diff options
Diffstat (limited to '23247-h/23247-h.htm')
| -rw-r--r-- | 23247-h/23247-h.htm | 1084 |
1 files changed, 1084 insertions, 0 deletions
diff --git a/23247-h/23247-h.htm b/23247-h/23247-h.htm new file mode 100644 index 0000000..4277651 --- /dev/null +++ b/23247-h/23247-h.htm @@ -0,0 +1,1084 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <title> + The Cursed Patois, by Mary Hartwell Catherwood + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Cursed Patois, by Mary Hartwell Catherwood + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Cursed Patois + From "Mackinac And Lake Stories", 1899 + +Author: Mary Hartwell Catherwood + +Release Date: October 30, 2007 [EBook #23247] +Last Updated: March 8, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE CURSED PATOIS *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE CURSED PATOIS + </h1> + <h2> + From “Mackinac And Lake Stories”, 1899 + <br /> <br /> + By Mary Hartwell Catherwood + </h2> + <p> + As his boat shot to the camp dock of beach stones, the camper thought he + heard a child's voice behind the screen of brush. He leaped out and drew + the boat to its landing upon a cross-piece held by two uprights in the + water, and ascended the steep path worn in leaf mould. + </p> + <p> + There was not only a child, there was a woman also in the camp. And Frank + Puttany, his German feet planted outward in a line, his smiling dark face + unctuous with hospitality towards creatures whom he had evidently + introduced, in foolish helplessness gave his partner the usual greeting: + </p> + <p> + “Veil, Prowny.” + </p> + <p> + “Hello, Puttany. Visitors?” + </p> + <p> + Brown pulled off his cap to the woman. She was pretty, with eyes like a + deer's, with white teeth showing between her parted scarlet lips, and much + curling hair pinned up and blowing over her ears. She had the rich tint of + a quarter-breed, lightened in her case by a constant suffusion which gave + her steady color. She was dressed in a mixture of patches, but all were + fitted to her perfect shape with a Parisian elegance sensed even + by-backwoodsmen. Pressed against her knee stood the dirtiest and chubbiest + four-year-old child on the borders of Brevoort Lake—perhaps the + dirtiest on the north shore of Michigan. The Indian mixed with his French + had been improved on by the sun until he was of a brick redness and + hardness of flesh; a rosy-raeated thing, like a good muskalonge. Brown + suddenly remembered the pair. They were Joe La France's wife and child. + Joe La France was dead. Puttany had recently told him that Joe La France + left a widow and a baby without shelter, and without relations nearer than + Canada. + </p> + <p> + After greeting Brown the guest resumed her seat on one of the camp-chairs, + a box worn smooth by much use, having a slit cut in the top through which + the hand could be thrust to lift it. + </p> + <p> + The camp, in a small clearing, consisted of two tents, both of the + wedge-shaped kind. The sleeping-tent was nearly filled by the bed it + contained; and this, lifted a few inches above the ground on pole + supports, was of browse or brush and straw, covered with blankets. A + square canopy of mosquito-netting protected it. The cooking-tent had a + foundation of logs and a canvas top. The floor was of pure white sand. + Boxes like lockers were stored under the eaves to hold food, and in one + corner a cylindrical camp-stove with an oven thrust its pipe through a + tinned hole in the roof. Plenty of iron skillets, kettles, and pans hung + above the lockers on pegs in the logs; and the camp dinner service of + white ware, black-handled knives and forks, and metal spoons, neatly + washed, stood on a table. Jess, the Scotch collie, who was always left to + guard the tents in their owners' absence, sat at her usual post within the + door; and she and Brown exchanged repressed growls at the strangers. Jess, + being freed from her chain, trotted at his heels when he went back to the + beach to clean fish for supper. She sat and watched his deft and + work-hardened hands as he dipped and washed and drew and scaled his spoil. + He was a clean-skinned, blue-eyed Canadian Irishman, well made and sinewy, + bright and open of countenance. His blond hair clung in almost flaxen + tendrils to his warm forehead. No ill-nature was visible about him, yet he + turned like a man in fierce self-defence on his partner, who followed Jess + and stood also watching him. + </p> + <p> + “Puttany, you fool! what have you brought these cursed patois into camp + for?” + </p> + <p> + “Joe La France vas my old pardner,” softly pleaded the German. + </p> + <p> + “Damn you, man, we can't start an orphan-asylum and widows' home! We'll + get a bad name at the hotels. The real good people won't have us for + guides.” + </p> + <p> + “She told me in Allanville she had no place to stay. She did not know what + to do. At the old voman's, where Joe put her, they have need of her bed. + The old voman is too poor to keep her any more.” + </p> + <p> + “I'd have done just what you did; that's what makes me so mad. How long is + she going to stay?” + </p> + <p> + “I don't know,” sheepishly responded his partner. + </p> + <p> + “A Dutchman ought to have more sense than to load up with a lot of cursed + patois. Nothing but French and Indian! We'll have to put the precious + dears in the sleeping-tent, and bunk down ourselves with blankets in the + other. Did you air the blankets good this morning, Frank?” + </p> + <p> + “They vos veil aired.” + </p> + <p> + “You're a soft mark, Frank! One of us will have to marry Joe La France's + widow—that's what it will come to!” Brown slapped the water in + violent disgust, but Puttany blushed a dark and modest red. + </p> + <p> + Men of their class rarely have vision or any kind of foresight. They live + in the present and plan no farther than their horizon, being, like + children, overpowered by visible things. But the Irish Canadian had lived + many lives as lake sailor and lumberman, and he had a shrewd eye and quick + humor. It was he who had devised the conveniences of the camp, and who + delicately and skilfully prepared the meals so that the two fared like + epicures; while Puttany did the scullery-work, and was superior only at + deerstalking. + </p> + <p> + The perfume of coffee presently sifted abroad, and the table was brought + out and set under the evening sky. Lockers gave up their store of bread + and pastry made by the capable hands of the camp housekeeper. The woman, + their guest, sat watching him move from cook-tent to table, and Puttany + lounged on the dog-kennel, whittling a stick. + </p> + <p> + “Frank,” said his partner, with sudden authority, “you take the kid down + to the water and scrub him.” + </p> + <p> + “All over?” whispered Puttany, in confusion. + </p> + <p> + “No—just his hands and top. Supper is ready to put on.” + </p> + <p> + The docile mother heard her child yelling and blubbering under generous + douches while nurse's duty was performed by one of her entertainers, and + she smiled in proof that her faith was grounded on their righteousness. + She was indeed a mere girl. Her short scarlet upper lip showed her teeth + with piquant innocence. As much a creature of the woods as a doe, her lot + had been that primitive struggle which knows nothing about the amenities + and proprieties of civilization. This Brown could clearly see, and he + addressed her with the same protecting patronage he would have used with + the child. + </p> + <p> + “What's your kid's name?” + </p> + <p> + “Grégoire, but he call himself Gougou. Me, I am Françoise La France.” + </p> + <p> + “Yes, I know that..You have had a hard time since Joe died.” + </p> + <p> + “I been anxion”—she clasped her hands and looked pleadingly at him—“I + been very anxion!” + </p> + <p> + “Well, you're all right now.” + </p> + <p> + “You let me do de mend'? I can sew. I use' learn to sew when I have t'ing + to sew on.” + </p> + <p> + “Jerusalem! look at them shirts on the line! We have more clothes to sew + on than any dude at the hotels. And if that isn't enough, I'll make + Puttany strip and stay in the brush while you do his clothes.” + </p> + <p> + Françoise widened her smile. + </p> + <p> + “I've been thinking we'll have to build you a house right over there.” Her + entertainer indicated the shore behind her. + </p> + <p> + “Oppos'?” exclaimed Françoise, turning with pleased interest. Even in her + husband's lifetime little thought had ever been taken for her. + </p> + <p> + “Yes, directly opposite. We can fix it up snug like our winter camp at the + other end of the lake.” + </p> + <p> + “Have you two camp?” + </p> + <p> + “Yes—a winter camp and a summer camp. But we have stayed comfortably + here in the cook-tent until the thermometer went fourteen degrees below + zero. We'll sleep in it till we get your house done, and you can take the + tent. If there are no parties wanting guides, we might as well begin it in + the morning.” + </p> + <p> + “But,” faltered Françoise, “afterw'iles when de ice is t'ick, and you go + to de hudder camp—” + </p> + <p> + “Oh, we'll take care of you,” he promised. “You and Gougou will go with + us. We couldn't leave you on this side.” + </p> + <p> + “In de dark nights,” shuddered Françoise. + </p> + <p> + “You needn't be afraid, any time. When we are off during the day we always + leave Jess and Jim to guard the camp. Jess is a Scotch collie and Jim is a + blood-hound. He's there in the kennel. Neither man nor varmint would have + any chance with them.” + </p> + <p> + “I been use' to live alone when my husban' is away, M'sieu' Brownee. I not + 'fraid like you t'ink. But if Gougou be cold and hongry.” + </p> + <p> + “Now that's enough,” said Brown, with gentle severity. “Gougou will never + be cold and hungry again while there's a stick of wood to be cut on the + shores of this lake, or any game to bag, or a 'lunge to spear through the + ice. We get about two days' lumbering a week down by St. Ignace. No use to + work more than two days a week,” he explained, jocosely. “That gives us + enough to live on; and everybody around here owes us from fifty to a + hundred dollars back pay for work, anyhow. I've bought this ground, twenty + acres of it, and another year I'm going to turn it into a garden.” + </p> + <p> + “Oh, a garden, M'sieu' Brownee! Me, I love some garden! I plant honion + once, salade also.” + </p> + <p> + “But I want to get my fences built before I put in improvements. You know + what the silver rule is, don't you?” + </p> + <p> + “No, m'sieu',” answered Françoise, vaguely. She knew little of any rule. + </p> + <p> + “The silver rule is different from the golden rule. It's 'Do your + neighbors, or your neighbors will do you.' If I don't protect myself, all + the loose cattle around Brevoort will graze over me. Every fellow for + himself. We can't keep the golden rule. We'd never get rich if we did.” + </p> + <p> + “You are rich mans?” interrogated Françoise, focussing her curiosity on + that invisible power of wealth. + </p> + <p> + “Millionaires,” brazenly claimed the young man, as he put an earthen-ware + pitcher on the table. “Set there, you thousand-dollar dish! We don't have + a yacht on the lake because we prefer small boats, and we go out as guides + to have fun with the greenhorns. The cooking at the hotels is good enough + for common hunters and fishermen who come here from the cities to spend + their money, but it isn't good enough for me. You've come to the right + place, you may make your mind easy on that.” + </p> + <p> + Françoise smiled because he told her to make her mind easy, not because + she understood the irony of his poverty. To have secure shelter, and such + a table as he spread, and the prowess to achieve continual abundant + sustenance from the world, made wealth in her eyes. She was as happy as + Gougou when this strange family, gathered from three or four nations, sat + down to their first meal. + </p> + <p> + The sun went low like a scarlet eggy probing the mother-of-pearl lake with + a long red line of shadow, until it wasted into grayness and so + disappeared. Then home-returning sails became spiritualized, and moved in + mist as in a dream—foggy lake and sky, as one body, seeming to push + in upon the land. + </p> + <p> + Françoise slept the sleep of a healthy woman, with her child on her arm, + until at dawn the closed flap of the tent yielded to a bounding shape. She + opened her startled eyes to see Jim the blood-hound at the foot of the + bed, jerking the mosquito-netting. He growled at the interlopers, not + being able in his canine mind to reconcile their presence with his + customary duty of waking his masters in that tent. A call and a whistle at + the other side of the camp drew him away doubting. But in a day both he + and Jess had adopted the new members of the family and walked at Gougou's + heels. + </p> + <p> + Gougou existed in wonderland. He regarded the men as great and amiable + powers, who could do what they pleased with the elements and with the + creatures of the earth. They had a fawn, which had followed Brown home + along the beach, feeding on leaves from his hand. They had built it a + sylvan home of cedar boughs behind the camp, from which it wandered at + will. And though at first shy of Gougou, the pretty thing was soon induced + to stand upon its hind feet and dance for bits of cake. His Indian blood + vearned towards the fawn; but Me-thuselah, the mighty turtle, was more + exciting. Methuselah lived a prisoner in one side of the bait-tank, from + which he was lifted by a rope around his tail. He was so enormous that it + required both Brown and Puttany to carry him up the bank, and as he hung + from the pole the sudden projection of his snapping head was a danger. + When he fastened his teeth into a stick, the stick was hopelessly his as + long as he chose to keep it. He was like an elephant cased in mottled + shell, and the serrated ridge on his tail resembled a row of huge brown + teeth. Methuselah was a many-wrinkled turtle. When he contracted, + imbedding head in shoulders and legs in body, revealing all his claws and + showing wicked little eyes near the point of his nose, his helpless rage + stirred all the Indian; he was the most deliciously devilish thing that + Gougou had ever seen. + </p> + <p> + Then there was the joy of wintergreen, which both men brought to the + child, and he learned to forage for it himself. The fleshy dark green + leaves and red berries clustered thickly in the woods. He and his mother + went in the boat when the day was to be given to bass or pickerel fishing, + and he learned great lessons of water-lore from the two men. If they + trusted a troll line to his baby hands, he was in a state of beatitude. + His object in life was to possess a bear cub, and many a porcupine + creeping along the beach he mistook for that desirable property, until + taught to distinguish quills from fur. Gougou heard, and he believed, that + all porcupines were old lumbermen, who never died, but simply contracted + to that shape. He furtively stoned them when he could, reflecting that + they were tough, and delighting to see the quills fly. + </p> + <p> + Françoise would sit in the camp like a picture of still life, glowing and + silent at her appointed labor. She sewed for all of them, looking womanly + and unhurried, with a pink-veined moccasin-flower in her hair; while + Brown, cooking and baking, rushed from tent to wood-pile, his sleeves + turned back from his white, muscular arms. He lived more intensely than + any other member of the sylvan household. His blue eyes shone, and his + face was vivid as he talked to her. He was a common man, blunted in the + finer nature by a life of hardship, yet his shrewd spirit seized on much + that less facile people like Puttany learned slowly or not at all. + </p> + <p> + Puttany and the child were often together in one long play, broken only by + the man's periods of labor. They basked in a boat near rushes, waiting for + pickerel to strike, or waded a bog to a trout stream at the other end of + the lake, hid in a forest full of windfalls and hoary moss and tropical + growths of brake and fern. Gougou had new strong clothes and buckskin + shoes. For the patois had not been a week in camp before Brown went to St. + Ignace and brought back denim and white and black calico, which he + presented to Françoise. + </p> + <p> + “She ought to have a kind of second mourning,” he explained to Puttany, + who received his word on any matter as law. “Joe La France wasn't worth + wearing first mourning for, but second mourning is decent for her, and it + won't show in the camp like bright colors would.” + </p> + <p> + The world of city-maddened people who swarmed to this lake for their + annual immersion in nature did not often intrude on the camp. Yet the fact + of a woman's presence there could not be concealed, and Puttany was + disciplined to say to strangers, “Dot vas my sister and her little poy.” + </p> + <p> + A tiny cabin was built for Françoise, with the luxuries of a puncheon + floor and one glazed window. She inhabited it in primitive gladness, as a + child adorns a play-house, and was careful to keep it in that trim, + military state which Brown demanded. Françoise had a regard for M'sieu' + Put-tanee, who was neat and ladylike in all his doings, and smiled amiably + at her over her boy's head; but her veneration of M'sieu' Brownee extended + beyond the reach of humor. If he had been a priest he could have had no + more authority. She used to watch him secretly from her window at dawn, as + he put himself through a morning drill to limber his muscles. Some + spectators might have laughed, but she heard as seriously as if they were + the motions of her own soul his tactics with a stick: + </p> + <p> + “Straight out—across the shoulder—under the arm—down on + the turf!” + </p> + <p> + There were days when the misty gray lake, dim and delicious, lay veiled + within its irregular shores. Then the lowering sun stood on tree-tops, a + pale red wraith like the ghost of an Indian. And there were days of sharp, + clear shine, when Black Point seemed to approach across the water, and any + moving object could be seen in the Burning—a growth of green + springing where the woods had been swept by fire. The men were often away, + guiding fishing parties from dawn until sunset, or hunting parties from + sunset half the night. Françoise and Gou-gou dwelt in the camp, having the + dogs as their protectors, though neither primitive nor civilized life + menaced them there with any danger. Some evenings, when few affairs had + crowded the day, Brown sat like a patriarch in the midst of his family, + and took Gougou on his knee to hear bear stories. He supervised the + youngster's manners like a mother, and Gougou learned to go down to the + washing-place and use soap when the signs were strong for bear-dens and + deer-stalking. + </p> + <p> + “I saw a bear come out on the beach once,” Brown would tell him, “when I + was stalking for deer and had a doe and fawn in the lake. I smelt him, but + couldn't get him to turn his eyes towards me. I killed both deer, and + skinned them, and cut up one. And that bear went into the woods and howled + for hours. I took all the venison I could carry, but left part of the + carcasses. When we went after them in the morning, the bear had eaten all + up clean.” + </p> + <p> + Bear-dens, Gougou was informed, might be found where there was a windfall. + The bears stuffed cracks between the fallen trees with moss, and so made + themselves a tight house in which to hibernate. If you were obliged to + have bear meat that season when the game was thin, you could cut a hole + into a den, stand by it with an axe, and lop off the inquiring head stuck + out to investigate disturbances. Bears had very small stomachs, but + whatever they ate went to fat. They walked much on their hind feet, and + browsed on nuts or mast when their hunting was not successful, being able + to thrive on little. Usually a father, a mother, and a cub formed one + household in one den. + </p> + <p> + Brown's mind ran on the subject of households; and he sometimes talked to + Françoise about his mother. + </p> + <p> + “My mother Gaelics like the Scotch,” he said. Françoise could not imagine + what it was to Gaelic. People had not Gaelic-ed on the Chaudière, where + she was brought up until the children were obliged to scatter from the + narrow farm. But the priest had never warned her against it, and since + M'sieu' Brownee's mother was addicted to the practice, it must be + something excellent, perhaps even religious. She secretly invoked St. + Francis, her patron saint, to obtain for her that mysterious power of + Gaelic-ing of which M'sieu' Brownee spoke so tenderly. + </p> + <p> + So the summer passed, and frost was already ripening to glory the ranks on + ranks of dense forest pressing to the lake borders. Brown and Puttany + rowed home through an early September evening, lifted their boat to its + cross-piece dock, and pulled the plug out of the bottom to let it drain. + There was no sound, even of the dogs, as they flung their spoil ashore. It + was the very instant of moon-rise. At first a copper rim was answered by + the faintest line in the water. Then the full reddish disk stood upon a + strong copper pillar, smooth and flawless in a rippleless lake, and that + became denuded of its capital as the ball rose over it into the sky. + </p> + <p> + “Seems still,” remarked Brown, and he ran up the path, shaking leaf loam + like dry tobacco dust from the roots of ferns he had brought to Françoise. + He knew at once that she and Gougou had left the camp. He sat down on the + dog-kennel with his hands on his knees, staring at the dim earth. Puttany + went from tent to cabin, calling his daily playmate, unable to convince + himself that some unusual thing had happened, and he hoped that Brown + would contradict him when he felt compelled to announce his slow + discovery. + </p> + <p> + “Dey vas gone!” + </p> + <p> + “Damn you, Puttany!” exploded his partner, “what did you bring her here + for? I didn't want to get into this! I wanted to steer clear of women! You + knew I was soft! You knew her black eyes, and the child that made her seem + like the Virgin, would get in their work on me!” + </p> + <p> + “No, I didn't,” said Puttany, in phlegmatic consternation. + </p> + <p> + “What's the matter, Frank? Haven't we behaved white to this woman? Have + you done anything, you stupid old Dutchman,” cried Brown, collaring his + partner with abrupt violence, “that would drive her out of the camp + without a word?” + </p> + <p> + “I svear, Prowny,” the other gasped, as soon as he had breath for + swearing, “I haf been so polite to her as my own mudder.” + </p> + <p> + The younger man sat down again, dropping lax hands across his knees. A + growl inside the box reminded him that Jim the blood-hound should be + brought to account for this disappearance. + </p> + <p> + “Come out here!” he commanded, and the lithe beast crept wagging and + apologizing to his side. “What kind of a way is this for you to keep a + camp—Jess sitting in the kitchen, and you in the box, and somebody + carrying off Françoise and the boy, and every rag that would show they had + ever been here—and not a sound out of your cowardly head till we + come home and catch you skulking? I've a notion to take a board and beat + you to death!” + </p> + <p> + Jim lay down with an abject and dismal whine. + </p> + <p> + “Where is she?” + </p> + <p> + Jim lifted his nose and sniffed hopefully, and his master rose up and + dragged him by the collar to the empty cabin. It was the first time Brown + had entered that little cell since its dedication to the woman for whom it + was built. He rubbed Jim's muzzle against the bed, and pointed to nails in + the logs where the clothes of the patois had hung. + </p> + <p> + “Now you lope out and find them—do you hear?” + </p> + <p> + Jim, crouching on his belly in acknowledgment that his apprehension had + been at fault during some late encounter, slunk across the camp and took + the path to the hotels. + </p> + <p> + Brown turned on Puttany following at his heels: “Frank, are you sure Joe + La France is dead?” + </p> + <p> + “Oh yes, he is det.” + </p> + <p> + “Did you see him die? Were you there when he was buried? Was he put + underground with plenty of dirt on top of him, or did he merely drop in + the water?” + </p> + <p> + “I vas not there.” + </p> + <p> + “Maybe the lazy hound has resurrected. I've seen these lumbermen dropped + into the water and drowned too often. You can never be sure they won't be + up drinking and fighting to-morrow unless you run a knife through them.” + </p> + <p> + “He is a det man,” affirmed Puttany. + </p> + <p> + “Then somebody else has carried her off, and I'm going to know all about + it before I come back to camp. If I never come back, you may have the + stuff and land. I'm in this heels over head, and I don't care how soon + things end with me.” + </p> + <p> + “But, Prowny, old poy, I vill help you—” + </p> + <p> + “You stay here. This is my hunt.” + </p> + <p> + Jim passed the rustic guest-houses without turning aside from the trail. + Brown took no thought of inquiring at their doors, for throughout the + summer Françoise had not once been seen at the hotels. He did, however, + hastily borrow a horse from the stable where he was privileged, and + pursuing the blood-hound along the lake shore, he cantered over a causeway + of logs and earth which had been raised above a swamp. + </p> + <p> + The trail was very fresh, for Jim, without swerving, followed the road + where it turned at right angles from the shore and wound inland among + stumps. They had nearly reached Allanville, a group of log huts beside a + north-shore railroad, when Jim uttered the bay of victory. + </p> + <p> + Brown dropped from the saddle and called him sternly back. To be hunting + Françoise with a blood-hound out of leash—how horrible was this! + </p> + <p> + He tied his horse to a tree and took Jim by the collar, restraining the + creature's fierce joy of discovery. Françoise must be near, unless a hound + whose scent was unerring had become a fool. + </p> + <p> + What if she had left camp of her own will? She was so quiet, one could not + be sure of her thoughts. Brown was sure of his thoughts. He grinned in the + lonely landscape, seeing himself as he had appeared on recent Sundays, in + his best turtle-tail neck-tie mounted on velvet. + </p> + <p> + “I've got it bad,” he confessed. + </p> + <p> + Stooping to Jim's collar while the dog whined and strained, he passed a + cabin. And there Jim relaxed in the search and turned around. The moon + stood high enough to make a wan fairy daylight. Gougou, like a gnome, + started from the ground to meet them, and the dog at once lay down and + fawned at his feet. + </p> + <p> + More slowly approaching from the cabin, Brown saw Françoise, still + carrying in her hand the bundle of her belongings brought from camp. In + the shadow of the house a man watched the encounter, and a sift of rank + tobacco smoke hinted the pipes of fathers and sons resting from the day's + labor on the cabin door-sill or the sward. Voices of children could be + heard, and other dogs gave mouth, so that Brown laid severe commands on + Jim before he could tremblingly speak to Françoise. + </p> + <p> + “Oh, M'sieu' Brownee, I t'ink maybe you come!” + </p> + <p> + “But, Françoise, what made you leave?” + </p> + <p> + “It is my husban's brudder. I not know what to do! He bring us to dese + folks to stay all night till de cars go.” + </p> + <p> + “Why didn't he show himself to us, and take you like a man?” + </p> + <p> + “Oh, M'sieu' Brownee—he say de priest hexcommunicate me—to + live—so—in de camp! It is not my fault—and I t'ink about + you and M'sieu' Put-tanee—and Gougou he bite his honcle, and kick + and scream!” + </p> + <p> + “Damn the uncle!” swore Brown, deeply. + </p> + <p> + “Oh, I been so anxion!” sobbed Françoise. + </p> + <p> + “We must be married right off,” said Brown. “I'll fix your brother-in-law. + Françoise, will yon have me for your husband?” + </p> + <p> + “Me, M'sieu' Brownee?” + </p> + <p> + “Yes, you—you cursed sweet patois!” + </p> + <p> + “M'sieu' Brownee, you may call me de cursed patois. I not know anyt'ings. + But when André La France take me away, oh, I t'ink I die! Let me honly be + Françoise to do your mend'! I be 'appier to honly look at you dan some + womans who 'ave 'usban'!” + </p> + <p> + “Françoise, kiss me—kiss me!” His voice broke with a sob. “If you + loved me you would have me!” + </p> + <p> + “M'sieu' Brownee, I ado' you!” + </p> + <p> + Suddenly giving way to passionate weeping, and to all the tenderness which + nature teaches even barbarians to repress, she abandoned herself to his + arms. + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg's The Cursed Patois, by Mary Hartwell Catherwood + +*** END OF THIS PROJECT GUTENBERG EBOOK THE CURSED PATOIS *** + +***** This file should be named 23247-h.htm or 23247-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/2/4/23247/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
