summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/23511-h.htm.2021-01-251849
1 files changed, 1849 insertions, 0 deletions
diff --git a/old/23511-h.htm.2021-01-25 b/old/23511-h.htm.2021-01-25
new file mode 100644
index 0000000..e7f1353
--- /dev/null
+++ b/old/23511-h.htm.2021-01-25
@@ -0,0 +1,1849 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Christmas Peace, by Thomas Nelson Page
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Christmas Peace, by Thomas Nelson Page
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Christmas Peace
+ 1908
+
+Author: Thomas Nelson Page
+
+Release Date: November 16, 2007 [EBook #23511]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE CHRISTMAS PEACE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE CHRISTMAS PEACE
+ </h1>
+ <h2>
+ By Thomas Nelson Page <br /> <br /> Charles Scribner's Sons New York, 1908
+ <br /><br /> Copyright, 1891, 1904, 1906
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> VII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> VIII </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ They had lived within a mile of each other for fifty-odd years, old Judge
+ Hampden and old Colonel Drayton; that is, all their lives, for they had
+ been born on adjoining plantations within a month of each other. But
+ though they had thus lived and were accounted generally good men and good
+ neighbors, to each other they had never been neighbors any more than the
+ Lévite was neighbor to him who went down to Jericho.
+ </p>
+ <p>
+ Kindly to everyone else and ready to do their part by all other men, the
+ Draytons and the Hampdens, whenever they met each other, always passed by
+ on the other side.
+ </p>
+ <p>
+ It was an old story&mdash;the feud between the families&mdash;and,
+ perhaps, no one now knew just how the trouble started. They had certainly
+ been on opposite sides ever since they established themselves in early
+ Colonial days on opposite hills in the old county from which the two
+ mansions looked at each other across the stream like hostile forts. The
+ earliest records of the county were those of a dispute between one Colonel
+ Drayton and one Captain Hampden, growing out of some claim to land; but in
+ which the chief bitterness appeared to have been injected by Captain
+ Hampden's having claimed precedence over Colonel Drayton on the ground
+ that his title of &ldquo;Captain&rdquo; was superior to Colonel Drayton's title,
+ because he had held a real commission and had fought for it, whereas the
+ Colonel's title was simply honorary and &ldquo;Ye sayd Collonel had never
+ smelled enough powder to kill a tom-cat.&rdquo;
+ </p>
+ <p>
+ However this might be and there was nothing in the records to show how
+ this contention was adjudicated&mdash;in the time of Major Wil-mer Drayton
+ and Judge Oliver Hampden, the breach between the two families had been
+ transmitted from father to son for several generations and showed no signs
+ of abatement. Other neighborhood families intermarried, but not the
+ Drayton-Hall and the Hampden-Hill families, and in time it came to be an
+ accepted tradition that a Drayton and a Hampden would not mingle any more
+ than would fire and water.
+ </p>
+ <p>
+ The Hampdens were dark and stout, hot-blooded, fierce, and impetuous. They
+ were apparently vigorous; but many of them died young. The Draytons, on
+ the other hand, were slender and fair, and usually lived to a round old
+ age; a fact of which they were wont to boast in contrast with the briefer
+ span of the Hampdens.
+ </p>
+ <p>
+ &ldquo;Their tempers burn them out,&rdquo; the Major used to say of the Hampdens.
+ </p>
+ <p>
+ Moreover, the Draytons were generally cool-headed, deliberate, and
+ self-contained. Thus, the Draytons had mainly prospered throughout the
+ years.
+ </p>
+ <p>
+ Even the winding creek which ran down through the strip of meadow was a
+ fruitful cause of dissension and litigation between the families. &ldquo;It is
+ as ungovernable as a Hampden's temper, sir,&rdquo; once said Major Drayton, On
+ the mere pretext of a thunder-storm, it would burst forth from its banks,
+ tear the fences to pieces and even change its course, cutting a new
+ channel, now to one side and now to the other through the soft and loamy
+ soil. A lawsuit arose over the matter, in which the costs alone amounted
+ to far more than the value of the whole land involved; but no one doubted
+ that old Major Drayton spoke the truth when he declared that his father
+ would rather have lost his entire estate with all its rolling hills and
+ extensive forests than the acre or two which was finally awarded to Judge
+ Hampden.
+ </p>
+ <p>
+ As neither owner would join the other even in keeping up a partition
+ fence, there were two fences run within three feet of each other along the
+ entire boundary line between the two places. With these double fences,
+ there could hardly be peace between the two families; for neither owner
+ ever saw the two lines running side by side without at once being reminded
+ of his neighbor's obstinacy and&mdash;of his own.
+ </p>
+ <p>
+ Thus, in my time the quarrel between the Drayton-Hall people and the
+ Hampden-Hill folks was a factor in every neighborhood problem or
+ proposition from a &ldquo;church dressing&rdquo; or a &ldquo;sewing society meeting&rdquo; to a
+ political campaign. It had to be considered in every invitation and in
+ every discussion.
+ </p>
+ <p>
+ It is not meant that there was no intercourse between the two families.
+ Major Drayton and Judge Hampden regularly paid each other a visit every
+ year&mdash;and oftener when there was serious illness in one house or the
+ other&mdash;but even on such occasions their differences were liable to
+ crop out. One of them held an opinion that when one gentleman was spending
+ the night in another gentleman's house, it was the part of the host to
+ indicate when bedtime had arrived; whilst the other maintained with equal
+ firmness the doctrine that no gentleman could inform his guest that he was
+ fatigued: that this duty devolved upon the guest himself. This difference
+ of opinion worked comfortably enough on both sides until an occasion when
+ Judge Hampden, who held the former view, was spending the night at Colonel
+ Drayton's. When bedtime arrived, the rest of the household retired
+ quietly, leaving the two gentlemen conversing, and when the servants
+ appeared in the morning to open the blinds and light the fires, the two
+ gentlemen were still found seated opposite each other conversing together
+ quite as if it were the ordinary thing to sit up and talk all night long.
+ </p>
+ <p>
+ On another occasion, it is said that Major Drayton, hearing of his
+ neighbor's serious illness, rode over to make inquiry about him, and owing
+ to a slip of the tongue, asked in a voice of deepest sympathy, &ldquo;Any hopes
+ of the old gentleman dying!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ Yet, they had once been friends.
+ </h3>
+ <p>
+ Before Wilmer Drayton and Oliver Hampden were old enough to understand
+ that by all the laws of heredity and custom they should be enemies, they
+ had learned to like each other. When they were only a few years old, the
+ little creek winding between the two plantations afforded in its strip of
+ meadow a delightful neutral territory where the two boys could enjoy
+ themselves together, safe from the interference of their grave seniors;
+ wading, sailing mimic fleets upon its uncertain currents, fishing
+ together, or bathing in the deepest pools it offered in its winding
+ course.
