summaryrefslogtreecommitdiff
path: root/21232.txt
diff options
context:
space:
mode:
Diffstat (limited to '21232.txt')
-rw-r--r--21232.txt3958
1 files changed, 3958 insertions, 0 deletions
diff --git a/21232.txt b/21232.txt
new file mode 100644
index 0000000..5a5f552
--- /dev/null
+++ b/21232.txt
@@ -0,0 +1,3958 @@
+The Project Gutenberg EBook of The Hawthorns, by Amy Walton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Hawthorns
+ A Story about Children
+
+Author: Amy Walton
+
+Illustrator: Unknown
+
+Release Date: April 27, 2007 [EBook #21232]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HAWTHORNS ***
+
+
+
+
+Produced by Nick Hodson of London, England
+
+
+
+
+The Hawthorns; a Story about Children
+
+by Amy Walton
+__________________________________________________________
+
+This is a nice little book, which would certainly appeal to
+its intended audience of eleven- or twelve-year-old little
+girls. Its background is distinctly late Victorian, but
+nevertheless a modern child would find nothing it could not
+relate to other than the more pleasant general atmosphere
+of those days.
+
+Amy Walton has written a sequel to this book, "Penelope and
+the Others," also published on the Athelstane website.
+NH
+__________________________________________________________
+
+THE HAWTHORNS; A STORY ABOUT CHILDREN
+
+BY AMY WALTON
+
+
+
+CHAPTER ONE.
+
+EASNEY VICARAGE.
+
+Quite close to the nursery window at Easney Vicarage there grew a very
+old pear-tree. It was so old that the ivy had had time to hug its trunk
+with strong rough arms, and even to stretch them out nearly to the top,
+and hang dark green wreaths on every bough. Some day, the children had
+been told, this would choke the life out of the tree and kill it; that
+would be a pity, but there seemed no danger of it yet, for every spring
+the pear-tree still showed its head crowned with white blossoms, and
+every summer the pears grew yellow and juicy, and fell with a soft
+"splosh!" on the gravel path beneath. It was interesting to watch that,
+and it happened so often, that it was hard to imagine a windsor pear
+without a great gash where the sharp stones had cut into it; it was also
+natural to expect when you picked it up that there would be a cunning
+yellow wasp hidden somewhere about it, for all the little Hawthorns had
+always found it so except the baby, and she was too small to have any
+experience. Five little Hawthorns, without counting the baby, had
+looked out of the nursery window and watched the pear-tree blossom, and
+the sparrows build their nests, and the pears fall; but by the time this
+story begins, four of them, whose names were Penelope, Ambrose, Nancy,
+and David, were schoolroom children, and learnt lessons of Miss Grey
+down-stairs. They had no longer much time for looking out of the
+window, and the nursery was left in the possession of Dickie and Cicely
+the baby. Dickie, whose real name was Delicia, was three years old--a
+great girl now she thought--but she was still fond of kneeling up in the
+window seat and flattening her little nose against the glass. She could
+not see very much. Through the branches of the pear-tree a little to
+the left appeared the church tower, and a glimpse here and there of grey
+and white tombstones in the churchyard. Straight in front of her there
+was a broad lawn sloping down to a sunk fence, and beyond that a meadow
+with tall elms in it, and after that another meadow where cows were
+feeding, and that was all. In the spring the meadows turned to gold and
+silver with the buttercups and daisies, and the rooks cawed noisily in
+the elms; but in the summer it was all very green and very quiet.
+Particularly at lesson time, when the "others" were busy with Miss Grey,
+and Dickie must not make a noise because baby was asleep. Then there
+was only Andrew to be seen in the distance, bending over his barrow or
+rake or spade; but he never looked up to the nursery window, and this
+was not surprising, for Andrew had a great deal to do. He worked in the
+garden, and fed the chickens, and took care of Ruby the horse, and
+sometimes drove the wagonette into Nearminster; he also rang the church
+bell, and was parish clerk. Perhaps it was because he had so much on
+his mind that he was of a melancholy disposition, and seldom disposed
+for conversation with the children.
+
+They thought it a pity sometimes that neither the nursery nor the
+schoolroom window looked out to the front of the house, for it was only
+a little way back from the street; not that there was much going on in
+the village, but still you could hear the "clink, clink" from the
+blacksmith's forge opposite, and see anyone passing the white gate which
+led out into the road. The vicarage was an old house; many and many a
+vicar had lived in it, and altered or added to it according to his
+liking, so that it was full of twists and turns, inside and out, and had
+wonderful nooks and corners, and strange cupboards under the stairs.
+Pennie, who was eleven years old, and a great hand at "making up,"
+thought a good deal about those old bygone vicars, and founded some of
+her choicest romances upon them. There was one particular vicar, a
+tablet to whose memory was placed in the chancel just opposite the
+Hawthorns' seat in church.
+
+"Godfrey Ablewhite, sometime vicar of this parish," etcetera.
+
+It seemed to Pennie, as she sat staring up at this during her father's
+sermons, that she saw plainly what sort of man this Godfrey Ablewhite
+had been. He was broad and strong, and rode a tall white horse, and had
+doubtless built those large stables at the vicarage, because he was fond
+of hunting. From this she would go on to adorn his character with many
+daring feats of horsemanship, and by the time the sermon was over there
+was another story ready to be eagerly listened to by the other
+children--and, indeed, believed also, for they had an infinite trust in
+Pennie. This was partly because she was the eldest, and partly because
+she "made up" so well, and had such good ideas about games and plans.
+No one could make a better plan than Pennie if she put her mind to it,
+and this was a valuable faculty, for toys were not plentiful at Easney
+Vicarage, and the children had to find their own amusements. These,
+fortunately, did not depend upon anything to be bought in shops, for
+there was only one in the village, and that was the post-office too.
+There you could get bacon, and peppermint drops, and coarse grey
+stockings; but for anything more interesting you had to drive to
+Nearminster, ten miles away. Mother went over there sometimes, and took
+each child with her in turn, but even then there was a serious drawback
+to buying much, and that was want of money.
+
+Some children would doubtless think living at Easney a very dull affair.
+No shops, nothing new to play with, and very little new to wear.
+Pennie _did_ get a little tired sometimes of always wearing serge in
+winter and holland in summer; but neither she nor her brothers and
+sisters ever found their lives dull. They would have been astonished at
+the idea. There were so many interesting things to do. For instance,
+there was a large family of pet beasts and birds, some living in the
+barn in cages, and some free. Snuff the terrier was the most intimate
+and friendly of these last, and Methuselah the tortoise the greatest
+stranger. The children regarded him with respectful awe, for he passed
+so much of his life hidden away in the cold dark earth, that he must
+know many strange and wonderful things which went on there; but, like
+all people of really wide experience, he was singularly modest and
+retiring in his behaviour, and appeared on the border the first mild day
+in spring after his disappearance, with no fuss at all, and as if he had
+done nothing remarkable.
+
+Pennie's jackdaw, a forward bird, who hopped about with an air of
+understanding everything, was one day found perched on the tortoise's
+shell with the evident intention of making some searching inquiries.
+Methuselah, however, had very prudently drawn in his head, and Jack was
+both baffled and disgraced.
+
+Next to the animals in point of interest came the Wilderness. This was
+a part of the garden shut off from the rest by a shrubbery, and given up
+to the children as their very own. Here they messed and muddled to
+their hearts' content, carried out a great many interesting designs, and
+reared quantities of mustard and cress; once they each had a garden, but
+Nancy, Ambrose, and David had lately struck out the bold idea of joining
+their plots of ground and digging a well. It was a delightful
+occupation, and when the hole got deep it was pleasant to see how the
+small frogs and other slimy reptiles crawled about at the bottom; but,
+after much heated labour, there were no signs of water. Interest
+flagged then, and the well was deserted, until the ever-ready Pennie
+suggested the game of Joseph and his brethren, and it became a favourite
+amusement to lower Dickie down in a basket amongst the frogs and newts.
+Dickie was both small and brave, two very necessary qualities for her
+part, for the basket was narrow, and wobbled about a good deal in its
+descent; but she was used to perilous positions, and had a soul above
+fear.
+
+The Wilderness was certainly very interesting; nevertheless at a certain
+time in the summer it was completely forsaken, and that was when the hay
+was down. Then everyone must help to get it in; and there could be no
+lessons done, for even Miss Grey was in the hay-field. Then the excited
+children, with flushed faces, worked as hard as though the whole matter
+depended on them alone, and even Dickie, with tiny rake and sturdy legs
+planted wide apart, did brave service. Then the maids, with sun-bonnets
+tilted well forward on their foreheads, came out to toss a little hay,
+and giggle a great deal, and say how hot it was; then the surly Andrew
+threw sour looks of scorn at them, and the vicar, casting aside his
+black coat, did more real work than anyone. Then mother came into the
+field with Cicely in her arms, and was welcomed with acclamations, and
+forthwith seated on a royal throne of hay; then, under her watchful
+eyes, the ambitious Ambrose worked feverishly, and threw his arms and
+legs about like an excited spider. Then Nancy laughed at him, and David
+pushed him down, and Pennie covered him with hay; and it got into his
+eyes and down his throat and he choked and kicked, and mother said:
+"That will do, children!" Then tea was brought out and laid under the
+great oak-tree, and everyone's face was very red, and everyone was very
+thirsty. And then the cool evening came stealing on, and a tiny breeze
+blew, and the hay smelt sweet, and the shadows lengthened, and it was
+bed-time just as things were getting pleasant.
+
+Each time all this happened it was equally delightful, and it seemed a
+pity when the field stood bare and desolate after the hay was carried,
+shorn of its shadowy grass and pretty flowers; yet there was consolation
+too in the size of the stack which the children had helped to make, and
+which they always thought "bigger than last year."
+
+Soon after this autumn came and made the orchard and woods and lanes
+interesting with apples and nuts and blackberries; and then, after the
+apples and nuts had been stored away, and the blackberries made into
+jam, it was time to look forward to the winter.
+
+Winter brought a great deal that was very pleasant; for sometimes he
+came with snow and ice, and the children would wake up to find that in
+the night he had quietly covered everything out-of-doors with a
+sparkling white garment.
+
+Then what could be more delicious than to make a snow man or a snow
+palace?
+
+Pennie, who was a great reader, and always anxious to carry out
+something she had read about, inclined towards the palace; but the
+others had less lofty minds. It quite contented them to make a snow
+man, to put one of Andrew's pipes in his mouth and a battered hat on his
+head, and stick in bits of coal for his eyes.
+
+"Isn't he lovely?" Nancy would exclaim when all these adornments were
+complete.
+
+"Zovely!" echoed Dickie, clapping red worsted mittens ecstatically.
+
+"I think he's rather vulgar," Pennie said doubtfully on one of these
+occasions with an anxiously puckered brow; "and besides, there's nothing
+to make up about him. What can you pretend?"
+
+The snow man certainly looked hopelessly prosaic as Ambrose tilted his
+hat a little more to one side.
+
+"Guy Fawkes?" suggested David, having studied the matter solidly for
+some minutes.
+
+"No," said Pennie, "not Guy Fawkes--he's so common--we've had him heaps
+of times. But I'll tell you what would be splendid; we'll make him a
+martyr in Smithfield."
+
+The boys looked doubtful, but Nancy clapped her hands.
+
+"That's capital," she said.
+
+"You know," continued Pennie for the general information, "they burned
+them."
+
+"Alive?" inquired Ambrose eagerly.
+
+"Yes."
+
+"How jolly!" murmured David.
+
+"Jolly! jolly! jolly!" repeated Dickie, jumping up and down in the snow.
+
+"Why were they burned?" asked Ambrose, who was never tired of asking
+questions, and liked to get to the bottom of a matter if possible.
+
+"_Why_, I am not quite sure," answered Pennie cautiously, "because I've
+only just got to it; but I _think_ it was something about the Bible.
+I'll ask Miss Grey."
+
+"Oh, never mind all that," interrupted the practical Nancy impatiently;
+"we'll make a splendid bonfire all round him and watch him melt. Come
+and get the wood."
+
+"And we'll call him `a distinguished martyr,'" added Pennie as she moved
+slowly away, "because I can't remember any of their real names."
+
+Pennie was never satisfied to leave things as they were; she liked to
+adorn them with fancies and make up stories about them, and her busy
+little mind was always ready to set to work on the smallest event of the
+children's lives. Nothing was too common or familiar to have mysteries
+and romance woven round it; and this was sometimes a most useful
+faculty, for winter was not always kind enough to bring snow and ice
+with him. Very often there was nothing but rain and fog and mud, and
+then mother uttered those dreadful words:
+
+"The children must not go out."
+
+Then when lessons were over, and all the games exhausted, and it was
+still too early for lights, the schoolroom became full of dark corners,
+and the flickering fire cast mysterious shadows which changed the very
+furniture into something dim and awful.
+
+Then was Pennie's time--then, watching her hearers' upturned faces by
+the uncertain light of the fire, she saw surprise or pity or horror on
+them as her story proceeded, and, waxing warmer, she half believed it
+true herself. And this made the tales very interesting and thrilling.
+Yet once Pennie's talent had an unfortunate result, as you shall hear in
+the next chapter.
+
+
+
+CHAPTER TWO.
+
+THE "GARRET."
+
+The children all thought that Pennie's best stories were about a certain
+lumber-room in the vicarage which was called the "Garret." They were
+also the most dreadful and thrilling, for there was something about the
+garret which lent itself readily to tales of mystery and horror. The
+very air there was always murky and dim, and no sunlight could steal
+through the tiny lattice window which came poking out from the roof like
+a half-shut eyelid. Dust and cobwebs had covered the small leaded panes
+so thickly that a dusky gloom always dwelt there, and gave an unnatural
+and rather awful look to the various objects. And what a strange
+collection it was! Broken spindle-legged chairs, rickety boxes, piles
+of yellow old music-books and manuscripts, and in one corner an ancient
+harp in a tarnished gilt frame. Poor deserted dusty old things! They
+had had their day in the busy world once, but that was over now, and
+they must stay shut up in the silent garret with no one to see them but
+the spiders and the children. For these last came there often; treading
+on tiptoe they climbed the steep stairs and unlatched the creaky door
+and entered, bold but breathless, and casting anxious glances over their
+shoulders for strange things that might be lurking in the corners. They
+never saw any, but still they came half hoping, half fearing; and they
+had, besides, another object in their visits, which was a great great
+secret, and only known to Pennie, Nancy, and Ambrose. It was indeed a
+daring adventure, scarcely to be spoken of above a whisper, and
+requiring a great deal of courage. This was the secret:
+
+They had one day succeeded in forcing open the rickety lattice, which
+was fastened by a rusty iron hasp, and looked out. There was a steep
+red-tiled piece of roof covered with little lumps of lichen which ended
+in a gutter and a low stone balustrade; there were tall crooked
+chimneys, and plenty of places where cats and children could walk with
+pleasure and safety. Soon it was impossible to resist the temptation,
+and one after the other they squeezed themselves through the narrow
+window, and wriggled cautiously down the steep roof as far as the
+balustrade. It scraped the hands and knees a good deal to do this, and
+there was always the danger of going down too fast, but when once the
+feet arrived safely against the stone coping, what a proud moment it
+was!
+
+Standing upright, they surveyed the prospect, and mingled visions of
+Robinson Crusoe, Christopher Columbus, and Alexander Selkirk floated
+across their brains. "I am monarch of all I survey," said Pennie on the
+first occasion. And so she was, for everything seen from that giddy
+height looked strange and new to her, and it was quite like going into
+another country.
+
+The old church tower with the chattering jackdaws flying round it, the
+pear-tree near the nursery window, the row of bee-hives in the
+kitchen-garden, the distant fields where the cows were no bigger than
+brown and white specks, all were lifted out of everyday life for a
+little while. No one had forbidden this performance, because no one
+knew of it, and the secrecy of it added to the mystery which belonged to
+everything in the garret.
+
+It was not difficult to keep it hidden from the elders, for they did not
+go into the lumber-room from year's end to year's end; so the spiders
+and the children had it all to themselves, and did just as they liked
+there, and wove their cobwebs and their fancies undisturbed. Now,
+amongst Pennie's listeners when she told her tales of what went on in
+the garret after nightfall, Ambrose was the one who heard with the most
+rapt attention and the most absolute belief. He came next to Nancy in
+age, and formed the most perfect contrast to her in appearance and
+character, for Nancy was a robust blue-eyed child, bold and fearless,
+and Ambrose was a slender little fellow with a freckled skin and a face
+full of sensitive expression. He was full of fears and fancies, too,
+poor little Ambrose, and amongst the children he was considered not far
+short of a coward; it had become a habit to say, "Ambrose is afraid," on
+the smallest occasions, and if they had been asked who was the bravest
+amongst them, they would certainly have pointed out Nancy. For Nancy
+did not mind the dark, Nancy would climb any tree you liked, Nancy could
+walk along the top of a high narrow wall without being giddy, Nancy had
+never been known to cry when she was hurt, therefore Nancy was a brave
+child. Ambrose, on the contrary, _did_ mind all these things very much;
+his imagination pictured dangers and terrors in them which did not exist
+for Nancy, and what she performed with a laugh and no sense of fear, was
+to him often an occasion of trembling apprehension. And then he was
+_so_ afraid of the dark! That was a special subject of derision from
+the others, for even Dickie was bolder in the matter of dark passages
+and bed-rooms than he was. Ambrose was ashamed, bitterly ashamed of
+this failing, and he made up his mind a hundred times that he would get
+over it, but that was in the broad daylight when the sun was shining.
+As surely as night came, and he was asked perhaps to fetch something
+from the schoolroom, those wretched feelings of fear came back, for the
+schoolroom was at the end of a long dark passage.
+
+Nancy, who was always good-natured, though she laughed at him, would
+give him a nudge on such occasions if she were near him, and say:
+
+"Never mind, _I'll_ go;" but Ambrose never accepted the offer. He went
+with a shiver down his back, and a sort of distended feeling in his
+ears, which seemed to be unnaturally on the alert for mysterious noises.
+
+He always made up his mind before he got to the passage to check a wild
+desire to run at full speed, and walk through it slowly, but this
+resolve was never carried out.
+
+Before he had gone two steps in the darkness there would be a sense of
+something following close behind, and then all was over, and nothing to
+be seen but a panic-stricken little boy rushing along with his hands
+held over his ears. How foolish! you will say. Very foolish, indeed,
+and so said all the other children, adding many a taunt and jeer.
+
+But that did not do poor Ambrose any good, and he remained just as timid
+as ever. Nevertheless there were moments of real danger when Ambrose
+had been known to come gallantly to the front, and when he seemed to
+change suddenly from a fearful, shrinking boy into a hero. Such was the
+occasion when, alone of all the children, who stood shrieking on the
+other side of the hedge, he had ventured back into the field to rescue
+Dickie, who by some accident had been left behind among a herd of cows.
+There she stood bewildered, holding up her little pinafore full of
+daisies, helpless among those large horned monsters.
+
+"Run, Dickie," shouted the children; but Dickie was rooted to the ground
+with terror, and did not move.
+
+Then Ambrose took his courage in both hands, and leaving the safe
+shelter of the hedge, ran back to his little sister's side. As he
+reached her a large black cow with crooked horns detached herself from
+the herd, and walked quickly up to the children lashing her tail.
+Ambrose did not stir. He stood in front of Dickie, took off his straw
+hat and waved it in the cow's face. She stood still.
+
+"Run back to the others, Dickie," said Ambrose quietly, and, Dickie's
+chubby legs recovering power of movement, she toddled quickly off,
+strewing the ground with daisies as she went. Covering her retreat,
+Ambrose remained facing the cow, and walked slowly backwards still
+brandishing his hat; then, one quick glance over his shoulder assuring
+him of Dickie's safety, he too took to his heels, and scrambled through
+the gap.
+
+That was certainly brave of Ambrose; for though Farmer Snow told them
+afterwards, "Thuccy black coo never would a touched 'ee," still she
+_might_ have, and for the moment Ambrose was a hero.
+
+The children carried home an excited account of the affair to their
+father, penetrating into his very study, which was generally forbidden
+ground.
+
+"And so it was Ambrose who went back, eh?" he said, stroking Dickie's
+round head as she sat on his knee.
+
+"Yes, father," said Pennie, very much out of breath with running and
+talking, "we were all frightened except Ambrose."
+
+"And why weren't you frightened, Ambrose?"
+
+"I was," murmured Ambrose.
+
+"And yet you went?"
+
+"Yes. Because of Dickie."
+
+"Then you were a brave boy."
+
+"A brave boy, a brave boy," repeated Dickie in a sort of sing-song,
+pulling her father's whiskers.
+
+"Now I want you children to tell me," pursued the vicar, looking round
+at the hot little eager faces, "which would have been braver--not to be
+frightened at all, or to go in spite of being frightened?"
+
+"Not to be frightened at all," answered Nancy promptly.
+
+"Do you all think that?"
+
+"Yes," said Pennie doubtfully, "I suppose so."
+
+"Well," continued the vicar, "I _don't_ think so, and I will tell you
+why. I believe the brave man is not he who is insensible to fear, but
+he who is able to rise above it in doing his duty. People are sometimes
+called courageous who are really so unimaginative and dull that they
+cannot understand danger--so of course they are not afraid. They go
+through their lives very quietly and comfortably, as a rule, but they do
+not often leave great names behind them, although they may be both good
+and useful.
+
+"Others, again, we are accustomed to consider cowards, because their
+active, lively imagination often causes them to see danger where there
+is none. These people do not pass such peaceable lives as the first;
+but there is this to be remembered: the same nature which is so alive to
+fear will also be easily touched by praise, or blame, or ridicule, and
+eager therefore to do its very best. It is what we call a `sensitive'
+nature, and it is of such stuff very often, that great men and heroes
+are made."
+
+The children listened very attentively to what their father said, and if
+they did not understand it all they gathered enough to make them feel
+quite sure that Ambrose had been very brave about the cow. So they
+treated him for a little while with a certain respect, and no one said
+"Ambrose is afraid." As for Ambrose himself, his spirits rose very
+high, and he began to think he never should feel afraid of anything
+again, and even to wish for some great occasion to show himself in his
+new character of "hero." He walked about in rather a blustering manner
+just now, with his straw hat very much on one side, and brandished a
+stick the gardener had cut for him in an obtrusively warlike fashion.
+As he was a small thin boy, these airs looked all the more ridiculous,
+and his sister Nancy was secretly much provoked by them; however, she
+said nothing until one evening when Pennie was telling them stories.
+
+The children were alone in the schoolroom, for it was holiday time. It
+was just seven o'clock. Soon Nurse would come and carry off Dickie and
+David to bed, but at present they were sitting one each side of Pennie
+on the broad window-seat, listening to her with open ears and mouths.
+Nancy and Ambrose were opposite on the table, with their legs swinging
+comfortably backwards and forwards.
+
+All day long it had been raining, and now, although it had ceased, the
+shrubs and trees, overladen with moisture, kept up a constant drip,
+drip, drip, which was almost as bad. The wind had risen, and went
+sighing and moaning round the house, and shook the windows of the room
+where the children were sitting. Pennie had just finished a story, and
+in the short interval of silence which followed, these plaintive sounds
+were heard more plainly than ever.
+
+"Hark," she said, holding up her finger, "how the Goblin Lady is playing
+her harp to-night! She has begun early."
+
+"Why does she only play when the wind blows?" asked Ambrose.
+
+"She comes _with_ the wind," answered Pennie, "that is how she travels,
+as other people use carriages and trains. The little window in the
+garret is blown open, and she floats in and takes one of those big
+music-books, and finds out the place, and then sits down to the harp and
+plays."
+
+"What tune does she play?" asked David.
+
+"By the margin of fair Zurich's waters," answered Pennie; "sometimes she
+sings too, but not often, because she is very sad."
+
+"Why?" inquired Ambrose, ruffling up his hair with one hand, as he
+always did when he was getting interested.
+
+Pennie paused a moment that her next remark might have full weight; then
+very impressively and slowly she said:
+
+"She has not _always_ been a Goblin Lady."
+
+This was so unexpected, and suggested so much to be unfolded, that the
+children gazed speechless at Pennie, who presently continued:
+
+"Once she was a beautiful--"
+
+"Is she ugly now?" hastily inquired David.
+
+"Don't, Davie; let Pennie go on," said Ambrose.
+
+"I want to know just one thing," put in Nancy; "if it's dark when she
+comes, how does she see to read the music?"
+
+"She carries glowworms with her," answered Pennie; "they shine just like
+the lamps in father's gig at night, and light up all the garret."
+
+"Now, go on, Pennie," said Ambrose with a deep sigh, for these
+interruptions were very trying to him. "Once she was a beautiful--"
+
+"A most beautiful lady, with long golden hair. Only she was very very
+proud and vain. So after she died she could not rest, but has to go
+flying about wherever the wind will take her. The only pleasure she has
+is music, and so she always tries to get in where there is anything to
+play. That is why she goes so often to the garret and plays the harp."
+
+"Why doesn't she go into the drawing-room and play the piano?" asked
+Nancy bluntly. Nancy's questions were often very tiresome; she never
+allowed the least haze or uncertainty to hang over any subject, and
+Pennie was frequently checked in the full flow of her eloquence by the
+consciousness that Nancy's eye was upon her, and that she was preparing
+to put some matter-of-fact inquiry which it would be most difficult to
+meet.
+
+"There you go, interrupting again," muttered Ambrose.
+
+"Well, but why doesn't she?" insisted Nancy, "it would be so much
+easier."
+
+"Why, of course she can't," resumed Pennie in rather an injured voice,
+"because of the lights, and the people, and, besides, she never learnt
+to play the piano."
+
+"I wish I needn't either," sighed Nancy. "How nice to be like the
+Goblin Lady, and only play the harp when one likes!"
+
+"I should like to see her," said Ambrose thoughtfully.
+
+"You'd be afraid," said Nancy; "why, you wouldn't even go into the
+garret by daylight alone."
+
+"That was a long time ago," said Ambrose quickly. "I wouldn't mind it
+now."
+
+"In the dark?"
+
+"Well, I don't believe you'd go," said Nancy. "You might perhaps go two
+or three steps, and then you'd scream out and run away; wouldn't he,
+Pennie?"
+
+"Why, you know he _was_ brave about the cow," said Pennie, "braver than
+any of us."
+
+"That was different. He's quite as much afraid of the dark as ever. I
+call it babyish."
+
+Nancy looked defiantly at her brother, who was getting very red in the
+face. She was prepared to have something thrown at her, or at least to
+have her hair, which she wore in a plaited pig-tail, violently pulled,
+but nothing of the sort happened. Nurse came soon afterwards and bore
+away David and Dickie, and as she left the room she remarked that the
+wind was moaning "just like a Christian."
+
+It certainly was making a most mournful noise that evening, but not at
+all like a Christian, Ambrose thought, as he listened to it--much more
+like Pennie's Goblin Lady and her musical performances.
+
+Pennie had finished her stories now, and she and Nancy were deeply
+engaged with their dolls in a corner of the room; this being an
+amusement in which Ambrose took no interest, he remained seated on the
+table occupied with his own reflections after Nurse had left the room
+with the two children.
+
+Nancy's taunt about the garret was rankling in his mind, though he had
+not resented it openly as was his custom, and it rankled all the more
+because he felt that it was true. Yes, it _was_ true. He could not
+possibly go into the garret alone in the dark, and yet if he really were
+a brave boy he ought to be able to do it. Was he brave, he wondered?
+Father had said so, and yet just now he certainly felt something very
+like fear at the very thought of the Goblin Lady.
+
+In increasing perplexity he ruffled up his hair until it stood out
+wildly in all directions; boom! boom! went the wind, and then there
+followed a long wailing sort of sigh which seemed to come floating down
+from the very top of the house.
+
+It was quite a relief to hear Nancy's matter-of-fact voice just then, as
+she chattered away about her dolls:
+
+"Now, I shall brush Jemima's hair," Ambrose heard her say to Pennie,
+"and you can put Lady Jane Grey to bed."
+
+"I ought to be able to go," said Ambrose to himself, "and after all I
+don't suppose the Goblin Lady _can_ be worse than Farmer Snow's black
+cow."
+
+"But her head's almost off," put in Pennie's voice. "You did it the
+last time we executed her."
+
+"If I went," thought Ambrose, continuing his reflections, "they would
+never, never be able to call me a coward again."
+
+He slid off the table as he reached this point, and moved slowly towards
+the door. He stood still as he opened it and looked at his sisters,
+half hoping they would call him back, or ask where he was going, but
+they were bending absorbed over the body of the unfortunate Lady Jane
+Grey, so that two long flaxen pig-tails were turned towards him. They
+did not even notice that he had moved.
+
+He went quickly through the long dimly-lighted passage, which led into
+the hall, and found that Mary was just lighting the lamp. This looked
+cheerful, and he lingered a little and asked her a few questions, not
+that he really wanted to know anything, but because light and human
+companionship seemed just now so very desirable. Mary went away soon,
+and then he strolled a few steps up the broad old staircase, and met
+Kittles the fluffy cat coming slowly down. Here was another excuse for
+putting off his journey, and he sat down on the stairs to pass a few
+agreeable moments with Kittles, who arched his back and butted his head
+against him, and purred his acknowledgments loudly. But presently,
+having business of his own, Kittles also passed on his way, and Ambrose
+was alone again, sitting solitary with his ruffled head leaning on one
+hand. Then the church clock struck eight. In half an hour it would be
+bed-time, and his plan not carried out. He must go at once, or not at
+all. He got up and went slowly on. Up the stairs, down a long winding
+passage, up some more stairs, and across a landing, on to which the
+nursery and the children's bedrooms opened. He stopped again here, for
+there was a pleasant sound of Dickie and David's voices, and the
+splashing of water; but presently he thought he heard Nurse coming out,
+and he ran quickly round the corner into a little passage which led to
+the foot of the garret stairs. This passage was dimly-lighted by a
+small low window, which was almost covered outside by the thickly
+growing ivy. Even in the daytime it was very dusky, and now it was
+quite dark, but Ambrose knew the way well, and he groped about with his
+hands until he came to the steep carpetless steps. And now his heart
+began to beat very quickly, for he felt that he was in the region of
+mystery, and that anything might happen at any moment. The wind had
+dropped, and there was no sound at all to be heard, though he strained
+his ears to the utmost for some signs of the presence of the Goblin
+Lady.
+
+"Perhaps," thought he, "she has finished playing and gone away again
+with the wind." This was an encouraging idea, and though his knees
+trembled a good deal, he went on bravely until he came to the place
+where the stairs took a sudden sharp turn; but here he saw something
+which brought him to a standstill again, for underneath the garret door
+at the top there was a faint gleam of light. "That's the glowworms,"
+thought Ambrose, "and she's there still." His spirits sank.
+
+_Could_ he go on? It must be now or never. With a tremendous effort he
+went quickly up the remaining steps, stood on tiptoe to unlatch the
+door, and pushed it open. It swung back with a creak upon its rusty
+hinges, and a cold wind rushed in Ambrose's face, for the window was
+open. The room was faintly lighted, not with glowworms, but by the pale
+rays of a watery moon, which made some of the objects whitely distinct,
+and left others dark and shadowy. Standing motionless on the threshold,
+Ambrose turned his eyes instinctively to the corner where the harp was
+dimly visible. There was certainly no one playing it, but as he looked
+he heard a faint rustle in that direction. What was it? Again it came,
+this time louder, with a sound like the flapping of feathers. Could it
+be the Goblin Lady? But Pennie never said she had wings. Unable to go
+either backwards or forwards, Ambrose remained rooted to the spot with
+his eyes fixed on the mysterious corner. Rustle, rustle, flap, flap,
+went the dreadful something, and presently there followed a sort of low
+hiss. At the same moment a sudden gust of wind burst through the window
+and banged the door behind him with a resounding clap. Panic-stricken
+he turned and tried to open it, but his cold trembling fingers could not
+move the rusty fastening. He looked wildly round for a means of escape,
+and his eye fell on a bright ray of moonlight resting on the lattice
+window. He rushed towards it, scrambled up on to a box, from thence to
+the window-ledge, and thrust himself through the narrow opening. If the
+thing came after him now, he could go no further than the balustrade,
+unless he jumped down into the garden, "and that would kill me," he
+thought, "Pennie has often said so."
+
+He stood on the rough tiles, holding on to the iron window frame with
+one hand; behind him the dark garret, where the thing still flapped and
+rustled, and before him the sloping roof, the tall chimneys, the garden
+beneath, partly lighted up by the moon. He could see the nursery
+window, too, in an angle of the house, brightly illumined by the
+cheerful fire within. Dickie and David were snugly in bed now, warm and
+safe, and Nurse was most likely searching everywhere for him. If they
+only knew!
+
+"If ever I get back," he said to himself, "I never _will_ try to be
+brave again; it's much better to be called a coward always." He had
+hardly come to this conclusion before, with a tremendous whirring noise,
+something came banging up against the shut part of the window from
+within the garret. Ambrose gave one wild scream, let go his hold, and
+went rolling over and over quicker and quicker, down--down--down.
+
+
+
+CHAPTER THREE.
+
+GOBLINET.
+
+He remembered nothing more until he woke up that night in his own little
+bed with a very confused feeling that something dreadful had happened,
+though he could not think what it was. There was a light in his room,
+which was strange too, and presently he saw that Nurse was sitting there
+with her spectacles on, nodding sleepily over a book. What could it
+mean? He clasped his head with both hands, and tried to remember; but
+it was startling to find that there was a wet bandage round it, and
+inside it there was a dull throbbing ache, so he soon gave up trying and
+lay quietly with his eyes fixed on Nurse, and the funny shadow she made
+on the wall. At last she gave a most tremendous nod, which knocked off
+her spectacles, and then she gathered herself up and opened her eyes
+very wide. Presently she came to the bed with a glass in her hand and
+leant over Ambrose to see if he was awake; he drank what she gave him
+eagerly, for he was thirsty, and as he lay down again he said with an
+effort:
+
+"I think I've had a very bad dream, Nurse, and my head _does_ ache so."
+
+"Well, you're safe and sound now, my lamb," she answered, patting his
+shoulder soothingly; "just you turn round and go to sleep again."
+
+Still puzzled Ambrose closed his eyes, and wondered vaguely for a few
+minutes why Nurse called him "lamb." She had not done it since he had
+the measles, so he supposed he must be ill; but he did not feel at all
+equal to asking questions about anything, and was soon fast asleep
+again.
+
+But this was the beginning of many weary days and nights for poor little
+Ambrose. When the doctor came the next day he looked gravely at Mrs
+Hawthorn.
+
+"The child is in a high fever," he said, "and has had, I should think,
+some great nervous shock. Great care and quiet are needed. Let him
+sleep as much as possible."
+
+But that was the difficulty, for, as time went on, Ambrose seemed less
+and less able to sleep quietly at night. As evening drew on the fever
+and restlessness increased; he could not bear to be left alone a moment,
+and often in the night he would start up and cry out trembling:
+
+"Take her away." "She is coming." "Don't let her catch me."
+
+It was most distressing for everyone and puzzling too, for no one could
+imagine what it was that had frightened him in the garret, or how he
+came to be there at all at that time in the evening. It was evidently a
+most terrible remembrance to him, for he could not bear the least
+reference to it, and to question him was a sure way to give him what he
+called "bad dreams." So in his presence the subject was dropped; but
+Mrs Hawthorn and Nurse did not cease their conjectures, and there was
+one person who listened to their conversation with a feeling of the
+deepest guilt. This was Pennie, who just now was having a most
+miserable time of it, for she felt that it was all her fault. If she
+had not told those stories about the Goblin Lady it never would have
+happened, although it certainly was Nancy who had put the garret into
+Ambrose's head.
+
+Nancy was the only person she could talk to on the subject, but she was
+not any comfort at all.
+
+"Don't let's think about it," she said. "I knew you made it up. I
+daresay he'll get better soon."
+
+Poor Pennie could not take matters so lightly; it was a most dreadful
+weight on her mind, and she felt sure she should never have another
+happy minute till she had confessed about the Goblin Lady. But she was
+not allowed to see Ambrose, and she could not bring herself to tell
+anyone else about it. Once she nearly told mother, and then something
+stuck in her throat; and once she got as far as the study door with the
+intention of telling father, but her courage failed her and she ran
+away.
+
+She would creep to Ambrose's door and listen, or peep round the screen
+at him while he was asleep, and her face got quite thin and pointed with
+anxiety. Every morning she asked:
+
+"Is he better, mother? May I go and sit with him?" But the answer
+always was:
+
+"Not to-day, dear. We hope he is better, but he has such bad nights."
+
+Pennie was very wretched, and felt she could not bear it much longer.
+
+She was in the nursery one morning looking listlessly out of the window,
+when her attention was caught by a conversation going on between Nurse
+and Mrs Hawthorn, who was sitting there with Cicely in her arms.
+
+"I know no more than that baby, ma'am," said Nurse emphatically, as she
+had said a hundred times before, "why or wherefore Master Ambrose should
+take such a thing into his head. It's easy to frame that he should get
+scared--when once he was up there in the dark, for he's a timid child
+and always has been. But what _took_ him there all alone? That's what
+_I_ want to know!"
+
+"I cannot understand it," said Mrs Hawthorn; "but it makes him so much
+worse to ask him questions that we must leave it alone until he is
+stronger. We cannot be too thankful that he was not killed."
+
+"Which I never doubted for one moment that he was, ma'am, when I found
+him," continued Nurse; "he was lying all crumpled up and stone-cold, for
+all the world like Miss Nancy's dormouse when she forgot to feed it for
+a week."
+
+On this theme Nurse was apt to become very voluble, and there were few
+things she liked better than describing her own feelings on the
+occasion. Mrs Hawthorn held up her hand entreatingly: "Do not talk of
+it, Nurse," she said; "I cannot bear it." And then they went on to
+discuss other matters.
+
+Now all this while Pennie had been trying to make up her mind to speak.
+There was a fly just in front of her on the window-pane, and as she
+watched it crawling slowly along she said to herself:
+
+"When it gets as far as the corner I will tell mother." But alas!
+before the fly had nearly completed his journey Mrs Hawthorn rose to
+leave the nursery. As she passed Pennie she stopped and said:
+
+"Why, Pennie, my child, it is not like you to be idle. And you look
+mournful; what's the matter?"
+
+"I think Miss Pennie frets after her brother, ma'am," observed Nurse.
+
+"Well, then," said Mrs Hawthorn, "I have something to tell you that I
+am sure you will like. The doctor thinks Ambrose much better to-day,
+and if you are very quiet and discreet I will let you go and have tea
+with him this afternoon at five o'clock."
+
+"Oh, mother, mother," cried Pennie, "how lovely! May I really?"
+
+"Yes; but you must promise me one thing, and that is that you will not
+speak of anything that has to do with the garret or his accident."
+
+Pennie's face fell.
+
+"Very well, mother," she said in a dejected tone.
+
+"If you can't feel sure, Pennie," said her mother observing the
+hesitation, "I can't let you go."
+
+"I won't, really, mother," repeated Pennie with a sigh--"truly and
+faithfully."
+
+But she felt almost as low-spirited as ever, for what was the good of
+seeing Ambrose if she could not make him understand about the Goblin
+Lady? She remained at the window pondering the subject, with her eyes
+fixed on the grey church tower, the top of which she could just see
+through the branches of the pear-tree. It reminded her somehow of her
+father's text last Sunday, and how pleased she and Nancy had been
+because it was such a short one to learn. Only two words: "Pray
+always." She said it to herself now over and over again without
+thinking much about it, until it suddenly struck her that it would be a
+good thing to say a little prayer and ask to be helped out of the
+present difficulty. "If I believe enough," she said to herself, "I
+shall be helped. Father says people always are helped if they believe
+enough when they ask."
+
+She shut her eyes up very tight and repeated earnestly several times: "I
+_do_ believe. I really and truly do believe;" and then she said her
+prayer.
+
+After this she felt a little more comfortable and ran out to play with
+Nancy, firmly believing that before five o'clock something would turn up
+to her assistance.
+
+But Pennie was doomed to disappointment, for five o'clock came without
+any way out of the difficulty having presented itself.
+
+"I suppose I didn't believe hard enough," she said to herself as she
+made her way sorrowfully upstairs to Ambrose's room. Just as she
+thought this the study door opened and her father came out. He was
+carrying something which looked like a large cage covered with a cloth.
+Pennie stopped and waited till he came up to her.
+
+"Why, whatever can that be, father?" she said. "Is it alive? Where are
+you taking it?"
+
+"It is a little visitor for Ambrose," he answered; "and I'm taking him
+upstairs to tea with you both. But you're not to look at him yet;" for
+Pennie was trying to peep under the cloth.
+
+When they got into Ambrose's room she was relieved to find that he
+looked just like himself, though his face was very white and thin. He
+was much better to-day, and able to sit up in a big arm-chair with a
+picture-book. But nevertheless before Nurse left the room she whispered
+to Pennie again that she must be very quiet.
+
+There was no need for the caution at present, for Pennie was in one of
+her most subdued moods, though at any other time she would have been
+very much excited to know what was inside the cage.
+
+"Now," said the vicar when he was seated in the arm-chair, with Ambrose
+settled comfortably on his knee, "we shall see what Ambrose and this
+little gentleman have to say to each other."
+
+He lifted off the covering, and there was the dearest little brown and
+white owl in the world, sitting winking and blinking in the sudden
+light.
+
+Ambrose clasped his little thin hands, and his eyes sparkled with
+pleasure.
+
+"Oh, father," he cried, "what a darling dear! Is he for me? I always
+_did_ want to have an owl so!"
+
+He was in such raptures when he was told that the owl was to be his very
+own, that when the tea was brought in he could hardly be persuaded to
+touch it. Pennie, too, almost forgot her troubles in the excitement of
+pouring out tea, and settling with Ambrose where the owl was to live.
+
+"The nicest place will be," at last said Ambrose decidedly, "in that
+corner of the barn just above where Davie's rabbits are. You know,
+Pennie. Where it's all dusky, and dark, and cobwebby."
+
+"I think that sounds just the sort of place he would feel at home in,"
+said their father; "and now, would you like me to tell you where I got
+him?"
+
+"Oh, yes, please, father," said Ambrose, letting his head drop on Mr
+Hawthorn's shoulder with a deep sigh of contentment. "Tell us every
+little scrap about it, and don't miss any."
+
+"Well, last night, about nine o'clock, when I was writing in the study,
+I wanted to refer to an old book of sermons, and I couldn't remember
+where it was. I looked all over my book-cases, and at last I went and
+asked mother, and she told me that it was most likely put away in the
+garret."
+
+Ambrose stirred uneasily, and Pennie thought to herself, "They said I
+wasn't to mention the garret, and here's father talking about it like
+anything."
+
+"So I took a lamp," continued Mr Hawthorn, "and went upstairs, and
+poked about in the garret a long while. I found all sorts of funny old
+things there, but not the book I wanted, so I was just going down again
+when I heard a rustling in one corner--"
+
+Pennie could see that Ambrose's eyes were very wide open, with a
+terrified stare as if he saw something dreadful, and he was clinging
+tightly with one hand to his father's coat.
+
+"So I went into the corner and moved away a harp which was standing
+there, and what do you think I saw? This little fluffy gentleman just
+waked up from a nap, and making a great fuss and flapping. He was very
+angry when I caught him, and hissed and scratched tremendously; but I
+said, `No, my friend, I cannot let you go. You will just do for my
+little son, Ambrose.' So I put him into a basket for the night, and
+this morning I got a cage for him in the village, and here he is."
+
+Mr Hawthorn looked down at Ambrose as he finished his story: the
+frightened expression which Pennie had seen had left the boy's face now,
+and there was one of intense relief there. He folded his hands, and
+said softly, drawing a deep breath:
+
+"Then it was not the Goblin Lady after all."
+
+"The Goblin Lady! What can the child mean?" said the vicar looking
+inquiringly at Pennie.
+
+But he got no answer to his question, for Pennie's long-pent-up feelings
+burst forth at last. Casting discretion to the winds, she threw her
+arms vehemently round Ambrose, and blurted out half laughing and half
+crying:
+
+"I made it up! I made it up! There _isn't_ any Goblin Lady. Oh, dear!
+Oh, dear! I made it every bit up!"
+
+The two children sobbed and laughed and kissed each other, and made
+incoherent exclamations in a way which their puzzled father felt to be
+most undesirable for an invalid's room. He had been carefully warned
+not to excite Ambrose, and what _could_ be worse than this sort of
+thing?
+
+Perfectly bewildered, he said sternly:
+
+"Pennie, if you don't command yourself, you must go out of the room.
+You will make your brother ill. It is most thoughtless of you. Tell me
+quietly what all this means."
+
+With many jerks and interruptions, and much shamefacedness Pennie
+proceeded to do so. Looking up at her father's face at the end she was
+much relieved to see a little smile there, though he did not speak at
+once.
+
+"You're not angry, are you, father?" said Ambrose doubtfully at last.
+
+"No, I am not angry," replied Mr Hawthorn, "but I am certainly
+surprised to find I have two such foolish children. I don't know who
+was the sillier--Pennie to make up such nonsense, or Ambrose to believe
+it. But now I am not going to say anything more, because it is quite
+time for Ambrose to go to bed, so Pennie and the owl and I will say
+good-night."
+
+What a relief it was to hear the dreaded subject spoken of so lightly.
+Pennie felt as though a great heavy weight had been suddenly lifted off
+her mind, and she was so glad and happy that after she had left
+Ambrose's room she could not possibly walk along quietly. So she hopped
+on one leg all down a long passage, and at the top of the stairs she met
+Nurse hastening up to her patient:
+
+"You look merry, Miss Pennie," said she. "I hope you haven't been
+exciting Master Ambrose."
+
+"Why, yes," Pennie couldn't help answering. "Father and I have both
+excited him a good deal; but he's much better, and now he'll get quite
+well."
+
+And Pennie was right, for from that night Ambrose improved steadily,
+though it was some time before he became quite strong and lost his
+nervous fears.
+
+The first visit he paid, when he was well enough to be wheeled into the
+garden in a bath-chair, escorted by the triumphant children, was to see
+his new pet, the owl. There he was, hanging in his cage in the darkest
+corner of the barn. Ambrose looked up at him with eyes full of the
+fondest affection.
+
+"What shall we call him, Pennie?" he said. "I want some name which has
+to do with a goblin."
+
+Pennie considered the subject with her deepest frown.
+
+"Would `Goblinet' do?" she said at length; "because, you see, he is so
+small."
+
+"Beautifully," said Ambrose.
+
+So the owl was called "Goblinet."
+
+
+
+CHAPTER FOUR.
+
+DAVID'S PIG.
+
+By the time Ambrose was quite well again, and able to run about with the
+others and play as usual, the holidays were over; Miss Grey came back,
+and lessons began.
+
+It was late autumn; hay-time had passed and harvest, and all the fields
+looked brown and bare and stubbly. The garden paths were covered with
+dry withered leaves, which made a pleasant sound when you shuffled your
+feet in them, and were good things for Dickie to put into her little
+barrow, for as often as she collected them there were soon plenty more.
+Down they came from the trees, red, brown, yellow, when the wind blew,
+and defied the best efforts of Dickie and Andrew. There were very few
+flowers left now--only a few dahlias and marigolds, and some clumps of
+Michaelmas daisies, so the garden looked rather dreary; but to make up
+for this there was a splendid crop of apples in the orchard, and the
+lanes were thickly strewn with bright brown acorns. And these last were
+specially interesting to David, for it was just about this time that he
+got his pig.
+
+David was a solid squarely-built little boy of seven years old, with
+hair so light that it looked almost grey, and very solemn blue eyes. He
+spoke seldom, and took a long time to learn things, but when once that
+was done he never forgot them; and in this he was unlike Nancy, who
+could learn quickly, but forget almost as soon. Miss Grey always felt
+sure that when once David had struggled through a lesson, whether it
+were the kings and queens of England, or the multiplication table, that
+he would remember it if she asked him a question weeks afterwards. But
+then it was a long time before he knew it--so long that it often seemed
+a hopeless task. Nevertheless, if David was slow he was certainly sure,
+and people had a habit of depending upon him in various matters. For
+instance, when Nurse wanted to intrust the baby for a few moments to any
+of the children during her absence from the nursery, it was never to the
+three elder she turned, but to David, and her confidence was not
+misplaced. Once having undertaken any charge or responsibility, David
+would carry it through unflinchingly, whether it were to amuse the baby,
+or to take care of any of the animals while their various owners were
+away. It would have been impossible to him to have forgotten to feed
+the dormouse for a week as Nancy did, or to have left Sappho the canary
+without any water, which Pennie to her great agony of mind was once
+guilty of doing.
+
+David's animals never missed their meals, or were neglected in any way;
+he was particularly proud of his sleek rabbits, which, together with a
+family of white rats, lived in the barn, and certainly throve
+wonderfully, if numbers mean prosperity. The biggest rabbit was called
+Goliath, and it was David's delight to hold him up by the ears, in spite
+of his very powerful kicks, and exhibit his splendid condition to any
+admiring beholder. But though Goliath was handsome, and the white rats
+numerous, their owner was not quite satisfied, for his fondest wish for
+some time past had been to possess a pig. A nice little round black
+pig, with a very curly tail; he would then be content, and ask nothing
+further of fortune.
+
+He thought of the pig, and hoped for the pig, and it would not be too
+much to say that he dreamed of the pig. When he passed a drove of them
+in the road, squeaking, pushing, grunting, and going every way but the
+right, he would stand in speechless admiration. His mind was a
+practical one, and did not dwell merely on the pleasure of owning the
+pig itself, but also on the prospect of fattening, selling, and
+realising money by it.
+
+"You'd never be able to have it killed," said Nancy, who was his chief
+confidante, "after you got fond of it, and it got to know you; you'd as
+soon kill Goliath."
+
+"I shouldn't have it killed," answered David. "I should sell it to the
+farmer."
+
+"Well; but _he'd_ have it killed," pursued the relentless Nancy.
+
+This was unanswerable.
+
+"Never mind. I want a pig, and I shall save up my money," said David
+sturdily.
+
+David's bank was a white china house which stood on the nursery
+mantel-shelf; it had a very red roof with a hole in it, and into this he
+continued for some time to drop all his pennies, and halfpennies, and
+farthings with great persistency, and a mind steadily fixed on the pig.
+After all, however, he got it without spending any of his savings, and
+this is how it happened:--
+
+One fine morning at the end of September the children were all ready for
+their usual walk with Miss Grey--all, that is, except Dickie, who, being
+still a nursery child, went out walking with Nurse and baby. The other
+four, however, were ready, not only as regards hats and jackets, but
+were also each provided with something to "take out," which, in their
+opinion, was quite as indispensable. Penelope therefore carried a
+sketching book, Ambrose a boat under one arm, and under the other a
+camp-stool in case Miss Grey should be tired, Nancy two dolls and a
+skipping-rope, and David a whip and a long chain. At the end of this
+was the terrier dog Snuff, choking and struggling with excitement, and
+giving vent to smothered barks. Snuff would willingly have been loose,
+and there was indeed not the least occasion for this restraint, as it
+would have been far easier to lose David than the dog; he knew well,
+however, that children have their little weaknesses in these matters,
+and submitted to his bondage with only a few whines of remonstrance when
+the company had once fairly started.
+
+His patience was a good deal tried on this occasion, as well as that of
+the children, for it seemed as though Mrs Hawthorn never would finish
+talking to Miss Grey in the hall. At last, however, she said something
+which pleased them very much:
+
+"I want you to go to Hatchard's Farm for me, and ask about the butter."
+
+Now Hatchard's Farm was the place of all others that the children
+delighted to visit. It was about two miles from Easney, and the nicest
+way to it was across some fields, where you could find mushrooms, into a
+little narrow lane where the thickly growing blackberry brambles caught
+and scratched at you as you passed. This lane was muddy in winter, and
+at no time in the year did it appear so desirable to Miss Grey as to the
+children; but it was such a favourite walk with them that she generally
+yielded. The only other way of getting to the farm was by the
+high-road, and that was so dreadfully dull! After scrambling along the
+lane a little while, you saw the red-brown roofs of the barns and
+outbuildings clustering round the house itself, and almost hiding it,
+and soon a pleasant confusion of noises met your ear. Ducks quacked,
+hens cackled, pigeons perched about on the roofs kept up a monotonous
+murmur; then came the deep undertones of the patient cows, and as you
+neared the house you could generally hear Mrs Hatchard's voice in her
+dairy adding its commanding accents to the medley of sounds. It
+certainly was a delightful farm, and David had long ago determined that
+when he grew up he would have one just like it, and wear brown leather
+gaiters like Farmer Hatchard's. He would also keep pigs like his--quite
+black, with very short legs and faces, and tightly curled tails. But
+some time must pass before this, and the next best thing was to go as
+often as possible to see them, and ask all manner of questions of the
+farmer or his men. There was no one in the great wide kitchen when the
+party arrived on this occasion, and Miss Grey sat down to wait for Mrs
+Hatchard, while the children made their usual tour of admiring
+examination. They had seen every object in the room hundreds of times
+before, but how interesting they always were! The high-backed settle on
+each side of the fire was dark with age, and bright with the toil of
+Mrs Hatchard's hands; the heavy oak rafters were so conveniently low
+that the children could see the farmer's gun, a bunch of dips, a pair of
+clogs, a side of bacon kept there as in a sort of storehouse. At the
+end of the room opposite the wide hearth was the long narrow deal table,
+where the farmer and his men all dined together at twelve o'clock, for
+they were old-fashioned people at Hatchard's Farm; and behind the door
+hung the cuckoo clock, before which the children never failed to stand
+in open-mouthed expectation if it were near striking the hour. On all
+this the sun darted his rays through the low casement, and failed to
+find, for all his keen glances, one speck of dust.
+
+Miss Grey sat in the window-seat looking absently out at the marigolds
+and asters in the gay garden, when she felt a little hand suddenly
+placed in hers, and, turning round, saw David, his face crimson with
+suppressed excitement:
+
+"Come," he said, pulling her gently, "come and look here."
+
+He led her to the hearth, and pointed speechless to something which
+looked like a small flannel bundle in a basket. As she looked at it, it
+moved a little.
+
+"Well, Davie," said she, "what is this wonderful thing? Something
+alive?"
+
+David had knelt down close to the bundle and was peering in between the
+folds of the flannel with an expression of reverent awe. He looked up
+gravely.
+
+"Don't you see," he said slowly in lowered accents, "it's a little baby
+pig!"
+
+Stooping down Miss Grey examined it more closely, and found that it was
+indeed a little black pig of very tender age, so closely covered up in
+flannel that only its small pointed snout and one eye were visible.
+
+"Do you suppose it's ill?" inquired David.
+
+"I daresay it is," answered Miss Grey; "we'll ask Mrs Hatchard about it
+presently."
+
+The other children had gathered round, all more or less interested in
+the invalid pig; but presently, Pennie having suggested that they should
+go and see the new little calf, they ran out of the kitchen in search of
+fresh excitement.
+
+"Come along, Davie," said Ambrose, looking back from the door; "come out
+and see the other pigs."
+
+"No," said David decidedly, "I shall stop here."
+
+He took his seat as he spoke on the corner of the settle nearest the
+pig, with the evident intention of waiting for Mrs Hatchard's arrival;
+he was not going to lose a chance of inquiring closely into such an
+important subject.
+
+And at last Mrs Hatchard came bustling in, cheerful, brisk, and
+ruddy-faced as usual, with many apologies for her delay. Miss Grey
+plunged at once into business with her, and the patient David sat
+silently biding his time for the fit moment to put his questions.
+
+"Won't you run out, little master?" said the good-natured farmer's wife,
+noticing the grave little figure at last. "There's the calves to see,
+and a fine litter of likely young pigs too."
+
+"No, thank you," said David politely. "I want to know, please, why you
+keep this one little pig in here, and whether it's ill."
+
+"Oh, aye," said Mrs Hatchard, coming up to the basket and stooping to
+look at the occupant, which was now making a feeble grunting noise.
+"I'd most forgot it. You see it's the Antony pig, and it's that weakly
+and dillicut I took it away to give it a chance. I doubt I sha'n't rear
+it, though, for it seems a poor little morsel of a thing."
+
+"How many other little pigs are there?" asked David.
+
+"Why, there's ten on 'em--all fine likely pigs except this one, and they
+do that push and struggle and fight there's no chance for him."
+
+"Why do you call it the Antony pig?" pursued David with breathless
+interest.
+
+"Well, I don't rightly know why or wherefore," said Mrs Hatchard; "it's
+just a name the folks about here always give to the smallest pig in the
+litter."
+
+"Do you think Farmer Hatchard knows?" inquired David.
+
+"Well, he might," said Mrs Hatchard, "and then again he mightn't. But
+I tell you what, Master David, if yonder little pig lives, and providin'
+the vicar has no objections, I'll give him to you. You always fancied
+pigs, didn't you now?"
+
+David was still leaning fondly over the basket, and made no reply at
+first. It took some time to fully understand the reality of such a
+splendid offer.
+
+"Come, Davie," said Miss Grey, "we must say good-bye and go and find the
+others."
+
+Then he got up, and held out his hand gravely to Mrs Hatchard.
+
+"Good-bye," he said. "Thank you. I hope you'll accede in rearing the
+Antony pig. I should like to have it very much, if father will let me."
+
+David went home from the farm hardly able to believe in his own good
+fortune, but according to his custom he said very little.
+
+The matter was discussed freely, however, by the other children, and it
+was so interesting that it lasted them all the way back. Would the pig
+live? they wondered, and if it did, would their father let David have
+it? Where would it live? What would David call the pig if he did get
+it? This last inquiry was put by Ambrose, and he felt quite rebuked
+when his brother replied scornfully, "Antony, of course."
+
+But there was some demur on the part of the vicar when he was informed
+of the proposed addition to his live stock.
+
+"I don't like to disappoint you, my boy," he said, "but you know Andrew
+has plenty to do already. He has the garden to look after, and the
+cows, and my horse. I don't think I could ask him to undertake anything
+more."
+
+Poor little David's face fell, and his underlip was pushed out
+piteously. He would not have cried for the world, and none of the
+children ever thought of questioning what their father said; so he stood
+silent, though he felt that the world without the Antony pig would be
+empty indeed.
+
+"Do you want it very much, Davie?" said the vicar, looking up from his
+writing at the mournful little face.
+
+"Yes, father, I do," said David, and with all his resolution he could
+not choke back a little catching sob as he spoke.
+
+"Well, then, look here," said his father; "if you will promise me to
+take entire charge of it, and never to trouble Andrew, or call him away
+from his work to attend to it, you shall have the pig. But if I find
+that it is neglected in any way, I shall send it back at once to Farmer
+Hatchard. Is that a bargain?"
