diff options
Diffstat (limited to '26684.txt')
| -rw-r--r-- | 26684.txt | 700 |
1 files changed, 700 insertions, 0 deletions
diff --git a/26684.txt b/26684.txt new file mode 100644 index 0000000..8462e83 --- /dev/null +++ b/26684.txt @@ -0,0 +1,700 @@ +The Project Gutenberg EBook of Piracy off the Florida Coast and Elsewhere, by +Samuel A. Green + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Piracy off the Florida Coast and Elsewhere + +Author: Samuel A. Green + +Release Date: September 21, 2008 [EBook #26684] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST *** + + + + +Produced by Mark C. Orton, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + + + + + + + + + PIRACY + + OFF THE FLORIDA COAST + AND ELSEWHERE + + + BY + SAMUEL A. GREEN + + + CAMBRIDGE + JOHN WILSON AND SON + University Press + 1911 + + + + + FROM THE + PROCEEDINGS OF THE MASSACHUSETTS HISTORICAL SOCIETY + FOR FEBRUARY, 1911. + + + + +PIRACY OFF THE FLORIDA COAST AND ELSEWHERE + +At a stated meeting of the MASSACHUSETTS HISTORICAL SOCIETY, held in +Boston on Thursday, February 9, 1911, Dr. SAMUEL A. GREEN presented the +following paper:-- + + +Few persons of the present day are aware how extensively piracy +prevailed two centuries ago. There was no part of the high seas that was +free from the depredation of roving robbers. At times they threatened +towns on the coast, and at others they attacked ships on mid-ocean; and +they seem to have followed their lawless pursuits at will. When caught, +there was little delay in bringing them to trial and securing a +conviction; and trivial technicality in forms played no part in reaching +results. At times there were multiple executions, and in the community +there was no morbid sentimentality shown for the miserable wretches. Not +the least of their torture was sitting in the meeting-house on the +Sunday before execution and listening to their own funeral sermons, when +the minister told them what they might expect in the next world if they +got their just dues. On June 30, 1704, six poor victims were hung, on +the Boston side of the Charles River bank, for piracy and murder; and +there was a great crowd to witness the tragedy. Among the spectators on +this occasion was Chief-Justice Sewall, one of the judges of the +Admiralty Court which had convicted the pirates, who did not think it +beneath his dignity to be present. It was then considered a public duty +to invest the scene of execution with as much awe as possible, and it +was thought that official station would emphasize this feeling. + +The following extract from "The Boston News-Letter," August 21, 1721, +shows how in early times piratical craft, heavily manned and carrying +many guns, sailed the high seas and pursued their unlawful calling. The +vessel was taken somewhere in the Sargasso Sea, off the coast of Africa. + + These are to Certifie all Persons concerned that on the 7th Day of + May last, William Russel, Master of the Ship Mary of Charlstown, in + his Voyage from Madera to Surranam in the Lat. 22 Deg. and 27 N. and + Long. 25 and 27 W. from London was taken by a Pirate Ship upwards of + 50 Guns, Commanded by Capt. Roberts, about 300 Men, who robb'd him + of part of his Cargo, and Forced away from him two of his Men, + against his and their own consent, viz. Thomas Russel born in + Lexintown near Charlstown and the other Thomas Winchol born in + Portsmouth, New-Hampshire in New England. + +I have been led to make these introductory remarks on account of a +manuscript recently given to the Library by Mrs. William B. Rogers, +eldest daughter and sole surviving child of Mr. James Savage, who was +for more than sixty years a member of this Society and for fourteen +years its President. It consists of an extract from a letter written by +her uncle William Savage to her father, dated at Havana, December 31, +1818, giving an account of the capture by pirates of the ship _Emma +Sophia_, off the Florida coast, of which vessel he was supercargo. Since +the receipt of the paper from Mrs. Rogers I have found in the "Boston +Daily Advertiser," February 3, 1819, a fuller version of the letter; and +for that reason I here follow the copy as given in the newspaper. +Anything that relates to Mr. Savage or his family will always be in +order at these meetings. At the unveiling of his bust in this room, on +April 12, 1906, Mr. Adams, the President, said that "with the single +exception of Mr. Winthrop no member of the Society since its beginning +has left upon it so deep and individual an impression" as Mr. Savage +has. + +The account appears on the second page of the Advertiser, under the +heading of "Marine Journal," as follows:-- + + MEMORANDA. + + [->]The vessel mentioned in yesterday's paper, as having been + plundered off Florida, is the Hamburgh ship _Emma Sophia_, Capt. + Frahm--the supercargo is Mr. William Savage, of this town. It is + stated in the Charleston papers that she is insured at Lloyd's. + + We have been favoured with the following extract, giving further + particulars: + + _Extract of a letter from a gentleman of this town, supercargo of + the ship Emma Sophia, dated Havana, 31st Dec. 1818._ + + On Saturday 19th inst. between the Bahama Bank and Key Sal Bank we + were boarded and taken possession of by a small schr. of about 30 + tons, having one gun mounted on a pivot and 30 men. She manned us + with twelve men, Spaniards, French, Germans and Americans, and + carried us towards the Florida coast. Being arrived on the coast + nearly opposite to Havana, the privateer went in shore to + reconnoitre, and our ship lay off and on. Next morning she returned + with two small vessels, a schooner and sloop. We then all four + steered over the reef towards the small islands, and on Tuesday + afternoon were brought to anchor in a little harbour formed by the + Florida isles and the Martyr's Reef, as snug a hole as buccaniers + would wish. They had seen no papers, but those of the ship and the + Manifest, but the latter was enough, and they asked not for invoices + or bills of lading. As soon as we anchored, they threw off our + boats, took off the hatches and began to plunder the cargo. They + loaded their two small vessels and another that came in next + morning, besides taking our valuables on board the privateer. Having + filled their vessels with linens and nankins, we had still many + left, for our ship was full when we sailed from Hamburgh. Till + Wednesday noon, our cabin had been respected, but then they came + below and took packages of laces, gold watches from the trunks and + other valuable goods. Every man had a knife about a foot long, which + they brandished, swearing they would have money or something more + valuable, that was concealed, or they would kill every soul of us, + and they particularly threatened me. I appealed to their captain, + told him I was in fear of my life, and went with him on board his + privateer. He said he had no command, the crew would do as they + pleased, that I need entertain no fear of my life, but had better + tell at once if any thing was concealed. I told him there was not. + After my return to the ship towards night, the pirates left us for + the first time, and we hoped they had done with us. But next morning + another sch'r and sloop appeared in the offing, and the privateer + and one of the loaded sloops went out to meet them. They all + returned together, the privateer anchored, and a boat's crew came + towards us. I attempted to go on board the privateer to see her + captain, but was ordered back. When they came on board, they said + they had come to find where the gold &c. was, and that if we would + not tell, they would hang every man of us and burn the ship. Davis, + the spokesman, drew his knife and swore, that every man should die, + unless he found the money, and first he would hang the supercargo. + He called for a rope, which he had brought on board, fitted with a + hangman's noose, sent a man up to the mizen yard and rove it and + brought the noose down--and one man held it, and another stood ready + to hoist. Now, said Davis, tell me where is the money, where are + your diamonds, or I will hang you this minute. In vain I repeated I + had nothing more but my watch, which I offered and he refused.--Once + more, said he, will you tell? I have nothing to tell, said I. On + with the rope, said the villain, and hoist away. The fellow with the + noose came towards me, and I sprang overboard. They took me up, + after some time, apparently insensible. They took off all my + cloaths, and laid me on my back on deck, naked as I was born, except + having a blanket thrown over me. Here I laid five hours without + moving hand or foot. Meanwhile they robbed us of every thing of the + least value. Against me they seemed to have a particular spite, + stealing even the ring from my finger, and all my cloaths from my + trunks which they sent on board the privateer. + + At night they left us, but returned once or twice, for a few + minutes, to see how I was. That night the privateer, with two or + three of her convoy went to sea, and next morning, Christmas day, we + got under way.--Having taken good notice of the courses steered in + coming in, and keeping the lead constantly going, we found our way + out to _blue water_ without much difficulty, and next morning, 26th, + arrived without further accident at Havana. + + The privateer was, I think, fitted out from this island. The Captain + is a Spaniard, a short man with a remarkable good face, that nobody + would suspect to belong to such a gang. The Lieutenant is a + Frenchman, a creole of St. Domingo, but called himself an Italian. + The man they called Davis, who ordered me to be hanged, is the pilot + or sailing master, and their boarding officer. He is an American, + belongs to New-York, and was the worst man on board. He is a + good looking fellow, something perhaps over the middle size, but the + most brutal rascal I ever met. There was another American on board, + only a common hand, being a drunkard.--Two negroes are all the + residue of the gentlemen with whom I had much acquaintance. + + The goods taken from us were upwards of fifty thousand dollars + worth, and I have no doubt are landed on the coast of this Island. + The neighborhood of Cuba will be troubled waters until our + government shall seriously determine to put down this system of + piracy. + +Akin to this subject it may be proper to record an incident which many +years ago concerned myself, and might have been tragical in its result. +In the month of February, 1854, it fell to my lot to sail out of Boston +harbor for Malta, aboard the bark _Sylph_, of Liverpool, Nova Scotia. At +that period vessels sailing under the English flag were known in this +country as _lime-juicers_, so called because in the British navy the +consumption of lime or lemon juice was enforced as an anti-scorbutic +remedy. The only other passenger beside myself was Gen. William A. +Aiken, now of Norwich, Connecticut. The vessel was in command of Captain +Roberts, of Liverpool; and the first officer was Mr. Hicks, and the +second officer, Mr. Wharton. According to my recollection there were +eight in the forecastle, which number, together with the cook and +steward, made up a complement of fourteen persons, all told, aboard the +bark. The cook and steward were represented by a single person of +African descent, who prided himself both on his hair and his cooking, as +well as on his brotherly kinship to the self-styled rival of Jenny Lind, +who was then called