diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:00:15 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:00:15 -0700 |
| commit | a233bac6b9c4ebf58634517b45ffab127765fe5d (patch) | |
| tree | f020391ca95d7429170783bed254d7e2025fcd39 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 23055-0.txt | 560 | ||||
| -rw-r--r-- | 23055-0.zip | bin | 0 -> 10752 bytes | |||
| -rw-r--r-- | 23055-8.txt | 559 | ||||
| -rw-r--r-- | 23055-8.zip | bin | 0 -> 10672 bytes | |||
| -rw-r--r-- | 23055-h.zip | bin | 0 -> 11798 bytes | |||
| -rw-r--r-- | 23055-h/23055-h.htm | 648 | ||||
| -rw-r--r-- | 23055.txt | 559 | ||||
| -rw-r--r-- | 23055.zip | bin | 0 -> 10651 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/23055-h.htm.2021-01-25 | 647 |
12 files changed, 2989 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/23055-0.txt b/23055-0.txt new file mode 100644 index 0000000..d64122d --- /dev/null +++ b/23055-0.txt @@ -0,0 +1,560 @@ +The Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Slanderer + 1901 + +Author: Anton Chekhov + +Translator: Herman Bernstein + +Release Date: October 17, 2007 [EBook #23055] +Last Updated: September 10, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + + + + +Produced by David Widger + + + + + +THE SLANDERER + +By Anton Chekhov + +Translated by Herman Bernstein. + +Copyright, 1901, by the Globe and Commercial Advertiser + + +Sergey Kapitonlch Akhineyev, the teacher of calligraphy, gave his +daughter Natalya in marriage to the teacher of history and geography, +Ivan Petrovich Loshadinikh. The wedding feast went on swimmingly. They +sang, played, and danced in the parlor. Waiters, hired for the occasion +from the club, bustled about hither and thither like madmen, in black +frock coats and soiled white neckties. A loud noise of voices smote the +air. From the outside people looked in at the windows;--their social +standing gave them no right to enter. + +Just at midnight the host, Akhineyev, made his way to the kitchen to see +whether everything was ready for the supper. The kitchen was filled with +smoke from the floor to the ceiling; the smoke reeked with the odors +of geese, ducks, and many other things. Victuals and beverages were +scattered about on two tables in artistic disorder. Marfa, the cook, a +stout, red-faced woman, was busying herself near the loaded tables. + +“Show me the sturgeon, dear,” said Akhineyev, rubbing his hands and +licking his lips. “What a fine odor! I could just devour the whole +kitchen! Well, let me see the sturgeon!” + +Marfa walked up to one of the benches and carefully lifted a greasy +newspaper. Beneath that paper, in a huge dish, lay a big fat sturgeon, +amid capers, olives, and carrots. Akhineyev glanced at the sturgeon and +heaved a sigh of relief. His face became radiant, his eyes rolled. He +bent down, and, smacking his lips, gave vent to a sound like a creaking +wheel. He stood a while, then snapped his fingers for pleasure, and +smacked his lips once more. + +“Bah! The sound of a hearty kiss. Whom have you been kissing there, +Marfusha?” some one’s voice was heard from the adjoining room, and soon +the closely cropped head of Vankin, the assistant school instructor, +appeared in the doorway. “Whom have you been kissing here? A-a-ah! Very +good! Sergey Kapitonich! A fine old man indeed! With the female sex +tête-à-tête!” + +“I wasn’t kissing at all,” said Akhineyev, confused; “who told you, +you fool? I only--smacked my lips on account of--in consideration of my +pleasure--at the sight of the fish.” + +“Tell that to some one else, not to me!” exclaimed Vankin, whose face +expanded into a broad smile as he disappeared behind the door. Akhineyev +blushed. + +“The devil knows what may be the outcome of this!” he thought. “He’ll go +about tale-bearing now, the rascal. He’ll disgrace me before the whole +town, the brute!” + +Akhineyev entered the parlor timidly and cast furtive glances to see +what Vankin was doing. Vankin stood near the piano and, deftly bending +down, whispered something to the inspector’s sister-in-law, who was +laughing. + +“That’s about me!” thought Akhineyev. “About me, the devil take him! +She believes him, she’s laughing. My God! No, that mustn’t be left like +that. No. I’ll have to fix it so that no one shall believe him. I’ll +speak to all of them, and he’ll remain a foolish gossip in the end.” + +Akhineyev scratched his head, and, still confused, walked up to Padekoi. + +“I was in the kitchen a little while ago, arranging things there for the +supper,” he said to the Frenchman. “You like fish, I know, and I have +a sturgeon just so big. About two yards. Ha, ha, ha! Yes, by the way, I +have almost forgotten. There was a real anecdote about that sturgeon +in the kitchen. I entered the kitchen a little while ago and wanted to +examine the food. I glanced at the sturgeon and for pleasure, I smacked +my lips--it was so piquant! And just at that moment the fool Vankin +entered and says--ha, ha, ha--and says: ‘A-a! A-a-ah! You have been +kissing here?’--with Marfa; just think of it--with the cook! What a +piece of invention, that blockhead. The woman is ugly, she looks like a +monkey, and he says we were kissing. What a queer fellow!” + +“Who’s a queer fellow?” asked Tarantulov, as he approached them. + +“I refer to Vankin. I went out into the kitchen--” + +The story of Marfa and the sturgeon was repeated. + +“That makes me laugh. What a queer fellow he is. In my opinion it is +more pleasant to kiss the dog than to kiss Marfa,” added Akhineyev, and, +turning around, he noticed Mzda. + +“We have been speaking about Vankin,” he said to him. “What a queer +fellow. He entered the kitchen and noticed me standing beside Marfa, and +immediately he began to invent different stories. ‘What?’ he says, +‘you have been kissing each other!’ He was drunk, so he must have been +dreaming. And I,’ I said, ‘I would rather kiss a duck than kiss Marfa. +And I have a wife,’ said I, ‘you fool.’ He made me appear ridiculous.” + +“Who made you appear ridiculous?” inquired the teacher of religion, +addressing Akhineyev. + +“Vankin. I was standing in the kitchen, you know, and looking at the +sturgeon--” And so forth. In about half an hour all the guests knew the +story about Vankin and the sturgeon. + +“Now let him tell,” thought Akhineyev, rubbing his hands. “Let him do +it. He’ll start to tell them, and they’ll cut him short: ‘Don’t talk +nonsense, you fool! We know all about it.’” + +And Akhineyev felt so much appeased that, for joy, he drank four glasses +of brandy over and above his fill. Having escorted his daughter to her +room, he went to his own and soon slept the sleep of an innocent child, +and on the following day he no longer remembered the story of the +sturgeon. But, alas! Man proposes and God disposes. The evil tongue does +its wicked work, and even Akhineyev’s cunning did not do him any good. +One week later, on a Wednesday, after the third lesson, when Akhineyev +stood in the teachers’ room and discussed the vicious inclinations of +the pupil Visyekin, the director approached him, and, beckoning to him, +called him aside. + +“See here, Sergey Kapitonich,” said the director. “Pardon me. It isn’t +my affair, yet I must make it clear to you, nevertheless. It is my +duty--You see, rumors are on foot that you are on intimate terms with +that woman--with your cook--It isn’t my affair, but--You may be on +intimate terms with her, you may kiss her--You may do whatever you like, +but, please, don’t do it so openly! I beg of you. Don’t forget that you +are a pedagogue.” + +Akhineyev stood as though frozen and petrified. Like one stung by a +swarm of bees and scalded with boiling water, he went home. On his +way it seemed to him as though the whole town stared at him as at one +besmeared with tar--At home new troubles awaited him. + +“Why don’t you eat anything?” asked his wife at their dinner. “What are +you thinking about? Are you thinking about Cupid, eh? You are longing +for Marfushka. I know everything already, you Mahomet. Kind people have +opened my eyes, you barbarian!” + +And she slapped him on the cheek. + +He rose from the table, and staggering, without cap or coat, directed +his footsteps toward Vankin. The latter was at home. + +“You rascal!” he said to Vankin. “Why have you covered me with mud +before the whole world? Why have you slandered me?” + +“How; what slander? What are you inventing?” + +“And who told everybody that I was kissing Marfa? Not you, perhaps? Not +you, you murderer?” + +Vankin began to blink his eyes, and all the fibres of his face began to +quiver. He lifted his eyes toward the image and ejaculated: + +“May God punish me, may I lose my eyesight and die, if I said even a +single word about you to any one! May I have neither house nor home!” + +Vankin’s sincerity admitted of no doubt. It was evident that it was not +he who had gossiped. + +“But who was it? Who?” Akhineyev asked himself, going over in his mind +all his acquaintances, and striking his chest. “Who was it?” + + + + + +End of the Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + +***** This file should be named 23055-0.txt or 23055-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/0/5/23055/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23055-0.zip b/23055-0.zip Binary files differnew file mode 100644 index 0000000..651d00b --- /dev/null +++ b/23055-0.zip diff --git a/23055-8.txt b/23055-8.txt new file mode 100644 index 0000000..10d6102 --- /dev/null +++ b/23055-8.txt @@ -0,0 +1,559 @@ +The Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Slanderer + 1901 + +Author: Anton Chekhov + +Translator: Herman Bernstein + +Release Date: October 17, 2007 [EBook #23055] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + + + + +Produced by David Widger + + + + + +THE SLANDERER + +By Anton Chekhov + +Translated by Herman Bernstein. + +Copyright, 1901, by the Globe and Commercial Advertiser + + +Sergey Kapitonlch Akhineyev, the teacher of calligraphy, gave his +daughter Natalya in marriage to the teacher of history and geography, +Ivan Petrovich Loshadinikh. The wedding feast went on swimmingly. They +sang, played, and danced in the parlor. Waiters, hired for the occasion +from the club, bustled about hither and thither like madmen, in black +frock coats and soiled white neckties. A loud noise of voices smote the +air. From the outside people looked in at the windows;--their social +standing gave them no right to enter. + +Just at midnight the host, Akhineyev, made his way to the kitchen to see +whether everything was ready for the supper. The kitchen was filled with +smoke from the floor to the ceiling; the smoke reeked with the odors +of geese, ducks, and many other things. Victuals and beverages were +scattered about on two tables in artistic disorder. Marfa, the cook, a +stout, red-faced woman, was busying herself near the loaded tables. + +"Show me the sturgeon, dear," said Akhineyev, rubbing his hands and +licking his lips. "What a fine odor! I could just devour the whole +kitchen! Well, let me see the sturgeon!" + +Marfa walked up to one of the benches and carefully lifted a greasy +newspaper. Beneath that paper, in a huge dish, lay a big fat sturgeon, +amid capers, olives, and carrots. Akhineyev glanced at the sturgeon