summaryrefslogtreecommitdiff
path: root/26487.txt
diff options
context:
space:
mode:
Diffstat (limited to '26487.txt')
-rw-r--r--26487.txt2768
1 files changed, 2768 insertions, 0 deletions
diff --git a/26487.txt b/26487.txt
new file mode 100644
index 0000000..06a1a79
--- /dev/null
+++ b/26487.txt
@@ -0,0 +1,2768 @@
+Project Gutenberg's Little Lucy's Wonderful Globe, by Charlotte M. Yonge
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Little Lucy's Wonderful Globe
+
+Author: Charlotte M. Yonge
+
+Illustrator: L. Frolich
+
+Release Date: August 30, 2008 [EBook #26487]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LITTLE LUCY'S WONDERFUL GLOBE ***
+
+
+
+
+Produced by David Edwards, Emmy and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive)
+
+
+
+
+
+
+
+
+[Illustration: LITTLE LUCY'S WONDERFUL GLOBE]
+
+
+
+
+LITTLE LUCY'S WONDERFUL GLOBE.
+
+[Illustration]
+
+[Illustration: "I'm looking at the great big globe that Uncle Joe said I
+might touch," said Lucy.
+
+_Frontispiece; see page 14._]
+
+
+
+
+LITTLE LUCY'S WONDERFUL GLOBE
+
+
+PICTURED BY
+
+L. FROLICH,
+
+AND NARRATED BY
+
+CHARLOTTE M. YONGE
+
+AUTHOR OF "THE HEIR OF REDCLYFFE."
+
+ _"Young fingers idly roll_
+ _The mimic earth, or trace,_
+ _In picture bright of blue and gold,_
+ _The orbs that round the sky's deep fold_
+ _Each other circling chase."_--KEBLE.
+
+NEW EDITION
+
+ =New York=
+ THE MACMILLAN COMPANY
+ LONDON: MACMILLAN & CO., Ltd.
+ 1906
+
+New edition September, 1906.
+
+
+
+
+CONTENTS.
+
+
+CHAPTER I.
+
+ PAGE
+ MOTHER BUNCH 1
+
+ CHAPTER II.
+ VISITORS FROM THE SOUTH SEAS. 14
+
+ CHAPTER III.
+ ITALY 36
+
+ CHAPTER IV.
+ GREENLAND 43
+
+ CHAPTER V.
+ TYROL 50
+
+ CHAPTER VI.
+ AFRICA 57
+
+ CHAPTER VII.
+ LAPLANDERS 63
+
+ CHAPTER VIII.
+ CHINA 70
+
+ CHAPTER IX.
+ KAMSCHATKA 79
+
+ CHAPTER X.
+ THE TURK 83
+
+ CHAPTER XI.
+ SWITZERLAND 96
+
+ CHAPTER XII.
+ THE COSSACK 102
+
+ CHAPTER XIII.
+ SPAIN 108
+
+ CHAPTER XIV.
+ GERMANY 114
+
+ CHAPTER XV.
+ PARIS IN THE SIEGE 120
+
+ CHAPTER XVI.
+ THE AMERICAN GUEST 126
+
+ CHAPTER XVII.
+ THE DREAM OF ALL NATIONS 137
+
+
+
+
+LIST OF ILLUSTRATIONS.
+
+
+ PAGE
+
+ "I'M LOOKING AT THE GREAT BIG GLOBE THAT UNCLE JOE
+ SAID I MIGHT TOUCH," SAID LUCY _Front._
+
+ "DO PLEASE SIT DOWN, THERE'S A GOOD MOTHER BUNCH,
+ AND TELL ME ALL ABOUT THEM?" 19
+
+ LUCY HAD A GREAT SNEEZING FIT, AND WHEN SHE LOOKED
+ AGAIN INTO THE SMOKE, WHAT DID SHE SEE BUT TWO
+ LITTLE BLACK FIGURES 23
+
+ "I'M SO GLAD TO SEE YOU: HUSH, DON! DON'T BARK SO" 26
+
+ "I CAN EAT MUCH BETTER WITHOUT," SAID LAVO 31
+
+ LAVO HAD CLIMBED UP THE SIDE OF THE DOOR, AND WAS
+ SITTING ASTRIDE ON THE TOP OF IT 34
+
+ "AH! CECCO, CECCO!" CRIED THE LITTLE GIRL, PAUSING
+ AS SHE BEAT HER TAMBOURINE 39
+
+ "IS THAT THE WAY YOU GET FISH?" SHE ASKED 46
+
+ "HELP ME: I'M AFRAID," SAID LUCY 53
+
+ HARK! THERE'S A CRY, AND OUT JUMPS A LITTLE BLACK
+ FIGURE, WITH A STOUT CLUB IN HIS HAND 59
+
+ AND HERE BESIDE HER WAS A LITTLE FELLOW WITH A
+ BOW AND ARROWS SUCH AS SHE HAD NEVER SEEN
+ BEFORE 65
+
+ "IS IT NOT GOOD?" SAID THE LITTLE HOSTESS 73
+
+ WHISKING OVER THE SNOW, WITH ALL HER MIGHT AND
+ MAIN, MUFFLED UP IN CLOAKS AND FURS 78
+
+ "MARRIED! OH NO, YOU ARE JOKING" 87
+
+ "I WILL SHOW YOU WHERE YOU LIVE--THIS IS
+ CONSTANTINOPLE" 93
+
+ "I CUT IT OUT WITH MY KNIFE; ALL MYSELF" 99
+
+ WHILE HE JERKED OUT HIS ARMS AND LEGS AS IF THEY
+ WERE PULLED BY STRINGS 103
+
+ "SEE NOW," CRIED THE SPANIARD; "STAND THERE! AH!
+ HAVE YOU NO CASTANETS?" 111
+
+ "WHAT ARE YOU ABOUT, LITTLE BOY?" 115
+
+ "AH! MADEMOISELLE, GOOD MORNING; ARE YOU COME HERE
+ TO TAKE SHELTER FROM THE SHELLS?" 122
+
+ "WHAT CAN THAT BE, COMING AT THIS TIME OF DAY?" 127
+
+ "GOOD MORNING, WHERE DO YOU COME FROM?" 130
+
+ OH! SUCH A DIN 136
+
+
+
+
+LITTLE LUCY'S WONDERFUL GLOBE.
+
+
+
+
+CHAPTER I.
+
+MOTHER BUNCH.
+
+
+THERE was once a wonderful fortnight in little Lucy's life. One evening
+she went to bed very tired and cross and hot, and in the morning when
+she looked at her arms and legs they were all covered with red spots,
+rather pretty to look at, only they were dry and prickly.
+
+Nurse was frightened when she looked at them. She turned all the little
+sisters out of the night nursery, covered Lucy up close, and ordered
+her not to stir, certainly not to go into her bath. Then there was a
+whispering and a running about, and Lucy was half alarmed, but more
+pleased at being so important, for she did not feel at all ill, and
+quite enjoyed the tea and toast that Nurse brought up to her. Just as
+she was beginning to think it rather tiresome to lie there with nothing
+to do, except to watch the flies buzzing about, there was a step on the
+stairs and up came the doctor. He was an old friend, very good-natured,
+and he made fun with Lucy about having turned into a spotted leopard,
+just like the cowry shell on Mrs. Bunker's mantelpiece. Indeed, he said
+he thought she was such a curiosity that Mrs. Bunker would come for her
+and set her up in the museum, and then he went away. Suppose, oh,
+suppose she did!
+
+Mrs. Bunker, or Mother Bunch, as Lucy and her brothers and sisters
+called her, was housekeeper to their Uncle Joseph. He was really their
+great uncle, and they thought him any age you can imagine. They would
+not have been much surprised to hear that he had sailed with Christopher
+Columbus, though he was a strong, hale, active man, much less easily
+tired than their own papa. He had been a ship's surgeon in his younger
+days, and had sailed all over the world, and collected all sorts of
+curious things, besides which he was a very wise and learned man, and
+had made some great discovery. It was _not_ America. Lucy knew that her
+elder brother understood what it was, but it was not worth troubling her
+head about, only somehow it made ships go safer, and so he had had a
+pension given him as a reward; and had come home and bought a house
+about a mile out of the town, and built up a high room to look at the
+stars from with his telescope, and another to try his experiments in,
+and a long one besides for his museum; yet, after all, he was not much
+there, for whenever there was anything wonderful to be seen, he always
+went off to look at it and; whenever there was a meeting of learned
+men--scientific men was the right word--they always wanted him to help
+them make speeches and show wonders. He was away now: he had gone away
+to wear a red cross on his arm, and help to take care of the wounded in
+the sad war between the French and Germans.
+
+But he had left Mother Bunch behind him. Nobody knew exactly what was
+Mrs. Bunker's nation, indeed she could hardly be said to have had any,
+for she had been born at sea, and had been a sailor's wife; but whether
+she was mostly English, Dutch, or Danish, nobody knew and nobody cared.
+Her husband had been lost at sea, and Uncle Joseph had taken her to look
+after his house, and always said she was the only woman who had sense
+and discretion enough ever to go into his laboratory or dust his museum.
+
+She was very kind and good-natured, and there was nothing that the
+children liked better than a walk to Uncle Joseph's, and, after a game
+at play in the garden, a tea-drinking with her--such quantities of
+sugar! such curious cakes made in the fashion of different countries!
+such funny preserves from all parts of the world! and more delightful to
+people who considered that looking and hearing was better sport than
+eating, and that the tongue is not _only_ meant to taste with, such
+cupboards and drawers full of wonderful things, such stories about them!
+The lesser ones liked Mrs. Bunker's room better than Uncle Joseph's
+museum, where there were some big stuffed beasts with glaring eyes that
+frightened them, and they had to walk round with hands behind, that they
+might not touch anything, or else their uncle's voice was sure to call
+out gruffly, "Paws off!"
+
+Mrs. Bunker was not a bit like the smart housekeepers at other houses.
+To be sure, on Sundays she came out in a black silk gown with a little
+flounce at the bottom, a scarlet China crape shawl with a blue dragon
+upon it--his wings over her back, and a claw over each shoulder, so
+that whoever sat behind her in church was terribly distracted by trying
+to see the rest of him--and a very big yellow Tuscan bonnet, trimmed
+with sailor's blue ribbon; but in the week and about the house she wore
+a green stuff, with a brown holland apron and bib over it, quite
+straight all the way down, for she had no particular waist, and her
+hair, which was of a funny kind of flaxen grey, she bundled up and tied
+round, without any cap or anything else on her head. One of the little
+boys had once called her Mother Bunch, because of her stories; and the
+name fitted her so well that the whole family, and even her master, took
+it up.
+
+Lucy was very fond of her; but when about an hour after the doctor's
+visit she was waked by a rustling and a lumbering on the stairs, and
+presently the door opened, and the second best big bonnet--the
+go-to-market bonnet with the turned ribbons--came into the room with
+Mother Bunch's face under it, and the good-natured voice told her she
+was to be carried to Uncle Joseph's and have oranges and tamarinds, she
+did begin to feel like the spotted cowry, to think about being set on
+the chimney-piece, to cry, and say she wanted Mamma.
+
+The Nurse and Mother Bunch began to comfort her, and explain that the
+doctor thought she had the scarlatina; not at all badly; but that if any
+of the others caught it, nobody could guess how bad they would be;
+especially Mamma, who had just been ill; and so she was to be rolled up
+in her blankets, and put into a carriage, and taken to her uncle's; and
+there she would stay till she was not only well, but could safely come
+home without carrying infection about with her.
+
+Lucy was a good little girl, and knew that she must bear it; so, though
+she could not help crying a little when she found she must not kiss any
+one, nay not even see them, and that nobody might go with her but
+Lonicera, her own washing doll, she made up her mind bravely; and she
+was a good deal cheered when Clare, the biggest and best of all the
+dolls, was sent in to her, with all her clothes, by Maude, her eldest
+sister, to be her companion,--it was such an honour and so very kind of
+Maude that it quite warmed the sad little heart.
+
+So Lucy had her little scarlet flannel dressing gown on, and her shoes
+and stockings, and a wonderful old knitted hood with a tippet to it, and
+then she was rolled round and round in all her bed-clothes, and Mrs.
+Bunker took her up like a very big baby, not letting any one else touch
+her. How Mrs. Bunker got safe down all the stairs no one can tell, but
+she did, and into the fly, and there poor little Lucy looked back and
+saw at the windows Mamma's face, and Papa's, and Maude's, and all the
+rest, all nodding and smiling to her, but Maude was crying all the time,
+and perhaps Mamma was too.
+
+The journey seemed very long; and Lucy was really tired when she was
+put down at last in a big bed, nicely warmed for her, and with a bright
+fire in the room. As soon as she had had some beef-tea, she went off
+soundly to sleep, and only woke to drink tea, and administer supper to
+the dolls, and put them to sleep.
+
+The next evening she was sitting up by the fire, and on the fourth day
+she was running about the house as if nothing had ever been the matter
+with her, but she was not to go home for a fortnight; and being wet,
+cold, dull weather, it was not always easy to amuse herself. She had her
+dolls, to be sure, and the little dog Don, to play with, and sometimes
+Mrs. Bunker would let her make funny things with the dough, or stone the
+raisins, or even help make a pudding; but still there was a good deal of
+time on her hands. She had only two books with her, and the rash had
+made her eyes weak, so that she did not much like reading them. The
+notes that every one wrote from home were quite enough for her. What
+she liked best--that is, when Mrs. Bunker could not attend to her--was
+to wander about the museum, explaining the things to the dolls: "That is
+a crocodile, Lonicera; it eats people up, and has a little bird to pick
+its teeth. Look, Clare, that bony thing is a skeleton--the skeleton of a
+lizard. Paws off, my dear; mustn't touch. That's amber, just like barley
+sugar, only not so nice; people make necklaces of it. There's a poor
+little dead fly inside. Those are the dear delightful humming-birds;
+look at their crests, just like Mamma's jewels. See the shells; aren't
+they beauties? People get pearls out of those great flat ones, and dive
+all down to the bottom of the sea after them; mustn't touch, my dear,
+only look; paws off."
+
+One would think Clare's curved fingers all in one piece, and Lonicera's
+blue leather hands had been very movable and mischievous, judging by the
+number of times this warning came; but of course it was Lucy herself who
+wanted it most, for her own little plump, pinky hands did almost tingle
+to handle and turn round those pretty shells. She wanted to know whether
+the amber tasted like barley-sugar as it looked, and there was a little
+musk deer, no bigger than Don, whom she longed to stroke, or still
+better to let Lonicera ride; but she was a good little girl, and had
+real sense of honour, which never betrays a trust, so she never laid a
+finger on anything but what Uncle Joe had once given all free leave to
+move.
+
+This was a very big pair of globes--bigger than globes commonly are now,
+and with more frames round them--one great flat one, with odd names
+painted on it, and another brass one, nearly upright, going half-way
+round from top to bottom, and with the globe hung upon it by two pins,
+which Lucy's elder sisters called the poles, or the ends of the axis.
+The huge round balls went very easily with a slight touch, and there was
+something very charming in making them go whisk, whisk, whisk; now
+faster, now slower, now spinning so quickly that nothing on them could
+be seen, now turning slowly and gradually over and showing all that was
+on them.
+
+The mere twirling was quite enough for Lucy at first, but soon she liked
+to look at what was on them. One she thought much more entertaining than
+the other. It was covered with wonderful creatures: one bear was
+fastened by his long tail to the pole; another bigger one was trotting
+round; a snake was coiling about anywhere; a lady stood disconsolate
+against a rock; another sat in a chair; a giant sprawled with a club in
+one hand and a lion's skin in the other; a big dog and a little dog
+stood on their hind legs; a lion seemed just about to spring on a young
+maiden's head; and all were thickly spotted over, just as if they had
+Lucy's rash, with stars big and little: and still more strange, her
+brothers declared these were the stars in the sky, and this was the way
+people found their road at sea; but if Lucy asked how, they always said
+she was not big enough to understand, and it had not occurred to Lucy
+to ask whether the truth was not that they were not big enough to
+explain.
+
+The other globe was all in pale green, with pink and yellow outlines on
+it, and quantities of names. Lucy had had to learn some of these names
+for her geography, and she did not want to think of lessons now, so she
+rather kept out of the way of looking at it at first, till she had
+really grown tired of all the odd men and women and creatures upon the
+celestial sphere; but by and by she began to roll the other by way of
+variety.
+
+
+
+
+CHAPTER II.
+
+VISITORS FROM THE SOUTH SEAS.
+
+
+"MISS Lucy, you're as quiet as a mouse. Not in any mischief?" said Mrs.
+Bunker, looking into the museum; "why, what are you doing there?"
+
+"I'm looking at the great big globe, that Uncle Joe said I might touch,"
+said Lucy: "here are all the names just like my lesson book at home;
+Europe, Asia, Africa, and America."
+
+"Why, bless the child! where else should they be? There be all the
+oceans and seas besides that I've crossed over, many's the time, with
+poor Ben Bunker, who was last seen off Cape Hatteras."
+
+"What, all these great green places, with Atlantic and Pacific on them;
+you don't really mean that you've sailed over them! I should like to
+make a midge do it in a husk of hemp-seed! How could you, Mother Bunch?
+You are not small enough."
+
+"Ho! ho!" said the housekeeper, laughing; "does the child think I sailed
+on that very globe there?"
+
+"I know one learns names," said Lucy; "but is it real?"
+
+"Real! Why, Missie, don't you see it's a sort of a picture? There's your
+photograph now, it's not as big as you, but it shows you; and so a
+chart, or a map, or a globe, is just a picture of the shapes of the
+coast-line of the land and the sea, and the rivers in them, and
+mountains, and the like. Look you here:" and she made Lucy stand on a
+chair and look at a map of her own town that was hanging against the
+wall, showing her all the chief buildings, the churches, streets, the
+town hall, and market cross, and at last helping her to find her own
+Papa's house.
+
+When Lucy had traced all the corners she had to turn in going from home
+to Uncle Joe's, and had even found little frizzles for the five
+lime-trees before the Vicarage, she understood that the map was a small
+picture of the situation of the buildings in the town, and thought she
+could find her way to some new place, suppose she studied it well.
+
+Then Mrs. Bunker showed her a big map of the whole country, and there
+Lucy found the river, and the roads, and the names of the villages near,
+as she had seen or heard of them; and she began to understand that a map
+or globe really brought distant places into an exceedingly small
+picture, and that where she saw a name and a spot she was to think of
+houses and churches; that a branching black line was a flowing river
+full of water; a curve in, a pretty bay shut in with rocks and hills; a
+point jutting out, generally a steep rock with a lighthouse on it.
+
+"And all these places are countries, Bunchey, are they, with fields and
+houses like ours?"
+
+"Houses, ay, and fields, but not always so very like ours, Miss Lucy."
+
+"And are there little children, boys and girls, in them all?"
+
+"To be sure there are, else how would the world go on? Why, I've seen
+'em by swarms, white or brown or black, running down to the shore, as
+sure as the vessel cast anchor; and whatever colour they were, you might
+be sure of two things, Miss Lucy, that they were all alike in."
+
+"Oh, what, Mrs. Bunker?"
+
+"Why, in plenty of noise for one, and the other for wanting all they
+could get to eat. But they were little darlings, some of them, if I only
+could have got at them to make them a bit nicer. Some of them looked for
+all the world like the little bronze images Master has got in the
+museum, brought from Italy, and hadn't a rag more clothing neither. They
+were in India. Dear, dear, to see them tumble about in the surf!"
+
+"O, what fun! what fun! I wish I could see them. Suppose I could."
+
+"You would be right glad, Missie, I can tell you, if you had been three
+or four months aboard with nothing but dry biscuits and salt junk, and
+may be a tin of preserved vegetables just to keep it wholesome, to see
+the black fellows come grinning alongside with their boats and canoes
+all full of oranges and limes and shaddocks and cocoa-nuts. Doesn't
+one's mouth fairly water for them?"
+
+"Do please sit down, there's a good Mother Bunch, and tell me all about
+them? Come, suppose you do."
+
+"Suppose I did, Miss Lucy, and where would your poor uncle's preserved
+ginger be, that no one knows from real West Indian?"
+
+[Illustration: "Do please sit down, there's a good Mother Bunch, and
+tell me all about them."
+
+_Page 18._]
+
+"Oh, let me come into your room, and you can tell me all the time you
+are doing the ginger."
+
+"It is very hot there, Missie."
+
+"That will be more like some of the places. I'll suppose I'm there!
+Look, Mrs. Bunker, here's a whole green sea, all over the tiniest little
+dots. There can't be people in them."
+
+"Dots? You'd hardly see all over one of those dots if you were in one.
+That's the South Sea Miss Lucy, and those are the loveliest isles,
+except, may be, the West Indies, that ever I saw."
+
+"Tell me about them, please," entreated Lucy "Here's one; its name
+is--is Ysabel--such a little wee one."
+
+[Illustration: Lucy had a great sneezing fit, and when she looked again
+into the smoke, what did she see but two little black figures.
+
+_Page 22._]
+
+"I can't tell you much of those South Sea Isles, Missie, being that I
+only made one voyage among them, when Bunker chartered the _Penguin_ for
+the sandal-wood trade; and we did not touch at many, being that the
+natives were fierce and savage, and made nothing of coming down with
+arrows and spears at a boat's crew. So we only went to such islands as
+the missionaries had been at, and got the people to be more civil and
+conformable."
+
+"Tell me all about it," said Lucy, following the old woman hither and
+thither as she bustled about, talking all the time, and stirring her pan
+of ginger over the hot plate.
+
+How it happened, it is not easy to say; the room was very warm, and
+Mother Bunch went on talking as she stirred, and a steam rose up, and by
+and by it seemed to Lucy that she had a great sneezing fit, and when she
+looked again into the smoke, what did she see but two little black
+figures, faces, heads, and feet all black, but with an odd sort of white
+garment round their waists, and some fine red and green feathers
+sticking out of their woolly heads.
+
+"Mrs. Bunker, Mrs. Bunker," she cried, "what's this? who are these ugly
+figures?"
+
+[Illustration: "I am so glad to see you. Hush, Don! don't bark so!"
+
+_Page 27._]
+
+"Ugly!" said the foremost; and though it must have been some strange
+language, it sounded like English to Lucy. "Is that the way little
+white girl speaks to boy and girl that have come all the way from Ysabel
+to see her?"
+
+"Oh, indeed! little Ysabel boy, I beg your pardon. I didn't know you
+were real, nor that you could understand me! I am so glad to see you.
+Hush, Don! don't bark so!"
+
+"Pig, pig, I never heard a pig squeak like that," said the black
+stranger.
+
+"Pig! It is a little dog. Have you no dogs in your country?"
+
+"Pigs go on four legs. That must be pig."
+
+"What, you have nothing that goes on four legs but a pig! What do you
+eat, then, besides pig?"
+
+"Yams, cocoa-nut, fish--oh, so good, and put pig into hole among hot
+stones, make a fire over, bake so nice!"
+
+"You shall have some of my tea and see if that is as nice," said Lucy.
+"What a funny dress you have; what is it made of?"
+
+"Tapa cloth," said the little girl. "We get the bark off the tree, and
+then we go hammer, hammer, thump, thump, till all the hard thick stuff
+comes off;" and Lucy, looking near, saw that the substance was really
+all a lacework of fibre, about as close as the net of Nurse's caps.
+
+"Is that all your clothes?" she asked.
+
+"Yes, till I am a warrior," said the boy; "then they will tattoo my
+forehead, and arms, and breast, and legs."
+
+"Tattoo! what's that?"
+
+"Make little holes, and lines all over the skin with a sharp shell, and
+rub in juice that turns it all to blue and purple lines."
+
+"But doesn't it hurt dreadfully?" asked Lucy.
+
+"Hurt! to be sure it does, but that will show that I am brave. When
+Father comes home from the war, he paints himself white."
+
+"White!"
+
+"With lime made by burning coral, and he jumps and dances and shouts: I
+shall go to the war one of these days."
+
+"Oh no, don't!" said Lucy, "it is horrid."
+
+The boy laughed, but the little girl whispered, "Good white men say so.
+Some day Lavo will go and learn, and leave off fighting."
+
+Lavo shook his head. "No, not yet; I will be brave chief and warrior
+first,--bring home many heads of enemies."
+
+"I--I think it nice to be quiet," said Lucy; "and--and--won't you have
+some dinner?"
+
+"Have you baked a pig?" asked Lavo.
+
+"I think this is mutton," said Lucy, when the dish came up,--"it is
+sheep's flesh."
+
+Lavo and his sister had no notion what sheep were. They wanted to sit
+cross-legged on the floor, but Lucy made each of them sit in a chair
+properly; but then they shocked her by picking up the mutton-chops and
+stuffing them into their mouths with their fingers.
+
+"Look here!" and she showed the knives and forks.
+
+"Oh!" cried Lavo, "what good spikes to catch fish with! and
+knife--knife--I'll kill foes! much better than shell knife."
+
+[Illustration: "I can eat much better without," said Lavo.
+
+_Page 30._]
+
+"And I'll dig yams," said the sister.
+
+"Oh no!" entreated Lucy, "we have spades to dig with, soldiers have
+swords to fight with, these are to eat with."
+
+"I can eat much better without," said Lavo, but to please Lucy his
+sister did try; slashing hard away with her knife, and digging her fork
+straight into a bit of meat. Then she very nearly ran it into her eye,
+and Lucy, who knew it was not good manners to laugh, was very near
+choking herself. And at last, saying the knife and fork were "great
+good--great good; but none for eating," they stuck them through the
+great tortoiseshell rings they had in their ears and noses. Lucy was
+distressed about Uncle Joseph's knives and forks, which she knew she
+ought not to give away; but while she was looking about for Mrs. Bunker
+to interfere, Don seemed to think it his business, and began to growl
+and fly at the little black legs.
+
+[Illustration: Lavo had climbed up the side of the door, and was sitting
+astride on the top of it.
+
+_Page 35._]
+
+"A tree, a tree!" cried the Ysabelites, "where's a tree?" and while
+they spoke, Lavo had climbed up the side of the door, and was sitting
+astride on the top of it, grinning down at the dog, and his sister had
+her feet on the lock, going up after him.
+
+"Tree houses," they cried; "there we are safe from our enemies."
+
+And Lucy found rising before her, instead of her own nursery, a huge
+tree, on the top of a mound.[1] Basket-work had been woven between the
+branches to make floors, and on these were huts of bamboo cane; there
+were ladders hanging down made of strong creepers twisted together, and
+above and around the cries of cockatoos and parrots and the chirp of
+grasshoppers rang in her ears. She laid hold of the ladder of creeping
+plants and began to climb, but soon her head swam, she grew giddy, and
+called out to Lavo to help her. Then suddenly she found herself curled
+up in Mrs. Bunker's big beehive chair, and she wondered whether she had
+been asleep.
+
+FOOTNOTE:
+
+[1] See the _Net_, June 1, 1867.
+
+
+
+
+CHAPTER III.
+
+ITALY.
+
+
+"SUPPOSE and suppose I could have such another funny dream," said Lucy.
+"Mother Bunch, have you ever been to Italy?" and she put her finger on
+the long leg and foot, kicking at three-cornered Sicily.
+
+"Yes, Missie, that I have; come out of this cold room and I'll tell
+you."
+
+Lucy was soon curled in her chair; but no, she wasn't! she was under
+such a blue, blue sky, as she had never dreamt of: clear sharp purple
+hills rose up against it. There was a clear rippling little fountain,
+bursting out of a rock, carved with old, old carvings, broken now and
+defaced, but shadowed over by lovely maidenhair fern and trailing
+bindweed; and in a niche above a little roof, sheltering a figure of the
+Blessed Virgin. Some way off stood a long low house propped up against
+the rich yellow stone walls and pillars of another old, old building,
+and with a great chestnut-tree shadowing over it. It had a balcony, and
+the gable end was open, and full of big yellow pumpkins and clusters of
+grapes hung up to dry, and some goats were feeding round.
+
+Then came a merry, merry voice singing something about _la vendemmia_;
+and though Lucy had never learnt Italian, her wonderful dream knowledge
+made her sure that this meant the vintage, the grape-gathering; and
+presently there came along a little girl dancing and beating a
+tambourine, with a basket fastened to her back, filled to overflowing
+with big, beautiful bunches of grapes: and a whole party of other
+children, all loaded with as many grapes as they could carry, came
+leaping and singing after her; their black hair loose, or sometimes
+twisted with vine-leaves; their big black eyes dancing with merriment,
+and their bare brown legs with glee.
+
+[Illustration: "Ah! Cecco, Cecco!" cried the little girl, pausing as she
+beat her tambourine.
+
+_Page 38._]
+
+"Ah! Cecco, Cecco!" cried the little girl, pausing as she beat her
+tambourine, "here's a stranger who has no grapes; give them here!"
+
+"But," said Lucy, "aren't they your Mamma's grapes; may you give them
+away?"
+
+"Ah, ah! 'tis the _vendemmia_! all may eat grapes; as much as they will.
+See, there's the vineyard."
+
+Lucy saw on the slope of the hill above the cottage long poles such as
+hops grow upon, and vines trained about hither and thither in long
+festoons, with leaves growing purple with autumn, and clusters hanging
+down. Men in shady battered hats, bright sashes and braces, and white
+shirt sleeves, and women with handkerchiefs folded square over their
+heads, were cutting the grapes down, and piling them up in baskets;
+and a low cart drawn by two mouse-coloured oxen, with enormous wide
+horns and gentle-looking eyes, was waiting to be loaded with the
+baskets.
+
+"To the wine-press! to the press!" shouted the children, who were
+politeness itself and wanted to show her everything.
+
+The wine-press was a great marble trough with pipes leading off into
+other vessels around. Into it went the grapes, and in the midst were men
+and boys and little children, all with bare feet and legs up to the
+knees, dancing and leaping, and bounding and skipping upon the grapes,
+while the red juice covered their brown skins.
+
+"Come in, come in; you don't know how charming it is!" cried Cecco. "It
+is the best time of all the year, the dear vintage; come and tread the
+grapes."
+
+"But you must take off your shoes and stockings," said his sister,
+Nunziata; "we never wear them but on Sundays and holidays."
+
+Lucy was not sure that she might, but the children looked so joyous, and
+it seemed to be such fun, that she began fumbling with the buttons of
+her boots, and while she was doing it she opened her eyes, and found
+that her beautiful bunch of grapes was only the cushion in the bottom of
+Mother Bunch's chair.
+
+
+
+
+CHAPTER IV.
+
+GREENLAND.
+
+
+"SUPPOSE and suppose I tried what the very cold countries are like!"
+
+And Lucy bent over the globe till she was nearly ready to cut her head
+off with the brass meridian, as she looked at the long jagged tongue,
+with no particular top to it, hanging down on the east side of America.
+Perhaps it was the making herself so cold that did it, but she found
+herself in the midst of snow, snow, snow. All was snow except the sea,
+and that was a deep green, and in it were monstrous floating white
+things, pinnacled all over like the Cathedral, and as big, and with
+hollows in them of glorious deep blue and green, like jewels; Lucy knew
+they were icebergs. A sort of fringe of these cliffs of ice hemmed in
+the shore. And on one of them stood what she thought at first was a
+little brown bear, for the light was odd, the sun was so very low down,
+and there was so much glare from the snow that it seemed unnatural.
+However, before she had time to be afraid of the bear, she saw that it
+was really a little boy, with a hood and coat and leggings all of thick,
+thick fur, and a spear in his hand, with which he every now and then
+made a dash at a fish,--great cod fish, such as Mamma had, with oysters,
+when there was a dinner-party.
+
+Into them went his spear, up came the poor fish, and was strung with
+some others on a string the boy carried. Lucy crept up as well as she
+could on the slippery ice, and the little Esquimaux stared at her with a
+kind of stupid surprise.
+
+[Illustration: "Is that the way you get fish?" she asked.
+
+_Page 47._]
+
+"Is that the way you get fish?" she asked.
+
+"Yes, and seals; Father gets them," he said.
+
+"Oh, what's that, swimming out there?"
+
+"That's a white bear," he said, coolly; "we had better get home."
+
+Lucy thought so indeed; only where was home? that puzzled her. However,
+she trotted along by the side of her companion, and presently came to
+what might have been an enormous snowball, but there was a hole in it.
+Yes, it was hollow; and as her companion made for the opening, she saw
+more little stout figures rolled up in furs inside. Then she perceived
+that it was a house built up of blocks of snow, arranged so as to make
+the shape of a beehive, all frozen together, and with a window of ice.
+It made her shiver to think of going in, but she thought the white bear
+might come after her, and in she went. Even her little head had to bend
+under the low doorway, and behold it was the very closest, stuffiest, if
+not the hottest place she had ever been in! There was a kind of lamp
+burning in the hut; that is, a wick was floating in some oil, but there
+was no glass, such as Lucy had been apt to think the chief part of a
+lamp, and all round it squatted upon skins these queer little stumpy
+figures, dressed so much alike that there was no knowing the men from
+the women, except that the women had much the biggest boots, and used
+them instead of pockets, and they had their babies in bags of skin upon
+their backs.
+
+They seemed to be kind people, for they made room by their lamp for the
+little girl, and asked her where she had been wrecked, and then one of
+the women cut off a great lump of raw something--was it a walrus, with
+that round head and big tusks?--and held it up to her; and when Lucy
+shook her head and said, "No, thank you," as civilly as she could, the
+woman tore it in two, and handed a lump over her shoulder to her baby,
+who began to gnaw it. Then her first friend, the little boy, hoping to
+please her better, offered her some drink. Ah! it was oil, just like
+the oil that was burning in the lamp!--horrid train-oil from the whales!
+She could not help shaking her head, so much that she woke herself up!
+
+
+
+
+CHAPTER V
+
+TYROL.
+
+
+"SUPPOSE and suppose I could see where that dear little black chamois
+horn came from! But Mother Bunch can't tell me about that I'm afraid,
+for she always went by sea, and here's the Tyrol without one bit of sea
+near it. It's just one of the strings to the great knot of mountains
+that tie Europe up in the middle. Oh! what is a mountain like?"
+
+Then suddenly came on Lucy's ears a loud blast like a trumpet; another
+answered it farther off, another fainter still, and as she started up
+she found she was standing on a little shelf of green grass with steep
+slopes of stones and rock above, below, and around her; and rising up
+all round huge, tall hills, their smooth slopes green and grassy, but in
+the steep places, all steep, stern cliff and precipice, and as they were
+seen further away they were of a beautiful purple, like a thunder-cloud.
+Close to Lucy grew blue gentians like those in Mamma's garden, and
+Alpine roses, and black orchises; but she did not know how to come down,
+and was getting rather frightened when a clear little voice said,
+"Little lady, have you lost your way? Wait till the evening hymn is
+over, and I'll come and help you;" and then Lucy stood and listened,
+while from all the peaks whence the horns had been blown there came the
+strong sweet sound of an evening hymn, all joining together, while there
+arose distant echoes of others farther away. When it was over, one shout
+of "Jodel" echoed from each point, and then all was still except for the
+tinkling of a little cow-bell. "That's the way we wish each other good
+night," said the little girl, as the shadows mounted high on the tops of
+the mountains, leaving them only peaks of rosy light. "Now come to the
+chalet, and sister Rose will give you some milk."
+
+[Illustration: "Help me, I'm afraid," said Lucy.
+
+_Page 52._]
+
+"Help me. I'm afraid," said Lucy.
+
+"That is nothing," said the mountain maiden springing up to her like a
+kid, in spite of her great heavy shoes; "you should see the places
+Father and Seppel climb when they hunt the chamois."
+
+"What is your name?" asked Lucy, who much liked the looks of her little
+companion in her broad straw hat, with a bunch of Alpine roses in it,
+her thick striped frock, and white body and sleeves, braced with black
+ribbon; it was such a pleasant, fresh, open face, with such rosy cheeks
+and kindly blue eyes, that Lucy felt quite at home.
+
+"I am little Katherl. This is the first time I have come up with Rose to
+the chalet, for I am big enough to milk the cows now. Ah! do you see
+Ilse, the black one with a white tuft? She is our leading cow, and she
+knows it, the darling. She never lets the others get into dangerous
+places they cannot come off; she leads them home, at a sound of the
+horn; and when we go back to the village, she will lead the herd with a
+nosegay on the point of each horn, and a wreath round her neck. The men
+will come up and fetch us, Seppel and all; and may be Seppel will bring
+the medal for shooting with the rifle."
+
+"But what do you do up here?"
+
+"We girls go up for the summer with the cows to the pastures, the grass
+is so rich and good on the mountains, and we make butter and cheese.
+Wait, and you shall taste. Sit down on that stone."
+
+Lucy was glad to hear this promise, for the fresh mountain air had made
+her hungry. Katherl skipped away towards a house with a projecting
+wooden balcony, and deep eaves, beautifully carved, and came back with a
+slice of bread and delicious butter, and a good piece of cheese, all on
+a wooden platter, and a little bowl of new milk. Lucy thought she had
+never tasted anything so nice.
+
+"And now the gracious little lady will rest a little while," said
+Katherl, "whilst I go and help Rosel to strain the milk."
+
+So Lucy waited, but she felt so tired with her scramble that she could
+not help nodding off to sleep, though she would have liked very much to
+have stayed longer with the dear little Tyrolese. But we know by this
+time where she always found herself when she awoke.
+
+
+
+
+CHAPTER VI.
+
+AFRICA.
+
+
+OH! oh! here is the little dried crocodile come alive, and opening a
+horrible great mouth lined with terrible teeth at her.
+
+No, he is no longer in the museum; he is in a broad river, yellow,
+heavy, and thick with mud; the borders are crowded with enormous reeds
+and rushes; there is no getting through; no breaking away from him; here
+he comes; horrid, horrid beast! Oh, how could Lucy have been so foolish
+as to want to travel in Africa up to the higher parts of the Nile? How
+will she ever get back again? He will gobble her up, her and Clare, who
+was trusted to her, and whatever will Mamma and sister do?
+
+[Illustration: Hark! There's a cry, and out jumps a little black figure,
+with a stout club in his hand.
+
+_Page 58._]
+
+Hark! There's a cry, a great shout, and out jumps a little black figure,
+with a stout club in his hand: smash it goes down on the head of master
+crocodile; the ugly beast is turning over on its back and dying. Then
+Lucy has time to look at the little Negro, and he has time to look at
+her. What a droll figure he is, with his woolly head and thick lips, the
+whites of his eyes and his teeth gleaming so brightly, and his fat
+little black person shining all over, as well it may, for he is rubbed
+from head to foot with castor-oil. There it grows on that bush, with
+broad, beautiful, folded leaves and red stems and the pretty grey and
+black nuts. Lucy only wishes the negroes would keep it all to polish
+themselves with, and not send any home.
+
+She wants to give the little black fellow some reward for saving her
+from the crocodile, and luckily Clare has on her long necklace of blue
+glass beads. She puts it into his hand, and he twists it round his
+black wool, and cuts such dances and capers for joy that Lucy can hardly
+stand for laughing; but the sun shines scorching hot upon her, and she
+gets under the shade of a tall date palm, with big leaves all shooting
+out together at the top, and fine bunches of dates below, all fresh and
+green, not dried like those Papa sometimes gives her at dessert.
+
+The little negro, Tojo, asks if she would like some; he takes her by the
+hand, and leads her into a whole cluster of little round mud huts,
+telling her that he is Tojo, the king's son; she is his little sister,
+and these are all his mothers! Which is his real mother Lucy cannot
+quite make out, for she sees an immense party of black women, all shiny
+and polished, with a great many beads wound round their heads, necks,
+ankles, and wrists; and nothing besides the tiniest short petticoats:
+and all the fattest are the smartest; indeed, they have gourds of milk
+beside them, and are drinking it all day long to keep themselves fat. No
+sooner however is Lucy led in among them, than they all close round,
+some singing and dancing, and others laughing for joy, and crying,
+"Welcome little daughter, from the land of spirits!" and then she finds
+out that they think she is really Tojo's little sister, who died ten
+moons ago, come back again from the grave as a white spirit.
+
+Tojo's own mother, a very fat woman indeed, holds out her arms, as big
+as bed-posts and terribly greasy, gives her a dose of sour milk out of a
+gourd, makes her lie down with her head in her lap, and begins to sing
+to her, till Lucy goes to sleep; and wakes, very glad to see the
+crocodile as brown and hard and immovable as ever; and that odd round
+gourd with a little hole in it, hanging up from the ceiling.
+
+
+
+
+CHAPTER VII.
+
+LAPLANDERS.
+
+
+"IT shall not be a hot country next time," said Lucy, "though, after
+all, the whale oil was not much worse than the castor oil.--Mother
+Bunch, did your whaler always go to Greenland, and never to any nicer
+place?"
+
+"Well, Missie, once we were driven between foul winds and icebergs up
+into a fiord near North Cape, right at midsummer, and I'll never forget
+what we saw there."
+
+[Illustration: And here beside her was a little fellow with a bow and
+arrows, such as she had never seen before.
+
+_Page 64._]
+
+Lucy was not likely to forget, either, for she found herself standing by
+a narrow inlet of sea, as blue and smooth as a lake, and closely shut
+in, except on the west, with red rocky hills and precipices with
+pine-trees growing on them, except where the bare rock was too steep, or
+where on a somewhat smoother shelf stood a timbered house, with a
+farm-yard and barns all round it. But the odd thing was that the sun was
+where she had never seen him before,--quite in the north, making all the
+shadows come the wrong way. But how came the sun to be visible at all so
+very late? Ah! she knew it now; this was Norway, and there was no night
+at all!
+
+And here beside her was a little fellow with a bow and arrows, such as
+she had never seen before, except in the hands of the little Cupids in
+the pictures in the drawing-room. Mother Bunch had said that the little
+brown boys in India looked like the bronze Cupid who was on the
+mantelshelf, but this little boy was white, or rather sallow-faced, and
+well dressed too, in a tight, round, leather cap, and a dark blue
+kind of shaggy gown with hairy leggings; and what he was shooting at
+was some kind of wild-duck or goose, that came tumbling down heavily
+with the arrow right across its neck.
+
+"There," said the boy, "I'll take that, and sell it to the Norse
+bonder's wife up in the house above there."
+
+"Who are you, then?" said Lucy.
+
+"I'm a Lapp. We live on the hills, where the Norseman has not driven us
+away, and the reindeer find their grass in summer and their moss in
+winter."
+
+"Oh! have you got reindeer? I should so like to see them and to drive in
+a sledge!"
+
+The boy, whose name was Peder, laughed, and said, "You can't go in a
+sledge except when it is winter, with snow and ice to go upon, but I'll
+soon show you a reindeer."
+
+Then he led the way, past the deliciously smelling, whispering
+pine-woods that sheltered the Norwegian homestead, starting a little
+aside when a great, tall, fair-faced, fair-haired Norse farmer came
+striding along, singing some old old song, as he carried a heavy log on
+his shoulder, past a seater or mountain meadow where the girls were
+pasturing their cows, much like Lucy's friends in the Tirol, out upon
+the grey moorland, where there was an odd little cluster of tents
+covered with skins, and droll little, short, stumpy people running about
+them.
+
+Peder gave a curious long cry, put his hand in his pocket, and pulled
+out a lump of salt. Presently, a pair of long horns appeared, then
+another, then a whole herd of the deer with big heads and horns growing
+a good deal forward. The salt was held to them, and a rope was fastened
+to all their horns that they might stand still in a line, while the
+little Lapp women milked them. Peder went up to one of the women, and
+brought back a little cupful for his visitor; it was all that one deer
+gave, but it was so rich as to be almost like drinking cream. He led her
+into one of the tents, but it was very smoky, and not much cleaner than
+the Esquimaux. It is a wonder how Lucy could go to sleep there, but she
+did, heartily wishing herself somewhere else.
+
+
+
+
+CHAPTER VIII.
+
+CHINA.
+
+
+WAS it the scent of the perfumed tea, a present from an old sailor
+friend, which Mrs. Bunker was putting away, or was it the sight of the
+red jar ornamented with little black-and-gold men, with round caps, long
+petticoats, and pigtails, that caused Lucy next to open her eyes upon a
+cane sofa, with cushions ornamented with figures in coloured silks? The
+floor of the room was of shining inlaid wood; there were beautifully
+woven mats all round; stands made of red lacquer work, and seats of cane
+and bamboo; and there was a round window, through which could be seen a
+beautiful garden, full of flowering shrubs and trees, a clear pond lined
+with coloured tiles in the middle, and over the wall the gilded roof of
+a pagoda, like an umbrella, only all in ridge and furrow, and with a
+little bell at every spoke. Beyond, were beautifully and fantastically
+shaped hills, and a lake below with pleasure boats on it. It was all
+wonderfully like being upon a bowl come to life, and Lucy knew she was
+in China, even before there came into the room, toddling upon her poor
+little tiny feet, a young lady with a small yellow face, little slips of
+eyes sloping upwards from her flat nose, and back hair combed up very
+tight from her face, and twisted up with flowers and ornaments. She had
+ever so many robes on, the edge of one peeping out below the other, and
+at the top a sort of blue China-crape tunic, with very wide loose
+sleeves drooping an immense way from her hands. There was no gathering
+in at the waist, and it reached to her knees, where a still more
+splendid white silk, embroidered, trailed along. She had a big fan in
+her hand, but when she saw the visitor she went up to a beautiful little
+low table, with an ivory frill round it, where stood some dainty,
+delicate tea-cups and saucers. Into one of these she put a little ball,
+about as big as an oak-apple, of tea-leaves; a maid dressed like herself
+poured hot water on it, and handed it on a lacquer-work tray. Lucy took
+it, said, "Thank you," and then waited.
+
+[Illustration: "Is it not good?" said the little hostess.
+
+_Page 72._]
+
+"Is it not good?" said the little hostess.
+
+"It must be! You are the real tea people," said Lucy; "but I was waiting
+for sugar and milk."
+
+"That would spoil it," said the Chinese damsel; "only outer barbarians
+would think of such a thing. And, ah! I see you are one! See, Ki-hi,
+what monstrous feet!"
+
+"They are not bigger than your maid's," said Lucy, rather disgusted.
+"Why are yours so small?"
+
+"Because my mother and nurse took care of me when I was a baby, and
+bound them up that they might not grow big and ugly like the poor
+creatures who have to run about for their husbands, feed silkworms, and
+tend ducks!"
+
+"But shouldn't you like to walk without almost tumbling down?" said
+Lucy.
+
+"No, indeed! Me, a daughter of a mandarin of the blue button! You are a
+mere barbarian to think a lady ought to want to walk. Do you not see
+that I never do anything? Look at my lovely nails."
+
+"I think they are claws," said Lucy; "do you never break them?"
+
+"No; when they are a little longer, I shall wear silver shields for
+them, as my mother does."
+
+"And do you really never work?"
+
+"I should think not," said the young lady, scornfully fanning herself;
+"I leave that to the common folk, who are obliged. Come with me and let
+me lean on you, and I will give you a peep through the lattice, that you
+may see that my father is far above making his daughter work. See,
+there he sits, with his moustachios hanging down to his chin, and his
+tail to his heels, and the blue dragon embroidered on his breast,
+watching while they prepare the hall for a grand dinner. There will be a
+stew of puppy dog, and another of kittens, and birds-nest soup; and then
+the players will come and act a part of the nine-night tragedy, and we
+will look through the lattice. Ah! Father is smoking opium, that he may
+be serene and in good spirits! Does it make your head ache? Ah! that is
+because you are a mere outer barbarian. She is asleep, Ki-hi; lay her on
+the sofa, and let her sleep. How ugly her pale hair is, almost as bad as
+her big feet!"
+
+
+
+
+CHAPTER IX.
+
+KAMSCHATKA.
+
+
+[Illustration: Whisking over the snow with all her might and main,
+muffled up in cloaks and furs.
+
+_Page 79._]
+
+LUCY had been disappointed of a drive with the reindeer, and she had
+been telling Don how useful his relations were in other places. Behold,
+she awoke in a wide plain, where as far as her eye could reach there was
+nothing but snow. The few fir-trees that stood in the distance were
+heavily laden; and Lucy herself,--where was she? Going very fast? Yes,
+whisking over the snow with all her might and main, and muffled up in
+cloaks and furs, as indeed was necessary, for her breath froze upon the
+big muffler round her throat, so that it seemed to be standing up in a
+wall; and by her side was a little boy, muffled up quite as close, with
+a cap or rather hood, casing his whole head, his hands gloved in fur up
+to the elbows, and long fur boots. He had an immense long whip in his
+hand, and was flourishing it, and striking with it--at what? They were
+an enormous way off from him, but they really were very big dogs,
+rushing along like the wind, and bearing along with them--what? Lucy's
+ambition--a sledge, a thing without wheels, but gliding along most
+rapidly on the hard snow; flying, flying almost fast enough to take away
+her breath, and leaving birds, foxes, and any creature she saw for one
+instant, far behind. And--what was very odd--the young driver had no
+reins; he shouted at the dogs and now and then threw a stick at them,
+and they quite seemed to understand, and turned when he wanted them.
+Lucy wondered how he or they knew the way, it all seemed such a waste of
+snow; and after feeling at first as if the rapidity of their course
+made her unable to speak, she ventured on gasping out, "Well, I've been
+in an express train, but this beats it! Where are you going?"
+
+"To Petropawlowsky, to change these skins for whisky and coffee, and
+rice," answered the boy.
+
+"What skins are they?" asked Lucy.
+
+"Bears'--big brown bears that Father killed in a cave--and wolves' and
+those of the little ermine and sable that we trap. We get much, much for
+the white ermine and his black tail. Father's coming in another sledge
+with, oh! such a big pile. Don't you hear his dogs yelp? We'll win the
+race yet! Ugh! hoo! hoo! hoo-o-o!--On! on! lazy ones, on, I say! don't
+let the old dogs catch the young!"
+
+Crack, crack, went the whip; the dogs yelped with eagerness,--they don't
+bark, those Northern dogs; the little Kamschatkadale bawled louder and
+louder, and never saw when Lucy rolled off behind, and was left in the
+middle of a huge snowdrift, while he flew on with his load.
+
+Here were his father's dogs overtaking her; picking her--some one
+picking her up. No, it was Don! and here was Mrs. Bunker exclaiming,
+"Well, I never thought to find Miss Lucy in no better a place than on
+Master's old bearskin!"
+
+
+
+
+CHAPTER X.
+
+THE TURK.
+
+
+"WHAT a beautiful long necklace, Mrs. Bunker! May I have it for
+Lonicera?"
+
+"You may play with it while you are here, Missie, if you'll take care
+not to break the string, but it is too curious for you to take home and
+lose. It is what they call a Turkish rosary; they say it is made of
+rose-leaves reduced to a paste and squeezed ever so hard together, and
+that the poor ladies that are shut up in the harems have little or
+nothing to do but to run them through their fingers."
+
+"It has a very nice smell," said Lucy, examining the dark brown beads,
+which hung rather loosely on their string, and letting them fall one by
+one through her hands, till of course that happened which she was hoping
+for: she woke on a long low sofa, in the midst of a room all carpet and
+cushions, in bright colours and gorgeous patterns, curling about with no
+particular meaning; and with a window of rich brass lattice-work.
+
+And by her side there was an odd bubbling, that put her in mind of
+blowing the soap-suds into a honey-comb when preparing them for bubble
+blowing; but when she looked round she saw something very unlike the
+long pipes her brother called "churchwardens," or the basin of
+soap-suds. There was a beautifully shaped glass bottle, and into it went
+a long, long twisting tube, like a snake coiled on the floor, and the
+other end of the serpent, instead of a head, had an amber mouth-piece
+which went between a pair of lips. Lucy knew it for a hubble-bubble or
+narghilhe, and saw that the lips were in a brown face, with big black
+eyes, round which dark bluish circles were drawn. The jet-black hair was
+carefully braided with jewels, and over it was thrown a great
+rose-coloured gauze veil; there was a loose purple satin sort of pelisse
+over a white silk embroidered vest, tied in with a sash, striped with
+all manner of colours, also immense wide white muslin trousers, out of
+which peeped a pair of brown bare feet, which, however, had a splendid
+pair of slippers curled up at the toes.
+
+The owner seemed to be very little older than Lucy, and sat gravely
+looking at her for a little while, then clapped her hands. A black woman
+came, and the young Turkish maiden said, "Bring coffee for the little
+Frank lady."
+
+So a tiny table of mother-of-pearl was brought, and on it some exquisite
+little striped porcelain cups, standing not in saucers, but in silver
+filigree cups into which they exactly fitted. Lucy remembered her
+Chinese experience, and did not venture to ask for milk or sugar, but
+she found that the real Turkish coffee was so pure and delicate that she
+could bear to drink it without.
+
+[Illustration: "Married! Oh, no, you are joking."
+
+_Page 86._]
+
+"Where are your jewels?" then asked the little hostess.
+
+"I'm not old enough to have any?"
+
+"How old are you?"
+
+"Nine."
+
+"Nine! I'm only ten, and I shall be married next week----"
+
+"Married! Oh, no, you are joking."
+
+"Yes, I shall. Selim Bey has paid my father the dowry for me, and I
+shall be taken to his house next week."
+
+"And I suppose you like him very much."
+
+"He looks big and tall," said the child with exultation. "I saw him
+riding when I went with my mother to the Sweet Waters. 'Amina,' she
+said, 'there is your lord, in the Frankish coat--with the white horse.'"
+
+"Have you not talked to him?"
+
+"What should I do that for?"
+
+"Aunt Bessie used to like to talk to nobody but Uncle Frank before they
+were married."
+
+"I shall talk enough when I am married. I shall make him give me plenty
+of sweetmeats, and a carriage with two handsome bullocks, and the
+biggest Nubian black slave in the market to drive me to Sweet Waters, in
+a thin blue veil, with all my jewels on. Father says that Selim Bey will
+give me everything, and a Frank governess. What is a governess? Is it
+anything like the little gold case you have round your neck?"
+
+"My locket with Mamma's hair? Oh, no, no," said Lucy, laughing; "a
+governess is a lady to teach you."
+
+"I don't want to learn any more," said Amina, much disgusted; "I shall
+tell him I can make a pillau, and dry sweetmeats, and roll rose-leaves.
+What should I learn for?"
+
+"Should you not like to read and write?"
+
+"Teaching is only meant for men. They have got to read the Koran, but it
+is all ugly letters; I won't learn to read."
+
+"You don't know how nice it is to read stories, and all about different
+countries. Ah! I wish I was in the schoolroom, at home, and I would show
+you how pleasant it is."
+
+And Lucy seemed to have her wish all at once, for she and Amina stood in
+her own schoolroom, but with no one else there. The first thing Amina
+did was to scream, "Oh, what shocking windows! even men can see in; shut
+them up." She rolled herself up in her veil, and Lucy could only satisfy
+her by pulling down all the blinds, after which she ventured to look
+about a little. "What have you to sit on?" she asked, with great
+disgust.
+
+"Chairs and stools," said Lucy, laughing and showing them.
+
+"These little tables with four legs! How can you sit on them?"
+
+Lucy sat down and showed her. "That is not sitting," she said, and tried
+to curl herself up cross-legged; "I can't dangle down my legs."
+
+"Our governess always makes us write out a tense of a French verb if
+she sees us sitting with our legs crossed," said Lucy, laughing with
+much amusement at Amina's attempts to wriggle herself up on the stool
+whence she nearly fell.
+
+"Ah, I will never have a governess!" cried Amina. "I will cry, and cry,
+and give Selim Bey no rest till he promises to let me alone. What a
+dreadful place this is! Where can you sleep?"
+
+"In bed, to be sure" said Lucy.
+
+"I see no cushions to lie on."
+
+"No; we have bedrooms, and beds there. We should not think of taking off
+our clothes here."
+
+"What should you undress for?"
+
+"To sleep, of course."
+
+"How horrible! We sleep in all our clothes wherever we like to lie down.
+We never undress but for the bath. Do you go to the bath?"
+
+"I have a bath every morning, when I get up, in my own room."
+
+[Illustration: "I will show you where you live. This is Constantinople."
+
+_Page 92._]
+
+"Bathe at home! Then you never see your friends? We meet at the bath,
+and talk and play and laugh."
+
+"Meet bathing! No, indeed! We meet at home, and out of doors," said
+Lucy; "my friend Annie and I walk together."
+
+"Walk together! what, in the street? Shocking! You cannot be a lady."
+
+"Indeed I am," said Lucy, colouring up. "My Papa is a gentleman. And see
+how many books we have, and how much we have to learn! French, and
+music, and sums, and grammar, and history, and geography."
+
+"I _will_ not be a Frank! No, no! I will not learn," said the alarmed
+Amina on hearing this catalogue poured forth.
+
+"Geography is very nice," said Lucy; "here are our maps. I will show you
+where you live. This is Constantinople."
+
+"I live at Stamboul," said Amina, scornfully.
+
+"There is Stamboul in little letters below--look."
+
+"That Stamboul! The Frank girl is false; Stamboul is a large, large,
+beautiful place; not a little black speck. I can see it from my lattice.
+White houses and mosques in the sun, and the blue Golden Horn, with the
+little caiques gliding."
+
+Before Lucy could explain, the door opened, and one of her brothers put
+in his head. At once Amina began to scream and roll herself in the
+window curtain. "A man in the harem! Oh! oh! oh! Were there no slippers
+at the door?" And her screaming brought Lucy awake at Uncle Joe's
+again.
+
+
+
+
+CHAPTER XI.
+
+SWITZERLAND.
+
+
+"I LIKED the mountain girl best of all," thought Lucy. "I wonder whether
+I shall ever get among the mountains again. There's a great stick in the
+corner that Uncle Joe calls his alpenstock. I'll go and read the names
+upon it. They are all the mountains where he has used it."
+
+She read Mount Blanc, Mount Cenis, the Wengern, and so on; and of course
+as she read and sung them over to herself, they lulled her off into her
+wonderful dreams, and brought her this time into a meadow, steep and
+sloping, but full of flowers, the loveliest flowers, of all kinds,
+growing among the long grass that waved over them. The fresh clear air
+was so delicious that she almost hoped she was gone back to her dear
+Tyrol; but the hills were not the same. She saw upon the slope
+quantities of cows, goats, and sheep, feeding just as on the Tyrolese
+Alps; but beyond was a dark row of pines, and up above, in the sky as it
+were, rose all round great sharp points--like clouds for their
+whiteness, but not in their straight jagged outlines; and here and there
+the deep grey clefts between seemed to spread into white rivers, or over
+the ruddy purple of the half-distance came sharp white lines darting
+downwards.
+
+As she sat up in the grass and looked about her, a bark startled her. A
+dog began to growl, bark, and dance round her, so that she would have
+been much frightened if the next moment a voice had not called him
+off--"Fie, Brilliant, down; let the little girl alone. _Fi donc._ He is
+good, Mademoiselle, never fear. He helps me keep the cows."
+
+[Illustration: "I cut it out with my knife, all myself."
+
+_Page 98._]
+
+"Who are you, then?"
+
+"I am Maurice, the little herd-boy. I live with my grandmother, and work
+for her."
+
+"What, in keeping cows?"
+
+"Yes; and look here!"
+
+"O the delicious little cottage! It has eaves, and windows, and
+balconies, and a door, and little cows and sheep, and men and women, all
+in pretty white wood! You did not make it, Maurice?"
+
+"Yes, truly, I did; I cut it out with my knife, all myself."
+
+"How clever you must be. And what shall you do with it?"
+
+"I shall watch for a carriage with ladies winding up that long road; and
+then I shall stand and take off my hat, and hold out my cottage. Perhaps
+they will buy it, and then I shall have enough to get grandmother a warm
+gown for the winter. When I grow bigger I will be a guide, like my
+father."
+
+"A guide?"
+
+"Yes, to lead travellers up to the mountain-tops. There is nowhere you
+English will not go. The harder a mountain is to climb, the more bent
+you are on going up. And oh, I shall love it too! There are the great
+glaciers, the broad streams of ice that fill up the furrows of the
+mountains, with the crevasses so blue and beautiful and cruel. It was in
+one of them my father was swallowed up."
+
+"Ah! then how can you love them?" said Lucy.
+
+"Because they are so grand and so beautiful," said Maurice. "No other
+place has the like, and they make one's heart swell with wonder, and joy
+in the God who made them. And it is only the brave who dare to climb
+them!"
+
+And Maurice's eyes sparkled, and Lucy looked at the clear, stern glory
+of the mountain points, and felt as if she understood him.
+
+
+
+
+CHAPTER XII.
+
+THE COSSACK.
+
+
+[Illustration: While he jerked out his arms and legs as if they were
+pulled by strings.
+
+_Page 102._]
+
+CAPER, caper; dance, dance. What a wonderful dance it was, just as if
+the little fellow had been made of cork, so high did he bound the moment
+he touched the ground; while he jerked out his arms and legs as if they
+were pulled by strings, like the Marionettes that had once performed in
+the front of the window. Only, his face was all fun and life, and he did
+look so proud and delighted to show what he could do; and it was all in
+clear, fresh, open air, the whole extent covered with short green grass,
+upon which were grazing herds of small lean horses, and flocks of sheep
+without tails, but with their wool puffed out behind into a sort of
+bustle or _panier_. There was a cluster of clean, white-looking houses
+in the distance; and Lucy knew that she was in the great plains called
+the Steppes, that lie between the rivers Volga and Don, and may be
+either in Europe or Asia, according as you look at an old map or a new.
+
+"Do you live there?" she asked, by way of beginning the conversation.
+
+"Yes; my father is the hetman of the Stantitza, and these are my
+holidays. I go to school at Tcherkask most part of the year."
+
+"Tcherkask! Oh, what a funny name!"
+
+"And you would think it a funny town if you were there. It is built on a
+great bog by the side of the river Volga; all the houses stand on piles
+of timber, and in the spring the streets are full of water, and one has
+to sail about in boats."
+
+"Oh! that must be delicious."
+
+"I don't like it as much as coming home and riding. See!" and as he
+whistled, one of the horses came whinnying up, and put his nose over the
+boy's shoulder.
+
+"Good fellow! But your horses are thin; they look little."
+
+"Little!" cried the young Cossack. "Why, do you know what our little
+horses can do? There are not many armies in Europe that they have not
+ridden down, at one time or another. Why, the church at Tcherkask is
+hung all round with Colours we have taken from our enemies. There's the
+Swede--didn't Charles XII. get the worst of it when he came in his big
+boots after the Cossack?--ay, and the Turk, and the Austrian, and the
+German, and the French? Ah! doesn't my grandfather tell how he rode his
+good little horse all the way from the Volga to the Seine, and the good
+Czar Alexander himself gave him the medal with 'Not unto us, but unto
+Thy Name be the praise'? Our father the Czar does not think so little of
+us and our horses as you do, young lady."
+
+"I beg your pardon," said Lucy; "I did not know what your horses could
+do."
+
+"Oh, you did not! That is some excuse for you. I'll show you."
+
+And in one moment he was on the back of his little horse, leaning down
+on its neck, and galloping off over the green plain like the wind; but
+it seemed to Lucy as if she had only just watched him out of sight on
+one side before he was close to her on the other, having whirled round
+and cantered close up to her while she was looking the other way. "Come
+up with me," he said; and in one moment she had been swept up before him
+on the little horse's neck, and was flying so wildly over the Steppes
+that her breath and sense failed her, and she knew no more till she was
+safe by Mrs. Bunker's fireside again.
+
+
+
+
+CHAPTER XIII.
+
+SPAIN.
+
+
+"SUPPOSE and suppose I go to sleep again; what should I like to see
+next? A sunny place, I think, where there is sea to look at. Shall it be
+Spain, and shall it be among the poor people? Well, I think I should
+like to be where there is a little lady girl. I hope they are not all as
+lazy and conceited as the Chinese and the Turk."
+
+So Lucy awoke in a large cool room with a marble floor and heavy
+curtains, but with little furniture except one table, and a row of
+chairs ranged along the wall. It had two windows, one looking out into
+a garden,--such a garden!--orange-trees with shining leaves and green
+and golden fruit and white flowers, and jasmines, and great lilies
+standing round about a marble court, in the midst of which was a basin
+of red marble, where a fountain was playing, making a delicious
+splashing; and out beyond these sparkled in the sun the loveliest and
+most delicious of blue seas--the same blue sea, indeed, that Lucy had
+seen in her Italian visit.
+
+That window was empty; but the other, which looked out into the street,
+had cushions laid on the sill, an open-work stone ledge beyond, and
+little looking-glasses on either side; and leaning over this sill there
+was seated a little maiden in a white frock, but with a black lace veil
+fastened by a rose into her jet-black hair, and the daintiest,
+prettiest-shaped little feet imaginable in white satin shoes, which
+could be plainly seen as she knelt on the window-seat.
+
+"What are you looking at?" asked Lucy, coming to her side.
+
+[Illustration: "See now," cried the Spaniard, "stand there. Ah! have you
+no castanets?"
+
+_Page 110._]
+
+"I'm watching for the procession. Then I shall go to church with Mamma.
+Look! That way we shall see it come; these two mirrors reflect
+everything up and down the street."
+
+"Are you dressed for church?" asked Lucy. "You have no hat on."
+
+"Where does your grace come from not to know that a mantilla is what is
+fit for church? Mamma is being dressed in her black silk and her black
+mantilla."
+
+"And your shoes?"
+
+"I could not wear great, coarse, hard shoes," said the little Dona Ines;
+"it would spoil my feet. Ah! I shall have time to show the Senorita what
+I can do. Can your grace dance?"
+
+"I danced with Uncle Joe at our last Christmas party," said Lucy, with
+great dignity.
+
+"See now," cried the Spaniard; "stand there. Ah! have you no castanets?"
+and she quickly took out two very small ivory shells or bowls, each pair
+fastened together by a loop, through which she passed her thumb so that
+the little spoons hung on her palm, and she could snap them together
+with her fingers.
+
+Then she began to dance round Lucy in the most graceful swimming way,
+now rising, now falling, and cracking her castanets together at
+intervals. Lucy tried to do the same, but her limbs seemed like a wooden
+doll's compared with the suppleness and ease of Ines. She made sharp
+corners and angles, where the Spaniard floated so like a sea-bird that
+it was like seeing her fly or float rather than merely dance, till at
+last the very watching her rendered Lucy drowsy and dizzy, and as the
+church bells began to ring, and the chant of the procession to sound,
+she lost all sense of being in sunny Malaga, the home of grapes.
+
+
+
+
+CHAPTER XIV.
+
+GERMANY.
+
+
+[Illustration: "What are you about, little boy?"
+
+_Page 114._]
+
+THERE was a great murmur and buzz of learning lessons; rows upon rows of
+little boys were sitting before desks, studying; very few heads looked
+up as Lucy found herself walking round the room--a large clean room,
+with maps hanging on the walls, but hot and weary-feeling, because there
+were no windows open and so little fresh air.
+
+"What are you about, little boy?" she asked.
+
+"I am learning my verb," he said; "_moneo_, _mones_, _monet_."
+
+Lucy waited no longer, but moved off to another desk. "And what are you
+doing?"
+
+"I am writing my analysis."
+
+Lucy did not know what an analysis was, so she went a little further.
+"What are you doing here?" she said timidly, for these were somewhat
+bigger boys.
+
+"We are drawing up an essay on the individuality of self."
+
+That was enough to frighten any one away, and Lucy betook herself to
+some quite little boys, with fat rosy faces and light hair. "Are you
+busy, too?" she said.
+
+"Oh yes; we are learning the chief cities of the Fatherland."
+
+Lucy felt like the little boy in the fable, who could not get either the
+dog, or the bird, or the bee, to play with him.
+
+"When do you play?" she asked.
+
+"We have an hour's interval after dinner, and another at supper-time,
+but then we prepare our work for the morrow," said one of the boys,
+looking up well satisfied.
+
+"Work! work! Are you always at work?" exclaimed Lucy; "I only learn
+from nine to half-past twelve, and half an hour to get my lessons in the
+afternoon."
+
+"You are a maiden," said the little boy with civil superiority; "your
+brothers learn more hours."
+
+"More; yes, but not so many as you do. They play from twelve till
+half-past two, and have two half-holidays in the week."
+
+"So, you are not industrious. We are. That is the reason why we can all
+act together, and think together, so much better than any others; and we
+all stand as one irresistible power, the United Germany."
+
+Lucy gave a little gasp! it was all so very wise.
+
+"May I see your sisters?" she said.
+
+The little sisters, Gretchens and Kaetchens were learning away almost as
+hard as the Hermanns and Fritzes, but the bigger sisters had what Lucy
+thought a better time of it. One of them was helping in the kitchen, and
+another in the ironing; but then they had their books and their music,
+and in the evening all the families came out into the pleasure gardens,
+and had little tables with coffee before them, and the mammas knitted,
+and the papas smoked, and the young ladies listened to the band. On the
+whole, Lucy thought she should not mind living in Germany, if they would
+not do so many lessons.
+
+
+
+
+CHAPTER XV.
+
+PARIS IN THE SIEGE.
+
+
+"AND Uncle Joe is in France, where the fathers and brothers of those
+little Prussian boys have been fighting. Suppose and suppose I could see
+it."
+
+There was a thunder and a whizzing in the air and a sharp rattling noise
+besides; a strange, damp, unwholesome smell too, mixed with that of
+gunpowder; and when Lucy looked up, she found herself down some steps in
+a dark, dull, vaulted-looking place, lined with stone, however, and open
+to the street above. A little lamp was burning in a corner, piles of
+straw and bits of furniture were lying about, and upon one of the
+bundles of straw sat a little rough-haired girl.
+
+[Illustration: "Ah! Mademoiselle, good morning. Are you come here to
+take shelter from the shells?"
+
+_Page 123._]
+
+"Ah! Mademoiselle, good morning," she said. "Are you come here to take
+shelter from the shells? The battery is firing now; I do not think Mamma
+will come home till it slackens a little. She is gone to the
+distribution of meat, to get a piece of horse for my brother, who is
+weak after his wounds. I wish I could offer you something, but we have
+nothing but water, and it is not even sugared."
+
+"Do you live down here?" asked Lucy, looking round at the dreary place
+with wonder.
+
+"Not always. We used to have a pretty little house up over, but the
+cruel shells came crashing in, and flew into pieces, tearing everything
+to splinters, and we are only safe from them down here. Ah, if I could
+only have shown you Mamma's pretty room! but there is a great hole in
+the floor now, and the ceiling is all tumbling down, and the table
+broken."
+
+"But why do you stay here?"
+
+"Mamma and Emily say it is all the same. We are as safe in our cellar as
+we could be anywhere, and we should have to pay elsewhere."
+
+"Then you cannot get out of Paris?"
+
+"Oh no, while the Prussians are all round us, and shut us in. My
+brothers are all in the Garde Mobile, and, you see, so is my doll. Every
+one must be a soldier now. My dear Adolphe, hold yourself straight" (and
+there the doll certainly showed himself perfectly drilled and
+disciplined). "March--right foot forward--left foot forward." But in
+this movement, as may be well supposed, little Coralie had to help her
+recruit a good deal.
+
+Lucy was surprised. "So you can play even in this dreadful place?" she
+said.
+
+"Oh yes! What's the use of crying and wearying oneself? I do not mind as
+long as they leave me my kitten, my dear little Minette."
+
+"Oh! what a pretty long-haired kitten! but how small and thin!"
+
+"Yes, truly, the poor Minette! The cruel people ate her mother, and
+there is no milk--no milk, and my poor Minette is almost starved, though
+I give her bits of my bread and soup; but the bread is only bran and
+sawdust, and she likes it no more than I."
+
+"Ate up her mother!"
+
+"Yes. She was a superb Cyprus cat, all grey; but, alas I one day she
+took a walk in the street, and they caught her, and then indeed it was
+all over with her. I only hope Minette will not get out, but she is so
+lean that they would find little but bones and fur."
+
+"Ah, how I wish I could take you and her home to Uncle Joe, and give you
+both good bread and milk! Take my hand, and shut your eyes, and we will
+suppose and suppose very hard, and, perhaps, you will come there with
+me. Paris is not so very far off."
+
+
+
+
+CHAPTER XVI.
+
+THE AMERICAN GUEST.
+
+
+[Illustration: "What can that be, coming at this time of day?"
+
+_Page 126._]
+
+NO; supposing very hard did not bring poor little French Coralie home
+with Lucy; but something almost as wonderful happened. Just at the time
+in the afternoon, blind man's holiday, when Lucy had been used to ride
+off on her dream to visit some wonderful place, there came a knock at
+the front door; a quite real substantial English knock and ring, that
+did not sound at all like any of the strange noise of the strange worlds
+that she had lately been hearing, but had the real tinkle of Uncle Joe's
+own bell.
+
+[Illustration: "Good morning. Where do you come from?"
+
+_Page 131._]
+
+"Well," said Mrs. Bunker, "what can that be, coming at this time of day?
+It can never be the doctor coming home without sending orders!
+Don't you be running out, Miss Lucy; there'll be a draught of cold right
+in."
+
+Lucy stood still; very anxious, and wondering whether she should see
+anything alive, or one of her visitors from various countries.
+
+"There is a letter from Mr. Seaman," said a brisk young voice, that
+would have been very pleasant if it had not gone a little through the
+nose; and past Mrs. Bunker there walked into the full light a little
+boy, a year or two older than Lucy, holding out one hand as he saw her
+and taking off his hat with the other. "Good morning," he said, quite at
+his ease; "is this where you live?"
+
+"Good morning," returned Lucy, though it was not morning at all; "where
+do you come from?"
+
+"Well, I'm from Paris last; but when I'm at home, I'm at Boston. I am
+Leonidas Saunders, of the great American Republic."
+
+"Oh, then you are not real, after all?"
+
+"Real! I should hope I was a genuine article."
+
+"Well, I was in hopes that you were real, only you say you come from a
+strange country, like the rest of them, and yet you look just like an
+English boy."
+
+"Of course I do! my great grandfather came from England," said Leonidas;
+"we all speak English as well, or better, than you do in the old
+country."
+
+"I can't understand it!" said Lucy; "did you come like other people, by
+the train, not like the children in my dreams?"
+
+And then Leonidas explained all about it to her: how his father had
+brought him last year to Europe and had put him to school at Paris; but
+when the war broke out, and most of the stranger scholars were taken
+away, no orders came about him, because his father was a merchant and
+was away from home, so that no one ever knew whether the letters had
+reached him.
+
+So Leonidas had gone on at school without many tasks to learn, to be
+sure, but not very comfortable: it was so cold, and there was no wood to
+burn; and he disliked eating horses and cats and rats, quite as much as
+Coralie did, though he was not in a part of the town where so many
+shells came in.
+
+At last, when Lucy's uncle and some other good gentlemen with the red
+cross on their sleeves, obtained leave to go and take some relief to the
+poor sick people in the hospitals, the people Leonidas was with told
+them that he was a little American left behind. Mr. Seaman, which was
+Uncle Joe's name, went to see about him, and found that he had once
+known his father. So, after a great deal of trouble, it had been managed
+that the boy should be allowed to leave the town. He had been driven in
+an omnibus, he told Lucy, with some more Americans and English, and with
+flags with stars and stripes or else Union Jacks all over it; and
+whenever they came to a French sentry, or afterwards to a Prussian,
+they were stopped till he called his corporal, who looked at their
+papers and let them go on. Mr. Seaman had taken charge of Leonidas, and
+given him the best dinner he had eaten for a long time, but as he was
+going to Blois to other hospitals, he could not keep the boy with him;
+so he had put him in charge of a friend who was going to London, to send
+him down to Mrs. Bunker.
+
+Fear of Lucy's rash was pretty well over now, and she was to go home in
+a day or two; so the children were allowed to be together, and they
+enjoyed it very much. Lucy told about her dreams, and Leonidas had a
+good deal to tell of what he had really seen on his travels. They wished
+very much that they could both see one of these wonderful dreams
+together, only--what should it be?
+
+
+
+
+CHAPTER XVII.
+
+THE DREAM OF ALL NATIONS.
+
+
+[Illustration: Oh! such a din!
+
+_Page 137._]
+
+WHAT should it be? She thought of Arabs with their tents and horses, and
+Leonidas told her of Red Indians with their war-paint, and little
+Negroes dancing round the sugar-boiling, till her head began quite to
+swim and her ears to buzz; and all the children she had seen and she had
+not seen seemed to come round her, and join hands and dance. Oh, such a
+din! A little Highlander in his tartans stood on a whisky-barrel in the
+middle, making his bagpipes squeal away; a Chinese with a bald head and
+long pigtail beat a gong, and capered with a solemn face; a Norwegian
+herd-boy blew a monstrous bark cow-horn; an Indian juggler twisted
+snakes round his neck to the sound of the tom-tom; and Lucy found
+herself and Leonidas whirling round with a young Dutch planter between
+them, and an Indian with a crown of feathers upon the other side of her.
+
+"Oh!" she seemed to herself to cry, "what are you doing? how do you all
+come here?"
+
+"We are from all the nations who are friends and brethren," said the
+voices; "we all bring our stores: the sugar, rice, and cotton of the
+West; the silk and coffee and spices of the East; the tea of China; the
+furs of the North: it all is exchanged from one to the other, and should
+teach us to be all brethren, since we cannot thrive one without the
+other."
+
+"It all comes to our country, because we are clever to work it up, and
+send it out to be used in its own homes," said the Highlander; "it is
+English and Scotch machines that weave your cottons, ay, and make your
+tools."
+
+"No; it is America that beats you all," cried Leonidas; "what had you to
+do, but to sit down and starve, when we sent you no cotton?"
+
+"If you send cotton, 'tis we that weave it," cried the Scot.
+
+Lucy was almost afraid they would come to blows over which was the
+greatest and most skilful country. "It cannot be buying and selling that
+make nations love one another, and be peaceful," she thought. "Is it
+being learned and wise?"
+
+"But the Prussian boys are studious and wise, and the French are clever
+and skilful, and yet they have that dreadful war: I wonder what it is
+that would make and keep all these countries friends!"
+
+And then there came an echo back to little Lucy: "For out of Zion shall
+go forth the Law, and the word of the Lord from Jerusalem. And He shall
+judge among the nations, and shall rebuke many people; and they shall
+beat their swords into ploughshares, and their spears into
+pruning-hooks: nations shall not lift up sword against nation, neither
+shall they war any more."
+
+Yes; the more they learn and keep the law of the Lord, the less there
+will be of those wars. To heed the true law of the Lord will do more for
+peace and oneness than all the cleverness in book-learning, or all the
+skilful manufactures in the world.
+
+
+
+
+THE STANDARD SCHOOL LIBRARY.
+
+(Each Volume, cloth, 50 cents. Sold singly or in sets.)
+
+
+ =BAILEY. LESSONS WITH PLANTS.= Suggestions for
+ Seeing and Interpreting Some of the Common Forms
+ of Vegetation. By L. H. Bailey. 12mo. Illustrated.
+ xxxi + 491 pages.
+
+This volume is the outgrowth of "observation lessons." The book is based
+upon the idea that the proper way to begin the study of plants is by
+means of plants instead of formal ideals or definitions. Instead of a
+definition as a model telling what is to be seen, the plant shows what
+there is to be seen, and the definition follows.
+
+
+ =BARNES. YANKEE SHIPS AND YANKEE SAILORS.= Tales
+ of 1812. By James Barnes. 12mo. Illustrated. xiii
+ + 281 pages.
+
+Fourteen spirited tales of the gallant defenders of the _Chesapeake_,
+the _Wasp_, the _Vixen_, _Old Ironsides_, and other heroes of the Naval
+War of 1812.
+
+
+ =BELLAMY. THE WONDER CHILDREN.= By Charles J.
+ Bellamy. 12mo. Illustrated.
+
+Nine old-fashioned fairy stories in a modern setting.
+
+
+ =BLACK. THE PRACTICE OF SELF-CULTURE.= By Hugh
+ Black. 12mo. vii + 262 pages.
+
+Nine essays on culture considered in its broadest sense. The title is
+justified not so much from the point of view of giving many details for
+self-culture, as of giving an impulse to practice.
+
+
+ =BONSAL. THE GOLDEN HORSESHOE.= Extracts from the
+ letters of Captain H. L. Herndon of the 21st U. S.
+ Infantry, on duty in the Philippine Islands, and
+ Lieutenant Lawrence Gill, A.D.C. to the Military
+ Governor of Puerto Rico. With a postscript by J.
+ Sherman, Private, Co. D, 21st Infantry. Edited by
+ Stephen Bonsal. 12mo. xi + 316 pages.
+
+These letters throw much light on our recent history. The story of our
+"Expansion" is well told, and the problems which are its outgrowth are
+treated with clearness and insight.
+
+
+ =BUCK. BOY'S SELF-GOVERNING CLUBS.= By Winifred
+ Buck. 16mo. x + 218 pages.
+
+The history of self-governing clubs, with directions for their
+organization and management. The author has had many years' experience
+as organizer and adviser of self-governing clubs in New York City and
+the vicinity.
+
+
+ =CARROLL. ALICE'S ADVENTURES IN WONDERLAND.= By
+ Lewis Carroll. 12mo. Illustrated. xiv + 192 pages.
+
+
+ =CARROLL. THROUGH THE LOOKING GLASS AND WHAT ALICE
+ FOUND THERE.= By Lewis Carroll. 12mo. Illustrated.
+ xv + 224 pages.
+
+The authorized edition of these children's classics. They have recently
+been reprinted from new type and new cuts made from the original wood
+blocks.
+
+
+ =CHURCH. THE STORY OF THE ILIAD.= By Rev. A. J.
+ Church. vii + 314 pages.
+
+
+ =CHURCH. THE STORY OF THE ODYSSEY.= By Rev. A. J.
+ Church. vii + 306 pages.
+
+The two great epics are retold in prose by one of the best of
+story-tellers. The Greek atmosphere is remarkably well preserved.
+
+
+ =CRADDOCK. THE STORY OF OLD FORT LOUDON.= By
+ Charles Egbert Craddock. 12mo. Illustrated. v +
+ 409 pages.
+
+A story of pioneer life in Tennessee at the time of the Cherokee
+uprising in 1760. The frontier fort serves as a background to this
+picture of Indian craft and guile and pioneer pleasures and hardships.
+
+
+ =CROCKETT. RED CAP TALES.= By S. R. Crockett. 8vo.
+ Illustrated. xii + 413 pages.
+
+The volume consists of a number of tales told in succession from four of
+Scott's novels--"Waverley," "Guy Mannering," "Rob Roy," and "The
+Antiquary"; with a break here and there while the children to whom they
+are told discuss the story just told from their own point of view. No
+better introduction to Scott's novels could be imagined or contrived.
+Half a dozen or more tales are given from each book.
+
+
+ =DIX. A LITTLE CAPTIVE LAD.= By Beulah Marie Dix.
+ 12mo. Illustrated. vii + 286 pages.
+
+The story is laid in the time of Cromwell, and the captive lad is a
+cavalier, full of the pride of his caste. The plot develops around the
+child's relations to his Puritan relatives. It is a well-told story,
+with plenty of action, and is a faithful picture of the times.
+
+
+ =EGGLESTON. SOUTHERN SOLDIER STORIES.= By George
+ Cary Eggleston. 12mo. Illustrated. xi + 251 pages.
+
+Forty-seven stories illustrating the heroism of those brave Americans
+who fought on the losing side in the Civil War. Humor and pathos are
+found side by side in these pages which bear evidence of absolute truth.
+
+
+ =ELSON. SIDE LIGHTS ON AMERICAN HISTORY.=
+
+This volume takes a contemporary view of the leading events in the
+history of the country from the period of the Declaration of
+Independence to the close of the Spanish-American War. The result is a
+very valuable series of studies in many respects more interesting and
+informing than consecutive history.
+
+
+ =GAYE. THE GREAT WORLD'S FARM.= Some Account of
+ Nature's Crops and How they are Sown. By Selina
+ Gaye. 12mo. Illustrated. xii + 365 pages.
+
+A readable account of plants and how they live and grow. It is as free
+as possible from technicalities and well adapted to young people.
+
+
+ =GREENE. PICKETT'S GAP.= By Homer Greene. 12mo.
+ Illustrated. vii + 288 pages.
+
+A story of American life and character illustrated in the personal
+heroism and manliness of an American boy. It is well told, and the
+lessons in morals and character are such as will appeal to every honest
+instinct.
+
+
+ =HAPGOOD. ABRAHAM LINCOLN.= By Norman Hapgood.
+ 12mo. Illustrated. xiii + 433 pages.
+
+This is one of the best one-volume biographies of Lincoln, and a
+faithful picture of the strong character of the great President, not
+only when he was at the head of the nation, but also as a boy and a
+young man, making his way in the world.
+
+
+ =HAPGOOD. GEORGE WASHINGTON.= By Norman Hapgood.
+ 12mo. Illustrated. xi + 419 pages.
+
+Not the semi-mythical Washington of some biographers, but a clear,
+comprehensive account of the man as he really appeared in camp, in the
+field, in the councils of his country, at home, and in society.
+
+
+ =HOLDEN. REAL THINGS IN NATURE.= A Reading Book of
+ Science for American Boys and Girls. By Edward S.
+ Holden. Illustrated. 12mo. xxxviii + 443 pages.
+
+The topics are grouped under nine general heads: Astronomy, Physics,
+Meteorology, Chemistry, Geology, Zooelogy, Botany, The Human Body, and
+The Early History of Mankind. The various parts of the volume give the
+answers to the thousand and one questions continually arising in the
+minds of youths at an age when habits of thought for life are being
+formed.
+
+
+ =HUFFORD. SHAKESPEARE IN TALE AND VERSE.= By Lois
+ Grosvenor Hufford. 12mo. ix + 445 pages.
+
+The purpose of the author is to introduce Shakespeare to such of his
+readers as find the intricacies of the plots of the dramas somewhat
+difficult to manage. The stories which constitute the main plots are
+given, and are interspersed with the dramatic dialogue in such a manner
+as to make tale and verse interpret each other.
+
+
+ =HUGHES. TOM BROWN'S SCHOOL DAYS.= By Thomas
+ Hughes. 12mo. Illustrated. xxi + 376 pages.
+
+An attractive and convenient edition of this great story of life at
+Rugby. It is a book that appeals to boys everywhere and which makes for
+manliness and high ideals.
+
+
+ =HUTCHINSON. THE STORY OF THE HILLS.= A Book about
+ Mountains for General Readers. By Rev. H. W.
+ Hutchinson. 12mo. Illustrated. xv + 357 pages.
+
+"A clear account of the geological formation of mountains and their
+various methods of origin in language so clear and untechnical that it
+will not confuse even the most unscientific."--_Boston Evening
+Transcript._
+
+
+ =ILLINOIS GIRL. A PRAIRIE WINTER.= By an Illinois
+ Girl. 16mo. 164 pages.
+
+A record of the procession of the months from midway in September to
+midway in May. The observations on Nature are accurate and sympathetic,
+and they are interspersed with glimpses of a charming home life and bits
+of cheerful philosophy.
+
+
+ =INGERSOLL. WILD NEIGHBORS. OUTDOOR STUDIES IN THE
+ UNITED STATES.= By Ernest Ingersoll. 12mo.
+ Illustrated. xii + 301 pages.
+
+Studies and stories of the gray squirrel, the puma, the coyote, the
+badger, and other burrowers, the porcupine, the skunk, the woodchuck,
+and the raccoon.
+
+
+ =INMAN. THE RANCH ON THE OXHIDE.= By Henry Inman.
+ 12mo. Illustrated. xi + 297 pages.
+
+A story of pioneer life in Kansas in the late sixties. Adventures with
+wild animals and skirmishes with Indians add interest to the narrative.
+
+
+ =JOHNSON. CERVANTES' DON QUIXOTE.= Edited by
+ Clifton Johnson. 12mo. Illustrated. xxiii + 398
+ pages.
+
+A well-edited edition of this classic. The one effort has been to bring
+the book to readable proportions without excluding any really essential
+incident or detail, and at the same time to make the text
+unobjectionable and wholesome.
+
+
+ =JUDSON. THE GROWTH OF THE AMERICAN NATION.= By
+ Harry Pratt Judson. 12mo. Illustrations and maps.
+ xi + 359 pages.
+
+The cardinal facts of American History are grasped in such a way as to
+show clearly the orderly development of national life.
+
+
+ =KEARY. THE HEROES OF ASGARD: TALES FROM
+ SCANDINAVIAN MYTHOLOGY.= By A. and E. Keary. 12mo.
+ Illustrated. 323 pages.
+
+The book is divided into nine chapters, called "The AEsir," "How Thor
+went to Joetunheim," "Frey," "The Wanderings of Freyja," "Iduna's
+Apples," "Baldur," "The Binding of Fenrir," "The Punishment of Loki,"
+"Ragnaroek."
+
+
+ =KING. DE SOTO AND HIS MEN IN THE LAND OF
+ FLORIDA.= By Grace King. 12mo. Illustrated. xiv +
+ 326 pages.
+
+A story based upon the Spanish and Portuguese accounts of the attempted
+conquest by the armada which sailed under De Soto in 1538 to subdue this
+country. Miss King gives a most entertaining history of the invaders'
+struggles and of their final demoralized rout; while her account of the
+native tribes is a most attractive feature of the narrative.
+
+
+ =KINGSLEY. MADAM HOW AND LADY WHY: FIRST LESSONS
+ IN EARTH LORE FOR CHILDREN.= By Charles Kingsley.
+ 12mo. Illustrated. xviii + 321 pages.
+
+Madam How and Lady Why are two fairies who teach the how and why of
+things in nature. There are chapters on Earthquakes, Volcanoes, Coral
+Reefs, Glaciers, etc., told in an interesting manner. The book is
+intended to lead children to use their eyes and ears.
+
+
+ =KINGSLEY. THE WATER BABIES: A FAIRY TALE FOR A
+ LAND BABY.= By Charles Kingsley. 12mo.
+ Illustrated. 330 pages.
+
+One of the best children's stories ever written; it has deservedly
+become a classic.
+
+
+ =LANGE. OUR NATIVE BIRDS: HOW TO PROTECT THEM AND
+ ATTRACT THEM TO OUR HOMES.= By D. Lange. 12mo.
+ Illustrated. x + 162 pages.
+
+A strong plea for the protection of birds. Methods and devices for their
+encouragement are given, also a bibliography of helpful literature, and
+material for Bird Day.
+
+
+ =LOVELL. STORIES IN STONE FROM THE ROMAN FORUM.=
+ By Isabel Lovell. 12mo. Illustrated. viii + 258
+ pages.
+
+The eight stories in this volume give many facts that travelers wish to
+know, that historical readers seek, and that young students enjoy. The
+book puts the reader in close touch with Roman life.
+
+
+ =McFARLAND. GETTING ACQUAINTED WITH THE TREES.= By
+ J. Horace McFarland. 8vo. Illustrated. xi + 241
+ pages.
+
+A charmingly written series of tree essays. They are not scientific but
+popular, and are the outcome of the author's desire that others should
+share the rest and comfort that have come to him through acquaintance
+with trees.
+
+
+ =MAJOR. THE BEARS OF BLUE RIVER.= By Charles
+ Major. 12mo. Illustrated. 277 pages.
+
+A collection of good bear stories with a live boy for the hero. The
+scene is laid in the early days of Indiana.
+
+
+ =MARSHALL. WINIFRED'S JOURNAL.= By Emma Marshall.
+ 12mo. Illustrated. 353 pages.
+
+A story of the time of Charles the First. Some of the characters are
+historical personages.
+
+
+ =MEANS. PALMETTO STORIES.= By Celina E. Means.
+ 12mo. Illustrated. x + 244 pages.
+
+True accounts of some of the men and women who made the history of South
+Carolina, and correct pictures of the conditions under which these men
+and women labored.
+
+
+ =MORRIS. MAN AND HIS ANCESTOR: A STUDY IN
+ EVOLUTION.= By Charles Morris. 16mo. Illustrated.
+ vii + 238 pages.
+
+A popular presentation of the subject of man's origin. The various
+significant facts that have been discovered since Darwin's time are
+given, as well as certain lines of evidence never before presented in
+this connection.
+
+
+ =NEWBOLT. STORIES FROM FROISSART.= By Henry
+ Newbolt. 12mo. Illustrated. xxxi + 368 pages.
+
+Here are given entire thirteen episodes from the "Chronicles" of Sir
+John Froissart. The text is modernized sufficiently to make it
+intelligible to young readers. Separated narratives are dovetailed, and
+new translations have been made where necessary to make the narrative
+complete and easily readable.
+
+
+ =OVERTON. THE CAPTAIN'S DAUGHTER.= By Gwendolen
+ Overton. 12mo. Illustrated. vii + 270 pages.
+
+A story of girl life at an army post on the frontier. The plot is an
+absorbing one, and the interest of the reader is held to the end.
+
+
+ =PALGRAVE. THE CHILDREN'S TREASURY OF ENGLISH
+ SONG.= Selected and arranged by Francis Turner
+ Palgrave. 16mo. viii + 302 pages.
+
+This collection contains 168 selections--songs, narratives, descriptive
+or reflective pieces of a lyrical quality, all suited to the taste and
+understanding of children.
+
+
+ =PALMER. STORIES FROM THE CLASSICAL LITERATURE OF
+ MANY NATIONS.= Edited by Bertha Palmer. 12mo. xv +
+ 297 pages.
+
+A collection of sixty characteristic stories from Chinese, Japanese,
+Hebrew, Babylonian, Arabian, Hindu, Greek, Roman, German, Scandinavian,
+Celtic, Russian, Italian, French, Spanish, Portuguese, Anglo-Saxon,
+English, Finnish, and American Indian sources.
+
+
+ =RIIS. CHILDREN OF THE TENEMENTS.= By Jacob A.
+ Riis. 12mo. Illustrated. ix + 387 pages.
+
+Forty sketches and short stories dealing with the lights and shadows of
+life in the slums of New York City, told just as they came to the
+writer, fresh from the life of the people.
+
+
+ =SANDYS. TRAPPER JIM.= By Edwyn Sandys. 12mo.
+ Illustrated. ix + 441 pages.
+
+A book which will delight every normal boy. Jim is a city lad who learns
+from an older cousin all the lore of outdoor life--trapping, shooting,
+fishing, camping, swimming, and canoeing. The author is a well-known
+writer on outdoor subjects.
+
+
+ =SEXTON. STORIES OF CALIFORNIA.= By Ella M.
+ Sexton. 12mo. Illustrated. x + 211 pages.
+
+Twenty-two stories illustrating the early conditions and the romantic
+history of California and the subsequent development of the state.
+
+
+ =SHARP. THE YOUNGEST GIRL IN THE SCHOOL.= By
+ Evelyn Sharp. 12mo. Illustrated. ix + 326 pages.
+
+Bab, the "youngest girl," was only eleven and the pet of five brothers.
+Her ups and downs in a strange boarding school make an interesting
+story.
+
+
+ =SPARKS. THE MEN WHO MADE THE NATION: AN OUTLINE
+ OF UNITED STATES HISTORY FROM 1776 TO 1861.= By
+ Edwin E. Sparks. 12mo. Illustrated. viii + 415
+ pages.
+
+The author has chosen to tell our history by selecting the one man at
+various periods of our affairs who was master of the situation and about
+whom events naturally grouped themselves. The characters thus selected
+number twelve, as "Samuel Adams, the man of the town meeting"; "Robert
+Morris, the financier of the Revolution"; "Hamilton, the advocate of
+stronger government," etc., etc.
+
+ * * * * *
+
+Transcriber's Notes:
+
+Obvious punctuation errors repaired.
+
+Frontispiece, word "I'm" inserted into text. (I'm looking at the)
+
+Page viii, "83" inserted into text for location of chapter X.
+
+Page ix, "I'm" changed to "I am" to match illustration and
+ text. (I am so glad)
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Little Lucy's Wonderful Globe, by
+Charlotte M. Yonge
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LITTLE LUCY'S WONDERFUL GLOBE ***
+
+***** This file should be named 26487.txt or 26487.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/6/4/8/26487/
+
+Produced by David Edwards, Emmy and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.