diff options
Diffstat (limited to '23485-8.txt')
| -rw-r--r-- | 23485-8.txt | 1102 |
1 files changed, 1102 insertions, 0 deletions
diff --git a/23485-8.txt b/23485-8.txt new file mode 100644 index 0000000..b8a00df --- /dev/null +++ b/23485-8.txt @@ -0,0 +1,1102 @@ +The Project Gutenberg EBook of The Old Man's Bag, by T. W. H. Crosland + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Old Man's Bag + +Author: T. W. H. Crosland + +Illustrator: J. R. Monsell + +Release Date: November 15, 2007 [EBook #23485] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE OLD MAN'S BAG *** + + + + +Produced by David Edwards and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by The +Internet Archive) + + + + + + +Transcriber's Note: Minor typographical errors have been corrected +without note. + + +THE OLD MAN'S BAG + +T. W. H. CROSLAND AND J. R. MONSELL + +The Dumpy Books for Children + +NO. 22. THE OLD MAN'S BAG. + + +THE DUMPY BOOKS FOR CHILDREN. + +_Cloth, Royal 32 mo, 1/6 each._ + + I. The Flamp, the Ameliorator, and the Schoolboy's Apprentice. By + E. V. LUCAS. + + II. Mrs. Turner's Cautionary Stories. Edited by E. V. LUCAS. + + III. The Bad Family. By MRS. FENWICK. Edited by E. V. LUCAS. + + IV. The Story of Little Black Sambo. Illustrated in Colours. By + HELEN BANNERMAN. + + V. The Bountiful Lady. By THOMAS COBB. + + VI. A Cat Book. Portraits by H. OFFICER SMITH. Text by E. V. LUCAS. + + VII. A Flower Book. Illustrated in Colours by NELLIE BENSON. Text by + EDEN COYBEE. + + VIII. The Pink Knight. Illustrated in Colours by J. R. MONSELL. + + IX. The Little Clown. By THOMAS COBB. + + X. A Horse Book. Illustrated in Colours. By MARY TOURTEL. + + XI. Little People: An Alphabet. Illustrated in Colours by HENRY + MAYER. Verses by T. W. H. CROSLAND. + + XII. A Dog Book. Illustrated in Colours by CARTON MOORE PARK. Text by + ETHEL BICKNELL. + + XIII. The Adventures of Samuel and Selina. Illustrated in Colours by + JEAN C. ARCHER. + + XIV. The Little Girl Lost. By ELEANOR RAPER. + + XV. Dollies. Illustrated in Colours by RUTH COBB. Verses by RICHARD + HUNTER. + + XVI. The Bad Mrs. Ginger. Illustrated in Colours by HONOR C. APPLETON. + + XVII. Peter Piper's Practical Principles. Illustrated in Colours. + +XVIII. Little White Barbara. Illustrated in Colours by ELEANOR S. MARCH. + + XIX. The Japanese Dumpy Book. Illustrated in Colours by YOSHIO MARKINO. + + XX. Towlocks and His Wooden Horse. Illustrated in Colours by HONOR + C. APPLETON. Text by ALICE M. APPLETON. + + XXI. The Three Little Foxes. By MARY TOURTEL. Illustrated in Colours. + + XXII. The Old Man's Bag. By T. W. H. CROSLAND. Illustrated in Colours + by J. R. MONSELL. + +XXIII. The Three Goblins. By M. E. TAGGART. Illustrated in Colours. + +_A Cloth Case to contain Twelve Volumes can be had, price 2s. net; or +the First Twelve Volumes in Case, price £1 net._ + +LONDON: GRANT RICHARDS, +48 Leicester Square. + + + + +[Illustration: The old man went for a walk and took the bag with him.] + + + +THE OLD MAN'S BAG + + + +By + +T. W. H. CROSLAND + + + +PICTURES BY + +J. R. MONSELL + + + +LONDON: +GRANT RICHARDS +1903 + + + + +ILLUSTRATIONS. + + +THE OLD MAN WENT FOR A WALK _Frontispiece_ + + PAGE + +THE OLD MAN SAID "CHUCK, CHUCK!" 2 + +THE RED POLICEMAN RAN AFTER HIM 7 + +"WHATEVER ARE YOU LAUGHING AT?" 10 + +SHE TOOK THE BAG DOWN 15 + +"BUTTER IS CHEAP TO-DAY" 18 + +"YOU ARE A VERY FOOLISH OLD WOMAN" 23 + +WHO SHOULD STEP IN BUT THE RED POLICEMAN 26 + +"PLEASE MEASURE ME FOR A SOLDIER'S SUIT" 31 + +HE BEGAN TO STRUT ABOUT 42 + +THE OLD WOMAN WAS KNOCKING APPLES OFF A TREE 47 + +BURNT THE PIECES ON THE FIRE 58 + + + + +THE OLD MAN'S BAG. + + + + +CHAPTER I. + + +The old man lived in a wood. He had a wife and a bag. The bag was quite +a large bag. One day the old man went out for a walk. He took the bag +with him. By and by he saw a hen in a field. Now when you see a hen in +a field you say "Chuck, chuck!" The old man said "Chuck, chuck!" And +the hen came to him. So that he caught her by the neck and put her in +his bag. She made a great to-do, but he put her in. + +[Illustration: The old man said "Chuck, chuck!" and the hen came to +him.] + +On his way home, just as he turned a corner, the old man saw a +policeman. The policeman had a red suit. He was one of those policemen +who wear red suits because they are tired of wearing blue. The red +policeman looked very hard at the old man and very hard at his bag. In +fact he looked so very very hard that the old man got frightened and +turned round and ran away. + +Of course the red policeman ran after him. When they had run about five +miles the old man dropped his bag in order that he might run quicker. +The red policeman had made up his mind to catch him; so that he did not +stop to pick up the bag but kept on running after the old man. At +length when they had run about ten miles he caught him. + +[Illustration: The red policeman ran after him.] + +"Now, sir," said the red policeman, "what have you got in that bag?" + +"Nothing," said the old man. + +"Oh, you wicked old person," said the red policeman. "You know +perfectly well that you have a hen in it. But you must come back with +me, and we will soon find out." + +So the red policeman took the old man back to the place where he had +dropped the bag. The bag was there, and the red policeman picked it up +and opened it with great care. But the hen had got away. There was a +big hole in the corner of the bag, and through this the hen had +squeezed herself and run home as fast as ever she could. When the +policeman found that the bag was empty he looked much puzzled. The old +man for his part smiled a great deal. "I told you there was nothing in +it," he said. + +The red policeman said, "Well, I expect I shall have to let you go this +time. BUT MIND YOU DON'T DO IT AGAIN." + +And the old man went home quite cheerfully with his bag under his arm. + + + + +CHAPTER II. + + +When the old man got home to his house in the wood he hung the bag up +tidily on a nail. Then he sat down in a chair and began to laugh. He +laughed for nearly a quarter of an hour by the clock. At length his +wife came in to him from the garden and said, + +"Whatever are you laughing at?" + +[Illustration: "Whatever are you laughing at?"] + +"Oh," replied the old man, holding his sides, "I am so amused!" Then he +went on laughing. He laughed so much indeed that the tears came into +his eyes and he nearly choked. His wife had to pat his back and give +him a drink of water to put him right. + +Then he told her what had happened. How he had put a hen in his bag, +how the red policeman had run after him, how he dropped the bag and let +the policeman catch him, and how when the policeman took him back to +the bag, the hen was gone. + +"Did she open the bag and fly away?" said the old woman. + +"No," said the old man. "She got out through that hole in the corner." + +"Ah," said the old woman, "I must sew up that hole." + +And she took the bag down from its nail and sewed up the hole. For she +was a very neat woman and she did not like to see holes in bags. + +[Illustration: She took the bag down and sewed up the hole.] + + + + +CHAPTER III. + + +The next day was market day. On market day people who have butter or +cheese to sell take it into the market to sell it. And people who have +money and happen to want butter or cheese go into the market to buy it. +The old man's wife had nothing to sell. Neither had she any money. But +she wanted some butter very badly. So she took the old man's bag off +the nail and carried it to market. She walked round the market with the +bag under her arm and looked at all the stalls and enquired how much +the strawberries were a pound; but she did not buy anything because she +had no money. In a little while she came to a stall on which there were +six rolls of fine fresh butter, and in front of them was a card on +which the man who brought the butter to market had written-- + + BUTTER IS CHEAP TO-DAY. + +[Illustration: "Butter is cheap to-day!"] + +"I am glad butter is cheap to-day," said the old woman to herself, and +when the man who had brought the butter to market was not looking she +picked up a roll and dropped it into her bag. Then she ran away as fast +as she could. + +When she got round the corner the red policeman saw her. He shouted +out, "What have you got in that bag?" + +"Nothing," said the old woman, still running. + +But the policeman kept running after her. When they had run about five +miles the old woman dropped the bag, so that she might run quicker. The +policeman, however, had made up his mind to catch her, and when they +had run about ten miles he caught her. + +"Now," he said, "you must come back with me to your bag, and we will +see if there is anything in it." The old man's wife said that she was +sure there was nothing in it. "All right," said the policeman, "but if +you don't mind we will go back and see." So they went back to the bag, +and the policeman opened it with great care. Inside he found the roll +of butter. + +The old man's wife began to cry. "Oh dear, oh dear," she said, "what a +pity it is that I sewed up that hole." + +"Why?" asked the red policeman. + +"Because if I had not sewn up the hole the butter might have got out, +like my husband's hen." + +"You are a very foolish old woman," said the policeman. "Do you not +know that a roll of butter cannot walk like a hen?" + +[Illustration: "You are a very foolish old woman."] + +"Is that really so?" said the old woman. "Well, well. But I have seen +butter run when it was melted." + +"Never mind that," said the red policeman, "you will have to come with +me to prison." + +"I am too busy to go with you just now," said the old woman, "and my +husband wants the butter for his tea. But if you like to call for me in +the morning and the weather is fine I will come with you with +pleasure." + +"You are very polite," said the red policeman. "If you had been rude I +should have made you go with me now. As it is I will call for you in +the morning providing it doesn't rain." + +"Thank you so much," said the old woman. + +And she shook the red policeman warmly by the hand and went off to her +husband. + + + + +CHAPTER IV. + + +When she got home the old man was sat in his chair by the fire. She +could see by his face that he was in a bad temper. But she went up to +him and kissed him and said, "Please don't be grumpy, for I have +brought you something very nice for your tea." + +"What is it?" said the old man, "a hen?" + +"No," she said, "people don't have hens for tea, do they?" + +"Perhaps not," said the old man. "But if you had brought a hen she +might have laid an egg, and I could have had that. You know very well +that I am fond of new laid eggs." + +"New laid eggs are all very fine," said the old woman, "but butter is +cheap to-day. I have brought you a beautiful fresh roll." + +The old man smacked his lips. + +While they were having tea the old woman began to laugh very much. + +"What are you laughing at?" said the old man. "Did you meet the red +policeman?" + +"Yes, I did," said the old woman. + +"And did he catch you?" + +"Yes, he did," said the old woman. + +"And he let you go?" + +"Yes, he did," said the old woman. + +"Why?" + +"Because I was polite to him," said the old woman. + +"Well I never," said the old man. + +"But he is coming for me in the morning, providing the weather is +fine," said the old woman. + +The old man sat still in his chair and thought a great deal. + +And by and by he said, "If you had asked the red policeman to tea like +a sensible woman he might have let you off altogether." + +"I shall know better next time," said the old woman. + + + + +CHAPTER V. + + +When the old man and his wife woke up next morning they looked out of +the window and saw that the weather was quite fine. The old man began +to whistle and sing. He always did this when the weather was fine +because he said fine weather always made him feel in such good spirits. +In a little while the old woman began to sing too. Then the old man +stopped. + +"What are you singing for?" he said to the old woman. + +"I feel in such good spirits," the old woman replied. + +"Oh, you do, do you?" said the old man. "You appear to forget that the +red policeman is coming for you." + +"Oh dear, oh dear," said the old woman. "What a bad memory I have to be +sure. Whatever shall I do?" And she burst into tears. + +"There, there," said the old man, "don't cry. We will give him sixpence +when he calls, and ask him to have a piece of bread and butter with jam +on it. Then perhaps he will go away." + +They went downstairs and had breakfast. They had just finished when +there came an awfully loud knock at the door. The old woman went very +pale. + +"It is the red policeman," she said. + +The old man went to open the door. But the old woman pulled him back. + +"You are forgetting the sixpence," she said, "and the piece of bread +and butter with jam on it." + +"Of course, of course," said the old man, and he felt in his pocket for +sixpence while the old woman cut a nice large thick slice of bread and +covered it with butter and jam. + +"Perhaps after all," said the old man, "we had better not open the +door, but hand the policeman the sixpence and the bread and butter with +jam on it through the window." + +So he opened the window a little way and held out the sixpence and the +bread and butter with jam on it to the person outside. + +"Thanks very much," said the person outside. And he put the sixpence in +his pocket and began to eat the bread and butter with jam on it. And +when he had finished eating he knocked again very loudly at the door. + +"Go away," said the old man. "My wife is not coming out with you +to-day." + +"I don't want your wife to come out with me," said the person at the +door; "I have called to look at the gas meter." + +"We haven't got a gas meter now," said the old man, "we burn nothing +but electric light." + +"Many, many thanks," said the person at the door, and he went away. + +"I feel all of a flutter," said the old woman, sinking into a chair. + +"So do I," said the old man. "And he has got my sixpence too." + + + + +CHAPTER VI. + + +In a little while the old woman began to put the breakfast things away. +Afterwards she took up the table-cover and went out into the garden +with it to shake off the bread crumbs. As she stepped out of the door +who should step in but the red policeman. The old woman trembled very +much when she saw him go in, and she shook the table-cover several +times over in order that she might think what to say to the red +policeman. Just then it began to rain. The old woman ran into the house +at once. + +[Illustration: Who should step in but the red policeman.] + +"Good morning, madam," said the red policeman, and he made a nice bow. + +"Good morning, sir," said the old woman. "What, might I ask, brings you +here?" + +"I have called, madam," replied the red policeman, making another bow, +"for the purpose of taking you with me to prison for stealing a roll of +butter." + +"Where is the roll of butter?" said the old woman. + +The policeman looked very hard at the butter dish, but there was no +butter on it. The old man and his wife and the gas-man had eaten it +all. + +"I beg your pardon, I am sure," said the policeman. + +"The idea!" said the old woman. "Besides you said you would not call +this morning unless the weather were fine, and you see for yourself +that it is now raining cats and dogs." + +"I am truly sorry, madam," said the policeman, bowing once more. "When +I come to think of it, I did say that I would not call if it rained. +Pray forgive me. We all make mistakes sometimes, you know." + +"I don't like such mistakes," said the old woman. "Now kindly leave the +house." + +"Oh, please don't turn me out," said the red policeman, "it is raining +very hard indeed, and I might get my feet wet." + +"We should always be kind," said the old woman, "even to policemen, and +as it is raining and I left my umbrella in an omnibus the other day, I +will lend you my sunshade. But please go." + +The old woman put the sunshade into the policeman's hand. He looked at +it very hard. + +"It is a blue one," he said. "It is not fashionable to wear a blue +sunshade with a red suit. Thank you all the same, but I think I will go +without it." + +He went. + +The old man, who had been quietly laughing to himself, danced about +with joy when he saw the policeman leave. Then he ran to the window and +put his head out, and called out after the policeman, "I say. When your +clothes are quite wet enough be sure you come back and have them +dried." + +But the red policeman took no notice of him. + + + + +CHAPTER VII. + + +The red policeman got so wet that by the time he reached his house all +the dye had come out of his suit. He felt very angry indeed. + +"I must try not to make mistakes," he said, "sometimes they bring one +into fearful trouble. As my suit is spoilt I think I will give up being +a policeman. A policeman without a suit is no good at all." + +So he went to bed and had hot bricks to his feet and a mustard plaster +on his chest, and sent for the tailor to measure him for a new suit of +clothes. + +When the tailor came the policeman said to him, "I am quite tired of +being a policeman, and I think I should now like to be a soldier. +Please measure me for a soldier's suit. The coat you will make of green +cloth and the trousers must be yellow." + +[Illustration: "Please measure me for a soldier's suit."] + +"But," said the tailor, "soldiers wear scarlet coats and blue +trousers." + +"That is just the point," said the policeman. "I don't want to be like +all the others. If I did I should go in for khaki. Just you do what I +tell you, and make me a green coat and yellow trousers at once." + +The tailor said, "Yes, sir," and went away. + +In a few days he called again, bringing with him a yellow coat and +green trousers. The policeman could have cried with disappointment. + +"Didn't I tell you quite plainly that I wanted a green coat and yellow +trousers?" + +"I am truly sorry, sir," said the tailor, "but as you no doubt know, +the best of us make mistakes sometimes." + +"There is something in that," said the policeman, "and if the suit fits +me I will forgive you." + +Then he went into his dressing-room and put on the yellow coat and the +green trousers. They fitted him beautifully. So that he forgave the +tailor, and sent round to him to say that he would try to pay his bill +when he got some money. + +[Illustration: He began to strut about in his new clothes.] + +After looking at himself a good deal in the mirror the policeman went +out into the street and began to strut about in his new clothes. "This +is much better than being a policeman," he said, "a policeman has +little to do, but a soldier has nothing to do till he is sent for to +fight. By the way I must go and buy a sword, and then I will go up to +the old man's house and let him see me in my new clothes. Perhaps he +will give me two halfpennies to put in the pockets." + +He bought his sword at the toy shop and went straight to the old man's +house. When he got there the old woman was in the garden knocking +apples off a tree with a clothes prop. No sooner did she see the +policeman in his yellow coat and green trousers than she ran screaming +into the house, and hid herself under the bed. + +[Illustration: The old woman was knocking apples off a tree.] + +But when the old man saw him he shouted, "Hurrah, hurrah, the red +policeman has turned soldier. Now we needn't be afraid of him any +more." + +And he called upstairs to his wife, "Come down at once and get me my +bag." + +The old woman came downstairs quickly. She took down the bag from its +nail and handed it to her husband. "Run," she said, "as hard as you +can, and bring me a hen and anything else nice that takes your fancy. +Bags were made to put things in. And the red policeman--the soldier, +that is to say--will stay to dinner." + +The soldier sat down in the chair and lit his pipe, and the old man +went out with the bag. Very soon he returned with two hens, a fat duck, +several rolls of butter, a large piece of bacon, some cabbages, some +ice cream, and two pots of marmalade. + +The old woman cooked everything but the ice cream and the marmalade, +and they had a very good dinner indeed. + +"This is much better than being a policeman," said the soldier when +they had finished. + +"I should just think it was," said the old man. + +"And so should I," said the old woman. + +"Now I must wish you both good evening," said the soldier, "for I hear +the bugle calling." + + + + +CHAPTER VIII. + + +When a soldier hears the bugle calling he is bound to go even if he +would like to have stayed for supper. That is why the soldier went. + +"I am glad I am not a soldier," said the old man, "because I do not +have to go when the bugle calls." + +"No," said the old woman, "but you have to go when I tell you, which is +pretty much the same thing." + +"Perhaps it is," said the old man. + +"And I think," said the old woman, "that it might be just as well for +you to go out this evening with the bag and get a few nice little +things for breakfast and dinner to-morrow. For when you come to think +of it there is no reason why the soldier should not take it into his +head to be a red policeman again, and if he did he would run after us +when he saw us with the bag. So that we had better get what we want +before he changes his mind." + +"A very good idea, my dear," said the old man, "give me the bag and I +will go out at once." + +The old woman gave him the bag and off he went. + +He was away a very long time. Indeed he did not get back till nearly +midnight. When he set the bag down on the table the old woman could see +that he had got a good many things, because the bag bulged so. + +"How good of you," she said. "Now show me what you have got." + +Then the old man opened the bag. First he pulled out a pretty little +kitten with her mother, an old grey cat. + +"Very nice," said the old woman, "but we can't cook them." + +"You cooked the hens," said the old man. + +Then he pulled out a pillow case full of hay. + +"Quite nice," said the old woman, "but we can't cook it." + +"You cooked the cabbages," said the old man. + +Then he pulled out a box full of pieces of broken glass. + +"Beautiful!" said the old woman, "but we can't eat it." + +"You ate the marmalade fast enough," said the old man. + +Then the old woman said, "If you go on talking so foolishly I shall be +very cross. Turn that cat and her kitten out at once, burn the hay, and +throw the broken glass out of the window." + +"And what shall I do with the bag?" said the old man. + +"You can do just as you please with the bag," said the old woman; "I am +going to bed." + +And off she went. + +The old man opened the door and turned out the cat and her kitten. Then +he burnt the hay a little bit at a time on the fire, and threw the +broken glass out of the window. + +After doing this he sat down in his chair to think. "What shall I do +with the bag?" he said to himself. "My wife said I might do what I +pleased with it. Perhaps I had better burn it." + +So he cut it in pieces with a knife, and burnt the pieces on the fire. + +[Illustration: Burnt the pieces on the fire.] + +In the morning when the old woman came downstairs to breakfast she +looked on the nail for the bag, but of course it was not there. + +"What have you done with the bag?" she called to the old man. + +"I have burnt it," said the old man. + +"Why did you burn it?" said the old woman. + +"Guess," said the old man. + +The old woman guessed and guessed and guessed and guessed and guessed. + +But she could not guess right, and the old man had to keep on saying, +"Guess again, guess again, guess again." + +Now why did the old man burn his bag? + +You must get your Mamma to tell you. + + + + + + +End of the Project Gutenberg EBook of The Old Man's Bag, by T. W. H. Crosland + +*** END OF THIS PROJECT GUTENBERG EBOOK THE OLD MAN'S BAG *** + +***** This file should be named 23485-8.txt or 23485-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/3/4/8/23485/ + +Produced by David Edwards and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by The +Internet Archive) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