and +heaved a sigh of relief. His face became radiant, his eyes rolled. He +bent down, and, smacking his lips, gave vent to a sound like a creaking +wheel. He stood a while, then snapped his fingers for pleasure, and +smacked his lips once more. + +"Bah! The sound of a hearty kiss. Whom have you been kissing there, +Marfusha?" some one's voice was heard from the adjoining room, and soon +the closely cropped head of Vankin, the assistant school instructor, +appeared in the doorway. "Whom have you been kissing here? A-a-ah! Very +good! Sergey Kapitonich! A fine old man indeed! With the female sex +tte--tte!" + +"I wasn't kissing at all," said Akhineyev, confused; "who told you, +you fool? I only--smacked my lips on account of--in consideration of my +pleasure--at the sight of the fish." + +"Tell that to some one else, not to me!" exclaimed Vankin, whose face +expanded into a broad smile as he disappeared behind the door. Akhineyev +blushed. + +"The devil knows what may be the outcome of this!" he thought. "He'll go +about tale-bearing now, the rascal. He'll disgrace me before the whole +town, the brute!" + +Akhineyev entered the parlor timidly and cast furtive glances to see +what Vankin was doing. Vankin stood near the piano and, deftly bending +down, whispered something to the inspector's sister-in-law, who was +laughing. + +"That's about me!" thought Akhineyev. "About me, the devil take him! +She believes him, she's laughing. My God! No, that mustn't be left like +that. No. I'll have to fix it so that no one shall believe him. I'll +speak to all of them, and he'll remain a foolish gossip in the end." + +Akhineyev scratched his head, and, still confused, walked up to Padekoi. + +"I was in the kitchen a little while ago, arranging things there for the +supper," he said to the Frenchman. "You like fish, I know, and I have +a sturgeon just so big. About two yards. Ha, ha, ha! Yes, by the way, I +have almost forgotten. There was a real anecdote about that sturgeon +in the kitchen. I entered the kitchen a little while ago and wanted to +examine the food. I glanced at the sturgeon and for pleasure, I smacked +my lips--it was so piquant! And just at that moment the fool Vankin +entered and says--ha, ha, ha--and says: 'A-a! A-a-ah! You have been +kissing here?'--with Marfa; just think of it--with the cook! What a +piece of invention, that blockhead. The woman is ugly, she looks like a +monkey, and he says we were kissing. What a queer fellow!" + +"Who's a queer fellow?" asked Tarantulov, as he approached them. + +"I refer to Vankin. I went out into the kitchen--" + +The story of Marfa and the sturgeon was repeated. + +"That makes me laugh. What a queer fellow he is. In my opinion it is +more pleasant to kiss the dog than to kiss Marfa," added Akhineyev, and, +turning around, he noticed Mzda. + +"We have been speaking about Vankin," he said to him. "What a queer +fellow. He entered the kitchen and noticed me standing beside Marfa, and +immediately he began to invent different stories. 'What?' he says, +'you have been kissing each other!' He was drunk, so he must have been +dreaming. And I,' I said, 'I would rather kiss a duck than kiss Marfa. +And I have a wife,' said I, 'you fool.' He made me appear ridiculous." + +"Who made you appear ridiculous?" inquired the teacher of religion, +addressing Akhineyev. + +"Vankin. I was standing in the kitchen, you know, and looking at the +sturgeon--" And so forth. In about half an hour all the guests knew the +story about Vankin and the sturgeon. + +"Now let him tell," thought Akhineyev, rubbing his hands. "Let him do +it. He'll start to tell them, and they'll cut him short: 'Don't talk +nonsense, you fool! We know all about it.'" + +And Akhineyev felt so much appeased that, for joy, he drank four glasses +of brandy over and above his fill. Having escorted his daughter to her +room, he went to his own and soon slept the sleep of an innocent child, +and on the following day he no longer remembered the story of the +sturgeon. But, alas! Man proposes and God disposes. The evil tongue does +its wicked work, and even Akhineyev's cunning did not do him any good. +One week later, on a Wednesday, after the third lesson, when Akhineyev +stood in the teachers' room and discussed the vicious inclinations of +the pupil Visyekin, the director approached him, and, beckoning to him, +called him aside. + +"See here, Sergey Kapitonich," said the director. "Pardon me. It isn't +my affair, yet I must make it clear to you, nevertheless. It is my +duty--You see, rumors are on foot that you are on intimate terms with +that woman--with your cook--It isn't my affair, but--You may be on +intimate terms with her, you may kiss her--You may do whatever you like, +but, please, don't do it so openly! I beg of you. Don't forget that you +are a pedagogue." + +Akhineyev stood as though frozen and petrified. Like one stung by a +swarm of bees and scalded with boiling water, he went home. On his +way it seemed to him as though the whole town stared at him as at one +besmeared with tar--At home new troubles awaited him. + +"Why don't you eat anything?" asked his wife at their dinner. "What are +you thinking about? Are you thinking about Cupid, eh? You are longing +for Marfushka. I know everything already, you Mahomet. Kind people have +opened my eyes, you barbarian!" + +And she slapped him on the cheek. + +He rose from the table, and staggering, without cap or coat, directed +his footsteps toward Vankin. The latter was at home. + +"You rascal!" he said to Vankin. "Why have you covered me with mud +before the whole world? Why have you slandered me?" + +"How; what slander? What are you inventing?" + +"And who told everybody that I was kissing Marfa? Not you, perhaps? Not +you, you murderer?" + +Vankin began to blink his eyes, and all the fibres of his face began to +quiver. He lifted his eyes toward the image and ejaculated: + +"May God punish me, may I lose my eyesight and die, if I said even a +single word about you to any one! May I have neither house nor home!" + +Vankin's sincerity admitted of no doubt. It was evident that it was not +he who had gossiped. + +"But who was it? Who?" Akhineyev asked himself, going over in his mind +all his acquaintances, and striking his chest. "Who was it?" + + + + + +End of the Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + +***** This file should be named 23055-8.txt or 23055-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/0/5/23055/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23055-8.zip b/23055-8.zip Binary files differnew file mode 100644 index 0000000..a60cc43 --- /dev/null +++ b/23055-8.zip diff --git a/23055-h.zip b/23055-h.zip Binary files differnew file mode 100644 index 0000000..99bf21e --- /dev/null +++ b/23055-h.zip diff --git a/23055-h/23055-h.htm b/23055-h/23055-h.htm new file mode 100644 index 0000000..62f3135 --- /dev/null +++ b/23055-h/23055-h.htm @@ -0,0 +1,648 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <title> + The Slanderer, by Anton Chekhov + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Slanderer + 1901 + +Author: Anton Chekhov + +Translator: Herman Bernstein + +Release Date: October 17, 2007 [EBook #23055] +Last Updated: September 10, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + + + + +Produced by David Widger + + + + + +</pre> + + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE SLANDERER + </h1> + <h2> + By Anton Chekhov + </h2> + <h4> + Translated by Herman Bernstein. <br /> <br /> Copyright, 1901, by the Globe + and Commercial Advertiser + </h4> + <p> + <br /> <br /> + </p> + <p> + Sergey Kapitonlch Akhineyev, the teacher of calligraphy, gave his daughter + Natalya in marriage to the teacher of history and geography, Ivan + Petrovich Loshadinikh. The wedding feast went on swimmingly. They sang, + played, and danced in the parlor. Waiters, hired for the occasion from the + club, bustled about hither and thither like madmen, in black frock coats + and soiled white neckties. A loud noise of voices smote the air. From the + outside people looked in at the windows;—their social standing gave + them no right to enter. + </p> + <p> + Just at midnight the host, Akhineyev, made his way to the kitchen to see + whether everything was ready for the supper. The kitchen was filled with + smoke from the floor to the ceiling; the smoke reeked with the odors of + geese, ducks, and many other things. Victuals and beverages were scattered + about on two tables in artistic disorder. Marfa, the cook, a stout, + red-faced woman, was busying herself near the loaded tables. + </p> + <p> + “Show me the sturgeon, dear,” said Akhineyev, rubbing his hands and + licking his lips. “What a fine odor! I could just devour the whole + kitchen! Well, let me see the sturgeon!” + </p> + <p> + Marfa walked up to one of the benches and carefully lifted a greasy + newspaper. Beneath that paper, in a huge dish, lay a big fat sturgeon, + amid capers, olives, and carrots. Akhineyev glanced at the sturgeon and + heaved a sigh of relief. His face became radiant, his eyes rolled. He bent + down, and, smacking his lips, gave vent to a sound like a creaking wheel. + He stood a while, then snapped his fingers for pleasure, and smacked his + lips once more. + </p> + <p> + “Bah! The sound of a hearty kiss. Whom have you been kissing there, + Marfusha?” some one’s voice was heard from the adjoining room, and soon + the closely cropped head of Vankin, the assistant school instructor, + appeared in the doorway. “Whom have you been kissing here? A-a-ah! Very + good! Sergey Kapitonich! A fine old man indeed! With the female sex + tête-à-tête!” + </p> + <p> + “I wasn’t kissing at all,” said Akhineyev, confused; “who told you, you + fool? I only—smacked my lips on account of—in consideration of + my pleasure—at the sight of the fish.” + </p> + <p> + “Tell that to some one else, not to me!” exclaimed Vankin, whose face + expanded into a broad smile as he disappeared behind the door. Akhineyev + blushed. + </p> + <p> + “The devil knows what may be the outcome of this!” he thought. “He’ll go + about tale-bearing now, the rascal. He’ll disgrace me before the whole + town, the brute!” + </p> + <p> + Akhineyev entered the parlor timidly and cast furtive glances to see what + Vankin was doing. Vankin stood near the piano and, deftly bending down, + whispered something to the inspector’s sister-in-law, who was laughing. + </p> + <p> + “That’s about me!” thought Akhineyev. “About me, the devil take him! She + believes him, she’s laughing. My God! No, that mustn’t be left like that. + No. I’ll have to fix it so that no one shall believe him. I’ll speak to + all of them, and he’ll remain a foolish gossip in the end.” + </p> + <p> + Akhineyev scratched his head, and, still confused, walked up to Padekoi. + </p> + <p> + “I was in the kitchen a little while ago, arranging things there for the + supper,” he said to the Frenchman. “You like fish, I know, and I have a + sturgeon just so big. About two yards. Ha, ha, ha! Yes, by the way, I have + almost forgotten. There was a real anecdote about that sturgeon in the + kitchen. I entered the kitchen a little while ago and wanted to examine + the food. I glanced at the sturgeon and for pleasure, I smacked my lips—it + was so piquant! And just at that moment the fool Vankin entered and says—ha, + ha, ha—and says: ‘A-a! A-a-ah! You have been kissing here?’