summaryrefslogtreecommitdiff
path: root/23008.txt
blob: ec894c351e98a96cb80cd3e32bf9ac8249ce0c47 (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
The Project Gutenberg EBook of The Sheriff And His Partner, by Frank Harris

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Sheriff And His Partner

Author: Frank Harris

Release Date: October 12, 2007 [EBook #23008]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE SHERIFF AND HIS PARTNER ***




Produced by David Widger





THE SHERIFF AND HIS PARTNER.

By Frank Harris


One afternoon in July, 1869, I was seated at my desk in Locock's
law-office in the town of Kiota, Kansas. I had landed in New York from
Liverpool nearly a year before, and had drifted westwards seeking in
vain for some steady employment. Lawyer Locock, however, had promised to
let me study law with him, and to give me a few dollars a month besides,
for my services as a clerk. I was fairly satisfied with the prospect,
and the little town interested me. An outpost of civilization, it was
situated on the border of the great plains, which were still looked
upon as the natural possession of the nomadic Indian tribes. It owed its
importance to the fact that it lay on the cattle-trail which led from
the prairies of Texas through this no man's land to the railway system,
and that it was the first place where the cowboys coming north could
find a bed to sleep in, a bar to drink at, and a table to gamble on. For
some years they had made of Kiota a hell upon earth. But gradually the
land in the neighbourhood was taken up by farmers, emigrants chiefly
from New England, who were determined to put an end to the reign of
violence. A man named Johnson was their leader in establishing order
and tranquillity. Elected, almost as soon as he came to the town, to the
dangerous post of City Marshal, he organized a vigilance committee
of the younger and more daring settlers, backed by whom he resolutely
suppressed the drunken rioting of the cowboys. After the ruffians
had been taught to behave themselves, Johnson was made Sheriff of the
County, a post which gave him a house and permanent position. Though
married now, and apparently "settled down," the Sheriff was a sort of
hero in Kiota. I had listened to many tales about him, showing desperate
determination veined with a sense of humour, and I often regretted that
I had reached the place too late to see him in action. I had little
or nothing to do in the office. The tedium of the long days was almost
unbroken, and Stephen's "Commentaries" had become as monotonous and
unattractive as the bare uncarpeted floor. The heat was tropical, and
I was dozing when a knock startled me. A negro boy slouched in with a
bundle of newspapers: "This yer is Jedge Locock's, I guess?" "I guess
so," was my answer as I lazily opened the third or fourth number of
the "Kiota Weekly Tribune." Glancing over the sheet my eye caught the
following paragraph:

     "HIGHWAY ROBBERY WITH VIOLENCE.

     JUDGE SHANNON STOPPED.

     THE OUTLAW ESCAPES. HE KNOWS SHERIFF JOHNSON.

"Information has just reached us of an outrage perpetrated on the person
of one of our most respected fellow-citizens. The crime was committed in
daylight, on the public highway within four miles of this city; a crime,
therefore, without parallel in this vicinity for the last two years.
Fortunately our County and State authorities can be fully trusted,
and we have no sort of doubt that they can command, if necessary, the
succour and aid of each and every citizen of this locality in order to
bring the offending miscreant to justice.

"We now place the plain recital of this outrage before our readers.

"Yesterday afternoon, as Ex-Judge Shannon was riding from his law-office
in Kiota towards his home on Sumach Bluff, he was stopped about four
miles from this town by a man who drew a revolver on him, telling him
at the same time to pull up. The Judge, being completely unarmed and
unprepared, obeyed, and was told to get down from the buckboard, which
he did. He was then ordered to put his watch and whatever money he had,
in the road, and to retreat three paces.

"The robber pocketed the watch and money, and told him he might tell
Sheriff Johnson that Tom Williams had 'gone through him,' and that he
(Williams) could be found at the saloon in Osawotamie at any time. The
Judge now hoped for release, but Tom Williams (if that be the robber's
real name) seemed to get an afterthought, which he at once proceeded to
carry into effect. Drawing a knife he cut the traces, and took out of
the shafts the Judge's famous trotting mare, Lizzie D., which he mounted
with the remark:

"'Sheriff Johnson, I reckon, would come after the money anyway, but the
hoss'll fetch him--sure pop.'

"These words have just been given to us by Judge Shannon himself, who
tells us also that the outrage took place on the North Section Line,
bounding Bray's farm.

"After this speech the highway robber Williams rode towards the township
of Osawotamie, while Judge Shannon, after drawing the buckboard to the
edge of the track, was compelled to proceed homewards on foot.