+
+"Oh, yes, indeed," cried the delighted David; and he ran out to tell the
+result of his interview to the anxious children waiting outside the
+study door.
+
+So David was to have the pig; and, with the assistance of Ambrose and a
+few words of advice from Andrew, he at once began to prepare a
+habitation for it. Fortunately there was an old sty still in existence,
+which only wanted a little repairing, and everything was soon ready.
+But the rearing of the Antony pig still hung trembling in the balance,
+and some anxious weeks were passed by David; he called to inquire after
+it as often as he possibly could, and, to his great joy, found it on
+each occasion more lively and thriving--thanks to Mrs Hatchard's
+devoted care.
+
+And at last the long-wished-for day arrived. Antony was driven to his
+new home with a string tied round his leg, in the midst of a triumphal
+procession of children, and David's joy and exultation were complete.
+
+There was certainly no danger of his neglecting his charge, or of asking
+anyone to assist him in its service; never was pig so well cared for as
+Antony, and as time went on he showed an intelligent appreciation of
+David's attentions not unmixed with affection. Perhaps in consequence
+of these attentions he soon developed much shrewdness of character, and
+had many little humorous ways which were the pride of his master's
+heart. The two were fast friends, and seemed to understand each other
+without the need of speech, though David had been known to talk to his
+pig when he believed himself to be in private. As for the _selling_
+part of the plan, it seemed quite to have faded away, and when Andrew
+said with a grin:
+
+"Well, young master, t'pig 'ull soon be ready for market noo," David got
+quite hot and angry, and changed the subject at once.
+
+On rare occasions Antony was conducted, making unctuous snorts of
+pleasure, into the field to taste a little fresh grass and rout about
+with his inquisitive nose; but the garden was of course forbidden
+ground. Therefore, when he was once discovered in the act of enjoying
+himself amongst Andrew's potatoes, the consternation was extreme. It
+was Nancy who saw him, as she sat one morning learning a French verb,
+and staring meanwhile absently out of the schoolroom window. Her
+expression changed suddenly from utter vacancy to keen interest, and her
+monotonous murmur of "J'ai, Tu as, Il a," to a shout of, "Oh, Davie,
+there's Antony in the garden!"
+
+"Nancy," said Miss Grey severely, "you know it is against rules to talk
+in lesson time. Be quiet."
+
+"But I can't really, Miss Grey," said Nancy, craning her neck to get a
+better view of the culprit; "he's poking up the potatoes like anything.
+Andrew _will_ be so cross. You'd better just let us go and chase him
+back again."
+
+The excitement had now risen so high that Miss Grey felt this would
+really be the best plan, for attention to lessons seemed impossible, and
+soon the four children were rushing helter-skelter across the garden in
+pursuit of Antony. With a frisk of his tail and a squeak of defiance he
+led the chase in fine style, choosing Andrew's most cherished borders.
+What a refreshment it was, after the tedium of French verbs and English
+history, and what a pity when Antony, after a brave resistance, was at
+length hustled back into his sty!
+
+Whether the door was insecure, or not too carefully fastened after this,
+remains uncertain; but it is a fact that these pig-chases came to be of
+pretty frequent occurrence, and always happened, by some strange chance,
+during school hours. The cry of, "Pig out!" and the consequent rush of
+children in pursuit, at last reached such a pitch that both Miss Grey
+and the much-tried Andrew made complaint to the vicar. Miss Grey
+declared that discipline was becoming impossible, and Andrew that there
+would not be a "martal vegetable in the garden if Master David's pig got
+out so often." Then the vicar made a rule to this effect:
+
+"If David's pig is seen in the garden again, it goes back that same day
+to Farmer Hatchard."
+
+The vicar's rules were not things to be disregarded, and his threats
+were always carried out. David and Ambrose might have been seen with a
+large hammer and nails very busy at the pig-sty that afternoon, and
+Antony's visits to the garden ceased, until one unlucky occasion when
+David was away from home, and it fell out in the following manner:--
+
+In the cathedral town of Nearminster, ten miles from Easney, lived
+Pennie's godmother Miss Unity Cheffins, and it was Mr and Mrs
+Hawthorn's custom to pay her an annual visit of two or three days,
+taking each of the four elder children with them in turn. It was an
+occasion much anticipated by the latter, but more for the honour of the
+thing than from any actual pleasure connected with it, for Miss Unity
+was rather a stiff old lady, and particular in her notions as to their
+proper behaviour. She was fond of saying, "In _my_ time young people
+did so and so," and of noticing any little failure in politeness, or
+even any personal defect. She was a rich old lady, and lived in a great
+square house just inside the Cathedral Close; it was sombrely furnished,
+and full of dark old portraits, and rare china bowls and knick-knacks,
+which last Miss Unity thought a great deal of, and dusted carefully with
+her own hands. Amongst the many injunctions impressed upon the
+children, they were told never to touch the china, and there were indeed
+so many pitfalls to be avoided, that the visit was not by any means an
+unmixed pleasure to Mrs Hawthorn. The children themselves, however,
+though they missed the freedom of their home, and were a little afraid
+of the upright Miss Unity, managed to extract enjoyment from it, and
+always looked enviously upon the one of their number whose turn it was
+to go to Nearminster.
+
+And now the time had come round again, and it was David's turn to go,
+but there was one drawback to his pleasure, because he must leave the
+pig. Who could say that some careless hand might not leave the door of
+the sty open or insecurely fastened during his absence? Then Antony's
+fate would be certain, for Andrew was only too eager to carry out the
+vicar's sentence of banishment, and was on the watch for the least
+excuse to hurry the pig back to the farm.
+
+After turning it over in his mind, David came to the conclusion that he
+could best ensure Antony's safety by placing him under someone's special
+care, and he chose Nancy for this important office.
+
+"You _will_ take care of him, won't you?" he said, drawing up very close
+to her and fixing earnest eyes upon her face, "and see that his gate is
+always fastened."
+
+Nancy was deeply engaged in painting a picture in the _Pilgrim's
+Progress_; she paused a moment to survey the effect of Apollyon in
+delicate sea-green, and said rather absently:
+
+"Of course I will. And so will Ambrose and so will Pennie."
+
+"No, but I want you partickerlerlery to do it," said David, bungling
+dreadfully over the long word in his anxiety--"you _more_ than the
+others."
+
+"All right," said Nancy with her head critically on one side.
+
+"I want you to promise three things," went on David--"to keep his gate
+shut, and to give him acorns, and not to let Dickie poke a stick at
+him."
+
+"Oh, yes, I'll promise," said Nancy readily.
+
+"Truly and faithfully?" continued David, edging still closer up to her;
+"you won't forget?"
+
+"No, I really won't," said Nancy with an impatient jerk of her elbow;
+"don't you worry me any more about it."
+
+"I took care of your dormouse when _you_ went," continued David, "and
+didn't forget it once. So you ought to take care of my pig, it's only
+fair."
+
+"Well, don't I tell you I'm going to?" said Nancy, laying down her
+paint-brush with an air of desperation. "I sha'n't do it a bit more for
+your asking so often. Do leave off."
+
+"You'll only be away three days, Davie," said Pennie, looking up from
+her book; "we can manage to take care of Antony that little while I
+should think."
+
+"Well," said David, "Nancy's got to be 'sponsible, because I took care
+of her mouse."
+
+"If I were you," said Ambrose with a superior air, "I wouldn't use such
+long words; you never say them right."
+
+"I say," interrupted Pennie, putting down her book, "what do you all
+like best when you go to Nearminster? I know what _I_ like best."
+
+"Well, what is it?" said Ambrose; "you say first, and then Nancy, and
+then me, and then David."
+
+"Well," said Pennie, clasping her knees with much enjoyment, "what I
+like best is going to church in the Cathedral in the afternoon. When
+it's a little bit dusky, you know, but not lighted up, and all the
+pillars look misty, and a long way off, and there are very few people.
+And then the boys sing, and you feel quite good and just a little bit
+sad; I can't think why it is that I never feel like that in our church;
+I suppose it's a cathedral feeling. That's what I like best. Now you,
+Nancy."
+
+"Why," said Nancy without the least hesitation. "I like that little
+Chinese mandarin that stands on the mantel-piece in Miss Unity's
+sitting-room, and wags its head."
+
+"And _I_ like the drive back here best," said Ambrose, "because, when
+we're going there's only Miss Unity to see at the end; but when we get
+here there are all the animals and things."
+
+"I don't call that liking Nearminster. I call it liking home," said
+Nancy. "Now, it's your turn, David."
+
+"I don't know what I like best," said David solemnly. "I only know what
+I like least."
+
+"What's that?"
+
+"Miss Unity," said David with decision.
+
+"Should you call her very ugly?" inquired Ambrose.
+
+"Yes, of course, quite hideous," replied Nancy indistinctly, with her
+paint-brush in her mouth.
+
+"Well, I'm not quite sure," said Pennie; "once I saw her eyes look quite
+nice, as if they had a light shining at the back of them."
+
+"Like that face Andrew made for us out of a hollow pumpkin, with a
+candle inside?" suggested Nancy.
+
+"You're always so stupid, Nancy!" said Ambrose scornfully. "I know what
+Pennie means about Miss Unity; _I've_ seen her eyes look nice too.
+Don't you remember, too, how kind she was when Dickie was so rude to
+her? I've never been so afraid of her since that."
+
+The next day the party started for Nearminster in the wagonette, David
+sitting in front with his feet resting comfortably on his own little
+trunk. Andrew, who drove, allowed him to hold the whip sometimes, and
+the end of the reins--so it was quite easy to fancy himself a coachman;
+but this delightful position did not make him forget other things.
+Beckoning to Nancy, who stood with the rest on the rectory steps, he
+lifted a solemn finger.
+
+"Remember!" he said.
+
+Nancy nodded, the wagonette drove away followed by wavings, and
+good-byes, and shrieking messages from the children, and was soon out of
+sight.
+
+"That was like Charles the First," said Pennie; "don't you remember just
+before they cut off his head--"
+
+"Oh, don't!" said Nancy; "pray, don't talk about Charles the First out
+of lesson time."
+
+
+
+CHAPTER FIVE.
+
+MISS UNITY.
+
+It was a lonely life which Miss Unity Cheffins lived at Nearminster, but
+she had become so used to it that it did not occur to her to wish for
+any other. Far far in the distance she could remember a time when
+everything had not been so quiet and still round her--when she was one
+of a group of children who had made the old house in the Close echo with
+their little hurrying footsteps and laughing voices. One by one those
+voices had become silent and the footsteps had hastened away, and Miss
+Unity was left alone to fill the empty rooms as she best might with the
+memories of the past. That was long long ago, and now her days were all
+just alike, as formal and even as the trimly-kept Close outside her
+door. And she liked them to be so; any variety or change would have
+been irksome to her. She liked to know that exactly as eight o'clock
+sounded from the cathedral Bridget would bring her a cup of tea, would
+pull up her blind to a certain height, and would remark, "A fine
+morning, ma'am," or "A dull morning," as the case might be. At eleven
+o'clock, wet or dry, she would sally forth into the town to do the light
+part of her marketing and cast a thoughtful eye on the price of
+vegetables; after which, girt with a large linen apron, and her head
+protected by a mob-cap, she would proceed to dust and wash her cherished
+china. From much loneliness she had formed a habit of talking quietly
+to herself during these operations; but no one could have understood
+her, for she only uttered the fag-ends of her thoughts aloud.
+
+The Chinese mandarin which Nancy admired was the object of Miss Unity's
+fondest care; some bygone association was doubtless connected with him,
+for she seldom failed to utter some husky little sentences of endearment
+while she lingered over his grotesque person with tender touches of her
+feather brush. So the day went on. After her dinner, if the weather
+were fair, she would perhaps deck herself with a black silk mantilla and
+a tall bonnet with nodding flowers, and go out to visit some old friend.
+A muffin, a cup of tea, and perhaps a little cathedral gossip would
+follow; and then Miss Unity, stepping primly across the Close, reached
+the dull shelter of her own home again, and was alone for the rest of
+the evening. At ten o'clock she read prayers to Bridget and the little
+maid, and so to bed.
+
+The even course of these days was only disturbed twice in the year--once
+by Mr and Mrs Hawthorn's visit to Nearminster, and once by Miss
+Unity's visit to Easney. These were important events to her,
+anticipated for months, not exactly with pleasure; for, though she was
+really fond of her friends, she was shy, and to be put out of her usual
+habits was, besides, a positive torture to her. Then there were the
+children! Troublesome little riddles Miss Unity often found them,
+impossible to understand; and it is a question whether she or they were
+the more uncomfortable when they were together. For she had an idea,
+gathered from some dim recollection of the past, that children needed
+constant correction and reproof; and she felt sure Mary Hawthorn
+neglected her duty in this respect, and was over-indulgent. So, being a
+most conscientious woman, she tried to supply this shortcoming, and the
+result was not a happy one.
+
+She was ill at ease with all the children, but of Dickie she was fairly
+frightened, for Dickie had disgraced herself at her very first
+introduction. Seeing Miss Unity's grim face framed by the nodding
+bonnet bending down to kiss her, the child looked up and said with a
+sweet smile, "Ugly lady!"
+
+There was no disguising it, for Dickie's utterance had the clearness of
+a bell, and a horrified silence fell on the assembly.
+
+"Don't be naughty, Dickie," said Mrs Hawthorn reprovingly; "say, `How
+do you do?' directly."
+
+But Miss Unity had straightened herself up and turned away with an odd
+look in her eyes.
+
+"Don't scold the child, Mary," she said; "she's not naughty, she's only
+honest."
+
+From that time Pennie never considered Miss Unity quite ugly, and indeed
+her features were not so much ugly as rugged and immovable. When her
+feelings were stirred she was not ugly at all; for they were good, kind
+feelings, and made her whole face look pleasant. So little happened in
+her life, however, that they generally remained shut up as in a sort of
+prison, and were seldom called forth; people, therefore, who did not
+know her often thought her cross. But Miss Unity was not cross--she was
+only lonely and dull because she had so little to love. Nothing could
+have passed off better than the Hawthorns' visit on this particular
+occasion, and indeed when David was with her Mrs Hawthorn never feared
+the unlucky accidents which were apt to occur with the other children.
+He was so deliberate and careful by nature that there was no risk of his
+knocking down the china, or treading on the cat's tail, or on the train
+of Miss Unity's gown. Nancy did all these things frequently, however
+hard she tried to be good, and was, besides, very restive under reproof
+and ready to answer pertly.
+
+On the whole Miss Unity liked to have the grave little David with her
+better than the other children, though she sometimes felt when she found
+his solemn and disapproving gaze fixed upon her. David on his side had
+his opinions, though he said little, and he had long ago made up his
+mind that he did not like Miss Unity at all. So he was sorry to find,
+when the day came for leaving Nearminster, that she was going back to
+Easney with them instead of making her visit later in the year. It
+would not be nearly as pleasant as driving alone with his father and
+mother, he thought; for now he could not ask questions on the way,
+unless he talked to Andrew, and he was always so silent.
+
+When the wagonette came round there were so many little packages
+belonging to Miss Unity that it was quite difficult to stow them away,
+and as fast as that was done Bridget brought out more. Not that there
+was much luggage altogether, but it consisted in such a number of
+oddly-shaped parcels and small boxes that it was both puzzling and
+distracting to know where to put them. Mr Hawthorn was busy for a good
+quarter of an hour disposing of Miss Unity's property; while David
+looked on, keenly interested, and full of faith in his father's
+capacity.
+
+"That's all, I think," said Mr Hawthorn triumphantly at last, as he
+emerged from the depths of the wagonette, and surveyed his labours;
+"there's not much room left for us, certainly, but I daresay we shall
+manage."
+
+As he spoke Bridget came out of the house carrying a waterproof bundle,
+bristling with umbrellas and parasols.
+
+"Oh, dear me!" exclaimed the vicar in a discouraged voice, "is that to
+go? Does your mistress want all those umbrellas?"
+
+"She wouldn't like to go without 'em, sir," replied Bridget.
+
+"Where _shall_ you put them, father?" asked David in quite an excited
+manner.
+
+That was indeed a question, but it was at length solved by Mr Hawthorn
+deciding to walk, and the wagonette was ready to proceed, David sitting
+in front as usual. After several efforts to make Andrew talk he fell
+back for amusement on his own thoughts, and in recognising all the
+well-known objects they passed on the road. Presently they came to a
+certain little grey cottage, and then he knew they were halfway home.
+It had honeysuckle growing over the porch, and a row of bee-hives in the
+garden, which was generally bright and gay with flowers; just now,
+however, it all looked withered and unattractive, except that on one
+tree there still hung some very red apples, though it was the beginning
+of November. That reminded David of Antony, who had a great weakness
+for apples. He smiled to himself, and felt glad that he should see his
+pet so soon.
+
+After this cottage there was a long steep hill to go up, and here Ruby
+the horse always waited for Andrew to get down and walk. David might
+really drive now, and even flick at Ruby's fat sides with the whip,
+which was pleasant, but did not make the least difference to his speed.
+
+When they had reached the top of the hill, the little square tower of
+Easney church could just be seen, and the chimneys of the vicarage, but
+though they looked near, there were still nearly four miles to drive.
+Now it was all downhill, and Ruby pounded along at an even trot, which
+seemed to make a sort of accompaniment to David's thoughts--
+
+ To market, to market,
+ To buy a fat pig;
+ Home again, home again,
+ Jig a jig, jig!
+
+it said, over and over again. "I wonder whether Antony will know me!"
+thought David.
+
+Five minutes more and the carriage stopped at the white gate, and Andrew
+getting down to open it, David drove in a masterly manner up to the
+front door, where Ambrose, Pennie, and Dickie were assembled to welcome
+the return. Amidst the bustle which followed, while Miss Unity's
+belongings were being unpacked and carried indoors under the watchful
+eye of their owner, David slipped down from his perch and hurried away
+towards the kitchen-garden; Antony lived there, and he would go and see
+him first of all. As he ran along the narrow path, bordered with
+fruit-trees, he stooped to pick up a wrinkled red apple which had
+fallen. "He's _so_ fond of 'em!" thought he, as he put it in his
+pocket. There was the sty, and now he should soon hear the low grunt so
+delightful to his ears. All was silent, however, and he went on more
+slowly, with a slight feeling of dread, for somehow the sty had a
+strangely empty look about it. "He's eating," said David encouragingly
+to himself; but even as he said so he stood still, quite afraid to go
+any nearer. Then he called gently: "Choug, choug, choug." No sign of
+life. No inquiring black snout peering over the edge. Unable to bear
+the uncertainty, he rushed forward and looked into the sty.
+
+Empty! Yes, quite empty--Antony's straw bed was there, and the remains
+of some food in his trough, but no Antony!
+
+David stood staring at the desolate dwelling for some minutes, hardly
+able to believe his eyes; then with a thrill of hope he said to himself:
+
+"He must have got out. He must be somewhere in the garden;" and he
+turned round to go and search for him. As he did so, he saw a small
+dejected figure coming down the path towards him with downcast face and
+lagging step. It was Nancy--grief in every feature, and guilt in every
+movement. One glance was enough for David; he understood it all now,
+and he flushed angrily, and turned his back upon her, clenching his
+fists tightly. She came slowly up and stood close to him; she was
+crying.
+
+"Oh, Davie," she said. "I am so sorry."
+
+"Where's Antony?" said David in a muffled voice without looking at her.
+
+"He's gone."
+
+"Where?"
+
+"Back to the farm."
+
+"Why?"
+
+"Andrew took him. He found him eating the spinach, and he said he must
+obey orders. And I asked Miss Grey to stop him, and she said she
+couldn't interfere--"
+
+Nancy stopped and gasped.
