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+The Project Gutenberg EBook of The Wallypug in London, by G. E. Farrow
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Wallypug in London
+
+Author: G. E. Farrow
+
+Release Date: August 29, 2008 [EBook #26478]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WALLYPUG IN LONDON ***
+
+
+
+
+Produced by David Edwards, Anne Storer and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+Transcriber's Note: Table of Contents added.
+
+ * * * * *
+
+
+
+
+ [Illustration: THE WALLYPUG IN LONDON
+ By G. E. FARROW.]
+
+
+
+
+THE WALLYPUG IN LONDON
+
+
+
+
+ [Illustration: HIS MAJESTY ARRIVES AT WINDSOR. SEE PAGE 143]
+
+
+
+
+ THE
+ WALLYPUG IN LONDON
+
+ BY
+ G. E. FARROW
+ AUTHOR OF "THE WALLYPUG OF WHY," "THE MISSING PRINCE," ETC
+
+
+ ILLUSTRATED BY ALAN WRIGHT
+
+
+ METHUEN & CO.
+ 36 ESSEX STREET, W.C.
+ LONDON
+ 1898
+
+
+
+
+ CONTENTS
+
+ CHANT ROYAL
+ PREFACE
+ I HIS MAJESTY AND SUITE ARRIVE
+ II THE NEXT DAY'S ADVENTURES
+ III SUNDRY SMALL HAPPENINGS
+ IV LOST
+ V AN 'AT HOME' AND THE ACADEMY
+ VI THE JUBILEE
+ VII MORE ADVENTURES
+ VIII HIS MAJESTY IS INTERVIEWED
+ IX THE WALLYPUG'S OWN
+ X THE WALLYPUG GOES TO WINDSOR
+ XI HIS MAJESTY AT THE SEASIDE
+ XII THE DEPARTURE
+
+
+
+
+CHANT ROYAL
+
+ADDRESSED TO
+
+HER MOST GRACIOUS MAJESTY QUEEN VICTORIA
+
+IN COMMEMORATION OF 22ND JUNE, 1897
+
+
+ VICTORIA! by grace of God our Queen,
+ To thee thy children truest homage pay.
+ Thy children! ay, for Mother thou hast been,
+ And by a mother's love thou holdest sway.
+ Thy greatest empire is thy Nation's heart,
+ And thou hast chosen this the better part.
+ Behold, an off'ring meet thy people bring;
+ Hark! to the mighty world-sound gathering
+ From shore to shore, and echoing o'er the sea,
+ Attend! ye Nations while our paeans ring--
+ Victoria's children sing her Jubilee.
+
+ The grandest sight the world hath ever seen
+ Thy kingdom offers. Clothed in fair array,
+ The Majesty of Love and Peace serene,
+ While hosts unnumbered loyalty display,
+ Striving to show, by every loving art,
+ The day for them can have no counterpart.
+ Lo! sixty years of joy and sorrowing
+ For Queen and People, either borrowing
+ From other sympathy, in woe or glee,
+ Hath knit their hearts to thine, wherefore they sing--
+ Victoria's children sing her Jubilee.
+
+ With royal dignity and gracious mien
+ Thine high position thou hast graced alway;
+ No cloud of discord e'er hath come between
+ Thy nation and thyself; the fierce white ray
+ That beats upon thy throne bids hence depart
+ The faintest slander calumny can dart.
+ Thy fame is dear alike to churl and king,
+ And highest honour lies in honouring
+ The Sovereign to whom we bend the knee;
+ "God save the Queen," one strain unvarying--
+ Victoria's children sing her Jubilee.
+
+ What prophet, or what seer, with vision keen,
+ Reading the message of a far-off day,
+ The wonders of thy reign could have foreseen,
+ Or known the story that shall last for aye?
+ A page that History shall set apart;
+ Peace and Prosperity in port and mart,
+ Honour abroad, and on resistless wing
+ A steady progress ever-conquering.
+ Thy glorious reign, our glorious theme shall be,
+ And gratitude in every heart upspring--
+ Victoria's children sing her Jubilee.
+
+ Behold, ye tyrants, and a lesson glean
+ How subjects may be governed. Lo! the way
+ A Woman teaches who doth ne'er demean
+ Her office high. Hark! how her people pray
+ For blessings on the head that doth impart
+ So wise a rule. For them no wrongs do smart,
+ No cruelties oppress, no insults sting,
+ Nor does a despot hand exaction wring;
+ Though governed, Britain's subjects still are free.
+ Gaze then--ye unwise rulers wondering--
+ Victoria's children sing her Jubilee.
+
+ ENVOY.
+
+ Queen Mother, love of thee doth ever spring
+ Within thy children's hearts, a priceless thing,
+ Nor pomp nor state that falleth unto thee
+ Can ever rival this grand carolling--
+ Victoria's children sing her Jubilee.
+
+ G. E. FARROW
+
+
+
+
+ [Illustration: PREFACE]
+
+
+MY DEAR LITTLE FRIENDS,
+
+You will no doubt be surprised to find this book commencing with a
+perfectly serious poem, and one which probably some of you will find
+a little difficulty in understanding. When you have grown older,
+however, and happen to look at this little book again, you will be
+glad to be reminded of the historic event which the poem commemorates.
+Now, about ourselves, when I asked in my last book, _The Missing
+Prince_, for letters from my little readers, I had no idea that I had
+so many young friends, and I can hardly tell you how delighted I have
+been at receiving such a number of kind letters from all parts of the
+world.
+
+I do hope that I have answered everyone, but really there have been so
+many, and if by mistake any should have been overlooked, I hope my
+little correspondents will write again and give me an opportunity of
+repairing the omission.
+
+Such charming little letters, and all, I am happy to find, really
+written by the children themselves, which makes them doubly valuable
+to me.
+
+And how funny and amusing some of them were to be sure! And what
+capital stories some of you have told me about your pets.
+
+Some pathetic incidents too; as, for instance, that of 'Shellyback,'
+the tortoise, whose little owner wrote a few months after her first
+letter to say that poor 'Shellyback' was dead.
+
+I have been very happy to notice how fond you all seem of your pets,
+for I have always found that children who make friends with animals
+invariably have kind and good hearts. And the poor dumb creatures
+themselves are always so ready to respond to any little act of
+kindness, and are so grateful and affectionate, that I am sure it adds
+greatly to one's happiness in life to interest oneself in them.
+
+One of my correspondents, aged eight, has embarrassed me very much
+indeed by suggesting that I should "wait for her till she grows up,"
+as she should "so like to marry a gentleman who told stories." I hope
+she didn't mean that I did anything so disgraceful; and besides, as it
+would take nearly twenty-five years for her to catch up to me, she
+_might_ change her mind in that time, and then what would become of
+me.
+
+Some of my letters from abroad have been very interesting. One dear
+little girl at Darjeeling, in India, wrote a very nice descriptive
+letter, and concluded by asking me to write "something about the
+stars," and speaking of new stories brings me to another subject that
+I wish to talk to you about.
+
+You know that I spoke in my last book about writing a school story,
+and one about animals. Well, when I found that so many of you wanted
+to hear "more about the Wallypug," I was obliged to put these two
+books aside in order to gratify your wishes. I hope that you will be
+as interested in hearing about his Majesty this time as you were last.
+
+You will be sure to notice that the pictures are by another artist,
+but Mr. Harry Furniss has been away from England for some months, and
+so it has been impossible for him to illustrate this volume. Some
+other time, perhaps, Dorothy and he will give us more of their work;
+but in the meantime Mr. Alan Wright has been very interested in
+drawing pictures for this book, and I hope you will be pleased with
+his efforts.
+
+Now, about writing to me next time. When I asked you to address me
+under care of my publishers, I did not realize that in the course of
+business I might find it necessary to change them sometimes, and so to
+avoid any possibility of confusion, will you please in future address
+all letters to
+
+ MR. G. E. FARROW,
+ c/o Messrs. A. P. WATT & SON,
+ Hastings House,
+ Norfolk Street, Strand.
+
+What am I to do with all the beautiful Christmas and New Year's cards
+which I have received? Will you be vexed if, after having enjoyed
+receiving them as I have done so much, I give them to the poor little
+children at the hospitals to make scrap books with? I happen to know
+how much they value and appreciate gifts of this kind, and by allowing
+me to bestow them in this way, your pretty presents will be giving a
+double happiness.
+
+Well, I must conclude this rather long letter now, or I shall be
+accused of being tedious; but really it gives me almost as much
+pleasure to write to you, as it does to receive your letters.
+Good-bye. Don't forget that many of you have promised to write to me
+again, and that I am always more than glad to welcome any new friends.
+
+ Believe me, dear Children,
+ Yours affectionately,
+ G. E. FARROW
+
+
+
+
+ [Illustration: The Wallypug in London.]
+
+CHAPTER I
+
+HIS MAJESTY AND SUITE ARRIVE
+
+
+A most extraordinary thing has happened; the Wallypug has been to
+London! But there, I am forgetting that possibly you have never read
+_The Wallypug of Why_, in which case you will, of course, know nothing
+about his Majesty, and so I had better explain to you who, and what,
+he is.
+
+To begin with, then, he is a kind of king of a place called Why, which
+adjoins the mysterious kingdom of Zum. I am afraid, though, that if
+you searched your atlases for a very long while you might not find
+either of these places, for the geographers are so undecided as to
+their exact position that they have not shown them on the maps at all.
+Some little friends of mine, named Girlie and Boy, have been there,
+however, and I can tell you, if you like, the way they went. This is
+the way to Why:
+
+ Just go to bed and shut your eyes
+ And count one hundred, one by one;
+ Perhaps you'll find to your surprise
+ That you're at Why when this is done.
+
+I say _perhaps_, because this only happens when you have been
+particularly good all day, and _sometimes_ boys and girls are not
+quite as good as they--but there, I won't say what I was going to, for
+I am quite sure that it would not apply to you. This is the way to
+Zum:
+
+ Not when the moon is at its full,
+ But just a tiny boat-shaped thing,
+ You _may_ see Pierrot sitting there
+ And hear the little fellow sing.
+ If so, just call him, and he'll come
+ And carry you away to Zum.
+
+There, now, I've told you the way to go to both places, so that, if
+you wish to, you can go there whenever you please.
+
+I am telling you all this because one day in the spring Girlie and
+Boy, who live in another part of London, came to see me, and we had
+been talking about these things for about the hundredth time, I should
+think: for these children are never tired of telling me of all the
+strange things which happened to them when they journey to these
+wonderful places. In fact they were just arguing as to which was the
+most interesting place to go to, Why or Zum, when my housekeeper, Mrs.
+Putchy, came to the door with the unwelcome news that the carriage had
+come for my little friends, and that it was time to say good-bye.
+After they had gone I sat staring into the fire wondering where Why
+could be, and if there was really such a person as the Wallypug, when
+my little dog Dick, who had been lying on the rug before the fire,
+suddenly jumped up, and barking excitedly, ran to the other end of the
+study, where a picture, which I had bought the day before at an
+auction sale, stood leaning against the wall. Now this picture had
+been sold very cheap, because no one could tell at all what it was
+about, it was so old and dusty, and the colours were so dark and
+indistinct. I had bought it hoping that it might prove valuable,
+and there it stood till it could be sent to be cleaned and restored.
+Imagine my surprise then, when, on following Dick across the study, I
+discovered that the colours in the picture had all become bright, and
+were working one into the other in the most remarkable way, red
+running into green, and blue into yellow, while a little patch of
+black in the centre of the picture was whirling round and round in
+quite a distracting manner. What could it all mean? I stared and
+wondered, till, out of the confusion, there gradually grew shapes
+which bore some resemblance to human beings, and, presently, I could
+recognize quite distinctly, first a young man in knee breeches,
+smiling in a particularly self-satisfied way, and escorting a large
+fish, who was walking upright, with slippers on his tail, and who
+wore a waistcoat and necktie. Then an amiable-looking old gentleman,
+carrying a wand, who was followed by a curious little person, wearing
+a crown and carrying an orb and sceptre. A particularly stiff and
+wooden-looking soldier stood at the back of this strange group. Judge
+of my amazement when, quite as a matter of course, the whole party
+deliberately stepped out of the picture into the room, and, before I
+could realize what had happened, the old gentleman with the wand came
+forward with a flourish and an elaborate bow, and announced:
+
+"A-hem! his Majesty the Wallypug of Why and suite."
+
+ [Illustration: WITH SLIPPERS ON HIS TAIL]
+
+I was so astonished that for the moment I could not think what to say,
+but at last I managed to stammer, as I made a low bow to the
+Wallypug:
+
+"I am delighted to make your Majesty's acquaintance."
+
+The Wallypug smiled very affably, and held out his hand.
+
+"I have come up for the Jubilee, you know," he said.
+
+"_We've_ come up, you mean to say, Wallypug," corrected the old
+gentleman with the wand, frowning somewhat severely. "I am the
+Wallypug's professional adviser," he continued. "I am called the
+Doctor-in-Law--allow me to introduce the rest of our party. This," he
+went on, bringing the young man with the self-satisfied smile forward,
+"is the Jubilee Rhymester from Zum; he hopes to become a minor poet in
+time. And this," indicating the wooden-looking soldier, "is Sergeant
+One-and-Nine, also from Zum." Here the Doctor-in-Law took me aside and
+whispered in my ear, "Slightly cracked, crossed in love; speaks very
+peculiarly; capital chap though." Then crossing to where the Fish was
+standing, he said, "And this is A. Fish, Esq., the celebrated lecturer
+on the 'Whichness of the What as compared with the Thatness of the
+Thus.' He desired to accompany us here in order to find material
+for a new lecture which he is preparing upon the 'Perhapness of the
+Improbable.' He's awfully clever," he whispered impressively.
+
+ [Illustration: "HIS MAJESTY THE WALLYPUG"]
+
+"I'm sure I'm delighted to see you all," I said, shaking hands with
+each one till I came to the Fish, who held out a fin. "Er-er-how do
+you do?" I stammered, somewhat taken aback by this strange proceeding.
+
+"Quide well with the egscebtiod of a slide cold id by head," said the
+Fish. "I'b subjecd to theb, you doe. It's beig id the water so butch,
+I fadcy," and he _smiled_.
+
+I don't know if you have ever seen a fish smile, but if not I may tell
+you that it is a very curious sight.
+
+"I suppose you can manage to put us up here for a month or two?"
+calmly suggested the Doctor-in-Law after a pause.
+
+"Dear me," I exclaimed in alarm, "I don't think my housekeeper could
+possibly--"
+
+"Why not ask her?" suggested the Doctor-in-Law, touching the bell.
+
+A moment or two afterwards a knock at the door announced that Mrs.
+Putchy was there.
+
+"Oh, Mrs. Putchy," I said, stepping just outside, "these gentlemen,
+er--that is to say, his Majesty the Wallypug of Why and suite, have
+honoured me with a visit, and I am anxious if possible to offer them
+such hospitality as my poor home affords. Do you think that we could
+manage anyhow to find room for them, for a few days at any rate?"
+
+Now Mrs. Putchy is a very remarkable woman, and I have never known her
+to show the slightest surprise at anything, and, so far from seeming
+alarmed at the prospect of having to entertain such notable visitors,
+she seemed positively delighted.
+
+"His Majesty of Why, sir? How charming! Of course we must do our best,
+and how fortunate that I put on my best gown to-day, isn't it? Dear
+me, and shall I be presented to his Majesty?"
+
+"Certainly, Mrs. Putchy, if you wish it," I said. "In fact, if you
+will call General Mary Jane, I will introduce you both, as you
+represent my entire household."
+
+Mrs. Putchy disappeared, returning almost immediately, followed by the
+servant, General Mary Jane, with her mouth wide open, and accompanied
+by the cat, who rejoices in the extraordinary name of Mrs. Mehetable
+Murchison. These members of my household were duly presented to the
+Wallypug. Mrs. Putchy made her curtsey with great dignity, but General
+Mary Jane was so overcome at the thought of being presented to royalty
+that she fell flat on her hands and knees in her humility, while Mrs.
+Mehetable Murchison, realizing, no doubt, the truth of the old saying
+that "a cat may look at a king," went up and sharpened her claws on
+the Wallypug's legs in the most friendly manner possible.
+
+It was when the cat caught sight of A. Fish, Esq., that she completely
+lost her presence of mind, and with arched back and bristling fur
+glared at him in amazement.
+
+"Priddy pussy, cub alog thed," said the Fish, stooping down and trying
+to stroke her with one of his fins; but Mrs. Mehetable Murchison, with
+a startled glance, tore out of the room, showing every sign of alarm.
+
+"And she's so fond of fish too, as a rule, ain't she, mum?" remarked
+General Mary Jane, who had somewhat overcome the awe with which she
+had at first regarded the presence of royalty.
+
+"Fod of fish?" repeated A. Fish, Esq., inquiringly. "What do you
+mead?"
+
+"Why, you see, sir," explained Mrs. Putchy, "we often have fish for
+dinner--er--that is to say--er--a-hem!"
+
+ [Illustration: "PRIDDY PUSSY"]
+
+The Fish was glaring at her in a horrified way, and Mrs. Putchy had
+become quite nervous.
+
+"Let's change the subject," suggested the Doctor-in-Law, to our great
+relief. "The most important question for the moment is, where are we
+all going to sleep?"
+
+This gave Mrs. Putchy an opportunity for exercising her wonderful
+ability for management, and after arranging for the Wallypug to have
+the spare bedroom, and the Doctor-in-Law to have my room, I was to
+have a bed made up in the study, while the Jubilee Rhymester was to
+sleep in the attic, One-and-Nine was to have a box under the stairs,
+and there only remained A. Fish, Esq., to dispose of.
+
+"There is the bathroom, mum," suggested General Mary Jane brilliantly;
+"we could put a lid on the bath and make up a bed there."
+
+"Bedder sdill, fill id with wadter, ad thed I could sleeb _in_ id,"
+suggested the Fish.
+
+"Oh yes, of course!" said Mrs. Putchy, "and now I must go and see
+about the supper." And, with a low curtsey to the Wallypug, the
+admirable little woman hurried out, followed by General Mary Jane, who
+gave a nervous little bob when she reached the door.
+
+They had scarcely disappeared before One-and-Nine came up to me and
+whispered:
+
+"I am muchly impressionated by that lady with the most militaryish
+name who has just gone out. Can you kindly inform me is she
+detached?"
+
+"Detached?" I inquired in bewilderment. "What ever do you mean?"
+
+"If a person is not attached to anyone else, they are detached, I
+suppose, are they not?" said One-and-Nine rather impatiently.
+
+"Well, if you put it that way, I suppose they are," I replied,
+laughing. "You mean, has she a sweetheart? Well, really I don't know.
+I have an idea though that Mrs. Putchy does not allow followers."
+
+"Then I shall considerize my prospectuousness with great hopefulosity!"
+remarked the soldier with considerable dignity, walking back to the
+Wallypug's chair.
+
+"What does he say?" asked the Jubilee Rhymester. "He is a little bit
+cracked, you know. Could you make out what he was driving at?"
+
+"Oh, yes, I could understand within a little what he meant," I
+replied. "He seems to have fallen in love with General Mary Jane at
+first sight, from what I can gather."
+
+"Really! Dear me! He is always doing that sort of thing, do you know,
+and he generally asks me to write poems for him when he gets into that
+state. I have written as many as 137 odes in one month on his behalf."
+
+"Good gracious," I replied, "and does he pay you well for them?"
+
+"Pay me!" exclaimed the Jubilee Rhymester, staring at me in surprise.
+"Of course not. Do people ever get paid for writing poetry?"
+
+"Why, yes, to be sure they do," I answered.
+
+"Well, I've never heard of such a thing in all my life," said the
+Jubilee Rhymester; "I always thought that poets had to pay to have
+their verses used at all, and that that was why they were always so
+poor while they were alive. Of course I knew that people sometimes
+made a fuss about them after they were dead, but I have never heard
+of such a thing as a live poet being paid for his work."
+
+"Nonsense," I replied; "I believe that quite a lot of money is
+sometimes paid by the magazines and other papers for poems and
+verses."
+
+"Well, I am delighted to hear it," said the Jubilee Rhymester, "and I
+shall certainly start writing to-morrow. I have no doubt whatever that
+I shall make my fortune before I go back to Zum."
+
+Shortly after this Mrs. Putchy announced that supper was served, and
+a little later my guests retired to rest, being thoroughly tired out
+with their long journey. I sat up in my study a little while longer to
+smoke a pipe, but was just thinking of going to bed when there was a
+tap at the door and the Doctor-in-Law entered.
+
+"I say, I thought I had better come and arrange with you about money
+matters," he said; "I didn't like to mention such things before the
+others. Now then," he continued, "how much are you going to pay us for
+staying with you?"
+
+"Pay _you_!" I gasped. "What on earth do you mean?"
+
+"Well, you see, it will be a great thing for you to have such
+distinguished visitors, don't you know, and you ought to be quite
+willing to pay liberally for the honour," said the Doctor-in-Law,
+smiling amiably.
+
+Now Girlie had told me what a greedy, avaricious person the
+Doctor-in-Law really was, despite his benevolent appearance, but this
+cool cheek almost took my breath away. I was determined, however, to
+let him see at once that I was not to be imposed upon, so I said as
+firmly as I could, "Now, look here, Mr. Doctor-in-Law, please understand
+once and for all, that as you were all so kind to my little friend
+Girlie when she was at Why, I am quite willing to entertain his Majesty
+the Wallypug, and the rest of you, to the very best of my ability, but
+as for paying you for being here, the idea is absurd--impossible!"
+
+ [Illustration: "ID QUIDE GAVE BE A TURN"]
+
+Just then a terrific hullabaloo in the passage caused us both to run
+to the door. We could hear that the noise proceeded from the bathroom,
+and, hurrying to the door, we found A. Fish, Esq., sitting up in the
+water shouting for help, while Mrs. Mehetable Murchison and a whole
+group of her feline friends were out on the tiles, glaring through the
+window.
+
+"Dear be, dear be," panted the Fish, when he saw us, "I'b so
+frighteded, just look at all those cats. I had beed to sleeb ad was
+just dreabig that sobeone was sayig, 'Mrs. Behetable Burchison is _so_
+fod of fish, and we ofted have fish for didder,' whed I woke ub and
+saw all those horrible cats lookig id ad the widdow; id quide gave be
+a turn. Do drive theb away please."
+
+We soon did this, and, pulling down the blinds, we left A. Fish, Esq.,
+to his dreams and soon afterwards retired to rest ourselves.
+
+
+
+
+CHAPTER II
+
+THE NEXT DAY'S ADVENTURES
+
+
+When I entered the breakfast room the next morning I found that the
+Wallypug and the Doctor-in-Law had been up for some time, and were
+both gazing out of the window with the greatest of interest.
+
+"I hope your Majesty slept well," I remarked to the Wallypug as I
+approached them.
+
+"Very well indeed, thank you," he replied smilingly. "The
+Doctor-in-Law and myself have just been saying that we are sure to
+have an enjoyable visit here. We have been greatly interested in the
+man-machines going past. We have never seen anything like them
+before."
+
+"The man-machines!" I exclaimed, puzzled to know whatever he could
+mean.
+
+"Yes, the men with wheels instead of legs, you know."
+
+"Oh, you mean the bicyclists," I replied, laughing. "Have you really
+never seen any before?"
+
+"No, indeed," replied his Majesty. "Are they born with wheels on, or
+do they grow afterwards?"
+
+I laughed, and fortunately just then the youngster opposite, who
+always rides to school on his bicycle, came out of doors wheeling his
+machine, and I was able to explain to the Wallypug the principle upon
+which they worked.
+
+"Dear me; the Doctor-in-Law told me that the machinery was part of the
+man, but now I see that it is separate. And he charged me sixpence for
+the information too," he complained, looking reproachfully at the
+Doctor-in-Law.
+
+"Charged you sixpence!" I cried.
+
+"Yes," replied the poor Wallypug. "He offered to tell me all about
+them for sixpence, and as I was really very curious to know I gave it
+to him, and then he informed me that they were a peculiar race of
+people who came from Coventry, and who were all born with wheels
+instead of legs."
+
+"Take your old sixpence then, if you are going to make all that fuss
+about it," said the Doctor-in-Law, crossly, throwing the coin down on
+the table and walking out of the room in a huff. "I'm sure I did read
+somewhere that they came from Coventry," he added, popping his head in
+at the door and then slamming it violently after him.
+
+The boy opposite was still riding up and down the road, and I made up
+my mind that although I had never spoken to him before, I would ask
+him to let the Wallypug examine his bicycle more closely.
+
+"With pleasure," he replied, raising his hat politely to the Wallypug,
+when I had explained who he was; "and if his Majesty would like to try
+it he is quite welcome to do so."
+
+The Doctor-in-Law's curiosity had so far overcome his ill-humour that,
+when he saw us talking to the boy, he came forward and offered to help
+the Wallypug to mount.
+
+"I really don't think he had better," I said, "he might damage the
+machine."
+
+"Oh no, he won't hurt it, I'm sure," said the boy generously; and so
+with our united assistance the Wallypug got on to the bicycle, and
+after a few preliminary wobblings started off in fine style. Faster
+and faster he went, clinging desperately to the handle-bars, till we,
+who were running beside him, could no longer keep pace with him.
+
+ [Illustration: THE START]
+
+"I can't stop," we heard him shout; and a moment later he charged
+straight at a large stone and half a brick which lay in the middle of
+the roadway.
+
+Poor Wallypug! The sudden impact threw him right over the handle-bars,
+and he landed in a huddled heap on his hands and knees in the gutter.
+The machine flew in half, and the front portion careered madly away
+by itself till stopped by the kerb.
+
+We hurried up to his Majesty to discover if he was much hurt, but,
+with the exception of a few scratches on his hands and knees and a
+thorough shaking, he seemed to have come off pretty well.
+
+ [Illustration: THE FINISH]
+
+"I suppose we can't stick it together again?" he inquired, gazing
+ruefully at the broken bicycle, and I was obliged to tell him that
+there was not much chance of our doing so. The boy to whom it belonged
+bravely made the best of the matter, especially when I told him that
+the next half-holiday he had I would take him to Holborn to choose
+another one in its place.
+
+And when I discovered that he had a half-holiday that very afternoon,
+it was arranged that General Mary Jane should order a carriage at the
+livery stable, and that we should all drive to the city after
+luncheon.
+
+The Wallypug, after a good wash and a hearty breakfast, went to his
+room to lie down for an hour or two to recover from the effects of his
+accident, and I was just answering my morning letters when there was a
+knock at the study door, and the Rhymester entered.
+
+ [Illustration: HIPPETY-HOPPETY-PLOP]
+
+"I sat up most of the night writing poetry," he remarked, "and I have
+just brought you one or two specimens. The first one is called 'The
+Ode of a Toad.' Perhaps I had better read it to you. My writing is
+rather peculiar," and he began as follows:
+
+THE ODE OF A TOAD.
+
+ There was once an old toad who lived under a tree,
+ Hippety hop--Flippety flop,
+ And his head was as bald as bald could be,
+ He was deaf as a post and could hardly see,
+ But a giddy and frivolous toad was he,
+ With his hippety-hoppety-plop.
+
+ And he gambolled and danced on the village green,
+ Hippety hop--Flippety flop,
+ In a way that had never before been seen,
+ Tho' he wasn't so young as once he had been,
+ And the people all wondered whate'er he could mean,
+ With his hippety-hoppety-plop.
+
+ But the old chap kept bobbing about just the same,
+ Hippety hop--Flippety flop,
+ Till everyone thought he _must_ make himself lame,
+ And not a soul ever could find out his aim,
+ In keeping up such a ridiculous game,
+ As his hippety-hoppety-plop.
+
+ Some said he was mad, tho' as mild as a dove,
+ Hippety hop--Flippety flop,
+ And as the result of a push or a shove,
+ Was a little bit cracked in the storey above,
+ _But I fancy myself the old boy was in love_,
+ With his hippety-hoppety-plop.
+
+"There! What do you think of it?" he asked when he had finished.
+
+"Well, candidly, I'm afraid not very much," I replied; "and what on
+earth do you call it an ode for?"
+
+"Why, you see, ode went so well with the word toad. I was going to
+call it 'Ode to a Toad,' but it isn't _to_ a toad at all, though it's
+about a toad. Ah! by the bye, I might call it 'A Toad's Ode,' mightn't
+I? I think that sounds very jolly." He altered the title in pencil.
+
+ [Illustration: "I LOVE BUT THEE"]
+
+"I have another which I think you will say is very touching." And
+after getting his handkerchief out in case he should be moved to
+tears, he began:
+
+THE BALLADE OF A BUN.
+
+ Don't talk to me of "Sally Lunn,"
+ Or toasted tea-cake nice and hot,
+ I do not care for either one
+ A single solitary jot;
+ My heart is fixed and changeth not,
+ In all the world--whate'er I see,
+ And rich or poor--whate'er my lot--
+ Oh! penny bun, I love but thee.