+ </p>
+ <p>
+ It looked, indeed, for a time as if in the fellowship of these two lads
+ the long-standing feud of the Hampdens and Draytons might be ended, at
+ last. They went to school together at the academy, where their only
+ contests were a generous rivalry. At college they were known as Damon and
+ Pythias, and though a natural rivalry, which might in any event have
+ existed between them, developed over the highest prize of the institution&mdash;the
+ debater's medal&mdash;the generosity of youth saved them. It was even said
+ that young Drayton, who for some time had apparently been certain of
+ winning, had generously retired in order to defeat a third candidate and
+ throw the prize to Oliver Hampden.
+ </p>
+ <p>
+ They came home and both went to the Bar, but with different results. Young
+ Drayton was learned and unpractical. Oliver Hampden was clever, able, and
+ successful, and soon had a thriving practice; while his neighbor's
+ learning was hardly known outside the circle of the Bar.
+ </p>
+ <p>
+ Disappointed in his ambition, Drayton shortly retired from the Bar and
+ lived the life of a country gentleman, while his former friend rapidly
+ rose to be the head of the Bar.
+ </p>
+ <p>
+ The old friendship might have disappeared in any event, but a new cause
+ arose which was certain to end it.
+ </p>
+ <p>
+ Lucy Fielding was, perhaps, the prettiest girl in all that region. Oliver
+ Hampden had always been in love with her. However, Fortune, ever
+ capricious, favored Wilmer Drayton, who entered the lists when it looked
+ as if Miss Lucy were almost certain to marry her old lover. It appeared
+ that Mr. Drayton's indifference had counted for more than the other's
+ devotion. He carried off the prize with a dash.
+ </p>
+ <p>
+ If Oliver Hampden, however, was severely stricken by his disappointment,
+ he masked it well; for he married not long afterward, and though some said
+ it was from pique, there was no more happily married pair in all the
+ county.
+ </p>
+ <p>
+ A year later a new Oliver came to keep up the name and tenets of the
+ Hampdens. Oliver Hampden, now the head of the Bar, would not have envied
+ any man on earth had not his wife died a few years later and left him
+ alone with his boy in his big house.
+ </p>
+ <p>
+ Lucy Drayton was born two years after young Oliver Hampden.
+ </p>
+ <p>
+ The mammies of the two children, as the mammies of their parents had done
+ before them, used to talk them over on the edge of the shaded meadow which
+ divided the places, and thus young Oliver Hampden, a lusty boy of five,
+ came to know little Lucy Drayton fully three years before his father ever
+ laid eyes on her.
+ </p>
+ <p>
+ Mr. Hampden was riding around his fences one summer afternoon, and was
+ making his way along the double division line with a cloud on his brow as
+ the double rows recalled the wide breach with his neighbor and former
+ friend, and many memories came trooping at the recollection. Passing
+ through a small grove which had been allowed to grow up to shut off a part
+ of his view of the Drayton place, as he came out into the meadow his eye
+ fell on a scene which made him forget the present with all its wrongs. On
+ the green turf before him where butter-cups speckled the ground with
+ golden blossoms, was a little group of four persons busily engaged and
+ wholly oblivious of the differences which divided the masters of the two
+ estates. The two mammies were seated side by side on a bank, sewing and
+ talking busily&mdash;their large aprons and caps making a splotch of white
+ against the green willows beyond&mdash;and in front of them at a little
+ distance a brown-haired boy of five and a yellow-ringleted girl of three
+ were at play on the turf, rolling over and over, shouting and laughing in
+ their glee.
+ </p>
+ <p>
+ As the father rested his eyes on the group, the frown which had for a
+ second lowered on his brow passed away and he pulled in his horse so as
+ not to disturb them. He was about to turn back and leave them in their
+ happiness when his black-eyed boy caught sight of him and ran toward him,
+ shouting for a ride and calling over his shoulder for &ldquo;Luthy&rdquo; to &ldquo;come on
+ too.&rdquo; As there was no escape, Mr. Hampden went forward and, ignoring the
+ confusion of the mammies at being caught together, took the boy up before
+ him and gave him a ride up and down the meadow. Then nothing else would do
+ for Master Oliver but he &ldquo;must take Luthy up, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps 'Luthy' may be afraid of the horse!&rdquo; suggested Mr. Hampden with a
+ smile.
+ </p>
+ <p>
+ But far from it. Led by the little boy who had run to fetch her, she came
+ to Mr. Hampden as readily as his own son had done, and, though she gave
+ him one of those quick searching glances with which childhood reads
+ character, having made sure that he was friendly, she was no more afraid
+ of his horse than the boy was.
+ </p>
+ <p>
+ Oliver tried to lift her, and as he tugged at her, the father sat and
+ watched with a smile, then leant down and picked her up while the two
+ mammies gasped with mingled astonishment and fear.
+ </p>
+ <p>
+ &ldquo;I tell you, she's pretty heavy,&rdquo; said the little boy.
+ </p>
+ <p>
+ &ldquo;Indeed, she is,&rdquo; said the father, gaily.
+ </p>
+ <p>
+ Mr. Hampden would have taken his son home with him, but the latter
+ declined the invitation. He wished to &ldquo;stay with Luthy.&rdquo; So, Mr. Hampden,
+ having first set the nurses' minds at ease by complimenting the little
+ girl in warm terms to her mammy, rode home alone with his face set in deep
+ reflection.
+ </p>
+ <p>
+ The breach between the Hampdens and the Draytons was nearer being closed
+ that evening than it had been in three generations, for as Oliver Hampden
+ rode up the bridle path across his fields, he heard behind him the merry
+ laughter of the two children in the quiet meadow below, and old memories
+ of his childhood and college life softened his heart. He forgot the
+ double-line fences and determined to go on the morrow to Drayton Hall and
+ make up the quarrel. He would offer the first overture and a full
+ declaration of regret, and this, he was quite sure, would make it up. Once
+ he actually turned his horse around to go straight across the fields as he
+ used to do in his boyhood, but there below him were the double-line fences
+ stretching brown and clear. No horse could get over them, and around the
+ road it was a good five miles, so he turned back again and rode home and
+ the chance was lost.
+ </p>
+ <p>
+ On his arrival he found a summons in a suit which had been instituted that
+ day by Wilmer Drayton for damages to his land by reason of his turning the
+ water of the creek upon him.
+ </p>
+ <p>
+ Mr. Hampden did not forbid old Lydia to take his boy down there again, but
+ he went to the meadow no more himself, and when he and Wilmer Drayton met
+ next, which was not for some time, they barely spoke.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ Young Oliver Hampden grew up clear eyed, strong, and good to look at, and
+ became shy where girls were concerned, and most of all appeared to be shy
+ with Lucy Drayton. He went to college and as he got his broad shoulders
+ and manly stride he got over his shyness with most girls, but not with
+ Lucy Drayton. With her, he appeared to have become yet more reserved. She
+ had inherited her mother's eyes and beauty, with the fairness of a lily; a
+ slim, willowy figure; a straight back and a small head set on her
+ shoulders in a way that showed both blood and pride. Moreover, she had
+ character enough, as her friends knew: those gray eyes that smiled could
+ grow haughty with disdain or flash with indignation, and she had taught
+ many an uppish young man to feel her keen irony.
+ </p>
+ <p>
+ &ldquo;She gets only her intellect from the Dray-tons; her beauty and her
+ sweetness come from her mother,&rdquo; said a lady of the neighborhood to Judge
+ Hampden, thinking to please him.
+ </p>
+ <p>
+ &ldquo;She gets both her brains and beauty from her mother and only her name
+ from her father,&rdquo; snapped the Judge, who had often seen her at church, and
+ never without recalling Lucy Fielding as he knew her.
+ </p>
+ <p>
+ That she and young Oliver Hampden fought goes without saying. But no one
+ knew why she was cruelly bitter to a young man who once spoke slightingly
+ of Oliver, or why Oliver, who rarely saw her except at church, took up a
+ quarrel of hers so furiously.
+ </p>
+ <hr />
+ <p>
+ The outbreak of the war, or rather the conditions preceding that outbreak,
+ finally fixed forever the gulf between the two families. Judge Hampden was
+ an ardent follower of Calhoun and &ldquo;stumped&rdquo; the State in behalf of
+ Secession, whereas Major Drayton, as the cloud that had been gathering so
+ long rolled nearer, emerged from his seclusion and became one of the
+ sternest opponents of a step which he declared was not merely revolution,
+ but actual rebellion. So earnest was he, that believing that slavery was
+ the ultimate bone of contention, he emancipated his slaves on a system
+ which he thought would secure their welfare. Nothing could have more
+ deeply stirred Judge Hampden's wrath. He declared that such a measure at
+ such a crisis was a blow at every Southern man. He denounced Major Drayton
+ as &ldquo;worse than Garrison, Phillips, and Greeley all put together.&rdquo;
+ </p>
+ <p>
+ They at last met in debate at the Court House. Major Drayton exasperated
+ the Judge by his coolness, until the latter lost his temper and the crowd
+ laughed.
+ </p>
+ <p>
+ &ldquo;I do not get as hot as you do,&rdquo; said the Major, blandly. He looked as
+ cool as a cucumber, but his voice betrayed him.
+ </p>
+ <p>
+ &ldquo;Oh, yes, you do,&rdquo; snorted the Judge. &ldquo;A mule gets as hot as a horse, but
+ he does not sweat.&rdquo;
+ </p>
+ <p>
+ This saved him.
+ </p>
+ <p>
+ There came near being a duel. Everyone expected it. Only the interposition
+ of friends prevented their meeting on the field. Only this and one other
+ thing.
+ </p>
+ <p>
+ Though no one in the neighborhood knew it until long afterward&mdash;and
+ then only in a conjectural way by piecing together fragments of rumors
+ that floated about&mdash;young Oliver Hampden really prevented the duel.
+ He told his father that he loved Lucy Drayton. There was a fierce outbreak
+ on the Judge's part.
+ </p>
+ <p>
+ &ldquo;Marry that girl!&mdash;the daughter of Wilmer Drayton! I will disinherit
+ you if you but so much as&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Stop!&rdquo; The younger man faced him and held up his hand with an imperious
+ gesture. &ldquo;Stop! Do not say a word against her or I may never forget it.&rdquo;
+ </p>
+ <p>
+ The father paused with his sentence unfinished, for his son stood before
+ him suddenly revealed in a strength for which the Judge had never given
+ him credit, and he recognized in his level eyes, tense features, and the
+ sudden set of the square jaw, the Hampden firmness at its best or worst.
+ </p>
+ <p>
+ &ldquo;I have nothing to say against her,&rdquo; said the Judge, with a sudden rush of
+ recollection of Lucy Fielding. &ldquo;I have no doubt she is in one way all you
+ think her; but she is Wilmer Drayton 's daughter. You will never win her.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will win her,&rdquo; said the young man.
+ </p>
+ <p>
+ That night Judge Hampden thought deeply over the matter, and before
+ daylight he had despatched a note to Major Drayton making an apology for
+ the words he had used.
+ </p>
+ <p>
+ Both Judge Hampden and his son went into the army immediately on the
+ outbreak of hostilities. Major Drayton, who to the last opposed Secession
+ bitterly, did not volunteer until after the State had seceded; but then
+ he, also, went in, and later was desperately wounded.
+ </p>
+ <p>
+ A few nights before they went off to the war, Judge Hampden and his son
+ rode over together to Major Drayton's to offer the olive-branch of peace
+ in shape of young Oliver and all that he possessed.
+ </p>
+ <p>
+ Judge Hampden did not go all the way, for he had sworn never to put foot
+ again in Major Drayton's house so long as he lived, and, moreover, he felt
+ that his son would be the better ambassador alone. Accordingly, he waited
+ in the darkness at the front gate while his son presented himself and laid
+ at Lucy Drayton's feet what the Judge truly believed was more than had
+ ever been offered to any other woman. He, however, sent the most
+ conciliatory messages to Major Drayton.
+ </p>
+ <p>
+ &ldquo;Tell him,&rdquo; he said, &ldquo;that I will take down my fence and he shall run the
+ line to suit himself.&rdquo; He could not have gone further.
+ </p>
+ <p>
+ The time that passed appeared unending to the Judge waiting in the
+ darkness; but in truth it was not long, for the interview was brief. It
+ was with Major Drayton and not with his daughter.
+ </p>
+ <p>
+ Major Drayton declined, both on his daughter's part and on his own, the
+ honor which had been proposed.
+ </p>
+ <p>
+ At this moment the door opened and Lucy herself appeared. She was a vision
+ of loveliness. Her face was white, but her eyes were steady. If she knew
+ what had occurred, she gave no sign of it in words. She walked straight to
+ her father's side and took his hand.
+ </p>
+ <p>
+ &ldquo;Lucy,&rdquo; he said, &ldquo;Mr. Hampden has done us the honor to ask your hand and I
+ have declined it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, papa.&rdquo; Her eyelids fluttered and her bosom heaved, but she did not
+ move, and Lucy was too much a Drayton to unsay what her father had said,
+ or to undo what he had done.
+ </p>
+ <p>
+ Oliver Hampden's eyes did not leave her face. For him the Major had
+ disappeared, and he saw only the girl who stood before him with a face as
+ white as the dress she wore.
+ </p>
+ <p>
+ &ldquo;Lucy, I love you. Will you ever care for me? I am going&mdash;going away
+ to-morrow, and I shall not see you any more; but I would like to know if
+ there is any hope.&rdquo; The young man's voice was strangely calm.
+ </p>
+ <p>
+ The girl held out her hand to him.
+ </p>
+ <p>
+ &ldquo;I will never marry anyone else.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will wait for you all my life,&rdquo; said the young man.
+ </p>
+ <p>
+ Bending low, he kissed her hand in the palm, and with a bow to her father,
+ strode from the room.
+ </p>
+ <p>
+ The Judge, waiting at the gate in the darkness, heard the far-off,
+ monotonous galloping of Oliver's horse on the hard plantation road. He
+ rode forward to meet him.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo;
+ </p>
+ <p>
+ It was only a word.
+ </p>
+ <p>
+ &ldquo;They declined.&rdquo;
+ </p>
+ <p>
+ The father scarcely knew his son's voice, it was so wretched.
+ </p>
+ <p>
+ &ldquo;What! Who declined? Did you see&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Both!&rdquo;
+ </p>
+ <p>
+ Out in the darkness Judge Hampden broke forth into such a torrent of rage
+ that his son was afraid for his life and had to devote all his attention
+ to soothing him. He threatened to ride straight to Drayton's house and
+ horsewhip him on the spot. This, however, the young man prevented, and the
+ two rode home together in a silence which was unbroken until they had
+ dismounted at their own gate and given their horses to the waiting
+ servants. As they entered the house, Judge Hampden spoke.
+ </p>
+ <p>
+ &ldquo;I hope you are satisfied,&rdquo; he said, sternly. &ldquo;I make but one request of
+ you&mdash;that from this time forth, you will never mention the name of
+ Drayton to me again as long as you live.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose I should hate her,&rdquo; said the son, bitterly, &ldquo;but I do not. I
+ love her and I believe she cares for me.&rdquo;
+ </p>
+ <p>
+ His father turned in the door-way and faced him.
+ </p>
+ <p>
+ &ldquo;Cares for you! Not so much as she cares for the smallest negro on that
+ place. If you ever marry her, I will disinherit you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Disinherit me!&rdquo; burst from the young man. &ldquo;Do you think I care for this
+ place? What has it ever brought to us but unhappiness? I have seen your
+ life embittered by a feud with your nearest neighbor, and now it wrecks my
+ happiness and robs me of what I would give all the rest of the world for.&rdquo;
+ </p>
+ <p>
+ Judge Hampden looked at him curiously. He started to say, &ldquo;Before I would
+ let her enter this house, I would burn it with my own hands&rdquo;; but as he
+ met his son's steadfast gaze there was that in it which made him pause.
+ The Hampden look was in his eyes. The father knew that another word might
+ sever them forever.
+ </p>
+ <hr />
+ <p>
+ If ever a man tried to court death, young Oliver Hampden did. But Death,
+ that struck many a happier man, passed him by, and he secured instead only
+ a reputation for reckless courage and was promoted on the field.
+ </p>
+ <p>
+ His father rose to the command of a brigade, and Oliver himself became a
+ captain.
+ </p>
+ <p>
+ At last the bullet Oliver had sought found him; but it spared his life and
+ only incapacitated him for service.
+ </p>
+ <p>
+ There were no trained nurses during the war, and Lucy Drayton, like so
+ many girls, when the war grew fiercer, went into the hospitals, and by
+ devotion supplied their place.
+ </p>
+ <p>
+ Believing that life was ended for her, she had devoted herself wholly to
+ the cause, and self-repression had given to her face the gentleness and
+ consecration of a nun.
+ </p>
+ <p>
+ It was said that once as she bent over a wounded common soldier, he
+ returned to consciousness, and after gazing up at her a moment, asked
+ vaguely, &ldquo;Who are you, Miss?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am one of the sisters whom our Father has sent to nurse you and help
+ you to get well. But you must not talk.&rdquo;
+ </p>
+ <p>
+ The wounded man closed his eyes and then opened them with a faint smile.
+ </p>
+ <p>
+ &ldquo;All right; just one word. Will you please ask your pa if I may be his
+ son-in-law?&rdquo;
+ </p>
+ <p>
+ Into the hospital was brought one day a soldier so broken and bandaged
+ that no one but Lucy Drayton might have recognized Oliver Hampden.
+ </p>
+ <p>
+ For a long time his life was despaired of; but he survived.
+ </p>
+ <p>
+ When consciousness returned to him, the first sound he heard was a voice
+ which had often haunted him in his dreams, but which he had never expected
+ to hear again.
+ </p>
+ <p>
+ &ldquo;Who is that!&rdquo; he asked, feebly.
+ </p>
+ <p>
+ &ldquo;It is I, Oliver&mdash;it is Lucy.&rdquo;
+ </p>
+ <p>
+ The wounded man moved slightly and the girl bending over him caught the
+ words, whispered brokenly to himself:
+ </p>
+ <p>
+ &ldquo;I am dreaming.&rdquo;
+ </p>
+ <p>
+ But he was not dreaming.
+ </p>
+ <p>
+ Lucy Drayton's devotion probably brought him back from death and saved his
+ life.
+ </p>
+ <p>
+ In the hell of that hospital one man at least found the balm for his
+ wounds. When he knew how broken he was he offered Lucy her release. Her
+ reply was in the words of the English girl to the wounded Napier, &ldquo;If
+ there is enough of you left to hold your soul, I will marry you.&rdquo;
+ </p>
+ <p>
+ As soon as he was sufficiently convalescent, they were married.
+ </p>
+ <p>
+ Lucy insisted that General Hampden should be informed, but the young man
+ knew his father's bitterness, and refused. He relied on securing his
+ consent later, and Lucy, fearing for her patient's life, and having
+ secured her own father's consent, yielded.
+ </p>
+ <p>
+ It was a mistake.
+ </p>
+ <p>
+ Oliver Hampden misjudged the depth of his father's feeling, and General
+ Hampden was mortally offended by his having married without informing him.
+ </p>
+ <p>
+ Oliver adored his father and he sent him a present in token of his desire
+ for forgiveness; but the General had been struck deeply. The present was
+ returned. He wrote: &ldquo;I want obedience; not sacrifice.&rdquo;
+ </p>
+ <p>
+ Confident of his wife's ability to overcome any obstacle, the young man
+ bided his time. His wounds, however, and his breach with his father
+ affected his health so much that he went with his wife to the far South,
+ where Major Drayton, now a colonel, had a remnant of what had once been a
+ fine property. Here, for a time, amid the live-oaks and magnolias he
+ appeared to improve. But his father's obdurate refusal to forgive his
+ disobedience preyed on his health, and just after the war closed, he died
+ a few months before his son was born.
+ </p>
+ <p>
+ In his last days he dwelt much on his father. He made excuses for him,
+ over which his wife simply tightened her lips, while her gray eyes burned
+ with deep resentment.
+ </p>
+ <p>
+ &ldquo;He was brought up that way. He cannot help it. He never had anyone to
+ gainsay him. Do not be hard on him. And if he ever sues for pardon, be
+ merciful to him for my sake.&rdquo;
+ </p>
+ <p>
+ His end came too suddenly for his wife to notify his father in advance,
+ even if she would have done so; for he had been fading gradually and at
+ the last the flame had flared up a little.
+ </p>
+ <p>
+ Lucy Hampden was too upright a woman not to do what she believed her duty,
+ however contrary to her feelings it might be. So, although it was a bitter
+ thing to her, she wrote to inform General Hampden of his son's death.
+ </p>
+ <p>
+ It happened by one of the malign chances of fortune that this letter never
+ reached its destination, General Hampden did not learn of Oliver's death
+ until some weeks later, when he heard of it by accident. It was a terrible
+ blow to him, for time was softening the asperity of his temper, and he had
+ just made up his mind to make friends with his son. He attributed the
+ failure to inform him of Oliver's illness and death to the malignity of
+ his wife.
+ </p>
+ <p>
+ Thus it happened that when her son was born, Lucy Hampden made no
+ announcement of his birth to the General, and he remained in ignorance of
+ it.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ The war closed, and about the only thing that appeared to remain unchanged
+ was the relation between General Hampden and Colonel Drayton. Everything
+ else underwent a change, for war eats up a land.
+ </p>
+ <p>
+ General Hampden, soured and embittered by his domestic troubles, but stern
+ in his resolve and vigorous in his intellect, was driven by his loneliness
+ to adapt himself to the new conditions. He applied his unabated energies
+ to building up a new fortune. His decision, his force, and his ability
+ soon placed him at the head of one of the earliest new enterprises in the
+ State&mdash;a broken-down railway&mdash;which he re-organized and brought
+ to a full measure of success.
+ </p>
+ <p>
+ Colonel Drayton, on the other hand, broken in body and in fortunes, found
+ it impossible to adapt himself to the new conditions. He possessed none of
+ the practical qualities of General Hampden. With a mind richly stored with
+ the wisdom of others, he had the temperament of a dreamer and poet and was
+ unable to apply it to any practical end. As shy and reserved as his
+ neighbor was bold and aggressive, he lived in his books and had never been
+ what is known as a successful man. Even before the war he had not been
+ able to hold his own. The exactions of hospitality and of what he deemed
+ his obligations to others had consumed a considerable part of the handsome
+ estate he had inherited, and his plantation was mortgaged. What had been
+ thus begun, the war had completed.
+ </p>
+ <p>
+ When his plantation was sold, his old neighbor and enemy bought it, and
+ the Colonel had the mortification of knowing that Drayton Hall was at last
+ in the hands of a Hampden. What he did not know was that General Hampden,
+ true to his vow, never put his foot on the plantation except to ride down
+ the road and see that all his orders for its proper cultivation were
+ carried out.
+ </p>
+ <p>
+ Colonel Drayton tried teaching school, but it appeared that everyone else
+ was teaching at that time, and after attempting it for a year or two, he
+ gave it up and confined himself to writing philosophical treatises for the
+ press, which were as much out of date as the Latin and Greek names which
+ he signed to them. As these contributions were usually returned, he
+ finally devoted himself to writing agricultural essays for an agricultural
+ paper, in which he met with more success than he had done when he was
+ applying his principles himself.
+ </p>
+ <p>
+ &ldquo;If farms were made of paper he 'd beat Cincinnatus,&rdquo; said the General.
+ </p>
+ <p>
+ Lucy Hampden, thrown on her own resources, in the town in the South in
+ which her husband had died, had for some time been supporting herself and
+ her child by teaching. She had long urged her father to come to them, but
+ he had always declined, maintaining that a man was himself only in the
+ country, and in town was merely a unit. When, however, the plantation was
+ sold and his daughter wrote for him, he went to her, and the first time
+ that the little boy was put in his arms, both he and she knew that he
+ would never go away again. That evening as they sat together in the fading
+ light on the veranda of the little house which Lucy had taken, amid the
+ clambering roses and jasmine, the old fellow said, &ldquo;I used to think that I
+ ought to have been killed in battle at the head of my men when I was shot,
+ but perhaps, I may have been saved to bring up this young man.&rdquo;
+ </p>
+ <p>
+ His daughter's smile, as she leant over and kissed him, showed very
+ clearly what she thought of it, and before a week was out, the Colonel
+ felt that he was not only still of use, but was, perhaps, the most
+ necessary, and, with one exception, the most important member of the
+ family.
+ </p>
+ <p>
+ Nevertheless, there were hard times before them. The Colonel was too
+ old-fashioned; too slow for the new movement of life, and just enough
+ behind the times to be always expecting to succeed and always failing.
+ </p>
+ <p>
+ But where the father failed the daughter succeeded. She soon came to be
+ known as one of the efficient women of the community, as her father, who
+ was now spoken of as &ldquo;the old Colonel,&rdquo; came to be recognized as one of
+ the picturesque figures of that period. He was always thought of in
+ connection with the boy. The two were hardly ever apart, and they were
+ soon known throughout the town&mdash;the tall, thin old gentleman who
+ looked out on the world with his mild blue eyes and kindly face, and the
+ chubby, red-cheeked, black-eyed boy, whose tongue was always prattling,
+ and who looked out with his bright eyes on all the curious things which,
+ common-place to the world, are so wonderful to a boy.
+ </p>
+ <p>
+ The friendship between an old man and a little child is always touching;
+ they grow nearer together day by day, and the old Colonel and little
+ Oliver soon appeared to understand each other, and to be as dependent on
+ each other as if they had both been of the same age. The child, somewhat
+ reserved with others, was bold enough with his grandfather. They held long
+ discussions together over things that interested the boy; went
+ sight-seeing in company to where the water ran over an old mill-wheel, or
+ where a hen and her chickens lived in a neighbor's yard, or a litter of
+ puppies gamboled under an outhouse, or a bird had her nest and little ones
+ in a jasmine in an old garden, and Colonel Drayton told the boy wonderful
+ stories of the world which was as unknown to him as the present world was
+ to the Colonel.
+ </p>
+ <p>
+ So matters went, until the Christmas when the boy was seven years old.
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <p>
+ Meantime, General Hampden was facing a new foe. His health had suddenly
+ given way, and he was in danger of becoming blind. His doctor had given
+ him his orders&mdash;orders which possibly he might not have taken had not
+ the spectre of a lonely old man in total darkness begun to haunt him. He
+ had been &ldquo;working too hard,&rdquo; the doctor told him.
+ </p>
+ <p>
+ &ldquo;Working hard! Of course, I have been working hard!&rdquo; snapped the General,
+ fiercely, with his black eyes glowering. &ldquo;What else have I to do but work?
+ I shall always work hard.&rdquo;
+ </p>
+ <p>
+ The doctor knew something of the General 's trouble. He had been a surgeon
+ in the hospital where young Oliver Hampden had been when Lucy Drayton
+ found him.
+ </p>
+ <p>
+ &ldquo;You must stop,&rdquo; he said, quietly. &ldquo;You will not last long unless you do.&rdquo;
+ </p>
+ <p>
+ &ldquo;How long!&rdquo; demanded the General, quite calmly.
+ </p>
+ <p>
+ &ldquo;Oh! I cannot say that. Perhaps, a year&mdash;perhaps, less. You have
+ burned your candle too fast.&rdquo; He glanced at the other's unmoved face. &ldquo;You
+ need change. You ought to go South this winter.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should only change my skies and not my thoughts,&rdquo; said the General, his
+ memory swinging back to the past.
+ </p>
+ <p>
+ The doctor gazed at him curiously. &ldquo;What is the use of putting out your
+ eyes and working yourself to death when you have everything that money can
+ give?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have nothing! I work to forget that,&rdquo; snarled the General, fiercely.
+ </p>
+ <p>
+ The doctor remained silent.
+ </p>
+ <p>
+ The General thought over the doctor's advice and finally followed it,
+ though not for the reason the physician supposed.
+ </p>
+ <p>
+ Something led him to select the place where his son had gone and where his
+ body lay amid the magnolias. If he was going to die, he would carry out a
+ plan which he had formed in the lonely hours when he lay awake between the
+ strokes of the clock. He would go and see that his son's grave was cared
+ for, and if he could, would bring him back home at last. Doubtless, &ldquo;that
+ woman's&rdquo; consent could be bought. She had possibly married again. He hoped
+ she had.
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <p>
+ Christmas is always the saddest of seasons to a lonely man, and General
+ Hampden, when he landed in that old Southern town on the afternoon of
+ Christmas Eve, would not have been lonelier in a desert. The signs of
+ Christmas preparation and the sounds of Christmas cheer but made him
+ lonelier. For years, flying from the Furies, he had immersed himself in
+ work and so, in part, had forgotten his troubles; but the removal of this
+ prop let him fall flat to the earth.
+ </p>
+ <p>
+ As soon as the old fellow had gotten settled in his room at the hotel he
+ paid a visit to his son's grave, piloted to the cemetery by a friendly and
+ garrulous old negro hackman, who talked much about Christmas and &ldquo;the
+ holidays.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, suh, dat he had known Cap'n Ham'n. He used to drive him out long as
+ he could drive out. He had been at his funeral. He knew Mrs. Ham'n, too.
+ She sutney is a fine lady,&rdquo; he wound up in sincere eulogy.
+ </p>
+ <p>
+ The General gave a grunt.
+ </p>
+ <p>
+ He was nearer to his son than he had ever been since the day he last saw
+ him in all the pride and beauty of a gallant young soldier.
+ </p>
+ <p>
+ The grave, at least, was not neglected. It was marked by a modest cross,
+ on which was the Hampden coat-of-arms and the motto, &ldquo;<i>Loyal</i>,&rdquo; and
+ it was banked in fresh evergreens, and some flowers had been placed on it
+ only that afternoon. It set the General to thinking.
+ </p>
+ <p>
+ When he returned to his hotel, he found the loneliness unbearable. His
+ visit to his son's grave had opened the old wound and awakened all his
+ memories. He knew now that he had ruined his life. The sooner the doctor's
+ forecast came true, the better. He had no care to live longer. He would
+ return to work and die in harness.
+ </p>
+ <p>
+ He sent his servant to the office and arranged for his car to be put on
+ the first train next morning.
+ </p>
+ <p>
+ Then, to escape from his thoughts, he strolled out in the street where the
+ shopping crowds streamed along, old and young, poor and well-to-do, their
+ arms full of bundles, their faces eager, and their eyes alight.
+ </p>
+ <p>
+ General Hampden seemed to himself to be walking among ghosts.
+ </p>
+ <p>
+ As he stalked on, bitter and lonely, he was suddenly run into by a very
+ little boy, in whose small arms was so big a bundle that he could scarcely
+ see over it. The shock of the collision knocked the little fellow down,
+ sitting flat on the pavement, still clutching his bundle. But his face
+ after the first shadow of surprise lit up again.
+ </p>
+ <p>
+ &ldquo;I beg your pardon, sir&mdash;that was my fault,&rdquo; he said, with so quaint
+ an imitation of an old person that the General could not help smiling.
+ With a cheery laugh, he tried to rise to his feet, but the bundle was too
+ heavy, and he would not let it go.
+ </p>
+ <p>
+ The General bent over him and, with an apology, set him on his feet.
+ </p>
+ <p>
+ &ldquo;I beg <i>your</i> pardon, sir. That was <i>my</i> fault. That is a pretty
+ big bundle you have.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir; and I tell you, it is pretty heavy, too,&rdquo; the manikin said,
+ proudly. &ldquo;It 's a Christmas gift.&rdquo; He started on, and the General turned
+ with him.
+ </p>
+ <p>
+ &ldquo;A Christmas gift! It must be a fine one. Who gave it to you?&rdquo; demanded
+ the General, with a smile at the little fellow's confidence.
+ </p>
+ <p>
+ &ldquo;It is a fine one! Did n't anybody give it to me. We 're giving it to
+ somebody.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! You are? To whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;I 'll tell you; but you must promise not to tell.&rdquo;
+ </p>
+ <p>
+ &ldquo;I promise I will not tell a soul. I cross my heart.&rdquo;
+ </p>
+ <p>
+ He made a sign as he remembered he used to do in his boyhood.
+ </p>
+ <p>
+ The boy looked up at him doubtfully with a shade of disapproval.
+ </p>
+ <p>
+ &ldquo;My grandfather says that you must not cross your heart&mdash;'t a
+ gentleman's word is enough,&rdquo; he said, quaintly.
+ </p>
+ <p>
+ &ldquo;Oh, he does? Well, I give my word.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;&rdquo; He glanced around to see that no one was listening, and
+ sidling a little nearer, lowered his voice: &ldquo;It 's a great-coat for
+ grandfather!&rdquo;
+ </p>
+ <p>
+ &ldquo;A great-coat! That's famous!&rdquo; exclaimed the General.
+ </p>
+ <p>
+ &ldquo;Yes, is n't it? You see&mdash;he 's mighty old and he 's got a bad cough&mdash;he
+ caught it in the army, and I have to take care of him. Don't you think
+ that's right?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, I do,&rdquo; said the General, envying one grandfather.
+ </p>
+ <p>
+ &ldquo;That's what I tell him. So mamma and I have bought this for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;He must be a proud grandfather,&rdquo; said the General, with envy biting
+ deeper at his heart.
+ </p>
+ <p>
+ &ldquo;I have another grandfather; but I don't like <i>him</i>,&rdquo; continued the
+ little fellow.
+ </p>
+ <p>
+ &ldquo;I am sorry for that,&rdquo; said the General, sincerely. &ldquo;Why is that?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was mean to my father, and he is mean to my mother.&rdquo; His voice
+ conveyed a sudden bitterness.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo;
+ </p>
+ <p>
+ &ldquo;Mamma says I must like him; but I do not. I just can't. You would not
+ like a man who was mean to your mother, would you!&rdquo;
+ </p>
+ <p>
+ &ldquo;I would not,&rdquo; declared the General, truthfully.
+ </p>
+ <p>
+ &ldquo;And I am not going to like him,&rdquo; asserted the boy, with firmness.
+ </p>
+ <p>
+ The General suddenly pitied one grandfather.
+ </p>
+ <p>
+ They had come to a well-lighted corner, and as the boy lifted his face,
+ the light fell on it. Something about the bright, sturdy countenance with
+ its frank, dark eyes and brown hair suddenly sent the General back thirty
+ years to a strip of meadow on which two children were playing: one a
+ dark-eyed boy as sturdy as this one. It was like an arrow in his heart.
+ &ldquo;With a gasp he came back to the present. His thoughts pursued him even
+ here.
+ </p>
+ <p>
+ &ldquo;What is your name?&rdquo; he asked as he was feeling in his pocket for a coin.
+ </p>
+ <p>
+ &ldquo;Oliver Drayton Hampden, sir.&rdquo;
+ </p>
+ <p>
+ The words were perfectly clear.
+ </p>
+ <p>
+ The General's heart stopped beating and then gave a bound. The skies
+ suddenly opened for him and then shut up again.
+ </p>
+ <p>
+ His exclamation brought the child to a stop and he glanced up at him in
+ vague wonder. The General stooped and gazed at him searchingly, almost
+ fiercely. The next second he had pounced upon him and lifted him in his
+ arms while the bundle fell to the pavement.
+ </p>
+ <p>
+ &ldquo;My boy! I am your grandfather,&rdquo; he cried, kissing him violently. &ldquo;I am
+ your grandfather Hampden.&rdquo;
+ </p>
+ <p>
+ The child was lost in amazement for a moment, and then, putting his hands
+ against the General's face, he pushed him slowly away.
+ </p>
+ <p>
+ &ldquo;Put me down, please,&rdquo; he said, with that gravity which in a child means
+ so much.
+ </p>
+ <p>
+ General Hampden set him down on the pavement. The boy looked at him
+ searchingly for a second, and then turned in silence and lifted his
+ bundle. The General's face wore a puzzled look&mdash;he had solved many
+ problems, but he had never had one more difficult than this. His heart
+ yearned toward the child, and he knew that on his own wisdom at that
+ moment might depend his future happiness. On his next words might hang for
+ him life or death. The expression on the boy's face, and the very set of
+ his little back as he sturdily tugged at his burden, recalled his father,
+ and with it the General recognized the obstinacy which he knew lurked in
+ the Hampden blood, which had once been his pride.
+ </p>
+ <p>
+ &ldquo;Oliver,&rdquo; he said, gravely, leaning down over the boy and putting his hand
+ on him gently, &ldquo;there has been a great mistake. I am going home with you
+ to your mother and tell her so. I want to see her and your grandfather,
+ and I think I can explain everything.&rdquo;
+ </p>
+ <p>
+ The child turned and gazed at him seriously, and then his face relaxed. He
+ recognized his deep sincerity.
+ </p>
+ <p>
+ &ldquo;All right.&rdquo; He turned and walked down the street, bending under his
+ burden. The General offered to carry it for him, but he declined.
+ </p>
+ <p>
+ &ldquo;I can carry it,&rdquo; was the only answer he made except once when, as the
+ General rather insisted, he said firmly, &ldquo;I want to carry it myself,&rdquo; and
+ tottered on.
+ </p>
+ <p>
+ A silence fell on them for a moment. A young man passing them spoke to the
+ child cheerily.
+ </p>
+ <p>
+ &ldquo;Hullo, Oliver! A Christmas present?&mdash;That 's a great boy,&rdquo; he said,
+ in sheer friendliness to the General, and passed on. The boy was evidently
+ well known.
+ </p>
+ <p>
+ Oliver nodded; then feeling that some civility was due on his part to his
+ companion, he said briefly, &ldquo;That 's a friend of mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Evidently.&rdquo;
+ </p>
+ <p>
+ The General, even in his perplexity, smiled at the quaint way the child
+ imitated the manners of older men.
+ </p>
+ <p>
+ Just then they came to a little gate and the boy's manner changed.
+ </p>
+ <p>
+ &ldquo;If you will wait, I will run around and put my bundle down. I am afraid
+ my grandfather might see it.&rdquo; He lowered his voice for the first time
+ since the General had introduced himself. Then he disappeared around the
+ house.
+ </p>
+ <p>
+ Oliver, having slipped in at the back door and carefully reconnoitred the
+ premises, tripped up stairs with his bundle to his mother's room. He was
+ so excited over his present that he failed to observe her confusion at his
+ sudden entrance, or her hasty hiding away of something on which she was
+ working. Colonel Drayton was not the only member of that household that
+ Christmas who was to receive a great-coat.
+ </p>
+ <p>
+ When Oliver had untied his bundle, nothing would serve but he must put on
+ the coat to show his mother how his grandfather would look in it. As even
+ with the sleeves rolled up and with his arms held out to keep it from
+ falling off him, the tails dragged for some distance on the floor and only
+ the top of his head was visible above the collar, the resemblance was
+ possibly not wholly exact. But it appeared to satisfy the boy. He was
+ showing how his grandfather walked, when he suddenly recalled his new
+ acquaintance.
+ </p>
+ <p>
+ &ldquo;I met my other grandfather, on the street, mamma, and he came home with
+ me.&rdquo; He spoke quite naturally.
+ </p>
+ <p>
+ &ldquo;Met your other grandfather!&rdquo; Mrs. Hampden looked mystified.
+ </p>
+ <p>
+ &ldquo;He says he is my grandfather, and he looks like papa. I reckon he 's my
+ other grandfather. He ran against me in the street and knocked me down,
+ and then came home with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Came home with you!&rdquo; repeated Mrs. Hampden, still in a maze, and with a
+ vague trouble dawning in her face.
+ </p>
+ <p>
+ &ldquo;Yes 'm.&rdquo;
+ </p>
+ <p>
+ Oliver went over the meeting again.
+ </p>
+ <p>
+ His mother's face meantime showed the tumult of emotion that was sweeping
+ over her. Why had General Hampden come? What had he come for? To try and
+ take her boy from her?
+ </p>
+ <p>
+ At the thought her face and form took on something of the lioness that
+ guards her whelp. Then as the little boy repeated what his grandfather had
+ said of his reason for coming home with him, her face softened again. She
+ heard a voice saying, &ldquo;If he ever sues for pardon, be merciful to him for
+ my sake.&rdquo; She remembered what day it was: the Eve of the day of Peace and
+ Good-will toward all men. He must have come for Peace, and Peace it should
+ be. She would not bring up her boy under the shadow of that feud which had
+ blighted both sides of his race so long.
+ </p>
+ <p>
+ &ldquo;Oliver,&rdquo; she said, &ldquo;you must go down and let him in. Say I will come
+ down.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will not like him,&rdquo; said the child, his eyes on her face.
