summaryrefslogtreecommitdiff
path: root/20743-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 01:28:29 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 01:28:29 -0700
commit365cb313e7732e2173361f89daab91e263e745d3 (patch)
treeda11fca984c5c8c508b28867c9aae69304f40904 /20743-h
initial commit of ebook 20743HEADmain
Diffstat (limited to '20743-h')
-rw-r--r--20743-h/20743-h.htm1806
-rw-r--r--20743-h/images/frontis.jpgbin0 -> 130819 bytes
-rw-r--r--20743-h/images/imagep010.jpgbin0 -> 153177 bytes
-rw-r--r--20743-h/images/imagep019.jpgbin0 -> 139029 bytes
-rw-r--r--20743-h/images/imagep032.jpgbin0 -> 104581 bytes
-rw-r--r--20743-h/images/imagep047.jpgbin0 -> 105048 bytes
-rw-r--r--20743-h/images/imagep083.jpgbin0 -> 169994 bytes
7 files changed, 1806 insertions, 0 deletions
diff --git a/20743-h/20743-h.htm b/20743-h/20743-h.htm
new file mode 100644
index 0000000..cdf148d
--- /dev/null
+++ b/20743-h/20743-h.htm
@@ -0,0 +1,1806 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+<html>
+ <head>
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of The Marx He Knew, by John Spargo.
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .5em;
+ text-align: justify;
+ margin-bottom: .5em;
+ text-indent: 1em;
+ }
+ H1 {
+ text-align: center; font-family: garamond, serif; /* all headings centered */
+ }
+ H5,H6 {
+ text-align: center; font-family: garamond, serif; /* all headings centered */
+ }
+ H2 {
+ text-align: center; font-family: garamond, serif; /* centered and coloured */
+ }
+ H3 {
+ text-align: center; font-family: garamond, serif; /* centered and coloured */
+ }
+ H4 {
+ text-align: center; font-family: garamond, serif; /* all headings centered */
+ }
+ HR { width: 33%;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 20%;
+ margin-right: 20%;
+ font-size: 110%;
+ }
+ a {text-decoration: none} /* no lines under links */
+ div.centered {text-align: center;} /* work around for IE centering with CSS problem part 1 */
+ div.centered table {margin-left: auto; margin-right: auto; text-align: left;} /* work around for IE centering with CSS problem part 2 */
+
+ .cen {text-align: center; text-indent: 0em;} /* centering paragraphs */
+ .sc {font-variant: small-caps; font-size: 95%;} /* small caps, normal size */
+ .noin {text-indent: 0em;} /* no indenting */
+ .block {margin-left: 5%; margin-right: 5%;} /* block indent */
+ .right {text-align: right; padding-right: 2em;} /* right aligning paragraphs */
+ .totoi {position: absolute; right: 2%; font-size: 75%; text-align: right;} /* to Table of Illustrations link */
+ .img {text-align: center; padding: 1em; margin-left: auto; margin-right: auto;} /* centering images */
+ .tdr {text-align: right; vertical-align: bottom;} /* right align cell */
+ .tdc {text-align: center;} /* center align cell */
+ .tdl {text-align: left;} /* left align cell */
+ .tdlsc {text-align: left; font-variant: small-caps;} /* aligning cell content and small caps */
+ .tdrsc {text-align: right; font-variant: small-caps;} /* aligning cell content and small caps */
+ .tdcsc {text-align: center; font-variant: small-caps;} /* aligning cell content and small caps */
+ .tr {margin-left: 15%; margin-right: 15%; margin-top: 5%; margin-bottom: 5%; padding: 1em; background-color: #f6f2f2; color: black; border: dotted black 1px;} /* transcriber's notes */
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute; right: 2%;
+ font-size: 75%;
+ color: silver;
+ background-color: inherit;
+ text-align: right;
+ text-indent: 0em;
+ font-style: normal;
+ font-weight: normal;
+ font-variant: normal;} /* page numbers */
+
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Marx He Knew, by John Spargo
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Marx He Knew
+
+Author: John Spargo
+
+Release Date: March 4, 2007 [EBook #20743]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MARX HE KNEW ***
+
+
+
+
+Produced by Fritz Ohrenschall, Jeannie Howse and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<br />
+<hr />
+<br />
+<br />
+<br />
+
+<h1>The Marx He Knew</h1>
+
+<br />
+<br />
+
+
+<div class="img"><a name="frontis" id="frontis"></a>
+<a href="images/frontis.jpg">
+<img border="0" src="images/frontis.jpg" width="68%" alt="KARL MARX." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">KARL MARX.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+
+
+<br />
+<hr />
+<br />
+
+
+<h1>The Marx He Knew</h1>
+<br />
+<br />
+<br />
+<br />
+<h4>BY</h4>
+<h3>JOHN SPARGO</h3>
+<br />
+<br />
+<h5>Author of "The Bitter Cry of the Children," "Socialism,<br />
+A Summary and Interpretation of Socialist<br />
+Principles," "The Common Sense of<br />
+Socialism," "Karl Marx: His<br />
+Life and Work," Etc.,<br />
+Etc., Etc.</h5>
+<br />
+<br />
+<br />
+<br />
+<h5>CHICAGO<br />
+CHARLES H. KERR &amp; COMPANY<br />
+1909</h5>
+
+<br />
+<hr />
+<br />
+<br />
+<br />
+<br />
+
+<h5>Copyright, 1909<br />
+<br />
+<span class="sc">By Charles H. Kerr &amp; Company</span></h5>
+
+<br />
+<br />
+<br />
+<br />
+<hr />
+<br />
+<br />
+<br />
+<br />
+
+<h4>TO<br />
+MADAME LAURA LAFARGUE<br />
+DAUGHTER OF KARL MARX</h4>
+
+<br />
+<br />
+<br />
+<br />
+<a name="toi" id="toi"></a><hr />
+<br />
+
+<h3>List of Illustrations</h3>
+<br />
+
+<div class="centered">
+<table border="0" cellpadding="2" cellspacing="0" width="90%" summary="List of Illustrations">
+ <tr>
+ <td class="tdlsc"><a href="#frontis">Karl Marx, From a Photograph</a></td>
+ <td class="tdr"><i>Frontispiece</i></td>
+ </tr>
+ <tr>
+ <td width="80%">&nbsp;</td>
+ <td class="tdr" width="20%"><span style="font-size: 80%;">FACING PAGE</span></td>
+ </tr>
+ <tr>
+ <td class="tdlsc"><a href="#imagep010">His Birthplace at Trier, From an Old Print</a></td>
+ <td class="tdr">10</td>
+ </tr>
+ <tr>
+ <td class="tdlsc"><a href="#imagep019">Johanna Bertha Julie von Westphalen,<br />
+ From a Painting From Life</a></td>
+ <td class="tdr">19</td>
+ </tr>
+ <tr>
+ <td class="tdlsc"><a href="#imagep032">Frederick Engels, From a Photograph</a></td>
+ <td class="tdr">32</td>
+ </tr>
+ <tr>
+ <td class="tdlsc"><a href="#imagep047">Ferdinand Lassalle, From a Photograph</a></td>
+ <td class="tdr">47</td>
+ </tr>
+ <tr>
+ <td class="tdlsc"><a href="#imagep083">The Marx Family Grave, From a Photograph</a></td>
+ <td class="tdr">83</td>
+ </tr>
+</table>
+</div>
+
+<br />
+<br />
+<br />
+<br />
+<hr />
+<span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span><br />
+
+<h2>THE MARX HE KNEW</h2>
+
+<h4>I</h4>
+<br />
+
+<p>The pale, yellow light of the waning day streamed through the dusty
+window panes of the little cigar shop, and across the bench where old
+Hans Fritzsche worked and hummed the melody of <i>Der Freiheit</i> the
+while.</p>
+
+<p>The Young Comrade who sat in the corner upon a three-legged stool
+seemed not to hear the humming. His eyes were fixed upon a large
+photograph of a man which hung in a massive oak frame above the bench
+where Old Hans rolled cigars into shape. The photograph was old and
+faded, and the written inscription beneath it was scarcely legible.
+The gaze of the Young Comrade was wistful and reverent.</p>
+
+<p><span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span>"Tell me about <i>him</i>, Hans," he said at last.</p>
+
+<p>Old Hans stopped humming and looked at the Young Comrade. Then his
+eyes wandered to the portrait and rested upon it in a gaze that was
+likewise full of tender reverence.</p>
+
+<p>Neither spoke again for several seconds and only the monotonous
+ticking of the clock upon the wall broke the oppressive silence.</p>
+
+<p>"Ach! he was a wonderful man, my comrade," said Old Hans at length.</p>
+
+<p>"Yes, yes, he was a wonderful man&mdash;one of the most wonderful men that
+ever lived," responded the Young Comrade in a voice that was vibrant
+with religious enthusiasm.</p>
+
+<p>Both were silent again for a moment and then the Young Comrade
+continued: "Yes, Marx was a wonderful man, Hans. And you knew him&mdash;saw
+him <span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span>smile&mdash;heard him speak&mdash;clasped his hand&mdash;called him comrade and
+friend!"</p>
+
+<p>"Aye, many times, many times," answered Old Hans, nodding. "Hundreds
+of times did we smoke and drink together&mdash;me and him."</p>
+
+<p>"Ah, that was a glorious privilege, Hans," said the Young Comrade
+fervently. "To hear him speak and touch his hand&mdash;the hand that wrote
+such great truths for the poor working people&mdash;I would have gladly
+died, Hans. Why, even when I touch your hand now, and think that it
+held <i>his</i> hand so often, I feel big&mdash;strong&mdash;inspired."</p>
+
+<p>"Ach, but my poor old hand is nothing," answered Old Hans with a
+deprecating smile. "Touching the hand of such a man matters nothing at
+all, for genius is not contagious like the smallpox," he added.</p>
+
+<p>"But tell me about him, Hans," <span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span>pleaded the Young Comrade again. "Tell
+me how he looked and spoke&mdash;tell me everything."</p>
+
+<p>"Well, you see, we played together as boys in the Old Country, in
+Treves. Many a time did we fight then! Once he punched my eye and made
+it swell up so that I could hardly see at all, but I punched his nose
+and made it bleed like&mdash;well, like a pig."</p>
+
+<p>"What! you made him <i>bleed</i>?"</p>
+
+<p>"Ach! that was not much; all boys fight so."</p>
+
+<p>"Well?"</p>
+
+<p>"My father was a shoemaker, you see, and we lived not far away from
+where Karl's people lived. Many a time my father sent me to their
+house&mdash;on the Bruckergrasse&mdash;with mended shoes. Then I would see Karl,
+who was just as big as I was, but not so old by a year. <span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span>Such a fine
+boy! Curly-headed he was, and fat&mdash;like a little barrel almost.</p>
+
+<div class="img"><a name="imagep010" id="imagep010"></a>
+<a href="images/imagep010.jpg">
+<img border="0" src="images/imagep010.jpg" width="72%" alt="BIRTHPLACE OF KARL MARX." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">BIRTHPLACE OF KARL MARX.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+<p>"So, when I took the shoes sometimes I would stop and play with him a
+bit&mdash;play with Karl and the girls. He was always playing with
+girls&mdash;with his sister, Sophie, and little Jenny von Westphalen.</p>
+
+<p>"Sometimes I liked it not so&mdash;playing with girls. They were older than
+we boys and wanted everything to go their way, and I liked not that
+girls should boss boys. So once I teased him about it&mdash;told him that
+he was a baby to play with girls. Then it was that we fought and he
+gave me a black eye and I gave him a bloody nose in return.</p>
+
+<p>"Sometimes the Old Man, Karl's father, would come into my father's
+shop and stay a long while chatting. He was a lawyer and father only a
+shoemaker; he was quite rich, while father <span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span>was poor, terribly poor.
+But it made no difference to Herr Marx. He would chat with father by
+the hour.</p>
+
+<p>"You see, he was born a Jew, but&mdash;before Karl was born&mdash;he turned
+Christian. Father had done the same thing, years before I was born.
+Why he did it father would never tell me, but once I heard him and
+Heinrich Marx&mdash;that was the name of Karl's father&mdash;talking about it,
+so I got a pretty good idea of the reason.</p>
+
+<p>"'Of course, I am not a believer in the Christian doctrines, friend
+Wilhelm.' he said to my father. 'I don't believe that Jesus was God,
+nor that he was a Messiah from God. But I do believe in a God&mdash;in one
+God and no more.</p>
+
+<p>"'And I'm not so dishonorable as to have become a Christian, and to
+have had my children baptized as Christians, simply to help me in my
+profession,' he <span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span>said. 'Some of our Hebrew friends have said that, but
+it is not true at all. As I see it, friend Wilhelm, Judaism is too
+narrow, too conservative. Christianity makes for breadth, for culture,
+for freedom. And it is keeping to ourselves, a people set apart, which
+makes us Jews hated and despised, strangers in the land. To become one
+with all our fellow citizens, to break down the walls of separation,
+is what we need to aim at. That is why I forsook Judaism, Wilhelm.'</p>
+
+<p>"From the way that father nodded his head and smiled I could tell,
+though he said little, that he was the same sort of a Christian."</p>
+
+<p>"But it was about <i>him</i>, the son, that you were speaking, Hans."</p>
+
+<p>"Ach, be patient. Time is more plentiful than money, boy," responded
+Hans, somewhat testily.</p>
+
+<p><span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span>"Well, of course, we went to the same school, and though Karl was
+younger than me we were in the same class. Such a bright, clever
+fellow he was! Always through with his lessons before any of the rest
+of us, he was, and always at the top of the class. And the stories he
+could tell, lad! Never did I hear such stories. In the playground
+before school opened we used to get around him and make him tell
+stories till our hair stood on end."</p>
+
+<p>"And was his temper cheerful and good&mdash;was he well liked?" asked the
+Young Comrade.</p>
+
+<p>"Liked? He was the favorite of the whole school, teachers and all, my
+boy. Never was he bad tempered or mean. Nobody ever knew Karl to do a
+bad thing. But he was full of mischief and good-hearted fun. He loved
+to play <span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span>tricks upon other boys, and sometimes upon the teachers, too.</p>
+
+<p>"He could write the funniest verses about people you ever heard in
+your life, and sometimes all the boys and girls in the school would be
+shouting his rhymes as they went through the streets. If another boy
+did anything to him, Karl would write some verses that made the fellow
+look like a fool, and we would all recite them just to see the poor
+fellow get mad. Such fun we had then. But, I tell you, we were awfully
+afraid of Karl's pin-pricking verses!</p>
+
+<p>"Once, I remember well, we had a bad-tempered old teacher. He was a
+crabbed old fellow, and all the boys got to hate him. Always using the
+rod, he was. Karl said to me one day as we were going home from
+school: 'The crooked old sinner! I'll make him wince with some verses
+before long, Hans,' <span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span>and then we both laughed till we were sore."</p>
+
+<p>"And did he write the verses?" asked the Young Comrade.</p>
+
+<p>"Write them? I should say he did! You didn't know Karl, or you would
+never ask such a question as that. Next morning, when we got in
+school, Karl handed around a few copies of his poem about old Herr von
+Holst, and pretty soon we were all tittering. The whole room was in a
+commotion.</p>
+
+<p>"Of course, the teacher soon found out what was wrong and Karl was
+called outside and asked to explain about them. 'I'm a poet, Herr
+teacher,' he said, 'and have a poet's license. You must not ask a poet
+to explain.' Of course, we all laughed at that, and the poor Herr von
+Holst was like a great mad bull."</p>
+
+<p>"And was he disciplined?"</p>
+
+<p><span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span>"To be sure he was! His father was very angry, too. But what did we
+care about that? We sang the verses on the streets, and wrote them on
+the walls or anywhere else that we could. We made it so hot for the
+poor teacher that he had to give up and leave the town. I wish I could
+remember the verses, but I never was any good for remembering poetry,
+and it was a long, long time ago&mdash;more than three score years ago now.</p>
+
+<p>"We thought it was funny that Karl never gave over playing with the
+girls&mdash;his sister and Jenny von Westphalen. When we were all big boys
+and ashamed to be seen playing with girls, he would play with them
+just the same, and sometimes when we asked him to play with us he
+would say, 'No, boys, I'm going to play with Jenny and Sophie this
+afternoon.' We'd be mad enough at this, for he was a good fellow to
+have <span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span>in a game, and sometimes we would try to tease him out of it.
+But he could call names better than we could, and then we were all
+afraid of his terrible verses. So we let him alone lest he make us
+look silly with his poetry.</p>
+
+<p>"Well, I left school long before Karl did. My father was poor, you
+see, and there were nine of us children to feed and clothe, so I had
+to go to work. But I always used to be hearing of Karl's cleverness.
+People would talk about him in father's shop and say, 'That boy Marx
+will be a Minister of State some day.'</p>
+
+<p>"By and by we heard that he had gone to Bonn, to the University, and
+everybody thought that he would soon become a great man. Father was
+puzzled when Heinrich Marx came in one day and talked very sadly about
+Karl. He said that Karl had wasted all his time at <span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span>Bonn and learned
+nothing, only getting into a bad scrape and spending a lot of money.
+Father tried to cheer him up, but he was not to be comforted. 'My
+Karl&mdash;the child in whom all my hopes were centered&mdash;the brightest boy
+in Treves&mdash;is a failure,' he said over and over again.</p>
+
+<div class="img"><a name="imagep019" id="imagep019"></a>
+<a href="images/imagep019.jpg">
+<img border="0" src="images/imagep019.jpg" width="68%" alt="JOHANNA BERTHA JULIE JENNY VON WESTPHALEN." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">JOHANNA BERTHA JULIE JENNY VON WESTPHALEN.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+<p>"Soon after that Karl came home and I saw him nearly every day upon
+the streets. He was most always with Jenny von Westphalen, and people
+smiled and nodded their heads when the two passed down the street. My!
+What a handsome couple they made! Jenny was the beauty of the town,
+and all the young men were crazy about her. They wrote poems about her
+and called her all the names of the goddesses, but she had no use for
+any of the fellows except Karl. And he was as handsome a fellow as
+ever laughed into a girl's eyes. He was <span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span>tall and straight as a line,
+and had the most wonderful eyes I ever saw in my life. They seemed to
+dance whenever he smiled, but sometimes they flashed fire&mdash;when he was
+vexed, I mean. But I suppose that what the girls liked best was his
+great mass of coal black curls.</p>
+
+<p>"The girls raved about Karl, and he could have had them all at his
+feet if he would. I know, for I had two sisters older than myself, and
+I heard how they and their friends used to talk about him. But Karl
+had no eyes for any girl but Jenny, except it was his sister.</p>
+
+<p>"Folks all said that Karl and Jenny would marry. Rachel&mdash;that's my
+oldest sister&mdash;said so one night at the supper table, but our good
+mother laughed at her. 'No, Rachel, they'll never marry,' she said.
+'Jenny might be willing enough, but the old Baron will never let <span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span>her
+do it. Karl's father is rich alongside of poor people like us, but
+poor enough compared with Jenny's father. Karl is no match for the
+beautiful Jenny.'</p>
+
+<p>"Then father spoke up. 'You forget, mother, that Heinrich Marx is the
+best friend that old Baron von Westphalen has, and that the Baron is
+as fond of Karl as of Jenny. And anyway he loves Jenny so much that
+he'd be sure to let her marry whoever she loved, even if the man had
+not a thaler to his name.'</p>
+
+<p>"Soon Karl went away again to the University at Berlin, not back to
+Bonn. Thought he'd get on better at Berlin, I suppose. He might have
+been gone a year or more when his father came into father's little
+shop one day while I was there. He said that Karl wasn't doing as well
+at Berlin as he had expected. He tried to laugh it off, saying that
+the boy was in love and would probably <span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span>settle down to work soon and
+come out all right, upon top as usual.</p>
+
+<p>"It was then that we learned for the first time that Karl and Jenny
+were betrothed, and that the old Baron had given his blessing to his
+daughter and her lover. Very soon all the gossips of the town were
+talking about it. Some said that there had been quite a romance about
+it; that the young folks had been secretly engaged for nearly a year,
+being afraid that the Baron would object. 'Twas even said that Karl
+had been made ill by the strain of keeping the secret. Then, when at
+last Karl wrote to old Westphalen about it, and asked for Jenny in a
+manly fashion, the old fellow laughed and said that he had always
+hoped it would turn out that way. So the silly young couple had
+suffered a lot of pain which they could have avoided.</p>
+
+<p><span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span>"Of course, lots of folks said that it wasn't a 'good match,' that
+Jenny von Westphalen could have married somebody a lot richer than
+Karl; but they all had to admit that she couldn't get a handsomer or
+cleverer man than Karl in all the Rhine Province.</p>
+
+<p>"But things seemed to be going badly enough with Karl at the
+University. Herr Heinrich Marx cried in our little shop one evening
+when my father asked him how Karl was doing. He said that, instead of
+studying hard to be a Doctor of Laws, as he ought to do, Karl was
+wasting his time. 'He writes such foolish letters that I am ashamed of
+him,' said the old man. 'Wastes his time writing silly verses and
+romances and then destroying most of them; talks about becoming a
+second Goethe, and says he will write the great Prussian drama that
+will revive dramatic art. <span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span>He spends more money than the sons of the
+very rich, and I fear that he has got into bad company and formed evil
+habits.'</p>
+
+<p>"Then father spoke up. 'Don't be afraid,' he said. 'I'll wager that
+Karl is all right, and that he will do credit to the old town yet.
+Some of our greatest men have failed to pass their examinations in the
+universities you know, Herr Marx, while some of the most brilliant
+students have done nothing worthy of note after leaving the
+universities crowned with laurels. There is nothing bad about Karl, of
+that you may be sure.'</p>
+
+<p>"The old man could hardly speak. He took father's hand and shook it
+heartily: 'May it be so, friend Wilhelm, may it be so,' he said. I
+never saw the old man again, for soon after that he died.</p>
+
+<p><span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span>"Karl came home that Easter, looking pale and worn and thin. I was
+shocked when he came to see me, so grave and sad was he. We went over
+to the old Roman ruins, and he talked about his plans. He had given up
+all hopes of being a great poet then and wanted to get a Doctor's
+degree and become a Professor at the University. I reminded him of the
+verses he wrote about some of the boys at school, and about the old
+teacher, Herr von Holst, and we laughed like two careless boys. He
+stood upon a little mound and recited the verses all over as though
+they had been written only the week before. Ach, he looked grand that
+night in the beautiful moonlight!</p>
+
+<p>"Then came his father's death, and I did not see him again, except as
+the funeral passed by. He went back to Berlin to the University, and I
+went <span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span>soon after that away from home for my wanderjahre, and for a
+long time heard nothing about Karl.</p>
+
+<br />
+<h4>II</h4>
+
+<p>"Two or three years after that I was working in Cologne, where I had a
+sweetheart, when I read in a paper, the <i>Rhenische Zeitung</i>, that
+there would be a democratic meeting. I liked the democratic ideas
+which I found in the paper, for they were all in the interest of poor
+toilers like myself. So I made up my mind to go to the meeting.</p>
+
+<p>"So that night I went to the meeting and listened to the speeches.
+Presently <i>he</i> came in. I didn't see him at first, but heard a slight
+noise back of me and heard someone near me say 'Here comes Doctor
+Marx.' Then I turned and saw <span class='pagenum'><a name="Page_27" id="Page_27">[27]</a></span>Karl making his way to the front, all
+eyes fastened upon him. I could see in a moment that he was much
+beloved.</p>
+
+<p>"Then Karl made a speech. He was not a great orator, but spoke clearly
+and right to the point in very simple language. The speaker who spoke
+before him was very eloquent and fiery, and stirred the audience to a
+frenzy. But never a sound of applause greeted Karl's speech; he was
+listened to in perfect silence.</p>
+
+<p>"This made me feel that Karl's speech was a great failure, but next
+day I found that the only words I remembered of all that were spoken
+that evening were the words Karl spoke. It was the same way with the
+other men in the shop where I worked. As they discussed the meeting
+next day, it was Karl's speech they remembered and discussed. That was
+like Karl: he had <span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span>a way somehow of saying things you couldn't forget.</p>
+
+<p>"When the meeting was over I was slinking away without speaking to
+him. I suppose that I was bashful and a bit afraid of the grave
+'Doctor Marx,' the great man. But he saw me going out and shouted my
+name. 'Wait a minute, Hans Fritzsche,' he cried, and came running to
+me with outstretched hands. Then he insisted upon introducing me to
+all the leaders. 'This is my good friend, Herr Fritzsche, with whom I
+went to school,' he said to them.</p>
+
+<p>"Nothing would satisfy him but that I should go with the other leaders
+and himself for a little wine, and though I was almost afraid lest in
+such company I seem foolish, I went. You should have heard Karl talk
+to those leaders, my boy! It was wonderful, and I sat and drank in
+every word. One of the <span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span>great men was urging that the time had come
+for some desperate action. 'Nothing but a bloody revolution can help
+the working people, Herr Marx,' he said. But Karl smiled quietly, and
+I thought I could see the old scornful curl of his lip as he said:
+'Revolution? Yes, but not yet, Herr, not yet, and perhaps not a bloody
+one at all.' Ach, what quiet power seemed to go with his words!</p>
+
+<p>"After the little crowd broke up Karl took me with him to his office.
+Then I learned that he was the editor of the <i>Rhenische Zeitung</i>, and
+that the articles I had read in the paper pleading for the poor and
+oppressed and denouncing the government were written by him. I felt
+almost afraid of him then, so wonderful it seemed that he should have
+become so great and wise. But Karl soon put all my fears to rest, and
+made <span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span>me forget everything except that we were boys from home enjoying
+the memories of old times.</p>
+
+<p>"Well, I saw him often after that, for I joined the Democratic Club.
+Then the government suppressed the paper, and Karl went away to Paris.
+Before he went he came to say good bye and told me that he was to
+marry Jenny von Westphalen before going to Paris, and I told him that
+I was going to marry, too.</p>
+
+<p>"But we never thought that we should meet each other upon our
+honeymoons, as we did. I was at Bingen with my Barbara the day after
+our wedding when I heard someone calling my name, and when I turned to
+see who it was that called me there stood Karl and his Jenny laughing
+at me and my Barbara, and all of us were blushing like idiots. Such
+<span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span>happy days those were that we spent at old Bingen!</p>
+
+<p>"I went back to Cologne, to work in the shop belonging to my Barbara's
+father, and Karl went to Paris. That was in forty-three. We heard from
+him sometimes, and later on we used to get copies of a paper,
+<i>Vorwarts</i>, which published articles by Karl and other great men.
+Bakunin wrote for it, I remember, and so did Heine and Herwegh, our
+sweet singers.</p>
+
+<p>"That paper was stopped, too. We heard that Guizot had suppressed the
+paper and ordered Karl and some of the other writers to be expelled
+from France. It was Alexander von Humboldt who persuaded Guizot, so it
+was said. I got a letter from Karl to say that he had settled in
+Brussels with his wife and that there was a baby, a <span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span>little Jenny,
+eight months old. Our little Barbara was just the same age.</p>
+
+<p>"Not long after that letters came to the club asking for Karl's
+address. They were from Engels, of whom I had never heard before. I
+would not give the address until we found out that Engels was a true
+friend and comrade. We were all afraid, you see, lest some enemy
+wanted to hurt Karl. It was good, though, that I could send the
+address to Engels, for I believe that he sent some money to help Karl
+out of a very hard struggle. If we had known that he was in trouble
+we, his friends in Cologne, would have sent money to help, but Karl
+was too proud I suppose to let his trouble be known to us.</p>
+
+<br />
+<h4>III</h4>
+
+<p>"It was in the winter of 1847 that I <span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span>saw him again, in London. For
+months all the workingmen's societies had been agitated over the
+question of forming an international association with a regular
+programme, which Karl had been invited to draw up. A congress was to
+be held in London for the purpose of considering Karl's programme and
+I was sent by the Cologne comrades as a delegate. All the members
+'chipped in' to pay my expenses, and I was very happy to go&mdash;happy
+because I should see him again.</p>
+
+<div class="img"><a name="imagep032" id="imagep032"></a>
+<a href="images/imagep032.jpg">
+<img border="0" src="images/imagep032.jpg" width="58%" alt="FREDERICK ENGELS." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">FREDERICK ENGELS.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+<p>"So I was present at the rooms of the Arbeiterbildungsverein, in Great
+Windmill Street, when Karl read the declaration of principles and
+programme he had prepared. That was the <i>Communist Manifesto</i>, you
+know."</p>
+
+<p>"What! were you really present when that immortal declaration of the
+independence of our class was read, Hans?"</p>
+
+<p><span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span>"Aye, lad, I was present during all the ten days the congress lasted.
+Never, never shall I forget how our Karl read that declaration. Like a
+man inspired he was. I, who have heard Bernstein and Niemann and many
+another great actor declaim the lines of famous classics, never heard
+such wonderful declamation as his. We all sat spellbound and still as
+death while he read. Tears of joy trickled down my cheeks, and not
+mine alone. When he finished reading there was the wildest cheering. I
+lost control of myself and kissed him on both cheeks, again and again.
+He liked not that, for he was always ashamed to have a fuss made over
+him.</p>
+
+<p>"But Karl&mdash;he always insisted that I should call him 'Karl,' as in
+boyhood days&mdash;had shown us that day his inner self; bared the secret
+of his heart, you might say. The workers of all countries <span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span>must
+unite&mdash;only just that, unite! And that night, after the long session
+of the congress, when he took me away with Engels and a few other
+friends&mdash;I remember that Karl Pfander was one&mdash;he could speak of
+little else: the workers must be united somehow, and whoever proposed
+further divisions instead of unity must be treated as a traitor.</p>
+
+<p>"Some there were who had not his patience. Few men have, my lad, for
+his was the patience of a god. They wanted 'action,' 'action,'
+'action,' and some of them pretended that Karl was just a plain
+coward, afraid of action. There was one little delegate, a Frenchman,
+who tried to get me to vote against the 'coward Marx'&mdash;me that had
+known Karl since we were little shavers together, and that knew him to
+be fearless and lion-hearted. I just picked the creature up and shook
+him like a <span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span>terrier shakes a rat and he squealed bitterly. I don't
+think he called Karl a coward again during the congress.</p>
+
+<p>"Of course, Karl had courage enough for anything. But he was too wise
+to imagine that any good could come from a few thousand untrained
+workingmen, armed with all sorts of implements, dangerous most to
+themselves, challenging the trained hosts of capitalist troops. That
+was the old idea of 'Revolution,' you know, and it took more courage
+to advocate the long road of patience than it would take to join in a
+silly riot. And Karl showed them that, too, by his calm look and
+scornful treatment of their cry for 'action.' The way he silenced the
+noisy followers of Wilhelm Weitling&mdash;who was not a bad fellow,
+mind&mdash;was simply wonderful to see. Oh, he was a born leader of men,
+was Karl.</p>
+
+<p>"When the congress was all over, I <span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span>meant to stay a few days in London
+to see the great city. Barbara had a sister living over in Dean street
+and so it would cost me nothing to stay. But Karl came to me and
+begged me to go back by way of Brussels. He and Engels were returning
+there at once, and would like to have me go with them. I didn't want
+to go at first, but when Karl said that there were some messages he
+wanted me to take back to Cologne, why, of course, I went.</p>
+
+<p>"Ach, what a glorious time we had on that journey to Brussels!
+Sometimes Karl and Engels would talk seriously about the great cause,
+and I just listened and kept my mouth shut while my ears were wide
+open. At other times they would throw off their seriousness as a man
+throws off a coat, and then they would tell stories and sing songs,
+and of course I joined in. People <span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span>say&mdash;people that never knew the
+real Karl&mdash;that he was gloomy and sad, that he couldn't smile. I
+suppose that is because they never saw the simple Karl that I knew and
+loved, but only Marx, the great leader and teacher, with a thousand
+heavy problems burdening his mind. But the Marx that I knew&mdash;my friend
+Karl&mdash;was human, boy, very human. He could sing a song, tell a good
+story, and enjoy a joke, even at his own expense."</p>
+
+<p>A smile lit up the face of the Young Comrade. "I'm so glad of that,
+Hans," he said. "I've always been told that he was a sad man, without
+a sense of humor; that he was never known to unbend from his stiff
+gravity. But you say that he was not so; that he could laugh and joke
+and sing: I like him better so."</p>
+
+<p>Old Hans seemed not to hear the <span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span>words of the Young Comrade, though he
+was silent while they were spoken. A faint smile played around his
+lips, and the far-away expression of his eyes told that the smile
+belonged to the memory of other days. It was dark now in the little
+shop; only the flickering light of the fitful fire in the tiny grate
+enabled the Young Comrade to see his friend.</p>
+
+<p>It was the Young Comrade who broke the silence at last: "Tell me more,
+Hans, for I am still hungry to learn about him."</p>
+
+<p>The old man nodded and turned to put some chips upon the fire in the
+grate. Then he continued:</p>
+
+<p>"It was about the last of February, 1848, that we got the first copies
+of the <i>Communist Manifesto</i> at Cologne. Only a day or two before that
+we had news of the outbreak of the Revolution in Paris. I have still
+my copy of the <span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span><i>Manifesto</i> which Karl sent me from Paris.</p>
+
+<p>"You see, he had been expelled from Brussels by order of the
+Government. Prussia had requested this, so Karl wrote me, and he was
+arrested and ordered to leave Belgium at once. So he went at once to
+Paris. Only a week before that the Provisional Government had sent him
+an official invitation to come back to the city from which Guizot had
+expelled him. It was like a conqueror that he went, you may imagine.</p>
+
+<p>"Boy, you can never understand what we felt in those days. Things are
+not so any more. We all thought that the day of our victory was surely
+nigh. Karl had made us believe that when things started in France the
+proletariat of all Europe would awaken: 'When the Gallican cock crows
+the German workers will rise,' he used to say. And now the <span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span>cock's
+crowing had been heard! The Revolution was successful in France&mdash;so we
+thought&mdash;and the people were planting trees of liberty along the
+boulevards.</p>
+
+<p>"Here in England, too, the Spirit of the Revolution was abroad with
+her flaming torch. The Chartists had come together, and every day we
+expected to hear that the monarchy had been overthrown and a Social
+Republic established. Of course, we knew that Chartism was a 'bread
+and butter question' at the bottom, and that the Chartists' cause was
+ours.</p>
+
+<p>"Well, now that we had heard the Gallican cock, we wanted to get
+things started in Germany, too. Every night we held meetings at the
+club in Cologne to discuss the situation. Some of us wanted to begin
+war at once. You see, the Revolution was in our blood like <span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span>strong
+wine: we were drunk with the spirit, lad.</p>
+
+<p>"When Karl wrote that we must wait, that we must have patience, there
+was great disappointment. We thought that we should begin at once, and
+there were some who said that Karl was afraid, but I knew that they
+were wrong, and told them so. There was a fierce discussion at the
+meeting one night over a letter which I had received from Karl, and
+which he wanted me to read to the members.</p>
+
+<p>"George Herwegh was in Paris, so the letter said, and was trying hard
+to raise a legion of German workingmen to march into the Fatherland
+and begin the fight. This, Karl said, was a terrible mistake. It was
+useless, to begin with, for what could such a legion of tailors and
+cigarmakers and weavers do against the Prussian army? It was <span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span>plain
+that the legion would be annihilated. Besides, it would hurt the cause
+in another way by taking out of Paris thousands of good revolutionists
+who were needed there.</p>
+
+<p>"'Tell the comrades,' he wrote, 'that it is not a question of
+cowardice or fear, but of wisdom. It takes more courage to live for
+the long struggle than to go out and be shot.' He wanted the comrades
+to wait patiently and to do all they could to persuade their friends
+in Paris not to follow Herwegh's advice. Most of the Germans in Paris
+followed Karl's advice, but a few followed Herwegh and marched into
+Baden later on, to be scattered by the regular troops as chaff is
+scattered by the wind.</p>
+
+<p>"The German comrades in Paris sent us a special manifesto, which Karl
+wrote, and we were asked to distribute it among the working people.
+That <span class='pagenum'><a name="Page_44" id="Page_44">[44]</a></span>would be a good way to educate the workers, Karl wrote to our
+committee, but I tell you it seemed a very small thing to do in those
+trying times, and it didn't satisfy the comrades who were demanding
+more radical revolutionary action. Why, even I seemed to forget Karl's
+advice for a little while.</p>
+
+<p>"On the 13th of March&mdash;you'll remember that was the day on which more
+than a hundred thousand Chartists gathered on Kennington Common&mdash;the
+revolution broke out in Vienna. Then things began to move in Cologne,
+too. As soon as the news came from Vienna, August von Willich, who had
+been an artillery officer, led a big mob right into the Cologne
+Council Chamber. I was in the mob and shouted as loud as anybody. We
+demanded that the authorities should send a petition to the King, <span class='pagenum'><a name="Page_45" id="Page_45">[45]</a></span>in
+the name of the city, demanding freedom and constitutional government.</p>
+
+<p>"And then on the 18th, the same day that saw the people of Berlin
+fighting behind barricades in the streets&mdash;a great multitude of us
+Cologne men marched through the streets, led by Professor Gottfried
+Kinkel, singing the <i>Marseillaise</i> and carrying the forbidden flag of
+revolution, the black, red and gold tricolor."</p>
+
+<p>"And where was he&mdash;Marx&mdash;during all this time?" asked the Young
+Comrade.</p>
+
+<p>"In Paris with Engels. We thought it strange that he should be holding
+aloof from the great struggle, and even I began to lose faith in him.
+He had told us that the crowing of the Gallican cock would be the sign
+for the revolution to begin, yet he was silent. It was not till later
+that I learned from his <span class='pagenum'><a name="Page_46" id="Page_46">[46]</a></span>own lips that he saw from the start that the
+revolution would be crushed; that the workers opportunity would not
+come until later.</p>
+
+<br />
+<h4>IV</h4>
+
+<p>"He told me that when he came to Cologne with Engels. That was either
+the last of April or the beginning of May, I forget which. My wife
+rushed in one evening and said that she had seen Karl going up the
+street. I had heard that he was expected, but thought it would not be
+for several days. So when Barbara said that she had seen him on the
+street, I put on my things in a big hurry and rushed off to the club.
+There was a meeting that night, and I felt pretty sure that Karl would
+get there.</p>
+
+<div class="img"><a name="imagep047" id="imagep047"></a>
+<a href="images/imagep047.jpg">
+<img border="0" src="images/imagep047.jpg" width="57%" alt="FERDINAND LASSALLE." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">FERDINAND LASSALLE.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+<p><span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span>"When the meeting was more than half through, I heard a noise in the
+back of the hall and turned to see Karl and Engels making their way to
+the platform. There was another man with them, a young fellow, very
+slender and about five feet six in height, handsome as Apollo and
+dressed like a regular dandy. I had never seen this young man before,
+but from what I had heard and read I knew that it must be Ferdinand
+Lassalle.</p>
+
+<p>"They both spoke at the meeting. Lassalle's speech was full of fire
+and poetry, but Karl spoke very quietly and slowly. Lassalle was like
+a great actor declaiming, Karl was like a teacher explaining the rules
+of arithmetic to a lot of schoolboys."</p>
+
+<p>"And did you meet Lassalle, too?" asked the Young Comrade in awed
+tones.</p>
+
+<p><span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span>"Aye, that night and many times after that. Karl greeted me warmly and
+introduced me to Lassalle. Then we went out for a drink of lager
+beer&mdash;just us four&mdash;Karl, Lassalle, Engels and me. They told me that
+they had come to start another paper in the place of the one that had
+been suppressed five years before. Money had been promised to start
+it, Karl was to be the chief editor and Engels his assistant. The new
+paper was to be called the <i>Neue Rhenische Zeitung</i> and Freiligrath,
+George Weerth, Lassalle, and many others, were to write for it. So we
+drank a toast to the health and prosperity of the new paper.</p>
+
+<p>"Well, the paper came out all right, and it was not long before Karl's
+attacks upon the government brought trouble upon it. The middle class
+stockholders felt that he was too radical, and <span class='pagenum'><a name="Page_49" id="Page_49">[49]</a></span>when he took the part
+of the French workers, after the terrible defeat of June, they wanted
+to get rid of their chief editor. There was no taming a man like Karl.</p>
+
+<p>"One day I went down to the office with a notice for a committee of
+which I was a member, and Karl introduced me to Michael Bakunin, the
+great Russian Anarchist leader. Karl never got along very well with
+Bakunin and there was generally war going on between them.</p>
+
+<p>"Did you ever hear of Robert Blum, my lad? Ever read the wonderful
+verses Freiligrath wrote about him? I suppose not. Well, Blum was a
+moderate Democrat, a sort of Liberal who belonged to the Frankfort
+National Assembly. When the insurrection of October, 1848, broke out
+in Vienna Blum was sent there by the National <span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span>Assembly, the so-called
+'parliament of the people.'</p>
+
+<p>"He assumed command of the revolutionary forces and was captured and
+taken prisoner by the Austrian army and ordered to be shot. I remember
+well the night of the ninth of February when the atrocious deed was
+committed. We had a great public meeting. The hall was crowded to
+suffocation. I looked for Karl, but he was nowhere to be seen. He was
+a very busy man, you see, and had to write a great deal for his paper
+at night.</p>
+
+<p>"It was getting on for ten o'clock when Karl appeared in the hall and
+made his way in silence to the platform. Some of the comrades
+applauded him, but he raised his hand to silence them. We saw then
+that he held a telegram in his hand, and that his face was as pale as
+death itself. We knew that <span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span>something terrible had happened, and a
+great hush fell over the meeting. Not a sound could be heard until
+Karl began to read.</p>
+
+<p>"The telegram was very brief and very terrible. Robert Blum had been
+shot to death in Vienna, according to martial law, it said. Karl read
+it with solemn voice, and I thought that I could see the murder taking
+place right there in the hall before my eyes. I suppose everybody felt
+just like that, for there was perfect silence&mdash;the kind of silence
+that is painful&mdash;for a few seconds. Then we all broke out in a perfect
+roar of fury and cheers for the Revolution.</p>
+
+<p>"I tried to speak to Karl after the meeting, but he brushed me aside
+and hurried away. His face was terrible to behold. He was the
+Revolution itself in human shape. As I looked at him I <span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span>knew that he
+would live to avenge poor Blum.</p>
+
+<p>"Blum's death was followed by the <i>coup de' etat</i>. The King appointed
+a new ministry and the National Assembly was dissolved. The <i>Neue
+Rhenische Zeitung</i> came out then with a notice calling upon all
+citizens to forcibly resist all attempts to collect taxes from them.
+That meant war, of course, war to the knife, and we all knew it.</p>
+
+<p>"Karl was arrested upon a charge of treason, inciting people to armed
+resistance to the King's authority. We all feared that it would go
+badly with him. There was another trial, too, Karl and Engels and a
+comrade named Korff, manager of the paper, were placed on trial for
+criminal libel. I went to this trial and heard Karl make the speech
+for the defence. The galleries were <span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span>crowded and when he got through
+they applauded till the rafters shook. 'If Marx can make a speech like
+that at the 'treason' trial, no jury will convict,' was what everybody
+in the galleries said.</p>
+
+<p>"When we got outside&mdash;oh, I forgot to say that the three defendants
+were acquitted, didn't I? Well, when we got outside, I told Karl what
+all the comrades, and many who were not comrades at all, were saying
+about his defence. He was pleased to hear it, I believe, but all that
+he would say was, 'I shall do much better than that, Hans, much better
+than that. Unless I'm mistaken, I can make the public prosecutor look
+like an idiot, Hans.'</p>
+
+<p>"You can bet that I was at the 'treason' trial two days later. I
+pressed Karl's hand as he went in, and he looked back and winked at me
+as mischievously as possible, but said not a word. The <span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span>lawyers for
+the government bitterly attacked Karl and the two other members of the
+executive of the Democratic Club who were arrested with him. But their
+abuse was mostly for Karl. He was the one they were trying to strike
+down, any fool could see that.</p>
+
+<p>"Well, when the case for the prosecution was all in, Karl began to
+talk to the jury. He didn't make a speech exactly, but just talked as
+he always did when he sat with a few friends over a glass of lager. In
+a chatty sort of way, he explained the law to the jury, showed where
+the clever lawyers for the government had made big mistakes, and
+proved that he knew the law better than they did. After that he gave
+them a little political lecture, you might say. He explained to them
+just how he looked at the political questions&mdash;always from the
+standpoint of the working people.</p>
+
+<p><span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span>"Sitting beside me was an old man, a Professor of Law they told me he
+was. He sat there with his eyes fastened upon Karl, listening with all
+his ears to every word. 'Splendid! Splendid! Wonderful logic,' I heard
+him say to himself. 'What a lawyer that man would make!' I watched the
+faces of the jury and it was plain to see that Karl was making a deep
+impression upon them, though they were all middle class men. Even the
+old judge forgot himself and nodded and smiled when Karl's logic made
+the prosecution look foolish. You could see that the old judge was
+admiring the wonderful mind of the man before him.</p>
+
+<p>"Well, the three prisoners were acquitted by the jury and Karl was
+greatly pleased when the jury sent one of their members over to say
+that they had passed a vote of thanks to 'Doctor Marx' <span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span>for the very
+interesting and instructive lecture he had given them. I tell you,
+boy, I was prouder than ever of Karl after that, and went straight
+home and wrote letters to half a dozen people in Treves that I knew,
+telling them all about Karl's great speech. You see, I knew that he
+would never send word back there, and I wanted everybody in the old
+town to know that Karl was making a great name in the world.</p>
+
+<p>"The government got to be terribly afraid of Karl after that trial,
+and when revolutionary outbreaks occurred all through the Rhine
+Province, the following May, they suppressed the paper and expelled
+Karl from Prussia.</p>
+
+<p>"We had a meeting of the executive committee to consider what was to
+be done. Karl said that he was going to Paris at once, and that his
+wife and children would follow next day. Engels <span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span>was going into the
+Palatinate of Bavaria to fight in the ranks, with Annecke, Kinkel, and
+Carl Schurz. All the debts in connection with the paper had been paid,
+he told us, so that no dishonor could attach to its memory.</p>
+
+<p>"It was not until afterward that we heard how the debts of the paper
+had been paid. Karl had pawned all the silver things belonging to his
+wife, and sold lots of furniture and things to get the money to pay
+the debts. They were not his debts at all, and if they were his
+expulsion would have been a very good reason for leaving the debts
+unpaid. But he was not one of that kind. Honest as the sun, he was. It
+was just like him to make the debts his own, and to pinch himself and
+his family to pay them. More than once Karl and his family had to live
+on dry bread in Cologne in order to keep the paper <span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span>going. My Barbara
+found out once in some way that Karl's wife and baby didn't have
+enough to eat, and when she came home and told me we both cried
+ourselves to sleep because of it."</p>
+
+<p>"Could none of the comrades help them, Hans?"</p>
+
+<p>"Ach, that was pretty hard, my boy, for Karl was very proud, and I
+guess Jenny was prouder still. Barbara and I put our heads together
+and says she: 'We must put some money in a letter and send it to him
+somehow, in a way that he will never know where it came from, Hans.'
+Karl knew my writing, but not Barbara's, so she wrote a little letter
+and put in all the money she had saved up. 'This is from a loyal
+comrade who knows that Doctor Marx and his family are in need of it,'
+she wrote. Then we got a young comrade who was unknown to Karl and
+Engels <span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span>to deliver the letter to Karl just as he was leaving for his
+office one morning.</p>
+
+<p>"Barbara and I were very happy that day when we knew that Karl had
+received the money, but bless your life I don't believe it did him any
+good at all. He just gave it away."</p>
+
+<p>"Gave away the money&mdash;that was giving away his children's
+bread&mdash;almost. Did he do <i>that</i>?"</p>
+
+<p>"Well, all I know is that I heard next day that Karl had visited that
+same evening, a comrade who was sick and poor and in deep distress,
+and that when he was leaving he had pressed money into the hand of the
+comrade's wife, telling her to get some good food and wine for her
+sick husband. And the amount of the money he gave her was exactly the
+same as that we had sent to him in the morning.</p>
+
+<p>"Karl was always so. He was the <span class='pagenum'><a name="Page_60" id="Page_60">[60]</a></span>gentlest, kindest-hearted man I ever
+knew in my life. He could suffer in silence himself, never
+complaining, but he could not stand the sight of another's misery.
+He'd stop anything he was doing and go out into the street to comfort
+a crying child. Many and many a time have I seen him stop on the
+street to watch the children at play, or to pick up some crying little
+one in his great strong arms and comfort it against his breast. Never
+could he keep pennies in his pocket; they all went to comfort the
+children he met on the streets. Why, when he went to his office in the
+mornings he would very often have from two to half a dozen children
+clinging around him, strange children who had taken a fancy to him
+because he smiled kindly at them and patted their heads.</p>
+
+<p>"I heard nothing from Karl for quite a while after he went to Paris.
+We <span class='pagenum'><a name="Page_61" id="Page_61">[61]</a></span>wondered, Barbara and I, why he did not write. Then, one day,
+about three months after he had gone to Paris, came a letter from
+London and we saw at once that it was in his handwriting. He'd been
+expelled from Paris again and compelled to leave the city within
+twenty-four hours, and he and his family were staying in cheap
+lodgings in Camberwell. He said that everything was going splendidly,
+but never a word did he say about the terrible poverty and hardship
+from which they were suffering.</p>
+
+<br />
+<h4>V</h4>
+
+<p>"Well, a few months after that, I managed to get into trouble with the
+authorities at Cologne, along with a few other comrades. We heard that
+we were to be arrested and knew that we could <span class='pagenum'><a name="Page_62" id="Page_62">[62]</a></span>expect no mercy. So
+Barbara and I talked things over and we decided to clear out at once,
+and go to London. We sold our few things to a good comrade, and with
+the money made our way at once to join Barbara's sister in Dean
+street. I never dreamed that we should find Karl living next door to
+us.</p>
+
+<p>"But we did. Nobody told me about him&mdash;I suppose that nobody in our
+house knew who he was&mdash;but a few days after we arrived I saw him pass
+and ran out and called to him. My, he looked so thin and worn out that
+my heart ached! But he was glad to see me and grasped my hand with
+both of his. Karl could shake hands in a way that made you feel he
+loved you more than anybody else in all the world.</p>
+
+<p>"In a little while he had told me enough for me to understand why he
+was so pale and thin. If it were not <span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span>for hurting his feelings, I
+could have cried at the things he told me. He and the beautiful Jenny
+without food sometimes, and no bed to lie upon! And it seemed all the
+worse to me because I knew how well they had been reared, how they had
+been used to solid comfort and even luxury.</p>
+
+<p>"But it was not from Karl that I learned the worst. He was always
+trying to hide the worst. Never did I hear of such a man as he was for
+turning things bright side upwards. But Conrad Schramm, who was
+related to Barbara&mdash;a sort of second cousin, I think&mdash;lodged in the
+same house with us. Schramm was the closest friend Karl and Jenny had
+in London then, and he told me things that made my heart bleed. Why,
+when a little baby was born to them, soon after they came to London,
+there was no money for a <span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span>doctor, nor even to buy a cheap cradle for
+the little thing.</p>
+
+<p>"For years that poverty continued. I used to see Karl pretty near
+every day until I fell and hurt my head and broke my leg in two places
+and was kept in the hospital many months. Barbara had to go out to
+work then, washing clothes for richer folks, and we couldn't offer to
+help dear old Karl as we would. So we just pretended that we didn't
+know anything about the poverty that was making him look so haggard
+and old. Karl would have died from the worry, I believe, if it had not
+been for the children. They kept him young and cheered him up. He
+might not have had anything but dry bread to eat for days, but he
+would come down the street laughing like a great big boy, a crowd of
+children tugging at his coat and crying 'Daddy Marx! Daddy Marx!
+<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span>Daddy Marx!' at the top of their little voices.</p>
+
+<p>"He used to come and see me at the hospital sometimes. No matter how
+tired and worried he might be&mdash;and I could tell that pretty well by
+looking at his face when he didn't know that I was looking&mdash;he always
+was cheerful with me. He wanted to cheer me up, you see, so he told me
+all the encouraging news about the movement&mdash;though there wasn't very
+much that was encouraging&mdash;and then he would crack jokes and tell
+stories that made me laugh so loud that all the other patients in the
+room would get to laughing too.</p>
+
+<p>"I told him one day about a little German lad in a bed at the lower
+end of the ward. Poor little chap, he had been operated on several
+times, but there was no hope. He was bound to die, the nurse told me.
+When I told Karl the <span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span>tears came into his eyes and he kept on moaning,
+'Poor little chap! So young! Poor little chap!' He went down and
+talked with him for an hour or more, and I could hear the boy's
+laughter ring through the long hospital ward. We'd never heard him
+laugh before, for no one ever came to see him, poor lonesome little
+fellow.</p>
+
+<p>"Karl always used to spend some of his time with the little chap after
+that. He would bring books and read to him in his mother tongue, or
+tell him wonderful stories. The poor little chap was so happy to see
+him and always used to kiss 'Uncle Nick,' as Karl taught the boy to
+call him. And when the little fellow died, Karl wept just as though
+the lad had been his own kin, and insisted upon following him to the
+grave."</p>
+
+<p>"Ah, that was great and noble, Hans! <span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span>How he must have felt the great
+universal heart-ache!"</p>
+
+<p>"I used to go to the German Communist Club to hear Karl lecture. That
+was years later, in the winter of 1856, I think. Karl had been staying
+away from the club for three or four years. He was sick of their
+faction fights, and disgusted with the hot-heads who were always
+crying for violent revolution. I saw him very often during the time
+that he kept away from the club, when Kinkel and Willich and other
+romantic middle-class men held sway there. Karl would say to me: 'Bah!
+It's all froth, Hans, every bit of it is froth. They cry out for
+revolution because the words seem big and impressive, but they mustn't
+be regarded seriously. Pop-gun revolutionists they are!'</p>
+
+<p>"Well, as I was saying, I heard the lectures on political economy
+which Karl <span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span>gave at the club along in fifty-six and fifty-seven. He
+lectured to us just as he talked to the juries, quietly and
+slowly&mdash;like a teacher. Then he would ask us questions to find out how
+much we knew, and the man who showed that he had not been listening
+carefully got a scolding. Karl would look right at him and say: 'And
+did you <i>really</i> listen to the lecture, Comrade So-and-So?' A fine
+teacher he was.</p>
+
+<p>"I think that Karl's affairs improved a bit just them. Engels used to
+help him, too. At any rate, he and his family moved out into the
+suburbs and I did not see him so often. My family had grown large by
+that time, and I had to drop agitation for a few years to feed and
+clothe my little ones. But I used to visit Karl sometimes on Sundays,
+and then we'd talk over all that had happened in connection with the
+<span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span>movement. I used to take him the best cigars I could get, and he
+always relished them.</p>
+
+<p>"For Karl was a great smoker. Nearly always he had a cigar in his
+mouth, and, ugh!&mdash;what nasty things he had to smoke. We used to call
+his cigars 'Marx's rope-ends,' and they were as bad as their name.
+That the terrible things he had to smoke, because they were cheap,
+injured his health there can be no doubt at all. I used to say that it
+was helping the movement to take him a box of decent cigars, for it
+was surely saving him from smoking old rope-ends.'</p>
+
+<p>"Poor Jenny! She was so grateful whenever I brought Karl a box of
+cigars. 'So long as he must smoke, friend Fritzsche, it is better that
+he should have something decent to smoke. The cheap trash he smokes is
+bad for him, <span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span>I'm sure.' She knew, poor thing, that the poverty he
+endured for the great Cause was killing Karl by inches, as you might
+say. And I knew it, too, laddie, and it made my heart bleed."</p>
+
+<p>"Ah, he was a martyr, Hans&mdash;a martyr to the cause of liberty. And 'the
+blood of the martyrs is the seed of the Church,' always and
+everywhere," said the Young Comrade.</p>
+
+<br />
+<h4>VI</h4>
+
+<p>Old Hans was silent for a few seconds. He gazed at the photograph
+above his bench like one enraptured. The Young Comrade kept silent,
+too, watching old Hans. A curious smile played about the old man's
+face. It was he who broke the silence at length.</p>
+
+<p>"Of course, you've heard about the <span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span>International, lad? Karl had that
+picture taken just about the time that the International was started.
+Always promised me a picture he had, for years and years. And when he
+brought me that one Sunday he seemed half ashamed of himself, as if he
+thought it was too sentimental a thing for a serious man to do.
+'You'll soon get tired looking at it, Hans,' he said.</p>
+
+<p>"Ach, I remember that afternoon as though it were only day before
+yesterday. We were sitting smoking and talking after dinner when Karl
+said: 'Hans, I've made up my mind that it is time things begun to move
+a bit&mdash;in connection with the movement I mean. We must unite, Hans.
+All the workers ought to unite&mdash;can unite&mdash;<i>must</i> unite! We've got a
+good start in the visit of these French and German workingmen to the
+Universal Exhibition. The <span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span>bourgeoisie have shown the way. It must be
+done.' Then he explained to me how the movement was to be launched,
+and I promised to help as much as possible in my union. Karl always
+wanted to get the support of the unions, and many a time did he come
+to me to get me to introduce some motion in my union.</p>
+
+<p>"It was that way when the great Civil War broke out in America. Karl
+was mad at the way in which Gladstone and the middle class in general
+sided with the slave-holders of the South. You see, he not only took
+the side of the slaves, but he loved President Lincoln. He seemed
+never to get tired of praising Lincoln. One day he came to me and said
+with that quiet manner he had when he was most in earnest, 'Hans, we
+must do something to offset Gladstone's damned infernal support of
+the <span class='pagenum'><a name="Page_73" id="Page_73">[73]</a></span>slave-traders. We must show President Lincoln that the working
+class in this country feel and know that he is in the right. And
+Abraham Lincoln belongs to us, Hans; he's a son of the working class.'</p>
+
+<p>"He said a lot more in praise of Lincoln, and told me how proud he was
+that the German Socialists had gone to the war, all enlisted in the
+Northern army; said he'd like to join with Weydemeyer, his old friend,
+who was fighting under Fremont. So earnest he was about it! Nobody
+could have guessed that the war meant ruin to him by cutting off his
+only regular income, the five dollars a week he got for writing for
+the <i>New York Tribune</i>&mdash;I think that was the name of the paper.</p>
+
+<p>"Well, he begged me to get resolutions passed at our union condemning
+Gladstone and supporting President Lincoln, and I believe that our
+union <span class='pagenum'><a name="Page_74" id="Page_74">[74]</a></span>was the first body of workingmen in England to pass such
+resolutions. But Karl didn't stop at that. He got the International to
+take the matter up with the different workingmen's societies, and
+meetings were held all over the country. And he kept so much in the
+background that very few people ever knew that it was Karl Marx who
+turned the tide of opinion in England to the side of Lincoln. And when
+Lincoln was murdered by that crazy actor, Booth, Karl actually cried.
+He made a beautiful speech, and wrote resolutions which were adopted
+at meetings all over the country. Ah, boy, Lincoln appreciated the
+support we gave him in those awful days of the war, and Karl showed me
+the reply Lincoln sent to the General Council thanking them for it.</p>
+
+<p>"Karl was always like that; always guiding the working people to do
+the <span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span>right thing, and always letting other people get the credit and
+the glory. He planned and directed all the meetings of the workers
+demanding manhood suffrage, in 1866, but he never got the credit of
+it. All for the cause, he was, and never cared for personal glory. For
+years he gave all his time to the International and never got a penny
+for all he did, though his enemies used to say that he was 'getting
+rich out of the movement.'</p>
+
+<p>"Ach, that used to make me mad&mdash;the way they lied about Karl. The
+papers used to print stories about the 'Brimstone League,' a sort of
+'inner circle' connected with the International, though we all knew
+there was never such a thing in existence. Karl was accused of trying
+to plan murders and bloody revolutions, the very thing he hated and
+feared above everything else. <span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span>Always fighting those who talked that
+way, he was; said they were spies and hired agents of the enemy,
+trying to bring the movement to ruin. Didn't he oppose Weitling and
+Herwegh and Bakunin on that very ground?</p>
+
+<p>"I was with Karl when Lassalle visited him, in 1862, and heard what he
+said then about foolish attempts to start revolutions by the sword.
+Lassalle had sent a Captain Schweigert to Karl a little while before
+that with a letter, begging Karl to help the Captain raise the money
+to buy a lot of guns for an insurrection. Karl had refused to have
+anything to do with the scheme, and Lassalle was mad about it. 'Your
+ways are too slow for me, my dear Marx,' he said. 'Why, it'll take a
+whole generation to develop a political party of the proletariat
+strong enough to do anything.'</p>
+
+<p><span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span>"Karl smiled in that quiet way he had and said: 'Yes, it's slow
+enough, friend Lassalle, slow enough. But we want brains for the
+foundation of our revolution&mdash;brains, not powder. We must have
+patience, lots of patience. Mushrooms grow up in a night and last only
+a day; oaks take a hundred years to grow, but the wood lasts a
+thousand years. And it's oaks we want, not mushrooms.'"</p>
+
+<p>"How like Marx that was, Hans," said the Young Comrade then, "how
+patient and far-seeing! And what did Lassalle think of that?"</p>
+
+<p>"He never understood Karl, I think. Anyhow, Karl told me that Lassalle
+ceased to be his friend after that meeting. There was no quarrel, you
+understand, only Lassalle realized that he and Karl were far apart in
+their views. 'Lassalle is a clever man all <span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span>right,' Karl used to say,
+'but he wants twelve o'clock at eleven, like an impatient child.' And
+there's lots of folks like Lassalle in that respect, my lad; folks
+that want oaks to grow in a night like mushrooms.</p>
+
+<p>"Well, I stayed in the International until the very last, after the
+Hague Congress when it was decided to make New York the headquarters.
+That was a hard blow to me, lad. It looked to me as if Karl had made a
+mistake. I felt that the International was practically killed when the
+General Council was moved to America, and told Karl so. But he knew
+that as well as I did, only he couldn't help himself.</p>
+
+<p>"'Yes, Hans, I'm afraid you're right. The International can't amount
+to much under the circumstances. But it had to be, Hans, it had to be.
+My health is very poor, and I'm about done <span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span>for, so far as fighting is
+concerned. I simply can't keep on fighting Bakunin and his crowd,
+Hans, and if I drop the fight the International will pass into
+Bakunin's control. And I'd rather see the organization die in America
+than live with Bakunin at the head; it's better so, better so, Hans.'
+And it was then, when I heard him talk like that, and saw how
+old-looking he had grown in a few months, that I knew we must soon
+lose Karl."</p>
+
+<br />
+<h4>VII</h4>
+
+<p>"But he did not die soon&mdash;he lived more than ten years after that,
+Hans," said the Young Comrade. "And ten years is a good long time."</p>
+
+<p>"Ach, ten years! But what sort of years were they? Tell me that,"
+<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span>demanded old Hans with trembling voice. "Ten years of sickness and
+misery&mdash;ten years of perdition, that's what they were, my lad! Didn't
+I see him waste away like a plant whose roots are gnawed by the worms?
+Didn't I see his frame shake to pieces almost when that cough took
+hold of him? Aye, didn't I often think that I'd be glad to hear that
+he was dead&mdash;glad for his own sake, to think that he was out of pain
+at last?</p>
+
+<p>"Yes, he lived ten years, but he was dying all the while. He must have
+been in pain pretty nearly all the time, every minute an agony! 'Oh,
+I'd put an end to it all, Hans, if I didn't have to finish <i>Capital</i>,'
+he said to me once as we walked over Hampstead Heath, he leaning upon
+my arm. 'It's Hell to suffer so, year after year, but I must finish
+that book. Nothing I've ever done means so much as that to the
+<span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span>movement, and nobody else can do it. I must live for <i>that</i>, even
+though every breath is an agony.'</p>
+
+<p>"But he didn't live to finish his task, after all. It was left for
+Engels to put the second and third volumes in shape. A mighty good
+thing it was for the movement that there was an Engels to do it, I can
+tell you. Nobody else could have done it. But Engels was like a twin
+brother to Karl. Some of the comrades were a bit jealous sometimes,
+and used to call Karl and Engels the 'Siamese twins,' but that made no
+difference to anybody. If it hadn't been for Engels Karl wouldn't have
+lived so long as he did, and half his work would never have been done.
+I never got so close to the heart of Engels as I did to Karl, but I
+loved him for Karl's sake, and because of the way he always stood by
+Karl through thick and thin.</p>
+
+<p><span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span>"I can't bear to tell about the last couple of years&mdash;how I used to
+find Karl sick abed in one room and his wife, the lovely Jenny, in
+another room tortured by cancer. Terrible it was, and I used to go
+away from the house hoping that I might hear they were both dead and
+out of their misery forever. Only Engels seemed to think that Karl
+would get better. He got mad as a hatter when I said one day that Karl
+couldn't live. But when Jenny died Engels said to me after the
+funeral, 'It's all over with Marx now, friend Fritzsche; his life is
+finished, too.' And I knew that Engels spoke the truth.</p>
+
+<p>"And then Karl died. He died sitting in his arm chair, about three
+o'clock in the afternoon of the fourteenth of March, 1883. I heard the
+news that evening from Engels and went over to the house in
+Maitland <span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span>Park Road, and that night I saw him stretched out upon the
+bed, the old familiar smile upon his lips. I couldn't say a word to
+Engels or to poor Eleanor Marx&mdash;I could only press their hands in
+silence and fight to keep back the sobs and tears.</p>
+
+<div class="img"><a name="imagep083" id="imagep083"></a>
+<a href="images/imagep083.jpg">
+<img border="0" src="images/imagep083.jpg" width="100%" alt="THE MARX FAMILY GRAVE IN HIGHGATE CEMETERY." /></a><br />
+<p class="cen" style="margin-top: .2em; font-size: 90%;">THE MARX FAMILY GRAVE IN HIGHGATE CEMETERY.<span class="totoi"><a href="#toi">ToList</a></span></p>
+</div>
+
+<p>"And then on the Saturday, at noon, he was buried in Highgate
+Cemetery, in the same grave with his wife. And while Engels was
+speaking over the grave, telling what a wonderful philosopher Karl
+was, my mind was wandering back over the years to Treves. Once more we
+were boys playing together, or fighting because he would play with
+little Jenny von Westphalen; once more I seemed to hear Karl telling
+stories in the schoolyard as in the old days. Once again it seemed as
+if we were back in the old town, marching through the streets shouting
+out the <span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span>verses Karl wrote about the old teacher, poor old Herr von
+Holst.</p>
+
+<p>"And then the scene changed and I was in Bingen with my Barbara,
+laughing into the faces of Karl and his Jenny, and Karl was picking
+the bits of rice from his pockets and laughing at the joke, while poor
+Jenny blushed crimson. What Engels said at the grave I couldn't tell;
+I didn't hear it at all, for my mind was far away. I could only think
+of the living Karl, not of the corpse they were giving back to Mother
+Earth.</p>
+
+<p>"It seemed to me that the scene changed again, and we were back in
+Cologne&mdash;Karl addressing the judge and jury, defending the working
+class, I listening and applauding like mad. And then the good old
+Lessner took my arm and led me away.</p>
+
+<p>"Ah, lad, it was terrible, terrible, going home that afternoon and
+thinking of <span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span>Karl lying there in the cold ground. The sun could no
+longer shine for me, and even Barbara and the little grandchild, our
+Barbara's little Gretchen, couldn't cheer me. Karl was a great
+philosopher, as Engels said there at the graveside, but he was a
+greater man, a greater comrade and friend. They talk about putting up
+a bronze monument somewhere to keep his memory fresh, but that would
+be foolish. Little men's memories can be kept alive by bronze
+monuments, but such men as Karl need no monuments. So long as the
+great struggle for human liberty endures Karl's name will live in the
+hearts of men.</p>
+
+<p>"<i>Aye, and in the distant ages&mdash;when the struggle is over&mdash;when happy
+men and women read with wondering hearts of the days of pain which we
+endure&mdash;then Karl's name will still be <span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span>remembered. Nobody will know
+then that I, poor old Hans Fritzsche, went to school with Karl; that I
+played with him&mdash;fought with him&mdash;loved him for nearly sixty years.
+But no matter; they can never know Karl as I knew him.</i>"</p>
+
+<p>Tears ran down the old man's cheeks as he lapsed into silence once
+more, and the Young Comrade gently pressed one of the withered and
+knotted hands to his lips and went out into the night.</p>
+
+<hr style='width: 45%;' />
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Marx He Knew, by John Spargo
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MARX HE KNEW ***
+
+***** This file should be named 20743-h.htm or 20743-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/7/4/20743/
+
+Produced by Fritz Ohrenschall, Jeannie Howse and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/20743-h/images/frontis.jpg b/20743-h/images/frontis.jpg
new file mode 100644
index 0000000..d941674
--- /dev/null
+++ b/20743-h/images/frontis.jpg
Binary files differ
diff --git a/20743-h/images/imagep010.jpg b/20743-h/images/imagep010.jpg
new file mode 100644
index 0000000..6e7c770
--- /dev/null
+++ b/20743-h/images/imagep010.jpg
Binary files differ
diff --git a/20743-h/images/imagep019.jpg b/20743-h/images/imagep019.jpg
new file mode 100644
index 0000000..0de9439
--- /dev/null
+++ b/20743-h/images/imagep019.jpg
Binary files differ
diff --git a/20743-h/images/imagep032.jpg b/20743-h/images/imagep032.jpg
new file mode 100644
index 0000000..1bf94aa
--- /dev/null
+++ b/20743-h/images/imagep032.jpg
Binary files differ
diff --git a/20743-h/images/imagep047.jpg b/20743-h/images/imagep047.jpg
new file mode 100644
index 0000000..c08630b
--- /dev/null
+++ b/20743-h/images/imagep047.jpg
Binary files differ
diff --git a/20743-h/images/imagep083.jpg b/20743-h/images/imagep083.jpg
new file mode 100644
index 0000000..2c9243e
--- /dev/null
+++ b/20743-h/images/imagep083.jpg
Binary files differ