path: root/26505.txt

The Project Gutenberg EBook of The Old Hanging Fork and Other Poems, by
George W. Doneghy

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Old Hanging Fork and Other Poems

Author: George W. Doneghy

Release Date: September 1, 2008 [EBook #26505]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE OLD HANGING FORK ***




Produced by David Garcia, Diane Monico, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)









THE

OLD HANGING FORK

and

OTHER POEMS.


BY

GEORGE W. DONEGHY.


FRANKLIN, OHIO:
The Editor Publishing Co.
1897.




Copyright, 1897,
By
George W. Doneghy.




CONTENTS.


                                    PAGE
THE OLD HANGING FORK,                  9

SWEET SEPTEMBER DAYS,                 11

YER OLD COB PIPE,                     13

TIM BLUSTER'S DREAM,                  15

APPLE BLOSSOMS,                       18

CHICKAMAUGA,                          20

GEN. JOHN B. GORDON,                  22

UP AND DOWN OLD CLARK'S RUN,          23

ROBERT BURNS (A Paraphrase)           25

WISHING--FISHING,                     27

POE,                                  28

A BARREN "IDEALTY,"                   29

A CHERISHED RELIC,                    31

"RESTLAND,"                           33

MY VALENTINE,                         35

A SMOKE,                              36

PERRYVILLE,                           37

LONGINGS,                             39

DOWN ABOUT OLD SHAKERTOWN,            40

MEMORIA IN AETERNA,                    41

A MOTHER'S GRAVE,                     43

A FRECKLE-FACED BOY,                  44

THE DAM BELOW THE MILL,               46

THE SERENADE,                         47

"IS IT HOT ENOUGH FER YOU?"           49

THE TOKEN,                            50

TO SCENES I USED TO KNOW,             52

BEREFT,                               54

THE "BULL SPRING,"                    56

FAMILIAR HAUNTS,                      58

A FADED LETTER,                       60

THE HERMIT,                           61

THE "MEDICAL SPRING,"                 63

AN "IDYL" OF THE BALL,                64

DREAMS,                               65

A TWIST OF "NATURAL LEAF,"            66

GEORGE W. CHILDS,                     68

THE OLD SPRING-HOUSE,                 69

CAMPING ON THE CUMBERLAND,            71

AN EASTER FLOWER,                     73

THE STAGE COACH,                      74

DICK'S RIVER,                         76

TO A LITTLE BOY,                      78

WHEN THE COAL HOUSE'S FULL,           79

DECEMBER,                             81

SOLACE,                               82

FRANK L. STANTON,                     84

THE OLD CHURCH BELL,                  85

A SUMMER EVENING,                     87

FATHER RYAN,                          88

THE MEADOW PATH,                      89

THE FOX HUNTERS,                      91

THE CHARMING GIRL OF SOMERSET,        93

IN JULY,                              94

TO J. R. M.,                          95

TWILIGHT,                             96

OUT UV "POLITICKS,"                   98

JONES' MARE,                         100

THAT OLD STRAW HAT OF MINE,          103

TOM BARBEE'S POND,                   105

WHERE?                               107

THE HILLS OF LINCOLN,                109

LOVED AND LOST,                      111

A TRUE STORY,                        112




The

Old Hanging Fork

and

Other Poems.




THE OLD HANGING FORK.


I.

O don't you remember those days so divine,
Around which the heart-strings all tenderly twine,
When with sapling pole and a painted cork
We fished up and down the old Hanging Fork--
From the railroad bridge, with its single span,
Clear down to the mill at Dawson's old dam--
From early morn till the shades of night,
And it made no difference if fish _didn't_ bite?


II.

What pleasure it gives to think and to dream
Of those long, happy days, and the old winding stream,
When we waded the creek with our pants to the knee,
And got our lines tangled in a sycamore tree,
And were most scared to death when out from the root
The long, wriggling snake through the water did shoot,
And you lost your line, your hook and your cork,
And I slipped and fell in the old Hanging Fork!


III.

The years they have come, and the years they have fled,
And frosted with silver the hairs of the head,
But still in fond memory there lingers the joy
Of scenes such as these, when a bare-footed boy
I wandered away to the clear rippling stream--
No cankering care to trouble life's dream;--
And we spit on our bait and in whispers we'd talk,
As we threw out our lines in the old Hanging Fork!


IV.

We sat there and fished with the sun beaming down
On the tops of our heads through hats minus crown,
And when I got a bite or you caught a perch
We'd just give our lines a thundering lurch,
And land him high up on the bank in the weeds,
Then string him along with the pumpkin seeds!
O don't you remember the hot, dusky walk,
Along the white pike to the old Hanging Fork?




SWEET SEPTEMBER DAYS.


I.

There's a something in the atmosphere, in sweet September days,
That mantles all the landscape with its languid, dreamy haze;
And you see the leaves a-dropping, in a lazy kind of way,
Where the maple trees are standing in their Summer-time array.


II.

There's a yellowish tinge a-creeping over Nature's emerald sheen,
And the cattle stand, half-sleeping, in the middle of the stream
Where the glassy pool is shaded by the overhanging limb,
And the pebbly bottom's glinting where the silvery minnows swim.


III.

The tasseled corn is nodding, and the crow on drowsy wing
Is sailing o'er the orchard where the ripening apples swing,
And the fleecy clouds are floating in the azure of the sky,
And the gentle breeze is sighing as it's idly wafted by.


IV.

The cantaloupes are ripening in their yellow golden rinds;
And the melons, round and juicy, are a-clinging to the vines;
And the merry, laughing children, in their happy hour of play,
Are a-romping in the meadow and a-sliding down the hay.


V.

The busy bees are buzzing where the grapes with purple blush,
And the hanging bunches tempting with their weight the arbor crush,
And the blue jays are a-wrangling in the wood across the road,
Where the hickory boughs are bending 'neath an extra heavy load.


VI.

Let your poets keep a-singing about the Springtime gay,
And the blossoms and the flowers in the merry month of May--
But the early Autumn splendor, with its sweet September days,
Eclipses boasted Springtime in a thousand kind of ways!




YER OLD COB PIPE.


I.

When the chilling winds of Winter come a-knocking at the door,
And the fleecy flakes are flying and the earth is covered o'er,
And you've supped on sweet potatoes and a 'possum frosted ripe,
Then glory hallelujah! Git yer
                                Old
                                      Cob
                                            Pipe!


II.

When the fire is blazing brightly and the room is snug and warm,
And you've left your cares and troubles on the outside with the storm,
And your natural leaf is colored with a golden yellow stripe,
Then glory hallelujah! Git yer
                                Old
                                      Cob
                                            Pipe!


III.

When the old split-bottom rocker is far better than a throne,
And the visions of the fancy are the fairest earth has known,
And you watch the mystic shapes that the dancing shadows write,
Then glory hallelujah! Git yer
                                Old
                                      Cob
                                            Pipe!


IV.

When your dressing gown and slippers might be envied by a king,
And the voices of the children sound as sweet as birds' that sing,
And the feelings that possess you are all of heavenly type,
Then glory hallelujah! Git yer
                                Old
                                      Cob
                                            Pipe!


V.

When the ringlets aromatic have circled round your head,
And a drowsiness o'ertakes you, and you want to go to bed,
And the bowlful that you're smoking has burned to ashes white,
Then glory hallelujah! Quit yer
                                Old
                                      Cob
                                            Pipe!




TIM BLUSTER'S DREAM.


'Twas a place of fifty acres, in a lonely neighborhood,
And near a grove of somber pines the shackly farm-house stood;
And all the folks, for miles around, did solemnly declare
That ghosts and goblins horrible held nightly revel there.

They said the house was "hanted," and that not a man alive,
In all the country round about, could own the place and thrive;
That the cattle died with fever, and the hogs the cholera took--
And every one that tried it wore a mighty troubled look.

But they put it up at auction, and Tim Bluster bid the most,
Who always said "There want no hants nor any kind of ghost
That ever walked a graveyard in the middle of the night
Could make _his_ nerves unsteady, or could fill _him_ with affright!"

So Tim got full possession, and he moved out to his home,
And the first night, as he sat there, within his room alone,
The door was softly opened, and a cat came walking in,
With eyes like balls of fire and a coat as black as sin.

Then squatting on its haunches, it said, in tones polite,
"There seems to be but two of us to stay in here to-night!"
Tim muttered in a trembling voice, as for the door he run,
"Perhaps _you_ think there will be two, but darn me, there's but one!"

Tim staid away the blessed night, but when the daylight came,
It brought him back his courage, and it filled him full of shame;
And then he said, unto himself, "There wasn't any cat
Could make him leave that room again--he'd bet his life on that!"

So when the shades of evening fell, Tim double-barred the door,
And took precautions that, perhaps, he hadn't night before,
And felt quite sure that nothing now could gain admittance there,
And peacefully he dozed and slept, a-sitting in his chair.

Then, all at once, he roused himself, and opening wide his eyes,
Beheld a figure standing there that made his hair arise
Like quills upon a porcupine, and froze his heart with fear,
And headless though it was, it spoke, and said in accents clear,

"There seems to be but two of us to stay in here to-night!"
Tim made a bound, and took with him the sash and every light,
And then he jumped a nine-rail fence, and down the road he spun,
And said, "Perhaps _he_ thinks there's two, but darn _me_, there's but
  one!"

'Twas seven miles before he stopped and sat down on a log
To catch his breath and rest awhile from his nocturnal jog
And then he turned his head around, and right before his face
The figure stood, and said to him, "I think we've had a race!"

Tim tried to speak, and not a word he found to utter then,
But as he jumped from off his seat and broke away again,
He spluttered out, "I _know_ we have, but think it's not quite done,
For you can bet right now's the time we'll have another one!"

Away Tim flew--he left the road, and through the woods and fields
The pace he set was wonderful, the ghost right at his heels!
And that old house is tenantless, and slowly rotting down,
Since that dread night Tim had his dream, and moved right back to town!




APPLE BLOSSOMS.


I.

There's the rose and the lily, the daisy and pink,
And many rare flowers which others may think
Are the fairest and best, the sweetest that blow,
With delicious perfume, and colors that glow--
But go to the orchard and sniff the delight
Of the incense that's shed by the pink and the white,
And let the soul float away in a swoon
On the ambient air where the apple trees bloom!


II.

There's the cowslip, narcissus, and sweet mignonette,
The asters, verbenas, the fuschias; and yet,
As much as I love them in Summer array,
It's the white and the pink I dream of to-day,
And I walk 'neath the branches that just interlace
And shower their blossoms right down in my face
When the breeze that is laden with rarest perfume
Is wafted along where the apple trees bloom!


III.

With glad voices the birds as they flit to and fro
Are singing their songs where the pink and the snow
Of the orchard, bedecked in its garments so rare,
Is diffusing and sending its breath on the air;
And the rays of the sun sift through on the grass,
And the dew-drops that sparkle no jewels surpass!
In Springtime at evening, at morning, at noon,
How sweet is the scent of the apple trees' bloom!


IV.

And when Summer is gone, and Autumn has shed
It's soft, dreamy haze through the trees overhead,
On each spreading branch where blossoms now cling
The red and the gold to the fruit it will bring,
And stripe with a skill and give it that blush
Only Nature can paint with her delicate brush!
O when life ebbs away, then make me a tomb
Right out in the orchard, where the apple trees bloom!




CHICKAMAUGA.


To Chattanooga's vale, where flows the winding Tennessee,
And rugged Lookout sentinels heroic dust of sixty-three--
Where Chickamauga's gory field re-echoed to the cannon's roar,
And shot and shell through serried ranks a bloody pathway tore,
And mountain slope and wood and field were lumined with the blaze
Of musketry from Blue and Gray in those September days--
They come again, the gallant few, survivors of the fray,
Their breasts with hallowed memories filled, but passion passed away!

The fleeting years have silvered o'er the locks of those who live,
And turned to dust the sleeping ones who to their flag did give
The last drop of the crimson tide from ghastly wounds poured out
Amid the conflict's awful din and wild resounding shout;
And yet it seems but yesterday, or like a passing dream,
When marshaled on the mountain's side they saw the bayonets gleam,
As for a moment from the vale the battle's smoke was lifted,
And circling o'er the Blue and Gray in lurid clouds it drifted!

And now upon the blood-soaked ground once more they stand,
Where the unyielding "Rock of Chickamauga" held command,
And strewed the field with heaps of the assaulting Gray
Who dauntless rushed where lines of Blue refused to give the way;
And bloody scenes crowd thick and fast upon the memory here
To fill the heart with grief and dim the eye with misty tear;
And spanning Time's chasm with the imagination's bridge,
They hear the thunder of the guns from Missionary Ridge!

And there the pyramid of balls is reared to tell
And mark the hallowed spot where tuneful genius fell;
The vagrant winds around it now seem sighing
The requiem sad of "I am dying, Egypt, dying!"
Prophetic words by gallant LYTLE penned--
A laurel wreath with immortelles to blend!
A halo hovers round about this gifted son,
Whose deathless name with pen and sword was nobly won!

They come to mark with tokens of their love and pride
Each consecrated spot where bleeding heroes fell and died,
And gaze with reverence on some gently swelling mound
Which hides the dust of comrade in his sleep profound;
To picture to the mind--with melancholy pleasure trace
The unforgotten outlines of a dear, remembered face,
Which passed from loved ones and from life away,
A victim on the bloody field of fratricidal fray!




GENERAL JOHN B. GORDON.

_Facile Princeps._


I.

O gifted one of the Sunny South, with lips so eloquent,
  In whose great heart no malice e'er was found!
And now thou art a messenger of Peace, by heaven sent
  On mission of fraternity, to heal the cankering wound!


II.

In that dread day when fratricidal strife
  Convulsed with passion--crimsoned with its blood--
No nobler son than thou who staked his life
  With veterans Gray withstood the overwhelming flood!


III.

No sweeter tribute could be paid by mortal tongue--
  No nobler sentiment the human heart could fill--
In grander strains no poet's praises e'er were sung
  Of private soldier--than thy words that burn and thrill!


IV.

No treasured wrong within thy noble soul
  Has tainted with its slimy trail of hate--
No broader love of country could embrace the whole,
  Or bow more gracefully to iron hand of fate!


V.

Speak on! And scatter broadcast healing seed
  That shall a harvest of good feeling yield--
And Peace, no less than War, shall lend her meed
  And crown anew this hero of the bloody field!




UP AND DOWN OLD CLARK'S RUN.


Bright visions of childhood! How dear to the heart
Are the scenes which from memory can never depart!
Undimmed by the sorrows, the grief and the tears
Which have shadowed the pathway of life's later years,
They come like the rainbow which follows the storm--
On remembrance reflected with colors as warm--
And in dreams of delight they picture the fun
That we had long ago when we fished in Clark's Run!

With a can full of worms and a heart full of joy,
Up and down the old stream, a bare-footed boy,
A truant from school, my footsteps would stray
To the deep-shaded pool, or where ripples at play,
As they flowed over beds of smooth-polished stones,
Sang a lullaby sweet in soft undertones!
From the dawn of the day to the set of the sun
What pleasures we've had when we fished in Clark's Run!

Equipped with a pole, a hook and a line,
And stowed in some pocket a long piece of twine
On which you could string, if you seined for a week,
Every fish that was found up and down the old creek--
With one "gallus" to pants that were rolled to the knee,
And holes in our hats through which you could see
Where the sunbeams had turned the light hair to dun--
We hied us away to the banks of Clark's Run!

There we baited the hook and threw out the line,
And watched the cork disappear with a rapture divine!
And felt just as proud as a prince or a king
When we landed high up, with a jerk and a swing,
A fish that would measure two inches or more,
Then anchored him fast with the string to the shore!
But unnumbered now are the silver strands spun
With the hair of the head since we fished in Clark's Run!

O who can there be with a heart in his breast
Would forget the dear scenes which so lovingly rest
In the bosom when life has grown old and cold,
And feel no delight when such pictures unfold,
And would blot out forever from memory's page
The records of childhood which solace old age?
'Till time ends for me and with life I have done,
I'll dream of the days when we fished in Clark's Run!




ROBERT BURNS.

(A PARAPHRASE.)


I.

Thou lingering Star! No less'ning ray
  Will e'er bedim thy natal morn,
Or usher in the unhallowed day
  When we forget that thou wert born!
O Burns! Thou dear departed shade!
  Where is thy place of blissful rest?
See'st thou again a Highland maid,
  Who heard the groans that rent thy breast?


II.

That sacred day can we forget,
  Can we forget the hallowed spot
Where by the winding Ayr was set
  The sparkling jewel in lowly cot?
Eternity will not efface
  The record dear of time that's past;
Thy memory sweet we still embrace,
  And will as long as life shall last!


III.

Ayr, congealed to its pebbled shore,
  O'erhung with wild woods, shorn of green;
The leafless birch and hawthorn hoar
  Were planted round the wintry scene;
No flowers sprang wanton to be pressed--
  No birds sang love on every spray--
But brightest yet o'er all the rest
  Will ever shine thy natal day!


IV.

Still o'er thy songs our rapture wakes,
  And memory broods with miser care!
Time but their music sweeter makes,
  As streams their channels deeper wear.
O Burns! Thou dear departed shade!
  Where is thy place of blissful rest?
See'st thou again a Highland maid,
  Who heard the groans that rent thy breast?




WISHING--FISHING.


I.

Full well I know that wishing never yet has brought
  The things that seem to us would satisfy the heart,
And that anticipated pleasure, when at last 'tis caught,
  Has naught but transitory solace to impart;
And yet, somehow, I've ever felt and thought
  A joy there is that never can depart--
(As long as we are capable of feeling--wishing)--
  And that's to leave dull care behind, and--go a-fishing!


II.

Some dream of wealth--of place--of fame--
  And fleeting shadows vainly they pursue;
And some have sighed to win a deathless name
  Where fields of carnage corpses thickly strew,
And shrieks of agony are heard 'mid smoke and flame;
  But these are dizzy heights attained by few;
So, when Dame Fortune is her favors dishing,
  I hope that I'll get mine in ample time to--go a-fishing!


III.

Oh, was there ever any sweeter dream,
  Or music with a tone that's more entrancing,
Than just to wander where some mountain stream
  Is o'er the rocks and polished pebbles dancing?
And nothing short of heaven itself, I ween,
  Is like the moment when, his scales all glancing,
You see the happy consummation of your wishing,
  And catch the very fish for which you have been fishing!




POE.


I.

Oh, melancholy child of want and woe!
  A brilliant meteor in an ebon sky!
Thy soul's weird music all did flow
  From heart-strings touched by destiny!


II.

The Raven, perched above thy chamber door,
  Responsive croaked with a prophetic word--
For in the realm of song may "Nevermore"
  Such strains as thine by mortal ear be heard!


III.

Where now doth that proud spirit dwell,
  Whose earthly days were clouded o'er with gloom?
In regions with the sweet-voiced "Israfel,"
  Where never-fading flowerets bloom?


IV.

Dost rest within some "distant Aidenn,
  Beyond the Night's Plutonian shore?
And clasp again a sainted maiden
  Whom the angels name Lenore?"


V.

Yes, "echo through the corridors of Time"
  Will have a tone that ages yet will know,
And blend with all that's beautiful--sublime--
  The deathless name of Edgar Allan Poe!




A BARREN "IDEALTY."


  This song that I sing--
  It is not of a spring,
Nor yet of a silvery stream--
  But of a vision bright
  Which came last night
In the garb of a blissful dream--
  When I thought, as I lay,
  It was Thanksgiving Day,
And I was invited to dine
  Where a table stood
  On which everything good
Spread a feast that was almost divine!

  Where the savors arose,
  Right under my nose,
From turkey--and pumpkin pies;
  And from jolly roast pig
  Were slices as big
As some of the campaign lies!
  And celery so white
  'Twas a thing of delight
To bite the crisp stalks in two.
  And the cranberry sauce--
  Oh, I tell you 'twas boss--
And flanked by an oyster stew!

  Where the bread and the cake--
  The best they can bake--
Were cut into slices heroic.
  And the amber ice cream
  Melted into my dream
Like love to the heart of a 'poet';
  And they heaped up my plate,
  And I sat there and ate
Till I awoke with a yell,
  And a shiver and shake
  And a pain and an ache
That rudely my dream did dispel!

  But dreams, as you know,
  By contraries go,
And thus I fear if it will be
  With the one of delight
  That came last night
When I feasted so heartily;
  And Thanksgiving Day
  In the usual way
Will come to me, don't you see,
  And the dinner I had
  And the ache that was bad
Prove a----barren "idealty"!




A CHERISHED RELIC.


In the attic, unused, there they put it away;
The old oaken frame has begun to decay;
What iron's about it is eaten with rust,
And upon and around it are cobwebs and dust;
The dear, loving hands that on it have spun,
With labor and toil forever are done,
And long is the time since I saw them unreel
The threads, snowy white, from the old spinning-wheel!

It stood on a porch where the Summer sunshine
Sifted down to the floor through a clambering vine,
Whose tendrils about the lattice-work clung
Like my heart-strings round her, and the song that she sung;
And the pictures of fancy I con o'er and o'er,
Till, raptured, I see the dear features once more,
And thrill with the touch when her lips set the seal
Of her love, as she spun on the old spinning-wheel!

Then through the shadows and mists of many long years
The old cottage home to the vision appears;
And though youth it has fled, and the hair it is gray,
I'm a bare-footed boy returned to his play--
Forgetting the present to dream once again
That life had no anguish, no sorrow, no pain;
And sweetly the bells of the memory peal
When communing up there with the old spinning-wheel!

And back from the past, with its grief and its joy,
Come the tones of a voice I heard when a boy,
And I see once again, as it moved to and fro,
A form that now rests where the wild roses blow,
And the sentinel stars their love vigils keep
Above the dear one in her long, dreamless sleep;
But memories sweet to a heart that can feel
Still cluster around the old spinning-wheel.

Some spokes from the rim are broken and gone,
And it stands there forsaken, neglected, alone;
It knows naught of language, but a story can tell
With a charm that for me time cannot dispel;
And often I climb the old attic stair
The love of my childhood with it to share,
And emotions possess me I cannot conceal
When fondly I gaze on the old spinning-wheel!

The distaff is worn and smooth with the touch
Of the now folded hands that used it so much;
And lingering there I clearly can trace
The sweet smile of love from a well-cherished face,
Which sheds round about it a halo divine
When thus I am kneeling at memory's shrine,
And hallows the thoughts which on the mind steal,
When up there alone with the old spinning-wheel!

'Tis then that I see her in saintly guise,
Through the fast-welling tears that come to my eyes--
A vision arrayed in raiment white
That beckons to me from the regions of light,
And illumines the way that my footsteps may tread
Unerringly where her love for me led--
Along the straight path that she tried to reveal
As she taught me, and spun on the old spinning-wheel!

Yes, the finger of Time has furrowed the brow,
And silvered the hair, yet I dream of her now
As when, long ago, I heard as a child
The words of her love that my sorrows beguiled;
And this relic she used but brings back anew
The morning of life, that was fresh with the dew
Distilled from the heart, as she taught me to kneel
Right down by her side, and the old spinning-wheel!




"RESTLAND."

WRITTEN IN THE DANVILLE (KY.) CEMETERY.


I.

Within thy hallowed precincts on this sweet autumnal day,
  We're wandering 'neath the cedar and the pine,
Where rests the sacred dust of loved ones passed away,
  And bleeding hearts a melancholy pleasure find.


II.

In memory's faithful mirror here once more we trace
  Familiar forms of those in life we knew,
And see again the shadowy outlines of some face
  That, living, beamed with kindness--ever true.


III.

Old age, and manhood's prime, and helpless infancy
  Have dotted o'er with many an emerald mound,
And marked each stone with mournful tracery
  Which stands within this consecrated ground.


IV.

And there the marble shaft its stately head
  In polished whiteness pointing to the sky,
And here the modest tribute to the lowly dead--
  The silent monitors that tell us all must die.


V.

Here lavish Nature her bright smile imparts
  And decks with lovely flowers in early Spring,
And here the sympathetic tear unbidden starts,
  And loving hands their sweetest tributes bring.


VI.

Loved spot! A solace to the living 'tis to know
  That when at last--life's fitful fever o'er--
The cortege sad, with solemn step and slow,
  Shall bear us here, to rest forever more,--


VII.

'Till that bright day when ransomed spirits rise,
  And loved and lost shall reunited be,
To dwell in realms beyond the star-lit skies
  Throughout one circling, vast eternity!




MY VALENTINE.


I.

I passed her on the crowded street--
This winsome maid, demure and sweet--
And envious saw the silken tresses
That seemed to give her cheeks caresses,
And rapture felt that thrilled me through
When on me glanced those eyes of blue
From underneath the drooping lashes
That could not hide their azure flashes!
And oh, I dreampt of bliss divine
If she would be--my Valentine!


II.

And visions of as fair a face
As painter's pencil e'er did trace
Would haunt the mind each waking hour,
And slumber owned its magic power--
Until I found by merest chance
That belladonna made the glance,
And borrowed hair had lent its aid
For silken tresses of this maid--
And padding--paint--did all combine
To make for me--my Valentine!




A SMOKE.


I.

O others may boast of their pleasures galore--
The miser with rapture may count o'er his store,
And some may imagine great happiness there
In the gay shining beam of Society's glare;
But best of all comforts a feller can know,
While wintry winds whistle and fast flies the snow,
Is a pipe after supper, by a bright blazing fire,
Encircled with ringlets that curl high and higher!


II.

O doctors may tell you and others declare
It'll shorten your days and your heart will impair--
That nicotine poison will flow through your veins
And nervous distraction will rack with its pains;
But what cares a feller in slippers and gown,
When wintry winds whistle and snow's pouring down,
With papers and books, and his feet near the fire,
Encircled with ringlets that curl high and higher?


III.

O rare are the fancies, contentment and bliss,
That drive away care in an hour such as this!
When the ills of this life and the things that provoke
Are lost for the while in the blue curling smoke
Of a pipe and tobacco that's yellow as gold,
And raptures supernal the senses unfold.
O give me a chair by a bright blazing fire,
And sweet-smelling ringlets that curl high and higher!




PERRYVILLE.

FOUGHT OCTOBER 8th, 1862.


Here on this spot, where Nature now, with chilling, icy breath,
Has mantled in a robe of white the field of strife and death,
We view in memory once again the awful scenes where met
In serried ranks the Blue and Gray--and tears the lashes wet;
For those who fell that dreadful day are mingled with the dust,
And often here the plow upturns a bayonet red with rust:
A sad memento of the time when passion held full sway--
Reminder to the rustic swain of fratricidal fray.

From yonder hill the shotted guns in dreadful chorus rang--
And on this plain was heard that day the glittering sabre's clang,
And in that vale, where wound the brook, with waters murmuring,
We stood and heard the Minie balls their deadly message sing,
And saw the life blood, gushing red, from stricken comrade near,
Whose gentle voice his loved ones then no more should ever hear--
His blue eyes close--his bosom heave--his pulse forever still,
A sacrifice to cause held dear, on the field of Perryville!

And the swiftly circling years can ne'er erase
From Memory's tablets or from Nature's face
One spot of all the rest we're standing near--
By fiercely battling hosts the prize held dear;
The old spring's waters still are gurgling from the rock
Where famished soldiers knelt--grim Death himself to mock;
Here on that day in ghastly heaps they lay--
Commingling with the Blue the men that wore the Gray!

And now the virgin snow has covered o'er the sod
Where once in fierce array contending armies trod;
The wintry wind makes mournful music through the trees
Where then the clash of arms was floating on the breeze,
And deep-toned guns belched forth the screaming shell
Like fiendish messengers of Death let loose from hell;
Now Nature's peaceful emblem spread o'er glade and hill
Enwraps beneath its folds the bloody field of Perryville.

December 26, 1895.




LONGINGS.


I.

Gim me back my stone-bruised heel,
  And them tow-linen pants,
An' that old pole an' line an' reel,
  An' all them boyhood ha'nts,
An' that old hat I used to wear,
  That didn't hav' no crown,
An' that same crop uv yeller hair--
  Sun-burnt on top ter brown--
An' them playmates I used ter know,
  An' loved like very brothers--
An' you kin let the old world go
  An' giv' its wealth ter others!


II.

Gim me back one gallus, too,
  That buttoned with a peg,
An' them blamed ticks that burrowed through
  The skin uv either leg,
An' that old single-barrel gun,
  As crooked as a rail,
An' that same dog that used ter run
  The molly cotton-tail,
An' lem me hav' the tops I spun--
  The kites that I hav' sailed--
An' then at last, when life is done,
  Who'd keer if it had failed?




DOWN ABOUT OLD SHAKERTOWN.


You may boast about the landscapes fair so far across the sea
Of castled Rhine, and southern France, and favored Italy--
But have you seen, when Springtime flings the scented blossoms down,
The forests and the meadows green around old Shakertown?

You may boast of some that bask beneath perpetual Summer's smiles--
Those "Eden's of the eastern wave"--the sunny Grecian isles--
And others that perhaps you've seen, of beauty and renown,
But come and view the country spread around old Shakertown!

O come and boast that you have been where Nature's lavish hand
Bestowed the gifts of wood and field that vie with any land--
Where valleys wear a velvet robe--the hills an emerald crown
Of bluegrass shimmering in the sun, around old Shakertown!

O come to old Kentucky then, and to her garden spot,
Then wander wheresoe'er you will, it ne'er will be forgot--
For Nature's face is wreathed in smiles nor wears a single frown
To mar the beauty she has spread around old Shakertown!




MEMORIA IN AETERNA.


Sweet Memory! thou faculty divine--
Triumphant o'er the cruel hand of Time!
On thy tablets we may trace
The lines his fingers ne'er efface,
And take with us till latest day
The images that light our way,
And picture thus in a shadowy form
The loved and lost he's from us torn--
Their lids by Death so early sealed--
Life's crimson tide by him congealed--
The tyrant has not all concealed--
They in thy mirror still revealed!

Before the morning sunbeams kissed
The face of Nature--veiled in mist--
And heralded with golden ray
The opening of the perfect day--
Ere yet the sable shades of night
At dawn's approach had winged their flight--
We've listed to the whispering breeze
That's wafted o'er the trembling trees,
And seemed to hear the voices sweet
Of loved ones now we ne'er can meet
Till earthly night shall pass away--
Supplanted by immortal day!

And thus in retrospective mood,
Alone with Nature's solitude
In some secluded sylvan dell,
Her myriad voices float and swell
And flitting shadows softly tell
Of dear ones lost--yet loved so well!
Then to the sunny home where dwelt--
(Ere yet the envious tyrant dealt
The blow that blighted hopes have felt)--
Fond fancy wanders, and can see
Once happy scenes that ne'er can be
Lost in thy shades, O Memory!

But those to us so cruelly denied
Are drifting now upon some fairer tide--
Their scattered ashes on Hope's pinions rise
And people realms beyond the azure skies!
Then may our faltering footsteps lead
To where fond hearts may never bleed--
Where vanished faces, cherished forms,
Are anchored safe from life's rude storms;
Where strains seraphic, soft and low,
The rapt ear greet, and we shall know
The loved and lost we only see
In visions of sweet Memory!




A MOTHER'S GRAVE.


I.

The years have passed in ceaseless round
  Since first they laid her here to rest
In dreamless sleep beneath the silent mound,
  With folded hands upon her gentle breast.


II.

The ivy twines about the crumbling stone,
  And Springtime's scented blossoms fling
Their incense o'er the peaceful home
  That knows no more of suffering.


III.

Full many a Summer's sun has shed
  Its brightest smile upon the hallowed spot,
And sobered Autumn and wild Winter spread
  Their garments here--she heeds them not!


IV.

The feathered wildlings of the wood and field
  Their untaught melody around it make,
But she who sleeps with eyes so softly sealed
  Their gladsome songs can never more awake.


V.

O restful sleep beneath the crumbling mold
  To dream no more of hopes unrealized!
O Grave! What treasures do thy confines hold
  By us so dearly loved and fondly prized!




A FRECKLE-FACED BOY.


I.

I'm just in my glory when the cat I can tease,
Or I'm hunting for bird nests up in the trees,
And I wear out my pants in the seat and the knees;
I'm the pride of my daddy, my mammy's own joy--
A frolicsome, rollicksome, freckle-faced boy!


II.

I can make a top hum, and at marbles, you bet,
I'm the cock of the walk and the king of the "set;"
I'm hearty and healthy--and don't you forget
The dead loads of "goodies" that I can destroy--
I'm a frolicsome, rollicksome, freckle-faced boy!


III.

They send me to school with my satchel and books,
And my pockets bulged out with nails and fish-hooks;
And sometimes while there my teacher she looks
And captures the things that provoke and annoy
From a frolicsome, rollicksome, freckle-faced boy!


IV.

My mammy she says that it's quite evident
Of the country some day I'll be President;
But auntie, she says from the way I am bent
The gold of her dream will be full of alloy
From a frolicsome, rollicksome, freckle-faced boy!


V.

I'm huntin' for fun, and I don't have a care,
And there's dirt on my hands, and I don't comb my hair,
And off-colored patches quite often I wear;
But there's no kind of sport the young heart can cloy
Of a frolicsome, rollicksome, freckle-faced boy!




THE DAM BELOW THE MILL.


The Springtime am a-comin', and the dogwood soon will bloom,
With the blossoms ten times thicker than the green leaves are in June,
And if yer want some pleasure that I nominate divine,
Just git yer minnow bucket, and yer hook and pole and line,
And slip away some mornin', when the weather's bright and still,
And hang a four-pound jumper at the dam below the mill!

There are lots of other pleasures in the old world here below,
And a mighty heap of happiness a feller 'll never know--
But never mind about 'em--just yer slip away and feel
That something so delectable that over yer will steal;
For it sets the pulses beatin' with a magic kind of thrill
When yer hang a four-pound jumper at the dam below the mill!

When yer 'gin to take the fever, and yer feel it comin' on,
Why yer boun' ter go a-fishin', just as shore as yer born;
Then ye'd better git yer trapping's in the proper kind o' fix,
And go and hear the music when yer reel a-spinnin' clicks;
For he rushes through the water at a pace that's fit ter kill
When yer hang a four-pound jumper at the dam below the mill!




THE SERENADE.


I.

The winds were hushed, and thin and high
  The fleecy clouds were drifting,
And through them as she sailed the sky
  The moon's soft light was sifting.


II.

Beneath her pale and tender ray,
  Its silvery kiss imprinting,
All dew-bedecked each flower and spray
  Like myriad jewels glinting.


III.

Across the lawn there floats the sound
  Of music sweet--entrancing--
'Neath a latticed casement, ivy-bound,
  Where love-lit eyes were glancing.


IV.

The flute and harp and mandolin
  There dulcet notes were blending,
And strains divine from a violin
  In harmony ascending.


V.

Enraptured by the magic spell,
  I lingering stood, and listening,
It seemed to me that I could tell
  What love to her was whispering.

       *       *       *       *       *


VI.

I looked above and chanced to see
  The man in the moon was scowling,
For they had struck up "Sweet Marie,"
  And the old watch-dog was howling!




"IS IT HOT ENOUGH FER YOU?"


I.

I wouldn't mind the weather much--I'd sizzle and I'd stew,
And do the very best I could the heat to struggle through,
If I could find some way, you know, the feller to eschew,
Who greets you with the chestnut phrase--
            "IS IT HOT ENOUGH FER YOU?"


II.

The mercury might climb the tube and spill right out the top--
The sweat might ooze from every pore and off my carcass drop--
I wouldn't mind the heat at all, and keep my temper too,
If it wasn't for the cuss who says--
            "IS IT HOT ENOUGH FER YOU?"


III.

The sun might shine his level best--the sky seem molten brass--
The heat might dry up every stream, and burn up all the grass--
The evening come without a breeze--the morning have no dew--
If it wasn't for the 'moke' who asks
            "IS IT HOT ENOUGH FER YOU?"




THE TOKEN.


I.

Only a ringlet of flaxen hair,
  Tied with a ribbon blue,
Laid by the hand of a mother there--
  Cherished with love so true!


II.

Only a soft and silken curl,
  Bound with a knotted bow;
Worn on the head of a little girl
  Lost in the long-ago.


III.

Only a hallowed treasure kept
  From the grave's decay and mold,
Over which her eyes have wept
  With anguish all untold!


IV.

Only a link in the golden chain,
  By Death's cold hand unbroken,
Which leads to where she'll meet again
  The wearer of this token.


V.

Only a relic undefiled,
  Enshrined in a broken heart--
Rent in twain when a darling child
  And a loving mother part!


VI.

Only a ringlet of flaxen hair,
  Tied with a ribbon blue,
Clipped from the head of an angel fair,
  Whose hands are beckoning you!




TO SCENES I USED TO KNOW.


I can see the back-log blazing and the sparkles take their flight
Up the cavernous old chimney on a merry Christmas night;
I can see the old folks smiling and the children's cheeks aglow,
And a saucy maiden standing there beneath the mistletoe;
I can hear the laughter mingle with the strains of music sweet
As we tripped the light fantastic with the "many-twinkling feet;"
I can see the moonlight gleaming through the trees upon the snow,
When memory takes me back again to scenes I used to know.

I can see the candles burning bright upon the Christmas tree;
I can see the presents handed round, and hear the shouts of glee,
And from the buried years there comes a-stealing on the heart
A something indefinable which bids the tear-drop start;
I can see the blue smoke curling, through the little strip of wood
Between the winding turnpike road and where the farmhouse stood;
I can see the colts a-playing, I can hear the cattle low--
When memory takes me back again to scenes I used to know.

I can see it all when fancy weaves its magic with a dream,
And I hear the tones from voices like the murmur of a stream;
And oh, the heart seems young again and from its anguish free
When I gaze upon these pictures that are ever dear to me;
Then I see the darkies dancing, I can hear the fiddle ring
As they gathered in the cabin and they cut the pigeon-wing;
I can smell the 'possum roasting, I can see the cider flow,
When memory takes me back again to scenes I used to know.




BEREFT.


I.

No more to feel the pressure warm
  Of dimpled arms around your neck--
No more to clasp the little form
  That Nature did with beauty deck.


II.

No more to hear the music sweet
  Of merry laugh and prattling talk--
No more to see the busy feet
  Come toddling down the shaded walk.


III.

No more the glint of flaxen hair
  That nestled 'round the lilied brow--
No more the rose's bloom will wear
  The cheek so cold and pallid now.


IV.

No more the light from loving eyes,
  Whose hue was like the violet blown
Where Summer's softest, bluest skies,
  Had lent it coloring from their own.


V.

No more to fondly bend above
  The little one when slumber wrought,
With sweetest dreams, the smile of love
  The placid features then had caught.


VI.

No more on earth--oh, nevermore!
  The shattered idols of the heart
Can yearning love nor time restore--
  But--you may meet to never part!




THE "BULL SPRING."


When the burning sun of Summer shines from out a brassy sky,
And has parched and browned the meadows, and the creek's run dry,
O sweet it is to wander there and hear the water sing
It's rippling song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"

Since Logan and the pioneers first stood upon its bank,
And heard it gurgle from the rock, and of its waters drank,
With ceaseless music in its flow, like silvery chimes that ring,
Has been the song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"

Around about the fields and woods of old "Magnolia" spread--
Indigenous to "tansy"--"mint"--and the lithe-limbed thoroughbred;
And far above, on drowsy wing, the crow seems listening
To the rippling song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"

No music that I've ever heard seems half so soft and sweet
As that in silvery tones it makes while flowing at your feet;
And sometimes when I'm far away I'd give most anything
To hear the song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"

'Tis then that fancy wanders, and I sit and fondly dream
That I'm gazing in its liquid depths and see the pebbles gleam,
As when in happy childhood, and free from sorrow's sting,
I heard the song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"

And I sniff again the flavor of the aromatic breeze
From the mint-bed and the tansy, as it floated through the trees,
And hear music mingle of the birds upon the wing
With the laughing song of gladness from the
                                        Old
                                          "Bull
                                            Spring!"




FAMILIAR HAUNTS.


I.

Give me the patches on my pants, the freckles on my face--
The happy heart where cankering care had never found a place--
And let my bare feet walk again that dirt road down the hill
That led me to the river's brink, beyond the old Mock Mill!


II.

Give me the youthful friends I knew, now scattered far and wide--
The loved ones who have passed beyond the bounds of time and tide--
And let me see the rose's hue that mantled every cheek
When we were run-aways from school, a-fishing in the creek.


III.

Give me the stone-bruise on my heel, the hat without a crown--
The unkempt suit of yellow hair the sun had burnt to brown--
And let me go and soak myself, just where we used to walk,
In that old swimmin' pool we had, up on the Hanging Fork!


IV.

Give me the wealth I used to have--a wealth of vast content--
The pockets that were always full--but in them not a cent--
And let me hear the music sweet the wild birds used to sing
In woods and fields I wandered o'er, beyond the Old Cove Spring!


V.

Give me--but what's the use of wishing for the days that won't return--
The vanished faces of the friends for whom we fondly yearn?
And what's the use of trying to look beyond the misty screen
Time's hand has hung between the eye and each familiar scene?




A FADED LETTER.


I.

O what memories sweet entwine
Around each word and faded line!
Yellow and dim with the touch of years,
And soiled with the marks of tears--
A sacred treasure of the heart
Which death alone can from him part--
A letter--cherished as no other--
And ending with the name of--Mother!


II.

Writ it was to a wayward boy,
When life to him seemed full of joy--
Pleading with him so to live
That he her heart no grief would give--
That after years might ne'er be fraught
With sorrow that himself had wrought:--
"May guardian angels 'round you hover,"
She wrote--and signed the name of--Mother!


III.

The paper has the taint of must--
The hand that traced the lines is dust,
And silvery hair is on the head
Of that same boy since first he read
This missive from the sainted one
That bore her love to an erring son--
More fondly prized than any other--
'Twas written by the hand of--Mother!




THE HERMIT.


By the waters of a river, where the rocks like giants stand,
There a stranger, young and favored, built a home with his own hand.

Hewed the logs and reared the roof-tree, where for years alone he dwelt,
Wanderer from the sunny Southland, and from pangs his heart had felt.

Legend says high-born and wealthy, seeking there in Nature's wilds
To forget a maiden fickle, basking in a rival's smiles.

Where the music of the wild birds, echoed from the cliffs around,
Blended with the voice of waters, flowing past with silvery sound;

Where in Springtime wild flowers blooming shed their incense day and night,
And the rugged cliff-sides wearing robes of dogwood, snowy white;

Where in Summer old trees spreading overhead a leafy roof
Flung their shadows, deep and cooling, 'gainst the burning sunbeams proof;

Where in Winter wild winds raving whistled 'round his lonely home,
And the swollen torrent rushing struck the rocks with sullen tone--

He a sunnier clime forsaking for the "dark and bloody ground,"
Where the forest stretched unbroken--there the wanderer rest had found.

All of human-kind deserting, where no din of toil and strife
Ever came to break the stillness--there he spent a hermit's life.

All his frugal wants supplying from the storehouse Nature gave,
Nevermore his footsteps bending toward where Hope had found its grave.

Striving to forget the false one, dwelling 'neath her sunny skies,
Who had left the arrow rankling in his heart with honied lies.

Long ago she was forgotten, and at last surcease had come--
For his heart was stilled forever, and his lips were sealed and dumb.

Long he lay beside the river, flowing sweetly there to-day,
Where was found a bleaching skeleton, and a rude hut in decay.

There where briars in tangled network sway above a little mound,
Rest the bones of Southern stranger, in the "dark and bloody ground!"




THE "MEDICAL SPRING."


I.

Let tipplers all boast of the pleasure divine
That is found in old whisky, in beer and in wine--
But what are all those to a feller who knows
Where the "Medical Spring" in its purity flows,
And has knelt at its brink and just drank his fill
Of the clear, sparkling fluid, from Nature's own still?


II.

How often I've strayed on a hot Summer's day
Where it gurgles and gushes, then flows on its way
With a ripple as sweet as the music that died
When the tones of loved voices are to us denied,
And mirrored my face in the "Medical Spring,"
Where the beetling old cliffs their cool shadows fling!


III.

Not riches, nor honors, nor place do I crave,
Ere they lay me at last to rest in the grave,
But oh, let me hear its music once more,
And drink from its depths while I kneel on its shore--
Then bear me away on the Death Angel's wing
While my lips are yet moist from the "Medical Spring!"




AN "IDYL" OF THE BALL.


I.

In reel, in waltz, in lancer's maze,
  She moved with pretty air of grace,
And all the ball-room's brilliant blaze
  Seemed borrowed brightness from her face!
O, winsome maid, demure and sweet!
  I'll ne'er forget when first I met her,
And saw the dainty slippered feet
  Glide o'er the floor at Linnietta!


II.

O, dreams of youth and beauty rare,
  What rose-hued visions thou canst paint!
But none in loveliness compare
  With her who seemed Love's patron saint!
Her pictured image haunts the mind,
  And, oh, I never can forget her,
Nor rarer pleasure hope to find
  Than dance with her at Linnietta!


III.

Arrayed in softly flowing gown,
  The love-light flashing from her eyes--
With cheeks aglow like roses blown
  Beneath the ardent summer skies--
No artist hand could fitly trace
  The wondrous charm that did beset her,
When tripping with a fairy's grace
  O'er the waxen floor at Linnietta!




DREAMS.


I.

The sweetest dreams, it seems to me, that we can ever know,
Are those the fancy brings to us of days of long-ago,
When rainbow-tinted pictures all are like a mirage flung
Upon the canvas memory weaves--of days when we were young.


II.

The step may falter, eye be dim--the brow may wrinkles wear,
And underneath the crumbling mould our friends be sleeping there--
But oh, these visions come to us as to the rose the dew,
And while with raptured gaze we look the heart seems ever new.


III.

Oh, when perhaps at last we're left a laggard on life's stage,
This is the mellowed draught we quaff our longings to assuage--
As sweet as that from Paradise the smiling Houris hand
The Prophet's faithful followers when at its gates they stand!


IV.

If one last prayer were left to me for my declining days,
Its form should be that I might hear the chimes that memory plays,
And when at last upon my grave the wavy grass had sprung,
Some passer-by could truly say "His heart was ever young!"




A TWIST OF "NATURAL LEAF."


Some sing of the lily, some sing of the rose,
Some sing of each flower in beauty that blows;
But sing me a song that shall render its meed
To the fragrance and aroma found in a weed,
Which banishes care and mitigates grief--
I mean a big twist of old "natural leaf!"

When sorrow's dark mantle the spirit doth wear,
And the heart is oppressed with the demon of care,
Then get out your pipe and its magic invoke
And all of your troubles will vanish in smoke!
O, you who have tried it will know what I mean
When the praises I sing of a hank of long green!

Since the days of King James and his old counterblast
Its sway of all classes has ever held fast,
And its patron saint Raleigh forever will live
In remembrance as sweet as affection can give,
And the incense we burn is an offering seen
In wreaths of blue smoke from a twist of long green!

Now some may advise you and others may swear
That nicotine poison your nerves will impair,
And if from the weed you'd just kept aloof
From heartburn and palsy you'd surely been proof--
For a man who had died at a hundred fifteen
Was hastened away by smoking long green!

But a cigar, a pipe, or a good juicy chew
Will yield you more comfort than harm they will do,
And murder the microbes that float in the air,
And make magical dreams in the old arm-chair,
If you will remember, and never forget,
To just draw the line at a vile cigarette!




GEORGE W. CHILDS.

FEBRUARY 4TH, 1894.


"Gone to his exceeding great reward,"
  The friend of rich and poor alike;
And there'll rest not beneath the sward
  More shining mark that death could strike.

The benefactor of his race--
  His noble soul from avarice free;
By heaven lent the sordid earth to grace--
  A nation's tears sincerely shed for thee!

Thrice blest the one, in lowly lot,
  Contented with an humble place,
Who by thy noble heart was ne'er forgot
  And knew thy smiling, loving face!

Oh, thus too early snatched away
  From generous act and loving deed;
Thousands will now deplore the day--
  Thousands now whose hearts will bleed!

The heaven-pointing shaft for thee
  Its stately head might never raise;
But thy sweet memory would ever be
  Hymned by thy fellow-mortals' praise!

Oh, thanks to Him who in His image made
  And to the world this beacon gave;
With tears we'll water flowers that never fade
  And gently drop upon his new-made grave!




THE OLD SPRING-HOUSE.


With its rude walls of stone and its moss-covered roof--
('Tis a picture inwoven with memory's woof)--
It stands there to-day, as it stood in the years
When we knew naught of sorrow--nor anguish--nor tears;
And though far from it now, I can see it at will--
The old spring-house at the foot of the hill!

O flights of fond fancy that deeply inurn
Sweet scenes of our childhood, no more to return!
Which carry us back in visions and dreams
And illumine life's pathway with memory's gleams--
Till we see once again, though with tears the eyes fill,
The old spring-house at the foot of the hill!

There we children, bare-footed, would wander to play,
And wade in the branch that flowed on its way
Through the meadows and fields with current so fleet,
And a gurgle and ripple that sounded so sweet!
And the water that helped turn the wheel at the mill
Was from the spring-house at the foot of the hill!

And, oh! I remember a pair of blue eyes,
With glances as tender and soft as the skies,
And a little brown head that was covered with curls,
And the laughter that rippled between rows of pearls,
Which was changed to a cry of despair and of woe
When the craw-fish was clinging to a little pink toe!

Distilled by the heart into memory's wine,
'Tis thus that we drink a draught that's divine,
And lighten the burdens which after years bear,
And banish with dreaming the demon of Care!
O in fond recollection I linger there still,
By the old spring-house at the foot of the hill!

Though vanished forever the faces that smiled,
And hushed is the laughter I heard when a child--
Yet often when musing they float back to me,
And I see them and hear it as clear as can be!
And I'm playing again, while the heart strings all thrill,
By the old spring house at the foot of the hill!




CAMPING ON THE CUMBERLAND.


Where the Cumberland flows on its way to the South,
From its source in the hills half-way to its mouth--
When Autumn has come and tempered the rays
Of the hot blazing sun with its soft mellow haze,
Is an Eden of bliss and a place of delight,
When the minnows are good and the "jumpers" will bite,
And a fellow's well fixed with a reel and a pole,
And other "equipments"--(of which I've been told)!

To camp there and fish for a week at a time,
And have the four-pounders just tug at your line,
Is a feeling akin to sweet visions we see
When we dream of that home where we all hope to be;
And no king in the world who sits on a throne
E'er felt the rare joy that thrills to the bone
When you throw out your line and it whizzes away,
Just cutting the water to foamy white spray!

He darts here and there, dead game to the last,
When he feels the barbed hook and finds that he's fast,
And plunges and struggles, disdaining to yield,
Till exhausted at last to the bank he is reeled,
And carefully lifted from out the old stream,
While he flounders and gasps and his scaly sides gleam,
And you measure his length and guess at his weight--
(Five inches too long and a pound too great)!

And when shadows of evening are gathering around,
And the sun with pure gold each hill-top has crowned,
Then pick up your trappings and leisurely wend
Your way back to camp, above the long bend,
Where the cook has prepared a supper, I trow,
Ne'er dreamt of in thoughts of Delmonico!
And you'll sit there and eat for an hour or more
With an appetite keen--and unheard of before!

Now bring out your pipe and fill up the bowl,
And loll there and smoke till it seems that the soul
Is wafted away like the ringlets that rise
As blue as the dome of the star-jeweled skies!
Then roll in a blanket with your feet to the blaze,
And the croak of the frogs and the ripple that plays
Will lull you to sleep with music as sweet
As that of the song when the angels you greet!




AN EASTER FLOWER.


I.

The flower that she gave to me
  Has withered now and died--
But yet with fond fidelity
  Its faded leaves abide.


II.

The petals that so fragrant then
  She wore upon her breast--
Still clinging to the lifeless stem,
  With miser care possessed.


III.

As when in sweetest purity
  It shed its perfume rare,
A symbol dear 'twill ever be
  Of one divinely fair!


IV.

Plucked by the cruel hand of Death
  In beauty's youthful bloom--
She perished with his chilling breath,
  And withered in the tomb.


V.

But I will cherish ever thus
  The token that she gave
When sun-lit skies were over us,
  Unclouded by the grave!




THE STAGE COACH.


No matter what the weather was, in good old stage coach days,
The driver with his ruddy face and spanking team of bays
Would spin along the turnpike road, o'er level stretch and hill,
That wound away from "Idleburg" to classic Nicholasville.

The depths beneath his seat were filled with leathern sacks of mail,
And all the coach's top at times was crowded to the rail
With trunks, valises, packages, and bundles by the score,
That must have weighed, it seemed to me, five thousand pounds or more.

And strapped within the bulging boot, that hung far out behind,
Was added weight enough to make a team of oxen blind;
And counting all the passengers that filled the coach within,
The load those horses had to drag--I thought it was a sin!

How proud of them the driver was! And often he would brag
That they could pull a heavier load and never balk or flag;
If all the road was ankle-deep in miry, sticky mud,
That was the time his team would show its metal and its blood.

The "ribbons" then he'd gather up, and give his whip a crack,
And any team in front of him had better clear the track;
He seemed to own the turnpike road, and kept the right of way
Unto himself as jealously as bloomers do to-day.

By wood and field he wound along, and by the river's bank,
And when he reached the covered bridge the hoof-beats on the plank
Were echoed from the cliffs around and from the vale below;
And going up the hill beyond he'd let 'em walk and blow.

Then urged into a trot again around the curves they spun
Till hove in sight the manor-house of Camp Dick Robinson;
And on beyond where Nelson lay, the bravest of the brave,
Till Nicholasville at last was reached, to them the reins he gave.

And when the sun was hanging low and slanting shadows fell,
Along the streets of "Idleburg" that old familiar yell
Would greet the ears of villagers from small boys as they ran
With open mouths and lusty lungs a-shouting "Here comes Sam!"

Ah me! The old stage coach, abandoned now, stands in the stable lot,
A victim to the tooth of rust, and slow decay and rot;
Its whole-souled driver years ago forever passed away,
And crumbled now to dust the hand that drove each gallant bay!




DICK'S RIVER.


I.

Rock-sentineled, romantic stream!
Thy waters flow with silvery gleam
Where glassy pools and visions greet
Embosomed in some cool retreat;
Then rippling o'er a pebbly bed,
With current fleet thy course is led
To where, walled in by beetling cliffs,
It plunges o'er the hidden rifts.


II.

Past where the meadows gently sweep
The limpid waters silent creep,
Until, o'erhung with cooling shade,
They lave the shores of sylvan glade,
And many a wild-flower blooming there
Its incense flings upon the air;
And spreading o'er each sloping side
An emerald carpet stretches wide.


III.

Now gliding out, the waters gleam
And sparkle with the sun's warm beam,
Reflecting then some mirrored cloud
Like specter wrapt in filmy shroud--
Till pouring down with fretful whirl
They o'er the mill-dam rush and curl,
And foaming round in eddies deep,
The circles wide and wider creep!


IV.

Oh, by thy wave I've loved to stray
On many a balmy summer's day--
When youth, and hope, and life were sweet--
Thy wooded banks and cliffs to greet!
And often back to days of yore
My fancy strays along thy shore,
And musing thus I fondly dream
I see again thy waters gleam!




TO A LITTLE BOY.


I.

Dear little one with eyes so blue,
  And silken ringlets of flaxen hair!
Oh, may life have in store for you
  Something better than anguish and care!
      Oh, may thy footsteps guided be
        In paths of peace and pleasantness!
      Oh, may those bright eyes never see
        Much of the cold world's bitterness!


II.

Dear little one with innocent lips,
  Tasting life's cup at the sparkling brim!
Oh, may the dregs that sorrow sips
  Ever be kept aloof from him!
      Oh, may the smile on his dimpled face
        Through the years to come still linger there!
      Oh, may Time's fingers gently place
        The silver strands in his flaxen hair!




WHEN THE COAL HOUSE'S FULL.


When the nights are gittin' chilly and the leaves begin to fade,
An' the mercury's down to thirty, 'stead o' ninety in the shade,
There's a happy kind o' feelin' takes possession o' the soul--
With the smoke house full o' middlin', and the coal house full o' coal!

When the wintry winds are whistlin' through the branches o' the trees,
An' the dead leaves are a-flyin' and a-rustlin' in the breeze,
You kin feel the vast contentment that over you will roll--
If the barn is full o' fodder, and the coal house full o' coal!

When the 'skeeter's ceased from troublin' and the fly is chilled to death,
An' the window-pane is written with the Frost King's icy breath,
You kin dream about the Summer-time, an' that old fishin' pole--
If the pantry's full o' victuals, an' the coal house full o' coal!

When your supper's been digested an' you're dozin' in your chair,
Or you're tucked between the blankets from the frosty, nippin' air,
Why, your dreams will be the sweeter if you've helped some sufferin' soul
Whose larder's scant o' victuals, and his coal house minus coal!




DECEMBER.


I.

White-shrouded, latest-born of all the year,
  In thy cold hands no bud or floweret bearing,
Thou comest now to wail above the bier
  Of thy dead sisters--on thy bosom wearing
The icy jewel and the frosted gem--
But on thy marble brow the Star of Bethlehem!


II.

Beneath thy foot-prints lie the Autumn leaves,
  Mould'ring and hast'ning to decay;
And where the drifting snow its mantle weaves
  The Summer songsters sang the happy hours away.
What tho' the birds have flown the blighted stem?
There's in thy jeweled crown the Star of Bethlehem!




SOLACE.


One Autumn evening, wandering, when the sun was hanging low,
Through a woodland where the music of a streamlet's gentle flow
Commingled with the rustling of the yellow golden leaves,
And the idling breeze's sighing as it floated through the trees,
I heard sweet voices whispering in accents soft and low,
That lulled to rest the troubled soul, like those of long ago.

Enchanted thus I lingered, by unseen hands fast bound,
My willing fancy captive to the magic of sweet sound,
And eagerly I listened to the whispering voices tell
Of happy days of childhood, and the tear unbidden fell,
As were pictured to the mind again the halcyon scenes of yore,
And loved ones that no more I'll meet till on the silent shore!

And as the slanting shadows fell athwart the scattered leaves
The language that the voices spoke was formed of words like these:
"You may mingle with the sordid world, in eager, restless haste,
To struggle for the golden fruit that Mammon loves to taste,
But find at last, the end attained, that there are better things
To satisfy the longing heart--that sweeter solace brings.

"Thy Springtime, thy Summer, and thy Autumn's mellowed haze,
If rightly lived and rightly spent, will bring rare, happy days,
That temper with their sunshine the frigid Winter's wrath,
When gathering storms are darkling o'er life's declining path,
And lend a ray celestial that hoarded gold ne'er gave
To lighten all thy journey, from the cradle to the grave."




FRANK L. STANTON.


I.

The sweetest music put in song since Robby Burns's time
Is that which breathes its harmony from Georgia's sunny clime,
Where the fragrant-scented odor that the climbing jasmine flings
Commingles with the melody that gifted Stanton sings!


II.

It may not suit a bookish clan that cannot understand
The rhythm and the cadences they never can command--
But what is that to him that knows and touches all the strings
Of hearts responsive to his strain when gifted Stanton sings?


III.

We read his songs and hear the notes repeated once again
His ear has caught when listening to the mocking-bird's refrain,
And interwoven with the sense a mystic something rings
That fills the soul with ecstasy when gifted Stanton sings!


IV.

O Sunny South! where blooming flowers and where the whispering pine
Attunes his harp till every string gives forth a sound divine!
We love you for the many gifts that generous Nature brings,
But best of all--we love you for the song that Stanton sings!




THE OLD CHURCH BELL.


It hangs today where it has hung for fifty years or more,
But some who loved its silver tones the church-yard covers o'er,
And many are the times since then, with deep and solemn knell,
Has tolled for dear departed ones the
                                        Old
                                            Church
                                                  Bell!

Within a latticed tower it swings, high up above the street,
And every Sabbath morn is heard the music clear and sweet
Which floats above the village roofs, and over hill and dell,
Upborne upon the vagrant wind, from the
                                        Old
                                            Church
                                                  Bell!

Full many a change the hand of Time has in the village wrought,
And passing years have often been with grief and anguish fraught,
Yet age has never changed its tones, and years cannot dispel
The magic of the music from the
                                        Old
                                            Church
                                                  Bell!

Since it was placed within the tower, in days of long ago,
The tempests wild have round it raved, and many a driven snow
Has sifted through the slats up there, and mantled as it fell
In robes of white its dwelling place, and the
                                        Old
                                            Church
                                                  Bell!

Though gone from earth and earthly things--forever passed away--
The faithful ones who loved while here its summons to obey
Now rest beyond the tide of Time, with rapture long to dwell,
For there their footsteps guided were by the
                                        Old
                                            Church
                                                  Bell!




A SUMMER EVENING.


I.

The sun has sunk in the crimson west,
  And "around the languid eyes of day"
The Twilight's dreamy shadows rest
  And light and shade alternate play;
The winds are hushed, nor leaf nor flower
Is swayed with motion by their power.


II.

The fireflies with meteor lamps
  Arise from out the dewy lawn,
And there the elfin cricket chants
  His vespers when the day is gone,
And far above, the sky's coquette
With all her starry train is met.




FATHER RYAN.


I.

In Southern sunny clime there is a hallowed tomb,
  Where rest the ashes of a minstrel priest;
And soft winds that are laden with a sweet perfume
  Their requiems for him have never ceased.


II.

We read his songs, and hear again the tread
  Of armed battalions, marching to the fray,
Or see once more the features of beloved dead
  Whose life blood crimsoned uniforms of gray!


III.

We see the tattered banner that he loved so well
  Again unfurled and fluttering in the breeze,
And once again we hear the "rebel yell"
  Triumphant wafted o'er the riven trees!


IV.

O, may thy minstrel spirit find eternal rest
  In some fair clime where nothing can be lost!
Where anguish never more can rend thy breast,
  And fondest hope can ne'er be tempest tost!




THE MEADOW PATH.


I.

It led adown the sloping hill, and through the valley wound,
And where the blooming clover shed its fragrance all around,
And then between the maple trees, across the little brook,
To where the old fence bars let down, a tortuous course it took;
And often are the times I've heard the merry, ringing laugh,
From rosy-ankled children there, along the meadow path.


II.

Three boys--and a little girl whose hair was chestnut gold--
(She's resting now in dreamless sleep beneath the crumbling mold;)--
But I remember her as when, with innocence and glee,
Her laughing eyes looked into mine--for she was dear to me;
And thus it is I love to let the fancy photograph
The merry group that idled there, along the meadow path.


III.

Adown it oft we used to go at twilight for the cows,
Or wander from the beaten track a rabbit to arouse,
And watch him as he scampered off, with frightened leap and bound,
The while we made the welkin ring and with our shouts resound.
The sweetest flowers that bloom for me--a fragrant aftermath--
Are those that in the memory blow, along the meadow path!




THE FOX HUNTERS.


I.

With fleet-limbed steeds and baying pack
They follow close on Reynard's track,
And wake the slumbering echoes round
With music of the horn and hound;
Through wood and field, o'er hill and dale,
They course him in the moonlight pale,
And sport they find which brings delight--
These reckless riders of the night!


II.

The game is up! away, away!
Nor hedge nor fence their course can stay;
They clear them at a single leap,
And like the wind they onward sweep!
O'er fallen trunk and hidden ditch
The fearless horsemen plunge and pitch,
And heedless all they follow on
With ringing shout and winding horn!


III.

Thy wondrous ride, oh Tam O'Shanter,
To speed like theirs was but a canter;
Had you bestrode that night instead
Of gray mare Meg a thoroughbred
(Such as Kentuckians only breed--
To Scotia then an unknown steed),
No carline could have caught his rump
And left your brute with scarce a stump!


IV.

His foaming horse with throbbing sides
Unslackened yet his pace he rides,
Till in among the yelping hounds
The foremost huntsman proudly bounds,
And sees the leaders of the chase
(Two matchless dogs that set the pace)
O'ertake the game and win the race!
And then dismounts and feels the flush
Of victory as he takes the brush!


V.

O royal sport, befitting kings!
It bids the demon Care take wings,
And the rose's hue to the cheek it brings!
And sweeter music none can hear
Than that which greets the list'ning ear--
By distance mellowed to a key
That breathes divinest harmony--
And wakes the slumbering echoes round--
The winding horn and baying hound!




THE CHARMING GIRL OF SOMERSET.


By magic spell was I entranced
When on me first thy brown eyes glanced,
And sunbeams played at hide and seek
Thro' silken ringlets on thy dimpling cheek,
And like some glorious halo shed
Their radiance o'er thy shapely head--
And seemed as if they loved to dwell
Where'er thy airy footsteps fell!
And in my dreams I see thee now--
The pearly teeth--the arching brow--
The form that mocks the sculptor's art
To add one curve that could impart
More beauty and more witching grace,
Or chisel out a sweeter face!
Blest be the hour when first I met
This charming girl of Somerset!




IN JULY.


I.

Oh, for a deep-shaded spot where the shadows cool
  Are hid from the rays of the glaring sun,
And the sparkling waters from a limped pool
  O'er the gleaming pebbles in ripples run!


II.

Where the sloping banks are with verdure clad,
  And the hoary cliffs with moss o'ergrown,
And the tangled vine and the wildflowers pad
  The fallen trunk and the hidden stone!


III.

Where the song that wells from a feathered throat
  The echoes repeat again and again,
And the drifted sedge and the bubbles float
  O'er the glassy depths of a miniature main!


IV.

Where the willows dip in the edge of the stream,
  And sway and nod in the passing breeze,
And a feller could tranquilly rest and dream
  Of a howling blizzard and a good hard freeze!




TO J. R. M.


I walked within the silent city of the dead,
Which then with Autumn leaves was carpeted,
And where the faded flower and withered wreath
Bespoke the love for those who slept beneath,
And, weeping, stood beside a new-made grave
Which held the sacred dust that friendship gave.
That heart with milk of human kindness overflowed--
That sympathetic hand its generous aid bestowed
To lighten others' burdens on life's weary road!
And there no polished shaft need lift its head
In lettered eulogy above the sainted dead--
His deeds are monuments above the dust whereon we tread!
When from its fragile tenement of clay
To fairer realms his spirit winged its way,
With poignant grief we stood around the bier
Which held the lifeless form of one held dear,
And broken hearts that knew no comfort then
Still mourn the loss of one of Nature's noblemen!




TWILIGHT.


The sun is sinking where the western hills
  The vision bounds with rugged summits old,
And with his latest beam he brightly gilds
  And crowns with amethyst and gold.

The distant music of a tinkling bell
  Is floating o'er the meadow's gentle sweep--
No discords mar the magic of the spell,
  And stealthily the twilight shadows creep.

And gently falls upon the listening ear--
  Like tones from voices of the long-ago--
The cadence of the murmuring waters near--
  With rhythmic ripplings soft and low.

Now grow apace the shadows' slanting shapes
  And fade the rugged hills to misty gray,
As dying day its calm departure takes
  And yields to coming night her sable sway.

The vaulted dome above now glows afar
  With many a soft and tender light,
Each sparkling gem it wears a jeweled star,
  With sweet effulgence purely bright.

Sweet scene! Sweet hour! If to the heart
  No quick'ning pulses they can lend,
And to the soul no rapture thus impart--
  Vain were our lives--and vainer still the end!

O, such the time when he who will may feel
  Release from care, vexation, toil, and strife--
And musing then will gently o'er him steal
  The sweetest moments of the turmoil--life!




OUT UV "POLITICKS."


I.

"I'll tell yer what," said Uncle Zeke, down at the country store,
"I'd been a farmer all my life--fur twenty year or more--
Until one day my noddle here, it got plumb out o' fix,
Er-swellin' with the idy that I's made fur politicks.


II.

"I'd been ter hear them fellers speak, an' rip an' rant an' rave,
When 'lection time's er-comin' on, who tell yer how ter save
Ther kentry frum tarnation ruin, by sendin' only men
That's fit ter draw ther salaries, an' honest--jest like them.


III.

"So listen, boys--yer'll profit by ther story that I tell--
I left ther farm ter 'lectioneer an' run fur constable;
I wouldn't hearken ter my wife--she said I'd lost my wit,
An' as fur holdin' offices--_she_ knowed _I_ wusn't fit.


IV.

"But ennyhow, I sold er steer, an' then er heifer calf,
An' bought er bran' new suit o' clothes fur twenty an' er half,
An' 'fore ther 'lection day cum roun' I'd sold my wheat an' oats,
An' spent ther proceeds that I got in purchasin' uv votes.


V.

"I knowed 'twus wrong--agin ther law--ter do er thing like that--
But then ther boys all said, yer know, 'twould take er little 'fat,'
Fur ther feller that I run agin could have no earthly hope
Uv beatin' me if I'd use ther right amount uv 'soap.'


VI.

"I jocks I did--I won ther fight--I sarved er single term--
(But fur ther salary that I got I wouldn't give er durn);
An' right up here I wear ther scar that shows whar I wus hit
Ther day I rid fur forty miles ter sarve that cussed 'writ!'"




JONES' MARE.


I.

Now Farmer Jones was noted for fast horses on his place,
And also as the father of a son with freckled face,
And hair so red it looked as if it had been dyed in blood,
And Ephraim was the "masher" of the country neighborhood.


II.

This Ephraim Jones' yellow mare, she was no nice and fleet
That all the girls for miles around on Eph. were very "sweet,"
In hopes to get a ride or two behind her on the road,
With sleigh-bells jingling 'round her neck, some day when it had snowed.


III.

Or else to spin along the pike, with buggy top let down,
And ribbons sailing out behind, when Eph. would drive to town,
The envy of the country boys, and many maidens fair
A-casting wistful glances at the youth with reddish hair.


IV.

This thing went on till finally our Ephraim fell in love
With Tildy Ann Serepty Brown--as gentle as a dove--
Of all the girls around about the reigning country bell,
Whose father was as rich as cream--he'd struck an oil well!


V.

About three nights in every week could Ephraim's yellow mare
Be found a-standing hitched outside, while he was courting there,
And so the boys, with envy mad and jealousy aroused,
To humble Eph. hit on a plan they heartily espoused.


VI.

If anything in all the world, beside sweet Tildy Ann,
Was dear to Ephraim's eye and heart, it was his claybank, Fan;
He boasted of her speed and looks, and of her pedigree--
Said more intelligence in a brute no man would ever see.


VII.

He kept her curried till her coat it shone like burnished gold--
With silver-mounted harness on, a beauty to behold.
A brand new buggy hitched to her, a-glinting in the sun,
She "took the cake" for speed and style from every other one.


VIII.

They heard that Eph. one night would call upon his Tildy Ann
To make arrangements all complete to carry out a plan:
It would be Sunday following, when all in style he'd go
With Tildy and the yellow mare to the country "bonnet-show."


IX.

Supplied with brushes, cans of paint of every shade and hue,
And to furnish light by which to work, a bull's-eye lantern, too,
At ten o'clock that night so dark you couldn't see a wink,
They striped his Fan with red and brown, and black and blue and pink.


X.

Next morning when he went to feed, and opened wide the door,
No zebra that was ever foaled could boast the stripes she wore;
Her ears were white, her legs were green, her tail was fiery red,
And as he gazed upon her then I can't tell what he said!




THAT OLD STRAW HAT OF MINE.

(WITH APOLOGIES TO RILEY.)


I.

As one who dreams at evening o'er the new hats that he's worn,
And muses on the better times that once to him were known,
So I turn the leaves of fancy till, in shadowy design,
I see the faded ribbon on that old straw hat of mine.


II.

The firelight seems to mock me as the ruddy flames arise,
And I turn about to rest me of the dazzle in my eyes;
And I ponder then in silence, save a sigh that seems to yoke
Its fate with my condition, and to vanish like the smoke.


III.

With fondest recollection the loving thoughts that start
Into being are but feelings from the bottom of my heart;
And to wear the new hats over is a luxury divine--
Till my truant fancy wanders with that old straw hat of mine.


IV.

Now I hear without my chamber, like a fluttering of wings,
The rustling of the autumn wind as through the trees it sings,
And I feel no twinge of conscience to deny me any scheme
That will bring to me a hat of which I now can only dream.


V.

In fact, to speak in earnest, if I could work a charm,
I'd try it on old Isaacs--'twouldn't do him much of harm--
And I'd find an extra flavor in memory's mellow wine
When I thought of how I swapped him that old straw hat of mine.


VI.

A thing of real beauty, with a shape of airy grace,
Floats out of Isaacs' storehouse, as the genii from the vase,
And, oh! I gaze upon it with a pair of loving eyes,
As glowing as the summer and as tender as the skies!

       *       *       *       *       *


VII.

But, ah! my dream is broken when I gaze upon that chair,
For my eyes are now wide open and--the same old hat is there;
And reluctantly and sadly all my visions I resign
To know that I must wear again that old straw hat of mine!




TOM BARBEE'S POND.


I.

O sweet are the memories when backward we gaze
Through the vista of years to our schoolboy days,
When faces now vanished to the vision appear
And the music of voices long hushed we can hear,
As together we romped where the school-house stood,
Or joyfully wended our way through the wood
Where placidly lay, in the valley beyond,
The moss-covered waters of Tom Barbee's pond!


II.

Though scattered by Time o'er the face of the earth,
And sorrow and anguish have succeeded to mirth,
Still many there be whose mist-bedewed eye
Looks longingly back, while the breast heaves a sigh,
To that far-away time, when together we played
In the school-house yard, or on Saturdays strayed
Where the knots in our sleeves were tied tight as a bond,
As we splashed and we dived in Tom Barbee's pond!


III.

The "pleasures of memory" by Rogers were lined,
With rhythm as sweet as in verse you will find,
But could he e'er picture one-half of the joys
We had when we wandered as barefooted boys
Through the woods and the fields and the meadows out there,
With our sun-blistered backs and the burrs in our hair,
Or recall to the mind a remembrance more fond
Than bathing and swimming in Tom Barbee's pond?




WHERE?


I.

O, where are the friends that in youth we once knew,
Whose smiles were like sunshine, whose hearts were so true?
Alas! they are lost in the darkness and gloom
That veils them from sight in the cold, silent tomb!


II.

O, where are the years that forever have fled,
And over Life's morning their radiance shed?
With the Past written down on the unending scroll
Where Time--grim destroyer--his victims enroll!


III.

O, where are the fancies, the visions, the dreams,
That filled the young breast--with which memory teems?
They have faded away--from life they have passed--
Like stars blotted out when the sky's overcast!


IV.

O, where are the hopes that have beckoned us on
With their beacons of light, through sunshine and storm?
Like spectres--like phantoms--like vapor and mist,
They have vanished forever--a will-o'-the-wisp!


V.

O, where are the harbors, the havens of rest,
That solace can give to a heart that's opprest?
They are hid from the vision beyond the blue sky,
Yet the eye of sweet Faith their portals descry!




THE HILLS OF LINCOLN.


I.

O the hills of old Lincoln!--I can see them to-day
As they stretch in dim distance far, far away,
And on Fancy's swift pinions my spirit hath flown
To rest 'mid the scenes which my childhood has known--
Where the old Hanging Fork, with its silvery gleam,
Glides away 'tween the meadows like thoughts in a dream,
And far to the south, with their outlines so blue,
The rugged knobs blend into heaven's own hue!


II.

O the hills of old Lincoln!--how fondly I gaze
On their wildwoods and thickets and deep-tangled ways
When memory's mirror presents them to view,
And I dream once again that I tread them anew,
While raptured I listen to the music of love
That the song-birds are singing in the tree-tops above,
And the soul drifts away in a swoon of delight,
Unanchored from care and from sorrow's cold blight!


III.

O the hills of old Lincoln!--my footsteps have trod
Up and down their green valleys, with shotgun and rod,
And it seems to me now that the years that have fled
Around their old summits a halo have shed
That guides the fond fancy unerringly there
When backward it wanders with childhood to share
Sweet scenes such as these, inurned in the heart,
And which from fond memory can never depart!




LOVED AND LOST.


I.

Sweetly to sleep beneath the fresh green turf
  They laid the loved and lost away;
A chair is vacant by the household hearth,
  And shadow-vested Sorrow's there to-day.


II.

The tender hands that guided us in youth
  Are folded now upon the gentle breast,
And those dear eyes whose depths were love and truth
  Are closed to open in eternal rest.


III.

Through simple faith and duty well performed,
  A crown of light forever shall be hers;
And though with bitter grief and anguish mourned,
  A consolation gleams through blinding tears!




A TRUE STORY.

(READ BEFORE A MEETING OF THE DANVILLE
SCRIBBLER CLUB.)


Dear friends, to-night the inspiration of my theme
Is not the baseless fabric of a weird, fantastic dream--
For truth, combined with justice, doth impel,
And therefore it is fact--not fiction--that I tell.

"Truth, crushed to earth, will rise again"--
A maxim true as holy writ;--then it is plain,
If rudely woven by an untaught hand it be,
Sustains but transitory wrong and injury.

And thus it is, in homely rhyme, I venture forth,
Relating nothing here but under oath;
And if, perchance, at times it sounds a little strange,
You know that truth o'er fiction hath a wider range.

These stanzas three I hope you'll deem explanatory--
As introductory and preliminary to the story--
A preface simply used before I introduce
The proper characters essential for our use.

And just one moment more attention I will claim,
And crave indulgence while I here explain,
That "character" is used in a Pickwickian sense--
So truth and justice need not take offense.

'Twas when the Autumn leaves, with russet hue,
Scarce quivered in the gentle wind, and when the dew
Lay sparkling on the grass, beneath the argent moon,
A tragedy took place--of which I'll tell you soon.

And ever and anon a fleecy, drifting cloud,
Meek Dian's face would veil with filmy shroud,
And lend to wood and field that softened ray
Unmatched in beauty from the glaring god of day!

But I will tell the story as 'twas told to me,
And vouched for by some others--two or three--
Whose word to doubt would be a heinous sin--
So, armed with truth, in confidence I will begin.

Ah, memory! Thou art a fickle jade,
And oft responsible when grave mistakes are made,
And therefore 'tis with caution that I hesitate
When truthful things I undertake to state.

This much is due to accuracy and circumspection,
As well as to a rather faulty recollection;
And so I'll trespass on your patience now no more,
But straightway tell the story--as I said before.

All good beginnings have that natural trend
Which safely leads to a successful end,
And stories all should have their plots well laid--
Which neither prose nor verse can do, when haste is made.

'Tis said "procrastination is the thief of time,"
And this might seem to be the object of my rhyme.
Had I not told you, as I should have done,
The reason why the story's not begun.

'Tis my sole object, then, to give without delay,
The narrative in a direct and proper way,
For as you know some critics may be here
Whom scribbling rhymesters may, with justice, fear.

"What shameless bards we have! And yet, 'tis true,
There are as mad, abandoned critics, too!"
This couplet, penned by Pope, is ever new--
But then, dear friends, the second line was _not_ for you!

I only quote that you may comprehend
How modesty in _me_ has missed its end,
And why it is I ever undertook to write
The story that I'm going to tell--sometime to-night.

An introduction that will keep the listener in suspense
I deem derogatory to good taste and sense;
And this is also why I'll nothing put as prefatory
Before I launch right out into the story.

I'm going to make it thrilling, crisp and short,
In purest diction drest, with gems of thought
So intermingled with the story's warp and woof,
That from beginning I can scarcely keep aloof.

I'll put quotation marks to shrive me of the sin
Of plagiarism when such language I begin--
That every one of you may plainly see
I tell the story as 'twas told to me.

So calmly, coolly then, I think I will proceed
To give you now the story--taking heed
To curtail all that truth and justice will permit--
Remembering that "brevity's the soul of wit."

But undue haste would cause me to forget
And mar the memory of its telling with regret
If I had overlooked some startling fact,
Which on both truth and justice would re-act!

And now, dear friends, don't think that you are "sold"
If still as yet the story's left untold--
But paper, ink, your patience, and my time
Are all exhausted in this race with rhyme!




       *       *       *       *       *

Transcriber's Notes

Variations in spelling, hyphenation, and punctuation have been
retained from the original book, except for the following changes:

Page 9: raiload changed to railroad:
  (From the raiload bridge, with its single span,).

Page 49: Aud changed to And:
  (Aud do the very best I could the heat to struggle through,).

Page 56: Punctuation corrected from:
  (Old "Bull "Spring?") to (Old "Bull Spring!").

Page 62: Their changed to There:
  (There where briars in tangled network sway).

Page 101: Ephram's changed to Ephraim's:
  (Was dear to Ephram's eye and heart, it was his claybank, Fan;).







End of the Project Gutenberg EBook of The Old Hanging Fork and Other Poems, by
George W. Doneghy

*** END OF THIS PROJECT GUTENBERG EBOOK THE OLD HANGING FORK ***

***** This file should be named 26505.txt or 26505.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/6/5/0/26505/

Produced by David Garcia, Diane Monico, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.