+ </p>
+ <p>
+ &ldquo;Oh, yes, you must; he is your grandfather.&rdquo;
+ </p>
+ <p>
+ &ldquo;You do not love him, and I will not.&rdquo; The sturdy little figure and the
+ serious face with the chin already firm for such a child, the dark, grave
+ eyes and the determined speech, were so like his father that the widow
+ gave half a cry.
+ </p>
+ <p>
+ &ldquo;You must, my son, and I will try. Your father would wish it.&rdquo;
+ </p>
+ <p>
+ The little boy pondered for a second.
+ </p>
+ <p>
+ &ldquo;Very well, mamma; but he must be good to you.&rdquo;
+ </p>
+ <p>
+ As the little fellow left the room, the widow threw herself on her knees.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <p>
+ As General Hampden stood and waited in the dusk, he felt that his whole
+ life and future depended on the issue of the next few moments. He
+ determined to take matters in his own hand. Every moment might tell
+ against him and might decide his fate. So, without waiting longer, he rang
+ the bell. A minute later he heard steps within, and the door was opened by
+ one who he knew must be Colonel Drayton, though had he met him elsewhere
+ he should not have recognized the white hair and the thin, bent form as
+ that of his old friend and enemy. Colonel Drayton had evidently not seen
+ his grandson yet, for he spoke as to a stranger.
+ </p>
+ <p>
+ &ldquo;Will you not walk in, sir!&rdquo; he said cordially. &ldquo;I was expecting my little
+ grandson who went out a short while ago.&rdquo; He peered up the street. &ldquo;Did
+ you wish to see my daughter? You will find us in a little confusion&mdash;Christinas
+ time is always a busy season with us on account of our young man: my
+ grandson.&rdquo; He lingered with pride over the words.
+ </p>
+ <p>
+ The General stepped into the light.
+ </p>
+ <p>
+ &ldquo;Wilmer Drayton! Don't you know me? I am Oliver Hampden, and I have come
+ to apologize to you for all I have done which has offended you, and to ask
+ you to be friends with me.&rdquo; He held out his hand.
+ </p>
+ <p>
+ The old Colonel stepped back, and under the shock of surprise paused for a
+ moment.
+ </p>
+ <p>
+ &ldquo;Oliver Hampden!&rdquo; The next moment he stepped forward and took his hand.
+ </p>
+ <p>
+ &ldquo;Come in, Oliver,&rdquo; he said, gently, and putting his other arm around the
+ General's shoulder, he handed him into the little cosey, fire-lighted room
+ as though nothing had happened since he had done the same the last time
+ fifty years before.
+ </p>
+ <p>
+ At this moment the door opened and the little boy entered with mingled
+ mysteriousness and importance. Seeing the two gentlemen standing together,
+ he paused with a mystified look in his wide-open eyes, trying to
+ comprehend the situation.
+ </p>
+ <p>
+ &ldquo;Oliver, come here,&rdquo; said the Colonel, quietly. &ldquo;This is your other
+ grandfather.&rdquo;
+ </p>
+ <p>
+ The boy came forward, and, wheeling, stood close beside the Colonel,
+ facing General Hampden, like a soldier dressing by his file-closer.
+ </p>
+ <p>
+ &ldquo;<i>You</i> are my grandfather,&rdquo; he said, glancing up at the Colonel.
+ </p>
+ <p>
+ The Colonel's eyes glowed with a soft light.
+ </p>
+ <p>
+ &ldquo;Yes, my boy; and so is he. We are friends again, and you must love him&mdash;just
+ as you do me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will not love him as much,&rdquo; was the sturdy answer.
+ </p>
+ <p>
+ It was the General who spoke next.
+ </p>
+ <p>
+ &ldquo;That is right, my boy. All I ask is that you will love me some.&rdquo; He was
+ pleading with this young commissioner.
+ </p>
+ <p>
+ &ldquo;I will, if you are good to my mother.&rdquo; His eyes were fastened on him
+ without a tremor, and the General's deep-set eyes began to glow with hope.
+ </p>
+ <p>
+ &ldquo;That 's a bargain,&rdquo; he said holding out his hand. The boy took it
+ gravely.
+ </p>
+ <p>
+ Just then the door opened and Lucy Hampden entered. Her face was calm and
+ her form was straight. Her eyes, deep and burning, showed that she was
+ prepared either for peace or war. It was well for the General that he had
+ chosen peace. Better otherwise had he charged once more the deadliest
+ battle line he had ever faced. For a moment the General saw only Lucy
+ Fielding.
+ </p>
+ <p>
+ With a woman's instinct the young widow comprehended at the first glance
+ what had taken place, and although her face was white, her eyes softened
+ as she advanced. The General had turned and faced her. He could not utter
+ a word, but the boy sprang towards her and, wheeling, stood by her side.
+ </p>
+ <p>
+ Taking his hand, she led him forward.
+ </p>
+ <p>
+ &ldquo;Oliver,&rdquo; she said, gently, &ldquo;this is your father's father.&rdquo; Then to the
+ General, in a dead silence&mdash;&ldquo;Father, this is your son's son.&rdquo;
+ </p>
+ <p>
+ The General clasped them both in his arms.
+ </p>
+ <p>
+ &ldquo;Forgive me. Forgive me. I have prayed for <i>his</i> forgiveness, for I
+ can never forgive myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;He forgave you,&rdquo; said the widow, simply.
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VIII
+ </h2>
+ <p>
+ No young king was ever put to bed with more ceremony or more devotion than
+ was that little boy that night. Two old gentlemen were his grooms of the
+ bedchamber and saw him to bed together.
+ </p>
+ <p>
+ The talk was all of Christmas, and the General envied the ease with which
+ the other grandfather carried on the conversation. But when the boy,
+ having kissed his grandfather, said of his own accord, &ldquo;Now, I must kiss
+ my <i>other</i> grandfather,&rdquo; he envied no man on earth.
+ </p>
+ <p>
+ The next morning when Oliver Hampden, before the first peep of light,
+ waked in his little bed, which stood at the foot of his grandfather's bed
+ in the tiny room which they occupied together, and standing up, peeped
+ over the footboard to catch his grandfather's &ldquo;Christmas gift,&rdquo; he was
+ surprised to find that the bed was empty and undisturbed. Then having
+ tiptoed in and caught his mother, he stole down the stairs and softly
+ opened the sitting-room door where he heard the murmur of voices. The fire
+ was burning dim, and on either side sat the two old gentlemen in their
+ easy chairs, talking amicably and earnestly as they had been talking when
+ he kissed them &ldquo;good-night.&rdquo; Neither one had made the suggestion that it
+ was bedtime; but when at the first break of day the rosy boy in his
+ night-clothes burst in upon them with his shout of &ldquo;Christmas gift,&rdquo; and
+ his ringing laughter, they both knew that the long feud was at last ended,
+ and peace was established forever.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's The Christmas Peace, by Thomas Nelson Page
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE CHRISTMAS PEACE ***
+
+***** This file should be named 23511-h.htm or 23511-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/5/1/23511/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>