+
+"Then," said David sternly, "you didn't fasten his gate."
+
+"Oh, I _thought_ I did," said Nancy, beginning to sob again in an
+agonised manner; "but I forgot to put that stick through the staple, and
+he must have pushed it open. I am so sorry."
+
+"That's no good at all," said David with a trembling lip; "Antony's
+gone."
+
+"I'll give you anything of mine to make up," said Nancy eagerly--"my
+bantam hen, or my dormouse, or my white kitten."
+
+"I don't want anything of yours," said David, "I want my own pig."
+
+Nancy was silent, except for some little convulsive sobs. Presently she
+made a last effort.
+
+"Please, Davie," she said humbly, "won't you forgive me? I _am_ so
+sorry."
+
+David turned round. His face was very red, but he spoke slowly and
+quietly:
+
+"No," he said, "I won't forgive you. I never mean to. You promised to
+take care of Antony, and you haven't. You're _very_ wicked."
+
+Then he went away and left Nancy in floods of tears by the empty sty.
+
+Everyone sympathised with David at first, and was sorry for his loss,
+though perhaps no one quite understood what a great one it was to him;
+but there was another feeling mingled with his grief for Antony, which
+was even stronger, and that was anger towards his sister. David had a
+deep sense of justice, and it seemed hard to him that he alone should
+suffer for Nancy's wrong-doing. When he saw her after a time as merry
+and gay as though Antony had never existed, he felt as hard as stone,
+and would neither speak to her nor join in any game in which she took
+part. She ought to be punished, he thought, and made to feel as unhappy
+as he did. Poor little Davie! he was very miserable in those days, and
+sadly changed, for his once loving heart was torn with grief and anger,
+which are both hard to bear, but anger far the worse of the two. So he
+moped about mournfully alone, and no one took much notice of him, for
+people got tired of trying to comfort him and persuade him to forgive.
+Even his mother was unsuccessful:
+
+"You ought to forgive and forget, Davie," said she.
+
+"I _can't_ forget Antony," replied David, "and I don't want to forgive
+Nancy. I'd rather _not_."
+
+"But she would be the first to forget any wrong thing you did to her,"
+continued Mrs Hawthorn.
+
+"Nancy _always_ forgets," said David, "wrong things and right things
+too."
+
+Mrs Hawthorn was silenced, for this was strictly true.
+
+"I don't know what to make of David," she said to her husband
+afterwards. "I would ask you to let him have the pig back, but I don't
+think he ought to have it while he shows this unforgiving spirit."
+
+"Let him alone," said the vicar. "Leave it to time."
+
+So David was left alone; but time went on and did not seem to soften his
+feelings in the least, and this was at last brought about by a very
+unexpected person.
+
+One morning Miss Unity, who had now been staying some time at Easney,
+went out to take a little air in the garden: it was rather damp under
+foot, for it had rained in the night, but now the sun shone brightly,
+and she stepped forth, well protected by over-shoes and thick shawl,
+with the intention of taking exercise for exactly a quarter of an hour.
+
+From the direction of the Wilderness she heard shouts and laughter which
+warned her of the children's whereabouts, and she turned at once into
+another path which led to the kitchen-garden.
+
+"How Mary does let those children run wild!" she said to herself, "and
+Pennie getting a great girl, too. As for Miss Grey, she's a perfect
+cipher, and doesn't look after them a bit. If they were _my_
+children--"
+
+But here Miss Unity's reflections were checked. Lifting her eyes she
+saw at the end of the narrow path a low shed which looked like a
+pig-sty; by it was a plank, raised at each end on a stone, so as to form
+a rough bench, and on this there crouched a small disconsolate figure.
+It was bent nearly double, and had its face buried in its hands, so that
+only a rough shock of very light hair was visible; but though she could
+not see any features Miss Unity knew at once that it was David mourning
+for his pig.
+
+Her first impulse was to turn round and go quickly away, for she had
+gathered from what she had heard of the affair that he was a very
+naughty, sulky little boy; as she looked, however, she saw by a slight
+heaving movement of the shoulder that he was crying quietly, and her
+heart was stirred with sudden pity:
+
+"It's a real grief to the child, that's evident, though it's only about
+a pig," she said to herself, and, yielding to another impulse, she
+walked on towards him instead of going back. But after all it was a
+difficult situation when she got close to him, for she did not know what
+to say, although she felt an increasing desire to give him comfort. At
+any rate it was useless to stand there in silence looking at that little
+bowed head; would it be better to sit down by him, perhaps? she
+wondered, casting a doubtful eye on the decidedly dirty plank. Miss
+Unity was delicately particular, and her whole soul recoiled from dirt
+and dust, so it was really with heroic resolution that she suddenly
+folded her nice grey gown closely about her and took a seat, stiffly
+erect, by David's side. When there she felt impelled to pat his head
+gently with two long fingers, and say softly: "Poor little boy!"
+
+David had watched all Miss Unity's movements narrowly through a chink in
+his fingers, though he kept his face closely hidden, and when she sat
+down beside him he was so surprised that he stopped crying. He wondered
+what she was going to say. She would scold him, of course, everyone
+scolded him now, and he set his teeth sullenly and prepared to defend
+himself. Then the unexpected kind words fell on his ear, and he could
+not help bursting into fresh tears, and sobbed as if his heart would
+break. It was partly for Antony, partly for Nancy, partly for himself,
+that he was crying; he was so tired of being naughty, and he wanted so
+much to be made good again.
+
+Miss Unity was sadly perplexed by the result of her efforts; she seemed
+to have made matters worse instead of better, and she sat for some
+minutes in silent dismay by the side of the sobbing David. But having
+begun she felt she must go on, and taking advantage of a little lull she
+presently said:
+
+"Was it a nice pig, David?"
+
+"B-b-beautiful."
+
+"And you miss it?"
+
+This was so evident a fact that David seemed to think it needed no
+answer, and Miss Unity continued:
+
+"It's sad to lose anything we know and love. Very hard to bear. It's
+quite natural and right to be sorry."
+
+David took his hands away from his face, which was curiously marked by
+dirty fingers and tears, and lifted a pair of blurred blue eyes to Miss
+Unity. He was listening, and she felt encouraged to proceed:
+
+"But though it's hard, there is something else that is much worse; do
+you know what that is?"
+
+"No," said David.
+
+"To be angry with anyone we love," said Miss Unity solemnly; "that is a
+very bitter feeling, and hurts us very much. All the while we have it
+in our hearts we can't be happy, because anger and love are fighting
+together."
+
+David's eyes grew rounder and larger. Could this really be Miss Unity?
+He was deeply impressed.
+
+"And they fight," she went on, "until one is killed. Very often love is
+stronger, but sometimes it is anger that conquers, and then sad things
+follow. In this way, David, much evil has happened in the world from
+time to time."
+
+Miss Unity paused. She felt that she was getting on very well, and was
+surprised at her own success, for David had stopped crying, and was
+staring at her with absorbed interest. She went on:
+
+"When once we let anger drive love quite out of our hearts all manner of
+bad things enter; but we don't often succeed in doing it, because love
+is so great and strong. Do you know why you're so unhappy just now?"
+
+"Because I've lost Antony," said David at once.
+
+"Yes, that is one reason, but there is a bigger one. It is because you
+are angry with Nancy."
+
+David hung his head.
+
+"You're fond of Nancy, Davie? I've heard your mother say that you and
+she are favourite playfellows."
+
+"No," said David, "not now. She promised to shut Antony's gate--and she
+forgot."
+
+Miss Unity stopped a moment to think; then she said:
+
+"Would you be happier, David, if Nancy were to be punished?"
+
+"Yes."
+
+"Why?"
+
+"Because it would be fair."
+
+"Well--you know it's Nancy's birthday soon, and she has to choose what
+present I shall give her?"
+
+David nodded his head. He knew it very well; and not only that, he knew
+what Nancy was going to choose, for she had confided to him as a great
+secret that her heart was set on a kitchen-range for the doll's house.
+
+"When she chooses, would you like me to say: `No, Nancy. Because you
+were careless and forgot David's pig I shall give you nothing this
+year?'"
+
+Miss Unity waited eagerly for the answer. How she hoped it would be
+"No." She had not been so anxious for anything for a long time.
+
+But David raised his head, gazed at her calmly, and said quite
+distinctly:
+
+"Yes."
+
+Miss Unity sighed as she got up from her lowly seat.
+
+"Very well, David," she said, "it shall be so; but I am sorry you will
+not forgive your sister."
+
+She went sadly back to the house, thinking to herself:
+
+"Of course _I_ could not persuade where others have failed. It was
+foolish to try. I have no influence with children. I ought to have
+remembered that."
+
+But she was mistaken. That night when she was dressing for dinner there
+was a little knock at her door, very low down as though from somebody of
+short stature. She opened it, and there was David.
+
+"If you please," he said, "I've come to say that I'd rather you gave
+Nancy the kitchen-range--I mean, whatever she chooses for her birthday."
+
+"Then you've forgiven her?" asked Miss Unity excitedly.
+
+"Yes," said David. "Good-night, because it's bed-time. Nurse said I
+was to go back directly."
+
+He held out his hand, and also raised a pursed-up mouth towards Miss
+Unity, which meant that he wished to be kissed.
+
+Feeling the honour deeply she stooped and kissed him, and her eyes
+followed the little square figure wistfully as it trotted down the
+passage to the nursery; when it disappeared she turned into her room
+again with a warmer feeling about her heart than she had known for many
+a day.
+
+Three days after this was Nancy's birthday, and although the
+kitchen-range did not appear she hopped and skipped and looked so
+brimful of delight that David could not help asking: "What are you so
+pleased about?"
+
+"Come with me," was Nancy's reply, "and I'll show you Miss Unity's
+birthday present. It's the best of all."
+
+She hurried David into the garden, and up to the pig-sty--empty no
+longer! There was Antony as lively as ever, and ready to greet his
+master with a cheerful grunt!
+
+"There," she said, in the intervals of a dance of triumph, "I and Andrew
+fetched him home. Father said we might. I asked Miss Unity to ask him
+to have him back for a birthday present. And she did. She was so kind;
+and I don't think she's ugly now at all."
+
+Nor did David; and he never said again that the thing he liked least at
+Nearminster was Miss Unity, for he had a long memory for benefits as
+well as for injuries.
+
+
+
+CHAPTER SIX.
+
+ETHELWYN.
+
+"Oh, dear me!" said Pennie, looking at herself in the glass over the
+nursery mantel-shelf; "it _is_ ugly, and _so_ uncomfortable. I wish I
+needn't wear it."
+
+"It," was Pennie's new winter bonnet, and certainly it was not very
+becoming; it was made of black plush with a very deep brim, out of which
+her little pointed face peered mournfully, and seemed almost swallowed
+up. There was one exactly like it for Nancy, and the bonnets had just
+come from Miss Griggs, the milliner at Nearminster, where they had been
+ordered a week ago. "Do you come and try yours on, Miss Pennie," said
+Nurse as she unpacked them, "there's no getting hold of Miss Nancy."
+
+So Pennie put it on with a little secret hope that it might be a
+prettier bonnet than the last; she looked in the glass, and then
+followed the exclamation with which this chapter begins.
+
+"I don't see anything amiss with it," said Nurse, who stood with her
+head on one side, and the other bonnet perched on her hand. "They're as
+alike as two pins," she added, twirling it round admiringly.
+
+"They're both just as ugly as they can be," said Pennie mournfully; "but
+mine's sure to look worse than Nancy's--it always does. And they never
+_will_ stay on," she added in a still more dejected voice, "unless I
+keep on catching at the strings in front with my chin."
+
+"Oh, well, Miss Pennie," said Nurse, "your head will grow to it, and you
+ought to be thankful to have such a nice warm bonnet. How would you
+like to go about with just a shawl over your head, like them gypsies we
+saw the other day?"
+
+"_Very much indeed_," said Pennie, who had now taken off the bonnet and
+was looking at it ruefully. "There was one gypsy who had a red
+handkerchief, which looked much prettier than this ugly old thing."
+
+"You oughtn't to mind how things look," returned Nurse. "You think too
+much of outsides, Miss Pennie."
+
+"But the outside of a bonnet is the only part that matters," replied
+Pennie.
+
+She was quite prepared to continue the subject, but this was not the
+case with Nurse.
+
+"I've no time for argufying, miss," she said as she put the bonnets
+carefully back into their boxes. "I'm sure my mistress will like them
+very much. They're just as she ordered them." And so the subject was
+dismissed, and Pennie felt that she was again a victim.
+
+For, as Nurse had said, Pennie _did_ care a great deal about outsides,
+and she thought it hard sometimes that she and Nancy must always be
+dressed alike, for the same things did not suit them at all. Probably
+this very bonnet which was such a trial to Pennie would be a suitable
+frame for Nancy's round rosy face, and look quite nice. It was
+certainly hard. Pennie loved all beautiful things, from the flowers in
+the garden and fields to the yellow curls on Cicely's ruffled head, and
+it often troubled her to feel that with pretty things all round her she
+did not look pretty herself. So the winter bonnet cast quite a gloom on
+her for the moment, and although it may seem a small trial to sensible
+people it was a large one to Pennie. How often she had sighed over the
+straight little serge frocks which she and Nancy always wore, and
+secretly longed for brighter colours and more flowing lines, and now
+this ugly dark bonnet had come to make things worse. It would make her
+feel like a blot in a fair white copybook, to walk about in it when the
+beautiful clean snow covered the earth. What a pity that everything in
+the world was not pretty!
+
+Pennie's whole soul went out towards beauty, and anyone with a pretty
+face might be sure of her loving worship and admiration. "All is not
+gold that glitters, Miss Pennie," Nurse would say, or, "Handsome is that
+handsome does;" but it made no impression at all; Pennie continued to
+feel sure that what looked pretty _must_ be good, and that a fair
+outside meant perfection within.
+
+She stood thoughtfully watching Nurse as she put the bonnets away. It
+_would_ be nice to wear a scarlet handkerchief over your head like that
+gypsy. Such a lovely colour! And then there would be no tormenting
+"caught back" feeling when the wind blew, which made it necessary to
+press the chin firmly on the strings to keep that miserable bonnet on at
+all. And besides these advantages it would be much cheaper, for she had
+heard her mother say that Miss Griggs' things were _so_ expensive; "but
+then," Mrs Hawthorn had added, "the best of them is that they _do_
+last." Pennie thought that decidedly "the worst" of them, for she and
+Nancy would have to wear those bonnets for at least two winters before
+they showed any signs of wearing out--indeed, they had been made rather
+large in the head on purpose.
+
+But it was of no use to think about it any more now, so with a little
+sigh she turned away and went back to her dolls, prepared to treat the
+ugly one, Jemima, with even more than usual severity. Jemima was the
+oldest doll of the lot, made of a sort of papier-mache; her hair was
+painted black and arranged in short fat curls; her face, from frequent
+washing and punishment, had become of a leaden hue, and was full of
+dents and bruises; her nose was quite flat, and she had lost one arm; in
+her best days she had been plain, but she was now hideous. And no
+wonder! Poor Jemima had been through enough trials to mar the finest
+beauty. She had been the victim at so many scenes of torture and
+executions that there was scarcely a noted sufferer in the whole of the
+History of England whom she had not, at some time or other, represented.
+To be burnt alive was quite a common thing to Jemima, and sometimes,
+descending from the position of martyr to that of criminal, she was
+hanged as a murderer! In an unusually bloodthirsty moment Ambrose had
+once suggested _really_ putting out her eyes with red-hot
+gauffering-irons, but this was overruled, and Jemima's eyes, pale blue
+and quite expressionless, continued to stare placidly on the stake,
+gibbet, or block, as the case might be.
+
+It was a relief to Pennie just now to cuff and scold Jemima, and to pet
+the Lady Dulcibella, who was a wax doll with a lovely pink and white
+complexion, and real golden hair and eyelashes. She had everything
+befitting a doll of her station and appearance--a comfortable bed with
+white curtains, an arm-chair with a chintz cushion, private brushes and
+combs, and an elegant travelling trunk. Her life altogether was a
+contrast to Jemima's, who never went to bed at all, and had no
+possessions except one ragged old red dress; nevertheless, it is
+possible that Dulcibella with all her elegance would have been the more
+easily spared of the two.
+
+Nancy soon joined Pennie, and the little girls became so absorbed in
+their play that they were still busy when tea-time came; they hurried
+down-stairs to the schoolroom, for Miss Grey was particular about
+punctuality, and found that David and Ambrose were already seated, each
+with his own special mug at his side; mother was in the room too,
+talking to Miss Grey about an open letter which she held in her hand.
+
+Mrs Hawthorn always paid the children a visit at schoolroom tea, and
+they generally had something wonderful to tell her saved up for this
+occasion--things which had occurred during their walk, or perhaps
+exciting details about the various pet animals. Sometimes she in her
+turn had news for them, and when Pennie saw the open letter she changed
+her intention of saying that the bonnets had come home, and waited
+quietly. Perhaps mother had something interesting to tell.
+
+Pennie was right, for Mrs Hawthorn presently made an announcement of
+such a startling character that the new bonnets sank at once into
+insignificance.
+
+"Children," she said, "a little girl is coming to stay with you."
+
+Now such a thing had never happened before, and it was so astonishing
+that they all stared at their mother in silence with half-uplifted mugs,
+and slices of bread and butter in their hands. Then all at once they
+began to pour forth a torrent of questions:-- What is she like? Where
+does she live? How old is she? What is her name?
+
+Mrs Hawthorn held up her hand.
+
+"One at a time," she said. "If you will be quiet you shall hear all
+about it. This little girl lives in London. Her mother is a very old
+friend of mine, though you have never seen her, and I have asked her to
+let her little daughter come here for a visit. She is about Pennie's
+age, and her name is Ethelwyn."
+
+"What a long one!" said Nancy; "must we call her all of it?"
+
+"I think it's a beautiful name," said Pennie. "Almost as good as
+`Dulcibella.' And then we might call her `Ethel,' or `Winnie,' they're
+both pretty."
+
+"Well, you can settle that afterwards," said their mother. "You must
+wait and see what she likes best to be called. And that reminds me to
+say that I hope my children will be hospitable to their guest. Do you
+know what that means?"
+
+"I know," said Ambrose, gulping a piece of bread and butter very quickly
+in his haste to be first. "Let _me_ say. It means taking care of
+people when they're ill."
+
+"Not quite right," said Mrs Hawthorn. "You are thinking of `hospital,'
+which is a different thing, though both words come from the same idea;
+can you tell, Pennie?"
+
+"It means being kind, doesn't it?" said Pennie.
+
+"It means something more than that. What do you say, Davie?"
+
+"Always to give her the biggest piece," said David, with his eyes
+thoughtfully fixed on the pile of bread and butter.
+
+Nancy was then appealed to, but she always refused to apply her mind out
+of lesson hours, and only shook her head.
+
+"Well," said Mrs Hawthorn, "I think Davie's explanation is about the
+best, for hospitality does mean giving our friends the best we have.
+But it means something more, for you might give Ethelwyn the biggest
+piece of everything, and yet she might not enjoy her visit at all. But
+if you try to make her happy in the way _she likes best_, and consider
+her amusement and comfort before your own, you will be hospitable, and I
+shall be very pleased with you all. I expect, however, she will be
+chiefly Pennie and Nancy's companion, because, as she has no brothers
+and sisters, she may not care about the games you all play together.
+She has not been used to boys, and might find them a little rough and
+noisy."
+
+Pennie drew herself up a little. It would be rather nice to have a
+friend of her very own, and already she saw herself Ethelwyn's sole
+support and adviser.
+
+The children continued to ask questions until there was nothing else to
+be learnt about Ethelwyn, and she was made the subject of conversation
+after their mother left the room, and until tea was over. They made
+various plans for the amusement of the expected guest.
+
+"I can show her my pig," said David.
+
+"And the rabbits and the jackdaw and the owl," added Ambrose.
+
+"Oh, I don't suppose she'll care at all about such common things as pigs
+and rabbits," said Pennie rather scornfully, for the very name of
+Ethelwyn had a sort of superior sound.
+
+"Then she'll be a stupid," said Ambrose.
+
+"Owdacious," added David.
+
+"Davie," said Miss Grey, "where did you hear that word?"
+
+"Andrew says it," answered David triumphantly; "he says Antony grows
+owdacious."
+
+A lively argument followed, for David could not be brought to understand
+for some time why Andrew's expressions were not equally fit for little
+boys and gardeners. Ethelwyn was for the time forgotten by everyone
+except Pennie, who continued to think about her all that evening.
+Indeed, for days afterwards her mind was full of nothing else; she
+wondered what she was like, and how she would talk, and she had Ethelwyn
+so much on the brain that she could not keep her out of her head even in
+lesson time. She came floating across the pages of the History of
+England while Pennie was reading aloud, and caused her to make strange
+mistakes in the names of the Saxon kings.
+
+"Ethelbert, not Ethelwyn, Pennie," Miss Grey would say for the twentieth
+time, and then with a little impatient shake Pennie would wake up from
+her day-dreams, and try to fix her mind on the matter in hand. But it
+was really difficult, for those kings seemed to follow each other so
+fast, and to do so much the same things, and even to have names so much
+alike, that it was almost impossible to have clear ideas about them.
+Pennie's attention soon wandered away again to a more attractive
+subject: Ethelwyn! it was certainly a nice name to have, and seemed to
+mean all sorts of interesting things; how small and poor the name of
+Pennie sounded after it! shortened to Pen, as it was sometimes, it was
+worse still. No doubt Ethelwyn would be pretty. She would have long
+yellow hair, Pennie decided, not plaited up in a pig-tail like her own
+and Nancy's, but falling over her shoulders in a nice fluffy way like
+the Lady Dulcibella's. Pennie often felt sorry that there was no
+fluffiness at all about her hair, or that of her brothers and sisters;
+their heads all looked so neat and tight, and indeed they could not do
+otherwise under Nurse's vigorous treatment, for she went on the
+principle that anything rough was untidy. Even Dickie's hair, which
+wanted to curl, was sternly checked, and kept closely cropped like a
+boy's; it was only Cicely's that was allowed at present to do as it
+liked and wave about in soft little rings of gold.
+
+Pennie made her plans and thought her thoughts, and often went to bed
+with Ethelwyn's imaginary figure so strongly before her that she had
+wonderful dreams. Ethelwyn took the shape of the "Fair One with the
+Golden Locks," in the fairy book, and stood before her with yellow hair
+quite down to her feet--beautiful, gracious, smiling. Even in the
+daylight Pennie could not quite get rid of the idea, and so, long before
+she had seen her, the name of Ethelwyn came to mean, in her romantic
+little mind, everything that was lovely and desirable.
+
+And at last Ethelwyn came. It was an exciting moment, for the children
+were so unused to strangers that they were prepared to look upon their
+visitor with deep curiosity. They were nevertheless shy, and it had
+occurred to David and Nancy that the cupboard under the stairs would be
+a favourable position from which to take cautious observations when she
+arrived.
+
+Ambrose, therefore, and Pennie were the only two ready to receive their
+guest, for Dickie was busy with her own affairs in the nursery; they
+waited in the schoolroom with nervous impatience, and presently the
+drawing-room bell rang twice, which was always a signal that the
+children were wanted.
+
+"That's for us," said Pennie. "Come, Ambrose."
+
+But Ambrose held back. "_You_ go," he said. "Mother doesn't want me."
+
+And Pennie, after trying a few persuasions, was obliged to go alone.
+But when she got to the door and heard voices inside the room she found
+it difficult to go in, and stood on the mat for some minutes before she
+could make up her mind to turn the handle. She looked down at her
+pinafore and saw that it was a good deal crumpled, and an unlucky
+ink-spot stared at her like a little black eye in the very middle of it;
+surely, too, Nurse had drawn back her hair more tightly than usual from
+her face. Altogether she felt unequal to meeting the unknown but
+elegant Ethelwyn.
+
+It must be done, however, and at last she turned the handle quickly and
+went into the room. Mrs Hawthorn was sitting by the fire, and in front
+of her stood a little girl. Her hair _was_ fluffy and yellow, just as
+Pennie had thought, and hung down her back in nice waves escaping from
+the prettiest possible quilted bonnet (how different from that black
+plush one upstairs!) This was dark blue like her dress, and she carried
+a dear little quilted muff to match. Her features were neat and
+straight, and her large violet eyes had long lashes curling upwards;
+there was really quite a striking likeness between her face and the Lady
+Dulcibella's, except that the cheeks of the latter were bright pink, and
+Ethelwyn was delicately pale.
+
+Pennie noticed all this as she advanced slowly up the room, deeply
+conscious of the crumpled pinafore and the ink-spot.
+
+"This is Pennie," said her mother, and Ethelwyn immediately held out her
+hand, and said, "How do you do?" in rather a prim voice and without any
+shyness at all.
+
+"Now I shall give Ethelwyn into your care, Pennie," continued Mrs
+Hawthorn. "You may take her into the garden and show her the pets, or
+if she likes it better you may go upstairs and play with your dolls.
+Make her as happy as you can, and I shall see you all again at
+tea-time."
+
+The two little girls left the room together, and Pennie led the way
+silently to the garden, giving furtive glances now and then at her
+visitor. She felt sure that Ethelwyn would be surprised and pleased,
+because mother had said that in London people seldom had gardens; but
+her companion made no remark at all, and Pennie put the question which
+had been a good deal on her mind:
+
+"What do you like to be called?"
+
+"My name's Ethelwyn," said the little girl.
+
+"Yes, I know," said Pennie. "Mother told us. But I mean, what are you
+called for short?"
+
+"I'm _always_ called Ethelwyn. Father and mother don't approve of names
+being shortened."
+
+"Oh!" said Pennie deeply impressed. Then feeling it necessary to assert
+herself, she added: "_My_ name's Penelope Mary Hawthorn; but I'm always
+called Pennie, and sometimes the children call me Pen."
+
+Ethelwyn made no answer; she was attentively observing Pennie's blue
+serge frock, and presently asked:
+
+"What's your best dress?"
+
+"It's the same as this," said Pennie, looking down at it meekly, "only
+newer."
+
+"Mine's velveteen," said Ethelwyn, "the new shade, you know--a sort of
+mouse colour. Nurse says I look like a picture in it. Do you always
+wear pinafores?"
+
+Before Pennie had time to answer they had arrived at the Wilderness, and
+were now joined by Nancy and the two boys, who came shyly forward to
+shake hands.
+
+"These are our gardens," said Pennie, doing the honours of the
+Wilderness; "that's mine, and that's Dickie's, and the well belongs to
+the others. They dug it themselves."
+
+Ethelwyn looked round, with her little pointed nose held rather high in
+the air:
+
+"Why don't you keep it neater?" she said. "What an untidy place!"
+
+It was a blow to Pennie to hear this, but the truth of it struck her
+forcibly, and she now saw for the first time that to a stranger the
+Wilderness might not be very attractive. There were, of course, no
+flowers now, and Dickie had tumbled a barrowful of leaves on to the
+middle of Pennie's border, which was further adorned by a heap of oyster
+shells, with which David intended some day to build a grotto. It looked
+more like a rubbish heap than a garden, and the close neighbourhood of
+the well did not improve it. There was only one cheerful object in the
+Wilderness just now, and that was a little monthly rose-bush in Dickie's
+plot of ground, which, in spite of most unfavourable circumstances, bore
+two bright pink blossoms.
+
+After glancing scornfully round, Ethelwyn stooped and stretched out her
+hand to pick the roses; but Pennie caught hold of her dress in alarm.
+
+"Oh, you mustn't," she cried; "they're Dickie's."
+
+Ethelwyn looked up astonished.
+
+"Who's Dickie?" she said; "what does he want them for?"
+
+"It isn't `he,' it's `she,'" said Nancy; "she's the youngest but one,
+and she's saving them for mother's birthday."
+
+"Wouldn't it be a joke," said Ethelwyn laughing, "to pick them? She'd
+never know where they'd gone."
+
+Pennie could not see anything funny in this idea at all, but she
+remembered what Mrs Hawthorn had said about making their guest happy in
+her own way, and she felt obliged to answer:
+
+"If you want to do it _very_ much you may."
+
+She was sorry to see that Ethelwyn immediately pulled both the little
+roses off the tree, but tried to excuse her in her own mind. She did
+not understand, perhaps, how much Dickie wanted them. Such a pretty
+graceful creature as Ethelwyn _could_ not do anything purposely unkind.
+
+Nancy, however, not the least dazzled by Ethelwyn's appearance, was
+boiling with anger.
+
+"I call that--" she began; but Pennie nudged her violently and
+whispered: "She's a visitor," and the outspoken opinion was checked.
+
+David, too, turned the general attention another way just then; he came
+gravely up to Ethelwyn and inquired:
+
+"Do you like animals?"
+
+"Animals?" said Ethelwyn; "oh, you mean pets. Yes, I like them
+sometimes."
+
+"Then I'll show you my pig," said David.
+
+"A pig!" exclaimed Ethelwyn in rather a squeaky voice of surprise; "what
+a nasty, dirty thing to have for a pet! Don't you mean _pug_?"
+
+"No, I don't," said David; "I mean pig."
+
+"But it's not a common sort of pig at all," put in Pennie hastily, for
+she saw her brother's face getting crimson with anger, "and it's
+beautifully clean and clever. It shakes hands."
+
+"We've got lots of animals," added Ambrose, "only you must come round to
+the barn to see them."
+
+"Well," said Ethelwyn as the children all moved away, David rather
+sulkily, with hands in his pockets, "I _never_ heard of a pig as a pet.
+I don't believe it's a proper sort of pet at all. Now, _I've_ got a
+little tiny toy terrier at home, and he has a collar with silver bells.
+I _had_ a canary, but Nurse left its cage on the window-ledge in a high
+wind, and it blew right down on the pavement from the very tip-top of
+the house, so it died."
+
+"Oh," cried Nancy, horror-stricken, "how dreadful! Weren't you sorry?"
+
+"Not very," said Ethelwyn coolly. "You see I'd had it a long time, and
+I was rather tired of it, and I often forgot to feed it."
+
+The animals were now visited, and introduced by their respective owners,
+but without exciting much interest in Ethelwyn, for whatever she saw it
+always appeared that she had something far better at home. Even
+Antony's lively talents failed to move her, and, though she _could_ not
+say she had a nicer pig herself, she observed calmly:
+
+"Ah, you should see the animals in the Zoological Gardens!"
+
+And to this there was no reply.
+
+Then she was taken to swing in the barn, and this proved a more
+successful entertainment, for as long as the children would swing her
+Ethelwyn was content to be swung. When, however, Nancy boldly remarked:
+
+"It's someone else's turn now," she was not quite so pleased, and soon
+said in a discontented voice:
+
+"I'm tired of this. Let's go indoors and see your playthings."
+
+Here it was the same thing over again, for she found something slighting
+to say even of the Lady Dulcibella, who was sitting prepared to receive
+visitors in her best pink frock.
+
+"Can she talk?" asked Ethelwyn. "_My_ last new doll says `papa,'
+`mama.'"
+
+Then her eye fell on the luckless Jemima, who, in her usual mean attire,
+was sitting in the background with her head drooping helplessly, for it
+had been loosened by constant execution.
+
+"Oh," cried Ethelwyn, pouncing upon her with more animation than she had
+yet shown, "here's a fright!"
+
+She held the doll up by its frock, so that its legs and one remaining
+arm dangled miserably in the air.
+
+"It's only Jemima," said Pennie. She was vexed that Ethelwyn had seen
+her at all, and there was something painful in having her held up to the
+general scorn.
+
+Ethelwyn began to giggle.
+
+"Why do you keep a guy like that?" she said. "Why don't you burn it?"
+
+"Well, so we do," replied Nancy, "very often. We burnt her only last
+week."
+
+"She was Joan of Arc," explained Pennie. "Only make-believe, you know.
+Not real flames."
+
+Ethelwyn stared. "What odd games you play!" she said. "I never heard
+of them. But I know one thing: if she were mine I'd soon put her into
+real flames."
+
+The rest of the day went on in much the same way, and the children found
+it more and more difficult to amuse their guest. It was astonishing to
+find how very soon she tired of any game. "What shall we do now?" was
+her constant cry; and it grew so tiresome that Nancy and the boys at
+last went off to play together, and left her entirely to Pennie. And
+this arrangement grew to be a settled thing, for it really was almost
+impossible to play the usual games with Ethelwyn; there was no sort of
+check on her overbearing ways, because "she was a visitor," and must do
+as she liked. Now, she was a very poor hand at "making up," and did not
+understand "Shipwrecks" or "Desert Islands" in the least; but this would
+not have mattered if she had been willing to learn. Joined, however, to
+complete ignorance on those subjects, she had a large amount of conceit,
+and seemed to think she could do everything better than anyone else.
+For instance, if they were going to play "Shipwrecks"--"I'll be
+captain," she would exclaim at once. This had always been Ambrose's
+part, and he rather prided himself on his knowledge of nautical affairs,
+gathered from a wide acquaintance with Captain Marryat's stories. He
+gave it up politely to Ethelwyn, however, and the game began. But in
+two minutes she would say: "I'm tired of being captain; I'd rather be
+Indian savages." Indian savages was being performed with great spirit
+by Nancy, but the change was made, and the game went on, until Ethelwyn
+cast an envious eye upon Dickie, who, with a small pail and broom, was
+earnestly scrubbing at the carpet, under the impression that she was a
+cabin-boy washing the deck of a ship. "_I_ should like to be
+cabin-boy," said Ethelwyn.
+
+But here the limit of endurance was reached, for Dickie grasped her
+little properties tightly and refused to give up office.
+
+"_Me_ will be cabin-boy," was all she said when Pennie tried to persuade
+her.
+
+"You see she's so little," said the latter apologetically to Ethelwyn,
+"there's no other part she _can_ take, and she likes the pail and broom
+so."
+
+"Oh, very well," said the latter carelessly, "then I don't care to play
+any more. It's a very stupid game, and only fit for boys."
+
+Things did not go on pleasantly at Easney just now, and the longer
+Ethelwyn stayed the more frequent became the quarrels; she had certainly
+brought strife and confusion with her, and by degrees there came to be a
+sort of division amongst the children. Pennie and Ethelwyn walked
+apart, and looked on with dignified superiority, while the others played
+the old games with rather more noise than usual. Pennie tried to think
+she liked this, but sometimes she would look wistfully after her merry
+brothers and sisters and feel half inclined to join them; the next
+minute, however, when Ethelwyn tossed her head and said, "How vulgar!"
+she was quite ashamed of her wish.
+
+She wondered now how it was that she had been able to play with the boys
+so long without disagreement before Ethelwyn came. Of course these
+quarrels were all their fault, for in Pennie's eyes Ethelwyn could do no
+wrong; if sometimes it was impossible to help seeing that she was greedy
+and selfish, and even told fibs, Pennie excused it in her own mind--
+indeed, these faults did not seem to her half so bad in Ethelwyn as in
+other people, and by degrees she thought much more lightly of them than
+she had ever done before.
+
+For Ethelwyn had gained a most complete influence over her, partly by
+her beauty, and partly by her coaxing, flattering ways. It was all so
+new to Pennie; and, though she was really a sensible little girl, she
+loved praise and caresses overmuch; like many wiser people, she could
+not judge anyone harshly who seemed to admire her.
+
+So she was Ethelwyn's closest companion in those days, and even began to
+imitate what she considered her elegant manners. She spoke mincingly,
+and took short little stiff steps in walking, and bent her head
+gracefully when she said, "Yes, please," or "No, thank you." The new
+plush bonnet was a misery to her, and she sighed to be beautifully
+dressed.
+
+
+
+CHAPTER SEVEN.
+
+THE CHINESE MANDARIN.
+
+This uncomfortable state of things had been going on for nearly a
+fortnight, and Ethelwyn's visit was drawing to a close, when one morning
+there came a letter from Miss Unity. It contained an invitation to
+Pennie to stay three days at Nearminster, and ended with these words:
+
+"If my god-daughter has her little friend still with her, I shall be
+glad to see her also, if she would like to come."
+
+Now it happened that this suggestion of Miss Unity's came at a
+wonderfully convenient moment; for it had been arranged already that
+Ethelwyn's governess should meet her at the Nearminster station in three
+days' time, and take her back to London. She would now go from Miss
+Unity's house instead of from Easney, and Mrs Hawthorn was not at all
+sorry to think that the children would be separated a little earlier
+than was first intended.
+
+So, with many cautions not to be troublesome, not to talk in bed, and
+not to touch the china, she told the little girls that they were to go
+to Nearminster. The news quickly spread through the family, and caused
+a deep but secret joy to the other children, for they were very tired of
+Ethelwyn; nevertheless they restrained any expression of their pleasure
+until the day of departure, when they gathered at the white gate to see
+the wagonette pass. The little girls were feeling even more dignified
+and grown-up than usual, for it was a great event to drive over to
+Nearminster quite alone; therefore it was all the more trying to be
+greeted by a derisive song:
+
+ "Hurray, hurray, hurray!
+ Ethelwyn is gone away!"
+
+screamed the shrill voices, even Dickie doing her best to swell the
+chorus. It was so loud that it sounded a long way up the road; and
+Ethelwyn's favourite remark, "How very vulgar!" did not disguise it in
+the least.
+
+The first day at Nearminster was fine and bright, and the children found
+plenty to entertain them. It was all new to Ethelwyn; and to Pennie,
+although she knew them so well, every object had an ever fresh interest.
+They went into the market with Miss Unity in the morning, and watched
+her buy a chicken, fresh eggs, and a cauliflower, which she carried home
+herself in a brown basket. Then in the afternoon Bridget was allowed to
+take the children into the town that they might see the shops, and that
+Pennie might spend her money. For she had brought with her the contents
+of her money-box, which amounted to fivepence-halfpenny, and intended to
+lay out this large sum in presents for everyone at home. It was an
+anxious as well as a difficult matter to do this to the best advantage,
+and she spent much time in gazing into shop-windows, her brow puckered
+with care and her purse clutched tightly in her hand. Ethelwyn's
+advice, which might have been useful under these circumstances, was
+quite the reverse; for the suggestions she made were absurdly above
+Pennie's means, and only confusing to the mind.
+
+"I should buy that," she would say, pointing to something which was
+worth at least a shilling.
+
+Pennie soon left off listening to her, and bent her undivided attention
+to the matter--how to buy seven presents with five pence halfpenny? It
+might have puzzled a wiser head than Pennie's; but at last, by dint of
+much calculation on the fingers, she arrived with a mind at rest at the
+following results:-- An india-rubber ball for the baby, a lead pencil
+for father, a packet of pins for mother, a ball of twine for Ambrose, a
+paint-brush for Nancy, a pen-holder for David, and a tiny china dog for
+Dickie.
+
+Ethelwyn was very impatient long before the shopping was done.
+
+"Oh, spend the rest in sweets," she said over and over again in the
+midst of Pennie's difficulties.
+
+But Pennie only shook her head, and would not even look at chocolate
+creams or sugar-candy until she had done her business satisfactorily.
+
+In the evening she amused herself by packing and unpacking the presents,
+and printing the name of each person on the parcels, while Miss Unity
+read aloud. It was not a very amusing book, and Ethelwyn, who had spent
+all her money on sweets and eaten more of them than was good for her,
+felt cross and rather sick and discontented. She yawned and fidgeted,
+and frowned as openly as she dared, for she was afraid of Miss Unity;
+and when at last bed-time came, and the little girls were alone, she
+expressed her displeasure freely.
+
+"I can't bear stopping here," she said. "It's a dull, ugly old place, I
+think I wish I was back in London."
+
+"Well, so you will be the day after to-morrow," replied Pennie shortly.
+She did not like even Ethelwyn to abuse Nearminster, and she was
+beginning to be just a little tired of hearing so much about London.
+
+Unfortunately for Ethelwyn's temper the next day was decidedly wet--so
+wet that even Miss Unity could not get out into the market, and settled
+herself with a basket of wools for a morning's work. Through the
+streaming window-panes the grass in the Close looked very green and the
+Cathedral very grey; the starlings were industriously pecking at the
+slugs, and the jackdaws chattered and darted about the tower as usual,
+but there was not one other living thing to be seen. "Dull, horribly
+dull!" Ethelwyn thought as she knelt up in the window-seat and pressed
+her nose against the glass. It was just as bad inside the room; there
+was Miss Unity's stiff upright figure, there was her needle going in and
+out of her canvas, there was the red rose gradually unfolding with every
+stitch. There was Pennie, bent nearly double over a fairy book, with
+her elbows on her knees and a frown of interest on her brow. There was
+nothing to see, nothing to do, no one to talk to. Ethelwyn gaped
+wearily.
+
+Then her idle glance fell on the clock. Would it _always_ be twelve
+o'clock that morning? And from that it passed to the Chinese mandarin,
+which stood close to it. He was a little fellow, with a shining bald
+head and a small patch of hair on each side of it; his face, which was
+broad, had no features to speak of, and yet bore an expression of feeble
+good-nature. Ethelwyn knew that the merest touch would set his head
+nodding in a helpless manner, and she suddenly felt a great longing to
+do it. But that was strictly forbidden; no one must touch the mandarin
+except Miss Unity; and, though she was generally quite willing to make
+him perform, Ethelwyn did not feel inclined to ask her. She wanted to
+do it herself. "If she would only go out of the room," thought the
+child, "I'd make him wag his head in a minute, whatever Pennie said."
+
+Curiously enough Bridget appeared at the door just then with a message.
+
+"If you please, ma'am," she said, "could Cook speak to you in the
+kitchen about the preserving?"
+
+Now was Ethelwyn's opportunity, and she lost no time. She went quickly
+up to the mantel-piece directly Miss Unity closed the door, and touched
+the mandarin gently on the head.
+
+"Look, Pennie! look!" she cried.
+
+Pennie raised her face from her book with an absent expression, which
+soon changed to horror as she saw the mandarin wagging his head with
+foolish solemnity. Ethelwyn stood by delighted.
+
+"I'll make him go faster," she said, and raised herself on tiptoe, for
+the mantel-piece was high.
+
+"Don't! don't!" called out Pennie in an agony of alarm; but it was too
+late. Growing bolder, Ethelwyn gave the mandarin such a sharp tap at
+the back of his head that he lost his balance and toppled down on the
+hearth with a horrible crash.
+
+There he lay, his poor foolish head rolling about on the carpet, and his
+body some distance off. Hopelessly broken, a ruined mandarin, he would
+never nod any more!
+
+For a minute the little girls gazed speechlessly at the wreck; there was
+silence in the room, except for the steady tick-tack of the clock. Then
+Ethelwyn turned a terrified face towards her friend.
+
+"Oh, Pennie!" she cried, "what _shall_ I do?" for she was really afraid
+of Miss Unity.
+
+Pennie rose, picked up the mandarin's head, and looked at it
+sorrowfully.
+
+"Mother _told_ us not to touch the china," she said.
+
+"But can't we do anything?" exclaimed Ethelwyn wildly; "couldn't we
+stick it on? He's not broken anywhere else. See, Pennie!"
+
+She put the mandarin on the mantel-piece and carefully balanced the
+broken head on his shoulders.
+
+"He looks as well as ever," she said; "no one would guess he was
+broken."
+
+"But he _is_," replied Pennie; "and even if he _can_ be mended I don't
+suppose he'll ever nod like he used to."
+
+"Are you going to _tell_ her we broke him?" asked Ethelwyn after a short
+pause.
+
+Pennie stared.
+
+"_We_ didn't break him," she said; "it was you, and _of course_ you'll
+tell her."
+
+"That I sha'n't," said Ethelwyn sulkily; "and if you do, you'll be a
+sneak."
+
+"But you'll _have_ to say," continued Pennie, "because directly he's
+touched his head will come off, and then Miss Unity will ask us."
+
+"Well, I shall wait till she finds out," said Ethelwyn, "and if you tell
+her before I'll never never speak to you again, and I won't have you for
+my friend any longer."
+
+"I'm not going to tell," said Pennie, drawing herself up proudly,
+"unless she asks me straight out. But I _know_ you ought to."
+
+As she spoke a step sounded in the passage, and with one bound Ethelwyn
+regained her old place in the window-seat and turned her head away.
+
+Pennie remained standing by the fire, with a startled guilty look and a
+little perplexed frown on her brow.
+
+Miss Unity's glance fell on her directly she entered; but her mind was
+occupied with the cares of preserving, and though she saw that the child
+looked troubled she said nothing at first.
+
+"If Ethelwyn would _only_ tell," thought Pennie, and there was such
+yearning anxiety in her face as she watched Miss Unity's movements that
+presently the old lady observed it, and looked curiously at her through
+her spectacles.
+
+"Do you want anything, Penelope?" she asked, and as she spoke she
+stretched out her hand to the mantel-piece, for the mandarin was a
+trifle out of his usual place. She moved him gently a little nearer the
+clock; Pennie's expression changed to one of positive agony, and the
+mandarin's head fell immediately with a sharp "click" on to the marble!
+Clasping her hands, Pennie turned involuntarily towards Ethelwyn. Now
+she _must_ speak. But Ethelwyn was quite silent, and did not even turn
+her head. It was Miss Unity's voice which broke the stillness.
+
+"Child," she said, "you have acted deceitfully."
+
+She fixed her eyes on Pennie, who flushed hotly, and certainly looked
+the very picture of guilt.
+
+_Of course_ Ethelwyn would speak now. But there was no sound from the
+window-seat.
+
+Pennie twisted her fingers nervously together, her chest heaved, and
+something within her said over and over again: "I didn't do it--I didn't
+do it." She had quite a struggle to prevent the little voice from
+making itself heard, and her throat ached with the effort; but she kept
+it down and stood before Miss Unity in perfect silence.
+
+The latter had taken the broken head in her hand, and was looking at it
+sorrowfully.
+
+"I valued this image, Penelope," she went on, "and I grieve to have it
+destroyed. But I grieve far more to think you should have tried to
+deceive me. Perhaps I can mend the mandarin, but I can't ever forget
+that you have been dishonest--nothing can mend that. I shall think of
+it whenever I see the image, and it will make me sad."
+
+The little voice struggled and fought in Pennie's breast to make itself
+heard: "I didn't do it, I didn't do it," it cried out wildly. With a
+resolute gulp she kept it down, but the effort was almost too great, and
+Miss Unity's grave face was too much to bear. She burst into tears and
+ran out of the room. Then hurrying upstairs she plunged her head into
+the side of the big bed where she and Ethelwyn slept together, and cried
+bitterly. Unjustly accused, disappointed, betrayed by her best friend--
+the world was a miserable place, Pennie thought, and happiness
+impossible ever again. There was no one to take her part--Ethelwyn was
+deceitful and unkind; and as she remembered how she had loved and
+worshipped her, the tears flowed faster. How could she, _could_ she
+have done it? Then looking back, she saw how wilfully she had shut her
+eyes to Ethelwyn's faults, plain enough to everyone else. That was all
+over now: she had broken something beside the mandarin that day, and
+that was Pennie's belief in her. It was quite gone; she could never
+love her the least little bit again, beautiful and coaxing as she might
+be; like the mandarin, she had fallen all the lower because she had once
+stood so high.
+
+Then Pennie's thoughts turned longingly towards home. Home, where they
+were all fond of her, and knew she was not a deceitful little girl. She
+was very sorry now to remember how she had neglected her brothers and
+sisters lately for her fine new friend, and how proud and superior she
+had felt.
+
+"Oh," she cried to herself in a fervour of repentance, "I never, never
+will care so much about `outsides' again! Insides matter much the
+most."
+
+The next day passed sorrowfully for Pennie, who felt a heavy cloud of
+undeserved disgrace resting upon her. Whenever she saw Miss Unity
+glance at the empty space on the mantel-piece, she felt as guilty as
+though she really had broken the mandarin, and longed for an opportunity
+of justifying herself. But there was no chance of that; the day went on
+and Miss Unity asked no questions, and behaved just as usual to the
+little girls--only she looked rather sad and stern.
+
+As for Ethelwyn, when she was once quite sure that Pennie would not
+"tell," her spirits rose, and she was lavish of her thanks and caresses.
+She pressed gifts upon her, and kisses, and was anxious to sit quite
+close to her and hold her hand; but Pennie was proof against all this
+now. It had no effect upon her at all, and she even looked forward with
+a feeling of positive relief to the next day, when she would say
+good-bye to the once-adored Ethelwyn.
+
+And the time came at last; smiling, nodding, and tossing her yellow
+hair, Ethelwyn got into the train which was to take her away from
+Nearminster, and Pennie stood at Miss Unity's side on the platform,
+gazing seriously after her from the depths of the plush bonnet. In her
+hand she held almost unconsciously a large packet of sweets which
+Ethelwyn had thrust into it just before entering the carriage; but there
+was no smile on her face, and when the train had rolled out of sight,
+she offered the packet to Miss Unity:
+
+"Please, take these," she said; "I don't want them."
+
+That same afternoon Mrs Hawthorn and Nancy were to drive in from Easney
+and fetch Pennie home, and she stationed herself at the window a good
+hour before they could possibly arrive, ready to catch the first glimpse
+of Ruby's white nose. When, at length, after many disappointments,
+caused by other horses with white noses, the wagonette really appeared,
+she could hardly contain herself for joy, and was obliged to hop about
+excitedly. She was so glad to see them. There was mother, and there
+was Nancy, dear old Nancy, in the black plush bonnet, which was now a
+far more pleasant object to Pennie than the smart blue one she had
+lately envied. Now the carriage was stopping, and Nancy was lowering
+one stout determined leg to the step, clutching mother's umbrella and a
+doll in her arms. Pennie stayed no longer, but rushed down-stairs into
+the hall and opened the door. It might have been a separation of years,
+instead of three days, from the warmth of her welcome, and Nancy said
+presently with her usual blunt directness:
+
+"What makes you so glad to see us?"
+
+Pennie could not explain why it was, but she felt as if she had never
+really been at home during Ethelwyn's visit to Easney, and was now going
+back again--the real old Pennie once more. So she only hugged her
+sister for reply, and both the little girls went and sat in the
+window-seat together, while their mother and Miss Unity were talking.
+
+But soon Nancy's observant glance, roving round the room, fell on the
+empty space beside the clock.
+
+"Why!" she said in a loud voice of surprise, "where's the mandarin?"
+For she was very fond of the funny little image, and always expected to
+see him wag his head when she went to Nearminster.
+
+Everyone heard the question, and for a minute no one answered. Then
+Miss Unity said gravely:
+
+"There has been an accident, Nancy. The mandarin is broken. I fear you
+will never see him nod his head again."
+
+"Oh, what a pity!" exclaimed Nancy. "Who did it?" Then turning to her
+sister with an alarmed face, "Was it you?"
+
+"I _hope_ not," said Mrs Hawthorn, leaning forward and looking
+earnestly at Pennie.
+
+In fact everyone was looking at her just then--Miss Unity with sorrow,
+Mrs Hawthorn with anxiety, and Nancy with fear. How delightful it was
+to be able at last to stand straight up, and answer triumphantly with a
+clear conscience, "No!"
+
+At that little word everyone looked relieved except Miss Unity, and her
+face was graver than before as she said:
+
+"Then, Pennie, why didn't you say so?"
+
+"You never asked me," said Pennie proudly.
+
+Miss Unity's frown relaxed a little; she bethought herself that she
+really never had asked the child; she had taken it for granted, judging
+only by guilty looks.
+
+"If it was not you, Pennie," she said gently, "who was it?"
+
+"I can't tell that," said Pennie, "only _I_ didn't."
+
+"Then," exclaimed Nancy eagerly, "I expect it was that mean Ethelwyn."
+
+Miss Unity took off her spectacles and rubbed them nervously; then she
+went up to Pennie and kissed her.
+
+"I am sorry I called you deceitful, Pennie," she said, "but I am very
+glad to find I was wrong. When I look at the mandarin now, I shall not
+so much mind his being broken, because he will remind me that you are a
+good and honourable child."
+
+Now the cloud was gone which had made Pennie's sky so dark, and all was
+bright again; the drive back to Easney, which she always enjoyed, was on
+this occasion simply delightful. Though the afternoon was dull and
+foggy, and there was a little drizzling rain, everything looked pleasant
+and gay from under the big umbrella which she and Nancy shared together;
+the old woman at the halfway cottage smiled and nodded as they passed,
+as though she knew that Pennie felt specially happy, and when they got
+to the white gate, there were Ambrose and David waving their caps and
+shouting welcome. How delightful to be at home again--without Ethelwyn!
+
+Pennie rushed about, hugging everybody and everything she happened to
+meet, animals and human beings alike, till she became quite tiresome in
+her excess of joy.
+
+"There, there, Miss Pennie, that'll do. Leave the child alone now,
+you'll make her quite fractious," said Nurse, rescuing Cicely from a
+too-energetic embrace. Pennie looked round for something fresh to
+caress, and her eye fell on the Lady Dulcibella sitting in her arm-chair
+by the dolls' house. There was a satisfied simper on her pink face, as
+though she waited for admiration; she held her little nose high in the
+air, and one could almost hear her say, "How very vulgar!" Pennie
+turned from her with a shudder, and picked up Jemima, who was lying on
+the floor flat on her face.
+
+"Why, Pennie," exclaimed Nancy, opening her eyes very wide, "you're
+_kissing Jemima_!"
+
+"Well," replied Pennie, giving the battered cheek another hearty kiss,
+"I feel fond of her. She's the oldest of all, and very useful I think
+she ought to be kissed sometimes."
+
+
+
+CHAPTER EIGHT.
+
+HOW DICKIE WENT TO THE CIRCUS.
+
+"Has you ever seen a circus, Andoo?"
+
+"Aye, missie."
+
+"When has you seen it?"
+
+"Years ago, little missie--years ago. When I was a fool."
+
+"Is you fool now, Andoo?"
+
+"Maybe, missie, maybe," (with a grim smile); "but I surely was then."
+
+Dickie dismissed the subject for the moment, and turned her attention to
+the little green barrow full of sticks which she had just wheeled into
+the potting shed. There was a pleasant mingled scent of apples, earth,
+and withered leaves there; from the low rafters hung strings of onions,
+pieces of bass, and bunches of herbs, and in one corner there was a
+broken-backed chair, and Andrew's dinner upon it tied up in a blue
+checked handkerchief. Bending over his pots and mould by the window in
+his tall black hat, and looking as brown and dried-up as everything
+round him, was Andrew himself, and Dickie stood opposite, warmly muffled
+up, but with a pink tinge on her small round nose from the frosty air.
+She was always on good terms with Andrew, and could make him talk
+sometimes when he was silent for everyone else; so, although she very
+seldom understood his answers, they held frequent conversations, which
+seemed quite satisfactory on both sides.
+
+Her questions to-day about the circus had been called forth by the fact
+that she had seen, when out walking with Nurse, a strange round white
+house in a field near the village. On asking what it was, she had been
+told that it was a tent. What for? A circus. And what was a circus?
+A place where horses went round and round. What for? Little girls
+should not ask so many questions. Dickie felt this to be
+unsatisfactory, and she accordingly made further inquiries on the first
+opportunity.
+
+She laid her dry sticks neatly in the corner, and grasping the handles
+of her barrow, stood facing Andrew silently, who did not raise his grave
+long face from his work; he did not look encouraging, but she was quite
+used to that.
+
+"Did 'oo like it, Andoo?" she inquired presently with her head on one
+side.
+
+"Well, you see, missie," replied Andrew, "I lost the best thing I had
+there, through being a fool."
+
+"Tell Dickie all about it," said Dickie in a coaxing voice.
+
+She turned her little barrow upside down as she spoke, sat down upon it,
+and placed one mittened hand on each knee.
+
+"Dickie kite yeddy. Begin," she said in a cheerful and determined
+manner.
+
+Andrew took off his hat, and feebly scratched his head; he looked
+appealingly at the little figure on the barrow as though he would gladly
+have been excused the task, but though placid, the round face was calmly
+expectant.
+
+"I dunno as I can call it to mind," he said apologetically; "you see,
+missie, it wur a powerful time ago. A matter of twenty years, it wur.
+It was when I lost my little gal."
+
+"Where is 'oor 'ittle gal?" asked Dickie.
+
+"Blessed if I know," said Andrew, shaking his head mournfully; "but
+wherever she be, she ain't not to call a _little_ gal now, missie. She
+wur jest five years old when I lost her, an' it's twenty years ago.
+That'll make her a young woman of twenty-five, yer see, missie, by this
+time."
+
+"Why did 'oo lose 'oor 'ittle gal?" pursued Dickie, avoiding the
+question of age.
+
+"Because I wur a fool," replied Andrew frowning.
+
+"Tell Dickie," repeated the child, to whom the "little gal" had now
+become more interesting than the circus; "tell Dickie all about 'oor
+'ittle gal."
+
+"Well, missie," began Andrew with a sigh, "it wur like this. After her
+mother died my little gal an' I lived alone. I wasn't a gardener then,
+I was in the cobblin' line, an' sat all day mendin' an' patchin' the
+folks' boots an' shoes. Mollie wur a lovin' little thing, an' oncommon
+sensible in her ways. She'd sit at my feet an' make-believe to be
+sewin' the bits of leather together, an' chatter away as merry as a
+wren. Then when I took home a job, she'd come too an' trot by my side
+holdin' me tight by one finger--a good little thing she was, an' all the
+folks in the village was fond of her, but she always liked bein' with me
+best--bless her 'art, that she did."
+
+Andrew stopped suddenly, and drew out of his pocket a red cotton
+handkerchief.
+
+"Why did 'oo lose her?" repeated Dickie impatiently.
+
+"It wur like this, missie," resumed Andrew. "One day there come a
+circus to the village, like as it might be that out in the field yonder,
+an' there was lots of 'orses, and dogs that danced, an' fine ladies
+flyin' through hoops, an suchlike. Mollie, she wanted to go an' see
+'em. Nothing would do but I must take her. I can see her now, standin'
+among the scraps of leather, an' the tools, an' the old boots, an'
+saying so pleadin', `Do'ee take Molly, daddie, to see the gee-gees.'
+So, though I had a job to finish afore that night, I said I'd take her,
+an' I left my work, an' put on her red boots--"
+
+"Yed boots?" said Dickie inquiringly, looking down at her own stumpy
+black goloshes.
+
+"Someone had giv' me a scrap of red leather, an' I'd made her a pair of
+boots out of it," said Andrew; "they didn't cost me nothin' but the
+work--so I put 'em on, an tied on her little bonnet an' her handkercher,
+an' we went off. Mollie was frighted at first to see the 'orses go
+round so fast, an' the people on their backs cuttin' all manner of
+capers, just as if they wur on dry ground. She hid her face in my
+weskit, an' wouldn't look up; but I coaxed her a bit, an' when she did
+she wur rarely pleased. She clapped her hands, an' her cheeks wur red
+with pleasure, an' her blue eyes bright. She wur a pretty little lass,
+Mollie wur."
+
+Andrew stopped a minute with his eyes fixed thoughtfully on Dickie, and
+yet as though he scarcely saw her. She hugged herself with her little
+crossed arms, and murmured confidentially, "Dickie will go to the circus
+too."
+
+"There wur a chum of mine sittin' next," continued Andrew, "an' by and
+by, when the place was gettin' very hot, an' the sawdust the horses
+threw up with their heels was fit to choke yer, he says to me, `Old
+chap,' he says, `come out an' take a glass of summat jest to wet yer
+whistle.'
+
+"`I can't,' says I, `I've got my little gal to look after. I can't
+leave her.' But I _was_ dry, an' the thought of a glass of beer was
+very temptin', `no call to be anxious over that,' says he; `you won't be
+gone not five minutes, an 'ere's this lady will keep an eye on her fur
+that little while, I'm sure.' `Certingly,' says the woman sitting next,
+who was a stranger to me but quite respectable-lookin'. `You come to
+me, my dearie!' and she lifted Mollie on to her knee an' spoke kind to
+her, an' the child seemed satisfied; an' so I went."
+
+Andrew coughed hoarsely but went on again after a minute, speaking more
+to himself than Dickie--who, indeed, did not understand nearly all he
+had been saying.
+
+"When I got into the `Blue Bonnet' there wur three or four more of my
+chums a-settin' round the fire an' havin' a argyment. `'Ere,' says one,
+`we'll hear what Andrew Martin's got to say to it. He's a tough hand at
+speakin'--he'll tell us the rights on it.' An' before I knew a'most I
+wur sittin' in my usual place next the fire, with a glass of beer in my
+hand. I wur pleased, like a fool, to think I could speak better nor any
+of 'em; an' I went on an' on, an' it wasn't till I heard the clock
+strike that I thought as how I'd left my little gal alone in the circus
+for a whole hour. I got up pretty quick then, for I thought she'd be
+frighted, but not that she could come to any harm. So I went back
+straight to where I left her with the woman, an'--"
+
+"What does 'oo stop for?" said Dickie impatiently.
+
+"She wur _gone_, missie!" said Andrew solemnly, spreading out his hands
+with a despairing gesture--"gone, an' the woman too! I've never seen my
+little gal since that day."
+
+"Where is 'oor 'ittle gal?" asked Dickie.
+
+"Lost, missie! lost!" said Andrew shaking his head mournfully. "I
+sha'n't never see her no more now. Parson he was very kind, an' offered
+a reward, an' set the perlice to work to find her. 'Twarn't all no
+good. So I giv' up the cobblin' an' went about the country doin' odd
+jobs, because I thought I might hear summat on her; but I never did, an'
+after years had gone by I come ere an' settled down again. So that's
+how I lost my little gal, an' it's nigh twenty years ago."
+
+At this moment Nurse's voice was heard outside calling for Dickie, and
+Andrew's whole manner changed at the sound. He thrust the red
+handkerchief into his pocket, clapped his hat firmly over his eyes, and
+bent towards his work with his usual cross frown.
+
+Dickie looked up with a twinkling smile as Nurse came bustling in.
+
+"Andoo tell Dickie pitty story," she said.
+
+"Ho, indeed!" said Nurse with a sharp glance at Andrew's silent figure.
+"Mr Martin keeps all his conversation for you, Miss Dickie, I think; he
+don't favour other people much with it."
+
+On their way to the house Dickie did her best to tell Nurse all she had
+heard from Andrew; but it was not very clear, and left her hearer in
+rather a confused state of mind. There was something about a 'ittle
+gal, and red boots, and a circus, and something that was lost; but
+whether it was the red boots that were lost, or the little girl, was
+uncertain. However, Nurse held up her hands at proper intervals and
+exclaimed, "Only fancy!" "Gracious me!" and so on, as if she understood
+perfectly; and when Dickie came to the last sentence this was really the
+case, for she said in a decided voice:
+
+"Dickie will go to the circus too."
+
+"No, no," replied Nurse; "Dickie is too little to go--she will stay at
+home with poor Nursie and baby."
+
+It seemed to Dickie that they always said she was too little when she
+wanted to do anything nice, but if ever she cried or was naughty they
+said she was too big: "Oh, fie, Miss Dickie! a great girl like you!" If
+she was a great girl she ought to go to the circus; and she repeated
+firmly, "Me _will_ go," adding a remark about "Andoo's 'ittle gal,"
+which Nurse did not hear.
+
+At dinner-time there was nothing spoken of but the circus; the children
+came in from their walk quite full of it, and of all the wonderful
+things they had seen in the village. Outside the blacksmith's forge
+there was a great bill pasted, which showed in bright colours the
+brilliant performance of "Floretta the Flying Fairy" on horseback; there
+was also a full-length portrait of Mick Murphy the celebrated clown.
+
+Even more exciting were the strange caravans and carts arriving in the
+field where the large tent had already been put up; and Ambrose had
+caught sight of a white poodle trimmed like a lion, which he felt quite
+sure was one of the dancing-dogs.
+
+The circus was to stop two days--might the children go to-morrow
+afternoon?
+
+There was a breathless silence amongst them whilst this question was
+being decided, and mother said something to Miss Grey in French; but
+after a little consultation it was finally settled that they were to go.
+Dickie had listened to it all, leaving her rice-pudding untasted; now
+she stretched out her short arm, and, pointing with her spoon at her
+mother, said:
+
+"Dickie too."
+
+But Mrs Hawthorn only smiled and shook her head.
+
+"No, not Dickie," she said; "she is too young to go. Dickie will stay
+at home with mother."
+
+Now the vicar was not there--if he had been he would probably have said,
+"Let her go;" and Dickie knew this--it had happened sometimes before.
+So now, although she turned down the corners of her mouth and pushed up
+one fat shoulder, she murmured rather defiantly:
+
+"Dickie will ask father."
+
+The next day was Saturday--sermon day, and the vicar was writing busily
+in his study when he heard some uncertain sounds outside, as though some
+little animal were patting the handle of the door--the cat most likely--
+and he paid no attention to it, until he felt a light touch on his arm.
+Looking down he saw that it was Dickie, who, having made her way in,
+stood at his elbow with eager eyes and a bright flush of excitement on
+her cheeks.
+
+"Please, father," she said at once, "take Dickie to see the gee-gees."
+
+The vicar pushed back his chair a little and lifted her on to his knee.
+He would have liked to go on with his sermon, but he always found it
+impossible to send Dickie away if she once succeeded in getting into his
+study.
+
+"What does Dickie want?" he asked rather absently.
+
+"Please, father, take Dickie to see gee-gees," she repeated in exactly
+the same tone as at first.
+
+The vicar took up his pen again and made a correction in the last
+sentence he had written, still keeping one arm round Dickie. But this
+divided attention did not please her; she stuck out two little straight
+brown legs and said reflectively:
+
+"Dickie got no yed boots."
+
+"No, no," said the vicar with his eyes on his sermon; "Dickie's got
+pretty black boots."
+
+"Andoo's 'ittle gal got yed boots," pursued Dickie.
+
+"Andrew's little girl! Andrew hasn't got a little girl," said her
+father.
+
+For answer Dickie pursed-up her lips, looked up in his face, and began
+to nod very often and very quickly.
+
+"Where is she, then?" asked the vicar.
+
+Dickie stopped nodding, and, imitating Andrew as well as she could,
+shook her head mournfully, spread out her hands, and said:
+
+"Lost! lost!"
+
+"You funny little thing!" said the vicar, laying down his pen and
+looking at her. "I wonder what you've got into your head. Wouldn't
+Dickie like to run upstairs now?"
+
+But she only swung herself backwards and forwards on his knee and
+repeated very fast, as if she were saying a lesson:
+
+"Please, father, take Dickie to see gee-gees."
+
+There was evidently no chance of getting rid of her unless this question
+were answered, and the sermon must really be finished. The vicar looked
+gravely at her and spoke slowly and impressively:
+
+"If Dickie is a good little girl, and will go upstairs to the nursery
+directly, and _stay there_, father will ask if she may go and see the
+gee-gees."
+
+Dickie got down and trotted away obediently, for she thought she had
+gained her point; but alas later on, when mother was appealed to, she
+was still quite firm on the subject--Dickie must _not_ go to the circus.
+The four other children were enough for Miss Grey to take care of, and
+Nurse could not be spared--Dickie must stay at home and be a good little
+girl.
+
+Stay at home she must, as they were all against her; but to be a good
+little girl was quite another thing, and I am sorry to say it was very
+far from her intention. If she were not taken to the circus she would
+be as naughty a little girl as she possibly could. So when she had seen
+the others go off, all merry and excited, leaving her in the dull
+nursery, she threw herself flat on her face, drummed with her feet on
+the floor, and screamed. At every fresh effort which Nurse made to
+soothe her the screams became louder and the feet beat more fiercely,
+and at last the baby began to cry too for sympathy.
+
+Dickie was certainly in one of her "tantrums," and Nurse knew by
+experience that solitude was the only cure, so after a while she took
+Cicely into the next room and shut the door. For some time Dickie went
+on crying, but presently, when she found that Nurse did not come back,
+the sobs quieted down a little, and the small feet were still; then she
+lifted her face up from the floor with big tears on her cheeks and
+listened. Hark! what was that funny noise? Boom boom! boom! and then a
+sort of trampling. It was the circus in the field close by, and
+presently other strange sounds reached her ear. She looked at the door
+leading into the bed-room--it was fast shut, and Nurse was walking up
+and down, singing to the baby in a low soothing tone. Dickie got up
+from the floor and stood upright with sudden resolve shining in her
+eyes: she would go to the circus in spite of them all!
+
+Fortune favours the disobedient sometimes, as well as the brave, and she
+met no one to ask where she was going on her journey through the
+passages; when she came to the top of the stairs she saw that the hall
+was empty and silent too--only the dog Snuff lay coiled up on the mat
+like a rough brown ball. He had not been allowed to go to the circus
+either. She went slowly down, holding by the balusters and bringing
+both feet carefully on to each step; as she passed him Snuff opened one
+bright eye, and, watching her, saw that she went straight to the
+cupboard under the stairs, where the children's garden coats and hats
+were kept. There they hung, five little suits, each on its own peg, and
+with its own pair of goloshes on the ground beneath. Dickie's things
+were on the lowest peg, so that she might reach them easily and dress
+herself without troubling anyone. She struggled into the small grey
+coat, tied the bonnet firmly under her fat chin, and sat down on the
+lowest stair to put on the goloshes. Snuff got up, sniffed at her, and
+gave a short bark of pleasure, for he felt quite sure now that she was
+going into the garden; but Snuff was wrong this time, as he soon found
+when he trotted after her. Dickie had wider views, and though she went
+out of the garden door, which stood open, she turned into a path leading
+to the front of the house and marched straight down the drive. Through
+the white gate they went together, the little grey figure and the little
+brown one, and along the village street. It was more deserted than
+usual, for everyone was either in the circus or gaping at the outside of
+it, and Dickie and her companion passed on unquestioned. Soon they
+reached the field where the tent and some gaily-painted caravans stood;
+but here came an unexpected difficulty. Which was the circus? Dickie
+stood still and studied the question with large round eyes, and her
+finger in her mouth, Snuff looking up at her wistfully.
+
+Nearest to them there was a large travelling caravan, with windows and
+curtains, and smoke coming out of a funnel in the roof; its sides were
+brightly decorated with pictures of horses, and of wonderfully beautiful
+ladies jumping through hoops, and there was also a picture of a funny
+gentleman with red patches on his face. This must be the circus, Dickie
+decided at last, and she proceeded to climb up the steps in front,
+closely followed by Snuff. The door was a tiny bit open, and she gave
+it a push and looked in. Things never turn out to be much like what we
+have expected, and it was so in Dickie's case, for what she saw was
+this:
+
+A small room with a low bed in one corner, and a black stove, and pots
+and dishes hanging on the walls; a cradle with a baby in it, and by the
+cradle a pleasant-faced young woman sitting in a wicker chair sewing
+busily--so busily that it was quite a minute before she raised her eyes
+and saw the little grey-coated figure standing at the door with the dog
+at its side.
+
+"Well, little dear," she said, "an' what do you want?"
+
+Dickie murmured something, of which only the word circus was distinct.
+
+"Is mammy at the circus?" asked the woman smiling; but Dickie shook her
+head decidedly.
+
+"Why, bless your little 'art," said the woman, getting up from her
+chair, "I expect you've lost your folks. You come in and stay a-longer
+me till the circus is done, and then we'll find 'em. Jem 'ull be 'ome
+then. I'd go myself, but I can't leave the little un here."
+
+Dickie began to pout in a distressed manner when the woman took her up
+in her arms; this was not the circus after all. But just as she was
+making up her mind to cry, her attention was caught by something lying
+on the baby's cradle, and she held out her hand for it and said "Pitty!"
+It was a tiny roughly-made scarlet leather boot, rather faded and worn,
+but still bright enough to please Dickie's fancy. She chuckled to
+herself as the woman gave it her, and muttered something about "Andoo's
+'ittle gal;" and presently, tired with her great adventure and made
+drowsy by the warmth of the little room, she dropped off to sleep on the
+woman's knee, with the boot hugged tightly to her bosom.
+
+"Pretty dear! What a way her folks will be in!" said the woman to
+herself, and she laid Dickie softly on the bed and covered her with a
+shawl.
+
+------------------------------------------------------------------------
+
+They were indeed "in a way" at the vicarage. When the circus party came
+back they found everyone in a state of most dreadful anxiety, and the
+whole house in confusion. Dickie was missing! Every crevice and corner
+was searched, and every place, likely and unlikely, that a child could
+be in. No Dickie. Could she possibly have gone into the village alone?
+It was getting dusk; there were strange people and tramps about--it was
+an alarming thought. Andrew must go at once and inquire at every
+cottage.
+
+Andrew went, lantern in hand, and chin buried in his old grey comforter.
+"Had anyone seen Miss Dickie and the dorg that arternoon?"
+
+No; no one had seen little missie. Always the same answer until he got
+to the circus field, where knots of people still lingered talking of the
+performance. Amongst these he pushed his way, making the same inquiry,
+sometimes, if they were strangers, pausing to give a description of
+Dickie and Snuff; and at last the answer came from a thin man with a
+very pale face, who was standing near the entrance to the tent:
+
+"Right you are, gaffer. The little gal's all serene. My missus has got
+her in the caravan yonder."
+
+Guided by many outstretched and dirty fingers, Andrew made his way up
+the steps and told his errand to the woman within. There was Dickie,
+sleeping as peacefully as though she were tucked up in her own little
+cot; Snuff, who was curled up at her feet, jumped up and greeted Andrew
+with barks of delight, but even this did not rouse her.
+
+"There," said the woman, lifting the child gently, "you'd better take
+her just as she is, shawl an' all; it's bitter cold outside, an' you'll
+wake her else."
+
+She laid Dickie in the long arms stretched out to receive her, and as
+she did so the shawl fell back a little.
+
+"She's got summat in her hand," said Andrew, glancing at the little red
+boot.
+
+"So she has, bless her," said the woman; "you'll mind an' bring that
+back with the shawl, please, mister. I set store by yonder little
+boot."
+
+Andrew stared hard at the woman. "The vicar'll be werry grateful to you
+for takin' care of the little gal," he said. "What might be yer name,
+in case he should ax' me?"
+
+"My name's Murphy," she answered, "Molly Murphy; my husband's Mr
+Murphy, the clown, him you see in the playbills."
+
+Still Andrew stood with his eyes fixed on her face; then he looked from
+her to the little boot clutched so tightly in Dickie's fat fist.
+
+"Might you 'appen to have the feller one to this?" he asked.
+
+"Surely," answered the woman. "Once they was mine, an' now I'm keeping
+'em against my little gal's old enough to wear 'em."
+
+She held out the other red boot.
+
+"Is there--is there," asked Andrew hesitating, "two big `M's' wrote just
+inside the linin'?"
+
+"Right you are," answered the woman; "an' it stands fur--"
+
+"It stands fur `Molly Martin,'" said Andrew, sitting suddenly down on
+the edge of the bed with Dickie in his arms. "Oh, be joyful in the
+Lord, all ye lands! I set every stitch in them little boots myself',
+an' you're the little gal I lost twenty years ago!"
+
+It really did turn out to be Andrew's little girl, grown into a young
+woman and married to Mr Murphy the clown. The whole village was
+stirred and excited by the story, and Andrew himself, roused for the
+moment from his usual surly silence, told it over and over again to
+eager audiences as he had to Dickie, only now it had a better ending.
+
+The children at the vicarage found it wonderfully interesting--more so
+than one of Pennie's very best, and the nice part about it was that it
+had been Dickie who discovered Andrew's little girl. Indeed, instead of
+being scolded for disobedience as she deserved, Dickie was made into a
+sort of heroine; when she was brought home sound asleep in Andrew's
+arms, everyone was only anxious to hug and kiss her, because they were
+so glad to get her back again, and the next day it was much the same
+thing. The children were breathless with admiration when the history of
+the red boot was told, and Dickie's daring adventure, and Mrs Hawthorn
+was scarcely able to get in a word of reproof.
+
+"But you know," she said, "that though we're all glad Andrew's daughter
+is found, still it was naughty and wilful of Dickie to go out by
+herself. She knew she was doing wrong, and disobeying mother."
+
+"But if she hadn't," remarked David, "most likely Andrew never would
+have found his little girl."
+
+"Perhaps not," said Mrs Hawthorn; "but it might not have ended so well.
+Dickie might have been hurt or lost. Good things sometimes come out of
+wrong things, but that does not make the wrong things right."
+
+Still the children could not help feeling glad that Dickie had been
+disobedient--just that once.
+
+And then another wonderful thing to think of, was that Andrew was now
+really related to the clown, whose appearance and manners they had all
+admired so much the day before. That delightful, witty person, whose
+ready answers and pointed pleasantries made everyone else seem dull and
+stupid! He was now Andrew's son-in-law. It appeared, however, that
+Andrew was not so grateful for this advantage as he might have been.
+
+"Aren't you glad, Andrew," asked Nancy, "that Molly married the clown?"
+
+"Why, no, missie," he answered, scraping his boot on the side of his
+spade, "I can't say as I be."
+
+"Why not? He must be _such_ a nice man, and _so_ amusing."
+
+"Well," said Andrew, "it's a matter of opinion, that is; it's not a
+purfesson as _I_ should choose, making a fool of myself for other fools
+to laugh at. Not but what he do seem a sober, decent sort of chap, and
+fond of Molly; so it might a been worse, I'll not deny that."
+
+A sober, decent sort of chap! What a way to refer to a brilliantly
+gifted person like the clown!
+
+"An' they've promised me one thing," continued he as he shouldered his
+spade, "an' that is that they'll not bring up the little un to the same
+trade. She's to come an' live a-longer me when she's five years old,
+an' have some schoolin' an' be brought up decent. I don't want my
+gran-darter to go racin' round on 'orses an' suchlike."
+
+"Then you'll have a little girl to live with you, just as you used to,"
+said Pennie.
+
+"And her name will be Mollie too," said Ambrose.
+
+"But you won't take her to the circus again, I should think?" added
+David.
+
+"Andoo's 'ittle gal had yed boots," said Dickie, and here the
+conversation finished.
+
+THE END.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hawthorns, by Amy Walton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HAWTHORNS ***
+
+***** This file should be named 21232.txt or 21232.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/1/2/3/21232/
+
+Produced by Nick Hodson of London, England
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.