—with + Marfa; just think of it—with the cook! What a piece of invention, + that blockhead. The woman is ugly, she looks like a monkey, and he says we + were kissing. What a queer fellow!” + </p> + <p> + “Who’s a queer fellow?” asked Tarantulov, as he approached them. + </p> + <p> + “I refer to Vankin. I went out into the kitchen—” + </p> + <p> + The story of Marfa and the sturgeon was repeated. + </p> + <p> + “That makes me laugh. What a queer fellow he is. In my opinion it is more + pleasant to kiss the dog than to kiss Marfa,” added Akhineyev, and, + turning around, he noticed Mzda. + </p> + <p> + “We have been speaking about Vankin,” he said to him. “What a queer + fellow. He entered the kitchen and noticed me standing beside Marfa, and + immediately he began to invent different stories. ‘What?’ he says, ‘you + have been kissing each other!’ He was drunk, so he must have been + dreaming. And I,’ I said, ‘I would rather kiss a duck than kiss Marfa. And + I have a wife,’ said I, ‘you fool.’ He made me appear ridiculous.” + </p> + <p> + “Who made you appear ridiculous?” inquired the teacher of religion, + addressing Akhineyev. + </p> + <p> + “Vankin. I was standing in the kitchen, you know, and looking at the + sturgeon—” And so forth. In about half an hour all the guests knew + the story about Vankin and the sturgeon. + </p> + <p> + “Now let him tell,” thought Akhineyev, rubbing his hands. “Let him do it. + He’ll start to tell them, and they’ll cut him short: ‘Don’t talk nonsense, + you fool! We know all about it.’” + </p> + <p> + And Akhineyev felt so much appeased that, for joy, he drank four glasses + of brandy over and above his fill. Having escorted his daughter to her + room, he went to his own and soon slept the sleep of an innocent child, + and on the following day he no longer remembered the story of the + sturgeon. But, alas! Man proposes and God disposes. The evil tongue does + its wicked work, and even Akhineyev’s cunning did not do him any good. One + week later, on a Wednesday, after the third lesson, when Akhineyev stood + in the teachers’ room and discussed the vicious inclinations of the pupil + Visyekin, the director approached him, and, beckoning to him, called him + aside. + </p> + <p> + “See here, Sergey Kapitonich,” said the director. “Pardon me. It isn’t my + affair, yet I must make it clear to you, nevertheless. It is my duty—You + see, rumors are on foot that you are on intimate terms with that woman—with + your cook—It isn’t my affair, but—You may be on intimate terms + with her, you may kiss her—You may do whatever you like, but, + please, don’t do it so openly! I beg of you. Don’t forget that you are a + pedagogue.” + </p> + <p> + Akhineyev stood as though frozen and petrified. Like one stung by a swarm + of bees and scalded with boiling water, he went home. On his way it seemed + to him as though the whole town stared at him as at one besmeared with tar—At + home new troubles awaited him. + </p> + <p> + “Why don’t you eat anything?” asked his wife at their dinner. “What are + you thinking about? Are you thinking about Cupid, eh? You are longing for + Marfushka. I know everything already, you Mahomet. Kind people have opened + my eyes, you barbarian!” + </p> + <p> + And she slapped him on the cheek. + </p> + <p> + He rose from the table, and staggering, without cap or coat, directed his + footsteps toward Vankin. The latter was at home. + </p> + <p> + “You rascal!” he said to Vankin. “Why have you covered me with mud before + the whole world? Why have you slandered me?” + </p> + <p> + “How; what slander? What are you inventing?” + </p> + <p> + “And who told everybody that I was kissing Marfa? Not you, perhaps? Not + you, you murderer?” + </p> + <p> + Vankin began to blink his eyes, and all the fibres of his face began to + quiver. He lifted his eyes toward the image and ejaculated: + </p> + <p> + “May God punish me, may I lose my eyesight and die, if I said even a + single word about you to any one! May I have neither house nor home!” + </p> + <p> + Vankin’s sincerity admitted of no doubt. It was evident that it was not he + who had gossiped. + </p> + <p> + “But who was it? Who?” Akhineyev asked himself, going over in his mind all + his acquaintances, and striking his chest. “Who was it?” + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + +***** This file should be named 23055-h.htm or 23055-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/0/5/23055/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/23055.txt b/23055.txt new file mode 100644 index 0000000..6725433 --- /dev/null +++ b/23055.txt @@ -0,0 +1,559 @@ +The Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Slanderer + 1901 + +Author: Anton Chekhov + +Translator: Herman Bernstein + +Release Date: October 17, 2007 [EBook #23055] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + + + + +Produced by David Widger + + + + + +THE SLANDERER + +By Anton Chekhov + +Translated by Herman Bernstein. + +Copyright, 1901, by the Globe and Commercial Advertiser + + +Sergey Kapitonlch Akhineyev, the teacher of calligraphy, gave his +daughter Natalya in marriage to the teacher of history and geography, +Ivan Petrovich Loshadinikh. The wedding feast went on swimmingly. They +sang, played, and danced in the parlor. Waiters, hired for the occasion +from the club, bustled about hither and thither like madmen, in black +frock coats and soiled white neckties. A loud noise of voices smote the +air. From the outside people looked in at the