot one before
+ you go.&rdquo;
+ </p>
+ <p>
+ With that Franziska passed into the house, carrying her fruit with her.
+ Charlie was left to revolve her words in his mind. Dr. Krumm could shoot
+ foxes when he chose; he was always here. He, Charlie, on the contrary, had
+ to go away in little more than a fortnight. There was no Franziska in
+ England; no pleasant driving through great pine woods in the gathering
+ twilight; no shooting of yellow foxes, to be brought home in triumph and
+ presented to a beautiful and grateful young woman. Charlie walked along
+ the white road and overtook Tita, who had just sat down on a little
+ camp-stool, and got out the materials for taking a water-colour sketch of
+ the Huferschingen Valley. He sat down at her feet on the warm grass.
+ </p>
+ <p>
+ &ldquo;I suppose I sha&rsquo;n&rsquo;t interrupt your painting by talking to you?&rdquo; he says.
+ </p>
+ <p>
+ &ldquo;Oh dear, no,&rdquo; is the reply; and then he begins, in a somewhat hesitating
+ way, to ask indirect questions and drop hints and fish for answers, just
+ as if this small creature, who was busy with her sepias and olive greens,
+ did not see through all this transparent cunning.
+ </p>
+ <p>
+ At last she said to him, frankly:
+ </p>
+ <p>
+ &ldquo;You want me to tell you whether Franziska would make a good wife for you.
+ She would make a good wife for any man. But then you seem to think that I
+ should intermeddle and negotiate and become a go-between. How can I do
+ that? My husband is always accusing me of trying to make up matches; and
+ you know that isn&rsquo;t true.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know it isn&rsquo;t true,&rdquo; says the hypocrite; &ldquo;but you might only this once.
+ I believe all you say about this girl; I can see it for myself; and when
+ shall I ever have such a chance again?&rdquo;
+ </p>
+ <p>
+ &ldquo;But dear me!&rdquo; says Tita, putting down the white palette for a moment,
+ &ldquo;how can I believe you are in earnest? You have only known her three
+ days.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that is quite enough,&rdquo; says Charlie, boldly, &ldquo;to let you find out all
+ you want to know about a girl if she is of the right sort. If she isn&rsquo;t
+ you won&rsquo;t find out in three years. Now look at Franziska; look at the
+ fine, intelligent face and the honest eyes; you can have no doubt about
+ her; and then I have all the guarantee of your long acquaintance with
+ her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; says Tita, &ldquo;that is all very well. Franziska is an excellent girl,
+ as I have told you often&mdash;frank, kind, well educated, and unselfish.
+ But you cannot have fallen in love with her in three days?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; says this blunt-spoken young man.
+ </p>
+ <p>
+ &ldquo;Because it is ridiculous. If I meddle in the affair I should probably
+ find you had given up the fancy in other three days; or if you did marry
+ her and took her to England you would get to hate me because I alone
+ should know that you had married the niece of an innkeeper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I like that!&rdquo; says he, with a flush in his face. &ldquo;Do you think I
+ should care two straws whether my friends knew I had married the niece of
+ an innkeeper? I should show them Franziska. Wouldn&rsquo;t that be enough? An
+ innkeeper&rsquo;s niece! I wish the world had more of &lsquo;em, if they&rsquo;re like
+ Franziska.&rdquo;
+ </p>
+ <p>
+ &ldquo;And besides,&rdquo; says Tita, &ldquo;have you any notion as to how Franziska herself
+ would probably take this mad proposal?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; says the young man, humbly. &ldquo;I wanted you to try and find out what
+ she thought about me; and if, in time something were said about this
+ proposal, you might put in a word or two, you know, just to&mdash;to give
+ her an idea, you know, that you don&rsquo;t think it quite so mad, don&rsquo;t you
+ know?&rdquo;
+ </p>
+ <p>
+ &ldquo;Give me your hand, Charlie,&rdquo; says Tita, with a sudden burst of kindness.
+ &ldquo;I&rsquo;ll do what I can for you; for I know she&rsquo;s a good girl, and she will
+ make a good wife to the man who marries her.&rdquo;
+ </p>
+ <p>
+ You will observe that this promise was given by a lady who never, in any
+ circumstances whatsoever, seeks to make up matches, who never speculates
+ on possible combinations when she invites young people to her house in
+ Surrey, and who is profoundly indignant, indeed, when such a charge is
+ preferred against her. Had she not, on that former Christmas morning,
+ repudiated with scorn the suggestion that Charlie might marry before
+ another year had passed? Had she not, in her wild confidence, staked on a
+ wager that assumption of authority in her household and out of it without
+ which life would be a burden to her? Yet no sooner was the name of
+ Franziska mentioned, and no sooner had she been reminded that Charlie was
+ going with us to Huferschingen, than the nimble little brain set to work.
+ Oftentimes it has occurred to one dispassionate spectator of her ways that
+ this same Tita resembled the small object which, thrown into a dish of
+ some liquid chemical substance, suddenly produces a mass of crystals. The
+ constituents of those beautiful combinations, you see, were there; but
+ they wanted some little shock to hasten the slow process of
+ crystallisation. Now in our social circle we have continually observed
+ groups of young people floating about in an amorphous and chaotic fashion&mdash;good
+ for nothing but dawdling through dances, and flirting, and carelessly
+ separating again; but when you dropped Tita among them, then you would see
+ how rapidly this jellyfish sort of existence was abolished&mdash;how the
+ groups got broken up, and how the sharp, businesslike relations of
+ marriage were precipitated and made permanent. But would she own to it?
+ Never! She once went and married her dearest friend to a Prussian officer;
+ and now she declares he was a selfish fellow to carry off the girl in that
+ way, and rates him soundly because he won&rsquo;t bring her to stay with us more
+ than three months out of the twelve. There are some of us get quite enough
+ of this Prussian occupation of our territory.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; says Tita to this long English lad, who is lying sprawling on the
+ grass, &ldquo;I can safely tell you this, that Franziska likes you very well.&rdquo;
+ </p>
+ <p>
+ He suddenly jumps up, and there is a great blush on his face.
+ </p>
+ <p>
+ &ldquo;Has she said so?&rdquo; he asks, eagerly.
+ </p>
+ <p>
+ &ldquo;Oh yes! in a way. She thinks you are good-natured. She likes the English
+ generally. She asked me if that ring you wear was an engaged ring.&rdquo;
+ </p>
+ <p>
+ These disconnected sentences were dropped with a tantalising slowness into
+ Charlie&rsquo;s eager ears.
+ </p>
+ <p>
+ &ldquo;I must go and tell her directly that it is not,&rdquo; said he; and he might
+ probably have gone off at once had not Tita restrained him.
+ </p>
+ <p>
+ &ldquo;You must be a great deal more cautious than that if you wish to carry off
+ Franziska some day or other. If you were to ask her to marry you now she
+ would flatly refuse you, and very properly; for how could a girl believe
+ you were in earnest? But if you like, Charlie, I will say something to her
+ that will give her a hint; and if she cares for you at all before you go
+ away she won&rsquo;t forget you. I wish I was as sure of you as I am of her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh I can answer for myself,&rdquo; says the young man, with a becoming
+ bashfulness.
+ </p>
+ <p>
+ Tita was very happy and pleased all that day. There was an air of mystery
+ and importance about her. I knew what it meant; I had seen it before.
+ </p>
+ <p>
+ Alas! poor Charlie!
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V&mdash;&ldquo;GAB MIR EIN&rsquo; RING DABEI&rdquo;
+ </h2>
+ <p>
+ Under the friendly instructions of Dr. Krumm, whom he no longer regarded
+ as a possible rival, Charlie became a mighty hunter; and you may be sure
+ that he returned of an evening with sprigs of fir in his cap for the bucks
+ he had slain, Franziska was not the last to come forward and shake hands
+ with him and congratulate him, as is the custom in these primitive parts.
+ And then she was quite made one of the family when we sat down to dinner
+ in the long, low-roofed room; and nearly every evening, indeed, Tita would
+ have her to dine with us and play cards with us.
+ </p>
+ <p>
+ You may suppose, if these two young folk had any regard for each other,
+ those evenings in the inn must have been a pleasant time for them. There
+ were never two partners at whist who were so courteous to each other, so
+ charitable to each other&rsquo;s blunders. Indeed, neither would ever admit that
+ the other blundered. Charlie used to make some frightful mistakes
+ occasionally that would have driven any other player mad; but you should
+ have seen the manner in which Franziska would explain that he had no
+ alternative but to take her king with his ace, that he could not know
+ this, and was right in chancing that. We played three-penny points, and
+ Charlie paid for himself and his partner, in spite of her entreaties. Two
+ of us found the game of whist a profitable thing.
+ </p>
+ <p>
+ One day a registered letter came for Charlie. He seized it, carried it to
+ a window, and then called Tita to him. Why need he have any secret about
+ it? It was nothing but a ring&mdash;a plain hoop with a row of rubies.
+ </p>
+ <p>
+ &ldquo;Do you think she would take this thing?&rdquo; he said, in a low voice.
+ </p>
+ <p>
+ &ldquo;How can I tell?&rdquo;
+ </p>
+ <p>
+ The young man blushed and stammered, and said:
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want you to ask her to take the ring, but to get to know whether
+ she would accept any present from me. And I would ask her myself plainly,
+ only you have been frightening me so much about being in a hurry. And what
+ am I to do? Three days hence we start.&rdquo;
+ </p>
+ <p>
+ Tita looked down with a smile and said, rather timidly:
+ </p>
+ <p>
+ &ldquo;I think if I were you I would speak to her myself&mdash;but very gently.&rdquo;
+ </p>
+ <p>
+ We were going off that morning to a little lake some dozen miles off to
+ try for a jack or two. Franziska was coming with us. She was, indeed,
+ already outside, superintending the placing in the trap of our rods and
+ bags. When Charlie went out she said that everything was ready; and
+ presently our peasant driver cracked his whip, and away we went.
+ </p>
+ <p>
+ Charlie was a little grave, and could only reply to Tita&rsquo;s fun with an
+ effort. Franziska was mostly anxious about the fishing, and hoped that we
+ might not go so far to find nothing.
+ </p>
+ <p>
+ We found few fish anyhow. The water was as still as glass, and as clear;
+ the pike that would have taken our spinning bits of metal must have been
+ very dull-eyed pike indeed. Tita sat at the bow of the long punt reading,
+ while our boatman steadily and slowly plied his single oar. Franziska was
+ for a time eagerly engaged in watching the progress of our fishing, until
+ even she got tired of the excitement of rolling in an immense length of
+ cord, only to find that our spinning bait had hooked a bit of floating
+ wood or weed. At length Charlie proposed that he should go ashore and look
+ out for a picturesque site for our picnic, and he hinted that perhaps Miss
+ Franziska might also like a short walk to relieve the monotony of the
+ sailing. Miss Franziska said she would be very pleased to do that. We ran
+ them in among the rushes, and put them ashore, and then once more started
+ on our laborious career.
+ </p>
+ <p>
+ Tita laid down her book. She was a little anxious. Sometimes you could see
+ Charlie and Franziska on the path by the side of the lake; at other times
+ the thick trees by the water&rsquo;s side hid them.
+ </p>
+ <p>
+ The solitary oar dipped in the lake; the boat glided along the shores.
+ Tita took up her book again. The space of time that passed may be inferred
+ from the fact that, merely as an incident to it, we managed to catch a
+ chub of four pounds. When the excitement over this event had passed, Tita
+ said:
+ </p>
+ <p>
+ &ldquo;We must go back to them. What do they mean by not coming on and telling
+ us? It is most silly of them.&rdquo;
+ </p>
+ <p>
+ We went back by the same side of the lake, and we found both Franziska and
+ her companion seated on the bank at the precise spot where we had left
+ them. They said it was the best place for the picnic. They asked for the
+ hamper in a businesslike way. They pretended they had searched the shores
+ of the lake for miles.
+ </p>
+ <p>
+ And while Tita and Franziska are unpacking the things, and laying the
+ white cloth smoothly on the grass, and pulling out the bottles for Charlie
+ to cool in the lake, I observe that the younger of the two ladies rather
+ endeavours to keep her left hand out of sight. It is a paltry piece of
+ deception. Are we moles, and blinder than moles, that we should
+ continually be made the dupes of these women? I say to her:
+ </p>
+ <p>
+ &ldquo;Franziska, what is the matter with your left hand?&rdquo;
+ </p>
+ <p>
+ &ldquo;Leave Franziska&rsquo;s left hand alone,&rdquo; says Tita, severely.
+ </p>
+ <p>
+ &ldquo;My dear,&rdquo; I reply, humbly, &ldquo;I am afraid Franziska has hurt her left
+ hand.&rdquo;
+ </p>
+ <p>
+ At this moment Charlie, having stuck the bottles among the reeds, comes
+ back, and, hearing our talk, he says, in a loud and audacious way:
+ </p>
+ <p>
+ &ldquo;Oh, do you mean the ring? It&rsquo;s a pretty little thing I had about me, and
+ Franziska has been good enough to accept it. You can show it to them,
+ Franziska.&rdquo;
+ </p>
+ <p>
+ Of course he had it about him. Young men always do carry a stock of ruby
+ rings with them when they go fishing, to put in the noses of the fish. I
+ have observed it frequently.
+ </p>
+ <p>
+ Franziska looks timidly at Tita, and then she raises her hand, that
+ trembles a little. She is about to take the ring off to show it to us when
+ Charlie interposes:
+ </p>
+ <p>
+ &ldquo;You needn&rsquo;t take it off, Franziska.&rdquo;
+ </p>
+ <p>
+ And with that, somehow, the girl slips away from among us, and Tita is
+ with her, and we don&rsquo;t get a glimpse of either of them until the solitude
+ resounds with our cries for luncheon.
+ </p>
+ <p>
+ In due time Charlie returned to London, and to Surrey with us in very good
+ spirits. He used to come down very often to see us; and one evening at
+ dinner he disclosed the fact that he was going over to the Black Forest in
+ the following week, although the November nights were chill just then.
+ </p>
+ <p>
+ &ldquo;And how long do you remain?&rdquo;
+ </p>
+ <p>
+ &ldquo;A month,&rdquo; he says.
+ </p>
+ <p>
+ &ldquo;Madam,&rdquo; I say to the small lady at the other end of the table, &ldquo;a month
+ from now will bring us to the 4th of December. You have lost the bet you
+ made last Christmas morning; when will it please you to resign your
+ authority?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, bother the bet,&rdquo; says this unscrupulous person.
+ </p>
+ <p>
+ &ldquo;But what do you mean?&rdquo; says Charlie.
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; I say to him, &ldquo;she laid a wager last Christmas Day that you would
+ not be married within a year. And now you say you mean to bring Franziska
+ over on the 4th of December next. Isn&rsquo;t it so?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no!&rdquo; he says; &ldquo;we don&rsquo;t get married till the spring.&rdquo;
+ </p>
+ <p>
+ You should have heard the burst of low, delightful laughter with which
+ Queen Tita welcomed this announcement. She had won her wager.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg&rsquo;s Stories By English Authors: Germany, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK STORIES BY ENGLISH AUTHORS: ***
+
+***** This file should be named 2071-h.htm or 2071-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/7/2071/
+
+Produced by Dagny; John Bickers and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>