summaryrefslogtreecommitdiff
path: root/2662-h
diff options
context:
space:
mode:
Diffstat (limited to '2662-h')
-rw-r--r--2662-h/2662-h.htm10447
1 files changed, 10447 insertions, 0 deletions
diff --git a/2662-h/2662-h.htm b/2662-h/2662-h.htm
new file mode 100644
index 0000000..bf79934
--- /dev/null
+++ b/2662-h/2662-h.htm
@@ -0,0 +1,10447 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of Under the Greenwood Tree, by Thomas Hardy</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+.p2 {margin-top: 2em;}
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: 90%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.letter {text-indent: 0%;
+ margin-left: 10%;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+.letter {text-indent: 0%;
+ margin-left: 10%;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em;}
+
+p.noindent {text-indent: 0% }
+
+p.center {text-align: center;
+ text-indent: 0em;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.right {text-align: right;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+</head>
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Under the Greenwood Tree, by Thomas Hardy</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Under the Greenwood Tree</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Thomas Hardy</div>
+<div style='display:block; margin:1em 0'>Release Date: June, 2001 [eBook #2662]<br />
+[Most recently updated: November 17, 2023]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Price, Margaret Rose Price and Dagny</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK UNDER THE GREENWOOD TREE ***</div>
+
+<h1>UNDER THE GREENWOOD TREE</h1>
+
+<h3>or<br/>
+THE MELLSTOCK QUIRE<br/>
+A RURAL PAINTING OF THE DUTCH SCHOOL</h3>
+
+<h2 class="no-break">by Thomas Hardy</h2>
+
+<hr />
+
+<div class="chapter">
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap00">PREFACE</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#part01"><b>PART THE FIRST—WINTER</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap01">CHAPTER I. MELLSTOCK-LANE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">CHAPTER II. THE TRANTER’S</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">CHAPTER III. THE ASSEMBLED QUIRE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">CHAPTER IV. GOING THE ROUNDS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">CHAPTER V. THE LISTENERS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">CHAPTER VI. CHRISTMAS MORNING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">CHAPTER VII. THE TRANTER’S PARTY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">CHAPTER VIII. THEY DANCE MORE WILDLY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">CHAPTER IX. DICK CALLS AT THE SCHOOL</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#part02"><b>PART THE SECOND—SPRING</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">CHAPTER I. PASSING BY THE SCHOOL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">CHAPTER II. A MEETING OF THE QUIRE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">CHAPTER III. A TURN IN THE DISCUSSION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">CHAPTER IV. THE INTERVIEW WITH THE VICAR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">CHAPTER V. RETURNING HOME WARD</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap15">CHAPTER VI. YALBURY WOOD AND THE KEEPER’S HOUSE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap16">CHAPTER VII. DICK MAKES HIMSELF USEFUL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap17">CHAPTER VIII. DICK MEETS HIS FATHER</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#part03"><b>PART THE THIRD—SUMMER</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap18">CHAPTER I. DRIVING OUT OF BUDMOUTH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap19">CHAPTER II. FURTHER ALONG THE ROAD</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap20">CHAPTER III. A CONFESSION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap21">CHAPTER IV. AN ARRANGEMENT</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#part04"><b>PART THE FOURTH—AUTUMN</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap22">CHAPTER I. GOING NUTTING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap23">CHAPTER II. HONEY-TAKING, AND AFTERWARDS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap24">CHAPTER III. FANCY IN THE RAIN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap25">CHAPTER IV. THE SPELL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap26">CHAPTER V. AFTER GAINING HER POINT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap27">CHAPTER VI. INTO TEMPTATION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap28">CHAPTER VII. SECOND THOUGHTS</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#part05"><b>PART THE FIFTH: CONCLUSION</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap29">CHAPTER I. ‘THE KNOT THERE’S NO UNTYING’</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap30">CHAPTER II. UNDER THE GREENWOOD TREE</a></td>
+</tr>
+
+</table>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap00"></a>PREFACE</h2>
+
+<p>
+This story of the Mellstock Quire and its old established west-gallery
+musicians, with some supplementary descriptions of similar officials in <i>Two
+on a Tower, A Few Crusted Characters</i>, and other places, is intended to be a
+fairly true picture, at first hand, of the personages, ways, and customs which
+were common among such orchestral bodies in the villages of fifty or sixty
+years ago.
+</p>
+
+<p>
+One is inclined to regret the displacement of these ecclesiastical bandsmen by
+an isolated organist (often at first a barrel-organist) or harmonium player;
+and despite certain advantages in point of control and accomplishment which
+were, no doubt, secured by installing the single artist, the change has tended
+to stultify the professed aims of the clergy, its direct result being to
+curtail and extinguish the interest of parishioners in church doings. Under the
+old plan, from half a dozen to ten full-grown players, in addition to the
+numerous more or less grown-up singers, were officially occupied with the
+Sunday routine, and concerned in trying their best to make it an artistic
+outcome of the combined musical taste of the congregation. With a musical
+executive limited, as it mostly is limited now, to the parson’s wife or
+daughter and the school-children, or to the school-teacher and the children, an
+important union of interests has disappeared.
+</p>
+
+<p>
+The zest of these bygone instrumentalists must have been keen and staying to
+take them, as it did, on foot every Sunday after a toilsome week, through all
+weathers, to the church, which often lay at a distance from their homes. They
+usually received so little in payment for their performances that their efforts
+were really a labour of love. In the parish I had in my mind when writing the
+present tale, the gratuities received yearly by the musicians at Christmas were
+somewhat as follows: From the manor-house ten shillings and a supper; from the
+vicar ten shillings; from the farmers five shillings each; from each
+cottage-household one shilling; amounting altogether to not more than ten
+shillings a head annually—just enough, as an old executant told me, to pay for
+their fiddle-strings, repairs, rosin, and music-paper (which they mostly ruled
+themselves). Their music in those days was all in their own manuscript, copied
+in the evenings after work, and their music-books were home-bound.
+</p>
+
+<p>
+It was customary to inscribe a few jigs, reels, horn-pipes, and ballads in the
+same book, by beginning it at the other end, the insertions being continued
+from front and back till sacred and secular met together in the middle, often
+with bizarre effect, the words of some of the songs exhibiting that ancient and
+broad humour which our grandfathers, and possibly grandmothers, took delight
+in, and is in these days unquotable.
+</p>
+
+<p>
+The aforesaid fiddle-strings, rosin, and music-paper were supplied by a pedlar,
+who travelled exclusively in such wares from parish to parish, coming to each
+village about every six months. Tales are told of the consternation once caused
+among the church fiddlers when, on the occasion of their producing a new
+Christmas anthem, he did not come to time, owing to being snowed up on the
+downs, and the straits they were in through having to make shift with whipcord
+and twine for strings. He was generally a musician himself, and sometimes a
+composer in a small way, bringing his own new tunes, and tempting each choir to
+adopt them for a consideration. Some of these compositions which now lie before
+me, with their repetitions of lines, half-lines, and half-words, their fugues
+and their intermediate symphonies, are good singing still, though they would
+hardly be admitted into such hymn-books as are popular in the churches of
+fashionable society at the present time.
+</p>
+
+<p class="letter">
+<i>August 1896.</i>
+</p>
+
+<p>
+<i>Under the Greenwood Tree</i> was first brought out in the summer of 1872 in
+two volumes. The name of the story was originally intended to be, more
+appropriately, <i>The Mellstock Quire</i>, and this has been appended as a
+sub-title since the early editions, it having been thought unadvisable to
+displace for it the title by which the book first became known.
+</p>
+
+<p>
+In rereading the narrative after a long interval there occurs the inevitable
+reflection that the realities out of which it was spun were material for
+another kind of study of this little group of church musicians than is found in
+the chapters here penned so lightly, even so farcically and flippantly at
+times. But circumstances would have rendered any aim at a deeper, more
+essential, more transcendent handling unadvisable at the date of writing; and
+the exhibition of the Mellstock Quire in the following pages must remain the
+only extant one, except for the few glimpses of that perished band which I have
+given in verse elsewhere.
+</p>
+
+<p class="right">
+T. H.
+</p>
+
+<p class="letter">
+<i>April</i> 1912.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="part01"></a>PART THE FIRST—WINTER</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>CHAPTER I.<br/>
+MELLSTOCK-LANE</h2>
+
+<p>
+To dwellers in a wood almost every species of tree has its voice as well as its
+feature. At the passing of the breeze the fir-trees sob and moan no less
+distinctly than they rock; the holly whistles as it battles with itself; the
+ash hisses amid its quiverings; the beech rustles while its flat boughs rise
+and fall. And winter, which modifies the note of such trees as shed their
+leaves, does not destroy its individuality.
+</p>
+
+<p>
+On a cold and starry Christmas-eve within living memory a man was passing up a
+lane towards Mellstock Cross in the darkness of a plantation that whispered
+thus distinctively to his intelligence. All the evidences of his nature were
+those afforded by the spirit of his footsteps, which succeeded each other
+lightly and quickly, and by the liveliness of his voice as he sang in a rural
+cadence:
+</p>
+
+<p class="poem">
+    “With the rose and the lily<br/>
+    And the daffodowndilly,<br/>
+The lads and the lasses a-sheep-shearing go.”
+</p>
+
+<p>
+The lonely lane he was following connected one of the hamlets of Mellstock
+parish with Upper Mellstock and Lewgate, and to his eyes, casually glancing
+upward, the silver and black-stemmed birches with their characteristic tufts,
+the pale grey boughs of beech, the dark-creviced elm, all appeared now as black
+and flat outlines upon the sky, wherein the white stars twinkled so vehemently
+that their flickering seemed like the flapping of wings. Within the woody pass,
+at a level anything lower than the horizon, all was dark as the grave. The
+copse-wood forming the sides of the bower interlaced its branches so densely,
+even at this season of the year, that the draught from the north-east flew
+along the channel with scarcely an interruption from lateral breezes.
+</p>
+
+<p>
+After passing the plantation and reaching Mellstock Cross the white surface of
+the lane revealed itself between the dark hedgerows like a ribbon jagged at the
+edges; the irregularity being caused by temporary accumulations of leaves
+extending from the ditch on either side.
+</p>
+
+<p>
+The song (many times interrupted by flitting thoughts which took the place of
+several bars, and resumed at a point it would have reached had its continuity
+been unbroken) now received a more palpable check, in the shape of
+“Ho-i-i-i-i-i!” from the crossing lane to Lower Mellstock, on the right of the
+singer who had just emerged from the trees.
+</p>
+
+<p>
+“Ho-i-i-i-i-i!” he answered, stopping and looking round, though with no idea of
+seeing anything more than imagination pictured.
+</p>
+
+<p>
+“Is that thee, young Dick Dewy?” came from the darkness.
+</p>
+
+<p>
+“Ay, sure, Michael Mail.”
+</p>
+
+<p>
+“Then why not stop for fellow-craters—going to thy own father’s house too, as
+we be, and knowen us so well?”
+</p>
+
+<p>
+Dick Dewy faced about and continued his tune in an under-whistle, implying that
+the business of his mouth could not be checked at a moment’s notice by the
+placid emotion of friendship.
+</p>
+
+<p>
+Having come more into the open he could now be seen rising against the sky, his
+profile appearing on the light background like the portrait of a gentleman in
+black cardboard. It assumed the form of a low-crowned hat, an ordinary-shaped
+nose, an ordinary chin, an ordinary neck, and ordinary shoulders. What he
+consisted of further down was invisible from lack of sky low enough to picture
+him on.
+</p>
+
+<p>
+Shuffling, halting, irregular footsteps of various kinds were now heard coming
+up the hill, and presently there emerged from the shade severally five men of
+different ages and gaits, all of them working villagers of the parish of
+Mellstock. They, too, had lost their rotundity with the daylight, and advanced
+against the sky in flat outlines, which suggested some processional design on
+Greek or Etruscan pottery. They represented the chief portion of Mellstock
+parish choir.
+</p>
+
+<p>
+The first was a bowed and bent man, who carried a fiddle under his arm, and
+walked as if engaged in studying some subject connected with the surface of the
+road. He was Michael Mail, the man who had hallooed to Dick.
+</p>
+
+<p>
+The next was Mr. Robert Penny, boot- and shoemaker; a little man, who, though
+rather round-shouldered, walked as if that fact had not come to his own
+knowledge, moving on with his back very hollow and his face fixed on the
+north-east quarter of the heavens before him, so that his lower
+waist-coat-buttons came first, and then the remainder of his figure. His
+features were invisible; yet when he occasionally looked round, two faint moons
+of light gleamed for an instant from the precincts of his eyes, denoting that
+he wore spectacles of a circular form.
+</p>
+
+<p>
+The third was Elias Spinks, who walked perpendicularly and dramatically. The
+fourth outline was Joseph Bowman’s, who had now no distinctive appearance
+beyond that of a human being. Finally came a weak lath-like form, trotting and
+stumbling along with one shoulder forward and his head inclined to the left,
+his arms dangling nervelessly in the wind as if they were empty sleeves. This
+was Thomas Leaf.
+</p>
+
+<p>
+“Where be the boys?” said Dick to this somewhat indifferently-matched assembly.
+</p>
+
+<p>
+The eldest of the group, Michael Mail, cleared his throat from a great depth.
+</p>
+
+<p>
+“We told them to keep back at home for a time, thinken they wouldn’t be wanted
+yet awhile; and we could choose the tuens, and so on.”
+</p>
+
+<p>
+“Father and grandfather William have expected ye a little sooner. I have just
+been for a run round by Ewelease Stile and Hollow Hill to warm my feet.”
+</p>
+
+<p>
+“To be sure father did! To be sure ’a did expect us—to taste the little barrel
+beyond compare that he’s going to tap.”
+</p>
+
+<p>
+“’Od rabbit it all! Never heard a word of it!” said Mr. Penny, gleams of
+delight appearing upon his spectacle-glasses, Dick meanwhile singing
+parenthetically—
+</p>
+
+<p class="poem">
+“The lads and the lasses a-sheep-shearing go.”
+</p>
+
+<p>
+“Neighbours, there’s time enough to drink a sight of drink now afore bedtime?”
+said Mail.
+</p>
+
+<p>
+“True, true—time enough to get as drunk as lords!” replied Bowman cheerfully.
+</p>
+
+<p>
+This opinion being taken as convincing they all advanced between the varying
+hedges and the trees dotting them here and there, kicking their toes
+occasionally among the crumpled leaves. Soon appeared glimmering indications of
+the few cottages forming the small hamlet of Upper Mellstock for which they
+were bound, whilst the faint sound of church-bells ringing a Christmas peal
+could be heard floating over upon the breeze from the direction of Longpuddle
+and Weatherbury parishes on the other side of the hills. A little wicket
+admitted them to the garden, and they proceeded up the path to Dick’s house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>CHAPTER II.<br/>
+THE TRANTER’S</h2>
+
+<p>
+It was a long low cottage with a hipped roof of thatch, having dormer windows
+breaking up into the eaves, a chimney standing in the middle of the ridge and
+another at each end. The window-shutters were not yet closed, and the fire- and
+candle-light within radiated forth upon the thick bushes of box and laurestinus
+growing in clumps outside, and upon the bare boughs of several codlin-trees
+hanging about in various distorted shapes, the result of early training as
+espaliers combined with careless climbing into their boughs in later years. The
+walls of the dwelling were for the most part covered with creepers, though
+these were rather beaten back from the doorway—a feature which was worn and
+scratched by much passing in and out, giving it by day the appearance of an old
+keyhole. Light streamed through the cracks and joints of outbuildings a little
+way from the cottage, a sight which nourished a fancy that the purpose of the
+erection must be rather to veil bright attractions than to shelter unsightly
+necessaries. The noise of a beetle and wedges and the splintering of wood was
+periodically heard from this direction; and at some little distance further a
+steady regular munching and the occasional scurr of a rope betokened a stable,
+and horses feeding within it.
+</p>
+
+<p>
+The choir stamped severally on the door-stone to shake from their boots any
+fragment of earth or leaf adhering thereto, then entered the house and looked
+around to survey the condition of things. Through the open doorway of a small
+inner room on the right hand, of a character between pantry and cellar, was
+Dick Dewy’s father Reuben, by vocation a “tranter,” or irregular carrier. He
+was a stout florid man about forty years of age, who surveyed people up and
+down when first making their acquaintance, and generally smiled at the horizon
+or other distant object during conversations with friends, walking about with a
+steady sway, and turning out his toes very considerably. Being now occupied in
+bending over a hogshead, that stood in the pantry ready horsed for the process
+of broaching, he did not take the trouble to turn or raise his eyes at the
+entry of his visitors, well knowing by their footsteps that they were the
+expected old comrades.
+</p>
+
+<p>
+The main room, on the left, was decked with bunches of holly and other
+evergreens, and from the middle of the beam bisecting the ceiling hung the
+mistletoe, of a size out of all proportion to the room, and extending so low
+that it became necessary for a full-grown person to walk round it in passing,
+or run the risk of entangling his hair. This apartment contained Mrs. Dewy the
+tranter’s wife, and the four remaining children, Susan, Jim, Bessy, and
+Charley, graduating uniformly though at wide stages from the age of sixteen to
+that of four years—the eldest of the series being separated from Dick the
+firstborn by a nearly equal interval.
+</p>
+
+<p>
+Some circumstance had apparently caused much grief to Charley just previous to
+the entry of the choir, and he had absently taken down a small looking-glass,
+holding it before his face to learn how the human countenance appeared when
+engaged in crying, which survey led him to pause at the various points in each
+wail that were more than ordinarily striking, for a thorough appreciation of
+the general effect. Bessy was leaning against a chair, and glancing under the
+plaits about the waist of the plaid frock she wore, to notice the original
+unfaded pattern of the material as there preserved, her face bearing an
+expression of regret that the brightness had passed away from the visible
+portions. Mrs. Dewy sat in a brown settle by the side of the glowing wood
+fire—so glowing that with a heedful compression of the lips she would now and
+then rise and put her hand upon the hams and flitches of bacon lining the
+chimney, to reassure herself that they were not being broiled instead of
+smoked—a misfortune that had been known to happen now and then at
+Christmas-time.
+</p>
+
+<p>
+“Hullo, my sonnies, here you be, then!” said Reuben Dewy at length, standing up
+and blowing forth a vehement gust of breath. “How the blood do puff up in
+anybody’s head, to be sure, a-stooping like that! I was just going out to gate
+to hark for ye.” He then carefully began to wind a strip of brown paper round a
+brass tap he held in his hand. “This in the cask here is a drop o’ the right
+sort” (tapping the cask); “’tis a real drop o’ cordial from the best picked
+apples—Sansoms, Stubbards, Five-corners, and such-like—you d’mind the sort,
+Michael?” (Michael nodded.) “And there’s a sprinkling of they that grow down by
+the orchard-rails—streaked ones—rail apples we d’call ’em, as ’tis by the rails
+they grow, and not knowing the right name. The water-cider from ’em is as good
+as most people’s best cider is.”
+</p>
+
+<p>
+“Ay, and of the same make too,” said Bowman. “‘It rained when we wrung it out,
+and the water got into it,’ folk will say. But ’tis on’y an excuse. Watered
+cider is too common among us.”
+</p>
+
+<p>
+“Yes, yes; too common it is!” said Spinks with an inward sigh, whilst his eyes
+seemed to be looking at the case in an abstract form rather than at the scene
+before him. “Such poor liquor do make a man’s throat feel very melancholy—and
+is a disgrace to the name of stimmilent.”
+</p>
+
+<p>
+“Come in, come in, and draw up to the fire; never mind your shoes,” said Mrs.
+Dewy, seeing that all except Dick had paused to wipe them upon the door-mat. “I
+am glad that you’ve stepped up-along at last; and, Susan, you run down to
+Grammer Kaytes’s and see if you can borrow some larger candles than these
+fourteens. Tommy Leaf, don’t ye be afeard! Come and sit here in the settle.”
+</p>
+
+<p>
+This was addressed to the young man before mentioned, consisting chiefly of a
+human skeleton and a smock-frock, who was very awkward in his movements,
+apparently on account of having grown so very fast that before he had had time
+to get used to his height he was higher.
+</p>
+
+<p>
+“Hee—hee—ay!” replied Leaf, letting his mouth continue to smile for some time
+after his mind had done smiling, so that his teeth remained in view as the most
+conspicuous members of his body.
+</p>
+
+<p>
+“Here, Mr. Penny,” resumed Mrs. Dewy, “you sit in this chair. And how’s your
+daughter, Mrs. Brownjohn?”
+</p>
+
+<p>
+“Well, I suppose I must say pretty fair.” He adjusted his spectacles a quarter
+of an inch to the right. “But she’ll be worse before she’s better, ’a b’lieve.”
+</p>
+
+<p>
+“Indeed—poor soul! And how many will that make in all, four or five?”
+</p>
+
+<p>
+“Five; they’ve buried three. Yes, five; and she not much more than a maid yet.
+She do know the multiplication table onmistakable well. However, ’twas to be,
+and none can gainsay it.”
+</p>
+
+<p>
+Mrs. Dewy resigned Mr. Penny. “Wonder where your grandfather James is?” she
+inquired of one of the children. “He said he’d drop in to-night.”
+</p>
+
+<p>
+“Out in fuel-house with grandfather William,” said Jimmy.
+</p>
+
+<p>
+“Now let’s see what we can do,” was heard spoken about this time by the tranter
+in a private voice to the barrel, beside which he had again established
+himself, and was stooping to cut away the cork.
+</p>
+
+<p>
+“Reuben, don’t make such a mess o’ tapping that barrel as is mostly made in
+this house,” Mrs. Dewy cried from the fireplace. “I’d tap a hundred without
+wasting more than you do in one. Such a squizzling and squirting job as ’tis in
+your hands! There, he always was such a clumsy man indoors.”
+</p>
+
+<p>
+“Ay, ay; I know you’d tap a hundred beautiful, Ann—I know you would; two
+hundred, perhaps. But I can’t promise. This is a’ old cask, and the wood’s
+rotted away about the tap-hole. The husbird of a feller Sam Lawson—that ever I
+should call’n such, now he’s dead and gone, poor heart!—took me in completely
+upon the feat of buying this cask. ‘Reub,’ says he—’a always used to call me
+plain Reub, poor old heart!—‘Reub,’ he said, says he, ‘that there cask, Reub,
+is as good as new; yes, good as new. ’Tis a wine-hogshead; the best port-wine
+in the commonwealth have been in that there cask; and you shall have en for ten
+shillens, Reub,’—’a said, says he—‘he’s worth twenty, ay, five-and-twenty, if
+he’s worth one; and an iron hoop or two put round en among the wood ones will
+make en worth thirty shillens of any man’s money, if—’”
+</p>
+
+<p>
+“I think I should have used the eyes that Providence gave me to use afore I
+paid any ten shillens for a jimcrack wine-barrel; a saint is sinner enough not
+to be cheated. But ’tis like all your family was, so easy to be deceived.”
+</p>
+
+<p>
+“That’s as true as gospel of this member,” said Reuben.
+</p>
+
+<p>
+Mrs. Dewy began a smile at the answer, then altering her lips and refolding
+them so that it was not a smile, commenced smoothing little Bessy’s hair; the
+tranter having meanwhile suddenly become oblivious to conversation, occupying
+himself in a deliberate cutting and arrangement of some more brown paper for
+the broaching operation.
+</p>
+
+<p>
+“Ah, who can believe sellers!” said old Michael Mail in a carefully-cautious
+voice, by way of tiding-over this critical point of affairs.
+</p>
+
+<p>
+“No one at all,” said Joseph Bowman, in the tone of a man fully agreeing with
+everybody.
+</p>
+
+<p>
+“Ay,” said Mail, in the tone of a man who did not agree with everybody as a
+rule, though he did now; “I knowed a’ auctioneering feller once—a very friendly
+feller ’a was too. And so one hot day as I was walking down the front street o’
+Casterbridge, jist below the King’s Arms, I passed a’ open winder and see him
+inside, stuck upon his perch, a-selling off. I jist nodded to en in a friendly
+way as I passed, and went my way, and thought no more about it. Well, next day,
+as I was oilen my boots by fuel-house door, if a letter didn’t come wi’ a bill
+charging me with a feather-bed, bolster, and pillers, that I had bid for at Mr.
+Taylor’s sale. The slim-faced martel had knocked ’em down to me because I
+nodded to en in my friendly way; and I had to pay for ’em too. Now, I hold that
+that was coming it very close, Reuben?”
+</p>
+
+<p>
+“’Twas close, there’s no denying,” said the general voice.
+</p>
+
+<p>
+“Too close, ’twas,” said Reuben, in the rear of the rest. “And as to Sam
+Lawson—poor heart! now he’s dead and gone too!—I’ll warrant, that if so be I’ve
+spent one hour in making hoops for that barrel, I’ve spent fifty, first and
+last. That’s one of my hoops”—touching it with his elbow—“that’s one of mine,
+and that, and that, and all these.”
+</p>
+
+<p>
+“Ah, Sam was a man,” said Mr. Penny, contemplatively.
+</p>
+
+<p>
+“Sam was!” said Bowman.
+</p>
+
+<p>
+“Especially for a drap o’ drink,” said the tranter.
+</p>
+
+<p>
+“Good, but not religious-good,” suggested Mr. Penny.
+</p>
+
+<p>
+The tranter nodded. Having at last made the tap and hole quite ready, “Now
+then, Suze, bring a mug,” he said. “Here’s luck to us, my sonnies!”
+</p>
+
+<p>
+The tap went in, and the cider immediately squirted out in a horizontal shower
+over Reuben’s hands, knees, and leggings, and into the eyes and neck of
+Charley, who, having temporarily put off his grief under pressure of more
+interesting proceedings, was squatting down and blinking near his father.
+</p>
+
+<p>
+“There ’tis again!” said Mrs. Dewy.
+</p>
+
+<p>
+“Devil take the hole, the cask, and Sam Lawson too, that good cider should be
+wasted like this!” exclaimed the tranter. “Your thumb! Lend me your thumb,
+Michael! Ram it in here, Michael! I must get a bigger tap, my sonnies.”
+</p>
+
+<p>
+“Idd it cold inthide te hole?” inquired Charley of Michael, as he continued in
+a stooping posture with his thumb in the cork-hole.
+</p>
+
+<p>
+“What wonderful odds and ends that chiel has in his head to be sure!” Mrs. Dewy
+admiringly exclaimed from the distance. “I lay a wager that he thinks more
+about how ’tis inside that barrel than in all the other parts of the world put
+together.”
+</p>
+
+<p>
+All persons present put on a speaking countenance of admiration for the
+cleverness alluded to, in the midst of which Reuben returned. The operation was
+then satisfactorily performed; when Michael arose and stretched his head to the
+extremest fraction of height that his body would allow of, to re-straighten his
+back and shoulders—thrusting out his arms and twisting his features to a mass
+of wrinkles to emphasize the relief aquired. A quart or two of the beverage was
+then brought to table, at which all the new arrivals reseated themselves with
+wide-spread knees, their eyes meditatively seeking out any speck or knot in the
+board upon which the gaze might precipitate itself.
+</p>
+
+<p>
+“Whatever is father a-biding out in fuel-house so long for?” said the tranter.
+“Never such a man as father for two things—cleaving up old dead apple-tree wood
+and playing the bass-viol. ’A’d pass his life between the two, that ’a would.”
+He stepped to the door and opened it.
+</p>
+
+<p>
+“Father!”
+</p>
+
+<p>
+“Ay!” rang thinly from round the corner.
+</p>
+
+<p>
+“Here’s the barrel tapped, and we all a-waiting!”
+</p>
+
+<p>
+A series of dull thuds, that had been heard without for some time past, now
+ceased; and after the light of a lantern had passed the window and made
+wheeling rays upon the ceiling inside the eldest of the Dewy family appeared.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>CHAPTER III.<br/>
+THE ASSEMBLED QUIRE</h2>
+
+<p>
+William Dewy—otherwise grandfather William—was now about seventy; yet an ardent
+vitality still preserved a warm and roughened bloom upon his face, which
+reminded gardeners of the sunny side of a ripe ribstone-pippin; though a narrow
+strip of forehead, that was protected from the weather by lying above the line
+of his hat-brim, seemed to belong to some town man, so gentlemanly was its
+whiteness. His was a humorous and kindly nature, not unmixed with a frequent
+melancholy; and he had a firm religious faith. But to his neighbours he had no
+character in particular. If they saw him pass by their windows when they had
+been bottling off old mead, or when they had just been called long-headed men
+who might do anything in the world if they chose, they thought concerning him,
+“Ah, there’s that good-hearted man—open as a child!” If they saw him just after
+losing a shilling or half-a-crown, or accidentally letting fall a piece of
+crockery, they thought, “There’s that poor weak-minded man Dewy again! Ah, he’s
+never done much in the world either!” If he passed when fortune neither smiled
+nor frowned on them, they merely thought him old William Dewy.
+</p>
+
+<p>
+“Ah, so’s—here you be!—Ah, Michael and Joseph and John—and you too, Leaf! a
+merry Christmas all! We shall have a rare log-wood fire directly, Reub, to
+reckon by the toughness of the job I had in cleaving ’em.” As he spoke he threw
+down an armful of logs which fell in the chimney-corner with a rumble, and
+looked at them with something of the admiring enmity he would have bestowed on
+living people who had been very obstinate in holding their own. “Come in,
+grandfather James.”
+</p>
+
+<p>
+Old James (grandfather on the maternal side) had simply called as a visitor. He
+lived in a cottage by himself, and many people considered him a miser; some,
+rather slovenly in his habits. He now came forward from behind grandfather
+William, and his stooping figure formed a well-illuminated picture as he passed
+towards the fire-place. Being by trade a mason, he wore a long linen apron
+reaching almost to his toes, corduroy breeches and gaiters, which, together
+with his boots, graduated in tints of whitish-brown by constant friction
+against lime and stone. He also wore a very stiff fustian coat, having folds at
+the elbows and shoulders as unvarying in their arrangement as those in a pair
+of bellows: the ridges and the projecting parts of the coat collectively
+exhibiting a shade different from that of the hollows, which were lined with
+small ditch-like accumulations of stone and mortar-dust. The extremely large
+side-pockets, sheltered beneath wide flaps, bulged out convexly whether empty
+or full; and as he was often engaged to work at buildings far away—his
+breakfasts and dinners being eaten in a strange chimney-corner, by a garden
+wall, on a heap of stones, or walking along the road—he carried in these
+pockets a small tin canister of butter, a small canister of sugar, a small
+canister of tea, a paper of salt, and a paper of pepper; the bread, cheese, and
+meat, forming the substance of his meals, hanging up behind him in his basket
+among the hammers and chisels. If a passer-by looked hard at him when he was
+drawing forth any of these, “My buttery,” he said, with a pinched smile.
+</p>
+
+<p>
+“Better try over number seventy-eight before we start, I suppose?” said
+William, pointing to a heap of old Christmas-carol books on a side table.
+</p>
+
+<p>
+“Wi’ all my heart,” said the choir generally.
+</p>
+
+<p>
+“Number seventy-eight was always a teaser—always. I can mind him ever since I
+was growing up a hard boy-chap.”
+</p>
+
+<p>
+“But he’s a good tune, and worth a mint o’ practice,” said Michael.
+</p>
+
+<p>
+“He is; though I’ve been mad enough wi’ that tune at times to seize en and tear
+en all to linnit. Ay, he’s a splendid carrel—there’s no denying that.”
+</p>
+
+<p>
+“The first line is well enough,” said Mr. Spinks; “but when you come to ‘O,
+thou man,’ you make a mess o’t.”
+</p>
+
+<p>
+“We’ll have another go into en, and see what we can make of the martel.
+Half-an-hour’s hammering at en will conquer the toughness of en; I’ll warn it.”
+</p>
+
+<p>
+“’Od rabbit it all!” said Mr. Penny, interrupting with a flash of his
+spectacles, and at the same time clawing at something in the depths of a large
+side-pocket. “If so be I hadn’t been as scatter-brained and thirtingill as a
+chiel, I should have called at the schoolhouse wi’ a boot as I cam up along.
+Whatever is coming to me I really can’t estimate at all!”
+</p>
+
+<p>
+“The brain has its weaknesses,” murmured Mr. Spinks, waving his head ominously.
+Mr. Spinks was considered to be a scholar, having once kept a night-school, and
+always spoke up to that level.
+</p>
+
+<p>
+“Well, I must call with en the first thing to-morrow. And I’ll empt my pocket
+o’ this last too, if you don’t mind, Mrs. Dewy.” He drew forth a last, and
+placed it on a table at his elbow. The eyes of three or four followed it.
+</p>
+
+<p>
+“Well,” said the shoemaker, seeming to perceive that the interest the object
+had excited was greater than he had anticipated, and warranted the last’s being
+taken up again and exhibited; “now, whose foot do ye suppose this last was made
+for? It was made for Geoffrey Day’s father, over at Yalbury Wood. Ah, many’s
+the pair o’ boots he’ve had off the last! Well, when ’a died, I used the last
+for Geoffrey, and have ever since, though a little doctoring was wanted to make
+it do. Yes, a very queer natured last it is now, ’a b’lieve,” he continued,
+turning it over caressingly. “Now, you notice that there” (pointing to a lump
+of leather bradded to the toe), “that’s a very bad bunion that he’ve had ever
+since ’a was a boy. Now, this remarkable large piece” (pointing to a patch
+nailed to the side), “shows a’ accident he received by the tread of a horse,
+that squashed his foot a’most to a pomace. The horseshoe cam full-butt on this
+point, you see. And so I’ve just been over to Geoffrey’s, to know if he wanted
+his bunion altered or made bigger in the new pair I’m making.”
+</p>
+
+<p>
+During the latter part of this speech, Mr. Penny’s left hand wandered towards
+the cider-cup, as if the hand had no connection with the person speaking; and
+bringing his sentence to an abrupt close, all but the extreme margin of the
+bootmaker’s face was eclipsed by the circular brim of the vessel.
+</p>
+
+<p>
+“However, I was going to say,” continued Penny, putting down the cup, “I ought
+to have called at the school”—here he went groping again in the depths of his
+pocket—“to leave this without fail, though I suppose the first thing to-morrow
+will do.”
+</p>
+
+<p>
+He now drew forth and placed upon the table a boot—small, light, and prettily
+shaped—upon the heel of which he had been operating.
+</p>
+
+<p>
+“The new schoolmistress’s!”
+</p>
+
+<p>
+“Ay, no less, Miss Fancy Day; as neat a little figure of fun as ever I see, and
+just husband-high.”
+</p>
+
+<p>
+“Never Geoffrey’s daughter Fancy?” said Bowman, as all glances present
+converged like wheel-spokes upon the boot in the centre of them.
+</p>
+
+<p>
+“Yes, sure,” resumed Mr. Penny, regarding the boot as if that alone were his
+auditor; “’tis she that’s come here schoolmistress. You knowed his daughter was
+in training?”
+</p>
+
+<p>
+“Strange, isn’t it, for her to be here Christmas night, Master Penny?”
+</p>
+
+<p>
+“Yes; but here she is, ’a b’lieve.”
+</p>
+
+<p>
+“I know how she comes here—so I do!” chirruped one of the children.
+</p>
+
+<p>
+“Why?” Dick inquired, with subtle interest.
+</p>
+
+<p>
+“Pa’son Maybold was afraid he couldn’t manage us all to-morrow at the dinner,
+and he talked o’ getting her jist to come over and help him hand about the
+plates, and see we didn’t make pigs of ourselves; and that’s what she’s come
+for!”
+</p>
+
+<p>
+“And that’s the boot, then,” continued its mender imaginatively, “that she’ll
+walk to church in to-morrow morning. I don’t care to mend boots I don’t make;
+but there’s no knowing what it may lead to, and her father always comes to me.”
+</p>
+
+<p>
+There, between the cider-mug and the candle, stood this interesting receptacle
+of the little unknown’s foot; and a very pretty boot it was. A character, in
+fact—the flexible bend at the instep, the rounded localities of the small
+nestling toes, scratches from careless scampers now forgotten—all, as repeated
+in the tell-tale leather, evidencing a nature and a bias. Dick surveyed it with
+a delicate feeling that he had no right to do so without having first asked the
+owner of the foot’s permission.
+</p>
+
+<p>
+“Now, neighbours, though no common eye can see it,” the shoemaker went on, “a
+man in the trade can see the likeness between this boot and that last, although
+that is so deformed as hardly to recall one of God’s creatures, and this is one
+of as pretty a pair as you’d get for ten-and-sixpence in Casterbridge. To you,
+nothing; but ’tis father’s voot and daughter’s voot to me, as plain as houses.”
+</p>
+
+<p>
+“I don’t doubt there’s a likeness, Master Penny—a mild likeness—a fantastical
+likeness,” said Spinks. “But <i>I</i> han’t got imagination enough to see it,
+perhaps.”
+</p>
+
+<p>
+Mr. Penny adjusted his spectacles.
+</p>
+
+<p>
+“Now, I’ll tell ye what happened to me once on this very point. You used to
+know Johnson the dairyman, William?”
+</p>
+
+<p>
+“Ay, sure; I did.”
+</p>
+
+<p>
+“Well, ’twasn’t opposite his house, but a little lower down—by his paddock, in
+front o’ Parkmaze Pool. I was a-bearing across towards Bloom’s End, and lo and
+behold, there was a man just brought out o’ the Pool, dead; he had un’rayed for
+a dip, but not being able to pitch it just there had gone in flop over his
+head. Men looked at en; women looked at en; children looked at en; nobody
+knowed en. He was covered wi’ a sheet; but I catched sight of his voot, just
+showing out as they carried en along. ‘I don’t care what name that man went
+by,’ I said, in my way, ‘but he’s John Woodward’s brother; I can swear to the
+family voot.’ At that very moment up comes John Woodward, weeping and teaving,
+‘I’ve lost my brother! I’ve lost my brother!’”
+</p>
+
+<p>
+“Only to think of that!” said Mrs. Dewy.
+</p>
+
+<p>
+“’Tis well enough to know this foot and that foot,” said Mr. Spinks. “’Tis
+long-headed, in fact, as far as feet do go. I know little, ’tis true—I say no
+more; but show <i>me</i> a man’s foot, and I’ll tell you that man’s heart.”
+</p>
+
+<p>
+“You must be a cleverer feller, then, than mankind in jineral,” said the
+tranter.
+</p>
+
+<p>
+“Well, that’s nothing for me to speak of,” returned Mr. Spinks. “A man lives
+and learns. Maybe I’ve read a leaf or two in my time. I don’t wish to say
+anything large, mind you; but nevertheless, maybe I have.”
+</p>
+
+<p>
+“Yes, I know,” said Michael soothingly, “and all the parish knows, that ye’ve
+read sommat of everything a’most, and have been a great filler of young folks’
+brains. Learning’s a worthy thing, and ye’ve got it, Master Spinks.”
+</p>
+
+<p>
+“I make no boast, though I may have read and thought a little; and I know—it
+may be from much perusing, but I make no boast—that by the time a man’s head is
+finished, ’tis almost time for him to creep underground. I am over forty-five.”
+</p>
+
+<p>
+Mr. Spinks emitted a look to signify that if his head was not finished,
+nobody’s head ever could be.
+</p>
+
+<p>
+“Talk of knowing people by their feet!” said Reuben. “Rot me, my sonnies, then,
+if I can tell what a man is from all his members put together, oftentimes.”
+</p>
+
+<p>
+“But still, look is a good deal,” observed grandfather William absently, moving
+and balancing his head till the tip of grandfather James’s nose was exactly in
+a right line with William’s eye and the mouth of a miniature cavern he was
+discerning in the fire. “By the way,” he continued in a fresher voice, and
+looking up, “that young crater, the schoolmis’ess, must be sung to to-night wi’
+the rest? If her ear is as fine as her face, we shall have enough to do to be
+up-sides with her.”
+</p>
+
+<p>
+“What about her face?” said young Dewy.
+</p>
+
+<p>
+“Well, as to that,” Mr. Spinks replied, “’tis a face you can hardly gainsay. A
+very good pink face, as far as that do go. Still, only a face, when all is said
+and done.”
+</p>
+
+<p>
+“Come, come, Elias Spinks, say she’s a pretty maid, and have done wi’ her,”
+said the tranter, again preparing to visit the cider-barrel.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>CHAPTER IV.<br/>
+GOING THE ROUNDS</h2>
+
+<p>
+Shortly after ten o’clock the singing-boys arrived at the tranter’s house,
+which was invariably the place of meeting, and preparations were made for the
+start. The older men and musicians wore thick coats, with stiff perpendicular
+collars, and coloured handkerchiefs wound round and round the neck till the end
+came to hand, over all which they just showed their ears and noses, like people
+looking over a wall. The remainder, stalwart ruddy men and boys, were dressed
+mainly in snow-white smock-frocks, embroidered upon the shoulders and breasts,
+in ornamental forms of hearts, diamonds, and zigzags. The cider-mug was emptied
+for the ninth time, the music-books were arranged, and the pieces finally
+decided upon. The boys in the meantime put the old horn-lanterns in order, cut
+candles into short lengths to fit the lanterns; and, a thin fleece of snow
+having fallen since the early part of the evening, those who had no leggings
+went to the stable and wound wisps of hay round their ankles to keep the
+insidious flakes from the interior of their boots.
+</p>
+
+<p>
+Mellstock was a parish of considerable acreage, the hamlets composing it lying
+at a much greater distance from each other than is ordinarily the case. Hence
+several hours were consumed in playing and singing within hearing of every
+family, even if but a single air were bestowed on each. There was Lower
+Mellstock, the main village; half a mile from this were the church and
+vicarage, and a few other houses, the spot being rather lonely now, though in
+past centuries it had been the most thickly-populated quarter of the parish. A
+mile north-east lay the hamlet of Upper Mellstock, where the tranter lived; and
+at other points knots of cottages, besides solitary farmsteads and dairies.
+</p>
+
+<p>
+Old William Dewy, with the violoncello, played the bass; his grandson Dick the
+treble violin; and Reuben and Michael Mail the tenor and second violins
+respectively. The singers consisted of four men and seven boys, upon whom
+devolved the task of carrying and attending to the lanterns, and holding the
+books open for the players. Directly music was the theme, old William ever and
+instinctively came to the front.
+</p>
+
+<p>
+“Now mind, neighbours,” he said, as they all went out one by one at the door,
+he himself holding it ajar and regarding them with a critical face as they
+passed, like a shepherd counting out his sheep. “You two counter-boys, keep
+your ears open to Michael’s fingering, and don’t ye go straying into the treble
+part along o’ Dick and his set, as ye did last year; and mind this especially
+when we be in ‘Arise, and hail.’ Billy Chimlen, don’t you sing quite so raving
+mad as you fain would; and, all o’ ye, whatever ye do, keep from making a great
+scuffle on the ground when we go in at people’s gates; but go quietly, so as to
+strike up all of a sudden, like spirits.”
+</p>
+
+<p>
+“Farmer Ledlow’s first?”
+</p>
+
+<p>
+“Farmer Ledlow’s first; the rest as usual.”
+</p>
+
+<p>
+“And, Voss,” said the tranter terminatively, “you keep house here till about
+half-past two; then heat the metheglin and cider in the warmer you’ll find
+turned up upon the copper; and bring it wi’ the victuals to church-hatch, as
+th’st know.”
+</p>
+
+<p class="p2">
+Just before the clock struck twelve they lighted the lanterns and started. The
+moon, in her third quarter, had risen since the snowstorm; but the dense
+accumulation of snow-cloud weakened her power to a faint twilight, which was
+rather pervasive of the landscape than traceable to the sky. The breeze had
+gone down, and the rustle of their feet and tones of their speech echoed with
+an alert rebound from every post, boundary-stone, and ancient wall they passed,
+even where the distance of the echo’s origin was less than a few yards. Beyond
+their own slight noises nothing was to be heard, save the occasional bark of
+foxes in the direction of Yalbury Wood, or the brush of a rabbit among the
+grass now and then, as it scampered out of their way.
+</p>
+
+<p>
+Most of the outlying homesteads and hamlets had been visited by about two
+o’clock; they then passed across the outskirts of a wooded park toward the main
+village, nobody being at home at the Manor. Pursuing no recognized track, great
+care was necessary in walking lest their faces should come in contact with the
+low-hanging boughs of the old lime-trees, which in many spots formed dense
+over-growths of interlaced branches.
+</p>
+
+<p>
+“Times have changed from the times they used to be,” said Mail, regarding
+nobody can tell what interesting old panoramas with an inward eye, and letting
+his outward glance rest on the ground, because it was as convenient a position
+as any. “People don’t care much about us now! I’ve been thinking we must be
+almost the last left in the county of the old string players? Barrel-organs,
+and the things next door to ’em that you blow wi’ your foot, have come in
+terribly of late years.”
+</p>
+
+<p>
+“Ay!” said Bowman, shaking his head; and old William, on seeing him, did the
+same thing.
+</p>
+
+<p>
+“More’s the pity,” replied another. “Time was—long and merry ago now!—when not
+one of the varmits was to be heard of; but it served some of the quires right.
+They should have stuck to strings as we did, and kept out clarinets, and done
+away with serpents. If you’d thrive in musical religion, stick to strings, says
+I.”
+</p>
+
+<p>
+“Strings be safe soul-lifters, as far as that do go,” said Mr. Spinks.
+</p>
+
+<p>
+“Yet there’s worse things than serpents,” said Mr. Penny. “Old things pass
+away, ’tis true; but a serpent was a good old note: a deep rich note was the
+serpent.”
+</p>
+
+<p>
+“Clar’nets, however, be bad at all times,” said Michael Mail. “One
+Christmas—years agone now, years—I went the rounds wi’ the Weatherbury quire.
+’Twas a hard frosty night, and the keys of all the clar’nets froze—ah, they did
+freeze!—so that ’twas like drawing a cork every time a key was opened; and the
+players o’ ’em had to go into a hedger-and-ditcher’s chimley-corner, and thaw
+their clar’nets every now and then. An icicle o’ spet hung down from the end of
+every man’s clar’net a span long; and as to fingers—well, there, if ye’ll
+believe me, we had no fingers at all, to our knowing.”
+</p>
+
+<p>
+“I can well bring back to my mind,” said Mr. Penny, “what I said to poor Joseph
+Ryme (who took the treble part in Chalk-Newton Church for two-and-forty year)
+when they thought of having clar’nets there. ‘Joseph,’ I said, says I, ‘depend
+upon’t, if so be you have them tooting clar’nets you’ll spoil the whole
+set-out. Clar’nets were not made for the service of the Lard; you can see it by
+looking at ’em,’ I said. And what came o’t? Why, souls, the parson set up a
+barrel-organ on his own account within two years o’ the time I spoke, and the
+old quire went to nothing.”
+</p>
+
+<p>
+“As far as look is concerned,” said the tranter, “I don’t for my part see that
+a fiddle is much nearer heaven than a clar’net. ’Tis further off. There’s
+always a rakish, scampish twist about a fiddle’s looks that seems to say the
+Wicked One had a hand in making o’en; while angels be supposed to play
+clar’nets in heaven, or som’at like ’em, if ye may believe picters.”
+</p>
+
+<p>
+“Robert Penny, you was in the right,” broke in the eldest Dewy. “They should
+ha’ stuck to strings. Your brass-man is a rafting dog—well and good; your
+reed-man is a dab at stirring ye—well and good; your drum-man is a rare
+bowel-shaker—good again. But I don’t care who hears me say it, nothing will
+spak to your heart wi’ the sweetness o’ the man of strings!”
+</p>
+
+<p>
+“Strings for ever!” said little Jimmy.
+</p>
+
+<p>
+“Strings alone would have held their ground against all the new comers in
+creation.” (“True, true!” said Bowman.) “But clarinets was death.” (“Death they
+was!” said Mr. Penny.) “And harmonions,” William continued in a louder voice,
+and getting excited by these signs of approval, “harmonions and barrel-organs”
+(“Ah!” and groans from Spinks) “be miserable—what shall I call ’em?—miserable—”
+</p>
+
+<p>
+“Sinners,” suggested Jimmy, who made large strides like the men, and did not
+lag behind like the other little boys.
+</p>
+
+<p>
+“Miserable dumbledores!”
+</p>
+
+<p>
+“Right, William, and so they be—miserable dumbledores!” said the choir with
+unanimity.
+</p>
+
+<p>
+By this time they were crossing to a gate in the direction of the school,
+which, standing on a slight eminence at the junction of three ways, now rose in
+unvarying and dark flatness against the sky. The instruments were retuned, and
+all the band entered the school enclosure, enjoined by old William to keep upon
+the grass.
+</p>
+
+<p>
+“Number seventy-eight,” he softly gave out as they formed round in a
+semicircle, the boys opening the lanterns to get a clearer light, and directing
+their rays on the books.
+</p>
+
+<p>
+Then passed forth into the quiet night an ancient and time-worn hymn, embodying
+a quaint Christianity in words orally transmitted from father to son through
+several generations down to the present characters, who sang them out right
+earnestly:
+</p>
+
+<p class="poem">
+“Remember Adam’s fall,<br/>
+    O thou Man:<br/>
+Remember Adam’s fall<br/>
+    From Heaven to Hell.<br/>
+Remember Adam’s fall;<br/>
+How he hath condemn’d all<br/>
+In Hell perpetual<br/>
+    There for to dwell.<br/>
+<br/>
+Remember God’s goodnesse,<br/>
+    O thou Man:<br/>
+Remember God’s goodnesse,<br/>
+    His promise made.<br/>
+Remember God’s goodnesse;<br/>
+He sent His Son sinlesse<br/>
+Our ails for to redress;<br/>
+    Be not afraid!<br/>
+<br/>
+In Bethlehem He was born,<br/>
+    O thou Man:<br/>
+In Bethlehem He was born,<br/>
+    For mankind’s sake.<br/>
+In Bethlehem He was born,<br/>
+Christmas-day i’ the morn:<br/>
+Our Saviour thought no scorn<br/>
+    Our faults to take.<br/>
+<br/>
+Give thanks to God alway,<br/>
+    O thou Man:<br/>
+Give thanks to God alway<br/>
+    With heart-most joy.<br/>
+Give thanks to God alway<br/>
+On this our joyful day:<br/>
+Let all men sing and say,<br/>
+    Holy, Holy!”
+</p>
+
+<p>
+Having concluded the last note, they listened for a minute or two, but found
+that no sound issued from the schoolhouse.
+</p>
+
+<p>
+“Four breaths, and then, ‘O, what unbounded goodness!’ number fifty-nine,” said
+William.
+</p>
+
+<p>
+This was duly gone through, and no notice whatever seemed to be taken of the
+performance.
+</p>
+
+<p>
+“Good guide us, surely ’tisn’t a’ empty house, as befell us in the year
+thirty-nine and forty-three!” said old Dewy.
+</p>
+
+<p>
+“Perhaps she’s jist come from some musical city, and sneers at our doings?” the
+tranter whispered.
+</p>
+
+<p>
+“’Od rabbit her!” said Mr. Penny, with an annihilating look at a corner of the
+school chimney, “I don’t quite stomach her, if this is it. Your plain music
+well done is as worthy as your other sort done bad, a’ b’lieve, souls; so say
+I.”
+</p>
+
+<p>
+“Four breaths, and then the last,” said the leader authoritatively. “‘Rejoice,
+ye Tenants of the Earth,’ number sixty-four.”
+</p>
+
+<p>
+At the close, waiting yet another minute, he said in a clear loud voice, as he
+had said in the village at that hour and season for the previous forty years—“A
+merry Christmas to ye!”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>CHAPTER V.<br/>
+THE LISTENERS</h2>
+
+<p>
+When the expectant stillness consequent upon the exclamation had nearly died
+out of them all, an increasing light made itself visible in one of the windows
+of the upper floor. It came so close to the blind that the exact position of
+the flame could be perceived from the outside. Remaining steady for an instant,
+the blind went upward from before it, revealing to thirty concentrated eyes a
+young girl, framed as a picture by the window architrave, and unconsciously
+illuminating her countenance to a vivid brightness by a candle she held in her
+left hand, close to her face, her right hand being extended to the side of the
+window. She was wrapped in a white robe of some kind, whilst down her shoulders
+fell a twining profusion of marvellously rich hair, in a wild disorder which
+proclaimed it to be only during the invisible hours of the night that such a
+condition was discoverable. Her bright eyes were looking into the grey world
+outside with an uncertain expression, oscillating between courage and shyness,
+which, as she recognized the semicircular group of dark forms gathered before
+her, transformed itself into pleasant resolution.
+</p>
+
+<p>
+Opening the window, she said lightly and warmly—“Thank you, singers, thank
+you!”
+</p>
+
+<p>
+Together went the window quickly and quietly, and the blind started downward on
+its return to its place. Her fair forehead and eyes vanished; her little mouth;
+her neck and shoulders; all of her. Then the spot of candlelight shone
+nebulously as before; then it moved away.
+</p>
+
+<p>
+“How pretty!” exclaimed Dick Dewy.
+</p>
+
+<p>
+“If she’d been rale wexwork she couldn’t ha’ been comelier,” said Michael Mail.
+</p>
+
+<p>
+“As near a thing to a spiritual vision as ever <i>I</i> wish to see!” said
+tranter Dewy.
+</p>
+
+<p>
+“O, sich I never, never see!” said Leaf fervently.
+</p>
+
+<p>
+All the rest, after clearing their throats and adjusting their hats, agreed
+that such a sight was worth singing for.
+</p>
+
+<p>
+“Now to Farmer Shiner’s, and then replenish our insides, father?” said the
+tranter.
+</p>
+
+<p>
+“Wi’ all my heart,” said old William, shouldering his bass-viol.
+</p>
+
+<p>
+Farmer Shiner’s was a queer lump of a house, standing at the corner of a lane
+that ran into the principal thoroughfare. The upper windows were much wider
+than they were high, and this feature, together with a broad bay-window where
+the door might have been expected, gave it by day the aspect of a human
+countenance turned askance, and wearing a sly and wicked leer. To-night nothing
+was visible but the outline of the roof upon the sky.
+</p>
+
+<p>
+The front of this building was reached, and the preliminaries arranged as
+usual.
+</p>
+
+<p>
+“Four breaths, and number thirty-two, ‘Behold the Morning Star,’” said old
+William.
+</p>
+
+<p>
+They had reached the end of the second verse, and the fiddlers were doing the
+up bow-stroke previously to pouring forth the opening chord of the third verse,
+when, without a light appearing or any signal being given, a roaring voice
+exclaimed—
+</p>
+
+<p>
+“Shut up, woll ’ee! Don’t make your blaring row here! A feller wi’ a headache
+enough to split his skull likes a quiet night!”
+</p>
+
+<p>
+Slam went the window.
+</p>
+
+<p>
+“Hullo, that’s a’ ugly blow for we!” said the tranter, in a keenly appreciative
+voice, and turning to his companions.
+</p>
+
+<p>
+“Finish the carrel, all who be friends of harmony!” commanded old William; and
+they continued to the end.
+</p>
+
+<p>
+“Four breaths, and number nineteen!” said William firmly. “Give it him well;
+the quire can’t be insulted in this manner!”
+</p>
+
+<p>
+A light now flashed into existence, the window opened, and the farmer stood
+revealed as one in a terrific passion.
+</p>
+
+<p>
+“Drown en!—drown en!” the tranter cried, fiddling frantically. “Play
+fortissimy, and drown his spaking!”
+</p>
+
+<p>
+“Fortissimy!” said Michael Mail, and the music and singing waxed so loud that
+it was impossible to know what Mr. Shiner had said, was saying, or was about to
+say; but wildly flinging his arms and body about in the forms of capital Xs and
+Ys, he appeared to utter enough invectives to consign the whole parish to
+perdition.
+</p>
+
+<p>
+“Very onseemly—very!” said old William, as they retired. “Never such a dreadful
+scene in the whole round o’ my carrel practice—never! And he a churchwarden!”
+</p>
+
+<p>
+“Only a drap o’ drink got into his head,” said the tranter. “Man’s well enough
+when he’s in his religious frame. He’s in his worldly frame now. Must ask en to
+our bit of a party to-morrow night, I suppose, and so put en in humour again.
+We bear no mortal man ill-will.”
+</p>
+
+<p>
+They now crossed Mellstock Bridge, and went along an embowered path beside the
+Froom towards the church and vicarage, meeting Voss with the hot mead and
+bread-and-cheese as they were approaching the churchyard. This determined them
+to eat and drink before proceeding further, and they entered the church and
+ascended to the gallery. The lanterns were opened, and the whole body sat round
+against the walls on benches and whatever else was available, and made a hearty
+meal. In the pauses of conversation there could be heard through the floor
+overhead a little world of undertones and creaks from the halting clockwork,
+which never spread further than the tower they were born in, and raised in the
+more meditative minds a fancy that here lay the direct pathway of Time.
+</p>
+
+<p>
+Having done eating and drinking, they again tuned the instruments, and once
+more the party emerged into the night air.
+</p>
+
+<p>
+“Where’s Dick?” said old Dewy.
+</p>
+
+<p>
+Every man looked round upon every other man, as if Dick might have been
+transmuted into one or the other; and then they said they didn’t know.
+</p>
+
+<p>
+“Well now, that’s what I call very nasty of Master Dicky, that I do,” said
+Michael Mail.
+</p>
+
+<p>
+“He’ve clinked off home-along, depend upon’t,” another suggested, though not
+quite believing that he had.
+</p>
+
+<p>
+“Dick!” exclaimed the tranter, and his voice rolled sonorously forth among the
+yews.
+</p>
+
+<p>
+He suspended his muscles rigid as stone whilst listening for an answer, and
+finding he listened in vain, turned to the assemblage.
+</p>
+
+<p>
+“The treble man too! Now if he’d been a tenor or counter chap, we might ha’
+contrived the rest o’t without en, you see. But for a quire to lose the treble,
+why, my sonnies, you may so well lose your . . . ” The tranter paused, unable
+to mention an image vast enough for the occasion.
+</p>
+
+<p>
+“Your head at once,” suggested Mr. Penny.
+</p>
+
+<p>
+The tranter moved a pace, as if it were puerile of people to complete sentences
+when there were more pressing things to be done.
+</p>
+
+<p>
+“Was ever heard such a thing as a young man leaving his work half done and
+turning tail like this!”
+</p>
+
+<p>
+“Never,” replied Bowman, in a tone signifying that he was the last man in the
+world to wish to withhold the formal finish required of him.
+</p>
+
+<p>
+“I hope no fatal tragedy has overtook the lad!” said his grandfather.
+</p>
+
+<p>
+“O no,” replied tranter Dewy placidly. “Wonder where he’s put that there fiddle
+of his. Why that fiddle cost thirty shillings, and good words besides.
+Somewhere in the damp, without doubt; that instrument will be unglued and
+spoilt in ten minutes—ten! ay, two.”
+</p>
+
+<p>
+“What in the name o’ righteousness can have happened?” said old William, more
+uneasily. “Perhaps he’s drownded!”
+</p>
+
+<p>
+Leaving their lanterns and instruments in the belfry they retraced their steps
+along the waterside track. “A strapping lad like Dick d’know better than let
+anything happen onawares,” Reuben remarked. “There’s sure to be some poor
+little scram reason for’t staring us in the face all the while.” He lowered his
+voice to a mysterious tone: “Neighbours, have ye noticed any sign of a scornful
+woman in his head, or suchlike?”
+</p>
+
+<p>
+“Not a glimmer of such a body. He’s as clear as water yet.”
+</p>
+
+<p>
+“And Dicky said he should never marry,” cried Jimmy, “but live at home always
+along wi’ mother and we!”
+</p>
+
+<p>
+“Ay, ay, my sonny; every lad has said that in his time.”
+</p>
+
+<p>
+They had now again reached the precincts of Mr. Shiner’s, but hearing nobody in
+that direction, one or two went across to the schoolhouse. A light was still
+burning in the bedroom, and though the blind was down, the window had been
+slightly opened, as if to admit the distant notes of the carollers to the ears
+of the occupant of the room.
+</p>
+
+<p>
+Opposite the window, leaning motionless against a beech tree, was the lost man,
+his arms folded, his head thrown back, his eyes fixed upon the illuminated
+lattice.
+</p>
+
+<p>
+“Why, Dick, is that thee? What b’st doing here?”
+</p>
+
+<p>
+Dick’s body instantly flew into a more rational attitude, and his head was seen
+to turn east and west in the gloom, as if endeavouring to discern some proper
+answer to that question; and at last he said in rather feeble accents—“Nothing,
+father.”
+</p>
+
+<p>
+“Th’st take long enough time about it then, upon my body,” said the tranter, as
+they all turned anew towards the vicarage.
+</p>
+
+<p>
+“I thought you hadn’t done having snap in the gallery,” said Dick.
+</p>
+
+<p>
+“Why, we’ve been traypsing and rambling about, looking everywhere, and thinking
+you’d done fifty deathly things, and here have you been at nothing at all!”
+</p>
+
+<p>
+“The stupidness lies in that point of it being nothing at all,” murmured Mr.
+Spinks.
+</p>
+
+<p>
+The vicarage front was their next field of operation, and Mr. Maybold, the
+lately-arrived incumbent, duly received his share of the night’s harmonies. It
+was hoped that by reason of his profession he would have been led to open the
+window, and an extra carol in quick time was added to draw him forth. But Mr.
+Maybold made no stir.
+</p>
+
+<p>
+“A bad sign!” said old William, shaking his head.
+</p>
+
+<p>
+However, at that same instant a musical voice was heard exclaiming from inner
+depths of bedclothes—“Thanks, villagers!”
+</p>
+
+<p>
+“What did he say?” asked Bowman, who was rather dull of hearing. Bowman’s
+voice, being therefore loud, had been heard by the vicar within.
+</p>
+
+<p>
+“I said, ‘Thanks, villagers!’” cried the vicar again.
+</p>
+
+<p>
+“Oh, we didn’t hear ’ee the first time!” cried Bowman.
+</p>
+
+<p>
+“Now don’t for heaven’s sake spoil the young man’s temper by answering like
+that!” said the tranter.
+</p>
+
+<p>
+“You won’t do that, my friends!” the vicar shouted.
+</p>
+
+<p>
+“Well to be sure, what ears!” said Mr. Penny in a whisper. “Beats any horse or
+dog in the parish, and depend upon’t, that’s a sign he’s a proper clever chap.”
+</p>
+
+<p>
+“We shall see that in time,” said the tranter.
+</p>
+
+<p>
+Old William, in his gratitude for such thanks from a comparatively new
+inhabitant, was anxious to play all the tunes over again; but renounced his
+desire on being reminded by Reuben that it would be best to leave well alone.
+</p>
+
+<p>
+“Now putting two and two together,” the tranter continued, as they went their
+way over the hill, and across to the last remaining houses; “that is, in the
+form of that young female vision we zeed just now, and this young tenor-voiced
+parson, my belief is she’ll wind en round her finger, and twist the pore young
+feller about like the figure of 8—that she will so, my sonnies.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>CHAPTER VI.<br/>
+CHRISTMAS MORNING</h2>
+
+<p>
+The choir at last reached their beds, and slept like the rest of the parish.
+Dick’s slumbers, through the three or four hours remaining for rest, were
+disturbed and slight; an exhaustive variation upon the incidents that had
+passed that night in connection with the school-window going on in his brain
+every moment of the time.
+</p>
+
+<p>
+In the morning, do what he would—go upstairs, downstairs, out of doors, speak
+of the wind and weather, or what not—he could not refrain from an unceasing
+renewal, in imagination, of that interesting enactment. Tilted on the edge of
+one foot he stood beside the fireplace, watching his mother grilling rashers;
+but there was nothing in grilling, he thought, unless the Vision grilled. The
+limp rasher hung down between the bars of the gridiron like a cat in a child’s
+arms; but there was nothing in similes, unless She uttered them. He looked at
+the daylight shadows of a yellow hue, dancing with the firelight shadows in
+blue on the whitewashed chimney corner, but there was nothing in shadows.
+“Perhaps the new young wom—sch—Miss Fancy Day will sing in church with us this
+morning,” he said.
+</p>
+
+<p>
+The tranter looked a long time before he replied, “I fancy she will; and yet I
+fancy she won’t.”
+</p>
+
+<p>
+Dick implied that such a remark was rather to be tolerated than admired; though
+deliberateness in speech was known to have, as a rule, more to do with the
+machinery of the tranter’s throat than with the matter enunciated.
+</p>
+
+<p>
+They made preparations for going to church as usual; Dick with extreme
+alacrity, though he would not definitely consider why he was so religious. His
+wonderful nicety in brushing and cleaning his best light boots had features
+which elevated it to the rank of an art. Every particle and speck of last
+week’s mud was scraped and brushed from toe and heel; new blacking from the
+packet was carefully mixed and made use of, regardless of expense. A coat was
+laid on and polished; then another coat for increased blackness; and lastly a
+third, to give the perfect and mirror-like jet which the hoped-for rencounter
+demanded.
+</p>
+
+<p>
+It being Christmas-day, the tranter prepared himself with Sunday particularity.
+Loud sousing and snorting noises were heard to proceed from a tub in the back
+quarters of the dwelling, proclaiming that he was there performing his great
+Sunday wash, lasting half-an-hour, to which his washings on working-day
+mornings were mere flashes in the pan. Vanishing into the outhouse with a large
+brown towel, and the above-named bubblings and snortings being carried on for
+about twenty minutes, the tranter would appear round the edge of the door,
+smelling like a summer fog, and looking as if he had just narrowly escaped a
+watery grave with the loss of much of his clothes, having since been weeping
+bitterly till his eyes were red; a crystal drop of water hanging ornamentally
+at the bottom of each ear, one at the tip of his nose, and others in the form
+of spangles about his hair.
+</p>
+
+<p>
+After a great deal of crunching upon the sanded stone floor by the feet of
+father, son, and grandson as they moved to and fro in these preparations, the
+bass-viol and fiddles were taken from their nook, and the strings examined and
+screwed a little above concert-pitch, that they might keep their tone when the
+service began, to obviate the awkward contingency of having to retune them at
+the back of the gallery during a cough, sneeze, or amen—an inconvenience which
+had been known to arise in damp wintry weather.
+</p>
+
+<p>
+The three left the door and paced down Mellstock-lane and across the ewe-lease,
+bearing under their arms the instruments in faded green-baize bags, and old
+brown music-books in their hands; Dick continually finding himself in advance
+of the other two, and the tranter moving on with toes turned outwards to an
+enormous angle.
+</p>
+
+<p>
+At the foot of an incline the church became visible through the north gate, or
+‘church hatch,’ as it was called here. Seven agile figures in a clump were
+observable beyond, which proved to be the choristers waiting; sitting on an
+altar-tomb to pass the time, and letting their heels dangle against it. The
+musicians being now in sight, the youthful party scampered off and rattled up
+the old wooden stairs of the gallery like a regiment of cavalry; the other boys
+of the parish waiting outside and observing birds, cats, and other creatures
+till the vicar entered, when they suddenly subsided into sober church-goers,
+and passed down the aisle with echoing heels.
+</p>
+
+<p>
+The gallery of Mellstock Church had a status and sentiment of its own. A
+stranger there was regarded with a feeling altogether differing from that of
+the congregation below towards him. Banished from the nave as an intruder whom
+no originality could make interesting, he was received above as a curiosity
+that no unfitness could render dull. The gallery, too, looked down upon and
+knew the habits of the nave to its remotest peculiarity, and had an extensive
+stock of exclusive information about it; whilst the nave knew nothing of the
+gallery folk, as gallery folk, beyond their loud-sounding minims and chest
+notes. Such topics as that the clerk was always chewing tobacco except at the
+moment of crying amen; that he had a dust-hole in his pew; that during the
+sermon certain young daughters of the village had left off caring to read
+anything so mild as the marriage service for some years, and now regularly
+studied the one which chronologically follows it; that a pair of lovers touched
+fingers through a knot-hole between their pews in the manner ordained by their
+great exemplars, Pyramus and Thisbe; that Mrs. Ledlow, the farmer’s wife,
+counted her money and reckoned her week’s marketing expenses during the first
+lesson—all news to those below—were stale subjects here.
+</p>
+
+<p>
+Old William sat in the centre of the front row, his violoncello between his
+knees and two singers on each hand. Behind him, on the left, came the treble
+singers and Dick; and on the right the tranter and the tenors. Farther back was
+old Mail with the altos and supernumeraries.
+</p>
+
+<p>
+But before they had taken their places, and whilst they were standing in a
+circle at the back of the gallery practising a psalm or two, Dick cast his eyes
+over his grandfather’s shoulder, and saw the vision of the past night enter the
+porch-door as methodically as if she had never been a vision at all. A new
+atmosphere seemed suddenly to be puffed into the ancient edifice by her
+movement, which made Dick’s body and soul tingle with novel sensations.
+Directed by Shiner, the churchwarden, she proceeded to the small aisle on the
+north side of the chancel, a spot now allotted to a throng of Sunday-school
+girls, and distinctly visible from the gallery-front by looking under the curve
+of the furthermost arch on that side.
+</p>
+
+<p>
+Before this moment the church had seemed comparatively empty—now it was
+thronged; and as Miss Fancy rose from her knees and looked around her for a
+permanent place in which to deposit herself—finally choosing the remotest
+corner—Dick began to breathe more freely the warm new air she had brought with
+her; to feel rushings of blood, and to have impressions that there was a tie
+between her and himself visible to all the congregation.
+</p>
+
+<p>
+Ever afterwards the young man could recollect individually each part of the
+service of that bright Christmas morning, and the trifling occurrences which
+took place as its minutes slowly drew along; the duties of that day dividing
+themselves by a complete line from the services of other times. The tunes they
+that morning essayed remained with him for years, apart from all others; also
+the text; also the appearance of the layer of dust upon the capitals of the
+piers; that the holly-bough in the chancel archway was hung a little out of the
+centre—all the ideas, in short, that creep into the mind when reason is only
+exercising its lowest activity through the eye.
+</p>
+
+<p>
+By chance or by fate, another young man who attended Mellstock Church on that
+Christmas morning had towards the end of the service the same instinctive
+perception of an interesting presence, in the shape of the same bright maiden,
+though his emotion reached a far less developed stage. And there was this
+difference, too, that the person in question was surprised at his condition,
+and sedulously endeavoured to reduce himself to his normal state of mind. He
+was the young vicar, Mr. Maybold.
+</p>
+
+<p>
+The music on Christmas mornings was frequently below the standard of
+church-performances at other times. The boys were sleepy from the heavy
+exertions of the night; the men were slightly wearied; and now, in addition to
+these constant reasons, there was a dampness in the atmosphere that still
+further aggravated the evil. Their strings, from the recent long exposure to
+the night air, rose whole semitones, and snapped with a loud twang at the most
+silent moment; which necessitated more retiring than ever to the back of the
+gallery, and made the gallery throats quite husky with the quantity of coughing
+and hemming required for tuning in. The vicar looked cross.
+</p>
+
+<p>
+When the singing was in progress there was suddenly discovered to be a strong
+and shrill reinforcement from some point, ultimately found to be the
+school-girls’ aisle. At every attempt it grew bolder and more distinct. At the
+third time of singing, these intrusive feminine voices were as mighty as those
+of the regular singers; in fact, the flood of sound from this quarter assumed
+such an individuality, that it had a time, a key, almost a tune of its own,
+surging upwards when the gallery plunged downwards, and the reverse.
+</p>
+
+<p>
+Now this had never happened before within the memory of man. The girls, like
+the rest of the congregation, had always been humble and respectful followers
+of the gallery; singing at sixes and sevens if without gallery leaders; never
+interfering with the ordinances of these practised artists—having no will,
+union, power, or proclivity except it was given them from the established choir
+enthroned above them.
+</p>
+
+<p>
+A good deal of desperation became noticeable in the gallery throats and
+strings, which continued throughout the musical portion of the service.
+Directly the fiddles were laid down, Mr. Penny’s spectacles put in their
+sheath, and the text had been given out, an indignant whispering began.
+</p>
+
+<p>
+“Did ye hear that, souls?” Mr. Penny said, in a groaning breath.
+</p>
+
+<p>
+“Brazen-faced hussies!” said Bowman.
+</p>
+
+<p>
+“True; why, they were every note as loud as we, fiddles and all, if not
+louder!”
+</p>
+
+<p>
+“Fiddles and all!” echoed Bowman bitterly.
+</p>
+
+<p>
+“Shall anything saucier be found than united ’ooman?” Mr. Spinks murmured.
+</p>
+
+<p>
+“What I want to know is,” said the tranter (as if he knew already, but that
+civilization required the form of words), “what business people have to tell
+maidens to sing like that when they don’t sit in a gallery, and never have
+entered one in their lives? That’s the question, my sonnies.”
+</p>
+
+<p>
+“’Tis the gallery have got to sing, all the world knows,” said Mr. Penny. “Why,
+souls, what’s the use o’ the ancients spending scores of pounds to build
+galleries if people down in the lowest depths of the church sing like that at a
+moment’s notice?”
+</p>
+
+<p>
+“Really, I think we useless ones had better march out of church, fiddles and
+all!” said Mr. Spinks, with a laugh which, to a stranger, would have sounded
+mild and real. Only the initiated body of men he addressed could understand the
+horrible bitterness of irony that lurked under the quiet words ‘useless ones,’
+and the ghastliness of the laughter apparently so natural.
+</p>
+
+<p>
+“Never mind! Let ’em sing too—’twill make it all the louder—hee, hee!” said
+Leaf.
+</p>
+
+<p>
+“Thomas Leaf, Thomas Leaf! Where have you lived all your life?” said
+grandfather William sternly.
+</p>
+
+<p>
+The quailing Leaf tried to look as if he had lived nowhere at all.
+</p>
+
+<p>
+“When all’s said and done, my sonnies,” Reuben said, “there’d have been no real
+harm in their singing if they had let nobody hear ’em, and only jined in now
+and then.”
+</p>
+
+<p>
+“None at all,” said Mr. Penny. “But though I don’t wish to accuse people
+wrongfully, I’d say before my lord judge that I could hear every note o’ that
+last psalm come from ’em as much as from us—every note as if ’twas their own.”
+</p>
+
+<p>
+“Know it! ah, I should think I did know it!” Mr. Spinks was heard to observe at
+this moment, without reference to his fellow players—shaking his head at some
+idea he seemed to see floating before him, and smiling as if he were attending
+a funeral at the time. “Ah, do I or don’t I know it!”
+</p>
+
+<p>
+No one said “Know what?” because all were aware from experience that what he
+knew would declare itself in process of time.
+</p>
+
+<p>
+“I could fancy last night that we should have some trouble wi’ that young man,”
+said the tranter, pending the continuance of Spinks’s speech, and looking
+towards the unconscious Mr. Maybold in the pulpit.
+</p>
+
+<p>
+“<i>I</i> fancy,” said old William, rather severely, “I fancy there’s too much
+whispering going on to be of any spiritual use to gentle or simple.” Then
+folding his lips and concentrating his glance on the vicar, he implied that
+none but the ignorant would speak again; and accordingly there was silence in
+the gallery, Mr. Spinks’s telling speech remaining for ever unspoken.
+</p>
+
+<p>
+Dick had said nothing, and the tranter little, on this episode of the morning;
+for Mrs. Dewy at breakfast expressed it as her intention to invite the youthful
+leader of the culprits to the small party it was customary with them to have on
+Christmas night—a piece of knowledge which had given a particular brightness to
+Dick’s reflections since he had received it. And in the tranter’s
+slightly-cynical nature, party feeling was weaker than in the other members of
+the choir, though friendliness and faithful partnership still sustained in him
+a hearty earnestness on their account.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>CHAPTER VII.<br/>
+THE TRANTER’S PARTY</h2>
+
+<p>
+During the afternoon unusual activity was seen to prevail about the precincts
+of tranter Dewy’s house. The flagstone floor was swept of dust, and a
+sprinkling of the finest yellow sand from the innermost stratum of the
+adjoining sand-pit lightly scattered thereupon. Then were produced large knives
+and forks, which had been shrouded in darkness and grease since the last
+occasion of the kind, and bearing upon their sides, “Shear-steel, warranted,”
+in such emphatic letters of assurance, that the warranter’s name was not
+required as further proof, and not given. The key was left in the tap of the
+cider-barrel, instead of being carried in a pocket. And finally the tranter had
+to stand up in the room and let his wife wheel him round like a turnstile, to
+see if anything discreditable was visible in his appearance.
+</p>
+
+<p>
+“Stand still till I’ve been for the scissors,” said Mrs. Dewy.
+</p>
+
+<p>
+The tranter stood as still as a sentinel at the challenge.
+</p>
+
+<p>
+The only repairs necessary were a trimming of one or two whiskers that had
+extended beyond the general contour of the mass; a like trimming of a
+slightly-frayed edge visible on his shirt-collar; and a final tug at a grey
+hair—to all of which operations he submitted in resigned silence, except the
+last, which produced a mild “Come, come, Ann,” by way of expostulation.
+</p>
+
+<p>
+“Really, Reuben, ’tis quite a disgrace to see such a man,” said Mrs. Dewy, with
+the severity justifiable in a long-tried companion, giving him another turn
+round, and picking several of Smiler’s hairs from the shoulder of his coat.
+Reuben’s thoughts seemed engaged elsewhere, and he yawned. “And the collar of
+your coat is a shame to behold—so plastered with dirt, or dust, or grease, or
+something. Why, wherever could you have got it?”
+</p>
+
+<p>
+“’Tis my warm nater in summer-time, I suppose. I always did get in such a heat
+when I bustle about.”
+</p>
+
+<p>
+“Ay, the Dewys always were such a coarse-skinned family. There’s your brother
+Bob just as bad—as fat as a porpoise—wi’ his low, mean, ‘How’st do, Ann?’
+whenever he meets me. I’d ‘How’st do’ him indeed! If the sun only shines out a
+minute, there be you all streaming in the face—I never see!”
+</p>
+
+<p>
+“If I be hot week-days, I must be hot Sundays.”
+</p>
+
+<p>
+“If any of the girls should turn after their father ’twill be a bad look-out
+for ’em, poor things! None of my family were sich vulgar sweaters, not one of
+’em. But, Lord-a-mercy, the Dewys! I don’t know how ever I cam’ into such a
+family!”
+</p>
+
+<p>
+<i>“</i>Your woman’s weakness when I asked ye to jine us. That’s how it was I
+suppose.” But the tranter appeared to have heard some such words from his wife
+before, and hence his answer had not the energy it might have shown if the
+inquiry had possessed the charm of novelty.
+</p>
+
+<p>
+“You never did look so well in a pair o’ trousers as in them,” she continued in
+the same unimpassioned voice, so that the unfriendly criticism of the Dewy
+family seemed to have been more normal than spontaneous. “Such a cheap pair as
+’twas too. As big as any man could wish to have, and lined inside, and
+double-lined in the lower parts, and an extra piece of stiffening at the
+bottom. And ’tis a nice high cut that comes up right under your armpits, and
+there’s enough turned down inside the seams to make half a pair more, besides a
+piece of cloth left that will make an honest waistcoat—all by my contriving in
+buying the stuff at a bargain, and having it made up under my eye. It only
+shows what may be done by taking a little trouble, and not going straight to
+the rascally tailors.”
+</p>
+
+<p>
+The discourse was cut short by the sudden appearance of Charley on the scene,
+with a face and hands of hideous blackness, and a nose like a guttering candle.
+Why, on that particularly cleanly afternoon, he should have discovered that the
+chimney-crook and chain from which the hams were suspended should have
+possessed more merits and general interest as playthings than any other
+articles in the house, is a question for nursing mothers to decide. However,
+the humour seemed to lie in the result being, as has been seen, that any given
+player with these articles was in the long-run daubed with soot. The last that
+was seen of Charley by daylight after this piece of ingenuity was when in the
+act of vanishing from his father’s presence round the corner of the
+house—looking back over his shoulder with an expression of great sin on his
+face, like Cain as the Outcast in Bible pictures.
+</p>
+
+<p class="p2">
+The guests had all assembled, and the tranter’s party had reached that degree
+of development which accords with ten o’clock P.M. in rural assemblies. At that
+hour the sound of a fiddle in process of tuning was heard from the inner
+pantry.
+</p>
+
+<p>
+“That’s Dick,” said the tranter. “That lad’s crazy for a jig.”
+</p>
+
+<p>
+“Dick! Now I cannot—really, I cannot have any dancing at all till Christmas-day
+is out,” said old William emphatically. “When the clock ha’ done striking
+twelve, dance as much as ye like.”
+</p>
+
+<p>
+“Well, I must say there’s reason in that, William,” said Mrs. Penny. “If you do
+have a party on Christmas-night, ’tis only fair and honourable to the sky-folk
+to have it a sit-still party. Jigging parties be all very well on the Devil’s
+holidays; but a jigging party looks suspicious now. O yes; stop till the clock
+strikes, young folk—so say I.”
+</p>
+
+<p>
+It happened that some warm mead accidentally got into Mr. Spinks’s head about
+this time.
+</p>
+
+<p>
+“Dancing,” he said, “is a most strengthening, livening, and courting movement,
+’specially with a little beverage added! And dancing is good. But why disturb
+what is ordained, Richard and Reuben, and the company zhinerally? Why, I ask,
+as far as that do go?”
+</p>
+
+<p>
+“Then nothing till after twelve,” said William.
+</p>
+
+<p>
+Though Reuben and his wife ruled on social points, religious questions were
+mostly disposed of by the old man, whose firmness on this head quite
+counterbalanced a certain weakness in his handling of domestic matters. The
+hopes of the younger members of the household were therefore relegated to a
+distance of one hour and three-quarters—a result that took visible shape in
+them by a remote and listless look about the eyes—the singing of songs being
+permitted in the interim.
+</p>
+
+<p>
+At five minutes to twelve the soft tuning was again heard in the back quarters;
+and when at length the clock had whizzed forth the last stroke, Dick appeared
+ready primed, and the instruments were boldly handled; old William very readily
+taking the bass-viol from its accustomed nail, and touching the strings as
+irreligiously as could be desired.
+</p>
+
+<p>
+The country-dance called the ‘Triumph, or Follow my Lover,’ was the figure with
+which they opened. The tranter took for his partner Mrs. Penny, and Mrs. Dewy
+was chosen by Mr. Penny, who made so much of his limited height by a judicious
+carriage of the head, straightening of the back, and important flashes of his
+spectacle-glasses, that he seemed almost as tall as the tranter. Mr. Shiner,
+age about thirty-five, farmer and church-warden, a character principally
+composed of a crimson stare, vigorous breath, and a watch-chain, with a mouth
+hanging on a dark smile but never smiling, had come quite willingly to the
+party, and showed a wondrous obliviousness of all his antics on the previous
+night. But the comely, slender, prettily-dressed prize Fancy Day fell to Dick’s
+lot, in spite of some private machinations of the farmer, for the reason that
+Mr. Shiner, as a richer man, had shown too much assurance in asking the favour,
+whilst Dick had been duly courteous.
+</p>
+
+<p>
+We gain a good view of our heroine as she advances to her place in the ladies’
+line. She belonged to the taller division of middle height. Flexibility was her
+first characteristic, by which she appeared to enjoy the most easeful rest when
+she was in gliding motion. Her dark eyes—arched by brows of so keen, slender,
+and soft a curve, that they resembled nothing so much as two slurs in
+music—showed primarily a bright sparkle each. This was softened by a frequent
+thoughtfulness, yet not so frequent as to do away, for more than a few minutes
+at a time, with a certain coquettishness; which in its turn was never so
+decided as to banish honesty. Her lips imitated her brows in their clearly-cut
+outline and softness of bend; and her nose was well shaped—which is saying a
+great deal, when it is remembered that there are a hundred pretty mouths and
+eyes for one pretty nose. Add to this, plentiful knots of dark-brown hair, a
+gauzy dress of white, with blue facings; and the slightest idea may be gained
+of the young maiden who showed, amidst the rest of the dancing-ladies, like a
+flower among vegetables. And so the dance proceeded. Mr. Shiner, according to
+the interesting rule laid down, deserted his own partner, and made off down the
+middle with this fair one of Dick’s—the pair appearing from the top of the room
+like two persons tripping down a lane to be married. Dick trotted behind with
+what was intended to be a look of composure, but which was, in fact, a rather
+silly expression of feature—implying, with too much earnestness, that such an
+elopement could not be tolerated. Then they turned and came back, when Dick
+grew more rigid around his mouth, and blushed with ingenuous ardour as he
+joined hands with the rival and formed the arch over his lady’s head; which
+presumably gave the figure its name; relinquishing her again at setting to
+partners, when Mr. Shiner’s new chain quivered in every link, and all the loose
+flesh upon the tranter—who here came into action again—shook like jelly. Mrs.
+Penny, being always rather concerned for her personal safety when she danced
+with the tranter, fixed her face to a chronic smile of timidity the whole time
+it lasted—a peculiarity which filled her features with wrinkles, and reduced
+her eyes to little straight lines like hyphens, as she jigged up and down
+opposite him; repeating in her own person not only his proper movements, but
+also the minor flourishes which the richness of the tranter’s imagination led
+him to introduce from time to time—an imitation which had about it something of
+slavish obedience, not unmixed with fear.
+</p>
+
+<p>
+The ear-rings of the ladies now flung themselves wildly about, turning violent
+summersaults, banging this way and that, and then swinging quietly against the
+ears sustaining them. Mrs. Crumpler—a heavy woman, who, for some reason which
+nobody ever thought worth inquiry, danced in a clean apron—moved so smoothly
+through the figure that her feet were never seen; conveying to imaginative
+minds the idea that she rolled on castors.
+</p>
+
+<p>
+Minute after minute glided by, and the party reached the period when ladies’
+back-hair begins to look forgotten and dissipated; when a perceptible dampness
+makes itself apparent upon the faces even of delicate girls—a ghastly dew
+having for some time rained from the features of their masculine partners; when
+skirts begin to be torn out of their gathers; when elderly people, who have
+stood up to please their juniors, begin to feel sundry small tremblings in the
+region of the knees, and to wish the interminable dance was at Jericho; when
+(at country parties of the thorough sort) waistcoats begin to be unbuttoned,
+and when the fiddlers’ chairs have been wriggled, by the frantic bowing of
+their occupiers, to a distance of about two feet from where they originally
+stood.
+</p>
+
+<p>
+Fancy was dancing with Mr. Shiner. Dick knew that Fancy, by the law of good
+manners, was bound to dance as pleasantly with one partner as with another; yet
+he could not help suggesting to himself that she need not have put <i>quite</i>
+so much spirit into her steps, nor smiled <i>quite</i> so frequently whilst in
+the farmer’s hands.
+</p>
+
+<p>
+“I’m afraid you didn’t cast off,” said Dick mildly to Mr. Shiner, before the
+latter man’s watch-chain had done vibrating from a recent whirl.
+</p>
+
+<p>
+Fancy made a motion of accepting the correction; but her partner took no
+notice, and proceeded with the next movement, with an affectionate bend towards
+her.
+</p>
+
+<p>
+“That Shiner’s too fond of her,” the young man said to himself as he watched
+them. They came to the top again, Fancy smiling warmly towards her partner, and
+went to their places.
+</p>
+
+<p>
+“Mr. Shiner, you didn’t cast off,” said Dick, for want of something else to
+demolish him with; casting off himself, and being put out at the farmer’s
+irregularity.
+</p>
+
+<p>
+“Perhaps I sha’n’t cast off for any man,” said Mr. Shiner.
+</p>
+
+<p>
+“I think you ought to, sir.”
+</p>
+
+<p>
+Dick’s partner, a young lady of the name of Lizzy—called Lizz for short—tried
+to mollify.
+</p>
+
+<p>
+“I can’t say that I myself have much feeling for casting off,” she said.
+</p>
+
+<p>
+“Nor I,” said Mrs. Penny, following up the argument, “especially if a friend
+and neighbour is set against it. Not but that ’tis a terrible tasty thing in
+good hands and well done; yes, indeed, so say I.”
+</p>
+
+<p>
+“All I meant was,” said Dick, rather sorry that he had spoken correctingly to a
+guest, “that ’tis in the dance; and a man has hardly any right to hack and
+mangle what was ordained by the regular dance-maker, who, I daresay, got his
+living by making ’em, and thought of nothing else all his life.”
+</p>
+
+<p>
+“I don’t like casting off: then very well; I cast off for no dance-maker that
+ever lived.”
+</p>
+
+<p>
+Dick now appeared to be doing mental arithmetic, the act being really an effort
+to present to himself, in an abstract form, how far an argument with a
+formidable rival ought to be carried, when that rival was his mother’s guest.
+The dead-lock was put an end to by the stamping arrival up the middle of the
+tranter, who, despising minuti&aelig; on principle, started a theme of his own.
+</p>
+
+<p>
+“I assure you, neighbours,” he said, “the heat of my frame no tongue can tell!”
+He looked around and endeavoured to give, by a forcible gaze of self-sympathy,
+some faint idea of the truth.
+</p>
+
+<p>
+Mrs. Dewy formed one of the next couple.
+</p>
+
+<p>
+“Yes,” she said, in an auxiliary tone, “Reuben always was such a hot man.”
+</p>
+
+<p>
+Mrs. Penny implied the species of sympathy that such a class of affliction
+required, by trying to smile and to look grieved at the same time.
+</p>
+
+<p>
+“If he only walk round the garden of a Sunday morning, his shirt-collar is as
+limp as no starch at all,” continued Mrs. Dewy, her countenance lapsing
+parenthetically into a housewifely expression of concern at the reminiscence.
+</p>
+
+<p>
+“Come, come, you women-folk; ’tis hands across—come, come!” said the tranter;
+and the conversation ceased for the present.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>CHAPTER VIII.<br/>
+THEY DANCE MORE WILDLY</h2>
+
+<p>
+Dick had at length secured Fancy for that most delightful of country-dances,
+opening with six-hands-round.
+</p>
+
+<p>
+“Before we begin,” said the tranter, “my proposal is, that ’twould be a right
+and proper plan for every mortal man in the dance to pull off his jacket,
+considering the heat.”
+</p>
+
+<p>
+“Such low notions as you have, Reuben! Nothing but strip will go down with you
+when you are a-dancing. Such a hot man as he is!”
+</p>
+
+<p>
+“Well, now, look here, my sonnies,” he argued to his wife, whom he often
+addressed in the plural masculine for economy of epithet merely; “I don’t see
+that. You dance and get hot as fire; therefore you lighten your clothes. Isn’t
+that nature and reason for gentle and simple? If I strip by myself and not
+necessary, ’tis rather pot-housey I own; but if we stout chaps strip one and
+all, why, ’tis the native manners of the country, which no man can gainsay?
+Hey—what did you say, my sonnies?”
+</p>
+
+<p>
+“Strip we will!” said the three other heavy men who were in the dance; and
+their coats were accordingly taken off and hung in the passage, whence the four
+sufferers from heat soon reappeared, marching in close column, with flapping
+shirt-sleeves, and having, as common to them all, a general glance of being now
+a match for any man or dancer in England or Ireland. Dick, fearing to lose
+ground in Fancy’s good opinion, retained his coat like the rest of the thinner
+men; and Mr. Shiner did the same from superior knowledge.
+</p>
+
+<p>
+And now a further phase of revelry had disclosed itself. It was the time of
+night when a guest may write his name in the dust upon the tables and chairs,
+and a bluish mist pervades the atmosphere, becoming a distinct halo round the
+candles; when people’s nostrils, wrinkles, and crevices in general, seem to be
+getting gradually plastered up; when the very fiddlers as well as the dancers
+get red in the face, the dancers having advanced further still towards
+incandescence, and entered the cadaverous phase; the fiddlers no longer sit
+down, but kick back their chairs and saw madly at the strings, with legs firmly
+spread and eyes closed, regardless of the visible world. Again and again did
+Dick share his Love’s hand with another man, and wheel round; then, more
+delightfully, promenade in a circle with her all to himself, his arm holding
+her waist more firmly each time, and his elbow getting further and further
+behind her back, till the distance reached was rather noticeable; and, most
+blissful, swinging to places shoulder to shoulder, her breath curling round his
+neck like a summer zephyr that had strayed from its proper date. Threading the
+couples one by one they reached the bottom, when there arose in Dick’s mind a
+minor misery lest the tune should end before they could work their way to the
+top again, and have anew the same exciting run down through. Dick’s feelings on
+actually reaching the top in spite of his doubts were supplemented by a mortal
+fear that the fiddling might even stop at this supreme moment; which prompted
+him to convey a stealthy whisper to the far-gone musicians, to the effect that
+they were not to leave off till he and his partner had reached the bottom of
+the dance once more, which remark was replied to by the nearest of those
+convulsed and quivering men by a private nod to the anxious young man between
+two semiquavers of the tune, and a simultaneous “All right, ay, ay,” without
+opening the eyes. Fancy was now held so closely that Dick and she were
+practically one person. The room became to Dick like a picture in a dream; all
+that he could remember of it afterwards being the look of the fiddlers going to
+sleep, as humming-tops sleep, by increasing their motion and hum, together with
+the figures of grandfather James and old Simon Crumpler sitting by the
+chimney-corner, talking and nodding in dumb-show, and beating the air to their
+emphatic sentences like people near a threshing machine.
+</p>
+
+<p>
+The dance ended. “Piph-h-h-h!” said tranter Dewy, blowing out his breath in the
+very finest stream of vapour that a man’s lips could form. “A regular
+tightener, that one, sonnies!” He wiped his forehead, and went to the cider and
+ale mugs on the table.
+</p>
+
+<p>
+“Well!” said Mrs. Penny, flopping into a chair, “my heart haven’t been in such
+a thumping state of uproar since I used to sit up on old Midsummer-eves to see
+who my husband was going to be.”
+</p>
+
+<p>
+“And that’s getting on for a good few years ago now, from what I’ve heard you
+tell,” said the tranter, without lifting his eyes from the cup he was filling.
+Being now engaged in the business of handing round refreshments, he was
+warranted in keeping his coat off still, though the other heavy men had resumed
+theirs.
+</p>
+
+<p>
+“And a thing I never expected would come to pass, if you’ll believe me, came to
+pass then,” continued Mrs. Penny. “Ah, the first spirit ever I see on a
+Midsummer-eve was a puzzle to me when he appeared, a hard puzzle, so say I!”
+</p>
+
+<p>
+“So I should have fancied,” said Elias Spinks.
+</p>
+
+<p>
+“Yes,” said Mrs. Penny, throwing her glance into past times, and talking on in
+a running tone of complacent abstraction, as if a listener were not a
+necessity. “Yes; never was I in such a taking as on that Midsummer-eve! I sat
+up, quite determined to see if John Wildway was going to marry me or no. I put
+the bread-and-cheese and beer quite ready, as the witch’s book ordered, and I
+opened the door, and I waited till the clock struck twelve, my nerves all alive
+and so strained that I could feel every one of ’em twitching like bell-wires.
+Yes, sure! and when the clock had struck, lo and behold, I could see through
+the door a <i>little small</i> man in the lane wi’ a shoemaker’s apron on.”
+</p>
+
+<p>
+Here Mr. Penny stealthily enlarged himself half an inch.
+</p>
+
+<p>
+“Now, John Wildway,” Mrs. Penny continued, “who courted me at that time, was a
+shoemaker, you see, but he was a very fair-sized man, and I couldn’t believe
+that any such a little small man had anything to do wi’ me, as anybody might.
+But on he came, and crossed the threshold—not John, but actually the same
+little small man in the shoemaker’s apron—”
+</p>
+
+<p>
+“You needn’t be so mighty particular about little and small!” said her husband.
+</p>
+
+<p>
+“In he walks, and down he sits, and O my goodness me, didn’t I flee upstairs,
+body and soul hardly hanging together! Well, to cut a long story short, by-long
+and by-late, John Wildway and I had a miff and parted; and lo and behold, the
+coming man came! Penny asked me if I’d go snacks with him, and afore I knew
+what I was about a’most, the thing was done.”
+</p>
+
+<p>
+“I’ve fancied you never knew better in your life; but I mid be mistaken,” said
+Mr. Penny in a murmur.
+</p>
+
+<p>
+After Mrs. Penny had spoken, there being no new occupation for her eyes, she
+still let them stay idling on the past scenes just related, which were
+apparently visible to her in the centre of the room. Mr. Penny’s remark
+received no reply.
+</p>
+
+<p>
+During this discourse the tranter and his wife might have been observed
+standing in an unobtrusive corner, in mysterious closeness to each other, a
+just perceptible current of intelligence passing from each to each, which had
+apparently no relation whatever to the conversation of their guests, but much
+to their sustenance. A conclusion of some kind having at length been drawn, the
+palpable confederacy of man and wife was once more obliterated, the tranter
+marching off into the pantry, humming a tune that he couldn’t quite recollect,
+and then breaking into the words of a song of which he could remember about one
+line and a quarter. Mrs. Dewy spoke a few words about preparations for a bit of
+supper.
+</p>
+
+<p>
+That elder portion of the company which loved eating and drinking put on a look
+to signify that till this moment they had quite forgotten that it was customary
+to expect suppers on these occasions; going even further than this politeness
+of feature, and starting irrelevant subjects, the exceeding flatness and forced
+tone of which rather betrayed their object. The younger members said they were
+quite hungry, and that supper would be delightful though it was so late.
+</p>
+
+<p>
+Good luck attended Dick’s love-passes during the meal. He sat next Fancy, and
+had the thrilling pleasure of using permanently a glass which had been taken by
+Fancy in mistake; of letting the outer edge of the sole of his boot touch the
+lower verge of her skirt; and to add to these delights the cat, which had lain
+unobserved in her lap for several minutes, crept across into his own, touching
+him with fur that had touched her hand a moment before. There were, besides,
+some little pleasures in the shape of helping her to vegetable she didn’t want,
+and when it had nearly alighted on her plate taking it across for his own use,
+on the plea of waste not, want not. He also, from time to time, sipped sweet
+sly glances at her profile; noticing the set of her head, the curve of her
+throat, and other artistic properties of the lively goddess, who the while kept
+up a rather free, not to say too free, conversation with Mr. Shiner sitting
+opposite; which, after some uneasy criticism, and much shifting of argument
+backwards and forwards in Dick’s mind, he decided not to consider of alarming
+significance.
+</p>
+
+<p>
+“A new music greets our ears now,” said Miss Fancy, alluding, with the
+sharpness that her position as village sharpener demanded, to the contrast
+between the rattle of knives and forks and the late notes of the fiddlers.
+</p>
+
+<p>
+“Ay; and I don’t know but what ’tis sweeter in tone when you get above forty,”
+said the tranter; “except, in faith, as regards father there. Never such a
+mortal man as he for tunes. They do move his soul; don’t ’em, father?”
+</p>
+
+<p>
+The eldest Dewy smiled across from his distant chair an assent to Reuben’s
+remark.
+</p>
+
+<p>
+“Spaking of being moved in soul,” said Mr. Penny, “I shall never forget the
+first time I heard the ‘Dead March.’ ’Twas at poor Corp’l Nineman’s funeral at
+Casterbridge. It fairly made my hair creep and fidget about like a vlock of
+sheep—ah, it did, souls! And when they had done, and the last trump had
+sounded, and the guns was fired over the dead hero’s grave, a’ icy-cold drop o’
+moist sweat hung upon my forehead, and another upon my jawbone. Ah, ’tis a very
+solemn thing!”
+</p>
+
+<p>
+“Well, as to father in the corner there,” the tranter said, pointing to old
+William, who was in the act of filling his mouth; “he’d starve to death for
+music’s sake now, as much as when he was a boy-chap of fifteen.”
+</p>
+
+<p>
+“Truly, now,” said Michael Mail, clearing the corner of his throat in the
+manner of a man who meant to be convincing; “there’s a friendly tie of some
+sort between music and eating.” He lifted the cup to his mouth, and drank
+himself gradually backwards from a perpendicular position to a slanting one,
+during which time his looks performed a circuit from the wall opposite him to
+the ceiling overhead. Then clearing the other corner of his throat: “Once I was
+a-setting in the little kitchen of the Dree Mariners at Casterbridge, having a
+bit of dinner, and a brass band struck up in the street. Such a beautiful band
+as that were! I was setting eating fried liver and lights, I well can mind—ah,
+I was! and to save my life, I couldn’t help chawing to the tune. Band played
+six-eight time; six-eight chaws I, willynilly. Band plays common; common time
+went my teeth among the liver and lights as true as a hair. Beautiful ’twere!
+Ah, I shall never forget that there band!”
+</p>
+
+<p>
+“That’s as tuneful a thing as ever I heard of,” said grandfather James, with
+the absent gaze which accompanies profound criticism.
+</p>
+
+<p>
+“I don’t like Michael’s tuneful stories then,” said Mrs. Dewy. “They are quite
+coarse to a person o’ decent taste.”
+</p>
+
+<p>
+Old Michael’s mouth twitched here and there, as if he wanted to smile but
+didn’t know where to begin, which gradually settled to an expression that it
+was not displeasing for a nice woman like the tranter’s wife to correct him.
+</p>
+
+<p>
+“Well, now,” said Reuben, with decisive earnestness, “that sort o’ coarse touch
+that’s so upsetting to Ann’s feelings is to my mind a recommendation; for it do
+always prove a story to be true. And for the same reason, I like a story with a
+bad moral. My sonnies, all true stories have a coarse touch or a bad moral,
+depend upon’t. If the story-tellers could ha’ got decency and good morals from
+true stories, who’d ha’ troubled to invent parables?” Saying this the tranter
+arose to fetch a new stock of cider, ale, mead, and home-made wines.
+</p>
+
+<p>
+Mrs. Dewy sighed, and appended a remark (ostensibly behind her husband’s back,
+though that the words should reach his ears distinctly was understood by both):
+“Such a man as Dewy is! Nobody do know the trouble I have to keep that man
+barely respectable. And did you ever hear too—just now at supper-time—talking
+about ‘taties’ with Michael in such a work-folk way. Well, ’tis what I was
+never brought up to! With our family ’twas never less than ‘taters,’ and very
+often ‘pertatoes’ outright; mother was so particular and nice with us girls
+there was no family in the parish that kept them selves up more than we.”
+</p>
+
+<p>
+The hour of parting came. Fancy could not remain for the night, because she had
+engaged a woman to wait up for her. She disappeared temporarily from the
+flagging party of dancers, and then came downstairs wrapped up and looking
+altogether a different person from whom she had been hitherto, in fact (to
+Dick’s sadness and disappointment), a woman somewhat reserved and of a
+phlegmatic temperament—nothing left in her of the romping girl that she had
+seemed but a short quarter-hour before, who had not minded the weight of Dick’s
+hand upon her waist, nor shirked the purlieus of the mistletoe.
+</p>
+
+<p>
+“What a difference!” thought the young man—hoary cynic <i>pro tem. “</i>What a
+miserable deceiving difference between the manners of a maid’s life at dancing
+times and at others! Look at this lovely Fancy! Through the whole past evening
+touchable, squeezeable—even kissable! For whole half-hours I held her so chose
+to me that not a sheet of paper could have been shipped between us; and I could
+feel her heart only just outside my own, her life beating on so close to mine,
+that I was aware of every breath in it. A flit is made upstairs—a hat and a
+cloak put on—and I no more dare to touch her than—” Thought failed him, and he
+returned to realities.
+</p>
+
+<p>
+But this was an endurable misery in comparison with what followed. Mr. Shiner
+and his watch-chain, taking the intrusive advantage that ardent bachelors who
+are going homeward along the same road as a pretty young woman always do take
+of that circumstance, came forward to assure Fancy—with a total disregard of
+Dick’s emotions, and in tones which were certainly not frigid—that he (Shiner)
+was not the man to go to bed before seeing his Lady Fair safe within her own
+door—not he, nobody should say he was that;—and that he would not leave her
+side an inch till the thing was done—drown him if he would. The proposal was
+assented to by Miss Day, in Dick’s foreboding judgment, with one degree—or at
+any rate, an appreciable fraction of a degree—of warmth beyond that required by
+a disinterested desire for protection from the dangers of the night.
+</p>
+
+<p>
+All was over; and Dick surveyed the chair she had last occupied, looking now
+like a setting from which the gem has been torn. There stood her glass, and the
+romantic teaspoonful of elder wine at the bottom that she couldn’t drink by
+trying ever so hard, in obedience to the mighty arguments of the tranter (his
+hand coming down upon her shoulder the while, like a Nasmyth hammer); but the
+drinker was there no longer. There were the nine or ten pretty little crumbs
+she had left on her plate; but the eater was no more seen.
+</p>
+
+<p>
+There seemed a disagreeable closeness of relationship between himself and the
+members of his family, now that they were left alone again face to face. His
+father seemed quite offensive for appearing to be in just as high spirits as
+when the guests were there; and as for grandfather James (who had not yet
+left), he was quite fiendish in being rather glad they were gone.
+</p>
+
+<p>
+“Really,” said the tranter, in a tone of placid satisfaction, “I’ve had so
+little time to attend to myself all the evenen, that I mean to enjoy a quiet
+meal now! A slice of this here ham—neither too fat nor too lean—so; and then a
+drop of this vinegar and pickles—there, that’s it—and I shall be as fresh as a
+lark again! And to tell the truth, my sonny, my inside has been as dry as a
+lime-basket all night.”
+</p>
+
+<p>
+“I like a party very well once in a while,” said Mrs. Dewy, leaving off the
+adorned tones she had been bound to use throughout the evening, and returning
+to the natural marriage voice; “but, Lord, ’tis such a sight of heavy work next
+day! What with the dirty plates, and knives and forks, and dust and smother,
+and bits kicked off your furniture, and I don’t know what all, why a body could
+a’most wish there were no such things as Christmases . . . Ah-h dear!” she
+yawned, till the clock in the corner had ticked several beats. She cast her
+eyes round upon the displaced, dust-laden furniture, and sank down overpowered
+at the sight.
+</p>
+
+<p>
+“Well, I be getting all right by degrees, thank the Lord for’t!” said the
+tranter cheerfully through a mangled mass of ham and bread, without lifting his
+eyes from his plate, and chopping away with his knife and fork as if he were
+felling trees. “Ann, you may as well go on to bed at once, and not bide there
+making such sleepy faces; you look as long-favoured as a fiddle, upon my life,
+Ann. There, you must be wearied out, ’tis true. I’ll do the doors and draw up
+the clock; and you go on, or you’ll be as white as a sheet to-morrow.”
+</p>
+
+<p>
+“Ay; I don’t know whether I shan’t or no.” The matron passed her hand across
+her eyes to brush away the film of sleep till she got upstairs.
+</p>
+
+<p>
+Dick wondered how it was that when people were married they could be so blind
+to romance; and was quite certain that if he ever took to wife that dear
+impossible Fancy, he and she would never be so dreadfully practical and
+undemonstrative of the Passion as his father and mother were. The most
+extraordinary thing was, that all the fathers and mothers he knew were just as
+undemonstrative as his own.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>CHAPTER IX.<br/>
+DICK CALLS AT THE SCHOOL</h2>
+
+<p>
+The early days of the year drew on, and Fancy, having spent the holiday weeks
+at home, returned again to Mellstock.
+</p>
+
+<p>
+Every spare minute of the week following her return was used by Dick in
+accidentally passing the schoolhouse in his journeys about the neighbourhood;
+but not once did she make herself visible. A handkerchief belonging to her had
+been providentially found by his mother in clearing the rooms the day after
+that of the dance; and by much contrivance Dick got it handed over to him, to
+leave with her at any time he should be near the school after her return. But
+he delayed taking the extreme measure of calling with it lest, had she really
+no sentiment of interest in him, it might be regarded as a slightly absurd
+errand, the reason guessed; and the sense of the ludicrous, which was rather
+keen in her, do his dignity considerable injury in her eyes; and what she
+thought of him, even apart from the question of her loving, was all the world
+to him now.
+</p>
+
+<p>
+But the hour came when the patience of love at twenty-one could endure no
+longer. One Saturday he approached the school with a mild air of indifference,
+and had the satisfaction of seeing the object of his quest at the further end
+of her garden, trying, by the aid of a spade and gloves, to root a bramble that
+had intruded itself there.
+</p>
+
+<p>
+He disguised his feelings from some suspicious-looking cottage-windows opposite
+by endeavouring to appear like a man in a great hurry of business, who wished
+to leave the handkerchief and have done with such trifling errands.
+</p>
+
+<p>
+This endeavour signally failed; for on approaching the gate he found it locked
+to keep the children, who were playing ‘cross-dadder’ in the front, from
+running into her private grounds.
+</p>
+
+<p>
+She did not see him; and he could only think of one thing to be done, which was
+to shout her name.
+</p>
+
+<p>
+“Miss Day!”
+</p>
+
+<p>
+The words were uttered with a jerk and a look meant to imply to the cottages
+opposite that he was now simply one who liked shouting as a pleasant way of
+passing his time, without any reference to persons in gardens. The name died
+away, and the unconscious Miss Day continued digging and pulling as before.
+</p>
+
+<p>
+He screwed himself up to enduring the cottage-windows yet more stoically, and
+shouted again. Fancy took no notice whatever.
+</p>
+
+<p>
+He shouted the third time, with desperate vehemence, turning suddenly about and
+retiring a little distance, as if it were by no means for his own pleasure that
+he had come.
+</p>
+
+<p>
+This time she heard him, came down the garden, and entered the school at the
+back. Footsteps echoed across the interior, the door opened, and three-quarters
+of the blooming young schoolmistress’s face and figure stood revealed before
+him; a slice on her left-hand side being cut off by the edge of the door.
+Having surveyed and recognized him, she came to the gate.
+</p>
+
+<p>
+At sight of him had the pink of her cheeks increased, lessened, or did it
+continue to cover its normal area of ground? It was a question meditated
+several hundreds of times by her visitor in after-hours—the meditation, after
+wearying involutions, always ending in one way, that it was impossible to say.
+</p>
+
+<p>
+“Your handkerchief: Miss Day: I called with.” He held it out spasmodically and
+awkwardly. “Mother found it: under a chair.”
+</p>
+
+<p>
+“O, thank you very much for bringing it, Mr. Dewy. I couldn’t think where I had
+dropped it.”
+</p>
+
+<p>
+Now Dick, not being an experienced lover—indeed, never before having been
+engaged in the practice of love-making at all, except in a small schoolboy
+way—could not take advantage of the situation; and out came the blunder, which
+afterwards cost him so many bitter moments and a sleepless night:-
+</p>
+
+<p>
+“Good morning, Miss Day.”
+</p>
+
+<p>
+“Good morning, Mr. Dewy.”
+</p>
+
+<p>
+The gate was closed; she was gone; and Dick was standing outside, unchanged in
+his condition from what he had been before he called. Of course the Angel was
+not to blame—a young woman living alone in a house could not ask him indoors
+unless she had known him better—he should have kept her outside before
+floundering into that fatal farewell. He wished that before he called he had
+realized more fully than he did the pleasure of being about to call; and turned
+away.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="part02"></a>PART THE SECOND—SPRING</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap10"></a>CHAPTER I.<br/>
+PASSING BY THE SCHOOL</h2>
+
+<p>
+It followed that, as the spring advanced, Dick walked abroad much more
+frequently than had hitherto been usual with him, and was continually finding
+that his nearest way to or from home lay by the road which skirted the garden
+of the school. The first-fruits of his perseverance were that, on turning the
+angle on the nineteenth journey by that track, he saw Miss Fancy’s figure,
+clothed in a dark-gray dress, looking from a high open window upon the crown of
+his hat. The friendly greeting resulting from this rencounter was considered so
+valuable an elixir that Dick passed still oftener; and by the time he had
+almost trodden a little path under the fence where never a path was before, he
+was rewarded with an actual meeting face to face on the open road before her
+gate. This brought another meeting, and another, Fancy faintly showing by her
+bearing that it was a pleasure to her of some kind to see him there; but the
+sort of pleasure she derived, whether exultation at the hope her exceeding
+fairness inspired, or the true feeling which was alone Dick’s concern, he could
+not anyhow decide, although he meditated on her every little movement for hours
+after it was made.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap11"></a>CHAPTER II.<br/>
+A MEETING OF THE QUIRE</h2>
+
+<p>
+It was the evening of a fine spring day. The descending sun appeared as a
+nebulous blaze of amber light, its outline being lost in cloudy masses hanging
+round it, like wild locks of hair.
+</p>
+
+<p>
+The chief members of Mellstock parish choir were standing in a group in front
+of Mr. Penny’s workshop in the lower village. They were all brightly
+illuminated, and each was backed up by a shadow as long as a steeple; the
+lowness of the source of light rendering the brims of their hats of no use at
+all as a protection to the eyes.
+</p>
+
+<p>
+Mr. Penny’s was the last house in that part of the parish, and stood in a
+hollow by the roadside so that cart-wheels and horses’ legs were about level
+with the sill of his shop-window. This was low and wide, and was open from
+morning till evening, Mr. Penny himself being invariably seen working inside,
+like a framed portrait of a shoemaker by some modern Moroni. He sat facing the
+road, with a boot on his knees and the awl in his hand, only looking up for a
+moment as he stretched out his arms and bent forward at the pull, when his
+spectacles flashed in the passer’s face with a shine of flat whiteness, and
+then returned again to the boot as usual. Rows of lasts, small and large, stout
+and slender, covered the wall which formed the background, in the extreme
+shadow of which a kind of dummy was seen sitting, in the shape of an apprentice
+with a string tied round his hair (probably to keep it out of his eyes). He
+smiled at remarks that floated in from without, but was never known to answer
+them in Mr. Penny’s presence. Outside the window the upper-leather of a
+Wellington-boot was usually hung, pegged to a board as if to dry. No sign was
+over his door; in fact—as with old banks and mercantile houses—advertising in
+any shape was scorned, and it would have been felt as beneath his dignity to
+paint up, for the benefit of strangers, the name of an establishment whose
+trade came solely by connection based on personal respect.
+</p>
+
+<p>
+His visitors now came and stood on the outside of his window, sometimes leaning
+against the sill, sometimes moving a pace or two backwards and forwards in
+front of it. They talked with deliberate gesticulations to Mr. Penny, enthroned
+in the shadow of the interior.
+</p>
+
+<p>
+“I do like a man to stick to men who be in the same line o’ life—o’ Sundays,
+anyway—that I do so.”
+</p>
+
+<p>
+“’Tis like all the doings of folk who don’t know what a day’s work is, that’s
+what I say.”
+</p>
+
+<p>
+“My belief is the man’s not to blame; ’tis <i>she—</i>she’s the bitter weed!”
+</p>
+
+<p>
+“No, not altogether. He’s a poor gawk-hammer. Look at his sermon yesterday.”
+</p>
+
+<p>
+“His sermon was well enough, a very good guessable sermon, only he couldn’t put
+it into words and speak it. That’s all was the matter wi’ the sermon. He hadn’t
+been able to get it past his pen.”
+</p>
+
+<p>
+“Well—ay, the sermon might have been good; for, ’tis true, the sermon of Old
+Eccl’iastes himself lay in Eccl’iastes’s ink-bottle afore he got it out.”
+</p>
+
+<p>
+Mr. Penny, being in the act of drawing the last stitch tight, could afford time
+to look up and throw in a word at this point.
+</p>
+
+<p>
+“He’s no spouter—that must be said, ’a b’lieve.”
+</p>
+
+<p>
+“’Tis a terrible muddle sometimes with the man, as far as spout do go,” said
+Spinks.
+</p>
+
+<p>
+“Well, we’ll say nothing about that,” the tranter answered; “for I don’t
+believe ’twill make a penneth o’ difference to we poor martels here or
+hereafter whether his sermons be good or bad, my sonnies.”
+</p>
+
+<p>
+Mr. Penny made another hole with his awl, pushed in the thread, and looked up
+and spoke again at the extension of arms.
+</p>
+
+<p>
+“’Tis his goings-on, souls, that’s what it is.” He clenched his features for an
+Herculean addition to the ordinary pull, and continued, “The first thing he
+done when he came here was to be hot and strong about church business.”
+</p>
+
+<p>
+“True,” said Spinks; “that was the very first thing he done.”
+</p>
+
+<p>
+Mr. Penny, having now been offered the ear of the assembly, accepted it, ceased
+stitching, swallowed an unimportant quantity of air as if it were a pill, and
+continued:
+</p>
+
+<p>
+“The next thing he do do is to think about altering the church, until he found
+’twould be a matter o’ cost and what not, and then not to think no more about
+it.”
+</p>
+
+<p>
+“True: that was the next thing he done.”
+</p>
+
+<p>
+“And the next thing was to tell the young chaps that they were not on no
+account to put their hats in the christening font during service.”
+</p>
+
+<p>
+“True.”
+</p>
+
+<p>
+“And then ’twas this, and then ’twas that, and now ’tis—”
+</p>
+
+<p>
+Words were not forcible enough to conclude the sentence, and Mr. Penny gave a
+huge pull to signify the concluding word.
+</p>
+
+<p>
+“Now ’tis to turn us out of the quire neck and crop,” said the tranter after an
+interval of half a minute, not by way of explaining the pause and pull, which
+had been quite understood, but as a means of keeping the subject well before
+the meeting.
+</p>
+
+<p>
+Mrs. Penny came to the door at this point in the discussion. Like all good
+wives, however much she was inclined to play the Tory to her husband’s
+Whiggism, and <i>vice vers&acirc;</i>, in times of peace, she coalesced with
+him heartily enough in time of war.
+</p>
+
+<p>
+“It must be owned he’s not all there,” she replied in a general way to the
+fragments of talk she had heard from indoors. “Far below poor Mr. Grinham” (the
+late vicar).
+</p>
+
+<p>
+“Ay, there was this to be said for he, that you were quite sure he’d never come
+mumbudgeting to see ye, just as you were in the middle of your work, and put
+you out with his fuss and trouble about ye.”
+</p>
+
+<p>
+“Never. But as for this new Mr. Maybold, though he mid be a very well-intending
+party in that respect, he’s unbearable; for as to sifting your cinders,
+scrubbing your floors, or emptying your slops, why, you can’t do it. I assure
+you I’ve not been able to empt them for several days, unless I throw ’em up the
+chimley or out of winder; for as sure as the sun you meet him at the door,
+coming to ask how you are, and ’tis such a confusing thing to meet a gentleman
+at the door when ye are in the mess o’ washing.”
+</p>
+
+<p>
+“’Tis only for want of knowing better, poor gentleman,” said the tranter. “His
+meaning’s good enough. Ay, your pa’son comes by fate: ’tis heads or tails, like
+pitch-halfpenny, and no choosing; so we must take en as he is, my sonnies, and
+thank God he’s no worse, I suppose.”
+</p>
+
+<p>
+“I fancy I’ve seen him look across at Miss Day in a warmer way than
+Christianity asked for,” said Mrs. Penny musingly; “but I don’t quite like to
+say it.”
+</p>
+
+<p>
+“O no; there’s nothing in that,” said grandfather William.
+</p>
+
+<p>
+“If there’s nothing, we shall see nothing,” Mrs. Penny replied, in the tone of
+a woman who might possibly have private opinions still.
+</p>
+
+<p>
+“Ah, Mr. Grinham was the man!” said Bowman. “Why, he never troubled us wi’ a
+visit from year’s end to year’s end. You might go anywhere, do anything: you’d
+be sure never to see him.”
+</p>
+
+<p>
+“Yes, he was a right sensible pa’son,” said Michael. “He never entered our door
+but once in his life, and that was to tell my poor wife—ay, poor soul, dead and
+gone now, as we all shall!—that as she was such a’ old aged person, and lived
+so far from the church, he didn’t at all expect her to come any more to the
+service.”
+</p>
+
+<p>
+“And ’a was a very jinerous gentleman about choosing the psalms and hymns o’
+Sundays. ‘Confound ye,’ says he, ‘blare and scrape what ye will, but don’t
+bother me!’”
+</p>
+
+<p>
+“And he was a very honourable man in not wanting any of us to come and hear him
+if we were all on-end for a jaunt or spree, or to bring the babies to be
+christened if they were inclined to squalling. There’s good in a man’s not
+putting a parish to unnecessary trouble.”
+</p>
+
+<p>
+“And there’s this here man never letting us have a bit o’ peace; but keeping on
+about being good and upright till ’tis carried to such a pitch as I never see
+the like afore nor since!”
+</p>
+
+<p>
+“No sooner had he got here than he found the font wouldn’t hold water, as it
+hadn’t for years off and on; and when I told him that Mr. Grinham never minded
+it, but used to spet upon his vinger and christen ’em just as well, ’a said,
+‘Good Heavens! Send for a workman immediate. What place have I come to!’ Which
+was no compliment to us, come to that.”
+</p>
+
+<p>
+“Still, for my part,” said old William, “though he’s arrayed against us, I like
+the hearty borussnorus ways of the new pa’son.”
+</p>
+
+<p>
+“You, ready to die for the quire,” said Bowman reproachfully, “to stick up for
+the quire’s enemy, William!”
+</p>
+
+<p>
+“Nobody will feel the loss of our church-work so much as I,” said the old man
+firmly; “that you d’all know. I’ve a-been in the quire man and boy ever since I
+was a chiel of eleven. But for all that ’tisn’t in me to call the man a bad
+man, because I truly and sincerely believe en to be a good young feller.”
+</p>
+
+<p>
+Some of the youthful sparkle that used to reside there animated William’s eye
+as he uttered the words, and a certain nobility of aspect was also imparted to
+him by the setting sun, which gave him a Titanic shadow at least thirty feet in
+length, stretching away to the east in outlines of imposing magnitude, his head
+finally terminating upon the trunk of a grand old oak-tree.
+</p>
+
+<p>
+“Mayble’s a hearty feller enough,” the tranter replied, “and will spak to you
+be you dirty or be you clane. The first time I met en was in a drong, and
+though ’a didn’t know me no more than the dead, ’a passed the time of day.
+‘D’ye do?’ he said, says he, nodding his head. ‘A fine day.’ Then the second
+time I met en was full-buff in town street, when my breeches were tore into a
+long strent by getting through a copse of thorns and brimbles for a short cut
+home-along; and not wanting to disgrace the man by spaking in that state, I
+fixed my eye on the weathercock to let en pass me as a stranger. But no: ‘How
+d’ye do, Reuben?’ says he, right hearty, and shook my hand. If I’d been dressed
+in silver spangles from top to toe, the man couldn’t have been civiller.”
+</p>
+
+<p>
+At this moment Dick was seen coming up the village-street, and they turned and
+watched him.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap12"></a>CHAPTER III.<br/>
+A TURN IN THE DISCUSSION</h2>
+
+<p>
+“I’m afraid Dick’s a lost man,” said the tranter.
+</p>
+
+<p>
+“What?—no!” said Mail, implying by his manner that it was a far commoner thing
+for his ears to report what was not said than that his judgment should be at
+fault.
+</p>
+
+<p>
+“Ay,” said the tranter, still gazing at Dick’s unconscious advance. “I don’t at
+all like what I see! There’s too many o’ them looks out of the winder without
+noticing anything; too much shining of boots; too much peeping round corners;
+too much looking at the clock; telling about clever things <i>she</i> did till
+you be sick of it; and then upon a hint to that effect a horrible silence about
+her. I’ve walked the path once in my life and know the country, neighbours; and
+Dick’s a lost man!” The tranter turned a quarter round and smiled a smile of
+miserable satire at the setting new moon, which happened to catch his eye.
+</p>
+
+<p>
+The others became far too serious at this announcement to allow them to speak;
+and they still regarded Dick in the distance.
+</p>
+
+<p>
+“’Twas his mother’s fault,” the tranter continued, “in asking the young woman
+to our party last Christmas. When I eyed the blue frock and light heels o’ the
+maid, I had my thoughts directly. ‘God bless thee, Dicky my sonny,’ I said to
+myself; ‘there’s a delusion for thee!’”
+</p>
+
+<p>
+“They seemed to be rather distant in manner last Sunday, I thought?” Mail
+tentatively observed, as became one who was not a member of the family.
+</p>
+
+<p>
+“Ay, that’s a part of the zickness. Distance belongs to it, slyness belongs to
+it, queerest things on earth belongs to it! There, ’tmay as well come early as
+late s’far as I know. The sooner begun, the sooner over; for come it will.”
+</p>
+
+<p>
+“The question I ask is,” said Mr. Spinks, connecting into one thread the two
+subjects of discourse, as became a man learned in rhetoric, and beating with
+his hand in a way which signified that the manner rather than the matter of his
+speech was to be observed, “how did Mr. Maybold know she could play the organ?
+You know we had it from her own lips, as far as lips go, that she has never,
+first or last, breathed such a thing to him; much less that she ever would
+play.”
+</p>
+
+<p>
+In the midst of this puzzle Dick joined the party, and the news which had
+caused such a convulsion among the ancient musicians was unfolded to him.
+“Well,” he said, blushing at the allusion to Miss Day, “I know by some words of
+hers that she has a particular wish not to play, because she is a friend of
+ours; and how the alteration comes, I don’t know.”
+</p>
+
+<p>
+“Now, this is my plan,” said the tranter, reviving the spirit of the discussion
+by the infusion of new ideas, as was his custom—“this is my plan; if you don’t
+like it, no harm’s done. We all know one another very well, don’t we,
+neighbours?”
+</p>
+
+<p>
+That they knew one another very well was received as a statement which, though
+familiar, should not be omitted in introductory speeches.
+</p>
+
+<p>
+“Then I say this”—and the tranter in his emphasis slapped down his hand on Mr.
+Spinks’s shoulder with a momentum of several pounds, upon which Mr. Spinks
+tried to look not in the least startled—“I say that we all move down-along
+straight as a line to Pa’son Mayble’s when the clock has gone six to-morrow
+night. There we one and all stand in the passage, then one or two of us go in
+and spak to en, man and man; and say, ‘Pa’son Mayble, every tradesman d’like to
+have his own way in his workshop, and Mellstock Church is yours. Instead of
+turning us out neck and crop, let us stay on till Christmas, and we’ll gie way
+to the young woman, Mr. Mayble, and make no more ado about it. And we shall
+always be quite willing to touch our hats when we meet ye, Mr. Mayble, just as
+before.’ That sounds very well? Hey?”
+</p>
+
+<p>
+“Proper well, in faith, Reuben Dewy.”
+</p>
+
+<p>
+“And we won’t sit down in his house; ’twould be looking too familiar when only
+just reconciled?”
+</p>
+
+<p>
+“No need at all to sit down. Just do our duty man and man, turn round, and
+march out—he’ll think all the more of us for it.”
+</p>
+
+<p>
+“I hardly think Leaf had better go wi’ us?” said Michael, turning to Leaf and
+taking his measure from top to bottom by the eye. “He’s so terrible silly that
+he might ruin the concern.”
+</p>
+
+<p>
+“He don’t want to go much; do ye, Thomas Leaf?” said William.
+</p>
+
+<p>
+“Hee-hee! no; I don’t want to. Only a teeny bit!”
+</p>
+
+<p>
+“I be mortal afeard, Leaf, that you’ll never be able to tell how many cuts
+d’take to sharpen a spar,” said Mail.
+</p>
+
+<p>
+“I never had no head, never! that’s how it happened to happen, hee-hee!”
+</p>
+
+<p>
+They all assented to this, not with any sense of humiliating Leaf by
+disparaging him after an open confession, but because it was an accepted thing
+that Leaf didn’t in the least mind having no head, that deficiency of his being
+an unimpassioned matter of parish history.
+</p>
+
+<p>
+“But I can sing my treble!” continued Thomas Leaf, quite delighted at being
+called a fool in such a friendly way; “I can sing my treble as well as any
+maid, or married woman either, and better! And if Jim had lived, I should have
+had a clever brother! To-morrow is poor Jim’s birthday. He’d ha’ been
+twenty-six if he’d lived till to-morrow.”
+</p>
+
+<p>
+“You always seem very sorry for Jim,” said old William musingly.
+</p>
+
+<p>
+“Ah! I do. Such a stay to mother as he’d always ha’ been! She’d never have had
+to work in her old age if he had continued strong, poor Jim!”
+</p>
+
+<p>
+“What was his age when ’a died?”
+</p>
+
+<p>
+“Four hours and twenty minutes, poor Jim. ’A was born as might be at night; and
+’a didn’t last as might be till the morning. No, ’a didn’t last. Mother called
+en Jim on the day that would ha’ been his christening day if he had lived; and
+she’s always thinking about en. You see he died so very young.”
+</p>
+
+<p>
+“Well, ’twas rather youthful,” said Michael.
+</p>
+
+<p>
+“Now to my mind that woman is very romantical on the matter o’ children?” said
+the tranter, his eye sweeping his audience.
+</p>
+
+<p>
+“Ah, well she mid be,” said Leaf. “She had twelve regular one after another,
+and they all, except myself, died very young; either before they was born or
+just afterwards.”
+</p>
+
+<p>
+“Pore feller, too. I suppose th’st want to come wi’ us?” the tranter murmured.
+</p>
+
+<p>
+“Well, Leaf, you shall come wi’ us as yours is such a melancholy family,” said
+old William rather sadly.
+</p>
+
+<p>
+“I never see such a melancholy family as that afore in my life,” said Reuben.
+“There’s Leaf’s mother, poor woman! Every morning I see her eyes mooning out
+through the panes of glass like a pot-sick winder-flower; and as Leaf sings a
+very high treble, and we don’t know what we should do without en for upper G,
+we’ll let en come as a trate, poor feller.”
+</p>
+
+<p>
+“Ay, we’ll let en come, ’a b’lieve,” said Mr. Penny, looking up, as the pull
+happened to be at that moment.
+</p>
+
+<p>
+“Now,” continued the tranter, dispersing by a new tone of voice these
+digressions about Leaf; “as to going to see the pa’son, one of us might call
+and ask en his meaning, and ’twould be just as well done; but it will add a bit
+of flourish to the cause if the quire waits on him as a body. Then the great
+thing to mind is, not for any of our fellers to be nervous; so before starting
+we’ll one and all come to my house and have a rasher of bacon; then every
+man-jack het a pint of cider into his inside; then we’ll warm up an extra drop
+wi’ some mead and a bit of ginger; every one take a thimbleful—just a glimmer
+of a drop, mind ye, no more, to finish off his inner man—and march off to
+Pa’son Mayble. Why, sonnies, a man’s not himself till he is fortified wi’ a bit
+and a drop? We shall be able to look any gentleman in the face then without
+shrink or shame.”
+</p>
+
+<p>
+Mail recovered from a deep meditation and downward glance into the earth in
+time to give a cordial approval to this line of action, and the meeting
+adjourned.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap13"></a>CHAPTER IV.<br/>
+THE INTERVIEW WITH THE VICAR</h2>
+
+<p>
+At six o’clock the next day, the whole body of men in the choir emerged from
+the tranter’s door, and advanced with a firm step down the lane. This dignity
+of march gradually became obliterated as they went on, and by the time they
+reached the hill behind the vicarage a faint resemblance to a flock of sheep
+might have been discerned in the venerable party. A word from the tranter,
+however, set them right again; and as they descended the hill, the regular
+tramp, tramp, tramp of the united feet was clearly audible from the vicarage
+garden. At the opening of the gate there was another short interval of
+irregular shuffling, caused by a rather peculiar habit the gate had, when swung
+open quickly, of striking against the bank and slamming back into the opener’s
+face.
+</p>
+
+<p>
+“Now keep step again, will ye?” said the tranter. “It looks better, and more
+becomes the high class of arrant which has brought us here.” Thus they advanced
+to the door.
+</p>
+
+<p>
+At Reuben’s ring the more modest of the group turned aside, adjusted their
+hats, and looked critically at any shrub that happened to lie in the line of
+vision; endeavouring thus to give a person who chanced to look out of the
+windows the impression that their request, whatever it was going to be, was
+rather a casual thought occurring whilst they were inspecting the vicar’s
+shrubbery and grass-plot than a predetermined thing. The tranter, who, coming
+frequently to the vicarage with luggage, coals, firewood, etc., had none of the
+awe for its precincts that filled the breasts of most of the others, fixed his
+eyes firmly on the knocker during this interval of waiting. The knocker having
+no characteristic worthy of notice, he relinquished it for a knot in one of the
+door-panels, and studied the winding lines of the grain.
+</p>
+
+<p class="p2">
+“O, sir, please, here’s Tranter Dewy, and old William Dewy, and young Richard
+Dewy, O, and all the quire too, sir, except the boys, a-come to see you!” said
+Mr. Maybold’s maid-servant to Mr. Maybold, the pupils of her eyes dilating like
+circles in a pond.
+</p>
+
+<p>
+“All the choir?” said the astonished vicar (who may be shortly described as a
+good-looking young man with courageous eyes, timid mouth, and neutral nose),
+abandoning his writing and looking at his parlour-maid after speaking, like a
+man who fancied he had seen her face before but couldn’t recollect where.
+</p>
+
+<p>
+“And they looks very firm, and Tranter Dewy do turn neither to the right hand
+nor to the left, but stares quite straight and solemn with his mind made up!”
+</p>
+
+<p>
+“O, all the choir,” repeated the vicar to himself, trying by that simple device
+to trot out his thoughts on what the choir could come for.
+</p>
+
+<p>
+“Yes; every man-jack of ’em, as I be alive!” (The parlour-maid was rather local
+in manner, having in fact been raised in the same village.) “Really, sir, ’tis
+thoughted by many in town and country that—”
+</p>
+
+<p>
+“Town and country!—Heavens, I had no idea that I was public property in this
+way!” said the vicar, his face acquiring a hue somewhere between that of the
+rose and the peony. “Well, ‘It is thought in town and country that—’”
+</p>
+
+<p>
+“It is thought that you be going to get it hot and strong!—excusen my
+incivility, sir.”
+</p>
+
+<p>
+The vicar suddenly recalled to his recollection that he had long ago settled it
+to be decidedly a mistake to encourage his servant Jane in giving personal
+opinions. The servant Jane saw by the vicar’s face that he recalled this fact
+to his mind; and removing her forehead from the edge of the door, and rubbing
+away the indent that edge had made, vanished into the passage as Mr. Maybold
+remarked, “Show them in, Jane.”
+</p>
+
+<p>
+A few minutes later a shuffling and jostling (reduced to as refined a form as
+was compatible with the nature of shuffles and jostles) was heard in the
+passage; then an earnest and prolonged wiping of shoes, conveying the notion
+that volumes of mud had to be removed; but the roads being so clean that not a
+particle of dirt appeared on the choir’s boots (those of all the elder members
+being newly oiled, and Dick’s brightly polished), this wiping might have been
+set down simply as a desire to show that respectable men had no wish to take a
+mean advantage of clean roads for curtailing proper ceremonies. Next there came
+a powerful whisper from the same quarter:-
+</p>
+
+<p>
+“Now stand stock-still there, my sonnies, one and all! And don’t make no noise;
+and keep your backs close to the wall, that company may pass in and out easy if
+they want to without squeezing through ye: and we two are enough to go in.” . .
+. The voice was the tranter’s.
+</p>
+
+<p>
+“I wish I could go in too and see the sight!” said a reedy voice—that of Leaf.
+</p>
+
+<p>
+“’Tis a pity Leaf is so terrible silly, or else he might,” said another.
+</p>
+
+<p>
+“I never in my life seed a quire go into a study to have it out about the
+playing and singing,” pleaded Leaf; “and I should like to see it just once!”
+</p>
+
+<p>
+“Very well; we’ll let en come in,” said the tranter. “You’ll be like chips in
+porridge, <a name="citation1"></a><a href="#footnote1">{1}</a> Leaf—neither
+good nor hurt. All right, my sonny, come along;” and immediately himself, old
+William, and Leaf appeared in the room.
+</p>
+
+<p>
+“We took the liberty to come and see ’ee, sir,” said Reuben, letting his hat
+hang in his left hand, and touching with his right the brim of an imaginary one
+on his head. “We’ve come to see ’ee, sir, man and man, and no offence, I hope?”
+</p>
+
+<p>
+“None at all,” said Mr. Maybold.
+</p>
+
+<p>
+“This old aged man standing by my side is father; William Dewy by name, sir.”
+</p>
+
+<p>
+“Yes; I see it is,” said the vicar, nodding aside to old William, who smiled.
+</p>
+
+<p>
+“I thought you mightn’t know en without his bass-viol,” the tranter apologized.
+“You see, he always wears his best clothes and his bass-viol a-Sundays, and it
+do make such a difference in a’ old man’s look.”
+</p>
+
+<p>
+“And who’s that young man?” the vicar said.
+</p>
+
+<p>
+“Tell the pa’son yer name,” said the tranter, turning to Leaf, who stood with
+his elbows nailed back to a bookcase.
+</p>
+
+<p>
+“Please, Thomas Leaf, your holiness!” said Leaf, trembling.
+</p>
+
+<p>
+“I hope you’ll excuse his looks being so very thin,” continued the tranter
+deprecatingly, turning to the vicar again. “But ’tisn’t his fault, poor feller.
+He’s rather silly by nature, and could never get fat; though he’s a’ excellent
+treble, and so we keep him on.”
+</p>
+
+<p>
+“I never had no head, sir,” said Leaf, eagerly grasping at this opportunity for
+being forgiven his existence.
+</p>
+
+<p>
+“Ah, poor young man!” said Mr. Maybold.
+</p>
+
+<p>
+“Bless you, he don’t mind it a bit, if you don’t, sir,” said the tranter
+assuringly. “Do ye, Leaf?”
+</p>
+
+<p>
+“Not I—not a morsel—hee, hee! I was afeard it mightn’t please your holiness,
+sir, that’s all.”
+</p>
+
+<p>
+The tranter, finding Leaf get on so very well through his negative qualities,
+was tempted in a fit of generosity to advance him still higher, by giving him
+credit for positive ones. “He’s very clever for a silly chap, good-now, sir.
+You never knowed a young feller keep his smock-frocks so clane; very honest
+too. His ghastly looks is all there is against en, poor feller; but we can’t
+help our looks, you know, sir.”
+</p>
+
+<p>
+“True: we cannot. You live with your mother, I think, Leaf?”
+</p>
+
+<p>
+The tranter looked at Leaf to express that the most friendly assistant to his
+tongue could do no more for him now, and that he must be left to his own
+resources.
+</p>
+
+<p>
+“Yes, sir: a widder, sir. Ah, if brother Jim had lived she’d have had a clever
+son to keep her without work!”
+</p>
+
+<p>
+“Indeed! poor woman. Give her this half-crown. I’ll call and see your mother.”
+</p>
+
+<p>
+“Say, ‘Thank you, sir,’” the tranter whispered imperatively towards Leaf.
+</p>
+
+<p>
+“Thank you, sir!” said Leaf.
+</p>
+
+<p>
+“That’s it, then; sit down, Leaf,” said Mr. Maybold.
+</p>
+
+<p>
+“Y-yes, sir!”
+</p>
+
+<p>
+The tranter cleared his throat after this accidental parenthesis about Leaf,
+rectified his bodily position, and began his speech.
+</p>
+
+<p>
+“Mr. Mayble,” he said, “I hope you’ll excuse my common way, but I always like
+to look things in the face.”
+</p>
+
+<p>
+Reuben made a point of fixing this sentence in the vicar’s mind by gazing hard
+at him at the conclusion of it, and then out of the window.
+</p>
+
+<p>
+Mr. Maybold and old William looked in the same direction, apparently under the
+impression that the things’ faces alluded to were there visible.
+</p>
+
+<p>
+“What I have been thinking”—the tranter implied by this use of the past tense
+that he was hardly so discourteous as to be positively thinking it then—“is
+that the quire ought to be gie’d a little time, and not done away wi’ till
+Christmas, as a fair thing between man and man. And, Mr. Mayble, I hope you’ll
+excuse my common way?”
+</p>
+
+<p>
+“I will, I will. Till Christmas,” the vicar murmured, stretching the two words
+to a great length, as if the distance to Christmas might be measured in that
+way. “Well, I want you all to understand that I have no personal fault to find,
+and that I don’t wish to change the church music by forcible means, or in a way
+which should hurt the feelings of any parishioners. Why I have at last spoken
+definitely on the subject is that a player has been brought under—I may say
+pressed upon—my notice several times by one of the churchwardens. And as the
+organ I brought with me is here waiting” (pointing to a cabinet-organ standing
+in the study), “there is no reason for longer delay.”
+</p>
+
+<p>
+“We made a mistake I suppose then, sir? But we understood the young woman
+didn’t want to play particularly?” The tranter arranged his countenance to
+signify that he did not want to be inquisitive in the least.
+</p>
+
+<p>
+“No, nor did she. Nor did I definitely wish her to just yet; for your playing
+is very good. But, as I said, one of the churchwardens has been so anxious for
+a change, that, as matters stand, I couldn’t consistently refuse my consent.”
+</p>
+
+<p>
+Now for some reason or other, the vicar at this point seemed to have an idea
+that he had prevaricated; and as an honest vicar, it was a thing he determined
+not to do. He corrected himself, blushing as he did so, though why he should
+blush was not known to Reuben.
+</p>
+
+<p>
+“Understand me rightly,” he said: “the church-warden proposed it to me, but I
+had thought myself of getting—Miss Day to play.”
+</p>
+
+<p>
+“Which churchwarden might that be who proposed her, sir?—excusing my common
+way.” The tranter intimated by his tone that, so far from being inquisitive, he
+did not even wish to ask a single question.
+</p>
+
+<p>
+“Mr. Shiner, I believe.”
+</p>
+
+<p>
+“Clk, my sonny!—beg your pardon, sir, that’s only a form of words of mine, and
+slipped out accidental—he nourishes enmity against us for some reason or
+another; perhaps because we played rather hard upon en Christmas night. Anyhow
+’tis certain sure that Mr. Shiner’s real love for music of a particular kind
+isn’t his reason. He’ve no more ear than that chair. But let that be.”
+</p>
+
+<p>
+“I don’t think you should conclude that, because Mr. Shiner wants a different
+music, he has any ill-feeling for you. I myself, I must own, prefer organ-music
+to any other. I consider it most proper, and feel justified in endeavouring to
+introduce it; but then, although other music is better, I don’t say yours is
+not good.”
+</p>
+
+<p>
+“Well then, Mr. Mayble, since death’s to be, we’ll die like men any day you
+name (excusing my common way).”
+</p>
+
+<p>
+Mr. Maybold bowed his head.
+</p>
+
+<p>
+“All we thought was, that for us old ancient singers to be choked off quiet at
+no time in particular, as now, in the Sundays after Easter, would seem rather
+mean in the eyes of other parishes, sir. But if we fell glorious with a bit of
+a flourish at Christmas, we should have a respectable end, and not dwindle away
+at some nameless paltry second-Sunday-after or Sunday-next-before something,
+that’s got no name of his own.”
+</p>
+
+<p>
+“Yes, yes, that’s reasonable; I own it’s reasonable.”
+</p>
+
+<p>
+“You see, Mr. Mayble, we’ve got—do I keep you inconvenient long, sir?”
+</p>
+
+<p>
+“No, no.”
+</p>
+
+<p>
+“We’ve got our feelings—father there especially.”
+</p>
+
+<p>
+The tranter, in his earnestness, had advanced his person to within six inches
+of the vicar’s.
+</p>
+
+<p>
+“Certainly, certainly!” said Mr. Maybold, retreating a little for convenience
+of seeing. “You are all enthusiastic on the subject, and I am all the more
+gratified to find you so. A Laodicean lukewarmness is worse than
+wrongheadedness itself.”
+</p>
+
+<p>
+“Exactly, sir. In fact now, Mr. Mayble,” Reuben continued, more impressively,
+and advancing a little closer still to the vicar, “father there is a perfect
+figure o’ wonder, in the way of being fond of music!”
+</p>
+
+<p>
+The vicar drew back a little further, the tranter suddenly also standing back a
+foot or two, to throw open the view of his father, and pointing to him at the
+same time.
+</p>
+
+<p>
+Old William moved uneasily in the large chair, and with a minute smile on the
+mere edge of his lips, for good-manners, said he was indeed very fond of tunes.
+</p>
+
+<p>
+“Now, you see exactly how it is,” Reuben continued, appealing to Mr. Maybold’s
+sense of justice by looking sideways into his eyes. The vicar seemed to see how
+it was so well that the gratified tranter walked up to him again with even
+vehement eagerness, so that his waistcoat-buttons almost rubbed against the
+vicar’s as he continued: “As to father, if you or I, or any man or woman of the
+present generation, at the time music is a-playing, was to shake your fist in
+father’s face, as may be this way, and say, ‘Don’t you be delighted with that
+music!’”—the tranter went back to where Leaf was sitting, and held his fist so
+close to Leaf’s face that the latter pressed his head back against the wall:
+“All right, Leaf, my sonny, I won’t hurt you; ’tis just to show my meaning to
+Mr. Mayble.—As I was saying, if you or I, or any man, was to shake your fist in
+father’s face this way, and say, ‘William, your life or your music!’ he’d say,
+‘My life!’ Now that’s father’s nature all over; and you see, sir, it must hurt
+the feelings of a man of that kind for him and his bass-viol to be done away
+wi’ neck and crop.”
+</p>
+
+<p>
+The tranter went back to the vicar’s front and again looked earnestly at his
+face.
+</p>
+
+<p>
+“True, true, Dewy,” Mr. Maybold answered, trying to withdraw his head and
+shoulders without moving his feet; but finding this impracticable, edging back
+another inch. These frequent retreats had at last jammed Mr. Maybold between
+his easy-chair and the edge of the table.
+</p>
+
+<p>
+And at the moment of the announcement of the choir, Mr. Maybold had just
+re-dipped the pen he was using; at their entry, instead of wiping it, he had
+laid it on the table with the nib overhanging. At the last retreat his
+coat-tails came in contact with the pen, and down it rolled, first against the
+back of the chair, thence turning a summersault into the seat, thence falling
+to the floor with a rattle.
+</p>
+
+<p>
+The vicar stooped for his pen, and the tranter, wishing to show that, however
+great their ecclesiastical differences, his mind was not so small as to let
+this affect his social feelings, stooped also.
+</p>
+
+<p>
+“And have you anything else you want to explain to me, Dewy?” said Mr. Maybold
+from under the table.
+</p>
+
+<p>
+“Nothing, sir. And, Mr. Mayble, you be not offended? I hope you see our desire
+is reason?” said the tranter from under the chair.
+</p>
+
+<p>
+“Quite, quite; and I shouldn’t think of refusing to listen to such a reasonable
+request,” the vicar replied. Seeing that Reuben had secured the pen, he resumed
+his vertical position, and added, “You know, Dewy, it is often said how
+difficult a matter it is to act up to our convictions and please all parties.
+It may be said with equal truth, that it is difficult for a man of any
+appreciativeness to have convictions at all. Now in my case, I see right in
+you, and right in Shiner. I see that violins are good, and that an organ is
+good; and when we introduce the organ, it will not be that fiddles were bad,
+but that an organ was better. That you’ll clearly understand, Dewy?”
+</p>
+
+<p>
+“I will; and thank you very much for such feelings, sir. Piph-h-h-h! How the
+blood do get into my head, to be sure, whenever I quat down like that!” said
+Reuben, who having also risen to his feet stuck the pen vertically in the
+inkstand and almost through the bottom, that it might not roll down again under
+any circumstances whatever.
+</p>
+
+<p>
+Now the ancient body of minstrels in the passage felt their curiosity surging
+higher and higher as the minutes passed. Dick, not having much affection for
+this errand, soon grew tired, and went away in the direction of the school. Yet
+their sense of propriety would probably have restrained them from any attempt
+to discover what was going on in the study had not the vicar’s pen fallen to
+the floor. The conviction that the movement of chairs, etc., necessitated by
+the search, could only have been caused by the catastrophe of a bloody fight
+beginning, overpowered all other considerations; and they advanced to the door,
+which had only just fallen to. Thus, when Mr. Maybold raised his eyes after the
+stooping he beheld glaring through the door Mr. Penny in full-length
+portraiture, Mail’s face and shoulders above Mr. Penny’s head, Spinks’s
+forehead and eyes over Mail’s crown, and a fractional part of Bowman’s
+countenance under Spinks’s arm—crescent-shaped portions of other heads and
+faces being visible behind these—the whole dozen and odd eyes bristling with
+eager inquiry.
+</p>
+
+<p>
+Mr. Penny, as is the case with excitable boot-makers and men, seeing the vicar
+look at him and hearing no word spoken, thought it incumbent upon himself to
+say something of any kind. Nothing suggested itself till he had looked for
+about half a minute at the vicar.
+</p>
+
+<p>
+“You’ll excuse my naming of it, sir,” he said, regarding with much
+commiseration the mere surface of the vicar’s face; “but perhaps you don’t know
+that your chin have bust out a-bleeding where you cut yourself a-shaving this
+morning, sir.”
+</p>
+
+<p>
+“Now, that was the stooping, depend upon’t,” the tranter suggested, also
+looking with much interest at the vicar’s chin. “Blood always will bust out
+again if you hang down the member that’s been bleeding.”
+</p>
+
+<p>
+Old William raised his eyes and watched the vicar’s bleeding chin likewise; and
+Leaf advanced two or three paces from the bookcase, absorbed in the
+contemplation of the same phenomenon, with parted lips and delighted eyes.
+</p>
+
+<p>
+“Dear me, dear me!” said Mr. Maybold hastily, looking very red, and brushing
+his chin with his hand, then taking out his handkerchief and wiping the place.
+</p>
+
+<p>
+“That’s it, sir; all right again now, ’a b’lieve—a mere nothing,” said Mr.
+Penny. “A little bit of fur off your hat will stop it in a minute if it should
+bust out again.”
+</p>
+
+<p>
+“I’ll let ’ee have a bit off mine,” said Reuben, to show his good feeling; “my
+hat isn’t so new as yours, sir, and ’twon’t hurt mine a bit.”
+</p>
+
+<p>
+“No, no; thank you, thank you,” Mr. Maybold again nervously replied.
+</p>
+
+<p>
+“’Twas rather a deep cut seemingly?” said Reuben, feeling these to be the
+kindest and best remarks he could make.
+</p>
+
+<p>
+“O, no; not particularly.”
+</p>
+
+<p>
+“Well, sir, your hand will shake sometimes a-shaving, and just when it comes
+into your head that you may cut yourself, there’s the blood.”
+</p>
+
+<p>
+“I have been revolving in my mind that question of the time at which we make
+the change,” said Mr. Maybold, “and I know you’ll meet me half-way. I think
+Christmas-day as much too late for me as the present time is too early for you.
+I suggest Michaelmas or thereabout as a convenient time for both parties; for I
+think your objection to a Sunday which has no name is not one of any real
+weight.”
+</p>
+
+<p>
+“Very good, sir. I suppose mortal men mustn’t expect their own way entirely;
+and I express in all our names that we’ll make shift and be satisfied with what
+you say.” The tranter touched the brim of his imaginary hat again, and all the
+choir did the same. “About Michaelmas, then, as far as you are concerned, sir,
+and then we make room for the next generation.”
+</p>
+
+<p>
+“About Michaelmas,” said the vicar.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap14"></a>CHAPTER V.<br/>
+RETURNING HOME WARD</h2>
+
+<p>
+“‘A took it very well, then?” said Mail, as they all walked up the hill.
+</p>
+
+<p>
+“He behaved like a man, ’a did so,” said the tranter. “And I’m glad we’ve let
+en know our minds. And though, beyond that, we ha’n’t got much by going, ’twas
+worth while. He won’t forget it. Yes, he took it very well. Supposing this tree
+here was Pa’son Mayble, and I standing here, and thik gr’t stone is father
+sitting in the easy-chair. ‘Dewy,’ says he, ‘I don’t wish to change the church
+music in a forcible way.’”
+</p>
+
+<p>
+“That was very nice o’ the man, even though words be wind.”
+</p>
+
+<p>
+“Proper nice—out and out nice. The fact is,” said Reuben confidentially, “’tis
+how you take a man. Everybody must be managed. Queens must be managed: kings
+must be managed; for men want managing almost as much as women, and that’s
+saying a good deal.”
+</p>
+
+<p>
+“’Tis truly!” murmured the husbands.
+</p>
+
+<p>
+“Pa’son Mayble and I were as good friends all through it as if we’d been sworn
+brothers. Ay, the man’s well enough; ’tis what’s put in his head that spoils
+him, and that’s why we’ve got to go.”
+</p>
+
+<p>
+“There’s really no believing half you hear about people nowadays.”
+</p>
+
+<p>
+“Bless ye, my sonnies! ’tisn’t the pa’son’s move at all. That gentleman over
+there” (the tranter nodded in the direction of Shiner’s farm) “is at the root
+of the mischty.”
+</p>
+
+<p>
+“What! Shiner?”
+</p>
+
+<p>
+“Ay; and I see what the pa’son don’t see. Why, Shiner is for putting forward
+that young woman that only last night I was saying was our Dick’s sweet-heart,
+but I suppose can’t be, and making much of her in the sight of the
+congregation, and thinking he’ll win her by showing her off. Well, perhaps ’a
+woll.”
+</p>
+
+<p>
+“Then the music is second to the woman, the other churchwarden is second to
+Shiner, the pa’son is second to the churchwardens, and God A’mighty is nowhere
+at all.”
+</p>
+
+<p>
+“That’s true; and you see,” continued Reuben, “at the very beginning it put me
+in a stud as to how to quarrel wi’ en. In short, to save my soul, I couldn’t
+quarrel wi’ such a civil man without belying my conscience. Says he to father
+there, in a voice as quiet as a lamb’s, ‘William, you are a’ old aged man, as
+all shall be, so sit down in my easy-chair, and rest yourself.’ And down father
+zot. I could fain ha’ laughed at thee, father; for thou’st take it so
+unconcerned at first, and then looked so frightened when the chair-bottom sunk
+in.”
+</p>
+
+<p>
+“You see,” said old William, hastening to explain, “I was scared to find the
+bottom gie way—what should I know o’ spring bottoms?—and thought I had broke it
+down: and of course as to breaking down a man’s chair, I didn’t wish any such
+thing.”
+</p>
+
+<p>
+“And, neighbours, when a feller, ever so much up for a miff, d’see his own
+father sitting in his enemy’s easy-chair, and a poor chap like Leaf made the
+best of, as if he almost had brains—why, it knocks all the wind out of his sail
+at once: it did out of mine.”
+</p>
+
+<p>
+“If that young figure of fun—Fance Day, I mean,” said Bowman, “hadn’t been so
+mighty forward wi’ showing herself off to Shiner and Dick and the rest, ’tis my
+belief we should never ha’ left the gallery.”
+</p>
+
+<p>
+“’Tis my belief that though Shiner fired the bullets, the parson made ’em,”
+said Mr. Penny. “My wife sticks to it that he’s in love wi’ her.”
+</p>
+
+<p>
+“That’s a thing we shall never know. I can’t onriddle her, nohow.”
+</p>
+
+<p>
+“Thou’st ought to be able to onriddle such a little chiel as she,” the tranter
+observed.
+</p>
+
+<p>
+“The littler the maid, the bigger the riddle, to my mind. And coming of such a
+stock, too, she may well be a twister.”
+</p>
+
+<p>
+“Yes; Geoffrey Day is a clever man if ever there was one. Never says anything:
+not he.”
+</p>
+
+<p>
+“Never.”
+</p>
+
+<p>
+“You might live wi’ that man, my sonnies, a hundred years, and never know there
+was anything in him.”
+</p>
+
+<p>
+“Ay; one o’ these up-country London ink-bottle chaps would call Geoffrey a
+fool.”
+</p>
+
+<p>
+“Ye never find out what’s in that man: never,” said Spinks. “Close? ah, he is
+close! He can hold his tongue well. That man’s dumbness is wonderful to listen
+to.”
+</p>
+
+<p>
+“There’s so much sense in it. Every moment of it is brimmen over wi’ sound
+understanding.”
+</p>
+
+<p>
+“’A can hold his tongue very clever—very clever truly,” echoed Leaf. “’A do
+look at me as if ’a could see my thoughts running round like the works of a
+clock.”
+</p>
+
+<p>
+“Well, all will agree that the man can halt well in his talk, be it a long time
+or be it a short time. And though we can’t expect his daughter to inherit his
+closeness, she may have a few dribblets from his sense.”
+</p>
+
+<p>
+“And his pocket, perhaps.”
+</p>
+
+<p>
+“Yes; the nine hundred pound that everybody says he’s worth; but I call it four
+hundred and fifty; for I never believe more than half I hear.”
+</p>
+
+<p>
+“Well, he’ve made a pound or two, and I suppose the maid will have it, since
+there’s nobody else. But ’tis rather sharp upon her, if she’s been born to
+fortune, to bring her up as if not born for it, and letting her work so hard.”
+</p>
+
+<p>
+“’Tis all upon his principle. A long-headed feller!”
+</p>
+
+<p>
+“Ah,” murmured Spinks, “’twould be sharper upon her if she were born for
+fortune, and not to it! I suffer from that affliction.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap15"></a>CHAPTER VI.<br/>
+YALBURY WOOD AND THE KEEPER’S HOUSE</h2>
+
+<p>
+A mood of blitheness rarely experienced even by young men was Dick’s on the
+following Monday morning. It was the week after the Easter holidays, and he was
+journeying along with Smart the mare and the light spring-cart, watching the
+damp slopes of the hill-sides as they streamed in the warmth of the sun, which
+at this unsettled season shone on the grass with the freshness of an occasional
+inspector rather than as an accustomed proprietor. His errand was to fetch
+Fancy, and some additional household goods, from her father’s house in the
+neighbouring parish to her dwelling at Mellstock. The distant view was darkly
+shaded with clouds; but the nearer parts of the landscape were whitely
+illumined by the visible rays of the sun streaming down across the heavy gray
+shade behind.
+</p>
+
+<p>
+The tranter had not yet told his son of the state of Shiner’s heart that had
+been suggested to him by Shiner’s movements. He preferred to let such delicate
+affairs right themselves; experience having taught him that the uncertain
+phenomenon of love, as it existed in other people, was not a groundwork upon
+which a single action of his own life could be founded.
+</p>
+
+<p>
+Geoffrey Day lived in the depths of Yalbury Wood, which formed portion of one
+of the outlying estates of the Earl of Wessex, to whom Day was head
+game-keeper, timber-steward, and general overlooker for this district. The wood
+was intersected by the highway from Casterbridge to London at a place not far
+from the house, and some trees had of late years been felled between its
+windows and the ascent of Yalbury Hill, to give the solitary cottager a glimpse
+of the passers-by.
+</p>
+
+<p>
+It was a satisfaction to walk into the keeper’s house, even as a stranger, on a
+fine spring morning like the present. A curl of wood-smoke came from the
+chimney, and drooped over the roof like a blue feather in a lady’s hat; and the
+sun shone obliquely upon the patch of grass in front, which reflected its
+brightness through the open doorway and up the staircase opposite, lighting up
+each riser with a shiny green radiance, and leaving the top of each step in
+shade.
+</p>
+
+<p>
+The window-sill of the front room was between four and five feet from the
+floor, dropping inwardly to a broad low bench, over which, as well as over the
+whole surface of the wall beneath, there always hung a deep shade, which was
+considered objectionable on every ground save one, namely, that the perpetual
+sprinkling of seeds and water by the caged canary above was not noticed as an
+eyesore by visitors. The window was set with thickly-leaded diamond glazing,
+formed, especially in the lower panes, of knotty glass of various shades of
+green. Nothing was better known to Fancy than the extravagant manner in which
+these circular knots or eyes distorted everything seen through them from the
+outside—lifting hats from heads, shoulders from bodies; scattering the spokes
+of cart-wheels, and bending the straight fir-trunks into semicircles. The
+ceiling was carried by a beam traversing its midst, from the side of which
+projected a large nail, used solely and constantly as a peg for Geoffrey’s hat;
+the nail was arched by a rainbow-shaped stain, imprinted by the brim of the
+said hat when it was hung there dripping wet.
+</p>
+
+<p>
+The most striking point about the room was the furniture. This was a repetition
+upon inanimate objects of the old principle introduced by Noah, consisting for
+the most part of two articles of every sort. The duplicate system of furnishing
+owed its existence to the forethought of Fancy’s mother, exercised from the
+date of Fancy’s birthday onwards. The arrangement spoke for itself: nobody who
+knew the tone of the household could look at the goods without being aware that
+the second set was a provision for Fancy, when she should marry and have a
+house of her own. The most noticeable instance was a pair of green-faced
+eight-day clocks, ticking alternately, which were severally two and half
+minutes and three minutes striking the hour of twelve, one proclaiming, in
+Italian flourishes, Thomas Wood as the name of its maker, and the other—arched
+at the top, and altogether of more cynical appearance—that of Ezekiel Saunders.
+They were two departed clockmakers of Casterbridge, whose desperate rivalry
+throughout their lives was nowhere more emphatically perpetuated than here at
+Geoffrey’s. These chief specimens of the marriage provision were supported on
+the right by a couple of kitchen dressers, each fitted complete with their
+cups, dishes, and plates, in their turn followed by two dumb-waiters, two
+family Bibles, two warming-pans, and two intermixed sets of chairs.
+</p>
+
+<p>
+But the position last reached—the chimney-corner—was, after all, the most
+attractive side of the parallelogram. It was large enough to admit, in addition
+to Geoffrey himself, Geoffrey’s wife, her chair, and her work-table, entirely
+within the line of the mantel, without danger or even inconvenience from the
+heat of the fire; and was spacious enough overhead to allow of the insertion of
+wood poles for the hanging of bacon, which were cloaked with long shreds of
+soot, floating on the draught like the tattered banners on the walls of ancient
+aisles.
+</p>
+
+<p>
+These points were common to most chimney corners of the neighbourhood; but one
+feature there was which made Geoffrey’s fireside not only an object of interest
+to casual aristocratic visitors—to whom every cottage fireside was more or less
+a curiosity—but the admiration of friends who were accustomed to fireplaces of
+the ordinary hamlet model. This peculiarity was a little window in the
+chimney-back, almost over the fire, around which the smoke crept caressingly
+when it left the perpendicular course. The window-board was curiously stamped
+with black circles, burnt thereon by the heated bottoms of drinking-cups, which
+had rested there after previously standing on the hot ashes of the hearth for
+the purpose of warming their contents, the result giving to the ledge the look
+of an envelope which has passed through innumerable post-offices.
+</p>
+
+<p>
+Fancy was gliding about the room preparing dinner, her head inclining now to
+the right, now to the left, and singing the tips and ends of tunes that sprang
+up in her mind like mushrooms. The footsteps of Mrs. Day could be heard in the
+room overhead. Fancy went finally to the door.
+</p>
+
+<p>
+“Father! Dinner.”
+</p>
+
+<p>
+A tall spare figure was seen advancing by the window with periodical steps, and
+the keeper entered from the garden. He appeared to be a man who was always
+looking down, as if trying to recollect something he said yesterday. The
+surface of his face was fissured rather than wrinkled, and over and under his
+eyes were folds which seemed as a kind of exterior eyelids. His nose had been
+thrown backwards by a blow in a poaching fray, so that when the sun was low and
+shining in his face, people could see far into his head. There was in him a
+quiet grimness, which would in his moments of displeasure have become
+surliness, had it not been tempered by honesty of soul, and which was often
+wrongheadedness because not allied with subtlety.
+</p>
+
+<p>
+Although not an extraordinarily taciturn man among friends slightly richer than
+himself, he never wasted words upon outsiders, and to his trapper Enoch his
+ideas were seldom conveyed by any other means than nods and shakes of the head.
+Their long acquaintance with each other’s ways, and the nature of their
+labours, rendered words between them almost superfluous as vehicles of thought,
+whilst the coincidence of their horizons, and the astonishing equality of their
+social views, by startling the keeper from time to time as very damaging to the
+theory of master and man, strictly forbade any indulgence in words as
+courtesies.
+</p>
+
+<p>
+Behind the keeper came Enoch (who had been assisting in the garden) at the
+well-considered chronological distance of three minutes—an interval of
+non-appearance on the trapper’s part not arrived at without some reflection.
+Four minutes had been found to express indifference to indoor arrangements, and
+simultaneousness had implied too great an anxiety about meals.
+</p>
+
+<p>
+“A little earlier than usual, Fancy,” the keeper said, as he sat down and
+looked at the clocks. “That Ezekiel Saunders o’ thine is tearing on afore
+Thomas Wood again.”
+</p>
+
+<p>
+“I kept in the middle between them,” said Fancy, also looking at the two
+clocks.
+</p>
+
+<p>
+“Better stick to Thomas,” said her father. “There’s a healthy beat in Thomas
+that would lead a man to swear by en offhand. He is as true as the town time.
+How is it your stap-mother isn’t here?”
+</p>
+
+<p>
+As Fancy was about to reply, the rattle of wheels was heard, and “Weh-hey,
+Smart!” in Mr. Richard Dewy’s voice rolled into the cottage from round the
+corner of the house.
+</p>
+
+<p>
+“Hullo! there’s Dewy’s cart come for thee, Fancy—Dick driving—afore time, too.
+Well, ask the lad to have pot-luck with us.”
+</p>
+
+<p>
+Dick on entering made a point of implying by his general bearing that he took
+an interest in Fancy simply as in one of the same race and country as himself;
+and they all sat down. Dick could have wished her manner had not been so
+entirely free from all apparent consciousness of those accidental meetings of
+theirs: but he let the thought pass. Enoch sat diagonally at a table afar off,
+under the corner cupboard, and drank his cider from a long perpendicular pint
+cup, having tall fir-trees done in brown on its sides. He threw occasional
+remarks into the general tide of conversation, and with this advantage to
+himself, that he participated in the pleasures of a talk (slight as it was) at
+meal-times, without saddling himself with the responsibility of sustaining it.
+</p>
+
+<p>
+“Why don’t your stap-mother come down, Fancy?” said Geoffrey. “You’ll excuse
+her, Mister Dick, she’s a little queer sometimes.”
+</p>
+
+<p>
+“O yes,—quite,” said Richard, as if he were in the habit of excusing people
+every day.
+</p>
+
+<p>
+“She d’belong to that class of womankind that become second wives: a rum class
+rather.”
+</p>
+
+<p>
+“Indeed,” said Dick, with sympathy for an indefinite something.
+</p>
+
+<p>
+“Yes; and ’tis trying to a female, especially if you’ve been a first wife, as
+she hev.”
+</p>
+
+<p>
+“Very trying it must be.”
+</p>
+
+<p>
+“Yes: you see her first husband was a young man, who let her go too far; in
+fact, she used to kick up Bob’s-a-dying at the least thing in the world. And
+when I’d married her and found it out, I thought, thinks I, ‘’Tis too late now
+to begin to cure ’e;’ and so I let her bide. But she’s queer,—very queer, at
+times!”
+</p>
+
+<p>
+“I’m sorry to hear that.”
+</p>
+
+<p>
+“Yes: there; wives be such a provoking class o’ society, because though they be
+never right, they be never more than half wrong.”
+</p>
+
+<p>
+Fancy seemed uneasy under the infliction of this household moralizing, which
+might tend to damage the airy-fairy nature that Dick, as maiden shrewdness told
+her, had accredited her with. Her dead silence impressed Geoffrey with the
+notion that something in his words did not agree with her educated ideas, and
+he changed the conversation.
+</p>
+
+<p>
+“Did Fred Shiner send the cask o’ drink, Fancy?”
+</p>
+
+<p>
+“I think he did: O yes, he did.”
+</p>
+
+<p>
+“Nice solid feller, Fred Shiner!” said Geoffrey to Dick as he helped himself to
+gravy, bringing the spoon round to his plate by way of the potato-dish, to
+obviate a stain on the cloth in the event of a spill.
+</p>
+
+<p>
+Now Geoffrey’s eyes had been fixed upon his plate for the previous four or five
+minutes, and in removing them he had only carried them to the spoon, which,
+from its fulness and the distance of its transit, necessitated a steady
+watching through the whole of the route. Just as intently as the keeper’s eyes
+had been fixed on the spoon, Fancy’s had been fixed on her father’s, without
+premeditation or the slightest phase of furtiveness; but there they were
+fastened. This was the reason why:
+</p>
+
+<p>
+Dick was sitting next to her on the right side, and on the side of the table
+opposite to her father. Fancy had laid her right hand lightly down upon the
+table-cloth for an instant, and to her alarm Dick, after dropping his fork and
+brushing his forehead as a reason, flung down his own left hand, overlapping a
+third of Fancy’s with it, and keeping it there. So the innocent Fancy, instead
+of pulling her hand from the trap, settled her eyes on her father’s, to guard
+against his discovery of this perilous game of Dick’s. Dick finished his
+mouthful; Fancy finished her crumb, and nothing was done beyond watching
+Geoffrey’s eyes. Then the hands slid apart; Fancy’s going over six inches of
+cloth, Dick’s over one. Geoffrey’s eye had risen.
+</p>
+
+<p>
+“I said Fred Shiner is a nice solid feller,” he repeated, more emphatically.
+</p>
+
+<p>
+“He is; yes, he is,” stammered Dick; “but to me he is little more than a
+stranger.”
+</p>
+
+<p>
+“O, sure. Now I know en as well as any man can be known. And you know en very
+well too, don’t ye, Fancy?”
+</p>
+
+<p>
+Geoffrey put on a tone expressing that these words signified at present about
+one hundred times the amount of meaning they conveyed literally.
+</p>
+
+<p>
+Dick looked anxious.
+</p>
+
+<p>
+“Will you pass me some bread?” said Fancy in a flurry, the red of her face
+becoming slightly disordered, and looking as solicitous as a human being could
+look about a piece of bread.
+</p>
+
+<p>
+“Ay, that I will,” replied the unconscious Geoffrey. “Ay,” he continued,
+returning to the displaced idea, “we are likely to remain friendly wi’ Mr.
+Shiner if the wheels d’run smooth.”
+</p>
+
+<p>
+“An excellent thing—a very capital thing, as I should say,” the youth answered
+with exceeding relevance, considering that his thoughts, instead of following
+Geoffrey’s remark, were nestling at a distance of about two feet on his left
+the whole time.
+</p>
+
+<p>
+“A young woman’s face will turn the north wind, Master Richard: my heart if
+’twon’t.” Dick looked more anxious and was attentive in earnest at these words.
+“Yes; turn the north wind,” added Geoffrey after an impressive pause. “And
+though she’s one of my own flesh and blood . . . ”
+</p>
+
+<p>
+“Will you fetch down a bit of raw-mil’ cheese from pantry-shelf?” Fancy
+interrupted, as if she were famishing.
+</p>
+
+<p>
+“Ay, that I will, chiel; chiel, says I, and Mr. Shiner only asking last
+Saturday night . . . cheese you said, Fancy?”
+</p>
+
+<p>
+Dick controlled his emotion at these mysterious allusions to Mr. Shiner,—the
+better enabled to do so by perceiving that Fancy’s heart went not with her
+father’s—and spoke like a stranger to the affairs of the neighbourhood. “Yes,
+there’s a great deal to be said upon the power of maiden faces in settling your
+courses,” he ventured, as the keeper retreated for the cheese.
+</p>
+
+<p>
+“The conversation is taking a very strange turn: nothing that <i>I</i> have
+ever done warrants such things being said!” murmured Fancy with emphasis, just
+loud enough to reach Dick’s ears.
+</p>
+
+<p>
+“You think to yourself, ’twas to be,” cried Enoch from his distant corner, by
+way of filling up the vacancy caused by Geoffrey’s momentary absence. “And so
+you marry her, Master Dewy, and there’s an end o’t.”
+</p>
+
+<p>
+“Pray don’t say such things, Enoch,” came from Fancy severely, upon which Enoch
+relapsed into servitude.
+</p>
+
+<p>
+“If we be doomed to marry, we marry; if we be doomed to remain single, we do,”
+replied Dick.
+</p>
+
+<p>
+Geoffrey had by this time sat down again, and he now made his lips thin by
+severely straining them across his gums, and looked out of the window along the
+vista to the distant highway up Yalbury Hill. “That’s not the case with some
+folk,” he said at length, as if he read the words on a board at the further end
+of the vista.
+</p>
+
+<p>
+Fancy looked interested, and Dick said, “No?”
+</p>
+
+<p>
+“There’s that wife o’ mine. It was her doom to be nobody’s wife at all in the
+wide universe. But she made up her mind that she would, and did it twice over.
+Doom? Doom is nothing beside a elderly woman—quite a chiel in her hands!”
+</p>
+
+<p>
+A movement was now heard along the upstairs passage, and footsteps descending.
+The door at the foot of the stairs opened, and the second Mrs. Day appeared in
+view, looking fixedly at the table as she advanced towards it, with apparent
+obliviousness of the presence of any other human being than herself. In short,
+if the table had been the personages, and the persons the table, her glance
+would have been the most natural imaginable.
+</p>
+
+<p>
+She showed herself to possess an ordinary woman’s face, iron-grey hair, hardly
+any hips, and a great deal of cleanliness in a broad white apron-string, as it
+appeared upon the waist of her dark stuff dress.
+</p>
+
+<p>
+“People will run away with a story now, I suppose,” she began saying, “that
+Jane Day’s tablecloths are as poor and ragged as any union beggar’s!”
+</p>
+
+<p>
+Dick now perceived that the tablecloth was a little the worse for wear, and
+reflecting for a moment, concluded that ‘people’ in step-mother language
+probably meant himself. On lifting his eyes he found that Mrs. Day had vanished
+again upstairs, and presently returned with an armful of new damask-linen
+tablecloths, folded square and hard as boards by long compression. These she
+flounced down into a chair; then took one, shook it out from its folds, and
+spread it on the table by instalments, transferring the plates and dishes one
+by one from the old to the new cloth.
+</p>
+
+<p>
+“And I suppose they’ll say, too, that she ha’n’t a decent knife and fork in her
+house!”
+</p>
+
+<p>
+“I shouldn’t say any such ill-natured thing, I am sure—” began Dick. But Mrs.
+Day had vanished into the next room. Fancy appeared distressed.
+</p>
+
+<p>
+“Very strange woman, isn’t she?” said Geoffrey, quietly going on with his
+dinner. “But ’tis too late to attempt curing. My heart! ’tis so growed into her
+that ’twould kill her to take it out. Ay, she’s very queer: you’d be amazed to
+see what valuable goods we’ve got stowed away upstairs.”
+</p>
+
+<p>
+Back again came Mrs. Day with a box of bright steel horn-handled knives,
+silver-plated forks, carver, and all complete. These were wiped of the
+preservative oil which coated them, and then a knife and fork were laid down to
+each individual with a bang, the carving knife and fork thrust into the meat
+dish, and the old ones they had hitherto used tossed away.
+</p>
+
+<p>
+Geoffrey placidly cut a slice with the new knife and fork, and asked Dick if he
+wanted any more.
+</p>
+
+<p>
+The table had been spread for the mixed midday meal of dinner and tea, which
+was common among frugal countryfolk. “The parishioners about here,” continued
+Mrs. Day, not looking at any living being, but snatching up the brown delf
+tea-things, “are the laziest, gossipest, poachest, jailest set of any ever I
+came among. And they’ll talk about my teapot and tea-things next, I suppose!”
+She vanished with the teapot, cups, and saucers, and reappeared with a
+tea-service in white china, and a packet wrapped in brown paper. This was
+removed, together with folds of tissue-paper underneath; and a brilliant silver
+teapot appeared.
+</p>
+
+<p>
+“I’ll help to put the things right,” said Fancy soothingly, and rising from her
+seat. “I ought to have laid out better things, I suppose. But” (here she
+enlarged her looks so as to include Dick) “I have been away from home a good
+deal, and I make shocking blunders in my housekeeping.” Smiles and suavity were
+then dispensed all around by this bright little bird.
+</p>
+
+<p>
+After a little more preparation and modification, Mrs. Day took her seat at the
+head of the table, and during the latter or tea division of the meal, presided
+with much composure. It may cause some surprise to learn that, now her vagary
+was over, she showed herself to be an excellent person with much common sense,
+and even a religious seriousness of tone on matters pertaining to her
+afflictions.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap16"></a>CHAPTER VII.<br/>
+DICK MAKES HIMSELF USEFUL</h2>
+
+<p>
+The effect of Geoffrey’s incidental allusions to Mr. Shiner was to restrain a
+considerable flow of spontaneous chat that would otherwise have burst from
+young Dewy along the drive homeward. And a certain remark he had hazarded to
+her, in rather too blunt and eager a manner, kept the young lady herself even
+more silent than Dick. On both sides there was an unwillingness to talk on any
+but the most trivial subjects, and their sentences rarely took a larger form
+than could be expressed in two or three words.
+</p>
+
+<p>
+Owing to Fancy being later in the day than she had promised, the charwoman had
+given up expecting her; whereupon Dick could do no less than stay and see her
+comfortably tided over the disagreeable time of entering and establishing
+herself in an empty house after an absence of a week. The additional furniture
+and utensils that had been brought (a canary and cage among the rest) were
+taken out of the vehicle, and the horse was unharnessed and put in the plot
+opposite, where there was some tender grass. Dick lighted the fire already
+laid; and activity began to loosen their tongues a little.
+</p>
+
+<p>
+“There!” said Fancy, “we forgot to bring the fire-irons!”
+</p>
+
+<p>
+She had originally found in her sitting-room, to bear out the expression
+‘nearly furnished’ which the school-manager had used in his letter to her, a
+table, three chairs, a fender, and a piece of carpet. This ‘nearly’ had been
+supplemented hitherto by a kind friend, who had lent her fire-irons and
+crockery until she should fetch some from home.
+</p>
+
+<p>
+Dick attended to the young lady’s fire, using his whip-handle for a poker till
+it was spoilt, and then flourishing a hurdle stick for the remainder of the
+time.
+</p>
+
+<p>
+“The kettle boils; now you shall have a cup of tea,” said Fancy, diving into
+the hamper she had brought.
+</p>
+
+<p>
+“Thank you,” said Dick, whose drive had made him ready for some, especially in
+her company.
+</p>
+
+<p>
+“Well, here’s only one cup-and-saucer, as I breathe! Whatever could mother be
+thinking about? Do you mind making shift, Mr. Dewy?”
+</p>
+
+<p>
+“Not at all, Miss Day,” said that civil person.
+</p>
+
+<p>
+“—And only having a cup by itself? or a saucer by itself?”
+</p>
+
+<p>
+“Don’t mind in the least.”
+</p>
+
+<p>
+“Which do you mean by that?”
+</p>
+
+<p>
+“I mean the cup, if you like the saucer.”
+</p>
+
+<p>
+“And the saucer, if I like the cup?”
+</p>
+
+<p>
+“Exactly, Miss Day.”
+</p>
+
+<p>
+“Thank you, Mr. Dewy, for I like the cup decidedly. Stop a minute; there are no
+spoons now!” She dived into the hamper again, and at the end of two or three
+minutes looked up and said, “I suppose you don’t mind if I can’t find a spoon?”
+</p>
+
+<p>
+“Not at all,” said the agreeable Richard.
+</p>
+
+<p>
+“The fact is, the spoons have slipped down somewhere; right under the other
+things. O yes, here’s one, and only one. You would rather have one than not, I
+suppose, Mr. Dewy?”
+</p>
+
+<p>
+“Rather not. I never did care much about spoons.”
+</p>
+
+<p>
+“Then I’ll have it. I do care about them. You must stir up your tea with a
+knife. Would you mind lifting the kettle off, that it may not boil dry?”
+</p>
+
+<p>
+Dick leapt to the fireplace, and earnestly removed the kettle.
+</p>
+
+<p>
+“There! you did it so wildly that you have made your hand black. We always use
+kettle-holders; didn’t you learn housewifery as far as that, Mr. Dewy? Well,
+never mind the soot on your hand. Come here. I am going to rinse mine, too.”
+</p>
+
+<p>
+They went to a basin she had placed in the back room. “This is the only basin I
+have,” she said. “Turn up your sleeves, and by that time my hands will be
+washed, and you can come.”
+</p>
+
+<p>
+Her hands were in the water now. “O, how vexing!” she exclaimed. “There’s not a
+drop of water left for you, unless you draw it, and the well is I don’t know
+how many furlongs deep; all that was in the pitcher I used for the kettle and
+this basin. Do you mind dipping the tips of your fingers in the same?”
+</p>
+
+<p>
+“Not at all. And to save time I won’t wait till you have done, if you have no
+objection?”
+</p>
+
+<p>
+Thereupon he plunged in his hands, and they paddled together. It being the
+first time in his life that he had touched female fingers under water, Dick
+duly registered the sensation as rather a nice one.
+</p>
+
+<p>
+“Really, I hardly know which are my own hands and which are yours, they have
+got so mixed up together,” she said, withdrawing her own very suddenly.
+</p>
+
+<p>
+“It doesn’t matter at all,” said Dick, “at least as far as I am concerned.”
+</p>
+
+<p>
+“There! no towel! Whoever thinks of a towel till the hands are wet?”
+</p>
+
+<p>
+“Nobody.”
+</p>
+
+<p>
+“‘Nobody.’ How very dull it is when people are so friendly! Come here, Mr.
+Dewy. Now do you think you could lift the lid of that box with your elbow, and
+then, with something or other, take out a towel you will find under the clean
+clothes? Be <i>sure</i> don’t touch any of them with your wet hands, for the
+things at the top are all Starched and Ironed.”
+</p>
+
+<p>
+Dick managed, by the aid of a knife and fork, to extract a towel from under a
+muslin dress without wetting the latter; and for a moment he ventured to assume
+a tone of criticism.
+</p>
+
+<p>
+“I fear for that dress,” he said, as they wiped their hands together.
+</p>
+
+<p>
+“What?” said Miss Day, looking into the box at the dress alluded to. “O, I know
+what you mean—that the vicar will never let me wear muslin?”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“Well, I know it is condemned by all orders in the church as flaunting, and
+unfit for common wear for girls who’ve their living to get; but we’ll see.”
+</p>
+
+<p>
+“In the interest of the church, I hope you don’t speak seriously.”
+</p>
+
+<p>
+“Yes, I do; but we’ll see.” There was a comely determination on her lip, very
+pleasant to a beholder who was neither bishop, priest, nor deacon. “I think I
+can manage any vicar’s views about me if he’s under forty.”
+</p>
+
+<p>
+Dick rather wished she had never thought of managing vicars.
+</p>
+
+<p>
+“I certainly shall be glad to get some of your delicious tea,” he said in
+rather a free way, yet modestly, as became one in a position between that of
+visitor and inmate, and looking wistfully at his lonely saucer.
+</p>
+
+<p>
+“So shall I. Now is there anything else we want, Mr Dewy?”
+</p>
+
+<p>
+“I really think there’s nothing else, Miss Day.”
+</p>
+
+<p>
+She prepared to sit down, looking musingly out of the window at Smart’s
+enjoyment of the rich grass. “Nobody seems to care about me,” she murmured,
+with large lost eyes fixed upon the sky beyond Smart.
+</p>
+
+<p>
+“Perhaps Mr. Shiner does,” said Dick, in the tone of a slightly injured man.
+</p>
+
+<p>
+“Yes, I forgot—he does, I know.” Dick precipitately regretted that he had
+suggested Shiner, since it had produced such a miserable result as this.
+</p>
+
+<p>
+“I’ll warrant you’ll care for somebody very much indeed another day, won’t you,
+Mr. Dewy?” she continued, looking very feelingly into the mathematical centre
+of his eyes.
+</p>
+
+<p>
+“Ah, I’ll warrant I shall,” said Dick, feelingly too, and looking back into her
+dark pupils, whereupon they were turned aside.
+</p>
+
+<p>
+“I meant,” she went on, preventing him from speaking just as he was going to
+narrate a forcible story about his feelings; “I meant that nobody comes to see
+if I have returned—not even the vicar.”
+</p>
+
+<p>
+“If you want to see him, I’ll call at the vicarage directly we have had some
+tea.”
+</p>
+
+<p>
+“No, no! Don’t let him come down here, whatever you do, whilst I am in such a
+state of disarrangement. Parsons look so miserable and awkward when one’s house
+is in a muddle; walking about, and making impossible suggestions in quaint
+academic phrases till your flesh creeps and you wish them dead. Do you take
+sugar?”
+</p>
+
+<p>
+Mr. Maybold was at this instant seen coming up the path.
+</p>
+
+<p>
+“There! That’s he coming! How I wish you were not here!—that is, how
+awkward—dear, dear!” she exclaimed, with a quick ascent of blood to her face,
+and irritated with Dick rather than the vicar, as it seemed.
+</p>
+
+<p>
+“Pray don’t be alarmed on my account, Miss Day—good-afternoon!” said Dick in a
+huff, putting on his hat, and leaving the room hastily by the back-door.
+</p>
+
+<p>
+The horse was caught and put in, and on mounting the shafts to start he saw
+through the window the vicar, standing upon some books piled in a chair, and
+driving a nail into the wall; Fancy, with a demure glance, holding the
+canary-cage up to him, as if she had never in her life thought of anything but
+vicars and canaries.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap17"></a>CHAPTER VIII.<br/>
+DICK MEETS HIS FATHER</h2>
+
+<p>
+For several minutes Dick drove along homeward, with the inner eye of reflection
+so anxiously set on his passages at arms with Fancy, that the road and scenery
+were as a thin mist over the real pictures of his mind. Was she a coquette? The
+balance between the evidence that she did love him and that she did not was so
+nicely struck, that his opinion had no stability. She had let him put his hand
+upon hers; she had allowed her gaze to drop plumb into the depths of his—his
+into hers—three or four times; her manner had been very free with regard to the
+basin and towel; she had appeared vexed at the mention of Shiner. On the other
+hand, she had driven him about the house like a quiet dog or cat, said Shiner
+cared for her, and seemed anxious that Mr. Maybold should do the same.
+</p>
+
+<p>
+Thinking thus as he neared the handpost at Mellstock Cross, sitting on the
+front board of the spring cart—his legs on the outside, and his whole frame
+jigging up and down like a candle-flame to the time of Smart’s trotting—who
+should he see coming down the hill but his father in the light wagon, quivering
+up and down on a smaller scale of shakes, those merely caused by the stones in
+the road. They were soon crossing each other’s front.
+</p>
+
+<p>
+“Weh-hey!” said the tranter to Smiler.
+</p>
+
+<p>
+“Weh-hey!” said Dick to Smart, in an echo of the same voice.
+</p>
+
+<p>
+“Th’st hauled her back, I suppose?” Reuben inquired peaceably.
+</p>
+
+<p>
+“Yes,” said Dick, with such a clinching period at the end that it seemed he was
+never going to add another word. Smiler, thinking this the close of the
+conversation, prepared to move on.
+</p>
+
+<p>
+“Weh-hey!” said the tranter. “I tell thee what it is, Dick. That there maid is
+taking up thy thoughts more than’s good for thee, my sonny. Thou’rt never happy
+now unless th’rt making thyself miserable about her in one way or another.”
+</p>
+
+<p>
+“I don’t know about that, father,” said Dick rather stupidly.
+</p>
+
+<p>
+“But I do—Wey, Smiler!—’Od rot the women, ’tis nothing else wi’ ’em nowadays
+but getting young men and leading ’em astray.”
+</p>
+
+<p>
+“Pooh, father! you just repeat what all the common world says; that’s all you
+do.”
+</p>
+
+<p>
+“The world’s a very sensible feller on things in jineral, Dick; very sensible
+indeed.”
+</p>
+
+<p>
+Dick looked into the distance at a vast expanse of mortgaged estate. “I wish I
+was as rich as a squire when he’s as poor as a crow,” he murmured; “I’d soon
+ask Fancy something.”
+</p>
+
+<p>
+“I wish so too, wi’ all my heart, sonny; that I do. Well, mind what beest
+about, that’s all.”
+</p>
+
+<p>
+Smart moved on a step or two. “Supposing now, father,—We-hey, Smart!—I did
+think a little about her, and I had a chance, which I ha’n’t; don’t you think
+she’s a very good sort of—of—one?”
+</p>
+
+<p>
+“Ay, good; she’s good enough. When you’ve made up your mind to marry, take the
+first respectable body that comes to hand—she’s as good as any other; they be
+all alike in the groundwork; ’tis only in the flourishes there’s a difference.
+She’s good enough; but I can’t see what the nation a young feller like you—wi’
+a comfortable house and home, and father and mother to take care o’ thee, and
+who sent ’ee to a school so good that ’twas hardly fair to the other
+children—should want to go hollering after a young woman for, when she’s
+quietly making a husband in her pocket, and not troubled by chick nor chiel, to
+make a poverty-stric’ wife and family of her, and neither hat, cap, wig, nor
+waistcoat to set ’em up with: be drowned if I can see it, and that’s the long
+and the short o’t, my sonny.”
+</p>
+
+<p>
+Dick looked at Smart’s ears, then up the hill; but no reason was suggested by
+any object that met his gaze.
+</p>
+
+<p>
+“For about the same reason that you did, father, I suppose.”
+</p>
+
+<p>
+“Dang it, my sonny, thou’st got me there!” And the tranter gave vent to a grim
+admiration, with the mien of a man who was too magnanimous not to appreciate
+artistically a slight rap on the knuckles, even if they were his own.
+</p>
+
+<p>
+“Whether or no,” said Dick, “I asked her a thing going along the road.”
+</p>
+
+<p>
+“Come to that, is it? Turk! won’t thy mother be in a taking! Well, she’s ready,
+I don’t doubt?”
+</p>
+
+<p>
+“I didn’t ask her anything about having me; and if you’ll let me speak, I’ll
+tell ’ee what I want to know. I just said, Did she care about me?”
+</p>
+
+<p>
+“Piph-ph-ph!”
+</p>
+
+<p>
+“And then she said nothing for a quarter of a mile, and then she said she
+didn’t know. Now, what I want to know is, what was the meaning of that speech?”
+The latter words were spoken resolutely, as if he didn’t care for the ridicule
+of all the fathers in creation.
+</p>
+
+<p>
+“The meaning of that speech is,” the tranter replied deliberately, “that the
+meaning is meant to be rather hid at present. Well, Dick, as an honest father
+to thee, I don’t pretend to deny what you d’know well enough; that is, that her
+father being rather better in the pocket than we, I should welcome her ready
+enough if it must be somebody.”
+</p>
+
+<p>
+“But what d’ye think she really did mean?” said the unsatisfied Dick.
+</p>
+
+<p>
+“I’m afeard I am not o’ much account in guessing, especially as I was not there
+when she said it, and seeing that your mother was the only ’ooman I ever cam’
+into such close quarters as that with.”
+</p>
+
+<p>
+“And what did mother say to you when you asked her?” said Dick musingly.
+</p>
+
+<p>
+“I don’t see that that will help ’ee.”
+</p>
+
+<p>
+“The principle is the same.”
+</p>
+
+<p>
+“Well—ay: what did she say? Let’s see. I was oiling my working-day boots
+without taking ’em off, and wi’ my head hanging down, when she just brushed on
+by the garden hatch like a flittering leaf. ‘Ann,’ I said, says I, and
+then,—but, Dick I’m afeard ’twill be no help to thee; for we were such a rum
+couple, your mother and I, leastways one half was, that is myself—and your
+mother’s charms was more in the manner than the material.”
+</p>
+
+<p>
+“Never mind! ‘Ann,’ said you.”
+</p>
+
+<p>
+“‘Ann,’ said I, as I was saying . . . ‘Ann,’ I said to her when I was oiling my
+working-day boots wi’ my head hanging down, ‘Woot hae me?’ . . . What came next
+I can’t quite call up at this distance o’ time. Perhaps your mother would
+know,—she’s got a better memory for her little triumphs than I. However, the
+long and the short o’ the story is that we were married somehow, as I found
+afterwards. ’Twas on White Tuesday,—Mellstock Club walked the same day, every
+man two and two, and a fine day ’twas,—hot as fire,—how the sun did strike down
+upon my back going to church! I well can mind what a bath o’ sweating I was in,
+body and soul! But Fance will ha’ thee, Dick—she won’t walk with another
+chap—no such good luck.”
+</p>
+
+<p>
+“I don’t know about that,” said Dick, whipping at Smart’s flank in a fanciful
+way, which, as Smart knew, meant nothing in connection with going on. “There’s
+Pa’son Maybold, too—that’s all against me.”
+</p>
+
+<p>
+“What about he? She’s never been stuffing into thy innocent heart that he’s in
+hove with her? Lord, the vanity o’ maidens!”
+</p>
+
+<p>
+“No, no. But he called, and she looked at him in such a way, and at me in such
+a way—quite different the ways were,—and as I was coming off, there was he
+hanging up her birdcage.”
+</p>
+
+<p>
+“Well, why shouldn’t the man hang up her bird-cage? Turk seize it all, what’s
+that got to do wi’ it? Dick, that thou beest a white-lyvered chap I don’t say,
+but if thou beestn’t as mad as a cappel-faced bull, let me smile no more.”
+</p>
+
+<p>
+“O, ay.”
+</p>
+
+<p>
+“And what’s think now, Dick?”
+</p>
+
+<p>
+“I don’t know.”
+</p>
+
+<p>
+“Here’s another pretty kettle o’ fish for thee. Who d’ye think’s the bitter
+weed in our being turned out? Did our party tell ’ee?”
+</p>
+
+<p>
+“No. Why, Pa’son Maybold, I suppose.”
+</p>
+
+<p>
+“Shiner,—because he’s in love with thy young woman, and d’want to see her young
+figure sitting up at that queer instrument, and her young fingers rum-strumming
+upon the keys.”
+</p>
+
+<p>
+A sharp ado of sweet and bitter was going on in Dick during this communication
+from his father. “Shiner’s a fool!—no, that’s not it; I don’t believe any such
+thing, father. Why, Shiner would never take a bold step like that, unless she’d
+been a little made up to, and had taken it kindly. Pooh!”
+</p>
+
+<p>
+“Who’s to say she didn’t?”
+</p>
+
+<p>
+“I do.”
+</p>
+
+<p>
+“The more fool you.”
+</p>
+
+<p>
+“Why, father of me?”
+</p>
+
+<p>
+“Has she ever done more to thee?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“Then she has done as much to he—rot ’em! Now, Dick, this is how a maid is.
+She’ll swear she’s dying for thee, and she is dying for thee, and she will die
+for thee; but she’ll fling a look over t’other shoulder at another young
+feller, though never leaving off dying for thee just the same.”
+</p>
+
+<p>
+“She’s not dying for me, and so she didn’t fling a look at him.”
+</p>
+
+<p>
+“But she may be dying for him, for she looked at thee.”
+</p>
+
+<p>
+“I don’t know what to make of it at all,” said Dick gloomily.
+</p>
+
+<p>
+“All I can make of it is,” the tranter said, raising his whip, arranging his
+different joints and muscles, and motioning to the horse to move on, “that if
+you can’t read a maid’s mind by her motions, nature d’seem to say thou’st ought
+to be a bachelor. Clk, clk! Smiler!” And the tranter moved on.
+</p>
+
+<p>
+Dick held Smart’s rein firmly, and the whole concern of horse, cart, and man
+remained rooted in the lane. How long this condition would have lasted is
+unknown, had not Dick’s thoughts, after adding up numerous items of misery,
+gradually wandered round to the fact that as something must be done, it could
+not be done by staying there all night.
+</p>
+
+<p>
+Reaching home he went up to his bedroom, shut the door as if he were going to
+be seen no more in this life, and taking a sheet of paper and uncorking the
+ink-bottle, he began a letter. The dignity of the writer’s mind was so
+powerfully apparent in every line of this effusion that it obscured the logical
+sequence of facts and intentions to an appreciable degree; and it was not at
+all clear to a reader whether he there and then left off loving Miss Fancy Day;
+whether he had never loved her seriously, and never meant to; whether he had
+been dying up to the present moment, and now intended to get well again; or
+whether he had hitherto been in good health, and intended to die for her
+forthwith.
+</p>
+
+<p>
+He put this letter in an envelope, sealed it up, directed it in a stern
+handwriting of straight dashes—easy flourishes being rigorously excluded. He
+walked with it in his pocket down the lane in strides not an inch less than
+three feet long. Reaching her gate he put on a resolute expression—then put it
+off again, turned back homeward, tore up his letter, and sat down.
+</p>
+
+<p>
+That letter was altogether in a wrong tone—that he must own. A heartless
+man-of-the-world tone was what the juncture required. That he rather wanted
+her, and rather did not want her—the latter for choice; but that as a member of
+society he didn’t mind making a query in jaunty terms, which could only be
+answered in the same way: did she mean anything by her bearing towards him, or
+did she not?
+</p>
+
+<p>
+This letter was considered so satisfactory in every way that, being put into
+the hands of a little boy, and the order given that he was to run with it to
+the school, he was told in addition not to look behind him if Dick called after
+him to bring it back, but to run along with it just the same. Having taken this
+precaution against vacillation, Dick watched his messenger down the road, and
+turned into the house whistling an air in such ghastly jerks and starts, that
+whistling seemed to be the act the very furthest removed from that which was
+instinctive in such a youth.
+</p>
+
+<p>
+The letter was left as ordered: the next morning came and passed—and no answer.
+The next. The next. Friday night came. Dick resolved that if no answer or sign
+were given by her the next day, on Sunday he would meet her face to face, and
+have it all out by word of mouth.
+</p>
+
+<p>
+“Dick,” said his father, coming in from the garden at that moment—in each hand
+a hive of bees tied in a cloth to prevent their egress—“I think you’d better
+take these two swarms of bees to Mrs. Maybold’s to-morrow, instead o’ me, and
+I’ll go wi’ Smiler and the wagon.”
+</p>
+
+<p>
+It was a relief; for Mrs. Maybold, the vicar’s mother, who had just taken into
+her head a fancy for keeping bees (pleasantly disguised under the pretence of
+its being an economical wish to produce her own honey), lived near the
+watering-place of Budmouth-Regis, ten miles off, and the business of
+transporting the hives thither would occupy the whole day, and to some extent
+annihilate the vacant time between this evening and the coming Sunday. The best
+spring-cart was washed throughout, the axles oiled, and the bees placed therein
+for the journey.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="part03"></a>PART THE THIRD—SUMMER</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap18"></a>CHAPTER I.<br/>
+DRIVING OUT OF BUDMOUTH</h2>
+
+<p>
+An easy bend of neck and graceful set of head; full and wavy bundles of
+dark-brown hair; light fall of little feet; pretty devices on the skirt of the
+dress; clear deep eyes; in short, a bunch of sweets: it was Fancy! Dick’s heart
+went round to her with a rush.
+</p>
+
+<p>
+The scene was the corner of Mary Street in Budmouth-Regis, near the King’s
+statue, at which point the white angle of the last house in the row cut
+perpendicularly an embayed and nearly motionless expanse of salt water
+projected from the outer ocean—to-day lit in bright tones of green and opal.
+Dick and Smart had just emerged from the street, and there on the right,
+against the brilliant sheet of liquid colour, stood Fancy Day; and she turned
+and recognized him.
+</p>
+
+<p>
+Dick suspended his thoughts of the letter and wonder at how she came there by
+driving close to the chains of the Esplanade—incontinently displacing two
+chairmen, who had just come to life for the summer in new clean shirts and
+revivified clothes, and being almost displaced in turn by a rigid boy rattling
+along with a baker’s cart, and looking neither to the right nor the left. He
+asked if she were going to Mellstock that night.
+</p>
+
+<p>
+“Yes, I’m waiting for the carrier,” she replied, seeming, too, to suspend
+thoughts of the letter.
+</p>
+
+<p>
+“Now I can drive you home nicely, and you save half an hour. Will ye come with
+me?”
+</p>
+
+<p>
+As Fancy’s power to will anything seemed to have departed in some mysterious
+manner at that moment, Dick settled the matter by getting out and assisting her
+into the vehicle without another word.
+</p>
+
+<p>
+The temporary flush upon her cheek changed to a lesser hue, which was
+permanent, and at length their eyes met; there was present between them a
+certain feeling of embarrassment, which arises at such moments when all the
+instinctive acts dictated by the position have been performed. Dick, being
+engaged with the reins, thought less of this awkwardness than did Fancy, who
+had nothing to do but to feel his presence, and to be more and more conscious
+of the fact, that by accepting a seat beside him in this way she succumbed to
+the tone of his note. Smart jogged along, and Dick jogged, and the helpless
+Fancy necessarily jogged, too; and she felt that she was in a measure captured
+and made a prisoner.
+</p>
+
+<p>
+“I am so much obliged to you for your company, Miss Day,” he observed, as they
+drove past the two semicircular bays of the Old Royal Hotel, where His Majesty
+King George the Third had many a time attended the balls of the burgesses.
+</p>
+
+<p>
+To Miss Day, crediting him with the same consciousness of mastery—a
+consciousness of which he was perfectly innocent—this remark sounded like a
+magnanimous intention to soothe her, the captive.
+</p>
+
+<p>
+“I didn’t come for the pleasure of obliging you with my company,” she said.
+</p>
+
+<p>
+The answer had an unexpected manner of incivility in it that must have been
+rather surprising to young Dewy. At the same time it may be observed, that when
+a young woman returns a rude answer to a young man’s civil remark, her heart is
+in a state which argues rather hopefully for his case than otherwise.
+</p>
+
+<p>
+There was silence between them till they had left the sea-front and passed
+about twenty of the trees that ornamented the road leading up out of the town
+towards Casterbridge and Mellstock.
+</p>
+
+<p>
+“Though I didn’t come for that purpose either, I would have done it,” said Dick
+at the twenty-first tree.
+</p>
+
+<p>
+“Now, Mr. Dewy, no flirtation, because it’s wrong, and I don’t wish it.”
+</p>
+
+<p>
+Dick seated himself afresh just as he had been sitting before, arranged his
+looks very emphatically, and cleared his throat.
+</p>
+
+<p>
+“Really, anybody would think you had met me on business and were just going to
+commence,” said the lady intractably.
+</p>
+
+<p>
+“Yes, they would.”
+</p>
+
+<p>
+“Why, you never have, to be sure!”
+</p>
+
+<p>
+This was a shaky beginning. He chopped round, and said cheerily, as a man who
+had resolved never to spoil his jollity by loving one of womankind—
+</p>
+
+<p>
+“Well, how are you getting on, Miss Day, at the present time? Gaily, I don’t
+doubt for a moment.”
+</p>
+
+<p>
+“I am not gay, Dick; you know that.”
+</p>
+
+<p>
+“Gaily doesn’t mean decked in gay dresses.”
+</p>
+
+<p>
+“I didn’t suppose gaily was gaily dressed. Mighty me, what a scholar you’ve
+grown!”
+</p>
+
+<p>
+“Lots of things have happened to you this spring, I see.”
+</p>
+
+<p>
+“What have you seen?”
+</p>
+
+<p>
+“O, nothing; I’ve heard, I mean!”
+</p>
+
+<p>
+“What have you heard?”
+</p>
+
+<p>
+“The name of a pretty man, with brass studs and a copper ring and a tin
+watch-chain, a little mixed up with your own. That’s all.”
+</p>
+
+<p>
+“That’s a very unkind picture of Mr. Shiner, for that’s who you mean! The studs
+are gold, as you know, and it’s a real silver chain; the ring I can’t
+conscientiously defend, and he only wore it once.”
+</p>
+
+<p>
+“He might have worn it a hundred times without showing it half so much.”
+</p>
+
+<p>
+“Well, he’s nothing to me,” she serenely observed.
+</p>
+
+<p>
+“Not any more than I am?”
+</p>
+
+<p>
+“Now, Mr. Dewy,” said Fancy severely, “certainly he isn’t any more to me than
+you are!”
+</p>
+
+<p>
+“Not so much?”
+</p>
+
+<p>
+She looked aside to consider the precise compass of that question. “That I
+can’t exactly answer,” she replied with soft archness.
+</p>
+
+<p>
+As they were going rather slowly, another spring-cart, containing a farmer,
+farmer’s wife, and farmer’s man, jogged past them; and the farmer’s wife and
+farmer’s man eyed the couple very curiously. The farmer never looked up from
+the horse’s tail.
+</p>
+
+<p>
+“Why can’t you exactly answer?” said Dick, quickening Smart a little, and
+jogging on just behind the farmer and farmer’s wife and man.
+</p>
+
+<p>
+As no answer came, and as their eyes had nothing else to do, they both
+contemplated the picture presented in front, and noticed how the farmer’s wife
+sat flattened between the two men, who bulged over each end of the seat to give
+her room, till they almost sat upon their respective wheels; and they looked
+too at the farmer’s wife’s silk mantle, inflating itself between her shoulders
+like a balloon and sinking flat again, at each jog of the horse. The farmer’s
+wife, feeling their eyes sticking into her back, looked over her shoulder. Dick
+dropped ten yards further behind.
+</p>
+
+<p>
+“Fancy, why can’t you answer?” he repeated.
+</p>
+
+<p>
+“Because how much you are to me depends upon how much I am to you,” said she in
+low tones.
+</p>
+
+<p>
+“Everything,” said Dick, putting his hand towards hers, and casting emphatic
+eyes upon the upper curve of her cheek.
+</p>
+
+<p>
+“Now, Richard Dewy, no touching me! I didn’t say in what way your thinking of
+me affected the question—perhaps inversely, don’t you see? No touching, sir!
+Look; goodness me, don’t, Dick!”
+</p>
+
+<p>
+The cause of her sudden start was the unpleasant appearance over Dick’s right
+shoulder of an empty timber-wagon and four journeymen-carpenters reclining in
+lazy postures inside it, their eyes directed upwards at various oblique angles
+into the surrounding world, the chief object of their existence being
+apparently to criticize to the very backbone and marrow every animate object
+that came within the compass of their vision. This difficulty of Dick’s was
+overcome by trotting on till the wagon and carpenters were beginning to look
+rather misty by reason of a film of dust that accompanied their wagon-wheels,
+and rose around their heads like a fog.
+</p>
+
+<p>
+“Say you love me, Fancy.”
+</p>
+
+<p>
+“No, Dick, certainly not; ’tisn’t time to do that yet.”
+</p>
+
+<p>
+“Why, Fancy?”
+</p>
+
+<p>
+“‘Miss Day’ is better at present—don’t mind my saying so; and I ought not to
+have called you Dick.”
+</p>
+
+<p>
+“Nonsense! when you know that I would do anything on earth for your love. Why,
+you make any one think that loving is a thing that can be done and undone, and
+put on and put off at a mere whim.”
+</p>
+
+<p>
+“No, no, I don’t,” she said gently; “but there are things which tell me I ought
+not to give way to much thinking about you, even if—”
+</p>
+
+<p>
+“But you want to, don’t you? Yes, say you do; it is best to be truthful.
+Whatever they may say about a woman’s right to conceal where her love lies, and
+pretend it doesn’t exist, and things like that, it is not best; I do know it,
+Fancy. And an honest woman in that, as well as in all her daily concerns,
+shines most brightly, and is thought most of in the long-run.”
+</p>
+
+<p>
+“Well then, perhaps, Dick, I do love you a little,” she whispered tenderly;
+“but I wish you wouldn’t say any more now.”
+</p>
+
+<p>
+“I won’t say any more now, then, if you don’t like it, dear. But you do love me
+a little, don’t you?”
+</p>
+
+<p>
+“Now you ought not to want me to keep saying things twice; I can’t say any more
+now, and you must be content with what you have.”
+</p>
+
+<p>
+“I may at any rate call you Fancy? There’s no harm in that.”
+</p>
+
+<p>
+“Yes, you may.”
+</p>
+
+<p>
+“And you’ll not call me Mr. Dewy any more?”
+</p>
+
+<p>
+“Very well.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap19"></a>CHAPTER II.<br/>
+FURTHER ALONG THE ROAD</h2>
+
+<p>
+Dick’s spirits having risen in the course of these admissions of his
+sweetheart, he now touched Smart with the whip; and on Smart’s neck, not far
+behind his ears. Smart, who had been lost in thought for some time, never
+dreaming that Dick could reach so far with a whip which, on this particular
+journey, had never been extended further than his flank, tossed his head, and
+scampered along with exceeding briskness, which was very pleasant to the young
+couple behind him till, turning a bend in the road, they came instantly upon
+the farmer, farmer’s man, and farmer’s wife with the flapping mantle, all
+jogging on just the same as ever.
+</p>
+
+<p>
+“Bother those people! Here we are upon them again.”
+</p>
+
+<p>
+“Well, of course. They have as much right to the road as we.”
+</p>
+
+<p>
+“Yes, but it is provoking to be overlooked so. I like a road all to myself.
+Look what a lumbering affair theirs is!” The wheels of the farmer’s cart, just
+at that moment, jogged into a depression running across the road, giving the
+cart a twist, whereupon all three nodded to the left, and on coming out of it
+all three nodded to the right, and went on jerking their backs in and out as
+usual. “We’ll pass them when the road gets wider.”
+</p>
+
+<p>
+When an opportunity seemed to offer itself for carrying this intention into
+effect, they heard light flying wheels behind, and on their quartering there
+whizzed along past them a brand-new gig, so brightly polished that the spokes
+of the wheels sent forth a continual quivering light at one point in their
+circle, and all the panels glared like mirrors in Dick and Fancy’s eyes. The
+driver, and owner as it appeared, was really a handsome man; his companion was
+Shiner. Both turned round as they passed Dick and Fancy, and stared with bold
+admiration in her face till they were obliged to attend to the operation of
+passing the farmer. Dick glanced for an instant at Fancy while she was
+undergoing their scrutiny; then returned to his driving with rather a sad
+countenance.
+</p>
+
+<p>
+“Why are you so silent?” she said, after a while, with real concern.
+</p>
+
+<p>
+“Nothing.”
+</p>
+
+<p>
+“Yes, it is, Dick. I couldn’t help those people passing.”
+</p>
+
+<p>
+“I know that.”
+</p>
+
+<p>
+“You look offended with me. What have I done?”
+</p>
+
+<p>
+“I can’t tell without offending you.”
+</p>
+
+<p>
+“Better out.”
+</p>
+
+<p>
+“Well,” said Dick, who seemed longing to tell, even at the risk of offending
+her, “I was thinking how different you in love are from me in love. Whilst
+those men were staring, you dismissed me from your thoughts altogether, and—”
+</p>
+
+<p>
+“You can’t offend me further now; tell all!”
+</p>
+
+<p>
+“And showed upon your face a pleased sense of being attractive to ’em.”
+</p>
+
+<p>
+“Don’t be silly, Dick! You know very well I didn’t.”
+</p>
+
+<p>
+Dick shook his head sceptically, and smiled.
+</p>
+
+<p>
+“Dick, I always believe flattery <i>if possible—</i>and it was possible then.
+Now there’s an open confession of weakness. But I showed no consciousness of
+it.”
+</p>
+
+<p>
+Dick, perceiving by her look that she would adhere to her statement, charitably
+forbore saying anything that could make her prevaricate. The sight of Shiner,
+too, had recalled another branch of the subject to his mind; that which had
+been his greatest trouble till her company and words had obscured its
+probability.
+</p>
+
+<p>
+“By the way, Fancy, do you know why our quire is to be dismissed?”
+</p>
+
+<p>
+“No: except that it is Mr. Maybold’s wish for me to play the organ.”
+</p>
+
+<p>
+“Do you know how it came to be his wish?”
+</p>
+
+<p>
+“That I don’t.”
+</p>
+
+<p>
+“Mr. Shiner, being churchwarden, has persuaded the vicar; who, however, was
+willing enough before. Shiner, I know, is crazy to see you playing every
+Sunday; I suppose he’ll turn over your music, for the organ will be close to
+his pew. But—I know you have never encouraged him?”
+</p>
+
+<p>
+“Never once!” said Fancy emphatically, and with eyes full of earnest truth. “I
+don’t like him indeed, and I never heard of his doing this before! I have
+always felt that I should like to play in a church, but I never wished to turn
+you and your choir out; and I never even said that I could play till I was
+asked. You don’t think for a moment that I did, surely, do you?”
+</p>
+
+<p>
+“I know you didn’t, dear.”
+</p>
+
+<p>
+“Or that I care the least morsel of a bit for him?”
+</p>
+
+<p>
+“I know you don’t.”
+</p>
+
+<p>
+The distance between Budmouth and Mellstock was ten or eleven miles, and there
+being a good inn, ‘The Ship,’ four miles out of Budmouth, with a mast and
+cross-trees in front, Dick’s custom in driving thither was to divide the
+journey into three stages by resting at this inn going and coming, and not
+troubling the Budmouth stables at all, whenever his visit to the town was a
+mere call and deposit, as to-day.
+</p>
+
+<p>
+Fancy was ushered into a little tea-room, and Dick went to the stables to see
+to the feeding of Smart. In face of the significant twitches of feature that
+were visible in the ostler and labouring men idling around, Dick endeavoured to
+look unconscious of the fact that there was any sentiment between him and Fancy
+beyond a tranter’s desire to carry a passenger home. He presently entered the
+inn and opened the door of Fancy’s room.
+</p>
+
+<p>
+“Dick, do you know, it has struck me that it is rather awkward, my being here
+alone with you like this. I don’t think you had better come in with me.”
+</p>
+
+<p>
+“That’s rather unpleasant, dear.”
+</p>
+
+<p>
+“Yes, it is, and I wanted you to have some tea as well as myself too, because
+you must be tired.”
+</p>
+
+<p>
+“Well, let me have some with you, then. I was denied once before, if you
+recollect, Fancy.”
+</p>
+
+<p>
+“Yes, yes, never mind! And it seems unfriendly of me now, but I don’t know what
+to do.”
+</p>
+
+<p>
+“It shall be as you say, then.” Dick began to retreat with a dissatisfied
+wrinkling of face, and a farewell glance at the cosy tea-tray.
+</p>
+
+<p>
+“But you don’t see how it is, Dick, when you speak like that,” she said, with
+more earnestness than she had ever shown before. “You do know, that even if I
+care very much for you, I must remember that I have a difficult position to
+maintain. The vicar would not like me, as his schoolmistress, to indulge in a
+<i>t&ecirc;te-&agrave;-t&ecirc;te</i> anywhere with anybody.”
+</p>
+
+<p>
+“But I am not <i>any</i> body!” exclaimed Dick.
+</p>
+
+<p>
+“No, no, I mean with a young man;” and she added softly, “unless I were really
+engaged to be married to him.”
+</p>
+
+<p>
+“Is that all? Then, dearest, dearest, why we’ll be engaged at once, to be sure
+we will, and down I sit! There it is, as easy as a glove!”
+</p>
+
+<p>
+“Ah! but suppose I won’t! And, goodness me, what have I done!” she faltered,
+getting very red. “Positively, it seems as if I meant you to say that!”
+</p>
+
+<p>
+“Let’s do it! I mean get engaged,” said Dick. “Now, Fancy, will you be my
+wife?”
+</p>
+
+<p>
+“Do you know, Dick, it was rather unkind of you to say what you did coming
+along the road,” she remarked, as if she had not heard the latter part of his
+speech; though an acute observer might have noticed about her breast, as the
+word ‘wife’ fell from Dick’s lips, a soft silent escape of breaths, with very
+short rests between each.
+</p>
+
+<p>
+“What did I say?”
+</p>
+
+<p>
+“About my trying to look attractive to those men in the gig.”
+</p>
+
+<p>
+“You couldn’t help looking so, whether you tried or no. And, Fancy, you do care
+for me?”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“Very much?”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“And you’ll be my own wife?”
+</p>
+
+<p>
+Her heart quickened, adding to and withdrawing from her cheek varying tones of
+red to match each varying thought. Dick looked expectantly at the ripe tint of
+her delicate mouth, waiting for what was coming forth.
+</p>
+
+<p>
+“Yes—if father will let me.”
+</p>
+
+<p>
+Dick drew himself close to her, compressing his lips and pouting them out, as
+if he were about to whistle the softest melody known.
+</p>
+
+<p>
+“O no!” said Fancy solemnly.
+</p>
+
+<p>
+The modest Dick drew back a little.
+</p>
+
+<p>
+“Dick, Dick, kiss me and let me go instantly!—here’s somebody coming!” she
+whisperingly exclaimed.
+</p>
+
+<p class="p2">
+Half an hour afterwards Dick emerged from the inn, and if Fancy’s lips had been
+real cherries probably Dick’s would have appeared deeply stained. The landlord
+was standing in the yard.
+</p>
+
+<p>
+“Heu-heu! hay-hay, Master Dewy! Ho-ho!” he laughed, letting the laugh slip out
+gently and by degrees that it might make little noise in its exit, and smiting
+Dick under the fifth rib at the same time. “This will never do, upon my life,
+Master Dewy! calling for tay for a feymel passenger, and then going in and
+sitting down and having some too, and biding such a fine long time!”
+</p>
+
+<p>
+“But surely you know?” said Dick, with great apparent surprise. “Yes, yes!
+Ha-ha!” smiting the landlord under the ribs in return.
+</p>
+
+<p>
+“Why, what? Yes, yes; ha-ha!”
+</p>
+
+<p>
+“You know, of course!”
+</p>
+
+<p>
+“Yes, of course! But—that is—I don’t.”
+</p>
+
+<p>
+“Why about—between that young lady and me?” nodding to the window of the room
+that Fancy occupied.
+</p>
+
+<p>
+“No; not I!” said the innkeeper, bringing his eyes into circles.
+</p>
+
+<p>
+“And you don’t!”
+</p>
+
+<p>
+“Not a word, I’ll take my oath!”
+</p>
+
+<p>
+“But you laughed when I laughed.”
+</p>
+
+<p>
+“Ay, that was me sympathy; so did you when I laughed!”
+</p>
+
+<p>
+“Really, you don’t know? Goodness—not knowing that!”
+</p>
+
+<p>
+“I’ll take my oath I don’t!”
+</p>
+
+<p>
+“O yes,” said Dick, with frigid rhetoric of pitying astonishment, “we’re
+engaged to be married, you see, and I naturally look after her.”
+</p>
+
+<p>
+“Of course, of course! I didn’t know that, and I hope ye’ll excuse any little
+freedom of mine, Mr. Dewy. But it is a very odd thing; I was talking to your
+father very intimate about family matters only last Friday in the world, and
+who should come in but Keeper Day, and we all then fell a-talking o’ family
+matters; but neither one o’ them said a mortal word about it; knowen me too so
+many years, and I at your father’s own wedding. ’Tisn’t what I should have
+expected from an old neighbour!”
+</p>
+
+<p>
+“Well, to say the truth, we hadn’t told father of the engagement at that time;
+in fact, ’twasn’t settled.”
+</p>
+
+<p>
+“Ah! the business was done Sunday. Yes, yes, Sunday’s the courting day.
+Heu-heu!”
+</p>
+
+<p>
+“No, ’twasn’t done Sunday in particular.”
+</p>
+
+<p>
+“After school-hours this week? Well, a very good time, a very proper good
+time.”
+</p>
+
+<p>
+“O no, ’twasn’t done then.”
+</p>
+
+<p>
+“Coming along the road to-day then, I suppose?”
+</p>
+
+<p>
+“Not at all; I wouldn’t think of getting engaged in a dog-cart.”
+</p>
+
+<p>
+“Dammy—might as well have said at once, the <i>when</i> be blowed! Anyhow, ’tis
+a fine day, and I hope next time you’ll come as one.”
+</p>
+
+<p>
+Fancy was duly brought out and assisted into the vehicle, and the newly
+affianced youth and maiden passed up the steep hill to the Ridgeway, and
+vanished in the direction of Mellstock.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap20"></a>CHAPTER III.<br/>
+A CONFESSION</h2>
+
+<p>
+It was a morning of the latter summer-time; a morning of lingering dews, when
+the grass is never dry in the shade. Fuchsias and dahlias were laden till
+eleven o’clock with small drops and dashes of water, changing the colour of
+their sparkle at every movement of the air; and elsewhere hanging on twigs like
+small silver fruit. The threads of garden spiders appeared thick and polished.
+In the dry and sunny places, dozens of long-legged crane-flies whizzed off the
+grass at every step the passer took.
+</p>
+
+<p>
+Fancy Day and her friend Susan Dewy the tranter’s daughter, were in such a spot
+as this, pulling down a bough laden with early apples. Three months had elapsed
+since Dick and Fancy had journeyed together from Budmouth, and the course of
+their love had run on vigorously during the whole time. There had been just
+enough difficulty attending its development, and just enough finesse required
+in keeping it private, to lend the passion an ever-increasing freshness on
+Fancy’s part, whilst, whether from these accessories or not, Dick’s heart had
+been at all times as fond as could be desired. But there was a cloud on Fancy’s
+horizon now.
+</p>
+
+<p>
+“She is so well off—better than any of us,” Susan Dewy was saying. “Her father
+farms five hundred acres, and she might marry a doctor or curate or anything of
+that kind if she contrived a little.”
+</p>
+
+<p>
+“I don’t think Dick ought to have gone to that gipsy-party at all when he knew
+I couldn’t go,” replied Fancy uneasily.
+</p>
+
+<p>
+“He didn’t know that you would not be there till it was too late to refuse the
+invitation,” said Susan.
+</p>
+
+<p>
+“And what was she like? Tell me.”
+</p>
+
+<p>
+“Well, she was rather pretty, I must own.”
+</p>
+
+<p>
+“Tell straight on about her, can’t you! Come, do, Susan. How many times did you
+say he danced with her?”
+</p>
+
+<p>
+“Once.”
+</p>
+
+<p>
+“Twice, I think you said?”
+</p>
+
+<p>
+“Indeed I’m sure I didn’t.”
+</p>
+
+<p>
+“Well, and he wanted to again, I expect.”
+</p>
+
+<p>
+“No; I don’t think he did. She wanted to dance with him again bad enough, I
+know. Everybody does with Dick, because he’s so handsome and such a clever
+courter.”
+</p>
+
+<p>
+“O, I wish!—How did you say she wore her hair?”
+</p>
+
+<p>
+“In long curls,—and her hair is light, and it curls without being put in paper:
+that’s how it is she’s so attractive.”
+</p>
+
+<p>
+“She’s trying to get him away! yes, yes, she is! And through keeping this
+miserable school I mustn’t wear my hair in curls! But I will; I don’t care if I
+leave the school and go home, I will wear my curls! Look, Susan, do! is her
+hair as soft and long as this?” Fancy pulled from its coil under her hat a
+twine of her own hair, and stretched it down her shoulder to show its length,
+looking at Susan to catch her opinion from her eyes.
+</p>
+
+<p>
+“It is about the same length as that, I think,” said Miss Dewy.
+</p>
+
+<p>
+Fancy paused hopelessly. “I wish mine was lighter, like hers!” she continued
+mournfully. “But hers isn’t so soft, is it? Tell me, now.”
+</p>
+
+<p>
+“I don’t know.”
+</p>
+
+<p>
+Fancy abstractedly extended her vision to survey a yellow butterfly and a
+red-and-black butterfly that were flitting along in company, and then became
+aware that Dick was advancing up the garden.
+</p>
+
+<p>
+“Susan, here’s Dick coming; I suppose that’s because we’ve been talking about
+him.”
+</p>
+
+<p>
+“Well, then, I shall go indoors now—you won’t want me;” and Susan turned
+practically and walked off.
+</p>
+
+<p>
+Enter the single-minded Dick, whose only fault at the gipsying, or picnic, had
+been that of loving Fancy too exclusively, and depriving himself of the
+innocent pleasure the gathering might have afforded him, by sighing regretfully
+at her absence,—who had danced with the rival in sheer despair of ever being
+able to get through that stale, flat, and unprofitable afternoon in any other
+way; but this she would not believe.
+</p>
+
+<p>
+Fancy had settled her plan of emotion. To reproach Dick? O no, no. “I am in
+great trouble,” said she, taking what was intended to be a hopelessly
+melancholy survey of a few small apples lying under the tree; yet a critical
+ear might have noticed in her voice a tentative tone as to the effect of the
+words upon Dick when she uttered them.
+</p>
+
+<p>
+“What are you in trouble about? Tell me of it,” said Dick earnestly. “Darling,
+I will share it with ’ee and help ’ee.”
+</p>
+
+<p>
+“No, no: you can’t! Nobody can!”
+</p>
+
+<p>
+“Why not? You don’t deserve it, whatever it is. Tell me, dear.”
+</p>
+
+<p>
+“O, it isn’t what you think! It is dreadful: my own sin!”
+</p>
+
+<p>
+“Sin, Fancy! as if you could sin! I know it can’t be.”
+</p>
+
+<p>
+“’Tis, ’tis!” said the young lady, in a pretty little frenzy of sorrow. “I have
+done wrong, and I don’t like to tell it! Nobody will forgive me, nobody! and
+you above all will not! . . . I have allowed myself to—to—fl—”
+</p>
+
+<p>
+“What,—not flirt!” he said, controlling his emotion as it were by a sudden
+pressure inward from his surface. “And you said only the day before yesterday
+that you hadn’t flirted in your life!”
+</p>
+
+<p>
+“Yes, I did; and that was a wicked story! I have let another love me, and—”
+</p>
+
+<p>
+“Good G—! Well, I’ll forgive you,—yes, if you couldn’t help it,—yes, I will!”
+said the now dismal Dick. “Did you encourage him?”
+</p>
+
+<p>
+“O,—I don’t know,—yes—no. O, I think so!”
+</p>
+
+<p>
+“Who was it?” A pause. “Tell me!”
+</p>
+
+<p>
+“Mr. Shiner.”
+</p>
+
+<p>
+After a silence that was only disturbed by the fall of an apple, a long-checked
+sigh from Dick, and a sob from Fancy, he said with real austerity—
+</p>
+
+<p>
+“Tell it all;—every word!”
+</p>
+
+<p>
+“He looked at me, and I looked at him, and he said, ‘Will you let me show you
+how to catch bullfinches down here by the stream?’ And I—wanted to know very
+much—I did so long to have a bullfinch! I couldn’t help that and I said, ‘Yes!’
+and then he said, ‘Come here.’ And I went with him down to the lovely river,
+and then he said to me, ‘Look and see how I do it, and then you’ll know: I put
+this birdlime round this twig, and then I go here,’ he said, ‘and hide away
+under a bush; and presently clever Mister Bird comes and perches upon the twig,
+and flaps his wings, and you’ve got him before you can say Jack’—something; O,
+O, O, I forget what!”
+</p>
+
+<p>
+“Jack Sprat,” mournfully suggested Dick through the cloud of his misery.
+</p>
+
+<p>
+“No, not Jack Sprat,” she sobbed.
+</p>
+
+<p>
+“Then ’twas Jack Robinson!” he said, with the emphasis of a man who had
+resolved to discover every iota of the truth, or die.
+</p>
+
+<p>
+“Yes, that was it! And then I put my hand upon the rail of the bridge to get
+across, and—That’s all.”
+</p>
+
+<p>
+“Well, that isn’t much, either,” said Dick critically, and more cheerfully.
+“Not that I see what business Shiner has to take upon himself to teach you
+anything. But it seems—it do seem there must have been more than that to set
+you up in such a dreadful taking?”
+</p>
+
+<p>
+He looked into Fancy’s eyes. Misery of miseries!—guilt was written there still.
+</p>
+
+<p>
+“Now, Fancy, you’ve not told me all!” said Dick, rather sternly for a quiet
+young man.
+</p>
+
+<p>
+“O, don’t speak so cruelly! I am afraid to tell now! If you hadn’t been harsh,
+I was going on to tell all; now I can’t!”
+</p>
+
+<p>
+“Come, dear Fancy, tell: come. I’ll forgive; I must,—by heaven and earth, I
+must, whether I will or no; I love you so!”
+</p>
+
+<p>
+“Well, when I put my hand on the bridge, he touched it—”
+</p>
+
+<p>
+“A scamp!” said Dick, grinding an imaginary human frame to powder.
+</p>
+
+<p>
+“And then he looked at me, and at last he said, ‘Are you in love with Dick
+Dewy?’ And I said, ‘Perhaps I am!’ and then he said, ‘I wish you weren’t then,
+for I want to marry you, with all my soul.’”
+</p>
+
+<p>
+“There’s a villain now! Want to marry you!” And Dick quivered with the
+bitterness of satirical laughter. Then suddenly remembering that he might be
+reckoning without his host: “Unless, to be sure, you are willing to have
+him,—perhaps you are,” he said, with the wretched indifference of a castaway.
+</p>
+
+<p>
+“No, indeed I am not!” she said, her sobs just beginning to take a favourable
+turn towards cure.
+</p>
+
+<p>
+“Well, then,” said Dick, coming a little to his senses, “you’ve been stretching
+it very much in giving such a dreadful beginning to such a mere nothing. And I
+know what you’ve done it for,—just because of that gipsy-party!” He turned away
+from her and took five paces decisively, as if he were tired of an ungrateful
+country, including herself. “You did it to make me jealous, and I won’t stand
+it!” He flung the words to her over his shoulder and then stalked on,
+apparently very anxious to walk to the remotest of the Colonies that very
+minute.
+</p>
+
+<p>
+“O, O, O, Dick—Dick!” she cried, trotting after him like a pet lamb, and really
+seriously alarmed at last, “you’ll kill me! My impulses are bad—miserably
+wicked,—and I can’t help it; forgive me, Dick! And I love you always; and those
+times when you look silly and don’t seem quite good enough for me,—just the
+same, I do, Dick! And there is something more serious, though not concerning
+that walk with him.”
+</p>
+
+<p>
+“Well, what is it?” said Dick, altering his mind about walking to the Colonies;
+in fact, passing to the other extreme, and standing so rooted to the road that
+he was apparently not even going home.
+</p>
+
+<p>
+“Why this,” she said, drying the beginning of a new flood of tears she had been
+going to shed, “this is the serious part. Father has told Mr. Shiner that he
+would like him for a son-in-law, if he could get me;—that he has his right
+hearty consent to come courting me!”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap21"></a>CHAPTER IV.<br/>
+AN ARRANGEMENT</h2>
+
+<p>
+“That <i>is</i> serious,” said Dick, more intellectually than he had spoken for
+a long time.
+</p>
+
+<p>
+The truth was that Geoffrey knew nothing about his daughter’s continued walks
+and meetings with Dick. When a hint that there were symptoms of an attachment
+between them had first reached Geoffrey’s ears, he stated so emphatically that
+he must think the matter over before any such thing could be allowed that,
+rather unwisely on Dick’s part, whatever it might have been on the lady’s, the
+lovers were careful to be seen together no more in public; and Geoffrey,
+forgetting the report, did not think over the matter at all. So Mr. Shiner
+resumed his old position in Geoffrey’s brain by mere flux of time. Even Shiner
+began to believe that Dick existed for Fancy no more,—though that remarkably
+easy-going man had taken no active steps on his own account as yet.
+</p>
+
+<p>
+“And father has not only told Mr. Shiner that,” continued Fancy, “but he has
+written me a letter, to say he should wish me to encourage Mr. Shiner, if ’twas
+convenient!”
+</p>
+
+<p>
+“I must start off and see your father at once!” said Dick, taking two or three
+vehement steps to the south, recollecting that Mr. Day lived to the north, and
+coming back again.
+</p>
+
+<p>
+“I think we had better see him together. Not tell him what you come for, or
+anything of the kind, until he likes you, and so win his brain through his
+heart, which is always the way to manage people. I mean in this way: I am going
+home on Saturday week to help them in the honey-taking. You might come there to
+me, have something to eat and drink, and let him guess what your coming
+signifies, without saying it in so many words.”
+</p>
+
+<p>
+“We’ll do it, dearest. But I shall ask him for you, flat and plain; not wait
+for his guessing.” And the lover then stepped close to her, and attempted to
+give her one little kiss on the cheek, his lips alighting, however, on an
+outlying tract of her back hair by reason of an impulse that had caused her to
+turn her head with a jerk. “Yes, and I’ll put on my second-best suit and a
+clean shirt and collar, and black my boots as if ’twas a Sunday. ’Twill have a
+good appearance, you see, and that’s a great deal to start with.”
+</p>
+
+<p>
+“You won’t wear that old waistcoat, will you, Dick?”
+</p>
+
+<p>
+“Bless you, no! Why I—”
+</p>
+
+<p>
+“I didn’t mean to be personal, dear Dick,” she said, fearing she had hurt his
+feelings. “’Tis a very nice waistcoat, but what I meant was, that though it is
+an excellent waistcoat for a settled-down man, it is not quite one for” (she
+waited, and a blush expanded over her face, and then she went on again)—“for
+going courting in.”
+</p>
+
+<p>
+“No, I’ll wear my best winter one, with the leather lining, that mother made.
+It is a beautiful, handsome waistcoat inside, yes, as ever anybody saw. In
+fact, only the other day, I unbuttoned it to show a chap that very lining, and
+he said it was the strongest, handsomest lining you could wish to see on the
+king’s waistcoat himself.”
+</p>
+
+<p>
+“<i>I</i> don’t quite know what to wear,” she said, as if her habitual
+indifference alone to dress had kept back so important a subject till now.
+</p>
+
+<p>
+“Why, that blue frock you wore last week.”
+</p>
+
+<p>
+“Doesn’t set well round the neck. I couldn’t wear that.”
+</p>
+
+<p>
+“But I shan’t care.”
+</p>
+
+<p>
+“No, you won’t mind.”
+</p>
+
+<p>
+“Well, then it’s all right. Because you only care how you look to me, do you,
+dear? I only dress for you, that’s certain.”
+</p>
+
+<p>
+“Yes, but you see I couldn’t appear in it again very well.”
+</p>
+
+<p>
+“Any strange gentleman you mid meet in your journey might notice the set of it,
+I suppose. Fancy, men in love don’t think so much about how they look to other
+women.” It is difficult to say whether a tone of playful banter or of gentle
+reproach prevailed in the speech.
+</p>
+
+<p>
+“Well then, Dick,” she said, with good-humoured frankness, “I’ll own it. I
+shouldn’t like a stranger to see me dressed badly, even though I am in love.
+’Tis our nature, I suppose.”
+</p>
+
+<p>
+“You perfect woman!”
+</p>
+
+<p>
+“Yes; if you lay the stress on ‘woman,’” she murmured, looking at a group of
+hollyhocks in flower, round which a crowd of butterflies had gathered like
+female idlers round a bonnet-shop.
+</p>
+
+<p>
+“But about the dress. Why not wear the one you wore at our party?”
+</p>
+
+<p>
+“That sets well, but a girl of the name of Bet Tallor, who lives near our
+house, has had one made almost like it (only in pattern, though of miserably
+cheap stuff), and I couldn’t wear it on that account. Dear me, I am afraid I
+can’t go now.”
+</p>
+
+<p>
+“O yes, you must; I know you will!” said Dick, with dismay. “Why not wear what
+you’ve got on?”
+</p>
+
+<p>
+“What! this old one! After all, I think that by wearing my gray one Saturday, I
+can make the blue one do for Sunday. Yes, I will. A hat or a bonnet, which
+shall it be? Which do I look best in?”
+</p>
+
+<p>
+“Well, I think the bonnet is nicest, more quiet and matronly.”
+</p>
+
+<p>
+“What’s the objection to the hat? Does it make me look old?”
+</p>
+
+<p>
+“O no; the hat is well enough; but it makes you look rather too—you won’t mind
+me saying it, dear?”
+</p>
+
+<p>
+“Not at all, for I shall wear the bonnet.”
+</p>
+
+<p>
+“—Rather too coquettish and flirty for an engaged young woman.”
+</p>
+
+<p>
+She reflected a minute. “Yes; yes. Still, after all, the hat would do best;
+hats <i>are</i> best, you see. Yes, I must wear the hat, dear Dicky, because I
+ought to wear a hat, you know.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="part04"></a>PART THE FOURTH—AUTUMN</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap22"></a>CHAPTER I.<br/>
+GOING NUTTING</h2>
+
+<p>
+Dick, dressed in his ‘second-best’ suit, burst into Fancy’s sitting-room with a
+glow of pleasure on his face.
+</p>
+
+<p>
+It was two o’clock on Friday, the day before her contemplated visit to her
+father, and for some reason connected with cleaning the school the children had
+been given this Friday afternoon for pastime, in addition to the usual
+Saturday.
+</p>
+
+<p>
+“Fancy! it happens just right that it is a leisure half day with you. Smart is
+lame in his near-foot-afore, and so, as I can’t do anything, I’ve made a
+holiday afternoon of it, and am come for you to go nutting with me!”
+</p>
+
+<p>
+She was sitting by the parlour window, with a blue frock lying across her lap
+and scissors in her hand.
+</p>
+
+<p>
+“Go nutting! Yes. But I’m afraid I can’t go for an hour or so.”
+</p>
+
+<p>
+“Why not? ’Tis the only spare afternoon we may both have together for weeks.”
+</p>
+
+<p>
+“This dress of mine, that I am going to wear on Sunday at Yalbury;—I find it
+fits so badly that I must alter it a little, after all. I told the dressmaker
+to make it by a pattern I gave her at the time; instead of that, she did it her
+own way, and made me look a perfect fright.”
+</p>
+
+<p>
+“How long will you be?” he inquired, looking rather disappointed.
+</p>
+
+<p>
+“Not long. Do wait and talk to me; come, do, dear.”
+</p>
+
+<p>
+Dick sat down. The talking progressed very favourably, amid the snipping and
+sewing, till about half-past two, at which time his conversation began to be
+varied by a slight tapping upon his toe with a walking-stick he had cut from
+the hedge as he came along. Fancy talked and answered him, but sometimes the
+answers were so negligently given, that it was evident her thoughts lay for the
+greater part in her lap with the blue dress.
+</p>
+
+<p>
+The clock struck three. Dick arose from his seat, walked round the room with
+his hands behind him, examined all the furniture, then sounded a few notes on
+the harmonium, then looked inside all the books he could find, then smoothed
+Fancy’s head with his hand. Still the snipping and sewing went on.
+</p>
+
+<p>
+The clock struck four. Dick fidgeted about, yawned privately; counted the knots
+in the table, yawned publicly; counted the flies on the ceiling, yawned
+horribly; went into the kitchen and scullery, and so thoroughly studied the
+principle upon which the pump was constructed that he could have delivered a
+lecture on the subject. Stepping back to Fancy, and finding still that she had
+not done, he went into her garden and looked at her cabbages and potatoes, and
+reminded himself that they seemed to him to wear a decidedly feminine aspect;
+then pulled up several weeds, and came in again. The clock struck five, and
+still the snipping and sewing went on.
+</p>
+
+<p>
+Dick attempted to kill a fly, peeled all the rind off his walking-stick, then
+threw the stick into the scullery because it was spoilt, produced hideous
+discords from the harmonium, and accidentally overturned a vase of flowers, the
+water from which ran in a rill across the table and dribbled to the floor,
+where it formed a lake, the shape of which, after the lapse of a few minutes,
+he began to modify considerably with his foot, till it was like a map of
+England and Wales.
+</p>
+
+<p>
+“Well, Dick, you needn’t have made quite such a mess.”
+</p>
+
+<p>
+“Well, I needn’t, I suppose.” He walked up to the blue dress, and looked at it
+with a rigid gaze. Then an idea seemed to cross his brain.
+</p>
+
+<p>
+“Fancy.”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“I thought you said you were going to wear your gray gown all day to-morrow on
+your trip to Yalbury, and in the evening too, when I shall be with you, and ask
+your father for you?”
+</p>
+
+<p>
+“So I am.”
+</p>
+
+<p>
+“And the blue one only on Sunday?”
+</p>
+
+<p>
+“And the blue one Sunday.”
+</p>
+
+<p>
+“Well, dear, I sha’n’t be at Yalbury Sunday to see it.”
+</p>
+
+<p>
+“No, but I shall walk to Longpuddle church in the afternoon with father, and
+such lots of people will be looking at me there, you know; and it did set so
+badly round the neck.”
+</p>
+
+<p>
+“I never noticed it, and ’tis like nobody else would.”
+</p>
+
+<p>
+“They might.”
+</p>
+
+<p>
+“Then why not wear the gray one on Sunday as well? ’Tis as pretty as the blue
+one.”
+</p>
+
+<p>
+“I might make the gray one do, certainly. But it isn’t so good; it didn’t cost
+half so much as this one, and besides, it would be the same I wore Saturday.”
+</p>
+
+<p>
+“Then wear the striped one, dear.”
+</p>
+
+<p>
+“I might.”
+</p>
+
+<p>
+“Or the dark one.”
+</p>
+
+<p>
+“Yes, I might; but I want to wear a fresh one they haven’t seen.”
+</p>
+
+<p>
+“I see, I see,” said Dick, in a voice in which the tones of love were decidedly
+inconvenienced by a considerable emphasis, his thoughts meanwhile running as
+follows: “I, the man she loves best in the world, as she says, am to understand
+that my poor half-holiday is to be lost, because she wants to wear on Sunday a
+gown there is not the slightest necessity for wearing, simply, in fact, to
+appear more striking than usual in the eyes of Longpuddle young men; and I not
+there, either.”
+</p>
+
+<p>
+“Then there are three dresses good enough for my eyes, but neither is good
+enough for the youths of Longpuddle,” he said.
+</p>
+
+<p>
+“No, not that exactly, Dick. Still, you see, I do want—to look pretty to
+them—there, that’s honest! But I sha’n’t be much longer.”
+</p>
+
+<p>
+“How much?”
+</p>
+
+<p>
+“A quarter of an hour.”
+</p>
+
+<p>
+“Very well; I’ll come in in a quarter of an hour.”
+</p>
+
+<p>
+“Why go away?”
+</p>
+
+<p>
+“I mid as well.”
+</p>
+
+<p>
+He went out, walked down the road, and sat upon a gate. Here he meditated and
+meditated, and the more he meditated the more decidedly did he begin to fume,
+and the more positive was he that his time had been scandalously trifled with
+by Miss Fancy Day—that, so far from being the simple girl who had never had a
+sweetheart before, as she had solemnly assured him time after time, she was, if
+not a flirt, a woman who had had no end of admirers; a girl most certainly too
+anxious about her frocks; a girl, whose feelings, though warm, were not deep; a
+girl who cared a great deal too much how she appeared in the eyes of other men.
+“What she loves best in the world,” he thought, with an incipient spice of his
+father’s grimness, “is her hair and complexion. What she loves next best, her
+gowns and hats; what she loves next best, myself, perhaps!”
+</p>
+
+<p>
+Suffering great anguish at this disloyalty in himself and harshness to his
+darling, yet disposed to persevere in it, a horribly cruel thought crossed his
+mind. He would not call for her, as he had promised, at the end of a quarter of
+an hour! Yes, it would be a punishment she well deserved. Although the best
+part of the afternoon had been wasted he would go nutting as he had intended,
+and go by himself.
+</p>
+
+<p>
+He leaped over the gate, and pushed up the lane for nearly two miles, till a
+winding path called Snail-Creep sloped up a hill and entered a hazel copse by a
+hole like a rabbit’s burrow. In he plunged, vanished among the bushes, and in a
+short time there was no sign of his existence upon earth, save an occasional
+rustling of boughs and snapping of twigs in divers points of Grey’s Wood.
+</p>
+
+<p>
+Never man nutted as Dick nutted that afternoon. He worked like a galley slave.
+Half-hour after half-hour passed away, and still he gathered without ceasing.
+At last, when the sun had set, and bunches of nuts could not be distinguished
+from the leaves which nourished them, he shouldered his bag, containing quite
+two pecks of the finest produce of the wood, about as much use to him as two
+pecks of stones from the road, strolled down the woodland track, crossed the
+highway and entered the homeward lane, whistling as he went.
+</p>
+
+<p>
+Probably, Miss Fancy Day never before or after stood so low in Mr. Dewy’s
+opinion as on that afternoon. In fact, it is just possible that a few more blue
+dresses on the Longpuddle young men’s account would have clarified Dick’s brain
+entirely, and made him once more a free man.
+</p>
+
+<p>
+But Venus had planned other developments, at any rate for the present.
+Cuckoo-Lane, the way he pursued, passed over a ridge which rose keenly against
+the sky about fifty yards in his van. Here, upon the bright after-glow about
+the horizon, was now visible an irregular shape, which at first he conceived to
+be a bough standing a little beyond the line of its neighbours. Then it seemed
+to move, and, as he advanced still further, there was no doubt that it was a
+living being sitting in the bank, head bowed on hand. The grassy margin
+entirely prevented his footsteps from being heard, and it was not till he was
+close that the figure recognized him. Up it sprang, and he was face to face
+with Fancy.
+</p>
+
+<p>
+“Dick, Dick! O, is it you, Dick!”
+</p>
+
+<p>
+“Yes, Fancy,” said Dick, in a rather repentant tone, and lowering his nuts.
+</p>
+
+<p>
+She ran up to him, flung her parasol on the grass, put her little head against
+his breast, and then there began a narrative, disjointed by such a hysterical
+weeping as was never surpassed for intensity in the whole history of love.
+</p>
+
+<p>
+“O Dick,” she sobbed out, “where have you been away from me? O, I have suffered
+agony, and thought you would never come any more! ’Tis cruel, Dick; no ’tisn’t,
+it is justice! I’ve been walking miles and miles up and down Grey’s Wood,
+trying to find you, till I was wearied and worn out, and I could walk no
+further, and had come back this far! O Dick, directly you were gone, I thought
+I had offended you and I put down the dress; ’tisn’t finished now, and I never
+will finish, it, and I’ll wear an old one Sunday! Yes, Dick, I will, because I
+don’t care what I wear when you are not by my side—ha, you think I do, but I
+don’t!—and I ran after you, and I saw you go up Snail-Creep and not look back
+once, and then you plunged in, and I after you; but I was too far behind. O, I
+did wish the horrid bushes had been cut down, so that I could see your dear
+shape again! And then I called out to you, and nobody answered, and I was
+afraid to call very loud, lest anybody else should hear me. Then I kept
+wandering and wandering about, and it was dreadful misery, Dick. And then I
+shut my eyes and fell to picturing you looking at some other woman, very pretty
+and nice, but with no affection or truth in her at all, and then imagined you
+saying to yourself, ‘Ah, she’s as good as Fancy, for Fancy told me a story, and
+was a flirt, and cared for herself more than me, so now I’ll have this one for
+my sweetheart.’ O, you won’t, will you, Dick, for I do love you so!”
+</p>
+
+<p>
+It is scarcely necessary to add that Dick renounced his freedom there and then,
+and kissed her ten times over, and promised that no pretty woman of the kind
+alluded to should ever engross his thoughts; in short, that though he had been
+vexed with her, all such vexation was past, and that henceforth and for ever it
+was simply Fancy or death for him. And then they set about proceeding
+homewards, very slowly on account of Fancy’s weariness, she leaning upon his
+shoulder, and in addition receiving support from his arm round her waist;
+though she had sufficiently recovered from her desperate condition to sing to
+him, ‘Why are you wandering here, I pray?’ during the latter part of their
+walk. Nor is it necessary to describe in detail how the bag of nuts was quite
+forgotten until three days later, when it was found among the brambles and
+restored empty to Mrs. Dewy, her initials being marked thereon in red cotton;
+and how she puzzled herself till her head ached upon the question of how on
+earth her meal-bag could have got into Cuckoo-Lane.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap23"></a>CHAPTER II.<br/>
+HONEY-TAKING, AND AFTERWARDS</h2>
+
+<p>
+Saturday evening saw Dick Dewy journeying on foot to Yalbury Wood, according to
+the arrangement with Fancy.
+</p>
+
+<p>
+The landscape being concave, at the going down of the sun everything suddenly
+assumed a uniform robe of shade. The evening advanced from sunset to dusk long
+before Dick’s arrival, and his progress during the latter portion of his walk
+through the trees was indicated by the flutter of terrified birds that had been
+roosting over the path. And in crossing the glades, masses of hot dry air, that
+had been formed on the hills during the day, greeted his cheeks alternately
+with clouds of damp night air from the valleys. He reached the keeper-steward’s
+house, where the grass-plot and the garden in front appeared light and pale
+against the unbroken darkness of the grove from which he had emerged, and
+paused at the garden gate.
+</p>
+
+<p>
+He had scarcely been there a minute when he beheld a sort of procession
+advancing from the door in his front. It consisted first of Enoch the trapper,
+carrying a spade on his shoulder and a lantern dangling in his hand; then came
+Mrs. Day, the light of the lantern revealing that she bore in her arms curious
+objects about a foot long, in the form of Latin crosses (made of lath and brown
+paper dipped in brimstone—called matches by bee-masters); next came Miss Day,
+with a shawl thrown over her head; and behind all, in the gloom, Mr. Frederic
+Shiner.
+</p>
+
+<p>
+Dick, in his consternation at finding Shiner present, was at a loss how to
+proceed, and retired under a tree to collect his thoughts.
+</p>
+
+<p>
+“Here I be, Enoch,” said a voice; and the procession advancing farther, the
+lantern’s rays illuminated the figure of Geoffrey, awaiting their arrival
+beside a row of bee-hives, in front of the path. Taking the spade from Enoch,
+he proceeded to dig two holes in the earth beside the hives, the others
+standing round in a circle, except Mrs. Day, who deposited her matches in the
+fork of an apple-tree and returned to the house. The party remaining were now
+lit up in front by the lantern in their midst, their shadows radiating each way
+upon the garden-plot like the spokes of a wheel. An apparent embarrassment of
+Fancy at the presence of Shiner caused a silence in the assembly, during which
+the preliminaries of execution were arranged, the matches fixed, the stake
+kindled, the two hives placed over the two holes, and the earth stopped round
+the edges. Geoffrey then stood erect, and rather more, to straighten his
+backbone after the digging.
+</p>
+
+<p>
+“They were a peculiar family,” said Mr. Shiner, regarding the hives
+reflectively.
+</p>
+
+<p>
+Geoffrey nodded.
+</p>
+
+<p>
+“Those holes will be the grave of thousands!” said Fancy. “I think ’tis rather
+a cruel thing to do.”
+</p>
+
+<p>
+Her father shook his head. “No,” he said, tapping the hives to shake the dead
+bees from their cells, “if you suffocate ’em this way, they only die once: if
+you fumigate ’em in the new way, they come to life again, and die o’
+starvation; so the pangs o’ death be twice upon ’em.”
+</p>
+
+<p>
+“I incline to Fancy’s notion,” said Mr. Shiner, laughing lightly.
+</p>
+
+<p>
+“The proper way to take honey, so that the bees be neither starved nor
+murdered, is a puzzling matter,” said the keeper steadily.
+</p>
+
+<p>
+“I should like never to take it from them,” said Fancy.
+</p>
+
+<p>
+“But ’tis the money,” said Enoch musingly. “For without money man is a
+shadder!”
+</p>
+
+<p>
+The lantern-light had disturbed many bees that had escaped from hives destroyed
+some days earlier, and, demoralized by affliction, were now getting a living as
+marauders about the doors of other hives. Several flew round the head and neck
+of Geoffrey; then darted upon him with an irritated bizz.
+</p>
+
+<p>
+Enoch threw down the lantern, and ran off and pushed his head into a currant
+bush; Fancy scudded up the path; and Mr. Shiner floundered away helter-skelter
+among the cabbages. Geoffrey stood his ground, unmoved and firm as a rock.
+Fancy was the first to return, followed by Enoch picking up the lantern. Mr.
+Shiner still remained invisible.
+</p>
+
+<p>
+“Have the craters stung ye?” said Enoch to Geoffrey.
+</p>
+
+<p>
+“No, not much—on’y a little here and there,” he said with leisurely solemnity,
+shaking one bee out of his shirt sleeve, pulling another from among his hair,
+and two or three more from his neck. The rest looked on during this proceeding
+with a complacent sense of being out of it,—much as a European nation in a
+state of internal commotion is watched by its neighbours.
+</p>
+
+<p>
+“Are those all of them, father?” said Fancy, when Geoffrey had pulled away
+five.
+</p>
+
+<p>
+“Almost all,—though I feel one or two more sticking into my shoulder and side.
+Ah! there’s another just begun again upon my backbone. You lively young
+mortals, how did you get inside there? However, they can’t sting me many times
+more, poor things, for they must be getting weak. They mid as well stay in me
+till bedtime now, I suppose.”
+</p>
+
+<p>
+As he himself was the only person affected by this arrangement, it seemed
+satisfactory enough; and after a noise of feet kicking against cabbages in a
+blundering progress among them, the voice of Mr. Shiner was heard from the
+darkness in that direction.
+</p>
+
+<p>
+“Is all quite safe again?”
+</p>
+
+<p>
+No answer being returned to this query, he apparently assumed that he might
+venture forth, and gradually drew near the lantern again. The hives were now
+removed from their position over the holes, one being handed to Enoch to carry
+indoors, and one being taken by Geoffrey himself.
+</p>
+
+<p>
+“Bring hither the lantern, Fancy: the spade can bide.”
+</p>
+
+<p>
+Geoffrey and Enoch then went towards the house, leaving Shiner and Fancy
+standing side by side on the garden-plot.
+</p>
+
+<p>
+“Allow me,” said Shiner, stooping for the lantern and seizing it at the same
+time with Fancy.
+</p>
+
+<p>
+“I can carry it,” said Fancy, religiously repressing all inclination to trifle.
+She had thoroughly considered that subject after the tearful explanation of the
+bird-catching adventure to Dick, and had decided that it would be dishonest in
+her, as an engaged young woman, to trifle with men’s eyes and hands any more.
+Finding that Shiner still retained his hold of the lantern, she relinquished
+it, and he, having found her retaining it, also let go. The lantern fell, and
+was extinguished. Fancy moved on.
+</p>
+
+<p>
+“Where is the path?” said Mr. Shiner.
+</p>
+
+<p>
+“Here,” said Fancy. “Your eyes will get used to the dark in a minute or two.”
+</p>
+
+<p>
+“Till that time will ye lend me your hand?” Fancy gave him the extreme tips of
+her fingers, and they stepped from the plot into the path.
+</p>
+
+<p>
+“You don’t accept attentions very freely.”
+</p>
+
+<p>
+“It depends upon who offers them.”
+</p>
+
+<p>
+“A fellow like me, for instance.” A dead silence.
+</p>
+
+<p>
+“Well, what do you say, Missie?”
+</p>
+
+<p>
+“It then depends upon how they are offered.”
+</p>
+
+<p>
+“Not wildly, and yet not careless-like; not purposely, and yet not by chance;
+not too quick nor yet too slow.”
+</p>
+
+<p>
+“How then?” said Fancy.
+</p>
+
+<p>
+“Coolly and practically,” he said. “How would that kind of love be taken?”
+</p>
+
+<p>
+“Not anxiously, and yet not indifferently; neither blushing nor pale; nor
+religiously nor yet quite wickedly.”
+</p>
+
+<p>
+“Well, how?”
+</p>
+
+<p>
+“Not at all.”
+</p>
+
+<p class="p2">
+Geoffrey Day’s storehouse at the back of his dwelling was hung with bunches of
+dried horehound, mint, and sage; brown-paper bags of thyme and lavender; and
+long ropes of clean onions. On shelves were spread large red and yellow apples,
+and choice selections of early potatoes for seed next year;—vulgar crowds of
+commoner kind lying beneath in heaps. A few empty beehives were clustered
+around a nail in one corner, under which stood two or three barrels of new
+cider of the first crop, each bubbling and squirting forth from the yet open
+bunghole.
+</p>
+
+<p>
+Fancy was now kneeling beside the two inverted hives, one of which rested
+against her lap, for convenience in operating upon the contents. She thrust her
+sleeves above her elbows, and inserted her small pink hand edgewise between
+each white lobe of honeycomb, performing the act so adroitly and gently as not
+to unseal a single cell. Then cracking the piece off at the crown of the hive
+by a slight backward and forward movement, she lifted each portion as it was
+loosened into a large blue platter, placed on a bench at her side.
+</p>
+
+<p>
+“Bother these little mortals!” said Geoffrey, who was holding the light to her,
+and giving his back an uneasy twist. “I really think I may as well go indoors
+and take ’em out, poor things! for they won’t let me alone. There’s two a
+stinging wi’ all their might now. I’m sure I wonder their strength can last so
+long.”
+</p>
+
+<p>
+“All right, friend; I’ll hold the candle whilst you are gone,” said Mr. Shiner,
+leisurely taking the light, and allowing Geoffrey to depart, which he did with
+his usual long paces.
+</p>
+
+<p>
+He could hardly have gone round to the house-door when other footsteps were
+heard approaching the outbuilding; the tip of a finger appeared in the hole
+through which the wood latch was lifted, and Dick Dewy came in, having been all
+this time walking up and down the wood, vainly waiting for Shiner’s departure.
+</p>
+
+<p>
+Fancy looked up and welcomed him rather confusedly. Shiner grasped the
+candlestick more firmly, and, lest doing this in silence should not imply to
+Dick with sufficient force that he was quite at home and cool, he sang
+invincibly—
+</p>
+
+<p class="poem">
+“‘King Arthur he had three sons.’”
+</p>
+
+<p>
+“Father here?” said Dick.
+</p>
+
+<p>
+“Indoors, I think,” said Fancy, looking pleasantly at him.
+</p>
+
+<p>
+Dick surveyed the scene, and did not seem inclined to hurry off just at that
+moment. Shiner went on singing—
+</p>
+
+<p class="poem">
+“‘The miller was drown’d in his pond,<br/>
+    The weaver was hung in his yarn,<br/>
+And the d--- ran away with the little tail-or,<br/>
+    With the broadcloth under his arm.’”
+</p>
+
+<p>
+“That’s a terrible crippled rhyme, if that’s your rhyme!” said Dick, with a
+grain of superciliousness in his tone.
+</p>
+
+<p>
+“It’s no use your complaining to me about the rhyme!” said Mr. Shiner. “You
+must go to the man that made it.”
+</p>
+
+<p>
+Fancy by this time had acquired confidence.
+</p>
+
+<p>
+“Taste a bit, Mr. Dewy,” she said, holding up to him a small circular piece of
+honeycomb that had been the last in the row of layers, remaining still on her
+knees and flinging back her head to look in his face; “and then I’ll taste a
+bit too.”
+</p>
+
+<p>
+“And I, if you please,” said Mr. Shiner. Nevertheless the farmer looked
+superior, as if he could even now hardly join the trifling from very importance
+of station; and after receiving the honeycomb from Fancy, he turned it over in
+his hand till the cells began to be crushed, and the liquid honey ran down from
+his fingers in a thin string.
+</p>
+
+<p>
+Suddenly a faint cry from Fancy caused them to gaze at her.
+</p>
+
+<p>
+“What’s the matter, dear?” said Dick.
+</p>
+
+<p>
+“It is nothing, but O-o! a bee has stung the inside of my lip! He was in one of
+the cells I was eating!”
+</p>
+
+<p>
+“We must keep down the swelling, or it may be serious!” said Shiner, stepping
+up and kneeling beside her. “Let me see it.”
+</p>
+
+<p>
+“No, no!”
+</p>
+
+<p>
+“Just let <i>me</i> see it,” said Dick, kneeling on the other side: and after
+some hesitation she pressed down her lip with one finger to show the place. “O,
+I hope ’twill soon be better! I don’t mind a sting in ordinary places, but it
+is so bad upon your lip,” she added with tears in her eyes, and writhing a
+little from the pain.
+</p>
+
+<p>
+Shiner held the light above his head and pushed his face close to Fancy’s, as
+if the lip had been shown exclusively to himself, upon which Dick pushed
+closer, as if Shiner were not there at all.
+</p>
+
+<p>
+“It is swelling,” said Dick to her right aspect.
+</p>
+
+<p>
+“It isn’t swelling,” said Shiner to her left aspect.
+</p>
+
+<p>
+“Is it dangerous on the lip?” cried Fancy. “I know it is dangerous on the
+tongue.”
+</p>
+
+<p>
+“O no, not dangerous!” answered Dick.
+</p>
+
+<p>
+“Rather dangerous,” had answered Shiner simultaneously.
+</p>
+
+<p>
+“I must try to bear it!” said Fancy, turning again to the hives.
+</p>
+
+<p>
+“Hartshorn-and-oil is a good thing to put to it, Miss Day,” said Shiner with
+great concern.
+</p>
+
+<p>
+“Sweet-oil-and-hartshorn I’ve found to be a good thing to cure stings, Miss
+Day,” said Dick with greater concern.
+</p>
+
+<p>
+“We have some mixed indoors; would you kindly run and get it for me?” she said.
+</p>
+
+<p>
+Now, whether by inadvertence, or whether by mischievous intention, the
+individuality of the <i>you</i> was so carelessly denoted that both Dick and
+Shiner sprang to their feet like twin acrobats, and marched abreast to the
+door; both seized the latch and lifted it, and continued marching on, shoulder
+to shoulder, in the same manner to the dwelling-house. Not only so, but
+entering the room, they marched as before straight up to Mrs. Day’s chair,
+letting the door in the oak partition slam so forcibly, that the rows of pewter
+on the dresser rang like a bell.
+</p>
+
+<p>
+“Mrs. Day, Fancy has stung her lip, and wants you to give me the hartshorn,
+please,” said Mr. Shiner, very close to Mrs. Day’s face.
+</p>
+
+<p>
+“O, Mrs. Day, Fancy has asked me to bring out the hartshorn, please, because
+she has stung her lip!” said Dick, a little closer to Mrs. Day’s face.
+</p>
+
+<p>
+“Well, men alive! that’s no reason why you should eat me, I suppose!” said Mrs.
+Day, drawing back.
+</p>
+
+<p>
+She searched in the corner-cupboard, produced the bottle, and began to dust the
+cork, the rim, and every other part very carefully, Dick’s hand and Shiner’s
+hand waiting side by side.
+</p>
+
+<p>
+“Which is head man?” said Mrs. Day. “Now, don’t come mumbudgeting so close
+again. Which is head man?”
+</p>
+
+<p>
+Neither spoke; and the bottle was inclined towards Shiner. Shiner, as a
+high-class man, would not look in the least triumphant, and turned to go off
+with it as Geoffrey came downstairs after the search in his linen for concealed
+bees.
+</p>
+
+<p>
+“O—that you, Master Dewy?”
+</p>
+
+<p>
+Dick assured the keeper that it was; and the young man then determined upon a
+bold stroke for the attainment of his end, forgetting that the worst of bold
+strokes is the disastrous consequences they involve if they fail.
+</p>
+
+<p>
+“I’ve come on purpose to speak to you very particular, Mr. Day,” he said, with
+a crushing emphasis intended for the ears of Mr. Shiner, who was vanishing
+round the door-post at that moment.
+</p>
+
+<p>
+“Well, I’ve been forced to go upstairs and unrind myself, and shake some bees
+out o’ me” said Geoffrey, walking slowly towards the open door, and standing on
+the threshold. “The young rascals got into my shirt and wouldn’t be quiet
+nohow.”
+</p>
+
+<p>
+Dick followed him to the door.
+</p>
+
+<p>
+“I’ve come to speak a word to you,” he repeated, looking out at the pale mist
+creeping up from the gloom of the valley. “You may perhaps guess what it is
+about.”
+</p>
+
+<p>
+The keeper lowered his hands into the depths of his pockets, twirled his eyes,
+balanced himself on his toes, looked as perpendicularly downward as if his
+glance were a plumb-line, then horizontally, collecting together the cracks
+that lay about his face till they were all in the neighbourhood of his eyes.
+</p>
+
+<p>
+“Maybe I don’t know,” he replied.
+</p>
+
+<p>
+Dick said nothing; and the stillness was disturbed only by some small bird that
+was being killed by an owl in the adjoining wood, whose cry passed into the
+silence without mingling with it.
+</p>
+
+<p>
+“I’ve left my hat up in chammer,” said Geoffrey; “wait while I step up and get
+en.”
+</p>
+
+<p>
+“I’ll be in the garden,” said Dick.
+</p>
+
+<p>
+He went round by a side wicket into the garden, and Geoffrey went upstairs. It
+was the custom in Mellstock and its vicinity to discuss matters of pleasure and
+ordinary business inside the house, and to reserve the garden for very
+important affairs: a custom which, as is supposed, originated in the
+desirability of getting away at such times from the other members of the family
+when there was only one room for living in, though it was now quite as
+frequently practised by those who suffered from no such limitation to the size
+of their domiciles.
+</p>
+
+<p>
+The head-keeper’s form appeared in the dusky garden, and Dick walked towards
+him. The elder paused and leant over the rail of a piggery that stood on the
+left of the path, upon which Dick did the same; and they both contemplated a
+whitish shadowy shape that was moving about and grunting among the straw of the
+interior.
+</p>
+
+<p>
+“I’ve come to ask for Fancy,” said Dick.
+</p>
+
+<p>
+“I’d as lief you hadn’t.”
+</p>
+
+<p>
+“Why should that be, Mr. Day?”
+</p>
+
+<p>
+“Because it makes me say that you’ve come to ask what ye be’n’t likely to have.
+Have ye come for anything else?”
+</p>
+
+<p>
+“Nothing.”
+</p>
+
+<p>
+“Then I’ll just tell ’ee you’ve come on a very foolish errand. D’ye know what
+her mother was?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“A teacher in a landed family’s nursery, who was foolish enough to marry the
+keeper of the same establishment; for I was only a keeper then, though now I’ve
+a dozen other irons in the fire as steward here for my lord, what with the
+timber sales and the yearly fellings, and the gravel and sand sales and one
+thing and ’tother. However, d’ye think Fancy picked up her good manners, the
+smooth turn of her tongue, her musical notes, and her knowledge of books, in a
+homely hole like this?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“D’ye know where?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“Well, when I went a-wandering after her mother’s death, she lived with her
+aunt, who kept a boarding-school, till her aunt married Lawyer Green—a man as
+sharp as a needle—and the school was broke up. Did ye know that then she went
+to the training-school, and that her name stood first among the Queen’s
+scholars of her year?”
+</p>
+
+<p>
+“I’ve heard so.”
+</p>
+
+<p>
+“And that when she sat for her certificate as Government teacher, she had the
+highest of the first class?”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“Well, and do ye know what I live in such a miserly way for when I’ve got
+enough to do without it, and why I make her work as a schoolmistress instead of
+living here?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“That if any gentleman, who sees her to be his equal in polish, should want to
+marry her, and she want to marry him, he sha’n’t be superior to her in pocket.
+Now do ye think after this that you be good enough for her?”
+</p>
+
+<p>
+“No.”
+</p>
+
+<p>
+“Then good-night t’ee, Master Dewy.”
+</p>
+
+<p>
+“Good-night, Mr. Day.”
+</p>
+
+<p>
+Modest Dick’s reply had faltered upon his tongue, and he turned away wondering
+at his presumption in asking for a woman whom he had seen from the beginning to
+be so superior to him.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap24"></a>CHAPTER III.<br/>
+FANCY IN THE RAIN</h2>
+
+<p>
+The next scene is a tempestuous afternoon in the following month, and Fancy Day
+is discovered walking from her father’s home towards Mellstock.
+</p>
+
+<p>
+A single vast gray cloud covered the country, from which the small rain and
+mist had just begun to blow down in wavy sheets, alternately thick and thin.
+The trees of the fields and plantations writhed like miserable men as the air
+wound its way swiftly among them: the lowest portions of their trunks, that had
+hardly ever been known to move, were visibly rocked by the fiercer gusts,
+distressing the mind by its painful unwontedness, as when a strong man is seen
+to shed tears. Low-hanging boughs went up and down; high and erect boughs went
+to and fro; the blasts being so irregular, and divided into so many
+cross-currents, that neighbouring branches of the same tree swept the skies in
+independent motions, crossed each other, or became entangled. Across the open
+spaces flew flocks of green and yellowish leaves, which, after travelling a
+long distance from their parent trees, reached the ground, and lay there with
+their under-sides upward.
+</p>
+
+<p>
+As the rain and wind increased, and Fancy’s bonnet-ribbons leapt more and more
+snappishly against her chin, she paused on entering Mellstock Lane to consider
+her latitude, and the distance to a place of shelter. The nearest house was
+Elizabeth Endorfield’s, in Higher Mellstock, whose cottage and garden stood not
+far from the junction of that hamlet with the road she followed. Fancy hastened
+onward, and in five minutes entered a gate, which shed upon her toes a flood of
+water-drops as she opened it.
+</p>
+
+<p>
+“Come in, chiel!” a voice exclaimed, before Fancy had knocked: a promptness
+that would have surprised her had she not known that Mrs. Endorfield was an
+exceedingly and exceptionally sharp woman in the use of her eyes and ears.
+</p>
+
+<p>
+Fancy went in and sat down. Elizabeth was paring potatoes for her husband’s
+supper.
+</p>
+
+<p>
+Scrape, scrape, scrape; then a toss, and splash went a potato into a bucket of
+water.
+</p>
+
+<p>
+Now, as Fancy listlessly noted these proceedings of the dame, she began to
+reconsider an old subject that lay uppermost in her heart. Since the interview
+between her father and Dick, the days had been melancholy days for her.
+Geoffrey’s firm opposition to the notion of Dick as a son-in-law was more than
+she had expected. She had frequently seen her lover since that time, it is
+true, and had loved him more for the opposition than she would have otherwise
+dreamt of doing—which was a happiness of a certain kind. Yet, though love is
+thus an end in itself, it must be believed to be the means to another end if it
+is to assume the rosy hues of an unalloyed pleasure. And such a belief Fancy
+and Dick were emphatically denied just now.
+</p>
+
+<p>
+Elizabeth Endorfield had a repute among women which was in its nature something
+between distinction and notoriety. It was founded on the following items of
+character. She was shrewd and penetrating; her house stood in a lonely place;
+she never went to church; she wore a red cloak; she always retained her bonnet
+indoors and she had a pointed chin. Thus far her attributes were distinctly
+Satanic; and those who looked no further called her, in plain terms, a witch.
+But she was not gaunt, nor ugly in the upper part of her face, nor particularly
+strange in manner; so that, when her more intimate acquaintances spoke of her
+the term was softened, and she became simply a Deep Body, who was as
+long-headed as she was high. It may be stated that Elizabeth belonged to a
+class of suspects who were gradually losing their mysterious characteristics
+under the administration of the young vicar; though, during the long reign of
+Mr. Grinham, the parish of Mellstock had proved extremely favourable to the
+growth of witches.
+</p>
+
+<p>
+While Fancy was revolving all this in her mind, and putting it to herself
+whether it was worth while to tell her troubles to Elizabeth, and ask her
+advice in getting out of them, the witch spoke.
+</p>
+
+<p>
+“You be down—proper down,” she said suddenly, dropping another potato into the
+bucket.
+</p>
+
+<p>
+Fancy took no notice.
+</p>
+
+<p>
+“About your young man.”
+</p>
+
+<p>
+Fancy reddened. Elizabeth seemed to be watching her thoughts. Really, one would
+almost think she must have the powers people ascribed to her.
+</p>
+
+<p>
+“Father not in the humour for’t, hey?” Another potato was finished and flung
+in. “Ah, I know about it. Little birds tell me things that people don’t dream
+of my knowing.”
+</p>
+
+<p>
+Fancy was desperate about Dick, and here was a chance—O, such a wicked
+chance—of getting help; and what was goodness beside love!
+</p>
+
+<p>
+“I wish you’d tell me how to put him in the humour for it?” she said.
+</p>
+
+<p>
+“That I could soon do,” said the witch quietly.
+</p>
+
+<p>
+“Really? O, do; anyhow—I don’t care—so that it is done! How could I do it, Mrs.
+Endorfield?”
+</p>
+
+<p>
+“Nothing so mighty wonderful in it.”
+</p>
+
+<p>
+“Well, but how?”
+</p>
+
+<p>
+“By witchery, of course!” said Elizabeth.
+</p>
+
+<p>
+“No!” said Fancy.
+</p>
+
+<p>
+“’Tis, I assure ye. Didn’t you ever hear I was a witch?”
+</p>
+
+<p>
+“Well,” hesitated Fancy, “I have heard you called so.”
+</p>
+
+<p>
+“And you believed it?”
+</p>
+
+<p>
+“I can’t say that I did exactly believe it, for ’tis very horrible and wicked;
+but, O, how I do wish it was possible for you to be one!”
+</p>
+
+<p>
+“So I am. And I’ll tell you how to bewitch your father to let you marry Dick
+Dewy.”
+</p>
+
+<p>
+“Will it hurt him, poor thing?”
+</p>
+
+<p>
+“Hurt who?”
+</p>
+
+<p>
+“Father.”
+</p>
+
+<p>
+“No; the charm is worked by common sense, and the spell can only be broke by
+your acting stupidly.”
+</p>
+
+<p>
+Fancy looked rather perplexed, and Elizabeth went on:
+</p>
+
+<p class="poem">
+“This fear of Lizz—whatever ’tis—<br/>
+    By great and small;<br/>
+She makes pretence to common sense,<br/>
+    And that’s all.
+</p>
+
+<p class="noindent">
+“You must do it like this.” The witch laid down her knife and potato, and then
+poured into Fancy’s ear a long and detailed list of directions, glancing up
+from the corner of her eye into Fancy’s face with an expression of sinister
+humour. Fancy’s face brightened, clouded, rose and sank, as the narrative
+proceeded. “There,” said Elizabeth at length, stooping for the knife and
+another potato, “do that, and you’ll have him by-long and by-late, my dear.”
+</p>
+
+<p>
+“And do it I will!” said Fancy.
+</p>
+
+<p>
+She then turned her attention to the external world once more. The rain
+continued as usual, but the wind had abated considerably during the discourse.
+Judging that it was now possible to keep an umbrella erect, she pulled her hood
+again over her bonnet, bade the witch good-bye, and went her way.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap25"></a>CHAPTER IV.<br/>
+THE SPELL</h2>
+
+<p>
+Mrs. Endorfield’s advice was duly followed.
+</p>
+
+<p>
+“I be proper sorry that your daughter isn’t so well as she might be,” said a
+Mellstock man to Geoffrey one morning.
+</p>
+
+<p>
+“But is there anything in it?” said Geoffrey uneasily, as he shifted his hat to
+the right. “I can’t understand the report. She didn’t complain to me a bit when
+I saw her.”
+</p>
+
+<p>
+“No appetite at all, they say.”
+</p>
+
+<p>
+Geoffrey crossed to Mellstock and called at the school that afternoon. Fancy
+welcomed him as usual, and asked him to stay and take tea with her.
+</p>
+
+<p>
+“I be’n’t much for tea, this time o’ day,” he said, but stayed.
+</p>
+
+<p>
+During the meal he watched her narrowly. And to his great consternation
+discovered the following unprecedented change in the healthy girl—that she cut
+herself only a diaphanous slice of bread-and-butter, and, laying it on her
+plate, passed the meal-time in breaking it into pieces, but eating no more than
+about one-tenth of the slice. Geoffrey hoped she would say something about
+Dick, and finish up by weeping, as she had done after the decision against him
+a few days subsequent to the interview in the garden. But nothing was said, and
+in due time Geoffrey departed again for Yalbury Wood.
+</p>
+
+<p>
+“’Tis to be hoped poor Miss Fancy will be able to keep on her school,” said
+Geoffrey’s man Enoch to Geoffrey the following week, as they were shovelling up
+ant-hills in the wood.
+</p>
+
+<p>
+Geoffrey stuck in the shovel, swept seven or eight ants from his sleeve, and
+killed another that was prowling round his ear, then looked perpendicularly
+into the earth as usual, waiting for Enoch to say more. “Well, why shouldn’t
+she?” said the keeper at last.
+</p>
+
+<p>
+“The baker told me yesterday,” continued Enoch, shaking out another emmet that
+had run merrily up his thigh, “that the bread he’ve left at that there
+school-house this last month would starve any mouse in the three creations;
+that ’twould so! And afterwards I had a pint o’ small down at Morrs’s, and
+there I heard more.”
+</p>
+
+<p>
+“What might that ha’ been?”
+</p>
+
+<p>
+“That she used to have a pound o’ the best rolled butter a week, regular as
+clockwork, from Dairyman Viney’s for herself, as well as just so much salted
+for the helping girl, and the ’ooman she calls in; but now the same quantity
+d’last her three weeks, and then ’tis thoughted she throws it away sour.”
+</p>
+
+<p>
+“Finish doing the emmets, and carry the bag home-along.” The keeper resumed his
+gun, tucked it under his arm, and went on without whistling to the dogs, who
+however followed, with a bearing meant to imply that they did not expect any
+such attentions when their master was reflecting.
+</p>
+
+<p>
+On Saturday morning a note came from Fancy. He was not to trouble about sending
+her the couple of rabbits, as was intended, because she feared she should not
+want them. Later in the day Geoffrey went to Casterbridge and called upon the
+butcher who served Fancy with fresh meat, which was put down to her father’s
+account.
+</p>
+
+<p>
+“I’ve called to pay up our little bill, Neighbour Haylock, and you can gie me
+the chiel’s account at the same time.”
+</p>
+
+<p>
+Mr. Haylock turned round three quarters of a circle in the midst of a heap of
+joints, altered the expression of his face from meat to money, went into a
+little office consisting only of a door and a window, looked very vigorously
+into a book which possessed length but no breadth; and then, seizing a piece of
+paper and scribbling thereupon, handed the bill.
+</p>
+
+<p>
+Probably it was the first time in the history of commercial transactions that
+the quality of shortness in a butcher’s bill was a cause of tribulation to the
+debtor. “Why, this isn’t all she’ve had in a whole month!” said Geoffrey.
+</p>
+
+<p>
+“Every mossel,” said the butcher—“(now, Dan, take that leg and shoulder to Mrs.
+White’s, and this eleven pound here to Mr. Martin’s)—you’ve been treating her
+to smaller joints lately, to my thinking, Mr. Day?”
+</p>
+
+<p>
+“Only two or three little scram rabbits this last week, as I am alive—I wish I
+had!”
+</p>
+
+<p>
+“Well, my wife said to me—(Dan! not too much, not too much on that tray at a
+time; better go twice)—my wife said to me as she posted up the books: she says,
+‘Miss Day must have been affronted this summer during that hot muggy weather
+that spolit so much for us; for depend upon’t,’ she says, ‘she’ve been trying
+John Grimmett unknown to us: see her account else.’ ’Tis little, of course, at
+the best of times, being only for one, but now ’tis next kin to nothing.”
+</p>
+
+<p>
+“I’ll inquire,” said Geoffrey despondingly.
+</p>
+
+<p>
+He returned by way of Mellstock, and called upon Fancy, in fulfilment of a
+promise. It being Saturday, the children were enjoying a holiday, and on
+entering the residence Fancy was nowhere to be seen. Nan, the charwoman, was
+sweeping the kitchen.
+</p>
+
+<p>
+“Where’s my da’ter?” said the keeper.
+</p>
+
+<p>
+“Well, you see she was tired with the week’s teaching, and this morning she
+said, ‘Nan, I sha’n’t get up till the evening.’ You see, Mr. Day, if people
+don’t eat, they can’t work; and as she’ve gie’d up eating, she must gie up
+working.”
+</p>
+
+<p>
+“Have ye carried up any dinner to her?”
+</p>
+
+<p>
+“No; she don’t want any. There, we all know that such things don’t come without
+good reason—not that I wish to say anything about a broken heart, or anything
+of the kind.”
+</p>
+
+<p>
+Geoffrey’s own heart felt inconveniently large just then. He went to the
+staircase and ascended to his daughter’s door.
+</p>
+
+<p>
+“Fancy!”
+</p>
+
+<p>
+“Come in, father.”
+</p>
+
+<p>
+To see a person in bed from any cause whatever, on a fine afternoon, is
+depressing enough; and here was his only child Fancy, not only in bed, but
+looking very pale. Geoffrey was visibly disturbed.
+</p>
+
+<p>
+“Fancy, I didn’t expect to see thee here, chiel,” he said. “What’s the matter?”
+</p>
+
+<p>
+“I’m not well, father.”
+</p>
+
+<p>
+“How’s that?”
+</p>
+
+<p>
+“Because I think of things.”
+</p>
+
+<p>
+“What things can you have to think o’ so mortal much?”
+</p>
+
+<p>
+“You know, father.”
+</p>
+
+<p>
+“You think I’ve been cruel to thee in saying that that penniless Dick o’ thine
+sha’n’t marry thee, I suppose?”
+</p>
+
+<p>
+No answer.
+</p>
+
+<p>
+“Well, you know, Fancy, I do it for the best, and he isn’t good enough for
+thee. You know that well enough.” Here he again looked at her as she lay.
+“Well, Fancy, I can’t let my only chiel die; and if you can’t live without en,
+you must ha’ en, I suppose.”
+</p>
+
+<p>
+“O, I don’t want him like that; all against your will, and everything so
+disobedient!” sighed the invalid.
+</p>
+
+<p>
+“No, no, ’tisn’t against my will. My wish is, now I d’see how ’tis hurten thee
+to live without en, that he shall marry thee as soon as we’ve considered a
+little. That’s my wish flat and plain, Fancy. There, never cry, my little maid!
+You ought to ha’ cried afore; no need o’ crying now ’tis all over. Well,
+howsoever, try to step over and see me and mother-law to-morrow, and ha’ a bit
+of dinner wi’ us.”
+</p>
+
+<p>
+“And—Dick too?”
+</p>
+
+<p>
+“Ay, Dick too, ’far’s I know.”
+</p>
+
+<p>
+“And <i>when</i> do you think you’ll have considered, father, and he may marry
+me?” she coaxed.
+</p>
+
+<p>
+“Well, there, say next Midsummer; that’s not a day too long to wait.”
+</p>
+
+<p>
+On leaving the school Geoffrey went to the tranter’s. Old William opened the
+door.
+</p>
+
+<p>
+“Is your grandson Dick in ’ithin, William?”
+</p>
+
+<p>
+“No, not just now, Mr. Day. Though he’ve been at home a good deal lately.”
+</p>
+
+<p>
+“O, how’s that?”
+</p>
+
+<p>
+“What wi’ one thing, and what wi’ t’other, he’s all in a mope, as might be
+said. Don’t seem the feller he used to. Ay, ’a will sit studding and thinking
+as if ’a were going to turn chapel-member, and then do nothing but traypse and
+wamble about. Used to be such a chatty boy, too, Dick did; and now ’a don’t
+speak at all. But won’t ye step inside? Reuben will be home soon, ’a b’lieve.”
+</p>
+
+<p>
+“No, thank you, I can’t stay now. Will ye just ask Dick if he’ll do me the
+kindness to step over to Yalbury to-morrow with my da’ter Fancy, if she’s well
+enough? I don’t like her to come by herself, now she’s not so terrible topping
+in health.”
+</p>
+
+<p>
+“So I’ve heard. Ay, sure, I’ll tell him without fail.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap26"></a>CHAPTER V.<br/>
+AFTER GAINING HER POINT</h2>
+
+<p>
+The visit to Geoffrey passed off as delightfully as a visit might have been
+expected to pass off when it was the first day of smooth experience in a
+hitherto obstructed love-course. And then came a series of several happy days,
+of the same undisturbed serenity. Dick could court her when he chose; stay away
+when he chose,—which was never; walk with her by winding streams and waterfalls
+and autumn scenery till dews and twilight sent them home. And thus they drew
+near the day of the Harvest Thanksgiving, which was also the time chosen for
+opening the organ in Mellstock Church.
+</p>
+
+<p>
+It chanced that Dick on that very day was called away from Mellstock. A young
+acquaintance had died of consumption at Charmley, a neighbouring village, on
+the previous Monday, and Dick, in fulfilment of a long-standing promise, was to
+assist in carrying him to the grave. When on Tuesday, Dick went towards the
+school to acquaint Fancy with the fact, it is difficult to say whether his own
+disappointment at being denied the sight of her triumphant <i>d&eacute;but</i>
+as organist, was greater than his vexation that his pet should on this great
+occasion be deprived of the pleasure of his presence. However, the intelligence
+was communicated. She bore it as she best could, not without many expressions
+of regret, and convictions that her performance would be nothing to her now.
+</p>
+
+<p>
+Just before eleven o’clock on Sunday he set out upon his sad errand. The
+funeral was to be immediately after the morning service, and as there were four
+good miles to walk, driving being inconvenient, it became necessary to start
+comparatively early. Half an hour later would certainly have answered his
+purpose quite as well, yet at the last moment nothing would content his ardent
+mind but that he must go a mile out of his way in the direction of the school,
+in the hope of getting a glimpse of his Love as she started for church.
+</p>
+
+<p>
+Striking, therefore, into the lane towards the school, instead of across the
+ewelease direct to Charmley, he arrived opposite her door as his goddess
+emerged.
+</p>
+
+<p>
+If ever a woman looked a divinity, Fancy Day appeared one that morning as she
+floated down those school steps, in the form of a nebulous collection of
+colours inclining to blue. With an audacity unparalleled in the whole history
+of village-school-mistresses at this date—partly owing, no doubt, to papa’s
+respectable accumulation of cash, which rendered her profession not altogether
+one of necessity—she had actually donned a hat and feather, and lowered her
+hitherto plainly looped-up hair, which now fell about her shoulders in a
+profusion of curls. Poor Dick was astonished: he had never seen her look so
+distractingly beautiful before, save on Christmas-eve, when her hair was in the
+same luxuriant condition of freedom. But his first burst of delighted surprise
+was followed by less comfortable feelings, as soon as his brain recovered its
+power to think.
+</p>
+
+<p>
+Fancy had blushed;—was it with confusion? She had also involuntarily pressed
+back her curls. She had not expected him.
+</p>
+
+<p>
+“Fancy, you didn’t know me for a moment in my funeral clothes, did you?”
+</p>
+
+<p>
+“Good-morning, Dick—no, really, I didn’t know you for an instant in such a sad
+suit.”
+</p>
+
+<p>
+He looked again at the gay tresses and hat. “You’ve never dressed so charming
+before, dearest.”
+</p>
+
+<p>
+“I like to hear you praise me in that way, Dick,” she said, smiling archly. “It
+is meat and drink to a woman. Do I look nice really?”
+</p>
+
+<p>
+“Fie! you know it. Did you remember,—I mean didn’t you remember about my going
+away to-day?”
+</p>
+
+<p>
+“Well, yes, I did, Dick; but, you know, I wanted to look well;—forgive me.”
+</p>
+
+<p>
+“Yes, darling; yes, of course,—there’s nothing to forgive. No, I was only
+thinking that when we talked on Tuesday and Wednesday and Thursday and Friday
+about my absence to-day, and I was so sorry for it, you said, Fancy, so were
+you sorry, and almost cried, and said it would be no pleasure to you to be the
+attraction of the church to-day, since I could not be there.”
+</p>
+
+<p>
+“My dear one, neither will it be so much pleasure to me . . . But I do take a
+little delight in my life, I suppose,” she pouted.
+</p>
+
+<p>
+“Apart from mine?”
+</p>
+
+<p>
+She looked at him with perplexed eyes. “I know you are vexed with me, Dick, and
+it is because the first Sunday I have curls and a hat and feather since I have
+been here happens to be the very day you are away and won’t be with me. Yes,
+say it is, for that is it! And you think that all this week I ought to have
+remembered you wouldn’t be here to-day, and not have cared to be better dressed
+than usual. Yes, you do, Dick, and it is rather unkind!”
+</p>
+
+<p>
+“No, no,” said Dick earnestly and simply, “I didn’t think so badly of you as
+that. I only thought that—if <i>you</i> had been going away, I shouldn’t have
+tried new attractions for the eyes of other people. But then of course you and
+I are different, naturally.”
+</p>
+
+<p>
+“Well, perhaps we are.”
+</p>
+
+<p>
+“Whatever will the vicar say, Fancy?”
+</p>
+
+<p>
+“I don’t fear what he says in the least!” she answered proudly. “But he won’t
+say anything of the sort you think. No, no.”
+</p>
+
+<p>
+“He can hardly have conscience to, indeed.”
+</p>
+
+<p>
+“Now come, you say, Dick, that you quite forgive me, for I must go,” she said
+with sudden gaiety, and skipped backwards into the porch. “Come here, sir;—say
+you forgive me, and then you shall kiss me;—you never have yet when I have worn
+curls, you know. Yes, just where you want to so much,—yes, you may!”
+</p>
+
+<p>
+Dick followed her into the inner corner, where he was probably not slow in
+availing himself of the privilege offered.
+</p>
+
+<p>
+“Now that’s a treat for you, isn’t it?” she continued. “Good-bye, or I shall be
+late. Come and see me to-morrow: you’ll be tired to-night.”
+</p>
+
+<p>
+Thus they parted, and Fancy proceeded to the church. The organ stood on one
+side of the chancel, close to and under the immediate eye of the vicar when he
+was in the pulpit, and also in full view of the congregation. Here she sat
+down, for the first time in such a conspicuous position, her seat having
+previously been in a remote spot in the aisle.
+</p>
+
+<p>
+“Good heavens—disgraceful! Curls and a hat and feather!” said the daughters of
+the small gentry, who had either only curly hair without a hat and feather, or
+a hat and feather without curly hair. “A bonnet for church always,” said sober
+matrons.
+</p>
+
+<p>
+That Mr. Maybold was conscious of her presence close beside him during the
+sermon; that he was not at all angry at her development of costume; that he
+admired her, she perceived. But she did not see that he loved her during that
+sermon-time as he had never loved a woman before; that her proximity was a
+strange delight to him; and that he gloried in her musical success that morning
+in a spirit quite beyond a mere cleric’s glory at the inauguration of a new
+order of things.
+</p>
+
+<p>
+The old choir, with humbled hearts, no longer took their seats in the gallery
+as heretofore (which was now given up to the school-children who were not
+singers, and a pupil-teacher), but were scattered about with their wives in
+different parts of the church. Having nothing to do with conducting the service
+for almost the first time in their lives, they all felt awkward, out of place,
+abashed, and inconvenienced by their hands. The tranter had proposed that they
+should stay away to-day and go nutting, but grandfather William would not hear
+of such a thing for a moment. “No,” he replied reproachfully, and quoted a
+verse: “Though this has come upon us, let not our hearts be turned back, or our
+steps go out of the way.”
+</p>
+
+<p>
+So they stood and watched the curls of hair trailing down the back of the
+successful rival, and the waving of her feather, as she swayed her head. After
+a few timid notes and uncertain touches her playing became markedly correct,
+and towards the end full and free. But, whether from prejudice or unbiassed
+judgment, the venerable body of musicians could not help thinking that the
+simpler notes they had been wont to bring forth were more in keeping with the
+simplicity of their old church than the crowded chords and interludes it was
+her pleasure to produce.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap27"></a>CHAPTER VI.<br/>
+INTO TEMPTATION</h2>
+
+<p>
+The day was done, and Fancy was again in the school-house. About five o’clock
+it began to rain, and in rather a dull frame of mind she wandered into the
+schoolroom, for want of something better to do. She was thinking—of her lover
+Dick Dewy? Not precisely. Of how weary she was of living alone: how unbearable
+it would be to return to Yalbury under the rule of her strange-tempered
+step-mother; that it was far better to be married to anybody than do that; that
+eight or nine long months had yet to be lived through ere the wedding could
+take place.
+</p>
+
+<p>
+At the side of the room were high windows of Ham-hill stone, upon either sill
+of which she could sit by first mounting a desk and using it as a footstool. As
+the evening advanced here she perched herself, as was her custom on such wet
+and gloomy occasions, put on a light shawl and bonnet, opened the window, and
+looked out at the rain.
+</p>
+
+<p>
+The window overlooked a field called the Grove, and it was the position from
+which she used to survey the crown of Dick’s passing hat in the early days of
+their acquaintance and meetings. Not a living soul was now visible anywhere;
+the rain kept all people indoors who were not forced abroad by necessity, and
+necessity was less importunate on Sundays than during the week.
+</p>
+
+<p>
+Sitting here and thinking again—of her lover, or of the sensation she had
+created at church that day?—well, it is unknown—thinking and thinking she saw a
+dark masculine figure arising into distinctness at the further end of the
+Grove—a man without an umbrella. Nearer and nearer he came, and she perceived
+that he was in deep mourning, and then that it was Dick. Yes, in the fondness
+and foolishness of his young heart, after walking four miles, in a drizzling
+rain without overcoat or umbrella, and in face of a remark from his love that
+he was not to come because he would be tired, he had made it his business to
+wander this mile out of his way again, from sheer wish of spending ten minutes
+in her presence.
+</p>
+
+<p>
+“O Dick, how wet you are!” she said, as he drew up under the window. “Why, your
+coat shines as if it had been varnished, and your hat—my goodness, there’s a
+streaming hat!”
+</p>
+
+<p>
+“O, I don’t mind, darling!” said Dick cheerfully. “Wet never hurts me, though I
+am rather sorry for my best clothes. However, it couldn’t be helped; we lent
+all the umbrellas to the women. I don’t know when I shall get mine back!”
+</p>
+
+<p>
+“And look, there’s a nasty patch of something just on your shoulder.”
+</p>
+
+<p>
+“Ah, that’s japanning; it rubbed off the clamps of poor Jack’s coffin when we
+lowered him from our shoulders upon the bier! I don’t care about that, for
+’twas the last deed I could do for him; and ’tis hard if you can’t afford a
+coat for an old friend.”
+</p>
+
+<p>
+Fancy put her hand to her mouth for half a minute. Underneath the palm of that
+little hand there existed for that half-minute a little yawn.
+</p>
+
+<p>
+“Dick, I don’t like you to stand there in the wet. And you mustn’t sit down. Go
+home and change your things. Don’t stay another minute.”
+</p>
+
+<p>
+“One kiss after coming so far,” he pleaded.
+</p>
+
+<p>
+“If I can reach, then.”
+</p>
+
+<p>
+He looked rather disappointed at not being invited round to the door. She
+twisted from her seated position and bent herself downwards, but not even by
+standing on the plinth was it possible for Dick to get his lips into contact
+with hers as she held them. By great exertion she might have reached a little
+lower; but then she would have exposed her head to the rain.
+</p>
+
+<p>
+“Never mind, Dick; kiss my hand,” she said, flinging it down to him. “Now,
+good-bye.”
+</p>
+
+<p>
+“Good-bye.”
+</p>
+
+<p>
+He walked slowly away, turning and turning again to look at her till he was out
+of sight. During the retreat she said to herself, almost involuntarily, and
+still conscious of that morning’s triumph—“I like Dick, and I love him; but how
+plain and sorry a man looks in the rain, with no umbrella, and wet through!”
+</p>
+
+<p>
+As he vanished, she made as if to descend from her seat; but glancing in the
+other direction she saw another form coming along the same track. It was also
+that of a man. He, too, was in black from top to toe; but he carried an
+umbrella.
+</p>
+
+<p>
+He drew nearer, and the direction of the rain caused him so to slant his
+umbrella that from her height above the ground his head was invisible, as she
+was also to him. He passed in due time directly beneath her, and in looking
+down upon the exterior of his umbrella her feminine eyes perceived it to be of
+superior silk—less common at that date than since—and of elegant make. He
+reached the entrance to the building, and Fancy suddenly lost sight of him.
+Instead of pursuing the roadway as Dick had done he had turned sharply round
+into her own porch.
+</p>
+
+<p>
+She jumped to the floor, hastily flung off her shawl and bonnet, smoothed and
+patted her hair till the curls hung in passable condition, and listened. No
+knock. Nearly a minute passed, and still there was no knock. Then there arose a
+soft series of raps, no louder than the tapping of a distant woodpecker, and
+barely distinct enough to reach her ears. She composed herself and flung open
+the door.
+</p>
+
+<p>
+In the porch stood Mr. Maybold.
+</p>
+
+<p>
+There was a warm flush upon his face, and a bright flash in his eyes, which
+made him look handsomer than she had ever seen him before.
+</p>
+
+<p>
+“Good-evening, Miss Day.”
+</p>
+
+<p>
+“Good-evening, Mr. Maybold,” she said, in a strange state of mind. She had
+noticed, beyond the ardent hue of his face, that his voice had a singular
+tremor in it, and that his hand shook like an aspen leaf when he laid his
+umbrella in the corner of the porch. Without another word being spoken by
+either, he came into the schoolroom, shut the door, and moved close to her.
+Once inside, the expression of his face was no more discernible, by reason of
+the increasing dusk of evening.
+</p>
+
+<p>
+“I want to speak to you,” he then said; “seriously—on a perhaps unexpected
+subject, but one which is all the world to me—I don’t know what it may be to
+you, Miss Day.”
+</p>
+
+<p>
+No reply.
+</p>
+
+<p>
+“Fancy, I have come to ask you if you will be my wife?”
+</p>
+
+<p>
+As a person who has been idly amusing himself with rolling a snowball might
+start at finding he had set in motion an avalanche, so did Fancy start at these
+words from the vicar. And in the dead silence which followed them, the
+breathings of the man and of the woman could be distinctly and separately
+heard; and there was this difference between them—his respirations gradually
+grew quieter and less rapid after the enunciation, hers, from having been low
+and regular, increased in quickness and force, till she almost panted.
+</p>
+
+<p>
+“I cannot, I cannot, Mr. Maybold—I cannot! Don’t ask me!” she said.
+</p>
+
+<p>
+“Don’t answer in a hurry!” he entreated. “And do listen to me. This is no
+sudden feeling on my part. I have loved you for more than six months! Perhaps
+my late interest in teaching the children here has not been so single-minded as
+it seemed. You will understand my motive—like me better, perhaps, for honestly
+telling you that I have struggled against my emotion continually, because I
+have thought that it was not well for me to love you! But I resolved to
+struggle no longer; I have examined the feeling; and the love I bear you is as
+genuine as that I could bear any woman! I see your great charm; I respect your
+natural talents, and the refinement they have brought into your nature—they are
+quite enough, and more than enough for me! They are equal to anything ever
+required of the mistress of a quiet parsonage-house—the place in which I shall
+pass my days, wherever it may be situated. O Fancy, I have watched you,
+criticized you even severely, brought my feelings to the light of judgment, and
+still have found them rational, and such as any man might have expected to be
+inspired with by a woman like you! So there is nothing hurried, secret, or
+untoward in my desire to do this. Fancy, will you marry me?”
+</p>
+
+<p>
+No answer was returned.
+</p>
+
+<p>
+“Don’t refuse; don’t,” he implored. “It would be foolish of you—I mean cruel!
+Of course we would not live here, Fancy. I have had for a long time the offer
+of an exchange of livings with a friend in Yorkshire, but I have hitherto
+refused on account of my mother. There we would go. Your musical powers shall
+be still further developed; you shall have whatever pianoforte you like; you
+shall have anything, Fancy, anything to make you happy—pony-carriage, flowers,
+birds, pleasant society; yes, you have enough in you for any society, after a
+few months of travel with me! Will you, Fancy, marry me?”
+</p>
+
+<p>
+Another pause ensued, varied only by the surging of the rain against the
+window-panes, and then Fancy spoke, in a faint and broken voice.
+</p>
+
+<p>
+“Yes, I will,” she said.
+</p>
+
+<p>
+“God bless you, my own!” He advanced quickly, and put his arm out to embrace
+her. She drew back hastily. “No no, not now!” she said in an agitated whisper.
+“There are things;—but the temptation is, O, too strong, and I can’t resist it;
+I can’t tell you now, but I must tell you! Don’t, please, don’t come near me
+now! I want to think, I can scarcely get myself used to the idea of what I have
+promised yet.” The next minute she turned to a desk, buried her face in her
+hands, and burst into a hysterical fit of weeping. “O, leave me to myself!” she
+sobbed; “leave me! O, leave me!”
+</p>
+
+<p>
+“Don’t be distressed; don’t, dearest!” It was with visible difficulty that he
+restrained himself from approaching her. “You shall tell me at your leisure
+what it is that grieves you so; I am happy—beyond all measure happy!—at having
+your simple promise.”
+</p>
+
+<p>
+“And do go and leave me now!”
+</p>
+
+<p>
+“But I must not, in justice to you, leave for a minute, until you are yourself
+again.”
+</p>
+
+<p>
+“There then,” she said, controlling her emotion, and standing up; “I am not
+disturbed now.”
+</p>
+
+<p>
+He reluctantly moved towards the door. “Good-bye!” he murmured tenderly. “I’ll
+come to-morrow about this time.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap28"></a>CHAPTER VII.<br/>
+SECOND THOUGHTS</h2>
+
+<p>
+The next morning the vicar rose early. The first thing he did was to write a
+long and careful letter to his friend in Yorkshire. Then, eating a little
+breakfast, he crossed the meadows in the direction of Casterbridge, bearing his
+letter in his pocket, that he might post it at the town office, and obviate the
+loss of one day in its transmission that would have resulted had he left it for
+the foot-post through the village.
+</p>
+
+<p>
+It was a foggy morning, and the trees shed in noisy water-drops the moisture
+they had collected from the thick air, an acorn occasionally falling from its
+cup to the ground, in company with the drippings. In the meads, sheets of
+spiders’-web, almost opaque with wet, hung in folds over the fences, and the
+falling leaves appeared in every variety of brown, green, and yellow hue.
+</p>
+
+<p>
+A low and merry whistling was heard on the highway he was approaching, then the
+light footsteps of a man going in the same direction as himself. On reaching
+the junction of his path with the road, the vicar beheld Dick Dewy’s open and
+cheerful face. Dick lifted his hat, and the vicar came out into the highway
+that Dick was pursuing.
+</p>
+
+<p>
+“Good-morning, Dewy. How well you are looking!” said Mr. Maybold.
+</p>
+
+<p>
+“Yes, sir, I am well—quite well! I am going to Casterbridge now, to get Smart’s
+collar; we left it there Saturday to be repaired.”
+</p>
+
+<p>
+“I am going to Casterbridge, so we’ll walk together,” the vicar said. Dick gave
+a hop with one foot to put himself in step with Mr. Maybold, who proceeded: “I
+fancy I didn’t see you at church yesterday, Dewy. Or were you behind the pier?”
+</p>
+
+<p>
+“No; I went to Charmley. Poor John Dunford chose me to be one of his bearers a
+long time before he died, and yesterday was the funeral. Of course I couldn’t
+refuse, though I should have liked particularly to have been at home as ’twas
+the day of the new music.”
+</p>
+
+<p>
+“Yes, you should have been. The musical portion of the service was
+successful—very successful indeed; and what is more to the purpose, no
+ill-feeling whatever was evinced by any of the members of the old choir. They
+joined in the singing with the greatest good-will.”
+</p>
+
+<p>
+“’Twas natural enough that I should want to be there, I suppose,” said Dick,
+smiling a private smile; “considering who the organ-player was.”
+</p>
+
+<p>
+At this the vicar reddened a little, and said, “Yes, yes,” though not at all
+comprehending Dick’s true meaning, who, as he received no further reply,
+continued hesitatingly, and with another smile denoting his pride as a lover—
+</p>
+
+<p>
+“I suppose you know what I mean, sir? You’ve heard about me and—Miss Day?”
+</p>
+
+<p>
+The red in Maybold’s countenance went away: he turned and looked Dick in the
+face.
+</p>
+
+<p>
+“No,” he said constrainedly, “I’ve heard nothing whatever about you and Miss
+Day.”
+</p>
+
+<p>
+“Why, she’s my sweetheart, and we are going to be married next Midsummer. We
+are keeping it rather close just at present, because ’tis a good many months to
+wait; but it is her father’s wish that we don’t marry before, and of course we
+must submit. But the time ’ill soon slip along.”
+</p>
+
+<p>
+“Yes, the time will soon slip along—Time glides away every day—yes.”
+</p>
+
+<p>
+Maybold said these words, but he had no idea of what they were. He was
+conscious of a cold and sickly thrill throughout him; and all he reasoned was
+this that the young creature whose graces had intoxicated him into making the
+most imprudent resolution of his life, was less an angel than a woman.
+</p>
+
+<p>
+“You see, sir,” continued the ingenuous Dick, “’twill be better in one sense. I
+shall by that time be the regular manager of a branch o’ father’s business,
+which has very much increased lately, and business, which we think of starting
+elsewhere. It has very much increased lately, and we expect next year to keep
+a’ extra couple of horses. We’ve already our eye on one—brown as a berry, neck
+like a rainbow, fifteen hands, and not a gray hair in her—offered us at
+twenty-five want a crown. And to kip pace with the times I have had some cards
+prented and I beg leave to hand you one, sir.”
+</p>
+
+<p>
+“Certainly,” said the vicar, mechanically taking the card that Dick offered
+him.
+</p>
+
+<p>
+“I turn in here by Grey’s Bridge,” said Dick. “I suppose you go straight on and
+up town?”
+</p>
+
+<p>
+“Yes.”
+</p>
+
+<p>
+“Good-morning, sir.”
+</p>
+
+<p>
+“Good-morning, Dewy.”
+</p>
+
+<p>
+Maybold stood still upon the bridge, holding the card as it had been put into
+his hand, and Dick’s footsteps died away towards Durnover Mill. The vicar’s
+first voluntary action was to read the card:—
+</p>
+
+<p class="center">
+DEWY AND SON,<br/>
+TRANTERS AND HAULIERS,<br/>
+MELLSTOCK.<br/>
+<i>NB.—Furniture, Coals, Potatoes, Live and Dead Stock, removed to any distance on
+the shortest notice.</i>
+</p>
+
+<p>
+Mr. Maybold leant over the parapet of the bridge and looked into the river. He
+saw—without heeding—how the water came rapidly from beneath the arches, glided
+down a little steep, then spread itself over a pool in which dace, trout, and
+minnows sported at ease among the long green locks of weed that lay heaving and
+sinking with their roots towards the current. At the end of ten minutes spent
+leaning thus, he drew from his pocket the letter to his friend, tore it
+deliberately into such minute fragments that scarcely two syllables remained in
+juxtaposition, and sent the whole handful of shreds fluttering into the water.
+Here he watched them eddy, dart, and turn, as they were carried downwards
+towards the ocean and gradually disappeared from his view. Finally he moved
+off, and pursued his way at a rapid pace back again to Mellstock Vicarage.
+</p>
+
+<p>
+Nerving himself by a long and intense effort, he sat down in his study and
+wrote as follows:
+</p>
+
+<div class="letter">
+<p>
+“Dear Miss Day,—The meaning of your words, ‘the temptation is too strong,’ of
+your sadness and your tears, has been brought home to me by an accident. I know
+to-day what I did not know yesterday—that you are not a free woman.
+</p>
+
+<p>
+“Why did you not tell me—why didn’t you? Did you suppose I knew? No. Had I
+known, my conduct in coming to you as I did would have been reprehensible.
+</p>
+
+<p>
+“But I don’t chide you! Perhaps no blame attaches to you—I can’t tell. Fancy,
+though my opinion of you is assailed and disturbed in a way which cannot be
+expressed, I love you still, and my word to you holds good yet. But will you,
+in justice to an honest man who relies upon your word to him, consider whether,
+under the circumstances, you can honourably forsake him?
+</p>
+</div>
+
+<p class="right">
+“Yours ever sincerely,          <br/>
+A<small>RTHUR</small> M<small>AYBOLD</small>.”
+</p>
+
+<p>
+He rang the bell. “Tell Charles to take these copybooks and this note to the
+school at once.”
+</p>
+
+<p>
+The maid took the parcel and the letter, and in a few minutes a boy was seen to
+leave the vicarage gate, with the one under his arm, and the other in his hand.
+The vicar sat with his hand to his brow, watching the lad as he descended
+Church Lane and entered the waterside path which intervened between that spot
+and the school.
+</p>
+
+<p>
+Here he was met by another boy, and after a free salutation and pugilistic
+frisk had passed between the two, the second boy came on his way to the
+vicarage, and the other vanished out of sight.
+</p>
+
+<p>
+The boy came to the door, and a note for Mr. Maybold was brought in.
+</p>
+
+<p>
+He knew the writing. Opening the envelope with an unsteady hand, he read the
+subjoined words:
+</p>
+
+<div class="letter">
+<p>
+“Dear Mr. Maybold,—I have been thinking seriously and sadly through the whole
+of the night of the question you put to me last evening and of my answer. That
+answer, as an honest woman, I had no right to give.
+</p>
+
+<p>
+“It is my nature—perhaps all women’s—to love refinement of mind and manners;
+but even more than this, to be ever fascinated with the idea of surroundings
+more elegant and pleasing than those which have been customary. And you praised
+me, and praise is life to me. It was alone my sensations at these things which
+prompted my reply. Ambition and vanity they would be called; perhaps they are
+so.
+</p>
+
+<p>
+“After this explanation I hope you will generously allow me to withdraw the
+answer I too hastily gave.
+</p>
+
+<p>
+“And one more request. To keep the meeting of last night, and all that passed
+between us there, for ever a secret. Were it to become known, it would utterly
+blight the happiness of a trusting and generous man, whom I love still, and
+shall love always.
+</p>
+</div>
+
+<p class="right">
+“Yours sincerely,          <br/>
+F<small>ANCY</small> D<small>AY</small>.
+</p>
+
+<p>
+The last written communication that ever passed from the vicar to Fancy, was a
+note containing these words only:
+</p>
+
+<p class="letter">
+“Tell him everything; it is best. He will forgive you.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="part05"></a>PART THE FIFTH: CONCLUSION</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap29"></a>CHAPTER I.<br/>
+‘THE KNOT THERE’S NO UNTYING’</h2>
+
+<p>
+The last day of the story is dated just subsequent to that point in the
+development of the seasons when country people go to bed among nearly naked
+trees, are lulled to sleep by a fall of rain, and awake next morning among
+green ones; when the landscape appears embarrassed with the sudden weight and
+brilliancy of its leaves; when the night-jar comes and strikes up for the
+summer his tune of one note; when the apple-trees have bloomed, and the roads
+and orchard-grass become spotted with fallen petals; when the faces of the
+delicate flowers are darkened, and their heads weighed down, by the throng of
+honey-bees, which increase their humming till humming is too mild a term for
+the all-pervading sound; and when cuckoos, blackbirds, and sparrows, that have
+hitherto been merry and respectful neighbours, become noisy and persistent
+intimates.
+</p>
+
+<p>
+The exterior of Geoffrey Day’s house in Yalbury Wood appeared exactly as was
+usual at that season, but a frantic barking of the dogs at the back told of
+unwonted movements somewhere within. Inside the door the eyes beheld a
+gathering, which was a rarity indeed for the dwelling of the solitary
+wood-steward and keeper.
+</p>
+
+<p>
+About the room were sitting and standing, in various gnarled attitudes, our old
+acquaintance, grandfathers James and William, the tranter, Mr. Penny, two or
+three children, including Jimmy and Charley, besides three or four country
+ladies and gentlemen from a greater distance who do not require any distinction
+by name. Geoffrey was seen and heard stamping about the outhouse and among the
+bushes of the garden, attending to details of daily routine before the proper
+time arrived for their performance, in order that they might be off his hands
+for the day. He appeared with his shirt-sleeves rolled up; his best new nether
+garments, in which he had arrayed himself that morning, being temporarily
+disguised under a weekday apron whilst these proceedings were in operation. He
+occasionally glanced at the hives in passing, to see if his wife’s bees were
+swarming, ultimately rolling down his shirt-sleeves and going indoors, talking
+to tranter Dewy whilst buttoning the wristbands, to save time; next going
+upstairs for his best waistcoat, and coming down again to make another remark
+whilst buttoning that, during the time looking fixedly in the tranter’s face as
+if he were a looking-glass.
+</p>
+
+<p>
+The furniture had undergone attenuation to an alarming extent, every duplicate
+piece having been removed, including the clock by Thomas Wood; Ezekiel Saunders
+being at last left sole referee in matters of time.
+</p>
+
+<p>
+Fancy was stationary upstairs, receiving her layers of clothes and adornments,
+and answering by short fragments of laughter which had more fidgetiness than
+mirth in them, remarks that were made from time to time by Mrs. Dewy and Mrs.
+Penny, who were assisting her at the toilet, Mrs. Day having pleaded a
+queerness in her head as a reason for shutting herself up in an inner bedroom
+for the whole morning. Mrs. Penny appeared with nine corkscrew curls on each
+side of her temples, and a back comb stuck upon her crown like a castle on a
+steep.
+</p>
+
+<p>
+The conversation just now going on was concerning the banns, the last
+publication of which had been on the Sunday previous.
+</p>
+
+<p>
+“And how did they sound?” Fancy subtly inquired.
+</p>
+
+<p>
+“Very beautiful indeed,” said Mrs. Penny. “I never heard any sound better.”
+</p>
+
+<p>
+“But <i>how</i>?”
+</p>
+
+<p>
+<i>“</i>O, <i>so</i> natural and elegant, didn’t they, Reuben!” she cried,
+through the chinks of the unceiled floor, to the tranter downstairs.
+</p>
+
+<p>
+“What’s that?” said the tranter, looking up inquiringly at the floor above him
+for an answer.
+</p>
+
+<p>
+“Didn’t Dick and Fancy sound well when they were called home in church last
+Sunday?” came downwards again in Mrs. Penny’s voice.
+</p>
+
+<p>
+“Ay, that they did, my sonnies!—especially the first time. There was a terrible
+whispering piece of work in the congregation, wasn’t there, neighbour Penny?”
+said the tranter, taking up the thread of conversation on his own account and,
+in order to be heard in the room above, speaking very loud to Mr. Penny, who
+sat at the distance of three feet from him, or rather less.
+</p>
+
+<p>
+“I never can mind seeing such a whispering as there was,” said Mr. Penny, also
+loudly, to the room above. “And such sorrowful envy on the maidens’ faces;
+really, I never did see such envy as there was!”
+</p>
+
+<p>
+Fancy’s lineaments varied in innumerable little flushes, and her heart
+palpitated innumerable little tremors of pleasure. “But perhaps,” she said,
+with assumed indifference, “it was only because no religion was going on just
+then?”
+</p>
+
+<p>
+“O, no; nothing to do with that. ’Twas because of your high standing in the
+parish. It was just as if they had one and all caught Dick kissing and coling
+ye to death, wasn’t it, Mrs. Dewy?”
+</p>
+
+<p>
+“Ay; that ’twas.”
+</p>
+
+<p>
+“How people will talk about one’s doings!” Fancy exclaimed.
+</p>
+
+<p>
+“Well, if you make songs about yourself, my dear, you can’t blame other people
+for singing ’em.”
+</p>
+
+<p>
+“Mercy me! how shall I go through it?” said the young lady again, but merely to
+those in the bedroom, with a breathing of a kind between a sigh and a pant,
+round shining eyes, and warm face.
+</p>
+
+<p>
+“O, you’ll get through it well enough, child,” said Mrs. Dewy placidly. “The
+edge of the performance is took off at the calling home; and when once you get
+up to the chancel end o’ the church, you feel as saucy as you please. I’m sure
+I felt as brave as a sodger all through the deed—though of course I dropped my
+face and looked modest, as was becoming to a maid. Mind you do that, Fancy.”
+</p>
+
+<p>
+“And I walked into the church as quiet as a lamb, I’m sure,” subjoined Mrs.
+Penny. “There, you see Penny is such a little small man. But certainly, I was
+flurried in the inside o’ me. Well, thinks I, ’tis to be, and here goes! And do
+you do the same: say, ‘’Tis to be, and here goes!’”
+</p>
+
+<p>
+“Is there such wonderful virtue in ‘’Tis to be, and here goes!’” inquired
+Fancy.
+</p>
+
+<p>
+“Wonderful! ’Twill carry a body through it all from wedding to churching, if
+you only let it out with spirit enough.”
+</p>
+
+<p>
+“Very well, then,” said Fancy, blushing. “’Tis to be, and here goes!”
+</p>
+
+<p>
+“That’s a girl for a husband!” said Mrs. Dewy.
+</p>
+
+<p>
+“I do hope he’ll come in time!” continued the bride-elect, inventing a new
+cause of affright, now that the other was demolished.
+</p>
+
+<p>
+“’Twould be a thousand pities if he didn’t come, now you be so brave,” said
+Mrs. Penny.
+</p>
+
+<p>
+Grandfather James, having overheard some of these remarks, said downstairs with
+mischievous loudness—
+</p>
+
+<p>
+“I’ve known some would-be weddings when the men didn’t come.”
+</p>
+
+<p>
+“They’ve happened not to come, before now, certainly,” said Mr. Penny, cleaning
+one of the glasses of his spectacles.
+</p>
+
+<p>
+“O, do hear what they are saying downstairs,” whispered Fancy. “Hush, hush!”
+</p>
+
+<p>
+She listened.
+</p>
+
+<p>
+“They have, haven’t they, Geoffrey?” continued grandfather James, as Geoffrey
+entered.
+</p>
+
+<p>
+“Have what?” said Geoffrey.
+</p>
+
+<p>
+“The men have been known not to come.”
+</p>
+
+<p>
+“That they have,” said the keeper.
+</p>
+
+<p>
+“Ay; I’ve knowed times when the wedding had to be put off through his not
+appearing, being tired of the woman. And another case I knowed was when the man
+was catched in a man-trap crossing Oaker’s Wood, and the three months had run
+out before he got well, and the banns had to be published over again.”
+</p>
+
+<p>
+“How horrible!” said Fancy.
+</p>
+
+<p>
+“They only say it on purpose to tease ’ee, my dear,” said Mrs. Dewy.
+</p>
+
+<p>
+“’Tis quite sad to think what wretched shifts poor maids have been put to,”
+came again from downstairs. “Ye should hear Clerk Wilkins, my brother-law, tell
+his experiences in marrying couples these last thirty year: sometimes one
+thing, sometimes another—’tis quite heart-rending—enough to make your hair
+stand on end.”
+</p>
+
+<p>
+“Those things don’t happen very often, I know,” said Fancy, with smouldering
+uneasiness.
+</p>
+
+<p>
+“Well, really ’tis time Dick was here,” said the tranter.
+</p>
+
+<p>
+“Don’t keep on at me so, grandfather James and Mr. Dewy, and all you down
+there!” Fancy broke out, unable to endure any longer. “I am sure I shall die,
+or do something, if you do!”
+</p>
+
+<p>
+“Never you hearken to these old chaps, Miss Day!” cried Nat Callcome, the best
+man, who had just entered, and threw his voice upward through the chinks of the
+floor as the others had done. “’Tis all right; Dick’s coming on like a wild
+feller; he’ll be here in a minute. The hive o’ bees his mother gie’d en for his
+new garden swarmed jist as he was starting, and he said, ‘I can’t afford to
+lose a stock o’ bees; no, that I can’t, though I fain would; and Fancy wouldn’t
+wish it on any account.’ So he jist stopped to ting to ’em and shake ’em.”
+</p>
+
+<p>
+“A genuine wise man,” said Geoffrey.
+</p>
+
+<p>
+“To be sure, what a day’s work we had yesterday!” Mr. Callcome continued,
+lowering his voice as if it were not necessary any longer to include those in
+the room above among his audience, and selecting a remote corner of his best
+clean handkerchief for wiping his face. “To be sure!”
+</p>
+
+<p>
+“Things so heavy, I suppose,” said Geoffrey, as if reading through the
+chimney-window from the far end of the vista.
+</p>
+
+<p>
+“Ay,” said Nat, looking round the room at points from which furniture had been
+removed. “And so awkward to carry, too. ’Twas ath’art and across Dick’s garden;
+in and out Dick’s door; up and down Dick’s stairs; round and round Dick’s
+chammers till legs were worn to stumps: and Dick is so particular, too. And the
+stores of victuals and drink that lad has laid in: why, ’tis enough for Noah’s
+ark! I’m sure I never wish to see a choicer half-dozen of hams than he’s got
+there in his chimley; and the cider I tasted was a very pretty drop,
+indeed;—none could desire a prettier cider.”
+</p>
+
+<p>
+“They be for the love and the stalled ox both. Ah, the greedy martels!” said
+grandfather James.
+</p>
+
+<p>
+“Well, may-be they be. Surely,” says I, “that couple between ’em have heaped up
+so much furniture and victuals, that anybody would think they were going to
+take hold the big end of married life first, and begin wi’ a grown-up family.
+Ah, what a bath of heat we two chaps were in, to be sure, a-getting that
+furniture in order!”
+</p>
+
+<p>
+“I do so wish the room below was ceiled,” said Fancy, as the dressing went on;
+“we can hear all they say and do down there.”
+</p>
+
+<p>
+“Hark! Who’s that?” exclaimed a small pupil-teacher, who also assisted this
+morning, to her great delight. She ran half-way down the stairs, and peeped
+round the banister. “O, you should, you should, you should!” she exclaimed,
+scrambling up to the room again.
+</p>
+
+<p>
+“What?” said Fancy.
+</p>
+
+<p>
+“See the bridesmaids! They’ve just a come! ’Tis wonderful, really! ’tis
+wonderful how muslin can be brought to it. There, they don’t look a bit like
+themselves, but like some very rich sisters o’ theirs that nobody knew they
+had!”
+</p>
+
+<p>
+“Make ’em come up to me, make ’em come up!” cried Fancy ecstatically; and the
+four damsels appointed, namely, Miss Susan Dewy, Miss Bessie Dewy, Miss Vashti
+Sniff, and Miss Mercy Onmey, surged upstairs, and floated along the passage.
+</p>
+
+<p>
+“I wish Dick would come!” was again the burden of Fancy.
+</p>
+
+<p>
+The same instant a small twig and flower from the creeper outside the door flew
+in at the open window, and a masculine voice said, “Ready, Fancy dearest?”
+</p>
+
+<p>
+“There he is, he is!” cried Fancy, tittering spasmodically, and breathing as it
+were for the first time that morning.
+</p>
+
+<p>
+The bridesmaids crowded to the window and turned their heads in the direction
+pointed out, at which motion eight earrings all swung as one:—not looking at
+Dick because they particularly wanted to see him, but with an important sense
+of their duty as obedient ministers of the will of that apotheosised being—the
+Bride.
+</p>
+
+<p>
+“He looks very taking!” said Miss Vashti Sniff, a young lady who blushed
+cream-colour and wore yellow bonnet ribbons.
+</p>
+
+<p>
+Dick was advancing to the door in a painfully new coat of shining cloth,
+primrose-coloured waistcoat, hat of the same painful style of newness, and with
+an extra quantity of whiskers shaved off his face, and hair cut to an unwonted
+shortness in honour of the occasion.
+</p>
+
+<p>
+“Now, I’ll run down,” said Fancy, looking at herself over her shoulder in the
+glass, and flitting off.
+</p>
+
+<p>
+“O Dick!” she exclaimed, “I am so glad you are come! I knew you would, of
+course, but I thought, Oh if you shouldn’t!”
+</p>
+
+<p>
+“Not come, Fancy! Het or wet, blow or snow, here come I to-day! Why, what’s
+possessing your little soul? You never used to mind such things a bit.”
+</p>
+
+<p>
+“Ah, Mr. Dick, I hadn’t hoisted my colours and committed myself then!” said
+Fancy.
+</p>
+
+<p>
+“’Tis a pity I can’t marry the whole five of ye!” said Dick, surveying them all
+round.
+</p>
+
+<p>
+“Heh-heh-heh!” laughed the four bridesmaids, and Fancy privately touched Dick
+and smoothed him down behind his shoulder, as if to assure herself that he was
+there in flesh and blood as her own property.
+</p>
+
+<p>
+“Well, whoever would have thought such a thing?” said Dick, taking off his hat,
+sinking into a chair, and turning to the elder members of the company.
+</p>
+
+<p>
+The latter arranged their eyes and lips to signify that in their opinion nobody
+could have thought such a thing, whatever it was.
+</p>
+
+<p>
+“That my bees should ha’ swarmed just then, of all times and seasons!”
+continued Dick, throwing a comprehensive glance like a net over the whole
+auditory. “And ’tis a fine swarm, too: I haven’t seen such a fine swarm for
+these ten years.”
+</p>
+
+<p>
+“A’ excellent sign,” said Mrs. Penny, from the depths of experience. “A’
+excellent sign.”
+</p>
+
+<p>
+“I am glad everything seems so right,” said Fancy with a breath of relief.
+</p>
+
+<p>
+“And so am I,” said the four bridesmaids with much sympathy.
+</p>
+
+<p>
+“Well, bees can’t be put off,” observed the inharmonious grandfather James.
+“Marrying a woman is a thing you can do at any moment; but a swarm o’ bees
+won’t come for the asking.”
+</p>
+
+<p>
+Dick fanned himself with his hat. “I can’t think,” he said thoughtfully,
+“whatever ’twas I did to offend Mr. Maybold, a man I like so much too. He
+rather took to me when he came first, and used to say he should like to see me
+married, and that he’d marry me, whether the young woman I chose lived in his
+parish or no. I just hinted to him of it when I put in the banns, but he didn’t
+seem to take kindly to the notion now, and so I said no more. I wonder how it
+was.”
+</p>
+
+<p>
+“I wonder!” said Fancy, looking into vacancy with those beautiful eyes of
+hers—too refined and beautiful for a tranter’s wife; but, perhaps, not too
+good.
+</p>
+
+<p>
+“Altered his mind, as folks will, I suppose,” said the tranter. “Well, my
+sonnies, there’ll be a good strong party looking at us to-day as we go along.”
+</p>
+
+<p>
+“And the body of the church,” said Geoffrey, “will be lined with females, and a
+row of young fellers’ heads, as far down as the eyes, will be noticed just
+above the sills of the chancel-winders.”
+</p>
+
+<p>
+“Ay, you’ve been through it twice,” said Reuben, “and well mid know.”
+</p>
+
+<p>
+“I can put up with it for once,” said Dick, “or twice either, or a dozen
+times.”
+</p>
+
+<p>
+“O Dick!” said Fancy reproachfully.
+</p>
+
+<p>
+“Why, dear, that’s nothing,—only just a bit of a flourish. You be as nervous as
+a cat to-day.”
+</p>
+
+<p>
+“And then, of course, when ’tis all over,” continued the tranter, “we shall
+march two and two round the parish.”
+</p>
+
+<p>
+“Yes, sure,” said Mr. Penny: “two and two: every man hitched up to his woman,
+’a b’lieve.”
+</p>
+
+<p>
+“I never can make a show of myself in that way!” said Fancy, looking at Dick to
+ascertain if he could.
+</p>
+
+<p>
+“I’m agreed to anything you and the company like, my dear!” said Mr. Richard
+Dewy heartily.
+</p>
+
+<p>
+“Why, we did when we were married, didn’t we, Ann?” said the tranter; “and so
+do everybody, my sonnies.”
+</p>
+
+<p>
+“And so did we,” said Fancy’s father.
+</p>
+
+<p>
+“And so did Penny and I,” said Mrs. Penny: “I wore my best Bath clogs, I
+remember, and Penny was cross because it made me look so tall.”
+</p>
+
+<p>
+“And so did father and mother,” said Miss Mercy Onmey.
+</p>
+
+<p>
+“And I mean to, come next Christmas!” said Nat the groomsman vigorously, and
+looking towards the person of Miss Vashti Sniff.
+</p>
+
+<p>
+“Respectable people don’t nowadays,” said Fancy. “Still, since poor mother did,
+I will.”
+</p>
+
+<p>
+“Ay,” resumed the tranter, “’twas on a White Tuesday when I committed it.
+Mellstock Club walked the same day, and we new-married folk went a-gaying round
+the parish behind ’em. Everybody used to wear something white at Whitsuntide in
+them days. My sonnies, I’ve got the very white trousers that I wore, at home in
+box now. Ha’n’t I, Ann?”
+</p>
+
+<p>
+“You had till I cut ’em up for Jimmy,” said Mrs. Dewy.
+</p>
+
+<p>
+“And we ought, by rights, after doing this parish, to go round Higher and Lower
+Mellstock, and call at Viney’s, and so work our way hither again across He’th,”
+said Mr. Penny, recovering scent of the matter in hand. “Dairyman Viney is a
+very respectable man, and so is Farmer Kex, and we ought to show ourselves to
+them.”
+</p>
+
+<p>
+“True,” said the tranter, “we ought to go round Mellstock to do the thing well.
+We shall form a very striking object walking along in rotation, good-now,
+neighbours?”
+</p>
+
+<p>
+“That we shall: a proper pretty sight for the nation,” said Mrs. Penny.
+</p>
+
+<p>
+“Hullo!” said the tranter, suddenly catching sight of a singular human figure
+standing in the doorway, and wearing a long smock-frock of pillow-case cut and
+of snowy whiteness. “Why, Leaf! whatever dost thou do here?”
+</p>
+
+<p>
+“I’ve come to know if so be I can come to the wedding—hee-hee!” said Leaf in a
+voice of timidity.
+</p>
+
+<p>
+“Now, Leaf,” said the tranter reproachfully, “you know we don’t want ’ee here
+to-day: we’ve got no room for ye, Leaf.”
+</p>
+
+<p>
+“Thomas Leaf, Thomas Leaf, fie upon ye for prying!” said old William.
+</p>
+
+<p>
+“I know I’ve got no head, but I thought, if I washed and put on a clane shirt
+and smock-frock, I might just call,” said Leaf, turning away disappointed and
+trembling.
+</p>
+
+<p>
+“Poor feller!” said the tranter, turning to Geoffrey. “Suppose we must let en
+come? His looks are rather against en, and he is terrible silly; but ’a have
+never been in jail, and ’a won’t do no harm.”
+</p>
+
+<p>
+Leaf looked with gratitude at the tranter for these praises, and then anxiously
+at Geoffrey, to see what effect they would have in helping his cause.
+</p>
+
+<p>
+“Ay, let en come,” said Geoffrey decisively. “Leaf, th’rt welcome, ’st know;”
+and Leaf accordingly remained.
+</p>
+
+<p>
+They were now all ready for leaving the house, and began to form a procession
+in the following order: Fancy and her father, Dick and Susan Dewy, Nat Callcome
+and Vashti Sniff, Ted Waywood and Mercy Onmey, and Jimmy and Bessie Dewy. These
+formed the executive, and all appeared in strict wedding attire. Then came the
+tranter and Mrs. Dewy, and last of all Mr. and Mrs. Penny;—the tranter
+conspicuous by his enormous gloves, size eleven and three-quarters, which
+appeared at a distance like boxing gloves bleached, and sat rather awkwardly
+upon his brown hands; this hall-mark of respectability having been set upon
+himself to-day (by Fancy’s special request) for the first time in his life.
+</p>
+
+<p>
+“The proper way is for the bridesmaids to walk together,” suggested Fancy.
+</p>
+
+<p>
+“What? ’Twas always young man and young woman, arm in crook, in my time!” said
+Geoffrey, astounded.
+</p>
+
+<p>
+“And in mine!” said the tranter.
+</p>
+
+<p>
+“And in ours!” said Mr. and Mrs. Penny.
+</p>
+
+<p>
+“Never heard o’ such a thing as woman and woman!” said old William; who, with
+grandfather James and Mrs. Day, was to stay at home.
+</p>
+
+<p>
+“Whichever way you and the company like, my dear!” said Dick, who, being on the
+point of securing his right to Fancy, seemed willing to renounce all other
+rights in the world with the greatest pleasure. The decision was left to Fancy.
+</p>
+
+<p>
+“Well, I think I’d rather have it the way mother had it,” she said, and the
+couples moved along under the trees, every man to his maid.
+</p>
+
+<p>
+“Ah!” said grandfather James to grandfather William as they retired, “I wonder
+which she thinks most about, Dick or her wedding raiment!”
+</p>
+
+<p>
+“Well, ’tis their nature,” said grandfather William. “Remember the words of the
+prophet Jeremiah: ‘Can a maid forget her ornaments, or a bride her attire?’”
+</p>
+
+<p>
+Now among dark perpendicular firs, like the shafted columns of a cathedral; now
+through a hazel copse, matted with primroses and wild hyacinths; now under
+broad beeches in bright young leaves they threaded their way into the high road
+over Yalbury Hill, which dipped at that point directly into the village of
+Geoffrey Day’s parish; and in the space of a quarter of an hour Fancy found
+herself to be Mrs. Richard Dewy, though, much to her surprise, feeling no other
+than Fancy Day still.
+</p>
+
+<p>
+On the circuitous return walk through the lanes and fields, amid much
+chattering and laughter, especially when they came to stiles, Dick discerned a
+brown spot far up a turnip field.
+</p>
+
+<p>
+“Why, ’tis Enoch!” he said to Fancy. “I thought I missed him at the house this
+morning. How is it he’s left you?”
+</p>
+
+<p>
+“He drank too much cider, and it got into his head, and they put him in
+Weatherbury stocks for it. Father was obliged to get somebody else for a day or
+two, and Enoch hasn’t had anything to do with the woods since.”
+</p>
+
+<p>
+“We might ask him to call down to-night. Stocks are nothing for once,
+considering ’tis our wedding day.” The bridal party was ordered to halt.
+</p>
+
+<p>
+“Eno-o-o-o-ch!” cried Dick at the top of his voice.
+</p>
+
+<p>
+“Y-a-a-a-a-a-as!” said Enoch from the distance.
+</p>
+
+<p>
+“D’ye know who I be-e-e-e-e-e?”
+</p>
+
+<p>
+“No-o-o-o-o-o-o!”
+</p>
+
+<p>
+“Dick Dew-w-w-w-wy!”
+</p>
+
+<p>
+“O-h-h-h-h-h!”
+</p>
+
+<p>
+“Just a-ma-a-a-a-a-arried!”
+</p>
+
+<p>
+“O-h-h-h-h-h!”
+</p>
+
+<p>
+“This is my wife, Fa-a-a-a-a-ancy!” (holding her up to Enoch’s view as if she
+had been a nosegay.)
+</p>
+
+<p>
+“O-h-h-h-h-h!”
+</p>
+
+<p>
+“Will ye come across to the party to-ni-i-i-i-i-i-ight!”
+</p>
+
+<p>
+“Ca-a-a-a-a-an’t!”
+</p>
+
+<p>
+“Why n-o-o-o-o-ot?”
+</p>
+
+<p>
+“Don’t work for the family no-o-o-o-ow!”
+</p>
+
+<p>
+“Not nice of Master Enoch,” said Dick, as they resumed their walk.
+</p>
+
+<p>
+“You mustn’t blame en,” said Geoffrey; “the man’s not hisself now; he’s in his
+morning frame of mind. When he’s had a gallon o’ cider or ale, or a pint or two
+of mead, the man’s well enough, and his manners be as good as anybody’s in the
+kingdom.”
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap30"></a>CHAPTER II.<br/>
+UNDER THE GREENWOOD TREE</h2>
+
+<p>
+The point in Yalbury Wood which abutted on the end of Geoffrey Day’s premises
+was closed with an ancient tree, horizontally of enormous extent, though having
+no great pretensions to height. Many hundreds of birds had been born amidst the
+boughs of this single tree; tribes of rabbits and hares had nibbled at its bark
+from year to year; quaint tufts of fungi had sprung from the cavities of its
+forks; and countless families of moles and earthworms had crept about its
+roots. Beneath and beyond its shade spread a carefully-tended grass-plot, its
+purpose being to supply a healthy exercise-ground for young chickens and
+pheasants; the hens, their mothers, being enclosed in coops placed upon the
+same green flooring.
+</p>
+
+<p>
+All these encumbrances were now removed, and as the afternoon advanced, the
+guests gathered on the spot, where music, dancing, and the singing of songs
+went forward with great spirit throughout the evening. The propriety of every
+one was intense by reason of the influence of Fancy, who, as an additional
+precaution in this direction, had strictly charged her father and the tranter
+to carefully avoid saying ‘thee’ and ‘thou’ in their conversation, on the plea
+that those ancient words sounded so very humiliating to persons of newer taste;
+also that they were never to be seen drawing the back of the hand across the
+mouth after drinking—a local English custom of extraordinary antiquity, but
+stated by Fancy to be decidedly dying out among the better classes of society.
+</p>
+
+<p>
+In addition to the local musicians present, a man who had a thorough knowledge
+of the tambourine was invited from the village of Tantrum Clangley,—a place
+long celebrated for the skill of its inhabitants as performers on instruments
+of percussion. These important members of the assembly were relegated to a
+height of two or three feet from the ground, upon a temporary erection of
+planks supported by barrels. Whilst the dancing progressed the older persons
+sat in a group under the trunk of the tree,—the space being allotted to them
+somewhat grudgingly by the young ones, who were greedy of pirouetting room,—and
+fortified by a table against the heels of the dancers. Here the gaffers and
+gammers, whose dancing days were over, told stories of great impressiveness,
+and at intervals surveyed the advancing and retiring couples from the same
+retreat, as people on shore might be supposed to survey a naval engagement in
+the bay beyond; returning again to their tales when the pause was over. Those
+of the whirling throng, who, during the rests between each figure, turned their
+eyes in the direction of these seated ones, were only able to discover, on
+account of the music and bustle, that a very striking circumstance was in
+course of narration—denoted by an emphatic sweep of the hand, snapping of the
+fingers, close of the lips, and fixed look into the centre of the listener’s
+eye for the space of a quarter of a minute, which raised in that listener such
+a reciprocating working of face as to sometimes make the distant dancers half
+wish to know what such an interesting tale could refer to.
+</p>
+
+<p>
+Fancy caused her looks to wear as much matronly expression as was obtainable
+out of six hours’ experience as a wife, in order that the contrast between her
+own state of life and that of the unmarried young women present might be duly
+impressed upon the company: occasionally stealing glances of admiration at her
+left hand, but this quite privately; for her ostensible bearing concerning the
+matter was intended to show that, though she undoubtedly occupied the most
+wondrous position in the eyes of the world that had ever been attained, she was
+almost unconscious of the circumstance, and that the somewhat prominent
+position in which that wonderfully-emblazoned left hand was continually found
+to be placed, when handing cups and saucers, knives, forks, and glasses, was
+quite the result of accident. As to wishing to excite envy in the bosoms of her
+maiden companions, by the exhibition of the shining ring, every one was to know
+it was quite foreign to the dignity of such an experienced married woman.
+Dick’s imagination in the meantime was far less capable of drawing so much
+wontedness from his new condition. He had been for two or three hours trying to
+feel himself merely a newly-married man, but had been able to get no further in
+the attempt than to realize that he was Dick Dewy, the tranter’s son, at a
+party given by Lord Wessex’s head man-in-charge, on the outlying Yalbury
+estate, dancing and chatting with Fancy Day.
+</p>
+
+<p>
+Five country dances, including ‘Haste to the Wedding,’ two reels, and three
+fragments of horn-pipes, brought them to the time for supper, which, on account
+of the dampness of the grass from the immaturity of the summer season, was
+spread indoors. At the conclusion of the meal Dick went out to put the horse
+in; and Fancy, with the elder half of the four bridesmaids, retired upstairs to
+dress for the journey to Dick’s new cottage near Mellstock.
+</p>
+
+<p>
+“How long will you be putting on your bonnet, Fancy?” Dick inquired at the foot
+of the staircase. Being now a man of business and married, he was strong on the
+importance of time, and doubled the emphasis of his words in conversing, and
+added vigour to his nods.
+</p>
+
+<p>
+“Only a minute.”
+</p>
+
+<p>
+“How long is that?”
+</p>
+
+<p>
+“Well, dear, five.”
+</p>
+
+<p>
+“Ah, sonnies!” said the tranter, as Dick retired, “’tis a talent of the female
+race that low numbers should stand for high, more especially in matters of
+waiting, matters of age, and matters of money.”
+</p>
+
+<p>
+“True, true, upon my body,” said Geoffrey.
+</p>
+
+<p>
+“Ye spak with feeling, Geoffrey, seemingly.”
+</p>
+
+<p>
+“Anybody that d’know my experience might guess that.”
+</p>
+
+<p>
+“What’s she doing now, Geoffrey?”
+</p>
+
+<p>
+“Claning out all the upstairs drawers and cupboards, and dusting the
+second-best chainey—a thing that’s only done once a year. ‘If there’s work to
+be done I must do it,’ says she, ‘wedding or no.’”
+</p>
+
+<p>
+“’Tis my belief she’s a very good woman at bottom.”
+</p>
+
+<p>
+“She’s terrible deep, then.”
+</p>
+
+<p>
+Mrs. Penny turned round. “Well, ’tis humps and hollers with the best of us; but
+still and for all that, Dick and Fancy stand as fair a chance of having a bit
+of sunsheen as any married pair in the land.”
+</p>
+
+<p>
+“Ay, there’s no gainsaying it.”
+</p>
+
+<p>
+Mrs. Dewy came up, talking to one person and looking at another. “Happy, yes,”
+she said. “’Tis always so when a couple is so exactly in tune with one another
+as Dick and she.”
+</p>
+
+<p>
+“When they be’n’t too poor to have time to sing,” said grandfather James.
+</p>
+
+<p>
+“I tell ye, neighbours, when the pinch comes,” said the tranter: “when the
+oldest daughter’s boots be only a size less than her mother’s, and the rest o’
+the flock close behind her. A sharp time for a man that, my sonnies; a very
+sharp time! Chanticleer’s comb is a-cut then, ’a believe.”
+</p>
+
+<p>
+“That’s about the form o’t,” said Mr. Penny. “That’ll put the stuns upon a man,
+when you must measure mother and daughter’s lasts to tell ’em apart.”
+</p>
+
+<p>
+“You’ve no cause to complain, Reuben, of such a close-coming flock,” said Mrs.
+Dewy; “for ours was a straggling lot enough, God knows!”
+</p>
+
+<p>
+“I d’know it, I d’know it,” said the tranter. “You be a well-enough woman,
+Ann.”
+</p>
+
+<p>
+Mrs. Dewy put her mouth in the form of a smile, and put it back again without
+smiling.
+</p>
+
+<p>
+“And if they come together, they go together,” said Mrs. Penny, whose family
+had been the reverse of the tranter’s; “and a little money will make either
+fate tolerable. And money can be made by our young couple, I know.”
+</p>
+
+<p>
+“Yes, that it can!” said the impulsive voice of Leaf, who had hitherto humbly
+admired the proceedings from a corner. “It can be done—all that’s wanted is a
+few pounds to begin with. That’s all! I know a story about it!”
+</p>
+
+<p>
+“Let’s hear thy story, Leaf,” said the tranter. “I never knew you were clever
+enough to tell a story. Silence, all of ye! Mr. Leaf will tell a story.”
+</p>
+
+<p>
+“Tell your story, Thomas Leaf,” said grandfather William in the tone of a
+schoolmaster.
+</p>
+
+<p>
+“Once,” said the delighted Leaf, in an uncertain voice, “there was a man who
+lived in a house! Well, this man went thinking and thinking night and day. At
+last, he said to himself, as I might, ‘If I had only ten pound, I’d make a
+fortune.’ At last by hook or by crook, behold he got the ten pounds!”
+</p>
+
+<p>
+“Only think of that!” said Nat Callcome satirically.
+</p>
+
+<p>
+“Silence!” said the tranter.
+</p>
+
+<p>
+“Well, now comes the interesting part of the story! In a little time he made
+that ten pounds twenty. Then a little time after that he doubled it, and made
+it forty. Well, he went on, and a good while after that he made it eighty, and
+on to a hundred. Well, by-and-by he made it two hundred! Well, you’d never
+believe it, but—he went on and made it four hundred! He went on, and what did
+he do? Why, he made it eight hundred! Yes, he did,” continued Leaf, in the
+highest pitch of excitement, bringing down his fist upon his knee with such
+force that he quivered with the pain; “yes, and he went on and made it A
+THOUSAND!”
+</p>
+
+<p>
+“Hear, hear!” said the tranter. “Better than the history of England, my
+sonnies!”
+</p>
+
+<p>
+“Thank you for your story, Thomas Leaf,” said grandfather William; and then
+Leaf gradually sank into nothingness again.
+</p>
+
+<p class="p2">
+Amid a medley of laughter, old shoes, and elder-wine, Dick and his bride took
+their departure, side by side in the excellent new spring-cart which the young
+tranter now possessed. The moon was just over the full, rendering any light
+from lamps or their own beauties quite unnecessary to the pair. They drove
+slowly along Yalbury Bottom, where the road passed between two copses. Dick was
+talking to his companion.
+</p>
+
+<p>
+“Fancy,” he said, “why we are so happy is because there is such full confidence
+between us. Ever since that time you confessed to that little flirtation with
+Shiner by the river (which was really no flirtation at all), I have thought how
+artless and good you must be to tell me o’ such a trifling thing, and to be so
+frightened about it as you were. It has won me to tell you my every deed and
+word since then. We’ll have no secrets from each other, darling, will we
+ever?—no secret at all.”
+</p>
+
+<p>
+“None from to-day,” said Fancy. “Hark! what’s that?”
+</p>
+
+<p>
+From a neighbouring thicket was suddenly heard to issue in a loud, musical, and
+liquid voice—
+</p>
+
+<p>
+“Tippiwit! swe-e-et! ki-ki-ki! Come hither, come hither, come hither!”
+</p>
+
+<p>
+“O, ’tis the nightingale,” murmured she, and thought of a secret she would
+never tell.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Footnotes:</h2>
+
+<p>
+<a name="footnote1"></a><a href="#citation1">{1}</a> This, a local expression,
+must be a corruption of something less questionable.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK UNDER THE GREENWOOD TREE ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away&#8212;you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div>
+<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div>
+<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html> \ No newline at end of file