diff options
Diffstat (limited to '21220-h')
| -rw-r--r-- | 21220-h/21220-h.htm | 4056 | ||||
| -rw-r--r-- | 21220-h/images/WR1.png | bin | 0 -> 4617 bytes | |||
| -rw-r--r-- | 21220-h/images/broadarrow3.png | bin | 0 -> 814 bytes | |||
| -rw-r--r-- | 21220-h/images/fusx3.png | bin | 0 -> 1236 bytes | |||
| -rw-r--r-- | 21220-h/images/fysan1.png | bin | 0 -> 1901 bytes |
5 files changed, 4056 insertions, 0 deletions
diff --git a/21220-h/21220-h.htm b/21220-h/21220-h.htm new file mode 100644 index 0000000..9b098d4 --- /dev/null +++ b/21220-h/21220-h.htm @@ -0,0 +1,4056 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> +<head> + <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <title>Notes And Queries, Issue 180.</title> + <style type="text/css"> + /*<![CDATA[*/ + <!-- + + body {margin-left: 10%; + margin-right: 10%;} + + p {text-align: justify;} + + img {border: 0;} + + .in1 {margin-left: 1em;} /* indentations*/ + .in2 {margin-left: 2em;} + .in4 {margin-left: 4em;} + .in8 {margin-left: 8em;} + .in12 {margin-left: 12em;} + + blockquote {text-align: justify;} + + h1,h2,h3,h4,h5,h6 {text-align: center;} + + pre {font-size: 0.7em;} + + a {text-decoration: none; } + + /*a [name] {position:absolute;}*/ /*Uncomment to fix + links in older versions of Opera (pre 9.01)*/ + + hr {text-align: center; + width: 50%;} + + html>body hr {margin-right: 25%; + margin-left: 25%; + width: 50%;} + + hr.short {text-align: center; + width: 30%} + + html>body hr.short {margin-right: 35%; + margin-left: 35%; + width: 30%; } + + hr.full {width: 100%;} + + html>body hr.full {margin-right: 0%; + margin-left: 0%; + width: 100%;} + + hr.adverts {width: 100%; + height: 5px; + color: black;} + + html>body hr.adverts {margin-right: 0%; + margin-left: 0%; + width: 100%;} + + .note {margin-left: 10%; + margin-right: 10%; + font-size: 0.9em;} + + .tnote {background-color: #EEE; + color: inherit; + margin: 2em 10% 1em 10%; + padding: 0.5em 1em 0.5em 1em;} + + .footnote {margin-left: 10%; + margin-right: 10%; + font-size: 0.9em;} + + .center {text-align: center;} + + .right {text-align: right;} + + .regards {text-align: right; + margin-right: 4em;} + + .salute {text-align: left; + margin-left: 2em;} + + table {margin-left: auto; + margin-right: auto;} + +ins.correction { border-bottom-style: dashed; + border-bottom-color: blue; + border-bottom-width: 1px;} + + .toc {margin-left: 10%; + margin-right: 10%;} + + .toc1 {padding-left: 2em; + text-indent: -1em;} + + .tocnum {text-align: right; + padding-left: 3em; + vertical-align: bottom; } + + table.masthead {margin-left: 0%; + margin-right: 0%; + width: 100%} + + table.insurance {margin-left: 10%; + margin-right: 10%; + empty-cells: show; + width: 80%} + + .tdmhl {text-align: left; + font-size: 1.2em;} + + .tdmhc {text-align: center; + font-size: 1.2em;} + + .tdmhr {text-align: left;} + + .tdr {text-align: right; + padding-left: 2em;} + + .tdl {text-align: left; + padding-left: 2em;} + + .tdc {text-align: center; + padding-left: 2em;} + + .poem {margin-left:10%; + margin-right:10%; + text-align: left;} + + .poem .stanza {margin: 1em 0em 1em 0em;} + + .poem p {margin: 0; + padding-left: 3em; + text-indent: -3em;} + + .poem p.i05 {margin-left: .5em;} + .poem p.i075 {margin-left: .75em;} + .poem p.i1 { margin-left: 1em;} + .poem p.i2 {margin-left: 2em;} + .poem p.i4 {margin-left: 4em;} + .poem p.i5 { margin-left: 5em;} + .poem p.i6 {margin-left: 6em;} + .poem p.i7 { margin-left: 7em;} + .poem p.i8 { margin-left: 8em;} + .poem p.i0 {margin-left: -.25em;} + .poem .caesura {vertical-align: -200%;} + + .ohdash {letter-spacing: -0.25em;} + + .smcap {font-variant: small-caps;} + + .smfont {font-size: 0.8em;} + + .sup {vertical-align: .25em; + font-size: .7em;} + +span.pagenum {position: absolute; + left: 1%; right: 91%; + font-size: 8pt;} + + p.author {text-align: right;} + --> + /*]]>*/ + </style> +</head> + +<body> + + +<pre> + +Project Gutenberg's Notes and Queries, Number 180, April 9, 1853, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Notes and Queries, Number 180, April 9, 1853 + A Medium of Inter-communication for Literary Men, Artists, + Antiquaries, Genealogists, etc + +Author: Various + +Editor: George Bell + +Release Date: April 27, 2007 [EBook #21220] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** + + + + +Produced by Charlene Taylor, Jonathan Ingram, Pat A Benoy +and the Online Distributed Proofreading Team at +http://www.pgdp.net (This file was produced from images +generously made available by The Internet Library of Early +Journals.) + + + + + + +</pre> + + +<p class='tnote'>Transcriber's Note:<br /> +This text contains Greek <span lang='el' title='kyôn'>κυων</span> and Hebrew <span lang='he' title='lamed'>ל</span> +characters. You may want to change fonts if these characters render as ? or boxes +on your monitor. If your system allows for it, hovering over the text will +show a transliteration. A few Saxon words also appear in this issue. +Clicking on these words will take you to small graphics that display the +typeface used in the original text. Archaic spellings have not been modernized.</p> + +<p><span class="pagenum"><a id="page349" name="page349"></a>{349}</span></p> + + <h1><span class='smcap'>NOTES and QUERIES:</span></h1> + +<h2>A MEDIUM OF INTER-COMMUNICATION<br /> + +<span class='smfont'>FOR</span><br /> + +LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.</h2> + +<hr /> + +<h3><b>"When found, make a note of."</b>— +<span class='smcap'>Captain Cuttle.</span></h3> + +<hr class="full" /> + + +<table class= 'masthead' summary='masthead'> +<col width='20%' /> +<col width='60%' /> +<col width='20%' /> + <tr> + <td class="tdmhl"><b>No. 180.]</b></td> + <td class="tdmhc"><b><span class="smcap">Saturday, April</span> 9. 1853.</b></td> + <td class="tdmhr"><b>Price Fourpence. <br />Stamped Edition, + 5<i>d.</i></b></td> + </tr> + </table> + + <hr class="full" /> + +<h2>CONTENTS.</h2> + +<table class ='toc' summary='Table of Contents'> + +<tr> + <td><span class="smcap">Notes</span>:—</td> + <td class='tocnum'>Page</td> +</tr> + +<tr> + <td class='toc1'>Rigby Correspondence</td> + <td class='tocnum'><a href="#page349">349</a></td> +</tr> + +<tr> + <td class='toc1'>Isthmus of Darien</td> + <td class='tocnum'><a href="#page351">351</a></td> +</tr> + +<tr> + <td class='toc1'>Notes on several misunderstood Words</td> + <td class='tocnum'><a href="#page352">352</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Folk Lore</span>:—Drills + presaging Death—Beltane in Devonshire—Touching + for King's Evil</td> + <td class='tocnum'><a href="#page353">353</a></td> +</tr> + +<tr> + <td class='toc1'>Gaffer or Gammer, &c., by Thos. Keightley</td> + <td class='tocnum'><a href="#page354">354</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Minor Notes</span>:—Search + for MSS.—Clifton of Normanton—The Three per Cent. Consols</td> + <td class='tocnum'><a href="#page354">354</a></td> +</tr> + +<tr> + <td><span class="smcap">Queries</span>:—</td> + <td></td> +</tr> + +<tr> + <td class='toc1'>Wolves nursing Children, by Gilbert N. Smith</td> + <td class='tocnum'><a href="#page355">355</a></td> +</tr> + +<tr> + <td class='toc1'>"The Luneburg Table"—Queen Elizabeth's Love of + Pearls</td> + <td class='tocnum'><a href="#page355">355</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Minor Queries</span>:—St. + Dominic—"Will" and "shall"—Sir John + Fleming—Deal, how to stain—Irish Characters on the + Stage—Arms on King Robert Bruce's Coffin-plate—Chaucer's + Prophetic View of the Crystal Palace—Magistrates + wearing their Hats in Court—Derby Municipal Seal—Sir + Josias Bodley—Sir Edwin Sadler—The Cross given + by Richard I. to the Patriarch of Antioch—Lister + Family—Family of Abrahall, Eborall, or Ebrall—Eulenspiegel: + Murner's Visit to England—Aged 116—Annuellarius</td> + <td class='tocnum'><a href="#page356">356</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Minor Queries with Answers</span> + :—Boyer's "Great Theatre of Honour and Nobility"—List + of Bishops of Norwich—"A Letter to a Convocation + Man"—Nicholas Thane—Churchwardens, Qualification + of—Sir John Powell—S. N.'s "Antidote," &c.—Beads</td> + <td class='tocnum'><a href="#page358">358</a></td> +</tr> + +<tr> + <td><span class="smcap">Replies</span>:—</td> + <td></td> +</tr> + +<tr> + <td class='toc1'>Broad Arrow</td> + <td class='tocnum'><a href="#page360">360</a></td> +</tr> + +<tr> + <td class='toc1'>English Comedians in the Netherlands</td> + <td class='tocnum'><a href="#page360">360</a></td> +</tr> + +<tr> + <td class='toc1'>The Sweet Singers</td> + <td class='tocnum'><a href="#page361">361</a></td> +</tr> + +<tr> + <td class='toc1'>Edmund Spenser</td> + <td class='tocnum'><a href="#page362">362</a></td> +</tr> + +<tr> + <td class='toc1'>Lamech killing Cain, by Francis Crossley, &c.</td> + <td class='tocnum'><a href="#page362">362</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Photographic Notes and + Queries</span>:—Photographic Notes—On some Difficulties + in Photographic Practice—Mr. Weld Taylor's cheap Iodizing Process</td> + <td class='tocnum'><a href="#page363">363</a></td> +</tr> + +<tr> + <td class='toc1'><span class="smcap">Replies to Minor + Queries</span>:—Somersetshire Ballad—Family of De + Thurnham—Major. General Lambert—Loggerheads—Grafts + and the Parent Tree—The Lisle Family—The Dodo in + Ceylon—Thomas Watson, Bishop of St. David's, 1687 to + 1699—Etymology of Fuss—Palindromical + Lines—Nugget—Hibernis ipsis Hiberniores—The + Passame Sares (mel. Passamezzo) Galliard—Swedish Words + current in England—Gotch—Passage in + Thomson: "Steaming"—The Word "Party"—Curious Fact in + Natural Philosophy—Lowbell—Life and Correspondence of + S. T. Coleridge—Coniger, &c.—Cupid + Crying—Westminster Assembly of Divines, &c. +</td> + <td class='tocnum'><a href="#page364">364</a></td> +</tr> + +<tr> + <td><span class="smcap">Miscellaneous</span>:—</td> + <td></td> +</tr> + +<tr> + <td class='toc1'>Notes on Books, &c.</td> + <td class='tocnum'><a href="#page369">369</a></td> +</tr> + +<tr> + <td class='toc1'>Books and Odd Volumes wanted</td> + <td class='tocnum'><a href="#page370">370</a></td> +</tr> + +<tr> + <td class='toc1'>Notices to Correspondents</td> + <td class='tocnum'><a href="#page370">370</a></td> +</tr> + +<tr> + <td class='toc1'>Advertisements</td> + <td class='tocnum'><a href="#page371">371</a></td> +</tr> + +</table> + +<hr class='full' /> + + +<h2>Notes.</h2> + +<h3>RIGBY CORRESPONDENCE.</h3> + +<p class="note">[We are enabled, by the kindness of their possessor, to lay +before our readers copies of the following characteristic +letters from the well-known Richard Rigby, Esq., who was for so +many years the leader of the Bedford party in the House of +Commons. They were addressed to Robert Fitzgerald, Esq., a +member of the House of Commons in Ireland, and Judge of the +Court of Admiralty in that country.]</p> + +<p class='center'><i>Mr. Rigby to Mr. R. Fitzgerald.</i></p> + +<p class='right'>Woburn Abbey, Wednesday, 11th Dec., 1765.</p> + +<p class='salute'>Dear little Bob,</p> + +<p>I am impatient to know if you had resolution enough to attend his +Excellency last Sunday, as I advised, and if you had, what was the +result of the audience....</p> + +<p>I arrived here last night, and find the Duke and Duchess, Marquis and +Marchioness, all in perfect health. With my love to the Provost<a id="footnotetag1" name="footnotetag1"></a><a href="#footnote1"><sup>[1]</sup></a>, tell +him the chancellorship answers the intention to the utmost of his +desire: we are wonderfully pleased with it. Tell him also that I do not +find the defalcation amongst our friends to be as was represented in +Dublin. Stanley is not, but has refused to be, ambassador to Berlin; +Lord North is not, but has refused to be, vice-treasurer. The parliament +meets on Tuesday: the ministers of the House of Commons, who are to be +rechose, can get nobody who is in Parliament to read the king's speech +for them at the Cockpit the night before. They, I believe, are in a +damned dilemma: how much that makes for us time must show. Cooper is +bribed to be Secretary of the Treasury, by 500<i>l.</i> a-year for his life, +upon the 4-1/2 per cents, in the Leeward Islands, the same that Pitt's +pension is upon. He remains for the present, however, at Bath. Calcraft +will run Cooper hard at Rochester, against both Admiralty and Treasury. +Wish Col. Draper joy for me of his red riband: he will have it next week +with Mitchell, who returns to th<span class='pagenum'><a name="page350" id="page350">{350}</a></span>e King of Prussia. The poor young +prince cannot live. I have time for no more.</p> + +<p class='regards'>Adieu, yours ever,</p> +<p class='right'>R. R.</p> +<p class='in2'>I expect to hear fully from you very shortly.</p> + +<hr class='short' /> + +<p class='right'>St. James's Place, 1st Feb., 1766.</p> + +<p class='salute'>Dear little Bob,</p> + +<p>Though you are a little villain for never sending me a word of news from +Sir Lucius Pery, Flood, Lucas, and the rest of the friends to your +enslaved country, yet I will inform you that yesterday, in the House of +Commons, upon a question of no moment, only for fixing a day for the +hearing a contested election, the ministry were run within 11: the +numbers 137 and 148. Twenty rats in the Speaker's chamber, and in all +the cupboards in the neighbourhood. Monday next is the day for deciding +the American question; and do not be surprised if there is an end of the +present ministry in less than a week. As soon as I know who are to be +their successors, you shall hear from me again.</p> + +<p>If you are in want of such another patriot to second Lucas, Pitt is at +your service. He seems likely to want a place.</p> + +<p class='regards'>Yours ever,</p> +<p class='right'>R. R.</p> + +<hr class='short' /> + +<p class='right'>St. James's Place, 14th Nov., 1766.</p> + +<p class='salute'>Dear little Bob,</p> + +<p>I have not wrote to you this age, nor have I anything very pleasant to +say to you now. Our Parliament is met in a very acquiescing disposition. +The Opposition is sickly, and my great friend, who would naturally give +it most strength and energy, is tired of it as much as he is of the +Court. Lord Chatham seems, by all that has yet appeared, to have adopted +all Grenville's plan of pacific measures; and as he formerly told us he +had borrowed a majority, he seems now to have borrowed a system. The +world has it, that we are joined to the ministry, and, as matters stand, +I wish there was more truth in that report than there is; but I have not +the smallest expectation of a place, I assure you. Tell this or not, as +you like. The Duke of Bedford says he sees no ground to oppose upon: he +disapproves of mere factious opposition; that no good can arise from +such conduct either to ourselves or the public.</p> + +<p>I have been at the House only the first day, nor do I know when I shall +go again. I cannot stomach giving my silent approbation to Conway's +measures, be they good or bad. In this damned situation of affairs you +will not expect I should write long letters; but I could not avoid +giving you a hint to let you know the true state of things. Adieu, my +dear friend.</p> + +<p class='regards'>Yours ever,</p> +<p class='author'>R. R.</p> + +<hr class='short' /> + +<p class='right'>St. James's Place, 2nd May, 1767.</p> + +<p class='salute'>Dear Bob,</p> + +<p>The East India business is in a way of being settled,—400,000<i>l.</i> to be +paid by the company for three years, and no addition of term to be given +for their charter. It remains for the General Court of Proprietors to +consent to this next Wednesday, which, if they do, the Parliament will +confirm it on Friday. We had some good warm talk upon it yesterday in +the House. Conway and Beckford and I sparred a good deal, and I am vain +enough to think I did not come off with the worst of it. Conway said, +<i>inter alia</i>, that Lord Chatham's health was too bad to have any +communication of business. The world seems to agree that he is mad, and +his resignation is talked of,—God knows with what truth. The American +business is next Tuesday. I do not see much prospect of a junction +taking place where I have been labouring for it. We remain upon civil +terms with each other, and no more....</p> + +<p>My heart's love to all friends in Dublin: tell them it is every day more +and more my opinion that this Lieutenant never means to set his foot in +that kingdom, and I have good reasons for what I say.</p> + +<p>Adieu, my dear little fellow.</p> + +<p class='regards'>I am ever yours,</p> +<p class='author'>R. R.</p> + +<hr class='short' /> + +<p class='right'>St. James's Place, 30th May, 1767.</p> + +<p class='salute'>Dear Fitz,</p> + +<p>I have received your several letters, and am much obliged to you for +them. I wish I could send you something real in the political way, as +you call it, in return; but there is as little reality as stability in +our politics. Dyson has carried his persecuting bill against the East +India Company through the House of Commons, in spite of the Secretary of +State and Chancellor of the Exchequer, both of whom helped us to make up +a miserable minority of 84 against 151. Charles went at one o'clock in +the morning, when the House was up, to dinner with a set of our friends, +at Sir Lau. Dundass's, and there talked a big language of resigning the +seals the next day. The next day came, and we rallied the majority upon +this state of independence with great success, both Charles himself, +Wedderburn, and I; and he invited himself, Charles I mean, to dine with +us again that day at Lord Gower's. Again the same language of +resignation; but the spirit has subsided since, and we hear no more of +it. If Conway and he will take such usage, the Court will certainly let +them keep their places; for where can it find better tools? The East +India Company pursue the bill, with the council and evidence, to the +House of Lords, where matters run much nearer; for on the same day we +were so beat in the House of Commons, Lord Gower's motions in the House +of Lords, touching America, were rejected only by a majority of<span class='pagenum'><a name="page351" id="page351">{351}</a></span> three, +two of which were the king's brothers. The Duke of York was absent. If we +should succeed in that House, so as to reject this bill, possibly the +ministry may break to pieces; otherwise I rather think it will hobble +lamely on, through the summer, with universal discontent attending it. +Chatham is certainly as ill as ever; and, notwithstanding all reports to +the contrary, Lord Holland has not been sent to by the Court. He is +arrived at his house in Kent, and comes, but of his own accord, to town +to the birthday. On that day, the clerks, Watts, and I go down to +Lynch's for five or six days: I wish you was of the party. It would have +been very kind indeed in Mr. Harvey, the six-clerk, to have tipped so +soon. Your Lord Lieutenant says he is to go. God help the poor man if he +does. I am sorry for your account of the disorders in the college. I do +not like anything that may throw reflexion on Andrews, and I will press +him to come homewards. Adieu, my dear Bob.</p> + +<p class='regards'>Most faithfully yours,</p> +<p class='author'>R. R.</p> + + +<hr class='short' /> + +<p class='right'>Pay Office, 2nd May, 1769.</p> + +<p class='salute'>Dear Bob,</p> + +<p>After I wrote to you last Saturday morning, I went to the House, where I +found a petition presented from fifteen tailors or tinkers, freeholders +of Middlesex, against Lutterell. The opposition wanted a call of the +House for Wednesday fortnight. We insisted on hearing it next Monday, +and divided 94 against 49. This business retards the prorogation till +this day or to-morrow se'nnight: but we are adjourned till Monday; so +nothing but hearing this nonsense remains. Wilkes' stock falls very fast +every day, and upon this measure there was such difference of opinion +amongst his friends, that Sawbridge and Townsend would not attend on +Saturday. Serjeant Whitacre has desired to be Lutterell's counsel +gratis, in order to deliver his opinion at the bar of the House on the +legality of Lutterell's seat; and says he shall insist, if the House +should be of opinion that Lutterell is not duly elected, that he himself +is, as having been next upon the poll of those who were capable of +receiving votes.</p> + +<p>No news yet of your secretary. Some people are impatient to hear his +report of the state of parties, and their several dispositions to +support government, on your side the water. He must certainly be a most +competent judge, after so long a residence there, and after such open +and frank discourse as every man there would naturally hold with him +upon critical matters. Some better judges than him, lately arrived from +Ireland, make no scruple in declaring there will be a majority of forty +against the Castle at the opening the session. Adieu, my dear little +Bob: my love to the Provost.</p> + +<p class='regards'>Yours ever,</p> +<p class='author'>R. R.</p> + +<p>P.S.—I shall get the Journals of the House of Commons for you +certainly.</p> + +<hr class='short' /> + +<p class='right'>Lawford, Saturday Evening, 4th Nov., 1769.</p> + +<p class='salute'>Dear little Bob,</p> + +<p>It would be ungrateful in the present company here not to take some +notice of you, just as they had finished the last bottle of an excellent +hogshead of Burgundy, which you sent into my cellar, I believe, seven +years ago. What has come since we will avoid mentioning. A few bottles, +however, of the former were reserved for the divine Charlotte, and she, +and Caswell, and I have this day finished them; and the last glass went +off to your health. Sister Charlotte wishes you public and private +happiness during this bustling winter, and hopes that you are not +determined to forsake the English part of your family for ever. I +received your letter of the 24th here two days ago, and should most +undoubtedly desire you to send me your votes, if I had not already +engaged my old friend at the Secretary's office to do it; but I beg +early intelligence of your parliamentary proceedings, about which I am +very anxious. I do not believe there is the smallest foundation for +believing that Junius is Wedderburn. I had, a few days ago, great reason +to guess at the real Junius: but my intelligence was certainly false; +for sending to inquire in a more particular manner, I discovered the +person hinted at to be dead. He was an obscure man; and so will the real +Junius turn out to be, depend upon it. Are Shannon and Ponsonby and +Lanesborough still stout against Augmentation? or must the friends to +the measure form a plan that they like themselves? A letter from Colonel +Hall, of the 20th regiment, this evening, informs me that General Harvey +is come from Ireland, and is very impatient to see me: if his business +is to consult me upon the utility of this military plan, I am already +fully convinced of it: but nobody knows less than I do how to get it +through your House of Commons,—I only hope by any means rather than a +message from the king. Perhaps the measure is taken, and I am writing +treason against the understanding of our own ministers. God forbid! but +I do not approve of letting down the dignity and power of the chief +governors of Ireland lower than they are already fallen, to quarrel with +a mountebank at a custard feast. Adieu, my dear little fellow.</p> + +<p class='regards'>Yours ever, most sincerely,</p> +<p class='author'>R. R.</p> + +<blockquote class="footnote"> +<p><a id="footnote1" name="footnote1"></a> <b>Footnote 1</b>: + <a href="#footnotetag1">(return)</a></p> +<p>T. Andrews, Provost of Trin. Col., Dublin.</p> +</blockquote> + +<hr /> + +<h3>ISTHMUS OF DARIEN.</h3> + +<p>As public attention is now much directed to the canal across the Isthmus +of Darien, one end of which is proposed to communicate with the harbour +which was the site of the ill-fated at<span class='pagenum'><a name="page352" id="page352">{352}</a></span>tempt at colonisation by the +Scotch about 150 years ago, the subjoined extract, giving an account of +that harbour, by (apparently) one of the Scotch colonists, may be +interesting to your readers. It is taken from a paper printed in +<i>Miscellanea Curiosa</i>, vol. iii. p. 413., 2nd edit., entitled "Part of a +Journal kept from Scotland to New Caledonia in Darien, with a short +Account of that Country, communicated [to the Royal Society] by Dr. +Wallace, F.R.S.":</p> + +<blockquote><p>"The 4th [November] we came into the great harbour of Caledonia. +It is a most excellent one; for it is about a league in length +from N.W. to S.E. It is about half a mile broad at the mouth, +and in some places a mile and more farther in. It is large +enough to contain 500 sail of ships. The greatest part of it is +landlocked, so that it is safe, and cannot be touched by any +wind that can blow the harbour; and the sea makes the land that +lies between them a peninsula. There is a point of the peninsula +at the mouth of the harbour that may be fortified against a +navy. This point secures the harbour, so that no ship can enter +but must be within reach of their guns. It likewise defends half +of the peninsula; for no guns from the other side of the harbour +can touch it, and no ship carrying guns dare enter for the +breastwork at the point. The other side of the peninsula is +either a precipice, or defended against ships by shoals and +breaches, so that there remains only the narrow neck that is +naturally fortified; and if thirty leagues of a wilderness will +not do that, it may be artificially fortified in twenty ways. In +short, it may be made impregnable; and there are bounds enough +within it, if it were all cultivated, to afford 10,000 hogsheads +of sugar every year. The soil is rich, the air good and +temperate; the water is sweet, and every thing contributes to +make it healthful and convenient."</p></blockquote> + +<p class='author'>C. T. W.</p> + +<hr /> + +<h3>NOTES ON SEVERAL MISUNDERSTOOD WORDS.</h3> + +<p><i>Mechal</i> is from the mint of Thomas Heywood; but, like many other words +of the same stamp, it continued a private token of the party who issued +it, and never, as far as I am aware, became current coin. Four times, at +least, it occurs in his works; and always in that sense only which its +etymon indicates, to wit, "adulterous." In his "Challenge for Beauty:"</p> + +<div class="poem"><div class="stanza"> +<p class="i8">"... her own tongue</p> +<p class="i0">Hath publish'd her a <i>mechall</i> prostitute."</p> +<p class="i1">Dilke's <i>Old English Plays</i>, vol. vi. p. 421.</p> +</div></div> + +<p>In his "Rape of Lucrece:"</p> + +<div class="poem"><div class="stanza"> +<p class="i5">"... that done, straight murder<br /></p> +<p class="i0">One of thy basest grooms, and lay you both</p> +<p class="i0">Grasp'd arm in arm in thy adulterate bed,</p> +<p class="i0">Men call in witness of that <i>mechall</i> sin."</p> +<p class="i5"><i>Old English Drama</i>, vol. i. p. 71.</p> +</div></div> + +<p>—where the editor's note is—"probably derived from the French word +<i>méchant</i>, wicked." In his "English Traveller:"</p> + +<div class="poem"><div class="stanza"> +<p class="i5">"... Yet whore you may;</p> +<p class="i0">And that's no breach of any vow to heaven:</p> +<p class="i0">Pollute the nuptial bed with <i>michall</i> sin."</p> +<p class="i2">Dilke's <i>Old English Plays</i>, vol. i. p. 161.</p> +</div></div> + +<p>This misprint the editor corrects to <i>mickle</i>: professing, however, as +he well might, distrust of his amendment. Nares discards Dilke's guess, +and says, "If a right reading, it must be derived from <i>mich</i>, truant, +adulterous." Whereby to correct one error he commits another, assigning +to <i>mich</i> a sense that it never bears. If haply any doubt should remain +as to what the true reading in the above passage is, a reference to +Heywood's <i>Various History concerninge Women</i> will at once assoil it. In +that part of his fourth book which treats of adulteresses (p. 195.), +reciting the very story on which his play was founded, and calling it "a +moderne historie lately happening, and in mine owne knowledge," he +continues his narrative thus:</p> + +<blockquote><p>"With this purpose, stealing, softly vp the stayres, and +listening at the doore, before hee would presume to knocke, hee +might heare a soft whispering, which sometimes growing lowder, +hee might plainely distinguish two voyces (hers, and that +gentleman's his supposed friend, whom the maide had before +nominated), where hee might euidently vnderstand more than +protestations passe betwixt them, namely, the <i>mechall</i> sinne +itselfe."</p></blockquote> + +<p>Mr. Halliwell, in his compilation of <i>Archaic and Provincial Words</i>, +gives <i>Mechall</i>, wicked, adulterous, with a note of admiration at +Dilke's conjecture; and a reference to Nares, in v. <i>Michall</i>. Mr. H. +neither adduces any authority for his first sense, "wicked," nor can +adduce one.</p> + +<p><i>To lowt</i>, to mock or contemn. A verb of very common occurrence, but, as +might be expected, quite unknown to the commentators on Shakspeare, +though its meaning was guessed from the context. As it would be tedious +and unnecessary to write all the instances that occur, let the following +suffice:</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"To the holy bloud of Hayles,</p> +<p>With your fyngers and nayles,</p> +<p class="i1">All that ye may scratche and wynne;</p> +<p>Yet it woulde not be seen,</p> +<p>Except you were shryven,</p> +<p class="i1">And clene from all deadly synne.</p> +<p>There, were we flocked,</p> +<p><i>Lowted</i> and mocked;</p> +<p class="i1">For, now, it is knownen to be</p> +<p>But the bloud of a ducke,</p> +<p>That long did sucke</p> +<p class="i1">The thrifte, from every degre."</p> +</div><div class="stanza"> +<p class="i0">"The Fantassie of Idolatrie," Foxe's <i>Acts and + Monuments</i>, vol. v. p. 406. (Cattley's edition.)</p> +</div></div> + +<blockquote> +<p>"Pride is it, to vaunt princely robes, not princely virtues. +Pride is it to <i>lowte</i> men of lower sort or pore<span class='pagenum'><a name="page353" id="page353">{353}</a></span> lasers, as is +some men's guise."—<i>The Third Booke of Nobilitye</i>; writte in +Latine by Laurence Humfrey, late Englished, 1563.</p> + +<p>"Among serving men also, above all other, what wicked and +detestable oaths are there heard! If there be any of that sort +which fear God, and love his word, and therefore abstain from +vain oaths, how doth his company <i>lout</i> him! Look what an ass is +among a sort of apes, even the very same is he among his +fellows."—<i>The Invective against Swearing</i>, p. 361.; Works of +Thomas Becon (Parker Society).</p></blockquote> + +<p>Samson was accounted of the Philistines for a fool, but he would rather +die than suffer that opprobry unrevenged (Judic. xvi.).</p> + +<blockquote><p>"David was <i>lowted</i> of Michol Saul's daughter, but she was made +therefore barren all her life."—2 Reg. vi.</p></blockquote> + +<p>And same page, a little <i>above</i>:</p> + +<blockquote><p>"He that calleth his brother fool, that is to say, contemn him, +mock him, or, as men call it now-a-days, <i>lowting</i> of a man, +committeth such murder as is worthy hell-fire and eternal +damnation."—<i>A Declaration of the Ten Commandments</i>, ch. ix. p. +373.; Early Writings of Bishop Hooper (Parker Society).</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"Renowned Talbot doth expect my ayde,</p> +<p>And I am <i>lowted</i> by a traitor villaine</p> +<p>And cannot help the noble Cheualier."</p> +</div><div class="stanza"> +<p class="i0">The First Part of <i>Henry VI.</i>, Actus Quartus,</p> +<p>Scena Prima (First Folio Shakspeare).</p> +</div></div> +</blockquote> + +<p>Where I would note, by the way, that in three copies of the folio 1632, +now by me, it is printed "<i>at</i> traitor," although two of these folios +have different title-pages; that which appears to be the later +impression bears under the portrait these words: "London, printed by +Thos. Cotes, for Robert Allot, and are to be sold <i>at his shop</i> at the +signe of the Blacke Beare, in Paul's Church-yard, 1632." The other wants +the words "at his shop," as described in <span class="smcap">Mr. Collier's</span> edition.</p> + +<p>The mention of <span class="smcap">Mr. Collier's</span> name is a hint that reminds me to +advertise him of a mistake he lies under, in supposing that the Duke of +Devonshire's copy of the Play of <i>King Richard II.</i> in 4to., dated 1605, +is unique (<i>vid.</i> Collier's <i>Shakspeare</i>, vol. iv. p. 105., +Introduction); as there is another in the Philosophical Institute at +Hereford, presented by the late Edward Evans, Esq., of Eyton Hall, in +the same county.</p> + +<p>But to return. Mr. Halliwell, in his work above quoted, furnishes +another instance of the verb <i>lowt</i>, from Hall's <i>History of King Henry +IV.</i>, which the reader may consult for himself. I will merely add, that +the interpretation there propounded is plausible but unsound, the +context only giving aim to his conjecture.</p> + +<p class='center'>(<i>To be continued.</i>)</p> + +<hr /> + +<h3>FOLK LORE.</h3> + +<p><i>Drills presaging Death.</i>—In Norfolk, agricultural labourers generally +believe that if a drill go from one end of a field to the other without +depositing any seed—an accident which may result from the tubes and +coulters clogging with earth—some person connected with the farm will +die before the year expires, or before the crop then sown is reaped. It +is a useful superstition, as it causes much attention to be paid to make +the drill perform its work correctly. Still it is remarkable that such a +superstition should have arisen, considering the recent introduction of +that machine into general use. I should be glad to learn from other +readers of "N. & Q." whether this belief prevails in other parts of +England where the drill is generally used.</p> + +<p class='author'>E. G. R.</p> + + +<p><i>Beltane in Devonshire.</i>—Seeing that the ancient superstition of the +Beltane fire is still preserved in Scotland, and is lighted on the 1st +of May, the origin of which is supposed to be an annual sacrifice to +Baal, I am induced to state that a custom, evidently derived from the +same source, is, or was a few years since, annually observed in the wild +parts of Devonshire. At the village of Holne, situated on one of the +Spurs of Dartmoor, is a field of about two acres, the property of the +parish, and called the Ploy (<i>Play</i>) Field. In the centre of this stands +a granite pillar (Menhir) six or seven feet high. On May morning, before +daybreak, the young men of the village assemble there, and then proceed +to the Moor, where they select a ram lamb (doubtless with the consent of +the owner), and after running it down, bring it in triumph to the Ploy +Field, fasten it to the pillar, cut its throat, and then roast it whole, +skin, wool, &c. At midday a struggle takes place, at the risk of cut +hands, for a slice, it being supposed to confer luck for the ensuing +year on the fortunate devourer. As an act of gallantry, in high esteem +among the females, the young men sometimes fight their way through the +crowd to get a slice for their chosen amongst the young women, all of +whom, in their best dresses, attend the <i>Ram Feast</i>, as it is called. +Dancing, wrestling, and other games, assisted by copious libations of +cider during the afternoon, prolong the festivity till nightfall.</p> + +<p>The time, the place (looking east), the mystic pillar, and the ram, +surely bear some evidence in favour of the Ram Feast being a sacrifice +to Baal.</p> + +<p class='author'><span class="smcap">An old Holne Curate</span>.</p> + + +<p><i>Touching for King's Evil.</i>—The following passage bearing upon the +custom of touching for the King's Evil, and its antiquity, is extracted +from Laing's translation of Snorro Sturleson's <i>Heimskringla</i>. King Olaf +the Rich, afterwards Saint, had fled to Russia on being driven out of +his king<span class='pagenum'><a name="page354" id="page354">{354}</a></span>dom by Knut the Great. Ingigerd, Queen of Russia, desired a +widow to take her son, who "had a sore boil upon his neck," to King +Olaf, "the best physician here, and beg him to lay his hands on thy +lad." The king was unwilling to do so, saying that he was not a +physician; but at last consented:</p> + +<blockquote><p>"Then the king took the lad, laid his hands upon his neck, and +felt the boil for a long time, until the boy made a very wry +face. Then the king took a piece of bread, laid it in the figure +of the cross upon the palm of his hand, and put it into the +boy's mouth. He swallowed it down, and from that time all the +soreness left his neck, and in a few days he was quite well.... +Then first came Olaf into the repute of having as much healing +power in his hands as is ascribed to men who have been gifted by +nature with healing by the touch."</p></blockquote> + +<p>Laing asks in a note:</p> + +<blockquote><p>"Is the touching for the King's Evil ... connected with this +royal saint's healing by the touch?"—<i>The Heimskringla</i>, vol. +ii. p. 297., 8vo.: London, 1844.</p></blockquote> + +<p class='author'><span class="smcap">De Camera</span>.</p> + +<hr /> + +<h3>GAFFER OR GAMMER, ETC.</h3> + +<p>These two venerable words were used by our ancestors. Every one has +heard of Gammer Gurton; Gaffer Gingerbread was also famous in, as well +as I can remember, a portion of the literature which amused my +childhood. In <i>Joseph Andrews</i>, Fielding styles the father of Pamela +"Gaffer Andrews:" and, for aught I know, the word may be still in use in +Wilts and Somerset.</p> + +<p>Unde derivantur <i>Gaffer</i> and <i>Gammer</i>? Lye said they were <i>quasi</i> +good-father and good-mother; Somner, that they were the Anglo-Saxon +<i>Gefæder</i> and <i>Gemeder</i>, i. e. godfather and godmother; Webster derives +the former from the Hebrew <i>geber</i>, man, the latter from the +Scandinavian <i>gamel</i>, old. Having a fondness for simplicity, I go less +learnedly to work. I have observed little children, when commencing to +speak, to say "ganpa" and "gamma" for grandpapa and grandmamma: whence I +conjecture that, in the olden time, ere we had Pa's and Ma's, the little +aspirants used to say "ganfa'er" and "gamma'er," which easily became +<i>Gaffer</i> and <i>Gammer</i>. I am confirmed in this view by a friend to whom I +mentioned it, and who told me that his own children always called his +father <i>gaffer</i>, a word entirely of their own formation.</p> + +<p>There is a term now coming a little into use, which is I believe of pure +Irish origin, namely, <i>old fogie</i>. Indeed, I have heard it used rather +disrespectfully of those mature old warriors, whom it pleases the wisdom +of our government to send out in the command of our fleets and armies. +The word, as I said, is of Irish, or rather of Dublin birth. The <i>old +fogies</i> are the inmates of the Royal or Old Men's Hospital, the Irish +Chelsea. I think, then, that it must be plain to every one that the term +is nothing more than a good-humoured corruption or diminutive of <i>old +folks</i>.</p> + +<p>This leads me to the simple origin of a word which seems to have posed +all our etymologists—it has done so to Richardson at least—namely, +"<span class="smcap">Pettifogger</span>, a low, tricky attorney." According to my view, +<i>pettifogger</i> is neither more nor less than <i>pettifolker</i>, i. e. one +whose practice lies among the <i>petty folk</i>, small tradesmen, +day-labourers, and such like. This derivation, too, has simplicity in +its favour.</p> + +<p class='author'><span class="smcap">Thos. Keightley</span>.</p> + +<hr /> + + +<h3>Minor Notes.</h3> + +<p><i>Search for MSS.</i>—A proposal was made some time ago in "N. & Q." by +<span class="smcap">Mr. Mackenzie</span>, that some systematic effort should be made for +the recovery of ancient MSS. I have heard nothing more of it, but am +sure that, if a beginning were made, it would receive warm support from +the friends of literature. There is, however, a kindred search which can +be prosecuted nearer home, with more certain success and more important +results. I mean a continued search among the numerous MSS. in which so +much of our unknown history is buried. Might not a systematic +examination of these be instituted, with the help of the "division of +labour" principle, so that important portions of the great mass should +be accurately described and indexed, valuable papers abridged for +publication, and thus given to the world entire? Much is being done, no +doubt, here and there; but surely much more would be accomplished by +united and systematised labour. How much light might be thrown on a +given period of our history by such a study of all the records, +correspondence, &c. relating to it. Is there none of our existing +societies within whose scope such an undertaking would fall, or might +not different societies unite for the purpose? The books, of course, +should be sold to the public. I leave the hint to the judgment of your +readers.</p> + +<p class='author'><span class="smcap">Elsno</span>.</p> + + +<p><i>Clifton of Normanton.</i>—Following the excellent example of <span class="smcap">Dr. +Todd</span>, of Trin. Coll. Dublin, I send you from the fly-leaves of an +old English Bible (C. Barker, London, 1599, small 4to.), for the +information of any one connected, some of the particulars inscribed on +the leaves, relating to—</p> + +<blockquote><p>"Thomas Clifton of Normanton, in the county of Darby, who had +issue by his first wife three sonnes and four daughters; and by +his second wife, two sonnes and one daughter."</p></blockquote> + +<p>The names of his wives are not mentioned. The details of births, +marriages, and deaths extend from 1586 to 1671, and some of the branches +of<span class='pagenum'><a name="page355" id="page355">{355}</a></span> the family went to Rotterdam and Amsterdam, and Newcastle-upon-Tyne. +Zachary Clifton was at the Universities of Utrecht and Leyden (at which +latter university "hee com̅enct M<sup>r.</sup> of Arts, March 5, 1654"), and +in 1659 was ordained minister of the gospel at Wisborough Green in +Sussex. Many other particulars are given. The Bible is in the library of +Sir Robert Taylor's Institution, Oxford, and is in excellent +preservation, having been recently carefully repaired.</p> + +<p class='author'>J. M.</p> + +<p>Oxford.</p> + + +<p><i>The Three per Cent. Consols.</i>—In Jerdan's <i>Autobiography</i>, vol. iii., +published in 1852, we read this anecdote:</p> + +<blockquote><p>"At a City dinner, so political that the three Consuls of France +were drunk, the toast-master, quite unacquainted with Bonaparte, +Cambacères, and Lebrun, hallooed out from behind the chair, +'Gentlemen, fill bumpers! The chairman gives the Three per Cent. +Consols!'"</p></blockquote> + +<p>In <i>Merrie England in the Olden Time</i>, vol. ii. p. 70. (published ten +years before), will be found the following note:</p> + +<blockquote><p>"This eminent professor (toast-master Toole), whose sobriquet is +'Lungs,' having to shout the health of the 'three present +Consuls,' at my Lord Mayor's feast, proclaimed the health of the +'Three per Cent. Consols!'"</p></blockquote> + +<p>The <i>latter</i> version is the <i>correct</i> one. It was the three foreign +Consuls who were present among this annual gathering of grandees that +was given; not Bonaparte, Cambacères, and Lebrun. The after-dinner organ +of Toole might easily, on hearing the toast, mistake "present" for "per +cent.," and "Consuls" (in the City, too) for "Consols."</p> + +<p class='author'><span class="smcap">A Subscriber</span>.</p> + +<hr class='full' /> + +<h2><b>Queries.</b></h2> + + +<h3>WOLVES NURSING CHILDREN.</h3> + +<p>At the meeting of the Cambrian Archæological Society, Lord Cawdor in the +chair, I read a letter on this subject from the resident at Lucknow, +Colonel Sleeman, to whom India is indebted for the suppression of +Thuggee, and other widely extended benefits. Though backed by such good +authority, the letter in question was received with considerable +incredulity, although Colonel Sleeman represents that he has with him +one of these wolf-nurtured youths.</p> + +<p>Since reading the letter, I have received from the Colonel's brother a +more full account, printed in India, and containing additional cases, +which I should have no objection to print in the pages of "N. & Q." In +the meantime, further information from Indian experience, where mothers +so often expose their children, would be thankfully received.</p> + +<p>I appended my letter, for want of a better opportunity, and at the +request of several members, to a paper on the doctrine of the Myth, read +at the time; observing, that if the account is credible, perhaps Niebuhr +may have been precipitate in treating the nurture of the founders of +Rome as fabulous, and consigning to the Myth facts of infrequent +occurrence. There is both danger and the want of philosophy in rejecting +the marvellous, merely as such.</p> + +<p>Nor is the invention of Lupa, for the name of the mother of the Roman +twins, by any means satisfactory. May not the mysteries of Lycanthropy +have had their origin in such a not infrequent fact, if Col. Sleeman may +be trusted, as the rearing of infants by wolves?</p> + +<p class='author'><span class="smcap">Gilbert N. Smith</span>.</p> + +<p>The Rectory, Tregwynfrid, Tenby, S. W.</p> + +<hr /> + +<h3>"THE LUNEBURG TABLE."—QUEEN ELIZABETH'S LOVE OF PEARLS.</h3> + +<p>In the <i>Travels</i> of Hentzner, who resided some time in England in the +reign of Elizabeth, as tutor to a young German nobleman, there is given +(as most of your readers will doubtless remember) a very interesting +account of the "Maiden Queen," and the court which she then maintained +at "the royal palace of Greenwich." After noticing the appearance of the +presence-chamber,—"the floor, after the English fashion, strewed with +hay,"—the writer gives a descriptive portrait of her Majesty. He +states,—</p> + +<blockquote><p>"Next came the Queen, in her sixty-fifth year, as we were told, +very majestic; her face oblong, fair, but wrinkled; her eyes +small, but black and pleasant; her nose a little hooked; her +lips narrow, and her teeth black (a defect the English seem +subject to, from their too great use of sugar). She had in her +ears two <i>pearls</i>, with very rich drops.<a id="footnotetag2" name="footnotetag2"></a><a href="#footnote2"><sup>[2]</sup></a> She wore false hair, +and that red."</p></blockquote> +<p><span class='pagenum'><a name="page356" id="page356">{356}</a></span></p> + +<p>Then comes the passage to which I beg to call especial attention, and on +which I have to invite some information:</p> + +<blockquote><p>"Upon her head a small crown, <i>reported to be made of some of +the gold of the celebrated Luneburg table</i>."</p></blockquote> + +<p>What was this table? The work from which I quote (<i>Recollections of +Royalty</i>, vol. ii. p. 119.) has a note hereon, merely remarking that, +"at this distance of time, it is difficult to say what this was." If, +anything, however, can be gleaned on the subject, some of the readers of +"N. & Q." in some one of the "five <i>quarters</i>" of the world will +assuredly be able to answer this Query.</p> + +<p class='author'>J. J. S.</p> + +<p>Middle Temple.</p> + +<p>P.S.—Since the above was written, I find that Elizabeth's christening +gift from the Duchess of Norfolk was a cup of gold, fretted with +<i>pearls</i>; that noble lady being (says Miss Strickland) "completely +unconscious of the chemical antipathy between the acidity of wine and +the misplaced pearls." Elizabeth seems thus to have been rich in those +gems from her infancy upwards, and to have retained a passionate taste +for them long after their appropriateness as ornaments for her had +ceased.</p> + +<blockquote class="footnote"> +<p><a id="footnote2" name="footnote2"></a> <b>Footnote 2</b>: + <a href="#footnotetag2">(return)</a></p> + +<p> With respect to the rich pearl earrings above mentioned, it +may not be uninteresting to remark, that Elizabeth seems to have been +particularly fond of pearls, and to have possessed the same taste for +them from youth to even a later period than "her sixty-fifth year." The +now faded wax-work effigy preserved in Westminster Abbey (and which lay +on her coffin, arrayed in royal robes, at her funeral, and caused, as +Stowe states, "such a general sighing, groaning, and weeping, as the +like hath not being seen or known in the memory of man") exhibits large +round Roman <i>pearls</i> in the stomacher; a carcanet of large round +<i>pearls</i>, &c. about her throat; her neck ornamented with long strings of +<i>pearls</i>; her high-heeled shoe-bows having in the centre large <i>pearl</i> +medallions. Her earrings are circular <i>pearl</i> and ruby medallions, with +large pear-shaped <i>pearl</i> pendants. This, of course, represents her as +she dressed towards the close of her life. In the Tollemache collection +at Ham House is a miniature of her, however, when about twenty, which +shows the same taste as existing at that age. She is here depicted in a +black dress, trimmed with a double row of <i>pearls</i>. Her point-lace +ruffles are looped with <i>pearls</i>, &c. Her head-dress is decorated in +front with a jewel set with <i>pearls</i>, from which three pear-shaped +<i>pearls</i> depend. And, finally, she has large <i>pearl</i>-tassel earrings. In +the Henham Hall portrait (engraved in vol. vii. of Miss Strickland's +<i>Lives of the Queens of England</i>), the ruff is confined by a collar of +<i>pearls</i>, rubies, &c., set in a gold filagree pattern, with large pear +shaped <i>pearls</i> depending from each lozenge. The sleeves are ornamented +with rouleaus, wreathed with <i>pearls</i> and bullion. The lappets of her +head-dress also are adorned at every "crossing" with a large round +<i>pearl</i>. Her gloves, moreover, were always of white kid, richly +embroidered with <i>pearls</i>, &c. on the backs of the hands. A poet of that +day asserts even that, at the funeral procession, when the royal corpse +was rowed from Richmond, to lie in state at Whitehall,— +</p> +<div class="poem"><div class="stanza"> +<p class="i0">"Fish wept their eyes of <i>pearl</i> quite out,</p> +<p>And swam blind after,"</p> +</div></div> + +<p>doubtless intending, most loyally, to provide the departed sovereign +with a fresh and posthumous supply of her favorite gems!</p></blockquote> + +<hr /> + + +<h3><b>Minor Queries.</b></h3> + + +<p><i>St. Dominic.</i>—Was St. Dominic, the founder of the Dominican order, a +descendant of the noble family of the Guzmans? Machiavelli wrote a +treatise to prove it; but in the <i>Biographie Universelle</i> it is stated +(I know not on what authority) that Cardinal Lambertini, afterwards +Benedict XIV., having summoned that lawyer to produce the originals, +Machiavelli deferred, and refused at last to obey the order: and +further, that Cuper the Bollandist wrote on the same subject to some +learned men at Bologna, who replied that the pieces cited in +Machiavelli's dissertation had been forged by him, and written in the +old style by a modern hand.</p> + +<p class='author'><span class="smcap">A Bookworm</span>.</p> + + +<p><i>"Will" and "shall."</i>—Can you refer me to any grammar, or other work, +containing a clear and definite rule for the distinctive use of these +auxiliaries? and does not a clever contributor to "N. & Q." make a +mistake on this point at Vol. vi., p. 58., 1st col., 16th line?</p> + +<p class='author'>W. T. M.</p> + +<p>Hong Kong.</p> + + +<p><i>Sir John Fleming.</i>—What was the coat of arms borne by Sir John +Fleming, or Le Fleming, of St. George's Castle, co. Glamorgan, +<span class='smfont'>A.D.</span> 1100? Where is it to be found sculptured or figured? +And does any modern family of the name of Fleming, or Le Fleming, claim +descent from the above?</p> + +<p class='author'><span class="smcap">Caret</span>.</p> + + +<p><i>Deal, how to stain.</i>—I should be much obliged if some one of your +correspondents would inform me what is the best composition for giving +plain deal the appearance of oak for the purpose of church interiors?</p> + +<p class='author'>C.</p> + +<p>Winton.</p> + + +<p><i>Irish Characters on the Stage.</i>—Could any of your correspondents +inform me of the names of any old plays (besides those of Shadwell) in +which Irishmen are introduced? and which of the older dramatists have +enrolled this character among their <i>dramatis personæ</i>? Was Shakspeare +an Irishman?</p> + +<p class='author'><span class="smcap">Philobiblion</span>.</p> + + +<p><i>Arms on King Robert Bruce's Coffin-plate.</i>—Can any of your heraldic +readers give me any information as to whom the arms found on King Robert +Bruce's coffin-plate in 1818 belonged? They are a cross inter four +mullets pierced of the field. They are not the arms given in Nisbet to +the families of Bruce; neither does Sir. Wm. Jardine, in his report to +the Lords of the Exchequer on the finding of the king's tomb, take any +notice of them further than to mention their discovery.</p> + +<p class='author'><span class="smcap">Alexander Carte</span>.</p> + + +<p><i>Chaucer's Prophetic View of the Crystal Palace</i> (Vol. iii., p. 362.).—</p> + +<blockquote><p>"Chaucer it seems drew continually, through Lydgate and Caxton, +from Guido di Colonna, whose Latin <i>Romance of the Trojan War</i> +was, in turn, a compilation from Dares, Phrygius, Ovid, and +Statius. Then Petrarch, Boccacio, and the Provençal poets, are +his benefactors; the <i>Romaunt of the Rose</i> is only judicious<span class='pagenum'><a name="page357" id="page357">{357}</a></span> +translation from William of Lorris and John of Meun; <i>Troilus +and Creseide</i>, from Lollius of Urbino; <i>The Cock and the Fox</i>, +from the Lais of Marie; <i>The House of Fame, from the French or +Italian</i>: and poor Gower he uses as if he were only a brick-kiln +or stone quarry, out of which to build his +house."—<i>Representative Men; Shakspeare or the Poet</i>, by R. W. +Emerson.</p></blockquote> + +<p>From what sources in the French or Italian is "The House of Fame" taken? +And ought not an attack on Chaucer's claim to be the original author of +that beautiful poetical vision to be grounded, especially by an +American, on some better evidence than bare assertion?</p> + +<p class='author'><span class="smcap">An Oxford B. C. L.</span></p> + + +<p><i>Magistrates wearing Hats in Court.</i>—What authority is there for +magistrates wearing their hats in a court of justice, and is it an old +custom?</p> + +<p class='author'><span class="smcap">Parvus Homo.</span></p> + +<p>West Chillington, Hurst, Sussex.</p> + + +<p><i>Derby Municipal Seal.</i>—What is the origin and meaning of the "buck in +the park," on the seal now in use at the Town Hall, Derby?*</p> + +<p class='author'>B. L.</p> + +<p class='note'>[* Edmondson gives the arms, as painted in the Town Hall, as +"Ar. on a mount vert, a <i>stag</i> lodged within park-pales and +gate, all proper. The seal, which is very ancient, has not any +park-pales; and the stag is there represented as lodged in a +wood."—<span class="smcap">Ed</span>.]</p> + +<p><i>Sir Josias Bodley.</i>—Was Sir Josias Bodley, as stated by Harris in +Ware's <i>Writers of Ireland</i>, a younger brother of Sir Thomas Bodley, the +founder of the Bodleian Library? Who did Sir Josias Bodley marry; where +did he live after his employment in Ireland ceased, and where did he +die? Any information relating to him and his descendants will be most +gratefully received.</p> + +<p class='author'>Y. L.</p> + + +<p><i>Sir Edwin Sadler.</i>—In the Appendix to the <i>Cambridge University +Commission Report</i>, p. 468., we find that nothing is known of Sir E. +Sadler, the husband of Dame Mary Sadler, foundress of the "Algibræ" +Lectures in that university. Can any of your correspondents throw any +light on this?</p> + +<p class='author'><span class="smcap">P. J. F. Gantillon, B.A.</span></p> + + +<p><i>The Cross given by Richard I. to the Patriarch of Antioch.</i>—The "hero +of Acre," Sir Sidney Smith, received from the hands of the Archbishop of +Cyprus, in the name of a grateful people, a cross of which the tradition +was, that it had been given by King Richard Cœur de Lion to the +Patriarch of Antioch, when he went to Palestine on the third Croisade. +This gift was preserved by Sir Sidney with the care due to a relique so +venerable in its associations; and it was bequeathed by him to the +Convent of the Order of St. John of Jerusalem, at Paris, as successors +of the Templars, from whose Order it originally came. He directed that +it should be worn by the grand masters in perpetuity. In the +biographical memoirs of Sir Sidney Smith, published a few years ago, the +cross is stated to be preserved in the house of the Order at Paris. +Perhaps some member of the Order residing there would take the trouble +to give some description of this interesting relique, and would say +whether its style and character are consistent with the tradition of its +antiquity? I am not at all acquainted with the evidence on which the +tradition rests; but any particulars relating to such a relique must be +interesting to the countrymen of the illustrious admiral, and would much +oblige his godson,</p> + +<p class='author'><span class="smcap">Wm. Sidney Gibson.</span></p> + +<p>Newcastle-on-Tyne.</p> + +<p>P.S.—<i>Apropos</i> of Sir Sydney Smith, may I be allowed to suggest that, +in the decoration of <i>The St. Jean d'Acre</i>, recently launched, some +personal <i>souvenir</i> might be introduced that would visibly connect his +memory with the stately vessel whose name commemorates the scene of his +greatest victory.</p> + + +<p><i>Lister Family.</i>—In a communication relating to Major-General Lambert +(Vol. vii, p. 269.), <span class="smcap">Lord Braybrooke</span> mentions his marriage with +Frances, daughter of Sir William Lister, of Thornton in Craven. I +imagine that this lady was sister to Sir Martin Lister, physician to +King Charles I., of whose (Sir Martin's) descendants I shall be glad of +any information.</p> + +<p>Sir Martin Lister married Susanna, daughter of Sir Alexander Temple, +widow of Sir Gifford Thornhurst. This lady, by her first husband +(Thornhurst), had issue a daughter, who married Mr. Jennings, and became +the mother of three celebrated women; of whom one was Sarah, duchess of +Marlborough, wife of the great duke.</p> + +<p>Had Sir Martin Lister any issue by her? and, if so, can their +descendants be traced?</p> + +<p>Mr. Lister, of Burwell Park, Lincolnshire, is probably descended from +Sir Martin (if he left issue), or is of kin to him, through Dr. Martin +Lister, physician to Queen Anne, who, if not a son or grandson, was +certainly his nephew.</p> + +<p>My mother's great-grandmother was a Lister, a daughter of Dr. Martin +Lister.</p> + +<p>Any information through the pages of "N. & Q." will be appreciated.</p> + +<p class='author'>R. B. A.</p> + +<p>Walthamstow, Essex.</p> + + +<p><i>Family of Abrahall, Eborall, or Ebrall.</i>—I shall be obliged if any of +your readers can give me some information relative to this family, or +refer me to any work containing an account of it, more particularly as +regards the first settlers in England. The arms are—Azure, three +hedgehogs or.</p> + +<p class='author'><span class="smcap">Quærist.</span></p> + + +<p><i>Eulenspiegel—Murner's Visit to England.</i>—Are any of your +correspondents acquainted with the history and literature of the German +tales<span class='pagenum'><a name="page358" id="page358">{358}</a></span> which go under the name of <i>Till Eulenspiegel</i>? I am searching to +find out which are the English translations, but have only succeeded to +trace two. The oldest is a very curious black-letter volume in small +4to. in the British Museum, C. 21. c/5, + + +formerly in the possession of +Mr. Garrick, as appears from Bishop Percy ("Dissertation on the Origin +of the British Stage," <i>Reliques</i>, vol. i. p. 134., ed. 1812). It is +entitled, "Here begynneth a merye Jest of a man that was called +Howleglas, and of many marucylous thinges and Jestes that he dyd in his +lyfe, in Eastlande and in many other places." Colophon: "Imprynted at +London in Tamestrete at the Vintre on the thre Craned wharfe by Wylliam +Copland."</p> + +<p>Of the second I have only a reference of the title: <i>The German Rogue, +or the Life of Till Eulenspiegel</i>, 1709.</p> + +<p>I am also anxious to learn whether there are any more notices about the +visit of Thomas Murner, the author of the German <i>Eulenspiegel</i>, in +England, besides that in a letter of Thomas More to Cardinal Wolsey in +the <i>State Papers</i>, vol. i. p. 125.</p> + +<p class='author'>α.</p> + + +<p><i>Aged 116.</i>—When your correspondents were all in a state of excitement +about the old Countess of Desmond, I ventured to ask for proof that some +person had, within the age of registers, insurance offices, and legal +proof, ever lived to 150, or even to within twenty or thirty years of +that age. No answer was given, no such proof offered; all our clever +actuaries were silent. The newspapers now report one such mitigated +case:</p> + +<blockquote><p>"<i>Singular Longevity.</i>—The Irish papers announce the recent +death of Mrs. Mary Power, widow of J. Power, Esq., and aunt of +the late Right Hon. R. L. Sheil, at the Ursuline Convent, Cork, +at the advanced age of 116 years."</p></blockquote> + +<p>If this story be true, there can be no difficulty in proving it. The +lady was not an obscure person, whose antecedents are unknown. Will some +one connected with the Ursuline Convent, or Mr. Sheil's family, +obligingly tell us where the lady was born, and produce the register of +her birth—give us, in brief, <i>legal</i> evidence that she was born in the +year 1737.</p> + +<p class='author'>A. I.</p> + + +<p><i>Annuellarius.</i>—Can any of your numerous readers inform me what the +meaning of the word <i>annuellarius</i> is? It occurs in a section of the +constitutions of one of our cathedral churches:</p> + +<blockquote><p lang='la'>"Item, quod nullus quicq' sit qui aliqui alii servit nisi tantum +Epī servus sit, in Vicarior' Choralium Annuellarior' vel +Choristarum numerum in Ecclīa Cath. ... deinceps eligatur."</p></blockquote> + +<p class='author'>P. S.</p> + +<hr /> + + +<h3><b>Minor Queries with Answers.</b></h3> + + +<p><i>Boyer's "Great Theatre of Honour and Nobility,"</i> 4to. London, 1729.—At +the end of the preface to this work, a copy of which is in my +possession, the following advertisement occurs:</p> + +<blockquote><p>"Although this volume exceeds by one-fourth part the number of +sheets proposed for subscription, nevertheless it shall be +delivered to the subscribers without enhancing the price; and +their coats of arms shall be inserted in the second volume; as +well as theirs who shall purchase this, provided thay take care +to send them, with their blazon, to any one of the booksellers +named in the title-page."</p></blockquote> + +<p>I want to know whether Boyer ever published this second volume; and +shall be much obliged to any correspondent of "N. & Q." who will +enlighten me on the subject.</p> + +<p class='author'><span class="smcap">S. I. Tucker.</span></p> + +<p class='note'>[Only the first volume has been published. According to the +original prospectus, now before us, the work was to have made +two volumes, divided into six parts. So that the volume of 1729, +consisting of three parts, is half of what Boyer originally +proposed to publish.]</p> + + +<p><i>List of Bishops of Norwich.</i>—Where can I find a list of the bishops of +Norwich, with their coats of arms, from an early date?</p> + +<p class='author'><span class="smcap">Caret.</span></p> + +<p class='note'>[In Blomefield's <i>History of Norfolk</i>, edit. 1739, fol., vol. +ii. pp. 330-430.]</p> + + +<p>"<i>A Letter to a Convocation Man.</i>"—Who, I am desirous of knowing, was +the author of <i>A Letter to a Convocation Man, concerning the Rights, +Powers, and Privileges of that Body</i>, published about 1697, which +occasioned Wake's book of <i>The Authority of Christian Princes over their +Ecclesiastical Synods asserted</i>? Atterbury says, in the Preface of his +<i>Rights, Powers, and Privileges of an English Convocation</i>:</p> + +<div class="blockquotee"><p>"If at least I were not prevented by some abler hand, particular +by the author of that letter which first gave rise to this +debate; and who, it was expected, would have appeared once more +upon it, and freed what he had advanced from all exceptions."</p></div> + +<p class='author'><span class="smcap">W. Fraser.</span></p> + +<p class='note'>[According to the Bodleian Catalogue, it was written by Sir +Bartholomew Shower; but we have seen it attributed to William +Binkes, the Prolocutor to the Convocation of 1705.]</p> + + +<p><i>Nicholas Thane.</i>—Dr. Browne Willis, in his <i>History of the Town of +Buckingham</i>, published London, 1755, says (p. 49.):</p> + +<blockquote><p>"About the year 1545, as we are told in the <i>Peerage of +England</i>, in the account of the Earl of Pomfret's family, his +ancestor Richard Fermour of Easton Neston in Northamptonshire, +Esq., had his estate seized on and taken away from him upon his +having incurred a <i>præmunire</i>, by relieving one Nicholas Thane, +an obnoxious Popish priest, who had been committed a close +prisoner to the gaol in the town of Buckingham."</p></blockquote> + +<p>Can any of your readers inform me what crime or offence this "obnoxious +priest" had been guilty of, as to be committed a "close prisoner;" and +that<span class='pagenum'><a name="page359" id="page359">{359}</a></span> Richard Fermour, Esq., who had relieved him during his +incarceration, should, for this apparently simple act of charity, have +incurred a <i>præmunire</i>, for which he was subjected to so heavy a fine as +the forfeiture of his estate? I should be glad of any further +particulars respecting him, or to be referred to any work in which an +account of him is recorded; and also to be informed by whom the <i>Peerage +of England</i>, quoted by Dr. Willis, was compiled, when published, and +whether it contains a more copious account of this reprehensible +ecclesiastic.</p> + +<p class='author'><span class="smcap">Arthur R. Carter.</span></p> + +<p>Camden Town.</p> + +<p class='note'>[Richard Fermor was a merchant of the staple at Calais, and +having acquired a considerable fortune, located himself at +Easton Neston, co. Northampton. Being a zealous Romanist he +refused to conform to the Reformed faith, and thus rendered +himself obnoxious to the court; and being accused of +administering relief to Nicholas Thane, formerly his confessor, +who was then a prisoner in Buckingham Castle for denying the +supremacy of the king, he was committed to the Marshalsea in +July, 1540, and was afterwards arraigned in Westminster Hall, +though nothing could be proved against him, except that he had +sent 8<i>d.</i> and a couple of shirts to the imprisoned priest. He +was adjudged to have incurred a <i>præmunire</i>, whereby all his +lands and goods became forfeited, and the rapacious monarch +enforced the sentence with the most unrelenting severity. See +Baker's <i>Hist. of Northamptonshire</i>, vol. ii. p. 142.; Collins's +<i>Peerage</i>, edit. Brydges, vol. iv. p. 199.; and Lipscomb's +<i>Buckinghamshire</i>, vol. ii. p. 570.]</p> + +<p><i>Churchwardens, Qualification of.</i>—Can any of your correspondents give +the title and price of any work which will define the qualifications +requisite for filling the office of churchwarden? The case on which the +question has arisen is that of a country parish divided into two +townships, each township naming a warden. One of these is a dissenter, +and seldom or never attends church; the other is said not to be a +householder. Both of these are, by many of the parishioners, considered +ineligible, owing to these circumstances. Should any one send the +required information, you would oblige by allowing it to appear in the +next Number of "N. & Q.," where it would be sure to be seen, and +thankfully acknowledged by</p> + +<p class='author'>B. B. F. F. T. T.</p> + +<p class='note'>[Our correspondent will find the required information in +Prideaux's <i>Churchwarden's Guide</i>, 5th edit. 1850, price 6<i>s.</i>, +who has devoted sect. ii. "to the persons liable to be chosen to +the office of churchwarden, and the persons disqualified and +exempt from serving that office." (Pp. 4-17.) Consult also +Cripps's <i>Practical Treatise on the Law relating to the Church +and the Clergy</i>, 8vo. 1850, pp. 176-201., price 26<i>s.</i>]</p> + + +<p><i>Sir John Powell.</i>—In Vol. vii., p. 262., of "N. & Q." is an inquiry +respecting Sir John Powell, and an answer given, in which there must +surely be some mistake, or there must have been two Sir John Powells.</p> + +<p>I beg to give the following extract from Britton's <i>History and +Antiquities of the Abbey Church of Gloucester</i>:</p> + +<blockquote><p>"A full-length marble statue, in judicial robes, erected by John +Snell, Esq., to the memory of his uncle, Judge Powell, who in +1685 represented this city, his native place, in parliament. He +was successively a Justice of Common Pleas and the King's Bench, +and was one of the Judges who tried the seven Bishops, and +joined in the declaration against the King's dispensing power. +For this, James II. deprived him of his office, July 2, 1688; +but William III. created him, first a Baron of the Exchequer, +then a Judge in the Common Pleas, and on June 18, 1702, advanced +him to the King's Bench, where he sat till his death, June 14, +1713."</p></blockquote> + +<p>I will add, that on the floor near the above monument are inscribed the +names, &c., of various members of his family.</p> + +<p>Sir John Powell is traditionally said to have lived at an old house +called Wightfield in this county, which certainly belonged, at one time, +to the above John Snell, who had married the judge's niece, and from +whose descendants it was purchased by the grandfather of the present +possessor.</p> + +<p>Allow me to ask, by-the-bye, if the place, as spelt in your paper, +should not be Langharne, or more correctly still, Llangharne?</p> + +<p class='author'>F. S.</p> + +<p>Gloucestershire.</p> + +<div class='note'><p>[There were not only two, but three judges of the name of +Powell, who were cotemporaries, viz.—</p> + +<p>1. Sir John Powell, mentioned in "N. & Q." (Vol. vii., p. 262.), +whose burial-place should have been printed Llangharne, as our +correspondent suggests. He was made a Judge of the Common Pleas +on April 26, 1686, and a Judge of the King's Bench on April 16, +1687. He was removed on June 29, 1688, on consequence of the +resolution he displayed on the trial of the seven bishops; but +was restored to the Bench, as a Judge of the Common Pleas, in +May, 1689, and continued to sit till his death in 1696.</p> + +<p>2. Sir Thomas Powell became a Baron of the Exchequer on April +22, 1687, and was transferred into the King's Bench in June, +1688, to take the seat there left vacant by the removal of the +above Sir John Powell. He himself was removed in May, 1689.</p> + +<p>3. Sir John Powell, or, as he was then called, John Powell, +junior, was made a Baron of the Exchequer on November 10, 1691, +removed into the Common Pleas on October 29, 1695, and into the +King's Bench in June, 1702, where he sat till his death in 1713. +He it was who was buried at Gloucester.</p> + +<p>Britton has evidently, as Chalmers and Noble had done before +him, commingled and confused the histories of the two Sir +Johns.]</p></div> + +<p><i>S. N.'s "Antidote," &c.</i>—I have just purchased an old book, in small +quarto, of which the title is—</p> + +<blockquote><p>"An Antidote or Soveraigne Remedie against the pestiferous +Writings of all English Sectaries, and in<span class='pagenum'><a name="page360" id="page360">{360}</a></span> particular against +Dr. Whitaker, Dr. Fulke, Dr. Bilson, Dr. Reynolds, Dr. Sparkes, +and Dr. Field, the chiefe upholders, some of Protestancy, some +of Puritanisme; divided into three Parts, &c., &c., &c. By S. +N., doctour of divinity. Permissu superiorum, +<small>MDCXV</small>."</p></blockquote> + +<p>Who is the author S. N., and what other particulars are known respecting +it?</p> + +<p class='author'><span class="smcap">Lewis Kelly.</span></p> + +<p>Leeds.</p> + +<p class='note'>[Sylvester Norris is the author. There is an edition published +in 1622, 4to.]</p> + + +<p><i>Beads.</i>—When was the use of beads, for the purpose of counting +prayers, first introduced into Europe?</p> + +<p class='author'>C. W. G.</p> + +<p class='note'>[For the repose of a bishop, by Wilfrid's <i>Canons of Cealcythe</i>, +<small>A.D.</small> 816, can. <small>X</small>., seven belts of +paternosters were to be said; the prayers being numbered probably by +studs fixed on the girdle. But St. Dominic invented the rosary, which +contains ten lesser beads representing Ave Marias, to one larger +standing for a paternoster.]</p> + +<hr class='full' /> + + +<h2>Replies.</h2> + + +<h3>BROAD ARROW.</h3> + +<p class='center'>(Vol. iv., p. 412.)</p> + +<p>With reference to my Note, ascribing a Celtic origin to this symbol, I +have just met with somewhat of a curious coincidence, to say the least +of it. In Richardson's <i>Travels in the Sahara, &c.</i>, vol. i. p. 420., +speaking of the camel, he says:</p> + +<blockquote><p>"The camels have all public and private marks, the former for +their country, the latter for their owner; and, strange enough, +the public mark of the Ghadames camel is the English broad R." +&c. [Arrow, he should have said.]</p></blockquote> + +<p>Now, the Celtic <a href="images/broadarrow3.png" +title="Click to see an image of the arrow.">↑</a> + (as before mentioned) is +typical of superior holiness, &c. &c.; and it is singular that a city of +Marabouts (saints or holy men, such as the Ghadamsee are described to +be) should have adopted this symbol as their public (or government) +mark. The population of Ghadames is a strange medley of Arabs, +Touaricks, negroes, half-breeds of all kinds, &c., and whence their +claim to superior sanctity does not appear.</p> + +<p>That Celtic tribes once sojourned in Northern Africa is attested by +Druidical remains in Morocco and elsewhere. Mr. Richardson mentions the +frequent occurrence of pyramidal stones in the Sahara, incidentally, +without specifying whether they are rocks <i>in sitû</i>, or supposed to be +the work of man's hand. The language of Ghadames is one of the Berber +dialects; and according to Mr. Urquhart (<i>Pillars of Hercules</i>, vol. i. +p. 383.), these, or some of them, are said to contain so much of the +Celtic element, that Highlanders from the garrison of Gibraltar, and the +natives about Tangier, can mutually understand each other.</p> + +<p>The above, however, are mere speculations; and I would suggest that, +previous to further research as to the origin of the broad arrow, it +would be as well to ascertain how long it has been used as "the King's +mark." I should incline to believe that the earliest mark upon +government stores was the royal cipher—ER (with a crown above) perhaps. +On old guns of Henry VIII. and Elizabeth, we find the rose and crown, +but no broad arrow; more frequently Elizabeth's bear her cipher. A few +articles I have seen of William III. are stamped with +<a href="images/WR1.png" +title="The W & R are joined. Click to see an image.">WR</a> (with a crown above): no broad arrow. Nor do I remember +having ever seen it upon anything older than George III. This, however, +is a question which may interest some gentleman of the Ordnance +Department, and induce him to make research where success is most likely +to reward his trouble, viz. in the Tower, in the Royal Arsenal at +Woolwich, or amongst the ancient records in the Ordnance Office; for I +presume there be such.</p> + +<p>P. C. S. S. (Vol. iv., p. 371.) says that "he always understood" the +broad arrow represented the "Pheon" in the arms of the Sydney family; +but, as he quotes no authority, we are at liberty to doubt the adoption +and perpetuation of a bearing appertaining to any particular +master-general of ordnance as a "king's mark," howsoever illustrious or +distinguished he might be.</p> + +<p class='author'>A. C. M.</p> + +<p>Exeter</p> + +<hr /> + + +<h3>ENGLISH COMEDIANS IN THE NETHERLANDS.</h3> + +<p class='center'>(Vol. ii., pp. 184. 459.; Vol. iii., p. 21.; Vol. vii., p. 114.)</p> + +<p>Returning to this question, I will communicate a few extracts from the +Gerechtsdagboeken (Minutes of the Council) of the city of Leyden:—</p> + +<blockquote><p><i>Sept. 30, 1604.</i>—<em lang='nl'>"Die van de Gerechte opt voorschryven van +Zÿne Ex<sup>e</sup> en versouc van Jan Woodtss, Engelsman, hebben +toegelaten ende geconsenteert dat hy geduyrende deze aenstaende +jaermarct met zyn behulp zal mogen speelen zeecker eerlick +camerspel tot vermaeckinge van der gemeente, mits van yder +persoen (comende om te bezien) nyet meer te mogen nemen nochte +genyeten dan twaelf penn., ende vooral betaelen tot een +gootspenning aen handen van Jacob van Noorde; bode metter roede, +vier guld. om ten behouve van de armen verstrect te worden."</em></p> + +<p class='center'><i>Translation.</i></p> + +<p>The magistrates, on the command of his Excellence, and on the +request of John Woodtss, an Englishman, have permitted and +consented that he, with his company, during the approaching +fair, may play certain decent pieces for the amusement of the +people, provided he take no more than twelve pennings from each +person coming to see, and, above all, pay to Jacob van Noorde +four guilders, to be applied to the use of the poor.</p></blockquote> +<p><span class='pagenum'><a name="page361" id="page361">{361}</a></span></p> + +<p>And again:</p> + +<blockquote><p><i>Jan. 6, 1605.</i>—<em lang='nl'>"Op't versouck aen die van de Gerechte gedaen +by de Engelsche Comedyanten om te mogen spelen: staet +geappostilleert. Die van de Gerechte deser stadt Leyden gesien +in haer vergaderinge opt Raedthuys der voors. stede, de +<i>favorable brieven</i> van Recommandatie ende testimoniael vanden +<i>Forst</i> van <i>Brandenburch</i> van de <span class='smfont'>X</span> Augustij des +jaers XVI<sup>c</sup> vier, mitsgaders t consent by Zyne Ex<sup>ie</sup> van +<i>Nassau</i> verleent den xxij Decembris laest verleden, Es +disponerende opt versouc int blanc van dezen, hebben voor zoo +veel in hem is, de Engelsche Commedianten ende musicyns toonders +in dezen, conform haer versouc toegelaten binnen deser stede te +mogen spelen en haer consten doen ouffenen ende vertoonen ter +gewoenlycke plaetse te weten opten groten hoff onder de +bibliotecque, dewelcke hem toonders mits dezen ten eynde +voorseyt, belast wert te werden ingeruymt, Ende dit al voor den +tyt van veertien dagen eerstcomende, en mits, voor den +jegenwoordige <i>gracieuse toelatinge</i>, gevende ten behouve van de +gemeene huysarmen dezer stede een somme van twaelf gulden van xl +groot tstuck. Aldus, gedaen opten vi January XVI<sup>c</sup> en̄ vyff. +My jegenwoordich en is get. J. van Hout."</em></p> + +<p class='center'><i>Translation.</i></p> + +<p>On the request to the magistrates of the English comedians to be +allowed to perform, was decided: The magistrates of this city of +Leyden, having seen in their assembly in the Town-House of the +aforesaid city, the favourable letters of recommendation and +testimonial of the Prince of Brandenberg of the 10th Aug., 1604, +as well as the consent granted by his Excellence of Nassau, the +22nd of Dec. last, have permitted the English comedians and +musicians, according to their request, to perform and exercise +and exhibit their arts in the accustomed place, namely, in the +great court under the library; and this for the space of +fourteen days, provided they, for this <i>gracious</i> permission, +give twelve guilders of forty groats a-piece to the poor of this +city. Done on the 6th Jan., 1605. Me present; and signed "J. van +Hout."</p></blockquote> + +<p class='author'><span class="smcap">Elsevier.</span></p> + +<p>Constanter has communicated the following lines of G. A. Brederode, +confirming the statements of Heywood and Tieck:</p> + +<div class="poem"><div class="stanza" lang='nl'> +<p class="i0">"Ick mach soo langh oock by geen reden-ryckers zijn:</p> +<p>Want dit volckje wil steets met allen menschen gecken,</p> +<p>En sy kunnen als d'aep haer afterst niet bedecken;</p> +<p class="i1">Sy seggen op haer les, soo stemmigh en soo stijf,</p> +<p class="i1">Al waer gevoert, gevult met klap-hout al haer lijf!</p> +<p>Waren 't <i>de Engelsche</i>, of andere uytlandtsche</p> +<p>Die men hoort singen, en soo lustigh siet dantse</p> +<p class="i1">Dat sy suyse-bollen, en draeyen als een tol:</p> +<p class="i1">Sy spreken 't uyt eaer geest, dees leeren 't uyt een rol.</p> +<p>'t Isser weer na (seyd ick) als 't is, sey Eelhart schrander,</p> +<p>Dat verschil is te groot, besiet men 't een by 't ander!</p> +<p class="i1">D'uytheemsche die zijn wuft, dees raden tot het goedt,</p> +<p class="i1">En straffen alle het quaet bedecklelijck en soet."</p> +</div> + +<div class="stanza"> +<p class="i8"><i>Translation.</i></p> +</div> + +<div class="stanza"> +<p>To stay with rhetoricians I've no mind:</p> +<p>The fool they'll play with men of every kind,</p> +<p>And, like the ape, exhibit what's behind.</p> +<p>With gests so stiff their lesson they repeat,</p> +<p>You'd swear with staves their bodies were replete!</p> +<p>Heard you the <i>men</i> from merry <i>England</i> sing?</p> +<p>Saw you their jolly dance, their lusty spring?</p> +<p>How like a top they spin, and twirl, and turn?</p> +<p>And from the heart they speak—ours from a roll must learn....—<i>From the Navorscher.</i></p> +</div></div> + +<hr /> + + +<h3>THE SWEET SINGERS.</h3> + +<p class='center'>(Vol. v., p. 372.)</p> + +<p>A. N. asks for some historical notices of the above fanatics: as he may +not be satisfied with Timperley's meagre allusion, allow me to refer him +to the <i>Memoirs of the Lord Viscount Dundee</i>: London, 1714. The author +of this, "An Officer of the Army," speaking of the stiff-necked +Presbyterians, says:</p> + +<blockquote><p>"At this time (1681), about thirty of these deluded people left +their families and business, and went to the hills, where they +lived in rocks and caves for some weeks. John Gib, sailor in +Borrowstowness, Walter Ker, in Trafritham, <span class="ohdash">—</span>— Gemmison, in +Linlithgow, were their chief leaders. They called themselves the +<i>Sweet Singers</i> of Israel, eat nothing that there was salt in or +paid tax to the king, blotted the name of king out of their +Bibles, and cohabited all together. When a party of dragoons +took them at the Ouffins, in Tweeddale, they were all lying on +their faces, and jumped up in a minute, and called out with an +audible voice, that God Almighty would consume the party with +fire from heaven, for troubling the people of God. On the road, +as they went to Edinburgh, when any of their relations or +acquaintances came to visit them, they spit at them, and threw +themselves on their faces, and bellowed like beasts, whereof his +Highness (the Duke of York, then in Scotland) being informed, +ordered them immediately to be set at liberty."</p></blockquote> + +<p>A more detailed account of these Gibbites will be found in the curious +Presbyterian biographies "collected by, and printed for Patrick Walker, +in the Bristo-Port of Edinburgh," the early part of last century. In +that entitled "Some remarkable Passages in the Life, &c. of Mr. Daniel +Cargill:" 12mo. Edin. 1732, A. N. will find the original story of the +crazy skipper and his band of "three men and twenty-six women," whom +worthy Mr. Cargill endeavoured unsuccessfully to reclaim. From this it +would appear that the <i>sweet singers</i> went far greater lengths than +above described, and that Gib, after the dispersion of his followers, +took himself off to America, "where," says the aforesaid Patrick, "he +was much admired by the blind<span class='pagenum'><a name="page362" id="page362">{362}</a></span> Indians for his familiar converse with +the devil." For the further information of your correspondent, I would +add that Walker's account of the Gibbites is very well condensed in that +more accessible book <i>Biographia Scoticana</i>, better known as the <i>Scots +Worthies</i>, where the deluded Gib figures under the head of "God's +Justice exemplified in his Judgments upon Persecutors."</p> + +<p class='author'>J. O.</p> + +<hr /> + + +<h3>EDMUND SPENSER.</h3> + +<p class='center'>(Vol. vii., p. 303.)</p> + +<p>Mr. F. F. Spenser published the results of his researches relative to +Spenser in the <i>Gentleman's Magazine</i> for August, 1842; and towards the +end of his communication promised to record "many further interesting +particulars," through the same medium, but failed to do so. Mr. Craik +has made special reference to Mr. F. F. Spenser's paper in a little work +upon which he must have bestowed a vast deal of labour, and which +contains the completest investigation of all that has been discovered +concerning the life, works, and descendants of the poet that I have met +with: I refer to <i>Spenser and his Poetry</i>: by George L. Craik, M.A.: 3 +vols. London, 1845. The appendix to vol. iii., devoted to an account of +the descendants of Spenser, among other interesting matter, contains the +history of the family descended from Sarah Spenser, a sister of Edmund +Spenser, which is still represented. To which I may add that Spenser's +own direct descendants are living in the city of Cork, and, I regret to +say, in reduced circumstances. This should not be. A pension might well +be bestowed on the descendants of Spenser, the only one of our four +great poets whose posterity is not extinct.</p> + +<p class='author'>J. M. B.</p> + +<p>Tunbridge Wells.</p> + +<p>I have read with much curiosity and surprise a paragraph engrafted into +"N. & Q." (Vol. vii., p. 33.) from <i>The Times</i> newspaper, June 16, 1841, +announcing that a Mr. F. F. Spenser, of Halifax, had ascertained that +the ancient residence of his own family, at Hurstwood, near Burnley, +Lancashire, was the identical spot where the great Elizabethan poet, +Edmund Spenser, is said to have retired, when driven by academical +disappointments to his relations in the north of England.</p> + +<p>I confess all this appears to me very like a hoax, there is such a +weight of negative testimony against it. Dr. Whitaker, the learned +historian of Whalley, describes Hurstwood Hall as a strong and +well-built old house, bearing on its front, in large characters, the +name of "Barnard Townley," its founder, and that it was for several +descents the property and residence of a family branched out from the +parent stock of Townley, in the person of John Townley, third son of Sir +Richard Townley, of Townley—died Sept. 1562. His son, Barnard Townley, +died 1602, and married Agnes, daughter and coheiress of George Ormeroyd, +of Ormeroyd, who died 1586.</p> + +<p>It must be remembered that Hurstwood is in the immediate neighbourhood +of Dr. Whitaker's ancient patrimonial estate of Holme; and he must have +been familiar with all the traditionary history of that locality. Yet he +is silent on this subject, and does not allude either to the occasional +residence of the poet Spenser in those parts, or to the family of +Spensers, who are stated in this paragraph to have resided at Hurstwood +about four hundred years.</p> + +<p class='author'><span class="smcap">Clivigee.</span></p> + +<hr /> + + +<h3>LAMECH KILLING CAIN.</h3> + +<p class='center'>(Vol. vii., p. 305.)</p> + +<p>Sir John Maundeville says:</p> + +<blockquote><p>"Also, seven miles from Nazareth is Mount Cain, under which is a +well; and beside that well Lamech, Noah's father, slew Cain with +an arrow. For this Cain went through briars and bushes, as a +wild beast; and he had lived from the time of Adam, his father, +unto the time of Noah; and so he lived nearly two thousand +years. And Lamech was blind for old age."—<i>Travels</i>, chap. x., +Bohn's <i>Early Travels in Palestine</i>, p. 186.</p></blockquote> + +<p>To which is appended the following note by Mr. Thomas Wright, the +editor:</p> + +<blockquote><p>"This legend arose out of an interpretation given to Gen. iv. +23, 24. See, as an illustration, the scene in the <i>Coventry +Mysteries</i>, pp. 44. 46.</p></blockquote> + +<p class='author'><span class="smcap">Zeus.</span></p> + +<p>J. W. M. will find this question discussed at length in the +<i>Dictionnaire de Bayle</i>, art. "Lamech," and more briefly in <i>Pol. +Synopsis Criticorum</i>, Gen. iv. 23.</p> + +<p>The subject has been engraved by Lasinio in his <i>Pitture a fresco del +Campo Santo di Pisa</i> (tom. xvii.), after the original fresco by +Buonamico Buffalmacco, whose name is so familiar to readers of the +<i>Decameron</i>.</p> + +<p class='author'>F. C. B.</p> + +<p>Bayle relates this legend in his account of Lamech as follows:</p> + +<blockquote><p>"There is a common tradition that Lamech, who had been a great +lover of hunting, continued the sport even when, by reason of +his great age, he was almost blind. He took with him his son, +Tubal-Cain, who not only served him as a guide, but also +directed him where and when he ought to shoot at the beast. One +day, as Cain was hid among the thickets, Lamech's guide seeing +something move in that place, gave him notice of it; whereupon +Lamech shot an arrow, and slew Cain. He was extremely concerned +at it, and beat his guide so much as to leave him dead upon the +place."</p></blockquote> + +<p>One of the frescos of the Campo Santo at Pisa gives the whole subject, +from the offering of Abel's and Cain's sacrifice, to the death of the +young man<span class='pagenum'><a name="page363" id="page363">{363}</a></span> by the hand of Lamech, painted by Pietre da Orvieto about +1390. In one corner of the fresco, Cain is depicted as a wild and shaggy +figure, crouched in a thicket, at which Lamech, at the suggestion of his +guide, shoots an arrow. Below, the homicide is represented as murdering +the cause of his error by blows on the head inflicted with his bow.</p> + +<p class='author'><span class="smcap">Cheverells.</span></p> + +<p>The following note upon the name of Lamech may perhaps serve to throw a +little light upon the difficult passage in Genesis iv. 23, +24.—<i>Lamech</i>, in Celtic <i>Lamaich</i>, or <i>Laimaig</i>, means a slinger of +stones; and Lamech being dextrous in the use of that weapon the sling, +wantonly slew two young men, and boasted of the bloody deed to his two +wives, Adah and Zillah, blasphemously maintaining that as Cain for one +murder should be avenged sevenfold, so he, for his wanton act, would be +avenged seventy and seven fold upon whoever should slay him. It may be +considered strange that the name of Lamech should be Celtic, and that it +should signify a slinger; but I am strengthened in my opinion by +reference to the Hebrew alphabet, in which the letter <i>l</i> is called +<i>lamed</i>; but why it is so named the Hebrews cannot say. Now, if any one +examines the Hebrew <span lang='he' title='lamed'>ל</span> he will perceive that it is by no +means a rude representation of a human arm, holding a sling with a stone +in it. The word <i>Lamech</i> is derived from <i>lam</i>, the hand; and the +termination signifies dexterity in shooting or discharging missiles +therewith.</p> + +<p>It is curious to notice that the remaining names in the passage of +Scripture are Celtic: thus Cain is compounded of <i>cend</i>, first, and +<i>gein</i>, offspring,—pronounced <i>Kayean</i>, <i>i. e.</i> first begotten. Adah +means a fair complexioned, red-haired woman; and Zillah, peace, from +<i>siotlad</i>, pronounced <i>shieta</i>.</p> + +<p class='author'><span class="smcap">Francis Crossley.</span></p> + +<hr /> + + +<h3>PHOTOGRAPHIC NOTES AND QUERIES.</h3> + +<p><i>Photographic Notes.</i>—G. H. P. has communicated (Vol. vii., p. 186.) a +very excellent paper in reference to our numerous failures in the +collodion process; but the remedies he proposes are not, as he is aware, +infallible. He gives the recommendation you find in every work on the +subject, viz. to lift the plate up and down in the bath to allow +evaporation of ether. I have made experiments day after day to ascertain +the value of this advice, and I am convinced, as far as my practice +goes, that you gain nothing by it; indeed, I am sure that I much oftener +get a more even film when the plate is left in the bath for about two +minutes without lifting it out. I should be glad of other photographers' +opinion on the point.</p> + +<p>I have never found any benefit, but much the contrary, from re-dipping +the plate in the bath; and I may observe the same of mixing a drop or +two of silver solution with the developing fluid.</p> + +<p>I think with G. H. P. that the developing solution should be weak for +positives.</p> + +<p>I omitted, in my description of a new head-rest, to say that it is +better to have all the parts in metal; and that the hole, through which +the arm runs, should be a square mortice instead of a round one, as is +usual. A screw at the side sets it fast; the lower portion of the +upright piece being round, and sliding up and down in a tube of metal, +as it does in the best rests, allowing the sitter to be placed in +different positions. All this is very difficult to describe, but a +slight diagram would explain it easily, which I would willingly, as I +have before said, send to any one thinking it worth writing to me for.</p> + +<p class='author'><span class="smcap">J. L. Sisson.</span></p> + +<p>Edingthorpe Rectory.</p> + + +<p><i>On some Difficulties in Photographic Practice.</i>—Being desirous to have +a glass bath for the silver, I was glad to find you had given (in +"Notices to Correspondents") directions for making one, viz. two parts +best red sealing-wax to one part of Jeffries' marine glue. I tried this, +but found the application of it to the glass impossible, as it set +immediately. Now, can you afford room for the means by which this may be +remedied; as my wish to substitute glass for gutta percha remains?</p> + +<p>Now I am addressing you, may I offer one or two hints which may be of +service to beginners? If, after what has been considered a sufficient +washing of the glass, after the hypo., during the drying, crystals from +hypo. remaining appear, and which would most certainly destroy the +picture, I have found that by <i>breathing well</i> over these parts, and +immediately repeating the washing, all ill effects are thoroughly +prevented. To substitute hot water instead of breathing does not destroy +the hyposulphite, and therefore will not do.</p> + +<p>When the plate shall be dry after the washing process, if a leaden, dim, +grey appearance occurs, I have found that by tenderly rubbing it with +fine cotton, and applying with a good-sized camel's hair pencil a +varnish of about 8-10ths spirits of turpentine and 2-10ths mastic +varnish, and then, before this gets dry, putting on the black varnish, +the grey effect will have been removed.</p> + +<p>I have found the protonitrate of iron, as also the protosulphate, and +not seldom the pyrogallic, so difficult of application, that I have +stained and spoiled very good pictures. I have therefore used, and with +perfect success, a tray of gutta percha a little longer than the glass +(say one-fourth of an inch), and one-fourth of an inch deep; sliding +from one end the glass into the tray (supplied immediately before using +it), by which means the glass is all covered at once.</p> + +<p>I think the <span class="smcap">Rev. Mr. Sisson's</span> suggestion, viz. to send you some +of our specimens with collodion,<span class='pagenum'><a name="page364" id="page364">{364}</a></span> a very proper one, if not declined on +your own part, and shall, for one, feel great pleasure in acting in +accordance with it.</p> + +<p>You will, I trust, pardon any foregoing hints for beginners, as I well +know that I have lost several pictures by hypo-crystals, and very many +by the difficulty in developing.</p> + +<p class='author'><span class="smcap">L. Merritt.</span></p> + +<p>Maidstone.</p> + +<p>P.S.—I always find collodion by <span class="smcap">Dr. Diamond's</span> formula capital, +and with it from five to ten seconds is time enough.</p> + + +<p><i>Mr. Weld Taylor's cheap Iodizing Process.</i>—I have no doubt <span class="smcap">Mr. +Weld Taylor</span> will be kind enough to explain to me two difficulties I +find in his cheap iodizing process for paper.</p> + +<p>In the first place, whence arises the caustic condition of his solution, +unless it be through the decomposition of the cyanide of potassium which +is sometimes added? and if such caustic condition exists, does it not +cause a deposition of oxide of silver together with the iodide, thereby +embrowning the paper?</p> + +<p>Why does the caustic condition of the solution require a larger dose of +nitrate of silver, and does not this larger quantity of nitrate of +silver more than outbalance the difference between the new process and +the old, as regards price? I pay 1<i>s.</i> 3<i>d.</i> for an ounce of iodide of +potassium of purest quality; the commoner commercial quality is cheaper.</p> + +<p class='author'><span class="smcap">F. Maxwell Lyte.</span></p> + +<hr /> + + +<h3>Replies to Minor Queries.</h3> + + +<p><i>Somersetshire Ballad</i> (Vol. vii., p. 236.).—</p> + +<div class="poem"><div class="stanza"> +<p>"Go vind the vicar of Taunton Deane," &c.</p> +</div></div> + +<p>S. A. S. will find the above in <i>The Aviary, or Magazine of British +Melody</i>, a square volume published about the middle of last century; or +in a volume bearing the running title—<i>A Collection of diverting Songs, +Airs, &c.</i>, of about the same period—both extensive depôts of old song; +the first containing 1344, and the last, as far as my mutilated copy +goes, extending to nearly 500 pages quarto.</p> + +<p class='author'>J. O.</p> + + +<p><i>Family of De Thurnham</i> (Vol. vii., p. 261.).—In reply to Θ. I send a few notes illustrative of the pedigree, &c. of the De +Thurnhams, lords of Thurnham, in Kent, deduced from Dugdale, public +records, and MS. charters in my possession, namely, the MS. Rolls of +Combwell Priory, which was founded by Robert de Thurnham the elder; from +which it appears that Robert de Thurnham, who lived tempore Hen. II., +had two sons, Robert and Stephen. Of these, Robert married Joan, +daughter of William Fossard, and died 13 John, leaving a daughter and +sole heir Isabel, for whose marriage Peter de Maulay had to pay 7000 +marks, which were allowed him in his accounts for services rendered to +the crown. Stephen, the other son, married Edelina, daughter of Ralph de +Broc, and, dying circiter 16 John, was buried in Waverley Abbey, Surrey. +He seems to have left five daughters and coheirs; viz. Mabilia, wife of +Ralph de Gatton, and afterwards of Thomas de Bavelingeham; Alice, wife +of Adam de Bending; Alianore, wife of Roger de Leybourne; Beatrice, wife +of Ralph de Fay; and Alienore, wife of Ralph Fitz-Bernard. Dugdale and +the Combwell Rolls speak of only four daughters, making no mention of +the wife of Ralph Fitz-Bernard; but an entry on the Fine Rolls would +seem almost necessarily to imply that she was one of the five daughters +and coheiresses. If not a <i>daughter</i>, she was in <i>some way</i> coheiress +with the daughters; which is confirmed by an entry in <i>Testa de Nevill</i>: +and, by a charter temp. Edw. I., I find Roger de Northwood, husband of +Bona Fitz-Bernard, in possession of the manor of Thurnham, with every +appearance of its having been by inheritance of his wife. With this +explanation, I have ventured to include Alianore, wife of Ralph +Fitz-Bernard, as among the daughters and coheiresses of Stephen de +Thurnham. The issue of all of these marriages, after a few years, +terminated in female representatives—among them the great infanta +Juliana de Leybourne—mingling their blood with the Denes, Towns, +Northwoods, Wattons, &c., and other ancient families of Kent.</p> + +<p>I have two beautiful seals of Sir Stephen de Thurnham temp. John,—a +knight fully caparisoned on horseback, but not a trace of armorial +bearings on his shield; nor, in truth, could we expect to find any such +assigned to him at that early period.</p> + +<p class='author'>L. B. L.</p> + + +<p><i>Major-General Lambert</i> (Vol. vii., pp. 237. 269.).—Lambert did not +survive his sentence more than twenty-one years. His trial took place in +1661, and he died during the hard winter of 1683.</p> + +<p>The last fifteen years of his life were spent on the small fortified +island of St. Nicholas, commonly called Drake's Island, situated in +Plymouth Sound, at the entrance to the Hamoaze.</p> + +<p>Lambert's wife and two of his daughters were with him on this island in +1673. (See "N. & Q.," Vols. iv. and v.)</p> + +<p class='author'><span class="smcap">J. Lewelyn Curtis.</span></p> + + +<p><i>Loggerheads</i> (Vol. v., p. 338.; and Vol. vii., pp. 192-3.).—Your +correspondent <span class="smcap">Cambrensis</span>, whose communication on this subject I +have read with much interest, will excuse my correcting him in one or +two minor points of his narrative. The little wayside inn at Llanverres, +rendered famous by the genius of the painter Wilson, is still standing +in its original position, on the <i>left</i>-hand of the road as you pass +through that village to Ruthin. Woodward, who was landlord of the inn at +the time Wilson frequented it, survived his friend<span class='pagenum'><a name="page365" id="page365">{365}</a></span> about sixteen years, +leaving six children (two sons and four daughters), none of whom +however, as <span class="smcap">Cambrensis</span> surmises, succeeded him as landlord. His +widow shortly afterwards married Edward Griffiths, a man many years her +Junior, and who, at the period <span class="smcap">Cambrensis</span> alludes to, and for a +lone time previous, was "mine host" of the "Loggerheads." Griffiths died +about three years ago, after amassing a large property by mining +speculations in the neighbourhood. There are, I believe, several fine +paintings by Wilson in the new hall of Colomendy, now the residence of +the relict of Col. Garnons. The old house, where Wilson lived, was taken +down about thirty years ago, to make way for the present structure.</p> + +<p class='author'><span class="smcap">T. Hughes.</span></p> + +<p>Chester.</p> + + +<p><i>Grafts and the Parent Tree</i> (Vol. vii., p. 261.).—In reply to J. P. of +this town, I beg to say that the belief, that "the graft perishes when +the parent tree decays," is merely one among a host of superstitions +reverently cherished by florists. The fact is, that grafts, after some +fifteen years, wear themselves out. Of course there cannot be wanting +many examples of the almost synchronous demise of parent and graft. From +such cases, no doubt, the myth in question took its rise.</p> + +<p class='author'><span class="smcap">C. Mansfield Ingleby</span>.</p> + +<p>Birmingham.</p> + + +<p><i>The Lisle Family</i> (Vol. vii., pp. 236. 269.).—<span class="smcap">Mr. Garland's</span> +Query has induced me to inquire, through the same channel, whether +anything is known about a family of this name, some of whom are buried +at Thruxton in Hampshire. There are four monuments in the church, two of +which are certainly, the others probably, erected to members of the +family. The first is a very fine brass (described in the Oxford +<i>Catalogue of Brasses</i>), inscribed to Sir John Lisle, Lord of Boddington +in the Isle of Wight, who died <small>A.D.</small> 1407. The next in +date, and I suppose of much the same period, is an altar-tomb under an +arch, which seems to have led into a small chantry. On this there are no +arms, and no inscription. The tomb is now surmounted by the figure of a +Crusader, which once lay outside the church, and is thought to be one of +the Lisles, and the founder of the original church. On the north side of +the chancel two arches looked into what was once a chantry chapel. In +the eastern arch is an altar-tomb, once adorned with shields, which are +now torn off. This chantry stood within the memory of "the oldest +inhabitant;" but it was pulled down by the owner of the land +appertaining to the chantry, and of its materials was built the church +tower. One of its windows forms the tower window, and its battlements +and pinnacles serve their old purpose in their new position. A modern +vestry occupies part of the site of the chantry, and shows one side the +altar-tomb I have last mentioned. This side has been refaced in Jacobian +style, and the arms of Lisle and Courtenay, and one other coat (the same +which occur on the brass), form part of the decoration. Two figures +belonging to this later work lie now on the altar-tomb, and many more +are remembered to have existed inside the chantry. The mixture of this +late Jacobian work with the old work of the chantry is very curious, and +can be traced all over what remains of it. The initials T. L. appear on +shields under the tower battlements.</p> + +<p>I should be glad to find that these Lisles would throw any light on the +subject of <span class="smcap">Mr. Garland's</span> inquiry; and if they do not, perhaps +some of your readers can give some information about them.</p> + +<p>The coat of arms of this family is—Or, on a chief gules, three lioncels +rampant of the first.</p> + +<p class='author'>R. H. C.</p> + + +<p><i>The Dodo in Ceylon</i> (Vol. vii., p. 188.).—The bird which <span class="smcap">Sir J. +Emerson Tennent</span> identifies with the dodo is common on Ceylonese +sculpture. The natives say it is now extinct, and call it the +<i>Hangsiya</i>, or sacred goose; but whether deemed sacred for the same +reason as the Capitoline goose, or otherwise, I must leave the author of +<i>Eleven Years in Ceylon</i> to explain, he being the person in this country +most conversant with Ceylonese mythology.</p> + +<p>I now wish to call <span class="smcap">Sir Emerson's</span> attention to a coincidence +that may be worthy his notice in connexion with his forthcoming work on +Ceylon.</p> + +<p>If he will take the trouble to examine the model of the Parthenon, in +the Elgin Marble room of the British Museum, he cannot fail, to be +struck with its resemblance to the beautiful building he visited at +Polonaroowa, called the Jaitoowanarama. The dimensions of the respective +buildings I cannot at present ascertain; but the ground-plans are +precisely similar, and each was roofless. But the most striking +resemblance is in the position and altitude of the statues: that of the +gigantic Bhoodho is precisely similar, even in the posture of the right +arm and hand, to that of Minerva, the masterpiece of Phidias. On +consulting his notes, he may find the height of the statues to +correspond. That of Phidias was thirty-nine feet.</p> + +<p class='author'><span class="smcap">Ol. Mem. Ju.</span></p> + +<p>Glen Tulchan.</p> + + +<p><i>Thomas Watson, Bishop of St. David's, 1687-99</i> (Vol. vii., p. +234.).—This harshly-treated prelate died at Great Wilbraham, near +Cambridge, on June 3, 1717, æt. eighty years; and, from a private letter +written at the time, seems to have been buried in haste in the chancel +of that church, "but without any service," which may perhaps imply that +there was not a funeral sermon, and the ordinary ceremony at a prelate's +burial. It is, how<span class='pagenum'><a name="page366" id="page366">{366}</a></span>ever intimated that he died excommunicated. In +Paulson's <i>History of Holderness</i> is a notice of Bishop Watson, and of +his relatives the Medleys, who are connected with my family by marriage; +but the statement that the bishop "died in the Tower" is incorrect (vol. +i. Part II. p. 283.; vol. ii. Part I. p. 47.; Part II. p. 542., 4to., +1840-1).</p> + +<p class='author'>F. R. R.</p> + +<p>Milnrow Parsonage.</p> + +<p>He died in retirement at Wilburgham, or Wilbraham, in the county of +Cambridge, June 3, 1717, ætat. eighty.—See Gough's <i>Camden</i>, vol. ii. +p. 140., and <i>Gentleman's Magazine</i>, vols. lix. and lx.</p> + +<p>Bishop Gobat was born in 1799, at Cremine, in the perish of Grandval, in +Switzerland. His name is not to be found in the list of graduates of +either Oxford or Cambridge. His degree of D. D. was probably bestowed on +him by the Archbishop of Canterbury.</p> + +<p class='author'><span class="smcap">Tyro.</span></p> + +<p>Dublin.</p> + + +<p><i>Etymology of Fuss</i> (Vol. vii., p. 180.).—</p> + +<blockquote><p>"<span class="smcap">Fuss</span>, <i>n. s.</i>, a low, cant word, Dr. Johnson says. It +is, however, a regularly-descended northern word: Sax. +<a href="images/fusx3.png" +title="fus, click to see an image of the original font.">Ƒuſ</a>, prompt, eager; Su. Goth. and Cimbr. <i>f u s</i>, the same; +hence the Sax. <a href="images/fysan1.png" +title="fysan, click to see an image of the original font.">Ƒẏſan</a>, to hasten, and the Su. Goth. <i>f +y s a</i>, the same."—Todd's <i>Johnson</i>.</p></blockquote> + +<p>Richardson gives the same etymology, referring to Somner. Webster says, +"allied, perhaps, to Gr. <span lang='el' title='physaô'>φυσαω</span>, +to blow or puff."</p> + +<p class='author'><span class="smcap">Zeus.</span></p> + +<p>A reference to the word in Todd's <i>Johnson's Dictionary</i> will show, and +I think satisfactorily, that its origin is <i>fus</i> (Anglo-Saxon), prompt +or eager; hence <i>fysan</i>, to hasten. The quotation given is from Swift.</p> + +<p class='author'>C. I. R.</p> + + +<p><i>Palindromical Lines</i> (Vol. vii., p. 178.).—The sotadic inscription,</p> + +<blockquote><p>"<span lang='el' title='NIPSON ANOMÊMA MÊ MONAN OPSIN'> +ΝΙΨΟΝ ΑΝΟΜΗΜΑ +ΜΗ ΜΟΝΑΝ ΟΨΙΝ</span>," +</p></blockquote> + +<p>is stated (<i>Gentleman's Magazine</i>, vol. xl. p. 617.) to be on a font at +Sandbach in Cheshire, and (<i>Gentleman's Magazine</i>, vol. lxiii. p. 441.) +to be on the font at Dulwich in Surrey, and also on the font at Harlow +in Essex.</p> + +<p class='author'><span class="smcap">Zeus.</span></p> + + +<p><i>Nugget</i> (Vol. vi., pp. 171. 281.; Vol. vii., pp. 143. +272.).—<span class="smcap">Furvus</span> is persuaded that the word <i>nugget</i> is of home +growth, and has sprung from a root existing under various forms +throughout the dialects at present in use. The radical appears to be +<i>snag</i>, <i>knag</i>, or <i>nag</i> (<i>Knoge</i>, Cordylus, cf. <i>Knuckle</i>), a +protuberance, knot, lump; being a term chiefly applied to knots in +trees, rough pieces of wood, &c., and in its derivatives strongly +expressive of (so to speak) misshapen <i>lumpiness</i>.</p> + +<p>Every one resident in the midland counties must be acquainted with the +word <i>nog</i>, applied to the wooden ball used in the game of "shinney," +the corresponding term of which, <i>nacket</i>, holds in parts of Scotland, +where also a short, corpulent person is called a <i>nuget</i>.</p> + +<p>So, in Essex, <i>nig</i> signifies a piece; a <i>snag</i> is a well-known word +across the Atlantic; <i>nogs</i> are ninepins in the north of England; a +<i>noggin</i> of bread is equivalent to a <i>hunch</i> in the midland counties; +and in the neighbourhood of the Parret and Exe the word becomes <i>nug</i>, +bearing (besides its usual acceptation) the meaning of <i>knot</i>, <i>lump</i>.</p> + +<p>This supposed derivation is by no means weakened by the fact, that +miners and others have gone to the "diggins" from parts at no great +distance from the last-mentioned district; and we may therefore, +although the radical is pretty generally diffused over the kingdom, +attribute its better known application to <i>them</i>.</p> + +<p>It is no objection that the word, in many of its forms, is used of rough +pieces of <i>wood</i>, as instances show that it merely refers to a <i>rudis +indigestaque moles</i> characteristic of any article in question.</p> + +<p class='author'><span class="smcap">Furvus.</span></p> + +<p>St. James's.</p> + + +<p><i>Hibernis ipsis Hiberniores</i> (Vol. vii., p. 260.).—This, which is no +doubt the proper form, will be found in Southey's <i>Naval History of +England</i>, vol. iv. p. 104., applied to "those of old English race who, +having adopted the manners of the land, had become more Irish than the +Irishry." The expression originally was applied to these persons in some +proclamation or act of parliament, which I think is quoted in the +<i>History of England</i> in Lardner's <i>Cabinet Cyclopædia</i>: but that work +has so bad an index as to make it very difficult to find any passage one +may want. Probably Southey would mention the source whence he had it, in +his collections for his <i>Naval History</i> in his Commonplace Book.</p> + +<p class='author'>E. G. R.</p> + + +<p><i>The Passame Sares (mel. Passamezzo) Galliard</i> (Vol. vi., pp. 311. 446.; +Vol. vii., p. 216.).—Will you allow me to correct a mistake into which +both the correspondents who have kindly answered my questions respecting +this galliard seem to have fallen, perhaps misled by an ambiguity in my +expression?</p> + +<p>My inquiry was not intended to refer to <i>galliards in general</i>, the +tunes of which, I am well aware, must have been very various, but to +this <i>one</i> galliard in particular; and was made with the view of +ascertaining whether the air is ever played <i>at the present day</i> during +the representation of the Second Part of <i>King Henry IV.</i></p> + +<p class='author'><span class="smcap">C. Forbes.</span></p> + +<p>Temple.</p> + + +<p><i>Swedish Words current in England</i> (Vol. ii., p. 231.).—I beg to inform +your correspondent that the following words, which occur in his list, +are pure Anglo-Saxon, bearing almost the same mean<span class='pagenum'><a name="page367" id="page367">{367}</a></span>ing which he has +attributed to them:—<i>wÿrm</i>; <i>by</i>, <i>bya</i>, to inhabit, <i>becc</i>; <i>dioful</i>; +<i>dobl</i>, equivalent to <i>doalig</i>: <i>gœpung</i>, a heap; <i>lacan</i>; <i>loppe</i>; +<i>nebb</i>; <i>smiting</i>, contagion; <i>stæth</i>, a fixed basis.</p> + +<p><i>Eldon</i> is Icelandic, from <i>elldr</i>, fire: hence we have "At slá elld úr +tinnu," to strike fire from flint; which approaches very near to a +tinder-box. <i>Ling</i>, Icel., the heath or heather plant: <i>ljung</i> I take to +be the same word. <i>Gat</i>, Icel. for way or opening; hence <i>strand-gata</i>, +the opening of the strand or creek. <i>Tjarn</i>, <i>tiorn</i>, Icel., well +exemplified in Malham Tarn in Craven.</p> + +<p class='author'>C. I. R.</p> + + +<p><i>Gotch</i> (Vol. vi., p. 400.).—The <i>gotch cup</i>, described by W. R., must +have been known in England before the coming of the present royal +family, as it is given in Bailey's <i>Dictionary</i> (1730) as a south +country word: it is not likely to have become provincial in so short a +time, nor its origin, if German, to have escaped the notice of old +<span lang='el' title='Philologos'>Φιλὁλογος</span>. The A.-S. verb <i>geotan</i> seems to have had the sense +of to cast metals, as <i>giessen</i> has in German. In Bosworth's +<i>Anglo-Saxon Dictionary</i> is <i>leadgota</i>, a plumber. In modern Dutch this +is <i>lootgieter</i>. Thus, from <i>geotan</i> is derived <i>ingot</i> (Germ. +<i>einguss</i>), as well as the following words in Halliwell's <i>Dictionary: +yete</i>, to cast metals (<i>Pr. Parv.</i>), <i>belleyetere</i> and <i>bellyatere</i>, a +bell-founder (<i>Pr. Parv.</i>); <i>geat</i>, the hole through which melted metal +runs into a mould; and <i>yote</i>, to pour in. Grose has <i>yoted</i>, watered, a +west country word.</p> + +<p class='author'>E. G. R.</p> + + +<p><i>Passage in Thomson: "Steaming"</i> (Vol. vii., pp. 87. 248.).—This word, +and not <i>streaming</i>, is clearly the true reading (as is remarked by the +former correspondents), and is so printed in the editions to which I am +able to refer. The object of my Note is to point out a parallel passage +in Milton, and to suggest that <i>steaming</i> would there also be the proper +reading:</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"Ye mists and exhalations, that now rise,</p> +<p>From hill or <i>streaming</i> lake, dusky or gray,</p> +<p>Till the sun paint your fleecy skirts with gold,</p> +<p>In honour to the world's great Author, rise."</p> +<p class="i8"><i>Paradise Lost</i>, Book v.</p> +</div></div> + +<p class='author'><span class="smcap">Cuthbert Bede, B.A.</span></p> + +<p class='note'>[The reading is <i>steaming</i> in the 1st edition of <i>Paradise +Lost</i>, 1667.—<span class="smcap">Ed</span>.]</p> + + +<p><i>The Word "Party"</i> (Vol. vii., pp. 177. 247.).—The use of this word for +a particular person is earlier than Shakspeare's time. It no doubt +occurs in most of our earliest writers; for it is to be found in +Herbert's <i>Life of Henry VIII.</i>, in his translation of the "Centum +Gravamina" presented to Pope Adrian in 1521, the 55th running thus:</p> + +<blockquote><p>"That, if one of the marryed couple take a journey either to the +warres, or to perform a vow, to a farre countrey, they permit +the <i>party</i> remaining at home, if the other stay long away, upon +a summe of money payd, to cohabite with another, not examining +sufficiently whether the absent party were dead."</p></blockquote> + +<p>It may also be found in Exodus xxii. 9., where, though it occurs in the +plural, it refers to two individuals:</p> + +<blockquote><p>"For all manner of trespass, whether it be for ox, for ass, for +sheep, for raiment, or for any manner of lost thing, which +another challengeth to be his, the cause of both <i>parties</i> shall +come before the judges; and whom the judges shall condemn, <i>he</i> +shall pay double unto his neighbour."</p></blockquote> + +<p class='author'><span class="smcap">H. T. Ellacombe</span>.</p> + +<p>Clyst St. George.</p> + + +<p><i>Curious Fact in Natural Philosophy</i> (Vol. vii., p. 206.).—In reply to +<span class="smcap">Elginensis</span> I send you a quotation from Dr. Golding Bird's +<i>Natural Philosophy</i> in explanation of this well-known phenomenon:</p> + +<blockquote><p>"One very remarkable phenomenon connected with the escape of a +current of air under considerable pressure, must not be passed +over silently. M. Clement Desormes (<i>Ann. de Phys. et Chim.</i>, +xxxvi. p. 69.) has observed, that when an opening, about an inch +in diameter, is made in the side of a reservoir of compressed +air, the latter rushes out violently; and if a plate of metal or +wood, seven inches in diameter, be pressed towards the opening, +it will, after the first repulsive action of the current of air +is overcome, be apparently attracted, rapidly oscillating within +a short distance of the opening, out of which the air continues +to emit with considerable force. This curious circumstance is +explained on the supposition, that the current of air, on +escaping through the opening, expands itself into a thin disc, +to escape between the plate of wood or metal, and side of the +reservoir; and on reaching the circumference of the plate, draws +after it a current of atmospheric air from the opposite side.... +The plate thus balanced between these currents remains near the +aperture, and apparently attracted by the current of air to +which it is opposed."</p></blockquote> + +<p>Dr. G. B. then describes the experiment quoted by <span class="smcap">Elginensis</span> as +"a similar phenomenon, and apparently explicable on similar principles." +(Bird's <i>Nat. Phil.</i>, p. 118.)</p> + +<p class='author'><span class="smcap">Cokely.</span></p> + + +<p><i>Lowbell</i> (Vol. vii., p. 272.).—I may add to the explanation of this +word given by M. H., that <i>low</i>, derived from the Saxon <i>lœg</i>, is +still commonly used in Scotland for a flame; hence the derivation of +<i>lowbell</i>, for a mode of birdcatching by night, by which the birds, +being awakened by the bell, are lured by the light into nets held by the +fowlers. In the ballad of <i>St. George for England</i>, we have the +following lines:</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"As timorous larks amazed are</p> +<p>With light and with a <i>lowbell</i>."</p> +</div></div> + +<p>The term <i>lowbelling</i> may therefore, from the noise, be fitly applied to +the rustic <i>charivari</i> described by H. T. W. (Vol. vii., p. 181.) as +practised in Northamptonshire.</p> + +<p class='author'>J. S. C.</p> +<p><span class='pagenum'><a name="page368" id="page368">{368}</a></span> + +<i>Life and Correspondence of S. T. Coleridge</i> (Vol. vii., p. +282.).—There can be but one opinion and feeling as to the want which +exists for a really good biography of this intellectual giant; but there +will be many dissentients as to the proposed biographer, whose life of +Hartley Coleridge cannot be regarded as a happy example of this class of +composition. A life from the pen of Judge Coleridge, the friend of +Arnold and Whateley, is, we think, far more to be desired.</p> + +<p class='author'>Θ.</p> + + +<p><i>Coniger, &c.</i> (Vol. vii., pp. 182. 241.).—At one extremity, the +picturesque range of hills which forms the noble background of Dunster +Castle, co. Somerset, is terminated by a striking conical eminence, +well-wooded, and surmounted by an embattled tower, erected as an object +from the castle windows. This eminence bears the name of <i>The Coniger</i>, +and is now a pheasant preserve. Mr. Hamper, in an excellent notice of +Dunster and its antiquities, in the <i>Gentleman's Magazine</i>, October, +1808, p. 873., says:</p> + +<blockquote><p>"The <i>Conygre</i>, or rabbit-ground, was a common appendage to +manor-houses."</p></blockquote> + +<p>Savage, however, in his <i>History of the Hundred of Carhampton</i>, p. 440., +is of opinion that</p> + +<blockquote><p>"<i>Coneygar</i> seems to be derived from the Anglo-Saxon <i>Cyning</i>, +King; and the Mœso-Gothic <i>Garas</i>, the same as the Latin +<i>Domus</i>, a house, that is, the king's house or residence. Mr. +Hamper has some notion that <i>Conygre</i> means a rabbit-ground, +&c., but Mr. H. does not go high enough for his etymology; +besides, how does it appear that a rabbit-ground was at any time +an appendage to manor-houses? There is no authority for the +assertion."</p></blockquote> + +<p>I give you this criticism on Mr. Hamper <i>valeat quantum</i>, but am +disposed to think he is right. At all events there are no vestiges of +any building on the Coniger except the tower aforesaid, which was +erected by the present Mr. Luttrell's grandfather.</p> + +<p class='author'><span class="smcap">Balliolensis.</span></p> + +<p>In the Irish language, <i>Cuinicear</i>, pronounced "Keenèkar," is a +rabbit-warren. <i>Cuinin</i> is the diminutive of <i>cu</i>, a dog of any sort; +and from the Celtic <i>cu</i>, the Greeks took their word +<span lang='el' title='kyôn'>κυων</span>, a +dog. I am of opinion that the origin of rabbit is in the Celtic word +<i>rap</i>, i. e. a creature that digs and burrows in the ground.</p> + +<p class='author'><span class="smcap">Fras. Crossley.</span></p> + + +<p><i>Cupid crying</i> (Vol. i., p. 172.).—I had no means (for reasons I need +not now specify) of referring to my 1st Vol. of "N. & Q." until +yesterday, for the pretty epigram given in an English dress by +<span class="smcap">Rufus</span> and as the writer in the <i>Athenæum</i>, whose communication +you quote on the same subject (Vol. i., p. 308.), observes "that the +translator has taken some liberties with his text," I make no apology +for sending you a much closer rendering, which hits off with great +happiness the point and quaintness of the original, by a septuagenarian, +whose lucubrations have already been immortalised in "N. & Q."</p> + +<div class="poem"><div class="stanza" lang='la'> +<p class="i6">"<span class="smcap">De Cupidine.</span><br /></p> +</div><div class="stanza"> +<p class="i0">Cur natum cædit Venus? arcum perdidit, arcum</p> +<p class="i1">Nunc quis habet? Tusco Flavia nata solo:</p> +<p class="i0">Qui factum? petit hæc, dedit hic, nam lumine formæ</p> +<p class="i1">Deceptus, matri se dari crediderat."</p> +</div><div class="stanza"> +<p class="i6">"<span class="smcap">Cupid Crying.</span></p> +</div><div class="stanza"> +<p class="i0">Wherefore does Venus beat her boy?</p> +<p class="i1">He has mislaid or lost his bow:—</p> +<p class="i0">And who retains the missing toy?</p> +<p class="i1">Th' Etrurian Flavia. How so?</p> +<p class="i0">She ask'd: he gave it; for the child,</p> +<p class="i1">Not e'en suspecting any other,</p> +<p class="i0">By beauty's dazzling light beguil'd,</p> +<p class="i1">Thought he had given it to his mother."</p> +</div></div> + +<p class='author'>F. T. J. B.</p> + + +<p><i>Westminster Assembly of Divines</i> (Vol. vii., p. 260.).—Dr. Lightfoot's +interesting and valuable "Journal of the Assembly of Divines," from +January 1, 1643, to December 31, 1644, will be found in the last volume +of the edition of his <i>Works</i>, edited by Pitman, and published at +London, 1825, in 13 vols. 8vo. I believe a few copies of the 13th volume +were printed to be sold separately.</p> + +<p>The MS. Journal in three thick folio volumes, preserved in Dr. +Williams's library, Redcross Street, London, is attributed to Dr. Thomas +Goodwin.</p> + +<p>A MS. Journal, by Geo. Gillespie, from Feb. 2, 1644, to Oct. 25, 1644, +in 2 vols., is in the Advocates' Library, Edinburgh.</p> + +<p>The Rev. W. M. Hetherington published a tolerably impartial <i>History of +the Westminster Assembly</i>, Edinburgh, 1843, 12mo.</p> + +<p>The most important work, as throwing light upon the proceedings of the +Assembly, is the <i>Letters and Journals of Robert Baillie</i>. The only +complete edition of these interesting documents is that edited by David +Laing, Esq., and published in 3 vols. royal 8vo., 1841-2.</p> + +<p class='author'><span class="smcap">John I. Dredge.</span></p> + +<p><span class="smcap">Mr. Stansbury</span> will find the "Journal of the Assembly of +Divines," by Lightfoot, in the new edition of his <i>Works</i>, vol. xiii. +pp. 5. <i>et seq.</i> Some further light is thrown upon the subject by a +parliamentary paper, printed "for the service of both Houses and the +Assembly of Divines." A copy of it is preserved in our University +library (Ff. xiv. 25.). I have referred to both these documents in <i>A +History of the Articles, &c.</i>, pp. 208-9.</p> + +<p class='author'><span class="smcap">C. Hardwick.</span></p> + +<p>St. Catharine's Hall, Cambridge.</p> + +<p>The Journal kept by Lightfoot will be found in the 13th volume of his +<i>Works</i>, as edited by the Rev. J. R. Pitman: London, 1825, 8vo. It +should be studied by all those who desire to see a revived Convocation.</p> + +<p class='author'><span class="smcap">S. R. M.</span></p> + +<p><span class='pagenum'><a name="page369" id="page369">{369}</a></span> +<i>Epigrams</i> (Vol. vii., pp. 175. 270.).—"Suum cuique" being a principle +which holds good with regard to literary property as well as to property +of every other description, I can inform your correspondent +<span class="smcap">Balliolensis</span> that the epigram on Dr. Toe, which he says was +"represented to have proceeded from the pen of Thomas Dunbar, of +Brasenose," was in reality the production of my respected neighbour, the +Rev. William Bradford, M.A., rector of Storrington, Sussex. It was +written by that gentleman when he was an undergraduate of St. John's +College, Oxford. <span class="smcap">Balliolensis</span> may rely upon the accuracy of +this information, as I had it from Mr. Bradford's own lips only +yesterday. The correct version of the epigram is that given by +<span class="smcap">Scrapiana</span>, p. 270.</p> + +<p class='author'><span class="smcap">R. Blakiston.</span></p> + +<p>Ashington, Sussex.</p> + + +<p>"<i>God and the world</i>" (Vol. vii., pp. 134. 297.).—These lines are +found, as quoted by W. H., in Coleridge's <i>Aids to Reflection</i>, p. 87., +ed. 1831. Coleridge gives them as the words of a sage poet of the +preceding generation (meaning, I suppose, the generation preceding that +of Archbishop Leighton, a passage from whose works he has introduced as +an aphorism just before). I have often wondered who this poet was, and +whether the last line were really a quotation from <i>Macbeth</i>, or whether +Shakspeare and the unknown poet had both but borrowed a popular saying. +I also had my suspicions that Coleridge himself might have patched the +verses a little; and the communication of your correspondent +<span class="smcap">Rt.</span>, tracing the lines in their original form to the works of +Fulke Greville Lord Brooke, now verifies his conjecture. It may be worth +while to point out another instance of this kind of manufacture by the +same skilful hand. In the first volume of <i>The Friend</i> (p. 215., ed. +1818), Coleridge places at the head of an essay a quotation of two +stanzas from Daniel's <i>Musophilus</i>. The second, which precedes in the +original that which Coleridge places first, is thus given by him:</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"<i>Since writings</i> are the veins, the arteries,</p> +<p>And undecaying life-strings of those hearts,</p> +<p>That still shall pant and still shall exercise</p> +<p><i>Their mightiest powers when Nature none imparts;</i></p> +<p><i>And the strong constitution of their praise</i></p> +<p><i>Wear out the infection of distemper'd days.</i>"</p> +</div></div> + +<p>Daniel wrote as follows (vol. ii. p. 373., ed. 1718):</p> + +<div class="poem"><div class="stanza"> +<p class="i0">"<i>For these lines</i> are the veins, the arteries</p> +<p>And undecaying life-strings of those hearts,</p> +<p>That still shall pant and still shall exercise</p> +<p><i>The motion spirit and nature both imparts,</i></p> +<p><i>And still with those alive so sympathize,</i></p> +<p><i>As nourish'd with their powers, enjoy their parts.</i>"</p> +</div></div> + +<p class='author'>C. W. G.</p> + + +<p><i>Skating Problem</i> (Vol. vii., p. 284.).—The Query of your correspondent +recalls the one said to have been put by King James to the members of +the Royal Society: "How is it," said the British Solomon, "that if two +buckets of water be equipoised in a balance, and a couple of live bream +be put into one of them, the bucket containing the fish does not +overweigh the other?" After some learned reasons had been adduced by +certain of the philosophers, one of them said, "Please your Majesty, +that bucket would be heavier by the exact weight of the fish." "Thou art +right," said the sapient king; "I did not think there had been so much +sense among you." Now, although I do not mean to say that <span class="smcap">A +Skater</span> propounds for elucidation what he knows to be a fallacy, yet +I do assert that he is mistaken as to the fact alleged. He recommends +any one who is "incredulous" to make the trial—in which case, the +experimenter would undoubtedly find himself in the water! I advise an +appeal to common sense and philosophy: the former will show that a +person in skates is not lighter than another; the latter, that ice will +not fracture less readily beneath the weight of an individual raised on +a pair of steel edges, than one on a pair of flat soles—<i>all other +circumstances being the same</i>; the reverse, indeed, would be the fact. +The true explanation of the "problem" is to be found in the +circumstance, that "a skater," rendered confident by the ease with which +he <i>glides</i> over ice on which <i>he</i> could <i>not stand</i>, will often also +"stand" securely on ice which would break under the restless feet of a +person in his shoes only. This has always appeared to be the obvious +reason for the apparent anomaly to one who is</p> + +<p class='author'><span class="smcap">No Skater.</span></p> + + +<p><i>Parochial Libraries</i> (Vol. vi., p. 432.).—Let me add to the list of +parochial libraries that at Wendlebury, Oxon, the gift of Robert +Welborn, rector, cir. 1760. It consists of about fifty volumes in folio, +chiefly works of the Fathers, and, if I remember rightly, Benedictine +editions. It was originally placed in the north transept of the church, +but afterwards removed to the rectory. I believe that the books were +intended for the use of the rector, but were to be lent to the +neighbouring clergy on a bond being given for their restoration. After +many years of sad neglect, this library was put into thorough order a +few years ago by the liberality of the Rev. Jacob Ley, student of Ch. +Ch.</p> + +<p class='author'><span class="smcap">Cheverells.</span></p> + +<hr class='full' /> + + +<h2>Miscellaneous.</h2> + +<h3>NOTES ON BOOKS, ETC.</h3> + + +<p><span class="smcap">Books Received</span>.—<i>Reynard the Fox, after the German Version of +Goethe, with Illustrations, by J. Wolf.</i> Part IV. carries us on to <i>The +Trial</i>, which is very ably rendered.—<i>Dictionary of Greek and Roman +Geography, by various Writers</i>, edited by W. Smith. This Sixth Part, +extending from <i>Cinabi</i> to <i>Cyrrhestica</i>, con<span class='pagenum'><a name="page370" id="page370">{370}</a></span>tains numerous interesting +articles, such as <i>Constantinople</i>, which gives us an outline of +Byzantine History, and <i>Corinth</i>, <i>Crete</i>, <i>Cyrene, &c.</i>—Mr. Darling's +<i>Cyclopædia Bibliographica</i> has now reached its Seventh Part, and which +extends from Dr. Abernethy Drummond to Dr. John Fawcett.—<i>The Journal +of Sacred Literature</i>, No. VII., containing articles on <i>The Scythian +Dominion in Asia</i>; <i>Modern Contributions to the Study of Prophecy</i>; +<i>Heaven, Hell, Hades</i>; <i>Nature of Sin and its earliest Development</i>; +<i>Life and Epistles of St. Paul</i>; <i>Slavery and the Old Testament</i>; +<i>Biblical Criticism</i>; <i>Memphitic New Testament</i>; and its usual variety +of Correspondence, Minor Notices, &c.—<i>Gentleman's Magazine for April</i>, +which commences with an article on Mr. Collier's <i>Notes and Emendations +to the Text of Shakspeare's Plays</i>.—Mr. Akerman, although the number of +subscribers is not sufficient to cover the expenses, continues his +<i>Remains of Pagan Saxondum</i>. The Fourth Part just issued contains +coloured plates, the full size of the respective objects, of a <i>Fibula +from a Cemetery</i> at Fairford, Gloucester; and of <i>Fibulæ, Tweezers, &c.</i> +from Great Driffield, Yorkshire.</p> + +<hr /> + + +<h3>BOOKS AND ODD VOLUMES</h3> + +<h4>WANTED TO PURCHASE.</h4> + +<p><span class="smcap">The Truth Teller.</span> A Periodical.</p> + +<p><span class="smcap">Sarah Coleridge's Phantasmion.</span></p> + +<p><span class="smcap">J. L. Petit's Church Architecture.</span> 2 Vols.</p> + +<p><span class="smcap">R. Mant's Church Architecture Considered in Relation to the Mind of +the Church.</span> 8vo. Belfast, 1840.</p> + +<p><span class="smcap">Cambridge Camden Society's Transactions.</span> Vol. +III.—<span class="smcap">Ellicott on Vaulting</span>.</p> + +<p><span class="smcap">Quarterly Review</span>, 1845.</p> + +<p><span class="smcap">Gardeners' Chronicle</span>, 1838 to 1852, all but Oct. to Dec. 1851.</p> + +<p><span class="smcap">Collier's further Vindication of his short View of the Stage.</span> +1708.</p> + +<p><span class="smcap">Congreve's Amendment of Collier's false and imperfect +Citations.</span> 1698.</p> + +<p><span class="smcap">Filmer's Defence of Plays, or the Stage vindicated.</span> 1707.</p> + +<p><span class="smcap">The Stage condemned.</span> 1698.</p> + +<p><span class="smcap">Bedford's Serious Reflections on the Abuses of the Stage.</span> 8vo. +1705.</p> + +<p><span class="smcap">Dissertation on Isaiah, Chapter XVIII., in a Letter to Edward +King</span>, &c., <span class="smcap">by Samuel Horsley</span>, Lord Bishop of Rochester. +1799. First Edition, in 4to.</p> + +<p><span class="smcap">Bishop Fell's</span> Edition of <span class="smcap">Cyprian</span>, containing +<span class="smcap">Bishop Pearson's Annales Cypriania</span>.</p> + +<p><span class="smcap">Athenæum Journal</span>, 1847 to 1851 inclusive.</p> + +<p><span class="smcap">A Description of the Royal Gardens at Richmond in Surry</span>. In a +Letter to a Society of Gentlemen. Pp. 32. 8vo. With a Plan and Eight +Plates. No date, circa annum 1770?</p> + +<p><span class="smcap">Memoirs of the Rose</span>, by <span class="smcap">Mr. John Holland</span>. 1 Vol. 12mo. +London, 1824.</p> + +<p><span class="smcap">Psyche and Other Poems</span>, by <span class="smcap">Mrs. Mary Tighe</span>. Portrait. +8vo. 1811.</p> + +<p>⁂ <i>Correspondents sending Lists of Books Wanted are requested to send +their names.</i></p> + +<p>⁂ Letters, stating particulars and lowest price, <i>carriage free</i>, to +be sent to <span class="smcap">Mr. Bell</span>, Publisher of "NOTES AND QUERIES," 186. +Fleet Street.</p> + +<hr /> + + +<h3>Notices to Correspondents.</h3> + +<p>W. S. G. <i>is thanked. We have not inserted the two Folk Lore articles he +has sent, inasmuch as they are already recorded in Brand.</i></p> + +<p>W. S. D. <i>The saying</i> "God tempers the wind to the shorn lamb," <i>made so +popular by its application to Sterne's "Maria," is from a French +proverb</i> "A brebis tondue Dieu mesure le vent," <i>which, in a somewhat +older form, is to be found in Gruter's</i> Florilegium: <i>Francfort, 1611</i>, +p. 353., <i>and in St. Estienne's</i> Premices, <i>published in 1594.—See our</i> +1st Vol., pp. 211. 236. 325. 357. 418.</p> + +<p>C. M. I. <i>We propose to insert some articles on Shakspeare in our next +or following Number.</i></p> + +<p>M. A. <i>and</i> J. L. S. <i>are referred to our</i> No. 172., p. 157.</p> + + +<p><span class="smcap">Photography</span>. <i>Dr. Diamond's</i> Photographic Notes <i>are preparing +for immediate publication in a separate form. We may take this +opportunity of explaining that</i> <span class="smcap">Dr. D.</span> <i>is</i> only an amateur, +<i>and has nothing to do with Photography as a profession. We are the more +anxious to make this known, since, in consequence of holding an +important public office, Dr. Diamond has but little leisure for pursuing +his researches.</i></p> + +<p>J. B. S. <i>will find what he requires at</i> p. 277. <i>of our last volume.</i></p> + +<p>C. B. (Birmingham). <i>If the hyposulphite of soda is not thoroughly +removed from a Photograph, it will soon become covered with reddish +spots, and in a short time the whole picture may disappear. If cyanide +of potassium has been used, it is requisite that the greatest care +should be used to effect its removal entirely.</i></p> + +<p>W. L. (Liverpool). <i>A meniscus lens of the diameter of four inches +should have a focal length of twenty inches, and will produce perfect +landscape pictures fourteen inches square. It is said they will cover +fifteen inches; but fourteen they do with great definition. We strongly +advise</i> W. L. <i>to purchase a good article. It is a bad economy not to go +to a</i> first-rate <i>maker at once.</i></p> + +<p>J. M. S. (Manchester). <i>You will find, for a screen to use in the open +air, that the white cotton you refer to will be far too light. "Linsey +woolsey" forms an admirable screen, and by being left loose upon a +stretcher it may be looped up so as to form drapery, &c. If you cannot +depend upon the collodion you purchase in your city, pray use your +ingenuity, and make some according to the formulary given in</i> Vol. vi., +p. 277., <i>and you will be rewarded for your trouble.</i></p> + + +<p>C. E. F. <i>The various applications to your bath which you have used have +destroyed it in all probability past use. All solutions containing +silver will precipitate it in the form of a white powder, upon the +addition of common salt; and from this chloride the pure metal is again +readily obtained. The collodion of some makers always acts in the manner +you describe; and we have known it remedied by the addition of about one +drachm of spirits of wine to the ounce of collodion. Spirits of wine +also added to the nitrate bath—two drachms of spirits of wine to six +ounces of the aqueous solution—is sometimes very beneficial. When +collodion is inert, and the colour remains a pale milk and water blue +after the immersion, a few drops of saturated solution of iodide of +silver may be added, as it indicates a deficiency of the iodide. Should +the collodion then be turbid, a small lump of iodide of potassium may be +dropped into the bottle, which by agitation will soon effect a +clearance; when this is done, the fluid may be poured off from the +excess of iodide which remains undissolved.</i></p> + +<p><span class="smcap">Alex. Rae</span> (Banff). <i>You shall have a private reply at our +earliest leisure. The questions you ask would almost comprise a Treatise +on Photography.</i></p> + +<p>H. N. (March 30th). <i>1st. You will find the opacity you complain of +completely removed by the use of the amber varnish, as recommended by</i> +<span class="smcap">Dr. Diamond</span>, <i>unless it proceeds from light having acted +generally upon your sensitive collodion in the bath, or during the time +of its exposure in the camera; in which case there is no cure for +it.—2ndly. A greater intensity in negatives will be produced without +the nitric acid, but with an addition of more acetic acid the picture is +more brown and never so agreeable as a positive. 3rd. The protonitrate +of iron used pure produces a picture as delicate, and having all the +brilliancy of a Daguerreotype, without its unpleasant metallic +reflexion—the fine metal being deposited of a dead white; and combined +with the pyrogallic acid solution in the proportion of one part to six +or ten, produces pictures of a most agreeable ivory-like colour.—4th. +The protonitrate of iron, when mixed with the pyrogallic acid solution, +becomes of a fine violet blue; but after some minutes it darkens. It +should only be mixed immediately before using. The colour of the +protonitrate of iron will vary, even using the same chemicals. The cheap +nitrate of barytes of commerce answers exceedingly well in most cases; +but a finer silver surface is obtained by the use of the purified.—5th. +We have generally succeeded in obtaining portraits in an ordinary room, +the sitter being placed opposite and near the window: of course, a +glass-house is much better, the roof of which should be of violet glass, +ground on the inner side. This glass can be bought, made especially for +the purpose, at</i> 11d. <i>the square foot. It obstructs no chemical rays of +light, and is most pleasant to the eyes, causing no fatigue from the +great body of light admitted.</i></p> + +<p><i>A few compete sets of</i> "<span class="smcap">Notes and Queries</span>," Vols. i. <i>to</i> vi., +<i>price Three Guineas, may now be had; for which early application is +desirable.</i></p> + +<p>"<span class="smcap">Notes and Queries</span>" <i>is published at noon on Friday, so that +the Country Booksellers may receive Copies in that night's parcels, and +deliver them to their Subscribers on the Saturday.</i></p> + +<hr class='adverts' /> + +<p><span class='pagenum'><a name="page371" id="page371">{371}</a></span></p> + +<p>A LITERARY CURIOSITY.—A Fac-simile of a very Remarkably Curious, +Interesting, and Droll Newspaper of Charles II.'s Reign. Sent Free by +Post on receipt of Three Postage Stamps.</p> + +<p class='center'>J. H. FENNELL. 1. WARWICK COURT, HOLBORN, LONDON.</p> + +<hr /> + +<p>Just published, price 1<i>s.</i>, free by Post 1<i>s.</i> 4<i>d.</i>,</p> + +<p>THE WAXED-PAPER PHOTOGRAPHIC PROCESS of GUSTAVE LE GRAY'S NEW EDITION. +Translated from the French.</p> + +<p>Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated +Lenses for Portraits and Views.</p> + +<p>General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and +other Talbotype Papers.</p> + +<p>Pure Photographic Chemicals.</p> + +<p>Instructions and Specimens in every Branch of the Art.</p> + +<p class='center'>GEORGE KNIGHT & SONS, Foster Lane, London.</p> + +<hr /> + +<p>PHOTOGRAPHIC PICTURES.—A Selection of the above beautiful Productions +may be seen at BLAND & LONG'S, 153. Fleet Street, where may also be +procured Apparatus of every Description, and pure Chemicals for the +practice of Photography in all its Branches.</p> + +<p>Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.</p> + +<p>BLAND & LONG, Opticians, Philosophical and Photographical Instrument +Makers, and Operative Chemists, 153. Fleet Street.</p> + +<hr /> + +<p>PHOTOGRAPHY.—Collodion (Iodized with the Ammonio-Iodide of Silver).—J. +B. HOCKIN & CO., Chemists, 289. Strand, were the first in England who +published the application of this agent (see <i>Athenæum</i>, Aug. 14th). +Their Collodion (price 9<i>d.</i> per oz.) retains its extraordinary +sensitiveness, tenacity, and colour unimpaired for months: it may be +exported to any climate, and the Iodizing Compound mixed as required. J. +B. HOCKIN & CO. manufacture PURE CHEMICALS and all APPARATUS with the +latest Improvements adapted for all the Photographic and Daguerreotype +processes. Cameras for Developing in the open Country. GLASS BATHS +adapted to any Camera. Lenses from the best Makers. Waxed and Iodized +Papers, &c.</p> + +<hr /> + +<p>TO PHOTOGRAPHERS.—MR. PHILIP DELAMOTTE begs to announce that he has now +made arrangements for printing Calotypes in large or small quantities, +either from Paper or Glass Negatives. Gentlemen who are desirous of +having good impressions of their works, may see specimens of Mr. +Delamotte's Printing at his own residence, 38. Chepstow Place. +Bayswater, or at MR. GEORGE BELL'S, 186. Fleet Street.</p> + +<hr /> + +<p>BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION. No. 1. Class +X., in Gold and Silver Cases, in five qualities, and adapted to all +Climates, may now be had at the MANUFACTORY, 55. CHEAPSIDE. Superior +Gold London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver +Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12, +10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior +Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's +Pocket Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch +skilfully examined, timed, and its performance guaranteed. Barometers, +2<i>l.</i>, 3<i>l.</i>, and 4<i>l.</i> Thermometers from 1<i>s.</i> each.</p> + +<p>BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, +the Board of Ordnance, the Admiralty, and the Queen,</p> + +<p class='center'>65. CHEAPSIDE.</p> + +<hr /> + +<p>TO PHOTOGRAPHERS.—Pure Chemicals, and every requisite for the practice +of Photography, according to the instructions of Le Gray, Hunt, +Brébisson, and other writers, may be obtained, wholesale and retail, of +WILLIAM BOLTON (formerly Dymond & Co.), Manufacturer of pure Chemicals +for Photographic and other purposes. Lists may be had on application.</p> + +<p>Improved Apparatus for iodizing paper in vacuo, according to Mr. +Stewart's instructions.</p> + +<p class='center'>146. HOLBORN BARS.</p> + +<hr /> + +<p>PHOTOGRAPHIC PAPER.—Negative and Positive Papers of Whatman's, +Turner's, Sanford's, and Canson Frères' make. Waxed-Paper for Le Gray's +Process. Iodized and Sensitive Paper for every kind of Photography.</p> + +<p>Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13. +Paternoster Row, London.</p> + +<hr /> + +<p>PHOTOGRAPHY.—HORNE & CO.'S Iodized Collodion, for obtaining +Instantaneous Views, and Portraits in from three to thirty seconds, +according to light.</p> + +<p>Portraits obtained by the above, for delicacy of detail rival the +choicest Daguerreotypes, specimens of which may be seen at their +Establishment.</p> + +<p>Also every description of Apparatus, Chemicals, &c. &c. used in this +beautiful Art.—123. and 121. Newgate Street.</p> + +<hr /> + +<p class='center'>WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY,</p> + +<p class='center'>3. PARLIAMENT STREET, LONDON.</p> + +<p class='center'>Founded A.D. 1842.</p> + +<hr class='short' /> + +<p class='center'><i>Directors</i>.<br /><br /> + +H. E. Bicknell, Esq.<br /> +W. Cabell, Esq.<br /> +T. S. Cocks, Jun. Esq. M.P.<br /> +G. H. Drew, Esq.<br /> +W. Evans, Esq.<br /> +W. Freeman, Esq.<br /> +F. Fuller, Esq.<br /> +J. H. Goodhart, Esq.<br /> +T. Grissell, Esq.<br /> +J. Hunt, Esq.<br /> +J. A. Lethbridge, Esq.<br /> +E. Lucas, Esq.<br /> +J. Lys Seager, Esq.<br /> +J. B. White, Esq.<br /> +J. Carter Wood, Esq.<br /> +</p> + +<p class='center'><i>Trustees.</i><br /><br /> + +W. Whateley, Esq. Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew, Esq.<br /><br /> + +<i>Physician.</i>—William Rich. Basham, M.D.<br /><br /> + +<i>Bankers.</i>—Messrs. Cocks, Biddulph, and Co., Charing Cross.</p> + +<h4>VALUABLE PRIVILEGE.</h4> + +<p>POLICIES effected in this Office do not become void through temporary +difficulty in paying a Premium, as permission is given upon application +to suspend the payment at interest, according to the conditions detailed +in the Prospectus.</p> + +<p>Specimens of Rates of Premium for Assuring 100<i>l.</i>, with a Share in +three-fourths of the Profits:—</p> + +<div class='center'> +<table border='0' cellpadding="4" cellspacing="0" +summary="Premium rates based on age"> + +<tr> + <td class='tdc'>Age</td> + <td class='tdc'><i>£</i></td> + <td class='tdc'><i>s.</i></td> + <td class='tdc'><i>d.</i></td> +</tr> + +<tr> + <td class='tdc'>17</td> + <td class='tdr'>1</td> + <td class='tdr'>14</td> + <td class='tdr'>4</td> +</tr> + +<tr> + <td class='tdc'>22</td> + <td class='tdr'>1</td> + <td class='tdr'>18</td> + <td class='tdr'>8</td> +</tr> + +<tr> + <td class='tdc'>27</td> + <td class='tdr'>2</td> + <td class='tdr'>4</td> + <td class='tdr'>5</td> +</tr> + +<tr> + <td class='tdc'>32</td> + <td class='tdr'>2</td> + <td class='tdr'>10</td> + <td class='tdr'>8</td> +</tr> + +<tr> + <td class='tdc'>37</td> + <td class='tdr'>2</td> + <td class='tdr'>18</td> + <td class='tdr'>6</td> +</tr> + +<tr> + <td class='tdc'>42</td> + <td class='tdr'>3</td> + <td class='tdr'>8</td> + <td class='tdr'>2</td> +</tr> +</table> +</div> + + +<p>ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.</p> + +<p>Now ready, price 10<i>s.</i> 6<i>d.</i>, Second Edition, with material additions, +INDUSTRIAL INVESTMENT and EMIGRATION; being a TREATISE on BENEFIT +BUILDING SOCIETIES, and on the General Principles of Land Investment, +exemplified in the Cases of Freehold Land Societies, Building Companies, +&c. With a Mathematical Appendix on Compound Interest and Life +Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life +Assurance Society, 3. Parliament Street, London.</p> + +<hr /> + +<p class='center'>ESTABLISHED 1841.</p> + +<h3>MEDICAL, INVALID,</h3> + +<p class='center'>AND</p> + +<h3>GENERAL LIFE OFFICE,</h3> + +<p class='center'>25. PALL MALL.</p> + +<hr class='short' /> + +<p>During the last Ten Years, this Society has issued more than <i>Four +Thousand One Hundred and Fifty Policies</i>—</p> + +<p>Covering Assurances to the extent of <i>One Million Six Hundred and +Eighty-seven Thousand Pounds, and upwards</i>—</p> + +<p>Yielding Annual Premiums amounting to <i>Seventy-three Thousand Pounds</i>.</p> + +<p>This Society is the only one possessing Tables for the Assurance of +Diseased Lives.</p> + +<p>Healthy Lives Assured at Home and Abroad at lower rates than at most +other Offices.</p> + +<p>A Bonus of 50 per cent. on the premiums paid was added to the policies +at last Division of Profits.</p> + +<p>Next Division in 1853—in which all Policies effected before 30th June, +1853, will participate.</p> + +<hr class='short' /> + +<p>Agents wanted for vacant places.</p> + +<p>Prospectuses, Forms of Proposal, and every other information, may be +obtained of the Secretary at the Chief Office, or on application to any +of the Society's Agents in the country.</p> + +<p> +<span style="margin-left: 2em;">F. G. P. NEISON, Actuary.</span><br /> +<span style="margin-left: 2em;">C. DOUGLAS SINGER, Secretary.</span><br /> +</p> + +<hr /> + +<p>UNITED KINGDOM LIFE ASSURANCE COMPANY; established by Act of Parliament +in 1834.—8. Waterloo Place, Pall Mall, London.</p> + +<p class='center'>HONORARY PRESIDENTS.</p> + +<p class='center'> +Earl of Courtown<br /> +Earl Leven and Melville<br /> +Earl of Norbury<br /> +Earl of Stair<br /> +Viscount Falkland<br /> +Lord Elphinstone<br /> +Lord Belhaven and Stenton<br /> +Wm. Campbell, Esq., of Tillichewan<br /> +</p> + +<p class='center'>LONDON BOARD.</p> + +<p class='center'> +<i>Chairman.</i>—Charles Graham, Esq.<br /> +<i>Deputy-Chairman.</i>—Charles Downes, Esq.<br /> +<br /> +H. Blair Avarne, Esq.<br /> +E. Lennox Boyd, Esq., F.S.A., <i>Resident</i>.<br /> +C. Berwick Curtis, Esq.<br /> +William Fairlie, Esq.<br /> +D. Q. Henriques, Esq.<br /> +J. G. Henriques, Esq.<br /> +F. C. Maitland, Esq.<br /> +William Railton, Esq.<br /> +F. H. Thomson, Esq.<br /> +Thomas Thorby, Esq.<br /> +</p> + +<p class='center'>MEDICAL OFFICERS.</p> + +<p class='center'><i>Physician.</i>—Arthur H. Hassall, Esq., M.D., 8. Bennett Street, St. +James's.</p> + +<p class='center'><i>Surgeon.</i>—F. H. Thomson, Esq., 48. Berners Street.</p> + +<p>The Bonus added to Policies from March, 1834, to December 31. 1847, is +as follows:—</p> + +<div class='center'> +<table class='insurance' border='1' cellspacing='0' summary='Insurance payment/payout data'> + <col width='15%' /> +<col width='15%' /> +<col width='15%' /> +<col width='15%' /> +<col width='15%' /> + +<tr> <th rowspan='2' class='center'>Sum Assured.</th> + <th rowspan='2' class='center'>Time Assured.</th> + <th colspan='2' class='center'>Sum added to Policy.</th> + <th rowspan='2' class='center'>Sum payable at Death.</th> +</tr> +<tr> + <td>In 1841.</td> + <td>In 1848.</td> +</tr> +<tr> + <td>£</td> + <td> </td> + <td>£ <i>s.</i> <i>d.</i></td> + <td>£ <i>s.</i> <i>d.</i></td> + <td>£ <i>s.</i> <i>d.</i></td> +</tr> +<tr> + <td>5000</td> + <td>14 years</td> + <td>683 6 8 </td> + <td>787 10 0 </td> + <td>6470 16 8 </td> +</tr> +<tr> + <td>*1000</td> + <td>7 years</td> + <td> </td> + <td>157 10 0 </td> + <td>1157 10 0 </td> +</tr> +<tr> + <td>500</td> + <td>1 year</td> + <td> </td> + <td> 11 5 0 </td> + <td> 511 5 0 </td> +</tr> +</table></div> + +<p>*<span class="smcap">Example.</span>—At the commencement of the year 1841, a person aged +thirty took out a Policy for 1000<i>l.</i>, the annual payment for which is +24<i>l.</i> 1<i>s.</i> 8<i>d.</i>; in 1847 he had paid in premiums 168<i>l.</i> 11<i>s.</i> +3<i>d.</i>; but the profits being 2-1/4 per cent. per annum on the sum +insured (which is 22<i>l.</i> 10<i>s.</i> per annum for each 1000<i>l.</i>) he had +157<i>l.</i> 10<i>s.</i> added to the Policy, almost as much as the premiums paid.</p> + +<p>The Premiums, nevertheless, are on the most moderate scale, and only +one-half need be paid for the first five years, when the Insurance is +for Life. Every information will be afforded on application to the +Resident Director.</p> + +<hr /> + +<p><span class='pagenum'><a name="page372" id="page372">{372}</a></span> +THE GENTLEMAN'S MAGAZINE for APRIL contains:—1. The Text of +Shakspeare's Plays. 2. Mrs. Hamilton Gray's History of Rome. 3. Lares +and Penates (with Engravings). 4. Jacques van Artevelde. 5. Literary +Relics of James Thomson and Allan Ramsey. 6. A Word upon Wigs. 7. The +Income Tax. 8. Paris after Waterloo. 9. Correspondence of Sylvanus +Urban: Concealed Lands; Richard of Cirencester; Artifice of a Condemned +Malefactor; Billingsgate and Whittington's Conduit. With Notes of the +Month; Review of New Publications; Reports of Archæological Societies, +Historical Chronicle, and <span class="smcap">Obituary</span>; including Memoirs of the +Earl of Belfast, Bishop Kaye, Bishop Broughton, Sir Wathen Waller, +Rear-Admiral Austen, William Peter, Esq., the late Provost of Eton, John +Philip Dyott, &c. &c. Price 2<i>s.</i> 6<i>d.</i></p> + +<p class='center'>NICHOLS & SONS, 25. Parliament Street.</p> + +<hr /> + +<p class='center'>NEW WORKS—PUBLISHED THIS DAY.</p> + +<p class='center'>Demy 8vo., 8<i>s.</i></p> + +<p>HISTORICAL OUTLINES OF POLITICAL CATHOLICISM: ITS +PAPACY—PRELACY—PRIESTHOOD—PEOPLE.</p> + +<p>MONTENEGRO AND THE SLAVONIANS OF TURKEY. By COUNT VALERIAN KRASINSKI. +Author of the "Religious History of the Slavonic Nations," &c. Fcap. +1<i>s.</i> 6<i>d.</i></p> + +<p>Being the New Volume of READING for TRAVELLERS.</p> + +<p>CHAMOIS HUNTING in the MOUNTAINS of BAVARIA. By CHARLES BONER. With +Illustrations. Demy 8vo., 18<i>s.</i></p> + +<p>THE DIARY OF MARTHA BETHUNE BALIOL, from 1753 to 1754. Post 8vo. 9<i>s.</i></p> + +<p>Forming the New Volume of Chapman & Hall's Series.</p> + +<p>THE DELUGE. BY VISCOUNT MAIDSTONE. Dedicated to the Electors of +Westminster. Second Edition. Price 2<i>s.</i> 6<i>d.</i></p> + +<p class='center'>London: CHAPMAN & HALL, 193. Piccadilly.</p> + +<hr /> + +<p class='center'>Just published, fcap. 8vo., price 5<i>s.</i> in cloth.</p> + +<p>SYMPATHIES of the CONTINENT, or PROPOSALS for a NEW REFORMATION. By JOHN +BAPTIST VON HIRSCHER, D.D., Dean of the Metropolitan Church of Freiburg, +Breisgau, and Professor of Theology in the Roman Catholic University of +that City. Translated and edited with Notes and Introduction by the Rev. +ARTHUR CLEVELAND COXE, M.A., Rector of St. John's Church, Hartford, +Connecticut, U.S.</p> + +<blockquote><p>"The following work will be found a noble apology for the +position assumed by the Church of England in the sixteenth +century, and for the practical reforms she then introduced into +her theology and worship. If the author is right, then the +changes he so eloquently urges upon the present attention of his +brethren ought to have been made <i>three hundred years ago</i>; and +the obstinate refusal of the Council of Trent to make such +reforms in conformity with Scripture and Antiquity, throws the +whole burthen of the sin of schism upon Rome, and not upon our +Reformers. The value of such admissions must, of course, depend +in a great measure upon the learning, the character, the +position, and the influence of the author from whom they +proceed. The writer believes, that questions as to these +particulars can be most satisfactorily answered."—<i>Introduction +by Arthur Cleveland Coxe.</i></p></blockquote> + +<p class='center'>JOHN HENRY PARKER, Oxford; and 377. Strand, London</p> + +<hr /> + +<p class='center'>Just published, price One Penny,</p> + +<p>MEMOIR OF THE RIGHT HONOURABLE SIR JOHN SINCLAIR, Bart., with an Account +of his Personal Exertions for the Agricultural and Social Improvement of +Scotland. By CATHERINE SINCLAIR.</p> + +<p>This interesting Memoir, forming one of the Number of CHAMBERS'S +REPOSITORY of INSTRUCTIVE and AMUSING TRACTS, has already had a +circulation of Fifty Thousand Copies.</p> + +<p>W. & R. CHAMBERS, Edinburgh; W. S. ORR & CO., Amen Corner, London; D. N. +CHAMBERS, Glasgow; J. M'GLASHAN, Dublin; and sold by all Booksellers.</p> + +<hr /> + +<p class='center'>On 1st of April, price 1<i>s.</i>, No. IV. New Series.</p> + +<p class='center'>THE ECCLESIASTIC.</p> + +<p class='center'><span class="smcap">Contents</span>:</p> + +<p> +Morgan on the Trinity of Plato and of Philo-Judæus.<br /> +Greek Hymnology.<br /> +Montalembert's Catholic Interests. Second Notice.<br /> +Illustrations of the State of the Church during the Great Rebellion.<br /> +Reviews and Notices.<br /> +Notices to Correspondents.<br /> +</p> + +<p class='center'>Now ready, price 1<i>s.</i>, Part V. of</p> + +<p>CONCIONALIA; Outlines of Sermons for Parochial Use throughout the Year. +By the REV. HENRY THOMPSON, M.A., Cantab., Curate of Wrington, Somerset. +It contains Sermons for the First, Second, Third, and Fourth Sundays +after Easter; the Annunication of the Blessed Virgin Mary; St. Mark's +Day. To be continued monthly.</p> + +<p class='center'>London: J. MASTERS, Aldersgate Street, and New Bond Street.</p> + +<hr /> + +<p class='center'>8vo., price 12<i>s.</i></p> + +<p>A MANUAL OF ECCLESIASTICAL HISTORY, from the First to the Twelfth +Century inclusive. By the Rev. E. S. FOULKES, M.A., Fellow and Tutor of +Jesus College, Oxford.</p> + +<blockquote><p>The main plan of the work has been borrowed from Spanheim, a +learned, though certainly not unbiassed, writer of the +seventeenth century: the matter compiled from Spondanus and +Spanheim, Mosheim and Fleury, Gieseler and Döllinger, and +others, who have been used too often to be specified, unless +when reference to them appeared desirable for the benefit of the +reader. Yet I believe I have never once trusted to them on a +point involving controversy, without examining their +authorities. The one object that I have had before me has been +to condense facts, without either garbling or omitting any that +should be noticed in a work like the present, and to give a fair +and impartial view of the whole state of the case.—<i>Preface.</i></p> + +<p>"An epitomist of Church History has a task of no ordinary +greatness.... He must combine the rich faculties of condensation +and analysis, of judgment in the selection of materials, and +calmness in the expression of opinions, with that most excellent +gift of faith, so especially precious to Church historians, +which implies a love for the Catholic cause, a reverence for its +saintly champions, an abhorrence of the misdeeds which have +defiled it, and a confidence that its 'truth is great, and will +prevail.'</p> + +<p>"And among other qualifications which may justly be attributed +to the author of the work before us, this last and highest is +particularly observable. He writes in a spirit of manly faith, +and is not afraid of facing 'the horrors and uncertainties,' +which, to use his own words, are to be found in Church +history."—<i>From the Scottish Ecclesiastical Journal, May, +1852.</i></p></blockquote> + +<p class='center'>JOHN HENRY PARKER, Oxford; and 377. Strand, London.</p> + +<hr /> + +<p class='center'>Cheaper Editions, 3<i>s.</i> 6<i>d.</i></p> + +<h4>READINGS IN SCIENCE;</h4> + +<p>Familiar Explanations of Appearances and Principles in Natural +Philosophy.</p> + +<h4>READINGS IN POETRY;</h4> + +<p>Selections from the Works of the best English Poets, with Specimens of +the American Poets; Notices of the Writers; and Notes.</p> + +<h4>READINGS IN ENGLISH PROSE LITERATURE;</h4> + +<p>Specimens of the Works of the best English Writers, with Biographical +Sketches and Essays on the Progress of English Literature.</p> + +<h4>READINGS IN BIOGRAPHY;</h4> + +<p>A Selection of the Lives of the most Eminent Men of all Nations.</p> + +<p class='center'>London: JOHN W. PARKER & SON, West Strand.</p> + +<hr /> + +<p class='center'>This Day, 2 vols. post 8vo., 18<i>s.</i></p> + +<p>HYPATIA; or New Foes with an Old Face. By CHARLES KINGSLEY, Jun., Rector +of Eversley. Reprinted from "Fraser's Magazine."</p> + +<p class='center'>By the same Author,</p> + +<p>THE SAINT'S TRAGEDY, Cheaper Edition, 2<i>s.</i></p> + +<p>YEAST; A PROBLEM. Reprinted from "Fraser's Magazine." Cheaper Edition, +5<i>s.</i></p> + +<p>TWENTY-FIVE VILLAGE SERMONS. Cheaper Edition, 3<i>s.</i> 6<i>d.</i></p> + +<p class='center'>London: JOHN W. PARKER & SON, West Strand.</p> + +<hr /> + +<p class='center'>This Day is published, price 4<i>s.</i></p> + +<p><span lang='el' title='AISCHYLOU EUMENIDES'> +ΑΙΣΧΥΛΟΥ ΕΥΜΕΝΙΔΕΣ</span>. ÆSCHYLI EUMENIDES. Recensuit F. A. PALEY. +Editio Auctior et Emendatior.</p> + +<p class='center'>Cantabrigiæ: apud J. DEIGHTON.</p> + +<p class='center'>Londini: apud WHITTAKER ET SOC.; et SIMPKIN ET SOC.</p> + +<hr /> + +<p class='center'>3 vols. 8vo. price 2<i>l.</i> 8<i>s.</i></p> + +<p>A GLOSSARY OF TERMS USED IN GRECIAN, ROMAN, ITALIAN, AND GOTHIC +ARCHITECTURE. The Fifth Edition enlarged, exemplified by 1700 Woodcuts.</p> + +<blockquote><p>"In the Preparation of this the Fifth Edition of the Glossary of +Architecture, no pains have been spared to render it worthy of +the continued patronage which the work has received from its +first publication.</p> + +<p>"The Text has been considerably augmented, as well by the +additions of many new Articles, as by the enlargement of the old +ones, and the number of Illustrations has been increased from +eleven hundred to seventeen hundred.</p> + +<p>"Several additional Foreign examples are given, for the purposes +of comparison with English work, of the same periods.</p> + +<p>"In the present Edition, considerably more attention has been +given to the subject of Mediæval Carpentry, the number of +Illustrations of 'Open Timber Roofs' has been much increased, +and most of the Carpenter's terms in use at the period have been +introduced with authorities."—<i>Preface to the Fifth Edition.</i></p> +</blockquote> + +<p class='center'>JOHN HENRY PARKER. Oxford; and 377. Strand, London.</p> + +<hr class='full' /> + +<p>Printed by <span class="smcap">Thomas Clark Shaw</span>, of No. 15. Stonefield Street, in +the Parish of St. Mary, Islington, at No. 5. New Street Square, in the +Parish of St. Bride, in the City of London; and published by <span class="smcap">George +Bell</span>, of No. 186. Fleet Street, in the Parish of St. Dunstan in the +West, in the City of London, Publisher, at No. 186. Fleet Street +aforesaid.—Saturday, April 9. 1853.</p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Notes and Queries, Number 180, April +9, 1853, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** + +***** This file should be named 21220-h.htm or 21220-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/1/2/2/21220/ + +Produced by Charlene Taylor, Jonathan Ingram, Pat A Benoy +and the Online Distributed Proofreading Team at +http://www.pgdp.net (This file was produced from images +generously made available by The Internet Library of Early +Journals.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/21220-h/images/WR1.png b/21220-h/images/WR1.png Binary files differnew file mode 100644 index 0000000..4e8fce2 --- /dev/null +++ b/21220-h/images/WR1.png diff --git a/21220-h/images/broadarrow3.png b/21220-h/images/broadarrow3.png Binary files differnew file mode 100644 index 0000000..fc0b6d9 --- /dev/null +++ b/21220-h/images/broadarrow3.png diff --git a/21220-h/images/fusx3.png b/21220-h/images/fusx3.png Binary files differnew file mode 100644 index 0000000..394c5fd --- /dev/null +++ b/21220-h/images/fusx3.png diff --git a/21220-h/images/fysan1.png b/21220-h/images/fysan1.png Binary files differnew file mode 100644 index 0000000..cbffab4 --- /dev/null +++ b/21220-h/images/fysan1.png |