+
+ For thy dear sake all cakes I shun
+ Smeared o'er with jam. No apricot
+ Or greengage tart my heart hath won;
+ Their sweetness doth but cloy and clot.
+ What marmalade in fancy pot
+ Or cream meringue, though fair it be,
+ Thine image e'er can mar or blot?
+ Oh! penny bun, I love but thee.
+
+ I vowed to cherish thee, or none
+ (Such love thy simple charms begot),
+ When first I saw thee, precious one;
+ And now to some sweet lonely spot,
+ Some shady dell or mossy grot,
+ Come let us hasten, you and me,
+ And I will eat you like a shot;
+ Oh! penny bun, I love but thee.
+
+ _Envoy._
+
+ Small boys or girls that homeward trot
+ From school in time for early tea,
+ This moral ne'er must be forgot:
+ "Love penny buns, and they'll love thee."
+
+"Isn't it affecting?" he inquired, wiping his eyes when he had
+finished.
+
+"Well, perhaps I didn't quite appreciate the pathos of it as I might
+have done," I answered, trying hard not to laugh. "You see I was
+paying so much attention to the scansion. I find that you have altered
+the refrain in the Envoy. Surely that's not correct, is it?"
+
+"Oh, you are a great deal too particular," remarked the Rhymester
+crossly. "Why, I should think from the Doctor-in-Law's description of
+a critic that you must be one."
+
+"What did he say a critic was?" I asked.
+
+"Why, he said a critic was a person who found fault with another, for
+not doing what he was unable to do himself. And he charged me
+fourpence three-farthings for the information, and as I only had
+fourpence halfpenny I have to pay him the odd farthing when I sell
+some of my poems. Can you tell me how I can set to work about it?"
+
+"Well, I hardly know," I replied, "unless you send them to the editors
+of the various magazines. They may take them, but you must not be
+disappointed if some of them are rejected. You see they cannot
+possibly print everything that is sent to them."
+
+There were several magazines in the study, and I suggested that the
+Rhymester should make a list of the addresses of the various editors,
+and he was busy about that till luncheon time.
+
+At half-past two the carriage came to the door, and goodness only
+knows what General Mary Jane must have told the livery stable people
+about the Wallypug, for, evidently anxious to send an equipage worthy
+of royalty, they had painted an enormous monogram in gold on the sides
+of the carriage, while the coachman was resplendent in blue plush and
+gold lace, with silk stockings and a powdered wig.
+
+ [Illustration: "EQUIPAGEOUS GRANDIOSITY"]
+
+The Wallypug was delighted when he saw this elaborate turn-out, and
+so were the others, for I overheard One-and-Nine murmuring something
+about "equipageous grandiosity," as he climbed up to the seat beside
+the coachman. When the Wallypug, the Doctor-in-Law, A. Fish, Esq.,
+and the Rhymester, were seated, there was no room left for the boy
+and myself, so we followed behind in a modest dog-cart, which was
+hurriedly procured from the livery stable. Many were the wondering
+glances bestowed upon the carriage, with its somewhat remarkable
+burden, as we drove along through Kensington to the Gardens. And
+everywhere our appearance was hailed with enthusiasm, people being
+evidently under the impression that the Wallypug was one of the royal
+guests invited to the Jubilee festivities. Who could he be? That was
+decidedly the question which everyone was asking, and I could not
+quite determine who was causing the greater sensation, the Wallypug or
+A. Fish, Esq. These two individuals, however, comported themselves
+with the calmest dignity, only the Doctor-in-Law seemed flurried by
+the attention which they attracted, and smiled and bowed right and
+left, whether the people took any notice of him or not.
+
+As we approached Hyde-Park corner attention was diverted from the
+Wallypug's carriage by the fact that _another_ royal equipage had
+entered the Park gates; and as the Princess passed us, an amused
+glance and a whispered conversation with the other occupant of the
+carriage showed that the Wallypug's extraordinary party had not
+escaped Her Royal Highness's attention.
+
+After going once round the Park we went out at the Marble Arch and
+along Oxford Street to Holborn, our progress through the crowded
+streets everywhere attracting the most excited interest. And when
+we stopped before one of the large bicycle _depots_ in Holborn the
+crowd around the carriage was so large that the policeman had quite a
+difficulty in preventing a block in the traffic. Our business was soon
+transacted, and, having secured an excellent machine for the boy in
+place of the one which his Majesty had damaged in the morning, we
+drove back to Kensington without further adventure.
+
+The Wallypug's curiosity, however, was so awakened by what he had seen
+that, as soon as we had been refreshed by a cup of afternoon tea, he
+suggested that we should go out for a walk; accordingly the whole
+party proceeded to Kensington Gardens, followed by a curious and
+somewhat derisive crowd of small boys, who would insist upon advising
+the Wallypug to "get his hair cut." Now, I happened to know, from what
+Girlie had told me about her adventures in Why, that the Wallypug,
+though a kind of king, had to do as his people directed and not as he
+liked, and that when he had presented a petition in Parliament to be
+allowed to have his hair cut, they had divided upon the subject, and
+so he had only been allowed to have _half_ of it cut, and as the long
+half had by this time grown very long indeed, he certainly did look
+rather remarkable; that was no excuse though for the street boys'
+rudeness, and his Majesty very wisely took no notice of them. A. Fish,
+Esq., came in for the greatest amount of attention, and when a few
+drops of rain began to fall, and he put up an umbrella for fear that
+he should get wet, the crowd became so excited that the Doctor-in-Law
+wisely suggested that a return should be made. His Majesty, however,
+was bent upon sight-seeing, and so the party separated, the
+Doctor-in-Law, A. Fish, Esq., and One-and-Nine going home, while the
+rest of us continued our walk. When we reached the Gardens, the
+Wallypug was greatly interested in seeing the palace where the Queen
+was born, and said that he should certainly petition his Parliament to
+allow him to have soldiers walk up and down before the gates of his
+palace, like those which he saw here. He admired greatly Princess
+Louise's statue of the Queen, which stands in front of the palace,
+and said he couldn't imagine where-ever they could have got all the
+white sugar from to make it with, and I think that he was inclined to
+disbelieve me when I told him that it was not made of sugar at all,
+but of white marble; for he said that if that were the case he
+couldn't think why they wanted to put such high railings around it, as
+no one would wish to carry away a marble statue of that size, whereas,
+if it were sugar, as he suggested, why, of course, the railings were
+there to prevent the children from climbing up and breaking off little
+pieces to eat.
+
+ [Illustration: FOR FEAR HE SHOULD GET WET]
+
+The Round Pond and the little model ships interested His Majesty most
+of all though, I fancy, and he spent quite a long time admiring them,
+until, while assisting a small boy to get his ship ashore, he had the
+misfortune to slip into the water himself, and had to be fished out
+with the assistance of a boathook.
+
+His Majesty certainly did not look either dignified or regal as he
+stood on the bank saturated with water, and his royal robes clinging
+about him in the most woe-begone manner--and as the crowd had greatly
+increased, I was very glad to get the poor Wallypug into a cab and
+drive home.
+
+[Illustration: HIS MAJESTY HAS AN ACCIDENT]
+
+On our way there, the Rhymester, being very much afraid of getting his
+clothes wet, sat in the furthest corner of the cab and amused himself
+by writing a verse on the subject of his Majesty's misfortune, which
+read somehow like this:
+
+ "King George I've heard is King of Greece,
+ But since this luckless slipping,
+ The Wallypug I do declare
+ Should be the King of _Dripping_."
+
+I think his Majesty thought it rather unkind of the Rhymester to make
+fun of him in this way, but before he had time to think much about
+the matter, we had arrived at our destination, and to my great
+surprise I could see a vast crowd collected at the doors of the
+building in which my flat is situated.
+
+
+
+
+CHAPTER III
+
+SUNDRY SMALL HAPPENINGS
+
+
+Whatever could it all mean? The Doctor-in-Law stood on the steps,
+calling out, "Walk up, walk up, ladies and gentlemen, and see the
+Talking Fish," while large posters were pasted on the walls, bearing
+the words, "Admission Sixpence" and "One day only."
+
+The Commissionaire who usually stands at the door was looking very
+surprised and angry, while the page boy was grinning all over his
+face. Whatever was happening? I hastily paid the cabman, and followed
+by the Wallypug made my way through the crowd to the entrance.
+
+"Admission sixpence each," said the Doctor-in-Law, holding out his
+hand.
+
+ [Illustration: "WALK UP, WALK UP, LADIES AND GENTLEMEN"]
+
+"What do you mean?" I replied, "and what is all this crowd doing
+here?"
+
+"Admission sixpence each!" repeated the Doctor-in-Law stubbornly, not
+taking the least notice of my questions, and holding his wand across
+the doorway so that I could not get in.
+
+"Nonsense!" I cried; "I'm not going to pay to go into my own house."
+
+"Pay for the Wallypug then and I'll let you in free," said the little
+man insinuatingly.
+
+"I shall do nothing of the sort," I cried, pushing past him and
+hurrying up the stairs.
+
+To my surprise I found my rooms occupied by strangers. Sergeant
+One-and-Nine was reciting some of the Rhymester's poems in the dining
+room to three deaf old ladies, two of whom had ear trumpets, while A.
+Fish, Esq., was holding a kind of _levee_ in my study, seated in a
+chair placed on the writing table, and was surrounded by an admiring
+crowd of people who were asking all sorts of questions.
+
+Mrs. Putchy met me at the door.
+
+"Oh, sir!" she exclaimed. "I'm so glad you've come home. I haven't
+known what to do with all these people."
+
+"But what does it all mean, Putchy?" I inquired. "What are they doing
+here at all?"
+
+"Why, you see, sir!" said Mrs. Putchy, "Mr. Doctor-in-Law found that
+A. Fish, Esq., was attracting a good deal of attention out of doors,
+and he thought that it would be a capital idea to have a kind of show
+here and charge sixpence admission to see him; and if there's been
+one, I'm sure there's been a hundred people up here this afternoon.
+The remarks they've been making too, and the questions they've been
+asking. Why, one old lady, sir, wanted to know how much you paid A.
+Fish, Esq., a week, and if I was _quite_ sure that you gave him enough
+to eat. They've broken three chairs too, and that little Venetian
+glass vase that stood on the bracket in the corner. And just now I
+caught some little boys tearing pictures out of one of those
+illustrated books you brought home last week."
+
+Here was a pretty state of affairs. The strangers had by this time
+left A. Fish, Esq., and had collected around the poor Wallypug, who
+had been waiting in his wet clothing in the hall, and I was obliged
+to politely but firmly insist upon them at once leaving the house,
+telling them that their money would be returned at the door.
+
+"I should think so, indeed," said one angry-looking stout lady. "Why,
+the whole thing is a fraud and you ought to be thoroughly ashamed of
+yourself. Talking fish indeed! I don't believe he's a fish at all--at
+any rate, not what I call a 'fish,'" and she flounced down the stairs
+only to return a moment or two afterwards to say, "I thought you said
+that we were to have our money back."
+
+"So you are, madam," I replied.
+
+"Well, why don't you see that we get it then? That man downstairs
+refuses to give me any money. The whole thing is a swindle. But I
+don't mean to be defrauded in this way, I can tell you."
+
+I went downstairs and told the Doctor-in-Law that he must at once
+return everyone their money, and this after a great deal of grumbling
+he did, while the Commissionaire and the page boy tore down the
+posters outside the door at my request.
+
+I explained to the Doctor-in-Law that this sort of thing must not
+occur again, and made him promise that he would never again use my
+rooms as a place in which to hold a show.
+
+I really felt rather annoyed about it, for I could not imagine
+whatever the neighbours would think of me for permitting such a scene
+to take place in my rooms, but it evidently was useless now to say
+anything more about it.
+
+The next morning, despite the wetting which the Wallypug had received
+at the Round Pond, his thoughts still ran upon boating, and nothing
+would satisfy his Majesty but that he should go for a row. I suggested
+Richmond as the best place to start from, and so we drove over
+Hammersmith Bridge and across Barnes Common.
+
+Arrived at Richmond we had no difficulty in securing a nice boat.
+
+"I'll row for one," said his Majesty.
+
+"And I for another," said the Rhymester.
+
+"Very well then," I replied. "Perhaps the Doctor-in-Law will steer,
+and so we will manage very nicely."
+
+Quite a large crowd had collected to see us start, and perhaps that is
+what made the Wallypug so nervous; as it was, as soon as we pushed
+off, his Majesty fell backwards with his feet sticking up above the
+seat, while the Rhymester stuck one oar deep down into the water and
+pulled it with all his might, while the other flourished about in the
+air.
+
+ [Illustration: HIS MAJESTY FELL BACKWARDS]
+
+The Doctor-in-Law's idea of steering consisted in pulling first one
+string and then the other, and so we did not get along very well just
+at first.
+
+When the Wallypug had picked himself up from the bottom of the boat,
+however, and the Rhymester and he made another attempt, I think we
+should have got along fairly well if the Doctor-in-Law, in trying
+to get out of the way of a passing boat, had not steered us into the
+bank, where we stuck fast in the mud till someone on the footpath very
+kindly pushed us off again. After that I thought it best to take the
+oars myself, and his Majesty steered under my direction. In this way
+we managed to get a little way past Teddington Lock by luncheon time,
+and having found an _eyot_ with no one on it we went ashore and
+unpacked the hamper of good things which we had brought with us.
+
+It was a beautiful day, and I think that we all enjoyed the picnic
+immensely. I know that I did for one, and so, I think, did his
+Majesty, for after the meal he laid aside his crown and royal robes
+and made himself comfortable on the grass under the trees, and looked
+thoroughly happy with a big cigar in his mouth.
+
+ [Illustration: HIS MAJESTY ENJOYS HIMSELF]
+
+A. Fish, Esq., busied himself in preparing notes for his lecture on
+the "Perhapness of the Improbable," and the Doctor-in-Law, having
+piled all the cushions in the boat at one end, threw himself upon them
+and read the newspaper.
+
+In this way the afternoon passed very comfortably, and the Rhymester,
+after scribbling upon several pieces of paper, came and read to me a
+poem which had been inspired by our beautiful surroundings; he called
+it
+
+SOUL YEARNINGS.
+
+ The water's as wet as wet can be,
+ And the trees, and the grass, are green,
+ While the little birds sing and the fishes swim;
+ 'Tis a most delightful scene.
+
+ It makes me yearn for I don't know what,
+ To come from I don't know where,
+ And take me away to the thingummybob
+ And the what-you-may-call-'ems there;
+
+and he told me that beautiful scenery always affected him in that way.
+
+ [Illustration: AN UNFORTUNATE VOLLEY]
+
+It was now time for us to be thinking about getting back, especially
+as I should have to do all of the rowing. So we got into the boat
+again, and I rowed back as far as Twickenham, where we stopped at
+Eel-pie Island to have some tea. While we were waiting for it to be
+prepared, we began a game of tennis, but were obliged to leave off, as
+an unfortunate volley of the Doctor-in-Law's caught the Wallypug on
+the nose, and so his Majesty declined to play any more.
+
+We persuaded him to join us at cricket, though, having found some
+stumps and a bat and ball in an outhouse on the Island, and got on
+very well for some time till, at a shout of "out, leg before wicket,"
+the Wallypug (who had caught the ball very nicely on his shin) fell
+forward on to the Doctor-in-Law, crushing his hat well over his eyes,
+and ruffling his temper considerably.
+
+ [Illustration: "OUT"]
+
+In fact, I was very glad that tea was announced just then, for I
+feared that there was going to be a bother, and, as it was, the
+Doctor-in-Law kept scowling at his Majesty very fiercely.
+
+"I shall make him pay for it," declared the little man, and, during
+tea, which we had at wicker tables by the river's edge, he was busy
+making out an account, which later he handed with great solemnity to
+the Wallypug. His Majesty apparently could not understand it, and
+passed it on to me. On examination, I found it to be worded as
+follows:
+
+ HIS MAJESTY THE WALLYPUG OF WHY,
+ In account with
+ THE DOCTOR-IN-LAW.
+
+ To damage of one hat, L0 7 6
+ " Physical injury, 0 2 0
+ " Moral deterioration, 15 6 9
+ ---------
+ L22 17 8
+ " 3 per cent. discount for cash, 3 6 2
+ ---------
+ L26 4 11
+
+"What do you mean by moral deterioration?" demanded the Wallypug.
+
+"Oh, I don't know. Same as other people do, I suppose," said the
+Doctor-in-Law. "It's always charged now, I believe. I read something
+about it in the papers this afternoon."
+
+"But the addition is all wrong," I expostulated.
+
+"No, it isn't," replied the Doctor-in-Law, rudely snatching the
+document from me and putting it into his pocket-book, "and if it
+is, it's nothing to do with you. I shall charge it in our expenses,
+which the people of Why have undertaken to pay, so there." And the
+avaricious little fellow ran off to the boat, which we afterwards
+found he had been letting out on hire to small boys at a penny a
+head.
+
+The return journey was accomplished without any remarkable incidents,
+and on reaching home I found a very pressing invitation from Girlie's
+mother for the whole party to attend her "At Home" the next day.
+
+It appears that this lady had called upon me while we were out, and
+Mrs. Putchy had told her of the Wallypug's arrival.
+
+His Majesty was good enough to say that he should be delighted to
+accept, and so I wrote off at once to say that she might expect us.
+
+
+
+
+CHAPTER IV
+
+LOST
+
+
+We had a terrible fright the next morning, for the poor dear Wallypug
+got lost, and for some time we could not imagine what had become of
+him.
+
+It happened in this way: directly after breakfast his Majesty said
+that he should like to go for a walk and look at the shops.
+
+"I'm not going," declared the Doctor-in-Law. "I have some _very_
+important letters to write."
+
+We all looked up in surprise, for we did not know that the
+Doctor-in-Law had any other acquaintances in London.
+
+"Letters from which I hope to derive a princely income," continued
+the little man grandly; "and, therefore, I have no time for such
+foolishness as looking into shop windows."
+
+"He's afraid thad he bight have to sped sub buddy," remarked
+A. Fish, Esq.
+
+"Nothing of the sort," replied the Doctor-in-Law, turning very red
+though.
+
+"Well, don't waste time talking about it; let's go if we are going,"
+said the Rhymester; and so, as I also had some correspondence to
+attend to, it was arranged that the Wallypug, the Rhymester, and A.
+Fish, Esq., should go for a little stroll by themselves. I had some
+doubts in my own mind as to the advisability of letting them go alone,
+but they promised not to go beyond Kensington Gardens, and to wait for
+me there just inside the gates.
+
+After they had gone I settled down to my letter-writing, and was
+getting along nicely when the Doctor-in-Law interrupted me with:
+
+"I say, I wish you would let me have about twenty sheets of
+note-paper, will you, please?"
+
+"Twenty!" I exclaimed in surprise.
+
+"Yes, twenty," said the Doctor-in-Law. "Or you had better make it
+a quire while you are about it."
+
+I thought the quickest way to get rid of him was to give him the
+paper, so I got up and got it for him.
+
+"And a packet of envelopes, please," he said, as I handed it to him.
+
+"Anything else?" I asked rather sarcastically.
+
+"Stamps!" he replied, calmly holding out his hand.
+
+"Well, really--" I expostulated.
+
+"Oh, halfpenny ones will do. You're surely not so mean as to mind
+tenpence, are you?"
+
+"I don't think I'm mean, but--"
+
+"Hand them over then, and don't waste so much time talking," said the
+little man impatiently, and so, just to get rid of him, I gave him the
+stamps and sat down to my letters again.
+
+I had hardly begun when he came back.
+
+"Don't you take any other newspapers than these?" he demanded, showing
+me a handful.
+
+"No, I don't, and I think it's rather extravagant of me to have
+those," I replied.
+
+"Well, then, how do you suppose that I am going to manage? I want at
+least five other papers, and it's _most_ important that I should have
+them."
+
+"You might buy them," I suggested.
+
+"They are so dear," he grumbled.
+
+"Well, why don't you go to the Public Library then?" I suggested. "You
+know where it is, and you could see all of the papers there, you
+know."
+
+"Ah, a capital idea," he said, putting on his hat and going out.
+
+"Now," I thought, "I shall have peace at last."
+
+I was not left undisturbed long though, for a few minutes later Mrs.
+Putchy came to the door.
+
+"Oh, please, sir, will you go down? Mr. Doctor-in-Law is having such a
+bother with the postman."
+
+I hurried out, and found the little man very angry indeed.
+
+"This postman won't give me a letter," he cried when he saw me.
+
+"Perhaps he hasn't one for you," I answered.
+
+"But I saw him giving them away all down the street for nothing,"
+persisted the Doctor-in-Law. "And when I asked him in a civil way for
+one, he refused to give it to me. It's no use for him to say he hasn't
+one, when he has a whole packet in his hand now, and a lot more in
+his bag, no doubt. Are you going to give me a letter or not?" he
+continued, turning to the postman.
+
+ [Illustration: "ARE YOU GOING TO GIVE ME A LETTER OR NOT?"]
+
+"No, sir," continued the man, smiling. "I haven't any for you."
+
+"Very well, then," said the Doctor-in-Law decidedly, "I shall
+certainly write to the Queen and tell her that if she employs you any
+longer I shall take all my custom away, and I shall not send the
+twenty letters, that I intended writing to-day, off at all."
+
+I endeavoured to explain to the little man that the postman could not
+possibly give him a letter if he had not one addressed to him.
+
+"Oh, that's all nonsense," he exclaimed, going off in a huff. "Of
+course you would take his part."
+
+Before I could settle down to work again the Rhymester and A. Fish,
+Esq., returned.
+
+"Where's the Wallypug?" I demanded.
+
+"Oh, he's coming by the next 'bus," said the Rhymester. "Haven't you
+had any rain here?"
+
+"No," I replied.
+
+"Oh, we had quidt a sharb shower," said A. Fish, Esq., "ad I was
+afraid of gettig wet, so we stopped a 'bus--there was odly roob for
+two though, ad the Wallypug said thad he would cub od by the dext."
+
+"I hope he will get home all right," I said anxiously. "I don't think
+you ought to have left his Majesty by himself."
+
+"Oh! it's only a little way," said the Rhymester; "he's sure to get
+home all right."
+
+ [Illustration: "SO WE STOPPED A 'BUS"]
+
+An hour passed and there was no signs of the Wallypug. I now began
+to get seriously anxious.
+
+It would, of course, be the easiest thing in the world for his Majesty
+to take the wrong 'bus, and be taken goodness knows where.
+
+I couldn't think what was best to be done. The Rhymester suggested
+sending the Crier out, but I never remembered having seen one at
+Kensington, and at last, after searching for some time ourselves in
+Kensington Gardens, and making inquiries in High Street, and failing
+to glean any tidings of his Majesty, I thought it best to go to the
+Police Station.
+
+Here I found a very important-looking official in uniform, with a big
+book in front of him.
+
+"What is it?" he inquired, glaring at me fiercely.
+
+"I've called to know if you could assist me in finding a friend who, I
+fear, has lost his way," I replied.
+
+The official did not answer me, but reached down another large book.
+
+"What's his name?" he inquired gruffly.
+
+"His name? Oh--er--his name is--er--that is to say he is the--" I had
+not the least idea what the Wallypug's name really was, so I couldn't
+very well say.
+
+"What's his name?" shouted the official. "I'll ask you what he _is_
+presently."
+
+"Well, I'm very sorry, but I really do not know his name."
+
+The man glanced at me very suspiciously.
+
+"You said he was a friend of yours--it's a very odd thing that you
+don't know his name. What is he?"
+
+"He's a--a--Wallypug," I stammered. "That is to say he--er--"
+
+"Wallypug!" exclaimed the man contemptuously. "What's that?"
+
+"Why, it's a kind of king, you know," I explained, feeling that the
+explanation was rather a lame one.
+
+"A _kind_ of king!" exclaimed the police officer. "Explain yourself."
+
+"Well, I'm afraid I can't explain more clearly than that," I replied.
+"This gentleman has been staying with me for a couple of days, and
+went out this morning and lost his way."
+
+"Where did he come from?" asked the man.
+
+"Why," I answered.
+
+"Why? Because I want to know," he shouted. "Don't let me have any
+further prevarication. Where did the man, or Wallypug, or whatever you
+call him, come from?"
+
+"From Why. From a place called Why, you know," I repeated.
+
+"I _don't_ know," said the officer. "I've never heard of such a place.
+Where is it?"
+
+"Well, really," I said, "I'm very sorry, but I cannot tell you. I
+don't know myself."
+
+"This is _very_ remarkable," said the man, glaring at me through his
+glasses. "You don't know your friend's name; you call him a Wallypug,
+and can't explain what that is, you don't know where he comes
+from--perhaps you can tell me how he reached your house?"
+
+I was now really in a fix, for how could I tell this man that his
+Majesty had stepped out of a picture.
+
+I thought the best thing to do was to hold my tongue.
+
+"How did he come?" repeated the officer. "By train?"
+
+I shook my head.
+
+"By steamer?"
+
+I shook my head again.
+
+"Did he drive?--or come on a bicycle, or walk?"
+
+I remained silent.
+
+The police officer stared at me for a moment or two, waiting for my
+answer.
+
+"Look here, young man," said he at last, evidently very angry indeed.
+"It strikes me that you are having a game with me. You had better go
+away quietly or I shall be obliged to take you in charge as a
+lunatic."
+
+"But I assure you that--"
+
+"How was your friend dressed?"
+
+"Oh, he wore a somewhat battered gold crown, and carried an orb and
+sceptre, and was dressed in knee breeches and a velvet cloak with an
+ermine collar."
+
+The man gave me a keen glance and then rang a bell. A policeman
+appeared a moment or two afterwards, and the officer whispered
+something to him, of which I only caught the words, "harmless
+lunatic."
+
+"Lunatic, sir; yes, sir. Step this way, please," said the policeman,
+and before I could realize what had happened I was bundled into a
+small bare room, and the key was turned in the lock and I was a
+prisoner.
+
+Here was a pretty state of affairs. The stupid people had mistaken me
+for a lunatic, and I was no doubt to be locked up here till a doctor
+arrived.
+
+Of course the only thing for me to do was to sit still and wait as
+patiently as I could. Fortunately the police people thought of
+telegraphing to the other stations to find out if anything was known
+of an escaped lunatic; and from Fulham came the reply, "We have found
+one ourselves. He calls himself a Wallypug, and is dressed like a
+second-hand king." This caused inquiries to be made, and eventually I
+was taken in a cab to Fulham, where we found his Majesty in the charge
+of the police, he having been found wandering about the Fulham Road
+quite unable to give what they considered a satisfactory account of
+himself.
+
+It was most unfortunate that his Majesty should have taken the wrong
+'bus, for, not having any money with him, he was set down in a totally
+strange neighbourhood, and had quite forgotten my address. Of course,
+now that we had been brought face to face, we had no difficulty in
+convincing the police people that we were what we represented
+ourselves to be, and were soon, to our great relief, on our way
+home again.
+
+"I don't think that I should like to be a policeman," remarked the
+Wallypug, on our way there.
+
+"No?" I answered. "Why not?"
+
+"They have to catch dogs for a living?" remarked his Majesty solemnly.
+"There were several brought in while I was waiting, and the policeman
+who had caught them seemed so pleased about it."
+
+I explained to the Wallypug as well as I was able about the muzzling
+order, and his Majesty was highly indignant, and when I pointed out
+several dogs with muzzles on he was more indignant still.
+
+"And are they always obliged to wear those horrible wire cages over
+their heads?" he inquired.
+
+I told his Majesty that in London the order for wearing them had been
+in force for some considerable time, and we had a long talk over the
+matter, his Majesty declaring that he should try and invent a new
+muzzle which should be more comfortable for the poor dogs.
+
+ [Illustration: UNABLE TO GIVE AN ACCOUNT OF HIMSELF]
+
+"Oh, here we are at last," he exclaimed, as we turned the corner near
+my house. "And there are the others on the steps!"
+
+"Here they are! Here they are!" shouted the Rhymester to the others,
+and everyone rushed forward to assist his Majesty to alight, seemingly
+very glad to see us back again.
+
+We were quite as delighted to get back, I can tell you, and I was so
+relieved at having found the Wallypug that I hadn't the heart to
+refuse the Doctor-in-Law's request that I would give him ten shillings
+worth of penny stamps to put into the letters which he had been
+writing while we had been away, although he would not give me the
+slightest clue as to what they were wanted for.
+
+
+
+
+CHAPTER V
+
+AN 'AT HOME' AND THE ACADEMY
+
+
+We were quite ready for luncheon, as you may imagine, after our
+morning's adventures, and directly afterwards his Majesty set to work
+on the new dog's muzzle which he had promised to invent. In about half
+an hour he had constructed one with which he was intensely delighted,
+and he persuaded A. Fish, Esq., to try it on that we might see the
+effect.
+
+It certainly was very simple, but as there was nothing whatever to go
+over the mouth, I felt sure that it could not possibly be very useful.
+I did not like to tell his Majesty so though, for he seemed so
+thoroughly proud of his achievement.
+
+It was now time to go to the 'At Home,' so, wishing to do honour to
+the occasion, our 'State Coach,' as we called it, was sent for, and
+we drove off in fine style.
+
+There were a great many people invited to meet us, and I could see
+that there was quite a little flutter of excitement when the Wallypug
+entered.
+
+ [Illustration: IT CERTAINLY WAS VERY SIMPLE]
+
+His Majesty, however, in his simple, good-natured way soon put
+everybody at their ease, and laughed and chattered with the utmost
+affability.
+
+Girlie and Boy had both been allowed to come into the drawing-room,
+and Girlie quite claimed the Wallypug as her own particular guest,
+while Boy renewed his acquaintance with the Rhymester, whom he had met
+before at Zum, and despite their mother's protests they carried these
+two members of our party off in triumph to show them their play-room
+and toys and to talk over old times.
+
+While they were away the Doctor-in-Law made himself very agreeable to
+the ladies, and I watched him bowing and smiling and chatting, first
+with one group, then with another, with great amusement. I found out
+afterwards that he had promised several of them portraits of his
+Majesty and suite for 2s. 6d. each as soon as they should be taken,
+and in every case had asked for the money in advance; but the great
+event of the afternoon was when A. Fish, Esq., wrapped up in Mrs.
+Putchy's pink woollen shawl, borrowed for the occasion, and surrounded
+by a group of young ladies, consented after much pressing to deliver
+part of his lecture on the "Perhapness of the Improbable."
+
+"You bust sed for the Rhymebster though to help be to read id, for by
+cold is still so bad thad I can'd do id by byself," he explained.
+
+ [Illustration: A. FISH, ESQ., OBLIGES]
+
+So the Rhymester was sent for, and his Majesty also came down to hear
+the wonderful lecture. It had been turned into verse by the Rhymester,
+who, after an affected attempt to clear his throat, read as follows:
+
+THE PERHAPNESS OF THE IMPROBABLE.
+
+ If _this_ were that, and _these_ were those,
+ And _hither_ nearer thither,
+ Why, _which_ might be whate'er it chose,
+ And _there_ be any whither.
+
+ Somehow 'twould be the simpler way
+ To _dearer_ be than cheaper,
+ And that's why _when_ (each other day)
+ Would _higher_ be than _deeper_.
+
+ So _worst_ would be the _best_ of all,
+ And _far more less_ than either;
+ While _short_ would certainly be _tall_,
+ And therefore thus be neither.
+
+ [Illustration: ABSENT-MINDEDLY SPILT HIS TEA]
+
+"Beautiful! charming!" echoed all the young ladies at once when he
+had finished, while one lady sitting near me exclaimed, "How sweetly
+simple!" For my own part I thought that it was anything but simple,
+and caught myself trying to follow the line of argument with the most
+brain-confusing results.
+
+The Wallypug was greatly distressed when he discovered that while
+listening to the reading, and looking at the charming young lady with
+whom he had been conversing, he had absent-mindedly spilt the whole of
+his cup of tea over her dress.
+
+"You see, they didn't give me a plate to put my cake on," I heard him
+explain apologetically, "and it _was_ so awkward, for my cup would
+keep slipping about on the saucer."
+
+The young lady smiled very sweetly and assured his Majesty that it
+didn't matter in the least, and shortly afterwards we left, having
+stayed, as it was, far beyond the regulation time.
+
+When we arrived home we found a letter addressed to the Rhymester in
+the letter-box, which in a state of great excitement he tore open with
+trembling fingers.
+
+Upon reading the contents he burst into tears.
+
+"Poor man, poor man!" he sobbed. "I am so sorry to have caused him so
+much trouble."
+
+"It is a letter from an Editor," he explained through his tears, "and
+he is in great distress through not being able to publish my poem. He
+says he greatly regrets his inability to make use of it! Poor man, he
+evidently feels it very keenly. I must write and tell him not to be
+too unhappy about it."
+
+I had some letters to write too, one to a photographer in Regent
+Street, asking for an appointment the next morning, for I was
+determined that the Doctor-in-Law should send the promised photographs
+to the young ladies without delay.
+
+The first thing in the morning came a telegram to say that we could
+be photographed at eleven o'clock, so, after my guests had made
+themselves as spruce as possible, we started off and reached there in
+good time.
+
+It was suggested that the Wallypug should be taken by himself, but
+when he saw the camera pointed directly at him while the operator
+disappeared beneath the black cloth, he came to the conclusion that it
+was too dangerous a machine to be faced with impunity, so he suddenly
+turned his back upon it, and nervously fled from the room.
+
+It was only by promising that the others should be taken with him that
+we could get him to sit at all, and even then there was a strained
+and nervous expression upon his face, which suggested that he was in
+momentary fear that the thing would "go off."
+
+The Rhymester insisted upon being taken with one of his poems in his
+hand, the Doctor-in-Law wore his usual complacent smile, and
+altogether the group was quite a success.
+
+As soon as the "operation," as the Wallypug would insist upon calling
+it, was over, we went downstairs, his Majesty leading the way, while
+the Doctor-in-Law stayed behind for a moment to make some arrangements
+with the photographer about commission. We had intended going home by
+'bus, but when we got to the door his Majesty was nowhere to be seen.
+What could have become of him? We looked up and down the street, but
+could see no signs of him anywhere; and at last, after hunting about
+for a considerable time, he was discovered calmly sitting inside a
+furniture removal van, waiting for it to start, under the impression
+that it was an omnibus.
+
+"I'm sure this is the right one," he explained, "for it has
+'Kensington' printed in large letters on it. Come along, there's
+plenty of room inside; the conductor and the driver will be here
+presently, I suppose."
+
+I laughingly explained to his Majesty the mistake which he had made,
+and we walked on as far as Piccadilly Circus, where we found a 'bus to
+take us to the Academy, which we intended visiting on our way home. We
+had not gone far though, when I suddenly remembered that the 22nd June
+was very close at hand, and that I had better make arrangements for
+seats to view the Jubilee Procession or I should be too late. So it
+was arranged that the Doctor-in-Law should take charge of the party
+while I went on to the agents to see about the seats. They would have
+no difficulty in getting home by themselves for the 'buses ran from
+just outside the Academy doors straight to Kensington, so I felt sure
+that they would be all right.
+
+"How much is the entrance fee to the Academy?" asked the
+Doctor-in-Law, as I was getting down from the 'bus.
+
+"A shilling each," I replied, and I saw the little man collecting the
+money from the others as the 'bus disappeared from view.
+
+ [Illustration: WAITING FOR IT TO START]
+
+I was very fortunate at the agents in being able to secure a
+capital window in Piccadilly, and some Stores in the neighbourhood
+undertook to provide a luncheon and to suitably decorate the window
+for us.
+
+These arrangements being satisfactorily concluded, I hurried home, and
+was greatly relieved to find my guests there before me.
+
+"How did you enjoy the Academy?" I inquired.
+
+ [Illustration: COULD NOT UNDERSTAND THE CATALOGUE]
+
+"Not at all!" said his Majesty decidedly.
+
+"Waste of money, I call it," said the Rhymester, sniffing
+contemptuously.
+
+"I was dever so disappointed id edythig id all by life!" declared A.
+Fish, Esq.
+
+"Besides, the catalogue was no good at all," complained his Majesty.
+"We could make neither head nor tail of it."
+
+The Doctor-in-Law was silent, and it was only by very careful inquiry
+that I found out that, after pocketing their money, he had taken them
+to an immense hoarding covered with advertisement posters, and had
+gammoned them into believing that _that_ was the Academy, while it was
+no wonder that the poor Wallypug could not understand the 'catalogue,'
+for it was nothing more nor less than an old illustrated stores price
+list.
+
+It was really too bad of the Doctor-in-Law.
+
+
+
+
+CHAPTER VI
+
+THE JUBILEE
+
+
+The few days which elapsed before the memorable 22nd of June passed
+very quickly, and we were all more or less busy making preparations
+for the festival. His Majesty would insist upon polishing up his
+regalia himself in order to do honour to the occasion, and spent hours
+over his crown with a piece of chamois leather and some whitening
+till, though somewhat battered by the rough usage it had sustained, it
+shone quite brilliantly. Mrs. Putchy herself suggested making his
+Majesty some new red silk rosettes for his shoes, which he very
+graciously consented to accept. The Doctor-in-Law was always so spick
+and span that we scarcely noticed any change in his appearance, but
+the Rhymester had made arrangements with General Mary Jane to wash,
+starch, and iron his lace collar, and he remained in his room one
+entire day while it was being done up. A. Fish, Esq., purchased a
+necktie of most brilliant colouring, and One-and-Nine touched himself
+up here and there with some red enamel where his tunic had become
+shabby in places, so that altogether our party looked very smart as we
+drove at a very early hour to our seats in Piccadilly. To avoid the
+crowd we went by way of Bayswater Road, and then passed down Park Lane
+and through Berkeley Square, in order to reach the back entrance to
+the house in Piccadilly where I had booked seats. Our gorgeous
+carriage was everywhere hailed with great delight, being of course
+mistaken for a portion of the Jubilee procession, and many were the
+conjectures heard on all sides as to who the Wallypug could possibly
+be.
+
+ [Illustration: WITH SOME RED ENAMEL]
+
+Our window was in the centre of the building on the first floor, and
+we had it all to ourselves. A table at the back of the room was
+tastefully set out with an excellent cold collation, and in front of
+the window, which was most elaborately decorated with velvet curtains,
+flags, and trophies, and which was surmounted by a device which was
+understood to be the Wallypug's coat-of-arms, a gorgeous, gilded,
+high-backed chair was placed as a throne for his Majesty, and
+comfortable seats were also provided for the rest of the party.
+
+The crowd outside greeted our appearance with quite a demonstration,
+as by the enormous placard outside announcing the name of the
+decorators, and stating that they were by appointment to his Majesty
+the Wallypug of Why, of course everybody knew who we were. Indeed, one
+learned-looking person in the crowd was holding forth to an eager
+audience, and explaining exactly where Why was situated, and
+pretending that he had been there, and had seen the Wallypug before,
+ever so many times.
+
+As the time approached for the procession to pass, the Wallypug became
+very excited and nervous. "Shall I really see the Queen of England?"
+he kept asking over and over again. "Do you think she will see me?
+Will she bow to me? What must I say? Must I keep my crown on or take
+it off?" and innumerable other questions of the same nature.
+
+Presently the excitement and enthusiasm reached their height, as amid
+a confused shouting of "Here they are," the Guards in advance came in
+sight. Slowly the mighty procession, with its innumerable squadrons
+and bands passed, and at last, after the English and Foreign princes
+and Eastern potentates, the eight cream-coloured Hanoverian horses,
+drawing the Jubilee landau, made their appearance, and the Queen was
+seen, smiling and bowing graciously to the cheering populace. The
+Doctor-in-Law, in his excitement, scrambled on to the window ledge in
+order to obtain a better view; the Wallypug loyally waved his crown;
+while the Rhymester, hurriedly unrolling a lengthy ode which he had
+written especially for the occasion, began reading it in a loud voice,
+and, though nobody paid the slightest attention to him, did not desist
+until long after the procession had passed.
+
+ [Illustration: THE WALLYPUG LOYALLY WAVED HIS CROWN]
+
+The Wallypug was very thoughtful for some time after the Queen had
+gone by, and, during the drive home, expressed his great surprise
+that her Majesty had not worn a crown, and apparently could not
+understand why it should not be worn on all occasions.
+
+"I suppose her Majesty has a crown of her own, hasn't she?" he asked
+anxiously.
+
+"Oh yes, of course!" I replied.
+
+"Where is it then?" persisted his Majesty.
+
+"I believe all of the regalia is kept carefully locked up and guarded
+in the Tower of London," I said.
+
+"Well, I think it's very unkind of them not to let her Majesty have
+them out on an occasion like this. I shall see what I can do about
+it."
+
+The dear Wallypug's intentions were evidently so good that I did not
+say anything in reply to this, though I wondered to myself whatever
+his Majesty thought that _he_ could do in the matter.
+
+There were so many people about that we considered it best to spend
+the rest of the day quietly at home, though we did venture out in the
+evening to see the illuminations, which delighted his Majesty
+exceedingly.
+
+The next afternoon the whole party, with the exception of
+One-and-Nine, drove over the route taken by the procession, in order
+to see the street decorations. I remained at home, and late in the
+afternoon there was a knock at my door, and General Mary Jane entered.
+She was nervously wringing a handkerchief wet with tears, and her eyes
+were quite red with weeping.
+
+"Please, sir," she began, sniffing pathetically, "I want to
+gi--gi--give no--notice."
+
+"Why! what ever for?" I asked in surprise, for General Mary Jane was
+an excellent servant, and Mrs. Putchy had always been very pleased
+with her.
+
+"Please, sir, it's Sergeant One-and-Nine; he's broken my 'art, sir,
+and I can't bear it no longer," and the poor girl burst into a flood
+of tears.
+
+"Bless me!" I cried, "whatever do you mean?"
+
+"Well, sir, you see ever since he's been 'ere, sir, he's been a making
+hup to me; leastwise that's what I thought he meant, sir; but this
+afternoon bein' my day hout, I went up to Kensington Gardens for a
+walk (him a saying as he would be there), and what should I see when
+I gets there, but him a walkin' about with half-a-dozen of them
+nursemaids in white frocks a followin' of him. Not that I says as it's
+altogether his fault; they will run after the military; but it's more
+than I can stand, sir, me bein' that proud at 'avin' a soldier for a
+sweetheart, and all," and she began to cry again.
+
+ [Illustration: THEY WILL RUN AFTER THE MILITARY]
+
+I hardly knew what to do, but suggested that she should not think too
+seriously about it, and General Mary Jane, saying she hoped I would
+excuse her troubling me in the matter, decided to go to her married
+sister at Barnes and spend the rest of her day out there, and talk
+the matter over with her. I had a lot of writing to do all the
+afternoon, and the time passed so quickly that until the gong sounded
+for dinner I did not realize that the Wallypug and his party had not
+returned. It was now past seven, and they should have been home hours
+since.
+
+I was so anxious about them that I could scarcely eat any dinner, and
+as soon as the meal was over I hurried to the livery stables to hear
+if they knew anything about the matter.
+
+The first person I encountered when I arrived there was the coachman,
+now divested of his fine livery, and busy in the yard.
+
+"Bless you, sir, yes, back hours ago," said he. "I set his Majesty and
+the others down at your door about five o'clock, and I did hear them
+say something about going down to Hammersmith for a walk."
+
+"To Hammersmith?" I echoed in surprise.
+
+"Yes, sir--they wanted to see the Suspension Bridge and the river
+again, so I told them the way to get there. They're all right, sir,
+I'll be bound. The Doctor-in-Law is too wide awake for anything to
+happen to them while he is with them."
+
+I walked home somewhat easier in my mind now that I knew the party had
+returned safely, though still somewhat anxious as to their
+whereabouts.
+
+About nine o'clock it began to get quite dark, and I was just setting
+out to see if I could find any trace of them when General Mary Jane
+returned.
+
+ [Illustration: "AND DONKEY RIDES"]
+
+"Oh, sir!" she exclaimed directly she saw me, "what do you think? His
+Majesty and the Doctor-in-Law and the others are down at the fair by
+Hammersmith Bridge, and they are 'aving such a lark. I see them all
+'aving a roundabout as I was coming past on my way 'ome from my
+sister's just now; such a crowd there was a cheering and a hollering.
+Cocoa-nut shies, too, a boy told me they had been 'aving, and old Aunt
+Sally, and donkey rides along the towing path."
+
+ [Illustration: "THEY ARE 'AVING SUCH A LARK"]
+
+I hurriedly put on my hat and rushed off to Hammersmith, for I didn't
+know what might happen to my guests among the rough crowd which I knew
+usually gathered there.
+
+When I arrived on the scene I found the whole party on the roundabout,
+and when they alighted I learned that the Doctor-in-Law had arranged
+with one of the show people to share the proceeds of exhibiting the
+Wallypug and A. Fish, Esq., in separate tents, at 3d. a head.
+
+I met with considerable opposition from the show people in my
+endeavours to persuade my guests to come home, as they had evidently
+been a source of considerable profit to them, though the man with the
+cocoa-nut shies declared that the Doctor-in-Law had claimed a great
+many more nuts than he was properly entitled to.
+
+The crowd made quite a demonstration when we departed in a
+four-wheeler, and the Rhymester evidently considered it a compliment
+that the contents of so many "ladies' tormentors," as the little tubes
+filled with water are called, were directed at him. Altogether the
+whole party had evidently been delighted with their evening's
+amusement, though, as I explained to them while we were driving home,
+it was highly inconsistent with the dignity of his Majesty's position,
+and calculated to cause him to be treated with a certain amount of
+disrespect. I could see, however, that all I said had very little
+effect on any of the party, and that they were one and all highly
+delighted with their adventure.
+
+
+
+
+CHAPTER VII
+
+MORE ADVENTURES
+
+
+"It's the most contraryish place I've ever seen," declared
+One-and-Nine.
+
+"Yes," agreed the Wallypug. "There was no water in the moat."
+
+"The Drawbridge didn't draw," echoed the Rhymester.
+
+"Ad the beefeaters didn't eat beef," chimed in A. Fish, Esq., while
+the Doctor-in-Law declared that for his part he "considered the
+morning spent there had been entirely wasted."
+
+They were talking about the Tower of London, and were telling Girlie
+and Boy, who were spending the afternoon with us, all about their
+visit there on the previous day.
+
+I was sitting in an adjoining room--but the door being open I could
+hear all that was said.
+
+"How did you go?" asked Boy.
+
+"Oh!" exclaimed the Wallypug, "in the most extraordinary way you can
+possibly imagine. We went into a house in High Street, Kensington, and
+bought some little tickets, and then we handed them to a man at a
+barrier, who cut a little piece out of each one as we passed through."
+
+"To rebebber us by," chimed in A. Fish, Esq.
+
+"Yes," continued the Wallypug; "and then we went down two flights of
+stairs, and by-and-bye a lot of little houses on wheels came rushing
+into the station, and we got into one of them and before you could say
+'Jack Robinson' we were rushing through a big black tunnel under the
+ground."
+
+"Why, you mean the Underground Railway," declared Girlie.
+
+"Yes," agreed his Majesty. "And the little room we sat in had
+beautiful soft cushions and a big light in the middle of the roof, and
+little texts printed on the wall--"
+
+"Texts!" exclaimed both of the children.
+
+"Texts," repeated the Wallypug. "What were they? Do you remember?" he
+asked of the others.
+
+"Oh, one was, 'You are requested not to put your feet on the
+cushions,'" said the Rhymester.
+
+"Oh, yes, and 'To seat five,' and 'Wait till the train stops'--I
+remember now," continued the Wallypug. "Well, we kept rushing through
+the tunnel till we came to 'Holman's Mustard,' and a lot of people got
+out, and then we went on again till we came to 'Smears' Soap.'"
+
+ [Illustration: "HOLMAN'S MUSTARD AGAIN"]
+
+"It wasn't 'Smears' Soap,'" contradicted the Doctor-in-Law. "It was
+somebody's Ink."
+
+"Well, there were such a lot of names," declared the Wallypug, "it was
+impossible to really tell which was which. I always took the name
+opposite to my window to be the right one. The funniest part of it all
+was, we kept coming to 'Holman's Mustard' over and over again. I can't
+think how on earth the people know when to get out."
+
+"Why, those weren't the names of the stations at all," laughed Boy.
+"They were advertisements!"
+
+"Well, where were the names of the stations then?" demanded his
+Majesty.
+
+"Why, in big letters on the walls of course," was the reply.
+
+"They couldn't have been much bigger than those of 'Holman's
+Mustard,'" persisted the Wallypug somewhat ungrammatically.
+
+"Never mind about that; get on with your story," remarked the
+Doctor-in-Law impatiently.
+
+"Well, after going through a lot of tunnels and stopping ever so many
+times, we got out at one of the stations and went upstairs into the
+light again, and almost opposite the station we could see a lot of
+grey stone buildings with towers and battlements."
+
+"I know! You mean the Tower. We've been there," interrupted Girlie.
+
+"Did you see the Lions?" asked the Wallypug eagerly.
+
+"Lions! No!" exclaimed the children. "There weren't any; you didn't
+see any, did you?"
+
+"No, we didn't," admitted the Wallypug, "but the Doctor-in-Law told us
+that there were some there."
+
+"I read it in a book," declared the Doctor-in-Law. "But I daresay it
+was all a pack of stories, like the rest of the things they said. Look
+at the Crown Jewels for instance--bits of glass and rubbish. That's
+why they put them in an iron cage, so you can't get at them to see if
+they are real."
+
+"Oh! I think they _are_ real," said Boy. "The Guide told us that they
+were worth ever so many thousands of pounds."
+
+"Yes, he may have _said_ so," remarked the Doctor-in-Law, "but I'll be
+bound he wouldn't let you take them away and examine them for
+yourself. I asked them to let me have one or two of the crowns and
+things to take home and test, but they positively refused, although I
+promised to return them within a week. They are afraid that we should
+find out that they are only imitations--that's what's the matter."
+
+"There weren't any kings or queens executed either the day we were
+there," he continued, grumbling.
+
+"Well, I'm sure I'm very glad that _that_ fashion has died out,"
+declared his Majesty. "I don't mind admitting now that I was rather
+nervous about going at all, for fear that I should have _my_ head
+chopped off, and I should feel so very awkward without one, you know."
+
+"Pooh! You needn't have been alarmed, for there wasn't a Lord High
+Executioner on the premises, because I asked," declared the Rhymester.
+
+"No, but do you know," said his Majesty, "I've found out since, that
+he lives at the bottom of our street, and mends shoes for a living--he
+does a little executing still on the sly, for I have seen his bill in
+the window, 'Orders _executed_ with promptness and dispatch.' I asked
+him one day what class he executed most, and he said that his
+connection was principally amongst the 'Uppers.' He seems a very kind
+man though, and not only executes orders, but heals them too, poor
+souls! He charges 1s. 3d. for healing. His education has been sorely
+neglected, I am afraid, however, for he spells it 'heeling.'"
+
+"Did you see the Armoury at the Tower?" asked Boy.
+
+"Yes, and there was another instance of deception," declared the
+Doctor-in-Law.
+
+"What do you mean?" asked Boy.
+
+"Well, what is an armoury?" inquired the Doctor-in-Law.
+
+"A place where arms are kept, I suppose," replied Boy.
+
+"Just so, and there wasn't an arm in the place except our own," said
+the Doctor-in-Law wrathfully.
+
+"Why, they call guns and things arms," said Boy, laughing.
+
+"Oh! do they?" remarked the Doctor-in-Law sarcastically. "Why don't
+they call things by their proper names then? they might as well call
+them legs, or turnips, or paraffin oil--bah! I've no patience with
+such folly!"
+
+ [Illustration: "THEY WENT FOR BY CALVES"]
+
+"I think they bight feed the raveds[1] bedder," complained A. Fish,
+Esq. "They went for by calves, and if wud of those Beefeaters
+hadn'd cub and driven theb away I shouldn't have had a leg left to
+stand up od."
+
+ [1] He meant the tame ravens which are kept at the Tower.
+
+"Beefeaters, yes!" remarked the Rhymester, "and a pretty lot they
+were. I tried several of them with a piece that I had brought with me
+in a little paper bag, and not one of them would touch it."
+
+"Madame Tussaud's was better; we went there in the afternoon," said
+his Majesty.
+
+"Yes, but who was to know which were wax figures and which were not?"
+asked the Doctor-in-Law.
+
+"Well, you made a pretty muddle of it anyhow," said the Wallypug. "Do
+you know," he went on, "the Doctor-in-Law made us all pay sixpence
+each towards the catalogue, and then went around with us explaining
+the various groups. He had just finished telling us that several
+ladies, who were standing together, were Henry the Eighth's wives,
+when they all marched off looking highly indignant."
+
+"Well, how was I to know?" remarked the Doctor-in-Law pettishly. "I'd
+never met a single one of Henry the Eighth's wives in my life, and how
+was I to recognize them?"
+
+"I don't think they would have binded so butch if the Rhymebster
+hadn't pinched wud of theb to see if they were alive or dot," remarked
+A. Fish, Esq.
+
+"Did you see the Sleeping Beauty?" asked Girlie.
+
+ [Illustration: HE COULD GET NO ANSWER]
+
+"Oh, yes! Isn't it cruel to keep her shut up in that case," cried the
+Wallypug. "I'm sure she's alive, for we could see her breathing quite
+distinctly. I was so concerned about it that I asked the Doctor-in-Law
+to speak to a policeman who was standing near by about it. But he
+could get no answer from him, and we found out afterwards that he was
+only a wax figure."
+
+"The best thig of all," remarked A. Fish, Esq., "was whed we all
+pretended that we--"
+
+"Dear me, it's very warm!" interrupted the Doctor-in-Law. "Let's
+change the subject."
+
+"Pretended that we--" continued A. Fish, Esq.
+
+"Hush--sh--sh--!" cried the Doctor-in-Law in a warning voice.
+
+"The fact of the matter is," explained the Rhymester, "the
+Doctor-in-Law got us all to pretend that we were wax figures
+ourselves, and he tied little money boxes in front of us with the
+words: 'Put a penny in the slot and the figure will move,' written on
+them, and when anyone put a penny in we all moved our heads and rolled
+our eyes about."
+
+"I didn't!" said the Wallypug.
+
+"No, I know you didn't," replied the Rhymester. "And the Doctor-in-Law
+had to explain that you were out of order, and that's how we were
+found out, for the people wanted their money back and he wouldn't give
+it to them, so they called the attendant, and we had to go out as
+quickly as we could."
+
+"Ad wasn't id beade?" said A. Fish, Esq. "There were four shillings
+ad threepedce id the boxes, ad the Doctor-id-Law wouldn't give us a
+penny of id."
+
+"Well, I let you pay my fare home. That amounted to the same thing,"
+replied the little man.
+
+Just then Mrs. Putchy came in with afternoon tea, and I joined my
+guests in the drawing-room.
+
+
+
+
+CHAPTER VIII
+
+HIS MAJESTY IS INTERVIEWED
+
+
+The next morning we were all seated around the breakfast table
+laughing over our adventures of the evening before, when we had
+visited the Earl's Court Exhibition together. We had been up in the
+Great Wheel, and having passed through the pretty old English village
+were walking around the artificial lake listening to the band playing
+in their little pavilion on the island in the middle, when the
+Doctor-in-Law declared that he heard a strange trumpeting sound, and
+asked me what it could be. I had not heard it and so could not tell
+him, and we were just discussing the matter when the Wallypug clutched
+wildly at his crown, and turning around we saw a huge elephant lifting
+it gracefully off his head with its trunk.
+
+Directly his Majesty realized what it was, he gave a wild scream and
+took to his heels, as did all the others, with the exception of the
+Rhymester, who tripped against a stone and lay with his head buried in
+his arms for some time, kicking and screaming for help.
+
+Of course it was only the tame elephant that carries the children on
+its back, but to the unaccustomed eyes of the Wallypug and his party
+it seemed, so they told me afterwards, some strange and awful monster
+ready to devour them.
+
+As I said, we were laughing merrily over this adventure when the
+postman arrived, and the Doctor-in-Law, without asking to be excused
+from the table, rushed out to meet him, and returned a few minutes
+later with his arms loaded with a number of little packages and one
+rather large box, which had arrived by Carter Paterson.
+
+"Dear me, what a lot of letters," remarked his Majesty.
+
+"Yes. Wouldn't you like to know what they are all about, eh?" inquired
+the Doctor-in-Law.
+
+"Yes, I should," admitted the Wallypug; while the faces of the
+others all expressed the same curiosity.
+
+ [Illustration: A STRANGE AND AWFUL MONSTER]
+
+"Well, I'll tell you what I'll do," said the Doctor-in-Law. "If you'll
+all pay me fourpence halfpenny each, I will let you open them and see
+for yourselves."
+
+There was a little grumbling at this, but eventually the money changed
+hands, and, the breakfast things having been removed, the little
+packages were opened with great eagerness.
+
+Besides a printed circular, each one contained some little article--a
+pencil case, a pen knife, a comb, a sample tin of knife polish, a card
+of revolving collar studs, and so on.
+
+"Ah!" remarked the Doctor-in-Law complacently as these articles
+were spread about the table; "I told you that I expected to derive a
+princely revenue from my correspondence, and now I will explain to you
+how it is done. I observed a great number of advertisements in the
+daily papers, stating that 'A handsome income could be earned without
+the slightest trouble or inconvenience, and particulars would be
+forwarded to any one sending six stamps and an addressed envelope';
+so I sent off about twenty, and here is the result. I see by these
+circulars that I have only to sell two hundred of these little pencil
+cases at half-a-crown each in order to earn 1s. 6d. commission, and
+for every dozen tins of knife polish I sell, I shall be paid 1-1/2d.,
+besides being able to earn 6d. a thousand by addressing envelopes for
+one firm, if I supply my own envelopes."
+
+"What's in the big box?" inquired the Rhymester.
+
+"A dittig bachede," replied A. Fish, Esq., who had been busily engaged
+in opening it.
+
+"A what?" exclaimed the others.
+
+"A dittig bachede for dittig socks," repeated A. Fish, Esq.
+
+"Oh yes, of course!" explained the Doctor-in-Law, "a knitting machine.
+I was persuaded to buy it on the understanding that I was to have
+constant work all the year round, and be paid so much per pair for
+knitting socks with it. It's a most interesting and amusing
+occupation, and, I'll tell you what, I don't mind letting any one of
+you use the machine for sixpence an hour, if you find your own worsted
+and give me the socks when they are finished. There now! nothing
+could be fairer than that, could it?"
+
+ [Illustration: THE "DITTIG BACHEDE"]
+
+And positively A. Fish, Esq., was so infatuated with the charms of the
+"dittig bachede," as he called it, that he actually agreed to these
+terms, and sent out for some worsted, and commenced "dittig" with
+great enthusiasm. The Doctor-in-Law then set the Rhymester to work,
+addressing the envelopes on the understanding that he was to share
+the sixpence per thousand to be paid for them. And, having bothered
+the Wallypug and myself into buying a pencil-case and a knife each, in
+order to get rid of him, he started off to the kitchen to see if he
+could do any business with Mrs. Putchy in the knife-polish or
+black-lead line.
+
+His Majesty and myself were just saying what an extraordinary little
+man he was, when he burst in upon us again.
+
+"Heard the news?" he inquired, his face beaming with importance.
+
+"No. What is it?" inquired the others eagerly.
+
+"Ah! wouldn't you like to know?" exclaimed the Doctor-in-Law. "How
+much will you give me for telling you?"
+
+"How much do you want?" asked the Rhymester dubiously.
+
+"A penny each," was the reply.
+
+"Come on then, let's have it," said the Rhymester, collecting the
+pennies from the others and handing them to the Doctor-in-Law.
+
+"Why--er--er--Queen Anne is dead, and the Dutch have taken
+Holland--yah!" And the little man burst out laughing.
+
+"Oh! I say, that's _too_ bad," grumbled the Wallypug. "Isn't it now?"
+he cried, appealing to me.
+
+"Well, really," I replied, "you shouldn't be so silly as to give him
+money. You ought to know by this time what to expect from him."
+
+"No, but truly," said the Doctor-in-Law, pulling a serious face, "I
+_have_ got some news, the other was only my fun. A lady is going to
+call on us at eleven, to interview the Wallypug. I had almost
+forgotten it."
+
+"A lady!" I exclaimed. "Whoever do you mean?"
+
+"Oh, she's the Duchess of something. I forget her name," answered the
+Doctor-in-Law nonchalantly. "She called the other day while you were
+out, and explained that she was a contributor to one of the latest
+society magazines, and was anxious to send an illustrated interview
+with the Wallypug, to her paper; so--a-hem!--after we had come to
+terms, I arranged for her to come to-day and see him. You had better
+go and make yourself tidy, hadn't you?" he continued, turning to the
+Wallypug.
+
+"Well, really," I interposed, "I think you might have consulted his
+Majesty first, before making these arrangements."
+
+"Oh! do you?" said the Doctor-in-Law rudely. "Well, I don't see that
+it's any business of yours, my good sir--so there!" and he bounced out
+of the room again, rattling his sample tins.
+
+It was nearly eleven then, and a few minutes afterwards a
+beautifully-appointed carriage drew up to the door, and Mrs. Putchy
+brought up a card inscribed:
+
+ [Illustration: _Her Grace the Duchess of Mortlake._]
+
+and immediately ushered in a fashionably-dressed lady, who smilingly
+offered me the tips of her fingers.
+
+"Oh, _how_ do you do? You are the gentleman, I think, who is to
+introduce me to his Majesty, are you not?"
+
+"Well, really, your Grace, we have only just heard of the appointment,
+but his Majesty the Wallypug will be very pleased to receive you I am
+sure."
+
+"And is that his Majesty at the other end of the room?" whispered the
+Duchess. "Pray present me."
+
+I made the necessary introduction, and the Duchess gave the regulation
+Court 'dip,' which the Wallypug gravely imitated, and then in his
+usual simple manner offered his hand with a smile.
+
+ [Illustration: IN THE MOST APPROVED FASHION]
+
+Her Grace made a deep presentation curtsey and bowed over it in the
+most approved fashion; but the Wallypug, evidently unused to being
+treated with so much ceremony, withdrew it hastily and remarked
+nervously but politely:
+
+"Won't you take a seat, madam?"
+
+"Say, 'Your Grace,'" I whispered.
+
+"What for?" asked his Majesty blankly.
+
+"Because this lady is a Duchess, and you must always say 'Your Grace'
+when speaking to her," I replied.
+
+"Oh!" said the Wallypug vaguely--then going up to the Duchess he
+solemnly said, "I'm Grace."
+
+"No, no!" I explained. "You don't understand me. I mean, when you
+speak to this lady you must call her 'Your Grace.'"
+
+"Dear me, how stupid of me, to be sure!" said his Majesty. "I
+understand now. I beg your pardon. I meant to say, 'You are my Grace,'
+madam," he continued, addressing himself to the Duchess.
+
+Her Grace amiably laughed away this little mistake, and was soon busy
+asking questions. The Wallypug, however, got very nervous, and made a
+shocking lot of mistakes in his answers. He couldn't even say how old
+he was.
+
+"I know I've been in the family for years," he remarked, "and I fancy
+I must have come over with William the Conqueror. Such a lot of people
+did that, you know, and it's so respectable. I don't remember it, of
+course; but then I've been told that I was born very young, and so
+naturally I shouldn't do so."
+
+"Does your Majesty remember any of the incidents of your early life?"
+asked the Duchess.
+
+"I was considered remarkably bald for my age as an infant," replied
+the Wallypug simply. "And I believe I had several measles, and a mump
+or two as a child. But I don't wish to boast about them," he added
+modestly.
+
+"Where were you educated, your Majesty?" was the next question.
+
+"I wasn't," replied the Wallypug with a sigh.
+
+"Does your Majesty mean that you received no education at all?" asked
+the Duchess in surprise.
+
+"Oh! I was taught reading, and writing, and arithmetic, and the use of
+the globes, and Latin and Greek, and all that rubbish, of course,"
+replied the Wallypug. "But I mean there were no Universities at Why,
+where I could receive a higher education, and be taught cricket, and
+football, and rowing, and all those classical things taught at Oxford
+and Cambridge, you know. I was considered the best boy in my form at
+marbles though," he added proudly. "And I could beat any of the
+masters at Hop Scotch."
+
+"What is your favourite diet, your Majesty?" came next.
+
+"Oh! jumbles, I think--or bull's eyes. I'm very fond of hardbake too,
+and I love cocoa-nut ice."
+
+A few more questions such as these, and her Grace took her departure,
+after taking several snap-shot photographs of various articles in the
+drawing room.
+
+I felt convinced that with such a scanty amount of information at her
+disposal the Duchess would have great difficulty in writing an article
+on the Wallypug, and was therefore the more surprised a few days later
+to receive a copy of the magazine which her Grace represented, with a
+long and particular account of the interview, under the heading of,
+"'Why Wallypug and wherefore of Why?' by a Lady of Title." Into it her
+Grace had introduced the most preposterous and extravagant statements
+about his Majesty.
+
+We learned with amazement that "The Wallypug came of a very ancient
+family, and had early been distinguished for many remarkable
+accomplishments. While at school his Majesty displayed such a natural
+aptitude for learning as to readily out-distance his instructors."
+
+"I suppose that's because I said I played Hop Scotch better than the
+masters," commented his Majesty, to whom I was reading the account
+aloud.
+
+ [Illustration: THE FAITHFUL HOUND]
+
+Photographs of various articles in the drawing-room, which had no
+connection whatever with the Wallypug, were reproduced with the most
+extraordinary and absolutely untrue stories attached to them. Dick and
+Mrs. Mehetable Murchison appeared as "The Wallypug's favourite cat and
+dog," while pathetic stories were told of how the dog had on several
+occasions saved his royal master from an untimely and watery grave,
+while the cat had prevented him from being burned to death while
+reading in bed by gently scratching his nose when he had fallen
+asleep, and the candle had set fire to the bed curtains. Sensational
+illustrations were also given depicting these incidents, which of
+course were purely imaginary.
+
+It was very remarkable to notice though, that directly the article of
+the Duchess's appeared, invitations from all sorts of grand people
+poured in upon us--and the daily papers suddenly woke up to the fact
+that the Wallypug and his suite were very important personages, and
+devoted whole columns to "Our Mysterious Foreign Guests," as they
+called them.
+
+ [Illustration: THE SAGACIOUS PUSSY]
+
+There was always more or less of a crowd outside the house now, and
+when his Majesty drove in the Park, the people all stood up on the
+little green seats to get a better view of him as he passed.
+
+
+
+
+CHAPTER IX
+
+THE WALLYPUG'S OWN
+
+
+It was shortly after this that the Doctor-in-Law, hearing what a vast
+fortune might be made in literature, decided to start a magazine of
+his own.
+
+ [Illustration: THE DOCTOR-IN-LAW WAS EDITOR]
+
+After a lot of argument it was thought best to call it _The Wallypug's
+Own_, as the name was considered a striking one. The first number was
+to be a very elaborate affair, and, for weeks before it appeared, all
+of my guests were busily engaged in its production.
+
+"There will be a good opportunity for some of your poems appearing at
+last," hinted the Doctor-in-Law to the Rhymester, which so delighted
+the poor little fellow that he set to work at once upon a number of
+new ones. A. Fish, Esq., contributed a very learned article on the
+subject of "The Prevalence of Toothache amongst Fish: its Cause and
+Treatment"; while the great attraction of the number was an historical
+article by the Wallypug on the subject of "Julius Caesar," illustrated
+by his Majesty himself. As a special favour, the original drawing was
+presented to me by his Majesty, and I am thus enabled to reproduce it
+for your benefit. His Majesty confided to me that parts of it were
+traced from a picture which appeared in the _Boys' Own Paper_ some
+time ago, but of course we did not tell everybody that.
+
+ [Illustration: FROM "THE WALLYPUG'S OWN"]
+
+The essay itself was quite original, and was worded somehow like this:
+
+ "_Julius Caesar was a man, and he lived in Rome. He came over to
+ conquer Britain because he heard there was a lot of tin here, and
+ when he arrived he said in Latin_, 'Veni, vidi, vici,' _which
+ means, 'I have come, and thou wilt have to skedaddle', which has
+ been the British motto ever since. But the Ancient Britons who
+ lived here then, didn't understand Latin, and so they went for
+ Julius Caesar, and shook their fists in his face, and tried to
+ drive him and his followers away. But Julius Caesar and the Romans
+ were civilized, and had daggers and things, and shields, and wore
+ firemen's helmets, and kilts like Scotchmen, so they soon overcame
+ the Ancient Britons; and they built London Wall, and made a lot of
+ combs, and glass tear-bottles, and brooches, and sarcophaguses,
+ that you can see in the Museum at the Guildhall; and then they went
+ back to Rome, and Julius Caesar was stabbed by his friend Brutus,
+ to show how much he liked him; and Caesar, when he found out he was
+ stabbed, cried out in Latin_, 'Et tu, Brute,' _which means 'Oh, you
+ brute,' and lived happy ever after. I have drawn the picture of
+ Julius Caesar landing in Britain--that's him waving things, and
+ calling to the others to come on._"
+
+The Doctor-in-Law was editor, and arranged a number of competitions,
+and in order to enter for them you had only to send two shillings in
+stamps, while the prizes were advertised as follows: First prize,
+L1000 a year for life; second prize, thirty-six grand pianos and
+fourteen bicycles; third prize, a sewing machine and six cakes of
+scented soap. The prizes were to be awarded for the first correct
+answers received by post, but the Doctor-in-Law took good care to
+write three sets of answers himself, and put them in our letter-box a
+half-an-hour before the first post arrived, so that nobody got prizes
+but himself. He made a good deal of money, too, by pretending to tell
+your fortune by the creases in your collar. All you had to do was to
+send an old collar and fourteen penny stamps, and you would receive a
+letter in reply similar to this:
+
+"You are probably either a male or a female, and will no doubt live
+till you die. You like to have your own way when you can get it, and
+when you can't you get very cross and irritable. You are not so young
+as you were a few years ago, and you dislike pain of any kind. You
+will remain single until you marry, and whichever you do you will
+probably wish you hadn't."
+
+The greatest novelty, however, which the Doctor-in-Law introduced in
+his new magazine was his system of telling your character by your
+watch and chain. There was no fee charged, and all you had to do was
+to send your watch and chain (gold preferred), and the Doctor-in-Law
+would tell your character, quite correctly. It generally was as
+follows:
+
+"You are a silly donkey, for no one but a donkey would think of
+sending his watch and chain to a stranger, and if you imagine that you
+will ever see it again, you are greatly mistaken."
+
+The Rhymester only had one poem in after all, as, when it came to the
+point, the Doctor-in-Law charged him a guinea a verse for printing it,
+and the poor Rhymester could not afford more than one poem at that
+rate.
+
+This is what he sent:
+
+ [Illustration]
+
+THE NEW ROBIN.
+
+ The North wind doth blow,
+ And we ought to have snow,
+ If 'tis true what my nurse used to sing,
+ Poor thing.
+
+ Yet up in yon tree
+ Robin Redbreast I see
+ As happy and gay as a king,
+ Poor thing.
+
+ Look! as true as I live,
+ There's a boy with a sieve
+ And a stick and a long piece of string,
+ Poor thing.
+
+ But the bird doesn't care,
+ For I hear him declare,
+ "Pooh! the old dodge he tried in the Spring,
+ Poor thing."
+
+ "What ridiculous cheek,"
+ And he turns up his beak
+ Ere he tucks his head under his wing,
+ Poor thing.
+
+ [Illustration]
+
+The poor Rhymester was very disappointed at not being able to publish
+more of his poems, so the Doctor-in-Law, to console him, allowed him
+to contribute an article on "Fashions for the Month by Our Paris
+Model." He made a frightful muddle of it though, not knowing the
+proper terms in which to describe the various materials and styles.
+Here is an extract, which will show you better than I can tell, the
+stupid blunders which he made:
+
+ "_Hats this season are principally worn on the head, and may be
+ trimmed with light gauzy stuff wobbled round the crown mixed up
+ with various coloured ribbons, and bunches of artificial flowers
+ and fruit._
+
+ "_Artificial vegetables are not much worn, although a cauliflower
+ or two and a bunch of carrots, with a few cabbages, would form a
+ striking and novel decoration for a hat. If this trimming is
+ considered insufficient, a few brightly coloured tomatoes stuck
+ round the brim might be added, and would render the head-gear
+ particularly 'chic.'_
+
+ "_Hats for the theatre should be worn large and handsomely trimmed,
+ but for the economically inclined--a last year's clothes basket
+ trimmed with art muslin, which may be purchased of any good draper
+ at 1-3/4d. a yard, cut on the cross and tucked with chiffons, would
+ form a sweetly simple hat, and if tied beneath the chin with an
+ aigrette, and the front filled in with sequins, it would readily be
+ mistaken for one of the new early Victorian bonnets which continue
+ to be worn by the upper housemaids in most aristocratic families._
+
+ _"I hear that dresses are to be worn again this year by ladies. The
+ most fashionable ones will be made of various sorts of material._
+
+ _"A charming walking costume suitable for the Autumn may be made of
+ shaded grenadine, trimmed with buckram pom-poms, made up on the
+ selvedge edge."_
+
+There was a lot more nonsense of this kind which I did not at all
+understand, but which some lady friends who understood these things
+made great fun of.
+
+You will be surprised, no doubt, to hear that in a weak moment I
+allowed myself to be persuaded into contributing a little experience
+of my own.
+
+The Rhymester told me that it was shockingly bad rhyme, but I think
+that he was jealous because the Doctor-in-Law published it. Anyhow,
+here it is, so you can judge for yourself. I call it
+
+HE AND I AND IT.
+
+ Oh HE was a Publisher
+ And I was a Publishee,
+ And IT was a book
+ Which the Publisher took
+ And pub-l-i-s-h-e-d.
+
+ The Publisher's smile it was bland,
+ 'Twas a beautiful smile to see,
+ As again and again
+ He took pains to explain
+ How large my "half-profits" _might_ be.
+
+ IT had a capital sale,
+ Well reviewed by the _Times_ and _D.T._,
+ And a great many more,
+ So my friends by the score
+ Came around to congratulate me.
+
+ [Illustration: IT HAD A CAPITAL SALE]
+
+ And people I scarcely had met,
+ Just "dropped in" to afternoon tea;
+ While my aunt, who's a swell,
+ _Now_ remembered quite well
+ That I was related to she.
+
+ And girls that were rich and plain,
+ Or pretty and poor, did agree
+ To let me suppose
+ That I'd but to propose
+ To be m-a-r-r-i-e-d.
+
+ [Illustration: MY FRIENDS ALL TURNED TAIL]
+
+ Yes, HE published IT in the Spring,
+ That season of frolic and glee;
+ "In the Autumn," HE said,
+ Gravely nodding his head,
+ "'Half-profits' will mean L.S.D."
+
+ But Autumn has come and gone,
+ And I'm so to say, "All at sea,"
+ For HE sobs and HE sighs
+ And HE turns up his eyes
+ When I ask what my "half-profits" be.
+
+ There are "charges for this, and for that,"
+ And for "things that HE couldn't foresee,"
+ And HE "very much fears,"
+ So he says twixt his tears,
+ "That there won't be a penny for me."
+
+ Oh! rich is the Publisher
+ And poor is the Publishee;
+ Of the profits of IT
+ I shall touch not a bit,
+ They are all swallowed up by HE.
+
+ The girls now all treat me with scorn--
+ Aunt turns up her n-o-s-e,
+ And my friends all turn tail,
+ While my book they assail
+ And call rubbish and twad-d-l-e.
+
+Even One-and-Nine and General Mary Jane were smitten with a desire to
+rush into print, and I overheard them concocting a tragic Love Story
+in the kitchen, and they were highly indignant later on, because the
+Doctor-in-Law would not accept it. You can hardly wonder at it though,
+for it really was too bad for anything.
+
+It was called "The Viscount's Revenge," and in it several characters
+who had been killed in the first part of the book kept cropping up all
+through the story in a most confusing manner, while One-and-Nine and
+General Mary Jane could not agree as to whether the heroine should be
+dark or fair, so in one part of the book she had beautiful golden hair
+and blue eyes, and in another she was described as "darkly, proudly
+handsome, with a wealth of dusky hair and eyes as black as night."
+
+ [Illustration: THE LITERARY HOUSEMAID]
+
+At the last moment it was found necessary to include another poem in
+the magazine, and, as all of the Rhymester's were too long, the
+Doctor-in-Law decided to write one himself, which he called
+
+COMMERCIAL PROBLEMS.
+
+ Why doth the little busy bee
+ Not charge so much an hour,
+ For gathering honey day by day
+ From every opening flower?
+
+ And can you tell me why, good sir,
+ The birds receive no pay
+ For singing sweetly in the grove
+ Throughout the livelong day?
+
+ Why flow'rs should bloom about the place
+ And give their perfume free,
+ In so unbusinesslike a way,
+ Seems very odd to me.
+
+ I cannot meet a single cow
+ That charges for her milk,
+ And though they are not paid a sou,
+ The silkworms still spin silk.
+
+ While ducks and hens, I grieve to find,
+ Lay eggs for nothing too,
+ Which is a most ridiculous
+ And foolish thing to do.
+
+ These problems often puzzle me;
+ I lie awake at night,
+ And think and think what I can do
+ To set this matter right.
+
+ I've found a way at last, and though
+ It may at first seem funny,
+ It cannot fail--'tis this: _You_ pay,
+ And _I'll_ collect the money.
+
+
+
+
+CHAPTER X
+
+THE WALLYPUG GOES TO WINDSOR
+
+
+While they were all busy in the preparation of _The Wallypug's Own_, I
+thought it an excellent opportunity to run down to Folkestone in order
+to make arrangements for hiring a house, as I intended taking my
+guests to the seaside for a few weeks.
+
+I felt a little anxious about leaving them to themselves, but hoped
+that they would be too busy and interested in the new magazine to get
+into trouble.
+
+It was most unfortunate that I should have gone just then though, for
+directly I had left the Wallypug received a polite letter from one of
+the Court officials to say that the Queen would be pleased to receive
+his Majesty and suite at Windsor on the following day.
+
+ [Illustration: A ROYAL INVITATION]
+
+Of course, as you may imagine, the Wallypug was in a great state of
+excitement at receiving this royal invitation, and wished to telegraph
+at once for me to return and advise them how to act and what to do, on
+this important occasion; however, the Doctor-in-Law, so I have been
+given to understand, persuaded his Majesty not to do anything of the
+sort, and added that I "was always poking about and interfering, and
+was better out of the way"; so his Majesty, who was very anxious to do
+the right thing, consulted Mrs. Putchy as to the proper costume to be
+worn, and the etiquette to be observed.
+
+"Well, your Majesty," remarked Mrs. Putchy in reply, "I scarcely know
+what to advise. When in my younger days, I acted as lady's maid to the
+Countess of Wembley, I know her ladyship wore a Court train and
+carried a bouquet when she was presented to the Queen."
+
+"Where did the engine go?" asked his Majesty curiously.
+
+"The engine!" exclaimed Mrs. Putchy.
+
+"Yes; you said she wore a train, didn't you?" said the Wallypug.
+
+"Oh! but I didn't mean that kind of train," laughed Mrs. Putchy; "I
+meant a long sort of cloak fastened on to the shoulders and trailing
+along the ground at the back--they are generally made of satin and
+velvet, and are decorated with flowers and feathers and lace, and that
+sort of thing. Your Majesty's cloak would do nicely if I trimmed it
+for you."
+
+"But are you sure that gentlemen wear these sort of things?" inquired
+the Wallypug.
+
+"Well, I couldn't rightly say, your Majesty, but I'm sure I've seen
+pictures of kings and such like wearing trains which were borne by
+pages, so I feel sure your Majesty would be safe in wearing one."
+
+So it was arranged that, after having been carefully brushed, his
+Majesty's velvet cloak was to be gaily decorated with lace and large
+bunches of flowers, and, to make the thing complete, a large bouquet
+was tied around his sceptre, and, at the Rhymester's suggestion,
+little knots of flowers were attached to the knobs of his Majesty's
+crown.
+
+The little man was highly delighted with his appearance when all these
+arrangements were concluded, and could get but very little sleep that
+night for thinking of the great honour which was to be his the next
+day.
+
+The whole household was early astir in the morning, and at about
+eleven o'clock the carriage came to take the royal guests to the
+station.
+
+Arrived at Waterloo, the Doctor-in-Law, after making various inquiries
+as to the price of the tickets, etc., actually had the meanness,
+despite the remonstrance of the railway officials, to insist upon the
+whole party travelling down third-class, remarking that he "found the
+third-class carriages reached there quite as soon as the first, and a
+penny saved was a penny gained."
+
+The station master at Windsor was particularly put out about it, as,
+in honour of his Majesty's visit, the station had been gaily decorated
+and a carpet laid down to the carriage door. His Majesty, however,
+made a brave show as he walked up the platform preceded by the
+Doctor-in-Law, his gaily decorated train borne by the Rhymester, and
+followed by A. Fish, Esq., and One-and-Nine, the latter carrying a
+mysterious bandbox, which contained a present from the Wallypug to her
+Majesty. (See frontispiece.)
+
+Inside and out the station was crowded with curious spectators, all
+eager to catch a glimpse of his Majesty and his remarkable retinue,
+and cheer after cheer resounded as the station master, bare-headed and
+bowing, ushered the party to the royal carriage with the red and
+gold-liveried servants, which had been sent from the castle to meet
+them.
+
+The bells were ringing, and the streets were crowded as they drove
+through the old town, and his Majesty thoroughly enjoyed the drive,
+while the Doctor-in-Law was quite in his element amidst all this fuss
+and excitement.
+
+I did not care to inquire too fully into the details of his Majesty's
+interview with the Queen, but I was given to understand that the whole
+party was treated with the utmost kindness.
+
+Her Majesty graciously accepted at the Wallypug's hands a gilded
+crown, an exact copy of the one he wore himself, and which he had had
+made expressly for her Majesty, having been struck by the fact that
+her Majesty's real crown was always kept locked up in the Tower, and
+hoping that perhaps this one would do for second best.
+
+I could not gather that her Majesty had actually promised to wear it,
+but I do know that the Wallypug was made exceedingly proud and happy
+by the gift of a portrait of her Majesty herself, with the royal
+autograph attached, and that he will always remember the occasion of
+his visit to Windsor, and the kindness with which he was treated by
+everyone, particularly by the little Princes and Princesses, her
+Majesty's great grand-children, who led him about the Castle grounds,
+and showed him their pets, and the flowers, and conservatories, and
+all the wonderful sights of that wonderful place.
+
+In the evening there was a dinner party, at which her Majesty did not
+appear, and early the next morning a royal carriage again drove them
+to the station _en route_ for London.
+
+All this I learned on my return from Folkestone. I also heard of an
+extraordinary evening party which had been given at my house during my
+absence. It appears that the invitations had been sent out by the
+Doctor-in-Law the very day upon which I left, and about thirty guests,
+including the Duchess of Mortlake, had been invited. Unfortunately,
+however, this visit to Windsor had entirely driven the matter from the
+Wallypug's mind, and the others had forgotten about it too, and so a
+pretty confusion was the result.
+
+It appears that one evening about seven o'clock they were all in the
+kitchen making toffee, having persuaded Mrs. Putchy to let them have
+the frying-pan and some sugar and butter, and it having been cooking
+for some time the Doctor-in-Law had just told the Wallypug to stick
+his finger in and see if it was done, when Mrs. Putchy came in to say
+that some ladies and gentlemen had arrived, and were waiting in the
+drawing-room.
+
+ [Illustration: TO SEE IF IT WAS DONE]
+
+All of a sudden it flashed upon their minds that _this_ was the
+evening upon which they had invited their visitors to the party.
+Whatever was to be done? Not the slightest preparation had been
+made--and his Majesty and the others were all more or less in a sticky
+condition, and quite unfit to be seen by company.
+
+A hurried consultation took place, during which they could hear more
+and more guests arriving, and at last, by a brilliant inspiration, the
+Doctor-in-Law thought of making it a surprise party, similar to those
+given in America.
+
+"It won't cost us anything either," he remarked complacently.
+
+"But what is a surprise party?" asked the others.
+
+"Never mind, you'll see presently," remarked the little man. "Run and
+wash your hands now and make yourselves tidy."
+
+A few minutes later the whole party filed into the drawing-room, the
+Wallypug looking rather blank and nervous, and the Doctor-in-Law full
+of profuse apologies for having kept the guests waiting so long.
+
+"By the way," he remarked airily, "I suppose you all know that it's a
+surprise party."
+
+"Dear me, no," said the Duchess of Mortlake, speaking for the others.
+"Whatever is that; I don't think it was mentioned on the cards of
+invitation, was it?"
+
+"Ah! a trifling oversight," remarked the Doctor-in-Law. "A surprise
+party," he continued in explanation, "is one at which each guest is
+expected to contribute something towards the supper--some bring one
+thing and some another. What have you brought, may I ask, your Grace?"
+
+"Well, really," said the Duchess, "I've never heard of such a thing in
+my life before. I've not brought anything at all, of course; I'm
+surprised at your asking me such a question."
+
+"Ah, yes, just so," remarked the Doctor-in-Law triumphantly, "just
+what I told you--a _surprise_ party, don't you see! Now, what I would
+advise is that you should all go out and order various things to be
+sent in for supper; we, for our part, will provide some excellent
+toffee, and then you can come back and help us to set the tables and
+all that sort of thing, you know--it's the greatest fun in the world,
+I assure you."
+
+And really the little man carried it off with such gaiety, that
+entering into the spirit of the thing the guests really did as he
+suggested, and went out and ordered the things, and afterwards came
+back, and, amidst great laughter and fun, the tables were laid, every
+one doing some share of the work, with the exception of the
+Doctor-in-Law, who contented himself with directing the others and
+chatting to the ladies.
+
+ [Illustration: THE WALLYPUG HELPS]
+
+The poor dear Wallypug amiably toiled backward and forward between the
+kitchen and dining-room with great piles of plates and other heavy
+articles, and A. Fish, Esq., in his eagerness to help, was continually
+treading on his own tail, upsetting himself and the various dishes
+entrusted to his charge.
+
+ [Illustration: A. FISH, ESQ., UPSET]
+
+At last, however, the supper was set, and the merriest evening you can
+possibly imagine was spent by the guests. His Majesty was in capital
+spirits, and after supper suggested a little dancing, which suggestion
+was hailed with delight by the others, and, having moved some of the
+furniture out of the drawing-room and pushed the rest away into
+corners, the Wallypug led off with her Grace the Duchess of Mortlake,
+and quite distinguished himself in "Sir Roger de Coverley." Afterwards
+there was a little singing and music, several of the guests
+contributing to the evening's entertainment. Amongst other items was a
+song by A. Fish, Esq., rendered as well as his bad cold would permit,
+of which the first lines ran:
+
+ I'b siddig here ad lookig at the bood, love,
+ Ad thinkig ov the habby days of old,
+ Wed you ad I had each a wooded spood, love,
+ To eat our porridge wed we had a cold.
+
+Altogether the evening was such a success that her Grace declared that
+it should not be her fault if surprise parties were not the fashion in
+Society during the coming winter.
+
+
+
+
+CHAPTER XI
+
+HIS MAJESTY AT THE SEASIDE
+
+
+I sent Mrs. Putchy and General Mary Jane down to the house, which I
+had engaged on the "Lees" at Folkestone, the day before we were to go,
+in order to see that everything was ready for us.
+
+"The only thing that is wrong is the kitchen chimney, and that smokes,
+sir," said Mrs. Putchy, in answer to my inquiry on the night of our
+arrival. "I think that we had better have the sweep in the morning,
+sir."
+
+"Very well, Mrs. Putchy, I'm sure you know best," I replied, and
+thought no more of the matter.
+
+Early in the morning, however, I was awakened by screams and cries
+proceeding from the lower part of the house.
+
+"Help! help! Burglars! Fire and police! Thieves!" screamed a voice,
+and hastily dressing myself, I rushed out into the passage, and was
+confronted by the Rhymester, who had evidently just jumped out of bed,
+and who, though it was broad daylight, bore a lighted candle in one
+hand, and a pair of fire tongs in the other.
+
+His teeth were chattering with fright, and his knees were knocking
+together from the same cause.
+
+"What's the matter," I asked in alarm.
+
+"Oh! oh! there are burglars in the house," he cried excitedly, "and
+the others have gone down to them; I'm sure they'll be killed--I told
+them not to go, but they would. Let's go and hide under a bed
+somewhere. Oh! oh, what will become of us?"
+
+"Don't be such a coward," I cried, hurrying down stairs, while the
+poor little Rhymester, afraid to be left alone upstairs, tremblingly
+followed.
+
+Sure enough there was a sound of struggling going on, and voices
+raised in loud dispute.
+
+"Oh, that story won't do for me," I heard the Doctor-in-Law exclaim.
+
+"But I tell yez, sor," chimed in another strange voice, "I waz only
+going to----"
+
+"Never mind what you were going to do, give up the sack," said the
+Doctor-in-Law.
+
+Then there were sounds of struggling, and amidst the confusion a voice
+saying:
+
+"Hold him down! Sit on him! That's right! Now for the sack."
+
+And, bursting the door open, a curious sight met my eyes. A poor sweep
+lay flat upon the floor, with the Wallypug sitting upon him, and
+One-and-Nine keeping guard; while the Doctor-in-Law and A. Fish, Esq.,
+examined his bag of soot in the corner. The poor little Rhymester
+summoned up sufficient courage to peep in at the doorway, and stood
+there making a piteous picture, with his white face and trembling
+limbs.
+
+"Whatever is the matter," I inquired as soon as I entered.
+
+"We've caught him!" exclaimed his Majesty, complacently wriggling his
+toes about.
+
+"But what's he been doing," I asked.
+
+ [Illustration: "WE'VE CAUGHT HIM!"]
+
+"Av ye plaze, sor," groaned the man, panting beneath the Wallypug's
+weight, "I have been doing nothing at all, at all. I waz just
+a-finishin' me warrak of swapin' the chimneys, wen one ov the ould
+gintleman came up an' poked me in the nose with a sthick, and the
+other ould gintleman knocked me over and sthole me bag, while the
+soger hild me down till the other gintleman sat on me--it's among a
+lot of murtherin' thaves I've got entoirely, savin' yer presince,
+sor."
+
+"The man is a burglar," declared the Doctor-in-Law emphatically. "I
+happened to hear a very suspicious noise down here, and calling to the
+others, rushed down just in time to catch this man making off with a
+bag of things. I think he was trying to escape up the chimney, for his
+head was half-way up when we entered, and this bag, which evidently
+contains plunder of some kind, is covered with soot too."
+
+"Why, the man is a sweep, and was sweeping the chimney," I cried,
+pointing to his brushes and sticks; and after a lot of explanations
+the man was told to get up and his Majesty, followed by the others,
+retired to his bedroom, evidently greatly disappointed that it was not
+a real burglar that they had been combating.
+
+The sweep, who was a very good-natured Irishman, took it in very good
+part, and the present of half-a-crown sent him away quite reconciled
+to his assailants.
+
+The Rhymester afterwards made a great boast that he had not taken any
+part in the melee.
+
+"Of course I knew all along that he wasn't a burglar," he declared,
+"and that's the reason why I wouldn't interfere."
+
+"You managed to do a good deal of screaming though, I noticed,"
+remarked the Doctor-in-Law grumpily.
+
+"Ah! that was only for fun," asserted the Rhymester.
+
+This was really about the only remarkable incident which occurred
+during our holiday at Folkestone, which passed very pleasantly and
+very quietly. We went for a sea bathe nearly every day, and his
+Majesty would insist upon wearing his crown in the water on every
+occasion.
+
+"No one will know that I am a king if I don't," he declared; and I am
+bound to admit that his Majesty did not look very regal in his bathing
+costume, particularly when he was dripping with water and his long
+straight hair hung half over his face, and even when he wore his
+crown he was continually catching bits of seaweed in it, which gave
+him a singularly untidy appearance for a king.
+
+ [Illustration: HIS MAJESTY DID NOT LOOK VERY REGAL]
+
+A. Fish, Esq., with the assistance of a lifebuoy, nearly learned to
+swim while we were down there; but the Doctor-in-Law thought that
+hiring bathing machines was a foolish waste of money, and contented
+himself with taking off his shoes and stockings and paddling, which he
+could do without having to pay. One day, however, he was knocked
+completely over by an incoming wave, and got wet to the skin.
+
+We could never persuade the Rhymester either, to go out further than
+just to his knees; but I rather fancy that that was because he was
+afraid of wetting his bathing costume, of which he was particularly
+proud, and which was decorated with smart little bows of ribbon
+wherever they could be conveniently put.
+
+Fear may have had something to do with it though, for I noticed that
+he always clung very tightly to the rope, and never by any chance went
+beyond its length.
+
+The switchback railway was a source of infinite amusement, and a great
+deal of time was spent on it. Boating was not much indulged in, as it
+made one or two of the party, particularly A. Fish, Esq., very ill;
+but we all enjoyed the beautiful drives in the neighbourhood. There
+was an excellent Punch and Judy show in the town too, which so
+fascinated his Majesty that we could scarcely tear him away whenever
+he joined the admiring crowd which daily surrounded it.
+
+The fickle One-and-Nine, while we were here, fell in love with a wax
+figure exhibited in a hair-dresser's window in Sandgate Road. It
+represented a beautiful lady with her hair dressed in the latest
+fashion, and the wooden soldier was greatly infatuated. He spent
+hours gazing through the window, watching the lady slowly revolve by
+clockwork; and he became frightfully jealous of the hair-dresser, whom
+he caught one morning rearranging the drapery around the lady's
+shoulders.
+
+Eventually, with the assistance of the Rhymester, he composed the
+following piece of poetry--which he stuck, by means of six gelatine
+sweets, on to the hair-dresser's window with the writing inside, in
+order that the lady might see it.
+
+TO THE BEAUTIFUL LADY IN THE HAIRDRESSER'S WINDOW.
+
+ I love you, oh! I love you,
+ And I beg you to be mine;
+ I'm a gallant wooden soldier,
+ And my name is 1/9.
+
+ If you will only marry me,
+ 'Twill be the greatest fun
+ To puzzle folks by telling them,
+ That we're both 2/1.
+
+ 'Twill be the truth, for man and wife
+ Are one, I beg to state,
+ This fact's as clear as 4/4,
+ Or 2/6 make 8.
+
+ They tell me, dear, you have no feet;
+ But what is that to me?
+ 2 feet be 4/2 behind
+ On animals you see.
+
+ That you have none, is 0 to me,
+ Dear 1/4 your sake,
+ No trifles such as these shall e'er
+ My true affections shake.
+
+ I bought some penny tarts for you,
+ But I am much distrest
+ To tell you by mistake I sat
+ On 1/8 the rest.
+
+One-and-Nine was quite happy in finding that the paper had disappeared
+from the shop window when he passed by a little later, and declared
+that it must mean that the lady had accepted him and his poetry.
+
+I think the funniest incident of all though, in connection with our
+visit to Folkestone, was when his Majesty and the others went into
+Carlo Maestrani's for some ices.
+
+They had never tasted any before, and were very much surprised to find
+them so cold. I shall never forget the expression on the Wallypug's
+face when, having rather greedily taken a very large mouthful, he
+could not swallow it, or dispose of it in any way. A. Fish, Esq.,
+declared that it gave him a violent toothache; while the Doctor-in-Law
+called for the waiter, and insisted upon him taking it away.
+
+ [Illustration: "IT'S NOT PROPERLY COOKED"]
+
+"It's not properly cooked," he declared angrily. "It's cold."
+
+"Cook, sare, no, sare, it is not cook," agreed the waiter.
+
+"Very well, then, take it away and bring us some that is. Have it
+warmed up; do something with it. It's disgraceful bringing us stuff
+like that."
+
+And no argument or persuasion would convince the little man that the
+ices were as they should be.
+
+
+
+
+CHAPTER XII
+
+THE DEPARTURE
+
+
+We remained at Folkestone till the latter part of September, and then
+returned to London just about the time that the first number of _The
+Wallypug's Own_ made its appearance.
+
+It caused quite a sensation in literary circles, and was mentioned by
+most of the papers; but it did _not_ turn out a monetary success, and
+so the Doctor-in-Law declared that he must devise some other means of
+making money.
+
+We had been once or twice to the circus, and I fancy that it must
+have been his intention to start something of the sort himself, for I
+caught him one day trying to teach his Majesty to walk the tight-rope;
+but as he had only tied the rope between two very light chairs the
+result was not very satisfactory, particularly to the poor Wallypug,
+who came to the ground with a terrific crash.
+
+A. Fish, Esq., dressed as a clown, and certainly looked very funny;
+but his bad cold prevented him from speaking his jokes distinctly, and
+so the idea was given up.
+
+ [Illustration: THE RESULT WAS NOT SATISFACTORY]
+
+In fact it was not till November that the Doctor-in-Law hit upon a
+plan which seemed to give him any great satisfaction. We had been
+talking a great deal about Guy Fawkes' day and the fireworks at the
+Crystal Palace, which we intended going to see in the evening, and
+the Doctor-in-Law had been particularly curious to know all about the
+day and its customs. He did not say much about his plans, but I felt
+sure that he was up to some of his tricks, for I caught him several
+times whispering mysteriously to the Rhymester and A. Fish, Esq., and
+I noticed that they were all particularly kind and respectful to his
+Majesty, as though they wished to keep him in a good humour.
+
+On the morning of the fifth, when I came down to breakfast, I was
+greatly surprised to find that the whole party had gone out about an
+hour previous, after borrowing from Mrs. Putchy a kitchen chair, four
+broomsticks, and a long piece of clothes-line. Whatever were they up
+to?
+
+I asked Mrs. Putchy if they had left any message, but no--they had
+said nothing as to where they were going, what they were going to do,
+or when they would be back; and the only thing that had struck Mrs.
+Putchy as being at all remarkable about their appearance, was the fact
+that the Rhymester had added little bows of coloured ribbon to his
+costume, and wore a tall pointed cap gaily decorated with streamers,
+and a deep white frill around his neck--the others were dressed as
+usual.
+
+I felt sure that some mischief was brewing, and could not settle down
+to my work for thinking of them. About eleven o'clock I went out to
+see if I could find any traces of my guests. I had been walking about
+unsuccessfully for about an hour, when I heard some boys shouting, and
+turning to look in their direction, I beheld his Majesty calmly seated
+in a chair which, by means of long poles attached to it, was being
+carried along by the Rhymester and A. Fish, Esq.
+
+They were followed by a crowd of people who were cheering lustily, and
+the Doctor-in-Law was rushing about collecting money in his hat, and
+entreating the people "not to forget the fifth of November," and
+repeating some doggerel verse about:
+
+ "Guy Fawkes guy,
+ Stick him up high;
+ Stick him on a lamp-post,
+ And there let him die,"
+
+while several little boys were dancing about in great excitement, and
+shouting, "Holler, boys! holler! here's another guy."
+
+ [Illustration: A TRIUMPHAL PROCESSION]
+
+His Majesty evidently regarded it as a great compliment to himself,
+and complacently bowed right and left with considerable dignity. And I
+found out that the Doctor-in-Law had persuaded him into believing that
+this triumphal procession had been arranged solely in his Majesty's
+honour.
+
+I was naturally very vexed at the poor Wallypug being imposed upon in
+this manner, and spoke very plainly to the Doctor-in-Law about it on
+our way home, and I think the little man must have taken it very much
+to heart, for he seemed quite subdued, and actually himself suggested
+sharing the proceeds of the collection with the others.
+
+We went to see the fireworks in the evening, and I don't ever remember
+seeing the party in such excellent spirits as they were that night.
+
+Mrs. Putchy had prepared a capital supper for us on our return, and I
+love to remember my friends as they appeared sitting around the supper
+table talking over the adventures and excitements of the day. I can
+see them now whenever I close my eyes--the dear old Wallypug at the
+head of the table, with One-and-Nine in attendance, and the others
+all talking at once about the jolly time they had had at the Skating
+Rink in the afternoon, when A. Fish, Esq., had vainly tried to get
+along with roller-skates fastened on to his tail.
+
+ [Illustration: A CAPITAL STORY]
+
+I say I love to remember them thus, for it was the last occasion upon
+which we were all together. Early the next morning Mrs. Putchy came to
+my room, and in a very agitated voice said, "Please sir, I'm afraid
+that there is something wrong; I have knocked at his Majesty's door
+and can get no answer, and the Doctor-in-Law's room is empty too."
+
+I hurried down, and on the breakfast table I found a letter addressed
+to me, in which his Majesty, on behalf of the others, thanked me very
+heartily for my hospitality, and explained that State matters of the
+utmost importance had necessitated their immediate return to Why. How
+they went I have never been able to discover.
+
+The outer door of my flat was found to be locked on the inside as
+usual, and the windows were all fastened; besides which, as they were
+some distance from the ground, the Royal party could scarcely have got
+out that way.
+
+Altogether the whole affair was involved in a mystery which I have
+never been able to solve to this day. Of course I miss my strange,
+but withal lovable visitors, very much, and I value very highly the
+several little mementoes of their visit which remained behind. Amongst
+others is a cheque of the Doctor-in-Law's for a considerable amount;
+which, however, I shall never be able to cash, as it is drawn upon the
+bank of, "Don't-you-wish-you-may-get-it," at Why.
+
+General Mary Jane was inconsolable for some time after the departure
+of her soldier hero, but eventually married our milkman, a very
+steady and respectable man in the neighbourhood. Girlie and Boy and
+many other friends of the Wallypug greatly regretted that they were
+unable to say good-bye to his Majesty before he left; and often and
+often, as I sit alone in my study, I think about the simple-natured,
+good-hearted little fellow, and his remarkable followers, and wonder
+if I shall ever see them again. Who knows?
+
+ [Illustration: I OFTEN THINK OF THEM]
+
+
+ THE END
+
+
+ GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY
+ ROBERT MACLEHOSE AND CO.
+
+
+ * * * * *
+
+
+
+
+ A CATALOGUE OF BOOKS
+ AND ANNOUNCEMENTS OF
+ METHUEN AND COMPANY
+ PUBLISHERS: LONDON
+ 36 ESSEX STREET
+ W.C.
+
+CONTENTS
+
+
+ PAGE
+ FORTHCOMING BOOKS, 2
+ POETRY, 10
+ BELLES LETTRES, 11
+ ILLUSTRATED BOOKS, 13
+ HISTORY, 14
+ BIOGRAPHY, 16
+ TRAVEL, ADVENTURE AND TOPOGRAPHY, 18
+ GENERAL LITERATURE, 19
+ SCIENCE, 21
+ PHILOSOPHY, 22
+ THEOLOGY, 22
+ LEADERS OF RELIGION, 24
+ FICTION, 25
+ BOOKS FOR BOYS AND GIRLS, 34
+ THE PEACOCK LIBRARY, 35
+ UNIVERSITY EXTENSION SERIES, 35
+ SOCIAL QUESTIONS OF TO-DAY, 36
+ CLASSICAL TRANSLATIONS, 37
+ EDUCATIONAL BOOKS, 38
+
+NOVEMBER 1897
+
+
+
+
+ NOVEMBER 1897.
+ MESSRS. METHUEN'S
+ ANNOUNCEMENTS
+
+
+ #Poetry#
+
+
+ SHAKESPEARE'S POEMS. Edited, with an Introduction and Notes,
+ by GEORGE WYNDHAM, M.P. _Crown 8vo._ _Buckram. 6s._
+
+ This is a volume of the sonnets and lesser poems of Shakespeare,
+ and is prefaced with an elaborate Introduction by Mr. Wyndham.
+
+
+ ENGLISH LYRICS. Selected and Edited by W. E. HENLEY.
+ _Crown 8vo._ _Buckram. 6s._
+
+ Also 15 copies on Japanese paper. _Demy 8vo._ _L2, 2s. net._
+
+ Few announcements will be more welcome to lovers of English verse
+ than the one that Mr. Henley is bringing together into one book the
+ finest lyrics in our language.
+
+
+ NURSERY RHYMES. With many Coloured Pictures. By F. D. BEDFORD.
+ _Small 4to._ _5s._
+
+ This book has many beautiful designs in colour to illustrate the
+ old rhymes.
+
+
+ THE ODYSSEY OF HOMER. A Translation by J. G. CORDERY.
+ _Crown 8vo._ _7s. 6d._
+
+
+ #Travel and Adventure#
+
+
+ BRITISH CENTRAL AFRICA. By Sir H. H. JOHNSTON, K.C.B. With nearly
+ Two Hundred Illustrations, and Six Maps. _Crown 4to._ _30s. net._
+
+ CONTENTS.--(1) The History of Nyasaland and British Central Africa
+ generally. (2) A detailed description of the races and languages of
+ British Central Africa. (3) Chapters on the European settlers and
+ missionaries; the Fauna, the Flora, minerals, and scenery. (4) A
+ chapter on the prospects of the country.
+
+
+ WITH THE GREEKS IN THESSALY. By W. KINNAIRD ROSE, Reuter's
+ Correspondent. With Plans and 23 Illustrations. _Crown 8vo._ _6s._
+
+ A history of the operations in Thessaly by one whose brilliant
+ despatches from the seat of war attracted universal attention.
+
+
+ THE BENIN MASSACRE. By CAPTAIN BOISRAGON. With Portrait and Map.
+ _Crown 8vo._ _3s. 6d._
+
+ This volume is written by one of the two survivors who escaped the
+ terrible massacre in Benin at the beginning of this year. The author
+ relates in detail his adventures and his extraordinary escape, and
+ adds a description of the country and of the events which led up to
+ the outbreak.
+
+
+ FROM TONKIN TO INDIA. By PRINCE HENRI OF ORLEANS. Translated by HAMLEY
+ BENT, M.A. With 80 Illustrations and a Map. _Crown 4to._ _25s._
+
+ The travels of Prince Henri in 1895 from China to the valley of the
+ Bramaputra covered a distance of 2100 miles, of which 1600 was through
+ absolutely unexplored country. No fewer than seventeen ranges of
+ mountains were crossed at altitudes of from 11,000 to 13,000 feet. The
+ journey was made memorable by the discovery of the sources of the
+ Irrawaddy. To the physical difficulties of the journey were added
+ dangers from the attacks of savage tribes. The book deals with many of
+ the burning political problems of the East, and it will be found a
+ most important contribution to the literature of adventure and
+ discovery.
+
+
+ THREE YEARS IN SAVAGE AFRICA. By LIONEL DECLE. With an Introduction by
+ H. M. STANLEY, M.P. With 100 Illustrations and 5 Maps.
+ _Demy 8vo._ _21s._
+
+ Few Europeans have had the same opportunity of studying the barbarous
+ parts of Africa as Mr. Decle. Starting from the Cape, he visited in
+ succession Bechuanaland, the Zambesi, Matabeleland and Mashonaland,
+ the Portuguese settlement on the Zambesi, Nyasaland, Ujiji, the
+ headquarters of the Arabs, German East Africa, Uganda (where he saw
+ fighting in company with the late Major 'Roddy' Owen), and British
+ East Africa. In his book he relates his experiences, his minute
+ observations of native habits and customs, and his views as to the
+ work done in Africa by the various European Governments, whose
+ operations he was able to study. The whole journey extended over 7000
+ miles, and occupied exactly three years.
+
+
+ WITH THE MOUNTED INFANTRY IN MASHONALAND. By Lieut.-Colonel ALDERSON.
+ With numerous Illustrations and Plans. _Demy 8vo._ _12s. 6d._
+
+ This is an account of the military operations in Mashonaland by the
+ officer who commanded the troops in that district during the late
+ rebellion. Besides its interest as a story of warfare, it will have a
+ peculiar value as an account of the services of mounted infantry by
+ one of the chief authorities on the subject.
+
+
+ THE HILL OF THE GRACES: OR, THE GREAT STONE TEMPLES OF TRIPOLI. By
+ H. S. COWPER, F.S.A. With Maps, Plans, and 75 Illustrations.
+ _Demy 8vo._ _10s. 6d._
+
+ A record of two journeys through Tripoli in 1895 and 1896. The book
+ treats of a remarkable series of megalithic temples which have
+ hitherto been uninvestigated, and contains a large amount of new
+ geographical and archaeological matter.
+
+
+ ADVENTURE AND EXPLORATION IN AFRICA. By Captain A. ST. H. GIBBONS,
+ F.R.G.S. With Illustrations by C. WHYMPER, and Maps. _Demy 8vo._ _21s._
+
+ This is an account of travel and adventure among the Marotse and
+ contiguous tribes, with a description of their customs,
+ characteristics, and history, together with the author's experiences
+ in hunting big game. The illustrations are by Mr. Charles Whymper, and
+ from photographs. There is a map by the author of the hitherto
+ unexplored regions lying between the Zambezi and Kafukwi rivers and
+ from 18 deg. to 15 deg. S. lat.
+
+
+ #History and Biography#
+
+
+ A HISTORY OF EGYPT, FROM THE EARLIEST TIMES TO THE PRESENT DAY. Edited
+ by W. M. FLINDERS PETRIE, D.C.L., LL.D., Professor of Egyptology at
+ University College. _Fully Illustrated._ _In Six Volumes._
+ _Crown 8vo._ _6s. each._
+
+ VOL. V. ROMAN EGYPT. By J. G. MILNE.
+
+
+ THE DECLINE AND FALL OF THE ROMAN EMPIRE. By EDWARD GIBBON. A New
+ Edition, edited with Notes, Appendices, and Maps by J. B. BURY, M.A.,
+ Fellow of Trinity College, Dublin. _In Seven Volumes._ _Demy 8vo, gilt
+ top._ _8s. 6d. each._ _Crown 8vo._ _6s. each._ _Vol. IV._
+
+
+ THE LETTERS OF VICTOR HUGO. Translated from the French by F. CLARKE,
+ M.A. _In Two Volumes._ _Demy 8vo._ _10s. 6d. each._ _Vol. II._
+ 1835-72.
+
+ This is the second volume of one of the most interesting and important
+ collection of letters ever published in France. The correspondence
+ dates from Victor Hugo's boyhood to his death, and none of the letters
+ have been published before.
+
+
+ A HISTORY OF THE GREAT NORTHERN RAILWAY, 1845-95. By C. H. GRINLING.
+ With Maps and Illustrations. _Demy 8vo._ _10s. 6d._
+
+ A record of Railway enterprise and development in Northern England,
+ containing much matter hitherto unpublished. It appeals both to the
+ general reader and to those specially interested in railway
+ construction and management.
+
+
+ A HISTORY OF BRITISH COLONIAL POLICY. By H. E. EGERTON, M.A.
+ _Demy 8vo._ _12s. 6d._
+
+ This book deals with British Colonial policy historically from the
+ beginnings of English colonisation down to the present day. The
+ subject has been treated by itself, and it has thus been possible
+ within a reasonable compass to deal with a mass of authority which
+ must otherwise be sought in the State papers. The volume is divided
+ into five parts:--(1) The Period of Beginnings, 1497-1650; (2) Trade
+ Ascendancy, 1651-1830; (3) The Granting of Responsible Government,
+ 1831-1860; (4) _Laissez Aller_, 1861-1885; (5) Greater Britain.
+
+
+ A HISTORY OF ANARCHISM. By E. V. ZENKER. Translated from the German.
+ _Demy 8vo._ _10s. 6d._
+
+ A critical study and history, as well as a powerful and trenchant
+ criticism, of the Anarchist movement in Europe. The book has aroused
+ considerable attention on the Continent.
+
+
+ THE LIFE OF ERNEST RENAN. By MADAME DARMESTETER. With Portrait.
+ _Crown 8vo._ _6s._
+
+ A biography of Renan by one of his most intimate friends.
+
+
+ A LIFE OF DONNE. By AUGUSTUS JESSOPP, D.D. With Portrait.
+ _Crown 8vo._ _3s. 6d._
+
+ This is a new volume of the 'Leaders of Religion' series, from the
+ learned and witty pen of the Rector of Scarning, who has been able
+ to embody the results of much research.
+
+
+ OLD HARROW DAYS. By J. G. COTTON MINCHIN. _Crown 8vo._ _5s._
+
+ A volume of reminiscences which will be interesting to old Harrovians
+ and to many of the general public.
+
+
+ #Theology#
+
+
+ A PRIMER OF THE BIBLE. By Prof. W. H. BENNETT. _Crown 8vo._ _2s. 6d._
+
+ This Primer sketches the history of the books which make up the Bible,
+ in the light of recent criticism. It gives an account of their
+ character, origin, and composition, as far as possible in
+ chronological order, with special reference to their relations to one
+ another and to the history of Israel and the Church. The formation of
+ the Canon is illustrated by chapters on the Apocrypha (Old and New
+ Testament); and there is a brief notice of the history of the Bible
+ since the close of the Canon.
+
+
+ LIGHT AND LEAVEN: HISTORICAL AND SOCIAL SERMONS. By the Rev. H.
+ HENSLEY HENSON, M.A., Fellow of All Souls', Incumbent of St. Mary's
+ Hospital, Ilford. _Crown 8vo._ _6s._
+
+
+ _Devotional Series_
+
+
+ THE CONFESSIONS OF ST. AUGUSTINE. Newly Translated, with an
+ Introduction, by C. BIGG, D.D., late Student of Christ Church. With a
+ Frontispiece. _18mo._ _1s. 6d._
+
+ This little book is the first volume of a new Devotional Series,
+ printed in clear type, and published at a very low price.
+
+ This volume contains the nine books of the 'Confessions' which are
+ suitable for devotional purposes. The name of the Editor is a
+ sufficient guarantee of the excellence of the edition.
+
+
+ THE HOLY SACRIFICE. By F. WESTON, M.A., Curate of St. Matthew's,
+ Westminster. _18mo._ _1s._
+
+ A small volume of devotions at the Holy Communion.
+
+
+ #Naval and Military#
+
+
+ A HISTORY OF THE ART OF WAR. By C. W. OMAN, M.A., Fellow of All
+ Souls', Oxford. _Demy 8vo._ _Illustrated._ _21s._
+
+ Vol. II. MEDIAEVAL WARFARE.
+
+ Mr. Oman is engaged on a History of the Art of War, of which the
+ above, though covering the middle period from the fall of the Roman
+ Empire to the general use of gunpowder in Western Europe, is the first
+ instalment. The first battle dealt with will be Adrianople (378) and
+ the last Navarette (1367). There will appear later a volume dealing
+ with the Art of War among the Ancients, and another covering the 15th,
+ 16th, and 17th centuries.
+
+ The book will deal mainly with tactics and strategy, fortifications
+ and siegecraft, but subsidiary chapters will give some account of the
+ development of arms and armour, and of the various forms of military
+ organization known to the Middle Ages.
+
+
+ A SHORT HISTORY OF THE ROYAL NAVY, FROM EARLY TIMES TO THE PRESENT
+ DAY. By DAVID HANNAY. Illustrated. _2 Vols. Demy 8vo._ _7s. 6d. each._
+ Vol. I.
+
+ This book aims at giving an account not only of the fighting we have
+ done at sea, but of the growth of the service, of the part the Navy
+ has played in the development of the Empire, and of its inner life.
+
+
+ THE STORY OF THE BRITISH ARMY. By Lieut.-Colonel COOPER KING, of the
+ Staff College, Camberley. Illustrated. _Demy 8vo._ _7s. 6d._
+
+ This volume aims at describing the nature of the different armies that
+ have been formed in Great Britain, and how from the early and feudal
+ levies the present standing army came to be. The changes in tactics,
+ uniform, and armament are briefly touched upon, and the campaigns in
+ which the army has shared have been so far followed as to explain the
+ part played by British regiments in them.
+
+
+ #General Literature#
+
+
+ THE OLD ENGLISH HOME. By S. BARING-GOULD. With numerous Plans and
+ Illustrations. _Crown 8vo._ _7s. 6d._
+
+ This book, like Mr. Baring-Gould's well-known 'Old Country Life,'
+ describes the life and environment of an old English family.
+
+
+ OXFORD AND ITS COLLEGES. By J. WELLS, M.A., Fellow and Tutor of
+ Wadham College. Illustrated by E. H. NEW. _Fcap. 8vo._
+ _3s._ _Leather._ _4s._
+
+ This is a guide--chiefly historical--to the Colleges of Oxford. It
+ contains numerous illustrations.
+
+
+ VOCES ACADEMICAE. By C. GRANT ROBERTSON, M.A., Fellow of All Souls',
+ Oxford. _With a Frontispiece._ _Fcap. 8vo._ _3s. 6d._
+
+ This is a volume of light satirical dialogues and should be read by
+ all who are interested in the life of Oxford.
+
+
+ A PRIMER OF WORDSWORTH. By LAURIE MAGNUS. _Crown 8vo._ _2s. 6d._
+
+ This volume is uniform with the Primers of Tennyson and Burns, and
+ contains a concise biography of the poet, a critical appreciation of
+ his work in detail, and a bibliography.
+
+
+ NEO-MALTHUSIANISM. By R. USSHER, M.A. _Cr. 8vo._ _6s._
+
+ This book deals with a very delicate but most important matter,
+ namely, the voluntary limitation of the family, and how such action
+ affects morality, the individual, and the nation.
+
+
+ PRIMAEVAL SCENES. By H. N. HUTCHINSON, B.A., F.G.S., Author of 'Extinct
+ Monsters,' 'Creatures of Other Days,' 'Prehistoric Man and Beast,'
+ etc. With numerous Illustrations drawn by JOHN HASSALL and FRED. V.
+ BURRIDGE. _4to._ _6s._
+
+ A set of twenty drawings, with short text to each, to illustrate the
+ humorous aspects of prehistoric times. They are carefully planned by
+ the author so as to be scientifically and archaeologically correct and
+ at the same time amusing.
+
+
+ THE WALLYPUG IN LONDON. By G. E. FARROW, Author of 'The Wallypug of
+ Why.' With numerous Illustrations. _Crown 8vo._ _3s. 6d._
+
+ An extravaganza for children, written with great charm and vivacity.
+
+
+ RAILWAY NATIONALIZATION. By CLEMENT EDWARDS. _Social Questions
+ Series._ _Crown 8vo._ _2s. 6d._
+
+
+ #Sport#
+
+
+ SPORTING AND ATHLETIC RECORDS. By H. MORGAN BROWNE. _Crown 8vo._
+ _1s. paper;_ _2s. cloth._
+
+ This book gives, in a clear and complete form, accurate records of the
+ best performances in all important branches of Sport. It is an
+ attempt, never yet made, to present all-important sporting records in
+ a systematic way.
+
+
+ THE GOLFING PILGRIM. By HORACE G. HUTCHINSON. _Crown 8vo._ _6s._
+
+ This book, by a famous golfer, contains the following sketches lightly
+ and humorously written:--The Prologue--The Pilgrim at the
+ Shrine--Mecca out of Season--The Pilgrim at Home--The Pilgrim
+ Abroad--The Life of the Links--A Tragedy by the Way--Scraps from the
+ Scrip--The Golfer in Art--Early Pilgrims in the West--An Interesting
+ Relic.
+
+
+ #Educational#
+
+
+ EVAGRIUS. Edited by PROFESSOR LEON PARMENTIER of Liege and M. Bidez of
+ Gand. _Demy 8vo._ _7s. 6d._ _Byzantine Texts._
+
+
+ THE ODES AND EPODES OF HORACE. Translated by A. D. GODLEY, M.A.,
+ Fellow of Magdalen College, Oxford. _Crown 8vo. buckram._ _2s._
+
+
+ ORNAMENTAL DESIGN FOR WOVEN FABRICS. By C. STEPHENSON, of The
+ Technical College, Bradford, and F. SUDDARDS, of The Yorkshire
+ College, Leeds. With 65 full-page plates, and numerous designs and
+ diagrams in the text. _Demy 8vo._ _7s. 6d._
+
+ The aim of this book is to supply, in a systematic and practical form,
+ information on the subject of Decorative Design as applied to Woven
+ Fabrics, and is primarily intended to meet the requirements of
+ students in Textile and Art Schools, or of designers actively engaged
+ in the weaving industry. Its wealth of illustration is a marked
+ feature of the book.
+
+
+ ESSENTIALS OF COMMERCIAL EDUCATION. By E. E. WHITFIELD, M.A.
+ _Crown 8vo._ _1s. 6d._
+
+ A guide to Commercial Education and Examinations.
+
+
+ PASSAGES FOR UNSEEN TRANSLATION. By E. C. MARCHANT, M.A., Fellow of
+ Peterhouse, Cambridge; and A. M. COOK, M.A., late Scholar of Wadham
+ College, Oxford: Assistant Masters at St. Paul's School. _Crown 8vo._
+ _3s. 6d._
+
+ This book contains Two Hundred Latin and Two Hundred Greek Passages,
+ and has been very carefully compiled to meet the wants of V. and VI.
+ Form Boys at Public Schools. It is also well adapted for the use of
+ Honour men at the Universities.
+
+
+ EXERCISES IN LATIN ACCIDENCE. By S. E. WINBOLT, Assistant Master in
+ Christ's Hospital. _Crown 8vo._ _1s. 6d._
+
+ An elementary book adapted for Lower Forms to accompany the shorter
+ Latin primer.
+
+
+ NOTES ON GREEK AND LATIN SYNTAX. By G. BUCKLAND GREEN, M.A., Assistant
+ Master at the Edinburgh Academy, late Fellow of St. John's College,
+ Oxon. _Cr. 8vo._ _3s. 6d._
+
+ Notes and explanations on the chief difficulties of Greek and Latin
+ Syntax, with numerous passages for exercise.
+
+
+ A DIGEST OF DEDUCTIVE LOGIC. By JOHNSON BARKER, B.A. _Crown 8vo._
+ _2s. 6d._
+
+ A short introduction to logic for students preparing for examinations.
+
+
+ TEST CARDS IN EUCLID AND ALGEBRA. By D. S. CALDERWOOD, Headmaster of
+ the Normal School, Edinburgh. In a Packet of 40, with Answers. _1s._
+
+ A set of cards for advanced pupils in elementary schools.
+
+
+ HOW TO MAKE A DRESS. By J. A. E. WOOD. Illustrated. _Crown 8vo._
+ _1s. 6d._
+
+ A text-book for students preparing for the City and Guilds
+ examination, based on the syllabus. The diagrams are numerous.
+
+
+ #Fiction#
+
+
+ LOCHINVAR. By S. R. CROCKETT, Author of 'The Raiders,' etc.
+ Illustrated by FRANK RICHARDS. _Crown 8vo._ _6s._
+
+
+ BYEWAYS. By ROBERT HICHENS, Author of 'Flames,' etc. _Crown 8vo._
+ _6s._
+
+
+ THE MUTABLE MANY. By ROBERT BARR, Author of 'In the Midst of Alarms,'
+ 'A Woman Intervenes,' etc. _Crown 8vo._ _6s._
+
+
+ THE LADY'S WALK. By MRS. OLIPHANT. _Crown 8vo._ _6s._
+
+ A new book by this lamented author, somewhat in the style of her
+ 'Beleagured City.'
+
+
+ TRAITS AND CONFIDENCES. By The Hon. EMILY LAWLESS, Author of
+ 'Hurrish,' 'Maelcho,' etc. _Crown 8vo._ _6s._
+
+
+ BLADYS. By S. BARING GOULD, Author of 'The Broom Squire,' etc.
+ Illustrated by F. H. TOWNSEND. _Crown 8vo._ _6s._
+
+ A Romance of the last century.
+
+
+ THE POMP OF THE LAVILETTES. By GILBERT PARKER, Author of 'The Seats of
+ the Mighty,' etc. _Crown 8vo._ _3s. 6d._
+
+
+ A DAUGHTER OF STRIFE. By JANE HELEN FINDLATER, Author of 'The Green
+ Graves of Balgowrie.' _Crown 8vo._ _6s._
+
+ A story of 1710.
+
+
+ OVER THE HILLS. By MARY FINDLATER. _Crown 8vo._ _6s._
+
+ A novel by a sister of J. H. Findlater, the author of 'The Green
+ Graves of Balgowrie.'
+
+
+ A CREEL OF IRISH STORIES. By JANE BARLOW, Author of 'Irish Idylls.'
+ _Crown 8vo._ _6s._
+
+
+ THE CLASH OF ARMS. By J. BLOUNDELLE BURTON, Author of 'In the Day of
+ Adversity.' _Crown 8vo._ _6s._
+
+
+ A PASSIONATE PILGRIM. By PERCY WHITE, Author of 'Mr. Bailey-Martin.'
+ _Crown 8vo._ _6s._
+
+
+ SECRETARY TO BAYNE, M.P. By W. PETT RIDGE. _Crown 8vo._ _6s._
+
+
+ THE BUILDERS. By J. S. FLETCHER, Author of 'When Charles I. was King.'
+ _Crown 8vo._ _6s._
+
+
+ JOSIAH'S WIFE. By NORMA LORIMER. _Crown 8vo._ _6s._
+
+
+ BY STROKE OF SWORD. By ANDREW BALFOUR. Illustrated by W. CUBITT COOKE.
+ _Crown 8vo._ _6s._
+
+ A romance of the time of Elizabeth.
+
+
+ THE SINGER OF MARLY. By I. HOOPER. Illustrated by W. CUBITT COOKE.
+ _Crown 8vo._ _6s._
+
+ A romance of adventure.
+
+
+ KIRKHAM'S FIND. By MARY GAUNT, Author of 'The Moving Finger.'
+ _Crown 8vo._ _6s._
+
+
+ THE FALL OF THE SPARROW. By M. C. BALFOUR. _Crown 8vo._ _6s._
+
+
+ SCOTTISH BORDER LIFE. By JAMES C. DIBDIN. _Crown 8vo._ _3s. 6d._
+
+
+
+
+ A LIST OF
+ MESSRS. METHUEN'S
+ PUBLICATIONS
+
+
+ #Poetry#
+
+
+ RUDYARD KIPLING'S NEW POEMS
+
+ #Rudyard Kipling.# THE SEVEN SEAS. By RUDYARD KIPLING. _Third
+ Edition._ _Crown 8vo._ _Buckram, gilt top._ _6s._
+
+ 'The new poems of Mr. Rudyard Kipling have all the spirit and swing
+ of their predecessors. Patriotism is the solid concrete foundation
+ on which Mr. Kipling has built the whole of his work.'--_Times._
+
+ 'Full of passionate patriotism and the Imperial spirit.'--_Yorkshire
+ Post._
+
+ 'The Empire has found a singer; it is no depreciation of the songs to
+ say that statesmen may have, one way or other, to take account of
+ them.'--_Manchester Guardian._
+
+ 'Animated through and through with indubitable genius.'--_Daily
+ Telegraph._
+
+ 'Packed with inspiration, with humour, with pathos.'--_Daily
+ Chronicle._
+
+ 'All the pride of empire, all the intoxication of power, all the
+ ardour, the energy, the masterful strength and the wonderful endurance
+ and death-scorning pluck which are the very bone and fibre and marrow
+ of the British character are here.'--_Daily Mail._
+
+
+ #Rudyard Kipling.# BARRACK-ROOM BALLADS; And Other Verses. By RUDYARD
+ KIPLING. _Twelfth Edition._ _Crown 8vo._ _6s._
+
+ 'Mr. Kipling's verse is strong, vivid, full of character....
+ Unmistakable genius rings in every line.'--_Times._
+
+ 'The ballads teem with imagination, they palpitate with emotion. We
+ read them with laughter and tears; the metres throb in our pulses, the
+ cunningly ordered words tingle with life; and if this be not poetry,
+ what is?'--_Pall Mall Gazette._
+
+
+ #"Q."# POEMS AND BALLADS. By "Q.," Author of 'Green Bays,' etc.
+ _Crown 8vo._ _Buckram._ _3s. 6d._
+
+ 'This work has just the faint, ineffable touch and glow that make
+ poetry. 'Q.' has the true romantic spirit.'--_Speaker._
+
+
+ #"Q."# GREEN BAYS: Verses and Parodies. By "Q.," Author of 'Dead Man's
+ Rock,' etc. _Second Edition._ _Crown 8vo._ _3s. 6d._
+
+ 'The verses display a rare and versatile gift of parody, great command
+ of metre, and a very pretty turn of humour.'--_Times._
+
+
+ #E. Mackay.# A SONG OF THE SEA. By ERIC MACKAY, Author of 'The Love
+ Letters of a Violinist.' _Second Edition._ _Fcap. 8vo._ _5s._
+
+ 'Everywhere Mr. Mackay displays himself the master of a style marked
+ by all the characteristics of the best rhetoric. He has a keen sense
+ of rhythm and of general balance; his verse is excellently
+ sonorous.'--_Globe._
+
+
+ #Ibsen.# BRAND. A Drama by HENRIK IBSEN. Translated by William Wilson.
+ _Second Edition._ _Crown 8vo._ _3s. 6d._
+
+ 'The greatest world-poem of the nineteenth century next to "Faust." It
+ is in the same set with "Agamemnon," with "Lear," with the literature
+ that we now instinctively regard as high and holy.'--_Daily
+ Chronicle._
+
+
+ #"A. G."# VERSES TO ORDER. By "A. G." _Cr. 8vo._ _2s. 6d. net._
+
+ A small volume of verse by a writer whose initials are well known to
+ Oxford men.
+
+ 'A capital specimen of light academic poetry. These verses are very
+ bright and engaging, easy and sufficiently witty.'--_St. James's
+ Gazette._
+
+
+ #Belles Lettres, Anthologies, etc.#
+
+
+ #R. L. Stevenson.# VAILIMA LETTERS. By ROBERT LOUIS STEVENSON. With an
+ Etched Portrait by WILLIAM STRANG, and other Illustrations. _Second
+ Edition._ _Crown 8vo._ _Buckram._ _7s. 6d._
+
+ 'Few publications have in our time been more eagerly awaited than
+ these "Vailima Letters," giving the first fruits of the correspondence
+ of Robert Louis Stevenson. But, high as the tide of expectation has
+ run, no reader can possibly be disappointed in the result.'--_St.
+ James's Gazette._
+
+
+ #Henley and Whibley.# A BOOK OF ENGLISH PROSE. Collected by W. E.
+ HENLEY and CHARLES WHIBLEY. _Crown 8vo._ _6s._
+
+ 'A unique volume of extracts--an art gallery of early
+ prose.'--_Birmingham Post._
+
+ 'An admirable companion to Mr. Henley's "Lyra Heroica."'--_Saturday
+ Review._
+
+ 'Quite delightful. A greater treat for those not well acquainted with
+ pre-Restoration prose could not be imagined.'--_Athenaeum._
+
+
+ #H. C. Beeching.# LYRA SACRA: An Anthology of Sacred Verse. Edited by
+ H. C. BEECHING, M.A. _Crown 8vo._ _Buckram._ _6s._
+
+ 'A charming selection, which maintains a lofty standard of
+ excellence.'--_Times._
+
+
+ #"Q."# THE GOLDEN POMP: A Procession of English Lyrics from Surrey to
+ Shirley, arranged by A. T. QUILLER COUCH. _Crown 8vo._ _Buckram._
+ _6s._
+
+ 'A delightful volume: a really golden "Pomp."'--_Spectator._
+
+
+ #W. B. Yeats.# AN ANTHOLOGY OF IRISH VERSE. Edited by W. B. YEATS.
+ _Crown 8vo._ _3s. 6d._
+
+ 'An attractive and catholic selection.'--Times.
+
+
+ #G. W. Steevens.# MONOLOGUES OF THE DEAD. By G. W. STEEVENS. _Foolscap
+ 8vo._ _3s. 6d._
+
+ A series of Soliloquies in which famous men of antiquity--Julius
+ Caesar, Nero, Alcibiades, etc., attempt to express themselves in the
+ modes of thought and language of to-day.
+
+ The effect is sometimes splendid, sometimes bizarre, but always
+ amazingly clever.--_Pall Mall Gazette._
+
+
+ #Victor Hugo.# THE LETTERS OF VICTOR HUGO. Translated from the French
+ by F. CLARKE, M.A. _In Two Volumes._ _Demy 8vo._ _10s. 6d. each._
+ _Vol. I._ 1815-35.
+
+ This is the first volume of one of the most interesting and important
+ collection of letters ever published in France. The correspondence
+ dates from Victor Hugo's boyhood to his death, and none of the letters
+ have been published before. The arrangement is chiefly chronological,
+ but where there is an interesting set of letters to one person these
+ are arranged together. The first volume contains, among others, (1)
+ Letters to his father; (2) to his young wife; (3) to his confessor,
+ Lamennais; (4) a very important set of about fifty letters to
+ Sainte-Beauve; (5) letters about his early books and plays.
+
+ 'A charming and vivid picture of a man whose egotism never marred his
+ natural kindness, and whose vanity did not impair his
+ greatness.'--_Standard._
+
+
+ #C. H. Pearson.# ESSAYS AND CRITICAL REVIEWS. By C. H. PEARSON, M.A.,
+ Author of 'National Life and Character.' Edited, with a Biographical
+ Sketch, by H. A. STRONG, M.A., LL.D. With a Portrait. _Demy 8vo._
+ _10s. 6d._
+
+ 'Remarkable for careful handling, breadth of view, and
+ knowledge.'--_Scotsman._
+
+ 'Charming essays.'--_Spectator._
+
+
+ #W. M. Dixon.# A PRIMER OF TENNYSON. By W. M. DIXON, M.A., Professor
+ of English Literature at Mason College. _Crown 8vo._ _2s. 6d._
+
+ 'Much sound and well-expressed criticism and acute literary judgments.
+ The bibliography is a boon.'--_Speaker._
+
+
+ #W. A. Craigie.# A PRIMER OF BURNS. By W. A. CRAIGIE. _Crown 8vo._
+ _2s. 6d._
+
+ This book is planned on a method similar to the 'Primer of Tennyson.'
+ It has also a glossary.
+
+ 'A valuable addition to the literature of the poet.'--_Times._
+
+ 'An excellent short account.'--_Pall Mall Gazette._
+
+ 'An admirable introduction.'--_Globe._
+
+
+ #Sterne.# THE LIFE AND OPINIONS OF TRISTRAM SHANDY. By LAWRENCE
+ STERNE. With an Introduction by CHARLES WHIBLEY, and a Portrait.
+ _2 vols._ _7s._
+
+ 'Very dainty volumes are these; the paper, type, and light-green
+ binding are all very agreeable to the eye. _Simplex munditiis_ is the
+ phrase that might be applied to them.'--_Globe._
+
+
+ #Congreve.# THE COMEDIES OF WILLIAM CONGREVE. With an Introduction by
+ G. S. STREET, and a Portrait. _2 vols._ _7s._
+
+ 'The volumes are strongly bound in green buckram, are of a convenient
+ size, and pleasant to look upon, so that whether on the shelf, or on
+ the table, or in the hand the possessor is thoroughly content with
+ them.'--_Guardian._
+
+
+ #Morier.# THE ADVENTURES OF HAJJI BABA OF ISPAHAN. By JAMES MORIER.
+ With an Introduction by E. G. BROWNE, M.A., and a Portrait. _2 vols._
+ _7s._
+
+
+ #Walton.# THE LIVES OF DONNE, WOTTON, HOOKER, HERBERT, AND SANDERSON.
+ By IZAAK WALTON. With an Introduction by VERNON BLACKBURN, and a
+ Portrait. _3s. 6d._
+
+
+ #Johnson.# THE LIVES OF THE ENGLISH POETS. By SAMUEL JOHNSON, LL.D.
+ With an Introduction by J. H. MILLAR, and a Portrait. _3 vols._
+ _10s. 6d._
+
+
+ #Burns.# THE POEMS OF ROBERT BURNS. Edited by ANDREW LANG and W. A.
+ CRAIGIE. With Portrait. _Demy 8vo, gilt top._ _6s._
+
+ This edition contains a carefully collated Text, numerous Notes,
+ critical and textual, a critical and biographical Introduction, and a
+ Glossary.
+
+ 'Among the editions in one volume, Mr. Andrew Lang's will take the
+ place of authority.'--_Times._
+
+
+ #F. Langbridge.# BALLADS OF THE BRAVE: Poems of Chivalry, Enterprise,
+ Courage, and Constancy. Edited, with Notes, by Rev. F. LANGBRIDGE.
+ _Crown 8vo._ _Buckram._ _3s. 6d._ _School Edition._ _2s. 6d._
+
+ 'A very happy conception happily carried out. These "Ballads of the
+ Brave" are intended to suit the real tastes of boys, and will suit the
+ taste of the great majority.'--_Spectator._
+
+ 'The book is full of splendid things.'--_World._
+
+
+ #Illustrated Books#
+
+
+ #Jane Barlow.# THE BATTLE OF THE FROGS AND MICE, translated by JANE
+ BARLOW, Author of 'Irish Idylls,' and pictured by F. D. BEDFORD.
+ _Small 4to._ _6s. net._
+
+
+ #S. Baring Gould.# A BOOK OF FAIRY TALES retold by S. BARING GOULD.
+ With numerous illustrations and initial letters by ARTHUR J. GASKIN.
+ _Second Edition._ _Crown 8vo._ _Buckram._ _6s._
+
+ 'Mr. Baring Gould is deserving of gratitude, in re-writing in honest,
+ simple style the old stories that delighted the childhood of "our
+ fathers and grandfathers." As to the form of the book, and the
+ printing, which is by Messrs. Constable, it were difficult to commend
+ overmuch.'--_Saturday Review._
+
+
+ #S. Baring Gould.# OLD ENGLISH FAIRY TALES. Collected and edited by S.
+ BARING GOULD. With Numerous Illustrations by F. D. BEDFORD. _Second
+ Edition._ _Crown 8vo._ _Buckram._ _6s._
+
+ 'A charming volume, which children will be sure to appreciate. The
+ stories have been selected with great ingenuity from various old
+ ballads and folk-tales, and, having been somewhat altered and
+ readjusted, now stand forth, clothed in Mr. Baring Gould's delightful
+ English, to enchant youthful readers.'--_Guardian._
+
+
+ #S. Baring Gould.# A BOOK OF NURSERY SONGS AND RHYMES. Edited by S.
+ BARING GOULD, and Illustrated by the Birmingham Art School. _Buckram,
+ gilt top._ _Crown 8vo._ _6s._
+
+ 'The volume is very complete in its way, as it contains nursery songs
+ to the number of 77, game-rhymes, and jingles. To the student we
+ commend the sensible introduction, and the explanatory notes. The
+ volume is superbly printed on soft, thick paper, which it is a
+ pleasure to touch; and the borders and pictures are among the very
+ best specimens we have seen of the Gaskin school.'--_Birmingham
+ Gazette._
+
+
+ #H. C. Beeching.# A BOOK OF CHRISTMAS VERSE. Edited by H. C. BEECHING,
+ M.A., and Illustrated by WALTER CRANE. _Crown 8vo, gilt top._ _5s._
+
+ A collection of the best verse inspired by the birth of Christ from
+ the Middle Ages to the present day. A distinction of the book is the
+ large number of poems it contains by modern authors, a few of which
+ are here printed for the first time.
+
+ 'An anthology which, from its unity of aim and high poetic excellence,
+ has a better right to exist than most of its fellows.'--_Guardian._
+
+
+ #History#
+
+
+ #Gibbon.# THE DECLINE AND FALL OF THE ROMAN EMPIRE. By EDWARD GIBBON.
+ A New Edition, Edited with Notes, Appendices, and Maps, by J. B. BURY,
+ M.A., Fellow of Trinity College, Dublin. _In Seven Volumes._ _Demy 8vo._
+ _Gilt top._ _8s. 6d. each._ _Also crown 8vo._ _6s. each._
+ _Vols. I., II., and III._
+
+ 'The time has certainly arrived for a new edition of Gibbon's great
+ work.... Professor Bury is the right man to undertake this task. His
+ learning is amazing, both in extent and accuracy. The book is issued
+ in a handy form, and at a moderate price, and it is admirably
+ printed.'--_Times._
+
+ 'The edition is edited as a classic should be edited, removing
+ nothing, yet indicating the value of the text, and bringing it up to
+ date. It promises to be of the utmost value, and will be a welcome
+ addition to many libraries.'--_Scotsman._
+
+ 'This edition, so far as one may judge from the first instalment, is a
+ marvel of erudition and critical skill, and it is the very minimum of
+ praise to predict that the seven volumes of it will supersede Dean
+ Milman's as the standard edition of our great historical
+ classic.'--_Glasgow Herald._
+
+ 'The beau-ideal Gibbon has arrived at last.'--_Sketch._
+
+ 'At last there is an adequate modern edition of Gibbon.... The best
+ edition the nineteenth century could produce.'--_Manchester Guardian._
+
+
+ #Flinders Petrie.# A HISTORY OF EGYPT, FROM THE EARLIEST TIMES TO THE
+ PRESENT DAY. Edited by W. M. FLINDERS PETRIE, D.C.L., LL.D., Professor
+ of Egyptology at University College. _Fully Illustrated._ _In Six
+ Volumes._ _Crown 8vo._ _6s. each._
+
+ Vol. I. PREHISTORIC TIMES TO XVI. DYNASTY. W. M. F. Petrie. _Third
+ Edition._
+
+ Vol. II. THE XVIITH AND XVIIITH DYNASTIES. W. M. F. Petrie. _Second
+ Edition._
+
+ 'A history written in the spirit of scientific precision so worthily
+ represented by Dr. Petrie and his school cannot but promote sound and
+ accurate study, and supply a vacant place in the English literature of
+ Egyptology.'--_Times._
+
+
+ #Flinders Petrie.# EGYPTIAN TALES. Edited by W. M. FLINDERS PETRIE.
+ Illustrated by TRISTRAM ELLIS. _In Two Volumes._ _Crown 8vo._
+ _3s. 6d. each._
+
+ 'A valuable addition to the literature of comparative folk-lore. The
+ drawings are really illustrations in the literal sense of the
+ word.'--_Globe._
+
+ 'It has a scientific value to the student of history and
+ archaeology.'--_Scotsman._
+
+ 'Invaluable as a picture of life in Palestine and Egypt.'--_Daily
+ News._
+
+
+ #Flinders Petrie.# EGYPTIAN DECORATIVE ART. By W. M. FLINDERS PETRIE,
+ D.C.L. With 120 Illustrations. _Crown 8vo._ _3s. 6d._
+
+ 'Professor Flinders Petrie is not only a profound Egyptologist, but an
+ accomplished student of comparative archaeology. In these lectures,
+ delivered at the Royal Institution, he displays both qualifications
+ with rare skill in elucidating the development of decorative art in
+ Egypt, and in tracing its influence on the art of other
+ countries.'--_Times._
+
+
+ #S. Baring Gould.# THE TRAGEDY OF THE CAESARS. The Emperors of the
+ Julian and Claudian Lines. With numerous Illustrations from Busts,
+ Gems, Cameos, etc. By S. BARING GOULD, Author of 'Mehalah,' etc.
+ _Fourth Edition._ _Royal 8vo._ _15s._
+
+ 'A most splendid and fascinating book on a subject of undying
+ interest. The great feature of the book is the use the author has made
+ of the existing portraits of the Caesars, and the admirable critical
+ subtlety he has exhibited in dealing with this line of research. It is
+ brilliantly written, and the illustrations are supplied on a scale of
+ profuse magnificence.'--_Daily Chronicle._
+
+ 'The volumes will in no sense disappoint the general reader. Indeed,
+ in their way, there is nothing in any sense so good in English.... Mr.
+ Baring Gould has presented his narrative in such a way as not to make
+ one dull page.'--_Athenaeum._
+
+
+ #H. de B. Gibbons.# INDUSTRY IN ENGLAND: HISTORICAL OUTLINES. By H. DE
+ B. GIBBINS, M.A., D.Litt. With 5 Maps. _Second Edition._ _Demy 8vo._
+ _10s. 6d._
+
+ This book is written with the view of affording a clear view of the
+ main facts of English Social and Industrial History placed in due
+ perspective. Beginning with prehistoric times, it passes in review the
+ growth and advance of industry up to the nineteenth century, showing
+ its gradual development and progress. The book is illustrated by Maps,
+ Diagrams, and Tables.
+
+
+ #A. Clark.# THE COLLEGES OF OXFORD: Their History and their
+ Traditions. By Members of the University. Edited by A. CLARK, M.A.,
+ Fellow and Tutor of Lincoln College. _8vo._ _12s. 6d._
+
+ 'A work which will certainly be appealed to for many years as the
+ standard book on the Colleges of Oxford.'--_Athenaeum._
+
+
+ #Perrens.# THE HISTORY OF FLORENCE FROM 1434 TO 1492. By F. T.
+ PERRENS. Translated by HANNAH LYNCH. _8vo._ _12s. 6d._
+
+ A history of Florence under the domination of Cosimo, Piero, and
+ Lorenzo de Medicis.
+
+ 'This is a standard book by an honest and intelligent historian, who
+ has deserved well of all who are interested in Italian
+ history.'--_Manchester Guardian._
+
+
+ #J. Wells.# A SHORT HISTORY OF ROME. By $1, Fellow and Tutor of Wadham
+ Coll., Oxford. With 4 Maps. _Crown 8vo._ _3s. 6d._
+
+ This book is intended for the Middle and Upper Forms of Public Schools
+ and for Pass Students at the Universities. It contains copious Tables,
+ etc.
+
+ 'An original work written on an original plan, and with uncommon
+ freshness and vigour.'--_Speaker._
+
+
+ #E. L. S. Horsburgh.# THE CAMPAIGN OF WATERLOO. By E. L. S. HORSBURGH,
+ B.A. _With Plans._ _Crown 8vo._ _5s._
+
+ 'A brilliant essay--simple, sound, and thorough.'--_Daily Chronicle._
+
+ 'A study, the most concise, the most lucid, the most critical that has
+ been produced.'--_Birmingham Mercury._
+
+
+ #H. B. George.# BATTLES OF ENGLISH HISTORY. By H. B. GEORGE, M.A.,
+ Fellow of New College, Oxford. _With numerous Plans._ _Third Edition._
+ _Crown 8vo._ _6s._
+
+ 'Mr. George has undertaken a very useful task--that of making military
+ affairs intelligible and instructive to non-military readers--and has
+ executed it with laudable intelligence and industry, and with a large
+ measure of success.'--_Times._
+
+
+ #O. Browning.# A SHORT HISTORY OF MEDIAEVAL ITALY, A.D. 1250-1530. By
+ OSCAR BROWNING, Fellow and Tutor of King's College, Cambridge. _Second
+ Edition._ _In Two Volumes._ _Crown 8vo._ _5s. each._
+
+ Vol. I. 1250-1409.--Guelphs and Ghibellines. Vol. II. 1409-1530.--The
+ Age of the Condottieri.
+
+ 'A vivid picture of mediaeval Italy.'--_Standard._
+
+ 'Mr. Browning is to be congratulated on the production of a work of
+ immense labour and learning.'--_Westminster Gazette._
+
+
+ #O'Grady.# THE STORY OF IRELAND. By STANDISH O'GRADY, Author of 'Finn
+ and his Companions.' _Cr. 8vo._ _2s. 6d._
+
+ 'Most delightful, most stimulating. Its racy humour, its original
+ imaginings, make it one of the freshest, breeziest
+ volumes.'--_Methodist Times._
+
+
+ #Biography#
+
+
+ #S. Baring Gould.# THE LIFE OF NAPOLEON BONAPARTE. By S. BARING GOULD.
+ With over 450 Illustrations in the Text and 12 Photogravure Plates.
+ _Large quarto._ _Gilt top._ _36s._
+
+ 'The best biography of Napoleon in our tongue, nor have the French as
+ good a biographer of their hero. A book very nearly as good as
+ Southey's "Life of Nelson."'--_Manchester Guardian._
+
+ 'The main feature of this gorgeous volume is its great wealth of
+ beautiful photogravures and finely-executed wood engravings,
+ constituting a complete pictorial chronicle of Napoleon I.'s personal
+ history from the days of his early childhood at Ajaccio to the date of
+ his second interment under the dome of the Invalides in
+ Paris.'--_Daily Telegraph._
+
+ 'The most elaborate account of Napoleon ever produced by an English
+ writer.'--_Daily Chronicle._
+
+ 'A brilliant and attractive volume. Never before have so many pictures
+ relating to Napoleon been brought within the limits of an English
+ book.'--_Globe._
+
+ 'Particular notice is due to the vast collection of contemporary
+ illustrations.'--_Guardian._
+
+ 'Nearly all the illustrations are real contributions to
+ history.'--_Westminster Gazette._
+
+ 'The illustrations are of supreme interest.'--_Standard._
+
+
+ #Morris Fuller.# THE LIFE AND WRITINGS OF JOHN DAVENANT, D.D.
+ (1571-1641), President of Queen's College, Lady Margaret Professor of
+ Divinity, Bishop of Salisbury. By MORRIS FULLER, B.D. _Demy 8vo._
+ _10s. 6d._
+
+ 'A valuable contribution to ecclesiastical history.'--_Birmingham
+ Gazette._
+
+
+ #J. M. Rigg.# ST. ANSELM OF CANTERBURY: A CHAPTER IN THE HISTORY OF
+ RELIGION. By J. M. RIGG. _Demy 8vo._ _7s. 6d._
+
+ 'Mr. Rigg has told the story of the great Primate's life with
+ scholarly ability, and has thereby contributed an interesting chapter
+ to the history of the Norman period.'--_Daily Chronicle._
+
+
+ #F. W. Joyce.# THE LIFE OF SIR FREDERICK GORE OUSELEY. By F. W. JOYCE,
+ M.A. With Portraits and Illustrations. _Crown 8vo._ _7s. 6d._
+
+ 'This book has been undertaken in quite the right spirit, and written
+ with sympathy, insight, and considerable literary skill.'--_Times._
+
+
+ #W. G. Collingwood.# THE LIFE OF JOHN RUSKIN. By W. G. COLLINGWOOD,
+ M.A., Editor of Mr. Ruskin's Poems. With numerous Portraits, and 13
+ Drawings by Mr. Ruskin. _Second Edition._ _2 vols._ _8vo._ _32s._
+
+ 'No more magnificent volumes have been published for a long
+ time.'--_Times._
+
+ 'It is long since we had a biography with such delights of substance
+ and of form. Such a book is a pleasure for the day, and a joy for
+ ever.'--_Daily Chronicle._
+
+
+ #C. Waldstein.# JOHN RUSKIN: a Study. By CHARLES WALDSTEIN, M.A.,
+ Fellow of King's College, Cambridge. With a Photogravure Portrait
+ after Professor Herkomer. _Post 8vo._ _5s._
+
+ 'A thoughtful, impartial, well-written criticism of Ruskin's teaching,
+ intended to separate what the author regards as valuable and permanent
+ from what is transient and erroneous in the great master's
+ writing.'--_Daily Chronicle._
+
+
+ #W. H. Hutton.# THE LIFE OF SIR THOMAS MORE. By W. H. HUTTON, M.A.,
+ Author of 'William Laud.' _With Portraits._ _Crown 8vo._ _5s._
+
+ 'The book lays good claim to high rank among our biographies. It is
+ excellently, even lovingly, written.'--_Scotsman._
+
+ 'An excellent monograph.'--_Times._
+
+
+ #Clark Russell.# THE LIFE OF ADMIRAL LORD COLLINGWOOD. By W. CLARK
+ RUSSELL, Author of 'The Wreck of the Grosvenor.' With Illustrations by
+ F. BRANGWYN. _Third Edition._ _Crown 8vo._ _6s._
+
+ 'A book which we should like to see in the hands of every boy in the
+ country.'--_St. James's Gazette._
+
+ 'A really good book.'--_Saturday Review._
+
+
+ #Southey.# ENGLISH SEAMEN (Howard, Clifford, Hawkins, Drake,
+ Cavendish). By ROBERT SOUTHEY. Edited, with an Introduction, by DAVID
+ HANNAY. _Second Edition._ _Crown 8vo._ _6s._
+
+ 'Admirable and well-told stories of our naval history.'--_Army and
+ Navy Gazette._
+
+ 'A brave, inspiriting book.'--_Black and White._
+
+
+ #Travel, Adventure and Topography#
+
+
+ #R. S. S. Baden-Powell.# THE DOWNFALL OF PREMPEH. A Diary of Life with
+ the Native Levy in Ashanti, 1895. By Colonel BADEN-POWELL. With 21
+ Illustrations and a Map. _Demy 8vo._ _10s. 6d._
+
+ 'A compact, faithful, most readable record of the campaign.'--_Daily
+ News._
+
+ 'A bluff and vigorous narrative.'--_Glasgow Herald._
+
+
+ #R. S. S. Baden-Powell.# THE MATEBELE CAMPAIGN 1896. By Colonel R. S.
+ S. BADEN-POWELL. With nearly 100 Illustrations. _Second Edition._
+ _Demy 8vo._ _15s._
+
+ 'Written in an unaffectedly light and humorous style.'--_The World._
+
+ 'A very racy and eminently readable book.'--_St. James's Gazette._
+
+ 'As a straightforward account of a great deal of plucky work
+ unpretentiously done, this book is well worth reading. The simplicity
+ of the narrative is all in its favour, and accords in a peculiarly
+ English fashion with the nature of the subject.'--_Times._
+
+
+ #Captain Hinde.# THE FALL OF THE CONGO ARABS. By SIDNEY L. HINDE. With
+ Portraits and Plans. _Demy 8vo._ _12s. 6d._
+
+ 'The book is full of good things, and of sustained interest.'--_St.
+ James's Gazette._
+
+ 'A graphic sketch of one of the most exciting and important episodes
+ in the struggle for supremacy in Central Africa between the Arabs and
+ their Europeon rivals. Apart from the story of the campaign, Captain
+ Hinde's book is mainly remarkable for the fulness with which he
+ discusses the question of cannibalism. It is, indeed, the only
+ connected narrative--in English, at any rate--which has been published
+ of this particular episode in African history.'--_Times._
+
+ 'Captain Hinde's book is one of the most interesting and valuable
+ contributions yet made to the literature of modern Africa.'--_Daily
+ News._
+
+
+ #W. Crooke.# THE NORTH-WESTERN PROVINCES OF INDIA: THEIR ETHNOLOGY AND
+ ADMINISTRATION. By W. CROOKE. With Maps and Illustrations. _Demy 8vo._
+ _10s. 6d._
+
+ 'A carefully and well-written account of one of the most important
+ provinces of the Empire. In seven chapters Mr. Crooke deals
+ successively with the land in its physical aspect, the province under
+ Hindoo and Mussulman rule, the province under British rule, the
+ ethnology and sociology of the province, the religious and social life
+ of the people, the land and its settlement, and the native peasant in
+ his relation to the land. The illustrations are good and well
+ selected, and the map is excellent.'--_Manchester Guardian._
+
+
+ #W. B. Worsfold.# SOUTH AFRICA: Its History and its Future. By W.
+ BASIL WORSFOLD, M.A. _With a Map._ _Second Edition._ _Crown 8vo._
+ _6s._
+
+ 'An intensely interesting book.'--_Daily Chronicle._
+
+ 'A monumental work compressed into a very moderate compass.'--_World._
+
+
+ #General Literature#
+
+
+ #S. Baring Gould.# OLD COUNTRY LIFE. By S. BARING GOULD, Author of
+ 'Mehalah,' etc. With Sixty-seven Illustrations by W. PARKINSON, F. D.
+ BEDFORD, and F. MASEY. _Large Crown 8vo._ _10s. 6d._ _Fifth and
+ Cheaper Edition._ _6s._
+
+ '"Old Country Life," as healthy wholesome reading, full of breezy life
+ and movement, full of quaint stories vigorously told, will not be
+ excelled by any book to be published throughout the year. Sound,
+ hearty, and English to the core.'--_World._
+
+
+ #S. Baring Gould.# HISTORIC ODDITIES AND STRANGE EVENTS. By S. BARING
+ GOULD. _Third Edition._ _Crown 8vo._ _6s._
+
+ 'A collection of exciting and entertaining chapters. The whole volume
+ is delightful reading.'--_Times._
+
+
+ #S. Baring Gould.# FREAKS OF FANATICISM. By S. BARING GOULD. _Third
+ Edition._ _Crown 8vo._ _6s._
+
+ 'Mr. Baring Gould has a keen eye for colour and effect, and the
+ subjects he has chosen give ample scope to his descriptive and
+ analytic faculties. A perfectly fascinating book.'--_Scottish Leader._
+
+
+ #S. Baring Gould.# A GARLAND OF COUNTRY SONG: English Folk Songs with
+ their Traditional Melodies. Collected and arranged by S. BARING GOULD
+ and H. FLEETWOOD SHEPPARD. _Demy 4to._ _6s._
+
+
+ #S. Baring Gould.# SONGS OF THE WEST: Traditional Ballads and Songs of
+ the West of England, with their Traditional Melodies. Collected by S.
+ BARING GOULD, M.A., and H. FLEETWOOD SHEPPARD, M.A. Arranged for Voice
+ and Piano. In 4 Parts (containing 25 Songs each), _Parts I., II., III.,_
+ _3s. each._ _Part IV.,_ _5s._ _In one Vol.,_ _French morocco,_
+ _15s._
+
+ 'A rich collection of humour, pathos, grace, and poetic
+ fancy.'--_Saturday Review._
+
+
+ #S. Baring Gould.# YORKSHIRE ODDITIES AND STRANGE EVENTS. _Fourth
+ Edition._ _Crown 8vo._ _6s._
+
+
+ #S. Baring Gould.# STRANGE SURVIVALS AND SUPERSTITIONS. With
+ Illustrations. By S. BARING GOULD. _Crown 8vo._ _Second Edition._
+ _6s._
+
+ 'We have read Mr. Baring Gould's book from beginning to end. It is
+ full of quaint and various information, and there is not a dull page
+ in it.'--_Notes and Queries._
+
+
+ #S. Baring Gould.# THE DESERTS OF SOUTHERN FRANCE. By S. BARING GOULD.
+ With numerous Illustrations by F. D. BEDFORD, S. HUTTON, etc.
+ _2 vols._ _Demy 8vo._ _32s._
+
+ 'His two richly-illustrated volumes are full of matter of interest
+ to the geologist, the archaeologist, and the student of history and
+ manners.'--_Scotsman._
+
+
+ #G. W. Steevens.# NAVAL POLICY: WITH A DESCRIPTION OF ENGLISH AND
+ FOREIGN NAVIES. By G. W. STEEVENS. _Demy 8vo._ _6s._
+
+ This book is a description of the British and other more important
+ navies of the world, with a sketch of the lines on which our naval
+ policy might possibly be developed. It describes our recent naval
+ policy, and shows what our naval force really is. A detailed but
+ non-technical account is given of the instruments of modern
+ warfare--guns, armour, engines, and the like--with a view to determine
+ how far we are abreast of modern invention and modern requirements. An
+ ideal policy is then sketched for the building and manning of our
+ fleet; and the last chapter is devoted to docks, coaling-stations, and
+ especially colonial defence.
+
+ 'An extremely able and interesting work.'--_Daily Chronicle._
+
+
+ #W. E. Gladstone.# THE SPEECHES AND PUBLIC ADDRESSES OF THE RT. HON.
+ W. E. GLADSTONE, M.P. Edited by A. W. HUTTON, M.A., and H. J. COHEN,
+ M.A. With Portraits. _8vo._ _Vols. IX. and X._ _12s. 6d. each._
+
+
+ #J. Wells.# OXFORD AND OXFORD LIFE. By Members of the University.
+ Edited by J. WELLS, M.A., Fellow and Tutor of Wadham College.
+ _Crown 8vo._ _3s. 6d._
+
+ 'We congratulate Mr. Wells on the production of a readable and
+ intelligent account of Oxford as it is at the present time, written by
+ persons who are possessed of a close acquaintance with the system and
+ life of the University.'--_Athenaeum._
+
+
+ #L. Whibley.# GREEK OLIGARCHIES: THEIR ORGANISATION AND CHARACTER. By
+ L. WHIBLEY, M.A., Fellow of Pembroke College, Cambridge. _Crown 8vo._
+ _6s._
+
+ 'An exceedingly useful handbook: a careful and well-arranged study of
+ an obscure subject.'--_Times._
+
+ 'Mr. Whibley is never tedious or pedantic.'--_Pall Mall Gazette._
+
+
+ #L. L. Price.# ECONOMIC SCIENCE AND PRACTICE. By L. L. PRICE, M.A.,
+ Fellow of Oriel College, Oxford. _Crown 8vo._ _6s._
+
+ 'The book is well written, giving evidence of considerable literary
+ ability, and clear mental grasp of the subject under
+ consideration.'--_Western Morning News._
+
+
+ #C. F. Andrews.# CHRISTIANITY AND THE LABOUR QUESTION. By C. F.
+ ANDREWS, B.A. _Crown 8vo._ _2s. 6d._
+
+ 'A bold and scholarly survey.'--_Speaker._
+
+
+ #J. S. Shedlock.# THE PIANOFORTE SONATA: Its Origin and Development.
+ By J. S. SHEDLOCK. _Crown 8vo._ _5s._
+
+ 'This work should be in the possession of every musician and amateur,
+ for it not only embodies a concise and lucid history of the origin of
+ one of the most important forms of musical composition, but, by reason
+ of the painstaking research and accuracy of the author's statements,
+ it is a very valuable work for reference.'--_Athenaeum._
+
+
+ #E. M. Bowden.# THE EXAMPLE OF BUDDHA: Being Quotations from Buddhist
+ Literature for each Day in the Year. Compiled by E. M. BOWDEN. With
+ Preface by Sir EDWIN ARNOLD. _Third Edition._ _16mo._ _2s. 6d._
+
+
+ #Science#
+
+
+ #Freudenreich.# DAIRY BACTERIOLOGY. A Short Manual for the Use of
+ Students. By Dr. ED. VON FREUDENREICH. Translated from the German by
+ J. R. AINSWORTH DAVIS, B.A., F.C.P. _Crown 8vo._ _2s. 6d._
+
+
+ #Chalmers Mitchell.# OUTLINES OF BIOLOGY. By P. CHALMERS MITCHELL,
+ M.A., F.Z.S. _Fully Illustrated._ _Crown 8vo._ _6s._
+
+ A text-book designed to cover the new Schedule issued by the Royal
+ College of Physicians and Surgeons.
+
+
+ #G. Massee.# A MONOGRAPH OF THE MYXOGASTRES. By GEORGE MASSEE. With 12
+ Coloured Plates. _Royal 8vo._ _18s. net._
+
+ 'A work much in advance of any book in the language treating of this
+ group of organisms. It is indispensable to every student of the
+ Myxogastres. The coloured plates deserve high praise for their
+ accuracy and execution.'--_Nature._
+
+
+ #Philosophy#
+
+
+ #L. T. Hobhouse.# THE THEORY OF KNOWLEDGE. By L. T. HOBHOUSE, Fellow
+ and Tutor of Corpus College, Oxford. _Demy 8vo._ _21s._
+
+ 'The most important contribution to English philosophy since the
+ publication of Mr. Bradley's "Appearance and Reality." Full of
+ brilliant criticism and of positive theories which are models of
+ lucid statement.'--_Glasgow Herald._
+
+ 'An elaborate and often brilliantly written volume. The treatment
+ is one of great freshness, and the illustrations are particularly
+ numerous and apt.'--_Times._
+
+
+ #W. H. Fairbrother.# THE PHILOSOPHY OF T. H. GREEN. By W. H.
+ FAIRBROTHER, M.A., Lecturer at Lincoln College, Oxford. _Crown 8vo._
+ _3s. 6d._
+
+ This volume is expository, not critical, and is intended for senior
+ students at the Universities and others, as a statement of Green's
+ teaching, and an introduction to the study of Idealist Philosophy.
+
+ 'In every way an admirable book. As an introduction to the writings of
+ perhaps the most remarkable speculative thinker whom England has
+ produced in the present century, nothing could be better.'--_Glasgow
+ Herald._
+
+
+ #F. W. Bussell.# THE SCHOOL OF PLATO: its Origin and its Revival under
+ the Roman Empire. By F. W. BUSSELL, M.A., Fellow and Tutor of
+ Brasenose College, Oxford. _Demy 8vo._ _10s. 6d._
+
+ 'A highly valuable contribution to the history of ancient
+ thought.'--_Glasgow Herald._
+
+ 'A clever and stimulating book, provocative of thought and deserving
+ careful reading.'--_Manchester Guardian._
+
+
+ #F. S. Granger.# THE WORSHIP OF THE ROMANS. By F. S. GRANGER, M.A.,
+ Litt.D., Professor of Philosophy at University College, Nottingham.
+ _Crown 8vo._ _6s._
+
+ 'A scholarly analysis of the religious ceremonies, beliefs, and
+ superstitions of ancient Rome, conducted in the new instructive light
+ of comparative anthropology.'--_Times._
+
+
+ #Theology#
+
+
+ #E. C. S. Gibson.# THE XXXIX. ARTICLES OF THE CHURCH OF ENGLAND.
+ Edited with an Introduction by E. C. S. GIBSON, D.D., Vicar of Leeds,
+ late Principal of Wells Theological College. _In Two Volumes._
+ _Demy 8vo._ _15s._
+
+ 'The tone maintained throughout is not that of the partial advocate,
+ but the faithful exponent'--_Scotsman._
+
+ 'There are ample proofs of clearness of expression, sobriety of
+ judgment, and breadth of view.... The book will be welcome to all
+ students of the subject, and its sound, definite, and loyal theology
+ ought to be of great service.'--_National Observer._
+
+ 'So far from repelling the general reader, its orderly arrangement,
+ lucid treatment, and felicity of diction invite and encourage his
+ attention.'--_Yorkshire Post._
+
+
+ #R. L. Ottley.# THE DOCTRINE OF THE INCARNATION. By R. L. OTTLEY,
+ M.A., late fellow of Magdalen College, Oxon., Principal of Pusey
+ House. _In Two Volumes._ _Demy 8vo._ _15s._
+
+ 'Learned and reverent: lucid and well arranged.'--_Record._
+
+ 'Accurate, well ordered, and judicious.'--_National Observer._
+
+ 'A clear and remarkably full account of the main currents of
+ speculation. Scholarly precision ... genuine tolerance ... intense
+ interest in his subject--are Mr. Ottley's merits.'--_Guardian._
+
+
+ #F. B. Jevons.# AN INTRODUCTION TO THE HISTORY OF RELIGION. By F. B.
+ JEVONS, M.A., Litt.D., Principal of Bishop Hatfield's Hall.
+ _Demy 8vo._ _10s. 6d._
+
+ Mr. F. B. Jevons' 'Introduction to the History of Religion' treats of
+ early religion, from the point of view of Anthropology and Folk-lore;
+ and is the first attempt that has been made in any language to weave
+ together the results of recent investigations into such topics as
+ Sympathetic Magic, Taboo, Totemism, Fetishism, etc., so as to present
+ a systematic account of the growth of primitive religion and the
+ development of early religious institutions.
+
+ 'Dr. Jevons has written a notable work, and we can strongly recommend
+ it to the serious attention of theologians, anthropologists, and
+ classical scholars.'--_Manchester Guardian._
+
+ 'The merit of this book lies in the penetration, the singular
+ acuteness and force of the author's judgment. He is at once critical
+ and luminous, at once just and suggestive. It is but rarely that one
+ meets with a book so comprehensive and so thorough as this, and it is
+ more than an ordinary pleasure for the reviewer to welcome and
+ recommend it. Dr. Jevons is something more than an historian of
+ primitive belief--he is a philosophic thinker, who sees his subject
+ clearly and sees it whole, whose mastery of detail is no less complete
+ than his view of the broader aspects and issues of his subject is
+ convincing.'--_Birmingham Post._
+
+
+ #S. R. Driver.# SERMONS ON SUBJECTS CONNECTED WITH THE OLD TESTAMENT.
+ By S. R. DRIVER, D.D., Canon of Christ Church, Regius Professor of
+ Hebrew in the University of Oxford. _Crown 8vo._ _6s._
+
+ 'A welcome companion to the author's famous 'Introduction.' No man can
+ read these discourses without feeling that Dr. Driver is fully alive
+ to the deeper teaching of the Old Testament.'--_Guardian._
+
+
+ #T. K. Cheyne.# FOUNDERS OF OLD TESTAMENT CRITICISM: Biographical,
+ Descriptive, and Critical Studies. By T. K. CHEYNE, D.D., Oriel
+ Professor of the Interpretation of Holy Scripture at Oxford. _Large
+ crown 8vo._ _7s. 6d._
+
+ This book is a historical sketch of O. T. Criticism in the form of
+ biographical studies from the days of Eichhorn to those of Driver and
+ Robertson Smith.
+
+ 'A very learned and instructive work.'--_Times._
+
+
+ #C. H. Prior.# CAMBRIDGE SERMONS. Edited by C. H. PRIOR, M.A., Fellow
+ and Tutor of Pembroke College. _Crown 8vo._ _6s._
+
+ A volume of sermons preached before the University of Cambridge by
+ various preachers, including the Archbishop of Canterbury and Bishop
+ Westcott.
+
+ 'A representative collection. Bishop Westcott's is a noble
+ sermon.'--_Guardian._
+
+
+ #E. B. Layard.# RELIGION IN BOYHOOD. Notes on the Religious Training
+ of Boys. With a Preface by J. R. ILLINGWORTH. By E. B. LAYARD, M.A.
+ _18mo._ _1s._
+
+
+ #W. Yorke Faussett.# THE _DE CATECHIZANDIS RUDIBUS_ OF ST. AUGUSTINE.
+ Edited, with Introduction, Notes, etc., by W. YORKE FAUSSETT, M.A.,
+ late Scholar of Balliol Coll. _Crown 8vo._ _3s. 6d._
+
+ An edition of a Treatise on the Essentials of Christian Doctrine, and
+ the best methods of impressing them on candidates for baptism.
+
+ 'Ably and judiciously edited on the same principle as the ordinary
+ Greek and Latin texts.'--_Glasgow Herald._
+
+
+ _Devotional Books_
+
+ _With Full-page Illustrations._ _Fcap. 8vo._ _Buckram._ _3s. 6d._
+ _Padded morocco, 5s._
+
+
+ THE IMITATION OF CHRIST. By THOMAS A KEMPIS. With an Introduction by
+ DEAN FARRAR. Illustrated by C. M. GERE, and printed in black and red.
+ _Second Edition._
+
+ 'Amongst all the innumerable English editions of the "Imitation,"
+ there can have been few which were prettier than this one, printed in
+ strong and handsome type, with all the glory of red
+ initials.'--_Glasgow Herald._
+
+
+ THE CHRISTIAN YEAR. By JOHN KEBLE. With an Introduction and Notes by
+ W. LOCK, D.D., Warden of Keble College, Ireland, Professor at Oxford.
+ Illustrated by R. ANNING BELL.
+
+ 'The present edition is annotated with all the care and insight to be
+ expected from Mr. Lock. The progress and circumstances of its
+ composition are detailed in the Introduction. There is an interesting
+ Appendix on the MSS. of the "Christian Year," and another giving the
+ order in which the poems were written. A "Short Analysis of the
+ Thought" is prefixed to each, and any difficulty in the text is
+ explained in a note.'--_Guardian._
+
+ 'The most acceptable edition of this ever-popular work.'--_Globe._
+
+
+ #Leaders of Religion#
+
+
+ Edited by H. C. BEECHING, M.A. _With Portraits, crown 8vo._
+
+ A series of short biographies of the most prominent leaders of
+ religious life and thought of all ages and countries. 3/6
+
+ The following are ready--
+
+ CARDINAL NEWMAN. By R. H. HUTTON.
+ JOHN WESLEY. By J. H. OVERTON, M.A.
+ BISHOP WILBERFORCE. By G. W. DANIEL, M.A.
+ CARDINAL MANNING. By A. W. HUTTON, M.A.
+ CHARLES SIMEON. By H. C. G. MOULE, M.A.
+ JOHN KEBLE. By WALTER LOCK, D.D.
+ THOMAS CHALMERS. By Mrs. OLIPHANT.
+ LANCELOT ANDREWES. By R. L. OTTLEY, M.A.
+ AUGUSTINE OF CANTERBURY. By E. L. CUTTS, D.D.
+ WILLIAM LAUD. By W. H. HUTTON, B.D.
+ JOHN KNOX. By F. M'CUNN.
+ JOHN HOWE. By R. F. HORTON, D.D.
+ BISHOP KEN. By F. A. CLARKE, M.A.
+ GEORGE FOX, THE QUAKER. By T. HODGKIN, D.C.L.
+
+ Other volumes will be announced in due course.
+
+
+ #Fiction#
+
+ SIX SHILLING NOVELS
+ Marie Corelli's Novels
+ _Crown 8vo._ _6s. each._
+
+ A ROMANCE OF TWO WORLDS. _Sixteenth Edition._
+ VENDETTA. _Thirteenth Edition._
+ THELMA. _Seventeenth Edition._
+ ARDATH. _Eleventh Edition._
+ THE SOUL OF LILITH. _Ninth Edition._
+ WORMWOOD. _Eighth Edition._
+ BARABBAS: A DREAM OF THE WORLD'S TRAGEDY. _Thirty-first Edition._
+
+ 'The tender reverence of the treatment and the imaginative beauty of
+ the writing have reconciled us to the daring of the conception, and
+ the conviction is forced on us that even so exalted a subject cannot
+ be made too familiar to us, provided it be presented in the true
+ spirit of Christian faith. The amplifications of the Scripture
+ narrative are often conceived with high poetic insight, and this
+ "Dream of the World's Tragedy" is, despite some trifling
+ incongruities, a lofty and not inadequate paraphrase of the supreme
+ climax of the inspired narrative.'--_Dublin Review._
+
+
+ THE SORROWS OF SATAN. _Thirty-sixth Edition._
+
+ 'A very powerful piece of work.... The conception is magnificent, and
+ is likely to win an abiding place within the memory of man.... The
+ author has immense command of language, and a limitless audacity....
+ This interesting and remarkable romance will live long after much of
+ the ephemeral literature of the day is forgotten.... A literary
+ phenomenon ... novel, and even sublime.'--W. T. STEAD in the _Review
+ of Reviews._
+
+
+ Anthony Hope's Novels
+
+ _Crown 8vo._ _6s. each._
+
+
+ THE GOD IN THE CAR. _Seventh Edition._
+
+ 'A very remarkable book, deserving of critical analysis impossible
+ within our limit; brilliant, but not superficial; well considered, but
+ not elaborated; constructed with the proverbial art that conceals, but
+ yet allows itself to be enjoyed by readers to whom fine literary
+ method is a keen pleasure.'--_The World._
+
+
+ A CHANGE OF AIR. _Fourth Edition._
+
+ 'A graceful, vivacious comedy, true to human nature. The characters
+ are traced with a masterly hand.'--_Times._
+
+
+ A MAN OF MARK. _Fourth Edition._
+
+ 'Of all Mr. Hope's books, "A Man of Mark" is the one which best
+ compares with "The Prisoner of Zenda."'--_National Observer._
+
+
+ THE CHRONICLES OF COUNT ANTONIO. _Third Edition._
+
+ 'It is a perfectly enchanting story of love and chivalry, and pure
+ romance. The outlawed Count is the most constant, desperate, and
+ withal modest and tender of lovers, a peerless gentleman, an intrepid
+ fighter, a very faithful friend, and a most magnanimous
+ foe.'--_Guardian._
+
+
+ PHROSO. Illustrated by H. R. MILLAR. _Third Edition._
+
+ 'The tale is thoroughly fresh, quick with vitality, stirring the
+ blood, and humorously, dashingly told.'--_St. James's Gazette._
+
+ 'A story of adventure, every page of which is palpitating with action
+ and excitement.'--_Speaker._
+
+ 'From cover to cover "Phroso" not only engages the attention, but
+ carries the reader in little whirls of delight from adventure to
+ adventure.'--_Academy._
+
+
+ S. Baring Gould's Novels
+
+ _Crown 8vo._ _6s. each._
+
+ 'To say that a book is by the author of "Mehalah" is to imply that
+ it contains a story cast on strong lines, containing dramatic
+ possibilities, vivid and sympathetic descriptions of Nature, and a
+ wealth of ingenious imagery.'--_Speaker._
+
+ 'That whatever Mr. Baring Gould writes is well worth reading, is a
+ conclusion that may be very generally accepted. His views of life are
+ fresh and vigorous, his language pointed and characteristic, the
+ incidents of which he makes use are striking and original, his
+ characters are life-like, and though somewhat exceptional people, are
+ drawn and coloured with artistic force. Add to this that his
+ descriptions of scenes and scenery are painted with the loving eyes
+ and skilled hands of a master of his art, that he is always fresh and
+ never dull, and under such conditions it is no wonder that readers
+ have gained confidence both in his power of amusing and satisfying
+ them, and that year by year his popularity widens.'--_Court Circular._
+
+
+ ARMINELL: A Social Romance. _Fourth Edition._
+
+
+ URITH: A Story of Dartmoor. _Fifth Edition._
+
+ 'The author is at his best.'--_Times._
+
+
+ IN THE ROAR OF THE SEA. _Sixth Edition._
+
+ 'One of the best imagined and most enthralling stories the author has
+ produced.'--_Saturday Review._
+
+
+ MRS. CURGENVEN OF CURGENVEN. _Fourth Edition._
+
+ 'The swing of the narrative is splendid.'--_Sussex Daily News._
+
+
+ CHEAP JACK ZITA. _Fourth Edition._
+
+ 'A powerful drama of human passion.'--_Westminster Gazette._
+
+ 'A story worthy the author.'--_National Observer._
+
+
+ THE QUEEN OF LOVE. _Fourth Edition._
+
+ 'You cannot put it down until you have finished it.'--_Punch._
+
+ 'Can be heartily recommended to all who care for cleanly, energetic,
+ and interesting fiction.'--_Sussex Daily News._
+
+
+ KITTY ALONE. _Fourth Edition._
+
+ 'A strong and original story, teeming with graphic description,
+ stirring incident, and, above all, with vivid and enthralling human
+ interest.'--_Daily Telegraph._
+
+
+ NOEMI: A Romance of the Cave-Dwellers. Illustrated by R. CATON
+ WOODVILLE. _Third Edition._
+
+ '"Noemi" is as excellent a tale of fighting and adventure as one may
+ wish to meet. The narrative also runs clear and sharp as the Loire
+ itself.'--_Pall Mall Gazette._
+
+ 'Mr. Baring Gould's powerful story is full of the strong lights and
+ shadows and vivid colouring to which he has accustomed
+ us.'--_Standard._
+
+
+ THE BROOM-SQUIRE. Illustrated by FRANK DADD. _Fourth Edition._
+
+ 'A strain of tenderness is woven through the web of his tragic tale,
+ and its atmosphere is sweetened by the nobility and sweetness of the
+ heroine's character.'--_Daily News._
+
+ 'A story of exceptional interest that seems to us to be better than
+ anything he has written of late.'--_Speaker._
+
+
+ THE PENNYCOMEQUICKS. _Third Edition._
+
+
+ DARTMOOR IDYLLS.
+
+ 'A book to read, and keep and read again; for the genuine fun and
+ pathos of it will not early lose their effect.'--_Vanity Fair._
+
+
+ GUAVAS THE TINNER. Illustrated by FRANK DADD. _Second Edition._
+
+ 'Mr. Baring Gould is a wizard who transports us into a region of
+ visions, often lurid and disquieting, but always full of interest and
+ enchantment.'--_Spectator._
+
+ 'In the weirdness of the story, in the faithfulness with which the
+ characters are depicted, and in force of style, it closely resembles
+ "Mehalah."'--_Daily Telegraph._
+
+ 'There is a kind of flavour about this book which alone elevates it
+ above the ordinary novel. The story itself has a grandeur in harmony
+ with the wild and rugged scenery which is its setting.'--_Athenaeum._
+
+
+ Gilbert Parker's Novels
+
+ _Crown 8vo._ _6s. each._
+
+
+ PIERRE AND HIS PEOPLE. _Fourth Edition._
+
+ 'Stories happily conceived and finely executed. There is strength and
+ genius in Mr. Parker's style.'--_Daily Telegraph._
+
+
+ MRS. FALCHION. _Fourth Edition._
+
+ 'A splendid study of character.'--_Athenaeum._
+
+ 'But little behind anything that has been done by any writer of our
+ time.'--_Pall Mall Gazette._
+
+ 'A very striking and admirable novel.'--_St. James's Gazette._
+
+
+ THE TRANSLATION OF A SAVAGE.
+
+ 'The plot is original and one difficult to work out; but Mr. Parker
+ has done it with great skill and delicacy. The reader who is not
+ interested in this original, fresh, and well-told tale must be a dull
+ person indeed.'--_Daily Chronicle._
+
+
+ THE TRAIL OF THE SWORD. _Fifth Edition._
+
+ 'Everybody with a soul for romance will thoroughly enjoy "The Trail of
+ the Sword."'--_St. James's Gazette._
+
+ 'A rousing and dramatic tale. A book like this, in which swords flash,
+ great surprises are undertaken, and daring deeds done, in which men
+ and women live and love in the old straightforward passionate way, is
+ a joy inexpressible to the reviewer.'--_Daily Chronicle._
+
+
+ WHEN VALMOND CAME TO PONTIAC: The Story of a Lost Napoleon. _Fourth
+ Edition._
+
+ 'Here we find romance--real, breathing, living romance, but it runs
+ flush with our own times, level with our own feelings. The character
+ of Valmond is drawn unerringly; his career, brief as it is, is placed
+ before us as convincingly as history itself. The book must be read, we
+ may say re-read, for any one thoroughly to appreciate Mr. Parker's
+ delicate touch and innate sympathy with humanity.'--_Pall Mall
+ Gazette._
+
+ 'The one work of genius which 1895 has as yet produced.'--_New Age._
+
+
+ AN ADVENTURER OF THE NORTH: The Last Adventures of 'Pretty Pierre.'
+ _Second Edition._
+
+ 'The present book is full of fine and moving stories of the great
+ North, and it will add to Mr. Parker's already high
+ reputation.'--_Glasgow Herald._
+
+
+ THE SEATS OF THE MIGHTY. _Illustrated._ _Eighth Edition._
+
+ 'The best thing he has done; one of the best things that any one has
+ done lately.'--_St. James's Gazette._
+
+ 'Mr. Parker seems to become stronger and easier with every serious
+ novel that he attempts.... In "The Seats of the Mighty" he shows the
+ matured power which his former novels have led us to expect, and has
+ produced a really fine historical novel.... Most sincerely is Mr.
+ Parker to be congratulated on the finest novel he has yet
+ written.'--_Athenaeum._
+
+ 'Mr. Parker's latest book places him in the front rank of living
+ novelists. "The Seats of the Mighty" is a great book.'--_Black and
+ White._
+
+ 'One of the strongest stories of historical interest and adventure
+ that we have read for many a day.... A notable and successful
+ book.'--_Speaker._
+
+
+ #Conan Doyle.# ROUND THE RED LAMP. By A. CONAN DOYLE, Author of 'The
+ White Company,' 'The Adventures of Sherlock Holmes,' etc. _Fifth
+ Edition._ _Crown 8vo._ _6s._
+
+ 'The book is, indeed, composed of leaves from life, and is far and
+ away the best view that has been vouchsafed us behind the scenes of
+ the consulting-room. It is very superior to "The Diary of a late
+ Physician."'--_Illustrated London News._
+
+
+ #Stanley Weyman.# UNDER THE RED ROBE. By STANLEY WEYMAN, Author of 'A
+ Gentleman of France.' With Twelve Illustrations by R. Caton Woodville.
+ _Twelfth Edition._ _Crown 8vo._ _6s._
+
+ 'A book of which we have read every word for the sheer pleasure of
+ reading, and which we put down with a pang that we cannot forget it
+ all and start again.'--_Westminster Gazette._
+
+ 'Every one who reads books at all must read this thrilling romance,
+ from the first page of which to the last the breathless reader is
+ haled along. An inspiration of "manliness and courage."'--_Daily
+ Chronicle._
+
+
+ #Lucas Malet.# THE WAGES OF SIN. By LUCAS MALET. _Thirteenth Edition._
+ _Crown 8vo._ _6s._
+
+
+ #Lucas Malet.# THE CARISSIMA. By LUCAS MALET, Author of 'The Wages of
+ Sin,' etc. _Third Edition._ _Crown 8vo._ _6s._
+
+
+ #Arthur Morrison.# TALES OF MEAN STREETS. By ARTHUR MORRISON. _Fourth
+ Edition._ _Crown 8vo._ _6s._
+
+ 'Told with consummate art and extraordinary detail. He tells a plain,
+ unvarnished tale, and the very truth of it makes for beauty. In the
+ true humanity of the book lies its justification, the permanence of
+ its interest, and its indubitable triumph.'--_Athenaeum._
+
+ 'A great book. The author's method is amazingly effective, and
+ produces a thrilling sense of reality. The writer lays upon us a
+ master hand. The book is simply appalling and irresistible in its
+ interest. It is humorous also; without humour it would not make the
+ mark it is certain to make.'--_World._
+
+
+ #Arthur Morrison.# A CHILD OF THE JAGO. By ARTHUR MORRISON. _Third
+ Edition._ _Crown 8vo._ _6s._
+
+ This, the first long story which Mr. Morrison has written, is like his
+ remarkable 'Tales of Mean Streets,' a realistic study of East End
+ life.
+
+ 'The book is a masterpiece.'--_Pall Mall Gazette._
+
+ 'Told with great vigour and powerful simplicity.'--_Athenaeum._
+
+
+ #Mrs. Clifford.# A FLASH OF SUMMER. By Mrs. W. K. CLIFFORD, Author of
+ 'Aunt Anne,' etc. _Second Edition._ _Crown 8vo._ _6s._
+
+ 'The story is a very sad and a very beautiful one, exquisitely told,
+ and enriched with many subtle touches of wise and tender insight. It
+ will, undoubtedly, add to its author's reputation--already high--in
+ the ranks of novelists.'--_Speaker._
+
+
+ #Emily Lawless.# HURRISH. By the Honble. EMILY LAWLESS, Author of
+ 'Maelcho,' etc. _Fifth Edition._ _Crown 8vo._ _6s._
+
+ A reissue of Miss Lawless' most popular novel, uniform with 'Maelcho.'
+
+
+ #Emily Lawless.# MAELCHO: a Sixteenth Century Romance. By the Honble.
+ EMILY LAWLESS. _Second Edition._ _Crown 8vo._ _6s._
+
+ 'A really great book.'--_Spectator._
+
+ 'There is no keener pleasure in life than the recognition of genius.
+ Good work is commoner than it used to be, but the best is as rare as
+ ever. All the more gladly, therefore, do we welcome in "Maelcho" a
+ piece of work of the first order, which we do not hesitate to describe
+ as one of the most remarkable literary achievements of this
+ generation. Miss Lawless is possessed of the very essence of
+ historical genius.'--_Manchester Guardian._
+
+
+ #J. H. Findlater.# THE GREEN GRAVES OF BALGOWRIE. By JANE H.
+ FINDLATER. _Fourth Edition._ _Crown 8vo._ _6s._
+
+ 'A powerful and vivid story.'--_Standard._
+
+ 'A beautiful story, sad and strange as truth itself.'--_Vanity Fair._
+
+ 'A work of remarkable interest and originality.'--_National Observer._
+
+ 'A very charming and pathetic tale.'--_Pall Mall Gazette._
+
+ 'A singularly original, clever, and beautiful story.'--_Guardian._
+
+ '"The Green Graves of Balgowrie" reveals to us a new Scotch writer of
+ undoubted faculty and reserve force.'--_Spectator._
+
+ 'An exquisite idyll, delicate, affecting, and beautiful.'--_Black and
+ White._
+
+
+ #H. G Wells.# THE STOLEN BACILLUS, and other Stories. By H. G. WELLS,
+ Author of 'The Time Machine.' _Second Edition._ _Crown 8vo._ _6s._
+
+ 'The ordinary reader of fiction may be glad to know that these stories
+ are eminently readable from one cover to the other, but they are more
+ than that; they are the impressions of a very striking imagination,
+ which, it would seem, has a great deal within its reach.'--_Saturday
+ Review._
+
+
+ #H. G. WELLS.# THE PLATTNER STORY AND OTHERS. By H. G. WELLS. _Second
+ Edition._ _Crown 8vo._ _6s._
+
+ 'Weird and mysterious, they seem to hold the reader as by a magic
+ spell.'--_Scotsman._
+
+ 'Such is the fascination of this writer's skill that you
+ unhesitatingly prophesy that none of the many readers, however his
+ flesh do creep, will relinquish the volume ere he has read from first
+ word to last.'--_Black and White._
+
+ 'No volume has appeared for a long time so likely to give equal
+ pleasure to the simplest reader and to the most fastidious
+ critic.'--_Academy._
+
+ 'Mr. Wells is a magician skilled in wielding that most potent of all
+ spells--the fear of the unknown.'--_Daily Telegraph._
+
+
+ #E. F. Benson.# DODO: A DETAIL OF THE DAY. By E. F. BENSON. _Sixteenth
+ Edition._ _Crown 8vo._ _6s._
+
+ 'A delightfully witty sketch of society.'--_Spectator._
+
+ 'A perpetual feast of epigram and paradox.'--_Speaker._
+
+
+ #E. F. Benson.# THE RUBICON. By E. F. BENSON, Author of 'Dodo.' _Fifth
+ Edition._ _Crown 8vo._ _6s._
+
+ 'An exceptional achievement; a notable advance on his previous
+ work.'--_National Observer._
+
+
+ #Mrs. Oliphant.# SIR ROBERT'S FORTUNE. By MRS. OLIPHANT. _Crown 8vo._
+ _6s._
+
+ 'Full of her own peculiar charm of style and simple, subtle
+ character-painting comes her new gift, the delightful story before us.
+ The scene mostly lies in the moors, and at the touch of the authoress
+ a Scotch moor becomes a living thing, strong, tender, beautiful, and
+ changeful.'--_Pall Mall Gazette._
+
+
+ #Mrs. Oliphant.# THE TWO MARYS. By MRS. OLIPHANT. _Second Edition._
+ _Crown 8vo._ _6s._
+
+
+ #W. E. Norris.# MATTHEW AUSTIN. By W. E. NORRIS, Author of
+ 'Mademoiselle de Mersac,' etc. _Fourth Edition._ _Crown 8vo._ _6s._
+
+ '"Matthew Austin" may safely be pronounced one of the most
+ intellectually satisfactory and morally bracing novels of the current
+ year.'--_Daily Telegraph._
+
+
+ #W. E. Norris.# HIS GRACE. By W. E. NORRIS. _Third Edition._ _Crown
+ 8vo._ _6s._
+
+ 'Mr. Norris has drawn a really fine character in the Duke of
+ Hurstbourne, at once unconventional and very true to the
+ conventionalities of life.'--_Athenaeum._
+
+
+ #W. E. Norris.# THE DESPOTIC LADY AND OTHERS. By W. E. NORRIS. _Crown
+ 8vo._ _6s._
+
+ 'A budget of good fiction of which no one will tire.'--_Scotsman._
+
+
+ #W. E. Norris.# CLARISSA FURIOSA. By W. E. NORRIS, Author of 'The
+ Rogue,' etc. _Crown 8vo._ _6s._
+
+ 'One of Mr. Norris's very best novels. As a story it is admirable, as
+ a _jeu d'esprit_ it is capital, as a lay sermon studded with gems of
+ wit and wisdom it is a model which will not, we imagine, find an
+ efficient imitator.'--_The World._
+
+ 'The best novel he has written for some time: a story which is full of
+ admirable character-drawing.'--_The Standard._
+
+
+ #Robert Barr.# IN THE MIDST OF ALARMS. By ROBERT BARR. _Third
+ Edition._ _Crown 8vo._ _6s._
+
+ 'A book which has abundantly satisfied us by its capital
+ humour.'--_Daily Chronicle._
+
+ 'Mr. Barr has achieved a triumph whereof he has every reason to be
+ proud.'--_Pall Mall Gazette._
+
+
+ #J. Maclaren Cobban.# THE KING OF ANDAMAN: A Saviour of Society. By J.
+ MACLAREN COBBAN. _Crown 8vo._ _6s._
+
+ 'An unquestionably interesting book. It would not surprise us if it
+ turns out to be the most interesting novel of the season, for it
+ contains one character, at least, who has in him the root of
+ immortality, and the book itself is ever exhaling the sweet savour of
+ the unexpected.... Plot is forgotten and incident fades, and only the
+ really human endures, and throughout this book there stands out in
+ bold and beautiful relief its high-souled and chivalric protagonist,
+ James the Master of Hutcheon, the King of Andaman himself.'--_Pall
+ Mall Gazette._
+
+
+ #J. Maclaren Cobban.# WILT THOU HAVE THIS WOMAN? By J. M. COBBAN,
+ Author of 'The King of Andaman.' _Crown 8vo._ _6s._
+
+ 'Mr. Cobban has the true story-teller's art. He arrests attention at
+ the outset, and he retains it to the end.'--_Birmingham Post._
+
+
+ #H. Morrah.# A SERIOUS COMEDY. By HERBERT MORRAH. _Crown 8vo._ _6s._
+
+ 'This volume is well worthy of its title. The theme has seldom been
+ presented with more freshness or more force.'--_Scotsman._
+
+
+ #H. Morrah.# THE FAITHFUL CITY. By HERBERT MORRAH, Author of 'A
+ Serious Comedy.' _Crown 8vo._ _6s._
+
+ 'Conveys a suggestion of weirdness and horror, until finally he
+ convinces and enthrals the reader with his mysterious savages, his
+ gigantic tower, and his uncompromising men and women. This is a
+ haunting, mysterious book, not without an element of stupendous
+ grandeur.'--_Athenaeum._
+
+
+ #L. B. Walford.# SUCCESSORS TO THE TITLE. By MRS. WALFORD, Author of
+ 'Mr. Smith,' etc. _Second Edition._ _Crown 8vo._ _6s._
+
+ 'The story is fresh and healthy from beginning to finish; and our
+ liking for the two simple people who are the successors to the title
+ mounts steadily, and ends almost in respect.'--_Scotsman._
+
+
+ #T. L. Paton.# A HOME IN INVERESK. By T. L. PATON. _Crown 8vo._ _6s._
+
+ 'A pleasant and well-written story.'--_Daily Chronicle._
+
+
+ #John Davidson.# MISS ARMSTRONG'S AND OTHER CIRCUMSTANCES. By JOHN
+ DAVIDSON. _Crown 8vo._ _6s._
+
+ 'Throughout the volume there is a strong vein of originality, and a
+ knowledge of human nature that are worthy of the highest
+ praise.'--_Scotsman._
+
+
+ #M. M. Dowie.# GALLIA. By MENIE MURIEL DOWIE, Author of 'A Girl in the
+ Carpathians.' _Third Edition._ _Crown 8vo._ _6s._
+
+ 'The style is generally admirable, the dialogue not seldom brilliant,
+ the situations surprising in their freshness and originality, while
+ the subsidiary as well as the principal characters live and move, and
+ the story itself is readable from title-page to colophon.'--_Saturday
+ Review._
+
+
+ #J. A. Barry.# IN THE GREAT DEEP: TALES OF THE SEA. By J. A. BARRY,
+ Author of 'Steve Brown's Bunyip.' _Crown 8vo._ _6s._
+
+ 'A collection of really admirable short stories of the sea, very
+ simply told, and placed before the reader in pithy and telling
+ English.'--_Westminster Gazette._
+
+
+ #J. B. Burton.# IN THE DAY OF ADVERSITY. By J. BLOUNDELLE BURTON.
+ _Second Edition._ _Crown 8vo._ _6s._
+
+ 'Unusually interesting and full of highly dramatic
+ situations.'--_Guardian._
+
+
+ #J. B. Burton.# DENOUNCED. By J. BLOUNDELLE BURTON. _Second Edition._
+_Crown 8vo._ _6s._
+
+ 'The plot is an original one, and the local colouring is laid on with
+ a delicacy and an accuracy of detail which denote the true
+ artist.'--_Broad Arrow._
+
+
+ #W. C. Scully.# THE WHITE HECATOMB. By W. C. SCULLY, Author of 'Kafir
+ Stories.' _Crown 8vo._ _6s._
+
+ 'The author is so steeped in Kaffir lore and legend, and so thoroughly
+ well acquainted with native sagas and traditional ceremonial that he
+ is able to attract the reader by the easy familiarity with which he
+ handles his characters.'--_South Africa._
+
+ 'It reveals a marvellously intimate understanding of the Kaffir mind,
+ allied with literary gifts of no mean order.'--_African Critic._
+
+
+ #H. Johnston.# DR. CONGALTON'S LEGACY. By HENRY JOHNSTON. _Crown 8vo._
+ _6s._
+
+ 'A worthy and permanent contribution to Scottish
+ literature.'--_Glasgow Herald._
+
+
+ #J. F. Brewer.# THE SPECULATORS. By J. F. BREWER. _Second Edition._
+ _Crown 8vo._ _6s._
+
+ 'A pretty bit of comedy.... It is undeniably a clever
+ book.'--_Academy._
+
+ 'A clever and amusing story. It makes capital out of the comic aspects
+ of culture, and will be read with amusement by every intellectual
+ reader.'--_Scotsman._
+
+ 'A remarkably clever study.'--_Vanity Fair._
+
+
+ #Julian Corbett.# A BUSINESS IN GREAT WATERS. By JULIAN CORBETT.
+ _Crown 8vo._ _6s._
+
+ 'Mr. Corbett writes with immense spirit, and the book is a thoroughly
+ enjoyable one in all respects. The salt of the ocean is in it, and the
+ right heroic ring resounds through its gallant
+ adventures.'--_Speaker._
+
+
+ #L. Cope Cornford.# CAPTAIN JACOBUS: A ROMANCE OF THE ROAD. By L. COPE
+ CORNFORD. Illustrated. _Crown 8vo._ _6s._
+
+ 'An exceptionally good story of adventure and character.'--_World._
+
+
+ #C. P. Wolley.# THE QUEENSBERRY CUP. A Tale of Adventure. By CLIVE
+ PHILLIPS WOLLEY. _Illustrated._ _Crown 8vo._ _6s._
+
+ 'A book which will delight boys: a book which upholds the healthy
+ schoolboy code of morality.'--_Scotsman._
+
+
+ #L. Daintrey.# THE KING OF ALBERIA. A Romance of the Balkans. By LAURA
+ DAINTREY. _Crown 8vo._ _6s._
+
+ 'Miss Daintrey seems to have an intimate acquaintance with the people
+ and politics of the Balkan countries in which the scene of her lively
+ and picturesque romance is laid.'--_Glasgow Herald._
+
+
+ #M. A. Owen.# THE DAUGHTER OF ALOUETTE. By MARY A. OWEN. _Crown 8vo._
+ _6s._
+
+ A story of life among the American Indians.
+
+ 'A fascinating story.'--_Literary World._
+
+
+ #Mrs. Pinsent.# CHILDREN OF THIS WORLD. By ELLEN F. PINSENT, Author of
+ 'Jenny's Case.' _Crown 8vo._ _6s._
+
+ 'Mrs. Pinsent's new novel has plenty of vigour, variety, and good
+ writing. There are certainty of purpose, strength of touch, and
+ clearness of vision.'--_Athenaeum._
+
+
+ #Clark Russell.# MY DANISH SWEETHEART. By W. CLARK RUSSELL, Author of
+ 'The Wreck of the Grosvenor,' etc. _Illustrated._ _Fourth Edition._
+ _Crown 8vo._ _6s._
+
+
+ #G. Manville Fenn.# AN ELECTRIC SPARK. By G. MANVILLE FENN, Author of
+ 'The Vicar's Wife,' 'A Double Knot,' etc. _Second Edition._ _Crown
+ 8vo._ _6s._
+
+
+ #L. S. McChesney.# UNDER SHADOW OF THE MISSION. By L. S. MCCHESNEY.
+ _Crown 8vo._ _6s._
+
+ 'Those whose minds are open to the finer issues of life, who can
+ appreciate graceful thought and refined expression of it, from them
+ this volume will receive a welcome as enthusiastic as it will be based
+ on critical knowledge.'--_Church Times._
+
+
+ #Ronald Ross.# THE SPIRIT OF STORM. By RONALD ROSS, Author of 'The
+ Child of Ocean.' _Crown 8vo._ _6s._
+
+ A romance of the Sea. 'Weird, powerful, and impressive.'--_Black and
+ White._
+
+
+ #R. Pryce.# TIME AND THE WOMAN. By RICHARD PRYCE. _Second Edition._
+ _Crown 8vo._ _6s._
+
+
+ #Mrs. Watson.# THIS MAN'S DOMINION. By the Author of 'A High Little
+ World.' _Second Edition._ _Crown 8vo._ _6s._
+
+
+ #Marriott Watson.# DIOGENES OF LONDON. By H. B. MARRIOTT WATSON.
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+ * * * * *
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+ THE INDUSTRIAL HISTORY OF ENGLAND. By H. DE B. GIBBINS, D.Litt., M.A.,
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