windows;--their social +standing gave them no right to enter. + +Just at midnight the host, Akhineyev, made his way to the kitchen to see +whether everything was ready for the supper. The kitchen was filled with +smoke from the floor to the ceiling; the smoke reeked with the odors +of geese, ducks, and many other things. Victuals and beverages were +scattered about on two tables in artistic disorder. Marfa, the cook, a +stout, red-faced woman, was busying herself near the loaded tables. + +"Show me the sturgeon, dear," said Akhineyev, rubbing his hands and +licking his lips. "What a fine odor! I could just devour the whole +kitchen! Well, let me see the sturgeon!" + +Marfa walked up to one of the benches and carefully lifted a greasy +newspaper. Beneath that paper, in a huge dish, lay a big fat sturgeon, +amid capers, olives, and carrots. Akhineyev glanced at the sturgeon and +heaved a sigh of relief. His face became radiant, his eyes rolled. He +bent down, and, smacking his lips, gave vent to a sound like a creaking +wheel. He stood a while, then snapped his fingers for pleasure, and +smacked his lips once more. + +"Bah! The sound of a hearty kiss. Whom have you been kissing there, +Marfusha?" some one's voice was heard from the adjoining room, and soon +the closely cropped head of Vankin, the assistant school instructor, +appeared in the doorway. "Whom have you been kissing here? A-a-ah! Very +good! Sergey Kapitonich! A fine old man indeed! With the female sex +tete-a-tete!" + +"I wasn't kissing at all," said Akhineyev, confused; "who told you, +you fool? I only--smacked my lips on account of--in consideration of my +pleasure--at the sight of the fish." + +"Tell that to some one else, not to me!" exclaimed Vankin, whose face +expanded into a broad smile as he disappeared behind the door. Akhineyev +blushed. + +"The devil knows what may be the outcome of this!" he thought. "He'll go +about tale-bearing now, the rascal. He'll disgrace me before the whole +town, the brute!" + +Akhineyev entered the parlor timidly and cast furtive glances to see +what Vankin was doing. Vankin stood near the piano and, deftly bending +down, whispered something to the inspector's sister-in-law, who was +laughing. + +"That's about me!" thought Akhineyev. "About me, the devil take him! +She believes him, she's laughing. My God! No, that mustn't be left like +that. No. I'll have to fix it so that no one shall believe him. I'll +speak to all of them, and he'll remain a foolish gossip in the end." + +Akhineyev scratched his head, and, still confused, walked up to Padekoi. + +"I was in the kitchen a little while ago, arranging things there for the +supper," he said to the Frenchman. "You like fish, I know, and I have +a sturgeon just so big. About two yards. Ha, ha, ha! Yes, by the way, I +have almost forgotten. There was a real anecdote about that sturgeon +in the kitchen. I entered the kitchen a little while ago and wanted to +examine the food. I glanced at the sturgeon and for pleasure, I smacked +my lips--it was so piquant! And just at that moment the fool Vankin +entered and says--ha, ha, ha--and says: 'A-a! A-a-ah! You have been +kissing here?'--with Marfa; just think of it--with the cook! What a +piece of invention, that blockhead. The woman is ugly, she looks like a +monkey, and he says we were kissing. What a queer fellow!" + +"Who's a queer fellow?" asked Tarantulov, as he approached them. + +"I refer to Vankin. I went out into the kitchen--" + +The story of Marfa and the sturgeon was repeated. + +"That makes me laugh. What a queer fellow he is. In my opinion it is +more pleasant to kiss the dog than to kiss Marfa," added Akhineyev, and, +turning around, he noticed Mzda. + +"We have been speaking about Vankin," he said to him. "What a queer +fellow. He entered the kitchen and noticed me standing beside Marfa, and +immediately he began to invent different stories. 'What?' he says, +'you have been kissing each other!' He was drunk, so he must have been +dreaming. And I,' I said, 'I would rather kiss a duck than kiss Marfa. +And I have a wife,' said I, 'you fool.' He made me appear ridiculous." + +"Who made you appear ridiculous?" inquired the teacher of religion, +addressing Akhineyev. + +"Vankin. I was standing in the kitchen, you know, and looking at the +sturgeon--" And so forth. In about half an hour all the guests knew the +story about Vankin and the sturgeon. + +"Now let him tell," thought Akhineyev, rubbing his hands. "Let him do +it. He'll start to tell them, and they'll cut him short: 'Don't talk +nonsense, you fool! We know all about it.'" + +And Akhineyev felt so much appeased that, for joy, he drank four glasses +of brandy over and above his fill. Having escorted his daughter to her +room, he went to his own and soon slept the sleep of an innocent child, +and on the following day he no longer remembered the story of the +sturgeon. But, alas! Man proposes and God disposes. The evil tongue does +its wicked work, and even Akhineyev's cunning did not do him any good. +One week later, on a Wednesday, after the third lesson, when Akhineyev +stood in the teachers' room and discussed the vicious inclinations of +the pupil Visyekin, the director approached him, and, beckoning to him, +called him aside. + +"See here, Sergey Kapitonich," said the director. "Pardon me. It isn't +my affair, yet I must make it clear to you, nevertheless. It is my +duty--You see, rumors are on foot that you are on intimate terms with +that woman--with your cook--It isn't my affair, but--You may be on +intimate terms with her, you may kiss her--You may do whatever you like, +but, please, don't do it so openly! I beg of you. Don't forget that you +are a pedagogue." + +Akhineyev stood as though frozen and petrified. Like one stung by a +swarm of bees and scalded with boiling water, he went home. On his +way it seemed to him as though the whole town stared at him as at one +besmeared with tar--At home new troubles awaited him. + +"Why don't you eat anything?" asked his wife at their dinner. "What are +you thinking about? Are you thinking about Cupid, eh? You are longing +for Marfushka. I know everything already, you Mahomet. Kind people have +opened my eyes, you barbarian!" + +And she slapped him on the cheek. + +He rose from the table, and staggering, without cap or coat, directed +his footsteps toward Vankin. The latter was at home. + +"You rascal!" he said to Vankin. "Why have you covered me with mud +before the whole world? Why have you slandered me?" + +"How; what slander? What are you inventing?" + +"And who told everybody that I was kissing Marfa? Not you, perhaps? Not +you, you murderer?" + +Vankin began to blink his eyes, and all the fibres of his face began to +quiver. He lifted his eyes toward the image and ejaculated: + +"May God punish me, may I lose my eyesight and die, if I said even a +single word about you to any one! May I have neither house nor home!" + +Vankin's sincerity admitted of no doubt. It was evident that it was not +he who had gossiped. + +"But who was it? Who?" Akhineyev asked himself, going over in his mind +all his acquaintances, and striking his chest. "Who was it?" + + + + + +End of the Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + +***** This file should be named 23055.txt or 23055.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/0/5/23055/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23055.zip b/23055.zip Binary files differnew file mode 100644 index 0000000..a9406cf --- /dev/null +++ b/23055.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..6b6bfba --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #23055 (https://www.gutenberg.org/ebooks/23055) diff --git a/old/23055-h.htm.2021-01-25 b/old/23055-h.htm.2021-01-25 new file mode 100644 index 0000000..4c23c93 --- /dev/null +++ b/old/23055-h.htm.2021-01-25 @@ -0,0 +1,647 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Slanderer, by Anton Chekhov + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Slanderer + 1901 + +Author: Anton Chekhov + +Translator: Herman Bernstein + +Release Date: October 17, 2007 [EBook #23055] +Last Updated: September 10, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + + + + +Produced by David Widger + + + + + +</pre> + + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE SLANDERER + </h1> + <h2> + By Anton Chekhov + </h2> + <h4> + Translated by Herman Bernstein. <br /> <br /> Copyright, 1901, by the Globe + and Commercial Advertiser + </h4> + <p> + <br /> <br /> + </p> + <p> + Sergey Kapitonlch Akhineyev, the teacher of calligraphy, gave his daughter + Natalya in marriage to the teacher of history and geography, Ivan + Petrovich Loshadinikh. The wedding feast went on swimmingly. They sang, + played, and danced in the parlor. Waiters, hired for the occasion from the + club, bustled about hither and thither like madmen, in black frock coats + and soiled white neckties. A loud noise of voices smote the air. From the + outside people looked in at the windows;—their social standing gave + them no right to enter. + </p> + <p> + Just at midnight the host, Akhineyev, made his way to the kitchen to see + whether everything was ready for the supper. The kitchen was filled with + smoke from the floor to the ceiling; the smoke reeked with the odors of + geese, ducks, and many other things. Victuals and beverages were scattered + about on two tables in artistic disorder. Marfa, the cook, a stout, + red-faced woman, was busying herself near the loaded tables. + </p> + <p> + “Show me the sturgeon, dear,” said Akhineyev, rubbing his hands and + licking his lips. “What a fine odor! I could just devour the whole + kitchen! Well, let me see the sturgeon!” + </p> + <p> + Marfa walked up to one of the benches and carefully lifted a greasy + newspaper. Beneath that paper, in a huge dish, lay a big fat sturgeon, + amid capers, olives, and carrots. Akhineyev glanced at the sturgeon and + heaved a sigh of relief. His face became radiant, his eyes rolled. He bent + down, and, smacking his lips, gave vent to a sound like a creaking wheel. + He stood a while, then snapped his fingers for pleasure, and smacked his + lips once more. + </p> + <p> + “Bah! The sound of a hearty kiss. Whom have you been kissing there, + Marfusha?” some one’s voice was heard from the adjoining room, and soon + the closely cropped head of Vankin, the assistant school instructor, + appeared in the doorway. “Whom have you been kissing here? A-a-ah! Very + good! Sergey Kapitonich! A fine old man indeed! With the female sex + tête-à-tête!” + </p> + <p> + “I wasn’t kissing at all,” said Akhineyev, confused; “who told you, you + fool? I only—smacked my lips on account of—in consideration of + my pleasure—at the sight of the fish.” + </p> + <p> + “Tell that to some one else, not to me!” exclaimed Vankin, whose face + expanded into a broad smile as he disappeared behind the door. Akhineyev + blushed. + </p> + <p> + “The devil knows what may be the outcome of this!” he thought. “He’ll go + about tale-bearing now, the rascal. He’ll disgrace me before the whole + town, the brute!” + </p> + <p> + Akhineyev entered the parlor timidly and cast furtive glances to see what + Vankin was doing. Vankin stood near the piano and, deftly bending down, + whispered something to the inspector’s sister-in-law, who was laughing. + </p> + <p> + “That’s about me!” thought Akhineyev. “About me, the devil take him! She + believes him, she’s laughing. My God! No, that mustn’t be left like that. + No. I’ll have to fix it so that no one shall believe him. I’ll speak to + all of them, and he’ll remain a foolish gossip in the end.” + </p> + <p> + Akhineyev scratched his head, and, still confused, walked up to Padekoi. + </p> + <p> + “I was in the kitchen a little while ago, arranging things there for the + supper,” he said to the Frenchman. “You like fish, I know, and I have a + sturgeon just so big. About two yards. Ha, ha, ha! Yes, by the way, I have + almost forgotten. There was a real anecdote about that sturgeon in the + kitchen. I entered the kitchen a little while ago and wanted to examine + the food. I glanced at the sturgeon and for pleasure, I smacked my lips—it + was so piquant! And just at that moment the fool Vankin entered and says—ha, + ha, ha—and says: ‘A-a! A-a-ah! You have been kissing here?’—with + Marfa; just think of it—with the cook! What a piece of invention, + that blockhead. The woman is ugly, she looks like a monkey, and he says we + were kissing. What a queer fellow!” + </p> + <p> + “Who’s a queer fellow?” asked Tarantulov, as he approached them. + </p> + <p> + “I refer to Vankin. I went out into the kitchen—” + </p> + <p> + The story of Marfa and the sturgeon was repeated. + </p> + <p> + “That makes me laugh. What a queer fellow he is. In my opinion it is more + pleasant to kiss the dog than to kiss Marfa,” added Akhineyev, and, + turning around, he noticed Mzda. + </p> + <p> + “We have been speaking about Vankin,” he said to him. “What a queer + fellow. He entered the kitchen and noticed me standing beside Marfa, and + immediately he began to invent different stories. ‘What?’ he says, ‘you + have been kissing each other!’ He was drunk, so he must have been + dreaming. And I,’ I said, ‘I would rather kiss a duck than kiss Marfa. And + I have a wife,’ said I, ‘you fool.’ He made me appear ridiculous.” + </p> + <p> + “Who made you appear ridiculous?” inquired the teacher of religion, + addressing Akhineyev. + </p> + <p> + “Vankin. I was standing in the kitchen, you know, and looking at the + sturgeon—” And so forth. In about half an hour all the guests knew + the story about Vankin and the sturgeon. + </p> + <p> + “Now let him tell,” thought Akhineyev, rubbing his hands. “Let him do it. + He’ll start to tell them, and they’ll cut him short: ‘Don’t talk nonsense, + you fool! We know all about it.’” + </p> + <p> + And Akhineyev felt so much appeased that, for joy, he drank four glasses + of brandy over and above his fill. Having escorted his daughter to her + room, he went to his own and soon slept the sleep of an innocent child, + and on the following day he no longer remembered the story of the + sturgeon. But, alas! Man proposes and God disposes. The evil tongue does + its wicked work, and even Akhineyev’s cunning did not do him any good. One + week later, on a Wednesday, after the third lesson, when Akhineyev stood + in the teachers’ room and discussed the vicious inclinations of the pupil + Visyekin, the director approached him, and, beckoning to him, called him + aside. + </p> + <p> + “See here, Sergey Kapitonich,” said the director. “Pardon me. It isn’t my + affair, yet I must make it clear to you, nevertheless. It is my duty—You + see, rumors are on foot that you are on intimate terms with that woman—with + your cook—It isn’t my affair, but—You may be on intimate terms + with her, you may kiss her—You may do whatever you like, but, + please, don’t do it so openly! I beg of you. Don’t forget that you are a + pedagogue.” + </p> + <p> + Akhineyev stood as though frozen and petrified. Like one stung by a swarm + of bees and scalded with boiling water, he went home. On his way it seemed + to him as though the whole town stared at him as at one besmeared with tar—At + home new troubles awaited him. + </p> + <p> + “Why don’t you eat anything?” asked his wife at their dinner. “What are + you thinking about? Are you thinking about Cupid, eh? You are longing for + Marfushka. I know everything already, you Mahomet. Kind people have opened + my eyes, you barbarian!” + </p> + <p> + And she slapped him on the cheek. + </p> + <p> + He rose from the table, and staggering, without cap or coat, directed his + footsteps toward Vankin. The latter was at home. + </p> + <p> + “You rascal!” he said to Vankin. “Why have you covered me with mud before + the whole world? Why have you slandered me?” + </p> + <p> + “How; what slander? What are you inventing?” + </p> + <p> + “And who told everybody that I was kissing Marfa? Not you, perhaps? Not + you, you murderer?” + </p> + <p> + Vankin began to blink his eyes, and all the fibres of his face began to + quiver. He lifted his eyes toward the image and ejaculated: + </p> + <p> + “May God punish me, may I lose my eyesight and die, if I said even a + single word about you to any one! May I have neither house nor home!” + </p> + <p> + Vankin’s sincerity admitted of no doubt. It was evident that it was not he + who had gossiped. + </p> + <p> + “But who was it? Who?” Akhineyev asked himself, going over in his mind all + his acquaintances, and striking his chest. “Who was it?” + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Slanderer, by Anton Chekhov + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SLANDERER *** + +***** This file should be named 23055-h.htm or 23055-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/0/5/23055/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |