summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--26684-h.zipbin0 -> 15685 bytes
-rw-r--r--26684-h/26684-h.htm769
-rw-r--r--26684-page-images/f0001.pngbin0 -> 8641 bytes
-rw-r--r--26684-page-images/f0002.pngbin0 -> 5109 bytes
-rw-r--r--26684-page-images/p0003.pngbin0 -> 44905 bytes
-rw-r--r--26684-page-images/p0004.pngbin0 -> 51554 bytes
-rw-r--r--26684-page-images/p0005.pngbin0 -> 60492 bytes
-rw-r--r--26684-page-images/p0006.pngbin0 -> 58150 bytes
-rw-r--r--26684-page-images/p0007.pngbin0 -> 57709 bytes
-rw-r--r--26684-page-images/p0008.pngbin0 -> 53788 bytes
-rw-r--r--26684-page-images/p0009.pngbin0 -> 34425 bytes
-rw-r--r--26684.txt700
-rw-r--r--26684.zipbin0 -> 14518 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
16 files changed, 1485 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/26684-h.zip b/26684-h.zip
new file mode 100644
index 0000000..8c89e90
--- /dev/null
+++ b/26684-h.zip
Binary files differ
diff --git a/26684-h/26684-h.htm b/26684-h/26684-h.htm
new file mode 100644
index 0000000..3cea5ae
--- /dev/null
+++ b/26684-h/26684-h.htm
@@ -0,0 +1,769 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Piracy off the Florida Coast and Elsewhere, by Samuel A. Green
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ .noin {text-indent: 0em;}
+ body > p {text-indent: 1em;}
+ h1,h2 {clear: both; font-weight: normal;}
+ h1 {margin-bottom: 2em;}
+ h2 {margin-bottom: 4em;}
+ hr {width: 65%; margin: 2em auto; clear: both;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .pagenum {position: absolute; right: 1%; font-size: small; font-style: normal; text-align: right; text-indent: 0em;}
+ .blockquot {margin: 1em 10%;}
+ .center,h1,h2 {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .poem {margin: .75em auto; text-align: left; width: 16em;}
+ .poem br {display: none;}
+ .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ .fs1,.fs3 {line-height: 2;}
+ .fs2 {font-size: 90%;}
+ .fs3 {font-size: medium;}
+ .fs4 {line-height: 1.5;}
+ .bq1 {margin: -1em 10% 1.5em; font-size: large;}
+// -->
+/* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Piracy off the Florida Coast and Elsewhere, by
+Samuel A. Green
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Piracy off the Florida Coast and Elsewhere
+
+Author: Samuel A. Green
+
+Release Date: September 21, 2008 [EBook #26684]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST ***
+
+
+
+
+Produced by Mark C. Orton, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+</pre>
+
+
+<h1><span class="fs1">PIRACY</span><br />
+<span class="fs2">OFF THE FLORIDA COAST<br />
+AND ELSEWHERE</span></h1>
+
+<h2><span class="fs3">BY</span><br />
+SAMUEL A. GREEN</h2>
+
+<div class="center"><span class="fs4"><big>CAMBRIDGE</big><br />
+JOHN WILSON AND SON<br />
+<small><b>University Press</b></small><br />
+1911</span></div>
+
+<hr />
+
+<div class="center"><span class="fs4"><span class="smcap">From the<br />
+Proceedings of the Massachusetts Historical Society<br />
+for February, 1911.</span></span></div>
+
+<hr /><p><span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span></p>
+<h1><small>PIRACY OFF THE FLORIDA COAST AND ELSEWHERE</small></h1>
+
+<div class="bq1"><span class="smcap">At</span> a stated meeting of the <span class="smcap">Massachusetts Historical
+Society</span>, held in Boston on Thursday, February 9, 1911,
+Dr. <span class="smcap">Samuel A. Green</span> presented the following paper:&mdash;</div>
+
+<p>Few persons of the present day are aware how extensively
+piracy prevailed two centuries ago. There was no part of the
+high seas that was free from the depredation of roving robbers.
+At times they threatened towns on the coast, and at others
+they attacked ships on mid-ocean; and they seem to have followed
+their lawless pursuits at will. When caught, there was
+little delay in bringing them to trial and securing a conviction;
+and trivial technicality in forms played no part in reaching
+results. At times there were multiple executions, and in the
+community there was no morbid sentimentality shown for the
+miserable wretches. Not the least of their torture was sitting
+in the meeting-house on the Sunday before execution and listening
+to their own funeral sermons, when the minister told
+them what they might expect in the next world if they got
+their just dues. On June 30, 1704, six poor victims were hung,
+on the Boston side of the Charles River bank, for piracy and
+murder; and there was a great crowd to witness the tragedy.
+Among the spectators on this occasion was Chief-Justice Sewall,
+one of the judges of the Admiralty Court which had convicted
+the pirates, who did not think it beneath his dignity to be
+present. It was then considered a public duty to invest the
+scene of execution with as much awe as possible, and it was
+thought that official station would emphasize this feeling.</p>
+
+<p>The following extract from "The Boston News-Letter,"
+August 21, 1721, shows how in early times piratical craft,
+heavily manned and carrying many guns, sailed the high seas<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span>
+and pursued their unlawful calling. The vessel was taken
+somewhere in the Sargasso Sea, off the coast of Africa.</p>
+
+<div class="blockquot"><p>These are to Certifie all Persons concerned that on the 7th Day
+of May last, William Russel, Master of the Ship Mary of Charlstown,
+in his Voyage from Madera to Surranam in the Lat. 22 Deg.
+and 27 N. and Long. 25 and 27 W. from London was taken by a
+Pirate Ship upwards of 50 Guns, Commanded by Capt. Roberts,
+about 300 Men, who robb'd him of part of his Cargo, and Forced
+away from him two of his Men, against his and their own consent,
+viz. Thomas Russel born in Lexintown near Charlstown and the
+other Thomas Winchol born in Portsmouth, New-Hampshire in
+New England.</p></div>
+
+<p>I have been led to make these introductory remarks on account
+of a manuscript recently given to the Library by Mrs.
+William B. Rogers, eldest daughter and sole surviving child of
+Mr. James Savage, who was for more than sixty years a member
+of this Society and for fourteen years its President. It consists
+of an extract from a letter written by her uncle William Savage
+to her father, dated at Havana, December 31, 1818, giving an
+account of the capture by pirates of the ship <i>Emma Sophia</i>, off
+the Florida coast, of which vessel he was supercargo. Since
+the receipt of the paper from Mrs. Rogers I have found in the
+"Boston Daily Advertiser," February 3, 1819, a fuller version
+of the letter; and for that reason I here follow the copy as
+given in the newspaper. Anything that relates to Mr. Savage
+or his family will always be in order at these meetings. At
+the unveiling of his bust in this room, on April 12, 1906, Mr.
+Adams, the President, said that "with the single exception of
+Mr. Winthrop no member of the Society since its beginning
+has left upon it so deep and individual an impression" as
+Mr. Savage has.</p>
+
+<p>The account appears on the second page of the Advertiser,
+under the heading of "Marine Journal," as follows:&mdash;</p>
+
+<div class="blockquot"><p class="center"><big>MEMORANDA.</big></p>
+
+<p>&#9758;The vessel mentioned in yesterday's paper, as having been plundered
+off Florida, is the Hamburgh ship <i>Emma Sophia</i>, Capt. Frahm&mdash;the
+supercargo is Mr. William Savage, of this town. It is stated
+in the Charleston papers that she is insured at Lloyd's.</p>
+
+<p><span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span>We have been favoured with the following extract, giving further
+particulars:</p>
+
+<p><i>Extract of a letter from a gentleman of this town, supercargo of the
+ship Emma Sophia, dated Havana, 31st Dec. 1818.</i></p>
+
+<p>On Saturday 19th inst. between the Bahama Bank and Key Sal
+Bank we were boarded and taken possession of by a small schr. of
+about 30 tons, having one gun mounted on a pivot and 30 men. She
+manned us with twelve men, Spaniards, French, Germans and
+Americans, and carried us towards the Florida coast. Being arrived
+on the coast nearly opposite to Havana, the privateer went in shore
+to reconnoitre, and our ship lay off and on. Next morning she
+returned with two small vessels, a schooner and sloop. We then
+all four steered over the reef towards the small islands, and on
+Tuesday afternoon were brought to anchor in a little harbour
+formed by the Florida isles and the Martyr's Reef, as snug a hole as
+buccaniers would wish. They had seen no papers, but those of the
+ship and the Manifest, but the latter was enough, and they asked
+not for invoices or bills of lading. As soon as we anchored, they
+threw off our boats, took off the hatches and began to plunder the
+cargo. They loaded their two small vessels and another that came
+in next morning, besides taking our valuables on board the privateer.
+Having filled their vessels with linens and nankins, we had still many
+left, for our ship was full when we sailed from Hamburgh. Till
+Wednesday noon, our cabin had been respected, but then they came
+below and took packages of laces, gold watches from the trunks
+and other valuable goods. Every man had a knife about a foot long,
+which they brandished, swearing they would have money or something
+more valuable, that was concealed, or they would kill every
+soul of us, and they particularly threatened me. I appealed to their
+captain, told him I was in fear of my life, and went with him on
+board his privateer. He said he had no command, the crew would
+do as they pleased, that I need entertain no fear of my life, but had
+better tell at once if any thing was concealed. I told him there was
+not. After my return to the ship towards night, the pirates left us
+for the first time, and we hoped they had done with us. But next
+morning another sch'r and sloop appeared in the offing, and the
+privateer and one of the loaded sloops went out to meet them.
+They all returned together, the privateer anchored, and a boat's
+crew came towards us. I attempted to go on board the privateer
+to see her captain, but was ordered back. When they came on
+board, they said they had come to find where the gold &amp;c. was,
+and that if we would not tell, they would hang every man of us and
+burn the ship. Davis, the spokesman, drew his knife and swore,
+that every man should die, unless he found the money, and first he<span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span>
+would hang the supercargo. He called for a rope, which he had
+brought on board, fitted with a hangman's noose, sent a man up
+to the mizen yard and rove it and brought the noose down&mdash;and
+one man held it, and another stood ready to hoist. Now, said Davis,
+tell me where is the money, where are your diamonds, or I will
+hang you this minute. In vain I repeated I had nothing more but
+my watch, which I offered and he refused.&mdash;Once more, said he,
+will you tell? I have nothing to tell, said I. On with the rope,
+said the villain, and hoist away. The fellow with the noose came
+towards me, and I sprang overboard. They took me up, after some
+time, apparently insensible. They took off all my cloaths, and laid
+me on my back on deck, naked as I was born, except having a blanket
+thrown over me. Here I laid five hours without moving hand or
+foot. Meanwhile they robbed us of every thing of the least value.
+Against me they seemed to have a particular spite, stealing even the
+ring from my finger, and all my cloaths from my trunks which they
+sent on board the privateer.</p>
+
+<p>At night they left us, but returned once or twice, for a few minutes,
+to see how I was. That night the privateer, with two or three of
+her convoy went to sea, and next morning, Christmas day, we got
+under way.&mdash;Having taken good notice of the courses steered in
+coming in, and keeping the lead constantly going, we found our
+way out to <i>blue water</i> without much difficulty, and next morning,
+26th, arrived without further accident at Havana.</p>
+
+<p>The privateer was, I think, fitted out from this island. The
+Captain is a Spaniard, a short man with a remarkable good face, that
+nobody would suspect to belong to such a gang. The Lieutenant is
+a Frenchman, a creole of St. Domingo, but called himself an Italian.
+The man they called Davis, who ordered me to be hanged, is the
+pilot or sailing master, and their boarding officer. He is an American,
+belongs to New-York, and was the worst man on board. He
+is a good looking fellow, something perhaps over the middle size,
+but the most brutal rascal I ever met. There was another American
+on board, only a common hand, being a drunkard.&mdash;Two negroes
+are all the residue of the gentlemen with whom I had much acquaintance.</p>
+
+<p>The goods taken from us were upwards of fifty thousand dollars
+worth, and I have no doubt are landed on the coast of this Island.
+The neighborhood of Cuba will be troubled waters until our government
+shall seriously determine to put down this system of piracy.</p></div>
+
+<p>Akin to this subject it may be proper to record an incident
+which many years ago concerned myself, and might have been
+tragical in its result. In the month of February, 1854, it fell<span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span>
+to my lot to sail out of Boston harbor for Malta, aboard the
+bark <i>Sylph</i>, of Liverpool, Nova Scotia. At that period vessels
+sailing under the English flag were known in this country as
+<i>lime-juicers</i>, so called because in the British navy the consumption
+of lime or lemon juice was enforced as an anti-scorbutic
+remedy. The only other passenger beside myself was Gen.
+William A. Aiken, now of Norwich, Connecticut. The vessel
+was in command of Captain Roberts, of Liverpool; and the
+first officer was Mr. Hicks, and the second officer, Mr. Wharton.
+According to my recollection there were eight in the forecastle,
+which number, together with the cook and steward, made up
+a complement of fourteen persons, all told, aboard the bark.
+The cook and steward were represented by a single person of
+African descent, who prided himself both on his hair and his
+cooking, as well as on his brotherly kinship to the self-styled
+rival of Jenny Lind, who was then called the "Black Swan"
+(Elizabeth Taylor Greenfield), a singer, well-known in her day.
+His hair deserves a word of special note, as it was sometimes
+closely associated with his cooking, inasmuch as its elaborate
+dressing was done before a glass hanging just beside a stove
+in the cook's galley. He generally kept his long wool tightly
+furled in numerous curling papers that stood out from his head
+like spikes. On great occasions, such as Sundays and wonderful
+deliverances from storms, he used to unfurl his kinky locks
+which seemed ample enough then to fill a bushel basket.</p>
+
+<p>After a delay of a week or ten days in the harbor, owing to
+head winds or inclement weather we set sail; and I remember
+well that the pilot, Fowler by name, as he was about to leave
+the vessel, throwing his leg over the bulwarks, said in his
+gruff voice to our skipper, "I will give you twenty-eight days
+to the Straits."</p>
+
+<p>There is little to write about the trip on the Atlantic side of
+the voyage more than it was very monotonous, so much so that
+both Aiken and myself for some slight relief used occasionally
+to help the captain "take the sun" at noon, and in this way we
+both became more or less expert in navigation. It was also
+interesting to watch the sailors in their various duties and
+pleasures; and from them we learned to splice ropes and to
+tie fancy knots. We learned, too, the words of command in
+proper sequence, as given by the captain, when he ordered<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span>
+the men to tack ship or to wear ship, all which was of great
+interest to us. Occasionally in good weather we used to take
+our trick at the wheel in order to break the monotony of the
+voyage. Sometimes we would catch a porpoise, of which
+the liver would give us a taste of fresh meat and remind us of
+home. Off Cape Trafalgar we sailed over the waters which
+floated the English fleet when Nelson fought his famous fight.
+I recollect the first glimpse we had of Cape Spartel, a point
+of land in the northwest corner of the African continent,
+overlooking the Straits, which we made early in the morning of
+March 16, my birthday. With a head-wind it took two days
+to beat into the Mediterranean, where we had many calms
+and much bad weather. At one time we came near being
+wrecked in a gale off Cape de Gato on the southern coast of
+Spain, but generally we were cruising along the north coast
+of Africa, within a few leagues of land, as our sailing course
+was dependent upon the wind. At times we could see buildings
+and villages on the shore, and then would sink them
+behind as we sailed away.</p>
+
+<p>The incident to which I have already alluded, occurred in the
+latter part of March, off Cape Tres Forcas on the Barbary
+Coast. One afternoon, as we were sailing along at low speed
+with little wind, two or three leagues from land, we spied
+two lateen-rigged feluccas, apparently following us, which at
+first sight attracted but little attention. Captain Roberts soon
+became suspicious of their movements and watched them
+closely, as they were gaining on us. We were going hardly more
+than two or three knots an hour, having little more than steering
+way, but they spreading much sail were faster. The
+captain soon gave orders to have an inventory taken of the
+firearms on board that could be used in case of need, but
+these were found to be few in number and in poor condition.
+The cook was ordered to heat as much boiling water as his
+small galley would allow, to be ready to repel any attempt to
+board the vessel. There was great excitement on the bark,
+and we fully expected to be attacked, but fortunately for us</p>
+
+<div class="poem">
+<span class="i0">The shades of night were falling fast,<br /></span>
+</div>
+
+<p class="noin">and soon the sun went down. We then changed our course a
+point or two and threw a sail over the binnacle light so that the<span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span>
+suspected pirates could not follow us; and thus we escaped
+what might have been a tragedy.</p>
+
+<p>After our arrival at Malta we learned that three vessels had
+been taken by the Riff pirates, as they were called, near the
+time when we were threatened, and near the same point of land.
+Without doubt the captors belonged to the same crew as those
+that followed us. We were on the Mediterranean Sea at the
+time when the Crimean War broke out, England having declared
+war on March 28. This new condition of public affairs
+caused great confusion in the movement of steamers and in
+transportation generally, as steamships were much needed for
+military purposes; on which account my stay at Malta was
+somewhat prolonged. During this time I saw a good deal of
+the American consul, Mr. William Winthrop, who was a kinsman
+of our former President, Mr. Winthrop, and at a later
+period a Corresponding Member of this Society. At the regular
+monthly meeting held on November 8, 1882, Mr. Robert C.
+Winthrop, Jr., paid a handsome tribute to the consul, on the
+occasion of the Society's receiving a liberal bequest from him.
+He ended his remarks by saying of him: "He took a pride,
+however, in being a Corresponding Member,&mdash;the only one
+in nearly a century who, so far as I am aware, ever left the
+Society a dollar, and I much fear that, in this respect, he is
+likely long to remain unique."</p>
+
+<div class="trn"><b>Transcriber's Note:</b>
+Minor typographical errors have been corrected without note.
+Variant spellings have been retained, in addition to spelling errors in quoted text.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Piracy off the Florida Coast and
+Elsewhere, by Samuel A. Green
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST ***
+
+***** This file should be named 26684-h.htm or 26684-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/6/6/8/26684/
+
+Produced by Mark C. Orton, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/26684-page-images/f0001.png b/26684-page-images/f0001.png
new file mode 100644
index 0000000..99bc8a3
--- /dev/null
+++ b/26684-page-images/f0001.png
Binary files differ
diff --git a/26684-page-images/f0002.png b/26684-page-images/f0002.png
new file mode 100644
index 0000000..b64445b
--- /dev/null
+++ b/26684-page-images/f0002.png
Binary files differ
diff --git a/26684-page-images/p0003.png b/26684-page-images/p0003.png
new file mode 100644
index 0000000..f80667b
--- /dev/null
+++ b/26684-page-images/p0003.png
Binary files differ
diff --git a/26684-page-images/p0004.png b/26684-page-images/p0004.png
new file mode 100644
index 0000000..aa697ea
--- /dev/null
+++ b/26684-page-images/p0004.png
Binary files differ
diff --git a/26684-page-images/p0005.png b/26684-page-images/p0005.png
new file mode 100644
index 0000000..4681b10
--- /dev/null
+++ b/26684-page-images/p0005.png
Binary files differ
diff --git a/26684-page-images/p0006.png b/26684-page-images/p0006.png
new file mode 100644
index 0000000..8a2d25c
--- /dev/null
+++ b/26684-page-images/p0006.png
Binary files differ
diff --git a/26684-page-images/p0007.png b/26684-page-images/p0007.png
new file mode 100644
index 0000000..dc7a203
--- /dev/null
+++ b/26684-page-images/p0007.png
Binary files differ
diff --git a/26684-page-images/p0008.png b/26684-page-images/p0008.png
new file mode 100644
index 0000000..2fd29b7
--- /dev/null
+++ b/26684-page-images/p0008.png
Binary files differ
diff --git a/26684-page-images/p0009.png b/26684-page-images/p0009.png
new file mode 100644
index 0000000..180fa12
--- /dev/null
+++ b/26684-page-images/p0009.png
Binary files differ
diff --git a/26684.txt b/26684.txt
new file mode 100644
index 0000000..8462e83
--- /dev/null
+++ b/26684.txt
@@ -0,0 +1,700 @@
+The Project Gutenberg EBook of Piracy off the Florida Coast and Elsewhere, by
+Samuel A. Green
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Piracy off the Florida Coast and Elsewhere
+
+Author: Samuel A. Green
+
+Release Date: September 21, 2008 [EBook #26684]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST ***
+
+
+
+
+Produced by Mark C. Orton, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+ PIRACY
+
+ OFF THE FLORIDA COAST
+ AND ELSEWHERE
+
+
+ BY
+ SAMUEL A. GREEN
+
+
+ CAMBRIDGE
+ JOHN WILSON AND SON
+ University Press
+ 1911
+
+
+
+
+ FROM THE
+ PROCEEDINGS OF THE MASSACHUSETTS HISTORICAL SOCIETY
+ FOR FEBRUARY, 1911.
+
+
+
+
+PIRACY OFF THE FLORIDA COAST AND ELSEWHERE
+
+At a stated meeting of the MASSACHUSETTS HISTORICAL SOCIETY, held in
+Boston on Thursday, February 9, 1911, Dr. SAMUEL A. GREEN presented the
+following paper:--
+
+
+Few persons of the present day are aware how extensively piracy
+prevailed two centuries ago. There was no part of the high seas that was
+free from the depredation of roving robbers. At times they threatened
+towns on the coast, and at others they attacked ships on mid-ocean; and
+they seem to have followed their lawless pursuits at will. When caught,
+there was little delay in bringing them to trial and securing a
+conviction; and trivial technicality in forms played no part in reaching
+results. At times there were multiple executions, and in the community
+there was no morbid sentimentality shown for the miserable wretches. Not
+the least of their torture was sitting in the meeting-house on the
+Sunday before execution and listening to their own funeral sermons, when
+the minister told them what they might expect in the next world if they
+got their just dues. On June 30, 1704, six poor victims were hung, on
+the Boston side of the Charles River bank, for piracy and murder; and
+there was a great crowd to witness the tragedy. Among the spectators on
+this occasion was Chief-Justice Sewall, one of the judges of the
+Admiralty Court which had convicted the pirates, who did not think it
+beneath his dignity to be present. It was then considered a public duty
+to invest the scene of execution with as much awe as possible, and it
+was thought that official station would emphasize this feeling.