the "Black Swan" (Elizabeth Taylor Greenfield), a +singer, well-known in her day. His hair deserves a word of special note, +as it was sometimes closely associated with his cooking, inasmuch as its +elaborate dressing was done before a glass hanging just beside a stove +in the cook's galley. He generally kept his long wool tightly furled in +numerous curling papers that stood out from his head like spikes. On +great occasions, such as Sundays and wonderful deliverances from storms, +he used to unfurl his kinky locks which seemed ample enough then to fill +a bushel basket. + +After a delay of a week or ten days in the harbor, owing to head winds +or inclement weather we set sail; and I remember well that the pilot, +Fowler by name, as he was about to leave the vessel, throwing his leg +over the bulwarks, said in his gruff voice to our skipper, "I will give +you twenty-eight days to the Straits." + +There is little to write about the trip on the Atlantic side of the +voyage more than it was very monotonous, so much so that both Aiken and +myself for some slight relief used occasionally to help the captain +"take the sun" at noon, and in this way we both became more or less +expert in navigation. It was also interesting to watch the sailors in +their various duties and pleasures; and from them we learned to splice +ropes and to tie fancy knots. We learned, too, the words of command in +proper sequence, as given by the captain, when he ordered the men to +tack ship or to wear ship, all which was of great interest to us. +Occasionally in good weather we used to take our trick at the wheel in +order to break the monotony of the voyage. Sometimes we would catch a +porpoise, of which the liver would give us a taste of fresh meat and +remind us of home. Off Cape Trafalgar we sailed over the waters which +floated the English fleet when Nelson fought his famous fight. I +recollect the first glimpse we had of Cape Spartel, a point of land in +the northwest corner of the African continent, overlooking the Straits, +which we made early in the morning of March 16, my birthday. With a +head-wind it took two days to beat into the Mediterranean, where we had +many calms and much bad weather. At one time we came near being wrecked +in a gale off Cape de Gato on the southern coast of Spain, but generally +we were cruising along the north coast of Africa, within a few leagues +of land, as our sailing course was dependent upon the wind. At times we +could see buildings and villages on the shore, and then would sink them +behind as we sailed away. + +The incident to which I have already alluded, occurred in the latter +part of March, off Cape Tres Forcas on the Barbary Coast. One afternoon, +as we were sailing along at low speed with little wind, two or three +leagues from land, we spied two lateen-rigged feluccas, apparently +following us, which at first sight attracted but little attention. +Captain Roberts soon became suspicious of their movements and watched +them closely, as they were gaining on us. We were going hardly more than +two or three knots an hour, having little more than steering way, but +they spreading much sail were faster. The captain soon gave orders to +have an inventory taken of the firearms on board that could be used in +case of need, but these were found to be few in number and in poor +condition. The cook was ordered to heat as much boiling water as his +small galley would allow, to be ready to repel any attempt to board the +vessel. There was great excitement on the bark, and we fully expected to +be attacked, but fortunately for us + + The shades of night were falling fast, + +and soon the sun went down. We then changed our course a point or two +and threw a sail over the binnacle light so that the suspected pirates +could not follow us; and thus we escaped what might have been a tragedy. + +After our arrival at Malta we learned that three vessels had been taken +by the Riff pirates, as they were called, near the time when we were +threatened, and near the same point of land. Without doubt the captors +belonged to the same crew as those that followed us. We were on the +Mediterranean Sea at the time when the Crimean War broke out, England +having declared war on March 28. This new condition of public affairs +caused great confusion in the movement of steamers and in transportation +generally, as steamships were much needed for military purposes; on +which account my stay at Malta was somewhat prolonged. During this time +I saw a good deal of the American consul, Mr. William Winthrop, who was +a kinsman of our former President, Mr. Winthrop, and at a later period a +Corresponding Member of this Society. At the regular monthly meeting +held on November 8, 1882, Mr. Robert C. Winthrop, Jr., paid a handsome +tribute to the consul, on the occasion of the Society's receiving a +liberal bequest from him. He ended his remarks by saying of him: "He +took a pride, however, in being a Corresponding Member,--the only one in +nearly a century who, so far as I am aware, ever left the Society a +dollar, and I much fear that, in this respect, he is likely long to +remain unique." + + + + +Transcriber's Note: + + Minor typographical errors have been corrected without note. Variant + spellings have been retained, in addition to spelling errors in + quoted text. [->] has been used to represent a right-pointing index. + + + + + +End of the Project Gutenberg EBook of Piracy off the Florida Coast and +Elsewhere, by Samuel A. Green + +*** END OF THIS PROJECT GUTENBERG EBOOK PIRACY OFF THE FLORIDA COAST *** + +***** This file should be named 26684.txt or 26684.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/6/6/8/26684/ + +Produced by Mark C. Orton, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |