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+The Project Gutenberg EBook of Poems: New and Old, by Henry Newbolt
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Poems: New and Old
+
+Author: Henry Newbolt
+
+Release Date: January 22, 2008 [EBook #24405]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK POEMS: NEW AND OLD ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+[Transcriber's note: Page numbers in this book are indicated by numbers
+enclosed in curly braces, e.g. {99}. They have been located where page
+breaks occurred in the original book, in accordance with Project
+Gutenberg's FAQ-V-99.]
+
+
+
+
+
+
+POEMS: NEW AND OLD
+
+
+BY HENRY NEWBOLT
+
+
+
+
+
+LONDON
+
+JOHN MURRAY, ALBEMARLE STREET, W.
+
+1912
+
+
+
+
+TO
+
+ADMIRAL SIR REGINALD CUSTANCE
+
+
+
+
+{vi}
+
+AUTHOR'S NOTE
+
+This volume forms a complete collection of all my published work in
+verse from 1897 to 1912. It includes the contents of four previous
+volumes: _Admirals All_ (1897), _The Island Race_ (1898), _The Sailing
+of the Long-Ships_ (1902), and _Songs of Memory and Hope_ (1909),
+together with a number of pieces added to the later editions of the
+first two of these, and ten poems which have not hitherto appeared in
+book form--namely, _Sailing at Dawn, The Song of the Sou' Wester, The
+Middle Watch, The Little Admiral, The Song of the Guns at Sea,
+Farewell, Mors Janua, Gold, The Faun_, and _Rilloby-Rill_.
+
+The volumes above mentioned were dedicated respectively to ANDREW LANG,
+to ROBERT BRIDGES, to SIR EDWARD GREY, and to LAURENCE BINYON; and I
+delight to repeat these names once more, in a volume which commemorates
+also the inspiration of a later friendship.
+
+H. N.
+
+
+
+
+{vii}
+
+ CONTENTS
+
+
+ PAGE
+
+ SONGS OF THE FLEET:
+ I. SAILING AT DAWN . . . . . . . . . . . . . 1
+ II. THE SONG OF THE SOU' WESTER . . . . . . . 3
+ III. THE MIDDLE WATCH . . . . . . . . . . . . . 5
+ IV. THE LITTLE ADMIRAL . . . . . . . . . . . . 7
+ V. THE SONG OF THE GUNS AT SEA . . . . . . . 9
+ VI. FAREWELL . . . . . . . . . . . . . . . . . 11
+ ODE FOR TRAFALGAR DAY, 1905 . . . . . . . . . . 12
+ THE HUNDREDTH YEAR . . . . . . . . . . . . . . . 14
+ DRAKE'S DRUM . . . . . . . . . . . . . . . . . . 16
+ THE FIGHTING TÉMÉRAIRE . . . . . . . . . . . . . 18
+ ADMIRALS ALL . . . . . . . . . . . . . . . . . . 20
+ SAN STEFANO . . . . . . . . . . . . . . . . . . 23
+ HAWKE . . . . . . . . . . . . . . . . . . . . . 26
+ THE BRIGHT "MEDUSA" . . . . . . . . . . . . . . 28
+ THE OLD "SUPERB" . . . . . . . . . . . . . . . . 30
+ THE QUARTER-GUNNER'S YARN . . . . . . . . . . . 32
+ NORTHUMBERLAND . . . . . . . . . . . . . . . . . 35
+ FOR A TRAFALGAR CENOTAPH . . . . . . . . . . . . 37
+ CRAVEN . . . . . . . . . . . . . . . . . . . . . 38
+ MESSMATES . . . . . . . . . . . . . . . . . . . 40
+ THE DEATH OF ADMIRAL BLAKE . . . . . . . . . . . 42
+
+{viii}
+
+ PAGE
+
+ VAE VICTIS . . . . . . . . . . . . . . . . . . . 45
+ MINORA SIDERA . . . . . . . . . . . . . . . . . 48
+ LAUDABUNT ALII . . . . . . . . . . . . . . . . . 50
+ ADMIRAL DEATH . . . . . . . . . . . . . . . . . 52
+ HOMEWARD BOUND . . . . . . . . . . . . . . . . . 54
+ GILLESPIE . . . . . . . . . . . . . . . . . . . 55
+ SERINGAPATAM . . . . . . . . . . . . . . . . . . 58
+ A BALLAD OF JOHN NICHOLSON . . . . . . . . . . . 61
+ THE GUIDES AT CABUL, 1879 . . . . . . . . . . . 65
+ THE GAY GORDONS . . . . . . . . . . . . . . . . 67
+ HE FELL AMONG THIEVES . . . . . . . . . . . . . 69
+ IONICUS . . . . . . . . . . . . . . . . . . . . 72
+ THE NON-COMBATANT . . . . . . . . . . . . . . . 74
+ SACRAMENTUM SUPREMUM . . . . . . . . . . . . . . 75
+ CLIFTON CHAPEL . . . . . . . . . . . . . . . . . 76
+ VITAĎ LAMPADA . . . . . . . . . . . . . . . . . 78
+ THE VIGIL . . . . . . . . . . . . . . . . . . . 80
+ THE SAILING OF THE LONG-SHIPS . . . . . . . . . 82
+ WAGGON HILL . . . . . . . . . . . . . . . . . . 84
+ THE VOLUNTEER . . . . . . . . . . . . . . . . . 86
+ THE ONLY SON . . . . . . . . . . . . . . . . . . 87
+ THE GRENADIER'S GOOD-BYE . . . . . . . . . . . . 88
+ THE SCHOOLFELLOW . . . . . . . . . . . . . . . . 89
+ ON SPION KOP . . . . . . . . . . . . . . . . . . 90
+ THE SCHOOL AT WAR . . . . . . . . . . . . . . . 91
+ BY THE HEARTH-STONE . . . . . . . . . . . . . . 93
+ PEACE . . . . . . . . . . . . . . . . . . . . . 94
+ APRIL ON WAGGON HILL . . . . . . . . . . . . . . 95
+ COMMEMORATION . . . . . . . . . . . . . . . . . 97
+
+{ix}
+
+ PAGE
+
+ THE ECHO . . . . . . . . . . . . . . . . . . . . 99
+ THE BEST SCHOOL OF ALL . . . . . . . . . . . . . 101
+ ENGLAND . . . . . . . . . . . . . . . . . . . . 103
+ VICTORIA REGINA . . . . . . . . . . . . . . . . 104
+ THE KING OF ENGLAND . . . . . . . . . . . . . . 105
+ THE NILE . . . . . . . . . . . . . . . . . . . . 107
+ SRÁHMANDÁZI . . . . . . . . . . . . . . . . . . 110
+ OUTWARD BOUND . . . . . . . . . . . . . . . . . 113
+ HOPE THE HORNBLOWER . . . . . . . . . . . . . . 114
+ O PULCHRITUDO . . . . . . . . . . . . . . . . . 116
+ THE FINAL MYSTERY . . . . . . . . . . . . . . . 117
+ IL SANTO . . . . . . . . . . . . . . . . . . . . 121
+ IN JULY . . . . . . . . . . . . . . . . . . . . 122
+ FROM GENERATION TO GENERATION . . . . . . . . . 123
+ WHEN I REMEMBER . . . . . . . . . . . . . . . . 124
+ MORS JANUA . . . . . . . . . . . . . . . . . . . 125
+ RONDEL . . . . . . . . . . . . . . . . . . . . . 126
+ RONDEL . . . . . . . . . . . . . . . . . . . . . 127
+ BALADE . . . . . . . . . . . . . . . . . . . . . 128
+ THE LAST WORD . . . . . . . . . . . . . . . . . 131
+ THE VIKING'S SONG . . . . . . . . . . . . . . . 132
+ THE SUFI IN THE CITY . . . . . . . . . . . . . . 134
+ TO EDWARD FITZGERALD . . . . . . . . . . . . . . 135
+ YATTENDON . . . . . . . . . . . . . . . . . . . 136
+ DEVON . . . . . . . . . . . . . . . . . . . . . 137
+ AMONG THE TOMBS . . . . . . . . . . . . . . . . 138
+ GOLD . . . . . . . . . . . . . . . . . . . . . . 139
+ A SOWER . . . . . . . . . . . . . . . . . . . . 140
+ THE MOSSROSE . . . . . . . . . . . . . . . . . . 141
+
+{x}
+
+ PAGE
+
+ AVE, SOROR . . . . . . . . . . . . . . . . . . . 143
+ TO A RIVER IN THE SOUTH . . . . . . . . . . . . 144
+ ON THE DEATH OF A NOBLE LADY . . . . . . . . . . 145
+ MIDWAY . . . . . . . . . . . . . . . . . . . . . 146
+ AD MATREM DOLOROSAM . . . . . . . . . . . . . . 147
+ VRAIS AMANTS . . . . . . . . . . . . . . . . . . 148
+ THE SANGREAL . . . . . . . . . . . . . . . . . . 149
+ SIR HUGH THE PALMER . . . . . . . . . . . . . . 150
+ THE PRESENTATION . . . . . . . . . . . . . . . . 153
+ THE INHERITANCE . . . . . . . . . . . . . . . . 154
+ AMORE ALTIERO . . . . . . . . . . . . . . . . . 156
+ THE PEDLAR'S SONG . . . . . . . . . . . . . . . 158
+ BENEDICK'S SONG . . . . . . . . . . . . . . . . 159
+ LOVE AND GRIEF . . . . . . . . . . . . . . . . . 160
+ EGERIA'S SILENCE . . . . . . . . . . . . . . . . 161
+ AGAINST OBLIVION . . . . . . . . . . . . . . . . 162
+ FOND COUNSEL . . . . . . . . . . . . . . . . . . 163
+ YOUTH . . . . . . . . . . . . . . . . . . . . . 164
+ THE WANDERER . . . . . . . . . . . . . . . . . . 165
+ THE ADVENTURERS . . . . . . . . . . . . . . . . 166
+ TO CLARE . . . . . . . . . . . . . . . . . . . . 168
+ THE RETURN OF SUMMER: AN ECLOGUE . . . . . . . . 169
+ DREAM-MARKET . . . . . . . . . . . . . . . . . . 173
+ THE CICALAS: AN IDYLL . . . . . . . . . . . . . 180
+ THE FAUN . . . . . . . . . . . . . . . . . . . . 186
+ FIDELE'S GRASSY TOMB . . . . . . . . . . . . . . 189
+ MOONSET . . . . . . . . . . . . . . . . . . . . 192
+ A SONG OF EXMOOR . . . . . . . . . . . . . . . . 194
+ MASTER AND MAN . . . . . . . . . . . . . . . . . 196
+
+{xi}
+
+ PAGE
+
+ GAVOTTE . . . . . . . . . . . . . . . . . . . 198
+ IMOGEN . . . . . . . . . . . . . . . . . . . . 199
+ NEL MEZZO DEL CAMMĚN . . . . . . . . . . . . . 201
+ THE INVASION . . . . . . . . . . . . . . . . . 202
+ RILLOBY-RILL . . . . . . . . . . . . . . . . . 204
+ PEREUNT ET IMPUTANTUR . . . . . . . . . . . . 206
+ FELIX ANTONIUS . . . . . . . . . . . . . . . . 208
+ IRELAND, IRELAND . . . . . . . . . . . . . . . 209
+ HYMN . . . . . . . . . . . . . . . . . . . . . 210
+ THE BUILDING OF THE TEMPLE . . . . . . . . . . 212
+ EPISTLE . . . . . . . . . . . . . . . . . . . 216
+ AN ESSAY ON CRITICISM . . . . . . . . . . . . 220
+ LE BYRON DE NOS JOURS . . . . . . . . . . . . 225
+ NOTES . . . . . . . . . . . . . . . . . . . . 231
+
+
+
+
+ O strength divine of Roman days,
+ O spirit of the age of faith,
+ Go with our sons on all their ways,
+ When we long since are dust and wraith.
+
+
+
+
+{1}
+
+POEMS: NEW AND OLD
+
+
+
+_Songs of the Fleet_
+
+I
+
+_Sailing at Dawn_
+
+ One by one the pale stars die before the day now,
+ One by one the great ships are stirring from their sleep,
+ Cables all are rumbling, anchors all a-weigh now,
+ Now the fleet's a fleet again, gliding towards the deep.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+ Far away behind us town and tower are dwindling,
+ Home becomes a fair dream faded long ago;
+ Infinitely glorious the height of heaven is kindling,
+ Infinitely desolate the shoreless sea below.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+{2}
+
+ Once again with proud hearts we make the old surrender,
+ Once again with high hearts serve the age to be,
+ Not for us the warm life of Earth, secure and tender,
+ Ours the eternal wandering and warfare of the sea.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+
+
+
+{3}
+
+II
+
+_The Song of the Sou' Wester_
+
+ The sun was lost in a leaden sky,
+ And the shore lay under our lee;
+ When a great Sou' Wester hurricane high
+ Came rollicking up the sea.
+ He played with the fleet as a boy with boats
+ Till out for the Downs we ran,
+ And he laugh'd with the roar of a thousand throats
+ At the militant ways of man:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+ A dozen of middies were down below
+ Chasing the X they love,
+ While the table curtseyed long and slow
+ And the lamps were giddy above.
+
+{4}
+
+ The lesson was all of a ship and a shot,
+ And some of it may have been true,
+ But the word they heard and never forgot
+ Was the word of the wind that blew:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+ The Middy with luck is a Captain soon,
+ With luck he may hear one day
+ His own big guns a-humming the tune
+ "'Twas in Trafalgar's Bay."
+ But wherever he goes, with friends or foes,
+ And whatever may there befall,
+ He'll hear for ever a voice he knows
+ For ever defying them all:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+
+
+
+{5}
+
+III
+
+_The Middle Watch_
+
+ In a blue dusk the ship astern
+ Uplifts her slender spars,
+ With golden lights that seem to burn
+ Among the silver stars.
+ Like fleets along a cloudy shore
+ The constellations creep,
+ Like planets on the ocean floor
+ Our silent course we keep.
+
+ _And over the endless plain,
+ Out of the night forlorn
+ Rises a faint refrain,
+ A song of the day to be born--
+ Watch, oh watch till ye find again
+ Life and the land of morn._
+
+ From a dim West to a dark East
+ Our lines unwavering head,
+ As if their motion long had ceased
+ And Time itself were dead.
+
+{6}
+
+ Vainly we watch the deep below,
+ Vainly the void above,
+ They died a thousand years ago--
+ Life and the land we love.
+
+ _But over the endless plain,
+ Out of the night forlorn
+ Rises a faint refrain,
+ A song of the day to be born--
+ Watch, oh watch till ye find again
+ Life and the land of morn._
+
+
+
+
+{7}
+
+IV
+
+_The Little Admiral_
+
+ Stand by to reckon up your battleships
+ Ten, twenty, thirty, there they go.
+ Brag about your cruisers like Leviathans--
+ A thousand men a-piece down below.
+ But here's just one little Admiral
+ We're all of us his brothers and his sons,
+ And he's worth, O he's worth at the very least
+ Double all your tons and all your guns.
+
+ _Stand by, etc._
+
+
+ See them on the forebridge signalling--
+ A score of men a-hauling hand to hand,
+ And the whole fleet flying like the wild geese
+ Moved by some mysterious command.
+ Where's the mighty will that shows the way to them,
+ The mind that sees ahead so quick and clear?
+ He's there, Sir, walking all alone there--
+ The little man whose voice you never hear.
+
+ _Stand by, etc._
+
+
+{8}
+
+ There are queer things that only come to sailormen;
+ They're true, but they're never understood;
+ And I know one thing about the Admiral,
+ That I can't tell rightly as I should.
+ I've been with him when hope sank under us--
+ He hardly seemed a mortal like the rest,
+ I could swear that he had stars upon his uniform,
+ And one sleeve pinned across his breast.
+
+ _Stand by, etc._
+
+
+ Some day we're bound to sight the enemy,
+ He's coming, tho' he hasn't yet a name.
+ Keel to keel and gun to gun he'll challenge us
+ To meet him at the Great Armada game.
+ None knows what may be the end of it,
+ But we'll all give our bodies and our souls
+ To see the little Admiral a-playing him
+ A rubber of the old Long Bowls!
+
+ _Stand by, etc._
+
+
+
+
+{9}
+
+V
+
+_The Song of the Guns at Sea_
+
+ Oh hear! Oh hear!
+ Across the sullen tide
+ Across the echoing dome horizon-wide
+ What pulse of fear
+ Beats with tremendous boom!
+ What call of instant doom,
+ With thunderstroke of terror and of pride,
+ With urgency that may not be denied,
+ Reverberates upon the heart's own drum
+ Come! . . . Come! . . . for thou must come!
+
+ Come forth, O Soul!
+ This is thy day of power.
+ This is the day and this the glorious hour
+ That was the goal
+ Of thy self-conquering strife.
+ The love of child and wife,
+ The fields of Earth and the wide ways of Thought--
+ Did not thy purpose count them all as nought
+ That in this moment thou thyself mayst give
+ And in thy country's life for ever live?
+
+{10}
+
+ Therefore rejoice
+ That in thy passionate prime
+ Youth's nobler hope disdained the spoils of Time
+ And thine own choice
+ Fore-earned for thee this day.
+ Rejoice! rejoice to obey
+ In the great hour of life that men call Death
+ The beat that bids thee draw heroic breath,
+ Deep-throbbing till thy mortal heart be dumb
+ Come! . . . Come! . . . the time is come!
+
+
+
+
+{11}
+
+VI
+
+_Farewell_
+
+ Mother, with unbowed head
+ Hear thou across the sea
+ The farewell of the dead,
+ The dead who died for thee.
+ Greet them again with tender words and grave,
+ For, saving thee, themselves they could not save.
+
+ To keep the house unharmed
+ Their fathers built so fair,
+ Deeming endurance armed
+ Better than brute despair,
+ They found the secret of the word that saith,
+ "Service is sweet, for all true life is death."
+
+ So greet thou well thy dead
+ Across the homeless sea,
+ And be thou comforted
+ Because they died for thee.
+ Far off they served, but now their deed is done
+ For evermore their life and thine are one.
+
+
+
+
+{12}
+
+_Ode for Trafalgar Day, 1905_
+
+"Partial firing continued until 4.30, when a victory having been
+reported to the Right Honourable Lord Viscount Nelson, K.B., and
+Commander-in-Chief, he then died of his wound."--Log of the _Victory_,
+October 21, 1805.
+
+
+ England! to-day let fire be in thine eyes
+ And in thy heart the throb of leaping guns;
+ Crown in thy streets the deed that never dies,
+ And tell their fathers' fame to all thy sons!
+ Behold! behold! on that unchanging sea
+ Where day behind Trafalgar rises pale,
+ How dread the storm to be
+ Drifts up with ominous breath
+ Cloud after towering cloud of billowy sail
+ Full charged with thunder and the bolts of death.
+
+ Yet when the noon is past, and thy delight,
+ More delicate for these good hundred years,
+ Has drunk the splendour and the sound of fight
+ And the sweet sting of long-since vanished fears,
+ Then, England, come thou down with sterner lips
+ From the bright world of thy substantial power,
+ Forget thy seas, thy ships,
+ And that wide echoing dome
+ To watch the soul of man in his dark hour
+ Redeeming yet his dear lost land of home.
+
+{13}
+
+ What place is this? What under-world of pain
+ All shadow-barred with glare of swinging fires?
+ What writhing phantoms of the newly slain?
+ What cries? What thirst consuming all desires?
+ This is the field of battle: not for life,
+ Not for the deeper life that dwells in love,
+ Not for the savour of strife
+ Or the far call of fame,
+ Not for all these the fight: all these above
+ The soul of this man cherished Duty's name.
+
+ His steadfast hope from self has turned away,
+ For the Cause only must he still contend:
+ "How goes the day with us? How goes the day?"
+ He craves not victory, but to make an end.
+ Therefore not yet thine hour, O Death: but when
+ The weapons forged against his country's peace
+ Lie broken round him--then
+ Give him the kiss supreme;
+ Then let the tumult of his warfare cease
+ And the last dawn dispel his anguished dream.
+
+
+
+
+{14}
+
+_The Hundredth Year_
+
+"Drake, and Blake, and Nelson's mighty name."
+
+
+ The stars were faint in heaven
+ That saw the Old Year die,
+ The dream-white mist of Devon
+ Shut in the seaward sky:
+ Before the dawn's unveiling
+ I heard three voices hailing,
+ I saw three ships come sailing
+ With lanterns gleaming high.
+
+ The first he cried defiance--
+ A full-mouthed voice and bold--
+ "On God be our reliance,
+ Our hope the Spaniard's gold!
+ With a still, stern ambuscado,
+ With a roaring escalado,
+ We'll sack their Eldorado
+ And storm their dungeon hold!"
+
+ Then slowly spake the second--
+ A great sad voice and deep--
+ "When all your gold is reckoned,
+ There is but this to keep:
+
+{15}
+
+ To stay the foe from fooling,
+ To learn the heathen schooling,
+ To live and die sea-ruling,
+ And home at last to sleep."
+
+ But the third matched in beauty
+ The dawn that flushed afar;
+ "O sons of England, Duty
+ Is England's morning star:
+ Then Fame's eternal splendour
+ Be theirs who well defend her,
+ And theirs who fain would bend her
+ The night of Trafalgar!"
+
+
+
+
+{16}
+
+_Drake's Drum_
+
+ Drake he's in his hammock an' a thousand mile away,
+ (Capten, art tha sleepin' there below?),
+ Slung atween the round shot in Nombre Dios Bay,
+ An' dreamin' arl the time o' Plymouth Hoe.
+ Yarnder lumes the Island, yarnder lie the ships,
+ Wi' sailor lads a dancin' heel-an'-toe,
+ An' the shore-lights flashin', an' the night-tide dashin',
+ He sees et arl so plainly as he saw et long ago.
+
+ Drake he was a Devon man, an' ruled the Devon seas,
+ (Capten, art tha sleepin' there below?),
+ Rovin' tho' his death fell, he went wi' heart at ease,
+ An' dreamin' arl the time o' Plymouth Hoe.
+ "Take my drum to England, hang et by the shore,
+ Strike et when your powder's runnin' low;
+ If the Dons sight Devon, I'll quit the port o' Heaven,
+ An' drum them up the Channel as we drummed them long ago."
+
+ Drake he's in his hammock till the great Armadas come,
+ (Capten, art tha sleepin' there below?),
+ Slung atween the round shot, listenin' for the drum,
+ An' dreamin' arl the time o' Plymouth Hoe.
+
+{17}
+
+ Call him on the deep sea, call him up the Sound,
+ Call him when ye sail to meet the foe;
+ Where the old trade's plyin' an' the old flag flyin'
+ They shall find him ware an' wakin', as they found him long ago!
+
+
+
+
+{18}
+
+The Fighting Téméraire
+
+ It was eight bells ringing,
+ For the morning watch was done,
+ And the gunner's lads were singing
+ As they polished every gun.
+ It was eight bells ringing,
+ And the gunner's lads were singing,
+ For the ship she rode a-swinging
+ As they polished every gun.
+
+ _Oh! til see the linstock lighting,
+ Téméraire! Téméraire!
+ Oh! to hear the round shot biting,
+ Téméraire! Téméraire!
+ Oh! to see the linstock lighting,
+ And to hear the round shot biting,
+ For we're all in love with fighting
+ On the Fighting Téméraire._
+
+ It was noontide ringing,
+ And the battle just begun,
+ When the ship her way was winging
+ As they loaded every gun.
+
+{19}
+
+ It was noontide ringing,
+ When the ship her way was winging,
+ And the gunner's lads were singing
+ As they loaded every gun.
+
+ There'll be many grim and gory,
+ Téméraire! Téméraire!
+ There'll be few to tell the story,
+ Téméraire! Téméraire!
+ There'll be many grim and gory,
+ There'll be few to tell the story,
+ But we'll all be one in glory
+ With the fighting Téméraire.
+
+ There's a far bell ringing
+ At the setting of the sun,
+ And a phantom voice is singing
+ Of the great days done.
+ There's a far bell ringing,
+ And a phantom voice is singing
+ Of renown for ever clinging
+ To the great days done.
+
+ Now the sunset breezes shiver,
+ Téméraire! Téméraire!
+ And she's fading down the river,
+ Téméraire! Téméraire!
+ Now the sunset breezes shiver,
+ And she's fading down the river,
+ But in England's song for ever
+ She's the Fighting Téméraire.
+
+
+
+
+{20}
+
+_Admirals All_
+
+ Effingham, Grenville, Raleigh, Drake,
+ Here's to the bold and free!
+ Benbow, Collingwood, Byron, Blake,
+ Hail to the Kings of the Sea!
+ Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!
+
+ _Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!_
+
+ Essex was fretting in Cadiz Bay
+ With the galleons fair in sight;
+ Howard at last must give him his way,
+ And the word was passed to fight.
+ Never was schoolboy gayer than he,
+ Since holidays first began:
+ He tossed his bonnet to wind and sea,
+ And under the guns he ran.
+
+{21}
+
+ Drake nor devil nor Spaniard feared,
+ Their cities he put to the sack;
+ He singed his Catholic Majesty's beard,
+ And harried his ships to wrack.
+ He was playing at Plymouth a rubber of bowls
+ When the great Armada came;
+ But he said, "They must wait their turn, good souls,"
+ And he stooped, and finished the game.
+
+ Fifteen sail were the Dutchmen bold,
+ Duncan he had but two;
+ But he anchored them fast where the Texel shoaled
+ And his colours aloft he flew.
+ "I've taken the depth to a fathom," he cried,
+ "And I'll sink with a right good will,
+ For I know when we're all of us under the tide,
+ My flag will be fluttering still."
+
+ Splinters were flying above, below,
+ When Nelson sailed the Sound:
+ "Mark you, I wouldn't be elsewhere now,"
+ Said he, "for a thousand pound!"
+ The Admiral's signal bade him fly,
+ But he wickedly wagged his head,
+ He clapped the glass to his sightless eye
+ And "I'm damned if I see it," he said.
+
+ Admirals all, they said their say
+ (The echoes are ringing still),
+ Admirals all, they went their way
+ To the haven under the hill.
+
+{22}
+
+ But they left us a kingdom none can take,
+ The realm of the circling sea,
+ To be ruled by the rightful sons of Blake
+ And the Rodneys yet to be.
+
+ _Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!_
+
+
+
+
+{23}
+
+San Stefano
+
+(A BALLAD OF THE BOLD MENELAUS)
+
+ It was morning at St. Helen's, in the great and gallant days,
+ And the sea beneath the sun glittered wide,
+ When the frigate set her courses, all a-shimmer in the haze,
+ And she hauled her cable home and took the tide.
+ She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ put to sea.
+
+ _She'd a right fighting company, three hundred men and more
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fire,
+ When the bold _Menelaus_ put to sea._
+
+ She was clear of Monte Cristo, she was heading for the land,
+ When she spied a pennant red and white and blue;
+ They were foemen, and they knew it, and they'd half a league in hand,
+ But she flung aloft her royals and she flew.
+
+{24}
+
+ She was nearer, nearer, nearer, they were caught beyond a doubt,
+ But they slipped her, into Orbetello Bay,
+ And the lubbers gave a shout as they paid their cables out,
+ With the guns grinning round them where they lay.
+
+ Now Sir Peter was a captain of a famous fighting race,
+ Son and grandson of an admiral was he;
+ And he looked upon the batteries, he looked upon the chase,
+ And he heard the shout that echoed out to sea.
+ And he called across the decks, "Ay! the cheering might be late
+ If they kept it till the _Menelaus_ runs;
+ Bid the master and his mate heave the lead and lay her straight
+ For the prize lying yonder by the guns."
+
+ When the summer moon was setting, into Orbetello Bay
+ Came the _Menelaus_ gliding like a ghost;
+ And her boats were manned in silence, and in silence pulled away,
+ And in silence every gunner took his post.
+ With a volley from her broadside the citadel she woke,
+ And they hammered back like heroes all the night;
+ But before the morning broke she had vanished through the smoke
+ With her prize upon her quarter grappled tight.
+
+{25}
+
+ It was evening at St. Helen's, in the great and gallant time,
+ And the sky behind the down was flushing far;
+ And the flags were all a-flutter, and the bells were all a-chime,
+ When the frigate cast her anchor off the bar.
+ She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ came from sea.
+
+ _She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ came from sea._
+
+
+
+
+{26}
+
+Hawke
+
+ In seventeen hundred and fifty nine,
+ When Hawke came swooping from the West,
+ The French King's Admiral with twenty of the line,
+ Was sailing forth, to sack us, out of Brest.
+ The ports of France were crowded, the quays of France a-hum
+ With thirty thousand soldiers marching to the drum,
+ For bragging time was over and fighting time was come
+ When Hawke came swooping from the West.
+
+ 'Twas long past noon of a wild November day
+ When Hawke came swooping from the West;
+ He heard the breakers thundering in Quiberon Bay
+ But he flew the flag for battle, line abreast.
+ Down upon the quicksands roaring out of sight
+ Fiercely beat the storm-wind, darkly fell the night,
+ But they took the foe for pilot and the cannon's glare for light
+ When Hawke came swooping from the West.
+
+ The Frenchmen turned like a covey down the wind
+ When Hawke came swooping from the West;
+ One he sank with all hands, one he caught and pinned,
+ And the shallows and the storm took the rest.
+
+{27}
+
+ The guns that should have conquered us they rusted on the shore,
+ The men that would have mastered us they drummed and marched no more,
+ For England was England, and a mighty brood she bore
+ When Hawke came swooping from the West.
+
+
+
+
+{28}
+
+_The Bright Medusa_
+
+(1807)
+
+ She's the daughter of the breeze,
+ She's the darling of the seas,
+ And we call her, if you please, the bright _Medu--sa_;
+ From beneath her bosom bare
+ To the snakes among her hair
+ She's a flash o' golden light, the bright _Medu--sa_.
+
+ When the ensign dips above
+ And the guns are all for love,
+ She's as gentle as a dove, the bright _Medu--sa_;
+ But when the shot's in rack
+ And her forestay flies the Jack,
+ He's a merry man would slight the bright _Medu--sa_.
+
+ When she got the word to go
+ Up to Monte Video,
+ There she found the river low, the bright _Medu--sa_;
+ So she tumbled out her guns
+ And a hundred of her sons,
+ And she taught the Dons to fight the bright _Medu--sa_.
+
+ {29}
+
+ When the foeman can be found
+ With the pluck to cross her ground,
+ First she walks him round and round, the bright _Medu--sa_;
+ Then she rakes him fore and aft
+ Till he's just a jolly raft,
+ And she grabs him like a kite, the bright _Medu--sa_.
+
+ She's the daughter of the breeze,
+ She's the darling of the seas,
+ And you'll call her, if you please, the bright _Medu--sa_;
+ For till England's sun be set--
+ And it's not for setting yet--
+ She shall bear her name by right, the bright _Medu--sa_.
+
+
+
+
+{30}
+
+_The Old _Suberb__
+
+ The wind was rising easterly, the morning sky was blue,
+ The Straits before us opened wide and free;
+ We looked towards the Admiral, where high the Peter flew,
+ And all our hearts were dancing like the sea.
+ "The French are gone to Martinique with four-and-twenty sail!
+ The Old _Suberb_ is old and foul and slow,
+ But the French are gone to Martinique, and Nelson's on the trail,
+ And where he goes the Old _Suberb_ must go!"
+
+ _So Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+ The Old _Suberb_ was barnacled and green as grass below,
+ Her sticks were only fit for stirring grog;
+ The pride of all her midshipmen was silent long ago,
+ And long ago they ceased to heave the log.
+
+{31}
+
+ Four year out from home she was, and ne'er a week in port,
+ And nothing save the guns aboard her bright;
+ But Captain Keats he knew the game, and swore to share the sport,
+ For he never yet came in too late to fight.
+
+ _So Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+ "Now up, my lads!" the Captain cried, "for sure the case were hard
+ If longest out were first to fall behind.
+ Aloft, aloft with studding sails, and lash them on the yard,
+ For night and day the Trades are driving blind!"
+ So all day long and all day long behind the fleet we crept,
+ And how we fretted none but Nelson guessed;
+ But every night the Old _Superb_ she sailed when others slept,
+ Till we ran the French to earth with all the rest!
+
+ _Oh, 'twas Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+
+
+
+{32}
+
+_The Quarter-Gunner's Yarn_
+
+ We lay at St. Helen's, and easy she rode
+ With one anchor catted and fresh-water stowed;
+ When the barge came alongside like bullocks we roared,
+ For we knew what we carried with Nelson aboard.
+
+ Our Captain was Hardy, the pride of us all,
+ I'll ask for none better when danger shall call;
+ He was hardy by nature and Hardy by name,
+ And soon by his conduct to honour he came.
+
+ The third day the Lizard was under our lee,
+ Where the _Ajax_ and _Thunderer_ joined us at sea,
+ But what with foul weather and tacking about,
+ When we sighted the Fleet we were thirteen days out.
+
+ The Captains they all came aboard quick enough,
+ But the news that they brought was as heavy as duff;
+ So backward an enemy never was seen,
+ They were harder to come at than Cheeks the Marine.
+
+ The lubbers had hare's lugs where seamen have ears,
+ So we stowed all saluting and smothered our cheers,
+ And to humour their stomachs and tempt them to dine,
+ In the offing we showed them but six of the line.
+
+{33}
+
+ One morning the topmen reported below
+ The old _Agamemnon_ escaped from the foe.
+ Says Nelson: "My lads, there'll be honour for some,
+ For we're sure of a battle now Berry has come."
+
+ "Up hammocks!" at last cried the bo'sun at dawn;
+ The guns were cast loose and the tompions drawn;
+ The gunner was bustling the shot racks to fill,
+ And "All hands to quarters!" was piped with a will.
+
+ We now saw the enemy bearing ahead,
+ And to East of them Cape Trafalgar it was said,
+ 'Tis a name we remember from father to son,
+ That the days of old England may never be done.
+
+ The _Victory_ led, to her flag it was due,
+ Tho' the _Téméraires_ thought themselves Admirals too;
+ But Lord Nelson he hailed them with masterful grace:
+ "Cap'n Harvey, I'll thank you to keep in your place."
+
+ To begin with we closed the _Bucentaure_ alone,
+ An eighty-gun ship and their Admiral's own;
+ We raked her but once, and the rest of the day
+ Like a hospital hulk on the water she lay.
+
+ To our battering next the _Redoutable_ struck,
+ But her sharpshooters gave us the worst of the luck:
+ Lord Nelson was wounded, most cruel to tell.
+ "They've done for me, Hardy!" he cried as he fell.
+
+{34}
+
+ To the cockpit in silence they carried him past,
+ And sad were the looks that were after him cast;
+ His face with a kerchief he tried to conceal,
+ But we knew him too well from the truck to the keel.
+
+ When the Captain reported a victory won,
+ "Thank God!" he kept saying, "my duty I've done."
+ At last came the moment to kiss him good-bye,
+ And the Captain for once had the salt in his eye.
+
+ "Now anchor, dear Hardy," the Admiral cried;
+ But before we could make it he fainted and died.
+ All night in the trough of the sea we were tossed,
+ And for want of ground-tackle good prizes were lost.
+
+ Then we hauled down the Hag, at the fore it was red,
+ And blue at the mizzen was hoisted instead
+ By Nelson's famed Captain, the pride of each tar,
+ Who fought in the _Victory_ off Cape Trafalgar.
+
+
+
+
+{35}
+
+Northumberland
+
+"The Old and Bold."
+
+
+ When England sets her banner forth
+ And bids her armour shine,
+ She'll not forget the famous North,
+ The lads of moor and Tyne;
+ And when the loving-cup's in hand,
+ And Honour leads the cry,
+ They know not old Northumberland
+ Who'll pass her memory by.
+
+ When Nelson sailed for Trafalgar
+ With all his country's best,
+ He held them dear as brothers are,
+ But one beyond the rest.
+ For when the fleet with heroes manned
+ To clear the decks began,
+ The boast of old Northumberland
+ He sent to lead the van.
+
+ Himself by _Victory's_ bulwarks stood
+ And cheered to see the sight;
+ "That noble fellow Collingwood,
+ How bold he goes to fight!"
+
+{36}
+
+ Love, that the league of Ocean spanned;
+ Heard him as face to face;
+ "What would he give, Northumberland;
+ To share our pride of place?"
+
+ The flag that goes the world around
+ And flaps on every breeze
+ Has never gladdened fairer ground
+ Or kinder hearts than these.
+ So when the loving-cup's in hand
+ And Honour leads the cry,
+ They know not old Northumberland
+ Who'll pass her memory by.
+
+
+
+
+{37}
+
+_For a Trafalgar Cenotaph_
+
+ Lover of England, stand awhile and gaze
+ With thankful heart, and lips refrained from praise;
+ They rest beyond the speech of human pride
+ Who served with Nelson and with Nelson died.
+
+
+
+
+{38}
+
+Craven
+
+(MOBILE BAY, 1864)
+
+ Over the turret, shut in his iron-clad tower,
+ Craven was conning his ship through smoke and flame;
+ Gun to gun he had battered the fort for an hour,
+ Now was the time for a charge to end the game.
+
+ There lay the narrowing channel, smooth and grim,
+ A hundred deaths beneath it, and never a sign;
+ There lay the enemy's ships, and sink or swim
+ The flag was flying, and he was head of the line.
+
+ The fleet behind was jamming; the monitor hung
+ Beating the stream; the roar for a moment hushed,
+ Craven spoke to the pilot; slow she swung;
+ Again he spoke, and right for the foe she rushed.
+
+ Into the narrowing channel, between the shore
+ And the sunk torpedoes lying in treacherous rank;
+ She turned but a yard too short, a muffled roar,
+ A mountainous wave, and she rolled, righted, and sank.
+
+{39}
+
+ Over the manhole, up in the iron-clad tower,
+ Pilot and Captain met as they turned to fly:
+ The hundredth part of a moment seemed an hour,
+ For one could pass to be saved, and one must die.
+
+ They stood like men in a dream: Craven spoke,
+ Spoke as he lived and fought, with a Captain's pride,
+ "After you, Pilot:" the pilot woke,
+ Down the ladder he went, and Craven died.
+
+ _All men praise the deed and the manner, but we--
+ We set it apart from the pride that stoops to the proud,
+ The strength that is supple to serve the strong and free,
+ The grace of the empty hands and promises loud:_
+
+ _Sidney thirsting a humbler need to slake,
+ Nelson waiting his turn for the surgeon's hand,
+ Lucas crushed with chains for a comrade's sake,
+ Outram coveting right before command,_
+
+ _These were paladins, these were Craven's peers,
+ These with him shall be crowned in story and song,
+ Crowned with the glitter of steel and the glimmer of tears,
+ Princes of courtesy, merciful, proud and strong._
+
+
+
+
+{40}
+
+_Messmates_
+
+ He gave us all a good-bye cheerily
+ At the first dawn of day;
+ We dropped him down the side full drearily
+ When the light died away.
+ It's a dead dark watch that he's a-keeping there,
+ And a long, long night that lags a-creeping there,
+ Where the Trades and the tides roll over him
+ And the great ships go by.
+
+ He's there alone with green seas rocking him
+ For a thousand miles round;
+ He's there alone with dumb things mocking him,
+ And we're homeward bound.
+ It's a long, lone watch that he's a-keeping there,
+ And a dead cold night that lags a-creeping there,
+ While the months and the years roll over him
+ And the great ships go by.
+
+ I wonder if the tramps come near enough
+ As they thrash to and fro,
+ And the battle-ships' bells ring clear enough
+ To be heard down below;
+
+{41}
+
+ If through all the lone watch that he's a-keeping there,
+ And the long, cold night that lags a-creeping there,
+ The voices of the sailor-men shall comfort him
+ When the great ships go by.
+
+
+
+
+{42}
+
+_The Death of Admiral Blake_
+
+(AUGUST 7TH, 1657)
+
+ Laden with spoil of the South, fulfilled with the glory
+ of achievement,
+ And freshly crowned with never-dying fame,
+ Sweeping by shores where the names are the names of the
+ victories of England,
+ Across the Bay the squadron homeward came.
+
+ Proudly they came, but their pride was the pomp of a
+ funeral at midnight,
+ When dreader yet the lonely morrow looms;
+ Few are the words that are spoken, and faces are gaunt
+ beneath the torchlight
+ That does but darken more the nodding plumes.
+
+ Low on the field of his fame, past hope lay the Admiral
+ triumphant,
+ And fain to rest him after all his pain;
+ Yet for the love that he bore to his own land, ever
+ unforgotten,
+ He prayed to see the western hills again.
+
+{43}
+
+ Fainter than stars in a sky long gray with the coming of
+ the daybreak,
+ Or sounds of night that fade when night is done,
+ So in the death-dawn faded the splendour and loud
+ renown of warfare,
+ And life of all its longings kept but one.
+
+ "Oh! to be there for an hour when the shade draws in
+ beside the hedgerows,
+ And falling apples wake the drowsy noon:
+ Oh! for the hour when the elms grow sombre and
+ human in the twilight,
+ And gardens dream beneath the rising moon.
+
+ "Only to look once more on the land of the memories of childhood,
+ Forgetting weary winds and barren foam:
+ Only to bid farewell to the combe and the orchard and
+ the moorland,
+ And sleep at last among the fields of home!"
+
+ So he was silently praying, till now, when his strength
+ was ebbing faster,
+ The Lizard lay before them faintly blue;
+ Now on the gleaming horizon the white cliffs laughed
+ along the coast-line,
+ And now the forelands took the shapes they knew.
+
+{44}
+
+ There lay the Sound and the Island with green leaves
+ down beside the water,
+ The town, the Hoe, the masts with sunset fired--
+ Dreams! ay, dreams of the dead! for the great heart
+ faltered on the threshold,
+ And darkness took the land his soul desired.
+
+
+
+
+{45}
+
+_Vae Victis_
+
+ Beside the placid sea that mirrored her
+ With the old glory of dawn that cannot die,
+ The sleeping city began to moan and stir,
+ As one that fain from an ill dream would fly;
+ Yet more she feared the daylight bringing nigh
+ Such dreams as know not sunrise, soon or late,--
+ Visions of honour lost and power gone by,
+ Of loyal valour betrayed by factious hate,
+ And craven sloth that shrank from the labour of forging fate.
+
+ They knew and knew not, this bewildered crowd
+ That up her streets in silence hurrying passed,
+ What manner of death should make their anguish loud,
+ What corpse across the funeral pyre be cast,
+ For none had spoken it; only, gathering fast
+ As darkness gathers at noon in the sun's eclipse,
+ A shadow of doom enfolded them, vague and vast,
+ And a cry was heard, unfathered of earthly lips,
+ What of the ships, O Carthage! Carthage, what of the ships?"
+
+{46}
+
+ They reached the wall, and nowise strange it seemed
+ To find the gates unguarded and open wide;
+ They climbed the shoulder, and meet enough they deemed
+ The black that shrouded the seaward rampart's side
+ And veiled in drooping gloom the turrets' pride;
+ But this was nought, for suddenly down the slope
+ They saw the harbour, and sense within them died;
+ Keel nor mast was there, rudder nor rope;
+ It lay like a sea-hawk's eyry spoiled of life and hope.
+
+ Beyond, where dawn was a glittering carpet, rolled
+ From sky to shore on level and endless seas,
+ Hardly their eyes discerned in a dazzle of gold
+ That here in fifties, yonder in twos and threes,
+ The ships they sought, like a swarm of drowning bees
+ By a wanton gust on the pool of a mill-dam hurled,
+ Floated forsaken of life-giving tide and breeze,
+ Their oars broken, their sails for ever furled,
+ For ever deserted the bulwarks that guarded the wealth
+ of the world.
+
+ A moment yet, with breathing quickly drawn
+ And hands agrip, the Carthaginian folk
+ Stared in the bright untroubled face of dawn,
+ And strove with vehement heaped denial to choke
+ Their sure surmise of fate's impending stroke;
+
+{47}
+
+ Vainly--for even now beneath their gaze
+ A thousand delicate spires of distant smoke
+ Reddened the disc of the sun with a stealthy haze,
+ And the smouldering grief of a nation burst with the
+ kindling blaze.
+
+ "O dying Carthage!" so their passion raved,
+ "Would nought but these the conqueror's hate assuage?
+ If these be taken, how may the land be saved
+ Whose meat and drink was empire, age by age?"
+ And bitter memory cursed with idle rage
+ The greed that coveted gold above renown,
+ The feeble hearts that feared their heritage,
+ The hands that cast the sea-kings' sceptre down
+ And left to alien brows their famed ancestral crown.
+
+ The endless noon, the endless evening through,
+ All other needs forgetting, great or small,
+ They drank despair with thirst whose torment grew
+ As the hours died beneath that stifling pall.
+ At last they saw the fires to blackness fall
+ One after one, and slowly turned them home,
+ A little longer yet their own to call
+ A city enslaved, and wear the bonds of Rome,
+ With weary hearts foreboding all the woe to come.
+
+
+
+
+{48}
+
+_Minora Sidera_
+
+(THE DICTIONARY OF NATIONAL BIOGRAPHY)
+
+ Sitting at times over a hearth that burns
+ With dull domestic glow,
+ My thought, leaving the book, gratefully turns
+ To you who planned it so.
+
+ Not of the great only you deigned to tell--
+ The stars by which we steer--
+ But lights out of the night that flashed, and fell
+ To-night again, are here.
+
+ Such as were those, dogs of an elder day,
+ Who sacked the golden ports,
+ And those later who dared grapple their prey
+ Beneath the harbour forts:
+
+ Some with flag at the fore, sweeping the world
+ To find an equal fight,
+ And some who joined war to their trade, and hurled
+ Ships of the line in flight.
+
+{49}
+
+ Whether their fame centuries long should ring
+ They cared not over-much,
+ But cared greatly to serve God and the king,
+ And keep the Nelson touch;
+
+ And fought to build Britain above the tide
+ Of wars and windy fate;
+ And passed content, leaving to us the pride
+ Of lives obscurely great.
+
+
+
+
+{50}
+
+_Laudabunt Alii_
+
+(AFTER HORACE)
+
+ Let others praise, as fancy wills,
+ Berlin beneath her trees,
+ Or Rome upon her seven hills,
+ Or Venice by her seas;
+ Stamboul by double tides embraced,
+ Or green Damascus in the waste.
+
+ For me there's nought I would not leave
+ For the good Devon land,
+ Whose orchards down the echoing cleeve
+ Bedewed with spray-drift stand,
+ And hardly bear the red fruit up
+ That shall be next year's cider-cup.
+
+ You too, my friend, may wisely mark
+ How clear skies follow rain,
+ And lingering in your own green park
+ Or drilled on Lafian's Plain,
+ Forget not with the festal bowl
+ To soothe at times your weary soul.
+
+{51}
+
+ When Drake must bid to Plymouth Hoe
+ Good-bye for many a day,
+ And some were sad that feared to go,
+ And some that dared not stay,
+ Be sure he bade them broach the best
+ And raised his tankard with the rest.
+
+ "Drake's luck to all that sail with Drake
+ For promised lands of gold!
+ Brave lads, whatever storms may break,
+ We've weathered worse of old!
+ To-night the loving-cup we'll drain,
+ To-morrow for the Spanish Main!"
+
+
+
+
+{52}
+
+_Admiral Death_
+
+ Boys, are ye calling a toast to-night?
+ (Hear what the sea-wind saith)
+ Fill for a bumper strong and bright,
+ And here's to Admiral Death!
+ He's sailed in a hundred builds o' boat,
+ He's fought in a thousand kinds o' coat,
+ He's the senior flag of all that float,
+ And his name's Admiral Death!
+
+ Which of you looks for a service free?
+ (Hear what the sea-wind saith)
+ The rules o' the service are but three
+ When ye sail with Admiral Death.
+ Steady your hand in time o' squalls,
+ Stand to the last by him that falls,
+ And answer clear to the voice that calls,
+ "Ay, ay! Admiral Death!"
+
+ How will ye know him among the rest?
+ (Hear what the sea-wind saith)
+ By the glint o' the stars that cover his breast
+ Ye may find Admiral Death.
+
+{53}
+
+ By the forehead grim with an ancient scar,
+ By the voice that rolls like thunder far,
+ By the tenderest eyes of all that are,
+ Ye may know Admiral Death.
+
+ Where are the lads that sailed before?
+ (Hear what the sea-wind saith)
+ Their bones are white by many a shore,
+ They sleep with Admiral Death.
+ Oh! but they loved him, young and old,
+ For he left the laggard, and took the bold,
+ And the fight was fought, and the story's told,
+ And they sleep with Admiral Death.
+
+
+
+
+{54}
+
+_Homeward Bound_
+
+ After long labouring in the windy ways,
+ On smooth and shining tides
+ Swiftly the great ship glides,
+ Her storms forgot, her weary watches past;
+ Northward she glides, and through the enchanted haze
+ Faint on the verge her far hope dawns at last.
+
+ The phantom sky-line of a shadowy down,
+ Whose pale white cliffs below
+ Through sunny mist aglow
+ Like noon-day ghosts of summer moonshine gleam--
+ Soft as old sorrow, bright as old renown,
+ There lies the home of all our mortal dream.
+
+
+
+
+{55}
+
+_Gillespie_
+
+ Riding at dawn, riding alone,
+ Gillespie left the town behind;
+ Before he turned by the Westward road
+ A horseman crossed him, staggering blind.
+
+ "The Devil's abroad in false Vellore,
+ The Devil that stabs by night," he said,
+ "Women and children, rank and file,
+ Dying and dead, dying and dead."
+
+ Without a word, without a groan,
+ Sudden and swift Gillespie turned,
+ The blood roared in his ears like fire,
+ Like fire the road beneath him burned.
+
+ He thundered back to Arcot gate,
+ He thundered up through Arcot town,
+ Before he thought a second thought
+ In the barrack yard he lighted down.
+
+ "Trumpeter, sound for the Light Dragoons,
+ Sound to saddle and spur," he said;
+ "He that is ready may ride with me,
+ And he that can may ride ahead."
+
+{56}
+
+ Fierce and fain, fierce and fain,
+ Behind him went the troopers grim,
+ They rode as ride the Light Dragoons
+ But never a man could ride with him.
+
+ Their rowels ripped their horses' sides,
+ Their hearts were red with a deeper goad,
+ But ever alone before them all
+ Gillespie rode, Gillespie rode.
+
+ Alone he came to false Vellore,
+ The walls were lined, the gates were barred;
+ Alone he walked where the bullets hit,
+ And called above to the Sergeant's Guard.
+
+ "Sergeant, Sergeant, over the gate,
+ Where are your officers all?" he said;
+ Heavily came the Sergeant's voice,
+ "There are two living and forty dead."
+
+ "A rope, a rope," Gillespie cried:
+ They bound their belts to serve his need;
+ There was not a rebel behind the wall
+ But laid his barrel and drew his bead.
+
+ There was not a rebel among them all
+ But pulled his trigger and cursed his aim,
+ For lightly swung and rightly swung
+ Over the gate Gillespie came.
+
+{57}
+
+ He dressed the line, he led the charge,
+ They swept the wall like a stream in spate,
+ And roaring over the roar they heard
+ The galloper guns that burst the gate.
+
+ Fierce and fain, fierce and fain,
+ The troopers rode the reeking flight:
+ The very stones remember still
+ The end of them that stab by night.
+
+ They've kept the tale a hundred years,
+ They'll keep the tale a hundred more:
+ Riding at dawn, riding alone,
+ Gillespie came to false Vellore.
+
+
+
+
+{58}
+
+_Seringapatam_
+
+ "The sleep that Tippoo Sahib sleeps
+ Heeds not the cry of man;
+ The faith that Tippoo Sahib keeps
+ No judge on earth may scan;
+ He is the lord of whom ye hold
+ Spirit and sense and limb,
+ Fetter and chain are all ye gain
+ Who dared to plead with him."
+
+ Baird was bonny and Baird was young,
+ His heart was strong as steel,
+ But life and death in the balance hung,
+ For his wounds were ill to heal.
+ "Of fifty chains the Sultan gave
+ We have filled but forty-nine:
+ We dare not fail of the perfect tale
+ For all Golconda's mine."
+
+ That was the hour when Lucas first
+ Leapt to his long renown;
+ Like summer rains his anger burst,
+ And swept their scruples down.
+
+{59}
+
+ "Tell ye the lord to whom ye crouch,
+ His fetters bite their fill:
+ To save your oath I'll wear them both,
+ And step the lighter still."
+
+ The seasons came, the seasons passed,
+ They watched their fellows die;
+ But still their thought was forward cast,
+ Their courage still was high.
+ Through tortured days and fevered nights
+ Their limbs alone were weak,
+ And year by year they kept their cheer,
+ And spoke as freemen speak.
+
+ But once a year, on the fourth of June,
+ Their speech to silence died,
+ And the silence beat to a soundless tune
+ And sang with a wordless pride;
+ Till when the Indian stars were bright,
+ And bells at home would ring,
+ To the fetters clank they rose and drank
+ "England! God save the King!"
+
+ The years came, and the years went,
+ The wheel full-circle rolled;
+ The tyrant's neck must yet be bent,
+ The price of blood be told:
+ The city yet must hear the roar
+ Of Baird's avenging guns,
+ And see him stand with lifted hand
+ By Tippoo Sahib's sons.
+
+{60}
+
+ The lads were bonny, the lads were young,
+ But he claimed a pitiless debt;
+ Life and death in the balance hung.
+ They watched it swing and set.
+ They saw him search with sombre eyes,
+ They knew the place he sought;
+ They saw him feel for the hilted steel,
+ They bowed before his thought.
+
+ But he--he saw the prison there
+ In the old quivering heat,
+ Where merry hearts had met despair
+ And died without defeat;
+ Where feeble hands had raised the cup
+ For feebler lips to drain,
+ And one had worn with smiling scorn
+ His double load of pain.
+
+ "The sleep that Tippoo Sahib sleeps
+ Hears not the voice of man;
+ The faith that Tippoo Sahib keeps
+ No earthly judge may scan;
+ For all the wrong your father wrought
+ Your father's sons are free;
+ Where Lucas lay no tongue shall say
+ That Mercy bound not me."
+
+
+
+
+{61}
+
+_A Ballad of John Nicholson_
+
+ It fell in the year of Mutiny,
+ At darkest of the night,
+ John Nicholson by Jalándhar came,
+ On his way to Delhi fight.
+
+ And as he by Jaláandhar came
+ He thought what he must do,
+ And he sent to the Rajah fair greeting,
+ To try if he were true.
+
+ "God grant your Highness length of days,
+ And friends when need shall be;
+ And I pray you send your Captains hither,
+ That they may speak with me."
+
+ On the morrow through Jalándhar town
+ The Captains rode in state;
+ They came to the house of John Nicholson
+ And stood before the gate.
+
+ The chief of them was Mehtab Singh,
+ He was both proud and sly;
+ His turban gleamed with rubies red,
+ He held his chin full high.
+
+{62}
+
+ He marked his fellows how they put
+ Their shoes from off their feet;
+ "Now wherefore make ye such ado
+ These fallen lords to greet?
+
+ "They have ruled us for a hundred years,
+ In truth I know not how,
+ But though they be fain of mastery,
+ They dare not claim it now."
+
+ Right haughtily before them all
+ The durbar hall he trod,
+ With rubies red his turban gleamed,
+ His feet with pride were shod.
+
+ They had not been an hour together,
+ A scanty hour or so,
+ When Mehtab Singh rose in his place
+ And turned about to go.
+
+ Then swiftly came John Nicholson
+ Between the door and him,
+ With anger smouldering in his eyes
+ That made the rubies dim.
+
+ "You are overhasty, Mehtab Singh,"--
+ Oh, but his voice was low!
+ He held his wrath with a curb of iron,
+ That furrowed cheek and brow.
+
+{63}
+
+ "You are overhasty, Mehtab Singh,
+ When that the rest are gone,
+ I have a word that may not wait
+ To speak with you alone."
+
+ The Captains passed in silence forth
+ And stood the door behind;
+ To go before the game was played
+ Be sure they had no mind.
+
+ But there within John Nicholson
+ Turned him on Mehtab Singh,
+ "So long as the soul is in my body
+ You shall not do this thing.
+
+ "Have ye served us for a hundred years
+ And yet ye know not why?
+ We brook no doubt of our mastery,
+ We rule until we die.
+
+ "Were I the one last Englishman
+ Drawing the breath of life,
+ And you the master-rebel of all
+ That stir this land to strife--
+
+ "Were I," he said, "but a Corporal,
+ And you a Rajput King,
+ So long as the soul was in my body
+ You should not do this thing.
+
+{64}
+
+ "Take off, take off those shoes of pride,
+ Carry them whence they came;
+ Your Captains saw your insolence
+ And they shall see your shame."
+
+ When Mehtab Singh came to the door
+ His shoes they burned his hand,
+ For there in long and silent lines
+ He saw the Captains stand.
+
+ When Mehtab Singh rode from the gate
+ His chin was on his breast:
+ The Captains said, "When the strong command
+ Obedience is best."
+
+
+
+
+{65}
+
+_The Guides at Cabul_
+
+(1879)
+
+ Sons of the Island Race, wherever ye dwell,
+ Who speak of your fathers' battles with lips that burn,
+ The deed of an alien legion hear me tell,
+ And think not shame from the hearts ye tamed to learn,
+ When succour shall fail and the tide for a season turn,
+ To fight with a joyful courage, a passionate pride,
+ To die at the last as the Guides at Cabul died.
+
+ For a handful of seventy men in a barrack of mud,
+ Foodless, waterless, dwindling one by one,
+ Answered a thousand yelling for English blood
+ With stormy volleys that swept them gunner from gun,
+ And charge on charge in the glare of the Afghan sun,
+ Till the walls were shattered wherein they crouched at bay,
+ And dead or dying half of the seventy lay.
+
+ Twice they had taken the cannon that wrecked their hold,
+ Twice toiled in vain to drag it back,
+ Thrice they toiled, and alone, wary and bold,
+ Whirling a hurricane sword to scatter the rack,
+ Hamilton, last of the English, covered their track.
+ "Never give in!" he cried, and he heard them shout,
+ And grappled with death as a man that knows not doubt.
+
+{66}
+
+ And the Guides looked down from their smouldering barrack again,
+ And behold, a banner of truce, and a voice that spoke:
+ "Come, for we know that the English all are slain,
+ We keep no feud with men of a kindred folk;
+ Rejoice with us to be free of the conqueror's yoke,"
+ Silence fell for a moment, then was heard
+ A sound of laughter and scorn, and an answering word.
+
+ "Is it we or the lords we serve who have earned this wrong,
+ That ye call us to flinch from the battle they bade us fight?
+ We that live--do ye doubt that our hands are strong?
+ They that have fallen--ye know that their blood was bright!
+ Think ye the Guides will barter for lust of the light
+ The pride of an ancient people in warfare bred,
+ Honour or comrades living, and faith to the dead?"
+
+ Then the joy that spurs the warrior's heart
+ To the last thundering gallop and sheer leap
+ Came on the men of the Guides; they flung apart
+ The doors not all their valour could longer keep;
+ They dressed their slender line; they breathed deep,
+ And with never a foot lagging or head bent,
+ To the clash and clamour and dust of death they went.
+
+
+
+
+{67}
+
+_The Gay Gordons_
+
+(DARGAI, OCTOBER 20TH, 1897)
+
+ Who's for the Gathering, who's for the Fair?
+ (_Gay goes the Gordon to a fight_)
+ The bravest of the brave are at dead-lock there,
+ (_Highlanders! march! by the right!_)
+ There are bullets by the hundred buzzing in the air;
+ There are bonny lads lying on the hillside bare;
+ But the Gordons know what the Gordons dare
+ When they hear the pipers playing!
+
+ The happiest English heart to-day
+ (_Gay goes the Gordon to a fight_)
+ Is the heart of the Colonel, hide it as he may
+ (_Steady there! steady on the right!_)
+ He sees his work and he sees the way,
+ He knows his time and the word to say,
+ And he's thinking of the tune that the Gordons play
+ When he sets the pipers playing!
+
+ Rising, roaring, rushing like the tide,
+ (_Gay goes the Gordon to a fight_)
+ They're up through the fire-zone, not to be denied;
+ (_Bayonets! and charge! by the right!_)
+
+{68}
+
+ Thirty bullets straight where the rest went wide,
+ And thirty lads are lying on the bare hillside;
+ But they passed in the hour of the Gordons' pride,
+ To the skirl of the pipers' playing.
+
+
+
+
+{69}
+
+_He Fell Among Thieves_
+
+ "Ye have robbed," said he, "ye have slaughtered and made an end,
+ Take your ill-got plunder, and bury the dead:
+ What will ye more of your guest and sometime friend?"
+ "Blood for our blood," they said.
+
+ He laughed: "If one may settle the score for five,
+ I am ready; but let the reckoning stand till day:
+ I have loved the sunlight as dearly as any alive."
+ "You shall die at dawn," said they.
+
+ He flung his empty revolver down the slope,
+ He climbed alone to the Eastward edge of the trees;
+ All night long in a dream untroubled of hope
+ He brooded, clasping his knees.
+
+ He did not hear the monotonous roar that fills
+ The ravine where the Yassin river sullenly flows;
+ He did not see the starlight on the Laspur hills,
+ Or the far Afghan snows.
+
+{70}
+
+ He saw the April noon on his books aglow,
+ The wistaria trailing in at the window wide;
+ He heard his father's voice from the terrace below
+ Calling him down to ride.
+
+ He saw the gray little church across the park,
+ The mounds that hide the loved and honoured dead;
+ The Norman arch, the chancel softly dark,
+ The brasses black and red.
+
+ He saw the School Close, sunny and green,
+ The runner beside him, the stand by the parapet wall,
+ The distant tape, and the crowd roaring between
+ His own name over all.
+
+ He saw the dark wainscot and timbered roof,
+ The long tables, and the faces merry and keen;
+ The College Eight and their trainer dining aloof,
+ The Dons on the daďs serene.
+
+ He watched the liner's stem ploughing the foam,
+ He felt her trembling speed and the thrash of her screw;
+ He heard her passengers' voices talking of home,
+ He saw the flag she flew.
+
+ And now it was dawn. He rose strong on his feet,
+ And strode to his ruined camp below the wood;
+ He drank the breath of the morning cool and sweet;
+ His murderers round him stood.
+
+{71}
+
+ Light on the Laspur hills was broadening fast,
+ The blood-red snow-peaks chilled to a dazzling white:
+ He turned, and saw the golden circle at last,
+ Cut by the Eastern height.
+
+ "O glorious Life, Who dwellest in earth and sun,
+ I have lived, I praise and adore Thee."
+ A sword swept.
+
+ Over the pass the voices one by one
+ Faded, and the hill slept.
+
+
+
+
+{72}
+
+_Ionicus_
+
+ I live--I am old--I return to the ground--
+ Blow trumpets! and still I can dream to the sound.
+ WILLIAM CORY.
+
+
+ With failing feet and shoulders bowed
+ Beneath the weight of happier days,
+ He lagged among the heedless crowd,
+ Or crept along suburban ways.
+ But still through all his heart was young,
+ His mood a joy that nought could mar,
+ A courage, a pride, a rapture, sprung
+ Of the strength and splendour of England's war.
+
+ From ill-requited toil he turned
+ To ride with Picton and with Pack,
+ Among his grammars inly burned
+ To storm the Afghan mountain-track.
+ When midnight chimed, before Quebec
+ He watched with Wolfe till the morning star;
+ At noon he saw from _Victory's_ deck
+ The sweep and splendour of England's war.
+
+{73}
+
+ Beyond the book his teaching sped,
+ He left on whom he taught the trace
+ Of kinship with the deathless dead,
+ And faith in all the Island Race.
+ He passed: his life a tangle seemed,
+ His age from fame and power was far;
+ But his heart was high to the end, and dreamed
+ Of the sound and splendour of England's war.
+
+
+
+
+{74}
+
+_The Non-Combatant_
+
+ Among a race high-handed, strong of heart,
+ Sea-rovers, conquerors, builders in the waste,
+ He had his birth; a nature too complete,
+ Eager and doubtful, no man's soldier sworn
+ And no man's chosen captain; born to fail,
+ A name without an echo: yet he too
+ Within the cloister of his narrow days
+ Fulfilled the ancestral rites, and kept alive
+ The eternal fire; it may be, not in vain;
+ For out of those who dropped a downward glance
+ Upon the weakling huddled at his prayers,
+ Perchance some looked beyond him, and then first
+ Beheld the glory, and what shrine it filled,
+ And to what Spirit sacred: or perchance
+ Some heard him chanting, though but to himself,
+ The old heroic names: and went their way:
+ And hummed his music on the march to death.
+
+
+
+
+{75}
+
+_Sacramentum Supremum_
+
+MUKDEN, MARCH 6TH, 1905
+
+ Ye that with me have fought and failed and fought
+ To the last desperate trench of battle's crest,
+ Not yet to sleep, not yet; our work is nought;
+ On that last trench the fate of all may rest,
+ Draw near, my friends; and let your thoughts be high;
+ Great hearts are glad when it is time to give;
+ Life is no life to him that dares not die,
+ And death no death to him that dares to live.
+
+ Draw near together; none be last or first;
+ We are no longer names, but one desire;
+ With the same burning of the soul we thirst,
+ And the same wine to-night shall quench our fire.
+ Drink! to our fathers who begot us men,
+ To the dead voices that are never dumb;
+ Then to the land of all our loves, and then
+ To the long parting, and the age to come.
+
+
+
+
+{76}
+
+_Clifton Chapel_
+
+ This is the Chapel: here, my son,
+ Your father thought the thoughts of youth,
+ And heard the words that one by one
+ The touch of Life has turned to truth.
+ Here in a day that is not far,
+ You too may speak with noble ghosts
+ Of manhood and the vows of war
+ You made before the Lord of Hosts.
+
+ To set the cause above renown,
+ To love the game beyond the prize,
+ To honour, while you strike him down,
+ The foe that comes with fearless eyes;
+ To count the life of battle good,
+ And dear the land that gave you birth,
+ And dearer yet the brotherhood
+ That binds the brave of all the earth--
+
+ My son, the oath is yours; the end
+ Is His, Who built the world of strife,
+ Who gave His children Pain for friend,
+ And Death for surest hope of life.
+
+ {77}
+
+ To-day and here the fight's begun,
+ Of the great fellowship you're free;
+ Henceforth the School and you are one,
+ And what You are, the race shall be.
+
+ God send you fortune: yet be sure,
+ Among the lights that gleam and pass,
+ You'll live to follow none more pure
+ Than that which glows on yonder brass.
+ "_Que procul hinc_," the legend's writ,--
+ The frontier-grave is far away--
+ "_Qui ante diem periit:
+ Sed miles, sed pro patriâ._"
+
+
+
+
+{78}
+
+_Vitaď Lampada_
+
+ There's a breathless hush in the Close to-night--
+ Ten to make and the match to win--
+ A bumping pitch and a blinding light,
+ An hour to play and the last man in.
+ And it's not for the sake of a ribboned coat,
+ Or the selfish hope of a season's fame,
+ But his Captain's hand on his shoulder smote--
+ "Play up! play up! and play the game!"
+
+ The sand of the desert is sodden red,--
+ Red with the wreck of a square that broke;--
+ The Gatling's jammed and the Colonel dead,
+ And the regiment blind with dust and smoke.
+ The river of death has brimmed his banks,
+ And England's far, and Honour a name,
+ But the voice of a schoolboy rallies the ranks:
+ "Play up! play up! and play the game!"
+
+ This is the word that year by year,
+ While in her place the School is set,
+ Every one of her sons must hear,
+ And none that hears it dare forget.
+
+{79}
+
+ This they all with a joyful mind
+ Bear through life like a torch in flame,
+ And falling fling to the host behind--
+ "Play up! play up! and play the game!"
+
+
+
+
+{80}
+
+_The Vigil_
+
+ England! where the sacred flame
+ Burns before the inmost shrine,
+ Where the lips that love thy name
+ Consecrate their hopes and thine,
+ Where the banners of thy dead
+ Weave their shadows overhead,
+ Watch beside thine arms to-night,
+ Pray that God defend the Right.
+
+ Think that when to-morrow comes
+ War shall claim command of all,
+ Thou must hear the roll of drums,
+ Thou must hear the trumpet's call.
+ Now before they silence ruth,
+ Commune with the voice of truth;
+ England! on thy knees to-night
+ Pray that God defend the Right.
+
+ Hast thou counted up the cost,
+ What to foeman, what to friend?
+ Glory sought is Honour lost,
+ How should this be knighthood's end?
+
+{81}
+
+ Know'st thou what is Hatred's meed?
+ What the surest gain of Greed?
+ England! wilt thou dare to-night
+ Pray that God defend the Right?
+
+ Single-hearted, unafraid,
+ Hither all thy heroes came,
+ On this altar's steps were laid
+ Gordon's life and Outram's fame.
+ England! if thy will be yet
+ By their great example set,
+ Here beside thine arms to-night
+ Pray that God defend the Right.
+
+ So shalt thou when morning comes
+ Rise to conquer or to fall,
+ Joyful hear the rolling drums,
+ Joyful hear the trumpets call.
+ Then let Memory tell thy heart;
+ "_England! what thou wert, thou art!_"
+ Gird thee with thine ancient might,
+ Forth! and God defend the Right!
+
+
+
+
+{82}
+
+_The Sailing of the Long-ships_
+
+(OCTOBER, 1899)
+
+ They saw the cables loosened, they saw the gangways cleared,
+ They heard the women weeping, they heard the men that cheered;
+ Far off, far off, the tumult faded and died away,
+ And all alone the sea-wind came singing up the Bay.
+
+ "I came by Cape St. Vincent, I came by Trafalgar,
+ I swept from Torres Vedras to golden Vigo Bar,
+ I saw the beacons blazing that fired the world with light
+ When down their ancient highway your fathers passed to fight.
+
+ "O race of tireless fighters, flushed with a youth renewed,
+ Right well the wars of Freedom befit the Sea-kings' brood;
+ Yet as ye go forget not the fame of yonder shore,
+ The fame ye owe your fathers and the old time before.
+
+ "Long-suffering were the Sea-kings, they were not swift to kill,
+ But when the sands had fallen they waited no man's will;
+
+{83}
+
+ Though all the world forbade them, they counted not nor cared,
+ They weighed not help or hindrance, they did the thing they dared.
+
+ "The Sea-kings loved not boasting, they cursed not him that cursed,
+ They honoured all men duly, and him that faced them, first;
+ They strove and knew not hatred, they smote and toiled to save,
+ They tended whom they vanquished, they praised the fallen brave.
+
+ "Their fame's on Torres Vedras, their fame's on Vigo Bar,
+ Far-flashed to Cape St. Vincent it burns from Trafalgar;
+ Mark as ye go the beacons that woke the world with light
+ When down their ancient highway your fathers passed to fight."
+
+
+
+
+{84}
+
+_Waggon Hill_
+
+ Drake in the North Sea grimly prowling,
+ Treading his dear Revenge's deck,
+ Watched, with the sea-dogs round him growling,
+ Galleons drifting wreck by wreck.
+ "Fetter and Faith for England's neck,
+ Faggot and Father, Saint and chain,--
+ Yonder the Devil and all go howling,
+ Devon, O Devon, in wind and rain!"
+
+ Drake at the last off Nombre lying,
+ Knowing the night that toward him crept,
+ Gave to the sea-dogs round him crying
+ This for a sign before he slept:--
+ "Pride of the West! What Devon hath kept
+ Devon shall keep on tide or main;
+ Call to the storm and drive them flying,
+ Devon, O Devon, in wind and rain!"
+
+ Valour of England gaunt and whitening,
+ Far in a South land brought to bay,
+
+ {85}
+
+ Locked in a death-grip all day tightening,
+ Waited the end in twilight gray.
+ Battle and storm and the sea-dog's way
+ Drake from his long rest turned again,
+ Victory lit thy steel with lightning,
+ Devon, O Devon, in wind and rain!
+
+
+
+
+{86}
+
+_The Volunteer_
+
+ "He leapt to arms unbidden,
+ Unneeded, over-bold;
+ His face by earth is hidden,
+ His heart in earth is cold.
+
+ "Curse on the reckless daring
+ That could not wait the call,
+ The proud fantastic bearing
+ That would be first to fall!"
+
+ O tears of human passion,
+ Blur not the image true;
+ This was not folly's fashion,
+ This was the man we knew.
+
+
+
+
+{87}
+
+_The Only Son_
+
+ O bitter wind toward the sunset blowing,
+ What of the dales to-night?
+ In yonder gray old hall what fires are glowing,
+ What ring of festal light?
+
+ _"In the great window as the day was dwindling
+ I saw an old man stand;
+ His head was proudly held and his eyes kindling,
+ But the list shook in his hand."_
+
+ O wind of twilight, was there no word uttered,
+ No sound of joy or wail?
+ _"'A great fight and a good death,' he muttered;
+ 'Trust him, he would not fail.'"_
+
+ What of the chamber dark where she was lying
+ For whom all life is done?
+ _"Within her heart she rocks a dead child, crying
+ 'My son, my little son.'"_
+
+
+
+
+{88}
+
+_The Grenadier's Good-Bye_
+
+"When Lieutenant Murray fell, the only words he spoke were, Forward,
+Grenadiers!'"--_Press Telegram_.
+
+
+ Here they halted, here once more
+ Hand from hand was rent;
+ Here his voice above the roar
+ Rang, and on they went.
+ Yonder out of sight they crossed,
+ Yonder died the cheers;
+ One word lives where all is lost--
+ "Forward, Grenadiers!"
+
+ This alone he asked of fame,
+ This alone of pride;
+ Still with this he faced the flame,
+ Answered Death, and died.
+ Crest of battle sunward tossed,
+ Song of the marching years,
+ This shall live though all be lost--
+ "Forward, Grenadiers!"
+
+
+
+
+{89}
+
+_The Schoolfellow_
+
+ Our game was his but yesteryear;
+ We wished him back; we could not know
+ The selfsame hour we missed him here
+ He led the line that broke the foe.
+
+ Blood-red behind our guarded posts
+ Sank as of old the dying day;
+ The battle ceased; the mingled hosts
+ Weary and cheery went their way:
+
+ "To-morrow well may bring," we said,
+ "As fair a fight, as clear a sun."
+ Dear lad, before the word was sped,
+ For evermore thy goal was won.
+
+
+
+
+{90}
+
+_On Spion Kop_
+
+ Foremost of all on battle's fiery steep
+ Here VERTUE fell, and here he sleeps his sleep.*
+ A fairer name no Roman ever gave
+ To stand sole monument on Valour's grave.
+
+
+
+* Major N. H. Vertue, of the Buffs, Brigade-Major to General Woodgate,
+was buried where he fell, on the edge of Spion Kop, in front of the
+British position.
+
+
+
+
+{91}
+
+_The School at War_
+
+ All night before the brink of death
+ In fitful sleep the army lay,
+ For through the dream that stilled their breath
+ Too gauntly glared the coming day.
+
+ But we, within whose blood there leaps
+ The fulness of a life as wide
+ As Avon's water where he sweeps
+ Seaward at last with Severn's tide,
+
+ We heard beyond the desert night
+ The murmur of the fields we knew,
+ And our swift souls with one delight
+ Like homing swallows Northward flew.
+
+ We played again the immortal games,
+ And grappled with the fierce old friends,
+ And cheered the dead undying names,
+ And sang the song that never ends;
+
+ Till, when the hard, familiar bell
+ Told that the summer night was late,
+ Where long ago we said farewell
+ We said farewell by the old gate.
+
+{92}
+
+ "O Captains unforgot," they cried,
+ "Come you again or come no more,
+ Across the world you keep the pride,
+ Across the world we mark the score."
+
+
+
+
+{93}
+
+_By the Hearth-Stone_
+
+ By the hearth-stone
+ She sits alone,
+ The long night bearing:
+ With eyes that gleam
+ Into the dream
+ Of the firelight staring.
+
+ Low and more low
+ The dying glow
+ Burns in the embers;
+ She nothing heeds
+ And nothing needs--
+ Only remembers.
+
+
+
+
+{94}
+
+_Peace_
+
+(1902)
+
+ No more to watch by Night's eternal shore,
+ With England's chivalry at dawn to ride;
+ No more defeat, faith, victory--O! no more
+ A cause on earth for which we might have died.
+
+
+
+
+{95}
+
+_April on Waggon Hill_
+
+ Lad, and can you rest now,
+ There beneath your hill?
+ Your hands are on your breast now,
+ But is your heart so still?
+ 'Twas the right death to die, lad,
+ A gift without regret,
+ But unless truth's a lie, lad,
+ You dream of Devon yet.
+
+ Ay, ay, the year's awaking,
+ The fire's among the ling,
+ The beechen hedge is breaking,
+ The curlew's on the wing;
+ Primroses are out, lad,
+ On the high banks of Lee,
+ And the sun stirs the trout, lad,
+ From Brendon to the sea.
+
+ I know what's in your heart, lad,--
+ The mare he used to hunt--
+ And her blue market-cart, lad,
+ With posies tied in front--
+
+{96}
+
+ We miss them from the moor road,
+ They're getting old to roam,
+ The road they're on's a sure road
+ And nearer, lad, to home.
+
+ Your name, the name they cherish?
+ 'Twill fade, lad, 'tis true:
+ But stone and all may perish
+ With little loss to you.
+ While fame's fame you're Devon, lad,
+ The Glory of the West;
+ Till the roll's called in heaven, lad,
+ You may well take your rest.
+
+
+
+
+{97}
+
+_Commemoration_
+
+ I sat by the granite pillar, and sunlight fell
+ Where the sunlight fell of old,
+ And the hour was the hour my heart remembered well,
+ And the sermon rolled and rolled
+ As it used to roll when the place was still unhaunted,
+ And the strangest tale in the world was still untold.
+
+ And I knew that of all this rushing of urgent sound
+ That I so clearly heard,
+ The green young forest of saplings clustered round
+ Was heeding not one word:
+ Their heads were bowed in a still serried patience
+ Such as an angel's breath could never have stirred.
+
+ For some were already away to the hazardous pitch,
+ Or lining the parapet wall,
+ And some were in glorious battle, or great and rich,
+ Or throned in a college hall:
+ And among the rest was one like my own young phantom,
+ Dreaming for ever beyond my utmost call.
+
+{98}
+
+ "O Youth," the preacher was crying, "deem not thou
+ Thy life is thine alone;
+ Thou bearest the will of the ages, seeing how
+ They built thee bone by bone,
+ And within thy blood the Great Age sleeps sepulchred
+ Till thou and thine shall roll away the stone.
+
+ "Therefore the days are coming when thou shalt burn
+ With passion whitely hot;
+ Rest shall be rest no more; thy feet shall spurn
+ All that thy hand hath got;
+ And One that is stronger shall gird thee, and lead thee swiftly
+ Whither, O heart of Youth, thou wouldest not."
+
+ And the School passed; and I saw the living and dead
+ Set in their seats again,
+ And I longed to hear them speak of the word that was said,
+ But I knew that I longed in vain.
+ And they stretched forth their hands, and the wind of the
+ spirit took them
+ Lightly as drifted leaves on an endless plain.
+
+
+
+
+{99}
+
+_The Echo_
+
+OF A BALLAD SUNG BY H. PLUNKET GREENE TO HIS OLD SCHOOL
+
+
+ Twice three hundred boys were we,
+ _Long ago, long ago,_
+ Where the Downs look out to the Severn Sea.
+ _Clifton for aye!_
+ We held by the game and hailed the team,
+ For many could play where few could dream.
+ _City of Song shall stand alway._
+
+ Some were for profit and some for pride,
+ _Long ago, long ago,_
+ Some for the flag they lived and died.
+ _Clifton for aye!_
+ The work of the world must still be done,
+ And minds are many though truth be one.
+ _City of Song shall stand alway._
+
+ But a lad there was to his fellows sang,
+ _Long ago, long ago,_
+ And soon the world to his music rang.
+ _Clifton for aye!_
+
+{100}
+
+ Follow your Captains, crown your Kings,
+ But what will ye give to the lad that sings?
+ _City of Song shall stand alway._
+
+ For the voice ye hear is the voice of home,
+ _Long ago, long ago,_
+ And the voice of Youth with the world to roam.
+ _Clifton for aye!_
+ The voice of passion and human tears,
+ And the voice of the vision that lights the years.
+ _City of Song shall stand alway._
+
+
+
+
+{101}
+
+_The Best School of All_
+
+ It's good to see the School we knew,
+ The land of youth and dream,
+ To greet again the rule we knew
+ Before we took the stream:
+ Though long we've missed the sight of her,
+ Our hearts may not forget;
+ We've lost the old delight of her,
+ We keep her honour yet.
+
+ _We'll honour yet the School we knew,
+ The best School of all:
+ We'll honour yet the rule we knew,
+ Till the last bell call.
+ For, working days or holidays,
+ And glad or melancholy days,
+ They were great days and jolly days
+ At the best School of all._
+
+ The stars and sounding vanities
+ That half the crowd bewitch,
+ What are they but inanities
+ To him that treads the pitch?
+
+{102}
+
+ And where's the wealth, I'm wondering,
+ Could buy the cheers that roll
+ When the last charge goes thundering
+ Beneath the twilight goal?
+
+ The men that tanned the hide of us,
+ Our daily foes and friends,
+ They shall not lose their pride of us,
+ Howe'er the journey ends.
+ Their voice, to us who sing of it,
+ No more its message bears,
+ But the round world shall ring of it
+ And all we are be theirs.
+
+ To speak of Fame a venture is,
+ There's little here can bide,
+ But we may face the centuries,
+ And dare the deepening tide:
+ For though the dust that's part of us
+ To dust again be gone,
+ Yet here shall beat the heart of us--
+ The School we handed on!
+
+ _We'll honour yet the School we knew,
+ The best School of all:
+ We'll honour yet the rule we knew.
+ Till the last bell call.
+ For, working days or holidays,
+ And glad or melancholy days,
+ They were great days and jolly days
+ At the best School of all._
+
+
+
+
+{103}
+
+_England_
+
+ Praise thou with praise unending
+ The Master of the Wine;
+ To all their portions sending
+ Himself he mingled thine:
+
+ The sea-born flush of morning,
+ The sea-born hush of night,
+ The East wind comfort scorning,
+ And the North wind driving right:
+
+ The world for gain and giving,
+ The game for man and boy,
+ The life that joys in living,
+ The faith that lives in joy.
+
+
+
+
+{104}
+
+_Victoria Regina_
+
+(JUNE 21ST, 1897*)
+
+ A thousand years by sea and land
+ Our race hath served the island kings,
+ But not by custom's dull command
+ To-day with song her Empire rings:
+
+ Not all the glories of her birth,
+ Her armed renown and ancient throne,
+ Could make her less the child of earth
+ Or give her hopes beyond our own:
+
+ But stayed on faith more sternly proved
+ And pride than ours more pure and deep,
+ She loves the land our fathers loved
+ And keeps the fame our sons shall keep.
+
+
+
+* These lines, with music by Dr. Lloyd, formed part of the Cycle of
+Song offered to Queen Victoria, of blessed and glorious memory, in
+celebration of her second Jubilee.
+
+
+
+
+{105}
+
+_The King of England_
+
+(JUNE 24TH, 1902)
+
+ In that eclipse of noon when joy was hushed
+ Like the bird's song beneath unnatural night,
+ And Terror's footfall in the darkness crushed
+ The rose imperial of our delight,
+ Then, even then, though no man cried "He comes,"
+ And no man turned to greet him passing there,
+ With phantom heralds challenging renown
+ And silent-throbbing drums
+ I saw the King of England, hale and fair,
+ Ride out with a great train through London town.
+
+ Unarmed he rode, but in his ruddy shield
+ The lions bore the dint of many a lance,
+ And up and down his mantle's azure field
+ Were strewn the lilies plucked in famous France.
+ Before him went with banner floating wide
+ The yeoman breed that served his honour best,
+ And mixed with these his knights of noble blood;
+ But in the place of pride
+ His admirals in billowy lines abreast
+ Convoyed him close like galleons on the flood.
+
+{106}
+
+ Full of a strength unbroken showed his face
+ And his brow calm with youth's unclouded dawn,
+ But round his lips were lines of tenderer grace
+ Such as no hand but Time's hath ever drawn.
+ Surely he knew his glory had no part
+ In dull decay, nor unto Death must bend,
+ Yet surely too of lengthening shadows dreamed
+ With sunset in his heart,
+ So brief his beauty now, so near the end,
+ And now so old and so immortal seemed.
+
+ O King among the living, these shall hail
+ Sons of thy dust that shall inherit thee:
+ O King of men that die, though we must fail
+ Thy life is breathed from thy triumphant sea.
+ O man that servest men by right of birth,
+ Our hearts' content thy heart shall also keep,
+ Thou too with us shalt one day lay thee down
+ In our dear native earth,
+ Full sure the King of England, while we sleep,
+ For ever rides abroad through London town.
+
+
+
+
+{107}
+
+_The Nile_
+
+ Out of the unknown South,
+ Through the dark lands of drouth,
+ Far wanders ancient Nile in slumber gliding:
+ Clear-mirrored in his dream
+ The deeds that haunt his stream
+ Flash out and fade like stars in midnight sliding.
+ Long since, before the life of man
+ Rose from among the lives that creep,
+ With Time's own tide began
+ That still mysterious sleep,
+ Only to cease when Time shall reach the eternal deep.
+
+ From out his vision vast
+ The early gods have passed,
+ They waned and perished with the faith that made them;
+ The long phantasmal line
+ Of Pharaohs crowned divine
+ Are dust among the dust that once obeyed them.
+ Their land is one mute burial mound,
+ Save when across the drifted years
+ Some chant of hollow sound,
+ Some triumph blent with tears,
+ From Memnon's lips at dawn wakens the desert meres.
+
+{108}
+
+ O Nile, and can it be
+ No memory dwells with thee
+ Of Grecian lore and the sweet Grecian singer?
+ The legions' iron tramp,
+ The Goths' wide-wandering camp,
+ Had these no fame that by thy shore might linger?
+ Nay, then must all be lost indeed,
+ Lost too the swift pursuing might
+ That cleft with passionate speed
+ Aboukir's tranquil night,
+ And shattered in mid-swoop the great world-eagle's flight.
+
+ Yet have there been on earth
+ Spirits of starry birth,
+ Whose splendour rushed to no eternal setting:
+ They over all endure,
+ Their course through all is sure,
+ The dark world's light is still of their begetting.
+ Though the long past forgotten lies,
+ Nile! in thy dream remember him,
+ Whose like no more shall rise
+ Above our twilight's rim,
+ Until the immortal dawn shall make all glories dim.
+
+ For this man was not great
+ By gold or kingly state,
+ Or the bright sword, or knowledge of earth's wonder;
+ But more than all his race
+ He saw life face to face,
+ And heard the still small voice above the thunder.
+
+{109}
+
+ O river, while thy waters roll
+ By yonder vast deserted tomb,
+ There, where so clear a soul
+ So shone through gathering doom,
+ Thou and thy land shall keep the tale of lost Khartoum.
+
+
+
+
+{110}
+
+_Sráhmandázi_
+
+ Deep embowered beside the forest river,
+ Where the flame of sunset only falls,
+ Lapped in silence lies the House of Dying,
+ House of them to whom the twilight calls.
+
+ There within when day was near to ending,
+ By her lord a woman young and strong,
+ By his chief a songman old and stricken
+ Watched together till the hour of song.
+
+ "O my songman, now the bow is broken,
+ Now the arrows one by one are sped,
+ Sing to me the song of Sráhmandázi,
+ Sráhmandázi, home of all the dead."
+
+ Then the songman, flinging wide his songnet,
+ On the last token laid his master's hand,
+ While he sang the song of Sráhmandázi,
+ None but dying men can understand.
+
+ "Yonder sun that fierce and fiery-hearted
+ Marches down the sky to vanish soon,
+ At the self-same hour in Sráhmandázi
+ Rises pallid like the rainy moon.
+
+{111}
+
+ "There he sees the heroes by their river,
+ Where the great fish daily upward swim;
+ Yet they are but shadows hunting shadows,
+ Phantom fish in waters drear and dim.
+
+ "There he sees the kings among their headmen,
+ Women weaving, children playing games;
+ Yet they are but shadows ruling shadows,
+ Phantom folk with dim forgotten names.
+
+ "Bid farewell to all that most thou lovest,
+ Tell thy heart thy living life is done;
+ All the days and deeds of Sráhmandázi
+ Are not worth an hour of yonder sun."
+
+ Dreamily the chief from out the songnet
+ Drew his hand and touched the woman's head;
+ "Know they not, then, love in Sráhmandázi?
+ Has a king no bride among the dead?"
+
+ Then the songman answered, "O my master,
+ Love they know, but none may learn it there;
+ Only souls that reach that land together
+ Keep their troth and find the twilight fair.
+
+ "Thou art still a king, and at thy passing
+ By thy latest word must all abide:
+ If thou willest, here am I, thy songman;
+ If thou lovest, here is she, thy bride."
+
+{112}
+
+ Hushed and dreamy lay the House of Dying,
+ Dreamily the sunlight upward failed,
+ Dreamily the chief on eyes that loved him
+ Looked with eyes the coming twilight veiled.
+
+ Then he cried, "My songman, I am passing;
+ Let her live, her life is but begun;
+ All the days and nights of Sráhmandázi
+ Are not worth an hour of yonder sun."
+
+ Yet, when there within the House of Dying
+ The last silence held the sunset air,
+ Not alone he came to Sráhmandázi,
+ Not alone she found the twilight fair:
+
+ While the songman, far beneath the forest
+ Sang of Srahmandazi all night through,
+ "Lovely be thy name, O Land of shadows,
+ Land of meeting, Land of all the true!"
+
+
+
+
+{113}
+
+_Outward Bound_
+
+ Dear Earth, near Earth, the clay that made us men,
+ The land we sowed,
+ The hearth that glowed--
+ O Mother, must we bid farewell to thee?
+ Fast dawns the last dawn, and what shall comfort then
+ The lonely hearts that roam the outer sea?
+
+ Gray wakes the daybreak, the shivering sails are set,
+ To misty deeps
+ The channel sweeps--
+ O Mother, think on us who think on thee!
+ Earth-home, birth-home, with love remember yet
+ The sons in exile on the eternal sea.
+
+
+
+
+{114}
+
+_Hope the Hornblower_
+
+ "Hark ye, hark to the winding horn;
+ Sluggards, awake, and front the morn!
+ Hark ye, hark to the winding horn;
+ The sun's on meadow and mill.
+ Follow me, hearts that love the chase;
+ Follow me, feet that keep the pace:
+ Stirrup to stirrup we ride, we ride,
+ We ride by moor and hill."
+
+ Huntsman, huntsman, whither away?
+ What is the quarry afoot to-day?
+ Huntsman, huntsman, whither away,
+ And what the game ye kill?
+ Is it the deer, that men may dine?
+ Is it the wolf that tears the kine?
+ What is the race ye ride, ye ride,
+ Ye ride by moor and hill?
+
+ "Ask not yet till the day be dead
+ What is the game that's forward fled,
+ Ask not yet till the day be dead
+ The game we follow still.
+
+{115}
+
+ An echo it may be, floating past;
+ A shadow it may be, fading fast:
+ Shadow or echo, we ride, we ride,
+ We ride by moor and hill."
+
+
+
+
+{116}
+
+_O Pulchritudo_
+
+ O saint whose thousand shrines our feet have trod
+ And our eyes loved thy lamp's eternal beam,
+ Dim earthly radiance of the Unknown God,
+ Hope of the darkness, light of them that dream,
+ Far off, far off and faint, O glimmer on
+ Till we thy pilgrims from the road are gone.
+
+ O Word whose meaning every sense hath sought,
+ Voice of the teeming field and grassy mound,
+ Deep-whispering fountain of the wells of thought,
+ Will of the wind and soul of all sweet sound,
+ Far off, far off and faint, O murmur on
+ Till we thy pilgrims from the road are gone.
+
+
+
+
+{117}
+
+_The Final Mystery_
+
+This myth, of Egyptian origin, formed part of the instruction given to
+those initiated in the Orphic mysteries, and written versions of it
+were buried with the dead.
+
+
+ Hear now, O Soul, the last command of all--
+ When thou hast left thine every mortal mark,
+ And by the road that lies beyond recall
+ Won through the desert of the Burning Dark,
+ Thou shalt behold within a garden bright
+ A well, beside a cypress ivory-white.
+
+ Still is that well, and in its waters cool
+ White, white and windless, sleeps that cypress tree:
+ Who drinks but once from out her shadowy pool
+ Shall thirst no more to all eternity.
+ Forgetting all, by all forgotten clean,
+ His soul shall be with that which hath not been.
+
+ But thou, though thou be trembling with thy dread,
+ And parched with thy desire more fierce than flame,
+ Think on the stream wherefrom thy life was fed,
+ And that diviner fountain whence it came.
+ Turn thee and cry--behold, it is not far--
+ Unto the hills where living waters are.
+
+{118}
+
+ "Lord, though I lived on earth, the child of earth,
+ Yet was I fathered by the starry sky:
+ Thou knowest I came not of the shadows' birth,
+ Let me not die the death that shadows die.
+ Give me to drink of the sweet spring that leaps
+ From Memory's fount, wherein no cypress sleeps."
+
+ Then shalt thou drink, O Soul, and therewith slake
+ The immortal longing of thy mortal thirst,
+ So of thy Father's life shalt thou partake,
+ And be for ever that thou wert at first.
+ Lost in remembered loves, yet thou more thou
+ With them shalt reign in never-ending Now.
+
+
+
+
+{119}
+
+_Il Santo_
+
+ Alas! alas! what impious hands are these?
+ They have cut down my dark mysterious trees,
+ Defied the brooding spell
+ That sealed my sacred well,
+ Broken my fathers' fixed and ancient bars,
+ And on the mouldering shade
+ Wherein my dead were laid
+ Let in the cold clear aspect of the stars.
+
+ Slumber hath held the grove for years untold:
+ Is there no reverence for a peace so old?
+ Is there no seemly awe
+ For bronze-engraven law,
+ For dust beatified and saintly name?
+ When they shall see the shrine
+ Princes have held divine,
+ Will they not bow before the eternal flame?
+
+ Vain! vain! the wind of heaven for ages long
+ Hath whispered manhood, "Let thine arm be strong!
+ Hew down and fling away
+ The growth that veils decay,
+
+{120}
+
+ Shatter the shrine that chokes the living spring.
+ Scorn hatred, scorn regret,
+ Dig deep and deeper yet,
+ Leave not the quest for word of saint or king.
+
+ "Dig deeper yet! though the world brand thee now,
+ The faithful labour of an impious brow
+ May for thy race redeem
+ The source of that lost stream
+ Once given the thirst of all the earth to slake.
+ Nay, thou too ere the end
+ Thy weary knee mayst bend
+ And in thy trembling hands that water take."
+
+
+
+
+{121}
+
+_In July_
+
+ His beauty bore no token,
+ No sign our gladness shook;
+ With tender strength unbroken
+ The hand of Life he took:
+ But the summer flowers were falling,
+ Falling and fading away,
+ And mother birds were calling,
+ Crying and calling
+ For their loves that would not stay.
+
+ He knew not Autumn's chillness,
+ Nor Winter's wind nor Spring's;
+ He lived with Summer's stillness
+ And sun and sunlit things:
+ But when the dusk was falling
+ He went the shadowy way,
+ And one more heart is calling,
+ Crying and calling
+ For the love that would not stay.
+
+
+
+
+{122}
+
+_From Generation to Generation_
+
+ O son of mine, when dusk shall find thee bending
+ Between a gravestone and a cradle's head--
+ Between the love whose name is loss unending
+ And the young love whose thoughts are liker dread,--
+ Thou too shalt groan at heart that all thy spending
+ Cannot repay the dead, the hungry dead.
+
+
+
+
+{123}
+
+_When I Remember_
+
+ When I remember that the day will come
+ For this our love to quit his land of birth,
+ And bid farewell to all the ways of earth
+ With lips that must for evermore be dumb,
+
+ Then creep I silent from the stirring hum,
+ And shut away the music and the mirth,
+ And reckon up what may be left of worth
+ When hearts are cold and love's own body numb.
+
+ Something there must be that I know not here,
+ Or know too dimly through the symbol dear;
+ Some touch, some beauty, only guessed by this--
+ If He that made us loves, it shall replace,
+ Beloved, even the vision of thy face
+ And deep communion of thine inmost kiss.
+
+
+
+
+{124}
+
+_Mors Janua_
+
+ Pilgrim, no shrine is here, no prison, no inn:
+ Thy fear and thy belief alike are fond:
+ Death is a gate, and holds no room within:
+ Pass--to the road beyond.
+
+
+
+
+{125}
+
+_Rondel_*
+
+ Though I wander far-off ways,
+ Dearest, never doubt thou me:
+
+ Mine is not the love that strays,
+ Though I wander far-off ways:
+
+ Faithfully for all my days
+ I have vowed myself to thee:
+ Though I wander far-off ways,
+ Dearest, never doubt thou me.
+
+
+* This and the two following pieces are from the French of Wenceslas,
+Duke of Brabant and Luxembourg, who died in 1384.
+
+
+
+
+{126}
+
+_Rondel_
+
+ Long ago to thee I gave
+ Body, soul, and all I have--
+ Nothing in the world I keep:
+
+ All that in return I crave
+ Is that thou accept the slave
+ Long ago to thee I gave--
+ Body, soul, and all I have.
+
+ Had I more to share or save,
+ I would give as give the brave,
+ Stooping not to part the heap;
+ Long ago to thee I gave
+ Body, soul, and all I have--
+ Nothing in the world I keep.
+
+
+
+
+{127}
+
+_Balade_
+
+ I cannot tell, of twain beneath this bond,
+ Which one in grief the other goes beyond,--
+ Narcissus, who to end the pain he bore
+ Died of the love that could not help him more;
+ Or I, that pine because I cannot see
+ The lady who is queen and love to me.
+
+ Nay--for Narcissus, in the forest pond
+ Seeing his image, made entreaty fond,
+ "Beloved, comfort on my longing pour":
+ So for a while he soothed his passion sore;
+ So cannot I, for all too far is she--
+ The lady who is queen and love to me.
+
+ But since that I have Love's true colours donned,
+ I in his service will not now despond,
+ For in extremes Love yet can all restore:
+ So till her beauty walks the world no more
+ All day remembered in my hope shall be
+ The lady who is queen and love to me.
+
+
+
+
+{128}
+
+_The Last Word_
+
+ Before the April night was late
+ A rider came to the castle gate;
+ A rider breathing human breath,
+ But the words he spoke were the words of Death.
+
+ "Greet you well from the King our lord,
+ He marches hot for the eastward ford;
+ Living or dying, all or one,
+ Ye must keep the ford till the race be run."
+
+ Sir Alain rose with lips that smiled,
+ He kissed his wife, he kissed his child:
+ Before the April night was late
+ Sir Alain rode from the castle gate.
+
+ He called his men-at-arms by name,
+ But one there was uncalled that came:
+ He bade his troop behind him ride,
+ But there was one that rode beside.
+
+ _"Why will you spur so fast to die?
+ Be wiser ere the night go by.
+ A message late is a message lost;
+ For all your haste the foe had crossed."_
+
+{129}
+
+ _"Are men such small unmeaning things
+ To strew the board of smiling Kings?
+ With life and death they play their game,
+ And life or death, the end's the same."_
+
+ Softly the April air above
+ Rustled the woodland homes of love:
+ Softly the April air below
+ Carried the dream of buds that blow.
+
+ _"Is he that bears a warrior's fame
+ To shun the pointless stroke of shame?
+ Will he that propped a trembling throne
+ Not stand for right when right's his own?_
+
+ _"Your oath on the four gospels sworn?
+ What oath can bind resolves unborn?
+ You lose that far eternal life?
+ Is it yours to lose? Is it child and wife?_
+
+ But now beyond the pathway's bend,
+ Sir Alain saw the forest end,
+ And winding wide beneath the hill,
+ The glassy river lone and still.
+
+ And now he saw with lifted eyes
+ The East like a great chancel rise,
+ And deep through all his senses drawn,
+ Received the sacred wine of dawn.
+
+{130}
+
+ He set his face to the stream below,
+ He drew his axe from the saddle bow:
+ "Farewell, Messire, the night is sped;
+ There lies the ford, when all is said."
+
+
+
+
+{131}
+
+_The Viking's Song_
+
+ When I thy lover first
+ Shook out my canvas free
+ And like a pirate burst
+ Into that dreaming sea,
+ The land knew no such thirst
+ As then tormented me.
+
+ Now when at eve returned
+ I near that shore divine,
+ Where once but watch-fires burned
+ I see thy beacon shine,
+ And know the land hath learned
+ Desire that welcomes mine.
+
+
+
+
+{132}
+
+_The Sufi in the City_
+
+ I.
+
+ When late I watched the arrows of the sleet
+ Against the windows of the Tavern beat,
+ I heard a Rose that murmured from her Pot:
+ "Why trudge thy fellows yonder in the Street?
+
+
+ II.
+
+ "Before the phantom of False Morning dies,
+ Choked in the bitter Net that binds the skies,
+ Their feet, bemired with Yesterday, set out
+ For the dark alleys where To-morrow lies.
+
+
+ III.
+
+ "Think you, when all their petals they have bruised,
+ And all the fragrances of Life confused,
+ That Night with sweeter rest will comfort these
+ Than us, who still within the Garden mused?
+
+{133}
+
+ IV.
+
+ "Think you the Gold they fight for all day long
+ Is worth the frugal Peace their clamours wrong?
+ Their Titles, and the Name they toil to build--
+ Will they outlast the echoes of our Song?"
+
+
+ V.
+
+ O Sons of Omar, what shall be the close
+ Seek not to know, for no man living knows:
+ But while within your hands the Wine is set
+ Drink ye--to Omar and the Dreaming Rose!
+
+
+
+
+{134}
+
+_To Edward Fitzgerald_
+
+(MARCH 31ST, 1909)
+
+ 'Tis a sad fate
+ To watch the world fighting,
+ All that is most fair
+ Ruthlessly blighting,
+ Blighting, ah! blighting.
+
+ When such a thought cometh
+ Let us not pine,
+ But gather old friends
+ Round the red wine--
+ Oh! pour the red wine!
+
+ And there we'll talk
+ And warm our wits
+ With Eastern fallacies
+ Out of old Fitz!
+ British old Fitz!
+
+ See him, half statesman--
+ Philosopher too--
+ Half ancient mariner
+ In baggy blue--
+ Such baggy blue!
+
+{135}
+
+ Whimsical, wistful,
+ Haughty, forsooth:
+ Indolent always, yet
+ Ardent in truth,
+ But indolent, indolent!
+
+ There at the table
+ With us sits he,
+ Charming us subtly
+ To reverie,
+ Magic reverie.
+
+ "How sweet is summer's breath,
+ How sure and swift is death;
+ Nought wise on earth, save
+ What the wine whispereth,
+ Dreamily whispereth.
+
+ "At Naíshapúr beneath the sun,
+ Or here in misty Babylon,
+ Drink! for the rose leaves while you linger
+ Are falling, ever falling, one by one."
+
+ Ah! poet's soul, once more with us conspire
+ To grasp this sorry scheme of things entire,
+ Once more with us to-night, old Fitz, once more
+ Remould it nearer to the heart's desire!
+
+
+
+
+{136}
+
+_Yattendon_
+
+ Among the woods and tillage
+ That fringe the topmost downs,
+ All lonely lies the village,
+ Far off from seas and towns.
+ Yet when her own folk slumbered
+ I heard within her street
+ Murmur of men unnumbered
+ And march of myriad feet.
+
+ For all she lies so lonely,
+ Far off from towns and seas,
+ The village holds not only
+ The roofs beneath her trees:
+ While Life is sweet and tragic
+ And Death is veiled and dumb,
+ Hither, by singer's magic,
+ The pilgrim world must come.
+
+
+
+
+{137}
+
+_Devon_
+
+ Deep-wooded combes, clear-mounded hills of morn,
+ Red sunset tides against a red sea-wall,
+ High lonely barrows where the curlews call,
+ Far moors that echo to the ringing horn,--
+ Devon! thou spirit of all these beauties born,
+ All these are thine, but thou art more than all:
+ Speech can but tell thy name, praise can but fall
+ Beneath the cold white sea-mist of thy scorn.
+
+ Yet, yet, O noble land, forbid us not
+ Even now to join our faint memorial chime
+ To the fierce chant wherewith their hearts were hot
+ Who took the tide in thy Imperial prime;
+ Whose glory's thine till Glory sleeps forgot
+ With her ancestral phantoms, Pride and Time.
+
+
+
+
+{138}
+
+_Among the Tombs_
+
+ She is a lady fair and wise,
+ Her heart her counsel keeps,
+ And well she knows of time that flies
+ And tide that onward sweeps;
+ But still she sits with restless eyes
+ Where Memory sleeps--
+ Where Memory sleeps.
+
+ Ye that have heard the whispering dead
+ In every wind that creeps,
+ Or felt the stir that strains the lead
+ Beneath the mounded heaps,
+ Tread softly, ah! more softly tread
+ Where Memory sleeps--
+ Where Memory sleeps.
+
+
+
+
+{139}
+
+_Gold_
+
+(AFTER GIOVANNI PASCOLI)
+
+ At bedtime, when the sunset fire was red
+ One cypress turned to gold beneath its touch.
+ "Sleep now, my little son," the mother said;
+ "In God's high garden all the trees are such."
+ Then did the child in his bright dream behold
+ Branches of gold, trees, forests all of gold.
+
+
+
+
+{140}
+
+_A Sower_
+
+ With sanguine looks
+ And rolling walk
+ Among the rooks
+ He loved to stalk,
+
+ While on the land
+ With gusty laugh
+ From a full hand
+ He scattered chaff.
+
+ Now that within
+ His spirit sleeps
+ A harvest thin
+ The sickle reaps;
+
+ But the dumb fields
+ Desire his tread,
+ And no earth yields
+ A wheat more red.
+
+
+
+
+{141}
+
+_The Mossrose_
+
+ Walking to-day in your garden, O gracious lady,
+ Little you thought as you turned in that alley remote and shady,
+ And gave me a rose and asked if I knew its savour--
+ The old-world scent of the mossrose, flower of a bygone favour--
+
+ Little you thought as you waited the word of appraisement,
+ Laughing at first and then amazed at my amazement,
+ That the rose you gave was a gift already cherished,
+ And the garden whence you plucked it a garden long perished.
+
+ But I--I saw that garden, with its one treasure
+ The tiny mossrose, tiny even by childhood's measure,
+ And the long morning shadow of the dusty laurel,
+ And a boy and a girl beneath it, flushed with a childish quarrel.
+
+ She wept for her one little bud: but he, outreaching
+ The hand of brotherly right, would take it for all her beseeching:
+
+{142}
+
+ And she flung her arms about him, and gave like a sister,
+ And laughed at her own tears, and wept again when he kissed her.
+
+ So the rose is mine long since, and whenever I find it
+ And drink again the sharp sweet scent of the moss behind it,
+ I remember the tears of a child, and her love and her laughter,
+ And the morning shadows of youth and the night that fell thereafter.
+
+
+
+
+{143}
+
+_Ave, Soror_
+
+ I left behind the ways of care,
+ The crowded hurrying hours,
+ I breathed again the woodland air,
+ I plucked the woodland flowers:
+
+ Bluebells as yet but half awake,
+ Primroses pale and cool,
+ Anemones like stars that shake
+ In a green twilight pool--
+
+ On these still lay the enchanted shade,
+ The magic April sun;
+ With my own child a child I strayed
+ And thought the years were one.
+
+ As through the copse she went and came
+ My senses lost their truth;
+ I called her by the dear dead name
+ That sweetened all my youth.
+
+
+
+
+{144}
+
+_To a River in the South_
+
+ Call me no more, O gentle stream,
+ To wander through thy sunny dream,
+ No more to lean at twilight cool
+ Above thy weir and glimmering pool.
+
+ Surely I know thy hoary dawns,
+ The silver crisp on all thy lawns,
+ The softly swirling undersong
+ That rocks thy reeds the winter long.
+
+ Surely I know the joys that ring
+ Through the green deeps of leafy spring;
+ I know the elfin cups and domes
+ That are their small and secret homes.
+
+ Yet is the light for ever lost
+ That daily once thy meadows crossed,
+ The voice no more by thee is heard
+ That matched the song of stream and bird.
+
+ Call me no more!--thy waters roll
+ Here, in the world that is my soul,
+ And here, though Earth be drowned in night,
+ Old love shall dwell with old delight.
+
+
+
+
+{145}
+
+_On the Death of a Noble Lady_
+
+ Time, when thou shalt bring again
+ Pallas from the Trojan plain,
+ Portia from the Roman's hall,
+ Brynhild from the fiery wall,
+ Eleanor, whose fearless breath
+ Drew the venom'd fangs of Death,
+ And Philippa doubly brave
+ Or to conquer or to save--
+
+ When thou shalt on one bestow
+ All their grace and all their glow,
+ All their strength and all their state,
+ All their passion pure and great,
+ Some far age may honour then
+ Such another queen of men.
+
+
+
+
+{146}
+
+_Midway_
+
+ Turn back, my Soul, no longer set
+ Thy peace upon the years to come
+ Turn back, the land of thy regret
+ Holds nothing doubtful, nothing dumb.
+
+ There are the voices, there the scenes
+ That make thy life in living truth
+ A tale of heroes and of queens,
+ Fairer than all the hopes of youth.
+
+
+
+
+{147}
+
+_Ad Matrem Dolorosam_
+
+ Think not thy little fountain's rain
+ That in the sunlight rose and flashed,
+ From the bright sky has fallen again,
+ To cold and shadowy silence dashed.
+ The Joy that in her radiance leapt
+ From everlasting hath not slept.
+
+ The hand that to thy hand was dear,
+ The untroubled eyes that mirrored thine,
+ The voice that gave thy soul to hear
+ A whisper of the Love Divine--
+ What though the gold was mixed with dust?
+ The gold is thine and cannot rust.
+
+ Nor fear, because thy darling's heart
+ No longer beats with mortal life,
+ That she has missed the ennobling part
+ Of human growth and human strife.
+ Only she has the eternal peace
+ Wherein to reap the soul's increase.
+
+
+
+
+{148}
+
+_Vrais Amants_
+
+(FOURTEENTH CENTURY)
+
+ "Time mocks thy opening music with a close;
+ What now he gives long since he gave away.
+ Thou deemst thy sun hath risen, but ere it rose
+ It was eclipsed, and dusk shall be thy day."
+
+ Yet has the Dawn gone up: in loveliest light
+ She walks high heaven beyond the shadow there:
+ Whom I too veiled from all men's envious sight
+ With inward eyes adore and silent prayer.
+
+
+
+
+{149}
+
+_The Sangreal_
+
+ Once, when beside me in that sacred place
+ I saw my lady lift her lovely head,
+ And saw the Chalice gleam above her face
+ And her dear lips with life immortal red,
+ Then, born again beyond the mist of years,
+ I knelt in Heaven, and drank the wine of tears.
+
+
+
+
+{150}
+
+_Sir Hugh the Palmer_
+
+ I
+
+ He kneeled among a waste of sands
+ Before the Mother-Maid,
+ But on the far green forest-lands
+ His steadfast eyes were stayed,
+ And like a knight of stone his hands
+ He straightened while he prayed.
+
+ "Lady, beyond all women fair,
+ Beyond all saints benign,
+ Whose living heart through life I bear
+ In mystery divine,
+ Hear thou and grant me this my prayer,
+ Or grant no prayer of mine.
+
+ "The fever of my spirit's pain
+ Heal thou with heavenly scorn;
+ The dust that but of dust is fain
+ Leave thou in dust forlorn;
+ Yea! bury love to rise again
+ Meet for eternal morn.
+
+{151}
+
+ "So by thy grace my inward eyes
+ Thy beauty still shall see,
+ And while our life in shadow lies
+ High dawn shall image thee,
+ Till with thy soul in Paradise
+ Thy servant's soul shall be."
+
+ Before the immortal Mother-Maid
+ Low on the sands he kneeled;
+ But even while the words he prayed
+ His lips to patience sealed,
+ Joy in his eyes a radiance made
+ Like stars in dusk revealed.
+
+
+ II
+
+ It was an idle company--
+ Ladies and lordings fine--
+ Idly under the wild-wood tree
+ Their laughter ran like wine.
+ Yet as they laughed a voice they heard--
+ A voice where none was seen,--
+ Singing blithe as a hidden bird
+ Among the forest green.
+
+ "Mark ye, mark ye, a lonely knight
+ Riding the green forest:
+ Pardě! for one so poorly dight
+ He lifts a haughty crest!
+
+{152}
+
+ Azure and white is all his wear,
+ He hath no gold, I trow!
+ Wanderer, thou in the wild-wood there,
+ Tell us why sing ye so!"
+
+ "Noble ladies and lordings gay,
+ God have you all in guard:
+ Since ye are pleased with me to play,
+ My riddle it is not hard.
+ I sing because, of all that ride,
+ I am the least of worth:
+ I sing because, to match my pride,
+ Never was pride on earth.
+
+ "But, an ye ask what that may mean,
+ Thus do I answer then:
+ I bear with me the heart of a Queen--
+ I that am least of men:--
+ I bear her heart till the end of all,
+ Yea! by her own command
+ I bear the heart of a Queen royal
+ Unto the Holy Land."
+
+ Humbly there his crest he bent,--
+ Azure it waved and white,--
+ Haughtily there he turned and went
+ Singing, out of their sight.
+ Long, long but his voice they heard,--
+ A voice where none was seen,--
+ Singing blithe as a hidden bird,
+ Among the forest green.
+
+
+
+
+{153}
+
+_The Presentation_
+
+ When in the womb of Time our souls' own son
+ Dear Love lay sleeping till his natal hour,
+ Long months I knew not that sweet life begun,
+ Too dimly treasuring thy touch of power;
+ And wandering all those days
+ By far-off ways,
+ Forgot immortal seed must have immortal flower.
+
+ Only, beloved, since my beloved thou art
+ I do remember, now that memory's vain,
+ How twice or thrice beneath my beating heart
+ Life quickened suddenly with proudest pain.
+ Then dreamed I Love's increase,
+ Yet held my peace
+ Till I might render thee thy own great gift again.
+
+ For as with bodies, so with souls it is,
+ The greater gives, the lesser doth conceive:
+ That thou hast fathered Love, I tell thee this,
+ And by my pangs beseech thee to believe.
+ Look on his hope divine--
+ Thy hope and mine--
+ Pity his outstretched hands, tenderly him receive!
+
+
+
+
+{154}
+
+_The Inheritance_
+
+ While I within her secret garden walked,
+ The flowers, that in her presence must be dumb,
+ With me, their fellow-servant, softly talked,
+ Attending till the Flower of flowers should come.
+ Then, since at Court I had arrived but late,
+ I was by love made bold
+ To ask that of my lady's high estate
+ I might be told,
+ And glories of her blood, perpetuate
+ In histories old.
+
+ Then they, who know the chronicle of Earth,
+ Spoke of her loveliness, that like a flame
+ Far-handed down from noble birth to birth,
+ Gladdened the world for ages ere she came.
+ "Yea, yea," they said, "from Summer's royal sun
+ Comes that immortal line,
+ And was create not for this age alone
+ Nor wholly thine,
+ Being indeed a flower whose root is one
+ With Life Divine.
+
+{155}
+
+ "To the sweet buds that of herself are part
+ Already she this portion hath bequeathed,
+ As, not less surely, into thy proud heart
+ Her nobleness, O poet, she hath breathed,
+ That her inheritance by them and thee
+ The world may keep alway,
+ When the still sunlight of her eyes shall be
+ Lost to the day,
+ And even the fragrance of her memory
+ Fading away."
+
+
+
+
+{156}
+
+_Amore Altiero_
+
+ Since thou and I have wandered from the highway
+ And found with hearts reborn
+ This swift and unimaginable byway
+ Unto the hills of morn,
+ Shall not our love disdain the unworthy uses
+ Of the old time outworn?
+
+ I'll not entreat thy half unwilling graces
+ With humbly folded palms,
+ Nor seek to shake thy proud defended places
+ With noise of vague alarms,
+ Nor ask against my fortune's grim pursuing
+ The refuge of thy arms.
+
+ Thou'lt not withhold for pleasure vain and cruel
+ That which has long been mine,
+ Nor overheap with briefly burning fuel
+ A fire of flame divine,
+ Nor yield the key for life's profaner voices
+ To brawl within the shrine.
+
+{157}
+
+ But thou shalt tell me of thy queenly pleasure
+ All that I must fulfil,
+ And I'll receive from out my royal treasure
+ What golden gifts I will,
+ So that two realms supreme and undisputed
+ Shall be one kingdom still.
+
+ And our high hearts shall praise the beauty hidden
+ In starry-minded scorn
+ By the same Lord who hath His servants bidden
+ To seek with eyes new-born
+ This swift and unimaginable byway
+ Unto the hills of morn.
+
+
+
+
+{158}
+
+_The Pedlar's Song_
+
+ I tramped among the townward throng
+ A sultry summer's morn:
+ They mocked me loud, they mocked me long,
+ They laughed my pack to scorn.
+ But a likely pedlar holds his peace
+ Until the reckoning's told:--
+ Merrily I to market went, tho' songs were all my gold.
+
+ At weary noon I left the town,
+ I left the highway straight,
+ I climbed the silent, sunlit down
+ And stood by a castle gate.
+ Never yet was a house too high
+ When the pedlar's heart was bold:--
+ Merrily I to market went, tho' songs were all my gold.
+
+ A lady leaned from her window there
+ And asked my wares to see;
+ Her voice made rich the summer air,
+ Richer my soul in me.
+ She gave me only four little words,
+ Words of a language old:--
+ Merrily I from market came, for all my songs were sold.
+
+
+
+
+{159}
+
+_Benedick's Song_
+
+ Though I see within thine eyes
+ Sudden frown of cloudy skies,
+ Yet I bid them "merry morn"
+ For they tell me Love is born.
+ So ha-há! with há-ha-há!
+ For they tell me Love is born.
+
+ Storms of mocking from thy lips
+ Lash me still like airy whips;
+ But to-day thy scorn I scorn
+ For I know that Love is born.
+ So ha-há! with há-ha-há!
+ For I know that Love is born.
+
+ O the hail that rattles fierce
+ Through my hodden cloak to pierce!
+ What care I if rags be torn?
+ Love and I are beggars born!
+ So ha-há! with há-ha-há!
+ Love and I are beggars born.
+
+
+
+
+{160}
+
+_Love and Grief._
+
+ One day, when Love and Summer both were young,
+ Love in a garden found my lady weeping;
+ Whereat, when he to kiss her would have sprung,
+ I stayed his childish leaping.
+
+ "Forbear," said I, "she is not thine to-day;
+ Subdue thyself in silence to await her;
+ If thou dare call her from Death's side away
+ Thou art no Love, but traitor.
+
+ Yet did he run, and she his kiss received,
+ "She is twice mine," he cried, "since she is troubled;
+ I knew but half, and now I see her grieved
+ My part in her is doubled."
+
+
+
+
+{161}
+
+_Egeria's Silence_
+
+ Her thought that, like a brook beside the way,
+ Sang to my steps through all the wandering year,
+ Has ceased from melody--O Love, allay
+ My sudden fear!
+
+ She cannot fail--the beauty of that brow
+ Could never flower above a desert heart--
+ Somewhere beneath, the well-spring even now
+ Lives, though apart.
+
+ Some day, when winter has renewed her fount
+ With cold, white-folded snows and quiet rain,
+ O Love, O Love, her stream again will mount
+ And sing again!
+
+
+
+
+{162}
+
+_Against Oblivion_
+
+ Cities drowned in olden time
+ Keep, they say, a magic chime
+ Rolling up from far below
+ When the moon-led waters flow.
+
+ So within me, ocean deep,
+ Lies a sunken world asleep.
+ Lest its bells forget to ring,
+ Memory! set the tide a-swing!
+
+
+
+
+{163}
+
+_Fond Counsel_
+
+ O youth, beside thy silver-springing fountain,
+ In sight and hearing of thy father's cot,
+ These and the morning woods, the lonely mountain,
+ These are thy peace, although thou know'st it not.
+ Wander not yet where noon's unpitying glare
+ Beats down the toilers in the city bare;
+ Forsake not yet, not yet, the homely plot,
+ O Youth, beside thy silver-springing fountain.
+
+
+
+
+{164}
+
+_Youth_
+
+ His song of dawn outsoars the joyful bird,
+ Swift on the weary road his footfall comes;
+ The dusty air that by his stride is stirred
+ Beats with a buoyant march of fairy drums.
+ "Awake, O Earth! thine ancient slumber break;
+ To the new day, O slumbrous Earth, awake!"
+
+ Yet long ago that merry march began,
+ His feet are older than the path they tread;
+ His music is the morning-song of man,
+ His stride the stride of all the valiant dead;
+ His youngest hopes are memories, and his eyes
+ Deep with the old, old dream that never dies.
+
+
+
+
+{165}
+
+_The Wanderer_
+
+ To Youth there comes a whisper out of the west:
+ "O loiterer, hasten where there waits for thee
+ A life to build, a love therein to nest,
+ And a man's work, serving the age to be."
+
+ Peace, peace awhile! Before his tireless feet
+ Hill beyond hill the road in sunlight goes;
+ He breathes the breath of morning, clear and sweet,
+ And his eyes love the high eternal snows.
+
+
+
+
+{166}
+
+_The Adventurers_
+
+ Over the downs in sunlight clear
+ Forth we went in the spring of the year:
+ Plunder of April's gold we sought,
+ Little of April's anger thought.
+
+ Caught in a copse without defence
+ Low we crouched to the rain-squall dense:
+ Sure, if misery man can vex,
+ There it beat on our bended necks.
+
+ Yet when again we wander on
+ Suddenly all that gloom is gone:
+ Under and over through the wood,
+ Life is astir, and life is good.
+
+ Violets purple, violets white,
+ Delicate windflowers dancing light,
+ Primrose, mercury, moscatel,
+ Shimmer in diamonds round the dell.
+
+ Squirrel is climbing swift and lithe,
+ Chiff-chaff whetting his airy scythe,
+ Woodpecker whirrs his rattling rap,
+ Ringdove flies with a sudden clap.
+
+{167}
+
+ Rook is summoning rook to build,
+ Dunnock his beak with moss has filled,
+ Robin is bowing in coat-tails brown,
+ Tomtit chattering upside down.
+
+ Well is it seen that every one
+ Laughs at the rain and loves the sun;
+ We too laughed with the wildwood crew,
+ Laughed till the sky once more was blue.
+
+ Homeward over the downs we went
+ Soaked to the heart with sweet content;
+ April's anger is swift to fall,
+ April's wonder is worth it all.
+
+
+
+
+{168}
+
+_To Clare_
+
+(WITH A VOLUME OF STORIES FROM FROISSART)
+
+ My Clare,--
+ These tales were told, you know,
+ In French, five hundred years ago,
+ By old Sir John, whose heart's delight
+ Was lady sweet and valiant knight.
+ A hundred years went by, and then
+ A great lord told the tales again,
+ When bluff King Hal desired his folk
+ To read them in the tongue they spoke.
+ Last, I myself among them took
+ What I loved best and made this book.
+ Great, lesser, less--these writers three
+ Worked for the days they could not see,
+ And certes, in their work they knew
+ Nothing at all, dear child, of you.
+ Yet is this book your own in truth,
+ Because 'tis made for noble youth,
+ And every word that's living there
+ Must die when Clares are no more Clare.
+
+
+
+
+{169}
+
+_The Return of Summer: An Eclogue_
+
+Scene: ASHDOWN FOREST IN MAY
+
+Persons: H.--A POET; C.--HIS DAUGHTER
+
+ H. Here then, if you insist, my daughter: still,
+ I must confess that I preferred the hill.
+ The warm scent of the pinewood seemed to me
+ The first true breath of summer; did you see
+ The waxen hurt-bells with their promised fruit
+ Already purple at the blossom's root,
+ And thick among the rusty bracken strown
+ Sunburnt anemones long overblown?
+ Summer is come at last!
+
+ C. And that is why
+ Mine is a better place than yours to lie.
+ This dark old yew tree casts a fuller shade
+ Than any pine; the stream is simply made
+ For keeping bottles cool; and when we've dined
+ I could just wade a bit while you . . . reclined.
+
+ H. Empty the basket then, without more words . . .
+ But I still wish we had not left the birds.
+
+{170}
+
+ C. Father! you are perverse! Since when, I beg,
+ Have forest birds been tethered by the leg?
+ They're everywhere! What more can you desire?
+ The cuckoo shouts as though he'd never tire,
+ The nuthatch, knowing that of noise you're fond,
+ Keeps chucking stones along a frozen pond,
+ And busy gold-crest, somewhere out of sight,
+ Works at his saw with all his tiny might.
+ I do not count the ring-doves or the rooks,
+ We hear so much about them in the books
+ They're hardly real; but from where I sit
+ I see two chaffinches, a long-tailed tit,
+ A missel-thrush, a yaffle----
+
+ H. That will do:
+ I may have overlooked a bird or two.
+ Where are the biscuits? Are you getting cramp
+ Down by the water there--it must be damp?
+
+ C. I'm only watching till your bottle's cool:
+ It lies so snug beneath this glassy pool,
+ Like a sunk battleship; and overhead
+ The water-boatmen get their daily bread
+ By rowing all day long, and far below
+ Two little eels go winding, winding slow . . .
+ Oh! there's a shark!
+
+ H. A what?
+
+ C. A miller's thumb.
+ Don't move, I'll tempt him with a tiny crumb.
+
+ H. Be quick about it, please, and don't forget
+ I am at least as dry as he is wet.
+
+ C. Oh, very well then, here's your drink.
+
+{171}
+
+ H. That's good!
+ I feel much better now.
+
+ C. I thought you would (_exit quietly_).
+
+ H. How beautiful the world is when it breathes
+ The news of summer!--when the bronzy sheathes
+ Still hang about the beech-leaf, and the oaks
+ Are wearing still their dainty tasselled cloaks,
+ While on the hillside every hawthorn pale
+ Has taken now her balmy bridal veil,
+ And, down below, the drowsy murmuring stream
+ Lulls the warm noonday in an endless dream.
+ O little brook, far more thou art to me
+ Than all the pageantry of field and tree:
+ _Es singen wohl die Nixen_--ah! 'tis truth--
+ _Tief unten ihren Reih'n_--but only Youth
+ Can hear them joyfully, as once I lay
+ And heard them singing of the world's highway,
+ Of wandering ended, and the maiden found,
+ And golden bread by magic mill-wheel ground.
+ Lost is the magic now, the wheel is still,
+ And long ago the maiden left the mill:
+ Yet once a year, one day, when summer dawns,
+ The old, old murmur haunts the river-lawns,
+ The fairies wake, the fairy song is sung,
+ And for an hour the wanderer's feet are young (_he dozes_).
+
+ C. (returning) Father! I called you twice.
+
+ H. I did not know:
+ Where have you been?
+
+ C. Oh, down the stream.
+
+{172}
+
+ H. Just so:
+ Well, I went _up_.
+
+ C. I wish you'd been with me.
+
+ H. When East is West, my daughter, that may be.
+
+
+
+
+{173}
+
+_Dream-Market_
+
+A MASQUE PRESENTED AT WILTON HOUSE,
+
+JULY 28, 1909
+
+
+ _Scene_. A LAWN IN THE COUNTESS OF PEMBROKE'S ARCADIA
+
+ _Enter FLORA, Lady of Summer, with her maidens, PHYLLIS
+ and AMARYLLIS. She takes her seat upon a bank,
+ playing with a basket of freshly gathered flowers, one
+ of which she presently holds up in her hand._
+
+
+ FLORA. Ah! how I love a rose! But come, my girls,
+ Here's for your task: to-day you, Amaryllis,
+ Shall take the white, and, Phyllis, you the red.
+ Hold out your kirtles for them. White, red, white,
+ Red, red, and white again. . . .
+ Wonder you not
+ How the same sun can breed such different beauties?
+ [_She divides all her roses between them._
+ Well, take them all, and go--scatter them wide
+ In gardens where men love me, and be sure
+
+{174}
+
+ Where even one flower falls, or one soft petal,
+ Next year shall see a hundred.
+ [_As they turn to go, enter LUCIA in hunting dress,
+ with bow in hand and a hound by her side. FLORA
+ rises to meet her, and recalls her maidens._]
+ Stay! attend me.
+
+ LUCIA. Greeting, fair ladies; you, I think, must be
+ Daughters of this green Earth, and one of you
+ The sweet Dame Flora.
+
+ FLORA. Your true servant, madam.
+ But if my memory be not newly withered
+ I have not known the pleasure. . . .
+
+ LUCIA. Yes, you have seen me--
+ At least, you might have seen me; I am Lucia,
+ Lady of Moonlight, and I often hunt
+ These downs of yours with all my nightly pack
+ Of questing beams and velvet-footed shadows.
+
+ FLORA. I fear at night. . . .
+
+ LUCIA. Oh, yes! at night you are sleeping!
+ And I by day am always rather faint;
+ So we don't meet; but sometimes your good folk
+ Have torn my nets by raking in the water;
+ And though their neighbours laughed, there are worse ways
+ Of spending time, and far worse things to rake for
+ Than silver lights upon a crystal stream.
+ But come! My royal Sire, the Man in the Moon--
+ _He_ has been here?
+
+ FLORA. So many kings come here,
+ I can't be sure; I've heard the Man in the Moon
+
+{175}
+
+ Did once come down and ask his way to Norwich.
+ But that was years agone--hundreds of years--
+ It may not be the same--I do not know
+ You royal father's age. . . .
+
+ LUCIA. His age? Oh surely!
+ He never _can_ be more than one month old.
+
+ FLORA. Yet he's your father!
+
+ LUCIA. Well, he is and is not;
+ [_Proudly_] I am the daughter of a million moons.
+ They month by month and year by circling year,
+ From their celestial palace looking down
+ On your day-wearied Earth, have soothed her sleep,
+ And rocked her tides, and made a magic world
+ For all her lovers and her nightingales.
+ You owe them much, my ancestors. No doubt,
+ At times they suffered under clouds; at times
+ They were eclipsed; yet in their brighter hours
+ They were illustrious!
+
+ FLORA. And may I hope
+ Your present Sire, his present Serene Highness,
+ Is in his brighter hours to-day?
+
+ LUCIA. Ah! no.
+ Be sure he is not--else I had not left
+ My cool, sweet garden of unfading stars
+ For the rank meadows of this sun-worn mould.
+
+ FLORA. What _is_ your trouble, then?
+
+ LUCIA. Although my father
+ Has been but ten days reigning, he is sad
+ With all the sadness of a phantom realm,
+ And all the sorrows of ten thousand years.
+
+{176}
+
+ We in our Moonland have no life like yours,
+ No birth, no death: we live but in our dreams:
+ And when they are grown old--these mortal visions
+ Of an immortal sleep--we seem to lose them.
+ They are too strong for us, too self-sufficient
+ To live for us; they go their ways and leave us,
+ Like shadows grown substantial.
+
+ FLORA. I have heard
+ Something on earth not unlike this complaint,
+ But can I help you?
+
+ LUCIA. Lady, if you cannot,
+ No one can help. In Moonland there is famine,
+ We are losing all our dreams, and I come hither
+ To buy a new one for my father's house.
+
+ FLORA. To buy a dream?
+
+ LUCIA. Some little darling dream
+ That will be always with us, night and day,
+ Loving and teasing, sailing light of heart
+ Over our darkest deeps, reminding us
+ Of our lost childhood, playing our old games,
+ Singing our old songs, asking our old riddles,
+ Building our old hopes, and with our old gusto
+ Rehearsing for us in one endless act
+ The world past and the world to be.
+
+ FLORA. Oh! now
+ I see your meaning. Yes, I have indeed
+ Plenty of such sweet dreams: _we_ call them children.
+ They are _our_ dreams too, and though they are born of us,
+ Truly in them we live. But, dearest lady,
+ We do not sell them.
+
+{177}
+
+ LUCIA. Do you mean you will not?
+ Not one? Could you not _lend_ me one--just one?
+
+ FLORA. Ah! but to lend what cannot be returned
+ Is merely giving--who can bring again
+ Into the empty nest those wingčd years?
+ Still, there are children here well worth your hopes,
+ And you shall venture: if there be among them
+ One that your heart desires, and she consent,
+ Take her and welcome--for the will of Love
+ Is the wind's will, and none may guess his going.
+
+ LUCIA. O dearest Lady Flora!
+
+ FLORA. Stay! they are here,
+ Mad as a dance of May-flies.
+
+ [_The children run in dancing and singing._
+
+ Shall we sit
+ And watch these children?
+ Phyllis, bid them play,
+ And let them heed us no more than the trees
+ That girdle this green lawn with whispering beauty.
+ [_The children play and sing at their games, till at a
+ convenient moment the LADY FLORA holds up her hand._]
+
+ FLORA. Now, Amaryllis, stay the rushing stream,
+ The meadows for this time have drunk enough.
+ [_To LUCIA._] And you, what think you, lady, of these maids?
+ Has their sweet foolish singing moved your heart
+ To choose among them?
+
+ LUCIA. I have heard them gladly,
+ And if I could, would turn them all to elves,
+ That if they cannot live with me, at least
+
+{178}
+
+ I might look down when our great galleon sails
+ Close over earth, and see them always here
+ Dancing upon the moonlit shores of night.
+ But how to choose!--and though they are young and fair
+ Their every grace foretells the fatal change,
+ The swift short bloom of girlhood, like a flower
+ Passing away, for ever passing away.
+ Have you not one with petals tenderer yet,
+ More deeply folded, further from the hour
+ When the bud dies into the mortal rose?
+
+ FLORA [_pointing._] _There_ is my youngest blossom and my fairest,
+ But my most wilful too--you'll pluck her not
+ Without some aid of magic.
+
+ LUCIA. Time has been
+ When I have known even your forest trees
+ Sway to a song of moonland. I will try it.
+
+ [_She sings and dances a witching measure._]
+
+
+ SONG
+
+ (_To an air by HENRY LAWES, published in 1652_)
+
+ The flowers that in thy garden rise,
+ Fade and are gone when Summer flies,
+ And as their sweets by time decay,
+ So shall thy hopes be cast away.
+
+ The Sun that gilds the creeping moss
+ Stayeth not Earth's eternal loss:
+ He is the lord of all that live,
+ Yet there is life he cannot give.
+
+{179}
+
+ The stir of Morning's eager breath--
+ Beautiful Eve's impassioned death--
+ Thou lovest these, thou lovest well,
+ Yet of the Night thou canst not tell.
+
+ In every land thy feet may tread,
+ Time like a veil is round thy head:
+ Only the land thou seek'st with me
+ Never hath been nor yet shall be.
+
+ It is not far, it is not near,
+ Name it hath none that Earth can hear;
+ But there thy Soul shall build again
+ Memories long destroyed of men,
+ And Joy thereby shall like a river
+ Wander from deep to deep for ever.
+
+
+ [_When she has finished the child runs into her arms._]
+
+ FLORA. Your spell has won her, and I marvel not:
+ She was but half our own.
+ [_To the Child_] Farewell, dear child,
+ 'Tis time to part, you with this lovely lady
+ To dance in silver halls, and gather stars
+ And be the dream you are: while we return
+ To the old toil and harvest of the Earth.
+ Farewell! and farewell all!
+
+ ALL. Farewell! farewell!
+
+ [_Exeunt omnes._
+
+
+
+
+{180}
+
+_The Cicalas: An Idyll_
+
+_Scene_: AN ENGLISH GARDEN BY STARLIGHT
+
+_Persons_: A LADY AND A POET
+
+
+ THE POET
+
+ Dimly I see your face: I hear your breath
+ Sigh faintly, as a flower might sigh in death
+ And when you whisper, you but stir the air
+ With a soft hush like summer's own despair.
+
+
+ THE LADY (_aloud_)
+
+ O Night divine, O Darkness ever blest,
+ Give to our old sad Earth eternal rest.
+ Since from her heart all beauty ebbs away,
+ Let her no more endure the shame of day.
+
+
+ THE POET
+
+ A thousand ages have not made less bright
+ The stars that in this fountain shine to-night:
+ Your eyes in shadow still betray the gleam
+ That every son of man desires in dream.
+
+
+{181}
+
+ THE LADY
+
+ Yes, hearts will burn when all the stars are cold;
+ And Beauty lingers--but her tale is told:
+ Mankind has left her for a game of toys,
+ And fleets the golden hour with speed and noise.
+
+
+ THE POET
+
+ Think you the human heart no longer feels
+ Because it loves the swift delight of wheels?
+ And is not Change our one true guide on earth,
+ The surest hand that leads us from our birth?
+
+
+ THE LADY
+
+ Change were not always loss, if we could keep
+ Beneath all change a clear and windless deep:
+ But more and more the tides that through us roll
+ Disturb the very sea-bed of the soul.
+
+
+ THE POET
+
+ The foam of transient passions cannot fret
+ The sea-bed of the race, profounder yet:
+ And there, where Greece and her foundations are,
+ Lies Beauty, built below the tide of war.
+
+
+ THE LADY
+
+ So--to the desert, once in fifty years--
+ Some poor mad poet sings, and no one hears:
+ But what belated race, in what far clime,
+ Keeps even a legend of Arcadian time?
+
+
+{182}
+
+ THE POET
+
+ Not ours perhaps: a nation still so young,
+ So late in Rome's deserted orchard sprung,
+ Bears not as yet, but strikes a hopeful root
+ Till the soil yield its old Hesperian fruit.
+
+
+ THE LADY
+
+ Is not the hour gone by? The mystic strain,
+ Degenerate once, may never spring again.
+ What long-forsaken gods shall we invoke
+ To grant such increase to our common oak?
+
+
+ THE POET
+
+ Yet may the ilex, of more ancient birth,
+ More deeply planted in that genial earth,
+ From her Italian wildwood even now
+ Revert, and bear once more the golden bough.
+
+
+ THE LADY
+
+ A poet's dream was never yet less great
+ Because it issued through the ivory gate!
+ Show me one leaf from that old wood divine,
+ And all your ardour, all your hopes are mine.
+
+
+ THE POET
+
+ May Venus bend me to no harder task!
+ For--Pan be praised!--I hold the gift you ask.
+ The leaf, the legend, that your wish fulfils,
+ To-day he brought me from the Umbrian hills.
+
+
+{183}
+
+ THE LADY
+
+ Your young Italian--yes! I saw you stand
+ And point his path across our well-walled land:
+ A sculptor's model, but alas! no god:
+ These narrow fields the goat-foot never trod!
+
+
+ THE POET
+
+ Yet from his eyes the mirth a moment glanced
+ To which the streams of old Arcadia danced;
+ And on his tongue still lay the childish lore
+ Of that lost world for which you hope no more.
+
+
+ THE LADY
+
+ Tell me!--from where I watched I saw his face,
+ And his hands moving with a rustic grace,
+ Caught too the alien sweetness of his speech,
+ But sound alone, not sense, my ears could reach.
+
+
+ THE POET
+
+ He asked if we in England ever heard
+ The tiny beasts, half insect and half bird,
+ That neither eat nor sleep, but die content
+ When they in endless song their strength have spent.
+
+
+ THE LADY
+
+ Cicalas! how the name enchants me back
+ To the grey olives and the dust-white track!
+ Was there a story then?--I have forgot,
+ Or else by chance my Umbrians told it not.
+
+
+{184}
+
+ THE POET
+
+ Lover of music, you at least should know
+ That these were men in ages long ago,--
+ Ere music was,--and then the Muses came,
+ And love of song took hold on them like flame.
+
+
+ THE LADY
+
+ Yes, I remember now the voice that speaks--
+ Most living still of all the deathless Greeks--
+ Yet tell me--how they died divinely mad,
+ And of the Muses what reward they had.
+
+
+ THE POET
+
+ They are reborn on earth, and from the first
+ They know not sleep, they hunger not nor thirst
+ Summer with glad Cicala's song they fill,
+ Then die, and go to haunt the Muses' Hill.
+
+
+ THE LADY
+
+ They are reborn indeed! and rightly you
+ The far-heard echo of their music knew!
+ Pray now to Pan, since you too, it would seem,
+ Were there with Phaedrus, by Ilissus' stream.
+
+
+ THE POET
+
+ Beloved Pan, and all ye gods whose grace
+ For ever haunts our short life's resting-place,
+ Outward and inward make me one true whole,
+ And grant me beauty in the inmost soul!
+
+
+{185}
+
+ THE LADY
+
+ And thou, O Night, O starry Queen of Air,
+ Remember not my blind and faithless prayer!
+ Let me too live, let me too sing again,
+ Since Beauty wanders still the ways of men.
+
+
+
+
+{186}
+
+_The Faun_
+
+ Yesterday I thought to roam
+ Idly through the fields of home,
+ And I came at morning's end
+ To our brook's familiar bend.
+ There I raised my eyes, and there,
+ Shining through an ampler air,
+ Folded in by hills of blue
+ Such as Wessex never knew,
+ Changed as in a waking dream
+ Flowed the well-remembered stream.
+
+ Now a line of wattled pale
+ Fenced the downland from the vale,
+ Now the sedge was set with reeds
+ Fitter for Arcadian meads,
+ And where I was wont to find
+ Only things of timid kind,
+ Now the Genius of the pool
+ Mocked me from his corner cool.
+ Eyes he had with malice quick,
+ Tufted hair and ears a-prick,
+ And, above a tiny chin,
+ Lips with laughter wide a-grin.
+
+{187}
+
+ Therewithal a shaggy flank
+ In the crystal clear he sank,
+ And beneath the unruffled tide
+ A little pair of hooves I spied.
+
+ Yet though plainly there he stood,
+ Creature of the wave and wood,
+ Under his satyric grace
+ Something manlike I could trace,
+ And the eyes that mocked me there
+ Like a gleam of memory were.
+
+ "So," said I at last to him,
+ Frowning from the river's brim,
+ "This is where you come to play,
+ Heedless of the time of day."
+
+ "Nay," replied the youthful god,
+ Leaning on the flowery sod,
+ "Here there are no clocks, and so
+ Time can neither come nor go."
+
+ "Little goat," said I, "you're late,
+ And your dinner will not wait:
+ If to-day you wish to eat,
+ Trust me, you must find your feet."
+
+ "Father," said the little goat,
+ "Do you know that I can float?
+
+{188}
+
+ Do you know that I can dive
+ As deep as any duck alive?
+ Would you like to see me drop
+ Out of yonder willow's top?"
+
+ Sternly I replied again,
+ "You may spare your boasting vain;
+ All that you can do I did
+ When I was myself a kid."
+ Laughter followed such as pealed
+ Through the first unfurrowed field.
+ "Then what mother says is true,
+ And your hoof is cloven too!"
+
+ Ah!--but that irreverent mirth,
+ Learnt of the primeval earth,
+ Surely was with magic fraught
+ That upon my pulses wrought:
+ I too felt the air of June
+ Humming with a merry tune,
+ I too reckoned, like a boy,
+ Less of Time and more of Joy:
+ Till, as homeward I was wending,
+ I perceived my back unbending,
+ And before the mile was done
+ Ran beside my truant son.
+
+
+
+
+{189}
+
+_Fidele's Grassy Tomb_
+
+ The Squire sat propped in a pillowed chair,
+ His eyes were alive and clear of care,
+ But well he knew that the hour was come
+ To bid good-bye to his ancient home.
+
+ He looked on garden, wood, and hill,
+ He looked on the lake, sunny and still:
+ The last of earth that his eyes could see
+ Was the island church of Orchardleigh.
+
+ The last that his heart could understand
+ Was the touch of the tongue that licked his hand
+ "Bury the dog at my feet," he said,
+ And his voice dropped, and the Squire was dead.
+
+ Now the dog was a hound of the Danish breed,
+ Staunch to love and strong at need:
+ He had dragged his master safe to shore
+ When the tide was ebbing at Elsinore.
+
+ From that day forth, as reason would,
+ He was named "Fidele," and made it good:
+ When the last of the mourners left the door
+ Fidele was dead on the chantry floor.
+
+{190}
+
+ They buried him there at his master's feet,
+ And all that heard of it deemed it meet:
+ The story went the round for years,
+ Till it came at last to the Bishop's ears.
+
+ Bishop of Bath and Wells was he,
+ Lord of the lords of Orchardleigh;
+ And he wrote to the Parson the strongest screed
+ That Bishop may write or Parson read.
+
+ The sum of it was that a soulless hound
+ Was known to be buried in hallowed ground:
+ From scandal sore the Church to save
+ They must take the dog from his master's grave.
+
+ The heir was far in a foreign land,
+ The Parson was wax to my Lord's command:
+ He sent for the Sexton and bade him make
+ A lonely grave by the shore of the lake.
+
+ The Sexton sat by the water's brink
+ Where he used to sit when he used to think:
+ He reasoned slow, but he reasoned it out,
+ And his argument left him free from doubt.
+
+ "A Bishop," he said, "is the top of his trade;
+ But there's others can give him a start with the spade:
+ Yon dog, he carried the Squire ashore,
+ And a Christian couldn't ha' done no more."
+
+{191}
+
+ The grave was dug; the mason came
+ And carved on stone Fidele's name;
+ But the dog that the Sexton laid inside
+ Was a dog that never had lived or died.
+
+ So the Parson was praised, and the scandal stayed,
+ Till, a long time after, the church decayed,
+ And, laying the floor anew, they found
+ In the tomb of the Squire the bones of a hound.
+
+ As for the Bishop of Bath and Wells
+ No more of him the story tells;
+ Doubtless he lived as a Prelate and Prince,
+ And died and was buried a century since.
+
+ And whether his view was right or wrong
+ Has little to do with this my song;
+ Something we owe him, you must allow;
+ And perhaps he has changed his mind by now.
+
+ The Squire in the family chantry sleeps,
+ The marble still his memory keeps:
+ Remember, when the name you spell,
+ There rest Fidele's bones as well.
+
+ For the Sexton's grave you need not search,
+ 'Tis a nameless mound by the island church:
+ An ignorant fellow, of humble lot--
+ But he knew one thing that a Bishop did not.
+
+
+
+
+{192}
+
+_Moonset_
+
+ Past seven o'clock: time to be gone;
+ Twelfth-night's over and dawn shivering up:
+ A hasty cut of the loaf, a steaming cup,
+ Down to the door, and there is Coachman John.
+
+ Ruddy of cheek is John and bright of eye;
+ But John it appears has none of your grins and winks;
+ Civil enough, but short: perhaps he thinks:
+ Words come once in a mile, and always dry.
+
+ Has he a mind or not? I wonder; but soon
+ We turn through a leafless wood, and there to the right,
+ Like a sun bewitched in alien realms of night,
+ Mellow and yellow and rounded hangs the moon.
+
+ Strangely near she seems, and terribly great:
+ The world is dead: why are we travelling still?
+ Nightmare silence grips my struggling will;
+ We are driving for ever and ever to find a gate.
+
+{193}
+
+ "When you come to consider the moon," says John at last,
+ And stops, to feel his footing and take his stand;
+ "And then there's some will say there's never a hand
+ That made the world!"
+ A flick, and the gates are passed.
+
+ Out of the dim magical moonlit park,
+ Out to the workday road and wider skies:
+ There's a warm flush in the East where day's to rise,
+ And I'm feeling the better for Coachman John's remark.
+
+
+
+
+{194}
+
+_A Song of Exmoor_
+
+ The Forest above and the Combe below,
+ On a bright September morn!
+ He's the soul of a clod who thanks not God
+ That ever his body was born!
+ So hurry along, the stag's afoot,
+ The Master's up and away!
+ Halloo! Halloo! we'll follow it through
+ From Bratton to Porlock Bay!
+
+ _So hurry along, the stag's afoot,
+ The Master's up and away!
+ Halloo! Halloo! we'll follow it through
+ From Bratton to Porlock Bay!_
+
+ Hark to the tufters' challenge true,
+ 'Tis a note that the red-deer knows!
+ His courage awakes, his covert he breaks,
+ And up for the moor he goes!
+ He's all his rights and seven on top,
+ His eye's the eye of a king,
+ And he'll beggar the pride of some that ride
+ Before he leaves the ling!
+
+{195}
+
+ Here comes Antony bringing the pack,
+ Steady! he's laying them on!
+ By the sound of their chime you may tell that it's time
+ To harden your heart and be gone.
+ Nightacott, Narracott, Hunnacott's passed,
+ Right for the North they race:
+ He's leading them straight for Blackmoor Gate,
+ And he's setting a pounding pace!
+
+ We're running him now on a breast-high scent,
+ But he leaves us standing still;
+ When we swing round by Westland Pound
+ He's far up Challacombe Hill.
+ The pack are a string of struggling ants,
+ The quarry's a dancing midge,
+ They're trying their reins on the edge of the Chains
+ While he's on Cheriton Ridge.
+
+ He's gone by Kittuck and Lucott Moor,
+ He's gone by Woodcock's Ley;
+ By the little white town he's turned him down,
+ And he's soiling in open sea.
+ So hurry along, we'll both be in,
+ The crowd are a parish away!
+ We're a field of two, and we've followed it through
+ From Bratton to Porlock Bay!
+
+ _So hurry along, we'll both be in,
+ The crowd are a parish away!
+ We're a field of two, and we've followed it through
+ From Bratton to Porlock Bay!_
+
+
+
+
+{196}
+
+_Master and Man_
+
+ Do ye ken hoo to fush for the salmon?
+ If ye'll listen I'll tell ye.
+ Dinna trust to the books and their gammon,
+ They're but trying to sell ye.
+ Leave professors to read their ain cackle
+ And fush their ain style;
+ Come awa', sir, we'll oot wi' oor tackle
+ And be busy the while.
+
+ 'Tis a wee bit ower bright, ye were thinkin'?
+ Aw, ye'll no be the loser;
+ 'Tis better ten baskin' and blinkin'
+ Than ane that's a cruiser.
+ If ye're bent, as I tak it, on slatter,
+ Ye should pray for the droot,
+ For the salmon's her ain when there's watter,
+ But she's oors when it's oot.
+
+ Ye may just put your flee-book behind ye,
+ Ane hook wull be plenty;
+ If they'll no come for this, my man, mind ye,
+ They'll no come for twenty.
+
+{197}
+
+ Ay, a rod; but the shorter the stranger
+ And the nearer to strike;
+ For myself I prefare it nae langer
+ Than a yard or the like.
+
+ Noo, ye'll stand awa' back while I'm creepin'
+ Wi' my snoot i' the gowans;
+ There's a bonny twalve-poonder a-sleepin'
+ I' the shade o' yon rowans.
+ Man, man! I was fearin' I'd stirred her,
+ But I've got her the noo!
+ Hoot! fushin's as easy as murrder
+ When ye ken what to do.
+
+ Na, na, sir, I doot na ye're willin'
+ But I canna permit ye,
+ For I'm thinkin' that yon kind o' killin'
+ Wad hardly befit ye.
+ And some work is deefficult hushin',
+ There'd be havers and chaff:
+ 'Twull be best, sir, for you to be fushin'
+ And me wi' the gaff.
+
+
+
+
+{198}
+
+_Gavotte_
+
+(OLD FRENCH)
+
+ Memories long in music sleeping,
+ No more sleeping,
+ No more dumb:
+ Delicate phantoms softly creeping
+ Softly back from the old-world come.
+
+ Faintest odours around them straying,
+ Suddenly straying
+ In chambers dim;
+ Whispering silks in order swaying,
+ Glimmering gems on shoulders slim:
+
+ Courage advancing strong and tender,
+ Grace untender
+ Fanning desire;
+ Suppliant conquest, proud surrender,
+ Courtesy cold of hearts on fire--
+
+ Willowy billowy now they're bending,
+ Low they're bending
+ Down-dropt eyes;
+ Stately measure and stately ending,
+ Music sobbing, and a dream that dies.
+
+
+
+
+{199}
+
+_Imogien_
+
+(A LADY OF TENDER AGE)
+
+ Ladies, where were your bright eyes glancing,
+ Where were they glancing yesternight?
+ Saw ye Imogen dancing, dancing,
+ Imogen dancing all in white?
+ Laughed she not with a pure delight,
+ Laughed she not with a joy serene,
+ Stepped she not with a grace entrancing,
+ Slenderly girt in silken sheen?
+
+ All through the night from dusk to daytime
+ Under her feet the hours were swift,
+ Under her feet the hours of playtime
+ Rose and fell with a rhythmic lift:
+ Music set her adrift, adrift,
+ Music eddying towards the day
+ Swept her along as brooks in Maytime
+ Carry the freshly falling May.
+
+ Ladies, life is a changing measure,
+ Youth is a lilt that endeth soon;
+
+{200}
+
+ Pluck ye never so fast at pleasure,
+ Twilight follows the longest noon.
+ Nay, but here is a lasting boon,
+ Life for hearts that are old and chill,
+ Youth undying for hearts that treasure
+ Imogen dancing, dancing still.
+
+
+
+
+{201}
+
+_Nel Mezzo Del Cammin_
+
+ Whisper it not that late in years
+ Sorrow shall fade and the world be brighter,
+ Life be freed of tremor and tears,
+ Heads be wiser and hearts be lighter.
+ Ah! but the dream that all endears,
+ The dream we sell for your pottage of truth--
+ Give us again the passion of youth,
+ Sorrow shall fade and the world be brighter.
+
+
+
+
+{202}
+
+_The Invasion_
+
+ Spring, they say, with his greenery
+ Northward marches at last,
+ Mustering thorn and elm;
+ Breezes rumour him conquering,
+ Tell how Victory sits
+ High on his glancing helm.
+
+ Smit with sting of his archery,
+ Hardest ashes and oaks
+ Burn at the root below:
+ Primrose, violet, daffodil,
+ Start like blood where the shafts
+ Light from his golden bow.
+
+ Here where winter oppresses us
+ Still we listen and doubt,
+ Dreading a hope betrayed:
+ Sore we long to be greeting him,
+ Still we linger and doubt
+ "What if his march be stayed?"
+
+{203}
+
+ Folk in thrall to the enemy,
+ Vanquished, tilling a soil
+ Hateful and hostile grown;
+ Always wearily, warily,
+ Feeding deep in the heart
+ Passion they dare not own--
+
+ So we wait the deliverer;
+ Surely soon shall he come,
+ Soon shall his hour be due:
+ Spring shall come with his greenery,
+ Life be lovely again,
+ Earth be the home we knew.
+
+
+
+
+{204}
+
+_Rilloby-Rill_
+
+ Grasshoppers four a-fiddling went,
+ Heigh-ho! never be still!
+ They earned but little towards their rent
+ But all day long with their elbows bent
+ They fiddled a tune called Rilloby-rilloby,
+ Fiddled a tune called Rilloby-rill.
+
+ Grasshoppers soon on Fairies came,
+ Heigh-ho! never be still!
+ Fairies asked with a manner of blame,
+ "Where do you come from, what is your name?
+ What do you want with your Rilloby-rilloby,
+ What do you want with your Rilloby-rill?"
+
+ "Madam, you see before you stand,
+ Heigh-ho! never be still!
+ The Old Original Favourite Grand
+ Grasshopper's Green Herbarian Band,
+ And the tune we play is Rilloby-rilloby,
+ Madam, the tune is Rilloby-rill."
+
+{205}
+
+ Fairies hadn't a word to say,
+ Heigh-ho! never be still!
+ Fairies seldom are sweet by day,
+ But the Grasshoppers merrily fiddled away,
+ O but they played with a willoby-rilloby,
+ O but they played with a willoby-will!
+
+ Fairies slumber and sulk at noon,
+ Heigh-ho! never be still!
+ But at last the kind old motherly moon
+ Brought them dew in a silver spoon,
+ And they turned to ask for Rilloby-rilloby,
+ One more round of Rilloby-rill.
+
+ Ah! but nobody now replied,
+ Heigh-ho! never be still!
+ When day went down the music died,
+ Grasshoppers four lay side by side,
+ And there was an end of their Rilloby-rilloby,
+ There was an end of their Rilloby-rill.
+
+
+
+
+{206}
+
+_Pereunt Et Imputantur_
+
+(AFTER MARTIAL)
+
+ Bernard, if to you and me
+ Fortune all at once should give
+ Years to spend secure and free,
+ With the choice of how to live,
+ Tell me, what should we proclaim
+ Life deserving of the name?
+
+ Winning some one else's case?
+ Saving some one else's seat?
+ Hearing with a solemn face
+ People of importance bleat?
+ No, I think we should not still
+ Waste our time at others' will.
+
+ Summer noons beneath the limes,
+ Summer rides at evening cool,
+ Winter's tales and home-made rhymes,
+ Figures on the frozen pool--
+ These would we for labours take,
+ And of these our business make.
+
+{207}
+
+ Ah! but neither you nor I
+ Dare in earnest venture so;
+ Still we let the good days die
+ And to swell the reckoning go.
+ What are those that know the way,
+ Yet to walk therein delay?
+
+
+
+
+
+
+
+{208}
+
+_Felix Antonius_
+
+(AFTER MARTIAL)
+
+ To-day, my friend is seventy-five;
+ He tells his tale with no regret,
+ His brave old eyes are steadfast yet,
+ His heart the lightest heart alive.
+
+ He sees behind him green and wide
+ The pathway of his pilgrim years;
+ He sees the shore, and dreadless hears
+ The whisper of the creeping tide.
+
+ For out of all his days, not one
+ Has passed and left its unlaid ghost
+ To seek a light for ever lost,
+ Or wail a deed for ever done.
+
+ So for reward of life-long truth
+ He lives again, as good men can,
+ Redoubling his allotted span
+ With memories of a stainless youth.
+
+
+
+
+{209}
+
+_Ireland, Ireland_
+
+ Down thy valleys, Ireland, Ireland,
+ Down thy valleys green and sad,
+ Still thy spirit wanders wailing,
+ Wanders wailing, wanders mad.
+
+ Long ago that anguish took thee,
+ Ireland, Ireland, green and fair,
+ Spoilers strong in darkness took thee,
+ Broke thy heart and left thee there.
+
+ Down thy valleys, Ireland, Ireland,
+ Still thy spirit wanders mad;
+ All too late they love that wronged thee,
+ Ireland, Ireland, green and sad.
+
+
+
+
+{210}
+
+_Hymn_
+
+IN THE TIME OF WAR AND TUMULTS
+
+ O Lord Almighty, Thou whose hands
+ Despair and victory give;
+ In whom, though tyrants tread their lands,
+ The souls of nations live;
+
+ Thou wilt not turn Thy face away
+ From those who work Thy will,
+ But send Thy peace on hearts that pray,
+ And guard Thy people still.
+
+ Remember not the days of shame,
+ The hands with rapine dyed,
+ The wavering will, the baser aim,
+ The brute material pride:
+
+ Remember, Lord, the years of faith,
+ The spirits humbly brave,
+ The strength that died defying death,
+ The love that loved the slave;
+
+{211}
+
+ The race that strove to rule Thine earth
+ With equal laws unbought:
+ Who bore for Truth the pangs of birth,
+ And brake the bonds of Thought.
+
+ Remember how, since time began,
+ Thy dark eternal mind
+ Through lives of men that fear not man
+ Is light for all mankind.
+
+ Thou wilt not turn Thy face away
+ From those who work Thy will,
+ But send Thy strength on hearts that pray
+ For strength to serve Thee still.
+
+
+
+
+{212}
+
+_The Building of the Temple_
+
+(AN ANTHEM HEARD IN CANTERBURY CATHEDRAL)
+
+_The Organ._
+
+O Lord our God, we are strangers before Thee, and sojourners, as were
+all our fathers: our days on the earth are as a shadow, and there is
+none abiding.
+
+O Lord God of our fathers, keep this for ever in the imagination of the
+thoughts of Thy people, and prepare their heart unto Thee.
+
+And give unto Solomon my son a perfect heart to keep Thy commandments,
+and to build the palace for the which I have made provision.
+
+_Boys' voices._
+
+ O come to the Palace of Life,
+ Let us build it again.
+ It was founded on terror and strife,
+ It was laid in the curse of the womb,
+ And pillared on toil and pain,
+ And hung with veils of doom,
+ And vaulted with the darkness of the tomb.
+
+{213}
+
+_Men's voices._
+
+ O Lord our God, we are sojourners here for a day,
+ Strangers and sojourners, as all our fathers were:
+ Our years on the earth are a shadow that fadeth away;
+ Grant us light for our labour, and a time for prayer.
+
+_Boys._
+
+ But now with endless song,
+ And joy fulfilling the Law;
+ Of passion as pure as strong
+ And pleasure undimmed of awe;
+ With garners of wine and grain
+ Laid up for the ages long,
+ Let us build the Palace again
+ And enter with endless song,
+ Enter and dwell secure, forgetting the years of wrong.
+
+_Men._
+
+ O Lord our God, we are strangers and sojourners here,
+ Our beginning was night, and our end is hid in Thee:
+ Our labour on the earth is hope redeeming fear,
+ In sorrow we build for the days we shall not see.
+
+_Boys._
+
+ Great is the name
+ Of the strong and skilled,
+ Lasting the fame
+ Of them that build:
+
+{214}
+
+ The tongues of many nations
+ Shall speak of our praise,
+ And far generations
+ Be glad for our days.
+
+_Men._
+
+ We are sojourners here as all our fathers were,
+ As all our children shall be, forgetting and forgot:
+ The fame of man is a murmur that passeth on the air,
+ We perish indeed if Thou remember not.
+
+ We are sojourners here as all our fathers were,
+ Strangers travelling down to the land of death:
+ There is neither work nor device nor knowledge there,
+ O grant us might for our labour, and to rest in faith.
+
+_Boys._
+
+ In joy, in the joy of the light to be,
+
+_Men._
+
+ O Father of Lights, unvarying and true,
+
+_Boys._
+
+ Let us build the Palace of Life anew.
+
+_Men._
+
+ Let us build for the years we shall not see.
+
+_Boys._
+
+ Lofty of line and glorious of hue,
+ With gold and pearl and with the cedar tree,
+
+{215}
+
+_Men._
+
+ With silence due
+ And with service free,
+
+_Boys._
+
+ Let us build it for ever in splendour new.
+
+_Men._
+
+ Let us build in hope and in sorrow, and rest in Thee.
+
+
+
+
+{216}
+
+_Epistle_
+
+TO COLONEL FRANCIS EDWARD YOUNGHUSBAND
+
+ Across the Western World, the Arabian Sea,
+ The Hundred Kingdoms and the Rivers Three,
+ Beyond the rampart of Himalayan snows,
+ And up the road that only Rumour knows,
+ Unchecked, old friend, from Devon to Thibet,
+ Friendship and Memory dog your footsteps yet.
+
+ Let not the scornful ask me what avails
+ So small a pack to follow mighty trails:
+ Long since I saw what difference must be
+ Between a stream like you, a ditch like me.
+ This drains a garden and a homely field
+ Which scarce at times a living current yield;
+ The other from the high lands of his birth
+ Plunges through rocks and spurns the pastoral earth,
+ Then settling silent to his deeper course
+ Draws in his fellows to augment his force,
+ Becomes a name, and broadening as he goes,
+ Gives power and purity where'er he flows,
+ Till, great enough for any commerce grown,
+ He links all nations while he serves his own.
+
+{217}
+
+ Soldier, explorer, statesman, what in truth
+ Have you in common with homekeeping youth?
+ "Youth" comes your answer like an echo faint;
+ And youth it was that made us first acquaint.
+ Do you remember when the Downs were white
+ With the March dust from highways glaring bright,
+ How you and I, like yachts that toss the foam,
+ From Penpole Fields came stride and stride for home?
+ One grimly leading, one intent to pass,
+ Mile after mile we measured road and grass,
+ Twin silent shadows, till the hour was done,
+ The shadows parted and the stouter won.
+ Since then I know one thing beyond appeal--
+ How runs from stem to stern a trimbuilt keel.
+ Another day--but that's not mine to tell,
+ The man in front does not observe so well;
+ Though, spite of all these five-and-twenty years,
+ As clear as life our schoolday scene appears.
+ The guarded course, the barriers and the rope;
+ The runners, stripped of all but shivering hope;
+ The starter's good grey head; the sudden hush;
+ The stern white line; the half-unconscious rush;
+ The deadly bend, the pivot of our fate;
+ The rope again; the long green level straight;
+ The lane of heads, the cheering half unheard;
+ The dying spurt, the tape, the judge's word.
+
+ You, too, I doubt not, from your Lama's hall
+ Can see the Stand above the worn old wall,
+
+{218}
+
+ Where then they clamoured as our race we sped,
+ Where now they number our heroic dead.*
+ As clear as life you, too, can hear the sound
+ Of voices once for all by "lock-up" bound,
+ And see the flash of eyes still nobly bright
+ But in the "Bigside scrimmage" lost to sight.
+
+ Old loves, old rivalries, old happy times,
+ These well may move your memory and my rhymes;
+ These are the Past; but there is that, my friend,
+ Between us two, that has nor time nor end.
+ Though wide apart the lines our fate has traced
+ Since those far shadows of our boyhood raced,
+ In the dim region all men must explore--
+ The mind's Thibet, where none has gone before--
+ Rounding some shoulder of the lonely trail
+ We met once more, and raised a lusty hail.
+
+ "Forward!" cried one, "for us no beaten track,
+ No city continuing, no turning back:
+ The past we love not for its being past,
+ But for its hope and ardour forward cast:
+ The victories of our youth we count for gain
+ Only because they steeled our hearts to pain,
+ And hold no longer even Clifton great
+ Save as she schooled our wills to serve the State.
+
+{219}
+
+ Nay, England's self, whose thousand-year-old name
+ Burns in our blood like ever-smouldering flame,
+ Whose Titan shoulders as the world are wide
+ And her great pulses like the Ocean tide,
+ Lives but to bear the hopes we shall not see--
+ Dear mortal Mother of the race to be."
+
+ Thereto you answered, "Forward! in God's name;
+ I own no lesser law, no narrower claim.
+ A freeman's Reason well might think it scorn
+ To toil for those who may be never born,
+ But for some Cause not wholly out of ken,
+ Some all-directing Will that works with men,
+ Some Universal under which may fall
+ The minor premiss of our effort small;
+ In Whose unending purpose, though we cease,
+ We find our impulse and our only peace."
+
+ So passed our greeting, till we turned once more,
+ I to my desk and you to rule Indore.
+ To meet again--ah! when? Yet once we met,
+ And to one dawn our faces still are set.
+
+ EXETER,
+ _September_ 10, 1904.
+
+
+* In the school quadrangle at Clifton, the site from which, upon
+occasion, the grand stand used to overlook the Close, is now occupied
+by the Memorial to those Cliftonians who fell in the South African War.
+
+
+
+
+{220}
+
+_An Essay on Criticism_
+
+ 'Tis hard to say if greater waste of time
+ Is seen in writing or in reading rhyme;
+ But, of the two, less dangerous it appears
+ To tire our own than poison others' ears.
+ Time was, the owner of a peevish tongue,
+ The pebble of his wrath unheeding flung,
+ Saw the faint ripples touch the shore and cease,
+ And in the duckpond all again was peace.
+ But since that Science on our eyes hath laid
+ The wondrous clay from her own spittle made,
+ We see the widening ripples pass beyond,
+ The pond becomes the world, the world a pond,
+ All ether trembles when the pebble falls,
+ And a light word may ring in starry halls.
+ When first on earth the swift iambic ran
+ Men here and there were found but nowhere Man.
+ From whencesoe'er their origin they drew,
+ Each on its separate soil the species grew,
+ And by selection, natural or not,
+ Evolved a fond belief in one small spot.
+ The Greek himself, with all his wisdom, took
+ For the wide world his bright Aegean nook,
+{221}
+
+ For fatherland, a town, for public, all
+ Who at one time could hear the herald bawl:
+ For him barbarians beyond his gate
+ Were lower beings, of a different date;
+ He never thought on such to spend his rhymes,
+ And if he did, they never read the _Times_.
+ Now all is changed, on this side and on that,
+ The Herald's learned to print and pass the hat;
+ His tone is so much raised that, far or near,
+ All with a sou to spend his news may hear,--
+ And who but, far or near, the sou affords
+ To learn the worst of foreigners and lords!
+ So comes the Pressman's heaven on earth, wherein
+ One touch of hatred proves the whole world kin--
+ "Our rulers are the best, and theirs the worst,
+ Our cause is always just and theirs accurst,
+ Our troops are heroes, hirelings theirs or slaves,
+ Our diplomats but children, theirs but knaves,
+ Our Press for independence justly prized,
+ Theirs bought or blind, inspired or subsidized.
+ For the world's progress what was ever made
+ Like to our tongue, our Empire and our trade?"
+ So chant the nations, till at last you'd think
+ Men could no nearer howl to folly's brink;
+ Yet some in England lately won renown
+ By howling word for word, but upside down.
+
+ But where, you cry, could poets find a place
+ (If poets we possessed) in this disgrace?
+{222}
+
+ Mails will be mails, Reviews must be reviews,
+ But why the Critic with the Bard confuse?
+ Alas! Apollo, it must be confessed
+ Has lately gone the way of all the rest.
+ No more alone upon the far-off hills
+ With song serene the wilderness he fills,
+ But in the forum now his art employs
+ And what he lacks in knowledge gives in noise.
+ At first, ere he began to feel his feet,
+ He begged a corner in the hindmost sheet,
+ Concealed with Answers and Acrostics lay,
+ And held aloof from Questions of the Day.
+ But now, grown bold, he dashes to the front,
+ Among the leaders bears the battle's brunt,
+ Takes steel in hand, and cheaply unafraid
+ Spurs a lame Pegasus on Jameson's Raid,
+ Or pipes the fleet in melodrama's tones
+ To ram the Damned on their Infernal Thrones.
+
+ Sure, Scriblerus himself could scarce have guessed
+ The Art of Sinking might be further pressed:
+ But while these errors almost tragic loom
+ The Indian Drummer has but raised a boom.
+ "So well I love my country that the man
+ Who serves her can but serve her on my plan;
+ Be slim, be stalky, leave your Public Schools
+ To muffs like Bobs and other flannelled fools;
+ The lordliest life (since Buller made such hay)
+ Is killing men two thousand yards away;
+
+{223}
+
+ You shoot the pheasant, but it costs too much
+ And does not tend to decimate the Dutch;
+ Your duty plainly then before you stands,
+ Conscription is the law for seagirt lands;
+ Prate not of freedom! Since I learned to shoot
+ I itch to use my ammunition boot."
+
+ An odd way this, we thought, to criticize--
+ This barrackyard "Attention! d---- your eyes!"
+ But England smiled and lightly pardoned him,
+ For was he not her Mowgli and her Kim?
+ But now the neighbourhood remonstrance roars,
+ He's naughty still, and naughty out of doors.
+ 'Tis well enough that he should tell Mamma
+ Her sons are tired of being what they are,
+ But to give friendly bears, expecting buns,
+ A paper full of stale unwholesome Huns--
+ One might be led to think, from all this work,
+ That little master's growing quite a Turk.
+
+ O Rudyard, Rudyard, in our hours of ease
+ (Before the war) you were not hard to please:
+ You loved a regiment whether fore or aft,
+ You loved a subaltern, however daft,
+ You loved the very dregs of barrack life,
+ The amorous colonel and the sergeant's wife.
+ You sang the land where dawn across the Bay
+ Comes up to waken queens in Mandalay,
+ The land where comrades sleep by Cabul ford,
+ And Valour, brown or white, is Borderlord,
+{224}
+
+ The secret Jungle-life of child and beast,
+ And all the magic of the dreaming East.
+ These, these we loved with you, and loved still more
+ The Seven Seas that break on Britain's shore,
+ The winds that know her labour and her pride,
+ And the Long Trail whereon our fathers died.
+
+ In that Day's Work be sure you gained, my friend,
+ If not the critic's name, at least his end;
+ Your song and story might have roused a slave
+ To see life bodily and see it brave.
+ With voice so genial and so long of reach
+ To your Own People you the Law could preach,
+ And even now and then without offence
+ To Lesser Breeds expose their lack of sense.
+ Return, return! and let us hear again
+ The ringing engines and the deep-sea rain,
+ The roaring chanty of the shore-wind's verse,
+ Too bluff to bicker and too strong to curse.
+ Let us again with hearts serene behold
+ The coastwise beacons that we knew of old;
+ So shall you guide us when the stars are veiled,
+ And stand among the Lights that never Failed.
+
+
+
+
+{225}
+
+_Le Byron de Nos Jours; or, The
+ English Bar and Cross Reviewers._
+
+ Still must I hear?--while Austin prints his verse
+ And Satan's sorrows fill Corelli's purse,
+ Must I not write lest haply some K.C.
+ To flatter Tennyson should sneer at me?
+ Or must the Angels of the Darker Ink
+ No longer tell the public what to think--
+ Must lectures and reviewing all be stayed
+ Until they're licensed by the Board of Trade?
+ Prepare for rhyme--I'll risk it--bite or bark
+ I'll stop the press for neither Gosse nor Clarke.
+
+ O sport most noble, when two cocks engage
+ With equal blindness and with equal rage!
+ When each, intent to pick the other's eye,
+ Sees not the feathers from himself that fly,
+ And, fired to scorch his rival's every bone,
+ Ignores the inward heat that grills his own;
+ Until self-plucked, self-spitted and self-roast,
+ Each to the other serves himself on toast.
+
+ But stay, but stay, you've pitched the key, my Muse,
+ A semi-tone too low for great Reviews;
+
+{226}
+
+ Such penny whistling suits the cockpit's hum,
+ But here's a scene deserves the biggest drum.
+
+ Behold where high above the clamorous town
+ The vast Cathedral-towers in peace look down:
+ Hark to the entering crowd's incessant tread--
+ They bring their homage to the mighty dead.
+ Who in silk gown and fullest-bottomed wig
+ Approaches yonder, with emotion big?
+ Room for Sir Edward! now we shall be told
+ Which shrines are tin, which silver and which gold.
+ 'Tis done! and now by life-long habit bound
+ He turns to prosecute the crowd around;
+ Indicts and pleads, sums up the _pro_ and _con_,
+ The verdict finds and puts the black cap on.
+
+ "Prisoners, attend! of Queen Victoria's day
+ I am the Glory, you are the Decay.
+ You cannot think like Tennyson deceased,
+ You do not sing like Browning in the least.
+ Of Tennyson I sanction every word,
+ Browning I cut to something like one-third:
+ Though, mind you this, immoral he is not,
+ Still quite two-thirds I hope will be forgot.
+ He was to poetry a Tom Carlyle--
+ And that reminds me, Thomas too was vile.
+ He wrote a life or two, but parts, I'm sure,
+ Compared with other parts are very poor.
+
+{227}
+
+ Now Dickens--most extraordinary--dealt
+ In fiction with what people really felt.
+ That proves his genius. Thackeray again
+ Is so unequal as to cause me pain.
+ And last of all, with History to conclude,
+ I've read Macaulay and I've heard of Froude.
+ That list, with all deductions, Gentlemen,
+ Will show that 'now' is not the same as 'then'.
+ If you believe the plaintiff you'll declare
+ That English writers are not what they were."
+
+ Down sits Sir Edward with a glowing breast,
+ And some applause is instantly suppressed.
+ Now up the nave of that majestic church
+ A quick uncertain step is heard to lurch.
+ Who is it? no one knows; but by his mien
+ He's the head verger, if he's not the Dean.
+
+ "What fellow's this that dares to treat us so?
+ This is no place for lawyers, out you go!
+ He is a brawler, Sir, who here presumes
+ To move our laurels and arrange our tombs.
+ Suppose that Meredith or Stephen said
+ (Or do you think those gentlemen are dead?)
+ This age has borne no advocates of rank,
+ Would not your face in turn be rather blank?
+ Come now, I beg you, go without a fuss,
+ And leave these high and heavenly things to us;
+ You may perhaps be some one, at the Bar,
+ But you are not in Orders, and we are."
+
+{228}
+
+ Sir Edward turns to go, but as he wends,
+ One swift irrelevant retort he sends.
+ "Your logic and your taste I both disdain,
+ You've quoted wrong from Jonson and Montaigne."
+ The shaft goes home, and somewhere in the rear
+ Birrell in smallest print is heard to cheer.
+
+ And yet--and yet--conviction's not complete:
+ There was a time when Milton walked the street,
+ And Shakespeare singing in a tavern dark
+ Would not have much impressed Sir Edward Clarke.
+ To be alive--ay! there's the damning thing,
+ For who will buy a bird that's on the wing?
+ Catch, kill and stuff the creature, once for all,
+ And he may yet adorn Sir Edward's hall;
+ But while he's free to go his own wild way
+ He's not so safe as birds of yesterday.
+
+ In fine, if I must choose--although I see
+ That both are wrong--Great Gosse! I'd rather be
+ A critic suckled in an age outworn
+ Than a blind horse that starves knee-deep in corn.
+
+
+NOTE.--The foregoing parody, which first appeared in _The Monthly
+Review_ some years ago, was an attempt to sum up and commemorate a
+literary discussion of the day. On Saturday night, November 15, 1902,
+at the Working Men's College, Great Ormond Street, Sir Edward Clarke,
+K.C., delivered an address on "The Glory and Decay of English
+Literature in the Reign of Victoria." 'Sir Edward Clarke, who mentioned
+incidentally that he lectured at the college forty years ago, said that
+there was a rise from the {229} beginning of that reign to the period
+1850-60, and that from the latter date there had been a very strange
+and lamentable decline to the end of the reign, would he thought, be
+amply demonstrated. A glorious galaxy of talent adorned the years
+1850-60. There were two great poets, two great novelists, and two
+great historians. The two great poets were Alfred Tennyson and Robert
+Browning. The first named would always stand at the head of the
+literature of the Victorian period. There was no poet in the whole
+course of our history whose works were more likely to live as a
+complete whole than he, and there was not a line which his friends
+would wish to see blotted out. Robert Browning was a poet of strange
+inequality and of extraordinary and fantastic methods in his
+composition. However much one could enjoy some of his works, one could
+only hope that two-thirds of them would be as promptly as possible
+forgotten--not, however, from any moral objection to what he wrote. He
+was the Carlyle of poetry. By his Lives of Schiller and Sterling,
+Carlyle showed that he _could_ write beautiful and pure English, but
+that he should descend to the style of some of his later works was a
+melancholy example of misdirected energy. . . . Charles Dickens was
+perhaps the most extraordinary genius of those who had endeavoured to
+deal with fiction as illustrative of the actual experiences of life.
+With Dickens there stood the great figure of Thackeray, who had left a
+great collection of books, very unequal in their quality, but
+containing amongst them some of the finest things ever written in the
+English tongue. The two great historians were Macaulay and Froude.
+To-day we had no great novelist. Would anyone suggest we had a poet?
+(Laughter.) After the year 1860 there were two great names in
+poetry--the two Rossettis. There had been no book produced in the last
+ten years which could compete with any one of the books produced from
+1850 to 1860.'
+
+To this Mr. Edmund Gosse replied a week later at the Dinner of the
+Encyclopaedia Britannica. He reminded his audience that even the most
+perspicuous people in past times had made the grossest blunders when
+they judged their own age. Let them remember the insensibility of
+Montaigne to the merits of all his contemporaries. In the next age,
+and in their own country, Ben Jonson took occasion at the very moment
+when Shakespeare was producing his masterpieces, to lament the total
+decay of poetry in England. We could not see the trees for the wood
+behind them, but we ought to be confident they were growing all the
+time.
+
+{230}
+
+Mr. Gosse also wrote to the _Times_ on behalf of "the Profession" of
+Letters, reminding Sir Edward of the names of Swinburne and William
+Morris, Hardy and Stevenson, Creighton and Gardiner, and asking what
+would be the feelings of the learned gentleman if Meredith or Leslie
+Stephen (of whose existence he was perhaps unaware) should put the
+question in public, "Would anyone suggest we have an Advocate?"
+
+Sir Edward, in his rejoinder, had no difficulty in showing that Mr.
+Gosse's citation of Montaigne and Jonson was not verbally exact. Mr.
+Birrell added some comments which were distinguished by being printed
+in type of a markedly different size.
+
+To the author of these lines, the controversy appears so typical and so
+likely to arise again, that he desires to record, in however slight a
+form, his recollection of it, and his own personal bias, which is in no
+degree lessened by reconsideration after ten years.
+
+
+
+
+{231}
+
+NOTES
+
+_Drake's Drum_.--A State drum, painted with the arms of Sir Francis
+Drake, is preserved among other relics at Buckland Abbey, the seat of
+the Drake family in Devon.
+
+_The fighting Téméraire_.--The last two stanzas have been
+misunderstood. It seems, therefore, necessary to state that they are
+intended to refer to Turner's picture in the National Gallery of "The
+Fighting _Téméraire_ tugged to her Last Berth."
+
+_San Stefano_.--Sir Peter Parker was the son of Admiral Christopher
+Parker, grandson of Admiral Sir Peter Parker (the life-long friend and
+chief mourner of Nelson), and great-grandson of Admiral Sir William
+Parker. On his mother's side he was grandson of Admiral Byron, and
+first cousin of Lord Byron, the poet. He was killed in action near
+Baltimore in 1814, and buried in St. Margaret's, Westminster, where may
+be seen the monument erected to his memory by the officers of the
+_Menelaus_.
+
+_The Quarter-Gunner's Yarn_.--This ballad is founded on fragmentary
+lines communicated to the author by Admiral Sir Windham Hornby, K.C.B.,
+who served under Sir Thomas Hardy in 1827. For an account of Cheeks
+the Marine see Marryat's _Peter Simple_.
+
+_Vae Victis_.--See _Livy_, xxx., 43; _Diodorus Siculus_, xix., 106.
+
+_Seringapatam_.--In 1780, while attempting to relieve Arcot, a British
+force of three thousand men was cut to pieces by Hyder Ali. Baird,
+then a young captain in the 73rd, was left for dead on the field. He
+was afterwards, with forty-nine other officers, kept in prison at
+Seringapatam, and treated with Oriental barbarity and treachery by
+Hyder Ali and his son Tippoo Sahib, Sultans of Mysore. Twenty-three of
+the prisoners died by poison, torture, and fever; the rest were
+surrendered in 1784. In 1799, at the Siege of Seringapatam,
+Major-General Baird commanded the first European brigade, and
+volunteered to lead the storming column. {232} Tippoo Sahib, with
+eight thousand of his men, fell in the assault, but the victor spared
+the lives of his sons, and forbade a general sack of the city.
+
+_Clifton Chapel_.--Thirty-five Old Cliftonian officers served in the
+campaign of 1897 on the Indian Frontier, of whom twenty-two were
+mentioned in despatches, and six recommended for the Distinguished
+Service Order. Of the three hundred Cliftonians who served in the war
+in South Africa, thirty were killed in action and fourteen died of
+wounds or fever.
+
+ "Clifton, remember these thy sons who fell
+ Fighting far over sea;
+ For they in a dark hour remembered well
+ Their warfare learned of thee."
+
+_The Echo_.--The ballad was "The Twa Sisters of Binnorie," as set by
+Arthur Somervell.
+
+_Sráhmandázi_.--This ballad is founded on materials given to the author
+by the late Miss Mary Kingsley on her return from her last visit to the
+Bantu peoples of West Africa. The song-net, as described by her,
+resembles a long piece of fishing-net folded, and is carried by the
+Songman over his shoulder. When opened and laid before an audience, it
+is seen to contain "tokens"--such as a leopard's paw, a child's hair, a
+necklet, or a dried fish--sewn firmly to the meshes of the net. These
+form a kind of symbolical index to the Songman's repertory: the
+audience make their choice by laying a hand upon any token which
+appears desirable. The last of the tokens is that which represents the
+Song of Dying or Song of Sráhmandázi. It is a shapeless piece of any
+substance, and is recognized only by its position in the net. The
+song, being unintelligible to the living, is never asked for until the
+moment of death.
+
+
+
+
+
+End of the Project Gutenberg EBook of Poems: New and Old, by Henry Newbolt
+
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+The Project Gutenberg EBook of Poems: New and Old, by Henry Newbolt
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Poems: New and Old
+
+Author: Henry Newbolt
+
+Release Date: January 22, 2008 [EBook #24405]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK POEMS: NEW AND OLD ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+[Transcriber's note: Page numbers in this book are indicated by numbers
+enclosed in curly braces, e.g. {99}. They have been located where page
+breaks occurred in the original book, in accordance with Project
+Gutenberg's FAQ-V-99.]
+
+
+
+
+
+
+POEMS: NEW AND OLD
+
+
+BY HENRY NEWBOLT
+
+
+
+
+
+LONDON
+
+JOHN MURRAY, ALBEMARLE STREET, W.
+
+1912
+
+
+
+
+TO
+
+ADMIRAL SIR REGINALD CUSTANCE
+
+
+
+
+{vi}
+
+AUTHOR'S NOTE
+
+This volume forms a complete collection of all my published work in
+verse from 1897 to 1912. It includes the contents of four previous
+volumes: _Admirals All_ (1897), _The Island Race_ (1898), _The Sailing
+of the Long-Ships_ (1902), and _Songs of Memory and Hope_ (1909),
+together with a number of pieces added to the later editions of the
+first two of these, and ten poems which have not hitherto appeared in
+book form--namely, _Sailing at Dawn, The Song of the Sou' Wester, The
+Middle Watch, The Little Admiral, The Song of the Guns at Sea,
+Farewell, Mors Janua, Gold, The Faun_, and _Rilloby-Rill_.
+
+The volumes above mentioned were dedicated respectively to ANDREW LANG,
+to ROBERT BRIDGES, to SIR EDWARD GREY, and to LAURENCE BINYON; and I
+delight to repeat these names once more, in a volume which commemorates
+also the inspiration of a later friendship.
+
+H. N.
+
+
+
+
+{vii}
+
+ CONTENTS
+
+
+ PAGE
+
+ SONGS OF THE FLEET:
+ I. SAILING AT DAWN . . . . . . . . . . . . . 1
+ II. THE SONG OF THE SOU' WESTER . . . . . . . 3
+ III. THE MIDDLE WATCH . . . . . . . . . . . . . 5
+ IV. THE LITTLE ADMIRAL . . . . . . . . . . . . 7
+ V. THE SONG OF THE GUNS AT SEA . . . . . . . 9
+ VI. FAREWELL . . . . . . . . . . . . . . . . . 11
+ ODE FOR TRAFALGAR DAY, 1905 . . . . . . . . . . 12
+ THE HUNDREDTH YEAR . . . . . . . . . . . . . . . 14
+ DRAKE'S DRUM . . . . . . . . . . . . . . . . . . 16
+ THE FIGHTING TEMERAIRE . . . . . . . . . . . . . 18
+ ADMIRALS ALL . . . . . . . . . . . . . . . . . . 20
+ SAN STEFANO . . . . . . . . . . . . . . . . . . 23
+ HAWKE . . . . . . . . . . . . . . . . . . . . . 26
+ THE BRIGHT "MEDUSA" . . . . . . . . . . . . . . 28
+ THE OLD "SUPERB" . . . . . . . . . . . . . . . . 30
+ THE QUARTER-GUNNER'S YARN . . . . . . . . . . . 32
+ NORTHUMBERLAND . . . . . . . . . . . . . . . . . 35
+ FOR A TRAFALGAR CENOTAPH . . . . . . . . . . . . 37
+ CRAVEN . . . . . . . . . . . . . . . . . . . . . 38
+ MESSMATES . . . . . . . . . . . . . . . . . . . 40
+ THE DEATH OF ADMIRAL BLAKE . . . . . . . . . . . 42
+
+{viii}
+
+ PAGE
+
+ VAE VICTIS . . . . . . . . . . . . . . . . . . . 45
+ MINORA SIDERA . . . . . . . . . . . . . . . . . 48
+ LAUDABUNT ALII . . . . . . . . . . . . . . . . . 50
+ ADMIRAL DEATH . . . . . . . . . . . . . . . . . 52
+ HOMEWARD BOUND . . . . . . . . . . . . . . . . . 54
+ GILLESPIE . . . . . . . . . . . . . . . . . . . 55
+ SERINGAPATAM . . . . . . . . . . . . . . . . . . 58
+ A BALLAD OF JOHN NICHOLSON . . . . . . . . . . . 61
+ THE GUIDES AT CABUL, 1879 . . . . . . . . . . . 65
+ THE GAY GORDONS . . . . . . . . . . . . . . . . 67
+ HE FELL AMONG THIEVES . . . . . . . . . . . . . 69
+ IONICUS . . . . . . . . . . . . . . . . . . . . 72
+ THE NON-COMBATANT . . . . . . . . . . . . . . . 74
+ SACRAMENTUM SUPREMUM . . . . . . . . . . . . . . 75
+ CLIFTON CHAPEL . . . . . . . . . . . . . . . . . 76
+ VITAI LAMPADA . . . . . . . . . . . . . . . . . 78
+ THE VIGIL . . . . . . . . . . . . . . . . . . . 80
+ THE SAILING OF THE LONG-SHIPS . . . . . . . . . 82
+ WAGGON HILL . . . . . . . . . . . . . . . . . . 84
+ THE VOLUNTEER . . . . . . . . . . . . . . . . . 86
+ THE ONLY SON . . . . . . . . . . . . . . . . . . 87
+ THE GRENADIER'S GOOD-BYE . . . . . . . . . . . . 88
+ THE SCHOOLFELLOW . . . . . . . . . . . . . . . . 89
+ ON SPION KOP . . . . . . . . . . . . . . . . . . 90
+ THE SCHOOL AT WAR . . . . . . . . . . . . . . . 91
+ BY THE HEARTH-STONE . . . . . . . . . . . . . . 93
+ PEACE . . . . . . . . . . . . . . . . . . . . . 94
+ APRIL ON WAGGON HILL . . . . . . . . . . . . . . 95
+ COMMEMORATION . . . . . . . . . . . . . . . . . 97
+
+{ix}
+
+ PAGE
+
+ THE ECHO . . . . . . . . . . . . . . . . . . . . 99
+ THE BEST SCHOOL OF ALL . . . . . . . . . . . . . 101
+ ENGLAND . . . . . . . . . . . . . . . . . . . . 103
+ VICTORIA REGINA . . . . . . . . . . . . . . . . 104
+ THE KING OF ENGLAND . . . . . . . . . . . . . . 105
+ THE NILE . . . . . . . . . . . . . . . . . . . . 107
+ SRAHMANDAZI . . . . . . . . . . . . . . . . . . 110
+ OUTWARD BOUND . . . . . . . . . . . . . . . . . 113
+ HOPE THE HORNBLOWER . . . . . . . . . . . . . . 114
+ O PULCHRITUDO . . . . . . . . . . . . . . . . . 116
+ THE FINAL MYSTERY . . . . . . . . . . . . . . . 117
+ IL SANTO . . . . . . . . . . . . . . . . . . . . 121
+ IN JULY . . . . . . . . . . . . . . . . . . . . 122
+ FROM GENERATION TO GENERATION . . . . . . . . . 123
+ WHEN I REMEMBER . . . . . . . . . . . . . . . . 124
+ MORS JANUA . . . . . . . . . . . . . . . . . . . 125
+ RONDEL . . . . . . . . . . . . . . . . . . . . . 126
+ RONDEL . . . . . . . . . . . . . . . . . . . . . 127
+ BALADE . . . . . . . . . . . . . . . . . . . . . 128
+ THE LAST WORD . . . . . . . . . . . . . . . . . 131
+ THE VIKING'S SONG . . . . . . . . . . . . . . . 132
+ THE SUFI IN THE CITY . . . . . . . . . . . . . . 134
+ TO EDWARD FITZGERALD . . . . . . . . . . . . . . 135
+ YATTENDON . . . . . . . . . . . . . . . . . . . 136
+ DEVON . . . . . . . . . . . . . . . . . . . . . 137
+ AMONG THE TOMBS . . . . . . . . . . . . . . . . 138
+ GOLD . . . . . . . . . . . . . . . . . . . . . . 139
+ A SOWER . . . . . . . . . . . . . . . . . . . . 140
+ THE MOSSROSE . . . . . . . . . . . . . . . . . . 141
+
+{x}
+
+ PAGE
+
+ AVE, SOROR . . . . . . . . . . . . . . . . . . . 143
+ TO A RIVER IN THE SOUTH . . . . . . . . . . . . 144
+ ON THE DEATH OF A NOBLE LADY . . . . . . . . . . 145
+ MIDWAY . . . . . . . . . . . . . . . . . . . . . 146
+ AD MATREM DOLOROSAM . . . . . . . . . . . . . . 147
+ VRAIS AMANTS . . . . . . . . . . . . . . . . . . 148
+ THE SANGREAL . . . . . . . . . . . . . . . . . . 149
+ SIR HUGH THE PALMER . . . . . . . . . . . . . . 150
+ THE PRESENTATION . . . . . . . . . . . . . . . . 153
+ THE INHERITANCE . . . . . . . . . . . . . . . . 154
+ AMORE ALTIERO . . . . . . . . . . . . . . . . . 156
+ THE PEDLAR'S SONG . . . . . . . . . . . . . . . 158
+ BENEDICK'S SONG . . . . . . . . . . . . . . . . 159
+ LOVE AND GRIEF . . . . . . . . . . . . . . . . . 160
+ EGERIA'S SILENCE . . . . . . . . . . . . . . . . 161
+ AGAINST OBLIVION . . . . . . . . . . . . . . . . 162
+ FOND COUNSEL . . . . . . . . . . . . . . . . . . 163
+ YOUTH . . . . . . . . . . . . . . . . . . . . . 164
+ THE WANDERER . . . . . . . . . . . . . . . . . . 165
+ THE ADVENTURERS . . . . . . . . . . . . . . . . 166
+ TO CLARE . . . . . . . . . . . . . . . . . . . . 168
+ THE RETURN OF SUMMER: AN ECLOGUE . . . . . . . . 169
+ DREAM-MARKET . . . . . . . . . . . . . . . . . . 173
+ THE CICALAS: AN IDYLL . . . . . . . . . . . . . 180
+ THE FAUN . . . . . . . . . . . . . . . . . . . . 186
+ FIDELE'S GRASSY TOMB . . . . . . . . . . . . . . 189
+ MOONSET . . . . . . . . . . . . . . . . . . . . 192
+ A SONG OF EXMOOR . . . . . . . . . . . . . . . . 194
+ MASTER AND MAN . . . . . . . . . . . . . . . . . 196
+
+{xi}
+
+ PAGE
+
+ GAVOTTE . . . . . . . . . . . . . . . . . . . 198
+ IMOGEN . . . . . . . . . . . . . . . . . . . . 199
+ NEL MEZZO DEL CAMMIN . . . . . . . . . . . . . 201
+ THE INVASION . . . . . . . . . . . . . . . . . 202
+ RILLOBY-RILL . . . . . . . . . . . . . . . . . 204
+ PEREUNT ET IMPUTANTUR . . . . . . . . . . . . 206
+ FELIX ANTONIUS . . . . . . . . . . . . . . . . 208
+ IRELAND, IRELAND . . . . . . . . . . . . . . . 209
+ HYMN . . . . . . . . . . . . . . . . . . . . . 210
+ THE BUILDING OF THE TEMPLE . . . . . . . . . . 212
+ EPISTLE . . . . . . . . . . . . . . . . . . . 216
+ AN ESSAY ON CRITICISM . . . . . . . . . . . . 220
+ LE BYRON DE NOS JOURS . . . . . . . . . . . . 225
+ NOTES . . . . . . . . . . . . . . . . . . . . 231
+
+
+
+
+ O strength divine of Roman days,
+ O spirit of the age of faith,
+ Go with our sons on all their ways,
+ When we long since are dust and wraith.
+
+
+
+
+{1}
+
+POEMS: NEW AND OLD
+
+
+
+_Songs of the Fleet_
+
+I
+
+_Sailing at Dawn_
+
+ One by one the pale stars die before the day now,
+ One by one the great ships are stirring from their sleep,
+ Cables all are rumbling, anchors all a-weigh now,
+ Now the fleet's a fleet again, gliding towards the deep.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+ Far away behind us town and tower are dwindling,
+ Home becomes a fair dream faded long ago;
+ Infinitely glorious the height of heaven is kindling,
+ Infinitely desolate the shoreless sea below.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+{2}
+
+ Once again with proud hearts we make the old surrender,
+ Once again with high hearts serve the age to be,
+ Not for us the warm life of Earth, secure and tender,
+ Ours the eternal wandering and warfare of the sea.
+
+ _Now the fleet's a fleet again, bound upon the old ways,
+ Splendour of the past comes shining in the spray;
+ Admirals of old time, bring us on the bold ways!
+ Souls of all the sea-dogs, lead the line to-day!_
+
+
+
+
+{3}
+
+II
+
+_The Song of the Sou' Wester_
+
+ The sun was lost in a leaden sky,
+ And the shore lay under our lee;
+ When a great Sou' Wester hurricane high
+ Came rollicking up the sea.
+ He played with the fleet as a boy with boats
+ Till out for the Downs we ran,
+ And he laugh'd with the roar of a thousand throats
+ At the militant ways of man:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+ A dozen of middies were down below
+ Chasing the X they love,
+ While the table curtseyed long and slow
+ And the lamps were giddy above.
+
+{4}
+
+ The lesson was all of a ship and a shot,
+ And some of it may have been true,
+ But the word they heard and never forgot
+ Was the word of the wind that blew:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+ The Middy with luck is a Captain soon,
+ With luck he may hear one day
+ His own big guns a-humming the tune
+ "'Twas in Trafalgar's Bay."
+ But wherever he goes, with friends or foes,
+ And whatever may there befall,
+ He'll hear for ever a voice he knows
+ For ever defying them all:
+
+ _Oh! I am the enemy most of might,
+ The other be who you please!
+ Gunner and guns may all be right,
+ Flags a-flying and armour tight,
+ But I am the fellow you've first to fight--
+ The giant that swings the seas._
+
+
+
+
+{5}
+
+III
+
+_The Middle Watch_
+
+ In a blue dusk the ship astern
+ Uplifts her slender spars,
+ With golden lights that seem to burn
+ Among the silver stars.
+ Like fleets along a cloudy shore
+ The constellations creep,
+ Like planets on the ocean floor
+ Our silent course we keep.
+
+ _And over the endless plain,
+ Out of the night forlorn
+ Rises a faint refrain,
+ A song of the day to be born--
+ Watch, oh watch till ye find again
+ Life and the land of morn._
+
+ From a dim West to a dark East
+ Our lines unwavering head,
+ As if their motion long had ceased
+ And Time itself were dead.
+
+{6}
+
+ Vainly we watch the deep below,
+ Vainly the void above,
+ They died a thousand years ago--
+ Life and the land we love.
+
+ _But over the endless plain,
+ Out of the night forlorn
+ Rises a faint refrain,
+ A song of the day to be born--
+ Watch, oh watch till ye find again
+ Life and the land of morn._
+
+
+
+
+{7}
+
+IV
+
+_The Little Admiral_
+
+ Stand by to reckon up your battleships
+ Ten, twenty, thirty, there they go.
+ Brag about your cruisers like Leviathans--
+ A thousand men a-piece down below.
+ But here's just one little Admiral
+ We're all of us his brothers and his sons,
+ And he's worth, O he's worth at the very least
+ Double all your tons and all your guns.
+
+ _Stand by, etc._
+
+
+ See them on the forebridge signalling--
+ A score of men a-hauling hand to hand,
+ And the whole fleet flying like the wild geese
+ Moved by some mysterious command.
+ Where's the mighty will that shows the way to them,
+ The mind that sees ahead so quick and clear?
+ He's there, Sir, walking all alone there--
+ The little man whose voice you never hear.
+
+ _Stand by, etc._
+
+
+{8}
+
+ There are queer things that only come to sailormen;
+ They're true, but they're never understood;
+ And I know one thing about the Admiral,
+ That I can't tell rightly as I should.
+ I've been with him when hope sank under us--
+ He hardly seemed a mortal like the rest,
+ I could swear that he had stars upon his uniform,
+ And one sleeve pinned across his breast.
+
+ _Stand by, etc._
+
+
+ Some day we're bound to sight the enemy,
+ He's coming, tho' he hasn't yet a name.
+ Keel to keel and gun to gun he'll challenge us
+ To meet him at the Great Armada game.
+ None knows what may be the end of it,
+ But we'll all give our bodies and our souls
+ To see the little Admiral a-playing him
+ A rubber of the old Long Bowls!
+
+ _Stand by, etc._
+
+
+
+
+{9}
+
+V
+
+_The Song of the Guns at Sea_
+
+ Oh hear! Oh hear!
+ Across the sullen tide
+ Across the echoing dome horizon-wide
+ What pulse of fear
+ Beats with tremendous boom!
+ What call of instant doom,
+ With thunderstroke of terror and of pride,
+ With urgency that may not be denied,
+ Reverberates upon the heart's own drum
+ Come! . . . Come! . . . for thou must come!
+
+ Come forth, O Soul!
+ This is thy day of power.
+ This is the day and this the glorious hour
+ That was the goal
+ Of thy self-conquering strife.
+ The love of child and wife,
+ The fields of Earth and the wide ways of Thought--
+ Did not thy purpose count them all as nought
+ That in this moment thou thyself mayst give
+ And in thy country's life for ever live?
+
+{10}
+
+ Therefore rejoice
+ That in thy passionate prime
+ Youth's nobler hope disdained the spoils of Time
+ And thine own choice
+ Fore-earned for thee this day.
+ Rejoice! rejoice to obey
+ In the great hour of life that men call Death
+ The beat that bids thee draw heroic breath,
+ Deep-throbbing till thy mortal heart be dumb
+ Come! . . . Come! . . . the time is come!
+
+
+
+
+{11}
+
+VI
+
+_Farewell_
+
+ Mother, with unbowed head
+ Hear thou across the sea
+ The farewell of the dead,
+ The dead who died for thee.
+ Greet them again with tender words and grave,
+ For, saving thee, themselves they could not save.
+
+ To keep the house unharmed
+ Their fathers built so fair,
+ Deeming endurance armed
+ Better than brute despair,
+ They found the secret of the word that saith,
+ "Service is sweet, for all true life is death."
+
+ So greet thou well thy dead
+ Across the homeless sea,
+ And be thou comforted
+ Because they died for thee.
+ Far off they served, but now their deed is done
+ For evermore their life and thine are one.
+
+
+
+
+{12}
+
+_Ode for Trafalgar Day, 1905_
+
+"Partial firing continued until 4.30, when a victory having been
+reported to the Right Honourable Lord Viscount Nelson, K.B., and
+Commander-in-Chief, he then died of his wound."--Log of the _Victory_,
+October 21, 1805.
+
+
+ England! to-day let fire be in thine eyes
+ And in thy heart the throb of leaping guns;
+ Crown in thy streets the deed that never dies,
+ And tell their fathers' fame to all thy sons!
+ Behold! behold! on that unchanging sea
+ Where day behind Trafalgar rises pale,
+ How dread the storm to be
+ Drifts up with ominous breath
+ Cloud after towering cloud of billowy sail
+ Full charged with thunder and the bolts of death.
+
+ Yet when the noon is past, and thy delight,
+ More delicate for these good hundred years,
+ Has drunk the splendour and the sound of fight
+ And the sweet sting of long-since vanished fears,
+ Then, England, come thou down with sterner lips
+ From the bright world of thy substantial power,
+ Forget thy seas, thy ships,
+ And that wide echoing dome
+ To watch the soul of man in his dark hour
+ Redeeming yet his dear lost land of home.
+
+{13}
+
+ What place is this? What under-world of pain
+ All shadow-barred with glare of swinging fires?
+ What writhing phantoms of the newly slain?
+ What cries? What thirst consuming all desires?
+ This is the field of battle: not for life,
+ Not for the deeper life that dwells in love,
+ Not for the savour of strife
+ Or the far call of fame,
+ Not for all these the fight: all these above
+ The soul of this man cherished Duty's name.
+
+ His steadfast hope from self has turned away,
+ For the Cause only must he still contend:
+ "How goes the day with us? How goes the day?"
+ He craves not victory, but to make an end.
+ Therefore not yet thine hour, O Death: but when
+ The weapons forged against his country's peace
+ Lie broken round him--then
+ Give him the kiss supreme;
+ Then let the tumult of his warfare cease
+ And the last dawn dispel his anguished dream.
+
+
+
+
+{14}
+
+_The Hundredth Year_
+
+"Drake, and Blake, and Nelson's mighty name."
+
+
+ The stars were faint in heaven
+ That saw the Old Year die,
+ The dream-white mist of Devon
+ Shut in the seaward sky:
+ Before the dawn's unveiling
+ I heard three voices hailing,
+ I saw three ships come sailing
+ With lanterns gleaming high.
+
+ The first he cried defiance--
+ A full-mouthed voice and bold--
+ "On God be our reliance,
+ Our hope the Spaniard's gold!
+ With a still, stern ambuscado,
+ With a roaring escalado,
+ We'll sack their Eldorado
+ And storm their dungeon hold!"
+
+ Then slowly spake the second--
+ A great sad voice and deep--
+ "When all your gold is reckoned,
+ There is but this to keep:
+
+{15}
+
+ To stay the foe from fooling,
+ To learn the heathen schooling,
+ To live and die sea-ruling,
+ And home at last to sleep."
+
+ But the third matched in beauty
+ The dawn that flushed afar;
+ "O sons of England, Duty
+ Is England's morning star:
+ Then Fame's eternal splendour
+ Be theirs who well defend her,
+ And theirs who fain would bend her
+ The night of Trafalgar!"
+
+
+
+
+{16}
+
+_Drake's Drum_
+
+ Drake he's in his hammock an' a thousand mile away,
+ (Capten, art tha sleepin' there below?),
+ Slung atween the round shot in Nombre Dios Bay,
+ An' dreamin' arl the time o' Plymouth Hoe.
+ Yarnder lumes the Island, yarnder lie the ships,
+ Wi' sailor lads a dancin' heel-an'-toe,
+ An' the shore-lights flashin', an' the night-tide dashin',
+ He sees et arl so plainly as he saw et long ago.
+
+ Drake he was a Devon man, an' ruled the Devon seas,
+ (Capten, art tha sleepin' there below?),
+ Rovin' tho' his death fell, he went wi' heart at ease,
+ An' dreamin' arl the time o' Plymouth Hoe.
+ "Take my drum to England, hang et by the shore,
+ Strike et when your powder's runnin' low;
+ If the Dons sight Devon, I'll quit the port o' Heaven,
+ An' drum them up the Channel as we drummed them long ago."
+
+ Drake he's in his hammock till the great Armadas come,
+ (Capten, art tha sleepin' there below?),
+ Slung atween the round shot, listenin' for the drum,
+ An' dreamin' arl the time o' Plymouth Hoe.
+
+{17}
+
+ Call him on the deep sea, call him up the Sound,
+ Call him when ye sail to meet the foe;
+ Where the old trade's plyin' an' the old flag flyin'
+ They shall find him ware an' wakin', as they found him long ago!
+
+
+
+
+{18}
+
+The Fighting Temeraire
+
+ It was eight bells ringing,
+ For the morning watch was done,
+ And the gunner's lads were singing
+ As they polished every gun.
+ It was eight bells ringing,
+ And the gunner's lads were singing,
+ For the ship she rode a-swinging
+ As they polished every gun.
+
+ _Oh! til see the linstock lighting,
+ Temeraire! Temeraire!
+ Oh! to hear the round shot biting,
+ Temeraire! Temeraire!
+ Oh! to see the linstock lighting,
+ And to hear the round shot biting,
+ For we're all in love with fighting
+ On the Fighting Temeraire._
+
+ It was noontide ringing,
+ And the battle just begun,
+ When the ship her way was winging
+ As they loaded every gun.
+
+{19}
+
+ It was noontide ringing,
+ When the ship her way was winging,
+ And the gunner's lads were singing
+ As they loaded every gun.
+
+ There'll be many grim and gory,
+ Temeraire! Temeraire!
+ There'll be few to tell the story,
+ Temeraire! Temeraire!
+ There'll be many grim and gory,
+ There'll be few to tell the story,
+ But we'll all be one in glory
+ With the fighting Temeraire.
+
+ There's a far bell ringing
+ At the setting of the sun,
+ And a phantom voice is singing
+ Of the great days done.
+ There's a far bell ringing,
+ And a phantom voice is singing
+ Of renown for ever clinging
+ To the great days done.
+
+ Now the sunset breezes shiver,
+ Temeraire! Temeraire!
+ And she's fading down the river,
+ Temeraire! Temeraire!
+ Now the sunset breezes shiver,
+ And she's fading down the river,
+ But in England's song for ever
+ She's the Fighting Temeraire.
+
+
+
+
+{20}
+
+_Admirals All_
+
+ Effingham, Grenville, Raleigh, Drake,
+ Here's to the bold and free!
+ Benbow, Collingwood, Byron, Blake,
+ Hail to the Kings of the Sea!
+ Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!
+
+ _Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!_
+
+ Essex was fretting in Cadiz Bay
+ With the galleons fair in sight;
+ Howard at last must give him his way,
+ And the word was passed to fight.
+ Never was schoolboy gayer than he,
+ Since holidays first began:
+ He tossed his bonnet to wind and sea,
+ And under the guns he ran.
+
+{21}
+
+ Drake nor devil nor Spaniard feared,
+ Their cities he put to the sack;
+ He singed his Catholic Majesty's beard,
+ And harried his ships to wrack.
+ He was playing at Plymouth a rubber of bowls
+ When the great Armada came;
+ But he said, "They must wait their turn, good souls,"
+ And he stooped, and finished the game.
+
+ Fifteen sail were the Dutchmen bold,
+ Duncan he had but two;
+ But he anchored them fast where the Texel shoaled
+ And his colours aloft he flew.
+ "I've taken the depth to a fathom," he cried,
+ "And I'll sink with a right good will,
+ For I know when we're all of us under the tide,
+ My flag will be fluttering still."
+
+ Splinters were flying above, below,
+ When Nelson sailed the Sound:
+ "Mark you, I wouldn't be elsewhere now,"
+ Said he, "for a thousand pound!"
+ The Admiral's signal bade him fly,
+ But he wickedly wagged his head,
+ He clapped the glass to his sightless eye
+ And "I'm damned if I see it," he said.
+
+ Admirals all, they said their say
+ (The echoes are ringing still),
+ Admirals all, they went their way
+ To the haven under the hill.
+
+{22}
+
+ But they left us a kingdom none can take,
+ The realm of the circling sea,
+ To be ruled by the rightful sons of Blake
+ And the Rodneys yet to be.
+
+ _Admirals all, for England's sake,
+ Honour be yours and fame!
+ And honour, as long as waves shall break,
+ To Nelson's peerless name!_
+
+
+
+
+{23}
+
+San Stefano
+
+(A BALLAD OF THE BOLD MENELAUS)
+
+ It was morning at St. Helen's, in the great and gallant days,
+ And the sea beneath the sun glittered wide,
+ When the frigate set her courses, all a-shimmer in the haze,
+ And she hauled her cable home and took the tide.
+ She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ put to sea.
+
+ _She'd a right fighting company, three hundred men and more
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fire,
+ When the bold _Menelaus_ put to sea._
+
+ She was clear of Monte Cristo, she was heading for the land,
+ When she spied a pennant red and white and blue;
+ They were foemen, and they knew it, and they'd half a league in hand,
+ But she flung aloft her royals and she flew.
+
+{24}
+
+ She was nearer, nearer, nearer, they were caught beyond a doubt,
+ But they slipped her, into Orbetello Bay,
+ And the lubbers gave a shout as they paid their cables out,
+ With the guns grinning round them where they lay.
+
+ Now Sir Peter was a captain of a famous fighting race,
+ Son and grandson of an admiral was he;
+ And he looked upon the batteries, he looked upon the chase,
+ And he heard the shout that echoed out to sea.
+ And he called across the decks, "Ay! the cheering might be late
+ If they kept it till the _Menelaus_ runs;
+ Bid the master and his mate heave the lead and lay her straight
+ For the prize lying yonder by the guns."
+
+ When the summer moon was setting, into Orbetello Bay
+ Came the _Menelaus_ gliding like a ghost;
+ And her boats were manned in silence, and in silence pulled away,
+ And in silence every gunner took his post.
+ With a volley from her broadside the citadel she woke,
+ And they hammered back like heroes all the night;
+ But before the morning broke she had vanished through the smoke
+ With her prize upon her quarter grappled tight.
+
+{25}
+
+ It was evening at St. Helen's, in the great and gallant time,
+ And the sky behind the down was flushing far;
+ And the flags were all a-flutter, and the bells were all a-chime,
+ When the frigate cast her anchor off the bar.
+ She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ came from sea.
+
+ _She'd a right fighting company, three hundred men and more,
+ Nine and forty guns in tackle running free;
+ And they cheered her from the shore for her colours at the fore,
+ When the bold _Menelaus_ came from sea._
+
+
+
+
+{26}
+
+Hawke
+
+ In seventeen hundred and fifty nine,
+ When Hawke came swooping from the West,
+ The French King's Admiral with twenty of the line,
+ Was sailing forth, to sack us, out of Brest.
+ The ports of France were crowded, the quays of France a-hum
+ With thirty thousand soldiers marching to the drum,
+ For bragging time was over and fighting time was come
+ When Hawke came swooping from the West.
+
+ 'Twas long past noon of a wild November day
+ When Hawke came swooping from the West;
+ He heard the breakers thundering in Quiberon Bay
+ But he flew the flag for battle, line abreast.
+ Down upon the quicksands roaring out of sight
+ Fiercely beat the storm-wind, darkly fell the night,
+ But they took the foe for pilot and the cannon's glare for light
+ When Hawke came swooping from the West.
+
+ The Frenchmen turned like a covey down the wind
+ When Hawke came swooping from the West;
+ One he sank with all hands, one he caught and pinned,
+ And the shallows and the storm took the rest.
+
+{27}
+
+ The guns that should have conquered us they rusted on the shore,
+ The men that would have mastered us they drummed and marched no more,
+ For England was England, and a mighty brood she bore
+ When Hawke came swooping from the West.
+
+
+
+
+{28}
+
+_The Bright Medusa_
+
+(1807)
+
+ She's the daughter of the breeze,
+ She's the darling of the seas,
+ And we call her, if you please, the bright _Medu--sa_;
+ From beneath her bosom bare
+ To the snakes among her hair
+ She's a flash o' golden light, the bright _Medu--sa_.
+
+ When the ensign dips above
+ And the guns are all for love,
+ She's as gentle as a dove, the bright _Medu--sa_;
+ But when the shot's in rack
+ And her forestay flies the Jack,
+ He's a merry man would slight the bright _Medu--sa_.
+
+ When she got the word to go
+ Up to Monte Video,
+ There she found the river low, the bright _Medu--sa_;
+ So she tumbled out her guns
+ And a hundred of her sons,
+ And she taught the Dons to fight the bright _Medu--sa_.
+
+ {29}
+
+ When the foeman can be found
+ With the pluck to cross her ground,
+ First she walks him round and round, the bright _Medu--sa_;
+ Then she rakes him fore and aft
+ Till he's just a jolly raft,
+ And she grabs him like a kite, the bright _Medu--sa_.
+
+ She's the daughter of the breeze,
+ She's the darling of the seas,
+ And you'll call her, if you please, the bright _Medu--sa_;
+ For till England's sun be set--
+ And it's not for setting yet--
+ She shall bear her name by right, the bright _Medu--sa_.
+
+
+
+
+{30}
+
+_The Old _Suberb__
+
+ The wind was rising easterly, the morning sky was blue,
+ The Straits before us opened wide and free;
+ We looked towards the Admiral, where high the Peter flew,
+ And all our hearts were dancing like the sea.
+ "The French are gone to Martinique with four-and-twenty sail!
+ The Old _Suberb_ is old and foul and slow,
+ But the French are gone to Martinique, and Nelson's on the trail,
+ And where he goes the Old _Suberb_ must go!"
+
+ _So Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+ The Old _Suberb_ was barnacled and green as grass below,
+ Her sticks were only fit for stirring grog;
+ The pride of all her midshipmen was silent long ago,
+ And long ago they ceased to heave the log.
+
+{31}
+
+ Four year out from home she was, and ne'er a week in port,
+ And nothing save the guns aboard her bright;
+ But Captain Keats he knew the game, and swore to share the sport,
+ For he never yet came in too late to fight.
+
+ _So Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+ "Now up, my lads!" the Captain cried, "for sure the case were hard
+ If longest out were first to fall behind.
+ Aloft, aloft with studding sails, and lash them on the yard,
+ For night and day the Trades are driving blind!"
+ So all day long and all day long behind the fleet we crept,
+ And how we fretted none but Nelson guessed;
+ But every night the Old _Superb_ she sailed when others slept,
+ Till we ran the French to earth with all the rest!
+
+ _Oh, 'twas Westward ho! for Trinidad and Eastward ho! for Spain,
+ And "Ship ahoy!" a hundred times a day;
+ Round the world if need be, and round the world again,
+ With a lame duck lagging all the way!_
+
+
+
+
+{32}
+
+_The Quarter-Gunner's Yarn_
+
+ We lay at St. Helen's, and easy she rode
+ With one anchor catted and fresh-water stowed;
+ When the barge came alongside like bullocks we roared,
+ For we knew what we carried with Nelson aboard.
+
+ Our Captain was Hardy, the pride of us all,
+ I'll ask for none better when danger shall call;
+ He was hardy by nature and Hardy by name,
+ And soon by his conduct to honour he came.
+
+ The third day the Lizard was under our lee,
+ Where the _Ajax_ and _Thunderer_ joined us at sea,
+ But what with foul weather and tacking about,
+ When we sighted the Fleet we were thirteen days out.
+
+ The Captains they all came aboard quick enough,
+ But the news that they brought was as heavy as duff;
+ So backward an enemy never was seen,
+ They were harder to come at than Cheeks the Marine.
+
+ The lubbers had hare's lugs where seamen have ears,
+ So we stowed all saluting and smothered our cheers,
+ And to humour their stomachs and tempt them to dine,
+ In the offing we showed them but six of the line.
+
+{33}
+
+ One morning the topmen reported below
+ The old _Agamemnon_ escaped from the foe.
+ Says Nelson: "My lads, there'll be honour for some,
+ For we're sure of a battle now Berry has come."
+
+ "Up hammocks!" at last cried the bo'sun at dawn;
+ The guns were cast loose and the tompions drawn;
+ The gunner was bustling the shot racks to fill,
+ And "All hands to quarters!" was piped with a will.
+
+ We now saw the enemy bearing ahead,
+ And to East of them Cape Trafalgar it was said,
+ 'Tis a name we remember from father to son,
+ That the days of old England may never be done.
+
+ The _Victory_ led, to her flag it was due,
+ Tho' the _Temeraires_ thought themselves Admirals too;
+ But Lord Nelson he hailed them with masterful grace:
+ "Cap'n Harvey, I'll thank you to keep in your place."
+
+ To begin with we closed the _Bucentaure_ alone,
+ An eighty-gun ship and their Admiral's own;
+ We raked her but once, and the rest of the day
+ Like a hospital hulk on the water she lay.
+
+ To our battering next the _Redoutable_ struck,
+ But her sharpshooters gave us the worst of the luck:
+ Lord Nelson was wounded, most cruel to tell.
+ "They've done for me, Hardy!" he cried as he fell.
+
+{34}
+
+ To the cockpit in silence they carried him past,
+ And sad were the looks that were after him cast;
+ His face with a kerchief he tried to conceal,
+ But we knew him too well from the truck to the keel.
+
+ When the Captain reported a victory won,
+ "Thank God!" he kept saying, "my duty I've done."
+ At last came the moment to kiss him good-bye,
+ And the Captain for once had the salt in his eye.
+
+ "Now anchor, dear Hardy," the Admiral cried;
+ But before we could make it he fainted and died.
+ All night in the trough of the sea we were tossed,
+ And for want of ground-tackle good prizes were lost.
+
+ Then we hauled down the Hag, at the fore it was red,
+ And blue at the mizzen was hoisted instead
+ By Nelson's famed Captain, the pride of each tar,
+ Who fought in the _Victory_ off Cape Trafalgar.
+
+
+
+
+{35}
+
+Northumberland
+
+"The Old and Bold."
+
+
+ When England sets her banner forth
+ And bids her armour shine,
+ She'll not forget the famous North,
+ The lads of moor and Tyne;
+ And when the loving-cup's in hand,
+ And Honour leads the cry,
+ They know not old Northumberland
+ Who'll pass her memory by.
+
+ When Nelson sailed for Trafalgar
+ With all his country's best,
+ He held them dear as brothers are,
+ But one beyond the rest.
+ For when the fleet with heroes manned
+ To clear the decks began,
+ The boast of old Northumberland
+ He sent to lead the van.
+
+ Himself by _Victory's_ bulwarks stood
+ And cheered to see the sight;
+ "That noble fellow Collingwood,
+ How bold he goes to fight!"
+
+{36}
+
+ Love, that the league of Ocean spanned;
+ Heard him as face to face;
+ "What would he give, Northumberland;
+ To share our pride of place?"
+
+ The flag that goes the world around
+ And flaps on every breeze
+ Has never gladdened fairer ground
+ Or kinder hearts than these.
+ So when the loving-cup's in hand
+ And Honour leads the cry,
+ They know not old Northumberland
+ Who'll pass her memory by.
+
+
+
+
+{37}
+
+_For a Trafalgar Cenotaph_
+
+ Lover of England, stand awhile and gaze
+ With thankful heart, and lips refrained from praise;
+ They rest beyond the speech of human pride
+ Who served with Nelson and with Nelson died.
+
+
+
+
+{38}
+
+Craven
+
+(MOBILE BAY, 1864)
+
+ Over the turret, shut in his iron-clad tower,
+ Craven was conning his ship through smoke and flame;
+ Gun to gun he had battered the fort for an hour,
+ Now was the time for a charge to end the game.
+
+ There lay the narrowing channel, smooth and grim,
+ A hundred deaths beneath it, and never a sign;
+ There lay the enemy's ships, and sink or swim
+ The flag was flying, and he was head of the line.
+
+ The fleet behind was jamming; the monitor hung
+ Beating the stream; the roar for a moment hushed,
+ Craven spoke to the pilot; slow she swung;
+ Again he spoke, and right for the foe she rushed.
+
+ Into the narrowing channel, between the shore
+ And the sunk torpedoes lying in treacherous rank;
+ She turned but a yard too short, a muffled roar,
+ A mountainous wave, and she rolled, righted, and sank.
+
+{39}
+
+ Over the manhole, up in the iron-clad tower,
+ Pilot and Captain met as they turned to fly:
+ The hundredth part of a moment seemed an hour,
+ For one could pass to be saved, and one must die.
+
+ They stood like men in a dream: Craven spoke,
+ Spoke as he lived and fought, with a Captain's pride,
+ "After you, Pilot:" the pilot woke,
+ Down the ladder he went, and Craven died.
+
+ _All men praise the deed and the manner, but we--
+ We set it apart from the pride that stoops to the proud,
+ The strength that is supple to serve the strong and free,
+ The grace of the empty hands and promises loud:_
+
+ _Sidney thirsting a humbler need to slake,
+ Nelson waiting his turn for the surgeon's hand,
+ Lucas crushed with chains for a comrade's sake,
+ Outram coveting right before command,_
+
+ _These were paladins, these were Craven's peers,
+ These with him shall be crowned in story and song,
+ Crowned with the glitter of steel and the glimmer of tears,
+ Princes of courtesy, merciful, proud and strong._
+
+
+
+
+{40}
+
+_Messmates_
+
+ He gave us all a good-bye cheerily
+ At the first dawn of day;
+ We dropped him down the side full drearily
+ When the light died away.
+ It's a dead dark watch that he's a-keeping there,
+ And a long, long night that lags a-creeping there,
+ Where the Trades and the tides roll over him
+ And the great ships go by.
+
+ He's there alone with green seas rocking him
+ For a thousand miles round;
+ He's there alone with dumb things mocking him,
+ And we're homeward bound.
+ It's a long, lone watch that he's a-keeping there,
+ And a dead cold night that lags a-creeping there,
+ While the months and the years roll over him
+ And the great ships go by.
+
+ I wonder if the tramps come near enough
+ As they thrash to and fro,
+ And the battle-ships' bells ring clear enough
+ To be heard down below;
+
+{41}
+
+ If through all the lone watch that he's a-keeping there,
+ And the long, cold night that lags a-creeping there,
+ The voices of the sailor-men shall comfort him
+ When the great ships go by.
+
+
+
+
+{42}
+
+_The Death of Admiral Blake_
+
+(AUGUST 7TH, 1657)
+
+ Laden with spoil of the South, fulfilled with the glory
+ of achievement,
+ And freshly crowned with never-dying fame,
+ Sweeping by shores where the names are the names of the
+ victories of England,
+ Across the Bay the squadron homeward came.
+
+ Proudly they came, but their pride was the pomp of a
+ funeral at midnight,
+ When dreader yet the lonely morrow looms;
+ Few are the words that are spoken, and faces are gaunt
+ beneath the torchlight
+ That does but darken more the nodding plumes.
+
+ Low on the field of his fame, past hope lay the Admiral
+ triumphant,
+ And fain to rest him after all his pain;
+ Yet for the love that he bore to his own land, ever
+ unforgotten,
+ He prayed to see the western hills again.
+
+{43}
+
+ Fainter than stars in a sky long gray with the coming of
+ the daybreak,
+ Or sounds of night that fade when night is done,
+ So in the death-dawn faded the splendour and loud
+ renown of warfare,
+ And life of all its longings kept but one.
+
+ "Oh! to be there for an hour when the shade draws in
+ beside the hedgerows,
+ And falling apples wake the drowsy noon:
+ Oh! for the hour when the elms grow sombre and
+ human in the twilight,
+ And gardens dream beneath the rising moon.
+
+ "Only to look once more on the land of the memories of childhood,
+ Forgetting weary winds and barren foam:
+ Only to bid farewell to the combe and the orchard and
+ the moorland,
+ And sleep at last among the fields of home!"
+
+ So he was silently praying, till now, when his strength
+ was ebbing faster,
+ The Lizard lay before them faintly blue;
+ Now on the gleaming horizon the white cliffs laughed
+ along the coast-line,
+ And now the forelands took the shapes they knew.
+
+{44}
+
+ There lay the Sound and the Island with green leaves
+ down beside the water,
+ The town, the Hoe, the masts with sunset fired--
+ Dreams! ay, dreams of the dead! for the great heart
+ faltered on the threshold,
+ And darkness took the land his soul desired.
+
+
+
+
+{45}
+
+_Vae Victis_
+
+ Beside the placid sea that mirrored her
+ With the old glory of dawn that cannot die,
+ The sleeping city began to moan and stir,
+ As one that fain from an ill dream would fly;
+ Yet more she feared the daylight bringing nigh
+ Such dreams as know not sunrise, soon or late,--
+ Visions of honour lost and power gone by,
+ Of loyal valour betrayed by factious hate,
+ And craven sloth that shrank from the labour of forging fate.
+
+ They knew and knew not, this bewildered crowd
+ That up her streets in silence hurrying passed,
+ What manner of death should make their anguish loud,
+ What corpse across the funeral pyre be cast,
+ For none had spoken it; only, gathering fast
+ As darkness gathers at noon in the sun's eclipse,
+ A shadow of doom enfolded them, vague and vast,
+ And a cry was heard, unfathered of earthly lips,
+ What of the ships, O Carthage! Carthage, what of the ships?"
+
+{46}
+
+ They reached the wall, and nowise strange it seemed
+ To find the gates unguarded and open wide;
+ They climbed the shoulder, and meet enough they deemed
+ The black that shrouded the seaward rampart's side
+ And veiled in drooping gloom the turrets' pride;
+ But this was nought, for suddenly down the slope
+ They saw the harbour, and sense within them died;
+ Keel nor mast was there, rudder nor rope;
+ It lay like a sea-hawk's eyry spoiled of life and hope.
+
+ Beyond, where dawn was a glittering carpet, rolled
+ From sky to shore on level and endless seas,
+ Hardly their eyes discerned in a dazzle of gold
+ That here in fifties, yonder in twos and threes,
+ The ships they sought, like a swarm of drowning bees
+ By a wanton gust on the pool of a mill-dam hurled,
+ Floated forsaken of life-giving tide and breeze,
+ Their oars broken, their sails for ever furled,
+ For ever deserted the bulwarks that guarded the wealth
+ of the world.
+
+ A moment yet, with breathing quickly drawn
+ And hands agrip, the Carthaginian folk
+ Stared in the bright untroubled face of dawn,
+ And strove with vehement heaped denial to choke
+ Their sure surmise of fate's impending stroke;
+
+{47}
+
+ Vainly--for even now beneath their gaze
+ A thousand delicate spires of distant smoke
+ Reddened the disc of the sun with a stealthy haze,
+ And the smouldering grief of a nation burst with the
+ kindling blaze.
+
+ "O dying Carthage!" so their passion raved,
+ "Would nought but these the conqueror's hate assuage?
+ If these be taken, how may the land be saved
+ Whose meat and drink was empire, age by age?"
+ And bitter memory cursed with idle rage
+ The greed that coveted gold above renown,
+ The feeble hearts that feared their heritage,
+ The hands that cast the sea-kings' sceptre down
+ And left to alien brows their famed ancestral crown.
+
+ The endless noon, the endless evening through,
+ All other needs forgetting, great or small,
+ They drank despair with thirst whose torment grew
+ As the hours died beneath that stifling pall.
+ At last they saw the fires to blackness fall
+ One after one, and slowly turned them home,
+ A little longer yet their own to call
+ A city enslaved, and wear the bonds of Rome,
+ With weary hearts foreboding all the woe to come.
+
+
+
+
+{48}
+
+_Minora Sidera_
+
+(THE DICTIONARY OF NATIONAL BIOGRAPHY)
+
+ Sitting at times over a hearth that burns
+ With dull domestic glow,
+ My thought, leaving the book, gratefully turns
+ To you who planned it so.
+
+ Not of the great only you deigned to tell--
+ The stars by which we steer--
+ But lights out of the night that flashed, and fell
+ To-night again, are here.
+
+ Such as were those, dogs of an elder day,
+ Who sacked the golden ports,
+ And those later who dared grapple their prey
+ Beneath the harbour forts:
+
+ Some with flag at the fore, sweeping the world
+ To find an equal fight,
+ And some who joined war to their trade, and hurled
+ Ships of the line in flight.
+
+{49}
+
+ Whether their fame centuries long should ring
+ They cared not over-much,
+ But cared greatly to serve God and the king,
+ And keep the Nelson touch;
+
+ And fought to build Britain above the tide
+ Of wars and windy fate;
+ And passed content, leaving to us the pride
+ Of lives obscurely great.
+
+
+
+
+{50}
+
+_Laudabunt Alii_
+
+(AFTER HORACE)
+
+ Let others praise, as fancy wills,
+ Berlin beneath her trees,
+ Or Rome upon her seven hills,
+ Or Venice by her seas;
+ Stamboul by double tides embraced,
+ Or green Damascus in the waste.
+
+ For me there's nought I would not leave
+ For the good Devon land,
+ Whose orchards down the echoing cleeve
+ Bedewed with spray-drift stand,
+ And hardly bear the red fruit up
+ That shall be next year's cider-cup.
+
+ You too, my friend, may wisely mark
+ How clear skies follow rain,
+ And lingering in your own green park
+ Or drilled on Lafian's Plain,
+ Forget not with the festal bowl
+ To soothe at times your weary soul.
+
+{51}
+
+ When Drake must bid to Plymouth Hoe
+ Good-bye for many a day,
+ And some were sad that feared to go,
+ And some that dared not stay,
+ Be sure he bade them broach the best
+ And raised his tankard with the rest.
+
+ "Drake's luck to all that sail with Drake
+ For promised lands of gold!
+ Brave lads, whatever storms may break,
+ We've weathered worse of old!
+ To-night the loving-cup we'll drain,
+ To-morrow for the Spanish Main!"
+
+
+
+
+{52}
+
+_Admiral Death_
+
+ Boys, are ye calling a toast to-night?
+ (Hear what the sea-wind saith)
+ Fill for a bumper strong and bright,
+ And here's to Admiral Death!
+ He's sailed in a hundred builds o' boat,
+ He's fought in a thousand kinds o' coat,
+ He's the senior flag of all that float,
+ And his name's Admiral Death!
+
+ Which of you looks for a service free?
+ (Hear what the sea-wind saith)
+ The rules o' the service are but three
+ When ye sail with Admiral Death.
+ Steady your hand in time o' squalls,
+ Stand to the last by him that falls,
+ And answer clear to the voice that calls,
+ "Ay, ay! Admiral Death!"
+
+ How will ye know him among the rest?
+ (Hear what the sea-wind saith)
+ By the glint o' the stars that cover his breast
+ Ye may find Admiral Death.
+
+{53}
+
+ By the forehead grim with an ancient scar,
+ By the voice that rolls like thunder far,
+ By the tenderest eyes of all that are,
+ Ye may know Admiral Death.
+
+ Where are the lads that sailed before?
+ (Hear what the sea-wind saith)
+ Their bones are white by many a shore,
+ They sleep with Admiral Death.
+ Oh! but they loved him, young and old,
+ For he left the laggard, and took the bold,
+ And the fight was fought, and the story's told,
+ And they sleep with Admiral Death.
+
+
+
+
+{54}
+
+_Homeward Bound_
+
+ After long labouring in the windy ways,
+ On smooth and shining tides
+ Swiftly the great ship glides,
+ Her storms forgot, her weary watches past;
+ Northward she glides, and through the enchanted haze
+ Faint on the verge her far hope dawns at last.
+
+ The phantom sky-line of a shadowy down,
+ Whose pale white cliffs below
+ Through sunny mist aglow
+ Like noon-day ghosts of summer moonshine gleam--
+ Soft as old sorrow, bright as old renown,
+ There lies the home of all our mortal dream.
+
+
+
+
+{55}
+
+_Gillespie_
+
+ Riding at dawn, riding alone,
+ Gillespie left the town behind;
+ Before he turned by the Westward road
+ A horseman crossed him, staggering blind.
+
+ "The Devil's abroad in false Vellore,
+ The Devil that stabs by night," he said,
+ "Women and children, rank and file,
+ Dying and dead, dying and dead."
+
+ Without a word, without a groan,
+ Sudden and swift Gillespie turned,
+ The blood roared in his ears like fire,
+ Like fire the road beneath him burned.
+
+ He thundered back to Arcot gate,
+ He thundered up through Arcot town,
+ Before he thought a second thought
+ In the barrack yard he lighted down.
+
+ "Trumpeter, sound for the Light Dragoons,
+ Sound to saddle and spur," he said;
+ "He that is ready may ride with me,
+ And he that can may ride ahead."
+
+{56}
+
+ Fierce and fain, fierce and fain,
+ Behind him went the troopers grim,
+ They rode as ride the Light Dragoons
+ But never a man could ride with him.
+
+ Their rowels ripped their horses' sides,
+ Their hearts were red with a deeper goad,
+ But ever alone before them all
+ Gillespie rode, Gillespie rode.
+
+ Alone he came to false Vellore,
+ The walls were lined, the gates were barred;
+ Alone he walked where the bullets hit,
+ And called above to the Sergeant's Guard.
+
+ "Sergeant, Sergeant, over the gate,
+ Where are your officers all?" he said;
+ Heavily came the Sergeant's voice,
+ "There are two living and forty dead."
+
+ "A rope, a rope," Gillespie cried:
+ They bound their belts to serve his need;
+ There was not a rebel behind the wall
+ But laid his barrel and drew his bead.
+
+ There was not a rebel among them all
+ But pulled his trigger and cursed his aim,
+ For lightly swung and rightly swung
+ Over the gate Gillespie came.
+
+{57}
+
+ He dressed the line, he led the charge,
+ They swept the wall like a stream in spate,
+ And roaring over the roar they heard
+ The galloper guns that burst the gate.
+
+ Fierce and fain, fierce and fain,
+ The troopers rode the reeking flight:
+ The very stones remember still
+ The end of them that stab by night.
+
+ They've kept the tale a hundred years,
+ They'll keep the tale a hundred more:
+ Riding at dawn, riding alone,
+ Gillespie came to false Vellore.
+
+
+
+
+{58}
+
+_Seringapatam_
+
+ "The sleep that Tippoo Sahib sleeps
+ Heeds not the cry of man;
+ The faith that Tippoo Sahib keeps
+ No judge on earth may scan;
+ He is the lord of whom ye hold
+ Spirit and sense and limb,
+ Fetter and chain are all ye gain
+ Who dared to plead with him."
+
+ Baird was bonny and Baird was young,
+ His heart was strong as steel,
+ But life and death in the balance hung,
+ For his wounds were ill to heal.
+ "Of fifty chains the Sultan gave
+ We have filled but forty-nine:
+ We dare not fail of the perfect tale
+ For all Golconda's mine."
+
+ That was the hour when Lucas first
+ Leapt to his long renown;
+ Like summer rains his anger burst,
+ And swept their scruples down.
+
+{59}
+
+ "Tell ye the lord to whom ye crouch,
+ His fetters bite their fill:
+ To save your oath I'll wear them both,
+ And step the lighter still."
+
+ The seasons came, the seasons passed,
+ They watched their fellows die;
+ But still their thought was forward cast,
+ Their courage still was high.
+ Through tortured days and fevered nights
+ Their limbs alone were weak,
+ And year by year they kept their cheer,
+ And spoke as freemen speak.
+
+ But once a year, on the fourth of June,
+ Their speech to silence died,
+ And the silence beat to a soundless tune
+ And sang with a wordless pride;
+ Till when the Indian stars were bright,
+ And bells at home would ring,
+ To the fetters clank they rose and drank
+ "England! God save the King!"
+
+ The years came, and the years went,
+ The wheel full-circle rolled;
+ The tyrant's neck must yet be bent,
+ The price of blood be told:
+ The city yet must hear the roar
+ Of Baird's avenging guns,
+ And see him stand with lifted hand
+ By Tippoo Sahib's sons.
+
+{60}
+
+ The lads were bonny, the lads were young,
+ But he claimed a pitiless debt;
+ Life and death in the balance hung.
+ They watched it swing and set.
+ They saw him search with sombre eyes,
+ They knew the place he sought;
+ They saw him feel for the hilted steel,
+ They bowed before his thought.
+
+ But he--he saw the prison there
+ In the old quivering heat,
+ Where merry hearts had met despair
+ And died without defeat;
+ Where feeble hands had raised the cup
+ For feebler lips to drain,
+ And one had worn with smiling scorn
+ His double load of pain.
+
+ "The sleep that Tippoo Sahib sleeps
+ Hears not the voice of man;
+ The faith that Tippoo Sahib keeps
+ No earthly judge may scan;
+ For all the wrong your father wrought
+ Your father's sons are free;
+ Where Lucas lay no tongue shall say
+ That Mercy bound not me."
+
+
+
+
+{61}
+
+_A Ballad of John Nicholson_
+
+ It fell in the year of Mutiny,
+ At darkest of the night,
+ John Nicholson by Jalandhar came,
+ On his way to Delhi fight.
+
+ And as he by Jalaandhar came
+ He thought what he must do,
+ And he sent to the Rajah fair greeting,
+ To try if he were true.
+
+ "God grant your Highness length of days,
+ And friends when need shall be;
+ And I pray you send your Captains hither,
+ That they may speak with me."
+
+ On the morrow through Jalandhar town
+ The Captains rode in state;
+ They came to the house of John Nicholson
+ And stood before the gate.
+
+ The chief of them was Mehtab Singh,
+ He was both proud and sly;
+ His turban gleamed with rubies red,
+ He held his chin full high.
+
+{62}
+
+ He marked his fellows how they put
+ Their shoes from off their feet;
+ "Now wherefore make ye such ado
+ These fallen lords to greet?
+
+ "They have ruled us for a hundred years,
+ In truth I know not how,
+ But though they be fain of mastery,
+ They dare not claim it now."
+
+ Right haughtily before them all
+ The durbar hall he trod,
+ With rubies red his turban gleamed,
+ His feet with pride were shod.
+
+ They had not been an hour together,
+ A scanty hour or so,
+ When Mehtab Singh rose in his place
+ And turned about to go.
+
+ Then swiftly came John Nicholson
+ Between the door and him,
+ With anger smouldering in his eyes
+ That made the rubies dim.
+
+ "You are overhasty, Mehtab Singh,"--
+ Oh, but his voice was low!
+ He held his wrath with a curb of iron,
+ That furrowed cheek and brow.
+
+{63}
+
+ "You are overhasty, Mehtab Singh,
+ When that the rest are gone,
+ I have a word that may not wait
+ To speak with you alone."
+
+ The Captains passed in silence forth
+ And stood the door behind;
+ To go before the game was played
+ Be sure they had no mind.
+
+ But there within John Nicholson
+ Turned him on Mehtab Singh,
+ "So long as the soul is in my body
+ You shall not do this thing.
+
+ "Have ye served us for a hundred years
+ And yet ye know not why?
+ We brook no doubt of our mastery,
+ We rule until we die.
+
+ "Were I the one last Englishman
+ Drawing the breath of life,
+ And you the master-rebel of all
+ That stir this land to strife--
+
+ "Were I," he said, "but a Corporal,
+ And you a Rajput King,
+ So long as the soul was in my body
+ You should not do this thing.
+
+{64}
+
+ "Take off, take off those shoes of pride,
+ Carry them whence they came;
+ Your Captains saw your insolence
+ And they shall see your shame."
+
+ When Mehtab Singh came to the door
+ His shoes they burned his hand,
+ For there in long and silent lines
+ He saw the Captains stand.
+
+ When Mehtab Singh rode from the gate
+ His chin was on his breast:
+ The Captains said, "When the strong command
+ Obedience is best."
+
+
+
+
+{65}
+
+_The Guides at Cabul_
+
+(1879)
+
+ Sons of the Island Race, wherever ye dwell,
+ Who speak of your fathers' battles with lips that burn,
+ The deed of an alien legion hear me tell,
+ And think not shame from the hearts ye tamed to learn,
+ When succour shall fail and the tide for a season turn,
+ To fight with a joyful courage, a passionate pride,
+ To die at the last as the Guides at Cabul died.
+
+ For a handful of seventy men in a barrack of mud,
+ Foodless, waterless, dwindling one by one,
+ Answered a thousand yelling for English blood
+ With stormy volleys that swept them gunner from gun,
+ And charge on charge in the glare of the Afghan sun,
+ Till the walls were shattered wherein they crouched at bay,
+ And dead or dying half of the seventy lay.
+
+ Twice they had taken the cannon that wrecked their hold,
+ Twice toiled in vain to drag it back,
+ Thrice they toiled, and alone, wary and bold,
+ Whirling a hurricane sword to scatter the rack,
+ Hamilton, last of the English, covered their track.
+ "Never give in!" he cried, and he heard them shout,
+ And grappled with death as a man that knows not doubt.
+
+{66}
+
+ And the Guides looked down from their smouldering barrack again,
+ And behold, a banner of truce, and a voice that spoke:
+ "Come, for we know that the English all are slain,
+ We keep no feud with men of a kindred folk;
+ Rejoice with us to be free of the conqueror's yoke,"
+ Silence fell for a moment, then was heard
+ A sound of laughter and scorn, and an answering word.
+
+ "Is it we or the lords we serve who have earned this wrong,
+ That ye call us to flinch from the battle they bade us fight?
+ We that live--do ye doubt that our hands are strong?
+ They that have fallen--ye know that their blood was bright!
+ Think ye the Guides will barter for lust of the light
+ The pride of an ancient people in warfare bred,
+ Honour or comrades living, and faith to the dead?"
+
+ Then the joy that spurs the warrior's heart
+ To the last thundering gallop and sheer leap
+ Came on the men of the Guides; they flung apart
+ The doors not all their valour could longer keep;
+ They dressed their slender line; they breathed deep,
+ And with never a foot lagging or head bent,
+ To the clash and clamour and dust of death they went.
+
+
+
+
+{67}
+
+_The Gay Gordons_
+
+(DARGAI, OCTOBER 20TH, 1897)
+
+ Who's for the Gathering, who's for the Fair?
+ (_Gay goes the Gordon to a fight_)
+ The bravest of the brave are at dead-lock there,
+ (_Highlanders! march! by the right!_)
+ There are bullets by the hundred buzzing in the air;
+ There are bonny lads lying on the hillside bare;
+ But the Gordons know what the Gordons dare
+ When they hear the pipers playing!
+
+ The happiest English heart to-day
+ (_Gay goes the Gordon to a fight_)
+ Is the heart of the Colonel, hide it as he may
+ (_Steady there! steady on the right!_)
+ He sees his work and he sees the way,
+ He knows his time and the word to say,
+ And he's thinking of the tune that the Gordons play
+ When he sets the pipers playing!
+
+ Rising, roaring, rushing like the tide,
+ (_Gay goes the Gordon to a fight_)
+ They're up through the fire-zone, not to be denied;
+ (_Bayonets! and charge! by the right!_)
+
+{68}
+
+ Thirty bullets straight where the rest went wide,
+ And thirty lads are lying on the bare hillside;
+ But they passed in the hour of the Gordons' pride,
+ To the skirl of the pipers' playing.
+
+
+
+
+{69}
+
+_He Fell Among Thieves_
+
+ "Ye have robbed," said he, "ye have slaughtered and made an end,
+ Take your ill-got plunder, and bury the dead:
+ What will ye more of your guest and sometime friend?"
+ "Blood for our blood," they said.
+
+ He laughed: "If one may settle the score for five,
+ I am ready; but let the reckoning stand till day:
+ I have loved the sunlight as dearly as any alive."
+ "You shall die at dawn," said they.
+
+ He flung his empty revolver down the slope,
+ He climbed alone to the Eastward edge of the trees;
+ All night long in a dream untroubled of hope
+ He brooded, clasping his knees.
+
+ He did not hear the monotonous roar that fills
+ The ravine where the Yassin river sullenly flows;
+ He did not see the starlight on the Laspur hills,
+ Or the far Afghan snows.
+
+{70}
+
+ He saw the April noon on his books aglow,
+ The wistaria trailing in at the window wide;
+ He heard his father's voice from the terrace below
+ Calling him down to ride.
+
+ He saw the gray little church across the park,
+ The mounds that hide the loved and honoured dead;
+ The Norman arch, the chancel softly dark,
+ The brasses black and red.
+
+ He saw the School Close, sunny and green,
+ The runner beside him, the stand by the parapet wall,
+ The distant tape, and the crowd roaring between
+ His own name over all.
+
+ He saw the dark wainscot and timbered roof,
+ The long tables, and the faces merry and keen;
+ The College Eight and their trainer dining aloof,
+ The Dons on the dais serene.
+
+ He watched the liner's stem ploughing the foam,
+ He felt her trembling speed and the thrash of her screw;
+ He heard her passengers' voices talking of home,
+ He saw the flag she flew.
+
+ And now it was dawn. He rose strong on his feet,
+ And strode to his ruined camp below the wood;
+ He drank the breath of the morning cool and sweet;
+ His murderers round him stood.
+
+{71}
+
+ Light on the Laspur hills was broadening fast,
+ The blood-red snow-peaks chilled to a dazzling white:
+ He turned, and saw the golden circle at last,
+ Cut by the Eastern height.
+
+ "O glorious Life, Who dwellest in earth and sun,
+ I have lived, I praise and adore Thee."
+ A sword swept.
+
+ Over the pass the voices one by one
+ Faded, and the hill slept.
+
+
+
+
+{72}
+
+_Ionicus_
+
+ I live--I am old--I return to the ground--
+ Blow trumpets! and still I can dream to the sound.
+ WILLIAM CORY.
+
+
+ With failing feet and shoulders bowed
+ Beneath the weight of happier days,
+ He lagged among the heedless crowd,
+ Or crept along suburban ways.
+ But still through all his heart was young,
+ His mood a joy that nought could mar,
+ A courage, a pride, a rapture, sprung
+ Of the strength and splendour of England's war.
+
+ From ill-requited toil he turned
+ To ride with Picton and with Pack,
+ Among his grammars inly burned
+ To storm the Afghan mountain-track.
+ When midnight chimed, before Quebec
+ He watched with Wolfe till the morning star;
+ At noon he saw from _Victory's_ deck
+ The sweep and splendour of England's war.
+
+{73}
+
+ Beyond the book his teaching sped,
+ He left on whom he taught the trace
+ Of kinship with the deathless dead,
+ And faith in all the Island Race.
+ He passed: his life a tangle seemed,
+ His age from fame and power was far;
+ But his heart was high to the end, and dreamed
+ Of the sound and splendour of England's war.
+
+
+
+
+{74}
+
+_The Non-Combatant_
+
+ Among a race high-handed, strong of heart,
+ Sea-rovers, conquerors, builders in the waste,
+ He had his birth; a nature too complete,
+ Eager and doubtful, no man's soldier sworn
+ And no man's chosen captain; born to fail,
+ A name without an echo: yet he too
+ Within the cloister of his narrow days
+ Fulfilled the ancestral rites, and kept alive
+ The eternal fire; it may be, not in vain;
+ For out of those who dropped a downward glance
+ Upon the weakling huddled at his prayers,
+ Perchance some looked beyond him, and then first
+ Beheld the glory, and what shrine it filled,
+ And to what Spirit sacred: or perchance
+ Some heard him chanting, though but to himself,
+ The old heroic names: and went their way:
+ And hummed his music on the march to death.
+
+
+
+
+{75}
+
+_Sacramentum Supremum_
+
+MUKDEN, MARCH 6TH, 1905
+
+ Ye that with me have fought and failed and fought
+ To the last desperate trench of battle's crest,
+ Not yet to sleep, not yet; our work is nought;
+ On that last trench the fate of all may rest,
+ Draw near, my friends; and let your thoughts be high;
+ Great hearts are glad when it is time to give;
+ Life is no life to him that dares not die,
+ And death no death to him that dares to live.
+
+ Draw near together; none be last or first;
+ We are no longer names, but one desire;
+ With the same burning of the soul we thirst,
+ And the same wine to-night shall quench our fire.
+ Drink! to our fathers who begot us men,
+ To the dead voices that are never dumb;
+ Then to the land of all our loves, and then
+ To the long parting, and the age to come.
+
+
+
+
+{76}
+
+_Clifton Chapel_
+
+ This is the Chapel: here, my son,
+ Your father thought the thoughts of youth,
+ And heard the words that one by one
+ The touch of Life has turned to truth.
+ Here in a day that is not far,
+ You too may speak with noble ghosts
+ Of manhood and the vows of war
+ You made before the Lord of Hosts.
+
+ To set the cause above renown,
+ To love the game beyond the prize,
+ To honour, while you strike him down,
+ The foe that comes with fearless eyes;
+ To count the life of battle good,
+ And dear the land that gave you birth,
+ And dearer yet the brotherhood
+ That binds the brave of all the earth--
+
+ My son, the oath is yours; the end
+ Is His, Who built the world of strife,
+ Who gave His children Pain for friend,
+ And Death for surest hope of life.
+
+ {77}
+
+ To-day and here the fight's begun,
+ Of the great fellowship you're free;
+ Henceforth the School and you are one,
+ And what You are, the race shall be.
+
+ God send you fortune: yet be sure,
+ Among the lights that gleam and pass,
+ You'll live to follow none more pure
+ Than that which glows on yonder brass.
+ "_Que procul hinc_," the legend's writ,--
+ The frontier-grave is far away--
+ "_Qui ante diem periit:
+ Sed miles, sed pro patria._"
+
+
+
+
+{78}
+
+_Vitai Lampada_
+
+ There's a breathless hush in the Close to-night--
+ Ten to make and the match to win--
+ A bumping pitch and a blinding light,
+ An hour to play and the last man in.
+ And it's not for the sake of a ribboned coat,
+ Or the selfish hope of a season's fame,
+ But his Captain's hand on his shoulder smote--
+ "Play up! play up! and play the game!"
+
+ The sand of the desert is sodden red,--
+ Red with the wreck of a square that broke;--
+ The Gatling's jammed and the Colonel dead,
+ And the regiment blind with dust and smoke.
+ The river of death has brimmed his banks,
+ And England's far, and Honour a name,
+ But the voice of a schoolboy rallies the ranks:
+ "Play up! play up! and play the game!"
+
+ This is the word that year by year,
+ While in her place the School is set,
+ Every one of her sons must hear,
+ And none that hears it dare forget.
+
+{79}
+
+ This they all with a joyful mind
+ Bear through life like a torch in flame,
+ And falling fling to the host behind--
+ "Play up! play up! and play the game!"
+
+
+
+
+{80}
+
+_The Vigil_
+
+ England! where the sacred flame
+ Burns before the inmost shrine,
+ Where the lips that love thy name
+ Consecrate their hopes and thine,
+ Where the banners of thy dead
+ Weave their shadows overhead,
+ Watch beside thine arms to-night,
+ Pray that God defend the Right.
+
+ Think that when to-morrow comes
+ War shall claim command of all,
+ Thou must hear the roll of drums,
+ Thou must hear the trumpet's call.
+ Now before they silence ruth,
+ Commune with the voice of truth;
+ England! on thy knees to-night
+ Pray that God defend the Right.
+
+ Hast thou counted up the cost,
+ What to foeman, what to friend?
+ Glory sought is Honour lost,
+ How should this be knighthood's end?
+
+{81}
+
+ Know'st thou what is Hatred's meed?
+ What the surest gain of Greed?
+ England! wilt thou dare to-night
+ Pray that God defend the Right?
+
+ Single-hearted, unafraid,
+ Hither all thy heroes came,
+ On this altar's steps were laid
+ Gordon's life and Outram's fame.
+ England! if thy will be yet
+ By their great example set,
+ Here beside thine arms to-night
+ Pray that God defend the Right.
+
+ So shalt thou when morning comes
+ Rise to conquer or to fall,
+ Joyful hear the rolling drums,
+ Joyful hear the trumpets call.
+ Then let Memory tell thy heart;
+ "_England! what thou wert, thou art!_"
+ Gird thee with thine ancient might,
+ Forth! and God defend the Right!
+
+
+
+
+{82}
+
+_The Sailing of the Long-ships_
+
+(OCTOBER, 1899)
+
+ They saw the cables loosened, they saw the gangways cleared,
+ They heard the women weeping, they heard the men that cheered;
+ Far off, far off, the tumult faded and died away,
+ And all alone the sea-wind came singing up the Bay.
+
+ "I came by Cape St. Vincent, I came by Trafalgar,
+ I swept from Torres Vedras to golden Vigo Bar,
+ I saw the beacons blazing that fired the world with light
+ When down their ancient highway your fathers passed to fight.
+
+ "O race of tireless fighters, flushed with a youth renewed,
+ Right well the wars of Freedom befit the Sea-kings' brood;
+ Yet as ye go forget not the fame of yonder shore,
+ The fame ye owe your fathers and the old time before.
+
+ "Long-suffering were the Sea-kings, they were not swift to kill,
+ But when the sands had fallen they waited no man's will;
+
+{83}
+
+ Though all the world forbade them, they counted not nor cared,
+ They weighed not help or hindrance, they did the thing they dared.
+
+ "The Sea-kings loved not boasting, they cursed not him that cursed,
+ They honoured all men duly, and him that faced them, first;
+ They strove and knew not hatred, they smote and toiled to save,
+ They tended whom they vanquished, they praised the fallen brave.
+
+ "Their fame's on Torres Vedras, their fame's on Vigo Bar,
+ Far-flashed to Cape St. Vincent it burns from Trafalgar;
+ Mark as ye go the beacons that woke the world with light
+ When down their ancient highway your fathers passed to fight."
+
+
+
+
+{84}
+
+_Waggon Hill_
+
+ Drake in the North Sea grimly prowling,
+ Treading his dear Revenge's deck,
+ Watched, with the sea-dogs round him growling,
+ Galleons drifting wreck by wreck.
+ "Fetter and Faith for England's neck,
+ Faggot and Father, Saint and chain,--
+ Yonder the Devil and all go howling,
+ Devon, O Devon, in wind and rain!"
+
+ Drake at the last off Nombre lying,
+ Knowing the night that toward him crept,
+ Gave to the sea-dogs round him crying
+ This for a sign before he slept:--
+ "Pride of the West! What Devon hath kept
+ Devon shall keep on tide or main;
+ Call to the storm and drive them flying,
+ Devon, O Devon, in wind and rain!"
+
+ Valour of England gaunt and whitening,
+ Far in a South land brought to bay,
+
+ {85}
+
+ Locked in a death-grip all day tightening,
+ Waited the end in twilight gray.
+ Battle and storm and the sea-dog's way
+ Drake from his long rest turned again,
+ Victory lit thy steel with lightning,
+ Devon, O Devon, in wind and rain!
+
+
+
+
+{86}
+
+_The Volunteer_
+
+ "He leapt to arms unbidden,
+ Unneeded, over-bold;
+ His face by earth is hidden,
+ His heart in earth is cold.
+
+ "Curse on the reckless daring
+ That could not wait the call,
+ The proud fantastic bearing
+ That would be first to fall!"
+
+ O tears of human passion,
+ Blur not the image true;
+ This was not folly's fashion,
+ This was the man we knew.
+
+
+
+
+{87}
+
+_The Only Son_
+
+ O bitter wind toward the sunset blowing,
+ What of the dales to-night?
+ In yonder gray old hall what fires are glowing,
+ What ring of festal light?
+
+ _"In the great window as the day was dwindling
+ I saw an old man stand;
+ His head was proudly held and his eyes kindling,
+ But the list shook in his hand."_
+
+ O wind of twilight, was there no word uttered,
+ No sound of joy or wail?
+ _"'A great fight and a good death,' he muttered;
+ 'Trust him, he would not fail.'"_
+
+ What of the chamber dark where she was lying
+ For whom all life is done?
+ _"Within her heart she rocks a dead child, crying
+ 'My son, my little son.'"_
+
+
+
+
+{88}
+
+_The Grenadier's Good-Bye_
+
+"When Lieutenant Murray fell, the only words he spoke were, Forward,
+Grenadiers!'"--_Press Telegram_.
+
+
+ Here they halted, here once more
+ Hand from hand was rent;
+ Here his voice above the roar
+ Rang, and on they went.
+ Yonder out of sight they crossed,
+ Yonder died the cheers;
+ One word lives where all is lost--
+ "Forward, Grenadiers!"
+
+ This alone he asked of fame,
+ This alone of pride;
+ Still with this he faced the flame,
+ Answered Death, and died.
+ Crest of battle sunward tossed,
+ Song of the marching years,
+ This shall live though all be lost--
+ "Forward, Grenadiers!"
+
+
+
+
+{89}
+
+_The Schoolfellow_
+
+ Our game was his but yesteryear;
+ We wished him back; we could not know
+ The selfsame hour we missed him here
+ He led the line that broke the foe.
+
+ Blood-red behind our guarded posts
+ Sank as of old the dying day;
+ The battle ceased; the mingled hosts
+ Weary and cheery went their way:
+
+ "To-morrow well may bring," we said,
+ "As fair a fight, as clear a sun."
+ Dear lad, before the word was sped,
+ For evermore thy goal was won.
+
+
+
+
+{90}
+
+_On Spion Kop_
+
+ Foremost of all on battle's fiery steep
+ Here VERTUE fell, and here he sleeps his sleep.*
+ A fairer name no Roman ever gave
+ To stand sole monument on Valour's grave.
+
+
+
+* Major N. H. Vertue, of the Buffs, Brigade-Major to General Woodgate,
+was buried where he fell, on the edge of Spion Kop, in front of the
+British position.
+
+
+
+
+{91}
+
+_The School at War_
+
+ All night before the brink of death
+ In fitful sleep the army lay,
+ For through the dream that stilled their breath
+ Too gauntly glared the coming day.
+
+ But we, within whose blood there leaps
+ The fulness of a life as wide
+ As Avon's water where he sweeps
+ Seaward at last with Severn's tide,
+
+ We heard beyond the desert night
+ The murmur of the fields we knew,
+ And our swift souls with one delight
+ Like homing swallows Northward flew.
+
+ We played again the immortal games,
+ And grappled with the fierce old friends,
+ And cheered the dead undying names,
+ And sang the song that never ends;
+
+ Till, when the hard, familiar bell
+ Told that the summer night was late,
+ Where long ago we said farewell
+ We said farewell by the old gate.
+
+{92}
+
+ "O Captains unforgot," they cried,
+ "Come you again or come no more,
+ Across the world you keep the pride,
+ Across the world we mark the score."
+
+
+
+
+{93}
+
+_By the Hearth-Stone_
+
+ By the hearth-stone
+ She sits alone,
+ The long night bearing:
+ With eyes that gleam
+ Into the dream
+ Of the firelight staring.
+
+ Low and more low
+ The dying glow
+ Burns in the embers;
+ She nothing heeds
+ And nothing needs--
+ Only remembers.
+
+
+
+
+{94}
+
+_Peace_
+
+(1902)
+
+ No more to watch by Night's eternal shore,
+ With England's chivalry at dawn to ride;
+ No more defeat, faith, victory--O! no more
+ A cause on earth for which we might have died.
+
+
+
+
+{95}
+
+_April on Waggon Hill_
+
+ Lad, and can you rest now,
+ There beneath your hill?
+ Your hands are on your breast now,
+ But is your heart so still?
+ 'Twas the right death to die, lad,
+ A gift without regret,
+ But unless truth's a lie, lad,
+ You dream of Devon yet.
+
+ Ay, ay, the year's awaking,
+ The fire's among the ling,
+ The beechen hedge is breaking,
+ The curlew's on the wing;
+ Primroses are out, lad,
+ On the high banks of Lee,
+ And the sun stirs the trout, lad,
+ From Brendon to the sea.
+
+ I know what's in your heart, lad,--
+ The mare he used to hunt--
+ And her blue market-cart, lad,
+ With posies tied in front--
+
+{96}
+
+ We miss them from the moor road,
+ They're getting old to roam,
+ The road they're on's a sure road
+ And nearer, lad, to home.
+
+ Your name, the name they cherish?
+ 'Twill fade, lad, 'tis true:
+ But stone and all may perish
+ With little loss to you.
+ While fame's fame you're Devon, lad,
+ The Glory of the West;
+ Till the roll's called in heaven, lad,
+ You may well take your rest.
+
+
+
+
+{97}
+
+_Commemoration_
+
+ I sat by the granite pillar, and sunlight fell
+ Where the sunlight fell of old,
+ And the hour was the hour my heart remembered well,
+ And the sermon rolled and rolled
+ As it used to roll when the place was still unhaunted,
+ And the strangest tale in the world was still untold.
+
+ And I knew that of all this rushing of urgent sound
+ That I so clearly heard,
+ The green young forest of saplings clustered round
+ Was heeding not one word:
+ Their heads were bowed in a still serried patience
+ Such as an angel's breath could never have stirred.
+
+ For some were already away to the hazardous pitch,
+ Or lining the parapet wall,
+ And some were in glorious battle, or great and rich,
+ Or throned in a college hall:
+ And among the rest was one like my own young phantom,
+ Dreaming for ever beyond my utmost call.
+
+{98}
+
+ "O Youth," the preacher was crying, "deem not thou
+ Thy life is thine alone;
+ Thou bearest the will of the ages, seeing how
+ They built thee bone by bone,
+ And within thy blood the Great Age sleeps sepulchred
+ Till thou and thine shall roll away the stone.
+
+ "Therefore the days are coming when thou shalt burn
+ With passion whitely hot;
+ Rest shall be rest no more; thy feet shall spurn
+ All that thy hand hath got;
+ And One that is stronger shall gird thee, and lead thee swiftly
+ Whither, O heart of Youth, thou wouldest not."
+
+ And the School passed; and I saw the living and dead
+ Set in their seats again,
+ And I longed to hear them speak of the word that was said,
+ But I knew that I longed in vain.
+ And they stretched forth their hands, and the wind of the
+ spirit took them
+ Lightly as drifted leaves on an endless plain.
+
+
+
+
+{99}
+
+_The Echo_
+
+OF A BALLAD SUNG BY H. PLUNKET GREENE TO HIS OLD SCHOOL
+
+
+ Twice three hundred boys were we,
+ _Long ago, long ago,_
+ Where the Downs look out to the Severn Sea.
+ _Clifton for aye!_
+ We held by the game and hailed the team,
+ For many could play where few could dream.
+ _City of Song shall stand alway._
+
+ Some were for profit and some for pride,
+ _Long ago, long ago,_
+ Some for the flag they lived and died.
+ _Clifton for aye!_
+ The work of the world must still be done,
+ And minds are many though truth be one.
+ _City of Song shall stand alway._
+
+ But a lad there was to his fellows sang,
+ _Long ago, long ago,_
+ And soon the world to his music rang.
+ _Clifton for aye!_
+
+{100}
+
+ Follow your Captains, crown your Kings,
+ But what will ye give to the lad that sings?
+ _City of Song shall stand alway._
+
+ For the voice ye hear is the voice of home,
+ _Long ago, long ago,_
+ And the voice of Youth with the world to roam.
+ _Clifton for aye!_
+ The voice of passion and human tears,
+ And the voice of the vision that lights the years.
+ _City of Song shall stand alway._
+
+
+
+
+{101}
+
+_The Best School of All_
+
+ It's good to see the School we knew,
+ The land of youth and dream,
+ To greet again the rule we knew
+ Before we took the stream:
+ Though long we've missed the sight of her,
+ Our hearts may not forget;
+ We've lost the old delight of her,
+ We keep her honour yet.
+
+ _We'll honour yet the School we knew,
+ The best School of all:
+ We'll honour yet the rule we knew,
+ Till the last bell call.
+ For, working days or holidays,
+ And glad or melancholy days,
+ They were great days and jolly days
+ At the best School of all._
+
+ The stars and sounding vanities
+ That half the crowd bewitch,
+ What are they but inanities
+ To him that treads the pitch?
+
+{102}
+
+ And where's the wealth, I'm wondering,
+ Could buy the cheers that roll
+ When the last charge goes thundering
+ Beneath the twilight goal?
+
+ The men that tanned the hide of us,
+ Our daily foes and friends,
+ They shall not lose their pride of us,
+ Howe'er the journey ends.
+ Their voice, to us who sing of it,
+ No more its message bears,
+ But the round world shall ring of it
+ And all we are be theirs.
+
+ To speak of Fame a venture is,
+ There's little here can bide,
+ But we may face the centuries,
+ And dare the deepening tide:
+ For though the dust that's part of us
+ To dust again be gone,
+ Yet here shall beat the heart of us--
+ The School we handed on!
+
+ _We'll honour yet the School we knew,
+ The best School of all:
+ We'll honour yet the rule we knew.
+ Till the last bell call.
+ For, working days or holidays,
+ And glad or melancholy days,
+ They were great days and jolly days
+ At the best School of all._
+
+
+
+
+{103}
+
+_England_
+
+ Praise thou with praise unending
+ The Master of the Wine;
+ To all their portions sending
+ Himself he mingled thine:
+
+ The sea-born flush of morning,
+ The sea-born hush of night,
+ The East wind comfort scorning,
+ And the North wind driving right:
+
+ The world for gain and giving,
+ The game for man and boy,
+ The life that joys in living,
+ The faith that lives in joy.
+
+
+
+
+{104}
+
+_Victoria Regina_
+
+(JUNE 21ST, 1897*)
+
+ A thousand years by sea and land
+ Our race hath served the island kings,
+ But not by custom's dull command
+ To-day with song her Empire rings:
+
+ Not all the glories of her birth,
+ Her armed renown and ancient throne,
+ Could make her less the child of earth
+ Or give her hopes beyond our own:
+
+ But stayed on faith more sternly proved
+ And pride than ours more pure and deep,
+ She loves the land our fathers loved
+ And keeps the fame our sons shall keep.
+
+
+
+* These lines, with music by Dr. Lloyd, formed part of the Cycle of
+Song offered to Queen Victoria, of blessed and glorious memory, in
+celebration of her second Jubilee.
+
+
+
+
+{105}
+
+_The King of England_
+
+(JUNE 24TH, 1902)
+
+ In that eclipse of noon when joy was hushed
+ Like the bird's song beneath unnatural night,
+ And Terror's footfall in the darkness crushed
+ The rose imperial of our delight,
+ Then, even then, though no man cried "He comes,"
+ And no man turned to greet him passing there,
+ With phantom heralds challenging renown
+ And silent-throbbing drums
+ I saw the King of England, hale and fair,
+ Ride out with a great train through London town.
+
+ Unarmed he rode, but in his ruddy shield
+ The lions bore the dint of many a lance,
+ And up and down his mantle's azure field
+ Were strewn the lilies plucked in famous France.
+ Before him went with banner floating wide
+ The yeoman breed that served his honour best,
+ And mixed with these his knights of noble blood;
+ But in the place of pride
+ His admirals in billowy lines abreast
+ Convoyed him close like galleons on the flood.
+
+{106}
+
+ Full of a strength unbroken showed his face
+ And his brow calm with youth's unclouded dawn,
+ But round his lips were lines of tenderer grace
+ Such as no hand but Time's hath ever drawn.
+ Surely he knew his glory had no part
+ In dull decay, nor unto Death must bend,
+ Yet surely too of lengthening shadows dreamed
+ With sunset in his heart,
+ So brief his beauty now, so near the end,
+ And now so old and so immortal seemed.
+
+ O King among the living, these shall hail
+ Sons of thy dust that shall inherit thee:
+ O King of men that die, though we must fail
+ Thy life is breathed from thy triumphant sea.
+ O man that servest men by right of birth,
+ Our hearts' content thy heart shall also keep,
+ Thou too with us shalt one day lay thee down
+ In our dear native earth,
+ Full sure the King of England, while we sleep,
+ For ever rides abroad through London town.
+
+
+
+
+{107}
+
+_The Nile_
+
+ Out of the unknown South,
+ Through the dark lands of drouth,
+ Far wanders ancient Nile in slumber gliding:
+ Clear-mirrored in his dream
+ The deeds that haunt his stream
+ Flash out and fade like stars in midnight sliding.
+ Long since, before the life of man
+ Rose from among the lives that creep,
+ With Time's own tide began
+ That still mysterious sleep,
+ Only to cease when Time shall reach the eternal deep.
+
+ From out his vision vast
+ The early gods have passed,
+ They waned and perished with the faith that made them;
+ The long phantasmal line
+ Of Pharaohs crowned divine
+ Are dust among the dust that once obeyed them.
+ Their land is one mute burial mound,
+ Save when across the drifted years
+ Some chant of hollow sound,
+ Some triumph blent with tears,
+ From Memnon's lips at dawn wakens the desert meres.
+
+{108}
+
+ O Nile, and can it be
+ No memory dwells with thee
+ Of Grecian lore and the sweet Grecian singer?
+ The legions' iron tramp,
+ The Goths' wide-wandering camp,
+ Had these no fame that by thy shore might linger?
+ Nay, then must all be lost indeed,
+ Lost too the swift pursuing might
+ That cleft with passionate speed
+ Aboukir's tranquil night,
+ And shattered in mid-swoop the great world-eagle's flight.
+
+ Yet have there been on earth
+ Spirits of starry birth,
+ Whose splendour rushed to no eternal setting:
+ They over all endure,
+ Their course through all is sure,
+ The dark world's light is still of their begetting.
+ Though the long past forgotten lies,
+ Nile! in thy dream remember him,
+ Whose like no more shall rise
+ Above our twilight's rim,
+ Until the immortal dawn shall make all glories dim.
+
+ For this man was not great
+ By gold or kingly state,
+ Or the bright sword, or knowledge of earth's wonder;
+ But more than all his race
+ He saw life face to face,
+ And heard the still small voice above the thunder.
+
+{109}
+
+ O river, while thy waters roll
+ By yonder vast deserted tomb,
+ There, where so clear a soul
+ So shone through gathering doom,
+ Thou and thy land shall keep the tale of lost Khartoum.
+
+
+
+
+{110}
+
+_Srahmandazi_
+
+ Deep embowered beside the forest river,
+ Where the flame of sunset only falls,
+ Lapped in silence lies the House of Dying,
+ House of them to whom the twilight calls.
+
+ There within when day was near to ending,
+ By her lord a woman young and strong,
+ By his chief a songman old and stricken
+ Watched together till the hour of song.
+
+ "O my songman, now the bow is broken,
+ Now the arrows one by one are sped,
+ Sing to me the song of Srahmandazi,
+ Srahmandazi, home of all the dead."
+
+ Then the songman, flinging wide his songnet,
+ On the last token laid his master's hand,
+ While he sang the song of Srahmandazi,
+ None but dying men can understand.
+
+ "Yonder sun that fierce and fiery-hearted
+ Marches down the sky to vanish soon,
+ At the self-same hour in Srahmandazi
+ Rises pallid like the rainy moon.
+
+{111}
+
+ "There he sees the heroes by their river,
+ Where the great fish daily upward swim;
+ Yet they are but shadows hunting shadows,
+ Phantom fish in waters drear and dim.
+
+ "There he sees the kings among their headmen,
+ Women weaving, children playing games;
+ Yet they are but shadows ruling shadows,
+ Phantom folk with dim forgotten names.
+
+ "Bid farewell to all that most thou lovest,
+ Tell thy heart thy living life is done;
+ All the days and deeds of Srahmandazi
+ Are not worth an hour of yonder sun."
+
+ Dreamily the chief from out the songnet
+ Drew his hand and touched the woman's head;
+ "Know they not, then, love in Srahmandazi?
+ Has a king no bride among the dead?"
+
+ Then the songman answered, "O my master,
+ Love they know, but none may learn it there;
+ Only souls that reach that land together
+ Keep their troth and find the twilight fair.
+
+ "Thou art still a king, and at thy passing
+ By thy latest word must all abide:
+ If thou willest, here am I, thy songman;
+ If thou lovest, here is she, thy bride."
+
+{112}
+
+ Hushed and dreamy lay the House of Dying,
+ Dreamily the sunlight upward failed,
+ Dreamily the chief on eyes that loved him
+ Looked with eyes the coming twilight veiled.
+
+ Then he cried, "My songman, I am passing;
+ Let her live, her life is but begun;
+ All the days and nights of Srahmandazi
+ Are not worth an hour of yonder sun."
+
+ Yet, when there within the House of Dying
+ The last silence held the sunset air,
+ Not alone he came to Srahmandazi,
+ Not alone she found the twilight fair:
+
+ While the songman, far beneath the forest
+ Sang of Srahmandazi all night through,
+ "Lovely be thy name, O Land of shadows,
+ Land of meeting, Land of all the true!"
+
+
+
+
+{113}
+
+_Outward Bound_
+
+ Dear Earth, near Earth, the clay that made us men,
+ The land we sowed,
+ The hearth that glowed--
+ O Mother, must we bid farewell to thee?
+ Fast dawns the last dawn, and what shall comfort then
+ The lonely hearts that roam the outer sea?
+
+ Gray wakes the daybreak, the shivering sails are set,
+ To misty deeps
+ The channel sweeps--
+ O Mother, think on us who think on thee!
+ Earth-home, birth-home, with love remember yet
+ The sons in exile on the eternal sea.
+
+
+
+
+{114}
+
+_Hope the Hornblower_
+
+ "Hark ye, hark to the winding horn;
+ Sluggards, awake, and front the morn!
+ Hark ye, hark to the winding horn;
+ The sun's on meadow and mill.
+ Follow me, hearts that love the chase;
+ Follow me, feet that keep the pace:
+ Stirrup to stirrup we ride, we ride,
+ We ride by moor and hill."
+
+ Huntsman, huntsman, whither away?
+ What is the quarry afoot to-day?
+ Huntsman, huntsman, whither away,
+ And what the game ye kill?
+ Is it the deer, that men may dine?
+ Is it the wolf that tears the kine?
+ What is the race ye ride, ye ride,
+ Ye ride by moor and hill?
+
+ "Ask not yet till the day be dead
+ What is the game that's forward fled,
+ Ask not yet till the day be dead
+ The game we follow still.
+
+{115}
+
+ An echo it may be, floating past;
+ A shadow it may be, fading fast:
+ Shadow or echo, we ride, we ride,
+ We ride by moor and hill."
+
+
+
+
+{116}
+
+_O Pulchritudo_
+
+ O saint whose thousand shrines our feet have trod
+ And our eyes loved thy lamp's eternal beam,
+ Dim earthly radiance of the Unknown God,
+ Hope of the darkness, light of them that dream,
+ Far off, far off and faint, O glimmer on
+ Till we thy pilgrims from the road are gone.
+
+ O Word whose meaning every sense hath sought,
+ Voice of the teeming field and grassy mound,
+ Deep-whispering fountain of the wells of thought,
+ Will of the wind and soul of all sweet sound,
+ Far off, far off and faint, O murmur on
+ Till we thy pilgrims from the road are gone.
+
+
+
+
+{117}
+
+_The Final Mystery_
+
+This myth, of Egyptian origin, formed part of the instruction given to
+those initiated in the Orphic mysteries, and written versions of it
+were buried with the dead.
+
+
+ Hear now, O Soul, the last command of all--
+ When thou hast left thine every mortal mark,
+ And by the road that lies beyond recall
+ Won through the desert of the Burning Dark,
+ Thou shalt behold within a garden bright
+ A well, beside a cypress ivory-white.
+
+ Still is that well, and in its waters cool
+ White, white and windless, sleeps that cypress tree:
+ Who drinks but once from out her shadowy pool
+ Shall thirst no more to all eternity.
+ Forgetting all, by all forgotten clean,
+ His soul shall be with that which hath not been.
+
+ But thou, though thou be trembling with thy dread,
+ And parched with thy desire more fierce than flame,
+ Think on the stream wherefrom thy life was fed,
+ And that diviner fountain whence it came.
+ Turn thee and cry--behold, it is not far--
+ Unto the hills where living waters are.
+
+{118}
+
+ "Lord, though I lived on earth, the child of earth,
+ Yet was I fathered by the starry sky:
+ Thou knowest I came not of the shadows' birth,
+ Let me not die the death that shadows die.
+ Give me to drink of the sweet spring that leaps
+ From Memory's fount, wherein no cypress sleeps."
+
+ Then shalt thou drink, O Soul, and therewith slake
+ The immortal longing of thy mortal thirst,
+ So of thy Father's life shalt thou partake,
+ And be for ever that thou wert at first.
+ Lost in remembered loves, yet thou more thou
+ With them shalt reign in never-ending Now.
+
+
+
+
+{119}
+
+_Il Santo_
+
+ Alas! alas! what impious hands are these?
+ They have cut down my dark mysterious trees,
+ Defied the brooding spell
+ That sealed my sacred well,
+ Broken my fathers' fixed and ancient bars,
+ And on the mouldering shade
+ Wherein my dead were laid
+ Let in the cold clear aspect of the stars.
+
+ Slumber hath held the grove for years untold:
+ Is there no reverence for a peace so old?
+ Is there no seemly awe
+ For bronze-engraven law,
+ For dust beatified and saintly name?
+ When they shall see the shrine
+ Princes have held divine,
+ Will they not bow before the eternal flame?
+
+ Vain! vain! the wind of heaven for ages long
+ Hath whispered manhood, "Let thine arm be strong!
+ Hew down and fling away
+ The growth that veils decay,
+
+{120}
+
+ Shatter the shrine that chokes the living spring.
+ Scorn hatred, scorn regret,
+ Dig deep and deeper yet,
+ Leave not the quest for word of saint or king.
+
+ "Dig deeper yet! though the world brand thee now,
+ The faithful labour of an impious brow
+ May for thy race redeem
+ The source of that lost stream
+ Once given the thirst of all the earth to slake.
+ Nay, thou too ere the end
+ Thy weary knee mayst bend
+ And in thy trembling hands that water take."
+
+
+
+
+{121}
+
+_In July_
+
+ His beauty bore no token,
+ No sign our gladness shook;
+ With tender strength unbroken
+ The hand of Life he took:
+ But the summer flowers were falling,
+ Falling and fading away,
+ And mother birds were calling,
+ Crying and calling
+ For their loves that would not stay.
+
+ He knew not Autumn's chillness,
+ Nor Winter's wind nor Spring's;
+ He lived with Summer's stillness
+ And sun and sunlit things:
+ But when the dusk was falling
+ He went the shadowy way,
+ And one more heart is calling,
+ Crying and calling
+ For the love that would not stay.
+
+
+
+
+{122}
+
+_From Generation to Generation_
+
+ O son of mine, when dusk shall find thee bending
+ Between a gravestone and a cradle's head--
+ Between the love whose name is loss unending
+ And the young love whose thoughts are liker dread,--
+ Thou too shalt groan at heart that all thy spending
+ Cannot repay the dead, the hungry dead.
+
+
+
+
+{123}
+
+_When I Remember_
+
+ When I remember that the day will come
+ For this our love to quit his land of birth,
+ And bid farewell to all the ways of earth
+ With lips that must for evermore be dumb,
+
+ Then creep I silent from the stirring hum,
+ And shut away the music and the mirth,
+ And reckon up what may be left of worth
+ When hearts are cold and love's own body numb.
+
+ Something there must be that I know not here,
+ Or know too dimly through the symbol dear;
+ Some touch, some beauty, only guessed by this--
+ If He that made us loves, it shall replace,
+ Beloved, even the vision of thy face
+ And deep communion of thine inmost kiss.
+
+
+
+
+{124}
+
+_Mors Janua_
+
+ Pilgrim, no shrine is here, no prison, no inn:
+ Thy fear and thy belief alike are fond:
+ Death is a gate, and holds no room within:
+ Pass--to the road beyond.
+
+
+
+
+{125}
+
+_Rondel_*
+
+ Though I wander far-off ways,
+ Dearest, never doubt thou me:
+
+ Mine is not the love that strays,
+ Though I wander far-off ways:
+
+ Faithfully for all my days
+ I have vowed myself to thee:
+ Though I wander far-off ways,
+ Dearest, never doubt thou me.
+
+
+* This and the two following pieces are from the French of Wenceslas,
+Duke of Brabant and Luxembourg, who died in 1384.
+
+
+
+
+{126}
+
+_Rondel_
+
+ Long ago to thee I gave
+ Body, soul, and all I have--
+ Nothing in the world I keep:
+
+ All that in return I crave
+ Is that thou accept the slave
+ Long ago to thee I gave--
+ Body, soul, and all I have.
+
+ Had I more to share or save,
+ I would give as give the brave,
+ Stooping not to part the heap;
+ Long ago to thee I gave
+ Body, soul, and all I have--
+ Nothing in the world I keep.
+
+
+
+
+{127}
+
+_Balade_
+
+ I cannot tell, of twain beneath this bond,
+ Which one in grief the other goes beyond,--
+ Narcissus, who to end the pain he bore
+ Died of the love that could not help him more;
+ Or I, that pine because I cannot see
+ The lady who is queen and love to me.
+
+ Nay--for Narcissus, in the forest pond
+ Seeing his image, made entreaty fond,
+ "Beloved, comfort on my longing pour":
+ So for a while he soothed his passion sore;
+ So cannot I, for all too far is she--
+ The lady who is queen and love to me.
+
+ But since that I have Love's true colours donned,
+ I in his service will not now despond,
+ For in extremes Love yet can all restore:
+ So till her beauty walks the world no more
+ All day remembered in my hope shall be
+ The lady who is queen and love to me.
+
+
+
+
+{128}
+
+_The Last Word_
+
+ Before the April night was late
+ A rider came to the castle gate;
+ A rider breathing human breath,
+ But the words he spoke were the words of Death.
+
+ "Greet you well from the King our lord,
+ He marches hot for the eastward ford;
+ Living or dying, all or one,
+ Ye must keep the ford till the race be run."
+
+ Sir Alain rose with lips that smiled,
+ He kissed his wife, he kissed his child:
+ Before the April night was late
+ Sir Alain rode from the castle gate.
+
+ He called his men-at-arms by name,
+ But one there was uncalled that came:
+ He bade his troop behind him ride,
+ But there was one that rode beside.
+
+ _"Why will you spur so fast to die?
+ Be wiser ere the night go by.
+ A message late is a message lost;
+ For all your haste the foe had crossed."_
+
+{129}
+
+ _"Are men such small unmeaning things
+ To strew the board of smiling Kings?
+ With life and death they play their game,
+ And life or death, the end's the same."_
+
+ Softly the April air above
+ Rustled the woodland homes of love:
+ Softly the April air below
+ Carried the dream of buds that blow.
+
+ _"Is he that bears a warrior's fame
+ To shun the pointless stroke of shame?
+ Will he that propped a trembling throne
+ Not stand for right when right's his own?_
+
+ _"Your oath on the four gospels sworn?
+ What oath can bind resolves unborn?
+ You lose that far eternal life?
+ Is it yours to lose? Is it child and wife?_
+
+ But now beyond the pathway's bend,
+ Sir Alain saw the forest end,
+ And winding wide beneath the hill,
+ The glassy river lone and still.
+
+ And now he saw with lifted eyes
+ The East like a great chancel rise,
+ And deep through all his senses drawn,
+ Received the sacred wine of dawn.
+
+{130}
+
+ He set his face to the stream below,
+ He drew his axe from the saddle bow:
+ "Farewell, Messire, the night is sped;
+ There lies the ford, when all is said."
+
+
+
+
+{131}
+
+_The Viking's Song_
+
+ When I thy lover first
+ Shook out my canvas free
+ And like a pirate burst
+ Into that dreaming sea,
+ The land knew no such thirst
+ As then tormented me.
+
+ Now when at eve returned
+ I near that shore divine,
+ Where once but watch-fires burned
+ I see thy beacon shine,
+ And know the land hath learned
+ Desire that welcomes mine.
+
+
+
+
+{132}
+
+_The Sufi in the City_
+
+ I.
+
+ When late I watched the arrows of the sleet
+ Against the windows of the Tavern beat,
+ I heard a Rose that murmured from her Pot:
+ "Why trudge thy fellows yonder in the Street?
+
+
+ II.
+
+ "Before the phantom of False Morning dies,
+ Choked in the bitter Net that binds the skies,
+ Their feet, bemired with Yesterday, set out
+ For the dark alleys where To-morrow lies.
+
+
+ III.
+
+ "Think you, when all their petals they have bruised,
+ And all the fragrances of Life confused,
+ That Night with sweeter rest will comfort these
+ Than us, who still within the Garden mused?
+
+{133}
+
+ IV.
+
+ "Think you the Gold they fight for all day long
+ Is worth the frugal Peace their clamours wrong?
+ Their Titles, and the Name they toil to build--
+ Will they outlast the echoes of our Song?"
+
+
+ V.
+
+ O Sons of Omar, what shall be the close
+ Seek not to know, for no man living knows:
+ But while within your hands the Wine is set
+ Drink ye--to Omar and the Dreaming Rose!
+
+
+
+
+{134}
+
+_To Edward Fitzgerald_
+
+(MARCH 31ST, 1909)
+
+ 'Tis a sad fate
+ To watch the world fighting,
+ All that is most fair
+ Ruthlessly blighting,
+ Blighting, ah! blighting.
+
+ When such a thought cometh
+ Let us not pine,
+ But gather old friends
+ Round the red wine--
+ Oh! pour the red wine!
+
+ And there we'll talk
+ And warm our wits
+ With Eastern fallacies
+ Out of old Fitz!
+ British old Fitz!
+
+ See him, half statesman--
+ Philosopher too--
+ Half ancient mariner
+ In baggy blue--
+ Such baggy blue!
+
+{135}
+
+ Whimsical, wistful,
+ Haughty, forsooth:
+ Indolent always, yet
+ Ardent in truth,
+ But indolent, indolent!
+
+ There at the table
+ With us sits he,
+ Charming us subtly
+ To reverie,
+ Magic reverie.
+
+ "How sweet is summer's breath,
+ How sure and swift is death;
+ Nought wise on earth, save
+ What the wine whispereth,
+ Dreamily whispereth.
+
+ "At Naishapur beneath the sun,
+ Or here in misty Babylon,
+ Drink! for the rose leaves while you linger
+ Are falling, ever falling, one by one."
+
+ Ah! poet's soul, once more with us conspire
+ To grasp this sorry scheme of things entire,
+ Once more with us to-night, old Fitz, once more
+ Remould it nearer to the heart's desire!
+
+
+
+
+{136}
+
+_Yattendon_
+
+ Among the woods and tillage
+ That fringe the topmost downs,
+ All lonely lies the village,
+ Far off from seas and towns.
+ Yet when her own folk slumbered
+ I heard within her street
+ Murmur of men unnumbered
+ And march of myriad feet.
+
+ For all she lies so lonely,
+ Far off from towns and seas,
+ The village holds not only
+ The roofs beneath her trees:
+ While Life is sweet and tragic
+ And Death is veiled and dumb,
+ Hither, by singer's magic,
+ The pilgrim world must come.
+
+
+
+
+{137}
+
+_Devon_
+
+ Deep-wooded combes, clear-mounded hills of morn,
+ Red sunset tides against a red sea-wall,
+ High lonely barrows where the curlews call,
+ Far moors that echo to the ringing horn,--
+ Devon! thou spirit of all these beauties born,
+ All these are thine, but thou art more than all:
+ Speech can but tell thy name, praise can but fall
+ Beneath the cold white sea-mist of thy scorn.
+
+ Yet, yet, O noble land, forbid us not
+ Even now to join our faint memorial chime
+ To the fierce chant wherewith their hearts were hot
+ Who took the tide in thy Imperial prime;
+ Whose glory's thine till Glory sleeps forgot
+ With her ancestral phantoms, Pride and Time.
+
+
+
+
+{138}
+
+_Among the Tombs_
+
+ She is a lady fair and wise,
+ Her heart her counsel keeps,
+ And well she knows of time that flies
+ And tide that onward sweeps;
+ But still she sits with restless eyes
+ Where Memory sleeps--
+ Where Memory sleeps.
+
+ Ye that have heard the whispering dead
+ In every wind that creeps,
+ Or felt the stir that strains the lead
+ Beneath the mounded heaps,
+ Tread softly, ah! more softly tread
+ Where Memory sleeps--
+ Where Memory sleeps.
+
+
+
+
+{139}
+
+_Gold_
+
+(AFTER GIOVANNI PASCOLI)
+
+ At bedtime, when the sunset fire was red
+ One cypress turned to gold beneath its touch.
+ "Sleep now, my little son," the mother said;
+ "In God's high garden all the trees are such."
+ Then did the child in his bright dream behold
+ Branches of gold, trees, forests all of gold.
+
+
+
+
+{140}
+
+_A Sower_
+
+ With sanguine looks
+ And rolling walk
+ Among the rooks
+ He loved to stalk,
+
+ While on the land
+ With gusty laugh
+ From a full hand
+ He scattered chaff.
+
+ Now that within
+ His spirit sleeps
+ A harvest thin
+ The sickle reaps;
+
+ But the dumb fields
+ Desire his tread,
+ And no earth yields
+ A wheat more red.
+
+
+
+
+{141}
+
+_The Mossrose_
+
+ Walking to-day in your garden, O gracious lady,
+ Little you thought as you turned in that alley remote and shady,
+ And gave me a rose and asked if I knew its savour--
+ The old-world scent of the mossrose, flower of a bygone favour--
+
+ Little you thought as you waited the word of appraisement,
+ Laughing at first and then amazed at my amazement,
+ That the rose you gave was a gift already cherished,
+ And the garden whence you plucked it a garden long perished.
+
+ But I--I saw that garden, with its one treasure
+ The tiny mossrose, tiny even by childhood's measure,
+ And the long morning shadow of the dusty laurel,
+ And a boy and a girl beneath it, flushed with a childish quarrel.
+
+ She wept for her one little bud: but he, outreaching
+ The hand of brotherly right, would take it for all her beseeching:
+
+{142}
+
+ And she flung her arms about him, and gave like a sister,
+ And laughed at her own tears, and wept again when he kissed her.
+
+ So the rose is mine long since, and whenever I find it
+ And drink again the sharp sweet scent of the moss behind it,
+ I remember the tears of a child, and her love and her laughter,
+ And the morning shadows of youth and the night that fell thereafter.
+
+
+
+
+{143}
+
+_Ave, Soror_
+
+ I left behind the ways of care,
+ The crowded hurrying hours,
+ I breathed again the woodland air,
+ I plucked the woodland flowers:
+
+ Bluebells as yet but half awake,
+ Primroses pale and cool,
+ Anemones like stars that shake
+ In a green twilight pool--
+
+ On these still lay the enchanted shade,
+ The magic April sun;
+ With my own child a child I strayed
+ And thought the years were one.
+
+ As through the copse she went and came
+ My senses lost their truth;
+ I called her by the dear dead name
+ That sweetened all my youth.
+
+
+
+
+{144}
+
+_To a River in the South_
+
+ Call me no more, O gentle stream,
+ To wander through thy sunny dream,
+ No more to lean at twilight cool
+ Above thy weir and glimmering pool.
+
+ Surely I know thy hoary dawns,
+ The silver crisp on all thy lawns,
+ The softly swirling undersong
+ That rocks thy reeds the winter long.
+
+ Surely I know the joys that ring
+ Through the green deeps of leafy spring;
+ I know the elfin cups and domes
+ That are their small and secret homes.
+
+ Yet is the light for ever lost
+ That daily once thy meadows crossed,
+ The voice no more by thee is heard
+ That matched the song of stream and bird.
+
+ Call me no more!--thy waters roll
+ Here, in the world that is my soul,
+ And here, though Earth be drowned in night,
+ Old love shall dwell with old delight.
+
+
+
+
+{145}
+
+_On the Death of a Noble Lady_
+
+ Time, when thou shalt bring again
+ Pallas from the Trojan plain,
+ Portia from the Roman's hall,
+ Brynhild from the fiery wall,
+ Eleanor, whose fearless breath
+ Drew the venom'd fangs of Death,
+ And Philippa doubly brave
+ Or to conquer or to save--
+
+ When thou shalt on one bestow
+ All their grace and all their glow,
+ All their strength and all their state,
+ All their passion pure and great,
+ Some far age may honour then
+ Such another queen of men.
+
+
+
+
+{146}
+
+_Midway_
+
+ Turn back, my Soul, no longer set
+ Thy peace upon the years to come
+ Turn back, the land of thy regret
+ Holds nothing doubtful, nothing dumb.
+
+ There are the voices, there the scenes
+ That make thy life in living truth
+ A tale of heroes and of queens,
+ Fairer than all the hopes of youth.
+
+
+
+
+{147}
+
+_Ad Matrem Dolorosam_
+
+ Think not thy little fountain's rain
+ That in the sunlight rose and flashed,
+ From the bright sky has fallen again,
+ To cold and shadowy silence dashed.
+ The Joy that in her radiance leapt
+ From everlasting hath not slept.
+
+ The hand that to thy hand was dear,
+ The untroubled eyes that mirrored thine,
+ The voice that gave thy soul to hear
+ A whisper of the Love Divine--
+ What though the gold was mixed with dust?
+ The gold is thine and cannot rust.
+
+ Nor fear, because thy darling's heart
+ No longer beats with mortal life,
+ That she has missed the ennobling part
+ Of human growth and human strife.
+ Only she has the eternal peace
+ Wherein to reap the soul's increase.
+
+
+
+
+{148}
+
+_Vrais Amants_
+
+(FOURTEENTH CENTURY)
+
+ "Time mocks thy opening music with a close;
+ What now he gives long since he gave away.
+ Thou deemst thy sun hath risen, but ere it rose
+ It was eclipsed, and dusk shall be thy day."
+
+ Yet has the Dawn gone up: in loveliest light
+ She walks high heaven beyond the shadow there:
+ Whom I too veiled from all men's envious sight
+ With inward eyes adore and silent prayer.
+
+
+
+
+{149}
+
+_The Sangreal_
+
+ Once, when beside me in that sacred place
+ I saw my lady lift her lovely head,
+ And saw the Chalice gleam above her face
+ And her dear lips with life immortal red,
+ Then, born again beyond the mist of years,
+ I knelt in Heaven, and drank the wine of tears.
+
+
+
+
+{150}
+
+_Sir Hugh the Palmer_
+
+ I
+
+ He kneeled among a waste of sands
+ Before the Mother-Maid,
+ But on the far green forest-lands
+ His steadfast eyes were stayed,
+ And like a knight of stone his hands
+ He straightened while he prayed.
+
+ "Lady, beyond all women fair,
+ Beyond all saints benign,
+ Whose living heart through life I bear
+ In mystery divine,
+ Hear thou and grant me this my prayer,
+ Or grant no prayer of mine.
+
+ "The fever of my spirit's pain
+ Heal thou with heavenly scorn;
+ The dust that but of dust is fain
+ Leave thou in dust forlorn;
+ Yea! bury love to rise again
+ Meet for eternal morn.
+
+{151}
+
+ "So by thy grace my inward eyes
+ Thy beauty still shall see,
+ And while our life in shadow lies
+ High dawn shall image thee,
+ Till with thy soul in Paradise
+ Thy servant's soul shall be."
+
+ Before the immortal Mother-Maid
+ Low on the sands he kneeled;
+ But even while the words he prayed
+ His lips to patience sealed,
+ Joy in his eyes a radiance made
+ Like stars in dusk revealed.
+
+
+ II
+
+ It was an idle company--
+ Ladies and lordings fine--
+ Idly under the wild-wood tree
+ Their laughter ran like wine.
+ Yet as they laughed a voice they heard--
+ A voice where none was seen,--
+ Singing blithe as a hidden bird
+ Among the forest green.
+
+ "Mark ye, mark ye, a lonely knight
+ Riding the green forest:
+ Pardi! for one so poorly dight
+ He lifts a haughty crest!
+
+{152}
+
+ Azure and white is all his wear,
+ He hath no gold, I trow!
+ Wanderer, thou in the wild-wood there,
+ Tell us why sing ye so!"
+
+ "Noble ladies and lordings gay,
+ God have you all in guard:
+ Since ye are pleased with me to play,
+ My riddle it is not hard.
+ I sing because, of all that ride,
+ I am the least of worth:
+ I sing because, to match my pride,
+ Never was pride on earth.
+
+ "But, an ye ask what that may mean,
+ Thus do I answer then:
+ I bear with me the heart of a Queen--
+ I that am least of men:--
+ I bear her heart till the end of all,
+ Yea! by her own command
+ I bear the heart of a Queen royal
+ Unto the Holy Land."
+
+ Humbly there his crest he bent,--
+ Azure it waved and white,--
+ Haughtily there he turned and went
+ Singing, out of their sight.
+ Long, long but his voice they heard,--
+ A voice where none was seen,--
+ Singing blithe as a hidden bird,
+ Among the forest green.
+
+
+
+
+{153}
+
+_The Presentation_
+
+ When in the womb of Time our souls' own son
+ Dear Love lay sleeping till his natal hour,
+ Long months I knew not that sweet life begun,
+ Too dimly treasuring thy touch of power;
+ And wandering all those days
+ By far-off ways,
+ Forgot immortal seed must have immortal flower.
+
+ Only, beloved, since my beloved thou art
+ I do remember, now that memory's vain,
+ How twice or thrice beneath my beating heart
+ Life quickened suddenly with proudest pain.
+ Then dreamed I Love's increase,
+ Yet held my peace
+ Till I might render thee thy own great gift again.
+
+ For as with bodies, so with souls it is,
+ The greater gives, the lesser doth conceive:
+ That thou hast fathered Love, I tell thee this,
+ And by my pangs beseech thee to believe.
+ Look on his hope divine--
+ Thy hope and mine--
+ Pity his outstretched hands, tenderly him receive!
+
+
+
+
+{154}
+
+_The Inheritance_
+
+ While I within her secret garden walked,
+ The flowers, that in her presence must be dumb,
+ With me, their fellow-servant, softly talked,
+ Attending till the Flower of flowers should come.
+ Then, since at Court I had arrived but late,
+ I was by love made bold
+ To ask that of my lady's high estate
+ I might be told,
+ And glories of her blood, perpetuate
+ In histories old.
+
+ Then they, who know the chronicle of Earth,
+ Spoke of her loveliness, that like a flame
+ Far-handed down from noble birth to birth,
+ Gladdened the world for ages ere she came.
+ "Yea, yea," they said, "from Summer's royal sun
+ Comes that immortal line,
+ And was create not for this age alone
+ Nor wholly thine,
+ Being indeed a flower whose root is one
+ With Life Divine.
+
+{155}
+
+ "To the sweet buds that of herself are part
+ Already she this portion hath bequeathed,
+ As, not less surely, into thy proud heart
+ Her nobleness, O poet, she hath breathed,
+ That her inheritance by them and thee
+ The world may keep alway,
+ When the still sunlight of her eyes shall be
+ Lost to the day,
+ And even the fragrance of her memory
+ Fading away."
+
+
+
+
+{156}
+
+_Amore Altiero_
+
+ Since thou and I have wandered from the highway
+ And found with hearts reborn
+ This swift and unimaginable byway
+ Unto the hills of morn,
+ Shall not our love disdain the unworthy uses
+ Of the old time outworn?
+
+ I'll not entreat thy half unwilling graces
+ With humbly folded palms,
+ Nor seek to shake thy proud defended places
+ With noise of vague alarms,
+ Nor ask against my fortune's grim pursuing
+ The refuge of thy arms.
+
+ Thou'lt not withhold for pleasure vain and cruel
+ That which has long been mine,
+ Nor overheap with briefly burning fuel
+ A fire of flame divine,
+ Nor yield the key for life's profaner voices
+ To brawl within the shrine.
+
+{157}
+
+ But thou shalt tell me of thy queenly pleasure
+ All that I must fulfil,
+ And I'll receive from out my royal treasure
+ What golden gifts I will,
+ So that two realms supreme and undisputed
+ Shall be one kingdom still.
+
+ And our high hearts shall praise the beauty hidden
+ In starry-minded scorn
+ By the same Lord who hath His servants bidden
+ To seek with eyes new-born
+ This swift and unimaginable byway
+ Unto the hills of morn.
+
+
+
+
+{158}
+
+_The Pedlar's Song_
+
+ I tramped among the townward throng
+ A sultry summer's morn:
+ They mocked me loud, they mocked me long,
+ They laughed my pack to scorn.
+ But a likely pedlar holds his peace
+ Until the reckoning's told:--
+ Merrily I to market went, tho' songs were all my gold.
+
+ At weary noon I left the town,
+ I left the highway straight,
+ I climbed the silent, sunlit down
+ And stood by a castle gate.
+ Never yet was a house too high
+ When the pedlar's heart was bold:--
+ Merrily I to market went, tho' songs were all my gold.
+
+ A lady leaned from her window there
+ And asked my wares to see;
+ Her voice made rich the summer air,
+ Richer my soul in me.
+ She gave me only four little words,
+ Words of a language old:--
+ Merrily I from market came, for all my songs were sold.
+
+
+
+
+{159}
+
+_Benedick's Song_
+
+ Though I see within thine eyes
+ Sudden frown of cloudy skies,
+ Yet I bid them "merry morn"
+ For they tell me Love is born.
+ So ha-ha! with ha-ha-ha!
+ For they tell me Love is born.
+
+ Storms of mocking from thy lips
+ Lash me still like airy whips;
+ But to-day thy scorn I scorn
+ For I know that Love is born.
+ So ha-ha! with ha-ha-ha!
+ For I know that Love is born.
+
+ O the hail that rattles fierce
+ Through my hodden cloak to pierce!
+ What care I if rags be torn?
+ Love and I are beggars born!
+ So ha-ha! with ha-ha-ha!
+ Love and I are beggars born.
+
+
+
+
+{160}
+
+_Love and Grief._
+
+ One day, when Love and Summer both were young,
+ Love in a garden found my lady weeping;
+ Whereat, when he to kiss her would have sprung,
+ I stayed his childish leaping.
+
+ "Forbear," said I, "she is not thine to-day;
+ Subdue thyself in silence to await her;
+ If thou dare call her from Death's side away
+ Thou art no Love, but traitor.
+
+ Yet did he run, and she his kiss received,
+ "She is twice mine," he cried, "since she is troubled;
+ I knew but half, and now I see her grieved
+ My part in her is doubled."
+
+
+
+
+{161}
+
+_Egeria's Silence_
+
+ Her thought that, like a brook beside the way,
+ Sang to my steps through all the wandering year,
+ Has ceased from melody--O Love, allay
+ My sudden fear!
+
+ She cannot fail--the beauty of that brow
+ Could never flower above a desert heart--
+ Somewhere beneath, the well-spring even now
+ Lives, though apart.
+
+ Some day, when winter has renewed her fount
+ With cold, white-folded snows and quiet rain,
+ O Love, O Love, her stream again will mount
+ And sing again!
+
+
+
+
+{162}
+
+_Against Oblivion_
+
+ Cities drowned in olden time
+ Keep, they say, a magic chime
+ Rolling up from far below
+ When the moon-led waters flow.
+
+ So within me, ocean deep,
+ Lies a sunken world asleep.
+ Lest its bells forget to ring,
+ Memory! set the tide a-swing!
+
+
+
+
+{163}
+
+_Fond Counsel_
+
+ O youth, beside thy silver-springing fountain,
+ In sight and hearing of thy father's cot,
+ These and the morning woods, the lonely mountain,
+ These are thy peace, although thou know'st it not.
+ Wander not yet where noon's unpitying glare
+ Beats down the toilers in the city bare;
+ Forsake not yet, not yet, the homely plot,
+ O Youth, beside thy silver-springing fountain.
+
+
+
+
+{164}
+
+_Youth_
+
+ His song of dawn outsoars the joyful bird,
+ Swift on the weary road his footfall comes;
+ The dusty air that by his stride is stirred
+ Beats with a buoyant march of fairy drums.
+ "Awake, O Earth! thine ancient slumber break;
+ To the new day, O slumbrous Earth, awake!"
+
+ Yet long ago that merry march began,
+ His feet are older than the path they tread;
+ His music is the morning-song of man,
+ His stride the stride of all the valiant dead;
+ His youngest hopes are memories, and his eyes
+ Deep with the old, old dream that never dies.
+
+
+
+
+{165}
+
+_The Wanderer_
+
+ To Youth there comes a whisper out of the west:
+ "O loiterer, hasten where there waits for thee
+ A life to build, a love therein to nest,
+ And a man's work, serving the age to be."
+
+ Peace, peace awhile! Before his tireless feet
+ Hill beyond hill the road in sunlight goes;
+ He breathes the breath of morning, clear and sweet,
+ And his eyes love the high eternal snows.
+
+
+
+
+{166}
+
+_The Adventurers_
+
+ Over the downs in sunlight clear
+ Forth we went in the spring of the year:
+ Plunder of April's gold we sought,
+ Little of April's anger thought.
+
+ Caught in a copse without defence
+ Low we crouched to the rain-squall dense:
+ Sure, if misery man can vex,
+ There it beat on our bended necks.
+
+ Yet when again we wander on
+ Suddenly all that gloom is gone:
+ Under and over through the wood,
+ Life is astir, and life is good.
+
+ Violets purple, violets white,
+ Delicate windflowers dancing light,
+ Primrose, mercury, moscatel,
+ Shimmer in diamonds round the dell.
+
+ Squirrel is climbing swift and lithe,
+ Chiff-chaff whetting his airy scythe,
+ Woodpecker whirrs his rattling rap,
+ Ringdove flies with a sudden clap.
+
+{167}
+
+ Rook is summoning rook to build,
+ Dunnock his beak with moss has filled,
+ Robin is bowing in coat-tails brown,
+ Tomtit chattering upside down.
+
+ Well is it seen that every one
+ Laughs at the rain and loves the sun;
+ We too laughed with the wildwood crew,
+ Laughed till the sky once more was blue.
+
+ Homeward over the downs we went
+ Soaked to the heart with sweet content;
+ April's anger is swift to fall,
+ April's wonder is worth it all.
+
+
+
+
+{168}
+
+_To Clare_
+
+(WITH A VOLUME OF STORIES FROM FROISSART)
+
+ My Clare,--
+ These tales were told, you know,
+ In French, five hundred years ago,
+ By old Sir John, whose heart's delight
+ Was lady sweet and valiant knight.
+ A hundred years went by, and then
+ A great lord told the tales again,
+ When bluff King Hal desired his folk
+ To read them in the tongue they spoke.
+ Last, I myself among them took
+ What I loved best and made this book.
+ Great, lesser, less--these writers three
+ Worked for the days they could not see,
+ And certes, in their work they knew
+ Nothing at all, dear child, of you.
+ Yet is this book your own in truth,
+ Because 'tis made for noble youth,
+ And every word that's living there
+ Must die when Clares are no more Clare.
+
+
+
+
+{169}
+
+_The Return of Summer: An Eclogue_
+
+Scene: ASHDOWN FOREST IN MAY
+
+Persons: H.--A POET; C.--HIS DAUGHTER
+
+ H. Here then, if you insist, my daughter: still,
+ I must confess that I preferred the hill.
+ The warm scent of the pinewood seemed to me
+ The first true breath of summer; did you see
+ The waxen hurt-bells with their promised fruit
+ Already purple at the blossom's root,
+ And thick among the rusty bracken strown
+ Sunburnt anemones long overblown?
+ Summer is come at last!
+
+ C. And that is why
+ Mine is a better place than yours to lie.
+ This dark old yew tree casts a fuller shade
+ Than any pine; the stream is simply made
+ For keeping bottles cool; and when we've dined
+ I could just wade a bit while you . . . reclined.
+
+ H. Empty the basket then, without more words . . .
+ But I still wish we had not left the birds.
+
+{170}
+
+ C. Father! you are perverse! Since when, I beg,
+ Have forest birds been tethered by the leg?
+ They're everywhere! What more can you desire?
+ The cuckoo shouts as though he'd never tire,
+ The nuthatch, knowing that of noise you're fond,
+ Keeps chucking stones along a frozen pond,
+ And busy gold-crest, somewhere out of sight,
+ Works at his saw with all his tiny might.
+ I do not count the ring-doves or the rooks,
+ We hear so much about them in the books
+ They're hardly real; but from where I sit
+ I see two chaffinches, a long-tailed tit,
+ A missel-thrush, a yaffle----
+
+ H. That will do:
+ I may have overlooked a bird or two.
+ Where are the biscuits? Are you getting cramp
+ Down by the water there--it must be damp?
+
+ C. I'm only watching till your bottle's cool:
+ It lies so snug beneath this glassy pool,
+ Like a sunk battleship; and overhead
+ The water-boatmen get their daily bread
+ By rowing all day long, and far below
+ Two little eels go winding, winding slow . . .
+ Oh! there's a shark!
+
+ H. A what?
+
+ C. A miller's thumb.
+ Don't move, I'll tempt him with a tiny crumb.
+
+ H. Be quick about it, please, and don't forget
+ I am at least as dry as he is wet.
+
+ C. Oh, very well then, here's your drink.
+
+{171}
+
+ H. That's good!
+ I feel much better now.
+
+ C. I thought you would (_exit quietly_).
+
+ H. How beautiful the world is when it breathes
+ The news of summer!--when the bronzy sheathes
+ Still hang about the beech-leaf, and the oaks
+ Are wearing still their dainty tasselled cloaks,
+ While on the hillside every hawthorn pale
+ Has taken now her balmy bridal veil,
+ And, down below, the drowsy murmuring stream
+ Lulls the warm noonday in an endless dream.
+ O little brook, far more thou art to me
+ Than all the pageantry of field and tree:
+ _Es singen wohl die Nixen_--ah! 'tis truth--
+ _Tief unten ihren Reih'n_--but only Youth
+ Can hear them joyfully, as once I lay
+ And heard them singing of the world's highway,
+ Of wandering ended, and the maiden found,
+ And golden bread by magic mill-wheel ground.
+ Lost is the magic now, the wheel is still,
+ And long ago the maiden left the mill:
+ Yet once a year, one day, when summer dawns,
+ The old, old murmur haunts the river-lawns,
+ The fairies wake, the fairy song is sung,
+ And for an hour the wanderer's feet are young (_he dozes_).
+
+ C. (returning) Father! I called you twice.
+
+ H. I did not know:
+ Where have you been?
+
+ C. Oh, down the stream.
+
+{172}
+
+ H. Just so:
+ Well, I went _up_.
+
+ C. I wish you'd been with me.
+
+ H. When East is West, my daughter, that may be.
+
+
+
+
+{173}
+
+_Dream-Market_
+
+A MASQUE PRESENTED AT WILTON HOUSE,
+
+JULY 28, 1909
+
+
+ _Scene_. A LAWN IN THE COUNTESS OF PEMBROKE'S ARCADIA
+
+ _Enter FLORA, Lady of Summer, with her maidens, PHYLLIS
+ and AMARYLLIS. She takes her seat upon a bank,
+ playing with a basket of freshly gathered flowers, one
+ of which she presently holds up in her hand._
+
+
+ FLORA. Ah! how I love a rose! But come, my girls,
+ Here's for your task: to-day you, Amaryllis,
+ Shall take the white, and, Phyllis, you the red.
+ Hold out your kirtles for them. White, red, white,
+ Red, red, and white again. . . .
+ Wonder you not
+ How the same sun can breed such different beauties?
+ [_She divides all her roses between them._
+ Well, take them all, and go--scatter them wide
+ In gardens where men love me, and be sure
+
+{174}
+
+ Where even one flower falls, or one soft petal,
+ Next year shall see a hundred.
+ [_As they turn to go, enter LUCIA in hunting dress,
+ with bow in hand and a hound by her side. FLORA
+ rises to meet her, and recalls her maidens._]
+ Stay! attend me.
+
+ LUCIA. Greeting, fair ladies; you, I think, must be
+ Daughters of this green Earth, and one of you
+ The sweet Dame Flora.
+
+ FLORA. Your true servant, madam.
+ But if my memory be not newly withered
+ I have not known the pleasure. . . .
+
+ LUCIA. Yes, you have seen me--
+ At least, you might have seen me; I am Lucia,
+ Lady of Moonlight, and I often hunt
+ These downs of yours with all my nightly pack
+ Of questing beams and velvet-footed shadows.
+
+ FLORA. I fear at night. . . .
+
+ LUCIA. Oh, yes! at night you are sleeping!
+ And I by day am always rather faint;
+ So we don't meet; but sometimes your good folk
+ Have torn my nets by raking in the water;
+ And though their neighbours laughed, there are worse ways
+ Of spending time, and far worse things to rake for
+ Than silver lights upon a crystal stream.
+ But come! My royal Sire, the Man in the Moon--
+ _He_ has been here?
+
+ FLORA. So many kings come here,
+ I can't be sure; I've heard the Man in the Moon
+
+{175}
+
+ Did once come down and ask his way to Norwich.
+ But that was years agone--hundreds of years--
+ It may not be the same--I do not know
+ You royal father's age. . . .
+
+ LUCIA. His age? Oh surely!
+ He never _can_ be more than one month old.
+
+ FLORA. Yet he's your father!
+
+ LUCIA. Well, he is and is not;
+ [_Proudly_] I am the daughter of a million moons.
+ They month by month and year by circling year,
+ From their celestial palace looking down
+ On your day-wearied Earth, have soothed her sleep,
+ And rocked her tides, and made a magic world
+ For all her lovers and her nightingales.
+ You owe them much, my ancestors. No doubt,
+ At times they suffered under clouds; at times
+ They were eclipsed; yet in their brighter hours
+ They were illustrious!
+
+ FLORA. And may I hope
+ Your present Sire, his present Serene Highness,
+ Is in his brighter hours to-day?
+
+ LUCIA. Ah! no.
+ Be sure he is not--else I had not left
+ My cool, sweet garden of unfading stars
+ For the rank meadows of this sun-worn mould.
+
+ FLORA. What _is_ your trouble, then?
+
+ LUCIA. Although my father
+ Has been but ten days reigning, he is sad
+ With all the sadness of a phantom realm,
+ And all the sorrows of ten thousand years.
+
+{176}
+
+ We in our Moonland have no life like yours,
+ No birth, no death: we live but in our dreams:
+ And when they are grown old--these mortal visions
+ Of an immortal sleep--we seem to lose them.
+ They are too strong for us, too self-sufficient
+ To live for us; they go their ways and leave us,
+ Like shadows grown substantial.
+
+ FLORA. I have heard
+ Something on earth not unlike this complaint,
+ But can I help you?
+
+ LUCIA. Lady, if you cannot,
+ No one can help. In Moonland there is famine,
+ We are losing all our dreams, and I come hither
+ To buy a new one for my father's house.
+
+ FLORA. To buy a dream?
+
+ LUCIA. Some little darling dream
+ That will be always with us, night and day,
+ Loving and teasing, sailing light of heart
+ Over our darkest deeps, reminding us
+ Of our lost childhood, playing our old games,
+ Singing our old songs, asking our old riddles,
+ Building our old hopes, and with our old gusto
+ Rehearsing for us in one endless act
+ The world past and the world to be.
+
+ FLORA. Oh! now
+ I see your meaning. Yes, I have indeed
+ Plenty of such sweet dreams: _we_ call them children.
+ They are _our_ dreams too, and though they are born of us,
+ Truly in them we live. But, dearest lady,
+ We do not sell them.
+
+{177}
+
+ LUCIA. Do you mean you will not?
+ Not one? Could you not _lend_ me one--just one?
+
+ FLORA. Ah! but to lend what cannot be returned
+ Is merely giving--who can bring again
+ Into the empty nest those winged years?
+ Still, there are children here well worth your hopes,
+ And you shall venture: if there be among them
+ One that your heart desires, and she consent,
+ Take her and welcome--for the will of Love
+ Is the wind's will, and none may guess his going.
+
+ LUCIA. O dearest Lady Flora!
+
+ FLORA. Stay! they are here,
+ Mad as a dance of May-flies.
+
+ [_The children run in dancing and singing._
+
+ Shall we sit
+ And watch these children?
+ Phyllis, bid them play,
+ And let them heed us no more than the trees
+ That girdle this green lawn with whispering beauty.
+ [_The children play and sing at their games, till at a
+ convenient moment the LADY FLORA holds up her hand._]
+
+ FLORA. Now, Amaryllis, stay the rushing stream,
+ The meadows for this time have drunk enough.
+ [_To LUCIA._] And you, what think you, lady, of these maids?
+ Has their sweet foolish singing moved your heart
+ To choose among them?
+
+ LUCIA. I have heard them gladly,
+ And if I could, would turn them all to elves,
+ That if they cannot live with me, at least
+
+{178}
+
+ I might look down when our great galleon sails
+ Close over earth, and see them always here
+ Dancing upon the moonlit shores of night.
+ But how to choose!--and though they are young and fair
+ Their every grace foretells the fatal change,
+ The swift short bloom of girlhood, like a flower
+ Passing away, for ever passing away.
+ Have you not one with petals tenderer yet,
+ More deeply folded, further from the hour
+ When the bud dies into the mortal rose?
+
+ FLORA [_pointing._] _There_ is my youngest blossom and my fairest,
+ But my most wilful too--you'll pluck her not
+ Without some aid of magic.
+
+ LUCIA. Time has been
+ When I have known even your forest trees
+ Sway to a song of moonland. I will try it.
+
+ [_She sings and dances a witching measure._]
+
+
+ SONG
+
+ (_To an air by HENRY LAWES, published in 1652_)
+
+ The flowers that in thy garden rise,
+ Fade and are gone when Summer flies,
+ And as their sweets by time decay,
+ So shall thy hopes be cast away.
+
+ The Sun that gilds the creeping moss
+ Stayeth not Earth's eternal loss:
+ He is the lord of all that live,
+ Yet there is life he cannot give.
+
+{179}
+
+ The stir of Morning's eager breath--
+ Beautiful Eve's impassioned death--
+ Thou lovest these, thou lovest well,
+ Yet of the Night thou canst not tell.
+
+ In every land thy feet may tread,
+ Time like a veil is round thy head:
+ Only the land thou seek'st with me
+ Never hath been nor yet shall be.
+
+ It is not far, it is not near,
+ Name it hath none that Earth can hear;
+ But there thy Soul shall build again
+ Memories long destroyed of men,
+ And Joy thereby shall like a river
+ Wander from deep to deep for ever.
+
+
+ [_When she has finished the child runs into her arms._]
+
+ FLORA. Your spell has won her, and I marvel not:
+ She was but half our own.
+ [_To the Child_] Farewell, dear child,
+ 'Tis time to part, you with this lovely lady
+ To dance in silver halls, and gather stars
+ And be the dream you are: while we return
+ To the old toil and harvest of the Earth.
+ Farewell! and farewell all!
+
+ ALL. Farewell! farewell!
+
+ [_Exeunt omnes._
+
+
+
+
+{180}
+
+_The Cicalas: An Idyll_
+
+_Scene_: AN ENGLISH GARDEN BY STARLIGHT
+
+_Persons_: A LADY AND A POET
+
+
+ THE POET
+
+ Dimly I see your face: I hear your breath
+ Sigh faintly, as a flower might sigh in death
+ And when you whisper, you but stir the air
+ With a soft hush like summer's own despair.
+
+
+ THE LADY (_aloud_)
+
+ O Night divine, O Darkness ever blest,
+ Give to our old sad Earth eternal rest.
+ Since from her heart all beauty ebbs away,
+ Let her no more endure the shame of day.
+
+
+ THE POET
+
+ A thousand ages have not made less bright
+ The stars that in this fountain shine to-night:
+ Your eyes in shadow still betray the gleam
+ That every son of man desires in dream.
+
+
+{181}
+
+ THE LADY
+
+ Yes, hearts will burn when all the stars are cold;
+ And Beauty lingers--but her tale is told:
+ Mankind has left her for a game of toys,
+ And fleets the golden hour with speed and noise.
+
+
+ THE POET
+
+ Think you the human heart no longer feels
+ Because it loves the swift delight of wheels?
+ And is not Change our one true guide on earth,
+ The surest hand that leads us from our birth?
+
+
+ THE LADY
+
+ Change were not always loss, if we could keep
+ Beneath all change a clear and windless deep:
+ But more and more the tides that through us roll
+ Disturb the very sea-bed of the soul.
+
+
+ THE POET
+
+ The foam of transient passions cannot fret
+ The sea-bed of the race, profounder yet:
+ And there, where Greece and her foundations are,
+ Lies Beauty, built below the tide of war.
+
+
+ THE LADY
+
+ So--to the desert, once in fifty years--
+ Some poor mad poet sings, and no one hears:
+ But what belated race, in what far clime,
+ Keeps even a legend of Arcadian time?
+
+
+{182}
+
+ THE POET
+
+ Not ours perhaps: a nation still so young,
+ So late in Rome's deserted orchard sprung,
+ Bears not as yet, but strikes a hopeful root
+ Till the soil yield its old Hesperian fruit.
+
+
+ THE LADY
+
+ Is not the hour gone by? The mystic strain,
+ Degenerate once, may never spring again.
+ What long-forsaken gods shall we invoke
+ To grant such increase to our common oak?
+
+
+ THE POET
+
+ Yet may the ilex, of more ancient birth,
+ More deeply planted in that genial earth,
+ From her Italian wildwood even now
+ Revert, and bear once more the golden bough.
+
+
+ THE LADY
+
+ A poet's dream was never yet less great
+ Because it issued through the ivory gate!
+ Show me one leaf from that old wood divine,
+ And all your ardour, all your hopes are mine.
+
+
+ THE POET
+
+ May Venus bend me to no harder task!
+ For--Pan be praised!--I hold the gift you ask.
+ The leaf, the legend, that your wish fulfils,
+ To-day he brought me from the Umbrian hills.
+
+
+{183}
+
+ THE LADY
+
+ Your young Italian--yes! I saw you stand
+ And point his path across our well-walled land:
+ A sculptor's model, but alas! no god:
+ These narrow fields the goat-foot never trod!
+
+
+ THE POET
+
+ Yet from his eyes the mirth a moment glanced
+ To which the streams of old Arcadia danced;
+ And on his tongue still lay the childish lore
+ Of that lost world for which you hope no more.
+
+
+ THE LADY
+
+ Tell me!--from where I watched I saw his face,
+ And his hands moving with a rustic grace,
+ Caught too the alien sweetness of his speech,
+ But sound alone, not sense, my ears could reach.
+
+
+ THE POET
+
+ He asked if we in England ever heard
+ The tiny beasts, half insect and half bird,
+ That neither eat nor sleep, but die content
+ When they in endless song their strength have spent.
+
+
+ THE LADY
+
+ Cicalas! how the name enchants me back
+ To the grey olives and the dust-white track!
+ Was there a story then?--I have forgot,
+ Or else by chance my Umbrians told it not.
+
+
+{184}
+
+ THE POET
+
+ Lover of music, you at least should know
+ That these were men in ages long ago,--
+ Ere music was,--and then the Muses came,
+ And love of song took hold on them like flame.
+
+
+ THE LADY
+
+ Yes, I remember now the voice that speaks--
+ Most living still of all the deathless Greeks--
+ Yet tell me--how they died divinely mad,
+ And of the Muses what reward they had.
+
+
+ THE POET
+
+ They are reborn on earth, and from the first
+ They know not sleep, they hunger not nor thirst
+ Summer with glad Cicala's song they fill,
+ Then die, and go to haunt the Muses' Hill.
+
+
+ THE LADY
+
+ They are reborn indeed! and rightly you
+ The far-heard echo of their music knew!
+ Pray now to Pan, since you too, it would seem,
+ Were there with Phaedrus, by Ilissus' stream.
+
+
+ THE POET
+
+ Beloved Pan, and all ye gods whose grace
+ For ever haunts our short life's resting-place,
+ Outward and inward make me one true whole,
+ And grant me beauty in the inmost soul!
+
+
+{185}
+
+ THE LADY
+
+ And thou, O Night, O starry Queen of Air,
+ Remember not my blind and faithless prayer!
+ Let me too live, let me too sing again,
+ Since Beauty wanders still the ways of men.
+
+
+
+
+{186}
+
+_The Faun_
+
+ Yesterday I thought to roam
+ Idly through the fields of home,
+ And I came at morning's end
+ To our brook's familiar bend.
+ There I raised my eyes, and there,
+ Shining through an ampler air,
+ Folded in by hills of blue
+ Such as Wessex never knew,
+ Changed as in a waking dream
+ Flowed the well-remembered stream.
+
+ Now a line of wattled pale
+ Fenced the downland from the vale,
+ Now the sedge was set with reeds
+ Fitter for Arcadian meads,
+ And where I was wont to find
+ Only things of timid kind,
+ Now the Genius of the pool
+ Mocked me from his corner cool.
+ Eyes he had with malice quick,
+ Tufted hair and ears a-prick,
+ And, above a tiny chin,
+ Lips with laughter wide a-grin.
+
+{187}
+
+ Therewithal a shaggy flank
+ In the crystal clear he sank,
+ And beneath the unruffled tide
+ A little pair of hooves I spied.
+
+ Yet though plainly there he stood,
+ Creature of the wave and wood,
+ Under his satyric grace
+ Something manlike I could trace,
+ And the eyes that mocked me there
+ Like a gleam of memory were.
+
+ "So," said I at last to him,
+ Frowning from the river's brim,
+ "This is where you come to play,
+ Heedless of the time of day."
+
+ "Nay," replied the youthful god,
+ Leaning on the flowery sod,
+ "Here there are no clocks, and so
+ Time can neither come nor go."
+
+ "Little goat," said I, "you're late,
+ And your dinner will not wait:
+ If to-day you wish to eat,
+ Trust me, you must find your feet."
+
+ "Father," said the little goat,
+ "Do you know that I can float?
+
+{188}
+
+ Do you know that I can dive
+ As deep as any duck alive?
+ Would you like to see me drop
+ Out of yonder willow's top?"
+
+ Sternly I replied again,
+ "You may spare your boasting vain;
+ All that you can do I did
+ When I was myself a kid."
+ Laughter followed such as pealed
+ Through the first unfurrowed field.
+ "Then what mother says is true,
+ And your hoof is cloven too!"
+
+ Ah!--but that irreverent mirth,
+ Learnt of the primeval earth,
+ Surely was with magic fraught
+ That upon my pulses wrought:
+ I too felt the air of June
+ Humming with a merry tune,
+ I too reckoned, like a boy,
+ Less of Time and more of Joy:
+ Till, as homeward I was wending,
+ I perceived my back unbending,
+ And before the mile was done
+ Ran beside my truant son.
+
+
+
+
+{189}
+
+_Fidele's Grassy Tomb_
+
+ The Squire sat propped in a pillowed chair,
+ His eyes were alive and clear of care,
+ But well he knew that the hour was come
+ To bid good-bye to his ancient home.
+
+ He looked on garden, wood, and hill,
+ He looked on the lake, sunny and still:
+ The last of earth that his eyes could see
+ Was the island church of Orchardleigh.
+
+ The last that his heart could understand
+ Was the touch of the tongue that licked his hand
+ "Bury the dog at my feet," he said,
+ And his voice dropped, and the Squire was dead.
+
+ Now the dog was a hound of the Danish breed,
+ Staunch to love and strong at need:
+ He had dragged his master safe to shore
+ When the tide was ebbing at Elsinore.
+
+ From that day forth, as reason would,
+ He was named "Fidele," and made it good:
+ When the last of the mourners left the door
+ Fidele was dead on the chantry floor.
+
+{190}
+
+ They buried him there at his master's feet,
+ And all that heard of it deemed it meet:
+ The story went the round for years,
+ Till it came at last to the Bishop's ears.
+
+ Bishop of Bath and Wells was he,
+ Lord of the lords of Orchardleigh;
+ And he wrote to the Parson the strongest screed
+ That Bishop may write or Parson read.
+
+ The sum of it was that a soulless hound
+ Was known to be buried in hallowed ground:
+ From scandal sore the Church to save
+ They must take the dog from his master's grave.
+
+ The heir was far in a foreign land,
+ The Parson was wax to my Lord's command:
+ He sent for the Sexton and bade him make
+ A lonely grave by the shore of the lake.
+
+ The Sexton sat by the water's brink
+ Where he used to sit when he used to think:
+ He reasoned slow, but he reasoned it out,
+ And his argument left him free from doubt.
+
+ "A Bishop," he said, "is the top of his trade;
+ But there's others can give him a start with the spade:
+ Yon dog, he carried the Squire ashore,
+ And a Christian couldn't ha' done no more."
+
+{191}
+
+ The grave was dug; the mason came
+ And carved on stone Fidele's name;
+ But the dog that the Sexton laid inside
+ Was a dog that never had lived or died.
+
+ So the Parson was praised, and the scandal stayed,
+ Till, a long time after, the church decayed,
+ And, laying the floor anew, they found
+ In the tomb of the Squire the bones of a hound.
+
+ As for the Bishop of Bath and Wells
+ No more of him the story tells;
+ Doubtless he lived as a Prelate and Prince,
+ And died and was buried a century since.
+
+ And whether his view was right or wrong
+ Has little to do with this my song;
+ Something we owe him, you must allow;
+ And perhaps he has changed his mind by now.
+
+ The Squire in the family chantry sleeps,
+ The marble still his memory keeps:
+ Remember, when the name you spell,
+ There rest Fidele's bones as well.
+
+ For the Sexton's grave you need not search,
+ 'Tis a nameless mound by the island church:
+ An ignorant fellow, of humble lot--
+ But he knew one thing that a Bishop did not.
+
+
+
+
+{192}
+
+_Moonset_
+
+ Past seven o'clock: time to be gone;
+ Twelfth-night's over and dawn shivering up:
+ A hasty cut of the loaf, a steaming cup,
+ Down to the door, and there is Coachman John.
+
+ Ruddy of cheek is John and bright of eye;
+ But John it appears has none of your grins and winks;
+ Civil enough, but short: perhaps he thinks:
+ Words come once in a mile, and always dry.
+
+ Has he a mind or not? I wonder; but soon
+ We turn through a leafless wood, and there to the right,
+ Like a sun bewitched in alien realms of night,
+ Mellow and yellow and rounded hangs the moon.
+
+ Strangely near she seems, and terribly great:
+ The world is dead: why are we travelling still?
+ Nightmare silence grips my struggling will;
+ We are driving for ever and ever to find a gate.
+
+{193}
+
+ "When you come to consider the moon," says John at last,
+ And stops, to feel his footing and take his stand;
+ "And then there's some will say there's never a hand
+ That made the world!"
+ A flick, and the gates are passed.
+
+ Out of the dim magical moonlit park,
+ Out to the workday road and wider skies:
+ There's a warm flush in the East where day's to rise,
+ And I'm feeling the better for Coachman John's remark.
+
+
+
+
+{194}
+
+_A Song of Exmoor_
+
+ The Forest above and the Combe below,
+ On a bright September morn!
+ He's the soul of a clod who thanks not God
+ That ever his body was born!
+ So hurry along, the stag's afoot,
+ The Master's up and away!
+ Halloo! Halloo! we'll follow it through
+ From Bratton to Porlock Bay!
+
+ _So hurry along, the stag's afoot,
+ The Master's up and away!
+ Halloo! Halloo! we'll follow it through
+ From Bratton to Porlock Bay!_
+
+ Hark to the tufters' challenge true,
+ 'Tis a note that the red-deer knows!
+ His courage awakes, his covert he breaks,
+ And up for the moor he goes!
+ He's all his rights and seven on top,
+ His eye's the eye of a king,
+ And he'll beggar the pride of some that ride
+ Before he leaves the ling!
+
+{195}
+
+ Here comes Antony bringing the pack,
+ Steady! he's laying them on!
+ By the sound of their chime you may tell that it's time
+ To harden your heart and be gone.
+ Nightacott, Narracott, Hunnacott's passed,
+ Right for the North they race:
+ He's leading them straight for Blackmoor Gate,
+ And he's setting a pounding pace!
+
+ We're running him now on a breast-high scent,
+ But he leaves us standing still;
+ When we swing round by Westland Pound
+ He's far up Challacombe Hill.
+ The pack are a string of struggling ants,
+ The quarry's a dancing midge,
+ They're trying their reins on the edge of the Chains
+ While he's on Cheriton Ridge.
+
+ He's gone by Kittuck and Lucott Moor,
+ He's gone by Woodcock's Ley;
+ By the little white town he's turned him down,
+ And he's soiling in open sea.
+ So hurry along, we'll both be in,
+ The crowd are a parish away!
+ We're a field of two, and we've followed it through
+ From Bratton to Porlock Bay!
+
+ _So hurry along, we'll both be in,
+ The crowd are a parish away!
+ We're a field of two, and we've followed it through
+ From Bratton to Porlock Bay!_
+
+
+
+
+{196}
+
+_Master and Man_
+
+ Do ye ken hoo to fush for the salmon?
+ If ye'll listen I'll tell ye.
+ Dinna trust to the books and their gammon,
+ They're but trying to sell ye.
+ Leave professors to read their ain cackle
+ And fush their ain style;
+ Come awa', sir, we'll oot wi' oor tackle
+ And be busy the while.
+
+ 'Tis a wee bit ower bright, ye were thinkin'?
+ Aw, ye'll no be the loser;
+ 'Tis better ten baskin' and blinkin'
+ Than ane that's a cruiser.
+ If ye're bent, as I tak it, on slatter,
+ Ye should pray for the droot,
+ For the salmon's her ain when there's watter,
+ But she's oors when it's oot.
+
+ Ye may just put your flee-book behind ye,
+ Ane hook wull be plenty;
+ If they'll no come for this, my man, mind ye,
+ They'll no come for twenty.
+
+{197}
+
+ Ay, a rod; but the shorter the stranger
+ And the nearer to strike;
+ For myself I prefare it nae langer
+ Than a yard or the like.
+
+ Noo, ye'll stand awa' back while I'm creepin'
+ Wi' my snoot i' the gowans;
+ There's a bonny twalve-poonder a-sleepin'
+ I' the shade o' yon rowans.
+ Man, man! I was fearin' I'd stirred her,
+ But I've got her the noo!
+ Hoot! fushin's as easy as murrder
+ When ye ken what to do.
+
+ Na, na, sir, I doot na ye're willin'
+ But I canna permit ye,
+ For I'm thinkin' that yon kind o' killin'
+ Wad hardly befit ye.
+ And some work is deefficult hushin',
+ There'd be havers and chaff:
+ 'Twull be best, sir, for you to be fushin'
+ And me wi' the gaff.
+
+
+
+
+{198}
+
+_Gavotte_
+
+(OLD FRENCH)
+
+ Memories long in music sleeping,
+ No more sleeping,
+ No more dumb:
+ Delicate phantoms softly creeping
+ Softly back from the old-world come.
+
+ Faintest odours around them straying,
+ Suddenly straying
+ In chambers dim;
+ Whispering silks in order swaying,
+ Glimmering gems on shoulders slim:
+
+ Courage advancing strong and tender,
+ Grace untender
+ Fanning desire;
+ Suppliant conquest, proud surrender,
+ Courtesy cold of hearts on fire--
+
+ Willowy billowy now they're bending,
+ Low they're bending
+ Down-dropt eyes;
+ Stately measure and stately ending,
+ Music sobbing, and a dream that dies.
+
+
+
+
+{199}
+
+_Imogien_
+
+(A LADY OF TENDER AGE)
+
+ Ladies, where were your bright eyes glancing,
+ Where were they glancing yesternight?
+ Saw ye Imogen dancing, dancing,
+ Imogen dancing all in white?
+ Laughed she not with a pure delight,
+ Laughed she not with a joy serene,
+ Stepped she not with a grace entrancing,
+ Slenderly girt in silken sheen?
+
+ All through the night from dusk to daytime
+ Under her feet the hours were swift,
+ Under her feet the hours of playtime
+ Rose and fell with a rhythmic lift:
+ Music set her adrift, adrift,
+ Music eddying towards the day
+ Swept her along as brooks in Maytime
+ Carry the freshly falling May.
+
+ Ladies, life is a changing measure,
+ Youth is a lilt that endeth soon;
+
+{200}
+
+ Pluck ye never so fast at pleasure,
+ Twilight follows the longest noon.
+ Nay, but here is a lasting boon,
+ Life for hearts that are old and chill,
+ Youth undying for hearts that treasure
+ Imogen dancing, dancing still.
+
+
+
+
+{201}
+
+_Nel Mezzo Del Cammin_
+
+ Whisper it not that late in years
+ Sorrow shall fade and the world be brighter,
+ Life be freed of tremor and tears,
+ Heads be wiser and hearts be lighter.
+ Ah! but the dream that all endears,
+ The dream we sell for your pottage of truth--
+ Give us again the passion of youth,
+ Sorrow shall fade and the world be brighter.
+
+
+
+
+{202}
+
+_The Invasion_
+
+ Spring, they say, with his greenery
+ Northward marches at last,
+ Mustering thorn and elm;
+ Breezes rumour him conquering,
+ Tell how Victory sits
+ High on his glancing helm.
+
+ Smit with sting of his archery,
+ Hardest ashes and oaks
+ Burn at the root below:
+ Primrose, violet, daffodil,
+ Start like blood where the shafts
+ Light from his golden bow.
+
+ Here where winter oppresses us
+ Still we listen and doubt,
+ Dreading a hope betrayed:
+ Sore we long to be greeting him,
+ Still we linger and doubt
+ "What if his march be stayed?"
+
+{203}
+
+ Folk in thrall to the enemy,
+ Vanquished, tilling a soil
+ Hateful and hostile grown;
+ Always wearily, warily,
+ Feeding deep in the heart
+ Passion they dare not own--
+
+ So we wait the deliverer;
+ Surely soon shall he come,
+ Soon shall his hour be due:
+ Spring shall come with his greenery,
+ Life be lovely again,
+ Earth be the home we knew.
+
+
+
+
+{204}
+
+_Rilloby-Rill_
+
+ Grasshoppers four a-fiddling went,
+ Heigh-ho! never be still!
+ They earned but little towards their rent
+ But all day long with their elbows bent
+ They fiddled a tune called Rilloby-rilloby,
+ Fiddled a tune called Rilloby-rill.
+
+ Grasshoppers soon on Fairies came,
+ Heigh-ho! never be still!
+ Fairies asked with a manner of blame,
+ "Where do you come from, what is your name?
+ What do you want with your Rilloby-rilloby,
+ What do you want with your Rilloby-rill?"
+
+ "Madam, you see before you stand,
+ Heigh-ho! never be still!
+ The Old Original Favourite Grand
+ Grasshopper's Green Herbarian Band,
+ And the tune we play is Rilloby-rilloby,
+ Madam, the tune is Rilloby-rill."
+
+{205}
+
+ Fairies hadn't a word to say,
+ Heigh-ho! never be still!
+ Fairies seldom are sweet by day,
+ But the Grasshoppers merrily fiddled away,
+ O but they played with a willoby-rilloby,
+ O but they played with a willoby-will!
+
+ Fairies slumber and sulk at noon,
+ Heigh-ho! never be still!
+ But at last the kind old motherly moon
+ Brought them dew in a silver spoon,
+ And they turned to ask for Rilloby-rilloby,
+ One more round of Rilloby-rill.
+
+ Ah! but nobody now replied,
+ Heigh-ho! never be still!
+ When day went down the music died,
+ Grasshoppers four lay side by side,
+ And there was an end of their Rilloby-rilloby,
+ There was an end of their Rilloby-rill.
+
+
+
+
+{206}
+
+_Pereunt Et Imputantur_
+
+(AFTER MARTIAL)
+
+ Bernard, if to you and me
+ Fortune all at once should give
+ Years to spend secure and free,
+ With the choice of how to live,
+ Tell me, what should we proclaim
+ Life deserving of the name?
+
+ Winning some one else's case?
+ Saving some one else's seat?
+ Hearing with a solemn face
+ People of importance bleat?
+ No, I think we should not still
+ Waste our time at others' will.
+
+ Summer noons beneath the limes,
+ Summer rides at evening cool,
+ Winter's tales and home-made rhymes,
+ Figures on the frozen pool--
+ These would we for labours take,
+ And of these our business make.
+
+{207}
+
+ Ah! but neither you nor I
+ Dare in earnest venture so;
+ Still we let the good days die
+ And to swell the reckoning go.
+ What are those that know the way,
+ Yet to walk therein delay?
+
+
+
+
+
+
+
+{208}
+
+_Felix Antonius_
+
+(AFTER MARTIAL)
+
+ To-day, my friend is seventy-five;
+ He tells his tale with no regret,
+ His brave old eyes are steadfast yet,
+ His heart the lightest heart alive.
+
+ He sees behind him green and wide
+ The pathway of his pilgrim years;
+ He sees the shore, and dreadless hears
+ The whisper of the creeping tide.
+
+ For out of all his days, not one
+ Has passed and left its unlaid ghost
+ To seek a light for ever lost,
+ Or wail a deed for ever done.
+
+ So for reward of life-long truth
+ He lives again, as good men can,
+ Redoubling his allotted span
+ With memories of a stainless youth.
+
+
+
+
+{209}
+
+_Ireland, Ireland_
+
+ Down thy valleys, Ireland, Ireland,
+ Down thy valleys green and sad,
+ Still thy spirit wanders wailing,
+ Wanders wailing, wanders mad.
+
+ Long ago that anguish took thee,
+ Ireland, Ireland, green and fair,
+ Spoilers strong in darkness took thee,
+ Broke thy heart and left thee there.
+
+ Down thy valleys, Ireland, Ireland,
+ Still thy spirit wanders mad;
+ All too late they love that wronged thee,
+ Ireland, Ireland, green and sad.
+
+
+
+
+{210}
+
+_Hymn_
+
+IN THE TIME OF WAR AND TUMULTS
+
+ O Lord Almighty, Thou whose hands
+ Despair and victory give;
+ In whom, though tyrants tread their lands,
+ The souls of nations live;
+
+ Thou wilt not turn Thy face away
+ From those who work Thy will,
+ But send Thy peace on hearts that pray,
+ And guard Thy people still.
+
+ Remember not the days of shame,
+ The hands with rapine dyed,
+ The wavering will, the baser aim,
+ The brute material pride:
+
+ Remember, Lord, the years of faith,
+ The spirits humbly brave,
+ The strength that died defying death,
+ The love that loved the slave;
+
+{211}
+
+ The race that strove to rule Thine earth
+ With equal laws unbought:
+ Who bore for Truth the pangs of birth,
+ And brake the bonds of Thought.
+
+ Remember how, since time began,
+ Thy dark eternal mind
+ Through lives of men that fear not man
+ Is light for all mankind.
+
+ Thou wilt not turn Thy face away
+ From those who work Thy will,
+ But send Thy strength on hearts that pray
+ For strength to serve Thee still.
+
+
+
+
+{212}
+
+_The Building of the Temple_
+
+(AN ANTHEM HEARD IN CANTERBURY CATHEDRAL)
+
+_The Organ._
+
+O Lord our God, we are strangers before Thee, and sojourners, as were
+all our fathers: our days on the earth are as a shadow, and there is
+none abiding.
+
+O Lord God of our fathers, keep this for ever in the imagination of the
+thoughts of Thy people, and prepare their heart unto Thee.
+
+And give unto Solomon my son a perfect heart to keep Thy commandments,
+and to build the palace for the which I have made provision.
+
+_Boys' voices._
+
+ O come to the Palace of Life,
+ Let us build it again.
+ It was founded on terror and strife,
+ It was laid in the curse of the womb,
+ And pillared on toil and pain,
+ And hung with veils of doom,
+ And vaulted with the darkness of the tomb.
+
+{213}
+
+_Men's voices._
+
+ O Lord our God, we are sojourners here for a day,
+ Strangers and sojourners, as all our fathers were:
+ Our years on the earth are a shadow that fadeth away;
+ Grant us light for our labour, and a time for prayer.
+
+_Boys._
+
+ But now with endless song,
+ And joy fulfilling the Law;
+ Of passion as pure as strong
+ And pleasure undimmed of awe;
+ With garners of wine and grain
+ Laid up for the ages long,
+ Let us build the Palace again
+ And enter with endless song,
+ Enter and dwell secure, forgetting the years of wrong.
+
+_Men._
+
+ O Lord our God, we are strangers and sojourners here,
+ Our beginning was night, and our end is hid in Thee:
+ Our labour on the earth is hope redeeming fear,
+ In sorrow we build for the days we shall not see.
+
+_Boys._
+
+ Great is the name
+ Of the strong and skilled,
+ Lasting the fame
+ Of them that build:
+
+{214}
+
+ The tongues of many nations
+ Shall speak of our praise,
+ And far generations
+ Be glad for our days.
+
+_Men._
+
+ We are sojourners here as all our fathers were,
+ As all our children shall be, forgetting and forgot:
+ The fame of man is a murmur that passeth on the air,
+ We perish indeed if Thou remember not.
+
+ We are sojourners here as all our fathers were,
+ Strangers travelling down to the land of death:
+ There is neither work nor device nor knowledge there,
+ O grant us might for our labour, and to rest in faith.
+
+_Boys._
+
+ In joy, in the joy of the light to be,
+
+_Men._
+
+ O Father of Lights, unvarying and true,
+
+_Boys._
+
+ Let us build the Palace of Life anew.
+
+_Men._
+
+ Let us build for the years we shall not see.
+
+_Boys._
+
+ Lofty of line and glorious of hue,
+ With gold and pearl and with the cedar tree,
+
+{215}
+
+_Men._
+
+ With silence due
+ And with service free,
+
+_Boys._
+
+ Let us build it for ever in splendour new.
+
+_Men._
+
+ Let us build in hope and in sorrow, and rest in Thee.
+
+
+
+
+{216}
+
+_Epistle_
+
+TO COLONEL FRANCIS EDWARD YOUNGHUSBAND
+
+ Across the Western World, the Arabian Sea,
+ The Hundred Kingdoms and the Rivers Three,
+ Beyond the rampart of Himalayan snows,
+ And up the road that only Rumour knows,
+ Unchecked, old friend, from Devon to Thibet,
+ Friendship and Memory dog your footsteps yet.
+
+ Let not the scornful ask me what avails
+ So small a pack to follow mighty trails:
+ Long since I saw what difference must be
+ Between a stream like you, a ditch like me.
+ This drains a garden and a homely field
+ Which scarce at times a living current yield;
+ The other from the high lands of his birth
+ Plunges through rocks and spurns the pastoral earth,
+ Then settling silent to his deeper course
+ Draws in his fellows to augment his force,
+ Becomes a name, and broadening as he goes,
+ Gives power and purity where'er he flows,
+ Till, great enough for any commerce grown,
+ He links all nations while he serves his own.
+
+{217}
+
+ Soldier, explorer, statesman, what in truth
+ Have you in common with homekeeping youth?
+ "Youth" comes your answer like an echo faint;
+ And youth it was that made us first acquaint.
+ Do you remember when the Downs were white
+ With the March dust from highways glaring bright,
+ How you and I, like yachts that toss the foam,
+ From Penpole Fields came stride and stride for home?
+ One grimly leading, one intent to pass,
+ Mile after mile we measured road and grass,
+ Twin silent shadows, till the hour was done,
+ The shadows parted and the stouter won.
+ Since then I know one thing beyond appeal--
+ How runs from stem to stern a trimbuilt keel.
+ Another day--but that's not mine to tell,
+ The man in front does not observe so well;
+ Though, spite of all these five-and-twenty years,
+ As clear as life our schoolday scene appears.
+ The guarded course, the barriers and the rope;
+ The runners, stripped of all but shivering hope;
+ The starter's good grey head; the sudden hush;
+ The stern white line; the half-unconscious rush;
+ The deadly bend, the pivot of our fate;
+ The rope again; the long green level straight;
+ The lane of heads, the cheering half unheard;
+ The dying spurt, the tape, the judge's word.
+
+ You, too, I doubt not, from your Lama's hall
+ Can see the Stand above the worn old wall,
+
+{218}
+
+ Where then they clamoured as our race we sped,
+ Where now they number our heroic dead.*
+ As clear as life you, too, can hear the sound
+ Of voices once for all by "lock-up" bound,
+ And see the flash of eyes still nobly bright
+ But in the "Bigside scrimmage" lost to sight.
+
+ Old loves, old rivalries, old happy times,
+ These well may move your memory and my rhymes;
+ These are the Past; but there is that, my friend,
+ Between us two, that has nor time nor end.
+ Though wide apart the lines our fate has traced
+ Since those far shadows of our boyhood raced,
+ In the dim region all men must explore--
+ The mind's Thibet, where none has gone before--
+ Rounding some shoulder of the lonely trail
+ We met once more, and raised a lusty hail.
+
+ "Forward!" cried one, "for us no beaten track,
+ No city continuing, no turning back:
+ The past we love not for its being past,
+ But for its hope and ardour forward cast:
+ The victories of our youth we count for gain
+ Only because they steeled our hearts to pain,
+ And hold no longer even Clifton great
+ Save as she schooled our wills to serve the State.
+
+{219}
+
+ Nay, England's self, whose thousand-year-old name
+ Burns in our blood like ever-smouldering flame,
+ Whose Titan shoulders as the world are wide
+ And her great pulses like the Ocean tide,
+ Lives but to bear the hopes we shall not see--
+ Dear mortal Mother of the race to be."
+
+ Thereto you answered, "Forward! in God's name;
+ I own no lesser law, no narrower claim.
+ A freeman's Reason well might think it scorn
+ To toil for those who may be never born,
+ But for some Cause not wholly out of ken,
+ Some all-directing Will that works with men,
+ Some Universal under which may fall
+ The minor premiss of our effort small;
+ In Whose unending purpose, though we cease,
+ We find our impulse and our only peace."
+
+ So passed our greeting, till we turned once more,
+ I to my desk and you to rule Indore.
+ To meet again--ah! when? Yet once we met,
+ And to one dawn our faces still are set.
+
+ EXETER,
+ _September_ 10, 1904.
+
+
+* In the school quadrangle at Clifton, the site from which, upon
+occasion, the grand stand used to overlook the Close, is now occupied
+by the Memorial to those Cliftonians who fell in the South African War.
+
+
+
+
+{220}
+
+_An Essay on Criticism_
+
+ 'Tis hard to say if greater waste of time
+ Is seen in writing or in reading rhyme;
+ But, of the two, less dangerous it appears
+ To tire our own than poison others' ears.
+ Time was, the owner of a peevish tongue,
+ The pebble of his wrath unheeding flung,
+ Saw the faint ripples touch the shore and cease,
+ And in the duckpond all again was peace.
+ But since that Science on our eyes hath laid
+ The wondrous clay from her own spittle made,
+ We see the widening ripples pass beyond,
+ The pond becomes the world, the world a pond,
+ All ether trembles when the pebble falls,
+ And a light word may ring in starry halls.
+ When first on earth the swift iambic ran
+ Men here and there were found but nowhere Man.
+ From whencesoe'er their origin they drew,
+ Each on its separate soil the species grew,
+ And by selection, natural or not,
+ Evolved a fond belief in one small spot.
+ The Greek himself, with all his wisdom, took
+ For the wide world his bright Aegean nook,
+{221}
+
+ For fatherland, a town, for public, all
+ Who at one time could hear the herald bawl:
+ For him barbarians beyond his gate
+ Were lower beings, of a different date;
+ He never thought on such to spend his rhymes,
+ And if he did, they never read the _Times_.
+ Now all is changed, on this side and on that,
+ The Herald's learned to print and pass the hat;
+ His tone is so much raised that, far or near,
+ All with a sou to spend his news may hear,--
+ And who but, far or near, the sou affords
+ To learn the worst of foreigners and lords!
+ So comes the Pressman's heaven on earth, wherein
+ One touch of hatred proves the whole world kin--
+ "Our rulers are the best, and theirs the worst,
+ Our cause is always just and theirs accurst,
+ Our troops are heroes, hirelings theirs or slaves,
+ Our diplomats but children, theirs but knaves,
+ Our Press for independence justly prized,
+ Theirs bought or blind, inspired or subsidized.
+ For the world's progress what was ever made
+ Like to our tongue, our Empire and our trade?"
+ So chant the nations, till at last you'd think
+ Men could no nearer howl to folly's brink;
+ Yet some in England lately won renown
+ By howling word for word, but upside down.
+
+ But where, you cry, could poets find a place
+ (If poets we possessed) in this disgrace?
+{222}
+
+ Mails will be mails, Reviews must be reviews,
+ But why the Critic with the Bard confuse?
+ Alas! Apollo, it must be confessed
+ Has lately gone the way of all the rest.
+ No more alone upon the far-off hills
+ With song serene the wilderness he fills,
+ But in the forum now his art employs
+ And what he lacks in knowledge gives in noise.
+ At first, ere he began to feel his feet,
+ He begged a corner in the hindmost sheet,
+ Concealed with Answers and Acrostics lay,
+ And held aloof from Questions of the Day.
+ But now, grown bold, he dashes to the front,
+ Among the leaders bears the battle's brunt,
+ Takes steel in hand, and cheaply unafraid
+ Spurs a lame Pegasus on Jameson's Raid,
+ Or pipes the fleet in melodrama's tones
+ To ram the Damned on their Infernal Thrones.
+
+ Sure, Scriblerus himself could scarce have guessed
+ The Art of Sinking might be further pressed:
+ But while these errors almost tragic loom
+ The Indian Drummer has but raised a boom.
+ "So well I love my country that the man
+ Who serves her can but serve her on my plan;
+ Be slim, be stalky, leave your Public Schools
+ To muffs like Bobs and other flannelled fools;
+ The lordliest life (since Buller made such hay)
+ Is killing men two thousand yards away;
+
+{223}
+
+ You shoot the pheasant, but it costs too much
+ And does not tend to decimate the Dutch;
+ Your duty plainly then before you stands,
+ Conscription is the law for seagirt lands;
+ Prate not of freedom! Since I learned to shoot
+ I itch to use my ammunition boot."
+
+ An odd way this, we thought, to criticize--
+ This barrackyard "Attention! d---- your eyes!"
+ But England smiled and lightly pardoned him,
+ For was he not her Mowgli and her Kim?
+ But now the neighbourhood remonstrance roars,
+ He's naughty still, and naughty out of doors.
+ 'Tis well enough that he should tell Mamma
+ Her sons are tired of being what they are,
+ But to give friendly bears, expecting buns,
+ A paper full of stale unwholesome Huns--
+ One might be led to think, from all this work,
+ That little master's growing quite a Turk.
+
+ O Rudyard, Rudyard, in our hours of ease
+ (Before the war) you were not hard to please:
+ You loved a regiment whether fore or aft,
+ You loved a subaltern, however daft,
+ You loved the very dregs of barrack life,
+ The amorous colonel and the sergeant's wife.
+ You sang the land where dawn across the Bay
+ Comes up to waken queens in Mandalay,
+ The land where comrades sleep by Cabul ford,
+ And Valour, brown or white, is Borderlord,
+{224}
+
+ The secret Jungle-life of child and beast,
+ And all the magic of the dreaming East.
+ These, these we loved with you, and loved still more
+ The Seven Seas that break on Britain's shore,
+ The winds that know her labour and her pride,
+ And the Long Trail whereon our fathers died.
+
+ In that Day's Work be sure you gained, my friend,
+ If not the critic's name, at least his end;
+ Your song and story might have roused a slave
+ To see life bodily and see it brave.
+ With voice so genial and so long of reach
+ To your Own People you the Law could preach,
+ And even now and then without offence
+ To Lesser Breeds expose their lack of sense.
+ Return, return! and let us hear again
+ The ringing engines and the deep-sea rain,
+ The roaring chanty of the shore-wind's verse,
+ Too bluff to bicker and too strong to curse.
+ Let us again with hearts serene behold
+ The coastwise beacons that we knew of old;
+ So shall you guide us when the stars are veiled,
+ And stand among the Lights that never Failed.
+
+
+
+
+{225}
+
+_Le Byron de Nos Jours; or, The
+ English Bar and Cross Reviewers._
+
+ Still must I hear?--while Austin prints his verse
+ And Satan's sorrows fill Corelli's purse,
+ Must I not write lest haply some K.C.
+ To flatter Tennyson should sneer at me?
+ Or must the Angels of the Darker Ink
+ No longer tell the public what to think--
+ Must lectures and reviewing all be stayed
+ Until they're licensed by the Board of Trade?
+ Prepare for rhyme--I'll risk it--bite or bark
+ I'll stop the press for neither Gosse nor Clarke.
+
+ O sport most noble, when two cocks engage
+ With equal blindness and with equal rage!
+ When each, intent to pick the other's eye,
+ Sees not the feathers from himself that fly,
+ And, fired to scorch his rival's every bone,
+ Ignores the inward heat that grills his own;
+ Until self-plucked, self-spitted and self-roast,
+ Each to the other serves himself on toast.
+
+ But stay, but stay, you've pitched the key, my Muse,
+ A semi-tone too low for great Reviews;
+
+{226}
+
+ Such penny whistling suits the cockpit's hum,
+ But here's a scene deserves the biggest drum.
+
+ Behold where high above the clamorous town
+ The vast Cathedral-towers in peace look down:
+ Hark to the entering crowd's incessant tread--
+ They bring their homage to the mighty dead.
+ Who in silk gown and fullest-bottomed wig
+ Approaches yonder, with emotion big?
+ Room for Sir Edward! now we shall be told
+ Which shrines are tin, which silver and which gold.
+ 'Tis done! and now by life-long habit bound
+ He turns to prosecute the crowd around;
+ Indicts and pleads, sums up the _pro_ and _con_,
+ The verdict finds and puts the black cap on.
+
+ "Prisoners, attend! of Queen Victoria's day
+ I am the Glory, you are the Decay.
+ You cannot think like Tennyson deceased,
+ You do not sing like Browning in the least.
+ Of Tennyson I sanction every word,
+ Browning I cut to something like one-third:
+ Though, mind you this, immoral he is not,
+ Still quite two-thirds I hope will be forgot.
+ He was to poetry a Tom Carlyle--
+ And that reminds me, Thomas too was vile.
+ He wrote a life or two, but parts, I'm sure,
+ Compared with other parts are very poor.
+
+{227}
+
+ Now Dickens--most extraordinary--dealt
+ In fiction with what people really felt.
+ That proves his genius. Thackeray again
+ Is so unequal as to cause me pain.
+ And last of all, with History to conclude,
+ I've read Macaulay and I've heard of Froude.
+ That list, with all deductions, Gentlemen,
+ Will show that 'now' is not the same as 'then'.
+ If you believe the plaintiff you'll declare
+ That English writers are not what they were."
+
+ Down sits Sir Edward with a glowing breast,
+ And some applause is instantly suppressed.
+ Now up the nave of that majestic church
+ A quick uncertain step is heard to lurch.
+ Who is it? no one knows; but by his mien
+ He's the head verger, if he's not the Dean.
+
+ "What fellow's this that dares to treat us so?
+ This is no place for lawyers, out you go!
+ He is a brawler, Sir, who here presumes
+ To move our laurels and arrange our tombs.
+ Suppose that Meredith or Stephen said
+ (Or do you think those gentlemen are dead?)
+ This age has borne no advocates of rank,
+ Would not your face in turn be rather blank?
+ Come now, I beg you, go without a fuss,
+ And leave these high and heavenly things to us;
+ You may perhaps be some one, at the Bar,
+ But you are not in Orders, and we are."
+
+{228}
+
+ Sir Edward turns to go, but as he wends,
+ One swift irrelevant retort he sends.
+ "Your logic and your taste I both disdain,
+ You've quoted wrong from Jonson and Montaigne."
+ The shaft goes home, and somewhere in the rear
+ Birrell in smallest print is heard to cheer.
+
+ And yet--and yet--conviction's not complete:
+ There was a time when Milton walked the street,
+ And Shakespeare singing in a tavern dark
+ Would not have much impressed Sir Edward Clarke.
+ To be alive--ay! there's the damning thing,
+ For who will buy a bird that's on the wing?
+ Catch, kill and stuff the creature, once for all,
+ And he may yet adorn Sir Edward's hall;
+ But while he's free to go his own wild way
+ He's not so safe as birds of yesterday.
+
+ In fine, if I must choose--although I see
+ That both are wrong--Great Gosse! I'd rather be
+ A critic suckled in an age outworn
+ Than a blind horse that starves knee-deep in corn.
+
+
+NOTE.--The foregoing parody, which first appeared in _The Monthly
+Review_ some years ago, was an attempt to sum up and commemorate a
+literary discussion of the day. On Saturday night, November 15, 1902,
+at the Working Men's College, Great Ormond Street, Sir Edward Clarke,
+K.C., delivered an address on "The Glory and Decay of English
+Literature in the Reign of Victoria." 'Sir Edward Clarke, who mentioned
+incidentally that he lectured at the college forty years ago, said that
+there was a rise from the {229} beginning of that reign to the period
+1850-60, and that from the latter date there had been a very strange
+and lamentable decline to the end of the reign, would he thought, be
+amply demonstrated. A glorious galaxy of talent adorned the years
+1850-60. There were two great poets, two great novelists, and two
+great historians. The two great poets were Alfred Tennyson and Robert
+Browning. The first named would always stand at the head of the
+literature of the Victorian period. There was no poet in the whole
+course of our history whose works were more likely to live as a
+complete whole than he, and there was not a line which his friends
+would wish to see blotted out. Robert Browning was a poet of strange
+inequality and of extraordinary and fantastic methods in his
+composition. However much one could enjoy some of his works, one could
+only hope that two-thirds of them would be as promptly as possible
+forgotten--not, however, from any moral objection to what he wrote. He
+was the Carlyle of poetry. By his Lives of Schiller and Sterling,
+Carlyle showed that he _could_ write beautiful and pure English, but
+that he should descend to the style of some of his later works was a
+melancholy example of misdirected energy. . . . Charles Dickens was
+perhaps the most extraordinary genius of those who had endeavoured to
+deal with fiction as illustrative of the actual experiences of life.
+With Dickens there stood the great figure of Thackeray, who had left a
+great collection of books, very unequal in their quality, but
+containing amongst them some of the finest things ever written in the
+English tongue. The two great historians were Macaulay and Froude.
+To-day we had no great novelist. Would anyone suggest we had a poet?
+(Laughter.) After the year 1860 there were two great names in
+poetry--the two Rossettis. There had been no book produced in the last
+ten years which could compete with any one of the books produced from
+1850 to 1860.'
+
+To this Mr. Edmund Gosse replied a week later at the Dinner of the
+Encyclopaedia Britannica. He reminded his audience that even the most
+perspicuous people in past times had made the grossest blunders when
+they judged their own age. Let them remember the insensibility of
+Montaigne to the merits of all his contemporaries. In the next age,
+and in their own country, Ben Jonson took occasion at the very moment
+when Shakespeare was producing his masterpieces, to lament the total
+decay of poetry in England. We could not see the trees for the wood
+behind them, but we ought to be confident they were growing all the
+time.
+
+{230}
+
+Mr. Gosse also wrote to the _Times_ on behalf of "the Profession" of
+Letters, reminding Sir Edward of the names of Swinburne and William
+Morris, Hardy and Stevenson, Creighton and Gardiner, and asking what
+would be the feelings of the learned gentleman if Meredith or Leslie
+Stephen (of whose existence he was perhaps unaware) should put the
+question in public, "Would anyone suggest we have an Advocate?"
+
+Sir Edward, in his rejoinder, had no difficulty in showing that Mr.
+Gosse's citation of Montaigne and Jonson was not verbally exact. Mr.
+Birrell added some comments which were distinguished by being printed
+in type of a markedly different size.
+
+To the author of these lines, the controversy appears so typical and so
+likely to arise again, that he desires to record, in however slight a
+form, his recollection of it, and his own personal bias, which is in no
+degree lessened by reconsideration after ten years.
+
+
+
+
+{231}
+
+NOTES
+
+_Drake's Drum_.--A State drum, painted with the arms of Sir Francis
+Drake, is preserved among other relics at Buckland Abbey, the seat of
+the Drake family in Devon.
+
+_The fighting Temeraire_.--The last two stanzas have been
+misunderstood. It seems, therefore, necessary to state that they are
+intended to refer to Turner's picture in the National Gallery of "The
+Fighting _Temeraire_ tugged to her Last Berth."
+
+_San Stefano_.--Sir Peter Parker was the son of Admiral Christopher
+Parker, grandson of Admiral Sir Peter Parker (the life-long friend and
+chief mourner of Nelson), and great-grandson of Admiral Sir William
+Parker. On his mother's side he was grandson of Admiral Byron, and
+first cousin of Lord Byron, the poet. He was killed in action near
+Baltimore in 1814, and buried in St. Margaret's, Westminster, where may
+be seen the monument erected to his memory by the officers of the
+_Menelaus_.
+
+_The Quarter-Gunner's Yarn_.--This ballad is founded on fragmentary
+lines communicated to the author by Admiral Sir Windham Hornby, K.C.B.,
+who served under Sir Thomas Hardy in 1827. For an account of Cheeks
+the Marine see Marryat's _Peter Simple_.
+
+_Vae Victis_.--See _Livy_, xxx., 43; _Diodorus Siculus_, xix., 106.
+
+_Seringapatam_.--In 1780, while attempting to relieve Arcot, a British
+force of three thousand men was cut to pieces by Hyder Ali. Baird,
+then a young captain in the 73rd, was left for dead on the field. He
+was afterwards, with forty-nine other officers, kept in prison at
+Seringapatam, and treated with Oriental barbarity and treachery by
+Hyder Ali and his son Tippoo Sahib, Sultans of Mysore. Twenty-three of
+the prisoners died by poison, torture, and fever; the rest were
+surrendered in 1784. In 1799, at the Siege of Seringapatam,
+Major-General Baird commanded the first European brigade, and
+volunteered to lead the storming column. {232} Tippoo Sahib, with
+eight thousand of his men, fell in the assault, but the victor spared
+the lives of his sons, and forbade a general sack of the city.
+
+_Clifton Chapel_.--Thirty-five Old Cliftonian officers served in the
+campaign of 1897 on the Indian Frontier, of whom twenty-two were
+mentioned in despatches, and six recommended for the Distinguished
+Service Order. Of the three hundred Cliftonians who served in the war
+in South Africa, thirty were killed in action and fourteen died of
+wounds or fever.
+
+ "Clifton, remember these thy sons who fell
+ Fighting far over sea;
+ For they in a dark hour remembered well
+ Their warfare learned of thee."
+
+_The Echo_.--The ballad was "The Twa Sisters of Binnorie," as set by
+Arthur Somervell.
+
+_Srahmandazi_.--This ballad is founded on materials given to the author
+by the late Miss Mary Kingsley on her return from her last visit to the
+Bantu peoples of West Africa. The song-net, as described by her,
+resembles a long piece of fishing-net folded, and is carried by the
+Songman over his shoulder. When opened and laid before an audience, it
+is seen to contain "tokens"--such as a leopard's paw, a child's hair, a
+necklet, or a dried fish--sewn firmly to the meshes of the net. These
+form a kind of symbolical index to the Songman's repertory: the
+audience make their choice by laying a hand upon any token which
+appears desirable. The last of the tokens is that which represents the
+Song of Dying or Song of Srahmandazi. It is a shapeless piece of any
+substance, and is recognized only by its position in the net. The
+song, being unintelligible to the living, is never asked for until the
+moment of death.
+
+
+
+
+
+End of the Project Gutenberg EBook of Poems: New and Old, by Henry Newbolt
+
+*** END OF THIS PROJECT GUTENBERG EBOOK POEMS: NEW AND OLD ***
+
+***** This file should be named 24405.txt or 24405.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/4/4/0/24405/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
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