"The outrage, as we have said, took place late last evening, and Judge
Shannon, we understand, did not trouble to inform the County authorities
of the circumstance till to-day at noon, after leaving our office.
What the motive of the crime may have been we do not worry ourselves to
inquire; a crime, an outrage upon justice and order, has been committed;
that is all we care to know. If anything fresh happens in this
connection we propose to issue a second edition of this paper. Our
fellow-citizens may rely upon our energy and watchfulness to keep them
posted.

"Just before going to press we learn that Sheriff Johnson was out of
town attending to business when Judge Shannon called; but Sub-Sheriff
Jarvis informs us that he expects the Sheriff back shortly. It is
necessary to add, by way of explanation, that Mr. Jarvis cannot leave
the jail unguarded, even for a few hours."

As may be imagined this item of news awakened my keenest interest. It
fitted in with some things that I knew already, and I was curious to
learn more. I felt that this was the first act in a drama. Vaguely I
remembered some one telling in disconnected phrases why the Sheriff had
left Missouri, and come to Kansas:

"'Twas after a quor'll with a pardner of his, named Williams, who kicked
out."

Bit by bit the story, to which I had not given much attention when I
heard it, so casually, carelessly was it told, recurred to my memory.

"They say as how Williams cut up rough with Johnson, and drawed a
knife on him, which Johnson gripped with his left while he pulled
trigger.--Williams, I heerd, was in the wrong; I hain't perhaps got the
right end of it; anyhow, you might hev noticed the Sheriff hes lost the
little finger off his left hand.--Johnson, they say, got right up and
lit out from Pleasant Hill. Perhaps the folk in Mizzoori kinder liked
Williams the best of the two; I don't know. Anyway, Sheriff Johnson's
a square man; his record here proves it. An' real grit, you bet your
life."

The narrative had made but a slight impression on me at the time; I
didn't know the persons concerned, and had no reason to interest myself
in their fortunes. In those early days, moreover, I was often homesick,
and gave myself up readily to dreaming of English scenes and faces. Now
the words and drawling intonation came back to me distinctly, and with
them the question: Was the robber of Judge Shannon the same Williams who
had once been the Sheriff's partner? My first impulse was to hurry into
the street and try to find out; but it was the chief part of my duty to
stay in the office till six o'clock; besides, the Sheriff was "out of
town," and perhaps would not be back that day. The hours dragged to an
end at last; my supper was soon finished, and, as night drew down, I
hastened along the wooden side-walk of Washington Street towards the
Carvell House. This hotel was much too large for the needs of the little
town; it contained some fifty bedrooms, of which perhaps half-a-dozen
were permanently occupied by "high-toned" citizens, and a billiard-room
of gigantic size, in which stood nine tables, as well as the famous bar.
The space between the bar, which ran across one end of the room, and
the billiard-tables, was the favourite nightly resort of the prominent
politicians and gamblers. There, if anywhere, my questions would be
answered.

On entering the billiard-room I was struck by the number of men who had
come together. Usually only some twenty or thirty were present, half
of whom sat smoking and chewing about the bar, while the rest watched a
game of billiards or took a "life" in pool. This evening, however, the
billiard-tables were covered with their slate-coloured "wraps," while
at least a hundred and fifty men were gathered about the open space of
glaring light near the bar. I hurried up the room, but as I approached
the crowd my steps grew slower, and I became half ashamed of my eager,
obtrusive curiosity and excitement. There was a kind of reproof in the
lazy, cool glance which one man after another cast upon me, as I went
by. Assuming an air of indecision I threaded my way through the chairs
uptilted against the sides of the billiard-tables. I had drained a glass
of Bourbon whisky before I realized that these apparently careless men
were stirred by some emotion which made them more cautious, more silent,
more warily on their guard than usual. The gamblers and loafers, too,
had taken "back seats" this evening, whilst hard-working men of the
farmer class who did not frequent the expensive bar of the Carvell House
were to be seen in front. It dawned upon me that the matter was serious,
and was being taken seriously.

The silence was broken from time to time by some casual remark of no
interest, drawled out in a monotone; every now and then a man invited
the "crowd" to drink with him, and that was all. Yet the moral
atmosphere was oppressive, and a vague feeling of discomfort grew upon
me. These men "meant business."

Presently the door on my left opened--Sheriff Johnson came into the
room.

"Good evenin'," he said; and a dozen voices, one after another, answered
with "Good evenin'! good evenin', Sheriff!" A big frontiersman, however,
a horse-dealer called Martin, who, I knew, had been on the old vigilance
committee, walked from the centre of the group in front of the bar to
the Sheriff, and held out his hand with:

"Shake, old man, and name the drink." The Sheriff took the proffered
hand as if mechanically, and turned to the bar with "Whisky--straight."

Sheriff Johnson was a man of medium height, sturdily built. A broad
forehead, and clear, grey-blue eyes that met everything fairly,
testified in his favour. The nose, however, was fleshy and snub. The
mouth was not to be seen, nor its shape guessed at, so thickly did the
brown moustache and beard grow; but the short beard seemed rather to
exaggerate than conceal an extravagant out jutting of the lower jaw,
that gave a peculiar expression of energy and determination to the face.
His manner was unobtrusively quiet and deliberate.

It was an unusual occurrence for Johnson to come at night to the
bar-lounge, which was beginning to fall into disrepute among the
puritanical or middle-class section of the community. No one, however,
seemed to pay any further attention to him, or to remark the unusual
cordiality of Martin's greeting. A quarter of an hour elapsed before
anything of note occurred. Then, an elderly man whom I did not know,
a farmer, by his dress, drew a copy of the "Kiota Tribune" from his
pocket, and, stretching it towards Johnson, asked with a very marked
Yankee twang:

"Sheriff, hev yeou read this 'Tribune'?"

Wheeling half round towards his questioner, the Sheriff replied:

"Yes, sir, I hev." A pause ensued, which was made significant to me by
the fact that the bar-keeper suspended his hand and did not pour out the
whisky he had just been asked to supply--a pause during which the two
faced each other; it was broken by the farmer saying:

"Ez yeou wer out of town to-day, I allowed yeou might hev missed seein'
it. I reckoned yeou'd come straight hyar before yeou went to hum."

"No, Crosskey," rejoined the Sheriff, with slow emphasis; "I went home
first and came on hyar to see the boys."

"Wall," said Mr. Crosskey, as it seemed to me, half apologetically,
"knowin' yeou I guessed yeou ought to hear the facks," then, with some
suddenness, stretching out his hand, he added, "I hev some way to go,
an' my old woman 'ull be waitin' up fer me. Good night, Sheriff." The
hands met while the Sheriff nodded: "Good night, Jim."

After a few greetings to right and left Mr. Crosskey left the bar.
The crowd went on smoking, chewing, and drinking, but the sense
of expectancy was still in the air, and the seriousness seemed, if
anything, to have increased. Five or ten minutes may have passed when a
man named Reid, who had run for the post of Sub-Sheriff the year before,
and had failed to beat Johnson's nominee Jarvis, rose from his chair and
asked abruptly:

"Sheriff, do you reckon to take any of us uns with you to-morrow?"

With an indefinable ring of sarcasm in his negligent tone, the Sheriff
answered:

"I guess not, Mr. Reid."

Quickly Reid replied: "Then I reckon there's no use in us stayin';" and
turning to a small knot of men among whom he had been sitting, he added,
"Let's go, boys!"

The men got up and filed out after their leader without greeting the
Sheriff in any way. With the departure of this group the shadow lifted.
Those who still remained showed in manner a marked relief, and a
moment or two later a man named Morris, whom I knew to be a gambler by
profession, called out lightly:

"The crowd and you'll drink with me, Sheriff, I hope? I want another
glass, and then we won't keep you up any longer, for you ought to have a
night's rest with to-morrow's work before you."

The Sheriff smiled assent. Every one moved towards the bar, and
conversation became general. Morris was the centre of the company, and
he directed the talk jokingly to the account in the "Tribune," making
fun, as it seemed to me, though I did not understand all his allusions,
of the editor's timidity and pretentiousness. Morris interested and
amused me even more than he amused the others; he talked like a man of
some intelligence and reading, and listening to him I grew light-hearted
and careless, perhaps more careless than usual, for my spirits had been
ice-bound in the earlier gloom of the evening.

"Fortunately our County and State authorities can be fully trusted,"
some one said.

"Mark that 'fortunately', Sheriff," laughed Morris. "The editor was
afraid to mention you alone, so he hitched the State on with you to
lighten the load."

"Ay!" chimed in another of the gamblers, "and the 'aid and succour of
each and every citizen,' eh, Sheriff, as if you'd take the whole town
with you. I guess two or three'll be enough fer Williams."

This annoyed me. It appeared to me that Williams had addressed a
personal challenge to the Sheriff, and I thought that Johnson should
so consider it. Without waiting for the Sheriff to answer, whether in
protest or acquiescence, I broke in:

"Two or three would be cowardly. One should go, and one only." At once I
felt rather than saw the Sheriff free himself from the group of men; the
next moment he stood opposite to me.

"What was that?" he asked sharply, holding me with keen eye and
out-thrust chin--repressed passion in voice and look.

The antagonism of his bearing excited and angered me not a little. I
replied:

"I think it would be cowardly to take two or three against a single man.
I said one should go, and I say so still."

"Do you?" he sneered. "I guess you'd go alone, wouldn't you? to bring
Williams in?"

"If I were paid for it I should," was my heedless retort. As I spoke his
face grew white with such passion that I instinctively put up my hands
to defend myself, thinking he was about to attack me. The involuntary
movement may have seemed boyish to him, for thought came into his eyes,
and his face relaxed; moving away he said quietly:

"I'll set up drinks, boys."

They grouped themselves about him and drank, leaving me isolated. But
this, now my blood was up, only added to the exasperation I felt at his
contemptuous treatment, and accordingly I walked to the bar, and as
the only unoccupied place was by Johnson's side I went there and said,
speaking as coolly as I could:

"Though no one asks me to drink I guess I'll take some whisky,
bar-keeper, if you please."

Johnson was standing with his back to me, but when I spoke he looked
round, and I saw, or thought I saw, a sort of curiosity in his gaze.
I met his eye defiantly. He turned to the others and said, in his
ordinary, slow way:

"Wall, good night, boys; I've got to go. It's gittin' late, an' I've had
about as much as I want."

Whether he alluded to the drink or to my impertinence I was unable to
divine. Without adding a word he left the room amid a chorus of "Good
night, Sheriff!" With him went Martin and half-a-dozen more.

I thought I had come out of the matter fairly well until I spoke to
some of the men standing near. They answered me, it is true, but in
monosyllables, and evidently with unwillingness. In silence I finished
my whisky, feeling that every one was against me for some inexplicable
cause. I resented this and stayed on. In a quarter of an hour the rest
of the crowd had departed, with the exception of Morris and a few of the
same kidney.

When I noticed that these gamblers, outlaws by public opinion, held away
from me, I became indignant. Addressing myself to Morris, I asked:

"Can you tell me, sir, for you seem to be an educated man, what I have
said or done to make you all shun me?"

"I guess so," he answered indifferently. "You took a hand in a game
where you weren't wanted. And you tried to come in without ever having
paid the _ante_, which is not allowed in any game--at least not in any
game played about here."

The allusion seemed plain; I was not only a stranger, but a foreigner;
that must be my offence. With a "Good night, sir; good night,
barkeeper!" I left the room.

The next morning I went as usual to the office. I may have been seated
there about an hour--it was almost eight o'clock--when I heard a knock
at the door.

"Come in," I said, swinging round in the American chair, to find myself
face to face with Sheriff Johnson.

"Why, Sheriff, come in!" I exclaimed cheerfully, for I was relieved
at seeing him, and so realized more clearly than ever that the
unpleasantness of the previous evening had left in me a certain
uneasiness. I was eager to show that the incident had no importance:

"Won't you take a seat? and you'll have a cigar?--these are not bad."

"No, thank you," he answered. "No, I guess I won't sit nor smoke jest
now." After a pause, he added, "I see you're studyin'; p'r'aps you're
busy to-day; I won't disturb you."

"You don't disturb me, Sheriff," I rejoined. "As for studying, there's
not much in it. I seem to prefer dreaming."

"Wall," he said, letting his eyes range round the walls furnished with
Law Reports bound in yellow calf, "I don't know, I guess there's a big
lot of readin' to do before a man gets through with all those."

"Oh," I laughed, "the more I read the more clearly I see that law is
only a sermon on various texts supplied by common sense."

"Wall," he went on slowly, coming a pace or two nearer and speaking with
increased seriousness, "I reckon you've got all Locock's business to see
after: his clients to talk to; letters to answer, and all that; and when
he's on the drunk I guess he don't do much. I won't worry you any more."

"You don't worry me," I replied. "I've not had a letter to answer in
three days, and not a soul comes here to talk about business or anything
else. I sit and dream, and wish I had something to do out there in the
sunshine. Your work is better than reading words, words--nothing but
words."

"You ain't busy; hain't got anything to do here that might keep you?
Nothin'?"

"Not a thing. I'm sick of Blackstone and all Commentaries."

Suddenly I felt his hand on my shoulder (moving half round in the
chair, I had for the moment turned sideways to him), and his voice was
surprisingly hard and quick:

"Then I swear you in as a Deputy-Sheriff of the United States, and of
this State of Kansas; and I charge you to bring in and deliver at the
Sheriff's house, in this county of Elwood, Tom Williams, alive or dead,
and--there's your fee, five dollars and twenty-five cents!" and he laid
the money on the table.

Before the singular speech was half ended I had swung round facing him,
with a fairly accurate understanding of what he meant But the moment
for decision had come with such sharp abruptness, that I still did not
realize my position, though I replied defiantly as if accepting the
charge:

"I've not got a weapon."

"The boys allowed you mightn't hev, and so I brought some along. You ken
suit your hand." While speaking he produced two or three revolvers of
different sizes, and laid them before me.

Dazed by the rapid progress of the plot, indignant, too, at the trick
played upon me, I took up the nearest revolver and looked at it almost
without seeing it. The Sheriff seemed to take my gaze for that of an
expert's curiosity.

"It shoots true," he said meditatively, "plumb true; but it's too small
to drop a man. I guess it wouldn't stop any one with grit in him."

My anger would not allow me to consider his advice; I thrust the weapon
in my pocket:

"I haven't got a buggy. How am I to get to Osawotamie?"

"Mine's hitched up outside. You ken hev it."

Rising to my feet I said: "Then we can go."

We had nearly reached the door of the office, when the Sheriff stopped,
turned his back upon the door, and looking straight into my eyes said:

"Don't play foolish. You've no call to go. Ef you're busy, ef you've
got letters to write, anythin' to do--I'll tell the boys you sed so, and
that'll be all; that'll let you out."

Half-humorously, as it seemed to me, he added: "You're young and a
tenderfoot. You'd better stick to what you've begun upon. That's the way
to do somethin'.--I often think it's the work chooses us, and we've just
got to get down and do it."

"I've told you I had nothing to do," I retorted angrily; "that's the
truth. Perhaps" (sarcastically) "this work chooses me."

The Sheriff moved away from the door.

On reaching the street I stopped for a moment in utter wonder. At that
hour in the morning Washington Street was usually deserted, but now
it seemed as if half the men in the town had taken up places round the
entrance to Locock's office stairs. Some sat on barrels or boxes tipped
up against the shop-front (the next store was kept by a German, who sold
fruit and eatables); others stood about in groups or singly; a few were
seated on the edge of the side-walk, with their feet in the dust of the
street. Right before me and most conspicuous was the gigantic figure
of Martin. He was sitting on a small barrel in front of the Sheriff's
buggy.

"Good morning," I said in the air, but no one answered me. Mastering
my irritation, I went forward to undo the hitching-strap, but Martin,
divining my intention, rose and loosened the buckle. As I reached him,
he spoke in a low whisper, keeping his back turned to me:

"Shoot off a joke quick. The boys'll let up on you then. It'll be all
right. Say something for God's sake!"

The rough sympathy did me good, relaxed the tightness round my heart;
the resentment natural to one entrapped left me, and some of my
self-confidence returned:

"I never felt less like joking in my life, Martin, and humour can't be
produced to order."

He fastened up the hitching-strap, while I gathered the reins together
and got into the buggy. When I was fairly seated he stepped to the
side of the open vehicle, and, holding out his hand, said, "Good day,"
adding, as our hands clasped, "Wade in, young un; wade in."

"Good day, Martin. Good day, Sheriff. Good day, boys!"

To my surprise there came a chorus of answering "Good days!" as I drove
up the street.

A few hundred yards I went, and then wheeled to the right past the post
office, and so on for a quarter of a mile, till I reached the descent
from the higher ground, on which the town was built, to the river.
There, on my left, on the verge of the slope, stood the Sheriffs house
in a lot by itself, with the long, low jail attached to it. Down the
hill I went, and across the bridge and out into the open country. I
drove rapidly for about five miles--more than halfway to Osawotamie--and
then I pulled up, in order to think quietly and make up my mind.

I grasped the situation now in all its details. Courage was the one
virtue which these men understood, the only one upon which they prided
themselves. I, a stranger, a "tenderfoot," had questioned the courage
of the boldest among them, and this mission was their answer to my
insolence. The "boys" had planned the plot; Johnson was not to blame;
clearly he wanted to let me out of it; he would have been satisfied
there in the office if I had said that I was busy; he did not like to
put his work on any one else. And yet he must profit by my going. Were I
killed, the whole country would rise against Williams; whereas if I shot
Williams, the Sheriff would be relieved of the task. I wondered whether
the fact of his having married made any difference to the Sheriff.
Possibly--and yet it was not the Sheriff; it was the "boys" who had
insisted on giving me the lesson. Public opinion was dead against me. "I
had come into a game where I was not wanted, and I had never even paid
the _ante_"--that was Morris's phrase. Of course it was all clear now.
I had never given any proof of courage, as most likely all the rest had
at some time or other. That was the _ante_ Morris meant....

My wilfulness had got me into the scrape; I had only myself to thank.
Not alone the Sheriff but Martin would have saved me had I profited by
the door of escape which he had tried to open for me. Neither of them
wished to push the malice to the point of making me assume the Sheriff's
risk, and Martin at least, and probably the Sheriff also, had taken
my quick, half-unconscious words and acts as evidence of reckless
determination. If I intended to live in the West I must go through with
the matter.

But what nonsense it all was! Why should I chuck away my life in the
attempt to bring a desperate ruffian to justice? And who could say that
Williams was a ruffian? It was plain that his quarrel with the Sheriff
was one of old date and purely personal He had "stopped" Judge Shannon
in order to bring about a duel with the Sheriff. Why should I fight the
Sheriff's duels? Justice, indeed! justice had nothing to do with this
affair; I did not even know which man was in the right. Reason led
directly to the conclusion that I had better turn the horse's head
northwards, drive as fast and as far as I could, and take the train as
soon as possible out of the country. But while I recognized that this
was the only sensible decision, I felt that I could not carry it into
action. To run away was impossible; my cheeks burned with shame at the
thought.

Was I to give my life for a stupid practical joke? "Yes!"--a voice
within me answered sharply. "It would be well if a man could always
choose the cause for which he risks his life, but it may happen that he
ought to throw it away for a reason that seems inadequate."

"What ought I to do?" I questioned.

"Go on to Osawotamie, arrest Williams, and bring him into Kiota,"
replied my other self.

"And if he won't come?"

"Shoot him--you are charged to deliver him 'alive or dead' at the
Sheriff's house. No more thinking, drive straight ahead and act as if
you were a representative of the law and Williams a criminal. It has to
be done."

The resolution excited me, I picked up the reins and proceeded. At the
next section-line I turned to the right, and ten or fifteen minutes
later saw Osawotamie in the distance.

I drew up, laid the reins on the dashboard, and examined the revolver.
It was a small four-shooter, with a large bore. To make sure of its
efficiency I took out a cartridge; it was quite new. While weighing it
in my hand, the Sheriff's words recurred to me, "It wouldn't stop any
one with grit in him." What did he mean? I didn't want to think, so
I put the cartridge in again, cocked and replaced the pistol in my
right-side jacket pocket, and drove on. Osawotamie consisted of a single
street of straggling frame-buildings. After passing half-a-dozen of
them I saw, on the right, one which looked to me like a saloon. It was
evidently a stopping-place. There were several hitching-posts, and
the house boasted instead of a door two green Venetian blinds put upon
rollers--the usual sign of a drinking-saloon in the West.

I got out of the buggy slowly and carefully, so as not to shift the
position of the revolver, and after hitching up the horse, entered the
saloon. Coming out of the glare of the sunshine I could hardly see in
the darkened room. In a moment or two my eyes grew accustomed to the dim
light, and I went over to the bar, which was on my left. The bar-keeper
was sitting down; his head and shoulders alone were visible; I asked him
for a lemon squash.

"Anythin' in it?" he replied, without lifting his eyes.

"No; I'm thirsty and hot."

"I guessed that was about the figger," he remarked, getting up leisurely
and beginning to mix the drink with his back to me.

I used the opportunity to look round the room. Three steps from me stood
a tall man, lazily leaning with his right arm on the bar, his fingers
touching a half-filled glass. He seemed to be gazing past me into
the void, and thus allowed me to take note of his appearance. In
shirt-sleeves, like the bar-keeper, he had a belt on in which were two
large revolvers with white ivory handles. His face was prepossessing,
with large but not irregular features, bronzed fair skin, hazel eyes,
and long brown moustache. He looked strong and was lithe of form, as if
he had not done much hard bodily work. There was no one else in the room
except a man who appeared to be sleeping at a table in the far corner
with his head pillowed on his arms.

As I completed this hasty scrutiny of the room and its inmates, the
bar-keeper gave me my squash, and I drank eagerly. The excitement had
made me thirsty, for I knew that the crisis must be at hand, but I
experienced no other sensation save that my heart was thumping and my
throat was dry. Yawning as a sign of indifference (I had resolved to
be as deliberate as the Sheriff) I put my hand in my pocket on the
revolver. I felt that I could draw it out at once.

I addressed the bar-keeper:

"Say, do you know the folk here in Osawotamie?"

After a pause he replied:

"Most on 'em, I guess."

Another pause and a second question:

"Do you know Tom Williams?"

The eyes looked at me with a faint light of surprise in them; they
looked away again, and came back with short, half suspicious, half
curious glances.

"Maybe you're a friend of his'n?"

"I don't know him, but I'd like to meet him."

"Would you, though?" Turning half round, the bar-keeper took down a
bottle and glass, and poured out some whisky, seemingly for his own
consumption. Then: "I guess he's not hard to meet, isn't Williams, ef
you and me mean the same man."

"I guess we do," I replied; "Tom Williams is the name."

"That's me," said the tall man who was leaning on the bar near me,
"that's my name."

"Are you the Williams that stopped Judge Shannon yesterday?"

"I don't know his name," came the careless reply, "but I stopped a man
in a buck-board."

Plucking out my revolver, and pointing it low down on his breast, I
said:

"I'm sent to arrest you; you must come with me to Kiota."

Without changing his easy posture, or a muscle of his face, he asked in
the same quiet voice:

"What does this mean, anyway? Who sent you to arrest me?"

"Sheriff Johnson," I answered.

The man started upright, and said, as if amazed, in a quick, loud voice:

"Sheriff Johnson sent _you_ to arrest me?"

"Yes," I retorted, "Sheriff Samuel Johnson swore me in this morning as
his deputy, and charged me to bring you into Kiota."

In a tone of utter astonishment he repeated my words, "Sheriff Samuel
Johnson!"

"Yes," I replied, "Samuel Johnson, Sheriff of Elwood County."

"See here," he asked suddenly, fixing me with a look of angry suspicion,
"what sort of a man is he? What does he figger like?"

"He's a little shorter than I am," I replied curtly, "with a brown beard
and bluish eyes--a square-built sort of man."

"Hell!" There was savage rage and menace in the exclamation.

"You kin put that up!" he added, absorbed once more in thought. I paid
no attention to this; I was not going to put the revolver away at his
bidding. Presently he asked in his ordinary voice:

"What age man might this Johnson be?"

"About forty or forty-five, I should think."

"And right off Sam Johnson swore you in and sent you to bring me into
Kiota--an' him Sheriff?"

"Yes," I replied impatiently, "that's so."

"Great God!" he exclaimed, bringing his clenched right hand heavily down
on the bar. "Here, Zeke!" turning to the man asleep in the corner,
and again he shouted "Zeke!" Then, with a rapid change of manner, and
speaking irritably, he said to me:

"Put that thing up, I say."

The bar-keeper now spoke too: "I guess when Tom sez you kin put it up,
you kin. You hain't got no use fur it."

The changes of Williams' tone from wonder to wrath and then to quick
resolution showed me that the doubt in him had been laid, and that I
had but little to do with the decision at which he had arrived, whatever
that decision might be. I understood, too, enough of the Western spirit
to know that he would take no unfair advantage of me. I therefore
uncocked the revolver and put it back into my pocket. In the meantime
Zeke had got up from his resting-place in the corner and had made his
way sleepily to the bar. He had taken more to drink than was good for
him, though he was not now really drunk.

"Give me and Zeke a glass, Joe," said Williams; "and this gentleman,
too, if he'll drink with me, and take one yourself with us."

"No," replied the bar-keeper sullenly, "I'll not drink to any damned
foolishness. An' Zeke won't neither."

"Oh, yes, he will," Williams returned persuasively, "and so'll you, Joe.
You aren't goin' back on me."

"No, I'll be just damned if I am," said the barkeeper, half-conquered.

"What'll you take, sir?" Williams asked me.

"The bar-keeper knows my figger," I answered, half-jestingly, not yet
understanding the situation, but convinced that it was turning out
better than I had expected.

"And you, Zeke?" he went on.

"The old pizen," Zeke replied.

"And now, Joe, whisky for you and me--the square bottle," he continued,
with brisk cheerfulness.

In silence the bar-keeper placed the drinks before us. As soon as the
glasses were empty Williams spoke again, putting out his hand to Zeke at
the same time:

"Good-bye, old man, so long, but saddle up in two hours. Ef I don't come
then, you kin clear; but I guess I'll be with you."

"Good-bye, Joe."

"Good-bye, Tom," replied the bar-keeper, taking the proffered hand,
still half-unwillingly, "if you're stuck on it; but the game is to wait
for 'em here--anyway that's how I'd play it."

A laugh and shake of the head and Williams addressed me:

"Now, sir, I'm ready if you are." We were walking towards the door, when
Zeke broke in:

"Say, Tom, ain't I to come along?"

"No, Zeke, I'll play this hand alone," replied Williams, and two minutes
later he and I were seated in the buggy, driving towards Kiota.

We had gone more than a mile before he spoke again. He began very
quietly, as if confiding his thoughts to me:

"I don't want to make no mistake about this business--it ain't worth
while. I'm sure you're right, and Sheriff Samuel Johnson sent you, but,
maybe, ef you was to think you could kinder bring him before me. There
might be two of the name, the age, the looks--though it ain't likely."
Then, as if a sudden inspiration moved him:

"Where did he come from, this Sam Johnson, do you know?"

"I believe he came from Pleasant Hill, Missouri. I've heard that he left
after a row with his partner, and it seems to me that his partner's name
was Williams. But that you ought to know better than I do. By-the-bye,
there is one sign by which Sheriff Johnson can always be recognized;
he has lost the little finger of his left hand. They say he caught
Williams' bowie with that hand and shot him with the right. But why he
had to leave Missouri I don't know, if Williams drew first."

"I'm satisfied now," said my companion, "but I guess you hain't got that
story correct; maybe you don't know the cause of it nor how it began;
maybe Williams didn't draw fust; maybe he was in the right all the way
through; maybe--but thar!--the first hand don't decide everythin'. Your
Sheriffs the man--that's enough for me."

After this no word was spoken for miles. As we drew near the bridge
leading into the town of Kiota I remarked half-a-dozen men standing
about. Generally the place was deserted, so the fact astonished me a
little. But I said nothing. We had scarcely passed over half the length
of the bridge, however, when I saw that there were quite twenty men
lounging around the Kiota end of it. Before I had time to explain
the matter to myself, Williams spoke: "I guess he's got out all the
vigilantes;" and then bitterly: "The boys in old Mizzouri wouldn't
believe this ef I told it on him, the dog-goned mean cuss."

We crossed the bridge at a walk (it was forbidden to drive faster over
the rickety structure), and toiled up the hill through the bystanders,
who did not seem to see us, though I knew several of them. When we
turned to the right to reach the gate of the Sheriff's house, there
were groups of men on both sides. No one moved from his place; here and
there, indeed, one of them went on whittling.

I drew up at the sidewalk, threw down the reins, and jumped out of the
buggy to hitch up the horse. My task was done.

I had the hitching-rein loose in my hand, when I became conscious of
something unusual behind me. I looked round--it was the stillness that
foreruns the storm.

Williams was standing on the side-walk facing the low wooden fence, a
revolver in each hand, but both pointing negligently to the ground; the
Sheriff had just come down the steps of his house; in his hands also
were revolvers; his deputy, Jarvis, was behind him on the stoop.

Williams spoke first:

"Sam Johnson, you sent for me, and I've come."

The Sheriff answered firmly, "I did!"

Their hands went up, and crack! crack! crack! in quick succession, three
or four or five reports--I don't know how many. At the first shots the
Sheriff fell forward on his face. Williams started to run along the
side-walk; the groups of men at the corner, through whom he must pass,
closed together; then came another report, and at the same moment he
stopped, turned slowly half round, and sank down in a heap like an empty
sack.

I hurried to him; he had fallen almost as a tailor sits, but his head
was between his knees. I lifted it gently; blood was oozing from a hole
in the forehead. The men were about me; I heard them say:

"A derned good shot! Took him in the back of the head. Jarvis kin
shoot!"

I rose to my feet. Jarvis was standing inside the fence supported by
some one; blood was welling from his bared left shoulder.

"I ain't much hurt," he said, "but I guess the Sheriff's got it bad."

The men moved on, drawing me with them, through the gate to where the
Sheriff lay. Martin turned him over on his back. They opened his shirt,
and there on the broad chest were two little blue marks, each in the
centre of a small mound of pink flesh.

4TH April, 1891.






End of Project Gutenberg's The Sheriff And His Partner, by Frank Harris

*** END OF THIS PROJECT GUTENBERG EBOOK THE SHERIFF AND HIS PARTNER ***

***** This file should be named 23008.txt or 23008.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/3/0/0/23008/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.