+
+The following extract from "The Boston News-Letter," August 21, 1721,
+shows how in early times piratical craft, heavily manned and carrying
+many guns, sailed the high seas and pursued their unlawful calling. The
+vessel was taken somewhere in the Sargasso Sea, off the coast of Africa.
+
+ These are to Certifie all Persons concerned that on the 7th Day of
+ May last, William Russel, Master of the Ship Mary of Charlstown, in
+ his Voyage from Madera to Surranam in the Lat. 22 Deg. and 27 N. and
+ Long. 25 and 27 W. from London was taken by a Pirate Ship upwards of
+ 50 Guns, Commanded by Capt. Roberts, about 300 Men, who robb'd him
+ of part of his Cargo, and Forced away from him two of his Men,
+ against his and their own consent, viz. Thomas Russel born in
+ Lexintown near Charlstown and the other Thomas Winchol born in
+ Portsmouth, New-Hampshire in New England.
+
+I have been led to make these introductory remarks on account of a
+manuscript recently given to the Library by Mrs. William B. Rogers,
+eldest daughter and sole surviving child of Mr. James Savage, who was
+for more than sixty years a member of this Society and for fourteen
+years its President. It consists of an extract from a letter written by
+her uncle William Savage to her father, dated at Havana, December 31,
+1818, giving an account of the capture by pirates of the ship _Emma
+Sophia_, off the Florida coast, of which vessel he was supercargo. Since
+the receipt of the paper from Mrs. Rogers I have found in the "Boston
+Daily Advertiser," February 3, 1819, a fuller version of the letter; and
+for that reason I here follow the copy as given in the newspaper.
+Anything that relates to Mr. Savage or his family will always be in
+order at these meetings. At the unveiling of his bust in this room, on
+April 12, 1906, Mr. Adams, the President, said that "with the single
+exception of Mr. Winthrop no member of the Society since its beginning
+has left upon it so deep and individual an impression" as Mr. Savage
+has.
+
+The account appears on the second page of the Advertiser, under the
+heading of "Marine Journal," as follows:--
+
+ MEMORANDA.
+
+ [->]The vessel mentioned in yesterday's paper, as having been
+ plundered off Florida, is the Hamburgh ship _Emma Sophia_, Capt.
+ Frahm--the supercargo is Mr. William Savage, of this town. It is
+ stated in the Charleston papers that she is insured at Lloyd's.
+
+ We have been favoured with the following extract, giving further
+ particulars:
+
+ _Extract of a letter from a gentleman of this town, supercargo of
+ the ship Emma Sophia, dated Havana, 31st Dec. 1818._
+
+ On Saturday 19th inst. between the Bahama Bank and Key Sal Bank we
+ were boarded and taken possession of by a small schr. of about 30
+ tons, having one gun mounted on a pivot and 30 men. She manned us
+ with twelve men, Spaniards, French, Germans and Americans, and
+ carried us towards the Florida coast. Being arrived on the coast
+ nearly opposite to Havana, the privateer went in shore to
+ reconnoitre, and our ship lay off and on. Next morning she returned
+ with two small vessels, a schooner and sloop. We then all four
+ steered over the reef towards the small islands, and on Tuesday
+ afternoon were brought to anchor in a little harbour formed by the
+ Florida isles and the Martyr's Reef, as snug a hole as buccaniers
+ would wish. They had seen no papers, but those of the ship and the
+ Manifest, but the latter was enough, and they asked not for invoices
+ or bills of lading. As soon as we anchored, they threw off our
+ boats, took off the hatches and began to plunder the cargo. They
+ loaded their two small vessels and another that came in next
+ morning, besides taking our valuables on board the privateer. Having
+ filled their vessels with linens and nankins, we had still many
+ left, for our ship was full when we sailed from Hamburgh. Till
+ Wednesday noon, our cabin had been respected, but then they came
+ below and took packages of laces, gold watches from the trunks and
+ other valuable goods. Every man had a knife about a foot long, which
+ they brandished, swearing they would have money or something more
+ valuable, that was concealed, or they would kill every soul of us,
+ and they particularly threatened me. I appealed to their captain,
+ told him I was in fear of my life, and went with him on board his
+ privateer. He said he had no command, the crew would do as they
+ pleased, that I need entertain no fear of my life, but had better
+ tell at once if any thing was concealed. I told him there was not.
+ After my return to the ship towards night, the pirates left us for
+ the first time, and we hoped they had done with us. But next morning
+ another sch'r and sloop appeared in the offing, and the privateer
+ and one of the loaded sloops went out to meet them. They all
+ returned together, the privateer anchored, and a boat's crew came
+ towards us. I attempted to go on board the privateer to see her
+ captain, but was ordered back. When they came on board, they said
+ they had come to find where the gold &c. was, and that if we would
+ not tell, they would hang every man of us and burn the ship. Davis,
+ the spokesman, drew his knife and swore, that every man should die,
+ unless he found the money, and first he would hang the supercargo.
+ He called for a rope, which he had brought on board, fitted with a
+ hangman's noose, sent a man up to the mizen yard and rove it and
+ brought the noose down--and one man held it, and another stood ready
+ to hoist. Now, said Davis, tell me where is the money, where are
+ your diamonds, or I will hang you this minute. In vain I repeated I
+ had nothing more but my watch, which I offered and he refused.--Once
+ more, said he, will you tell? I have nothing to tell, said I. On
+ with the rope, said the villain, and hoist away. The fellow with the
+ noose came towards me, and I sprang overboard. They took me up,
+ after some time, apparently insensible. They took off all my
+ cloaths, and laid me on my back on deck, naked as I was born, except
+ having a blanket thrown over me. Here I laid five hours without
+ moving hand or foot. Meanwhile they robbed us of every thing of the
+ least value. Against me they seemed to have a particular spite,
+ stealing even the ring from my finger, and all my cloaths from my
+ trunks which they sent on board the privateer.
+
+ At night they left us, but returned once or twice, for a few
+ minutes, to see how I was. That night the privateer, with two or
+ three of her convoy went to sea, and next morning, Christmas day, we
+ got under way.--Having taken good notice of the courses steered in
+ coming in, and keeping the lead constantly going, we found our way
+ out to _blue water_ without much difficulty, and next morning, 26th,
+ arrived without further accident at Havana.
+
+ The privateer was, I think, fitted out from this island. The Captain
+ is a Spaniard, a short man with a remarkable good face, that nobody
+ would suspect to belong to such a gang. The Lieutenant is a
+ Frenchman, a creole of St. Domingo, but called himself an Italian.
+ The man they called Davis, who ordered me to be hanged, is the pilot
+ or sailing master, and their boarding officer. He is an American,
+ belongs to New-York, and was the worst man on board. He is a
+ good looking fellow, something perhaps over the middle size, but the
+ most brutal rascal I ever met. There was another American on board,
+ only a common hand, being a drunkard.--Two negroes are all the
+ residue of the gentlemen with whom I had much acquaintance.
+
+ The goods taken from us were upwards of fifty thousand dollars
+ worth, and I have no doubt are landed on the coast of this Island.
+ The neighborhood of Cuba will be troubled waters until our
+ government shall seriously determine to put down this system of
+ piracy.
+
+Akin to this subject it may be proper to record an incident which many
+years ago concerned myself, and might have been tragical in its result.
+In the month of February, 1854, it fell to my lot to sail out of Boston
+harbor for Malta, aboard the bark _Sylph_, of Liverpool, Nova Scotia. At
+that period vessels sailing under the English flag were known in this
+country as _lime-juicers_, so called because in the British navy the
+consumption of lime or lemon juice was enforced as an anti-scorbutic
+remedy. The only other passenger beside myself was Gen. William A.
+Aiken, now of Norwich, Connecticut. The vessel was in command of Captain
+Roberts, of Liverpool; and the first officer was Mr. Hicks, and the
+second officer, Mr. Wharton. According to my recollection there were
+eight in the forecastle, which number, together with the cook and
+steward, made up a complement of fourteen persons, all told, aboard the
+bark. The cook and steward were represented by a single person of
+African descent, who prided himself both on his hair and his cooking, as
+well as on his brotherly kinship to the self-styled rival of Jenny Lind,
+who was then called the "Black Swan" (Elizabeth Taylor Greenfield), a
+singer, well-known in her day. His hair deserves a word of special note,
+as it was sometimes closely associated with his cooking, inasmuch as its
+elaborate dressing was done before a glass hanging just beside a stove
+in the cook's galley. He generally kept his long wool tightly furled in
+numerous curling papers that stood out from his head like spikes. On
+great occasions, such as Sundays and wonderful deliverances from storms,
+he used to unfurl his kinky locks which seemed ample enough then to fill
+a bushel basket.
+
+After a delay of a week or ten days in the harbor, owing to head winds
+or inclement weather we set sail; and I remember well that the pilot,
+Fowler by name, as he was about to leave the vessel, throwing his leg
+over the bulwarks, said in his gruff voice to our skipper, "I will give
+you twenty-eight days to the Straits."
+
+There is little to write about the trip on the Atlantic side of the
+voyage more than it was very monotonous, so much so that both Aiken and
+myself for some slight relief used occasionally to help the captain
+"take the sun" at noon, and in this way we both became more or less
+expert in navigation. It was also interesting to watch the sailors in
+their various duties and pleasures; and from them we learned to splice
+ropes and to tie fancy knots. We learned, too, the words of command in
+proper sequence, as given by the captain, when he ordered the men to
+tack ship or to wear ship, all which was of great interest to us.
+Occasionally in good weather we used to take our trick at the wheel in
+order to break the monotony of the voyage. Sometimes we would catch a
+porpoise, of which the liver would give us a taste of fresh meat and
+remind us of home. Off Cape Trafalgar we sailed over the waters which
+floated the English fleet when Nelson fought his famous fight. I
+recollect the first glimpse we had of Cape Spartel, a point of land in
+the northwest corner of the African continent, overlooking the Straits,
+which we made early in the morning of March 16, my birthday. With a
+head-wind it took two days to beat into the Mediterranean, where we had
+many calms and much bad weather. At one time we came near being wrecked
+in a gale off Cape de Gato on the southern coast of Spain, but generally
+we were cruising along the north coast of Africa, within a few leagues
+of land, as our sailing course was dependent upon the wind. At times we
+could see buildings and villages on the shore, and then would sink them
+behind as we sailed away.
+
+The incident to which I have already alluded, occurred in the latter
+part of March, off Cape Tres Forcas on the Barbary Coast. One afternoon,
+as we were sailing along at low speed with little wind, two or three
+leagues from land, we spied two lateen-rigged feluccas, apparently
+following us, which at first sight attracted but little attention.
+Captain Roberts soon became suspicious of their movements and watched
+them closely, as they were gaining on us. We were going hardly more than
+two or three knots an hour, having little more than steering way, but
+they spreading much sail were faster. The captain soon gave orders to
+have an inventory taken of the firearms on board that could be used in
+case of need, but these were found to be few in number and in poor
+condition. The cook was ordered to heat as much boiling water as his
+small galley would allow, to be ready to repel any attempt to board the
+vessel. There was great excitement on the bark, and we fully expected to
+be attacked, but fortunately for us
+
+ The shades of night were falling fast,
+
+and soon the sun went down. We then changed our course a point or two
+and threw a sail over the binnacle light so that the suspected pirates
+could not follow us; and thus we escaped what might have been a tragedy.
+
+After our arrival at Malta we learned that three vessels had been taken
+by the Riff pirates, as they were called, near the time when we were
+threatened, and near the same point of land. Without doubt the captors
+belonged to the same crew as those that followed us. We were on the
+Mediterranean Sea at the time when the Crimean War broke out, England
+having declared war on March 28. This new condition of public affairs
+caused great confusion in the movement of steamers and in transportation
+generally, as steamships were much needed for military purposes; on
+which account my stay at Malta was somewhat prolonged. During this time
+I saw a good deal of the American consul, Mr. William Winthrop, who was
+a kinsman of our former President, Mr. Winthrop, and at a later period a
+Corresponding Member of this Society. At the regular monthly meeting
+held on November 8, 1882, Mr. Robert C. Winthrop, Jr., paid a handsome
+tribute to the consul, on the occasion of the Society's receiving a
+liberal bequest from him. He ended his remarks by saying of him: "He
+took a pride, however, in being a Corresponding Member,--the only one in
+nearly a century who, so far as I am aware, ever left the Society a
+dollar, and I much fear that, in this respect, he is likely long to
+remain unique."
+
+
+
+
+Transcriber's Note:
+
+ Minor typographical errors have been corrected without note. Variant
+ spellings have been retained, in addition to spelling errors in
+ quoted text. [->] has been used to represent a right-pointing index.
+
+
+
+
+
+End of the Project Gutenberg EBook of Piracy off the Florida Coast and
+Elsewhere, by Samuel A. Green
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST ***
+
+***** This file should be named 26684.txt or 26684.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/6/6/8/26684/
+
+Produced by Mark C. Orton, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26684.zip b/26684.zip
new file mode 100644
index 0000000..1fff833
--- /dev/null
+++ b/26684.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..491cd6e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #26684 (https://www.gutenberg.org/ebooks/26684)