summaryrefslogtreecommitdiff
path: root/23209.txt
diff options
context:
space:
mode:
Diffstat (limited to '23209.txt')
-rw-r--r--23209.txt13646
1 files changed, 13646 insertions, 0 deletions
diff --git a/23209.txt b/23209.txt
new file mode 100644
index 0000000..cc58b72
--- /dev/null
+++ b/23209.txt
@@ -0,0 +1,13646 @@
+Project Gutenberg's The Life of Friedrich Schiller, by Thomas Carlyle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Life of Friedrich Schiller
+ Comprehending an Examination of His Works
+
+Author: Thomas Carlyle
+
+Release Date: October 27, 2007 [EBook #23209]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LIFE OF FRIEDRICH SCHILLER ***
+
+
+
+
+Produced by Thierry Alberto, Henry Craig, Irma Spehar and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+ THOMAS CARLYLE'S
+
+ COLLECTED WORKS.
+
+
+ LIBRARY EDITION.
+
+ _IN THIRTY VOLUMES._
+
+
+ VOL. V.
+
+ LIFE OF FRIEDRICH SCHILLER.
+
+
+ LONDON: CHAPMAN AND HALL (LIMITED),
+ 11 HENRIETTA STREET, COVENT GARDEN.
+
+
+[Illustration:
+
+From a Miniature in the Possession of the Hofdame Fraeulein von Kalb,
+in Berlin, taken while Schiller lived with the Koerners in Dresden.
+
+London. Chapman & Hall.]
+
+
+
+
+ THE
+
+ LIFE OF FRIEDRICH SCHILLER
+
+ COMPREHENDING
+
+ AN EXAMINATION OF HIS WORKS.
+
+ BY
+
+ THOMAS CARLYLE.
+
+
+ Quique pii vates et Phoebo digna locuti. VIRGIL.
+
+ [1825.]
+
+
+ _WITH SUPPLEMENT OF 1872._
+
+
+ LONDON: CHAPMAN AND HALL (LIMITED).
+
+
+
+
+ CONTENTS.
+
+
+ PAGE
+
+PREFACE TO SECOND EDITION vii
+
+PART I.
+SCHILLER'S YOUTH. (1759-1784) 1
+
+PART II.
+FROM HIS SETTLEMENT AT MANNHEIM TO HIS SETTLEMENT AT
+JENA. (1784-1790.) 49
+
+PART III.
+FROM HIS SETTLEMENT AT JENA TO HIS DEATH. (1790-1805.) 117
+
+SUPPLEMENT OF 1872.
+SCHILLER'S PARENTAGE, BOYHOOD, AND YOUTH 241
+
+APPENDIX I.
+NO. 1. DANIEL SCHUBART 341
+ 2. LETTERS OF SCHILLER 354
+ 3. FRIENDSHIP WITH GOETHE 371
+ 4. DEATH OF GUSTAVUS ADOLPHUS 375
+
+APPENDIX II.
+GOETHE'S INTRODUCTION TO GERMAN TRANSLATION OF THIS LIFE
+OF SCHILLER 379
+
+SUMMARY AND INDEX 417
+
+
+
+
+ PREFACE TO SECOND EDITION.
+
+ [1845.]
+
+
+The excuse for reprinting this somewhat insignificant Book is, that
+certain parties, of the pirate species, were preparing to reprint it
+for me. There are books, as there are horses, which a judicious owner,
+on fair survey of them, might prefer to adjust by at once shooting
+through the head: but in the case of books, owing to the pirate
+species, that is not possible. Remains therefore that at least dirty
+paper and errors of the press be guarded against; that a poor Book,
+which has still to walk this world, do walk in clean linen, so to
+speak, and pass its few and evil days with no blotches but its own
+adhering to it.
+
+There have been various new _Lives_ of Schiller since this one first
+saw the light;--great changes in our notions, informations, in our
+relations to the Life of Schiller, and to other things connected
+therewith, during that long time! Into which I could not in the least
+enter on the present occasion. Such errors, one or two, as lay
+corrigible on the surface, I have pointed out by here and there a Note
+as I read; but of errors that lay deeper there could no charge be
+taken: to break the surface, to tear-up the old substance, and model
+_it_ anew, was a task that lay far from me,--that would have been
+frightful to me. What was written remains written; and the Reader, by
+way of constant commentary, when needed, has to say to himself, "It
+was written Twenty years ago." For newer instruction on Schiller's
+Biography he can consult the _Schillers Leben_ of Madame von Wolzogen,
+which Goethe once called a _Schiller Redivivus_; the _Briefwechsel
+zwischen Schiller und Goethe_;--or, as a summary of the whole, and the
+readiest inlet to the general subject for an English reader, Sir
+Edward Bulwer's _Sketch of Schiller's Life_, a vigorous and lively
+piece of writing, prefixed to his _Translations from Schiller_.
+
+The present little Book is very imperfect:--but it pretends also to be
+very harmless; it can innocently instruct those who are more ignorant
+than itself! To which ingenuous class, according to their wants and
+tastes, let it, with all good wishes, and hopes to meet afterwards in
+fruitfuler provinces, be heartily commended.
+
+T. CARLYLE.
+
+_London, 7th May 1845._
+
+
+
+
+ PART I.
+
+ SCHILLER'S YOUTH (1759-1784).
+
+
+
+
+ PART FIRST.
+
+ [1759-1784.]
+
+
+Among the writers of the concluding part of the last century there is
+none more deserving of our notice than Friedrich Schiller.
+Distinguished alike for the splendour of his intellectual faculties,
+and the elevation of his tastes and feelings, he has left behind him
+in his works a noble emblem of these great qualities: and the
+reputation which he thus enjoys, and has merited, excites our
+attention the more, on considering the circumstances under which it
+was acquired. Schiller had peculiar difficulties to strive with, and
+his success has likewise been peculiar. Much of his life was deformed
+by inquietude and disease, and it terminated at middle age; he
+composed in a language then scarcely settled into form, or admitted to
+a rank among the cultivated languages of Europe: yet his writings are
+remarkable for their extent and variety as well as their intrinsic
+excellence; and his own countrymen are not his only, or perhaps his
+principal admirers. It is difficult to collect or interpret the
+general voice; but the World, no less than Germany, seems already to
+have dignified him with the reputation of a classic; to have enrolled
+him among that select number whose works belong not wholly to any age
+or nation, but who, having instructed their own contemporaries, are
+claimed as instructors by the great family of mankind, and set apart
+for many centuries from the common oblivion which soon overtakes the
+mass of authors, as it does the mass of other men.
+
+Such has been the high destiny of Schiller. His history and character
+deserve our study for more than one reason. A natural and harmless
+feeling attracts us towards such a subject; we are anxious to know how
+so great a man passed through the world, how he lived, and moved, and
+had his being; and the question, if properly investigated, might yield
+advantage as well as pleasure. It would be interesting to discover by
+what gifts and what employment of them he reached the eminence on
+which we now see him; to follow the steps of his intellectual and
+moral culture; to gather from his life and works some picture of
+himself. It is worth inquiring, whether he, who could represent noble
+actions so well, did himself act nobly; how those powers of intellect,
+which in philosophy and art achieved so much, applied themselves to
+the every-day emergencies of life; how the generous ardour, which
+delights us in his poetry, displayed itself in the common intercourse
+between man and man. It would at once instruct and gratify us if we
+could understand him thoroughly, could transport ourselves into his
+circumstances outward and inward, could see as he saw, and feel as he
+felt.
+
+But if the various utility of such a task is palpable enough, its
+difficulties are not less so. We should not lightly think of
+comprehending the very simplest character, in all its bearings; and it
+might argue vanity to boast of even a common acquaintance with one
+like Schiller's. Such men as he are misunderstood by their daily
+companions, much more by the distant observer, who gleans his
+information from scanty records, and casual notices of characteristic
+events, which biographers are often too indolent or injudicious to
+collect, and which the peaceful life of a man of letters usually
+supplies in little abundance. The published details of Schiller's
+history are meagre and insufficient; and his writings, like those of
+every author, can afford but a dim and dubious copy of his mind. Nor
+is it easy to decipher even this, with moderate accuracy. The haze of
+a foreign language, of foreign manners, and modes of thinking strange
+to us, confuses and obscures the sight, often magnifying what is
+trivial, softening what is rude, and sometimes hiding or distorting
+what is beautiful. To take the dimensions of Schiller's mind were a
+hard enterprise, in any case; harder still with these impediments.
+
+Accordingly we do not, in this place, pretend to attempt it: we have
+no finished portrait of his character to offer, no formal estimate of
+his works. It will be enough for us if, in glancing over his life, we
+can satisfy a simple curiosity, about the fortunes and chief
+peculiarities of a man connected with us by a bond so kindly as that
+of the teacher to the taught, the giver to the receiver of mental
+delight; if, in wandering through his intellectual creation, we can
+enjoy once more the magnificent and fragrant beauty of that fairy
+land, and express our feelings, where we do not aim at judging and
+deciding.
+
+
+Johann Christoph Friedrich Schiller was a native of Marbach, a small
+town of Wuertemberg, situated on the banks of the Neckar. He was born
+on the 10th of November 1759,--a few months later than our own Robert
+Burns. Schiller's early culture was favoured by the dispositions, but
+obstructed by the outward circumstances of his parents. Though removed
+above the pressure of poverty, their station was dependent and
+fluctuating; it involved a frequent change of place and plan. Johann
+Caspar Schiller, the father, had been a surgeon in the Bavarian army;
+he served in the Netherlands during the Succession War. After his
+return home to Wuertemberg, he laid aside the medical profession,
+having obtained a commission of ensign and adjutant under his native
+Prince. This post he held successively in two regiments; he had
+changed into the second, and was absent on active duty when Friedrich
+was born. The Peace of Paris put an end to his military employment;
+but Caspar had shown himself an intelligent, unassuming and useful
+man, and the Duke of Wuertemberg was willing to retain him in his
+service. The laying-out of various nurseries and plantations in the
+pleasure-grounds of Ludwigsburg and Solitude was intrusted to the
+retired soldier, now advanced to the rank of captain: he removed from
+one establishment to another, from time to time; and continued in the
+Duke's pay till death. In his latter years he resided chiefly at
+Ludwigsburg.
+
+This mode of life was not the most propitious for educating such a boy
+as Friedrich; but the native worth of his parents did more than
+compensate for the disadvantages of their worldly condition and their
+limited acquirements in knowledge. The benevolence, the modest and
+prudent integrity, the true devoutness of these good people shone
+forth at an after period, expanded and beautified in the character of
+their son; his heart was nourished by a constant exposure to such
+influences, and thus the better part of his education prospered well.
+The mother was a woman of many household virtues; to a warm affection
+for her children and husband, she joined a degree of taste and
+intelligence which is of much rarer occurrence. She is said to have
+been a lover of poetry; in particular an admiring reader of Utz and
+Gellert, writers whom it is creditable for one in her situation to
+have relished.[1] Her kindness and tenderness of heart peculiarly
+endeared her to Friedrich. Her husband appears to have been a person
+of great probity and meekness of temper, sincerely desirous to approve
+himself a useful member of society, and to do his duty conscientiously
+to all men. The seeds of many valuable qualities had been sown in him
+by nature; and though his early life had been unfavourable for their
+cultivation, he at a late period laboured, not without success, to
+remedy this disadvantage. Such branches of science and philosophy as
+lay within his reach, he studied with diligence, whenever his
+professional employments left him leisure; on a subject connected with
+the latter he became an author.[2] But what chiefly distinguished him
+was the practice of a sincere piety, which seems to have diffused
+itself over all his feelings, and given to his clear and honest
+character that calm elevation which, in such a case, is its natural
+result. As his religion mingled itself with every motive and action of
+his life, the wish which in all his wanderings lay nearest his heart,
+the wish for the education of his son, was likely to be deeply
+tinctured with it. There is yet preserved, in his handwriting, a
+prayer composed in advanced age, wherein he mentions how, at the
+child's birth, he had entreated the great Father of all, "to supply in
+strength of spirit what must needs be wanting in outward instruction."
+The gray-haired man, who had lived to see the maturity of his boy,
+could now express his solemn thankfulness, that "God had heard the
+prayer of a mortal."
+
+ [Footnote 1: She was of humble descent and little education,
+ the daughter of a baker in Kodweis.]
+
+ [Footnote 2: His book is entitled _Die Baumzucht im Grossen_
+ (the Cultivation of Trees on the Grand Scale): it came to a
+ second edition in 1806.]
+
+Friedrich followed the movements of his parents for some time; and had
+to gather the elements of learning from various masters. Perhaps it
+was in part owing to this circumstance, that his progress, though
+respectable, or more, was so little commensurate with what he
+afterwards became, or with the capacities of which even his earliest
+years gave symptoms. Thoughtless and gay, as a boy is wont to be, he
+would now and then dissipate his time in childish sports, forgetful
+that the stolen charms of ball and leapfrog must be dearly bought by
+reproaches: but occasionally he was overtaken with feelings of deeper
+import, and used to express the agitations of his little mind in words
+and actions, which were first rightly interpreted when they were
+called to mind long afterwards. His schoolfellows can _now_ recollect
+that even his freaks had sometimes a poetic character; that a certain
+earnestness of temper, a frank integrity, an appetite for things grand
+or moving, was discernible across all the caprices of his boyhood.
+Once, it is said, during a tremendous thunderstorm, his father missed
+him in the young group within doors; none of the sisters could tell
+what was become of Fritz, and the old man grew at length so anxious
+that he was forced to go out in quest of him. Fritz was scarcely past
+the age of infancy, and knew not the dangers of a scene so awful. His
+father found him at last, in a solitary place of the neighbourhood,
+perched on the branch of a tree, gazing at the tempestuous face of the
+sky, and watching the flashes as in succession they spread their lurid
+gleam over it. To the reprimands of his parent, the whimpering truant
+pleaded in extenuation, "that the lightning was very beautiful, and
+that he wished to see where it was coming from!"--Such anecdotes, we
+have long known, are in themselves of small value: the present one has
+the additional defect of being somewhat dubious in respect of
+authenticity. We have ventured to give it, as it came to us,
+notwithstanding. The picture of the boy Schiller, contemplating the
+thunder, is not without a certain interest, for such as know the man.
+
+Schiller's first teacher was Moser, pastor and schoolmaster in the
+village of Lorch, where the parents resided from the sixth to the
+ninth year of their son. This person deserves mention for the
+influence he exerted on the early history of his pupil: he seems to
+have given his name to the Priest 'Moser' in the _Robbers_; his
+spiritual calling, and the conversation of his son, himself afterwards
+a preacher, are supposed to have suggested to Schiller the idea of
+consecrating himself to the clerical profession. This idea, which laid
+hold of and cherished some predominant though vague propensities of
+the boy's disposition, suited well with the religious sentiments of
+his parents, and was soon formed into a settled purpose. In the public
+school at Ludwigsburg, whither the family had now removed, his studies
+were regulated with this view; and he underwent, in four successive
+years, the annual examination before the Stuttgard Commission, to
+which young men destined for the Church are subjected in that country.
+Schiller's temper was naturally devout; with a delicacy of feeling
+which tended towards bashfulness and timidity, there was mingled in
+him a fervid impetuosity, which was ever struggling through its
+concealment, and indicating that he felt deeply and strongly, as well
+as delicately. Such a turn of mind easily took the form of religion,
+prescribed to it by early example and early affections, as well as
+nature. Schiller looked forward to the sacred profession with
+alacrity: it was the serious daydream of all his boyhood, and much of
+his youth. As yet, however, the project hovered before him at a great
+distance, and the path to its fulfilment offered him but little
+entertainment. His studies did not seize his attention firmly; he
+followed them from a sense of duty, not of pleasure. Virgil and
+Horace he learned to construe accurately; but is said to have taken no
+deep interest in their poetry. The tenderness and meek beauty of the
+first, the humour and sagacity and capricious pathos of the last, the
+matchless elegance of both, would of course escape his inexperienced
+perception; while the matter of their writings must have appeared
+frigid and shallow to a mind so susceptible. He loved rather to
+meditate on the splendour of the Ludwigsburg theatre, which had
+inflamed his imagination when he first saw it in his ninth year, and
+given shape and materials to many of his subsequent reveries.[3] Under
+these circumstances, his progress, with all his natural ability, could
+not be very striking; the teachers did not fail now and then to visit
+him with their severities; yet still there was a negligent success in
+his attempts, which, joined to his honest and vivid temper, made men
+augur well of him. The Stuttgard Examinators have marked him in their
+records with the customary formula of approval, or, at worst, of
+toleration. They usually designate him as 'a boy of good hope,' _puer
+bonae spei_.
+
+ [Footnote 3: The first display of his poetic gifts occurred
+ also in his ninth year, but took its rise in a much humbler
+ and less common source than the inspiration of the stage. His
+ biographers have recorded this small event with a
+ conscientious accuracy, second only to that of Boswell and
+ Hawkins in regard to the Lichfield _duck_. 'The little tale,'
+ says one of them, 'is worth relating; the rather that, after
+ an interval of more than twenty years, Schiller himself, on
+ meeting with his early comrade (the late Dr. Elwert of
+ Kantstadt) for the first time since their boyhood, reminded
+ him of the adventure, recounting the circumstances with great
+ minuteness and glee. It is as follows: Once in 1768, Elwert
+ and he had to repeat their catechism together on a certain
+ day publicly in the church. Their teacher, an
+ ill-conditioned, narrow-minded pietist, had previously
+ threatened them with a thorough flogging if they missed even
+ a single word. To make the matter worse, this very teacher
+ chanced to be the person whose turn it was to catechise on
+ the appointed day. Both the boys began their answers with
+ dismayed hearts and faltering tongues; yet they succeeded in
+ accomplishing the task; and were in consequence rewarded by
+ the mollified pedagogue with two kreutzers apiece. Four
+ kreutzers of ready cash was a sum of no common magnitude; how
+ it should be disposed of formed a serious question for the
+ parties interested. Schiller moved that they should go to
+ Harteneck, a hamlet in the neighbourhood, and have a dish of
+ curds-and-cream: his partner assented; but alas! in Harteneck
+ no particle of curds or cream was to be had. Schiller then
+ made offer for a quarter-cake of cheese; but for this four
+ entire kreutzers were demanded, leaving nothing whatever in
+ reserve for bread! Twice baffled, the little gastronomes,
+ unsatisfied in stomach, wandered on to Neckarweihingen;
+ where, at length, though not till after much inquiry, they
+ did obtain a comfortable mess of curds-and-cream, served up
+ in a gay platter, and silver spoons to eat it with. For all
+ this, moreover, they were charged but three kreutzers; so
+ that there was still one left to provide them with a bunch of
+ St. John grapes. Exhilarated by such liberal cheer, Schiller
+ rose into a glow of inspiration: having left the village, he
+ mounted with his comrade to the adjacent height, which
+ overlooks both Harteneck and Neckarweihingen; and there in a
+ truly poetic effusion he pronounced his malediction on the
+ creamless region, bestowing with the same solemnity his
+ blessing on the one which had afforded him that savoury
+ refreshment.' _Friedrich von Schillers Leben_ (Heidelberg.
+ 1817), p. 11.]
+
+This good hope was not, however, destined to be realised in the way
+they expected: accidents occurred which changed the direction of
+Schiller's exertions, and threatened for a time to prevent the success
+of them altogether. The Duke of Wuertemberg had lately founded a Free
+Seminary for certain branches of professional education: it was first
+set up at Solitude, one of his country residences; and had now been
+transferred to Stuttgard, where, under an improved form, and with the
+name of _Karls-schule_, we believe it still exists. The Duke proposed
+to give the sons of his military officers a preferable claim to the
+benefits of this institution; and having formed a good opinion both of
+Schiller and his father, he invited the former to profit by this
+opportunity. The offer occasioned great embarrassment: the young man
+and his parents were alike determined in favour of the Church, a
+project with which this new one was inconsistent. Their embarrassment
+was but increased, when the Duke, on learning the nature of their
+scruples, desired them to think well before they decided. It was out
+of fear, and with reluctance that his proposal was accepted. Schiller
+enrolled himself in 1773; and turned, with a heavy heart, from
+freedom and cherished hopes, to Greek, and seclusion, and Law.
+
+His anticipations proved to be but too just: the six years which he
+spent in this establishment were the most harassing and comfortless of
+his life. The Stuttgard system of education seems to have been formed
+on the principle, not of cherishing and correcting nature, but of
+rooting it out, and supplying its place with something better. The
+process of teaching and living was conducted with the stiff formality
+of military drilling; every thing went on by statute and ordinance,
+there was no scope for the exercise of free-will, no allowance for the
+varieties of original structure. A scholar might possess what
+instincts or capacities he pleased; the 'regulations of the school'
+took no account of this; he must fit himself into the common mould,
+which, like the old Giant's bed, stood there, appointed by superior
+authority, to be filled alike by the great and the little. The same
+strict and narrow course of reading and composition was marked out for
+each beforehand, and it was by stealth if he read or wrote any thing
+beside. Their domestic economy was regulated in the same spirit as
+their preceptorial: it consisted of the same sedulous exclusion of all
+that could border on pleasure, or give any exercise to choice. The
+pupils were kept apart from the conversation or sight of any person
+but their teachers; none ever got beyond the precincts of despotism to
+snatch even a fearful joy; their very amusements proceeded by the word
+of command.
+
+How grievous all this must have been, it is easy to conceive. To
+Schiller it was more grievous than to any other. Of an ardent and
+impetuous yet delicate nature, whilst his discontentment devoured him
+internally, he was too modest and timid to give it the relief of
+utterance by deeds or words. Locked up within himself, he suffered
+deeply, but without complaining. Some of his letters written during
+this period have been preserved: they exhibit the ineffectual
+struggles of a fervid and busy mind veiling its many chagrins under a
+certain dreary patience, which only shows them more painfully. He
+pored over his lexicons and grammars, and insipid tasks, with an
+artificial composure; but his spirit pined within him like a
+captive's, when he looked forth into the cheerful world, or
+recollected the affection of parents, the hopes and frolicsome
+enjoyments of past years. The misery he endured in this severe and
+lonely mode of existence strengthened or produced in him a habit of
+constraint and shyness, which clung to his character through life.
+
+The study of Law, for which he had never felt any predilection,
+naturally grew in his mind to be the representative of all these
+evils, and his distaste for it went on increasing. On this point he
+made no secret of his feelings. One of the exercises, yearly
+prescribed to every scholar, was a written delineation of his own
+character, according to his own views of it, to be delivered publicly
+at an appointed time: Schiller, on the first of these exhibitions,
+ventured to state his persuasion, that he was not made to be a jurist,
+but called rather by his inclinations and faculties to the clerical
+profession. This statement, of course, produced no effect; he was
+forced to continue the accustomed course, and his dislike for Law kept
+fast approaching to absolute disgust. In 1775, he was fortunate enough
+to get it relinquished, though at the expense of adopting another
+employment, for which, in different circumstances, he would hardly
+have declared himself. The study of Medicine, for which a new
+institution was about this time added to the Stuttgard school, had no
+attractions for Schiller: he accepted it only as a galling servitude
+in exchange for one more galling. His mind was bent on higher
+objects; and he still felt all his present vexations aggravated by the
+thought, that his fairest expectations from the future had been
+sacrificed to worldly convenience, and the humblest necessities of
+life.
+
+Meanwhile the youth was waxing into manhood, and the fetters of
+discipline lay heavier on him, as his powers grew stronger, and his
+eyes became open to the stirring and variegated interests of the
+world, now unfolding itself to him under new and more glowing colours.
+As yet he contemplated the scene only from afar, and it seemed but the
+more gorgeous on that account. He longed to mingle in its busy
+current, and delighted to view the image of its movements in his
+favourite poets and historians. Plutarch and Shakspeare;[4] the
+writings of Klopstock, Lessing, Garve, Herder, Gerstenberg, Goethe,
+and a multitude of others, which marked the dawning literature of
+Germany, he had studied with a secret avidity: they gave him vague
+ideas of men and life, or awakened in him splendid visions of literary
+glory. Klopstock's _Messias_, combined with his own religious
+tendencies, had early turned him to sacred poetry: before the end of
+his fourteenth year, he had finished what he called an 'epic poem,'
+entitled _Moses_. The extraordinary popularity of Gerstenberg's
+_Ugolino_, and Goethe's _Goetz von Berlichingen_, next directed his
+attention to the drama; and as admiration in a mind like his, full of
+blind activity and nameless aspirings, naturally issues in imitation,
+he plunged with equal ardour into this new subject, and produced his
+first tragedy, _Cosmo von Medicis_, some fragments of which he
+retained and inserted in his _Robbers_. A mass of minor performances,
+preserved among his papers, or published in the Magazines of the time,
+serve sufficiently to show that his mind had already dimly discovered
+its destination, and was striving with a restless vehemence to reach
+it, in spite of every obstacle.
+
+ [Footnote 4: The feeling produced in him by Shakspeare he
+ described long afterwards: it throws light on the general
+ state of his temper and tastes. 'When I first, at a very
+ early age,' he says, 'became acquainted with this poet, I
+ felt indignant at his coldness, his hardness of heart, which
+ permitted him in the most melting pathos to utter jests,--to
+ mar, by the introduction of a fool, the soul-searching scenes
+ of _Hamlet_, _Lear_, and other pieces; which now kept him
+ still where my sensibilities hastened forward, now drove him
+ carelessly, onward where I would so gladly have lingered * *
+ He was the object of my reverence and zealous study for years
+ before I could love himself. I was not yet capable of
+ comprehending Nature at first-hand: I had but learned to
+ admire her image, reflected in the understanding, and put in
+ order by rules.' _Werke_, Bd. viii 2, p. 77.]
+
+Such obstacles were in his case neither few nor small. Schiller felt
+the mortifying truth, that to arrive at the ideal world, he must first
+gain a footing in the real; that he might entertain high thoughts and
+longings, might reverence the beauties of nature and grandeur of mind,
+but was born to toil for his daily bread. Poetry he loved with the
+passionateness of a first affection; but he could not live by it; he
+honoured it too highly to wish to live by it. His prudence told him
+that he must yield to stern necessity, must 'forsake the balmy climate
+of Pindus for the Greenland of a barren and dreary science of terms;'
+and he did not hesitate to obey. His professional studies were
+followed with a rigid though reluctant fidelity; it was only in
+leisure gained by superior diligence that he could yield himself to
+more favourite pursuits. Genius was to serve as the ornament of his
+inferior qualities, not as an excuse for the want of them.
+
+But if, when such sacrifices were required, it was painful to comply
+with the dictates of his own reason, it was still more so to endure
+the harsh and superfluous restrictions of his teachers. He felt it
+hard enough to be driven from the enchantments of poetry by the dull
+realities of duty; but it was intolerable and degrading to be
+hemmed-in still farther by the caprices of severe and formal
+pedagogues. Schiller brooded gloomily over the constraints and
+hardships of his situation. Many plans he formed for deliverance.
+Sometimes he would escape in secret to catch a glimpse of the free and
+busy world to him forbidden: sometimes he laid schemes for utterly
+abandoning a place which he abhorred, and trusting to fortune for the
+rest. Often the sight of his class-books and school-apparatus became
+irksome beyond endurance; he would feign sickness, that he might be
+left in his own chamber to write poetry and pursue his darling studies
+without hindrance. Such artifices did not long avail him; the masters
+noticed the regularity of his sickness, and sent him tasks to be done
+while it lasted. Even Schiller's patience could not brook this; his
+natural timidity gave place to indignation; he threw the paper of
+exercises at the feet of the messenger, and said sternly that "_here_
+he would choose his own studies."
+
+Under such corroding and continual vexations an ordinary spirit would
+have sunk at length, would have gradually given up its loftier
+aspirations, and sought refuge in vicious indulgence, or at best have
+sullenly harnessed itself into the yoke, and plodded through
+existence, weary, discontented, and broken, ever casting back a
+hankering look upon the dreams of youth, and ever without power to
+realise them. But Schiller was no ordinary character, and did not act
+like one. Beneath a cold and simple exterior, dignified with no
+artificial attractions, and marred in its native amiableness by the
+incessant obstruction, the isolation and painful destitutions under
+which he lived, there was concealed a burning energy of soul, which no
+obstruction could extinguish. The hard circumstances of his fortune
+had prevented the natural development of his mind; his faculties had
+been cramped and misdirected; but they had gathered strength by
+opposition and the habit of self-dependence which it encouraged. His
+thoughts, unguided by a teacher, had sounded into the depths of his
+own nature and the mysteries of his own fate; his feelings and
+passions, unshared by any other heart, had been driven back upon his
+own, where, like the volcanic fire that smoulders and fuses in secret,
+they accumulated till their force grew irresistible.
+
+Hitherto Schiller had passed for an unprofitable, a discontented and a
+disobedient Boy: but the time was now come when the gyves of
+school-discipline could no longer cripple and distort the giant might
+of his nature: he stood forth as a Man, and wrenched asunder his
+fetters with a force that was felt at the extremities of Europe. The
+publication of the _Robbers_ forms an era not only in Schiller's
+history, but in the Literature of the World; and there seems no doubt
+that, but for so mean a cause as the perverted discipline of the
+Stuttgard school, we had never seen this tragedy. Schiller commenced
+it in his nineteenth year; and the circumstances under which it was
+composed are to be traced in all its parts. It is the production of a
+strong untutored spirit, consumed by an activity for which there is no
+outlet, indignant at the barriers which restrain it, and grappling
+darkly with the phantoms to which its own energy thus painfully
+imprisoned gives being. A rude simplicity, combined with a gloomy and
+overpowering force, are its chief characteristics; they remind us of
+the defective cultivation, as well as of the fervid and harassed
+feelings of its author. Above all, the latter quality is visible; the
+tragic interest of the _Robbers_ is deep throughout, so deep that
+frequently it borders upon horror. A grim inexpiable Fate is made the
+ruling principle: it envelops and overshadows the whole; and under
+its louring influence, the fiercest efforts of human will appear but
+like flashes that illuminate the wild scene with a brief and terrible
+splendour, and are lost forever in the darkness. The unsearchable
+abysses of man's destiny are laid open before us, black and profound
+and appalling, as they seem to the young mind when it first attempts
+to explore them: the obstacles that thwart our faculties and wishes,
+the deceitfulness of hope, the nothingness of existence, are sketched
+in the sable colours so natural to the enthusiast when he first
+ventures upon life, and compares the world that is without him to the
+anticipations that were within.
+
+Karl von Moor is a character such as young poets always delight to
+contemplate or delineate; to Schiller the analogy of their situations
+must have peculiarly recommended him. Moor is animated into action by
+feelings similar to those under which his author was then suffering
+and longing to act. Gifted with every noble quality of manhood in
+overflowing abundance, Moor's first expectations of life, and of the
+part he was to play in it, had been glorious as a poet's dream. But
+the minor dexterities of management were not among his endowments; in
+his eagerness to reach the goal, he had forgotten that the course is a
+labyrinthic maze, beset with difficulties, of which some may be
+surmounted, some can only be evaded, many can be neither. Hurried on
+by the headlong impetuosity of his temper, he entangles himself in
+these perplexities; and thinks to penetrate them, not by skill and
+patience, but by open force. He is baffled, deceived, and still more
+deeply involved; but injury and disappointment exasperate rather than
+instruct him. He had expected heroes, and he finds mean men; friends,
+and he finds smiling traitors to tempt him aside, to profit by his
+aberrations, and lead him onward to destruction: he had dreamed of
+magnanimity and every generous principle, he finds that prudence is
+the only virtue sure of its reward. Too fiery by nature, the intensity
+of his sufferings has now maddened him still farther: he is himself
+incapable of calm reflection, and there is no counsellor at hand to
+assist him; none, whose sympathy might assuage his miseries, whose
+wisdom might teach him to remedy or to endure them. He is stung by
+fury into action, and his activity is at once blind and tremendous.
+Since the world is not the abode of unmixed integrity, he looks upon
+it as a den of thieves; since its institutions may obstruct the
+advancement of worth, and screen delinquency from punishment, he
+regards the social union as a pestilent nuisance, the mischiefs of
+which it is fitting that he in his degree should do his best to
+repair, by means however violent. Revenge is the mainspring of his
+conduct; but he ennobles it in his own eyes, by giving it the colour
+of a disinterested concern for the maintenance of justice,--the
+abasement of vice from its high places, and the exaltation of
+suffering virtue. Single against the universe, to appeal to the
+primary law of the stronger, to 'grasp the scales of Providence in a
+mortal's hand,' is frantic and wicked; but Moor has a force of soul
+which makes it likewise awful. The interest lies in the conflict of
+this gigantic soul against the fearful odds which at length overwhelm
+it, and hurry it down to the darkest depths of ruin.
+
+The original conception of such a work as this betrays the
+inexperience no less than the vigour of youth: its execution gives a
+similar testimony. The characters of the piece, though traced in
+glowing colours, are outlines more than pictures: the few features we
+discover in them are drawn with elaborate minuteness; but the rest are
+wanting. Every thing indicates the condition of a keen and powerful
+intellect, which had studied men in books only; had, by
+self-examination and the perusal of history, detected and strongly
+seized some of the leading peculiarities of human nature; but was yet
+ignorant of all the minute and more complex principles which regulate
+men's conduct in actual life, and which only a knowledge of living men
+can unfold. If the hero of the play forms something like an exception
+to this remark, he is the sole exception, and for reasons alluded to
+above: his character resembles the author's own. Even with Karl, the
+success is incomplete: with the other personages it is far more so.
+Franz von Moor, the villain of the Piece, is an amplified copy of Iago
+and Richard; but the copy is distorted as well as amplified. There is
+no air of reality in Franz: he is a villain of theory, who studies to
+accomplish his object by the most diabolical expedients, and soothes
+his conscience by arguing with the priest in favour of atheism and
+materialism; not the genuine villain of Shakspeare and Nature, who
+employs his reasoning powers in creating new schemes and devising new
+means, and conquers remorse by avoiding it,--by fixing his hopes and
+fears on the more pressing emergencies of worldly business. So
+reflective a miscreant as Franz could not exist: his calculations
+would lead him to honesty, if merely because it was the best policy.
+
+Amelia, the only female in the piece, is a beautiful creation; but as
+imaginary as her persecutor Franz. Still and exalted in her warm
+enthusiasm, devoted in her love to Moor, she moves before us as the
+inhabitant of a higher and simpler world than ours. "_He_ sails on
+troubled seas," she exclaims, with a confusion of metaphors, which it
+is easy to pardon, "he sails on troubled seas, Amelia's love sails
+with him; he wanders in pathless deserts, Amelia's love makes the
+burning sand grow green beneath him, and the stunted shrubs to
+blossom; the south scorches his bare head, his feet are pinched by the
+northern snow, stormy hail beats round his temples--Amelia's love
+rocks him to sleep in the storm. Seas, and hills, and horizons, are
+between us; but souls escape from their clay prisons, and meet in the
+paradise of love!" She is a fair vision, the _beau ideal_ of a poet's
+first mistress; but has few mortal lineaments.
+
+Similar defects are visible in almost all the other characters. Moor,
+the father, is a weak and fond old man, who could have arrived at gray
+hairs in such a state of ignorance nowhere but in a work of fiction.
+The inferior banditti are painted with greater vigour, yet still in
+rugged and ill-shapen forms; their individuality is kept up by an
+extravagant exaggeration of their several peculiarities. Schiller
+himself pronounced a severe but not unfounded censure, when he said of
+this work, in a maturer age, that his _chief_ fault was in 'presuming
+to delineate men two years before he had met one.'
+
+His skill in the art of composition surpassed his knowledge of the
+world; but that too was far from perfection. Schiller's style in the
+_Robbers_ is partly of a kind with the incidents and feelings which it
+represents; strong and astonishing, and sometimes wildly grand; but
+likewise inartificial, coarse, and grotesque. His sentences, in their
+rude emphasis, come down like the club of Hercules; the stroke is
+often of a crushing force, but its sweep is irregular and awkward.
+When Moor is involved in the deepest intricacies of the old question,
+necessity and free will, and has convinced himself that he is but an
+engine in the hands of some dark and irresistible power, he cries out:
+"Why has my Perillus made of me a brazen bull to roast men in my
+glowing belly?" The stage-direction says, 'shaken with horror:' no
+wonder that he shook!
+
+Schiller has admitted these faults, and explained their origin, in
+strong and sincere language, in a passage of which we have already
+quoted the conclusion. 'A singular miscalculation of nature,' he says,
+'had combined my poetical tendencies with the place of my birth. Any
+disposition to poetry did violence to the laws of the institution
+where I was educated, and contradicted the plan of its founder. For
+eight years my enthusiasm struggled with military discipline; but the
+passion for poetry is vehement and fiery as a first love. What
+discipline was meant to extinguish, it blew into a flame. To escape
+from arrangements that tortured me, my heart sought refuge in the
+world of ideas, when as yet I was unacquainted with the world of
+realities, from which iron bars excluded me. I was unacquainted with
+men; for the four hundred that lived with me were but repetitions of
+the same creature, true casts of one single mould, and of that very
+mould which plastic nature solemnly disclaimed. * * * Thus
+circumstanced, a stranger to human characters and human fortunes, to
+hit the medium line between angels and devils was an enterprise in
+which I necessarily failed. In attempting it, my pencil necessarily
+brought out a monster, for which by good fortune the world had no
+original, and which I would not wish to be immortal, except to
+perpetuate an example of the offspring which Genius in its unnatural
+union with Thraldom may give to the world. I allude to the
+_Robbers_.'[5]
+
+ [Footnote 5: _Deutsches Museum v. Jahr_ 1784, cited by
+ Doering.]
+
+Yet with all these excrescences and defects, the unbounded popularity
+of the _Robbers_ is not difficult to account for. To every reader, the
+excitement of emotion must be a chief consideration; to the mass of
+readers it is the sole one: and the grand secret of moving others is,
+that the poet be himself moved. We have seen how well Schiller's
+temper and circumstances qualified him to fulfil this condition:
+treatment, not of his choosing, had raised his own mind into something
+like a Pythian frenzy; and his genius, untrained as it was, sufficed
+to communicate abundance of the feeling to others. Perhaps more than
+abundance: to judge from our individual impression, the perusal of the
+_Robbers_ produces an effect powerful even to pain; we are absolutely
+wounded by the catastrophe; our minds are darkened and distressed, as
+if we had witnessed the execution of a criminal. It is in vain that we
+rebel against the inconsistencies and crudities of the work: its
+faults are redeemed by the living energy that pervades it. We may
+exclaim against the blind madness of the hero; but there is a towering
+grandeur about him, a whirlwind force of passion and of will, which
+catches our hearts, and puts the scruples of criticism to silence. The
+most delirious of enterprises is that of Moor, but the vastness of his
+mind renders even that interesting. We see him leagued with
+desperadoes directing their savage strength to actions more and more
+audacious; he is in arms against the conventions of men and the
+everlasting laws of Fate: yet we follow him with anxiety through the
+forests and desert places, where he wanders, encompassed with peril,
+inspired with lofty daring, and torn by unceasing remorse; and we wait
+with awe for the doom which he has merited and cannot avoid. Nor amid
+all his frightful aberrations do we ever cease to love him: he is an
+'archangel though in ruins;' and the strong agony with which he feels
+the present, the certainty of that stern future which awaits him,
+which his own eye never loses sight of, makes us lenient to his
+crimes. When he pours forth his wild recollections, or still wilder
+forebodings, there is a terrible vehemence in his expressions, which
+overpowers us, in spite both of his and their extravagance. The scene
+on the hills beside the Danube, where he looks at the setting sun,
+and thinks of old hopes, and times 'when he could not sleep if his
+evening prayer had been forgotten,' is one, with all its
+improprieties, that ever clings to the memory. "See," he passionately
+continues, "all things are gone forth to bask in the peaceful beam of
+the spring: why must I alone inhale the torments of hell out of the
+joys of heaven? That all should be so happy, all so married together
+by the spirit of peace! The whole world one family, its Father above;
+that Father not _mine_! I alone the castaway, I alone struck out from
+the company of the just; not for me the sweet name of child, never for
+me the languishing look of one whom I love; never, never, the
+embracing of a bosom friend! Encircled with murderers; serpents
+hissing around me; riveted to vice with iron bonds; leaning on the
+bending reed of vice over the gulf of perdition; amid the flowers of
+the glad world, a howling Abaddon! Oh, that I might return into my
+mother's womb;--that I might be born a beggar! I would never more--O
+Heaven, that I could be as one of these day-labourers! Oh, I would
+toil till the blood ran down from my temples, to buy myself the
+pleasure of one noontide sleep, the blessing of a single tear. There
+_was_ a time too, when I could weep--O ye days of peace, thou castle
+of my father, ye green lovely valleys!--O all ye Elysian scenes of my
+childhood! will ye never come again, never with your balmy sighing
+cool my burning bosom? Mourn with me, Nature! They will never come
+again, never cool my burning bosom with their balmy sighing. They are
+gone! gone! and may not return!"
+
+No less strange is the soliloquy where Moor, with the instrument of
+self-destruction in his hands, the 'dread key that is to shut behind
+him the prison of life, and to unbolt before him the dwelling of
+eternal night,'--meditates on the gloomy enigmas of his future
+destiny. Soliloquies on this subject are numerous,--from the time of
+Hamlet, of Cato, and downwards. Perhaps the worst of them has more
+ingenuity, perhaps the best of them has less awfulness than the
+present. St. Dominick himself might shudder at such a question, with
+such an answer as this: "What if thou shouldst send me companionless
+to some burnt and blasted circle of the universe; which thou hast
+banished from thy sight; where the lone darkness and the motionless
+desert were my prospects--forever? I would people the silent
+wilderness with my fantasies; I should have Eternity for leisure to
+examine the perplexed image of the universal woe."
+
+Strength, wild impassioned strength, is the distinguishing quality of
+Moor. All his history shows it; and his death is of a piece with the
+fierce splendour of his life. Having finished the bloody work of
+crime, and magnanimity, and horror, he thinks that, for himself,
+suicide would be too easy an exit. He has noticed a poor man toiling
+by the wayside, for eleven children; a great reward has been promised
+for the head of the Robber; the gold will nourish that poor drudge and
+his boys, and Moor goes forth to give it them. We part with him in
+pity and sorrow; looking less at his misdeeds than at their frightful
+expiation.
+
+The subordinate personages, though diminished in extent and varied in
+their forms, are of a similar quality with the hero; a strange mixture
+of extravagance and true energy. In perusing the work which represents
+their characters and fates, we are alternately shocked and inspired;
+there is a perpetual conflict between our understanding and our
+feelings. Yet the latter on the whole come off victorious. The
+_Robbers_ is a tragedy that will long find readers to astonish, and,
+with all its faults, to move. It stands, in our imagination, like
+some ancient rugged pile of a barbarous age; irregular, fantastic,
+useless; but grand in its height and massiveness and black frowning
+strength. It will long remain a singular monument of the early genius
+and early fortune of its author.
+
+The publication of such a work as this naturally produced an
+extraordinary feeling in the literary world. Translations of the
+_Robbers_ soon appeared in almost all the languages of Europe, and
+were read in all of them with a deep interest, compounded of
+admiration and aversion, according to the relative proportions of
+sensibility and judgment in the various minds which contemplated the
+subject. In Germany, the enthusiasm which the _Robbers_ excited was
+extreme. The young author had burst upon the world like a meteor; and
+surprise, for a time, suspended the power of cool and rational
+criticism. In the ferment produced by the universal discussion of this
+single topic, the poet was magnified above his natural dimensions,
+great as they were: and though the general sentence was loudly in his
+favour, yet he found detractors as well as praisers, and both equally
+beyond the limits of moderation.
+
+One charge brought against him must have damped the joy of literary
+glory, and stung Schiller's pure and virtuous mind more deeply than
+any other. He was accused of having injured the cause of morality by
+his work; of having set up to the impetuous and fiery temperament of
+youth a model of imitation which the young were too likely to pursue
+with eagerness, and which could only lead them from the safe and
+beaten tracks of duty into error and destruction. It has even been
+stated, and often been repeated since, that a practical
+exemplification of this doctrine occurred, about this time, in
+Germany. A young nobleman, it was said, of the fairest gifts and
+prospects, had cast away all these advantages; betaken himself to the
+forests, and, copying Moor, had begun a course of active
+operations,--which, also copying Moor, but less willingly, he had
+ended by a shameful death.
+
+It can now be hardly necessary to contradict these theories; or to
+show that none but a candidate for Bedlam as well as Tyburn could be
+seduced from the substantial comforts of existence, to seek
+destruction and disgrace, for the sake of such imaginary grandeur. The
+German nobleman of the fairest gifts and prospects turns out, on
+investigation, to have been a German blackguard, whom debauchery and
+riotous extravagance had reduced to want; who took to the highway,
+when he could take to nothing else,--not allured by an ebullient
+enthusiasm, or any heroical and misdirected appetite for sublime
+actions, but driven by the more palpable stimulus of importunate duns,
+an empty purse, and five craving senses. Perhaps in his later days,
+this philosopher _may_ have referred to Schiller's tragedy, as the
+source from which he drew his theory of life: but if so, we believe he
+was mistaken. For characters like him, the great attraction was the
+charms of revelry, and the great restraint, the gallows,--before the
+period of Karl von Moor, just as they have been since, and will be to
+the end of time. Among motives like these, the influence of even the
+most malignant book could scarcely be discernible, and would be little
+detrimental, if it were.
+
+Nothing, at any rate, could be farther from Schiller's intention than
+such a consummation. In his preface, he speaks of the moral effects of
+the _Robbers_ in terms which do honour to his heart, while they show
+the inexperience of his head. Ridicule, he signifies, has long been
+tried against the wickedness of the times, whole cargoes of hellebore
+have been expended,--in vain; and now, he thinks, recourse must be
+had to more pungent medicines. We may smile at the simplicity of this
+idea; and safely conclude that, like other specifics, the present one
+would fail to produce a perceptible effect: but Schiller's vindication
+rests on higher grounds than these. His work has on the whole
+furnished nourishment to the more exalted powers of our nature; the
+sentiments and images which he has shaped and uttered, tend, in spite
+of their alloy, to elevate the soul to a nobler pitch: and this is a
+sufficient defence. As to the danger of misapplying the inspiration he
+communicates, of forgetting the dictates of prudence in our zeal for
+the dictates of poetry, we have no great cause to fear it. Hitherto,
+at least, there has always been enough of dull reality, on every side
+of us, to abate such fervours in good time, and bring us back to the
+most sober level of prose, if not to sink us below it. We should thank
+the poet who performs such a service; and forbear to inquire too
+rigidly whether there is any 'moral' in his piece or not. The writer
+of a work, which interests and excites the spiritual feelings of men,
+has as little need to justify himself by showing how it exemplifies
+some wise saw or modern instance, as the doer of a generous action has
+to demonstrate its merit, by deducing it from the system of
+Shaftesbury, or Smith, or Paley, or whichever happens to be the
+favourite system for the age and place. The instructiveness of the
+one, and the virtue of the other, exist independently of all systems
+or saws, and in spite of all.
+
+
+But the tragedy of the _Robbers_ produced some inconveniences of a
+kind much more sensible than these its theoretical mischiefs. We have
+called it the signal of Schiller's deliverance from school tyranny and
+military constraint; but its operation in this respect was not
+immediate; at first it seemed to involve him more deeply and
+dangerously than before. He had finished the original sketch of it in
+1778; but for fear of offence, he kept it secret till his medical
+studies were completed.[6] These, in the mean time, he had pursued
+with sufficient assiduity to merit the usual honours;[7] in 1780, he
+had, in consequence, obtained the post of surgeon to the regiment
+_Auge_, in the Wuertemberg army. This advancement enabled him to
+complete his project, to print the _Robbers_ at his own expense, not
+being able to find any bookseller that would undertake it. The nature
+of the work, and the universal interest it awakened, drew attention to
+the private circumstances of the author, whom the _Robbers_, as well
+as other pieces of his writing, that had found their way into the
+periodical publications of the time, sufficiently showed to be no
+common man. Many grave persons were offended at the vehement
+sentiments expressed in the _Robbers_; and the unquestioned ability
+with which these extravagances were expressed, but made the matter
+worse. To Schiller's superiors, above all, such things were
+inconceivable: he might perhaps be a very great genius, but was
+certainly a dangerous servant for his Highness the Grand Duke of
+Wuertemberg. Officious people mingled themselves in the affair: nay,
+the graziers of the Alps were brought to bear upon it. The Grisons
+magistrates, it appeared, had seen the book: and were mortally huffed
+at being there spoken of, according to a Swabian adage, as _common
+highwaymen_.[8] They complained in the _Hamburg Correspondent_; and a
+sort of Jackal, at Ludwigsburg, one Walter, whose name deserves to be
+thus kept in mind, volunteered to plead their cause before the Grand
+Duke.
+
+ [Footnote 6: On this subject Doering gives an anecdote, which
+ may perhaps be worth translating. 'One of Schiller's teachers
+ surprised him on one occasion reciting a scene from the
+ _Robbers_, before some of his intimate companions. At the
+ words, which Franz von Moor addresses to Moser: _Ha, what!
+ thou knowest none greater? Think again! Death, heaven,
+ eternity, damnation, hovers in the sound of thy voice! Not
+ one greater?_--the door opened, and the master saw Schiller
+ stamping in desperation up and down the room. "For shame,"
+ said he, "for shame to get into such a passion, and curse
+ so!" The other scholars tittered covertly at the worthy
+ inspector; and Schiller called after him with a bitter smile,
+ "A noodle" (ein confiscirter Kerl)!']
+
+ [Footnote 7: His Latin Essay on the _Philosophy of
+ Physiology_ was written in 1778, and never printed. His
+ concluding _thesis_ was published according to custom: the
+ subject is arduous enough, "the connection between the animal
+ and spiritual nature of man,"--which Dr. Cabanis has since
+ treated in so offensive a fashion. Schiller's tract we have
+ never seen. Doering says it was long 'out of print,' till
+ Nasse reproduced it in his Medical Journal (Leipzig, 1820):
+ he is silent respecting its merits.]
+
+ [Footnote 8: The obnoxious passage has been carefully
+ expunged from subsequent editions. It was in the third scene
+ of the second act; Spiegelberg discoursing with Razmann,
+ observes, "An honest man you may form of windle-straws; but
+ to make a rascal you must have grist: besides, there is a
+ national genius in it, a certain rascal-climate, so to
+ speak." In the first edition, there was added: "_Go to the
+ Grisons, for instance: that is what I call the thief's
+ Athens._" The patriot who stood forth on this occasion for
+ the honour of the Grisons, to deny this weighty charge, and
+ denounce the crime of making it, was not Dogberry or Verges,
+ but 'one of the noble family of Salis.']
+
+Informed of all these circumstances, the Grand Duke expressed his
+disapprobation of Schiller's poetical labours in the most unequivocal
+terms. Schiller was at length summoned to appear before him; and it
+then turned out, that his Highness was not only dissatisfied with the
+moral or political errors of the work, but scandalised moreover at its
+want of literary merit. In this latter respect, he was kind enough to
+proffer his own services. But Schiller seems to have received the
+proposal with no sufficient gratitude; and the interview passed
+without advantage to either party. It terminated in the Duke's
+commanding Schiller to abide by medical subjects: or at least to
+beware of writing any more poetry, without submitting it to _his_
+inspection.
+
+We need not comment on this portion of the Grand Duke's history: his
+treatment of Schiller has already been sufficiently avenged. By the
+great body of mankind, his name will be recollected, chiefly, if at
+all, for the sake of the unfriended youth whom he now schooled so
+sharply, and afterwards afflicted so cruelly: it will be recollected
+also with the angry triumph which we feel against a shallow and
+despotic 'noble of convention,' who strains himself to oppress 'one of
+nature's nobility,' submitted by blind chance to his dominion,
+and--finds that he cannot! All this is far more than the Prince of
+Wuertemberg deserves. Of limited faculties, and educated in the French
+principles of taste, then common to persons of his rank in Germany, he
+had perused the _Robbers_ with unfeigned disgust; he could see in the
+author only a misguided enthusiast, with talents barely enough to make
+him dangerous. And though he never fully or formally retracted this
+injustice, he did not follow it up; when Schiller became known to the
+world at large, the Duke ceased to persecute him. The father he still
+kept in his service, and nowise molested.
+
+In the mean time, however, various mortifications awaited Schiller. It
+was in vain that he discharged the humble duties of his station with
+the most strict fidelity, and even, it is said, with superior skill:
+he was a suspected person, and his most innocent actions were
+misconstrued, his slightest faults were visited with the full measure
+of official severity. His busy imagination aggravated the evil. He had
+seen poor Schubart[9] wearing out his tedious eight years of durance
+in the fortress of Asperg, because he had been 'a rock of offence to
+the powers that were.' The fate of this unfortunate author appeared to
+Schiller a type of his own. His free spirit shrank at the prospect of
+wasting its strength in strife against the pitiful constraints, the
+minute and endless persecutions of men who knew him not, yet had his
+fortune in their hands; the idea of dungeons and jailors haunted and
+tortured his mind; and the means of escaping them, the renunciation
+of poetry, the source of all his joy, if likewise of many woes, the
+radiant guiding-star of his turbid and obscure existence, seemed a
+sentence of death to all that was dignified, and delightful, and worth
+retaining, in his character. Totally ignorant of what is called the
+world; conscious too of the might that slumbered in his soul, and
+proud of it, as kings are of their sceptres; impetuous when roused,
+and spurning unjust restraint; yet wavering and timid from the
+delicacy of his nature, and still more restricted in the freedom of
+his movements by the circumstances of his father, whose all depended
+on the pleasure of the court, Schiller felt himself embarrassed, and
+agitated, and tormented in no common degree. Urged this way and that
+by the most powerful and conflicting impulses; driven to despair by
+the paltry shackles that chained him, yet forbidden by the most sacred
+considerations to break them, he knew not on what he should resolve;
+he reckoned himself 'the most unfortunate of men.'
+
+ [Footnote 9: See Appendix I., No. 1.]
+
+Time at length gave him the solution; circumstances occurred which
+forced him to decide. The popularity of the _Robbers_ had brought him
+into correspondence with several friends of literature, who wished to
+patronise the author, or engage him in new undertakings. Among this
+number was the Freiherr von Dalberg, superintendent of the theatre at
+Mannheim, under whose encouragement and countenance Schiller
+remodelled the _Robbers_, altered it in some parts, and had it brought
+upon the stage in 1781. The correspondence with Dalberg began in
+literary discussions, but gradually elevated itself into the
+expression of more interesting sentiments. Dalberg loved and
+sympathised with the generous enthusiast, involved in troubles and
+perplexities which his inexperience was so little adequate to thread:
+he gave him advice and assistance; and Schiller repaid this favour
+with the gratitude due to his kind, his first, and then almost his
+only benefactor. His letters to this gentleman have been preserved,
+and lately published; they exhibit a lively picture of Schiller's
+painful situation at Stuttgard, and of his unskilful as well as eager
+anxiety to be delivered from it.[10] His darling project was that
+Dalberg should bring him to Mannheim, as theatrical poet, by
+permission of the Duke: at one time he even thought of turning player.
+
+ [Footnote 10: See Appendix I., No. 2.]
+
+Neither of these projects could take immediate effect, and Schiller's
+embarrassments became more pressing than ever. With the natural
+feeling of a young author, he had ventured to go in secret, and
+witness the first representation of his tragedy, at Mannheim. His
+incognito did not conceal him; he was put under arrest during a week,
+for this offence: and as the punishment did not deter him from again
+transgressing in a similar manner, he learned that it was in
+contemplation to try more rigorous measures with him. Dark hints were
+given to him of some exemplary as well as imminent severity: and
+Dalberg's aid, the sole hope of averting it by quiet means, was
+distant and dubious. Schiller saw himself reduced to extremities.
+Beleaguered with present distresses, and the most horrible
+forebodings, on every side; roused to the highest pitch of
+indignation, yet forced to keep silence, and wear the face of
+patience, he could endure this maddening constraint no longer. He
+resolved to be free, at whatever risk; to abandon advantages which he
+could not buy at such a price; to quit his step-dame home, and go
+forth, though friendless and alone, to seek his fortune in the great
+market of life. Some foreign Duke or Prince was arriving at Stuttgard;
+and all the people were in movement, occupied with seeing the
+spectacle of his entrance: Schiller seized this opportunity of
+retiring from the city, careless whither he went, so he got beyond the
+reach of turnkeys, and Grand Dukes, and commanding officers. It was in
+the month of October 1782.
+
+This last step forms the catastrophe of the publication of the
+_Robbers_: it completed the deliverance of Schiller from the grating
+thraldom under which his youth had been passed, and decided his
+destiny for life. Schiller was in his twenty-third year when he left
+Stuttgard. He says 'he went empty away,--empty in purse and hope.' The
+future was indeed sufficiently dark before him. Without patrons,
+connexions, or country, he had ventured forth to the warfare on his
+own charges; without means, experience, or settled purpose, it was
+greatly to be feared that the fight would go against him. Yet his
+situation, though gloomy enough, was not entirely without its brighter
+side. He was now a free man, free, however poor; and his strong soul
+quickened as its fetters dropped off, and gloried within him in the
+dim anticipation of great and far-extending enterprises. If, cast too
+rudely among the hardships and bitter disquietudes of the world, his
+past nursing had not been delicate, he was already taught to look upon
+privation and discomfort as his daily companions. If he knew not how
+to bend his course among the perplexed vicissitudes of society, there
+was a force within him which would triumph over many difficulties; and
+a 'light from Heaven' was about his path, which, if it failed to
+conduct him to wealth and preferment, would keep him far from baseness
+and degrading vices. Literature, and every great and noble thing which
+the right pursuit of it implies, he loved with all his heart and all
+his soul: to this inspiring object he was henceforth exclusively
+devoted; advancing towards this, and possessed of common necessaries
+on the humblest scale, there was little else to tempt him. His life
+might be unhappy, but would hardly be disgraceful.
+
+Schiller gradually felt all this, and gathered comfort, while better
+days began to dawn upon him. Fearful of trusting himself so near
+Stuttgard as at Mannheim, he had passed into Franconia, and was living
+painfully at Oggersheim, under the name of Schmidt: but Dalberg, who
+knew all his distresses, supplied him with money for immediate wants;
+and a generous lady made him the offer of a home. Madam von Wolzogen
+lived on her estate of Bauerbach, in the neighbourhood of Meinungen;
+she knew Schiller from his works, and his intimacy with her sons, who
+had been his fellow-students at Stuttgard. She invited him to her
+house; and there treated him with an affection which helped him to
+forget the past, and look cheerfully forward to the future.
+
+Under this hospitable roof, Schiller had leisure to examine calmly the
+perplexed and dubious aspect of his affairs. Happily his character
+belonged not to the whining or sentimental sort: he was not of those,
+in whom the pressure of misfortune produces nothing but unprofitable
+pain; who spend, in cherishing and investigating and deploring their
+miseries, the time which should be spent in providing a relief for
+them. With him, strong feeling was constantly a call to vigorous
+action: he possessed in a high degree the faculty of conquering his
+afflictions, by directing his thoughts, not to maxims for enduring
+them, or modes of expressing them with interest, but to plans for
+getting rid of them; and to this disposition or habit,--too rare among
+men of genius, men of a much higher class than mere sentimentalists,
+but whose sensibility is out of proportion with their inventiveness or
+activity,--we are to attribute no small influence in the fortunate
+conduct of his subsequent life. With such a turn of mind, Schiller,
+now that he was at length master of his own movements, could not long
+be at a loss for plans or tasks. Once settled at Bauerbach, he
+immediately resumed his poetical employments; and forgot, in the
+regions of fancy, the vague uncertainties of his real condition, or
+saw prospects of amending it in a life of literature. By many safe and
+sagacious persons, the prudence of his late proceedings might be more
+than questioned; it was natural for many to forbode that one who left
+the port so rashly, and sailed with such precipitation, was likely to
+make shipwreck ere the voyage had extended far: but the lapse of a few
+months put a stop to such predictions. A year had not passed since his
+departure, when Schiller sent forth his _Verschwoerung des Fiesco_ and
+_Kabale und Liebe_; tragedies which testified that, dangerous and
+arduous as the life he had selected might be, he possessed resources
+more than adequate to its emergencies. _Fiesco_ he had commenced
+during the period of his arrest at Stuttgard; it was published, with
+the other play, in 1783; and soon after brought upon the Mannheim
+theatre, with universal approbation.
+
+It was now about three years since the composition of the _Robbers_
+had been finished; five since the first sketch of it had been formed.
+With what zeal and success Schiller had, in that interval, pursued the
+work of his mental culture, these two dramas are a striking proof. The
+first ardour of youth is still to be discerned in them; but it is now
+chastened by the dictates of a maturer reason, and made to animate the
+products of a much happier and more skilful invention. Schiller's
+ideas of art had expanded and grown clearer, his knowledge of life had
+enlarged. He exhibits more acquaintance with the fundamental
+principles of human nature, as well as with the circumstances under
+which it usually displays itself; and far higher and juster views of
+the manner in which its manifestations should be represented.
+
+In the _Conspiracy of Fiesco_ we have to admire not only the energetic
+animation which the author has infused into all his characters, but
+the distinctness with which he has discriminated, without aggravating
+them; and the vividness with which he has contrived to depict the
+scene where they act and move. The political and personal relations of
+the Genoese nobility; the luxurious splendour, the intrigues, the
+feuds, and jarring interests, which occupy them, are made visible
+before us: we understand and may appreciate the complexities of the
+conspiracy; we mingle, as among realities, in the pompous and imposing
+movements which lead to the catastrophe. The catastrophe itself is
+displayed with peculiar effect. The midnight silence of the sleeping
+city, interrupted only by the distant sounds of watchmen, by the low
+hoarse murmur of the sea, or the stealthy footsteps and disguised
+voice of Fiesco, is conveyed to our imagination by some brief but
+graphic touches; we seem to stand in the solitude and deep stillness
+of Genoa, awaiting the signal which is to burst so fearfully upon its
+slumber. At length the gun is fired; and the wild uproar which ensues
+is no less strikingly exhibited. The deeds and sounds of violence,
+astonishment and terror; the volleying cannon, the heavy toll of the
+alarm-bells, the acclamation of assembled thousands, 'the voice of
+Genoa speaking with Fiesco,'--all is made present to us with a force
+and clearness, which of itself were enough to show no ordinary power
+of close and comprehensive conception, no ordinary skill in arranging
+and expressing its results.
+
+But it is not this felicitous delineation of circumstances and visible
+scenes that constitutes our principal enjoyment. The faculty of
+penetrating through obscurity and confusion, to seize the
+characteristic features of an object, abstract or material; of
+producing a lively description in the latter case, an accurate and
+keen scrutiny in the former, is the essential property of intellect,
+and occupies in its best form a high rank in the scale of mental
+gifts: but the creative faculty of the poet, and especially of the
+dramatic poet, is something superadded to this; it is far rarer, and
+occupies a rank far higher. In this particular, _Fiesco_, without
+approaching the limits of perfection, yet stands in an elevated range
+of excellence. The characters, on the whole, are imagined and
+portrayed with great impressiveness and vigour. Traces of old faults
+are indeed still to be discovered: there still seems a want of pliancy
+about the genius of the author; a stiffness and heaviness in his
+motions. His sublimity is not to be questioned; but it does not always
+disdain the aid of rude contrasts and mere theatrical effect. He
+paints in colours deep and glowing, but without sufficient skill to
+blend them delicately: he amplifies nature more than purifies it; he
+omits, but does not well conceal the omission. _Fiesco_ has not the
+complete charm of a true though embellished resemblance to reality;
+its attraction rather lies in a kind of colossal magnitude, which
+requires it, if seen to advantage, to be viewed from a distance. Yet
+the prevailing qualities of the piece do more than make us pardon such
+defects. If the dramatic imitation is not always entirely successful,
+it is never very distant from success; and a constant flow of powerful
+thought and sentiment counteracts, or prevents us from noticing, the
+failure. We find evidence of great philosophic penetration, great
+resources of invention, directed by a skilful study of history and
+men; and everywhere a bold grandeur of feeling and imagery gives life
+to what study has combined. The chief incidents have a dazzling
+magnificence; the chief characters, an aspect of majesty and force
+which corresponds to it. Fervour of heart, capaciousness of intellect
+and imagination, present themselves on all sides: the general effect
+is powerful and exalting.
+
+Fiesco himself is a personage at once probable and tragically
+interesting. The luxurious dissipation, in which he veils his daring
+projects, softens the rudeness of that strength which it half
+conceals. His immeasurable pride expands itself not only into a
+disdain of subjection, but also into the most lofty acts of
+magnanimity: his blind confidence in fortune seems almost warranted by
+the resources which he finds in his own fearlessness and imperturbable
+presence of mind. His ambition participates in the nobleness of his
+other qualities; he is less anxious that his rivals should yield to
+him in power than in generosity and greatness of character, attributes
+of which power is with him but the symbol and the fit employment.
+Ambition in Fiesco is indeed the common wish of every mind to diffuse
+its individual influence, to see its own activity reflected back from
+the united minds of millions: but it is the common wish acting on no
+common man. He does not long to rule, that he may sway other wills, as
+it were, by the physical exertion of his own: he would lead us captive
+by the superior grandeur of his qualities, once fairly manifested; and
+he aims at dominion, chiefly as it will enable him to manifest these.
+'It is not the arena that he values, but what lies in that arena:' the
+sovereignty is enviable, not for its adventitious splendour, not
+because it is the object of coarse and universal wonder; but as it
+offers, in the collected force of a nation, something which the
+loftiest mortal may find scope for all his powers in guiding. "Spread
+out the thunder," Fiesco exclaims, "into its single tones, and it
+becomes a lullaby for children: pour it forth together in _one_ quick
+peal, and the royal sound shall move the heavens." His affections are
+not less vehement than his other passions: his heart can be melted
+into powerlessness and tenderness by the mild persuasions of his
+Leonora; the idea of exalting this amiable being mingles largely with
+the other motives to his enterprise. He is, in fact, a great, and
+might have been a virtuous man; and though in the pursuit of grandeur
+he swerves from absolute rectitude, we still respect his splendid
+qualities, and admit the force of the allurements which have led him
+astray. It is but faintly that we condemn his sentiments, when, after
+a night spent in struggles between a rigid and a more accommodating
+patriotism, he looks out of his chamber, as the sun is rising in its
+calm beauty, and gilding the waves and mountains, and all the
+innumerable palaces and domes and spires of Genoa, and exclaims with
+rapture: "This majestic city--mine! To flame over it like the kingly
+Day; to brood over it with a monarch's power; all these sleepless
+longings, all these never satiated wishes to be drowned in that
+unfathomable ocean!" We admire Fiesco, we disapprove of him, and
+sympathise with him: he is crushed in the ponderous machinery which
+himself put in motion and thought to control: we lament his fate, but
+confess that it was not undeserved. He is a fit 'offering of
+individual free-will to the force of social conventions.'
+
+Fiesco is not the only striking character in the play which bears his
+name. The narrow fanatical republican virtue of Verrina, the mild and
+venerable wisdom of the old Doria, the unbridled profligacy of his
+Nephew, even the cold, contented, irreclaimable perversity of the
+cutthroat Moor, all dwell in our recollections: but what, next to
+Fiesco, chiefly attracts us, is the character of Leonora his wife.
+Leonora is of kindred to Amelia in the _Robbers_, but involved in more
+complicated relations, and brought nearer to the actual condition of
+humanity. She is such a heroine as Schiller most delights to draw.
+Meek and retiring by the softness of her nature, yet glowing with an
+ethereal ardour for all that is illustrious and lovely, she clings
+about her husband, as if her being were one with his. She dreams of
+remote and peaceful scenes, where Fiesco should be all to her, she all
+to Fiesco: her idea of love is, that '_her_ name should lie in secret
+behind every one of his thoughts, should speak to him from every
+object of Nature; that for him, this bright majestic universe itself
+were but as the shining jewel, on which her image, only _hers_, stood
+engraved.' Her character seems a reflection of Fiesco's, but refined
+from his grosser strength, and transfigured into a celestial form of
+purity, and tenderness, and touching grace. Jealousy cannot move her
+into anger; she languishes in concealed sorrow, when she thinks
+herself forgotten. It is affection alone that can rouse her into
+passion; but under the influence of this, she forgets all weakness and
+fear. She cannot stay in her palace, on the night when Fiesco's
+destiny is deciding; she rushes forth, as if inspired, to share in her
+husband's dangers and sublime deeds, and perishes at last in the
+tumult.
+
+The death of Leonora, so brought about, and at such a time, is
+reckoned among the blemishes of the work: that of Fiesco, in which
+Schiller has ventured to depart from history, is to be more favourably
+judged of. Fiesco is not here accidentally drowned; but plunged into
+the waves by the indignant Verrina, who forgets or stifles the
+feelings of friendship, in his rage at political apostasy. 'The nature
+of the Drama,' we are justly told, 'will not suffer the operation of
+Chance, or of an immediate Providence. Higher spirits can discern the
+minute fibres of an event stretching through the whole expanse of the
+system of the world, and hanging, it may be, on the remotest limits of
+the future and the past, where man discerns nothing save the action
+itself, hovering unconnected in space. But the artist has to paint for
+the short view of man, whom he wishes to instruct; not for the
+piercing eye of superior powers, from whom he learns.'
+
+
+In the composition of _Fiesco_, Schiller derived the main part of his
+original materials from history; he could increase the effect by
+gorgeous representations, and ideas preexisting in the mind of his
+reader. Enormity of incident and strangeness of situation lent him a
+similar assistance in the _Robbers_. _Kabale und Liebe_ is destitute
+of these advantages; it is a tragedy of domestic life; its means of
+interesting are comprised within itself, and rest on very simple
+feelings, dignified by no very singular action. The name,
+_Court-Intriguing and Love_, correctly designates its nature; it aims
+at exhibiting the conflict, the victorious conflict, of political
+manoeuvering, of cold worldly wisdom, with the pure impassioned
+movements of the young heart, as yet unsullied by the tarnish of
+every-day life, inexperienced in its calculations, sick of its empty
+formalities, and indignantly determined to cast-off the mean
+restrictions it imposes, which bind so firmly by their number, though
+singly so contemptible. The idea is far from original: this is a
+conflict which most men have figured to themselves, which many men of
+ardent mind are in some degree constantly waging. To make it, in this
+simple form, the subject of a drama, seems to be a thought of
+Schiller's own; but the praise, though not the merit of his
+undertaking, considerable rather as performed than projected, has been
+lessened by a multitude of worthless or noxious imitations. The same
+primary conception has been tortured into a thousand shapes, and
+tricked out with a thousand tawdry devices and meretricious ornaments,
+by the Kotzebues, and other 'intellectual Jacobins,' whose
+productions have brought what we falsely call the 'German Theatre'
+into such deserved contempt in England. Some portion of the gall, due
+only to these inflated, flimsy, and fantastic persons, appears to have
+acted on certain critics in estimating this play of Schiller's. August
+Wilhelm Schlegel speaks slightingly of the work: he says, 'it will
+hardly move us by its tone of overstrained sensibility, but may well
+afflict us by the painful impressions which it leaves.' Our own
+experience has been different from that of Schlegel. In the characters
+of Louisa and Ferdinand Walter we discovered little overstraining;
+their sensibility we did not reckon very criminal; seeing it united
+with a clearness of judgment, chastened by a purity of heart, and
+controlled by a force of virtuous resolution, in full proportion with
+itself. We rather admired the genius of the poet, which could elevate
+a poor music-master's daughter to the dignity of a heroine; could
+represent, without wounding our sense of propriety, the affection of
+two noble beings, created for each other by nature, and divided by
+rank; we sympathised in their sentiments enough to feel a proper
+interest in their fate, and see in them, what the author meant we
+should see, two pure and lofty minds involved in the meshes of vulgar
+cunning, and borne to destruction by the excess of their own good
+qualities and the crimes of others.
+
+Ferdinand is a nobleman, but not convinced that 'his patent of
+nobility is more ancient or of more authority than the primeval scheme
+of the universe:' he speaks and acts like a young man entertaining
+such persuasions: disposed to yield everything to reason and true
+honour, but scarcely anything to mere use and wont. His passion for
+Louisa is the sign and the nourishment rather than the cause of such a
+temper: he loves her without limit, as the only creature he has ever
+met with of a like mind with himself; and this feeling exalts into
+inspiration what was already the dictate of his nature. We accompany
+him on his straight and plain path; we rejoice to see him fling aside
+with a strong arm the artifices and allurements with which a worthless
+father and more worthless associates assail him at first in vain:
+there is something attractive in the spectacle of native integrity,
+fearless though inexperienced, at war with selfishness and craft;
+something mournful, because the victory will seldom go as we would
+have it.
+
+Louisa is a meet partner for the generous Ferdinand: the poet has done
+justice to her character. She is timid and humble; a feeling and
+richly gifted soul is hid in her by the unkindness of her earthly lot;
+she is without counsellors except the innate holiness of her heart,
+and the dictates of her keen though untutored understanding; yet when
+the hour of trial comes, she can obey the commands of both, and draw
+from herself a genuine nobleness of conduct, which secondhand
+prudence, and wealth, and titles, would but render less touching. Her
+filial affection, her angelic attachment to her lover, her sublime and
+artless piety, are beautifully contrasted with the bleakness of her
+external circumstances: she appears before us like the '_one_ rose of
+the wilderness left on its stalk,' and we grieve to see it crushed and
+trodden down so rudely.
+
+The innocence, the enthusiasm, the exalted life and stern fate of
+Louisa and Ferdinand give a powerful charm to this tragedy: it is
+everywhere interspersed with pieces of fine eloquence, and scenes
+which move us by their dignity or pathos. We recollect few passages of
+a more overpowering nature than the conclusion, where Ferdinand,
+beguiled by the most diabolical machinations to disbelieve the virtue
+of his mistress, puts himself and her to death by poison. There is a
+gloomy and solemn might in his despair; though overwhelmed, he seems
+invincible: his enemies have blinded and imprisoned him in their
+deceptions; but only that, like Samson, he may overturn his
+prison-house, and bury himself, and all that have wronged him, in its
+ruins.
+
+The other characters of the play, though in general properly
+sustained, are not sufficiently remarkable to claim much of our
+attention. Wurm, the chief counsellor and agent of the unprincipled,
+calculating Father, is wicked enough; but there is no great
+singularity in his wickedness. He is little more than the dry, cool,
+and now somewhat vulgar miscreant, the villanous Attorney of modern
+novels. Kalb also is but a worthless subject, and what is worse, but
+indifferently handled. He is meant for the feather-brained thing of
+tags and laces, which frequently inhabits courts; but he wants the
+grace and agility proper to the species; he is less a fool than a
+blockhead, less perverted than totally inane. Schiller's strength lay
+not in comedy, but in something far higher. The great merit of the
+present work consists in the characters of the hero and heroine; and
+in this respect it ranks at the very head of its class. As a tragedy
+of common life, we know of few rivals to it, certainly of no superior.
+
+
+The production of three such pieces as the _Robbers_, _Fiesco_, and
+_Kabale und Liebe_, already announced to the world that another great
+and original mind had appeared, from whose maturity, when such was the
+promise of its youth, the highest expectations might be formed. These
+three plays stand related to each other in regard to their nature and
+form, as well as date: they exhibit the progressive state of
+Schiller's education; show us the fiery enthusiasm of youth,
+exasperated into wildness, astonishing in its movements rather than
+sublime; and the same enthusiasm gradually yielding to the sway of
+reason, gradually using itself to the constraints prescribed by sound
+judgment and more extensive knowledge. Of the three, the _Robbers_ is
+doubtless the most singular, and likely perhaps to be the most widely
+popular: but the latter two are of more real worth in the eye of
+taste, and will better bear a careful and rigorous study.
+
+With the appearance of _Fiesco_ and its companion, the first period of
+Schiller's literary history may conclude. The stormy confusions of his
+youth were now subsiding; after all his aberrations, repulses, and
+perplexed wanderings, he was at length about to reach his true
+destination, and times of more serenity began to open for him. Two
+such tragedies as he had lately offered to the world made it easier
+for his friend Dalberg to second his pretensions. Schiller was at last
+gratified by the fulfilment of his favourite scheme; in September
+1783, he went to Mannheim, as poet to the theatre, a post of
+respectability and reasonable profit, to the duties of which he
+forthwith addressed himself with all his heart. He was not long
+afterwards elected a member of the German Society established for
+literary objects in Mannheim; and he valued the honour, not only as a
+testimony of respect from a highly estimable quarter, but also as a
+means of uniting him more closely with men of kindred pursuits and
+tempers: and what was more than all, of quieting forever his
+apprehensions from the government at Stuttgard. Since his arrival at
+Mannheim, one or two suspicious incidents had again alarmed him on
+this head; but being now acknowledged as a subject of the Elector
+Palatine, naturalised by law in his new country, he had nothing more
+to fear from the Duke of Wuertemberg.
+
+Satisfied with his moderate income, safe, free, and surrounded by
+friends that loved and honoured him, Schiller now looked confidently
+forward to what all his efforts had been a search and hitherto a
+fruitless search for, an undisturbed life of intellectual labour. What
+effect this happy aspect of his circumstances must have produced upon
+him may be easily conjectured. Through many years he had been inured
+to agitation and distress; now peace and liberty and hope, sweet in
+themselves, were sweeter for their novelty. For the first time in his
+life, he saw himself allowed to obey without reluctance the ruling
+bias of his nature; for the first time inclination and duty went hand
+in hand. His activity awoke with renovated force in this favourable
+scene; long-thwarted, half-forgotten projects again kindled into
+brightness, as the possibility of their accomplishment became
+apparent: Schiller glowed with a generous pride when he felt his
+faculties at his own disposal, and thought of the use he meant to make
+of them. 'All my connexions,' he said, 'are now dissolved. The public
+is now all to me, my study, my sovereign, my confidant. To the public
+alone I henceforth belong; before this and no other tribunal will I
+place myself; this alone do I reverence and fear. Something majestic
+hovers before me, as I determine now to wear no other fetters but the
+sentence of the world, to appeal to no other throne but the soul of
+man.'
+
+These expressions are extracted from the preface to his _Thalia_, a
+periodical work which he undertook in 1784, devoted to subjects
+connected with poetry, and chiefly with the drama. In such sentiments
+we leave him, commencing the arduous and perilous, but also glorious
+and sublime duties of a life consecrated to the discovery of truth,
+and the creation of intellectual beauty. He was now exclusively what
+is called a _Man of Letters_, for the rest of his days.
+
+
+
+
+ PART II.
+
+ FROM SCHILLER'S SETTLEMENT AT MANNHEIM TO HIS SETTLEMENT AT JENA.
+ (1783-1790.)
+
+
+
+
+ PART SECOND.
+
+ [1783-1790.]
+
+
+If to know wisdom were to practise it; if fame brought true dignity
+and peace of mind; or happiness consisted in nourishing the intellect
+with its appropriate food and surrounding the imagination with ideal
+beauty, a literary life would be the most enviable which the lot of
+this world affords. But the truth is far otherwise. The Man of Letters
+has no immutable, all-conquering volition, more than other men; to
+understand and to perform are two very different things with him as
+with every one. His fame rarely exerts a favourable influence on his
+dignity of character, and never on his peace of mind: its glitter is
+external, for the eyes of others; within, it is but the aliment of
+unrest, the oil cast upon the ever-gnawing fire of ambition,
+quickening into fresh vehemence the blaze which it stills for a
+moment. Moreover, this Man of Letters is not wholly made of spirit,
+but of clay and spirit mixed: his thinking faculties may be nobly
+trained and exercised, but he must have affections as well as thoughts
+to make him happy, and food and raiment must be given him or he dies.
+Far from being the most enviable, his way of life is perhaps, among
+the many modes by which an ardent mind endeavours to express its
+activity, the most thickly beset with suffering and degradation. Look
+at the biography of authors! Except the Newgate Calendar, it is the
+most sickening chapter in the history of man. The calamities of these
+people are a fertile topic; and too often their faults and vices have
+kept pace with their calamities. Nor is it difficult to see how this
+has happened. Talent of any sort is generally accompanied with a
+peculiar fineness of sensibility; of genius this is the most essential
+constituent; and life in any shape has sorrows enough for hearts so
+formed. The employments of literature sharpen this natural tendency;
+the vexations that accompany them frequently exasperate it into morbid
+soreness. The cares and toils of literature are the business of life;
+its delights are too ethereal and too transient to furnish that
+perennial flow of satisfaction, coarse but plenteous and substantial,
+of which happiness in this world of ours is made. The most finished
+efforts of the mind give it little pleasure, frequently they give it
+pain; for men's aims are ever far beyond their strength. And the
+outward recompense of these undertakings, the distinction they confer,
+is of still smaller value: the desire for it is insatiable even when
+successful; and when baffled, it issues in jealousy and envy, and
+every pitiful and painful feeling. So keen a temperament with so
+little to restrain or satisfy, so much to distress or tempt it,
+produces contradictions which few are adequate to reconcile. Hence the
+unhappiness of literary men, hence their faults and follies.
+
+Thus literature is apt to form a dangerous and discontenting
+occupation even for the amateur. But for him whose rank and worldly
+comforts depend on it, who does not live to write, but writes to live,
+its difficulties and perils are fearfully increased. Few spectacles
+are more afflicting than that of such a man, so gifted and so fated,
+so jostled and tossed to and fro in the rude bustle of life, the
+buffetings of which he is so little fitted to endure. Cherishing, it
+may be, the loftiest thoughts, and clogged with the meanest wants; of
+pure and holy purposes, yet ever driven from the straight path by the
+pressure of necessity, or the impulse of passion; thirsting for glory,
+and frequently in want of daily bread; hovering between the empyrean
+of his fancy and the squalid desert of reality; cramped and foiled in
+his most strenuous exertions; dissatisfied with his best performances,
+disgusted with his fortune, this Man of Letters too often spends his
+weary days in conflicts with obscure misery: harassed, chagrined,
+debased, or maddened; the victim at once of tragedy and farce; the
+last forlorn outpost in the war of Mind against Matter. Many are the
+noble souls that have perished bitterly, with their tasks unfinished,
+under these corroding woes! Some in utter famine, like Otway; some in
+dark insanity, like Cowper and Collins; some, like Chatterton, have
+sought out a more stern quietus, and turning their indignant steps
+away from a world which refused them welcome, have taken refuge in
+that strong Fortress, where poverty and cold neglect, and the thousand
+natural shocks which flesh is heir to, could not reach them any more.
+
+Yet among these men are to be found the brightest specimens and the
+chief benefactors of mankind! It is they that keep awake the finer
+parts of our souls; that give us better aims than power or pleasure,
+and withstand the total sovereignty of Mammon in this earth. They are
+the vanguard in the march of mind; the intellectual Backwoodsmen,
+reclaiming from the idle wilderness new territories for the thought
+and the activity of their happier brethren. Pity that from all their
+conquests, so rich in benefit to others, themselves should reap so
+little! But it is vain to murmur. They are volunteers in this cause;
+they weighed the charms of it against the perils: and they must abide
+the results of their decision, as all must. The hardships of the
+course they follow are formidable, but not all inevitable; and to such
+as pursue it rightly, it is not without its great rewards. If an
+author's life is more agitated and more painful than that of others,
+it may also be made more spirit-stirring and exalted: fortune may
+render him unhappy; it is only himself that can make him despicable.
+The history of genius has, in fact, its bright side as well as its
+dark. And if it is distressing to survey the misery, and what is
+worse, the debasement of so many gifted men, it is doubly cheering on
+the other hand to reflect on the few, who, amid the temptations and
+sorrows to which life in all its provinces and most in theirs is
+liable, have travelled through it in calm and virtuous majesty, and
+are now hallowed in our memories, not less for their conduct than
+their writings. Such men are the flower of this lower world: to such
+alone can the epithet of great be applied with its true emphasis.
+There is a congruity in their proceedings which one loves to
+contemplate: 'he who would write heroic poems, should make his whole
+life a heroic poem.'
+
+So thought our Milton; and, what was more difficult, he acted so. To
+Milton, the moral king of authors, a heroic multitude, out of many
+ages and countries, might be joined; a 'cloud of witnesses,' that
+encompass the true literary man throughout his pilgrimage, inspiring
+him to lofty emulation, cheering his solitary thoughts with hope,
+teaching him to struggle, to endure, to conquer difficulties, or, in
+failure and heavy sufferings, to
+
+ 'arm th' obdured breast
+ With stubborn patience as with triple steel.'
+
+To this august series, in his own degree, the name of Schiller may be
+added.
+
+Schiller lived in more peaceful times than Milton; his history is less
+distinguished by obstacles surmounted, or sacrifices made to
+principle; yet he had his share of trials to encounter; and the
+admirers of his writings need not feel ashamed of the way in which he
+bore it. One virtue, the parent of many others, and the most essential
+of any, in his circumstances, he possessed in a supreme degree; he was
+devoted with entire and unchanging ardour to the cause he had embarked
+in. The extent of his natural endowments might have served, with a
+less eager character, as an excuse for long periods of indolence,
+broken only by fits of casual exertion: with him it was but a new
+incitement to improve and develop them. The Ideal Man that lay within
+him, the image of himself as he _should_ be, was formed upon a strict
+and curious standard; and to reach this constantly approached and
+constantly receding emblem of perfection, was the unwearied effort of
+his life. This crowning principle of conduct, never ceasing to inspire
+his energetic mind, introduced a consistency into his actions, a firm
+coherence into his character, which the changeful condition of his
+history rendered of peculiar importance. His resources, his place of
+residence, his associates, his worldly prospects, might vary as they
+pleased; this purpose did not vary; it was ever present with him to
+nerve every better faculty of his head and heart, to invest the
+chequered vicissitudes of his fortune with a dignity derived from
+himself. The zeal of his nature overcame the temptations to that
+loitering and indecision, that fluctuation between sloth and consuming
+toil, that infirmity of resolution, with all its tormenting and
+enfeebling consequences, to which a literary man, working as he does
+at a solitary task, uncalled for by any pressing tangible demand, and
+to be recompensed by distant and dubious advantage, is especially
+exposed. Unity of aim, aided by ordinary vigour of character, will
+generally insure perseverance; a quality not ranked among the cardinal
+virtues, but as essential as any of them to the proper conduct of
+life. Nine-tenths of the miseries and vices of mankind proceed from
+idleness: with men of quick minds, to whom it is especially
+pernicious, this habit is commonly the fruit of many disappointments
+and schemes oft baffled; and men fail in their schemes not so much
+from the want of strength as from the ill-direction of it. The weakest
+living creature, by concentrating his powers on a single object, can
+accomplish something: the strongest, by dispersing his over many, may
+fail to accomplish anything. The drop, by continual falling, bores its
+passage through the hardest rock; the hasty torrent rushes over it
+with hideous uproar, and leaves no trace behind. Few men have applied
+more steadfastly to the business of their life, or been more
+resolutely diligent than Schiller.
+
+The profession of theatrical poet was, in his present circumstances,
+particularly favourable to the maintenance of this wholesome state of
+mind. In the fulfilment of its duties, while he gratified his own
+dearest predilections, he was likewise warmly seconded by the
+prevailing taste of the public. The interest excited by the stage, and
+the importance attached to everything connected with it, are greater
+in Germany than in any other part of Europe, not excepting France, or
+even Paris. Nor, as in Paris, is the stage in German towns considered
+merely as a mental recreation, an elegant and pleasant mode of filling
+up the vacancy of tedious evenings: in Germany, it has the advantage
+of being comparatively new; and its exhibitions are directed to a
+class of minds attuned to a far higher pitch of feeling. The Germans
+are accused of a proneness to amplify and systematise, to admire with
+excess, and to find, in whatever calls forth their applause, an
+epitome of a thousand excellencies, which no one else can discover in
+it. Their discussions on the theatre do certainly give colour to this
+charge. Nothing, at least to an English reader, can appear more
+disproportionate than the influence they impute to the stage, and the
+quantity of anxious investigation they devote to its concerns.
+
+With us, the question about the moral tendency of theatrical
+amusements is now very generally consigned to the meditation of
+debating clubs, and speculative societies of young men under age; with
+our neighbours it is a weighty subject of inquiry for minds of almost
+the highest order. With us, the stage is considered as a harmless
+pastime, wholesome because it occupies the man by occupying his
+mental, not his sensual faculties; one of the many departments of
+fictitious representation; perhaps the most exciting, but also the
+most transitory; sometimes hurtful, generally beneficial, just as the
+rest are; entitled to no peculiar regard, and far inferior in its
+effect to many others which have no special apparatus for their
+application. The Germans, on the contrary, talk of it as of some new
+organ for refining the hearts and minds of men; a sort of lay pulpit,
+the worthy ally of the sacred one, and perhaps even better fitted to
+exalt some of our nobler feelings; because its objects are much more
+varied, and because it speaks to us through many avenues, addressing
+the eye by its pomp and decorations, the ear by its harmonies, and the
+heart and imagination by its poetical embellishments, and heroic acts
+and sentiments. Influences still more mysterious are hinted at, if not
+directly announced. An idea seems to lurk obscurely at the bottom of
+certain of their abstruse and elaborate speculations, as if the stage
+were destined to replace some of those sublime illusions which the
+progress of reason is fast driving from the earth; as if its
+pageantry, and allegories, and figurative shadowing-forth of things,
+might supply men's nature with much of that quickening nourishment
+which we once derived from the superstitions and mythologies of darker
+ages. Viewing the matter in this light, they proceed in the management
+of it with all due earnestness. Hence their minute and painful
+investigations of the origin of dramatic emotion, of its various kinds
+and degrees; their subdivisions of romantic and heroic and
+romantico-heroic, and the other endless jargon that encumbers their
+critical writings. The zeal of the people corresponds with that of
+their instructors. The want of more important public interests
+naturally contributes still farther to the prominence of this, the
+discussion of which is not forbidden, or sure to be without effect.
+Literature attracts nearly all the powerful thought that circulates in
+Germany; and the theatre is the great nucleus of German literature.
+
+It was to be expected that Schiller would participate in a feeling so
+universal, and so accordant with his own wishes and prospects. The
+theatre of Mannheim was at that period one of the best in Germany; he
+felt proud of the share which he had in conducting it, and exerted
+himself with his usual alacrity in promoting its various objects.
+Connected with the duties of his office, was the more personal duty of
+improving his own faculties, and extending his knowledge of the art
+which he had engaged to cultivate. He read much, and studied more. The
+perusal of Corneille, Racine, Voltaire, and the other French classics,
+could not be without advantage to one whose exuberance of power, and
+defect of taste, were the only faults he had ever been reproached
+with; and the sounder ideas thus acquired, he was constantly busy in
+exemplifying by attempts of his own. His projected translations from
+Shakspeare and the French were postponed for the present: indeed,
+except in the instance of _Macbeth_, they were never finished: his
+_Conradin von Schwaben_, and a second part of the _Robbers_, were
+likewise abandoned: but a number of minor undertakings sufficiently
+evinced his diligence: and _Don Carlos_, which he had now seriously
+commenced, was occupying all his poetical faculties.
+
+Another matter he had much at heart was the setting forth of a
+periodical work, devoted to the concerns of the stage. In this
+enterprise, Schiller had expected the patronage and cooeperation of the
+German Society, of which he was a member. It did not strike him that
+any other motive than a genuine love of art, and zeal for its
+advancement, could have induced men to join such a body. But the zeal
+of the German Society was more according to knowledge than that of
+their new associate: they listened with approving ear to his vivid
+representations, and wide-spreading projects, but declined taking any
+part in the execution of them. Dalberg alone seemed willing to support
+him. Mortified, but not disheartened by their coldness, Schiller
+reckoned up his means of succeeding without them. The plan of his work
+was contracted within narrower limits; he determined to commence it on
+his own resources. After much delay, the first number of the
+_Rheinische Thalia_, enriched by three acts of _Don Carlos_, appeared
+in 1785. It was continued, with one short interruption, till 1794. The
+main purpose of the work being the furtherance of dramatic art, and
+the extension and improvement of the public taste for such
+entertainments, its chief contents are easy to be guessed at;
+theatrical criticisms, essays on the nature of the stage, its history
+in various countries, its moral and intellectual effects, and the best
+methods of producing them. A part of the publication was open to
+poetry and miscellaneous discussion.
+
+Meditating so many subjects so assiduously, Schiller knew not what it
+was to be unemployed. Yet the task of composing dramatic varieties, of
+training players, and deliberating in the theatrical senate, or even
+of expressing philosophically his opinions on these points, could not
+wholly occupy such a mind as his. There were times when,
+notwithstanding his own prior habits, and all the vaunting of
+dramaturgists, he felt that their scenic glories were but an empty
+show, a lying refuge, where there was no abiding rest for the soul.
+His eager spirit turned away from their paltry world of pasteboard, to
+dwell among the deep and serious interests of the living world of men.
+The _Thalia_, besides its dramatic speculations and performances,
+contains several of his poems, which indicate that his attention,
+though officially directed elsewhither, was alive to all the common
+concerns of humanity; that he looked on life not more as a writer than
+as a man. The _Laura_, whom he celebrates, was not a vision of the
+mind; but a living fair one, whom he saw daily, and loved in the
+secrecy of his heart. His _Gruppe aus dem Tartarus_ (Group from
+Tartarus), his _Kindesmoerderinn_ (Infanticide), are products of a mind
+brooding over dark and mysterious things. While improving in the art
+of poetry, in the capability of uttering his thoughts in the form best
+adapted to express them, he was likewise improving in the more
+valuable art of thought itself; and applying it not only to the
+business of the imagination, but also to those profound and solemn
+inquiries, which every reasonable mortal is called to engage with.
+
+In particular, the _Philosophische Briefe_, written about this period,
+exhibits Schiller in a new, and to us more interesting point of view.
+Julius and Raphael are the emblems of his own fears and his own hopes;
+their _Philosophic Letters_ unfold to us many a gloomy conflict that
+had passed in the secret chambers of their author's soul. Sceptical
+doubts on the most important of all subjects were natural to such an
+understanding as Schiller's; but his heart was not of a temper to rest
+satisfied with doubts; or to draw a sorry compensation for them from
+the pride of superior acuteness, or the vulgar pleasure of producing
+an effect on others by assailing their dearest and holiest
+persuasions. With him the question about the essence of our being was
+not a subject for shallow speculation, charitably named scientific;
+still less for vain jangling and polemical victories: it was a fearful
+mystery, which it concerned all the deepest sympathies and most
+sublime anticipations of his mind to have explained. It is no idle
+curiosity, but the shuddering voice of nature that asks: 'If our
+happiness depend on the harmonious play of the sensorium; if our
+conviction may waver with the beating of the pulse?' What Schiller's
+ultimate opinions on these points were, we are nowhere specially
+informed. That his heart was orthodox, that the whole universe was for
+him a temple, in which he offered up the continual sacrifice of devout
+adoration, his works and life bear noble testimony; yet, here and
+there, his fairest visions seem as if suddenly sicklied over with a
+pale cast of doubt; a withering shadow seems to flit across his soul,
+and chill it in his loftiest moods. The dark condition of the man who
+longs to believe and longs in vain, he can represent with a
+verisimilitude and touching beauty, which shows it to have been
+familiar to himself. Apart from their ingenuity, there is a certain
+severe pathos in some of these passages, which affects us with a
+peculiar emotion. The hero of another work is made to express himself
+in these terms:
+
+'What went before and what will follow me, I regard as two black
+impenetrable curtains, which hang down at the two extremities of human
+life, and which no living man has yet drawn aside. Many hundreds of
+generations have already stood before them with their torches,
+guessing anxiously what lies behind. On the curtain of Futurity, many
+see their own shadows, the forms of their passions enlarged and put in
+motion; they shrink in terror at this image of themselves. Poets,
+philosophers, and founders of states, have painted this curtain with
+their dreams, more smiling or more dark, as the sky above them was
+cheerful or gloomy; and their pictures deceive the eye when viewed
+from a distance. Many jugglers too make profit of this our universal
+curiosity: by their strange mummeries, they have set the outstretched
+fancy in amazement. A deep silence reigns behind this curtain; no one
+once within it will answer those he has left without; all you can hear
+is a hollow echo of your question, as if you shouted into a chasm. To
+the other side of this curtain we are all bound: men grasp hold of it
+as they pass, trembling, uncertain who may stand within it to receive
+them, _quid sit id quod tantum morituri vident_. Some unbelieving
+people there have been, who have asserted that this curtain did but
+make a mockery of men, and that nothing could be seen because nothing
+_was_ behind it: but to convince these people, the rest have seized
+them, and hastily pushed them in.'[11]
+
+ [Footnote 11: _Der Geisterseher_, Schillers Werke, B. iv. p
+ 350.]
+
+The _Philosophic Letters_ paint the struggles of an ardent,
+enthusiastic, inquisitive spirit to deliver itself from the harassing
+uncertainties, to penetrate the dread obscurity, which overhangs the
+lot of man. The first faint scruples of the Doubter are settled by the
+maxim: 'Believe nothing but thy own reason; there is nothing holier
+than truth.' But Reason, employed in such an inquiry, can do but half
+the work: she is like the Conjuror that has pronounced the spell of
+invocation, but has forgot the counter-word; spectres and shadowy
+forms come crowding at his summons; in endless multitudes they press
+and hover round his magic circle, and the terror-struck Black-artist
+cannot lay them. Julius finds that on rejecting the primary dictates
+of feeling, the system of dogmatical belief, he is driven to the
+system of materialism. Recoiling in horror from this dead and
+cheerless creed, he toils and wanders in the labyrinths of pantheism,
+seeking comfort and rest, but finding none; till, baffled and tired,
+and sick at heart, he seems inclined, as far as we can judge, to
+renounce the dreary problem altogether, to shut the eyes of his too
+keen understanding, and take refuge under the shade of Revelation. The
+anxieties and errors of Julius are described in glowing terms; his
+intellectual subtleties are mingled with the eloquence of intense
+feeling. The answers of his friend are in a similar style; intended
+not more to convince than to persuade. The whole work is full of
+passion as well as acuteness; the impress of a philosophic and poetic
+mind striving with all its vast energies to make its poetry and its
+philosophy agree. Considered as exhibiting the state of Schiller's
+thoughts at this period, it possesses a peculiar interest. In other
+respects there is little in it to allure us. It is short and
+incomplete; there is little originality in the opinions it expresses,
+and none in the form of its composition. As an argument on either
+side, it is too rhetorical to be of much weight; it abandons the
+inquiry when its difficulties and its value are becoming greatest, and
+breaks off abruptly without arriving at any conclusion. Schiller has
+surveyed the dark Serbonian bog of Infidelity: but he has, made no
+causeway through it: the _Philosophic Letters_ are a fragment.
+
+Amid employments so varied, with health, and freedom from the coarser
+hardships of life, Schiller's feelings might be earnest, but could
+scarcely be unhappy. His mild and amiable manners, united to such
+goodness of heart, and such height of accomplishment, endeared him to
+all classes of society in Mannheim; Dalberg was still his warm friend;
+Schwann and Laura he conversed with daily. His genius was fast
+enlarging its empire, and fast acquiring more complete command of it;
+he was loved and admired, rich in the enjoyment of present activity
+and fame, and richer in the hope of what was coming. Yet in proportion
+as his faculties and his prospects expanded, he began to view his
+actual situation with less and less contentment. For a season after
+his arrival, it was natural that Mannheim should appear to him as land
+does to the shipwrecked mariner, full of gladness and beauty, merely
+because it is land. It was equally natural that, after a time, this
+sentiment should abate and pass away; that his place of refuge should
+appear but as other places, only with its difficulties and discomforts
+aggravated by their nearness. His revenue was inconsiderable here, and
+dependent upon accidents for its continuance; a share in directing the
+concerns of a provincial theatre, a task not without its irritations,
+was little adequate to satisfy the wishes of a mind like his. Schiller
+longed for a wider sphere of action; the world was all before him; he
+lamented that he should still be lingering on the mere outskirts of
+its business; that he should waste so much time and effort in
+contending with the irascible vanity of players, or watching the ebbs
+and flows of public taste; in resisting small grievances, and
+realising a small result. He determined upon leaving Mannheim. If
+destitute of other holds, his prudence might still have taught him to
+smother this unrest, the never-failing inmate of every human breast,
+and patiently continue where he was: but various resources remained to
+him, and various hopes invited him from other quarters. The produce of
+his works, or even the exercise of his profession, would insure him a
+competence anywhere; the former had already gained him distinction
+and goodwill in every part of Germany. The first number of his
+_Thalia_ had arrived at the court of Hessen-Darmstadt while the Duke
+of Sachsen-Weimar happened to be there: the perusal of the first acts
+of _Don Carlos_ had introduced the author to that enlightened prince,
+who expressed his satisfaction and respect by transmitting him the
+title of Counsellor. A less splendid but not less truthful or pleasing
+testimonial had lately reached him from Leipzig.
+
+'Some days ago,' he writes, 'I met with a very flattering and
+agreeable surprise. There came to me, out of Leipzig, from unknown
+hands, four parcels, and as many letters, written with the highest
+enthusiasm towards me, and overflowing with poetical devotion. They
+were accompanied by four miniature portraits, two of which are of very
+beautiful young ladies, and by a pocket-book sewed in the finest
+taste. Such a present, from people who can have no interest in it, but
+to let me know that they wish me well, and thank me for some cheerful
+hours, I prize extremely; the loudest applause of the world could
+scarcely have flattered me so agreeably.'
+
+Perhaps this incident, trifling as it was, might not be without effect
+in deciding the choice of his future residence. Leipzig had the more
+substantial charm of being a centre of activity and commerce of all
+sorts, that of literature not excepted; and it contained some more
+effectual friends of Schiller than these his unseen admirers. He
+resolved on going thither. His wishes and intentions are minutely
+detailed to Huber, his chief intimate at Leipzig, in a letter written
+shortly before his removal. We translate it for the hints it gives us
+of Schiller's tastes and habits at that period of his history.
+
+'This, then, is probably the last letter I shall write to you from
+Mannheim. The time from the fifteenth of March has hung upon my hands,
+like a trial for life; and, thank Heaven! I am now ten whole days
+nearer you. And now, my good friend, as you have already consented to
+take my entire confidence upon your shoulders, allow me the pleasure
+of leading you into the interior of my domestic wishes.
+
+'In my new establishment at Leipzig, I purpose to avoid one error,
+which has plagued me a great deal here in Mannheim. It is this: No
+longer to conduct my own housekeeping, and also no longer to live
+alone. The former is not by any means a business I excel in. It costs
+me less to execute a whole conspiracy, in five acts, than to settle my
+domestic arrangements for a week; and poetry, you yourself know, is
+but a dangerous assistant in calculations of economy. My mind is drawn
+different ways; I fall headlong out of my ideal world, if a holed
+stocking remind me of the real world.
+
+'As to the other point, I require for my private happiness to have a
+true warm friend that would be ever at my hand, like my better angel;
+to whom I could communicate my nascent ideas in the very act of
+conceiving them, not needing to transmit them, as at present, by
+letters or long visits. Nay, when this friend of mine lives beyond the
+four corners of my house, the trifling circumstance, that in order to
+reach him I must cross the street, dress myself, and so forth, will of
+itself destroy the enjoyment of the moment, and the train of my
+thoughts is torn in pieces before I see him.
+
+'Observe you, my good fellow, these are petty matters; but petty
+matters often bear the weightiest result in the management of life. I
+know myself better than perhaps a thousand mothers' sons know
+themselves; I understand how much, and frequently how little, I
+require to be completely happy. The question therefore is: Can I get
+this wish of my heart fulfilled in Leipzig?
+
+'If it were possible that I could make a lodgment with you, all my
+cares on that head would be removed. I am no bad neighbour, as perhaps
+you imagine; I have pliancy enough to suit myself to another, and here
+and there withal a certain knack, as Yorick says, at helping to make
+him merrier and better. Failing this, if you could find me any person
+that would undertake my small economy, everything would still be well.
+
+'I want nothing but a bedroom, which might also be my working room;
+and another chamber for receiving visits. The house-gear necessary for
+me are a good chest of drawers, a desk, a bed and sofa, a table, and a
+few chairs. With these conveniences, my accommodation were
+sufficiently provided for.
+
+'I cannot live on the ground-floor, nor close by the ridge-tile; also
+my windows positively must not look into the churchyard. I love men,
+and therefore like their bustle. If I cannot so arrange it that we
+(meaning the _quintuple alliance_[12]) shall mess together, I would
+engage at the _table d'hote_ of the inn; for I had rather fast than
+eat without company, large, or else particularly good.
+
+ [Footnote 12: Who the other three were is nowhere
+ particularly mentioned.]
+
+'I write all this to you, my dearest friend, to forewarn you of my
+silly tastes; and, at all events, that I may put it in your power to
+take some preparatory steps, in one place or another, for my
+settlement. My demands are, in truth, confoundedly naive, but your
+goodness has spoiled me.
+
+'The first part of the _Thalia_ must already be in your possession;
+the doom of _Carlos_ will ere now be pronounced. Yet I will take it
+from you orally. Had we five not been acquainted, who knows but we
+might have become so on occasion of this very _Carlos_?'
+
+Schiller went accordingly to Leipzig; though whether Huber received
+him, or he found his humble necessaries elsewhere, we have not
+learned. He arrived in the end of March 1785, after eighteen months'
+residence at Mannheim. The reception he met with, his amusements,
+occupations, and prospects are described in a letter to the Kammerrath
+Schwann, a bookseller at Mannheim, alluded to above. Except Dalberg,
+Schwann had been his earliest friend; he was now endeared to him by
+subsequent familiarity, not of letters and writing, but of daily
+intercourse; and what was more than all, by the circumstance that
+_Laura_ was his daughter. The letter, it will be seen, was written
+with a weightier object than the pleasure of describing Leipzig: it is
+dated 24th April 1785.
+
+'You have an indubitable right to be angry at my long silence; yet I
+know your goodness too well to be in doubt that you will pardon me.
+
+'When a man, unskilled as I am in the busy world, visits Leipzig for
+the first time, during the Fair, it is, if not excusable, at least
+intelligible, that among the multitude of strange things running
+through his head, he should for a few days lose recollection of
+himself. Such, my dearest friend, has till today been nearly my case;
+and even now I have to steal from many avocations the pleasing moments
+which, in idea, I mean to spend with you at Mannheim.
+
+'Our journey hither, of which Herr Goetz will give you a circumstantial
+description, was the most dismal you can well imagine; Bog, Snow and
+Rain were the three wicked foes that by turns assailed us; and though
+we used an additional pair of horses all the way from Vach, yet our
+travelling, which should have ended on Friday, was spun-out till
+Sunday. It is universally maintained that the Fair has visibly
+suffered by the shocking state of the roads; at all events, even in my
+eyes, the crowd of sellers and buyers is far _beneath_ the description
+I used to get of it in the Empire.
+
+'In the very first week of my residence here, I made innumerable new
+acquaintances; among whom, Weisse, Oeser, Hiller, Zollikofer,
+Professor Huber, Juenger, the famous actor Reinike, a few merchants'
+families of the place, and some Berlin people, are the most
+interesting. During Fair-time, as you know well, a person cannot get
+the _full_ enjoyment of any one; our attention to the individual is
+dissipated in the noisy multitude.
+
+'My most pleasant recreation hitherto has been to visit Richter's
+coffee-house, where I constantly find half the _world_ of Leipzig
+assembled, and extend my acquaintance with foreigners and natives.
+
+'From various quarters I have had some alluring invitations to Berlin
+and Dresden; which it will be difficult for me to withstand. It is
+quite a peculiar case, my friend, to have a literary name. The few men
+of worth and consideration who offer you their intimacy on that score,
+and whose regard is really worth coveting, are too disagreeably
+counterweighed by the baleful swarm of creatures who keep humming
+round you, like so many flesh-flies; gape at you as if you were a
+monster, and condescend moreover, on the strength of one or two
+blotted sheets, to present themselves as colleagues. Many people
+cannot understand how a man that wrote the _Robbers_ should look like
+another son of Adam. Close-cut hair, at the very least, and
+postillion's boots, and a hunter's whip, were expected.
+
+'Many families are in the habit here of spending the summer in some
+of the adjacent villages, and so enjoying the pleasures of the
+country. I mean to pass a few months in Gohlis, which lies only a
+quarter of a league from Leipzig, with a very pleasant walk leading to
+it, through the Rosenthal. Here I purpose being very diligent, working
+at _Carlos_ and the _Thalia_; that so, which perhaps will please you
+more than anything, I may gradually and silently return to my medical
+profession. I long impatiently for that epoch of my life, when my
+prospects may be settled and determined, when I may follow my darling
+pursuits merely for my own pleasure. At one time I studied medicine
+_con amore_; could I not do it now with still greater keenness?
+
+'This, my best friend, might of itself convince you of the truth and
+firmness of my purpose; but what should offer you the most complete
+security on that point, what must banish all your doubts about my
+steadfastness, I have yet kept secret. _Now or never_ I must speak it
+out. Distance alone gives me courage to express the wish of my heart.
+Frequently enough, when I used to have the happiness of being near
+you, has this confession hovered on my tongue; but my confidence
+always forsook me, when I tried to utter it. My best friend! Your
+goodness, your affection, your generosity of heart, have encouraged me
+in a hope which I can justify by nothing but the friendship and
+respect you have always shown me. My free, unconstrained access to
+your house afforded me the opportunity of intimate acquaintance with
+your amiable daughter; and the frank, kind treatment with which both
+you and she honoured me, tempted my heart to entertain the bold wish
+of becoming your son. My prospects have hitherto been dim and vague;
+they now begin to alter in my favour. I will strive with more
+continuous vigour when the goal is clear; do you decide whether I can
+reach it, when the dearest wish of my heart supports my zeal.
+
+'Yet two short years and my whole fortune will be determined. I feel
+how _much_ I ask, how boldly, and with how little right I ask it. A
+year is past since this thought took possession of my soul; but my
+esteem for you and your excellent daughter was too high to allow room
+for a wish, which at that time I could found on no solid basis. I made
+it a duty with myself to visit your house less frequently, and to
+dissipate such feelings by absence; but this poor artifice did not
+avail me.
+
+'The Duke of Weimar was the first person to whom I disclosed myself.
+His anticipating goodness, and the declaration that he took an
+interest in my happiness, induced me to confess that this happiness
+depended on a union with your noble daughter; and he expressed his
+satisfaction at my choice. I have reason to hope that he will do more,
+should it come to the point of completing my happiness by this union.
+
+'I shall add nothing farther: I know well that hundreds of others
+might afford your daughter a more splendid fate than I at this moment
+can promise her; but that any other _heart_ can be more worthy of her,
+I venture to deny. Your decision, which I look for with impatience and
+fearful expectation, will determine whether I may venture to write in
+person to your daughter. Fare you well, forever loved by--Your--
+
+'FRIEDRICH SCHILLER.'
+
+
+Concerning this proposal, we have no farther information to
+communicate; except that the parties did not marry, and did not cease
+being friends. That Schiller obtained the permission he concludes with
+requesting, appears from other sources. Three years afterwards, in
+writing to the same person, he alludes emphatically to his eldest
+daughter; and what is more ominous, _apologises_ for his silence to
+her. Schiller's situation at this period was such as to preclude the
+idea of present marriage; perhaps, in the prospect of it, _Laura_ and
+he commenced corresponding; and before the wished-for change of
+fortune had arrived, both of them, attracted to other objects, had
+lost one another in the vortex of life, and ceased to regard their
+finding one another as desirable.
+
+Schiller's medical project, like many which he formed, never came to
+any issue. In moments of anxiety, amid the fluctuations of his lot,
+the thought of this profession floated through his mind, as of a
+distant stronghold, to which, in time of need, he might retire. But
+literature was too intimately interwoven with his dispositions and his
+habits to be seriously interfered with; it was only at brief intervals
+that the pleasure of pursuing it exclusively seemed overbalanced by
+its inconveniences. He needed a more certain income than poetry could
+yield him; but he wished to derive it from some pursuit less alien to
+his darling study. Medicine he never practised after leaving
+Stuttgard.
+
+In the mean time, whatever he might afterwards resolve on, he
+determined to complete his _Carlos_, the half of which, composed a
+considerable time before, had lately been running the gauntlet of
+criticism in the _Thalia_.[13] With this for his chief occupation,
+Gohlis or Leipzig for his residence, and a circle of chosen friends
+for his entertainment, Schiller's days went happily along. His _Lied
+an die Freude_ (Song to Joy), one of his most spirited and beautiful
+lyrical productions, was composed here: it bespeaks a mind impetuous
+even in its gladness, and overflowing with warm and earnest emotions.
+
+ [Footnote 13: Wieland's rather harsh and not too judicious
+ sentence on it may be seen at large in Gruber's _Wieland
+ Geschildert_, B. ii. S. 571.]
+
+But the love of change is grounded on the difference between
+anticipation and reality, and dwells with man till the age when habit
+becomes stronger than desire, or anticipation ceases to be hope.
+Schiller did not find that his establishment at Leipzig, though
+pleasant while it lasted, would realise his ulterior views: he yielded
+to some of his 'alluring invitations,' and went to Dresden in the end
+of summer. Dresden contained many persons who admired him, more who
+admired his fame, and a few who loved himself. Among the latter, the
+Appellationsrath Koerner deserves especial mention.[14] Schiller found
+a true friend in Koerner, and made his house a home. He parted his time
+between Dresden and Loeschwitz, near it, where that gentleman resided:
+it was here that _Don Carlos_, the printing of which was meanwhile
+proceeding at Leipzig, received its completion and last
+corrections.[15] It was published in 1786.
+
+ [Footnote 14: The well-written life, prefixed to the
+ Stuttgard and Tuebingen edition of Schiller's works, is by
+ this Koerner. The Theodor Koerner, whose _Lyre and Sword_
+ became afterwards famous, was his son.]
+
+ [Footnote 15: In vol. x. of the Vienna edition of Schiller
+ are some ludicrous verses, almost his sole attempt in the way
+ of drollery, bearing a title equivalent to this: 'To the
+ Right Honourable the Board of Washers, the most humble
+ Memorial of a downcast Tragic Poet, at Loeschwitz;' of which
+ Doering gives the following account. 'The first part of _Don
+ Carlos_ being already printed, by Goeschen, in Leipzig, the
+ poet, pressed for the remainder, felt himself obliged to stay
+ behind from an excursion which the Koerner family were making,
+ in a fine autumn day. Unluckily, the lady of the house,
+ thinking Schiller was to go along with them, had locked all
+ her cupboards and the cellar. Schiller found himself without
+ meat or drink, or even wood for fuel; still farther
+ exasperated by the dabbling of some washer-maids beneath his
+ window, he produced these lines.' The poem is of the kind
+ which cannot be translated; the first three stanzas are as
+ follows:
+
+ "Die Waesche klatscht vor meiner Thuer,
+ Es plarrt die Kuechenzofe,
+ Und mich, mich fuhrt das Fluegelthier
+ Zu Koenig Philips Hofe.
+
+ Ich eile durch die Gallerie
+ Mit schnellem Schritt, belausche
+ Dort die Prinzessin Eboli
+ Im suessen Liebesrausche.
+
+ Schon ruft das schoene Weib: Triumph!
+ Schon hoer' ich--Tod und Hoelle!
+ Was hoer' ich--einen nassen Strumpf
+ Geworfen in die Welle."]
+
+The story of Don Carlos seems peculiarly adapted for dramatists. The
+spectacle of a royal youth condemned to death by his father, of which
+happily our European annals furnish but another example, is among the
+most tragical that can be figured; the character of that youth, the
+intermixture of bigotry and jealousy, and love, with the other strong
+passions, which brought on his fate, afford a combination of
+circumstances, affecting in themselves, and well calculated for the
+basis of deeply interesting fiction. Accordingly they have not been
+neglected: Carlos has often been the theme of poets; particularly
+since the time when his history, recorded by the Abbe St. Real, was
+exposed in more brilliant colours to the inspection of every writer,
+and almost of every reader.
+
+The Abbe St. Real was a dexterous artist in that half-illicit species
+of composition, the historic novel: in the course of his operations,
+he lighted on these incidents; and, by filling-up according to his
+fancy, what historians had only sketched to him, by amplifying,
+beautifying, suppressing, and arranging, he worked the whole into a
+striking little narrative, distinguished by all the symmetry, the
+sparkling graces, the vigorous description, and keen thought, which
+characterise his other writings. This French Sallust, as his
+countrymen have named him, has been of use to many dramatists. His
+_Conjuraison contre Venise_ furnished Otway with the outline of his
+best tragedy; _Epicaris_ has more than once appeared upon the stage;
+and _Don Carlos_ has been dramatised in almost all the languages of
+Europe. Besides Otway's _Carlos_ so famous at its first appearance,
+many tragedies on this subject have been written: most of them are
+gathered to their final rest; some are fast going thither; two bid
+fair to last for ages. Schiller and Alfieri have both drawn their plot
+from St. Real; the former has expanded and added; the latter has
+compressed and abbreviated.
+
+Schiller's _Carlos_ is the first of his plays that bears the stamp of
+anything like full maturity. The opportunities he had enjoyed for
+extending his knowledge of men and things, the sedulous practice of
+the art of composition, the study of purer models, had not been
+without their full effect. Increase of years had done something for
+him; diligence had done much more. The ebullience of youth is now
+chastened into the steadfast energy of manhood; the wild enthusiast,
+that spurned at the errors of the world, has now become the
+enlightened moralist, that laments their necessity, or endeavours to
+find out their remedy. A corresponding alteration is visible in the
+external form of the work, in its plot and diction. The plot is
+contrived with great ingenuity, embodying the result of much study,
+both dramatic and historical. The language is blank verse, not prose,
+as in the former works; it is more careful and regular, less ambitious
+in its object, but more certain of attaining it. Schiller's mind had
+now reached its full stature: he felt and thought more justly; he
+could better express what he felt and thought.
+
+The merit we noticed in _Fiesco_, the fidelity with which the scene of
+action is brought before us, is observable to a still greater degree
+in _Don Carlos_. The Spanish court in the end of the sixteenth
+century; its rigid, cold formalities; its cruel, bigoted, but
+proud-spirited grandees; its inquisitors and priests; and Philip, its
+head, the epitome at once of its good and its bad qualities, in all
+his complex interests, are exhibited with wonderful distinctness and
+address. Nor is it at the surface or the outward movements alone that
+we look; we are taught the mechanism of their characters, as well as
+shown it in action. The stony-hearted Despot himself must have been an
+object of peculiar study to the author. Narrow in his understanding,
+dead in his affections, from his birth the lord of Europe, Philip has
+existed all his days above men, not among them. Locked up within
+himself, a stranger to every generous and kindly emotion, his gloomy
+spirit has had no employment but to strengthen or increase its own
+elevation, no pleasure but to gratify its own self-will. Superstition,
+harmonising with these native tendencies, has added to their force,
+but scarcely to their hatefulness: it lends them a sort of sacredness
+in his own eyes, and even a sort of horrid dignity in ours. Philip is
+not without a certain greatness, the greatness of unlimited external
+power, and of a will relentless in its dictates, guided by principles,
+false, but consistent and unalterable. The scene of his existence is
+haggard, stern and desolate; but it is all his own, and he seems
+fitted for it. We hate him and fear him; but the poet has taken care
+to secure him from contempt.
+
+The contrast both of his father's fortune and character are those of
+Carlos. Few situations of a more affecting kind can be imagined, than
+the situation of this young, generous and ill-fated prince. From
+boyhood his heart had been bent on mighty things; he had looked upon
+the royal grandeur that awaited his maturer years, only as the means
+of realising those projects for the good of men, which his beneficent
+soul was ever busied with. His father's dispositions, and the temper
+of the court, which admitted no development of such ideas, had given
+the charm of concealment to his feelings; his life had been in
+prospect; and we are the more attached to him, that deserving to be
+glorious and happy, he had but expected to be either. Bright days,
+however, seemed approaching; shut out from the communion of the Albas
+and Domingos, among whom he lived a stranger, the communion of another
+and far dearer object was to be granted him; Elizabeth's love seemed
+to make him independent even of the future, which it painted with
+still richer hues. But in a moment she is taken from him by the most
+terrible of all visitations; his bride becomes his mother; and the
+stroke that deprives him of her, while it ruins him forever, is more
+deadly, because it cannot be complained of without sacrilege, and
+cannot be altered by the power of Fate itself. Carlos, as the poet
+represents him, calls forth our tenderest sympathies. His soul seems
+once to have been rich and glorious, like the garden of Eden; but the
+desert-wind has passed over it, and smitten it with perpetual blight.
+Despair has overshadowed all the fair visions of his youth; or if he
+hopes, it is but the gleam of delirium, which something sterner than
+even duty extinguishes in the cold darkness of death. His energy
+survives but to vent itself in wild gusts of reckless passion, or
+aimless indignation. There is a touching poignancy in his expression
+of the bitter melancholy that oppresses him, in the fixedness of
+misery with which he looks upon the faded dreams of former years, or
+the fierce ebullitions and dreary pauses of resolution, which now
+prompts him to retrieve what he has lost, now withers into
+powerlessness, as nature and reason tell him that it cannot, must not
+be retrieved.
+
+Elizabeth, no less moving and attractive, is also depicted with
+masterly skill. If she returns the passion of her amiable and once
+betrothed lover, we but guess at the fact; for so horrible a thought
+has never once been whispered to her own gentle and spotless mind. Yet
+her heart bleeds for Carlos; and we see that did not the most sacred
+feelings of humanity forbid her, there is no sacrifice she would not
+make to restore his peace of mind. By her soothing influence she
+strives to calm the agony of his spirit; by her mild winning eloquence
+she would persuade him that for Don Carlos other objects must remain,
+when his hopes of personal felicity have been cut off; she would
+change his love for her into love for the millions of human beings
+whose destiny depends on his. A meek vestal, yet with the prudence of
+a queen, and the courage of a matron, with every graceful and generous
+quality of womanhood harmoniously blended in her nature, she lives in
+a scene that is foreign to her; the happiness she should have had is
+beside her, the misery she must endure is around her; yet she utters
+no regret, gives way to no complaint, but seeks to draw from duty
+itself a compensation for the cureless evil which duty has inflicted.
+Many tragic queens are more imposing and majestic than this Elizabeth
+of Schiller; but there is none who rules over us with a sway so soft
+and feminine, none whom we feel so much disposed to love as well as
+reverence.
+
+The virtues of Elizabeth are heightened by comparison with the
+principles and actions of her attendant, the Princess Eboli. The
+character of Eboli is full of pomp and profession; magnanimity and
+devotedness are on her tongue, some shadow of them even floats in her
+imagination; but they are not rooted in her heart; pride, selfishness,
+unlawful passion are the only inmates there. Her lofty boastings of
+generosity are soon forgotten when the success of her attachment to
+Carlos becomes hopeless; the fervour of a selfish love once
+extinguished in her bosom, she regards the object of it with none but
+vulgar feelings. Virtue no longer according with interest, she ceases
+to be virtuous; from a rejected mistress the transition to a jealous
+spy is with her natural and easy. Yet we do not hate the Princess:
+there is a seductive warmth and grace about her character, which makes
+us lament her vices rather than condemn them. The poet has drawn her
+at once false and fair.
+
+In delineating Eboli and Philip, Schiller seems as if struggling
+against the current of his nature; our feelings towards them are
+hardly so severe as he intended; their words and deeds, at least those
+of the latter, are wicked and repulsive enough; but we still have a
+kind of latent persuasion that they meant better than they spoke or
+acted. With the Marquis of Posa, he had a more genial task. This Posa,
+we can easily perceive, is the representative of Schiller himself. The
+ardent love of men, which forms his ruling passion, was likewise the
+constant feeling of his author; the glowing eloquence with which he
+advocates the cause of truth, and justice, and humanity, was such as
+Schiller too would have employed in similar circumstances. In some
+respects, Posa is the chief character of the piece; there is a
+preeminent magnificence in his object, and in the faculties and
+feelings with which he follows it. Of a splendid intellect, and a
+daring devoted heart, his powers are all combined upon a single
+purpose. Even his friendship for Carlos, grounded on the likeness of
+their minds, and faithful as it is, yet seems to merge in this
+paramount emotion, zeal for the universal interests of man. Aiming,
+with all his force of thought and action, to advance the happiness and
+best rights of his fellow-creatures; pursuing this noble aim with the
+skill and dignity which it deserves, his mind is at once unwearied,
+earnest and serene. He is another Carlos, but somewhat older, more
+experienced, and never crossed in hopeless love. There is a calm
+strength in Posa, which no accident of fortune can shake. Whether
+cheering the forlorn Carlos into new activity; whether lifting up his
+voice in the ear of tyrants and inquisitors, or taking leave of life
+amid his vast unexecuted schemes, there is the same sedate
+magnanimity, the same fearless composure: when the fatal bullet
+strikes him, he dies with the concerns of others, not his own, upon
+his lips. He is a reformer, the perfection of reformers; not a
+revolutionist, but a prudent though determined improver. His
+enthusiasm does not burst forth in violence, but in manly and
+enlightened energy; his eloquence is not more moving to the heart than
+his lofty philosophy is convincing to the head. There is a majestic
+vastness of thought in his precepts, which recommends them to the mind
+independently of the beauty of their dress. Few passages of poetry are
+more spirit-stirring than his last message to Carlos, through the
+Queen. The certainty of death seems to surround his spirit with a kind
+of martyr glory; he is kindled into transport, and speaks with a
+commanding power. The pathetic wisdom of the line, 'Tell him, that
+when he is a man, he must reverence the dreams of his youth,' has
+often been admired: that scene has many such.
+
+The interview with Philip is not less excellent. There is something so
+striking in the idea of confronting the cold solitary tyrant with 'the
+only man in all his states that does not need him;' of raising the
+voice of true manhood for once within the gloomy chambers of thraldom
+and priestcraft, that we can forgive the stretch of poetic license by
+which it is effected. Philip and Posa are antipodes in all respects.
+Philip thinks his new instructor is 'a Protestant;' a charge which
+Posa rebuts with calm dignity, his object not being separation and
+contention, but union and peaceful gradual improvement. Posa seems to
+understand the character of Philip better; not attempting to awaken in
+his sterile heart any feeling for real glory, or the interests of his
+fellow-men, he attacks his selfishness and pride, represents to him
+the intrinsic meanness and misery of a throne, however decked with
+adventitious pomp, if built on servitude, and isolated from the
+sympathies and interests of others.
+
+We translate the entire scene; though not by any means the best, it is
+among the fittest for extraction of any in the piece. Posa has been
+sent for by the King, and is waiting in a chamber of the palace to
+know what is required of him; the King enters, unperceived by Posa,
+whose attention is directed to a picture on the wall:
+
+
+ACT III. SCENE X.
+
+The KING and MARQUIS DE POSA.
+
+[_The latter, on noticing the King, advances towards him, and kneels,
+then rises, and waits without any symptom of embarrassment._]
+
+KING. [_looks at him with surprise_].
+ We have met before, then?
+
+MAR. No.
+
+KING. You did my crown
+Some service: wherefore have you shunn'd my thanks?
+Our memory is besieged by crowds of suitors;
+Omniscient is none but He in Heaven.
+You should have sought my looks: why did you not?
+
+MAR. 'Tis scarcely yet two days, your Majesty,
+Since I returned to Spain.
+
+KING. I am not used
+To be my servants' debtor; ask of me
+Some favour.
+
+MAR. I enjoy the laws.
+
+KING. That right
+The very murd'rer has.
+
+MAR. And how much more
+The honest citizen!--Sire, I'm content.
+
+KING [_aside_]. Much self-respect indeed, and lofty daring!
+But this was to be looked for: I would have
+My Spaniards haughty; better that the cup
+Should overflow than not be full.--I hear
+You left my service, Marquis.
+
+MAR. Making way
+For men more worthy, I withdrew.
+
+KING. 'Tis wrong:
+When spirits such as yours play truant,
+My state must suffer. You conceive, perhaps,
+Some post unworthy of your merits
+Might be offer'd you?
+
+MAR. No, Sire, I cannot doubt
+But that a judge so skilful, and experienced
+In the gifts of men, has at a glance discover'd
+Wherein I might do him service, wherein not.
+I feel with humble gratitude the favour,
+With which your Majesty is loading me
+By thoughts so lofty: yet I can-- [_He stops._
+
+KING. You pause?
+
+MAR. Sire, at the moment I am scarce prepar'd
+To speak, in phrases of a Spanish subject,
+What as a citizen o' th' world I've thought.
+Truth is, in parting from the Court forever,
+I held myself discharged from all necessity
+Of troubling it with reasons for my absence.
+
+KING. Are your reasons bad, then? Dare you not risk
+Disclosing them?
+
+MAR. My life, and joyfully,
+Were scope allow'd me to disclose them _all_.
+'Tis not myself but Truth that I endanger,
+Should the King refuse me a full hearing.
+Your anger or contempt I fain would shun;
+But forced to choose between them, I had rather
+Seem to you a man deserving punishment
+Than pity.
+
+KING [_with a look of expectation_]. Well?
+
+MAR. The servant of a prince
+I cannot be. [_The King looks at him with astonishment._
+ I will not cheat my merchant:
+If you deign to take me as your servant,
+You expect, you wish, my actions only;
+You wish my arm in fight, my thought in counsel;
+Nothing more you will accept of: not my actions,
+Th' approval they might find at Court becomes
+The object of my acting. Now for me
+Right conduct has a value of its own:
+The happiness my king might cause me plant
+I would myself produce; and conscious joy,
+And free selection, not the force of duty,
+Should impel me. Is it thus your Majesty
+Requires it? Could you suffer new creators
+In your own creation? Or could I
+Consent with patience to become the chisel,
+When I hoped to be the statuary?
+I love mankind; and in a monarchy,
+Myself is all that I can love.
+
+KING. This fire
+Is laudable. You would do good to others;
+How you do it, patriots, wise men think
+Of little moment, so it be but done.
+Seek for yourself the office in my kingdoms
+That will give you scope to gratify
+This noble zeal.
+
+MAR. There is not such an office.
+
+KING. How?
+
+MAR. What the king desires to spread abroad
+Through these weak hands, is it the good of men?
+That good which my unfetter'd love would wish them?
+Pale majesty would tremble to behold it!
+No! Policy has fashioned in her courts
+Another sort of human good; a sort
+Which _she_ is rich enough to give away,
+Awakening with it in the hearts of men
+New cravings, such as _it_ can satisfy.
+Truth she keeps coining in her mints, such truth
+As she can tolerate; and every die
+Except her own she breaks and casts away.
+But is the royal bounty wide enough
+For me to wish and work in? Must the love
+I hear my brother pledge itself to be
+My brother's jailor? Can I call him happy
+When he dare not think? Sire, choose some other
+To dispense the good which _you_ have stamped for us.
+With me it tallies not; a prince's servant
+I cannot be.
+
+KING [_rather quickly_].
+ You are a Protestant.
+
+MAR. [_after some reflection_]
+Sire, your creed is also mine. [_After a pause._
+ I find
+I am misunderstood: 'tis as I feared.
+You see me draw the veil from majesty,
+And view its mysteries with steadfast eye:
+How should you know if I regard as holy
+What I no more regard as terrible?
+Dangerous I seem, for bearing thoughts too high:
+My King, I am not dangerous: my wishes
+Lie buried here. [_Laying his hand on his breast._
+ The poor and purblind rage
+Of innovation, that but aggravates
+The weight o' th' fetters which it cannot break,
+Will never heat _my_ blood. The century
+Admits not my ideas: I live a citizen
+Of those that are to come. Sire, can a picture
+Break your rest? Your breath obliterates it.
+
+KING. No other knows you harbour such ideas?
+
+MAR. Such, no one.
+
+KING [_rises, walks a few steps, then stops opposite the Marquis.
+ --Aside_]. New at least, this dialect!
+Flattery exhausts itself: a man of parts
+Disdains to imitate. For once let's have
+A trial of the opposite! Why not?
+The strange is oft the lucky.--If so be
+This is your principle, why let it pass!
+I will conform; the crown shall have a servant
+New in Spain,--a liberal!
+
+MAR. Sire, I see
+How very meanly you conceive of men;
+How, in the language of the frank true spirit
+You find but another deeper artifice
+Of a more practis'd coz'ner: I can also
+Partly see what causes this. 'Tis men;
+'Tis men that force you to it: they themselves
+Have cast away their own nobility,
+Themselves have crouch'd to this degraded posture.
+Man's innate greatness, like a spectre, frights them;
+Their poverty seems safety; with base skill
+They ornament their chains, and call it virtue
+To wear them with an air of grace. Twas thus
+You found the world; thus from your royal father
+Came it to you: how in this distorted,
+Mutilated image could you honour man?
+
+KING. Some truth there is in this.
+
+MAR. Pity, however,
+That in taking man from the Creator,
+And changing him into _your_ handiwork,
+And setting up yourself to be the god
+Of this new-moulded creature, you should have
+Forgotten one essential; you yourself
+Remained a man, a very child of Adam!
+You are still a suffering, longing mortal,
+You call for sympathy, and to a god
+We can but sacrifice, and pray, and tremble!
+O unwise exchange! unbless'd perversion!
+When you have sunk your brothers to be play'd
+As harp-strings, who will join in harmony
+With you the player?
+
+KING [_aside_]. By Heaven, he touches me!
+
+MAR. For you, however, this is unimportant;
+It but makes you separate, peculiar;
+'Tis the price you pay for being a god.
+And frightful were it if you failed in this!
+If for the desolated good of millions,
+You the Desolator should gain--nothing!
+If the very freedom you have blighted
+And kill'd were that alone which could exalt
+Yourself!--Sire, pardon me, I must not stay:
+The matter makes me rash: my heart is full,
+Too strong the charm of looking on the one
+Of living men to whom I might unfold it.
+
+[_The Count de Lerma enters, and whispers a few words to the King. The
+latter beckons to him to withdraw, and continues sitting in his former
+posture._
+
+KING [_to the Marquis, after Lerma is gone_].
+Speak on!
+
+MAR. [_after a pause_] I feel, Sire, all the worth--
+
+KING. Speak on!
+Y' had something more to say.
+
+MAR. Not long since, Sire,
+I chanced to pass through Flanders and Brabant.
+So many rich and flourishing provinces;
+A great, a mighty people, and still more,
+An honest people!--And this people's Father!
+That, thought I, must be divine: so thinking,
+I stumbled on a heap of human bones.
+
+[_He pauses; his eyes rest on the King, who endeavours to return his
+glance, but with an air of embarrassment is forced to look upon the
+ground._
+
+You are in the right, you _must_ proceed so.
+That you _could_ do, what you saw you _must_ do,
+Fills me with a shuddering admiration.
+Pity that the victim welt'ring in its blood
+Should speak so feeble an eulogium
+On the spirit of the priest! That mere men,
+Not beings of a calmer essence, write
+The annals of the world! Serener ages
+Will displace the age of Philip; these will bring
+A milder wisdom; the subject's good will then
+Be reconcil'd to th' prince's greatness;
+The thrifty State will learn to prize its children,
+And necessity no more will be inhuman.
+
+KING. And when, think you, would those blessed ages
+Have come round, had I recoil'd before
+The curse of this? Behold my Spain! Here blooms
+The subject's good, in never-clouded peace:
+_Such_ peace will I bestow on Flanders.
+
+MAR. Peace of a churchyard! And you hope to end
+What you have entered on? Hope to withstand
+The timeful change of Christendom; to stop
+The universal Spring that shall make young
+The countenance o' th' Earth? _You_ purpose, single
+In all Europe, alone, to fling yourself
+Against the wheel of Destiny that rolls
+For ever its appointed course; to clutch
+Its spokes with mortal arm? You may not, Sire!
+Already thousands have forsook your kingdoms,
+Escaping glad though poor: the citizen
+You lost for conscience' sake, he was your noblest.
+With mother's arms Elizabeth receives
+The fugitives, and rich by foreign skill,
+In fertile strength her England blooms. Forsaken
+Of its toilsome people, lies Grenada
+Desolate; and Europe sees with glad surprise
+Its enemy faint with self-inflicted wounds.
+
+[_The King seems moved: the Marquis observes it, and advances some
+steps nearer._
+
+Plant for Eternity and death the seed?
+Your harvest will be nothingness. The work
+Will not survive the spirit of its former;
+It will be in vain that you have labour'd;
+That you have fought the fight with Nature;
+And to plans of Ruin consecrated
+A high and royal lifetime. Man is greater
+Than you thought. The bondage of long slumber
+He will break; his sacred rights he will reclaim.
+With Nero and Busiris will he rank
+The name of Philip, and--that grieves me, for
+You once were good.
+
+KING. How know you that?
+
+MAR. [_with warm energy_] You were;
+Yes, by th' All-Merciful! Yes, I repeat it.
+Restore to us what you have taken from us.
+Generous as strong, let human happiness
+Stream from your horn of plenty, let souls ripen
+Round you. Restore us what you took from us.
+Amid a thousand kings become a king.
+
+[_He approaches him boldly, fixing on him firm and glowing looks._
+
+Oh, could the eloquence of all the millions,
+Who participate in this great moment,
+Hover on my lips, and raise into a flame
+That gleam that kindles in your eyes!
+Give up this false idolatry of self,
+Which makes your brothers nothing! Be to us
+A pattern of the Everlasting and the True!
+Never, never, did a mortal hold so much,
+To use it so divinely. All the kings
+Of Europe reverence the name of Spain:
+Go on in front of all the kings of Europe!
+One movement of your pen, and new-created
+Is the Earth. Say but, Let there be freedom!
+
+ [_Throwing himself at his feet._
+
+KING [_surprised, turning his face away, then again towards Posa_].
+Singular enthusiast! Yet--rise--I--
+
+MAR. Look round and view God's lordly universe:
+On Freedom it is founded, and how rich
+Is it with Freedom! He, the great Creator,
+Has giv'n the very worm its sev'ral dewdrop;
+Ev'n in the mouldering spaces of Decay,
+He leaves Free-will the pleasures of a choice.
+This world of _yours_! how narrow and how poor!
+The rustling of a leaf alarms the lord
+Of Christendom. You quake at every virtue;
+He, not to mar the glorious form of Freedom,
+Suffers that the hideous hosts of Evil
+Should run riot in his fair Creation.
+Him the maker we behold not; calm
+He veils himself in everlasting laws,
+Which and not Him the sceptic seeing exclaims,
+'Wherefore a God? The World itself is God.'
+And never did a Christian's adoration
+So praise him as this sceptic's blasphemy.
+
+KING. And such a model you would undertake,
+On Earth, in my domains to imitate?
+
+MAR. You, you can: who else? To th' people's good
+Devote the kingly power, which far too long
+Has struggled for the greatness of the throne.
+Restore the lost nobility of man.
+Once more make of the subject what he was,
+The purpose of the Crown; let no tie bind him,
+Except his brethren's right, as sacred as
+His own. And when, given back to self-dependence,
+Man awakens to the feeling of his worth,
+And freedom's proud and lofty virtues blossom,
+Then, Sire, having made _your_ realms the happiest
+In the Earth, it may become your duty
+To subdue the realms of others.
+
+KING [_after a long pause_].
+I have heard you to an end.
+Not as in common heads, the world is painted
+In that head of yours: nor will I mete you
+By the common standard. I am the first
+To whom your heart has been disclosed:
+I know this, so believe it. For the sake
+Of such forbearance; for your having kept
+Ideas, embraced with such devotion, secret
+Up to this present moment, for the sake
+Of that reserve, young man, I will forget
+That I have learned them, and how I learned them.
+Arise. The headlong youth I will set right,
+Not as his sovereign, but as his senior.
+I will, because I will. So! bane itself,
+I find, in generous natures may become
+Ennobled into something better. But
+Beware my Inquisition! It would grieve me
+If you--
+
+MAR. Would it? would it?
+
+KING [_gazing at him, and lost in surprise_].
+ Such a mortal
+Till this hour I never saw. No, Marquis!
+No! You do me wrong. To you I will not
+Be a Nero, not to you. _All_ happiness
+Shall not be blighted by me: you yourself
+Shall be permitted to remain a man
+Beside me.
+
+MAR. [_quickly_] And my fellow-subjects, Sire?
+Oh, not for _me_, not _my_ cause was I pleading.
+And your subjects, Sire?
+
+KING. You see so clearly
+How posterity will judge of me; yourself
+Shall teach it how I treated men so soon
+As I had found one.
+
+MAR. O Sire! in being
+The most just of kings, at the same instant
+Be not the most unjust! In your Flanders
+Are many thousands worthier than I.
+'Tis but yourself,--shall I confess it, Sire?--
+That under this mild form first truly see
+What freedom is.
+
+KING [_with softened earnestness_].
+ Young man, no more of this.
+Far differently will you think of men,
+When you have seen and studied them as I have.
+Yet our first meeting must not be our last;
+How shall I try to make you mine?
+
+MAR. Sire, let me
+Continue as I am. What good were it
+To you, if I like others were corrupted?
+
+KING. This pride I will not suffer. From this moment
+You are in my service. No remonstrance!
+I will have it so. * * * * *
+
+
+Had the character of Posa been drawn ten years later, it would have
+been imputed, as all things are, to the 'French Revolution;' and
+Schiller himself perhaps might have been called a Jacobin. Happily, as
+matters stand, there is room for no such imputation. It is pleasing to
+behold in Posa the deliberate expression of a great and good man's
+sentiments on these ever-agitated subjects: a noble monument,
+embodying the liberal ideas of his age, in a form beautified by his
+own genius, and lasting as its other products.[16]
+
+ [Footnote 16: Jean Paul nevertheless, not without some show
+ of reason, has compared this Posa to the tower of a
+ lighthouse: 'high, far-shining,--empty!' (_Note of 1845._)]
+
+Connected with the superior excellence of Posa, critics have remarked
+a dramatic error, which the author himself was the first to
+acknowledge and account for. The magnitude of Posa throws Carlos into
+the shade; the hero of the first three acts is no longer the hero of
+the other two. The cause of this, we are informed, was that Schiller
+kept the work too long upon his own hands:
+
+'In composing the piece,' he observes, 'many interruptions occurred;
+so that a considerable time elapsed between beginning and concluding
+it; and, in the mean while, much within myself had changed. The
+various alterations which, during this period, my way of thinking and
+feeling underwent, naturally told upon the work I was engaged with.
+What parts of it had at first attracted me, began to produce this
+effect in a weaker degree, and, in the end, scarcely at all. New
+ideas, springing up in the interim, displaced the former ones; Carlos
+himself had lost my favour, perhaps for no other reason than because I
+had become his senior; and, from the opposite cause, Posa had occupied
+his place. Thus I commenced the fourth and fifth acts with quite an
+altered heart. But the first three were already in the hands of the
+public; the plan of the whole could not now be re-formed; nothing
+therefore remained but to suppress the piece entirely, or to fit the
+second half to the first the best way I could.'
+
+The imperfection alluded to is one of which the general reader will
+make no great account; the second half is fitted to the first with
+address enough for his purposes. Intent not upon applying the dramatic
+gauge, but on being moved and exalted, we may peruse the tragedy
+without noticing that any such defect exists in it. The pity and love
+we are first taught to feel for Carlos abide with us to the last; and
+though Posa rises in importance as the piece proceeds, our admiration
+of his transcendent virtues does not obstruct the gentler feelings
+with which we look upon the fate of his friend. A certain confusion
+and crowding together of events, about the end of the play, is the
+only fault in its plan that strikes us with any force. Even this is
+scarcely prominent enough to be offensive.
+
+An intrinsic and weightier defect is the want of ease and lightness in
+the general composition of the piece; a defect which, all its other
+excellencies will not prevent us from observing. There is action
+enough in the plot, energy enough in the dialogue, and abundance of
+individual beauties in both; but there is throughout a certain air of
+stiffness and effort, which abstracts from the theatrical illusion.
+The language, in general impressive and magnificent, is now and then
+inflated into bombast. The characters do not, as it were, verify their
+human nature, by those thousand little touches and nameless turns,
+which distinguish the genius essentially dramatic from the genius
+merely poetical; the Proteus of the stage from the philosophic
+observer and trained imitator of life. We have not those careless
+felicities, those varyings from high to low, that air of living
+freedom which Shakspeare has accustomed us, like spoiled children, to
+look for in every perfect work of this species. Schiller is too
+elevated, too regular and sustained in his elevation, to be altogether
+natural.
+
+Yet with all this, _Carlos_ is a noble tragedy. There is a stately
+massiveness about the structure of it; the incidents are grand and
+affecting; the characters powerful, vividly conceived, and
+impressively if not completely delineated. Of wit and its kindred
+graces Schiller has but a slender share: nor among great poets is he
+much distinguished for depth or fineness of pathos. But what gives him
+a place of his own, and the loftiest of its kind, is the vastness and
+intense vigour of his mind; the splendour of his thoughts and imagery,
+and the bold vehemence of his passion for the true and the sublime,
+under all their various forms. He does not thrill, but he exalts us.
+His genius is impetuous, exuberant, majestic; and a heavenly fire
+gleams through all his creations. He transports us into a holier and
+higher world than our own; everything around us breathes of force and
+solemn beauty. The looks of his heroes may be more staid than those of
+men, the movements of their minds may be slower and more calculated;
+but we yield to the potency of their endowments, and the loveliness of
+the scene which they animate. The enchantments of the poet are strong
+enough to silence our scepticism; we forbear to inquire whether it is
+true or false.
+
+The celebrity of Alfieri generally invites the reader of _Don Carlos_
+to compare it with _Filippo_. Both writers treat the same subject;
+both borrow their materials from the same source, the _nouvelle
+historique_ of St. Real: but it is impossible that two powerful minds
+could have handled one given idea in more diverse manners. Their
+excellencies are, in fact, so opposite, that they scarcely come in
+competition. Alfieri's play is short, and the characters are few. He
+describes no scene: his personages are not the King of Spain and his
+courtiers, but merely men; their place of action is not the Escurial
+or Madrid, but a vacant, objectless platform anywhere in space. In all
+this, Schiller has a manifest advantage. He paints manners and
+opinions, he sets before us a striking pageant, which interests us of
+itself, and gives a new interest to whatever is combined with it. The
+principles of the antique, or perhaps rather of the French drama, upon
+which Alfieri worked, permitted no such delineation. In the style
+there is the same diversity. A severe simplicity uniformly marks
+Alfieri's style; in his whole tragedy there is not a single figure. A
+hard emphatic brevity is all that distinguishes his language from that
+of prose. Schiller, we have seen, abounds with noble metaphors, and
+all the warm exciting eloquence of poetry. It is only in expressing
+the character of Philip that Alfieri has a clear superiority. Without
+the aid of superstition, which his rival, especially in the
+catastrophe, employs to such advantage, Alfieri has exhibited in his
+Filippo a picture of unequalled power. Obscurity is justly said to be
+essential to terror and sublimity; and Schiller has enfeebled the
+effect of his Tyrant, by letting us behold the most secret recesses of
+his spirit: we understand him better, but we fear him less. Alfieri
+does not show us the internal combination of Filippo: it is from its
+workings alone that we judge of his nature. Mystery, and the shadow of
+horrid cruelty, brood over his Filippo: it is only a transient word or
+act that gives us here and there a glimpse of his fierce, implacable,
+tremendous soul; a short and dubious glimmer that reveals to us the
+abysses of his being, dark, lurid, and terrific, 'as the throat of the
+infernal Pool.' Alfieri's Filippo is perhaps the most wicked man that
+human imagination has conceived.
+
+Alfieri and Schiller were again unconscious competitors in the history
+of Mary Stuart. But the works before us give a truer specimen of their
+comparative merits. Schiller seems to have the greater genius; Alfieri
+the more commanding character. Alfieri's greatness rests on the stern
+concentration of fiery passion, under the dominion of an adamantine
+will: this was his own make of mind; and he represents it, with
+strokes in themselves devoid of charm, but in their union terrible as
+a prophetic scroll. Schiller's moral force is commensurate with his
+intellectual gifts, and nothing more. The mind of the one is like the
+ocean, beautiful in its strength, smiling in the radiance of summer,
+and washing luxuriant and romantic shores: that of the other is like
+some black unfathomable lake placed far amid the melancholy mountains;
+bleak, solitary, desolate; but girdled with grim sky-piercing cliffs,
+overshadowed with storms, and illuminated only by the red glare of the
+lightning. Schiller is magnificent in his expansion, Alfieri is
+overpowering in his condensed energy; the first inspires us with
+greater admiration, the last with greater awe.
+
+
+This tragedy of _Carlos_ was received with immediate and universal
+approbation. In the closet and on the stage, it excited the warmest
+applauses equally among the learned and unlearned. Schiller's
+expectations had not been so high: he knew both the excellencies and
+the faults of his work; but he had not anticipated that the former
+would be recognised so instantaneously. The pleasure of this new
+celebrity came upon him, therefore, heightened by surprise. Had
+dramatic eminence been his sole object, he might now have slackened
+his exertions; the public had already ranked him as the first of their
+writers in that favourite department. But this limited ambition was
+not his moving principle; nor was his mind of that sort for which rest
+is provided in this world. The primary disposition of his nature urged
+him to perpetual toil: the great aim of his life, the unfolding of his
+mental powers, was one of those which admit but a relative not an
+absolute progress. New ideas of perfection arise as the former have
+been reached; the student is always attaining, never has attained.
+
+Schiller's worldly circumstances, too, were of a kind well calculated
+to prevent excess of quietism. He was still drifting at large on the
+tide of life; he was crowned with laurels, but without a home. His
+heart, warm and affectionate, fitted to enjoy the domestic blessings
+which it longed for, was allowed to form no permanent attachment: he
+felt that he was unconnected, solitary in the world; cut off from the
+exercise of his kindlier sympathies; or if tasting such pleasures, it
+was 'snatching them rather than partaking of them calmly.' The vulgar
+desire of wealth and station never entered his mind for an instant:
+but as years were added to his age, the delights of peace and
+continuous comfort were fast becoming more acceptable than any other;
+and he looked with anxiety to have a resting-place amid his
+wanderings, to be a man among his fellow-men.
+
+For all these wishes, Schiller saw that the only chance of fulfilment
+depended on unwearied perseverance in his literary occupations. Yet
+though his activity was unabated, and the calls on it were increasing
+rather than diminished, its direction was gradually changing. The
+Drama had long been stationary, and of late been falling in his
+estimation: the difficulties of the art, as he viewed it at present,
+had been overcome, and new conquests invited him in other quarters.
+The latter part of _Carlos_ he had written as a task rather than a
+pleasure; he contemplated no farther undertaking connected with the
+Stage. For a time, indeed, he seems to have wavered among a
+multiplicity of enterprises; now solicited to this, and now to that,
+without being able to fix decidedly on any. The restless ardour of his
+mind is evinced by the number and variety of his attempts; its
+fluctuation by the circumstance that all of them are either short in
+extent, or left in the state of fragments. Of the former kind are his
+lyrical productions, many of which were composed about this period,
+during intervals from more serious labours. The character of these
+performances is such as his former writings gave us reason to expect.
+With a deep insight into life, and a keen and comprehensive sympathy
+with its sorrows and enjoyments, there is combined that impetuosity of
+feeling, that pomp of thought and imagery which belong peculiarly to
+Schiller. If he had now left the Drama, it was clear that his mind was
+still overflowing with the elements of poetry; dwelling among the
+grandest conceptions, and the boldest or finest emotions; thinking
+intensely and profoundly, but decorating its thoughts with those
+graces, which other faculties than the understanding are required to
+afford them. With these smaller pieces, Schiller occupied himself at
+intervals of leisure throughout the remainder of his life. Some of
+them are to be classed among the most finished efforts of his genius.
+The _Walk_, the _Song of the Bell_, contain exquisite delineations of
+the fortunes and history of man; his _Ritter Toggenburg_, his _Cranes
+of Ibycus_, his _Hero and Leander_, are among the most poetical and
+moving ballads to be found in any language.
+
+Of these poems, the most noted written about this time, the
+_Freethinking of Passion_ (_Freigeisterei der Leidenschaft_), is said
+to have originated in a real attachment. The lady, whom some
+biographers of Schiller introduce to us by the mysterious designation
+of the 'Fraeulein A * * *, one of the first beauties in Dresden,' seems
+to have made a deep impression on the heart of the poet. They tell us
+that she sat for the picture of the princess Eboli, in his _Don
+Carlos_; that he paid his court to her with the most impassioned
+fervour, and the extreme of generosity. They add one or two anecdotes
+of dubious authenticity; which, as they illustrate nothing, but show
+us only that love could make Schiller crazy, as it is said to make all
+gods and men, we shall use the freedom to omit.
+
+This enchanting and not inexorable spinster perhaps displaced the
+Mannheim _Laura_ from her throne; but the gallant assiduities, which
+she required or allowed, seem not to have abated the zeal of her
+admirer in his more profitable undertakings. Her reign, we suppose,
+was brief and without abiding influence. Schiller never wrote or
+thought with greater diligence than while at Dresden. Partially
+occupied with conducting his _Thalia_, or with those more slight
+poetical performances, his mind was hovering among a multitude of
+weightier plans, and seizing with avidity any hint that might assist
+in directing its attempts. To this state of feeling we are probably
+indebted for the _Geisterseher_, a novel, naturalised in our
+circulating libraries by the title of the _Ghostseer_, two volumes of
+which were published about this time. The king of quacks, the renowned
+Cagliostro, was now playing his dextrous game at Paris; harrowing-up
+the souls of the curious and gullible of all ranks in that capital,
+by various thaumaturgic feats; raising the dead from their graves;
+and, what was more to the purpose, raising himself from the station of
+a poor Sicilian lacquey to that of a sumptuous and extravagant count.
+The noise of his exploits appears to have given rise to this work of
+Schiller's. It is an attempt to exemplify the process of hoodwinking
+an acute but too sensitive man; of working on the latent germ of
+superstition, which exists beneath his outward scepticism; harassing
+his mind by the terrors of magic,--the magic of chemistry and natural
+philosophy and natural cunning; till, racked by doubts and agonising
+fears, and plunging from one depth of dark uncertainty into another,
+he is driven at length to still his scruples in the bosom of the
+Infallible Church. The incidents are contrived with considerable
+address, displaying a familiar acquaintance, not only with several
+branches of science, but also with some curious forms of life and
+human nature. One or two characters are forcibly drawn; particularly
+that of the amiable but feeble Count, the victim of the operation. The
+strange Foreigner, with the visage of stone, who conducts the business
+of mystification, strikes us also, though we see but little of him.
+The work contains some vivid description, some passages of deep
+tragical effect: it has a vein of keen observation; in general, a
+certain rugged power, which might excite regret that it was never
+finished. But Schiller found that his views had been mistaken: it was
+thought that he meant only to electrify his readers, by an
+accumulation of surprising horrors, in a novel of the Mrs. Radcliffe
+fashion. He felt, in consequence, discouraged to proceed; and finally
+abandoned it.
+
+Schiller was, in fact, growing tired of fictitious writing.
+Imagination was with him a strong, not an exclusive, perhaps not even
+a predominating faculty: in the sublimest flights of his genius,
+intellect is a quality as conspicuous as any other; we are frequently
+not more delighted with the grandeur of the drapery in which he
+clothes his thoughts, than with the grandeur of the thoughts
+themselves. To a mind so restless, the cultivation of all its powers
+was a peremptory want; in one so earnest, the love of truth was sure
+to be among its strongest passions. Even while revelling, with unworn
+ardour, in the dreamy scenes of the Imagination, he had often cast a
+longing look, and sometimes made a hurried inroad, into the calmer
+provinces of reason: but the first effervescence of youth was past,
+and now more than ever, the love of contemplating or painting things
+as they should be, began to yield to the love of knowing things as
+they are. The tendency of his mind was gradually changing; he was
+about to enter on a new field of enterprise, where new triumphs
+awaited him.
+
+For a time he had hesitated what to choose; at length he began to
+think of History. As a leading object of pursuit, this promised him
+peculiar advantages. It was new to him; and fitted to employ some of
+his most valuable gifts. It was grounded on reality, for which, as we
+have said, his taste was now becoming stronger; its mighty revolutions
+and events, and the commanding characters that figure in it, would
+likewise present him with things great and moving, for which his taste
+had always been strong. As recording the past transactions, and
+indicating the prospects of nations, it could not fail to be
+delightful to one, for whom not only human nature was a matter of most
+fascinating speculation, but who looked on all mankind with the
+sentiments of a brother, feeling truly what he often said, that 'he
+had no dearer wish than to see every living mortal happy and contented
+with his lot.' To all these advantages another of a humbler sort was
+added, but which the nature of his situation forbade him to lose
+sight of. The study of History, while it afforded him a subject of
+continuous and regular exertion, would also afford him, what was even
+more essential, the necessary competence of income for which he felt
+reluctant any longer to depend on the resources of poetry, but which
+the produce of his pen was now the only means he had of realising.
+
+For these reasons, he decided on commencing the business of historian.
+The composition of _Don Carlos_ had already led him to investigate the
+state of Spain under Philip II.; and, being little satisfied with
+Watson's clear but shallow Work on that reign, he had turned to the
+original sources of information, the writings of Grotius, Strada, De
+Thou, and many others. Investigating these with his usual fidelity and
+eagerness, the Revolt of the Netherlands had, by degrees, become
+familiar to his thoughts; distinct in many parts where it was
+previously obscure; and attractive, as it naturally must be to a
+temper such as his. He now determined that his first historical
+performance should be a narrative of that event. He resolved to
+explore the minutest circumstance of its rise and progress; to arrange
+the materials he might collect, in a more philosophical order; to
+interweave with them the general opinions he had formed, or was
+forming, on many points of polity, and national or individual
+character; and, if possible, to animate the whole with that warm
+sympathy, which, in a lover of Freedom, this most glorious of her
+triumphs naturally called forth.
+
+In the filling-up of such an outline, there was scope enough for
+diligence. But it was not in Schiller's nature to content himself with
+ordinary efforts; no sooner did a project take hold of his mind, than,
+rallying round it all his accomplishments and capabilities, he
+stretched it out into something so magnificent and comprehensive, that
+little less than a lifetime would have been sufficient to effect it.
+This History of the Revolt of the Netherlands, which formed his chief
+study, he looked upon but as one branch of the great subject he was
+yet destined to engage with. History at large, in all its bearings,
+was now his final aim; and his mind was continually occupied with
+plans for acquiring, improving, and diffusing the knowledge of it.
+
+Of these plans many never reached a describable shape; very few
+reached even partial execution. One of the latter sort was an intended
+_History of the most remarkable Conspiracies and Revolutions in the
+Middle and Later Ages_. A first volume of the work was published in
+1787. Schiller's part in it was trifling; scarcely more than that of a
+translator and editor. St. Real's _Conspiracy of Bedmar against
+Venice_, here furnished with an extended introduction, is the best
+piece in the book. Indeed, St. Real seems first to have set him on
+this task: the Abbe had already signified his predilection for plots
+and revolutions, and given a fine sample of his powers in treating
+such matters. What Schiller did was to expand this idea, and
+communicate a systematic form to it. His work might have been curious
+and valuable, had it been completed; but the pressure of other
+engagements, the necessity of limiting his views to the Netherlands,
+prevented this for the present; it was afterwards forgotten, and never
+carried farther.
+
+
+Such were Schiller's occupations while at Dresden; their extent and
+variety are proof enough that idleness was not among his vices. It
+was, in truth, the opposite extreme in which he erred. He wrote and
+thought with an impetuosity beyond what nature always could endure.
+His intolerance of interruptions first put him on the plan of studying
+by night; an alluring but pernicious practice, which began at
+Dresden, and was never afterwards forsaken. His recreations breathed a
+similar spirit; he loved to be much alone, and strongly moved. The
+banks of the Elbe were the favourite resort of his mornings: here
+wandering in solitude amid groves and lawns, and green and beautiful
+places, he abandoned his mind to delicious musings; watched the fitful
+current of his thoughts, as they came sweeping through his soul in
+their vague, fantastic, gorgeous forms; pleased himself with the
+transient images of memory and hope; or meditated on the cares and
+studies which had lately been employing, and were again soon to employ
+him. At times, he might be seen floating on the river in a gondola,
+feasting himself with the loveliness of earth and sky. He delighted
+most to be there when tempests were abroad; his unquiet spirit found a
+solace in the expression of his own unrest on the face of Nature;
+danger lent a charm to his situation; he felt in harmony with the
+scene, when the rack was sweeping stormfully across the heavens, and
+the forests were sounding in the breeze, and the river was rolling its
+chafed waters into wild eddying heaps.
+
+Yet before the darkness summoned him exclusively to his tasks,
+Schiller commonly devoted a portion of his day to the pleasures of
+society. Could he have found enjoyment in the flatteries of admiring
+hospitality, his present fame would have procured them for him in
+abundance. But these things were not to Schiller's taste. His opinion
+of the 'flesh-flies' of Leipzig we have already seen: he retained the
+same sentiments throughout all his life. The idea of being what we
+call a _lion_ is offensive enough to any man, of not more than common
+vanity, or less than common understanding; it was doubly offensive to
+him. His pride and his modesty alike forbade it. The delicacy of his
+nature, aggravated into shyness by his education and his habits,
+rendered situations of display more than usually painful to him; the
+_digito praetereuntium_ was a sort of celebration he was far from
+coveting. In the circles of fashion he appeared unwillingly, and
+seldom to advantage: their glitter and parade were foreign to his
+disposition; their strict ceremonial cramped the play of his mind.
+Hemmed in, as by invisible fences, among the intricate barriers of
+etiquette, so feeble, so inviolable, he felt constrained and helpless;
+alternately chagrined and indignant. It was the giant among pigmies;
+Gulliver, in Lilliput, tied down by a thousand packthreads. But there
+were more congenial minds, with whom he could associate; more familiar
+scenes, in which he found the pleasures he was seeking. Here Schiller
+was himself; frank, unembarrassed, pliant to the humour of the hour.
+His conversation was delightful, abounding at once in rare and simple
+charms. Besides the intellectual riches which it carried with it,
+there was that flow of kindliness and unaffected good humour, which
+can render dulness itself agreeable. Schiller had many friends in
+Dresden, who loved him as a man, while they admired him as a writer.
+Their intercourse was of the kind he liked, sober, as well as free and
+mirthful. It was the careless, calm, honest effusion of his feelings
+that he wanted, not the noisy tumults and coarse delirium of
+dissipation. For this, under any of its forms, he at no time showed
+the smallest relish.
+
+A visit to Weimar had long been one of Schiller's projects: he now
+first accomplished it in 1787. Saxony had been, for ages, the Attica
+of Germany; and Weimar had, of late, become its Athens. In this
+literary city, Schiller found what he expected, sympathy and
+brotherhood with men of kindred minds. To Goethe he was not
+introduced;[17] but Herder and Wieland received him with a cordial
+welcome; with the latter he soon formed a most friendly intimacy.
+Wieland, the Nestor of German letters, was grown gray in the service:
+Schiller reverenced him as a father, and he was treated by him as a
+son. 'We shall have bright hours,' he said; 'Wieland is still young,
+when he loves.' Wieland had long edited the _Deutsche Mercur_: in
+consequence of their connexion, Schiller now took part in contributing
+to that work. Some of his smaller poems, one or two fragments of the
+History of the Netherlands, and the _Letters on Don Carlos_, first
+appeared here. His own _Thalia_ still continued to come out at
+Leipzig. With these for his incidental employments, with the Belgian
+Revolt for his chief study, and the best society in Germany for his
+leisure, Schiller felt no wish to leave Weimar. The place and what it
+held contented him so much, that he thought of selecting it for his
+permanent abode. 'You know the men,' he writes, 'of whom Germany is
+proud; a Herder, a Wieland, with their brethren; and one wall now
+encloses me and them. What excellencies are in Weimar! In this city,
+at least in this territory, I mean to settle for life, and at length
+once more to get a country.'
+
+ [Footnote 17: Doering says, 'Goethe was at this time absent
+ in Italy;' an error, as will by and by appear.]
+
+So occupied and so intentioned, he continued to reside at Weimar. Some
+months after his arrival, he received an invitation from his early
+patroness and kind protectress, Madam von Wolzogen, to come and visit
+her at Bauerbach. Schiller went accordingly to this his ancient city
+of refuge; he again found all the warm hospitality, which he had of
+old experienced when its character could less be mistaken; but his
+excursion thither produced more lasting effects than this. At
+Rudolstadt, where he stayed for a time on occasion of this journey, he
+met with a new friend. It was here that he first saw the Fraeulein
+Lengefeld, a lady whose attractions made him loth to leave
+Rudolstadt, and eager to return.
+
+Next year he did return; he lived from May till November there or in
+the neighbourhood. He was busy as usual, and he visited the Lengefeld
+family almost every day. Schiller's views on marriage, his longing for
+'a civic and domestic existence,' we already know. 'To be united with
+a person,' he had said, 'that shares our sorrows and our joys, that
+responds to our feelings, that moulds herself so pliantly, so closely
+to our humours; reposing on her calm and warm affection, to relax our
+spirit from a thousand distractions, a thousand wild wishes and
+tumultuous passions; to dream away all the bitterness of fortune, in
+the bosom of domestic enjoyment; this the true delight of life.' Some
+years had elapsed since he expressed these sentiments, which time had
+confirmed, not weakened: the presence of the Fraeulein Lengefeld awoke
+them into fresh activity. He loved this lady; the return of love, with
+which she honoured him, diffused a sunshine over all his troubled
+world; and, if the wish of being hers excited more impatient thoughts
+about the settlement of his condition, it also gave him fresh strength
+to attain it. He was full of occupation, while in Rudolstadt; ardent,
+serious, but not unhappy. His literary projects were proceeding as
+before; and, besides the enjoyment of virtuous love, he had that of
+intercourse with many worthy and some kindred minds.
+
+Among these, the chief in all respects was Goethe. It was during his
+present visit, that Schiller first met with this illustrious person;
+concerning whom, both by reading and report, his expectations had been
+raised so high. No two men, both of exalted genius, could be possessed
+of more different sorts of excellence, than the two that were now
+brought together, in a large company of their mutual friends. The
+English reader may form some approximate conception of the contrast,
+by figuring an interview between Shakspeare and Milton. How gifted,
+how diverse in their gifts! The mind of the one plays calmly, in its
+capricious and inimitable graces, over all the provinces of human
+interest; the other concentrates powers as vast, but far less various,
+on a few subjects; the one is catholic, the other is sectarian. The
+first is endowed with an all-comprehending spirit; skilled, as if by
+personal experience, in all the modes of human passion and opinion;
+therefore, tolerant of all; peaceful, collected; fighting for no class
+of men or principles; rather looking on the world, and the various
+battles waging in it, with the quiet eye of one already reconciled to
+the futility of their issues; but pouring over all the forms of
+many-coloured life the light of a deep and subtle intellect, and the
+decorations of an overflowing fancy; and allowing men and things of
+every shape and hue to have their own free scope in his conception, as
+they have it in the world where Providence has placed them. The other
+is earnest, devoted; struggling with a thousand mighty projects of
+improvement; feeling more intensely as he feels more narrowly;
+rejecting vehemently, choosing vehemently; at war with the one half of
+things, in love with the other half; hence dissatisfied, impetuous,
+without internal rest, and scarcely conceiving the possibility of such
+a state. Apart from the difference of their opinions and mental
+culture, Shakspeare and Milton seem to have stood in some such
+relation as this to each other, in regard to the primary structure of
+their minds. So likewise, in many points, was it with Goethe and
+Schiller. The external circumstances of the two were, moreover, such
+as to augment their several peculiarities. Goethe was in his
+thirty-ninth year; and had long since found his proper rank and
+settlement in life. Schiller was ten years younger, and still without
+a fixed destiny; on both of which accounts, his fundamental scheme of
+thought, the principles by which he judged and acted, and maintained
+his individuality, although they might be settled, were less likely to
+be sobered and matured. In these circumstances we can hardly wonder
+that on Schiller's part the first impression was not very pleasant.
+Goethe sat talking of Italy, and art, and travelling, and a thousand
+other subjects, with that flow of brilliant and deep sense, sarcastic
+humour, knowledge, fancy and good nature, which is said to render him
+the best talker now alive.[18] Schiller looked at him in quite a
+different mood; he felt his natural constraint increased under the
+influence of a man so opposite in character, so potent in resources,
+so singular and so expert in using them; a man whom he could not agree
+with, and knew not how to contradict. Soon after their interview, he
+thus writes:
+
+'On the whole, this personal meeting has not at all diminished the
+idea, great as it was, which I had previously formed of Goethe; but I
+doubt whether we shall ever come into any close communication with
+each other. Much that still interests me has already had its epoch
+with him. His whole nature is, from its very origin, otherwise
+constructed than mine; his world is not my world; our modes of
+conceiving things appear to be essentially different. From such a
+combination, no secure, substantial intimacy can result. Time will
+try.'
+
+ [Footnote 18: 1825.]
+
+The aid of time was not, in fact, unnecessary. On the part of Goethe
+there existed prepossessions no less hostile; and derived from sources
+older and deeper than the present transitory meeting, to the
+discontents of which they probably contributed. He himself has lately
+stated them with his accustomed frankness and good humour, in a
+paper, part of which some readers may peruse with an interest more
+than merely biographical.
+
+'On my return from Italy,' he says, 'where I had been endeavouring to
+train myself to greater purity and precision in all departments of
+art, not heeding what meanwhile was going on in Germany, I found here
+some older and some more recent works of poetry, enjoying high esteem
+and wide circulation, while unhappily their character to me was
+utterly offensive. I shall only mention Heinse's _Ardinghello_ and
+Schiller's _Robbers_. The first I hated for its having undertaken to
+exhibit sensuality and mystical abstruseness, ennobled and supported
+by creative art: the last, because in it, the very paradoxes moral and
+dramatic, from which I was struggling to get liberated, had been laid
+hold of by a powerful though an immature genius, and poured in a
+boundless rushing flood over all our country.
+
+'Neither of these gifted individuals did I blame for what he had
+performed or purposed: it is the nature and the privilege of every
+mortal to attempt working in his own peculiar way; he attempts it
+first without culture, scarcely with the consciousness of what he is
+about; and continues it with consciousness increasing as his culture
+increases; whereby it happens that so many exquisite and so many
+paltry things are to be found circulating in the world, and one
+perplexity is seen to rise from the ashes of another.
+
+'But the rumour which these strange productions had excited over
+Germany, the approbation paid to them by every class of persons, from
+the wild student to the polished court-lady, frightened me; for I now
+thought all my labour was to prove in vain; the objects, and the way
+of handling them, to which I had been exercising all my powers,
+appeared as if defaced and set aside. And what grieved me still more
+was, that all the friends connected with me, Heinrich Meyer and
+Moritz, as well as their fellow-artists Tischbein and Bury, seemed in
+danger of the like contagion. I was much hurt. Had it been possible, I
+would have abandoned the study of creative art, and the practice of
+poetry altogether; for where was the prospect of surpassing those
+performances of genial worth and wild form, in the qualities which
+recommended them? Conceive my situation. It had been my object and my
+task to cherish and impart the purest exhibitions of poetic art; and
+here was I hemmed in between Ardinghello and Franz von Moor!
+
+'It happened also about this time that Moritz returned from Italy, and
+stayed with me awhile; during which, he violently confirmed himself
+and me in these persuasions. I avoided Schiller, who was now at
+Weimar, in my neighbourhood. The appearance of _Don Carlos_ was not
+calculated to approximate us; the attempts of our common friends I
+resisted; and thus we still continued to go on our way apart.'
+
+By degrees, however, both parties found that they had been mistaken.
+The course of accidents brought many things to light, which had been
+hidden; the true character of each became unfolded more and more
+completely to the other; and the cold, measured tribute of respect was
+on both sides animated and exalted by feelings of kindness, and
+ultimately of affection. Ere long, Schiller had by gratifying proofs
+discovered that 'this Goethe was a very worthy man;' and Goethe, in
+his love of genius, and zeal for the interests of literature, was
+performing for Schiller the essential duties of a friend, even while
+his personal repugnance continued unabated.
+
+A strict similarity of characters is not necessary, or perhaps very
+favourable, to friendship. To render it complete, each party must no
+doubt be competent to understand the other; both must be possessed of
+dispositions kindred in their great lineaments: but the pleasure of
+comparing our ideas and emotions is heightened, when there is
+'likeness in unlikeness.' _The same sentiments, different opinions_,
+Rousseau conceives to be the best material of friendship: reciprocity
+of kind words and actions is more effectual than all. Luther loved
+Melancthon; Johnson was not more the friend of Edmund Burke than of
+poor old Dr. Levitt. Goethe and Schiller met again; as they ultimately
+came to live together, and to see each other oftener, they liked each
+other better; they became associates, friends; and the harmony of
+their intercourse, strengthened by many subsequent communities of
+object, was never interrupted, till death put an end to it. Goethe, in
+his time, has done many glorious things; but few on which he should
+look back with greater pleasure than his treatment of Schiller.
+Literary friendships are said to be precarious, and of rare
+occurrence: the rivalry of interest disturbs their continuance; a
+rivalry greater, where the subject of competition is one so vague,
+impalpable and fluctuating, as the favour of the public; where the
+feeling to be gratified is one so nearly allied to vanity, the most
+irritable, arid and selfish feeling of the human heart. Had Goethe's
+prime motive been the love of fame, he must have viewed with
+repugnance, not the misdirection but the talents of the rising genius,
+advancing with such rapid strides to dispute with him the palm of
+intellectual primacy, nay as the million thought, already in
+possession of it; and if a sense of his own dignity had withheld him
+from offering obstructions, or uttering any whisper of discontent,
+there is none but a truly patrician spirit that would cordially have
+offered aid. To being secretly hostile and openly indifferent, the
+next resource was to enact the patron; to solace vanity, by helping
+the rival whom he could not hinder, and who could do without his help.
+Goethe adopted neither of these plans. It reflects much credit on him
+that he acted as he did. Eager to forward Schiller's views by exerting
+all the influence within his power, he succeeded in effecting this;
+and what was still more difficult, in suffering the character of
+benefactor to merge in that of equal. They became not friends only,
+but fellow-labourers: a connection productive of important
+consequences in the history of both, particularly of the younger and
+more undirected of the two.
+
+
+Meanwhile the _History of the Revolt of the United Netherlands_ was in
+part before the world; the first volume came out in 1788. Schiller's
+former writings had given proofs of powers so great and various, such
+an extent of general intellectual strength, and so deep an
+acquaintance, both practical and scientific, with the art of
+composition, that in a subject like history, no ordinary work was to
+be looked for from his hands. With diligence in accumulating
+materials, and patient care in elaborating them, he could scarcely
+fail to attain distinguished excellence. The present volume was well
+calculated to fulfil such expectations. The _Revolt of the
+Netherlands_ possesses all the common requisites of a good history,
+and many which are in some degree peculiar to itself. The information
+it conveys is minute and copious; we have all the circumstances of the
+case, remote and near, set distinctly before us. Yet, such is the
+skill of the arrangement, these are at once briefly and impressively
+presented. The work is not stretched out into a continuous narrative;
+but gathered up into masses, which are successively exhibited to view,
+the minor facts being grouped around some leading one, to which, as
+to the central object, our attention is chiefly directed. This method
+of combining the details of events, of proceeding as it were, _per
+saltum_, from eminence to eminence, and thence surveying the
+surrounding scene, is undoubtedly the most philosophical of any: but
+few men are equal to the task of effecting it rightly. It must be
+executed by a mind able to look on all its facts at once; to
+disentangle their perplexities, referring each to its proper head; and
+to choose, often with extreme address, the station from which the
+reader is to view them. Without this, or with this inadequately done,
+a work on such a plan would be intolerable. Schiller has accomplished
+it in great perfection; the whole scene of affairs was evidently clear
+before his own eye, and he did not want expertness to discriminate and
+seize its distinctive features. The bond of cause and consequence he
+never loses sight of; and over each successive portion of his
+narrative he pours that flood of intellectual and imaginative
+brilliancy, which all his prior writings had displayed. His
+reflections, expressed or implied, are the fruit of strong,
+comprehensive, penetrating thought. His descriptions are vivid; his
+characters are studied with a keen sagacity, and set before us in
+their most striking points of view; those of Egmont and Orange occur
+to every reader as a rare union of perspicacity and eloquence. The
+work has a look of order; of beauty joined to calm reposing force. Had
+it been completed, it might have ranked as the very best of Schiller's
+prose compositions. But no second volume ever came to light; and the
+first concludes at the entrance of Alba into Brussels. Two fragments
+alone, the _Siege of Antwerp_, and the _Passage of Alba's Army_, both
+living pictures, show us still farther what he might have done had he
+proceeded. The surpassing and often highly-picturesque movements of
+this War, the devotedness of the Dutch, their heroic achievement of
+liberty, were not destined to be painted by the glowing pen of
+Schiller, whose heart and mind were alike so qualified to do them
+justice.[19]
+
+ [Footnote 19: If we mistake not, Madame de Stael, in her
+ _Revolution Francaise_, had this performance of Schiller's in
+ her eye. Her work is constructed on a similar though a rather
+ looser plan of arrangement: the execution of it bears the
+ same relation to that of Schiller; it is less irregular; more
+ ambitious in its rhetoric; inferior in precision, though
+ often not in force of thought and imagery.]
+
+The accession of reputation, which this work procured its author, was
+not the only or the principal advantage he derived from it. Eichhorn,
+Professor of History, was at this time about to leave the University
+of Jena: Goethe had already introduced his new acquaintance Schiller
+to the special notice of Amelia, the accomplished Regent of
+Sachsen-Weimar; he now joined with Voigt, the head Chaplain of the
+Court, in soliciting the vacant chair for him. Seconded by the general
+voice, and the persuasion of the Princess herself, he succeeded.
+Schiller was appointed Professor at Jena; he went thither in 1789.
+
+
+With Schiller's removal to Jena begins a new epoch in his public and
+private life. His connexion with Goethe here first ripened into
+friendship, and became secured and cemented by frequency of
+intercourse.[20] Jena is but a few miles distant from Weimar; and the
+two friends, both settled in public offices belonging to the same
+Government, had daily opportunities of interchanging visits.
+Schiller's wanderings were now concluded: with a heart tired of so
+fluctuating an existence, but not despoiled of its capacity for
+relishing a calmer one; with a mind experienced by much and varied
+intercourse with men; full of knowledge and of plans to turn it to
+account, he could now repose himself in the haven of domestic
+comforts, and look forward to days of more unbroken exertion, and more
+wholesome and permanent enjoyment than hitherto had fallen to his lot.
+In the February following his settlement at Jena, he obtained the hand
+of Fraeulein Lengefeld; a happiness, with the prospect of which he had
+long associated all the pleasures which he hoped for from the future.
+A few months after this event, he thus expresses himself, in writing
+to a friend:
+
+'Life is quite a different thing by the side of a beloved wife, than
+so forsaken and alone; even in Summer. Beautiful Nature! I now for the
+first time fully enjoy it, live in it. The world again clothes itself
+around me in poetic forms; old feelings are again awakening in my
+breast. What a life I am leading here! I look with a glad mind around
+me; my heart finds a perennial contentment without it; my spirit so
+fine, so refreshing a nourishment. My existence is settled in
+harmonious composure; not strained and impassioned, but peaceful and
+clear. I look to my future destiny with a cheerful heart; now when
+standing at the wished-for goal, I wonder with myself how it all has
+happened, so far beyond my expectations. Fate has conquered the
+difficulties for me; it has, I may say, forced me to the mark. From
+the future I expect everything. A few years, and I shall live in the
+full enjoyment of my spirit; nay, I think my very youth will be
+renewed; an inward poetic life will give it me again.'
+
+ [Footnote 20: The obstacles to their union have already been
+ described in the words of Goethe; the steps by which these
+ were surmounted, are described by him in the same paper with
+ equal minuteness and effect. It is interesting, but cannot be
+ inserted here. See Appendix I., No. 3.]
+
+To what extent these smiling hopes were realised will be seen in the
+next and concluding Part of this Biography.
+
+
+
+
+ PART III.
+
+ FROM HIS SETTLEMENT AT JENA TO HIS DEATH.
+
+ (1790-1805.)
+
+
+
+
+ PART THIRD.
+
+ [1790-1805.]
+
+
+The duties of his new office naturally called upon Schiller to devote
+himself with double zeal to History: a subject, which from choice he
+had already entered on with so much eagerness. In the study of it, we
+have seen above how his strongest faculties and tastes were exercised
+and gratified: and new opportunities were now combined with new
+motives for persisting in his efforts. Concerning the plan or the
+success of his academical prelections, we have scarcely any notice: in
+his class, it is said, he used most frequently to speak extempore; and
+his delivery was not distinguished by fluency or grace, a circumstance
+to be imputed to the agitation of a public appearance; for, as
+Woltmann assures us, 'the beauty, the elegance, ease, and true
+instructiveness with which he could continuously express himself in
+private, were acknowledged and admired by all his friends.' His
+matter, we suppose, would make amends for these deficiencies of
+manner: to judge from his introductory lecture, preserved in his
+works, with the title, _What is Universal History, and with what views
+should it be studied_, there perhaps has never been in Europe another
+course of history sketched out on principles so magnificent and
+philosophical.[21] But college exercises were far from being his
+ultimate object, nor did he rest satisfied with mere visions of
+perfection: the compass of the outline he had traced, for a proper
+Historian, was scarcely greater than the assiduity with which he
+strove to fill it up. His letters breathe a spirit not only of
+diligence but of ardour; he seems intent with all his strength upon
+this fresh pursuit; and delighted with the vast prospects of untouched
+and attractive speculation, which were opening around him on every
+side. He professed himself to be 'exceedingly contented with his
+business;' his ideas on the nature of it were acquiring both extension
+and distinctness; and every moment of his leisure was employed in
+reducing them to practice. He was now busied with the _History of the
+Thirty-Years War_.
+
+ [Footnote 21: The paper entitled _Hints on the Origin of
+ Human Society, as indicated in the Mosaic Records_, the
+ _Mission of Moses_, the _Laws of Solon and Lycurgus_, are
+ pieces of the very highest order; full of strength and
+ beauty; delicious to the lovers of that plastic philosophy,
+ which employs itself in giving form and life to the 'dry
+ bones' of those antique events, that lie before us so
+ inexplicable in the brief and enigmatic pages of their
+ chroniclers. The _Glance over Europe at the period of the
+ first Crusade_; the _Times of the Emperor Frederick I._; the
+ _Troubles in France_, are also masterly sketches, in a
+ simpler and more common style.]
+
+This work, which appeared in 1791, is considered by the German critics
+as his chief performance in this department of literature: _The Revolt
+of the Netherlands_, the only one which could have vied with it, never
+was completed; otherwise, in our opinion, it might have been superior.
+Either of the two would have sufficed to secure for Schiller a
+distinguished rank among historians, of the class denominated
+philosophical; though even both together, they afford but a feeble
+exemplification of the ideas which he entertained on the manner of
+composing history. In his view, the business of history is not merely
+to record, but to interpret; it involves not only a clear conception
+and a lively exposition of events and characters, but a sound,
+enlightened theory of individual and national morality, a general
+philosophy of human life, whereby to judge of them, and measure their
+effects. The historian now stands on higher ground, takes in a wider
+range than those that went before him; he can now survey vast tracts
+of human action, and deduce its laws from an experience extending over
+many climes and ages. With his ideas, moreover, his feelings ought to
+be enlarged: he should regard the interests not of any sect or state,
+but of mankind; the progress not of any class of arts or opinions, but
+of universal happiness and refinement. His narrative, in short, should
+be moulded according to the science, and impregnated with the liberal
+spirit of his time.
+
+Voltaire is generally conceived to have invented and introduced a new
+method of composing history; the chief historians that have followed
+him have been by way of eminence denominated philosophical. This is
+hardly correct. Voltaire wrote history with greater talent, but
+scarcely with a new species of talent: he applied the ideas of the
+eighteenth century to the subject; but in this there was nothing
+radically new. In the hands of a thinking writer history has always
+been 'philosophy teaching by experience;' that is, such philosophy as
+the age of the historian has afforded. For a Greek or Roman, it was
+natural to look upon events with an eye to their effect on his own
+city or country; and to try them by a code of principles, in which the
+prosperity or extension of this formed a leading object. For a monkish
+chronicler, it was natural to estimate the progress of affairs by the
+number of abbeys founded; the virtue of men by the sum-total of
+donations to the clergy. And for a thinker of the present day, it is
+equally natural to measure the occurrences of history by quite a
+different standard: by their influence upon the general destiny of
+man, their tendency to obstruct or to forward him in his advancement
+towards liberty, knowledge, true religion and dignity of mind. Each
+of these narrators simply measures by the scale which is considered
+for the time as expressing the great concerns and duties of humanity.
+
+Schiller's views on this matter were, as might have been expected, of
+the most enlarged kind. 'It seems to me,' said he in one of his
+letters, 'that in writing history for the moderns, we should try to
+communicate to it such an interest as the History of the Peloponnesian
+War had for the Greeks. Now this is the problem: to choose and arrange
+your materials so that, to interest, they shall not need the aid of
+decoration. We moderns have a source of interest at our disposal,
+which no Greek or Roman was acquainted with, and which the _patriotic_
+interest does not nearly equal. This last, in general, is chiefly of
+importance for unripe nations, for the youth of the world. But we may
+excite a very different sort of interest if we represent each
+remarkable occurrence that happened to _men_ as of importance to
+_man_. It is a poor and little aim to write for one nation; a
+philosophic spirit cannot tolerate such limits, cannot bound its views
+to a form of human nature so arbitrary, fluctuating, accidental. The
+most powerful nation is but a fragment; and thinking minds will not
+grow warm on its account, except in so far as this nation or its
+fortunes have been influential on the progress of the species.'
+
+That there is not some excess in this comprehensive cosmopolitan
+philosophy, may perhaps be liable to question. Nature herself has,
+wisely no doubt, partitioned us into 'kindreds, and nations, and
+tongues:' it is among our instincts to grow warm in behalf of our
+country, simply for its own sake; and the business of Reason seems to
+be to chasten and direct our instincts, never to destroy them. We
+require individuality in our attachments: the sympathy which is
+expanded over all men will commonly be found so much attenuated by
+the process, that it cannot be effective on any. And as it is in
+nature, so it is in art, which ought to be the image of it. Universal
+philanthropy forms but a precarious and very powerless rule of
+conduct; and the 'progress of the species' will turn out equally
+unfitted for deeply exciting the imagination. It is not with freedom
+that we can sympathise, but with free men. There ought, indeed, to be
+in history a spirit superior to petty distinctions and vulgar
+partialities; our particular affections ought to be enlightened and
+purified; but they should not be abandoned, or, such is the condition
+of humanity, our feelings must evaporate and fade away in that extreme
+diffusion. Perhaps, in a certain sense, the surest mode of pleasing
+and instructing all nations _is_ to write for one.
+
+This too Schiller was aware of, and had in part attended to. Besides,
+the Thirty-Years War is a subject in which nationality of feeling may
+be even wholly spared, better than in almost any other. It is not a
+German but a European subject; it forms the concluding portion of the
+Reformation, and this is an event belonging not to any country in
+particular, but to the human race. Yet, if we mistake not, this
+over-tendency to generalisation, both in thought and sentiment, has
+rather hurt the present work. The philosophy, with which it is embued,
+now and then grows vague from its abstractness, ineffectual from its
+refinement: the enthusiasm which pervades it, elevated, strong,
+enlightened, would have told better on our hearts, had it been
+confined within a narrower space, and directed to a more specific
+class of objects. In his extreme attention to the philosophical
+aspects of the period, Schiller has neglected to take advantage of
+many interesting circumstances, which it offered under other points of
+view. The Thirty-Years War abounds with what may be called
+picturesqueness in its events, and still more in the condition of the
+people who carried it on. Harte's _History of Gustavus_, a wilderness
+which mere human patience seems unable to explore, is yet enlivened
+here and there with a cheerful spot, when he tells us of some scalade
+or camisado, or speculates on troopers rendered bullet-proof by
+art-magic. His chaotic records have, in fact, afforded to our Novelist
+the raw materials of Dugald Dalgetty, a cavalier of the most singular
+equipment, of character and manners which, for many reasons, merit
+study and description. To much of this, though, as he afterwards
+proved, it was well known to him, Schiller paid comparatively small
+attention; his work has lost in liveliness by the omission, more than
+it has gained in dignity or instructiveness.
+
+Yet, with all its imperfections, this is no ordinary history. The
+speculation, it is true, is not always of the kind we wish; it
+excludes more moving or enlivening topics, and sometimes savours of
+the inexperienced theorist who had passed his days remote from
+practical statesmen; the subject has not sufficient unity; in spite of
+every effort, it breaks into fragments towards the conclusion: but
+still there is an energy, a vigorous beauty in the work, which far
+more than redeems its failings. Great thoughts at every turn arrest
+our attention, and make us pause to confirm or contradict them; happy
+metaphors,[22] some vivid descriptions of events and men, remind us of
+the author of _Fiesco_ and _Don Carlos_. The characters of Gustavus
+and Wallenstein are finely developed in the course of the narrative.
+Tilly's passage of the Lech, the battles of Leipzig and Luetzen figure
+in our recollection, as if our eyes had witnessed them: the death of
+Gustavus is described in terms which might draw 'iron tears' from the
+eyes of veterans.[23] If Schiller had inclined to dwell upon the mere
+visual or imaginative department of his subject, no man could have
+painted it more graphically, or better called forth our emotions,
+sympathetic or romantic. But this, we have seen, was not by any means
+his leading aim.
+
+ [Footnote 22: Yet we scarcely meet with one so happy as that
+ in the _Revolt of the Netherlands_, where he finishes his
+ picture of the gloomy silence and dismay that reigned in
+ Brussels on the first entrance of Alba, by this striking
+ simile: 'Now that the City had received the Spanish General
+ within its walls, it had the air as of a man that has drunk a
+ cup of poison, and with shuddering expectation watches, every
+ moment, for its deadly agency.']
+
+ [Footnote 23: See Appendix I., No. 4.]
+
+On the whole, the present work is still the best historical
+performance which Germany can boast of. Mueller's histories are
+distinguished by merits of another sort; by condensing, in a given
+space, and frequently in lucid order, a quantity of information,
+copious and authentic beyond example: but as intellectual productions,
+they cannot rank with Schiller's. Woltmann of Berlin has added to the
+_Thirty-Years War_ another work of equal size, by way of continuation,
+entitled _History of the Peace of Munster_; with the first
+negotiations of which treaty the former concludes. Woltmann is a
+person of ability; but we dare not say of him, what Wieland said of
+Schiller, that by his first historical attempt he 'has discovered a
+decided capability of rising to a level with Hume, Robertson and
+Gibbon.' He will rather rise to a level with Belsham or Smollett.
+
+
+This first complete specimen of Schiller's art in the historical
+department, though but a small fraction of what he meant to do, and
+could have done, proved in fact to be the last he ever undertook. At
+present very different cares awaited him: in 1791, a fit of sickness
+overtook him; he had to exchange the inspiring labours of literature
+for the disgusts and disquietudes of physical disease. His disorder,
+which had its seat in the chest, was violent and threatening; and
+though nature overcame it in the present instance, the blessing of
+entire health never more returned to him. The cause of this severe
+affliction seemed to be the unceasing toil and anxiety of mind, in
+which his days had hitherto been passed: his frame, which, though
+tall, had never been robust, was too weak for the vehement and
+sleepless soul that dwelt within it; and the habit of nocturnal study
+had, no doubt, aggravated all the other mischiefs. Ever since his
+residence at Dresden, his constitution had been weakened: but this
+rude shock at once shattered its remaining strength; for a time the
+strictest precautions were required barely to preserve existence. A
+total cessation from every intellectual effort was one of the most
+peremptory laws prescribed to him. Schiller's habits and domestic
+circumstances equally rebelled against this measure; with a beloved
+wife depending on him for support, inaction itself could have procured
+him little rest. His case seemed hard; his prospects of innocent
+felicity had been too banefully obscured. Yet in this painful and
+difficult position, he did not yield to despondency; and at length,
+assistance, and partial deliverance, reached him from a very
+unexpected quarter. Schiller had not long been sick, when the
+hereditary Prince, now reigning Duke of Holstein-Augustenburg, jointly
+with the Count Von Schimmelmann, conferred on him a pension of a
+thousand crowns for three years.[24] No stipulation was added, but
+merely that he should be careful of his health, and use every
+attention to recover. This speedy and generous aid, moreover, was
+presented with a delicate politeness, which, as Schiller said, touched
+him more than even the gift itself. We should remember this Count and
+this Duke; they deserve some admiration and some envy.
+
+ [Footnote 24: It was to Denmark likewise that Klopstock owed
+ the means of completing his _Messias_.]
+
+This disorder introduced a melancholy change into Schiller's
+circumstances: he had now another enemy to strive with, a secret and
+fearful impediment to vanquish, in which much resolute effort must be
+sunk without producing any positive result. Pain is not entirely
+synonymous with Evil; but bodily pain seems less redeemed by good than
+almost any other kind of it. From the loss of fortune, of fame, or
+even of friends, Philosophy pretends to draw a certain compensating
+benefit; but in general the permanent loss of health will bid defiance
+to her alchymy. It is a universal diminution; the diminution equally
+of our resources and of our capacity to guide them; a penalty
+unmitigated, save by love of friends, which then first becomes truly
+dear and precious to us; or by comforts brought from beyond this
+earthly sphere, from that serene Fountain of peace and hope, to which
+our weak Philosophy cannot raise her wing. For all men, in itself,
+disease is misery; but chiefly for men of finer feelings and
+endowments, to whom, in return for such superiorities, it seems to be
+sent most frequently and in its most distressing forms. It is a cruel
+fate for the poet to have the sunny land of his imagination, often the
+sole territory he is lord of, disfigured and darkened by the shades of
+pain; for one whose highest happiness is the exertion of his mental
+faculties, to have them chained and paralysed in the imprisonment of a
+distempered frame. With external activity, with palpable pursuits,
+above all, with a suitable placidity of nature, much even in certain
+states of sickness may be performed and enjoyed. But for him whose
+heart is already over-keen, whose world is of the mind, ideal,
+internal; when the mildew of lingering disease has struck that world,
+and begun to blacken and consume its beauty, nothing seems to remain
+but despondency and bitterness and desolate sorrow, felt and
+anticipated, to the end.
+
+Woe to him if his will likewise falter, if his resolution fail, and
+his spirit bend its neck to the yoke of this new enemy! Idleness and a
+disturbed imagination will gain the mastery of him, and let loose
+their thousand fiends to harass him, to torment him into madness.
+Alas! the bondage of Algiers is freedom compared with this of the sick
+man of genius, whose heart has fainted and sunk beneath its load. His
+clay dwelling is changed into a gloomy prison; every nerve is become
+an avenue of disgust or anguish; and the soul sits within, in her
+melancholy loneliness, a prey to the spectres of despair, or stupefied
+with excess of suffering, doomed as it were to a 'life in death,' to a
+consciousness of agonised existence, without the consciousness of
+power which should accompany it. Happily, death, or entire fatuity, at
+length puts an end to such scenes of ignoble misery; which, however,
+ignoble as they are, we ought to view with pity rather than contempt.
+
+Such are frequently the fruits of protracted sickness, in men
+otherwise of estimable qualities and gifts, but whose sensibility
+exceeds their strength of mind. In Schiller, its worst effects were
+resisted by the only availing antidote, a strenuous determination to
+neglect them. His spirit was too vigorous and ardent to yield even in
+this emergency: he disdained to dwindle into a pining valetudinarian;
+in the midst of his infirmities, he persevered with unabated zeal in
+the great business of his life. As he partially recovered, he returned
+as strenuously as ever to his intellectual occupations; and often, in
+the glow of poetical conception, he almost forgot his maladies. By
+such resolute and manly conduct, he disarmed sickness of its cruelest
+power to wound; his frame might be in pain, but his spirit retained
+its force, unextinguished, almost unimpeded; he did not lose his
+relish for the beautiful, the grand, or the good, in any of their
+shapes; he loved his friends as formerly, and wrote his finest and
+sublimest works when his health was gone. Perhaps no period of his
+life displayed more heroism than the present one.
+
+After this severe attack, and the kind provision which he had received
+from Denmark, Schiller seems to have relaxed his connexion with the
+University of Jena: the weightiest duties of his class appear to have
+been discharged by proxy, and his historical studies to have been
+forsaken. Yet this was but a change, not an abatement, in the activity
+of his mind. Once partially free from pain, all his former diligence
+awoke; and being also free from the more pressing calls of duty and
+economy, he was now allowed to turn his attention to objects which
+attracted it more. Among these one of the most alluring was the
+Philosophy of Kant.
+
+The transcendental system of the Koenigsberg Professor had, for the
+last ten years, been spreading over Germany, which it had now filled
+with the most violent contentions. The powers and accomplishments of
+Kant were universally acknowledged; the high pretensions of his
+system, pretensions, it is true, such as had been a thousand times put
+forth, a thousand times found wanting, still excited notice, when so
+backed by ability and reputation. The air of mysticism connected with
+these doctrines was attractive to the German mind, with which the
+vague and the vast are always pleasing qualities; the dreadful array
+of first principles, the forest huge of terminology and definitions,
+where the panting intellect of weaker men wanders as in pathless
+thickets, and at length sinks powerless to the earth, oppressed with
+fatigue, and suffocated with scholastic miasma, seemed sublime rather
+than appalling to the Germans; men who shrink not at toil, and to
+whom a certain degree of darkness appears a native element, essential
+for giving play to that deep meditative enthusiasm which forms so
+important a feature in their character. Kant's Philosophy,
+accordingly, found numerous disciples, and possessed them with a zeal
+unexampled since the days of Pythagoras. This, in fact, resembled
+spiritual fanaticism rather than a calm ardour in the cause of
+science; Kant's warmest admirers seemed to regard him more in the
+light of a prophet than of a mere earthly sage. Such admiration was of
+course opposed by corresponding censure; the transcendental neophytes
+had to encounter sceptical gainsayers as determined as themselves. Of
+this latter class the most remarkable were Herder and Wieland. Herder,
+then a clergyman of Weimar, seems never to have comprehended what he
+fought against so keenly: he denounced and condemned the Kantean
+metaphysics, because he found them heterodox. The young divines came
+back from the University of Jena with their minds well nigh delirious;
+full of strange doctrines, which they explained to the examinators of
+the Weimar Consistorium in phrases that excited no idea in the heads
+of these reverend persons, but much horror in their hearts.[25] Hence
+reprimands, and objurgations, and excessive bitterness between the
+applicants for ordination and those appointed to confer it: one young
+clergyman at Weimar shot himself on this account; heresy, and jarring,
+and unprofitable logic, were universal. Hence Herder's vehement
+attacks on this 'pernicious quackery;' this delusive and destructive
+'system of words.'[26] Wieland strove against it for another reason.
+He had, all his life, been labouring to give currency among his
+countrymen to a species of diluted epicurism; to erect a certain
+smooth, and elegant, and very slender scheme of taste and morals,
+borrowed from our Shaftesbury and the French. All this feeble edifice
+the new doctrine was sweeping before it to utter ruin, with the
+violence of a tornado. It grieved Wieland to see the work of half a
+century destroyed: he fondly imagined that but for Kant's philosophy
+it might have been perennial. With scepticism quickened into action by
+such motives, Herder and he went forth as brother champions against
+the transcendental metaphysics; they were not long without a multitude
+of hot assailants. The uproar produced among thinking men by the
+conflict, has scarcely been equalled in Germany since the days of
+Luther. Fields were fought, and victories lost and won; nearly all the
+minds of the nation were, in secret or openly, arrayed on this side or
+on that. Goethe alone seemed altogether to retain his wonted
+composure; he was clear for allowing the Kantean scheme to 'have its
+day, as all things have.' Goethe has already lived to see the wisdom
+of this sentiment, so characteristic of his genius and turn of
+thought.
+
+ [Footnote 25: Schelling has a book on the 'Soul of the
+ World:' Fichte's expression to his students, "Tomorrow,
+ gentlemen, I shall create God," is known to most readers.]
+
+ [Footnote 26: See _Herder's Leben_, by his Widow. That Herder
+ was not usually troubled with any unphilosophical scepticism,
+ or aversion to novelty, may be inferred from his patronising
+ Dr. Gall's system of Phrenology, or 'Skull-doctrine' as they
+ call it in Germany. But Gall had referred with acknowledgment
+ and admiration to the _Philosophie der Geschichte der
+ Menschheit_. Here lay a difference.]
+
+In these controversies, soon pushed beyond the bounds of temperate or
+wholesome discussion, Schiller took no part: but the noise they made
+afforded him a fresh inducement to investigate a set of doctrines, so
+important in the general estimation. A system which promised, even
+with a very little plausibility, to accomplish all that Kant asserted
+his complete performance of; to explain the difference between Matter
+and Spirit, to unravel the perplexities of Necessity and Free-will;
+to show us the true grounds of our belief in God, and what hope nature
+gives us of the soul's immortality; and thus at length, after a
+thousand failures, to interpret the enigma of our being,--hardly
+needed that additional inducement to make such a man as Schiller grasp
+at it with eager curiosity. His progress also was facilitated by his
+present circumstances; Jena had now become the chief well-spring of
+Kantean doctrine, a distinction or disgrace it has ever since
+continued to deserve. Reinhold, one of Kant's ablest followers, was at
+this time Schiller's fellow-teacher and daily companion: he did not
+fail to encourage and assist his friend in a path of study, which, as
+he believed, conducted to such glorious results. Under this tuition,
+Schiller was not long in discovering, that at least the 'new
+philosophy was more poetical than that of Leibnitz, and had a grander
+character;' persuasions which of course confirmed him in his
+resolution to examine it.
+
+How far Schiller penetrated into the arcana of transcendentalism it is
+impossible for us to say. The metaphysical and logical branches of it
+seem to have afforded him no solid satisfaction, or taken no firm hold
+of his thoughts; their influence is scarcely to be traced in any of
+his subsequent writings. The only department to which he attached
+himself with his ordinary zeal was that which relates to the
+principles of the imitative arts, with their moral influences, and
+which in the Kantean nomenclature has been designated by the term
+_AEsthetics_,[27] or the doctrine of sentiments and emotions. On these
+subjects he had already amassed a multitude of thoughts; to see which
+expressed by new symbols, and arranged in systematic form, and held
+together by some common theory, would necessarily yield enjoyment to
+his intellect, and inspire him with fresh alacrity in prosecuting
+such researches. The new light which dawned, or seemed to dawn, upon
+him, in the course of these investigations, is reflected, in various
+treatises, evincing, at least, the honest diligence with which he
+studied, and the fertility with which he could produce. Of these the
+largest and most elaborate are the essays on _Grace and Dignity_; on
+_Naive and Sentimental Poetry_; and the _Letters on the AEsthetic
+Culture of Man_: the other pieces are on _Tragic Art_; on the
+_Pathetic_; on the _Cause of our Delight in Tragic Objects_; on
+_Employing the Low and Common in Art_.
+
+ [Footnote 27: From the verb [Greek: aisthanomai], _to
+ feel_.--The term is Baumgarten's; prior to Kant (1845).]
+
+Being cast in the mould of Kantism, or at least clothed in its
+garments, these productions, to readers unacquainted with that system,
+are encumbered here and there with difficulties greater than belong
+intrinsically to the subject. In perusing them, the uninitiated
+student is mortified at seeing so much powerful thought distorted, as
+he thinks, into such fantastic forms: the principles of reasoning, on
+which they rest, are apparently not those of common logic; a dimness
+and doubt overhangs their conclusions; scarcely anything is proved in
+a convincing manner. But this is no strange quality in such writings.
+To an exoteric reader the philosophy of Kant almost always appears to
+invert the common maxim; its end and aim seem not to be 'to make
+abstruse things simple, but to make simple things abstruse.' Often a
+proposition of inscrutable and dread aspect, when resolutely grappled
+with, and torn from its shady den, and its bristling entrenchments of
+uncouth terminology, and dragged forth into the open light of day, to
+be seen by the natural eye, and tried by merely human understanding,
+proves to be a very harmless truth, familiar to us from of old,
+sometimes so familiar as to be a truism. Too frequently, the anxious
+novice is reminded of Dryden in the _Battle of the Books_: there is a
+helmet of rusty iron, dark, grim, gigantic; and within it, at the
+farthest corner, is a head no bigger than a walnut. These are the
+general errors of Kantean criticism; in the present works, they are by
+no means of the worst or most pervading kind; and there is a
+fundamental merit which does more than counterbalance them. By the aid
+of study, the doctrine set before us can, in general, at length be
+comprehended; and Schiller's fine intellect, recognisable even in its
+masquerade, is ever and anon peering forth in its native form, which
+all may understand, which all must relish, and presenting us with
+passages that show like bright verdant islands in the misty sea of
+metaphysics.
+
+We have been compelled to offer these remarks on Kant's Philosophy;
+but it is right to add that they are the result of only very limited
+acquaintance with the subject. We cannot wish that any influence of
+ours should add a note, however feeble, to the loud and not at all
+melodious cry which has been raised against it in this country. When a
+class of doctrines so involved in difficulties, yet so sanctioned by
+illustrious names, is set before us, curiosity must have a theory
+respecting them, and indolence and other humbler feelings are too
+ready to afford her one. To call Kant's system a laborious dream, and
+its adherents crazy mystics, is a brief method, brief but false. The
+critic, whose philosophy includes the _craziness_ of men like these,
+so easily and smoothly in its formulas, should render thanks to Heaven
+for having gifted him with science and acumen, as few in any age or
+country have been gifted. Meaner men, however, ought to recollect that
+where we do not understand, we should postpone deciding, or, at least,
+keep our decision for our own exclusive benefit. We of England may
+reject this Kantean system, perhaps with reason; but it ought to be on
+other grounds than are yet before us. Philosophy is science, and
+science, as Schiller has observed, cannot always be explained in
+'conversations by the parlour fire,' or in written treatises that
+resemble such. The _cui bono_ of these doctrines may not, it is true,
+be expressible by arithmetical computations: the subject also is
+perplexed with obscurities, and probably with manifold delusions; and
+too often its interpreters with us have been like 'tenebrific stars,'
+that 'did ray out darkness' on a matter itself sufficiently dark. But
+what then? Is the jewel always to be found among the common dust of
+the highway, and always to be estimated by its value in the common
+judgment? It lies embosomed in the depths of the mine; rocks must be
+rent before it can be reached; skilful eyes and hands must separate it
+from the rubbish where it lies concealed, and kingly purchasers alone
+can prize it and buy it. This law of _ostracism_ is as dangerous in
+science as it was of old in politics. Let us not forget that many
+things are true which cannot be demonstrated by the rules of _Watts's
+Logic_; that many truths are valuable, for which no price is given in
+Paternoster Row, and no preferment offered at St. Stephen's! Whoever
+reads these treatises of Schiller with attention, will perceive that
+they depend on principles of an immensely higher and more complex
+character than our 'Essays on Taste,' and our 'Inquiries concerning
+the Freedom of the Will.' The laws of criticism, which it is their
+purpose to establish, are derived from the inmost nature of man; the
+scheme of morality, which they inculcate, soars into a brighter
+region, very far beyond the ken of our 'Utilities' and 'Reflex-senses.'
+They do not teach us 'to judge of poetry and art as we judge of
+dinner,' merely by observing the impressions it produced in us; and
+they _do_ derive the duties and chief end of man from other grounds
+than the philosophy of Profit and Loss. These _Letters on AEsthetic
+Culture_, without the aid of anything which the most sceptical could
+designate as superstition, trace out and attempt to sanction for us a
+system of morality, in which the sublimest feelings of the Stoic and
+the Christian are represented but as stages in our progress to the
+pinnacle of true human grandeur; and man, isolated on this fragment of
+the universe, encompassed with the boundless desolate Unknown, at war
+with Fate, without help or the hope of help, is confidently called
+upon to rise into a calm cloudless height of internal activity and
+peace, and _be_, what he has fondly named himself, the god of this
+lower world. When such are the results, who would not make an effort
+for the steps by which they are attained? In Schiller's treatises, it
+must be owned, the reader, after all exertions, will be fortunate if
+he can find them. Yet a second perusal will satisfy him better than
+the first; and among the shapeless immensities which fill the Night of
+Kantism, and the meteoric coruscations, which perplex him rather than
+enlighten, he will fancy he descries some streaks of a serener
+radiance, which he will pray devoutly that time may purify and ripen
+into perfect day. The Philosophy of Kant is probably combined with
+errors to its very core; but perhaps also, this ponderous unmanageable
+dross may bear in it the everlasting gold of truth! Mighty spirits
+have already laboured in refining it: is it wise in us to take up with
+the base pewter of Utility, and renounce such projects altogether? We
+trust, not.[28]
+
+ [Footnote 28: Are our hopes from Mr. Coleridge always to be
+ fruitless? Sneers at the common-sense philosophy of the
+ Scotch are of little use: it is a poor philosophy, perhaps;
+ but not so poor as none at all, which seems to be the state
+ of matters here at present.]
+
+That Schiller's _genius_ profited by this laborious and ardent study
+of AEsthetic Metaphysics, has frequently been doubted, and sometimes
+denied. That, after such investigations, the process of composition
+would become more difficult, might be inferred from the nature of the
+case. That also the principles of this critical theory were in part
+erroneous, in still greater part too far-fetched and fine-spun for
+application to the business of writing, we may farther venture to
+assert. But excellence, not ease of composition, is the thing to be
+desired; and in a mind like Schiller's, so full of energy, of images
+and thoughts and creative power, the more sedulous practice of
+selection was little likely to be detrimental. And though considerable
+errors might mingle with the rules by which he judged himself, the
+habit of judging carelessly, or not at all, is far worse than that of
+sometimes judging wrong. Besides, once accustomed to attend strictly
+to the operations of his genius, and rigorously to try its products,
+such a man as Schiller could not fail in time to discover what was
+false in the principles by which he tried them, and consequently, in
+the end, to retain the benefits of this procedure without its evils.
+There is doubtless a purism in taste, a rigid fantastical demand of
+perfection, a horror at approaching the limits of impropriety, which
+obstructs the free impulse of the faculties, and if excessive, would
+altogether deaden them. But the excess on the other side is much more
+frequent, and, for high endowments, infinitely more pernicious. After
+the strongest efforts, there may be little realised; without strong
+efforts, there must be little. That too much care does hurt in any of
+our tasks is a doctrine so flattering to indolence, that we ought to
+receive it with extreme caution. In works impressed with the stamp of
+true genius, their quality, not their extent, is what we value: a dull
+man may spend his lifetime writing little; better so than writing
+much; but a man of powerful mind is liable to no such danger. Of all
+our authors, Gray is perhaps the only one that from fastidiousness of
+taste has written less than he should have done: there are thousands
+that have erred the other way. What would a Spanish reader give, had
+Lope de Vega composed a hundred times as little, and that little a
+hundred times as well!
+
+Schiller's own ideas on these points appear to be sufficiently sound:
+they are sketched in the following extract of a letter, interesting
+also as a record of his purposes and intellectual condition at this
+period:
+
+'Criticism must now make good to me the damage she herself has done.
+And damaged me she most certainly has; for the boldness, the living
+glow which I felt before a rule was known to me, have for several
+years been wanting. I now _see_ myself _create_ and _form_: I watch
+the play of inspiration; and my fancy, knowing she is not without
+witnesses of her movements, no longer moves with equal freedom. I
+hope, however, ultimately to advance so far that _art_ shall become a
+second _nature_, as polished manners are to well-bred men; then
+Imagination will regain her former freedom, and submit to none but
+voluntary limitations.'
+
+Schiller's subsequent writings are the best proof that in these
+expectations he had not miscalculated.
+
+
+The historical and critical studies, in which he had been so
+extensively and seriously engaged, could not remain without effect on
+Schiller's general intellectual character. He had spent five active
+years in studies directed almost solely to the understanding, or the
+faculties connected with it; and such industry united to such ardour
+had produced an immense accession of ideas. History had furnished him
+with pictures of manners and events, of strange conjunctures and
+conditions of existence; it had given him more minute and truer
+conceptions of human nature in its many forms, new and more accurate
+opinions on the character and end of man. The domain of his mind was
+both enlarged and enlightened; a multitude of images and detached
+facts and perceptions had been laid up in his memory; and his
+intellect was at once enriched by acquired thoughts, and strengthened
+by increased exercise on a wider circle of knowledge.
+
+But to understand was not enough for Schiller; there were in him
+faculties which this could not employ, and therefore could not
+satisfy. The primary vocation of his nature was poetry: the
+acquisitions of his other faculties served but as the materials for
+his poetic faculty to act upon, and seemed imperfect till they had
+been sublimated into the pure and perfect forms of beauty, which it is
+the business of this to elicit from them. New thoughts gave birth to
+new feelings: and both of these he was now called upon to body forth,
+to represent by visible types, to animate and adorn with the magic of
+creative genius. The first youthful blaze of poetic ardour had long
+since passed away; but this large increase of knowledge awakened it
+anew, refined by years and experience into a steadier and clearer
+flame. Vague shadows of unaccomplished excellence, gleams of ideal
+beauty, were now hovering fitfully across his mind: he longed to turn
+them into shape, and give them a local habitation and a name.
+Criticism, likewise, had exalted his notions of art: the modern
+writers on subjects of taste, Aristotle, the ancient poets, he had
+lately studied; he had carefully endeavoured to extract the truth from
+each, and to amalgamate their principles with his own; in choosing, he
+was now more difficult to satisfy. Minor poems had all along been
+partly occupying his attention; but they yielded no space for the
+intensity of his impulses, and the magnificent ideas that were rising
+in his fancy. Conscious of his strength, he dreaded not engaging with
+the highest species of his art: the perusal of the Greek tragedians
+had given rise to some late translations;[29] the perusal of Homer
+seems now to have suggested the idea of an epic poem. The hero whom he
+first contemplated was Gustavus Adolphus; he afterwards changed to
+Frederick the Great of Prussia.
+
+ [Footnote 29: These were a fine version, of Euripides'
+ _Iphigenia in Aulide_, and a few scenes of his _Phoenissae_.]
+
+Epic poems, since the time of the _Epigoniad_, and _Leonidas_, and
+especially since that of some more recent attempts, have with us
+become a mighty dull affair. That Schiller aimed at something
+infinitely higher than these faint and superannuated imitations, far
+higher than even Klopstock has attained, will appear by the following
+extract from one of his letters:
+
+'An epic poem in the eighteenth century should be quite a different
+thing from such a poem in the childhood of the world. And it is that
+very circumstance which attracts me so much towards this project. Our
+manners, the finest essence of our philosophies, our politics,
+economy, arts, in short, of all we know and do, would require to be
+introduced without constraint, and interwoven in such a composition,
+to live there in beautiful harmonious freedom, as all the branches of
+Greek culture live and are made visible in Homer's _Iliad_. Nor am I
+disinclined to invent a species of machinery for this purpose; being
+anxious to fulfil, with hairsbreadth accuracy, all the requisitions
+that are made of epic poets, even on the side of form. Besides, this
+machinery, which, in a subject so modern, in an age so prosaic,
+appears to present the greatest difficulty, might exalt the interest
+in a high degree, were it suitably adapted to this same modern spirit.
+Crowds of confused ideas on this matter are rolling to and fro within
+my head; something distinct will come out of them at last.
+
+'As for the sort of metre I would choose, this I think you will hardly
+guess: no other than _ottave rime_. All the rest, except iambic, are
+become insufferable to me. And how beautifully might the earnest and
+the lofty be made to play in these light fetters! What attractions
+might the epic _substance_ gain by the soft yielding _form_ of this
+fine rhyme! For, the poem must, not in name only, but in very deed, be
+capable of being _sung_; as the _Iliad_ was sung by the peasants of
+Greece, as the stanzas of _Jerusalem Delivered_ are still sung by the
+Venetian gondoliers.
+
+'The epoch of Frederick's life that would fit me best, I have
+considered also. I should wish to select some unhappy situation; it
+would allow me to unfold his mind far more poetically. The chief
+action should, if possible, be very simple, perplexed with no
+complicated circumstances, that the whole might easily be comprehended
+at a glance, though the episodes were never so numerous. In this
+respect there is no better model than the _Iliad_.'
+
+Schiller did not execute, or even commence, the project he has here so
+philosophically sketched: the constraints of his present situation,
+the greatness of the enterprise compared with the uncertainty of its
+success, were sufficient to deter him. Besides, he felt that after all
+his wide excursions, the true home of his genius was the Drama, the
+department where its powers had first been tried, and were now by
+habit or nature best qualified to act. To the Drama he accordingly
+returned. The _History of the Thirty-Years War_ had once suggested the
+idea of Gustavus Adolphus as the hero of an epic poem; the same work
+afforded him a subject for a tragedy: he now decided on beginning
+_Wallenstein_. In this undertaking it was no easy task that he
+contemplated; a common play did not now comprise his aim; he required
+some magnificent and comprehensive object, in which he could expend
+to advantage the new poetical and intellectual treasures which he had
+for years been amassing; something that should at once exemplify his
+enlarged ideas of art, and give room and shape to his fresh stores of
+knowledge and sentiment. As he studied the history of Wallenstein, and
+viewed its capabilities on every side, new ideas gathered round it:
+the subject grew in magnitude, and often changed in form. His progress
+in actual composition was, of course, irregular and small. Yet the
+difficulties of the subject, increasing with his own wider, more
+ambitious conceptions, did not abate his diligence: _Wallenstein_,
+with many interruptions and many alterations, sometimes stationary,
+sometimes retrograde, continued on the whole, though slowly, to
+advance.
+
+This was for several years his chosen occupation, the task to which he
+consecrated his brightest hours, and the finest part of his faculties.
+For humbler employments, demanding rather industry than inspiration,
+there still remained abundant leisure, of which it was inconsistent
+with his habits to waste a single hour. His occasional labours,
+accordingly, were numerous, varied, and sometimes of considerable
+extent. In the end of 1792, a new object seemed to call for his
+attention; he once about this time seriously meditated mingling in
+politics. The French Revolution had from the first affected him with
+no ordinary hopes; which, however, the course of events, particularly
+the imprisonment of Louis, were now fast converting into fears. For
+the ill-fated monarch, and the cause of freedom, which seemed
+threatened with disgrace in the treatment he was likely to receive,
+Schiller felt so deeply interested, that he had determined, in his
+case a determination not without its risks, to address an appeal on
+these subjects to the French people and the world at large. The voice
+of reason advocating liberty as well as order might still, he
+conceived, make a salutary impression in this period of terror and
+delusion; the voice of a distinguished man would at first sound like
+the voice of the nation, which he seemed to represent. Schiller was
+inquiring for a proper French translator, and revolving in his mind
+the various arguments that might be used, and the comparative
+propriety of using or forbearing to use them; but the progress of
+things superseded the necessity of such deliberation. In a few months,
+Louis perished on the scaffold; the Bourbon family were murdered, or
+scattered over Europe; and the French government was changed into a
+frightful chaos, amid the tumultuous and bloody horrors of which, calm
+truth had no longer a chance to be heard. Schiller turned away from
+these repulsive and appalling scenes, into other regions where his
+heart was more familiar, and his powers more likely to produce effect.
+The French Revolution had distressed and shocked him; but it did not
+lessen his attachment to liberty, the name of which had been so
+desecrated in its wild convulsions. Perhaps in his subsequent writings
+we can trace a more respectful feeling towards old establishments;
+more reverence for the majesty of Custom; and with an equal zeal, a
+weaker faith in human perfectibility: changes indeed which are the
+common fruit of years themselves, in whatever age or climate of the
+world our experience may be gathered.
+
+Among the number of fluctuating engagements, one, which for ten years
+had been constant with him, was the editing of the _Thalia_. The
+principles and performances of that work he had long looked upon as
+insufficient: in particular, ever since his settlement at Jena, it had
+been among his favourite projects to exchange it for some other,
+conducted on a more liberal scheme, uniting more ability in its
+support, and embracing a much wider compass of literary interests.
+Many of the most distinguished persons in Germany had agreed to assist
+him in executing such a plan; Goethe, himself a host, undertook to go
+hand in hand with him. The _Thalia_ was in consequence relinquished at
+the end of 1793: and the first number of the _Horen_ came out early in
+the following year. This publication was enriched with many valuable
+pieces on points of philosophy and criticism; some of Schiller's
+finest essays first appeared here: even without the foreign aids which
+had been promised him, it already bade fair to outdo, as he had meant
+it should, every previous work of that description.
+
+The _Musen-Almanach_, of which he likewise undertook the
+superintendence, did not aim so high: like other works of the same
+title, which are numerous in Germany, it was intended for preserving
+and annually delivering to the world, a series of short poetical
+effusions, or other fugitive compositions, collected from various
+quarters, and often having no connexion but their juxtaposition. In
+this work, as well as in the _Horen_, some of Schiller's finest
+smaller poems made their first appearance; many of these pieces being
+written about this period, especially the greater part of his ballads,
+the idea of attempting which took its rise in a friendly rivalry with
+Goethe. But the most noted composition sent forth in the pages of the
+_Musen-Almanach_, was the _Xenien_;[30] a collection of epigrams which
+originated partly, as it seems, in the mean or irritating conduct of
+various contemporary authors. In spite of the most flattering
+promises, and of its own intrinsic character, the _Horen_, at its
+first appearance, instead of being hailed with welcome by the leading
+minds of the country, for whom it was intended as a rallying point,
+met in many quarters with no sentiment but coldness or hostility. The
+controversies of the day had sown discord among literary men; Schiller
+and Goethe, associating together, had provoked ill-will from a host of
+persons, who felt the justice of such mutual preference, but liked not
+the inferences to be drawn from it; and eyed this intellectual
+duumvirate, however meek in the discharge of its functions and the
+wearing of its honours, with jealousy and discontent.
+
+ [Footnote 30: So called from [Greek: xenion], _munus
+ hospitale_; a title borrowed from Martial, who has thus
+ designated a series of personal epigrams in his Thirteenth
+ Book.]
+
+The cavilling of these people, awkwardly contrasted with their
+personal absurdity and insipidity, at length provoked the serious
+notice of the two illustrious associates: the result was this German
+Dunciad; a production of which the plan was, that it should comprise
+an immense multitude of detached couplets, each conveying a complete
+thought within itself, and furnished by one of the joint operators.
+The subjects were of unlimited variety; 'the most,' as Schiller says,
+'were wild satire, glancing at writers and writings, intermixed with
+here and there a flash of poetical or philosophic thought.' It was at
+first intended to provide about a thousand of these pointed
+monodistichs; unity in such a work appearing to consist in a certain
+boundlessness of size, which should hide the heterogeneous nature of
+the individual parts: the whole were then to be arranged and
+elaborated, till they had acquired the proper degree of consistency
+and symmetry; each sacrificing something of its own peculiar spirit to
+preserve the spirit of the rest. This number never was completed: and,
+Goethe being now busy with his _Wilhelm Meister_, the project of
+completing it was at length renounced; and the _Xenien_ were published
+as unconnected particles, not pretending to constitute a whole. Enough
+appeared to create unbounded commotion among the parties implicated:
+the _Xenien_ were exclaimed against, abused, and replied to, on all
+hands; but as they declared war not on persons but on actions; not
+against Gleim, Nicolai, Manso, but against bad taste, dulness, and
+affectation, nothing criminal could be sufficiently made out against
+them.[31] The _Musen-Almanach_, where they appeared in 1797, continued
+to be published till the time of Schiller's leaving Jena: the _Horen_
+ceased some months before.
+
+ [Footnote 31: This is but a lame account of the far-famed
+ _Xenien_ and their results. See more of the matter in Franz
+ Horn's _Poesie und Beredtsamkeit_; in Carlyle's
+ _Miscellanies_ (i. 67); &c. (_Note of 1845._)]
+
+The cooeperation of Goethe, which Schiller had obtained so readily in
+these pursuits, was of singular use to him in many others. Both
+possessing minds of the first order, yet constructed and trained in
+the most opposite modes, each had much that was valuable to learn of
+the other, and suggest to him. Cultivating different kinds of
+excellence, they could joyfully admit each other's merit; connected by
+mutual services, and now by community of literary interests, few
+unkindly feelings could have place between them. For a man of high
+equalities, it is rare to find a meet companion; painful and injurious
+to want one. Solitude exasperates or deadens the heart, perverts or
+enervates the faculties; association with inferiors leads to dogmatism
+in thought, and self-will even in affections. Rousseau never should
+have lived in the Val de Montmorenci; it had been good for Warburton
+that Hurd had not existed; for Johnson never to have known Boswell or
+Davies. From such evils Schiller and Goethe were delivered; their
+intimacy seems to have been equal, frank and cordial; from the
+contrasts and the endowments of their minds, it must have had peculiar
+charms. In his critical theories, Schiller had derived much profit
+from communicating with an intellect as excursive as his own, but far
+cooler and more sceptical: as he lopped off from his creed the
+excrescences of Kantism, Goethe and he, on comparing their ideas,
+often found in them a striking similarity; more striking and more
+gratifying, when it was considered from what diverse premises these
+harmonious conclusions had been drawn. On such subjects they often
+corresponded when absent, and conversed when together. They were in
+the habit of paying long visits to each other's houses; frequently
+they used to travel in company between Jena and Weimar. 'At Triesnitz,
+a couple of English miles from Jena, Goethe and he,' we are told,
+'might sometimes be observed sitting at table, beneath the shade of a
+spreading tree; talking, and looking at the current of passengers.'--There
+are some who would have 'travelled fifty miles on foot' to join the
+party!
+
+Besides this intercourse with Goethe, he was happy in a kindly
+connexion with many other estimable men, both in literary and in
+active life. Dalberg, at a distance, was to the last his friend and
+warmest admirer. At Jena, he had Schuetz, Paul, Hufland, Reinhold.
+Wilhelm von Humboldt, also, brother of the celebrated traveller, had
+come thither about this time, and was now among his closest
+associates. At Weimar, excluding less important persons, there were
+still Herder and Wieland, to divide his attention with Goethe. And
+what to his affectionate heart must have been the most grateful
+circumstance of all, his aged parents were yet living to participate
+in the splendid fortune of the son whom they had once lamented and
+despaired of, but never ceased to love. In 1793 he paid them a visit
+in Swabia, and passed nine cheerful months among the scenes dearest to
+his recollection: enjoying the kindness of those unalterable friends
+whom Nature had given him; and the admiring deference of those by whom
+it was most delightful to be honoured,--those who had known him in
+adverse and humbler circumstances, whether they might have respected
+or contemned him. By the Grand Duke, his ancient censor and patron,
+he was not interfered with; that prince, in answer to a previous
+application on the subject, having indirectly engaged to take no
+notice of this journey. The Grand Duke had already interfered too much
+with him, and bitterly repented of his interference. Next year he
+died; an event which Schiller, who had long forgotten past
+ill-treatment, did not learn without true sorrow, and grateful
+recollections of bygone kindness. The new sovereign, anxious to repair
+the injustice of his predecessor, almost instantly made offer of a
+vacant Tuebingen professorship to Schiller; a proposal flattering to
+the latter, but which, by the persuasion of the Duke of Weimar, he
+respectfully declined.
+
+Amid labours and amusements so multiplied, amid such variety of
+intellectual exertion and of intercourse with men, Schiller, it was
+clear, had not suffered the encroachments of bodily disease to
+undermine the vigour of his mental or moral powers. No period of his
+life displayed in stronger colours the lofty and determined zeal of
+his character. He had already written much; his fame stood upon a firm
+basis; domestic wants no longer called upon him for incessant effort;
+and his frame was pining under the slow canker of an incurable malady.
+Yet he never loitered, never rested; his fervid spirit, which had
+vanquished opposition and oppression in his youth; which had struggled
+against harassing uncertainties, and passed unsullied through many
+temptations, in his earlier manhood, did not now yield to this last
+and most fatal enemy. The present was the busiest, most productive
+season of his literary life; and with all its drawbacks, it was
+probably the happiest. Violent attacks from his disorder were of rare
+occurrence; and its constant influence, the dark vapours with which it
+would have overshadowed the faculties of his head and heart, were
+repelled by diligence and a courageous exertion of his will. In other
+points, he had little to complain of, and much to rejoice in. He was
+happy in his family, the chosen scene of his sweetest, most lasting
+satisfaction; by the world he was honoured and admired; his wants were
+provided for; he had tasks which inspired and occupied him; friends
+who loved him, and whom he loved. Schiller had much to enjoy, and most
+of it he owed to himself.
+
+In his mode of life at Jena, simplicity and uniformity were the most
+conspicuous qualities; the single excess which he admitted being that
+of zeal in the pursuits of literature, the sin which all his life had
+most easily beset him. His health had suffered much, and principally,
+it was thought, from the practice of composing by night: yet the
+charms of this practice were still too great for his self-denial; and,
+except in severe fits of sickness, he could not discontinue it. The
+highest, proudest pleasure of his mind was that glow of intellectual
+production, that 'fine frenzy,' which makes the poet, while it lasts,
+a new and nobler creature; exalting him into brighter regions, adorned
+by visions of magnificence and beauty, and delighting all his
+faculties by the intense consciousness of their exerted power. To
+enjoy this pleasure in perfection, the solitary stillness of night,
+diffusing its solemn influence over thought as well as earth and air,
+had at length in Schiller's case grown indispensable. For this
+purpose, accordingly, he was accustomed, in the present, as in former
+periods, to invert the common order of things: by day he read,
+refreshed himself with the aspect of nature, conversed or corresponded
+with his friends; but he wrote and studied in the night. And as his
+bodily feelings were too often those of languor and exhaustion, he
+adopted, in impatience of such mean impediments, the pernicious
+expedient of stimulants, which yield a momentary strength, only to
+waste our remaining fund of it more speedily and surely.
+
+'During summer, his place of study was in a garden, which at length he
+purchased, in the suburbs of Jena, not far from the Weselhoefts' house,
+where at that time was the office of the _Allgemeine Litteratur-Zeitung_.
+Reckoning from the market-place of Jena, it lies on the south-west
+border of the town, between the Engelgatter and the Neuthor, in a
+hollow defile, through which a part of the Leutrabach flows round the
+city. On the top of the acclivity, from which there is a beautiful
+prospect into the valley of the Saal, and the fir mountains of the
+neighbouring forest, Schiller built himself a small house, with a
+single chamber.[32] It was his favourite abode during hours of
+composition; a great part of the works he then wrote were written
+here. In winter he likewise dwelt apart from the noise of men; in the
+Griesbachs' house, on the outside of the city-trench. * * * On sitting
+down to his desk at night, he was wont to keep some strong coffee, or
+wine-chocolate, but more frequently a flask of old Rhenish, or
+Champagne, standing by him, that he might from time to time repair the
+exhaustion of nature. Often the neighbours used to hear him earnestly
+declaiming, in the silence of the night: and whoever had an
+opportunity of watching him on such occasions, a thing very easy to be
+done from the heights lying opposite his little garden-house, on the
+other side of the dell, might see him now speaking aloud and walking
+swiftly to and fro in his chamber, then suddenly throwing himself down
+into his chair and writing; and drinking the while, sometimes more
+than once, from the glass standing near him. In winter he was to be
+found at his desk till four, or even five o'clock in the morning; in
+summer, till towards three. He then went to bed, from which he seldom
+rose till nine or ten.'[33]
+
+ [Footnote 32: 'The street leading from Schiller's
+ dwelling-house to this, was by some wags named the
+ _Xenien-gasse_; a name not yet entirely disused.']
+
+ [Footnote 33: Doering, pp. 118-131.]
+
+Had prudence been the dominant quality in Schiller's character, this
+practice would undoubtedly have been abandoned, or rather never taken
+up. It was an error so to waste his strength; but one of those which
+increase rather than diminish our respect; originating, as it did, in
+generous ardour for what was best and grandest, they must be cold
+censurers that can condemn it harshly. For ourselves, we but lament
+and honour this excess of zeal; its effects were mournful, but its
+origin was noble. Who can picture Schiller's feelings in this
+solitude, without participating in some faint reflection of their
+grandeur! The toil-worn but devoted soul, alone, under the silent
+starry canopy of Night, offering up the troubled moments of existence
+on the altar of Eternity! For here the splendour that gleamed across
+the spirit of a mortal, transient as one of us, was made to be
+perpetual; these images and thoughts were to pass into other ages and
+distant lands; to glow in human hearts, when the heart that conceived
+them had long been mouldered into common dust. To the lovers of
+genius, this little garden-house might have been a place to visit as a
+chosen shrine; nor will they learn without regret that the walls of
+it, yielding to the hand of time, have already crumbled into ruin, and
+are now no longer to be traced. The piece of ground that it stood on
+is itself hallowed with a glory that is bright, pure and abiding; but
+the literary pilgrim could not have surveyed, without peculiar
+emotion, the simple chamber, in which Schiller wrote the _Reich der
+Schatten_, the _Spaziergang_, the _Ideal_, and the immortal scenes of
+_Wallenstein_.
+
+The last-named work had cost him many an anxious, given him many a
+pleasant, hour. For seven years it had continued in a state of
+irregular, and oft-suspended progress; sometimes 'lying endless and
+formless' before him; sometimes on the point of being given up
+altogether. The multitude of ideas, which he wished to incorporate in
+the structure of the piece, retarded him; and the difficulty of
+contenting his taste, respecting the manner of effecting this,
+retarded him still more. In _Wallenstein_ he wished to embody the more
+enlarged notions which experience had given him of men, especially
+which history had given him of generals and statesmen; and while
+putting such characters in action, to represent whatever was, or could
+be made, poetical, in the stormy period of the Thirty-Years War. As he
+meditated on the subject, it continued to expand; in his fancy, it
+assumed successively a thousand forms; and after all due strictness of
+selection, such was still the extent of materials remaining on his
+hands, that he found it necessary to divide the play into three parts,
+distinct in their arrangements, but in truth forming a continuous
+drama of eleven acts. In this shape it was sent forth to the world, in
+1799; a work of labour and persevering anxiety, but of anxiety and
+labour, as it then appeared, which had not been bestowed in vain.
+_Wallenstein_ is by far the best performance he had yet produced; it
+merits a long chapter of criticism by itself; and a few hurried pages
+are all that we can spend on it.
+
+As a porch to the great edifice stands Part first, entitled
+_Wallenstein's Camp_, a piece in one act. It paints, with much humour
+and graphical felicity, the manners of that rude tumultuous host which
+Wallenstein presided over, and had made the engine of his ambitious
+schemes. Schiller's early experience of a military life seems now to
+have stood him in good stead; his soldiers are delineated with the
+distinctness of actual observation; in rugged sharpness of feature,
+they sometimes remind us of Smollett's seamen. Here are all the wild
+lawless spirits of Europe assembled within the circuit of a single
+trench. Violent, tempestuous, unstable is the life they lead.
+Ishmaelites, their hands against every man, and every man's hand
+against them; the instruments of rapine; tarnished with almost every
+vice, and knowing scarcely any virtue but those of reckless bravery
+and uncalculating obedience to their leader, their situation still
+presents some aspects which affect or amuse us; and these the poet has
+seized with his accustomed skill. Much of the cruelty and repulsive
+harshness of these soldiers, we are taught to forget in contemplating
+their forlorn houseless wanderings, and the practical magnanimity,
+with which even they contrive to wring from Fortune a tolerable
+scantling of enjoyment. Their manner of existence Wallenstein has, at
+an after period of the action, rather movingly expressed:
+
+ 'Our life was but a battle and a march,
+ And, like the wind's blast, never-resting, homeless,
+ We storm'd across the war-convulsed Earth.'
+
+Still farther to soften the asperities of the scene, the dialogue is
+cast into a rude Hudibrastic metre, full of forced rhymes, and strange
+double-endings, with a rhythm ever changing, ever rough and lively,
+which might almost be compared to the hard, irregular, fluctuating
+sound of the regimental drum. In this ludicrous doggrel, with phrases
+and figures of a correspondent cast, homely, ridiculous, graphic,
+these men of service paint their hopes and doings. There are ranks and
+kinds among them; representatives of all the constituent parts of the
+motley multitude, which followed this prince of _Condottieri_. The
+solemn pedantry of the ancient Wachtmeister is faithfully given; no
+less so are the jocund ferocity and heedless daring of Holky's
+Jaegers, or the iron courage and stern camp-philosophy of Pappenheim's
+Cuirassiers. Of the Jaeger the sole principle is military obedience; he
+does not reflect or calculate; his business is to do whatever he is
+ordered, and to enjoy whatever he can reach. 'Free wished I to live,'
+he says,
+
+ 'Free wished I to live, and easy and gay,
+ And see something new on each new day;
+ In the joys of the moment lustily sharing,
+ 'Bout the past or the future not thinking or caring:
+ To the Kaiser, therefore, I sold my bacon,
+ And by him good charge of the whole is taken.
+ Order me on 'mid the whistling fiery shot,
+ Over the Rhine-stream rapid and roaring wide,
+ A third of the troop must go to pot,--
+ Without loss of time, I mount and ride;
+ But farther, I beg very much, do you see,
+ That in all things else you would leave me free.'
+
+The Pappenheimer is an older man, more sedate and more indomitable; he
+has wandered over Europe, and gathered settled maxims of soldierly
+principle and soldierly privilege: he is not without a _rationale_ of
+life; the various professions of men have passed in review before him,
+but no coat that he has seen has pleased him like his own 'steel
+doublet,' cased in which, it is his wish,
+
+ 'Looking down on the world's poor restless scramble,
+ Careless, through it, astride of his nag to ramble.'
+
+Yet at times with this military stoicism there is blended a dash of
+homely pathos; he admits,
+
+ 'This sword of ours is no plough or spade,
+ You cannot delve or reap with the iron blade;
+ For us there falls no seed, no corn-field grows,
+ Neither home nor kindred the soldier knows:
+ Wandering over the face of the earth,
+ Warming his hands at another's hearth:
+ From the pomp of towns he must onward roam;
+ In the village-green with its cheerful game,
+ In the mirth of the vintage or harvest-home,
+ No part or lot can the soldier claim.
+ Tell me then, in the place of goods or pelf,
+ What has he unless to honour himself?
+ Leave not even _this_ his own, what wonder
+ The man should burn and kill and plunder?
+
+But the camp of Wallenstein is fall of bustle as well as speculation;
+there are gamblers, peasants, sutlers, soldiers, recruits, capuchin
+friars, moving to and fro in restless pursuit of their several
+purposes. The sermon of the Capuchin is an unparalleled
+composition;[34] a medley of texts, puns, nicknames, and verbal logic,
+conglutinated by a stupid judgment, and a fiery catholic zeal. It
+seems to be delivered with great unction, and to find fit audience in
+the camp: towards the conclusion they rush upon him, and he narrowly
+escapes killing or ducking, for having ventured to glance a censure at
+the General. The soldiers themselves are jeering, wrangling, jostling;
+discussing their wishes and expectations; and, at last, they combine
+in a profound deliberation on the state of their affairs. A vague
+exaggerated outline of the coming events and personages is imaged to
+us in their coarse conceptions. We dimly discover the precarious
+position of Wallenstein; the plots which threaten him, which he is
+meditating: we trace the leading qualities of the principal officers;
+and form a high estimate of the potent spirit which, binds this fierce
+discordant mass together, and seems to be the object of universal
+reverence where nothing else is revered.
+
+ [Footnote 34: Said to be by Goethe; the materials faithfully
+ extracted from a real sermon (by the Jesuit Santa Clara) of
+ the period it refers to.--There were various Jesuits Santa
+ Clara, of that period: this is the _German_ one, Abraham by
+ name; specimens of whose Sermons, a fervent kind of
+ preaching-run-mad, have been reprinted in late years, for
+ dilettante purposes, (_Note of 1845._)]
+
+In the _Two Piccolomini_, the next division of the work, the generals
+for whom we have thus been prepared appear in person on the scene, and
+spread out before us their plots and counterplots; Wallenstein,
+through personal ambition and evil counsel, slowly resolving to
+revolt; and Octavio Piccolomini, in secret, undermining his influence
+among the leaders, and preparing for him that pit of ruin, into which,
+in the third Part, _Wallenstein's Death_, we see him sink with all his
+fortunes. The military spirit which pervades the former piece is here
+well sustained. The ruling motives of these captains and colonels are
+a little more refined, or more disguised, than those of the
+Cuirassiers and Jaegers; but they are the same in substance; the love
+of present or future pleasure, of action, reputation, money, power;
+selfishness, but selfishness distinguished by a superficial external
+propriety, and gilded over with the splendour of military honour, of
+courage inflexible, yet light, cool and unassuming. These are not
+imaginary heroes, but genuine hired men of war: we do not love them;
+yet there is a pomp about their operations, which agreeably fills up
+the scene. This din of war, this clash of tumultuous conflicting
+interests, is felt as a suitable accompaniment to the affecting or
+commanding movements of the chief characters whom it envelops or
+obeys.
+
+Of the individuals that figure in this world of war, Wallenstein
+himself, the strong Atlas which supports it all, is by far the most
+imposing. Wallenstein is the model of a high-souled, great,
+accomplished man, whose ruling passion is ambition. He is daring to
+the utmost pitch of manhood; he is enthusiastic and vehement; but the
+fire of his soul burns hid beneath a deep stratum of prudence, guiding
+itself by calculations which extend to the extreme limits of his most
+minute concerns. This prudence, sometimes almost bordering on
+irresolution, forms the outward rind of his character, and for a while
+is the only quality which we discover in it. The immense influence
+which his genius appears to exert on every individual of his many
+followers, prepares us to expect a great man; and, when Wallenstein,
+after long delay and much forewarning, is in fine presented to us, we
+at first experience something like a disappointment. We find him,
+indeed, possessed of a staid grandeur; yet involved in mystery;
+wavering between two opinions; and, as it seems, with all his wisdom,
+blindly credulous in matters of the highest import. It is only when
+events have forced decision on him, that he rises in his native might,
+that his giant spirit stands unfolded in its strength before us;
+
+ 'Night must it be, ere Friedland's star will beam:'
+
+amid difficulties, darkness and impending ruin, at which the boldest
+of his followers grow pale, he himself is calm, and first in this
+awful crisis feels the serenity and conscious strength of his soul
+return. Wallenstein, in fact, though preeminent in power, both
+external and internal, of high intellect and commanding will, skilled
+in war and statesmanship beyond the best in Europe, the idol of sixty
+thousand fearless hearts, is not yet removed above our sympathy. We
+are united with him by feelings, which he reckons weak, though they
+belong to the most generous parts of his nature. His indecision partly
+takes its rise in the sensibilities of his heart, as well as in the
+caution of his judgment: his belief in astrology, which gives force
+and confirmation to this tendency, originates in some soft kindly
+emotions, and adds a new interest to the spirit of the warrior; it
+humbles him, to whom the earth is subject, before those mysterious
+Powers which weigh the destinies of man in their balance, in whose
+eyes the greatest and the least of mortals scarcely differ in
+littleness. Wallenstein's confidence in the friendship of Octavio, his
+disinterested love for Max Piccolomini, his paternal and brotherly
+kindness, are feelings which cast an affecting lustre over the
+harsher, more heroic qualities wherewith they are combined. His
+treason to the Emperor is a crime, for which, provoked and tempted as
+he was, we do not greatly blame him; it is forgotten in our admiration
+of his nobleness, or recollected only as a venial trespass. Schiller
+has succeeded well with Wallenstein, where it was not easy to succeed.
+The truth of history has been but little violated; yet we are
+compelled to feel that Wallenstein, whose actions individually are
+trifling, unsuccessful, and unlawful, is a strong, sublime, commanding
+character; we look at him with interest, our concern at his fate is
+tinged with a shade of kindly pity.
+
+In Octavio Piccolomini, his war-companion, we can find less fault, yet
+we take less pleasure. Octavio's qualities are chiefly negative: he
+rather walks by the letter of the moral law, than by its spirit; his
+conduct is externally correct, but there is no touch of generosity
+within. He is more of the courtier than of the soldier: his weapon is
+intrigue, not force. Believing firmly that 'whatever is, is best,' he
+distrusts all new and extraordinary things; he has no faith in human
+nature, and seems to be virtuous himself more by calculation than by
+impulse. We scarcely thank him for his loyalty; serving his Emperor,
+he ruins and betrays his friend: and, besides, though he does not own
+it, personal ambition is among his leading motives; he wishes to be
+general and prince, and Wallenstein is not only a traitor to his
+sovereign, but a bar to this advancement. It is true, Octavio does not
+personally tempt him towards his destruction; but neither does he
+warn him from it; and perhaps he knew that fresh temptation was
+superfluous. Wallenstein did not deserve such treatment from a man
+whom he had trusted as a brother, even though such confidence was
+blind, and guided by visions and starry omens. Octavio is a skilful,
+prudent, managing statesman; of the kind praised loudly, if not
+sincerely, by their friends, and detested deeply by their enemies. His
+object may be lawful or even laudable; but his ways are crooked; we
+dislike him but the more that we know not positively how to blame him.
+
+Octavio Piccolomini and Wallenstein are, as it were, the two opposing
+forces by which this whole universe of military politics is kept in
+motion. The struggle of magnanimity and strength combined with
+treason, against cunning and apparent virtue, aided by law, gives rise
+to a series of great actions, which are here vividly presented to our
+view. We mingle in the clashing interests of these men of war; we see
+them at their gorgeous festivals and stormy consultations, and
+participate in the hopes or fears that agitate them. The subject had
+many capabilities; and Schiller has turned them all to profit. Our
+minds are kept alert by a constant succession of animating scenes of
+spectacle, dialogue, incident: the plot thickens and darkens as we
+advance; the interest deepens and deepens to the very end.
+
+But among the tumults of this busy multitude, there are two forms of
+celestial beauty that solicit our attention, and whose destiny,
+involved with that of those around them, gives it an importance in our
+eyes which it could not otherwise have had. Max Piccolomini, Octavio's
+son, and Thekla, the daughter of Wallenstein, diffuse an ethereal
+radiance over all this tragedy; they call forth the finest feelings of
+the heart, where other feelings had already been aroused; they
+superadd to the stirring pomp of scenes, which had already kindled
+our imaginations, the enthusiasm of bright unworn humanity, 'the bloom
+of young desire, the purple light of love.' The history of Max and
+Thekla is not a rare one in poetry; but Schiller has treated it with a
+skill which is extremely rare. Both of them are represented as
+combining every excellence; their affection is instantaneous and
+unbounded; yet the coolest, most sceptical reader is forced to admire
+them, and believe in them.
+
+Of Max we are taught from the first to form the highest expectations:
+the common soldiers and their captains speak of him as of a perfect
+hero; the Cuirassiers had, at Pappenheim's death, on the field of
+Luetzen, appointed him their colonel by unanimous election. His
+appearance answers these ideas: Max is the very spirit of honour, and
+integrity, and young ardour, personified. Though but passing into
+maturer age, he has already seen and suffered much; but the experience
+of the man has not yet deadened or dulled the enthusiasm of the boy.
+He has lived, since his very childhood, constantly amid the clang of
+war, and with few ideas but those of camps; yet here, by a native
+instinct, his heart has attracted to it all that was noble and
+graceful in the trade of arms, rejecting all that was repulsive or
+ferocious. He loves Wallenstein his patron, his gallant and majestic
+leader: he loves his present way of life, because it is one of peril
+and excitement, because he knows no other, but chiefly because his
+young unsullied spirit can shed a resplendent beauty over even the
+wastest region in the destiny of man. Yet though a soldier, and the
+bravest of soldiers, he is not this alone. He feels that there are
+fairer scenes in life, which these scenes of havoc and distress but
+deform or destroy; his first acquaintance with the Princess Thekla
+unveils to him another world, which till then he had not dreamed of; a
+land of peace and serene elysian felicity, the charms of which he
+paints with simple and unrivalled eloquence. Max is not more daring
+than affectionate; he is merciful and gentle, though his training has
+been under tents; modest and altogether unpretending, though young and
+universally admired. We conceive his aspect to be thoughtful but
+fervid, dauntless but mild: he is the very poetry of war, the essence
+of a youthful hero. We should have loved him anywhere; but here, amid
+barren scenes of strife and danger, he is doubly dear to us.
+
+His first appearance wins our favour; his eloquence in sentiment
+prepares us to expect no common magnanimity in action. It is as
+follows: _Octavio_ and _Questenberg_ are consulting on affairs of
+state; _Max_ enters: he is just returned from convoying the _Princess
+Thekla_ and her mother, the daughter and the wife of _Friedland_, to
+the camp at Pilsen.
+
+
+ACT I. SCENE IV.
+
+MAX PICCOLOMINI, OCTAVIO PICCOLOMINI, QUESTENBERG.
+
+MAX. 'Tis he himself! My father, welcome, welcome!
+
+[_He embraces him: on turning round, he observes Questenberg, and
+draws coldly back._
+
+Busied, I perceive? I will not interrupt you.
+
+OCT. How now, Max? View this stranger better!
+An old friend deserves regard and kindness;
+The Kaiser's messenger should be rever'd!
+
+MAX. [_drily_] Von Questenberg! If it is good that brings you
+To our head-quarters, welcome!
+
+QUEST. [_has taken his hand_] Nay, draw not
+Your hand away, Count Piccolomini!
+Not on mine own account alone I grasp it,
+And nothing common will I say therewith.
+Octavio, Max, Piccolomini! [_Taking both their hands._
+Names of benignant solemn import! Never
+Can Austria's fortune fail while two such stars,
+To guide and guard her, gleam above our hosts.
+
+MAX. You play it wrong, Sir Minister! To praise,
+I wot, you come not hither; to blame and censure
+You are come. Let me be no exception.
+
+OCT. [_to Max._] He comes from Court, where every one is not
+So well contented with the Duke as here.
+
+MAX. And what new fault have they to charge him with?
+That he alone decides what he alone
+Can understand? Well! Should it not be so?
+It should and must! This man was never made
+To ply and mould himself like wax to others:
+It goes against his heart; he cannot do it,
+He has the spirit of a ruler, and
+The station of a ruler. Well for us
+It is so! Few can rule themselves, can use
+Their wisdom wisely: happy for the whole
+Where there is one among them that can be
+A centre and a hold for many thousands;
+That can plant himself like a firm column,
+For the whole to lean on safely! Such a one
+Is Wallenstein; some other man might better
+Serve the Court, none else could serve the Army.
+
+QUEST. The Army, truly!
+
+MAX. And it is a pleasure
+To behold how all awakes and strengthens
+And revives around him; how men's faculties
+Come forth; their gifts grow plainer to themselves!
+From each he can elicit his endowment,
+His peculiar power; and does it wisely;
+Leaving each to be the man he found him,
+Watching only that he always be so.
+I' th' proper place: and thus he makes the talents
+Of all mankind his own.
+
+QUEST. No one denies him
+Skill in men, and skill to use them. His fault is
+That in the ruler he forgets the servant,
+As if he had been born to be commander.
+
+MAX. And is he not? By birth he is invested
+With all gifts for it, and with the farther gift
+Of finding scope to use them; of acquiring
+For the ruler's faculties the ruler's office.
+
+QUEST. So that how far the rest of us have rights
+Or influence, if any, lies with Friedland?
+
+MAX. He is no common person; he requires
+No common confidence: allow him space;
+The proper limit he himself will set.
+
+QUEST. The trial shows it!
+
+MAX. Ay! Thus it is with them!
+Still so! All frights them that has any depth;
+Nowhere are they at ease but in the shallows.
+
+OCT. [_to Quest._] Let him have his way, my friend! The argument
+Will not avail us.
+
+MAX. They invoke the spirit
+I' th' hour of need, and shudder when he rises.
+The great, the wonderful, must be accomplished
+Like a thing of course!--In war, in battle,
+A moment is decisive; on the spot
+Must be determin'd, in the instant done.
+With ev'ry noble quality of nature
+The leader must be gifted: let him live, then,
+In their noble sphere! The oracle within him,
+The living spirit, not dead books, old forms,
+Not mould'ring parchments must he take to counsel.
+
+OCT. My Son! despise not these old narrow forms!
+They are as barriers, precious walls and fences,
+Which oppressed mortals have erected
+To mod'rate the rash will of their oppressors.
+For the uncontrolled has ever been destructive.
+The way of Order, though it lead through windings,
+Is the best. Right forward goes the lightning
+And the cannon-ball: quick, by the nearest path,
+They come, op'ning with murderous crash their way,
+To blast and ruin! My Son! the quiet road
+Which men frequent, where peace and blessings travel,
+Follows the river's course, the valley's bendings;
+Modest skirts the cornfield and the vineyard,
+Revering property's appointed bounds;
+And leading safe though slower to the mark.
+
+QUEST. O, hear your Father! him who is at once
+A hero and a man!
+
+OCT. It is the child
+O' th' camp that speaks in thee, my Son: a war
+Of fifteen years has nursed and taught thee; peace
+Thou hast never seen. My Son, there is a worth
+Beyond the worth of warriors: ev'n in war itself
+The object is not war. The rapid deeds
+Of power, th' astounding wonders of the moment--
+It is not these that minister to man
+Aught useful, aught benignant or enduring.
+In haste the wandering soldier comes, and builds
+With canvas his light town: here in a moment
+Is a rushing concourse; markets open;
+Roads and rivers crowd with merchandise
+And people; Traffic stirs his hundred arms.
+Ere long, some morning, look,--and it is gone!
+The tents are struck, the host has marched away;
+Dead as a churchyard lies the trampled seed-field,
+And wasted is the harvest of the year.
+
+MAX. O Father! that the Kaiser _would_ make peace!
+The bloody laurel I would gladly change
+For the first violet Spring should offer us,
+The tiny pledge that Earth again was young!
+
+OCT. How's this? What is it that affects thee so?
+
+MAX. Peace I have never seen? Yes, I have seen it!
+Ev'n now I come from it: my journey led me
+Through lands as yet unvisited by war.
+O Father! life has charms, of which we know not:
+We have but seen the barren coasts of life;
+Like some wild roving crew of lawless pirates,
+Who, crowded in their narrow noisome ship,
+Upon the rude sea, with rude manners dwell;
+Naught of the fair land knowing but the bays,
+Where they may risk their hurried thievish landing.
+Of the loveliness that, in its peaceful dales,
+The land conceals--O Father!--O, of this,
+In our wild voyage we have seen no glimpse.
+
+OCT. [_gives increased attention_]
+And did this journey show thee much of it?
+
+MAX. 'Twas the first holiday of my existence.
+Tell me, where's the end of all this labour,
+This grinding labour that has stolen my youth,
+And left my heart uncheer'd and void, my spirit
+Uncultivated as a wilderness?
+This camp's unceasing din; the neighing steeds;
+The trumpet's clang; the never-changing round
+Of service, discipline, parade, give nothing
+To the heart, the heart that longs for nourishment.
+There is no soul in this insipid bus'ness;
+Life has another fate and other joys.
+
+OCT. Much hast thou learn'd, my Son, in this short journey!
+
+MAX. O blessed bright day, when at last the soldier
+Shall turn back to life, and be again a man!
+Through th' merry lines the colours are unfurl'd,
+And homeward beats the thrilling soft peace-march;
+All hats and helmets deck'd with leafy sprays,
+The last spoil of the fields! The city's gates
+Fly up; now needs not the petard to burst them:
+The walls are crowded with rejoicing people;
+Their shouts ring through the air: from every tower
+Blithe bells are pealing forth the merry vesper
+Of that bloody day. From town and hamlet
+Flow the jocund thousands; with their hearty
+Kind impetuosity our march impeding.
+The old man, weeping that he sees this day,
+Embraces his long-lost son: a stranger
+He revisits his old home; with spreading boughs
+The tree o'ershadows him at his return,
+Which waver'd as a twig when he departed;
+And modest blushing comes a maid to meet him,
+Whom on her nurse's breast he left. O happy,
+For whom some kindly door like this, for whom
+Soft arms to clasp him shall be open'd!--
+
+QUEST. [_with emotion_] O that
+The times you speak of should be so far distant!
+Should not be tomorrow, be today!
+
+MAX. And who's to blame for it but you at Court?
+I will deal plainly with you, Questenberg:
+When I observ'd you here, a twinge of spleen
+And bitterness went through me. It is you
+That hinder peace; yes, you. The General
+Must force it, and you ever keep tormenting him,
+Obstructing all his steps, abusing him;
+For what? Because the good of Europe lies
+Nearer his heart, than whether certain acres
+More or less of dirty land be Austria's!
+You call him traitor, rebel, God knows what,
+Because he spares the Saxons; as if that
+Were not the only way to peace; for how
+If during war, war end not, _can_ peace follow?
+Go to! go to! As I love goodness, so I hate
+This paltry work of yours: and here I vow to God,
+For him, this rebel, traitor Wallenstein,
+To shed my blood, my heart's blood, drop by drop,
+Ere I will see you triumph in his fall!
+
+
+The Princess Thekla is perhaps still dearer to us. Thekla, just
+entering on life, with 'timid steps,' with the brilliant visions of a
+cloister yet undisturbed by the contradictions of reality, beholds in
+Max, not merely her protector and escort to her father's camp, but the
+living emblem of her shapeless yet glowing dreams. She knows not
+deception, she trusts and is trusted: their spirits meet and mingle,
+and 'clasp each other firmly and forever.' All this is described by
+the poet with a quiet inspiration, which finds its way into our
+deepest sympathies. Such beautiful simplicity is irresistible. 'How
+long,' the Countess Terzky asks,
+
+
+How long is it since you disclosed your heart?
+
+MAX. This morning first I risked a word of it.
+
+COUN. Not till this morning during twenty days?
+
+MAX. 'Twas at the castle where you met us, 'twixt this
+And Nepomuk, the last stage of the journey.
+On a balcony she and I were standing, our looks
+In silence turn'd upon the vacant landscape;
+And before us the dragoons were riding,
+Whom the Duke had sent to be her escort.
+Heavy on my heart lay thoughts of parting,
+And with a faltering voice at last I said:
+All this reminds me, Fraeulein, that today
+I must be parted from my happiness;
+In few hours you will find a father,
+Will see yourself encircled by new friends;
+And I shall be to you nought but a stranger,
+Forgotten in the crowd--"Speak with Aunt Terzky!"
+Quick she interrupted me; I noticed
+A quiv'ring in her voice; a glowing blush
+Spread o'er her cheeks; slow rising from the ground,
+Her eyes met mine: I could control myself
+No longer--
+
+[_The Princess appears at the door, and stops; the Countess, but not
+Piccolomini, observing her._
+
+ --I clasp'd her wildly in my arms,
+My lips were join'd with hers. Some footsteps stirring
+I' th' next room parted us; 'twas you; what then
+Took place, you know.
+
+COUN. And can you be so modest,
+Or incurious, as not once to ask me
+For _my_ secret, in return?
+
+MAX. Your secret?
+
+COUN. Yes, sure! On coming in the moment after,
+How my niece receiv'd me, what i' th' instant
+Of her first surprise she--
+
+MAX. Ha?
+
+THEKLA [_enters hastily_]. Spare yourself
+The trouble, Aunt! That he can learn from me.
+
+ * * * * *
+
+We rejoice in the ardent, pure and confiding affection of these two
+angelic beings: but our feeling is changed and made more poignant,
+when we think that the inexorable hand of Destiny is already lifted to
+smite their world with blackness and desolation. Thekla has enjoyed
+'two little hours of heavenly beauty;' but her native gaiety gives
+place to serious anticipations and alarms; she feels that the camp of
+Wallenstein is not a place for hope to dwell in. The instructions and
+explanations of her aunt disclose the secret: she is not to love Max;
+a higher, it may be a royal, fate awaits her; but she is to tempt him
+from his duty, and make him lend his influence to her father, whose
+daring projects she now for the first time discovers. From that moment
+her hopes of happiness have vanished, never more to return. Yet her
+own sorrows touch her less than the ruin which she sees about to
+overwhelm her tender and affectionate mother. For herself, she waits
+with gloomy patience the stroke that is to crush her. She is meek, and
+soft, and maiden-like; but she is Friedland's daughter, and does not
+shrink from what is unavoidable. There is often a rectitude, and quick
+inflexibility of resolution about Thekla, which contrasts beautifully
+with her inexperience and timorous acuteness of feeling: on
+discovering her father's treason, she herself decides that Max 'shall
+obey his first impulse,' and forsake her.
+
+There are few scenes in poetry more sublimely pathetic than this. We
+behold the sinking but still fiery glory of Wallenstein, opposed to
+the impetuous despair of Max Piccolomini, torn asunder by the claims
+of duty and of love; the calm but broken-hearted Thekla, beside her
+broken-hearted mother, and surrounded by the blank faces of
+Wallenstein's desponding followers. There is a physical pomp
+corresponding to the moral grandeur of the action; the successive
+revolt and departure of the troops is heard without the walls of the
+Palace; the trumpets of the Pappenheimers reecho the wild feelings of
+their leader. What follows too is equally affecting. Max being forced
+away by his soldiers from the side of Thekla, rides forth at their
+head in a state bordering on frenzy. Next day come tidings of his
+fate, which no heart is hard enough to hear unmoved. The effect it
+produces upon Thekla displays all the hidden energies of her soul. The
+first accidental hearing of the news had almost overwhelmed her; but
+she summons up her strength: she sends for the messenger, that she may
+question him more closely, and listen to his stern details with the
+heroism of a Spartan virgin.
+
+
+ACT IV. SCENE X.
+
+THEKLA; THE SWEDISH CAPTAIN; FRAeULEIN NEUBRUNN.
+
+CAPT. [_approaches respectfully_]
+Princess--I--must pray you to forgive me
+My most rash unthinking words: I could not--
+
+THEKLA [_with noble dignity_].
+You saw me in my grief; a sad chance made you
+At once my confidant, who were a stranger.
+
+CAPT. I fear the sight of me is hateful to you:
+They were mournful tidings I brought hither.
+
+THEKLA. The blame was mine! 'Twas I that forced them from you;
+Your voice was but the voice of Destiny.
+My terror interrupted your recital:
+Finish it, I pray you.
+
+CAPT. 'Twill renew your grief!
+
+THEKLA. I am prepared for't, I will be prepared.
+Proceed! How went the action? Let me hear.
+
+CAPT. At Neustadt, dreading no surprise, we lay
+Slightly entrench'd; when towards night a cloud
+Of dust rose from the forest, and our outposts
+Rush'd into the camp, and cried: The foe was there!
+Scarce had we time to spring on horseback, when
+The Pappenheimers, coming at full gallop,
+Dash'd o'er the palisado, and next moment
+These fierce troopers pass'd our camp-trench also.
+But thoughtlessly their courage had impelled them
+To advance without support; their infantry
+Was far behind; only the Pappenheimers
+Boldly following their bold leader--
+
+[_Thekla makes a movement. The Captain pauses for a moment, till she
+beckons him to proceed._
+
+On front and flank with all our horse we charged them;
+And ere long forc'd them back upon the trench,
+Where rank'd in haste our infantry presented
+An iron hedge of pikes to stop their passage.
+Advance they could not, nor retreat a step,
+Wedg'd in this narrow prison, death on all sides.
+Then the Rheingraf call'd upon their leader,
+In fair battle, fairly to surrender:
+But Colonel Piccolomini-- [_Thekla, tottering, catches by a seat._
+ --We knew him
+By's helmet-plume and his long flowing hair,
+The rapid ride had loosen'd it: to th' trench
+He points; leaps first himself his gallant steed
+Clean over it; the troop plunge after him:
+But--in a twinkle it was done!--his horse
+Run through the body by a partisan,
+Rears in its agony, and pitches far
+Its rider; and fierce o'er him tramp the steeds
+O' th' rest, now heeding neither bit nor bridle.
+
+[_Thekla, who has listened to the last words with increasing anguish,
+falls into a violent tremor; she is sinking to the ground; Fraeulein
+Neubrunn hastens to her, and receives her in her arms._
+
+NEU. Lady, dearest mistress--
+
+CAPT. [_moved_] Let me begone.
+
+THEKLA. 'Tis past; conclude it.
+
+CAPT. Seeing their leader fall,
+A grim inexorable desperation
+Seiz'd the troops: their own escape forgotten,
+Like wild tigers they attack us; their fury
+Provokes our soldiers, and the battle ends not
+Till the last man of the Pappenheimers falls.
+
+THEKLA [_with a quivering voice_].
+And where--where is--You have not told me all.
+
+CAPT. [_after a pause_]
+This morning we interr'd him. He was borne
+By twelve youths of the noblest families,
+And all our host accompanied the bier.
+A laurel deck'd his coffin; and upon it
+The Rheingraf laid his own victorious sword.
+Nor were tears wanting to his fate: for many
+Of us had known his noble-mindedness,
+And gentleness of manners; and all hearts
+Were mov'd at his sad end. Fain would the Rheingraf
+Have sav'd him; but himself prevented it;
+'Tis said he wish'd to die.
+
+NEU. [_with emotion, to Thekla, who hides her face_]
+ O! dearest mistress,
+Look up! O, why would you insist on this?
+
+THEKLA. Where is his grave?
+
+CAPT. I' th' chapel of a cloister
+At Neustadt is he laid, till we receive
+Directions from his father.
+
+THEKLA. What is its name?
+
+CAPT. St. Catharine's.
+
+THEKLA. Is't far from this?
+
+CAPT. Seven leagues.
+
+THEKLA. How goes the way?
+
+CAPT. You come by Tirschenreit
+And Falkenberg, and through our farthest outposts.
+
+THEKLA. Who commands them?
+
+CAPT. Colonel Seckendorf.
+
+THEKLA [_steps to a table, and takes a ring from her jewel-box_].
+You have seen me in my grief, and shown me
+A sympathising heart: accept a small
+Memorial of this hour [_giving him the ring_]. Now leave me.
+
+CAPT. [_overpowered_] Princess!
+
+[_Thekla silently makes him a sign to go, and turns from
+him. He lingers, and attempts to speak; Neubrunn
+repeats the sign; he goes._
+
+
+SCENE XI.
+
+NEUBRUNN; THEKLA.
+
+THEKLA [_falls on Neubrunn's neck_].
+Now, good Neubrunn, is the time to show the love
+Which thou hast always vow'd me. Prove thyself
+A true friend and attendant! We must go,
+This very night.
+
+NEU. Go! This very night! And whither?
+
+THEKLA. Whither? There is but one place in the world,
+The place where he lies buried: to his grave.
+
+NEU. Alas, what would you there, my dearest mistress?
+
+THEKLA. What there? Unhappy girl! Thou wouldst not ask
+If thou hadst ever lov'd. There, there, is all
+That yet remains of him; that one small spot
+Is all the earth to me. Do not detain me!
+O, come! Prepare, think how we may escape.
+
+NEU. Have you reflected on your father's anger?
+
+THEKLA. I dread no mortal's anger now.
+
+NEU. The mockery
+Of the world, the wicked tongue of slander!
+
+THEKLA. I go to seek one that is cold and low:
+Am I, then, hast'ning to my lover's arms?
+O God! I am but hast'ning to his grave!
+
+NEU. And we alone? Two feeble, helpless women?
+
+THEKLA. We will arm ourselves; my hand shall guard thee.
+
+NEU. In the gloomy night-time?
+
+THEKLA. Night will hide us.
+
+NEU. In this rude storm?
+
+THEKLA. Was _his_ bed made of down,
+When the horses' hoofs went o'er him?
+
+NEU. O Heaven!
+And then the many Swedish posts! They will not
+Let us pass.
+
+THEKLA. Are they not men? Misfortune
+Passes free through all the earth.
+
+NEU. So far! So--
+
+THEKLA. Does the pilgrim count the miles, when journeying
+To the distant shrine of grace?
+
+NEU. How shall we
+Even get out of Eger?
+
+THEKLA. Gold opens gates.
+Go! Do go!
+
+NEU. If they should recognise us?
+
+THEKLA. In a fugitive despairing woman
+No one will look to meet with Friedland's daughter.
+
+NEU. And where shall we get horses for our flight?
+
+THEKLA. My Equerry will find them. Go and call him.
+
+NEU. Will he venture without his master's knowledge?
+
+THEKLA. He will, I tell thee. Go! O, linger not!
+
+NEU. Ah! And what will your mother do when you
+Are vanish'd?
+
+THEKLA [_recollecting this, and gazing with a look of anguish_].
+ O my mother!
+
+NEU. Your good mother!
+She has already had so much to suffer.
+Must this last heaviest stroke too fall on her?
+
+THEKLA. I cannot help it. Go, I prithee, go!
+
+NEU. Think well what you are doing.
+
+THEKLA. All is thought
+That can be thought, already.
+
+NEU. _Were_ we there,
+What would you do?
+
+THEKLA. God will direct me, there.
+
+NEU. Your heart is full of trouble: O my lady!
+This way leads _not_ to peace.
+
+THEKLA. To that deep peace
+Which he has found. O, hasten! Go! No words!
+There is some force, I know not what to call it,
+Pulls me irresistibly, and drags me
+On to his grave: there I shall find some solace
+Instantly; the strangling band of sorrow
+Will be loosen'd; tears will flow. O, hasten!
+Long time ago we might have been o' th' road.
+No rest for me till I have fled these walls:
+They fall upon me, some dark power repels me
+From them--Ha! What's this? The chamber's filling
+With pale gaunt shapes! No room is left for me!
+More! more! The crowding spectres press on me,
+And push me forth from this accursed house.
+
+NEU. You frighten me, my lady: I dare stay
+No longer; quickly I'll call Rosenberg.
+
+
+SCENE XII.
+
+THEKLA.
+
+It is his spirit calls me! 'Tis the host
+Of faithful souls that sacrificed themselves
+In fiery vengeance for him. They upbraid me
+For this loit'ring: _they_ in death forsook him not,
+Who in their life had led them; their rude hearts
+Were capable of this: and _I_ can live?
+
+No! No! That laurel-garland which they laid
+Upon his bier was twined for both of us!
+What is this life without the light of love?
+I cast it from me, since its worth is gone.
+Yes, when we found and lov'd each other, life
+Was something! Glittering lay before me
+The golden morn: I had two hours of Heaven.
+
+Thou stoodest at the threshold of the scene
+Of busy life; with timid steps I cross'd it:
+How fair it lay in solemn shade and sheen!
+And thou beside me, like some angel, posted
+To lead me out of childhood's fairy land
+On to life's glancing summit, hand in hand!
+My first thought was of joy no tongue can tell,
+My first look on _thy_ spotless spirit fell.
+
+[_She sinks into a reverie, then with signs of horror proceeds._
+
+And Fate put forth his hand: inexorable, cold,
+My friend it grasp'd and clutch'd with iron hold,
+And--under th' hoofs of their wild horses hurl'd:
+Such is the lot of loveliness i' th' world!
+
+
+Thekla has yet another pang to encounter; the parting with her mother:
+but she persists in her determination, and goes forth, to die beside
+her lover's grave. The heart-rending emotions, which this amiable
+creature has to undergo, are described with an almost painful effect:
+the fate of Max and Thekla might draw tears from the eyes of a stoic.
+
+Less tender, but not less sublimely poetical, is the fate of
+Wallenstein himself. We do not pity Wallenstein; even in ruin he seems
+too great for pity. His daughter having vanished like a fair vision
+from the scene, we look forward to Wallenstein's inevitable fate with
+little feeling save expectant awe:
+
+ This kingly Wallenstein, whene'er he falls,
+ Will drag a world to ruin down with him;
+ And as a ship that in the midst of ocean
+ Catches fire, and shiv'ring springs into the air,
+ And in a moment scatters between sea and sky
+ The crew it bore, so will he hurry to destruction
+ Ev'ry one whose fate was join'd with his.
+
+Yet still there is some touch of pathos in his gloomy fall; some
+visitings of nature in the austere grandeur of his slowly-coming, but
+inevitable and annihilating doom. The last scene of his life is among
+the finest which poetry can boast of. Thekla's death is still unknown
+to him; but he thinks of Max, and almost weeps. He looks at the stars:
+dim shadows of superstitious dread pass fitfully across his spirit, as
+he views these fountains of light, and compares their glorious and
+enduring existence with the fleeting troubled life of man. The strong
+spirit of his sister is subdued by dark forebodings; omens are against
+him; his astrologer entreats, one of the relenting conspirators
+entreats, his own feelings call upon him, to watch and beware. But he
+refuses to let the resolution of his mind be overmastered; he casts
+away these warnings, and goes cheerfully to sleep, with dreams of hope
+about his pillow, unconscious that the javelins are already grasped
+which will send him to his long and dreamless sleep. The death of
+Wallenstein does not cause tears; but it is perhaps the most
+high-wrought scene of the play. A shade of horror, of fateful
+dreariness, hangs over it, and gives additional effect to the fire of
+that brilliant poetry, which glows in every line of it. Except in
+_Macbeth_ or the conclusion of _Othello_, we know not where to match
+it. Schiller's genius is of a kind much narrower than Shakspeare's;
+but in his own peculiar province, the exciting of lofty, earnest,
+strong emotion, he admits of no superior. Others are finer, more
+piercing, varied, thrilling, in their influence: Schiller, in his
+finest mood, is overwhelming.
+
+
+This tragedy of _Wallenstein_, published at the close of the
+eighteenth century, may safely be rated as the greatest dramatic work
+of which that century can boast. France never rose into the sphere of
+Schiller, even in the days of her Corneille: nor can our own country,
+since the times of Elizabeth, name any dramatist to be compared with
+him in general strength of mind, and feeling, and acquired
+accomplishment. About the time of _Wallenstein's_ appearance, we of
+this gifted land were shuddering at _The Castle Spectre_! Germany,
+indeed, boasts of Goethe: and on some rare occasions, it must be owned
+that Goethe has shown talents of a higher order than are here
+manifested; but he has made no equally regular or powerful exertion of
+them: _Faust_ is but a careless effusion compared with _Wallenstein_.
+The latter is in truth a vast and magnificent work. What an assemblage
+of images, ideas, emotions, disposed in the most felicitous and
+impressive order! We have conquerors, statesmen, ambitious generals,
+marauding soldiers, heroes, and heroines, all acting and feeling as
+they would in nature, all faithfully depicted, yet all embellished by
+the spirit of poetry, and all made conducive to heighten one paramount
+impression, our sympathy with the three chief characters of the
+piece.[35]
+
+ [Footnote 35: _Wallenstein_ has been translated into French
+ by M. Benjamin Constant; and the last two parts of it have
+ been faithfully rendered into English by Mr. Coleridge. As to
+ the French version, we know nothing, save that it is an
+ _improved_ one; but that little is enough: Schiller, as a
+ dramatist, improved by M. Constant, is a spectacle we feel no
+ wish to witness. Mr. Coleridge's translation is also, as a
+ whole, unknown to us: but judging from many large specimens,
+ we should pronounce it, excepting Sotheby's _Oberon_, to be
+ the best, indeed the only sufferable, translation from the
+ German with which our literature has yet been enriched.]
+
+
+Soon after the publication of _Wallenstein_, Schiller once more
+changed his abode. The 'mountain air of Jena' was conceived by his
+physicians to be prejudicial in disorders of the lungs; and partly in
+consequence of this opinion, he determined henceforth to spend his
+winters in Weimar. Perhaps a weightier reason in favour of this new
+arrangement was the opportunity it gave him of being near the theatre,
+a constant attendance on which, now that he had once more become a
+dramatist, seemed highly useful for his farther improvement. The
+summer he, for several years, continued still to spend in Jena; to
+which, especially its beautiful environs, he declared himself
+particularly attached. His little garden-house was still his place of
+study during summer; till at last he settled constantly at Weimar.
+Even then he used frequently to visit Jena; to which there was a fresh
+attraction in later years, when Goethe chose it for his residence,
+which, we understand, it still occasionally is. With Goethe he often
+stayed for months.
+
+This change of place produced little change in Schiller's habits or
+employment: he was now as formerly in the pay of the Duke of Weimar;
+now as formerly engaged in dramatic composition as the great object of
+his life. What the amount of his pension was, we know not: that the
+Prince behaved to him in a princely manner, we have proof sufficient.
+Four years before, when invited to the University of Tuebingen,
+Schiller had received a promise, that, in case of sickness or any
+other cause preventing the continuance of his literary labour, his
+salary should be doubled. It was actually increased on occasion of the
+present removal; and again still farther in 1804, some advantageous
+offers being made to him from Berlin. Schiller seems to have been,
+what he might have wished to be, neither poor nor rich: his simple
+unostentatious economy went on without embarrassment: and this was all
+that he required. To avoid pecuniary perplexities was constantly
+among his aims: to amass wealth, never. We ought also to add that, in
+1802, by the voluntary solicitation of the Duke, he was ennobled; a
+fact which we mention, for his sake by whose kindness this honour was
+procured; not for the sake of Schiller, who accepted it with
+gratitude, but had neither needed nor desired it.
+
+The official services expected of him in return for so much kindness
+seem to have been slight, if any. Chiefly or altogether of his own
+accord, he appears to have applied himself to a close inspection of
+the theatre, and to have shared with Goethe the task of superintending
+its concerns. The rehearsals of new pieces commonly took place at the
+house of one of these friends; they consulted together on all such
+subjects, frankly and copiously. Schiller was not slow to profit by
+the means of improvement thus afforded him; in the mechanical details
+of his art he grew more skilful: by a constant observation of the
+stage, he became more acquainted with its capabilities and its laws.
+It was not long till, with his characteristic expansiveness of
+enterprise, he set about turning this new knowledge to account. In
+conjunction with Goethe, he remodelled his own _Don Carlos_ and his
+friend's _Count Egmont_, altering both according to his latest views
+of scenic propriety. It was farther intended to treat, in the same
+manner, the whole series of leading German plays, and thus to produce
+a national stock of dramatic pieces, formed according to the best
+rules; a vast project, in which some progress continued to be made,
+though other labours often interrupted it. For the present, Schiller
+was engaged with his _Maria Stuart_: it appeared in 1800.
+
+This tragedy will not detain us long. It is upon a subject, the
+incidents of which are now getting trite, and the moral of which has
+little that can peculiarly recommend it. To exhibit the repentance of
+a lovely but erring woman, to show us how her soul may be restored to
+its primitive nobleness, by sufferings, devotion and death, is the
+object of _Maria Stuart_. It is a tragedy of sombre and mournful
+feelings; with an air of melancholy and obstruction pervading it; a
+looking backward on objects of remorse, around on imprisonment, and
+forward on the grave. Its object is undoubtedly attained. We are
+forced to pardon and to love the heroine; she is beautiful, and
+miserable, and lofty-minded; and her crimes, however dark, have been
+expiated by long years of weeping and woe. Considering also that they
+were the fruit not of calculation, but of passion acting on a heart
+not dead, though blinded for a time, to their enormity, they seem less
+hateful than the cold premeditated villany of which she is the victim.
+Elizabeth is selfish, heartless, envious; she violates no law, but she
+has no virtue, and she lives triumphant: her arid, artificial
+character serves by contrast to heighten our sympathy with her
+warm-hearted, forlorn, ill-fated rival. These two Queens, particularly
+Mary, are well delineated: their respective qualities are vividly
+brought out, and the feelings they were meant to excite arise within
+us. There is also Mortimer, a fierce, impetuous, impassioned lover;
+driven onward chiefly by the heat of his blood, but still interesting
+by his vehemence and unbounded daring. The dialogue, moreover, has
+many beauties; there are scenes which have merited peculiar
+commendation. Of this kind is the interview between the Queens; and
+more especially the first entrance of Mary, when, after long
+seclusion, she is once more permitted to behold the cheerful sky. In
+the joy of a momentary freedom, she forgets that she is still a
+captive; she addresses the clouds, the 'sailors of the air, who 'are
+not subjects of Elizabeth,' and bids them carry tidings of her to the
+hearts that love her in other lands. Without doubt, in all that he
+intended, Schiller has succeeded; _Maria Stuart_ is a beautiful
+tragedy; it would have formed the glory of a meaner man, but it cannot
+materially alter his. Compared with _Wallenstein_, its purpose is
+narrow, and its result is common. We have no manners or true
+historical delineation. The figure of the English court is not given;
+and Elizabeth is depicted more like one of the French Medici, than
+like our own politic, capricious, coquettish, imperious, yet on the
+whole true-hearted, 'good Queen Bess.' With abundant proofs of genius,
+this tragedy produces a comparatively small effect, especially on
+English readers. We have already wept enough for Mary Stuart, both
+over prose and verse; and the persons likely to be deeply touched with
+the moral or the interest of her story, as it is recorded here, are
+rather a separate class than men in general. Madame de Stael, we
+observe, is her principal admirer.
+
+
+Next year, Schiller took possession of a province more peculiarly his
+own: in 1801, appeared his _Maid of Orleans_ (_Jungfrau von Orleans_);
+the first hint of which was suggested to him by a series of documents,
+relating to the sentence of Jeanne d'Arc, and its reversal, first
+published about this time by De l'Averdy of the _Academie des
+Inscriptions_. Schiller had been moved in perusing them: this tragedy
+gave voice to his feelings.
+
+Considered as an object of poetry or history, Jeanne d'Arc, the most
+singular personage of modern times, presents a character capable of
+being viewed under a great variety of aspects, and with a
+corresponding variety of emotions. To the English of her own age,
+bigoted in their creed, and baffled by her prowess, she appeared
+inspired by the Devil, and was naturally burnt as a sorceress. In this
+light, too, she is painted in the poems of Shakspeare. To Voltaire,
+again, whose trade it was to war with every kind of superstition, this
+child of fanatic ardour seemed no better than a moonstruck zealot; and
+the people who followed her, and believed in her, something worse than
+lunatics. The glory of what she had achieved was forgotten, when the
+means of achieving it were recollected; and the Maid of Orleans was
+deemed the fit subject of a poem, the wittiest and most profligate for
+which literature has to blush. Our illustrious _Don Juan_ hides his
+head when contrasted with Voltaire's _Pucelle_: Juan's biographer,
+with all his zeal, is but an innocent, and a novice, by the side of
+this arch-scorner.
+
+Such a manner of considering the Maid of Orleans is evidently not the
+right one. Feelings so deep and earnest as hers can never be an object
+of ridicule: whoever pursues a purpose of any sort with such fervid
+devotedness, is entitled to awaken emotions, at least of a serious
+kind, in the hearts of others. Enthusiasm puts on a different shape in
+every different age: always in some degree sublime, often it is
+dangerous; its very essence is a tendency to error and exaggeration;
+yet it is the fundamental quality of strong souls; the true nobility
+of blood, in which all greatness of thought or action has its rise.
+_Quicquid vult valde vult_ is ever the first and surest test of mental
+capability. This peasant girl, who felt within her such fiery
+vehemence of resolution, that she could subdue the minds of kings and
+captains to her will, and lead armies on to battle, conquering, till
+her country was cleared of its invaders, must evidently have possessed
+the elements of a majestic character. Benevolent feelings, sublime
+ideas, and above all an overpowering will, are here indubitably
+marked. Nor does the form, which her activity assumed, seem less
+adapted for displaying these qualities, than many other forms in which
+we praise them. The gorgeous inspirations of the Catholic religion are
+as real as the phantom of posthumous renown; the love of our native
+soil is as laudable as ambition, or the principle of military honour.
+Jeanne d'Arc must have been a creature of shadowy yet far-glancing
+dreams, of unutterable feelings, of 'thoughts that wandered through
+Eternity.' Who can tell the trials and the triumphs, the splendours
+and the terrors, of which her simple spirit was the scene! 'Heartless,
+sneering, god-forgetting French!' as old Suwarrow called them,--they
+are not worthy of this noble maiden. Hers were errors, but errors
+which a generous soul alone could have committed, and which generous
+souls would have done more than pardon. Her darkness and delusions
+were of the understanding only; they but make the radiance of her
+heart more touching and apparent; as clouds are gilded by the orient
+light into something more beautiful than azure itself.
+
+It is under this aspect that Schiller has contemplated the Maid of
+Orleans, and endeavoured to make us contemplate her. For the latter
+purpose, it appears that more than one plan had occurred to him. His
+first idea was, to represent Joanna, and the times she lived in, as
+they actually were: to exhibit the superstition, ferocity, and
+wretchedness of the period, in all their aggravation; and to show us
+this patriotic and religious enthusiast beautifying the tempestuous
+scene by her presence; swaying the fierce passions of her countrymen;
+directing their fury against the invaders of France; till at length,
+forsaken and condemned to die, she perished at the stake, retaining
+the same steadfast and lofty faith, which had ennobled and redeemed
+the errors of her life, and was now to glorify the ignominy of her
+death. This project, after much deliberation, he relinquished, as too
+difficult. By a new mode of management, much of the homeliness and
+rude horror, that defaced and encumbered the reality, is thrown away.
+The Dauphin is not here a voluptuous weakling, nor is his court the
+centre of vice and cruelty and imbecility: the misery of the time is
+touched but lightly, and the Maid of Arc herself is invested with a
+certain faint degree of mysterious dignity, ultimately represented as
+being in truth a preternatural gift; though whether preternatural, and
+if so, whether sent from above or from below, neither we nor she,
+except by faith, are absolutely sure, till the conclusion.
+
+The propriety of this arrangement is liable to question; indeed, it
+has been more than questioned. But external blemishes are lost in the
+intrinsic grandeur of the piece: the spirit of Joanna is presented to
+us with an exalting and pathetic force sufficient to make us blind to
+far greater improprieties. Joanna is a pure creation, of
+half-celestial origin, combining the mild charms of female loveliness
+with the awful majesty of a prophetess, and a sacrifice doomed to
+perish for her country. She resembled, in Schiller's view, the
+Iphigenia of the Greeks; and as such, in some respects, he has treated
+her.
+
+The woes and desolation of the land have kindled in Joanna's keen and
+fervent heart a fire, which the loneliness of her life, and her deep
+feelings of religion, have nourished and fanned into a holy flame. She
+sits in solitude with her flocks, beside the mountain chapel of the
+Virgin, under the ancient Druid oak, a wizard spot, the haunt of evil
+spirits as well as of good; and visions are revealed to her such as
+human eyes behold not. It seems the force of her own spirit,
+expressing its feelings in forms which react upon itself. The
+strength of her impulses persuades her that she is called from on high
+to deliver her native France; the intensity of her own faith persuades
+others; she goes forth on her mission; all bends to the fiery
+vehemence of her will; she is inspired because she thinks herself so.
+There is something beautiful and moving in the aspect of a noble
+enthusiasm, fostered in the secret soul, amid obstructions and
+depressions, and at length bursting forth with an overwhelming force
+to accomplish its appointed end: the impediments which long hid it are
+now become testimonies of its power; the very ignorance, and meanness,
+and error, which still in part adhere to it, increase our sympathy
+without diminishing our admiration; it seems the triumph, hardly
+contested, and not wholly carried, but still the triumph, of Mind over
+Fate, of human volition over material necessity.
+
+All this Schiller felt, and has presented with even more than his
+usual skill. The secret mechanism of Joanna's mind is concealed from
+us in a dim religious obscurity; but its active movements are
+distinct; we behold the lofty heroism of her feelings; she affects us
+to the very heart. The quiet, devout innocence of her early years,
+when she lived silent, shrouded in herself, meek and kindly though not
+communing with others, makes us love her: the celestial splendour
+which illuminates her after-life adds reverence to our love. Her words
+and actions combine an overpowering force with a calm unpretending
+dignity: we seem to understand how they must have carried in their
+favour the universal conviction. Joanna is the most noble being in
+tragedy. We figure her with her slender lovely form, her mild but
+spirit-speaking countenance; 'beautiful and terrible;' bearing the
+banner of the Virgin before the hosts of her country; travelling in
+the strength of a rapt soul; irresistible by faith; 'the lowly
+herdsmaid,' greater in the grandeur of her simple spirit than the
+kings and queens of this world. Yet her breast is not entirely
+insensible to human feeling, nor her faith never liable to waver. When
+that inexorable vengeance, which had shut her ear against the voice of
+mercy to the enemies of France, is suspended at the sight of Lionel,
+and her heart experiences the first touch of mortal affection, a
+baleful cloud overspreads the serene of her mind; it seems as if
+Heaven had forsaken her, or from the beginning permitted demons or
+earthly dreams to deceive her. The agony of her spirit, involved in
+endless and horrid labyrinths of doubt, is powerfully portrayed. She
+has crowned the king at Rheims; and all is joy, and pomp, and jubilee,
+and almost adoration of Joanna: but Joanna's thoughts are not of joy.
+The sight of her poor but kind and true-hearted sisters in the crowd,
+moves her to the soul. Amid the tumult and magnificence of this royal
+pageant, she sinks into a reverie; her small native dale of Arc,
+between its quiet hills, rises on her mind's eye, with its
+straw-roofed huts, and its clear greensward; where the sun is even
+then shining so brightly, and the sky is so blue, and all is so calm
+and motherly and safe. She sighs for the peace of that sequestered
+home; then shudders to think that she shall never see it more. Accused
+of witchcraft, by her own ascetic melancholic father, she utters no
+word of denial to the charge; for her heart is dark, it is tarnished
+by earthly love, she dare not raise her thoughts to Heaven. Parted
+from her sisters; cast out with horror by the people she had lately
+saved from despair, she wanders forth, desolate, forlorn, not knowing
+whither. Yet she does not sink under this sore trial: as she suffers
+from without, and is forsaken of men, her mind grows clear and strong,
+her confidence returns. She is now more firmly fixed in our admiration
+than before; tenderness is united to our other feelings; and her
+faith has been proved by sharp vicissitudes. Her countrymen recognise
+their error; Joanna closes her career by a glorious death; we take
+farewell of her in a solemn mood of heroic pity.
+
+Joanna is the animating principle of this tragedy; the scenes employed
+in developing her character and feelings constitute its great charm.
+Yet there are other personages in it, that leave a distinct and
+pleasing impression of themselves in our memory. Agnes Sorel, the
+soft, languishing, generous mistress of the Dauphin, relieves and
+heightens by comparison the sterner beauty of the Maid. Dunois, the
+Bastard of Orleans, the lover of Joanna, is a blunt, frank, sagacious
+soldier, and well described. And Talbot, the gray veteran, delineates
+his dark, unbelieving, indomitable soul, by a few slight but
+expressive touches: he sternly passes down to the land, as he thinks,
+of utter nothingness, contemptuous even of the fate that destroys him,
+and
+
+ 'On the soil of France he sleeps, as does
+ A hero on the shield he would not quit.'
+
+A few scattered extracts may in part exhibit some of these inferior
+personages to our readers, though they can afford us no impression of
+the Maid herself. Joanna's character, like every finished piece of
+art, to be judged of must be seen in all its bearings. It is not in
+parts, but as a whole, that the delineation moves us; by light and
+manifold touches, it works upon our hearts, till they melt before it
+into that mild rapture, free alike from the violence and the
+impurities of Nature, which it is the highest triumph of the Artist to
+communicate.
+
+
+ACT III. SCENE IV.
+
+[_The_ Dauphin Charles, _with his suite: afterwards_ Joanna. _She is
+in armour, but without her helmet; and wears a garland in her hair._
+
+DUNOIS [_steps forward_].
+My heart made choice of her while she was lowly;
+This new honour raises not her merit
+Or my love. Here, in the presence of my King
+And of this holy Archbishop, I offer her
+My hand and princely rank, if she regard me
+As worthy to be hers.
+
+CHARLES. Resistless Maid,
+Thou addest miracle to miracle!
+Henceforward I believe that nothing is
+Impossible to thee. Thou hast subdued
+This haughty spirit, that till now defied
+Th' omnipotence of Love.
+
+LA HIRE [_steps forward_]. If I mistake not
+Joanna's form of mind, what most adorns her
+Is her modest heart. The rev'rence of the great
+She merits; but her thoughts will never rise
+So high. She strives not after giddy splendours:
+The true affection of a faithful soul
+Contents her, and the still, sequester'd lot
+Which with this hand I offer her.
+
+CHARLES. Thou too,
+La Hire? Two valiant suitors, equal in
+Heroic virtue and renown of war!
+--Wilt thou, that hast united my dominions,
+Soften'd my opposers, part my firmest friends?
+Both may not gain thee, each deserving thee:
+Speak, then! Thy heart must here be arbiter.
+
+AGNES SOREL [_approaches_].
+Joanna is embarrass'd and surprised;
+I see the bashful crimson tinge her cheeks.
+Let her have time to ask her heart, to open
+Her clos'd bosom in trustful confidence
+With me. The moment is arriv'd when I
+In sisterly communion also may
+Approach the rigorous Maid, and offer her
+The solace of my faithful, silent breast.
+First let us women sit in secret judgment
+On this matter that concerns us; then expect
+What we shall have decided.
+
+CHARLES [_about to go_]. Be it so, then!
+
+JOANNA. Not so, Sire! 'Twas not the embarrassment
+Of virgin shame that dy'd my cheeks in crimson:
+To this lady I have nothing to confide,
+Which I need blush to speak of before men.
+Much am I honour'd by the preference
+Of these two noble Knights; but it was not
+To chase vain worldly grandeurs, that I left
+The shepherd moors; not in my hair to bind
+The bridal garland, that I girt myself
+With warlike armour. To far other work
+Am I appointed: and the spotless virgin
+Alone can do it. I am the soldier
+Of the God of Battles; to no living man
+Can I be wife.
+
+ARCHBISHOP. As kindly help to man
+Was woman born; and in obeying Nature
+She best obeys and reverences Heaven.
+When the command of God who summon'd thee
+To battle is fulfull'd, thou wilt lay down
+Thy weapons, and return to that soft sex
+Which thou deny'st, which is not call'd to do
+The bloody work of war.
+
+JOANNA. Father, as yet
+I know not how the Spirit will direct me:
+When the needful time comes round, His voice
+Will not be silent, and I will obey it.
+For the present, I am bid complete the task.
+He gave me. My sov'reign's brow is yet uncrown'd,
+His head unwetted by the holy oil,
+He is not yet a King.
+
+CHARLES. We are journeying
+Towards Rheims.
+
+JOANNA. Let us not linger by the way.
+Our foes are busy round us, shutting up
+Thy passage: I will lead thee through them all.
+
+DUNOIS. And when the work shall be fulfill'd, when we
+Have marched in triumph into Rheims,
+Will not Joanna then--
+
+JOANNA. If God see meet
+That I return with life and vict'ry from
+These broils, my task is ended, and the herdsmaid
+Has nothing more to do in her King's palace.
+
+CHARLES [_taking her hand_].
+It is the Spirit's voice impels thee now,
+And Love is mute in thy inspired bosom.
+Believe me, it will not be always mute!
+Our swords will rest; and Victory will lead
+Meek Peace by th' hand, and Joy will come again
+To ev'ry breast, and softer feelings waken
+In every heart: in thy heart also waken;
+And tears of sweetest longing wilt thou weep,
+Such as thine eyes have never shed. This heart,
+Now fill'd by Heav'n, will softly open
+To some terrestrial heart. Thou hast begun
+By blessing thousands; but thou wilt conclude
+By blessing one.
+
+JOANNA. Dauphin! Art thou weary
+Of the heavenly vision, that thou seekest
+To deface its chosen vessel, wouldst degrade
+To common dust the Maid whom God has sent thee?
+Ye blind of heart! O ye of little faith!
+Heaven's brightness is about you, before your eyes
+Unveils its wonders; and ye see in me
+Nought but a woman. Dare a woman, think ye,
+Clothe herself in iron harness, and mingle
+In the wreck of battle? Woe, woe to me,
+If bearing in my hand th' avenging sword
+Of God, I bore in my vain heart a love
+To earthly man! Woe to me! It were better
+That I never had been born. No more,
+No more of this! Unless ye would awake the wrath
+Of HIM that dwells in me! The eye of man
+Desiring me is an abomination
+And a horror.
+
+CHARLES. Cease! 'Tis vain to urge her.
+
+JOANNA. Bid the trumpets sound! This loit'ring grieves
+And harasses me. Something chases me
+From sloth, and drives me forth to do my mission,
+Stern beck'ning me to my appointed doom.
+
+
+SCENE V.
+
+A KNIGHT [_in haste_].
+
+CHARLES. How now?
+
+KNIGHT. The enemy has pass'd the Marne;
+Is forming as for battle.
+
+JOANNA [_as if inspired_]. Arms and battle!
+My soul has cast away its bonds! To arms!
+Prepare yourselves, while I prepare the rest! [_She hastens out_
+
+ * * * * *
+
+[_Trumpets sound with a piercing tone, and while the scene is changing
+pass into a wild tumultuous sound of battle._]
+
+
+SCENE VI.
+
+[_The scene changes to an open space encircled with trees. During the
+music, soldiers are seen hastily retreating across the background._]
+
+TALBOT, _leaning upon_ FASTOLF, _and accompanied by_ Soldiers. _Soon
+after_, LIONEL.
+
+TALBOT. Here set me down beneath this tree, and you
+Betake yourselves again to battle: quick!
+I need no help to die.
+
+FASTOLF. O day of woe! [_Lionel enters._
+Look, what a sight awaits you, Lionel!
+Our General expiring of his wounds!
+
+LIONEL. Now God forbid! Rise, noble Talbot! This
+Is not a time for you to faint and sink.
+Yield not to Death; force faltering Nature
+By your strength of soul, that life depart not!
+
+TALBOT. In vain! The day of Destiny is come
+That prostrates with the dust our power in France.
+In vain, in the fierce clash of desp'rate battle,
+Have I risk'd our utmost to withstand it:
+The bolt has smote and crush'd me, and I lie
+To rise no more forever. Rheims is lost;
+Make haste to rescue Paris.
+
+LIONEL. Paris has surrender'd
+To the Dauphin: an express is just arriv'd
+With tidings.
+
+TALBOT [_tears away his bandages_].
+ Then flow out, ye life-streams;
+I am grown to loathe this Sun.
+
+LIONEL. They want me!
+Fastolf, bear him to a place of safety:
+We can hold this post few instants longer,
+The coward knaves are giving way on all sides,
+Irresistible the Witch is pressing on.
+
+TALBOT. Madness, thou conquerest, and I must yield:
+Stupidity can baffle the very gods.
+High Reason, radiant Daughter of God's Head,
+Wise Foundress of the system of the Universe,
+Conductress of the stars, who art thou, then,
+If, tied to th' tail o' th' wild horse Superstition,
+Thou must plunge, eyes open, vainly shrieking,
+Sheer down with that drunk Beast to the Abyss?
+Cursed who sets his life upon the great
+And dignified; and with forecasting spirit
+Forms wise projects! The Fool-king rules this world.
+
+LIONEL. O, Death is near you! Think of your Creator!
+
+TALBOT. Had we as brave men been defeated
+By brave men, we might have consoled ourselves
+With common thoughts of Fortune's fickleness:
+But that a sorry farce should be our ruin!--
+Did our earnest toilsome struggle merit
+No graver end than this?
+
+LIONEL [_grasps his hand_]. Talbot, farewell!
+The meed of bitter tears I'll duly pay you,
+When the fight is done, should I outlive it.
+Now Fate calls me to the field, where yet
+She wav'ring sits, and shakes her doubtful urn.
+Farewell! we meet beyond the unseen shore.
+Brief parting for long friendship! God be with you! [_Exit._
+
+TALBOT. Soon it is over, and to th' Earth I render,
+To the everlasting Sun, the atoms,
+Which for pain and pleasure join'd to form me;
+And of the mighty Talbot, whose renown
+Once fill'd the world, remains nought but a handful
+Of light dust. Thus man comes to his end;
+And our one conquest in this fight of life
+Is the conviction of life's nothingness,
+And deep disdain of all that sorry stuff
+We once thought lofty and desirable.
+
+
+SCENE VII.
+
+_Enter_ CHARLES; BURGUNDY; DUNOIS; DU CHATEL; _and_ Soldiers.
+
+BURGUN. The trench is storm'd.
+
+DUNOIS. The victory is ours.
+
+CHARLES [_observing Talbot_].
+Ha! who is this that to the light of day
+Is bidding his constrained and sad farewell?
+His bearing speaks no common man: go, haste,
+Assist him, if assistance yet avail.
+
+[_Soldiers from the Dauphin's suite step forward._
+
+FASTOLF. Back! Keep away! Approach not the Departing,
+Whom in life ye never wish'd too near you.
+
+BURGUN. What do I see? Lord Talbot in his blood!
+
+[_He goes towards him. Talbot gazes fixedly at him, and dies._
+
+FASTOLF. Off, Burgundy! With th' aspect of a traitor
+Poison not the last look of a hero.
+
+DUNOIS. Dreaded Talbot! stern, unconquerable!
+Dost thou content thee with a space so narrow,
+And the wide domains of France once could not
+Stay the striving of thy giant spirit?--
+Now for the first time, Sire, I call you King:
+The crown but totter'd on your head, so long
+As in this body dwelt a soul.
+
+CHARLES [_after looking at the dead in silence_]. It was
+A higher hand that conquer'd him, not we.
+Here on the soil of France he sleeps, as does
+A hero on the shield he would not quit.
+Bring him away. [_Soldiers lift the corpse, and carry it off._
+ And peace be with his dust!
+A fair memorial shall arise to him
+I' th' midst of France: here, where the hero's course
+And life were finished, let his bones repose.
+Thus far no other foe has e'er advanced.
+His epitaph shall be the place he fell on.
+
+ * * * * *
+
+
+SCENE IX.
+
+_Another empty space in the field of battle. In the distance are seen
+the towers of Rheims illuminated by the sun._
+
+_A Knight, cased in black armour, with his visor shut._ JOANNA
+_follows him to the front of the scene, where he stops and awaits
+her._
+
+JOANNA. Deceiver! Now I see thy craft. Thou hast,
+By seeming flight, enticed me from the battle,
+And warded death and destiny from off the head
+Of many a Briton. Now they reach thy own.
+
+KNIGHT. Why dost thou follow me, and track my stops
+With murd'rous fury? I am not appointed
+To die by thee.
+
+JOANNA. Deep in my lowest soul
+I hate thee as the Night, which is thy colour.
+To sweep thee from the face of Earth, I feel
+Some irresistible desire impelling me.
+Who art thou? Lift thy visor: had not I
+Seen Talbot fall, I should have named thee Talbot.
+
+KNIGHT. Speaks not the prophesying Spirit in thee?
+
+JOANNA. It tells me loudly, in my inmost bosom,
+That Misfortune is at hand.
+
+KNIGHT. Joanna d'Arc!
+Up to the gates of Rheims hast thou advanced,
+Led on by victory. Let the renown
+Already gain'd suffice thee! As a slave
+Has Fortune serv'd thee: emancipate her,
+Ere in wrath she free herself; fidelity
+She hates; no one obeys she to the end.
+
+JOANNA. How say'st thou, in the middle of my course,
+That I should pause and leave my work unfinish'd?
+I will conclude it, and fulfil my vow.
+
+KNIGHT. Nothing can withstand thee; thou art most strong;
+In ev'ry battle thou prevailest. But go
+Into no other battle. Hear my warning!
+
+JOANNA. This sword I quit not, till the English yield.
+
+KNIGHT. Look! Yonder rise the towers of Rheims, the goal
+And purpose of thy march; thou seest the dome
+Of the cathedral glittering in the sun:
+There wouldst thou enter in triumphal pomp,
+To crown thy sov'reign and fulfil thy vow.
+Enter not there. Turn homewards. Hear my warning!
+
+JOANNA. Who art thou, false, double-tongued betrayer,
+That wouldst frighten and perplex me? Dar'st thou
+Utter lying oracles to me?
+
+[_The Black Knight attempts to go; she steps in his way._
+
+ No!
+Thou shalt answer me, or perish by me!
+
+[_She lifts her arm to strike him._
+
+KNIGHT [_touches her with his hand: she stands immovable_].
+Kill what is mortal!
+
+[_Darkness, lightning and thunder. The Knight sinks._
+
+JOANNA [_stands at first amazed: but soon recovers herself_].
+ It was nothing earthly.
+Some delusive form of Hell, some spirit
+Of Falsehood, sent from th' everlasting Pool
+To tempt and terrify my fervent soul!
+Bearing the sword of God, what do I fear?
+Victorious will I end my fated course;
+Though Hell itself with all its fiends assail me,
+My heart and faith shall never faint or fail me. [_She is going._
+
+
+SCENE X.
+
+LIONEL, JOANNA.
+
+LIONEL. Accursed Sorceress, prepare for battle:
+Not both of us shall leave the place alive.
+Thou hast destroyed the chosen of my host;
+Brave Talbot has breath'd out his mighty spirit
+In my bosom. I will avenge the Dead,
+Or share his fate. And wouldst thou know the man
+Who brings thee glory, let him die or conquer,
+I am Lionel, the last survivor
+Of our chiefs; and still unvanquish'd is this arm.
+
+[_He rushes towards her; after a short contest, she strikes the sword
+from his hand._
+
+Faithless fortune! [_He struggles with her._
+
+JOANNA [_seizes him by the plume from behind, and tears his helmet
+ violently down, so that his face is exposed: at
+ the same time she lifts her sword with the right
+ hand_].
+ Suffer what thou soughtest!
+The Virgin sacrifices thee through me!
+
+[_At this moment she looks in his face; his aspect touches her; she
+stands immovable, and then slowly drops her arm._
+
+LIONEL. Why lingerest thou, and stayest the stroke of death?
+My honour thou hast taken, take my life:
+'Tis in thy hands to take it; I want not mercy.
+ [_She gives him a sign with her hand to depart._
+Fly from _thee_? Owe _thee_ my life? Die rather!
+
+JOANNA [_her face turned away_].
+I will not remember that thou owedst
+Thy life to me.
+
+LIONEL. I hate thee and thy gift.
+I want not mercy. Kill thy enemy,
+Who meant to kill thee, who abhors thee!
+
+JOANNA. Kill me, and fly!
+
+LIONEL. Ha! How is this?
+
+JOANNA [_hides her face_]. Woe's me!
+
+LIONEL [_approaches her_].
+Thou killest every Briton, I have heard,
+Whom thou subdu'st in battle: why spare me?
+
+JOANNA [_lifts her sword with a rapid movement against him,
+but quickly lets it sink again, when she observes his
+face_].
+O Holy Virgin!
+
+LIONEL. Wherefore namest thou
+The Virgin? _She_ knows nothing of thee; Heaven
+Has nought to say to thee.
+
+JOANNA [_in violent anguish_]. What have I done!
+My vow, my vow is broke! [_Wrings her hands in despair._
+
+LIONEL [_looks at her with sympathy, and comes nearer_].
+ Unhappy girl!
+I pity thee; thou touchest me; thou showedst
+Mercy to me alone. My hate is going:
+I am constrain'd to feel for thee. Who art thou?
+Whence comest thou?
+
+JOANNA. Away! Begone!
+
+LIONEL. Thy youth,
+Thy beauty melt and sadden me; thy look
+Goes to my heart: I could wish much to save thee;
+Tell me how I may! Come, come with me! Forsake
+This horrid business; cast away those arms!
+
+JOANNA. I no more deserve to bear them!
+
+LIONEL. Cast them
+Away, then, and come with me!
+
+JOANNA [_with horror_]. Come with thee!
+
+LIONEL. Thou mayst be sav'd: come with me! I will save thee.
+But delay not. A strange sorrow for thee
+Seizes me, and an unspeakable desire
+To save thee. [_Seizes her arm._
+
+JOANNA. Ha! Dunois! 'Tis they!
+If they should find thee!--
+
+LIONEL. Fear not; I will guard thee.
+
+JOANNA. I should die, were they to kill thee.
+
+LIONEL. Am I
+Dear to thee?
+
+JOANNA. Saints of Heaven!
+
+LIONEL. Shall I ever
+See thee, hear of thee, again?
+
+JOANNA. Never! Never!
+
+LIONEL. This sword for pledge that I will see thee!
+
+[_He wrests the sword from her._
+
+JOANNA. Madman!
+Thou dar'st?
+
+LIONEL. I yield to force; again I'll see thee. [_Exit._
+
+
+The introduction of supernatural agency in this play, and the final
+aberration from the truth of history, have been considerably censured
+by the German critics: Schlegel, we recollect, calls Joanna's end a
+'rosy death.' In this dramaturgic discussion, the mere reader need
+take no great interest. To require our belief in apparitions and
+miracles, things which we cannot now believe, no doubt for a moment
+disturbs our submission to the poet's illusions: but the miracles in
+this story are rare and transient, and of small account in the general
+result: they give our reason little trouble, and perhaps contribute to
+exalt the heroine in our imaginations. It is still the mere human
+grandeur of Joanna's spirit that we love and reverence; the lofty
+devotedness with which she is transported, the generous benevolence,
+the irresistible determination. The heavenly mandate is but the means
+of unfolding these qualities, and furnishing them with a proper
+passport to the minds of her age. To have produced, without the aid of
+fictions like these, a Joanna so beautified and exalted, would
+undoubtedly have yielded greater satisfaction: but it may be
+questioned whether the difficulty would not have increased in a still
+higher ratio. The sentiments, the characters, are not only accurate,
+but exquisitely beautiful; the incidents, excepting the very last, are
+possible, or even probable: what remains is but a very slender evil.
+
+After all objections have been urged, and this among others has
+certainly a little weight, the _Maid of Orleans_ will remain one of
+the very finest of modern dramas. Perhaps, among all Schiller's plays,
+it is the one which evinces most of that quality denominated _genius_
+in the strictest meaning of the word. _Wallenstein_ embodies more
+thought, more knowledge, more conception; but it is only in parts
+illuminated by that ethereal brightness, which shines over every part
+of this. The spirit of the romantic ages is here imaged forth; but the
+whole is exalted, embellished, ennobled. It is what the critics call
+idealised. The heart must be cold, the imagination dull, which the
+_Jungfrau von Orleans_ will not move.
+
+In Germany this case did not occur: the reception of the work was
+beyond example flattering. The leading idea suited the German mind;
+the execution of it inflamed the hearts and imaginations of the
+people; they felt proud of their great poet, and delighted to
+enthusiasm with his poetry. At the first exhibition of the play in
+Leipzig, Schiller being in the theatre, though not among the
+audience, this feeling was displayed in a rather singular manner. When
+the curtain dropped at the end of the first act, there arose on all
+sides a shout of "_Es lebe Friedrich Schiller!_" accompanied by the
+sound of trumpets and other military music: at the conclusion of the
+piece, the whole assembly left their places, went out, and crowded
+round the door through which the poet was expected to come; and no
+sooner did he show himself, than his admiring spectators, uncovering
+their heads, made an avenue for him to pass; and as he waited along,
+many, we are told, held up their children, and exclaimed, "_That is
+he!_"[36]
+
+ [Footnote 36: Doering (p. 176);--who adds as follows:
+ 'Another testimony of approval, very different in its nature,
+ he received at the first production of the play in Weimar.
+ Knowing and valuing, as he did, the public of that city, it
+ could not but surprise him greatly, when a certain young
+ Doctor S---- called out to him, "_Bravo, Schiller!_" from the
+ gallery, in a very loud tone of voice. Offended at such
+ impertinence, the poet hissed strongly, in which the audience
+ joined him. He likewise expressed in words his displeasure at
+ this conduct; and the youthful sprig of medicine was, by
+ direction of the Court, farther punished for his indiscreet
+ applause, by some admonitions from the police.']
+
+This must have been a proud moment for Schiller; but also an
+agitating, painful one; and perhaps on the whole, the latter feeling,
+for the time, prevailed. Such noisy, formal, and tumultuous plaudits
+were little to his taste: the triumph they confer, though plentiful,
+is coarse; and Schiller's modest nature made him shun the public gaze,
+not seek it. He loved men, and did not affect to despise their
+approbation; but neither did this form his leading motive. To him art,
+like virtue, was its own reward; he delighted in his tasks for the
+sake of the fascinating feelings which they yielded him in their
+performance. Poetry was the chosen gift of his mind, which his
+pleasure lay in cultivating: in other things he wished not that his
+habits or enjoyments should be different from those of other men.
+
+At Weimar his present way of life was like his former one at Jena: his
+business was to study and compose; his recreations were in the circle
+of his family, where he could abandon himself to affections, grave or
+trifling, and in frank and cheerful intercourse with a few friends. Of
+the latter he had lately formed a social club, the meetings of which
+afforded him a regular and innocent amusement. He still loved solitary
+walks: in the Park at Weimar he might frequently be seen wandering
+among the groves and remote avenues, with a note-book in his hand; now
+loitering slowly along, now standing still, now moving rapidly on; if
+any one appeared in sight, he would dart into another alley, that his
+dream might not be broken.[37] 'One of his favourite resorts,' we are
+told, 'was the thickly-overshadowed rocky path which leads to the
+_Roemische Haus_, a pleasure-house of the Duke's, built under the
+direction of Goethe. There he would often sit in the gloom of the
+crags, overgrown with cypresses and boxwood; shady hedges before him;
+not far from the murmur of a little brook, which there gushes in a
+smooth slaty channel, and where some verses of Goethe are cut upon a
+brown plate of stone, and fixed in the rock.' He still continued to
+study in the night: the morning was spent with his children and his
+wife, or in pastimes such as we have noticed; in the afternoon he
+revised what had been last composed, wrote letters, or visited his
+friends. His evenings were often passed in the theatre; it was the
+only public place of amusement which he ever visited; nor was it for
+the purpose of amusement that he visited this: it was his observatory,
+where he watched the effect of scenes and situations; devised new
+schemes of art, or corrected old ones. To the players he was kind,
+friendly: on nights when any of his pieces had been acted successfully
+or for the first time, he used to invite the leaders of the company to
+a supper in the Stadthaus, where the time was spent in mirthful
+diversions, one of which was frequently a recitation, by Genast, of
+the Capuchin's sermon in _Wallenstein's Camp_. Except on such rare
+occasions, he returned home directly from the theatre, to light his
+midnight lamp, and commence the most earnest of his labours.
+
+ [Footnote 37: 'Whatever he intended to write, he first
+ composed in his head, before putting down a line of it on
+ paper. He used to call a work _ready_ so soon as its
+ existence in his spirit was complete: hence in the public
+ there often were reports that such and such a piece of his
+ was finished, when, in the common sense, it was not even
+ begun.'--_Joerdens Lexicon_, Sec. SCHILLER.]
+
+The assiduity, with which he struggled for improvement in dramatic
+composition, had now produced its natural result: the requisitions of
+his taste no longer hindered the operation of his genius; art had at
+length become a second nature. A new proof at once of his fertility,
+and of his solicitude for farther improvement, appeared in 1803. The
+_Braut von Messina_ was an experiment; an attempt to exhibit a modern
+subject and modern sentiments in an antique garb. The principle on
+which the interest of this play rests is the Fatalism of the ancients:
+the plot is of extreme simplicity; a Chorus also is introduced, an
+elaborate discussion of the nature and uses of that accompaniment
+being prefixed by way of preface. The experiment was not successful:
+with a multitude of individual beauties this _Bride of Messina_ is
+found to be ineffectual as a whole: it does not move us; the great
+object of every tragedy is not attained. The Chorus, which Schiller,
+swerving from the Greek models, has divided into two contending parts,
+and made to enter and depart with the principals to whom they are
+attached, has in his hands become the medium of conveying many
+beautiful effusions of poetry; but it retards the progress of the
+plot; it dissipates and diffuses our sympathies; the interest we
+should take in the fate and prospects of Manuel and Caesar, is
+expended on the fate and prospects of man. For beautiful and touching
+delineations of life; for pensive and pathetic reflections,
+sentiments, and images, conveyed in language simple but nervous and
+emphatic, this tragedy stands high in the rank of modern compositions.
+There is in it a breath of young tenderness and ardour, mingled
+impressively with the feelings of gray-haired experience, whose
+recollections are darkened with melancholy, whose very hopes are
+chequered and solemn. The implacable Destiny which consigns the
+brothers to mutual enmity and mutual destruction, for the guilt of a
+past generation, involving a Mother and a Sister in their ruin,
+spreads a sombre hue over all the poem; we are not unmoved by the
+characters of the hostile Brothers, and we pity the hapless and
+amiable Beatrice, the victim of their feud. Still there is too little
+action in the play; the incidents are too abundantly diluted with
+reflection; the interest pauses, flags, and fails to produce its full
+effect. For its specimens of lyrical poetry, tender, affecting,
+sometimes exquisitely beautiful, the _Bride of Messina_ will long
+deserve a careful perusal; but as exemplifying a new form of the
+drama, it has found no imitators, and is likely to find none.
+
+
+The slight degree of failure or miscalculation which occurred in the
+present instance, was next year abundantly redeemed. _Wilhelm Tell_,
+sent out in 1804, is one of Schiller's very finest dramas; it exhibits
+some of the highest triumphs which his genius, combined with his art,
+ever realised. The first descent of Freedom to our modern world, the
+first unfurling of her standard on the rocky pinnacle of Europe, is
+here celebrated in the style which it deserved. There is no false
+timsel-decoration about _Tell_, no sickly refinement, no declamatory
+sentimentality. All is downright, simple, and agreeable to Nature;
+yet all is adorned and purified and rendered beautiful, without losing
+its resemblance. An air of freshness and wholesomeness breathes over
+it; we are among honest, inoffensive, yet fearless peasants, untainted
+by the vices, undazzled by the theories, of more complex and perverted
+conditions of society. The opening of the first scene sets us down
+among the Alps. It is 'a high rocky shore of the Luzern Lake, opposite
+to Schwytz. The lake makes a little bight in the land, a hut stands at
+a short distance from the bank, the fisher-boy is rowing himself about
+in his boat. Beyond the lake, on the other side, we see the green
+meadows, the hamlets and farms of Schwytz, lying in the clear
+sunshine. On our left are observed the peaks of the Hacken surrounded
+with clouds: to the right, and far in the distance, appear the
+glaciers. We hear the _rance des vaches_ and the tinkling of
+cattle-bells.' This first impression never leaves us; we are in a
+scene where all is grand and lovely; but it is the loveliness and
+grandeur of unpretending, unadulterated Nature. These Switzers are not
+Arcadian shepherds or speculative patriots; there is not one crook or
+beechen bowl among them, and they never mention the Social Contract,
+or the Rights of Man. They are honest people, driven by oppression to
+assert their privileges; and they go to work like men in earnest, bent
+on the despatch of business, not on the display of sentiment. They are
+not philosophers or tribunes; but frank, stalwart landmen: even in the
+field of Ruetli, they do not forget their common feelings; the party
+that arrive first indulge in a harmless little ebullition of parish
+vanity: "_We_ are first here!" they say, "we Unterwaldeners!" They
+have not charters or written laws to which they can appeal; but they
+have the traditionary rights of their fathers, and bold hearts and
+strong arms to make them good. The rules by which they steer are not
+deduced from remote premises, by a fine process of thought; they are
+the accumulated result of experience, transmitted from peasant sire to
+peasant son. There is something singularly pleasing in this exhibition
+of genuine humanity; of wisdom, embodied in old adages and practical
+maxims of prudence; of magnanimity, displayed in the quiet
+unpretending discharge of the humblest every-day duties. Truth is
+superior to Fiction: we feel at home among these brave good people;
+their fortune interests us more than that of all the brawling, vapid,
+sentimental heroes in creation. Yet to make them interest us was the
+very highest problem of art; it was to copy lowly Nature, to give us a
+copy of it embellished and refined by the agency of genius, yet
+preserving the likeness in every lineament. The highest quality of art
+is to conceal itself: these peasants of Schiller's are what every one
+imagines he could imitate successfully; yet in the hands of any but a
+true and strong-minded poet they dwindle into repulsive coarseness or
+mawkish insipidity. Among our own writers, who have tried such
+subjects, we remember none that has succeeded equally with Schiller.
+One potent but ill-fated genius has, in far different circumstances
+and with far other means, shown that he could have equalled him: the
+_Cotter's Saturday Night_ of Burns is, in its own humble way, as
+quietly beautiful, as _simplex munditiis_, as the scenes of _Tell_. No
+other has even approached them; though some gifted persons have
+attempted it. Mr. Wordsworth is no ordinary man; nor are his pedlars,
+and leech-gatherers, and dalesmen, without their attractions and their
+moral; but they sink into whining drivellers beside _Roesselmann the
+Priest_, _Ulric the Smith_, _Hans of the Wall_, and the other sturdy
+confederates of Ruetli.
+
+The skill with which the events are concatenated in this play
+corresponds to the truth of its delineation of character. The
+incidents of the Swiss Revolution, as detailed in Tschudi or Mueller,
+are here faithfully preserved, even to their minutest branches. The
+beauty of Schiller's descriptions all can relish; their fidelity is
+what surprises every reader who has been in Switzerland. Schiller
+never saw the scene of his play; but his diligence, his quickness and
+intensity of conception, supplied this defect. Mountain and
+mountaineer, conspiracy and action, are all brought before us in their
+true forms, all glowing in the mild sunshine of the poet's fancy. The
+tyranny of Gessler, and the misery to which it has reduced the land;
+the exasperation, yet patient courage of the people; their characters,
+and those of their leaders, Fuerst, Stauffacher, and Melchthal; their
+exertions and ultimate success, described as they are here, keep up a
+constant interest in the piece. It abounds in action, as much as the
+_Bride of Messina_ is defective in that point.
+
+But the finest delineation is undoubtedly the character of Wilhelm
+Tell, the hero of the Swiss Revolt, and of the present drama. In Tell
+are combined all the attributes of a great man, without the help of
+education or of great occasions to develop them. His knowledge has
+been gathered chiefly from his own experience, and this is bounded by
+his native mountains: he has had no lessons or examples of splendid
+virtue, no wish or opportunity to earn renown: he has grown up to
+manhood, a simple yeoman of the Alps, among simple yeomen; and has
+never aimed at being more. Yet we trace in him a deep, reflective,
+earnest spirit, thirsting for activity, yet bound in by the wholesome
+dictates of prudence; a heart benevolent, generous, unconscious alike
+of boasting or of fear. It is this salubrious air of rustic,
+unpretending honesty that forms the great beauty in Tell's character:
+all is native, all is genuine; he does not declaim: he dislikes to
+talk of noble conduct, he exhibits it. He speaks little of his
+freedom, because he has always enjoyed it, and feels that he can
+always defend it. His reasons for destroying Gessler are not drawn
+from jurisconsults and writers on morality, but from the everlasting
+instincts of Nature: the Austrian Vogt must die; because if not, the
+wife and children of Tell will be destroyed by him. The scene, where
+the peaceful but indomitable archer sits waiting for Gessler in the
+hollow way among the rocks of Kuessnacht, presents him in a striking
+light. Former scenes had shown us Tell under many amiable and
+attractive aspects; we knew that he was tender as well as brave, that
+he loved to haunt the mountain tops, and inhale in silent dreams the
+influence of their wild and magnificent beauty: we had seen him the
+most manly and warm-hearted of fathers and husbands; intrepid, modest,
+and decisive in the midst of peril, and venturing his life to bring
+help to the oppressed. But here his mind is exalted into stern
+solemnity; its principles of action come before us with greater
+clearness, in this its fiery contest. The name of murder strikes a
+damp across his frank and fearless spirit; while the recollection of
+his children and their mother proclaims emphatically that there is no
+remedy. Gessler must perish: Tell swore it darkly in his secret soul,
+when the monster forced him to aim at the head of his boy; and he will
+keep his oath. His thoughts wander to and fro, but his volition is
+unalterable; the free and peaceful mountaineer is to become a shedder
+of blood: woe to them that have made him so!
+
+Travellers come along the pass; the unconcern of their every-day
+existence is strikingly contrasted with the dark and fateful purposes
+of Tell. The shallow innocent garrulity of Stuessi the Forester, the
+maternal vehemence of Armgart's Wife, the hard-hearted haughtiness of
+Gessler, successively presented to us, give an air of truth to the
+delineation, and deepen the impressiveness of the result.
+
+
+ACT IV. SCENE III.
+
+_The hollow way at Kuessnacht. You descend from behind amid rocks; and
+travellers, before appearing on the scene, are seen from the height
+above. Rocks encircle the whole space; on one of the foremost is a
+projecting crag overgrown with brushwood._
+
+TELL [_enters with his bow_].
+
+Here through the hollow way he'll pass; there is
+No other road to Kuessnacht: here I'll do it!
+The opportunity is good; the bushes
+Of alder there will hide me; from that point
+My arrow hits him; the strait pass prevents
+Pursuit. Now, Gessler, balance thy account
+With Heaven! Thou must be gone: thy sand is run.
+
+ Remote and harmless I have liv'd; my bow
+Ne'er bent save on the wild beast of the forest;
+My thoughts were free of murder. Thou hast scar'd me
+From my peace; to fell asp-poison hast thou
+Changed the milk of kindly temper in me;
+Thou hast accustom'd me to horrors. Gessler!
+The archer who could aim at his boy's head
+Can send an arrow to his enemy's heart.
+
+ Poor little boys! My kind true wife! I will
+Protect them from thee, Landvogt! When I drew
+That bowstring, and my hand was quiv'ring,
+And with devilish joy thou mad'st me point it
+At the child, and I in fainting anguish
+Entreated thee in vain; then with a grim
+Irrevocable oath, deep in my soul,
+I vow'd to God in Heav'n, that the _next_ aim
+I took should be thy heart. The vow I made
+In that despairing moment's agony
+Became a holy debt; and I will pay it.
+
+ Thou art my master, and my Kaiser's Vogt;
+Yet would the Kaiser not have suffer'd thee
+To do as thou hast done. He sent thee hither
+To judge us; rigorously, for he is angry;
+But not to glut thy savage appetite
+With murder, and thyself be safe, among us:
+There is a God to punish them that wrong us.
+
+ Come forth, thou bringer once of bitter sorrow,
+My precious jewel now, my trusty yew!
+A mark I'll set thee, which the cry of woe
+Could never penetrate: to _thee_ it shall not
+Be impenetrable. And, good bowstring!
+Which so oft in sport hast serv'd me truly,
+Forsake me not in this last awful earnest;
+Yet once hold fast, thou faithful cord; thou oft
+For me hast wing'd the biting arrow;
+Now send it sure and piercing, now or never!
+Fail this, there is no second in my quiver.
+
+ [_Travellers cross the scene._
+
+ Here let me sit on this stone bench, set up
+For brief rest to the wayfarer; for here
+There is no home. Each pushes on quick, transient,
+Regarding not the other or his sorrows.
+Here goes the anxious merchant, and the light
+Unmoneyed pilgrim; the pale pious monk,
+The gloomy robber, and the mirthful showman;
+The carrier with his heavy-laden horse,
+Who comes from far-off lands; for every road
+Will lead one to the end o' th' World.
+They pass; each hastening forward on his path,
+Pursuing his own business: mine is death! [_Sits down._
+
+ Erewhile, my children, were your father out,
+There was a merriment at his return;
+For still, on coming home, he brought you somewhat,
+Might be an Alpine flower, rare bird, or elf-bolt,
+Such as the wand'rer finds upon the mountains:
+Now he is gone in quest of other spoil
+On the wild way he sits with thoughts of murder:
+'Tis for his enemy's life he lies in wait
+And yet on you, dear children, you alone
+He thinks as then: for your sake is he here;
+To guard you from the Tyrant's vengeful mood,
+He bends his peaceful bow for work of blood. [_Rises._
+
+ No common game I watch for. Does the hunter
+Think it nought to roam the livelong day,
+In winter's cold; to risk the desp'rate leap
+From crag to crag, to climb the slipp'ry face
+O' th' dizzy steep, glueing his steps in's blood;
+And all to catch a pitiful chamois?
+Here is a richer prize afield: the heart
+Of my sworn enemy, that would destroy me.
+
+[_A sound of gay music is heard in the distance; it approaches._
+
+ All my days, the bow has been my comrade,
+I have trained myself to archery; oft
+Have I took the bull's-eye, many a prize
+Brought home from merry shooting; but today
+I will perform my master-feat, and win me
+The best prize in the circuit of the hills.
+
+[_A wedding company crosses the scene, and mounts up through the Pass.
+Tell looks at them, leaning on his bow; Stuessi the Forester joins
+him._
+
+STUeSSI. 'Tis Klostermey'r of Morlischachen holds
+His bridal feast today: a wealthy man;
+Has half a score of glens i' th' Alps. They're going
+To fetch the bride from Imisee; tonight
+There will be mirth and wassail down at Kuessnacht.
+Come you! All honest people are invited.
+
+TELL. A serious guest befits not bridal feasts.
+
+STUeSSI. If sorrow press you, dash it from your heart!
+Seize what you can: the times are hard; one needs
+To snatch enjoyment nimbly while it passes.
+Here 'tis a bridal, there 'twill be a burial.
+
+TELL. And oftentimes the one leads to the other.
+
+STUeSSI. The way o' th' world at present! There is nought
+But mischief everywhere: an avalanche
+Has come away in Glarus; and, they tell me,
+A side o' th' Glarnish has sunk under ground.
+
+TELL. Do, then, the very hills give way! On earth
+Is nothing that endures.
+
+STUeSSI. In foreign parts, too,
+Are strange wonders. I was speaking with a man
+From Baden: a Knight, it seems, was riding
+To the King; a swarm of hornets met him
+By the way, and fell on's horse, and stung it
+Till it dropt down dead of very torment,
+And the poor Knight was forced to go afoot.
+
+TELL. Weak creatures too have stings.
+
+[_Armgart's Wife enters with several children, and places herself at
+the entrance of the Pass._
+
+STUeSSI. 'Tis thought to bode
+Some great misfortune to the land; some black
+Unnatural action.
+
+TELL. Ev'ry day such actions
+Occur in plenty: needs no sign or wonder
+To foreshow them.
+
+STUeSSI. Ay, truly! Well for him
+That tills his field in peace, and undisturb'd
+Sits by his own fireside!
+
+TELL. The peacefulest
+Dwells not in peace, if wicked neighbours hinder.
+
+[_Tell looks often, with restless expectation, towards the top of the
+Pass._
+
+STUeSSI. Too true.--Good b'ye!--You're waiting here for some one?
+
+TELL. That am I.
+
+STUeSSI. Glad meeting with your friends!
+You are from Uri? His Grace the Landvogt
+Is expected thence today.
+
+TRAVELLER [_enters_]. Expect not
+The Landvogt now. The waters, from the rain,
+Are flooded, and have swept down all the bridges. [_Tell stands up._
+
+ARMGART [_coming forward_].
+
+The Vogt not come!
+
+STUeSSI. Did you want aught with him?
+
+ARMGART. Ah! yes, indeed!
+
+STUeSSI. Why have you placed yourself
+In this strait pass to meet him?
+
+ARMGART. In the pass
+He cannot turn aside from me, must hear me.
+
+FRIESSHARDT [_comes hastily down the Pass, and calls into the Scene_].
+
+Make way! make way! My lord the Landvogt
+Is riding close at hand.
+
+ARMGART. The Landvogt coming!
+
+[_She goes with her children to the front of the Scene. Gessler and
+Rudolph der Harras appear on horseback at the top of the Pass._
+
+STUeSSI [_to Friesshardt_].
+How got you through the water, when the flood
+Had carried down the bridges?
+
+FRIESS. We have battled
+With the billows, friend; we heed no Alp-flood.
+
+STUeSSI. Were you o' board i' th' storm?
+
+FRIESS. That were we;
+While I live, I shall remember 't.
+
+STUeSSI. Stay, stay!
+O, tell me!
+
+FRIESS. Cannot; must run on t' announce
+His lordship in the Castle. [_Exit._
+
+STUeSSI. Had these fellows
+I' th' boat been honest people, 't would have sunk
+With ev'ry soul of them. But for such rakehells,
+Neither fire nor flood will kill them. [_He looks round._] Whither
+Went the Mountain-man was talking with me? [_Exit._
+
+GESSLER _and_ RUDOLPH DER HARRAS _on horseback_.
+
+GESSLER. Say what you like, I am the Kaiser's servant,
+And must think of pleasing him. He sent me
+Not to caress these hinds, to soothe or nurse them:
+Obedience is the word! The point at issue is
+Shall Boor or Kaiser here be lord o' th' land.
+
+ARMGART. Now is the moment! Now for my petition!
+
+ [_Approaches timidly._
+
+GESSLER. This Hat at Aldorf, mark you, I set up
+Not for the joke's sake, or to try the hearts
+O' th' people; these I know of old: but that
+They might be taught to bend their necks to me,
+Which are too straight and stiff: and in the way
+Where they are hourly passing, I have planted
+This offence, that so their eyes may fall on't,
+And remind them of their lord, whom they forget.
+
+RUDOLPH. But yet the people have some rights--
+
+GESSLER. Which now
+Is not a time for settling or admitting.
+Mighty things are on the anvil. The house
+Of Hapsburg must wax powerful; what the Father
+Gloriously began, the Son must forward:
+This people is a stone of stumbling, which
+One way or t'other must be put aside.
+
+[_They are about to pass along. The Woman throws herself before the
+Landvogt._
+
+ARMGART. Mercy, gracious Landvogt! Justice! Justice!
+
+GESSLER. Why do you plague me here, and stop my way,
+I' th' open road? Off! Let me pass!
+
+ARMGART. My husband
+Is in prison; these orphans cry for bread.
+Have pity, good your Grace, have pity on us!
+
+RUDOLPH. Who or what are you, then? Who is your husband?
+
+ARMGART. A poor wild-hay-man of the Rigiberg,
+Whose trade is, on the brow of the abyss,
+To mow the common grass from craggy shelves
+And nooks to which the cattle dare not climb.
+
+RUDOLPH [_to Gessler_]. By Heaven, a wild and miserable life!
+Do now! do let the poor drudge free, I pray you!
+Whatever be his crime, that horrid trade
+Is punishment enough.
+ [_To the Woman_] You shall have justice:
+In the Castle there, make your petition;
+This is not the place.
+
+ARMGART. No, no! I stir not
+From the spot till you give up my husband!
+'Tis the sixth month he has lain i' th' dungeon,
+Waiting for the sentence of some judge, in vain.
+
+GESSLER. Woman! Wouldst' lay hands on me? Begone!
+
+ARMGART. Justice, Landvogt! thou art judge o' th' land here,
+I' th' Kaiser's stead and God's. Perform thy duty!
+As thou expectest justice from above,
+Show it to us.
+
+GESSLER. Off! Take the mutinous rabble
+From my sight.
+
+ARMGART [_catches the bridle of the horse_].
+ No, no! I now have nothing
+More to lose. Thou shalt not move a step, Vogt,
+Till thou hast done me right. Ay, knit thy brows,
+And roll thy eyes as sternly as thou wilt;
+We are so wretched, wretched now, we care not
+Aught more for thy anger.
+
+GESSLER. Woman, make way!
+Or else my horse shall crush thee.
+
+ARMGART. Let it! there--
+
+
+[_She pulls her children to the ground, and throws herself along with
+them in his way._
+
+Here am I with my children: let the orphans
+Be trodden underneath thy horse's hoofs!
+'Tis not the worst that thou hast done.
+
+RUDOLPH. Woman! Art' mad?
+
+ARMGART [_with still greater violence_].
+ 'Tis long that thou hast trodden.
+The Kaiser's people under foot. Too long!
+O, I am but a woman; were I a man,
+I should find something else to do than lie
+Here crying in the dust.
+
+[_The music of the Wedding is heard again, at the top of the Pass, but
+softened by distance._
+
+GESSLER. Where are my servants?
+Quick! Take her hence! I may forget myself,
+And do the thing I shall repent.
+
+RUDOLPH. My lord,
+The servants cannot pass; the place above
+Is crowded by a bridal company.
+
+GESSLER. I've been too mild a ruler to this people;
+They are not tamed as they should be; their tongues
+Are still at liberty. This shall be alter'd!
+I will break that stubborn humour; Freedom
+With its pert vauntings shall no more be heard of:
+I will enforce a new law in these lands;
+There shall not--
+
+[_An arrow pierces him; he claps his hand upon his heart, and is about
+to sink. With a faint voice_
+
+ God be merciful to me!
+
+RUDOLPH. Herr Landvogt--God! What is it? Whence came it?
+
+ARMGART [_springing up_].
+Dead! dead! He totters, sinks! 'T has hit him!
+
+RUDOLPH [_springs from his horse_].
+Horrible!--O God of Heaven!--Herr Ritter,
+Cry to God for mercy! You are dying.
+
+GESSLER. 'Tis Tell's arrow.
+
+[_Has slid down from his horse into Rudolph's arms, who sets him on
+the stone bench._
+
+TELL [_appears above, on the point of the rock_].
+ Thou hast found the archer;
+Seek no other. Free are the cottages,
+Secure is innocence from thee; thou wilt
+Torment the land no more.
+
+[_Disappears from the height. The people rush in._
+
+STUeSSI [_foremost_]. What? What has happen'd?
+
+ARMGART. The Landvogt shot, kill'd by an arrow.
+
+PEOPLE [_rushing in_]. Who?
+Who is shot?
+
+[_Whilst the foremost of the wedding company enter on the Scene, the
+hindmost are still on the height, and the music continues._
+
+RUDOLPH. He's bleeding, bleeding to death.
+Away! Seek help; pursue the murderer!
+Lost man! Must it so end with thee? Thou wouldst not
+Hear my warning!
+
+STUeSSI. Sure enough! There lies he
+Pale and going fast.
+
+MANY VOICES. Who was it killed him?
+
+RUDOLPH. Are the people mad, that they make music
+Over murder? Stop it, I say!
+
+[_The music ceases suddenly; more people come crowding round._
+
+ Herr Landvogt,
+Can you not speak to me? Is there nothing
+You would entrust me with?
+
+[_Gessler makes signs with his hand, and vehemently repeats them, as
+they are not understood._
+
+ Where shall I run?
+To Kuessnacht! I cannot understand you:
+O, grow not angry! Leave the things of Earth,
+And think how you shall make your peace with Heaven!
+
+[_The whole bridal company surround the dying man with an expression
+of unsympathising horror._
+
+STUeSSI. Look there! How pale he grows! Now! Death is coming
+Round his heart: his eyes grow dim and fixed.
+
+ARMGART [_lifts up one of her children_].
+See, children, how a miscreant departs!
+
+RUDOLPH. Out on you, crazy hags! Have ye no touch
+Of feeling in you, that ye feast your eyes
+On such an object? Help me, lend your hands!
+Will no one help to pull the tort'ring arrow
+From his breast?
+
+WOMEN [_start back_]. _We_ touch him whom God has smote!
+
+RUDOLPH. My curse upon you! [_Draws his sword._
+
+STUeSSI [_lays his hand on Rudolph's arm_]. Softly, my good Sir!
+Your government is at an end. The Tyrant
+Is fallen: we will endure no farther violence:
+We are free.
+
+ALL [_tumultuously_]. The land is free!
+
+RUDOLPH. Ha! runs it so?
+Are rev'rence and obedience gone already?
+
+[_To the armed Attendants, who press in._
+
+You see the murd'rous deed that has been done.
+Our help is vain, vain to pursue the murd'rer;
+Other cares demand us. On! To Kuessnacht!
+To save the Kaiser's fortress! For at present
+All bonds of order, duty, are unloosed,
+No man's fidelity is to be trusted.
+
+[_Whilst he departs with the Attendants, appear six Fratres
+Misericordiae._
+
+ARMGART. Room! Room! Here come the Friars of Mercy.
+
+STUeSSI. The victim slain, the ravens are assembling!
+
+FRATRES MISERICORDIAE [_form a half-circle round the dead body,
+ and sing in a deep tone_].
+
+ With noiseless tread death comes on man,
+ No plea, no prayer delivers him;
+ From midst of busy life's unfinished plan,
+ With sudden hand, it severs him:
+ And ready or not ready,--no delay,
+ Forth to his Judge's bar he must away!
+
+
+The death of Gessler, which forms the leading object of the plot,
+happens at the end of the fourth act; the fifth, occupied with
+representing the expulsion of his satellites, and the final triumph
+and liberation of the Swiss, though diversified with occurrences and
+spectacles, moves on with inferior animation. A certain want of unity
+is, indeed, distinctly felt throughout all the piece; the incidents do
+not point one way; there is no connexion, or a very slight one,
+between the enterprise of Tell and that of the men of Ruetli. This is
+the principal, or rather sole, deficiency of the present work; a
+deficiency inseparable from the faithful display of the historical
+event, and far more than compensated by the deeper interest and the
+wider range of action and delineation, which a strict adherence to the
+facts allows. By the present mode of management, Alpine life in all
+its length and breadth is placed before us: from the feudal halls of
+Attinghausen to Ruodi the Fisher of the Luzern Lake, and Armgart,--
+
+ The poor wild-hay-man of the Rigiberg,
+ Whose trade is, on the brow of the abyss,
+ To mow the common grass from craggy shelves
+ And nooks to which the cattle dare not climb,--
+
+we stand as if in presence of the Swiss, beholding the achievement of
+their freedom in its minutest circumstances, with all its simplicity
+and unaffected greatness. The light of the poet's genius is upon the
+Four Forest Cantons, at the opening of the Fourteenth Century: the
+whole time and scene shine as with the brightness, the truth, and more
+than the beauty, of reality.
+
+The tragedy of _Tell_ wants unity of interest and of action; but in
+spite of this, it may justly claim the high dignity of ranking with
+the very best of Schiller's plays. Less comprehensive and ambitious
+than _Wallenstein_, less ethereal than the _Jungfrau_, it has a look
+of nature and substantial truth, which neither of its rivals can boast
+of. The feelings it inculcates and appeals to are those of universal
+human nature, and presented in their purest, most unpretending form.
+There is no high-wrought sentiment, no poetic love. Tell loves his
+wife as honest men love their wives; and the episode of Bertha and
+Rudenz, though beautiful, is very brief, and without effect on the
+general result. It is delightful and salutary to the heart to wander
+among the scenes of _Tell_: all is lovely, yet all is real. Physical
+and moral grandeur are united; yet both are the unadorned grandeur of
+Nature. There are the lakes and green valleys beside us, the
+Schreckhorn, the Jungfrau, and their sister peaks, with their
+avalanches and their palaces of ice, all glowing in the southern sun;
+and dwelling among them are a race of manly husbandmen, heroic without
+ceasing to be homely, poetical without ceasing to be genuine.
+
+
+We have dwelt the longer on this play, not only on account of its
+peculiar fascinations, but also--as it is our last! Schiller's
+faculties had never been more brilliant than at present: strong in
+mature age, in rare and varied accomplishments, he was now reaping the
+full fruit of his studious vigils; the rapidity with which he wrote
+such noble poems, at once betokened the exuberant riches of his mind
+and the prompt command which he enjoyed of them. Still all that he had
+done seemed but a fraction of his appointed task: a bold imagination
+was carrying him forward into distant untouched fields of thought and
+poetry, where triumphs yet more glorious were to be gained. Schemes of
+new writings, new kinds of writing, were budding in his fancy; he was
+yet, as he had ever been, surrounded by a multitude of projects, and
+full of ardour to labour in fulfilling them. But Schiller's labours
+and triumphs were drawing to a close. The invisible Messenger was
+already near, which overtakes alike the busy and the idle, which
+arrests man in the midst of his pleasures or his occupations, _and
+changes his countenance and sends him away_.
+
+In 1804, having been at Berlin witnessing the exhibition of his
+_Wilhelm Tell_, he was seized, while returning, with a paroxysm of
+that malady which for many years had never wholly left him. The attack
+was fierce and violent; it brought him to the verge of the grave; but
+he escaped once more; was considered out of danger, and again resumed
+his poetical employments. Besides various translations from the French
+and Italian, he had sketched a tragedy on the history of Perkin
+Warbeck, and finished two acts of one on that of a kindred but more
+fortunate impostor, Dimitri of Russia. His mind, it would appear, was
+also frequently engaged with more solemn and sublime ideas. The
+universe of human thought he had now explored and enjoyed; but he
+seems to have found no permanent contentment in any of its provinces.
+Many of his later poems indicate an incessant and increasing longing
+for some solution of the mystery of life; at times it is a gloomy
+resignation to the want and the despair of any. His ardent spirit
+could not satisfy itself with things seen, though gilded with all the
+glories of intellect and imagination; it soared away in search of
+other lands, looking with unutterable desire for some surer and
+brighter home beyond the horizon of this world. Death he had no reason
+to regard as probably a near event; but we easily perceive that the
+awful secrets connected with it had long been familiar to his
+contemplation. The veil which hid them from his eyes was now shortly,
+when he looked not for it, to be rent asunder.
+
+The spring of 1805, which Schiller had anticipated with no ordinary
+hopes of enjoyment and activity, came on in its course, cold, bleak,
+and stormy; and along with it his sickness returned. The help of
+physicians was vain; the unwearied services of trembling affection
+were vain: his disorder kept increasing; on the 9th of May it reached
+a crisis. Early in the morning of that day, he grew insensible, and by
+degrees delirious. Among his expressions, the word _Lichtenberg_ was
+frequently noticed; a word of no import; indicating, as some thought,
+the writer of that name, whose works he had lately been reading;
+according to others, the castle of Leuchtenberg, which, a few days
+before his sickness, he had been proposing to visit. The poet and the
+sage was soon to lie low; but his friends were spared the farther pain
+of seeing him depart in madness. The fiery canopy of physical
+suffering, which had bewildered and blinded his thinking faculties,
+was drawn aside; and the spirit of Schiller looked forth in its wonted
+serenity, once again before it passed away forever. After noon his
+delirium abated; about four o'clock he fell into a soft sleep, from
+which he ere long awoke in full possession of his senses. Restored to
+consciousness in that hour, when the soul is cut off from human help,
+and man must front the King of Terrors on his own strength, Schiller
+did not faint or fail in this his last and sharpest trial. Feeling
+that his end was come, he addressed himself to meet it as became him;
+not with affected carelessness or superstitious fear, but with the
+quiet unpretending manliness which had marked the tenor of his life.
+Of his friends and family he took a touching but a tranquil farewell:
+he ordered that his funeral should be private, without pomp or parade.
+Some one inquiring how he felt, he said "_Calmer and calmer_;" simple
+but memorable words, expressive of the mild heroism of the man. About
+six he sank into a deep sleep; once for a moment he looked up with a
+lively air, and said, "_Many things were growing plain and clear to
+him!_" Again he closed his eyes; and his sleep deepened and deepened,
+till it changed into the sleep from which there is no awakening; and
+all that remained of Schiller was a lifeless form, soon to be mingled
+with the clods of the valley.
+
+
+The news of Schiller's death fell cold on many a heart: not in Germany
+alone, but over Europe, it was regarded as a public loss, by all who
+understood its meaning. In Weimar especially, the scene of his noblest
+efforts, the abode of his chosen friends, the sensation it produced
+was deep and universal. The public places of amusement were shut; all
+ranks made haste to testify their feelings, to honour themselves and
+the deceased by tributes to his memory. It was Friday when Schiller
+died; his funeral was meant to be on Sunday; but the state of his
+remains made it necessary to proceed before. Doering thus describes
+the ceremony:
+
+'According to his own directions, the bier was to be borne by private
+burghers of the city; but several young artists and students, out of
+reverence for the deceased, took it from them. It was between midnight
+and one in the morning, when they approached the churchyard. The
+overclouded heaven threatened rain. But as the bier was set down
+beside the grave, the clouds suddenly split asunder, and the moon,
+coming forth in peaceful clearness, threw her first rays on the coffin
+of the Departed. They lowered him into the grave; and the moon again
+retired behind her clouds. A fierce tempest of wind began to howl, as
+if it were reminding the bystanders of their great, irreparable loss.
+At this moment who could have applied without emotion the poet's own
+words:
+
+ Alas, the ruddy morning tinges
+ A silent, cold, sepulchral stone;
+ And evening throws her crimson fringes
+ But round his slumber dark and lone!'
+
+So lived and so died Friedrich Schiller; a man on whose history other
+men will long dwell with a mingled feeling of reverence and love. Our
+humble record of his life and writings is drawing to an end: yet we
+still linger, loth to part with a spirit so dear to us. From the
+scanty and too much neglected field of his biography, a few slight
+facts and indications may still be gleaned; slight, but distinctive of
+him as an individual, and not to be despised in a penury so great and
+so unmerited.
+
+Schiller's age was forty-five years and a few months when he died.[38]
+Sickness had long wasted his form, which at no time could boast of
+faultless symmetry. He was tall and strongly boned; but unmuscular and
+lean: his body, it might be perceived, was wasting under the energy of
+a spirit too keen for it. His face was pale, the cheeks and temples
+rather hollow, the chin somewhat deep and slightly projecting, the
+nose irregularly aquiline, his hair inclined to auburn. Withal his
+countenance was attractive, and had a certain manly beauty. The lips
+were curved together in a line, expressing delicate and honest
+sensibility; a silent enthusiasm, impetuosity not unchecked by
+melancholy, gleamed in his softly kindled eyes and pale cheeks, and
+the brow was high and thoughtful. To judge from his portraits,
+Schiller's face expressed well the features of his mind: it is
+mildness tempering strength; fiery ardour shining through the clouds
+of suffering and disappointment, deep but patiently endured. Pale was
+its proper tint; the cheeks and temples were best hollow. There are
+few faces that affect us more than Schiller's; it is at once meek,
+tender, unpretending, and heroic.
+
+ [Footnote 38: 'He left a widow, two sons, and two daughters,'
+ of whom we regret to say that we have learned nothing. 'Of
+ his three sisters, the youngest died before him; the eldest
+ is married to the Hofrath Reinwald, in Meinungen; the second
+ to Herr Frankh, the clergyman of Meckmuhl, in Wuertemberg.'
+ _Doering._]
+
+In his dress and manner, as in all things, he was plain and
+unaffected. Among strangers, something shy and retiring might
+occasionally be observed in him: in his own family, or among his
+select friends, he was kind-hearted, free, and gay as a little child.
+In public, his external appearance had nothing in it to strike or
+attract. Of an unpresuming aspect, wearing plain apparel, his looks as
+he walked were constantly bent on the ground; so that frequently, as
+we are told, 'he failed to notice the salutation of a passing
+acquaintance; but if he heard it, he would catch hastily at his hat,
+and give his cordial "_Guten Tag_."' Modesty, simplicity, a total want
+of all parade or affectation were conspicuous in him. These are the
+usual concomitants of true greatness, and serve to mitigate its
+splendour. Common things he did as a common man. His conduct in such
+matters was uncalculated, spontaneous; and therefore natural and
+pleasing.
+
+Concerning his mental character, the greater part of what we had to
+say has been already said, in speaking of his works. The most cursory
+perusal of these will satisfy us that he had a mind of the highest
+order; grand by nature, and cultivated by the assiduous study of a
+lifetime. It is not the predominating force of any one faculty that
+impresses us in Schiller; but the general force of all. Every page of
+his writings bears the stamp of internal vigour; new truths, new
+aspects of known truth, bold thought, happy imagery, lofty emotion.
+Schiller would have been no common man, though he had altogether
+wanted the qualities peculiar to poets. His intellect is clear, deep,
+and comprehensive; its deductions, frequently elicited from numerous
+and distant premises, are presented under a magnificent aspect, in the
+shape of theorems, embracing an immense multitude of minor
+propositions. Yet it seems powerful and vast, rather than quick or
+keen; for Schiller is not notable for wit, though his fancy is ever
+prompt with its metaphors, illustrations, comparisons, to decorate and
+point the perceptions of his reason. The earnestness of his temper
+farther disqualified him for this: his tendency was rather to adore
+the grand and the lofty than to despise the little and the mean.
+Perhaps his greatest faculty was a half-poetical, half-philosophical
+imagination: a faculty teeming with magnificence and brilliancy; now
+adorning, or aiding to erect, a stately pyramid of scientific
+speculation; now brooding over the abysses of thought and feeling,
+till thoughts and feelings, else unutterable, were embodied in
+expressive forms, and palaces and landscapes glowing in ethereal
+beauty rose like exhalations from the bosom of the deep.
+
+Combined and partly of kindred with these intellectual faculties was
+that vehemence of temperament which is necessary for their full
+development. Schiller's heart was at once fiery and tender; impetuous,
+soft, affectionate, his enthusiasm clothed the universe with grandeur,
+and sent his spirit forth to explore its secrets and mingle warmly in
+its interests. Thus poetry in Schiller was not one but many gifts. It
+was not the 'lean and flashy song' of an ear apt for harmony, combined
+with a maudlin sensibility, or a mere animal ferocity of passion, and
+an imagination creative chiefly because unbridled: it was, what true
+poetry is always, the quintessence of general mental riches, the
+purified result of strong thought and conception, and of refined as
+well as powerful emotion. In his writings, we behold him a moralist, a
+philosopher, a man of universal knowledge: in each of these capacities
+he is great, but also in more; for all that he achieves in these is
+brightened and gilded with the touch of another quality; his maxims,
+his feelings, his opinions are transformed from the lifeless shape of
+didactic truths, into living shapes that address faculties far finer
+than the understanding.
+
+The gifts by which such transformation is effected, the gift of pure,
+ardent, tender sensibility, joined to those of fancy and imagination,
+are perhaps not wholly denied to any man endowed with the power of
+reason; possessed in various degrees of strength, they add to the
+products of mere intellect corresponding tints of new attractiveness;
+in a degree great enough to be remarkable they constitute a poet. Of
+this peculiar faculty how much had fallen to Schiller's lot, we need
+not attempt too minutely to explain. Without injuring his reputation,
+it may be admitted that, in general, his works exhibit rather
+extraordinary strength than extraordinary fineness or versatility. His
+power of dramatic imitation is perhaps never of the very highest, the
+Shakspearean kind; and in its best state, it is farther limited to a
+certain range of characters. It is with the grave, the earnest, the
+exalted, the affectionate, the mournful, that he succeeds: he is not
+destitute of humour, as his _Wallenstein's Camp_ will show, but
+neither is he rich in it; and for sprightly ridicule in any of its
+forms he has seldom shown either taste or talent. Chance principally
+made the drama his department; he might have shone equally in many
+others. The vigorous and copious invention, the knowledge of life, of
+men and things, displayed in his theatrical pieces, might have been
+available in very different pursuits; frequently the charm of his
+works has little to distinguish it from the charm of intellectual and
+moral force in general; it is often the capacious thought, the vivid
+imagery, the impetuous feeling of the orator, rather than the wild
+pathos and capricious enchantment of the poet. Yet that he was capable
+of rising to the loftiest regions of poetry, no reader of his _Maid of
+Orleans_, his character of Thekla, or many other of his pieces, will
+hesitate to grant. Sometimes we suspect that it is the very grandeur
+of his general powers which prevents us from exclusively admiring his
+poetic genius. We are not lulled by the syren song of poetry, because
+her melodies are blended with the clearer, manlier tones of serious
+reason, and of honest though exalted feeling.
+
+Much laborious discussion has been wasted in defining genius,
+particularly by the countrymen of Schiller, some of whom have narrowed
+the conditions of the term so far, as to find but three _men of
+genius_ since the world was created: Homer, Shakspeare, and Goethe!
+From such rigid precision, applied to a matter in itself indefinite,
+there may be an apparent, but there is no real, increase of accuracy.
+The creative power, the faculty not only of imitating given forms of
+being, but of imagining and representing new ones, which is here
+attributed with such distinctness and so sparingly, has been given by
+nature in complete perfection to no man, nor entirely denied to any.
+The shades of it cannot be distinguished by so loose a scale as
+language. A definition of genius which excludes such a mind as
+Schiller's will scarcely be agreeable to philosophical correctness,
+and it will tend rather to lower than to exalt the dignity of the
+word. Possessing all the general mental faculties in their highest
+degree of strength, an intellect ever active, vast, powerful,
+far-sighted; an imagination never weary of producing grand or
+beautiful forms; a heart of the noblest temper, sympathies
+comprehensive yet ardent, feelings vehement, impetuous, yet full of
+love and kindliness and tender pity; conscious of the rapid and fervid
+exercise of all these powers within him, and able farther to present
+their products refined and harmonised, and 'married to immortal
+verse,' Schiller may or may not be called a man of genius by his
+critics; but his mind in either case will remain one of the most
+enviable which can fall to the share of a mortal.
+
+In a poet worthy of that name, the powers of the intellect are
+indissolubly interwoven with the moral feelings, and the exercise of
+his art depends not more on the perfection of the one than of the
+other. The poet, who does not feel nobly and justly, as well as
+passionately, will never permanently succeed in making others feel:
+the forms of error and falseness, infinite in number, are transitory
+in duration; truth, of thought and sentiment, but chiefly of
+sentiment, truth alone is eternal and unchangeable. But, happily, a
+delight in the products of reason and imagination can scarcely ever be
+divided from, at least, a love for virtue and genuine greatness. Our
+feelings are in favour of heroism; we _wish_ to be pure and perfect.
+Happy he whose resolutions are so strong, or whose temptations are so
+weak, that he can convert these feelings into action! The severest
+pang, of which a proud and sensitive nature can be conscious, is the
+perception of its own debasement. The sources of misery in life are
+many: vice is one of the surest. Any human creature, tarnished with
+guilt, will in general be wretched; a man of genius in that case will
+be doubly so, for his ideas of excellence are higher, his sense of
+failure is more keen. In such miseries, Schiller had no share. The
+sentiments, which animated his poetry, were converted into principles
+of conduct; his actions were as blameless as his writings were pure.
+With his simple and high predilections, with his strong devotedness to
+a noble cause, he contrived to steer through life, unsullied by its
+meanness, unsubdued by any of its difficulties or allurements. With
+the world, in fact, he had not much to do; without effort, he dwelt
+apart from it; its prizes were not the wealth which could enrich him.
+His great, almost his single aim, was to unfold his spiritual
+faculties, to study and contemplate and improve their intellectual
+creations. Bent upon this, with the steadfastness of an apostle, the
+more sordid temptations of the world passed harmlessly over him.
+Wishing not to seem, but to be, envy was a feeling of which he knew
+but little, even before he rose above its level. Wealth or rank he
+regarded as a means, not an end; his own humble fortune supplying him
+with all the essential conveniences of life, the world had nothing
+more that he chose to covet, nothing more that it could give him. He
+was not rich; but his habits were simple, and, except by reason of his
+sickness and its consequences, unexpensive. At all times he was far
+above the meanness of self-interest, particularly in its meanest
+shape, a love of money. Doering tells us, that a bookseller having
+travelled from a distance expressly to offer him a higher price for
+the copyright of _Wallenstein_, at that time in the press, and for
+which he was on terms with Cotta of Tuebingen, Schiller answering,
+"Cotta deals steadily with me, and I with him," sent away this new
+merchant, without even the hope of a future bargain. The anecdote is
+small; but it seems to paint the integrity of the man, careless of
+pecuniary concerns in comparison with the strictest uprightness in his
+conduct. In fact, his real wealth lay in being able to pursue his
+darling studies, and to live in the sunshine of friendship and
+domestic love. This he had always longed for; this he at last enjoyed.
+And though sickness and many vexations annoyed him, the intrinsic
+excellence of his nature chequered the darkest portions of their gloom
+with an effulgence derived from himself. The ardour of his feelings,
+tempered by benevolence, was equable and placid: his temper, though
+overflowing with generous warmth, seems almost never to have shown any
+hastiness or anger. To all men he was humane and sympathising; among
+his friends, open-hearted, generous, helpful; in the circle of his
+family, kind, tender, sportive. And what gave an especial charm to all
+this was, the unobtrusiveness with which it was attended: there was no
+parade, no display, no particle of affectation; rating and conducting
+himself simply as an honest man and citizen, he became greater by
+forgetting that he was great.
+
+Such were the prevailing habits of Schiller. That in the mild and
+beautiful brilliancy of their aspect there must have been some specks
+and imperfections, the common lot of poor humanity, who knows not?
+That these were small and transient, we judge from the circumstance
+that scarcely any hint of them has reached us: nor are we anxious to
+obtain a full description of them. For practical uses, we can
+sufficiently conjecture what they were; and the heart desires not to
+dwell upon them. This man is passed away from our dim and tarnished
+world: let him have the benefit of departed friends; let him be
+transfigured in our thoughts, and shine there without the little
+blemishes that clung to him in life.
+
+Schiller gives a fine example of the German character: he has all its
+good qualities in a high degree, with very few of its defects. We
+trace in him all that downrightness and simplicity, that sincerity of
+heart and mind, for which the Germans are remarked; their enthusiasm,
+their patient, long-continuing, earnest devotedness; their
+imagination, delighting in the lofty and magnificent; their intellect,
+rising into refined abstractions, stretching itself into comprehensive
+generalisations. But the excesses to which such a character is liable
+are, in him, prevented by a firm and watchful sense of propriety. His
+simplicity never degenerates into ineptitude or insipidity; his
+enthusiasm must be based on reason; he rarely suffers his love of the
+vast to betray him into toleration of the vague. The boy Schiller was
+extravagant; but the man admits no bombast in his style, no inflation
+in his thoughts or actions. He is the poet of truth; our
+understandings and consciences are satisfied, while our hearts and
+imaginations are moved. His fictions are emphatically nature copied
+and embellished; his sentiments are refined and touchingly beautiful,
+but they are likewise manly and correct; they exalt and inspire, but
+they do not mislead. Above all, he has no cant; in any of its thousand
+branches, ridiculous or hateful, none. He does not distort his
+character or genius into shapes, which he thinks more becoming than
+their natural one: he does not hang out principles which are not his,
+or harbour beloved persuasions which he half or wholly knows to be
+false. He did not often speak of wholesome prejudices; he did not
+'embrace the Roman Catholic religion because it was the grandest and
+most comfortable.' Truth with Schiller, or what seemed such, was an
+indispensable requisite: if he but suspected an opinion to be false,
+however dear it may have been, he seems to have examined it with rigid
+scrutiny, and if he found it guilty, to have plucked it out, and
+resolutely cast it forth. The sacrifice might cause him pain,
+permanent pain; real damage, he imagined, it could hardly cause him.
+It is irksome and dangerous to travel in the dark; but better so, than
+with an _Ignis-fatuus_ to guide us. Considering the warmth of his
+sensibilities, Schiller's merit on this point is greater than we might
+at first suppose. For a man with whom intellect is the ruling or
+exclusive faculty, whose sympathies, loves, hatreds, are comparatively
+coarse and dull, it may be easy to avoid this half-wilful
+entertainment of error, and this cant which is the consequence and
+sign of it. But for a man of keen tastes, a large fund of innate
+probity is necessary to prevent his aping the excellence which he
+loves so much, yet is unable to attain. Among persons of the latter
+sort, it is extremely rare to meet with one completely unaffected.
+Schiller's other noble qualities would not have justice, did we
+neglect to notice this, the truest proof of their nobility. Honest,
+unpretending, manly simplicity pervades all parts of his character and
+genius and habits of life. We not only admire him, we trust him and
+love him.
+
+'The character of child-like simplicity,' he has himself observed,[39]
+'which genius impresses on its works, it shows also in its private
+life and manners. It is bashful, for nature is ever so; but it is not
+prudish, for only corruption is prudish. It is clear-sighted, for
+nature can never be the contrary; but it is not cunning, for this only
+art can be. It is faithful to its character and inclinations; but not
+so much because it is directed by principles, as because after all
+vibrations nature constantly reverts to her original position,
+constantly renews her primitive demand. It is modest, nay timid, for
+genius is always a secret to itself; but it is not anxious, for it
+knows not the dangers of the way which it travels. Of the private
+habits of the persons who have been peculiarly distinguished by their
+genius, our information is small; but the little that has been
+recorded for us of the chief of them,--of Sophocles, Archimedes,
+Hippocrates; and in modern times, of Dante and Tasso, of Rafaelle,
+Albrecht Duerer, Cervantes, Shakspeare, Fielding, and others,--confirms
+this observation.' Schiller himself confirms it; perhaps more strongly
+than most of the examples here adduced. No man ever wore his faculties
+more meekly, or performed great works with less consciousness of their
+greatness. Abstracted from the contemplation of himself, his eye was
+turned upon the objects of his labour, and he pursued them with the
+eagerness, the entireness, the spontaneous sincerity, of a boy
+pursuing sport. Hence this 'child-like simplicity,' the last
+perfection of his other excellencies. His was a mighty spirit
+unheedful of its might. He walked the earth in calm power: 'the staff
+of his spear was like a weaver's beam;' but he wielded it like a wand.
+
+ [Footnote 39: _Naive und sentimentalische Dichtung._]
+
+
+Such, so far as we can represent it, is the form in which Schiller's
+life and works have gradually painted their character in the mind of a
+secluded individual, whose solitude he has often charmed, whom he has
+instructed, and cheered, and moved. The original impression, we know,
+was faint and inadequate, the present copy of it is still more so; yet
+we have sketched it as we could: the figure of Schiller, and of the
+figures he conceived and drew are there; himself, 'and in his hand a
+glass which shows us many more.' To those who look on him as we have
+wished to make them, Schiller will not need a farther panegyric. For
+the sake of Literature, it may still be remarked, that his merit was
+peculiarly due to her. Literature was his creed, the dictate of his
+conscience; he was an Apostle of the Sublime and Beautiful, and this
+his calling made a hero of him. For it was in the spirit of a true man
+that he viewed it, and undertook to cultivate it; and its inspirations
+constantly maintained the noblest temper in his soul. The end of
+Literature was not, in Schiller's judgment, to amuse the idle, or to
+recreate the busy, by showy spectacles for the imagination, or quaint
+paradoxes and epigrammatic disquisitions for the understanding: least
+of all was it to gratify in any shape the selfishness of its
+professors, to minister to their malignity, their love of money, or
+even of fame. For persons who degrade it to such purposes, the deepest
+contempt of which his kindly nature could admit was at all times in
+store. 'Unhappy mortal!' says he to the literary tradesman, the man
+who writes for gain, 'Unhappy mortal, who with science and art, the
+noblest of all instruments, effectest and attemptest nothing more than
+the day-drudge with the meanest; who, in the domain of perfect
+Freedom, bearest about in thee the spirit of Slave!' As Schiller
+viewed it, genuine Literature includes the essence of philosophy,
+religion, art; whatever speaks to the immortal part of man. The
+daughter, she is likewise the nurse of all that is spiritual and
+exalted in our character. The boon she bestows is truth; truth not
+merely physical, political, economical, such as the sensual man in us
+is perpetually demanding, ever ready to reward, and likely in general
+to find; but truth of moral feeling, truth of taste, that inward truth
+in its thousand modifications, which only the most ethereal portion of
+our nature can discern, but without which that portion of it
+languishes and dies, and we are left divested of our birthright,
+thenceforward 'of the earth earthy,' machines for earning and
+enjoying, no longer worthy to be called the Sons of Heaven. The
+treasures of Literature are thus celestial, imperishable, beyond all
+price: with her is the shrine of our best hopes, the palladium of pure
+manhood; to be among the guardians and servants of this is the noblest
+function that can be intrusted to a mortal. Genius, even in its
+faintest scintillations, is 'the inspired gift of God;' a solemn
+mandate to its owner to go forth and labour in his sphere, to keep
+alive 'the sacred fire' among his brethren, which the heavy and
+polluted atmosphere of this world is forever threatening to
+extinguish. Woe to him if he neglect this mandate, if he hear not its
+small still voice! Woe to him if he turn this inspired gift into the
+servant of his evil or ignoble passions; if he offer it on the altar
+of vanity, if he sell it for a piece of money!
+
+'The Artist, it is true,' says Schiller, 'is the son of his age; but
+pity for him if he is its pupil, or even its favourite! Let some
+beneficent Divinity snatch him when a suckling from the breast of his
+mother, and nurse him with the milk of a better time; that he may
+ripen to his full stature beneath a distant Grecian sky. And having
+grown to manhood, let him return, a foreign shape, into his century;
+not, however, to delight it by his presence; but terrible, like the
+Son of Agamemnon, to purify it. The Matter of his works he will take
+from the present; but their Form he will derive from a nobler time,
+nay from beyond all time, from the absolute unchanging unity of his
+nature. Here from the pure aether of his spiritual essence, flows down
+the Fountain of Beauty, uncontaminated by the pollutions of ages and
+generations, which roll to and fro in their turbid vortex far beneath
+it. His Matter caprice can dishonour as she has ennobled it; but the
+chaste Form is withdrawn from her mutations. The Roman of the first
+century had long bent the knee before his Caesars, when the statues of
+Rome were still standing erect; the temples continued holy to the eye,
+when their gods had long been a laughing-stock; and the abominations
+of a Nero and a Commodus were silently rebuked by the style of the
+edifice which lent them its concealment. Man has lost his dignity, but
+Art has saved it, and preserved it for him in expressive marbles.
+Truth still lives in fiction, and from the copy the original will be
+restored.
+
+'But how is the Artist to guard himself from the corruptions of his
+time, which on every side assail him? By despising its decisions. Let
+him look upwards to his dignity and his mission, not downwards to his
+happiness and his wants. Free alike from the vain activity, that longs
+to impress its traces on the fleeting instant; and from the
+discontented spirit of enthusiasm, that measures by the scale of
+perfection the meagre product of reality, let him leave to _common
+sense_, which is here at home, the province of the actual; while _he_
+strives from the union of the possible with the necessary to bring out
+the ideal. This let him imprint and express in fiction and truth,
+imprint it in the sport of his imagination and the earnest of his
+actions, imprint it in all sensible and spiritual forms, and cast it
+silently into everlasting Time.'[40]
+
+ [Footnote 40: _Ueber die aesthetische Erziehung des Menschen._]
+
+Nor were these sentiments, be it remembered, the mere boasting
+manifesto of a hot-brained inexperienced youth, entering on literature
+with feelings of heroic ardour, which its difficulties and temptations
+would soon deaden or pervert: they are the calm principles of a man,
+expressed with honest manfulness, at a period when the world could
+compare them with a long course of conduct. In this just and lofty
+spirit, Schiller undertook the business of literature; in the same
+spirit he pursued it with unflinching energy all the days of his life.
+The common, and some uncommon, difficulties of a fluctuating and
+dependent existence could not quench or abate his zeal: sickness
+itself seemed hardly to affect him. During his last fifteen years, he
+wrote his noblest works; yet, as it has been proved too well, no day
+of that period could have passed without its load of pain.[41] Pain
+could not turn him from his purpose, or shake his equanimity: in death
+itself he was _calmer and calmer_. Nor has he gone without his
+recompense. To the credit of the world it can be recorded, that their
+suffrages, which he never courted, were liberally bestowed on him:
+happier than the mighty Milton, he found 'fit hearers,' even in his
+lifetime, and they were not 'few.' His effect on the mind of his own
+country has been deep and universal, and bids fair to be abiding: his
+effect on other countries must in time be equally decided; for such
+nobleness of heart and soul shadowed forth in beautiful imperishable
+emblems, is a treasure which belongs not to one nation, but to all. In
+another age, this Schiller will stand forth in the foremost rank among
+the master-spirits of his century; and be admitted to a place among
+the chosen of all centuries. His works, the memory of what he did and
+was, will rise afar off like a towering landmark in the solitude of
+the Past, when distance shall have dwarfed into invisibility the
+lesser people that encompassed him, and hid him from the near
+beholder.
+
+ [Footnote 41: On a surgical inspection of his body after
+ death, the most vital organs were found totally deranged.
+ 'The structure of the lungs was in great part destroyed, the
+ cavities of the heart were nearly grown up, the liver had
+ become hard, and the gall-bladder was extended to an
+ extraordinary size.' _Doering._]
+
+On the whole, we may pronounce him happy. His days passed in the
+contemplation of ideal grandeurs, he lived among the glories and
+solemnities of universal Nature; his thoughts were of sages and
+heroes, and scenes of elysian beauty. It is true, he had no rest, no
+peace; but he enjoyed the fiery consciousness of his own activity,
+which stands in place of it for men like him. It is true, he was long
+sickly; but did he not even then conceive and body-forth Max
+Piccolomini, and Thekla, and the Maid of Orleans, and the scenes of
+_Wilhelm Tell_? It is true, he died early; but the student will
+exclaim with Charles XII. in another case, "Was it not enough of life
+when he had conquered kingdoms?" These kingdoms which Schiller
+conquered were not for one nation at the expense of suffering to
+another; they were soiled by no patriot's blood, no widow's, no
+orphan's tear: they are kingdoms conquered from the barren realms of
+Darkness, to increase the happiness, and dignity, and power, of all
+men; new forms of Truth, new maxims of Wisdom, new images and scenes
+of Beauty, won from the 'void and formless Infinite;' a [Greek: ktema
+es aiei], 'a possession forever,' to all the generations of the
+Earth.
+
+
+
+
+ SUPPLEMENT OF 1872.
+
+
+
+
+ HERR SAUPE'S BOOK.
+
+ [NOTE IN PEOPLE'S EDITION.]
+
+
+In the end of Autumn last a considerately kind old Friend of mine
+brought home to me, from his Tour in Germany, a small Book by a Herr
+Saupe, one of the Head-masters of Gera High-School,--Book entitled
+'Schiller and His Father's Household,'[42]--of which, though it has
+been before the world these twenty years and more, I had not heard
+till then. The good little Book,--an altogether modest, lucid, exact
+and amiable, though not very lively performance, offering new little
+facts about the Schiller world, or elucidations and once or twice a
+slight correction of the old,--proved really interesting and
+instructive; awoke, in me especially, multifarious reflections,
+mournfully beautiful old memories;--and led to farther readings in
+other Books touching on the same subject, particularly in these three
+mentioned below,[43]--the first two of them earlier than Saupe's, the
+third later and slightly corrective of him once or twice;--all which
+agreeably employed me for some weeks, and continued to be rather a
+pious recreation than any labour.
+
+ [Footnote 42: _Schiller und sein Vaeterliches Haus._ Von Ernst
+ Julius Saupe, Subconrector am Gymnasium zu Gera. Leipzig:
+ Verlagsbuchhandlung von J. J. Weber, 1851.]
+
+ [Footnote 43: _Schiller's Leben von Gustav Schwab_
+ (Stuttgart, 1841).
+
+ _Schiller's Leben, verfasst aus_, &c. By Caroline von
+ Wolzogen, _born_ von Lengefeld (Schiller's Sister-in-law):
+ Stuttgart und Tuebingen, 1845.
+
+ _Schiller's Beziehungen zu Eltern, Geschwistern und der
+ Familie von Wolzogen, aus den Familien-Papieren._ By Baroness
+ von Gleichen (Schiller's youngest Daughter) and Baron von
+ Wolzogen (her Cousin): Stuttgart, 1859.]
+
+To this accident of Saupe's little Book there was, meanwhile, added
+another not less unexpected: a message, namely, from Bibliopolic
+Head-quarters that my own poor old Book on Schiller was to be
+reprinted, and that in this "_People's Edition_" it would want (on
+deduction of the German Piece by Goethe, which had gone into the
+"_Library Edition_," but which had no fitness here) some sixty or
+seventy pages for the proper size of the volume. _Saupe_, which I was
+still reading, or idly reading-about, offered the ready
+expedient:--and here accordingly _Saupe_ is. I have had him faithfully
+translated, and with some small omissions or abridgments, slight
+transposals here and there for clearness' sake, and one or two
+elucidative patches, gathered from the three subsidiary Books already
+named, all duly distinguished from Saupe's text;--whereby the gap or
+deficit of pages is well filled up, almost of its own accord. And thus
+I can now certify that, in all essential respects, the authentic
+_Saupe_ is here made accessible to English readers as to German; and
+hope that to many lovers of Schiller among us, who are likely to be
+lovers also of humbly beautiful Human Worth, and of such an
+unconsciously noble scene of Poverty made _richer_ than any
+California, as that of the elder Schiller Household here manifests, it
+may be a welcome and even profitable bit of reading.
+
+Chelsea, Nov. 1872.
+
+T. C.
+
+
+
+
+ SAUPE'S
+
+ "SCHILLER AND HIS FATHER'S HOUSEHOLD."
+
+
+ I. THE FATHER.
+
+'Schiller's Father, Johann Caspar Schiller, was born at Bittenfeld, a
+parish hamlet in the ancient part of Wuertemberg, a little north of
+Waiblingen, on the 27th October 1723. He had not yet completed his
+tenth year when his Father, Johannes Schiller, _Schultheiss_, "Petty
+Magistrate," of the Village, and by trade a Baker, died, at the age of
+fifty-one. Soon after which the fatherless Boy, hardly fitted out with
+the most essential elements of education, had to quit school, and was
+apprenticed to a Surgeon; with whom, according to the then custom, he
+was to learn the art of "Surgery;" but in reality had little more to
+do than follow the common employment of a Barber.
+
+'After completing his apprenticeship and proof-time, the pushing young
+lad, eager to get forward in the world, went, during the
+Austrian-Succession War, in the year 1745, with a Bavarian Hussar
+Regiment, as "Army-Doctor," into the Netherlands. Here, as his active
+mind found no full employment in the practice of his Art, he willingly
+undertook, withal, the duties of a sub-officer in small military
+enterprises. On the Peace of Aix-la-Chapelle, 1748, when a part of
+this Regiment was disbanded, and Schiller with them, he returned to
+his homeland; and set himself down in Marbach, a pleasant little
+country town on the Neckar, as practical Surgeon there. Here, in
+1749, he married the Poet's Mother; then a young girl of sixteen:
+Elisabetha Dorothea, born at Marbach in the year 1733, the daughter of
+a respectable townsman, Georg Friedrich Kodweis, who, to his trade of
+Baker adding that of Innkeeper and Woodmeasurer, had gathered a little
+fortune, and was at this time counted well-off, though afterwards, by
+some great inundation of the Neckar,' date not given, 'he was again
+reduced to poverty. The brave man by this unavoidable mischance came,
+by degrees, so low that he had to give-up his house in the
+Market-Place, and in the end to dwell in a poor hut, as Porter at one
+of the Toll-Gates of Marbach. Elisabetha was a comely girl to look
+upon; slender, well-formed, without quite being tall; the neck long,
+hair high-blond, almost red, brow broad, eyes as if a little sorish,
+face covered with freckles; but with all these features enlivened by a
+soft expression of kindliness and good-nature.
+
+'This marriage, for the first eight years, was childless; after that,
+they gradually had six children, two of whom died soon after birth;
+the Poet Schiller was the second of these six, and the only Boy. The
+young couple had to live in a very narrow, almost needy condition, as
+neither of them had any fortune; and the Husband's business could
+hardly support a household. There is still in existence a legal
+Marriage Record and Inventory, such as is usual in these cases, which
+estimates the money and money's worth brought together by the young
+people at a little over 700 gulden (70_l._). Out of the same
+Inventory, one sees, by the small value put upon the surgical
+instruments, and the outstanding debts of patients, distinctly enough,
+that Caspar Schiller's practice, at that point of time, did not much
+exceed that of a third-class Surgeon, and was scarcely adequate, as
+above stated, to support the thriftiest household. And therefore it is
+not surprising that Schiller, intent on improving so bare a position,
+should, at the breaking-out of the Seven-Years War, have anew sought a
+military appointment, as withal more fit for employing his young
+strength and ambitions.
+
+'In the beginning of the year 1757 he went, accordingly, as Ensign and
+Adjutant, into the Wuertemberg Regiment Prince Louis; which in several
+of the campaigns in the Seven-Years War belonged to an auxiliary corps
+of the Austrian Army.'--Was he at the _Ball of Fulda_, one wonders?
+Yes, for certain! He was at the Ball of Fulda (tragi-comical Explosion
+of a Ball, _not_ yet got to the dancing-point); and had to run for
+life, as his Duke, in a highly-ridiculous manner, had already done.
+And, again, tragically, it is certain that he stood on the fated
+Austrian left-wing at the _Battle of Leuthen_; had his horse shot
+under him there, and was himself nearly drowned in a quagmire,
+struggling towards Breslau that night.[44]
+
+ [Footnote 44: See _Life of Friedrich_ (Book xix. chap. 8;
+ Book xviii. chap. 10), and Schiller Senior's rough bit of
+ Autobiography, called '_Meine Lebensgeschichte_,' in
+ _Schiller's Beziehungen zu Eltern, Geschwistern und der
+ Familie von Wolzogen_ (mentioned above), p. 1 et seqq.]
+
+'In Bohemia this Corps was visited by an infectious fever, and
+suffered by the almost pestilential disorder a good deal of loss. In
+this bad time, Schiller, who by his temperance and frequent movement
+in the open air had managed to retain perfect health, showed himself
+very active and helpful; and cheerfully undertook every kind of
+business in which he could be of use. He attended the sick, there
+being a scarcity of Doctors; and served at the same time as Chaplain
+to the Regiment, so far as to lead the Psalmody, and read the
+Prayers. When, after this, he was changed into another Wuertemberg
+Regiment, which served in Hessen and Thueringen, he employed every free
+hour in filling up, by his own industrious study, the many deeply-felt
+defects in his young schooling; and was earnestly studious. By his
+perseverant zeal and diligence, he succeeded in the course of these
+war-years in acquiring not only many medical, military and
+agricultural branches of knowledge, but also, as his Letters prove, in
+amassing a considerable amount of general culture. Nor did his
+praiseworthy efforts remain without recognition and external reward.
+At the end of the Seven-Years War, he had risen to be a Captain, and
+had even saved a little money.
+
+'His Wife, who, during these War-times, lived, on money sent by him,
+in her Father's house at Marbach, he could only visit seldom, and for
+short periods in winter-quarters, much as he longed for his faithful
+Wife; who, after the birth of a Daughter, in September 1757, was
+dearer to him than ever. But never had the rigid fetters of
+War-discipline appeared more oppressive than when, two years later, in
+November 1759, a Son, the Poet, was born. With joyful thanks to God,
+he saluted this dear Gift of Heaven; in daily prayer commended Mother
+and Child to "the Being of all Beings;" and waited now with impatience
+the time when he should revisit his home, and those that were his
+there. Yet there still passed four years before Father Schiller, on
+conclusion of the Hubertsburg Peace, 1763, could return home from the
+War, and again take up his permanent residence in his home-country.
+Where, on his return, his first Garrison quarters were, whether at
+Ludwigsburg, Cannstadt or what other place, is not known. On the other
+hand, all likelihoods are, that, so soon as he could find it
+possible, he carried over his Wife and his two Children, the little
+Daughter Christophine six, and the little Friedrich now four, out of
+Marbach to his own quarters, wherever these were.'
+
+There is no date to the Neckar Inundation above mentioned; but we have
+elsewhere evidence that the worthy Father Kodweis with his Wife, at
+this time, still dwelt in their comfortable house in the Market-Place.
+We know also, though it is not mentioned in the text, that their pious
+Daughter struggled zealously to the last to alleviate their sore
+poverty; and the small effect, so far as money goes, may testify how
+poor and straitened the Schiller Family itself then was.
+
+'With the Father's return out of War, there came a new element into
+the Family, which had so long been deprived of its natural Guardian
+and Counsellor. To be House-Father in the full sense of the word was
+now all the more Captain Schiller's need and duty, the longer his
+War-service had kept him excluded from the sacred vocation of Husband
+and Father. For he was throughout a rational and just man, simple,
+strong, expert, active for practical life, if also somewhat quick and
+rough. This announced itself even in the outward make and look of him;
+for he was of short stout stature and powerful make of limbs; the brow
+high-arched, eyes sharp and keen. Withal, his erect carriage, his firm
+step, his neat clothing, as well as his clear and decisive mode of
+speech, all testified of strict military training; which also extended
+itself over his whole domestic life, and even over the daily devotions
+of the Family. For although the shallow Illuminationism of that period
+had produced some influence on his religious convictions, he held fast
+by the pious principles of his forebears; read regularly to his
+household out of the Bible; and pronounced aloud, each day, the
+Morning and Evening Prayer. And this was, in his case, not merely an
+outward decorous bit of discipline, but in fact the faithful
+expression of his Christian conviction, that man's true worth and true
+happiness can alone be found in the fear of the Lord, and the moral
+purity of his heart and conduct. He himself had even, in the manner of
+those days, composed a long Prayer, which he in later years addressed
+to God every morning, and which began with the following lines:
+
+ True Watcher of Israel!
+ To Thee be praise, thanks and honour.
+ Praying aloud I praise Thee,
+ That earth and Heaven may hear.[45]
+
+ [Footnote 45:
+
+ 'Treuer Waechter Israels!
+ Dir sei Preis und Dank und Ehren;
+ Laut betend lob' ich Dich,
+ Dass es Erd' und Himmel hoeren' &c.]
+
+'If, therefore, a certain otherwise accredited Witness calls him a
+kind of crotchety, fantastic person, mostly brooding over strange
+thoughts and enterprises, this can only have meant that Caspar
+Schiller in earlier years appeared such, namely at the time when, as
+incipient Surgeon at Marbach, he saw himself forced into a circle of
+activity which corresponded neither to his inclination, strength nor
+necessities.
+
+
+'On the spiritual development of his Son this conscientious Father
+employed his warmest interest and activities; and appears to have been
+for some time assisted herein by a near relation, a certain Johann
+Friedrich Schiller from Bittenfeld; the same who, as _Studiosus
+Philosophiae_, was, in 1759, Godfather to the Boy. He is said to have
+given the little Godson Fritz his first lessons in Writing,
+Natural-History and Geography. A more effective assistance in this
+matter the Father soon after met with on removing to Lorch.
+
+'In the year 1765, the reigning Duke, Karl of Wuertemberg, sent Captain
+Schiller as Recruiting Officer to the Imperial Free-Town
+Schwaebish-Gmuend; with permission to live with his Family in the
+nearest Wuertemberg place, the Village and Cloister of Lorch. Lorch
+lies in a green meadow-ground, surrounded by beech-woods, at the foot
+of a hill, which is crowned by the weird buildings of the Cloister,
+where the Hohenstaufen graves are; opposite the Cloister and Hamlet,
+rise the venerable ruins of Hohenstaufen itself, with a series of
+hills; at the bottom winds the Rems,' a branch of the Neckar, 'towards
+still fruitfuler regions. In this attractive rural spot the Schiller
+Family resided for several years; and found from the pious and kindly
+people of the Hamlet, and especially from a friend of the house,
+Moser, the worthy Parish-Parson there, the kindliest reception. The
+Schiller children soon felt themselves at home and happy in Lorch,
+especially Fritz did, who, in the Parson's Son, Christoph Ferdinand
+Moser, a soft gentle child, met with his first boy-friend. In this
+worthy Parson's house he also received, along with the Parson's own
+Sons, the first regular and accurate instruction in reading and
+writing, as also in the elements of Latin and Greek. This arrangement
+pleased and comforted Captain Schiller not a little: for the more
+distinctly he, with his clear and candid character, recognised the
+insufficiency of his own instruction and stock of knowledge, the more
+impressively it lay on him that his Son should early acquire a good
+foundation in Languages and Science, and learn something solid and
+effective. What he could himself do in that particular he faithfully
+did; bringing out, with this purpose, partly the grand historical
+memorials of that neighbourhood, partly his own life-experiences, in
+instructive and exciting dialogues with his children. He would point
+out to the listening little pair the venerable remains of the
+Hohenstaufen Ancestral Castle, or tell them of his own soldier-career.
+He took the Boy with him into the Exercise Camp, to the Woodmen in the
+Forest, and even into the farther-distant pleasure-castle of
+Hohenheim; and thereby led their youthful imagination into many
+changeful imaginings of life.[46]
+
+ [Footnote 46: _Saupe_, p. 11.]
+
+'Externally little Fritz and his Sister were not like; Christophine
+more resembling the Father, whilst Friedrich was the image of the
+Mother. On the other hand, they had internally very much in common;
+both possessed a lively apprehension for whatever was true, beautiful
+or good. Both had a temper capable of enthusiasm, which early and
+chiefly turned towards the sublime and grand: in short, the strings of
+their souls were tuned on a cognate tone. Add to this, that both, in
+the beautifulest, happiest period of their life, had been under the
+sole care and direction of the pious genial Mother; and that Fritz, at
+least till his sixth year, was exclusively limited to Christophine's
+society, and had no other companion. They two had to be, and were, all
+to each other. Christophine on this account stood nearer to her
+Brother throughout all his life than the Sisters who were born later.
+
+'In rural stillness, and in almost uninterrupted converse with
+out-door nature, flowed by for Fritz and her the greatest part of
+their childhood and youth. Especially dear to them was their abode in
+this romantic region. Every hour that was free from teaching or other
+task, they employed in roaming about in the neighbourhood; and they
+knew no higher joy than a ramble into the neighbouring hills. In
+particular they liked to make pilgrimages together to a chapel on the
+Calvary Hill at Gmuend, a few miles off, to which the way was still
+through the old monkish grief-stations, on to the Cloister of Lorch
+noticed above. Often they would sit with closely-grasped hands, under
+the thousand-years-old Linden, which stood on a projection before the
+Cloister-walls, and seemed to whisper to them long-silent tales of
+past ages. On these walks the hearts of the two clasped each other
+ever closer and more firmly, and they faithfully shared their little
+childish joys and sorrows. Christophine would bitterly weep when her
+vivacious Brother had committed some small misdeed and was punished
+for it. In such cases, she often enough confessed Fritz's faults as
+her own, and was punished when she had in reality had no complicity in
+them. It was with great sorrow that they two parted from their little
+Paradise; and both of them always retained a great affection for Lorch
+and its neighbourhood. Christophine, who lived to be ninety, often
+even in her latter days looked back with tender affection to their
+abode there.[47]
+
+ [Footnote 47: _Saupe_, pp. 106-108.]
+
+
+'In his family-circle, the otherwise hard-mannered Father showed
+always to Mother and Daughters the tenderest respect and the
+affectionate tone which the heart suggests. Thus, if at table a dish
+had chanced to be especially prepared for him, he would never eat of
+it without first inviting the Daughters to be helped. As little could
+he ever, in the long-run, withstand the requests of his gentle Wife;
+so that not seldom she managed to soften his rough severity. The
+Children learned to make use of this feature in his character; and
+would thereby save themselves from the first outburst of his anger.
+They confessed beforehand to the Mother their bits of misdoings, and
+begged her to inflict the punishment, and prevent their falling into
+the heavier paternal hand. Towards the Son again, whose moral
+development his Father anxiously watched over, his wrath was at times
+disarmed by touches of courage and fearlessness on the Boy's part.
+Thus little Fritz, once on a visit at Hohenheim, in the house where
+his Father was calling, and which formed part of the side-buildings of
+the Castle, whilst his Father followed his business within doors, had,
+unobserved, clambered out of a saloon-window, and undertaken a voyage
+of discovery over the roofs. The Boy, who had been missed and
+painfully sought after, was discovered just on the point of trying to
+have a nearer view of the Lion's Head, by which one of the
+roof-gutters discharges itself, when the terrified Father got eye on
+him, and called out aloud. Cunning Fritz, however, stood motionless
+where he was on the roof, till his Father's anger had stilled itself,
+and pardon was promised him.'--Here farther is a vague anecdote made
+authentic: 'Another time the little fellow was not to be found at the
+evening meal, while, withal, there was a heavy thunderstorm in the
+sky, and fiery bolts were blazing through the black clouds. He was
+searched for in vain, all over the house; and at every new
+thunder-clap the misery of his Parents increased. At last they found
+him, not far from the house, on the top of the highest lime-tree,
+which he was just preparing to descend, under the crashing of a very
+loud peal. "In God's name, what hast thou been doing there?" cried the
+agitated Father. "I wanted to know," answered Fritz, "where all that
+fire in the sky was coming from!"
+
+
+'Three full years the Schiller Family lived at Lorch; and this in
+rather narrow circumstances, as the Father, though in the service of
+his Prince, could not, during the whole of this time, receive the
+smallest part of his pay, but had to live on the little savings he had
+made during War-time. Not till 1768, after the most impressive
+petitioning to the Duke, was he at last called away from his post of
+Recruiting Officer, and transferred to the Garrison of Ludwigsburg,
+where he, by little and little, squeezed out the pay owing him.
+
+'Upon his removal, the Father's first care was to establish his little
+Boy, now nine years old,--who, stirred-on probably by the impressions
+he had got in the Parsonage at Lorch, and the visible wish of his
+Parents, had decided for the Clerical Profession,--in the Latin school
+at Ludwigsburg. This done, he made it his chief care that his Son's
+progress should be swift and satisfying there. But on that side, Fritz
+could never come up to his expectations, though the Teachers were well
+enough contented. But out of school-time, Fritz was not so zealous and
+diligent as could be wished; liked rather to spring about and sport in
+the garden. The arid, stony, philological instruction of his teacher,
+Johann Friedrich Jahn, who was a solid Latiner, and nothing more, was
+not calculated to make a specially alluring impression on the clever
+and lively Boy; thus it was nothing but the reverence and awe of his
+Father that could drive him on to diligence.
+
+'To this time belongs the oldest completely preserved Poem of
+Schiller's; it is in the form of a little Hymn, in which, on
+New-year's day 1769, the Boy, now hardly over nine years old, presents
+to his Parents the wishes of the season. It may stand here by way of
+glimpse into the position of the Son towards his Parents, especially
+towards his Father.
+
+
+ MUCH-LOVED PARENTS.[48]
+
+ Parents, whom I lovingly honour,
+ Today my heart is full of thankfulness!
+ This Year may a gracious God increase
+ What is at all times your support!
+
+ The Lord, the Fountain of all joy,
+ Remain always your comfort and portion;
+ His Word be the nourishment of your heart,
+ And Jesus your wished-for salvation.
+
+ I thank you for all your proofs of love,
+ For all your care and patience;
+ My heart shall praise all your goodness,
+ And ever comfort itself in your favour.
+
+ Obedience, diligence and tender love
+ I promise you for this Year.
+ God send me only good inclinations,
+ And make true all my wishes! Amen.
+
+1 January 1769. JOHANN FRIEDRICH SCHILLER.
+
+ [Footnote 48:
+
+ HERZGELIEBTE ELTERN.
+
+ _Eltern, die ich zaertlich ehre,
+ Mein Herz ist heut' voll Dankbarkeit!
+ Der treue Gott dies Jahr vermehre
+ Was Sie erquickt zu jeder Zeit!_
+
+ _Der Herr, die Quelle aller Freude,
+ Verbleibe stets Ihr Trost und Theil;_
+ _Sein Wort sei Ihres Herzens Weide,
+ Und Jesus Ihr erwunschtes Heil._
+
+ _Ich dank' von alle Liebes-Proben,
+ Von alle Sorgfalt und Geduld,
+ Mein Herz soll alle Guete loben,
+ Und troesten sich stets Ihrer Huld._
+
+ _Gehorsam, Fleiss und zarte Liebe
+ Verspreche ich auf dieses Jahr.
+ Der Herr schenk' mir nur gute Treibe,
+ Und mache all' mein Wunschen wahr. Amen._
+
+ JOHANN CHRISTOPH FRIEDRICH SCHILLER.
+
+ _Den 1 Januarii Anno 1769._]
+
+'According to the pious wish of their Son, this year, 1769, did bring
+somewhat which "comforted" them. Captain Schiller, from of old a lover
+of rural occupations, and skilful in gardening and nursery affairs,
+had, at Ludwigsburg, laid-out for himself a little Nursery. It was
+managed on the same principles which he afterwards made public in his
+Book, _Die Baumzucht im Grossen_ (Neustrelitz, 1795, and second
+edition, Giessen, 1806); and was prospering beautifully. The Duke, who
+had noticed this, signified satisfaction in the thing; and he
+appointed him, in 1770, to shift to his beautiful Forest-Castle, Die
+Solituede, near Stuttgart, as overseer of all his Forest operations
+there. Hereby to the active man was one of his dearest wishes
+fulfilled; and a sphere of activity opened, corresponding to his
+acquirements and his inclination. At Solituede, by the Duke's order, he
+laid-out a Model Nursery for all Wuertemberg, which he managed with
+perfect care and fidelity; and in this post he so completely satisfied
+the expectations entertained of him, that his Prince by and by raised
+him to the rank of Major.' He is reckoned to have raised from seeds,
+and successfully planted, 60,000 trees, in discharge of this
+function, which continued for the rest of his life.
+
+'His Family, which already at Lorch, in 1766, had been increased by
+the birth of a Daughter, Luise, waited but a short time in Ludwigsburg
+till the Father brought them over to the new dwelling at Solituede.
+Fritz, on the removal of his Parents, was given over as boarder to his
+actual Teacher, the rigorous pedant Jahn; and remained yet two years
+at the Latin school in Ludwigsburg. During this time, the lively, and
+perhaps also sometimes mischievous Boy, was kept in the strictest
+fetters; and, by the continual admonitions, exhortations, and manually
+practical corrections of Father and of Teacher, not a little held down
+and kept in fear. The fact, for instance, that he liked more the
+potent Bible-words and pious songs of a Luther, a Paul Gerhard, and
+Gellert, than he did the frozen lifeless catechism-drill of the
+Ludwigsburg Institute, gave surly strait-laced Jahn occasion to lament
+from time to time to the alarmed Parents, that "their Son had no
+feeling whatever for religion." In this respect, however, the
+otherwise so irritable Father easily satisfied himself, not only by
+his own observations of an opposite tendency, but chiefly by stricter
+investigation of one little incident that was reported to him. The
+teacher of religion in the Latin school, Superintendent Zilling, whose
+name is yet scornfully remembered, had once, in his dull awkwardness,
+introduced even Solomon's Song as an element of nurture for his class;
+and was droning out, in an old-fashioned way, his interpretation of it
+as symbolical of the Christian Church and its Bridegroom Christ, when
+he was, on the sudden, to his no small surprise and anger, interrupted
+by the audible inquiry of little Schiller, "But was this Song, then,
+actually sung to the Church?" Schiller Senior took the little heretic
+to task for this rash act; and got as justification the innocent
+question, "Has the Church really got teeth of ivory?" The Father was
+enlightened enough to take the Boy's opposition for a natural
+expression of sound human sense; nay, he could scarcely forbear a
+laugh; whirled swiftly round, and murmured to himself, "Occasionally
+she has Wolf's teeth." And so the thing was finished.[49]
+
+ [Footnote 49: _Saupe_, p. 18.]
+
+'At Ludwigsburg Schiller and Christophine first saw a Theatre; where
+at that time, in the sumptuous Duke's love of splendour, only pompous
+operas and ballets were given. The first effect of this new enjoyment,
+which Fritz and his Sister strove to repeat as often as they could,
+was that at home, with little clipped and twisted paper dolls, they
+set about representing scenes; and on Christophine's part it had the
+more important result of awakening and nourishing, at an early age,
+her aesthetic taste. Schiller considered her, ever after these youthful
+sports, as a true and faithful companion in his poetic dreams and
+attempts; and constantly not only told his Sister, whose silence on
+such points could be perfect, of all that he secretly did in the way
+of verse-making in the Karl's School,--which, as we shall see, he
+entered in 1773,--but if possible brought it upon the scene with her.
+Scenes from the lyrical operetta of _Semele_ were acted by Schiller
+and Christophine, on those terms; which appears in a complete shape
+for the first time in Schiller's _Anthology_, printed 1782.[50]
+
+ [Footnote 50: Ibid. p. 109.]
+
+
+'So soon as Friedrich had gone through the Latin school at
+Ludwigsburg, which was in 1772, he was, according to the standing
+regulation, to enter one of the four Lower Cloister-schools; and go
+through the farther curriculum for a Wuertemberg clergyman. But now
+there came suddenly from the Duke to Captain Schiller an offer to take
+his Son, who had been represented to him as a clever boy, into the new
+Military Training-School, founded by his Highness at Solituede, in
+1771; where he would be brought up, and taken charge of, free of cost.
+
+'In the Schiller Family this offer caused great consternation and
+painful embarrassment. The Father was grieved to be obliged to
+sacrifice a long-cherished paternal plan to the whim of an arbitrary
+ruler; and the Son felt himself cruelly hurt to be torn away so rudely
+from his hope and inclination. Accordingly, how dangerous soever for
+the position of the Family a declining of the Ducal grace might seem,
+the straightforward Father ventured nevertheless to lay open to the
+Duke, in a clear and distinct statement, how his purpose had always
+been to devote his Son, in respect both of his inclination and his
+hitherto studies, to the Clerical Profession; for which in the new
+Training-School he could not be prepared. The Duke showed no anger at
+this step of the elder Schiller's; but was just as little of intention
+to let a capable and hopeful scholar, who was also the Son of one of
+his Officers and Dependents, escape him. He simply, with brevity,
+repeated his wish, and required the choice of another study, in which
+the Boy would have a better career and outlook than in the Theological
+Department. Nill they, will they, there was nothing for the Parents
+but compliance with the so plainly intimated will of this Duke, on
+whom their Family's welfare so much depended.
+
+'Accordingly, 17th January 1773, Friedrich Schiller, then in his
+fourteenth year, stept over to the Military Training-School at
+Solituede.
+
+'In September of the following year, Schiller's Parents had,
+conformably to a fundamental law of the Institution, to acknowledge
+and engage by a written Bond, "That their Son, in virtue of his
+entrance into this Ducal Institution, did wholly devote himself to the
+service of the Wuertemberg Ducal House; that he, without special Ducal
+permission, was not empowered to go out of it; and that he had, with
+his best care, to observe not only this, but all other regulations of
+the Institute." By this time, indeed directly upon signature of this
+strict Bond, young Schiller had begun to study Jurisprudence;--which,
+however, when next year, 1775, the Training-School, raised now to be a
+"Military Academy," had been transferred to Stuttgart, he either of
+his own accord, or in consequence of a discourse and interview of the
+Duke with his Father, exchanged for the Study of Medicine.
+
+'From the time when Schiller entered this "Karl's School"' (Military
+Academy, in official style), 'he was nearly altogether withdrawn from
+any tutelage of his Father; for it was only to Mothers, and to Sisters
+still under age, that the privilege of visiting their Sons and
+Brothers, and this on the Sunday only, was granted: beyond this, the
+Karl's Scholars, within their monastic cells, were cut off from family
+and the world, by iron-doors and sentries guarding them. This rigorous
+seclusion from actual life and all its friendly impressions, still
+more the spiritual constraint of the Institution, excluding every free
+activity, and all will of your own, appeared to the Son in a more
+hateful light than to the Father, who, himself an old soldier, found
+it quite according to order that the young people should be kept in
+strict military discipline and subordination. What filled the Son with
+bitter discontent and indignation, and at length brought him to a kind
+of poetic outburst of revolution in the _Robbers_, therein the Father
+saw only a wholesome regularity, and indispensable substitute for
+paternal discipline. Transient complaints of individual teachers and
+superiors little disturbed the Father's mind; for, on the whole, the
+official testimonies concerning his Son were steadily favourable. The
+Duke too treated young Schiller, whose talents had not escaped his
+sharpness of insight, with particular goodwill, nay distinction. To
+this Prince, used to the accurate discernment of spiritual gifts, the
+complaints of certain Teachers, that Schiller's slow progress in
+Jurisprudence proceeded from want of head, were of no weight whatever;
+and he answered expressly, "Leave me that one alone; he will come to
+something yet!" But that Schiller gave his main strength to what in
+the Karl's School was a strictly forbidden object, to poetry namely,
+this I believe was entirely hidden from his Father, or appeared to
+him, on occasional small indications, the less questionable, as he saw
+that, in spite of this, the Marketable-Sciences were not neglected.
+
+
+'At the same age, viz. about twenty-two, at which Captain Schiller had
+made his first military sally into the Netherlands and the
+Austrian-Succession War, his Son issued from the Karl's School, 15th
+December 1780; and was immediately appointed Regimental-Doctor at
+Stuttgart; with a monthly pay of twenty-three gulden' (_2l. 6s.=11s._
+and a fraction per week). 'With this appointment, Schiller had, as it
+were, openly altogether outgrown all special paternal guardianship or
+guidance; and was, from this time, treated by his Father as come to
+majority, and standing on his own feet. If he came out, as frequently
+happened, with a comrade to Solituede, he was heartily welcome there,
+and the Father's looks often dwelt on him with visible satisfaction.
+If in the conscientious and rigorous old man, with his instructive and
+serious experiences of life, there might yet various anxieties and
+doubts arise when he heard of the exuberantly genial ways of his
+hopeful Son at Stuttgart, he still looked upon him with joyful pride,
+in remarking how those so promising Karl's Scholars, who had entered
+into the world along with him, recognised his superiority of mind, and
+willingly ranked themselves under him. Nor could it be otherwise than
+highly gratifying to his old heart to remark always with what deep
+love the gifted Son constantly regarded his Parents and
+Sisters.'[51]--Of Schiller's first procedures in Stuttgart, after his
+emancipation from the Karl's School, and appointment as
+Regimental-Surgeon, or rather of his general behaviour and way of life
+there, which are said to have been somewhat wild, genially, or even
+_un_genially extravagant, and to have involved him in many paltry
+entanglements of debts, as one bad consequence,--there will be some
+notice in the next Section, headed "_The Mother_." His Regimental
+Doctorship, and stay in Stuttgart altogether, lasted twenty-two
+months.
+
+ [Footnote 51: _Saupe_, p. 25.]
+
+This is Schiller's bodily appearance, as it first presented itself to
+an old School-fellow, who, after an interval of eighteen months, saw
+him again on Parade, as Doctor of the Regiment Auge,--more to his
+astonishment than admiration.
+
+'Crushed into the stiff tasteless Old-Prussian Uniform; on each of
+his temples three stiff rolls as if done with gypsum; the tiny
+three-cocked hat scarcely covering his crown; so much the thicker the
+long pigtail, with the slender neck crammed into a very narrow
+horsehair stock; the felt put under the white spatterdashes, smirched
+by traces of shoe-blacking, giving to the legs a bigger diameter than
+the thighs, squeezed into their tight-fitting breeches, could boast
+of. Hardly, or not at all, able to bend his knees, the whole man moved
+like a stork.'
+
+'The Poet's form,' says this Witness elsewhere, a bit of a dilettante
+artist it seems, 'had somewhat the following appearance: Long straight
+stature; long in the legs, long in the arms; pigeon-breasted; his neck
+very long; something rigorously stiff; in gait and carriage not the
+smallest elegance. His brow was broad; the nose thin, cartilaginous,
+white of colour, springing out at a notably sharp angle, much bent,--a
+parrot-nose, and very sharp in the point (according to Dannecker the
+Sculptor, Schiller, who took snuff, had pulled it out so with his
+hand). The red eyebrows, over the deep-lying dark-gray eyes, were bent
+too close together at the nose, which gave him a pathetic expression.
+The lips were thin, energetic; the under-lip protruding, as if pushed
+forward by the inspiration of his feelings; the chin strong; cheeks
+pale, rather hollow than full, freckly; the eyelids a little inflamed;
+the bushy hair of the head dark red; the whole head rather ghostlike
+than manlike, but impressive even in repose, and all expression when
+Schiller declaimed. Neither the features nor the somewhat shrieky
+voice could he subdue. Dannecker,' adds the satirical Witness, 'has
+unsurpassably cut this head in marble for us.'[52]
+
+ [Footnote 52: Schwab, _Schiller's Leben_ (Stuttgart, 1841),
+ p. 68.]
+
+'The publication of the _Robbers_' (Autumn 1781),--'which Schiller,
+driven on by rage and desperation, had composed in the fetters of the
+Karl's School,--raised him on the sudden to a phenomenon on which all
+eyes in Stuttgart were turned. What, with careless exaggeration, he
+had said to a friend some months before, on setting forth his _Elegy
+on the Death of a Young Man_, "The thing has made my name hereabouts
+more famous than twenty years of practice would have done; but it is a
+name like that of him who burnt the Temple of Ephesus: God be merciful
+to me a sinner!" might now with all seriousness be said of the
+impression his _Robbers_ made on the harmless townsfolk of Stuttgart.
+But how did Father Schiller at first take up this eccentric product of
+his Son, which openly declared war on all existing order? Astonishment
+and terror, anger and detestation, boundless anxiety, with touches of
+admiration and pride, stormed alternately through the solid honest
+man's paternal breast, as he saw the frank picture of a Prodigal Son
+rolled out before him; and had to gaze into the most revolting deeps
+of the passions and vices. Yet he felt himself irresistibly dragged
+along by the uncommon vivacity of action in this wild Drama; and at
+the same time powerfully attracted by the depth, the tenderness and
+fulness of true feeling manifested in it: so that, at last, out of
+those contradictory emotions of his, a clear admiration and pride for
+his Son's bold and rich spirit maintained the upper hand. By
+Schiller's friends and closer connections, especially by his Mother
+and Sisters, all pains were of course taken to keep up this favourable
+humour in the Father, and carefully to hide from him all
+disadvantageous or disquieting tidings about the Piece and its
+consequences and practical effects. Thus he heard sufficiently of the
+huge excitement and noise which the _Robbers_ was making all over
+Germany, and of the seductive approval which came streaming-in on the
+youthful Poet, even out of distant provinces; but heard nothing either
+of the Duke's offended and angry feelings over the _Robbers_, a
+production horrible to him; nor of the Son's secret journeys to
+Mannheim, and the next consequences of these' (his brief arrest,
+namely), 'nor of the rumour circulating in spiteful quarters, that
+this young Doctor was neglecting his own province of medicine, and
+meaning to become a play-actor. How could the old man, in these
+circumstances, have a thought that the _Robbers_ would be the loss of
+Family and Country to his poor Fritz! And yet so it proved.
+
+'Excited by all kinds of messagings, informings and insinuations, the
+imperious Prince, in spite of his secret pleasure in this sudden
+renown of his Pupil, could in no wise be persuaded to revoke or soften
+his harsh Order, which "forbade the Poet henceforth, under pain of
+military imprisonment, either to write anything poetic or to
+communicate the same to foreign persons"' (non-Wuertembergers). In vain
+were all attempts of Schiller to obtain his discharge from Military
+Service and his "_Entschwaebung_" (Un-_Swabian_-ing); such petitions
+had only for result new sharper rebukes and hard threatening
+expressions, to which the mournful fate of Schubart in the Castle of
+Hohenasperg[53] formed a too questionable background.
+
+ [Footnote 53: See Appendix ii. _infra_.]
+
+'Thus by degrees there ripened in the strong soul of this young man
+the determination to burst these laming fetters of his genius, by
+flight from despotic Wuertemberg altogether; and, in some friendlier
+country, gain for himself the freedom without which his spiritual
+development was impossible. Only to one friend, who clung to him with
+almost enthusiastic devotion, did he impart his secret. This was
+Johann Andreas Streicher of Stuttgart, who intended to go next year to
+Hamburg, and there, under Bach's guidance, study music; but declared
+himself ready to accompany Schiller even now, since it had become
+urgent. Except to this trustworthy friend, Schiller had imparted his
+plan to his elder Sister Christophine alone; and she had not only
+approved of the sad measure, but had undertaken also to prepare their
+Mother for it. The Father naturally had to be kept dark on the
+subject; all the more that, if need were, he might pledge his word as
+an Officer that he had known nothing of his Son's intention.
+
+'Schiller went out, in company of Madam Meier, Wife of the _Regisseur_
+(Theatre-manager) at Mannheim, a native of Stuttgart, and of this
+Streicher, one last time to Solituede, to have one more look of it and
+of his dear ones there; especially to soothe and calm his Mother. On
+the way, which they travelled on foot, Schiller kept up a continual
+discourse about the Mannheim Theatre and its interests, without
+betraying his secret to Madam Meier. The Father received these welcome
+guests with frank joy; and gave to the conversation, which at first
+hung rather embarrassed, a happy turn by getting into talk, with
+cheery circumstantiality, of the grand Pleasure-Hunt, of the Play and
+of the Illumination, which were to take place, in honour of the
+Russian Grand-Prince, afterwards Czar Paul, and his Bride, the Duke of
+Wuertemberg's Niece, on the 17th September instant, at Solituede. Far
+other was the poor Mother's mood; she was on the edge of betraying
+herself, in seeing the sad eyes of her Son; and she could not speak
+for emotion. The presence of Streicher and a Stranger with whom the
+elder Schiller was carrying on a, to him, attractive conversation,
+permitted Mother and Son to withdraw speedily and unremarked. Not till
+after an hour did Schiller reappear, alone now, to the company;
+neither this circumstance, nor Schiller's expression of face, yet
+striking the preoccupied Father. Though to the observant Streicher,
+his wet red eyes betrayed how painful the parting must have been.
+Gradually on the way back to Stuttgart, amid general talk of the
+three, Schiller regained some composure and cheerfulness.
+
+'The bitter sorrow of this hour of parting renewed itself yet once in
+Schiller's soul, when on the flight itself, about midnight of the
+17th. In effect it was these same festivities that had decided the
+young men's time and scheme of journey; and under the sheltering noise
+of which their plan was luckily executed. Towards midnight of the
+above-said day, when the Castle of Solituede, with all its
+surroundings, was beaming in full splendour of illumination, there
+rolled past, almost rubbing elbows with it, the humble Schiller
+Vehicle from Stuttgart, which bore the fugitive Poet with his true
+Friend on their way. Schiller pointed out to his Friend the spot where
+his Parents lived, and, with a half-suppressed sigh and a woe-begone
+exclamation, "Oh, my Mother!" sank back upon his seat.'
+
+Mannheim, the goal of their flight, is in Baden-Baden, under another
+Sovereign; lies about 80 miles to N.W. of Stuttgart. Their dreary
+journey lasted two days,--arrival not till deep in the night of the
+second. Their united stock of money amounted to 51 gulden,--Schiller
+23, Streicher 28,--5_l._ 6_s._ in all. Streicher subsequently squeezed
+out from home 3_l._ more; and that appears to have been their
+sum-total.[54]
+
+ [Footnote 54: Schwab, _Schiller's Leben_.]
+
+'Great was the astonishment and great the wrath of the Father, when at
+length he understood that his Son had broken the paternal, written
+Bond, and withdrawn himself by flight from the Ducal Service. He
+dreaded, not without reason, the heavy consequences of so rash an
+action; and a thousand gnawing anxieties bestormed the heart of the
+worthy man. Might not the Duke, in the first outburst of his
+indignation, overwhelm forever the happiness of their Family, which
+there was nothing but the income of his post that supported in humble
+competence? And what a lot stood before the Son himself, if he were
+caught in flight, or if, what was nowise improbable, his delivery back
+was required and obtained? Sure enough, there had risen on the
+otherwise serene heaven of the Schiller Family a threatening
+thundercloud; which, any day, might discharge itself, bringing
+destruction on their heads.
+
+'The thing, however, passed away in merciful peace. Whatever may have
+been the Duke's motives or inducements to let the matter, in spite of
+his embitterment, silently drop,--whether his bright festal humour in
+presence of those high kinsfolk, or the noble frankness with which the
+Runaway first of all, to save his Family, had in a respectful missive,
+dated from Mannheim, explained to his Princely Educator the necessity
+of his flight; or the expectation, flattering to the Ducal pride, that
+the future greatness of his Pupil might be a source of glory to him
+and his Karl's-School: enough, on his part, there took place no kind
+of hostile step against the Poet, and still less against his Family.
+Captain Schiller again breathed freer when he saw himself delivered
+from his most crushing anxiety on this side; but there remained still
+a sharp sting in his wounded heart. His military feeling of honour was
+painfully hurt by the thought that they might now look upon his Son
+as a deserter; and withal the future of this voluntary Exile appeared
+so uncertain and wavering, that it did not offer the smallest
+justification of so great a risk. By degrees, however, instead of
+anger and blame there rose in him the most sympathetic anxiety for the
+poor Son's fate; to whom, from want of a free, firm and assuring
+position in life, all manner of contradictions and difficulties must
+needs arise.
+
+'And Schiller did actually, at Mannheim, find himself in a bad and
+difficult position. The Superintendent of the celebrated Mannheim
+Theatre, the greatly powerful Imperial Baron von Dalberg, with whom
+Schiller, since the bringing out of his _Robbers_, had stood in lively
+correspondence, drew back when Schiller himself was here; and kept the
+Poet at a distance as a political Fugitive; leaving him to shift as he
+could. In vain had Schiller explained to him, in manly open words, his
+economic straits, and begged from him a loan of 300 gulden' (30_l._)
+'to pay therewith a pressing debt in Stuttgart, and drag himself
+along, and try to get started in the world. Dalberg returned the
+_Fiesco_, Schiller's new republican Tragedy, which had been sent him,
+with the declaration that he could advance no money on the _Fiesco_ in
+its present form; the Piece must first be remodelled to suit the
+stage. During this remodelling, which the otherwise so passionately
+vivid and hopeful Poet began without murmur, he lived entirely on the
+journey-money that had been saved up by the faithful Streicher, who
+would on no account leave him.'
+
+What became of this good Streicher afterwards, I have inquired
+considerably, but with very little success. On the total exhaustion of
+their finance, Schiller and he had to part company,--Schiller for
+refuge at Bauerbach, as will soon be seen. Streicher continued about
+Mannheim, not as Schiller's fellow-lodger any longer, but always at
+his hand, passionately eager to serve him with all his faculties by
+night or by day; and they did not part finally till Schiller quitted
+Mannheim, two years hence, for Leipzig. After which they never met
+again. Streicher, in Mannheim, seems to have subsisted by his musical
+talent; and to have had some connection with the theatre in that
+capacity. In similar dim positions, with what shiftings, adventures
+and vicissitudes is quite unknown to me, he long survived Schiller,
+and, at least fifty years after these Mannheim struggles, wrote some
+Book of bright and loving Reminiscences concerning him, the exact
+_title_ of which I can nowhere find,--though passages from it are
+copied by Biographer Schwab here and there. His affection for Schiller
+is of the nature of worship rather, of constant adoration; and
+probably formed the sunshine to poor Streicher's life. Schiller
+nowhere mentions him in his writings or correspondences, after that
+final parting at Mannheim, 1784.
+
+'The necessities of the two Friends reached by and by such a height
+that Schiller had to sell his Watch, although they had already for
+several weeks been subsisting on loans. To all which now came
+Dalberg's overwhelming message, that even this Remodelling of _Fiesco_
+could not be serviceable; and of course could not have money paid for
+it. Schiller thereupon, at once resolute what to do, walked off to the
+worthy Bookseller Schwann,' with whom he was already on a trustful,
+even grateful footing; 'and sold him his MS. at one louis-d'or the
+sheet. At the same time, too, he recognised the necessity of quitting
+Mannheim, and finding a new asylum in Saxony; seeing, withal, his
+farther continuance here might be as dangerous for him as it was a
+matter of apprehension to his Friends. For although the Duke of
+Wuertemberg undertook nothing that was hostile to him, and his Family
+at Solituede experienced no annoyance, yet the impetuous Prince might,
+any day, take it into his head to have him put in prison. In the ever
+livelier desire after a securely-hidden place of abode, where he might
+execute in peace his poetic plans and enterprises, Schiller suddenly
+took up an earlier purpose, which had been laid aside.
+
+'In the Stuttgart time he had known Wilhelm von Wolzogen, by and by
+his Brother-in-law' (they married two sisters), 'who, with three
+Brothers, had been bred in the Karl's School. The two had, indeed,
+during the academic time, Wolzogen being some years younger, had few
+points of contact, and were not intimate. But now on the appearance of
+the _Robbers_, Wolzogen took a cordial affection and enthusiasm for
+the widely-celebrated Poet, and on closer acquaintance with Schiller,
+also affected his Mother,--who, as Widow, for her three Sons' sake,
+lived frequently at Stuttgart,--with a deep and zealous sympathy in
+Schiller's fate. Schiller had, with a truly childlike trust, confided
+himself to this excellent Lady, and after his Arrest,--a bitter
+consequence of his secret visit to Mannheim,--had confessed to her his
+purpose to run away. Frau von Wolzogen, who feared no sacrifice when
+the question was of the fortune of her friends, had then offered him
+her family mansion, Bauerbach, near Meiningen, as a place of refuge.
+Schiller's notion had also been to fly thither; though, deceived by
+false hopes, he changed that purpose. He now wrote at once to
+Stuttgart, and announced to Frau von Wolzogen his wish to withdraw
+for 'some time to Bauerbach.' To which, as is well known, the assent
+was ready and zealous.
+
+'Before quitting Mannheim, Schiller could not resist the longing wish,
+to see his Parents yet one time; and wrote to them accordingly, 19
+Nov. 1782, in visible haste and excitement:
+
+ "Best Parents,--As I am at present in Mannheim, and am to go
+ away forever in five days, I wished to prepare for myself
+ and you the one remaining satisfaction of seeing one another
+ once more. Today is the 19th, on the 21st you receive this
+ Letter;--if you therefore, without the least delay (that is
+ indispensable), leave Stuttgart, you might on the 22d be at
+ the Post-house in Bretten, which is about half way from
+ Mannheim, and where you would find me. I think it would be
+ best if Mamma and Christophine, under the pretext of going
+ to Ludwigsburg to Wolzogen, should make this journey. Take
+ the Frau Vischerin" (a Captain's Widow, sung of under the
+ name of "Laura," with whom he had last lodged in Stuttgart)
+ "and also Wolzogen with you, as I wish to speak with both of
+ them, perhaps for the last time, Wolzogen excepted. I will
+ give you a Karolin as journey-money; but not till I see you
+ at Bretten. By the prompt fulfilment of my Prayer, I will
+ perceive whether is still dear to you,
+
+ Your ever-grateful Son,
+
+ SCHILLER."'
+
+
+From Mannheim, Bauerbach or Meiningen lies about 120 miles N.E.; and
+from Stuttgart almost as far straight North. Bretten, 'a little town
+on a hill, celebrated as Melancthon's Birthplace, his Father's house
+still standing there,' is some 35 miles S.E. of Mannheim, and as far
+N.W. from Stuttgart. From Mannheim, in this wise, it is not at all on
+the road to Meiningen, though only a few miles more remote in direct
+distance. Schiller's purpose had been, after this affectionate
+interview, to turn at once leftward and make for Meiningen, by what
+road or roads there were from Bretten thither. Schiller's poor guinea
+(Karolin) was not needed on this occasion; the rendezvous at Bretten
+being found impossible or inexpedient at the Stuttgart end of it. Our
+Author continues:
+
+'Although this meeting, on which the loving Son and Brother wished to
+spend his last penny, did not take effect; yet this mournful longing
+of his, evident from the Letter, and from the purpose itself, must
+have touched the Father's heart with somewhat of a reconciliatory
+feeling. Schiller Senior writes accordingly, 8 December 1782, the very
+day after his Son's arrival at Bauerbach, to Bookseller Schwan in
+Mannheim: "I have not noticed here the smallest symptom that his Ducal
+Durchlaucht has any thought of having my Son searched for and
+prosecuted; and indeed his post here has long since been filled up; a
+circumstance which visibly indicates that they can do without him."
+This Letter to Schwan concludes in the following words, which are
+characteristic: "He (my Son) has, by his untimely withdrawal, against
+the advice of his true friends, plunged himself into this difficult
+position; and it will profit him in soul and body that he feel the
+pain of it, and thereby become wiser for the future. I am not afraid,
+however, that want of actual necessaries should come upon him, for in
+such case I should feel myself obliged to lend a hand."
+
+'And in effect Schiller, during his abode in Bauerbach, did once or
+twice receive little subventions of money from his Father, although
+never without earnest and not superfluous admonition to become more
+frugal, and take better heed in laying-out his money. For economics
+were, by Schiller's own confession, "not at all his talent; it cost
+him less," he says, "to execute a whole conspiracy and tragedy-plot
+than to adjust his scheme of housekeeping."--At this time it was never
+the Father himself who wrote to Schiller, but always Christophine, by
+his commission; and on the other hand, Schiller too never risked
+writing directly to his Father, as he felt but too well how little on
+his part had been done to justify the flight in his Father's eyes. He
+writes accordingly, likewise on that 8th December 1782, to his
+Publisher Schwan: "If you can accelerate the printing of my _Fiesco_,
+you will very much oblige me by doing so. You know that nothing but
+the prohibition to become an Author drove me out of the Wuertemberg
+service. If I now, on this side, don't soon let my native country hear
+of me, they will say the step I took was useless and without real
+motive."
+
+'In Bauerbach Schiller lived about eight months, under the name of
+Doctor Ritter, unknown to everybody; and only the Court-Librarian,
+Reinwald, in Meiningen, afterwards his Brother-in-law,' as we shall
+see, 'in whom he found a solid friend, had been trusted by Frau von
+Wolzogen with the name and true situation of the mysterious stranger.
+The most of Schiller's time here was spent in dramatic labours,
+enterprises and dreams. The outcome of all these were his third civic
+Tragedy, _Louise Miller_, or _Kabale und Liebe_, which was finished in
+February 1783, and the settling on _Don Carlos_ as a new tragic
+subject. Many reasons, meanwhile, in the last eight months, had been
+pushing Schiller into the determination to leave his asylum, and anew
+turn towards Mannheim. A passionate, though unreturned attachment to
+Charlotte von Wolzogen at that time filled Schiller's soul; and his
+removal therefore must both to Frau von Wolzogen for her own and her
+Daughter's sake, and to Schiller himself, have appeared desirable. It
+was Frau von Wolzogen's own advice to him to go for a short time to
+Mannheim, there to get into clear terms with Dalberg, who had again
+begun corresponding with him: so, in July 1783, Schiller bade his
+solitary, and, by this time dear and loved, abode a hasty adieu; and,
+much contrary to fond hope, never saw it again.
+
+'In September 1783, his bargainings with Dalberg had come to this
+result, That for a fixed salary of 500 gulden,' 50_l._ a year, 'he was
+appointed Theatre-Poet here. By this means, to use his own words, the
+way was open to him gradually to pay-off a considerable portion of his
+debts, and so escape from the drowning whirlpool, and remain an honest
+man. Now, furthermore, he thought it permissible to show himself to
+his Family with a certain composure of attitude; and opened
+straightway a regular correspondence with his Parents again. And
+Captain Schiller volunteers a stiff-starched but true and earnest
+Letter to the Baron Dalberg himself; most humbly thanking that
+gracious nobleman for such beneficent favour shown my poor Son; and
+begs withal the far stranger favour that Dalberg would have the
+extreme goodness to appoint the then inexperienced young man some true
+friend who might help him to arrange his housekeeping, and in moral
+things might be his Mentor!
+
+'Soon after this, an intermittent fever threw the Poet on a sick-bed;
+and lamed him above five weeks from all capacity of mental labour. Not
+even in June of the following year was the disease quite overcome.
+Visits, acquaintanceships, all kinds of amusements, and more than
+anything else, over-hasty attempts at work, delayed his cure;--so that
+his Father had a perfect right to bring before him his, Schiller's,
+own blame in the matter: "That thou"' (_Er_, He; the then usual tone
+towards servants and children) '"for eight whole months hast weltered
+about with intermittent fever, surely that does little honour to thy
+study of medicine; and thou wouldst, with great justice, have poured
+the bitterest reproaches on any Patient who, in a case like thine, had
+not held himself to the diet and regimen that were prescribed to
+him!"--
+
+'In Autumn 1783, there seized Schiller so irresistible a longing to
+see his kindred again, that he repeatedly expressed to his Father the
+great wish he had for a meeting, either at Mannheim or some other
+place outside the Wuertemberg borders. To the fulfilment of this scheme
+there were, however, in the sickness which his Mother had fallen into,
+in the fettered position of the Father, and in the rigorously frugal
+economies of the Family, insuperable obstacles. Whereupon his Father
+made him the proposal, that he, Friedrich, either himself or by him,
+the Captain, should apply to the Duke Karl's Serene Highness; and
+petition him for permission to return to his country and kindred. As
+Schiller to this answered nothing, Christophine time after time
+pressingly repeated to him the Father's proposal. At the risk of again
+angering his Father, Schiller gave, in his answer to Christophine, of
+1st January 1784, the decisive declaration that his honour would
+frightfully suffer if he, without connection with any other Prince,
+without character and lasting means of support, after his forceful
+withdrawal from Wuertemberg, should again show face there. "That my
+Father," adds he, as ground of this refusal, "give his name to such a
+petition can help me little; for every one will at once, so long as I
+cannot make it plain that I no longer need the Duke of Wuertemberg,
+suspect in a return, obtained on petition (by myself or by another is
+all one), a desire to get settled in Wuertemberg again. Sister,
+consider with serious attention these circumstances; for the happiness
+of thy Brother may, by rash haste in this matter, suffer an incurable
+wound. Great part of Germany knows of my relations to your Duke and of
+the way I left him. People have interested themselves for me at the
+expense of this Duke; how horribly would the respect of the public
+(and on this depends my whole future fortune), how miserably would my
+own honour sink by the suspicion that I had sought this return; that
+my circumstances had forced me to repent my former step; that the
+support which I had sought in the wide world had misgone, and I was
+seeking it anew in my Birthland! The open manlike boldness, which I
+showed in my forceful withdrawal, would get the name of a childish
+outburst of mutiny, a stupid bit of impotent bluster, if I do not make
+it good. Love for my dear ones, longing for my Fatherland might
+perhaps excuse me in the heart of this or the other candid man; but
+the world makes no account of all that.
+
+"For the rest, if my Father is determined to do it, I cannot hinder
+him; only this I say to thee, Sister, that in case even the Duke would
+permit it, I will not show myself on Wuertemberg ground till I have at
+least a character (for which object I shall zealously labour); and
+that in case the Duke refuses, I shall not be able to restrain myself
+from avenging the affront thereby put upon me by open fooleries
+(_sottisen_) and expressions of myself in print."
+
+'The intended Petition to the Duke was not drawn out,--and Father
+Schiller overcame his anger on the matter; as, on closer consideration
+of the Son's aversion to this step, he could not wholly disapprove
+him. Yet he did not hide from Schiller Junior the steadfast wish that
+he would in some way or other try to draw near to the Duke; at any
+rate he, Father Schiller, "hoped to God that their parting would not
+last forever; and that, in fine, he might still live to see his only
+Son near him again."
+
+'In Mannheim Schiller's financial position, in spite of his earnest
+purpose to manage wisely, grew by degrees worse rather than better.
+Owing to the many little expenses laid upon him by his connections in
+society, his income would not suffice; and the cash-box was not seldom
+run so low that he had not wherewithal to support himself next day. Of
+assistance from home, with the rigorous income of his Father, which
+scarcely amounted to 40_l._ a year, there could nothing be expected;
+and over and above, the Father himself had, in this respect, very
+clearly spoken his mind. "Parents and Sisters," said Schiller Senior,
+"have as just a right as they have a confidence, in cases of
+necessity, to expect help and support from a Son." To fill to
+overflowing the measure of the Poet's economical distress, there now
+stept forth suddenly some secret creditors of his in Stuttgart,
+demanding immediate payment. Whereupon, in quick succession, there
+came to Captain Schiller, to his great terror, two drafts from the
+Son, requiring of him, the one 10_l._, the other 5_l._ The Captain,
+after stern reflection, determined at last to be good for both
+demands; but wrote to the Son that he only did so in order that his,
+the Son's, labour might not be disturbed; and in the confident
+anticipation that the Son, regardful of his poor Sisters and their bit
+of portion, would not leave him in the lurch.
+
+'But Schiller, whom still other debts in Stuttgart, unknown to his
+Father, were pressing hard, could only repay the smaller of these
+drafts; and thus the worthy Father saw himself compelled to pay the
+larger, the 10_l._, out of the savings he had made for outfit of his
+Daughters. Whereupon, as was not undeserved, he took his Son tightly
+to task, and wrote to him: "As long as thou, my Son, shalt make thy
+reckoning on resources that are still to come, and therefore are still
+subject to chance and mischance, so long wilt thou continue in thy
+mess of embarrassments. Furthermore, as long as thou thinkest, This
+gulden or batzen (shilling or farthing) can't help me to get over it;
+so long will thy debts become never the smaller: and, what were a
+sorrow to me, thou wilt not be able, after a heavy labour of head got
+done, to recreate thyself in the society of other good men. But,
+withal, to make recreation-days of that kind more numerous than
+work-days, that surely will not turn out well. Best Son, thy abode in
+Bauerbach has been of that latter kind. _Hinc illae lacrymae!_ For these
+thou art now suffering, and that not by accident. The embarrassment
+thou now art in is verily a work of Higher Providence, to lead thee
+off from too great trust in thy own force; to make thee soft and
+contrite; that, laying aside all self-will, thou mayest follow more
+the counsel of thy Father and other true friends; must meet every one
+with due respectful courtesy and readiness to oblige; and become ever
+more convinced that our most gracious Duke, in his restrictive plans,
+meant well with thee; and that altogether thy position and outlooks
+had now been better, hadst thou complied, and continued in thy
+country. Many a time I find thou hast wayward humours, that make thee
+to thy truest friend scarcely endurable; stiff ways which repel the
+best-wishing man;--for example, when I sent thee my excellent old
+friend Herr Amtmann Cramer from Altdorf near Speier, who had come to
+Herr Hofrath Schwan's in the end of last year, thy reception of him
+was altogether dry and stingy, though by my Letter I had given thee so
+good an opportunity to seek the friendship of this honourable,
+rational and influential man (who has no children of his own), and to
+try whether he might not have been of help to thee. Thou wilt do well,
+I think, to try and make good this fault on another opportunity."
+
+'At the same time the old man repeatedly pressed him to return to
+Medicine, and graduate in Heidelberg: "a theatre-poet in Germany," he
+signified, "was but a small light; and as he, the Son, with all his
+Three Pieces, had not made any footing for himself, what was to be
+expected of the future ones, which might not be of equal strength!
+Doctorship, on the other hand, would give him a sure income and
+reputation as well."--Schiller himself was actually determined to
+follow his Father's advice as to Medicine; but this project and others
+of the same, which were sometimes taken up, went to nothing, now and
+always, for want of money to begin with.
+
+'Amid these old tormenting hindrances, affronts and embarrassments,
+Schiller had also many joyful experiences, to which even his Father
+was not wholly indifferent. To these belong, besides many others, his
+reception into the _Kurpfaelzische Deutsche Gesellschaft_', German
+Society of the Electoral Palatinate, 'of this year; which he himself
+calls a great step for his establishment; as well as the stormy
+applause with which his third Piece, _Kabale und Liebe_, came upon the
+boards, in March following. His Father acknowledged receipt of this
+latter Work with the words, "That I possess a copy of thy new Tragedy
+I tell nobody; for I dare not, on account of certain passages, let any
+one notice that it has pleased me." Nevertheless the Piece, as already
+the _Robbers_ had done, came in Stuttgart also to the acting point;
+and was received with loud approval. Schiller now, with new pleasure
+and inspiration, laid hands on his _Don Carlos_; and with the happy
+progress of this Work, there began for him a more confident temper of
+mind, and a clearing-up of horizon and outlook; which henceforth only
+transiently yielded to embarrassments in his outer life.
+
+'Soon after this, however, there came upon him an unexpected event so
+suddenly and painfully that, in his extremest excitement and misery,
+he fairly hurt the feelings of his Father by unreasonable requirements
+of him, and reproaches on their being refused. A principal Stuttgart
+Cautioner of his, incessantly pressed upon by the stringent measures
+of the creditors there, had fairly run off, saved himself by flight,
+from Stuttgart, and been seized in Mannheim, and there put in jail.
+Were not this Prisoner at once got out, Schiller's honour and peace of
+conscience were at stake. And so, before his (properly Streicher's)
+Landlord, the Architect Hoelzel, could get together the required 300
+gulden, and save this unlucky friend, the half-desperate Poet had
+written home, and begged from his Father that indispensable sum. And
+on the Father's clear refusal, had answered him with a very unfilial
+Letter. Not till after the lapse of seven weeks, did the Father reply;
+in a Letter, which, as a luminous memorial of his faithful honest
+father-heart and of his considerate just character as a man, deserves
+insertion here:
+
+"Very unwilling," writes he, "am I to proceed to the answering of thy
+last Letter, 21st November of the past year; which I could rather wish
+never to have read than now to taste again the bitterness contained
+there. Not enough that thou, in the beginning of the said Letter, very
+undeservedly reproachest me, as if I could and should have raised the
+300 gulden for thee,--thou continuest to blame me, in a very painful
+way, for my inquiries about thee on this occasion. Dear Son, the
+relation between a good Father and his Son fallen into such a strait,
+who, although gifted with many faculties of mind, is still, in all
+that belongs to true greatness and contentment, much mistaken and
+astray, can never justify the Son in taking up as an injury what the
+Father has said out of love, out of consideration and experience of
+his own, and meant only for his Son's good. As to what concerns those
+300 gulden, every one, alas, who knows my position here, knows that it
+cannot be possible for me to have even 50 gulden, not to speak of 300,
+before me in store; and that I should borrow such a sum, to the still
+farther disadvantage of my other children, for a Son, who of the much
+that he has promised me has been able to perform so little,--there,
+for certain, were I an unjust Father." Farther on, the old man takes
+him up on another side, a private family affair. Schiller had,
+directly and through others, in reference to the prospect of a
+marriage between his elder Sister Christophine and his friend Reinwald
+the Court Librarian of Meiningen, expressed himself in a doubting
+manner, and thereby delayed the settlement of this affair. In regard
+to which his Father tells him:
+
+"And now I have something to remark in respect of thy Sister. As thou,
+my Son, partly straight out, and partly through Frau von Kalb, hast
+pictured Reinwald in a way to deter both me and thy Sister in
+counselling and negotiating in the way we intended, the affair seems
+to have become quite retrograde: for Reinwald, these two months past,
+has not written a word more. Whether thou, my Son, didst well to
+hinder a match not unsuitable for the age, and the narrow pecuniary
+circumstances of thy Sister, God, who sees into futurity, knows. As I
+am now sixty-one years of age, and can leave little fortune when I
+die; and as thou, my Son, how happily soever thy hopes be fulfilled,
+wilt yet have to struggle, years long, to get out of these present
+embarrassments, and arrange thyself suitably; and as, after that, thy
+own probable marriage will always require thee to have more thy own
+advantages in view, than to be able to trouble thyself much about
+those of thy Sisters;--it would not, all things considered, have been
+ill if Christophine had got a settlement. She would quite certainly,
+with her apparent regard for Reinwald, have been able to fit herself
+into his ways and him; all the better as she, God be thanked, is not
+yet smit with ambition, and the wish for great things, and can suit
+herself to all conditions."
+
+The Reinwald marriage did take place by and by, in spite of Schiller
+Junior's doubts; and had not Christophine been the paragon of Wives,
+might have ended very ill for all parties.
+
+'After these incidents, Schiller bent his whole strength to disengage
+himself from the crushing burden of his debts, and to attain the goal
+marked out for him by his Parents' wishes,--an enduring settlement and
+steady way of life. Two things essentially contributed to enliven his
+activity, and brighten his prospects into the future. One was, the
+original beginning, which falls in next June 1784, of his friendly
+intimacy with the excellent Koerner; in whom he was to find not only
+the first founder of his outer fortune in life, but also a kindred
+spirit, and cordial friend such as he had never before had. The second
+was, that he made, what shaped his future lot, acquaintance with Duke
+Karl August of Weimar; who, after hearing him read the first act of
+_Don Carlos_ at the Court of Darmstadt, had a long conversation with
+the Poet, and officially, in consequence of the same, bestowed on him
+the title of Rath. This new relation to a noble German Prince gave him
+a certain standing-ground for the future; and at the same time
+improved his present condition, by completely securing him in respect
+of any risk from Wuertemberg. The now Schiller, as Court-Counsellor
+(_Hofrath_) to the Duke of Weimar; distinguished in this way by a
+Prince, who was acquainted with the Muses, and accustomed only to what
+was excellent,--stept forth in much freer attitude, secure of his
+position and himself, than the poor fugitive under ban of law had
+done.
+
+'Out of this, however, and the fact resulting from it, that he now
+assumed a more decisive form of speech in the Periodical "_Thalia_"
+founded by him, and therein spared the players as little as the
+public, there grew for him so many and such irritating brabbles and
+annoyances that he determined to quit his connection with the Theatre,
+leave Mannheim altogether; and, at Leipzig with his new title of Rath,
+to begin a new honourable career. So soon as the necessary moneys and
+advices from his friend' (Koerner) had arrived, he repaired thither,
+end of March 1785; and remained there all the summer. In October of
+the same year, he followed his friend Koerner to Dresden; and found in
+the family of this just-minded, clear-seeing man the purest and
+warmest sympathy for himself and his fortunes. The year 1787 led him
+at last to Weimar. But here too he had still long to struggle, under
+the pressure of poverty and want of many things, while the world, in
+ever-increasing admiration, was resounding with his name, till, in
+1789, his longing for a civic existence, and therewith the intensest
+wish of his Parents, was fulfilled.
+
+'Inexpressible was the joy of the now elderly Father to see his
+deeply-beloved Son, after so many roamings, mischances and battles, at
+last settled as Professor in Jena; and soon thereafter, at the side of
+an excellent Wife, happy at a hearth of his own. The economic
+circumstances of the Son were now also shaped to the Father's
+satisfaction. If his College salary was small, his literary labours,
+added thereto, yielded him a sufficient income; his Wife moreover had
+come to him quite fitted out, and her Mother had given all that
+belongs to a household. "Our economical adjustment," writes Schiller
+to his Father, some weeks after their marriage, "has fallen out,
+beyond all my wishes, well; and the order, the dignity which I see
+around me here serves greatly to exhilarate my mind. Could you but for
+a moment get to me, you would rejoice at the happiness of your Son."
+
+'Well satisfied and joyful of heart, from this time, the Father's eye
+followed his Son's career of greatness and renown upon which the
+admired Poet every year stepped onwards, powerfuler, and richer in
+results, without ever, even transiently, becoming strange to his
+Father's house and his kindred there. Quite otherwise, all letters of
+the Son to Father and Mother bear the evident stamp of true-hearted,
+grateful and pious filial love. He took, throughout, the heartiest
+share in all, even the smallest, events that befell in his Father's
+house; and in return communicated to his loved ones all of his own
+history that could soothe and gratify them. Of this the following
+Letter, written by him, 26th October 1791, on receipt of a case of
+wine sent from home, furnishes a convincing proof:
+
+ "Dearest Father,--I have just returned with my dear Lotte
+ from Rudolstadt" (her native place), "where I was passing
+ part of my holidays; and find your Letter. Thousand thanks
+ for the thrice-welcome news you give me there, of the
+ improving health of our dear Mother, and of the general
+ welfare of you all. The conviction that it goes well with
+ you, and that none of my dear loved ones is suffering,
+ heightens for me the happiness which I enjoy here at the
+ side of my dear Lotte.
+
+ You are careful, even at this great distance, for your
+ children, and gladden our little household with gifts.
+ Heartiest thanks from us both for the Wine you have sent;
+ and with the earliest carriage-post the Reinwalds shall have
+ their share. Day after tomorrow we will celebrate your
+ Birthday as if you were present, and with our whole heart
+ drink your health.
+
+ Here I send you a little production of my pen, which may
+ perhaps give pleasure to my dear Mother and Sisters; for it
+ should be at least written for ladies. In the year 1790
+ Wieland edited the _Historical Calendar_, and in this of
+ 1791 and in the 1792 that will follow, I have undertaken the
+ task. Insignificant as a _Calendar_ seems to be, it is that
+ kind of book which the Publishers can circulate the most
+ extensively, and which accordingly brings them the best
+ payment. To the Authors also they can, accordingly, offer
+ much more. For this Essay on the _Thirty-Years War_ they
+ have given me 80 Louis-d'or, and I have in the middle of my
+ Lectures written it in four weeks. Print, copperplates,
+ binding, Author's honorarium cost the Publisher 4,500
+ _reichsthaler_ (675_l._), and he counts on a sale of 7,000
+ copies or more.
+
+ "_28th._ Today," so he continues, after some remarks on a
+ good old friend of his Father's, written after
+ interruption,--"Today is your Birthday, dearest Father,
+ which we both celebrate with a pious joy that Heaven has
+ still preserved you sound and happy for us thus far. May
+ Heaven still watch over your dear life and your health, and
+ preserve your days to the latest age, that so your grateful
+ Son may be able to spread, with all the power he has, joy
+ and contentment over the evening of your life, and pay the
+ debts of filial duty to you!
+
+ "Farewell, my dearest Father; loving kisses to our dearest
+ Mother and my dear Sisters. We will soon write again.
+
+ "The Wine has arrived in good condition; once more receive
+ our hearty thanks.--Your grateful and obedient Son
+
+ "FRIEDRICH."
+
+
+'In the beginning of this year (1791) the Poet had been seized with a
+violent and dangerous affection of the chest. The immediate danger was
+now over; but his bodily health was, for the rest of his life,
+shattered to ruin, and required, for the time coming, especially for
+the time just come, all manner of soft treatment and repose. The
+worst, therefore, was to be feared if his friends and he could not
+manage to place him, for the next few years, in a position freer from
+economic cares than now. Unexpectedly, in this difficulty, help
+appeared out of Denmark. Two warm admirers of Schiller's genius, the
+then hereditary Prince of Holstein-Augustenburg' (Grandfather of the
+Prince Christian now, 1872, conspicuous in our English Court), 'and
+Count von Schimmelmann, offered the Poet a pension of 1,000 thalers'
+(150_l._) 'for three years; and this with a fineness and delicacy of
+manner, which touched the recipient more even than the offer itself
+did, and moved him to immediate assent. The Pension was to remain a
+secret; but how could Schiller prevail on himself to be silent of it
+to his Parents? With tears of thankfulness the Parents received this
+glad message; in their pious minds they gathered out of this the
+beneficent conviction that their Son's heavy sorrows, and the danger
+in which his life hung, had only been decreed by Providence to set in
+its right light the love and veneration which he far and near enjoyed.
+Schiller himself this altogether unexpected proof of tenderest
+sympathy in his fate visibly cheered, and strengthened even in
+health; at lowest, the strength of his spirit, which now felt itself
+free from outward embarrassments, subdued under it the weakness of his
+body.
+
+
+'In the middle of the year 1793, the love of his native country, and
+the longing after his kindred, became so lively in him that he
+determined, with his Wife, to visit Swabia. He writes to Koerner: "The
+Swabian, whom I thought I had altogether got done with, stirs himself
+strongly in me; but indeed I have been eleven years parted from
+Swabia; and Thueringen is not the country in which I can forget it." In
+August he set out, and halted first in the then _Reichstadt_'
+(Imperial Free-town) 'Heilbronn, where he found the friendliest
+reception; and enjoyed the first indescribable emotion in seeing again
+his Parents, Sisters and early friends. "My dear ones," writes he to
+Koerner, 27th August, from Heilbronn, "I found well to do, and, as thou
+canst suppose, greatly rejoiced to meet me again. My Father, in his
+seventieth year, is the image of a healthy old age; and any one who
+did not know his years would not count them above sixty. He is in
+continual activity, and this it is which keeps him healthy and
+youthful." In large draughts the robust old man enjoyed the pleasure,
+long forborne, of gazing into the eyes of his Son, who now stood
+before him a completed man. He knew not whether more to admire than
+love him; for, in his whole appearance, and all his speeches and
+doings, there stamped itself a powerful lofty spirit, a tender loving
+heart, and a pure noble character. His youthful fire was softened, a
+mild seriousness and a friendly dignity did not leave him even in
+jest; instead of his old neglect in dress, there had come a dignified
+elegance; and his lean figure and his pale face completed the
+interest of his look. To this was yet added the almost wonderful gift
+of conversation upon the objects that were dear to him, whenever he
+was not borne down by attacks of illness.
+
+'From Heilbronn, soon after his arrival, Schiller wrote to Duke Karl,
+in the style of a grateful former Pupil, whom contradictory
+circumstances had pushed away from his native country. He got no
+answer from the Duke; but from Stuttgart friends he did get sure
+tidings that the Duke, on receipt of this Letter, had publicly said,
+if Schiller came into Wuertemberg Territory, he, the Duke, would take
+no notice. To Schiller Senior, too, he had at the same time granted
+the humble petition that he might have leave to visit his Son in
+Heilbronn now and then.
+
+'Under these circumstances, Schiller, perfectly secure, visited
+Ludwigsburg and even Solituede, without, as he himself expressed it,
+asking permission of the "Schwabenkoenig." And, in September, in the
+near prospect of his Wife's confinement, he went altogether to
+Ludwigsburg, where he was a good deal nearer to his kindred; and
+moreover, in the clever Court-Doctor von Hoven, a friend of his youth,
+hoped to find counsel, help and enjoyment. Soon after his removal,
+Schiller had, in the birth of his eldest Son, Karl, the sweet
+happiness of first paternal joy; and with delight saw fulfilled what
+he had written to a friend shortly before his departure from Jena: "I
+shall taste the joys of a Son and of a Father, and it will, between
+these two feelings of Nature, go right well with me."
+
+'The Duke, ill of gout, and perhaps feeling that death was nigh,
+seemed to make a point of strictly ignoring Schiller; and laid not
+the least hindrance in his way. On the contrary, he granted Schiller
+Senior, on petition, the permission to make use of a certain Bath as
+long as he liked; and this Bath lay so near Ludwigsburg that he could
+not but think the meaning merely was, that the Father wished to be
+nearer his Son. Absence was at once granted by the Duke, useful and
+necessary as the elder Schiller always was to him at home. For the old
+man, now Major Schiller, still carried on his overseeing of the Ducal
+Gardens and Nurseries at Solituede, and his punctual diligence,
+fidelity, intelligence and other excellences in that function had long
+been recognised.
+
+'In a few weeks after, 24th October 1793, Duke Karl died; and was, by
+his illustrious Pupil, regarded as in some sort a paternal friend.
+Schiller thought only of the great qualities of the deceased, and of
+the good he had done him; not of the great faults which as Sovereign,
+and as man, he had manifested. Only to his most familiar friend did he
+write: "The death of old Herod has had no influence either on me or my
+Family,--except indeed that all men who had immediately to do with
+that Sovereign Herr, as my Father had, are glad now to have the
+prospect of a man before them. That the new Duke is, in every good,
+and also in every bad meaning of the word." Withal, however, his
+Father, to whom naturally the favour of the new Duke, Ludwig Eugen,
+was of importance, could not persuade Schiller to welcome him to the
+Sovereignty with a poem. To Schiller's feelings it was unendurable to
+awaken, for the sake of an external advantage from the new Lord, any
+suspicions as if he welcomed the death of the old.'[55]
+
+ [Footnote 55: _Saupe_, p. 60.]
+
+Christophine, Schiller's eldest Sister, whom he always loved the most,
+was not here in Swabia;--long hundred miles away, poor Christophine,
+with her sickly and gloomy Husband at Meiningen, these ten years
+past!--but the younger two, Luise and Nanette, were with him, the
+former daily at his hand. Luise was then twenty-seven, and is
+described as an excellent domestic creature, amiable affectionate,
+even enthusiastic; yet who at an early period though full of
+admiration about her Brother and his affairs, had turned all her
+faculties and tendencies upon domestic practicality, and the
+satisfaction of being useful to her loved ones in their daily life and
+wants.[56] 'Her element was altogether house-management; the aim of
+her endeavour to attain the virtues by which she saw her pious Mother
+made happy herself, in making others happy in the narrow in-door
+kingdom. This quiet household vocation with its manifold labours and
+its simple joys, was Luise's world; beyond which she needed nothing
+and demanded nothing. From her Father she had inherited this feeling
+for the practical, and this restless activity; from the Mother her
+piety, compassion and kindliness; from both, the love of order,
+regularity and contentment. Luise, in the weak state of Schiller's
+Wife's health, was right glad to take charge of her Brother's
+housekeeping; and, first at Heilbronn and then at Ludwigsburg, did it
+to the complete satisfaction both of Brother and Sister-in-law.
+Schiller himself gives to Koerner the grateful testimony, that she
+"very well understands household management."
+
+ [Footnote 56: _Saupe_, p. 136 et seqq.]
+
+'In this daily relation with her delicate and loving Brother, to whom
+Luise looked up with a sort of timid adoration, he became ever dearer
+to her; with a silent delight, she would often look into the soft
+eyes of the great and wonderful man; from whose powerful spirit she
+stood so distant, and to whose rich heart so near. All-too rapidly for
+her flew-by the bright days of his abode in his homeland, and long she
+looked after the vanished one with sad longing; and Schiller also felt
+himself drawn closer to his Sister than before; by whose silent
+faithful working his abode in Swabia had been made so smooth and
+agreeable.'
+
+Nanette he had, as will by and by appear, seen at Jena, on her
+Mother's visit there, the year before;--with admiration and surprise
+he then saw the little creature whom he had left a pretty child of
+five years old, now become a blooming maiden, beautiful to eye and
+heart, and had often thought of her since. She too was often in his
+house, at present; a loved and interesting object always. She had been
+a great success in the foreign Jena circle, last year; and had left
+bright memories there. This is what Saupe says afterwards, of her
+appearance at Jena, and now in Schiller's temporary Swabian home:
+
+'She evinced the finest faculties of mind, and an uncommon receptivity
+and docility, and soon became to all that got acquainted with her a
+dear and precious object. To declaim passages from her Brother's Poems
+was her greatest joy; she did her recitation well; and her Swabian
+accent and naivety of manner gave her an additional charm for her new
+relatives, and even exercised a beneficent influence on the Poet's own
+feelings. With hearty pleasure his beaming eyes rested often on the
+dear Swabian girl, who understood how to awaken in his heart the sweet
+tones of childhood and home. "She is good," writes he of her to his
+friend Koerner, "and it seems as if something could be made of her. She
+is yet much the child of nature, and that is still the best she could
+be, never having been able to acquire any reasonable culture." With
+Schiller's abode in Swabia, from August 1793 till May 1794, Nanette
+grew still closer to his heart, and in his enlivening and inspiring
+neighbourhood her spirit and character shot out so many rich blossoms,
+that Schiller on quitting his Father's house felt justified in the
+fairest hopes for the future.' Just before her visit to Jena, Schiller
+Senior writes to his Son: "It is a great pity for Nanette that I
+cannot give her a better education. She has sense and talent and the
+best of hearts; much too of my dear Fritz's turn of mind, as he will
+himself see, and be able to judge."[57]
+
+ [Footnote 57: _Saupe_, pp. 149-50.]
+
+'For the rest, on what childlike confidential terms Schiller lived
+with his Parents at this time, one may see by the following Letter, of
+8th November 1793, from Ludwigsburg:
+
+ "Right sorry am I, dearest Parents, that I shall not be able
+ to celebrate my Birthday, 11th November, along with you. But
+ I see well that good Papa cannot rightly risk just now to
+ leave Solituede at all,--a visit from the Duke being expected
+ there every day. On the whole, it does not altogether depend
+ on the day on which one is to be merry with loved souls; and
+ every day on which I can be where my dear Parents are shall
+ be festal and welcome to me like a Birthday.
+
+ "About the precious little one here Mamma is not to be
+ uneasy." (Here follow some more precise details about the
+ health of this little Gold Son; omitted.) "Of watching and
+ nursing he has no lack; that you may believe; and he is
+ indeed, a little leanness excepted, very lively and has a
+ good appetite.
+
+ "I have been, since I made an excursion to Stuttgart,
+ tolerably well; and have employed this favourable time to get
+ a little forward in my various employments which have been
+ lying waste so long. For this whole week, I have been very
+ diligent, and getting on briskly. This is also the cause that
+ I have not written to you. I am always supremely happy when I
+ am busy and my labour speeds.
+
+ "For your so precious Portrait I thank you a thousand times,
+ dearest Father: yet glad as I am to possess this memorial of
+ you, much gladder still am I that Providence has granted me
+ to have you yourself, and to live in your neighbourhood. But
+ we must profit better by this good time, and no longer make
+ such pauses before coming together again. If you once had
+ seen the Duke at Solituede and known how you stand with him,
+ there would be, I think, no difficulty in a short absence of
+ a few days, especially at this season of the year. I will
+ send up the carriage" (hired at Jena for the visit thither
+ and back) "at the very first opportunity, and leave it with
+ you, to be ready always when you can come.
+
+ "My and all our hearty and childlike salutations to you
+ both, and to the good Nane" (Nanette) "my brotherly
+ salutation.
+
+ "Hoping soon for a joyful meeting,--Your obedient Son,
+
+ "FRIEDRICH SCHILLER."
+
+
+'In the new-year time 1794, Schiller spent several agreeable weeks in
+Stuttgart; whither he had gone primarily on account of some family
+matter which had required settling there. At least he informs his
+friend Koerner, on the 17th March, from Stuttgart, "I hope to be not
+quite useless to my Father here, though, from the connections in which
+I stand, I can expect nothing for myself."
+
+'By degrees, however, the sickly, often-ailing Poet began to long
+again for a quiet, uniform way of life; and this feeling, daily
+strengthened by the want of intellectual conversation, which had
+become a necessary for him, grew at length so strong, that he, with an
+alleviated heart, thought of departure from his Birth-land, and of
+quitting his loved ones; glad that Providence had granted him again
+to possess his Parents and Sisters for months long and to live in
+their neighbourhood. He gathered himself into readiness for the
+journey back; and returned, first to his original quarters at
+Heilbronn, and, in May 1794, with Wife and Child, to Jena.
+
+
+'Major Schiller, whom the joy to see his Son and Grandson seemed to
+have made young again, lived with fresh pleasure in his idyllic
+calling; and in free hours busied himself with writing down his
+twenty-years experiences in the domain of garden- and tree-culture,--in
+a Work, the printing and publication of which were got managed for him
+by his renowned Son. In November 1794 he was informed that the young
+Publisher of the first _Musen-Almanach_ had accepted his MS. for an
+honorarium of twenty-four Karolins; and that the same was already gone
+to press. Along with this, the good old Major was valued by his
+Prince, and by all who knew him. His subordinates loved him as a just
+impartial man; feared him, too, however, in his stringent love of
+order. Wife and children showed him the most reverent regard and
+tender love; but the Son was the ornament of his old age. He lived to
+see the full renown of the Poet, and his close connection with Goethe,
+through which he was to attain complete mastership and lasting
+composure. With hands quivering for joy the old man grasped the MSS.
+of his dear Son; which from Jena, _via_ Cotta's Stuttgart Warehouses,
+were before all things transmitted to him. In a paper from his hand,
+which is still in existence, there is found a touching expression of
+thanks, That God had given him such a joy in his Son. "And Thou Being
+of all beings," says he in the same, "to Thee did I pray, at the birth
+of my one Son, that Thou wouldst supply to him in strength of
+intellect and faculty what I, from want of learning, could not
+furnish; and Thou hast heard me. Thanks to Thee, most merciful Being,
+that Thou hast heard the prayer of a mortal!"
+
+'Schiller had left his loved ones at Solituede whole and well; and with
+the firm hope that he would see them all again. And the next-following
+years did pass untroubled over the prosperous Family. But "ill-luck,"
+as the proverb says, "comes with a long stride." In the Spring of
+1796, when the French, under Jourdan and Moreau, had overrun South
+Germany, there reached Schiller, on a sudden, alarming tidings from
+Solituede. In the Austrian chief Hospital, which had been established
+in the Castle there, an epidemic fever had broken out; and had visited
+the Schiller Family among others. The youngest Daughter Nanette had
+sunk under this pestilence, in the flower of her years; and whilst the
+second Daughter Luise lay like to die of the same, the Father also was
+laid bedrid with gout. For fear of infection, nobody except the
+Doctors would risk himself at Solituede; and so the poor weakly Mother
+stood forsaken there, and had, for months long, to bear alone the
+whole burden of the household distress. Schiller felt it painfully
+that he was unable to help his loved ones, in so terrible a posture of
+affairs; and it cost him great effort to hide these feelings from his
+friends. In his pain and anxiety, he turned himself at last to his
+eldest Sister Christophine, Wife of Hofrath Reinwald in Meiningen; and
+persuaded her to go to Solituede to comfort and support her people
+there. Had not the true Sister-heart at once acceded to her Brother's
+wishes, he had himself taken the firm determination to go in person to
+Swabia, in the middle of May, and bring his Family away from
+Solituede, and make arrangements for their nursing and accommodation.
+The news of his Sister's setting-out relieved him of a great and
+continual anxiety. "Heaven bless thee," writes he to her on the 6th
+May, "for this proof of thy filial love." He earnestly entreats her to
+prevent his dear Parents from delaying, out of thrift, any wholesome
+means of improvement to their health; and declares himself ready, with
+joy, to bear all costs, those of travelling included: she is to draw
+on Cotta in Tuebingen for whatever money she needs. Her Husband also he
+thanks, in a cordial Letter, for his consent to this journey of his
+Wife.
+
+
+'July 11, 1796, was born to the Poet, who had been in much trouble
+about his own household for some time, his second Son, Ernst. Great
+fears had been entertained for the Mother; which proving groundless,
+the happy event lifted a heavy burden from his heart; and he again
+took courage and hope. But soon after, on the 15th August, he writes
+again to the faithful Koerner about his kinsfolk in Swabia: "From the
+War we have not suffered so much; but all the more from the condition
+of my Father, who, broken-down under an obstinate and painful disease,
+is slowly wending towards death. How sad this fact is, thou mayest
+think."
+
+'Within few weeks after, 7th September 1796, the Father died; in his
+seventy-third year, after a sick-bed of eight months. Though his
+departure could not be reckoned other than a blessing, yet the good
+Son was deeply shattered by the news of it. What his filially faithful
+soul suffered, in these painful days, is touchingly imaged in two
+Letters, which may here make a fitting close to this Life-sketch of
+Schiller's Father. It was twelve days after his Father's death when he
+wrote to his Brother-in-law, Reinwald, in Meiningen:
+
+ "Thou hast here news, dear Brother, of the release of our
+ good Father; which, much as it had to be expected, nay
+ wished, has deeply affected us all. The conclusion of so
+ long and withal so active a life is, even for bystanders, a
+ touching object: what must it be to those whom it so nearly
+ concerns? I have to tear myself away from thinking of this
+ painful loss, since it is my part to help the dear remaining
+ ones. It is a great comfort to thy Wife that she has been
+ able to continue and fulfil her daughterly duty till her
+ Father's last release. She would never have consoled
+ herself, had he died a few days after her departure home.
+
+ "Thou understandest how in the first days of this fatal
+ breach among us, while so many painful things storm-in upon
+ our good Mother, thy Christophine could not have left, even
+ had the Post been in free course. But this still remains
+ stopped, and we must wait the War-events on the Franconian,
+ Swabian and Palatinate borders. How much this absence of thy
+ Wife must afflict, I feel along with thee; but who can fight
+ against such a chain of inevitable destinies? Alas, public
+ and universal disorder rolls up into itself our private
+ events too, in the fatalest way.
+
+ "Thy Wife longs from her heart for home; and she only the
+ more deserves our regard that she, against her inclination
+ and her interest, resolved to be led only by the thought of
+ her filial duties. Now, however, she certainly will not
+ delay an hour longer with her return, the instant it can be
+ entered upon without danger and impossibility. Comfort her
+ too when thou writest to her; it grieves her to know thee
+ forsaken, and to have no power to help thee.
+
+ "Fare right well, dear Brother.--Thine,
+
+ SCHILLER."
+
+
+'Nearly at the same time he wrote to his Mother:
+
+ "Grieved to the heart, I take up the pen to lament with you
+ and my dear Sisters the loss we have just sustained. In
+ truth, for a good while past I have expected nothing else:
+ but when the inevitable actually comes, it is always a sad
+ and overwhelming stroke. To think that one who was so dear
+ to us, whom we hung upon with the feelings of early
+ childhood, and also in later years were bound to by respect
+ and love, that such an object is gone from the world, that
+ with all our striving we cannot bring it back,--to think of
+ this is always something frightful. And when, like you, my
+ dearest best Mother, one has shared with the lost Friend and
+ Husband joy and sorrow for so many long years, the parting
+ is all the painfuler. Even when I look away from what the
+ good Father that is gone was to myself and to us all, I
+ cannot without mournful emotion contemplate the close of so
+ steadfast and active a life, which God continued to him so
+ long, in such soundness of body and mind, and which he
+ managed so honourably and well. Yes truly, it is not a small
+ thing to hold out so faithfully upon so long and toilsome a
+ course; and like him, in his seventy-third year, to part
+ from the world in so childlike and pure a mood. Might I but,
+ if it cost me all his sorrows, pass away from my life as
+ innocently as he from his! Life is so severe a trial; and
+ the advantages which Providence, in some respects, may have
+ granted me compared with him, are joined with so many
+ dangers for the heart and for its true peace!
+
+ "I will not attempt to comfort you and my dear Sisters. You
+ all feel, like me, how much we have lost; but you feel also
+ that Death alone could end these long sorrows. With our dear
+ Father it is now well; and we shall all follow him ere long.
+ Never shall the image of him fade from our hearts; and our
+ grief for him can only unite us still closer together.
+
+ "Five or six years ago it did not seem likely that you, my
+ dear ones, should, after such a loss, find a Friend in your
+ Brother,--that I should survive our dear Father. God has
+ ordered it otherwise; and He grants me the joy to feel that
+ I may still be something to you. How ready I am thereto, I
+ need not assure you. We all of us know one another in this
+ respect, and are our dear Father's not unworthy children."
+
+
+This earnest and manful lamentation, which contains also a just
+recognition of the object lamented, may serve to prove, think Saupe
+and others, what is very evident, that Caspar Schiller, with his
+stiff, military regulations, spirit of discipline and rugged, angular
+ways, was, after all, the proper Father for a wide-flowing, sensitive,
+enthusiastic, somewhat lawless Friedrich Schiller; and did
+beneficently compress him into something of the shape necessary for
+his task in this world.
+
+
+ II. THE MOTHER.
+
+Of Schiller's Mother, Elisabetha Dorothea Kodweis, born at Marbach
+1733, the preliminary particulars have been given above: That she was
+the daughter of an Innkeeper, Woodmeasurer and Baker; prosperous in
+the place when Schiller Senior first arrived there. We should have
+added, what Saupe omits, that the young Surgeon boarded in their
+house; and that by the term Woodmeasurer (_Holzmesser_, Measurer of
+Wood) is signified an Official Person appointed not only to measure
+and divide into portions the wood supplied as fuel from the Ducal or
+Royal Forests, but to be responsible also for payment of the same. In
+which latter capacity, Kodweis, as Father Schiller insinuates, was
+rash, imprudent and unlucky, and at one time had like to have involved
+that prudent, parsimonious Son-in-law in his disastrous economics. We
+have also said what Elisabetha's comely looks were, and particular
+features; pleasing and hopeful, more and more, to the strict young
+Surgeon, daily observant of her and them.
+
+'In her circle,' Saupe continues, 'she was thought by her early
+playmates a kind of enthusiast; because she, with average faculties of
+understanding combined deep feeling, true piety and love of Nature, a
+talent for Music, nay even for Poetry. But perhaps it was the very
+reverse qualities in her, the fact namely that what she wanted in
+culture, and it may be also in clearness and sharpness of
+understanding, was so richly compensated by warmth and lovingness of
+character,--perhaps it was this which most attracted to her the heart
+of her deeply-reasonable Husband. And never had he cause to repent his
+choice. For she was, and remained, as is unanimously testified of her
+by trustworthy witnesses, an unpretending, soft and dutiful Wife; and,
+as all her Letters testify, had the tenderest mother-heart. She read a
+good deal, even after her marriage, little as she had of time for
+reading. Favourite Books with her were those on Natural History; but
+she liked best of all to study the Biographies of famous men, or to
+dwell in the spiritual poetising of an Utz, a Gellert and Klopstock.
+She also liked, and in some measure had the power, to express her own
+feelings in verses; which, with all their simplicity, show a sense for
+rhythm and some expertness in diction. Here is one instance; her
+salutation to the Husband who was her First-love, on New-year's day
+1757, the ninth year of their as yet childless marriage:
+
+ O could I but have found forget-me-not in the Valley,
+ And roses beside it! Then had I plaited thee
+ In fragrant blossoms the garland for this New Year,
+ Which is still brighter to me than that of our Marriage was.
+
+ I grumble, in truth, that the cold North now governs us,
+ And every flowret's bud is freezing in the cold earth!
+ Yet one thing does not freeze, I mean my loving heart;
+ Thine that is, and shares with thee its joys and sorrows.[58]
+
+ [Footnote 58:
+
+ _'O haett ich doch im Thal Vergissmeinnicht gefunden
+ Und Rosen nebenbei! Dann hat' ich Dir gewunden
+ In Bluethenduft den Kranz zu diesem neuen Jahr,
+ Der schoener noch als der am Hochzeittage war._
+
+ _Ich zuerne, traun, dass itzt der kalte Nord regieret,
+ Und jedes Bluemchens Keim in kalter Erde frieret!
+ Doch eines frieret nicht, es ist mein liebend Herz;_
+ Dein _ist es, theilt mit Dir die Freuden und den Schmerz.'_]
+
+'The Seven-Years War threw the young Wife into manifold anxiety and
+agitation; especially since she had become a Mother, and in fear for
+the life of her tenderly-loved Husband, had to tremble for the Father
+of her children too. To this circumstance Christophine ascribes,
+certainly with some ground, the world-important fact that her Brother
+had a much weaker constitution than herself. He had in fact been
+almost born in a camp. In late Autumn 1759, the Infantry Regiment of
+Major-General Romann, in which Caspar Schiller was then a Lieutenant,
+had, for sake of the Autumn Manoeuvres of the Wuertemberg Soldiery,
+taken Camp in its native region. The Mother had thereupon set out from
+Marbach to visit her long-absent Husband in the Camp; and it was in
+his tent that she felt the first symptoms of her travail. She rapidly
+hastened back to Marbach; and by good luck still reached her Father's
+house in the Market-Place there, near by the great Fountain; where
+she, on the 11th November, was delivered of a Boy. For almost four
+years the little Friedrich with Christophine and Mother continued in
+the house of the well-contented Grandparents (who had not yet fallen
+poor), under her exclusive care. With self-sacrificing love and
+careful fidelity, she nursed her little Boy; whose tender body had to
+suffer not only from the common ailments of children, but was heavily
+visited with fits of cramp. In a beautiful region, on the bosom of a
+tender Mother, and in these first years far from the oversight of a
+rigorous Father, the Child grew up, and unfolded himself under
+cheerful and harmonious impressions.
+
+'On the return of his Father from the War, little Fritz, now four
+years old, was quite the image of his Mother; long-necked, freckled
+and reddish-haired like her. It was the pious Mother's work, too,
+that a feeling of religion, early and vivid, displayed itself in him.
+The easily-receptive Boy was indeed keenly attentive to all that his
+Father, in their Family-circle, read to them, and inexhaustible in
+questions till he had rightly caught the meaning of it: but he
+listened with most eagerness when his Father read passages from the
+Bible, or vocally uttered them in prayer. "It was a touching sight,"
+says his eldest Sister, "the expression of devotion on the dear little
+Child's countenance. With its blue eyes directed towards Heaven, its
+high-blond hair about the clear brow, and its fast-clasped little
+hands. It was like an angel's head to look upon."
+
+'With Father's return, the happy Mother conscientiously shared with
+him the difficult and important business of bringing up their Son; and
+both in union worked highly beneficially for his spiritual
+development. The practical and rigorous Father directed his chief aim
+to developing the Boy's intellect and character; the mild, pious,
+poetic-minded Mother, on the other hand, strove for the ennobling
+nurture of his temper and his imagination. It was almost exclusively
+owing to her that his religious feeling, his tender sense of all that
+was good and beautiful, his love of mankind, tolerance, and capability
+of self-sacrifice, in the circle of his Sisters and playmates,
+distinguished the Boy.
+
+'On Sunday afternoons, when she went to walk with both the Children,
+she was wont to explain to them the Church-Gospel of the day. "Once,"
+so stands it in Christophine's Memorials, "when we two, as children,
+had set out walking with dear Mamma to see our Grandparents, she took
+the way from Ludwigsburg to Marbach, which leads straight over the
+Hill, a walk of some four miles. It was a beautiful Easter Monday,
+and our Mother related to us the history of the two Disciples to
+whom, on their journey to Emmaus, Jesus had joined himself. Her speech
+and narrative grew ever more inspired; and when we got upon the Hill,
+we were all so much affected that we knelt down and prayed. This Hill
+became a Tabor to us."
+
+'At other times she entertained the children with fairy-tales and
+magic histories. Already while in Lorch she had likewise led the Boy,
+so far as his power of comprehension and her own knowledge permitted,
+into the domains of German Poetry. Klopstock's _Messias_, Opitz's
+Poems, Paul Gerhard's and Gellert's pious Songs, were made known to
+him in this tender age, through his Mother; and were, for that reason,
+doubly dear. At one time also the artless Mother made an attempt on
+him with Hofmannswaldau;[59] but the sugary and windy tone of him hurt
+the tender poet-feeling of the Boy. With smiling dislike he pushed the
+Book away; and afterwards was wont to remark, when, at the new year,
+rustic congratulants with their foolish rhymes would too liberally
+present themselves, "Mother, there is a new Hofmannswaldau at the
+door!" Thus did the excellent Mother guide forward the soul of her
+docile Boy, with Bible-passages and Church-symbols, with tales,
+histories and poems, into gradual form and stature. Never forgetting,
+withal, to awaken and nourish his sense for the beauties of Nature.
+Before long, Nature had become his dearest abode; and only love of
+that could sometimes tempt him to little abridgments of school-hours.
+Often, in the pretty region of Lorch, he wished the Sun goodnight in
+open song; or with childish pathos summoned Stuttgart's Painters to
+represent the wondrous formation and glorious colouring of the sunset
+clouds. If, in such a humour, a poor man met him, his overflowing
+little heart would impel him to the most active pity; and he liberally
+gave away whatever he had by him and thought he could dispense with.
+The Father, who, as above indicated, never could approve or even
+endure such unreasonable giving-up of one's feelings to effeminate
+impressions, was apt to intervene on these occasions, even with manual
+punishment,--unless the Mother were at hand to plead the little
+culprit off.
+
+ [Footnote 59: A once-celebrated Silesian of the 17th century,
+ distinguished for his blusterous exaggerations, numb-footed
+ caprioles, and tearing of a passion to rags;--now extinct.]
+
+'But nothing did the Mother forward with more eagerness, by every
+opportunity, than the kindling inclination of her Son to become a
+Preacher; which even showed itself in his sports. Mother or Sister had
+to put a little cowl on his head, and pin round him by way of surplice
+a bit of black apron; then would he mount a chair and begin earnestly
+to preach; ranging together in his own way, not without some traces of
+coherency, all that he had retained from teaching and church-visiting
+in this kind, and interweaving it with verses of songs. The Mother,
+who listened attentively and with silent joy, put a higher meaning
+into this childish play; and, in thought, saw her Son already stand in
+the Pulpit, and work, rich in blessings, in a spiritual office. The
+spiritual profession was at that time greatly esteemed, and gave
+promise of an honourable existence. Add to this, that the course of
+studies settled for young Wuertemberg Theologians not only offered
+important pecuniary furtherances and advantages, but also morally the
+fewest dangers. And thus the prudent and withal pious Father, too, saw
+no reason to object to this inclination of the Son and wish of the
+Mother.
+
+'It had almost happened, however, that the Latin School, in
+Ludwigsburg (where our Fritz received the immediately preparatory
+teaching for his calling) had quite disgusted him with his destination
+for theology. The Teacher of Religion in the Institute, a
+narrow-minded, angry-tempered Pietist,' as we have seen, 'used the sad
+method of tormenting his scholars with continual rigorous, altogether
+soulless, drillings and trainings in matters of mere creed; nay he
+threatened often to whip them thoroughly, if, in the repetition of the
+catechism, a single word were wrong. And thus to the finely-sensitive
+Boy instruction was making hateful to him what domestic influences had
+made dear. Yet these latter did outweigh and overcome, in the end; and
+he remained faithful to his purpose of following a spiritual career.
+
+'When young Schiller, after the completion of his course at the Latin
+School, 1777, was to be confirmed, his Mother and her Husband came
+across to Ludwigsburg the day before that solemn ceremony. Just on
+their arrival, she saw her Son wandering idle and unconcerned about
+the streets; and impressively represented to him how greatly his
+indifference to the highest and most solemn transaction of his young
+life troubled her. Struck and affected hereby, the Boy withdrew; and,
+after a few hours, handed to his Parents a German Poem, expressive of
+his feelings over the approaching renewal of his baptismal covenant.
+The Father, who either hadn't known the occasion of this, or had
+looked upon his Son's idling on the street with less severe eyes, was
+highly astonished, and received him mockingly with the question, "Hast
+thou lost thy senses, Fritz?" The Mother, on the other hand, was
+visibly rejoiced at that poetic outpouring, and with good cause. For,
+apart from all other views of the matter, she recognised in it how
+firmly her Son's inclination was fixed on the study of Theology.'--(This
+anecdote, if it were of any moment whatever, appears to be a little
+doubtful.)
+
+'The painfuler, therefore, was it to the Mother's heart when her Son,
+at the inevitable entrance into the Karl's School, had to give-up
+Theology; and renounce withal, for a long time, if not forever, her
+farther guidance and influence. But she was too pious not to recognise
+by degrees, in this change also, a Higher Hand; and could trustfully
+expect the workings of the same. Besides, her Son clung so tenderly to
+her, that at least there was no separation of him from the Mother's
+heart to be dreaded. The heart-warm attachment of childish years to
+the creed taught him by his Mother might, and did, vanish; but not the
+attachment to his Mother herself whose dear image often enough charmed
+back the pious sounds and forms of early days, and for a time scared
+away doubts and unbelief.
+
+'Years came and went; and Schiller, at last, about the end of 1780,
+stept out of the Academy, into the actual world, which he as yet knew
+only by hearsay. Delivered from that long unnatural constraint of body
+and spirit, he gave free course to his fettered inclinations; and
+sought, as in Poetry so also in Life, unlimited freedom! The tumults
+of passion and youthful buoyancy, after so long an imprisonment, had
+their sway; and embarrassments in money, their natural consequence,
+often brought him into very sad moods.
+
+'In this season of time, so dangerous for the moral purity of the
+young man, his Mother again was his good Genius; a warning and
+request, in her soft tone of love sufficed to recall youthful levity
+within the barriers again, and restore the balance. She anxiously
+contrived, too, that the Son, often and willingly, visited his
+Father's house. Whenever Schiller had decided to give himself a good
+day, he wandered out with some friend as far as Solituede.' (Only some
+four or five miles.) '"What a baking and a roasting then went on by
+that good soul," says one who witnessed it, "for the dear Prodigy of a
+Son and the comrade who had come with him; for whom the good Mother
+never could do enough! Never have I seen a better maternal heart, a
+more excellent, more domestic, more womanly woman."
+
+'The admiring recognition which the Son had already found among his
+youthful friends, and in wider circles, was no less grateful to her
+heart than the gradual perception that his powerful soul, welling
+forth from the interior to the outward man, diffused itself into his
+very features, and by degrees even advantageously altered the
+curvatures and the form of his body. His face about this time got rid
+of its freckles and irregularities of skin; and strikingly improved,
+moreover, by the circumstance that the hitherto rather drooping nose
+gradually acquired its later aquiline form. And withal, the youthful
+Poet, with the growing consciousness of his strength and of his worth,
+assumed an imposing outward attitude; so that a witty Stuttgart Lady,
+whose house Schiller often walked past, said of him: "Regiment's Dr.
+Schiller steps out as if the Duke were one of his inferior servants!"
+
+'The indescribable impression which the _Robbers_, the gigantic
+first-born of a Karl's Scholar, made in Stuttgart, communicated itself
+to the Mother too; innocently she gave herself up to the delight of
+seeing her Son's name wondered at and celebrated; and was, in her
+Mother-love, inventive enough to overcome all doubts and risks which
+threatened to dash her joy. By Christophine's mediations, and from the
+Son himself as well, she learned many a disquieting circumstance,
+which for the present had to be carefully concealed from her Husband;
+but nothing whatever could shake her belief in her Son and his talent.
+Without murmur, with faithful trust in God, she resigned herself even
+to the bitter necessity of losing for a long time her only Son; having
+once got to see, beyond disputing, that his purpose was firm to
+withdraw himself by flight from the Duke's despotic interference with
+his poetical activity as well as with his practical procedures; and
+that this purpose of his was rigorously demanded by the circumstances.
+Yet a sword went through her soul when Schiller, for the last time,
+appeared at Solituede, secretly to take leave of her.' Her feelings on
+this tragic occasion have been described above; and may well be
+pictured as among the painfulest, tenderest and saddest that a
+Mother's heart could have to bear. Our Author continues:
+
+'In reality, it was to the poor Mother a hard and lamentable time.
+Remembrance of the lately bright and safe-looking situation, now
+suddenly rent asunder and committed to the dubious unknown; anxiety
+about their own household and the fate of her Son; the Father's just
+anger, and perhaps some tacit self-reproach that she had favoured a
+dangerous game by keeping it concealed from her honest-hearted
+Husband,--lay like crushing burdens on her heart. And if many a thing
+did smooth itself, and many a thing, which at first was to be feared,
+did not take place, one thing remained fixed continually,--painful
+anxiety about her Son. To the afflicted Mother, in this heavy time,
+Frau von Wolzogen devoted the most sincere and beneficent sympathy; a
+Lady of singular goodness of heart, who, during Schiller's eight
+hidden months at Bauerbach, frequently went out to see his Family at
+Solituede. By her oral reports about Schiller, whom she herself several
+times visited at Bauerbach, his Parents were more soothed than by his
+own somewhat excited Letters. With reference to this magnanimous
+service of friendship, Schiller wrote to her at Stuttgart in February
+1783: "A Letter to my Parents is getting on its way; yet, much as I
+had to speak of you, I have said nothing whatever" (from prudent
+motives) "of your late appearance here, or of the joyful moments of
+our conversation together. You yourself still, therefore, have all
+that to tell, and you will presumably find a pair of attentive
+hearers." Frau von Wolzogen ventured also to apply to a high court
+lady, Countess von Hohenheim' (Duke's _finale_ in the _illicit_ way,
+whom he at length wedded), 'personally favourable to Schiller, and to
+direct her attention, before all, upon the heavy-laden Parents. Nor
+was this without effect. For the Countess's persuasion seems
+essentially to have contributed to the result that Duke Karl, out of
+respect for the deserving Father, left the evasion of his own Pupil
+unpunished.
+
+'It must, therefore, have appeared to the still-agitated Mother, who
+reverenced the Frau von Wolzogen as her helpful guardian, a flagrant
+piece of ingratitude, when she learnt that her Son was allowing
+himself to be led into a passionate love for the blooming young
+Daughter of his Benefactress. She grieved and mourned in secret to see
+him exposed to new storms; foreseeing clearly, in this passion, a
+ready cause for his removal from Bauerbach. To such agitations her
+body was no longer equal; a creeping, eating misery undermined her
+health. She wrote to her Son at Mannheim, with a soft shadow of
+reproof, that in this year, since his absence, she had become ten
+years older in health and looks. Not long after, she had actually to
+take to bed, because of painful cramps, which, proceeding from the
+stomach, spread themselves over breast, head, back and loins. The
+medicines which the Son, upon express account of symptoms by the
+Father, prescribed for her, had no effect. By degrees, indeed, these
+cramps abated or left-off; but she tottered about in a state of
+sickness, years long: the suffering mind would not let the body come
+to strength. For though her true heart was filled with a pious love,
+which hopes all, believes and suffers all, yet she was neither blind
+to the faults of her Son, nor indifferent to the thought of seeing her
+Family's good repute and well-being threatened by his non-performances
+and financial confusions.
+
+'With the repose and peace which the news of her Son's appointment to
+Jena, and intended marriage, had restored to his Family, there
+appeared also (beginning of 1790) an improvement to be taking place in
+the Mother's health. Learning this by a Letter from his Father,
+Schiller wrote back with lightened heart: "How welcome, dearest
+Father, was your last Letter to me, and how necessary! I had, the very
+day before, got from Christophine the sad news that my dearest
+Mother's state had grown so much worse; and what a blessed turn now
+has this weary sickness taken! If in the future _regimen vitae_ (diet
+arrangements) of my dearest Mother, there is strict care taken, her
+long and many sufferings, with the source of them, may be removed.
+Thanks to a merciful Providence, which saves and preserves for us the
+dear Mother of our youth. My soul is moved with tenderness and
+gratitude. I had to think of her as lost to us forever; and she has
+now been given back." In reference to his approaching marriage with
+Lottchen von Lengefeld, he adds, "How did it lacerate my heart to
+think that my dearest Mother might not live to see the happiness of
+her Son! Heaven bless you with thousandfold blessings, best Father,
+and grant to my dear Mother a cheerful and painless life!"
+
+'Soon, however, his Mother again fell sick, and lay in great danger.
+Not till August following could the Father announce that she was
+saved, and from day to day growing stronger. The annexed history of
+the disorder seemed so remarkable to Schiller, that he thought of
+preparing it for the public; unless the Physician, Court-Doctor
+Consbruch, liked better to send it out in print himself. "On this
+point," says Schiller, "I will write to him by the first post; and
+give him my warmest thanks for the inestimable service he has done us
+all, by his masterly cure of our dear Mamma; and for his generous and
+friendly behaviour throughout." "How heartily, my dearest Parents,"
+writes he farther, "did it rejoice us both" (this Letter is of 29th
+December; on the 20th February of that year he had been wedded to his
+Lotte), "this good news of the still-continuing improvement of our
+dearest Mother! With full soul we both of us join in the thanks which
+you give to gracious Heaven for this recovery; and our heart now gives
+way to the fairest hopes that Providence, which herein overtops our
+expectations, will surely yet prepare a joyful meeting for us all once
+more."
+
+'Two years afterwards this hope passed into fulfilment. The Mother
+being now completely cured of her last disorder, there seized her so
+irresistible a longing for her Son, that even her hesitating Husband,
+anxious lest her very health should suffer, at last gave his consent
+to the far and difficult journey to Jena. On the 3d Sept. 1792,
+Schiller, in joyful humour, announces to his friend in Dresden, "Today
+I have received from home the very welcome tidings that my good
+Mother, with one of my Sisters, is to visit us here this month. Her
+arrival falls at a good time, when I hope to be free and loose from
+labour; and then we have ahead of us mere joyful undertakings." The
+Mother came in company with her youngest Daughter, bright little Nane,
+or Nanette; and surprised him two days sooner than, by the Letters
+from Solituede, he had expected her. Unspeakable joy and sweet sorrow
+seized Mother and Son to feel themselves, after ten years of
+separation, once more in each other's arms. The long journey, bad
+weather and roads had done her no harm. "She has altered a little, in
+truth," writes he to Koerner, "from what she was ten years ago; but
+after so many sicknesses and sorrows, she still has a healthy look. It
+rejoices me much that things have so come about, that I have her with
+me again, and can be a joy to her."
+
+'The Mother likewise soon felt herself at home and happy in the
+trusted circle of her children; only too fast flew-by the beautiful
+and happy days, which seemed to her richly to make amends for so many
+years of sorrows and cares. Especially it did her heart good to see
+for herself what a beneficent influence the real and beautiful
+womanhood of her Daughter-in-law exercised upon her Son. Daily she
+learnt to know the great advantages of mind and heart in her; daily
+she more deeply thanked God that for her Son, who, on account even of
+his weak health, was not an altogether convenient Husband, there had
+been so tender-hearted and so finely-cultivated a Wife given him as
+life-companion. The conviction that the domestic happiness of her Son
+was secure contributed essentially also to alleviate the pain of
+departure.
+
+'Still happier days fell to her when Schiller, stirred up by her
+visit, came the year after, with his Wife, to Swabia; and lived there
+from August 1793 till May 1794. It was a singular and as if
+providential circumstance, which did not escape the pious Mother, that
+Schiller, in the same month in which he had, eleven years ago, hurried
+and in danger, fled out of Stuttgart to Ludwigsburg, should now in
+peace and without obstruction come, from Heilbronn by the same
+Ludwigsburg, to the near neighbourhood of his Parents. With bitter
+tears of sorrow, her eye had then followed the fugitive, in his dark
+trouble and want of everything; with sweet tears of joy she now
+received her fame-crowned Son, whom God, through sufferings and
+mistakes and wanderings, had led to happiness and wisdom. The birth of
+the Grandson gave to her life a new charm, as if of youth returned.
+She felt herself highly favoured that God had spared her life to see
+her dear Son's first-born with her own eyes. It was a touching
+spectacle to see the Grandmother as she sat by the cradle of the
+little "Gold Son," and listened to every breath-drawing of the child;
+or when, with swelling heart, she watched the approaching steps of her
+Son, and observed his true paternal pleasure over his first-born.
+
+'Well did the excellent Grandmother deserve such refreshment of heart;
+for all-too soon there came again upon her troublous and dark days.
+Schiller had found her stronger and cheerfuler than on her prior visit
+to Jena; and had quitted his Home-land with the soothing hope that his
+good Mother would reach a long and happy age. Nor could he have the
+least presentiment of the events which, three years later, burst-in,
+desolating and destroying, upon his family, and brought the health and
+life of his dear Mother again into peril. It is above stated, in our
+sketch of the Husband, in what extraordinary form the universal public
+misery, under which, in 1796, all South Germany was groaning, struck
+the Schiller Family at Solituede. Already on the 21st March of this
+year, Schiller had written to his Father, "How grieved I am for our
+good dear Mother, on whom all manner of sorrows have stormed-down in
+this manner! But what a mercy of God it is, too, that she still has
+strength left not to sink under these circumstances, but to be able
+still to afford you so much help! Who would have thought, six or seven
+years ago, that she, who was so infirm and exhausted, would now be
+serving you all as support and nurse? In such traits I recognise a
+good Providence which watches over us; and my heart is touched by it
+to the core."
+
+'Meanwhile the poor Mother's situation grew ever frightfuler from day
+to day; and it needed her extraordinary strength of religious faith to
+keep her from altogether sinking under the pains, sorrows and toils,
+which she had for so many weeks to bear all alone, with the help only
+of a hired maid. The news of such misery threw Schiller into the
+deepest grief. He saw only one way of sending comfort and help to his
+poor Mother, and immediately adopted it; writing to his eldest Sister
+in Meiningen, as follows:
+
+ "Thou too wilt have heard, dearest Sister, that Luise has
+ fallen seriously ill; and that our poor dear Mother is
+ thereby robbed of all consolation. If Luise's case were to
+ grow worse, or our Father's even, our poor Mother would be
+ left entirely forsaken. Such misery would be unspeakable.
+ Canst thou make it possible, think'st thou, that thy
+ strength could accomplish such a thing? If so, at once make
+ the journey thither. What it costs I will pay with joy.
+ Reinwald might accompany thee; or, if he did not like that,
+ come over to me here, where I would brother-like take care
+ of him.
+
+ "Consider, my dear Sister, that Parents, in such extremity
+ of need, have the justest claim upon their children for
+ help. O God, why am not I myself in such health as in my
+ journey thither three years ago! Nothing should have
+ hindered me from hastening to them; but that I have scarcely
+ gone over the threshold for a year past makes me so weak
+ that I either could not stand the journey, or should fall
+ down into sickness myself in that afflicted house. Alas, I
+ can do nothing for them but help with money; and, God knows,
+ I do that with joy. Consider that our dear Mother, who has
+ held up hitherto with an admirable courage, must at last
+ break down under so many sorrows. I know thy childlike
+ loving heart, I know the perfect fairness and equitable
+ probity of my Brother-in-law. Both these facts will teach
+ you better than I under the circumstances. Salute him
+ cordially.--Thy faithful Brother,
+
+ "SCHILLER."
+
+Christophine failed not to go, as we saw above. 'From the time of her
+arrival there, no week passed without Schiller's writing home; and his
+Letters much contributed to strengthen and support the heavy-laden
+Mother. The assurance of being tenderly loved by such a Son was
+infinitely grateful to her; she considered him as a tried faithful
+friend, to whom one, without reluctance, yields his part in one's own
+sorrows. Schiller thus expressed himself on this matter in a Letter to
+Christophine of 9th May. "The last Letter of my dear good Mother has
+deeply affected me. Ah, how much has this good Mother already
+undergone; and with what patience and courage has she borne it! How
+touching is it that she opened her heart to me; and what woe was mine
+that I cannot immediately comfort and soothe her! Hadst thou not gone,
+I could not have stayed here. The situation of our dear ones was
+horrible; so solitary, without help from loving friends, and as if
+forsaken by their two children, living far away! I dare not think of
+it. What did not our good Mother do for _her_ Parents; and how greatly
+has she deserved the like from us! Thou wilt comfort her, dear Sister;
+and me thou wilt find heartily ready for all that thou canst propose
+to me. Salute our dear Parents in the tenderest way, and tell them
+that their Son feels their sorrows."
+
+'The excellent Christophine did her utmost in these days of sorrow.
+She comforted her Mother, and faithfully nursed her Father to his last
+breath; nay she saved him and the house, with great presence of mind,
+on a sudden inburst of French soldiers. Nor did she return to
+Meiningen till all tumult of affairs was past, and the Mother was
+again a little composed. And composure the Mother truly needed; for in
+a short space she had seen a hopeful Daughter and a faithful Husband
+laid in their graves; and by the death of her Husband a union severed
+which, originating in mutual affection, had for forty-seven years been
+blessed with the same mutual feeling. To all which in her position was
+now added the doubly-pressing care about her future days. Here,
+however, the Son so dear to her interposed with loving readiness, and
+the tender manner natural to him:
+
+"You, dear Mother," he writes, "must now choose wholly for yourself
+what your way of life is to be; and let there be, I charge you, no
+care about me or others in your choice. Ask yourself where you would
+like best to live,--here with me, or with Christophine, or in our
+native country with Luise. Whithersoever your choice falls, there will
+we provide the means. For the present, of course, in the circumstances
+given, you would remain in Wuertemberg a little while; and in that time
+all would be arranged. I think you might pass the winter months most
+easily at Leonberg" (pleasant Village nearest to Solituede); "and then
+with the Spring you would come with Luise to Meiningen; where,
+however, I would expressly advise that you had a household of your
+own. But of all this, more next time. I would insist upon your coming
+here to me, if I did not fear things would be too foreign and too
+unquiet for you. But were you once in Meiningen, we will find means
+enough to see each other, and to bring your dear Grandchildren to you.
+It were a great comfort, dearest Mother, at least to know you, for the
+first three or four weeks after Christophine's departure, among people
+of your acquaintance; as the sole company of our Luise would too much
+remind you of times that are gone. But should there be no Pension
+granted by the Duke, and the Sale of Furniture, &c. did not detain you
+too long, you might perhaps travel with both the Sisters to Meiningen;
+and there compose yourself in the new world so much the sooner. All
+that you need for a convenient life must and shall be yours, dear
+Mother. It shall be henceforth my care that no anxiety on that head be
+left you. After so many sorrows, the evening of your life must be
+rendered cheerful, or at least peaceful; and I hope you will still, in
+the bosom of your Children and Grandchildren, enjoy many a good day."
+In conclusion, he bids her send him everything of Letters and MSS.
+which his dear Father left; hereby to fulfil his last wish; which also
+shall have its uses to his dear Mother.
+
+'The Widow had a Pension granted by the Duke, of 200 gulden' (near
+20_l._); 'and therein a comfortable proof that official people
+recognised the worth of her late Husband, and held him in honour. She
+remained in her native country; and lived the next three years,
+according to her Son's counsel, with Luise in the little village of
+Leonberg, near to Solituede, where an arrangement had been made for
+her. Here a certain Herr Roos, a native of Wuertemberg, had made some
+acquaintance with her, in the winter 1797-8; to whom we owe the
+following sketch of portraiture. "She was a still-agreeable old person
+of sixty-five or six, whose lean wrinkly face still bespoke
+cheerfulness and kindliness. Her thin hair was all gray; she was of
+short" (middle) "stature, and her attitude slightly stooping; she had
+a pleasant tone of voice; and her speech flowed light and cheerful.
+Her bearing generally showed native grace, and practical acquaintance
+with social life."
+
+'Towards the end of 1799, there opened to the Mother a new friendly
+outlook in the marriage of her Luise to the young Parson, M. Frankh,
+in Clever-Sulzbach, a little town near Heilbronn. The rather as the
+worthy Son-in-law would on no account have the Daughter separated from
+the Mother.' Error on Saupe's part. The Mother Schiller continued to
+occupy her own house at Leonberg till near the end of her life; she
+naturally made frequent little visits to Clever-Sulzbach; and her
+death took place there.[60] 'Shortly before the marriage, Schiller
+wrote, heartily wishing Mother and Sister happiness in this event. It
+would be no small satisfaction to his Sister, he said, that she could
+lodge and wait upon her good dear Mother in a well-appointed house of
+her own; to his Mother also it must be a great comfort to see her
+children all settled, and to live up again in a new generation.
+
+ [Footnote 60: _Beziehungen_, p. 197, n.]
+
+'Almost contemporary with the removal of the Son from Jena to Weimar
+was the Mother's with her Daughter to Clever-Sulzbach. The peaceful
+silence which now environed them in their rural abode had the most
+salutary influence both on her temper of mind and on her health; all
+the more as Daughter and Son-in-law vied with each other in respectful
+attention to her. The considerable distance from her Son, when at
+times it fell heavy on her, she forgot in reading his Letters; which
+were ever the unaltered expression of the purest and truest
+child-love. She forgot it too, as often, over the immortal works out
+of which his powerful spirit spoke to her. She lived to hear the name
+of Friedrich Schiller celebrated over all Germany with reverent
+enthusiasm; and ennobled by the German People sooner and more
+gloriously than an Imperial Patent could do it. Truly a Mother that
+has had such joys in her Son is a happy one; and can and may say,
+"Lord, now let me depart in peace; I have lived enough!"
+
+'In the beginning of the year 1802, Schiller's Mother again fell ill.
+Her Daughter Luise hastened at once to Stuttgart, where she then
+chanced to be, and carried her home to Clever-Sulzbach, to be under
+her own nursing. So soon as Schiller heard of this, he wrote, in
+well-meant consideration of his Sister's frugal economies, to Dr.
+Hoven, a friend of his youth at Ludwigsburg; and empowered him to take
+his Mother over thither, under his own medical care: he, Schiller,
+would with pleasure pay all that was necessary for lodging and
+attendance. But the Mother stayed with her Daughter; wrote, however,
+in her last Letter to Schiller: "Thy unwearied love and care for me
+God reward with thousandfold love and blessings! Ah me! another such
+Son there is not in the world!" Schiller, in his continual anxiety
+about the dear Patient, had his chief solace in knowing her to be in
+such tender hands; and he wrote at once, withal, to his Sister: "Thou
+wilt permit me also that on my side I try to do something to lighten
+these burdens for thee. I therefore make this agreement with my
+Bookseller Cotta that he shall furnish my dear Mother with the
+necessary money to make good, in a convenient way, the extra outlays
+which her illness requires."
+
+'Schiller's hope, supported by earlier experiences, that kind Nature
+would again help his Mother, did not find fulfilment. On the contrary,
+her case grew worse; she suffered for months the most violent pains;
+and was visibly travelling towards Death. Two days before her
+departure, she had the Medallion of her Son handed down to her from
+the wall; and pressed it to her heart; and, with tears, thanked God,
+who had given her such good children. On the 29th April 1802, she
+passed away, in the 69th year of her age. Schiller, from the tenor of
+the last news received, had given up all hope; and wrote, in
+presentiment of the bitter loss, to his Sister Frankh at
+Clever-Sulzbach:
+
+ "Thy last letter, dearest Sister, leaves me without hope of
+ our dear Mother. For a fortnight past I have looked with
+ terror for the tidings of her departure; and the fact that
+ thou hast not written in that time, is a ground of fear, not
+ of comfort. Alas! under her late circumstances, life was no
+ good to her more; a speedy and soft departure was the one
+ thing that could be wished and prayed for. But write me,
+ dear Sister, when thou hast recovered thyself a little from
+ these mournful days. Write me minutely of her condition and
+ her utterances in the last hours of her life. It comforts
+ and composes me to busy myself with her, and to keep the
+ dear image of my Mother living before me.
+
+ "And so they are both gone from us, our dear Parents; and we
+ Three alone remain. Let us be all the nearer to each other,
+ dear Sister; and believe always that thy Brother, though so
+ far away from thee and thy Sister, carries you both warmly
+ in his heart; and in all the accidents of this life will
+ eagerly meet you with his brotherly love.
+
+ "But I can write no more today. Write me a few words soon. I
+ embrace thee and thy dear Husband with my whole heart; and
+ thank him again for all the love he has shown our departed
+ Mother.
+
+ "Your true Brother,
+
+ "SCHILLER."
+
+'Soon after this Letter, he received from Frankh, his Brother-in-law,
+the confirmation of his sad anticipations. From his answer to Frankh
+we extract the following passage: "May Heaven repay with rich interest
+the dear Departed One all that she has suffered in life, and done for
+her children! Of a truth she deserved to have loving children; for she
+was a good Daughter to her suffering necessitous Parents; and the
+childlike solicitude she always had for them well deserved the like
+from us. You, my dear Brother-in-law, have shared the assiduous care
+of my Sister for Her that is gone; and acquired thereby the justest
+claim upon my brotherly love. Alas, you had already given your
+spiritual support and filial service to my late Father, and taken on
+yourself the duties of his absent Son. How cordially I thank you!
+Never shall I think of my departed Mother without, at the same time,
+blessing the memory of him who alleviated so kindly the last days of
+her life." He then signifies the wish to have, from the effects of his
+dear Mother, something that, without other worth, will remain a
+continual memorial of her. And was in effect heartily obliged to his
+Brother, who sent him a ring which had been hers. "It is the most
+precious thing that he could have chosen for me," writes he to Luise;
+"and I will keep it as a sacred inheritance." Painfully had it touched
+him, withal, that the day of his entering his new house at Weimar had
+been the death-day of his Mother. He noticed this singular
+coincidence, as if in mournful presentiment of his own early decease,
+as a singular concatenation of events by the hand of Destiny.
+
+'A Tree and a plain stone Cross, with the greatly-comprehensive short
+inscription, "Here rests Schiller's Mother," now mark her grave in
+Clever-Sulzbach Churchyard.'
+
+
+ III. THE SISTERS.
+
+Saupe has a separate Chapter on each of the three Sisters of Schiller;
+but most of what concerns them, especially in relation to their
+Brother, has been introduced incidentally above. Besides which,
+Saupe's flowing pages are too long for our space; so that instead of
+translating, henceforth, we shall have mainly to compile from Saupe
+and others, and faithfully abridge.
+
+
+_Christophine (born 4 Sept. 1757; married 'June 1786;' died 31 August
+1847)._[61]
+
+ [Footnote 61: Here, from Schiller Senior himself
+ (_Autobiography_, called "_Curriculum Vitae_," in
+ _Beziehungen_, pp. 15-18), is a List of his six
+ Children;--the two that died so young we have marked in
+ italics:
+
+ 1. 'ELISABETH CHRISTOPHINE FRIEDERICKE, born 4 September
+ 1757, at Marbach.
+
+ 2. 'JOHANN CHRISTOPH FRIEDRICH, born 10 November 1759, at
+ Marbach.
+
+ 3. 'LUISE DOROTHEA KATHARINA, born 24 January 1766, at Lorch.
+
+ 4. '_Maria Charlotte, born 20 November 1768, at Ludwigsburg:
+ died 29 March 1774; age 5 gone._
+
+ 5. '_Beata Friedericke, born 4 May 1773, at Ludwigsburg: died
+ 22 December, same year._
+
+ 6. 'CAROLINE CHRISTIANE, born 8 September 1777, at
+ Solituede;'--(this is she they call, in fond diminutive,
+ _Nane_ or _Nanette_.)]
+
+Till Schiller's flight, in which what endless interest and industries
+Christophine had we have already seen, the young girls,--Christophine
+25, Luise 16, Nanette a rosy little creature of 5,--had known no
+misfortune; nor, except Christophine's feelings on the death of the
+two little Sisters, years ago, no heavy sorrow. At Solituede, but for
+the general cloud of anxiety and grief about their loved and gifted
+Brother and his exile, their lives were of the peaceablest
+description: diligence in household business, sewing, spinning,
+contented punctuality in all things; in leisure hours eager reading
+(or at times, on Christophine's part, drawing and painting, in which
+she attained considerable excellence), and, as choicest recreation,
+walks amid the flourishing Nurseries, Tree-avenues, and fine solid
+industries and forest achievements of Papa. Mention is made of a
+Cavalry Regiment stationed at Solituede; the young officers of which,
+without society in that dull place, and with no employment except
+parade, were considerably awake to the comely Jungfers Schiller and
+their promenadings in those pleasant woods: one Lieutenant of them
+(afterwards a Colonel, 'Obrist von Miller of Stuttgart') is said to
+have manifested honourable aspirations and intentions towards
+Christophine,--which, however, and all connection with whom or his
+comrades, the rigorously prudent Father strictly forbade; his piously
+obedient Daughters, Christophine it is rather thought with some
+regret, immediately conforming. A Portrait of this Von Miller, painted
+by Christophine, still exists, it would appear, among the papers of
+the Schillers.[62]
+
+ [Footnote 62: _Beziehungen_, p. 217 n.]
+
+The great transaction of her life, her marriage with Reinwald, Court
+Librarian of Meiningen, had its origin in 1783; the fruit of that
+forced retreat of Schiller's to Bauerbach, and of the eight months he
+spent there, under covert, anonymously and in secret, as 'Dr. Ritter,'
+with Reinwald for his one friend and adviser. Reinwald, who commanded
+the resources of an excellent Library, and of a sound understanding,
+long seriously and painfully cultivated, was of essential use to
+Schiller; and is reckoned to be the first real guide or useful
+counsellor he ever had in regard to Literature. One of Christophine's
+Letters to her Brother, written at her Father's order, fell by
+accident on Reinwald's floor, and was read by him,--awakening in his
+over-clouded, heavy-laden mind a gleam of hope and aspiration. "This
+wise, prudent, loving-hearted and judicious young woman, of such clear
+and salutary principles of wisdom as to economics too, what a blessing
+she might be to me as Wife in this dark, lonely home of mine!" Upon
+which hint he spake; and Schiller, as we saw above, who loved him
+well, but knew him to be within a year or two of fifty, always ailing
+in health, taciturn, surly, melancholy, and miserably poor, was
+rebuked by Papa for thinking it questionable. We said, it came about
+all the same. Schiller had not yet left Mannheim for the second and
+last time, when, in 1784, Christophine paid him a visit, escorted
+thither by Reinwald; who had begged to have that honour allowed him;
+having been at Solituede, and, either there or on his road to Mannheim,
+concluded his affair. Streicher, an eyewitness of this visit, says,
+"The healthy, cheerful and blooming Maiden had determined to share her
+future lot with a man whose small income and uncertain health seemed
+to promise little joy. Nevertheless her reasons were of so noble a
+sort, that she never repented, in times following, this sacrifice of
+her fancy to her understanding, and to a Husband of real worth."[63]
+They were married "June 1786;" and for the next thirty, or indeed, in
+all, sixty years, Christophine lived in her dark new home at
+Meiningen; and never, except in that melancholy time of sickness,
+mortality and war, appears to have seen Native Land and Parents again.
+
+ [Footnote 63: _Schwab_, p. 173, citing Streicher's words.]
+
+What could have induced, in the calm and well-discerning Christophine,
+such a resolution, is by no means clear; Saupe, with hesitation, seems
+to assign a religious motive, "the desire of doing good." Had that
+abrupt and peremptory dismissal of Lieutenant Miller perhaps something
+to do with it? Probably her Father's humour on the matter, at all
+times so anxious and zealous to see his Daughters settled, had a chief
+effect. It is certain, Christophine consulted her Parish Clergyman on
+the affair; and got from him, as Saupe shows us, an affirmatory or at
+least permissive response. Certain also that she summoned her own best
+insight of all kinds to the subject, and settled it calmly and
+irrevocably with whatever faculty was in her.
+
+To the candid observer Reinwald's gloomy ways were not without their
+excuse. Scarcely above once before this, in his now longish life, had
+any gleam of joy or success shone on him, to cheer the strenuous and
+never-abated struggle. His father had been Tutor to the Prince of
+Meiningen, who became Duke afterwards, and always continued to hold
+him in honour. Father's death had taken place in 1751, young Reinwald
+then in his fourteenth year. After passing with distinction his
+three-years curriculum at Jena, Reinwald returned to Meiningen,
+expecting employment and preferment;--the rather perhaps as his
+Mother's bit of property got much ruined in the Seven-Years War then
+raging. Employment Reinwald got, but of the meanest _Kanzlist_
+(Clerkship) kind; and year after year, in spite of his merits, patient
+faithfulness and undeniable talent, no preferment whatever. At length,
+however, in 1762, the Duke, perhaps enlightened by experience as to
+Reinwald, or by personal need of such a talent, did send him as
+_Geheimer Kanzlist_ (kind of Private Secretary) to Vienna, with a
+view to have from him reports "about politics and literary objects"
+there. This was an extremely enjoyable position for the young man; but
+it lasted only till the Duke's death, which followed within two years.
+Reinwald was then immediately recalled by the new Duke (who, I think,
+had rather been in controversy with his Predecessor), and thrown back
+to nearly his old position; where, without any regard had to his real
+talents and merits, he continued thirteen years, under the title of
+_Consistorial Kanzlist_; and, with the miserablest fraction of yearly
+pay, 'carried on the slavish, spirit-killing labours required of him.'
+In 1776,--uncertain whether as promotion or as mere abridgment of
+labour,--he was placed in the Library as now; that is to say, had
+become _Sub_-Librarian, at a salary of about 15_l._, with all the
+Library duties to do; an older and more favoured gentleman, perhaps in
+lieu of pension, enjoying the Upper Office, and doing none of the
+work.
+
+Under these continual pressures and discouragements poor Reinwald's
+heart had got hardened into mutinous indignation, and his health had
+broken down: so that, by this time, he was noted in his little world
+as a solitary, taciturn, morose and gloomy man; but greatly respected
+by the few who knew him better, as a clear-headed, true and faithful
+person, much distinguished by intellectual clearness and veracity, by
+solid scholarly acquirements and sterling worth of character. To bring
+a little help or cheerful alleviation to such a down-pressed man, if a
+wise and gentle Christophine could accomplish it, would surely be a
+bit of well-doing; but it was an extremely difficult one!
+
+The marriage was childless; not, in the first, or in any times of it,
+to be called unhappy; but, as the weight of years was added,
+Christophine's problem grew ever more difficult. She was of a
+compassionate nature, and had a loving, patient and noble heart;
+prudent she was; the skilfulest and thriftiest of financiers; could
+well keep silence, too, and with a gentle stoicism endure much small
+unreason. Saupe says withal, 'Nobody liked a laugh better, or could
+laugh more heartily than she, even in her extreme old age.'--Christophine
+herself makes no complaint, on looking back upon her poor Reinwald,
+thirty years after all was over. Her final record of it is: "for
+twenty-nine years we lived contentedly together." But her rugged
+hypochondriac of a Husband, morbidly sensitive to the least
+interruption of his whims and habitudes, never absent from their one
+dim sitting-room, except on the days in which he had to attend at the
+Library, was in practice infinitely difficult to deal with; and seems
+to have kept her matchless qualities in continual exercise. He
+belonged to the class called in Germany _Stubengelehrten_ (Closet
+Literary-men), who publish little or nothing that brings them profit,
+but are continually poring and studying. Study was the one consolation
+he had in life; and formed his continual employment to the end of his
+days. He was deep in various departments, Antiquarian, Philological,
+Historical; deep especially in Gothic philology, in which last he did
+what is reckoned a real feat,--he, Reinwald, though again it was
+another who got the reward. He had procured somewhere, 'a Transcript
+of the famous Anglo-Saxon Poem _Heliand_ (Saviour) from the Cotton
+Library in England,' this he, with unwearied labour and to great
+perfection, had at last got ready for the press; Translation,
+Glossary, Original all in readiness;--but could find no Publisher,
+nobody that would print without a premium. Not to earn _less_ than
+nothing by his labour, he sent the Work to the Muenchen Library; where,
+in after years, one Schmeller found it, and used it for an _editio
+princeps_ of his own. _Sic vos non vobis_; heavy-laden Reinwald![64]--
+
+ [Footnote 64: _Schiller's Beziehungen_ (where many of
+ Christophine's _Letters_, beautiful all of them, are given).]
+
+To Reinwald himself Christophine's presence and presidency in his dim
+household were an infinite benefit,--though not much recognised by
+him, but accepted rather as a natural tribute due to unfortunate
+down-pressed worth, till towards the very end, when the singular merit
+of it began to dawn upon him, like the brightness of the Sun when it
+is setting. Poor man, he anxiously spent the last two weeks of his
+life in purchasing and settling about a neat little cottage for
+Christophine; where accordingly she passed her long widowhood, on
+stiller terms, though not on less beneficent and humbly beautiful,
+than her marriage had offered.
+
+Christophine, by pious prudence, faith in Heaven, and in the good
+fruits of real goodness even on Earth, had greatly comforted the
+gloomy, disappointed, pain-stricken man; enlightened his darkness, and
+made his poverty noble. _Simplex munditiis_ might have been her motto
+in all things. Her beautiful Letters to her Brother are full of
+cheerful, though also, it is true, sad enough, allusions to her
+difficulties with Reinwald, and partial successes. Poor soul, her
+hopes, too, are gently turned sometimes on a blessed future, which
+might still lie ahead: of her at last coming, as a Widow, to live with
+her Brother, in serene affection, like that of their childhood
+together; in a calm blessedness such as the world held no other for
+her! But gloomy Reinwald survived bright Schiller for above ten years;
+and she had thirty more of lone widowhood, under limited conditions,
+to spend after him, still in a noble, humbly-admirable, and even
+happy and contented manner. She was the flower of the Schiller
+Sisterhood, though all three are beautiful to us; and in poor Nane,
+there is even something of poetic, and tragically pathetic. For one
+blessing, Christophine 'lived almost always in good health.' Through
+life it may be said of her, she was helpful to all about her, never
+hindersome to any; and merited, and had, the universal esteem, from
+high and low, of those she had lived among. At Meiningen, 31st August
+1847, within a few days of her ninety-first year, without almost one
+day's sickness, a gentle stroke of apoplexy took her suddenly away,
+and so ended what may be called a _Secular_ Saintlike existence,
+mournfully beautiful, wise and noble to all that had beheld it.
+
+
+_Nanette (born 8th September 1777, died 23d March 1796; age not yet
+19)._
+
+Of Nanette we were told how, in 1792, she charmed her Brother and his
+Jena circle, by her recitations and her amiable enthusiastic nature;
+and how, next year, on Schiller's Swabian visit, his love of her grew
+to something of admiration, and practical hope of helping such a rich
+talent and noble heart into some clear development,--when, two years
+afterwards, death put, to the dear Nanette and his hopes about her, a
+cruel end. We are now to give the first budding-out of those fine
+talents and tendencies of poor Nanette, and that is all the history
+the dear little Being has. Saupe proceeds:
+
+'Some two years after Schiller's flight, Nanette as a child of six or
+seven had, with her elder Sister Luise, witnessed the first
+representation of Schiller's _Kabale und Liebe_ in the Stuttgart
+theatre. With great excitement, and breath held-in, she had watched
+the rolling-up of the curtain; and during the whole play no word
+escaped her lips; but the excited glance of her eyes, and her
+heightened colour, from act to act, testified her intense emotion. The
+stormy applause with which her Brother's Play was received by the
+audience made an indelible impression on her.
+
+'The Players, in particular, had shone before her as in a magic light;
+the splendour of which, in the course of years, rather increased than
+diminished. The child's bright fancy loved to linger on those
+never-to-be-forgotten people, by whom her Brother's Poem had been led
+into her sight and understanding. The dawning thought, how glorious it
+might be to work such wonders herself, gradually settled, the more she
+read and heard of her dear Brother's poetic achievements, into the
+ardent but secret wish of being herself able to represent his
+Tragedies upon the stage. On her visit to Jena, and during her
+Brother's abode in Swabia, she was never more attentive than when
+Schiller spoke occasionally of the acting of his Pieces, or unfolded
+his opinion of the Player's Art.
+
+'The wish of Nanette, secretly nourished in this manner, to be able,
+on the stage, which represents the world, to contribute to the glory
+of her Brother, seized her now after his return with such force and
+constancy, that Schiller's Sister-in-law, Caroline von Wolzogen, urged
+him to yield to the same; to try his Sister's talent; and if it was
+really distinguished, to let her enter this longed-for career.
+Schiller had no love for the Player Profession; but as, in his then
+influential connections in Weimar, he might steer clear of many a
+danger, he promised to think the thing over. And thus this kind and
+amiable protectress had the satisfaction of cheering Nanette's last
+months with the friendly prospect that her wishes might be
+fulfilled.--Schiller's hope, after a dialogue with Goethe on the
+subject, had risen to certainty, when with the liveliest sorrow he
+learnt that Nanette was ill of that contagious Hospital Fever, and, in
+a few days more, that she was gone forever.'[65]
+
+ [Footnote 65: _Saupe_, pp. 150-5.]
+
+Beautiful Nanette; with such a softly-glowing soul, and such a brief
+tragically-beautiful little life! Like a Daughter of the rosy-fingered
+Morn; her existence all a sun-gilt soft auroral cloud, and no sultry
+Day, with its dusts and disfigurements, permitted to follow. Father
+Schiller seems, in his rugged way, to have loved Nanette best of them
+all; in an embarrassed manner, we find him more than once recommending
+her to Schiller's help, and intimating what a glorious thing for her,
+were it a possible one, education might be. He followed her in few
+months to her long home; and, by his own direction, 'was buried in the
+Churchyard at Gerlingen by her side.'
+
+
+_Luise (born 24th January 1766; married 20th October 1799; died 14th
+September 1836)._
+
+Of Luise's life too, except what was shown above, there need little be
+said. In the dismal pestilential days at Solituede, while her Father
+lay dying, and poor Nanette caught the infection, Luise, with all her
+tender assiduities and household talent, was there; but, soon after
+Nanette's death, the fever seized her too; and she long lay
+dangerously ill in that forlorn household; still weak, but slowly
+recovering, when Christophine arrived.
+
+The Father, a short while before his death, summoned to him that
+excellent young Clergyman, Frankh, who had been so unweariedly kind to
+them in this time of sickness when all neighbours feared to look in,
+To ask him what his intentions towards Luise were. It was in presence
+of the good old man that they made solemn promise to each other; and
+at Leonberg, where thenceforth the now-widowed Mother's dwelling was,
+they were formally betrothed; and some two years after that were
+married.
+
+Her Mother's death, so tenderly watched over, took place at their
+Parsonage at Clever-Sulzbach, as we saw above. Frankh, about two years
+after, was promoted to a better living, Moeckmuehl by name; and lived
+there, a well-doing and respected Parson, till his death, in 1834;
+which Luise's followed in September of the second year afterwards.
+Their marriage lasted thirty-five years. Luise had brought him three
+children; and seems to have been, in all respects, an excellent Wife.
+She was ingenious in intellectuals as well as economics; had a taste
+for poetry; a boundless enthusiasm for her Brother; seems to have been
+an anxious Mother, often ailing herself but strenuously doing her best
+at all times.
+
+A touching memorial of Luise is Schiller's last Letter to her, Letter
+of affectionate apology for long silence,--apology, and hope of doing
+better,--written only a few weeks before his own death. It is as
+follows:
+
+
+ "Weimar, 27th March 1805.
+
+ "Yes, it is a long time indeed, good dear Luise, since I
+ have written to thee; but it was not for amusements that I
+ forgot thee; it was because in this time I have had so many
+ hard illnesses to suffer, which put me altogether out of my
+ regular way; for many months I had lost all courage and
+ cheerfulness, and given up all hope of my recovery. In such
+ a humour one does not like to speak; and since then, on
+ feeling myself again better, there was, after the long
+ silence, a kind of embarrassment; and so it was still put
+ off. But now, when I have been anew encouraged by thy
+ sisterly love, I gladly join the thread again; and it shall,
+ if God will, not again be broken.
+
+ "Thy dear Husband's promotion to Moeckmuehl, which I learned
+ eight days ago from our Sister" (Christophine), "has given
+ us great joy, not only because it so much improves your
+ position, but also because it is so honourable a testimony
+ for my dear Brother-in-law's deserts. May you feel
+ yourselves right happy in these new relations, and right
+ long enjoy them! We too are got thereby a few miles nearer
+ you; and on a future journey to Franconia, which we are
+ every year projecting, we may the more easily get over to
+ you.
+
+ "How sorry am I, dear Sister, that thy health has suffered
+ so much; and that thou wert again so unfortunate with thy
+ confinement! Perhaps your new situation might permit you,
+ this summer, to visit some tonic watering-place, which might
+ do thee a great deal of good."--
+
+ "Of our Family here, my Wife will write thee more at large.
+ Our Children, this winter, have all had chicken-pox; and
+ poor little Emilie" (a babe of four months) "had much to
+ suffer in the affair. Thank God, things are all come round
+ with us again, and my own health too begins to confirm
+ itself.
+
+ "A thousand times I embrace thee, dear Sister, and my dear
+ Brother-in-law as well, whom I always wish from the heart to
+ have more acquaintance with. Kiss thy Children in my name;
+ may all go right happily with you, and much joy be in store!
+ How would our dear Parents have rejoiced in your good
+ fortune; and especially our dear Mother, had she been spared
+ to see it! Adieu, dear Luise. With my whole soul,
+
+ "Thy faithful Brother,
+
+ "SCHILLER."
+
+
+Schiller's tone and behaviour to his Sisters is always beautifully
+human and brotherlike, as here. Full of affection, sincerity and the
+warmest truest desire to help and cheer. The noble loving Schiller;
+so mindful always of the lowly, from his own wildly-dangerous and
+lofty path! He was never rich, poor rather always; but of a spirit
+royally munificent in these respects; never forgets the poor
+"birthdays" of his Sisters, whom one finds afterwards gratefully
+recognising their "beautiful dress" or the like!--
+
+ * * * * *
+
+Of date some six weeks after this Letter to Luise, let us take from
+Eyewitnesses one glimpse of Schiller's own deathbed. It is the eighth
+day of his illness; his last day but one in this world:
+
+'_Morning of 8th May 1805._-- --Schiller, on awakening from sleep,
+asked to see his youngest Child. The Baby' Emilie, spoken of above,
+'was brought. He turned his head round; took the little hand in his,
+and, with an inexpressible look of love and sorrow, gazed into the
+little face; then burst into bitter weeping, hid his face among the
+pillows; and made a sign to take the child away.'--This little Emilie
+is now the Baroness von Gleichen, Co-editress with her Cousin Wolzogen
+of the clear and useful Book, _Beziehungen_, often quoted above. It
+was to that same Cousin Wolzogen's Mother (Caroline von Wolzogen,
+Authoress of the Biography), and in the course of this same day, that
+Schiller made the memorable response, "Calmer, and calmer."--'Towards
+evening he asked to see the Sun once more. The curtain was opened;
+with bright eyes and face he gazed into the beautiful sunset. It was
+his last farewell to Nature.
+
+'_Thursday 9th May._ All the morning, his mind was wandering; he spoke
+incoherent words, mostly in Latin. About three in the afternoon,
+complete weakness came on; his breathing began to be interrupted.
+About four, he asked for naphtha, but the last syllable died on his
+tongue. He tried to write, but produced only three letters; in which,
+however, the character of his hand was still visible. Till towards
+six, no change. His Wife was kneeling at the bedside; he still pressed
+her offered hand. His Sister-in-law stood, with the Doctor, at the
+foot of the bed, and laid warm pillows on his feet, which were growing
+cold. There now darted, as it were, an electrical spasm over all his
+countenance; the head sank back; the profoundest repose transfigured
+his face. His features were as those of one softly sleeping,'--wrapt
+in hard-won Victory and Peace forevermore![66]--
+
+ [Footnote 66: _Schwab_, p. 627, citing Voss, an eyewitness;
+ and Caroline von Wolzogen herself.]
+
+
+
+
+ APPENDIX I.
+
+
+
+
+ NO. 1. PAGE 31.
+
+ DANIEL SCHUBART.
+
+
+The enthusiastic discontent so manifest in the _Robbers_ has by some
+been in part attributed to Schiller's intercourse with Schubart. This
+seems as wise as the hypothesis of Gray's Alderman, who, after half a
+century of turtle-soup, imputed the ruin of his health to eating two
+unripe grapes: 'he felt them cold upon his stomach, the moment they
+were over; he never got the better of them.' Schiller, it appears, saw
+Schubart only once, and their conversation was not of a confidential
+kind. For any influence this interview could have produced upon the
+former, the latter could have merited no mention here: it is on other
+grounds that we refer to him. Schubart's history, not devoid of
+interest in itself, unfolds in a striking light the circumstances
+under which Schiller stood at present; and may serve to justify the
+violence of his alarms, which to the happy natives of our Island might
+otherwise appear pusillanimous and excessive. For these reasons we
+subjoin a sketch of it.
+
+
+Schubart's character is not a new one in literature; nor is it strange
+that his life should have been unfortunate. A warm genial spirit; a
+glowing fancy, and a friendly heart; every faculty but diligence, and
+every virtue but 'the understrapping virtue of discretion:' such is
+frequently the constitution of the poet; the natural result of it also
+has frequently been pointed out, and sufficiently bewailed. This man
+was one of the many who navigate the ocean of life with 'more sail
+than ballast;' his voyage contradicted every rule of seamanship, and
+necessarily ended in a wreck.
+
+Christian Friedrich Daniel Schubart was born at Obersontheim in
+Swabia, on the 26th of April 1739. His father, a well-meaning soul,
+officiated there in the multiple capacity of schoolmaster, precentor,
+and curate; dignities which, with various mutations and improvements,
+he subsequently held in several successive villages of the same
+district. Daniel, from the first, was a thing of inconsistencies; his
+life proceeded as if by fits and starts. At school, for a while, he
+lay dormant: at the age of seven he could not read, and had acquired
+the reputation of a perfect dunce. But 'all at once,' says his
+biographer, 'the rind which enclosed his spirit started asunder;' and
+Daniel became the prodigy of the school! His good father determined to
+make a learned man of him: he sent him at the age of fourteen to the
+Nordlingen Lyceum, and two years afterwards to a similar establishment
+at Nuernberg. Here Schubart began to flourish with all his natural
+luxuriance; read classical and domestic poets; spouted, speculated;
+wrote flowing songs; discovered 'a decided turn for music,' and even
+composed tunes for the harpsichord! In short, he became an
+acknowledged _genius_: and his parents consented that he should go to
+Jena, and perform his _cursus_ of Theology.
+
+Schubart's purposes were not at all like the decrees of Fate: he set
+out towards Jena; and on arriving at Erlangen, resolved to proceed no
+farther, but perform his _cursus_ where he was. For a time he studied
+well; but afterwards 'tumultuously,' that is, in violent fits,
+alternating with fits as violent of idleness and debauchery. He became
+a _Bursche_ of the first water; drank and declaimed, rioted and ran in
+debt; till his parents, unable any longer to support such expenses,
+were glad to seize the first opening in his _cursus_, and recall him.
+He returned to them with a mind fevered by intemperance, and a
+constitution permanently injured; his heart burning with regret, and
+vanity, and love of pleasure; his head without habits of activity or
+principles of judgment, a whirlpool where fantasies and hallucinations
+and 'fragments of science' were chaotically jumbled to and fro. But
+he could babble college-latin; and talk with a trenchant tone about
+the 'revolutions of Philosophy.' Such accomplishments procured him
+pardon from his parents: the precentorial spirit of his father was
+more than reconciled on discovering that Daniel could also preach and
+play upon the organ. The good old people still loved their prodigal,
+and would not cease to hope in him.
+
+As a preacher Schubart was at first very popular; he imitated Cramer;
+but at the same time manifested first-rate pulpit talents of his own.
+These, however, he entirely neglected to improve: presuming on his
+gifts and their acceptance, he began to 'play such fantastic tricks
+before high Heaven,' as made his audience sink to yawning, or explode
+in downright laughter. He often preached extempore; once he preached
+in verse! His love of company and ease diverted him from study: his
+musical propensities diverted him still farther. He had special gifts
+as an organist; but to handle the concordance and to make 'the heaving
+bellows learn to blow' were inconsistent things.
+
+Yet withal it was impossible to hate poor Schubart, or even seriously
+to dislike him. A joyful, piping, guileless mortal, good nature,
+innocence of heart, and love of frolic beamed from every feature of
+his countenance; he wished no ill to any son of Adam. He was musical
+and poetical, a maker and a singer of sweet songs; humorous also,
+speculative, discursive; his speech, though aimless and redundant,
+glittered with the hues of fancy, and here and there with the keenest
+rays of intellect. He was vain, but had no touch of pride; and the
+excellencies which he loved in himself, he acknowledged and as warmly
+loved in others. He was a man of few or no principles, but his nervous
+system was very good. Amid his chosen comrades, a jug of indifferent
+beer and a pipe of tobacco could change the earth into elysium for
+him, and make his brethren demigods. To look at his laughing eyes, and
+his effulgent honest face, you were tempted to forget that he was a
+perjured priest, that the world had duties for him which he was
+neglecting. Had life been all a may-game, Schubart was the best of
+men, and the wisest of philosophers.
+
+Unluckily it was not: the voice of Duty had addressed him in vain; but
+that of Want was more impressive. He left his father's house, and
+engaged himself as tutor in a family at Koenigsbronn. To teach the
+young idea how to shoot had few delights for Schubart: he soon gave up
+this place in favour of a younger brother; and endeavoured to subsist,
+for some time, by affording miscellaneous assistance to the clergy of
+the neighbouring villages. Ere long, preferring even pedagogy to
+starvation, he again became a teacher. The bitter morsel was sweetened
+with a seasoning of music; he was appointed not only schoolmaster but
+also organist of Geisslingen. A fit of diligence now seized him: his
+late difficulties had impressed him; and the parson of the place, who
+subsequently married Schubart's sister, was friendly and skilful
+enough to turn the impression to account. Had poor Schubart always
+been in such hands, the epithet 'poor' could never have belonged to
+him. In this little village-school he introduced some important
+reforms and improvements, and in consequence attracted several
+valuable scholars. Also for his own behoof, he studied honestly. His
+conduct here, if not irreprehensible, was at least very much amended.
+His marriage, in his twenty-fifth year, might have improved it still
+farther; for his wife was a good, soft-hearted, amiable creature, who
+loved him with her whole heart, and would have died to serve him.
+
+But new preferments awaited Schubart, and with them new temptations.
+His fame as a musician was deservedly extending: in time it reached
+Ludwigsburg, and the Grand Duke of Wuertemberg himself heard Schubart
+spoken of! The schoolmaster of Geisslingen was, in 1768, promoted to
+be organist and band-director in this gay and pompous court. With a
+bounding heart, he tossed away his ferula, and hastened to the scene,
+where joys for evermore seemed calling on him. He plunged into the
+heart of business and amusement. Besides the music which he taught and
+played, publicly and privately, with great applause, he gave the
+military officers instruction in various branches of science; he
+talked and feasted; he indited songs and rhapsodies; he lectured on
+History and the Belles Lettres. All this was more than Schubart's head
+could stand. In a little time he fell in debt; took up with virtuosi;
+began to read Voltaire, and talk against religion in his drink. From
+the rank of genius, he was fast degenerating into that of profligate:
+his affairs grew more and more embarrassed; and he had no gift of
+putting any order in them. Prudence was not one of Schubart's virtues;
+the nearest approximation he could make to it was now and then a
+little touch of cunning. His wife still loved him; loved him with that
+perverseness of affection, which increases in the inverse ratio of its
+requital: she had long patiently endured his follies and neglect,
+happy if she could obtain a transient hour of kindness from him. But
+his endless course of riot, and the straits to which it had reduced
+their hapless family, at length overcame her spirits: she grew
+melancholy, almost broken-hearted; and her father took her home to
+him, with her children, from the spendthrift who had been her ruin.
+Schubart's course in Ludwigsburg was verging to its close; his
+extravagance increased, and debts pressed heavier and heavier on him:
+for some scandal with a young woman of the place, he was cast into
+prison; and let out of it, with an injunction forthwith to quit the
+dominions of the Grand Duke.
+
+Forlorn and homeless, here then was Schubart footing the hard highway,
+with a staff in his hand, and one solitary _thaler_ in his purse, not
+knowing whither he should go. At Heilbronn, the Buergermeister Wachs
+permitted him to teach his Buergermeisterinn the harpsichord; and
+Schubart did not die of hunger. For a space of time he wandered to and
+fro, with numerous impracticable plans; now talking for his victuals;
+now lecturing or teaching music; kind people now attracted to him by
+his genius and misfortunes, and anon repelled from him by the faults
+which had abased him. Once a gleam of court-preferment revisited his
+path: the Elector Palatine was made acquainted with his gifts, and
+sent for him to Schwetzingen to play before him. His playing gratified
+the Electoral ear; he would have been provided for, had he not in
+conversation with his Highness happened to express a rather free
+opinion of the Mannheim Academy, which at that time was his Highness's
+hobby. On the instant of this luckless oversight, the door of
+patronage was slammed in Schubart's face, and he stood solitary on the
+pavement as before.
+
+One Count Schmettau took pity on him; offered him his purse and home;
+both of which the way-worn wanderer was happy to accept. At
+Schmettau's he fell in with Baron Leiden, the Bavarian envoy, who
+advised him to turn Catholic, and accompany the returning embassy to
+Munich. Schubart hesitated to become a renegade; but departed with his
+new patron, upon trial. In the way, he played before the Bishop of
+Wuerzburg; was rewarded by his Princely Reverence with gold as well as
+praise; and arrived under happy omens at Munich. Here for a while
+fortune seemed to smile on him again. The houses of the great were
+thrown open to him; he talked and played, and fared sumptuously every
+day. He took serious counsel with himself about the great Popish
+question; now inclining this way, now that: he was puzzling which to
+choose, when Chance entirely relieved him of the trouble. 'A person of
+respectability' in Munich wrote to Wuertemberg to make inquiries who or
+what this general favourite was; and received for answer, that the
+general favourite was a villain, and had been banished from
+Ludwigsburg for denying that there was a Holy Ghost!--Schubart was
+happy to evacuate Munich without tap of drum.
+
+Once more upon the road without an aim, the wanderer turned to
+Augsburg, simply as the nearest city, and--set up a Newspaper! The
+_Deutsche Chronik_ flourished in his hands; in a little while it had
+acquired a decided character for sprightliness and talent; in time it
+became the most widely circulated journal of the country. Schubart was
+again a prosperous man: his writings, stamped with the vigorous
+impress of his own genius, travelled over Europe; artists and men of
+letters gathered round him; he had money, he had fame; the rich and
+noble threw their parlours open to him, and listened with delight to
+his overflowing, many-coloured conversation. He wrote paragraphs and
+poetry; he taught music and gave concerts; he set up a spouting
+establishment, recited newly-published poems, read Klopstock's
+_Messias_ to crowded and enraptured audiences. Schubart's evil genius
+seemed asleep, but Schubart himself awoke it. He had borne a grudge
+against the clergy, ever since his banishment from Ludwigsburg; and he
+now employed the facilities of his journal for giving vent to it. He
+criticised the priesthood of Augsburg; speculated on their selfishness
+and cant, and took every opportunity of turning them and their
+proceedings into ridicule. The Jesuits especially, whom he regarded as
+a fallen body, he treated with extreme freedom; exposing their
+deceptions, and holding up to public contumely certain quacks whom
+they patronised. The Jesuitic Beast was prostrate, but not dead: it
+had still strength enough to lend a dangerous kick to any one who came
+too near it. One evening an official person waited upon Schubart, and
+mentioned an _arrest_ by virtue of a warrant from the Catholic
+Buergermeister! Schubart was obliged to go to prison. The heads of the
+Protestant party made an effort in his favour: they procured his
+liberty, but not without a stipulation that he should immediately
+depart from Augsburg. Schubart asked to know his crime; but the
+Council answered him: "We have our reasons; let that satisfy you:" and
+with this very moderate satisfaction he was forced to leave their
+city.
+
+But Schubart was now grown an adept in banishment; so trifling an
+event could not unhinge his equanimity. Driven out of Augsburg, the
+philosophic editor sought refuge in Ulm, where the publication of his
+journal had, for other reasons, already been appointed to take place.
+The _Deutsche Chronik_ was as brilliant here as ever: it extended more
+and more through Germany; 'copies of it even came to London, Paris,
+Amsterdam, and Petersburg.' Nor had its author's fortune altered much;
+he had still the same employments, and remunerations, and
+extravagances; the same sort of friends, the same sort of enemies. The
+latter were a little busier than formerly: they propagated scandals;
+engraved caricatures, indited lampoons against him; but this he
+thought a very small matter. A man that has been three or four times
+banished, and as often put in prison, and for many years on the point
+of starving, will not trouble himself much about a gross or two of
+pasquinades. Schubart had his wife and family again beside him, he had
+money also to support them; so he sang and fiddled, talked and wrote,
+and 'built the lofty rhyme,' and cared no fig for any one.
+
+But enemies, more fell than these, were lurking for the thoughtless
+Man of Paragraphs. The Jesuits had still their feline eyes upon him,
+and longed to have their talons in his flesh. They found a certain
+General Ried, who joined them on a quarrel of his own. This General
+Ried, the Austrian Agent at Ulm, had vowed inexpiable hatred against
+Schubart, it would seem, for a very slight cause indeed: once Schubart
+had engaged to play before him, and then finding that the harpsichord
+was out of order, had refused, flatly refused! The General's elevated
+spirit called for vengeance on this impudent plebeian; the Jesuits
+encouraged him; and thus all lay in eager watch. An opportunity ere
+long occurred. One week in 1778, there appeared in Schubart's
+newspaper an Extract of a Letter from Vienna, stating that 'the
+Empress Maria Theresa had been struck by apoplexy.' On reading which,
+the General made instant application to his Ducal Highness, requesting
+that the publisher of this 'atrocious libel' should be given up to him
+and 'sent to expiate his crime in Hungary,' by imprisonment--for life.
+The Duke desired his gallant friend to be at ease, for that _he_ had
+long had his own eye on this man, and would himself take charge of
+him. Accordingly, a few days afterwards, Herr von Scholl, Comptroller
+of the Convent of Blaubeuren, came to Schubart with a multitude of
+compliments, inviting him to dinner, "as there was a stranger wishing
+to be introduced to him." Schubart sprang into the _Schlitten_ with
+this wolf in sheep's clothing, and away they drove to Blaubeuren.
+Arrived here, the honourable Herr von Scholl left him in a private
+room, and soon returned with a posse of official Majors and Amtmen,
+the chief of whom advanced to Schubart, and declared him--_an arrested
+man_! The hapless Schubart thought it was a jest; but alas here was no
+jesting! Schubart then said with a composure scarcely to be looked
+for, that "he hoped the Duke would not condemn him unheard." In this
+too he was deceived; the men of office made him mount a carriage with
+them, and set off without delay for Hohenasperg. The Duke himself was
+there with his Duchess, when these bloodhounds and their prey arrived:
+the princely couple gazed from a window as the group went past them,
+and a fellow-creature took his farewell look of sun and sky!
+
+
+If hitherto the follies of this man have cast an air of farce upon his
+sufferings, even when in part unmerited, such sentiments must now give
+place to that of indignation at his cruel and cold-blooded
+persecutors. Schubart, who never had the heart to hurt a fly, and with
+all his indiscretions, had been no man's enemy but his own, was
+conducted to a narrow subterraneous dungeon, and left, without book or
+pen, or any sort of occupation or society, to chew the cud of bitter
+thought, and count the leaden months as they passed over him, and
+brought no mitigation of his misery. His Serene Transparency of
+Wuertemberg, nay the heroic General himself, might have been satisfied,
+could they have seen him: physical squalor, combined with moral agony,
+were at work on Schubart; at the end of a year, he was grown so weak,
+that he could not stand except by leaning on the walls of his cell. A
+little while, and he bade fair to get beyond the reach of all his
+tyrants. This, however, was not what they wanted. The prisoner was
+removed to a wholesome upper room; allowed the use of certain books,
+the sight of certain company, and had, at least, the privilege to
+think and breathe without obstruction. He was farther gratified by
+hearing that his wife and children had been treated kindly: the boys
+had been admitted to the Stuttgard school, where Schiller was now
+studying; to their mother there had been assigned a pension of two
+hundred gulden. Charles of Wuertemberg was undoubtedly a weak and
+heartless man, but we know not that he was a savage one: in the
+punishment of Schubart, it is possible enough that he believed himself
+to be discharging an important duty to the world. The only subject of
+regret is, that any duty to the world, beyond the duty of existing
+inoffensively, should be committed to such hands; that men like
+Charles and Ried, endowed with so very small a fraction of the common
+faculties of manhood, should have the destiny of any living thing at
+their control.
+
+Another mitigating circumstance in Schubart's lot was the character of
+his gaoler. This humane person had himself tasted the tender mercies
+of 'paternal' government; he knew the nature of a dungeon better even
+than his prisoner. 'For four years,' we are told, 'he had seen no
+human face; his scanty food had been lowered to him through a
+trap-door; neither chair nor table were allowed him, his cell was
+never swept, his beard and nails were left to grow, the humblest
+conveniences of civilised humanity were denied him!'[67] On this man
+affliction had produced its softening, not its hardening influence: he
+had grown religious, and merciful in heart; he studied to alleviate
+Schubart's hard fate by every means within his power. He spoke
+comfortingly to him; ministered to his infirmities, and, in spite of
+orders, lent him all his books. These, it is true, were only treatises
+on theosophy and mystical devotion; but they were the best he had; and
+to Schubart, in his first lonely dungeon, they afforded occupation and
+solace.
+
+ [Footnote 67: And yet Mr. Fox is reported to have said:
+ _There was one_ FREE _Government on the Continent, and that
+ one was--Wuertemberg._ They had a parliament and 'three
+ estates' like the English.--So much for paper Constitutions!]
+
+Human nature will accommodate itself to anything. The King of Pontus
+taught himself to eat poison: Schubart, cut out from intemperance and
+jollity, did not pine away in confinement and abstemiousness; he had
+lost Voltaire and gay company, he found delight in solitude and Jacob
+Boehm. Nature had been too good to him to let his misery in any case be
+unalloyed. The vague unguided ebullience of spirit, which had so often
+set the table in a roar, and made him the most fascinating of
+debauchees, was now mellowed into a cloudy enthusiasm, the sable of
+which was still copiously blended with rainbow colours. His brain had
+received a slight though incurable crack; there was a certain
+exasperation mixed with his unsettled fervour; but he was not
+wretched, often even not uncomfortable. His religion was not real; but
+it had reality enough for present purposes; he was at once a sceptic
+and a mystic, a true disciple of Boehm as well as of Voltaire. For
+afflicted, irresolute, imaginative men like Schubart, this is not a
+rare or altogether ineffectual resource: at the bottom of their minds
+they doubt or disbelieve, but their hearts exclaim against the
+slightest whisper of it; they dare not look into the fathomless abyss
+of Infidelity, so they cover it over with the dense and
+strangely-tinted smoke of Theosophy. Schubart henceforth now and then
+employed the phrases and figures of religion; but its principles had
+made no change in his theory of human duties: it was not food to
+strengthen the weakness of his spirit, but an opiate to stay its
+craving.
+
+Schubart had still farther resources: like other great men in
+captivity, he set about composing the history of his life. It is true,
+he had no pens or paper; but this could not deter him. A
+fellow-prisoner, to whom, as he one day saw him pass by the grating of
+his window, he had communicated his desire, entered eagerly into the
+scheme: the two contrived to unfasten a stone in a wall that divided
+their apartments; when the prison-doors were bolted for the night,
+this volunteer amanuensis took his place, Schubart trailed his
+mattress to the friendly orifice, and there lay down, and dictated in
+whispers the record of his fitful story. These memoirs have been
+preserved; they were published and completed by a son of Schubart's:
+we have often wished to see them, but in vain.
+
+By day, Schubart had liberty to speak with certain visitors. One of
+these, as we have said above, was Schiller. That Schubart, in their
+single interview, was pleased with the enthusiastic friendly boy, we
+could have conjectured, and he has himself informed us. 'Excepting
+Schiller,' said the veteran garreteer, in writing afterwards to Gleim,
+'I scarcely know of any German youth in whom the sacred spark of
+genius has mounted up within the soul like flame upon the altar of a
+Deity. We are fallen into the shameful times, when women bear rule
+over men; and make the toilet a tribunal before which the most
+gigantic minds must plead. Hence the stunted spirit of our poets;
+hence the dwarf products of their imagination; hence the frivolous
+witticism, the heartless sentiment, crippled and ricketed by soups,
+ragouts and sweetmeats, which you find in fashionable balladmongers.'
+
+Time and hours wear out the roughest day. The world began to feel an
+interest in Schubart, and to take some pity on him: his songs and
+poems were collected and published; their merit and their author's
+misery exhibited a shocking contrast. His Highness of Wuertemberg at
+length condescended to remember that a mortal, of wants and feelings
+like his own, had been forced by him to spend, in sorrow and inaction,
+the third part of an ordinary lifetime; to waste, and worse than
+waste, ten years of precious time; time, of which not all the dukes
+and princes in the universe could give him back one instant. He
+commanded Schubart to be liberated; and the rejoicing Editor
+(unacquitted, unjudged, unaccused!) once more beheld the blue zenith
+and the full ring of the horizon. He joined his wife at Stuttgard, and
+recommenced his newspaper. The _Deutsche Chronik_ was again popular;
+the notoriety of its conductor made amends for the decay which critics
+did not fail to notice in his faculties. Schubart's sufferings had in
+fact permanently injured him; his mind was warped and weakened by
+theosophy and solitude; bleak northern vapours often flitted over it,
+and chilled its tropical luxuriance. Yet he wrote and rhymed;
+discoursed on the corruption of the times, and on the means of their
+improvement. He published the first portion of his Life, and often
+talked amazingly about the Wandering Jew, and a romance of which he
+was to form the subject. The idea of making old _Joannes a
+temporibus_, the 'Wandering,' or as Schubart's countrymen denominate
+him the 'Eternal Jew,' into a novel hero, was a mighty favourite with
+him. In this antique cordwainer, as on a raft at anchor in the stream
+of time, he would survey the changes and wonders of two thousand
+years: the Roman and the Arab were to figure there; the Crusader and
+the Circumnavigator, the Eremite of the Thebaid and the Pope of Rome.
+Joannes himself, the Man existing out of Time and Space, Joannes the
+unresting and undying, was to be a deeply tragic personage. Schubart
+warmed himself with this idea; and talked about it in his cups, to the
+astonishment of simple souls. He even wrote a certain rhapsody
+connected with it, which is published in his poems. But here he
+rested; and the project of the Wandering Jew, which Goethe likewise
+meditated in his youth, is still unexecuted. Goethe turned to other
+objects: and poor Schubart was surprised by death, in the midst of his
+schemes, on the 10th of October 1791.
+
+
+Of Schubart's character as a man, this record of his life leaves but a
+mean impression. Unstable in his goings, without principle or plan, he
+flickered through existence like an _ignis-fatuus_; now shooting into
+momentary gleams of happiness and generosity, now quenched in the
+mephitic marshes over which his zig-zag path conducted him. He had
+many amiable qualities, but scarcely any moral worth. From first to
+last his circumstances were against him; his education was
+unfortunate, its fluctuating aimless wanderings enhanced its ill
+effects. The thrall of the passing moment, he had no will; the fine
+endowments of his heart were left to riot in chaotic turbulence, and
+their forces cancelled one another. With better models and advisers,
+with more rigid habits, and a happier fortune, he might have been an
+admirable man: as it is, he is far from admirable.
+
+The same defects have told with equal influence on his character as a
+writer. Schubart had a quick sense of the beautiful, the moving, and
+the true; his nature was susceptible and fervid; he had a keen
+intellect, a fiery imagination; and his 'iron memory' secured forever
+the various produce of so many gifts. But he had no diligence, no
+power of self-denial. His knowledge lay around him like the plunder of
+a sacked city. Like this too, it was squandered in pursuit of casual
+objects. He wrote in gusts; the _labor limae et mora_ was a thing he
+did not know. Yet his writings have great merit. His newspaper essays
+abound in happy illustration and brilliant careless thought. His
+songs, excluding those of a devotional and theosophic cast, are often
+full of nature, heartiness and true simplicity. 'From his youth
+upwards,' we are told, 'he studied the true Old-German _Volkslied_; he
+watched the artisan on the street, the craftsman in his workshop, the
+soldier in his guardhouse, the maid by the spinning-wheel; and
+transferred the genuine spirit of primeval Germanism, which he found
+in them, to his own songs.' Hence their popularity, which many of them
+still retain. 'In his larger lyrical pieces,' observes the same not
+injudicious critic, 'we discover fearless singularity; wild
+imagination, dwelling rather on the grand and frightful than on the
+beautiful and soft; deep, but seldom long-continued feeling; at times
+far-darting thoughts, original images, stormy vehemence; and generally
+a glowing, self-created, figurative diction. He never wrote to show
+his art; but poured forth, from the inward call of his nature, the
+thought or feeling which happened for the hour to have dominion in
+him.'[68]
+
+ [Footnote 68: _Joerdens Lexicon_: from which most part of the
+ above details are taken.--There exists now a decidedly
+ compact, intelligent and intelligible _Life of Schubart_,
+ done, in three little volumes, by Strauss, some years ago.
+ (_Note of_ 1857.)]
+
+Such were Schubart and his works and fortunes; the _disjecta membra_
+of a richly-gifted but ill-starred and infatuated poet! The image of
+his persecutions added speed to Schiller's flight from Stuttgard; may
+the image of his wasted talents and ineffectual life add strength to
+our resolves of living otherwise!
+
+
+
+
+ LETTERS OF SCHILLER.
+
+
+A few Extracts from Schiller's correspondence may be gratifying to
+some readers. The _Letters to Dalberg_, which constitute the chief
+part of it as yet before the public, are on the whole less interesting
+than might have been expected, if we did not recollect that the writer
+of them was still an inexperienced youth, overawed by his idea of
+Dalberg, to whom he could communicate with freedom only on a single
+topic; and besides oppressed with grievances, which of themselves
+would have weighed down his spirit, and prevented any frank or cordial
+exposition of its feelings.
+
+Of the Reichsfreiherr von Dalberg himself, this correspondence gives
+us little information, and we have gleaned little elsewhere. He is
+mentioned incidentally in almost every literary history connected with
+his time; and generally as a mild gentlemanly person, a judicious
+critic, and a warm lover of the arts and their cultivators. The following
+notice of his death is extracted from the _Conversations-Lexicon_,
+Part III. p. 12: 'Died at Mannheim, on the 27th of December 1806, in
+his 85th year, Wolfgang Heribert, Reichsfreiherr von Dalberg; knighted
+by the Emperor Leopold on his coronation at Frankfort. A warm friend
+and patron of the arts and sciences; while the German Society
+flourished at Mannheim, he was its first President; and the theatre of
+that town, the school of the best actors in Germany, of Iffland, Beck,
+Beil, and many others, owes to him its foundation, and its maintenance
+throughout his long Intendancy, which he held till 1803. As a writer
+and a poet, he is no less favourably known. We need only refer to his
+_Cora_, a musical drama, and to 'the _Monch von Carmel_.'--These
+letters of Schiller were found among his papers at his death; rescued
+from destruction by two of his executors, and published at Carlsruhe,
+in a small duodecimo, in the year 1819. There is a verbose preface,
+but no note or comment, though some such aid is now and then a little
+wanted.
+
+The letters most worthy of our notice are those relating to the
+exhibition of the _Robbers_ on the Mannheim stage, and to Schiller's
+consequent embarrassments and flight. From these, accordingly, the
+most of our selections shall be taken. It is curious to see with what
+timidity the intercourse on Schiller's part commences; and how this
+awkward shyness gradually gives place to some degree of confidence, as
+he becomes acquainted with his patron, or is called to treat of
+subjects where he feels that he himself has a dignity, and rights of
+his own, forlorn and humble as he is. At first he never mentions
+Dalberg but with all his titles, some of which to our unceremonious
+ears seem ludicrous enough. Thus in the full style of German
+reverence, he avoids directly naming his correspondent, but uses the
+oblique designation of 'your Excellency,' or something equally
+exalted: and he begins his two earliest letters with an address,
+which, literally interpreted, runs thus: 'Empire-free, Highly-wellborn,
+Particularly-much-to-be-venerated, Lord Privy Counsellor!' Such
+sounding phrases make us smile: but they entirely depend on custom for
+their import, and the smile which they excite is not by any means a
+philosophic one. It is but fair that in our version we omit them, or
+render them by some more grave equivalent.
+
+The first letter is as follows:
+
+
+ [No date.]
+
+ 'The proud judgment, passed upon me in the flattering letter
+ which I had the honour to receive from your Excellency, is
+ enough to set the prudence of an Author on a very slippery
+ eminence. The authority of the quarter it proceeds from,
+ would almost communicate to that sentence the stamp of
+ infallibility, if I could regard it as anything but a mere
+ encouragement of my Muse. More than this a deep feeling of my
+ weakness will not let me think it; but if my strength shall
+ ever climb to the height of a masterpiece, I certainly shall
+ have this warm approval of your Excellency alone to thank for
+ it, and so will the world. For several years I have had the
+ happiness to know you from the public papers: long ago the
+ splendour of the Mannheim theatre attracted my attention.
+ And, I confess, ever since I felt any touch of dramatic
+ talent in myself, it has been among my darling projects some
+ time or other to remove to Mannheim, the true temple of
+ Thalia; a project, however, which my _closer_ connection with
+ Wuertemberg might possibly impede.
+
+ 'Your Excellency's very kind proposal on the subject of the
+ _Robbers_, and such other pieces as I may produce in future,
+ is infinitely precious to me; the maturing of it well
+ deserves a narrower investigation of your Excellency's
+ theatre, its special mode of management, its actors, the _non
+ plus ultra_ of its machinery; in a word, a full conception of
+ it, such as I shall never get while my only scale of
+ estimation is this Stuttgard theatre of ours, an
+ establishment still in its minority. Unhappily my
+ _economical_ circumstances render it impossible for me to
+ travel much; though I could travel now with the greater
+ happiness and confidence, as I have still some _pregnant
+ ideas_ for the Mannheim theatre, which I could wish to have
+ the honour of communicating to your Excellency. For the rest,
+ I remain,' &c.
+
+
+From the second letter we learn that Schiller had engaged to
+_theatrilise_ his original edition of the _Robbers_, and still wished
+much to be connected in some shape with Mannheim. The third explains
+itself:
+
+
+ 'Stuttgard, 6th October 1781.
+
+ 'Here then at last returns the luckless prodigal, the
+ remodelled _Robbers_! I am sorry that I have not kept the
+ time, appointed by myself; but a transitory glance at the
+ number and extent of the changes I have made, will, I trust,
+ be sufficient to excuse me. Add to this, that a contagious
+ epidemic was at work in our military Hospital, which, of
+ course, interfered very often with my _otia poetica_. After
+ finishing my work, I may assure you I could engage with less
+ effort of mind, and certainly with far more contentment, to
+ compose a new piece, than to undergo the labour I have just
+ concluded. The task was complicated and tedious. Here I had
+ to correct an error, which naturally was rooted in the very
+ groundwork of the play; there perhaps to sacrifice a beauty
+ to the limits of the stage, the humour of the pit, the
+ stupidity of the gallery, or some such sorrowful convention;
+ and I need not tell you, that as in nature, so on the stage,
+ an idea, an emotion, can have only one suitable expression,
+ one proper tone. A single alteration in a trait of character
+ may give a new tendency to the whole personage, and,
+ consequently, to his actions, and the mechanism of the piece
+ which depends on them.
+
+ 'In the original, the Robbers are exhibited in strong
+ contrast with each other; and I dare maintain that it is
+ difficult to draw half a dozen robbers in strong contrast,
+ without in some of them offending the delicacy of the stage.
+ In my first conception of the piece, I excluded the idea of
+ its ever being represented in a theatre; hence came it that
+ Franz was planned as a _reasoning_ villain; a plan which,
+ though it may content the thinking Reader, cannot fail to vex
+ and weary the Spectator, who does not come to think, and who
+ wants not philosophy, but action.
+
+ 'In the new edition, I could not overturn this arrangement
+ without breaking-down the whole economy of the piece.
+ Accordingly I can predict, with tolerable certainty, that
+ Franz when he appears on the stage, will not play the part
+ which he has played with the reader. And, at all events, the
+ rushing stream of the action will hurry the spectator over
+ all the finer shadings, and rob him of a third part of the
+ whole character.
+
+ 'Karl von Moor might chance to form an era on the stage;
+ except a few speculations, which, however, work as
+ indispensable colours in the general picture, he is all
+ action, all visible life. Spiegelberg, Schweitzer, Hermann,
+ are, in the strictest sense, personages for the stage; in a
+ less degree, Amelia and the Father.
+
+ 'Written and oral criticisms I have endeavoured to turn to
+ advantage. The alterations are important; certain scenes are
+ altogether new. Of this number, are Hermann's counter-plots
+ to undermine the schemes of Franz; his interview with that
+ personage, which, in the first composition of the work, was
+ entirely and very unhappily forgotten. His interview with
+ Amelia in the garden has been postponed to the succeeding
+ act; and my friends tell me that I could have fixed upon no
+ better act than this, no better time than a few moments prior
+ to the meeting of Amelia with Moor. Franz is brought a little
+ nearer human nature; but the mode of it is rather strange. A
+ scene like his condemnation in the fifth act has never, to my
+ knowledge, been exhibited on any stage; and the same may be
+ said of the scene where Amelia is sacrificed by her lover.
+
+ 'If the piece should be too long, it stands at the discretion
+ of the manager to abbreviate the speculative parts of it, or
+ here and there, without prejudice to the general impression,
+ to omit them altogether. But in the _printing_, I use the
+ freedom humbly to protest against the leaving out of
+ anything. I had satisfactory reasons of my own for all that I
+ allowed to pass; and my submission to the stage does not
+ extend so far, that I can leave _holes_ in my work, and
+ mutilate the characters of men for the convenience of actors.
+
+ 'In regard to the selection of costume, without wishing to
+ prescribe any rules, I may be permitted to remark, that
+ though in nature dress is unimportant, on the stage it is
+ never so. In this particular, the taste of my Robber Moor
+ will not be difficult to hit. He wears a plume; for this is
+ mentioned expressly in the play, at the time when he
+ abdicates his office. I have also given him a baton. His
+ dress should always be noble without ornament, unstudied but
+ not negligent.
+
+ 'A young but excellent composer is working at a symphony for
+ my unhappy prodigal: I know it will be masterly. So soon as
+ it is finished, I shall take the liberty of offering it to
+ you.
+
+ 'I must also beg you to excuse the irregular state of the
+ manuscript, the incorrectness of the penmanship. I was in
+ haste to get the piece ready for you; hence the double sort
+ of handwriting in it; hence also my forbearing to correct it.
+ My copyist, according to the custom of all _reforming_
+ caligraphers, I find, has wofully abused the spelling. To
+ conclude, I recommend myself and my endeavours to the
+ kindness of an honoured judge. I am,' &c.
+
+
+ 'Stuttgard, 12th December 1781.
+
+ 'With the change projected by your Excellency, in regard to
+ the publishing of my play, I feel entirely contented,
+ especially as I perceive that by this means two interests
+ that had become very alien, are again made one, without, as
+ I hope, any prejudice to the results and the success of my
+ work. Your Excellency, however, touches on some other _very_
+ weighty changes, which the piece has undergone from your
+ hands; and these, in respect of myself, I feel to be so
+ important, that I shall beg to explain my mind at some length
+ regarding them. At the outset, then, I must honestly confess
+ to you, I hold the projected transference of the action
+ represented in my play to the epoch of the _Landfried_, and
+ the Suppression of Private Wars, with the whole accompaniment
+ which it gains by this new position, as infinitely better
+ than mine; and must hold it so, although the whole piece
+ should go to ruin thereby. Doubtless it is an objection, that
+ in our enlightened century, with our watchful police and
+ fixedness of statute, such a reckless gang should have arisen
+ in the very bosom of the laws, and still more, have taken
+ root and subsisted for years: doubtless the objection is well
+ founded, and I have nothing to allege against it, but the
+ license of Poetry to raise the probabilities of the real
+ world to the rank of true, and its possibilities to the rank
+ of probable.
+
+ 'This excuse, it must be owned, is little adequate to the
+ objection it opposes. But when I grant your Excellency so
+ much (and I grant it honestly, and with complete conviction),
+ what will follow? Simply that my play has got an ugly fault
+ at its birth, which fault, if I may say so, it must carry
+ with it to its grave, the fault being interwoven with its
+ very nature, and not to be removed without destruction of the
+ whole.
+
+ 'In the first place, all my personages speak in a style too
+ modern, too enlightened for that ancient time. The dialect is
+ not the right one. That simplicity so vividly presented to us
+ by the author of _Goetz von Berlichingen_, is altogether
+ wanting. Many long tirades, touches great and small, nay
+ entire characters, are taken from the aspect of the present
+ world, and would not answer for the age of Maximilian. In a
+ word, this change would reduce the piece into something like
+ a certain woodcut which I remember meeting with in an edition
+ of Virgil. The Trojans wore hussar boots, and King Agamemnon
+ had a pair of pistols in his belt. I should commit a _crime_
+ against the age of Maximilian, to avoid an _error_ against
+ the age of Frederick the Second.
+
+ 'Again, my whole episode of Amelia's love would make a
+ frightful contrast with the simple chivalry attachment of
+ that period. Amelia would, at all hazards, need to be
+ re-moulded into a chivalry maiden; and I need not tell you
+ that this character, and the sort of love which reigns in my
+ work, are so deeply and broadly tinted into the whole picture
+ of the Robber Moor, nay, into the whole piece, that every
+ part of the delineation would require to be re-painted,
+ before those tints could be removed. So likewise is it with
+ the character of Franz, that speculative,
+ metaphysico-refining knave.
+
+ 'In a word, I think I may affirm, that this projected
+ transposition of my work, which, prior to the commencement,
+ would have lent it the highest splendour and completeness,
+ could not fail now, when the piece is planned and finished,
+ to change it into a defective _quodlibet_, a crow with
+ peacock's feathers.
+
+ 'Your Excellency will forgive a father this earnest pleading
+ in behalf of his son. These are but words, and in the
+ long-run every theatre can make of any piece what they think
+ proper; the author must content himself. In the present case,
+ he looks upon it as a happiness that he has fallen into such
+ hands. With Herr Schwann, however, I will make it a condition
+ that, at least, he _print_ the piece according to the first
+ plan. In the theatre I pretend to no vote whatever.
+
+ 'That other change relating to Amelia's death was perhaps
+ even more interesting to me. Believe me, your Excellency,
+ this was the portion of my play which cost me the greatest
+ effort and deliberation, of all which the result was nothing
+ else than this, that Moor _must_ kill his Amelia, and that
+ the action is even a _positive beauty_, in his character; on
+ the one hand painting the ardent lover, on the other the
+ Bandit Captain, with the liveliest colours. But the
+ vindication of this part is not to be exhausted in a single
+ letter. For the rest, the few words which you propose to
+ substitute in place of this scene, are truly exquisite, and
+ altogether worthy of the situation. I should be proud of
+ having written them.
+
+ 'As Herr Schwann informs me that the piece, with the music
+ and indispensably necessary pauses, will last about five
+ hours (too long for any piece!), a second curtailment of it
+ will be called for. I should not wish that any but myself
+ undertook this task, and I myself, _without the sight of a
+ rehearsal, or of the first representation_, cannot undertake
+ it.
+
+ 'If it were possible that your Excellency could fix the
+ general rehearsal of the piece some time between the
+ twentieth and the thirtieth of this month, and make good to
+ me the main expenses of a journey to you, I should hope, in
+ some few days, I might unite the interest of the stage with
+ my own, and give the piece that proper rounding-off, which,
+ without an actual view of the representation, cannot well be
+ given it. On this point, may I request the favour of your
+ Excellency's decision soon, that I may be prepared for the
+ event.
+
+ 'Herr Schwann writes me that a Baron von Gemmingen has given
+ himself the trouble and done me the honour to read my piece.
+ This Herr von Gemmingen, I also hear, is author of the
+ _Deutsche Hausvater_. I long to have the honour of assuring
+ him that I liked his _Hausvater_ uncommonly, and admired in
+ it the traces of a most accomplished man and writer. But what
+ does the author of the _Deutsche Hausvater_ care about the
+ babble of a young apprentice? If I should ever have the
+ honour of meeting Dalberg at Mannheim, and testifying the
+ affection and reverence I bear him, I will then also press
+ into the arms of that other, and tell him how dear to me such
+ souls are as Dalberg and Gemmingen.
+
+ 'Your thought about the small Advertisement, before our
+ production of the piece, I exceedingly approve of; along with
+ this I have enclosed a sketch of one. For the rest, I have
+ the honour, with perfect respect, to be always,' &c.
+
+
+ This is the enclosed scheme of an Advertisement; which was
+ afterwards adopted:
+
+
+ 'THE ROBBERS,
+
+ 'A PLAY.
+
+ 'The picture of a great, misguided soul, furnished with every
+ gift for excellence, and lost in spite of all its gifts:
+ unchecked ardour and bad companionship contaminate his heart;
+ hurry him from vice to vice, till at last he stands at the
+ head of a gang of murderers, heaps horror upon horror,
+ plunges from abyss to abyss into all the depths of
+ desperation. Great and majestic in misfortune; and by
+ misfortune improved, led back to virtue. Such a man in the
+ Robber Moor you shall "bewail and hate, abhor and love. A
+ hypocritical, malicious deceiver, you shall likewise see
+ unmasked, and blown to pieces in his own mines. A feeble,
+ fond, and too indulgent father. The sorrows of enthusiastic
+ love, and the torture of ungoverned passion. Here also, not
+ without abhorrence, you shall cast a look into the interior
+ economy of vice, and from the stage be taught how all the
+ gilding of fortune cannot kill the inward worm; how terror,
+ anguish, remorse, and despair follow close upon the heels of
+ the wicked. Let the spectator weep today before our scene,
+ and shudder, and learn to bend his passions under the laws of
+ reason and religion. Let the youth behold with affright the
+ end of unbridled extravagance; nor let the man depart from
+ our theatre, without a feeling that Providence makes even
+ villains instruments of His purposes and judgments, and can
+ marvellously unravel the most intricate perplexities of
+ fate.'
+
+
+Whatever reverence Schiller entertained for Dalberg as a critic and a
+patron, and however ready to adopt his alterations when they seemed
+judicious, it is plain, from various passages of these extracts, that
+in regard to writing, he had also firm persuasions of his own, and
+conscientiousness enough to adhere to them while they continued such.
+In regard to the conducting of his life, his views as yet were far
+less clear. The following fragments serve to trace him from the first
+exhibition of his play at Mannheim to his flight from Stuttgard:
+
+
+ 'Stuttgard, 17th January 1782.
+
+ 'I here in writing repeat my warmest thanks for the
+ courtesies received from your Excellency, for your attention
+ to my slender efforts, for the dignity and splendour you
+ bestowed upon my piece, for all your Excellency did to exalt
+ its little merits and hide its weaknesses by the greatest
+ outlay of theatric art. The shortness of my stay at Mannheim
+ would not allow me to go into details respecting the play or
+ its representation; and as I could not say all, my time
+ being meted out to me so sparingly, I thought it better to
+ say absolutely nothing. I observed much, I learned much; and
+ I believe, if Germany shall ever find in me a true dramatic
+ poet, I must reckon the date of my commencement from the
+ past week.' * * *
+
+ * * * * *
+
+ 'Stuttgard, 24th May 1782.
+
+ * * * 'My impatient wish to see the piece played a second
+ time, and the absence of my Sovereign favouring that
+ purpose, have induced me, with some ladies and male friends
+ as full of curiosity respecting Dalberg's theatre and
+ _Robbers_ as myself, to undertake a little journey to
+ Mannheim, which we are to set about tomorrow. As this is the
+ principal aim of our journey, and to me a more perfect
+ enjoyment of my play is an exceedingly important object,
+ especially since this would put it in my power to set about
+ _Fiesco_ under better auspices, I make it my earnest request
+ of your Excellency, if possible, to procure me this
+ enjoyment on Tuesday the 28th current.' * * *
+
+ * * * * *
+
+ 'Stuttgard, 4th June 1782.
+
+ 'The satisfaction I enjoyed at Mannheim in such copious
+ fulness, I have paid, since my return, by this epidemical
+ disorder, which has made me till today entirely unfit to
+ thank your Excellency for so much regard and kindness. And
+ yet I am forced almost to repent the happiest journey of my
+ life; for by a truly mortifying contrast of Mannheim with my
+ native country, it has pained me so much, that Stuttgard and
+ all Swabian scenes are become intolerable to me. Unhappier
+ than I am can no one be. I have feeling enough of my bad
+ condition, perhaps also feeling enough of my meriting a
+ better; and in both points of view but _one_ prospect of
+ relief.
+
+ 'May I dare to cast myself into your arms, my generous
+ benefactor? I know how soon your noble heart inflames when
+ sympathy and humanity appeal to it; I know how strong your
+ courage is to undertake a noble action, and how warm your
+ zeal to finish it. My new friends in Mannheim, whose respect
+ for you is boundless, told me this: but their assurance was
+ not necessary; I myself in that hour of your time, which I
+ had the happiness exclusively to enjoy, read in your
+ countenance far more than they had told me. It is this which
+ makes me bold to _give_ myself without reserve to you, to
+ put my whole fate into your hands, and look to you for the
+ happiness of my life. As yet I am little or nothing. In this
+ Arctic Zone of taste, I shall never grow to anything, unless
+ happier stars and a _Grecian climate_ warm me into genuine
+ poetry. Need I say more, to expect from Dalberg all support?
+
+ 'Your Excellency gave me every hope to this effect; the
+ squeeze of the hand that sealed your promise, I shall
+ forever feel. If your Excellency will adopt the two or three
+ hints I have subjoined, and use them in a letter to the
+ Duke, I have no very great misgivings as to the result.
+
+ 'And now with a burning heart, I repeat the request, the
+ soul of all this letter. Could you look into the interior of
+ my soul, could you see what feelings agitate it, could I
+ paint to you in proper colours how my spirit strains against
+ the grievances of my condition, you would not, I know you
+ would not, delay one hour the aid which an application from
+ you to the Duke might procure me.
+
+ 'Again I throw myself into your arms, and wish nothing more
+ than soon, very soon, to have it in my power to show by
+ personal exertions in your service, the reverence with which
+ I could devote to you myself and all that I am.'
+
+
+The 'hints' above alluded to, are given in a separate enclosure, the
+main part of which is this:
+
+
+ 'I earnestly desire that you could secure my union with the
+ Mannheim Theatre for a specified period (which at your
+ request might be lengthened), at the end of which I might
+ again belong to the Duke. It will thus have the air rather
+ of an excursion than a final abdication of my country, and
+ will not strike them so ungraciously. In this case, however,
+ it would be useful to suggest that means of practising and
+ studying medicine might be afforded me at Mannheim. This
+ will be peculiarly necessary, lest they sham, and higgle
+ about letting me away.'
+
+
+ 'Stuttgard, 15th July 1782.
+
+ 'My long silence must have almost drawn upon me the reproach
+ of folly from your Excellency, especially as I have not only
+ delayed answering your last kind letter, but also retained
+ the two books by me. All this was occasioned by a harassing
+ affair which I have had to do with here. Your Excellency
+ will doubtless be surprised when you learn that, for my last
+ journey to you, I have been confined a fortnight under
+ arrest. Everything was punctually communicated to the Duke.
+ On this matter I have had an interview with him.
+
+ 'If your Excellency think my prospects of coming to you
+ anywise attainable, my only prayer is to _accelerate the
+ fulfilment of them_. The reason why I now wish this with
+ double earnestness, is one which I dare trust no whisper of
+ to paper. This alone I can declare for certain, that within
+ a month or two, if I have not the happiness of being with
+ you, there will remain no further hope of my ever being
+ there. Ere that time, I shall be forced to take a _step_,
+ which will render it impossible for me to stay at Mannheim.'
+ * * *
+
+ * * * * *
+
+The next two extracts are from letters to another correspondent.
+Doering quotes them without name or date: their purport sufficiently
+points out their place.
+
+
+ 'I must haste to get away from this: in the end they might
+ find me an apartment in the Hohenasperg, as they have found
+ the honest and ill-fated Schubart. They talk of better
+ culture that I need. It is possible enough, they might
+ cultivate me differently in Hohenasperg: but I had rather
+ try to make shift with what culture I have got, or may still
+ get, by my unassisted efforts. This at least I owe to no one
+ but my own free choice, and volition that disdains
+ constraint.'
+
+ * * * * *
+
+ 'In regard to those affairs, concerning which they wish to
+ put my spirit under wardship, I have long reckoned my
+ minority to be concluded. The best of it is, that one can
+ cast away such clumsy manacles: me at least they shall not
+ fetter.'
+
+ * * * * *
+
+ [No date.]
+
+ 'Your Excellency will have learned from my friends at
+ Mannheim, what the history of my affairs was up to your
+ arrival, which unhappily I could not wait for. When I tell
+ you _that I am flying my country_, I have painted my whole
+ fortune. But the worst is yet behind. I have not the
+ necessary _means_ of setting my mishap at defiance. For the
+ sake of safety, I had to withdraw from Stuttgard with the
+ utmost speed, at the time of the Prince's arrival. Thus were
+ my economical arrangements suddenly snapped asunder: I could
+ not even pay my debts. My hopes had been set on a removal to
+ Mannheim; there I trusted, by your Excellency's assistance,
+ that my new play might not only have cleared me of debt, but
+ have permanently put me into better circumstances. All this
+ was frustrated by the necessity for hastening my removal. I
+ went empty away; empty in purse and hope. I blush at being
+ forced to make such disclosures to you; though I know they
+ do not disgrace me. Sad enough for me to see realised in
+ myself the hateful saying, that mental growth and full
+ stature are things denied to every Swabian!
+
+ 'If my former conduct, if all that your Excellency knows of
+ my character, inspires you with confidence in my love of
+ honour, permit me frankly to ask your assistance. Pressingly
+ as I now need the profit I expect from my _Fiesco_, it will
+ be impossible for me to have the piece in readiness before
+ three weeks: my heart was oppressed; the feeling of my own
+ situation drove me back from my poetic dreams. But if at the
+ specified period, I could make the play not only _ready_,
+ but, as I also hope, _worthy_, I take courage from that
+ persuasion, respectfully to ask that your Excellency would
+ be so obliging as _advance_ for me the price that will then
+ become due. I need it now, perhaps more than I shall ever do
+ again throughout my life. I had near 200 florins of debt in
+ Stuttgard, which I could not pay. I may confess to you, that
+ this gives me more uneasiness than anything about my future
+ destiny. I shall have no rest till I am free on _that_ side.
+
+ 'In eight days, too, my travelling purse will be exhausted.
+ It is yet utterly impossible for me to labour with my mind.
+ In my hand, therefore, are at present no resources.
+
+ * * * * *
+
+ 'My actual situation being clear enough from what I have
+ already said, I hold it needless to afflict your Excellency
+ with any _importuning picture_ of my want. Speedy aid is all
+ that I can now think of or wish. Herr Meyer has been
+ requested to communicate your Excellency's resolution to me,
+ and to save you from the task of writing to me in person at
+ all. With peculiar respect, I call myself,' &c.
+
+ * * * * *
+
+It is pleasing to record that the humble aid so earnestly and modestly
+solicited by Schiller, was afforded him; and that he never forgot to
+love the man who had afforded it; who had assisted him, when
+assistance was of such essential value. In the first fervour of his
+gratitude, for this and other favours, the poet warmly declared that
+'he owed all, all to Dalberg;' and in a state of society where
+Patronage, as Miss Edgeworth has observed, directly the antipodes of
+Mercy, is in general 'twice cursed,' cursing him that gives and him
+that takes, it says not a little for the character both of the obliged
+and the obliger in the present instance, that neither of them ever
+ceased to remember their connexion with pleasure. Schiller's first
+play had been introduced to the Stage by Dalberg, and his last was
+dedicated to him.[69] The venerable critic, in his eighty-third year,
+must have received with a calm joy the tragedy of _Tell_, accompanied
+by an address so full of kindness and respect: it must have gratified
+him to think that the youth who was once his, and had now become the
+world's, could, after long experience, still say of him,
+
+ And fearlessly to thee may _Tell_ be shown,
+ For every noble feeling is thy own.
+
+ [Footnote 69: It clearly appears I am wrong here; I have
+ confounded the Freiherr Wolfgang Heribert von Dalberg,
+ Director of the Mannheim Theatre, with Archduke and _Fuerst
+ Primas_ Karl Theodor Dalberg, his younger Brother,--a man
+ justly eminent in the Politico-Ecclesiastical world of his
+ time, and still more distinguished for his patronage of
+ letters, and other benefactions to his country, than the
+ Freiherr was. Neither is the play of _Tell_ 'dedicated' to
+ him, as stated in the text; there is merely a copy presented,
+ with some verses by the Author inscribed in it; at which time
+ Karl Theodor was in his _sixtieth_ year. A man of conspicuous
+ station, of wide activity, and high influence and esteem in
+ Germany. He was the personal friend of Herder, Goethe,
+ Schiller, Wieland; by Napoleon he was made _Fuerst Primas_,
+ Prince Primate of the Confederation of the Rhine, being
+ already Archbishop, Elector of Mentz, &c. The good and brave
+ deeds he did in his time appear to have been many, public and
+ private. Pensions to deserving men of letters were among the
+ number: Zacharias Werner, I remember, had a pension from
+ him,--and still more to the purpose, Jean Paul. He died in
+ 1817. There was a third Brother also memorable for his
+ encouragement of Letters and Arts. "_Ist kein Dalberg da_, Is
+ there no Dalberg here?" the Herald cries on a certain
+ occasion. (See _Conv. Lexicon_, B. iii.)
+
+ To Sir Edward Bulwer, in his _Sketch of the Life of Schiller_
+ (p. c.), I am indebted for very kindly pointing out this
+ error; as well as for much other satisfaction derived from
+ that work. (_Note of_ 1845.)]
+
+Except this early correspondence, very few of Schiller's letters have
+been given to the world.[70] In Doering's Appendix, we have found one
+written six years after the poet's voluntary exile, and agreeably
+contrasted in its purport with the agitation and despondency of that
+unhappy period. We translate it for the sake of those who, along with
+us, regret that while the world is deluged with insipid
+correspondences, and 'pictures of mind' that were not worth drawing,
+the correspondence of a man who never wrote unwisely should lie
+mouldering in private repositories, ere long to be irretrievably
+destroyed; that the 'picture of a mind' who was among the conscript
+fathers of the human race should still be left so vague and dim. This
+letter is addressed to Schwann, during Schiller's first residence in
+Weimar: it has already been referred to in the Text.
+
+ [Footnote 70: There have since been copious contributions:
+ _Correspondence with Goethe, Correspondence with Madam von
+ Wolzogen_, and perhaps others which I have not seen. (_Note
+ of_ 1845.)]
+
+ * * * * *
+
+ 'Weimar, 2d May 1788.
+
+ 'You apologise for your long silence to spare _me_ the pain
+ of an apology. I feel this kindness, and thank you for it.
+ You do not impute my silence to decay of friendship; a proof
+ that you have read my heart more justly than my evil
+ conscience allowed me to hope. Continue to believe that the
+ memory of you lives ineffaceably in my mind, and needs not
+ to be brightened up by the routine of visits, or letters of
+ assurance. So no more of this.
+
+ 'The peace and calmness of existence which breathes
+ throughout your letter, gives me joy; I who am yet drifting
+ to and fro between wind and waves, am forced to envy you
+ that uniformity, that health of soul and body. To me also in
+ time it will be granted, as a recompense for labours I have
+ yet to undergo.
+
+ 'I have now been in Weimar nearly three quarters of a year:
+ after finishing my _Carlos_, I at last accomplished this
+ long-projected journey. To speak honestly, I cannot say but
+ that I am exceedingly contented with the place; and my
+ reasons are not difficult to see.
+
+ 'The utmost political tranquillity and freedom, a very
+ tolerable disposition in the people, little constraint in
+ social intercourse, a select circle of interesting persons
+ and thinking heads, the respect paid to literary diligence:
+ add to this the unexpensiveness to me of such a town as
+ Weimar. Why should I not be satisfied?
+
+ 'With Wieland I am pretty intimate, and to him I must
+ attribute no small influence on my present happiness; for I
+ like him, and have reason to believe that he likes me in
+ return. My intercourse with Herder is more limited, though I
+ esteem him highly as a writer and a man. It is the caprice
+ of chance alone which causes this; for we opened our
+ acquaintance under happy enough omens. Besides, I have not
+ always time to act according to my likings. With Bode no one
+ can be very friendly. I know not whether you think here as I
+ do. Goethe is still but _expected_ out of Italy. The Duchess
+ Dowager is a lady of sense and talent, in whose society one
+ does not feel constrained.
+
+ 'I thank you for your tidings of the fate of _Carlos_ on
+ your stage. To speak candidly, my hopes of its success on
+ any stage were not high; and I know my reasons. It is but
+ fair that the Goddess of the Theatre avenge herself on me,
+ for the little gallantry with which I was inspired in
+ writing. In the mean time, though _Carlos_ prove a never so
+ decided failure on the stage, I engage for it, our public
+ shall see it ten times acted, before they understand and
+ fully estimate the merit that should counterbalance its
+ defects. When one has seen the beauty of a work, and not
+ till then, I think one is entitled to pronounce on its
+ deformity. I hear, however, that the second representation
+ succeeded better than the first. This arises either from the
+ changes made upon the piece by Dalberg, or from the fact,
+ that on a second view, the public comprehended certain
+ things, which on a first, they--did not comprehend.
+
+ 'For the rest, no one can be more satisfied than I am that
+ _Carlos_, from causes honourable as well as causes
+ dishonorable to it, is no speculation for the stage. Its
+ very length were enough to banish it. Nor was it out of
+ confidence or self-love that I forced the piece on such a
+ trial; perhaps out of self-interest rather. If in the affair
+ my vanity played any part, it was in this, that I thought
+ the work had solid stuff in it sufficient to outweigh its
+ sorry fortune on the boards.
+
+ 'The present of your portrait gives me true pleasure. I
+ think it a striking likeness; that of Schubart a little less
+ so, though this opinion may proceed from my faulty memory as
+ much as from the faultiness of Lobauer's drawing. The
+ engraver merits all attention and encouragement; what I can
+ do for the extension of his good repute shall not be
+ wanting.
+
+ 'To your dear children present my warmest love. At Wieland's
+ I hear much and often of _your eldest daughter_; there in a
+ few days she has won no little estimation and affection. Do
+ I still hold any place in her remembrance? Indeed, I ought
+ to blush, that by my long silence I so ill deserve it.
+
+ 'That you are going to my dear native country, and will not
+ pass my Father without seeing him, was most welcome news to
+ me. The Swabians are a good people; this I more and more
+ discover, the more I grow acquainted with the other
+ provinces of Germany. To my family you will be cordially
+ welcome. Will you take a pack of compliments from me to
+ them? Salute my Father in my name; to my Mother and my
+ Sisters _your daughter_ will take my kiss.'
+
+ * * * * *
+
+'And with these hearty words,' as Doering says, 'we shall conclude
+this paper.'
+
+
+
+
+ FRIENDSHIP WITH GOETHE.
+
+
+The history of Schiller's first intercourse with Goethe has been
+recorded by the latter in a paper published a few years ago in the
+_Morphologie_, a periodical work, which we believe he still
+occasionally continues, or purposes to continue. The paper is entitled
+_Happy Incident_; and may be found in Part I. Volume 1 (pp. 90-96) of
+the work referred to. The introductory portion of it we have inserted
+in the text at page 109; the remainder, relating to certain scientific
+matters, and anticipating some facts of our narrative, we judged it
+better to reserve for the Appendix. After mentioning the publication
+of _Don Carlos_, and adding that 'each continued to go on his way
+apart,' he proceeds:
+
+ 'His Essay on _Grace and Dignity_ was yet less of a kind to
+ reconcile me. The Philosophy of Kant, which exalts the
+ dignity of mind so highly, while appearing to restrict it,
+ Schiller had joyfully embraced: it unfolded the
+ extraordinary qualities which Nature had implanted in him;
+ and in the lively feeling of freedom and self-direction, he
+ showed himself unthankful to the Great Mother, who surely
+ had not acted like a step-dame towards him. Instead of
+ viewing her as self-subsisting, as producing with a living
+ force, and according to appointed laws, alike the highest
+ and the lowest of her works, he took her up under the aspect
+ of some empirical native qualities of the human mind.
+ Certain harsh passages I could even directly apply to
+ myself: they exhibited my confession of faith in a false
+ light; and I felt that if written without particular
+ attention to me, they were still worse; for in that case,
+ the vast chasm which lay between us gaped but so much the
+ more distinctly.
+
+ 'There was no union to be dreamed of. Even the mild
+ persuasion of Dalberg, who valued Schiller as he ought, was
+ fruitless: indeed the reasons I set forth against any
+ project of a union were difficult to contradict. No one
+ could deny that between two spiritual antipodes there was
+ more intervening than a simple diameter of the sphere:
+ antipodes of that sort act as a sort of poles, and so can
+ never coalesce. But that some relation may exist between
+ them will appear from what follows.
+
+ 'Schiller went to live at Jena, where I still continued
+ unacquainted with him. About this time Batsch had set in
+ motion a Society for Natural History, aided by some handsome
+ collections, and an extensive apparatus. I used to attend
+ their periodical meetings: one day I found Schiller there;
+ we happened to go out together; some discourse arose between
+ us. He appeared to take an interest in what had been
+ exhibited; but observed, with great acuteness and good
+ sense, and much to my satisfaction, that such a disconnected
+ way of treating Nature was by no means grateful to the
+ exoteric, who desired to penetrate her mysteries.
+
+ 'I answered, that perhaps the initiated themselves were
+ never rightly at their ease in it, and that there surely was
+ another way of representing Nature, not separated and
+ disunited, but active and alive, and expanding from the
+ whole into the parts. On this point he requested
+ explanations, but did not hide his doubts; he would not
+ allow that such a mode, as I was recommending, had been
+ already pointed out by experiment.
+
+ 'We reached his house; the talk induced me to go in. I then
+ expounded to him with as much vivacity as possible, the
+ _Metamorphosis of Plants_,[71] drawing out on paper, with
+ many characteristic strokes, a symbolic Plant for him, as I
+ proceeded. He heard and saw all this with much interest and
+ distinct comprehension; but when I had done, he shook his
+ head and said: "This is no experiment, this is an idea." I
+ stopped with some degree of irritation; for the point which
+ separated us was most luminously marked by this expression.
+ The opinions in _Dignity and Grace_ again occurred to me;
+ the old grudge was just awakening; but I smothered it, and
+ merely said: "I was happy to find that I had got ideas
+ without knowing it, nay that I saw them before my eyes."
+
+ [Footnote 71: A curious physiologico-botanical theory by
+ Goethe, which appears to be entirely unknown in this country;
+ though several eminent continental botanists have noticed it
+ with commendation. It is explained at considerable length in
+ this same _Morphologie_.]
+
+ 'Schiller had much more prudence and dexterity of management
+ than I: he was also thinking of his periodical the _Horen_,
+ about this time, and of course rather wished to attract than
+ repel me. Accordingly he answered me like an accomplished
+ Kantite; and as my stiff necked Realism gave occasion to
+ many contradictions, much battling took place between us,
+ and at last a truce, in which neither party would consent to
+ yield the victory, but each held himself invincible.
+ Positions like the following grieved me to the very soul:
+ _How can there ever be an experiment that shall correspond
+ with an idea? The specific quality of an idea is, that no
+ experiment can reach it or agree with it._ Yet if he held as
+ an idea the same thing which I looked upon as an experiment,
+ there must certainly, I thought, be some community between
+ us, some ground whereon both of us might meet! The first
+ step was now taken; Schiller's attractive power was great,
+ he held all firmly to him that came within his reach: I
+ expressed an interest in his purposes, and promised to give
+ out in the _Horen_ many notions that were lying in my head;
+ his wife, whom I had loved and valued since her childhood,
+ did her part to strengthen our reciprocal intelligence; all
+ friends on both sides rejoiced in it; and thus by means of
+ that mighty and interminable controversy between _object_
+ and _subject_, we two concluded an alliance, which remained
+ unbroken, and produced much benefit to ourselves and
+ others.'
+
+The friendship of Schiller and Goethe forms so delightful a chapter in
+their history, that we long for more and more details respecting it.
+Sincerity, true estimation of each other's merit, true sympathy in
+each other's character and purposes appear to have formed the basis of
+it, and maintained it unimpaired to the end. Goethe, we are told, was
+minute and sedulous in his attention to Schiller, whom he venerated as
+a good man and sympathised with as an afflicted one: when in mixed
+companies together, he constantly endeavoured to draw out the stores
+of his modest and retiring friend; or to guard his sick and sensitive
+mind from annoyances that might have irritated him; now softening, now
+exciting conversation, guiding it with the address of a gifted and
+polished man, or lashing out of it with the scorpion-whip of his
+satire much that would have vexed the more soft and simple spirit of
+the valetudinarian. These are things which it is good to think of: it
+is good to know that there _are_ literary men, who have other
+principles besides vanity; who can divide the approbation of their
+fellow mortals, without quarrelling over the lots; who in their
+solicitude about their 'fame' do not forget the common charities of
+nature, in exchange for which the 'fame' of most authors were but a
+poor bargain.
+
+
+ No. 4. Page 125.
+
+ DEATH OF GUSTAVUS ADOLPHUS.
+
+As a specimen of Schiller's historical style, we have extracted a few
+scenes from his masterly description of the Battle of Luetzen. The
+whole forms a picture, executed in the spirit of Salvator; and though
+this is but a fragment, the importance of the figure represented in it
+will perhaps counterbalance that deficiency.
+
+
+'At last the dreaded morning dawned; but a thick fog, which lay
+brooding over all the field, delayed the attack till noon. Kneeling in
+front of his lines, the King offered up his devotions; the whole army,
+at the same moment, dropping on their right knees, uplifted a moving
+hymn, and the field-music accompanied their singing. The King then
+mounted his horse; dressed in a jerkin of buff, with a surtout (for a
+late wound hindered him from wearing armour), he rode through the
+ranks, rousing the courage of his troops to a cheerful confidence,
+which his own forecasting bosom contradicted. _God with us_ was the
+battle-word of the Swedes; that of the Imperialists was _Jesus Maria_.
+About eleven o'clock, the fog began to break, and Wallenstein's lines
+became visible. At the same time, too, were seen the flames of Luetzen,
+which the Duke had ordered to be set on fire, that he might not be
+outflanked on this side. At length the signal pealed; the horse dashed
+forward on the enemy; the infantry advanced against his trenches.
+
+ * * * * *
+
+'Meanwhile the right wing, led on by the King in person, had fallen
+on the left wing of the Friedlanders. The first strong onset of the
+heavy Finland Cuirassiers scattered the light-mounted Poles and
+Croats, who were stationed here, and their tumultuous flight spread
+fear and disorder over the rest of the cavalry. At this moment notice
+reached the King that his infantry were losing ground, and likely to
+be driven back from the trenches they had stormed; and also that his
+left, exposed to a tremendous fire from the Windmills behind Luetzen,
+could no longer keep their place. With quick decision, he committed to
+Von Horn the task of pursuing the already beaten left wing of the
+enemy; and himself hastened, at the head of Steinbock's regiment, to
+restore the confusion of his own. His gallant horse bore him over the
+trenches with the speed of lightning; but the squadrons that came
+after him could not pass so rapidly; and none but a few horsemen,
+among whom Franz Albert, Duke of Sachsen-Lauenburg, is mentioned, were
+alert enough to keep beside him. He galloped right to the place where
+his infantry was most oppressed; and while looking round to spy out
+some weak point, on which his attack might be directed, his
+short-sightedness led him too near the enemy's lines. An Imperial
+sergeant (_gefreiter_), observing that every one respectfully made
+room for the advancing horseman, ordered a musketeer to fire on him.
+"Aim at _him_ there," cried he; "that must be a man of consequence."
+The soldier drew his trigger; and the King's left arm was shattered by
+the ball. At this instant, his cavalry came galloping up, and a
+confused cry of "_The King bleeds! The King is shot!_" spread horror
+and dismay through their ranks. "It is nothing: follow me!" exclaimed
+the King, collecting all his strength; but overcome with pain, and on
+the point of fainting, he desired the Duke of Lauenburg, in French, to
+take him without notice from the tumult. The Duke then turned with him
+to the right wing, making a wide circuit to conceal this accident from
+the desponding infantry; but as they rode along, the King received a
+second bullet through the back, which took from him the last remainder
+of his strength. "I have got enough, brother," said he with a dying
+voice: "haste, save thyself." With these words he sank from his horse;
+and here, struck by several other bullets, far from his attendants, he
+breathed out his life beneath the plundering hands of a troop of
+Croats. His horse flying on without its rider, and bathed in blood,
+soon announced to the Swedish cavalry the fall of their King; with
+wild yells they rush to the spot, to snatch that sacred spoil from the
+enemy. A deadly fight ensues around the corpse, and the mangled
+remains are buried under a hill of slain men.
+
+'The dreadful tidings hasten in a few minutes over all the Swedish
+army: but instead of deadening the courage of these hardy troops, they
+rouse it to a fierce consuming fire. Life falls in value, since the
+holiest of all lives is gone; and death has now no terror for the
+lowly, since it has not spared the anointed head. With the grim fury
+of lions, the Upland, Smaeland, Finnish, East and West Gothland
+regiments dash a second time upon the left wing of the enemy, which,
+already making but a feeble opposition to Von Horn, is now utterly
+driven from the field.
+
+ * * * * *
+
+'But how dear a victory, how sad a triumph! Now first when the rage of
+battle has grown cold, do they feel the whole greatness of their loss,
+and the shout of the conqueror dies in a mute and gloomy despair. He
+who led them on to battle has not returned with them. Apart he lies,
+in his victorious field, confounded with the common heaps of humble
+dead. After long fruitless searching, they found the royal corpse, not
+far from the great stone, which had already stood for centuries
+between Luetzen and the Merseburg Canal, but which, ever since this
+memorable incident, has borne the name of _Schwedenstein_, the Stone
+of the Swede. Defaced with wounds and blood, so as scarcely to be
+recognised, trodden under the hoofs of horses, stripped of his
+ornaments, even of his clothes, he is drawn from beneath a heap of
+dead bodies, brought to Weissenfels, and there delivered to the
+lamentations of his troops and the last embraces of his Queen.
+Vengeance had first required its tribute, and blood must flow as an
+offering to the Monarch; now Love assumes its rights, and mild tears
+are shed for the Man. Individual grief is lost in the universal
+sorrow. Astounded by this overwhelming stroke, the generals in blank
+despondency stand round his bier, and none yet ventures to conceive
+the full extent of his loss.'
+
+The descriptive powers of the Historian, though the most popular, are
+among the lowest of his endowments. That Schiller was not wanting in
+the nobler requisites of his art, might he proved from his reflections
+on this very incident, 'striking like a hand from the clouds into the
+calculated horologe of men's affairs, and directing the considerate
+mind to a higher plan of things.' But the limits of our Work are
+already reached. Of Schiller's histories and dramas we can give no
+farther specimens: of his lyrical, didactic, moral poems we must take
+our leave without giving any. Perhaps the time may come, when all his
+writings, transplanted to our own soil, may be offered in their entire
+dimensions to the thinkers of these Islands; a conquest by which our
+literature, rich as it is, might be enriched still farther.
+
+
+
+
+ APPENDIX II.
+
+
+The preceding Appendix, which is here marked "Appendix _First_," has
+hitherto, in all Editions, been the only one, and has ended the Book.
+As indeed, for the common run of English readers, it still essentially
+may, or even must. But now, for a more select class, and on
+inducements that are accidental and peculiar, there is, in this final
+or farewell Edition, which stands without change otherwise, something
+to be added as Appendix _Second_, by the opportunity that offers.
+
+Schiller has now many readers of his own in England: perhaps the most
+and best that read this my poor Account of his _Life_ know something
+of Germany and him at first-hand; and have their curiosity awake in
+regard to things German:--to such readers, if not to others, I can
+expect that the following Reprint or Reproduction of a Piece from the
+greatest of Germans, which connects itself with Schiller and this Book
+on Schiller, may not be unwelcome. To myself it has become symbolical,
+touching and memorable; and much invites my insertion of it here,
+since there happens to be room.
+
+
+Certainly an interesting little circumstance in the history of this
+Book, and to me the one circumstance that now has any interest, is,
+That a German Translation of it had the altogether unexpected honour
+of an Introductory Preface by Goethe, in the last years of his life. A
+beautiful small event to me and mine, in our then remote circle;
+coming suddenly upon us, like a little outbreak of sunshine and azure,
+in the common gray element there! It was one of the more salient
+points of a certain individual relation, and far-off personal
+intercourse, which had arisen some years before, with the great man
+whom we had never seen, and never saw; and which was very beautiful,
+high, singular and dear to us,--to myself, and to ANOTHER who is not
+with me now. A little gleam as of celestial radiancy, miraculous
+almost, but indisputable, shining out on us always from time to time;
+somewhat ennobling for us the much of impediment that lay there, and
+forbidding it altogether to impede. Truly there are few things I now
+remember with a more bright or pious feeling than our then relation,
+amid the Scottish moors, to the man whom of all others I the most
+honoured, and felt that I was the most indebted to. Looking back on
+all this, through the vista of almost forty years, and what they have
+brought and have taken, I decide to reproduce this Goethe
+_Introduction_, as a little pillar of memorial, while time yet is.
+
+Many of my present readers, too, readers especially of this Volume,
+may have their curiosities about the "Introduction (_Einleitung_)" of
+so small a thing by so great a man (which withal is a Piece not to be
+found in the great man's _Collected Works_, or elsewhere that I know
+of):--and will good-naturedly allow me to have my own way with it,
+namely to reprint it here in the original words. And will not even
+quarrel with me if I reproduce in _facsimile_ those poor
+"_Verzierungen_ (Copperplates)" of Goethe's devising, Shadows of Human
+Dwellings far away; judging well how beautiful and full of meaning the
+poorest of them now is to me.
+
+
+Subjoined, on the next page, is Goethe's List or 'special Indication'
+of these latter; the only words of his which, on this occasion, I
+translate as well (_Note of 1868_):
+
+
+ 'SPECIAL INDICATION OF THE LOCALITIES REPRESENTED.
+
+ '_Frontispiece_, Thomas Carlyle's House in the County of
+ Dumfries, South of Scotland.
+
+ '_Titlepage Vignette_, The Same in the distance.
+
+ '_Upper-side of Cover_, Schiller's House in Weimar.
+
+ '_Under-side of Cover_, Solitary small Apartment in
+ Schiller's Garden, over the Leutra Brook in Jena, built by
+ himself; where, in the completest seclusion, he wrote many
+ things, _Maria Stuart_ in particular. After his removal from
+ Jena, and subsequent decease, the little Edifice was taken
+ away as threatening to fall ruinous; and we wished here to
+ preserve the remembrance of it.'
+
+[Illustration]
+
+
+
+
+ Naehere Bezeichnung der dargestellten Lokalitaeten.
+
+
+ Titelkupfer, Thomas Carlyles Wohnung in der Graffschaft
+ Dumfries, des suedlichen Schottlands.
+
+ Titel-Vignette, dieselbe in der Ferne.
+
+ Vorderseite des Umschlags, Wohnung Schillers in Weimar.
+
+ Rueckseite des Umschlags, einsames Haeuschen in Schillers
+ Garten, ueber der Jenaischen Leutra, von ihm selbst
+ errichtet; wo er in vollkommenster Einsamkeit manches,
+ besonders Maria Stuart schrieb. Nach seiner Entfernung und
+ erfolgtem Scheiden, trug man es ab, wegen Wandelbarkeit, und
+ man gedachte hier das Andenken desselben zu erhalten.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+ Thomas Carlyle
+
+ Leben Schillers,
+
+ aus dem Englischen;
+
+ eingeleitet
+
+ durch
+
+ Goethe.
+
+
+ Frankfurt am Main, 1830.
+
+ Verlag von Heinrich Wilmans.
+
+
+
+
+ Der hochansehnlichen
+
+ Gesellschaft
+
+ fuer auslaendische
+
+ schoene Literatur,
+
+ zu
+
+ Berlin.
+
+
+Als gegen Ende des vergangenen Jahres ich die angenehme Nachricht
+erhielt, dass eine mir freundlich bekannte Gesellschaft, welche bisher
+ihre Aufmerksamkeit inlaendischer Literatur gewidmet hatte, nunmehr
+dieselbe auf die auslaendische zu wenden gedenke, konnte ich in meiner
+damaligen Lage nicht ausfuehrlich und gruendlich genug darlegen, wie
+sehr ich ein Unternehmen, bey welchen man auch meiner auf das
+geneigteste gedacht hatte, zu schaetzen wisse.
+
+Selbst mit gegenwaertigem oeffentlichen Ausdruck meines dankbaren
+Antheils geschieht nur fragmentarisch was ich im bessern Zusammenhang
+zu ueberliefern gewuenscht haette. Ich will aber auch das wie es mir
+vorliegt nicht zurueckweisen, indem ich meinen Hauptzweck dadurch zu
+erreichen hoffe, dass ich naemlich meine Freunde mit einem Manne in
+Beruehrung bringe, welchen ich unter diejenigen zaehle, die in spaeteren
+Jahren sich an mich thaetig angeschlossen, mich durch eine
+mitschreitende Theilnahme zum Handeln und Wirken aufgemuntert, und
+durch ein edles, reines wohlgerichtetes Bestreben wieder selbst
+verjuengt, mich, der ich sie heranzog, mit sich fortgezogen haben. Es
+ist der Verfasser des hier uebersetzten Werkes, Herr #Thomas Carlyle#,
+ein Schotte, von dessen Thaetigkeit und Vorzuegen, so wie von dessen
+naeheren Zustaenden nachstehende Blaetter ein Mehreres eroeffnen werden.
+
+Wie ich denselben und meine Berliner Freunde zu kennen glaube, so wird
+zwischen ihnen und ihm eine frohe wirksame Verbindung sich einleiten
+und beide Theile werden, wie ich hoffen darf, in einer Reihe von
+Jahren sich dieses Vermaechtnisses und seines fruchtbaren Erfolges
+zusammen erfreuen, so dass ich ein fortdauerndes Andenken, um welches
+ich hier schliesslich bitten moechte, schon als dauernd gegoennt, mit
+anmuthigen Empfindungen voraus geniessen kann.
+
+in treuer Anhaenglichkeit und Theilnahme.
+
+Weimar April
+1830.
+
+#J. W. v. Goethe.#
+
+
+Es ist schon einige Zeit von einer allgemeinen Weltliteratur die Rede
+und zwar nicht mit Unrecht: denn die saemmtlichen Nationen, in den
+fuerchterlichsten Kriegen durcheinander geschuettelt, sodann wieder auf
+sich selbst einzeln zurueckgefuehrt, hatten zu bemerken, dass sie
+manches Fremde gewahr worden, in sich aufgenommen, bisher unbekannte
+geistige Beduerfnisse hie und da empfunden. Daraus entstand das Gefuehl
+nachbarlicher Verhaeltnisse, und anstatt dass man sich bisher
+zugeschlossen hatte, kam der Geist nach und nach zu dem Verlangen,
+auch in den mehr oder weniger freyen geistigen Handelsverkehr mit
+aufgenommen zu werden.
+
+Diese Bewegung waehrt zwar erst eine kurze Weile, aber doch immer lang
+genug, um schon einige Betrachtungen darueber anzustellen, und aus ihr
+bald moeglichst, wie man es im Waarenhandel ja auch thun muss, Vortheil
+und Genuss zu gewinnen.
+
+ * * * * *
+
+Gegenwaertiges, zum Andenken #Schillers#, geschriebene Werk kann,
+uebersetzt, fuer uns kaum etwas Neues bringen; der Verfasser nahm seine
+Kenntnisse aus Schriften, die uns laengst bekannt sind, so wie denn
+auch ueberhaupt die hier verhandelten Angelegenheiten bey uns oefters
+durchgesprochen und durchgefochten worden.
+
+Was aber den Verehrern #Schillers#, und also einem jeden Deutschen, wie
+man kuehnlich sagen darf, hoechst erfreulich seyn muss, ist: unmittelbar
+zu erfahren, wie ein zartfuehlender, strebsamer, einsichtiger Mann ueber
+dem Meere, in seinen besten Jahren, durch #Schillers# Productionen
+beruehrt, bewegt, erregt und nun zum weitern Studium der deutschen
+Literatur angetrieben worden.
+
+Mir wenigstens war es ruehrend, zu sehen, wie dieser, rein und ruhig
+denkende Fremde, selbst in jenen ersten, oft harten, fast rohen
+Productionen unsres verewigten Freundes, immer den edlen,
+wohldenkenden, wohlwollenden Mann gewahr ward und sich ein Ideal des
+vortrefflichsten Sterblichen an ihm auferbauen konnte.
+
+Ich halte deshalb dafuer dass dieses Werk, als von einem Juengling
+geschrieben, der deutschen Jugend zu empfehlen seyn moechte: denn wenn
+ein munteres Lebensalter einen Wunsch haben darf und soll, so ist es
+der: in allem Geleisteten das Loebliche, Gute, Bildsame, Hochstrebende,
+genug das Ideelle, und selbst in dem nicht Musterhaften, das
+allgemeine Musterbild der Menschheit zu erblicken.
+
+ * * * * *
+
+Ferner kann uns dieses Werk von Bedeutung seyn, wenn wir ernstlich
+betrachten: wie ein fremder Mann die #Schillerischen# Werke, denen wir
+so mannigfaltige Kultur verdanken, auch als Quelle der seinigen
+schaetzt, verehrt und dies, ohne irgend eine Absicht, rein und ruhig
+zu erkennen giebt.
+
+Eine Bemerkung moechte sodann hier wohl am Platze seyn: dass sogar
+dasjenige, was unter uns beynahe ausgewirkt hat, nun, gerade in dem
+Augenblicke welcher auswaerts der deutschen Literatur guenstig ist,
+abermals seine kraeftige Wirkung beginne und dadurch zeige, wie es auf
+einer gewissen Stufe der Literatur immer nuetzlich und wirksam seyn
+werde.
+
+So sind z. B. #Herders# Ideen bey uns dergestalt in die Kenntnisse der
+ganzen Masse uebergegangen, dass nur wenige, die sie lesen, dadurch
+erst belehrt werden, weil sie, durch hundertfache Ableitungen, von
+demjenigen was damals von grosser Bedeutung war, in anderem
+Zusammenhange schon voellig unterrichtet worden. Dieses Werk ist vor
+kurzem ins Franzoesische uebersetzt; wohl in keiner andern Ueberzeugung
+als dass tausend gebildete Menschen in Frankreich sich immer noch an
+diesen Ideen zu erbauen haben.
+
+ * * * * *
+
+In Bezug auf das dem gegenwaertigen Bande vorgesetzte Bild sey
+folgendes gemeldet: Unser Freund, als wir mit ihm in Verhaeltniss
+traten, war damals in Edinburgh wohnhaft, wo er in der Stille lebend,
+sich im besten Sinne auszubilden suchte, und, wir duerfen es ohne
+Ruhmredigkeit sagen, in der deutschen Literatur hiezu die meiste
+Foerderniss fand.
+
+Spaeter, um sich selbst und seinen redlichen literarischen Studien
+unabhaengig zu leben, begab er sich, etwa zehen deutsche Meilen
+suedlicher, ein eignes Besitzthum zu bewohnen und zu benutzen, in die
+Grafschaft Dumfries. Hier, in einer gebirgigen Gegend, in welcher der
+Fluss Nithe dem nahen Meere zustroemt, ohnfern der Stadt Dumfries, an
+einer Stelle welche Craigenputtock genannt wird, schlug er mit einer
+schoenen und hoechst gebildeten Lebensgefaehrtin seine laendlich einfache
+Wohnung auf, wovon treue Nachbildungen eigentlich die Veranlassung zu
+gegenwaertigem Vorworte gegeben haben.
+
+ * * * * *
+
+Gebildete Geister, zartfuehlende Gemuether, welche nach fernem Guten
+sich bestreben, in die Ferne Gutes zu wirken geneigt sind, erwehren
+sich kaum des Wunsches, von geehrten, geliebten, weitabgesonderten
+Personen das Portrait, sodann die Abbildung ihrer Wohnung, so wie der
+naechsten Zustaende, sich vor Augen gebracht zu sehen.
+
+Wie oft wiederholt man noch heutiges Tags die Abbildung von Petrarch's
+Aufenthalt in Vaucluse, Tasso's Wohnung in Sorent! Und ist nicht immer
+die Bieler Insel, der Schutzort Rousseau's, ein seinen Verehrern nie
+genugsam dargestelltes Local?
+
+In eben diesem Sinne hab' ich mir die Umgebungen meiner entfernten
+Freunde im Bilde zu verschaffen gesucht, und ich war um so mehr auf
+die Wohnung Hrn. #Thomas Carlyle# begierig, als er seinen Aufenthalt in
+einer fast rauhen Gebirgsgegend unter dem 55ten Grade gewaehlt hatte.
+
+Ich glaube durch solch eine treue Nachbildung der neulich
+eingesendeten Originalzeichnungen gegenwaertiges Buch zu zieren und dem
+jetzigen gefuehlvollen Leser, vielleicht noch mehr dem kuenftigen,
+einen freundlichen Gefallen zu erweisen und dadurch, so wie durch
+eingeschaltete Auszuege aus den Briefen des werthen Mannes, das
+Interesse an einer edlen allgemeinen Laender- und Weltannaeherung zu
+vermehren.
+
+ * * * * *
+
+
+ #Thomas Carlyle# an #Goethe#.
+
+Craigenputtock den 25. Septbr. 1828.
+
+"Sie forschen mit so warmer Neigung nach unserem gegenwaertigen
+Aufenthalt und Beschaeftigung, dass ich einige Worte hierueber sagen
+muss, da noch Raum dazu uebrig bleibt. Dumfries ist eine artige Stadt,
+mit etwa 15000 Einwohnern und als Mittelpunct des Handels und der
+Gerichtsbarkeit anzusehen eines bedeutenden Districkts in dem
+schottischen Geschaeftskreis. Unser Wohnort ist nicht darin, sondern 15
+Meilen (zwei Stunden zu reiten) nordwestlich davon entfernt, zwischen
+den Granitgebirgen und dem schwarzen Moorgefilde, welche sich
+westwaerts durch Gallovay meist bis an die irische See ziehen. In
+dieser Wueste von Heide und Felsen stellt unser Besitzthum eine gruene
+Oase vor, einen Raum von geackertem, theilweise umzaeumten und
+geschmueckten Boden, wo Korn reift und Baeume Schatten gewaehren,
+obgleich ringsumher von Seemoeven und hartwolligen Schaafen umgeben.
+Hier, mit nicht geringer Anstrengung, haben wir fuer uns eine reine,
+dauerhafte Wohnung erbaut und eingerichtet; hier wohnen wir in
+Ermangelung einer Lehr- oder andern oeffentlichen Stelle, um uns der
+Literatur zu befleissigen, nach eigenen Kraeften uns damit zu
+beschaeftigen. Wir wuenschen dass unsre Rosen und Gartenbuesche froehlich
+heranwachsen, hoffen Gesundheit und eine friedliche Gemuethsstimmung,
+um uns zu fordern. Die Rosen sind freylich zum Theil noch zu pflanzen,
+aber sie bluehen doch schon in Hoffnung.
+
+Zwei leichte Pferde, die uns ueberall hintragen, und die Bergluft sind
+die besten Aerzte fuer zarte Nerven. Diese taegliche Bewegung, der ich
+sehr ergeben bin, ist meine einzige Zerstreuung; denn dieser Winkel
+ist der einsamste in Brittanien, sechs Meilen von einer jeden Person
+entfernt die mich allenfalls besuchen moechte. Hier wuerde sich Rousseau
+eben so gut gefallen haben, als auf seiner Insel St. Pierre.
+
+Fuerwahr meine staedtischen Freunde schreiben mein Hierhergehen einer
+aehnlichen Gesinnung zu und weissagen mir nichts Gutes; aber ich zog
+hierher, allein zu dem Zweck meine Lebensweise zu vereinfachen und
+eine Unabhaengigkeit zu erwerben, damit ich mir selbst treu bleiben
+koenne. Dieser Erdraum ist unser, hier koennen wir leben, schreiben und
+denken wie es uns am besten daeucht, und wenn Zoilus selbst Koenig der
+Literatur werden sollte.
+
+Auch ist die Einsamkeit nicht so bedeutend, eine Lohnkutsche bringt
+uns leicht nach Edinburgh, das wir als unser brittisch Weimar ansehen.
+Habe ich denn nicht auch gegenwaertig eine ganze Ladung von
+franzoesischen, deutschen, amerikanischen, englischen Journalen und
+Zeitschriften, von welchem Werth sie auch seyn moegen, auf den Tischen
+meiner kleinen Bibliothek aufgehaeuft!
+
+Auch an alterthuemlichen Studien fehlt es nicht. Von einigen unsrer
+Hoehen entdeck' ich, ohngefaehr eine Tagereise westwaerts, den Huegel, wo
+Agrikola und seine Roemer ein Lager zurueckliessen; am Fusse desselben
+war ich geboren, wo Vater und Mutter noch leben um mich zu lieben. Und
+so muss man die Zeit wirken lassen. Doch wo gerath ich hin! Lassen Sie
+mich noch gestehen, ich bin ungewiss ueber meine kuenftige literarische
+Thaetigkeit, worueber ich gern Ihr Urtheil vernehmen moechte; gewiss
+schreiben Sie mir wieder und bald, damit ich mich immer mit Ihnen
+vereint fuehlen moege."
+
+ * * * * *
+
+Wir, nach allen Seiten hin wohlgesinnten, nach allgemeinster Bildung
+strebenden Deutschen, wir wissen schon seit vielen Jahren die
+Verdienste wuerdiger schottischer Maenner zu schaetzen. Uns blieb nicht
+unbekannt, was sie frueher in den Naturwissenschaften geleistet, woraus
+denn nachher die Franzosen ein so grosses Uebergewicht erlangten.
+
+In der neuern Zeit verfehlten wir nicht den lichen Inflows
+anzuerkennen, den ihre Philosophie auf die Sinnesaenderung der
+Franzosen ausuebte, um sie von dem starren Sensualism zu einer
+geschmeidigern Denkart auf dem Wege des gemeinen Menschenverstandes
+hinzuleiten. Wir verdankten ihnen gar manche gruendliche Einsicht in
+die wichtigsten Faecher brittischer Zustaende und Bemuehungen.
+
+Dagegen mussten wir vor nicht gar langer Zeit unsre
+ethisch-aesthetischen Bestrebungen in ihren Zeitschriften auf eine
+Weise behandelt sehen, wo es zweifelhaft blieb, ob Mangel an Einsicht
+oder boeser Wille dabey obwaltete; ob eine oberflaechliche, nicht genug
+durchdringende Ansicht, oder ein widerwilliges Vorurtheil im Spiele
+sey. Dieses Ereigniss haben wir jedoch geduldig abgewartet, da uns ja
+dergleichen im eignen Vaterlande zu ertragen genuegsam von jeher
+auferlegt worden.
+
+In den letzten Jahren jedoch erfreuen uns aus jenen Gegenden die
+liebevollsten Blicke, welche zu erwiedern wir uns verpflichtet fuehlen
+und worauf wir in gegenwaertigen Blaettern unsre wohldenkenden
+Landsleute, insofern es noethig seyn sollte, aufmerksam zu machen
+gedenken.
+
+ * * * * *
+
+Herr #Thomas Carlyle# hatte schon den #Wilhelm Meister# uebersetzt und gab
+sodann vorliegendes Leben #Schillers# im Jahre 1825 heraus.
+
+Im Jahre 1827 erschien _German Romances_ in 4 Baenden, wo er, aus den
+Erzaehlungen und Maehrchen deutscher Schriftsteller als: #Musaeus#, #La
+Motte Fouque#, #Tieck#, #Hoffmann#, #Jean Paul# und #Goethe#,
+heraushob, was er seiner Nation am gemaessesten zu seyn glaubte.
+
+Die einer jeden Abtheilung vorausgeschickten Nachrichten von dem
+Leben, den Schriften, der Richtung des genannten Dichters und
+Schriftstellers geben ein Zeugniss von der einfach wohlwollenden
+Weise, wie der Freund sich moeglichst von der Persoenlichkeit und den
+Zustaenden eines jeden zu unterrichten gesucht, und wie er dadurch auf
+den rechten Weg gelangt, seine Kenntnisse immer mehr zu
+vervollstaendigen.
+
+In den Edinburgher Zeitschriften, vorzueglich in denen welche
+eigentlich fremder Literatur gewidmet sind, finden sich nun, ausser
+den schon genannten deutschen Autoren, auch #Ernst Schulz#, #Klingemann#,
+#Franz Horn#, #Zacharias Werner#, Graf #Platen# und manche andere, von
+verschiedenen Referenten, am meisten aber von unserm Freunde,
+beurtheilt und eingefuehrt.
+
+Hoechst wichtig ist bey dieser Gelegenheit zu bemerken, dass sie
+eigentlich ein jedes Werk nur zum Text und Gelegenheit nehmen, um ueber
+das eigentliche Feld und Fach, so wie alsdann ueber das besondere
+Individuelle, ihre Gedanken zu eroeffnen und ihr Gutachten meisterhaft
+abzuschliessen.
+
+Diese _Edinburgh Reviews_, sie seyen dem Innern und Allgemeinen, oder
+den auswaertigen Literaturen besonders gewidmet, haben Freunde der
+Wissenschaften aufmerksam zu beachten; denn es ist hoechst merkwuerdig,
+wie der gruendlichste Ernst mit der freysten Uebersicht, ein strenger
+Patriotismus mit einem einfachen reinen Freysinn, in diesen Vortraegen
+sich gepaart findet.
+
+ * * * * *
+
+Geniessen wir nun von dort, in demjenigen was uns hier so nah angeht,
+eine reine einfache Theilnahme an unsern ethisch-aesthetischen
+Bestrebungen, welche fuer einen besondern Charakterzug der Deutschen
+gelten koennen, so haben wir uns gleichfalls nach dem umzusehen, was
+ihnen dort von dieser Art eigentlich am Herzen liegt. Wir nennen hier
+gleich den Namen #Burns#, von welchem ein Schreiben des Herrn #Carlyle's#
+folgende Stelle enthaelt.
+
+"Das einzige einigermassen Bedeutende, was ich seit meinem Hierseyn
+schrieb, ist ein Versuch ueber #Burns#. Vielleicht habt Ihr niemals von
+diesem Mann gehoert, und doch war er einer der entschiedensten Genies;
+aber in der tiefsten Classe der Landleute geboren und durch die
+Verwicklungen sonderbarer Lagen zuletzt jammervoll zu Grunde
+gerichtet, so dass was er wirkte verhaeltnissmaessig geringfuegig ist; er
+starb in der Mitte der Manns-Jahre (1796)."
+
+"Wir Englaender, besonders wir Schottlaender, lieben #Burns# mehr als
+irgend einen Dichter seit Jahrhunderten. Oft war ich von der Bemerkung
+betroffen, er sey wenig Monate vor #Schiller#, in dem Jahr 1759 geboren
+und keiner dieser beiden habe jemals des andern Namen vernommen. Sie
+glaenzten als Sterne in entgegengesetzten Hemisphaeren, oder, wenn man
+will, eine truebe Erdatmosphaere fing ihr gegenseitiges Licht auf."
+
+Mehr jedoch als unser Freund vermuthen mochte, war uns #Robert Burns#
+bekannt; das allerliebste Gedicht _John Barley-Corn_ war anonym zu uns
+gekommen, und verdienter Weise geschaetzt, veranlasste solches manche
+Versuche unsrer Sprache es anzueignen. _Hans Gerstenkorn_, ein
+wackerer Mann, hat viele Feinde, die ihn unablaessig verfolgen und
+beschaedigen, ja zuletzt gar zu vernichten drohen. Aus allen diesen
+Unbilden geht er aber doch am Ende triumphirend hervor, besonders zu
+Heil und Froehlichkeit der leidenschaftlichen Biertrinker. Gerade in
+diesem heitern genialischen Anthropomorphismus zeigt sich #Burns# als
+wahrhaften Dichter.
+
+Auf weitere Nachforschung fanden wir dieses Gedicht in der Ausgabe
+seiner poetischen Werke von 1822, welcher eine Skizze seines Lebens
+voransteht, die uns wenigstens von den Aeusserlichkeiten seiner
+Zustaende bis auf einen gewissen Grad belehrte. Was wir von seinen
+Gedichten uns zueignen konnten, ueberzeugte uns von seinem
+ausserordentlichen Talent, und wir bedauerten, dass uns die
+Schottische Sprache gerade da hinderlich war, wo er des reinsten
+natuerlichsten Ausdrucks sich gewiss bemaechtigt hatte. Im Ganzen jedoch
+haben wir unsre Studien so weit gefuehrt, dass wir die nachstehende
+ruehmliche Darstellung auch als unsrer Ueberzeugung gemaess
+unterschreiben koennen.
+
+Inwiefern uebrigens unser #Burns# auch in Deutschland bekannt sey, mehr
+als das Conversations-Lexicon von ihm ueberliefert, wuesste ich, als der
+neuen literarischen Bewegungen in Deutschland unkundig, nicht zu
+sagen; auf alle Faelle jedoch gedenke ich die Freunde auswaertiger
+Literatur auf die kuerzesten Wege zu weisen: _The Life of Robert Burns.
+By J. G. Lockhart. Edinburgh 1828_, rezensirt von unserm Freunde im
+_Edinburgh Review_, December 1828.
+
+Nachfolgende Stellen daraus uebersetzt, werden den Wunsch, das Ganze
+und den genannten Mann auf jede Weise zu kennen, hoffentlich lebhaft
+erregen.
+
+ * * * * *
+
+"#Burns# war in einem hoechst prosaischen Zeitalter, dergleichen
+Brittanien nur je erlebt hatte, geboren, in den aller unguenstigsten
+Verhaeltnissen, wo sein Geist nach hoher Bildung strebend ihr unter dem
+Druck taeglich harter koerperlicher Arbeit nach zu ringen hatte, ja
+unter Mangel und trostlosesten Aussichten auf die Zukunft; ohne
+Foerderniss als die Begriffe, wie sie in eines armen Mannes Huette
+wohnen, und allenfalls die Reime von Ferguson und Ramsay, als das
+Muster der Schoenheit aufgesteckt. Aber unter diesen Lasten versinkt er
+nicht; durch Nebel und Finsterniss einer so duestern Region entdeckt
+sein Adlerauge die richtigen Verhaeltnisse der Welt und des
+Menschenlebens, er waechst an geistiger Kraft und draengt sich mit
+Gewalt zu verstaendiger Erfahrung. Angetrieben durch die
+unwiderstehliche Regsamkeit seines inneren Geistes strauchelt er
+vorwaerts und zu allgemeinen Ansichten, und mit stolzer Bescheidenheit
+reicht er uns die Frucht seiner Bemuehungen, eine Gabe dar, welche
+nunmehr durch die Zeit als unvergaenglich anerkannt worden."
+
+"Ein wahrer Dichter, ein Mann in dessen Herzen die Anlage eines reinen
+Wissens keimt, die Toene himmlischer Melodien vorklingen, ist die
+koestlichste Gabe, die einem Zeitalter mag verliehen werden. Wir sehen
+in ihm eine freyere, reinere Entwicklung alles dessen was in uns das
+Edelste zu nennen ist; sein Leben ist uns ein reicher Unterricht und
+wir betrauern seinen Tod als eines Wohlthaeters, der uns liebte so wie
+belehrte."
+
+"Solch eine Gabe hat die Natur in ihrer Guete uns an #Robert Burns#
+gegoennt; aber mit allzuvornehmer Gleichgueltigkeit warf sie ihn aus der
+Hand als ein Wesen ohne Bedeutung. Es war entstellt und zerstoert ehe
+wir es anerkannten, ein unguenstiger Stern hatte dem Juengling die
+Gewalt gegeben, das menschliche Daseyn ehrwuerdiger zu machen, aber ihm
+war eine weisliche Fuehrung seines eigenen nicht geworden. Das
+Geschick--denn so muessen wir in unserer Beschraenktheit reden--seine
+Fehler, die Fehler der Andern lasteten zu schwer auf ihm, und dieser
+Geist, der sich erhoben hatte, waere es ihm nur zu wandern geglueckt,
+sank in den Staub; seine herrlichen Faehigkeiten wurden in der Bluethe
+mit Fuessen getreten. Er starb, wir duerfen wohl sagen, ohne jemals
+gelebt zu haben. Und so eine freundlich warme Seele, so voll von
+eingebornen Reichthuemern, solcher Liebe zu allen lebendigen und
+leblosen Dingen! Das spaete Tausendschoenchen faellt nicht unbemerkt
+unter seine Pflugschar, so wenig als das wohlversorgte Nest der
+furchtsamen Feldmaus, das er hervorwuehlt. Der wilde Anblick des
+Winters ergoetzt ihn; mit einer trueben, oft wiederkehrenden
+Zaertlichkeit, verweilt er in diesen ernsten Scenen der Verwuestung;
+aber die Stimme des Windes wird ein Psalm in seinem Ohr; wie gern mag
+er in den sausenden Waeldern dahin wandern: denn er fuehlt seine
+Gedanken erhoben zu dem, der auf den Schwingen des Windes
+einherschreitet. Eine wahre Poetenseele! sie darf nur beruehrt werden
+und ihr Klang ist Musik."
+
+"Welch ein warmes allumfassendes Gleichheitsgefuehl! welche
+vertrauenvolle, graenzenlose Liebe! welch edelmuthiges Ueberschaetzen
+des geliebten Gegenstandes! Der Bauer, sein Freund, sein nussbraunes
+Maedchen sind nicht laenger gering und doerfisch, Held vielmehr und
+Koenigin, er ruehmt sie als gleich wuerdig des Hoechsten auf der Erde. Die
+rauhen Scenen schottischen Lebens sieht er nicht im arkadischen
+Lichte, aber in dem Rauche, in dem unebenen Tennenboden einer solchen
+rohen Wirthlichkeit findet er noch immer Liebenswuerdiges genug. Armuth
+fuerwahr ist sein Gefaehrte, aber auch Liebe und Muth zugleich; die
+einfachen Gefuehle, der Werth, der Edelsinn, welche unter dem Strohdach
+wohnen, sind lieb und ehrwuerdig seinem Herzen. Und so ueber die
+niedrigsten Regionen des menschlichen Daseyns ergiesst er die Glorie
+seines eigenen Gemueths und sie steigen, durch Schatten und
+Sonnenschein gesaenftigt und verherrlicht, zu einer Schoenheit, welche
+sonst die Menschen kaum in dem Hoechsten erblicken."
+
+"Hat er auch ein Selbstbewusstseyn, welches oft in Stolz ausartet, so
+ist es ein edler Stolz, um abzuwehren, nicht um anzugreifen, kein
+kaltes misslaunisches Gefuehl, ein freyes und geselliges. Dieser
+poetische Landmann betraegt sich, moechten wir sagen, wie ein Koenig in
+der Verbannung; er ist unter die Niedrigsten gedraengt und fuehlt sich
+gleich den Hoechsten; er verlangt keinen Rang, damit man ihm keinen
+streitig mache. Den Zudringlichen kann er abstossen, den Stolzen
+demuethigen, Vorurtheil auf Reichthum oder Altgeschlecht haben bey ihm
+keinen Werth. In diesem dunklen Auge ist ein Feuer, woran sich eine
+abwuerdigende Herablassung nicht wagen darf; in seiner Erniedrigung, in
+der aeussersten Noth vergisst er nicht fuer einen Augenblick die
+Majestaet der Poesie und Mannheit. Und doch, so hoch er sich ueber
+gewoehnlichen Menschen fuehlt, sondert er sich nicht von ihnen ab, mit
+Waerme nimmt er an ihrem Interesse Theil, ja er wirft sich in ihre Arme
+und, wie sie auch seyen, bittet er um ihre Liebe. Es ist ruehrend zu
+sehen, wie in den duestersten Zustaenden dieses stolze Wesen in der
+Freundschaft Huelfe sucht, und oft seinen Busen dem Unwuerdigen
+aufschliesst; oft unter Thraenen an sein gluehendes Herz ein Herz
+andrueckt, das Freundschaft nur als Namen kennt. Doch war er scharf und
+schnellsichtig, ein Mann vom durchdringendsten Blick, vor welchem
+gemeine Verstellung sich nicht bergen konnte. Sein Verstand sah durch
+die Tiefen des vollkommensten Betruegers, und zugleich war eine
+grossmuethige Leichtglaeubigkeit in seinem Herzen. So zeigte sich dieser
+Landmann unter uns: Eine Seele wie Aeolsharfe, deren Saiten vom
+gemeinsten Winde beruehrt, ihn zu gesetzlicher Melodie verwandelten.
+Und ein solcher Mann war es fuer den die Welt kein schicklicher
+Geschaeft zu finden wusste, als sich mit Schmugglern und Schenken
+herumzuzanken, Accise auf den Talg zu berechnen und Bierfaesser zu
+visiren. In solchem Abmuehen ward dieser maechtige Geist kummervoll
+vergeudet, und hundert Jahre moegen vorueber gehen, eh uns ein gleicher
+gegeben wird, um vielleicht ihn abermals zu vergeuden."
+
+ * * * * *
+
+Und wie wir den Deutschen zu ihrem #Schiller# Glueck wuenschen, so wollen
+wir in eben diesem Sinne auch die Schottlaender segnen. Haben diese
+jedoch unserm Freunde so viel Aufmerksamkeit und Theilnahme erwiesen,
+so waer' es billig, dass wir auf gleiche Weise ihren #Burns# bey uns
+einfuehrten. Ein junges Mitglied der hochachtbaren Gesellschaft, der
+wir gegenwaertiges im Ganzen empfohlen haben, wird Zeit und Muehe
+hoechlich belohnt sehen, wenn er diesen freundlichen Gegendienst einer
+so verehrungswuerdigen Nation zu leisten den Entschluss fassen und das
+Geschaeft treulich durchfuehren will. Auch wir rechnen den belobten
+#Robert Burns# zu den ersten Dichtergeistern, welche das vergangene
+Jahrhundert hervorgebracht hat.
+
+Im Jahr 1829 kam uns ein sehr sauber und augenfaellig gedrucktes
+Octavbaendchen zur Hand: _Catalogue of German Publications, selected
+and systematically arranged for W. H. Koller and Jul. Cahlmann.
+London._
+
+Dieses Buechlein, mit besonderer Kenntniss der deutschen Literatur, in
+einer die Uebersicht erleichternden Methode verfasst, macht demjenigen
+der es ausgearbeitet und den Buchhaendlern Ehre, welche ernstlich das
+bedeutende Geschaeft uebernehmen eine fremde Literatur in ihr Vaterland
+einzufuehren, und zwar so dass mann in allen Faechern uebersehen koenne
+was dort geleistet worden, um so wohl den Gelehrten den denkenden
+Leser als auch den fuehlenden und Unterhaltung suchenden anzulocken und
+zu befriedigen. Neugierig wird jeder deutsche Schriftsteller und
+Literator, der sich in irgend einem Fache hervorgethan, diesen Catalog
+aufschlagen um zu forschen: ob denn auch seiner darin gedacht, seine
+Werke, mit andern Verwandten, freundlich aufgenommen worden. Allen
+deutschen Buchhaendlern wird es angelegen seyn zu erfahren: wie man
+ihren Verlag ueber dem Canal betrachte, welchen Preis man auf das
+Einzelne setze und sie werden nichts verabsaeumen um mit jenen die
+Angelegenheit so ernsthaft angreifenden Maennern in Verhaeltniss zu
+kommen, und dasselbe immerfort lebendig erhalten.
+
+ * * * * *
+
+Wenn ich nun aber das von unserm Schottischen Freunde vor soviel
+Jahren verfasste Leben #Schillers#, auf das er mit einer ihm so wohl
+anstehenden Bescheidenheit zuruecksieht, hiedurch einleite und
+gegenwaertig an den Tag foerdere, so erlaube er mir einige seiner
+neusten Aeusserungen hinzuzufuegen, welche die bisherigen gemeinsamen
+Fortschritte am besten deutlich machen moechten.
+
+ * * * * *
+
+
+ #Thomas Carlyle an Goethe.#
+
+den 22. December 1829.
+
+"Ich habe zu nicht geringer Befriedigung zum zweitenmale den
+#Briefwechsel# gelesen und sende heute einen darauf gegruendeten Aufsatz
+ueber #Schiller# ab fuer das _Foreign Review_. Es wird Ihnen angenehm seyn
+zu hoeren, dass die Kentniss und Schaetzung der auswaertigen, besonders
+der deutschen Literatur, sich mit wachsender Schnelle verbreitet so
+weit die englische Zunge herrscht; so dass bey den Antipoden, selbst
+in Neuholland, die Weisen Ihres Landes ihre Weisheit predigen. Ich
+habe kuerzlich gehoert, dass sogar in Oxford und Cambridge, unsern
+beiden englischen Universitaeten, die bis jetzt als die Haltpuncte der
+insularischen eigenthuemlichen Beharrlichkeit sind betrachtet worden,
+es sich in solchen Dingen zu regen anfaengt. Ihr #Niebuhr# hat in
+Cambridge einen geschickten Uebersetzer gefunden und in Oxford haben
+zwei bis drei Deutsche schon hinlaengliche Beschaeftigung als Lehrer
+ihrer Sprache. Das neue Licht mag fuer gewisse Augen zu stark seyn;
+jedoch kann Niemand an den guten Folgen zweifeln, die am Ende daraus
+hervorgehen werden. Lasst Nationen wie Individuen sich nur einander
+kennen und der gegenseitige Hass wird sich in gegenwaertige
+Huelfleistung verwandeln, und anstatt natuerlicher Feinde, wie
+benachbarte Laender zuweilen genannt sind, werden wir alle natuerliche
+Freunde seyn."
+
+ * * * * *
+
+Wenn uns nach allen diesem nun die Hoffnung schmeichelt, eine
+Uebereinstimmung der Nationen, ein allgemeineres Wohlwollen werde sich
+durch naehere Kentniss der verschiedenen Sprachen und Denkweisen, nach
+und nach erzeugen; so wage ich von einem bedeutenden Inflows der
+deutschen Literatur zu sprechen, welcher sich in einem besondern Falle
+hoechst wirksam erweisen moechte.
+
+Es ist naemlich bekannt genug, dass die Bewohner der drei brittischen
+Koenigreiche nicht gerade in dem besten Einverstaendnisse leben, sondern
+dass vielmehr ein Nachbar an dem andern genuegsam zu tadeln findet, um
+eine heimliche Abneigung bey sich zu rechtfertigen.
+
+Nun aber bin ich ueberzeugt, dass wie die deutsche ethisch-aesthetische
+Literatur durch das dreifache Brittanien sich verbreitet, zugleich
+auch eine stille Gemeinschaft von #Philogermanen# sich bilden werde,
+welche in der Neigung zu einer vierten, so nahverwandten Voelkerschaft,
+auch unter einander, als vereinigt und verschmolzen sich empfinden
+werden.
+
+
+
+
+ #Schillers Leben.#
+
+ #Erster Abschnitt.#
+
+ #Seine Jugend# (1759-1784.)
+
+Unter allen Schriftstellern ist am Schluss des letzten Jahrhunderts
+wohl keiner der Aufmerksamkeit wuerdiger, als #Friedrich Schiller#.
+Ausgezeichnet durch glaenzenden Geist, erhabenes Gefuehl und edlen
+Geschmack liess er den schoensten Abdruck dieser selten vereinigten
+Eigenschaften in seinen Werken zurueck. Der ausgebreitete Ruhm, welcher
+ihm dadurch geworden,...
+
+... es sind neue Formen der Wahrheiten, neue Grundsaetze der Weisheit,
+neue Bilder und Scenen der Schoenheit, die er dem leeren formlosen
+unendlichen Raum abgenommen; zum [Greek: ktema eis aei] oder zum
+ewigen Eigenthum aller Geschlechter dieses Erdballs. [s. 301.]
+
+... die unsere Literatur, so reich sie auch schon an sich ist, noch
+ungleich mehr bereichern wuerde.
+
+[_Anhang_, s. 54.]
+
+
+
+
+ SUMMARY AND INDEX.
+
+
+ SUMMARY.
+
+
+ PART I.
+
+ SCHILLER'S YOUTH.
+
+ (1759-1784.)
+
+
+Introductory remarks: Schiller's high destiny. His Father's career:
+Parental example and influences. Boyish caprices and aspirations. (p.
+3.)--His first schoolmaster: Training for the Church: Poetical
+glimmerings. The Duke of Wuertemberg, and his Free Seminary: Irksome
+formality there. Aversion to the study of Law and Medicine.
+(9.)--Literary ambition and strivings: Economic obstacles and pedantic
+hindrances: Silent passionate rebellion. Bursts his fetters.
+(13.)--_The Robbers_: An emblem of its young author's baffled, madly
+struggling spirit: Criticism of the Characters in the Play, and of the
+style of the work. Extraordinary ferment produced by its publication:
+Exaggerated praises and condemnations: Schiller's own opinion of its
+moral tendency. (17.)--Discouragement and persecution from the Duke of
+Wuertemberg. Dalberg's generous sympathy and assistance. Schiller
+escapes from Stuttgard, empty in purse and hope: Dalberg supplies his
+immediate wants: He finds hospitable friends. (28.)--Earnest literary
+efforts. Publishes two tragedies, _Fiesco_ and _Kabale und Liebe_. His
+mental growth. Critical account of the Conspiracy of Fiesco: Fiesco's
+genial ambition: The Characters of the Play nearer to actual humanity.
+How all things in the Drama of Life hang inseparably together.
+(35.)--_Kabale und Liebe_, a domestic tragedy of high merit: Noble and
+interesting characters of hero and heroine. (42.)--The stormy
+confusions of Schiller's youth now subsiding. Appointed poet to the
+Mannheim Theatre. Nothing to fear from the Duke of Wuertemberg. The
+Public, his only friend and sovereign. A Man of Letters for the rest
+of his days. (46.)
+
+
+ PART II.
+
+ FROM HIS SETTLEMENT AT MANNHEIM TO HIS SETTLEMENT AT JENA.
+
+ (1784-1790.)
+
+Reflections: Difference between knowing and doing: Temptations and
+perils of a literary life: True Heroism. Schiller's earnest and
+steadfast devotion to his Ideal Good: Misery of idleness and
+indecision. (p. 51.)--German esteem for the Theatre. Theatrical, and
+deeper than theatrical activities: The _Rheinische Thalia_ and
+_Philosophische Briefe_. The two Eternities: The bog of Infidelity
+surveyed but not crossed. (56.)--Insufficiency of Mannheim. A pleasant
+tribute of regard. Letter to Huber: Domestic tastes. Removes to
+Leipzig. Letter to his friend Schwann: A marriage proposal.
+Fluctuations of life. (63.)--Goes to Dresden. _Don Carlos_: Evidences
+of a matured mind: Analysis of the Characters: Scene of the King and
+Posa. Alfieri and Schiller contrasted. (73.)--Popularity: Crowned with
+laurels, but without a home. Forsakes the Drama. Lyrical productions:
+_Freigeisterei der Leidenschaft_. The _Geisterseher_, a Novel. Tires
+of fiction. Studies and tries History. (95.)--Habits at Dresden.
+Visits Weimar and Bauerbach. The Frauelein Lengefeld: Thoughts on
+Marriage. (102.)--First interview with Goethe: Diversity in their
+gifts: Their mistaken impression of each other. Become better
+acquainted: Lasting friendship. (106.)--History of the _Revolt of the
+Netherlands_. The truest form of History-writing. Appointed Professor
+at Jena. Friendly intercourse with Goethe. Marriage. (112.)
+
+
+ PART III.
+
+ FROM HIS SETTLEMENT AT JENA TO HIS DEATH.
+
+ (1790-1805.)
+
+Academical duties. Study of History: Cosmopolitan philosophy, and
+national instincts. History of the _Thirty-Years War_. (p.
+119.)--Sickness, and help in it. Heavy trial for a literary man.
+Schiller's unabated zeal. (125.)--Enthusiasm and conflicts excited by
+Kant's Philosophy. Schiller's growing interest in the subject: Letters
+on _AEsthetic Culture_, &c. Claims of Kant's system to a respectful
+treatment. (129.)--Fastidiousness and refinement of taste. Literary
+projects: Epic poems: Returns to the Drama. Outbreak of the French
+Revolution. (137.)--Edits the _Horen_: Connexion with Goethe. A
+pleasant visit to his parents. Mode of life at Jena: Night-studies,
+and bodily stimulants. (143.)--_Wallenstein_: Brief sketch of its
+character and compass: Specimen scenes, Max Piccolomini and his
+Father; Max and the Princess Thekla; Thekla's frenzied grief: No
+nobler or more earnest dramatic work. (152.)--Removes to Weimar:
+Generosity of the Duke. Tragedy of _Maria Stuart_. (178.)--The _Maid
+of Orleans_: Character of Jeanne d'Arc: Scenes, Joanna and her
+Suitors; Death of Talbot; Joanna and Lionel. Enthusiastic reception of
+the play. (181.)--Daily and nightly habits at Weimar. The _Bride of
+Messina_. _Wilhelm Tell_: Truthfulness of the Characters and Scenery:
+Scene, the Death of Gossler. (201.)--Schiller's dangerous illness.
+Questionings of Futurity. The last sickness: Many things grow clearer:
+Death. (219.)--General sorrow for his loss. His personal aspect:
+Modesty and simplicity of manner: Mental gifts. (222.)--Definitions of
+genius. Poetic sensibilities and wretchedness: In such miseries
+Schiller had no share. A fine example of the German character: No
+cant; no cowardly compromising with his own conscience: Childlike
+simplicity. Literary Heroism. (227.)
+
+ * * * * *
+
+ SUPPLEMENT OF 1872.
+
+Small Book by Herr Saupe, entitled _Schiller and his Father's
+Household_. Really interesting and instructive. Translation, with
+slight corrections and additions. (p. 241.)
+
+
+ SCHILLER'S FATHER.
+
+Johann Caspar Schiller, born in Wuertemberg, 27th October 1723. At ten
+years a fatherless Boy poorly educated, he is apprenticed to a
+barber-surgeon. Becomes 'Army Doctor' to a Bavarian regiment. Settles
+in Marbach, and marries the daughter of a respectable townsman,
+afterwards reduced to extreme poverty. The marriage, childless for the
+first eight years. Six children in all: The Poet Schiller the only
+Boy. (p. 243.)--Very meagre circumstances. At breaking-out of the
+Seven-Years War returns to the Army. At the Ball of Fulda; at the
+Battle of Leuthen. Cheerfully undertakes anything useful. Earnestly
+diligent and studious. Greatly improves in general culture, and even
+saves money. (244.)--Boards his poor Wife with her Father. His first
+Daughter and his only Son born there. At the close of the War he
+carries his Wife and Children to his own quarters. A just man; simple,
+strong, expert; if also somewhat quick and rough. (246.) Solicitude
+for his Son's education. Appointed Recruiting Officer, with permission
+to live with his Family at Lorch. The children soon feel themselves at
+home and happy. Little Fritz receives his first regular school
+instruction, much to the comfort of his Father. Holiday rambles among
+the neighbouring hills: Brotherly and Sisterly affection. Touches of
+boyish fearlessness: Where does the lightning come from? (248.)--The
+Family run over to Ludwigsburg. Fritz to prepare for the clerical
+profession. At the Latin School, cannot satisfy his Father's anxious
+wishes. One of his first poems. (253.)--The Duke of Wuertemberg notices
+his Father's worth, and appoints him Overseer of all his Forest
+operations: With residence at his beautiful Forest-Castle, Die
+Solituede. Fritz remains at the Ludwigsburg Latin School: Continual
+exhortations and corrections from Father and Teacher. Youthful heresy.
+First acquaintance with a Theatre. (255.)--The Duke proposes to take
+Fritz into his Military Training-School. Consternation of the Schiller
+Family. Ineffectual expostulations: Go he must. Studies Medicine.
+Altogether withdrawn from his Father's care. Rigorous seclusion and
+constraint. The Duke means well to him. (258.)--Leaves the School, and
+becomes Regimental-Doctor at Stuttgard. His Father's pride in him.
+Extravagance and debt. His personal appearance. (260.)--Publication of
+the _Robbers_. His Father's mingled feelings of anxiety and
+admiration. Peremptory command from the Duke to write no more poetry,
+on pain of Military Imprisonment. Prepares for flight with his friend
+Streicher. Parting visit to his Family at Solituede: His poor Mother's
+bitter grief. Escapes to Mannheim. Consternation of his Father.
+Happily the Duke takes no hostile step. (263.)--Disappointments and
+straits at Mannheim. Help from his good friend Streicher. He sells
+_Fiesco_, and prepares to leave Mannheim. Through the kindness of Frau
+von Wolzogen he finds refuge in Bauerbach. Affectionate Letter to his
+Parents. His Father's stern solicitude for his welfare. (268.)--Eight
+months in Bauerbach, under the name of Doctor Ritter. Unreturned
+attachment to Charlotte Wolzogen. Returns to Mannheim. Forms a settled
+engagement with Dalberg, to whom his Father writes his thanks and
+anxieties. Thrown on a sick-bed: His Father's admonitions. He vainly
+urges his Son to petition the Duke for permission to return to
+Wuertemberg; the poor Father earnestly wishes to have him near him
+again. Increasing financial difficulties. More earnest fatherly
+admonition and advice. Enthusiastic reception of _Kabale und Liebe_.
+_Don Carlos_ well in hand. A friend in trouble through mutual debts.
+Applies to his Father for unreasonable help. Annoyance at the
+inevitable refusal. His Father's loving and faithful expostulation.
+His Sister's proposed marriage with Reinwald. (273.)--Beginning of his
+friendly intimacy with the excellent Koerner. The Duke of Weimar
+bestows on him the title of Rath. No farther risk for him from
+Wuertemberg. At Leipzig, Dresden, Weimar. Settles at last as Professor
+in Jena. Marriage and comfortable home: His Father well satisfied, and
+joyful of heart. Affectionate Letter to his good Father.
+(282.)--Seized with a dangerous affection of the chest. Generous
+assistance from Denmark. Joyful visit to his Family, after an absence
+of eleven years. Writes a conciliatory Letter to the Duke. Birth of a
+Son. The Duke's considerateness for Schiller's Father. The Duke's
+death. (286.)--Schiller's delight in his Sisters, Luise and Nanette.
+Letter to his Father. Visits Stuttgard. Returns with Wife and Child to
+Jena. Assists his Father in publishing the results of his long
+experiences of gardens and trees. Beautiful and venerable old age.
+(290.)--Thick-coming troubles for the Schiller Family. Death of the
+beautiful Nanette in the flower of her years: Dangerous illness of
+Luise: The Father bedrid with gout. The poor weakly Mother bears the
+whole burden of the household distress. Sister Christophine, now
+Reinwald's Wife, hastens to their help. Schiller's anxious sympathy.
+His Father's death. Grateful letters to Reinwald and to his poor
+Mother. (296.)
+
+
+ HIS MOTHER.
+
+Elizabetha Dorothea Kodweis, born at Marbach, 1733. An unpretending,
+soft and dutiful Wife, with the tenderest Mother-heart. A talent for
+music and even for poetry. Verses to her Husband. Troubles during the
+Seven-Years War. Birth of little Fritz. The Father returns from the
+War. Mutual helpfulness, and affectionate care for their children. She
+earnestly desires her Son may become a Preacher. His confirmation. Her
+disappointment that it was not to be. (p. 300.)--Her joy and care for
+him whenever he visited his Home. Her innocent delight at seeing her
+Son's name honoured and wondered at. Her anguish and illness at their
+long parting. Brighter days for them all. She visits her Son at Jena.
+He returns the visit with Wife and Child. Her strength in adversity.
+Comfort in her excellent Daughter Christophine. Her Husband's death.
+Loving and helpful sympathy from her Son. (307.)--Receives a pension
+from the Duke. Removes with Luise to Leonberg. Marriage of Luise.
+Happy in her children's love and in their success in life. Her last
+illness and death. Letters from Schiller to his Sister Luise and her
+kind husband. (318.)
+
+
+ HIS SISTERS.
+
+Till their Brother's flight the young girls had known no misfortune.
+Diligent household occupations, and peaceful contentment. A
+love-passage in Christophine's young life. Her marriage with Reinwald.
+His unsuccessful career: Broken down in health and hope.
+Christophine's loving, patient and noble heart. For twenty-nine years
+they lived contentedly together. Through life she was helpful to all
+about her; never hindersome to any. (p. 324.)--Poor Nanette's brief
+history. Her excitement, when a child, on witnessing the performance
+of her Brother's _Kabale und Liebe_. Her ardent secret wish, herself
+to represent his Tragedies on the Stage. All her young glowing hopes
+stilled in death. (331.)--Luise's betrothal and marriage. An anxious
+Mother, and in all respects an excellent Wife. Her Brother's last
+loving Letter to her. His last illness, and peaceful death. (333.)
+
+
+ APPENDIX I.
+
+ No. 1. DANIEL SCHUBART.
+
+Influence of Schubart's persecutions on Schiller's mind. His Birth and
+Boyhood. Sent to Jena to study Theology: Profligate life: Returns
+home. Popular as a preacher: Skilful in music. A joyful, piping,
+guileless mortal. (p. 341.)--Prefers pedagogy to starvation. Marries.
+Organist to the Duke of Wuertemberg. Headlong business, amusement and
+dissipation. His poor Wife returns to her Father: Ruin and banishment.
+A vagabond life. (343.)--Settles at Augsburg, and sets up a Newspaper:
+Again a prosperous man: Enmity of the Jesuits. Seeks refuge in Ulm:
+His Wife and Family return to him. The Jesuits on the watch.
+Imprisoned for ten years: Interview with young Schiller. (346.)--Is at
+length liberated. Joins his Wife at Stuttgard, and reestablishes his
+Newspaper. Literary enterprises: Death. Summary of his character.
+(351.)
+
+
+ No. 2. LETTERS OF SCHILLER TO DALBERG.
+
+Brief account of Dalberg. Schiller's desire to remove to Mannheim.
+Adaptation of the _Robbers_ to the stage. (p. 354.)--Struggles to get
+free from Stuttgard and his Ducal Jailor: Dalberg's friendly help.
+Friendly letter to his friend Schwann. (362.)
+
+
+ No. 3. FRIENDSHIP WITH GOETHE.
+
+Goethe's feeling of the difference in their thoughts and aims: Great
+Nature _not_ a phantasm of her children's brains. Growing sympathy and
+esteem, unbroken to the end. (p. 371.)
+
+
+ No. 4. DEATH OF GUSTAVUS ADOLPHUS.
+
+Schiller's historical style. A higher than descriptive power. (p.
+375.)
+
+
+ APPENDIX II.
+
+Schiller's Life into German; Author's Note thereon. (p.
+380.)--Goethe's introduction (in German), with Four Prints. (393.)
+
+
+
+
+
+End of Project Gutenberg's The Life of Friedrich Schiller, by Thomas Carlyle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LIFE OF FRIEDRICH SCHILLER ***
+
+***** This file should be named 23209.txt or 23209.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/2/0/23209/
+
+Produced by Thierry Alberto, Henry Craig, Irma Spehar and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.