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diff --git a/27577-0.txt b/27577-0.txt new file mode 100644 index 0000000..c3efb56 --- /dev/null +++ b/27577-0.txt @@ -0,0 +1,32543 @@ +Project Gutenberg's The Works of Lord Byron, Vol. 7., by George Gordon Byron + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Works of Lord Byron, Vol. 7. + Poetry + +Author: George Gordon Byron + +Release Date: December 20, 2008 [EBook #27577] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF LORD BYRON, VOL. 7. *** + + + + +Produced by Jonathan Ingram, David Cortesi, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +TRANSCRIBER'S NOTE: + +This file contains Unicode (UTF-8) characters to represent accented +characters that are not in the basic Latin-1 set. There are also phrases +and sentences in Greek, Cyrillic, and Hebrew which are shown as Unicode +characters followed by an English transliteration, for example: лорда +Байрона [Cyrillic: lorda Bairona]. All these characters should display +properly using a Type-1 or TrueType font distributed by a major software +vendor. If some characters display as blanks or empty boxes, try using a +standard serif font such as Times or Palatino. + +The original work used occasional superscript characters, which are +shown here using a carat, for example L^n (abbreviation of London), +Esq^re^ or Hon^ble^. In the section entitled NOTES, the original work +showed how lines of text were hand-edited, including words or phrases +that were deleted by striking a line through them. These are shown +thus: (-stricken text-). + + + + + The Works + + OF + + LORD BYRON + + + A NEW, REVISED AND ENLARGED EDITION + WITH ILLUSTRATIONS. + + + Poetry. Vol. VII. + + + EDITED BY + ERNEST HARTLEY COLERIDGE, M.A., + HON. F.R.S.L. + + + LONDON: + JOHN MURRAY, ALBEMARLE STREET. + NEW YORK: CHARLES SCRIBNER'S SONS. + + 1904. + + + + +PREFACE TO THE SEVENTH VOLUME. + + +Of the seventy-three "Epigrams and Jeux d'Esprit," which are printed at +the commencement of this volume, forty-five were included in Murray's +one-volume edition of 1837, eighteen have been collected from various +publications, and ten are printed and published for the first time. + +The "Devil's Drive," which appears in Moore's _Letters and Journals_, +and in the sixth volume of the Collected Edition of 1831 as an +"Unfinished Fragment" of ninety-seven lines, is now printed and +published for the first time in its entirety (248 lines), from a MS. in +the possession of the Earl of Ilchester. "A Farewell Petition to J.C.H. +Esq.;" "My Boy Hobbie O;" "[Love and Death];" and "Last Words on +Greece," are reprinted from the first volume of _Murray's Magazine_ +(1887). + +A few imperfect and worthless poems remain in MS.; but with these and +one or two other unimportant exceptions, the present edition of the +Poetical Works may be regarded as complete. + +In compiling a "Bibliography of the successive Editions and Translations +of Lord Byron's Poetical Works," I have endeavoured, in the first +instance, to give a full and particular account of the collected +editions and separate issues of the poems and dramas which were open to +my inspection; and, secondly, to extract from general bibliographies, +catalogues of public and private libraries, and other sources +bibliographical records of editions which I have been unable to examine, +and were known to me only at second-hand. It will be observed that the +_title-pages_ of editions which have passed through my hands are +aligned; the _titles_ of all other editions are italicized. + +I cannot pretend that this assortment of bibliographical entries is even +approximately exhaustive; but as "a sample" of a bibliography it will, I +trust, with all its imperfections, be of service to the student of +literature, if not to the amateur or bibliophile. With regard to +nomenclature and other technicalities, my aim has been to put the +necessary information as clearly and as concisely as possible, rather +than to comply with the requirements of this or that formula. But the +path of the bibliographer is beset with difficulties. "Al Sirat's +arch"--"the bridge of breadth narrower than the thread of a famished +spider, and sharper than the edge of a sword" (see _The Giaour_, line +483, _note_ I)--affords an easier and a safer foothold. + +To the general reader a bibliography says little or nothing; but, in one +respect, a bibliography of Byron is of popular import. It affords +scientific proof of an almost unexampled fame, of a far-reaching and +still potent influence. Teuton and Latin and Slav have taken Byron to +themselves, and have made him their own. No other English poet except +Shakespeare has been so widely read and so frequently translated. Of +_Manfred_ I reckon one Bohemian translation, two Danish, two Dutch, +three French, nine German, three Hungarian, three Italian, two Polish, +one Romaic, one Roumanian, four Russian, and three Spanish translations, +and, in all probability, there are others which have escaped my net. The +question, the inevitable question, arises--What was, what is, the secret +of Byron's Continental vogue? and why has his fame gone out into all +lands? Why did Goethe enshrine him, in the second part of _Faust_, "as +the representative of the modern era ... undoubtedly to be regarded as +the greatest genius of our century?" (_Conversations of Goethe_, 1874, +p. 265). + +It is said, and with truth, that Byron's revolutionary politics +commended him to oppressed nationalities and their sympathizers; that he +was against "the tramplers"--Castlereagh, and the Duke of Wellington, +and the Holy Alliance; that he stood for liberty. Another point in his +favour was his freedom from cant, his indifference to the pieties and +proprieties of the Britannic Muse; that he had the courage of his +opinions. Doubtless in a time of trouble he was welcomed as the champion +of revolt, but deeper reasons must be sought for an almost exclusive +preference for the works of one poet and a comparative indifference to +the works of his rivals and contemporaries. He fulfilled another, +perhaps a greater ideal. An Englishman turns to poetry for the +expression in beautiful words of his happier and better feelings, and he +is not contented unless poetry tends to make him happier or +better--happier because better than he would be otherwise. His favourite +poems are psalms, or at least metrical paraphrases, of life. Men of +other nations are less concerned about their feelings and their souls. +They regard the poet as the creator, the inventor, the maker _par +excellence_, and he who can imagine or make the greatest _eidolon_ is +the greatest poet. _Childe Harold_ and _The Corsair_, _Mazeppa_ and +_Manfred, Cain_ and _Sardanapalus_ were new creations, new types, forms +more real than living man, which appealed to their artistic sense, and +led their imaginations captive. "It is a mark," says Goethe (_Aus meinem +Leben: Dichtung und Wahreit_, 1876, iii. 125), "of true poetry, that, as +a secular gospel, it knows how to free us from the earthly burdens which +press upon us, by inward serenity, by outward charm.... The most lively, +as well as the gravest works have the same end--to moderate both +pleasure and pain through a happy mental representation." It is passion +translated into action, the pageantry of history, the transfiguration +into visible lineaments of living moods and breathing thoughts which are +the notes of this "secular gospel," and for one class of minds work out +a secular redemption. + +It was not only the questionable belief that he was on the side of the +people, or his ethical and theological audacities, or his prolonged +Continental exile, which won for Byron a greater name abroad than he has +retained at home; but the character of his poetry. "The English may +think of Byron as they please" (_Conversations of Goethe_, 1874, p. +171), "but this is certain, that they can show no poet who is to be +compared to him. He is different from all the others, and, for the most +part, greater." The English may think of him as they please! and for +them, or some of them, there is "a better oenomel," a _vinum Dæmonum_, +which Byron has not in his gift. The evidence of a world-wide fame will +not endear a poet to a people and a generation who care less for the +matter than the manner of verse, or who _believe_ in poetry as the +symbol or "_credo_" of the imagination or the spirit; but it should +arrest attention and invite inquiry. A bibliography is a dull epilogue +to a poet's works, but it speaks with authority, and it speaks last. +_Finis coronat opus!_ + +I must be permitted to renew my thanks to Mr. G.F. Barwick, +_Superintendent of the Reading Room_, Mr. Cyril Davenport, and other +officials of the British Museum, of all grades and classes, for their +generous and courteous assistance in the preparation and completion of +the Bibliography. The consultation of many hundreds of volumes of one +author, and the permission to retain a vast number in daily use, have +entailed exceptional labour on a section of the staff. I have every +reason to be grateful. + +I am indebted to Mr. A.W. Pollard, of the British Museum, for advice and +direction with regard to bibliographical formulas; to Mr. G.L. Calderon, +late of the staff, for the collection and transcription of the +title-pages of Polish, Russian, and Servian translations; and to Mr. R. +Nisbet Bain for the supervision and correction of the proofs of Slavonic +titles. + +To Mr. W.P. Courtney, the author of _Bibliotheca Cornubiensis_, I owe +many valuable hints and suggestions, and the opportunity of consulting +some important works of reference. + +I have elsewhere acknowledged the valuable information with regard to +certain rare editions and pamphlets which I have received from Mr. H. +Buxton Forman, C.B. + +My especial thanks for laborious researches undertaken on my behalf, and +for information not otherwise attainable, are due to M. J.E. Aynard, of +Lyons; Signor F. Bianco; Professor Max von Förster, of Wurtzburg; +Professor Lajos Gurnesovitz, of Buda Pest; Dr. Holzhausen, of Bonn; Mr. +Leonard Mackall, of Berlin; Miss Peacock; Miss K. Schlesinger; M. +Voynich, of Soho Square; Mr. Theodore Bartholomew, of the University +Library of Cambridge; Mr. T.D. Stewart, of the Croydon Public Library; +and the Librarians of Trinity College, Cambridge, and University +College, St. Andrews. + +I have also to thank, for special and generous assistance, Mr. J.P. +Anderson, late of the British Museum, the author of the "Bibliography of +Byron's Works" attached to the Life of Lord Byron by the Hon. Roden Noel +(1890); Miss Grace Reed, of Philadelphia, for bibliographical entries of +early American editions; and Professor Vladimir Hrabar, of the +University of Dorpat, for the collection and transcription of numerous +Russian translations of Byron's Works. + +To Messrs. Clowes, the printers of these volumes, and to their reader, +Mr. F.T. Peachey, I am greatly indebted for the transcription of +Slavonic titles included in the Summary of the Bibliography, and for +interesting and useful information during the progress of the work. + +In conclusion, I must once more express my acknowment of the industry +and literary ability of my friend Mr. F.E. Taylor, of Chertsey, who has +read the proofs of this and the six preceding volumes. + +The Index is the work of Mr. C. Eastlake Smith. + +ERNEST HARTLEY COLERIDGE. + +November, 1903. + + + + +CONTENTS OF VOL. VII. + + +Preface to Vol. VII. of the Poems. _v_ + + JEUX D'ESPRIT AND MINOR POEMS, 1798-1824. + +Epigram on an Old Lady who had some Curious Notions respecting the 1 +Soul. First published, _Letters and Journals_, 1830, i. 28. + +Epitaph on John Adams, of Southwell. First published, _Letters and 1 +Journals_, 1830, i. 106. + +A Version of Ossian's Address to the Sun. First published, 2 +_Atlantic Monthly_, December, 1898. + +Lines to Mr. Hodgson. Written on board the Lisbon Packet. First 4 +published, _Letters and Journals_, 1830, i. 230-232. + +[To Dives. A Fragment.] First published, _Lord Byron's Works_, 7 +1833, xvii. 241. + +Farewell Petition to J.C.H., Esq^re.^ First published, _Murray's 7 +Magazine_, 1887, vol. i. pp. 290, 291. + +Translation of the Nurse's Dole in the _Medea_ of Euripides. First 10 +published, _Letters and Journals_, 1830, i. 227. + +My Epitaph. First published, _Letters and Journals_, 1830, i. 240. 10 + +Substitute for an Epitaph. First published, _Lord Byron's Works_, 11 +1832, ix. 4. + +Epitaph for Joseph Blacket, late Poet and Shoemaker. First 11 +published, _Lord Byron's Works_, 1832, ix. 10. + +On Moore's Last Operatic Farce, or Farcical Opera. First published, 12 +_Letters and Journals_, 1830, i. 295 (_note_). + +[R.C. Dallas.] First published, _Life, Writings, Opinions, etc._, 12 +1825, ii. 192. + +An Ode to the Framers of the Frame Bill. First published, _Morning 13 +Chronicle_, March 2, 1812. + +To the Honorable Mr. George Lamb. First published, _The Two 15 +Duchesses_, by Vere Foster, 1898, p. 374. + +[La Revanche.] _MS.M_. 15 + +To Thomas Moore. Written the Evening before his Visit to Mr. Leigh 16 +Hunt in Horsemonger Lane Gaol, May 19, 1813. First published, +_Letters and Journals_, 1830, i. 401. + +On Lord Thurlow's Poems. First published, _Letters and Journals_, 17 +1830, i. 396. + +To Lord Thurlow. First published, _Letters and Journals_, 1830, i. 19 +397. + +The Devil's Drive. First published (stanzas 1-5, 8, 10-12, 17, 18), 21 +_Letters and Journals_, 1830, i. 471-474; and (stanzas 6, 7, 9, +13-16, 19-27) from a MS. in the possession of the Earl of +Ilchester. + +Windsor Poetics. First published, _Poetical Works_, Paris, 1819, 35 +vi. 125. + +[Another Version.] On a Royal Visit to the Vaults. From an 36 +autograph MS. in the possession of the Hon. Mrs. Norbury, now for +the first time printed. + +Ich Dien. From an autograph MS. in the possession of Mr. A.H. 36 +Hallam Murray, now for the first time printed. + +Condolatory Address, To Sarah Countess of Jersey. First published, 37 +_The Champion_, July 31, 1814. + +Fragment of an Epistle to Thomas Moore. First published, _Letters 39 +and Journals_, 1830, i. 561, 562 (_note_). + +Answer to----'s Professions of Affection. _MS_. 40 + +On Napoleon's Escape from Elba. First published, _Letters and 41 +Journals_, 1830, i. 611. + +Endorsement to the Deed of Separation, in the April of 1816. First 41 +published, _Poetical Works_, 1831, vi. 454. + +[To George Anson Byron (?).] First published, _Nicnac_, March 25, 41 +1823. + +Song for the Luddites. First published, _Letters and Journals_, 42 +1830, ii. 58. + +To Thomas Moore ("What are you doing now?"). First published, 23 +_Letters and Journals_, 1830, ii. 58, 59. + +To Mr. Murray ("To hook the Reader," etc.). First published, 44 +_Letters and Journals_, 1830, ii. 91. + +Versicles. First published, _Letters and Journals_, 1830, ii. 87. 45 + +Quem Deus vult perdere prius dementat. First published, _Letters_, +1900, iv. 45 + +To Thomas Moore ("My boat is on the shore"). First published, 46 +_Waltz_, London, 1821, p. 29. + +Epistle from Mr. Murray to Dr. Polidori. First published, _Letters 47 +and Journals_, 1830, ii. 139-141. + +Epistle to Mr. Murray. First published (stanzas 1, 2, 4, 7-9), 51 +_Letters and Journals_, 1830, ii. 156, 157; and (stanzas 3, 5, 6, +10, 11) _Letters_, 1900, iv. 191-193. + +On the Birth of John William Rizzo Hoppner. First published, 54 +_Letters and Journals_, 1830, ii. 134. + +[E Nihilo Nihil; or, An Epigram Bewitched.] _MS.M_. 55 + +To Mr. Murray. First published, _Letters and Journals_, 1830, ii. 56 +171. + +Ballad. To the Tune of "Sally in our Alley." _MS.M_. 58 + +Another Simple Ballat. _MS.M_. 61 + +Epigram. From the French of Rulhiéres. First published, _Letters 62 +and Journals_, 1830, ii. 235. + +Epilogue. First published, _Philadelphia Record_, December 28, 63 +1891. + +On my Wedding-Day. First published, _Letters and Journals_, 1830, 64 +ii. 294. + +Epitaph for William Pitt. First published, _Letters and Journals_, 64 +1830, ii. 295. + +Epigram ("In digging up your bones, Tom Paine"). First published, 65 +_Letters and Journals_, 1830, ii. 295. + +Epitaph ("Posterity will ne'er survey"). First published, _Lord 65 +Byron's Works_, 1833, xvii. 246. + +Epigram ("The world is a bundle of hay"). First published, _Letters 65 +and Journals_, 1830, ii. 494. + +My Boy Hobbie O. First published, _Murray's Magazine_, March, 1887, 66 +vol. i. pp. 292, 293. + +Lines, Addressed by Lord Byron to Mr. Hobhouse on his Election for 69 +Westminster. First published, _Miscellaneous Poems_, 1824. + +A Volume of Nonsense. First published, _Letters_, 1900, v. 83. 70 + +Stanzas. First published, _Letters and Journals_, 1830, ii. 377. 70 + +To Penelope. First published, Medwin's _Conversations_, 1824 p. 106. 71 + +The Charity Ball. First published, _Letters and Journals_, 1830, 71 +ii. 540. + +Epigram, On the Braziers' Address, etc. First published, _Letters 72 +and Journals_, 1830, ii. 442. + +On my Thirty-third Birthday. First published, _Letters and 73 +Journals_, 1830, ii. 414. + +Martial, Lib. I. Epig. I. First published, _Lord Byron's Works_, 74 +1833, xvii. 245. + +Bowles and Campbell. First published, _The Liberal_, 1823, No. II. 74 +p. 398. + +Elegy. First published, Medwin's _Conversations_, 1824, p. 121. 75 + +John Keats. First published, _Letters and Journals_, 1830, ii. 506. 76 + +From the French ("Ægle, beauty and poet," etc.). First published, 76 +_The Liberal_, 1823, No. II. p. 396. + +To Mr. Murray ("For Orford," etc.). First published, _Letters and 76 +Journals_, 1830, ii. 517. + +[Napoleon's Snuff-box.] First published, _Conversations of Lord 77 +Byron_, 1824, p. 235. + +The New Vicar of Bray. First published, _Works_ (Galignani), 1831, 78 +p. 116. + +Lucietta. A Fragment. _MS.M_. 81 + +Epigrams. First published, _The Liberal_, No. I. October 18, 1822, 81 +p. 164. + +The Conquest. First published, _Lord Byron's Works_, 1833, xvii. 82 +246. + +Impromptu ("Beneath Blessington's eyes"). First published, _Letters 82 +and Journals_, 1830, ii. 635. + +Journal in Cephalonia. First published, _Letters_, 1901, vi. 238. 83 + +Song to the Suliotes. _MS.M_. 83 + +[Love and Death.] First published, _Murray's Magazine_, February, 84 +1887, vol. i. pp. 145, 146. + +Last Words on Greece. First published, _Murray's Magazine_, 85 +February, 1887, vol. i. p. 146. + +On this Day I complete my Thirty-sixth Year. First published, 86 +_Morning Chronicle_, October 29, 1824. + +A BIBLIOGRAPHY OF THE SUCCESSIVE EDITIONS AND TRANSLATIONS OF LORD 89 +BYRON'S _POETICAL WORKS_. + + NOTES-- + +Note (1).--On Genuine and Spurious Issues of _English Bards, and 305 +Scotch Reviewers_. + +Note (2).--Correspondence between the First Edition as numbered and 307 +the Present Issue as numbered. + +Note (3).--The Annotated Copies of the Fourth Edition of 1811 310 + +APPENDIX TO BIBLIOGRAPHY 314 + +CONTENTS OF BIBLIOGRAPHY 317 + +SUMMARY OF BIBLIOGRAPHY 319 + +INDEX 349 + +INDEX TO FIRST LINES 449 + + + + +LIST OF ILLUSTRATIONS + +1. Mrs. Birdmere's House, Southwell 2 + +2. Annesley Hall 38 + +3. Diadem Hill (Annesley Park), where Lord Byron parted 304 + from Mary Chaworth + +4. The Prison Called Tasso's Cell, in the Hospital of 348 + Sant'Anna, at Ferrara + + + + +JEUX D'ESPRIT AND MINOR POEMS, 1798-1824. + + + + EPIGRAM ON AN OLD LADY WHO HAD + SOME CURIOUS NOTIONS RESPECTING THE SOUL. + + IN Nottingham county there lives at Swan Green,[1] + As curst an old Lady as ever was seen; + And when she does die, which I hope will be soon, + She firmly believes she will go to the Moon! + + 1798. + [First published, _Letters and Journals_, 1830, i. 28.] + +FOOTNOTES: + +[1] "Swan Green" should be "Swine Green." It lay about a quarter of a +mile to the east of St. James's Lane, where Byron lodged in 1799, at the +house of a Mr. Gill. The name appears in a directory of 1799, but by +1815 it had been expunged or changed _euphoniæ gratiâ_. (See _A New Plan +of the Town of Nottingham_, ... 1744.) + +Moore took down "these rhymes" from the lips of Byron's nurse, May Gray, +who regarded them as a first essay in the direction of poetry. He +questioned their originality. + + + + EPITAPH ON JOHN ADAMS, OF SOUTHWELL, + A CARRIER, WHO DIED OF DRUNKENNESS. + + JOHN ADAMS lies here, of the parish of Southwell, + A _Carrier_ who _carried_ his can to his mouth well; + He carried so much and he carried so fast, + He could carry no more--so was carried at last; + For the liquor he drank being too much for one, + He could not _carry_ off;--so he's now _carri-on_. + + _September_, 1807. + [First published, _Letters and Journals_, 1830, i. 106.] + + +[Illustration: MRS. BIRDMERE'S HOUSE, SOUTHWELL.] + + + + A VERSION OF OSSIAN'S ADDRESS TO THE SUN. + + FROM THE POEM "CARTHON." + + O THOU! who rollest in yon azure field, + Round as the orb of my forefather's shield, + Whence are thy beams? From what eternal store + Dost thou, O Sun! thy vast effulgence pour? + In awful grandeur, when thou movest on high, + The stars start back and hide them in the sky; + The pale Moon sickens in thy brightening blaze, + And in the western wave avoids thy gaze. + Alone thou shinest forth--for who can rise + Companion of thy splendour in the skies! + The mountain oaks are seen to fall away-- + Mountains themselves by length of years decay-- + With ebbs and flows is the rough Ocean tost; + In heaven the Moon is for a season lost, + But thou, amidst the fullness of thy joy, + The same art ever, blazing in the sky! + When tempests wrap the world from pole to pole, + When vivid lightnings flash and thunders roll, + Thou far above their utmost fury borne, + Look'st forth in beauty, laughing them to scorn. + But vainly now on me thy beauties blaze-- + Ossian no longer can enraptured gaze! + Whether at morn, in lucid lustre gay, + On eastern clouds thy yellow tresses play, + Or else at eve, in radiant glory drest, + Thou tremblest at the portals of the west, + I see no more! But thou mayest fail at length, + Like Ossian lose thy beauty and thy strength, + Like him--but for a season--in thy sphere + To shine with splendour, then to disappear! + Thy years shall have an end, and thou no more + Bright through the world enlivening radiance pour, + But sleep within thy clouds, and fail to rise, + Heedless when Morning calls thee to the skies! + Then now exult, O Sun! and gaily shine, + While Youth and Strength and Beauty all are thine. + For Age is dark, unlovely, as the light + Shed by the Moon when clouds deform the night, + Glimmering uncertain as they hurry past. + Loud o'er the plain is heard the northern blast, + Mists shroud the hills, and 'neath the growing gloom, + The weary traveller shrinks and sighs for home. + + 1806. + [First published, _Atlantic Monthly_, December, 1898.][2] + +FOOTNOTES: + +[2] [I am indebted to the courtesy of Mr. Pierre De La Rose for sending +me a copy of the foregoing _Version of Ossian's Address to the Sun_, +which was "Privately printed at the Press of Oliver B. Graves, +Cambridge, Massachusetts, June the Tenth, MDCCCXCVIII.," and was +reprinted in the _Atlantic Monthly_ in December, 1898. A prefatory note +entitled, "From Lord Byron's Notes," is prefixed to the Version: "In +Lord Byron's copy of _The Poems of Ossian_ (printed by Dewick and +Clarke, London, 1806), which, since 1874, has been in the possession of +the Library of Harvard University as part of the Sumner Bequest. The +notes which follow appear in Byron's hand." (For the _Notes_, see the +_Atlantic Monthly_, 1898, vol. lxxxii. pp. 810-814.) + +It is strange that Byron should have made two versions (for another +"version" from the Newstead MSS., see _Poetical Works_, 1898, i. +229-231) of the "Address to the Sun," which forms the conclusion of +"Carthon;" but the Harvard version appears to be genuine. It is to be +noted that Byron appended to the earlier version eighteen lines of his +own composition, by way of moral or application.] + + + + LINES TO MR. HODGSON. + + WRITTEN ON BOARD THE LISBON PACKET. + + 1. + + HUZZA! Hodgson[3], we are going, + Our embargo's off at last; + Favourable breezes blowing + Bend the canvas o'er the mast. + From aloft the signal's streaming, + Hark! the farewell gun is fired; + Women screeching, tars blaspheming, + Tell us that our time's expired. + Here's a rascal + Come to task all, + Prying from the Custom-house; + Trunks unpacking + Cases cracking, + Not a corner for a mouse + Scapes unsearched amid the racket, + Ere we sail on board the Packet. + + 2. + + Now our boatmen quit their mooring, + And all hands must ply the oar; + Baggage from the quay is lowering, + We're impatient, push from shore. + "Have a care! that case holds liquor-- + Stop the boat--I'm sick--oh Lord!" + "Sick, Ma'am, damme, you'll be sicker, + Ere you've been an hour on board." + Thus are screaming + Men and women, + Gemmen, ladies, servants, Jacks; + Here entangling, + All are wrangling, + Stuck together close as wax.-- + Such the general noise and racket, + Ere we reach the Lisbon Packet. + + 3. + + Now we've reached her, lo! the Captain, + Gallant Kidd,[4] commands the crew; + Passengers their berths are clapt in, + Some to grumble, some to spew. + "Hey day! call you that a cabin? + Why't is hardly three feet square! + Not enough to stow Queen Mab in-- + Who the deuce can harbour there?" + "Who, sir? plenty-- + Nobles twenty + Did at once my vessel fill."-- + "Did they? Jesus, + How you squeeze us! + Would to God they did so still! + Then I'd 'scape the heat and racket + Of the good ship, Lisbon Packet." + + 4. + + Fletcher! Murray! Bob![5] where are you? + Stretched along the deck like logs-- + Bear a hand, you jolly tar, you! + Here's a rope's end for the dogs. + Hobhouse muttering fearful curses, + As the hatchway down he rolls, + Now his breakfast, now his verses, + Vomits forth--and damns our souls. + "Here's a stanza[6] + On Braganza-- + Help!"--"A couplet?"--"No, a cup + Of warm water--" + "What's the matter?" + "Zounds! my liver's coming up; + I shall not survive the racket + Of this brutal Lisbon Packet." + + 5. + + Now at length we're off for Turkey, + Lord knows when we shall come back! + Breezes foul and tempests murky + May unship us in a crack. + But, since Life at most a jest is, + As philosophers allow, + Still to laugh by far the best is, + Then laugh on--as I do now. + Laugh at all things, + Great and small things, + Sick or well, at sea or shore; + While we're quaffing, + Let's have laughing-- + Who the devil cares for more?-- + Some good wine! and who would lack it, + Ev'n on board the Lisbon Packet? + + Falmouth Roads, _June_ 30, 1809. + [First published, _Letters and Journals_, 1830, i. 230-232.] + +FOOTNOTES: + +[3] [For Francis Hodgson (1781-1852), see _Letters_, 1898, i. 195, +_note_ 1.] + +[4] [Compare Peter Pindar's _Ode to a Margate Hoy_-- + "Go, beauteous Hoy, in safety ev'ry inch! + That storm should wreck thee, gracious Heav'n forbid! + Whether commanded by brave Captain Finch + Or equally tremendous Captain Kidd."] + +[5] [Murray was "Joe" Murray, an ancient retainer of the "Wicked Lord." +Bob was Robert Rushton, the "little page" of "Childe Harold's Good +Night." (See _Poetical Works_, 1899, ii. 26, _note_ 1.)] + +[6] [For "the stanza," addressed to the "Princely offspring of +Braganza," published in the _Morning Post_, December 30, 1807, see +_English Bards, etc._, line 142, _note_ 1, _Poetical Works_, 1898, i. +308, 309.] + + + + [TO DIVES.[7] A FRAGMENT.] + + UNHAPPY Dives! in an evil hour + 'Gainst Nature's voice seduced to deeds accurst! + Once Fortune's minion now thou feel'st her power; + Wrath's vial on thy lofty head hath burst. + In Wit, in Genius, as in Wealth the first, + How wondrous bright thy blooming morn arose! + But thou wert smitten with th' unhallowed thirst + Of Crime unnamed, and thy sad noon must close + In scorn and solitude unsought the worst of woes. + + 1809. + [First published, _Lord Byron's Works_, 1833, xvii. 241.] + +FOOTNOTES: + +[7] [Dives was William Beckford. See _Childe Harold_, Canto I. stanza +xxii. line 6, _Poetical Works_, 1899, ii. 37, _note_ 1.] + + + + FAREWELL PETITION TO J.C.H., ESQ^RE^. + + O THOU yclep'd by vulgar sons of Men + Cam Hobhouse![8] but by wags Byzantian Ben! + Twin sacred titles, which combined appear + To grace thy volume's front, and gild its rear, + Since now thou put'st thyself and work to Sea + And leav'st all Greece to _Fletcher_[9] and to me, + Oh, hear my single muse our sorrows tell, + _One_ song for _self_ and Fletcher quite as well-- + + First to the _Castle_ of that man of woes + Dispatch the letter which _I must_ enclose, + And when his lone Penelope shall say + _Why, where_, and _wherefore_ doth my William stay? + Spare not to move her pity, or her pride-- + By all that Hero suffered, or defied; + The _chicken's toughness_, and the _lack_ of _ale_ + The _stoney mountain_ and the _miry vale_ + The _Garlick_ steams, which _half_ his meals enrich, + The _impending vermin_, and the threatened _Itch_, + That _ever breaking_ Bed, beyond repair! + The hat too _old_, the coat too _cold_ to wear, + The Hunger, _which repulsed from Sally's door_ + Pursues her grumbling half from shore to shore, + Be these the themes to greet his faithful Rib + So may thy pen be smooth, thy tongue be glib! + + This duty done, let me in turn demand + Some friendly office in my native land, + Yet let me ponder well, before I ask, + And set thee swearing at the tedious task. + + First the Miscellany![10]--to Southwell town + _Per coach_ for Mrs. _Pigot_ frank it down, + So may'st them prosper in the paths of Sale,[11] + And Longman smirk and critics cease to rail. + + All hail to Matthews![12] wash his reverend feet, + And in my name the man of Method greet,-- + Tell him, my Guide, Philosopher, and Friend, + Who cannot love me, and who will not mend, + Tell him, that not in vain I shall assay + To tread and trace our "old Horatian way,"[13] + And be (with prose supply my dearth of rhymes) + What better men have been in better times. + + Here let me cease, for why should I prolong + My notes, and vex a _Singer_ with a _Song_? + Oh thou with pen perpetual in thy fist! + Dubbed for thy sins a stark Miscellanist, + So pleased the printer's orders to perform + For Messrs. _Longman_, _Hurst_ and _Rees_ and _Orme_. + Go--Get thee hence to Paternoster Row, + Thy patrons wave a duodecimo! + (Best form for _letters_ from a distant land, + It fits the pocket, nor fatigues the hand.) + Then go, once more the joyous work commence[14] + With stores of anecdote, and grains of sense, + Oh may Mammas relent, and Sires forgive! + And scribbling Sons grow dutiful and live! + + Constantinople, _June_ 7^th^, 1810. + [First published, _Murray's Magazine_, 1887, vol. i. pp. 290, 291.] + +FOOTNOTES: + +[8] [For John Cam Hobhouse (1786-1869), afterwards Lord Broughton de +Gyfford, see _Letters_, 1898, i. 163, _note_ i.] + +[9] [Fletcher was an indifferent traveller, and sighed for "a' the +comforts of the saut-market." See Byron's letters to his mother, +November 12, 1809, June 28, 1810.--_Letters_, 1898, i. 256, 281.] + +[10] [Hobhouse's Miscellany (otherwise known as the _Miss-sell-any_) was +published in 1809, under the title of _Imitations and Translations from +The Ancient and Modern Classics_. Byron contributed nine original poems. +The volume was not a success. "It foundered ... in the Gulph of +Lethe."--Letter to H. Drury, July 17, 1811, _Letters_, 1898, i. 319.] + +[11] [The word "Sale" may have a double meaning. There may be an +allusion to George Sale, the Orientalist, and translator of the Koran.] + +[12] ["In Matthews I have lost my 'guide, philosopher, and +friend.'"--Letter to R.C. Dallas, September 7, 1811, _Letters_, 1898, +ii. 25. (For Charles Skinner Matthews, see _Letters_, 1898, i. 150, +_note_ 3.)] + +[13] [Compare-- + "In short, the maxim for the amorous tribe is + Horatian, 'Medio tu tutissimus ibis.'" + _Don Juan_, Canto V. stanza xvii. lines 8, 9. + +The "doctrine" is Horatian, but the words occur in Ovid, _Metam._, lib. +ii. line 137.--_Poetical Works_, 1902, vi. 273, _note_ 2.] + +[14] [Hobhouse's _Journey through Albania and other Provinces of +Turkey_, 4^to^, was published by James Cawthorn, in 1813.] + + + + TRANSLATION OF THE NURSE'S DOLE IN + THE _MEDEA_ OF EURIPIDES. + + OH how I wish that an embargo + Had kept in port the good ship Argo! + Who, still unlaunched from Grecian docks, + Had never passed the Azure rocks; + But now I fear her trip will be a + Damn'd business for my Miss Medea, etc., etc.[15] + + _June_, 1810. + [First published, _Letters and Journals_, 1830, i. 227.] + +FOOTNOTES: + +[15] ["I am just come from an expedition through the Bosphorus to +the Black Sea and the Cyanean Symplegades, up which last I scrambled +with as great risk as ever the Argonauts escaped in their hoy. You +remember the beginning of the nurse's dole in the _Medea_ [lines 1-7], +of which I beg you to take the following translation, done on the +summit;--[A 'damned business'] it very nearly was to me; for, had not +this sublime passage been in my head, I should never have dreamed of +ascending the said rocks, and bruising my carcass in honour of the +ancients."--Letter to Henry Drury, June 17, 1810, _Letters_, 1898, i. +276. + +Euripides, _Medea_, lines 1-7-- + Εἴθ' ὤφελ' Ἀργοῦς μὴ διαπτάσθαι σκάφος κ.τ.λ. + [Ei)/th' ô)/phel' A)rgou~s mê\ diapta/sthai ska/phos k.t.l.] +] + + + + MY EPITAPH.[16] + + YOUTH, Nature, and relenting Jove, + To keep my lamp _in_ strongly strove; + But Romanelli was so stout, + He beat all three--and _blew_ it _out_. + + _October_, 1810. + [First published, _Letters and Journals_, 1830, i. 240.] + +FOOTNOTES: + +[16] ["The English Consul ... forced a physician upon me, and in three +days vomited and glystered me to the last gasp. In this state I made my +epitaph--take it."--Letter to Hodgson, October 3, 1810, _Letters_, 1898, +i. 298.] + + + + SUBSTITUTE FOR AN EPITAPH. + + KIND Reader! take your choice to cry or laugh; + Here HAROLD lies--but where's his Epitaph? + If such you seek, try Westminster, and view + Ten thousand just as fit for him as you. + + Athens, 1810. + [First published, _Lord Byron's Works_, 1832, ix. 4.] + + + + EPITAPH FOR JOSEPH BLACKET, LATE + POET AND SHOEMAKER.[17] + + STRANGER! behold, interred together, + The _souls_ of learning and of leather. + Poor Joe is gone, but left his _all_: + You'll find his relics in a _stall_. + His works were neat, and often found + Well stitched, and with _morocco_ bound. + Tread lightly--where the bard is laid-- + He cannot mend the shoe he made; + Yet is he happy in his hole, + With verse immortal as his _sole_. + But still to business he held fast, + And stuck to Phoebus to the _last_. + Then who shall say so good a fellow + Was only "leather and prunella?" + For character--he did not lack it; + And if he did, 'twere shame to "Black-it." + + Malta, _May_ 16, 1811. + [First published, _Lord Byron's Works_, 1832, ix. 10.] + +FOOTNOTES: + +[17] [For Joseph Blacket (1786-1810), see _Letters_, 1898, i. 314, +_note_ 2; see, too, _Poetical Works_, 1898, i. 359, _note_ 1, and +441-443, _note_ 2. The _Epitaph_ is of doubtful authenticity.] + + + + ON MOORE'S LAST OPERATIC FARCE, OR FARCICAL OPERA.[18] + + GOOD plays are scarce, + So Moore writes _farce_: + The poet's fame grows brittle[i]-- + We knew before + That _Little_'s Moore, + But now't is Moore that's _little_. + + _September_ 14, 1811. + [First published, _Letters and Journals_, 1830, i. 295 (_note_).] + +FOOTNOTES: + +[i] _Is fame like his so brittle_?--[_MS_.] + +[18] ["On a leaf of one of his paper books I find an epigram, written at +this time, which, though not perhaps particularly good, I consider +myself bound to insert."--Moore, _Life_, p. 137, _note_ 1. The reference +is to Moore's _M.P.; or, The Blue Stocking_, which was played for the +first time at the Lyceum Theatre, September 9, 1811. For Moore's _nom de +plume_, "The late Thomas Little, Esq.," compare Praed's _The Belle of +the Ball-Room_-- + + "If those bright lips had quoted Locke, + I might have thought they murmured Little."] + + + + [R.C. DALLAS.][19] + + YES! wisdom shines in all his mien, + Which would so captivate, I ween, + Wisdom's own goddess Pallas; + That she'd discard her fav'rite owl, + And take for pet a brother fowl, + Sagacious R.C. Dallas. + + [First published, _Life, Writings, Opinions, etc._, 1825, ii. 192.] + +FOOTNOTES: + +[19] ["A person observing that Mr. Dallas looked very wise on a certain +occasion, his Lordship is said to have broke out into the following +impromptu."--_Life, Writings, Times, and Opinions of Lord Byron_, 1825, +ii. 191.] + + + + AN ODE[20] TO THE FRAMERS OF THE FRAME BILL.[21] + + 1. + + OH well done Lord E---- n! and better done R----r![22] + Britannia must prosper with councils like yours; + Hawkesbury, Harrowby, help you to guide her, + Whose remedy only must _kill_ ere it cures: + Those villains; the Weavers, are all grown refractory, + Asking some succour for Charity's sake-- + So hang them in clusters round each Manufactory, + That will at once put an end to _mistake_.[23] + + 2. + + The rascals, perhaps, may betake them to robbing, + The dogs to be sure have got nothing to eat-- + So if we can hang them for breaking a bobbin, + 'T will save all the Government's money and meat: + Men are more easily made than machinery-- + Stockings fetch better prices than lives-- + Gibbets on Sherwood will heighten the scenery, + Shewing how Commerce, how Liberty thrives! + + 3. + + Justice is now in pursuit of the wretches, + Grenadiers, Volunteers, Bow-street Police, + Twenty-two Regiments, a score of Jack Ketches, + Three of the Quorum and two of the Peace; + Some Lords, to be sure, would have summoned the Judges, + To take their opinion, but that they ne'er shall, + For LIVERPOOL such a concession begrudges, + So now they're condemned by _no Judges_ at all. + + 4. + + Some folks for certain have thought it was shocking, + When Famine appeals and when Poverty groans, + That Life should be valued at less than a stocking, + And breaking of frames lead to breaking of bones. + If it should prove so, I trust, by this token, + (And who will refuse to partake in the hope?) + That the frames of the fools may be first to be _broken_, + Who, when asked for a _remedy_, sent down a _rope_. + + [First published, _Morning Chronicle, Monday, March_ 2, 1812.] + [See a _Political Ode by Lord Byron, hitherto unknown + as his production_, London, John Pearson, 46, Pall Mall, + 1880, 8º. See, too, Mr. Pearson's prefatory Note, pp. 5, etc.] + +FOOTNOTES: + +[20] ["LORD BYRON TO EDITOR OF THE _MORNING CHRONICLE_. + +Sir,--I take the liberty of sending an alteration of the two last lines +of stanza 2^d^, which I wish to run as follows:-- + + 'Gibbets on Sherwood will _heighten_ the scenery, + Shewing how commerce, _how_ liberty thrives.' + +I wish you could insert it tomorrow for a particular reason; but I feel +much obliged by your inserting it at all. Of course do _not_ put my name +to the thing--believe me, + + Your obliged + and very obedient servant, + BYRON. +8, St. James's Street, + _Sunday, March_ 1, 1812."] + +[21] [For Byron's maiden speech in the House of Lords, February 27, +1812, see _Letters_, 1898, ii. 424-430.] + +[22] [Richard Ryder (1766-1832), second son of the first Baron Harrowby, +was Home Secretary, 1809-12.] + +[23] Lord E., on Thursday night, said the riots at Nottingham arose from +a "_mistake_." + + + + TO THE HON^BLE^ M^RS^ GEORGE LAMB.[24] + + 1. + + The sacred song that on mine ear + Yet vibrates from that voice of thine, + I heard, before, from one so dear-- + 'T is strange it still appears divine. + + 2. + + But, oh! so sweet that _look_ and _tone_ + To her and thee alike is given; + It seemed as if for me alone + That _both_ had been recalled from Heaven! + + 3. + + And though I never can redeem + The vision thus endeared to me; + I scarcely can regret my dream, + When realised again by thee. + + 1812. + [First published in _The Two Duchesses_, by Vere Foster, + 1898, p. 374.] + +FOOTNOTES: + +[24] [Caroline Rosalie Adelaide St. Jules (1786-1862) married, in 1809, +the Hon. George Lamb (see _English Bards, etc_., line 55, _Poetical +Works_, 1898, i. 300, note 1), fourth son of the first Viscount +Melbourne.] + + + + [LA REVANCHE.] + + 1. + + There is no more for me to hope, + There is no more for thee to fear; + And, if I give my Sorrow scope, + That Sorrow thou shalt never hear. + Why did I hold thy love so dear? + Why shed for such a heart one tear? + Let deep and dreary silence be + My only memory of thee! + + 2. + + When all are fled who flatter now, + Save thoughts which will not flatter then; + And thou recall'st the broken vow + To him who must not love again-- + Each hour of now forgotten years + Thou, then, shalt number with thy tears; + And every drop of grief shall be + A vain remembrancer of me! + + Undated, ?1812. + [From an autograph MS. in the possession of Mr. Murray, + now for the first time printed.] + + + + TO THOMAS MOORE. + + WRITTEN THE EVENING BEFORE HIS VISIT TO MR. LEIGH HUNT + IN HORSEMONGER LANE GAOL, MAY 19, 1813. + + OH you, who in all names can tickle the town, + Anacreon, Tom Little, Tom Moore, or Tom Brown,--[25] + For hang me if I know of which you may most brag, + Your Quarto two-pounds, or your Two-penny Post Bag; + + * * * * * + + But now to my letter--to _yours_ 'tis an answer-- + To-morrow be with me, as soon as you can, sir, + All ready and dressed for proceeding to spunge on + (According to compact) the wit in the dungeon--[26] + Pray Phoebus at length our political malice + May not get us lodgings within the same palace! + I suppose that to-night you're engaged with some codgers, + And for Sotheby's Blues[27] have deserted Sam Rogers; + And I, though with cold I have nearly my death got, + Must put on my breeches, and wait on the Heathcote;[28] + But to-morrow, at four, we will both play the _Scurra_, + And you'll be Catullus, the Regent Mamurra.[29] + + [First published, _Letters and Journals_, 1830, i. 401.] + +FOOTNOTES: + +[25] [Moore's "_Intercepted Letters; or, The Twopenny Post-Bag_, By +Thomas Brown, the Younger," was published in 1813.] + +[26] [James Henry Leigh Hunt (1784-1859) was imprisoned February, 1813, +to February, 1815, for a libel on the Prince Regent, published in the +_Examiner_, March 12, 1812.--_Letters_, 1898, ii. 205-208, _note_ 1.] + +[27] [For "Sotheby's Blues," see Introduction to _The Blues, Poetical +Works_, 1901, iv. 570, _et ibid_., 579, 580.] + +[28] [Katherine Sophia Manners was married in 1793 to Sir Gilbert +Heathcote. See _Letters_, 1898, ii. 402, 406.] + +[29] [See _Catullus_, xxix. 1-4-- + + "Quis hoc potest videre? quis potest pati, + Nisi impudicus et vorax et aleo, + Mamurram habere, quod Comata Gallia + Habebat uncti et ultima Britannia?" etc.] + + + + ON LORD THURLOW'S POEMS.[30] + + 1. + + WHEN Thurlow this damned nonsense sent, + (I hope I am not violent) + Nor men nor gods knew what he meant. + + 2. + + And since not even our Rogers' praise + To common sense his thoughts could raise-- + Why _would_ they let him print his lays? + + 3. + + * * * * * + + 4. + + * * * * * + + 5. + + To me, divine Apollo, grant--O! + Hermilda's[31] first and second canto, + I'm fitting up a new portmanteau; + + 6. + + And thus to furnish decent lining, + My own and others' bays I'm twining,-- + So, gentle Thurlow, throw me thine in. + + June 2, 1813. + [First published, _Letters and Journals_, 1830, i. 396.] + +FOOTNOTES: + +[30] [One evening, in the late spring or early summer of 1813, Byron and +Moore supped on bread and cheese with Rogers. Their host had just +received from Lord Thurlow [Edward Hovell Thurlow, 1781-1829] a copy of +his _Poems on Several Occasions_ (1813), and Byron lighted upon some +lines to Rogers, "On the Poem of Mr. Rogers, entitled 'An Epistle to a +Friend.'" The first stanza ran thus-- + + "When Rogers o'er this labour bent, + Their purest fire the Muses lent, + T' illustrate this sweet argument." + +"Byron," says Moore, "undertook to read it aloud;--but he found it +impossible to get beyond the first two words. Our laughter had now +increased to such a pitch that nothing could restrain it. Two or three +times he began; but no sooner had the words 'When Rogers' passed his +lips, than our fit burst forth afresh,--till even Mr. Rogers himself ... +found it impossible not to join us. A day or two after, Lord Byron sent +me the following:--'My dear Moore, "When Rogers" must not see the +enclosed, which I send for your perusal.'"--_Life_, p. 181; _Letters_, +1898, ii. 211-213, _note_ 1.] + +Thurlow's poems are by no means contemptible. A sonnet, "To a Bird, that +haunted the Water of Lacken, in the Winter," which Charles Lamb +transcribed in one of Coleridge's note-books, should be set over against +the absurd lines, "On the Poems of Mr. Rogers." + + "O melancholy bird, a winter's day + Thou standest by the margin of the pool; + And, taught by God, dost thy whole being school + To Patience, which all evil can allay: + God has appointed thee the fish thy prey; + And giv'n thyself a lesson to the fool + Unthrifty, to submit to moral rule, + And his unthinking course by thee to weigh. + There need not schools nor the professor's chair, + Though these be good, true wisdom to impart; + He, who has not enough for these to spare + Of time, or gold, may yet amend his heart, + And teach his soul by brooks and rivers fair, + Nature is always wise in every part." + +_Select Poems_, 1821, p. 90. + +[See "Fragments of Criticism," _Works of Charles Lamb_, 1903, iii. 284.] + +[31] [_Hermilda in Palestine_ was published in 1812, in quarto, and +twice reissued in 1813, as part of _Poems on Various Occasions_ (8vo). +The Lines upon Rogers' _Epistle to a Friend_ appeared first in the +_Gentleman's Magazine_ for April, 1813, vol. 83, p. 357, and were +reprinted in the second edition of _Poems, etc._, 1813, pp. 162, 163. +The lines in italics, which precede each stanza, are taken from the last +stanza of Lord Thurlow's poem.] + + + + TO LORD THURLOW.[32] + + 1. + + "_I lay my branch of laurel down_." + + "_THOU_ lay thy branch of _laurel_ down!" + Why, what thou'st stole is not enow; + And, were it lawfully thine own, + Does Rogers want it most, or thou? + Keep to thyself thy withered bough, + Or send it back to Doctor Donne:[33] + Were justice done to both, I trow, + He'd have but little, and thou--none. + + 2. + + "_Then, thus, to form Apollo's crown_." + + A crown! why, twist it how you will, + Thy chaplet must be foolscap still. + When next you visit Delphi's town, + Enquire amongst your fellow-lodgers, + They'll tell you Phoebus gave his crown, + Some years before your birth, to Rogers. + + 3. + + "_Let every other bring his own_." + + When coals to Newcastle are carried, + And owls sent to Athens, as wonders, + From his spouse when the Regent's unmarried, + Or Liverpool weeps o'er his blunders; + When Tories and Whigs cease to quarrel, + When Castlereagh's wife has an heir, + Then Rogers shall ask us for laurel, + And thou shalt have plenty to spare. + + [First published, _Letters and Journals_, 1830, i. 397.] + +FOOTNOTES: + +[32] ["On the same day I received from him the following additional +scraps ['To Lord Thurlow']. The lines in Italics are from the eulogy +that provoked his waggish comments."--_Life_, p. 181. The last stanza of +Thurlow's poem supplied the text-- + + "Then, thus, to form Apollo's crown, + (Let ev'ry other bring his own,) + I lay my branch of laurel down."] + +[33] [Lord Thurlow affected an archaic style in his Sonnets and other +verses. In the Preface to the second edition of _Poems, etc._, he +writes, "I think that our Poetry has been continually declining since +the days of Milton and Cowley ... and that the golden age of our +language is in the reign of Queen Elizabeth."] + + + + THE DEVIL'S DRIVE.[ii][34] + + 1. + + THE Devil returned to Hell by two, + And he stayed at home till five; + When he dined on some homicides done in _ragoût_, + And a rebel or so in an _Irish_ stew, + And sausages made of a self-slain Jew, + And bethought himself what next to do, + "And," quoth he, "I'll take a drive. + I walked in the morning, I'll ride to-night; + In darkness my children take most delight, + And I'll see how my favourites thrive. 10 + + 2. + + "And what shall I ride in?" quoth Lucifer, then-- + "If I followed my taste, indeed, + I should mount in a waggon of wounded men, + And smile to see them bleed. + But these will be furnished again and again, + And at present my purpose is speed; + To see my manor as much as I may, + And watch that no souls shall be poached away. + + 3. + + "I have a state-coach at Carlton House, + A chariot in Seymour-place;[35] 20 + But they're lent to two friends, who make me amends + By driving my favourite pace: + And they handle their reins with such a grace, + I have something for both at the end of the race. + + 4. + + "So now for the earth to take my chance," + Then up to the earth sprung he; + And making a jump from Moscow to France, + He stepped across the sea, + And rested his hoof on a turnpike road, + No very great way from a Bishop's abode.[36] 30 + + 5. + + But first as he flew, I forgot to say, + That he hovered a moment upon his way, + To look upon Leipsic plain; + And so sweet to his eye was its sulphury glare, + And so soft to his ear was the cry of despair, + That he perched on a mountain of slain; + And he gazed with delight from its growing height, + Nor often on earth had he seen such a sight, + Nor his work done half as well: + For the field ran so red with the blood of the dead, 40 + That it blushed like the waves of Hell! + Then loudly, and wildly, and long laughed he: + "Methinks they have little need here of _me_!" + + 6. + + Long he looked down on the hosts of each clime, + While the warriors hand to hand were-- + Gaul--Austrian and Muscovite heroes sublime, + And--(Muse of Fitzgerald arise with a rhyme!) + A quantity of _Landwehr_![37] + Gladness was there, + For the men of all might and the monarchs of earth, 50 + There met for the wolf and the worm to make mirth, + And a feast for the fowls of the Air! + + 7. + + But he turned aside and looked from the ridge + Of hills along the river, + And the best thing he saw was a broken bridge,[38] + Which a Corporal chose to shiver; + Though an Emperor's taste was displeased with his haste, + The Devil he thought it clever; + And he laughed again in a lighter strain, + O'er the torrent swoln and rainy, 60 + When he saw "on a fiery steed" Prince Pon, + In taking care of Number _One_-- + Get drowned with a great _many_! + + 8. + + But the softest note that soothed his ear + Was the sound of a widow sighing; + And the sweetest sight was the icy tear, + Which Horror froze in the blue eye clear + Of a maid by her lover lying-- + As round her fell her long fair hair, + And she looked to Heaven with that frenzied air 70 + Which seemed to ask if a God were there! + And stretched by the wall of a ruined hut, + With its hollow cheek, and eyes half shut, + A child of Famine dying: + And the carnage _begun_, when _resistance_ is done, + And the fall of the vainly flying! + + 9. + + Then he gazed on a town by besiegers taken, + Nor cared he who were winning; + But he saw an old maid, for years forsaken, + Get up and leave her spinning; 80 + And she looked in her glass, and to one that did pass, + She said--"pray are the rapes beginning?"[39] + + 10. + + But the Devil has reached our cliffs so white, + And what did he there, I pray? + If his eyes were good, he but saw by night + What we see every day; + But he made a tour and kept a journal + Of all the wondrous sights nocturnal, + And he sold it in shares to the _Men_ of the _Row_, + Who bid pretty well--but they _cheated_ him, though! 90 + + 11. + + The Devil first saw, as he thought, the _Mail_, + Its coachman and his coat; + So instead of a pistol he cocked his tail, + And seized him by the throat; + "Aha!" quoth he, "what have we here? + 'T is a new barouche, and an ancient peer!"[40] + + 12. + + So he sat him on his box again, + And bade him have no fear, + But be true to his club, and staunch to his rein, + His brothel and his beer; 100 + "Next to seeing a Lord at the Council board, + I would rather see him here." + + 13. + + Satan hired a horse and gig + With promises to pay; + And he pawned his horns for a spruce new wig, + To redeem as he came away: + And he whistled some tune, a waltz or a jig, + And drove off at the close of day. + + 14. + + The first place he stopped at--he heard the Psalm + That rung from a Methodist Chapel: 110 + "'T is the best sound I've heard," quoth he, "since my palm + Presented Eve her apple! + When _Faith_ is all, 't is an excellent sign, + That the _Works_ and Workmen both are mine." + + 15. + + He passed Tommy Tyrwhitt,[41] that standing jest, + To princely wit a Martyr: + But the last joke of all was by far the best, + When he sailed away with "the Garter"! + "And"--quoth Satan--"this Embassy's worthy my sight, + Should I see nothing else to amuse me to night. 120 + With no one to bear it, but Thomas à Tyrwhitt, + This ribband belongs to an 'Order of Merit'!" + + 16. + + He stopped at an Inn and stepped within + The Bar and read the "Times;" + And never such a treat, as--the epistle of one "Vetus,"[42] + Had he found save in downright crimes: + "Though I doubt if this drivelling encomiast of War + Ever saw a field fought, or felt a scar, + Yet his fame shall go farther than he can guess, + For I'll keep him a place in my _hottest Press_; 130 + And his works shall be bound in Morocco _d'Enfer_, + And lettered behind with his _Nom de Guerre_." + + 17. + + The Devil gat next to Westminster, + And he turned to "the room" of the Commons; + But he heard as he purposed to enter in there, + That "the Lords" had received a summons; + And he thought, as "a _quondam_ Aristocrat," + He might peep at the Peers, though to _hear_ them were flat; + And he walked up the House so like one of his own, + That they say that he stood pretty near the throne. 140 + + 18. + + He saw the Lord Liverpool seemingly wise, + The Lord Westmoreland certainly silly, + And Jockey of Norfolk--a man of some size-- + And Chatham, so like his friend Billy;[43] + And he saw the tears in Lord Eldon's eyes, + Because the Catholics would _not_ rise, + In spite of his prayers and his prophecies; + And he heard--which set Satan himself a staring-- + A certain Chief Justice say something like _swearing_.[44] + And the Devil was shocked--and quoth he, "I must go, 150 + For I find we have much better manners below. + If thus he harangues when he passes my border, + I shall hint to friend Moloch to call him to order." + + 19. + + Then the Devil went down to the humbler House, + Where he readily found his way + As natural to him as its hole to a Mouse, + He had been there many a day; + And many a vote and soul and job he + Had bid for and carried away from the Lobby: + But there now was a "call" and accomplished debaters 160 + Appeared in the glory of hats, boots and gaiters-- + _Some_ paid rather more--but _all_ worse dressed + than Waiters! + + 20. + + There was Canning for War, and Whitbread for peace, + And others as suited their fancies; + But all were agreed that our debts should increase + Excepting the Demagogue Francis. + That rogue! how could Westminster chuse him again + To leaven the virtue of these honest men! + But the Devil remained till the Break of Day + Blushed upon Sleep and Lord Castlereagh:[45] 170 + Then up half the house got, and Satan got up + With the drowsy to snore--or the hungry to sup:-- + But so torpid the power of some speakers, 't is said, + That they sent even him to his brimstone bed. + + 21. + + He had seen George Rose--but George was grown dumb, + And only lied in thought![46] + And the Devil has all the pleasure to come + Of hearing him talk as he ought. + With the falsest of tongues, the sincerest of men-- + His veracity were but deceit-- 180 + And Nature must first have unmade him again, + Ere his breast or his face, or his tongue, or his pen, + Conceived--uttered--looked--or wrote down letters ten, + Which Truth would acknowledge complete. + + 22. + + Satan next took the army list in hand, + Where he found a new "Field Marshal;" + And when he saw this high command + Conferred on his Highness of Cumberland,[47] + "Oh! were I prone to cavil--or were I not the Devil, + I should say this was somewhat partial; 190 + Since the only wounds that this Warrior gat, + Were from God knows whom--and the Devil knows what!" + + 23. + + He then popped his head in a royal Ball, + And saw all the Haram so hoary; + And who there besides but Corinna de Staël![48] + Turned Methodist and Tory! + "Aye--Aye"--quoth he--"'t is the way with them all, + When Wits grow tired of Glory: + But thanks to the weakness, that thus could pervert her, + Since the dearest of prizes to me's a deserter: 200 + _Mem_--whenever a sudden conversion I want, + To send to the school of Philosopher Kant; + And whenever I need a critic who can gloss over + All faults--to send for Mackintosh to write up the Philosopher."[49] + + 24. + + The Devil waxed faint at the sight of this Saint, + And he thought himself of eating; + And began to cram from a plate of ham + Wherewith a Page was retreating-- + Having nothing else to do (for "the friends" each so near + Had sold all their souls long before), 210 + As he swallowed down the bacon he wished himself a Jew + For the sake of another crime more: + For Sinning itself is but half a recreation, + Unless it ensures most infallible Damnation. + + 25. + + But he turned him about, for he heard a sound + Which even his ear found faults in; + For whirling above--underneath--and around-- + Were his fairest Disciples Waltzing![50] + And quoth he--"though this be--the _premier pas_ to me, + Against it I would warn all-- 220 + Should I introduce these revels among my younger devils, + They would all turn perfectly carnal: + And though fond of the flesh--yet I never could bear it + Should quite in my kingdom get the upper hand of Spirit." + + 26. + + The Devil (but 't was over) had been vastly glad + To see the new Drury Lane, + And yet he might have been rather mad + To see it rebuilt in vain; + And had he beheld their "Nourjahad,"[51] + Would never have gone again: 230 + And Satan had taken it much amiss, + They should fasten such a piece on a friend of his-- + Though he knew that his works were somewhat sad, + He never had found them _quite_ so bad: + For this was "the book" which, of yore, Job, sorely smitten, + Said, "Oh that _mine_ enemy, _mine_ enemy had written"! + + 27. + + Then he found sixty scribblers in separate cells,[52] + And marvelled what they were doing, + For they looked like little fiends in their own little hells, + Damnation for others brewing-- 240 + Though their paper seemed to shrink, from the heat of their ink, + They were only _coolly_ reviewing! + And as one of them wrote down the pronoun "_We_," + "That Plural"--says Satan--"means _him_ and _me_, + With the Editor added to make up the three + Of an Athanasian Trinity, + And render the believers in our 'Articles' sensible, + How many must combine to form _one_ Incomprehensible"! + + _December_ 9, 1813. + [Stanzas 1, 2, 3, 4, 5, 8, 10, 11, 12, 17, 18, first published, + _Letters and Journals_, 1830, i. 471-474: stanzas 6, 7, + 9, 13, 14, 15, 16, 19-27, now published for the first time from + an autograph MS. in the possession of the Earl of Ilchester.] + +FOOTNOTES: + +[ii] The Devil's Drive. _A Sequel to Porson's_ Devil's Walk.--[MS. H.] + +[34] ["I have lately written a wild, rambling, unfinished rhapsody, +called 'The Devil's Drive,' the notion of which I took from Porson's +_Devil's Walk_."--_Journal_, December 17, 18, 1813, _Letters_, 1898, ii. +378. "Though with a good deal of vigour and imagination, it is," says +Moore, "for the most part rather clumsily executed, wanting the point +and condensation of those clever verses of Coleridge and Southey, which +Lord Byron, adopting a notion long prevalent, has attributed to Porson." +The _Devil's Walk_ was published in the _Morning Post_, September 6, +1799. It has been published under Porson's name (1830, ed. H. Montague, +illustrated by Cruikshank). (See _Poetical Works_, 1898, i. 30, _note_ +1.)] + +[35] [Lord Yarmouth, nicknamed "Red Herrings," the eldest son of the +Regent's elderly favourite, the Marchioness of Hertford (the "Marchesa" +of the _Twopenny Post-Bag_), lived at No. 7, Seamore Place, Mayfair. +Compare Moore's "Epigram:" "'I want the Court Guide,' said my lady, 'to +look If the House, Seymour Place, be at 30 or 20,'" etc.--_Poetical +Works_, 1850, p. 165.] + +[36] [The allusion may be to a case which was before the courts, the +Attorney-General _v_. William Carver and Brownlow Bishop of Winchester +(see _Morning Chronicle_, November 17, 1813). Carver held certain +premises under the Bishop of Winchester, at the entrance of Portsmouth +Harbour, which obstructed the efflux and reflux of the tide. "The fact," +said Mr. Serjeant Lens, in opening the case for the Crown, "was of great +magnitude to the entire nation, since it effected the security, and even +the existence of one of the principal harbours of Great Britain."] + +[37] [The Russian and Austrian troops at the battle of Leipsic, October +16, 1813, were, for the most part, veterans, while the Prussian +contingent included a large body of militia.] + +[38] [For the incident of the "broken bridge" Byron was indebted to the +pages of the _Morning Chronicle_ of November 8, 1813, "Paris Papers, +October 30"-- + +"The Emperor had ordered the engineers to form fougades under the grand +bridge which is between Leipsic and Lindenau, in order to blow it up at +the latest moment, and thus to retard the march of the enemy and give +time to our baggage to file off. General Dulauloy had entrusted the +operation to Colonel Montford. The Colonel, instead of remaining on the +spot to direct it, and to give the signal, ordered a corporal and four +sappers to blow up the bridge the instant the enemy should appear. The +corporal, an ignorant fellow, and ill comprehending the nature of the +duty with which he was charged, upon hearing the first shot discharged +from the ramparts of the city, set fire to the fougades and blew up the +bridge. A part of the army was still on the other side, with a park of +80 pieces of artillery and some hundreds of waggons. The advance of this +part of the army, who were approaching the bridge, seeing it blow up, +conceived it was in the power of the enemy. A cry of dismay spread from +rank to rank. 'The enemy are close upon our rear, and the bridges are +destroyed!' The unfortunate soldiers dispersed, and endeavoured to +effect their escape as well as they could. The Duke of Tarentum swam +across the river. Prince Poniatowsky, mounted on a spirited horse, +darted into the water and appeared no more. The Emperor was not informed +of this disaster until it was too late to remedy it.... Colonel Montfort +and the corporal of the sappers have been handed over to a +court-martial."] + +[39] [Compare _Don Juan_, Canto VIII. stanza cxxxii. line 4. Sir Walter +Scott (_Journal_, October 30, 1826 [1890, i. 288]), tells the same story +of "an old woman who, when Carlisle was taken by the Highlanders in +1745, chose to be particularly apprehensive of personal violence, and +shut herself up in a closet, in order that she might escape ravishment. +But no one came to disturb her solitude, and ... by and by she popped +her head out of her place of refuge with the pretty question, 'Good +folks, can you tell me when the ravishing is going to begin?'" In 1813 +Byron did not know Scott, and must have stolen the jest from some older +writer. It is, probably, of untold antiquity.] + +[40] [The "Four-Horse" Club, founded in 1808, was incorrectly styled the +Four-in-Hand Club, and the Barouche Club. According to the Club rules, +the barouches were "yellow-bodied, with 'dickies,' the horses bay, with +rosettes at their heads, and the harness silver-mounted. The members +wore a drab coat reaching to the ankles, with three tiers of pockets, +and mother-o'-pearl buttons as large as five-shilling pieces. The +waistcoat was blue, with yellow stripes an inch wide; breeches of plush, +with strings and rosettes to each knee; and it was _de rigueur_ that the +hat should be 3-1/2 inches deep in the crown." (See _Driving_, by the +Duke of Beaufort, K.G., 1894, pp. 251-258.) + +The "ancient peer" may possibly be intended for the President of the +Club, Philip Henry, fifth Earl of Chesterfield (1755-1815), who was a +member of the Privy Council, and had been Postmaster-General and Master +of the Horse.] + +[41] [Sir Thomas Tyrwhitt (_circ_. 1762-1833) was the son of the Rev. +Edmund Tyrwhitt, Rector of Wickham Bishops, etc., and nephew of Thomas +Tyrwhitt, the editor of the _Canterbury Tales_. He was Private Secretary +to the Prince of Wales, auditor of the Duchy of Cornwall (1796), and +Lord Warden of the Stannaries (1805). He was knighted May 8, 1812. He +was sent in the following year in charge of the Garter mission to the +Czar, and on that occasion was made a Knight of the Imperial Order of +St. Anne, First Class. He held the office of Gentleman Usher of the +Black Rod, 1812-1832. "Tommy Tyrwhitt" was an important personage at +Carlton House, and shared with Colonel McMahon the doubtful privilege of +being a confidential servant of the Prince Regent. Compare Letter III. +of Moore's _Twopenny Post-Bag_, 1813, p. 12. "From G.R. to the E. of +Y----th." + + "I write this in bed while my whiskers are airing, + And M--c has a sly dose of jalap preparing + For poor T--mm--y T--rr--t at breakfast to quaff-- + As I feel I want something to give me a laugh, + And there's nothing so good as old T--mm--y kept close + To his Cornwall accounts, after taking a dose!" + +See _Gentleman's Magazine_, March, 1833, vol. 103, pt. i. pp. 275, 276.] + +[42] ["Vetus" [Edward Sterling] contributed a series of letters to the +_Times_, 1812, 1813. They were afterwards republished. Vetus was not a +Little Englander, and his political sentiments recall the _obiter dicta_ +of contemporary patriots; _e.g._ "the only legitimate basis for a +treaty, if not on the part of the Continental Allies, at least for +England herself [is] that she should conquer all she can, and keep all +she conquers. This is not by way of retaliation, however just, upon so +obdurate and rapacious an enemy--but as an indispensable condition of +her own safety and existence." The letters were reviewed under the +heading of "Illustrations of Vetus," in the _Morning Chronicle_, +December 2, 10, 16, 18; 1813. The reviewer and Byron did not take the +patriotic view of the situation.] + +[43] [Robert Banks Jenkinson (1770-1828), second Earl of Liverpool, on +the assassination of Perceval, became Prime Minister, June 7, 1812; John +Fane (1759-1841), tenth Earl of Westmoreland, was Lord Privy Seal, +1798-1827; Charles Howard (1746-1815), eleventh Duke of Norfolk, known +as "Jockey of Norfolk," was a Protestant and a Liberal, and at one time +a friend of the Prince of Wales. Wraxall, _Posthumous Memoirs_, 1836, i. +29, says that "he might have been mistaken for a grazier or a butcher by +his dress and appearance." He figures _largely_ in Gillray, see _e.g._ +"Meeting of the Moneyed Interest," December, 1798. John Pitt +(1756-1835), second Earl of Chatham, the hero of the abortive Walcheren +expedition, had been made a general in the army January 1, 1812. He +"inherited," says Wraxall, _ibid._, iii. 129, "his illustrious father's +form and figure; but not his mind."] + +[44] [Edward Law (1750-1818), first Baron Ellenborough, Lord Chief +Justice of the King's Bench, 1802-18, was given to the use of strong +language. His temper (see Moore's "Sale of the Tools") was "none of the +best." On one occasion, speaking in the House of Lords (March 22, 1813) +with regard to the "delicate investigation," he asserted that the +accusation ["that the persons intrusted had thought fit to fabricate an +unauthorized document"] "was as false as hell;" and by way of protest +against the tedious harangues of old Lord Darnley, "I am answerable to +God for my time, and what account can I give at the day of judgment if I +stay here longer?"] + +[45] [Compare Moore's "Insurrection of the Papers"-- + + "Last night I toss'd and turn'd in bed, + But could not sleep--at length I said, + 'I'll think of Viscount C--stl--r--gh, + And of his speeches--that's the way.'"] + +[46] [George Rose (1744-1818) was at this time Treasurer of the Navy. +Wraxall, who quotes the "Probationary Odes" with regard to his alleged +duplicity, testifies that he "knew him well in his official capacity, +during at least twelve years, and never found him deficient in honour or +sincerity" (_Posthumous Memoirs_, 1836, i. 148). Moore ("Parody of a +Celebrated Letter") makes the Regent conceive how shocked the king would +be to wake up sane and find "that R--se was grown honest, or +W--stm--rel--nd wiser."] + +[47] [Ernest Augustus (1771-1851), Duke of Cumberland and King of +Hanover, fifth son of George III., was gazetted as Field-Marshal +November 27, 1813. His "wounds," which, according to the Duke's sworn +testimony, were seventeen in number, were inflicted during an encounter +with his valet, Joseph Sellis (? Sélis), a Piedmontese, who had +attempted to assassinate the Prince (June 1, 1810), and, shortly +afterwards, was found with his throat cut. A jury of Westminster +tradesmen brought in a verdict of _felo de se_ against Sellis. The event +itself and the trial before the coroner provoked controversy and the +grossest scandal. The question is discussed and the Duke exonerated of +the charges brought against him, by J.H. Jesse, _Memoirs, etc., of +George III._, 1864, iii. 545, 546, and by George Rose, _Diaries, etc._, +1860, ii. 437-446. The scandal was revived in 1832 by the publication of +a work entitled _The Authentic Memoirs of the Court of England for the +last Seventy Years._ The printer and publisher of the work was found +guilty. (See _The Trial of Josiah Phillips for a Libel on the Duke of +Cumberland_, 1833.)] + +[48] ["At half-past nine [Wednesday, December 8, 1813] there was a grand +dress party at Carlton House, at which her Majesty and the Prince Regent +most graciously received the following distinguished characters from the +Russian Court, viz. the Count and Countess Leiven, Mad. La Barrone +(_sic_) de Staël, Monsieur de Staël," etc.--_Morning Chronicle_, +December 10, 1813.] + +[49] [In the review of Madame de Staël's _De L'Allemagne_ (_Edinburgh +Review_, October, 1813, vol. 22, pp. 198-238), Sir James Mackintosh +enlarged upon and upheld the "opinions of Kant" as creative and seminal +in the world of thought. In the same article he passes in review the +systems of Hobbes, Paley, Bentham, Reid, etc., and finds words of praise +and admiration for each in turn. See, too, a passage (p. 226) in which +he alludes to Coleridge as a living writer, whose "singular character +and unintelligible style" might, in any other country but England, have +won for him attention if not approval. His own "conversion" from the +extreme liberalism of the _Vindiciæ Gallicæ_ of 1791 to the philosophic +conservatism of the _Introductory Discourse_ (1798) to his lecture on +_The Law of Nature and Nations_, was regarded with suspicion by +Wordsworth and Coleridge, who, afterwards, were still more effectually +"converted" themselves.] + +[50] [See Introduction to _The Waltz, Poetical Works_, 1898, i. 475.] + +[51] [_Illusion, or the Trances of Nourjahad_, a melodrama founded on +_The History of Nourjahad_, By the Editor of Sidney Bidulph (Mrs. +Frances Sheridan, _née_ Chamberlaine, 1724-1766), was played for the +first time at Drury Lane Theatre, November 25, 1813. Byron was +exceedingly indignant at being credited with the authorship or +adaptation. (See Letter to Murray, November 27, 1813, _Letters_, 1898, +ii. 288, _note_ 1.) Miss Sophia Lee, who wrote some of the _Canterbury +Tales_, "made a very elegant musical drama of it" (_Memoirs of Mrs. F. +Sheridan_, by Alicia Lefanu, 1824, p. 296); but this was not the +_Nourjahad_ of Drury Lane.] + +[52] [Millbank Penitentiary, which was built in the form of a pentagon, +was finally taken in hand in the spring of 1813. Solitary confinement in +the "cells" was, at first, reserved as a punishment for +misconduct.--_Memorials of Millbank_, by Arthur Griffiths, 1875, i. 57.] + + + + WINDSOR POETICS. + + LINES COMPOSED ON THE OCCASION OF HIS ROYAL HIGHNESS + THE PRINCE REGENT BEING SEEN STANDING BETWEEN + THE COFFINS OF HENRY VIII. AND CHARLES I., + IN THE ROYAL VAULT AT WINDSOR. + + FAMED for contemptuous breach of sacred ties, + By headless Charles see heartless Henry lies; + Between them stands another sceptred thing-- + It moves, it reigns--in all but name, a king: + + Charles to his people, Henry to his wife, + --In him the double tyrant starts to life: + Justice and Death have mixed their dust in vain, + Each royal Vampire wakes to life again. + Ah, what can tombs avail!--since these disgorge + The blood and dust of both--to mould a George.[53] + + [First published, _Poetical Works_, Paris, 1819, vi. 125.] + + + + [ANOTHER VERSION.] + + ON A ROYAL VISIT TO THE VAULTS.[54] + + [OR CAESAR'S DISCOVERY OF C.I. AND H. 8. IN YE SAME VAULT.] + + FAMED for their civil and domestic quarrels + See heartless Henry lies by headless Charles; + Between them stands another sceptred thing, + It lives, it reigns--"aye, every inch a king." + Charles to his people, Henry to his wife, + In him the double tyrant starts to life: + Justice and Death have mixed their dust in vain. + The royal Vampires join and rise again. + What now can tombs avail, since these disgorge + The blood and dirt[55] of both to mould a George! + +FOOTNOTES: + +[53] ["I cannot conceive how the _Vault_ has got about; but so it is. It +is too _farouche_; but truth to say, my satires are not very +playful."--Letter to Moore, March 12, 1814, _Letters_, 1899, iii. 57-58. +Moore had written to him, "Your lines about the bodies of Charles and +Henry are, I find, circulated with wonderful avidity; even some clods in +this neighbourhood have had a copy sent to them by some 'young ladies in +town.'"--_Ibid_., p. 57, _note_ 3. + +The discovery "that King Charles I. was buried in the vault of King +Henry VIII.," was made on completing the mausoleum which George III. +caused to be built in the tomb-house. The Prince Regent was informed of +the circumstance, and on April 1, 1813, the day after the funeral of his +mother-in-law, the Duchess of Brunswick, he superintended in person the +opening of the leaden coffin, which bore the inscription, "King Charles, +1648" (_sic_). See _An Account of what appeared on Opening the Coffin of +King Charles the First_, by Sir H. Halford, Bart., 1813, pp. 6, 7. +Cornelia Knight, in her _Autobiography_ (1861, i. 227), notes that the +frolic prince, the "Adonis of fifty," who was in a good humour, and "had +given to Princess Charlotte the centre sapphire of Charles's crown," +acted "the manner of decapitation on my shoulders." He had "forgotten" +Cromwell, who, as Lord Auchinleck reminded Dr. Johnson, had "gart kings +ken that they had a _lith_ in their neck!"] + +[54] [From an autograph MS. in the possession of the Hon. Mrs. Norbury. + +The first wrapper has written upon it, "The original Impromptu within is +in the handwriting of the noble author Lord Byron, given to Mr. Norbury +[private secretary to Lord Granville] by Mr. Dallas, his Lordship's +valued relative." + +Second wrapper, "Autograph of Lord Byron--tres précieux." + +Third (outside) wrapper, "Autographe célèbre de Lord Byron."] + +[55][ + + Πηλὸν αἵματι πεφυραμἑνον [Greek: Pêlὸn ai(/mati pephyramhenon] + "Clay kneaded with blood." + +Suetonius, in _Tiberium_, cap. 57.] + + + + ICH DIEN. + + FROM this emblem what variance your motto evinces, + For the _Man_ is his country's--the Arms are the Prince's! + + ?1814. + [From an autograph MS. in the possession of + Mr. A.H. Hallam Murray, now for the first time printed.] + + + + CONDOLATORY ADDRESS + + TO SARAH COUNTESS OF JERSEY, ON THE PRINCE REGENT'S + RETURNING HER PICTURE TO MRS. MEE.[56] + + WHEN the vain triumph of the imperial lord, + Whom servile Rome obeyed, and yet abhorred, + Gave to the vulgar gaze each glorious bust, + That left a likeness of the brave, or just; + What most admired each scrutinising eye + Of all that decked that passing pageantry? + What spread from face to face that wondering air? + The thought of Brutus[57]--for his was not there! + That absence proved his worth,--that absence fixed + His memory on the longing mind, unmixed; 10 + And more decreed his glory to endure, + Than all a gold Colossus could secure. + + If thus, fair Jersey, our desiring gaze + Search for thy form, in vain and mute amaze, + Amidst those pictured charms, whose loveliness, + Bright though they be, thine own had rendered less: + If he, that VAIN OLD MAN, whom truth admits + Heir of his father's crown, and of his wits, + If his corrupted eye, and withered heart, + Could with thy gentle image bear to part; 20 + That tasteless shame be _his_, and ours the grief, + To gaze on Beauty's band without its chief: + Yet Comfort still one selfish thought imparts, + We lose the portrait, but preserve our hearts. + + What can his vaulted gallery now disclose? + A _garden_ with all flowers--except the rose;-- + A _fount_ that only wants its living stream; + A _night_, with every star, save Dian's beam. + Lost to our eyes the present forms shall be, + That turn from tracing them to dream of thee; 30 + And more on that recalled resemblance pause, + Than all he _shall_ not force on our applause. + + Long may thy yet meridian lustre shine, + With all that Virtue asks of Homage thine: + The symmetry of youth--the grace of mien-- + The eye that gladdens--and the brow serene; + The glossy darkness of that clustering hair,[58] + Which shades, yet shows that forehead more than fair! + Each glance that wins us, and the life that throws + A spell which will not let our looks repose, 40 + But turn to gaze again, and find anew + Some charm that well rewards another view. + These are not lessened, these are still as bright, + Albeit too dazzling _for a dotard's sight_; + And those must wait till ev'ry charm is gone, + To please the paltry heart that pleases none;-- + That dull cold sensualist, whose sickly eye + In envious dimness passed thy portrait by; + Who racked his little spirit to combine + Its hate of _Freedom's_ loveliness, and _thine_. 50 + + _May_ 29, 1814. + [First published in _The Champion_, July 31, 1814.] + +FOOTNOTES: + +[56] ["The gentlemen of the _Champion_, and Perry, have got hold (I know +not how) of the condolatory Address to Lady Jersey on the +picture-abduction by our Regent, and have published them--with my name, +too, smack--without even asking leave, or inquiring whether or no! Damn +their impudence, and damn every thing. It has put me out of patience, +and so, I shall say no more about it."--Letter to Moore, August 3, 1814, +_Letters_, 1899, iii. 118. For Byron's letter to Lady Jersey, of May 29, +1814, and a note from her with reference to a lost(?) copy of the +verses, _vide ibid_., p. 85. Mrs. Anne Mee (1775?-1851) was a +miniature-painter, who was employed by the Prince Regent to take the +portraits of fashionable beauties.] + +[57] [Compare _Childe Harold_, Canto IV. stanza lix. line 3, _Poetical +Works_, 1899, ii. 374, _note_ 2.] + +[58] [See _Conversations ... with the Countess of Blessington_, 1834, +p. 50.] + + +[Illustration: ANNESLEY HALL.] + + + + FRAGMENT OF AN EPISTLE TO THOMAS MOORE. + + "WHAT say _I_?"--not a syllable further in prose; + I'm your man "of all measures," dear Tom,--so here goes! + Here goes, for a swim on the stream of old Time, + On those buoyant supporters, the bladders of rhyme. + If our weight breaks them down, and we sink in the flood, + We are smothered, at least, in respectable mud, + Where the divers of Bathos lie drowned in a heap, + And Southey's last Pæan has pillowed his sleep; + That _Felo de se_ who, half drunk with his Malmsey, + Walked out of his depth and was lost in a calm sea, 10 + Singing "Glory to God" in a spick and span stanza, + The like (since Tom Sternhold was choked) never man saw.[59] + + The papers have told you, no doubt, of the fusses, + The fêtes, and the gapings to get at these Russes,[60]-- + Of his Majesty's suite, up from coachman to Hetman,-- + And what dignity decks the flat face of the great man. + I saw him, last week, at two balls and a party,-- + For a Prince, his demeanour was rather too hearty. + You know, _we_ are used to quite different graces, + + * * * * * + + The Czar's look, I own, was much brighter and brisker, 20 + But then he is sadly deficient in whisker; + And wore but a starless blue coat, and in kersey- + mere breeches whisked round, in a waltz with the Jersey,[61] + Who, lovely as ever, seemed just as delighted + With Majesty's presence as those she invited. + + * * * * * + + * * * * * + + _June_, 1814. + [First published, _Letters and Journals_, 1830, i. 561, 562 (note).] + +FOOTNOTES: + +[59] [The two first stanzas of Southey's "_Carmen Triumphale_, for the +Commencement of the Year 1814," end with the line-- + + "Glory to God--Deliverance for Mankind!"] + +[60] ["The newspapers will tell you all that is to be told of emperors, +etc. They have dined, and supped, and shown their flat faces in all +thoroughfares and several saloons."--Letter to Moore, June 14, 1814, +_Letters_, 1899, iii. 93, 94. + +From June 6 to June 27, 1814, the Emperor of Russia, and the King of +Prussia were in England. Huge crowds watched all day and night outside +the Pulteney Hotel (105, Piccadilly), where the Emperor of Russia +stayed. Among the foreigners in London were Nesselrode, Metternich, +Blücher, and Platoff, Hetman of the Cossacks. The two latter were the +heroes of the mob. _Ibid_., p. 93, _note_ 1.] + +[61] ["The Emperor," says Lady Vernon (_Journal of Mary Frampton_, pp. +225, 226), "is fond of dancing.... He waltzed with Lady Jersey, whom he +admires, to the great discomposure of the Regent, who has quarrelled +with her."] + + + + ANSWER TO----'S PROFESSIONS OF AFFECTION. + + IN hearts like thine ne'er may I hold a place + Till I renounce all sense, all shame, all grace-- + That seat,--like seats, the bane of Freedom's realm, + But dear to those presiding at the helm-- + Is basely purchased, not with gold alone; + Add Conscience, too, this bargain is your own-- + 'T is thine to offer with corrupting art + The _rotten borough_[62] of the human heart. + + ?1814. + [From an autograph MS., now for the first time printed.] + +FOOTNOTES: + +[62] [The phrase, "rotten borough," was used by Sir F. Burdett, +_Examiner_, October 12, 1812.] + + + + ON NAPOLEON'S ESCAPE FROM ELBA.[63] + + ONCE fairly set out on his party of pleasure, + Taking towns at his liking, and crowns at his leisure, + From Elba to Lyons and Paris he goes, + Making _balls for_ the ladies, and _bows to_ his foes. + + _March 27, 1815._ + [First published, _Letters and Journals_, 1830, i. 611.] + +FOOTNOTES: + +[63] [It may be taken for granted that the "source" of this epigram was +a paragraph in the _Morning Chronicle_ of March 27, 1815: "In the +_Moniteur_ of Thursday we find the Emperor's own account of his _jaunt_ +from the Island of Elba to the palace of the Thuilleries. It seems +certainly more like a jaunt of pleasure than the progress of an invader +through a country to be gained."] + + + + ENDORSEMENT TO THE DEED OF SEPARATION, + IN THE APRIL OF 1816. + + A YEAR ago you swore, fond she! + "To love, to honour," and so forth: + Such was the vow you pledged to me, + And here's exactly what 't is worth. + + [First published, _Poetical Works_, 1831, vi. 454.] + + + + [TO GEORGE ANSON BYRON(?)[64]] + + 1. + + AND, dost thou ask the reason of my sadness? + Well, I will tell it thee, unfeeling boy! + 'Twas ill report that urged my brain to madness, + 'Twas thy tongue's venom poisoned all my joy. + + 2. + + The sadness which thou seest is not sorrow; + My wounds are far too deep for simple grief; + The heart thus withered, seeks in vain to borrow + From calm reflection, comfort or relief. + + 3. + + The arrow's flown, and dearly shalt thou rue it; + No mortal hand can rid me of my pain: + My heart is pierced, but thou canst not subdue it-- + Revenge is left, and is not left in vain. + + ?1816. + [First published, _Nicnac_, March 25, 1823.] + +FOOTNOTES: + +[64] ["A short time before Lord Byron quitted England, in 1816, he +addressed these lines to an individual by whom he deemed himself +injured; they are but little known."--_Nicnac_, March 25, 1823.] + + + + SONG FOR THE LUDDITES.[65] + + 1. + + AS the Liberty lads o'er the sea + Bought their freedom, and cheaply, with blood, + So we, boys, we + Will _die_ fighting, or _live_ free, + And down with all kings but King Ludd! + + 2. + + When the web that we weave is complete, + And the shuttle exchanged for the sword, + We will fling the winding sheet + O'er the despot at our feet, + And dye it deep in the gore he has poured. + + 3. + + Though black as his heart its hue, + Since his veins are corrupted to mud, + Yet this is the dew + Which the tree shall renew + Of Liberty, planted by Ludd! + + December 24, 1816. + [First published, _Letters and Journals_, 1830, ii. 58.] + +FOOTNOTES: + +[65] [The term "Luddites" dates from 1811, and was applied first to +frame-breakers, and then to the disaffected in general. It was derived +from a half-witted lad named Ned Lud, who entered a house in a fit of +passion, and destroyed a couple of stocking-frames. The song was an +impromptu, enclosed in a letter to Moore of December 24, 1816. "I have +written it principally," he says, "to shock your neighbour [Hodgson?] +who is all clergy and loyalty--mirth and innocence--milk and water." See +_Letters_, 1900, iv. 30; and for General Lud and "Luddites," see +_Letters_, 1898, ii. 97, note 1.] + + + + TO THOMAS MOORE. + + What are you doing now, + Oh Thomas Moore? + What are you doing now, + Oh Thomas Moore? + Sighing or suing now, + Rhyming or wooing now, + Billing or cooing now, + Which, Thomas Moore? + + But the Carnival's coming, + Oh Thomas Moore! + The Carnival's coming, + Oh Thomas Moore! + Masking and humming, + Fifing and drumming, + Guitarring and strumming, + Oh Thomas Moore! + + December 24, 1816. + [First published, _Letters and Journals_, 1830, ii. 58, 59.] + + + + TO MR. MURRAY. + + TO hook the Reader, you, John Murray, + Have published "Anjou's Margaret,"[66] + Which won't be sold off in a hurry + (At least, it has not been as yet); + And then, still further to bewilder him, + Without remorse, you set up "Ilderim;"[67] + So mind you don't get into debt,-- + Because--as how--if you should fail, + These books would be but baddish bail. + And mind you do _not_ let escape + These rhymes to _Morning Post_ or Perry, + Which would be _very_ treacherous--_very_, + And get me into such a scrape! + For, firstly, I should have to sally, + All in my little boat, against a _Galley_; + And, should I chance to slay the Assyrian wight, + Have next to combat with the female Knight: + And pricked to death expire upon her needle, + A sort of end which I should take indeed ill! + + March 25, 1817. + [First published, _Letters and Journals_, 1830, ii. 91.] + +FOOTNOTES: + +[66] [_Margaret of Anjou_, by Margaret Holford, 1816.] + +[67] [_Ilderim, a Syrian Tale_, by H. Gaily Knight, 1816.] + + + + VERSICLES. + + I READ the "Christabel;"[68] + Very well: + I read the "Missionary;"[69] + Pretty--very: + I tried at "Ilderim;" + Ahem! + I read a sheet of "Marg'ret of _Anjou_;" + _Can you_? + I turned a page of Webster's "Waterloo;"[70] + Pooh! pooh! + I looked at Wordsworth's milk-white "Rylstone Doe;"[71] + Hillo! + I read "Glenarvon," too, by Caro Lamb;[72] + God damn! + + March 25, 1817. + [First published, _Letters and Journals_, 1830, ii. 87.] + +FOOTNOTES: + +[68] [_Christabel, etc._, by S.T. Coleridge, 1816.] + +[69] [_The Missionary of the Andes, a Poem_, by W.L. Bowles, 1815.] + +[70] [_Waterloo and other Poems_, by J. Wedderburn Webster, 1816.] + +[71] [_The White Doe of Rylstone, or the Fate of the Nortons, a Poem_, +by W. Wordsworth, 1815.] + +[72] [_Glenarvon, a Novel_ [by Lady Caroline Lamb], 1816.] + + + + QUEM DEUS VULT PERDERE PRIUS DEMENTAT.[73] + + God maddens him whom't is his will to lose, + And gives the choice of death or phrenzy--choose. + + [First published, _Letters_, 1900, iv. 93.] + +FOOTNOTES: + +[73] [_À propos_ of Maturin's tragedy, _Manuel_ (_vide post_, p. 48, +_note_ 1), Byron "does into English" the Latin proverb by way of +contrast to the text, "Whom the Lord loveth He chasteneth; blessed be +the Name of the Lord" (Letter to Murray, April 2, 1817).] + + + + TO THOMAS MOORE. + + 1. + + My boat is on the shore, + And my bark is on the sea; + But, before I go, Tom Moore, + Here's a double health to thee! + + 2. + + Here's a sigh to those who love me, + And a smile to those who hate; + And, whatever sky's above me, + Here's a heart for every fate. + + 3. + + Though the Ocean roar around me, + Yet it still shall bear me on; + Though a desert shall surround me, + It hath springs that may be won. + + 4. + + Were't the last drop in the well, + As I gasped upon the brink, + Ere my fainting spirit fell, + 'T is to thee that I would drink. + + 5. + + With that water, as this wine, + The libation I would pour + Should be--peace with thine and mine, + And a health to thee, Tom Moore.[74] + + July, 1817. + [First published, _Waltz_, London, W. Benbow, 1821, p. 29.] + +FOOTNOTES: + +[74] ["This should have been written fifteen months ago; the first +stanza was."--Letter to Moore, July 10, 1817.] + + + + EPISTLE FROM MR. MURRAY TO DR. POLIDORI.[75] + + DEAR Doctor, I have read your play, + Which is a good one in its way,-- + Purges the eyes, and moves the bowels, + And drenches handkerchiefs like towels + With tears, that, in a flux of grief, + Afford hysterical relief + To shattered nerves and quickened pulses, + Which your catastrophe convulses. + + I like your moral and machinery; + Your plot, too, has such scope for Scenery! 10 + Your dialogue is apt and smart; + The play's concoction full of art; + Your hero raves, your heroine cries, + All stab, and every body dies. + In short, your tragedy would be + The very thing to hear and see: + And for a piece of publication, + If I decline on this occasion, + It is not that I am not sensible + To merits in themselves ostensible, 20 + But--and I grieve to speak it--plays + Are drugs--mere drugs, Sir--now-a-days. + I had a heavy loss by _Manuel_--[76] + Too lucky if it prove not annual,-- + And Sotheby, with his _Orestes_,[77] + (Which, by the way, the old Bore's best is), + Has lain so very long on hand, + That I despair of all demand; + I've advertised, but see my books, + Or only watch my Shopman's looks;-- 30 + Still _Ivan_, _Ina_,[78] and such lumber, + My back-shop glut, my shelves encumber. + + There's Byron too, who once did better, + Has sent me, folded in a letter, + A sort of--it's no more a drama + Than _Darnley_, _Ivan_, or _Kehama_; + So altered since last year his pen is, + I think he's lost his wits at Venice. + + * * * * * + + * * * * * + + In short, Sir, what with one and t' other, + I dare not venture on another. 40 + I write in haste; excuse each blunder; + The Coaches through the street so thunder! + My room's so full--we've Gifford here + Reading MS., with Hookham Frere, + Pronouncing on the nouns and particles, + Of some of our forthcoming Articles. + + The _Quarterly_--Ah, Sir, if you + Had but the Genius to review!-- + A smart Critique upon St. Helena, + Or if you only would but tell in a 50 + Short compass what--but to resume; + As I was saying, Sir, the Room-- + The Room's so full of wits and bards, + Crabbes, Campbells, Crokers, Freres, and Wards + And others, neither bards nor wits: + My humble tenement admits + All persons in the dress of Gent., + From Mr. Hammond to Dog Dent.[79] + + A party dines with me to-day, + All clever men, who make their way: 60 + Crabbe, Malcolm,[80] Hamilton,[81] and Chantrey, + Are all partakers of my pantry. + They're at this moment in discussion + On poor De Staël's late dissolution. + Her book,[82] they say, was in advance-- + Pray Heaven, she tell the truth of France! + 'T is said she certainly was married + To Rocca, and had twice miscarried, + No--not miscarried, I opine,-- + But brought to bed at forty-nine. 70 + Some say she died a Papist; some + Are of opinion that's a Hum; + I don't know that--the fellows Schlegel,[83] + Are very likely to inveigle + A dying person in compunction + To try th' extremity of Unction. + But peace be with her! for a woman + Her talents surely were uncommon, + Her Publisher (and Public too) + The hour of her demise may rue-- 80 + For never more within his shop he-- + Pray--was not she interred at Coppet? + Thus run our time and tongues away;-- + But, to return, Sir, to your play: + Sorry, Sir, but I cannot deal, + Unless 't were acted by O'Neill. + My hands are full--my head so busy, + I'm almost dead--and always dizzy; + And so, with endless truth and hurry, + Dear Doctor, I am yours, 90 + JOHN MURRAY. + + August 21, 1817. + [First published, _Letters and Journals_, 1830, ii. 139-141. + Lines 67-82 first published, _Letters_, 1900, iv. 161.] + +FOOTNOTES: + +[75] ["By the way," writes Murray, Aug. 5, 1817 (_Memoir, etc._, i. +386), "Polidori has sent me his tragedy! Do me the kindness to send by +return of post a _delicate_ declension of it, which I engage faithfully +to copy." + +"I never," said Byron, "was much more disgusted with any human +production than with the eternal nonsense, and _tracasseries_, and +emptiness, and ill-humour, and vanity of this young person; but he has +some talent, and is a man of honour, and has dispositions of amendment. +Therefore use your interest for him, for he is improved and improvable;" +and, in a letter to Murray, Aug. 21, 1817, "You want a 'civil and +delicate declension' for the medical tragedy? Take it."--For J.W. +Polidori (1795-1821), see _Letters_, 1899, iii, 284 _note_ I.] + +[76] [Maturin's second tragedy, _Manuel_, produced at Drury Lane, March +8, 1817, with Kean as "Manuel Count Valdis, failed, and after five +nights was withdrawn." It was published in 1817. "It is," says Byron +(letter to Murray, June 14, 1817), "the absurd work of a clever +man."--_Letters_, 1900, iv. 134, and _note_ I.] + +[77] [Sotheby published, in 1814, _Five Tragedies_, viz. "The Confession," +"Orestes," "Ivan," "The Death of Darnley," and "Zamorin and Zama."] + +[78] [_Ina, A Tragedy_, by Mrs. Wilmot [Barberina Ogle (1768-1854), +daughter of Sir Chaloner Ogle], afterwards Lady Dacre, was produced at +Drury Lane, April 22, 1815. Her "tragedy," writes Byron to Moore, April +23, 1815, "was last night damned." See _Letters_, 1898, ii. 332, _note_ +3, etc.; _ibid._, 1899, iii. 195, _note_ I.] + +[79] [George Hammond (1763-1853) was a distinguished diplomatist, who +twice (1795-1806 and 1807-1809) held the office of Under-secretary of +State for Foreign Affairs. He is associated with the foundation of the +_Anti-Jacobin_ and the _Quarterly Review_. In the drawing-room of +Albemarle Street, he was Murray's "chief 4-o'clock man," until his +official duties compelled him to settle at Paris.--_Letters_, 1900, iv. +160, _note_ 1. + +John Dent, M.P., a banker, was nicknamed "Dog Dent" because he was +concerned in the introduction of the Dog-tax Bill in 1796. In 1802 he +introduced a Bill to abolish bull-baiting.--_Ibid_] + +[80] [Sir John Malcolm (1769-1833), soldier, administrator, and +diplomatist, published (January, 1815) his _History of +Persia.--Letters_, 1899, iii. 113, _note_ 1.] + +[81] [For "Dark Hamilton," W.R. Hamilton (1777-1859), see _Childe +Harold_, Canto II. stanza xiii. _var_. I, _Poetical Works_, 1899, ii. +108, _note_ 1. Lines 61, 62 were added October 12, 1817.] + +[82] [Madame de Staël's _Considérations sur la Révolution Française_ was +offered to Murray in June, 1816 (_Memoir, etc., 1891_, i. 316), and the +sum of £4000 asked for the work. During the negotiations, Madame de +Staël died (July 14, 1817), and the book was eventually published by +Messrs. Baldwin and Cradock.--_Letters_, 1900, iv. 94, _note_.] + +[83] [Byron and the elder Schlegel met at Copet, in 1816, but they did +not take to each other. Byron "would not flatter him," perhaps because +he did not appreciate or flatter Byron.] + + + + EPISTLE TO MR. MURRAY. + + 1. + + MY dear Mr. Murray, + You're in a damned hurry + To set up this ultimate Canto;[84] + But (if they don't rob us) + You'll see Mr. Hobhouse + Will bring it safe in his portmanteau. + + 2. + + For the Journal you hint of,[85] + As ready to print off, + No doubt you do right to commend it; + But as yet I have writ off + The devil a bit of + Our "Beppo:"--when copied, I'll send it. + + 3. + + In the mean time you've "Galley"[86] + Whose verses all tally, + Perhaps you may say he's a Ninny, + But if you abashed are + Because of _Alashtar_, + He'll piddle another _Phrosine_.[87] + + 4. + + Then you've Sotheby's Tour,--[88] + No great things, to be sure,-- + You could hardly begin with a less work; + For the pompous rascallion, + Who don't speak Italian + Nor French, must have scribbled by guess-work. + + 5. + + No doubt he's a rare man + Without knowing German + Translating his way up Parnassus, + And now still absurder + He meditates Murder + As you'll see in the trash he calls _Tasso's_. + + 6. + + But you've others his betters + The real men of letters + Your Orators--Critics--and Wits-- + And I'll bet that your Journal + (Pray is it diurnal?) + Will pay with your luckiest hits. + + 7. + + You can make any loss up + With "Spence"[89] and his gossip, + A work which must surely succeed; + Then Queen Mary's Epistle-craft,[90] + With the new "Fytte" of "Whistlecraft," + Must make people purchase and read. + + 8. + + Then you've General Gordon,[91] + Who girded his sword on, + To serve with a Muscovite Master, + And help him to polish + A nation so owlish, + They thought shaving their beards a disaster. + + 9. + + For the man, "_poor and shrewd_,"[92] + With whom you'd conclude + A compact without more delay, + Perhaps some such pen is + Still extant in Venice; + But please, Sir, to mention _your pay_. + + 10. + + Now tell me some news + Of your friends and the Muse, + Of the Bar, or the Gown, or the House, + From Canning, the tall wit, + To Wilmot,[93] the small wit, + Ward's creeping Companion and _Louse_, + + 11. + + Who's so damnably bit + With fashion and Wit, + That he crawls on the surface like Vermin, + But an Insect in both,-- + By his Intellect's growth, + Of what size you may quickly determine.[94] + + Venice, _January_ 8, 1818. + [First published, _Letters and Journals_, 1830, ii. 156, 157; + stanzas 3, 5, 6, 10, 11, first published, _Letters_, 1900, + iv. 191-193.] + +FOOTNOTES: + +[84] [The Fourth Canto of _Childe Harold_.] + +[85] [Murray bought a half-share in _Blackwood's Edinburgh Monthly +Magazine_ in August, 1818, and remained its joint proprietor till +December, 1819, when it became the property of William Blackwood. But +perhaps the reference is to Byron's Swiss Journal of September, 1816.] + +[86] [Henry Gaily Knight (1786-1846), who was a contemporary of Byron at +Trinity College, Cambridge, was a poetaster, and, afterwards, a writer +of works on architecture. His Oriental verses supplied Byron with a +subject for more than one indifferent _jeu d'esprit_.] + +[87] [_Phrosyne_, a Grecian tale, and _Alashtar_, an Arabian tale, were +published in 1817. In a letter to Murray, September 4, 1817, Byron +writes, "I have received safely, though tardily, the magnesia and +tooth-powder, _Phrosine_ and _Alashtar_. I shall clean my teeth with +one, and wipe my shoes with the other."--_Letters_, 1901, iv.] + +[88] [Sotheby's _Farewell to Italy_ and _Occasional Poems_ were +published in 1818, as the record of a tour which he had taken in 1816-17 +with his family, Professor Elmsley, and Dr. Playfair. For Byron's +unfinished skit on Sotheby's Tour, see _Letters_, 1900, iv. Appendix V. +pp. 452, 453.] + +[89] [_Observations, Anecdotes, and Characters of Books and Men_, by the +Rev. Joseph Spence, arranged, with notes, by the late Edmund Malone, +Esq., 1 vol. 8vo, 1820.] + +[90] [_The Life of Mary Queen of Scots_, by George Chalmers, 2 vols. +4to, 1819.] + +[91] [Thomas Gordon (1788-1841) entered the Scots Greys in 1808. Two +years later he visited Ali Pasha (see _Letters_, 1898, i. 246, _note_ 1) +in Albania, and travelled in Persia and Turkey in the East. From 1813 to +1815 he served in the Russian Army. He wrote a _History of the Greek +Revolution_, 1832, 2 vols., but it does not appear that he was +negotiating with Murray for the publication of any work at this period.] + +[92] _Vide_ your letter. + +[93] [Probably Sir Robert John Wilmot (1784-1841) (afterwards Wilmot +Horton), Byron's first cousin, who took a prominent part in the +destruction of the "Memoirs," May 17, 1824. (For Lady Wilmot Horton, the +original of "She walks in beauty," see _Poetical Works_, 1900, iii. 381, +_note_ I.)] + +[94] [Stanzas 12, 13, 14 cannot be published.] + + + + ON THE BIRTH OF JOHN WILLIAM RIZZO HOPPNER.[95] + + HIS father's sense, his mother's grace, + In him, I hope, will always fit so; + With--still to keep him in good case-- + The health and appetite of Rizzo. + + _February_ 20, 1818. + [First published, _Letters and Journals_, 1830, ii. 134.] + +FOOTNOTES: + +[95] [Richard Belgrave Hoppner (1786-1872), second son of John Hoppner, +R.A., was appointed English Consul at Venice, October, 1814. (See +_Letters_, 1900, iv. 83, _note_ I.) The quatrain was translated (see the +following poem) into eleven different languages--Greek, Latin, Italian +(also the Venetian dialect), German, French, Spanish, Illyrian, Hebrew, +Armenian, and Samaritan, and printed "in a small neat volume in the +seminary of Padua." For nine of these translations see _Works_, 1832, +xi. pp. 324-326, and 1891, p. 571. Rizzo was a Venetian surname. See W. +Stewart Rose's verses to Byron, "Grinanis, Mocenijas, Baltis, Rizzi, +Compassionate our cruel case," etc., _Letters_, iv. 212.] + + + + [E NIHILO NIHIL; + OR + AN EPIGRAM BEWITCHED.] + + OF rhymes I printed seven volumes--[96] + The list concludes John Murray's columns: + Of these there have been few translations[97] + For Gallic or Italian nations; + And one or two perhaps in German-- + But in this last I can't determine. + But then I only sung of passions + That do not suit with modern fashions; + Of Incest and such like diversions + Permitted only to the Persians, + Or Greeks to bring upon their stages-- + But that was in the earlier ages + Besides my style is the romantic, + Which some call fine, and some call frantic; + While others are or would seem _as_ sick + Of repetitions nicknamed Classic. + For my part all men must allow + Whatever I was, I'm classic now. + I saw and left my fault in time, + And chose a topic all sublime-- + Wondrous as antient war or hero-- + Then played and sung away like Nero, + Who sang of Rome, and I of Rizzo: + The subject has improved my wit so, + The first four lines the poet sees + Start forth in fourteen languages! + Though of seven volumes none before + Could ever reach the fame of four, + Henceforth I sacrifice all Glory + To the Rinaldo of my Story: + I've sung his health and appetite + (The last word's not translated right-- + He's turned it, God knows how, to vigour)[98] + I'll sing them in a book that's bigger. + Oh! Muse prepare for thy Ascension! + And generous Rizzo! thou my pension. + + _February_, 1818. + [From an autograph MS. in the possession of Mr. Murray, + now for the first time printed.] + +FOOTNOTES: + +[96] [Byron must have added the Fourth Canto of _Childe Harold_ to the +complete edition of the _Poetical Works_ in six volumes. See Murray's +list, dated "Albemarle Street, London, January, 1818." The seventh +volume of the Collected Works was not issued till 1819.] + +[97] [A French translation of the _Bride of Abydos_ appeared in 1816, an +Italian translation of the _Lament of Tasso_ in 1817. Goethe (see +_Letters_, 1901, v. 503-521) translated fragments of _Manfred_ in 1817, +1818, but the earliest German translation of the entire text of +_Manfred_ was issued in 1819.] + +[98] [See the last line of the Italian translation of the quatrain.] + + + + TO MR. MURRAY. + + 1. + + Strahan, Tonson, Lintot of the times,[99] + Patron and publisher of rhymes, + For thee the bard up Pindus climbs, + My Murray. + + + 2. + + To thee, with hope and terror dumb, + The unfledged MS. authors come; + Thou printest all--and sellest some-- + My Murray. + + 3. + + Upon thy table's baize so green + The last new Quarterly is seen,-- + But where is thy new Magazine,[100] + My Murray? + + 4. + + Along thy sprucest bookshelves shine + The works thou deemest most divine-- + The Art of Cookery,[101] and mine, + My Murray. + + 5. + + Tours, Travels, Essays, too, I wist, + And Sermons, to thy mill bring grist; + And then thou hast the _Navy List_, + My Murray. + + + 6. + + And Heaven forbid I should conclude, + Without "the Board of Longitude,"[102] + Although this narrow paper would, + My Murray. + + Venice, _April 11_, 1818. + [First published, _Letters and Journals_, 1830, ii. 171.] + +FOOTNOTES: + +[99] [William Strahan (1715-1785) published Johnson's _Dictionary_, +Gibbon's _Decline and Fall_, Cook's _Voyages, etc_. He was +great-grandfather of the mathematician William Spottiswoode (1825-1883). + +Jacob Tonson (1656?-1736) published for Otway, Dryden, Addison, etc. He +was secretary of the Kit-Cat Club, 1700. He was the publisher (1712, +etc.) of the _Spectator_. + +Barnaby Bernard Lintot (1675-1736) was at one time (1718) in partnership +with Tonson. He published Pope's _Iliad_ in 1715, and the _Odyssey_, +1725-26.] + +[100] [See note 2, p. 51.] + +[101] [Mrs. Rundell's _Domestic Cookery_, published in 1806, was one of +Murray's most successful books. In 1822 he purchased the copyright from +Mrs. Rundell for £2000 (see _Letters_, 1898, ii. 375; and _Memoir of +John Murray_, 1891, ii. 124).] + +[102] [The sixth edition of _Childe Harold's Pilgrimage_ (1813) was +"printed by T. Davison, Whitefriars, for John Murray, Bookseller to the +Admiralty, and the Board of Longitude." Medwin (_Conversations_, 1824, +p. 259) attributes to Byron a statement that Murray had to choose +between continuing to be his publisher and printing the "Navy Lists," +and "that there was no hesitation which way he should decide: the +Admiralty carried the day." In his "Notes" to the _Conversations_ +(November 2, 1824) Murray characterized "the passage about the +Admiralty" as "unfounded in fact, and no otherwise deserving of notice +than to mark its absurdity."] + + + + BALLAD. TO THE TUNE OF "SALLEY IN OUR ALLEY." + + 1. + + OF all the twice ten thousand bards + That ever penned a canto, + Whom Pudding or whom Praise rewards + For lining a portmanteau; + Of all the poets ever known, + From Grub-street to Fop's Alley,[103] + The Muse may boast--the World must own + There's none like pretty Gally![104] + + 2. + + He writes as well as any Miss, + Has published many a poem; + The shame is yours, the gain is his, + In case you should not know 'em: + He has ten thousand pounds a year-- + I do not mean to vally-- + His songs at sixpence would be dear, + So give them gratis, Gaily! + + 3. + + And if this statement should seem queer, + Or set down in a hurry, + Go, ask (if he will be sincere) + His bookseller--John Murray. + Come, say, how many have been sold, + And don't stand shilly-shally, + Of bound and lettered, red and gold, + Well printed works of Gally. + + 4. + + For Astley's circus Upton[105] writes, + And also for the Surry; (_sic_) + Fitzgerald weekly still recites, + Though grinning Critics worry: + Miss Holford's Peg, and Sotheby's Saul, + In fame exactly tally; + From Stationer's Hall to Grocer's Stall + They go--and so does Gally. + + + 5. + + He rode upon a Camel's hump[106] + Through Araby the sandy, + Which surely must have hurt the rump + Of this poetic dandy. + His rhymes are of the costive kind, + And barren as each valley + In deserts which he left behind + Has been the Muse of Gally. + + 6. + + He has a Seat in Parliament, + Is fat and passing wealthy; + And surely he should be content + With these and being healthy: + But Great Ambition will misrule + Men at all risks to sally,-- + Now makes a poet--now a fool, + And _we_ know _which_--of Gally. + + 7. + + Some in the playhouse like to row, + Some with the Watch to battle, + Exchanging many a midnight blow + To Music of the Rattle. + Some folks like rowing on the Thames, + Some rowing in an Alley, + But all the Row my fancy claims + Is _rowing_--of my _Gally_. + + _April_ 11, 1818.[107] + +FOOTNOTES: + +[103] [For Fop's Alley, see _Poetical Works_, 1898, i. 410, _note_ 2.] + +[104] [H. Gally Knight (1786-1846) was at Cambridge with Byron.] + +[105] [William Upton was the author of _Poems on Several Occasions_, +1788, and of the _Words of the most Favourite Songs, Duets, etc._, sung +at the Royal Amphitheatre, Westminster Bridge, etc. In the dedication to +Mrs. Astley he speaks of himself as the author of the _Black Cattle_, +_Fair Rosamond_, etc. He has also been credited with the words of James +Hook's famous song, _A Lass of Richmond Hill_, but this has been +disputed. (See _Notes and Queries_, 1878, Series V. vol. ix. p. 495.)] + +[106] [Compare-- + + "Th' unloaded camel, pacing slow. + Crops the rough herbage or the tamarisk spray." + +_Alashtar_ (by H.G. Knight), 1817, Canto I, stanza viii, lines 5, 6.] + +[107] [From an autograph MS. in the possession of Mr. Murray, now for +the first time printed. For stanzas 3, 4, 6, see _Letters_, 1900, iv. +219, 220. For stanzas 1, 2, 3 of "Another Simple Ballat. To the tune of +Tally i.o. the Grinder" (probably a variant of Dibdin's song, "The +Grinders, or more Grist to the Mill"), _vide ibid._, pp. 220, 221.] + + + + ANOTHER SIMPLE BALLAT. + + 1. + + MRS. WILMOT sate scribbling a play, + Mr. Sotheby sate sweating behind her; + But what are all these to the Lay + Of Gally i.o. the Grinder? + Gally i.o. i.o., etc. + + 2. + + I bought me some books tother day, + And sent them down stairs to the binder; + But the Pastry Cook carried away + My Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + 3. + + I wanted to kindle my taper, + And called to the Maid to remind her; + And what should she bring me for paper + But Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + 4. + + Among my researches for EASE + I went where one's certain to find her: + The first thing by her throne that one sees + Is Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + 5. + + Away with old Homer the blind-- + I'll show you a poet that's blinder: + You may see him whene'er you've a mind + In Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + 6. + + Blindfold he runs groping for fame, + And hardly knows where he will find her: + She don't seem to take to the name + Of Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + 7. + + Yet the Critics have been very kind, + And Mamma and his friends have been kinder; + But the greatest of Glory's behind + For Gally i.o. the Grinder. + Gally i.o. i.o., etc. + + _April_ 11, 1818. + [From an autograph MS. in the possession of Mr. Murray, + now for the first time printed.] + + + + EPIGRAM. + + FROM THE FRENCH OF RULHIÈRES.[108] + + IF for silver, or for gold, + You could melt ten thousand pimples + Into half a dozen dimples, + Then your face we might behold, + Looking, doubtless, much more snugly, + Yet even _then_ 'twould be damned ugly. + + _August_ 12, 1819. + [First published, _Letters and Journals_, 1830, ii. 235.] + +FOOTNOTES: + +[108] ["Would you like an epigram--a translation? It was written on some +Frenchwoman, by Rulhières, I believe."--Letter to Murray, August 12, +1819, _Letters_, 1900, iv. 346. + +Claude Carloman de Rulhière (1718-1791), historian, poet, and +epigrammatist, was the author of _Anecdotes sur la revolution de Russie +en l'anneé_ 1762, _Histoire de l'anarchie de Pologne_ (1807), etc. His +epigrams are included in "Poésies Diverses," which are appended to _Les +jeux de Mains_, a poem in three cantos, published in 1808, and were +collected in his _Oeuvres Posthumes_, 1819; but there is no trace of the +original of Byron's translation. Perhaps it is _after_ de Rulhière, who +more than once epigrammatizes "Une Vieille Femme."] + + + + EPILOGUE.[109] + + 1. + + THERE'S something in a stupid ass, + And something in a heavy dunce; + But never since I went to school + I heard or saw so damned a fool + As William Wordsworth is for once. + + 2. + + And now I've seen so great a fool + As William Wordsworth is for once; + I really wish that Peter Bell + And he who wrote it were in hell, + For writing nonsense for the nonce. + + 3. + + It saw the "light in ninety-eight," + Sweet babe of one and twenty years![110] + And then he gives it to the nation + And deems himself of Shakespeare's peers! + + 4. + + He gives the perfect work to light! + Will Wordsworth, if I might advise, + Content you with the praise you get + From Sir George Beaumont, Baronet, + And with your place in the Excise! + + 1819. + [First published, _Philadelphia Record_, December 28, 1891.] + +FOOTNOTES: + +[109] [The MS. of the "Epilogue" is inscribed on the margin of a copy of +Wordsworth's _Peter Bell_, inserted in a set of Byron's _Works_ +presented by George W. Childs to the Drexel Institute. (From information +kindly supplied by Mr. John H. Bewley, of Buffalo, New York.) + +The first edition of _Peter Bell_ appeared early in 1819, and a second +edition followed in May, 1819. In Byron's Dedication of _Marino +Faliero_, "To Baron Goethe," dated October 20, 1820 (_Poetical Works_, +1891, iv. 341), the same allusions to Sir George Beaumont, to +Wordsworth's "place in the Excise," and to his admission that _Peter +Bell_ had been withheld "for one and twenty years," occur in an omitted +paragraph first published, _Letters_, 1891, v. 101. So close a +correspondence of an unpublished fragment with a genuine document leaves +little doubt as to the composition of the "Epilogue."] + +[110] [The missing line may be, "To _permanently_ fill a station," see +Preface to _Peter Bell_.] + + + + ON MY WEDDING-DAY. + + HERE'S a happy New Year! but with reason + I beg you'll permit me to say-- + Wish me _many_ returns of the _Season_, + But as _few_ as you please of the _Day_.[111] + + _January_ 2, 1820. + [First published, _Letters and Journals_, 1830, ii. 294.] + +FOOTNOTES: + +[111] [Medwin (_Conversations_, 1824, p. 156) prints an alternative-- + + "You may wish me returns of the season, + Let us, prithee, have none of the day!"] + + + + EPITAPH FOR WILLIAM PITT. + + WITH Death doomed to grapple, + Beneath this cold slab, he + Who lied in the Chapel + Now lies in the Abbey. + + _January_ 2, 1820. + [First published, _Letters and Journals_, 1830, ii. 295.] + + + + EPIGRAM. + + IN digging up your bones, Tom Paine, + Will. Cobbett[112] has done well: + You visit him on Earth again, + He'll visit you in Hell. + +or-- + + You come to him on Earth again + He'll go with you to Hell! + + _January_ 2, 1820. + [First published, _Letters and Journals_, 1830, ii. 295.] + +FOOTNOTES: + +[112] [Cobbett, by way of atonement for youthful vituperation (he called +him "a ragamuffin deist") of Tom Paine, exhumed his bones from their +first resting-place at New Rochelle, and brought them to Liverpool on +his return to England in 1819. They were preserved by Cobbett at +Normanby, Farnham, till his death in 1835, but were sold in consequence +of his son's bankruptcy in 1836, and passed into the keeping of a Mr. +Tilly, who was known to be their fortunate possessor as late as 1844. +(See _Notes and Queries_, 1868, Series IV. vol. i. pp. 201-203.)] + + + + EPITAPH. + + POSTERITY will ne'er survey + A nobler grave than this; + Here lie the bones of Castlereagh: + Stop traveller, * * + + _January_ 2, 1820. + [First published, _Lord Byron's Works_, 1833, xvii. 246.] + + + + EPIGRAM. + + The world is a bundle of hay, + Mankind are the asses who pull; + Each tugs it a different way,-- + And the greatest of all is John Bull! + + [First published, _Letters and Journals_, 1830, ii. 494.] + + + + MY BOY HOBBIE O.[113] + + New Song to the tune of + + "_Whare hae ye been a' day, + My boy Tammy O.! + Courting o' a young thing + Just come frae her Mammie O._" + + 1. + + HOW came you in Hob's pound to cool, + My boy Hobbie O? + Because I bade the people pull + The House into the Lobby O. + + 2. + + What did the House upon this call, + My boy Hobbie O? + They voted me to Newgate all, + Which is an awkward Jobby O. + + 3. + + Who are now the people's men, + My boy Hobbie O? + There's I and Burdett--Gentlemen + And blackguard Hunt and Cobby O. + + 4. + + You hate the house--_why_ canvass, then? + My boy Hobbie O? + Because I would reform the den + As member for the Mobby O. + + 5. + + Wherefore do you hate the Whigs, + My boy Hobbie O? + Because they want to run their rigs, + As under Walpole Bobby O. + + 6. + + But when we at Cambridge were + My boy Hobbie O, + If my memory don't err + You founded a Whig Clubbie O. + + 7. + + When to the mob you make a speech, + My boy Hobbie O, + How do you keep without their reach + The watch within your fobby O? + + 8. + + But never mind such petty things, + My boy Hobbie O; + God save the people--damn all Kings, + So let us Crown the Mobby O! + + Yours truly, + + (Signed) _INFIDUS SCURRA_. + + _March 23d_, 1820. + [First published _Murray's Magazine_, March, 1887, + vol. i. pp. 292, 293.] + +FOOTNOTES: + +[113] [John Cam Hobhouse (1786-1869) (see _Letters_, 1898, i. 163, +_note_ 1) was committed to Newgate in December, 1819, for certain +passages in a pamphlet entitled, _A Trifling Mistake in Thomas Lord +Erskine's recent Preface_, which were voted (December 10) a breach of +privilege. He remained in prison till the dissolution on the king's +death, February 20, 1820, when he stood and was returned for +Westminster. Byron's Liberalism was intermittent, and he felt, or, as +Hobhouse thought, pretended to feel, as a Whig and an aristocrat with +regard to the free lances of the Radical party. The sole charge in this +"filthy ballad," which annoyed Hobhouse, was that he had founded a Whig +Club when he was an undergraduate at Cambridge. He assured Murray (see +his letter, November, 1820, _Letters_, vol. iv. Appendix XI. pp. +498-500) that he was not the founder of the club, and that Byron himself +was a member. "As for his Lordship's vulgar notions about the _mob_" he +adds, "they are very fit for the Poet of the _Morning Post_, and for +nobody else." There is no reason to suppose that Byron was in any way +responsible for the version as sent to the _Morning Post_.] + + "MY BOY HOBBY O. + + [ANOTHER VERSION.] + + To the Editor of the _Morning Post_. + +Sir,--A copy of verses, to the tune of '_My boy Tammy_,' are repeated +in literary circles, and said to be written by a Noble Lord of the +highest poetical fame, upon his quondam friend and annotator. My memory +does not enable me to repeat more than the first two verses quite +accurately, but the humourous spirit of the Song may be gathered from +these:-- + + 1. + + Why were you put in Lob's pond, + My boy, HOBBY O? (_bis_) + For telling folks to pull the House + By the ears into the Lobby O! + + 2. + + Who are your grand Reformers now, + My boy, HOBBY O? (_bis_) + There's me and BURDETT,--gentlemen, + And Blackguards HUNT and COBBY O! + + 3. + + Have you no other friends but these, + My boy, HOBBY O? (_bis_) + Yes, Southwark's Knight,[*] the County BYNG, + And in the City, BOBBY O! + +[*] "Southwark's Knight" was General Sir Robert Thomas Wilson +(1777-1849), who was returned for Southwark in 1818, and again in 1820; +"County Byng" was George Byng, M.P. for Middlesex; and "Bobby" was Sir +Robert Waithman (1764-1833), who represented the City of London in 1818, +but lost his seat to Sir William Curtis in 1820. All these were advanced +Liberals, and, as such, Parliamentary friends of Hobhouse. + + 4. + + How do you recreate yourselves, + My boy, HOBBY O? (_bis_) + We spout with tavern Radicals, + And drink with them hob-nobby O! + + 5. + + What purpose can such folly work, + My boy, HOBBY O? (_bis_) + It gives our partisans a chance + Watches to twitch from fob-by O! + + 6. + + Have they no higher game in view, + My boy, HOBBY O? (_bis_) + Oh yes; to stir the people up, + And then to head the mob-by O. + + 7. + + But sure they'll at their ruin pause, + My boy, HOBBY O? (_bis_) + No! they'd see King and Parliament + Both d--d without a sob-by O! + + 8. + + But, if they fail, they'll be hanged up, + My boy, HOBBY O? (_bis_) + Why, then, they'll swing, like better men, + And that will end the job-by O! + + PHILO-RADICLE. + April 15, 1820." + + + + LINES + + ADDRESSED BY LORD BYRON TO MR. HOBHOUSE + ON HIS ELECTION FOR WESTMINSTER.[114] + + WOULD you go to the house by the true gate, + Much faster than ever Whig Charley went; + Let Parliament send you to Newgate, + And Newgate will send you to Parliament. + + _April 9, 1820_. + [First published, _Miscellaneous Poems_, printed for + J. Bumpus, 1824.] + +FOOTNOTES: + +[114] ["I send you 'a Song of Triumph,' by W. Botherby, Esq^re^ price +sixpence, on the election of J.C.H., Esqre., for Westminster (_not_ for +publication)."--Letter to Murray, April 9, 1820, _Letters_, 1901, v. 6.] + + + + A VOLUME OF NONSENSE. + + DEAR MURRAY,-- + You ask for a "_Volume of Nonsense_," + Have all of your authors exhausted their store? + I thought you had published a good deal not long since. + And doubtless the Squadron are ready with more. + But on looking again, I perceive that the Species + Of "Nonsense" you want must be purely "_facetious_;" + And, as that is the case, you had best put to press + Mr. Sotheby's tragedies now in M.S., + Some Syrian Sally + From common-place Gally, + Or, if you prefer the bookmaking of women, + Take a spick and span "Sketch" of your feminine _He-Man_.[115] + + _Sept. 28, 1820._ + [First published, _Letters_, 1900, v. 83.] + +FOOTNOTES: + +[115] [For Felicia Dorothea Browne (1793-1835), married in 1812 to +Captain Hemans, see _Letters_, iii. 368, _note_ 2. In the letter which +contains these verses he writes, "I do not despise Mrs. Heman; but if +she knit blue stockings instead of wearing them it would be better." +Elsewhere he does despise her: "No more _modern_ poesy, I pray, neither +Mrs. Hewoman's nor any female or male Tadpole of poet +Wordsworth's."--_Ibid._, v. 64.] + + + + STANZAS.[116] + + WHEN a man hath no freedom to fight for at home, + Let him combat for that of his neighbours; + Let him think of the glories of Greece and of Rome, + And get knocked on the head for his labours. + + To do good to Mankind is the chivalrous plan, + And is always as nobly requited; + Then battle for Freedom wherever you can, + And, if not shot or hanged, you'll get knighted. + + _November 5, 1820_. + [First published, _Letters and Journals_, 1830, ii. 377.] + +FOOTNOTES: + +[116] [The lines were sent in a letter to Moore (November 5, 1820) by +way of _Autoepitaphium_, "if 'honour should come unlooked for' to any of +your acquaintance;" i.e. if Byron should fall in the cause of Italian +revolution, and Moore should not think him worthy of commemoration, here +was a threnody "ready at hand."] + + + + TO PENELOPE.[117] + JANUARY 2, 1821. + + THIS day, of all our days, has done + The worst for me and you:-- + 'T is just _six_ years since we were _one_, + And _five_ since we were _two_. + + _November 5, 1820._ + [First published, Medwin's _Conversations_, 1824, p. 106.] + +FOOTNOTES: + +[117] ["For the anniversary of January 2, 1821, I have a small grateful +anticipation, which, in case of accident, I add."--Letter to Moore, +November 5, 1820, _Letters_, 1891, v. 112.] + + + + THE CHARITY BALL.[118] + + WHAT matter the pangs of a husband and father, + If his sorrows in exile be great or be small, + So the Pharisee's glories around her she gather, + And the saint patronises her "Charity Ball!" + + What matters--a heart which, though faulty, was feeling, + Be driven to excesses which once could appal-- + That the Sinner should suffer is only fair dealing, + As the Saint keeps her charity back for "the Ball!" + + _December 10, 1820._ + [First published, _Letters and Journals_, 1830, ii. 540.] + +FOOTNOTES: + +[118] [Written on seeing the following paragraph in a newspaper: "Lady +Byron is this year the lady patroness at the annual Charity Ball, given +at the Town Hall, at Hinckley, Leicestershire...."--_Life_, p. 535. +Moore adds that "these verses [of which he only prints two stanzas] are +full of strong and indignant feeling,--every stanza concluding pointedly +with the words 'Charity Ball.'"] + + + + EPIGRAM + + ON THE BRAZIERS' ADDRESS TO BE PRESENTED + IN _ARMOUR_ BY THE COMPANY TO QUEEN CAROLINE.[119] + + IT seems that the Braziers propose soon to pass + An Address and to bear it themselves all in brass; + A superfluous pageant, for by the Lord Harry! + They'll _find_, where they're going, much more than they carry. + +Or-- + + THE Braziers, it seems, are determined to pass + An Address, and present it themselves all in brass:-- + A superfluous {pageant/trouble} for, by the Lord Harry! + They'll find, where they're going, much more than they carry. + + _January 6, 1821._ + [First published, _Letters and Journals_, 1830, ii. 442.] + +FOOTNOTES: + +[119] [The allusion is explained in Rivington's _Annual Register_, +October 30, 1820 (vol. lxii. pp. 114, 115)-- + +"ADDRESSES TO THE QUEEN. + +" ... The most splendid exhibition of the day was that of the +brass-founders and braziers. The procession was headed by a man dressed +in a suit of burnished plate armour of brass, and mounted on a handsome +black horse, the reins being held by pages ... wearing brass helmets.... +A man in a complete suite of brass armour ... was followed by two +persons, bearing on a cushion a most magnificent imitation of the +imperial Crown of England. A small number of the deputation of +brass-founders were admitted to the presence of her Majesty, and one of +the persons in armour advanced to the throne, and bending on one knee, +presented the address, which was enclosed in a brass case of excellent +workmanship."--See _Letters_, 1901, v. 219, 220, _note_ 2. + +In a postscript to a letter to Murray, dated January 19, 1821, he +writes, "I sent you a line or two on the Braziers' Company last week, +_not_ for publication. The lines were even worthy + + 'Of ----dsworth the great metaquizzical poet, + A man of great merit amongst those who know it, + Of whose works, as I told Moore last autumn at _Mestri_ + I owe all I know to my passion for _Pastry_.'" + +He adds, in a footnote, "_Mestri_ and _Fusina_ are the ferry trajects to +Venice: I believe, however, that it was at Fusina that Moore and I +embarked in 1819, when Thomas came to Venice, like Coleridge's Spring, +'slowly up this way.'" + +Again, in a letter to Moore, dated January 22, 1821, he encloses +slightly different versions of both epigrams, and it is worth noting +that the first line of the pendant epigram has been bowdlerized, and +runs thus-- + + "Of Wordsworth the grand metaquizzical poet." + +--_Letters_, 1901, v. 226, 230.] + + + + ON MY THIRTY-THIRD BIRTHDAY. + + JANUARY 22, 1821.[120] + + THROUGH Life's dull road, so dim and dirty, + I have dragged to three-and-thirty. + What have these years left to me? + Nothing--except thirty-three. + + [First published, _Letters and Journals_, 1830, ii. 414.] + +FOOTNOTES: + +[120] ["To-morrow is my birthday--that is to say, at twelve o' the +clock, midnight; _i.e._ in twelve minutes I shall have completed thirty +and three years of age!!! and I go to my bed with a heaviness of heart +at having lived so long, and to so little purpose. * * * It is three +minutes past twelve--''Tis the middle of night by the castle clock,' and +I am now thirty-three!-- + + 'Eheu, fugaces, Posthume, Posthume, + Labuntur anni;'-- + +but I don't regret them so much for what I have done, as for what I +might have done."--Extracts from a Diary, January 21, 1821, _Letters_, +1901, v. 182. + +In a letter to Moore, dated January 22, 1821, he gives another version-- + + "Through Life's road, so dim and dirty, + I have dragged to three-and-thirty. + What _have_ these years left to me? + Nothing--except thirty-three." + +_Ibid._, p. 229.] + + + + MARTIAL, LIB. I. EPIG. I. + + "Hic est, quem legis, ille, quem requiris, + Toto notus in orbe Martialis," etc. + + HE, unto whom thou art so partial, + Oh, reader! is the well-known Martial, + The Epigrammatist: while living, + Give him the fame thou would'st be giving; + So shall he hear, and feel, and know it-- + Post-obits rarely reach a poet. + + [N.D. ?1821.] + [First published, _Lord Byron's Works_, 1833, xvii. 245] + + + + BOWLES AND CAMPBELL. + + çTo the air of "How now, Madam Flirt," in the _Beggar's Opera_.[121] + + BOWLES. + + "WHY, how now, saucy Tom? + If you thus must ramble, + I will publish some + Remarks on Mister Campbell. + Saucy Tom!" + + CAMPBELL. + + "WHY, how now, Billy Bowles? + Sure the priest is maudlin! + (_To the public_) How can you, d--n your souls! + Listen to his twaddling? + _Billy Bowles_!" + + _February 22, 1821._ + [First published, _The Liberal_, 1823, No. II. p. 398.] + +FOOTNOTES: + +[121] [Compare the Beggar's Opera, act ii. sc. 2-- + + Air, "Good morrow, Gossip Joan." + "Polly. _Why, how now, Madam Flirt? + If you thus must chatter, + And are for flinging dirt, + Let's try who best can spatter, + Madam Flirt_! + "Lucy. _Why, how now, saucy jade? + Sure the wench is tipsy! + How can you see me made + The scoff of such a gipsy_? [To him.] + _Saucy jade_!" [To her.] + +Bowles replied to Campbell's Introductory Essay to his _Specimens of the +English Poets_, 7 vols., 1819, by _The Invariable Principles of Poetry_, +in a letter addressed to Thomas Campbell. For Byron's two essays, the +"Letter to.... [John Murray]" and "Observations upon Observations," see +_Letters_, 1901, v. Appendix III. pp. 536-592.] + + + + ELEGY. + + BEHOLD the blessings of a lucky lot! + My play is _damned_, and Lady Noel _not_. + + _May 25, 1821._ + [First published, Medwin's _Conversations_, 1824, p. 121.] + + + + JOHN KEATS.[122] + + WHO killed John Keats? + "I," says the Quarterly, + So savage and Tartarly; + "'T was one of my feats." + + Who shot the arrow? + "The poet-priest Milman + (So ready to kill man) + "Or Southey, or Barrow." + + _July 30, 1821._ + [First published, _Letters and Journals_, 1830, ii. 506.] + +FOOTNOTES: + +[122] [For Croker's "article" on Keats's _Endymion_ (_Quarterly Review_, +April, 1818, vol. xix. pp. 204-208), see _Don Juan_, Canto XI. stanza +lx. line 1, _Poetical Works_, 1902, vi. 445, _note_ 4.] + + + + FROM THE FRENCH. + + ÆGLE, beauty and poet, has two little crimes; + She makes her own face, and does not make her rhymes. + + _Aug. 2, 1821._ + [First published, _The Liberal_, 1823, No. II. p. 396.] + + + + TO MR. MURRAY. + + 1. + + FOR Orford[123] and for Waldegrave[124] + You give much more than me you _gave_; + Which is not fairly to behave, + My Murray! + + 2. + + Because if a live dog, 't is said, + Be worth a lion fairly sped, + A live lord must be worth _two_ dead, + My Murray! + + 3. + + And if, as the opinion goes, + Verse hath a better sale than prose,-- + Certes, I should have more than those, + My Murray! + + 4. + + But now this sheet is nearly crammed, + So, if _you will_, _I_ shan't be shammed, + And if you _won't_,--_you_ may be damned, + My Murray![125] + + _August 23, 1821._ + [First published, _Letters and Journals_, 1830, ii. 517.] + +FOOTNOTES: + +[123] [Horace Walpole's _Memoirs of the Last Nine Years of the Reign of +George II._ ] + +[124] [_Memoirs_ by James Earl Waldegrave, Governor of George III. when +Prince of Wales.] + +[125] ["Can't accept your courteous offer [_i.e._ £2000 for three cantos +of _Don Juan, Sardanapalus_, and _The Two Foscari_.] These matters must +be arranged with Mr. Douglas Kinnaird. He is my trustee, and a man of +honour. To him you can state all your mercantile reasons, which you +might not like to state to me personally, such as 'heavy season'--'flat +public'--'don't go off'--'lordship writes too much'--'won't take +advice'--'declining popularity'--'deductions for the trade'--'make very +little'--'generally lose by him'--'pirated edition'--'foreign +edition'--'severe criticisms,' etc., with other hints and howls for an +oration, which I leave Douglas, who is an orator, to answer."--Letter to +Murray, August 23, 1821, _Letters_, 1901, v. 348.] + + + + [NAPOLEON'S SNUFF-BOX.][126] + + LADY, accept the box a hero wore, + In spite of all this elegiac stuff: + Let not seven stanzas written by a bore, + Prevent your Ladyship from taking snuff! + + 1821. + [First published, _Conversations of Lord Byron_, 1824, p. 235.] + +FOOTNOTES: + +[126] [Napoleon bequeathed to Lady Holland a snuff-box which had been +given to him by the Pope for his clemency in sparing Rome. Lord Carlisle +wrote eight (not seven) stanzas, urging her, as Byron told Medwin, to +decline the gift, "for fear that horror and murder should jump out of +the lid every time it is opened."--_Conversations_, 1824, p. 362. The +first stanza of Lord Carlyle's verses, which _teste_ Medwin, Byron +parodied, runs thus-- + + "Lady, reject the gift! 'tis tinged with gore! + Those crimson spots a dreadful tale relate; + It has been grasp'd by an infernal Power; + And by that hand which seal'd young Enghien's fate." + +The snuff-box is now in the jewel-room in the British Museum.] + + + + THE NEW VICAR OF BRAY. + + 1. + + DO you know Doctor Nott?[127] + With "a crook in his lot," + Who seven years since tried to dish up + A neat Codi_cil_ + To the Princess's Will,[128] + Which made Dr. Nott _not_ a bishop. + + 2. + + So the Doctor being found + A little unsound + In his doctrine, at least as a teacher, + And kicked from one stool + As a knave or a fool, + He mounted another as preacher. + + 3. + + In that Gown (like the Skin + With no Lion within) + He still for the Bench would be driving; + And roareth away, + A new Vicar of _Bray_, + Except that _his bray_ lost his living. + + 4. + + "Gainst Freethinkers," he roars, + "You should all block your doors + Or be named in the Devil's indentures:" + And here I agree, + For who e'er would be + A Guest where old Simony enters? + + 5. + + Let the Priest, who beguiled + His own Sovereign's child + To his own dirty views of promotion, + Wear his Sheep's cloathing still + Among flocks to his will, + And dishonour the Cause of devotion. + + 6. + + The Altar and Throne + Are in danger alone + From such as himself, who would render + The Altar itself + But a step up to Pelf, + And pray God to pay his defender. + + 7. + + But, Doctor, one word + Which perhaps you have heard + "He should never throw stones who has windows + Of Glass to be broken, + And by this same token + As a sinner, you can't care what Sin does. + + 8. + + But perhaps you do well: + Your own windows, they tell, + Have long ago sufferéd censure; + Not a fragment remains + Of your character's panes, + Since the Regent refused you a glazier. + + 9. + + Though your visions of lawn + Have all been withdrawn, + And you missed your bold stroke for a mitre; + In a very snug way + You may still preach and pray, + And from bishop sink into backbiter!" + + [First published, _Works_ (Galignani), 1831, p. 116.] + +FOOTNOTES: + +[127] [George Frederick Nott (1767-1841), critic and divine, was Rector +of Harrietsham and Woodchurch, a Prebendary of Winchester and of +Salisbury. He was Bampton Lecturer in 1802, and, soon afterwards, was +appointed sub-preceptor to the Princess Charlotte of Wales. He was a +connoisseur of architecture and painting, and passed much of his time in +Italy and at Rome. When he was at Pisa he preached in a private room in +the basement story of the house in Pisa where Shelley was living, and +fell under Byron's displeasure for attacking the Satanic school, and +denouncing _Cain_ as a blasphemous production. "The parsons," he told +Moore (letter, February 20, 1820), "preached at it [_Cain_] from Kentish +Town to Pisa." Hence the apostrophe to Dr. Nott. (See _Records of +Shelley, Byron, and the Author_, by E.T. Trelawny, 1887, pp. 302, 303.)] + +[128] [According to Lady Anne Hamilton (_Secret History of the Court of +England_, 1832, i. 198-207), the Princess Charlotte incurred the +suspicion and displeasure of her uncles and her grandmother, the Queen, +by displaying an ardent and undue interest in her sub-preceptor. On +being reproved by the Queen for "condescending to favour persons in low +life with confidence or particular respect, persons likely to take +advantage of your simplicity and innocence," and having learnt that +"persons" meant Mr. Nott, she replied by threatening to sign a will in +favour of her sub-preceptor, and by actually making over to him by a +deed her library, jewels, and all other private property. Lady Anne +Hamilton is not an accurate or trustworthy authority, but her extremely +circumstantial narrative was, no doubt, an expansion of the contemporary +scandal to which Byron's lampoon gave currency.] + + + LUCIETTA. A FRAGMENT. + + LUCIETTA, my deary, + That fairest of faces! + Is made up of kisses; + But, in love, oft the case is + Even stranger than this is-- + There's another, that's slyer, + Who touches me nigher,-- + A Witch, an intriguer, + Whose manner and figure + Now piques me, excites me, + Torments and delights me-- + _Cætera desunt_. + + [From an autograph MS. in the possession of Mr. Murray, + now for the first time printed.] + + + + EPIGRAMS. + + OH, Castlereagh! thou art a patriot now; + Cato died for his country, so did'st thou: + He perished rather than see Rome enslaved, + Thou cut'st thy throat that Britain may be saved! + + * * * * * + + So Castlereagh has cut his throat!--The worst + Of this is,--that his own was not the first. + + * * * * * + + So _He_ has cut his throat at last!--He! Who? + The man who cut his country's long ago. + + _?August, 1822._ + [First published, _The Liberal_, No. I. October 18, 1822, p. 164.] + + + + THE CONQUEST.[129] + + THE Son of Love and Lord of War I sing; + Him who bade England bow to Normandy, + And left the name of Conqueror more than King + To his unconquerable dynasty. + Not fanned alone by Victory's fleeting wing, + He reared his bold and brilliant throne on high; + The Bastard kept, like lions, his prey fast, + And Britain's bravest Victor was the last. + + _March 8-9, 1823._ + [First published, _Lord Byron's Works_, 1833, xvii. 246.] + +FOOTNOTES: + +[129] [This fragment was found amongst Lord Byron's papers, after his +departure from Genoa for Greece.] + + + + IMPROMPTU.[130] + + BENEATH Blessington's eyes + The reclaimed Paradise + Should be free as the former from evil; + But if the new Eve + For an Apple should grieve, + What mortal would not play the Devil? + + _April, 1823._ + [First published, _Letters and Journals_, 1830, ii. 635.] + +FOOTNOTES: + +[130] [With the view of inducing these friends [Lord and Lady +Blessington] to prolong their stay at Genoa, he suggested their taking a +pretty villa, called "Il Paradiso," in the neighbourhood of his own, and +accompanied them to look at it. Upon that occasion it was that, on the +lady expressing some intention of residing there, he produced the +following impromptu.--_Life_, 577.] + + + + JOURNAL IN CEPHALONIA. + + THE dead have been awakened--shall I sleep? + The World's at war with tyrants--shall I crouch? + The harvest's ripe--and shall I pause to reap? + I slumber not; the thorn is in my Couch; + Each day a trumpet soundeth in mine ear, + Its echo in my heart---- + + _June 19, 1823._ + [First published, _Letters_, 1901, vi. 238.] + + + + SONG TO THE SULIOTES. + + 1. + + UP to battle! Sons of Suli + Up, and do your duty duly! + There the wall--and there the Moat is: + Bouwah![131] Bouwah! Suliotes! + There is booty--there is Beauty, + Up my boys and do your duty. + + 2. + + By the sally and the rally + Which defied the arms of Ali; + By your own dear native Highlands, + By your children in the islands, + Up and charge, my Stratiotes, + Bouwah!--Bouwah!--Suliotes! + + + 3. + + As our ploughshare is the Sabre: + Here's the harvest of our labour; + For behind those battered breaches + Are our foes with all their riches: + There is Glory--there is plunder-- + Then away despite of thunder! + + [From an autograph MS. in the possession of Mr. Murray, + now for the first time printed.] + +FOOTNOTES: + +[131] "Bouwah!" is their war-cry. + + + + [LOVE AND DEATH.] + + 1. + + I WATCHED thee when the foe was at our side, + Ready to strike at him--or thee and me. + Were safety hopeless--rather than divide + Aught with one loved save love and liberty. + + 2. + + I watched thee on the breakers, when the rock + Received our prow and all was storm and fear, + And bade thee cling to me through every shock; + This arm would be thy bark, or breast thy bier. + + 3. + + I watched thee when the fever glazed thine eyes, + Yielding my couch and stretched me on the ground, + When overworn with watching, ne'er to rise + From thence if thou an early grave hadst found. + + 4. + + The earthquake came, and rocked the quivering wall, + And men and nature reeled as if with wine. + Whom did I seek around the tottering hall? + For thee. Whose safety first provide for? Thine. + + 5. + + And when convulsive throes denied my breath + The faintest utterance to my fading thought, + To thee--to thee--e'en in the gasp of death + My spirit turned, oh! oftener than it ought. + + 6. + + Thus much and more; and yet thou lov'st me not, + And never wilt! Love dwells not in our will. + Nor can I blame thee, though it be my lot + To strongly, wrongly, vainly love thee still.[132] + + [First published, _Murray's Magazine_, February, 1887, + vol. i. pp. 145, 146.] + +FOOTNOTES: + +[132] ["The last he ever wrote. From a rough copy found amongst his +papers at the back of the 'Song of Suli.' Copied November, 1824.--John +C. Hobhouse." + +"A note, attached to the verses by Lord Byron, states they were +addressed to no one in particular, and were a mere poetical Scherzo. +--J.C.H."] + + + + LAST WORDS ON GREECE. + + WHAT are to me those honours or renown + Past or to come, a new-born people's cry? + Albeit for such I could despise a crown + Of aught save laurel, or for such could die. + I am a fool of passion, and a frown + Of thine to me is as an adder's eye. + To the poor bird whose pinion fluttering down + Wafts unto death the breast it bore so high; + Such is this maddening fascination grown, + So strong thy magic or so weak am I. + + [First published, _Murray's Magazine_, February, + 1887, vol. i. p. 146.] + + + + ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR.[133] + + 1. + + 'T IS time this heart should be unmoved, + Since others it hath ceased to move: + Yet, though I cannot be beloved, + Still let me love! + + 2. + + My days are in the yellow leaf; + The flowers and fruits of Love are gone; + The worm, the canker, and the grief + Are mine alone! + + + 3. + + The fire that on my bosom preys + Is lone[iii] as some Volcanic isle; + No torch is kindled at its blaze-- + A funeral pile. + + 4. + + The hope, the fear, the jealous care, + The exalted portion of the pain + And power of love, I cannot share, + But wear the chain. + + 5. + + But 't is not _thus_--and 't is not _here_--[iv] + Such thoughts should shake my soul, nor now + Where Glory decks the hero's bier,[v] + Or binds his brow. + + 6. + + The Sword, the Banner, and the Field,[vi] + Glory and Greece, around me see! + The Spartan, borne upon his shield,[134] + Was not more free. + + 7. + + Awake! (not Greece--she _is_ awake!) + Awake, my spirit! Think through _whom_ + Thy life-blood tracks its parent lake,[vii] + And then strike home! + + 8. + + Tread those reviving passions down,[viii] + Unworthy manhood!--unto thee + Indifferent should the smile or frown + Of Beauty be. + + 9. + + If thou regret'st thy youth, _why live_? + The land of honourable death + Is here:--up to the Field, and give + Away thy breath! + + 10. + + Seek out--less often sought than found-- + A soldier's grave, for thee the best; + Then look around, and choose thy ground, + And take thy Rest. + + Missolonghi, _Jan_. 22, 1824. + [First published, _Morning Chronicle_, October 29, 1824.] + +FOOTNOTES: + +[133] ["This morning Lord Byron came from his bedroom into the apartment +where Colonel Stanhope and some friends were assembled, and said with a +smile--'You were complaining, the other day, that I never write any +poetry now:--this is my birthday, and I have just finished something, +which, I think, is better than what I usually write.' He then produced +these noble and affecting verses, which were afterwards found written in +his journals, with only the following introduction: 'Jan. 22; on this +day I complete my 36^th^ year.'"--_A Narrative of Lord Byron's Last +Journey to Greece_, 1825, p. 125, by Count Gamba. In the _Morning +Chronicle_, October 29, 1824, the lines are headed, "Lord Byron's Latest +Verses," and are prefaced by the following note: "We have been indebted +to a friend for the following immortal verses, the last he ever +composed. Four of the lines have already appeared in an article in the +_Westminster Review_" ("Lord Byron in Greece," July, 1824, vol. ii. p. +227).] + +[iii] _Is like to_----.--[M.C.] + +[iv] ----_it is not here_.--[M.C.] + +[v] ----_seals the hero's bier_.--[M.C.] + +[vi] _The steed--the Banner--and the Field.--_[MS. B.M.] + +[134] I. [The slain were borne on their shields. Witness the Spartan +mother's speech to her son, delivered with his buckler: "either _with_ +this _or on_ this" (B.M. Addit. MS. 31,038).] + +[vii] _My life-blood tastes_----.--[M.C.] + +[viii] _I tread reviving_----.--[M.C.] + + + + + A BIBLIOGRAPHY + OF THE + SUCCESSIVE EDITIONS AND TRANSLATIONS + OF + LORD BYRON'S _POETICAL WORKS_. + + +COLLECTED EDITIONS. + +I. + +The/ Poetical Works/ of/ Lord Byron./ In Two Volumes./ Vol. I./ +[Vol. II.] From the last London Edition./ Philadelphia:/ Published by +Moses Thomas,/ No. 52, Chesnut Street./ William Fry, Printer./ 1813./ +[16º. + +[A bound copy: smooth blue calf, lettered "LORD BYRON."] + +_Collation_-- + +Vol. I.--Title, one leaf; Cont.; Half-title; Dedication; and Text, pp. +_1_-203. + +Vol. II--Title, one leaf; Cont.; Half-title; Preface, etc, pp. i.-xii.; +Text, pp. _1_-261. + +_Contents_-- + +Vol. I.:--Poems, Original and Translated p. 1 +English Bards, etc. p. 137 +Vol. II.:--Childe Harold's Pilgrimage, Canto I. p. 13 +(xciii. stanzas) +Canto II. (lxxxviii. stanzas) p. 9 +Notes p. 99 +Poems (xx.) p. 156 +The Giaour (1215 lines) p. 205 +Note p. 261 + + + +_Note_ (Vol. I.).--On fly-leaf: "To the Rt. Honourable Lord Byron from +his obt. servant Geo Ticknor, June 20. 1815." + +"This book was given to me by Lord Byron, April 20, 1816, on his leaving +England. Scrope Davies." + + ΑΠΟ: ΙΩ: [Greek: APO: IÔ:] + + Κεφ. θ. [Greek: Keph. Th.] + + + Καὶ ἐν ταῖς ἡμέραις ἐκείναις ζητήσουσιν οἱ + ἄνθρωποι τὸν θάνατον + καὶ οὐχ εὑρήσουσιν αὐτὸν' καὶ ἐπιθυμήσουσιν + ἀποθανεῖν, καὶ φεύξεται + ὁ θάνατος ἀπ' αὐτῶν. + + [Greek: Kai\ e)n tai~s ê(me/rais e)kei/nais zêtê/sousin oi( + a)/nthrôpoi to\n tha/naton + kai\ ou)ch eu(rê/sousin au)to\n' kai\ e)pithymê/sousin + a)pothanei~n, kai\ pheu/xetai + o( tha/natos a)p' au)tô~n.] + +On second fly-leaf: "Semper ego tui memoriam colam; semper tua imago +ante oculos observabitur; semper idem mihi eras; qui idem semper eras +bonis omnibus." + +These volumes which were presented by George Ticknor to Lord Byron,[A] +and, in turn, presented by him to Scrope Davies, passed into the hands +of Sir Francis Burdett (1770-1844), and are now in the possession of his +grandson, Mr. F.B. Money-Coutts. + +FOOTNOTES: + +[A] "He [Byron] spoke to me of a copy of the American edition of his +poems, which I had sent him, and expressed his satisfaction at seeing it +in a small form, because in that way, he said, nobody would be prevented +from purchasing it" ("Journal," June 21, 1815).--_Life, Letters, and +Journals_ of George Ticknor, Boston, 1876, i. 62. + +II. + +The/ Poetical Works/ of/ Lord Byron./ From the last London Edition./ In +Two Volumes./ Volume I./ [Vol. II.] Boston:/ Published by Cummings & +Hilliard,/ No. I, Cornhill./ Joseph T. Buckingham, Printer,/ 1814./ +[12º. + +_Collation_-- + +Vol. I.: pp. xi. + 308--Title, one leaf, pp. i., ii.; Cont., pp. iii., +iv.; _Lord Byron_ [excerpt from the _Analectic Magazine_], pp. v.-xi.; +Text, pp. 1-308. + +Vol. II.: pp. iv. + 251--Title, one leaf, pp. i, ii; Cont., pp. iii, iv; +Text, pp. 1-251. + +_Contents_-- + +Vol. I.:--Poems, Original and Translated p. 1 + +English Bards, etc. (Third Edition) (1050 lines), with p. 123 +Postscript + +Childe Harold's Pilgrimage, Cantos I., II. (First Edition), p. 179 +with Notes, etc. + +Vol. II.:--Poems [Twenty-six, _i.e._ poems issued with p. 1 +Sec. Ed. of _Childe Harold_, and six (not tabulated) +issued with the _Corsair_] + +The Giaour (Fifth Edition) p. 47 + +The Bride of Abydos (Seventh Edition) p. 103 + +The Corsair (Sixth Edition) p. 159 + +Prize Prologue (Oct. 1812) (Second Edition) p. 241 + +Ode to Napoleon Buonaparte (Second Edition: sixteen stanzas) p. 245 + +III. + +The/ Works/ of/ The Right Honorable/ Lord Byron./ In Four Volumes./ Vol. +I./ [Vol. II., etc.] Childe Harold./ London:/ Printed for John Murray, +Albemarle Street./ 1815./ [8º. + +_Collation_-- + +Vol. I.: pp. xviii. + 218--Gen. Half-title, one leaf, pp. i., ii.; Title +(_R.T. Davison, Lombard-Street,/ White-Friars, London_.), pp. iii., iv.; +General Contents to the Four Volumes, pp. v.-x.*; Half-title (R. +Motto--_Le Cosmopolite_), _n.p._; Prefaces, pp. xi.-xviii.; Cont. to +Vol. I., one leaf, _n.p._; Text, pp. 1-218. The Imprint is at the foot +of p. 218. + +_Note_.--In the earlier copies of Vol. I. of this edition, the misplaced +"Advertisement" to _The Giaour_ is on pp. i., ii., and pp. ix.*, x.*, +giving Cont. of _Hebrew Melodies_, are not inserted. + +Vol. II.: pp. 1-202--Gen. Half-title, one leaf; Title (R. Imprint); +Cont. to Vol. II.; Half-title; Dedication; Text, pp. 1-202. The Imprint +is in the centre of the last page, p. [204]. + +Vol. III.: pp. viii. + 9-228--Gen. Half-title, one leaf; Title (R. +Imprint); Cont. to Vol. III.; Half-title, pp. i., ii.; Dedication to +Thomas Moore, Esq., pp. iii.-viii.; Text, pp. 9-228. The Imprint is at +the foot of p. 228. + +Vol. IV.: pp. viii. [ix.*, x.*] + 203--Gen. Half-title, one leaf; Title +(R. Imprint), pp. i.-iv.; Cont. to Vol. IV., pp. v.-x.*; Text, pp. +1-203. + +_Contents_-- + +Vol. I.:--To Ianthe, Childe Harold's Pilgrimage, Cantos I., II., p. 3 +(N. App.) + +Romaic Books and Authors, etc. p. 188 + +Vol. II.:--The Giaour (N.) p. 1 + +The Bride of Abydos, Cantos I., II. (N.) p. 103 + +Vol. III.:--The Corsair, Cantos I.-III. (N.) p. i. + +Lara, Cantos I., II. (N.) p. 133 + +Vol. IV.:--Ode to Napoleon Buonaparte (N.) p. 1 + +Poems (N.) [xxxvi., consisting of xxix. pub. in the Seventh Ed. p. 17 +of _Childe Harold_, vi. pub. in the Second Ed. of the +_Corsair_, and Verses on Sir P. Parker.] + +Hebrew Melodies (24) p. 143 + +_Note_.--In later issues of Vol. III., 1815, the note on the "Pirates of +Barrataria" is inserted and paginated 133*-137*. + +IV. + +The/ Works/ of The/ Right Hon. Lord Byron./ In Two Volumes./ Vol. I./ +[Vol. II.] London:/ Printed for John Murray, Albemarle-Street./ 1815/ +[8º. + +_Contents_-- + +Vol. I.: The Title, as above, is prefixed to _Childe Harold's +Pilgrimage_, Cantos I., II. (Fourth Ed.), 1812, and _Hebrew Melodies_ +(First Ed.), 1815, pp. 1-53. + +Vol. II.: The Title, as above, is prefixed to _Childe Harold's +Pilgrimage_, Canto III.; _Childe Harold_, etc., Canto the Fourth; +_Romance Muy Doloroso_, Translation, etc., pp. xiv. + 257; _The Lament +of Tasso_ (Sixth Ed.), 1818, pp. 1-18; _Poems_ (N.) (Second Ed.), 1816; +_Monody_, etc. (New Ed.), 1810; _Ode to Napoleon_ (Second Ed.), 1814, pp +1-14. + +_Note_.--These general titles were advertised, in July, 1815, for the +purpose of binding, in two volumes, poems which were uniformly printed +but had been separately issued. It is evident that they were still to be +procured after the collected editions of 1815, 1817, 1818 had been +published. In other copies the Contents are arranged in a different +order. + +V. + +_The Poetical Works_, etc. From the last London Edition. In Three +Volumes. New York: Published by David Huntington. 1815. + +[E. Kölbing, _Prisoner of Chillon_, 1896.] + +VI. + +_The Works_, etc. Including several poems now first collected. Together +with an Original Biography. Embellished with a portrait, title-page, and +six other engravings. In Three Vols. Philadelphia: Published by Moses +Thomas, J. Maxwell, Printer. 1816. [12º. + +[Kölbing.] + +VII. + +The/ Works/ of/ The Right Honourable/ Lord Byron./ In Five Volumes./ +Vol. I./ [Vol. II., etc.] Childe Harold./ London:/ John Murray, +Albemarle-Street./ 1817. [8º. + +_Collation_-- + +Vol. I.:--Title, one leaf, pp. iii., iv.; Half-title (R. Motto), pp. v., +vi.; Pref., pp. vii.-xiv.; Cont., _n.p._; Text, pp. 1-218. The Imprint +(_T. Davison, Lombard Street,/ Whitefriars, London_/), is in the centre +of the last page. + +Vol. II.: pp. 1-202--Title, one leaf; Cont. to Vol. II.; Half-title; +Dedication; Advertisement; Text, pp. 1-202. The Imprint is in the centre +of the last page, p. [204]. + +Vol. III.: pp. viii. + 9-222: Title, one leaf; Cont. to Vol. III.; +Half-title, pp. i. ii.; Dedication to Thomas Moore, Esq., pp. +iii.-viii.; Text, pp. 9-222. The Imprint is in the centre of the last +page, p. [224]. + +Vol. IV.: Title, one leaf; pp. iii., iv.; Cont. to Vol. IV., v.-viii.; +Text. The Imprint is in the centre of the last page. + +Vol. V.: pp. vi. + 184--Title, one leaf; Dedication, pp. i., ii.; +Advertisement, pp. iii., iv.; Cont. to Vol. V., pp. v., vi.; Half-title; +Text, pp. 1-184. The Imprint is at the foot of p. 184. + +_Note_.--The Cont. of Vols. I.-IV., 1817, are identical with the Cont. +of Vols. I.-IV., 1815. + +_Contents_-- + +Vol. V.:-Siege of Corinth (N.) p. 1 +Parisina (N.) p. 79 +Poems (eleven, as pub. in _Poems_, 1816) p. 127 +Monody, etc. (N.) p. 171 + +VIII. + +Poems./ By Lord Byron./ New-York:/ Published by Thomas Kirk and Thomas +R. Mercein,/ Moses Thomas, M. Carey and Son, Philadelphia;/ Wells and +Lilly, Boston;/ and Coale and Maxwell, Baltimore./ T. and W. Mercein, +Printers, 93, Gold Street./ 1817./ [12º. + +_Collation_-- + +Pp. 1-64 (title-page unnumbered). + +IX. + +The/ Works/ of/ The Right Honourable/ Lord Byron./ Vol. I./ [Vol. II., +etc.] Childe Harold./ London:/ John Murray, Albemarle-Street./ 1818. + +_Collation_-- + +Vol. I.: pp. xiv. + 218--Half-title (_R.T. Davison, Lombard Street,/ +Whitefriars, London_./), etc. (_Vide supra_, Vol. I., 1817). + +Vol. II.: pp. 1-202--Half-title (R. Imprint), etc. (_Vide supra_, Vol. +II., 1817). + +Vol. III.: pp. viii. + 9-222 (_Vide supra_, Vol. III., 1817). + +Vol. IV.: pp. viii. + 203--Half-title (R. Imprint) (_Vide supra_, Vol. +IV., 1817). + +Vol. V.:/ pp. 1-184--Half-title, _The Siege_, etc., one leaf; Title +[The/ Works/ etc./ The Siege of Corinth--Parisina--Poems./ London:/John +Murray, Albemarle-Street,/ 1818./]; Cont. of Vol. V.; Advertisement; +Dedication, "To John Hobhouse, Esq.;" Text, pp. 1-104; The Imprint, _T. +Davison, Lombard-street_,/ Whitefriars, London,/ is at the foot of p. +184. + +Vol. VI.: pp. 1-187--Gen. Half-title (R. _T. Davison, Lombard Street, +Whitefriars, London_); Title, one leaf [The Works,/ etc. _In Six Volumes_ +(in some copies "In six," etc., does not appear)]; Cont. to Vol. VI.; +Half-title; Text, pp. 1-187, + Publisher's List, pp. 189-192. The +Imprint is at the foot of p. 192. + +Vol. VII.: pp. 1-273--Title [The/ Works, etc./ 1819.] (R. _London:/ +Printed by T. Davison, Whitefriars_/); Cont. to Vol. VII.; Text, pp. +1-273 + Publisher's Advertisement of Historical Illustrations (R. +_London:/ Printed by Thomas Davison, Whitefriars_/). + +Vol. VIII.: pp. 1-165--Gen. Half-title (R. Imprint); Title [The/ Works, +etc./ 1820]; Cont. to Vol. VIII.; Text, pp. 1-165 + Publisher's List +(ten pages, with Imprint at the foot of p. [10]). + +_Note_.--For Contents for Vols. I.-V., _vide supra_, Ed. 1817. + +_Contents_-- + +Vol. VI.:--Sonnet p. 1 +The Prisoner of Chillon (N.) (and six poems, N.) p. 3 +To Manfred (N.) p. 67 +Lament of Tasso p. 169 +Vol. VII.:--Childe Harold's Pilgrimage, Canto III. (N.) p. 1 +Canto IV. (N.) p. 81 +Vol. VIII.:--Beppo (N.) p. 1 +Mazeppa p. 57 +Ode p. 113 +A Fragment p. 127 +Romance Muy Doloroso (Transl.) p. 145 +Sonetto di Vittorelli (Transl.) p. 162 + +_Note_.--Vols. I.-IV. of the Edition of 1818 are illustrated by "Twelve +Plates engraved by Charles Heath, and other Artists, from the original +Designs of [Tho.] Stothard." The "original Designs," water-colour +drawings, were presented by Lord Byron to the third Lord Holland, and +are now in the possession of the Earl of Ilchester. + +X. + +_The Works of the right honourable Lord Byron_. Comprehending all his +suppressed poems. Embellished with a portrait, and a Sketch of his +Lordship's life. Vols. I.-VI. Paris: Published by Galignani, at the +French, English, Italian, German and Spanish library, Nº 18, Rue +Vivienne, 1818, in 12º. + +[_Bibliographie de la France_, June 13, 1818.] + +XI. + +_The Works of Lord Byron_. In Thirteen Volumes. Published by Gerard +Fleischer. Leipzic. 1818-1822. [8º. + +[Kayser, _Index Verborum_. 1834. See, too, _Jahrbücher der Literatur_. +Vienna, 1821. Vol. xv. pp. 105-145.] + +XII. + +The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.] London:/ John +Murray, Albemarle-Street./ 1819./ [8º. + +_Collation_-- + +Vol. I.: pp. xv. + 479--Title, one leaf, pp. iii., iv.; Cont. to Vol. +I., pp. v., vi.; Half-title, with Motto, pp. vii., viii.; Preface, etc., +pp. ix.-xv.; Text, pp. 1-479. The Imprint (_London:/ Printed by Thomas +Davison, Whitefriars_./) is in the centre of the last page, p. [480]. + +Vol. II.: pp. 1-491--Gen. Half-title (R. Imprint); Title, one leaf; +Cont. to Vol. II.; Text, pp. 1-491; Notes to _Beppo_, p. [493], one leaf. + +Vol. III.: pp. viii. + 330--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Cont. to Vol. III., pp. v.-viii.; Text, +pp. 1-330. The Imprint is at the foot of the last page, p. 330. + +_Note_.--In Vol. I. the text and notes of Cantos I., II. of _Childe +Harold_ are identical with the Eleventh Edition of 1819, the text with +the Tenth Edition of 1815. The text of Cantos III. and IV. is all but +identical with the text of the editions of 1816, 1818, but the notes +have been reset. + +_Contents_-- + +Vol. I.: Childe Harold's, etc. Cantos I., II. (N.) p.1 +Canto III. (N.). p. 195 +Canto IV. (N.). p. 273 +Vol. II.:--The Giaour (N.) p. 1 +The Bride of Abydos (N.) p. 79 +The Corsair (N.) p. 149 +Lara (N.) p. 251 +The Siege of Corinth (N.) p. 317 +Parisina (N.) p. 373 +The Prisoner of Chillon (N.) p. 411 +Beppo (N.) p. 439 +Vol. III.:--Manfred (N.) p. 1 +Hebrew Melodies (23) p. 81 +Ode to Napoleon Buonaparte (N.) p. 121 +Monody, etc. (N.) p. 137 +Lament of Tasso p. 147 +Poems (N.) p. 163 + +_Note_.--The _Poems_ include thirty pub. with _Childe Harold_, Ed. 10, +1815; six pub. with the _Corsair_, Ed. 2, 1814; eleven pub. in _Poems_, +1816; _A Sketch_, etc. (now first included); six pub. with _The Prisoner +of Chillon_, 1816, and the translation from the Spanish Ballad +(_Romance_, etc.) and the Italian Sonnet pub. with _Childe Harold_, +Canto IV., 1818-fifty-six pieces in all. + +XIII. + +The/ Works/ of/ The Right Honourable/ Lord Byron./ Comprehending all his +Suppressed Poems,/ Embellished with a Portrait and a Sketch of His/ +Lordship's Life./ Vol. I./ [Vol. II., etc.] Childe Harold's Pilgrimage,/ +Cantos I. and II.--The Giaour./ Second Edition./ Paris./ Published by +Galignani,/ At the French, English, Italian, German and Spanish/ +Library, No. 18, Rue Vivienne./ 1819 [12º. + +_Collation_-- + +Vol. I.: pp. viii. + viii. + 276--Title, one leaf; Advertisement, one +leaf; Memoir of the R.H. Lord Byron, pp. i.-viii.; Text, pp. i.-viii., +9-284. Frontispiece: Portrait of Lord Byron by G. Harlow, Lith. de G. +Engelmann. + +Vol. II.: pp. 1-244--Gen. Half-title (R. _Printed by A. Belin_); Title, +one leaf; Text, pp. 1-244. + +Vol. III.: pp. 1-230--Gen. Half-title, etc., as above; Text, pp. 1-230. + +Vol. IV.: pp. 1-211--Gen. Half-title, etc., as above; Text, pp. 1-211. + +Vol. V.: pp. 1-225--Gen. Half-title, as above; Dedication, pp. iii.-x.; +Text, pp. 11-235. + +Vol. VI.: pp. 1-130--Gen. Half-title, etc., as above; Text, pp. 1-130 + +six pages of General Index. + +_Contents_-- + +Vol. I.:--Childe Harold's, etc., Cantos I., II. (N.) p. 9 +The Giaour (N.) p. 207 +Vol. II.:--The Bride, etc. (N.) p. 1 +The Corsair (N.) p. 71 +Lara (N.) p. 179 +Vol. III.:--Ode to N.B. (N.) p. 1 +Poems (xxxvi.) (N.) p. 13 +Hebrew Melodies p. 79 +The Siege, etc. (N.) p. 107 +Parisina (N.) p. 163 +Poems, 1816 p. 195 +Monody, etc. (N.) p. 222 +Vol. IV.:--The Prisoner of Chillon, etc. (N.) p. 1 +Manfred (N.) p. 51 +The Lament of Tasso p. 125 +Childe Harold's, etc., Canto IV. (N.) p. 139 +Vol. V.:--Childe Harold's, etc., Canto IV. (N.) p. 1 +Publisher's Advt. p. [220] +Romance Muy Doloroso (Transl.) p. 221 +Sonetto di Vittorelli (Transl.) p. 234 +Vol. VI.:--Beppo p. 1 +Suppressed Poems: English Bards, etc. p. 47 +Ode ("Oh, shame to thee," etc.) p. 121 +Windsor Poetics p. 125 +A Sketch p. 126 +Mazeppa p. 5 +Ode (To Venice) p. 47 +A Fragment p. 57 + +_Note_.--Bound up with, and, possibly, an integral part of Vol. VI., is +_Mazeppa_. _Collation_: pp. 1-69. 12º. Half-title (R. _Printed by A. +Belin_); pp 1, 2; Title, one leaf (Mazeppa,/ A Poem.: By Lord Byron./ +Second Edition./ Paris:/ Published by Galignani,/ At the French, +English, Italian, German and Spanish/ Library, Nº 18, Rue Vivienne./ +1819./), pp. 3, 4; Second half-title; Advertisement, pp. 7, 8; and Text, +pp. 9-69. (For Contents, _vide supra_.) + +XIV. + +_The Works of the R.H. Lord Byron_. In Six Volumes. Zwickau. Printed for +Brothers Schumann, 1819. + +[_Jahrbücher der Lit_.] + +XV. + +_The Works_, etc. In Seven Volumes. Brussels: published at the English +Repository of Arts, 1819. + +[Kölbing.] + +XVI. + +_Works of Lord Byron_. New York. 1820. Four Volumes. [18º. + +[Cat. of Library of _Boston Athenæum_.] + +_Contents_-- + +Vol. I.:--Childe Harold's, etc. + +Vol. II.:--Bride, etc.--Corsair--Lara--The Giaour. + +Vol. III.:--Siege, etc.--Prisoner of Chillon--Parisina--Beppo--English +Bards, etc.--Mazeppa--Ode--Fragment--Don Juan. + +Vol. IV.:--Hebrew Melodies--Ode to N.B.--Monody, etc.--Lament of +Tasso--Manfred--Poems. + +XVII. + +The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.] London:/ John +Murray, Albemarle-Street./ 18217 [8º. + +_Collation_-- + +Vol. I.: pp. xvi. + 216--Gen. Half-title (R. (_a_) _Thomas Davison, +Whitefriars_.) pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. to +Vol. I., pp. v., vi.; Preface, etc., pp. vii.-xi.; Text, pp. 1-216. The +Imprint (_b_) (_London:/ Printed by Thomas Davison, Whitefriars_.) is at +the foot of p. 216. + +Vol. II.: pp. 1-272--Gen. Half-title (R. Imprint (_a_)); Title, one +leaf; Cont. to Vol. II.; Text, pp. 1-237. The Imprint (_b_) is at the +foot of p. 272. + +Vol. III.: pp. 1-237--Gen. Half-title (R. Imprint (_a_)); Title, one +leaf; Cont. to Vol. III.; Text, pp. 1-237. The Imprint (_b_) is in the +centre of p. [240]. + +Vol. IV.: pp. 1-274--Gen. Half-title (R. Imprint (_a_)); Title, one +leaf; Cont. to Vol. IV.; Text, pp. 1-274. The Imprint (_b_) is in the +centre of p. [276]. + +Vol. V.: pp. viii. + 284--Gen. Half-title (R. Imprint (_a_)), pp. i., +ii.; Title, one leaf; Cont. to Vol. V., pp.[v.]-viii.; Text, pp. 1-284. +The Imprint (_b_) is at the foot of p. 284. + +_Contents_-- + +Vol. I.:--Childe Harold's, etc., Cantos I., II. (N. App.) p. i. +Vol. II.:--Childe Harold's, etc., Canto III. (N.) p. 1 +Canto IV. (N.) p. 77 +Vol. III.:--The Giaour (N.) p. 1 +The Bride, etc. (N.) p. 75 +The Corsair (N.) p. 143 +Vol. IV.:--Lara (N.) p. 1 +The Siege (N.) p. 63 +Parisina p. 117 +The Prisoner (N.) p. 153 +Beppo (N.) p. 179 +Mazeppa p. 235 +Vol. V.:--Manfred (N.) p. 1 +Hebrew Melodies p. 73 +Ode to N.B. (N.) p. 104 +Monody, etc. p. 121 +Lament of Tasso p. 127 +Poems (N.) p. 141 + +_Note_.--The Poems (fifty-seven in all) include the _Ode to Venice_. + +XVIII. + +Lord Byron's/ Works./ Volume the First./ [Volume the Second, etc.] +Containing:/ The Bride of Abydos--The Corsair--Lara--/Parisina, etc./ +Paris/ Sold by François Louis,/ At his French and English Library,/ Rue +Hautefeuille, Nº 10;/ And Baudry,/ At the Foreign Library,/ Rue du Coq +Saint Honoré, Nº 9./ 1821./ [12º. + +_Collation_-- + +Vol. I.: pp. xii. + 216--Title, one leaf, pp. iii., iv.; "Memoir of Lord +Byron," pp. v.-xii.; Text, pp. 1-216. + +Vol. II. pp. 1-240--Title, one leaf; Text, pp. 1-240. + +Vol. III.: pp. 1-[224]--Title, one leaf; Text, pp. 1-224 + 4 _n.p._ + +Vol. IV.: pp. 1-[228]--Title, one leaf; Text, pp. 1-224 + 4 _n.p._ + +Vol. V.: pp. 1-244--Title, one leaf; Text, pp. 1-244. + +_Contents_-- + +Vol. I.:--The Bride, etc., Cantos I., II. (N.) p. 1 +The Corsair, Cantos I.-III. (N.) p. 55 +Lara, Cantos I., II. (N.) p. 131 +Parisina p. 179 +Ode to N.B. p. 203 +Ode to Venice p. 211 +Vol. II.:--English Bards, etc. p. 1 +Don Juan, Cantos I., II. (N.) p. 55 +The Giaour (N.) p. 167 +Vol. III.:--Childe Harold, Cantos I.-IV.(N.) p. 1 +Beppo p. 187 +Fare Thee Well p. 219 +Darkness p. 221 +Stanzas for Music ("There be none," etc.) p. [224] +Vol. IV.:--Siege, etc. (N.) p. 1 +Manfred (N.) p. 43 +Mazeppa p. 107 +Prisoner of Chillon, a Fable, Sonnet, etc. (N.) p. 139 +Sonnet ("Rousseau," etc.) p. 160 +Lament of Tasso p. 161 +Various Poems:[B] A Sketch, etc. (and 34 others) p. 173 +Vol. V.:--Hours of Idleness (_i.e._ Poems Original and p. 1 +Translated), "The Second English Edition," On Leaving Newstead +Abbey, etc. +Critique, etc. p. 116 +Fugitive Pieces (including _Windsor Poetics_, first pub. by p. 163 +Murray, and the spurious _Ode_, "Oh, shame to thee," etc.) +The Curse of Minerva (full text) p. 177 +Avis ("Le Vampire, faussement attribué à Lord Byron, est de p. 191 +_Polidori_, jeune médecin qui a vécu quelque temps à Genève +avec le poëte anglais," etc.) +The Vampyre, A Tale p. 192 +Extract of a Letter from Geneva p. 194 +Introduction p. 201 +The Vampyre p. 207 +A Fragment (June 17, 1816) p. 237 + +FOOTNOTES: + +[B] [Six "Hebrew Melodies" are included in Various Poems.] + +XIX. + +The/ Works/ of/ Lord Byron,/ comprehending the/ Suppressed Poems./ +Embellished with a Portrait, And a Sketch of His Life./ Vol. I./ [Vol. +II., etc.] Paris:/ Published by A. and W. Galignani,/ At the French, +English, Italian, German and Spanish Library,/ Nº 18, Rue Vivienne./ +1822.7 [8º. + +_Collation_--Vol. I.: pp. 106 + 265--Gen. Half-title (R. _Printed by A. +Belin_); Title, one leaf, pp. 1, 2; Contents to Vol. I., pp. 3, 4; _The +Life of Lord Byron_ [By J.W. Lake], pp. 5-106; Text, pp. 1-264. + +Vol. XVI: pp. 204--Gen. Half-title (R. Imprint); Title, one leaf; Text, +pp. 1-204. + +_Contents_-- + +Vol. I.:--Hours of Idleness p. 1 +Translations and Imitations p. 63 +Fugitive Pieces p. 97 +Critique [E.R. Jan. 1808] p. 153 +English Bards, etc. p. 161 +Lines written by Mr. Fitzgerald in a copy of _English p. 234 +Bards_, etc., with his Lordship's Reply +The Curse of Minerva p. 235 +An Ode ("Oh, shame to thee," etc.) p. 255 +Windsor Poetics p. 259 +A Sketch, etc. p. 260 +Vol. XVI.:--The Deformed Transformed p. 1 +Transl. of Morgante Maggiore p. 105 +Lord Byron's Speeches p. 157 + +_Note_.--The frontispiece of Vol. I. is an engraving of the Portrait by +G. Sanders. + +_Don Juan_ was included in successive volumes in accordance with the +date of publication: Cantos I., II. in Vol. VII.; Cantos III., IV., V. +in Vol. VIII.; Cantos VI.-XI. in Vol. XIV; and Cantos XII.-XVI. in Vol. +XV. + +Volumes XIII.-XV. of this Edition were issued in 1823, and Vol. XVI. in +1824. + +XX. + +The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle Street./ 1823 [8º + +_Collation_-- + +Vol. I.: pp. xi. + 303--Title, one leaf, pp. iii., iv.; Gen. Cont., pp. +v., xi.; Cont. of Vol. I.; Text, pp. 1-303. The Imprint (_London:_/ +_Printed by Thomas Davison, Whitefriars_/) is in the centre of the last +page. + +Vol. II.: pp. 1-359--Title, one leaf; Cont. of Vol. II.; Text, pp. +1-359. The Imprint is in the centre of the last page, p. [360]. + +Vol. III.: pp. 1-345--Title, one leaf; Cont. of Vol. III.; Text, pp. +1-345; Notes to _Beppo_, one leaf, p. [347]. The Imprint is in the +centre of the last page, p. [348]. + +Vol. IV.: pp. viii. + 372--Title, one leaf, pp. iii., iv.; Cont. of Vol. +IV., pp. v.-viii.; Text, pp. 1-372. The Imprint is at the foot of p. +372. + +_Contents_-- + +Vol. I.:--Childe Harold's, etc., Cantos I., II. (N. App.) p. 1 +Canto III. (N.) p. 223 +Vol. II.:--Childe Harold's, etc., Canto IV. (N.) p. 1 +The Giaour (N.) p. 207 +The Bride, etc., Cantos I., II. (N.) p. 287 +Vol. III.:--The Corsair, Cantos I.-III. (N.) p. 1 +Lara, Cantos I., II. (N.) p. 105 +The Siege, etc. (N.) p. 169 +Parisina (N.) p. 225 +The Prisoner of Chillon, Sonnet (N.) p. 265 +Beppo (N.) p. 293 +Vol. IV.:--Mazeppa (N.) p. 1 +Manfred (N.) p. 43 +Hebrew Melodics (N.) p. 121 +Ode to N.B. (N.) p. 159 +Monody, etc. (N.) p. 175 +Lament of Tasso p. 185 +Poems (57) (N.) p. 203 + +_Note_.--This edition of 1823, 4 vols. 8º, differs from the 3 vols. 8º +of 1819, by the addition of _Mazeppa_ and the _Ode to Venice_. The +Front, of Vol. I. is "Lord Byron," by T. Phillips, R.A., engr. by C. +Warren. + +XXI. + +_The Works of Lord Byron_. In Twelve Vols. Paris: Printed for Baudry, +etc. 1822-1824. [12º. + +_Note_.--The _Life and Genius of Lord Byron_, by Sir Cosmo Gordon, is +affixed to the twelfth volume. See _La France Littéraire_, by J.M. +Quérard. 1827. + +XXII. + +_The Works of Lord Byron_, comprehending the suppressed Poems. +Embellished with a portrait, and a sketch of his life. In Twelve +Volumes. Printed by A. Belin. Published by Galignani. 1823. [12º. + +[_B. de la F._, May 24, 1823.] + +XXIII. + +The/ Works/ of/ Lord Byron./ Vol. V./ Containing/ Hours of +Idleness--Fugitive Pieces--English/ Bards and Scotch +Reviewers--Waltz--/Miscellaneous Poems, etc./ London:/ Knight and Lacey, +Paternoster-Row./ 1824./ [8º. + +_Collation_-- + +Vol. V.: pp. xiii. + 154 + 9 + vi. + 57 + vii. + 61--Gen. Half-title; +Title (R. _T.C. Hansard, Paternoster-Row Press_); Preface; Cont., pp. +[i.]-xiii.; Second Half-title; Text, pp. 2-154, etc. + +_Note_.--The Imprint (_T.C. Hansard/ Paternoster-Row_/) is at the foot +of the last page (p. 62). Four pages (_n.p._) of publishers' list of +Sherwood, Jones & Co., etc., dated London, June, 1824, are bound up with +Vol. V. + +Vol. VI.: pp. vi. + 308 + 2 pages (_n.p._)--Gen. Half-title; Title [The/ +etc. In Seven Volumes./ Vol. VI./ London:/ Printed for John and Henry L. +Hunt,/ Tavistock Street./ 1824./] (R. _London:/ Printed By C.H. Reynell, +Broad-Street, Golden-Square_/); Second Half-title; Dedication; Preface, +pp. i.-vi.; Dramatis Personæ, p. [viii.] (_B.A._); Text, pp. 9-308; Note +to the Translation of the _Morgante Maggiore_, one leaf, pp. [309, 310]. + +Vol. VII.: pp. 1-286--Gen. Half-title; Title [The, etc./ +Tavistock-Street./ 1825./], (R. Imprint as above); Text, pp. 1-286. + +_Contents_-- + +Vol. V.:--Hours of Idleness p. 1 +Review, etc. p. 1 +English Bards, etc. p. i. +Waltz [N] p. i. +Ode ("Oh, shame to thee," etc.) p. 19 +Adieu to Malta p. 23 +Madame Lavalette p. 26 +The Curse of Minerva (111 lines) p. 28 +Farewell to England p. 35 +To my Daughter, etc. p. 46 +Ode to ... St. Helena p. 50 +To the Lily of France p. 53 +To Jessy p. 56 +To T. Moore, Esq. ("My Boat," etc.) p. 58 +Lines to Mr. Hobhouse p. 60 +Enigma [H.] p. 61 +Vol. VI.:--Werner p. i. +Heaven and Earth p. 197 +Transl. of Morgante Maggiore (Advt.) p. 259 +Vol. VII.:--The Age of Bronze p. 1 +The Island p. 37 +Appendix (Extract from the Voyage of Capt. Bligh) p. 109 +The Vision of Judgment p. 125 +Appendix (Court of King's Bench, Thursday, January 15, 1824. p. 187 +The King _v_. John Hunt) +The Deformed Transformed p. 191 + +_Note_ (1).--In Vol. V. the pagination of the "Postscript" of _English +Bards, etc._, pp. 45-47, is incorrect. + +_Note_ (2).--In Vol. VII. (pp. 125, _sq_.) in the edition of the _Vision +of Judgment_, issued after the verdict in the case of the King _v._ John +Hunt, January 15, 1824, stanzas viii., ix. (lines 1, 2), xliii. (lines +1-6), xliv., xlv. (lines 1-6), xlvii. (lines 4, 8), are omitted in the +text, but are quoted in the report of the trial. + +_Note_ (3).--The following slip, headed "Notice to the Binder," is +inserted between a fly-leaf and the general half-title of Vols. VI., +VII.: "_In order that each purchaser of the two concluding volumes of +Lord Byron's Works may be enabled with them to complete his particular +set,--whatever edition he possesses, an extra Title-page is given with +each--there being several editions in print, comprising the same marks +in different numbers of volumes. In binding these two last volumes, +therefore, the binder should be instructed which of the Title-pages to +retain._" Four pages (_n.p._) consisting of General Half-title (_B.R._) +and Title-page as above [In Eight volumes./ Vol. VII., Vol. VIII./] with +Imprint as above, at foot of Reverse, are bound up with Vols. VI., VII. +Volume VIII. was not issued. + +XXIV. + +_The Works_, etc. In Eight Volumes. London: John Murray, etc., 1825. +[Small] 8º. + +XXV. + +The/ Works /of/ Lord Byron./ In Six Volumes./ Vol. V./ London:/ John +Murray, Albemarle Street./ 1825./ [8º. + +_Collation_-- + +Vol. V.: pp. 1-404--Title, one leaf; Cont. of Vol. V.; Text, pp. 1-404. +The Imprint (_London:/ Printed by Thomas Davison, Whitefriars_/) is at +the foot of p. 404. + +Vol. VI.: pp. viii. + 319--Title, one leaf; Cont. of Vol. VI.; Text, pp +1-319. The Imprint is in the centre of the last page, p. [320]. + +_Contents_-- + +Vol. V.:--Marino Faliero (N. App.) p. 1 +Prophecy of Dante, Cantos I.-IV. (N.) p. 243 +Cain p. 291 +Vol. VI.:--Sardanapalus (N) p. 1 +The Two Foscari (App.) p. 171 + +XXVI. + +The/ Complete Works/ of/ Lord Byron/ With/ A Biographical and Critical +notice/ By J.W. Lake, Esq./ Vol. I. [Vol. II., etc.] Childe Harold's +Pilgrimage./ [Monogram.] Paris/ From the Press of Jules Didot senior,/ +vi, Rue Du Pont-de-Lodi./ Published by Baudry, Rue du +Coq-Saint-Honoré,/ And Amyot, Rue De La Paix./ 1825./ [8º. + +_Collation_-- + +Vol. I.: pp. c. + 353--Title, one leaf; Cont. of the First Vol.; A +Biographical, etc., pp. i.-c.; Text, pp. 1-353. + +Vol. II.: pp. 1-432--Title, one leaf; Cont. of the Second Vol.; Text, +pp. 1-432. + +Vol. III.: pp. 1-466--Title, one leaf; Cont. of the Third Vol.; Text, +pp. 1-466. + +Vol. IV.: pp. 1-426--Title, one leaf; Cont. of the Fourth Vol.; Text, +pp. 1-426. + +Vol. V.: pp. 1-435--Title, one leaf; Cont. of the Fifth Vol.; Text, pp. +1-435; Note to Cain, one leaf, p. [437]. + +Vol. VI.: pp. vii. + 529--Title, one leaf, pp. iii., iv.; Cont. of the +Sixth Vol., pp. v.-viii.; Text, pp. 1-529. + +Vol. VII.: pp. viii. + 528--Title, one leaf, pp. iii., iv.; Cont. of the +Seventh Vol., pp. v.-viii.; Text, pp. 1-528. + +_Note_.--The Frontispiece of Vol. I. is an engraving of the Portrait of +Lord Byron by G. Sanders. + +_Contents_-- + +Vol. I.:--A Biographical, etc. p. i +Childe Harold's, etc., Cantos I.-III (N.) p. 1 +Dedication p. 205 +Canto IV. (N.) p. 213 +Vol. II.:--Don Juan, Cantos I.-V. (N.) p. 1 +Preface to Cantos VI., VII., VIII. p. 301 +Cantos VI.-VIII. (N.) p. 307 +Vol. III.:--Don Juan, etc., etc. +Canto IX. (N.) p. 1 +Canto XVI. (N.) p. 247 +Beppo (N.) p. 295 +The Vision of Judgment (N.) p. 333 +The Giaour (N.) p. 373 +Parisina p. 435 +Vol. IV.:--Manfred (N.) p. 1 +Marino Faliero (N.), Preface, etc. p. 267 +Vol. V.:--The Two Foscari (N.) p. 1 +Appendix p. 123 +Werner (N.) p. 143 +Cain (N.) p. 331 +Vol. VI.:--Heaven and Earth (N.) p. i +The Deformed, etc. (N.) p. 53 +The Bride, etc. (N.) p. 133 +The Corsair (N.) p. 193 +Lara (N.) p. 279 +The Siege, etc. (N.) p. 331 +The Prisoner of Chillon (N.), Sonnet, etc. p. 377 +Mazeppa (N.), Advt., etc. p. 399 +The Island (N.), Advt., etc. p. 435 +The Lament of Tasso, Advt. p. 517 +Vol. VII.:--The Prophecy of Dante (N.), Dedication, etc. p. 1 +The Age of Bronze (N.) p. 45 +The Curse of Minerva (N.) p. 77 +Hours of Idleness p. 95 +Critique, etc. p. 211 +English Bards, etc., Preface p. 221 +Hebrew Melodies p. 277 +Miscellaneous Poems, and The Dream, etc. p. 301 +Morgante Maggiore (N.), Advt. p. 439 +Letter to * * * p. 475 +Parliamentary Speeches, Debate on the Framework Bill p. 505 + +_Note_.--The Miscellaneous Poems (67) include the following forgeries: +Ode ("Oh, shame to thee," etc.), p. 345; Madame Lavalette, p. 349; +Farewell to England, p. 356; To my Daughter, P. 366. + +XXVII. + +_Works of Lord Byron. Philadelphia_. 1825. Eight Vols. [8º. + +_Contents_-- + +Vol. I.:--Childe Harold's Pilgrimage. + +Vol. II.:--Giaour--Two Foscari--Werner. + +Vol. III.:--Bride, etc.--Corsair--Cain, a Mystery--Sardanapalus. + +Vol. IV.:--Lara--English Bards, and Scotch Reviewers--Marino +Faliero-Siege, etc.--Prisoner of Chillon--Song. + +Vol. V.:--Manfred--Parisina--Deformed Transformed--Vision of +Judgment--Beppo--Age of Bronze--Heaven and Earth--Curse of Minerva, etc. + +Vol. VI.:--Mazeppa--The Dream--The Island--Prophecy of Dante--Lament of +Tasso--Ode to Buonaparte--Monody, etc.--Hebrew Melodies--Miscellaneous +Poems. + +Vols. VII., VIII.:--Don Juan. + +[Catalogue of the Boston Athenæum Library, 1874.] + +XXVIII. + +_The Works of the R.H. Lord Byron_. In Eight Vols. New York: published +by Wm. Borrodaile, at his wholesale Book Store, 114, Fulton Street. +1825. + +[Kölbing.] + +XXIX. + +_The Works of Lord Byron_. Complete in Thirty-two Volumes. Published by +the Brothers Schumann, Zwickau. 1825-1827. [16º. + +_Note_.--Vol. XXXIII. was issued in 1838. [Kayser, 1841.] + +XXX. + +_The Works of Lord Byron_, comprising the suppressed poems. In Thirteen +Volumes. Paris. Printed by Didot aîné. Published by A. and W. +Galignani, No. 18, Rue Vivienne. 1826. [32º. + +[_B. de la F._, June 3, 1826.] + +XXXI. + +The/ Works/ of/ Lord Byron/ Including/ The Suppressed Poems./ Complete +in one volume/. Paris:/ Published by A. and W. Galignani,/ No. 18, Rue +Vivienne./ 1826./ [8º. + +_Collation_-- + +Pp. xliii. + 716--Gen. Half-title (R. _Printed by Jules Didot, Senior,/ +Printer to his Majesty, Rue du Pont de Lodi, Nº 6_/); Title-page, one +leaf, pp. i., ii.; Cont., pp. iii., iv.; The Life of Lord Byron [by J.W. +Lake], pp. v.-xliii.; Text, pp. 1-716. + +The Front. is a Portrait of Lord Byron by F. Sieurac, engr. by J.T. +Wedgwood. The Title-vignette is a harp, etc., resting on foliage (bays +and oak leaves). + +The Facsimile of the Letter from Lord Byron to M. Galignani, dated +Venice, April 27, 1819, is inserted between the "Contents" and the +"Life," etc. + +_Note_ (1).--Among MISCELLANEOUS POEMS are _The Irish Avatar_, p. 515; +_Ode_ ("Oh, shame to thee," etc.), p. 539; _Windsor Poetics_, p. 540; +and _Carmina Byronis in C. Elgin_, p. 541. The Volume concludes (pp. +711-716) with _Poems Attributed to Lord Byron_, viz.-- + +Childish Recollections (32 lines) p. 711 +Lord Byron to his Lady ("How strangely," etc.) ib. +Ode to the Island of St. Helena ib. +To the Lily of France p. 712 +Madame Lavalette ib. +Adieu to Malta ib. +Enigma ("'Twas whispered," etc.) p. 713 +The Triumph of the Whale ib. +To Jessy ib. +To my Daughter p. 714 +To Lady Caroline Lamb p. 715 +The Farewell ("When man compelled," etc.) ib. +Lines ("Would you get to the House," etc.) ib. +Verses ("All hail, Mont Blanc," etc.) ib. +To a Lady ("And wilt thou weep," etc.) p. 716 +Stanzas ("I heard thy fate," etc.)[C] ib. +Lines found in the Travellers' Book at Chamouni ib. +Lines found in Lord Byron's Bible[D] ib. + +_Note_ (2).--This edition was reissued, in 1827, on different paper. An +impression of the portrait by F. Sieurac, in an unfinished state, +precedes the Frontispiece. + +FOOTNOTES: + +[C] "Stanzas" were published _Poetical Works_, 1899, iii. 425, 426, with +the title, "On the Death of the Duke of Dorset." Note (I) on p. 425 is +incorrect. + +[D] "Lines Found in Lord Byron's Bible" are by Sir Walter Scott (see +_Monastery_, chap. xii.). + +XXXII. + +_The Works_, etc. Complete. One Vol. Frankfort o. M. Printed by and for +H.L. Broenner. 1826. 4º, pp. xvi. + 776. + +[Kölbing.] + +_Note_.--A Second Edition, pp. xlvi. + 804, including _Morgante +Maggiore_ and _Parliamentary Speeches_, was issued in 1829, _vide post_, +No. xl.; and a third, pp. xxx. + 784, including _Francesca di Rimini, +Hints from Horace_, and _The Blues_, etc., in 1837. According to Kayser, +the First Edition appeared in 1827, a second in 1829, and a third, +"considerably augmented," in 1837. + +XXXIII. + +_The Works_, etc. In Six Volumes. London: John Murray, etc. 1827. [Small +8º. + +[Kölbing.] + +XXXIV. + +The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle-Street./ 1828./ [12º. + +_Collation_-- + +Vol. I.: pp. ix. + 362--Gen. Half-title, Works/ of/ Lord/ Byron./ (R. +_London: Printed by Thomas Davison Whitefriars_/), pp. i., ii.; Title, +one leaf, pp. iii., iv.; Gen. Cont., pp. v.-ix.; Cont. of Vol. I. +(_n.p._); Text, pp. 1-362. + +The Front., "Lord Byron," is engr. by E. Finden from a portrait by G. +(_sic_) Phillips, R.A. + +Vol. II.: pp. 1-424--Gen. Half-title (R. Imprint); Cont. of Vol. II.; +Text, pp. 1-424. The Imprint is at the foot of p. 424. + +The Front., "Medora" (_Corsair_, i. 379), is engr. by E. Finden from a +drawing by H. Corbould. + +Vol. III.: pp. vii. + 383--Half-title (R. Imprint), pp. i., ii.; Title, +one leaf, pp. iii., iv.; Cont. of Vol. III., pp. v.-vii.; Text, pp. +1-383. The Imprint is in the centre of the last page, p. [384]. + +The Front., "Lord Byron" ("When late I saw thy ... child"), is engr. by +E. Finden from a drawing by H. Corbould. + +Vol. IV.: pp. 1-429--Gen. Half-title (R. Imprint); Title, one leaf; +Cont. of Vol. IV.; Text, pp. 1-429. The Imprint is in the centre of the +last page, p. [430]. + +The Front., "Sardanapalus" (act iv. sc. 1, line 1), is engr. by E. +Finden from a drawing by H. Corbould. + +_Contents_-- + +Vol. I.:--Childe Harold's, etc., Cantos I.-IV. (N.) p. 1 +Vol. II.:--The Giaour (N.) p. 1 +The Corsair, Cantos I.-III. (N.) p. 61 +Lara, Cantos I., II. (N.) p. 143 +The Bride, etc., Cantos I., II. (N.) p. 195 +Siege, etc. (N.) p. 253 +Parisina (N.) p. 299 +The Prisoner of Chillon, Sonnet, etc. (N.) p. 331 +Beppo (N.) p. 353 +Mazeppa p. 391 +Vol. III.:--Manfred (N.) p. 1 +Hebrew Melodies: "She walks in beauty" (and 22 others) p. 61 +Ode to N.B. (N.) p. 89 +Monody, etc. p. 99 +Lament of Tasso p. 105 +Poems: Written in an Album (and 55 others) p. 119 +Ode [to Venice] p. 249 +Notes to the Poems p. 255 +Prophecy of Dante, Cantos I.-IV. (N.) p. 259 +Cain p. 299 +Vol. IV.:--Marino Faliero (App.) p. 1 +Sardanapalus (N.) p. 175 +The Two Foscari (App.) p. 303 + +XXXV. + +The/ Works/ of/ Lord Byron/ Including/ The Suppressed Poems./ Complete +in One Volume./ Paris:/ Published by A. and W. Galignani,/ No. 18, Rue +Vivienne./ 1828./ 8º. + +_Collation_-- + +Pp. xl. + 718. + +_Note_.--This edition closely corresponds with that issued by A. and W. +Galignani in 1826-7, _q.v. ante_, No. xxxi. The "Life of Lord Byron," by +J.W. Lake, is abbreviated and corrected. Among ATTRIBUTED POEMS are the +following additions: _A Drinking Song_ ("Fill the goblet," etc.), p. +716; _Remember Thee_, _ibid_.; _To Mary_ ("Remind me not," etc.), p. +717; Verses ("There was a time," etc.), _ibid_.; _On Leaving England_, +_ibid._; and the following omissions: Verses ("All hail, Mont Blanc," +etc.), 1826, p. 715; and _Lines found in Lord Byron's Bible_, 1826, p. +716. + +XXXVI. + +_The Works of Lord Byron_. Complete in One Volume. Title-Vignette. +Published by Broenner, Frankfort. 1828, 8º. + +_Note_.--A Second Edition was issued in 1829, and a third, "considerably +augmented," in 1837. [Kayser.] + +XXXVII. + +The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle-Street./ 1829./ 8º. + +_Collation_-- + +Vol. I.:--Gen. Half-title, "Byron" (R. _London: Printed by Thomas +Davison, Whitefriar's_), pp. i., ii; Title, one leaf, pp. iii, iv.; +General Cont., pp. v.-ix.; Cont. of Vol. I., _n.p._; Text, pp. 1-235. +The Imprint is in the centre of the last page, p. [236]. + +Vol. II.: Gen. Half-title (R. Imprint); Title, one leaf; Cont. of Vol. +II.; Text, pp. 1-297. The Imprint is in the centre of the last page, p. +[300]. + +Vol. III.: Gen. Half-title, etc., as in Vol. II.; Text pp. 1-282. The +Imprint is in the centre of the last page, p. [284]. + +Vol. IV.: pp. vii. + 275--Half-title (R. Imprint), pp. i., ii.; Title, +one leaf, pp. iii., iv.; Cont. of Vol. IV., pp. v.-vii.; Text, pp. +1-275. The Imprint is in the centre of the last page, p. [276]. + +Vol. V.: Half-title, etc., as in Vol. II.; Text, pp. 1-26. The Imprint +is at the foot of p. 264. + +Vol. VI.: pp. viii. + 266--Half-title (R. Imprint), pp. i., ii.; Title, +one leaf, pp. iii, iv.; Cont. of Vol. VI. (_B.R._), pp. v., vi.; +Preface, pp. vii., viii.; Text, pp. 1-266. The Imprint is in the centre +of the last page, p. [268]. + +_Contents_-- + +Vol. I.:--Childe Harold's, etc., Cantos I.-III. (Pref. N.) p. 1 +Vol. II.:--Childe Harold's, etc., Canto IV. (N.) p. 1 +The Giaour (N.) p. 157 +The Corsair, Cantos I.-III. (N.) p. 217 +Vol. III.:--Lara, Cantos I., II. (N.) p. 1 +The Bride, etc., Cantos I., II. (N.) p. 53 +Siege, etc. (N.) p. 111 +Parisina (N.) p. 157 +The Prisoner, etc. (Sonnet, N.) p. 189 +Beppo (N.) p. 211 +Mazeppa p. 249 +Vol. IV.:--Manfred (N.) p. 1 +Hebrew Melodies: "She walks," etc. (and 21 others) p. 61 +Ode to N.B. (N.) p. 85 +Monody, etc. p. 95 +Lament of Tasso p. 101 +Poems: Written in an Album (and 56 others) (N.) p. 115 +Prophecy of Dante, Cantos I.-IV. (N.) p. 235 +Vol. V.:--Marino Faliero (A) p. 1 +Cain p. 179 +Vol. VI.:-Sardanapalus (N.) p. 1 +The Two Foscari (A) p. 135 +Notes to Captain Medwin's, etc. p. 253 + +XXXVIII. + +The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle-Street./ 1829./ 12º. + +_Collation_-- + +Vol. I.:--Gen. Half-title, "Byron" (R. (_a_) _Printed by Thomas Davison, +Whitefriars_); Title, one leaf, pp. iii., iv.; Gen. Cont., pp. v.-x.; +Cont. of Vol. I., _n.p._; Text, pp. 1-357. The Imprint (_b_) (_London:/ +Printed by Thomas Davison, Whitefriars_/), is in the centre of the last +page, p. [360]. + +Vol. II.: pp. 1-424--Gen. Half-title (R. Imprint (_a_)); Title, one +leaf; Cont. of Vol. II.; Text, pp. 1-424. The Imprint (_b_) is at the +foot of p. 424. + +Vol. III.:--Gen. Half-title (R. Imprint (_a_)); Title, one leaf, pp. +iii., iv.; Cont. of Vol. III., pp. v.-viii.; Text, pp. 1-383. The +Imprint (_b_) is at the foot of the last page, p. [384]. + +Vol. IV.: pp. 1-412--Half-title (R. Imprint (_a_)); Title, one leaf; +Cont. of Vol. IV.; Text, pp. 1-412. The Imprint (_b_) is at the foot of +p. 412. + +_Contents_-- + +The Cont. of Vols. I., II., III. of the Edition of 1829 are identical +with the Cont. of Vols. I., II., III. of the Edition of 1828. The +pagination of the Text 1829 follows the pagination of the Text 1828, but +the type of 1829 is not the type of 1828. + +Vol. IV. (1829):--Marino Faliero p. 1 +Appendix p. 147 +Sardanapalus (N.) p. 161 +The Two Foscari p. 289 +Appendix p. 381 +Notes on Captain Medwin's "Conversations of Lord Byron" p. 401 + + +_Note_.--The original Italian and French Versions of the _Cronica di +Sanuto_, and the extracts from the works of P. Daru and P.L. Ginguené, +which appeared in 1828, are omitted in 1829, and the notes (by John +Murray) on Captain Medwin's _Conversations, etc._ (1824), are inserted. + +XXXIX. + +_The Poetic Works_, etc., including his _Don Juan_--all his minor poems, +and the suppressed pieces of _Cain_, and the _V. of Judgment_, all +complete. In Two Vols. Second Edition. Philadelphia: Published by the +Washington Press. 1829. [4º and 6º. + +XL. + +The/ Works/ of/ Lord Byron./ Complete/ In One Volume./ [Title-vignette, +"Ship in Storm," engraved on steel by C. Tremonet.] The Second Edition, +considerably augmented./ Francfort O.M./ Printed by and for H.L. +Broenner./ 1829./ [8º. + +_Collation_-- + +Pp. xlvi + Cont., one leaf + 804--Title, one leaf; _Life_, etc., by J.W. +Lake, pp. i.-xli. + A Character of Lord Byron, by Sir W. Scott, pp. +xlii., xliii. + "Goethe und Byron" (including the stanzas "Ein +freundlich Wort," etc.) + "Lord Byron's Last Lines," pp. xliv.-xlivi. + +Cont., one leaf, _n.p._ + Text, pp. 1-804. + +_Note_.--The Miscellaneous Poems include Ode "Oh, shame to thee," etc., +and On Sir John Moore's Burial, p. 650. The ATTRIBUTED POEMS are +identical with those published in Paris, 1826 (No. xxxi.), except that +they include To Miss Chaworth ("Remind me not," etc.), and exclude Lines +Found in Lord Byron's Bible. The Notes to _Childe Harold's, etc._, and +other poems are printed continuously, pp. 715-792. _The Waltz_, together +with the _Notes_, is on pp. 795-798. + +XLI. + +The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle-Street./ 1830./ [16º. + +_Collation_-- + +Vol. I.: pp. ix. + 359--Title (R. (_a_) _Thomas Davison, London._), pp. +i., ii.; General Cont., pp. iii.-ix.; Cont. of Vol. I., p. x.; Text, pp. +1-359. The Imprint (_b_) (_London:/ Printed by Thomas Davison, +Whitefriars_/) is in the centre of the last page, p. [360]. + +The Frontispiece, "Lord Byron," is engraved by E. Finden from a portrait +by T. Phillips, R.A. + +Vol. II.: pp. iv. + 424--Title (R. Imprint), pp. i., ii.; Cont. of Vol. +II., pp. iii., iv.; Text, pp. 1-383. The Imprint (_b_) is at the foot of +p. 424. + +Vol. III.: pp. vi. + 383--Title (R. Imprint), pp. i., ii.; Cont. of Vol. +III., pp. iii.-vi.; Text, pp. 1-383. The Imprint (_b_) is in the centre +of the last page, p. [384]. + +Vol. IV.: pp. 1-415--Title (R. Imprint); Cont. of Vol. IV., one leaf; +Text, pp. 1-415. The Imprint (_b_) is in the centre of the last page, p. +[384]. + +The Front, of Vol. II. is that of Vol. II., ed. 1828; the Front. of Vol. +III. that of Vol. IV., 1828; and the Front. of Vol. IV. that of Vol. +III., 1828. + +_Note_.--The Cont. of Vols. I.-IV., 1830, are identical with the Cont. +of Vols. I.-IV., 1829. The Notes have been partly re-set. + +XLII. + +_The Complete Works_, etc., including his lordship's suppressed poems +with others never before published. (With portrait and _fac-simile_.) +Paris, Galignani, 1830. [12º. + +[Quérard, 1846.] + +XLIII. + +The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./ [Vol. II., etc.] +London:/ John Murray, Albemarle-Street./ 1831./ [16º. + +_Collation_-- + +Vols. I.-IV. of Ed. 1831 are identical with Vols. I.-IV. of Ed. 1830. +The Frontispieces of Vols. III., IV., which were transposed in Ed. 1830, +are restored to their original position, as in Ed. 1828. + +Vol. V.: pp. xii. + 475--Gen. Half-title (R. (_a_) _Thomas Davison, +London_), pp. i., ii.; Title, one leaf, pp. iii., iv.; Editor's Advt. to +_Hours of Idleness_, pp. v.-vii.; Cont. of Vol. V., pp. ix.-xii.; Text, +pp. 1-475; Publisher's Advt. of the Life of Lord Byron (2 Vols. 4to).... +by Thomas Moore, Esq., p. [477]. The Imprint (_b_) (_London:/ Printed by +Thomas Davison, Whitefriars_:/) is in the centre of p. 476. + +The Frontispiece, "Heaven and Earth," is engr. by E. Finden from a +drawing by H. Richter. + +Vol. VI.: pp. viii. + 459--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Cont. to Vol. VI., pp. v.-viii.; Text, +pp. 1-459. The Imprint (_b_) is in the centre of the last page, p. +[460]. + +The Frontispiece, "The Island," is engr. by E. Finden from a drawing by +H. Richter. + +_Contents_-- + +Vol. V.:--Hours of Idleness: Preface, etc. p. 1 +On leaving Newstead Abbey (and 64 others) p. 11 +Critique from _Edinb. Rev._ p. 203 +English Bards, etc. p. 209 +Hints from Horace p. 273 +The Curse of Minerva p. 329 +The Waltz p. 345 +Age of Bronze p. 365 +The Vision of Judgment p. 397 +Morgante Maggiore p. 441 +Vol. VI.:--Werner p. 1 +The Deformed Transformed p. 157 +Heaven and Earth p. 227 +The Island: Cantos I.-IV. App. p. 277 +Poems: +The Blues p. 351 +Fragment ("Hills of Annesly") p. 368 +The Prayer of Nature ib. +Fragment ("Young Oak," etc., 10 lines) p. 371 +On Revisiting Harrow p. 372 +L'amitie, etc. p. 373 +To my Son p. 377 +Epitaph on John Adams p. 379 +Fragment ("Forget this World," etc.) (20 lines) p. 380 +To Mrs. ---- ("When man expell'd," etc.) p. 381 +A Love-song ("Remind," etc.) p. 382 +Stanzas to ---- ("There was a time," etc.) p. 383 +To the Same ("And wilt thou weep," etc.) p. 384 +Song ("Fill the goblet," etc.) p. 386 +Stanzas to ---- on leaving England p. 387 +Lines to Mr. Hodgson p. 390 +Epistle to ("Oh, banish," etc.) p. 393 +The Devil's Drive p. 396 +Additional stanzas to the Ode to Napoleon p. 400 +Stanzas for Music ("I speak not," etc.) p. 401 +Address--at the Caledonian Meeting p. 402 +Lines--for the opening of "The Siege of Corinth" p. 404 +Extract, "Could I remount," etc. p. 406 +To Augusta p. 407 +On the bust of Helen by Canova p. 413 +To Thomas Moore ("My boat," etc.) ib. +To Mr. Murray ("Strahan," etc.) p. 414 +Stanzas to the River Po p. 416 +The Irish Avatar p. 419 +On the Prince Regent's returning the picture, etc. p. 425 +To Belshazzar p. 427 +Sonnet to George the Fourth p. 428 +Francesca of Rimini p. 429 +Stanzas ("Oh, talk not to me," etc.) p. 431 +To the Countess of B--- p. 432 +Lines from a letter to T. Moore ("So we'll," etc.) p. 434 +Epistle to Dr. [Polidori] ib. +Ep. ("My dear Mr. Murray") p. 437 +To Mr. J. Murray ("For Oxford," etc.) p. 439 +On this Day, etc. p. 440 +From the Portuguese p. 442 +Paraphrase from ... the _Medea_ p. 443 +Epitaph ("Youth, Nature," etc.) ib. +On Moore's Last ... Farce p. 444 +On Lord T.'s poems ib. +To Lord T. p. 445 +To Thomas Moore ("Oh, you," etc.) p. 446 +Fragment of an Ep. to T. Moore ("What say I," etc.) p. 447 +On Napoleon's Escape from Elba p. 449 +Fragment ... On hearing that Lady Byron was ill (6 lines) ib. +To Thomas Moore ("What are you," etc.) ib. +Song for the Luddites p. 450 +Versicles p. 451 +To Mr. Murray ("To hook," etc.) ib. +On the birth of J.W.R. Hoppner p. 452 +Epigram (from Rulhieres) (_sic_) p. 453 +Epigr. ("To-day it is," etc.) ib. +Epigr. ("Here's a Happy," etc.) ib. +Epigr. ("This day of all," etc.) p. 454 +Endorsement to the deed, etc. ib. +Epitaph for William Pitt ib. +Epigr. ("In digging," etc.) p. 455 +Stanzas ("When a man," etc.) ib. +On his Thirty-third Birthday ib. +Epigr. ("The Brasiers," etc.) p. 456 +Epigr. ("The world," etc.) ib. +The Charity Ball p. 457 +Impromptu ib. +Windsor Poetics p. 458 +Lines in the Travellers' Book at Orchomenus ib. + +_Note_.--List of publications by John Murray, January 4, 1831--"A fifth +and sixth vol. of Lord Byron's Works: containing _E.B., etc., Heaven & +E., The Def. Trans., The Island_, etc., etc., forming the portion of the +Works recently purchased by Mr. Murray, and rendering them the first and +only complete edition (_Don Juan_ being alone excepted). 2 vols. 12º. +Printed for the first time, to match with the Edition of Lord Byron's +Works in 4 vols. 18º." + +XLIV. + +The/ Complete works/ of/ Lord Byron,/ Including/ his Lordship's +Suppressed Poems,/ With others never before published./ In one Volume./ +Paris./ Published by A. and W. Galignani,/ No. 18, Rue Vivienne./ 1831./ +[8º. + +_Collation_-- + +Pp. xxiv. + 730--Half-title (R. _Printed by J. Smith, Rue Montmorency, +Paris_./); Title, one leaf; Cont., pp. i.-iv.; The Life of Lord Byron +[abridged from the _Life_ by J.W. Lake] pp. v.-xxiv.; Text, pp. 1-730. + +The Frontispiece, a portrait of Lord Byron, engr. by J.T. Wedgwood from +a painting by W.E. West, in arabesque frame, rests on miniatures of +Newstead Abbey and Missolunghi (_sic_) designed by F. Sieurac. The +Title-vignette is tomb, harp, willows, etc. A lithograph of letter, +April 27, 1819, to the Editor of _Galignani's Messenger_, is inserted +between the _Life_ and the Text. + +_Contents_-- + +This edition includes Hours of Idleness (Sec. Ed.), _English Bards_, +etc., _The Curse of Minerva_, _The Waltz_, all poems published by John +Murray before 1831, a selection of poems included in Moore's _Notices of +the Life_, etc., poems published by John Hunt, Letter to ... on Bowles' +Strictures on Pope, Fragment, Parliamentary Speeches, and the following +spurious and additional poems:-- + +Madame Lavalette p. 699 +Ode ("Oh, shame to thee," etc.) p. 705 +_Carmina Byronis in C. Elgin_ p. 707 +Ode to the Island of St. Helena ib. +Enigma on the letter H p. 708 +To Jessy ib. +To my Daughter p. 709 +Lines to Mr. Hobhouse p. 710 +Lines found in the Travellers' book at Chamouni ib. +Stanzas to her who can best understand them p. 712 +In the Valley of Waters p. 713 +Francesca ib. +Faith, Wisdom, Love and Power ib. +Thermopylæ p. 714 +Song, "Do you know Dr. Nott?" p. 716 +To Mr. Hobhouse, "What made you," etc. (20 lines) p. 717 +Enigma on the letter I p. 720 +To Memory ("Oh, memory," etc.) p. 721 +To my dear Mary Anne ib. +On an Old Lady ("In Nottingham," etc.) p. 722 + +_Note_.--Among the ATTRIBUTED POEMS are To the Lily of France, p. 729; +The Triumph of the Whale, _ib._; To Lady C. Lamb, _ib._; Stanzas ("I +heard thy fate," etc.), p. 730. + +XLV. + +_The Works_, etc., including the suppressed poems. Also a Sketch of his +Life. By J.W. Lake. Complete in one Vol. Philadelphia. Published by +Henry Adams and sold by John Griggs. 1831. [4º. + +_Collation_-- + +Pp. xxxix. + 176. + +XLVI. + +The/ Works/ of/ Lord Byron:/ With/ His Letters and Journals,/ And His +Life,/ By Thomas Moore, Esq./ In Fourteen Volumes./ Vol. I. [Vol. II., +etc.] London:/ John Murray, Albemarle Street./ 183./ [8º. + +_Collation_-- + +Vol. I.: pp. xv. + 359--Title (R. Imprint, _London:/ Printed by A. +Spottiswoode,/ New-Street-Square_./), pp. i., ii.; Cont. of Vol. I., pp. +iii., iv.; Half-title, pp. v., vi.; Dedication to Sir W. Scott, pp. +vii., viii.; Preface to the First Vol. of First Ed., pp. ix., x.; +Preface to the Sec. Vol., pp. xi.-xv.; Text (_Notices of the Life of +Lord Byron_), pp. 1-359. + +The Frontispiece, "Lord Byron at the Age of 19," is engr. by W. Finden +from the portrait by G. Sanders: the Title-vignette, "Cadiz," is engr. +by E. Finden from a drawing by C. Stansfield. + +Vol. II.: pp. 1-341--The Frontispiece "Tepaleen," is engr. by F. Finden +from a drawing by W. Purser; the Title-vignette, "Constantinople," is +engr. by E. Finden from a drawing by C. Stansfield. + +Vol. III.: pp. 1-376--The Front., "Marathon," and the Title-vignette, "A +Street in Athens," are engr. by E. Finden from drawings by C. +Stansfield. + +Vol. IV.: pp. 1-359--The Front., "The Wengen Alps," and the +Title-vignette, "The Coliseum from the Orto Farnese," are engr. by E. +Finden from drawings by J.D. Harding. + +Vol. V.: pp. 1-376--The Front., "S^ta^ Maria Dalla Spina," is engr. by +E. Finden from a drawing by J.M.W. Turner, R.A.; the Title-vignette, the +"Hellespont," is engr. by E. Finden from a drawing by J.D. Harding. + +Vol. VI.: pp. 1-416--The Front., "Newstead Abbey" [from the Monk's +Garden], and the Title-vignette, "The Fountain at Newstead Abbey," are +engr. by E. Finden from drawings by W. Westall, A.R.A. + +Vol. VII.: pp. xv. + 319--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Advt. (editorial, June, 1832), pp. +v.-vii.; Cont. of Vol. VII., pp. ix.-xv.; Text, pp. 1-319. The Imprint +is in the centre of the last page, p. [320]. + +The Front., "The Gate of Theseus," and the Title-vignette, "The Plains +of Troy," are engr. by E. Finden from drawings by J.M.W. Turner, R.A. A +facsimile of the two first stanzas of To D---- faces p. 12. + +Vol. VIII.: pp. x. + 328--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Advt. (editorial, July 20, 1832), pp. +v.-x.; Cont. of Vol. VIII., _n.p._; Text, pp. 1-328. The Imprint is at +the foot of p. 328. + +The Front., "Bacharach," and the Title-vignette, "The Castle of St. +Angelo," are engr. by E. Finden from drawings by J.M.W. Turner, R.A. A +facsimile of _Childe Harold's, etc._, Canto III. stanza xci. faces p. +174. In earlier copies the facsimile faced p. [viii.] of Vol. IX. See +Note on reverse of p. vii. of that volume. + +Vol. IX.: pp. vii. + 360--Title (R. Imprint), pp. i., ii.; Advt. +(editorial, July 20, 1832), pp. iii., iv.; Cont. of Vol. IX., pp. +v.-vii.; Text, pp. 1-360. The Imprint is at the foot of p. 360. + +The Front., "Petrarch's Tomb," is engr. by E. Finden from a drawing by +J.M.W. Turner, R.A.; the Title-vignette, "Seville," is engr. by E. +Finden. + +Vol. X.: pp. xix. + 316--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Advt. (editorial, September 16, 1832), +pp. v.-xiii.; Cont. of Vol. X., pp. xv.-xix.; Text, pp. 1-316. The +Imprint is at the foot of p. 316. + +The Front., "Corinth," is engr. by E. Finden from drawings by J.M.W. +Turner, R.A., and W. Page; the Title-vignette, "Athens and the Island of +Egina," is engr. by E. Finden from drawings by C. Stansfield and W. +Page. + +Vol. XI.: pp. viii. + 326--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Advt. (editorial, October 10, 1832), pp. +v., vi.; Cont. of Vol. XI., pp. vii., viii.; Text, pp. 1-326. The +Imprint is at the foot of p. 326. + +The Front., "The Bridge of Sighs," and the Title-vignette, "The Bernese +Alps," are engr. by E. Finden, from drawings by J.M.W. Turner, R.A. + +Vol. XII.: pp. vi. + 324--Gen. Half-title (R. Imprint), pp. i., ii.; +Title, one leaf, pp. iii., iv.; Advt. (editorial, November 10, 1832), +pp. v., vi.; Cont. of Vol. XII., _n.p._; Text, pp. 1-324. The Imprint is +at the foot of p. 324. + +The Front., "Florence," is engr. by E. Finden from drawings by J.D. +Harding and G. Moran, junr.; the Title-vignette, "San Georgio Maggiore," +is engr. by E. Finden from a drawing by C. Stansfield, A.R.A. + +Vol. XIII.: pp. vi. + 369--Half-title (R. Imprint), pp. i., ii.; Title, +one leaf, pp. iii., iv.; Advt. (editorial, December 12, 1832), pp. v., +vi.; Cont. of Vol. XIII., _n.p._; Text, pp. 1-369. The Imprint is in the +centre of the last page, p. [370]. + +The Front., "The Arch of Titus," is engr. by E. Finden, from drawings by +C. Stansfield and W. Page; the Title-vignette, "The Walls of Rome," is +engr. by E. Finden from a drawing by J.M.W. Turner, R.A. + +Vol. XIV.: pp. 1-360--Gen. Half-title (R. Imprint), pp. [i., ii.]; +Title, one leaf, pp. [iii., iv.]; Advt. (editorial, January 10, 1833), +pp. [v., vi.]; Text, pp. 1-360. The Imprint is at the foot of p. 360. + +The Front., "Parnassus," and the Title-vignette, "The Field of +Waterloo," are engr. by E. Finden from drawings by J.M.W. Turner, R.A. + +Vol. XV.: pp. vi. + 334--Half-title (R. Imprint), pp. i. ii.; Title, one +leaf, pp. iii., iv.; Advt. (editorial, February 15, 1833), pp. v., vi.; +Cont. of Vol. XV., _n.p._; Text, pp. 1-334. The Imprint is at the foot +of p. 334. + +The Front., "Scio," and the Title-vignette, "Genoa," are engr. by E. +Finden from drawings by J.M.W. Turner, R.A. + +Vol. XVI.: pp. vi. + 335--Half-title (R. Imprint), pp. i., ii.; Title, +one leaf, pp. iii., iv.; Advt. (editorial, March 15, 1833), pp. v., vi.; +Cont. of Vol. XVI., _n.p._; Text, pp. 1-335. The Imprint is in the +centre of the last page, p. [336]. + +The Front., "Cologne," and the Title-vignette, "St. Sophia," are engr. +by E. Finden from drawings by J.M.W. Turner, R.A. + +Vol. XVII.: pp. viii. + 304--Half-title (R. Imprint), pp. i., ii; Title, +one leaf, pp. iii., iv.; Advt. (editorial, May 15, 1833), pp. v., vi.; +Cont. of Vol. XVII., pp. vii., viii.; Text, pp. 1-248; Index, pp. +249-304. The Imprint is at the foot of p. 304. + +The Front., "The School of Homer," and the Title-vignette, "The +Castellated Rhine," are engr. by E. Finden from drawings by J.M.W. +Turner, R.A. + +_Contents_-- + + Vols. I.-V.:--Notices of the Life of Lord Byron. +Vol. VI.:--The Life, etc., from February, 1823-April, 1824 p.1 +App.: cont. two epistles from the Armenian, etc. p. 269 + Miscellaneous Pieces in Prose: +Review of Wordsworth's Poems, 1807 p. 293 +Review of Gell's Geography of Ithaca, etc., 1811 p. 296 +Parliamentary Speeches, etc. p. 314 +A Fragment. [The Vampyre.] 1816 p. 339 +Letter to John Murray, Esq., etc. p. 346 +Observations upon "Observations," etc. [_Now first p. 382 +published._] + Vol. VII.:--Hours of Idleness: a Series of Poems, + Original and Translated: +Dedication. p. 1 +Preface p. 5 +On the Death of a Young Lady (and 69 others) p. 9 +Article from the _Edin. Rev._ p. 188 + Occasional Pieces: written in 1807-8: +The Adieu (and 15 others) p. 195 +English Bards and Scotch Reviewers p. 219 + Occasional Pieces: written in 1808-1810: +Well, thou art happy (and 15 others) p. 291 +Vol. VIII.:--Childe Harold's Pilgrimage: Preface to the p. 3 +First and Second Cantos +To Ianthe p. 9 +Canto the First [Canto the Second, etc.] p. 11 +Dedication of Canto the Fourth p. 189 +Historical Notes to Canto the Fourth p. 271 + Vol. IX.:--Occasional Pieces: written in 1811-1813: +Lines written beneath a Picture (and 31 others) p. 3 +Hints from Horace p. 47 +The Curse of Minerva p. 107 +The Waltz p. 123 +The Giaour p. 141 +The Bride, etc. p. 203 +The Corsair (Dedication, etc.) p. 257 +Appendix: Remarks on the Romaic, etc. p. 339 +Vol. X.:--Ode to N.B. p. 1 +Lara (Cantos I., II. (N.)) p. 17 +Hebrew Melodies: She walks in Beauty (and 22 others) p. 75 +The Siege, etc. p. 99 +Parisina p. 149 + Domestic Pieces: +Fare Thee Well (and five others) p. 185 +Monody, etc. p. 211 +The Prisoner of Chillon p. 221 +The Dream p. 243 + Occasional Pieces: 1814-1816: +The Devil's Drive (and 28 others) p. 257 +Vol. XI.:--Manfred p. 1 +The Lament of Tasso p. 77 +Beppo p. 95 +Mazeppa p. 143 +Ode on Venice p. 179 +The Morgante Maggiore (Canto I.) p. 187 +The Prophecy of Dante (Cantos I.-IV.) p. 259 + Occasional Pieces: +Versicles (and 14 others) p. 307 +Vol. XII.:--Francesca of Rimini p. 1 +Stanzas to the Po p. 13 +Stanzas (Written on the Road, etc.) p. 19 +The Blues p. 21 +Marino Faliero (App.) p. 43 +The Vision of Judgment (App.) p. 231 + Occasional Pieces: +Stanzas ["Could Love for ever"] (and 5 others) p. 317 +Vol. XIII.:--Heaven and Earth p. 1 +Sardanapalus p. 55 +The Two Foscari p. 197 +The Deformed Transformed p. 301 +Vol. XIV.:--Cain (App.) p. 1 +Werner p. 113 +The Age of Bronze p. 263 +The Island p. 299 +Stanzas: To a Hindoo Air p. 357 +Lines ("On this day," etc.) p. 358 +Vol. XV.:--Preface to Don Juan p. 3 +Testimonies of Authors p. 5 +Letter to the Editor of "My Grandmother's Review" p. 41 +Some Observations upon an article in _Blackwood's p. 55 +Magazine_ (August, 1819. [Now first pub.]) +Fragment ("I would to heaven," etc.) p. 100 +Dedication to Robert Southey, Esq. p. 101 +Don Juan (Cantos I.-III.) p. 109 +Vol. XVI.:--Don Juan (Cantos IV., V., App.) p. 1 +Preface to Cantos VI., VII., VIII. p. 127 +Cantos VI.-X. p. 133 +Vol. XVII.:--Don Juan (Cantos XI.-XVI.) p. 1 +Appendix: Farewell to Malta (and nine additional p. 239 +occasional pieces +Concluding Page of Lord Byron's "Observations upon an p. 247 +Article," etc. +Index p. 249 + +_Note_ (1).--The Title-pages of Vols. XIII., XIV., XV., XVI., issued in +1833, do not specify the total number of volumes. The Title-pages of +Vol. I. issued in 1835, Vol. II. in 1833, and Vol. IX. in 1834, print +the words, "In Seventeen Volumes." There were probably other variations. +There is an illustrated Title-page ornamented with a Title-vignette +(_vide supra et ante_) to each volume. + +_Note_ (2).--The editor of these volumes was John Wright (1770?-1844), +the editor of Cobbett's _Parliamentary History_, and the ninth and tenth +volumes of Boswell's _Life of Johnson_ (1836), and of Sir Henry +Cavendish's _Debates of the House of Commons during the Thirteenth +Parliament of Great Britain, etc._, two vols. 1841-3. + +XLVII. + +_The Complete Works_, etc., including his suppressed poems and others +never before published. In Four Volumes. Paris, Baudry. 1832. [8º. + +[_Katalog der Bucher_, von Eduard Grisebach, 1894, p. 127.] + +_Note_.--The Front. is "Lord Byron," from a portrait by Hopwood. +Quérard, 1846, gives the names of the publishers of this edition as +Baudry, Barrois, Amyot. + +XLVIII. + +_The Works_, etc., In Verse and Prose. Including his Letters, Journals, +etc. With a sketch of his Life. New York: George Dearborn, Publisher. +1833. 4º. pp. xxviii., 203, 619. ["... The first complete edition of +the Poetical and Prose Works of Lord Byron."--_Publisher's Advt._] + +_Note_.--The Catalogue of the Library of Congress, 1880, describes this +or a Second Edition as consisting of two vols. in one, 8º. + +XLIX. + +The/ Complete Works/ of Lord Byron,/ Reprinted from the last London +Edition,/ with considerable additions, now first published;/ Containing/ +Notes and Illustrations/ By/ Moore, Walter Scott, Campbell, Jeffrey, +Egerton Brydges, Wilson, Hobhouse,/ Dallas, Hunt, Milman, Lockhart, +Bowles, Heber, Medwin, Gamba, Croby, Ugo Foscolo, Ellis,/ Kennedy, +Parry, Stanhope, Gait, Nathan, Lady Blessington, Mrs. Shelley, etc./ +And/ A Complete Index;/ To which is prefixed/ A Life,/ By Henry Lytton +Bulwer, Esq., M.P.,/ In one Volume./ Paris/ Published by A. and W. +Galignani and Co./ 1835./ [8º. + +_Collation_-- + +Pp. xxxiii. + 935--Half-title (R. _Printed by H. and A. Firmin Didot, +rue Jacob, No. 24._), pp. i., ii.; Title, pp. iii., iv.; (Publisher's) +Advt., pp. v., vi.; Cont. pp. vii.-x.; The Life of Lord Byron, pp. +xi.-xxxiii.; Text pp. 1-908; Index, pp. 909-935. + +The Frontispiece is a portrait of Lord Byron, engr. by J.T. Wedgwood +from a painting by W.E. West. The portrait in arabesque frame rests on +picture of Newstead Abbey and Missolunghi (_sic_), designed by F. +Sieurac. There is a lithographed vignette of tomb, harp, wreath, etc., +on the title-page, and a lithograph of the memorial tablet in the +chancel of Hucknall Torkard. A facsimile of the letter dated Venice, +April 27, 1819, precedes the text, and facsimiles of original MS. of "To +D----," and of _Childe Harold_, Canto IV. stanza xcii., face pp. 3, 122. + +_Miscellaneous Poems_-- + +On an Old Lady ("In Nottingham," etc.) p. 842 +On Lord Elgin ("Noseless himself," etc.) p. 864 +Stanzas to her who can best understand them p. 887 +Epigram from Martial ("The Laureate's House," etc.) p. 888 +To Mr. Hobhouse ("Would you get," etc.) ib. +To Mr. Hobhouse ("What made you," etc.) ib. +On Queen Caroline p. 901 +Elegy on the Recovery of Lady ---- p. 903 +Song, "Do you know Doctor Nott?" ib. +To ---- ("But once I dared," etc.) p. 904 +On Sam Rogers ("Nose and Chin," etc.) ib. +On Lady Milbank's Dog Trim p. 905 +Lines to Lady Holland ("Lady, accept," etc.) ib. +Attributed Poems: +To Jessy ("There is a mystic," etc.) p. 906 +Lines found in the Travellers' Book at Chamouni ib. +To Lady Caroline Lamb p. 907 +To the Prince of W_h_ales ib. +On the letter I p. 908 +To my dear Mary Anne ib. +Stanzas ("I heard thy fate," etc.) ib. + +_Note_.--This edition includes the contents of "the last [edition] +published in London in seventeen volumes," together with the poems +published in the Appendix to the _Works of Lord Byron_ (1832-1833, xvii. +238-248), and the following pieces not recognized or collected by John +Murray. + +L. + +_The Complete Works_, etc. In Four Volumes. Paris, Baudry, Amyot, +Truchy. 1835. [8º. + +[Quérard, 1846.] + +_Note_.--This edition was reissued in 1840. + +LI. + +The/ Works/ of/ Lord Byron./ Complete In One Volume./ With Notes By/ + +Thomas Moore, Esq., +Lord Jeffrey, +Sir Walter Scott, +Bishop Heber, +Samuel Rogers, Esq., +Professor Wilson, +J.G. Lockhart, Esq., +George Ellis, Esq., +Thomas Campbell, Esq., +Rev. H.H. Milmand, + +etc. etc. etc. + +London:/ John Murray, Albemarle Street./ 1837./ [8º. + +_Collation_-- + +Pp. viii. + 827--Title (R. _London:/ Printed by A. Spottiswoode,/ +New-Street-Square./_), pp. i., ii.; Contents, pp. iii.-vi.; Chronology +of Lord Byron's Life and Works, pp. vii., viii.; Text, pp. 1-812; Index, +pp. 813-827. The Imprint, as above, is at the foot of p. 827. + +The Frontispiece, "Lord Byron at the age of 19," is engr. by E. Finden +from the portrait by G. Sanders. The illustrated Title is embellished +with a vignette of "Newstead Abbey," engr. by E. Finden from a painting +by T. Creswick. + +The Dedication is enclosed in an arabesque of oak branches issuing from +a shield bearing the arms and motto. (_Industria_) of Sir Robert Peel. +It runs as follows: To/ The Right Honorable/ Sir Robert Peel, Bart./ +etc. etc. etc./ This/ Collective Edition/ of The Works of His/ "School +and Form Fellow,"/ Is/ Respectfully Inscribed/ By His/ Faithful and +Obedient Servant/ John Murray,/ February Fifth./ MDCCCXXXVII./ + +Facsimiles of Lord Byron's Handwriting at Various Periods of His Life, +viz.: I. _At Harrow in_ 1803. II. _From the Giaour_, 1813. _First +draft_. III. _Marriage Signatures of Lord and Lady Byron_, January 2, +1815. IV. _From Lord Byron's Diary_, 1821. V. _From Lord Byron's last +letter to Mr. Murray, dated Missalonghi, February 2_, 1824 (four pages, +_n.p._) are inserted between the "Chronology," etc., and the Text. + +The first edition was bound in brown cloth. Lord Byron's Coat of Arms, +with Coronet, Supporters and Motto, is stamped in gold on the cover. + +_Note_.--This Edition, which is printed in double columns enclosed by a +double line, has been reissued at brief intervals from 1838 to 1902. + +The contents of this volume includes the contents of Vols. VII.-XVII. +of the Ed. 1832, 1833, together with the following additions already +printed (except No. 4) in Vols. I.-VI.:-- + +_Contents_-- + +1. Translation of ... Nurse's Dole ("Oh, how I wish," etc.) p. 546 + +2. My Epitaph ("Youth, Nature," etc.) ib. + +3. Remember thee! Remember thee! p. 554 + +4. John Keats p. 574 + +5. Impromptu ("Beneath Blessington's eyes") p. 577 + +6. To the Countess of Blessington ib. + +Appendix: Conversations of Lord Byron as related by Thomas p. 809 +Medwin, Esq., compared with a Portion of His Lordship's +Correspondence. Published, Ed. 1828, iv. 419-429. + +LII. + +The/ Complete Works/ of/ Lord Byron/ From the last London Edition,/ Now +first collected and arranged, and Illustrated/ With all the notes/ By +Sir Walter Scott [and 24 others--five lines] To which is prefixed the +Life of the Author/ By John Galt, Esq./ In one Volume./ Paris:/ Baudry's +European Library,/ Rue Du Coq, near the Louvre./ A. and W. Galignani and +Co., 18, Rue Vivienne./ Sold also by Amyot, Rue de la Paix; Truchy, +Boulevard des Italiens; Theophile Barrois, Jun.,/ Rue Richelieu; at the +Librairie des Etrangers, 55, Rue Neuve-Saint-Augustin;/ And by all the +Principal Booksellers on the Continent./ 1837./ [8º. + +_Collation_-- + +Pp. II + cxxii + 954--Half-title (R. _Printed by Casimir, 12, Rue de la +Vieille-Monnaie_); Title, one leaf; Publisher's Advt., pp. 1-6; +Contents, pp. 7-11; _The Life of Lord Byron_. By John Galt, Esq., pp. +i.-cxxii.; Text, pp. 1-941; Index, pp. 943-954. The Imprint, as above, +is at the foot of p. 954. + +The Frontispiece, "Lord Byron at the age of 17" (_sic_), is engr. by +Blanchard from the painting by G. Sanders. The Title-page is embellished +with a vignette of a shipwreck. + +Facsimiles of Lord Byron's Handwriting, etc. (as in No. li.), four pages +(_n.p._), are inserted between the "Life," and the Text. + +_Note_.--This volume "contains all the works of Lord Byron carefully +reprinted from the [last eleven volumes of the] London edition published +by Mr. Murray in 1833." The prose pieces published in Vol. VI. of the +same edition are included. The additional poems printed in the Appendix +of Vol. XVII., 1833, "occupy respectively their proper places." + +Galt's _Life of Lord Byron_ was first published in 1830 as No. 1 of G.A. +Gleig's "National Library." + +LIII. + +_The Works_, etc., Complete in one Vol. With Notes by Th. Moore, Lord +Jeffrey, etc. Authorized Foreign Edition. London and Leipzig: Black and +Armstrong. 1837. + +_Note_.--Kayser (1841) records the issue of _The Works_ in seventeen +volumes, and _The Complete Works_ in ten volumes (pocket edition), by +the same publisher. (See, too, _The Prisoner of Chillon_, by E. Kölbing, +1896) + +LIV. + +_Lord Byron's Complete Works_. In Seven Vols. Mannheim. Henry Hoff. +1837. [16º. + +[Kayser, 1841.] + +LV. + +_The Complete Works_, etc. Including the Suppressed Poems and +Supplementary pieces selected from his papers after his Death. In one +Vol. Paris. Published by Gamier, Palais-Royal. 1839. [4º. + +[Kölbing.] + +_Collation_-- + +Pp. xlv. + 724. + +LVI. + +The/ Poetical Works/ of/ Lord Byron./ In Eight Volumes./ Vol. I.--Part +I./ London:/ John Murray, Albemarle Street. 1839.-[4º. + +_Note_.--This edition (printed by A. Spottiswoode, New-Street-Square), +together with _Letters and Journals of Lord Byron, etc., by T. Moore_. 2 +v. 1830. 4º. ("to which have been added the Letter to [John Murray] on +the Rev. W.L. Bowles' Strictures on the life and writings of Pope.... +Second Edition, and a few other printed papers, also numerous views, +portraits, autograph letters," etc.) bound in 44 vols. with the gen. +Title (The/ Poetical Works,/ Letters and Journals,/ of/ Lord Byron:/ +with/ Notices of His Life./ By/ Thomas Moore, Esq./ Vol. I. [Vol. II.] +London: 1844./), printed expressly for the purpose and prefixed to each +volume, which is known as the "Watts" Collection (B.M.C. 44, e-h), was +arranged by the late William Watts, Esq., Member of the Philharmonic +Society, who died at Jersey, December 28, 1859, aged 81. (See Kölbing's +_P. of Chillon_, 1896, pp. 90-92.) + +LVII. + +_The Works_, etc. Complete in Five Vols. Leipzig: Bernhard Tauchnitz. +1842. [8º. + +[Kölbing.] + +_Note_.--A Second Edition was issued in 1886. + +LVIII. + +_The Works_, etc. A New Edition. Edited by Thomas Moore, Esq. Complete +in four volumes. With Engravings. Philadelphia. Carey and Hart. 1843. + +[Kölbing.] + +LIX. + +_The Complete Works_, etc.... A Life by Thomas Moore, Esq. In One +Volume. With a Portrait. Second Edition. Frankfort o. M. Published by +Joseph Baer.; 1846. [8º. + +_Collation_-- + +Pp. xlviii. + 1004. + +_Note_.--Another edition appeared in 1852 (_vide post_, No. lxv.). + +[Kölbing.] + +LX. + +The/ Works of Lord Byron;/ In Verse and Prose./ Including/ His Letters, +Journals, etc./ With/ A Sketch of His Life./ Hartford:/ Published by +Silas Andrus and Son./ 1847./ [8º. + +_Collation_-- + +Pp. xxviii. + 319 + 627--Illustrated Title as above (_n.d._), pp. iii., +iv.; Title (R. Publishers' Advt, New York, Jan. 1834), pp. v., vi.; +Cont. pp. vii.--xiv.; _The Life of Lord Byron_ [By Fitz Green Halleck], +pp. xv.-xxviii.; Text (i.) _Letters_ (635), Extracts from a Journal, +and Prose Pieces, pp. 1-319; Text (ii.) _Poems_, etc., pp. 1-627. + +The Front., "Lady Noel Byron," is engr. by A. Dick from a painting by +W.J. Newton. The vignette or illust. title is Lord Byron, engr. by A. +Dick from a painting by W.E. West. To face p. 1 of the _Poems_ is +"Diodati," engr. by M. Osborne from a sketch by W. Purser; to face p. +156, "_Mazeppa_," engr. by Illman and Pilbrow from a painting by H. +Verner; facsimiles of Lord Byron's handwriting face pp. 25, 384. + +The volume was issued in roan binding, with portrait of Byron stamped in +gold on the covers. + +Among "Poems not included in any Collection of Lord Byron's Works until +after his Death," pp. 467-488, are the following pieces not included in +the London editions of 1831, 1832, and of 1833. + +To my dear Mary Anne p. 472 +To Miss Chaworth ("Oh, memory," etc.) ib. +To Lady Caroline Lamb p. 480 +"In the Valley of Waters," etc. p. 482 +Stanzas to her who can best understand them p. 486 + +LXI. + +The/ Works/ of/ Lord Byron:/ With a/ Life and Illustrative Notes,/ By/ +William Anderson, Esq.,/ Author of Landscape Lyrics, Scottish Popular +Biography, etc./ In Two Volumes./ Vol. I./ [Vol. II.] A Fullarton & +Co.:/ Stead's Place, Leith Walk, Edinburgh;/ and 106, Newgate Street, +London./ _n.d._ [1850.] [8º. + +_Collation_-- + +Vol. I.: pp. ccxxiv. + 270--Title (R. Edinburgh:/ _Fullarton and Macnab, +Printers, Leith Walk_), pp. i., ii.; Preface, pp. iii., iv.; Cont. of +Vol. I. pp. v., vi.; Life of Lord Byron, pp. vii.-ccxxiv.; Text, pp. +1-270. The Imprint, as above, is at the foot of p. 270. + +The Front. ["Lord Byron at the age of 19"] is engr. by E. Finden from +the painting by G. Sanders. The illustrated Title-page [The/ Works/ of/ +Lord Byron/ With Notes and Illustrations./ Vol. I./ Edinburgh:/ A +Fullarton & Co./ Stead's Place, Leith Walk./] is embellished with a +vignette of "Lausanne," engr. by W. Finden from a drawing by C. +Stansfield, A.R.A. + +Vol. II.: pp. 1-465--Title (R. Imprint as above); Cont. of Vol. II.; +Text, pp. 1-465. The Imprint, as above, is at the foot of p. 465. + +The Front., "Newstead Abbey," is engr. by E. Finden from a drawing by W. +Westall, A.R.A. The illustrated Title-page is embellished with a +vignette, "Villeneuve," engr. by E. Finden from a drawing by C. +Stansfield, A.R.A. + +_Note_.--These volumes contain all that "the existing laws of copyright +[1850] allows to be free;" _e.g._ all the dramas except _Manfred_ and +_Cain_, _The Island_, _The Age of Bronze_, etc., are omitted. In Vol. i. +the Life and Text are illust. by 56 Plates; in Vol. II. the Text is +illust. by 41 Plates. Two pages (B.R.) headed, "Directions for placing +the Plates," and "Directions for placing Plates in Supplement," are +bound up with Vol. II. + +LXII. + +The/ Poetical Works/ of/ Lord Byron./ Complete in One Volume./ Collected +and Arranged, with Illustrative Notes,/ By/ Thomas Moore/ [and 9 +others]. With a Portrait, and View of Newstead Abbey./ Philadelphia./ +1850./ [8º. + +_Collation_-- + +Pp. 829. + +_Note_.--Reissued by the same firm with different addresses in 1854, +1869, 1878, etc. This edition is a reproduction of Murray's one-volume +edition of 1837. + +LXIII. + +The/ Poetical Works/ of/ Lord Byron./ Containing/ The Giaour,/ [and 17 +others]. Also/ Several Attributed and Suppressed Poems not/ Included in +Other Editions./ With a Memoir,/ By/ Henry Lytton Bulwer, Esq./ London:/ +Henry G. Bohn, York Street, Covent Garden./ 1851./ [12º. + +_Collation_-- + +Pp. xlviii. + 641. + +_Attributed Poems_-- + +Ode ("Oh, shame to thee") p. 624 +Madame Lavalette p. 626 +Farewell to England p. 627 +To my Daughter, Etc. p. 627 +Ode to the Island of St. Helena p. 636 +To the Lily of France p. 638 +To Jessy p. 640 +Lines addressed to Mr. Hobhouse p. 641 +Enigma (H.) ib. + +_Note_.--The Front. is "Lord Byron," by Harlow, Sanders, and Phillips +(three vignettes), with arabesque border surmounted by arms and coronet. +The Title-vignette (on illustrated Title-page, dated 1847) is "Newstead +Abbey." + +LXIV. + +_The Poetical Works_, etc. Complete in One Volume. Philadelphia: +Lippincott, Grambo and Co., successors to Grigg, Elliot and Co., Nº 14, +North Fourth Street. 1851. [6º. + +_Note_.--A reissue, entitled _The Globe Edition_, Philadelphia, Claxton, +Remsen, and Haffelfinger, appeared in 1870. + +LXV. + +The/ Complete Works/ of/ Lord Byron./ Reprinted from the Last London +Edition;/ Containing Besides the/ Notes and Illustrations/ By/ Moore, +(and 24 others = 4 lines). Considerable Additions and Original Notes;/ +To which is Prefixed/ a Life/ By Thomas Moore, Esq./ [Abbreviated.] In +One Volume, with a Portrait./ Second Edition./ Frankfort o.M./ Published +by Joseph Baer, Bookseller./ 1852./ [8º. + +_Collation_-- + +Pp. xlviii. + 1004. + +The Front., "Lord Byron at the age of 19," is engr. by C. Deucker from +the painting by G. Sander (_sic_). + +The "Miscellaneous Poems" are identical with the Miscellaneous Poems of +No. xlviii., save for the omission of the lines, "In Nottingham County," +etc., and twelve lines from the ballad "On Mr. Hobhouse." + +LXVI. + +The/ Illustrated/ Byron/ with upwards of/ Two Hundred Engravings/ From +Original Drawings/ By/ Kenny Meadows/ Birket Foster/ Hablot K. Browne/ +Gustave Janet/ and/ Edward Morin./ Henry Vizetelly London. Gough Sq., +Fleet St./ [1854, 1855.] [8º. + +_Collation_-- + +Pp. viii. + 632. + +LXVII. + +_Poetical Works_, with a memoir of his life. (2 vols.) Philadelphia. +1853. [8º. + +[Detroit Public Library.] + +LXVIII. + +_Poetical Works_, etc. With life and notes by Allan Cunningham. Family +ed. London, Charles Daly, 17 Greville Street, Hatton Gardens. [1854.] +[12º. + +[Cat. of Lib. of Congress, 1880.] + +_Collation_-- + +Pp. xxii. + 544. 10 pl. + +LXIX. + +_The Works_, etc., embracing his suppressed poems, and a sketch of his +life. Illustrated. New edition, complete in one volume. Boston: +Phillips, Sampson, and Company, 110 Washington Street. 1854. [4º. + +[Kölbing.] + +_Collation_-- + +Pp. vi. + 1071. + +LXX. + +The/ Poetical Works/ of/ Lord Byron./ In Six Volumes--Vol. I./ [Vol. +II., etc.] A New Edition./ With Portrait./ London:/ John Murray, +Albemarle Street./ 1855./ [8º. + +_Note_.--Front., Portrait of Lord Byron, by T. Phillips, R.A., engr. by +E. Finden. [Murray's "Library Edition," reissued in 1857 and in 1867.] + +LXXI. + +(In this Edition Objectionable Pieces have been excluded.)/ The/ +Poetical Works/ of/ Lord Byron./ With Life./ Eight engravings on Steel./ +Edinburgh:/ Gall and Inglis, 6 George Street;/ London: Houlston and +Wright./ [1857.] [8º. + +_Collation_-- + +Pp. xix. + 524. + +_Note_.--The Ed. omits Canto IV. of _Childe Harold_, all the dramas +except _Manfred_, and gives "extracts" from _Don Juan_, "a poem unfit to +be printed in this collection entire." Another edition, including the +Fourth Canto of _Childe Harold's, etc., Mazeppa_, and the _Ode on +Venice_, enclosed in coloured vignette borders, was issued in 1881. + +LXXII. + +_The Poetical Works_, etc. Complete in One Vol. Illustrated. New York. +Leavitt and Allen. 1857. [4º. + +[Kölbing.] + +_Collation_-- + +Pp. xxxiii. + 935. + +LXXIII. + +The/ Poetical Works/ of/ Lord Byron./ Complete./ New Edition, The Text +Carefully Revised./ With Portrait./ London: John Murray, Albemarle +Street./ 1857./ [8º. + +_Collation_-- + +Pp. viii. + 685. The Front., "Statue of Byron by Thorwaldsen," is engr. +by W. Holl. + +_Note_.--The arrangement of the poems differs from the edition of 1837. +[_Hours of Idleness_; Occasional Pieces; _Hebrew Melodies_; Domestic +Pieces; Later "Occasional Pieces;" The Satires; _Childe Harold_; The +Tales; The Dramas; _Beppo_; _Don Juan_; Notes; Index.] This edition is +known as the "Pearl" Edition. There was a reissue in 1867, with a new +Title-page and without the line-border. + +LXXIV. + +_The Poetical Works_, etc. Collected and arranged with notes by Sir +Walter Scott, Lord Jeffrey, Professor Wilson, Thomas Moore, etc. New and +Complete Edition. With Portrait and Illustrated Engravings. London: John +Murray, etc. 1859. [8º. + +_Collation_-- + +Pp. x. + 827. + +_Note_.--This edition was reissued in 1866, 1873, 1876, and 1883. + +LXXV. + +_The Poetical Works_, etc. With copious illustrative notes, and a memoir +of his life. Complete in One Vol. Illust. with elegant steel engravings. +Philadelphia: James B. Smith & Co., No. 27, South Seventh Street. 1859. +[8º. + +[Kölbing.] + +_Collation_-- + +Pp. 715. + +LXXVI. + +_The Poetical Works_, etc. Collected and arranged with notes by Sir +Walter Scott, Lord Jeffrey, etc. New and Complete Edition. With +Portrait. London: 1860. Leipzig. B. Tauchnitz. [8º. + +_Collation_-- + +Pp. x. + 828. + +_Note_.--An edition of _The Works, etc._, forming part of the +"Collection of British Authors" (16º), was issued by B. Tauchnitz, at +Leipzig, 1865-1870. [Kayser, 1865, 1871.] + +LXXVII. + +_The Poetical Works_, etc. In Three Vols. F.A. Brockhaus. Leipzig. 1860. +[8º. + +_Note_.--Part of the "Library of British Poets." A Second Edition was +issued in 1867. [Kayser, 1866.] + +LXXVIII. + +The/ Poetical Works/ of/ Lord Byron./ With Illustrations/ By Keeley +Halswelle./ Edinburgh: William P. Nimmo, 2 St. David Street./ London: +Simpkin, Marshall & Co./ 1861. [8º + +_Collation_-- + +Pp. xxii + 673. + +_Note_.--_The Life of Lord Byron_, pp. v.-xv., is by Alexander Leighton. +The dramas are represented by _Manfred_, _Heaven and Earth_, and _Cain_; +the Satires by _English Bards_, etc., _The Waltz_, and _Vision of +Judgment_, ... _Don Juan_ by numerous extracts. Red line-borders. + +LXXIX. + +The/ Poetical Works/ of/ Lord Byron./ In Ten Volumes./ Vol. I. [Vol. +II., etc.] Boston:/ Little, Brown and Company./ New York: Phinney, +Blakeman and Mason./ Cincinnati: Rickey, Mallory and Co./ 1861./ [8º. + +_Note_ (1).--Vol. I. contains _Life of Lord Byron_ [Excerpt from the +_Encycl. Brit._, by J.H. Lister], pp. xi.-xxxv.; _Hours of Idleness_ +(71), and all the "Occasional Pieces," 1807-1824. Vol. II., The Satires; +Ode to N.B.; _Heb. Melodies_; "Domestic Pieces;" _Ode on Venice_; +_Monody, etc_.; _Lament of Tasso, etc_. Vol. III., _Beppo_; _Proph. of +Dante_; _Francesca, etc_.; the Poems published in _The Liberal_; _The +Age of Bronze_. Vol. IV., _Childe Harold's, etc._ Vol. V., "The Tales." +Vols. VI., VII., VIII., The Dramas. Vols. IX., X., _Don Juan_. The +Front. of Vol. I. is "Byron," by T. Phillips, R.A. + +_Note_ (2).--This edition professes to be an amended reprint of the +London Edition of 1856 in Six Volumes. Doubtful and "attributed" poems +are not included. + +LXXX. + +_The Poetical Works_, etc. With Life of the Author, and Copious Notes. +Beautifully illustrated. Family Edition. Halifax: Milner and Sowerby. +1863. [8º. + +_Collation_-- + +Pp. xv. + 702. + +_Note_.--Two other editions of the same work were issued in 1865 by the +firm, imprinted _London; Milner and Sowerby, Paternoster Row_. +[Kölbing.] + +LXXXI. + +The Poetical Works/ of Lord Byron./ With Illustrations./ [Life by A. +Leighton.] New Edition Carefully Revised./ Edinburgh:/ William P. +Nimmo./ [1868.] [8º. + +_Collation_-- + +Pp. 437. + +_Note_.--This edition includes three dramas, _Manfred_, _Cain_, _Heaven +and Earth_; _Childe Harold_, and _Don Juan_, but omits _Hints from +Horace_, _The Age of Bronze_, _The Island_, _The Blues_, etc., and +occasional Pieces first included in the ed. of 1831. + +LXXXII. + +The Poetical Works/ of Lord Byron./ Reprinted from the Original +Editions./ With explanatory notes, etc./ London:/ Frederick Warne and +Company./ Bedford Street, Covent Garden./ New York: Scribner, Welford +and Co./ [1868.] [16º. + +_Collation_-- + +Pp. vii. + 638. + +_Note_.--Part of the "Chandos Classics." + +Kölbing notes another edition, pp. viii. + 668. + +A Third Edition: London and New York. + +A Fourth Edition: Portrait and Original Illustrations. Part of "The +Lansdowne Poets." + +LXXXIII. + +The/ Poetical Works/ of/ Lord Byron:/ With/ Life and Portrait,/ and/ +Sixteen Illustrations./ By F. Gilbert./ London:/ John Dicks, 313, +Strand./ [1869.] [8º. + +_Collation_-- + +Pp. xv. + 457. Double columns. + +LXXXIV. + +_The Poetical Works_, etc. New Edition. In Eight Volumes. London: John +Murray, Albemarle Street. 1870. [8º. + +[Kölbing.] + +LXXXV. + +The/ Poetical Works/ of/ Lord Byron./ Edited, with a Critical Memoir,/ +By/ William Michael Rossetti./ Illustrated by/ Ford Madox Brown./ +London:/ E. Moxon, Son, & Co., Dover Street./ 1870./ [8º. + +_Collation_-- + +Pp. xx. + 604. + +_Note_.--_Hints from Horace_, Translation of _Francesca of Rimini_, and +Occasional Pieces, first included in the edition of 1831, are omitted. +This edition was reissued in 1872. + +LXXXVI. + +The Complete/ Poetical Works/ of/ Lord Byron/ with an Introductory +Memoir/ by/ William B. Scott/ With Illustrations/ London/ George +Routledge and Sons/ The Broadway, Ludgate/ New York: 416, Broome Street/ +[1874] [8º. + +_Collation_-- + +Pp. 750. + +_Note_.--Double columns bordered with red lines. + +LXXXVII. + +The Poetical Works/ of/ Lord Byron/ Illustrated Edition/ London/ Virtue +and Co., City Road and Ivy Lane/ [1874] [8º. + +_Collation_-- + +Pp. cliv. + 614. + +The Front., "Byron," is engr. by W.J. Edwards from the portrait by T. +Phillips, R.A. The Title-vignette is "The Corsairs' Isle," and there are +fifty other line engravings. + +_Note_.--This edition includes six "_Attributed Poems_," but omits +_Hints from Horace_, Transl. of _Francesca of Rimini_, and the +Occasional Pieces first collected in the editions of 1831 and 1832-1833. +This edition was reissued in 1879. + +LXXXVIII. + +_Poetical Works_, etc., embracing his suppressed poems, and a sketch of +his life. New Edition.... (Portrait ... 8 plates.) Boston: Lee & +Shepard. 1874. [8º. + +[_Cat. of Lib. of Congress_, 1880.] + +LXXXIX. + +The/ Poetical Works/ of/ Lord Byron./ London:/ Ward, Lock, and Co., +Warwick House,/ Dorset Buildings, Salisbury Square, E.C./ [1878.] [8º. + +_Collation_-- + +Pp. vii. + 604. [Double column.] + +XC. + +_The Poetical Works_, etc., complete in one Vol. Collected and arranged, +with illustrative notes by Thomas Moore, etc., ... Boston: Lee and +Shepard, 1878. [8º. + +_Collation_-- + +Pp. 829. + +_Note_.--A reproduction of Murray's Edition of 1855. [Kölbing.] + +XCI. + +The/ Poetical Works/ of/ Lord Byron./ Edited, With a Critical Memoir,/ +By/ William Michael Rossetti./ Illustrated by/ Thomas Seccombe./ +London:/ Ward, Lock, & Co., Warwick House,/ Dorset Buildings, Salisbury +Square, E.C./ [1880.] [8º. + +_Collation_-- + +Pp. xx. + 604. + +_Note_.--Part of "Moxon's Popular Poets." This edition does not contain +_Hints from Horace_, _Francesca of Rimini_, or the Occasional Pieces +first collected in the editions of 1831, 1832-1833. The Prefatory Note +is by W.M. Rossetti. Double columns bordered with red lines. The same +edition, bordered with different red lines and printed on large paper, +was issued in 1881. + +XCII. + +The Poetical Works/ of/ Lord Byron./ Reprinted from the Original +Editions,/ With Life, Explanatory Notes, etc./ London:/ Frederick Warne +and Co.,/ Bedford Street, Strand./ [1881.] [8º. + +_Collation_-- + +Pp. xvi. + 720. + +_Note_.--"This edition (known as 'The Albion Edition') contains the +whole of Byron's Poems and Dramas, with his Original +Notes."--_Publisher's Preface_. The Albion Edition was reissued by Warne +and Co. in 1897. + +XCIII. + +The Complete/ Poetical Works/ of/ Lord Byron/ With an Introductory +Memoir/ By/ William B. Scott/ London/ George Routledge and Sons/ +Broadway, Ludgate Hill/ New York: 9, Lafayette Place/ 1883/ [8º. + +_Collation_-- + +Pp. 750. + +The Front. is the portrait of Lord Byron by G. Sanders; the vignette on +Title-page is "Newstead Abbey." + +_Note_.--This edition (double column), which includes all poems +published in the one-volume edition of 1837 (No. li.), was reissued in +three volumes, 1883, 1886, 1887. Each volume concludes with an Index of +First Lines. + +XCIV. + +The/ Poetical Works/ of/ Lord Byron./ With Life./ Engravings on Steel./ +Gall & Inglis./ Edinburgh:/ Bernard Terrace./ London:/ 25 Paternoster +Sq^r. / [1881.] [8º. + +_Collation_-- + +Pp. xviii. + 576. + +_Note_.--This edition, which repeats the order and contents of that +issued by Gall and Inglis in 1857 (No. lxxi.), adds the Fourth Canto of +_Childe Harold's, etc._, _Mazeppa_, and the _Ode on Venice_. Coloured +vignette-borders. + +XCV. + +The/ Poetical Works/ of/ Lord Byron./ With Original and Additional +Notes./ In Twelve Volumes./ Vol. I./ [Vol. II., etc.] Hours of +Idleness./ English Bards and Scotch Reviewers./ London:/ Suttaby and +Co., Amen Corner./ New York:/ Scribner and Welford./ 1885./ [8º. + +_Note_.--This edition includes all poems contained in the edition of +1837, but omits the prose pieces. + +XCVI. + +_The Poetical Works_, etc. Complete in one vol. Collected and arranged +with illustrative notes by Thomas Moore, etc. New York: P.F. Collier. +[1886?] + +[Folio. + +_Collation_-- + +Pp. viii. + 820. [Kölbing.] + +XCVII. + +The Poetical Works/ of/ Lord Byron./ Edited by/ Mathilde Blind./ +Miscellaneous Poems./ London:/ Walter Scott, 24, Warwick Lane, E.G./ and +Newcastle-on-Tyne./ 1886./ [16º. + +_Collation_-- + +Pp. xxviii. + 280. + +_Note_.--Part of the "Canterbury Poets." This volume contains +_Introductory Notice_ by Mathilde Blind, pp. vii.-xxviii.; +"Miscellaneous Poems" (including _Vision of Judgment_, _Manfred_, +_Cain_, etc.), pp. 1-280. + +XCVIII. + +The Poetical Works/ etc. Edited by/ Mathilde Blind./ Childe Harold./ Don +Juan./ London, etc./ 1886./ [16º. + +_Collation_-- + +Pp. 1-369. + +_Note_.--These volumes (Nos. xcvii., xcviii.) were issued separately. +Red line-borders. + +XCIX. + +_The Life and Works of_, etc., With Notes and Illustrations. ["Centenary +Edition."] In Two Volumes. Thomas C. Jack, London, Edinb. and Glasgow. +1888. + +[Kölbing.] + +C. + +The Complete/ Poetical Works/ of/ Lord Byron/ With an Introductory +Memoir/ By/ William B. Scott/ London/ George Routledge and Sons, +Limited/ Broadway, Ludgate Hill/ Glasgow, Manchester, and New York/ +1890/ [8º. + +_Collation_-- + +Pp. 750. Double columns. + +_Note_.--Part of "Routledge's Popular Library." The Front. is an illust. +of _Childe Harold_, Canto III. stanza xxi., and the Title-vignette, +"Newstead Abbey." + +CI. + +_The Poetical Works_, etc. New York: John W. Lovell, Company, 50, Worth +Street, Corner Mission Place. 1890? [8º. + +_Collation_-- + +Pp. ii. + 544. [Kölbing.] + +CII. + +The/ Poetical Works/ of/ Lord Byron./ With Original and Additional +Notes./ In Twelve Volumes./ Vol. I. [Vol. II., etc.] Hours of Idleness./ +English Bards and Scotch Reviewers./ Griffith Farran Okeden & Welsh/ +Newbery House, Charing Cross Road/ London, and Sydney./ [1891.] [8º. + +_Note_.--This edition (The "Bijou Byron") is a reissue of _The Poetical +Works_, etc., published by Suttaby and Co. (No. xcv.) in 1885. + +CIII. + +_The Poetical Works_, etc., Complete Edition. In Three Vols. William W. +Gibbings. London. 1892. + +_Note_.--A reprint of the Leipzig edition of 1880, published by F.A. +Brockhaus. + +CIV. + +_Works_. "Bijou Ed." 12 Vols. Philadelphia, J.B. Lippincott Co. 1892. +[Pocket size. + +[_Amer. Cat._, 1892.] + +CV. + +_Dramatic and Poetical Works_. "Newstead Ed." Philadelphia, D. McKay. +1895. [8º. + +[_Amer. Cat._, 1895.] + +_Collation_-- + +Pp. 720. + +CVI. + +Oxford Miniature Byron/ The/ Poetical Works/ of/ Lord Byron/ In Four +Volumes--Vol. I./ London/ Henry Frowde/ Oxford University Press +Warehouse/ Amen Corner, E.C./ New York: 91 and 93, Fifth Avenue/ 1896/ +[16º. + +_Note_.--"We are indebted to the courtesy of Mr. John Murray, publisher +of the edition of 1867, for permission to use any copyright matter +contained in that issue."--_Publisher's Advt._ + +CVII. + +The Poetical/ Works of/ Lord/ Byron/ London/ Bliss/ Sands & Co/ XII. +Burl-/ Eigh St./ Strand/ W.C./ [1897] [4º. + +_Collation_-- + +Pp. xvi + 727. + +_Note_.--This edition forms part of "The Apollo Poets." The Front., +"Lord Byron," is a _Lamerciergravure_, printed in Paris, of the portrait +by T. Phillips, R.A. + +CVIII. + +_Poetical Works_, etc. New Edition, carefully revised. With +illustrations. W.P. Nimmo. 1897. [8º. + +[_English Catalogue_, 1898.] + +_Note_.--Part of the "Edinburgh Library of Standard Authors." + +CIX. + +_Poetical Works_. (Ed. by T. Moore.) In four volumes. Philadelphia, J.B. +Lippincott Co. 1897. [12º. + +[_Amer. Cat._, 1898.] + +CX. + +_The Poetical Works_, etc. With Notes, and a memoir of the author. +Pictorial Edition. London: George Henny & Co., Bartholomew Close. +[_n.d._] + +[Kölbing.] + +_Collation_-- + +Pp. cliv. + 344. + +CXI. + +_The Poetical Works_, etc. With explanatory notes and a life of the +author, by Thomas Moore. Illustrated with numerous fine steel +engravings, embracing the principal female characters, landscape and +historical subjects. First quarto edition complete in [? one] volume. +New York: Johnson, Fry and Company, 27 Beekman Street. _n.d._ [4º. + +[Kölbing.] + +_Collation_-- + +Pp. ii. + 740 + xxviii. + +CXII. + +_The Poetical Works_, etc. Complete in one volume. Collected and +arranged with illustrative notes by Thomas Moore, etc. New York: P.F. +Collier. [1889?] [Fol. + +[Kölbing.] + +_Collation_-- + +Pp. viii. + 820. + +CXIII. + +_The Poetical Works_, etc. New York: Hurst & Co., Publishers, 122 Nassau +Street. [_n.d._] + +[Kölbing.] + +_Collation_-- + +Pp. vi. + 608. + + + + +TRANSLATIONS OF COLLECTED EDITIONS. + + +_French_. + +I. + +Oeuvres/ Complètes/ de Lord Byron,/ Traduites de l'Anglais/ Par +MM.A.--P. et E.--D.S.; [Amédée Pichot et Eusèbe de Salle]/ Troisième +édition,/ Entièrement revue et corrigée./ Tome premier./ Paris,/ +Ladvocat, Libraire, Palais-Royal,/ Galerie de Bois, No. 195./ 1821./ +[12º. + +_Note_.--Vols. I.-VIII. were issued in 1821; Vols. IX. and X. (in two +parts) in 1822. Vol. I. (pp. i.-xlv.) is preceded by _Notice sur Lord +Byron, et ses Ecrits_, par Amédée Pichot. Vols. XI.-XV. (Oeuvres, etc./ +Traduites de l'Anglais/ Par A.P. ... T./) with Gen. half-title, +Oeuvres/ de/ Lord Byron./ Inédites,/ were issued in 1824. + +In the Museum copy of this edition an unnumbered volume entitled Essai/ +Sur le Génie et le Caractère/ de Lord Byron,/ Par A.P.... T.,/ Précédé/ +d'une Notice Préliminaire/ Par M. Charles Nodier./ Extracts de la +Quatrième Edition des Oeuvres/ Complètes de Lord Byron,/ (six volumes +in-8 ornés de vignettes.) Paris./ Ladvocat, etc./ 1824,/ which includes +an essay _Sur la Mort de Byron_, and a transl. of _Heaven and Earth_, +pp. 195-252, is bound up with Vol. XV. + +_Note_ (1).--"Oeuvres de lord Byron. Quatrième édition, entièrement +revue et corrigée par A.P.... T.; précédée d'une notice sur lord Byron, +par M. Charles Nodier; ornée de vignettes ... _A Paris, chez Ladvocat, +libraire, Palais-Royal, galerie de bois_, No. 195 (Impr. Firmin Didot), +MDCCCXXII.-MDCCCXXV. (1822-1825), 8 vols. in-8, conv. impr. _Tome I_: +[Tome II., etc. (in 8 vols.)], 2 ff. (faux-titre et titre); xvi. pp. +(notice préliminaire de Ch. Nodier); clii. pp. (Essai sur lord Byron); 4 +pp. (Table générale des matières pour les tomes I. à VI.); 249 pp.; et 1 +f.n. ch. (annonce d'ouvrages). + +"Frontispiece gravé par Godefroy; portrait de lord Byron, gravé par +Dequevauvilliers; et 5 figures gravées d'après Richard Westall, par +Godefroy, Mougeot, Dequevauvilliers, etc. + +"_Tome II._, etc., etc. + +"Les tomes II., III., IV., V., portent la date de 1822; les tomes I. et +VI., celle de 1823; le tome VII., celle de 1824; et le tome VIII., la +date de 1825." [_Manuel de l'Amateur de Livres du XIX^e siècle_. Par +Georges Vicaire. Paris, 1894. Fascic. 3 (1^re^ Partie), pp. 989, 990.] + +_Note_ (2).--"La prem. édit, de cette trad, parut de 1819 à 1820, et +formait 10 vol. in-12; la seconde Ã[dit. fut. publ. de 1820 Ã 1822, et +formait 5 vol. in-8." [Quérard, La France Littéraire, 1827, i. 581.] + +"Oeuvres complètes, VI. édit.... Paris, Ladvocat, Delangle, 1829 et ann. +suiv., 20 vol. gr. in-18, fig.--Autre édit. Paris, Furne, 1830-35, 6 +vol. in-8, et avec 6 vignettes ajoutées. XI. édit., avec une notice +historique sur lord Byron, des notes et des pièces inédites. Paris, +Furne, Ch. Gosselin, 1842, grand in-8 à deux colonnes, avec 15 +vignettes." [Quérard, _La Littérature Française Contemporaine_. +1827-1844. 1846, ii. 486.] + +II. + +Oeuvres complètes/ de/ Lord Byron,/ avec notes et commentaires,/ +Comprenant/ Ses Mémoires publiés par Thomas Moore,/ et ornées d'un beau +portrait de l'auteur./ Traduction nouvelle/ Par M. Paulin Paris,/ de la +Bibliothèque du roi./ Tome premier./ Paris./ Dondey-Dupré Père et Fils, +impr.--libr., éditeurs,/ Rue Saint-Louis, Nº 46,/ et rue Richelieu, Nº +47 _bis._/ 1830./ [8º. + +_Note_ (1).--The Front. of Vol. I., "Noel Byron," is engr. by Adele +Ethiou, after the portrait by T. Phillips, R.A. The engraver has added a +wreath of bay leaves. + +Vols. I.-X. were issued in 1830; Vols. XI., XII., XIII., in 1831. + +_Note_ (2).-"Il y a une seconde édition, Paris, etc., Dondey-Dupré, +1836, in-8, 13 vol." [Quérard, 1846, ii. 486.] + +III. + +Oeuvres complètes/ de/ Lord Byron,/ Traduction nouvelle,/ d'après la +dernière édition de Londres,/ Par/ Benjamin Laroche,/ Traducteur des +Oeuvres de J. Bentham, Cooper, etc.;/ avec les notes et commentaires de +Sir Walter Scott, etc. [Three Lines]. Précédées de/ l'histoire de la vie +et des ouvrages de Lord Byron,/ Par John Galt./ Tome premier./ Paris./ +Charpentier, Libraire-éditeur,/ Rue de Seine, No. 31./ 1836./ [8º. + +_Note_.--The Front. of Vol. I. is "Byron," after the portrait by T. +Phillips, R.A. Vol. I. was issued in 1836, Vols. II.-IV. in 1837. The +translator (_Post-Scriptum_, Vol. IV. p. [827]) claims to have +accomplished his work from beginning to end without collaboration or +assistance: "cette traduction a été commencée, poursuivie et achevée par +MOI SEUL." + +"II^e édit.... précédée de l'histoire de la vie ... de lord Byron par +_H. Romand_, Paris ... 1837, grand in 8, avec une gravure. + +"III^e édit., précédée d'une Notice sur la vie de lord Byron, par M. +Émile Souvestre, Paris, 1838, in-8, avec portrait et _fac-simile_. + +"IV^e édit. Paris, 1840, 1841. 4 vol. in 12. + +"V^e édit, ornée d'un _fac-simile_, et précédée d'une Notice sur lord +Byron ... par M. Villemain. Paris, 1843. Grand in-8." [Quérard, 1846, +ii. 487.] + +"La I^re^ édition de cette traduction a été publiée en 1836, 4 vol.... +Depuis elle a été réimprimée environ 10 fois, d'abord par M. Charpentier +et puis par M. Lecou, et en dernier lieu par MM. Hachette et Cie." +[Lorenz. _Cat. Gén._ 1867, i. 407.] + +IV. + +_Oeuvres, traduites en vers français_ par Orby Hunter, 2 vols. (Paris, +Chapelle. 1841-1842.) [8º. + +[Lorenz, _Cat. Gén._, 1867, i. 407.] + +V. + +Oeuvres/ de/ Lord Byron/ Traduites en vers français/ Par/ Orby Hunter & +Pascal Ramé/ Tome. fred,--Beppo,--Le Corsair,--Lara/ et Poésies +diverses/ Paris/ Daussin,/ Libraire/ Place et rue Favart,/ 8 bis/ 1845/ +[8º. + +Vols. I.-III. were issued in 1845. + +_Note_.--Vol. II. contains _Marino Faliero_; _La Fiancée_, etc.; +_Parisina_; "Inscription sur le Monument d'un chien," etc.; _A Venise_; +"Ode sur l'étoile," etc.; "Adieu!--Elégié." Vol. III. contains _Don +Juan_, Chants I.-VI.; _Notes_. + +VI. + +_Oeuvres complètes de lord Byron_. Traduction nouvelle de Louis Barré, +illustrée par Ch. Mettais, E. Bocourt, Ed. Frère, Edition Bry aîné +Paris, _en vente à la librairie centrale des publications à 20 centimes, +5, rue du Pont-de-Lodi_, 5 (Typ. Gaittet et Cie.), 1856, gr. in 4. + +_Collation_-- + +2 ff. (faux-titre et litre); et 400 pp. Texte imprimé sur deux colonnes. + +[_Manuel de l'Amateur_, etc., 1894. Fasc. 3 (I'e Partie), p. 990.] + +VII. + +Oeuvres/ de/ Lord Byron/ Traduction nouvelle/ Précédée d'un/ Essai sur +Lord Byron/ Par/ Daniel Le Sueur/ Heures d'oisiveté--Childe Harold/ +Paris/ Alphonse Lemerre, éditeur/ 23-31, passage Choiseul, 23-31./ +1891./ [12º. + +_Note_.--The Front., "Lord Byron," is engr. by Fredéric Massé after the +portrait by G. Sanders. The Title-vignette bears a motto, _Fac et +Spera_, and the initials A.L. A second volume (unnumbered), containing +_Le Giaour_; _La Fiancée, etc._; _Le Corsair_; _Lara_, etc., was issued +in 1892. This translation, advertised as _Oeuvres Complètes_, and +described by Lorenz as "Traduction couronnée par l'Académie française," +has not been continued. + + +_German_. + +I. + +_Lord Byron's Poesien_. In 31 volumes. Brothers Schumann, Zwickau. +1821-1828. [16º. + +_Note_.--Among the several translators were Julius Körner, Wilhelm +Reinhold, Heinrich Doering, August Schumann, Christian Karl Meissner, +etc. Vols. I.-VI. appeared in 1821; Vols. VII.-XII. in 1822; Vols. +XIII., XIV. in 1824; Vols. XV.-XX. in 1825; Vol. XXI. in 1826; Vols. +XXII.-XXVIII. in 1827; and Vols. XXIX.-XXXI. in 1828. + +[_Lord Byron in Deutschland_, von Dr. Cäsar Flaischlen, _Centralblatt +für Bibliothekswesen_, 1890, vii. 462-464.] + +II. + +Lord Byron's/ sämmtliche Werke./ Herausgegeben/ von/ Dr. Adrian,/ +ordentlichem öffentlichem Professor der neueren Litteratur an der/ +Universität zu Giessen./ Erster Theil./ Lord Byron's Leben./ Mit dem +Bildniss, einem Facsimile der Handschrift und der/ Abbildung des +Stammsitzes Lord Byron's./ Frankfurt am Main./ Gedruckt und verlegt von +Johann David Sauerländer./ 1830./ [12º. + +_Note_.--Vols. X. and XII. were issued in 1831. The several translators +were G.H. Barmann, O.L.B. Wolff, K.L. Kannegiesser, A. Hungari, P. von +Haugwitz, Ph. A.G. von Meyer (the author of _Byron's Leben_, i. 3-326), +and The Editor. This edition was reissued in twelve vols. (12º) in 1837. +[Kayser, 1841.] + +III. + +_Dichtungen von Lord Byron_. Deutsch v. Gustav Pfizer. 4 Sammlungen. +Stuttgart, Liesching. 1836-1839. [8º. + +_Note_.--There was a reissue of this work in 1851. + +[_Centralblatt, etc._, 1890, vii. 468, 469.] + +IV. + +_Lord Byron's sämmtliche Werke_. Deutsch v. Adolf Böttger [1 vol., with +life and portrait.] Leipzig, Otto Wigand. 1839-40. [8º. + +[Kayser, 1841.]. + +_Note_.--This edition was reissued at Leipzig by Otto Wigand in 1 vol. +8º in 1841, 1844, 1845; in 12 vols. 16º in 1841, 1842, and 1847; in +diamond edition, in 12 vols. 16º in 1850, 1852, 1856, 1860, 1861; and in +8 vols. 8º in 1854, 1863, 1864. For the latest edition, _vide post_, No. +xiii. [Kayser, 1848, 1853, 1860, 1865. See, too, _Centralblatt, etc._, +1890, vii. 457.] + +V. + +Lord Byron's/ sämmtliche Werke./ Nach den/ Anforderungen unserer Zeit/ +neu übersetzt von/ Mehreren./ Zweite unveränderte Ausgabe./ Erster +Band./ Pforzheim./ Verlag von Dennig Finck & Co./ [Ten Vols.] 1842./ +[16º. _Note_ (1).--The several translators were E. Ortlepp, Dr. +Kottenkamp, H. Kurtz, Professor Duttenhofer, Bardili, Bernd von Guseck. + +_Note_ (2).--This edition was first issued in small octavo by Hoffmann +at Stutgard, in 1839, and reissued (16º) by Scheible, Rieger, and +Sattler, 1845, 1846; and in 12 vols. (16º) by Rieger at Stutgard, in +1856. [_Centralblatt, etc._, 1890, vii. 466.] + +VI. + +_Lord Byron's sämmtliche Werke_. [8 Bde.] Deutsch von A. Neidhardt. +Berlin, Hofmann. 1865. [8º. + +[Kayser, 1871.] + +VII. + +Dichtungen/ von/ Lord Byron./ Deutsch/ von/ Wilhelm Schäffer./ Die +Belagerung von Korinth./ Der Gefangene von Chillon. Die Insel./ +Hildburghausen./ Verlag des Bibliographischen Instituts. 1865. [8º. + +_Note_.--This collected edition of translations forms part of the +_Bibliothek ausländischer Klassiker, etc._ + +_Don Juan_, Cantos I.-VI., transl. by W. Schäffer, was issued in two +vols. in 1867; _Childe Harold's, etc._, transl. by A.H. Janert, in 1868; +_Corsair_, _Mazeppa_, _Beppo_, by W. Schäffer, in 1870; _Manfred_, +_Cain_, _Heaven and Earth_, _Sardanapalus_, by W. Grüzmacher, in 1872; +Lyrical Pieces, by Heinrich Stadelmann, in 1872; _The Giaour_, _Bride of +Abydos_, _Lara_, _Parisina_, by Adolf Strodtmann, in 1872. + +VIII. + +_Lord Byron's ausgewählte Werke_, uebersetzt von Mehreren [4 bde.], +herausg. von A. Strodtmann. Leipzig, Bibl. Inst. 1865-1872. [8º. + +[_Centralblatt, etc._, 1890, vii. 466.] + +IX. + +Lord Byron's/ sämmtliche Werke/ in drei Bänden./ Frei überzetzt/ von/ +Adolf Seubert./ Erster Band./ Leipzig./ Druck und Verlag von Philipp +Reclam jun./ [1874.] [8º. + +X. + +_Lord Byron's Werke_. Deutsch v. Dr. Adalbert Schroeter. [6 Bde.] +Uebersetzt, mit Einleitung und Anmerkungen versehen. Stuttgart. In; +Coll. Spemann. 1885-1890. [8º. + +[_Centralblatt, etc._, 1890, vii, 470.] + +XI. + +_Lord Byron's poetische Werke_. In älteren Uebertragungen; eingeleitet +durch e. Studie v. Henry T. Tuckermann. Stuttgart. Cotta'sche Bibl. der +Weltlitteratur, 1886. [In eight vols.] [8º. + +[Kayser, 1887.] + +XII. + +Lord Byron's Werke./ Uebersetz/ von/ Otto Gildemeister./ In sechs +Bänden./ Erster Band./ Vierte Auflage./ Berlin./ Druck und Verlag von +Georg Reimer./ 1888./ [8º. + +_Note_.--A First Edition appeared in 1864, a second in 1866, and a third +in 1877. [Kayser, 1865, 1871, 1883.] + +XIII. + +Byron's/ sämmtliche Werke./ Von/ Adolf Böttger./ Achte Auflage./ Erster +Band./ Leipzig,/ Verlag von Otto Wigand./ 1901./ [8 Bde.] [8º. + + +_Modern Greek_. + +Τα Απαντα / του / Βυρωνος / Τομος Πρωτος / Εν Αθηναις / +Εκ του τυπογραφειου των καταστηματων / Ανεστη κωνστατινιδου +[Greek: Ta Apanta / tou / Byrônos / Tomos Prôtos / En Athênais / +Ek tou typographeiou tôn katastêmatôn / Anestê kônstatinidou] +1895/ [Three Vols.] [8º. + +_Note_.--This translation includes _Mazeppa_, _Parisina_, _Childe +Harold_, _The Siege of Corinth_, _The Bride of Abydos_, _The Corsair_, +_The Curse of Minerva_, _Don Juan_, _The Giaour_. + +The paper wrapper and the title-page are embellished with a lithograph +of the portrait by T. Phillips, R.A. + + +_Italian_. + +I. + +Opere complete/ di/ Lord Byron/ voltate dall' originale inglese in prosa +italiana/ Da/ Carlo Rusconi/ Con note ed illustrazioni del +volgarizzatore/ nonchè dei signori/ Moore (and 33 others = 6 lines)/ a +cui si aggiungono/ I dialoghi di Lord Byron compilati da M. Medwin/ Un +saggio sul di lui genio--una prefazione--E un' appendice/ parte desunti +da altri scritti, parte tradotti,/ parte originali./ Padova/ coi tipi +della Minerva/ 1842/ [8º. + +_Note_.--This edition, which forms one volume, pp. xxxix. + 1561, was +issued in two parts. A dedication ("A Sua Eccellenza/ Lord Holland/ +Ministro Plenipotenziario D'Inghilterra/ alla Corte di Toscana"/) is +prefixed to Part I., pp. [ix.]-[xi.]. + +II. + +Opere/ di/ Giorgio Lord Byron/ Precedute/ da alcune avvertenze critiche/ +Sulle stesse/ e da un discorso/ di/ Cesare Cantù/ prima edizione +napolitana adorna di figure incise/ Napoli/ Francesco Rossi-Romano +editore/ Trinità Maggiore, 6/ 1853/ [8º. + +_Note_.--The Front. is a lithograph of "Lord Byron nell' età di 17 +anni," after the portrait by G. Sanders. + +The several translators were Giuseppe Gazzino, Giuseppe Nicolini, Pietro +Isola, Pellegrino Rossi, Andrea Maffei, Marcello Mazzoni, and P.G.B. +Cereseto. + +The translation includes _Childe Harold_, eight tales, and four dramas. + +III. + +_Opere di Lord Byron_ tradotte ed annotate da Gabr. De Stefano. Napoli, +1857. [8º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. 625. + +IV. + +Opere/ di/ Lord Giorgio Byron/ Precedute/ da un saggio intorno al genio +e al carattere/ Del medesimo/ Volume unico/ Napoli/ Presso Pasquale +Perrone libraio-/Editore/ via Costantinopoli, 107./ 1886/ [8º. + +_Note_.--The translations include _Childe Harold_, _Don Juan_, eight +tales, and seven dramas. A reissue with a portrait, and, apparently, +wanting pp. 669-[711] of the appendix, appeared in 1891 (Ferdinando +Bideri, editore/ Via Costantinopoli, 89). + + +_Polish_. + +I. + +Poezye/ Lorda Byrona/ w tłumaczeniu Polskiém. Wydane staraniem/ +Bolesława Maurycego Wolffa./ Tom. I./ W[e,]drówki Czajlda-Harolda./ +Petersburg./ Nakadem i Drukiem B.M. Wolffa./ 1857./ [12º. + +_Note_.--No more published. + +II. + +Poezye Lorda Byrona w przekładzie polskich poetów. Zbiorowe wydanie, pod +red. Piotra Chmielowskiego. ("Biblioteka Najcelnijszych Utworów.") [8º. +_Warszawa, 1885, etc._ + + +_Russian_. + +I. + +Сочиненія Лорда Байрона Въ переводахъ русскихъ +Поэтовъ издаиных полъ редакціею Н.В. Гербеля +[Cyrillic: Sochinenaiya Lorda Bairona V" perevodakh" russkikh" +Poztov" izdainykhie pol" redaktsieyu N.V. Gerbelya] +5 TOM. С.-Петербургъ [Cyrillic: S.-Peterburg"] 1864-66 [16º. + +Second edition of Gerbel. С.-Петербургъ [Cyrillic: S.-Peterburg"], 1874-77. +In 4 vols. + +Third edition. С.-Петербургъ [Cyrillic: S.-Peterburg"], 1883-84. In 3 vols. + +II. + +Байронъ. Европейскіе Классики Въ русскомъ переводѣ П. Вейнберга С.-Петербургъ +[Cyrillic: Bairon". Evropeĭeskīe Klassiki V" russkom" perevodie +P. Veĭnberga S.-Peterburg"] 1876. + +_Note_.--The translations include _Hebrew Melodies_, _Sardanapalus_, +_Manfred_, _Childe Harold's, etc._, and _Don Juan_. + + +_Spanish_. + +Biblioteca Universal./ Coleccion/ de los/ Mejores autores/ Antiguos y +modernos,/ Nationales y extranjeros./ Tomo LXIII./ Lord Byron/ Madrid./ +Direccion y administracion/ calle de Leganitos, 18, 2.0/ 1880./ [16º. + +This translation includes _The Corsair_, _Lara_, _Darkness_, and _Hebrew +Melodies_ (6), _The Lament of Tasso_. The _Prologo_ is by Rafael Ginard +de La Rosa. + + +_Swedish_. + +Byron's Poetiska Berättelser. Öfversättning af Talis Qualis [C.W.A. +Strandberg]. 1. Maseppa.--2. Belägringen af Korinth.--3. Fången på +Chillon.--4. Parisina--5. Beppo.--6. Giaurn.--7. Bruden från Abydos.--8. +On Eller Christian OCH Hans Ställbröder. [8 vols.] Stockholm, J.L. +Brudins Förlag. 1854-1856. [12º. + + + + +SELECTIONS. + +I. + +_The Beauties of Byron_, with a sketch of his life and a dissertation on +his genius and writings. By Thomas Parry. London: J. Sudbury. 1823. + +[Kölbing.] + +II. + +_The Beauties of Byron_. Extracts from the works of the Right Hon. Lord +Byron. Embellished with engravings on steel. London: J. Limbird. 1827. + +[Kölbing.] + +III. + +Life/ and/ Select Poems/ of/ Lord Byron,/ Arranged, etc./ By C. +Hulbert,/ Author of Literary Beauties, Poetical Bouquet, Museum of the +World, etc./ London: Sold by all the Booksellers./ [1828.] [12º. + +_Collation_-- + +Pp. 84. + +IV. + +_The Beauties of Lord Byron_, selected by B.F. French, 10th ed. [Pp. xi. ++ 204, 3 pl.] Philadelphia. 1828. [24º + +[_Cat. of Library of Congress_, 1880.] + +V. + +The/ Beauties/ of/ Byron,/ Consisting of/ Selections From His Works./ By +J.W. Lake./ [L.B. in Gothic letters, enclosed in bay and oak leaves.] +Paris,/ Baudry, at the English, Italian,/ Spanish, German, and +Portuguese Library,/ Rue du Coq Saint-Honoré, No. 9./ Bobée and Hingray, +rue de Richelieu, No. 14./ 1829./ [16º + +_Collation_-- + +Pp. viii. + 230. + +VI. + +_Lord Byron's Select Works_. Vols. I.-III. Frankfort a. M Brönner. 1831, +1832. [12º + +[Kayser, 1834.] + +VII. + +_Childe Harold's Pilgrimage_; The Giaour; The Siege, etc.; Parisina; The +Island; The Prisoner, etc.; Beppo; Mazeppa; The Prophecy, etc.; The +Waltz; The Lament, etc.; Hebrew Melodies; Misc. in Prose. By Lord Byron. +Paris. 1832. (1 vol.) [8º. + +["Le Moniteur de la librairie." _Courrier de l'amateur de livres_. +Paris, Barrois. 4^e Annèe, 1845, p. 122. (Bibl. Nat. 9, 5610.)] + +VIII. + +_Lord Byron's Select Poetical Works_, containing the _Corsair_, _Lara_, +the _Giaour_, the _Siege_, etc., the _Bride_, etc., _Parisina_, +_Mazeppa_, the _Prisoner_, etc. Paris and Lyons. 1835. [12º. + +[Kayser, 1841.] + +IX. + +_Lord Byron's Select Works_. Consisting of _Cain, a Mystery_; _Hours of +Idleness_; _English Bards_, etc., with Occ. Pieces and Life of the +Author. Asher, London and Berlin. 1837. [32º. + +[Kayser, 1841.] + +X. + +The/ Beauties/ of/ Byron:/ Consisting of/ Selections from the Popular +Works of/ This most admired Writer./ By Alfred Howard, Esq./ A new +Edition./ London:/ Printed for Thomas Tegg and Son, 73, Cheapside;/ R. +Griffin and Co., Glasgow./ T.T. and H. Tegg, Dublin:/ also, J. and S.A. +Tegg, Sydney and Hobart Town./ 1837./ [12º. + +_Collation_-- + +Pp. 192. + +XI. + +The/ Beauties/ of/ Byron,/ consisting of/ selections from his Works./ By +Alfred Howard, Esq./ London:/ Printed by T. Davison,/ For Thomas Tegg, +No. 73, Cheapside;/ R. Griffin and Co. Glasgow;/ and/ J. Cummings, +Dublin./ [_n.d._] [12º. + +_Collation_-- + +Pp. 212. + +_Note_.--The following advertisement is printed on the R. of the Gen. +Half-title: "To the few persons who have not read Lord Byron's poems, +but who, after perusing these specimens, will undoubtedly wish to read +the whole of them, we beg leave to say that the only correct editions +are published by Mr. Murray, of Albemarle Street, and Messrs. J. & H.L. +Hunt, of Tavistock Street. The first eight volumes are to be had from +the former publisher; the last two from the latter. All other editions +are piracies, and inflict even more injury on the sense and poetry of +the noble bard than they do on the property of the proprietors." + +XII. + +_Byron's Select Works_, containing the Corsair; Lara; Giaour; the Bride, +etc.; the Siege, etc.; the Prisoner, etc.; Select Poems, etc., etc.; to +which is prefixed a biographical notice of Lord B. by J.W. Lake. Paris, +Truchy. 1843. [12º. + +[_Le Moniteur_, etc., 1845, p. 122. See, too, _Bibl. de la France_, Aug. +12, 1843, vol. xxxii. p. 413.] + +XIII. + +_A Selection from Lord Byron's Poetical Works_, containing, etc. +Intended for the use of young people, and provided with explanatory +German notes by Charles Graeser. Marienwerder, Edward Levysohn. 1846. + +[Kölbing.] + +XIV. + +_Select Poetical Works of Lord Byron_. Containing, etc. With a memoir by +Henry Lytton Bulwer, Esq. London, Adam Scott. 1848. + +[Kölbing.] + +XV. + +_Lord Byron's Select Works_, with an Appendix, containing songs and +ballads for the use of schools, edited by F. Breier. Oldenburg, Schulze. +1848. [8º. + +[Kayser, 1853.] + +XVI. + +Selections/ From The/ Writings of Lord Byron./ Poetry./ By a Clergyman./ +London:/ John Murray, Albemarle Street./ 1854./ [8º. + +_Collation_-- + +Pp. viii. + 175. + +_Note_.--The Selection (two vols.--Prose, Poetry) is one of a series +called "Murray's Railway Reading." The editor was the Rev. Whitwell +Elwin, sometime editor of the _Q.R_. + +XVII. + +Moxon's Miniature Poets./ A/ Selection From/ The Works/ of/ Lord Byron./ +Edited and Prefaced by Algernon Chas. Swinburne./ London:/ Edward Moxon +& Co., Dover Street./ 1866./ [8º. + +_Collation_-- + +Pp. xxxii. + 244. + +_Note_.--The Selection was reissued by Ward, Lock, and Co. in 1885. + +XVIII. + +Songs by/ Lord Byron/ [Crest, motto _Crede Byron_.]/ London/ Virtue & +Co., Publishers/ 26 Ivy Lane, Pater noster Row/ 1872/ [16º. + +_Collation_-- + +Pp. 270. + +_Note_.--There is an index of "Songs set to Music," pp. 268-270. + +XIX. + +_Selections from the Writings of Lord Byron_. New Edition. With +Portrait. London, John Murray. 1874. + +[Kölbing.] + +XX. + +_Beautés de Byron_: Childe Harold, le Corsaire, Lara, le Giaour, le +Siège, etc., Don Juan, Extraits (texte anglais) avec préface et notes en +français, par A. Biard. Paris, Delagrave. 1876. [12º + +[Lorenz, 1886.] + +XXI. + +Favourite Poems./ By/ Lord Byron./ Illustrated./ Boston:/ James R. +Osgood and Company./ Late Ticknor & Fields, and Fields, Osgood & Co./ +1877./ [16º. + +_Collation_-- + +Pp. 127. + +XXII. + +_The Beauties of Byron_. An Original Selection. Stuttgart, Paul Neff. + +[Kölbing.] + +XXIII. + +Poetry of Byron/ Chosen and Arranged by/ Matthew Arnold/ London/ +Macmillan and Co./ 1881/ [8º. + +_Collation_-- + +Pp. xxxvi. + 276. + +_Note_.--The title-page is illustrated by an engraving, by G.J. Stodart, +of Thorwaldsen's statue of Lord Byron. The preface (pp. vii.-xxxi.) is +by Matthew Arnold. + +XXIV. + +Routledge's World Library/ "Syllables govern the World." John Selden/ +Gems from Byron/ With an Introduction/ By the/ Rev. Hugh Reginald +Haweis, M.A./ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ +New York: 9 Lafayette Place/ 1886/ [16º. + +_Collation_-- + +Pp. 158. + +XXV. + +Selections/ From The Poetry of/ Lord Byron/ Edited with/ An Introduction +and Notes/ By/ Frederic Ives Carpenter, Ph.D./ Instructor in English, +the University of Chicago/ Dir in klar und truben Tagen/ Lied und Mut +war schon und gross./ II. 'Faust,' iii. 1. 1426./ New York/ Henry Holt +and Company/ 1900/ [8º. + +_Collation_-- + +Pp. lviii. + 412. + +XXVI. + +Poems/ of/ Lord Byron/ Selected and arranged for use in Schools/ By/ C. +Linklater Thomson/ Head-Mistress of the Solihull School for Girls, +[etc., three lines]./ London/ Adam and Charles Black/ 1901/ [8º. + +_Collation_-- + +Pp. ix. + 67. + + + + +TRANSLATIONS OF SELECTIONS. + + +_Armenian_. + +Lord Byron's/ Armenian Exercises/ and Poetry./ Venice/ In the Island of +S. Lazzaro./ 1886/ [8º + +_Collation_-- + +Pp. 167 + Index, pp. [169]-[172]. + +_Note_.--The Title-page is dated 1886, the paper wrapper (yellow) 1870. +Among the exercises are _Pieces of Armenian History_, _The Epistle of +Paul to the Corinthians_, etc.; and among the translations are "The +Destruction of Sennacherib," "On Waterloo," "To the Duke of Dorset," +etc. + +_French_. + +I. + +_Choix de Poésies de Byron, de W. Scott et Th. Moore_; trad. libre de +l'angl. Genève et Paris, Paschoud. 1820. [Two Vols.] [8º. + +[Quérard, 1827.] + +II. + +_Les Beautés de lord Byron_, galerie de quinze tableaux tirés de ses +oeuvres, accompagnée d'un texte traduit par Amédée Pichot. Paris, +Aubert, Giraldon. 1838. [4º. + +[Quérard, 1846.] + +III. + +Écrin poétique/ de/ littérature anglaise./ Traduction en vers français,/ +Avec notes historiques,/ De poèmes, épisodes et fragments choisis/ de +Lord Byron,/ Thomas Moore, Gray, Graham, etc./ Ornée du portrait de lord +Byron/ et de jolies vignettes de Thompson./ Par D. Bonnefin./ Chevalier +de la légion d'honneur,/ A Paris,/ Chez L. Hachette,/ Libraire de +l'Université Royale de France,/rue Pierre-Sarrazin, no. 12./ 1841./ [8º + +_Collation_-- + +Pp. ix. + 473. + +IV. + +_Chefs-d'oeuvre de lord Byron_. (Le Pèlerinage, etc., Lara, la Fiancée, +etc., Parisina, Mazeppa, le Siége, etc., le Prisonnier, etc.) La +traduction françoise en regard par M. le comte d'Hautefeuille; précédés +d'un essai sur la vie et les oeuvres de lord Byron et de ses +contemporains, renfermant l'histoire de la poésie anglaise au xix^e +siècle, par D. O'Sullivan. 1847. _Place de la Madelaine_, 24. [8º + +[Lorenz, 1866.] + +V. + +Rough Hewing/ of/ Lord Byron/ In French,/ With the English Text./ By +Francis D'Autrey./ ... Obscurus fio./ Horace, Ars Poetica./ London:/ +J.W. Kolckmann,/ Foreign Library,/ 1, Princes Street, Cavendish Square, +W./ 1869./ [8º. + +_Collation_-- + +Pp. 233. + +VI. + +_Chefs-d'oeuvre de lord Byron_. Traduits en vers français par A. +Regnault. (Two Vols.) 1874. [8º. + +[Lorenz, 1876.] + + +_German_. + +I. + +_Lord Byron's_ ausgewählte Dichtungen. Aus d. Engl. übertragen. Leipzig, +Wienbrack. 1838. [8º. + +[Kayser, 1841.] + +II. + +Byron-Anthologie./ Auserwähltes/ aus/ Lord Byron's Dichtungen,/ +übertragen/ von/ Eduard Hobein./ Schwerin./ Stiller'sche +Hofbuchhandlung./ (G. Bolhoevener.) 1866. [8º. + +_Collation_-- + +Pp. 187. + +III. + +_Auswahl aus Byron: Childe Harold_ (III. and IV.), _Prisoner, etc., +Mazeppa_. Hrsg. v. J. Hengesbach. 1892. [12º. + +[Kayser, 1895.] + +_Collation_-- + +Pp. viii. + 116. + +_Note_.--Part of _Textausgaben französischer u. englischer +Schriftsteller f. den Schulgebrauch_, hrsg. v. Osk. Schmager. + + +_Italian_. + +I. + +Poemi/ di/ Lord G. Byron/ Tradotti/ dall' originale inglese/ da/ Pietro +Isola/ Socio corrispondente della R. Accademia delle scienze ed arti/ di +Alessandria/ Torino/ Presso Giuseppe Pomba/ 1827/ [8º. + +_Collation_-- + +Pp. 204. + +II. + +_Opere scelte_, tradotte da M. Mazzoni. Milano. 1852. [8º. + +[Pagliaini, 1901.] + +III. + +A'Mici Amici./ [1873.] [8º. + +_Collation_-- + +Pp. 27. + +_Note_.--A translation of a few detached passages, by P. Isola, entitled +"In partendo dall' Inghilterra," etc. There is no Title-page. + + + + +MISCELLANEOUS POEMS. + +I. + +An Ode./ On/ The Star of the Legion of Honour./ Napoleon's Farewell./ +Fare Thee Well./ And/ A Sketch, etc./ By Lord Byron./ New-York:/ +Published by Van Winkle and Wiley,/ No. 3 Wall-Street./ 1816./ [8º. + +_Collation_-- + +Title, one leaf, pp. 3, 4; Text, pp. 5-24. + +_Note_.--The Half-title is probably missing. The "Ode" is the _Ode from +the French_ ("We do not curse thee, Waterloo!"). The edition contains +the five pieces enumerated on the title. + +II. + +Three Poems,/ not Included in the Works of/ Lord Byron./ Lines to Lady +J----./ The Ænigma./ The Curse of Minerva./ [Motto from _Ter. Andria_, +five lines.] London:/ Printed for Effingham Wilson,/ Royal Exchange./ +1818./ [8º. + +_Collation_-- + +Title (R. _John Hill, Printer, 32, Water Lane, Blackfriars_.), pp. 3, 4; +Note on the Lines to Lady Jersey, pp. 5, 6; Text and Notes, pp. 7-18. +The second poem is Miss Fanshaw's Enigma (Letter H); the third, _The +Curse of Minerva_ (112 lines). + +III. + +English Bards,/ and/ Scotch Reviewers;/ A Satire./ Ode to the Land of +the Gaul.--Sketch/ From Private Life.--Windsor/ Poetics, etc./ By/ The +Right Honorable/ Lord Byron./ Second Edition./ Paris:/ Published by +Galignani/ At the French, English, Italian, German and Spanish/ Library, +No. 18, Rue Vivienne,/ 1818./ [12º. + +_Collation_-- + +Pp. 84, With half-title, "Suppressed/ Poems." _English Bards, etc._, a +reprint of the Fourth Edition of 1811, numbers 1052 lines. + +IV. + +The/ Works/ of/ The Right Honourable/ Lord Byron;/ Containing/ English +Bards, and/ Scotch Reviewers;/ The Curse of Minerva,/ And the Waltz,/ +An/ Apostrophic Hymn./ Philadelphia:/ Published By M. Thomas./ 1820./ +[8º. + +_Collation_-- + +Pp. viii. + 151. + +_Note_.--_The English Bards, etc._, is a reprint of the Fourth Edition +of 1050 lines. The _Curse of Minerva_ is the complete edition of 312 +lines. The "Fugitive Pieces" are: (1) To Jessy; (2) "My Boat is on the +Shore;" (3) Lines addressed to Mr. Hobhouse; (4) Adieu to Malta; (5) +Enigma [To the Letter H]. It will be observed that, with the exception +of No. 5, all these pieces are genuine. + +V. + +Poems/ By/ The Right Honourable/ Lord Byron;/ With/ His Memoirs./ +London:/ Published by Jones and Company,/ No. 3, Warwick Square./ 1825./ +[8º. + +_Collation_-- + +Pp. 292 + Cont., p. [293]. + +This edition contains _Hours of Idleness, English Bards, etc._ (3rd +ed.), "Poems on His Domestic Circumstances" (twenty-five, including +eight forgeries), and the whole of _Don Juan_. + +VI. + +The/ Miscellaneous Poems/ of/ Lord Byron./ London:/ Benbow, Printer and +Publisher, 252, High/ Holborn./ 1825./ [12º. + +_Collation_-- + +Pp. 94. + +_Note_.--The collection numbers fifty-three poems, including the +twenty-five published by R. Bumpus in 1824 (No. xi. of "Poems on His +Domestic Circumstances"), and twenty-eight others (all genuine), +including the _Ode to Napoleon Buonaparte_, and the _Monody on the Death +of Sheridan_. + +VII. + +Don Juan,/ Complete;/ English Bards and Scotch/ Reviewers;/ Hours of +Idleness;/ The Waltz;/ and all the other Minor Poems:/ By/ Lord Byron./ +[Emblem (Dove and olive-branch):--motto (_Perseverantia et Amicis_).] +London:/ Printed and Published by J.F. Dove,/ St. John's Square./ 1827./ +[12º. + +_Collation_-- + +Pp. iv. + 574. + +_Note_.--A second Title-page, with Title-vignette. _English Bards, +etc._, numbers 1050 lines. Among the "Minor Poems" are the seven +forgeries: (1) Farewell to England; (2) To my Daughter; (3) Ode--St. +Helena; (4) To the Lily of France; (5) Ode ("Oh, shame to thee," etc.); +(6) Madame Lavalette; (7) Enigma (Letter H); and _The Curse of Minerva_ +(111 lines). + +VIII. + +Don Juan;/ Hours of Idleness;/ English Bards and Scotch Reviewers;/ The +Waltz;/ and other Poems./ By Lord Byron./ In Two Volumes./ Vol. I. [Vol. +II.] London: J.F. Dove, St. John's Square./ 1828./ [12º. + +_Collation_-- + +Vol. I.: pp. xiv. + 384. + +Vol. II.: pp. iv. + 428. + +_Note_.--These pirated volumes were occasionally bound up with Murray's +four-volume edition of 1828, and numbered Vols. V., VI. + +IX. + +The/ Miscellaneous Works/ of/ Lord Byron./ Containing/ Werner, a +Tragedy; Heaven and Earth;/ Morgante Maggiore; Age of Bronze; The +Island;/ Vision of Judgment;/ and The Deformed Transformed./ London:/ +Printed for Hunt and Clarke,/ Tavistock Street;/ and sold by all +Booksellers./ 1830./ [8º. + +_Collation_-- + +Pp. vi. + 7-308 + 286--Title, one leaf; Half-title (Werner); pp. i., +ii.; Dedication, pp. iii., iv.; Preface, pp. v., vi.; Dramatis Personæ, +p. [8]; Text (_Werner_, _Heaven and Earth_, Translation of _Morgante +Maggiore_), pp. 9-308; Text (_The Age of Bronze_, _The Island_ (App.), +_The Vision of Judgment_ (App.), _The Deformed Transformed_), pp. 1-286. +The Imprint (London:/ _Printed by C.H. Reynell, Broad Street, Golden +Square_./) is at the foot of p. 286. + +X. + +_The Corsair--Lara_. Tales by Lord Byron, with a notice and explanatory +arguments by Lake. Paris. 1830. [12º. + +[_Le Moniteur_, etc., 1845.] + +XI. + +_The Bride of Abydos_--The Corsair--Lara--Curse of Minerva--Morg. +Magg.--Hours of Idleness--Engl. Bards, etc.--Miscell. Poems. [In one +vol.] By Lord Byron. Paris. 1832. [8º. + +[_Le Moniteur_, etc., 1845.] + +XII. + +_Manfred_--Marino Faliero--Sardanapalus--The Two +Foscari--Cain--Werner--Heaven and Earth--The Deformed Transf. By Lord +Byron. [In one vol.] Paris. 1832. [8º. + +[_Le Moniteur_, etc., 1845.] + +XIII. + +_Don Juan_--The Age of Bronze--The Vision of Judgment. By Lord Byron. +[In one vol.] Paris. 1832. [8º. + +[_Le Moniteur_, etc., 1845.] + +XIV. + +Miscellanies./ By/ Lord Byron./ In Three Volumes./ Vol. I./ [Vol. II., +etc.] London:/ John Murray, Albemarle Street./ 1837./ [12º. + +_Collation_-- + +Vol. I.: pp. vi. + 316. + +Vol. II.: pp. iv. + 305. + +Vol. III.: pp. viii. + 288. + +_Note_.--Vol. I. contains _Hours of Idleness_; _English Bards, etc._; +_Hints from Horace_. + +Vol. II. contains _The Curse of Minerva_; _The Waltz_; _Ode to N.B._; +_Hebrew Melodies_; _The Morgante Maggiore_; _The Prophecy of Dante_; +_The Blues_; _The Vision of Judgment_; _The Age of Bronze_. + +Vol. III. contains "Occasional Pieces," 1807-1824; "Domestic Pieces," +1816; _Monody, etc._; _The Dream_; _Darkness_; _The Lament of Tasso_; +_Ode on Venice_; _Francesco da Rimini_; and, interspersed with these, +pp. 171-261, other minor pieces and epigrams. The App. (pp. 265-288) +contains "Remarks on the Romaic," etc. + +XV. + +Tales./ By Lord Byron./ In Two Volumes./ Vol. I./ London:/ John Murray,/ +Albemarle Street./ 1837./ [12º. + +_Collation_-- + +Vol. I.: pp. 263. + +Vol. II.: pp. 260. + +_Note_.--Vol. I. contains _The Giaour_; _The Bride, etc._; _The +Corsair_; _Lara_. Vol. II. contains _The Siege, etc._; _Parisina_; _The +Prisoner, etc._; _Beppo_; _Mazeppa_; _The Island_. + +XVI. + +Lord Byron's/ Tales:/ Consisting of/ The Giaour, The Bride of Abydos,/ +The Corsair, Lara;/ With all the Notes:/ Hebrew Melodies,/ and other +Poems./ Halifax:/ Printed and Published by William Milner,/ Cheapside./ +1845./ [16º. + +_Collation_-- + +Pp. viii. + 9-256. + +_Note_.--Among the "Poems" are twelve pieces, "The Illuminated City," +"The Wreath," "A Child at Prayer," etc., which are, apparently, +attributed to Lord Byron, but are neither his compositions nor capable +of being described as forgeries or imitations. They precede six genuine +poems. + +For an interesting account (by W. Roberts) of other editions (1838, +1865, etc.), published at Halifax, see _Notes and Queries_, 1886, iv. S. +v. 225, etc.; and _The Antiquarian Magazine_, vol. xii., July-November, +1887, pp. 101-106. + +XVII. + +The Giaour,/ and/ The Bride of Abydos./ By/ Lord Byron./ London:/ H.G. +Clarke & Co., 278, Strand./ 1848./ [16º. + +_Collation_-- + +Pp. 154. + +_Note_.--- Part of "Clarke's Cabinet Series." + +XVIII. + +Miscellanies./ By Lord Byron./ In Two Volumes.--Vol. I./ [Vol. II.] +London:/ John Murray, Albemarle Street./ 1853./ [16º. + +_Collation_-- + +Vol. I.: pp. vii. + 364. + +Vol. II.: pp. viii. + 360. + +_Note_.--Vol. I. contains _Hours of Idleness_; _English Bards, etc._; +_Hints from Horace_; _The Curse of Minerva_; _The Waltz_; _Ode to +Napoleon Buonaparte_; _Hebrew Melodies_; Domestic Pieces; _Monody, +etc._; _The Dream_. + +Vol. II. contains _The Lament of Tasso_; _Ode on Venice_; _The Morgante +Maggiore_; _The Prophecy of Dante_; _Francesca of Rimini_; _The Blues_; +_The Vision of Judgment_; _The Age of Bronze_; Occasional Pieces, +1807-1824. + +XIX. + +Tales and Poems/ By Lord Byron./ Containing/ The Giaour./ Bride of +Abydos./ The Corsair./ Lara./ Siege of Corinth./ Parisina./ Prisoner of +Chillon./ Mazeppa./ The Island./ London: John Murray, Albemarle Street./ +1853./ [16º. + +_Collation_-- + +Pp. vi. + 7-358. + +XX. + +Beppo and Don Juan./ By Lord Byron./ In Two Volumes.--Vol. I./ [Vol. +II.] London:/John Murray, Albemarle Street./ 1853./ [16º. + +_Collation_-- + +Vol. I.: pp. 353. + +Vol. II.: pp. 367. + +XXI. + +Poems/ By/ The Right Honourable/ Lord Byron;/ With/ His Memoirs./ +London:/ Thomas Nelson & Sons,/ Paternoster Row./ 1855./ [32º. + +_Collation_-- + +Pp. xvi. + 174. + +_Note_.--"Poems on Domestic Circumstances," etc. (pp. 133-174) are +identical with those published by J.F. Dove, 1827, pp. 536-574 (see No. +vii.); and the entire contents of the volume are identical with Poems/ +By the/ Right Honourable Lord Byron./, which form part (Vol. II. pp. +1-46) of "The Cabinet Edition of the British Poets." In Four Volumes./ +London:/ Henry G. Bohn, York Street, Covent Garden./ 1851./ [8º. + +XXII. + +_Lord Byron's Tales and Poems_. Leipzig, Brockhaus. 1857. [8º. + +[Kayser, 1860.] + +XXIII. + +Poems./ By Lord Byron./ [Motto: "Like an archangel," etc., twelve lines, +_Anon._] With Eight Illustrations,/ By Birket Foster, John Gilbert, +etc./ London:/ Routledge, Warne, and Routledge,/ Farringdon Street;/ New +York: 56, Walker Street./ 1859./ [8º. + +_Collation_-- + +Pp. xxxii. + 539. + +XXIV. + +Eastern Tales:/ By/ Lord Byron./ Comprising/ The Corsair, Lara, The +Giaour,/ The Bride of Abydos, and The Siege of Corinth./ With the +Author's original Introductions and Notes./ Illustrated./ London:/ David +Bogue, 86, Fleet Street./ [1859.] [8º. + +_Collation_-- + +Pp. 5-265. + +XXV. + +Byron's/ Siege of Corinth/ And/ Ode to Napoleon Buonaparte./ With Notes/ +For students for the first examination in Arts,/ University of Madras./ +1877./ Madras:/ Addison and Co., 18, Mount Road./ 18767 [8º. + +_Collation_-- + +Pp. 56. + +XXVI. + +Poems/ By/ Lord Byron/ London/ George Routledge and Sons/ Broadway, +Ludgate Hill./ New York: 416 Broome Street/ [1880.] [8º. + +_Collation_-- + +Pp. xxxii. + 719. + +_Note_.--Part of the "Excelsior Series." + +XXVII. + +Poems/ of/ Lord Byron./ Carefully Selected./ In Two Volumes./ Vol. I./ +[Vol. II.] Cassell & Company, Limited:/ London, Paris, New York, & +Melbourne./ [1886.] [32º. + +_Collation_-- + +Vol. I.: pp. 3-316. + +Vol. II.: pp. x. + 11-316. + +_Note_.--Part of Cassell's "Miniature Library of the Poets." + +XXVIII. + +Byron's/ Prisoner of Chillon/ und/ Siege of Corinth./ Mit +bibliographischem Material,/ litterarischer Einleitung und sachlichen/ +Anmerkungen für Studierende/ Herausgegeben/ von/ J.G.C. Schuler./ +Halle./ Max Niemeyer./ 1886./ [8º. + +_Collation_-- + +Pp. 92 + "Lesarten aus Byron's MSS.," pp. 93, 94. + +_Note_.--No. 8 of "Materialen für das Neuenglische Seminar." Herausg. v. +Ernst Regel. + +XXIX. + +The Corsair. Lara. Illustrated by Gambard and Mittis. With Introduction +by M.F. Sweetser. Boston, Joseph Knight & Co. 1893. [32º. + +[_Amer. Cat._, 1894.] + +_Collation_-- + +Pp. 142. + +_Note_.--Part of the "World's Classics." + + + + +TRANSLATIONS OF MISCELLANEOUS POEMS. + + +_Bohemian_. + +Korsár. Lara/ Básnické Povídky/ Lorda Byrona/ Pṙeložil/ Cěněk Ibl./ V +Praze/ Tiskem A Nákladem Dra Ed. Grégra/ 1885/ [8º. + +_Collation_-- + +Pp. 128. + +_Note_.--Poesie Svetova, Pt. xxiii., 1871, etc. + + +_Danish_. + +I. + +Udvalgte/ Dramatiske Digte/ OG/ Fortoellinger/ Af/ Byron./ Oversatte af +Edv. Lembcke./ Første Bind./ (Dramatiske Dicte.)/ KjøBenHavn./ Forlagt +af J.H. Schubothes. Boghandel./ Græbes Bogtrykkeri./ 1873./ [8º. + +_Collation_-- + +Vol. I.: pp. 594. + +Vol. II.: [1876] pp. 422. + +_Note_.--Vol. I. contains _Sardanapalus_; _Manfred_; _Cain_; _Marino +Faliero_. + +Vol. II. contains _The Siege, etc._; _Mazeppa_; _The Bride, etc._; +_Corsair_; _Giaour_; _Lara_; _The Prisoner, etc._; _The Island_. + +II. + +Byron:/ Manfred,/ Fangen paa Chillon og Mazeppa./ Oversat af/ Alfred +Ipsen./ København./ Forlagt af P. Hauberg & Comp. og Jul. Gjellerup./ +Trykt hos Martius Truelsen. [1889?] [16º. + +_Collation_-- + +Pp. 136. + +III. + +Beppo./ Dommedagssynet./ Af/ Lord Byron./ Oversatte/ Af/ Alfred Ipsen./ +København,/ Forlagt Af I.H. Schubothes Boghandel./ Græbes Bogtrykkeri./ +1891./ [8º. + +_Collation_-- + +Pp. 88. + + +_Dutch_. + +I. + +Navolgingen/ van/ Lord Byron./ Door/ Nicolaas Beets./ De gevangene van +Chillon./ Mazeppa. Parisina. Fragmenten. Joodsche zangen./ Verscheiden +gedichten./ Nieuwe, Herziene Uitgave./ Vermeederd met een Woord over +Byrons Poëzy./ Te Haarlem, By/ De Erven F. Bonn./ 1848./ [8º. + +_Collation_-- + +Pp. xl. + 170. + +_Note_.--The vignette (a bunch of cornflowers) on the illustrated +title-page (Gedichten/ van/ Nicolaas Beets./) is engraved by J.W. +Kaiser. + +II. + +Gedichten/ van/ Lord Byron./ Door/ J.J.L. Ten Kate./ Eerste Volledige +Uitgave./ Te Leiden, Bij A.W. Sijthoff. [1870?] [8º. + +_Collation_-- + +Pp. 242. + + +_French_. + +I. + +_Le Corsaire_, _Mazeppa_, traduits en vers français suivis de poésies +diverses, par Lucien Méchin, 1848. Paris, Paulin. [12º. + +[Lorenz, 1840-1865.] + +II. + +Le/ Prisonnier de Chillon/ Lara/ Parisina/ Poémes de Lord Byron,/ +Traduits en vers/ et/ Poésies diverses/ Par H. Gomont/ Membre +correspondant de l'Académie de Stanislas/ Paris/ Amyot, Libraire/ Rue de +la Paix, 6/ [the second column] Nancy./ Mlle Gonet, libraire/ Rue des +Dominicains, 14/ 1862/ [12º. + +_Collation_-- + +Pp. viii. + 228. + +III. + +_Le Corsaire_, _Lara_, _le Siége de Corinthe_. Traduction nouvelle par +Paul Lorencin. (_Libraire de la Bibliothèque Nationiale_, tom. 117.) +1868. [32º. + +[Lorenz, 1876.] + +IV. + +Chefs-D'oeuvre/ de/ Lord Byron/ Traduits en vers français/ par/ A. +Regnault/ Bibliothécaire et archiviste honoraire du Conseil D'État/ +Membre de l'Académie de Lyon/ Auteur d'une histoire du Conseil D'État,/ +D'un Voyage en Orient (Gréce, Turquie, Egypte)/ Et de notices +historiques sur Moscou et Saint-Pétersbourg/ Tome premier/ Paris/ Amyot, +Librairie-Editeur/ 8, rue de la Paix, 8/ Et à la librairie, Galignani/ +224, rue de Rivoli, 224/ 1874/ Touts droits réservés/ [8º. + +_Collation_-- + +Vol. I.: pp. xxxii. + 518. + +Vol. II.: pp. 511. + +_Note_.--Vol. I. contains _Childe Harold's, etc._; _The Bride, etc_.; +_The Giaour_; _The Siege, etc._; _Manfred_ [Scènes Détachées]. + +Vol. II. contains _The Corsair_; _Lara_; _Mazeppa_; _The Prisoner, +etc._; _Parisina_; _Beppo_; Juan and Haidee; Poésies Diverses. + +V. + +Lord Byron/ Les/ Deux Foscari/ Tragédie historique/ Beppo/ Poème +humoristique/ Traduction en vers (ornée de 15 vignettes)/ Par/ Achille +Morisseau/ Paris/ Calmann Lévy, éditeur/ 3, rue Auber, 3/ 1881/ [8º. + +_Collation_-- + +Pp. xiii. + 258. + +VI. + +_Le Corsaire_. _Lara_. Illustrations de Gambard et Mittis. Paris, +Dentre. 1892. [32º. + +Fait partie de la "Petite Collection Guillaume," Lorenz, 1900. + + +_German_. + +I. + +_Gefangener von Chillon u. Parisina_, nebst e. Anh. seiner lyrischen +Gedichte, übers. durch Paul Graf v. Haugwitz. Breslau, W.G. Korn. Übers. +1821. [8º. + +[Kayser, 1834.] + +II. + +_Manfred_.--_Die Finsterniss_.--_Der Traum_. Aus d. Engl. übersetzt von +Er. Köpke. Berlin, Schröder. 1835. [8º. + +[Kayser, 1841.] + +III. + +_Der Giaur_. _Hebräische Gesänge_. Aus dem Engl. übers. von Friederike +Friedmann. Leipzig. 1854. Brockhaus. [16º. + +[Kayser, 1860.] + +IV. + +Kain./ Ein Mysterium./ Mazeppa./ Von/ Lord Byron./ Aus dem Englischen +übersetzt/ von/ Friederike Friedmann./ Leipzig:/ F.A. Brockhaus./ 1855./ +[16º. + +_Collation_-- + +Pp. 154. + +V. + +_Manfred_. Der Gefangene von Chillon, Hebräische Gesänge, u. Lyrische +Gedichte. Deutsch von A.R. Niele. Münster, Coppenrath. 1857. [16º. + +[Kayser, 1859.] + +VI. + +Lord Byron's/ Mazeppa, Korsar und Beppo./ In das Deutsche übertragen/ +von/ Wilhelm Schäffer./ _Stulta est elementia, quam tot ubique_/ +_Vatibus occurras, perituræ parcere chartæ_./ Juvenal./ [Emblem--Griffin +with shield bearing motto "F.A.B. 1805."] Leipzig: F.A. Brockhaus./ +1864./ [8º. + +_Collation_-- + +Pp. 138. + +VII. + +Die Braut von Abydos./ Der Traum./ Zwei Gedichte./ von/ Lord Byron./ Im +Versmass des Originals übertragen/ von/ Dr. Otto Riedel./ Hamburg./ +Hermann Grüning./ 1872./ [16º. + +_Collation_-- + +Pp. 80. + +VIII. + +_Der Gefangene v. Chillon_. _Mazeppa_. Von Lord Byron. + +[Kayser, 1877.] + +_Note_.--No. 557 of the "Universal Bibliothek." Leipzig, 1871-1876. + +IX. + +_Der Gefangene v. Chillon_. _Parisina_. Zwei poet. Erzählungen, übers. +v. Otto Michaeli. Halle. 1887-1890. [8º. + +_Note_.--Part of the "Bibl. der Gesamt-Litteratur des In-u. Auslandes." +[Kayser, 1891.] + + +_Hungarian_. + +Byron Lord'/ Élete's Munkái./ Irta/ Petrichevich Horváth Lázár./ +Harmadik Rész./ Pesten./ Nyomtatta Landerer és Heckenast./ 1842./ [12º. + +_Collation_-- + +Pp. 154 + Sajtó-hibák, p. [155]. + +_Note_.--The translations include _Mazeppa_; _The Dream_; and sixteen +lyrical pieces. + + +_Icelandic_. + +Bandinginn Í Chillon/ og/ Dramurinn,/ Eptir/ Byron Lávard./ Steingrímur +Thorsteinson,/ Íslenzkadi./ Kaupmannahöfn./ Utgefandi Páll Sveinsson./ +Prentad Hjá Louis Klein./ 1866./ [12º. + +_Collation_-- + +Pp. 70. + + +_Italian_. + +I. + +Poemi/ di/ Lord G. Byron/ Tradotti dall' originale inglese/ Da/ Pietro +Isola/ Socio corrispondente/ della R. Accademia delle scienze ed arti di +Alessandria./ Primo volume/ Lugano/ coi tipi di Francesco Veladini e +Comp./ 1832./ [8º. + +_Collation_-- + +Vol. I.: pp. 221 + Note, Indice, pp. [222]-[224]. N.B.--Pp. 1-19 are not +numbered. + +Vol. II.: pp. 298 + Indice, p. [299], Pp. 1-13 are not numbered. + +II. + +Poemi/ di/ Giorgio Lord Byron/ Recati in italiano/ da/ Giuseppe +Nicolini/ con alcuni componimenti originali/ del traduttore./ Milano/ +Per Giuseppe Crespi e C./ 1834./ [8º. + +_Collation_-- + +Pp. 433 + Indice, p. [435]. + +_Note_.--The Title-vignette is a portrait of Lord Byron. + +III. + +Poemi/ di Giorgio Lord Byron/ Recati in italiano/ Da Giuseppe Nicolini/ +Nuova edizione eseguita su quella del 1837/ Riveduta ed aumentata dal +traduttore/ Vol. I./ [Vol. II.] Milano/ Presso la ditta Angelo Bonfanti +1842/ [12º. + +_Collation_-- + +Vol. I.: pp. 283. + +Vol. II.: pp. 255. + +IV. + +_Poemi e novelle_. Milano, Sonzogno. 1882. [16º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. 107. + +V. + +Opere/ Edite e postume/ di Giacinto Casella/ Già Accademico della +Crusca/ Con prefazione del Prof. Alessandro d'Ancona,/ Uno scritto +critico sul Properzio del Prof. G. Rigutini/ E una notizia biografica +sull' autore/ Scritta da sua moglie./ Due Vol.--Vol. I./ Parte I.--Il +Pellegrinaggio d'Aroldo, la Parisina,/ il Beppo e la sposa d'Abido, di +Lord Byron.--Sopra M. Aurora., di S. Fenzi./ Un frammento dal _Lambros_, +di D. Solomos./ Parte II.--Liriche originali./ Firenze,/ Tipografia di +G. Barbéra./ 1884./ [8º. + +_Collation_-- + +Vol. I.: pp. lvi. + 438 + Errata Corrige, p. [439]. + +Vol. II.: pp. xviii. + 450 [Text = pp. 3-450] + _Indice_, etc., p. +[451]. + +_Note_.--The translations of _Childe Harold_, _Parisina_, _Beppo_, and +the _Bride, etc._, are on pp. 1-311 of the first part of the first +volume. + +VI. + +_Misteri e canti_; Caino; Parisina; Un sogno. Traduzione di Andrea +Maffei. Milano, Hoepli. 1886. [64º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. 198. + +VII. + +_Misteri, novelle e liriche_. Traduzione di Andrea Maffei. Firenze, Le +Monnier. 1890. [64º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. xxxviii. + 441. + + +_Polish_. + +I. + +_Poemata i powieści_ ... Przez B. hr. K. [Brunona hr. Kicińskiego]. Tom. +1. (Obłęźenie Koryntu, Korsarz.) _Warszawa_, 1820. [8º. + +_Part of "Biblioteka Romansów," etc. Wyd. przez W. Malccką_. + +II. + +_Powieści_, przekład Wandy Maleckiéj. (Mazepa, przek. H. Dembińskiego, +Paryzyna, Giaur, Upiór.) pp. 196. _w druk, J. Wróblewskiego: Warszawa_, +1828. [8º. + +_Wybór Romansów, wyd. W. Maleckiéj. Tom. XIII_. + +[Another edition.] _Warszawa_, 1831. [8º. + +III. + +_Paryzyna_, Kalmar i Orla, dwa poemata ... Przekład Ign. Szydłowskiego. +pp. 58. + +_druk. J. Zawadzkiego: Wilno_, 1834. [8º. + +IV. + +Poezye/ Lorda Byrona/ tłumaczone/ Giaur/ przez/ Adama Mickiewicza,/ +Korsarz/ Przez/ Edwarda Odyńca./ Wydanie Alexandra Jełowickiego./ W. +Pary[.z]u./ 1835/ [12º. + +_Collation_-- + +Pp. xiv. + 202. + +V. + +Tłómaczenia/ Antoniego Edwarda/ Odyńca./ Tom Drugi./ Narzeczona z +Abydos./ W Lipsku/ u Breitkopfa i Haertela./ 1838./ + +_Collation_-- + +Pp. 216. + +_Note_.--The translation of the _Bride of Abydos_, with the Notes, is on +pp. 1-83 of this volume. + +VI. + +Tłomaczenia/ Antoniego Edwarda/ Odyńca./ Tom Trzeci./ Korsarz./ Niebo i +Ziemia./ W Lipsku/ u Breitkopfa i Haertela./ 1841./ [12º. + +_Collation_-- + +Pp. 201. + +_Note_.--The translation of the _Corsair_, with Notes, is on pp. 1-112; +of _Heaven and Earth_, pp. 116-201. + +VII. + +_Poemata_. Z oryginału przełožył Ant. Zawadzki. (Żale Tassa; Werner; +Narzeczona z Abydos; Wyspa.) pp. 392. _H. Skimborowicz: Warszawa_, 1846. +[8º. + +VIII. + +Pięć Poematów/ Lorda Birona/ Przełožył/ Franciszek Dzieržykraj +Morawski./ Nakladem Autora./ Leszno./ Drukiem Ernesta Günthera./ 1853./ +[8º. + +_Collation_-- + +Pp. 272. + +_Note_.--The translations include _Manfred_; _Mazeppa_; _The Siege, +etc._; _Parisina_; and _The Prisoner, etc_. + +IX. + +KRUZER (Karol) Przekłady i rymy własne. 5 tom. _druk. E. Skiwskiego: +Warszawa_, 1876. [8º. + +Tom. 3. Parisina. Lara. Kain. Poezje ulotne. + +Tom. 4. Poezje ulotne Lorda Byrona. + + +_Portuguese_. + +Traducçōes/ Poeticas/ de/ Francisco José Pinheiro Guimarāes/ Bacharel em +sciencias sociaes e juridicas/ Childe Harold e Sardanapalo,/ De Lord +Byron;/ O Roubo da Madeixa, de Pope;/ Hernani, de Victor Hugo/ Rio de +Janeiro/ Typographia universal de Laemmert/ Rua dos Invalidos, 61 B./ +1863./ [8º. + +_Collation_-- + +Pp. 636. + +_Note_.--The Title-page, a Dedication, and _O Sonho_, an imitation of +Byron's _Dream_, are unpaged. The translations of _Childe Harold_, +Cantos I.-IV., and of _Sardanapalus_, are on pp. 1-424. + + +_Roumanian_. + +Din Scrierile/ Loui/ Lord Byron/ 3 P^t/ Tradduce/ de/ J. Eliad/ +Boukouresti/ In Tipographia loui Eliad/ 1834/ [8º. + +_Collation_-- + +Pp. 74. + +_Note_.--The Title-page, in old Roumanian character, has been +transliterated. The translations consist of _The Prisoner of Chillon_, +_The Lament of Tasso_, and _Beppo_. The volume concludes with a +Half-title, _The Vampire_. + + +_Spanish_. + +I. + +Odas/ A Napoleon,/ Por lord Byron./ Traduccion castellana./ +[Emblem--eagle flying to the sun.] Paris,/ Libreria americana,/ Calle +del Temple, Nº 69./ 1830./ [12º. + +_Collation_-- + +Pp. 60. + +_Note_.--The translations include the _Ode to Napoleon Buonaparte_; +_Napoleon's Farewell_; _On the Star of "The Legion of Honour"_; _From +the French_; _Ode from the French_. + +II. + +Biblioteca Jané./ Poemas/ de Lord/ Byron,/ Con notas, comentarios y +aclaraciones/ Primera version española, en vista de la ultima edicion/ +Por Ricardo Canales./ Lara.--El Sitio de +Corinto.--Parisina.--Mazeppa./--La Peregrinacion de Childe--Harold.--Las +Lamentaciones/ del Tasso.--Beppo./ Barcelona./ Jané Hermanos, Editores./ +Ronda de San Antonia, 58./ [?1876.] [8º. + +_Collation_-- + +Pp. 352 + _Indice_, p. [353]. + +III. + +Cuatro poemas/ de/ Lord Byron/ Traducidos en verso castellano/ Por/ +Antonio Sellen/ Parisina.--El prisionero de Chillon.--/ Los lamentos del +Tasso.--La novia de Abydos/ New York./ Imprenta y librería de N. Ponce +Leon, 40 y 42 Broadway/ 1877/ [12º. + +_Collation_-- + +Pp. xiii. + 15-111. + +IV. + +D. Juan/ El Hijo de Doña Inés/ Poema de/ Lord Byron/ seguido de/ Las +lamentaciones del Tasso/ del proprio autor/ Version de/ J.A.R./ +Ilustrada con dibujos à la pluma/ Por R. Escaler/ Barcelona/ +Administracion: Nueva San Francisco, 11 y 13/ 1883/ [8º. + +_Collation_-- + +Pp. viii. + 9-414 + _Indice_, p. [415]. + +_Note_.--Part of the "Biblioteca Amena é Instructiva." + + + + +COLLECTIONS OF DRAMAS. + +I. + +Dramas/ By/ Lord Byron./ In Two Volumes./ Vol. I./ London:/ John Murray, +Albemarle Street./ 1837./ [12º. + +_Collation_-- + +Vol. I.: pp. 403. + +Vol. II.: pp. 391. + +_Note_.--Vol. I. contains _Manfred_; _Marino Faliero_; _Heaven and +Earth_; _Sardanapalus_. Vol. II. contains _The Two Foscari_; _Cain_; +_The Deformed Transformed_; _Werner_. The Title-vignette on the +illustrated Title-page of Vol. I. is "Fall of the Staubach," engraved by +E. Finden, from a drawing by G. Bulmer from a sketch by Mrs. Somerville. +These volumes, together with the _Miscellanies_, _Tales_, etc., were +bound in green cloth, with Lord Byron's arms with supporters stamped in +gold on one side. + +II. + +Dramas./ By Lord Byron./ In Two Volumes.--Vol. I./ Containing/ Manfred./ +Marino Faliero./ Heaven and Earth./ Sardanapalus./ London:/ John Murray, +Albemarle Street./ 1853./ [8º. + +_Collation_-- + +Vol. I.: pp. 325. The Imprint (_Bradbury & Evans, Printers, +Whitefriars_.) is at the foot of p. 325. + +Vol. II.: pp. 318. The Imprint (_London: Bradbury & Evans, Printers, +Whitefriars_.) is at the foot of p. 318. + +_Note_.--Vol. II. contains _The Two Foscari_, _Cain_, _The Deformed +Transformed_, and _Werner_. + + + + +TRANSLATIONS OF COLLECTIONS OF DRAMAS. + + +_German_. + +Lord Byrons/ Dramatische Werke./ Deutsch/ von/ W. Grüzmacher./ Manfred. +Kain. Himmel und Erde. Sardanapal./ Hildburghausen./ Verlag des +Bibliographischen Instituts./ 1870./ [8º. + +_Collation_-- + +Pp. 323 + Inhalt, p. [324]. + +_Note_.--No. 112 of the "Bibliothek Ausländischer Klassiker." + + +_Italian_. + +I. + +Marino Faliero/ E/ I Due Foscari/ Tragedie/ di/ Lord G. Byron/ Versione +dall' originale inglese/ del/ P.G.B. Cereseto/ Delle scuole pie./ Savona +1845./ Presso Luigi Sambolino/ Editore-librajo./ [8º. + +_Collation_-- + +Pp. 304. + +II. + +Tragedie/ di/ Giorgio Lord Byron/ Traduzione/ del/ Cav. Andrea Maffei./ +Sardanapalo.--Marino Faliero./ I Due Foscari./ Firenze./ Felice Le +Monnier./ 1862./ [8º. + +_Collation_-- + +Pp. 493 + Indice, p. [495]. + + +_Spanish_. + +Poemas dramáticos/ De Lord Byron/ Caín.--Sardanápalo.--Manfredo./ +Traducidos en verso castellano/ Por D. José Alcalá Galiano/ con una +carta prólogo de/ D. Marcellino Menéndez y Pelayo/ Madrid/ Imprenta de +A. Pérez Dubrull/ Flor Baja, núm. 22./ 1886./ [8º. + +_Collation_-- + +Pp. xxxvi. + 382. + +_Note_.--Vol. 45 of the "Coleccion de Escritores Castellanos. "POEMS, +DRAMAS, AND COLLECTIONS OF POEMS. + + +_The Age of Bronze_. + +The/ Age of Bronze;/ or,/ Carmen Seculare et Annus Haud Mirabilis./ +"Impar _Congressus_ Achilli."/ London, 1823:/ Printed for John Hunt,/ +22, Old Bond street./ [8º. + +_Collation_-- + +Half-title (R. _London: Printed by C.H. Reynell, Broad Street, Golden +Square_./), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-36. The +Imprint (_London:/ C.H. Reynell, Printer, 45, Broad-Street, +Golden-Square_.) is at the foot of p. 36. + +_Note_.--The Second and Third Editions are identical with the First, +save that in the Third Edition the Imprint at the foot of p. 36 runs +thus: _London:/ Printed by C.H. Reynell, Broad Street, Golden-Square_. A +page of advertisements ("_Works about to be published by_ Mr. John Hunt, +22, _Old Bond Street_") follows p. 36 in the Second Edition. The _Age of +Bronze_ was reissued by John Hunt in 1825 and in 1830 (the Miscellaneous +Works, Part II. pp. 1-35), and by (?) W. Dugdale, 1824, together with +other poems; and, in France, by A. and W. Galignani, Paris, 1823 (12º.), +but was not included in any of John Murray's Collected Editions till +1831. + + +_Beppo_. + +I. + +Beppo,/ A Venetian Story./ ROSALIND. Farewell, Monsieur Traveller: Look, +you lisp, and wear/ Strange suits; disable all the benefits of your own +country; be out of love/ with your Nativity, and almost chide God for +making you that countenance/ you are; or I will scarce think that you +have swam in a GONDOLA./ AS YOU LIKE IT, Act iv. Sc. 1./ _Annotation of +the Commentators_./ That is, been at _Venice_, which was much visited by +the young English/ gentlemen of those times, and was then what _Paris_ +is _now_--the seat of all dissoluteness. S.A./ Second Edition./ London:/ +John Murray, Albemarle-Street./ 1818./ [8º. + +_Collation_-- + +Pp. 49. The Imprint (_T. Davison, Lombard-Street, Whitefriars, +London_./) is at the foot of the Reverse of the Half-title. + +_Note_ (1).--The Text numbers 95 stanzas. + +_Note_ (2).--"Beppo, a Venetian Story. [Quotation.] London: _John +Murray, Albemarle Street_. 1818. 8vo. Pp. 49" (the First Edition), is +included in the catalogue of the _Rowfant Library_, 1886, p. 146. + +II. + +Beppo,/ A Venetian Story./ By Lord Byron./ [Motto, nine lines, as +above.] Fifth Edition./ London:/ John Murray, Albemarle-Street./ 1818./ +[8º. + +_Collation_-- + +Pp. 51. The Imprint, as above, is at the foot of p. 51. The Imprint (_T. +Davison, Lombard-Street, Whitefriars_./) is at the foot of the Reverse +of the Half-title. + +_Note_.--The Text numbers 99 stanzas. Byron sent four additional +stanzas, viz. stanzas xxviii., xxxviii., xxxix., lxxx., to Murray +_circ._ March 9, 1818. A Second Edition of Beppo, _vide supra_, was +published March 12, 1818, and the fifth, May 30, 1818. The intervening +editions, third and fourth, were not advertised in the _Morning +Chronicle_, _Morning Post_, _Courier_, and, in the absence of direct +evidence, it may be conjectured that the additional stanzas first +appeared in the Fifth Edition. A Sixth Edition, and a Seventh Edition +identical with the Fifth Edition, were issued in 1818. + +III. + +_Beppo; a Venetian Story_. Boston. 1818. [12º. + +_Collation_-- + +Pp. 36. + +IV. + +_Beppo, A Venetian Story_. Paris, A. and W. Galignani. 1821. [12º. + +[Quérard, 1827.] + + +_Translations of Beppo_. + + +_Dutch_. + +Vertalingen/ En/ Navolgingen/ In Poezy/ door/ Mr. J. Van Lennep./ +[Motto, seven lines.] Te Amsterdam, bij/ P. Meljer Warnars./ 1834./ [8º. + +_Collation_-- + +Beppo,/ Eine Venetiansche/ Vertelling./ Naar het Engelsch/ van/ Lord +Byron./ pp. 119-159. + +_Note_.--The Title-vignette is the Muse of Poetry with Cupids and +scrolls labelled Walter Scott, Moore, Byron, and Shakespeare. + + +_French_. + +S. Clogenson/ Beppo/ Poëme/ de Byron/ Traduit en vers français, avec +texte anglais en regard/ Paris,/ Michel Lévy frères, libraires +éditeurs/ Rue Vivienne, 2 bis, et boulevard des Italiens, 15/ à la +librairie-nouvelle./ 1865./ [12º. + +_Collation_-- + +Pp. 159 + Notes, pp. [161, 162]. + + +_Russian_. + +Беппо ... пер. Д. Минаева. Современникъ, [Cyrillic: Beppo ... per. D. +Minaeva Sovremennik"] 1863. No. 8.] + + +_Spanish_. + +_Beppo, novela veneciana_, por L.B. traduccion castellana. Paris, 1830. +[8º. + +[_Le Moniteur_, etc., 1845.] + + +_Swedish_. + +Beppo,/ En Venetiansk Historia/ AF/ Lord Byron./ Af Lord Byron./ +Öfversättning/ Af/ Talis Qualis./ Stockholm,/ J.L. Brudins Förlag./ [8º. + +_Collation_-- + +Pp. 48. (A Preliminary Note, _n.p._, on fly-leaf.) + +_Note_.--Part (No. 5) of "Byron's Poetiska Berättelser," 1853, etc. + + +_Bride of Abydos_. + +I. + +The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./ Had we never +loved so kindly,/ Had we never loved so blindly,/ Never met or never +parted,/ We had ne'er been broken-hearted./ Burns./ London/ _Printed by +T. Davison, Whitefriars_, For John Murray, Albemarle-Street./ 1813./ +[8º. + +_Collation_-- + +Title, one leaf; Dedication, one leaf; Text, pp. 1-60; Notes, pp. 61-72. +The Imprint (_T. Davison, Lombard Street,/ Whitefriars, London/_) is at +the foot of p. 72. + +_Note_.--Canto I. numbers 483 lines; Canto II., 724 lines (_not_, as +numbered, 722 lines, line 492 being numbered 490). + +II. + +The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./ [Motto, five +lines, as above.] Second Edition./ London:/ _Printed by T. Davison, +Whitefriars,/_ For John Murray, Albemarle-Street./ 1813./ [8º. + +_Collation_-- + +_Vide supra_. + +_Note_.--Canto II. numbers 730 lines (not, as numbered, 724). On p. 45, +after line 401, six additional lines ("Blest as the Muezzin's, ... +long-loved voice endears") are inserted; but line 414 is numbered 410, +and the wrong enumeration of the First Edition is repeated. A Third +Edition is identical with the Second. + +III. + +The/ Bride of Abydos,/ etc. Fourth Edition,/ etc. 1813./ [8º. + +_Collation_-- + +_Vide supra_. + +_Note_.--Canto II. numbers 732 lines. The additions in the Fourth +Edition are lines 662, 663 (p. 157), "Hark---- to the hurried," etc. The +enumeration of the lines is correct. A Fifth Edition is identical with +the Fourth. + +IV. + +The/ Bride of Abydos,/ etc. Sixth Edition,/ etc. 1814./ [8º. + +This edition is identical with the Second and Third Editions. Lines 622, +623 are omitted. Seventh, Eighth, and Tenth Editions, issued in 1814, +are identical with the Fourth. An Eleventh Edition was issued in 1815. + +V. + +The Bride of Abydos./ A Turkish Tale./ By Lord Byron./ Had we never +loved so kindly,/ Had we never loved so blindly,/ Never met or never +parted,/ We had ne'er been broken-hearted./ Burns./ Philadelphia:/ +Published by Moses Thomas,/ No. 52 Chestnut-Street./ William Fry, +Printer./ 1814./ [12º. + +_Collation_-- + +Pp. 72. + +VI. + +The Bride of Abydos:/ A Turkish Tale,/ By Lord Byron./ [Motto.] [London, +1844.] + +_Collation_-- + +Pp. 1-39. + +_Note_.--Part of "Clarke's Home Library." + +_Translations of Bride of Abydos_. + + +_Bohemian_. + +Lorda Byrona/ Nevěsta z Abydu./ Pověst turecká./ Z anglického prěložil/ +Josef V. Frič./ V Praze./ Tisk a náklad Jaroslava Pospíšila./ 1854./ +[16º. + +_Collation_-- + +Pp. 66. + + +_Bulgarian_. + +Абидонска Невѣста, поболгарилъ Н.Д. Катрамов' Москва [Cyrillic: +Abidonska Neviesta, pobolgaril" N.D. Katramov". Moskva], 1850. + + +_Dutch_. + +De/ Abydeensche/ Verloofde./ Uit het Engelsch van/ Lord Bijron/ door/ +Mr. J. Van Lennep./ Te Amsterdam, bij/ P. Meijer Warnars./ 1826./ [8º. + +_Collation_-- + +Pp. iv. + 67. + +_Note_.--The Title-vignette represents a pillar with skull and +cross-bones struck by lightning. The "ghastly-turbaned head" (line 1208) +hovers above. There is a Half-title, with Motto and Transl., on the +Reverse. + + +_French_. + +I. + +_Zuleika et Selim, on la vierge d'Abydos_: par lord Byron: trad, de +l'anglais par Léon Thiessé; et suivi de notes augmentées du _Fare Thee +Well_, et autres morceaux du même auteur. A Paris, chez Plancher. 1816. +[12º. + +[_B. de la France_, Oct. 5, 1816.] + +II. + +_La Fiancée d'Abydos_, poëme en 11 chants, avec des notes; imité de +l'angl. par Aug. Clavareau, Gand, Houdin. 1823. [8º. + +[Quérard, 1827.] + + +_German_. + +I. + +_Die Braut von Abydos_. Deutsch. v. Dr. J. v. Adrian. Frankfurt-a-M., +Sauerländer. 1819. [8º. + +[_Centralblatt_, 1890, vii. 456.] + +II. + +_Die Braut von Abydos_, eine türkische Sage. Getreu in's Deutsche übers. +u. seinen Schülern gewidmet von Finck de Bailleul. Landau. 1843. [8º. + +[Kayser, 1848.] + +III. + +_Die Braut von Abydos_. Aus der engl. in freie, deutsche Dichtg. +übertrag. von Frdr. Kley. Halle, Schmidt. 1884. [8º. + +[Kayser, 1887.] + +_Collation_-- + +Pp. 62. + + +_Hungarian_. + +_Az abydoszi ara_. [_The Bride of Abydos_, transl. by Tercsi.] Hangok a +multból és Byrontol énekek. pp. 25-66. B'pest. 1884. + +[_Egyetemes Philologiai Közlöny_, 1901, xxv. 227.] + + +_Italian_. + +_La fidanzata d'Abido_. Traduzione di Giov. Giovio. Milano, Guglielmini. +1854. [8º. + +[Pagliaini, 1901.] + + +_Polish_. + +_Dziewica z Abydos, poema_. Prezkt. Wł. hr. Ostrowskiego. Warszawa, +Glücksberg. 1818. [8º. + +_Collation_-- + +Pp. 94. + + +_Russian_. + +I. + +Абидосская НевѢста. Турецкая повѢстъ М. Каченовскій. Выборъ изъ +сочиненій лорда Байрона. [Cyrillic: Abidosskaya Neviesta. Turetskaya +poviest". M. Kachenovskiĭ. Vyibor" iz" sochineniye lorda Bairona.] 1821. + +_Note_.--_Bride of Abydos_, pp. 177-255. + +II. + +Невѣста Абидосская. Турецкая повѢстъ лорда Байрона. Перевелъ съ +англійскаго Иванъ Коэловъ. [Cyrillic: Neviesta Abidosskaya. Turetskaya +poviest" lorda Bairona. Perevel" s" angliyeskago Ivan" Kozlov".] +pp. i.-x. 1-92. С.-Петербургъ [Cyrillic: S.-Peterburg"], 1826. 8º. + +Second Edition С.-Петербургъ [Cyrillic: S.-Peterburg"], 1831. 16º. + +III. + +Абидосская Невѣста ... Передѣлана ... М. Политковской Москва [Cyrillic: +Abidosskaya Neviesta ... Perediellana ... M. Politkovskoye. Moskva], +1859. + +_Collation_-- + +Pp. 1-57. + + +_Swedish_. + +Bruden Från Abydos,/ En Turkisk Berättelse/ Af/ Lord Byron./ +Öfversättning./ Stockholm,/ J.L. Brudins Förlag./ [8º. + +_Collation_-- + +Pp. 72. + +_Note_.--No. 7 of "Byron's Poetiska Berättelser," 1853, etc. + + +_Cain_. + +[_Note_.--_Cain, A Mystery_ was published by John Murray, together with +_Sardanapalus, A Tragedy_, and _The Two Foscari, A Tragedy_, Dec. 21, +1821; _vide post, Sardanapalus, A Tragedy_, No. i. (p. 293).] + +I. + +Cain;/ A Mystery./ By the author of Don Juan./ "Now the Serpent was more +subtil than any beast of/ the field which the Lord God had made."/ Gen. +iii. I./ London:/ _Printed for the Booksellers_,/ By W. Benbow, +Castle-Street, Leicester-Square./ 1822./ [12º. + +_Collation_-- + +Pp. vii. + 8-93. + +II. + +Cain;/ A Mystery./ By Lord Byron./ To which is added/ a Letter from the +Author/ To/ Mr Murray, the original Publisher./ "Now the Serpent was +more subtil than any Beast of the Field which the Lord/ God had made."/ +Gen. iii. I./ Second Edition./ London:/ Printed and Published by R. +Carlile, 55, Fleet Street./ 1822./ [8º. + +_Collation_-- + +Pp. iv. + 5-23 + Letter, etc., p. [24]. + +III. + +Cain;/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than +any beast of the/ field which the Lord God had made."/ Gen. iii. I./ +London:/ Printed for the Booksellers,/ _By H. Gray, No. 2, Barbican._/ +1822./ [12º. + +_Collation_-- + +Pp. vii. + 8-72. + +IV. + +_Cain, A Mystery_. New York. 1822. [24. + +_Collation_-- + +Pp. 100. + +V. + +_Cain, a Mystery_. Paris, A. and W. Galignani. 1822. [12º. + +[Quérard, 1827.] + +VI. + +Cain,/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than +any beast of the/ field which the Lord God had made."/ Gen. iii. I./ +London:/ Printed for the Booksellers,/ Published by W. Benbow, 252, High +Holborn./ 1824./ [12º. + +_Collation_-- + +Pp. vii. + 8-85. + +VII. + +Lord Byron's/ Cain, A Mystery:/ with/ Notes:/ Wherein the/ Religion of +the Bible/ Is considered, in reference to acknowledged/ Philosophy and +Reason./ By Harding Grant;/ _Author of "Chancery Practice."_/ "Judge +Righteous Judgment,"/ "Prove all things."/ "Justify the ways of God."/ +London:/ William Crofts, 19, Chancery Lane./ 1830./ [8º. + +_Collation_-- + +Pp. xvi. + 432. + +VIII. + +Cain;/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than +any beast of the field/ which the Lord God had made."--Gen. iii. I./ To +which is added/ A Letter from the Author/ To/ Mr. Murray, the original +Publisher./ London:/ J. Watson, 33, Windmill Street,/ Finsbury./ 1832./ +[12º. + +_Collation_-- + +Pp. iv. + 5-47 + Letter, etc., p. [48]. + +IX. + +_Cain, a Mystery_. Breslau, Kern. 1840. [16º. + +[Kayser, 1841.] + +X. + +Cain./ By/ Lord Byron./ "I tread on air, and sink not; yet I fear to +sink."/ New and Complete Edition.--Price One Penny./ London: J. Dicks, +313, Strand; and all Booksellers./ New York Samuel French & Son, 122, +Nassau Street--Sole Agents./ 1883, etc./ [12º. + +_Collation_-- + +Pp. 143-160. + +_Note_.--No. 203 of "Dicks' Standard Plays." + + + + +_Translations of Cain_. + + +_Bohemian_. + +Kain/ Dramatická Báseň/ Lorda Byrona/ Prěložil/ Jose Durdík/ V Praze/ +Tisk a náklad dra. Ed. Grégra/ 1871/ [8º. + +_Collation_-- + +Pp. 117. + + +_French_. + +Caïn,/ Mystère dramatique/ En trois actes,/ De Lord Byron,/ Traduit en +vers français,/ Et réfuté dans une suite de remarques philosophiques/ et +critiques;/ Précédé/ d'une lettre adressée à Lord Byron, sur les motifs/ +et le but de cet ouvrage,/ Par Fabre d'Olivet./ à Paris,/ Chez Servier, +libraire,/ rue de L'Oratoire, No. 6./ 1823./ [8º. + +_Collation_-- + +Pp. 248 + p. [249], Table (R. "Fautes à corriger"). + + +_German_. + +I. + +_Cain, ein Mysterium_. Deutsch v. G. Parthey. Berlin, Nicola'ische +Buchh. 1831. [12º. + +[_Centralblatt_, vii. 468.] + +II. + +_Cain. Ein Mysterium_. Von Lord Byron. Frei übers. v. Adf. Seubert. +Leipzig. 1871-1876. + +[Kayser, 1877.] + +_Collation_-- + +Pp. 70. + +_Note_.--No. 779 of _Universal Bibliothek_. + +_Hebrew_. + +קין, שיר-חזיון על-פי כתבי הקדש/מאת/לורד בירון/תרגם מאנגלית + לעברית/דוד פרישמן/ווארשא תר"ס + +[Hebrew: Kine, shir-chizayon al-pi kitvey hakodesh / me'et / Lord Byron +/ tirgem me'anglit le'ivrit / David Frishman / Varsha TR"S ] + +_Collation_-- + +Pp. xl. + 44. + + +_Hungarian_. + +I. + +_Kain_. [_Cain_, transl. by Ilona Györy.] Franklin-Társulat 1895. + +[_Eg. Phil. Köz_., 1901, xxv. 222.] + +II. + +_Kain_. [_Cain_, transl. by Lajos Mikes.] (_Magyar Könyvtár_, p. 128.) +B'pest, Lampel. 1898. + +[_Eg. Phil. Köz_., 1901, xxv. 224.] + + +_International Language_. + +Kain./ Mistero/ de/ Lord Byron/ (Bajron)./ Tradukis A. Kofman./ +Nurnbergo./ Presejo de W. Tümmel./ 1896./ [8º. + +_Collation_-- + +Pp. ix. + 102. + + +_Italian_. + + +_Caino: mistero_, tradotto da Andrea Maffei. Milano, Pirola. 1852-6. +[8º. + +[Pagliaini, 1901.] + + +_Polish_. + +Kain./ Poemat Dramatyczny/ Lorda Bajrona/ W trzech aktach/ przełożyl/ +Adam Pajgert./ A waż był chytrzejszy nad wszystkie/ zwierzęta polne, +które uczynił Pan Bóg./ Genezis R. III. w. I./ Lwów/ Nakładem +Wydawnictwa Dziennika Literackiego./ 1868./ [8º. + +_Collation_-- + +Pp. 125. + + +_Russian_. + +I. + +Каинъ ... Переводъ Ефрена Барышева. С.-Петербургъ [Cyrillic: Kain" ... +Perevod" Efrena barysheva. S.-Peterburg"], 1881. + +II. + +Каинъ ... Переводъ П.А. Каленова. Москва [Cyrillic: Kain" ... Perevod" +P.A. Kalenova. Moskva], 1883. + + +_Childe Harold's Pilgrimage_. + +I. + +Childe Harold's Pilgrimage./ A Romaunt./ By/ Lord Byron./ L'univers est +une espèce de livre, dont on n'a lu que la première page quand on n'a vu +que son pays./ J'en ai feuilleté un assez grand nombre, que j'ai trouvé +également mauvaises. Cet examen ne m'a point/ été infructueux. Je +haïssais ma patrie. Toutes les impertinences des peuples divers, parmi +lesquels j'ai vécu,/ m'ont réconcilié avec elle. Quand je n'aurais tiré +d'autre bénéfice de mes voyages que celui-là, je n'en re/gretterais ni +les frais, ni les fatigues./ _Le Cosmopolite_./ London:/ Printed for +John Murray, 32, Fleet-Street;/ William Blackwood, Edinburgh; and John +Cumming, Dublin./ _By Thomas Davison, White-Friars./_ 1812./ [4º. + +_Collation_-- + +Title, one page, pp. i., ii.; Preface, pp. iii.-vi.; Cont. (_Errata_ on +Reverse); Sec. Half-title, pp. 1, 2; Text, pp. 3-226 + two pages of +publisher's advertisements, pp. [227, 228]. The Imprint (_T. Davison, +Lombard Street,/ Whitefriars, London./_) is at the foot of p. [228]. + +_Contents_-- + +Childe Harold's Pilgrimage, Canto I p. 1 +Childe Harold's Pilgrimage, Canto II p. 59 +Notes to Canto I p. 111 +Notes to Canto II p. 119 +Poems-- +I. Written in an Album p. 165 +II. To... p. 166 +III. Stanzas p. 169 +IV. Stanzas p. 171 +V. Written at Athens p. 177 +VI. Written after Swimming, etc. p. 178 +VII. Song p. 181 +VIII. Translation of a Greek War Song p. 183 +IX. Translation of a Romaic Song p. 186 +X. Written Beneath a Picture p. 189 +XI. On Parting p. 190 +XII. To Thyrza p. 192 +XIII. Stanzas p. 195 +XIV. To Thyrza p. 197 +Appendix-- +Romaic Books and Authors p. 203 +Specimens of the Romaic p. 207 +Fac Simile of a Romaic Letter [inserted between +Cont. and Half-title] + +II. + +Childe Harold's Pilgrimage./ A Romaunt./ By/ Lord Byron./ [Motto from +_Le Cosmopolite_, seven lines.] The Second Edition./ London:/ Printed +for John Murray, Fleet Street;/ William Blackwood, Edinburgh; and John +Cumming,/ Dublin./ _By Thomas Davison, White-Friars._/ 1812./ [8º. + +_Collation_-- + +Half-title; Title, one leaf; Preface; Cont., pp. i.-xii.; Note on the +Errors in the Inscriptions at Orchomenus, _n.p._; Text, pp. 1-300. The +Imprint (_T. Davison_,/ _Lombard Street, Whitefriars, London_./) is at +the foot of p. 300. + +_Contents_-- + +Childe Harold's Pilgrimage, Cantos I. (93 stanzas), pp. 3-201 +II. (88 stanzas) (N.) +_Poems_ (as in First Ed., Nos. I.-XIV.) pp. 205-237 +XV. Euthanasia p. 241 +XVI. Stanzas ("And thou art dead," etc.) p. 244 +XVII. Stanzas ("If sometimes," etc.) p. 249 +XVIII. On a Cornelian Heart, etc. p. 252 +XIX. To a Youthful Friend p. 253 +XX. To ---- ("Well! thou art happy") p. 260 +Appendix p. 267 +Specimens of the Romaic p. 273 +Fac Simile of a Romaic Letter [inserted between +Half-title and Title] + +III. + +Childe Harold's Pilgrimage,/ A Romaunt: and/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] Third Edition./ +London: _Printed by T. Davison, Whitefriars._/ For John Murray, Fleet +Street;/ W. Blackwood, Edinburgh; and J. Cumming, Dublin./ 1812./ [8º. + +_Note_.--Collation and Cont. are identical with those of the Second +Edition. The Note on the Errors in the Inscriptions at Orchomenus is +omitted. The Fac Simile of a Romaic Letter is inserted at the end of the +volume, after p. 300. + +IV. + +Childe Harold's Pilgrimage,/ a Romaunt:/ and/ Other Poems./ By Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] Fourth Edition./ +London:/ _Printed by T. Davison, Whitefriars_,/ For John Murray, Fleet +Street;/ William Blackwood, and J. Ballantyne and Co. Edin-/ Burgh; and +J. Cumming, Dublin./ 1812./ [8º. + +_Collation_-- + +Title, one leaf, pp. iii., iv.; Preface, pp. v.-ix.; Addition to the +Preface, pp. ix.-xii.; Cont., pp. xi., xii. (_sic_); Text, pp. 1-300. +The Imprint is at the foot of p. 300. + +_Note_.--The Cont. are identical with those of the Second Edition. The +Fac Simile of the Romaic Letter is inserted at the beginning of the +volume (in a bound copy between pp. 184, 185). + +V. + +Childe Harold's Pilgrimage,/ A Romaunt:/ and/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] Fifth Edition./ +London:/ _Printed by T. Davison, Whitefriars_,/ For John Murray, +(_removed to_) Albemarle-Street;/ William Blackwood, Edinburgh; and J. +Cumming,/ Dublin./ 1812./ [8º. + +_Collation_-- + +Half-title, pp. iii., iv.; Title, one leaf, pp. v., vi.; Preface, pp. +vii.-xi.; Addition to the Preface, pp. xi.-xiv.; Cont., pp. xv.-xvi.; +Text, pp. 1-300. The Imprint is at the foot of p. 300. + +_Note_.--The Cont. are identical with those of the Second Edition; but +the Fac Simile of the Romaic Letter is not mentioned in the Table of +Cont. nor inserted in the volume. + +VI. + +Childe Harold's Pilgrimage,/ A Romaunt:/ and/ Other Poems./ By Lord +Byron./ [Motto--_Le Cosmopolite_.] The First American Edition./ +Philadelphia:/ Published by Moses Thomas,/ No. 52, Chestnut-Street./ +William Fry, Printer. 1812./ [12º. + +_Collation_-- + +Pp. 179. + +_Note_.--"For sale in Philadelphia, by the publisher, M. Carey, and +Bradford and Inskip; in New York, by Inskip and Bradford, and J. +Eastburn; in Boston, by Munroe and Francis, and West and Blake; and in +Baltimore, by F. Lucas, Junr. William Fry, Printer. 1812." + +VII. + +Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] The Sixth Edition./ +London:/ _Printed by T. Davison, Whitefriars_,/ For John Murray, +Bookseller to the Admiralty,/ And to the Board of Longitude,/ 50, +Albemarle-Street./ 1813./ [8º. + +_Note_.--The Collation and Cont. are identical with those of the Fifth +Edition; but in the Table of Cont. the words "Fac Simile of a Romaic +Letter" occur as in the Fourth Edition; but in the copy belonging to +the British Museum the letter is not inserted. In the Sixth Edition the +words _Childe Harold's Pilgrimage_ are printed in Roman type, and the +words _A Romaunt_ in Gothic type, whereas in all other editions +_Childe_, etc., is in Gothic, and _A Romaunt_ in Roman type. + +VIII. + +Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] Seventh Edition./ +London:/ _Printed by Thomas Davison, Whitefriars_,/ For John Murray, +Albemarle-Street,/1814./ [8º. + +_Collation_-- + +Half-title; Title, one leaf; Preface, etc.; Cent., pp. iii.-xvi.; Text, +pp. 1-296. The Imprint (_T. Davison, Lombard-Street,/ Whitefriars, +London_./) is at the foot of p. 296. The Fac Simile of the Romaic Letter +is inserted between pp. 294, 295. + +_Contents_-- + +To Ianthe p. 3 +Childe Harold's, etc., Canto I. (93 stanzas) p. 6 +Childe Harold's, etc., Canto II. (98 stanzas) p. 65 +Notes to Canto I. p. 121 +Notes to Canto II. p. 125 +Poems-- +Nos. I.-XX. as in Eds. II.-VI. p. 191 +XXI. From the Portuguese p. 245 +XXII. Impromptu in Reply to a Friend p. 246 +XXIII. Address to Drury-Lane Theatre p. 246 +XXIV. To Time p. 250 +XXV. Translation of a Romaic Love Song p. 252 +XXVI. A Song ("Thou art not false," etc.) p. 255 +XXVII. Origin of Love p. 257 +XXVIII. Remember him p. 257 +XXIX. Lines inscribed upon a Cup formed from a Skull p. 261 +Romaic Books and Authors p. 264 +Specimen of the Romaic p. 271 + +IX. + +Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, five lines.] Eighth Edition./ +London:/ Printed for John Murray, Albemarle-Street:/ _By Thomas Davison, +Whitefriars_./ 1814./ [8º. + +_Collation_--Title, one leaf, pp. i., ii.; Preface, pp. iii.-vii.; +Addition to the Preface, pp. vii.-x; Cont., pp. xi., xii.; Text, pp. +1-296. + +_Note_.--The Cont. are identical with those of the Seventh Edition. + +X. + +Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, five lines.] Tenth Edition./ +London:/ Printed for John Murray; Albemarle-Street,/ 1815./ [8º. + +_Collation_--Title (R. _T. Davison, Lombard street/ Whitefriars, +London./_), pp. i., ii.; Preface, pp. iii.-vii.; Addition to the +Preface, pp. vii.-x.; Cont., pp. xi., xii.; Text, pp. 1-302. The Imprint +(_T. Davison, Lombard-Street, /Whitefriars, London._/) is in the centre +of p. [304]. + +_Note_.--The Cont. are identical with those of the Seventh Edition, save +for the insertion of a thirtieth (No. XXX., p. 263) poem, "On the Death +of Sir Peter Parker." + +XI. + +Childe Harold's Pilgrimage./ Canto the Third./ By Lord Byron./ "Afin que +cette application vous forçât de penser à autre chose; il n'y a/ en +vérité de remède que celui-là et le temps."/ Lettre du Roi de Prusse à +D'Alembert, Sept. 7, 1776./ London:/ Printed for John Murray, +Albemarle-Street./ 1816./ [8º. + +_Collation_--Half-title (R. Published THIS DAY in 8vo. 5_s_.6_d_./ THE +PRISONER OF CHILLON;/ A DREAM;/ And Other Poems./ By the Right Hon. Lord +Byron./ _T. Davison, Lombard Street,/ Whitefriars, London._/); Title, +one leaf; Text, pp. 1-79. + +_Note_ (1).--The Imprint, as above, is at the foot of p. 79; and on the +reverse of p. 79, "List of the Poems," etc. + +_Note_ (2).--_Childe Harold's Pilgrimage_, Canto III., was published at +Boston, 1817, 16º, pp. 72; and, together with _The Prisoner of Chillon_ +and other Poems, at Philadelphia, 1817, 16º. + +XII. + +Childe Harold's Pilgrimage./ Canto the Fourth./ By Lord Byron./ Visto ho +Toscana, Lombardia, Romagna,/ Quel Monte che divide, e quel che serra/ +Italia, e un mare e l'altro, che la bagna./ Ariosto, Satira iii./ +London:/ John Murray, Albemarle-Street./ 1818./ [8º. + +_Collation_--Title, pp. i., ii.; Dedication, pp. iii.-xiv.; Cont., +_n.p._; Text, pp. 1-257. The Imprint (_T. Davison, Lombard-Street, +Whitefriars, London_.) is at the foot of p. [259]. + +_Contents_-- + +Childe Harold's, etc., Canto IV. [N.] p. 3 +Poems. _Romance_, etc. p. 240 +Translation p. 241 +Per Monaca. Sonetto di Vittorelli p. 256 +Translation p. 257 + +_Note_ (1).--In another copy, Cont., _n.p._, precedes the Dedication. + +_Note_ (2).--_Childe Harold's Pilgrimage_, Canto IV., to which are added +_Beppo_, and other Poems, was published at Philadelphia in 1818, 24º, +pp. 270. + +XIII. + +Childe Harold's/ Pilgrimage./ Canto the Fourth./ By Lord Byron./ +[Motto--Ariost., Sat. iii., four lines.] New York:/ Published by James +Eastburn and Co./ At the Literary Rooms, Broadway./ Clayton & Kingsland, +Printers./ 1818./ [12º. + +_Collation_-- + +Pp. 143. + +XIV. + +Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord +Byron./ [Motto from _Le Cosmopolite_, six lines.] Eleventh Edition./ +London:/ John Murray, Albemarle-Street./ 1819./ [8º. + +_Note_.--The Collation of the preliminary matter is identical with that +of the Tenth Edition. The Cont. are also identical, save that on p. 274 +a note headed "Conclusion" (on pp. 301, 302 of the Tenth Edition) is +omitted. The Imprint (_London:/ Printed by Thomas Davison, +Whitefriars./_) is at the foot of p. 274. + +XV. + +Childe Harold's/ Pilgrimage./ A Romaunt,/ In Four Cantos./ By the Right +Honourable/ Lord Byron./ In Two Volumes./ Vol. I./ [Vol. II.] Containing +Cantos I., II./ London:/ John Murray,/ Albemarle-Street./ 1819./ [8º. + +_Collation_-- + +Vol. I.: Title (R. _London:/ Printed by T. Davison, Whitefriars./_), pp. +iii., iv.; Half-title (R. Motto, _Le Cosmopolite_, eight lines), pp. v., +vi.; Preface, pp. vii.-xiv.; Cont., one leaf; Text, pp. 1-218. The +Imprint (_T. Davison, Lombard Street,/ Whitefriars, London./_) is in the +centre of p. [220]. + +Vol. II.: Title (R. Imprint, as above); Cont., one leaf; Text, pp. +1-273; Advt. of _Historical Illustrations_ (R. Imprint, _London:/ +Printed by Thomas Davison, Whitefriars_), pp. [275, 276]. + +XVI. + +_Childe Harold's Pilgrimage_. [Two vols.] Leipzig, Brockhaus. 1820. [8º. + +[Kayser, 1834.] + +XVII. + +Childe Harold's/ Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ +Printed and Published by W. Dugdale,/ Russell Court, Drury Lane./ 1825./ +[12º. + +_Collation_-- + +Pp. vi. + 7-182. + +XVIII. + +_Childe Harold's Pilgrimage_. [Two vols.] Paris, A. and W. Galignani. +1825. [32º. + +XIX. + +Childe Harold's/ Pilgrimage,/ A Romaunt:/ By Lord Byron./ London:/ +Printed and Published by W. Dugdale/ 23, Russell Court, Drury Lane./ +1826./ [12º. + +_Collation_-- + +Pp. vi. + 1-162. + +XX. + +Childe Harold's/ Pilgrimage;/ A Romaunt./ In Four Cantos./ By Lord +Byron./ London:/ Printed for Thomas Colmer,/ 2, Bell-Isle, Battle +Bridge./ 1827./ [24º. + +_Collation_-- + +Pp. vi. + 161. + +XXI. + +_Childe Harold's Pilgrimage_, a poem by Lord Byron. [Two vols.] Paris. +1827. [16º. + +[_Le Moniteur_; etc., 1845.] + +XXII. + +Childe Harold's Pilgrimage./ A Romaunt./ By the/ Right Hon. Lord Byron./ +London:/ John Buncombe, 19, Little Queen Street,/ Holborn./ [1831?] +[12º. + +_Collation_-- + +Pp. viii. + 9-270. + +_Note_.--The Front. is "Lord Byron," by T. Phillips, R.A., engraved by +R. Page. + +XXIII. + +Childe Harold's/ Pilgrimage./ A Romaunt/ By/ Lord Byron./ Campe's +Edition./ Nuremberg and New York./ Printed and Published by/ Frederick +Campe and Cº/ [1831.] [12º. + +_Collation_-- + +Pp. 333. + +XXIV. + +Childe Harold's/ Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John +Murray, Albemarle Street./ 1837. [8º. + +_Collation_-- + +Pp. 329. The Imprint (_London:/ Printed by A. Spottiswoode,/ +New-Street-Square._) is in the centre of p. [330]. + +_Note_.--The Front., "Byron," is engraved by E. Finden, from the +portrait by E. Sanders. The Vignette, or illustrated Title, is the "Lake +of Geneva," engraved by E. Finden from a drawing by G. Stainfield, R.A. +This edition is bound in green cloth, stamped with coat-of-arms, uniform +with No. xiv. of Miscellaneous Poems. + +XXV. + +_Childe Harold's Pilgrimage_. Mannheim, Hoffmann. 1837. [12º. + +[Kayser, 1841.] + +XXVI. + +Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John +Murray, Albemarle Street./ 1841. [8º. + +_Collation_-- + +Half-title (R. Motto from _Le Cosmopolite_, seven lines), pp. i., ii.; +Title (R. _Bradbury and Evans, Printers extraordinary to the Queen, +Whitefriars._), pp. iii., iv.; Preface, and Addition to Preface, pp. +v.-viii.; List of Embellishments, pp. ix.-xi.; Half-title, pp. xiii., +xiv.; To Ianthe, pp. xv., xvi.; Text, pp. 1-320. The Imprint, as above, +is at the foot of p. 320. + +_Note_.--The Front. is a portrait of "Lord Byron, in his Albamanian +Dress," by T. Phillips, R.A., engraved by W. Finden. The Title-vignette +on illustrated title is the "Monument of Lysicrates," drawn by H. +Warren, engraved by W. Finden. There are fifty-nine other +"embellishments," and, inserted between pp. [228], [229], a Map of Lord +Byron's Route through Spain, Portugal, Holland, etc., with "Picturesque +Border." + +XXVII. + +_Childe Harold's Pilgrimage_, with Notes by Lord Byron, Carton demi rel. +Jolie éd. London. 1842. [12º. + +[_Le Moniteur_, etc., 1845.] + +XXVIII. + +Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John +Murray, Albemarle Street./ 1853./ [8º. + +_Collation_-- + +Pp. xii. (To Ianthe, pp. xi., xii.) + 311. The Imprint (_London:/ +Bradbury and Evans, Printers, Whitefriars./_) is in the centre of P. +[312]. + +XXIX. + +_Childe Harold herausg. von Aug. Mommsen_. Hamburg, Th. Niemeyer. 1853. +[Hamburg, 1869.] [8º. + +[Kayser, 1860.] + +_Collation_-- + +Pp. iv. + 189. + +XXX. + +_Childe Harold's/ Pilgrimage_,/ von/ Lord Byron./ [Two Vols.] Erklärt/ +von/ Ferd. Brockerhoff./ Erstes Bändchen./ Berlin./ Verlag von Th. Chr. +Fr. Enslin./ 1854./ [8º. + +_Collation_-- + +Pp. 163. + +_Note_.--Bdchn. of _Sammlung englischer Schriffsteller_. Berlin, Th. +Enslin. 1853-1855. "Siebentes Bändchen" contains Cantos I., II.; +"Neuntes Bändchen" (pp. 214), published in 1855, contains Cantos III., +IV. + +XXXI. + +Childe Harold's Pilgrimage/ A Romaunt/ By Lord Byron/ Illustrated From +Original Sketches/ London:/ John Murray, Albemarle Street./ 1859./ [8º. + +_Collation_-- + +Title (R. Motto, _Le Cosmopolite_, six lines; Note, two lines); +Vignette, "Newstead Abbey" (R. The Illustrations drawn on Wood by +Percival Skelton./ Engraved by J.W. Whymper and J. Cooper./); List of +Illustrations, four pages; Text, pp. 1-329. The Imprint (_Printed by R. +and R. Clark, Edinburgh_) is at the foot of p. 329. + +_Note_.--This edition was reissued in 1869. + +XXXII. + +Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ New Edition./ +London:/ John Murray, Albemarle Street./ 1860./ [8º. + +_Collation_-- + +Pp. 192. The Imprint (_London: Printed by William Clowes and Sons, +Stamford Street_) is at the foot of p. 192. + +_Note_.--Murray's Complete Edition. Price One Shilling. The Front. is +"The Earliest Portrait of Byron. Taken at the age of 7 years, from an +original by Kay, Edinburgh," engraved by E. Finden. + +XXXIII. + +Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ A New Edition./ +London:/ John Murray, Albemarle Street./ 1860./ [8º. + +_Collation_-- + +Pp. 60. The Imprint (_London: Printed by William Clowes and Sons, +Stamford Street,/ And Charing Cross./_) is on Reverse of Title. + +_Note_.--"Murray's Complete Edition." Price Sixpence. The Front. is a +lithograph of the portrait of Lord Byron, by T. Phillips, R.A. + +XXXIV. + +_Childe Harold's Pilgrimage_. A Romaunt. Leipzig, B. Tauchnitz. 1862. +[16º. + +[Kayser, 1865.] + +XXXV. + +Childe Harold's/ Pilgrimage/ A Romaunt/ By/ Lord Byron/ With a Memoir/ +By/ William Spalding, A.M./ Professor of Logic and Rhetoric in the +University of Saint Andrews/ Illustrated/ London/ Charles Griffin and +Company/Stationer's Hall Court/ [1866] [8º. + +_Collation_-- + +Pp. 180. + +_Note_.--The Front, is an engraving of the medallion by E.W. Wyon. + +XXXVI. + +_Childe Harold's Pilgrimage_. A Romaunt. Mit erläut. Anmerkungen zum +Schul-u. Privatunterricht bearb. von P. Weeg. 1867. [8º. + +_Note_.--No. V., Sammlung gediegener u. interessanter Werke der +englischen Litteratur. Münster, Brunn's Verl. 1868-1870. [Kayser, 1871.] + +XXXVII. + +Byron's/ Childe Harold's/ Pilgrimage/ A Romaunt/ With Notes/ W. & R. +Chambers/ London and Edinburgh/ 1877/ [12º. + +_Collation_-- + +Pp. 180. + +XXXVIII. + +Lord Byron/ Childe Harold's/ Pilgrimage/ Édition classique/ Par/ James +Darmesteter/ Docteur ès-Lettres/ Directeur-Adjoint à l'École des Hautes +Études/ Paris/ librairie Ch. Delagrave/ 15, rue Soufflot, 15/ 1882/ [8º. + +_Collation_-- + +Pp. xxxv. + 342. + +XXXIX. + +_Childe Harold's Pilgrimage_. Texte anglais, revu et annoté par l'abbé +A. Julien. Paris, Poussielque frères. 1883. [12º. + +[Lorenz, 1886.] + +XL. + +Clarendon Press Series/ Byron/ Childe Harold/ Edited/ With Introduction +and Notes/ By/ H.F. Tozer, M.A./ Fellow and Tutor of Exeter College, +Oxford/ At the Clarendon Press/ 1885/ [_All rights reserved_]/ [8º. + +_Collation_-- + +Pp. 336. + +XLI. + +_Childe Harold's Pilgrimage_. Illustrated. London, Chatto. 1885. [8º. + +[_Eng. Cat._, 1891.] + +XLII. + +Lord Byron,/ Childe Harold's/ Pilgrimage./ A Romaunt./ Erklärt/ von/ +August Mommsen./ Berlin./ Weidmannsche Buchhandlung./ 1885./ [8º. + +_Collation_-- + +Pp. xxxvi. + 367. + +XLIII. + +Cassell's National Library./ Childe Harold's/ Pilgrimage./ By/ Lord +Byron./ Cassell & Company, Limited:/ London, Paris, New York & +Melbourne./ 1886./ [16º. + +_Collation_-- + +Pp. 192. + +XLIV. + +Childe Harold's/ Pilgrimage/ A Romaunt/ By Lord Byron/ Illustrated/ +Boston/ Ticknor and Company/ 1886/ [8º. + +_Collation_-- + +Pp. 236. + +XLV. + +_Childe Harold's Pilgrimage_: edited with Notes by W.J. Rolfe, +Philadelphia. 1886. [16º. + +[Detroit Public Library.] + +XLVI. + +_Childe Harold's Pilgrimage_. Leipzig, Gressner & Schramm. 1886. [16º. + +[Kayser, 1887.] + +XLVII. + +_Childe Harold's Pilgrimage_. By Lord Byron. Im Auszuge m. Anmerkgn. zum +Schulgebrauch hrsg. v. Mart. Krummacher. Mit Anmerkgn. unter dem Text. + +_Note_.--No. 13 of "English Authors." Bielefeld, Velhagen, and Klasing. +1885-1886. [Kayser, 1887.] + +XLVIII. + +Childe Harold's/ Pilgrimage/ A Romaunt/ By/ Lord Byron/ London/ George +Routledge and Sons/ Broadway, Ludgate Hill/ Glasgow and New York/ 1888/ +[16º. + +_Collation_-- + +Pp. viii. + 9-320. + +_Note_.--Part of "Routledge's Pocket Library." + +XLIX. + +_Childe Harold's Pilgrimage_. Im Auszuge hrsg. v. Mart. Krummacher. +1891. [Reissued in 1893.] [12º. + +_Note_.--Part of "English Authors," _vide supra_, No. xlvii. + +L. + +Sir John Lubbock's Hundred Best Books/ 29/ Childe Harold's/ Pilgrimage/ +A Romaunt/ By/ Lord Byron/ London/ George Routledge and Sons, Limited/ +Broadway, Ludgate Hill/ Manchester and New York/ 1892/ [8º. + +_Collation_-- + +Pp. x. + 11-249. + +LI. + +Byron's/ Childe Harold/ With Introduction and Notes/ By/ H.G. Keene, +Hon. M.A. Oxon.,/ Fellow of Calcutta University, Author of "A Manual of/ +French Literature," etc./ London/ George Bell & Sons, York St., Covent +Garden/ And New York/ 1893/ [8º. + +_Collation_-- + +Pp. xx. + 255. + +LII. + +Byron/ Childe Harold/ Texte Anglais/ Publié avec une Notice, des +Arguments/ Et des Notes en Français/ Par Émile Chasles/ Inspecteur +général de l'Instruction publique/ Paris/ Librairie Hachette et C'ie/ +79, Boulevard Saint-Germain, 79/ 1893/ [8º. + +_Collation_-- + +Pp. xxvi. + 261. + +_Note_.--This edition was reissued in 1894. + +LIII. + +_Childe Harold's Pilgrimage: a Romaunt_. New York, T.Y. Crowell & Co. +1894. + +[_Amer. Cat._, 1895.] + +_Collation_-- + +Pp. 9 + 283. + +LIV. + +Arnold's British Classics for Schools/ General Editor:/ J. Churton +Collins, M.A./ Childe Harold's/ Pilgrimage/ Edited by/ The Rev. E.C. +Everard Owen, M.A./ Late Fellow of New College, Oxford; Assistant +Master/ In Harrow School./ Edward Arnold/ London/ 37 Bedford Street/ New +York/ 70 Fifth Avenue/ [1897] [8º. + +_Collation_-- + +Pp. lxii. + 236. + +LV. + +Childe/ Harold/ A Romaunt/ George/ Gordon/ Lord/ Byron/ 1898. Published. +by. J.M. Dent. / And. Co.. Aldine. House. London. E.C./ [8º. + +_Collation_-- + +Pp. xii. + 310 + Note (one leaf) by Editor, I.G., October 1, 1898. + +_Note_.--Part of the "Temple Classics," edited by Israel Gollmer, M.A. +The Front. is a photogravure of the portrait of "George Gordon Lord +Byron," by T. Phillips, R.A. + +LVI. + +Childe Harold's/ Pilgrimage/ A Romaunt by Lord Byron/ Cantos I. and II./ +Edited with Notes and an Introduction by/ Edward E. Morris/ Professor of +English in the University of Melbourne/ London/ Macmillan and Co., +Limited/ New York: The Macmillan Company/1899/ _All rights reserved/_ +[8º. + +_Collation_-- + +Pp. xxxvi. + 115. + +LVII. + +Childe Harold's/ Pilgrimage/ A Romaunt by Lord Byron/ Cantos III. and +IV./ Edited with Notes and an Introduction by/ Edward E. Morris/ +Professor of English in the University of Melbourne/ London/ Macmillan +and Co., Limited/ New York: The Macmillan Company/ 1899/ _All rights +reserved/_ [8º. + +_Collation_-- + +Pp. xxxvi. + 168. + +_Note_.--The Introduction (pp. vii.-xxxvi.) is a repetition of the +Introduction to the preceding volume. + +LVIII. + +_Childe Harold's Pilgrimage: a Romaunt_. Cantos 1, 2, 3, and 4; Edited +with Notes and Introduction by E. Morris. New York, The Macmillan Co. +[Two vols.] 1899. [8º. + +[_Amer. Cat._, 1900.] + +_Collation_-- + +Vol. I.: pp. 36 + 115. + +Vol. II.: pp. 36 + 168. + +_Note_.--Part of "Macmillan's English Classics." + +LIX. + +_Childe Harold's Pilgrimage: a Romaunt_. Edited with Introduction and +Notes by Andrew J. George. New York., The Macmillan Co. 1899. [16º. + +[_Amer. Cat._, 1900.] + +_Collation_-- + +Pp. 34 + 282. + +_Note_.--Part of "Macmillan's Pocket English Classics." + +LX. + +_Childe Harold's Pilgrimage_. New York, Cassell. 1900. + +[_Amer. Cat._, 1901.] + +_Collation_-- + +Pp. 192. + +_Note_.--Part of "Cassell's National Library," N.S. + +LXI. + +Lord Byron/ Childe Harold's/ Pilgrimage/ Canto II./ Edited by/ John +Downie, M.A./ Editor of Macaulay's Lives of Johnson and Goldsmith, Etc. +Etc./ London/ Blackie and Son, Limited, 50 Old Bailey, E.C./ Glasgow and +Dublin/ 1901/ [8º. + +_Collation_-- + +Pp. 47. + +LXII. + +Lord Byron/ Childe Harold's/ Pilgrimage/ Canto III./ Edited by/ John +Downie, M.A./ [etc., _vide supra_, No. lxi.] 1901/ [8º. + +_Collation_-- + +Pp. 47. + +_Note_.--This and the preceding volume form part of "Blackie's English +Classics." + + +_Translations of Childe Harold's Pilgrimage_. + + +_Armenian_. + +Lord Byron/ Childe Harold's Pilgrimage/ Italy/ [Canto IV.] Venice/ +Printed/ at the Armenian Monastery of S. Lazarus/ 1872/ [16º. + +_Collation_-- + +Pp. 147. + +_Note_.--The Armenian verse, translated by Gheuond Alíshanian, +accompanies the English original. The Notes are in the Armenian +language. + + +_Bohemian_. + +_Childe Haroldova pout'_ Prelozila El. Krásnohorská [in Kabinetní +Knihovna]. 1890. + + +_Danish_. + +Junker Harolds Pilgrimsfart./ Et Romantisk Kvad./ Af/ Byron./ Oversat +af/Adolf Hansen/Kjøbenhavn./ Forlagt af J.H. Schubothes Boghandel./ +Græbes Bogtrykkerei. 1880/ [8º. + +_Collation_-- + +Pp. 237. + + +_French_. + +I. + +_Le Pélerinage de Childe Harold_, poème romantique de lord Byron, +traduit en vers français par l'auteur des _Helléniennes_ et des +_Mélodies poétiques_. Paris, Dupont. 1828. [18º. + +[Quérard, 1846.] + +_Collation_-- + +Pp. 288. + +II. + +_Le Pélerinage de Childe Harold_, traduit par P.A. Deguer. Paris, +Ponthieu. 1828. [18º. + +[Quérard, 1846.] + +_Collation_-- + +Pp. 84. + +III. + +Le Pélerinage/ de/ Childe Harold/ Traduction en vers français/ Par/ +Eugène Quiertant./ [Motto, _Le Cosmopolite_, nine lines.] Paris/ +Librairie de Ch. Blériot,/ rue Bonaparte, 25. 1861./ [8º. + +_Collation_-- + +Pp. viii. + 266 + "Note de L'Éditeur," one leaf. + +_Note_.--Le premier chant de cette traduction avail déja été publié en +1852. [Lorenz, 1867.] + +IV. + +Childe Harold/ Poëme de Lord Byron/ Traduit en vers français/ Par/ +Lucien Davésiès de Pontès./ Tome premier./ Paris/ E. Dentu, +libraire-éditeur,/ Galerie D'Orléans, Palais-Royal./ 1862./ [8º. + +_Collation_-- + +Vol. I.: pp. lv. + 232. + +Vol. II.: pp. 334 + "Errata," one leaf, p. [335]. + +V. + +_Le Pélerinage de Childe Harold_, traduit en vers d'après l'édition +anglaise de 1812; précédé de Marie-Magdaleine, poëme, et de diverses +poésies, par Victor Robert Jones, Saint-Quentin, _imprimerie Monreau_. +1862. [12º. + +[Lorenz, 1867.] + +VI. + +_Childe Harold_, poëme de lord Byron, traduit en vers français par +Lucien Davésiès de Pontès, 2^e édition revue et corrigée par le +bibliophile Jacob. Paris, _Amyot_. 1870. [12º. + +[Lorenz, 1876.] + +VII. + +_Childe Harold_. Expliqué littéralement, traduit en français et annoté +par H. Bellet. Paris, _Hachette et Cie_. 1881. + +[12º. + +[Lorenz, 1886.] + +VIII. + +_Childe Harold's Pilgrimage_. Traduction française littérale, par l'Abbé +A. Julien. Paris, _Poussielque frères_. 1883. + +[12º. + +[Lorenz, 1886.] + +IX. + +_Childe Harold_, Édition classique, précédée d'une notice littéraire, +par M.A. Elwall. Paris, _Delalain frères_. 1892. + +[12º. + +[Lorenz, 1900.] + +X. + +_Childe Harold_, Édition classique, avec une notice biographique et +littéraire, un appendice et des notes par Douglas Gibb. Paris, _Belin +frères_. 1892. [12º. + +[Lorenz, 1900.] + +_German_. + +I. + +_Harold, der Verwiesene_. Aus. d. Engl. v. Karl Baldamus. Leipzig, +Hartmann. 1835. [8º. + +[Kayser, 1841.] + +II. + +Ritter Harold's Pilgerfahrt./ Aus dem Englischen/ des/ Lord Byron./ Im +Versmass des Originals übersetzt/von/ Zedlitz:/ Stuttgart und Tübingen,/ +Verlag der J.G. Cotta'schen Buchhandlung. 1836./ [8º. + +_Collation_-- + +Pp. xvi. + 381 + Berichtungen, p. [382]. + +III. + +_Jungherrn Harold's Pilgerfahrt_. Aus d. Engl. ins Deutsche übersetzt +von Dr. Herm. v. Pommer Esche. Stralsund, Löffler'sche Buch. 1839. [8º. + +[Kayser, 1841.] + +IV. + +_Erster Gesang des Childe Harald_. Freie Uebertragung in Reimen v. C.D. +Ansbach, Dollfuss. 1845. [12º. + +[Kayser, 1848.] + +V. + +Byron's/ Ritter Harold/ von/ Adolf Böttger/ Diamantausgabe./ Leipzig./ +Druck und Verlag von Otto Wigand./ 1846./ [16º. + +_Collation_-- + +Pp. 194. + +_Note_.--The Front. is a portrait of "Byron" (by G. Sanders), engraved +by A.H. Payne. + +VI. + +Childe Harold's/ Pilgerfahrt/ von/ Lord George Gordon Byron./ Aus dem +Englischen im Versmass des Originals/ übersetzt/ von/ Alexander +Büchner./ Frankfurt a/ M./ Verlag von Meidinger Sohn und Cie./ 1853./ +[16º. + +_Collation_-- + +Pp. xxiii. + 342. + +_Note_.--The translation was reissued in 1855. + +VII. + +Harold's/ Pilgerfahrt./ Aus dem Englischen des Lord Byron./ Uebersetzt +von/ Erich von Monbart./ Köln, 1865./ Druck, Franz Greven, +Burgmauer-Ecke 113. [8º. + +_Collation_-- + +Pp. 143. + +VIII. + +Childe Harold's/ Pilgerfahrt/ von/ Lord Byron./ Deutsch/ von/ A.H. +Janert./ Hildburghausen./ Verlag des Bibliographischen Instituts./ +1868./ [8º. + +_Collation_-- + +Pp. 191. + +_Note_.--No. 87 of the "Bibliothek ausländischer Klassiker." + +IX. + +Jung Harold's/ Pilgerfahrt./ Von Byron./ Aus dem Englischen metrisch +übersetzt/ von/ Ferdinand Schmidt./ Berlin./ Verlag von W.O.H. +Stempelmann./ 1869./ [12º. + +_Collation_-- + +Pp. 132 + "Anmerkungen," pp. [133, 134]. + +X. + +_Ritter Harold's Pilgerfahrt_. Eine Romanze v. Lord Byron. Frei ubers. +v. Adf. Seubert. [16º. + +[Kayser, 1877.] + +_Collation_-- + +Pp. 224. + +_Note_.--Nos. 516, 517 of the "Universal Bibliothek," Leipzig, 1871-76. + +XI. + +_Childe Harold's Pilgerfahrt_. Ein Epos. Übertr. v. F. Dobbert. 1893. +[8º. + +[Kayser, 1894.] + +_Collation_-- + +Pp. vi. + 192. + +_Note_.--Part of the "Bibliothek der Gesammtlitteratur d. In u. +Auslandes." + +_Hungarian_. + +Childe Harold/ Byron/ után/ anya nyelvéböl magyarra forditotta/ +Bickersteth Johanka/ Nyomtatta PUKY MIKLOS Genfben/ 1857/ [8º. + +_Collation_-- + +Pp. 211. [Line-borders.] + + + +_Italian_. + +I. + +L'Italia,/ Canto IV./ del pellegrinaggio/ di Childe H_A_Rold,/ Scritto/ +da Lord Byron,/ E tradotto/ da Michele Leoni./ Italia,/ 1819./ [8º. + +_Collation_-- + +Pp. 77. + +II. + +_Il pellegrinaggio del Giovine Aroldo_: poema di Lord Byron, tradotto dá +Giuseppe Gazzino genovese. Genova, tipografia arcivescovile, 1836. [8º. + +[_Bibl. Ital._, Nov.-Dec., 1836.] + +III. + +L'Italia/ Canto/ di Lord Byron/ Accomodato/ All' indole del verso +italiano/ da/ Melchior Missirini/ Publicato per cura/ del professore/ +Francesco Longhena./ Milano/ Coi tipi di Vincenzo Guglielmini/ 1848/ +[8º. + +_Collation_-- + +Pp. 95. + +IV. + +_Il pellegrinaggio del giovane Aroldo_: poema recato in italiano da Fr. +Armenio. Napoli, 1858. [8º. + +[Pagliaini, 1901.] + +V. + +_Il pellegrinaggio del giovane Aroldo_: con la traduzione armena. Ultimo +canto. Venezia. t.s. Lazard, 1860. [8º. + +[Pagliaini, 1901.] + +VI. + +Byron/ Pellegrinaggio D'Aroldo/ Traduzione/di/Giovanni Giovio/ [Then +something on poetry/] Schak./ Milano/ Giuseppe Bernardoni/ +Tipografo-editore/ 1866/ [8º. + +_Collation_-- + +Pp. xxxiii. + 122 + "Note," pp. [125, 126]. + +VII. + +Italia/ Canto di Giorgio Byron/ Tradotto/ da/ Andrea Maffei./ Firenze,/ +Successori le Monnier./ 1872./ [8º. + +_Collation_-- + +Pp. 190. + +_Note_.--This edition was reissued in 1874 and in 1897. + +VIII. + +Il pellegrinaggio/ D'Aroldo./ Poema/ di Lord Byron/ Tradotto/ da Carlo +Faccioli./ [Emblem, rose and butterfly, with motto, "_Non Bramo Altr' +Esca._"] Firenze,/ G. Barbèra, editore./ 1873./ [8º. + +_Collation_-- + +Pp. xii. + 249 + Indice, p. [251]. + + +_Polish_. + +I. + +_Poezye w tłumaczeniu polskiém_. Tom. I. (przez Michała Budzyúskiego): +Wedrówki Czaild Harolda. pp. 256. _M. Wolf: Petersburg_, 1857. [8º. + +II. + +_Pielgrzymka Czajlda Harolda_ ... z=polszczone przez Wiktora z Baworowa, +_etc. we Lwowie_, 1857. [12º. + +III. + +_Wędrówki Czaild-Harolda_ ...Przełożył Frederyk Krauze. 1865-71. + +IV. + +_Wędrówki Rycerza Harolda_ ...Przekład Jana Kasprowicza. _Warszawa_, +1895. + +V. + +_Wędrówki Czaild-Harolda_ ... Tłómaczony ... przez A.A. K[rajewskiego], +_Kraków_, 1896. + + +_Russian_. + +I. + +Чайльдъ-Гарольдъ ... пер. Д. Минаева. ["Русское Слово," 1864.] +[Cyrillic: Chail'd"-Garol'd" ... per. D. Minaeva. "Russkoe Slovo," +1864.] + +II. + +Чайльдъ-Гарольдъ ... пер. П.А. Козлова. ["Русская Мыслъ," 1890. No. 1, +2, 11.] [Cyrillic: Chail'd"-Garol'd" ... per. P.A. Kozlova. "Russkaya +Miesl"] + + +_Swedish_. + +Childe Harolds/ Pilgrimsfärd/ Af/ Lord Byron./ Öfversatt Af/ A.F. +Skjöldebrand./ Stockholm./ Tryckt Hos Johan Hörberg,/ 1832./ [8º. + +_Collation_-- + +Pp. 192. + + +_The Corsair_. + +I. + +The Corsair,/ A Tale./ By Lord Byron./ "---- I suoi pensieri in lui +dormir non ponno."/ Tasso, _Canto decimo, Gerusalemme Liberata_./ +London:/ _Printed by Thomas Davison, Whitefriars_, For John Murray, +Albemarle-Street./ 1814./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.; +Dedication, "To Thomas Moore, Esq.," pp. v.-xi.; Text (and Notes), pp. +1-100. + +_Note_.--The Text numbers 1863 lines, the half-lines 154, 159, 669 being +reckoned as whole lines. Other half-lines are not so reckoned, and the +First Edition actually numbers 1860 lines. + +II. + +The Corsair,/ A Tale./ By Lord Byron./ "---- I suoi pensieri in lui +dormir non ponno."/ Tasso, _Canto decimo, Gerusalemme Liberata_./ Second +Edition./ London:/ _Printed by Thomas Davison, Whitefriars_,/ For John +Murray, Albemarle-Street./ 1814./ [8º. + +_Collation_-- + +Half-title, etc. (_vide supra_); Text, with Notes and Six Poems, pp. +1-108. The Imprint (_T. Davison, Lombard Street,/ Whitefriars, +London./_) is at the foot of p. 108. + +_Poems_-- + +To a Lady weeping p. [101] +From the Turkish p. 102 +Sonnet, To Genevra ("Thine eyes," etc.) p. 104 +Sonnet, To Genevra ("Thy cheek," etc.) p. 105 +Inscription on the Monument of a Newfoundland Dog p. 106 +Farewell ("Farewell! if ever," etc.) p. 108 + +III. + +The Corsair,/ A Tale./ ... Third Edition./ ... 1814./ [8º. + +_Collation_-- + +_Vide supra_, No. 1. The Imprint (_Printed by T. Davison, +Lombard-Street,/ Fleet Street._/) is at the foot of p. 100. + +_Note_.--The Poems which were inserted in the Second Edition pp. +[101]-108, were omitted in the Third Edition. + +IV. + +The Corsair,/ A Tale./ ... Fourth Edition.... 1814./ [8º. + +_Collation_-- + +_Vide supra_, the Second Edition, No. ii. + +_Note_.--The Poems inserted in the Second, and omitted in the Third, are +included in the Fourth Edition. + +V. + +The Corsair,/ A Tale./ By Lord Byron./ [Motto as above, No. i.] Fifth +Edition./ London:/ Printed for John Murray, Albemarle-Street;/ _By +Thomas Davison, Whitefriars_,/ 1814./ [8º. + +_Collation_-- + +_Vide supra_, the Second Edition, No. ii. + +VI. + +The Corsair,/ A Tale./ ... Sixth Edition./ ... 1814./ [8º. + +_Collation_-- + +For Title, _vide supra_, the Fifth Edition, No. v. + +VII. + +The Corsair,/ A Tale./ ... Seventh Edition./ ... 1814./ [8º. + +_Collation_-- + +_Vide supra_, Second Edition, No. ii. + +_Note_.--In this edition the last four lines of Canto I. stanza xi. +("The first may turn ... still it stings!") were added, together with +the Note, to Canto II., p. 33, line 18, "It has been objected," etc. The +poem numbers 1863 lines, the additional lines not being included in the +numeration. + +VIII. + +The Corsair,/ A Tale./ By Lord Byron./ [Motto as above.] From the Fifth +London Edition./ New-York:/ Published by Eastburn, Kirk, and Co./ +Literary Rooms, Corner of Wall and Nassau Streets./ 1814./ [6º. + +_Collation_-- + +Pp. xi. + 108. + +_Note_.--_The Corsair_ was also published in Philadelphia in 1814, 16º. + +IX. + +The Corsair;/ A Tale./ By Lord Byron./ [Motto as above.] Ninth Edition./ +London:/ Printed for John Murray, Albemarle-Street./ 1815./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.; +Dedication, pp. v.-xi.; Text, with Notes, pp. 1-112. The Imprint (_T. +Davison, Lombard-Street,/ Whitefriars, London._/) is at the foot of p. +112. + +_Note_.--The poem numbers 1864 lines, the four new lines at the end of +Canto I. stanza xi. being included in the numeration. Pp. 101-104 +contain "Note 17, p. 95, last line," on the Pirates of Barataria, and +(secondly) on Archbishop Blackbourne. + +X. + +The Corsair,/ A Tale./ By Lord Byron./ [Motto as above.] Tenth Edition./ +London:/ John Murray, Albemarle-Street./ 1818./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by T. Davison, Whitefriars_./), pp. 1, +2; Title, one leaf, pp. 3, 4; Dedication, pp. 5-9; Text, pp. 11-96; +Notes, pp. 97-105; Poems, pp. [107]-114. + +_Note_.--The poem is (incorrectly) numbered 1873 lines, line 1506 being +numbered 1511. + +XI. + +The Corsair./ A Tale./ By Lord Byron./ [Motto as above.] London: Printed +and Published by W. Dugdale,/ _23, Russell Court, Drury Lane_./ 1825./ +[12º. + +_Collation_-- + +Pp. 72. + +XII. + +The Corsair./ A Tale./ By Lord Byron./ "---- I suoi pensieri in lui +dormir non ponno"--Tasso./ [London, 1844.] [8º. + +_Collation_-- + +Pp. iv. + 5-48. + +_Note_.--Part of "Clarke's Home Library." + +XIII. + +The Corsair:/ A Tale./ By/ Lord Byron./ London: Archd. K. Murray & Co.,/ +30 Queen Square, W.C.:/ Glasgow: 243 Parliamentary Road./ 1867./ [16º. + +_Collation_-- + +Pp. 122. + +_Note_.--- Part of "Murray's Standard Poets." + + +_Translations of The Corsair_. + + +_German_. + +I. + +_Der Korsar_, eine Erzählung. [Deutsch v.] F.L. von Tschirsky. Berlin, +Maurer. 1816. [12º. + +[_Centralblatt, etc._, 1890, vol. vii, p. 472.] + +II. + +_Der Korsar_, eine Erzählung. [Deutsch von] Elise von Hohenhausen. +Altona, Hammerich. 1820. [8º. + +[_Centralblatt, etc._, 1890, vii. 461.] + +III. + +_Der Korsar_. Erzählung. Aus d. Engl. übers. v. Friederike Friedmann. +Leipzig, Brockhaus. 1852. [16º. + +[Kayser, 1853.] + +_Collation_-- + +Pp. 90. + +IV. + +_Der Corsar_. Gedicht, Aus d. Engl. von Viet. v. Arentsschild. Mainz, +Iabern. 1852. [16º. + +[Kayser, 1853.] + +_Collation_-- + +Pp. 139. + +V. + +_Der Korsar_. Eine Erzählg. v. Lord Byron. Frei übers. v. Adf. Seubert. +Leipzig, Ph. Reclam, jr. [1871-76.] [16º. [Kayser, 1877.] + +_Collation_-- + +Pp. 69. + +_Note_.--No. 406 of the "Universal-Bibliothek." + + +_Hungarian_. + +A Kalóz./ Irta/ Lord Byron./ Angolból Forditotta/ Kacziány Géza./ +Budapest./ Franklin-Társulat/ Magyar Irod. Intézet és Könyvnyomda./ +1892./ [16º. + +_Collation_-- + +Pp. 74. + + +_Italian_. + +I. + +Il Corsaro/ Novella/ di/ Lord Byron/ Versione in prosa/ di L.C./ Torino/ +Vedova Pomba e figli/ 1819/ [8º. + +_Collation_-- + +Pp. v. + 131. + +_Note_.--The Front. is a lithograph of the portrait of "Giorgio Byron," +by G.H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary +wing," pp. [129], 131, follows the Notes to the _Corsair_. The +translation includes the four additional lines at the end of Canto I. +stanza xi., but not the Note on the "Pirates of Barataria." + +II. + +Il Corsaro/ Novella/ di/ Lord Byron/ Versione in prosa/ di L.C./ Seconda +edizione riveduta dall' autore./ Milano/ Presso Rodolfo Vismara/ 1820/ +[8º. + +_Collation_-- + +Pp. 4 + 5-123. + +_Note_.--For Front., _vide supra_, No. i. + +III. + +_Il Corsaro_, novella di lord Byron. Traduzione dall' inglese di +Giuseppe Nicolini. Milano, tip. di Giovanni Silvestri. 1842. [16º. + +[_Bibl. Ital._, June, 1842.] + +_Collation_-- + +Pp. xlviii. + 106. + +IV. + +_Il Corsaro_, novella Inglese, tradotta da Eritreo Migdonio. Firenze, +1842, tipografia Piatti. + +[_Bibl. Ital._, July, 1843.] + +V. + +Il/ Corsaro/ di/ Lord Byron/ Versione del Cavaliere/ Luigi Serenelli +Honorati/ Già Presid. di Corte d'Appello/ Bologna/ Tip. Mareggiani All' +Insegna di Dante/ _1797, Via Malcontenti_, 1797/ 1870/ [8º. + +_Collation_-- + +Pp. 95. + +VI. + +II Corsaro/ Novella di Lord Byron/ Versione/ di/ Carlo Rosnati/ [1879] +[8º. + +_Collation_-- + +Pp. 96 + Sonnet, "Santa Rosa," p. [97]. + + +_Russian_. + +Морской разбойникъ Переводъ В. Олина (Въ прозѣ). С.-Петербургъ +[Cyrillic: Morskoye razboynik". Perevod" B. Olina (B" prozye). +S.-Peterburg"], 1827. + + +_Spanish_. + +I. + +_El Corsario_. Por el Byron, traducido en castellano por M.... Imp. de +David à Paris. A Paris, rue du Temple, N. 69. 1827. [18º. + +[_Bibl. de le France_, Aug. 22, 1827.] + +II. + +_El_/ _Corsario_/ Por/ Lord Byron./ Valencia:/ Imprenta de Cabrerizo./ +1832./ [32º. + +_Collation_-- + +Pp. 272. + + +_Swedish_. + +Corsaren./ Af/ Lord Byron./ [Motto as above.] Stockholm,/ Tryckt Hos +Joh. Beckman, 1868./ + +_Collation_-- + +Pp. 96. + +_Note_.--"Ofversattning af Talis Qualis." + +_The Curse of Minerva_. + +I. + +The Curse of Minerva./ London:/ Printed by T. Davison, Lombard Street, +Whitefriars./ 1812./ [4º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 3-25. The Imprint (_Printed by T. +Davison, Lombard Street,/ Whitefriars, London_./) is in the centre of p. +[27]. + +_Note_.--The pages of the Text measure 280 x 220. + +II. + +The/ Curse of Minerva./ A Poem,/ By the Right Honourable/ Lord +Byron/---- Pallas te hac [_sic_] vulnere, Pallas/ Immolat, et poenam +scelerato ex sanguine sumit./ Philadelphia:/ Printed for De-Silver and +Co./ 1815./ [8º. + +_Collation_-- + +Pp. 24. + +_Note_.--It is probable that this edition, which closely resembles the +later separate issues of the _Corsair_, the _Bride of Abydos_, and the +_Giaour_, was printed in London. + +III. + +The/ Curse of Minerva./ A Poem./ By the Right Honourable/ Lord +Byron./---- Pallas te hac [_sic_] vulnere, Pallas/ Immolat, et poenam +scelerato ex sanguine sumit./ Third Edition./ Paris./ Published by +Galignani/ at the French, English, Italian, German and Spanish/ Library, +No. 18, Rue Vivienne./ 1818./ [12º. + +_Collation_-- + +Half-title, one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. +5-[21]. The Imprint (_Printed by A. Belin_) is at the foot of P. [21]. + +_Note_ (1).--A Fourth Edition, identical with the Third, was issued by +Galignani in 1820. Quérard (1827) records the issue of a Second Edition, +published by A. and W. Galignani in 1818. + +_Note_ (2).--_The Curse of Minerva_ (full text) is included in the fifth +volume of the edition of Byron's Works published by Louis and Baudry in +1825 (see W. No. xviii.); in the first volume of the Fifth Edition, in +sixteen volumes, published by A. and W. Galignani in 1822 (see W. No. +xix.), but was not published, in its entirety, in England till 1831 (see +W. No. xliii.). + +For a bibliographical note on _The Curse of Minerva_, first published as +_The Malediction of Minerva, or The Athenian Marble Market_ (111 lines), +in the _New Monthly Magazine_, April, 1818, vol. iii. p. 240, and often +reprinted in a mutilated form, see _Poetical Works_, 1898, i. 452. + + +_The Deformed Transformed_. + +The/ Deformed Transformed;/ A Drama. By the/ Right Hon. Lord Byron./ +London, 1824:/ Printed for J. and H.L. Hunt,/ Bond Street, and Tavistock +Street./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by C.H. Reynell, Broad Street, Golden +Square./_), pp. 1, 2; Title, pp. 3, 4; Author's Advt., p. 6; _Dramatis +Personæ_, one leaf, pp. 7, 8; Text, pp. 9-88. The Imprint, as above, is +at the foot of p. 88. + +_Note_.--A Second and Third Editions, identical with the First, were +issued in 1824. + +II. + +_The Deformed Transformed_, a drama by the Right hon. lord Byron. Impr. +de A. Belin, à Paris, chez A. et W. Galignani, 1824. [12º. + +[_Bibl. de le France_, March 27, 1824.] + +_Note_.--_La Metamorphose du Bossu_ forms part (pp. 1-103) of Tome +Quinzième of _Oeuvres Complètes_ de Lord Byron. Paris, Ladvocat/ 1824./ +(See Transl. of Coll. Ed. No. i.) + +III. + +The/ Deformed Transformed./ By/ Lord Byron./ [Illustration, "What do I +see?"] New and Complete Edition. --Price one Penny./ London: J. Dicks, +313, Strand; all Booksellers./ [1883, etc.] [12º. + +_Collation_-- + +Pp. 583-597. + +_Note_.--The _Deformed Transformed_ is No. 113 of "Dicks' Standard +Plays." + + +_Translation_. + + +_Hungarian_. + +Budapesti/ Árvizkönyv./ etc. Szerkeszti/ B. Eötvös József./ Negyedik +Rötet./ Pesten,/ Kiadja Heckenast Gusztáv./ 1840./ [8º. + +_Collation_-- + +Lord Byron'/ Elváltoztatott Idomtalanjából/ Töredek,/ Lukács Móricztól./ +pp. 111-140. + +_Don Juan_. + +_Cantos I., II._ + +I. + +Don Juan./ "Difficile est proprie communia dicere."/ Hor. _Epist. ad +Pison._/ London:/ Printed by Thomas Davison, Whitefriars./ 1819./ [4º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; +Text, pp. 3-227. The Imprint (_London:/ Printed by Thomas Davison, +Whitefriars./_) is in the centre of p. [228]. + +_Contents_-- + +Canto I. p. 3 +Notes to Canto I. p. [115] +Canto II. p. [119] + + +_Note_ (1).--The following lines and stanzas are omitted: Canto I. +stanzas xv,, cxxix. lines 7, 8, cxxx. lines 7, 8, cxxxi. The omissions +were first included in the Text in the edition of 1833. (See vol. xv. p. +40.) + +_Note_ (2).--For the "Dedication" in pamphlet form, _vide post_, p. 304. + +II. + +Don Juan./ "Difficile est proprie communia dicere."/ Hor. _Epist. ad +Pison._/ A New Edition./ London:/ Printed by Thomas Davison, +Whitefriars./ 1819./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; +Text, pp. 3-227. The Imprint, as above, is in the centre of p. [228]. + +_Note_.--For omitted lines and stanzas, _vide supra_, No. i. "A New +Edition," identical with that of 1819, was issued in 1820. + +III. + +Don Juan./ "Difficile est," etc. Hor. _Epist. ad Pison_./ An exact Copy +from the Quarto Edition./ London./ Published by J. Onwhyn, No. 4, +Catherine-Street./ Strand./ Price Four Shillings./ 1819./ [8º. + +_Collation_-- + +Title, pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-117. The Imprint (_E. +Thomas, Printer, Denmark-Court, Strand_) is at the foot of p. 117. + +IV. + +Don Juan./ "Difficile est," etc./ Hor. _Epist. ad Pison._/ London:/ +Printed by Thomas Davison, Whitefriars./ 1820./ [8º. + +_Note_.--This edition is identical with the "New Edition" of 1820, but +is in smaller type, and the size is crown, not post, octavo. + +V. + +Don Juan./ "Difficile," etc./ Hor. _Epist. ad Pison._/ An exact copy +from the Quarto Edition./ London:/ Printed for Sherwin and Co. +Paternoster Row./ Price Four Shillings./ 1820./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. +5-117. The Imprint (_Sherwin and Co. Printers, Paternoster Row_.) is at +the foot of p. 117. + +VI. + +Don Juan./ "Difficile est proprie communia dicere."/ Hor. _Epist. ad +Pison._/ A New Edition./ London:/ Printed by Thomas Davison, +Whitefriars./ 1822./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by Thomas Davison, Whitefriars._/); +Title, one leaf, etc., _vide supra_, No. ii. + +_Note_.--The "New Edition" of 1822, with the exception of the first +Half-title, is identical with the "New Edition" of 1819. + + +_Cantos III., IV., V._ + +I. + +Don Juan,/ Cantos III, IV, and V./ "Difficile est," etc./ Hor. _Epist. +ad Pison_./ London: Printed by Thomas Davison, Whitefriars./ 1821./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1,2; Text, +pp. 3-218. The Imprint, as above, is in the centre of p. [220]. + +_Contents_-- + +Canto III. p. 3 +Notes to Canto III. p. 65 +Canto IV. p. 71 +Notes to Canto IV. p. 131 +Canto V. p. 135 +Notes to Canto V. p. 215 + + +_Note_.--Canto V. stanza lxi. is omitted. This edition of Cantos III., +IV., V. was issued in post and in crown octavo. + +II. + +Don Juan./ "Difficile est," etc./ Hor. _Epist. ad Pison_./ Cantos III. +IV. and V./ London:/ Printed for Sherwin and Co. Paternoster Row./ Price +Four Shillings./ 1821./ [8º. + +_Collation_-- + +Title, pp. 3, 4; Text, pp. 5-114. The Imprint (_Printed by Sherwin and +Co./ Paternoster-Row./_) is at the foot of p. 114. + +III. + +Don Juan./ Cantos III, IV, and V./ "Difficile est," etc. Hor. _Epist. ad +Pison._/ Fifth Edition,/ Revised and Corrected./ London:/ Printed by +Thomas Davison, Whitefriars./ 1822./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; +Text, pp. 3-222. The Imprint (_London:/ Printed by Thomas Davison, +Whitefriars_) is in the centre of p. [224]. + +_Note_.--The additional matter consists of the citations and corrections +of ten of Bacon's apophthegms, and a defence of the literary merits of +Voltaire, pp. 217-222, which was omitted from the First Edition (see +letter to Murray, August 21, 1821, _Letters_, 1901, v. 351). + + +_Cantos I.-V._ + +I. + +Don Juan./ A/ Poem,/ By/ Lord Byron./ London./ Printed & Sold by W. +Benbow./ At the Lord Byron's Head./ 9, Castle Street, Leicester Square./ +1822./ [12º. + +_Collation_-- + +[Cantos I.-V.], pp. 214 + Notes to Canto First, etc., pp. [215]-[220]. +The Imprint (_Sudbury, Printer, High Holborn_) is at the foot of p. +[220]. + +II. + +Don Juan./ "Difficile est," etc./ Hor. _Epist. ad Pison._/ With/ A +Preface,/ By a Clergyman./ London:/ Printed by and for Hodgson & Co.,/ +10, Newgate Street./ 1822./ [12º. + +_Collation_-- + +Half-title, pp. i., ii.; Title, pp. iii., iv.; Publisher's Preface, pp. +v.-x.; Text, pp. 3-226. The Imprint (_Printed by Hodgson and Co. 10, +Newgate Street, London_.) is at the foot of p. 226. + +_Note_.--The Front. is a lithograph of "Lord Byron." This edition was +reissued in 1823 with another Front., a lithograph of "Lord Byron," +after the portrait by G. Harlow. + +III. + +Don Juan./ In Five Cantos./ A New Edition, with Notes./ +[Title-vignette,? Newstead Abbey.] And/ Three Engravings after +Corbould./ London:/ Printed by and for Peter Griffin,/ Tabernacle Walk,/ +and sold by all Booksellers in Town and Country./ [1823.] [12º. + +_Collation_-- + +Half-title, one leaf; Title (R. _Arliss. Typ. London_); Second +Half-title, with motto, "Difficile est," etc./ Hor./; Cont.; Text +[Cantos I.-V.], pp. 1-180. + +_Note_.--A paper cover with ornamental border bears the date MDCCCXXIII. + +IV. + +Don Juan./ "Difficile est," etc./ Hor. Epist. ad Pison./ A Correct Copy +from the original edition./ London:/ Printed by G. Smeeton, St. Martin's +Church Yard,/ Charing Cross./ [1826?] [8º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 3-215 + Notes to Canto I., etc., +pp. [217]-[228]. The Imprint (_Printed by G. Smeeton, St. Martin's +Church Yard_.) is at the foot of p. [228]. + +_Note_.--There is an illustrated Title (Don Juan/ Cantos 1 to 5/ +London./ Printed by G. Smeeton St. Martins Church Yard./) with +Title-vignette, head of Lord Byron encircled with bay leaves, and six +coloured illustrations by I.R. Cruikshank. + + +_Cantos VI., VII, VIII._ + +I. + +Don Juan./ Cantos VI.--VII.--And VIII./ "Dost thou think because thou +art virtuous, there shall be no more/ Cakes and Ale?"--"Yes, by St. +Anne; and Ginger shall be hot i' the/ mouth too!"--_Twelfth Night, or +What you Will._/ Shakespeare./ London, 1823:/ Printed for John Hunt,/ +38, Tavistock Street, Covent Garden, And/ 22, Old Bond Street./ [8º. + +_Collation_-- + +Title (R. London:/ _Printed by C.H. Reynell, Broad Street, Golden +Square._/), pp. i., ii.; Preface to Cantos VI.--VII.--and VIII., pp. +[iii.]-vii.; Second Half-title, one leaf; Text, pp. 1-184; "Publications +by John Hunt ... July, 1823," pp. [185], [186]. + +_Note_.--Notes to Canto VIII. are on pp. [183], 184. This edition was +reissued in 1825--Printed for Hunt and Clarke,/ Tavistock Street, Covent +Garden./ The pagination, etc., is identical with that of the edition of +1823. The Imprint (_London:/ Printed by C.H. Reynell, Broad Street, +Golden Square._/) is on p. [186]. + +II. + +Don Juan./ Cantos VI.--VII.--VIII./ "Dost thou think," etc. [Motto, +four lines]./ London: Printed and Published by W. Dugdale, 19, Tower +Street, Seven Dials./ 1823./ [12º. + +_Collation_-- + +Title, one leaf, pp. i., ii.; Preface, pp. iii., iv.; Text, pp. 1-221 + +Notes to Cantos IX. X. XI., pp. [223], [224]. The Imprint (_Benbow, +Printer, 9, Castle-Street, Leicester-square, London._) is at the foot of +p. [224]. + +_Note_.--This edition includes Cantos IX., X., XI. + +III. + +Don Juan./ Cantos VI.--VII.--VIII./ "Dost thou think," etc. [Motto, four +lines]./ London: 1823./ Printed for John Hunt, 22, Old Bond-Street, and +38, Tavistock-/ Street, Covent Garden./ [12º. + +_Collation_-- + +Title (R. _London:/ Printed by C.H. Reynell, Broad Street, Golden +Square._/), pp. i., ii.; Preface, pp. iii.-vi.; Text, pp. 7-97. The +Imprint, as above, is at the foot of p. 97. + + +_Cantos IX., X., XI._ + +I. + +Don Juan./ Cantos IX.--X.--And XI./ "Dost thou think because thou art +virtuous, there shall be no more/ Cakes and Ale?"--"Yes, by St. Anne; +and Ginger shall be hot i' the/ mouth too!"--_Twelfth Night_, or What +you Will./ Shakspeare./ London, 1823:/ Printed for John Hunt,/ 38, +Tavistock Street, Covent Garden, And/ 22, Old Bond Street./ [8º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-151. The +Imprint (_London;/ Printed by C.H. Reynell, Broad Street, Golden +Square._/) is in the centre of p. [152]. + +_Note_ (1).--The Notes to Canto IX. are on pp. [49], 50; the Notes to +Canto X. on pp. [97]-99; and the Notes to Canto XI. on pp. [149]-151. +Canto XI. stanza lvii. lines 5-8 and stanza lviii. are omitted. + +_Note_ (2).--The motto is here given in full; and note "Shakspeare," not +"Shakespeare," as before. + +II. + +Don Juan./ Cantos IX.--X.--XI./ "Dost thou think," etc. [Motto, four +lines]./ Shakespeare./ London, 1823:/ Printed for John Hunt, 38, +Tavistock Street, Covent/ Garden; and 22, Old Bond Street./ [12º. + +_Collation_-- + +Title (R. _Printed by G.H. Reynell,/ 45, Broad-Street, +Golden-Square_,/), pp. 1, 2; Text, pp. 3-72. + + +_Cantos XII., XIII., XIV._ + +I. + +Don Juan./ Cantos XII.--XIII.--And XIV./ [Motto as above, three lines.] +Shakspeare./ London, 1823:/ Printed for John Hunt,/ 38, Tavistock +Street, Covent Garden, and/ 22, Old Bond-Street./ [8º. + +_Collation_-- + +Title (R. _London./ Printed by C.H. Reynell, Broad Street, Golden +Square./_), pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-168. The +Imprint, as above, is at the foot of p. 168. + +_Note_.--The Notes to Canto XII. are on pp. [51], 52; the Notes to Canto +XIII. on pp. [111], 112; and the Notes to Canto XIV. on pp. [167], 168. + +II. + +Don Juan./ Cantos XII.--XIII.--XIV./ "Dost thou think," etc. [Motto, +four lines]./ London, 1823:/ Printed for John Hunt, 38, Tavistock +Street, Covent/ Garden: and 22, Old Bond-Street./ [12º. + +_Collation_-- + +Title (R. _Printed by G.H. Reynell,/ 45, Broad-Street, +Golden-Square./_), pp. 1, 2; Text, pp. 3-83 + six pages of "Publications +by John Hunt," dated December, 1823. This edition is bound in a paper +cover with ornamental border--Don Juan./ Cantos/ XII. XIII. XIV./ Price +One Shilling./ + +III. + +Don Juan./ Cantos XII.--XIII.--XIV./ "Dost thou think," etc. [Motto, +four lines (Shakspeare)]./ London:/ Printed for the Booksellers./ 1823./ +[12º. + +_Collation_-- + +Title (R. _Sudbury, Printer, 252, High Holburn_.), pp. 1, 2; Text, pp. +3-83. The Imprint, as above, is at the foot of p. 83. + +IV. + +Don Juan,/ Cantos XII, XIII, XIV./ "Dost thou think," etc. [Motto, four +lines (Shakespeare)]./ Paris:/ Published by A. and W. Galignani,/ at the +French, English, Italian, German, and Spanish Library,/ No. 18, Rue +Vivienne./ 1824./ [12º. + +_Collation_-- + +Half-title (R. _Paris: Printed by A. Belin_.); Title, one leaf; +Half-title, with Motto, pp. 1, 2; Text, pp. 3-162 + Notes to Canto XIV., +pp. [163], [164]. + + +_Cantos XV., XVI._ + +I. + +Don Juan./ Cantos XV. And XVI./ [Motto as above, three lines.] +Shakspeare./ London, 1824:/ Printed for John and H.L. Hunt,/ Tavistock +Street, Covent Garden. [8º. + +_Collation_-- + +Title (R. Imprint as above), pp. 1, 2; Half-title, pp. 3, 4; Text, pp. +5-125; [Works] Published by John and H.L. Hunt, ... March, 1824, pp. +[131], [132]. The Imprint, as above, is in the centre of p. [130]. + +_Note_.--The Notes to Canto XV. are on pp. [55]-57; the Notes to Canto +XVI. on pp. [127]-129. The following note is on p. [126]: ["The errors +of the press in this Canto,--if there be any,--are not to be attributed +to the Author, as he was deprived of the opportunity of correcting the +proof-sheets."] + +II. + +Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, three +lines]. Shakspeare./ London, 1824:/ Printed for John and H.L. Hunt,/ +Tavistock Street, Covent Garden./ [12º. + +_Collation_-- + +Title (R. _London:/ Printed by C.H. Reynell, Broad Street, Golden +Square./_), pp. 1, 2; Half-title, one leaf, pp. 3, 4; Text, pp. 5-130. +The Imprint, as above, is at the foot of p. 130. + +III. + +Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, four +lines]./ Shakspeare./ London:/ Printed for the Booksellers./ 1824./ +[12º. + +_Collation_ + +Title (R. _Sudbury, Printer, 252, High Holborn_.), pp. 1, 2; Text, pp. +3-62. The Imprint, as above, is at the foot of p. 62. + +IV. + +Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, three +lines]./ Shakspeare./ London, 1824:/ Printed for John Hunt, 38, +Tavistock-Street, Covent/ Garden; and 22, Old Bond-Street./ [12º. + +_Collation_-- + +Title (R. _Printed by G.H. Reynell/ 45, Broad-Street, Golden-Square./_), +pp. 1, 2; Text, pp. 3-62. + +_Note_.--The Title-page and setting of the Notes, and the quality of the +paper of this edition differ from that of the preceding, but the text +appears to have been set up from the same type. + +V. + +Don Juan,/ Cantos XV, XVI./ "Dost thou think," etc. [Motto, four +lines]./ Paris: Published by A. and W. Galignani,/ At the French, +English, Italian, German, and Spanish Library,/ No. 18, Rue Vivienne./ +1824./ [12º. + +_Collation_-- + +Half-title (R. _Paris: Printed by A. Belin_.); Title, one page; Second +Half-title, with Motto, pp. 1, 2; Text, pp. 3-125. + + +_Full Text_. + +I. + +Don Juan./ By/ Lord Byron./ Cantos I. To VI./ "Difficile est proprie +communia dicere."/ Hor./ Vol. I./ [Vol. II.] London: Printed for the +Booksellers./ MDCCCXXVI./ [8º. + +_Collation_-- + +Vol. I.: General Title (The/ Works/ of/ Lord Byron./ Vol. XII./ London:/ +Printed for the Booksellers./ 1826); Title (R. _Thomas White, Printer,/ +Johnson's Court./_); Text, pp. 1-353. The Imprint, as above, is at the +foot of p. [354]. + +Vol. II.: General Title (_The/ Works_,/ etc. Vol. XIII./ etc.); Title +(Don Juan./ By/ Lord Byron./ Cantos VII. To XVI./ "Dost thou think," +etc. [Motto, three lines]./ Shakspeare./ Vol. II., etc.) (R. Imprint as +above); Half-title, pp. 1, 2; Text, PP. 3-398. + +II. + +Don Juan:/ In/ Sixteen Cantos./ By Lord Byron./ "Difficile est proprie +communia dicere."/ _Hor. Epist. ad Pison._/ Complete in one volume./ +London:/ Printed for William Clark,/ 60, Paternoster-Row./ 1826./ [16º. + +_Collation_-- + +Title (R. _W. Wilson, Printer,/ 57, Skinner-Street, London./_), pp. i., +ii.; Biographical Notice, pp. iii.-xii.; Text, pp. 1-432. The Imprint +(_W. Wilson, Printer, 57, Skinner-Street, London_.) is at the foot of p. +452. + +III. + +Don Juan:/ In/ Sixteen Cantos./ By the/ Right Hon. Lord Byron./ +Difficile est proprie communia dicere./ Hor. Epist. ad Pison./ Complete +in one volume./ With a short Biographical Memoir of the/ Author./ +[Title-vignette, the Royal Arms.] London:/ Printed for T. and J. +Allman,/ Great Queen-Street, Lincoln's Inn Fields./ 1827./ [16º. + +_Collation_-- + +Half-title, one leaf; Title (R. _Doncaster:/ Printed by C. and J. White, +Baxter-Gate./_), pp. i., ii.; Biographical Memoir, pp. iii.-ix.; Text, +pp. 1-537. The Imprint, as above, is at the foot of p. 537. + +_Note_.--The Front. (dated 1828) is a portrait of Lord Byron by T. +Phillips, R.A., engraved by W. Wise. + +IV. + +Don Juan./ "Difficile est proprie communia dicere."/ Hor. _Epist. ad +Pison._/ In Two Volumes./ Vol. I./ London:/ Thomas Davison, +Whitefriars./ 1828./ [8º. + +Don Juan./ "Dost thou think, because thou art virtuous, there shall be/ +no more cakes and ale?--Yes, by St. Anne; and ginger/ shall be hot i' +the mouth too!"--_Twelfth Night; or What/ you Will./_ Shakspeare./ In +Two Volumes. Vol. II./ London:/ Thomas Davison, Whitefriars./ 1828./ +[8º. + +_Collation_-- + +Vol. I.: Half-title, one leaf; Title, one leaf; Text, pp. 1-343. The +Imprint (_London:/ Printed by Thomas Davison, Whitefriars./_) is in the +centre of p. [344]. + +Vol. II.: Half-title, one leaf; Title, one leaf; Text, pp. 1-371. The +Imprint, as above, is in the centre of p. [372]. + +_Note_.--The Front. to Vol. I. is "Don Juan, C. ii. St. 89," drawn by R. +Westall, R.A., and engraved by E. Finden; the Front. to Vol. II. is "Don +Juan, Canto II. St. 144," by the same artist and engraver. + +V. + +Don Juan./ By/ Lord Byron./ Cantos I. To VI./ "Difficile est proprie +communia dicere."/ Hor./ Vol. I./ London:/ Printed for the Booksellers./ +1828./ [8º. + +Don Juan./ By/ Lord Byron./ Cantos VII. To XVI./ "Dost thou think," etc. +[Motto, three lines]./ Shakespeare./ Vol. II./ London: Printed for the +Booksellers./ 1828./ [8º. + +_Collation_-- + +Vol. I.: Half-title, one leaf; Title (R. _Hamblin, Printer_, 63, _Upper +Thames Street_.); Text, pp. 1-351. The Imprint, as above, is at the foot +of p. [352]. + +Vol. II.: Half-title, one leaf; Title (R. Imprint as above); Second +Half-title, one leaf, pp. 1, 2; Text, pp. 3-392. The Imprint, as above, +is at the foot of p. 392. + +VI. + +_Don Juan in 16 Cantos_. Campe's Edition. Nuremberg and New York, Campe +and Co. 1832. [12º. + +[Kayser, 1834.] + +VII. + +Don Juan,/ In/ Sixteen Cantos,/ With Notes;/ By Lord Byron./ "Difficile +est," etc./ Horace./ "Dost thou think," etc. [Motto, three lines. +"Shaks."]/ London: Printed for Scott and Webster,/ 36, Charter-House +Square./ 1833./ [12º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 3-359. The Imprint (_C. Morris, +Printer, 20, Sydney Grove, Sydney St._) is at the foot of p. 359. + +_Note_.--The Front. is "Don Juan and Julia," by H. Corbould, engraved by +C. Heath. The Title-vignette of the illustrated Title (Don Juan:/ +Complete./ By Lord Byron./ London:/ Engraved for the English Classics,/ +Published by Scott & Webster./) is from a drawing by H. Corbould, +engraved by C. Heath. + +VIII. + +Don Juan,/ In/ Sixteen Cantos,/ With Notes;/ By Lord Byron./ "Difficile +est," etc./ Horace./ "Dost thou think," etc. [Motto, three lines. +"Shaks."]./ London/ Printed for the Booksellers. 1835./ [12º. + +_Collation_-- + +_Vide supra_, No. vii. + +_Note_.--The Front. and illustrated Title are omitted. + +IX. + +Don Juan./ By/ Lord Byron./ In Two Volumes./ Vol. I./ [Vol. II.] +London:/ John Murray, Albemarle Street./ 1837./ [8º. + +_Collation_-- + +Vol. I.: pp. 376. The Imprint (_London_:/ Printed by _A. Spottiswoode,/ +New-Street-Square_./) is at the foot of p. 376. + +Vol. II.: pp. 395. The Imprint, as above, is in the centre of p. [396]. + +_Note_.--The Title-vignette of illustrated Title of Vol. I. is "Cape +Colonna Sunium," engraved by E. Finden from a drawing by T. Helpman. The +Title-vignette of illustrated Title of Vol. II. is "The Brig of +Balgownie near Aberdeen," engraved by E. Finden from a drawing by G. +Bulmer. The vols. are bound in green cloth, with coat-of-arms in gold. + +X. + +_Don Juan_. Mannheim, Hofmann. 1838. [16º. + +[Kayser, 1841.] + +XI. + +Don Juan:/ In/ Sixteen Cantos./ By/ Lord Byron./ "Difficile est," etc./ +_Hor. Epist. ad Pison._/ London: H.G. Bohn, York Street, Covent Garden./ +1849./ [12º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 3-438. + +_Note_.--The Front. is "The Siesta of Haidée and Juan." The +Title-vignette on illustrated Title (Don Juan,/ etc. London. MDCCCXLVI./ +(_sic_)) is Newstead Abbey from the Lake. + +XII. + +Don Juan/ By Lord Byron/ Complete Edition with Notes/ "Dost thou think," +etc. [Motto, three lines]/ London and New York/ George Routledge and +Sons/ [1874] [16º. + +_Collation_-- + +Half-title, one leaf, pp. 1, 2; Title (R. _Charles Dickens and Evans,/ +Crystal Palace Press_./), pp. 3, 4; Text, pp. 5-431. The Imprint, as +above, is in the centre of p. [432]. + +XIII. + +Don Juan./ By/ Lord Byron./ "Difficile est," etc./ "Dost thou think," +etc. [Motto, three lines (Shakespeare)]./ London: Chatto & Windus, +Piccadilly./ 1875./ [16º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; List of Cantos, pp. 1, 2; Text, +pp. 3-359. + +_Note_.--Part of "The Golden Library." + +XIV. + +Don Juan/ By/ Lord Byron/ "Difficile est," etc./ Complete Edition, with +Notes/ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ New +York: 9 Lafayette Place/ 1886/ [8º. + +_Collation_-- + +Half-title, one leaf; Title (R. Advt. of Routledge's Large Type +Three-Volume Classics.); Text, pp. 1-476. The Imprint (_R. Clay and +Sons, London and Bungay_.) is at the foot of p. 476. + +_Note_.--The Front. is "Don Juan," from Canto IV. stanza xvii. The same +issue without the Front. forms part of Routledge's "Excelsior Series." + + +_Translations of Don Juan_. + + +_Danish_. + +I. + +Don Juan.... Metrisk bearbeidet efter den engelske Original af H. Schou. +1. Hefte Fredericia. 1854. [4º. + +_Collation_-- + +Pp. 16. + +_Note_.--No more published. Without Title-page; the above Title appears +on the wrapper. + +II. + +Byron: Don Juan./ Oversat Paa Dansk/ Af/ Holger Drachmann./ Med +Indledningsdigt Af Oversaetteren./ KjøBenHavn./ Forlagt Af J.H. +Schubothes Boghandel./ Groebes Bogtrykkeri./ 1880./ [8º. + +_Note_.--The translation was issued in parts. The first volume, +containing Cantos I.-VI. pp. 1-437, was completed in 1882. A second +volume (1890-1902) contains Cantos VII.-XVI. pp. 1-465. + + +_French_. + +I. + +Don Juan, poeme héroï-comique en 16 chants, traduit et précédé de la vie +de Lord Byron [par A.P.] avec notes et commentaires. Tomes i. et ii. +Deux Volumes. Impr. de P. Renouard à Paris. A Paris, rue Poupée, n. 16. +1827. [Tome III. was issued Sept. 15.] [18º. + +[_Bibl. de la France_, June 2, 1827.] + +II. + +_Don Juan_. Traduit en vers français. 2 vol. Paris, _Librairie +centrale_. 1866. [12º. + +[Lorenz, 1876.] + +III. + +Paul Lehodey./ Don Juan/ de/ Lord Byron,/ Traduction nouvelle, précédée +d'une préface/ de M. Legouvé,/ de l'Académie française./ Paris,/ +DeGorge-Cadot, libraire-éditeur,/ 37, rue Serpente./ [1869.] [8º. + +_Collation_-- + +Pp. xi. + 450 + Table des Matières, p. [451]. + +IV. + +_Don Juan_. Traduit en vers français par Adolphe Fauvel. Troisiéme +Édition, entièrement revue et corrigée, 1878. Paris, Lemerre. [8º. + +[Lorenz, 1886.] + +_Note_.--La I^re^ édition de cette traduction est de 1866, la 2^e de +1868. + + +_German_. + +I. + +_Don Juan, aus d. Engl._ Im Versmass des Originals übersetzt von Ad. v. +Marées. Essen, Bädeker. 1839. [12º. + +[Kayser, 1841.] + +II. + +Byron's/ Don Juan/ übersetzt/ von/ Otto Gildemeister./ "Difficile est +proprie communia dicere."/ Horatius./ "Vermeinst du, weil du +tugendhaft," etc. [Motto, six lines]./ Shakspeare./ Bremen./ Druck und +Verlag von Carl Schünemann./ 1845./ [8º. + +_Collation_-- + +Vol. I.: pp. 314. + +Vol. II.: pp. 276. + +III. + +Byron's/ Don Juan/ von/ Adolf Böttger./ Diamantausgabe./ Leipzig,/ +Verlag von Otto Wigand./ 1849./ [8º. + +_Collation_-- + +Pp. 413. + +_Note_.--The Front. is "Haidie." This edition was reissued in 1858. + +IV. + +Byron's/ Don Juan./ Deutsch/ von/ Wilhelm Schäffer./ Erster Theil./ +Erster und Zweiter Gesang./ Hildburghausen./ Verlag des +Bibliographischen Instituts./ 1867./ [8º. + +_Collation_-- + +Vol. I.: pp. 124. + +Vol. II. (Cantos III.-VI.): pp. 152. + +_Note_.--Nos. 47, 48 of the "Bibliothek ausländischer Klassiker." + + +_Italian_. + +I. + +_Don Giovanni_: poema, tradotto da Ant. Caccia. Torino, 1853. [16º. + +[Pagliaini, 1901.] + +II. + +_Don Giovanni_ ridotto in 8^a rima da Antonietta Sacchi, Milano, +Guglielmini, 1865. [8º. + +[Pagliaini, 1901.] + +III. + +Giorgio Byron/ Aidea/ Episodio del don Giovanni/ Saggio d'una traduzione +completa/ di/ Vittorio Betteloni/ Verona/ Stabilimento tipografico di G. +Civelli/ 1875/ [8º. + +_Collation_-- + +Pp. 119. + +IV. + +Il/ Don Juan/ di/ Lord Byron/ Recato/ In altrettante stanze italiane/ +dal cavaliere/ Enrico Casali/ Milano/ Natale Battezzati editore/ 1876/ +[8º. + +_Collation_-- + +Pp. 548 + Indice, p. [549]. + +V. + +_Don Giovanni_. Traduzione di Vitt. Betteloni, Milano, Ottino, 1880. +[8º. + +[Pagliaini, 1901.] + + +_Polish_. + +I. + +Don Żuan./ Lorda Bajrona./ Pieśń/ Pierwsza/ przełożona/ przez/ Wiktora z +Baworowa. Tarnopol./ Drukiem Józefa Pawłowskiego./ 1863./ Na dochód +Rannych./ [8º. + +_Collation_-- + +Pp. v. + 60. + +_Note_.--This edition was issued during the last Polish insurrection, +for the benefit of the wounded. + +(_Part of Canto II._) + +II. + +Ustęp z drugiéj pieśni Don Żuana, przełożył Wiktor z Baworowa. pp. 28. +_Druk. "Czasu." Kraków, 1877_. [8º. + +(_Canto III._) + +III. + +_Don Żuan_, pieśń trzecia, przekład Wiktora z Baworowa. pp. 35. _redak. +"Przeglądu Polskiego," Druk. "Czasu." Kraków, 1877._ [8º. + + +(_Cantos II., III., IV.--Haida_.) + +IV. + +_Don Żuan_, pieśń druga, trzecia i czwarta. Opowiadanie o Haidzie; +przekład Wiktora z Baworowa. pp. 118. viii. _Tow. Bratniéj Pomocy +Słuchaczów Wszechn. Lwowskiéj: Tarnopol, 1879_. [8º. + +V. + +_Don Żuan_ ... Przekład Edwarda Porębowicza. _Warszawa_, 1885. + + +_Roumanian_. + +Don Juan/ dela/ Lord Byron./ Poema epica./ Tradusa de I. Eliade./ +[Emblem--Cupid and Mask.]/ _Eliade: Bucurescĭ_./ In tipograsia lui +Eliade./ 1847./ [8º. + +_Collation_-- + +Pp. 183. + +_Russian_. + +I. + +Донъ-Жуанъ ... Переводъ И. Жандра. С.-Петербургъ [Cyrillic: Don" Zhuan" +... Perevod" I. Zhandra. S.-Peterburg"], 1846. [8º. + +_Collation_-- + +Pp. 1-91. + +II. + +Донъ-Жуанъ ... Вольный переводъ В. Любичъ-Романовича. С.-Петербургъ +[Cyrillic: Don" Zhuan" ... Vol'nyĭ perevod" B. Liubich"-Romanovicha. +S.-Peterburg"], [1847.] 2 vols. [12º. + +III. + +Донъ-Жуанъ ... Глава первая. Переводъ Н.А. Маркевича. Лейпзигъ +[Cyrillic: Don" Zhuan" ... Glava pervaia. Perevod" N.A. Markevicha. +Leĭpzig"], 1862. [16º. + +_Collation_-- + +Pp. 164. + +IV. + +Донъ-Жуанъ ... Перев. Д. Минаева. С.-Петербургъ [Cyrillic: Don" Zhuan" +... Perev. D. Minaeva. S.-Peterburg"], 1866, 67. + +V. + +Донъ-Жуанъ ... Переводъ П. Козлова. Иэданіе 2-e с" примѣчаніями П. +Вейнберга. С.-Петербургъ [Cyrillic: Don" Zhuan" ... Perevod" P. Kozlova. +Izdanīe 2-e s" primiechanīiami P. Veĭnberga. S.-Peterburg"], 1889. 2 +vols. + +VI. + +Донъ-Жуанъ ... Переводъ А. Козлова. 2 TOM. С.-Петербургъ [Cyrillic: Don" +Zhuan" ... Perevod" A. Kozlova. 2 TOM. S.-Peterburg"], 1892. + + +_Servian_. + +Дон-Жуанъ ... Перевод у прози Окице Глушчевиѣа 2 свес. Београд +[Cyrillic: Don-Zhuan" ... Perevod u prozi Okitse Glushcheviya 2 sves. +Beograd], 1888. + + +_Spanish_. + +I. + +_Don Juan, novela_. Por lord Byron. Deux Volumes. Impr. de Decourchant, +à Paris, A Paris rue du Temple, N. 69. 1829. [18º. + +[_Bibl. de le France_, January 24, 1829.] + +II. + +Don Juan/ Poema/ de/ Lord Byron./ Traduccion de/ F. Villalva/ Difficile +est proprie communia dicere./ Horacio. _Epistola á los Pisones._/ Tomo +1/ Madrid/ Librería de Leocadio Lopez/13--Calle del Cármen--13/ 1876/ +[8º. + +_Collation_-- + +Vol. I.: pp. xv. + 384 + Indice, p. [385]. + +Vol. II.: pp. 420 + Indice, p. [421]. + + +_Swedish_. + +I. + +Don Juan/ Af/ Lord Byron./ Första Sången./ Med upplysande och utwalde +Noter./ Öfversatt ifrån Engelska Originalet./ Stockholm,/ Nordströmska +Boktryckeriet,/ 1838./ [8º. + +_Collation_-- + +Pp. 80. + +II. + +Don Juan/ Af/ Lord Byron./ Förra Delen./ Sångerna I-VI./ Stockholm,/ +J.L. Brudins Förlag. [1857.] [8º. + +_Collation_-- + +Vol. I.: pp. 349. + +Vol. II.: [Sednare Delen. Sångerna VII.-XVI.--1862], pp. 384. + +_Note_.--This edition ("Öfversättning Af Carl. Wilh. Aug. Strandberg") +was issued in paper covers with vignette portrait of Lord Byron. + + +_English Bards, and Scotch Reviewers_. + +I. + +The/ British Bards,/ A Satire./ [1808.] [4º. + +_Collation_-- + +No Title-page. Pp. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 +[pp. 17, 18, 19, 20, proof-sheets of 84 lines:--(line 1), "Health to +Immortal Jeffrey! once in name;"--(line 84), "Her son, and vanish'd in a +Scottish mist" + p. 21, proof-sheet uniform with pp. 1-16, of 20 +lines:--(line 1), "Illustrious Holland! hard would be his lot;"--(line +20), "Reforms each error, and refines the whole"], pp. 19, 20, 21, 22, +23, 24, 25, 26, 27, 28, 29. + +Signature C is at the foot of p. 5; D, p. 9; E, p. 13; G, p. 21; H, p. +25. + +Pp. 1-16 contain 284 lines: (line 1), "Time was, e'er yet in these +degenerate days;" (line 284), "Of Jefferies! monarch of the Scourge and, +chain." (Lines 281-284 are erased.) + +Pp. 19-29 contain 200 lines: (line 1), "Now to the drama turn, oh! +motley sight;" (line 200), "And urge thy bards, to gain a name like +thine." The last line of p. 29 is numbered 520, and the date 1808 is +subscribed. + +_Note_.--The page measures 278 X 218. The water-mark on the last page +(p. 29) is 1807; the water-mark on the original wrapper, "J.W. & B.B. +1806." A wrapper of the original sheets is inscribed, "This is the +original Satire which L^d B. put into my hands. It was printed in the +Country, where he had been staying. He added 110 lines before it was +published. R.C.D." (_B.M._, E.G. 2028.) + +II. + +English Bards,/ And/ Scotch Reviewers./ A Satire./ I had rather be a +kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ +Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are +as mad, abandon'd Critics too./ Pope./ London:/ Printed for James +Cawthorn, British Library,/ No. 24, Cockspur Street./ [1809.] [12º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title (R. _T. Collins, Printer, No. +1, Harvey's Buildings, Strand_), pp. iii., iv.; Preface, pp. v., vi.; +Text (696 lines), pp. 1-54. The Imprint (_T. Collins, Printer, Harvey's +Buildings, Strand_) is at the foot of p. 54. + +_Note_.--The words "Scotch Reviewers" on the Title are in Gothic +characters. Facsimile of the Title-page faces p. xiv. of _Poetical +Works_, 1898, vol. i. + +III. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I +had rather be a kitten, and cry, mew!/ Than one of these same metre +ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis +true,/ There are as mad, abandon'd Critics too./ Pope./ Second Edition,/ +With/ Considerable Additions and Alterations./ London:/ Printed for +James Cawthorn, British Library, No. 24,/ Cockspur Street./ 1809./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title (R. _Printed by Deans & Co. +Hart-Streeet, Covent Garden_./), pp. iii., iv.; Preface to the Second +Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. +83-85. The Imprint, as above, is at the foot of p. 85. The Advt. (_In +the Press,/ And speedily will be published_,/ HENRY COUNT DE KOLINSKY, a +Polish Tale./) is in the centre of p. [86]. + +_Note_.--The words "A Satire" on the Title, and the words "Scotch +Reviewers" on the Half-title, are in Gothic characters. + +IV. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I +had rather be a kitten, and cry, mew!/ Than one of these same metre +ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis +true,/ There are as mad, abandon'd Critics too./ Pope./ Third Edition./ +London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur +Street./ 1810./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title (R. Printed by _T. Collins, +Harvey's Buildings, Strand, London_.), pp. iii., iv.; Preface to the +Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. +83-85 + Advt. of "Books Published by James Cawthorn," etc., pp. +[86]-[88]. The Imprint (_Printed by T. Collins, No. 1, Harvey's +Buildings, Strand, London_.) is at the foot of p.[88]. + +_Note_.--The Advt. of "The British Circulating Library, 24 Cockspur +Street," etc., is dated March 30, 1810. The words "A Satire" and +"London" on the Title, and the words "English Bards" on Half-title, are +in Gothic characters. + +V. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I +had rather be a kitten, and cry, mew!/ Than one of these same metre +ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis +true,/ There are as mad, abandon'd Critics too./ Pope./ Fourth Edition./ +London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur +Street./ 1810./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title (R._Printed by T. Collins, +Harvey's Buildings, Strand, London_.), pp. iii., iv.; Preface to the +Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. +83-85 + "Books Published by James Cawthorn," etc., pp.[86]-[88]. The +Imprint (_Printed by T. Collins, No. 1, Harvey's Buildings, Strand, +London_) is at the foot of p.[88]. + +_Note_.--The Advt. of the "British Circulating Library, 24, Cockspur +Street," etc., is dated March 30, 1810. The words "Satire" and "London" +on the Title, and the words "English Bards" on the Half-title, are in +Gothic characters. + +VI. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I +had rather be a kitten, and cry, mew!/ Than one of these same metre +ballad-mongers./ _Shakespeare_/ Such shameless Bards we have; and yet +'tis true,/ There are as mad, abandon'd Critics too./ Pope./ Fourth +Edition./ London:/ Printed for James Cawthorn, British Library, No. 24,/ +Cockspur Street; and Sharpe and Hailes, Piccadilly./ 1811./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title (R. _Printed by Cox, Son, and +Baylis, Gt. Queen Street, London_.), pp. iii., iv.; Preface, pp. +v.-vii.; Text (1052 lines), pp. 1-82; Postscript, pp. 83-85 + "Books +published by James Cawthorn," etc., pp. [87], [88]. The Imprint +(_Printed by Cox, Son, and Baylis, Great Queen Street, +Lincoln's-Inn-Fields_./) is at the foot of p. 85. + +_Note_.--On the Title-page of another copy of this edition there is a +period instead of a comma after "James Cawthorn." The word "Satire" on +the Title, and the words "Scotch Reviewers" on the Half-title, are in +Gothic characters. + +VII. + +[Fifth Edition.] [8º. + +[For Title-page, _vide supra_, Fourth Edition, 1811, No. vi. No special +Title-page for a Fifth Edition was printed.] + +_Collation_-- + +Text, pp. 1-83. [Signature B, p. [1]; C, p. 17; D, p. 33; E, p. 49; F, +p. 65; G, p. 81.] There is no Imprint on pp. [1], 83, or on p. [84]. The +Text numbers 1070 lines. + +_Note_ (1).--The Half-title prefixed to the Title-page of the Fourth +Edition of 1811, which precedes the Museum copy of the Fifth Edition, +bears the MS. signature, "R.C. Dallas," and a blank leaf the following +note: "This is one of the very few copies preserved of the suppressed +edition, which would have been the Fifth. No Title-page was printed--the +one prefixed was taken from the preceding edition." + +_Note_ (2)--Mr. S. Leicester Warren (Lord de Tabley) records the +following MS. notes inscribed in a copy of the Fifth Edition, which had +formerly belonged to James Boswell, jun., and was then in the possession +of Mr. J.R.P. Kirby, of Bloomsbury Street:-- + +A. A note on the abortive duel between Jeffrey and Moore is dated +November 4, 1811. + +B. A note on the fly-leaf in the handwriting of James Boswell, jun.-- + +"This copy purports on the title-page to be the fourth edition, but is +in truth the fifth. Having pointed out to Murray, the bookseller, a +variation between the copy of the fifth edition and this, he borrowed it +from me, that he might show it to Lord Byron to have the circumstance +explained; that his lordship told him he had printed the fifth edition, +but, before its publication, having repented of the work altogether, he +determined to destroy the whole impression. But the printer, as he +observed, must have retained at least this one copy, and, by putting a +false title-page, had sold it as the fourth edition," etc.--_Notes and +Queries_, 1887, Series V. vol. vii. pp. 203, 204. + +Mr. Murray's copy of the Fifth Edition contains, on the fly-leaves at +the beginning of the volume, MS. versions of (1) _The Curse of Minerva_, +pp. [i.]-[xi.]; (2) The Answer to Fitzgerald's Epigram, written at the +"Alfred," on _English Bards, etc._, p. [xv.]; and on p. xvi. the +following MS. Title-page:-- + +English Bards/ and Scotch Reviewers; a/ Satire/ By Lord Byron./ I had +rather be a kitten, and cry, mew!/ Than one of these same metre +ballad-mongers./ Shakspere./ Such shameless Bards we have; and yet 'tis +true,/ There are as mad, abandon'd critics too./ Pope./ Fifth Edition,/ +Unpublished; with considerable additions./ London:/ Printed for James +Cawthorne,/ Cockspur Street./ 1812./ + +At the end of the volume a MS. version of "Lines on the Removing Lady +Jersey's Portrait from the Gallery of Beauties," is on pp. [85], [86], +and a MS. version of "On a Recent Discovery, 1813," on p. [89]. + +P. xiv. is headed by the following MS. note: "Lord Byron has two copies +of this work, R.C. Dallas, Esq., has likewise two copies, and Mr. Leigh +Hunt one." + +VIII. + +_English Bards, etc.; a Satire_. 1st Amer. from 3rd London Ed. +Philadelphia. 1811. [8º. + +[Cat. of Boston Athenæum Library, 1874.] + +IX. + +_English Bards, and Scotch Reviewers; A Satire_. By Lord Byron. +Charleston: Moxford, Wellington & Co., 1811. [8º. + +X. + +_English Bards, and Scotch Reviewers_. Boston. 1814. [12º. + +_Collation_-- + +Pp. 72. + +XI. + +English Bards/ And/ Scotch Reviewers;/ A Satire./ By Lord Byron./ From +the last London Edition./ I had rather be a kitten, and cry mew!/ Than +one of these same metre ballad-mongers./ Shakspeare./ Such shameless +bards we have; and yet 'tis true/ There are as mad, abandon'd critics +too./ Pope./ New York:/ Published by A.T. Goodrich & Co., 124 +Broad-/Way, Corner of Cedar-Street./ _I. Seymour, print._/ 1817;./ +[12º. + +_Collation_-- + +Title, one leaf, pp. i., ii.; Preface to the Third Edition, pp. iii., +iv.; Text, pp. 5-54. + +_Note_.--The text numbers 1050 lines, but lacks the Postscript. The +misprint "ingenious" for "ingenuous youth," in footnote (p. 7) to line +56, which belongs to the Fourth Edition of 1811, and was corrected by +Byron for the Fifth Edition, occurs in this edition. + +XII. + +English Bards, And/ Scotch Reviewers;/ A Satire./ Ode to the Land of the +Gaul.--Sketch/ From Private Life.--Windsor/ Poetics, Etc./ By/ The Right +Honorable/ Lord Byron./ Second Edition./ Paris:/ Published by Galignani/ +At the French, English, Italian, German, and Spanish/ Library, No. 18, +Rue Vivienne./ 1818./ [12º. + + +_Collation_-- + +Title, one leaf; Second Half-title, pp. 1, 2; Preface, pp. 3-5; Text, +pp. 7-70; Postscript, pp. 71-73; Ode, etc., pp. 75-84. + +_Note_.--The Text numbers 1052 lines. This edition follows the Fourth +Edition of 1811. The misprint "ingenious" for "ingenuous" is in a +footnote, p. 10. A Third Edition, identical with the Second, was issued +in 1819. + +XIII. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ With Notes and +Preface,/ By/ Lord Byron./ Brussels,/ Published at the English +Repository of Arts, No. 602,/ Rue de L'Impératrice./ Printed by Demanet, +Rue des Bogards./ 1819./ [8º. + +_Collation_-- + +Title, one leaf; Half-title with Mottoes, pp. 1, 2; Preface, pp. +[3]-[5]; Text, pp. 7-62; Postscript, pp. 63, 64. + +_Note_.--The Front. is "Lord Byron," "_lith. par Toland_." The Text +numbers 1052 lines. This edition follows the Fourth Edition of 1811. The +misprint "ingenious" is at the foot of p. 10. + +XIV. + +English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ The Right +Honorable/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than +one of these same metre ballad-mongers./ _Shakspeare_./ Such shameless +Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics +too./ _Pope_./ Geneva:/ Published by P.G. Ledouble,/ No. 24, Rue de la +Cité./ 1820./ [12º. + +_Collation_-- + +Half-title (R. Advt. of Joseph Forsyth's Remarks on Antiquities, etc., +and Imprint, _Printed by Sestié Fils_.); Title, one leaf, pp. 1, 2; +Preface, pp. 3-5; Text, pp. 1-66; Postscript, pp. 67, 68. + +_Note_.--The Text numbers 1052 lines. This edition follows the Fourth +Edition of 1811. + +XV. + +English Bards,/ and/ Scotch Reviewers./ A Satire./ By Lord Byron./ I had +rather be a kitten, and cry, Mew!/ Than one of these same metre +ballad-mongers./ _Shakespeare_./ Such shameless Bards we have; and yet, +'tis true,/ There are as mad, abandon'd Critics too./ _Pope_./ London:/ +Benbow, Printer and Publisher, Byron's Head,/ Castle-Street, +Leicester-Square./ 1823,/ [12º. + +_Collation_-- + +Pp. v. + [7]-61. The Imprint (_W. Benbow, Printer, Castle-st. +Leicester-sq._) is at the foot of p. 61. + +_Note_.--The Text numbers 1050 lines. This edition follows the Third +Edition of 1810. + +XVI. + +English Bards/ And/ Scotch Reviewers;/ A Satire./ By Lord Byron./ +[Mottoes as above, six lines.] A New Edition,/ With a Life of the +Author./ To which is added/ Fare Thee Well, A Poem./ Glasgow:/ Printed +by James Starke,/ and sold by All the Booksellers./ 1824./ [12º. + +_Collation_-- + +Pp. xiv. + 15-52 + Fare Thee Well! pp. [53], [54]. + +_Note_.--The Text numbers 1050 lines, as in the Third Edition. The +misprint "ingenious" for "ingenuous" occurs in a footnote to p. 16. + +XVII. + +English Bards/ and/ Scotch Reviewers:/ A Satire./ By Lord Byron./ +[Mottoes as above, six lines ("Shakspeare").] A New Edition,/ With a +life of the Author./ To which is added/ Fare Thee Well, A Poem./ +Glasgow:/ Printed for M'Intosh & Co./ And sold by All the Booksellers./ +1825./ [12º. + +_Collation_-- + +Pp. xiv. + 34. + +_Note_.--The Text numbers 1050 lines. This edition is differently +paginated from the preceding, and the Notes are reset (the misprint +"ingenious" is corrected), but the Text, Preface, and the "Life of the +Author" seem to have been set up from the same type. + +XVIII. + +English Bards/ and/ Scotch Reviewers;/ A Satire,/ By Lord Byron./ +London:/ Printed and Published by W. Dugdale,/ _23, Russell Court, Drury +Lane_./ 1825./ [12º. + +_Collation_-- + +Pp. 50. + +_Note_.--The Text numbers 1050 lines. The Notes are printed after the +text, pp. 35-50. In Note 3 the misprint "ingenious" is retained. _The +English Bards, and Scotch Reviewers_ (Third Edition, of 1050 lines) was +included in the _British Satirist_, Glasgow, 1826, 12º, pp. 1-46, and +formed part (pp. 139-178) of a collection of Satires, Gilford's _Baviad +and Mæviad_, etc., published by J.F. Dove, London, 1827, 12º. The +misprint "ingenious" has been corrected in both these issues. + +XIX. + +English Bards,/ And/ Scotch Reviewers,/ A Satire./ By/ Lord Byron./ I +had rather be a kitten, and cry, mew,/ Than one of these same metre +ballad-mongers./ _Shakspeare_./ Such shameless bards we have; and yet, +'tis true,/ There are as mad abandoned critics too. _Pope_./ A New +Edition./ London:/ Printed by T. Kay, at the Egyptian Press, 1, Welbeck +Street,/ Cavendish Square, For the Booksellers./ 1827./ [8º + +_Collation_-- + +Half-title, pp. i., ii.; Title, pp. iii., iv.; Preface, pp. v.-vii.; +Text, pp. 1-78; Postscript (_sic_), pp. [79]-80. The Imprint (_Printed +by T. Kay, 1, Welbeck Street, Cavendish Square_.) is at the foot of p. +80. + +_Note_.--The Text follows the Third Edition of 1810. The misprint +"ingenious" occurs in a footnote to p. 4. The words "A Satire," +"Shakspeare," and "Pope" on the Title-page are in Gothic characters. + + +_Fare Thee Well_. + +I. + +_Fare Thee Well_. First Version, consisting of Thirteen Stanzas, dated +March 18, 1816. [249 x 190. + +_Collation_-- + +Pp. [1]-[3]. + +II. + +_Fare Thee Well_! [Printed and distributed, April 4, 1816.] [4º. + +_Collation_-- + +Pp. [1]-3. P. [4] is blank. A copy of this pamphlet in the British +Museum is marked as "Privately printed for Lord Byron," and measures 237 +x 173. The watermark is "J. GREEN, 1815." + +_Note_.--The Text numbers 60 lines. Lines 1-24 are on p. [1]; lines +25-56 on p. 2; and lines 57-60 on p. 3. In line 28 "may" is printed +"ḿay." _Fare Thee Well_ was first published in _The Champion_, Sunday, +April 14, 1816. + +III. + +_Fare Thee Well_. Second Version, consisting of Sixty Lines, dated +Monday, "April 7, 1816." [250 x 190. + +_Collation_-- + +Pp. 1-3. + +IV. + +_A Sketch from Private Life_, consisting of 104 lines, dated March 30th, +1816. [250 x 190. + +_Collation_-- + +Pp. [1]-4. + +V. + +_A Sketch, etc._ Another copy, dated March 30, 1816, and endorsed, +"Correct with most particular care, and print off 50 copies, and keep +standing. 1816, April 2." + +VI. + +_Fare Thee Well_!--A Sketch, etc.--Napoleon's Farewell.--On the Star of +the Legion of Honour.--An Ode. By Lord Byron. London: _Printed for +Sherwood, Neely and Jones, Paternoster Row_, 1816. [8º. + +_Collation_-- + +Pp. 27. + +_Note_.--"Original blue paper cover."--_Catalogue of Rowfant Library_, +1886, p. 146. + +VII. + +Fare Thee Well,/ A Poem./ A Sketch/ From Private Life,/ A Poem,/ By Lord +Byron./ Bristol:/ Printed for Barry & Son, High-Street./ 1816./ [8º. + +_Collation_-- + +Half-title, pp. 1, 2; Title (R. _Barry & Son, Printers_.), pp. 3, 4; +Text (_Fare Thee Well_), pp. 5-7; (A Sketch, etc.), pp. 8-12. The +Imprint, as above, is at the foot of p. 12. + +The Text is identical with that of the pamphlet. + +VIII. + +Fare Thee Well!/ And/ Other Poems./ By Lord Byron./ Edinburgh:/ Printed +for John Robertson,/ 132, High Street./ 1816./ [8º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 3-32. The Imprint (_Walker and +Greig, Printers_) is at the foot of p. 32. + +_Contents_-- + +Fare Thee Well p. 3 +A Sketch p. 7 +Napoleon's Farewell p. 13 +On the Star of "The Legion of Honour" p. 15 +Ode from the French p. 18 +Ode ("Oh, shame to thee," etc.) p. 25 +Madame Lavalette p. 30 + + +_Note_.--An editorial note (p. 24) states that the Ode "Oh, shame to +thee" was first published in the _Morning Chronicle_, July 31, 1815, +under the signature "Brutus." "It has been ascribed by many to the +Author of the _Pleasures of Hope_." A second note (p. 30) apologizes for +the inclusion of "Madame Lavalette" [first published in the _Examiner_, +January 21, 1816], which "has appeared in some other Editions of these +Poems." + + +_The Giaour._ + +I. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance--one sorrow that throws/ "Its bleak shade alike o'er our +joys and our woes--/ "To which Life nothing brighter nor darker can +bring,/ "For which joy hath no balm--and affliction no sting."/ Moore./ +London:/ _Printed by T. Davison, Whitefriars_,/ For John Murray, +Albemarle-Street./ 1813./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Dedication, "To Samuel Rogers, +Esq.;" Text, pp. 1-41. The Imprint (_T. Davison, Lombard-Street,/ +Whitefriars, London_./) is in the centre of p. [42]. + +_Note_.--The First Edition of the _Giaour_ (June 5, 1813) numbers 685 +lines. + +II. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance--one sorrow that throws/ "Its bleak shade alike o'er our +joys and our woes-- / "O'er which Life nothing brighter nor darker can +fling,/ "For which joy hath no balm--and affliction no sting." / Moore./ +A New Edition, with some Additions./ London:/ _Printed by T. Davison, +Whitefriars_,/ For John Murray, Albemarle-Street./ 1813./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Dedication as above; Advt., "The +tale," etc.; Text, pp. 1-47. The Imprint, as above (No. i.), is in the +centre of p. [48]. + +_Note_.--The Second Edition of the _Giaour_, published at the end of +June or the beginning of July, numbers 816 lines. Note the misprints in +third line of the motto, "O'er which" for "To which," and "fling" for +"bring." The first edition of the Song, _A Selection of the Irish +Melodies_, 1807, i. 45, and other editions read "bring." + +III. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance," etc. [Motto, four lines, as in the Second Edition]./ +Moore./ Third Edition,/ With Considerable Additions./ London:/ _Printed +by T. Davison, Whitefriars_,/ For John Murray, Albemarle-Street./ 1813./ +[8º. + +_Collation_-- + +Half-title (R. Advt. of "Madame de Stael's Long Suppressed Work" [_De +L'Allemagne_]); Title, one leaf; Dedication; Advt., pp. 1, 2; Text, pp. +3-53 + Advt. of "Books Lately Published by John Murray," pp. [54]-[56]. +The Imprint (_T. Davison, Lombard Street,/ Whitefriars, London_./) is at +the foot of p. [56]. + +_Note_.--The Text numbers 950 lines. The numbers 5, 10, etc., are +printed on the margin. The First and Second Editions are not numbered. + +IV. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance--one sorrow that throws/ It's bleak shade alike o'er our +joys and our woes--/ O'er which Life nothing brighter nor darker can +fling,/ For which joy hath no balm--and affliction no sting."/ Moore./ +From the Third London Edition./ Boston:/ Printed by John Eliot,/ No. 5, +Court Street./ 1813. + +_Collation_-- + +Pp. 72. + +_Note_.--The _Giaour_ was also published at Philadelphia in 1813, 53 pp. +24º. + +V. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance," etc. [Motto, four lines, as in Second Edition]./ Moore./ +Fifth Edition,/ With Considerable Additions./ London:/ _Printed by T. +Davison, Whitefriars_,/ For John Murray, Albemarle Street./ 1813./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Advt.; Text, pp. 1-66. + +_Note_.--The Text numbers 1215 lines. The concluding note, "The +circumstance," etc., is enlarged (p. 66) by nine lines: "I do not +know"--"Hall of Eblis." The Dedication is wanting in the copy of the +Fifth Edition in the British Museum. + +VI. + +The Giaour,/ etc./ Sixth Edition,/ etc./ 1813./ [8º. + +_Collation_-- + +Title, one leaf; Dedication; Advt.; Text, pp. 1-66. + +_Note_.--The Text numbers 1215 lines. The Half-title is missing in the +Museum copy. + +VII. + +The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal +remembrance," etc. [Motto, four lines, as in the First Edition, "bring" +for "fling," etc.]./ Moore./ Seventh Edition, With some Additions./ +London:/ _Printed by Thomas Davison, Whitefriars_,/ For John Murray, +Albemarle Street./ 1813./ [8º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Dedication; Advt.; Text, pp. +1-75. The Imprint (_T. Davison, Lombard Street_,/ Whitefriars, London./) +is in the centre of p. [76]. + +_Note_.--The Text numbers 1334 lines. The Notes are printed at the end +(pp. 65-75) of the volume. + +VIII. + +The Giaour,/ etc./ The Ninth Edition,/ etc./ 1814./ [8º. + +_Collation_-- + +_Vide supra_, No. vi. + +_Note_.--The Half-title is missing in the Museum copy. + +IX. + +The Giaour,/ etc./ The Tenth Edition,/ etc./ 1814./ [8º. + +_Collation_-- + +_Vide supra_, No. vi. + +_Note_.--Four pages of "Interesting Works Published in February, 1814, +By John Murray, Bookseller of the Admiralty, and Board of Longitude," +etc., are bound up with the Tenth Edition. + +X. + +The Giaour,/ etc./ The Eleventh Edition,/ etc./ 1814./ [8º. + +_Collation_-- + +_Vide supra_, No. vi. + +_Note_.--The Half-title is missing in the Museum copy. + +XI. + +The Giaour,/ etc./ The Twelfth Edition./ London:/ Printed for John +Murray, Albemarle-Street:/ _By Thomas Davison, Whitefriars_./ 1814./ +[8º. + +_Collation_-- + +_Vide supra_, No. vi. + +XII. + +The Giaour,/ etc./ The Fourteenth Edition./ London:/ Printed for John +Murray, Albemarle-Street./ 1815./ [8º. + +_Collation_-- + +Half-title, one leaf; Title (R. _T. Davison, Lombard-Street_,/ +_Whitefriars, London_,/); Dedication; Advt.; Text, pp. 1-75. The +Imprint, as above, is in the centre of p. [76]. + +_Note_.--Four pages of Advts., dated "Albemarle--Street, London, +January, 1818," are bound up with the Fourteenth Edition. + +XIII. + +The Giaour;/ A Fragment of/ A Turkish Tale./ [Motto, four lines.] +Moore./ London:/ Printed and Published by W. Dugdale,/ _23, Russell +Court, Drury Lane_./ 1825./ [12º. + +_Collation_-- + +Pp. 51. The Imprint (_W. Dugdale, Printer, 23, Russell Court, Drury +Lane_) is at the foot of p. [52]. + +XIV. + +The Giaour:/ A/ Fragment of a Turkish Tale./ By/ Lord Byron./ London: +John Murray, Albemarle Street./ Sold also by/ Tilt and Bogue, Fleet +Street:/ Edinburgh, Oliver and Boyd: Dublin, John Gumming./ 1842./ [12º. + +_Collation_-- + +Pp. 67. The Imprint (_London:/ Printed by A. Spottiswoode,/ +New-Street-Square_./) is in the centre of p. [68]. + +XV. + +The Giaour:/ A Fragment of a Turkish Tale,/ By Lord Byron./ [Motto, four +lines.] Moore./ [1844.] [8º. + + +_Collation_-- + +Pp. 40. The Imprint (_H.G. Clarke and Co., 66, Old Bailey_) is at the +foot of p. 40. + +_Note_.--Part of "Clarke's Home Library." + + +_Translations of The Giaour_. + +_French_. + +_Le Giaour_, fragments d'un cante turc, poème traduit de l'anglais de +lord Byron, par J.M.H. Bigeon, Paris, Ponthieu, Ledoyen, 1828. [18º. + +[Quérard, 1846.] + + +_German_. + +I. + +_Der Gauer_, Bruchstück einer türkischen Erzählung, nach der 7. +englischen Ausgabe im Deutschen metrisch bearbeitet. Berlin, F. Dümmler. +1819. [12º. + +[_Centralblalt, etc._, 1890, vol. vii. p. 456.] + +II. + +_Der Gjaur_. In deutsche Verse übersetzt v. Arthur v. Nordstern. Mit d. +engl. Text zur Seite. Leipzig, Göschen. 1820. [8º. + +[Kayser, 1834.] + +III. + +_Der Gjaur_. Bruchstück e. türk. Erzählg. v. Lord Byron. Frei übers. v. +Adf. Seubert. Leipzig. 1871-76. [16º. + +[Kayser, 1877.] + +_Collation_-- + +Pp. 48. + +_Note_.--No. 669 of the _Universal-Bibliothek_. + +_Italian_. + +I. + +_Il Giaurro_, frammento di novella turca; recato dall' ingl. in versi +ital. da Pellegrino Rossi. Genova e Parigi, Paschoud, 1817. [12º. + +[Quérard, 1827.] + +II. + +_Il Giaurro_. Traduzione di Andrea Maffei. Milano, Hoepli. 1884. [64º. + +[Pagliaini, 1901.] + + +_Polish_. + +I. + +_Giaur_, ułomki powieści tureckiéj, poema ... Przeldadania Władysl. hr. +Ostrowskiego. pp. 83. _W drukarni bibliotecznéj; Puławy_, 1830. [8º. + +II. + +_Giaur_, Ułamki powieści tureckiéj, tłum. Adam Mickiewicz, _Ksiegarnia +Katol._: Paryż, 1834 [_Wrocław_, 1835]. [8º. + + +_Romaic_. + +I. + +Ποιηματα Βυρωνος / ὁ Γκιαουρ / τεμαχιον / τουρκικου Διηγηματος / +Μεταφρασις / Αἰκατερινης κ. Δοσιου / Ἐκδιδεται το Δευτερον / Ὑπο / Ἀρ. Κ. +Δοσιου / Ἀθηνησι / Τυποις Ἀνδρεου Κορομηλα / [Greek: Poiêmata Byrônos / +ho Gkiaour / temachion / tourkikou Diêgêmatos / Metaphrasis / +Ai)katerinês k. Dosiou / E)kdidetai to Deuteron / HYpo / A)r. K. Dosiou +/ A)thênêsi / Tupois A)ndreou Koromêla /] / 1873/ [4º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Translator's Advt.; Προλογος +[Greek: Prologos], pp. ά-ί [Greek: a'-i'] + Text, pp. 1-69 + Παροραματα +[Greek: Paroramata], p. [70]. + +II. + +Σακελλαριου Βιβλιοθηκη του Λαου / Ποιηματα Βυρωνος / ὁ Γκιαουρ / +τεμαχιον / τουρκικου / Διηγηματος / Μεταφρασις / Αἰκατερινης κ. Δοσιου / +Ἐν Ἀθηναις / Τυποις και Ἀναλωμασι Π. Δ. Σακελλαριου / [Greek: +Sakellariou Bibliothêkê tou Laou / Poiêmata Byrônos / ho Gkiaour / +temachion / tourkikou / Diêgêmatos / Metaphrasis / Ai)katerinês k. +Dosiou / E)n A)thênais / Tupois kai A)nalômasi P.D. Sakellariou / ] +[1898?] [8º. + +_Collation_-- + +Pp. 91. The Imprint ( Τυπογραφειον Π. Δ. Σακελλαριου ἐν Ἀθηναις [Greek: +Typographeion P.D. Sakellariou e)n A)thênais ] ) is in the centre of p. +[92]. + +_Russian_. + +I. + +Джяуръ. Отрывки изъ одной турецкой повѣсти. "Выборъ из сочиненій лорда +Байрона" М. Каченвекаго. [Cyrillic: Dzhiaur". Otryvki iz" odnoĭ +turetskoĭ poviesti. Vybor" izh sochinenīĭ lorda Bairona M. +Kachenvekago.] pp. 107-176. 1821. + +II. + +Джяуръ. Отрывки турецкой повѣсти. ... Переводъ Н.Р. [Cyrillic: Dzhiaur". +Otryvki. ... turetskoĭ poviesti Perevod" N.R.] pp. 31. Москва [Cyrillic: +Moskva], 1822. [8º. + +III. + +Гяуръ ... Перевелъ Е. Мишелъ. [Cyrillic: Gayur" ... Perevel" E. +Mishel.] [In prose.] С.-Петербургъ [Cyrillic: S.-Peterburg"], 1862. +[8º. + +_Collation_-- +Pp. 49. + +IV. + +Гяуръ ... Перев. размѣромъ подлинника В. Петровъ. С.-Петербургъ +[Cyrillic: Gayur" ... Perev. razmierom" podlinnika V. Petrov". +S.-Peterburg"], 1873. + +V. + +Гяуръ Байрона и Крымскіе сонеты Минкевича. Перевелъ В.А. Петровъ. +Изданіе 2-ое. С.-Петербургъ [Cyrillic: Gayur" Baĭrona Kryemskie sonety +Minkevicha. Perevel" V.A. Petrov" Izdanie 2-oe. S.-Peterburg"], 1874. + + +_Servian_. + +Ђаур лорда Бајрона. Сроски од Ац. Поповиђа [Cyrillic: Djaur lorda +Bairona. Sroski od Ats. Popovidja]. pp. 67. Д. Хипц: у Новот-Саду, +[Cyrillic: D. Khipts: u Novot-Sadu], 1860. [12º. + + +_Spanish_. + +_El Giaur ó el infiel_, por lord Byron. Traduccion Castellana. Paris, +1828: Madrid, lib. Europea. [12º. [_Dicc. Gen. de Bibl. Esp_. por D. +Dion. Hidalgo, 1862.] + +_Swedish_. + +Giaurn,/ Ett. Stycke Af en Turkish Berättelse,/ Af/ Lord Byron./ +Öfversättning / Stockholm./ J.L. Brudins Förlag./ 1855./ [8º. + +_Collation_-- + +Pp. 80. + +_Note_.--No. 6 of "Byron's Poetiska Berattelser," translated by +Talis-Qualis. + +_Heaven and Earth_. + +I. + +_[Note_.--For the First Edition of _Heaven and Earth_, see _The +Liberal_, No. II., pp. 165-206 (London, L. Hunt, 1822).] + +Heaven and Earth,/ A Mystery;/ Founded on the Following Passage in +Genesis,/ Chap. vi./ "And it came to pass ... that the sons of God saw +the/ daughters of men that they were fair; and they took them/ wives of +all which they chose."/ "And woman wailing for her Demon lover."/ +Coleridge./ London:/ Benbow, Printer and Publisher, 252, High Holborn./ +1824./ [12º. + +_Collation_-- + +Pp. 35 + "Benbow's Catalogue of Books," p. [36]. The Imprint (_Benbow, +Printer, 9, Castle Street, Leicester Square, London_) is at the foot of +p. [36]. + +II. + +_Heaven and Earth, a Mystery_, Paris, Galignani, 1823. [12º. + +[Quérard, 1827.] + +III. + +_Heaven and Earth, etc._ [12º. + +_Collation_-- + +Pp. 36. + +_Note_.--This edition, printed by (?) W. Dugdale in (?) 1825, bears +neither Title-page nor Imprint, and is bound up with _The Bride of +Abydos_, printed for Thomas Wilson in 1825, and _The Corsair_, printed +and published by W. Dugdale in 1825. + + +_Translations of Heaven and Earth_. + + +_French_. + +Essai/ Sur Le Génie et Le Caractère/ de Lord Byron,/ Par A.P.... T.;/ +etc./ Paris./ Ladvocat, Libraire, Palais-Royal,/ Galerie de Bois, No. +195./ 1824/ [12º. + +_Collation_-- + +Half-title, Le Ciel/ Et La Terre./ Mystère/ Fondé sur ce Passage de La +Genèse:/ (Chap. VI)/: "Et il arriva ... que les fils de Dieu virent que +les filles des/ hommes étaient belles; et ils prirent pour femmes/ +celles d'entre elles qu'ils choisirent./ "La femme regrettant son dèmon +bien-aimé."/ (Coleridge.)/ (R. _Personnages_.), pp. [195], [196] + Text, +pp. 197-252. + +_Italian_. + +_Cielo e terra_: mistero, tradotto da Andrea Maffei. Milano, Gnocchi, +1853. [16º. + +[Pagliaini, 1901.] + + +_Russian_. + +Небо и Земля. Н.В. Гербель, [Cyrillic: Nebo i Zemlya. N.V. Gerbel',] +"Полное собраніе стихотвореній." [Cyrillic: Polnoe sobranie +stikhotvoreniĭ] TOM. I. + + +_Hebrew Melodies_. + +I. + +A Selection of/ Hebrew Melodies/ Ancient and Modern/ with appropriate +Symphonies and accompaniments/ By/ I: Braham & I: Nathan/ the Poetry +written expressly for the work/ By the Right Hon^ble^/ Lord Byron/ ent^d +at Sta^rs^ Hall/ [Title-vignette, angel holding crown] 1^st^ Number/ +Published and Sold by I: Nathan No. 7 Poland Street Oxford Str^t / and +to be had at the principal Music and Booksellers/ Price one Guinea/ +[1815] [fol. + +[The Title-page is enclosed in an ornamental border, and below the +words, "_Drawn by Edward Blore_" is the signature "I. Braham;" and below +the words, "_Engraved by W. Lowry_," the signature "I. Nathan."] + +_Collation_-- + +Part I.: Illuminated Dedication "To Her Royal Highness the Princess +Charlotte of Wales," one leaf; Preface, signed "I. Braham, I. Nathan," +and dated "London, April, 1815," one leaf; Index to the First Number, +one leaf; Music and Words, pp. 1-64. + +Part II.: Title (A Selection of,/ etc.... By the Right Honorable Lord +Byron.)/ [Motto], "The harp the Monarch Minstrel swept," etc., five +lines./ See Page 4./ Lord Byron./ 2^nd^ Number, Price 1 Guinea./ Ent^d +at Stationers' Hall./ Published and Sold, etc./ _Prickett scrip. et +sculp._/ [The Title-vignette is King David playing a harp with angel and +tripod, engraved by H. Moses.] The title is signed "I. Nathan." + +_Collation_-- + +Title, one leaf; Dedication, as above, one leaf; Index to the Second +Number, one leaf; Music and Words, pp. 65-133. + +_Contents_--Part I.-- + +She walks, etc. p. 1 +The Harp, etc. p. 5 +If that high World p. 14 +The wild Gazelle p. 19 +Oh, weep for those p. 25 +On Jordan's Banks p. 29 +Jephtha's Daughter p. 36 +Oh, snatch'd away p. 41 +My Soul is dark p. 44 +I saw thee weep p. 49 +Thy days are done p. 52 +It is the Hour p. 63 + +Part II.-- + +Warriors and Chiefs p. 65 +We sate down and wept p. 71 +Vision of Belshazzar p. 75 +Herod's Lament p. 83 +Were my Bosom p. 86 +The Destruction of Sennacherib p. 91 +Thou whose spell p. 97 +When Coldness wraps P. 107 +Fame, Wisdom, Love p. 111 +From the last Hill p. 115 +Francisca p. 120 +Sun of the Sleepless p. 129 + +_Note_.--For a reissue, with additions, of this collection, see +_Fugitive Pieces and Reminiscences of Lord Byron, etc._, by I. Nathan, +1829, No. xii., p. 254. + +II. + +Hebrew Melodies./ By Lord Byron./ London:/ Printed for John Murray, +Albemarle-Street./ 1815./ [8º. + +_Collation_-- + +Half-title (Hebrew Melodies. _T. Davison, Lombard-Street,/ Whitefriars, +London_./), one leaf; Title, one leaf; Advt.; Cont.; Text (_Hebrew +Melodies_), pp. 1-53. + +_Note_.--The Cont. are identical with the preceding, save that the +lines, "Francisca," a variant of _Parisina_ (lines 15-28), are omitted; +the lines _From Job_ are inserted pp. 49, 50; and the stanzas "On the +Death of Sir Peter Parker" (pp. 51-53) are printed at the end of the +volume. + +III. + +_Hebrew Melodies_. Boston. 1815. [24º. + +_Collation_-- + +Pp. 2 + 43. + +IV. + +_Hebrew Melodies_. Philadelphia. 1815. [16º. + +V. + +Hebrew Melodies./ By the Right Honourable/ Lord Byron./ London: Printed +and Published by W. Dugdale,/ _Green Street, Leicester Square_./ 1823./ +[12º. + +_Collation_-- + +Pp. 36. The Imprint (_Printed by W. Dugdale, Great Street, Leicester +Square_./) is at the foot of p. 36. + +_Note_.--The lines "It is the Hour" (_Parisina_, 1-14) and "Francisca" +(_ibid._, lines 15-28) are omitted. + +VI. + + +Hebrew Melodies./ By Lord Byron./ London:/ Printed and Published by W. +Dugdale,/ _23, Russell Court, Drury Lane_./ 1825./ [12º. + +_Collation_-- + +Pp. 22. The Imprint (_Printed by W. Dugdale, 23, Russell Court, Drury +Lane_.) is at the foot of p. 22. + +_Note_.--For Cont., _vide supra_, No. v. + + +_Translations of Hebrew Melodies_. + + +_Bohemian_. + +_Hebrcjské melodie_. Přeložili Jaroslen Vrchlický a J.V. Sládek. _v +Praze_, 1890. + + +_Danish_. + +Lord Byron:/ Jødiske sange./ oversatte/ af/ F. Andresen Halmrast/ +Christiania./ Jacob Dybwads forlag./ 1889./ + +_Collation_-- + +Pp. 41 + Indhold, pp. [43], [44]. + + +_German_. + +I. + +Hebräische Gesänge./ Aus dem Englischen/ des Lord Byron/ von/ Franz +Theremin./ Mit beigedrucktem englischen Text./ Berlin./ Verlag von +Dunker und Humblot./ 1820./ [12º. + +_Collation_-- + +Pp. viii. + 3-87. + +II. + +_Hebräische Gesänge_. Aus d. Engl. übersetzt von Jos. Emn. Hitscher. Mit +gegenüberstehendem Originale. Laibach, 1833. [8º. + +[Kayser, 1841.] + +III. + +Germanische/ Melodien./ Theilweise/ frei nach Lord Byron's hebräischen +Melodien/ von/ Hugo Oelbermann./ Bonn./ Rheinische Verlags-Anstalt./ +1862./ [8º. + +_Collation_-- + +Pp. 49. + +IV. + +Lord Byron's/ Hebräische Gesänge./ Aus dem Englischen/ übertragen/ und +mit sachlichen Einleitungen und Bemerkungen/ versehen/ von/ Eduard +Nickles./ Karlsruhe./ Druck und Verlag von Friedrich Gutsch./ 1863./ + +_Collation_-- + +Pp. 105 + Anmerkung, p. 106 + Anhang, pp. 107-112. + +_Note_.--The English text is printed over against the German. The +"Anhang" contains translations of "In the valley," etc., and "They say +that hope," etc. + +V. + +Hebräischer Gesänge./ Aus d. Engl. übers. von Heinr. Stadelmann. +Memmingen. 1866. Hartwig in Comm. [16º. + +[Kayser, 1871.] + + +_Hebrew_. + +Hebrew Melodies/ of/ Lord Byron/ Translated by/ Dr. S. Mandelkern./ +Leipzig./ 1890./ [8º. + +_Collation_-- + +Pp. 45 + Cont. (Hebrew character) (R. Advt. of Hebrew Poems (with vowel +points) of Dr. S. Mandelkern), pp. [47], [48]. + +_Note_.--The Hebrew translation is over against the English text. The +Title-page, which is in Hebrew and English, is enclosed in an arabesque +border. + + +_Italian_. + +I. + +Melodie ebraiche/ di/ Lord G. Byron/ Versione/ di P.P. Parzanese/ +Napoli/ dalla tipografia all' insegna di Tasso/ via Concezione a Toledo +No. 3./ 1837/ + +_Collation_-- + +Pp. 47. + +_Note_.--Printed on green paper. + +II. + +_Le Melodie ebree_, coll' aggiunta di alcuni altri poemetti. Ivrea, +1855. [16º. + +[Pagliaini, 1901.] + + +_Russian_. + +Еврейскія мереводъ П. Козлова. С.-Петербургъ [Cyrillic: Evreĭskiya +merevod" P. Kozlova. S.-Peterburg"], 1860. + + +_Swedish_. + +Hebreiska Melodier/ af/ Lord Byron./ Öfversatta/ af/ Theodor Lind./ +Helsingfors,/ Theodor Sederholms Forlag./ [1862.] [8º. + +_Collation_-- + +Pp. 41 + Innehåll, p. [43]. + + +_Fugitive Pieces and Minor Poems_. + +Fugitive Pieces By/ George Gordon Lord Byron/ A Facsimile Reprint of/ +The Suppressed/ Edition of/ 1806/ [Title-vignette, Venus Anadyomene in +shell with attendant Cupids.] London/ Printed for Private Circulation/ +1886/ [4º. + +_Collation_-- + +Advt. of issue (No. 22 of 100 numbered copies) of--_Printers,/ Chiswick +Press, Tooks Court,/ Chancery Lane, London_./ signed (MS.) "Charles +Whittingham & Co.," pp. i., ii.; Half-title (BYRON'S FUGITIVE PIECES), +pp. iii., iv.; Title, one leaf, pp. v., vi.; Preface (editorial of +facsimile), pp. vii.-x. + blank leaf + Half-title (FUGITIVE PIECES), one +leaf + Dedication--"To/ Those Friends,/ At/ Whose Request They were +printed,/ For whose/ Amusement or Approbation/ They are/ Solely +Intended;/ These TRIFLES are respectfully Dedicated,/ by the/ Author."/ +(R. As these POEMS were never intended to meet the public eye, no +apology is necessary for the form in which they now appear. They are +printed merely for the perusal of a few friends to whom they are +dedicated; who will look upon them with indulgence; and as most of them +were composed between the age of 15 and 17, their defects will be +pardoned or forgotten, in the youth and inexperience of the WRITER.) + +Text, pp. [1]-66; (the Imprint (_Printed by S. and J. Ridge, Newark_.) +is at the foot of p. 66) + p. [67] (emblem-heraldic lion with shield and +monogram, subscribed with the Imprint, _Chiswick Press:--C. Whittingham +and Co., Tooks Court,/ Chancery Lane./_). + +Contents- + +On Leaving N...st...d p. [i] + +To E. p. 3 + +On the Death of Young Lady, Cousin to the Author and very Dear p. 4 +to him + +To D. p. 5 + +To... p. 6 + +To Caroline p. 7 + +To Maria ---- p. 10 + +Fragment of School Exercises, From the Prometheus Vinctus of p. 11 +Oeschylus(_sic_) + +Lines in "Letters of an Italian Nun," etc. p. 12 + +Answer to the above, addresse'd to Miss ---- p. 13 + +On a change of Masters, At a Great Public School p. 14 + +Epitaph on a Beloved Friend p. 15 + +Adrian's Address to his Soul, when dying p. 16 + +Translation p. 16 + +To Mary p. 17 + +"When to their airy hall, my father's voice" p. 19 + +To ---- p. 20 + +"When I hear you express an, affection so warm" p. 21 + +On a distant view of the Village and School of Harrow on The p. 23 +Hill. 1806. + +Thoughts Suggested by a College Examination p. 25 + +To Mary, on Receiving her Picture p. 28 + +On the Death of Mr. Fox, the following illiterate Impromptu p. 30 +appeared in the _Morning Post_ + +To which the Author of these Pieces sent the subjoined Reply, p. 30 +for insertion in the _Morning Chronicle_ + +To a Lady, who presented the Author a Lock of Hair, etc. p. 31 + +To a Beautiful Quaker p. 33 + +To Julia p. 36 + +To Woman p. 38 + +An Occasional Prologue, etc. p. 39 + +To Miss E.P. p. 41 + +To Tear p. 43 + +Reply to some verses of J.M.B. Pigot, Esq., on the Cruelty of p. 46 +His Mistress + +Granta, A Medley p. 49 + +To the Sighing Strephon p. 54 + +The Cornelian p. 57 + +To A ---- p. 59 + +As the Author was discharging his Pistols in a Garden, Two p. 61 +Ladies, etc. + +Translation form Catullus: Ad Lesbiam p. 63 + +Translation of the Epitaph on Virgil and Tibullus by Domitius p. 64 +Marsus + +Imitation of Tibullus "Sulpitia ad Cerintum" Lib. Quart. p. 64 + +Translation from Cattulus: Luctus de Morte Passeris p. 65 + +Imitated from Catullus. To Anna p. 66 + + +_Note_.--The original volume measures 8¾ ins. x 7½ ins. The wrapper is +of plain greenish-grey paper. The full Titles are given in the Table of +Cont. or in the heading of the Poems in _Poetical Works_, 1898, vol. i. +pp. xviii., etc. In the original issue the pages are numbered on the +head of each page, and subscribed with a double rule. "Ornaments" are to +be found on pp. [1], 3, 13, 14, 16, 40, 58, 60, 64, 66. + +The signatures B (p. [1]) to S (p. 65) are in due sequence. The numbers +at the head of the pages are subscribed with a double rule. + +II. + +Poems/ On/ Various Occasions./ VIRGINIBUS PUERISQUE CANTO./ Hor. Lib. 3. +Od. 1./ Newark: Printed by S. & J. Ridge./ MDCCCVII./ [8º. + +_Collation_-- + +Pp. 12 + 144--Half-title, one leaf, pp. [1], [2]; Title, one leaf, pp. +[3], [4]; Dedication (as above), pp. [5], [6]; Author's Advt., dated +December 23, 1806, pp. [7], [8]; Cont., pp. [9]-11; Text, 1-144. The +Imprint (_Printed by S, and J. Ridge, Newark_.) is at the foot of p. +144. + +_Contents_-- + +On leaving Newstead p. 1 +On a distant view, etc. p. 4 +To D. p. 7 +Epitaph on a beloved Friend p. 8 +A Fragment p. 10 +Fragments of School Exercises p. 11 +To E. p. 13 +Reply to some verses of J.M.B. Pigot, Esq., etc. p. 14 +To the sighing Strephon p. 17 +The Tear p. 21 +To Miss ---- p. 26 +Lines written in "Letters," etc. p. 28 +Answer to the foregoing p. 29 +The Cornelian p. 30 +On the Death of a Young Lady p. 33 +To Emma p. 35 +To M.S.G. p. 38 +To Caroline p. 41 +To Caroline p. 43 +To Caroline p. 46 +Stanzas to a Lady with the Poems of Camoens p. 48 +To Mary, on receiving her Picture p. 50 +To Lesbia p. 52 +To Woman p. 55 +To M. p. 57 +Lines addressed to a Young Lady p. 59 +To M.S.G. p. 62 +To a beautiful Quaker p. 64 +To a Lady who presented the Author with a Lock of her hair p. 67 + + +TRANSLATIONS AND IMITATIONS. + +Adrian's Address to his Soul p. 73 +Translation p. 74 +Translation from Catullus p. 75 +Translation of the Epitaph on Virgil, etc. p. 77 +Imitation from Tibullus p. 78 +Translation from Catullus p. 79 +Imitation from Catullus p. 81 +Fragment from Horace p. 82 +Translation p. 83 +Fragment of a Translation from Virgil p. 85 + + +FUGITIVE PIECES. + +On a change of Masters, etc. p. 89 +Thoughts suggested, etc. p. 91 +An occasional Prologue p. 95 +On the Death of Mr. Fox . p. 97 +Granta, a Medley p. 100 +The first kiss of Love p. 107 +Childish Recollections p. 109 +Answer to some verses from Montgomery p. 121 +Love's last Adieu p. 125 +Lines addressed to the Rev. J.T. Becher p. 128 +Reply to a Friend p. 131 +Elegy on Newstead Abbey p. 134 + + +_Note_.--The Title measures 193 X 113. The first signature, C, is on p. +9; M, on p. 81; O (_not_ N), on p. 89; Q, on p. 105; U, on p. 137. +Signature P is omitted on p. 97. + +The "ornaments" of the Quarto reappear on pp. [1], 9, 25, 32. The +numbers at the head of the pages are subscribed with a double rule. A +facsimile of the Title-page faces p. x. of vol. i. of the _Poetical +Works_, 1898. + +III. + + +Hours of Idleness,/ A/ Series of Poems,/ Original/ And/ Translated,/ By +George Gordon, Lord Byron,/ A Minor./ Μητ' αρ με μαλ' αινεε μητε τι +νεικει [Greek: Mêt' ar me mal' ainee mête ti neikei ]. / Homer. Iliad, +10./ Virginibus puerisque Canto;/ Horace./ He whistled as he went for +want of thought./ Dryden./ Newark: Printed and sold by S. and J. Ridge;/ +Sold also by B. Crosby and Co. Stationer's Court;/ Longman, Hurst, Rees, +and Orme, Paternoster-/Row; F. and C. Rivington, St. Paul's +Church-/Yard; and J. Mawman, In the Poultry,/ London./ 1807./ [8º. + +_Collation_-- + +Half-title (Hours/ of/ Idleness.), one leaf, pp. i., ii.; Title, one +leaf, pp. iii., iv.; Preface, pp. [v.]-xiii. (R. _Errata_); Text, pp. +[1]-187. The Imprint (_Printed by S. and F. Ridge, Newark_.) is at the +foot of p. 187. + +_Contents_-- + +On leaving Newstead p. 1 +On a distant view, etc. p. 4 +Epitaph on a Friend p. 7 +A Fragment p. 9 +The Tear p. 10 +An occasional Prologue p. 15 +On the Death of Mr. Fox p. 17 +Stanzas ... with the Poems of Camoens p. 20 +The first Kiss of Love p. 22 +To M---- p. 25 +To Woman p. 27 +To M.S.G. p. 29 +To a beautiful Quaker p. 31 +To ---- p. 34 +To Mary, on receiving her Picture p. 37 +Love's last Adieu p. 39 +Damætas p. 43 +To Marion p. 44 +Oscar of Alva p. 47 + + +TRANSLATIONS AND IMITATIONS. + +Adrian's Address, etc. p. 71 +Translation p. 72 +Translation from Catullus p. 73 +Translation from the Epitaph of Virgil, etc. p. 75 +Translation from Catullus p. 76 +Imitation from Catullus p. 78 +Translation from Anacreon. To the Lyre p. 79 +Translation from Anacreon. Ode 3 p. 81 +Fragments of School Exercises p. 84 +Episode of Nisus and Euryalus p. 86 +Translation from the Medea of Euripides p. 106 + + +FUGITIVE PIECES. + +Thoughts suggested by a College Examination p. 113 +Answer to some elegant Verses, etc. p. 118 +Granta, a Medley p. 121 +Lachin Y Gair p. 129 +To Romance p. 133 +Elegy on Newstead Abbey p. 137 +Childish Recollections p. 148 +The Death of Calmar and Orla p. 169 +To E.N.L., Esq. p. 173 +To ---- p. 184 + +_Note_ (1).--A facsimile of the Title-page (2) faces p. xii. of vol. i. +of the _Poetical Works_, 1898. It has been alleged that large-paper +copies of this edition were issued from the Newark press. It is certain +that large copies (a copy in the British Museum, cut for binding, +measures 220 X 122), printed on paper bearing a water-mark dated 1806, +were thrown upon the market at an early period, but it has not been +ascertained at what date or in what place they were printed. They are +undoubtedly deliberate forgeries. They purport, even in respect of +_errata_, to be identical with the genuine issue of 1807; but they were +not set up from the same type, and it is inconceivable that a second +issue, set up from different type and with slightly different ornaments, +was printed by Ridge for piratical purposes. To cite a few obvious +differences--in the title of the large-paper copies the first A of the +word "TRANSLATED" is printed Λ [Greek: L ], and the Greek ν [Greek: n] +in αινεε [Greek: ainee] and νεικει [Greek: neikei] appears as υ [Greek: +u] (not ν [Greek: n] reversed); in the Errata on the reverse of p. +xiii., [Page] "153 Note" is incorrectly given as "163 Note," and this +slip on the part of the _falsarius_ is more remarkable, as two other +errata in the Errata are carefully reproduced; in the Greek motto on p. +22 the letter ρ [Greek: r] twice appears as ς [Greek: s]; and, finally, +the ornaments on pp. 1 and 187, though intended to be, are not +identical. In the Museum copy a portrait of "Lord Byron, from a sketch +taken on his leaving England," engraved by I. West, and "Published by V. +Hone, Ludgate Hill, 1819," precedes the title-page, and, together with +the binding, affords good, if not conclusive, proof that this copy was +printed before 1820. + +See, for a correspondence on these L.P. copies of 1807, the _Athenæum_, +June, 1898, pp. 694, 695. + +See, too, for further interesting and conclusive evidence that the +ornament on p. 187 of the L.P. copies was not printed from the Newark +block, _Newark as a Publishing Town_, by T.M. Blagg, 1898, pp. 28-30. + +_Note_ (2).--An autograph note, dated May 20th, 1812, signed "Byron," is +inserted on the fly-leaf of a large-paper copy in the Rowfant Library +(_Catalogue_, 1886, p. 144). + +IV. + +Poems/ Original and Translated,/ By/ George Gordon, Lord Byron./ Μητ' +αρ' με μαλ' αινεε μητε τι νεικει [Greek: Mêt' ar' me mal' ainee mête ti +neikei]. / Homer. Iliad, 10./ He whistled as he went for want of +thought./ Dryden./ Second Edition./ Newark:/ Printed and sold by S. and +J. Ridge;/ Sold also by B. Crosby and Co. Stationer's Court;/ Longman, +Hurst, Rees, and Orme, Paternoster-/Row; F. & C. Rivington, S^t Paul's +Church-/ Yard, and J. Mawman, in the/ Poultry, London./ 1808./ [8º. + +_Collation_-- + +[? a Half-title]; Title, one leaf, pp. ii., iii.; Dedication (To The +Right Honourable/ Frederick,/ Earl of Carlisle,/ Knight of the Garter,/ +etc., etc./ The Second Edition/ Of/ These Poems is inscribed,/, By/ His +Obliged Ward,/ And/ Affectionate Kinsman,/ The Author.), pp. iv., v.; +Cont, pp. [vi.]-viii. (R. _Errata_); Text, pp. [1]-174. The Imprint +(_Printed by S. and J. Ridge, Newark-upon-Trent_) is at the foot of p. +174. + +_Contents_-- + +On leaving Newstead Abbey p. 1 +Epitaph on a Friend p. 5 +A fragment p. 7 +The Tear p. 8 +An occasional Prologue p. 13 +On the death of Mr. Fox p. 15 +Stanzas ... with the Poems of Camoens p. 18 +To M. p. 20 +To Woman p. 22 +To M.S.G. p. 24 +Song p. 26 +To ---- p. 30 +To Mary, on receiving her picture p. 33 +Damætas p. 36 +To Marion p. 38 +Oscar of Alva p. 41 +To the Duke of D. p. 62 + + +TRANSLATIONS AND IMITATIONS. + +Adrian's address, etc. p. 71 +Translation p. 72 +Translation from Catullus p. 73 +Translation of the Epitaph, etc. p. 75 +Translation from Catullus p. 76 +Imitated from Catullus p. 78 +Translation from Anacreon. To his Lyre p. 79 +Translation from Anacreon. Ode 3 p. 81 +Fragments of School Exercises p. 84 +Episode of Nisus and Euryalus p. 86 +Translation from the Medea of Euripides p. 105 + + +FUGITIVE PIECES. + +Thoughts suggested by a College Examination p. 111 +To the Earl of ---- p. 116 +Granta, a Medley p. 123 +Lachin y Gair p. 131 +To Romance p. 135 +Elegy on Newstead Abbey p. 140 +The death of Calmar and Orla p. 151 +To E.N.L., Esq. p. 160 +To ---- p. 165 +Stanzas p. 168 +Lines written beneath an Elm, in the Churchyard of p. 172 +Harrow on the Hill + + +_Note_.--The Front. is a lithograph of Harrow-on-the-Hill, with +quotation-- + + "Ida! blest spot, where Science holds her reign! + How joyous once I join'd thy youthful train!" + +A facsimile of the Title-page faces p. xii. of vol. i. of the _Poetical +Works_, 1898. + +V. + +Imitations and Translations/ From the / Ancient and Modern Classics,/ +Together with/ Original Poems/ Never Before Published./ Collected by/ +J.C. Hobhouse, B.A./ of Trinity College, Cambridge./ "Nos hæc novimus +esse nihil."/ London:/ Printed for Longman, Hurst, Rees, and Orme,/ +Paternoster-Row./ 1809./ [8º. + +_Collation_-- + +Half-title with Imprint (T. Davison, _Whitefriars,/ London_.), pp. i., +ii.; Title, one leaf, pp. iii., iv.; Preface, pp. v.-xi.; Cont., pp. +xiii.-xv. (R. "Errata."); Text, pp. 1-255. The Imprint, as above, is in +the centre of p. [256]. + +_Note_.--Lord Byron contributed nine poems (signed L.B.; see Preface, p. +xi., to this volume) to this volume, viz.: (i.) _To a Youthful Friend_ +("Few years have past," etc.), p. 185; (ii.) _Inscription on the +Monument of a Favourite Dog_, p. 190; (iii.) _To----_ ("Well! thou art +happy," etc.), p. 192; (iv.) _The Farewell To a Lady_ ("When man +expell'd," etc.), p. 195; (v.) _A Love Song to ----_ ("Remind me not," +etc.), p. 197; (vi.) _Stanzas To the Same_ ("There was a time," etc.), +p. 200; (vii.) _To the Same_ ("And wilt thou weep," etc.), p. 202; +(viii.) _Song_ ("Fill the goblet again," etc.), p. 204; (ix.) _Stanzas +to ---- on leaving England_ ("'Tis done," etc.), p. 227. + +VI. + +Hours of Idleness;/ A/ Series of Poems,/ Original and Translated,/ By +George Gordon, Lord Byron,/ A Minor./ Μητ' αρ' με μαλ' αινεε μητε τι +νεικει [Greek: Mêt' ar' me mal' ainee mête ti neikei ] ./ Homer. Iliad, +10./ He whistled as he went for want of thought./ Dryden./ Second +Edition./ Paris:/ Published by Galignani,/ At the French, English, +Italian, German, and Spanish/ Library, No. 18, Rue Vivienne./ 1819./ +[12º. + +_Collation_-- + +Half-title, one leaf; Title, one leaf; Advt.; Dedication; Cont.; Text, +pp. 1-149 + "Critique ... _Ed. Rev_., No. 22," etc., pp. [150]-158. + +_Note_.--A reproduction of _Poems Original and Translated_, Newark, +1808. + +VII. + +Hours of Idleness:/ A Series of Poems,/ Original and Translated./ By/ +Lord Byron./ Μητ' αρ' με μαλ' αινεε μητε τι νεικει [Greek: Mêt' ar' me +mal' ainee mête ti neikei ] ./ Homer. Iliad, 10./ He whistled as he went +for want of thought./ Dryden./ London:/ Printed for Sherwin and Co. 24, +Paternoster Row./ 1820./ [8º. + +_Collation_-- + +Half-title, pp. i., ii.; Title, pp. iii., iv.; Dedication, pp. v., vi.; +Cont., pp. vii., viii.; Text, pp. 1-160. The Imprint (_Sherwin and Co., +Printers,/ Paternoster Row./_) is at the foot of p. 160. + +_Note_.--A reproduction of _Poems Original and Translated_, Newark, +1808. The Front. (a sketch of Harrow-on-the-Hill) is engraved by +Eastgate from a painting by H. Halsted, Esq. It is a reproduction +(re-touched) of the Front. to the Newark Edition of 1808. + +There were two issues of this edition (A and B). In A (Printed for +Sherwin and Co. 24 Paternoster Row) the Front. is without letters; the +past tenses and participles are printed "bloom'd," "mail-cover'd," etc.; +and on p. 160 the Imprint, as above, is at the foot of p. 160. In B +(Printed for W.T. Sherwin, etc.) the Front. is subscribed with the name +of painter and engraver; the past tenses are printed "bloomed," etc., in +full; and the Imprint (_Sherwin, Printer,/ Paternoster Row./_) is at the +foot of p. 160. + +VIII. + +Hours of Idleness;/ etc./ Third Edition./ Paris: Published by +Galignani,/ etc./ 1820./ [12º. + +_Collation_-- + +This edition is identical with that of 1819, No. vi. p. 252. The Cont. +are printed at the end of the volume. + +IX. + +Hours of Idleness,/ A Series/ Of Poems,/ Original and Translated./ By a +Noble Author./ Virginibus puerisque Canto./ Horace./ He whistled as he +went for want of thought./ Dryden./ London:/ Benbow, Printer and +Publisher, Castle Street,/ Leicester Square. 1822./ [12º. + +_Collation_-- + +Title, pp. i., ii.; Preface, pp. iii.-viii. + Cont. + Text, pp. 9-183. + +_Note_.--A reissue of _Hours of Idleness_, Newark, 1807. + +X. + +Hours of Idleness:/ A/ Series of Poems,/ Original and Translated./ By +George Gordon, Lord Byron./ A Minor./ Paris:/ Published by A. and W. +Galignani,/ At the French, English, Italian, German, and Spanish +Library, No. 18, Rue Vivienne./ 1822./ [12º. + +_Collation_-- + +Half-title (R. _Printed by A. Belin_), one leaf; Title, one leaf; Cont.; +Text (including Second Half-title and Dedication), pp. 1-152 + +_Critique_, etc., pp. [153]-168. + +_Note_.--A reissue of the Newark edition of 1808, but a distinct edition +from those published by Galignani in 1819, 1820. + +XI. + +Hours of Idleness,/ A/ Series of Poems,/ Original and Translated./ By +Lord Byron./ Virginibus puerisque canto.--Horace./ He whistled as he +went, for want of thought.--Dryden./ A New Edition./ Glasgow.--Printed by +J. Starke./ 1825./ [8º. + +_Collation_-- + +Title, one leaf; Preface, pp. i.-iii. (R. Cont.); Text, pp. 1-84. + +_Note_.--This edition, a reissue of _Hours of Idleness_, Newark, 1807, +was bound in a paper wrapper with ornamental border, uniform with +"_English Bards, and Scotch Reviewers_--price sixpence." + +XII. + +Fugitive Pieces/ and/ Reminiscences/ of/ Lord Byron:/ Containing an entire +new Edition of/ The Hebrew Melodies,/ With the Addition of/ Several +never before Published;/ The whole illustrated with/ Critical, +Historical, Theatrical, Political, and Theological/ Remarks, Notes, +Anecdotes, Interesting Conversations,/ And Observations, made by that +Illustrious Poet;/ Together with his Lordship's Autograph;/ also some/ +Original Poetry, Letters and Recollections/ of/ Lady Caroline Lamb./ By +I. Nathan,/ Author of an Essay on the History and Theory of Music,/ The +Hebrew Melodies, etc., etc./ "Pascitur in vivis Livor, post Fata +quiescit:"/ "Tune (_sic_) suus, ex merito, quemque tuetur Honos." Ovid./ +London:/ Printed for Whittaker, Treacher, and Co./ Ave Maria Lane./ +1829./ [8º. + +_Collation_-- + +Pp. xxxvi. + 196. The Imprint (_Plummer and Brewis, Printers, Love Lane, +Eastcheap_.) is at the foot of p. 191. + +_Note_.--The Fugitive Pieces include the two selections from _Parisina_ +included in _Hebrew Melodies_ No. i., and three "original pieces of Lord +Byron, which have never before appeared in print;" viz. "I speak not--I +trace not," etc., "In the valley of waters," and "They say that hope is +happiness." + + +_Poems_. + +Poems./ By Lord Byron./ Second Edition/ London:/ Printed for John +Murray, Albemarle-Street;/ By W. Bulmer and Co. Cleveland-Row, St. +James's,/ 1816./ [8º. + +_Collation_-- + +Half-title, one leaf, pp. i., ii.; Title, one leaf, iii., iv.; Advt., +pp. v., vi.; Cont., pp. vii., viii.; Text, pp. 9-39 + Notes, p. [40]. +The Imprint (_London: Printed by W. Bulmer and Co./ Cleveland-row, St. +James's./_) is at the foot of p. [40]. + +_Contents_-- + +To ---- ("When all around," etc.) p. 9 +Bright be the place p. 13 +When we two parted p. 14 +Stanzas for Music ("There's not a joy," etc.) p. 16 +Stanzas for Music ("There be none," etc.) p. 19 +Fare Thee Well p. 21 +Ode (We do not curse," etc.) p. 25 +From the French p. 31 +On the Star, etc. p. 34 +Napoleon's Farewell p. 37 +To Samuel Rogers, Esq. p. 39 +Notes p. 40 + +_Note_.--The motto from Coleridge's _Christabel_ ("Alas! they had been +friends in youth") (14 lines) is on p. 20. + + +_Poems on His Domestic Circumstances_. + +I. + +Poems/ on His/ Domestic/ Circumstances./ I. Fare Thee Well!/ II. A +Sketch From Private Life./ By Lord Byron./ With the/ Star of the Legion +of Honour,/ And other Poems./ London:/ Printed for W. Hone, 55, Fleet +Street./ 1816./ Price One Shilling./ [8º. + +_Collation_-- + +Title, one leaf, pp. 3, 4; Text, pp. 5-31 + Note ("The first two Poems +were last produced.--The other/ five follow in the order wherein they +were written."/ April, 1816.), p. [32]. The Imprint (_Hay and Turner, +Printers, Newcastle Street, Strand_.) is at the foot of p. [40]. + +_Contents_-- + +Fare Thee Well p. 5 +A Sketch, etc. p. 9 +Ode ("Oh, shame to thee," etc.) p. 15 +Fare Well to France p. 20 +Madame Lavalette p. 22 +Waterloo p. 24 +On the Star, etc. p. 29 + +_Note_.--The Half-title is missing in the Museum copy. The Note prefixed +to "Waterloo" in the _Morning Chronicle_ (March 15, 1816) is reprinted, +together with the heading, "Said to be done into English Verse by R. +S****, P.L. P.R. Master of the Royal Spanish Inqn.--etc., etc., etc." + +II. + +Poems/ on His/ Domestic Circumstances,/ etc./ With The/ Star of the +Legion of Honour,/ And Four Other Poems./ Second Edition./ London:/ +Printed for W. Hone, 55, Fleet Street,/ And Sold by J.M. Richardson, No. +23, Cornhill;/ J. Blacklock, Royal Exchange; G. Hebert, 36,/ Poultry; +Simpkin and Marshall,/ Stationers'/ Court; W. Reynolds, 137, Oxford +Street; and by/ All other Booksellers./ 1816./ [8º. + +_Collation_-- + +Gen. Half-title (New/ Poems,/ By/ Lord Byron./) (R. _Hay & Turner, +Printers, Newcastle-Street, Strand_.), pp. 1, 2; Title, one leaf, pp. 3, +4; Text, pp. 5-31. The Note and Imprint, as above, are on p. [32]. + +III. + +Poems,/ etc./ By Lord Byron./ With the/ Star of the Legion of Honour,/ +etc., etc./ Sixth Edition./ Containing Eight Poems./ London:/ Printed +for W. Hone, 55, Fleet Street,/ etc., etc. 1816./ [8º. + +_Collation_-- + +Title (Imprint as above), pp. 1, 2; Text, pp. 3-31. The Note (altered to +"The other Six follow," etc.) and the Imprint, as above, are on p. [32]. + +_Note_.--The additional poem is the _Adieu to Malta_ on pp. 12-14. The +lines _Fare Thee Well_, which are printed in the First and Second +Editions in stanzas, are in the Sixth Edition printed continuously. + +IV. + +Poems,/ etc./ By Lord Byron./ With His/ Memoirs and Portrait./ Eighth +Edition./ Containing/ Nine Poems./ Fare Thee Well!/ A Sketch From +Private Life./ On the Star of "The Legion of Honour."/ Adieu to Malta./ +The/ Curse of Minerva./ Waterloo./ And Three Others./ London:/ Printed +for W. Hone, 55, Fleet Street,/ etc./ 1816./ [8º. + +_Collation_-- + +Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-6; Text, pp. +7-32. + +_Note_.--The additional poem is the mutilated version of _The Curse of +Minerva_ (111 lines). The Front. is a lithograph of "Lord Byron," after +F. Sieurac. + +V. + +Poems/ etc./ By Lord Byron,/ etc./ Fifteenth Edition./ Containing/ Nine +Poems,/ etc./ London:/ Printed for W. Hone, 55, Fleet Street,/ etc./ +1816./ [8º. + +_Collation_-- + +Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-8 + Text, +pp. 8-40. + +_Note_.--The Text of the Fifteenth Edition is identical with the Text of +the Sixth Edition (pp. 3-[32]), including Note and Imprint on p. [32]. +_The Curse of Minerva_ is on pp. 33-40. The Imprint, as above, is +repeated on the foot of p. 40. + +VI. Lord Byron's/ Poems,/ on His Own/ Domestic Circumstances./ Fare Thee +Well./ Dublin:/ Printed by W. Espy, 59, Dame-Street./ 1816./ [8º. + +_Collation_--Half-title (Poems, etc./ Entered at Stationers'-Hall./), +one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Preface, pp. 5, 6; Text, +pp. 7-15. + +_Note_.--The edition contains _Fare Thee Well_, and _A Sketch_, etc., +without the other poems published by Hone. + +VII. + +Poems/ on His/ Domestic Circumstances,/ etc. etc./ By/ Lord Byron./ +Second Edition./ + + 1. Fare Thee Well + 2. A Sketch from Private Life + 3. On the Star of "The Legion of Honour" + 4. Ode + 5. Waterloo + 6. Madame Lavalette + 7. Farewell to France + 8. Adieu to Malta + 9. The Curse of Minerva +10. Farewell to England +11. To my Daughter, etc +12. To the Lily of France. +13. Ode to the Island of St. Helena. +14. To ----. +15. Bright be the Place to thy Soul! +16. Stanzas for Music. +17. To ----. +18. Stanzas for Music. +19. To ----. +20. On Reading Lord Byron's Farewell to England. + +To which is Prefixed,/ Memoirs of His Life./ Bristol:/ _Printed for W. +Sheppard, Exchange_,/ And may be had of all the Booksellers./ 1816./ +[12º. + +_Collation_-- + +Title, one leaf, pp. i., ii.; Memoirs, etc., pp. iii.-vi.; On Reading +Lord Byron's Farewell to England, pp. i.-iii. (R. Cont.); Text, pp. +1-50. The Imprint (_Mary Bryan, Printer,(51)Corn-Street, Bristol_.) is +at the foot of p. 50. + +_Note_.--This edition contains the nine poems published by Hone (1816), +four forgeries, six of the _Poems_ published by Murray in 1816, and, +with a separate pagination, the lines _On Reading Lord Byron's Farewell +to England_ ("------- Still my bosom's indignation"). + +VIII. + +Poems on His Domestic Circumstances, etc. Boston. 1816. [24º. + +[Catalogue of the Boston Athenæum Library.] + +IX. + +Poems,/ etc./ By Lord Byron,/ etc./ Twenty-Third Edition./ Containing/ +Nine Poems,/ etc./ London:/ Printed for W. Hone,/ 55, Fleet Street, and +67, Old Bailey,/ (_Three Doors from Ludgate Hill_,)/ And Sold By J.M. +Richardson,/ etc./ 1817/ [8º. + +_Collation_-- + +Pp. 32. + +X. + +Poems,/ on His/ Domestic Circumstances,/ By/ The Right Honourable/ Lord +Byron:/ To which are added,/ Several Choice Pieces from His Lordship's +Works./ "Lord BIRON.--By heaven I do love; and it hath taught me/ to +rhyme, and to be melancholy; and here is part of my rhyme,/ and here my +melancholy."/ SHAKESPEARE'S LOVE'S LABOUR LOST./ London:/ Printed for J. +Limbird, 355, Strand, (East End/ of Exeter 'Change),/ By W. Sears, 45, +Gutter Lane, Cheapside./ 1823/ [12º. + +_Collation_-- + +Pp. vi. + 48. The Imprint (_Printed by W. Sears, 45, Gutter Lane, +Cheapside, London_.) is at the foot of p. 48. + +_Note_.--The collection contains twenty-four poems, including the +forgeries, _To my Daughter_, etc.; _Farewell to England_; _Ode_ ("Oh, +shame to thee," etc.); and _Madame Lavalette_. + +XI. + +Miscellaneous Poems,/ Including those on His/ Domestic Circumstances./ +By Lord Byron./ To which are prefixed/ Memoirs of the Author, and a +Tribute/ To his Memory/ By Sir Walter Scott./ London:/ Printed for John +Bumpus, 85, Newgate Street;/ And R. Griffin, & Co., Glasgow./ 1824/ + +_Collation_-- + +Pp. xx. + 21-72. The Imprint (_Printed by A. Hancock, Middle Row Place, +Holborn_.) is at the foot of p. 72. + +_Note_.--The collection numbers twenty-five poems, including the +forgeries, _Ode_ ("Oh, shame to thee," etc.); _Madame Lavalette_; +_Farewell to England_; _To my Daughter_, etc.; _Ode to--S^t Helena_; +_To the Lily of France_; _The Enigma_ [H.]; and three (genuine) stanzas +from the lines, "Well, thou art happy," here entitled _Song to Inez_; +and the lines _To Jessy_. + +XII. + +Miscellaneous Poems/ on His Domestic and Other/ Circum-stances./ By Lord +Byron./ London:/ Printed By and for William Cole,/ 10 Newgate-Street./ +1825./ [12º. + +_Collation_-- + +Pp. 54. The Imprint (_Printed by William Cole, 10, Newgate Street_.) is +at the foot of p. 54. + +_Note_.--The edition contains twenty-nine pieces, viz. the twenty-five +poems published by John Bumpus in 1824 (No. xl.), together with _The +Isles of Greece_; _Were my Bosom_, etc.; _Herod's Lament_, etc.; and +_Lord Byron's Latest Verses_ ("On this day I complete my thirty-sixth +year"). + + +_Hints from Horace_. + +_Note_.--Two sets of proofs of a portion of _Hints from Horace_, +formerly the property of R.C. Dallas, are preserved in the British +Museum (_Eg_. 2029). Proof A consists of 100 lines of the English +translation (lines 173-272); Proof B, pp. [87]-128, consists of 272 +lines of the English translation (lines 1-272) and (on opposite pages) +188 lines of the original Latin. These proof-sheets, which must have +followed proofs of the Fifth Edition of _English Bards_, _etc_., are +preceded by a Half-title, _Hints from Horace_ (Gothic characters), and +by the following subsidiary title:-- + +Hints from Horace:/ Being a/ Partial Imitation, in English Verse, of the +Epistle,/ "Ad Pisones de Arte Poetica;"/ And intended as a Sequel to/ +English Bards and Scotch Reviewers./ [Gothic characters.] "Ergo fungar +vice Cotis, acutum/ Reddere quæ ferrum valet, exsors ipsa secandi."/ +Hor. De Arte Poet. 304-5./ "Rhymes are difficult things; they are +stubborn things, sir."/ Fielding's Amelia, Vol. III./ Book and Chap. V./ +Athens, Franciscan Convent,/ March 12, 1811./ + +The publication of _Hints from Horace_ had been entrusted by Dallas to +Cawthorn in July-August, 1811. It may be gathered from various sources +(_Letters_, 1898, ii. 24, 54, 56) that Byron was at work on the proofs +as late as September 4; that by October 11 he had resolved to defer the +publication of the _Hints_; and that, accordingly on October 13, 1811, +"they stood still." It was not, however, till after the appearance of +_Childe Harold's_, _etc_. (May-June, 1812) that Byron determined to +suppress the already printed Fifth Edition of _English Bards_, and at +the same time to abandon the publication of his two other Satires. At +this time, says Dallas (_Recollections of the Life of Lord Byron_, 1898, +p. 241), "the _Hints from Horace_ was far advanced." In his +_Recollections, etc_. (pp. 104-113), he gives, by way of a "fair +specimen," 156 "lines of the still-unpublished poem; and, as these +extracts are taken from the first 211 lines, and his text corresponds +with proof B (see Poetical Works, 1898, i. 390, variants ii., iii.), it +may be inferred that Dallas transcribed them from his fragmentary +proof-sheets, and that the press was stopped at line 272. In 1830, in +his _Notices of the Life of Lord Byron_ (vol. i. pp. 263-269), Moore +printed 165 lines of the "Paraphrase;" but his selections are drawn from +lines 1-458, and it is evident that he had access to an original MS. +(_MS. M._), which is now in Mr. Murray's possession. The full text, +which follows the same MS., was first published in vol. v. pp. 273-327 +of the six-volume edition of 1831 (_vide ante_, No. xliii. of "Collected +Editions"). + + +_The Irish Avatar_. + +Byron wrote the _Irish Avatar_ at Ravenna, September 16, 1821. On the +17th he sent a copy of the verses to Moore, then resident at Paris; and +on September 20 he desired Moore to get "twenty copies of the whole +carefully and privately printed off." A copy is in the possession of Mr. +H. Buxton Forman, C.B., and I am indebted to his kindness for the +following description: "The pamphlet consists of four 8vo leaves, viz. +half-title ('The Irish Avatar,' in bold capitals, with blank verse), pp. +[1], [2] + Text, pp. 3-8. The poem begins on the third page with a +dropped head, 'The Irish Avatar' again, and the first four verses. Pp. +4-7 contain six verses each, and p. 8 the remaining four, making up +thirty-two in all. The date at the end of p. 8 is 'September 16, 1821.' +There is no title-page proper; a headline, 'The Irish Avatar,' occurs on +pp. 4-8, which pages are numbered in Arabic figures in the outside +corners, and the thirty-two stanzas are also numbered in Arabic figures. +The poem is printed on a half-sheet of a peculiar fine-ribbed paper." +Twenty stanzas of _The Irish Avatar_ were printed by Medwin in +_Conversations of Lord Byron_, 1824, pp. 216-220, and in a second +edition, 1824, pp. 332-338. In a "new edition" of the _Conversations, +etc._, 1824, pp. 264-270, the entire poem, numbering thirty-two stanzas, +was published for the first time in England (see _Athenæum_, July 27, +1901). _The Irish Avatar_ was first published by Murray in 1831 (Works, +vi. 419-425). + + +_The Island_. + +I. + +The Island,/ or/ Christian and His Comrades./ By the/ Right Hon. Lord +Byron./ London, 1823:/ Printed for John Hunt,/ 22, Old Bond Street./ +[8º. + +_Collation_-- + +Half-title (R. _London: Printed by C.H. Riynell, Broad-Street, +Golden-Square_), pp. 1, 2, Title, one leaf, pp. 3, 4; Author's Advt., +p. 6; Text, pp. 7-79 + Appendix, pp. 81-94. The Imprint, as above, is at +the foot of p. 94. + +_Note_.--A Second and a Third Edition, identical with the First, were +published by John Hunt in 1823. _The Island_ forms part (pp. 193-244) of +a collection of Miscellaneous Poems, _Hebrew Melodies, The Deformed +Transformed_, etc., printed and published by W. Dugdale, 23, Russell +Court, Drury Lane, in 1825. + +II. + +The Island;/ or/ Christian and His Comrades./ By The Right Hon. Lord +Byron./ Paris:/ Published by A. and W. Galignani,/ At the French, +English, Italian, German, and Spanish Library,/ No. 18, Rue Vivienne./ +1823/ [12º. + +_Collation_-- + +Half-title (R. _Paris: Printed by A. Belin_), one leaf; Title, one leaf; +Second Half-title, pp. 1, 2; Author's Advt., pp. 3, 4; Text + App., pp. +5-95. + +III. + +_The Island, or Christian and His Comrades_. New York. 1823. [12º. + +[Cat. of Books in Bates Hall of Pub. Library of Boston.] + + +_Translations of The Island_. + +_German_. + +_Die Insel_, ober Christian u. seine Kameraden. Aus d. Engl. (v. F.L. +Breuer). Mit gegenübersteh. Originaltext. Leipzig, Brockhaus. 1827. [8º. + +[Kayser, 1834.] + + +_Italian_. + +_L'Isola_, poema di lord Byron, traduzione di Morrone. Napoli, +tipographia di De Muro, 1840. [8º. + +[_Bibliographia Italiana_, Oct., 1840.] + +_Polish_. + +Wyspa czyli Chrystyan i jego towarzysze ...Przekład Adama Pajgerta. pp. +62, _druk. "Czasu": Kraków_, 1859. [8º. + +_Swedish_. + +Ön/ Eller/.. Christian och Hans Stallbröder./ Af/ Lord Byron./ +Öfversättning. [Af/ Talis Qualis.] Stockholm,/ J.L. Brudins Förlag./ +[1856.] [8º. + +_Collation_-- + +Pp. 88. + +_Note_.--No. 8 of "Byron's Poetiska Berättelser." + + +_The Lament of Tasso_. + +I. + +The/ Lament of Tasso./ By Lord Byron./ London:/ John Murray, +Albemarle-Street./ 1817./ [8º. + +_Collation_-- + +Title, one leaf, pp. 3, 4; Note (on MSS., etc.), pp. 5, 6; Text, pp. +7-19 + p. [20], Advt. of Poems. The Imprint (_T. Davison, +Lombard-Street,/ Whitefriars, London./_) is at the foot of p. [20]. + +_Note_.--The Half-title (? missing) is not in the Museum copy. + +II. + +The/ Lament of Tasso./ By Lord Byron./ Second Edition./ London:/ John +Murray, Albemarle-Street./ 1817/./ [8º. + +_Collation_-- + +Title, one leaf, pp. 3, 4; Advt., pp. 5, 6; Text, pp. 7-18. + +III. + +The/ Lament of Tasso./ etc./ Third Edition,/ etc./ 1817./ [8º. + +_Collation_-- + +_Vide supra_, No. i. + +IV. + +The/ Lament of Tasso,/ etc./ Fourth Edition,/ etc./ 1817./ [8º. + +_Collation_-- + +Half-title (The Lament,/ etc./ Fourth Edition./ 1s. 6d.) (_R.T. Davison, +Lombard-Street, Whitefriars, London_.), pp. 1, 2, etc. _Vide supra_, No. +i. + +_Note_.--The Imprint (_T. Davison, Lombard-Street,/ Whitefriars, +London./_) is at the foot of p. [20]. Twelve pp. of "Books Printed for +John Murray," dated "August, 1817," are bound up with the Fourth +Edition. + +V. + +The Lament,/ etc./ Sixth Edition./ 1818./ [8º. + +_Collation_--_Vide supra_, No. iv. _Note_.--Four pp. of Advts., dated +"Albemarle-Street, London, January, 1818," are bound up with the Sixth +Edition. + + +_Translations of The Lament of Tasso_. + + +Italian_. + +I. + +Lamento/ del/ Tasso/ di Lord Byron/ Recato in italiano/ Da Michele +Leoni/ Pisa/ Presso Niccolò Capurro/ co' caratteri di F. Didot/ 1818/ +[4º. + +_Collation_-- + +Pp. ix. + _1-27_ + Nota dell' Autore, p. [28]. + +_Note_.--The Front, is "Tasso in the Hospital of Sant' Anna," drawn by +C. Meritoni, and engraved by Lasinio Figlio. The Italian translation is +printed on opposite pages to the English Text. + +II. + +La/ Magion del Terrore/ ... La Fantasia e il Disinganno/ ed altri +metrici componimenti/ di Gaetano Polidori/ colle sue traduzioni/ Del +Lamento del Tasso/ di Lord Byron/ ... Londra 1843./ Impresso da J. +Wilson e W. Ward nella pri-/vata stamperia dell' autore al numero 15 di/ +Park Village East, Regent's Park./ [16º. + +_Collation_-- + +Pp. 112-133. + +III. + +Guglielmo Godio/ II Lamento di Tasso/ Versione da Byron/ [Six other +pieces.] Torino/ Tipografia di Vincenzo Bona/Via Ospedale, 3 e Lagrange, +7/ 1873./ [8º. + +_Collation_-- + +Pp. 21 + 23-47, _Estri Lontani_, etc. + + +_Lara_. + +I. + +Lara,/ A Tale./ Jacqueline,/ A Tale./ London:/ Printed for J. Murray, +Albemarle-Street,/ _By T. Davison, Whitefriars./_ 1814./ [8º. + +_Collation_-- + +Half-title (Poems), one leaf; Title, one leaf; Advt.; Cont. (R. Note. +Canto I., page 3, line 1, _The Serfs_, etc.); Second Half-title; Text, +pp. 3-128 (_Lara_, pp. 1-93; _Jacqueline_, pp. 95-128) + "Books Printed +for John Murray," etc., pp. [129]-[132]. The Imprint (_T. Davison, +Lombard-street,/ Whitefriars, London._/) is at the foot of p. [132]. + +_Note_.--This edition was issued in blue-paper boards with green back, +the title-label being Lara/ Jacqueline/ 7s. 6d./ The pages measure 170 x +105. + +II. + +Lara,/ A Tale./ By Lord Byron./ Fourth Edition./ London:/ Printed for +John Murray, Albemarle-Street./ 1814./ [8º. + +_Collation_-- + +Half-title (Lara); Imprint (_T. Davison, Lombard Street,/ +Fleet-street_.), one leaf; Title, one leaf; Second Half-title; Text, pp. +8-70. The Imprint (_T. Davison, Lombard-street,/ Whitefriars, London_./) +is in the centre of p. [72]. In other copies the Text ends at p. 70, and +a note on Section xxiv., Canto II. pp. 71-74, concludes the volume. The +Imprint is not repeated. + +III. + +_Lara_. Boston. 1814. [12º. + +_Collation_-- + +Pp. iv. + 8-98. + +IV. + +_Lara_. New York. 1814. [24º. + +_Collation_-- + +Pp. 136. + +V. + +Lara,/ A Tale./ By Lord Byron./ Fifth Edition./ London:/ John Murray, +Albemarle-Street./ 1817./ [8º. + +_Collation_-- + +Half-title (R. _T. Davison, Lombard-street, Whitefriars, London_.); +Title, one leaf; Text, pp. 1-74 + Advt. of "Poems By the Right Hon. Lord +Byron" (R. _T. Davison, Lombard-street,/ Whitefriars, London_./), pp. +[75], [76]. + +_Note_.--The additional pages (pp. 71-74) contain a note on "The event +in section 24, Canto 2d, suggested by the death, or rather burial, of +the Duke of Gandia." + +_Note_.--"Lara./ A Tale./ By Lord Byron."/forms part (pp. 135-174) of a +volume "Printed for Thomas Wilson, Oxford Street. 1825. 12º." The +Imprint (_Printed by W. Dugdale_, etc.) is at the foot of p. 174. + +VI. + +Lara,/ a Tale by/ Lord Byron:/ Illustrated by C.B. Birch,/ Art-Union of +London./ MDCCCLXXIX./ [fol. + +_Collation_-- + +Text, pp. 1-12. The Imprint (_Harrison and Sons, Printers in Ordinary to +Her Majesty, S. Martin's Lane_.) is at the foot of p. 12. The Text is +followed by twenty plates. + + +_Translations of Lara_. + + +_Bohemian_. + +_Lara_ ... Přeložil Č. Ibla. [In "Poesie Světová."] _v Praze_, 1885. +[8º. + + +_German_. + +_Lara_. Übers. v. W. Schäffer u. A Strodtmann. 1886. Leipzig, Bibl. +Institut. [16º. + +_Collation_-- + +Pp. 91. + +_Note_.--No. 88 of "Meyer's Volksbücher." + + +_Italian_. + +I. + +Il Lara/ di Lord Byron/ Tradotto dal signor/ Girolamo C^o Bazoldo,/ +Maggiore di S.M. Britannica re d'Annover./ con giunta/ di tre altre +traduzioni dall' inglese, una dal tedesco,/ e tre canzoni dell' autore./ +[Title-vignette, Cupid with harp.] Parigi./ Dai Torchi di Pillet +Maggiore,/ In via des Grands-Augustins, N'o. 7./ 1828./ [24º. + +_Collation_-- + +Pp. 1-83 + _Il Pensieroso_, etc., pp. 85-138 + Indice, p. [139]. + +_Note_.--This edition was issued in green-paper covers. + +II. + +_Lara_. Traduzione di Andrea Maffei, Milano, Hoepli, 1882. [64º. + +[Pagliaini, 1901.] + +_Polish_. + +_Lara_, poemat w 2 pieśniach, przekład Jul. Korsaka. pp. 70 _druk. J. +Zawadzkiego: Wilno_, 1833. [8º. + + +_Servian_. + +Лара лорда Бајрона. Србски од Ац. Поповиђа. [Cyrillic: Lara lorda +Bajrona. Srbski od Ats. Popovidja.] pp. 72. Д. Хипц: у Новот-Саду, +[Cyrillic: D. Khipts: u Novot-Sadu,] 1860. 12º. + + +_Spanish_. + +_Lara_, novela española. Por lord Byron, traducida al castellano, Paris. +1828. [18º. + +[_B. de la France_, May 17, 1828.] + + +_Swedish_. + +Lara/ Af/ Lord Byron./ Stockholm,/ Tryckt Hos Joh. Beckman./ 1869./ [8º. + +_Collation_-- + +Pp. 5-64. + +_Note_.--"Öfversättning Af Tails Qualis"--a pseudonym of Carl Wilhelm +August Strandberg. + + +_Manfred_. + +I. + +Manfred,/ A/ Dramatic Poem./ By Lord Byron./ London:/ John Murray, +Albemarle-Street./ 1817./ [8º. + +_Collation_-- + +Half-title (Manfred) (R. _T. Davison, Lombard-Street, Whitefriars, +London_), pp. 1, 2; Title, one leaf, pp. 3, 4; Dramatis Personæ, pp. 5, +6; Text, pp. 7-75; Notes, pp. [79]-80. The Imprint (_T. Davison, +Lombard-Street,/ Whitefriars, London./_) is at the foot of p. 80. + +_Note_.--The First Edition was issued with another title-page (B): +Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and earth, +Horatio,/ "Than are dreamt of in your philosophy." / By Lord Byron./ +London:/ John Murray, Albemarle-Street./ 1817./ 8º. + +There is no half-title in the Museum copy of this alternative First +Edition. + +II. + +Manfred,/ etc./ Second Edition,/ etc./ 1817./ [8º. + +_Note_.--The Second Edition is identical with the alternative form (B) +of the First Edition. There is no Imprint on p. 80. An Advt. of "Poems +by the Right Hon. Lord Byron" is on p. [82]. + +III. + +Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and earth, +Horatio,/ Than are dreamt of in your philosophy."/ By Lord Byron./ +Philadelphia:/ Published by M. Thomas./ J. Maxwell, Printer./ 1817./ +[12º. + +_Collation_-- + +Pp. 72. + +_Note_.--_Manfred_ was also published at New York in 1817, 24º, pp. 70. + +IV. + +Manfred./ A Dramatic Poem./ By Lord Byron./ "There are more things," +etc. [Motto, two lines]./ London:/ Printed and Published by W. Dugdale,/ +_23, Russell Court, Drury Lane_./ 1824./ [12º. + +_Collation_-- + +pp. 55 + "Notes to Manfred," p. [56]. The Imprint (_Printed by W. +Dugdale, Russell Court, Drury Lane, London_) is at the foot of p. [56]. + +_Note_.--Manfred./ A Dramatic Poem./ By Lord Byron./forms part (pp. +175-[216]) of a volume Printed for Thomas Wilson, Oxford Street./ 1825. +12º. The Imprint (_Printed by W. Dugdale_, etc.), as above, is at the +foot of p. [216]. + +V. + +Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and +earth,/ Horatio,/ "Than are dreamt of in your philosophy."/ By Lord +Byron./ Brussels:/ Printed at the British Press./ [8º. + +_Collation_-- + +Title, one leaf, pp. 3, 4; Dramatis Personæ, pp. 5, 6; Text, pp. 7-72; +Notes, pp. [73], 74; Observations, pp. [75]-81. + +VI. + +Manfred./ A Choral Tragedy,/ In Three Acts,/ By/ Lord Byron./ Thomas +Hailes Lacy,/ 89, Strand, London./ [1863.] [12º. + +_Collation_-- + +Pp. 1-41 + "Costumes," p. [42]. The Imprint (_Printed by Thomas Scott, +Warwick Court, Holborn_.) is at the foot of p. 41. + +_Note_.--Vol. 60 of Lacy's "Acting Edition Plays." Pp. 2-6 contain the +playbill of Manfred "As Performed at the Theatre Royal, Drury Lane +(under the Management of Messrs. Edmund Falconer and F.B. Chatterton), +on Saturday, October 10th, 1863." + +VII. + +Manfred./ Lord Byron./ [Title-vignette, "Hear me, hear me--Astarte."] +New and Complete Edition.--Price one Penny./ London. J. Dicks, 313 +Strand; all Booksellers./ [1883, etc.] [8º. + +_Collation_-- + +Pp. 161-173. + +_Note_.--No. 59 of "Dicks' Standard Plays." + + +_Translations of Manfred_. + +_Bohemian_. + +_Manfred_ ... Přelozil Jos. V. Frič. _Praze_, 1882. + + +_Danish_. + +I. + +Manfred,/ af/ Lord Byron./ Oversat/ af/ P.F. Wulff./ There are more +things, etc. [Motto, two lines.]/ Hamlet./ Kjøbenhavn, 1820./ Forlagt af +Universitets-Boghandler Brummer./ Trykt i der Poppske Bogtrykkerie./ +[12º. + +_Collation_-- + +Pp. 107 + Rettelse, p. [108]. + +II. + +Manfred./ Et Dramatisk Digt/ af/ Byron./ Oversat/ af/ Edvard Lembcke./ +Kjøbenhavn 1843./ I Commission hos C.A. Reikel./ Trykt hos Bianco Luno./ +[8º. + +_Collation_-- + +Pp. 109. + + +_Dutch_. + +I. + +Manfred./ Een Dramatisch Gedicht/ Naar/ Lord Byron,/ Door/ Johan Rudolph +Steinmetz./ Amsterdam,/ H.J. Van Kesteren./ 1857./ [8º. + +_Collation_-- + +Pp. xv. + 59 + "Aanteekenigen," pp. [60]-[63] + "Verbeteringen," p. +[64]. + +II. + +Byron's/ Manfred./ Een Dramatisch Gedicht./ Metrische Vertaling./ +(Toegewijd AAN Mr. C. Vosmaer)/ Van/ W. Gosler./ Heusden.-H. Wuijster./ +1882./ [8º. + +_Collation_--Pp. vii. + 78. + +_Note_.--The Front, is a photograph of "Ernst Possart in de rol van +Manfred" (Verg: _lllustrirte Zeitung_ van 12 Nov. 1881). + + +_French_. + +I. + +Manfred/ Poëme dramatique/ Par/ Lord Byron,/ Traduit/ Par madame la +comtesse de Lalaing/ Née comtesse de Maldeghem./ Horatio, il est dans le +ciel et sur la terre/ plus de choses que n'en peut concevoir/ votre +philosophie./ Hamlet./ Seconde édition./ Bruxelles./ Imprimerie de J. +Stienon,/ Faubourg de Louvain, 19./ 1852/ [8º. + +_Collation_--Pp. 61 + "Notes," p. [63]. + +II. + +Manfred/ Poème dramatique de Byron/ Adaptation nouvelle, en vers/ de/ +Émile Moreau/ Paris/ Paul Ollendorff, éditeur/ 28 _bis_, rue de +Richelieu, 28 _bis_/ 1887/ Tous droits réservés/ [8º. + +_Collation_--Pp. vii. + 28. The Imprint (_Paris,--Typ. G. Chamervi, 19, +Rue des Saints Pêres--20832_) is at the foot of p. 28. + +III. + +Lord Byron/ Manfred/ Poème dramatique en 3 actes/ Traduction en vers/ +Par/ C. Trèbla/ Toulouse/ Edouard Privat, éditeur, rue des Tourneurs/ +1888/ [8º. + +_Collation_-- + +Pp. xiii. + 15-89 + Errata, p. [91]. The Imprint (_Montauban, Imp. et +Lith. Ed. Forestiè, rue du Vieux-Palais, 23_) is in the centre of p. +[90]. + + +_German_. + +I. + +Manfred./ A Tragedy/ By/ Lord Byron./ Leipzig:/ F.A. Brockhaus./ 1819./ + +Manfred./ Trauerspiel von Lord Byron./ Teutsch/ von/ Adolf Wagner./ +Leipzig:/ F.A. Brockhaus./ 1819./ + +_Collation_-- + +English Title, as above, p. 2; German Title, as above, pp. 3, 4; +Half-title (R. Dramatis Personæ), pp. 5, 6; _Personen_, p. 7; English +and German Texts, pp. 8-209; Anmerkungen, pp. 211-239. The Imprint +(_Druck und papier von Friedrick Vieweg_/ _In Braunschweig_/) is in the +centre of p. 240. + +_Note_.--I am indebted to the kindness of Mr. Leonard L. Mackall, of +Berlin, for the substance of the following note on this work:-- + +"Pages 213-233 of the Anmerkungen" are devoted to an essay on the play +as a whole. This essay is evidently the "Appendix to an English Work," +to which Byron refers in the letter accompanying the suppressed +Dedication to _Marino Faliero_. "In the Appendix to an English Work, +lately translated into German, and published at Leipzig, a judgment of +yours upon English poetry is quoted as follows: 'That in English poetry +great genius, universal power, a feeling of profundity, with sufficient +tenderness and force are to be found, but that altogether these do not +constitute poets,'" etc., etc. (see _Poetical Works_, 1901, v. 340, 341, +and _Letters_, 1900, v. 100-103). The originals of the Dedication and +Letters were conveyed to Goethe by John Murray the third, in 1830 (? +1831) (see _Goethe-Jahrbuch_, 1899, xx. pp. 31-35, where the +"Dedication" is printed in full for the first time), and are preserved +at Weimar in the "red portfolio" (cf. _Eckermann_, March 26, 1826), in +which Goethe kept all his papers connected with Byron. The "judgments" +quoted by Byron through "an Italian abstract" from Wagner's Appendix +(pp. 217-218) there read _inaccurately_ as follows: "In der Englischen +Poesie," sagt Goethe, "man findet durchaus einen grossen, tüchtigen, +weltgeübten Verstand, ein tiefes, zartes, Gemüth, ein vortreffliches +Wollen, ein leidenschaftliches Wirken ... das alles zuzammengenommen +macht noch keinen Poeten ... nach dieser Ansicht zeigen die meisten +Englischen Gedichte einen düstern Ueberdruss des Lebens." These +sentences, which should be read in the light of the context, will be +found in Goethe's _Dichtung und Wahrheit_, Th. iii. Buch. 13 (1814, now +Wirke, Weimar ed. xxviii. 213, 214), the book (_Aus meinem Leben, +Dichtung und Wahrheit_), which is held up to ridicule in the _Edinburgh +Review_, June, 1816, vol. xxvi. pp. 304-317. + +II. + +_Manfred_, übersetzt von Thdr. Armin, Göttingen, Kübler, 1836. [8º. + +[Kayser, 1841.] + +III. + +Byron's Manfred./ Einleitung, Uebersetzung und/ Anmerkungen./ Ein +Beitrag/ zur Kritik der gegenwärtigen deutschen dramatischen/ Kunst und +Poesie./ von / Posgarn./ [_i.e._ G.F.W. Suckow] Breslau,/ im Verlage +bei Josef Mar und Komp./ 1839./ [8º. + +_Collation_-- + +Pp. 212. + +IV. + +_Manfred_, Ein dramat. Gedicht übers. v. O.S. Seeman. Berlin, Weidle, +1843. [8º + +[Kayser, 1848.] + +V. + +Lord Byron's/ Manfred./ Deutsch/ von/ Hermann von Kösen./ "Mehr Dinge +giebt's im Himmel und auf Erden/ Als eure Weisheit sich wohl träumen +lässt."/ (Hamlet.)/ Leipzig,/Voigt & Günther./ 1858./ [16º + +_Collation_-- + +Half-title, Title, and "Zueignung," 8 pp.; Text, pp. 1-86. The Imprint +(_Druck von Giesecke & Devrient_) is at the foot of p. 86. + +VI. + +Byron's/ Manfred./ Erklärt und übersetzt/ von/ L. Freytag./ Berlin./ +Verlag von Gebrüder Pætel./ 1872./ [16º + +_Collation_-- + +Pp. 158. The Imprint (_Druck von G. Bernstein in Berlin_) is at the foot +of p. 158. + +VII. + +_Manfred_, dramat. Gedicht v. Lord Byron. Frei übers. v. Adf. Seubert. +[16º. + +[Kayser, 1877.] + +_Collation_-- + +Pp. 47. + +_Note_.--No. 586 of the Universal-Bibliothek, Leipzig, 1871-76. + +VIII. + +Manfred./ Dramatische Dichtung in drei Abtheilungen/ von/ Lord Byron./ +Musik von Robert Schumann./ Jeder Nachdruck dieses Textbuches, auch von +Seiten der Theater-directionen für/ ihre Aufführungen, ist verboten./ +Leipzig,/ Druck und Verlag von Breitkopf und Härtel./ [8º. + +_Collation_-- + +Pp. 36. + +_Note_.--No. 66 of Serie III., Breitkopf und Härtel's _Textbibliothek_, +1879-90. + +IX. + +_Manfred_. Ein dramatisches Gedicht. Freie Uebersetzung von Thierry +Preyer. Frankfurt, Neumann, 1883. [4º. + +[Kayser, 1883.] + +_Collation_-- + +Pp. 59. + + +_Hungarian_. + +I. + +Byron Lord'/ Élete's Munkái/ Irta/ Petrichevich Horváth Lázár./ Második +Rész./ Pesten./ Nyomtatta Landerer és Heckenast./ 1842./ [8º. + +_Collation_-- + +Pp. xi. + 134 + Jegyzések Manfredhez, pp. [135], [136] + Sajtó-hibák, p. +[137]. + +II. + +Manfred./ Drámai Költemény 3 Felvonásban./ Irta:/ Lord Byron György./ +Angolból forditotta:/ D^r. Kludik Imre./ Byron és a Világfájdalom./ +Irta: D^r. Kludik Imre./ Ára: 40 kr./ Második Kiadás./ Szolnok, 1884./ +Nyomatott Bakos Istvánnál./ [8º. + +_Collation_-- + +Manfred, pp. 1-65 + Byron és a Világfájdalom, pp. 69-112. + +III. + +Manfred/ Lord Byron Drámai Költeménye/ Forditotta/ Ábrányi Emil./ +Budapest 1891/ Singer és Wolfher Könyvkereskedése./ [8º. + +_Collation_-- + +Pp. 98. + + +_Italian_. + +I. + +_Manfredo_. Traduzione di Marcello Mazzoni. Milano, P.M. Visaj. 1832. +[8º. + +[Library of Congress, Washington, 1880.] + + +_Collation_-- + +Pp. 91. + +II. + +Tragedie/ di/ Silvio Pellico/ Francesca da Rimini/ [etc., five lines] +Manfredo,/ Poema drammatico di Lord Byron,/ (versione in prosa)./ +Firenze./ Felice le Monnier./ 1859./ [8º. + +_Collation_--Manfredo, etc., pp. 437-473. + +III. + +_Manfredo_: poema drammatico. Traduzione di Andrea Maffei. Firenze, Le +Monnier, 1870. [16º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. xi. + 100 + + +_Polish_. + +I. + +_Manfred_, poemat dramatyczny, przekład Edm. Stan. Bojanowskiego. _W.G. +Korn: Wrocław_, 1835. [12º. + +II. + +_Manfred_, poemat ... Przekład wolny na wiersz polski przez Michała +Chodźke ... Z4 obrazkami, wyrysował Kossak, etc. pp. 89. _w drukarni L, +Martinet: Paryż_, [1859]. [8º. [_Published also by Schmidt at Halle_.] + + +_Romaic_. + +O Μαμφρεδ / Δραματικον Ποιημα / του / Λορδου Βυρωνος. / Μεταφρασις / +Εππικου Γκρην. / ὁ οὐρανὸς, Ὁράτἰ, ἔχειπλείονακ' ἡ γν / παῤ ὅσα οἱ +φιλόσοφοι φαντάζεσθε [Greek: Mamphred / Dramatikon Poiêma / tou / Lordou +Burônos. / Metaphrasis / Eppikou Gkrên. / ho ou)rano\s, HOra/ti), +e)/cheiplei/onak)ê(gn / par) ho/sa ohi philo/sophoi phanta/zesthe ] / +Shakspere. / Εν Πατραις / τυπογραφειον και Βιβλιοπωλειον Ευσταθιου Π. +Χριστοδουλου. / Παρὰ τὴν ὁδὸν Ἑρμοῠ. [Greek: En Patrais / tupographeion +kai Bibliopôleion Eustathiou P. Christodoulou. / Para\ tê\n hodo\n +HErmou= ] ./ 1864 [8º. + +_Collation_-- + +Pp. 79 + Παροραματα [Greek: Paroramata], p. [80]. + + +_Roumanian_. + +_Stoenescu_ (Th.M.) Teatru ... Manfred, dupe Lord Byron. +_Editura "Revisteĭ Literare:" Bucurescĭ_, 1896. [8º. + +_Collation-- + +_Manfred_, pp. 173-228. + +_Russian_. + +I. + +Манфредъ. Драматическая поема въ трехъ дѢйствіяхъ Переводъ М. Вронченко. +[Cyrillic: Manphred. Dramatitseskaya poema v" trekh" dyĭstviyakh +Perevod" M. Vronchenko.] + +II. + +Манфредъ ... Переводъ А. Бородина [Cyrillic: Manphred ... Perevod A. +Borodina.] ["Пантеонъ [Cyrillic: Panteon"]," 1841. No. 2.] + +III. + +Манфредъ ... Перев. Е. Зарина. [Cyrillic: Manphred" ... Perev. E. +Zarina] ["Библіотека для Чтенія. [Cyrillic: Biblioteka dlya Chteniya]" +С.-Петербургъ [Cyrillic: S.-Peterburg"], 1858, No. 8.] + +IV. + +Манфредъ ... Переводъ Д. Минаева [Cyrillic: Manphred ... Perebod" D. +Minaeva.] ["Русское Слово [Cyrillic: Russkoe Slovo]," 1863. No. 4.] + + +_Spanish_. + +I. + +_Manfredo, drama en tres actos_. Por lord Byron. Imp. de Decourchant à +Paris. A Paris, rue du Temple, n. 69. 1829. [18º + +[_Bibl. de la France_, October 17, 1829.] + +II. + +Manfredo,/ Poema dramático/ de/ Lord Byron./ Traducido en verso +directamente del inglés al castellano/ Por/ D. José Alcalá Galiano/ y +Fernandez de las Peñas./ Madrid:/ Imprenta de A. Vicente, Preciados, +74./ 1861./ [8º. + +_Collation_-- + +Pp. xiii. + 85. + +III. + +Lord Byron./ Manfredo/ y/ Oscar de Alva/ Version castellana/ de Ángel R. +Chaves./ Madrid,/ Imprenta de Eduardo Martinez,/ Calle del príncipe, +número, 25./ 1876./ [8º. + +_Collation_-- + +Pp. xix. + Manfredo, 1-54 + Oscar de Alva, pp. 55-78 + Indice, p. [79]. + +_Marino Faliero_. + +I. + +Marino Faliero,/ Doge of Venice./ An Historical Tragedy,/ In Five Acts./ +With Notes./ The Prophecy of Dante,/ A Poem./ By Lord Byron./ London: +John Murray, Albemarle-Street./ 1821./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by Thomas Davison, Whitefriars_) pp. +i., ii.; Title, one leaf, pp. iii., iv.; Cont., pp. v., vi.; Half-title, +with Motto ("_Dux_ inquieti turbidus Adriæ."/ Horace./), pp. vii., +viii.; Preface, pp. ix.-xxi.; Text, pp. 1-261. The Imprint, as above, is +in the centre of p. [262]. + +_Contents_-- + +Marino Faliero p. 1 +Notes p. 169 +Appendix p. 173 +Prophecy of Dante p. 209 +Notes p. 257 + +II. + +Marino Faliero, etc./ Second Edition, etc./ 1821./ [8º. + +_Collation_-- + +_Vide supra_, No. i. Note that in some copies of the First Edition lines +500-507, act v. sc. 1, do not appear. In the Second Edition and in other +copies of the First Edition they have been inserted. (See _Poetical +Works_, 1901, iv. 447.) + +_Note_.--Another edition (pp. xxi. + 261), in small octavo, was issued +by John Murray in 1823. + +III. + +_Marino Faliero, Doge of Venice_. 179 pp. Philadelphia, M. Carey and +Sons. 1821. [8º. [Library of Congress, Washington, 1880.] + +IV. + +_Marino Faliero, doge of Venice_, an historical tragedy in five acts, +with notes. By the right hon. lord Byron. Impr. de Belin à Paris--A +Paris chez Galignani. [12º. [_Bibl. de la France_, June 29, 1821.] + +V. + +Marino Faliero,/ Doge of Venice:/ An Historical Tragedy,/ In Five Acts./ +By/ Lord Byron./ "Dux inquieti turbidus Adriæ."--Horace./ London:/ John +Murray, Albemarle Street./ Sold also by/ Tilt and Bogue, Fleet Stree +nburgh, Oliver and Boyd: Dublin, John Cumming./ 1842./ [12º. + +_Collation_-- + +Title (R. _London:/ Printed by H. Spottiswoode,/ New-Street-Square_./); +Text, pp. 3-162. The Imprint, as above, is at the foot of p. 162. + +VI. + +Marino Faliero./ By/ Lord Byron./ [Title-Vignette, "The Gory Head rolls +down the Giant's steps!"]/ New and Complete Edition.--Price one Penny./ +London J. Dicks 313 Strand; All Booksellers./ [1883, etc.] [8º. + +_Collation_-- + +Pp. 461-492. + +_Note_.--No. 153 of "Dicks' Standard Plays." + + +_Translations of Marino Faliero_. + + +_German_. + +I. + +Marino Faliero/ Doge von Venedig./ Geschichtliche Tragödie/ von/ Lord +Byron./ Freie Übersetzung/ von/ Thierry Preyer./ Frankfurt am Main./ +Alfred Neumann'sche Buchhandlung./ 1883./ [4º. + +_Collation_--Title, one leaf; Personen; Vorrede, 8 pp. + Text, pp. +1-147. The Imprint (_C. Naumann's Druckerei, Frankfurt a. M._) is in the +centre of p. [148]. + +II. + +Lord Byron's/ Marino Faliero./ Für das herzoglich Sachsen-Meiningen'sche +Hoftheater/ übersetzt und bearbeitet/ von A. Fitger./ Oldenburg./ +Schulzesche Hof-Buchhandlung und Hof-Buchdruckerei./ (A. Schwartz.)/ [8º. + +_Collation_-- + +Title (R. _Alle Rechte Vorbehalten_); Vorwort (R. "Personen"); Text, pp. +1-84. + + +_Mazeppa_. + +I. + +Mazeppa,/ A Poem./ By Lord Byron./ London:/ John Murray, +Albemarle-Street./ 1819./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by Thomas Davison, Whitefriars_.); +Title, one leaf; Half-title (Mazeppa), pp. 1, 2; Advt. (quotation from +Voltaire, _Hist, de Charles XII._, pp. 196, 216), pp. 3, 4; Text, pp. +5-69. The Imprint, as above, is in the centre of p. [70] + "Lord Byron's +Poems," etc., p. 71. + +_Contents_-- + +Mazeppa p. 5 +Ode ("Oh Venice! Venice!") p. 47 +A Fragment (Augustus Darvell) p. 57 + +II. + +Mazeppa, A Poem./ By Lord Byron./ Second Edition./ Paris:/ Published by +Galignani,/ At the French, English, Italian, German, and Spanish/ +Library, Nº 18, Rue Vivienne./ 1819 [12º. + +_Collation_-- + +Half-title (R. _Printed by A. Belin_), pp. 1, 2; Title, one leaf, pp. 3, +4; Second Half-title, pp. 5, 6; Advt., pp. 7, 8; Text, pp. 9-69. + +_Contents_-- + +Mazeppa p. 9 +Ode ("Oh Venice!" etc.) p. 47 +A Fragment p. 57 + +III. + +_Mazeppa_, a poem [with fragments]. Boston. 1819. [24º. + +[Cat. of Books in Bates Hall of Pub. Lib. of Boston, 1866.] + +_Collation_-- + +Pp. 56. + +IV. + +_Mazeppa, a Poem_. Paris, Galignani, 1822. [12º. + +[Quérard, 1827.] + +V. + +Mazeppa,/ A Poem./ By Lord Byron./ London:/ Printed and Published by W. +Dugdale,/ _52 Russell Court, Drury Lane_, 1824./ [12º. + +_Collation_-- + +Pp. ii. + 5-35. The Imprint (_Printed by W. Dugdale, Russell Court, +Drury Lane, London_.) is at the foot of p. 35. + +VI. + +_Mazeppa. a Poem_. Mit Worterklärung u. einer Lebenskizze des Dichters, +von H.M. Melford. Braunschweig, Vieweg. 1834. [12º. + +[Kayser, 1841.] + +VII. + +Mazeppa,/ or the/ Wild Horse/ of the/ Ukraine,/ A Poem, by/ Lord Byron./ +London:/ T. Goode, 30, Aylesbury-st.,/ Clerkenwell./ [1854?] [32º. + +_Collation_-- + +Pp. 48. + +_Note_.--The Front, (lithograph of Lord Byron) is on p. 1. The Title is +printed on the wrapper (black glazed paper) in gold letters. The volume +measures 60 X 40. + + +_Translations of Mazeppa_. + +_Danish_. + +Mazeppa./ AF / Lord Byron./ Öfversättning. [Af Talis Qualis.] +Stockholm,/Alb. Bonniers Förlag./ [1853.] [8º. + +Part of "Byron's Poetiska Berättelser." + + +_German_. + +I. + +_Mazeppa. Ein Gedicht_. Aus d. Engl. treu übertragen v. Th. Hell. Nebst +beigedr. Urschrift. Leipzig, Hinrichs. 1820. [8º. + +[Kayser, 1834.] + +II. + +_Mazeppa_, übers. im Versmass des Originals v. D^r. jur. Everhard +Brauns. Herausg. von D^r. jur. Engelbrecht, Göttingen, Kübler. 1836. +[8º. + +[Kayser, 1841.] + +III. + +Nachgelassenes/ von/ Ferdinand Freiligrath./ Mazeppa,/ nach Lord Byron./ +der Eggesterstein,/ Erzählung./ Stuttgart./ G.J. Göschen'sche +Verlagshandlung./ 1883./ [8º. + +_Collation_-- + +Pp. viii. + 88. + +_Hungarian_. + +Byron Lord'/ Élete's munkái./ Irta/ Petrichevich Horváth Lázár./ +Harmadik Rész./ Pesten./ Nyomtatta Landerer és Heckenast. 1842./ [8º. + +_Collation_-- + +Title, one leaf; Half-title, one leaf; Dedication; Figyelmezletés +(Advt.); Second Half-title; Text (Mazeppa), pp. _1_-[80] + Oda, etc., +pp. [81]-154 + Sajtó-hibák, p. [155]. + + +_Italian_. + +I. + +_Il Mazeppa_. Versione di Ant. Arioti. Palermo, Lo Bianco. 1847. [16º. + +[Pagliaini, 1901.] + +II. + +Mazeppa./ Traduzione/ da/ Georgio Byron./ Di/ I. Virzì./ Palermo,/Luigi +Pedone Lauriel/ Editore/ 1876./ [8º. + +_Collation_-- + +Pp. 63. + +III. + +_Mazeppa_. Traduzione di Andrea Maffei. Milano, Hoepli. 1886. [64º. + +[Pagliaini, 1901.] + +_Polish_. + +I. + +_Mazepa_, poemat. Przekład wolny na wiersz polski przez Michała Chodźkę. +pp. 39. _Schmidt: w Hali_, 1860. [8º. + +II. + +(Together with Lamartine's _Death of Jonathan_.) + +_Mazepa_, poemat, przekład wolny na wiersze polskie przez Michała +Chodźkę, wydanie ozdobione rycinami, _etc._ pp. 66. _Księg. polska: +Paryź_ [1860]. [8º. + +_Russian_. + +I. + +Выборъ изъ сочиненій лорда Байрона. М. Каченовскаго. [Cyrillic: Viebor" +iz" sochineniye lorda Bairona. M. Kachenovskago.] 1821. + +_Collation_-- + +_Mazepa_, pp. 69-107. + +_Note_.--In Prose. + +II. + +Мазепа. Изъ сочиненій лорда Байрона. А. Воейкова [Cyrillic: Mazepa. Iz" +sochineniye lorda Bairona. A. Boeikova] "Новости литературы [Cyrillic: +Novosti literatyry]," 1824. кн. [Cyrillic: kn.] x. pp. 9-33. + +_Note_.--In Prose. + +III. + +Мазепа ... пер. Д. Михайловскаго [Cyrillic: Mazepa ...per. D. +Mikhailovskago.] [" Современнихъ [Cyrillic: Sovremennikh]," 1858. No. +5.] + +IV. + +Мазепа ... Перев. И. Гогніева. [Cyrillic: Mazepa ... Perev. I. +Gognieva.] ["Драматическій Сборникъ [Cyrillic: Dramaticheskiye +Sbornik"]." С.-Петербургъ [Cyrillic: S.-Peterburg"], 1860, кн. +[Cyrillic: kn.] 4.] + + +_Spanish_. + + +_Mazeppa_, novela, por L.B. traducida al castellano. Paris, 1830. [18º. + +[_Moniteur_, etc., 1845.] + + +_Monody, etc_. + +I. + +Monody/ On the Death of/ The Right Honourable/ R.B. Sheridan,/ Written +at the Request of a Friend,/ To be spoke at/ Drury Lane Theatre./ +London: Printed for John Murray, Albemarle Street./ 1816./ [8º. + +_Collation_-- + +Half-title (Monody./ [Price One Shilling.]/ Entered at Stationers' Hall) +(_R. London: Printed by C. Roworth, Bell-yard, Temple-bar_.), pp. 1, 2; +Title, one leaf, pp. 3, 4; Text, pp. 5-11 + pp. [13]-[15], Advts. of +Books published by John Murray. The Imprint, as above, is at the foot of +p. [15]. + +II. + +Monody/ on the Death of/ The Right Honourable/ R.B. Sheridan./ Spoken +at/ Drury Lane Theatre./ By Lord Byron./ New Edition./ London:/ Printed +for John Murray, Albemarle-Street./ 1817./ [8º. + +_Collation_-- + +Half-title as above (R. _T. Davison, Lombard-street, Whitefriars, +London_.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + List of +the Poems, etc., p. [12]. The Imprint (_T. Davison, Lombard-Street_,/ +_Whitefriars, London_./) is at the foot of p. [12]. + +III. + +Monody,/ etc./ New Edition,/ etc./ 1818./ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by T. Davison, Whitefriars_.), pp. 1, +2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + "Lord Byron's Poems," +etc., p. [12]. The Imprint, as above, is at the foot of p. [12]. + +_Note_.--Four pp. of Advts., dated "Albemarle-Street, London, May, +1818," are bound up with this edition. + + +_An Ode to the Framers of the Frame Bill_. + +A Political/ Ode/ By/ Lord Byron/ Hitherto Unknown as His Production./ +London/ John Pearson 46 Pall Mall./ 1880./ [8º. + +_Collation_-- + +Half-title (R. [One hundred copies privately printed.]), pp. 1, 2; +Title, one leaf, pp. 3, 4; Note, pp. 5, 6; [Copy of Lord Byron's Letter +... March 1, 1812], pp. 7, 8; Text, pp. [9], [10], 11. + + +_Ode From the French_. + + +_Translation_. + + +_French_. + +Traduction de l'Ode/ de/ Lord Byron,/ Sur/ La bataille de Waterloo./ Par +Aristide Guilbert./ Londres:/ Hunt et Clark,/ 38, Tavistock Street./ +MDCCCXXVI./ [8º. + +_Collation_-- + +Pp. vii. + 9-28. The Imprint (_De l'Imprimerie de Thomas Davison_,/ 10, +Duke Street, Smithfield, London./) is at the foot of p. 28. + +_Contents_-- + +Preface p. v. +Ode p. 9 +Notes p. 17 + + +_Ode to Napoleon Buonaparte_. + +I. + +Ode/ To/ Napoleon Buonaparte./ "Expende Annibalem:--quot libras in duce +summo/ Invenies?"---- / Juvenal, Sat. X./ The Second Edition./ London:/ +Printed for John Murray, Albemarle-Street,/ By W. Bulmer and Co. +Cleveland-Row,/St James'./ 1814/ [8º. + +_Collation_-- + +Half-title (Ode, etc./ Entered at Stationers' Hall./), pp. 1, 2; Title, +one leaf, pp. 3, 4; Note from Gibbon's _Decl. and Fall_ (vol. 6, p. +220), pp. 5, 6; Text (xv. stanzas), pp. 7-14 + Advt. of books "By the +Right Hon. Lord Byron," p. [15]. The Imprint (_Printed by W. Bulmer and +Co_./ _Cleveland-Row, St James's_./) is at the foot of p. [15]. + +_Note_.--The First Edition of the _Ode_ is in the Rowfant Library +Catalogue, 1886, p. 145. + +II. + +_An Ode to Napoleon Bonaparte_. From the 3d Lond. ed. Philadelphia, E. +Earle. 1814. [8º. + +[Catalogue of Library of Congress, 1880.] + +_Collation_-- + +Pp. 11. + +_Note_.--The _Ode to Napoleon Buonaparte_ was also published at Boston, +1814, 8º, pp. 13; and at New York, 1814, 8º, pp. 13. + +III. + +_Ode to Napoleon Buonaparte_. Sixth Edition. London. 1814. [8º. + +[Cat. of Manchester Free Library, 1864.] + +_Collation_-- + +Pp. 17. + +IV. + +_Ode to Napoleon Buonaparte_. Ninth Edition. London, M. 1814. [8º. + +[Library of the University, St. Andrews, N.B.] + +_Collation_-- + +Pp. 17. + +V. + +Ode/ To/ Napoleon Buonaparte./ By Lord Byron./ etc./ Twelfth Edition./ +London:/ Printed for John Murray, Albemarle-Street./ 1816./ [8º. + +_Collation_-- + +Half-title (Ode, etc.) (_R.T. Davison, Lombard-street,/ Whitefriars, +London_./), pp. 1, 2; Title, one leaf, pp. 3, 4; Note, pp. 5, 6; Second +Half-title, pp. 7, 8; Text (xvi. stanzas), pp. 9-17 + Advt. of books "By +the Right Hon. Lord Byron," p. [19]. The Imprint, as above, is at the +foot of p. [19]. + +VI. + +Ode,/ etc./ Thirteenth Edition./ London:/ John Murray, +Albemarle-Street./ 1818./ [8º. + +_Collation_-- + +_Vide supra_, No. i. + + +_Translation of the Ode to Napoleon Buonaparte_. + + +_Spanish_. + + +_Odas a Napoleon_. Por Lord Byron. Imp. de Decourchant, à Paris. 1829. A +Paris, rue du Temple, n. 69. [18º. + +[_Bibl. de la France_, October 17, 1829.] + + +_Parisina_. + +[For First Edition of _Parisina_, _vide infra_, _The Siege of Corinth_, +No. i.] + + +_Translations_. + + +_Danish_. + +Parisina./ Af/ Lord Byron./ Öfversättning. [Af Talis Qualis.] Stockholm, +J.W. Brudins Förlag. [1854.] [8º. + +_Collation_-- + +Pp. 36. No. 4 of "Byron's Poetiska Berättelser." + + +_French_. + +Adolphe Krafft/ Parisina/ Poème/ de Lord Byron/ et fragment de/ Nicolas +de Ferrare/ Drame/ Tiré des documents historiques/ Avec commentates et +notices./ Paris/ Ernest Leroux, éditeur/ 28, rue Bonaparte, 28/ 1900 +Tous droits réservés./ [8º. + +_Collation_-- + +Pp. xiv. + 55 + Errata, p. [57] + Table des Matières, p. [59]. + +_Note_.--The Text of _Parisina_ is on pp. 8-26. + + +_German_. + +Gedichte/ von/ Jacob Vinc. Cirkel./ Mit übersetzungen/ von W. Scott's +Feld von Waterloo und Byrons/ Parisina etc./ Münster,/ in Commission +der Coppenrathschen Buch-und Kunsthandlung./ 1825./ [8º. + +_Collation_--Pp. 159. The Imprint (_Münster, gedruckt mit +Coppenrathschen Schriften_) is on p. [160]. + +_Note_.--The Text of _Parisina, etc._, is on pp. 127-156. + + +_Italian_. + +I. + +Parisina/ Poema/ di/ Lord Byron/ Traduzione italiana in versi./ Milano/ +Da Placido Maria Visaj/ Stampatore-Librajo nei Tre Re/ 1821./ [8º. + +_Collation_-- + +Pp. 27. + +II. + +_Parisina_: poema tradotto da Andrea Maffei. Milano, Gnocchi. 1853. +[16º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. 40. + +III. + +_Parisina_. Traduzione di Carlo Dall'Oro. Mantova, Negretti. 1854. [8º. + +[Pagliaini, 1901.] + +IV. + +_Parisina_, Traduzione in versi sciolti di Paolo Pappalardo. Palermo. +1855. [8º. + +[Pagliaini, 1901.] + +V. + +_Parisina_. Traduzione di Ant. Canepa. Geneva, Artisti tip. 1864. [16º. + +[Pagliaini, 1901.] + +_Collation_-- + +Pp. 24. + + +_Russian_. + +Паризина ... Переводъ В. Вердеревскаго. С.-Петербургъ [Cyrillic: +Paritsina ... Perevod V. Verderevskago. S.-Peterburg"], 1827 + + +_Spanish_. + +_Parisina_, novela. For L.B. Imp. de Decourchant, à Paris. 1830. [18º. + +[_Bibl. de la France_, October 17, 1829.] + + +_The Prisoner of Chillon_. + +I. + +The/ Prisoner of Chillon,/ And/ Other Poems./ By Lord Byron./ London:/ +Printed for John Murray, Albemarle-Street./ 1816./ [8º. + +_Collation_-- + +Half-title (The/ Prisoner of Chillon,/ etc./) (R. Advt. of Third Canto +of Childe Harold, and Imprint, _T. Davison, Lombard-street,/ +Whitefriars, London_./), one leaf; Title, one leaf; Cont.; ext, pp. +1-60. + +_Contents_-- + +Sonnet on Chillon p. 1 +The Prisoner of Chillon p. 3 +Poems-- +Sonnet p. 23 +Stanzas to ---- p. 24 +Darkness p. 27 +Churchill's Grave p. 32 +The Dream p. 35 +The Incantation p. 46 +Prometheus p. 50 +Notes p. 55 + +_Note_.--On p. 3 the Text is headed "The Prisoner of Chillon. A Fable." + +II. + +The/ Prisoner of Chillon./ A Poem/ By Lord Byron./ Lausanne./ Hignou & +Company. Book-sellers./ 1818./ [8º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Text, pp. 8-29. + +_Note_.--The Front, is a lithograph of "Chillon." The seven poems are +not included in this edition. + +III. + +The/ Prisoner/ of/ Chillon,/ By Lord Byron,/ London:/ Printed by W. +Chubb, Fetter Lane./ 1824./ [12º. + +_Collation_-- + +Pp. 35. The Imprint (_W.P. Chubb, Printer, Fetter Lane, London_.) is at +the foot of p. 35. + +IV. + +The/ Prisoner of Chillon,/ By Lord Byron./ [n.d.? 1825.] [12º. + +_Collation_-- + +Pp. 1-18. + +_Note_.--This edition, which is without a separate Title-page and bears +no Imprint, is bound up with _The Bride of Abydos_, etc., Printed for +Thomas Wilson, Oxford Street. 1825. + +V. + +The/ Prisoner/ of/ Chillon./ By Lord Byron./ Geneva./ Published by +Barbezat and Delarue,/ Booksellers, 177, Rue du Rhône./ 1830/ [16º. + +_Collation_-- + +Half-title (R. _Printed by Barbezat and Dalarue_.), pp. 1, 2; Title, one +leaf, pp. 3, 4; Sonnet on Chillon, pp. 5, 6; Text, pp. 7-32. + +_Note_.--The volume with the above title is bound in pink paper cover +with title-vignette (helmet, spear, and wreath of bay-leaves), and dated +M.DCCC'XVIII. + +VI. + +The/ Prisoner of Chillon/ By/ Lord Byron/ Le prisonnier de Chillon/ Par/ +Lord Byron/ précédé d'une/ Notice historique sur le château de Chillon/ +Par/ D. Martignier/ Lausanne/ Librairie Martignier et Chavannes/ 1857/ +[8º. + +_Collation_-- + +Half-title (R. _Lausanne.--Printed by Corbaz and Rouiller sen_.), pp. 1, +2; Title, one leaf, pp. 3, 4; Notice, etc., pp. 5-7; Hist. de Chillon, +pp. 8-21; Text and Notes, pp. 25-46. The seven poems are not included in +this edition. + +VII. + +The/ Prisoner/ of/ Chillon Poem/ By/ Lord Byron./ Illuminated by/ W. & +G. Audsley./ Architects./ 1865 [4º. + +_Collation_-- + +Illuminated Half-title; Title; 17 pp. of Text with illuminated borders, +etc. + p. 18 (Chromo-lithographed/ By/ W.R. Tymms./ Printed & Published +by/ Day & Son,/ [Limited],/ London)./ + +VIII. + +Byron's/ Prisoner of Chillon./ With Notes for Teachers and Scholars./ +London:/ T.J. Allman, 463, Oxford Street./ [1874.] [16º. + +_Collation_-- + +Pp. 32. + +_Note_.--No. 8 of "Allman's English Classics for Elementary Schools." + +IX. + +Byron's/ Prisoner of Chillon./ With Life, Notes,/ Grammatical & +Miscellaneous Questions,/ etc., etc./ By R.S. Davies,/ Head Master of +Holy Trinity Schools, Hull./ Hull: A. Brown, Scholastic Publisher./ +London: Simpkin, Marshall, & Co./ Leeds: Arnold; Bean & Son./ +Darlington: The Education Depot./ Price Twopence./ [1877-] [12º. + +_Collation_-- + +Pp. 24. + +_Note_.--Part of "Brown's Series of English Classics." + +X. + +The/ Prisoner of Chillon./ By/ Lord Byron./ With Prefatory and +Explanatory Notes./ [Monogram, with Motto, _Lucem Libris Disseminamus_.] +London: Blackie & Son, 49 & 50 Old Bailey, E.C./ Glasgow, Edinburgh, and +Dublin./ 1879./ [6º. + +_Collation_-- + +Pp. 32. + +_Note_.--Part of "Blackie's School Classics." + +XI. + +Byron's/ Prisoner of Chillon:/ With Life and Notes./ For Pupil Teachers +and the Upper Standards in/ Schools./ Manchester: J.B. Ledsham, 31, +Corporation Street;/ London: Simpkin, Marshall & Co./ [1879.] [16º. + +_Collation_-- + +Pp. 35. + +_Note_.--Part of the "World School Series." + +XII. + +The/ Prisoner of Chillon/ By/ Lord Byron/ And Part of/ The 3rd Canto of +Child [_sic_] Harold/ With a Short Description of the Castle/ And a +Notice of the Chief Historical Events/ and Legends connected with its +History/ Selected from authentic sources by an English resident./ Fourth +Edition/ Vevey/ Loertscher & Son, Editors/ 1880/ [8º. + +_Collation_-- + +Pp. 59. The Text of _The Prisoner of Chillon_ is on pp. 43-53. + +XIII. + +_The Prisoner of Chillon. A Fable_. Erklärt v. F. Fischer. Berlin, +Weidmann. 1884. [8º. + +[Kayser, 1887.] + +XIV. + +_The Prisoner of Chillon_, with introduction and explanatory notes by +Th. C. Cann, Firenze, Bencini, 1885. [16º. + +[Pagliaini, 1901.] + +XV. + +_Byron's Prisoner of Chillon_ and Part of Mazeppa. With Life and Notes. +London and Edinburgh. 1894. + +[Kölbing, p. 257.] + +_Note_.--Part of "Chambers' Reprints of English Classics." + +XVI. + +_The Prisoner of Chillon, by Lord Byron_. Special Subject. London. +Stewart & Co., The Holborn Viaduct Steps, E.C. Edinburgh and Glasgow: +Menzies & Co. + +[Kölbing, p. 257.] + +XVII. + +The/ Prisoner of Chillon/ By/ Lord Byron/ With Notes/ Explanatory, +Analytical, and Grammatical/ Embracing/ Figures of Speech, and Metre/ By +the/ Rev. Henry Evans, D.D./ Commissioner of National Education/ Dublin/ +Blackie & Son, Limited, 89 Talbot Street/ London and Glasgow/ 1896/ +[16º. + +_Collation_-- + +Pp. 36. + +_Note_--Part of "English Classics for Intermediate Schools and +Colleges." + +XVIII. + +Byron./ The Prisoner of Chillon./ A Fable./ With Life, Introduction, +Notes, etc./ Dublin:/ Fallon & Co., 16 Lower Sackville Street./ +[Copyright. All Rights Reserved.] [1896.] [16º. + +_Collation_-- + +Pp. 36. + +_Note_.--Part of "School and College Series. Edited by Rev. T.A. Finlay, +M.A., F.R.U.I. Price Sixpence, Net." + +XIX. The/ Prisoner of Chillon/ And/ Other Poems/ By/ Lord Byron/ In +kritischen Texten/ Mit/ Einleitung und Anmerkungen/ Herausgegeben/ von +Eugen Kölbing/ Weimar/ Verlag von Emil Felber/ 1896/ [8º. + +_Collation_-- + +Pp. ix. + 450. + + +_Translations of The Prisoner of Chillon_. + + +_Dutch_. + +_De Gevangene van Chillon_; in: Gedichten van K.L. Ledeganck' met eene +Levensschets des Dichters door J.F.J. Heremans. Gent, 1856. + +[Kölbing, p. 265.] + + +_French_. + +I. + +_Le Prisonnier de Chillon_, Poème de Lord Byron librement traduit en +vers blancs, précédé d'une notice historique et descriptive du château +de Chillon. Vevey. G. Blanchoud, libraire-éditeur. + +[Kölbing, p. 264.] + +II. + +Bonnivard/ A/ Chillon/ _Souviens-toi du temps d'autrefois_./ (Deut. +xxxii. 7.)/ Drame historique/ En un acte et trois tableaux/ Suivi d'une +notice historique et du poème de lord Byron, intitulé: Le Prisonnier de +Chillon/ Par un Huguenot/ Genève/ Imprimerie Wyss et Duchêne, rue +Verdaine/ 1892/ [8º. + +_Collation_-- + +Pp. 96. There is a prose translation of _The Prisoner of Chillon_, pp. +74-85. + +_Note_.--The Front, is a lithograph of "Chillon." + + +_German_. + +I. _Lord Byron's Gefangener von Chillon_ (am Genfer See). Aus dem +Englischen metrisch übertragen von G. Kreyenberg. Lausanne, 1861. + +[Kölbing, p. 261.] + +II. + +Der/ Gefangene von Chillon./ Dichtung/ von/ Lord Byron./ In deutscher +Uebersetzung mit historischer Einleitung / von / M. von der Marwitz./ +Vevey & Lausanne,/ Richard Lesser./ [1865.] [8º. + +_Collation_-- + +Pp. xi. + 16. + +_Note_.--The Front, is a "Photog. de R. Lesser & Cie., Vevey," of four +female figures supporting a mirror reflecting the dungeon of Chillon. + +III. + +_Der Gefangene von Chillon_. Eine Fabel von Georg Gordon Lord Byron. +Wortgreteu nach H.R. Mecklenburgs Gründsatzen in deutsche Prosa +übersetzt und eingehend erläutert von D'. phil. R.T. Berlin, 1886. + +[Kölbing, p. 262.] + +IV. + +Der/ Gefangene von Chillon./ Von/ Lord Byron./ Uebersetzt von J.G. +Hagmann./ S'. Gallen & Leipzig/ Verlag von Busch & Co./ [1892.] [16º. + +_Collation_-- + +Pp. 29. + +_Note_.--The Front, is a lithograph of "Chillon." + + +_Italian_. + +I. + +_Il prigionero di Chillon_, poema romantico trad. in prosa italiana. In +_Indicatore Livornese_, N. 44, del II Gennaio del 1830. + +[_Saggio di Bibliografie_, Milano, Levino Robecchi, 1887.] + +II. + +_Il prigionero di Chillon_: Traduzione di Andrea Maffei, Milano, +Gnocchi, 1853. [16º. + +[Pagliaini, 1901.] + + +_Russian_. + +Шильонскій Узникъ, нозма лорда Байрона. Переводъ съ англійскаго В. +Жуковскаго. [Cyrillic: Shilonskiye Uznik", nozma lorda Bairona. Perevod" +s" angliyeskago V. Zhykovskago.] pp. i.-viii. 1-24. С.-Петербургъ +[Cyrillic: S.-Peterburg"], 1822. 8º. + +_Collation_-- + +Pp. i.-viii. + 1-24. + +_Spanish_. + +_El preso de Chillon_, novela. For lord Byron, traduccion castellana. +Imp. de Decourchant, à Paris. 1829. [18º. + +[_Bibl. de la France_, Oct. 17, 1829.] + + +_Swedish_. + +Fangen PA Chillon,/ En Dikt/ Af/ Lord Byron./ Öfversättning./ [Af/ Talis +Qualis.]/ Stockholm,/ Albert Bonniers Förlag./ [1853, etc.] [8º. + +_Collation_-- + +Pp. 30. + +_Note_.--No. 3 of "Byron's Poetiska Berättelser." + + +_The Prophecy of Dante_. + +_Note.--The Prophecy of Dante_ was first published in the same volume +with _Marino Faliero_, 1821. See No. i. (p. 275). + +I. + +_The Prophecy of Dante_. Philadelphia. 1821. [12º. + +_Collation_-- + +Pp. 48. + +II. + +_The Prophecy of Dante_. Paris, Galignani, 1821. [12º. + +[Quérard, 1827.] + +III. + +The/ Prophecy of Dante./ A Poem./ By Lord Byron./ "'Tis the sunset of +life gives me mystical lore,/ "And coming events cast their shadows +before." / Campbell./ London:/ Printed and Published by W. Dugdale,/ 23, +Russell Court, Drury Lane./ 1825/ [12º. + +_Collation_-- + +Pp. vi. + 7-32. The Imprint _(W. Dugdale, Printer, 23, Russell Court, +Drury Lane.)_ is at the foot of p. 32. + +IV. + +The/ Prophecy of Dante./ (Cantos I., 11.)/ By/ Lord Byron./ With +Critical and Explanatory Notes,/ By L. W. Potts,/ Lecturer on History at +the Birkbeck Institute, London./ London:/ Blackie & Son, 49 & 50 Old +Bailey, E.C./ Glasgow, Edinburgh, and Dublin./ 1879./ [16º. + +_Collation_-- + +Pp. 32. The Imprint (_Glasgow: W.G. Blackie and Co., Printers, +Villafield_.) is at the foot of p. 32. + +_Note_.--Part of "Blackie's School Manuals." + + +_Translations of The Prophecy of Dante_. + + +_French_. + +Oeuvres de Dante Alighieri. La Divine Comédie, Traduction A. Brizeux. La +Vie Nouvelle, Traduction E.J. Delécluze. Paris, Charpentier, +libraire-éditeur. 29, rue de Seine. 1842. [8º. + +_Collation_-- + +Pp. lxxxviii. + 403 + "Table," p. [404]. + +_Note_.--The translation of La Prophétie du Dante (par M. Benjamin +Laroche) (see "Avis de L'Éditeur," p. i.) is on pp. 385-403. + + +_Italian_. + +I. + +_Profezia di Dante Alighieri_, scritta da lord Byron, e tradotta +dell'inglesc. Impr. de Clò, à Paris. Paris, chez Barrois aîné, 1821. +[8º. + +[_Bibl. de la France_, October 26, 1821.] + +II. + +La Profezia di Dante. Di Lord Byron. Tradotta in terza rima da L. Da +Ponte. Nuova-Jorca: Publicata da R.E.W.A. Bartow, 250 Pearl-St. Gray & +Bunce, Stampatori. 1821. [12º. + +_Collation_-- + +Pp. 72. + +_Note_.--The Italian is printed over against the English. There is a +double Dedication (pp. 3-7), "A Madamgella Giulia Livingston," and "A +Lord Byron." + +III. + +_La Profezia di Dante_: poema, reso in versi italiani da Giov. Giovio, +Milano, Bernardoni, 1856. [8º. + +[Pagliaini, 1901.] + +IV. + +_La Profezia di Dante_: poema accommodate all'indole del verso italiano +da Melchiorre Missirini, publicato da Fr. Longhena, Milano Guglielmini, +1858. [8º. + +[Pagliaini, 1901.] + +_Spanish_. + +La Profecia del Dante./ Poema escrito y dedicado/ à la/ Condesa +Guiccioli/ En 1819,/ Por lord Byron,/ al visitar en Ravena la tumba de +aquel./ Traducido del Frances/ Por/ Antonio Maria Vizcayno,/ y dedicado +a su bien amigo/ El Sr. Lic. D. Jose Agustin de Escudero./ Magistrado +del supremo tribunal de guerra y marina./ Mexico: 1850./ Imprenta de +J.M. Lara, calle de la Palma núm. 4./ [8º. + +_Collation_-- + +Title, etc., 6 pp. + Text, pp. 28. + + +_Sardanapalus_. + +I. + +Sardanapalus,/ A Tragedy./ The Two Foscari,/ A Tragedy./ Cain,/ A +Mystery./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ +1821./ [8º. + +_Collation_-- + +Pp. viii. + 439. Half-title (R. _London: Printed by Thomas Davison, +Whitefriars_.), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont., pp. +v., vi.; Preface, pp. vii., viii.; Text, pp. 1-439. The Imprint, as +above, is on p. [440]. + +_Contents_-- + +Sardanapalus, A Tragedy p. 1 +Notes p. 171 +The Two Foscari, A Tragedy p. 175 +Appendix p. 305 +Cain, A Mystery p. 331 + +II. + +_Sardanapalus, a Tragedy_; _The Two Foscari, a Tragedy_; _Cain, a +Mystery_. Boston. 1822. [16º. + +_Collation_-- + +Pp. 309. + +III. + +Sardanapalus:/ A Tragedy./ By/ Lord Byron./ London:/ John Murray, +Albemarle Street,/ 1829./ [8º. + +_Collation_-- + +Title, one leaf, pp. 1, 2; Half-title, one leaf, pp. 3, 4; Dedication, +pp. 5, 6; Author's Note, pp. 7, 8; Dramatis Personæ, _n.p._; Text, pp. +9-134. + +_Note_.--The Dedication to "The illustrious Goëthe," which was omitted +from the edition of 1821 (No. i.), is inserted. + +IV. + +_Sardanapalus_: A Tragedy by Lord George Gordon Byron. Arnsberg, Ritter. +1849. [16º. + +[Kayser, 1854.] + +_Note_.--Part of "Sammlung Englischer Schauspiele der neuesten Zeit." + +V. + +Sardanapalus,/ King of Assyria./ A Tragedy./ In Five Acts./ By/ Lord +Byron./ Adapted for Representation by/ Charles Kean./ Thomas Hailes +Lacy,/ Wellington Street, Strand,/ London./ [1853.] [12º. + +_Collation_-- + +Pp. 56. + +_Note_.--No. 155 of "Lacy's Acting Edition of Plays." + +VI. + +Lord Byron's/ Historical Tragedy/ of/ Sardanapalus./ Arranged for +Representation,/ In Three [_sic_] Acts,/ By Charles Calvert./ +Manchester: John Heywood, 141 and 143, Deansgate./ [1877?] [8º. + +_Collation_-- + +Pp. vii. + 56. + +_Note_.--A list of "Opinions of the Press" (see _Poetical Works_, 1901, +v. 9) is printed on p. 56 and on the inner leaf of the paper cover. + +VII. + +Sardanapalus./ By/ Lord Byron./ [Title-vignette, "Myrrha, Embrace me: +yet once more--yet once more."] New and Complete Edition.--Price One +Penny./ London: J. Dicks, 313, Strand: All Booksellers./ [1883, etc.] +[12º. + +_Collation_-- + +Pp. 495-524. + +_Note_.--No. 50 of "Dicks' Standard Plays." + + +_Translations of Sardanapalus_. + + +_Bohemian_. + +_Sardanapal_ ... Přeložil František Krsek. ("Sborník světové poesie." +svaz. 3.) pp. 204. _Otto: v Praze_, 1891. [8º. + +_French_. + +_Sardanapale_,/ Tragédie,/ Imitée de Lord Byron,/ par L. Alvin,/ Et +représentée pour la première fois sur le Théatre Royal/ de Bruxelles, Le +11 Janvier 1834./ Bruxelles,/ Gambier, libraire, rue des Éperonniers Nº +16./ et chez tous les libraires de royaume./ 1834./ [8º. + +_Collation_-- + +Pp. xviii. + 122. + + +_German_. + +I. + +_Sardanapal_./ Trauerspiel in fünf Akten. Aus dem Engl. übers. von Emma +Herz. Posen, Merzbach. 1854. [16º. + +[Kayser, 1860.] + +_Collation_-- + +Pp. 214. + +II. + +Sardanapal./ Trauerspiel in fünf Aufzügen/ von/ Lord Byron./ +Bühnenbearbeitung/ Nach der Uebersetzung von Adolf Böttger/ mit einem/ +"Vorspiel"/ von/ Max Zerbst./ Jena 1888./ Friedr. Mauke's Verlag./ (A. +Schenk.)/ [1888.] [8º. + +_Collation_-- + +Pp. 117. + +III. + +Lord Byron's/ Sardanapal/ Eine Tragödie/ frei übertragen und für die +Bühne bearbeitet/ von/ Josef Kainz/ Berlin W/ F. Fontane & Co./ 1897/ + +_Collation_-- + +Pp. 214. + + +_Italian_. + +Sardanapalo/ Tragedia in 5 atti/ di/ G. Byron/ Milano/ Edoardo Sonzogno, +editore/ 14.--Via Pasquirolo.--14./ 1884./ [8º. + +_Collation_-- + +Pp. 91. + +_Note_.--No. 77 of the "Biblioteca Universale." + +_Polish_. + +_Sardanapal_, tragedya, przekład Fryderyka Krauzégo. pp. 132. _wyd. +red._ "_Biblioteki Warszawskiéj_": _Warszawa_, 1872. [8º. + + +_Romaic_. + +Σαρδαναπαλος, / Τραγῳδια του Λορδου Βυρῳνος / Μεταφρασθεισα +ἐκ τοῦ Ἀγγλικοῦ, ο / υιος της Δουλης / και / Ευγενια / υπο / +Χρηστου Α. Παρμενιδου. Εν Αθηναις, / εκ του τυπογραφειου +Ερμου. +[Greek: +Sardanapalos, / Tragô|dia tou Lordou Burô|nos / Metaphrastheisa +e)k tou A)gglikou, o / uios tês Doulês / kai / Eugenia / upo / +Chrêstou A. Parmenidou. En Athênais, / ek tou tupographeiou +Ermou. ] +( κατὰ τὴν ὁδὸν Περικλέους, ἐν τῇ οἰκίᾳ Ν. Μυκονίου.) +[Greek: ( kata\ tê\n hodo\n Perikle/ous, e)n tê~| oi)ki/a| N. Mukoni/ou.)] + +_Collation_-- + +Pp. η [Greek: ê ] + 400 + Πιναξ των Περιεχομενων [Greek: Pinax tôn +Periechomenôn ], p. [401]. + +_Note_.--The translation of _Sardanapalus_ is on pp. 1-150; the +translation of _The Dream_ ( Το Ἐνυπνιον. Εκ των του Βυρωνος [Greek: To +E)nupnion. Ek tôn tou Burônos ] ), on pp. 171-184. + + +_Russian_. + +I. + +Сарданапалъ ... Переводъ Е. Зорина. С.-Петербургъ [Cyrillic: Sardanapal" +... Perevod" E. Zorina.] S.-Peterburg"], 1860. 8º. + +II. + +Сарданапалъ ... пер. О.Н. Чюминой. "Артистъ," 1890, кн. 9 и 10. +[Cyrillic: Sardanapal" ... Per. O.N. Chyuminoie. "Artist", 1890, kn. 9 i +10.]," 1890. + + +_Swedish_. + +Sardanapalus./ Sorgespel I Fem Akter/ Af/ Byron./ Försvenskadt och För +Scenen Behandladt/ Af/ Nils Arfvidsson./ Första gängen uppfördt à Kongl. +Stora Theatern den 17 Nov. 1864./ Stockholm, 1864./ P.A. Norstedt & +Söner,/ Kongl. Boktryckare./ [8º. + +_Collation_-- + +Pp. 154 + Rättelser, p. [155]. + + +_The Siege of Corinth_. + +The/ Siege of Corinth./ A Poem./ Parisina./ A Poem./ London:/ Printed +for John Murray. Albemarle-Street./ 1816/ [8º. + +_Collation_-- + +Half-title (R. _T. Davison, Lombard street,/ Whitefriars, London_.); +Title, one leaf; Second Half-title, with Motto ("Guns," etc.), pp. 1, 2; +Dedication, pp. 3, 4; Advt., pp. 5, 6; Text, pp. 7-89 + Notes, p. [91] +(R. Imprint as above). + +_Note_.--_The Siege of Corinth_ is on pp. 7-57; _Parisina_, pp. 59-[91]. + +_Note_.--A Second and a Third Edition were issued in 1816. The Museum +copy of the First Edition is without the Half-title. + +II. + +The/ Siege of Corinth:/ A Poem./ Parisina:/ A Poem./ By Lord Byron./ +New-York:/ Printed and Published by Van Winkle & Wiley,/ No. 3 +Wall-Street./ 1816./ [12º. + +_Collation_-- + +Pp. 94. + +III. + +The/ Siege of Corinth./ A Poem./ By Lord Byron./ "Guns, Trumpets, +Blunderbusses, Drums, and Thunder."/ London:/ Printed and Published by +W. Dugdale,/ _23, Russell Court, Drury Lane_./ 1824./ [12º. + +_Collation_-- + +Pp. 44. The Imprint (_Printed by W. Dugdale; Russell-Court, Drury +Lane_.) is at the foot of p. 44. + +IV. + +_The Siege of Corinth_. Für den Schul. u. Privatgebrauch abgedr. nach +der Pariser Ausg. (1835, Galignani.) Lüneburg, Engel. 1854. [8º. + +[Kayser, 1860.] + +_Collation_-- + +Pp. 51. + +V. + +Lines from the Poets/ With Notes/ For use in Elementary and Secondary +Schools/ Adapted to the requirements of the New Code and the/ Oxford and +Cambridge Local Examinations/ No. 4/ Byron's 'Siege of Corinth'/ London/ +National Society's Depository/ Broad Sanctuary, Westminster/ 1879/ [16º. + +_Collation_-- + +Pp. 62. + +VI. + +Byron's/ Siege of Corinth./ Mit/ Einleitung und Anmerkungen/ +Herausgegeben/ von/ Eugen Kölbing./ Berlin./ Verlag von Emil Felber./ +1893./ [8º. + +_Collation_-- + +Pp. lx. + 155. The Imprint (_Druck von G. Uschmann in Weimar_.) is at +the foot of p. 155. + +VII. + +The Siege of Corinth. Mit Anmerkgn. zum Schulgebrauch hrsg. v. K. +Bandow. [12º. + +[Kayser, 1891.] + +_Note_.--Part of "English Authors." Bielefeld, Velhagen & Klasing. +1885-1890. + + +_Translations of The Siege of Corinth_. + + +_Dutch_. + +Het/ Beleg van Corinthe,/ Uit Het Engelsch van/ Lord Byron./ Door/ Mr. +I. Van Lennep./ [Title-vignette, phantom appearing to Alp.] Te Amsterdam +bij/ P. Meijer Warnars./ 1831./ [8º. + +_Collation_-- + +Pp. 59. The Imprint (_Gedrukt Bij C.A. Spin._) is at the foot of p. 59. + + +_French_. + +_Le Siége de Corinthe_, par lord Byron; traduit de l'anglais par Ch. +Mancel. Impr. de Guîraudet, à Paris. A Paris, chez Delaunay; chez Pillet +aîné. 1820. [12º. + +[_Bibl. de la France_, September 16, 1820.] + + +_German_. + +I. + +_Die Belagerung von Korinth_. [Deutsch. v.] A. Wollheim. Hamburg. +Lübbers & Schubert. (?) 1817. [12º. + +[_Centralblatt_, 1890, vii. 472.] + +II. + +_Die Belagerung von Korinth_. Mit gegeniibergedrucktem Originaltext. +Leipzig, Brockhaus. 1820. [8º. + +[_Centralblatt_, 1900, vii. 458.] + +_Note_.--_Britische Dichterproben_, ii. I. + +III. + +_Die Belagerung von Korinth_. [Deutsch. v.] G.E. Schumann. Hamburg, +Nestler & Melle. 1827. [8º. + +[_Centralblatt_, 1890, vii. 471.] + + +_Italian_. + +_L'Assedio di Corinto_, di Giorgio lord Byron, Versione di Vincenzo +Padovan. Venezia, coi tipi del Gondoliere, 1838. [8º. + +[_Bibliografia Italiana_, March, 1838.] + + +_Spanish_. + +El Sitio/ de/ Corinto./ Por/ Lord Byron./ Traducido del Francés Al +Castellano./ [Title-vignette, Athene with owl.] Paris, Libreria +americana,/ Calle del Temple, Nº 9./ 1828./ [16º. + +_Collation_-- + +Pp. 85. + + +_Swedish_. + +Belägringen Af Korinth./ Af/ Lord Byron./ Öfversättning./ [Af/ Talis +Qualis./ Stockholm,/ Albert Bonniers Förlag./] [1854.] [8º. + +_Collation_-- + +Pp. 60. + +_Note_.--No. 2 of "Byron's Poetiska Berättelser." + + +_The Two Foscari_. + +I. + +[_Note_.--For the First Edition of _The Two Foscari_, _vide ante_, +_Sardanapalus_, No. i.] + +_The Two Foscari_. New York. 1822. [24º. + +_Collation_-- + +Pp. 114. + +II. + +_The Two Foscari_, an historical tragedy. By the right hon. lord Byron. +Impr. de Belin, à Paris. A Paris chez Galignani, 1822. [12º. + +[_Bibl. de la France_, March 9. 1822.] + +III. + +The Two Foscari./ By/ Lord Byron./ [Title-vignette, Death of Jacopo +Foscari--"Touch it not, Dungeon Miscreants!----"] New and Complete +Edition.--Price One Penny./ London: J. Dicks, 313, Strand. All +Booksellers./ [1883, etc.] [8º. + +_Collation_-- + +Pp. 525-546. + +_Note_.--No. 73 of "Dicks' Standard Plays." + + +_Translations of The Two Foscari_. + + +_Russian_. + +Двое Фоскари ... пер. Е. Зарина. [Cyrillic: Dvoye Foskari ... per. E. +Zarina.] [" Библіотека для Чтенія [Cyrillic: Biblioteka dlya Chteniya]," +1861. No. 11.] + + +_Spanish_. + +Los dos Fóscaris. Drama histórico en cinco actos y en verso por D. +Manuel Çañete, representado en el teatro de la Cruz, a beneficio de D. +Juan Lombia, en el mes de noviembre de 1846. + +_Collation_-- + +Pp. 24. + +_Note_.--Part of "Biblioteca Dramatica,"/ etc./ Madrid, 1846./ Imprenta +de Don Vicente de Lalama, Editor,/ Calle del Duque de Alba, n. 13./ 4º. + + +_The Vision of Judgment_. + +_Note_.--For the First Edition of _The Vision of Judgment_, see _The +Liberal_, 1822, No. I., pp. 3-39. + +I. + +_Vision of Judgment_. Paris, Galignani, 1822. [12º. + +[Quérard, 1827.] + +II. + +The/ Two Visions;/ or,/ Byron v. Southey./ Containing/ The Vision of +Judgment,/ By Dr. Southey, L.L.D./ Poet-Laureate and Esquire; Republican +and Royalist:/ Also Another/ Vision of Judgment,/ By Lord Byron./ +London: Printed and Published by W. Dugdale, 19, Tower/ Street, Seven +Dials./ 1822./ + +_Collation_-- + +Pp. 72. + +_Note_.--The Text of Lord Byron's _Vision of Judgment_ is on pp. 35-72. + +_The Waltz_. + +I. + +Waltz:/ An Apostrophic Hymn./ By/ Horace Hornem, Esq./ "Qualis in Eurotæ +ripis, aut per juga Cynthi/ Exercet DIANA choros."--Ovid./ London: +Printed by S. Gosnell, Little Queen Street, Holborn,/ For Sherwood, +Neely, and Jones, Paternoster Row./ 1813./ (_Price Three Shillings_.)/ +[4º. + +_Collation_-- + +Title, one leaf, pp. [1], [2]; To the Publisher, pp. 3-6; Text, pp. +7-27. The Imprint (_S. Gosnell, Printer, Little Queen Street, London_.) +is at the foot of p. 27. + +_Note_.--The pages of the Text measure 280 X 220. + +II. + +Waltz:/ An/ Apostrophic Hymn./ By/ Horace Hornem, Esq./ (_The Author of +Don Juan_.)/ Qualis in Eurotæ ripis, aut per juga Cynthi/ Exercet DIANA +choros./ Virgil./ Such on _Eurotas_' banks, or Cynthia's height,/ +_Diana_ seems; and so she charms the sight,/ When in the dance the +graceful goddess leads/ The Quire of Nymphs, and overtops their heads./ +Dryden's Virgil./ London:/ Benbow, Printer and Publisher, Castle +Street,/ Leicester Square./ 1821./ [12º. + +_Collation_-- + +Pp. v. + (Text) 7-36. + +_Contents_-- + +To the Publisher p. iii. +The Waltz p. 7 +Notes p. 19 +To Jessy [attrib. to Lord Byron] p. 27 +"My Boat is on the shore" [attrib. to Lord Byron] p. 29 +Lines ... to Mr. Hobhouse [attrib. to Lord Byron] p. 30 +On the Star of "The Legion of Honour" p. 31 +Adieu to Malta p. 34 + +_Note_.--The two last poems are not attributed to Lord Byron. + + +_Werner_. + +I. + +Werner,/ A Tragedy./ By Lord Byron./ London:/ John Murray, +Albemarle-Street./ 1823-/ [8º. + +_Collation_-- + +Half-title (R. _London:/ Printed by Thomas Davison, Whitefriars_.), pp. +i., ii.; Title, one leaf, pp. iii., iv.; Dedication, one leaf ("To/ The +Illustrious Goëthe,/ By One of His Humblest Admirers,/ This Tragedy is +dedicated./"), pp. v., vi.; Preface, pp. vii., viii.; Text, pp. 1-188. +The Imprint, as above, is at the foot of p. 188. + +II. + +_Werner, a Tragedy_. Paris, Galignani. 1823. [12º. + +[Quérard, 1827.] + +III. + +Werner./ A Tragedy/ In Five Acts./ By Lord Byron./ With the Stage +Business, Casts of Characters,/ Costumes, Relative Positions, etc./ New +York:/ M. Douglas, 11 Spruce Street./ And for Sale by all Booksellers./ +1848./ [8º. + +_Collation_-- + +Pp. v. + 6-75. + +_Note_.--No. lxviii. of "Modern Standard Drama." Edited by John W.S. +Hows. + +IV. + +The/ British Drama./ Illustrated./ Vol. III./ London:/ Published by John +Dicks, 313, Strand./ 1865./ [8º. + +_Note_.--The Text of "Werner./ A Tragedy, In Five Acts.--By Lord +Byron./" is on pp. 767-789. + +V. + +Werner./ By Lord Byron./ [Title-vignette [_Sieg._]--"Liar and Fiend! But +you shall not be slain."--[_Act_ v. _Scene_ 1.]/] New and Complete +Edition.--Price One Penny./ London: J. Dicks, 313, Strand; All +Booksellers./ [1883, etc.] [8º. + +_Collation_-- + +Pp. 767-789. + +_Note_.--No. 3 of "Dicks' Standard Plays." + +VI. + +Werner/ or/ The Inheritance/ A Tragedy/ By/ Lord Byron/ London/ George +Routledge And Sons/ Broadway, Ludgate Hill/ Glasgow and New York/ 1887/ +[16º. + +_Collation_-- + +Pp. ix. + 10-256. The Imprint (_Ballantyne Press: Edinburgh and +London_.) is at the foot of p. 256. + +_Translations of Werner_. + +_Russian_. + +I. + +Вернеръ ... пер. Неизвѣстнаго. С.-Петербургъ [Cyrillic: Verner" ... per. +Neizviestnago.] S.-Peterburg"], 1829. + +II. + +Донъ-Жуанъ иа островѣ пирата. Перев. Д. Мина Москва [Cyrillic: +Don"-Djuan" ia ostrov" pirata. Perev. D. Mina Moskva], 1881. + + +_The Liberal_. + +The/ Liberal./ Verse and Prose From The/ South./ Volume the First./ +London, 1822:/ Printed by and for John Hunt,/ 22, Old Bond Street./ [8º. + +_Collation_-- + +Vol. I.: pp. xii. + 3-399 + Cont., p. [401] (R. "Errata," p. [402]). The +Imprint (_London_:/ _C.H. Reynell, Printer,/ 45, Broad-Street, +Golden-Square_.) is at the foot of p. [402]. + +Vol. II.: [The/ Liberal,/ etc./ Volume The Second./ London, 1823:/ +Printed for John Hunt,/ 22, Old Bond Street./], pp. viii. + 1-377 + +Cont. of No. iv., p. [379]. The Imprint (_London:/ Printed by C.H. +Reynell, Broad Street, Golden-Square_.) is at the foot of p. [380]. + +_Contents_ [Lord Byron's contributions]-- + +Vol. I.: _The Liberal_, No. 1. The Vision of Judgment. By Quevedo +Redivivus. Suggested by the Composition so entitled by the Author of +"Wat Tyler." "A Daniel come to judgment! yea, a Daniel! I thank thee, +Jew, for teaching me that word." Pp. 8-39; Letter to the Editor of "My +Grandmother's Review," pp. 41-50; Epigrams on Lord Castlereagh, p. 164. + +_The Liberal_, No. II. Heaven and Earth, A Mystery, Founded on the +Following Passage in Genesis, Chap. vi.: "And it came to pass ... that +the sons of God saw the daughters of men that they were fair; and they +took them wives of all which they chose." "And woman wailing for her +demon lover."--Coleridge. Part I., etc., pp. 165-206. From the French +("Ægle, beauty and poet," etc.), p. 396; Martial.--Lib. I. Epig. I +(Translation), p. 398; New Duet ("Why how now, saucy Tom?"), _ibid._ + +Vol. II.: _The Liberal_, No. III. _The Blues, A Literary Eclogue_, +"Nimium ne crede colori."--VIRGIL. O trust not, ye beautiful creatures, +to hue, Though your _hair_ were as _red_ as your stockings are _blue_. +Eclogue the First, etc., pp. 1-21. + +_The Liberal_, No. IV. Morgante Maggiore di Messer Luigi Pulci, pp. +193-249. + +_Note_.--The text of the original Italian is printed after the English +translation. + +_Dedication of Don Juan_. + +The following note was attached to the "Dedication" which was prefixed +to the First Canto in 1833 (_Works_, 1833, xv. 101):-- + +"Note(1). [This 'Dedication' was suppressed in 1819, with Lord Byron's +reluctant consent; but, shortly after his death, its existence became +notorious, in consequence of an article in the _Westminster Review_, +generally ascribed to Sir John Hobhouse, and for several years the +verses have been selling in the streets as a broadside. It could +therefore serve no purpose to exclude them on the present occasion.]" +See, too, _Poetical Works_, 1903, vi. 3. + +I am indebted to the kindness of Mr. H. Buxton Forman, C.B., for the +following description of one of these "broadsides," now in his +possession:-- + +"Single sheet foolscap 8vo, consisting of Half-title, 'Dedication/ +to/Don Juan,/' with Imprint on verso ('London:/ printed by C. and W. +Reynell, Broad Street,/ Golden Square'); Title-page, 'Dedication/ to/ +Don Juan./ by/ Lord Byron./ London:/ Published by Effingham +Wilson,/Royal Exchange./ 1833./' On the verso of this is a note-- + +"'[_Why the following Dedication did not appear with the two first +published Cantos of the Poem cannot be explained--unless the connection +between_ Mr. MURRAY _and_ Mr. SOUTHEY _sufficiently explains it_.]' + +"The first page of the Text (p. 5, but not numbered) contains the +dropped head 'Don Juan./ Dedication.' and one stanza. Pp. 6-10 contain +two stanzas each, and p. 11 one. The headline 'Don Juan' runs from p. 6 +to p. 11, and the stanzas are numbered in Roman capital figures. P. 12 +is blank, and is followed by a Half-title, 'Notes,' with a blank verso. +The Notes occupy pp. 15 and 16, of which 15 is not numbered, but has a +dropped head, 'Notes.' Page 16 is numbered, and has the headline +'Notes.'" + +[Illustration: Diadem Hill (Annesley Park), Where Lord Byron Parted From +Mary Chaworth.] + + + + +NOTES. + + +_Note_ (1).--ON GENUINE AND SPURIOUS ISSUES OF "ENGLISH BARDS, AND +SCOTCH REVIEWERS." + +Among the first who called attention to the "inextricable tangle" of the +several editions of _English Bards, and Scotch Reviewers_ was Mr. +Leicester Warren, better known as Lord de Tabley, who communicated some +notes in 1877 to _Notes and Queries_ (Series V. vol. vii. pp. 145, +etc.); but it was reserved to the late Mr. Dykes Campbell, Mr. Bertram +Dobell, and other correspondents to the _Athenæum_ (May 5 to July 7, +1894), to point out that the problem was still farther complicated by +the existence of spurious issues of at least three out of the five or +six distinct editions of the Satire. + +All editions, genuine or spurious, claim as their publisher "James +Cawthorn, British Library, No. 24 Cockspur Street," but different +printers were employed. The First Edition bears the imprint of "T. +Collins, Printer, No. 1, Harvey's Buildings, Strand;" the Second +Edition, that of "Deans and Co. Hart Street, Covent Garden;" the Third +Edition, that of "T. Collins," etc.; the Fourth Edition of 1810, that of +"T. Collins," etc.; the Fourth Edition of 1811 ("James Cawthorn and +Sharpe and Hailes"), that of "Cox, Son, and Baylis, Great Queen Street, +London." No printer's name was attached to the suppressed Fifth Edition +of 1812. + +Genuine First Editions have the water-mark, "E. and P. 1804," or "E. and +P. 1805," or, possibly, no water-mark at all. A copy of the spurious +First Edition, in Mr. Murray's possession, has the water-mark, "S. and +C. Wise, 1812." In addition to at least eleven variants in punctuation, +the spurious copy prints (p. 5, line 47) "Wizzard" (p. 20 _n_.), +"M_e_deira," and, in the same note, "Anna d'Afert;" whereas the genuine +copies print correctly "Wizard," "Madeira," and "Anna d'Arfet." + +A genuine copy of the Second Edition, which belonged to the late Mr. +Dykes Campbell, bears the water-mark "Budgen and Willmot, 1808." On p. +80, line 1007, "Abedeen" is misprinted for "Aberdeen;" and the same +misprint occurs in a copy of the Second Edition in the British Museum. +In all probability there was no spurious issue of the Second Edition. + +Of the Third Edition (1810), copies bearing the water-mark, "E.&P. +1804," or "G.&R.T.," may be regarded as genuine--rare exceptions among a +host of forgeries which either lack a water-mark altogether or bear +water-marks of a later period. Mr. Gilbert R. Redgrave, in an article +(_The Library_, December 1, 1899, Series II. vol. i. pp. 18-25), notes +two distinct and divergent forgeries bearing the water-mark "Pine, and +Thomas, 1812." Forgery A prints "myse" for "muse" (line 4), "rove" for +"rave" (line 384), etc.; while forgery B, in a footnote to p. 30, prints +"Bowle'ss" for "Bowles's," and, at the end of p. 85, "we" for "me," and +"farther" for "further." Other copies bear the water-marks, "Allnutt, +1816," "Smith & Allnutt, 1816," "Ivy Mills, 1817," and "I.&R. Ansell, +1818." A copy of a spurious issue of the Third Edition in the British +Museum prints "crawl" for "scrawl" (line 47), and "p. 73" for "p. 85." + +It has been surmised, but conclusive proof is not forthcoming, that a +so-called Fourth Edition of 1810 (1050 lines), which purports to have +been published by James Cawthorn, and bears the imprint, "_Printed by J. +Collins, Harvey's Buildings, Strand, London_," is a spurious issue. It +is practically a reprint of the Third Edition; but in some copies there +are misprints not to be found in other piracies--_e.g._ "crouds" for +"crowds" (line 269), and "alter" for "altar"(line 285). + +Copies of the Fourth Edition of 1810, which may possibly be genuine, +bear a water-mark, "G.&R.T.," or are on plain paper. Copies which are +manifestly forgeries bear the water-marks, "J.X. 1810" and "W. +Pickering, 1816." + +A second Fourth Edition (1052 lines), published by "James Cawthorn and +Sharp & Hailes, 1811," and printed by "Cox, Son, & Baylis," was +certainly recognized by Byron as a genuine Fourth Edition, and must have +passed through his hands, or been subject to his emendation, before it +was sent to press. Copies of this edition bear his MS. emendations of +1811-1812, and marginal notes of 1816. Genuine copies (_e.g._ Leigh +Hunt's copy, now in the Forster Collection at the South Kensington +Museum) are printed on paper bearing a water-mark, "J. Whatman, 1805." +There was, however, another issue of the Fourth Edition of 1811, printed +on plain paper. Mr. Redgrave notes certain minute differences between +these two issues. In the edition on plain paper there is a hyphen to +"Cockspur-Street" on the title-page, and the word "Street" is followed +by a comma instead of a semicolon. Again, in the plain-paper copies +"Lambe" is spelt with an _e_, and in the water-mark copies the word is +correctly spelt "Lamb." In the plain-paper copies the misprint +"Postcript" for "Postscript" is repeated, and in the copies bearing a +water-mark the word is correctly spelt "Postscript." There are other +differences in the advertisements at the end of the volume. + +A spurious Fourth Edition in Mr. Murray's possession, which has been +enriched with a series of prints of persons and places, bears the +water-marks, "1811," "1814." Each page has been inserted into a folio +sheet bearing the water-mark, "J. Whatman, 1816." A full-sized octavo, +in small print (B.M. 11645 P. 15), which purports to be the Fourth +Edition of 1811, is probably spurious. It is the survival of a distinct +issue from other genuine or spurious copies of the Fourth Edition. + +The spurious issues of the Third and Fourth Editions, whether they were +printed in Ireland or were secretly thrown upon the market by James +Cawthorn after Byron had definitely selected Murray as his publisher, +were designed for the general reader and not for the collector. The +issue of a spurious First Edition after the improved and enlarged +editions of 1809-11 were published, must have been designed for the +Byron enthusiast, if not the collector of First Editions. + +The Grangerized Fourth Editions prepared by Mr. W.M. Tartt and Mr. Evans +in 1819, 1820, and a Third, by John Murray at about the same period, +and, more remarkable still, a copy of the Fourth Edition of 1811, +prefaced by a specially printed "List of Names mentioned in the _English +Bards, and Scotch Reviewers_" interleaved with the additions made in the +Fifth Edition (B.M.), point to the existence of a circle of worshippers +who were prepared to treat Byron's _Juvenilia_ as seriously as the +minute critics of the present generation. They seem to have been +sufficiently numerous to make piracy, if not forgery, profitable. + +_Note_ (2).--CORRESPONDENCE BETWEEN THE FIRST EDITION AS NUMBERED AND +THE PRESENT ISSUE AS NUMBERED. + + First Edition (696 lines). Fifth (Present) Edition + (1070 lines). + + 1-26 = 103-128 + + 27-246 = 143-362 + + 247-262 in Edition 2. = Hobhouse's lines, omitted + + 263-372 = 418-528 + + 373-470 = 540-637 + + 471-522 = 707-758 + + 523-526 = 761-764 + + 527-586 = 799-858 + + 587-654 = 881-948 + + 655-667 = 961-972 + + 668-696 = 981-1010 + + Second, Third, Fourth (a) Fifth (Present) Edition + Editions (1050 lines). (1070 lines). + + 1-96 = 1-96 + + 97-521 = 103-527 + + 522-740 = 540-758 + + 741-1050 = 761-1070 + + Fourth (b) Edition (1052 Fifth (Present) Edition + lines). (1070 lines). + + 1-96 = 1-96 + + 97-521 = 103-528 + + 522-1052 = 540-1070 + + +_Additions in the Second, Third, and Fourth (a) Editions_. + +[The lines are numbered as in the Second, Third, and Fourth Editions.] + +1-96 Still must I hear ... as you read. 96 +123-136 Thus saith the Preacher ... to grovelling Stott. 14 +357-411 But if some new-born whim ... lumbering back again. 55 +620-688 Or, hail at once ... virtue must apply. 69 +745-778 When some brisk youth ... thy pay for coats. 34 +839-860 And here let Shee ... and God-like men. 22 +929-940 Yet what avails ... blazes, and expires. 12 +953-960 There Clarke, still ... libel on mankind. 8 +991-1050 Then, hapless Britain, ... unjustly, none declare 60 + ---- + 370 + +696-16 (Hobhouse's lines) = 680 + 370 = 1050. + +_Addition in Fourth Edition_ (1811). + +741-742 Through Crusca's bards ... columns still. 2 + +1050 + 2 = 1052. + +_Additions in the Fifth (Present) Edition_. + +97-102 'But hold!' exclaims ... shine with Pye. 6 +528-539 Then, prosper, Jeffrey ... inspires thy pen. 12 + --- + 18 + +1052 + 18 = 1070. + +_Emendations of the Text of the Fourth Edition (b) included in the text +of the Fifth and Present Editions_. + +Fourth Fifth +Edition. Edition. +Line. Line. + + 28 _And men through life her willing slaves obey_. + Obeyed by all who nought beside obey. 28 + + 30 _Unfolds her motley store to suit the time_. + Bedecks her cap with bells of every clime. 30 + + 32 _When Justice halts, and Right begins to fail_. + And weigh their Justice in a golden scale. 32 + + 71 _Fear not to lie, 'twill seem a lucky hit_. + Fear not to lie,'twill seem a _sharper_ hit. 71 + + 173 _Low may they sink to merited contempt_, + 174 _And scorn remunerate the mean attempt_. + Still for stern Mammon may they toil in vain! 179 + And sadly gaze on Gold they cannot gain. 180 + + 257 _How well the subject suits his noble mind_! + 258 _"A fellow feeling makes us wondrous kind_." + So well the subject suits his noble mind, 263 + He brays, the Laureate of the long-eared kind. 264 + + 303 _In many marble-covered volumes view_ + 304 _Hayley, in vain attempting something new_: + 305 _Whether he spin his comedies in rhyme_, + 306 _Or scrawl, as Wood and Barclay walk, 'gainst time_. + Behold--Ye Tarts!--one moment spare the text! 309 + HAYLEY'S last work, and worst--until his next; 310 + Whether he spin poor couplets into plays, 311 + Or damn the dead with purgatorial praise. 312 + + 323 _And shows, dissolved in thine own melting tears_. + And shows, still whimpering thro' threescore of years. 329 + + 327 _Whether in sighing winds thou seek'st relief_ + 328 _Or consolation in a yellow leaf_. + Whether thou sing'st with equal ease and grief, 333 + The fall of empires or a yellow leaf. 334 + + 385 _Fresh fish from Helicon! Who'll buy! Who'll buy_? + Fresh fish from Hippocrene! who'll buy? who'll buy? 391 + + 387 _Too much in turtle Bristol's sons delight_, + 388 _Too much o'er bowls of Rack prolong the night_. + Your turtle-feeder's verse must needs be flat, 393 + Though Bristol bloat him with the verdant fat. 394 + + 502 _First in the ranks illustrious shall be seen_. + First in the oat-fed phalanx shall be seen. 508 + + 511 _As he himself was damned, shall try to damn_. + Damned like the Devil--Devil-like will damn. 517 + + 532 _And grateful to the founder of the feast_, + 533 _Declare his landlord can translate, at least_, + And, grateful for the dainties on his plate, 550 + Declare his landlord can at least translate. 551 + + 552 _While Kenny's World just suffered to proceed_, + 553 _Proclaims the audience very kind indeed_. + While KENNY's "World"--ah! where is KENNY's wit?-- 570 + Tires the sad gallery, lulls the listless Pit. 571 + + 563 _Let Comedy resume her throne again_. + Let Comedy assume her throne again. 581 + + 569 _Where_ GARRICK _trod, and_ KEMBLE _lives to tread_. + Where GARRICK trod, and SIDDONS lives to tread 587 + + 614 _Raise not your scythe, Suppressors of our Vice_. + Whet not your scythe, Suppressors of our Vice. 632 + + 625 _The Arbiter of pleasure and of play_. + Our arbiter of pleasure and of play. 643 + + 661 _And, kinder still, a_ PAGET _for your wife_. + And, kinder still, two PAGETS for your wife. 679 + + 728 _Want your defence, let Pity be your screen_. + Want is your plea, let Pity be your screen. 746 + + 742 _Some stragglers skirmish round their columns still_. + Some stragglers skirmish round the columns still. 760 + + 815 _The spoiler came; and all thy promise fair_ + 816 _Has sought the grave, to sleep for ever there_. + The Spoiler swept that soaring Lyre away, 834 + Which else had sounded an immortal lay. 835 + + 891 _The native genius with their feeling given_. + The native genius with their being given. 909 + + 903 _Let MOORE be lewd; let STRANGFORD steal from Moore_. + Let MOORE still sigh; let STRANGFORD steal from MOORE. 921 + + 922 _For outlawed SHERWOOD'S tales of ROBIN HOOD_. + For SHERWOOD'S outlaw tales of ROBIN HOOD. 940 + + 946 _And even spurns the great Seatonian prize_. + Even from the tempting ore of Seaton's prize. 964 + + 965 _So sunk in dullness and so lost in shame_, + 966 _That SMYTHE and HODGSON scarce redeem thy fame_. + So lost to Phoebus, that nor Hodgson's verse 983 + Can make thee better, nor poor Hewson's worse. 984 + + 969 _On her green banks a greener wreath is wove_. + On her green banks a greener wreath she wove. 987 + + 972 _And modern Britons justly praise their Sires_. + And modern Britons glory in their Sires. 990 + + 984 _Earth's chief Dictatress, Ocean's mighty Queen_. + Earth's chief Dictatress, Ocean's lovely Queen. 1002 + +1005 _But should I back return, no lettered rage_ +1006 _Shall drag my common-place book on the stage_: +1007 _Let vain VALENTIA rival luckless CARR_, +1008 _And equal him whose work he sought to mar_. + But should I back return, no tempting press 1023 + Shall drag my Journal from the desk's recess; 1024 + Let coxcombs, printing as they come from far, 1025 + Snatch his own wreath of Ridicule from Carr. 1026 + +1016 _I leave topography to classic GELL._ + I leave topography to rapid GELL. 1034 + +1018 _To stun mankind with Poesy or Prose_. + To stun the public ear--at least with Prose. 1036 + +1049 _Thus much I've dared to do; how far my lay_. + Thus much I've dared: if my incondite lay. 1067 + + + +_Note_ (3).--THE ANNOTATED COPIES OF THE FOURTH EDITION OF 1811. + +Two annotated copies of the genuine Fourth Edition of _English Bards, +etc._ [1811], with MS. corrections in Byron's handwriting, are +extant--one in Mr. Murray's possession, and a second in the Forster +Library at the South Kensington Museum. The former, which contains the +marginal comments marked "B. 1816," has been assumed to have been +prepared as a press copy for the Fifth Edition; but, as the following +collation reveals, the latter, which belonged to Leigh Hunt, represents +a fuller and later, though not a final revision. The half-title bears +the inscription, "Byron, Dec. 31^st^, 1811. N--d. A^y [_i.e._ Newstead +Abbey] B. + + "_Dum relego--scripsisse pudet--quia plurima cerno-- + Me quoque--qui feci--judice digna lini_--B. J^y 20, 1812." + +and the verso the words, "Given me by the author on my birthday, Oct. +19, 1815. Leigh Hunt." + + u +P. 5. ingen(-i-)ous. [The misprint is a note of a genuine copy.] + +Lines 173, 174. + + (-Low may they sink to merited contempt-) + (-And scorn remunerate the mean attempt.-) + + Still for stern Mammon may they toil in vain, + And sadly gaze on Gold they cannot gain. + +[This emendation is not given in the Murray copy.] + +Lines 257, 258. + + So + (-How-) well the subject suits his noble mind! + (-"A fellow feeling makes us wond'rous kind,"-) + He brays the Laureat of the long-eared kind! + +[The Murray copy, which amends line 258 as above, leaves the "How" +unerased, but the Fifth Edition prints "So."] + +Lines 323-328. + + And shows, (-dissolved in thine own tears-). + still whimpering through threescore years. + (-Whether in sighing-winds thou seek'st relief,-) + (-Or consolation in a yellow leaf.-) + Whether in equal strains thou vent'st thy grief + O'er falling Empires or a yellow leaf. + +[The Murray copy gives no emendation. The Fifth Edition adopts the first +correction, but, for the variant in lines 327, 328, reads-- + + Whether thou sing'st with equal ease and grief + The fall of Empires or a yellow leaf.] + +Line 336. All love thy (-strain-) + rhyme + +Line 385. Fresh fish from (-Helicon-) + Hippocrene + +[The Murray copy adds a note: "The Fifth Edition reads Hippocrene."] + +Lines 387, 388. + + (-Too much in turtle Bristol's sons delight,-) + (-Too much o'er bowls of Rack prolong the night.-) + Your turtle-feeder's verse must needs be flat, + Though Bristol bloat him with the verdant fat. + +[The Murray copy does not contain this emendation, which was adopted in +the Fifth Edition. + +P. 36 _n._ The Hunt copy gives in MS. the note concerning Moore--"I am +informed," etc.--which is printed in the Fifth Edition. There is no +similar annotation in the Murray copy. + +Line 502. For (-"ranks illustrious"-) both annotated copies read +"oat-fed phalanx."] + +Lines 532, 533. + + And grateful (-to the founder of the feast,-) + Declare his landlord (-can translate, at least.-) + And grateful for the dainties on his plate, + Declare his landlord can at least translate. + +[The amended lines, which appeared in the Fifth Edition, are not in the +Murray copy.] + +Lines 552, 553. + + While Kenny's World (-just suffered to proceed,-) + (-Proclaims the audience very kind indeed.-) + While Kenny's World--ah where is Kenny's wit? + listless + Tires the sad Gallery--lulls the (-listening-) pit. + +[The emendation is given in both annotated copies; but the substitution +of "listless" for "listening," which is adopted in the Fifth Edition, +does not appear in the Murray copy,] + +Line 563. Let Comedy (-re-)sume + ass + +[The correction is not given in the Murray copy.] + +Line 569. and (-Kemble-) lives to tread. + Siddons + +[The substitution of "Siddons" for "Kemble," which dates from the Fifth +Edition, is not given in the Murray copy.] + +Line 728. + + Want your (-defence-), let Pity be your screen + plea + Want is your plea, let Pity be your screen. + +Lines 815, 816. + + The spoiler (-came; and all thy promise fair-) + (-Has sought the grave, to sleep for ever there.-) + The Spoiler swept that soaring Lyre away, + Which she had sounded an immortal lay. + +[The emendation appears in both the annotated copies.] + +L. 903. Let Moore (-be lewd-) + still sigh + +[This emendation does not appear in the Murray copy, but the words ["be +lewd"] have been underscored with a pencil, and a X placed against +them.] + +Line 946. + + (-And even spurns the great Scatonian prize.-) + Even from the tempting ore of Seaton's prize. + +[This emendation is given in both the annotated copies.] + +Lines 965, 966. + + So sunk in dullness (-and so lost in shame-) + (-That SMYTHE and HODGSON scarce redeem thy fame.-) + So sunk in dullness that nor Hodgson's verse + Can make thee better--nor poor Hewson's worse. + +[This emendation is not in the Murray copy. The Fifth Edition adopts the +further correction, "So lost to Phoebus" for "So sunk in dullness."] + +Line 969. (-"is-) wove, + she wove. + +[This correction is not in the Murray copy.] + +Line 972. ----(-justly praise-) their sires. + ----glory in their sires. + +[This emendation is not given in the Murray copy. + +The Leigh Hunt copy gives twenty MS. emendations (besides "Death" for +"death," in line 820, and the alteration of "rapid" to "rabid" in the +note on Hewson Clarke, line 962) including the note on Moore. The Murray +copy gives nine MS. emendations, of which six are identical with those +in the Hunt copy. Three emendations are peculiar to the Murray copy--] + +(1) Lines 303-306. + Behold!--ye tarts! etc. (_vide ante_, p. 309). + +(2) Line 614. (-Raise-) not your scythe. + Whet not your scythe. + +(3) Line 661. ----"(-a Paget-) for your wife. + ----two Pagets for your wife. + + + + +APPENDIX TO BIBLIOGRAPHY. + + +ILLUSTRATIONS OF LORD BYRON'S _POETICAL WORKS_. + + +_Note_.--The following catalogue of "illustrations of Lord Byron" has +been extracted from pp. 88, 89, 94-96 of "_The Prisoner of Chillon, +etc._ Herausgegeben von Eugen Kölbing, Weimar. 1896." + +I. + +Compositions in outline from Lord Byron's "Manfred" and "Prisoner of +Chillon," by Frederick Thrupp, sculptor. London, Pub^d by Ackermann and +Co., Strand. + +II. + +The Pocket Magazine of classic and polite literature. With engravings, +illustrative of Lord Byron's Works. Vols. I., II. London: Printed and +published by John Arliss. 1818. + +III. + +Forty illustrations of Lord Byron; by George Cruikshank. Published by J. +Robins and Co., Ivy Lane, Paternoster Row. [June 12, 1824.] + +IV. + +Six vignettes pour les Oeuvres de lord Byron, d'après les tableaux de +MM. Alfred et Tony Johannot, graveés par MM. Koenig, Markl, Maulet, +Pourvoyeur, Mauduit. Paris. Furne, libraire-éditeur. 1832. + +V. + +The Byron Gallery; a series of historical embellishments to illustrate +the poetical works of Lord Byron. London: published by Smith, Elder and +Co. 65 Cornhill. 1833. + +VI. + +Finden's Illustrations of the Life and Works of Lord Byron. With +original and selected information on the subjects of the engravings, by +W. Brockedon. Vols. I.-III. London: John Murray, Albemarle Street: sold +also by Charles Tilt, Fleet Street. 1833-1834. + +VII. + +Oeuvres de Lord Byron, gravures à l'eau-forte, par Réveil, d'après les +dessins de A. Colin. Paris. Audot, éditeur du Musée de peinture. 1833. + +VIII. + +Historical Illustrations of Lord Byron's Works in a series of etchings +by Réveil, from original paintings by A. Colin. London, Charles Tilt, +86, Fleet Street. 1834. + +IX. + +Galerie des dames de Byron. Trente-neuf planches. Paris: +Charpentier-éditeur. 1836. + +X. + +Illustrations of the Works of Lord Byron, consisting of a portrait after +Saunders, a vignette title-page after Stothard, engraved by Blanchard, +two facsimiles of handwriting of Byron, and twenty etchings on steel by +Réveil, from original drawings by A. Colin; to which are added the +select passages in English and French, which form the subject of the +engravings. Adapted to all editions. Paris, Baudry, European Library, +etc. 1837. + +XI. + +Les dames de Byron; or portraits of the principal female characters in +Lord Byron's poems. Engraved from original paintings by eminent artists. +Under the superintendence of W. and L. Finden. London: Charles Tilt, 86, +Fleet Street. 1837. + +XII. + +Finden's Beauties of Byron; or, portraits of the principal female +characters in Lord Byron's poems. Engraved from original paintings by +eminent artists. With extracts illustrating each subject. London: +Charles Tilt, Fleet-street, and Thomas Wardle, Philadelphia. + +XIII. + +Cabinet of Poetry and Romance. Female portraits from the writings of +Byron and Scott. With poetical illustrations by Charles Swain. London: +David Bogue, 86, Fleet Street. 1845. + +XIV. + +Illustrations to the Works of Lord Byron. The drawings by Chalon, +Leslie, Harding, Herbert, Meadows, Stephanoff, E. Corbould, Fanny +Corbaux, Jenkins, and Westall. Engraved under the superintendence of Mr. +Charles Heath. A. Fullarton & Co., 106, Newgate Street, London, etc. + +XV. + +The Byron Gallery of highly finished engravings, illustrating Lord +Byron's Works, with selected beauties from his poems. Elucidated by +historical and critical notices, together with a sketch of his life, +containing important and unpublished matter. By Robert B. McGregor, Esq. +New York: published by R. Martin, 46, Anne-street. + + + + +CONTENTS OF BIBLIOGRAPHY + + +COLLECTIONS OF POEMS. + +Collected Editions, pp. 89-136. +Collections of Dramas, pp. 168, 169. +Fugitive Pieces and Minor Poems, pp. 246-254. +_The Liberal_, p. 303. +Miscellaneous Poems, pp. 152-159. +Poems, pp. 254, 255. +Poems on His Domestic Circumstances, pp. 255-259. +Selections, pp. 144-149. + + +SEPARATE POEMS AND DRAMAS. + +Age of Bronze, p. 170. +Beppo, pp. 170, 171. +Bride of Abydos, pp. 172, 173. +Cain, pp. 176-178. +Childe Harold's Pilgrimage, pp. 180-194. +Corsair, pp. 201-204. +Curse of Minerva, pp. 207, 208. +Deformed Transformed, p. 208. +Don Juan, pp. 209-220. +English Bards, etc., pp. 225-232. +Fare Thee Well! and A Sketch, etc., pp. 232-234. +Giaour, pp. 234-238. +Heaven and Earth, p. 241. +Hebrew Melodies, pp. 242-244. +Hints from Horace, pp. 259, 260. +Irish Avatar, p. 260. +Island, pp. 260, 261. +Lament of Tasso, pp. 262, 263. +Lara, pp. 263-265. +Manfred, pp. 266-268. +Marino Faliero, pp. 275, 276. +Mazeppa, pp. 276-278. +Monody on the Death of Sheridan, pp. 280, 281. +An Ode to the Trainers of the Frame Bill, pp. 281. +Ode to Napoleon Buonaparte, pp. 282, 283. +Prisoner of Chillon, pp. 285-289. +Prophecy of Dante, pp. 291, 292. +Sardanapalus, pp. 293, 294. +Siege of Corinth, pp. 296-298. +Two Foscari, pp. 299, 300. +Vision of Judgment, p. 300. +Waltz, p. 301. +Werner, pp. 301, 302. + + +TRANSLATIONS. + + +_Collections of Poems_. + +Collected Editions, pp. 136-144. +Collections of Dramas, p. 169. +Miscellaneous Poems, pp. 159-168. +Selections, pp. 149-152. + + +_Separate Poems and Dramas_. + +Beppo, pp. 171, 172. +Bride of Abydos, pp. 174-176. +Cain, pp. 178-180. +Childe Harold's Pilgrimage, pp. 194-201. +Corsair, pp. 204-206. +Deformed Transformed, p, 208. +Don Juan, pp. 220-225. +Giaour, pp. 238-240. +Heaven and Earth, pp. 241, 242. +Hebrew Melodies, pp. 244-246. +Island, pp. 261, 262. +Lament of Tasso, p. 263. +Lara, pp. 265, 266. +Manfred, pp. 268-274. +Marino Faliero, p. 276. +Mazeppa, pp. 278-280. +Ode from the French, p. 281. +Ode to Napoleon Buonaparte, p. 283. +Parisina, pp. 283-285. +Prisoner of Chillon, pp. 289-291. +Prophecy of Dante, pp. 292, 293. +Sardanapalus, pp. 294-296. +Siege of Corinth, pp. 298, 299. +Two Foscari, p. 300. +Werner, p. 303. + + + + +SUMMARY OF BIBLIOGRAPHY. + + + + I. Poetical Works. 2 v. Philadelphia. 1813 + II. P. Works. 2 v. Boston. 1814. + III. Works. 4 v. London. _Murray_. 1815. + IV. Works. 2 v. London. _M_. 1815. + V. P. Works. 3 v. New York. 1815. + VI. Works. 3 v. Philadelphia. 1816. + VII. Works. 5 v. London. _M_. 1817. + VIII. Poems. 1 v. New York. 1817. + IV. Works. 8 v. London. _M_. 1818-1820. + X. Works. 6 v. Paris. 1818. + XI. Works. 13 v. Leipzig. 1818-1822. + XII. Works. 3 v. London. _M_. 1819. + XIII. Works. 6 v. Paris. 1819. + XIV. Works. 6 v. Zuickau. 1819. + XV. Works. 7 v. Brussels. 1819. + XVI. Works. 4 v. New York. 1820. + XVII. Works. 5 v. London. _M_. 1821. + XVIII. Works. 5 v. Paris. 1821. + XIX. Works. 16 v. Paris. 1822-1824. + XX. Works. 4 v. London. _M_. 1823. + XXI. Works. 12 v. Paris. 1822-1824. + XXII. Works. 12 v. Paris. 1823. + XXIII. Works. 3 v. [vols. v., vi., vii.] + London. Knight and Lacy. 1824-1825. + XXIV. Works. 8 v. London. _M_. 1825. + XXV. Works. 6 v. [vols. v., vi.] + London. _M_. 1825. + XXVI. Complete Works. 7 v. Paris. 1825. + XXVII. Works. 8 v. Philadelphia. 1825. + XXVIII. Works. 8 v. New York. 1825. + XXIX. Works. 32 v. Zuickau. 1825-1827. + XXX. Works. 13 v. Paris. 1826. + XXXI. Works. 1 v. Paris. 1826. + XXXII. Works. 1 v. Frankfort. 1826. + XXXIII. Works. 6 v. London. _M_. 1827. + XXXIV. Works. 4 v. London. _M_. 1828. + XXXV. Works. 1 v. Paris. 1828. + XXXVI. Works. 1 v. Frankfort. 1828. + XXXVII. Works. 6 v. London. _M_. 1829. + XXXVIII. Works. 4 v. London. _M_. 1829. + XXXIX. Poetic Works. 2 v. Philadelphia. 1829. + XL. Works. 1 v. Frankfort. 1829. + XLI. Works. 4 v. London. _M_. 1830. + XLII. Complete Works. 1 v. Paris. 1830. + XLIII. Works. 6 v. London. _M_. 1831. + XLIV. Complete Works. 1 v. Paris. 1831. + XLV. Works. 1 v. Philadelphia. 1831. + XLVI. Works. 14 v. (17 volume edition.) + London. _M_. 1832-1833. + XLVII. Complete Works. 4 v. Paris. 1832. + XLVIII. Works. (Verse and Prose.) 1 v. New York. 1833. + XLIX. Complete Works. 1 v. Paris. 1835. + L. Complete Works. 4 v. Paris. 1835. + LI. Works. 1 v. London. _M_. 1837. + LII. Complete Works. 1 v. Paris. 1837. + LIII. Works. 1 v. London and Leipzig. 1837. + LIV. Complete Works. 7 v. Mannheim. 1837. + LV. Complete Works. 1 v. Paris. 1839. + LVI. P. Works. 8 v. London. M. 1839. + LVII. Works. 5 v. Leipzig. 1842. + LVIII. Works. 4 v. Philadelphia. 1843. + LIX. Complete Works. 1 v. Frankfort. 1846. + LX. Works. (Verse and Prose.) 1 v. Hartford. 1847. + LXI. Works. 2 v. Edinburgh. 1850. + LXII. P. Works. 1 v. Philadelphia. 1850. + LXIII. P. Works. 1 v. London.H.G. Bohn. 1851. + LXIV. P. Works. 1 v. Philadelphia. 1851. + LXV. Complete Works. 1 v. Frankfort. 1852. + LXVI. The Illustrated Byron. 1 v. London. H. Vizetelly, 1854-1855. + LXVII. P. Works. 2 v. Philadelphia. 1853. + LXVIII. P. Works. 1 v. London. C. Daly. 1854. + LXIX. Works. 1 v. Boston. 1854. + LXX. P. Works. 6 v. London. _M_. 1855. + LXXI. P. Works. 1 v. Edinburgh. 1857. + LXXII. P. Works. 1 v. New York. 1857. + LXXIII. P. Works. 1 v. London. _M_. 1857. + LXXIV. P. Works. 1 v. London. _M_. 1859. + LXXV. P. Works. 1 v. Philadelphia. 1859. + LXXVI. P. Works. 1 v. Leipzig. B. Tauchnitz. 1860. + LXXVII. P. Works. 3 v. Leipzig. 1860. + LXXVIII. P. Works. 1 v. Edinburgh. 1861. + LXXIX. P. Works. 10 v. Boston. 1861. + LXXX. P. Works. 1 v. Halifax. 1863. + LXXXI. P. Works. 1 v. Edinburgh. 1868. + LXXXII. P. Works. 1 v. London. F. Warne and Co. 1868. + LXXXIII. P. Works. 1 v. London. J. Dicks. 1869. + LXXXIV. P. Works. 8 v. London. _M_. 1870. + LXXXV. P. Works. 1 v. London. E. Moxon. 1870. + LXXXVI. Complete P. Works. 1 v. London. G. Routledge. 1874. + LXXXVII. P. Works. 1 v. London. Virtue and Co. 1874. +LXXXVIII. P. Works. 1 v. Boston. 1874. + LXXXIX. P. Works. 1 v. London. Ward, Lock, and Co. 1878. + XC. P. Works. 1 v. Boston. 1878. + XCI. P. Works. 1 v. London. Ward, etc. 1880. + XCII. P. Works. 1 v. London. F. Warne. 1881. + XCIII. Complete P. Works. 1 v. London. G. Routledge. 1883. + XCIV. P. Works. 1 v. Edinburgh. 1881. + XCV. P. Works. 12 v. London. Sultaby and Co. 1885. + XCVI. P. Works. 1 v. New York. 1886. + XCVII. P. Works. 1 v. London. W. Scott. 1886. + XCVIII. P. Works. 1 v. London. 1886. + XCIX. Life and Works. 2 v. London, Edinburgh, and Glasgow. 1888. + C. Complete P. Works. 1 v. London. G. Routledge. 1890. + CI. P. Works. 1 v. New York. 1890. + CII. P. Works. 12 v. London. Griffith, Farran, etc. 1891. + CIII. P. Works. 3 v. London. W. Gibbings. 1892. + CIV. Works. 12 v. Philadelphia. 1892. + CV. Dramatic and P. Works. 1 v. Philadelphia. 1898. + CVI. P. Works. 4 v. London. H. Frowde. 1896. + CVII. P. Works. 1 v. London. Bliss, Sands, and Co. 1897. + CVIII. P. Works. 1 v. London. W.P. Nimme. 1897. + CIX. P. Works. 4 v. Philadelphia. 1897. + CX. P. Works. 1 v. London. G. Henny and Co. _n.d._ + CXI. P. Works. 1 v. New York. _n.d._ + CXII. P. Works. 1 v. New York. _n.d._ + CXIII. P. Works. 1 v. New York. _n.d._ + + +_TRANSLATIONS OF COLLECTED EDITIONS._ + + +_French_ + + I. OEuvres Complètes. 15 tomes. Paris. Ladvocat. 1821. + II. OEuvres C. 13 t. P. Dondey-Dupré. 1830. +III. OEuvres C. 4 t. P. Charpentier. 1836. + IV. OEuvres. 2 t. P. Chapelle. 1842. + V. OEuvres. 3 t. P. Daussin. 1845. + VI. OEuvres C. 1 t. P. Bry aîné. 1856. +VII. OEuvres. 2 t. Alphonse Lemerre. 1891. + + +_German_. + + I. Lord Bryon's Poesien. 31 B. Zwickau. 1821-1828. + II. L.B.'s sämmttiche Werke. 12 B. Frankfurt a. M. 1830. + III. Dichtungen v. L.B. 4 Sammnl. Stuttgart. 1836-1839. + IV. L.B.'s s. W. 1 B. Leipzig. 1839. + V. L.B.'s s. W. 10 B. Pforzheim. 1842. + VI. L.B.'s s. W. 8 B. Berlin. 1865. + VII. Dichtungen v. L.B. 8 B. Hildburghausen. 1865. +VIII. L.B.'s ausgewählte W. 4 B. Leipzig. [1865-1812.] + IX. L.B.'s s. W. 3 B. Leipzig. 1874. + X. L.B.'s W. 6 B. Stuttgart. [1885-1890.] + XI. L.B.'s p. W. 8 B. Stuttgart. 1886. + XII. L.B.'s W. 6 B. Berlin. 1888. +XIII. Byron's s. W. 8 B. 1901. + + +_Modern Greek_. + +Τα Απαντα του Βυρωνος [Greek: Ta Apanta tou Byrônos ]. +3 V. Εν Αθηναις [Greek: En Athênais]. 1895. + + +_Italian_. + + I. Opere complete di Lord Byron. 1 t. Padova. 1842. + II. Opere. 1 t. Napoli. 1853. +III. Opere. 1 t. Napoli. 1857. + IV. Opere. 1 t. Napoli. 1886. + + +_Polish_. + + I. Poezye Lorda Byrona. Pt. 1. Petersburg. 1857. +II. Poezye L.B. 1 v. Warszawa. 1885. + + +_Russian_. + +I. Сочиненіа Лорда Байропа. 5 т. С-Петербургъ. [Cyrillic: Sochineniya +Lorda Bairona. 5 t. S-Peterburg". ] 1864-66. + +II. Байронъ. С-Петербургъ. [Cyrillic: Bairon". S-Peterburg".] 1876. + + +_Spanish_. + +Biblioteca Universal. Coleccion de Los Mejores Autores. +T. lxiii. Madrid. 1880. + + +_Swedish_. + +Byron's Poetiska Berättelser. Stockholm. 1854-1856. + + + +SELECTIONS. + + I. The Beauties of Byron. London. J. Sudbury. 1823. + II. The Beauties of B. L^n. J. Limbird. 1827. + III. Life and Select Poems. L^n. 1828. + IV. The Beauties of L.B. Philadelphia. 1828. + V. The Beauties of B. Paris. 1829. + VI. Lord B.'s Select Works. 3 v. Frankfort a. M. 1831-1832. + VI. Childe Harold's, etc.; + The Giaour, etc. Paris. 1832. + VIII. L.B.'s Select P.W. Paris and Lyons, 1835. + IX. L.B.'s Select W. London and Berlin. 1837. + X. The Beauties of B. L^n. T. Tegg and Son. 1837. + XI. The Beauties of B. L^n. n.d. + XII. B.'s Select W. Paris, 1843. + XIII. A Selection from L.B.'s P.W. Marienwerder. 1846. + XIV. Select P.W. L^n. Adam Scott. 1848. + XV. L.B.'s Select W. Oldenburg. 1848. + XVI. Selections. London. _M_. 1854. + XVII. A Selection. IV. [A.C. Swinburne.] L^n. Moxon and Co. 1866. +XVIII. Songs by L.B. L^n. Virtue and Co. 1872. + XIX. Selections. London. _M_. 1874. + XX. _Beautés de B_. Paris. 1876. + XXI. Favourite Poems. Boston. 1877. + XXII. Beauties of B. Stuttgart. n.d. +XXIII. Poetry of B. (Matthew Arnold.) L^n. Macmillan and Co, 1881. + XXIV. Gems from B. IV. New York. 1886. + XXV. Selections from the Poetry of L.B. New York. 1900. + XXVI. Poems of Lord Byron. L^n. A. and C. Black. 1901. + + +Translations of Selections + + +_Armenian_. + +Lord B.'s Armenian Exercises and Poetry. Venice. 1886. + + +_French_. + + I. Choix de Poésies. 2t. Genève et Paris. 1820. + II. Les Beautés de L.B. P. 1838. + III. Écrin poétique de lit. angl. P. 1841. + IV. Chefs-d'oeuvre de L.B. P. 1847. + V. Rough Hewing of L.B. In French. L^n. J.W. Kolckmann. 1869. + VI. Chefs-d'oeuvre de L.B. 2 t. P. 1874. + + +_German_. + + I. Byron's ausgewählte Dichtungen. Leipzig. 1838. + II. Byron-Anthologie. Schwerin. 1866. +III. Auswahl aus Byron. 1892. + + +_Italian_. + + I. Poemi di Lord G.B. Torino. 1827. + II. Opere scelte. Milano. 1852. +III. A' Mici Arnici. 1873. + + +Miscellaneous Poems. + + I. An Ode. On the Star, etc. New York. 1816. + II. Three Poems. London. E. Wilson. 1818. + III. English Bards, etc., etc. Paris. 1818. + IV. The Works of the R.H.L.B., cont. Philadelphia. 1820. + Eng. Bards, etc., etc. + V. Poems by the R. H. L. B. L^n. Jones and Co. 1825. + VI. The Miscell. Poems. L^n. Benbow. 1825. + VII. Don Juan, Complete; Eng. Bards, L^n. J.F. Dove. 1827. + etc., etc. + VII. Don Juan; Hours of Idleness, etc. 2 v. L^n. J.F. Dove. 1828. + IX. The Miscell. Works. L^n. Hunt and Clarke. 1830. + X. The Corsair--Lara. Paris. 1830. + XI. The Bride, etc. The Corsair, Paris. 1832. + etc., etc. + XII. Manfred--Marino Faliero, etc. Paris. 1832. + XIII. Don Juan--The Age of Bronze, etc. Paris. 1832. + XIV. Miscellanies. 3 v. London. _M_. 1837. + XV. Tales. 2 v. London. _M_. 1837. + XVI. Lord Byron's Tales. Halifax. 1845. + XVII. The Giaour--The Bride, etc.--etc. L^n. H.G. Clarke and Co. 1848. + XVIII. Miscellanies. 2 v. London. _M_. 1853. + XIX. Tales and Poems. London. _M_. 1853. + XX. Beppo and Don Juan. 2 v. London. _M_. 1853. + XXI. Poems by the R't. Hon. L.B. L^n. T. Nelson and Sons. 1855. + XXII. Tales and Poems. Leipzig. B. 1857. + XXIII. Poems. L^n. G. Routledge. 1859. + XXIV. Eastern Tales. L^n. D. Bogue. 1859. + XXV. Byron's Siege, etc., etc. Madras. 1876. + XXVI. Poems. L^n. G. Routledge. 1880. + XXVII. Poems of L.B. 2 v. L^n. Cassell and Co. 1886. +XXVIII. Byron's Prisoner of Chillon and Halle. 1886. + Siege of Corinth. + XXIX. The Corsair--Lara. Boston. 1893. + + +_TRANSLATIONS OF MISCELLANEOUS POEMS_ + + +_Bohemian_. + +Korsár. Lara. V Praze 1885. + + +_Danish_. + + I. Udvalgte Dramatiske Digte. København. 1873. + II. Byron--Manfred, etc. København. 1889. +III. Beppo. Dommedagssynet. Af L.B. København. 1891. + + +_Dutch_. + + I. Navolgingen van L.B. Haarlem. 1848. + II. Gedichten van L.B. Leiden. 1870. + + +_French_. + + I. Le Corsaire--Mazeppa. Paris. 1848. + II. Le Prisonnier, etc.--etc., etc. P. 1862. +III. Le Corsaire--etc., etc. P. 1868. + IV. Chefs-D'oeuvre de L.B. 2 v. P. 1874. + V. L.B. Les Deux Foscari, etc. P. 1881. + VI. Le Corsaire. Lara. P. 1892. + + +_German_. + + I. Gefangener von Chillon u. Parisina. Breslau. 1821. + II. Manfred. Die Finsterniss. Berlin. 1835. + III. Der Giaur. Hebraische Gesänge. 1854. + IV. Kain. Ein Mysterium. Mazeppa. Leipzig. 1855. + V. Manfred. Der Gef. v. Chillon. Heb. Ges. Münster. 1857. + VI. L.B. Mazeppa, Korsar, u. Beppo. Leipzig. 1864. + VII. Die Braut v. Ab. Der Traum. Hamburg. 1872. +VIII. Der Gefangene v. Chillon. Mazeppa. Leipzig. 1871-1876. + IX. Der Gef. v. Chillon. Parisina. Halle. 1887. + + +_Hungarian_. + +Byron Lord' Élete's Munkái. Pesten. 1842. + + +_Icelandic_. + +Bandinginn i Chillon og Dramurinn. Kaupmannahöfn, 1866. + + +_Italian_. + + I. Poemi di Lord G. Byron. 2 v. Lugano. 1832. + II. P. di Giorgio L.B. Milano. 1834. +III. P. di Giorgio L.B. 2 v. Milano. 1842. + IV. Poemi e novelle. Milano. 1882. + V. Opere ... di G. Casella. 2 v. Firenze. 1884. + VI. Misteri e canti. Milano. 1886. +VII. Misteri, novelle e liriche. Firenze. 1890. + + +_Polish_. + + I. Poemata i powieści. Warszawa. 1820. + II. Powieści. Warszawa. 1831. + III. Paryzyna, Kalmar i Orla. Wilno. 1834. + IV. Poezye Lorda B. W. Paryzu. 1835. + V. Tłomaczenia A.E. Odyńca. W. Lipsku. 1838. + VI. Tłomaczenia A.E. Odyńca. W. Lipsku. 1841. + VII. Poemata. Warszawa. 1846. +VIII. Pięć Poematów Lorda Birona. Leszno. 1853. + IX. Kruzer (Karol) Przekłady, etc. 5 t. Warszawa. 1876. + + +_Portuguese_. + +Traducçōes Poeticas de F.J. Pinheiro Guimarāes. Rio de Janeiro. 1863. + + +_Roumanian_. + +Din Scrierile Loui L.B. Boukouresti. 1834. + + +_Spanish_. + + I. Odas A Napoleon. Paris. 1830. + II. Poemas de L.B. Barcelona. 1876. +III. Cuatro Poemas de L.B. New York. 1877. + IV. D. Juan El Hijo de Doña Inés. Barcelona. 1883. + + +COLLECTIONS OF DRAMAS. + + I. Dramas by Lord Byron. 2 v. London. _M._ 1837. + II. Dramas by Lord Byron. 2 v. London. _M._ 1853. + + +_TRANSLATIONS OF COLLECTIONS OF DRAMAS_. + + +_German_. + +Lord Byron's Dramatische Werke. Hildburghausen. 1870. + + +_Italian_. + + I. Marino Faliero e I Due Foscari. Sayona. 1845. + II. Tragedie di Giorgio Lord Byron. Firenze. 1862. + + +_Spanish_. + +Poemas dramáticos de Lord Byron. Madrid. 1886. + + +POEMS, DRAMAS, AND COLLECTIONS OF POEMS. + + +THE AGE OF BRONZE. + +The Age of Bronze. L^n. John Hunt. 1823. + + +BEPPO. + + I. Beppo, A Venetian Story. Second Ed. London. _M._ 1818. + II. Beppo, etc. Fifth Ed. London. _M._ 1818. +III. Beppo. Boston. 1818. + IV. Beppo, etc. P.A. and W. Galignani. 1821. + + +_TRANSLATIONS OF BEPPO_. + + +_Dutch_. + +Vertalingen en Navolgingen, etc. [Beppo Eine Venetiansche +Vertelling, pp. 119-159.] Amsterdam. 1824. + + +_French_. + +Beppo, Poëme de Byron. Trad. p. S. Clogenson. P. Michel Lévy f. 1865. + + +_Russian_. + +Беппо [Cyrillic: Beppo]. + + +_Spanish_. + +Beppo, novela veneciana. P. 1830. + + +_Swedish_. + +Beppo, En Venetiansk Historia. Stockholm. 1853, etc. + + +BRIDE OF ABYDOS. + + I. The Bride of Abydos. A Turkish Tale. London. _M_. 1813. + II. The Bride, etc. Second Ed. London. _M_. 1813. +III. The Bride, etc. Fourth Ed. London. _M_. 1813. + IV. The Bride, etc. Sixth Ed. London. _M_. 1814. + V. The Bride, etc. Philadelphia. 1814. + VI. The Bride, etc. London. 1844. + + +_TRANSLATIONS OF BRIDE OF ABYDOS_. + + +_Bohemian_. + +Nevĕta z Abydu. V Praze. 1854. + + +_Bulgarian_. + +Абидонска НевѢста. Москва [Cryllic: Abidonska Nevysta. Moskva]. 1850. + + +_Dutch_. + +De Abydeensche Verloofde. Amsterdam. 1826. + + +_French_. + + I. Zuleika et Selim. P. Plancher. 1816. +II. La Fiancée d'Abydos. Gand, Houdin. 1823. + + +_German_. + + I. Die Braut von Abydos. Frankfort-a-M. 1819. + II. Die Braut, etc. London. 1843. +III. Die Braut, etc. Halle. 1884. + + +_Hungarian_. + +Az abydoszi ara. B'pest. 1884. + + +_Italian_. + +La fidanzata d'Abido. Milano. 1854. + + +_Polish_. + +Dziewica z Abydos. Warszawa. 1818. + + +_Russian_. + +I. Абидосская Невѣста [Cyrillic: Abidosskaya Neviesta]. 1821. + +II. Невѣста Абидосская. С-Петербургъ [Cyrillic: Neviesta Abidosskaya. +S-Peterburg"]. 1826. Second edition. С-Петербургъ [Cyrillic: +S-Peterburg"] 1831. + +III. +Абидосская Невѣста. Москва. [Cyrillic: Abidosskaya Neviesta. Moskva.] 1859. + + +_Swedish_. + +Bruden Från Abydos. Stockholm, 1853, etc. + + +CAIN. + + I. Cain; A Mystery. London. Benbow. 1822. + II. Cain, etc. L^n. R. Carlile. 1822. + III. Cain, etc. L^n. H. Gray. 1822. + IV. Cain, A Mystery. New York. 1822. + V. Cain, etc. P.A. and W. Galignani. 1822. + VI. Cain, etc. L^n. Benbow. 1824. + VII. Lord Byron's Cain, etc. L^n. William Crofts. 1830. +VIII. Cain, etc. L^n. J. Watson. 1832. + IX. Cain, etc. Breslau. 1840. + X. Cain. J. Dicks. 1883, etc. + + +_TRANSLATIONS OF CAIN_. + + +_Bohemian_. + +Kain. V Praze. 1871. + + +_French_. + +Caïn, Mystère dramatique. P. Servier. 1823. + + +_German_. + + I. Cain, ein Mysterium. Berlin. 1831. +II. Cain. Ein Mysterium. Leipzig. 1871-1876. + + +_Hebrew_. + +קין, שיר-חזיון על-פי כתבי הק ש/מאת/לורד ב רון/תרגם מאנג לית +לעברית/דוד פ ישמן/ווארשא ר"ס + +[Hebrew: Kine, shir-chizayon al-pi kitvey hakodesh me'et Lord Byron +tirgem me'anglit le'ivrit David Frishman Varsha TR"S ] + +_Hungarian_. + + I. Kain. Franklin-Társulat. 1895. +II. Kain. B'pest. 1898. + + +_International Language_. + +Kain. Mistero de Lord Byron. Nurnbergo. 1896. + + +_Italian_. + +Caino: mistero. Milano. 1852-6. + + +_Polish_. + +Kain. Lwów. 1868. + + +_Russian_. + +I. Каинъ. С-Петербургъ [Cyrillic: Kain". S-Peterburg"]. 1881. +II. Каинъ. Москва. [Cyrillic: Kain". Moskva.] 1883. + + +_CHILDE HAROLD'S PILGRIMAGE_. + + I. Childe Harold's Pilgrimage. A Romaunt. London. _M._ 1812. + II. Childe Harold's, etc. Second Ed. London. _M._ 1812. + III. Childe Harold's, etc. Third Ed. London. _M._ 1812. + IV. Childe Harold's, etc. Fourth Ed. London. _M._ 1812. + V. Childe Harold's, etc. Fifth Ed. London. _M._ 1812. + VI. Childe Harold's, etc. First Amer. Ed. Philadelphia. 1812. + VII. Childe Harold's, etc. Sixth Ed. London. _M._ 1813. + VIII. Childe Harold's, etc. Seventh Ed. London. _M._ 1814. + IX. Childe Harold's, etc. Eighth Ed. London. _M._ 1814. + X. Childe Harold's, etc. Tenth Ed. London. _M._ 1815. + XI. Childe Harold's, etc. Canto the Third. London. _M._ 1816. + XII. Childe Harold's, etc. Canto the Fourth. London. _M._ 1818. + XIII. Childe Harold's, etc. Canto the Fourth. New York. 1818. + XIV. Childe Harold's, etc. Eleventh Ed. London. _M._ 1819. + XV. Childe Harold's, etc. 2 v. London. _M._ 1819. + XVI. Childe Harold's, etc. 2 v. Leipzig. 1820. + XVII. Childe Harold's, etc. L^n. W. Dugdale. 1825 + XVIII. Childe Harold's, etc. P.A. and W. Galignani. + 1825. + XIX. Childe Harold's, etc. London. W. Dugdale. + 1826. + XX. Childe Harold's, etc. London. T. Colmer. + 1827. + XXI. Childe Harold's, etc. 2 v. Paris. 1827. + XXII. Childe Harold's, etc. London. John Duncombe. + 1831. + XXIII. Childe Harold's, etc. Nuremberg and New + York. 1831. + XXIV. Childe Harold's, etc. London. _M._ 1837. + XXV. Childe Harold's, etc. Mannheim. 1837. + XXVI. Childe Harold's, etc. London. _M._ 1841. + XXVII. Childe Harold's, etc. London. 1842. + XXVIII. Childe Harold's, etc. London. _M._ 1853. + XXIX. Childe Harold. Damburg. 1853. + XXX. Childe Harold's, etc. 2 v. Berlin. 1854. + XXXI. Childe Harold's, etc. London. _M._ 1859. + XXXII. Childe Harold's, etc. New Ed. London. _M._ 1860. + XXXIII. Childe Harold's, etc. New Ed. London. _M._ 1860. + XXXIV. Childe Harold's, etc. Leipzig. 1862. + XXXV. Childe Harold's, etc. London. C. Griffin and + Co. 1866. + XXXVI. Childe Harold's, etc. Münster. 1867. +XXXVIII. Lord Byron's Childe Harold's, etc. P. Lib. Ch. Delagrave. + 1882. + XXXIX. Childe Harold's, etc. P. Poussielque f. + 1883. + XL. Clarendon Press Series. Childe Harold. Oxford. 1885. + XLI. Childe Harold's, etc. London. Chatto. 1885. + XLII. Lord Byron. Childe Harold's, etc. Berlin. 1885. + XLIII. Cassell's Nat. Lib. Childe Harold's, L^n., P., N.Y., and + etc. Melbourne. 1886. + XLIV. Childe Harold's, etc. Boston. 1886. + XLV. Childe Harold's, etc. Philadelphia. 1886. + XLVI. Childe Harold's, etc. Leipzig. 1886. + XLVII. Childe Harold's, etc. Bielefeld. 1885-6. + XLVIII. Childe Harold's, etc. L^n. G. Routledge and + Sons. 1888. + XLIX. Childe Harold's, etc. Bielefeld. 1891. + L. Sir J. Lubbock's Hundred Best Books. L^n. G. Routledge and + Childe Harold's, etc. Sons. 1892. + LI. Byron's Childe Harold. L^n. G. Bell and Sons. + 1893. + LII. Byron. Childe Harold. P. Lib. Hachette et + Cie. 1893. + LIII. Childe Harold's, etc. New York. 1894. + LIV. Arnold's Brit. Classics. Childe L^n. Edw. Arnold. + Harold's, etc. 1897. + LV. Childe Harold. L^n. J.M. Dent. 1898. + LVI. Childe Harold's, etc. Cantos I., II. L^n. Macmillan and Co. + 1899. + LVII. Childe Harold's, etc. Cantos III., IV. L^n. Macmillan and Co. + 1899. + LVIII. Childe Harold's, etc. 2 v. New York. 1899. + LIX. Childe Harold's, etc. New York. 1899. + LX. Childe Harold's, etc. New York. 1900. + LXI. Lord Byron. Childe Harold's, etc. Glasgow and Dublin. + 1901. + LXII. Lord Byron. Childe Harold's, etc. Glasgow and Dublin. + 1901. + + +_TRANSLATIONS OF CHILDE HAROLD'S PILGRIMAGE_. + + +_Armenian_. + +Childe Harold's, etc. Venice. 1872. + + +_Bohemian_. + +Childe Haroldova pout'. 1890. + + +_Danish_. + +Junker Harolds Pilgrimsfart. Kjøbenhavn. 1880. + + +_French_. + + I. Le Pélerinage de C.H. P. Dupont. 1828. + II. Le Pélerinage de C.H. P. Ponthieu. 1828. + III. Le Pélerinage de C. II. P. Lib. de Ch. Blériot. 1861. + IV. C.H. Poëme de L.B. P.E. Dentu. 1862. + V. Le Pélerinage de C.H. Saint-Quentin. 1862. + VI. Childe Harold. P. Amyot. 1870. + VII. Childe Harold. P. Hachette et Cie. 1881. +VIII. Childe Harold's, etc. P. Poussielque f. 1883. + IX. Childe Harold. P. Delalain f. 1892. + X. Childe Harold. P. Belin f. 1892. + + +_German_. + + I. Harold, der Verwiesene. Leipzig. 1835. + II. Ritter Harold's Pilgerfahrt. Stuttgart. 1836. + III. Jungherrn Harold's P. Stralsund. 1839. + IV. Erster Gesang des C.H. Ansbach. 1845. + V. Byron's Ritter Harold. Leipzig. 1846. + VI. Childe Harold's P. Frankfurt a. M. 1853. + VII. Harold's P. Köln. 1865. +VIII. Childe Harold's P. Hildburghausen. 1868. + IX. Jung Harold's P. Berlin. 1869. + X. Ritter Harold's P. Leipzig. 1871-1876. + XI. Childe Harold's P. 1893. + + +_Hungarian_. + +Childe Harold. Genfben. 1857. + + +_Italian_. + + I. L'Italia, Canto IV. del pellegrinaggio di C.H. 1819. + II. Il pellegrinaggio del Giovine Aroldo. Geneva. 1836. + III. L'Italia, Canto di L. B. Milano. 1848. + IV. Il pell. del giov. A. Napoli. 1858. + V. Il pell. del giov. A. Venezia. 1860. + VI. Byron. Pell. D'Aroldo. Milano. 1866. + VII. Italia C. di Gior. Byron. Firenze. 1872. +VIII. Il pell. D'Aroldo. Firenze. 1873. + + +_Polish_ + + I. Poezye ... Wędrówki Czaild Harolda. Petersburg. 1857. + II. Pielgrzymka C.H. we Lwowie. 1857. +III. Wędrówki C.H. Prz. F. Krauze. 1865-1871. + IV. Wędrówki Rycerza H. Warszawa. 1895. + V. Wędrówki C.H. Krakow. 1896. + + +_Russian_. + + I. Чайльдъ-Гарольдъ [Cyrillic: Chaĭl'd"-Garol'd"] +II. Чайльдъ-Гарольдъ [Cyrillic: Chaĭl'd"-Garol'd"] + + +_Swedish_. + +Childe Harolds Pilgrimsfärd. Stockholm. 1832. + + +THE CORSAIR. + + I. The Corsair, A Tale. London. _M._ 1814. + II. The Corsair, etc. Second Ed. London. _M._ 1814. + III. The Corsair, etc. Third Ed. London. _M._ 1814. + IV. The Corsair, etc. Fourth Ed. L^n. _M._ 1814. + V. The Corsair, etc. Fifth Ed. London. _M._ 1814. + VI. The Corsair, etc. Sixth Ed. London. _M._ 1814. + VII. The Corsair, etc. Seventh Ed. London. _M._ 1814. +VIII. The Corsair, etc. New York. 1814. + IX. The Corsair, etc. Ninth Ed. London. _M._ 1815. + X. The Corsair, etc. Tenth Ed. London. _M._ 1818. + XI. The Corsair, etc. L^n. W. Dugdale. 1825. + XII. The Corsair, etc. L^n. 1844. +XIII. The Corsair, etc. Glasgow. 1867. + + +_TRANSLATIONS OF THE CORSAIR_. + + +_German_. + + I. Der Korsar. Berlin. 1816. + II. Der Korsar. Altona. 1820. +III. Der Korsar. Leipzig. 1852. + IV. Der Corsar. Mainz. 1852. + V. Der Korsar. Leipzig. 1871-1876. + + +_Hungarian_. + +A Kalóz. B'pest. 1892. + + +_Italian_. + + I. Il Corsaro. Torino. 1819. + II. Il Corsaro. Milano. 1820. +III. Il Corsaro. Milano. 1842. + IV. Il Corsaro. Firenze, 1842. + V. Il Corsaro. Bologna. 1870. + VI. Il Corsaro. V. di C. Rosnati. 1879. + + +_Russian_. + +Морской разбойникъ. С-Петербургъ [Cyrillic: Morskoĭ razboĭnik". +S.-Peterburg"]. 1827. + + +_Spanish_. + + I. El Corsario. Paris. 1827. +II. El Corsario. Valencia. 1832. + + +_Swedish_. + +Corsaren. Stockholm. 1868. + + +THE CURSE OF MINERVA. + + I. The Curse of Minerva. London. [4to.] 1812. + II. The Curse, etc. Philadelphia. [?] 1815. +III. The Curse, etc. P. Galignani. 1818. + + +THE DEFORMED TRANSFORMED. + I. The Deformed Transformed. London. J. and H.L. Hunt. 1824. + II. The Def. Transf. P.A. and W. Galignani. 1824. +III. The Def. Transf. L^n. J. Dicks. 1883, etc. + + +_TRANSLATION OF THE DEFORMED TRANSFORMED_ + + +_Hungarian_. + +Budapesti Árvizkönyv., etc. Pesten. 1840. + + +DON JUAN. + + +_Cantos I., II._ + + I. Don Juan. London. Printed by T. Davison. [4º] 1819. + II. D. Juan. L^n. Pt. by T. Davison. 1819. +III. D. Juan. L^n. J. Onwhyn. 1819 + IV. D Juan. L^n. Pt. by T. Davison. 1820 + V. D. Juan. L^n. Sherwin and Co. 1820 + VI. D. Juan. L^n. Pt. by T. Davison. 1822. + + +_Cantos III., IV., V._ + + I. D. Juan. L^n. Pt. by T. Davison. 1821. + II. D. Juan. L^n. Sherwin and Co. 1821. +III. D. Juan. Fifth Ed. L^n. Pt. by T. Davison, 1822. + + +_Cantos I-V_ + + I. D. Juan. L^n. W. Benbow. 1822. + II. D. Juan. L^n. Hodgson and Co. 1822. +III. D. Juan. L^n. Peter Griffin. 1823. + IV. D. Juan. L^n. G. Smeeton. 1826. + + +_Cantos VI., VII., VIII._ + + I. D. Juan. L^n. John Hunt. [8º] 1823. + II. D. Juan. L^n. W. Dugdale. 1823. +III. D. Juan. L^n. John Hunt. [12º] 1823. + + +_Cantos IX., X., XI._ + + I. D. Juan. L^n. John Hunt. [8º] 1823. +II. D. Juan. L^n. John Hunt. [12º] 1823. + + +_Cantos XII., XIII., XIV._ + + I. D. Juan. L^n. John Hunt. [8º] 1823. + II. D. Juan. L^n. John Hunt. [12º] 1823. +III. D. Juan. L^n. Pt. for the Booksellers. 1823. + IV. D. Juan. P.A. and W. Galignani. 1824. + + +_Cantos XV., XVI._ + + I. D. Juan. L^n. John and H.L. Hunt. [8º] 1824. + II. D. Juan. L^n. John and H.L. Hunt. [12º] 1824. +III. D. Juan. L^n. Pt. for the Booksellers. 1824. + IV. D. Juan. L^n. Pt. for John Hunt. 1824. + V. D. Juan. P.A. and V. Galignani. 1824. + + +_Full Text._ + + I. D. Juan. 2 v. L^n. Pt. for the Booksellers. 1826. + II. D. Juan. L^n. W. Cla?? 1826. + III. D. Juan. L^n. T. and J. Allman. 1827. + IV. D. Juan. 2 v. L^n. T. Davison. 1828. + V. D. Juan. 2 v. L^n. Pt. for the Booksellers. 1828. + VI. D. Juan. Nuremberg and New York. 1832. + VII. D. Juan. L^n. Scott and Webster. 1833. +VIII. D. Juan. L^n. Pt. for the Booksellers. 1835. + IX. D. Juan. 2 v. London. _M._ 1837. + X. D, Juan. Mannheim. 1838. + XI. D. Juan. L^n. H.G. Bohn. 1849. + XII. D. Juan. L^n. and N.Y. 1874. +XIII. D. Juan. L^n. Chatto and Windus. 1875. + XIV. D. Juan. L^n. G. Routledge and Sons. 1886. + + +_TRANSLATIONS OF DON JUAN_. + + +_Danish_. + + I. D. Juan. Fredericia. 1854. +II. Byron. D. Juan. Kjøbenhavn. 1880. + + +_French_. + + I. Don Juan. 2 v. P.P. Renouard. 1827. + II. D. Juan. 2 v. P. _Lib. centrale_. 1866. +III. D. Juan. P. DeGorge-Cadot. 1869. + IV. D. Juan. P. Lemerre. 1878. + + +_German_. + + I. Don Juan. Essen. 1839. + II. Byron's D. Juan. Bremen. 1845. +III. Byron's D. Juan. Leipzig. 1849. + IV. Byron's D. Juan. Hildburghausen. 1867. + + +_Italian_. + + I. Don Giovanni. Torino. 1853. + II. D. Giovanni. Milano. 1865. +III. Gior. Byron. Aidea Epis. del don Giov. Verona. 1875. + IV. Il D. Juan. Milano. 1876. + V. D. Giovanni. Milano. 1880. + + +_Polish_. + + I. Don Żuan. Tarnopol. 1863. + II. Ustęp z drugiéj pieśni Don Żuana. Kraków. 1877. +III. Don Żuan, pieśń trzecia. Kraków. 1877. + IV. Don Żuan, pieśń druga, trzecia i czwarta. Tarnopol. 1879. + V. Don Żuan. Warszawa. 1885. + + +_Roumanian_. + +Don Juan dela Lord Byron. Bucurescĭ. 1847. + + +_Russian_. + +I. Донъ-Жуанъ. С.-Петербургъ [Cyrillic: Don" Zhuan". S. Peterburg"]. +1846. + +II. Донъ-Жуанъ. 2 v. С.-Петербургъ [Cyrillic: Don" Zhuan". 2 v. S. +Peterburg"]. [1847.] + +III. Донъ-Жуанъ. Глава первая. Лейпзигъ [Cyrillic: Don' Zhuan' ... Glava +Pervaya. Leĭpzig]. 1862. + +IV. Донъ-Жуанъ. С.-Петербургъ [Cyrillic: Don" Zhuan". S. Peterburg"]. +1866, 67. + +V. Донъ-Жуанъ. 2 v. С.-Петербургъ [Cyrillic: Don" Zhuan". 2 v. S. +Peterburg"]. 1889. + +VI. Донъ-Жуанъ. 2 т. С.-Петербургъ [Cyrillic: Don" Zhuan". 2 t. S. +Peterburg"] 1892. + + +_Servian_ + +Дон-Жуанъ. 2 свес. Београд. [Cyrillic: Don" Zhuan" 2 sves. Beograd.] +1888. + + +_Spanish_. + + I. Don Juan, novela. Paris. 1829. +II. Don Juan. Madrid. 1876. + + +_Swedish_. + + I. Don Juan. Stockholm. 1838. +II. Don Juan. 2 v. Stockholm. 1857. + + +ENGLISH BARDS, AND SCOTCH REVIEWERS. + + I. The British Bards, A Satire. 1808. + II. English Bards, and Scotch L^n. James Cawthorn. 1809. + Reviewers. First Ed. + III. English B., etc. Second Ed. L^n. J. Cawthorn. 1809. + IV. English B., etc. Third Ed. L^n. J. Cawthorn. 1810. + V. English B., etc. Fourth Ed. L^n. J. Cawthorn. 1810. + VI. English B., etc. Fourth Ed. L^n. J. Cawthorn. 1811. + VII. English B., etc. Fifth Ed. [L^n. J. Cawthorn.] 1811. + VIII. English B., etc. First Amer. Ed. Philadelphia. 1811. + IX. English B., etc. Charleston. 1811. + X. English B., etc. Boston. 1814. + XI. English B., etc. New York. 1817. + XII. English B., etc. P. Galignani. 1818. + XIII. English B., etc. Brussels. 1819. + XIV. English B., etc. Geneva. 1820. + XV. English B., etc. L^n. Benbow. 1823. + XVI. English B., etc. Glasgow. J. Starke. 1824. + XVII. English B., etc. Glasgow. M'Intosh and Co. 1825. +XVIII. English B., etc. L^n. W. Dugdale. 1825. + XIX. English B., etc. L^n. T. Kay. 1827. + + +FARE THEE WELL! AND A SKETCH FROM PRIVATE LIFE. + + I. Fare Thee Well! March 18, 1816. + II. Fare Thee Well! April 4, 1816. + III. Fare Thee Well! Second Version. April 7, 1816. + IV. A Sketch from Private Life. March 30, 1816. + V. A Sketch, etc. Another Copy. April 2, 1816. + VI. Fare Thee Well!--A Sketch, etc. L^n. Sherwood, Neely, and + Jones. 1816. + VII. Fare Thee Well. Bristol. 1816. +VIII. Fare Thee Well. Edinburgh. 1816. + + +THE GIAOUR. + + I. The Giaour, A Fragment of a London. _M._ 1813. + Turkish Tale. + II. The Giaour, etc. A new Ed. London. _M._ 1813. + III. The Giaour, etc. Third Ed. London. _M._ 1813. + IV. The Giaour, etc. Boston. 1813 + V. The Giaour, etc. Fifth Ed. London. _M._ 1813. + VI. The Giaour, etc. Sixth Ed. L^n. _M._ 1813. + VII. The Giaour, etc. Seventh Ed. London. _M._ 1813. +VIII. The Giaour, etc. Ninth Ed. London. _M._ 1814. + IX. The Giaour, etc. Tenth Ed. London. _M._ 1814. + X. The Giaour, etc. Eleventh Ed. London. _M._ 1814. + XI. The Giaour, etc. Twelfth Ed. London. _M._ 1814. + XII. The Giaour, etc. Fourteenth Ed. London. _M._ 1815. +XIII. The Giaour, etc. L^n. W. Dugdale. 1825. + XIV. The Giaour, etc. London. _M._ (Tilt and + Bogue, Edinb.) 1842. + XV. The Giaour, etc. London. 1844. + + +_TRANSLATIONS OF THE GIAOUR_. + + +_French_. + +Le Giaour. P. J.M.H. Bigeon. 1828. + + +_German_. + + I. Der Gauer. Berlin. 1819. + II. Der Gjaur. Leipzig. 1820. +III. Der Gjaur. Leipzig. 1871-1876. + + +_Italian_. + + I. Il Giaurro. Genova e Parigi. 1817. +II. Il Giaurro. Milano. 1884. + + +_Polish_. + + I. Giaur. Puławy. 1830. +II. Giaur. Paryż. 1834. + + +_Romaic_. + +I. +Παιηματα Βυρωνος ὁ Γκιαουρ. Ἀθηνησι +[Greek: Paiêmata Burônos ho Gkiaour. A)thênêsi ] +. 1873. + +II. +Σακελλαριου Βιβλιοθηκη τ. Λαου ... ὁ Γκιαουρ. Ἐν Ἀθηναις. +[Greek: Sakellariou Bibliothêkê t. Laou ... ho Gkiaour. E)n A)thênais. ] +. 1898. + + +_Russian_. + +I. Дҗяуръ. [Cyrillic: Dzhayur".] 1821. + +II. Дҗяуръ. Москва. [Cyrillic: Dzhayur". Moskva.] 1822. + +III. Гяуръ. С.-Петербургъ. [Cyrillic: Gayur". S-Peterburg".] 1862. + +IV. Гяуръ. С.-Петербургъ. [Cyrillic: Gayur". S-Peterburg".] 1873. + +V. Гяуръ Ъайрона. С.-Петербургъ. [Cyrillic: Gayur" Bairona. +S-Peterburg".] 1874. + + +_Servian_. + +Ђаур лорда Ъајрона. у Новом-Саду. [Cyrillic: Djaur lorda Bairona. u +Novom-Sadu.] 1860. + + +_Spanish_. + +El Giaur ó el infiel. Madrid. 1828. + + +_Swedish_. + +Giaurn. Stockholm. 1855. + + +HEAVEN AND EARTH. + + I. Heaven and Earth, A Mystery. L^n. Benbow. 1824. + II. Heaven and Earth, etc. P. Galignani. 1823. +III. Heaven and Earth, etc. ? W. Dugdale. 1825. + + +_TRANSLATIONS OF HEAVEN AND EARTH_. + + +_French_. + +Essai sur Le Génie, etc. P. Ladvocat. 1824. + + +_Italian_. + +Cielo e terra. Milano. 1853. + + +_Russian_. + +Небо и Эемля. т. 1. [Cyrillic: Nebo n Zemlya. t. 1.] + + +HEBREW MELODIES. + + I. A Selection of Hebrew Melodies. L^n. I. Nathan. 1815. + II. Hebrew Melodies. London. _M_. 1815. +III. Hebrew Melodies. Boston. 1815. 24º. + IV. Hebrew Melodies. Philadelphia. 1815. 16º. + V. Hebrew Melodies. L^n. W. Dugdale. 1823. + VI. Hebrew Melodies. L^n. W. Dugdale. 1825. + + +_TRANSLATIONS OF HEBREW MELODIES_. + + +_Bohemian_. + +Hebrejské melodie. V Praze. 1890. + + +_Danish_. + +Lord Byron: Jødiske Sange. Christiania. 1889. + + +_German_. + + I. Hebräische Gesänge. Berlin. 1820. + II. Hebr. Gesän. Laibach. 1833. +III. Germanische Melodien. Bonn. 1862. + IV. Lord Byron's Heb. Gesän. Karlsruhe. 1863. + V. Heb. Gesän. Memmingen. 1866. + + +_Hebrew_. + +Hebrew Melodies of Lord Byron. Leipzig. 1890. + + +_Italian_. + + I. Melodie Ebraiche. Napoli. 1837. +II. Le Mel. ebree. Ivrea. 1855. + + +_Russian_. + +Еврйскія мелодін. С.-Петерурбъ. [Cyrillic: Evreĭskiya Melodin. +S.-Peterburg".] 1860. + + +_Swedish_. + +Hebreiska Melodier. Helsingfors. 1862. + + +FUGITIVE PIECES AND MINOR POEMS. + + I. Fugitive Pieces. A Facsimile Reprint 1886. + of the Supp. Ed. of 1806. + II. Poems on Various Occasions. Newark. 1807. + III. Hours of Idleness. Newark. 1807. + IV. Poems Original and Translated. Newark. 1808. + V. Imitations and Translations. L^n. Longman, etc. 1809. + VI. Hours, etc. P. Galignani. 1819. + VII. Hours, etc. L^n. Sherwin and Co. 1820. +VIII. Hours, etc. Third Ed. P. Galignani. 1820. + IX. Hours, etc. L^n. Benbow. 1822. + X. Hours, etc. P.A. and W. Galignani. 1822. + XI. Hours, etc. Glasgow. 1825. + XII. Fugitive Pieces and Reminiscences of L^n. Whittaker, Treacher, + Lord Byron. and Co, 1829. + + +POEMS. + + +Poems. Second Ed. London. _M_. 1816. + + +POEMS ON HIS DOMESTIC CIRCUMSTANCES. + + I. Poems on His Domestic Circumstances. London. W. Hone. 1816. + II. Poems, etc. Second Ed. L^n. W. Hone. 1816. + III. Poems, etc. Sixth Ed. L^n. W. Hone. 1816. + IV. Poems, etc. Eighth Ed. L^n. W. Hone. 1816. + V. Poems, etc. Fifteenth Ed. L^n. W. Hone. 1816. + VI. L.B.'s Poems on His Own, etc. Dublin. 1816. + VII. Poems on His Domestic, etc. Second Ed. Bristol. 1816. +VIII. Poems on His Domestic, etc. Boston. 1816. + IX. Poems, etc. Twenty-third Ed. L^n. W. Hone. 1817. + X. Poems, etc. L^n. J. Limbird. 1823. + XI. Miscell. Poems, including those on His L^n. John Bumpus. 1824. + Domestic, etc. + XII. Miscell. Poems on His Domestic, etc. L^n. William Cole. 1825. + + +HINTS FROM HORACE. + + +THE IRISH AVATAR. + + +THE ISLAND. + + I. The Island, or Christian and His L^n. John Hunt. 1823. + Comrades. + II. The Island, etc. P.A. and W. Galignani. 1823. +III. The Island, etc. New York. 1823. + + +_TRANSLATIONS OF THE ISLAND_. + + +_German_. + +Die Insel, etc. Leipzig. 1827. + + +_Italian_. + +L' Isola. Napoli. 1840. + + +_Polish_. + +Wyspa czyli Chrystyan i jego towarzysze. Kraków. 1859. + + +_Swedish_. + +Ön Eller Christian, etc. Stockholm. 1856. + + +THE LAMENT OF TASSO. + + I. The Lament of Tasso. London. _M_. 1817. + II. The Lament, etc. Second Ed. London. _M_. 1817. +III. The Lament, etc. Third Ed. London. _M_. 1817. + IV. The Lament, etc. Fourth Ed. London. _M_. 1817. + V. The Lament, etc. Sixth Ed. London. _M_. 1818. + + +_TRANSLATIONS OF THE LAMENT OF TASSO_. + + +_Italian_. + + I. Lamento del Tasso. Pisa. 1818. + II. La Magion del Terrore. Londra. J. Wilson. 1843. +III. Gugl. Godio. Il Lamento, etc. Torino. 1873. + + +LARA. + + I. Lara, A Tale. Jacqueline, A Tale. London. _M_. 1814. + II. Lara, etc. Fourth Ed. London. _M_. 1814. +III. Lara. Boston. 1814. + IV. Lara. New York. 1814. + V. Lara, etc. Fifth Ed. London. _M_. 1817. + VI. Lara, etc. Art Union of London. 1879. + + +_TRANSLATIONS OF LARA_. + + +_Bohemian_. + +Lara. V Praze. 1885. + + +_German_. + +Lara. Leipzig. 1886. + + +_Italian_. + + I. Il Lara di L.B. Parigi. 1828. +II. Lara. Milano. 1882. + + +_Polish_. + +Lara. Wilno. 1833. + + +_Servian_. + +Лара лорда Бајрона. у Новом-Саду. [Cyrillic: Lara lorda Bairona. y +Novom-Sady.] 1860. + +_Spanish_. + +Lara. Paris. 1828. + + +_Swedish_. + +Lara. Stockholm. 1869. + + +MANFRED. + + I. Manfred. London. _M_. 1817. + II. Manfred. Second Ed. London. _M_. 1817. +III. Manfred. Philadelphia. J. Maxwell. 1817. + IV. Manfred. L^n. W. Dugdale. 1824. + V. Manfred. Brussels. Printed at the British + Press, _n.d._ + VI. Manfred. A Choral Tragedy. L^n. T.H. Lacy. 1863. +VII. Manfred. L^n. J. Dicks. 1883, etc. + + +_TRANSLATIONS OF MANFRED_. + +_Bohemian_. + +Manfred. Praze. 1882. + + +_Danish_. + + I. Manfred. Kjøbenhavn. 1820. +II. Manfred. Kjøbenhavn. 1843. + + +_Dutch_. + + I. Manfred. Amsterdam. 1857. +II. Byron's Manfred. Heusden. 1882. + + +_French_. + + I. Manfred. Bruxelles. 1852. + II. Manfred. P. Paul Ollendorff. 1887. +III. Lord Byron. Manfred. Toulouse. 1888. + + +_German_. + + I. Manfred. A Tragedy. Leipzig. 1819. + Manfred. Trauerspiel. Teutsch v. A. Wagner. Leipzig. 1819. + + II. Manfred. Göttingen. 1836. + + III. Byron's Manfred. Breslau. 1839. + + IV. Manfred. Berlin. 1843. + + V. Lord Byron's Manfred. Leipzig. 1858. + + VI. Byron's Manfred. Berlin. 1872. + + VII. Manfred. Leipzig. 1871-1876. + +VIII. Manfred. Leipzig. 1879-1890. + + IX. Manfred. Frankfurt. 1883. + + +_Hungarian_. + + I. Byron Lord'Élete's Munkái. Pesten. 1842. + II. Manfred. Szolnok. 1884. +III. Manfred. Budapest. 1891. + + +_Italian_. + + I. Manfredo. Milano. 1832. + II. Tragedie di Silvio Pellico. Manfredo. Firenze. 1859. +III. Manfredo. Firenze. 1870. + + +_Polish_. + + I. Manfred. Wrocław. 1835. +II. Manfred. Paryż. 1859. + + +_Romaic_. + +Ο Μαμφρεδ. Εν Πατραις [Greek: O Mamphred. En Patrais]. 1864 + + +_Roumanian_. + +Stoenescu (Th. M.) Teatru ... Manfred. Bucurescï. 1896. + + +_Russian_. + +I. Манфредъ [Cyrillic: Manfred"]. + +II. Манфредъ [Cyrillic: Manfred"]. + +III. Манфредъ. С.-Петербургъ [Cyrillic: Manfred". S-Peterburg"]. 1858. + +IV. Манфредъ [Cyrillic: Manfred"]. + + +_Spanish_. + + I. Manfredo. P. De Decourchant. 1829. + II. Manfredo. Madrid. 1861. +III. Lord Byron. Manfredo. Madrid. 1876. + + +MARINO FALIERO. + + I. Marino Faliero. L^n. _M_. 1821. + II. Marino Faliero. Second Ed. L^n. _M_. 1821. +III. Marino Faliero. Philadelphia. 1821. + IV. Marino Faliero. P. Galignani. 1821. + V. Marino Faliero. L^n. _M_. [Tilt and Bogue, + Edinb.] 1842. + VI. Marino Faliero. L^n. J. Dicks. 1883, etc. + + +_TRANSLATIONS OF MARINO FALIERO_. + + +_German_. + + I. Marino Faliero. Frankfurt am Main. 1883. +II. Lord Byron's Marino Faliero. Oldenburg, _n.d._ + + +MAZEPPA. + + I. Mazeppa, A Poem. London. _M_. 1819. + II. Mazeppa, etc. Second Ed. P. Galignani. 1819. +III. Mazeppa. Boston. 1819. + IV. Mazeppa. P. Galignani. 1822. + V. Mazeppa. L^n. W. Dugdale. 1824. + VI. Mazeppa. Braunschweig. 1834. +VII. Mazeppa. L^n. T. Goode. 1854. + + +_TRANSLATIONS OF MAZEPPA_. + + +_Danish_. + +Mazeppa. Stockholm. 1853. + + +_German_. + + I. Mazeppa. Leipzig. 1820. + II. Mazeppa. Göttingen. 1836. +III. Mazeppa. Stuttgart. 1883. + + +_Hungarian_. + +Byron Lord' Élete 's munkái. Pesten. 1842. + + +_Italian_. + + I. Il Mazeppa. Palermo. 1847. + II. Mazeppa. Palermo. 1876. +III. Mazeppa. Milano. 1886. + + +_Polish_. + + I. Mazepa. W. Hali. 1860. +II. Mazepa. Paryż. 1860. + + +_Russian_. + +I. Выборъ изъ сочненій лорда Байрона [Cyrillic: Vybor" iz" sochneniĭ +lorda Baĭrona]. 1821. + +II. Маэепа [Cyrillic: Mazepa]. + +III. Маэепа [Cyrillic: Mazepa]. + +IV. Маэепа. С.-Петербургъ [Cyrillic: Mazepa. S.-Peterburg"]. 1860. + + +_Spanish_. + +Mazeppa, novela. Paris. 1830. + + +MONODY ON THE DEATH OF ... SHERIDAN. + + I. Monody, etc. L^n. _M._ 1816. + II. Monody, etc. New Ed. L^n. _M._ 1817. +III. Monody, etc. New Ed. L^n. _M._ 1818. + + +AN ODE TO THE FRAMERS OF THE FRAME BILL. + +A Political Ode. L^n. J. Pearson. 1880. + + +ODE FROM THE FRENCH. + +_TRANSLATION_. + +_French_. + +Traduction de l'Ode. Londres. 1826. + + +ODE TO NAPOLEON BUONAPARTE. + + I. Ode to Napoleon Buonaparte. London. _M._ 1814. + II. An Ode to N.B. Philadelphia. E. Earle. 1814. +III. Ode to N.B. Sixth Ed. London. _M_. 1814. + IV. Ode to N.B. Ninth Ed. London. _M_. 1814. + V. Ode to N.B. Twelfth Ed. London. _M_. 1816. + VI. Ode to N.B. Thirteenth Ed. London. _M_. 1818. + + +_TRANSLATION OF THE ODE TO NAPOLEON BUONAPARTE_. + + +_Spanish_. + +Odas a Napoleon. P. De Decourchant. 1829. + + + +PARISINA. + + +_TRANSLATIONS_. + + +_Danish_. + +Parisina. Stockholm. 1854. + + +_French_. + +Parisina. Adolphe Krafft. P. Ernest Leroux. 1900. + + +_German_. + +Parisina. Gedichte von J.V. Cirkel. Münster. 1825. + + +_Italian_. + + I. Parisina. Milano. 1821. + II. Parisina. Milano. 1853. +III. Parisina. Mantova. 1854. + IV. Parisina. Palermo. 1855. + V. Parisina. Genova. 1864. + + +_Russian_. + +Паризина. С.-Петербургъ [Cyrillic: Parizina. S.-Peterburg"]. 1827. + + +_Spanish_. + +Parisina. P. Imp. de Decoutchant. 1830. + + +THE PRISONER OF CHILLON. + + I. The Prisoner of Chillon. London. _M_. 1816. + II. The P. of Chillon. Lausanne. 1818. + III. The P. of Chillon. L^n. W. Chubb. 1824. + IV. The P. of Chillon. L^n. ? 1825. + V. The P. of Chillon. Geneva. 1830. + VI. The P. of Chillon. Lausanne. 1857. + VII. The P. of Chillon. Illuminated. L^n. W. & G. Audsley. 1865. + VIII. Byron's P. of Chillon. L^n. T.J. Allman. 1874. + IX. Byron's P. of Chillon. L^n. Simpkin, Marshall, and Co. 1877. + X. The P. of Chillon. L^n. Blackie and Son. 1879. + XI. Byron's P. of Chillon. L^n. Simpkin, Marshall, and Co. 1879. + XII. The P. of Chillon. Vevey. 1880. + XIII. The P. of Chillon. Berlin. 1884. + XIV. The P. of Chillon. Firenze. 1885. + XV. Byron's P. of Chillon. L^n. and Edinb. 1894. + XVI. The P. of Chillon. L^n. Stewart and Co. _n.d._ + XVII. The P. of Chillon. L^n. and Glasg. Blackie and Son. 1896. +XVIII. Byron. The Prisoner of Chillon. Dublin. 1896. + XIX. The P. of Chillon. Weimar. 1896. + + +_TRANSLATIONS OF THE PRISONER OF CHILLON_. + + +_Dutch_. + +De Gevangene van Chillon. Gent. 1856. + + +_French_. + + I. Le Prisonnier de Chillon. Vevey. _n.d._ +II. Bonnivard A Chillon. Le P. de Ch. Genève. 1892. + + +_German_. + + I. Lord Byron's Gefangener von Chillon. Lausanne. 1861. + II. Der Gefangene von Chillon. Vevey and Lausanne. 1865. +III. Der Gefangene von Chillon. Berlin. 1886. + IV. Der Gefangene von Chillon. St. Gallen and Leipzig. 1892. + + +_Italian_. + + I. Il prigionero di Chillon. Milano. 1830. +II. Il prigionero di Chillon. Milano. 1853. + + +_Russian_. + +Шильонскій Узникъ. С.-Петербургъ [Cyrillic: Shil'onskiĭ Uznik". +S.-Peterburg"]. 1822. + + +_Spanish_. + +El preso de Chillon. Paris. 1829. + + +_Swedish_. + +Fången På Chillon. Stockholm. 1853. + + +THE PROPHECY OF DANTE. + + I. The Prophecy of Dante. Philadelphia. 1821. + II. The Pr. of Dante. P. Galignani. 1821. +III. The Pr. of Dante. L^n. W. Dugdale. 1825. + IV. The Pr. of Dante. L^n. Blackie and Son. 1879. + + +_TRANSLATIONS OF THE PROPHECY OF DANTE_. + + +_French_. + +OEuvres de Dante Alighieri. La Pr. du Dante. P. Charpentier. 1842. + + +_Italian_. + + I. Profezia di Dante. P. Barrois. 1821. + II. La Profezia di Dante. Nuova-Jorca. 1821. +III. La Pr. di Dante. Milano. 1856. + IV. La Pr. di Dante. Milano. 1858. + + +_Spanish_. + +La Profecia del Dante. Mexico. 1850. + + +SARDANAPALUS. + + + I. Sardanapalus, ... The Two Foscari, London. _M._ 1821. + ... Cain. + II. Sardanapalus, The Two Foscari, Cain. Boston. 1822. +III. Sardanapalus. London. _M._ 1829. + IV. Sardanapalus. Arnsberg. 1849. + V. Sardanapalus. L^n. T.H. Lacy. 1853. + VI. L.B.'s Hist. Tragedy of Sardanapalus. Manchester. 1877. +VII. Sardanapalus. L^n. J. Dicks. 1883, etc. + + +_TRANSLATIONS OF SARDANAPALUS_. + + +_Bohemian_. + +Sardanapal. V Praze. 1891. + + +_French_. + +Sardanapale. Bruxelles. 1834. + + +_German_. + + I. Sardanapal. Posen. 1854. + II. Sardanapal. Jena. 1888. +III. Lord Byron's Sardanapal. Berlin. 1897. + + +_Italian_. + +Sardanapalo. Milano. 1884. + + +_Polish_. + +Sardanapal. Warszawa. 1872. + + +_Romaic_. + +Σαρδαναπαλος. Εν Αθεναις [Greek: Sardanapalos. En Athênais]. 1865. + +_Russian_. + +I. Сарданапалъ. С.-Петербургъ [Cyrillic: Sardanapal". S.-Peterburg"]. +1860. + +II. Сарданапалъ [Cyrillic: Sardanapal"]. + + +_Swedish_. + +Sardanapalus, Stockholm. 1864. + + +THE SIEGE OF CORINTH. + + I. The Siege of Corinth. London. _M_. 1816. + II. The Siege, etc. New York. 1816. +III. The Siege, etc. L^n. W. Dugdale. 1824. + IV. The Siege, etc. Lüneburg. 1854. + V. The Siege, etc. L^n. Nat. Soc. Depository. 1879. + VI. Byron's Siege of Corinth. Berlin. 1893. +VII. The Siege, etc. Bielefeld. 1885-1890. + + +_TRANSLATIONS OF THE SIEGE OF CORINTH_. + + +_Dutch_. + +Het Beleg van Corinthe. Amsterdam. 1831. + + +_French_. + +Le Siége de Corinthe. P. Pillet aîné. 1820. + + +_German_. + + I. Die Belagerung von Korinth. Hamburg. 1817. + II. Die Belagerung v. K. Leipzig. 1820. +III. Die Belagerung v. K. Hamburg. 1827. + + +_Italian_. + +L'Assedio di Corinto. Venezia. 1838. + + +_Spanish_. + +El Sitio de Corinto. P. Lib. Americana. 1828. + + +_Swedish_. + +Belägringen Af Korinth. Stockholm. 1854. + + +THE TWO FOSCARI. + + I. The Two Foscari. New York. 1822. + II. The Two Foscari. P. Galignani. 1822. +III. The Two Foscari. L^n. J. Dicks, etc. 1883. + + +_TRANSLATIONS OF THE TWO FOSCARI_. + + +_Russian_. + +Двое Фоскари [Cyrillic: Dvoe Foskari]. + +_Spanish_. + +Los dos Fóscaris. Biblioteca Dramatica. Madrid. 1846. + + +THE VISION OF JUDGMENT. + + I. Vision of Judgment. P. Galignani. 1822. +II. The Two Visions. L^n. W. Dugdale. 1822. + + +THE WALTZ. + + I. Waltz: An Apostrophic Hymn. L^n. Printed by S. Gosnell. 1813. +II. Waltz, etc. L^n. Benbow. 1821. + + +WERNER. + + I. Werner, A Tragedy. London. _M_. 1823. + II. Werner. P. Galignani. 1823. +III. Werner. New York. 1848. + IV. The British Drama (Werner, Vol. iii. L^n. John Dicks. 1865. + pp. 767-789). + V. Werner. L^n. J. Dicks. 1883, etc. + VI. Werner. L^n. George Routledge. 1887. + + +_TRANSLATIONS OF WERNER_. + + +_Russian_. + +I. Вернеръ. С.-Петербургъ [Cyrillic: Verner". S.-Peterburg"]. 1829. + +II. Донъ-Жуанъ. Москва [Cyrillic: Don"-Zhuan". Moskva]. 1881. + + +THE LIBERAL. + +The Liberal [Vols. I., II.]. L^n. John Hunt. 1822, 1823. + +Dedication of Don Juan. L^n. Effingham Wilson. 1833. + +[Illustration: The Prison Called Tasso's Cell, in the Hospital of +Santa Anna, at Ferrara.] + + + + +INDEX + + +_The figures in italics refer to the notes only_. + + +_Abbot, The_, _vi. 440_ + +Abdalmalek, _iii. 120_ + +Abdera, _vi. 171_ + +Abderrahman, Hadgi, _vi. 160_ + +Abelard, v. 634 + +Abencerrages, the, a Moorish tribe, v. 558 + +Abenhamim, _iv. 530_ + +Aberdeen, "auld toun" of, _v. 609_; _vi. 405_ + +Aberdeen, George Hamilton Gordon, 4th Earl of, i. _305_, 378, 454; ii. + 170, 204; _An Inquiry into the Principles of Beauty in Grecian + Architecture_, i. 336 + +Abernethy, John, vi. 412 + +Aboukir, battle of, _ii. 459_; _vi. 14_ + +Abruzzi, the, iv. 288 + +Abydos to Sestos, Byron's swim from, iii. 13 + +_Académie des Inscriptions_ (Paris), _v. 603_ + +Acarnania, ii. 143 + +Achelous (Aspropotamo) river, ii. 143, 182 + +Acheron (Kalamas) river, ii. 131, 180-182 + +Acherusia, Palus, ii. 129, 179 + +Achilles, _i. 175, 398_; ii. 167, 462; _iii. 180_; v. 488, 526, 535; vi. + 117; his tomb, vi. 204, 211 + +Achmet II., Sultan, _iii. 454_ + +Achmet III., Sultan, _vi. 261_ + +Acre, siege of, _iii. 4_; _vi. 14_ + +Acroceraunian mountains, ii. 303 + +Acropolis, Athens, ii. 100, 165; vi. 429 + +Actium, battle of, ii. 126, 128, 179; iii. II; vi. 269 + +_Adagia_ Variorum, _v. 396_ + +Adams, John, a carrier of Southwell, vii. 1 + +Adams, John, of Pitcairn Island (Alexander Smith of the _Bounty_), v. + 583, _588, 605, 625_ + +Adams, Mr., iii. 45 + +Addison, Joseph, his relative Budgell, _i. 449_; _Essay on Wit_, _i. 398_; + _Reflections on Westminster Abbey_, _ii. 133_; _Cato_, ii. 325; vi. 485; + _Remarks on Several Parts of Italy_, ii. 384; on Tasso and the + Venetians, ii. 467; quotes an Arabian tale in _Spectator_, iii. 98; + his "faint praise," vi. 602; his publisher Tonson, _vii. 57_ + +_Address intended to be recited at the Caledonian Meeting_, iii. 415 + +_Address spoken at the Opening of Drury Lane Theatre_, iii. 51 + +_Address to the Sun in Carthon_, _iii. 26_ + +_Adieu, The, written under the impression that the Author would soon + die_, i. _192, 232_, 237; _ii. 458_; _iii. 48_ + +Adonis, _iv. 115_ + +Adramyttium, gulf of, _ii. 200_ + +Adrastus, ii. 519 + +Adrian (Hadrian), Emperor, i. 20, _462, 493_; ii. 167, _411, 431, 436_, + 440 + +_Adrian's Address to his Soul when dying_, i. 20 + +Adriatic, wedding the, ii. 335 + +Ægean Sea, i. 460; iii. 272 + +Ægina, i. 457; ii. 362 + +Ælian, _Var. Hist_., _v. 50_ + +Ælius, _ii. 437_ + +Æmilius Paulus, ii. 518 + +Æneas, i. 153, 156, 157 + +Æschylus, _Prometheus Vinctus_, i. 14, _430_; _ii. 132_; iv. 48-50, 82, + _94_; v. 281, _554_; _Eumenides_, v. 281, _296_; _Septum contra + Thebas, v. 403_; _Persæ, vi. 169_ + +Æsopus, _ii. 405_ + +Æsyetes, _iii. 180_ + +Ætna, ii. 286 + +Ætolia, ii. 143 + +Africa, vi. 198 + +Afshar tribe, _vi. 384_ + +Agamemnon, vi. 15 + +_Age of Bronze, The_, ii. _92, 151, 239, 397_; v. 332, 333, _364, 405, + 495_, 535-578, _606_; Introduction to, v. 537 + +Age of Gold, vi. 284 + +_Age of Waterloo, The_, _ii. 227_ + +Agesilaus, king of Sparta, _v. 619_ + +Agg, John, ii. 213 + +Agilulf, Duke of Turin, ii. 489 + +Agincourt, battle of, _ii. 459_ + +Agis, king of Sparta, iv. 455 + +Aglietti, Dr. Francesco, ii. 324; _iv. 456, 457_ + +Agnadello, battle of, _v. 498_ + +Agostini, Leonard, ii. 490 + +Agrarian Laws, vi. 407 + +Agrippa, _ii. 436_; _vi. 139_ + +Aholibamah, v. 285 + +Ahriman (Angra Mainyu), the Spirit of Evil, _iv. 112_ + +Aisha, Lilla, _vi. 160_ + +Aitken, G.A., his edition of Swift's _Journal of Stella_, _vi. 187_ + +Aix-la-Chapelle, Congress at, _v. 563_ + +Ajax, ii. 99, 167; vi. _117_, 204, 339 + +Akenside, _iii. 452_ + +Alamanni, _Sat_., _iv. 459_ + +Alaric, king of the Visigoths, i. 462; ii. 109, 172, _390_, 512 + +Alban hill, the, ii. 455, 522 + +Albanese (or Arnaouts), the, ii. _169_, 174 + +Albania, ii. 123, 173, 174 + +Albanian (or Arnaout) dialect, specimen of, ii. 183 + +Albanian war-dance, _vi. 151_ + +Albano, ii. 454 + +Albano, Francesco, vi. 502 + +Albany, Countess of, publishes Alfieri's _Opere Inediti_, _v. 211_ + +Albany, Duke of (Prince Leopold), _iii. 157_ + +Albion, its "chalky belt," vi. 419 + +Albricus Phil., _De Imag. Deor_., _ii. 328_ + +Albrizzi, Isabella Teotochi, Countess, _Ritratti di Uomini lllustri_, + ii. 324; iv. _456, 457, 536_, 570 + +Albrizzi Giuseppino, _iv. 456, 457_ + +Albuera, battle of, ii. xi, 51, 81 + +Alcantara, Martin de, _ii. 81_ + +Alcibiades, his beauty, and charm of his name, v. 485; vi. 547 + +Alcina, v. 573 + +Aid. Manut., _De Reatina Urbe Agroque_, _ii. 384_ + +Aldini, Professor, _i. 308_; _vi. 50_ + +Alemanni, the, ii. 298 + +Alesia (Alise in Côte d'Or), siege of, iv. 331 + +Alexander the Great (Iskander), i. 467; ii. 123, 174, 509; _iii. 180_; + v. _21, 24_, 542, 565; vi. 226, 378, 562; and Mount Athos, vi. 479 + +Alexander I. of Russia, i. _468_, 476, _489_; v. 539, _551_, 553, 563, + 564; vii. _27_, 39, 40 + +Alexander III., Pope, ii. 473 + +Alexander IV., Pope, _iii. 369_ + +Alexander, Grand-Duke, _v. 564_ + +Alexander, George, as "Ulric" in _Werner_, v. 324 + +Alexandra, Queen, MS. of _The Two Foscari_, _v. 113_ + +Alexandria (Ramassieh), battle of, _ii. 108_ + +Alexey, the Tzarovitch, _vi. 417_ + +Alexis I., _ii. 202_ + +Alfieri, Vittorio, ii. 324; iii. 503; iv. 325, 327; his pilgrimage to + Petrarch's tomb, _ii. 353_; his grave in Santa Croce Church, ii. 369, + 491; _Autobiography_, _ii. 369_; _iv. 264_; _Mirra_, iii. 150; _iv. + 367, 368_; v. 5; sonnet on the tomb of Dante, iv. 244; _Abele_, v. 211 + +Algiers, vi. 56 + +Alhama, iv. 529-534 + +Ali Coumourgi, Cumourgi, or Cumurgi, iii. 442, 455 + +Ali Pasha, the original of Lambro in _Don Juan_, ii. _127_, 129, + 138-140, 146, 148, 174, 180; ii. _199_, 205; _iii. 145 189_; _vi. 195, + 234_; _vii. 53_ + +Alighieri, Alighiero (Dante's father), _iv. 248_ + +Alighieri, Beatrice (Dante's daughter), _iv. 254_ + +Alighieri, Pietro (Dante's son), _iv. 254_ + +Alison, _History of Europe_, _v. 570, 575_; _vi. 374_ + +_All is Vanity, saith the Preacher_, iii. 394 + +"Alia Hu!" concluding words of the Muezzinn's call, ii. 136; iii. 120, + _481_; Mussulman war-cry, vi. 332 + +Allacci, L., _Drammaturgia_, vi. xvi. + +Allegra, Byron's natural daughter, _i. 208_; v. 469; _vi. 186, 297_ + +Allen, Edward Heron, _Rubáiyat of Omar Khayyām_, _iii. 109_ + +Allen, Dr. John, _i. 337_ + +Allen, Richard, _A Souvenir of Newstead Abbey_, _vi. 497_ + +Allied Army occupy Paris, iii. 431 + +Allied Sovereigns, Congress at Verona of, v. 537-539; at Vienna, _v. + 562_ + +Allingham, _The Weathercock_, _i. 45_ + +_All's Well that Ends Well_, _vi. 506_ + +Almachius, or Telemachus, an Eastern monk, ii. 520 + +Almack's, i. 476; _vi. 431_ + +_Almanack de Gotha_, _vi. 417_ + +Almas, Turkish dancing-girls, iii. 251 + +Almonacid, _ii. 89_ + +Alp, "the Adrian renegade," iii. 454 + +Alpheus river, ii. 182 + +Alphonso I. of Tuscany, _ii. 354_ + +Alphonso II. of Tuscany, ii. _355_, 356 + +Alphonso III., ii. 356; iii. 299; iv. 139, _145_ + +Alphonso X., king of Castile, _Tabulæ Alphonsinæ_, iv. 523 + +Alpinula, Julia, ii. 256, 299 + +Alpinus, Julius, ii. 299 + +Alps, "the Palaces of Nature," ii. 254, 385; iv. 258 + +Alpuxarras, the, _vi. 30_ + +Al-Sirat's arch, iii. 109 + +Altada, a character in _Sardanapalus_, v. 12 + +Alterkirchen, battle of, ii. 296 + +Alvirt, L., _Sardanapale Tragédie Imitée de Lord Byron_, v. 2 + +Alypius, prætor, ii. 520 + +Amasis, king of Egypt, ii. 519 + +Amaun, quarter or pardon, iii. 115 + +Amazons, v. 526 + +Amber, its perfume, iii. 181 + +Ambition, ii. 241, 398; v. 488; vi. 78, 392, 456 + +Ambracia, Gulf of, ii. 128; iii. 11 + +Ambrosius, Mediolanensis Episcopus, _vi. 168_ + +Ameer Khan, _i. 468_ + +Amenhotep III., _v. 497_ + +America, Byron's eulogy of, iv. 197, 198 + +American War of Independence, _i. 500_; _ii. 82_; iv. 511, _516_; vi. + _12_, 508 + +Amiens Academy, _ii. 6_ + +Ammonians, the, iv. 259 + +Amnani, Lilla, _vi. 160_ + +Ampère, M.J.J., _La Grèce, Rome, et Dante_, _iv. 317_ + +Amphion, i. 438 + +Amstel, A. van (Johannes Christiaan Neuman), iv. 5 + +Amulets, iii. 181 + +Amurath II., Sultan, _ii. 173_; _iii. 308_ + +Amycus, king of the Bebryces, _vi. 220_ + +Anacreon, _Odes_, i. 82, 109, 147, 149, 228; ii. 139, _270_; vi. 26, 171 + +Anacyndaraxes, Sardanapalus' father, v. 23, _24_ + +Anah, v. 285 + +_Analectic Magazine_, iii. 377; _iv._ 198 + +Anatolia, plains of, _vi. 211_ + +Anaxarchus, the philosopher, _v. 543_ + +Anchialus, v. 23 + +Andernach, ii. 296 + +Anderson, _British Poets_, _i. 198_; _ii. 236_; _iii. 129, 262, 405_ + +Anderson, the actor, as "Jacopo Foscari," v. 114 + +Andreini, Giovanni Battista, _Adam, a Sacred Drama_, _v. 218_ + +Andrews, Miles Peter, _Better Late than Never_, i. 353 + +Andromache, v. 577 + +Andromachus, the senator, _ii. 513_ + +_And wilt thou weep when I am low_? i. 266 + +Anent, use of the word, vi. 440 + +Angas, G.F., _Polynesia_, _v. 599-601_ + +Angelo, _Reminiscences_, _i. 322, 343_ + +Angiolina, Dogaressa, iv. 367 + +Angiolini, Mdlle., i. _347_, 348 + +Angling, "that solitary vice," vi. 513 + +Angora, battle of, _iii. 312_ + +Anhalt Zerbst, Prince of, _vi. 388_ + +Anholt, _i. 488_ + +Anio river, Falls of the, ii. _384_, 523 + +Anlace, a dagger, ii. 57 + +Anne Boleyn, her remark on the scaffold, _iii. 265_ + +Anne, Empress of Russia, _vi. 417_ + +Annesley, hills of, i. 210 + +Annesley Park and Hall, _iii. 311, 477_; iv. 31, 32, 36, 37 + +_Annual, The_, _i. 303_ + +_Annual Anthology_, _iv. 521_ + +_Annual Biography_, _v. 568_; _vi. 413_ + +_Annual Biography and Obituary_, _vi. 265_ + +_Annual Register_, _i. 495, 496_; _iii. 25_; _vii. 72_ + +Annuitants, alleged longevity of, vi. 100 + +_Another Simple Ballat_, vii. 61 + +Anselm, Pope, _i. 493_ + +Anson, Lady, _vi. 410_ + +Anson, Sir W., _Voyages_, _iv. 58_; _Memoirs of Augustus Henry, Third + Duke of Grafton_, _iv. 510_ + +Anster, _Faust_, iv. 85, _123_; _v. 493_ + +Anstey, Christopher, _New Bath Guide_, i. 114; vi. 587 + +_Answer to a Beautiful Poem, written by Montgomery, etc._, i. 107 + +_Answer to some Elegant Verses sent by a Friend to the Author, etc._, i. + 114 + +_Answer to ---- 's Professions of Affection_, vii. 40 + +Anteros, iv. 105 + +Anthemocritus, the herald, _ii. 431_ + +_Anthologia Græca_, _i. 490_ + +Anthony (Antony), ii. 179, _492_; v. 486; vi. 139 + +_Anthony and Cleopatra_, ii. 179 + +Anthony Pasquin (Williams), _i. 304_ + +_Antigallican Monitor_, iii. 535 + +Antigonus, _v. 487_ + +_Anti-Jacobin, or Weekly Examiner_, _i. 304_; iii. 304; _vii. 49_ + +_Anti-Jacobin, Poetry of the_, i. _315, 329_, 368; _ii. 7, 30_; _iv. + 482, 483_ + +Antilochus, _ii. 99_; _iii. 180_ + +Antimachus, _i. 404_ + +Antinomianism, _i. 417_ + +Antinous, ii. 167 + +Antipater, Coelius, _Annales_, _ii. 378_ + +Anti-Paros, island of, _iii. 295_ + +_Antiquary, The_, _i. 413_; iv. 524; _v. 377_ + +Antonina, Belisarius' wife, _vi. 139_ + +Antoninus Pius, _ii. 440, 514_ + +Aöus (Viosa, or Voioussa) river, ii. 182 + +Apelles, iv. 270 + +Apennines, the, ii. 385; iv. 253 + +Apicius, vi. 562 + +Apollo Alexicacos, _ii. 446_ + +Apollo Belvidere, statue of, 446 + +Apollo Boëdromios, _ii. 446_ + +Apollodorus, ii. 273 + +Appian, ii. 179, _509_ + +Appleton's _Encyclopedia_, _vi. 349_ + +Aquileia, _iv. 386_ + +Aquinas, St. Thomas, _De Omnibus Rebus_; _De Quibusdam Aliis_, _ii. 163_ + +Arabs, their hatred of the Turks, _iii. 163_ + +Araktchèef, "the corporal of Gatchina," _v. 564_ + +Aranjuez, insurrection at, ii. 90 + +Ararat, Mount, _v. 294_ + +Arbaces, the Mede, _v. 11, 13_; Governor of Media, v. 12 + +Arcadia, ii. 189 + +Arcadius, _vi. 8_ + +Archangels, the, v. 286 + +Archenholtz, M. de, _Picture of Italy_, _iv. 470_ + +Archidamus, king of Sparta, _v. 619_ + +Archilochus, ii. 483 + +Archimedes, vi. 538 + +_Archivio Veneto_, _iv. 457_ + +Ardennes, forest of, ii. 232, 293 + +Ares, fountain of, _ii. 189_ + +Aretini, B. Accolti, _Dialogus de Præstantiâ Virorum sui Ævi_, _iv. 309_ + +Aretino, Lionardo (Leonardo Bruni), _Le Vite di Dante_, ii. 500; iv. + _253, 275_, 309; _Istoria Fiorentina_, iv. 287 + +Argentière, Mount, ii. 300 + +Argonauts, the, _vii. 10_ + +Argos, _iii. 447_ + +Argus, Ulysses' dog, _ii. 30_, vi. 149 + +Argyle Rooms, i. 348 + +Argyrocastro, ii. 174, 202 + +Arici, Cesare, _La coltivazione degli Ulivi_; _Il Corallo_; _La + Pastorizia_, iv. 245 + +Arimanes, Arimanius, etc., king of the Spirits, iv. 86, 112 + +Ariosto, Lodovico, ii. 5, _65, 354_; iv. 141, 239, _265, 480_; _v. 615_; + vi. xviii, 176, 210; _Satira_, ii. 309; _iv. 149_; "The Southern + Scott," ii. 311; the gondoliers and, ii. _330_, 468; _Orlando + Furioso_, ii. 359; _iii. 243_; iv. _75, 266_, 283; _v. 573_; his bust, + ii. 360, 486; Titian's portrait of, _iv. 162_ + +Aristaenetus, ii. 199 + +Aristippus, vi. 139 + +Aristobulus, _v. 24_ + +Aristogeiton, ii. 228, 291 + +_Aristomenes_, iv. 566 + +Aristophanes, _Clouds_, _v. 289_ + +Aristotle, _i. 398_; _ii. 196_; iv. 253; _v. 13_, vi. 47, 73, 182 + +Armada, Spanish, ii. 459 + +Armida and Rinaldo, vi. 34 + +Arminius, ii. 293 + +Armstrong, John, laird of Gilnockie, ii. _25_, 295 + +Armstrong, poet, _iii. 330_ + +Arnaout, or Albanian dialect, specimen of, ii. 183 + +Arnaouts (or Albanese), ii. _169_, 174 + +Arnaud, ii. 502 + +_Arno Miscellany_, _i. 358_ + +Arno river, ii. 364; vi. 402 + +Arnold, Matthew, _ii. 370_; _A Wish_, _iii. 39_, _Poetry of Byron chosen + and arranged by_, _v. 205, 254_; Motto to _Poems_, _vi. 173_; _A + Picture of Newstead_, _vi. 496_ + +Arnold, Dr. Thomas, on _Cain_, _v. 224_ + +Arnulph, a Lombard, _ii. 390_ + +Arpenaz, Falls of, _ii. 383_ + +Arquà, ii. 312, 350; Petrarch's tomb at, ii. 482 + +Arragonians, the, v. 560 + +Arrian, _v. 24_; _Alexand. Anabasis_, _v. 543_ + +Arrowsmith, John, _Tractica Sacra_, _vi. 380_ + +Arsenalotti, the, _iv. 356, 358_ + +Arséniew, vi. 306, 332, _353_ + +Arsenius, Archbishop of Monembasia, _iii. 121, 122_ + +Art of Happiness, Horace's, vi. 490 + +Arta, gulf of, _ii. 142, 145_ + +Artaxerxes Mnemon, v. 3, 4 + +Artemidorus, _Oneirocritica_, _ii. 488_ + +Artemis, temples of, i. 467; _ii. 441_ + +Arthur's Seat, Edinburgh, i. 331, 334 + +Arundel, Lord, _vi. 496_ + +Arvad, island-city of, v. 4 + +_As You Like It_, ii. 293, _399_, iv. 153; _v. 153_, vi. 466 + +Ascanius, i. 157 + +Ascham, Roger, _Schoolmaster_, iv. 153 + +Asdrubal, _v. 606_ + +Ashburton, Lord, _iv. 513_ + +Ashpitel, F.S.A., Arthur, _vi. 497_ + +Askalon, i. 2 + +Asma Sultana, _vi. 261_ + +Asmodeus, _i. 56_, iv. 516 + +Aspasia, v. 5 + +Asphaltites, lake, ii. 237, 294 + +Aspropotamo (Aehelous), river, iv. _143_, 182 + +Assyrians, the, v. 4 + +Astarte, iv. 115 + +Astley, Mrs., _vii. 59_ + +Astley's Theatre, iv. 203; vii. 59 + +Astoreth, the Phoenician, _iv. 115_ + +Astrea, the goddess of justice, i. 111 + +Asturias, the, ii. 89; _v. 558_ + +Asurbanipal, king of Assyria, v. 4 + +Asuretiliani, king of Assyria, v. 4 + +Ataghan, long dagger, iii. 103 + +Atalantis, vi. 453, _454_ + +Athanasian Creed, vi. 275 + +_Atheista Fulminalo_, the old Spanish play, _vi. 4_ + +_Athenæum_, i. xiii; _ii. 36, 216_; _iv. 32, 36, 513_, v. 324 + +Athenæus, _Deipnosophistæ_, _v. 11, 24, 103, 107_ + +_Athenian Society, the_, _i. 336_ + +Athens, i. 376; its works of Art plundered, i. 454-474; ii. 187-204; + besieged by the Venetians, ii. 165, _et seq._, treachery of the Greeks + after capitulation of, v. 556 + +Athos, Mount, ii. 116; iii. 18; vi. 479 + +Atkinson, Miss, as "Josephine" in _Werner_, v. 324 + +_Atlantic Monthly Magazine_, v. 584; vii. 3 + +Atlas, Mount, ii. 386 + +Atreus, i. 144 + +"Attic Bee," vi. 585 + +Attica, ii. 129; vi. 429 + +Attila, the Hun, ii. 107, 298; _iii. 306_, iv. 386, 456; v. 158; _vi. + 321_ + +Atuahalpa, king of Quito, ii. 81 + +Aubin, Commander Philip, sloop _Betsy_, _vi. 98, 102_ + +Aubrey, John, _Miscellanies upon Various Subjects_, _iv. 524_, _Letters + and Lives of Eminent Persons_, _vi. 571_ + +Auchinleck, Lord, _vii. 35_ + +Auerstadt, battle of, _v. 550_ + +_Augustini Cod._, v. 118 + +_Augustini Cronaca_, v. 190 + +Augustinian monks, _iv. 120_ + +Augustinus de Cremâ, _ii. 340_, _Confess., ii. 520_ + +Augustus, ii. 128, _336, 408_, 488, 509, 518; _v. 542_ + +Augustus, port of, vi. 179 + +Aulus Cæcina, ii. 299 + +Aulus Gellius, ii. 92; _Noct. Attic_., _vi. 379_ + +Aurelian, ii. 520 + +Aurelius, column of, _ii. 410_ + +Aurora Borealis, vi. 479 + +Austen, Sarah, translation of Ranke's _Popes of Rome_, _v. 520_; _vi. + 208_ + +Austerlitz, battle of, i. 489, _495_; _ii. 342_; _v. 548_; _vi. 14, 351_ + +Austria, and Italy, ii. 363; iv. 456, 458; loan to, _v. 573_ + +Austrians, restore St. Mark's Lions to Venice, _ii. 336_, defeated by + Dumouriez at Jemappes, _vi. 13_, at battle of Leipsic, vii. 23 + +Ava, cava, or kava, a Tongan intoxicating drink, v. 600 + +Avalanches in Switzerland, ii. 385 + +Avarice, "a good old-gentlemanly vice," vi. 78 + +Aventicum (Avenches), ii. 256, 298 + +Avicenna, _iv. 523_ + +Avogadori di Commun (State advocates), iv. _346_, 361, _399_, 463, 465 + +Ayesha, Mahomet's favourite wife, _vi. 139_ + +Ayliffe, _Parergon_, _v. 135_ + +Ayscough, Samuel, iv. 153 + +Azâzêl, _v. 291_ + +Azrael, iii. 171 + +Azzo V. (d'Este), of Tuscany, _ii. 354_ + + +B + +Baal, king of Tyre, v. 4, 18, 19, 36, 70, 95 + +Babbage, Charles, _ii. 215_ + +Babel, Tower of, vi. 235 + +Babylon, iii. 402-404; vi. 235, 236, 348 + +Bacchus, vi. 129 + +Bacci, O., _Manuale della Letteratura Italiana_, _iv. 536_ + +Bacon, Captain Anthony, _ii. 11_ + +Bacon, Friar (_The Famous Historie of_), his brazen head, vi. 78; + discovers gunpowder, vi. 340 + +Bacon, Lady Charlotte Mary (_née_ Harley), "Ianthe," ii. xii, 11 + +Bacon, Lord, ii. 514; vi. 174, 548; _Advancement of Learning_, _v. 228_; + _Essays_, _v. 489_; _vi. 259_; _Nat. Hist._, _vi. 518_ + +Bactria, v. 20 + +Badajoz, capture of, _i. 496_ + +Baden, Franz, _v. 564_ + +Baffin's Bay, _vi. 51_ + +Bagehot, _Literary Studies_, _i. 303_ + +"Bagpipe," "pibroch" used for, i. 133 + +Bailen, _ii. 54_ + +Bailli, Jean Sylvani, first Mayor of Paris, _iv. 454_ + +Baillie, Agnes, _vi. 412_ + +Baillie, Joanna, iv. 339; _vi. 412_; _De Montfort_, _iv. 338_ + +Baillie, Dr. Matthew, _vi. 21_, 412 + +Bairâm, the Moslem Easter, iii. 96 + +Baird, Sir David, _ii. 80_ + +Bajuzet, cage of, iii. 312 + +Baker, H. Barton, _The London Stage_, v. 324 + +Bakewell, T., _The Moorland Bard, etc_.; _A Domestic Guide to Insanity_, + i. 361 + +Baldwin and Cradock, _vii. 50_ + +Balgownie, Brig o', vi. 405 + +_Ballad. To the Tune of "Sally in our Alley,"_ vii. 58 + +Ballantyne, _i. 435_, 436 + +Baltazhi-Mahomet, Grand-Vizier, _v. 564_ + +Bandelli, _iii. 505_ + +Banderillos, dart-throwers, ii. 67 + +Bandusia, fountain of, ii. 524 + +Bank tokens, _i. 495_ + +Bankes, William, i. xii, _84, 497_; iv. _162_, 279, 472 + +Banks, Sir Joseph, ii. 7; v. 582 + +Bannier, or Baner, Johan, Swedish general, v. 371 + +Barataria, pirates of, _iii. 296_ + +Barbarelli, Giorgio (Giorgione), iv. 162 + +Barbarigo, Doge Agostino, _v. 195_ + +Barbarigo, Doge Marco, _v. 195_ + +Barbarossa, Frederic, ii. 336, 390, 473 + +Barbette, vi. 305 + +Barbiera, R., _Poesie Veneziane, iv. 457_ + +Barbo, Pantaleone, _iv. 352_ + +Barclay, Captain Robert, _i. 321_ + +Bardela, ii. 523 + +Barings, the, vi. 456 + +Barker, Miss, _Lines addressed to a Noble Lord_, _iii. 488_ + +Barlow, Sir George, _i. 468_ + +Barnave, Antoine Pierre Joseph, vi. 13 + +Barnet, Lewis, Sub-Dean of Exeter, _iii. 299_ + +Baronius, _Ann. Eccles._, ii. 512, _513, 521_ + +Barossa, battle of, i. 469; ii. 81 + +Barotti, ii. 487 + +Barrett, Eaton Stannard ("Polypus"), _All the Talents_, i. 294, _337_ + +Barrey, Lodowick, _Ram Alley_, _i. 493_ + +Barrol, M. de Fallette, _iv. 367_ + +Barrow, Dr. Isaac, vi. 128 + +Barrow, Sir John, _Memoir of the Life of Peter the Great_, _iv. 209, + 505_, _The Eventful History of the Mutiny of the Bounty, etc._, v. + 584, _588, 592, 594, 596_; a _Q.R._ contributor, vii. 76 + +Barry, the actor, as "Werner," v. 324 + +Barry Cornwall. _See_ Procter, B.W. + +Barthélémi; _i. 414_; _Anacharsis_, ii. 199 + +Bartolini, Lorenzo, _vi. 360_ + +Barton, Catherine (Mrs. Conduit), _vi. 400_ + +Baruffaldi Giuniore, Abbé G., _La Vita di M.L. Ariosto_, ii. 486 + +Baschet, Armand, _Les Archives de Vénise_, iv. 327, _364, 399_ + +Basejo, Pietro, _iv. 382_ + +Bashkirs, a Turco-Mongolian tribe, v. 565 + +Basili, Byron's Albanian servant, ii. 175, 176 + +Baskerville, _vi. 146_ + +Basle, Treaty of, ii. 90 + +Basquiña or saya, the outer petticoat, vi. 116 + +Bastille, the, _vi. 214_ + +Bathurst, Captain, _Salsette_ frigate, _iii. 13_ + +Bathurst, Henry, Earl of, _v. 545, 546_ + +Batteux, M., _i. 402_ + +Bauer, Juliette, tr. of Klencke's _Alexander von Humboldt_, _vi. 216_ + +Baussière, Madame, _i. 493_ + +Bautzen, battle of, _iii. 431_ + +Baxter, Richard, i. 417 + +Bayard, _i. 107_; ii. 7; _v. 498_ + +_Bayart, Chronique de_, _v. 515_ + +Bayle, Pierre, _Historical and Critical Dictionary_, ii. 502, _519_; + _iii. 122_; _iv. 523_; v. 202, _208, 226, 235, 250, 306, 634_; _vi. + 571_ + +Beachey, Captain, _Narrative of a Voyage to the Pacific_, _v. 588, 605_ + +Beatrice (Portinari), Dante's, iv. 247, 248, 251; vi. 146 + +Beattie, James H., _Minstrel_, ii. 5, _65, 82, 115, 123, 350_, 479; _v. + 615_; _vi. 78_ + +Beaufort, Duke of, _Driving_, _vii. 26_ + +Beauharnais, Eugène, Viceroy of Italy, iv. 458; _vi. 12_ + +Beaumont and Fletcher; i. _397_, 398, _489_; _The Humorous Lieutenant_, + _iv. 172_ + +Beaumont, i. 343, 398 + +Beaumont, Lady (Margaret Willis), "Lady Bluemount" of _The Blues_, iv. + 569, 570, 585; _vi. 587_ + +Beaumont, Sir George, founder of the National Gallery, iv. _341_, 570, + _582_, 585; vii. _63_, 64 + +_Beauties of England and Wales_, _vi. 496, 497_ + +Bebryces, the, _vi. 220_ + +Becher, Lady (Elizabeth O'Neill), _iv. 338_ + +Becher, Rev. J.T., i. xi, 112, 247, _263_ + +Becket, Thomas à, _i. 116_; vi. 422, _495_ + +Beckford, William, _Childe Harold_ on; ii. xi; _Italy with Sketches of + Spain and Portugal_, _ii. 35, 36, 43, 45_; _Vathek_, ii. 37; iii. _59, + 76, 87, 105, 109, 110, 121, 145, 478_; iv. _45, 89, 113_, 244; + "Dives," vii. 7 + +Becque, Henry, _Sardanapale, Opéra en Trois Actes_, v. 2 + +"Bed of Ware," vi. 272 + +Beddoes, Dr., _i. 307_ + +Bede, _Excerptis seu Collectaneis_, _ii. 435_ + +Bedford, Southey's letter to Mr., _vi. 3_ + +Bedford, Lucy, Countess of, iv. 239 + +Bedlam, vi. 435 + +Beechy, Lieutenant, _vi. 478_ + +Beethoven, iii. 376 + +Begum of Oude, iv. 72 + +Behmen or Boehm, Jacob, vi. 268 + +Behn, Mrs., _v. 550_ + +Béjot, M., _ii. 481_ + +Belcher, Lady, _Mutineers of the Bounty_, _v. 588, 589, 622_ + +Beleses, Governor of Babylon, _v. 13_ + +Beleses, a Chaldæan and soothsayer (character in _Sardanapalus_), v. 12 + +Belgrade, _ii. 153_; iv. 331 + +Belisarius, vi. 139 + +Bell, John, i. 357, _358_ + +Bellerophon, _vi. 255_ + +Bellingham, murderer of Mr. Perceval, _v. 477_ + +Belshazzar, iii. 396, 421; vi. 162 + +Beltramo Bergamasco, iv. 384, 430, 465 + +Beltane Tree, a Highland festival, i. 142 + +Belus, v. 25, 31 + +Belvidere Apollo, the, ii. 446 + +Bembo, Antonio, iii. 448 + +Bembo, Bernardo, ii. 495 + +Ben Nevis, _i. 192_ + +Benbow, W., iv. 482; v. 203; _vii. 46_ + +Bende, Niccolo dalle, iv. 464 + +Bender river, _v. 551_, vi. 362 + +Benedict XIV., Pope, _ii. 282_ + +Benengeli, Cid Hamet, i. 299 + +Bentham, Jeremy, _vi. 267_; _vii. 32_ + +Bentinck, Lord William, _v. 158_ + +Bentley, Richard, i. 30; _iii. 209_ + +Bentotes, or Bendotes (Vendoti), Λεξικὸν Τρίγλοσσον + [Greek: Lexiko\n Tri/glosson ], ii. 197; iii. 121 + +Benvenuto Cellini, v. 471, _516, 518, 521_ + +Benzon, Marina Querini, the heroine of _La Biondina in Gondoleta_, _iv. + 456, 457_ + +Benzon, Vittore, _Nella_, _iv. 456, 457_ + +Benzon, Countess, iv. 471 + +_Beppo_, _i. 362_, ii. 313, _371, 374_, iv. 153-189, 238, _241_, 279, + _413_, 471, _517, 579_, vi. xvi, xvii, _214, 287_, 390; vii. 51 + +Béranger, J.P, de, _Chansons Inédites_, _vi. 235, 373_ + +Berenice, i. 69; _vi. 139_ + +Beresford, James, _Miseries of Human Life; or, The Last Groans of + Timothy Testy and Samuel Sensitive_, i. 338 + +Beresford, Lord, _ii. 51_ + +Beresina, battle of, _iv. 207_ + +Bergami, Bartolommeo, vi. 236, _290_ + +Bergamo, v. 119, 138 + +Bergk, _i. 19_, ii. 138 + +Berkeley, D.D., Bishop George, _Principles of Human Knowledge_, vi. 427 + +Berlan, Francesco, _I due Foscari, Memorie Storicho Critiche_, v. 117, + 119, _121, 122, 133, 134_ + +Berlin, v. 550 + +Berlinghieri, Andrea Vacca, ii. 324 + +Bernadotte, king of Sweden, _v. 553_ + +Bernard, Edward, _Pedigree of George Gordon, Sixth Lord Byron_, _vi. + 411_ + +Bernard, W. Bayle, adapts _Marino Faliero_ for the stage, iv. 324 + +Berners, Sir John Bourchier, Lord, _The Bake of Duke Huon of Burdeux_, + _v. 496_ + +Berni, Francesco, iv. 157, 283, 325; vi. xvi + +Bernis, Abbé de, iv. 334 + +Bernstorff, Count, v. 539 + +Berrí, Duc de, _iii. 435_; _v. 567_ + +Berry, Miss, _Journal_, iv. 569, 570, 587 + +Bertrand, General, _iii. 312_; _Campagnes d' Egypte et de Syrie_, _v. + 550_ + +Bertuccio, Israel, iv. 340, 464 + +Bestuchef, Count, _vi. 417_ + +Betham, William, _v. 588_ + +Bethlen Gabor, king of Hungary, _v. 349, 352_ + +_Betsy_, wreck of the sloop, _vi. 98, 102_ + +Bettinelli, ii. 496 + +Betty, William Henry West, "the young Roscius," i. 342 + +Beuchot, editor of Voltaire's _Works, iv. 212_ + +Bevius, Canon of Padua, ii. 503 + +Bewley, John H., of Buffalo, N.Y., _vii. 63_ + +Bey Oglou, the, iii. 166 + +Bezborodky, _vi. 389_ + +Biagoli, _iv. 318_ + +Bianchi, ii. 494 + +Bianconi, ii. 487 + +Bibiena, Antonío Divizio da, _iv. 174_ + +Bibiena, Cardinal, _iv. 174_ + +Bibiena, Maria da, _iv. 174_ + +_Bible, the_, ii. xiii; prophecies of, iv. 244 + +_Bibliographie Universelle_, _iv. 334_ + +_Bibliotheca Teubneriana_, _iv. 213_ + +_Bibliothèque de l' École des Hautes Études_, Paris, _ii. 412_ + +_Bibliothèque Historique de la Revolution_, _vi. 13_ + +Bindi, V., _Monumenti Storici ed. Artistici degli Abruzzi_, _iv. 288_ + +Bindlose, Sir Francis, _i. 101_ + +_Biographia Literaria_ (Coleridge's), _i. 489_; _iii. 435_ + +_Biographical Dictionary of Living Authors of Great Britain and + Ireland_, _iv. 341_; _vi. 443_ + +_Biographie Universelles_, _vi. 246, 531_ + +Biondo, Niccolo, iv. 464 + +Birch, Alderman, _i. 435_ + +Biren, Ernest John, vi. 417 + +Biscay, Bay of, ii. 31 + +Bishop, Sir Henry, iv. 78 + +Bisognoso, bezonian, a rogue, vi. 347 + +Black Friar of Newstead Abbey, the, vi. _576_, 578, _et seq._ + +Black, John, "Maid of Athens'" husband, _iii. 16_ + +Black, John, _Life of Tasso_, _ii. 470, 485_; _iv. 145_ + +Black, Theresa (_née_ Macri), "Maid of Athens," iii. 15; _vi. 280_ + +Black Sea, _iii. 4_; _vii. 10_ + +Blackbourne, Dr., Archbishop of York, _iii. 298_ + +Blacket, Joseph, i. _323_, 359, _442_, _443_; vii. 11 + +Blacklock, Dr., _ii. 5_ + +Blackmore, Sir Richard, _i. 314, 404_ + +Blackstone, _Commentaries_, i. 29 + +Blackwood, William, iii. 444; _vii. 51_ + +_Blackwoods Edinburgh Magazine_, _iii. 182_; iv. 80, _119_, 139, _152_, + 157, 203, 240, 329, _368_, _521_, 570; v. 5, 204, 280, 282, 329; vi. + xix, _16, 213, 278, 445_; vii. 51 + +Blair, Dr., vi. 128 + +Blake, Benjamin, barber, i. 422 + +Blake, K. Jex-, _The Elder Pliny's Chapters on the History of Art_, _ii. + 432_ + +Blanc, Mont, ii. 257, 299, 385 + +Blanchard, E.L., _Life and Remains_, iv. 324 + +Bland, Rev. Robert, _The Greek Anthology, etc._, _i. 366_; ii. 291; + _iii. 32_; _v. 633_ + +_Bland-Burges Papers_, _i. 416, 438_ + +Blank verse, "allied to tragedy," i. 398; "prose poets like," vi. 73 + +"Blatant beast," a figure for the mob, ii. 40 + +Blenheim, battle of, _ii. 459_; iii. 57 + +Blessington, Lady, _Conversations with Lord Byron_, _i. 337, 390_; _ii. + 236, 423_; iv. _63, 64_, 70, _538, 545, 549, 562_, 570; _vi. 509_; + vii. _38_, 82; Lawrence's portrait of, _iv. 64_ + +Blessington, Lord, _iv. 64_; _vi. 512_; vii. 82 + +Bligh, Lieutenant William, short account of, v. 587; _A Narrative of the + Mutiny and Seizure of the Bounty, etc_., v. 581-583, 585, _588, 589, + 591-595_; _vi. 98-100, 105, 111_ + +Blondus, Flavius, _De Româ Instauratâ_, ii. 509 + +Bloomfield, George, i. 360 + +Bloomfield, Nathaniel, i. 300, 441, _442_ + +Bloomfield, Robert, _The Farmer's Boy_, i. _359_, 360, _442, 443_ + +Blore, Edward, architect, iii. 376 + +Blount, Henry, "Good night to Marmion," i. 312 + +Blücher, Marshal, _ii. 459_; _v. 553_; vi. _312_, 345; _vii. 39_ + +Blue-stockings, the, _iv. 176_; vi. 75 + +_Blues, The_, _i. 321, 362_; iv. 567-588; vi. 357, _587_; _vii. 17_ + +Blunt, Lady Anna Isabella Scawen (_née_ Noel), _ii. 215_ + +Blunt, Wilfrid Scawen, _ii. 215_ + +Boabdil, vi. 30 + +Boatswain, Byron's dog, i. 280; ii. 30 + +Boccaccio, Giovanni, ii. _353_, 373, 498, 500; _iv. 248, 253, 254_; vi. + 179; "the Bard of Prose," ii. 371; _Decameron_, ii. 495, 501, 502; his + burial-place, ii. 499; his cenotaph at Arquà, ii. 503; _Il Comento + sopra la Com media_, iv. 316 + +Bodleian Library, Oxford, _v. 302, 473_ + +Bodoni, ii. 472 + +Boehm, Mrs., her masquerade, iv. 177 + +Boeotia, ii. 66, 93 + +Boethius, _De Consolat. Philos._, _iv. 318_ + +Bogle, Scottish for goblin, vi. 449 + +Bohemia, evacuated by the Swedish garrisons, _v. 371_ + +Bohours, ii. 485 + +Boïardo, Matteo Maria, _Orlando Innamorato_, ii. 293, _354_, 485; iv. + 281, 283 + +Boileau, _i. 402_; ii. 358, 484, _485_ + +Boissevain, P., editor of Dio Cassius' _Hist. Rom._, _iv. 370_ + +Bolero, i. 492; iii. 3, _26_; vi. 526 + +Boleyn, Anne, her remark on the scaffold, _iii. 265_ + +Bolingbroke, Lord, hires Mallet to traduce Pope, i. 326 + +Bolivar, Simon (El Libertador), v. 555 + +Bonar, James, _Malthus and his Work_, vi. 461 + +Bonesani, Beccaria, _Dei Delitti e delle Pene_, _ii. 196_ + +Boniface VII., Pope, ii. 494 + +Bonivard, Amblard de, iv. 14 + +Bonivard, François de, Prior of St. Victor (Prisoner of Chillon), iv. + 3-28, 327; _Les Chroniques de Genève_, iv. 5; _Mémoires, etc._, _iv. + 18_ + +Bonivard, Jean Aimé de, iv. 9, _20_ + +Bonivard, Louis de, iv. 9 + +Bonn, vi. 419 + +Boone, Colonel Daniel, _The Adventures of; Containing a Narrative of the + Wars of Kentucky_, vi. 348, 349 + +Boone, George, of Exeter, _vi. 349_ + +Booth, G., _The Historical Library of Diodorus the Sicilian_, _v. 11_ + +Booth's Theatre, New York, _Sardanapalus_ at, v. 2 + +_Border Minstrelsy_, ii. 4, _25_, 295 + +Borgia, Lucrezia, _ii. 354_ + +Borgo, Count Pozzo di, v. 539 + +Bornou, _vi. 474_ + +Borysthenes (Dniéper) river, iv. 211 + +Boscan, Juan, of Barcelona, _Leandro_; _The Allegory_, vi. 40 + +Bosphorus, vi. _219_, 220; _vii. 10_ + +Bosquet de Julie, ii. _305_, 306 + +Boswell, James, _Life of Johnson_, _i. 401, 409, 449_; ii. _460_, 489; + _iv. 500, 573_; _v. 592_; _vi. 247, 455, 482_ + +Botzaris, Marco, Suliote chief, ii. 180 + +Boudot, M., _ii. 481_ + +Boufflers, Marshal, _ii. 297_ + +Boulanger, J.C., _De Terræ Motu et Fulminibus_, _ii. 488_ + +_Bounty_, Mutiny of the, See also _The Island_, v. 581-584. _See_ also + _The Island_ + +Bourbon, Connétable Charles de (Comte de Montpensier, Dauphin + d'Auvergne), _ii. 390_; iv. 258; v. _495_, 498, 515-518, _520_ + +Bourbon, Susanne, Duchesse de, _v. 499_ + +Bourbons, the, iv. 334 + +Bourdeille, Pierre de, _v. 520_ + +Bourne, H.R. Fox-, _Life of John Locke_, _ii. 353_ + +Bourrienne, M., _i. 489_ + +Bouveret, ii. 304; _iv. 18_ + +Bouwah! the Suliote war-cry, vii. 83 + +Bowles, Rev. William Lisle, _Strictures on Pope, etc._, i. 292, _305_, + 323-327, 352, 370, 421, _435_; _ii. 139_; iii. 535; _iv. 555, 562_; + _Spirit of Discovery_, i. 324, 325, 404; _The Missionary of the + Andes_, vii. 45; _The Invariable Principles of Poetry_, vii. 74, 75 + +_Bowles and Campbell_, vii. 74 + +Bowring, E.A., _The Tragedies of Vittorio Alfieri_, _v. 211_ + +Boyd, Hugh, iv. 313, _513_ + +Boyer, J.B., _Lettres Juives_, _iii. 123_ + +Boyne, W., _i. 495_ + +"Boz," _Memoirs of Joseph Grimaldi_, _vi. 11_ + +Bracciolini, Poggio, _ii. 354_ + +Braemar, i. 173 + +Braganza, vii. 6 + +Braham, John, _i., 347_; music for _Hebrew Melodies_, iii. 375 + +Bramante, first architect of St. Peter's, Rome, _iv. 270_ + +Brandenburgh, George William, Elector of, v. 373 + +Brandl, Professor A., _Goethes Verhältuiss zu Byron_, iv. 82; + _Goethe-Jahrbuch_, _iv. 136_ + +Brandywine, battle of, _i. 500_ + +Brantôme, _Memoires de Messire Pierre de Bourdeille_, _v. 504, 520_ + +Brasidas, ii. 167, 335 + +Brass, Corinthian, vi. 284 + +Braziers, the, vii. 72 + +Bread-fruit (_Autocarpus incisa_), v. 596 + +"Break squares," to, vi. 487 + +Breitenfeld, battle of, _v. 371_ + +Brennus, iv. 258 + +Brenta, the, ii. 349 + +Brentano, M. Frantz Funck-, _L'Homme au Masque de Velours Noir_, _iv. + 514_ + +Brentford, ii. 66 + +Brenton, E.P., _The Naval History of Great Britain_, _vi. 589_ + +Brescia, v. 119, 138 + +Bret Harte, _The Society upon the Stanislaus_, _iv. 296_ + +Breuner, General, _iii. 455_ + +Brewster, Sir David, _Letters on Natural Magic_, _v. 483_; _Memoirs, + etc., of Sir Isaac Newton_, _vi. 400_ + +Briareus, vi. 276 + +_Bride of Abydos_, _i. 340_; iii. _13, 17_, 80, 157-210, 217, 219, + _275_, 319, _480_; _iv. 56_; _vi. 204_; vii. 55 + +Bridge of Sighs, Venice, ii. 327, 465; iv. 364; v. 139 + +Bristol, Countess of, _vi. 219_ + +"Britannicus," _Revolutionary Causes, etc., and A Postscript containing + Strictures on Cain, etc._, v. 202 + +_British Album_, _i. 358, 383_ + +_British Archæological Society_, _iii. 120_ + +_British Bards, A Satire_, original title of _English Bards, and Scotch + Reviewers_, i. xiv, 293, _303, 306, 307, 311-314, 316, 317, 321-325, + 327, 332, 339-342, 344-346, 353-355, 357, 361, 366, 367, 371-373, 375, + 376_ + +_British Critic_, vi. xx + +British Museum, i. xiv, _108_; _ii. 441_; _v. 542, 548, 600_; _vii. 78_; + _Egerton MSS._, i. _235_, 293, 387; _MS., Proof b_, _i. 394-396, + 398-401_; _Childe Harold MS._, _ii. 3-5_; _iii. 38_; _MS._, _vii. 87_ + +_British Review_ ("The Old Girl's Review;" "My Grandmother's Review"), + _iii. 128_; iv. 578, 579; v. 204; vi. xx, 76 + +_British Theatre_, _iii. 158_ + +Brocken, German superstition about the, v. 483 + +Brodribb, Rev. W.J., _Pliny's Letters_, _ii. 380_ + +Brossano, Petrarch's son-in-law, ii. 484 + +Brougham, Lord, i. 293, _302, 306_, 338; _iv. 195_; _The Identity of + Junius with a Distinguished Living Character established_, _iv. 513_; + his Fabian tactics, vi. _67-70_; "Parolles," vi. 506; his critique of + _Hours of Idleness_, _vi. 551_ + +Brown, Horatio F., _Venice, an Historical Sketch, etc._, ii. _338_, 340; + _iv. 356, 361, 399_; v. 119, _125_; _Venetian Studies_, _iv. 427_ + +Brown, John, _The Kentucky Pioneers_, _vi. 349_ + +Brown, Rawdon, Preface to _Venetian Calendar of State Papers_, _iv. 447_ + +Browne, Felicia Dorothea (Mrs. Hemans), vii. 70 + +Browne, Isaac Hawkins, _The Fireside, a Pastoral Soliloquy_, _vi. 348_ + +Browne, Sir Thomas, _ii. 345_; _Religio Medici_, _iii. 165_ + +Browning, Mrs. Elizabeth Barrett, _Casa Guidi Windows_, iv. 239, _250_ + +Browning, Oscar, _Peter the Great_, iv. 203; _Charles XII._, _iv. 208_; + _vi. 363_; _Dante_, _iv. 254_ + +Browning, Robert, _Poetical Works_, _ii. 346_; _Christmas Eve_, _ii. + 376, 441_; _Never the Time, etc._, _iii. 180_; _Evelyn Hope_, _iii. + 292_; _Pippa Passes_, iii. 348; _Confessions_, _iv. 217_; and + Macready, v. 114; _Bishop Blougram's Apology_, _vi. 586_ + +Brownlow, Bishop of Winchester, vii. 22 + +Bruce, James ("Abyssinian Bruce"), _Life and Travels_, _iii. 99_; _v. + 302_; _vi. 122_ + +Bruchard, Henri de, _Notes sur le Don Juanisme_, vi. xx, _387_ + +Brue, Benjamin, _Journal de la Campagne en 1715_, iii. 442, _481_ + +Brummell, "Beau," _iv. 179_; vi. 451 + +Brunck, Richard Franz Philippe, i. 30; _Anthologia Græca_, i. 490; + _Gnomici Poetæ Græci_, _ii. 404_ + +Brunelleschi, _ii. 376_ + +Brunswick, Duchess of, _vii. 35_ + +Brunswick, Charles William Ferdinand, Duke of, _ii. 239_; vi. 12, _312_ + +Brunswick, Frederick William, Duke of, ii. 230 + +Brussels, the Waterloo ball at, ii. 228, 292 + +Brutus, ii. 374, 392; iv. 370, _386_; _v. 560_; vii. 37 + +Bryant, Jacob, _iii. 179_; _Dissertation concerning the War of Troy, + etc._, vi. 204, _211_ + +Bryant's _Dictionary of Painters_, _ii. 171_ + +Brydges, Sir E., _iv. 541_ + +Bucentaur, the Venetian State barge, ii. 335 + +Buchan, fifth Earl of, _i. 429_ + +Buckhurst, Thomas Sackville, Lord, _Gorboduc_, i. 197 + +Buckingham, George Villiers, second Duke of, _i. 197_; _The Rehearsal_, + i. _309, 401_, 423, 447; _vi. 52, 303_ + +Buckingham, John Sheffield, Duke of, _Essay upon Poetry_, i. 354 + +Buda retaken from the Turks, iii. 458 + +Budd, the publisher, _i. 356_ + +Budge, E.A. Wallis, _Life and Exploits of Alexander the Great_, _v. 543_ + +Budgell, Miss, _i. 449_ + +Budgell, Eustace, i. 448, 449 + +Buffo, vi. 206 + +Bulgarin, _Iwan Wizigin_, iv. 203 + +Bull-fights, ii. 67-72 + +Bulmer, W., printer, _i. 317_; iii. 301 + +Bülow, Friedrich Wilhelm, Baron von, vi. 345 + +Bulukof, Count, _vi. 260_ + +Bumpus, John, _i. 234_ + +Bunbury H., _The Little Grey Man_, _i. 317_ + +Bungay, Friar, _vi. 78_ + +Bunyan, John, _vi. 208_ + +Bunyan, William, _An Effectual Shove, etc._, i. 417, _418_ + +Buonaparte, Jacopo, _Sacco di Roma, etc._, iv. 258; v. 471, _514, 516, + 520, 521_ + +Buonaparte, Joseph, _iv. 458_; v. 533 + +Buonaparte, Prince Lucien, ii. 522 + +Buonaparte, Napoleon. _See_ Napoleon Buonaparte + +Buratti (Bucati), Pietro, _iv. 456, 457_ + +Burchard, _Diar._, _iii. 367-369_ + +Burdett, Sir Francis, _i. 435, 436_; vii. 30, _40, 67_, 68 + +Burgage, or tenure in burgage, vi. 590 + +Bürger, _Lenore_, _i. 305_ + +Burges, Elizabeth, Lady (_née_ Noel), _i. 437_ + +Burges, Sir James Bland, _i. 314_; _Richard the First_; _Exodiad_, _i. + 436, 437_ + +Burgoyne, General John, vi. 12 + +Burgundians, the, ii. 254, 297 + +Burke, Edmund, _i. 416_; iv. 75, _513_; v. 592; _Reflections on the + Revolution in France_, _ii. 7_; _iii. 513_ + +Burkitt, Thomas, able seaman on the _Bounty_, v. 583 + +Burns, Robert, _Farewell to Ayrshire_, _i. 210_; Lewis's _Tales of + Terror_, _i. 317_; referred to in _E.B. and S.R._, i. 360, 362; + _Farewell to Nancy_, iii. 147; _The Life and Age of Man_, _iii. 449_; + Dr. Currie's _Life of_, vi. 174; + +Burrard, Sir Harry, _ii. 39_ + +Burton, Sir Richard F., _Arabian Nights_, _iii. 87, 104, 109, 113_ + +Burton, _Anatomy of Melancholy_, _ii. 236_; _v. 543_ + +Burun, Ralph de, _iv. 543_; _vi. 411_ + +Busaco, battle of, _i. 470_ + +Busby, Dr. Thomas, _A New and Complete Musical Dictionary_; _The Age of + Genius_; Drury Lane _Address_, i. 481, 485; iii. 55-58; translation of + _Lucretius_, iii. 57 + +Busingen, _iv. 97_ + +Bute, John Stuart, Earl of, iv. 501, 510 + +Butler, A.J., _The Hell of Dante_; _iv. 245_; translation of _Francesca + da Rimini_, _iv. 320_ + +Butler, Dr., Headmaster of Harrow ("Pomposus"), i. 17, 88, _89_, 90, 91, + _93_, 94 + +Butler, Rev. Alban, _Lives of the Saints_, _vi. 32, 33_ + +Butler, Samuel, _Hudibras_, _vi. 153, 404, 551_ + +Buxton, Fowell, _vi. 549_ + +Byng, George, M.P. ("the County Byng"), _vii. 67, 68_ + +Byng, Admiral John, ii. _40_, 41 + +Byrne, editor of _Morning Post_, _i. 358_ + +Byrne. Mrs. (Charlotte Dacre), "Rosa Matilda," i. _306, 357_, 370; + _Hours of Solitude_, _i. 358_ + +Byron, Augusta Ada. _See_ Lovelace, Lady + +Byron, Cecilie, Lady (widow of Sir Francis Bindlose), _i. 101_ + +Byron, Charlotte Augusta (Mrs. Christopher Parker), _iii. 417_ + +Byron, Elizabeth, Lady (_née_ Chaworth), _iv. 542_ + +Byron, Hon. Mrs. Frances (_née_ Levett), vi. 410 + +Byron, Hon. George, _vi. 410_ + +Byron, George Anson, iii. xxi; vii. 41 + +Byron, Hon. Juliana, _iii. 381_ + +Byron, Lucy, Lady, _i. 101_ + +Byron, the Little Sir John, _i. 1, 3, 119_ + +Byron, Admiral the Hon. John, _iii. 381, 417_; iv. 57; _vi. 410_; + _Narrative_ of his shipwreck in the _Wager_; _Voyage round the World_, + _iv. 58_; vi. _102_, 121 + +Byron of Rochdale, 1st Lord (Sir John Byron of Clayton), i. _3, 101, + 119_, 121; _vi. 294, 495_ + +Byron, Sir Nicholas, _i. 3_ + +Byron, Richard (2nd Lord), _i. 3, 101_; _iv. 14_; _vi. 294_ + +Byron, Sir Robert, _i. 101_ + +Byron, Sophia Maria, _vi. 410_ + +Byron, William (3rd Lord), _iv. 542_ + +Byron, William (5th Lord, "the wicked Lord Byron"), ii. 17; _iv. 58, + 542_; _vi. 121, 410, 497_ + +Byron, Hon. William, _iii. 381_ + +Byron, Sir William, _i. 121_ + +Byron, Lady (Miss Milbanke), _i. 260, 301, 359_; ii. x, _74, 288, 427_; + iii. 411, _449_, 499; iv. _39_, 63, 184, _254, 492_; _vi. 22, 274_; + her transcription of _Parisina_, iii. 499; "my moral Clytemnestra", + _iv. 64_; "a poetess--a mathematician--a metaphysician," iv. 576; + "Miss Lilac" of _The Blues_, iv. 570; on Byron's lameness, v. 470; + _Remarks on Mr. Moore's Life, etc._, _vi. 21_; and M. Baillie, _vi. + 412_; patroness of the Charity Ball, vii. 71 + +Byron, Lord, _Diary_ or _Journals_ referred to, _i. 5, 25, 30, 45, 103, + 184, 303, 310, 362_; _ii. 61, 187, 304_; iii. _46, 50, 70, 105_, 149, + 150, _157, 165, 210_, 218, 303, _305, 307, 308, 311, 314, 411, 495_; + v. _28, 61, 78, 159_, 199, _254, 477, 555, 615_; vi. _18, 128, 146, + 173, 197, 204, 240, 263, 421, 461, 504, 511_; _vii. 51, 74_; _My + Dictionary_, _vi. 381_ + +Byron, Mrs. (mother), i. 269, _336_; _iii. 449_; _iv. 543_; Byron's + letters to, _i. 125, 282, 351_; ii. ix, _24, 27, 34, 42, 49, 59, 63, + 100, 124, 128, 138_, 301; iii. _4, 13_, 441, _450_; _vi. 128, 195, + 565_; _furiosa_, vi. 30 + +"Byron's Pool," on the Cam, vi. 49 + +"Byron's Tomb," at Harrow, _i. 26_ + +Byzantium, ii. 337 + + +C + +Caballerías, the, ii. 47 + +Caballero, _Victoires et Conquètes des Français_, ii. 94 + +Cabot, Sebastian, _iv. 262_ + +Cabotto, or Gavotto, Giovanni, _iv. 262_ + +Cadiz, ii. 63, 67, 77, 93; iii. 1 + +Cadmus, i. 148 + +Cæcina, Aulus, ii. 299 + +Cæsar, _i. 351, 422_; ii. 397; iv. 352; _v. 560_; vi. 139, 339, 404; _De + Bello Gallico_, iv. 331 + +Caia river, ii. 45 + +_Cain_, _iii. 32, 182_; _iv. 34, 48, 50_; v. 5, _9_, 197-275, 279, + _306_, 469; vi. _385_, 444, _491_; _vii. 78_; Introduction to, v. 199; + Dedication, v. 205; Preface, v. 207 + +Calderon, _El Mágico Prodigioso_, iv. 81; v. 470; _Los Cabellos de + Absalon_, _iv. 100_ + +Caledonian Meeting, the, iii. 415 + +_Caledonian Mercury_, _iii. 45_ + +Calendario, Filippo, a stone-cutter, iv. 382 + +Calendario, Philip, a seaman, iv. 464 + +Calenture, the, v. 159; vi. 586 + +Calenus, A., _ii. 520_ + +Caligula, _ii. 408_; _iii. 455_; iv. 334; _v. 542_; vi. 276 + +Caliriotes (Albanese women), _ii. 183_ + +Callcott, Lady (Mrs. Maria Graham), iii. 532; _vi. 206, 207_ + +Callimachus, ii. 173; _vi. 445_ + +Callistratus, ii. 291 + +Calma, Abbé, _v. 211_ + +Calmana, Caimana, etc., Cain's twin sister, _v. 226_ + +Calmar, i. 177 + +Calmet, Augustine, _Dissertations sur les Aparitions_, _iii. 123_ + +Caloyer, Greek monk, ii. 130, 181; iii. 123 + +Calpac, centre part of Turkish headdress, iii. 119 + +Calpe's rock (Gibraltar), i. 378; ii. 89, 113, 455 + +Calprenède, M., _i. 398_ + +Calvert, Charles, actor, iv. 78; as "Sardanapalus," v. 2 + +Calvin, i. 417 + +Calvinism, Byron's, ii. 74 + +Calypso, ii. 118 + +Calypso's isle (Goza), ii. 118, 173; iii. 10 + +Camarases, John, translation of Ocellus Lucanus' _De Universi Natura_, + ii. 198 + +Cambridge, Duke of, _iii. 145_ + +Cambridge, Rev. O.P., _iii. 107_ + +Cambridge University, i. 373, 392; Whig Club at, vii. _66_, 68 + +Cambyses, 2nd king of Persia, iv. 259 + +Camel, "ship of the desert," v. 606 + +Cameron of Fassieferne, John, ii. 292 + +Cameron of Lochiel, Donald, ii. 232, 292 + +Cameron, Sir Evan, ii. 232, 292 + +_Camerotti di sotto_, and _di soprà_, (Venetian prisons), _iv. 364_ + +Camese, Albanian kilt, ii. 146 + +Camillus, ii. 518 + +Camoëns, Luis de, i. 78, 313, 320, 370 + +Campbell, J. Dykes, _iii. 538_ + +Campbell, Thomas, _i. 331, 435_; vii. 49; _Specimens of the British + Poets_, _i. 198_; vii. 74, 75; a true poet, _i. 306_; _Pleasures of + Hope_, i. 361; _ii. 169_; _iii. 459_; _Gertrude of Wyoming_, _i. 429_; + ii. xiii, _23, 113_; vi. 39; _Hohenlinden_, _ii. 49_; _Lochiel's + Warning_, ii. 292; iv. 235; _Elegy on Princess Charlotte's Death_, + _ii. 450_; _Battle of the Baltic_, _ii. 459_; _Last Man_, _iv. 42_; + referred to in _Don Juan_, vi. 6, 75, 444 + +Campo Formio, Peace of, _ii. 363_ + +Can Grande della Scala, v. 562 + +Canaries, Isles of the Blest, _vi. 169_ + +Candia, ii. 340; _v. 127_ + +Cangas, battle of, _ii. 46_ + +Cannæ, battle of, ii. 255 + +Canning, George, _New Morality_, i. _294_, 363; Gifford's support of, + _i. 304_; his "colleagues hate him for his wit", i. 377; M.P. for + Liverpool, _i. 497_; attempts to form coalition Ministry, _i. 497_; + his duel with Perceval, ii. 79; _Needy Knife-Grinder_ in + _Anti-Jacobin_, _ii. 80_; praises _Bride of Abydos_, iii. 151, _197_; + parodies Southey's _Elegy on H. Martin_, _iv. 482_; Pitt's "The Pilot + that weathered the Storm," v. 568, _vi. 482_; and Roman Catholic + Emancipation, v. 569; Byron on, _vi. 482_; Brougham and, _vi. 506_; + quotes Christianity to sanction slavery, _vi. 549_; "the tall wit," + vii. 54; "for War," vii. 30 + +Canova, Antonio, ii. 324, _369_, 370; iv. 174, 536 + +Cantabria, Favila, Duke of, _v. 558_ + +Cantemir, Demetrius, _History of the Growth and Decay of the Othman + Empire_, vi. 259, 277 + +Canterbury, vi. 421, 422 + +Canzani, Lambro, iii. 194, 219 + +Cape de Verd Islands, _vi. 169_ + +Cape Gallo, iii. 248 + +Capena, ii. _416_, 516 + +Capo di Ferro, Cardinal, ii. 508 + +Capo d'Istria, Count, President of Greece, v. 575 + +Capote, Albanese cloak, ii. 132, 181; iii. 450 + +Cappelletti, Giuseppe, _Storia della Republica di Venisia_, iv. 327, + _345, 427_ + +Capperonier, M., _ii. 481_ + +Caracalla, ii. 517, 521; _iii. 180_ + +Caracci, Hannibal, _ii. 437_ + +Caractacus, vi. 497 + +Carapanos, Constantin, _Dodone et ses Ruines_, ii. _132_, 182 + +Carasman (or Kara Osman), Oglou, iii. 166 + +Caravaggio, vi. 502 + +Carbonari, the, _vi. 259, 489_; v. 567 + +Cardan, _De Consolatione_, _ii. 236_ + +Carew, Thomas, _Poems_, _iii. 17_; _The Spark_, ii. 236 + +Carey, Henry, _Chrononhotonthologos_; _Sally in our Alley_, i. 413; + _Namby Pamby, or a Panegyric on the New Versification_, _i. 418_ + +"Caritas Romana," ii. 437 + +Carlisle, taken by the Highlanders, _vii. 25_ + +Carlisle, Frederick Howard, 5th Earl of, i. 354, 370, 383; _ii. 23, + 234_; _vii. 78_ + +Carlisle, Lady, v. 329 + +Carlo Dolce, vi. 502 + +Carlowitz plain, iii. 455 + +Carlyle, Thomas, _i. 489_; _French Revolution_, _iv. 13, 454_; _History + of Frederick the Great_, _iv. 334_; _vi. 337_ + +Carmagnola, v. 179, 180 + +Carnarvon, 1st Earl of, _i. 336_ + +Caroline (of Anspach), Queen, _ii. 282_ + +Caroline (of Brunswick), Queen, i. _311_; _ii. 230_; iv. 555; _v. 15, + 206, 569_; vi. _67_, 236, 275, _290_, 450, _451_; vii. 72, _78_ + +Carpenter, Dr. F.J., _Selections from the Poetry of Lord Byron_, _iv. + 119_ + +Carr, Sir John (_Stranger in France_; _Travels_), i. _38_, 378, _379_; + ii. _65_, 78 + +Carrara, Francesco Novello da (Signer of Padua), ii. 476, 482 + +Carreno, José Maria, Commandant-General of Panama, _v. 602_ + +Carrer, Luigi, _iv. 456, 457, 536_ + +Carrer Museum, Venice, _iv. 457_ + +_Cartaginense, Il_, _vi. 91_ + +Cartaret, Lord, _i. 418_ + +Carthage, iv. 251; vi. 348; burning of, v. 512 + +Carthaginians and Irish, vi. 337 + +Carttar, Joseph, coroner for Kent, vi. 265 + +Carus, Rev. W., _Memoirs of the Life of the Rev. Mr. Simeon_, _i. 417_ + +Carver, William, _vii. 22_ + +Gary, _New Pocket Plan of London, Westminster, and Southwark_, _vi. 434_ + +Gary, Rev. Henry Francis, _Dante_, iv. _23_, 313; _Memoir of_, iv. 314 + +Carysfort, John Joshua Proby, 1st Earl of, _i. 445_ + +Casaubon, _ii. 518_ + +Casemate, a, vi. 305 + +Cash, power of, vi. 458 + +Casimir V., king John, of Poland, iv. 201, 205, 211, 212 + +Cassander, _v. 487_ + +Cassandra, _i. 377_; iv. 243 + +Cassiodorus, _Tripartita_, ii. 521; _iii. 306_; _iv. 386_ + +Cassius, _ii. 374_; _iv. 120, 386_ + +Castelar, Emilio, _Life of Lord Byron_, _ii. 374_ + +Castellan, Antoine Louis, _Lettres sur la Morée, etc._ _iii. 249, 270_; + _Moeurs des Ottomans_, _iii. 480_ + +Castelnau, Marquis Gabriel de, _Essai sur L'Histoire ancienne et moderne + de la Nouvelle Russie_, vi. 264, _304, 305-307, 309-313, 315-317, 319, + 320, 331-335, 340, 343, 344, 352, 356, 358, 359, 362, 365, 366-368_ + +Castéra, J.H., _Vie de Catherine II._, _vi. 370, 392_ + +Casti, _Animali Parlanti_, iv. 156 + +Castiglione, Marchesa, iv. 157 + +Castlereagh, Lord, _ii. 342_; iv. 476; vi. _4_, 7, 264, 389, 418, 450; + vii. 20, 30, 65, 81 + +Castri, village of, ii. _61_, 85, 92, 189 + +Castriota, George (Scanderberg or Scander Bey), ii. 124, 173 + +Catalani, Angelica, i. 346; _v. 562_ + +Cataneo, Maurizio, _iv. 150_ + +Cathay, vi. 457 + +Cathcart, Lord, _i. 468, 488_ + +Catherine II. of Russia, ii. 193, 198, _200_, 282; v. 550, 564; vi. + _313, 333_, 351, 370, 381, 383, 387-399, 406, 411, 413, 414, 439 + +Catholic Claims, _iv. 561_ + +Catholic Emancipation, iv. 503; _v. 569_; vi. 506 + +Catilina, _iii. 117_ + +Catinat, Maréchal Nicholas, _Mémoires_, _vi. 170, 514_ + +Cato, i. 449; ii. 514; _iv. 253_; v. 506; vi. 270, 303 + +Catullus, _v. 613_; vi. 26, 139; vii. 17; _Ad Lesbiam_, i. 72; "Lugete + Veneres, Cupidinesque," i. 74; "Mellitos oculos tuos, Juventi," i. 75 + +Caucasus, Mount, i. 378; v. 17, 30, 57, 294 + +Causeus, _Museum Romanum_, _ii. 509_ + +Cava, the Helen of Spain, ii. 46, 89; iv. 334 + +Cava, battle of, _vi. 14_ + +Cava, kava, or ava, a Tongan intoxicating drink, v. 600 + +Cavalier, a military earthwork, vi. 352 + +Cavalier Servente, iv. 165, 172 + +Cavalli, Marquis Antonio, iv. 547 + +Cawthorn, James, i. 294, 387, 453; ii. ix, x; _vii. 9_ + +Cayster river, ii. 182 + +Ceccho, Captain, ii. 477 + +Cecilia Metella, tomb of, ii. 402-405 + +Cecrops, i. 462 + +Cellini, Benvenuto, v. 471, _516, 518, 521_ + +Ceneda, Lorenzo, Count-bishop of, iv. 332 + +_Centaur_, H.M.S., wreck of, _vi. 90, 92, 94-96, 99, 110_ + +_Century Dictionary_, _ii. 135_; _v. 135_ + +_Century Magazine_, _iii. 435_ + +Cephalonia, _ii. 125_; vii. 83 + +Cephalus, ii. 178 + +Cephisus river, i. 459; iii. 272 + +Ceraunian mountains ("Chimera's Alps"), ii. 131, 181 + +Cerement (searment), ii. 154 + +Ceres, vi. 129; "fell with Buonaparte," vi. 383 + +Cerigo, island of, ii. 167 + +Certaldo, Boccaccio's tomb at, ii. _373_, 499 + +Certosa Cemetery, _i. 21_ + +Cervantes, _Don Quixote_, _i. 299_; ii. 89, 178; vi. 303, 483 + +Cesarotti, ii. 496; _iv. 457_ + +Cesi, Pietro, President of Romagna, _vi. 212_ + +Cevallos, Don Pedro de, _i. 338_ + +Chad, G.W. _vi. 374_ + +Chæronea, ii. 294. + +Chalmers, George, _iv. 513_; _The Life of Mary Queen of Scots_, vii. 53 + +Chambrier, M., _iv. 514_ + +_Champion, The_, iii. 532-535; vii. _37_, 38 + +Champollion, Jean Franjois, _v. 603_ + +Chandler, Dr., _Travels in Greece_, ii. 172, 189 + +Chantrey, Sir Francis, vii. 49 + +Chaponnière, J.J., editor of _Advis et Devis de l'ancienne et nouvelle + Police de Genève, etc._, iv. 5 + +Chappell, William, _Old English Popular Music_, _vi. 145_ + +_Charity Ball, The_, vii. 71 + +Charlemagne, iv. 287-290; vi. 507 + +Charlemont, Lady, _iii. 105_; iv. 569; vi. 215 + +Charles I., i. _2, 3, 101_, 130,; _v. 560_; vii. 35, 36 + +Charles II., i. _2_, 123, _198_; _v. 487_ + +Charles III., Duke of Savoy, iv. 4, 10 + +Charles IV. of Spain (Connétable de Bourbon, Comte de Montpensier), _ii. + 390_; iv. 258; v. 495, _498_, 515-516, _520_ + +Charles V. of Spain, _ii. 453_; iii. 308, 309; _v. 499, 549_ + +Charles VII. (Duke of Lorraine), _iii. 458_ + +Charles VIII. of France, ii. 504 + +Charles IX. of Sweden, _v. 371_ + +Charles XII. of Sweden, _i. 107_; iv. 202, 207, 233; v. 551; vi. 362, + _363_ + +Charles of Anjou, ii. 494 + +Charles of Saxony, Prince, _vi. 605_ + +Charles the Bold, ii. 297 + +Charles, Prince (the Pretender), _i. 173_ + +Charles Edward, Prince, _ii. 369_ + +Charles, R.H., translation of Dillman's _Ethiopic Text_ (_Book of + Enoch_), _v. 302_ + +Charlotte, Princess, wife of Tzarovitch Alexey, _vi. 417_ + +Charlotte of Wales, Princess, ii. 313, 450; iii. 45, 376; vii. _35_, 78 + +Charlotte, Queen, _iii. 4_ + +Charrière, E., _La Vie vaillant Bertran du Guesclin_, _v. 549_ + +Chateaubriand, François Réné, Vicomte de; _ii. 190_; _iii. 195, 431_; v. + 538, 539; _Les Aventures du dernier Abencerrage_, _v. 558_; _Congress, + etc._ v. _562, 567_, 575; _Les Martyrs ou le Triomphe de la religion + chrétienne_, v. 575 + +Châteauneuf-de-Randon (Lozère), _v. 549_ + +Chatham, Earl of, i. 113; _iv. 510_; vi. 478; vii. 28 + +Chaucer, mentioned in _Hints from Horace_, i. 395; his use of the word + _lemman_, _ii. 22_; _Canterbury Tales_ _ii. 155_; the nightingale's + "merry note," _iii. 170_; _terza rima_, iv. 313; _Compleint to his + Lady_, iv. 239; _Wife of Bath_, iv. 484 + +Chaumont, Treaty of, _v. 550_ + +Chaworth, George, Viscount, _iv. 542_ + +Chaworth, Mary Ann (Mrs. Chaworth-Musters), i. 52, 189, _192_, 210, 329, + _277_, 282, 283, 285, 475; ii. 18, _29_. 421; iv. 31, 32, 35, 36, 39, + _542_; Byron's "bright morning star of Annesley," iv. 38 + +Chaworth, William, _i. 189_; _ii. 17_; _iv. 542_ + +Cheltenham, _v. 609_ + +Chemnitz, battle of, _v. 371_ + +Cheops, king, vi. 79 + +Cherbuliez, J.L.A., _vi. 461_ + +Chermside, Sir Herbert Charles, Governor of Queensland, _vi. 497_ + +Chermside, Lady (_née_ Webb), _vi. 497_ + +Cherry, Andrew, _The Travellers_; _Peter the Great_, i. _306_, 345 + +Cherubim, the, v. 228 + +Cherubini, his opera _Les Abencerages_, _v. 558_ + +_Chester Mysteries_, _vi. 551_ + +_Chester Plays_, v. 200, _207_ + +Chesterfield, 4th Earl of, _Letters_, i. 415; vi. 525 + +Chesterfield, Philip Henry, 5th Earl of, President of the Four-Horse + Club, vii. 26 + +Chetsum, Rev. David, _ii. 283_ + +Chevalier, Le, _iii. 13_ + +Chezy, A.L., Jāmā's _Medjnoun and Leila_, _iii. 160_ + +Chiaus, a Turkish messenger, iii. 113 + +Chichester, Lady, _ii. 23_ + +Chichester, Mrs., _i. 350_ + +_Childe Harold_, Introduction to Cantos I. and II., ii. ix-xv; Notes on + the MSS. of, ii. xvi-xx; Itinerary, ii. xxi-xxiv; Preface to Cantos I. + and II. ii. 3-8; Canto I., ii. 15-84; Notes on Canto I., ii. 85-95; + Canto II., ii. 99-163; Notes on Canto II., ii. 165-208; Introduction + to Canto III., ii. 211-214; Canto III., ii. 215-289; Notes on Canto + III., ii. 291-307; Introduction to Canto IV., ii. 311-315; Original + Draft Canto IV., ii. 316-319; Dedication of Canto IV., ii. 321-326; + Canto IV., ii. 327-463; Notes on Canto IV., ii. 465-525; referred to, + i. _5, 232, 277, 282, 324, 355, 366, 368, 379_, 387, 453-455; iii. + xix, _1, 2, 4_, 5, 7, 8, 11, 12, _13_, 14, _19_, 21, 23, 24, _90, 91, + 96, 107, 120, 121, 123, 129, 134, 145, 165, 168, 210_, 225, _336, 395, + 417, 450, 459, 460, 470, 480, 485, 495_, 499, _521_; iv. 6, _34, 40, + 41, 53-59, 62, 63, 65_, 79, _87, 100, 104, 105, 127, 131, 132, 139_, + 155, _162, 166, 173, 193, 194, 196_, 238, 244, _257, 266, 271, 275, + 304, 364, 397, 404, 413, 422, 425, 426, 446, 456_, 471, _529, 536, + 578, 580_; v. _27, 73, 126, 139, 149, 153, 157, 163_, 333, _365, 408, + 500, 556, 607, 610, 612, 615_; vi. xv, xvii, _12, 13, 48, 74, 84, 116, + 149, 186, 200, 212, 234, 303, 382, 384, 419, 424, 434, 476, 539, 558_; + vii. _7, 37, 49_, 51, _55, 58_ + +_Childe Harold's Good Night_, ii. 26; _vii_. 6 + +_Childish Recollections_, i. _17_, 84-106; ii. 8, _12_, 95; _iii. 324_ + +_Children of Apollo_, i. 294, _342, 445_ + +Childs, George W., _vii. 63_ + +Chili, Independence of, v. 556 + +Chillon, Castle of, ii. _303_, 304; iv. 3, 4, 18 + +Chimariot mountains, ii. 131, 181 + +Chinazzo, David, _The War of Chioza_, ii. _338_, 477 + +Chioggia (Chioza), war of, ii. 338, 476, 497 + +Chisholm, G.G., ii. xxiv + +_Chiswick Press_, i. xi + +Choiseul-Gouffier, Count, _Voyage Pittoresque de la Grèce_, _ii. 168_; + _iii. 295_; _vi. 151_ + +Chouet, _i. 414_ + +Chrematoff, vi. 307 + +Christian, Charles, _v. 622_ + +Christian, Edward, Chief justice of Ely, _v. 588_; editor of + _Blackstone's Commentaries_, _v. 622_ + +Christian, Fletcher, mate of the _Bounty_, v. 581-584, _588_; short + account of, v. 622 + +_Christian Observer_, iii. 377 + +Christians of Ewanrigg, the, _v. 622_ + +Christodoulos, an Acarnanian, Περὶ Φιλοσόφου, κ.τ.λ. [Greek: Peri\ Philoso/phou, + k.t.l.], ii. 198 + +Christopher Caustic's _Terrible Tractoratian, etc._, _i. 307_ + +_Chronique de Bayart_, _v. 515_ + +Chryseus, _ii. 462_ + +Chrysostom, vi. 28 + +Chulos, footmen, _ii. 67, 71_ + +Church, Rev. A., _Pliny's Letters_, _ii. 380_ + +Churchill, Charles, iv. 45, _51_; v 337; _Prophecy of Famine_, _iv. 14_; + _The Times_, _iv. 21_; _The Candidate_, iv. 46; _The Farewell_, _iv. + 174_ + +Churchill, Charles, master-at-arms on the _Bounty_, v. 583 + +_Churchill's Grave_, iv. 45, _51, 71, 230, 266_; v. 337; _vi. 401_ + +Cibber, Colley, _The Provoked Husband_, _i. 399_; _Lives_, _iii. 280_ + +Cicero, "Tully's fire," i. 29; Addison on his puns, _i. 398_; Sulp. + Severus' letter to, _ii. 133_; _In Verrem_, _ii. 168_; speeches in the + Forum, ii. 301, 413; _De Finibus_, _ii. 345_; _Epist. ad Familiares_, + ii. 362; _Epist. ad Atticum_, ii. _384_, 509; "Alas, for Tully's + voice," ii. 392; _In Catilinam_, ii. _396_, 510; _Academ_., _ii. 399_; + Middleton's _Life_ quoted, _ii. 408_; site of his villa, ii. 455, 522; + Romans and the theatre, ii. 492; _De Divinat_., ii. 510; _vi. 585_; + _De Suo Consulatu_, ii. 510; _De Legibus_, _ii. 519_; _De Naturâ + Deorum_, _iv. 115_; _Epist_., _iv. 120_; _Pro Sexto Roscio, Amerino_, + _iv. 438_; Diodorus Siculus contemporary with, v. 3; "the topical + memory of the ancients," _vi. 16_ + +Cicisbeo, origin of the word, iv. 171 + +Cicogna, E.A., _Personaggi illustri della Venezia patrizia gente_, _iv. + 457_; _Inscrizioni Veneziane_, _v. 123_ + +Cicognara, Leopoldo, Conte de, ii. 324, 472; _iv. 456, 457_ + +Cicognini, Giacinto Andrea, _Convitato di Pietra_, vi. xvi + +Cid Hamet Benengeli, i. 299 + +Cilicia, v. 4, _24_ + +Cimon, _iv. 108_ + +Cincinnatus, iii. 314; v. 571 + +Cinna, _ii. 393_ + +Cintio Giraldi, _Nouvelles_, v. 471 + +Cintra, Convention of, ii. xi, 38, 39, _65_, 86; mountain, ii. 31, 34; + Royal Palace at, ii. 37 + +Circassia (Franguestan), iii. 111; _vi. 279_ + +Circe, _v. 573_ + +Cisternes, Raoul de, _Le Duc de Richelieu_, _vi. 333_ + +Ciudad Real, _ii. 89_ + +Ciudad Rodrigo, fall of, _i. 496_; _vi. 69_ + +Civil Wars, the, _i. 3_ + +Civitella, village of, ii. 523 + +Civran, _iv. 331_ + +Claiborne, W.C.C., Governor of Louisiana, _iii. 297, 298_ + +Clairmont, Jane (her transcription of _Childe Harold_, Canto III.), ii. + _145_, 211, 214, _216, 217, 230, 232, 288, 304_; iv. 3, 70 + +Clancarty, Lord, _vi. 374_ + +Clare, John Fitzgibbon, 1st Earl of, i. 100 + +Clare, John Fitzgibbon, 2nd Earl of ("Lycus"), i. xi, 96, 98-100, _128_, + 200, 222 + +Clarence, Duke of, vi. 60, _451_ + +Clarendon, _History of the Rebellion_, _i. 3_ + +Clarens, ii. 277, 304; _iv. 18_ + +Clark, J.W., Cambridge, _vi. 433_ + +Clarke, Edward Daniel, _Travels in Various Countries_, i. 455; ii. + _168_, 172, 204; iii. 75, _94_, 151, _272, 295_; vi. _171, 204, 211_; + _The Tomb of Alexander, etc._, _v. 542_ + +Clarke, Hewson, i. 373-375, 383; ii. 213 + +Clarke, John, _i. 406_ + +Clarke, J.S., _Memoir of William Falconer_, _ii. 169_ + +Clarke, Mary Anne, _i. 391_ + +Claude Lorraine, _ii. 168_; vi. 502 + +Claudian, ii. 412; _In Ruffin._, _v. 289_; _Epigrammata_, _v. 562_ + +Claudius, ii. 520 + +Clayton, Sir Richard, _Critical Enquiry into the Life of Alexander the + Great_, _vi. 226_ + +Clement XII., Pope, _ii. 389, 432_; _v. 521_ + +Cleon, ii. 190 + +Cleonice, _iv. 108_ + +Cleopatra, i. 490; ii. 397; iii. 11; v. 484; vi. 269; her mummy in the + British Museum, v. 542 + +Clermont, Mrs., _vi. 22_ + +Cleveland, Duchess of, _iv. 541_ + +Clinton, George, _Memoirs of the Life and Writings of Lord Byron_, iii. + 443, _447_; v. 581 + +Clitumnus river, ii. 379-381 + +Clodius, i. 351; _iv. 352_; _vi. 139_ + +Clootz, Jean Baptiste, Baron de (Anacharsis Clootz), vi. xviii, 13 + +Club, Byron's definition of a, i. 407 + +Clusium, iv. 334 + +Clytemnestra, _ii. 426_ + +Clytus, _ii. 124_ + +Coalition Ministry, the, _i. 500_ + +Cobbett, William, _i. 297_; ii. 40; _v. 572_; _vi. 380_; vii. 65, _67_, + 68 + +_Cobbett's Weekly Register_, v. 540, _572_; _vi. 266_ + +Cochineal, kermes, vi. 575 + +Cochrane, Thomas, Lord, iv. 111; _vi. 67_ + +Cockburn, Admiral Sir George, _ii. 239_ + +Cockburn, Mrs. Robert (Mary Duff), _i. 192_ + +Cocker, _Arithmetic_, vi. 601 + +Cockney School, the, _iv. 339_ + +Coehoorn, Baron Menno van, a Dutch military engineer, vi. 344 + +Coelius Antipater, _Annales_, _ii. 378_ + +Cohen, Francis (afterwards Sir F. Palgrave), translation of _Old + Chronicle_ (Marino Faliero); _Rise and Progress of the English + Constitution_; _History of the Anglo-Saxons_, iv. 46 + +Coke on Littleton, vi. 568 + +Colbleen mountain, i. 194 + +Cole, W., boatswain on the _Bounty_, v. 583 + +_Coleorton, Memorials of_, _iv. 585_ + +Coleridge, Miss Edith, _iii. 454_ + +Coleridge, Hartley, _Essays_, _ii. 331_; _First Visit to the Theatre in + London_, _v. 474_ + +Coleridge, H.N., _Study of the Classics_, _vi. 117_ + +Coleridge, Sara, _i. 489_ + +Coleridge, Mrs. S.T., _iv. 521_ + +Coleridge, Samuel Taylor, _The Devils Walk_, _i. 31_; _vii. 21_; Byron + and, _i. 305, 365_; iii. 444; vi. 74; nitrous oxide, _i. 307_; + _Poems_, _i. 315, 316_; _ii. 22_; referred to in _English Bards, and + Scotch Reviewers_, i. 316, 369; on Monk Lewis, _i. 138_; _Letters of_, + _i. 318_; _ii. 401_; _iv. 225, 585_; _v. 175, 544_; _vi. 350, 421_; + _Table Talk of_, _i. 318_; iv. _318, 339_, 485; _v. 175_; _vi. 152_; + Cottle's _Early Recollections of_, _i. 329_; _Anima Poetæ_, _i. 367_; + _ii. 113, 236_; _iv. 587_; _vi. 91_; and Charles Lloyd, _i. 368_; + _Frost at Midnight_, _i. 369_; Sir J. Bland Burges, _i. 437_; on + dancing in Germany, i. 475; on Kotzebue, _i. 489_; _Biographia + Literaria_, _i. 489_; _iii. 435_; vi. _4_, 39, _167, 168, 175_; + _Ancient Mariner_, _ii. 22_; iv. _22_, 27, _104, 225, 230, 506_; _vi. + 106, 114_; Lamb's apology for, _ii. 22_; _Christabel_, _ii. 134, 274, + 360_; iii. 443, _471, 476, 511, 519_, 537; _iv. 20_, 82, _224_; v. + 281; vi. _243_, 279; vii. 45; _Hymn before Sunrise in the Valley of + Chamouni_, _ii. 254_; _iv. 110_; _Dejection: An Ode_, _ii. 264_; _vi. + 39_; _The Friend_, ii. _281_, 301; _vi. 174_; _Lines to Nature_, ii. + 302; _vi. 179_; "Oh for one hour of _The Recluse_," _ii. 337_; + Boccaccio, _ii. 374_; _Essays on His Own Times_, _ii. 397, 401_; a + Parliamentary reporter, _ii. 401_; _Kubla Khan_, _ii. 416, 418, 447_; + _iv. 267_; v. _73_, 277; _Israel's Lament_, _ii. 450_; his influence + on Rogers, iii. 320; _Lines to a Gentleman_, _iii. 336_; Byron's + letters to, iii. 441; _iv. 338_; Byron's beneficiary, iii. 444; + "Apostacy and Renegadoism," _iii. 488_; _Songs of the Pixies_, _iii. + 524_; _Zapolya_, _iv. 24_; _Sibylline Leaves_, _iv. 42_; _Religions + Musings_, _ibid_.; depreciates Voltaire, _iv. 184_; "No more my + visionary soul shall dwell," _iv. 225_; on Walpole's _Mysterious + Mother_, _iv. 339_; author of the libel on Shelley? iv. 475; _The Plot + Discovered, etc._, _iv. 512_; _Miscellanies, etc._, _iv. 515_; Hazlitt + on, _iv. 518_; the result of pantisocracy, _iv. 521_; on Southey's + _Life of Wesley_, _iv. 522_; translates Schiller's _Piccolomini_, _iv. + 566_; _Lectures of 1811-1812_, _iv. 575_; his visit to the Beaumonts, + _iv. 585_; _Pains of Sleep_, _v. 78_; on Keats and Adam Steinmetz, + "There is death in that hand," _v. 175_; and Pitt's description of + Napoleon, _v. 544_; _Critique_ on Maturin's _Bertram_, vi. xvii, _4_; + _Morning Post_, vi. 175; his marriage, _ibid._; "hath the sway," vi. + 445; _Literary Remains_, _vi. 576_; his note-books, _vii. 18_; + Mackintosh on, _vii. 32_ + +Coligny, _vi. 246_ + +Coliseum (or Colosseum), Rome, ii. 423-435; iv. 131 + +Collegio dei Signore di notte al Criminal, _iv. 427_ + +Colleoni, Battolommeo, iv. 336, 392 + +Collier, Jeremy, _Short View of the Immorality and Profaneness of the + English Stage_, i. 416; _Shakespeare_, _vi. 502_ + +Collignon, Maximo, _Histoire de la Sculpture Grecque_, _ii. 365, 432, + 445_ + +Collini, Mdlle., i. 348 + +Collins, _Ode to Pity_, _ii. 34_; _How Sleep the Brave_, _ii. 50_; _Ode + on the Death of Mr. Thomson_, iii. 50; _Irish Eclogues_, iii. 224 + +Collins, _Peerage_, _vi. 410_ + +Colman the younger, George, i. _306_, 343; _iv. 75_; _The Iron Chest_; + _Heir-at-Law_, i. 343; _John Bull, or An Englishman's Fireside_, i. + 343, 400; _The Review, or the Wags of Windsor_, iii. 43; _Love Laughs + at Locksmiths_, vi. 308 + +Cologne, _vi. 419_ + +Colonna, Cape, ii. 156, 169; iii. 86, _134_ + +Colonna de' Francesi, La (Ravenna), vi. 212 + +Colonna, Vittoria, _iv. 262_ + +Columbia, Republic of, _v. 555_; vi. 456 + +Columbus, Christopher, iii. 76; _iv. 262_; vi. 552 + +Columella, _De Re Rustica_, _ii. 488_ + +Comboloio, a Turkish rosary, iii. 181, 275 + +Commodus, iv. 334 + +Comnena, Anna, _Alexiad_, ii. 202 + +_Complaint, The_, _iv. 220_ + +Compostelli, Pietro de, _iv. 448, 467_ + +Conan the Jester, v. 209 + +"Concision" used for "conciseness," vi. 550 + +Condé, Prince de, iv. 262 + +_Condolatory Address to Sarah, Countess of Jersey, on the Prince Regents + returning her Picture to Mrs. Mee_, vii. 37 + +Condorcet, Marie Jean Antoine, Marquis de, President of Legislative + Assembly in 1792, vi. 13 + +Conduit, Mrs. (Catherine Barton), _vi. 400_ + +Congreve, i. _198_, 306, _349, 416_; vi. 510 + +Congreve, Sir William, inventor of "Congreve rockets," vi. 50 + +_Conquest, The_, vii. 82 + +Consiglio Minore (Venice), _iv. 345_ + +Consiglio dei Dieci. _See_ Council of Ten + +Constable, Archibald, _i. 310, 436_ + +Constans, ii. 520 + +Constant, Henri Benjamin de Rebecque, v. 566, _567_ + +Constantine, Emperor, ii. _336_, 520 + +Constantine, Grand-Duke, _v. 564_ + +Constantinople (Istambol, Ἑπτάλοφος [Greek: HEpta/lophos]), i. 378; + ii. 152, 194; iii. 17, 21; vi. 219 + +_Constitutionel, Le_, v. _566_, 577 + +Contarini, Doge Andrea, ii. 477, 497 + +Contarini (afterwards Foscari), Lucrezia, v. 115, 130 + +Conti, _v. 371_ + +Contrario, Ugoccion, _iii. 506_ + +Cook, Captain, i. 325; v. 582; _vi. 19_; voyage in the _Resolution_, _v. + 588, 605_ + +Cook, Dutton, _A Book of the Play_, _i. 414_ + +Cooke, George Frederick, i. 46, _344_; _iv. 338_ + +Cookery, science of, vi. 561 + +Cooper, actor, iv. 324 + +Copenhagen, bombardment of, i. 468; _v. 588_ + +Copernicus, _i. 402_ + +Copet, _iv. 53_; vii. 50 + +Coray, Diamant or Adamantius, _Bibliothèque Hellénique_, ii. 196-199, + 203 + +Corday, Charlotte, _vi. 14_ + +Cordoba, _ii. 54_ + +Corfu, ii. 193 + +Corfu, Giovanni da, iv. 464 + +Corinth, ii. 363; iii. 440-496; Gulf of, _ii. 60_ + +Corinthian brass, vi. 284 + +_Corinthians_, _v. 262_ + +_Coriolanus_, _ii. 388, 452_; _iv. 338_; _v. 27_ + +Cork Convent, ii. 35, 86 + +Cork and Orrery, 8th Earl of, _vi. 504_ + +Cork and Orrery, Mary, Countess of ("Countess Crabby"), vi. 504 + +Cornaro, Flaminio, _Ecclesiæ Venetæ_, _v. 123_ + +Cornaro, Marco, iv. 402, 465 + +Cornelia, daughter of Metellus Scipio, and widow of P. Crassus, _iv. + 264_ + +_Cornelian, The_, i. 66, _240_; iii. 48 + +Cornwall, Barry. See Procter, B.W. + +Cornwall wreckers, ii. 141, 182 + +Coron, or Corone (the ancient Colonides), iii. 249 + +_Corresponding Society, The_, iv. 516 + +_Corsair_, i. 388, _457_; _ii. 252_; iii. xix, _46, 49_, 217-229, 303, + 319-321, _409_; v. 584; _vi. 132_ + +Corsi, Cardinal, ii. 495 + +Cortejo, Spanish, vi. 55 + +Cortes, v. 555 + +Cosmo II., ii. 499 + +Costerden, Elizabeth, _vi. 294_ + +Costerden, William, _vi. 294_ + +Cotta, v. 81, 108 + +Cottle, Amos, _Translation of the Edda of Sæmund_, i. _314_, 328, _329, + 403_ + +Cottle, Joseph, _Alfred_; _The Fall of Cambria_, i. 328, _436_; _Early + Recollections of Coleridge_, _i. 329_ + +Cotton, Mrs., of Worcester, _iii. 209_ + +Couch of Hercules, _vi. 220_ + +Coulman, M.J.J., _iv. 543_ + +Council of Ten (Il Consiglio dei Dicci), iv. _363, 366, 385_, 399, _441, + 448_, 465, 470; v. 115-118, 169 + +_Courier, The_, _i. 423, 436_; ii. xii; iii. _45_, 377, _488_, 534; iv. + 477-479, _482_; v. 203; vi. _4_, 12 + +Courland, Anne, Duchess of (Empress of Russia), vi. 417 + +Courland, Frederick William, Duke of, vi. 417 + +Courland, James, 3rd Duke of, vi. 417 + +Courlande, Pierre, last Duc de, _vi. 417_ + +_Courrier_, _v. 566, 577_ + +Courtney Melmoth. _See_ Pratt, Samuel Jackson + +Courtney, W.P., _English Whist_, _vi. 507_ + +Coutts, Mrs., _iv. 541_; Byron's "Mrs. Rabbi;" _Vivian Grey's_ "Mrs. + Million," vi. 504 + +Covent Garden Theatre, O.P. riots at, _i. 347_; _vi. 11_; _Manfred_ at, + iv. 78; Lee's _The Three Strangers_ at, _v. 337_ + +Cowley, Abraham, _i. 403_; _vi. 166_; _Davideis_, _i. 436_ + +Cowley, Henry Wellesley, 1st Baron, _ii. 79_ + +Cowley, Mrs. Hannah (_née_ Parkhouse), _i. 314_; _The Belle's + Stratagem_, _i. 358, 403_; _Siege of Acre_, _i. 436_ + +Cowley, W.D., translation of Parrot's _Journey to Ararat_, _v. 294_ + +Cowper, Joseph Meadows, _Memorial Inscriptions, etc._, _vi. 422_ + +Cowper, Lady (afterwards Palmerston), _i. 301_ + +Cowper, William, mentioned in _English Bards, and Scotch Reviewers_, i. + 362; _The Task_, iv. 174; vi. 348; Hayley's biography of, _i. 321_; + _Milton_, _v. 218_ + +Coxe, William, Archdeacon of Wilts, _Trav. Switz._, _ii. 385_; _Memoirs + of John, Duke of Marlborough_, vi. 174 + +Crabbe, George, i. _306_, 365; vi. 6, 75; vii. 49; _Resentment_, iii. + 128 + +"Crane," to, vi. 524 + +Crashaw, Richard, vi. 166 + +Crassus, ii. 405; _iv. 264_ + +Creech, Thomas, _Translation of Horace_, vi. 247 + +Cremâ, v. 138 + +Cremâ, Augustinus de, _ii. 340_ + +Creon, king of Corinth, _i. 170_ + +Crespan, Gio., _Della Vita e delle lettere di Luigi Carrer_, _iv. 457_ + +Crespi, the tenor, _vi. 206_ + +Cressy, battle of, i. 2 + +Crete, _v. 127_ + +Creusa, i. 159 + +Crib, i. 466 + +_Critical Review_, iii. _473_, 499, _518_; iv. 6, _13, 27_, 81, _99_ + +Croesus, iii. 519 + +Croker, John Wilson, _ii. 4, 187_; iii. _157_, 217; iv. _74_, 157, + _339_; _v. 546_; _vi. 482_; vii. 49; article on Keats in _Q.R._, _vi. + 445_; _vii. 76_ + +Croly, D.D., Rev. George, _Paris in 1815_; _Catiline_; _Salathiel_; _The + Angel of the World_, vi. 444, _445_ + +Cromwell, Oliver, i. 122, 123; ii. 292, 394, _453_; iv. 334; _v. 560_; + vi. 174; _vii. 35_ + +_Cronaca Augustini_, _v. 190_ + +_Cronaca Dolfin_, v. 117, 118, _121, 172_ + +Crosby and Co., B., i. xii, _234_ + +_Crosby's Magazine_, _i. 368_ + +Crossing the Line, v. 616 + +Croupade, ii. 70 + +Crousaz-Crétet, Léon de, _vi. 264_ + +Cruikshank, drawing of Jackson's rooms, _i. 434_; frontispiece to + Rowfant Library Catalogue, _iv. 508_ + +Crusaders, the, _i. 117_ + +Cruscanti, the, _iv. 152_ + +Crusius, Martinus, _Turco-Græcia_, _iii. 122_ + +Ctesias of Cnidos, _Persica_, v. 3, 4, _11_; _vi. 122_ + +Ctesilaus, _ii. 431_ + +Cuba, _iii. 296_ + +Cuesta, ii. 89 + +Culloden, battle of, i. 173; ii. 292; _vi. 12_ + +Cumberland, Ernest Augustus, Duke of, and King of Hanover, gazetted + Field-Marshal 1813, vii. 31 + +Cumberland, William Augustus, Duke of, vi. 12 + +Cumberland, Princess Olive of, _iv. 541_ + +Cumberland, Richard, _Wheel of Fortune_, i. 45, _344_; referred to in + _English Bards, and Scotch Reviewers_, i. _306, 314_, 343; _The West + Indian_; _The Jew_, _i. 344_; and Townsend, _i. 403_; _Observer_, _i. + 414_; _iii. 85_; _Exodiad_; _Calvary_, _i. 436_ + +Cumourgi (Courmourgi or Cumurgi), Ali, iii. 442, 455 + +Cunningham, Allan, _vi. 3_ + +Curll, a bookseller, i. 220, 326 + +Curran, John Philpot, _ii. 236_; iv. 561; vi. 450; _Life of_, iv. 555; + "Longbow from Ireland," vi. 509 + +Currie, M.D., James, _Works of Robert Burns, with an Account of his + Life, etc_., vi. 174 + +_Curse of Minerva_, i. _378_, 451-474; ii. ix, _33, 106, 107, 168, 192, + 252, 366_; iii. 270 + +Curtis, Sir William, v. 578; _vii. 68_ + +Curtius, Q., _Hist. Alexand._, _vi. 226_ + +Curwens of Workington Hall, the, _v. 622_ + +Curzon, _Visits to Monasteries of the Levant_, ii. 294 + +Cuvier, le Bon G., _Recherches sur les Ossemens Fossiles_, etc., v. 210; + vi. 385, 415 + +Cyanean Symplegades, _vii. 10_ + +Cyanometer, _vi. 216_ + +Cyaxares, _v. 107_ + +Cybele, ii. 328 + +Cyclades, vi. 118, 203 + +Cymar, or simar, a shroud, iii. 143 + +_Cymbeline_, _vi. 487_ + +Cypress tree, "the only constant mourner o'er the dead," iii. 99 + +Cyprus, iv. 400 + +Cyrus, king of Persia, v. 5; vi. 572 + +Czaplinski, Governor of Poland, _iv. 211_ + + +D + +d'Abrantés, Duke (Junot), _ii. 39, 40_ + +d'Acerenza, François Pignatelli de Belmonte, Duc, _vi. 417_ + +d'Acerenza, Jeanne Catherine, Duchesse, _vi. 417_ + +Dacians, the, _ii. 412_ + +Dacier, M., i. 402; _Aristotle_, _vi. 182_ + +Dacre, Charlotte. _See_ Byrne, Mrs. + +Dacre, Lady (Mrs. Wilmot), vii. 48 + +D'Alembert, Jean-le-Rond, ii. 209; _v. 554_; _vi. 63_ + +Dalkeith, Countess of, _i. 310_ + +Dallas, Rev. Alexander, i. 387; ii. xvi + +Dallas, Judge, _i. 495_ + +Dallas, R.C., his copy of _British Bards_, i. xiv, 293, _298_, 322; + Byron's letters to, i. 294, _347, 359, 404_; ii. xi, xii, xiv, xviii, + _15, 24, 30, 32, 37, 65, 73, 83_, 95, _104, 105, 161-163_, 208; _iii. + 129_; _iv. 125_; _vii. 9_; Fitzgerald's and Byron's _jeux d'esprit_, + _i. 298_; _Recollections of the Life of Lord Byron_, i. _305_, 387; + ii. ix-xii, xiv, xv, 89, _104, 120, 176_; _iii. 107_; iv. 446; _MS. of + Childe Harold_, ii. xvi, _15_, 16, 17, 19, 22-24, 27, 29, 30, 32, 33, + 37, 38, 41-43, 45, 46, 48-52, 54, 56, 57, 60, 62, 64, 66, 82, 83, + 100-102, 105-107, 110, 112-116, 126, 131, 135, 138-140, 146, 147, 149, + 150, 155, 157, 159-162, 328, 329, 336, 341, 342, 352, 370, 373, 382, + 385, 413, 419, 421, 443, 451, 458, 460; a suppressed Note on Spain and + Portugal, ii. 87; on _Cain_, v. 199; certain "ludicrous stanzas" of + _The Island_, _v. 615_; MS. _of The Island_, v. 587, 589, 590, 592, + 595-597, 600-604, 611, 612, 615, 621, 625, 632, 636, 637, 639; _Don + Juan MS_., vi. 143, 144, 150, 159, 167, 168, 170; "Yes! wisdom shines + in all his mien," vii. 12; MS. of _On a Royal Visit, etc._, _vii. 36_ + +Dallas, Robert, _iii. 18_ + +Dallaway, Rev. James, _Constantinople Ancient and Modern_, _iii. 90, + 166_ + +Dalrymple, Sir Hew, _ii. 39, 40_ + +dal Sale, Alberto, _iii. 506_ + +Dalzell, Sir George, _Shipwrecks and Disasters at Sea_, vi. _87, 89-92, + 94-96_, 99, _102-110, 112_ + +Damætus, i. 128 + +Damas d'Antigny, Joseph Elizabeth Roger, Comte de, vi. 312 + +Damascus, _ii. 151_ + +Damon, _i. 175_ + +Dampier, discoverer of the bread-fruit, _v. 596_ + +d'Ancona, A., _Manuale della Letteratura Italiana_, _iv. 536_ + +Dandies, the, iv. 176 + +Dandolo, Doge Andrea, iv. 352, _366, 438, 459_ + +Dandolo, Giovanni, _iv. 356_ + +Dandolo, Doge Henry, ii. _329, 336_, 337, 475 + +Dandolo, Conte Girolamo Antonio, _Sui Quattro Cavalli, etc._; _La Caduia + della Repubblica di Venezia_, _iv. 456, 457_ + +Danes at battle of Copenhagen, _i. 468_ + +Daniel, _To the Lady Lucy, Countess of Bedford_, iv. 239 + +Daniel, prophecies of, _ii. 78_; the writing on the wall, iii. 398; in + the lions' den, vi. 235; _Book of_, _vi. 504_ + +Dante, ii. 355, 375, 494, 503; iv. 237-276; v. 562; vi. 146, 212, 213, + 303; his tomb, ii. 371, 494; iv. 237, 244; Ricci's monument to, _ii. + 375_; _Inferno_, iii. 227, 249, 270; iv. _23_, 238, 245, _254, 272_, + 314, 316; vi. _36, 37, 105_, 289, 408, 606; _Div. Commedia_, iv. 237, + 570; _Paradiso_, _iv. 347_; _La Vita Nuova_, _iv. 248, 253_; _Sonnet_, + _iv. 249, 253_; _Il Convito_, _iv. 253, 256, 274, 318_; _Purgatorio_, + _iv. 256, 263, 272_; _vi. 181_; _Epistola IX. Amico Florentino_, iv. + 276 + +Danton, Georges Jacques, vi. 13 + +Danube, vi. 304, 306, 331, 368 + +Dardanelles, the, _iii. 13_; vi. 208 + +d'Argens, Marquis, _Lettres Juives_, _iii. 123_ + +_Darkness_, iv. 42; _v. 315_ + +Darmesteter, James (_Notes to Childe Harold_), _ii. 67, 106, 115, 134, + 149, 236, 325, 345, 358, 419_; translation of _Zend-Avesta_, _iv. 112_ + +Darnley, Lord, _vii. 29_ + +Daru, P., _Histoire de la République de Vénise_, iv. 332, _471_; v. 115, + _124, 179, 188, 190, 195_; vi. 199; _Histoire de la République + Française_, _v. 196_ + +Darwin, Charles Robert, _i. 367_ + +Darwin, Erasmus, _The Botanic Garden_; _The Temple of Nature_, i. _306_, + 367 + +Davenport, actor, as "Ulric" in _Werner_, v. 324 + +David, i. 490 + +Davies, Scrope B., ii. 211, 212; _iv. 179_; _Parisina_ dedicated to, + iii. 501 + +Davies, Thomas, _Massinger_, _i. 304_; _Life of Garrick_, _i. 409, 428_ + +Davis, Henry Edward, _ii. 283_ + +Davison, Mrs., iv. 70 + +Davison, T., printer, i. 452, 453; _iii. 259, 315, 323_; _vii. 58_ + +Davoust, General, _v. 550_ + +Davy, Lady (Mrs. Apreece), _iv. 541_ + +Davy, Sir H., _i. 307_; iv. 472, 570, 586; his safety-lamp, vi. 51 + +Davy, Martin, Master of Caius College, Cambridge, _iii. 170_ + +Dead Sea, ii. 237, 294 + +_Death of Calmar and Orla_, i. 177 + +Debora, or Azzrum, Cain's sister, _v. 226_ + +Decies, Lord, Archbishop of Tuam, _i. 390_ + +Dee river, Aberdeenshire, i. 193, 238 + +_Deformed Transformed, The_, _ii. 423, 483_; _iv. 15_; _v. 72, 371_, + 469-534, _606_; _vi. 500_ + +d'Egville, _Don Quichotte, ou les Noces de Gamache_, _i. 347_ + +de la Bastie, M. le Bimard, Baron, _Mémoires de l'Académie, etc._, ii. + 480, 481, _482_ + +De la Berge, _Essai sur le règne de Trajan_, _ii. 412_ + +de la Croix, Sieur, _i. 493_ + +Delacroix, Ferdinand Victor Eugène, painter, _iv. 461_ + +de la Guilletière, Le Sieur, _Lacedémone Ancienne et Nouvelle_, _iii. + 122_ + +de la Houssaie, Sieur Amelott, _History of the Government of Venice_, + _iv. 358_ + +de la Motraye, Aubrey, _Voyages_, _vi. 295, 296_ + +Delano, Amasa, _Narrative of Voyages, etc._, _v. 622_ + +De la Pryme, Charles, _iv. 46_ + +De La Rose, Pierre, _vii. 3_ + +Delavigne, Casimir Jean François, _Marino Faliero, tragédie en cinq + actes_, iv. 329, _367_ + +Delawarr, George John, 5th Earl of ("Euryalus"), i. 7, 100; _ii. 22_ + +Delawarr, Thomas, 3rd Earl of, _i. 101_ + +Delbora, or Awina, Abel's sister, _v. 226_ + +Delhis, or delis, Turkish bravos, "Forlorn Hope," ii. 136, 149; iii. + 168, 459; vi. 312 + +Della Cruscan School, i. _304, 323_, 357, _358, 441, 444_; Academy + (Florence), _i. 358_; ii. _357_, 485 + +della Scala, Francesco can Grande, v. 562 + +Delort, M., _iv. 514_ + +Delphi, i. 425; ii. 15, _60, 61_, 85, 92 + +Delphin, _Martial_, _vi. 27_ + +Delpini, Charles Anthony, _Don Juan; or, The Libertine destroyed_, vi. + xvi, _11_ + +Del Pinto, vi. 227, 228 + +Delvinachi (Illyria), ii. _134_, 174, 177, 202 + +Demeter, _v. 570_ + +Demetrius, Byron's servant, _ii. 75_ + +Demetrius Poliorcetes, v. 486 + +Democracy, "an Aristocracy of Blackguards," _vi. 381_ + +Democritus, i. 422 + +Demosthenes, i. 29; ii. 301 + +Denham, Clapperton, and Oudney, _Narrative of Travels ... in Northern + and Central Africa_, _vi. 474_ + +Denman, Lord, i. _366_; ii. 291 + +Dennis, John, i. 220, 326; _iii. 279_; _Essay on the Operas after the + Italian manner, etc._, i. 410 + +Dent, M.P., John ("Dog Dent"), vii. 49 + +Denvil ("Manfred Denvil"), the actor, iv. 78 + +d'Epinay, Madame, _ii. 266_ + +_De Principatibus Italiæ Tractatus Varii_, _ii. 478_ + +Derby, Lord, _Homer's Iliad_, _vi. 339_ + +d'Erceville, Rolland, _Recherches sur les Prérogatives des Dames chez + les Gaulois, etc._, ii. 6 + +Deropoli, plain of, ii. 134 + +Dervish Tahiri, ii. 175, 176; _iii. 134, 450_ + +Dervishes, the, i. 492; iii. 254 + +Derwentwater, _iv. 525_ + +Desaix de Voygoux, Louis Charles Antoine, vi. 14 + +Descamisados, or Sansculottes of the Spanish Revolution, vi. 456 + +Deshayes, ballet-master at the King's Theatre, i. 347 + +De Silver and Co., i. 452, 453 + +des Issarts, Marquis de Forbin, _v. 566_ + +Desmoulins, Camille, _vi. 14_ + +d'Este, Marquis, of Tuscany, ii. 354; iii. 503 + +d'Este, Alfonso, _ii. 486_ + +d'Este II., Alfonso, Duke of Ferrara, iv. 266 + +d'Este, Borso, _ii. 354_ + +d'Este, Ercolo, _ii. 354_ + +d'Este, Hugo, iii. 503 + +d'Este, Leonora, _ii. 355_; iv. 145, 147, 148, 151, 152 + +d'Este, Lionel, _ii. 354_ + +d'Este, Luigi, Cardinal, _ii. 486_; _iv. 146_ + +d'Este, Niccolo, Marquis, _iii. 505-507_ + +d'Este, Ugo, _iii. 505-507_ + +_Destruction of Sennacherib, The_, iii. 404 + +_Detached Thoughts_, _i. 99, 205_; _ii. 301_; _iv. 75, 179, 562, 580, + 584_; _v. 485_; _vi. 270, 360, 509_ + +Dettingen, battle of, _vi. 12_ + +_Deuteronomy_, ii. 294; _iv. 499_ + +_Devil's Drive, The_, _i. 30_; vii. 21-34 + +Devonshire, Elizabeth, Duchess of, _ii. 410_; _iii. 31_; _vi. 70, 488_ + +Devonshire, Georgiana, Duchess of, v. 329, _378_ + +Devonshire, William Spencer, 6th Duke of (Byron's "Duke of Dash"), vi. + 50 + +Dewick and Clarke, printers, _vii. 3_ + +D'Herbelot, _Bibliothèque Orientale_, _ii. 149_; iii. 76, _109, 120, + 145, 173_; _iv. 113_; v. 280; _vi. 292_ + +d'Houdetot, Comtesse, ii. 265, 300 + +Diana, _vi. 151_ + +Dibdin, Thomas John, i. 341; _iv. 338_; _The Jew and the Doctor_; + _Mother Goose_, i. 345, 346; _The Grinders, or more Grist to the + Mill_, _vii. 61_ + +Dickens, Charles, v. 114; _vi. 208_; _Tale of Two Cities_, _vi. 435_ + +_Dictionary of Antiquities_, _vi. 151_ + +_Dictionary of National Biography_, _ii. 25, 280_; _iv. 501, 503, 513_; + _v. 589_; _vi. 67_ + +Diderot, _ii. 266_ + +Dido, i. 157 + +Diez, _iv. 171_ + +Digentia river, ii. 523 + +_Dilettanti Society_, i. _378_, 379, 454; ii. xi, 109 + +Dillman, Professor, _Ethiopic Text of Book of Enoch_, _v. 302_ + +Dillon, Charles, actor, iv. 78 + +Dinner-bell, "the Tocsin of the Soul," vi. 232 + +Diocletian, _iii. 308_ + +Diocletian's (Pompey's) Pillar, v. 548 + +Diodati, Villa, ii. _257_, 300 + +Diodorus Siculus, _Bibliothecæ Historicæ_, v. 3-5, 11, _14, 21, 81, 106, + 405, 543_ + +Diogenes, ii. 241; v 565; vi. 303, 436 + +Diogenes Laertius, i. 18, _414_; _De Vitâ et Sententiis_, vi. 585 + +Dion Cassius, ii. 179; _Hist. Rom._, ii. _411_, 510, _511_, 512; _iv. + 370_ + +Dionisus, G.J., _Canonico di Verona_, _ii. 496_ + +Dionysius, ii. 413; _Antiq. Rom._, ii. 510, 512, 513, 518 + +Dionysius the Areopagite, _Celestial Hierarchy_, _v. 286_ + +Dionysius of Halicarnassus, _ii. 497_ + +Dionysius the Younger, _iii. 311_ + +Dionysus, India occupied by, v. 21 + +Dirce river, ii. 189 + +Disdar, ii. 187 + +Disraeli, Benjamin, _Vivian Grey_, _vi. 504, 506_ + +Disraeli, Isaac (_Curiosities of Literature_), ii. 468, 470; iii. 217, + 499; _vi. 555_ + +d'Istria, Count Capo, v. 575 + +Djerrid, or jerreed, Turkish javelin, iii. 97 + +Dniéper river, vi. 201, 202, _208_, 211, _233_ + +Dniester river, _vi. 362_ + +Dodona, site of, ii. 132 + +Dodsley, A., _The Ordinary_, _ii. 17_; _Description of the Leasowes_, + _iii. 41_; _Plays_, v. 200 + +Dodwell, E., _Classical Tour_, i. 455; iii. 272; _Tour through Greece_, + _vi. 151_ + +Dog-tax Bill, 1796, _vii. 49_ + +D'Ohsson, Mouradja, _Tableau générale de l'Empire Othoman_, ii. _136_, + 206; _iii. 176, 206_ + +Dolabella, _ii. 405_ + +Dolce, Carlo, vi. 502 + +_Dolfin Cronaca_, v. 117, 118, _121, 172_ + +Dolfino, Doge Giovanni, ii. 475 + +d'Olivet, M. l'Abbé (Thoulier), _Histoire de l'Académie Française_, ii. + 485 + +Dolman, Miss Maria, iii. 41 + +_Domestic Pieces (Poems)_, _ii. 247, 426_ + +Domitian, _ii. 408_; iv. 334 + +Domitius Marsus, i. 73 + +Don, brig of, vi. 405 + +_Don Juan_, _i. 260, 203, 362, 403, 434_; _ii. 30, 59, 139, 149, 227, + 281, 332, 342, 366, 372, 374, 441_; _iii. 13, 397, 463, 481, 488, 490, + 494, 495_; iv. _16, 17, 47, 60, 125, 132, 165_, 184, _195, 226, 232_, + 238, _243_, 279, 280, 475-477, _566_, 570, _578_; v. _159_, 202-204, + _351, 396, 497, 568_, 584; vi.; _vii. 9, 25, 76, 77_ + +Don Quixote, i. 490 + +Donati, Corso, _iv. 253_ + +Donati, Gemma, iv. 253 + +Donate, Andrea, _v. 123_ + +Donate, Ermolao (or Almoro), v. 116, 134 + +Donatus, Tib. Cl., _ii. 514_; _Life of Virgil_, _ii. 407_ + +Donne, Dr., vii. 19 + +Donoughmore, Earl of, Byron's speech on motion for Committee on Roman + Catholic claims, _iv. 561_ + +Doomsday Book, _vi. 411_ + +Dorchester, Lady, ii. 319; iv. 548, _566_; _vi. 608_ + +Doria, Paganino, _iv. 356_ + +Doria, Pietro (Genoese admiral), ii. 338, 476, 497 + +Doria, transcript of Sanudo's _Diaries_, iv. 326 + +Doroshénko, Peter, President of the Western Ukraine, iv. 201 + +Dorotheus of Mitylene, Archbishop of Monembasia, _Univ. Hist._, ii. 198 + +D'Orsay, Count Alfred, "Cupidon déchaîné," vi. _507_, 526, 547 + +Dorset, Charles Sackville, Earl of, _To all you Ladies, etc._, i. 198, + _418_ + +Dorset, George John Frederick, 4th Duke of, i. 194; iii. _423_, 425 + +Douce, Francis, edition of Holbein's _Dance of Death_, _vi. 555_ + +Dover, vi. 420 + +Dover, Lord, preface to Walpole's _Letters to Sir H. Mann_, _iv. 339_ + +Dowden, Edward, _Life of Shelley_, ii. _145, 258_, 300; iv. 475 + +Downie, Commodore, _iv. 198_; _vi. 508_ + +Drachenfels, Castle of, ii. 249, 295; vi. 419 + +Dramali, Turkish general, _v. 556_ + +"Drapery misses," vi. 442 + +Drayton, Michael, _The Barons' Wars_, _iii. 405_ + +_Dream, The_, _i. 210_; _ii. 219, 220, 260, 332_; iv. 31-41, _63, 404, + 544_ + +Dresden, re-entered by Napoleon, v. 553; battle of, _vi. 14_ + +Drexel Institute, _vii. 63_ + +Dromedary, "ship of the desert," v. 606 + +Drouineau, Gustave, _Rienzo_, _ii. 415_ + +Druid oak, Newstead Abbey, vi. 497 + +"Druids," the, i. 443; ii. 213 + +Drummond, Sir William, iv. 337; _A Review of the Government of Athens + and Sparta_; _Herculanensia_, ii. 204 _Academical Questions_, _ii. + 422_; _vi. 528_ + +Drury Lane Theatre, burnt, i. 417; _Byron's Address_, iii. 51; iv. 69; + _Manfred_ at, iv. 78; _Marino Faliero at_, iv. 324, 328; the + sub-Committee, _iv. 338, 584_; _Sardanapalus_ at, v. 2; _The Two + Foscari_ at, v. 114; _Werner_ at, v. 324; Lee's _The New Peerage_ at, + _v. 337_; _Don Juan: or, The Libertine_ at, _vi. 11_; _Nourjahad_ at, + _vii. 33_ _Manuel_; _Ina_ at, _vii. 48_ + +Drury, Henry, _i. 25, 84, 88_; ii. xvii, _100_; _iii. 13, 27_; _vi. + 280_; _vii. 8, 10_ + +Drury, Dr. Joseph, Headmaster of Harrow ("Probus"), i. _15_, 16, _17, + 25, 86_, 89, 90, 94, 103; ii. 387 + +Drury, Mark, _i. 17, 89_ + +Dryden, John, on the Earl of Dorset, _i. 198_; his _Virgil_, i. 220, + 477; referred to in _English Bards, and Scotch Reviewers_, i. 305, + 306, 312; Byron's support of, _i. 368_; a translator, _i. 375_; in + _Hints from Horace_, i. 395, 397; _Almanzor_, i. 398; a caricature of, + _i. 401_; _Alexander's Feast_, _ii. 123_; _iv. 446_; _Absalom and + Achitophel_, _ii. 420_; _vi. 482_; _Cymon and Iphigenia_, iii. 59; + "the ponderous ball expires," _iii. 493_; _Palamon and Arcite_, _iv. + 26_; Georgics, _iv. 208_; a borrower from Boccaccio, _iv. 316_; to + "partake," _iv. 362_; "Thou shall believe in," vi. 74; _Indian + Emperor_, _vi. 178_; _Theodore and Honoria_, _vi. 180_; "Dedication" + of the _Æneis_, _vi. 182_; his publisher Tonson, _vii. 57_ + +_Dublin Examiner_, _iii. 473_ + +_Dublin University Magazine_, iv. 82; vi. xx + +Dubois, Edward, _My Pocket-Book, etc._, _i. 378, 379_ + +Dubost, i. 390 + +Dubourdieu, Admiral, _iii. 25_ + +Ducange, _Glossarium ad Scriptores Med., etc._, _ii. 435_ + +Ducato, Cape (Leucadia's Cape), ii. 125 + +_Duel, The_, iv. 542 + +Duff, Mary (Mrs. Robert Cockburn), _i. 192_ + +Duff, Sir M.E. Grant, _Notes from a Diary_, i. 293 + +Dufferin, Lady, _i. 343_ + +Dugdale, _Monasticon_, v. 200, _207_ + +Dugdale, Sir William, _A Short View of the Late Troubles in England_, + _vi. 174_ + +_Duke William_, wreck of the transport, _vi. 95_ + +Dulauloy, General, _vii. 24_ + +Dumarsais, _i. 402_ + +Dumouriez (Dumourier), General Charles François Duperier, _Memoirs_, vi. + 12, _13_ + +Dunbar, battle of, _ii. 394_ + +Duncan, _vi. 14_ + +Dunning, John, _iv. 513_ + +Dupaty, President, ii. 508 + +Dupont, Marshal, _ii. 54_ + +Duppa, R., _Life of Michael Angelo_, _iv. 272, 273_ + +Dupré, F., _v. 554_ + +Dura, in Assyria, vi. 504 + +Duran, H., _Romancero General_, _iv. 529_ + +Duris, the historian, _v. 11_ + +Dwarfs, vi. 242 + +Dyce, Rev. Alexander, _iii. 348_; _Friar Bacon and Friar Bungay_, _vi. + 78_ + +Dyer, George, _Country Walk_, _iii. 330_; _Sketch of Southey_, _vi. 175_ + +Dying gladiator, statue of the, ii. 432 + + +E + +_E Nihilo Nihil; or, An Epigram Bewitched_, vii. 55 + +_Earl of Abergavenny_, wreck of the ship, _vi. 91_ + +Early English Text Society, _v. 207, 496_ + +_Early Poems from Various Sources_, i. 210-285 + +Earthquakes, ii. 377, 505 + +East India Co., _i. 377_; _vi. 236_ + +Eastlake, Sir C.L., his picture "Byron's Dream," _iv. 37_ + +_Eccentric Review_, _i. 322_ + +_Ecclesiastes_, i. 307; vi. 303 + +_Ecclesiasticus_, _ii. 155_ + +Eckermann, _Conversations with Goethe_, iv. 157, 327, 328; v. 119, + _122_, 199, 204 + +Eckersall, Harriet (Mrs. T.R. Malthus), _vi. 461_ + +Eckersall, John, _vi. 461_ + +_Eclectic Review_, i. _379_, 430, _431, 432_; iii. 444, _493_, 500; iv. + 6, 158, 203, 240; v. 204, 329; vi. 162 + +Edgcumbe, or Edgcombe, Richard, _ii. 430_; _iii. 72_; _iv. 15_ + +Edgeworth, Maria, vi. 18 + +_Edinburgh Annual Register_, _i. 435, 436_ + +_Edinburgh Evening Post_, _i. 430_ + +_Edinburgh Monthly Magazine_, afterwards _Blackwood's Edinburgh + Magazine_, _q.v._ + +_Edinburgh Review_, i. xiv, 202, 292, 294, _301-303, 305, 310, 330, 331, + 336-341_, 382, 392, 395, _429, 432_; ii. xv, _109_, 196, 201, 204, + 213, 315, _360_; iii. 77, 151, 219, 377; iv. 6, _48_, 80, 158, 239, + 313, 329, _342, 513, 574_; v. 5, 119, 204, 280, 282, _338, 551_; vi. + xx, _9, 51, 67_, 76, _172, 175, 403, 445, 459, 551_; _vii. 32_ + +_Edinburgh Weekly Journal_, vi. xix + +Edleston (Byron's "Cornelian"), i. 66; _ii. 104_ + +Edom, Sea of, _vi. 122_ + +Edu, Rajah of Ellichpur, _v. 631_ + +Edward the Black Prince, _i. 107_; vi. 422 + +Edward III., _vi. 496_ + +Edward VI., _iv. 542_ + +Edwards, Captain, of the _Pandora_ frigate, v. 584 + +Edwards, Dr., Master of Sidney Sussex Coll., Cambridge, _i. 417_ + +Egan, Pierce, _Life in London_, _i. 321, 434_; _vi. 431-433_; _Anecdotes + of the Turf_, _vi. 433_ + +Egeria, ii. _454_, 515; Grotto of, ii. 416 + +_Egerton MSS._, in British Museum, i. _235_, 293, 387; ii. xvi + +Eginhard, _iv. 288_ + +_Egotism. A Letter to J.T. Becher_, i. 247 + +Egripo, the Negropont, iii. 173 + +Egypt, evacuated by the French, _ii. 108_; the Pyramids of, v. 550 + +Ehrenbreitstein, ii. 251, 297 + +Eiger, the Grosse, _iv. 129_ + +Ekenhead, Lieutenant, _iii. 13_ + +Elam, v. 4 + +Elchingen, Michel Ney, Duke of, _vi. 373_ + +Eldon, John Scott, Earl of, ii. 213; iv. 328, 482; v. 203; vi. _460_, + 569; vii. 13, 29 + +Elector Palatine, the, _i. 2_ + +Electric telegraph, invention of the, iv. 505 + +_Elegiac Stanzas_, _i. 5_ + +_Elegiac Stanzas on the Death of Sir Peter Parker, Bart._, iii. xix, 417 + +_Elegy_, vii. 75 + +_Elegy on Newstead Abbey_, i. 116 + +Elena, Duchess, _iv. 367_ + +Elgin, Lady, i. 452 + +Elgin, Lord, and the Elgin Marbles, i. 378, 452-474; ii. x, xi, _100, + 106_, 108-110, 167, 168, 172, 188 + +Elizabeth, Princess, _i. 437_ + +Elizabeth, Queen, _i. 197_; _ii. 453_ + +Ellenborough, Lord, vi. 265; vii. 29 + +Ellice, _v. 555_ + +Ellis, A.G. (British Museum), _iii. 95_ + +Ellis, F.S., ed. _Golden Legend_, _iv. 494_; _vi. 33, 230, 273_ + +Ellis, George Agar, _i. 396_; ii. xiii; iii. 77, _94_, 151, 219, 321; + _iv. 514_ + +Elliston, Robert W., iii. 51; _iv. 338_; _Memoirs of_, iv. 328 + +Elmsley, Professor, _vii. 52_ + +Eloïsa, v. 634 + +Elze, Karl, _Life of Lord Byron_, i. xi, _4, 18_; _ii. 248, 352_; _iv. + 14, 543_ + +Encina, Juan del, _Teatro Completo_, _v. 207_ + +_Encyclopædia Biblica_, v. 4, 219, 491 + +_Encyclopædia Britannica_, _iii. 107, 130_; _v. 558_ + +_Encyclopædia Metropolitana_, _ii. 415_ + +_Encyclopédie, La Grande_, _v. 566_ + +Endor, witch of, iii. 392; iv. 108 + +_Endorsement to the Deed of Separation, in the April of 1816_, vii. 41 + +Engen, battle of, _vi. 14_ + +Englaender, Dr. D., _Lord Byron's Mazeppa_, _iv. 214, 220_ + +_Englische Studien_, iv. _214_, 324, 329 + +_English Bards, and Scotch Reviewers_, i. xiv, _128, 203_, 289-384, 387, + _406, 409, 431, 443, 448_, 453, 454; ii. ix, x, _108, 109, 202, 304, + 205, 366_; _iii. 32, 196, 210, 324, 435_; _iv. 21, 182, 244, 519, + 555_; v. 537, 540; _vi. 50, 67, 292, 587_; _vii. 6, 15_ + +_Enigma on the Letter I_ (spurious), iii. xxi + +Ennui, "the best of friends," vi. 176; "a growth of English root," vi. + 512 + +_Enoch, Book of_, v. 281, _286, 291_, 302, _311_ + +Ensor, Miss Fanny, as "Myrrha" in _Sardanapalus_, v. 2 + +Eos (Dawn), _v. 497_ + +Epaminondas, ii. 155; vi. 376 + +_Ephesians_, _v. 233_ + +Epicurus, vi. 139 + +_Epigram_, vii. 65 + +_Epigram. From the French of Rulhières_, vii. 62 + +_Epigram on an Old Lady who had some curious notions respecting the + Soul_, vii. 1 + +_Epigram on the Braziers' Address to be presented in armour by the + Company to Queen Caroline_, vii. 72 + +_Epigrams_, vii. 81 + +_Epilogue_, vii. 63 + +Epirus, _ii. 127_ + +_Episode of Nisus and Euryalus_, i. xii, 151, _177_ + +_Epistle from Mr. Murray to Dr. Polidori_, vii. 47 + +_Epistle to a Friend in answer to some lines, etc._, ii. _163_; iii. 28 + +_Epistle to Augusta_, _ii. 247, 456, 457_; iv. _56_, 57, _152_; _vi. + 498_ + +_Epistle to Mr. Murray_, vii. 51 + +_Epitaph_, vii. 65 + +_Epitaph for Joseph Blacket, late Poet and Shoemaker_, _i. 359_; vii. 11 + +_Epitaph for William Pitt_, vii. 64 + +_Epitaph on a Beloved Friend_, i. 18; _ii. 137_ + +_Epitaph on John Adams of Southwell_, vii. 1 + +Erasmus, ii. 281; _Naufragium_, _vi. 93_ + +Eratosthenes of Cyrene, _Catasterismi_, _ii. 439_ + +Eratostratus, i. 467 + +Erechtheum, the, _i. 463_; _ii. 106_ + +Erechtheus, ii. 102 + +Erizzo, Nicolas, ii. 472; v. 117, 134 + +Erneis, or Ernysius, vi. 410, _411_ + +Ernst, W., _Memoirs of the Life of Lord Chesterfield_, _vi. 525_ + +Eros, iv. 105 + +Erskine, Thomas, Lord ("Strongbow from Tweed"), i. 429; iii. 45; vi. + 509, 596; _vii. 66_ + +Esarhaddon, v. 4 + +Esau, _v. 285_ + +Eschinard, _Descrizione di Roma, etc._, _ii. 516, 517_ + +Esdaile, Mrs. (Shelley's eldest daughter), _ii. 13_ + +Espadas, or matadors, ii. 68 + +Éspinasse, F., _Life of Voltaire_, _ii. 282_ + +Essling, battle of, _vi. 14_ + +Este. _See_ d'Este + +Esterhazy, Prince, v. 539 + +Eteocles, v. 403 + +Ethiopians, _Book of Enoch_ preserved by the, _v. 302_ + +Etna, v. 55 + +Eton, William, _A Survey of the Turkish Empire_, ii. 191, 194 + +Etruria, king of, ii. 90 + +Eucrates, _ii. 393_ + +Euganean hills, ii. 483 + +Eugene, Prince, _Mémoires_, _iii. 256, 455_; iv. 331 + +Eunapius Sardianus, _Vitæ Philosophorum et Sophistarum, Philostratorum, + etc._, _iv. 105_ + +Euphrates, river, v. 15, 108 + +Euripides, _Medea_, i. 168; vii. 10; _Hippolytus_, _v. 496_ + +_European Magazine_, _i. 343_; iii. 444, 500; _iv. 99, 490_; v. 329 + +Eurotas' banks (Laconia), ii. 150 + +Euryalus, i. 151, _175_; _ii. 387_ + +Eurystheus, _ii. 431_ + +Eusebius, ii. 513; v. 281; _Chron._, _v. 107_ + +Eustace, _Classical Tour in Italy_, i. 452; ii. _440_, 500, 516, _524_ + +Euthanasia, iii. 39 + +Eutropius, _Hist. Rom. Brev._, _ii. 411_; the Eunuch, vi. 8 + +Euxine Sea, ii. 455; vi. 219, 220 + +Evans, Mr., Master at Harrow, _i. 25, 89_ + +Eve's curse, v. 271 + +_Evening Statesman_, _i. 319_ + +_Examiner_, _ii. 215_; iii. xx, 304, _389, 427, 428, 436, 438_, 532-534, + _538_; iv. 478; v. 204, 540; vi. xx; vii. 17, _40_ + +Eyre, trunk-maker, _i. 437_ + +Ezekiel, _iv. 43_ + + +F + +Fabius, i. 220 + +Fabricius, _Script. Gr. Var._, _iii. 122_ + +Facciolati, ii. 92 + +Fagiono, Stefano, iv. 464 + +Fagiuolo, Niccolo, iv. 464 + +Fagniani, Maria (Lady Yarmouth), _i. 501_ + +Fairburn, John, _The Stripling Bard; or, The Apostate Lartreate_, _iv. + 521_ + +Fairfax, Edward, translation of Tasso's _Ger. Lib._, _iii. 362_; _iv. + 296_ + +Falbowski, the _pane_ (Lord), iv. 201, _212_ + +Falconer, William, _The Shipwreck_, ii. 169 + +Faliero, Dogaressa Aluica, _iv. 448_ + +Faliero, Bertuccio, iv. 346, _367_, 464 + +Faliero, Lucia, _iv. 365_ + +Faliero, Marino, iv. 239, 240; story of, iv. 462; Petrarch on the + Conspiracy of, iv. 468 + +Faliero, Doge Ordetafo, iv. 336, 390 + +Faliero, Doge Vitale, iv. 336, _390_ + +Falkland, Charles John Cary, 9th Viscount, i. 351 + +Falkland, Lucius Cary, Lord, i. 121, _128, 432_; _iv. 21_ + +Falkner, Mr., i. xii + +Fandango, the, i. 492 + +Fanshawe, Harriet, _Enigma on the Letter H._, iii. xx + +_Fare Thee Well_, iii. 537 + +_Farewell! if ever fondest prayer_, iii. 409 + +_Farewell Petition to J.C.H., Esq._, vii. 7 + +_Farewell to England_ (spurious), iii. xx + +_Farewell to Malta_, iii. 24 + +_Farewell to the Muse_, i. 254 + +Farish, Rev. W., _i. 417_ + +Farquhar, _The Beaux' Stratagem_, i. 415; iv. 481; _Recruiting Officer_, + ii. 88 + +Fas, or Fez, vi. 197, 198 + +Faucit, Helen, as "Angiolina" in _Marino Faliero_, iv. 324; as "Marina" + in _The Two Foscari_, v. 114; as "Josephine" in _Werner_, v. 324 + +Faunus, Lucius, _De Antiq. Urb. Rom._, ii. 510-513 + +Fauvel, M., ii. _99_, 168, 187, 190 + +Favell, _iv. 225_ + +Favila, Duke of Cantabria, _v. 558_ + +Fazillac, M. Roux-, _iv. 514_ + +Fazzioli, Venetian kerchiefs, vi. 83 + +Fea, the Abbate, _Spiegazione dei Rami Storia, etc._, _ii. 518_ + +Feere, consort or mate, ii. 22 + +"Feeble" used for "foible," vi. 550 + +Feinagle, Gregor von, vi. 16 + +Fellowes, Henry Wallop, _vi. 569_ + +Fénélon, _Télémaque_, _ii. 118_; vi. 303 + +Fennell, C.A.M., _Ancient Marbles in Great Britain_, i. 455 + +Fenwick, John, translation of _Dumourier's Memoirs_, _vi. 13_ + +Ferdinand and Isabella, _ii. 47_ + +Ferdinand V. of Spain, _vi. 212_ + +Ferdinand VII. of Spain, ii. 54, 55, _78_, 90, 91; v. 538, 558 + +Ferdousi, _i. 353_ + +Ferney, _iv. 53_ + +Ferrand, M., _Histoire des Trois Démembremens de la Pologne_, _v. 551_ + +Ferrara, ii. 312, 354, 503, _505_; iv. 141 + +Ferrara, Alfonso d'Este II., Duke of, iv. 266; _vi. 212_ + +Ferrari, Girolamo, iii. 441 + +Festus, _De Verb. Signif._, _ii. 437_ + +Fewterel, the prize-fighter, _i. 433_ + +Fiandra, Comte Baldovino di, _iv. 352_ + +Ficino, _ii. 365, 495_; iv. 280 + +Fielding, Beau, _iv. 541_ + +Fielding, _The Tragedy of Tragedies, or the Life and Death of Tom Thumb + the Great_, i. 313, _389, 392, 436_; _Amelia_, i. 385; _The Golden + Rump_, _i. 414_; _Jonathan Wild_, ii. 171; iv. 284; _Tom Jones_, _ii. + 386_; iv. 284, 332; _History of the Adventures of Joseph Andrews_, iv. + 284; vi. _254_, 511; _Journey from this World to the Next_, iv. 483, + _518_; his "superior grossness," vi. xviii, 210; his use of "was," + _vi. 208_ + +Fielding, Sir John, Bow Street magistrate, _i. 416_ + +Figuranti, vi. 207 + +Fiji, v. 599 + +Filicaja, _Poesie Toscaine_, ii. 312, _361_ + +_Fill the goblet again_, i. 283 + +Finden, _Illustrations of the Life and Works of Lord Byron_, _ii. 11_ + +Fingall, Arthur James Plunkett, 8th Earl of, iv. 559 + +Finlay, _History of Greece_, ii. _107, 139, 140, 146_, 165, _175_, 180, + _193_, 441; _v. 556_; _vi. 168_; _Greece under Othoman and Venetian + Domination_, _iii. 166, 194, 195, 481_ + +Finley, John, the pioneer, _vi. 349_ + +_First Kiss of Love, The_, i. 82 + +Fitger, Arthur, iv. 324 + +Fitzgerald, Colonel, iv. 157 + +Fitzgerald, Edward, translation of _Rubáiyát_ of Omar Khayyám, iii. 87, + _109_ + +Fitzgerald, Lord Edward, iv. 548 + +Fitzgerald, Percy, _Life of George IV._, _i. 416_ + +Fitzgerald, W.L., _The Tyrant's Downfall_, _iii. 435_ + +Fitzgerald, William Thomas (_Nelson's Triumph_; _Tears of Hibernia_; + _Nelson's Tomb_), i. 297, _444_, 448, 481, 485; iii. 312; _iv. 549_ + +Fitzpatrick, Richard, _Dorinda: a Town Eclogue_, i. 500 + +Flaminius, Consul, ii. 505, 508 + +Flaminius Vacca, _Memorie_, ii. 508, 509, 511, 515 + +Flash language, instances of, vi. 431-433 + +Flavian Amphitheatre (Colosseum), Rome, ii. 423-435 + +Fletcher, _Rule a Wife and Have a Wife_, i. 415; _The Two Noble + Kinsmen_, _ii. 217_ + +Fletcher of Saltoun, Andrew, _An Account of a Conversation, etc._, _v. + 602_ + +Fletcher, William (Byron's servant), ii. 28, _52_; _iii. 381_; _iv. + 367_; vii. 6, 8 + +Fletcher, Mrs. William, _vi. 22_ + +Florence, ii. 312; iv. 249; Uffizzi Gallery at, _ii. 365_ + +_Florence Miscellany_, _i. 358_ + +Florentine nobility, the, ii. 365 + +Florus, ii. 179 + +Foix, Odet de, _v. 498_ + +Folger, Captain Mayhew, of the American ship _Topaz_, v. 582, _622_ + +Fontainebleau, Treaty of, ii. 90 + +Fontenelle, Le Bovier de, _Entretiens sur la Pluralitè des Mondes_, ii. + 198; _iv. 523_; _vi. 246_ + +Fontenoy, battle of, _vi. 12_ + +Foote, Samuel, _The Mayor of Garratt_, i. 412 + +Fop's Alley, i. 410; vii. 58 + +Forbes, Lady Adelaide; _ii. 447_; vi. 116 + +Forbes, Sir W., _Life of Beattie_, _ii. 5, 479_ + +Forbin des Issarts, Marquis de, _v. 566_ + +Ford, John, _i. 304, 397_; _'Tis Pity she's a Whore_, _iv. 377_ + +Fold, Richard, _Handbook for Spain_, _ii. 54, 57, 68, 79_; _vi. 116_ + +Forli, _vi. 212_ + +Forman, Alfred, _The Metre of Dante's Comedy discussed and exemplified_, + iv. 239 + +Forman, H. Buxton, i. xi; _Prose Works of P.B. Shelley_, iv. 3, _18_, + 100; vi. xix; _The Metre of Dante's Comedy, etc._, iv. 239 + +Forster, John, v. 114 + +Forster the murderer, _i. 308_; _vi. 50_ + +Forsyth, Joseph, _Remarks on Antiquities, etc., in Italy_, ii. _435_, + 484 + +Forsyth, William, _History of the Captivity of Napoleon_, _v. 544-546, + 548_ + +Forteguerri, _Ricciardetto_, iv. 156, _166, 176, 319_ + +_Fortunes of Nigel_, _i. 351_ + +Foscari, Doge Francesco, _ii. 327, 507_; iv. 459; v. 115, 117, 118; _vi. + 199_ + +Foscari, Jacopo, v. 115 + +Foscari, Lucrezia (_née_ Contarini), v. 115, _130_ + +Foscari, Marco, v. 118 + +Foscari, Maria, or Marina (_née_ Nani), v. 115 + +Foscari, Nicolò, v. 115 + +Foscolo, Ugo, ii. 324, 496; iv. 156, _166_, 281, _319, 367, 436, 457_ + +Foster, Augustus, iii. 31 + +Foster, Vere, _The Two Duchesses_, _iii. 31_; vii. 15 + +Foston-le-Clay (Foston, All Saints) Vicarage, vi. 596 + +Foulon, Joseph François, _vi. 435_ + +Four-Horse Club, the, _vii. 26_ + +Fox, C.J., i. 113; _vi. 9_; Byron's _On the Death of Mr._, i. 34; + _Monodies on_, i. 356; his friend Fitzpatrick, i. 500; one of "the + wondrous Three," iv. 75; "with Fox's lard was basting William Pitt," + iv. 511; _History of James II._, iii. 170; his grave in Westminster + Abbey, v. 541 + +Fox, Charles Richard, _ii. 80_ + +Fracassetti, Giuseppe, _Petrarch's Letters_, _ii. 351_ + +_Fragment, A_, i. 21, _192_; iii. 123; iv. _47_, 51, _193_, 203 + +_Fragment from the Monk of Athos_, iii. 18 + +_Fragment of an Epistle to Thomas Moore_, vii. 39 + +_Fragment of a Novel by Byron_, _iv. 20_ + +_Fragment of a Translation from the 9th Book of Virgil's Æneid_, i. xii, + _151_ + +_Fragment--written shortly after the marriage of Miss Chaworth_, i. 210 + +_Fragments of School Exercises: from the "Prometheus Vinctus" of + Æschylus_, i. 14 + +Fragonard, his portrait of Franklin, _v. 554_ + +Frame Workers' Bill, _i. 412, 495_ + +France, v. 553 + +_Francesca of Rimini_, iv. 313-322 + +Francis I., Emperor of Austria, _i. 489_; v. _498_, 503, 539, _573_, 576 + +Francis Maria II., Duke of Rovere, ii. 498 + +Francis, Sir Philip, _iv. 513_ + +Franguestan (Circassia), iii. 111 + +Frankfort, i. 489 + +Franklin, Benjamin, iv. 516; _Opinions and Conjectures concerning ... + Electrical Matter, etc._, v. 554 + +Fraser, Mrs. Susan, _Camilla de Florian_, iii. 26 + +_Fraser's Magazine_, _iv. 542_; v. 204 + +Fraticelli, _Il Canzoniere di Dante_, _iv. 248_ + +Frederick the Great, _i. 107_; vi. 337 + +Frederick II. of Prussia, ii. 209, _282_; iv. 334; _v. 637_ + +Frederick William III. of Prussia, v. 539, 550, 553, _577_; _vii. 39_ + +French, Waterloo and the, vi. 345 + +French Revolution, ii. 82; _vi. 13, 14_ + +Frere, J. Hookham, _i. 395_; _ii. 327_, iii. 151; vii. 48, 49; _The + Rovers, or the Double Arrangement_, _ii. 7_; British Minister, Spain, + _ii. 79_; _The Needy Knife-Grinder_, ii. 80; his article in _Q.R._ on + Lady Morgan's _France_, _ii. 187_; _Whistlecraft_, iv. 155, 156, 279, + 283; vi. xvi; vii. 53; the _ottava rima_, iv. 238 + +Fréron, Elie Catharine, _ii. 282_ + +Friar, the Black, at Newstead Abbey, vi. _576_, 578, _et seq._ + +Fricker, Edith (Mrs. R. Southey), _iv. 521_; vi. 175 + +Fricker, Mary (Mrs. Robert Lovell), _iv. 521_ + +Fricker, Sarah (Mrs. S.T. Coleridge), _iv. 521_; vi. 175 + +Fricker, Stephen, _vi. 175_ + +Friendly Islands, the, v. 581 + +Friuli's mountains (Julian Alps), ii. 348 + +Frizzi, Antonio, _Memorie per la Storia di Ferrara_, _iii. 507_ + +_From Anacreon_, i. 149 + +_From the French_, iii. 428; vii. 76 + +_From the Portuguese_ ("_Tu mi chamas_"), iii. 71 + +Frosini, or Phrosine, iii. 145 + +Frundsberg, George, leader of the Landsknechts, _v. 520_ + +Fry, Elizabeth, vi. 425 + +Fryer, John, master of the _Bounty_, _v. 594_ + +_Fugitive Pieces_, i. xi, 1-75, _213_; _iii. 381, 383, 387, 388, 390, + 400, 438_; iv. 584 + +Fuller, _Worthies: Lincolnshire_, _vi. 596_ + +Fullerton, Lady Georgiana, v. 329 + +Fulvius Ursinus, ii. 510, 517 + +Funck-Brentano, M. Frantz, _L'Homme au Masque de Velours Noir_, _iv. + 514_ + +Furius Leptinus, _ii. 520_ + +Furtwaengler, A., _Masterpieces of Ancient Greek Sculpture_, _ii. 446_ + +Fusina, _ii. 349_; _vii. 72_ + + +G + +Gabor, Bethlen, king of Hungary, iv. 331; _v. 349, 352_ + +Gabriel of Bergamo, Bishop, iv. 467 + +Gaddi, Cardinal de', _v. 516_ + +Gail, Jean Baptiste, ii. 197 + +Galahad, _iv. 320_ + +Galiffe, J.A., _Notices Généalogiques sur les Familles Genevoises_, iv. + 5; _Galignanis Gazette_ (or _Messenger)_, i. 452; _iv. 338_; v. 540; + vii. 80 + +Galileo Galilei, ii. 369, 496; vi. 610 + +Galiongee, or galiongi, Turkish sailor, iii. 184 + +Gall, Richard, _i. 211_; _vi. 462_ + +Gallehault, _iv. 320_ + +Gallienus, _vi. 446_ + +Gallo, Cape, iii. 248 + +Gallois, Léonard, _Historie de Napoléon d'après lui-même_, iii. 304 + +Galt, John, _Voyages and Travels_, i. 492; _Life of Lord Byron_, iii. + 150, _205_; _vi. 195_ + +Galvani, Professor, _i. 308_; _vi. 50_ + +Galvanism, i. 307; vi. 50 + +Gamba, Count, _vi. 179_, _A Narrative of Lord Byron's Last Journey to + Greece_, _vii. 86_ + +Gambas, the, _iv. 259_ + +Gambier, Admiral Lord, _i. 468_ + +Gandia, Duke of, _iii. 367_ + +Garcia, H.E. Don Juan, _vi. 437_ + +Garcilasso, or Garcias Lasso, de la Vega, vi. 40 + +Gardiki sacked by Ali Pasha, _ii. 139_ Garnett, Dr. Richard (keeper of + Printed Books in the British Museum), _Italian Literature_, ii. _324, + 351_, 370; iv. 281; _v. 535_ + +Garrick, David, i. 26, 344, _409_; iii. _51_, 52, 53; _Lying Valet_, i. + 400; produces _Don Juan; or, The Libertine Destroyed_, at Drury Lane + Theatre, _vi. 11_ + +Garter, story of the, ii. 7 + +Garth, _vi. 236_ + +Gas, nitrous oxide, i. 307 + +Gas first used in London, vi. 434 + +Gas Light and Coke Co., _i. 307_ + +Gascoigne, M.P. for Liverpool, i. 479 + +Gaston de Foix, Due de Nemours, vi. 212 + +Gastuni, _iii. 184_ + +Gates, General, _vi. 12_ + +Gauls, the, _ii. 413_; iv. 331, 334 + +Gautier, Léon, _Voyage en Espagne_, _ii. 67_, _Les Epopées Françaises_, + _v. 496_ + +Gavotto, or Cabotto, Giovanni, _iv. 262_ Gay, _The Beggar's Opera, i. + 416_, iv. 75; vii. 74; _Trivia, iv. 160_, _Epitaph_, vi. 561 + +Gayarré, Charles Étienne Arthur, _History of Louisiana; Fernando de + Lemos, iii. 298_ + +Gayton, Miss, i. _347_, 348 + +_Gazette_, _i. 488_ + +_Gazette Extraordinary_, iii. 303 + +_Gazetteer_, _iv. 542_ + +_Gazetteer of the World_, ii. xxiv; _iii. 24_ + +Gebhart, Émile, _De l'Italie_ (_Le Sac de Rome_), v. 471, 472, _510, + 515, 520_ + +Gebora, battle of, _i. 470_ + +Geddes, Rev. Alexander, _Critical Remarks on the Hebrew Scriptures, v. + 208_ + +Gelasius, _ii. 512_ + +Gell, Sir William, _Topography of Troy; Ithaca; Itinerary of Greece_, i. + _336_, 379; ii. 109, _189_, 204 + +Gelo the tyrant, iv. 440 + +Gemma, Dante's wife, iv. 253 + +_Genesis_, _iv. 127_; v. 197, 201, 207, 210, 277, 280, _285, 291, 300, + 527_ + +Genest, _English Stage_, _ii. 331_; _iv. 573_; v. 324 + +Geneva, _iv. 53_ + +Genlis, Stephanie Félicité Ducrest, Marquise de Sillery, Madame de, i. + 494 + +Genoa, _v. 158_ + +Genseric, king of the Vandals, _ii. 390, 408_; _iii. 233, 251_ + +_Gentleman's Magazine_, _i. 337_; _ii. 11, 216_; iv. _53_, 82, _99_, + 139; v. 470, _578_; _vi. 410, 508, 551_; _vii. 19, 27_ + +Geoffrey II., of Villehouardin, _iii. 185_ + +George I., _iii. 209, 299_ + +George II., _ii. 282_; _iv. 491_; _vi. 12, 496_; _vii. 76_ + +George III., i. _416, 425_, 486, _500_; _ii. 230_; iv. 476, _556_; _v. + 542, 560_; vi. 77, 368, 451, _496_; _vii. 31, 35, 76_; in _Vision of + Judgment_, iv. 485-525 + +George IV., i. _319_, 487, _491_, 495, _497_, 500; _ii. 360, 450_; iii. + 45; iv. _74_, 548, _555_; v. 204, _206_, 539, _569, 578_; vi. _374_, + 385, 425, _451_, 478; vii. 17, 20, _22, 27, 29, 32_, 35-37, _40_, 80 + +George William, Elector of Brandenburgh, v. 373 + +Georgia, i. 378; vi. 279 + +Gérard, his portrait of Napoleon, _iii. 314_ + +_G. Dict. Univ._, _ii. 415_ + +Germantown, battle of, _i. 500_; _vi. 12_ + +Germany, "how much we owe to thee," i. 486 + +Gesner, _Death of Abel_, _iii. 31, 32_; v. 200, 201, 208, _266_; + _Bibliotheca Univ._, _iii. 122_ + +Ghibellines, the, _iv. 253_ + +Ghormezano, Signor, _ii. 99_ + +Ghosts, ii. 255 + +Giaffir Pacha, iii. 189 + +Giamschid, Sultan, iii. 108 + +Giant's Grave (Bosphorus), vi. 219 + +"Giants' Staircase" (Venice), iv. 325, 336 + +_Giaour, the_, _ii. 37, 135, 136_; iii. _17_, 85-146, 149, 150, _183, + 210_, 217, 225, _235, 254, 293, 384, 453, 464, 465, 481_; _iv. 21, 38, + 125_; _v. 428, 612_; _vi. 165, 244, 332_ + +Gibbon, Edward, as a translator, _i. 375_; _Decline and Fall of the + Roman Empire_, ii. 174, 185, 202, _283_, 307, _350, 392, 434, 475_, + 479, _482_, 508; iii. _173, 251_, 301, _519_; iv. 53, 141, _288, 386_; + vi. _8, 9, 139, 179_, 260, _279, 446_; _Miscellaneous Works_, ii. 490; + iii. _299_, 503; _Antiquities of the House of Brunswick_, iii. 503 + +Gibraltar (Calpe's Rock), i. 378; ii. 89, 113, 455, 525; _v. 588_; vi. + 344 + +Gieta, Colonel, iv. 205, 208 + +Gifford, William (editor of the _Quarterly Review_), his edition of + _Massinger_, i. 292, _304_; his _Baviad and Mæviad_, i. 294, _304_, + 362, 363; short account of, i. 304; _Epistle to Peter Pindar_; edition + of _Ben Jonson_ and _Ford_, _i. 304_; translation of _Juvenal_, _i. + 304, 362, 375_; _iii. 301_; _v. 63, 64, 613_; vi. _255_, 256; of + _Persius_, _i. 304_; "a true poet," _i. 306_; alludes in _Mæviad_ to + Kotzebue's _Pizarro_, _i. 344_; describes Miles Peter Andrews in + _Baviad_, _i. 353_; referred to in _English Bards, and Scotch + Reviewers_:--"his heavy hand, etc," i. 356; "born beneath an adverse + star," i. 360; "bear witness, Gifford, Sotheby, Macneil," i. 362; _iv. + 182_; "Why slumbers Gifford?" i. 363; attacks Delia Cruscans in + _Baviad_ and _Mæviad_, _i. 358_; criticizes Jerningham in _Baviad_, + _i. 383_; on Weber, _i. 397_; his patron, Lord Grosvenor, _i. 412_; + his "ultimus Romanorum," _i. 444_; "Edwin's mewlings" in _Baviad_, _i. + 444, 445_; advises publication of _Childe Harold_, Canto I., ii. xi; + advises suppression of stanzas on Sir John Carr in _Childe Harold_, + _ii. 65_ enthusiastic about _Childe Harold_, Canto III., ii. 211; + approves Canto IV., _ii. 327_; on the _Giaour_, iii. 76; Byron on + _Bride of Abydos_, iii. 149; on _Corsair_, iii. 217; on _Siege of + Corinth_, iii. 443; his corrections of _Siege of Corinth_, _iii. + 467-470, 474, 479-482, 484-486, 489, 492, 494, 495_; on _Parisina_, + iii. 449; on _Manfred_, iv. 79, _136_; Murray's adviser, iv. 157; on + _Marino Faliero_, act i., _iv. 367_; omits to correct Byron's bad + grammar, _iv. 419_; reviews _Lectures on the English Poets, etc._, + _iv. 575_; his addition to _Two Foscari_, _v. 196_; on _Cain_, v. 204; + revises _Heaven and Earth_, v. 279, _310_; his note to _Don Juan_ on + Memnon Statue, _v. 497_; "we've Gifford here reading MS.," vii. 48 + +Gight, _i. 336_ + +Gill, landlord of Byron's lodgings in Nottingham, _vii. 1_ + +Gillies, _History of Greece_, _iii. 90_ + +Gillray's _Caricatures_, i. _307_, 476; _iv. 509_; _vii. 29_ + +Gindely, Anton, _History of the Thirty Years' War_, _v. 352, 371, 416_ + +Ginguené, P.L., _Hist. Lit. d'Italie_, _iv. 459_ + +Giorgione (Giorgio Barbarelli), "Judgment of Solomon", iv. 162 + +Giovanelli, Palazzo, _iv. 163_ + +_Girl of Cadiz_ (_To Inez_), _ii. 59, 75_; iii. 1; _vi. 82_ + +Girondins, or Girondists, _vi. 13, 14_ + +Gisborne, v. 204 + +Gisborne, Mrs., _iv. 100_ + +Giustiniani, Franceschino, _iv. 365_ + +Giustiniani, Pietro Giovanni, _v. 134, 179, 188, 195_ + +Glaciers, ii. 385 + +Gladiators, ii. 431, 433, 520 + +Gladstone, W.E., _iii. 157_; _vi. 26_ + +Gladwin, Francis, translation of Sa'di's _Gulistan_, _iii. 160_ + +Gleig, _History of the British Empire in India_, _i. 468_ + +Glenbervie, Sylvester Douglas, Lord, _Ricciardetto_, iv. 156, _176_ + +Glenesk, Lord, _MS. of Siege of Corinth_, iii. 448, _451, 452, 454-467, + 469-471, 473, 476, 477, 479, 482, 483, 487-489, 491-495_ + +Gloria, Maria da, of Portugal, _ii. 11_ + +Gloucester, Duke of, i. 498; _iv. 177_ + +Glover, _i. 317_ + +Gluck, music of _Don Juan; or, The Libertine Destroyed_, _vi. 11_; + _Armida and Rinaldo_, _vi. 34_ + +Gnatoo, or tappa cloth (Tonga Islands), v. 600 + +Gneisnau, August Wilhelm Antonius Neidhart von, vi. 345 + +Gobbi, _iv. 271_ + +Godfrey of Viterbo, _ii. 337_ + +Godoy, Manuel de, Duke of Alcudia, Principe de la Paz, ii. 54, 90 + +Godwin, William, iii. 444; iv. 475; Essay _Of Population_, _vi. 459_ + +Goethe, Johann Wolfgang von, and Monk Lewis, _i. 317_; _Faust_, _i. + 318_; iv. 80, 81, _85, 110_; v. 201, _247_, 281, _294, 409_, 470, 471, + 474, _493, 494_; vi. 483; _Sorrows of Werther_, i. 494; _Travels in + Italy_ ("Letters from Italy"), _ii. 330, 335, 424_; _Kennst du das + Land_, _iii. 157_; review of _Mannfred_ in _Kunst und Alterthum_, iv. + _21_, 80-82, _340_; translation of _Manfred_, _iv. 136_; _vii. 55_; + _Conversations of_, iv. 157, 327, 328; v. 119, _122_, 199, 204; + _Marino Faliero_ dedicated to, iv. 328, _340-342_; _vi. 443_; _vii. + 63_; _Aus meinem Leben_, _iv. 342_; on _Vision of Judgment_, _iv. + 480_; on _Irish Avatar_, _iv. 556_; _Sardanapalus_ dedicated to, v. 7; + on _The Two Foscari_, v. 119, _122_; on _Cain_, v. 199, 204; "The + moment he reflects, he is a child," v. 279; on _Heaven and Earth_, v. + 281; _Werner_ dedicated to, v. 335; on _Don Juan_ in _Kunst und + Alterthum_, vi. xix; Madame de Staël on, vi. 168 + +_Goethe-Jahrbuch_, iv. 82, _136_; v. 282 + +Goettlingius, C., _Hesiod Carm._, _ii. 188_ + +Gold, vi. 455 + +Goldau, _iv. 97_ + +Golden Fleece, vi. 158 + +Goldoni, Carlo, iv. 157; _Belisarus_; _Le Bourru Bianfaisant, etc._, iv. + 164; _Mercanti_, _iv. 166_ + +Goldsmith, Edmund, _v. 289_ + +Goldsmith, Oliver, _Vicar of Wakefield_, i. 480; _vi. 145, 586_; + _Citizen of the World_, ii. 88, 323; _Deserted Village_, vi. 471 + +Golitsyn, Prince Basil, iv. 202 + +Gondola, description of a, iv. 165 + +Gondoliers of Venice, ii. 329, 468; iv. 165 + +Gonzaga, Cardinal Luigi Valenti, ii. _371_, 495 + +Gonzaga, Scipio, _iv. 143, 144_ + +Good, John Mason, _The Book of Job_, _iv. 498_ + +Goodman's Fields Theatre, _i. 414_ + +Goose, game of, vi. 471 + +Gordianus III., Emperor, _ii. 423_ + +Gordon, Duchess of, _ii. 350, 479_ + +Gordon, Lord George, _i. 484_ + +Gordon, Pryse Lockhart, _Personal Memoirs, etc._, ii. _226, 227_, 294; + iv. 156; _Life of Alexander VI._, _iii. 369_ + +Gordon, Mrs. P.L., _ii. 226_ + +Gordon, Thomas, _History of the Greek Revolution_, _v. 557_; vii. 53 + +Gordon, Sir William, _i. 173_ + +Gordons, the, i. 172 + +Gorrequer, Major, _v. 545_ + +Gorton, _Biog. Dict._, _ii. 173_ + +Gosnell, S., printer, i. 478 + +Gothenburg (Gottenburg). i. 487, _488_ + +Goths, Rome sacked by the, ii. 390 + +Gottschall, Rudolph von, iv. 203 + +Gouffier, Count Choiseul-, _Voyage Pittoresque de la Grèce_, _ii. 168_; + _iii. 295_; _vi. 151_ + +Gounod, his "Maid of Athens," _iii. 16_ + +Gouria, _ii. 143_ + +Gower, Hon. F. Leveson, his article in _Nineteenth Century_--"Did Byron + write _Werner_?" v. 329 + +Goza (Calypso's Isle), ii. 118, 173; iii. 10 + +Gozzi, Count Carlo, _Memoirs_, _ii. 120, 339_ + +Grabius, Joannes Ernestus, _Spicilegium SS. Patrum_, _v. 302_ + +Gracchus, Tiberius, vi. 407 + +Gradenigo, Dogaressa Aluica, iv. 333, _377_ + +Gradenigo, Beriola, _iv. 377_ + +Gradenigo, Nicolò, _iv. 377_ + +Gradenigo, Doge Pietro, _iv. 360_ + +Grafton, Augustus Henry, 3rd Duke of, _iv. 177_; _Autobiography_ iv. 510 + +Grafton, Duchess of, _iv. 177_ + +Graham, Mrs. (Lady Callcott), iii. 532; _vi. 206, 207_ + +Graham, General Thomas (Lord Lynedoch), _i. 469_ + +Grahame, Rev. James, _Sabbath Walks_; _Biblical Pictures_; _British + Georgics_, i. _305_, 323, 370, _429_ + +Granada, _ii. 46, 54_; _v. 558_; vi. 30 + +Granard, George, 6th Earl of, _vi. 116_ + +Granby, John Manners, Marquis of, vi. 12 + +Grand Council (Venice), v. 169 + +_Grande Encyclopédie, La_, _v. 566_; _vi. 313_ + +Grange, James, pastry-cook, Piccadilly, _i. 321_; _iv. 583_ + +Granger, _Biog. Hist. of England_, _iii. 298_ + +Grant, Harding, _Chancery Practice_; _Lord Byron's Cain, etc., with + Notes_, v. 203, 204 + +_Granta, A Medley_, i. 56; _iv. 516_ + +Granville, Lady, v. 329 + +Granville, Lord, v. 329; _vii. 36_ + +Grattan, _i. 100_; iv. 556, 561; vi. 226, 450 + +Graves, Oliver B., of Cambridge, Mass., _vii. 3_ + +Gray, May, Byron's nurse, _vii. 1_ + +Gray, Thomas, _Alcaic Fragment_, i. 49; _The Fatal Sisters_, _i. 70_; + _ii. 252_; Lloyd's parodies on, i. 220; Lewis' _Tales of Wonder_, _i. + 317_; "glance their many-twinkling feet," _i. 483_; _Elegy_, _ii. + 399_; _iii. 240_; vi. _181_, 503; _Progress of Poesy_, _ii. 413_; his + lyric measure, _iii. 128_; _Poemata_, _iii. 423_ + +Great Council (Maggior Consiglio), Venice, _iv. 360, 399_ + +Greatheed, Bertie, _i. 358_ + +Greece, i. 424; ii. 62, 109, 149, 154; iii. 90, 446; v. 555; vii. 85, + 87; Isles of, vi. 169 + +Greek Committee, the, v. 331 + +Greeks, the, ii. 191, 192; defeat Turks at Lerna, v. 556 + +Green, _Hist. English People_, _i. 468_ + +Green, poet, _iii. 330_ + +Greene, Robert, _Friar Bacon and Friar Bungay_, _vi. 78_ + +Greenwood, scene-painter, Drury Lane Theatre, i. 346 + +Grenville, Lord, _i. 437, 470, 497_; _iii. 45_ + +Grenville, Lord George, _Portugal; a Poem_, _ii. 4_ + +Grete, river (Southwell), i. 239 + +Greville, Charles, _vi. 451_ + +Greville, Colonel, i. 348 + +Grey, Charles, 2nd Earl of, vi. 478 + +Grey, Lord, _i. 497_; _iii. 45_ + +Grey, Mr., _iii. 170_ + +Grief, Martin, iv. 329 + +Griffin, A., _i. 234_ + +Griffith, H.T., edition of Cowper's _Task_, etc., _vi. 348_ + +Griffiths, Arthur, _Memorials of Millbank_, _vii. 34_ + +Griffiths, George Edward, _iv. 165_ + +Grillion's Hotel, Albemarle Street_vi. 437_ + +Grillo, Angelo, _iv. 146_ + +Grillparzer, _Sappho_, _v. 61_ + +Grimaldi, Joseph, _i. 345_; _vi. 11_ + +Grimm, Baron F.M., _Cor. Lit._, _ii. 266_ + +Grindelwald, _iv. 110_ + +Gritti, Benedetto, _v. 116_ + +Grolierius (Grollier), Cæsar, _Historia Expugnatæ ...Urbis_, v. 471, + _510_ + +Gronow, Captain, _Reminiscences_, _i. 345, 357, 476_; _vi. 69, 276, 507, + 508, 529_ + +Gropius, Karl Wilhelm, ii. 166, 171 + +Grose, Captain Edward, 1st Life Guards, vi. 355 + +Grose, Francis, _Classical Dictionary of the Vulgar Tongue_, _ii. 66_; + _vi. 433_ + +Grosvenor, 1st Earl, i. 412 + +Grosvenor, Robert, 2nd Earl (afterwards Marquis of Westminster), i. 412 + +Grote, George, _History of Greece_, _ii. 102, 158, 341_; _iii. 311_; + _iv. 566_ + +Grotta Ferrata, site of Cicero's villa, ii. 522 + +Grouvelle, i. 402 + +Gruterus, ii. 299 + +Guadalquivir, _ii. 54_; vi. 112 + +Guadiana river, ii. 46 + +Gualandra hills, ii. 505-507 + +_Guardian_, _i. 418_ + +Guariglia, Signor, _vi. 205_ + +Guarini, _Pastor Fido_, iv. 141 + +Guasti, _Tasso's Letters_, _ii. 355_ + +Guelphs, the, _iv. 253_ + +Guesclin, Bertrand du, v. 549 + +Guhl, _ii. 441_ + +Guicciardini, Francesco (Luigi), _Sacco di Roma_, _iv. 258_; v. 471 + +Guiccioli, Countess (_My Recollections of Lord Byron_), _i. 99_; _ii. + 289, 374_; iv. _119, 213_, 237, 241, _545, 547, 549, 563_, 570; v. 5; + vi. _52, 297_, 373 + +Guiccioli, Palazzo, _ii. 372_; iv. 279 + +Guido, fresco of the Aurora, vi. 526 + +Guilford, Earl of, _iv. 143_ + +Guiscard, Robert, _ii. 390_ + +Gunpowder, discovered by Friar Bacon, vi. 340 + +Gurney, Hudson, _The Golden Ass of Apuleius; in English Verse, entitled + Cupid and Psyche_, _vi. 165_ + +Gurney, William Brodie, vi. 66 + +Gurwood, Colonel, _Wellington Dispatches_, vi. 266 + +Gustavus Adolphus, king of Sweden, "The Lion of the North," v. 371, + _373_, 553 + +_Guy Mannering_, _iv. 566_ + +Gwynne, Nell, _vi. 496_ + +"Gynocracy" used for "gynæcocracy," vi. 473, 588 + +H + +Hachette, _iv. 14_ + +Hadrian, i. 20, _462, 493_; ii. 167, _411, 431, 436, 440_ + +Hadrian's Mole, ii. 439 + +Hafiz. _See_ Stott + +Hague, vi. 419 + +Haivali (or Kidognis), ii. 200, 207 + +Hales, Sir Matthew, vi. 610 + +Halford, Bart., Sir H., An Account of what appeared on Opening the + Coffin of King Charles the First, _vii. 35_ + +Halgh of Halgh, George, _vi. 294_ + +Halifax, George Savile, Marquis of, _i. 413_ + +Hall, Captain Basil, _Narrative of a Voyage to Java, 1840_; _Voyage to + the Corea and the Loochoo Islands_; _Extracts from a Journal written + on the Coast of Chili, etc_., _v. 546, 548, 556_ + +Hallam, Henry, i. _306_, 340, 380; _Middle Ages_, i. 337; _iv. 288_; vi. + 464 + +Hallet, midshipman on the _Bounty_, v. 588 + +Hamburg, i. 487, _488_ + +Hamet Benengeli, Cid, i. 299 + +Hamilton, Anthony, Archdeacon of Colchester, _ii. 108_ + +Hamilton, Archibald, 9th Duke of, _i. 311_ + +Hamilton, Lady Anne, _Epics of the Ton_, i. 294, _311, 330, 343_, 353, + _468, 471_; _Secret Memories of the Court of England_, _i. 311_; _vii. + 78_ + +Hamilton, Sir William Richard ("Dark Hamilton"), Lord Elgin's Secretary, + _Memorandum on the Earl of Elgin's Pursuits in Greece_, i. 455, _466_; + ii. x, 108, 167, _168_, 204 + +_Hamlet_, i. 401; _ii. 64, 99, 103, 154, 418, 450_; _iii. 543_; iv. 77, + _95, 458_; _v. 25, 423_; vi. _309_, 342, 386, 394, _432_, 456, 511, + 550, 570-572 + +Hammer-Purgstall, J. von, _Histoire de l'Empire Othoman_, iii. _166, + 312_, 441, _454, 455_ + +Hammond, George, iii. 217; iv. 472; vii. 49 + +Hamond, Mrs. (Miss Chaworth Musters), _i. 277_ + +Hampstead, ii. 66 + +_Handbooks_ for--_Central Italy_, _ii. 373, 380_; _iv. 275_; _Greece_, + _ii. 117, 127, 157, 166, 189_; _Northern Italy_, _ii. 372_; _iv. 336, + 392, 430_; _vi. 212_; _Rome_, _ii. 389, 403_; _iv. 271, 273_ + +Hanmer, _vi. 487_ + +Hannibal, _i. 349, 493_; ii. _187, 459_, 505; _iii. 301_; _v. 606_ + +Hansard, _Parliamentary Debates_, _iv. 482_ + +Hanson, Charles, _vi. 460_ + +Hanson, Hargreaves, _i. 86_ + +Hanson, John, _i. 25, 86_; _iii. 540_; _vi. 100_ + +Hanson, Mary Anne (Lady Portsmouth), _vi. 569_ + +Hanson, Newton, _i. 86_ + +Happiness, "was born a twin," vi. 130; Horace's Art of, vi. 490 + +Haratch, Turkish capitation tax, _iii. 195_ + +Harcourt, General, _ii. 23_ + +Harcourt, Mrs., _ii. 23_ + +Hardinge, George ("Jeffries Hardsman"), Senior Justice of Brecon, etc., + _vi. 508_ + +Hare, Francis ("Silent Hare"), _vi. 529_ + +Harley, Lady Charlotte Mary (afterwards Bacon), "Ianthe," ii. xii, 11 + +Harmodius and Aristogeiton, ii. 228, 291; v. 556 + +Harmonists, the, vi. 554 + +Harness, Rev. W., _i. 66_; _ii. 204_; _iv. 575_ + +Harold, Baron de, _iii. 100_ + +_Harper's New Monthly Magazine_, _vi. 349_ + +Harpocration, _vi. 169_ + +Harrison, John ("Longitude Harrison"), inventor of watch compensation, + vi. 19 + +"Harroviensis," _A letter to Sir Walter Scott, etc._, v. 202 + +Harrow, i. 15-20, 25, 84-106, 208, 222, 237, 259; ii. 66; vi. 49; + "Byron's Tomb" at, _i. 26_; speech-day at, i. _86_, 102; rebellion at, + _i. 93_; Byron's first English exercise at, _iv. 48_ + +Harrowby, Lord, vii. 13 + +Harte, Bret, _The Society upon the Stanislaus_, _iv. 296_ + +Hartford, _Works of Lord Byron, In verse and Prose_, iii. xxi; + _Remarkable Shipwrecks_, _vi. 98, 102, 103_ + +Harvard University Library, _vii. 3_ + +Harvey, _i. 405_ + +Hasell, E.J., _Tasso_, _ii. 356_ + +Hastings, Francis Rawdon, 1st Marquis of, _i. 497_ + +Hastings, Warren, impeachment of, iv. 72; _v. 542_ + +Hathaway, Miss, as "Zarina" in _Sardanapalus_, v. 2 + +Havard, William, i. 428 + +Hawarden, Lady, _i. 485_ + +Hawke, Admiral Edward, Lord, vi. 12 + +Hawkesbury, Lord, vii. 13 + +Hawksworth, _Voyages_, _ii. 7_ + +Hay, iii. 217 + +Haydn, iii. 376 + +Haydon, _Life of_, i. 456; "The Elgin Horse's Head," _ii. 336_ + +Hayley (or Hailey), William, _The Triumph of Temper_; _The Triumph of + Music_, _i. 305_, 321, 322, 370; vi. 587; translation of three cantos + of Dante's _Inferno_, iv. 238, 244, 313; _Essay on Epic Poetry_, iv. + 244; _Life of Milton_, _vi. 7_ + +Haymarket Theatre, _Werner_ at, v. 324 + +Hayter, Bishop of Norwich, _iii. 299_ + +Hayward, Peter, midshipman on the _Bounty_, _v. 588, 605_ + +Hazlitt, William, _ii. 17_; _My First Acquaintance with Poets_, _iv. + 518_; "Scamp, the Lecturer," of _The Blues_, iv. 570; _Lectures on the + English Poets_, iv. 570, _586_; _vi. 12, 175_; _Lectures of 1818_, iv. + 575; _The Spirit of the Age_, _vi. 506, 509_ + +Hearne, _Journey from Hudson's Bay_, _iv. 220_ + +Heath, James, _Flagellum_, _vi. 174_ + +Heath, Miss, actress, as "The Witch of the Alps," in _Manfred_, iv. 78; + as "Zarina" in _Sardanapalus_, v. 2 + +Heathcote, Katherine Sophia Manners, Lady, vii. 17 + +Heathcote, Sir Gilbert, _vii. 17_ + +_Heaven and Earth_, _iv. 50_; v. 277-321, 469, _527_ + +Heaviside, Dr., _i. 431, 432_ + +Heber, Richard, _Early English Poets_, _i. 396_ + +Heber, Reginald, Bishop of Calcutta, _i. 396_; iii. 151, 217; _v. 111_; + Reviews _Marino Faliero_ in _Quarterly Review_, iv. 329; reviews + _Sardanapalus_, _Two Foscari_, and _Cain_ in _Quarterly Review_, v. 5, + _111_, 119, 204; on _Don Juan_ in _Quarterly Review_, vi. xx + +_Hebrew Melodies_, _ii. 273_; iii. xix, 382-406, _417_; v. 199, _231_ + +Hecatonnesi Islands, ii. 200 + +Hecla (Iceland), vi. 569 + +Hector, v. 488, 577 + +Heinemann (G. Vuillier), _History of Dancing_, _i. 492_ + +Heiss, Baron, _iv. 514_ + +Helbig, _Guide to the Collection of Public Antiquities in Rome_, _ii. + 432_ + +Helen, iv. 334; vi. 535 + +Helena, Princess (Duchess of Albany), iii. 157 + +Helicon, i. 373, 397 + +Heligoland, i. 487, _488_ + +Hell, Byron's definition of a gambling, i. 407; vi. 436 paved with good + intentions, iv. 499; vi. 338 + +Hellespont, iii. 13, 178, 179; vi. 112, 204 + +Helps, _vi. 567_ + +Helvetii, the, ii. 299 + +Helvoetsluys, vi. 419 + +Hemans, Captain, _vii. 70_ + +Hemans, Mrs. Felicia Dorothea (_née_ Browne), vii. 70 + +Henley, S., _Notes to Vathek_, iii. 76, _87, 105, 109, 110, 120_; _iv. + 244_ + +Henley, "Orator," vi. 303 + +Henry, John, _v. 560_ + +Henry, Patrick, one of the leaders of the American Revolution, v. 560 + +Henry of Prussia, Prince, _v. 550_ + +Henry I., _i. 493_ + +Henry II., i. _1_, 116; _v. 495_ + +Henry IV., i. 399; _iii. 134, 432_; _iv. 13, 262, 407_ + +_Henry IV._, vi. 20, _48, 256_, 342, _347, 431_, 444, 453 + +Henry IV., Emperor of Germany, _ii. 390_ + +Henry V., ii. _19_, 216 + +_Henry V._, _vi. 487_ + +_Henry VI._, _vi. 347_ + +_Henry VII_, _vi. 496_ + +Henry VII., Emperor of Germany, ii. _403_, 494 + +Henry VIII., i. _1_, 119; _v. 499_; vii. 35, 36 + +_Henry VIII._, _vi. 495_ + +Hephæstion, vi. 378 + +Hephæstus, _v. 396_ + +Heraclidæ, the, _ii. 431_ + +Herbert, Baron, Austrian Ambassador, _iii. 4_ + +Herbert, George, _Jacula Prudentum_, _iv. 500_ + +Herbert, William, Dean of Manchester, _i. 306_; _Horæ Scandicæ_, i. 336 + +Hercules (Alcides), i. 144; v. 27; Couch of, _vi. 220_ + +_Hercules_, wreck of American ship, _vi. 90_ + +Hermann, Mrs., as "Angiolina" in _Marino Faliero_, iv. 324 + +Hero and Leander, iii. 14, 178 + +Herod the Great, iii. 400 + +Herod, king of Chalcis, _vi. 139_ + +Herodes Atticus, _ii. 416_ + +Herodias, i. 490 + +Herodotus, _ii. 272_; _v. 107_; vi. _79_, 169, _572_; _Cleobis and + Biton_, vi. 186 + +_Herod's Lament for Mariamne_, iii. 400 + +Herostratus, i. 467 + +Herrick, Robert, _To Anthea_, _iv. 35_ + +Hertford, Marchioness of, _vii. 22_ + +Hervey, Lord ("Lord Fanny"), _Lines to the Imitator of Horace_, i. 326 + +Hesiod, ii. 188; _Works and Days_, _vi. 169_ + +Hesperus, vi. 180 + +Heterodoxy, vi. 267 + +Hetman of the Cossacks, vii. 39 + +Heyne, Christian Gottlob, i. 490 + +Hiero, a painter, _ii. 168_ + +Highgate, "swearing on the horns" at, ii. 66 + +Highland Light Infantry, iii. 416 + +_Highland Society, the_, iii. 415 + +Highland welcome, a, vi. 272 + +Hildyard, Lieutenant J.T., _Historical Record of the 71st Highland Light + Infantry_, _iii. 416_ + +Hill, Rev. H., iv. 476; _vi. 4_ + +Hill, S. McCalmont, _iii. 18_ + +_Hints from Horace_, i. _298, 303, 343, 359, 360_, 385-450, 453; ii. ix, + _108, 192, 196_; _iv. 517_; _vi. 433, 442_ + +Hippocrates, ii. 197 + +Hippocrene, i. 328, 373 + +Hippolytus, _vi. 255_ + +Hiron, _vi. 153_ + +Hispalis (Seville), ii. 52, 60, 93; vi. 15 + +_Historical Records of the Life Guards_, _i. 495_ + +Hita, Ginès Perez de, _Historia de las Guerras Civiles de Granada_, _iv. + 529, 530_; _v. 558_ + +Hoadley, _ii. 504_ + +Hoare, Rev. Charles James, i. 372 + +Hobbes, Thomas, _v. 615_; vi. _195, 200_, 570; vii. 32 + +Hobhouse, John Cam (afterwards Lord Broughton de Gyfford), _Imitations + and Translations_, i. xiii, _264, 327_; _ii. 30_; iii. xix; vi. 62, + _142_; vii. 8; his _lines_ in _English Bards, and Scotch Reviewers_, + i. xiv, xv, 292; _Epistle to a Young Nobleman in Love_, _i. 267_; on + _Hints from Horace_, i. 388; _Travels in Albania and other Provinces + of Turkey, in 1809 and 1810_, i. 454, _460_; ii. _15, 60_, 84, _100, + 106, 125, 130, 131, 133, 136, 137, 142, 145, 148, 153, 157, 158, 169, + 171_, 174, 182, _189, 194, 198, 200_, 208, _441, 461_; _iii. 7, 8, 14, + 20, 85, 93, 145, 173, 179, 180, 194, 272, 468_; iv. 31; _vi. 151, 204, + 208, 231, 261_; vii. 9; "I don't remember any crosses here," _ii. 36_; + "one of the finest stanzas I ever read," _ii. 42_; with Byron in + Spain, _ii. 52_; "said they were vultures," _ii. 61_; _en route_ for + the Negroponte, _ii. 75_; _Historical Illustrations to the Fourth + Canto of Childe Harold_, ii. 313-315, _358, 379, 380, 389, 390, 403, + 408, 410, 412, 435, 437, 439, 486, 512, 524_; _iv. 146, 245_; _v. + 153_; _vi. 233_; _Italy: Remarks made in Several Visits from the Year + 1816 to 1854_, ii. 315; _Childe Harold_ dedicated to, ii. 321; + _Letters written by an Englishman resident in Paris, etc._, ii. 326; + _v. 545_; the Abbé de Sade's _Mémoires_, _ii. 350, 351_; _Notes to + Childe Harold, Canto IV._, ii. 465-525; at Theodora Macri's, _iii. + 16_; the Giaour story, iii. 76; an odd report about Byron, iii. 218; + _Siege of Corinth_ dedicated to, iii. 445; his parody of _Stanzas to + Augusta_, _iv. 56_; "went to the highest pinnacle," _iv. 95_; "pelted + with a snowball," _iv. 97_; note on Dante, iv. 238; _Essay on the + Present Literature of Italy_, _iv. 245_; on _Cain_, v. 204; the MS. of + _Werner_, v. 326; "about morality," vi. xix; the Zoili of Albemarle + Street, vi. xix, 467; his article in _Westminster Review_ on _Don + Juan_, _vi. 3_; "this is so very pointed," _vi. 22_; his remarks on + _Don Juan_, _vi. 22, 26, 47, 50, 52, 59, 62, 78, 79, 98_; MS. of _Don + Juan_, _Canto XVII._, given to, _vi. 608_; on the Lisbon Packet, vii. + 6; _Farewell Petition to_, vii. 7; _Miscellany_, vii. 8; "will bring + it safe in his portmanteau," vii. 51; _My Boy Hubbie O!_ vii. 66; his + pamphlet, _A Trifling Mistake in Thomas Lord Erskine's recent + Preface_, _vii. 66_; M.P. for Westminster, vii. 69; Byron's _Love and + Death_, _vii. 85_ + +Hobhouse, Sir John, iii. 76 + +Hobson, Captain, _vi. 146_ + +Hoche, General L., ii. 251, 296; vi. 14 + +Hock, i. 486 + +Hodgson, Rev. Francis, Byron on Boatswain's death, _i. 280_; letters + from Byron to, _i. 280, 282, 379_; _ii. 29, 42, 63, 78, 104, 187, 192, + 331_; _iii. 35, 38, 449_; _vi. 182, 467_; _vii. 10_; _Gentle + Alterative for the Reviewers_, i. 295; _Bland's Greek Anthology_, _i. + 306, 366_; _iii. 32_; translation of _Juvenal_, _i. 337_; referred to + in _English Bards, and Scotch Reviewers_, i. 375; _Lines on a Ruined + Abbey_, _ii. 20, 170_; Byron's _Epistle to a Friend_, _ii. 163_; iii. + 28-30; _Lady Jane Grey_, _ii. 170_; _Monitor of Childe Harold_, _ii. + 360_; on the _Giaour_, _iii. 137_; on the _Bride of Abydos_, iii. 151; + "scribbler Mr. Hodgson," _iv. 165_; and _Cain_, v. 199; Byron's _Lines + to--written on board the Lisbon Packet_, vii. 4; MS. of _Devil's + Drive_, _vii. 21_; "principally to shock your neighbour," _vii. 42_ + +Hodgson, Rev. James T., _Life of the Rev. Francis Hodgson_, _i. 375_; + _ii. 288_; _iii. 28, 30_ + +Hofmann. _Lexicon Universale_, _ii. 156, 173, 261, 328, 390_; _iii. 181_ + +Hofmann, C., _Primavera y Flor de Romances_, _iv. 174, 529_ + +Hogarth, caricature of Wilkes, _iv. 508_ + +Hohenlinden, battle of, _vi. 14_ + +Hohenlohe, Prince, _v. 550_ + +Holbein, _Dance of Death_, vi. 555 + +Hole, Rev. Richard, _Arthur; or, The Northern Enchantment_, _i. 314, + 436_ + +Holford, Margaret, _Margaret of Anjou_, vii. 44, 45, 59 + +Holland, Henry Fox, 1st Lord, _ii. 40_ + +Holland, Henry Richard Vassall Fox, 2nd Lord, _ii. 80_ + +Holland, Henry Richard Vassall, 3rd Lord, i. 294, _306, 337_, 338, 340, + _356_, 380, _417_; ii. xi, _51-54_; iii. 151, 155, _170_; "Sir Richard + Bluebottle" of _The Blues_, iv. 570; his motion on Napoleon's + treatment at St. Helena, _v. 545_ + +Holland, Elizabeth, Lady (née Vassall), i. 294, _355_, 380; _ii. 80_; + _vi. 541_; _A Memoir of the Rev. Sydney Smith_, _vi. 596_; Napoleon's + snuff-box, vii. 77 + +Holy Alliance, the, ii. 402; v. 538, 539, _564_; vi. 267 + +Homer, i. 312, _379, 398, 404_; vi. 73, 173, 177, _211_, 263, 327, + _478_; vii. 62; a punster, _i. 377_; _Odyssey_, _i. 426_; ii. _100_, + 173; _iv. 264_; "and Homer (damn him) calls," _i. 427_; in _Hints from + Horace_, i. 432, 438; the Homeric ghosts, _ii. 255_; _v._ Ariosto, + _ii. 359_; _iv. 266_; _Iliad_, ii. 301, _452, 462_; _v. 488, 512, + 573_; vi. _117_, 218, 339, _513_, 534; Dante superior to! ii. 495; + ἀπείρων [Greek: a)pei/rôn ], _iii. 179_; his Ocean stream, vi. 218; + catalogue of ships, vi. 503 + +Homunculi, v. 493 + +Hone, W., publisher of _Poems on his Domestic Circumstances_, i. 452, + 453; iii. xx, _24_; _Every Day Book_, _ii. 66_; publishes _Wat Tyler_, + _iv. 521_ + +Honorius, ii. 35, 86, _440_, 521 + +Hood and Sharpe, publishers, _i. 379_ + +Hook, James, _A Lass of Richmond Hill_, _vii. 59_ + +Hook, Theodore, i. _306_, 344; _Tekeli_; _Fortress_; _Music Mad_, _i. + 341_; editor of _John Bull_, _v. 206_ + +Hoole's _Tasso_, _ii. 143_ + +Hooper, G., _Waterloo: The Downfall of the First Napoleon_, _ii. 234_ + +Hooper, W., _Rational Recreations_, _vi. 550_ + +Hope, Thomas, _Anastasius_, _i. 390_; Byron omits stanzas in _Childe + Harold_ on, ii. xi; _Household Furniture and Internal Decoration_, + _ii. 108_ + +Hope, Mrs. Thomas (Louisa Beckford), _i. 390_; _iv. 580_ + +Hoppner, John, R.A., _vii. 54_ + +Hoppner, John William Rizzo, vii. 54 + +Hoppner, Richard Belgrave, English Consul at Venice, _ii. 351_; iv. _15, + 459_, 471, 472, _547_; vii. 54; translation of Goethe's review of + _Manfred_, iv. 82 + +Horace, _Odes_, i. 81; _ii. 40, 76, 262, 387, 421, 448_; iv. _197, 243_, + 323; vi. _15, 77, 78_, 236, 453, 521; _vii. 73_; _Satires_, i. 184; + _ii. 405_; _v. 568_; vi. 391, _446_; _Ars Poetica_, i. 385, _402, + 409_; ii. ix, xiv; iv. 518; "Farewell, Horace--whom I hated so," ii. + 388; his Sabine farm, ii. 455, 524; _Epist._, _v. 367_; vi. 246, + _273_, 474, 490; Louis XVIII.'s criticisms on Sanadon's translations + of, _v. 567_; _Epist. ad Pisones_, vi. _15_, 177, 505; Scholar of + Love, vi. 139; _Epodes_, vi. 378, 536; his Art of Happiness, vi. 490 + +Horistan Castle, Derbyshire, i. 2 + +Homer, Francis, _i. 302, 470_ + +"Horns," "swearing on the," at Highgate, ii. 66 + +Horsetails, a Pasha's standard, iii. 480 + +Hortensius, vi. 270 + +Horton, Eusebius, iii. 381 + +Horton, Anne Beatrix, Lady Wilmot, origin of "She walks in beauty," iii. + 381; iv. 569, 570; vii. _54_, 61 + +Horton, Sir Robert J. Wilmot, vii. 54 + +Hoste, Captain Sir William, iv. 456 + +Hounslow Heath, i. 484 + +Houris, ii. 60; iii. 110; vi. 364 + +_Hours of Idleness, and Other Early Poems_, i. xi-xiii, 1-288, _303, + 311, 374, 432_; _iii. 182_; _iv. 67_ + +Houson, Miss Anne, i. 70, 244, 246, 251, 253 + +Houson, Rev. Henry, _i. 70_ + +Howard, Hon. Frederick, _i. 355_; ii. _11_, 234, 293 + +Howatt, Hill, iv. 31 + +Howe, Admiral Richard, Earl ("Black Dick"), _v. 588_; vi. 12, 14 + +Howell, _iv. 167_ + +Hoyle, Rev. Charles, _Exodus_, i. 372, _430_ + +Hoyle, Edmund, _i. 372_; vi. 173 + +Hroswitha, _Lapsus et Conversio Theophrasti Vice-domini_, iv. 81 + +Huascar, Supreme Inca of Peru, _ii. 82_ + +Hucknall Torkard Church, _i. 3, 70_; _ii. 334_; iv. _14_, 479 + +Hughes, _iii. 16_ + +Hughes, Mrs., _vi. 496_ + +Hugo, Victor, _Les Feuilles d'Automne, ii. 358_; _Le Rhin_, _iv. 14_; + _Orientale_, iv. 202 + +Hulme, Thomas, _Journal_, _vi. 554_ + +_Humane Society_, vi. 50 + +Humboldt, Baron Alexander von, v. 539; vi. 215 + +Hume, David, _History of England_, _i. 374_; _ii. 266_ + +Hume, Joseph, _ii. 504_ + +Hungary, Bethlen Gabor, king of, iv. 331; _v. 349, 352_ + +Hunt, James Henry Leigh, his copy of _Fourth Edition of Childe Harold_, + i. xvi, _311, 334_; Byron's letters to, iii. 218; v. 537, 582, 584; + _Lord Byron and Some of his Contemporaries_, _iii. 474_; + _Autobiography_, _iii. 509_; _vi. 26_; the _Examiner_, iii. 532, + _538_; _Story of Rimini_, _iv. 36_; _Stories from the Italian Poets_, + iv. _275_, 281, 314; _Morgante Maggiore_, _iv. 285_; the _Liberal_, + iv. 571; in Horsemonger Lane Gaol, vii. 16; "Blackguard Hunt," vii. + _67_, 68 + +Hunt, John, iv. 281, _285_, 478, 479; v. 279, 325, 537, 581; publishes + _The Deformed Transformed_, v. 472; and _Don Juan_, vi. xvi + +Hunt, Dr., i. 455 + +Hunter, _Imperial Gazetteer of India_, _v. 631_ + +Hunter, William, _vi. 412_ + +_Huntingdon Peerage_, _ii. 215_ + +Huntly, George, 2nd Earl of, _i. 173_ + +Huon, of Bordeaux, v. 496 + +Hussite, or Taborite, Crusade, _v. 549_ + +Hyde of land, a, vi. 411 + +Hydra, Hydrea, or Idra, island, i. 457; iii. 270 + +Hyginus, _Fabulæ_, _iv. 287_; _vi. 535_ + +Hymettus, i. 459; ii. 157; iii. 271 + +Hypocrisy, vi. 410, 453 + +Hypsilantes, _v. 556_ + + +I + +_I saw thee weep_, iii. 390 + +_I would I were a careless child_, i. 205 + +"Ianthe" ("Flower o' the Narcissus"). _See_ Harley, Lady Charlotte M. + +Ibort, Jorge (Tio Jorge), ii. 94; v. 559 + +Ibrahim Pasha, ii. 174 + +_Ich Dien_ (_Windsor Poetics_), vii. 36 + +Idra, Hydra, or Hydrea, island, i. 457; iii. 270 + +Iermolof, Catherine II.'s favourite, vi. _388_, 389 + +_If that high world_, iii. 383 + +Ihne, _Hist. of Rome_, _ii. 377_ + +Ile de Paix, iv. 26 + +Ilissus, _i. 459; iii. 272_ + +Illyria, ii. 129 + +_Imitated from Catullus_, i. xi, 75 + +_Imitation of Tibullus_, i. 74 + +_Imitations and Translations_, i. _264, 266, 268, 272, 277, 281-283, + 285, 287_, 288; _vi. 62_ + +Imlay, _North America_, _vi. 349_ + +_Imperial Dictionary_, _ii. 137_ + +_Imperial Gazetteer of India_, _v. 631_ + +_Imperial Magazine_, _iv. 43_ + +_Impromptu_, vii. 82 + +_Impromptu, in reply to a friend_, iii. 69 + +_Incantation, the_ (_Manfred_), iv. _15, 63, 64_, 79, _91_ + +_Independent Whig_, iii. 534 + +India, i. 468; conquered by Dionysus, v. 21; invaded by Nadir Shah, vi. + 384 + +Inglefield, Captain, H.M.S. _Centaur_, _vi. 90, 92, 94-96, 99_ + +Ingleston, George, "Brewer," _i. 433_ + +Innocent II., Pope, _ii. 389_ + +Inquisition, Spanish, v. 558 + +_Inscription on the Monument of a Newfoundland Dog_, i. 280; _ii. 30; + vi. 304_ + +Interlaken, _iv. 119_ + +Invercauld, _i. 171_ + +Ionian Islands, ii. 193 + +Iphis, _ii. 13_ + +Irad, son of Enoch, _v. 285_ + +Ireland, W.H. ("Flagellum"), _All the Blocks, an Antidote to All the + Talents_, i. 294, 356 + +_Iris, The_, _i. 331_, ii. 383 + +Irish and Carthaginians, vi. 337 + +_Irish Avatar_, iv. _49_, 555; vi. 368, _439_ + +Iron Mask, Man in the, iv. 514 + +Irving, Sir Henry, iv. 78; as "Werner," v. 324 + +Irving, Washington, _Abbotsford and Newstead Abbey_, iv. 32, 38; _vi. + 497_, _Chronicle of the Conquest of Granada, vi. 30_, _History of the + Life and Voyages of Christopher Columbus, vi. 552_ + +_Isaiah_, ii. 166, _398_, iii. 305 + +Iskra, iv. 202 + +_Island, The; or, Christian and his Comrades_, _i. 173; iii. 459, 467, + 494_, v. 579-639; iv. _61_, 485; _v. 514_, vi. xvi, _106, 193, 405_ + +Isles of Greece, vi. 169 + +Ismail, siege of, vi. 264, 304-370 + +Ismenus river, ii. 189 + +Israello, Bertuccio, iv. _356_, 464 + +Italy, ii. 361; iv. 256; vi. 8 + +Ithaca, ii. 124, 177 + +Itys, _iv. 287_ + +Ilulus, i. 159 + + +J + + + +Jackals, vi. 382 + +Jackson, General Andrew, _iii. 298_ + +Jackson, "Gentleman," i. 433; _iv. 303; vi. 433_ + +Jackson, James Grey, _Account of the Empire of Marocco and Suez ... to + which is added an account of Tombuctoo_, _vi. 51, 198_ + +Jackson, Lady, _The Court of the Tuileries_, _v. 567_ + +Jackson, Rev. Luke, _i. 70_ + +Jackson, William, a Keswick carrier, _vi. 177_ + +Jacobi, M., _i. 494_ + +Jacobinism, _v. 544_ + +Jacob's _Reports_, v. 204; _vi. 460_ + +Jacobs, _Epig. Græc_., i. 18 + +Jamat-al-Aden, the Mussulman paradise, iii. 197 + +Jamblichus, the philosopher, iv. 105; _v. 480_ + +James I., _i. 173, 198_, iv. 543 + +James II., ii. _121_, 292; iv. _504_ + +James V., ii. 295 + +Jāmā, _Medjnoun and Leila_, _iii. 160_ + +Janina, or Joannina (Yanina), lake of, ii. 129, 179, 189; Archbishop of, + _iii. 145_ + +Japhet, v. 284 + +Jason, _i. 170_, vi. _177_, 521 + +Jassy, Treaty of, _v. 551_ + +Jeaffreson, Cordy, _Real Lord Byron_, iv. 32 + +Jefferies, Judge, i. 332 + +Jefferson, Thomas, _iv. 159_ + +Jeffrey, Francis, Lord, referred to in _English Bards, and Scotch + Reviewers_, i. xiv, 301, 302, 332, 333, 339; Moore's duel with, i. + _203_, 305, 333-335, 380; "self-constituted Judge of Poesy," i. 301; + "his pay is just the sterling pound a sheet," i. 302; founder of the + _Edinburgh Review_, i. 302; _v. 338_; reviews _Marmion_ in _E.R._, _i. + 310_, Montgomery's poems in _E.R._, _i. 331_; article on de Cavallos' + work in _E.R._ by Brougham and, _i. 338_; Byron accused of personality + towards, i. 382; "the Devil and Jeffrey," i. 429; lines in _Hints from + Horace_ on, i. 430-433; counsel for Sir F. Burdett v. William Scott, + _i. 436_, his articles in _E.R._ on:--_Childe Harold_, ii. 213; + _Giaour_, iii. 77; _Corsair_ and _Bride of Abydos_, iii. 151, 219; + _Hebrew Melodies_, iii. 377; _Prisoner of Chillon_, iv. 6; _Manfred_, + iv. 80-82; _Beppo_, iv. 158; _Prophecy of Dante_, and _Marino + Faliero_, iv. 329; _Sardanapalus_, _Two Foscari_, and _Cain_, v. 5, + 119, 204; _Heaven and Earth_, v. 282; _Werner, v. 338_; _Don Juan_, + vi. xx; "refreshing," iv. 574; on Moore and Byron, v. 280; on the + Pantisocratic or Lake School, vi. 175; on Byron's abuse of Southey, + vi. 403; "once my most redoubted foe," vi. 404; his review of Barry + Cornwall's _Sicilian Story_;--comparison of _Don Juan_ with _Diego di + Montilla, vi_, _445_; holds up Scott as an example to Byron, vi. 459 + +Jehoshaphat, valley of, iv. 288 + +Jekyll, Joseph, _Corr_., _i. 319_; _vi. 413, 504_ + +Jemappes, battle of, _vi. 13_ + +Jenner, Edward, _i. 307_; and vaccination, vi. 50 + +Jephson, _Two Strings to your Bow_, _i. 345_; _The Servant with Two + Masters_, _i. 445_ + +_Jephtha's Daughter_, iii. 387 + +_Jeremiah_, _iii. 312_; _iv. 43_ + +Jerningham, Edward, _The Nunnery_; _The Old Bard's Farewell_, i. 383 + +_Jerningham Letters_, _i. 383_ + +Jerningham, Sir George, Bart., _i. 383_ + +Jerreed, djerrid, jarīd, a Turkish javelin, in. 97, _168_ + +Jersey, Sarah, Countess of, _vi. 541_; vii. 37, 40 + +Jersey, Earl of, iv. 472 + +Jerusalem, iii. 401 + +Jesse, J.H., _Memoirs, etc., of George III._, _vii. 31_ + +Jesuits, the, ii. 493; _v. 558_ + +Jesus Christ, vi. 267 + +_Jeux d'Esprit and Minor Poems, 1798-1824_, vii. 1-88 + +Jews, v. 100, 236, 573 + +Jex-Blake, K., _The Elder Pliny's Chapters on the History of Art_, _ii. + 432_ + +Joan of Arc, i. 313 + +João V., Don, ii. 87 + +_Job, Book of_, iii. 406; iv. 498; vi. 59, _605_; vii. 34 + +Joel, _iv. 43_ + +_John Bull_, iv. _555_, 571; _v_. 206 + +_John Bull's Letter_, _iii. 280_; _vi. 75_ + +John, of Trocnow, surnamed Zižka, or the "One-eyed," v. 549 + +John George, elector of Saxony, v. 373 + +John II. of France, _v. 549_ + +John Casimir V., king of Poland, iv. 201, 205, 211, 212; _vi. 246_ + +_John Keats_, vii. 76 + +Johnson, James, _Musical Museum_, _vi. 64_ + +Johnson, Miss, _iii. 45_ + +Johnson, Dr. Samuel, _Lives of the Poets_, _i. 220, 401, 416, 423_; + _Prologue to Irene_, _i. 400_; Boswell's _Life of_, _i. 401, 409, + 449_; _ii. 460, 489_; _vi. 247_; _Rasselas_, _ii. 37_, iii. 145; vi. + 574; "Hell is paved with good intentions," iv. 499; "brandy for + heroes," _v. 592_; _Life of Milton_, vi. 174; _Life of Dryden_, _vi. + 182_; _Vanity of Human Wishes_, _vi. 183_; on misers, _vi. 455_; + "liked an honest hater," vi. 482; _Dictionary_, _vi. 575_, and Lord + Auchinlech's reminder, _vii. 35_ + +Johnston, J., "the Cheapside impostor," ii. 212, 213; iii. xx + +Johnston, Major, leader of insurrection (1805) in N.S. Wales, _v. 588_ + +Johnstone, Sir James, _ii. 4_ + +Joncières, Victorini, v. 2 + +Jones, Inigo, _iv. 161_ + +Jones, Sir William, _iii. 86_; _A Grammar of the Persian Language_, + _iii. 100_; _Solima_, _iii. 110_; _Asiatic Research_, _iv. 555_ + +Jonson, Ben, i. _304_, 398, 420; iv. 239; and Sylvester, _vi. 7_; _Every + Man in his Humour_, _vi. 68_ + +Jordan, Mrs., _i. 353_ + +Jordan, Professor, _ii. 413_ + +Jornandes, _De Getarum Origine_, iii. 235 + +Joseph and Potiphar's wife, _vi. 255_ + +Joseph, king, ii. _53_, 89 + +Joseph II., Emperor, _vi. 313. 414_ + +Josephus, _v. 208_ + +Joshua, grave of, _vi. 220_ + +Joubert, Barthélémi Catherine, vi. 14 + +_Journal de Savants_, _iv. 578_ + +_Journal de Trévoux_, iv. 578 + +_Journal des Economistes_, _vi. 461_ + +_Journal in Cephalonia_, vii. 83 + +_Journal of a Soldier of the 71st Regiment_, _vi. 376_ + +_Journal of the Archæological Association_, _vi. 497_ + +_Journals of the House of Lords_, _iv. 542_ + +Joy, Mr., iv. 472 + +Juba, king of Mauretania, _vi. 236_ + +_Judges_, _iii. 118_ + +Julia Alpinula, ii. 256, 299 + +_Julian_ (_A Fragment_), iii. xxi, 419 + +Julian Alps ("Friuli's mountains"), ii. 348 + +Julian, Count, ii. 46, 89 + +Julian the Apostate, vi. 9 + +Juliet, i. 37, _38_; her tomb at Verona, _v. 562_ + +Julius Alpinus, ii. 299 + +Julius Cæsar, ii. _375_, 392, 434, 490, 514, _520_; v. 476 + +_Julius Cæsar_, vi. 268 + +Julius II., Pope, _iv. 271, 273_; _vi. 212_ + +Julius III., Pope, ii. 508 + +Jungfrau, the, ii. 385; iv. 81, 82, 94, _102_, 109 + +Junia, wife of Cassius, _ii. 374_ + +_Junius, Letters of_, iv. 476, 480, 512-515 + +_Juno_, wreck of the, _vi. 105, 107, 108_ + +Junot (Duke d'Abrantés), _ii. 39, 40_ + +Jupiter, i. 14; vi. 130 + +Jupiter Olympius, temple of, _i. 462_; ii. 167 + +Jupiter Optimus Maximus, temple of, ii. 412 + +Jura range, the, ii. 269, 273 + +Justin Martyr, _ii. 513_ + +Justinian, _ii. 166_ + +Justinius, _Hist._, _ii. 60_; _iv. 40_; _v. 79_ + +_Juvenal_, _i. 297, 303, 304, 351_; ii. _187_, 190, _416_, 516; iii. + _16_, 301; _v. 63, 64, 543, 613_; vi. 27, _139, 254-256_ + +_Juvenilia_, i. xi + + +K + +Kaff (Mount Caucasus), i. 378; vi. 292 + +Kahn, Gustave, _Don Juan_, vi. xx + +Kalamas river (Acheron), ii. 131, 180, 181 + +Kalamata, gulf of, _iii. 249_ + +Kaleidoscope, vi. 109 + +Kamschatka, i. 492 + +Kant, Professor Immanuel, vi. 418; _vii. 32_ + +Kara Osman, or Carasman, Oglou, iii. 166 + +Kashmeer, the butterfly of, iii. 105 + +Katzones, Lambros, iii. 194, 219 + +Kava, cava, or ava, a Tongan intoxicating drink, v. 600 + +Kazdaghy, Mount, _vi. 211_ + +Kean, Charles, as "Sardanapalus," v. 2; as "Manuel, Count Valdis," _vii. + 48_ + +Kean, Mrs. Charles (Miss Ellen Tree), iv. 78; as "Myrrha" in + _Sardanapalus_, v. 2 + +Kean, Edmund, _i. 344_; _iv. 338, 436, 584, 587_ + +Keary, C.F., _The Francis Letters_, _iv. 513_ + +Keates, Admiral Sir Richard Goodwin, _iii. 25_ + +Keats, George, _vi. 446_ + +Keats, Georgiana, _vi. 446_ + +Keats, John, _Lines_ on, iii. xx; vii. 76; and Coleridge, _v. 175_; + "killed off by one critique," vi. 445; _Endymion_, _vii. 76_ + +Kebbiera, Lilla, _vi. 160_ + +Keble, _Christian Year_, ii. 292 + +Keith, Lord, _iii. 428_ + +Kellerman, General, _ii. 39_ + +Kemble, Charles, i. 46, _344, 353_ + +Kemble, John Philip, _iv. 338_ + +Kendal, Duchess of, _iii. 209_ + +Kennard, John Peirse, _v. 175_ + +Kennedy, Dr. James, _Conversations on Religion with Lord Byron_, _iii. + 393_; v. 199 + +Kennet, D.D., White, _Memoirs of the Family of Cavendish_, _v. 615_ + +Kenney, James, _i. 306_; _Raising the Wind_, i. 342; _Sweethearts and + Wives_, _i. 343_ + +Kent, Duke of, i. 498 + +_Kent's London Directory_, _iv. 583_ + +Kentucky, wars of, vi. 348 + +Keppel, Admiral Augustus, Viscount, vi. 12 + +Khmelnítzky, Bogdán, _iv. 211_ + +Kibitka, springless carriage, vi. 383 + +Kidd, Captain, vii. 5 + +Kiepert, _Carte de l'Épire et de la Thessalie_, ii. xxiv + +Killiecrankie, ii. 292 + +Kilworth, Lord, _i. 485_ + +King, "Jew," _i. 357_; _vi. 100_ + +King, Leonard W., his article "Assyria" in _Enc. Biblica_, v. 4 + +King, R.J., _Handbook to the Cathedrals of England_, _vi. 596_ + +King, Rosa, i. 357 + +_King John_, i. 356; vi. 165 + +_King Lear_, ii. 196; vi. 256, 446 + +_King Richard_, i. 401 + +King's College, Cambridge, i. 392 + +_Kings, Book of_, _v. 107_ + +Kingsley, Rev. Charles, _Last Buccaneer_, _iii. 451_; on _Don Juan_, vi. + xviii; _Westward Ho!_ _vi. 483_; _Letters and Memoirs_, _vi. 517_ + +Kinkel, G., editor of _Bibliotheca Teubneriana_, _iv. 243_ + +Kinnaird, Douglas, iii. 375, _402_; iv. 70, _343_, 472, 478, _545, 549_; + v. 325, 537; vi. _12, 100_, 373, _450, 455, 458, 546_; _vii. 77_; + _Letter to the Earl of Liverpool_, _vi. 374_; _Letter to the Duke of + Wellington on the Arrest of M. Marinet_, _ibid._ + +Kinnaird, Lord, iv. 472 + +Kipling, Rudyard, _Barrack-Room Ballads_, _v. 72_ + +Kirk, J.F., _History of Charles the Bold_, ii. 298 + +Kit-Cat Club, _vii. 57_ + +Kitto, _Travels in Persia_, _v. 294_ + +Kizlar aghasi, head of the black eunuchs, iii. 168 + +Kleeman, Nicholas Ernest, _Voyage de Vienne à Belgrade_, _vi. 216, 280_ + +Klencke, Professor, _Alexander von Humboldt_, _vi. 216_ + +Knebel, iv. 81 + +Kneller, Sir Godfrey, _vi. 496_ + +Knight, _American Mechanical Dictionary_, _v. 404_ + +Knight, Cornelia, _Personal Reminiscences_, _v. 563_; _Autobiography_, + _vii. 35_ + +Knight, H. Gally (_Ilderim, a Syrian Tale_; _Phrosyne, a Grecian Tale_; + _Alashtar, an Arabian Tale_), iv. 175; vi. 230; vii. 44, 45, 51, + _60_, 70; Byron's _Ballad_ on, vii. 58 + +Knight, Richard Payne, _Taste_, _i. 337, 383_; _Monody on the death of + C.J. Fox_, _i. 356_; _Specimens of Ancient Sculpture_, i. _378_, 454 + +Knight, Professor W., _Life of William Wordsworth_, _iv. 341, 582_;_ vi. + 91, 178_; _Shakespeare_, _vi. 487, 502_ + +Knight and Lacy, i. _234_, 452 + +Knights of St. John, _iv. 400_ + +Knolles, _The Turkish History_, vi. 259 + +Koch, _History of Europe_, _i. 468_; _ii. 364_; _iv. 197_ + +Kochlani horses, v. 496 + +Kodrikas, Professor Panagios (Panagiotes), translation of _Fontenelle_, + ii. 198 + +Koepang Bay, v. 583 + +Kölbing, Professor Engen (_Englische Studien_), _Ada Byron, ii. 289_; + _Siege of Corinth_, iii. 442, _449, 454, 472, 475, 496_; _Prisoner of + Chillon, and other Poems_, iv. 6, _15, 21, 42_; _Mazeppa_, _iv. 214_; + _Marino Faliero_, iv. 324, 329 + +Kolokotrones, _v. 556_ + +Kopreas, the herald, _ii. 431_ + +Korân, the, iii. _103, 109, 110, 113, 119_, 181, 186, _195_, 206 + +Kosciusko, v. 550, 551; vi. 418 + +Kotchúbey, Matrena, iv. 202 + +Kotzebue, Augustus Frederick Ferdinand von, _Pizarro_, i. 344, 489 + +Kourakin, Prince Alexis Borisovitch, vi. 307 + +Koutousof, Michailo Smolenskoi, Commander of Austro-Russians at + Austerlitz, vi. 351-354 + +Koutsonika, Suliote leader, ii. 180 + +Krasnoi, battle of, _iv. 207_ + +Krdschalies, Turkish levies, _iii. 188_ + +Krüdener, Baronne de (Barbe Julie de Wietenhoff), _v. 564_ + +Kruitzner, Friedrich (Count Siegendorf), v. 327 + +_Kunst und Alterthum_, iv. _21_, 80, 81, _340_ + +Kyrle, John, "The Man of Ross," vi. 350 + + +L + +La Bédoyère, Charles Angélique François Huchet, Comte de, iii. 431 + +_La Revanche_, vii. 15 + +Lacedæmon, ii. 155 + +_Lachin y Gair_, i. 171 + +Lactantius, _De Falsâ Religione_, ii. 512 + +_Lady Hobart_, wreck of the ship, _vi. 96, 109, 110_ + +_Lady of the Lake, ii. 347_ + +Laertius, Diogenes, i. 18, _414_ + +La Fayette, _v. 567_; vi. 13 + +Lafitte, Jacques, Governor of Bank of France, vi. 456 + +Lafitte, Jean, chief of the Pirates of Barataria, _iii. 296-298_ + +Lafitte, Marshal, _v. 567_ + +Lafitte, Pierre, _iii. 297_ + +La Fontaine, de, vi. xviii; _Contes et Nouvelles en Vers_, _vi. 62_ + +La Harpe, Frédéric César, v. 564 + +Laing, Malcolm, _History of Scotland, etc._; _Poems of Ossian, etc._, + _i. 183_ + +Laïus, _ii. 431_ + +Lake School of Poets, the, _ii. 115, 281_; iii. 320, _473_; _iv. 184, + 339, 485_ + +_Lalla Rookh_, _iii. 181, 186_; _iv. 176, 587_ + +Lamartine, _Voyage en Orient_, _ii. 171_ + +Lamb, Lady Caroline (_Glenarvon_), i. _301_, 476; ii. 429; iii. xx, xxi, + _31_, 59; _iv. 177_; v. 329; vi. 138, 451; vii. 45 + +Lamb, Sir P., Viscount Melbourne, i. _300_, 380; _vii. 15_ + +Lamb, Charles, _i. 329, 343, 438_; _ii. 22_, iv. 478; _Specimens of + English Dramatic Poets_, iv. 81, _377_; _v. 489_; _Triumph of the + Whale_, iii. xx; _On the Tragedies of Shakespeare_, _v. 339_; + _Fragments of Criticism_, _vii. 18_ + +Lamb, Hon. George, i. 300-302, _306_, 368, 380; _vii. 15_; _Whistle for + It_, i. 338 + +Lamb, Hon. Mrs. George (Caroline Rosalie Adelaide St. Jules), _i. 301_; + _iii. 31, 32_, vii. 15 + +Lamb, Mary, _i. 343_ + +Lamb, William, _i. 300, 306_ + +Lamberti, Anton Maria, _La biondina in gondoleta_, iv. _456_, 457 + +Lambro Canzani (or Lambros Katzones), iii. 194, 219 + +Lamech, v. 209 + +_Lament of Tasso_, _ii. 354_; _iii. 503_; iv. 139-152, 237, _266_; _v. + 152_; _vii. 55_ + +_Lamentations_, ii. 166 + +_L'Amitié est l'Amour sans Ailes_, i. _106_, 220; _ii. 12_ + +Lamotte, _i. 423_ + +_Lancashire Glossary_, _ii. 71_ + +Lancaster, Henry, Duke of, _v. 549_ + +Lanciani, Professor R., _Ruins and Excavations of Ancient Rome_, _ii. + 413, 416, 424, 425, 436, 440_ + +Lancilotto, iv. 321 + +Landino, _Commentary on Dante_, _iv. 272_ + +Landor, Walter Savage, Works, _iii. 402_; _Idyllia Heroica Decem. Librum + Phaleuciorum Unum_, iv. 484; _Gebir_, iv. 485; _v. 613, 614_; _A + Satire on Satirists, etc._, _iv. 518_; _v. 614_; _Juvenal_, _v. 613_; + "that deep-mouthed Boeotian," vi. 445; his use of "commence" with the + infinitive, _vi. 567_ + + +Landsknechts, the, _v. 520_ + +Landwehr, Prussian troops at Leipsic battle, vii. 23 + +Lanfranchi, Palazzo, _vi. 402_ + +Lang, Andrew, _Life and Letters of J.G. Lockhart_, iii. 532; _The Making + of Religion_, _v. 601_ + +Langeron, Andrault, Comte de, vi. 312 + +Langhorne, Rev. John, translator of _Plutarch's Lives_, _iv. 109, 251, + 352, 386, 423_; v. 4, 5, _21, 72, 486, 487, 506_; _vi. 139, 226, 270, + 339, 348, 376, 404, 477, 547_ + +Lansdowne, Lady, _iii. 72_ + +Lansdowne, Granville George, Lord, _Inscription for a Figure + representing the God of Love_, _v. 633_ + +Lansdowne, Henry Petty, 3rd Marquis of, i. _319_, 340; iv. 472 + +Lanskoï, Catherine II.'s favourite, vi. _388_, 389, 391, 412 + +Lanzi, ii. 490 + +Laocoon, ii. 445; vi. 200 + +Laos river, ii. 134, 182 + +La Peña, Captain-General, _i. 469_ + +Lapland, i. 489 + +La Plata, _ii. 82_ + +_Lara_, iii. _188_, 219, 323-371, 443, _477, 508_; _vi. 235_ + +Lardner and Co., _i. 307_ + +La Rousse, _ii. 415_ + +Las Cases, _Mémorial de Ste. Hélène_, v. 537 + +Lascy, General de, vi. 340, 347 + +_Last Words on Greece_, vii. 85 + +Latour, Major A. La Carrière, _Historical Memoirs of the War in W. + Florida and Louisiana_, _iii. 298_ + +Lauderdale, Lord, _iii. 45_; iv. 472; _vi. 67_ + +Laugier, Sig. Abate, _Istoria della Repubblica di Venezia_, iv. 332, 335 + +Laura, Petrarch's, vi. 145 + +Laurence, Richard, translation of _The Book of Enoch_, v. 281, _302_ + +Lausanne, _iv. 53_ + +Lavater, _ii. 107_ + +Laverne, L.M.P. Tranchant de, _The Life of Field-Marshal Souvarof_, _vi. + 222, 320-322_ + +Lawler, C.F., the pseudo-Peter Pindar, ii. 213 + +Lawrence, Sir Thomas, i. 389; iv. 565 + +_Lawrence_ v. _Smith_, v. 204 + +_Lay of the Last Minstrel_, i. 309, 310; _ii. 19_; _iii. 96, 472_; vi. + 406, 458, 560 + +Layard, Sir A.H., _Handbook of Painting_, _iv. 163_ + +Lazzarino, Vittorio, _Marino Faliero avant il Dogado_, _iv. 331, 403_; + _Marino Faliero, La Congiura_, iv. 325, _332, 333, 346, 349, 351, 356, + 365, 383, 384, 432, 439, 448, 462_ + +Leacroft, Julia, i. _38_, 41 + +Leake, William Martin, _Researches in Greece_, ii. 174, 204 + +Leander, iii. 13, 178 + +Lear, i. 26, 400 + +Le Chevalier, Jean Baptiste, _Voyage de la Propontide, etc._, _iii. 13, + 179, 210_ + +Leckie, G.F., _i. 349_ + +Lecky, W.E.H., _History of England in the Eighteenth Century_, _iv. 513_ + +Le Clercq, Miss Rosa, actress, iv. 78 + +Lee, Harriet, _Kruitzner; or, The German's Tale_, v. 325, 326, 328-332, + 337, _349, 418_ + +Lee, Lady Margaret, _vi. 146_ + +Lee, Sophia, _The Young Lady's Tale; The Clergyman's Tale_, v. 337 + +Lee, Sophia and Harriet, _Canterbury Tales_, v. 325, 326, _381-384, + 446_; _vii. 33_ + +Leeds, Duchess of, _i. 443_ + +Leeds, Duke of, _ii. 23_ + +Leen river, _vi. 495_ + +Leeuwarden, _ii. 407_ + +Lefanu, Alicia, _Memoirs of Mrs. F. Sheridan_, vii. 33 + +Lefebvre, Marshal, ii. 94. + +Leigh, Colonel George, _ii. 23_ + +Leigh, Hon. Mrs. George (Augusta Byron), _i. 283_; ii. 23, 212, 247, + 248, _288_; iii. _31, 32, 540_, 544; iv. 80; _vi. 22, 30, 410, 541_; + _Stanzas to Augusta_, iv. 54; Epistle to Augusta, iv. 57; _Journal_ of + Byron's Swiss tour, _iv. 95_ + +Leipzig (Leipsic), Fairs of, i. 489; battle of, v. _371_, 553; _vi. 50_; + vii. 22, 23 + +Lely, Sir Peter, vi. _496_, 501 + +Le Mann, _vi. 22_ + +Leman, Lake, ii. 257, 269; iv. 17, 53 + +Lemprière, i. 437 + +Lenclos, Ninon de, _iv. 212_; vi. 246 + +Lens, Mr. Serjeant, _vii. 22_ + +Lentulus Spinther, _ii. 405_ + +Lenzoni, Marchioness, ii. 499 + +Leo X., Pope, ii. 489; iii. 367-369; _iv. 273_ + +Leoben, Treaty of, ii. 297 + +Leochares, _ii. 446_ + +Leon, Don Rodrigo Ponce de, _iv. 530_ + +Leone, Port, ii. 94 + +Leoni, Michele, Italian translation of _Childe Harold_, and of _Lament + of Tasso_, _iv. 244_; of _Don Juan_, _vi. 8_ + +Leonidas, iii. 21; vi. 331 + +Leonora, Tasso's, iv. 145, 147 + +Leopardi, Alessandro, _iv. 336_ + +Leopold of Saxe-Coburg, _ii. 450_ + +Lepanto, battle of, ii. 126, 178, 340 + +Lepidus, _ii. 492_ + +Leptinus, Furius, ii. 520 + +Le Roux de Lincy, A.J.V., _Recuel de Chants historiques français_, v. + 472 + +Le Sage, _Diable Boiteux_, i. 56; _iv. 516_ + +Lesbia, i. 72 + +L'Espinasse, Mdlle. Claire Françoise, _ii. 209_ + +Lestrange, Sir R., _iv. 484_; _vi. 550_ + +Le Sur, Charles Louis, _Histoire des Kosaques_, _iv. 211_ + +Lethe, vi. 184 + +Letronne, J.A., _La Statue vocale de Memnon_, _v. 497_ + +_Letter to the Editor of My Grandmother's Review_, vi. 76 + +_Lettere di Torquato Tasso_, _iv. 143, 144, 146, 150_ + +Leucadia, now Santa Maura, ii. 126, 178 + +Leucadia's Cape (Cape Ducato), ii. 125 + +Leuctra, battle of, ii. 294 + +le Vasseur, Theresa, _ii. 266_ + +Levati, Professor Ambrogio, _Viaggi di Francesco Petrarca_, iv. 469 + +Levett, Ellis, _vi. 410_ + +Lewis, Matthew Gregory ("Monk" Lewis), i. _305_, 307, 346, _356_, 369; + _iii. 473_; iv. _53_, 80-82, 325, 337, 342; _Tales of Terror_, i. 309, + 317; short account of, i. 317; _Tales of Wonder_; _Ambrosio the Monk_, + _ibid._; _The Castle Spectre_, i. 317, 409, _489_; _Life and + Correspondence of_, _i. 318_; _Romantic Tales_, _iii. 389_; _The Wood + Demon_, v. 474 + +Lewtas, Matthew, _ii. 36_ + +_Lexicon Universelle_, _iv. 174_; _vi. 259_ + +Lezze, Luga da, _iv. 432_ + +Liakura mountain (Parnassus), i. 426; ii. 60, 62, 92, 186; iii. 113, 464 + +_Liberal, The_, iv. 281, 478, 479, _495, 518, 520_, 570; v. 279, 471, + 540; _vi. 266_; vii. 75, 76, 81 + +Libochabo, ii. 174, 177 + +Libokhoro, _ii. 134_ + +Licensing Act, _i. 415_ + +Licenza village, ii. 523 + +Licinus (Cæsar's barber), _i. 422_ + +Licoo, Tonga, v. 601 + +Lido, the, ii. 470 + +Lie, lye, or ley, solution of potassium salts, vi. 505 + +Lieven, Count de, _vii. 32_ + +Lieven, Countess de, i. 476; _vii. 32_ + +_Life, Writings, Times, and Opinions of Lord Byron_, _vii. 12_ + +Lincoln, Bishop of, _i. 356_ + +Lincoln Cathedral, vi. 596 + +Lincy, A.J.V. Le Roux de, _Recueil de Chants historiques français_, v. + 472 + +Lindenau, _vii. 83_ + +Lindsay, Lady Anne, _ii. 288_ + +Lindsay, Lord, _ii. 288_ + +Lightning, ii. 360, 488 + +Ligne, Charles, Prince de, vi. 333 + +Ligne, Charles Joseph, Prince de, vi. 312; _Mélanges Militaires, etc._, + _vi. 313, 333_; _Memoirs_, _vi. 414_ + +Ligny, _vi. 345_ + +_Lines addressed by Lord Byron to Mr. Hobhouse on his Election for + Westminster_, iii. xx; vii. 69 + +_Lines addressed to a Young Lady_, i. 70 + +_Lines addressed to George Anson Byron_ (spurious?), iii. xxi; vii. 41 + +_Lines addressed to the Rev. J.T. Beecher, etc._, i. 112 + +_Lines composed during a Thunderstorm_, _ii. 119, 130_ + +_Lines found in the Travellers' Book at Chamouni_ (spurious), iii. xxi + +_Lines in the Travellers' Book at Orchomenus_, iii. 15 + +_Lines inscribed upon a Cup formed from a Skull_, i. 276; _iii. 129_ + +_Lines on hearing that Lady Byron was Ill_, _ii. 429_; iv. 63 + +_Lines on the Bust of Helen by Canova_, _ii. 370_ + +_Lines to a Lady Weeping_, iii. 45 + +_Lines to Mr. Hodgson. Written on board the Lisbon Packet_, vii. 4 + +_Lines to the Countess of Blessington_, _iv. 62, 64_; _v. 346_ + +_Lines written beneath a Picture_, iii. 19 + +_Lines written beneath an Elm in the Churchyard of Harrow_, i. 208 + +_Lines written in an Album at Malta_, iii. 4 + +_Lines written in "Letters of an Italian Nun, etc." by Rousseau_, i. 15 + +_Lines written in the Bible_ (spurious), iii. xx + +_Lines written on a blank leaf of "The Pleasures of Memory"_, iii. 50 + +Lintot, Barnaby Bernard, publisher of Pope's _Iliad and Odyssey_, vi. 56 + +Lioni, Niccolo, iv. 465 + +_Lippincott's Magazine_, iv. 32 + +Lipsius, Justus, ii. 299; _Saturn. Sermon._, ii. 520, 521 + +Lisbon, ii. 32; assassinations in, ii. 36, 86 + +Lissa, naval battle of, _iii. 25_; _iv. 456, 457_ + +Liszt, Franz, Mazeppa the "symphonic poem," iv. 203 + +_Literary Chronicle_, iv. 571; v. 540, 584 + +_Literary Fund_, _i. 448_ + +_Literary Gazette_, _iii. 280_; iv. 478, 571; v. _196_, 540, 584; vi. xx + +_Literary Panorama_, ii. xiv; iii. 444, 500 + +_Literary Register_, iv. 571, _580_ + +_Literary Souvenir_, iv. 314 + +_Literature_, v. 333 + +Litta, Conte Pompeo, _Celebri Famiglie Italiane_, _iii. 507_ + +Liverpool, Robert Bankes Jenkinson, 2nd Earl of, i. 496, _497_; _vi. + 374_; vii. 14, 20, 28 + +Lividia, Point, _iii. 248, 349_ + +Livingstone, David, _vi. 497_ + +Livy, ii. _372, 377, 391_, 392, _413, 496_, 505, 510, _512, 513_; _iv. + 251_; _v. 607_ + +Lloyd, Charles, _Poems on the Death of Priscilla Farmer_, i. 368 + +Lloyd, Robert, Odes to _Obscurity_ and _Oblivion_, i. 220 + +Loch na Garr, i. 238 + +Locke, John, i. 425; _ii. 353, 504_; _v. 615_; vi. 548, 610; _vii. 12_ + +Lockhart, John Gibson, _Life of Scott_, _i. 318, 397_; _ii. 88_; iii. + 443; _v. 206_; Lang's _Life of_, iii. 532; _A Sketch_, _v. 206_ + +Lodge, G.H., _Rosalynd_, ii. 293; _History of Ancient Art_, _ii. 431_ + +Lodi, battle of, _vi. 14_ + +Lofft, Capel, i. 359, 441 + +Logotheti, Signor, ii. 176 + +Lombardy, _ii. 342_; Venetian, iv. 197 + +London, _Don Juan's_ description of, vi. 425 + +_London Gazette Extraordinary_, _ii. 40_; _vi. 336_ + +_London Magazine_, iii. 535; _iv. 42_; v. 472; _vi. 188_ + +_London Review_, _i. 403_ + +Londonderry, Robert Stewart, Lord, iv. 560; v. 568, _569, 570_; vi. 307 + +Londos, Andreas, _vi. 168, 169_ + +Long, Edward Noel ("Cleon"), i. 101 + +Long, Sir Tylney, Bart., _i. 485_ + +Longfellow, translation of _Dante's Paradiso_, _iv. 247_ + +Longinus, _On the Sublime_, vi. 26, 74, 551 + +Longman, i. xii, _234_, 427; ii. x; v. 280; vii. 9 + +Longwood controversy, the, v. 538, _544_ + +Lonsdale, James, 1st Earl, _iv. 586_ + +Lonsdale, William, 2nd Earl, iv. _341, 582_, 585; vi. 5 + +_Lord Byron's Verses on Sam Rogers_, iv. 538 + +_Lord of the Isles_, _ii. 244_ + +Loredano, iv. 377 + +Loredano, Jacopo, _v. 123, 195_ + +Loredano, Marco, _v. 123_ + +Loredano, Pietro, Admiral of the Venetian fleet, v. 123 + +Lorraine, Claude, _ii. 168_; vi. 502 + +Lorraine, François Mercy de, ii. 186 + +Louis Philippe, _vi. 425_ + +Louis XII., _vi. 212_ + +Louis XIV., _i. 402_; _ii. 453_; iv. 334, _514_ + +Louis XV., _ii. 282_ + +Louis XVI., iv. _13_, 493 + +Louis XVIII., v. 539; _vi. 313, 333, 374_; _Letters d'Artwell_, v. 566 + +Louisiana, _iii. 296-298_ + +Louvel, _v. 567_ + +_Love and Death_, vii. 84 + +_Love and Gold_, iii. 411 + +Lovelace, Lady (Augusta Ada Byron), ii. 215, _287, 289_; _vi. 274_ + +Lovelace, Ralph Gordon Noel, 2nd Earl of, i. _262, 264_, 387; _ii. 215_; + _MS._, _i. 265-267, 271-273, 277, 278, 387, 389, 391-397, 399, 400, + 402, 404-408, 410-413, 416, 418-430, 433, 434, 436, 438, 440, 443, + 444, 446-450_ + +Lovelace, Richard, _Orpheus to Beasts_, _iii. 165_; _To Althea--From + Prison_, _iv. 28_ + +Lovelace, William King Noel, 1st Earl of, _ii. 215_ + +Lovell, Robert, _iv. 521_ + +_Love's Labour's Lost_, _vi. 87_ + +_Love's Last Adieu_, i. 109 + +Lowe, Sir Hudson, Governor of St. Helena, _ii. 239_; _v. 544, 545_; vi. + 444 + +Lowe, John Hudson, surgeon in the Army, _v. 545_ + +Lowertz, _iv. 97_ + +Lozère, _v. 549_ + +Lucan, _Pharsalia_, _ii. 156, 246, 372_ + +Lucanus, Ocellus, _De Universi Naturâ_, ii. 198 + +Lucian, _Veræ Historiæ_, _iv. 43_; _De Syriâ Deâ_, _iv. 115_; + _Hermotimus_, _v. 396_ + +_Lucietta. A Fragment_, vii. 81 + +Lucifer, Byron's conception of, v. 199-203, 210; vi. 183 + +Lucius Faunus, _De Antiq. Urb. Rom._, ii. 510-513 + +Lucretia, iv. 334 + +_Lucretius_, _i. 485_; ii. 93, _121, 367_; iii. 57; _De Rerum Nat._, vi. + 604 + +Lucullus, L., vi. 563 + +Lud, General Ned, _vii. 42_ + +Luddites, the, vii. 42 + +_Ludus Coventriæ_, v. 200, _207_ + +Ludwig, Otto, iv. 329 + +Luis, Maria José, Regent of Portugal, _ii. 43_ + +Lunéville, Treaty of, ii. 297 + +Lupercalia, the, ii. 512 + +Lusieri, Don Battista, ii. _109_, 168, _171_, 172, 190 + +Luther, vi. 303, _380_ + +Lutherans, the, v. 520 + +Lutraki, or Utraikey, ii. _142_, 143 + +Luttrell, H., _vi. 175_ + +Lutzen, battle of, _iii. 431_; v. _371_, 553 + +Lycanthropy, vi. 380 + +Lyceum Theatre, _Werner_ at, v. 324; Moore's _M.P.; or, The Blue + Stocking_ at, _vii. 12_ + +Lycophron, _Cassandra or Alexandra_, iv. 243 + +Lycurgus, i. 29 + +Lynedoch, Thomas, Lord, _i. 469_ + +Lyons, Gulf of, vi. 92 + +Lysander, _ii. 336_ + +Lysippus, _ii. 336_ + +Lyttleton, Lord, _iii. 209_ + +Lytton, Bulwer (_The Last of the Tribunes_), _ii. 415_; _vi._ 567 + + + +M + +Macassar oil, vi. 19 + +Macaulay, Lord, _Lays of Ancient Rome_, _ii. 391_; Byron "singled out as + an expiatory sacrifice," iii. 534; _Critical and Historical Essays_, + iv. 72; _v. 542_ + +_Macbeth_, i. 84, _131_, 401, 408, 432; ii. _50, 57, 244_, 291, 307, _423, + 452_; _iii. 280, 346, 476, 480, 483, 510_; iv. 44, 157, 181, _338_, + 341, _386, 388, 401, 451_; _v. 393, 611_; vi. _12, 184, 199, 202, 203, + 265, 281_, 375, 441, 453, 505, 559, 578, 590, 594 + +Macchiavelli, ii. 369, 493 + +Macdonald of Rineton, Captain, _i. 192_ + +Macdonell, Sir James ("Jack Jargon"), vi. 508 + +Macdonough, Commodore, _vi. 508_ + +Macfarlane, Charles, _Constantinople in 1828_, _iii. 207_ + +Machiavelli, Niccolò, _The Prince_ (_Il Principe_), vi. 303, 424 + +Maciejowice, battle of, _v. 551_ + +Mackenzie, Sir Alexander Campbell, "Incidental Music to _Manfred_," iv. + 78 + +Mackenzie, Henry, _Julia de Roubigné_, _iii. 510_ + +Mackinnon, Daniel, _vi. 69, 276_ + +Mackinnon, Henry, _vi. 69_ + +Mackintosh, Sir James ("Dick Dubious"), iii. 535; vi. 507; _Vindiciæ + Gallicæ_; _Introductory Discourse_; lecture in _The Law of Nature and + Nations_, vii. 32 + +Macklin, _Love à la Mode_, _i. 464_ + +Maclise, Daniel, _iv. 540_; his portrait of Macready as "Werner," v. 324 + +McMahon, Colonel, _vii. 27_ + +Mac-Murchad, Dermot, king of Leinster, iv. 334 + +Macneil, Hector, _Scotland's Skaith, etc._; _The Waes of War_, i. 362; + iv. 182 + +Macpherson, James, _Ossian_, i. 177, _183_; _iii. 26_ + +Macready, as "Pierre" in _Venice Preserved_, ii. 331; "the Doge" in + _Marino Faliero_, iv. 324; as "Sardanapalus," v. 2; _Reminiscences_, + v. 2, 114, 324; as "Francis Foscari," v. 114; "Werner," v. 324 + +Macri, Catinco or Katinka, _iii. 16_; _vi. 280_ + +Macri, Mariana, _iii. 16_ + +Macri, Theodora, ii. 176; _iii. 15_ + +Macri, Theresa (afterwards Black), "Maid of Athens," ii. _75_, 176; iii. + 15, 16 + +_Madame Lavalette_ (spurious), iii. xx + +Madden, _i. 470_ + +Madison, President, _iii. 298_ + +Madrid, taken by the French, v. 550; its clime, vi. 409 + +Mæcenas, _ii. 409_ + +Maffei, _ii. 431_ + +Mafra, the Escurial of Portugal, ii. 37, 43, 87 + +Magarenses, the, _ii. 431_ + +_Magasin Encyclopédique_, _v. 302_ + +_Magazine of History_ (American), _iii. 298_ + +Magdalen College, Oxford, _vi. 496_ + +Magdeburg, siege of, v. 416 + +Maggior Consiglio (Great Council, Venice), _iv. 361, 382, 399, 427, 438_ + +Maghinard of Cavalcanti, Marshal, _ii. 501_ + +Maginn, William, _John Gilpin_ and _Mazeppa_, iv. 203; _Miscellanies_, + v. 326, 329 + +Mahala, Cain's wife, v. 209 + +Maharbal, ii. 508 + +Mahmout Pasha, ii. 206 + +Mahomet (Macon), iv. 296; vi. 139 + +Mahomet II., ii. 201 + +Maï, Cardinal Angelo, ii. 324 + +Maid of Saragoza, ii. 58, 91 + +Maimonides, Moses, _Porta Mosis_, _iii. 109, 121_ + +Mainotes (or Mainates), ii. _169_, 193; iii. 83, 94, _132, 134_ + +Maitland, Captain F.L., of the _Bellerophon_, _v. 546_ + +Maitland, G., printer, i. 478 + +Majorian, Emperor, _iii. 251_ + +Malamani, _Isabella Teotochi, I suoi amici_, _iv. 457_ + +Malatesta, Parisina, _ii. 354_ + +Mal bigatto (silkworm), term of contempt and reproach, iv. 389 + +Malcolm, Colonel, _ii. 50_ + +Malcolm, Sir John, _History of Persia_, vii. 49 + +Malespini, Celio de', _alias_ Orazio, _iv. 144_ + +Malipiero, Doge Pasquale, v. 118 + +Mallet, i. 326 + +Malone, Edmund, editor of Spence's _Anecdotes_, _vii. 53_ + +Malo-yaroslavetz, battle of, _vi. 351_ + +Malplaquet, _iv. 262_ + +Malta, iii. 24; + +Maltby, Harriet (Mrs. Nichols), i. 129, 263 + +Malthus, Thomas Robert, vi. 436, 459, 461, 555 + +Malthus, Mrs. T.R. (_née_ Eckersall), _vi. 461_ + +Malvern Hills, _v. 609_ + +Mamonoff, Dmitrief, Catherine II.'s favourite, vi. 389 + +Mamurra, vii. 17 + +Man in the Iron Mask (Man in the Black Velvet Mask), iv. 514 + +Mandeville's _Tales_, i. 314 + +Manetti, Giannozzo, _iv. 253_ + +_Manfred_, _ii. 122, 218, 223, 254, 286, 383, 424, 426_; iv. _15, 21, + 41, 48, 51, 52, 63-65_, 77-136, 325, 327, _340_; v. 199, 200, _223, + 227, 286_, 332, _385_, 469, _480, 500_; vi. xvi, _129, 198_; _vii. 55_ + +Manfrini Palace, _iv. 162_ + +Manichæans, the, v. 202, _209, 216, 232_ + +Manicheism, Byron's, v. _206_, 209, _254_ + +Manilius, _Astronomicon_, _v. 554_ + +Manin, Doge Lodovico, _iv. 457_ + +Manley, Mrs., _Secret Memoirs and Manners of several Persons of Quality, + of Both Sexes, from the New Atalantis_, _vi. 453_ + +Manlius, M., _ii. 413_ + +Mann, Sir Horace, _iv. 339_ + +Manners, George, editor of _The Satirist_, _vi. 69_ + +Manners, Katherine Sophia (Lady Heathcote), vii. 17 + +Mannheim, vi. 419 + +Manoncourt, Sonnini de, _Voyage en Grèce et en Turquie_, ii. 191, 194 + +Mansel, Dr. William Lort, Bishop of Bristol ("Magnus"), i. 28 + +Mansfeld, _v. 340_ + +Mansfield, Lord, _vi. 247_ + +Mansion House, the, vi. 435 + +Mansour Effendi, _iii. 145_ + +Mantinea, ii. 294 + +Mantua, Ferdinando Carlo Gonzaga, Duke of, _iv. 514_ + +Manurza, Arab General, _v. 558_ + +Mar, Countess of, _vi. 246_ + +Marangoni, _Delle memorie sacre e profane dell' Anfiteatro Flavin_, _ii. + 521_ + +Marat, Jean Paul, vi. 13 + +Marathon, ii. _75, 99_, 102, 157, 158, 187, 255, 294; vi. 169 + +Marceau, General François Sévérin Desgravins, ii. 251, 296, 297; vi. 14 + +Marcello, Andrea, _v. 134_ + +Marcello, Giovanni, _iv. 432_ + +Marcellus, Nonius, _De Compt. Doct._, ii. 92 + +Marchetti degli Angelini, Conte Giovanni, _Discorso ... della prima e + principale Allegoria del Poema di Dante_, iv. 237, 245 + +Marciana Library, Venice, _iv. 457_ + +Marengo, battle of, iii. 313; v. 538; _vi. 14_ + +Mareschalchi Gallery, Bologna, _iv. 162_ + +Maria I., Queen of Portugal, ii. 43 + +Maria da Gloria, of Portugal, _ii. 11_ + +Maria José Luis, Regent of Portugal, _ii. 43_ + +Marialva, Marchese, ii. 38, 86 + +Mariamne, wife of Herod the Great, iii. 400 + +Mariana, _Hist._, _iv. 523_ + +Marie Antoinette, ii. 7; _iii. 513_; iv. _13_, 334 + +Marie Louise, of Austria (Archduchess of Parma), wife of Napoleon, + afterwards Madame de Neipperg, _iii. 311_; v. _498_, 539, 576 + +Marignano, battle of, _v. 498_ + +Mariner, William, _Account of the Tonga Islands_, v. 581, 584, 598-601, + 609, 639-631; _vi. 577_. + +Marinet, or Nicholle, M., vi. 373, _374_ + +_Marino Faliero_, _ii. 337; iii. 485_; iv. 323-472; v. 3, _40_, 115, + _139, 148, 158_, 332, _389_, 469, _479_; _vi. 24, 443_; _vii. 63_ + +Marius, Caius, _ii. 393_; iv. 251; vi. 477 + +Markland, J.H., editor of the Roxburgh Club issue of _Chester + Mysteries_, _vi. 551_ + +Markow, General, vi. 333 + +Marlborough, John, Duke of, _i. 107, 493_; iii. 57; iv. _262_, 334; vi. + 174 + +Marlianus, _Urb. Rom. Topograph._, ii. 510 + +Marlowe, _The Tragical History of Dr. Faustus_, iv. 80, 81; v. 470, 483; + _Edward II._, iv. 80; _Tamburlaine the Great, v. 489_ + +Marly, or malái, a grass plat for public ceremonies, Tonga, v. 600 + +Marmarotouri, ii. 199, 208 + +_Marmion_, i. _309_, 310, _311_, 312, 371; _ii. 360_; _iii. 289, 329, + 461, 475, 518_; _iv. 13_; _v. 542_; vi. 426 + +Marmont, _v. 553_ + +Marsden, Mary, _iv. 38_ + +Marshall, Frank, v. 324 + +Marshall, John, _Royal Naval Biog._, _v. 589_ + +Marston, Westland, _Our Recent Actors_, v. 324 + +Marston Moor, battle of, i. 2 + +Martia, Cato's wife, vi. 270 + +Martial, _Epig._, _ii. 410, 412_; _iii. 16_; _v. 613_; vi. 27, 550; vii. + 74 + +Martin, Henry, the regicide, iv. 477, 482 + +Martin, Isaac, _v. 593_ + +Martin, Dr. John, _Mariner's Account, etc._, v. 581, 584, _598-601_ + +Martin, Lady. _See_ Faucit, Helen + +Martin, Sir Theodore, _iii. 32_ + +Martin, R. Montgomery, _The Indian Empire_, _vi. 384_ + +Mary, Queen of Scots, _ii. 453_; _v. 605_; vi. 246, 396 + +Masham, Lady, _ii. 353_ + +Masham, Mrs., iv. 334 + +Mason, Monck, _Massinger_, i. 220, _304_ + +Massena, ii. 89 + +Massingberd, Mrs., _vi. 100_ + +Massinger, i. 292, _304_, 345; _The Two Noble Kinsmen_, _ii. 217_; + _Unnatural Combat_, iii. 219; _iv. 35_; _A New Way to Pay Old Debts_, + iv. _436_, 525; _vi. 393_ + +Masson, C.F.P., _Mémoires Secrets sur la Russie_, _vi. 321, 351, 388, + 399, 412_ + +Massorites, the, _v. 219_ + +Matapan, Cape, vi. 147 + +Mathews, Charles, _Memoirs_, _v. 477_ + +Mathias, J.T., _Pursuits of Literature_, i. 294, _374, 383_ + +Matten, _iv. 119_ + +Matthews, Charles Skinner, ii. x, xi, 16, 95; _vi. 153_; vii. 9 + +Matthews, Henry, _Diary of an Invalid_, _iv. 131_ + +Mattioli, Count Ercole Antonio (Man in the Iron Mask), iv. 514 + +Maturin, Charles, iii. 444; _Bertram_, _iv. 338_; vi. xiii, _4_; + _Manuel_, vii. _45_, 48 + +Matz, F., _Antike Bildwerke in Rom._, _ii. 395_ + +Maugabree, Moorish mercenaries, iii. 168 + +Maupertius, President of the Berlin Academy, _ii. 282_ + +Maurice, Rev. Thomas, _History of Ancient and Modern Hindostan_; + _Richmond Hill_; _Memoirs_, i. 330 + +Mauritania, ii. 114 + +Mawman, J., i. xii + +Maxwell, Sir Herbert, Bart., _The Life of the Duke of Wellington_, _vi. + 345_ + +Maxwell, John, Lord, ii. 4, 25 + +Maxwell, W.H., _Life of the Duke of Wellington_, _vi. 345_ + +Maypo, battle on the plains of, _v. 556_ + +Mazarin, Cardinal, _vi. 317_ + +_Mazeppa_, iii. xix; iv. _193, 198_, 201-233, _423_; _vi. 124, 162, 246, + 262_ + +Mazeppa, or Mazepa, Ivan Stepánovitch, iv. 201, 327 + +Meadley, G.W., _Two Pairs of Historical Portraits_, _ii. 415_ + +Meadowbank, Lord, _i. 436_ + +_Measure for Measure_, ii. _102_, 166, _367_; _iii. 90_; _v. 541_ + +Mecca, ii. 151, 186 + +Mecklenburg, Albrecht Wenceslaus Eusebius, Count of Waldstein, Duke of, + v. 371 + +Medea, i. 170; vi. 177, 536 + +Medes, v. 4 + +Medici, Cosmo de', ii. _365_, 503 + +Medici, Giovanni de', _ii. 365_ + +Medici, Giuliano de', _ii. 375_ + +Medici, Julian de', _ii. 489_ + +Medici, Lorenzo de', _ii. 365, 375_; iv. 280 + +Medici, Venus of, ii. 489 + +Medici, the, ii. _355_, 503 + +Medici Chapel, _ii. 375_ + +Medici Gallery, Florence, _iv. 162_ + +Medinah, ii. 151, 186 + +Mediterranean, _ii. 460_ + +Medwin, _Conversations with Lord Byron_, _i. 93, 189, 276, 355_; iii. + xx, _17, 59_, 76, _90_, 443, _472_; iv. _39, 40_, 81, 238, 326, _410_, + 478, _545, 555_; v. 119, 279, 281, _296, 321_, 331, _348_, 469-471; + _vi. 22, 138, 188_; vii. _58, 64_, 71, 75, 77, _78_ _Angler in Wales_, + _iv. 539_ + +Mee, Mrs. Anne, a miniature-painter, vii. 37 + +Megara, ii. 362 + +Meillerie, ii. 303-306; _iv. 18, 107_ + +Meineke, Augustus, editor of _Menandri et Philemonis reliquæ_, _vi. 186_ + +Meiner, Christopher, _History of the Female Sex_, i. 489 + +_Mejnoun and Leila_ (the _Romeo and Juliet_ of the East), iii. 160 + +Meknop, General, vi. 306, 354 + +Melancthon, vi. 380 + +Melbourne, Elizabeth, Lady (née Milbanke), _i. 300, 301_ + +Melbourne, Viscount (Sir Peniston Lamb), i. _300_, 380; _vii. 15_ + +Meleager, _Epitaphium in Heliodoram_, _iii. 32_ + +Meletius of Janina, Archbishop of Athens, _Ancient and Modern + Geography_, ii. 198; _Eccles. Hist._, ii. 208 + +Melton Mowbray, vi. 504 + +_Melville's Mantle, etc._, i. 294, 356 + +Memmo, Jacopo, _v. 170_ + +Memmo, Marco, v. 120 + +Memmo, Marin, _v. 170_ + +Memnon, statue of, v. 497; vi. 500 + +_Mémoires de Trévoux_, iv. 578 + +_Memorials of Coleorton_, _iv. 585_ + +Menabrea, F.L., _Notices sur le machine Analytique de Mr. Babbage_, _ii. + 215_ + +Menander, ii. 178; _vi. 186_ + +Menard, Claud, _Histoire de Messire Bertrand du Guesclin_, _v. 549_ + +Mendeli, the ancient Pentelicus, ii. 186 + +Mender river, _vi. 204, 211_ + +Mendoza, _i. 433_ + +Menelaus, king, vi. 535 + +Mengeaud, Napoleon's surgeon, _v. 546_ + +Menken, Adah Isaacs, iv. 203 + +_Merchant of Venice_, ii. 331, 342; iv. _166, 273, 436_, 473; vi. 472 + +_Mercure de France_, vi. xx, _387_ + +Meretrici, in Venice, _iv. 456_ + +Merivale, Charles, Dean of Ely, the historian, _iv. 283_ + +Merivale, Herman, Under-Secretary for India, _iv. 283_ + +Merivale, J.H., _Greek Anthology_, _i. 367_; _iii. 32_; _Orlando in + Roncesvalles_, iv. 156, 279, 283; _The Two First Cantos of + Richardetto_, iv. 156 + +Merry, Robert, i. 358, _441_ + +_Merry Wives of Windsor_, _i. 496_; _v. 388, 410_; vi. 484 + +Meschinello, G., _La Chiesa Ducale_, _iv. 390_ + +Mesihi, _iii. 86, 105_ + +Mestri, _vii. 72_ + +Metastasio, _iv. 264_ + +Metella, Cecilia, tomb of, ii. 402-405 + +Methodism, ii. 302 + +Metsovo, Monte (Pindus), ii. 126, 129 + +Metternich, Prince, v. 539, 575; _vii. 39_ + +Mexico, _ii. 82_; gulf of, _iii. 296_ + +Meyer of Aaru, the brothers, _iv. 109_ + +Meyer, F.J.L., _Voyage en Italie_, _iv. 470_ + +Mezzofanti, Giuseppe, ii. 324 + +Michael Angelo, ii. 369, _375, 376, 432, 435, 446_; iv. 270, 280; his + "Last Judgment," iv. 272; his "Moses," iv. 271, _273_; _vi. 262_ + +Michaelis, A., _Ancient Marbles in Great Britain_, i. 455 + +Michaelis, Professor Johann David, _iv. 498_ + +Michie, Rev. J., _i. 192_ + +Michiel, Madame Giustina Renier, translation of _Shakespeare_; _Origine + delle Feste Veneziane_, _iv. 456, 457_ + +Midas, v. 573 + +Middleton, Dr. Conyers, _Life of Cicero_, ii. _362, 408_, 523 + +_Midsummer Night's Dream_, _iv. 21_; _v. 408_; vi. 535 + +Migne, _Opera Cassiodori_, _iii. 306_; _Patrologiæ Cursus_, _vi. 168_ + +Miguel, Dom, of Portugal, _ii. 11_ + +Milan, Filippo Visconti, Duke of, v. 116, 133 + +Milbanke, Lady, _i. 437, 443_ + +Milbanke, Miss. _See_ Byron, Lady + +Milbanke, Sir Ralph, _i. 301_ + +Milbourne, Rev. Luke, _Notes on Dryden's Virgil_, i. 220 + +_Milit. Dict._, _vi. 305, 343, 353_ + +Milky Way, the, ii. 439 + +Mill, James, _vi. 480_ + +Millbank Penitentiary, vii. 34 + +Miller, William, publisher, i. 311; ii. x + +Miller, Mr. (U.S.A.), _iii. 307_ + +Miller, "Joe," i. 301 + +Milliard, vi. 542 + +Millin, A.L., _Voyage dans le Milanais_, _ii. 507_ + +Milman, Dean, _History of Latin Christianity_, _ii. 336, 338_; + _Belvidere Apollo_, _ii. 447_; _History of the Jews_, _iii. 400_; + _Fall of Jerusalem_, iv. 339; "Cybele's priest," vi. 445; + "poet-priest," vii. 76 + +Milner, Joseph, _ii. 283_ + +Milo and the Oak, iii. 307 + +Miltiades, vi. 171 + +Milton, John, _Paradise Lost_, i. 312, 313, _397, 404_; _ii. 64_; iii. + 111; iv. _133, 135_, 245, _274_, 504, 506; v. 203, 204, 208, _216, + 234, 255, 262, 272_; vi. 6, _183_, 518; Hayley's _Biography of_, _i. + 321_; "deigns to doze," i. 428; _Lycidas_, i. 446; _iii. 480_; iv. + _227_, 241; _Sonnets_, _ii. 364_; _Samson Agonistes_, ii. 422; his + lyric measure, _iii. 128_; _Comus_, _iii. 209_; his blank verse, iii. + 224; _Morning of Christ's Nativity_ (_The Hymn_), _iv. 115_; + "pratticke," _iv. 167_; his _terza rima_, iv. 239; his Satan, v. 201; + use of "shook," _v. 135_; "thou shalt believe in," vi. 74; his first + wife, vi. 146, 174; "the Prince of Poets," vi. 174; Lord Thurlow on, + _vii. 20_ + +Milton, Mrs. John (_née_ Powell), vi. 146, 174 + +Minden, battle of, _vi. 12_ + +Minerva, i. _447_, 457-474 + +Minetto, Giacomo, iii. 442 + +Mingrelia, _vi. 279_ + +Minos, _iv. 518_ + +Minotaur, fable of the, vi. 125 + +Minotti, iii. 448, 458 + +_Minstrelsy of the Scottish Border_, ii. 4 + +Minturnæ, iv. 251 + +Mira, La, _ii. 349_ + +Mirabeau, Honoré Gabriel Riquetti, Comte de, _v. 548_; vi. 13 + +_Mirror_, the, iv. 32 + +_Miscellaneous Poems_, vii. 69 + +Misers, vi. 48, 455 + +Mississippi river, _iii. 196_ + +Missouri, _vi. 349_ + +_Mistère du Viel Testament_, v. 200, _207, 226_ + +Misti Consiglio X., _iv. 447_ + +Mitford, Miss, _Christina, the Maid of the South Seas_, v. 582 + +Mitford, William, _Greece_, _iv. 566_; _v. 16, 24_; vi. 460 + +Mithridates, king of Pontus, _ii. 393_; iv. 40 + +Mobility (_mobilité_) defined, vi. 600 + +Mocenigo, Giovanni, _iv. 432_ + +Mocenigo, Doge Tomaso, v. 118 + +_Modern British Drama_, _iii. 200_ + +_Modern Universal History_, _ii. 82_; _iv. 211, 258, 523_; _v. 499_ + +Mohammed II., _ii. 173_ + +Mohammed Ben Abd-el-Wahab, ii. 151 + +Mohammed Pasha, _ii. 140_ + +Moira, Francis Rawdon, Lord (1st Marquis of Hastings), _i. 497_; _iii. + 45_ + +Molière, vi. _246_, 510; _Dom Juan, on Le Festin de Pierre_, vi. xvi, + _11_ + +Molina, Tirso de (Gabriel Tellez), _El Burlador de Sevilla y Convidado + de Piedra_, vi. xvi + +Molinari, Signor, _vi. 205_ + +Mollett, John W., _Life of Sir D. Wilkie_, ii. 92 + +Mollwitz, battle of, vi. 337 + +Momus, the god of cruel mockery, v. 396 + +Monaci, Lorenzo de, _iv. 349, 356_ + +Monbron, Fougeret de, _Le Cosmopolite, ou le Citoyen du Monde_, ii. 1 + +Moncey, ii. 94 + +_Moniteur, Le_, i. 489; v. _562_, 575; vi. 12; _vii. 41_ + +_Moniteur Universel_, _v. 552_ + +Monk, General, ii. 292 + +_Monk of Athos, The_, ii. xiii + +Monkir and Nekir, inquisitors of the dead, iii. 121 + +Monmouth Street, noted for sale of second-hand clothes, iv. 160 + +_Monody on the Death of the Right Hon. R.B. Sheridan_, iv. 69-75, 79; v. + 537 + +Mont Blanc, iv. 87 + +Montagu, Lady Mary Wortley, _vi. 151_; _Letters_, _vi. 219, 246_ + +Montague, Mrs., _iv. 573_ + +Montaigne, ii. 345; vi. 379 + +Montanti, Antonio, sculptor and architect of Florence, _iv. 272_ + +Montanvert, iv. 475 + +Montebello, battle of, _vi. 14_ + +Montecuccoli, Raimondo, _iv. 262_ + +Montemajor, Jorge de, _Diana_, _i. 44_ + +Montesquieu, Charles de Secondat, Baron de, _Considérations ... de la + Grandeur des Romains, etc._, _ii. 393_ + +Montfauçon, _Diarium Italic._, _ii. 431_, 511, 515 + +Montford, Colonel, _vii. 24_ + +Montgomery, James, _The Wanderer of Switzerland, etc._, i. 107, _305_, + 330, _331_, 370; _ii. 450_ + +_Monthly Literary Recreations_, _i. 234_ + +_Monthly Magazine_, i. 441; iv. 156, 229, _367_; v. 540; _vi. 87_ + +_Monthly Review_, _i. 379_; iii. 444, 499; iv. 82, 158, _165_, 203, 240; + v. 472, 540, 584; vi. xx + +Montholon, Count, _v. 548_ + +Monti, Vincenzo, ii. 324, 496; iv. 245, 325 + +Monticolo, G., _Le Vite dei Dogi di Marin Sanudo_, _iv. 462_ + +Montmartre, heights of, v. 553 + +Montmorenci, Jean Mathieu Felicité, Duc de, v. 539, _573_, 575 + +Montorsoli, _ii. 446_ + +Montpensier, Comte de, Charles V., Dauphin d'Auvergne, _ii. 390_; iv. + 258; v. _495_, 498, 515-518, _520_ + +_Montreal Herald_, _vi. 508_ + +Montrond, Casimir, Comte de (Byron's "preux Chevalier de la Ruse"), vi. + 507 + +Montrose, Marquis of, _iv. 338_ + +Montucci, A., _Tragedie di Alfieri_, _iv. 368_ + +Mooa, capital of an island (Tonga), v. 600 + +Moor, Charles de, _iii. 296_ + +Moore, Dr. John, _Letters to Burns_, _i. 118_; _Zeluco_; _Various Views + of Human Nature, etc._, ii. 8; _A View of the Society and Manners in + Italy_, iv. 333-335, 469; _History of Ireland_, _iv. 334_ + +Moore, Sir John, _ii. 8_ + +Moore, Thomas, _Life of Lord Byron_, i. xii, xiii, _2, 4, 5, 15, 21, 25, + 26, 33, 45, 78, 84, 88, 89, 93, 98, 119, 128, 184, 192, 205, 210, 213, + 222, 224, 257, 259, 261, 280, 303, 304, 310, 325, 327, 347, 349, 368, + 387, 411_, 475, _497, 499_; ii. xii, _16, 20, 34, 65, 118, 139, 187, + 236, 258, 304, 322, 324, 352, 369, 387, 461_; iii. xix, xx, _15, 16, + 25, 30_, 75, _90, 103, 109, 128, 272, 280_, 304, 319, 320, _329, 331_, + 376, _415_, 443, 444, _477_, 531, 535, _537_; iv. 3, 31, 32, _35, 36, + 39, 58, 61, 63, 74, 92, 213, 267, 308, 340, 447, 489, 545, 587_; v. + _82, 210, 348_, 470, 471, _477, 489, 610_; _vi. 21, 128, 143, 297, + 578, 601_; _viii. 12, 18, 19, 21, 71, 82_; _Poetical Works of the late + Thomas Little_, i. _78_, 202, _305_, 307, 319, 324, 325, 333, _431_; + vi. 43; Byron's letters to, _i. 195_; _ii. 30, 238, 351, 447_; iii. + _69_, 75, 77, 149, 219, _249, 255_, 303, 319, 320, 376, _413, 417, + 423, 433, 496_; iv. _53, 64_, 69, 157, _159, 169, 176, 178, 214, 279_, + 411, _478, 520, 538, 555, 558, 561_, 570, _578_; v. 202, 204, _242, + 255_, 470, _561_; vi. xvii, _24, 149, 227, 302, 373, 403, 578_; _vii. + 35, 37, 42, 46, 48, 70, 71, 73, 74_; and Jeffrey, i. _203, 305_, + 333-335; referred to in _English Bards, and Scotch Reviewers_, i. 321, + 370; "Anacreon," _i. 374_; _Intercepted Letters; or, The Twopenny + Post-Bag, by Thomas Brown the Younger_, _i. 496_; iv. 158, _555_; vii. + 16, _22, 27, 29, 30_; the stanza on Beckford, in _Childe Harold_, _ii. + 37_; _The Meeting of the Waters_, _ii. 246_; _Irish Melodies_, iii. + 73; _Lalla Rookh_, _iii. 87, 181, 186_; _iv. 176, 587_; _vi. 230_; on + _The Corsair_, iii. 217; _Corsair_ dedicated to, iii. 223; _Notices, + etc._, _iv. 63_; _Life of Sheridan_, iv. 69, 73; _Lines on the Death + of Sh-r-d-n_, _iv. 74_; referred to in _Beppo_, iv. 183; Byron's + exclusiveness, _iv. 472_; calls Madame de Staël the Begum of + Literature, iv. 570; "Tracy" of _The Blues_, _ibid._; _M.P.; or, The + Blue Stocking_, _iv. 573_; _vii. 12_; on _Cain_, v. 204; _Loves of the + Angels_, v. 280, 281; _Fables for the Holy Alliance_, _v. 563_; "the + question of posterity," vi. 6; "flirtation with the muse of," vi. 75; + "Oft in the Stilly Night," _vi. 234_; _Fudge Family in Paris_, _vi. + 243_; _Fum and Hum, the Two Birds of Royalty_, _vi. 389, 451_; + "reigned before and after me," vi. 444; "Here's the Bower she lov'd so + much," vi. 447; on Byron's first rhymes, _vii. 1_; Byron's _Jeux + d'Esprit_ on, vii. 12, 16; his _noms de plume_, vii. 12; the "When + Rogers" incident, _vii. 17, 18_; on _The Devil's Drive_, _vii. 21_; + "Epigram," _vii. 22_; at Venice, _vii. 72_ + +Moors, expelled from Granada, ii. 47; Cadiz captured from, _ii. 77_ + +Moorzuk, _vi. 474_ + +Morat, battle of, ii. 255, 297; bones, ii. 298 + +Moravians, the, i. _305_, 322 + +Mordaunt, Miss, as "Ida" in _Werner_, v. 324 + +More, Mrs. Hannah, _Bas Bleu_, _iv. 176, 573_; _Coelebs in Search of a + Wife_, vi. 18 + +More, Sir Thomas, _iii. 265_ + +Morea, the, i. 457; iii. 83, 270, 447 + +Moreau, Jean Victor, vi. 14 + +Morelli, Cosimo, ii. 324 + +Morelli, Giacomo, ii. 324 + +Morelli, Abbate Jacopo, _Chronica iadratina seu historia obsidionis + Jaderæ_, _iv. 331_; _Monumenti Veneziani_, iv. 332, _456, 457_ + +Morena, ii. 55 + +Moreotes, the, _v. 556_ + +Morgan, Sydney, Lady (_née_ Owenson), _Woman, or Ida of Athens_; + _France_; _Italy_, ii. 187; _v. 158_; vi. 233; _Memoirs_, _iv. 587_ + +_Morgante Maggiore_, iv. 157, 279-309; vi. xvi, _184_ + +Morghen, Raphael, _iii. 314_ + +Moriah, the goddess of folly, _i. 82_ + +Morier, James, _A Journey through Persia_, i. 492, _500_ + +Morley, John, _Rousseau_, _ii. 266_ + +_Morning Chronicle_, _i. 319, 347, 444, 445, 489_; ii. xii, 212; iii. + _45, 46, 51, 55, 57, 58_, 79, 80, 151, 304, _315_, 377, _419, 431, + 435_, 532-534; _iv. 74, 177, 555-557, 559, 560_; v. _130_, 203, 539, + 540, _553, 556, 572, 578, 602_; _vi. 11, 437, 451_; vii. _13_, 14, + _23, 28, 32, 41, 86_, 88 + +_Morning Herald_, _vi. 179_ + +_Morning Post_, i. _31_, 34, _308, 309, 350, 351, 357, 358_, 441, _485_, + 489, 499; _ii. 397, 401_; iii. 534; _v. 544_; vi. 175, 452, 494; vii. + _6, 21_, 44, _66_ + +Mornington, Lady (Catherine Long), _i. 485_ + +Mornington, William Wellesley Pole, 3rd Earl of, _ii. 79_ + +Mornington, William Pole-Wellesley, 4th Earl of, i. 484 + +Morocco, vi. 198 + +Morosini, Conte Domenico, _Medea in Corinto_; _Giulio Sabino_, _iv. 456, + 457_ + +Morosini, Doge Francesco, ii. 165; _iv. 459_ + +Morrison, James, boatswain's mate on the _Bounty_, _Journal_, _v. 588, + 594, 622_ + +Morritt, J.B.S., _ii. 88_ + +Morven, Mount, i. 182, 191 + +Moscow, i. 487; Napoleon's retreat from, iv. 207; v. 551; _vi. 351_; its + clime, vi. 409 + +Moses, Michael Angelo's statue of, iv. 271, _273_; vi. 380 + +Moses, Henry, engraver of Canova's Works, _iv. 536_ + +Mossop, Henry, tragedian, i. 26 + +Mosti, Agostino (Tasso's gaoler), _iv. 146_ + +Mottley, John, _i. 301_ + +Moussine-Pousckine, Count Alexis Iwanowitch, vi. 307 + +Moustoxides (or Moustoxudes), Andreas, ii. 324; iv. _456_, 457; _Su i + Quattro Cavalli della Basilica di S. Marco in Venezia_, ii. 472 + +Moxon, _iv. 485_ + +Mozart, iii. 376; _vi. 586_; _Don Giovanni_, vi. xvi + +Muchtar, or Mukhtar, Pasha, of Berat, ii. 148; iii. 144; _vi. 244_ + +Mucia, Pompey's third wife, _vi. 139_ + +Mules, Italian name of bastards and foundlings, vi. 609 + +Muley, Abul Hacen, king of Granada, _iv. 530_ + +Mulgrave, John Sheffield, Earl of, i. 354 + +Müller, the artist, _vi. 321_ + +Müller, F. Max, _Sacred Books of the East_, _iii. 110_ + +Müllinen, _iv. 119_ + +Muncker, Thomas, Notes on the _Fabulæ_ of Hyginus, _vi. 535_ + +Munster, Duchess of, _iii. 299_ + +Müntz, Professor E., _ii. 424_; _Raphael_, _iv. 174_ + +Murad Effendi (Franz von Werner), iv. 329 + +Murat, Joachim, king of Naples and the Two Sicilies, ii. 90; iii. 432; + _v. 550_ + +Muratori, ii. 502; _Nov. Thes, Inscr. Vet._, _ii. 519_; _Italic. Rerum + Scriptores_, _iv. 332, 349, 352, 462_; _v. 134_ + +Murin, Tio, ii. 94 + +Murphy, Arthur, _Apprentice_, _vi. 601_ + +Murray, Dr. A.S., _History of Greek Sculpture_, _ii. 432, 441_ + +Murray, Joe, _i. 280_; _ii. 27, 52_; vii. 6 + +Murray, Rev. William, _i. 347_ + +Murray, A.H. Hallam, _iii. 60_; MS. of _Ich Dien_, vii. 36 + +Murray, John, I., _ii. 169_ + +Murray, John, II., Byron's letters to, i. _21, 208_, 293, _325, 411, + 421, 422_, 453, 475; ii. xii, _11, 15, 16, 22, 187_, 211, 212, _215, + 287, 304, 305_, 307, 311, 313, _324, 334, 343, 344, 359, 366, 369, + 370, 375, 381, 429, 453, 460, 461_; iii. xx, _32_, 75, 76, _102, 128, + 137_, 151, 155, _181, 187, 197-199, 206, 210, 270, 301_, 303, _308, + 312, 324, 435_, 443, _449, 468, 488, 519, 540, 544_; iv. 3, _21_, 31, + _36, 54_, 70, 79-81, _107, 126, 136_, 157, _162, 163, 165, 168, 174, + 182, 198, 214_, 237, 239, _245, 259_, 279, 280, 285, _304, 308_, 313, + 325-328, _332, 339, 340, 362, 366, 367, 431, 436, 447, 471_, 475, 478, + 479, _490, 536, 539, 542, 545, 549, 555_, 569; v. 3, _15, 64_, 115, + 201, 202, 204, _271, 272_, 279, 331, _367_; vi. xvi, xvii, _3, 4, 8, + 18, 52, 70, 75, 76, 87, 142, 153_, 160, _175, 210, 260, 263, 294, + 428_; _vii. 45, 47, 48, 62, 66, 69, 72, 77_; Byron's copy of + _Catullus_, _i. 75_; Byron's copy of _English Bards, and Scotch + Reviewers_, i. 291, 294; Byron on _Edinburgh Review_ of _English + Bards, and Scotch Reviewers_, i. 293; _Marmion_, i. _310_, 311; MS. + of:--_English Bards, and Scotch Reviewers_, _i. 354_; _Hints from + Horace_, i. 387, _390, 391-394, 397, 399, 405, 406, 408, 411, 412, + 414, 416, 418, 421, 426, 429, 430, 439-444, 448, 449_; _The Waltz_, + _i. 487, 488, 490, 492, 493, 496, 498, 501_; _Childe Harold_, ii. xvi, + xvii, _11, 71, 249, 327-330, 332-337, 339, 341-346, 352-354, 357-359, + 361, 363, 365, 368, 370, 371, 375, 377-382, 385, 388, 389, 391, 392, + 394, 398-401, 403, 404, 406, 407, 409, 410, 413, 415, 418, 427, 429, + 431-434, 436, 438-446, 448, 449, 453-456, 458-462_; _Poems of + 1809-1813_, _iii. 1, 2-4, 6, 12, 23, 24, 28, 61, 64, 65, 67-72_; + _Lara_, _iii. 335_; _Hebrew Melodies_, _iii. 382, 383, 388, 389_; + _Poems of the Separation_, _iii. 532, 540, 545_; _The Giaour_, iii. + 78; _Fare Thee Well_, iii. 532; _Morgante Maggiore_, iv. 281; + _Sardanapalus_, _v. 14, 15, 17, 19, 21, 31, 34, 38, 43, 47, 49, 52, + 54, 56, 58, 60, 66, 68, 70-72, 75, 76, 78, 84, 88, 89, 91, 93, 95, 97, + 102, 103, 109, 110_; _Two Foscari_, _v. 124-127, 132, 135, 137, 138, + 141, 148, 149, 159, 160-162, 165, 171, 175, 188, 192-194_; _Cain_, _v. + 219, 220, 228-230, 233, 234, 239, 240, 246, 252, 265_; _Werner_, _v. + 339, 368, 391, 406, 407_; _Age of Bronze_, _v. 571, 577_; _Don Juan_, + _vi. 35, 53, 58, 71, 72, 87, 159_; _La Revanche_, vii. 16; _E Nihilo + Nihil_, vii. 56; _The Ballad_, vii. 60; _Another Simple Ballat_, vii. + 62; _Lucietta_, vii. 81; _Song to the Suliotes_, vii. 84; accepts + _Childe Harold_, ii. x, xi; suppression of stanzas in _Childe Harold_, + _ii. 65_; Byron on _Quarterly Review_ and Lady Morgan's _France_, _ii. + 187_; Shelley and the _Childe Harold_ MS., ii. 211; purchase of + _Childe Harold, Canto III._, ii. 212; his compliment to Lady Byron, + _ii. 288_; the Morat bones, ii. 298; Byron's autograph MSS., _iii. + 411, 419, 425_; bears testimony to Byron's genius, iii. 444; Scott's + letter on _Cain_ dedication, _v. 206_; declines _Don Juan_, vi. xvi; + the stanzas on Castlereagh in _Don Juan_, _vi. 8_; copyright of _Don + Juan, Canto XVII._, _vi. 608_; Hammond his "chief 4-o'clock man," + _vii. 49_; the offer of Madame de Staël's _Considérations sur la + Révolution Française_, _vii. 49_; his share in _Blackwood's Edinburgh + Magazine_, vii. 51, 57; his "columns," vii. 55; _Navy List_, vii. 57; + Mrs. Rundell's _Domestic Cookery_, _ibid._; bookseller to the + Admiralty, and the Board of Longitude, vii. 58; Gally Knight, vii. 59, + 62; his offer of £2000 to Byron, _vii. 77_ + +Murray, John, III., dedication of _Marino Faliero_ to Goethe, iv. 328, + _340_; MS. of _Werner_, v. 326 + +Murray, John, IV., _iii. 66_ + +Murray, Sir George, _vi. 374_ + +_Murray_ v. _Benbow and Another_, v. 204 + +Murray's Handbooks--_Central Italy_, _ii. 373, 380_; _iv. 275_; + _Constantinople_, _vi. 220_; _Greece_, _ii. 117, 125, 157, 166, 189_; + _Northern Italy_, _ii. 372_; _iv. 336, 392, 430_; _Rome_, _ii. 389, + 403_; _iv. 271, 273_; _Switzerland_, ii. 306; _iv. 98_ + +_Murray's Magazine_, _ii. 229_; iii. 319, _324_; vii. 10, 69, 85, 86 + +_Musæ Etonenses_, _i. 336_ + +Musæus, _De Herone atque Leandro_, _iii. 178_ + +Musca, ii. 89 + +Musk-bull, vi. 478 + +Mussulmans, Albanian, ii. 144; their devotion, ii. 302 + +Musters, John, _i. 210_ + +Musters, Mrs. Chaworth. _See_ Chaworth, Mary Anne + +_My Boy Hobbie O._, vii. 66 + +_My Epitaph_, _iii. 38_; vii. 10 + +_My Grandmother's Review_, _iv. 578_ + +Myrina, Queen of the Amazons, v. 5 + +Myrrha, a character in _Sardanapalus_, v. 12 + +_My soul is dark_, iii. 389 + +_Mystery Plays_, v. 207 + + + +N + +Nabopolassar, _v. 107_ + +Nadir Shah, or Thamas Kouli Khan, vi. 384 + +Naef, A., _Guide to the Castle of Chillon_, _iv. 14, 15, 19_ + +Nahum, _v. 4_ + +Naldi, Giuseppe, i. 346 + +Nani, Bartolommeo, v. 115 + +Nani, Maria or Marina, v. 115 + +Napier, _History of the Peninsular War_, _i. 469, 470_; ii. _53, 54_, + 87, 90-94 + +Napoleon Buonaparte, his snuff-box, _i. 355_; vii. 77 mentioned in + _Hints from Horace_, i. 410; the affair of Copenhagen, _i. 468_; + "Buonaparte's fiat," i. 487; fall of Hamburg, _i. 488_; "then flamed + of Austerlitz the blest despatch," _i. 489_; unwhiskered, _i. 493_; + repulsed at Vimiera, _ii. 39_; "to swell one bloated chiefs + unwholesome reign," ii. 56; abdication of Ferdinand VII., _ii. 78_; + invasion of Spain, ii. _82_, 90; blockade of Corfu, _ii. 193_; + Shelley's _Feelings of a Republican on the Fall of Buonaparte_, _ii. + 227_; "there sunk the greatest, nor the worst of men," etc. (_Childe + Harold_), ii. 238-241, 294; his star, ii. 270; the Horses of St. Mark, + _ii. 336_; the Venus de' Medici, _ii. 365_; Coleridge on, _ii. 397_; + described by Pitt as "the child and champion of Jacobinism," etc., + _ii. 400_; v. 544; a prisoner, _ii. 453_; "Waterloo," _ii. 459_; vi. + 539; and Mrs. Spencer Smith, _iii. 4_; his abdication, iii. 303; _Ode + to_, iii. 305-315; his _Farewell_, iii. 427, 428; "crushed by the + Northern Thor," iv. 179; the retreat from Moscow, _iv. 207_; vi. + _351_, 352; _Werther, v._, _iv. 342_; his reply to the Venetian + envoys, iv. 456; Scott's _Life of_, _iv. 456_; crowned king of Italy, + iv. 458; his death, iv. 489; Hazlitt on, iv. 570; at St. Helena, v. + 537, 538 (see also _The Age of Bronze_); his grave, v. 548; his wife + Marie Louise, _v. 576_; causes his soldiers to be vaccinated, _vi. + 50_; takes Missouri from the Spaniards, _vi. 349_; and the sculptor + Bartolini, _vi. 360_; in _Don Juan_, vi. 377; his cancer, vi. 378; + "Ceres fell with Buonaparte," vi. 383; his blue eyes, vi. 396; "Ah! my + old Guard," vi. 418; "Where is Napoleon the Grand?" vi. 450; "shrink + to a Saturn," vi. 452; and the Comte de Montrond, _vi. 507_; "Ausu + Romano, ære Veneto," _vi. 590_; his escape from Elba, vii. 41 + +_Napoleon Buonaparte, Ode to_, _ii. 187, 238_; iii. 305-315; iv. 49, + 269; vi. 12 + +_Napoleon's farewell_, iii. 427; _iv. 111_ + +_Napoleon's Snuff-Box_, vii. 77 + +Napoli di Romania, iii. 447 + +Nardini, F., _Roma Vetus_, ii. _510_, 511, _513, 515_, 517 + +Nash, the architect, _i. 349_ + +Nash, Edward, artist, iv. 475 + +Nasoni, Giovanni Gradenigo, iv. 465 + +Nathan, Isaac (_Hebrew Melodies_), iii. 375; _Fugitive Pieces_, iii. + 376, _381, 383, 387, 388, 390, 400_ + +National Gallery, _i. 472_ + +_National Intelligencer_ (U.S.A.), _iii. 297_ + +Nauck, A., _Incert. Fab. Fragm._; _Trag. Græc. Fragm._, _iv. 264_ + +Naupli, Gulf of, _i. 457_ + +Navagero, Andrea, _Storia della Republica Veneziana_, iv. 326, 332, + _349, 463_; v. 115 + +Neapolitan Government, v. 574 + +Nebuchadnezzar, Nabuchadonosor, vi. 235, _236_ + +Nectanebus II., _v. 543_ + +Negropont, the, iii. 173 + +Neipperg, Count Albert Adam de, _iii. 311_; v. 539, 576 + +Nekir and Monkir, inquisitors of the dead, iii. 121 + +Nelson, vi. 14 + +Nemesis, ii. 426, 518, 519 + +Nemi, village of, ii. 454 + +Nemours, Gaston de Foix, Duc de, _i. 107_; vi. 212 + +Neoptolemus, or Pyrrhus, v. 577 + +Nepos, Cornelius, _Epam._, _vi. 376_ + +Nepos, Emperor, iii. 301 + +Neptune, v. 616; vi. 130 + +Nereus, iv. 243 + +Nero, Emperor, _i. 349_; ii. _408, 409_, 472; iv. 124; v. 606; vi. 181 + +Nero, the Consul, v. 606 + +Nerva, _ii. 412_ + +Nervii, the, _vi. 339_ + +Nesselrode, Count, v. 539; _vii. 39_ + +Nessus, robe of, vi. 447, 575 + +Neuhaus, _iv. 119_ + +Neuman, Johannes Christiaan (A. van Amstel), iv. 5 + +Neumann, i. 476 + +Neva, _vi. 475_ + +_New English Dictionary_, _i. 314_; ii. _4, 57, 70, 122, 146_, 172, 181, + _205_, 294, _325, 385_; _iii. 113, 157_; _iv. 13, 166, 171, 172, 445_; + _v._ 228; _vi. 68, 208, 316, 473, 487, 550, 567_ + +New Grenada, _v. 555_ + +_New Monthly Magazine_, i. 452, 453; _ii. 366_; _iv. 65, 552, 564_; v. + 282, 584; vi. xx + +New Orleans, _iii. 296_ + +_New Plan of the Town of Nottingham, A_, _vii. 1_ + +New South Wales, insurrection (1805) in, _v. 588_ + +_New Testament_, v. 208 + +_New Vicar of Bray, The_, vii. 78 + +Newbury, battle of, _i. 3, 121_ + +Newcastle, Duke of, _i. 457_ + +_Newcastle Herald_, _i. 373_ + +Newstead Abbey, i. 1, 116, 256, _280_; _ii. 16_; iii. 27; the lake at, + iv. 60; description of, vi. 495 + +_Newstead MS._, _i. 47, 79, 82, 87, 91, 129, 130, 147-150, 153, 155, + 159-162, 164-168, 174-178, 181, 182, 185-188, 212, 213, 217, 220, 226, + 228, 229, 231, 233, 240, 242, 244, 247, 253-256, 258, 262, 263_ + +Newton, Professor A., _iii. 130_ + +Newton, Sir Isaac, iv. 47; vi. _303_, 400 + +Newton, D.D., Thomas, _Life of Milton_, _vi. 146_ + +Ney, Michel, Duke of Elchingen, _vi. 373_ + +Nicholas III., iii. 503 + +Nicholle, or Marinet, M., vi. 373, _374_ + +Nicholls, Colonel E., _iii. 298_ + +Nichols, John, editor of Hardinge's _Miscellaneous Works_, _vi. 508_ + +Nichols, Mrs. (Harriet Maltby), i. 129, 263 + +_Nicnac_, iii. xxi; vii. _41_, 42 + +Nicolo III. (d'Este) of Tuscany, _ii. 354_ + +Nicopolis, ii. 128, _148_, 179 + +Niebuhr, _vi. 122_ + +Niger, delta of the, iv. 515 + +Nightingale and the rose, iii. 86; v. 428, 612 + +Niketas, Greek general, _v. 556_ + +Nile, v. 550 + +Nimrod, v. 14, 18, 28, 36, 58; vi. 235, _236_ + +_Nineteenth Century_, iv. 5; v. 326, 329 + +Nineveh, fall of, v. _4, 13_, 25; vi. 348 + +Ninus, king of Assyria, _v. 11_ + +Ninya, _v. 79_ + +Niobe, ii. 389 + +Nisbet, Mary (Lady Elgin), _i. 463_ + +Nisbet, William Hamilton, _i. 463_ + +Nisus, _i. 151, 175_; _ii. 387_ + +Nitrous oxide gas, _i. 307_ + +Nizam Gedidd, new Turkish ordinance, ii. 207 + +Noah, i. 325; v. 284 + +Noble, Rev. Mark, continuation of Granger's _Biographical History of + England_, _iii. 298_ + +Noel, Captain the Hon. F.L. King, _iv. 159_ + +Noel, Lady, vi. 274; vii. 75 + +Noel, Lady Anna Isabella (Scawen Blunt), _ii. 215_ + +Noel, Hon. Elizabeth, _i. 437_ + +Noel, Hon. Roden, _Life of Lord Byron_, ii. xiii; _ii. 117_; _iii. 18_ + +Nogaret, _v. 554_ + +Nonius Marcellus, ii. 92 + +Norbury, Mr., private secretary to Lord Granville, _vii. 36_ + +Norbury, Hon. Mrs., _vii. 36_ + +Nordlingen, battle of, _ii. 186_ + +Norfolk, Charles Howard, 11th Duke of ("Jockey of Norfolk"), vii. 28 + +Normanby, John Sheffield, Marquis of, i. 354 + +North, Lord, _i. 500_ + +Norton, Mrs., _i. 343_ + +Nossa Señora da Peña, Convent of, ii. 35, 85 + +Notaras, ii. 203 + +_Notes and Queries_, _ii. 430, 460_; _iii. 72_; _iv. 15, 46, 75, 530, + 533_; _vi. 483_; _vii. 59_ + +Nott, Dr. George Frederick, Prebendary of Winchester and Salisbury, vii. + 78 + +Notti, Signori di, iv. 465 + +_Nouveau Dictionnaire de l'Économie Politique_, _vi. 461_ + +_Nouvelle Biographie Universelle_, _iii. 311_; _v. 499_ + +_Novelists Magazine_, _iv. 519_ + +Novi, battle of, _vi. 14_ + +Nugent, _vi. 175_ + +Numa Pompilius, _ii. 416_; vi. 24 + +_Numbers_, _ii. 271_ + +Nunez, translation of de Quevedo's _Sueños, etc._, _iv. 484_ + +_Nuovo Archivio Veneto_, iv. 327, _331, 332, 349, 403, 462_ + +Nympholepsy, ii. 415 + + +O + +Oakes, Major-General Hildebrand, iii. 25 + +Oaths, British and Continental, vi. 440 + +_Observations upon Observations_, v. 537; _vii. 75_ + +_Observer_, _i. 414_ + +_Occasional Pieces_ (_Poems_, 1809-1813; _Poems_, 1814-1816), _ii. 37_; + iii. xix + +_Occasional Poems_, _iii. 449_ + +_Occasional Prologue previous to the Performance of the Wheel of + Fortune_, i. 45 + +Ocellus Lucanus, _De Universi Naturâ_, ii. 198 + +Ochakof, siege of, _vi. 313_ + +Ockham, Viscount, _ii. 215_ + +O'Connell, Daniel, iv. 559 + +Odalisques, ladies of the Seraglio, vi. 277 + +_Ode from the French_, _ii. 227_; iii. 431; _iv. 110_; _vi. 266, 373_ + +_Ode on the Death of Sir Peter Parker_, iii. xix, 417 + +_Ode on Venice_, _ii. 338_; iii. xix; iv. 193, 203, _458_ + +_Ode to a Lady whose lover was killed by a ball, which at the same time + shattered a portrait next his heart_, iv. 552; _vi. 144_ + +_Ode to Napoleon Buonaparte_, _ii. 187, 238_; iii. 305-315; _iv. 49, + 269_; _v. 519_; _vi. 12, 348_ + +_Ode to the Framers of the Frame Bill_, vii. 13 + +_Ode to the Isle of St. Helena_ (spurious), iii. xx + +Oder, river, v. 348 + +Odessa, vi. 264 + +O'Doherty, parody of the "Pisa letter," v. 204; _Miscellanies_, v. 326 + +Odysseus, _iii. 272_ + +OEdipus, ii. 93, _431_ + +Ogilvy, _i. 314, 403_ + +Ogle, Sir Chaloner, _vii. 48_ + +_Oh, Shame to thee, Land of the Gaul_ (spurious), iii. xx + +_Oh! snatched away in beauty's bloom_, iii. 388 + +_Oh! weep for those_, iii. 385 + +_Old Testament_, _iii. 187_; v. 199, 279 + +Oliphant, Mrs., _Annals of a Publishing House_, iii. 444 + +Olivier, G.A., _iii. 13_; _Voyage dans l'Empire Othoman_, _iii. 188_ + +Ollah, a Turkish cry, iii. 168 + +Olympias, mother of Alexander the Great, _ii. 123_; _v. 543_ + +Olympieion, Temple of Zeus Olympius, _i. 462_; ii. 167 + +Olympus, Mount, ii. 286 + +Olytsika, Mount (ancient Tomarus), ii. _132_, 182 + +Omar Khayyám, Rubáîyát, _iii. 87, 109_ + +Ombre, the game of, iv. 507 + +O'Meara, Dr. Barry Edward, _Napoleon in Exile, or a Voice from St. + Helena_, v. 537, 540, _544-547_ + +_Omegarus and Syderia_, _iv. 42, 43_ + +_On a change of Masters at a Great Public School_, i. 16, _84, 91_ + +_On a Cornelian heart which was broken_, iii. 48 + +_On a distant view of the village and school of Harrow-on-the-Hill_, i. + 25 + +_On a Royal Visit to the Vaults_ (_Windsor Poetics_), vii. 36 + +_On being asked what was the "Origin of Love"_, iii. 65 + +_On finding a Fan_, i. 253 + +_On Jordan's banks_, iii. 386 + +_On leaving Newstead Abbey_, i. 1; _vi. 499_ + +_On Lord Thurlow's Poems_, vii. 17 + +_On Moore's last Operatic Farce or Farcical Opera_, vii. 12 + +_On my Thirty-Third Birthday_, vii. 73 + +_On my Wedding-Day_, _ii. 322_; vii. 64 + +_On Napoleon's Escape from Elba_, vii. 41 + +_On Parting_, iii. 23 + +_On revisiting Harrow_, i. 259 + +_On the Birth of John William Rizzo Hoppner_, vii. 54 + +_On the Bust of Helen by Canova_, iv. 536 + +_On the day of the Destruction of Jerusalem by Titus_, iii. 401 + +_On the death of a Young Lady, Cousin to the Author, and very dear to + Him_, i. 5 + +_On the death of Mr. Fox_, i. 34 + +_On the death of the Duke of Dorset_, iii. xxi, 425 + +_On the eyes of Miss A---- H----_, i. 244 + +_On the Morning of my Daughter's Birth_ (spurious), iii. xx + +_On the Quotation "And my true faith can alter never, / Though thou art + gone perhaps for ever"_, ii. xxi, 65 + +_On the Star of "The Legion of Honour"_, iii. 436 + +_On this day I complete my thirty-sixth year_, vii. 86 + +_One struggle more, and I am free_, iii. _31, 32_, 36 + +O'Neill, Miss Elizabeth (afterwards Lady Becher), actress, _ii. 331_; + _iv. 338_; vii. 50 + +Opera Comique, _i. 413_ + +Opie, Mrs., _The Warrior's Return_, _iii. 424_ + +_Oracle, The_, _i. 358_ + +Orange, Prince of, _iv. 197_ + +Orazio, _alias_ Celio de' Malespini, _iv. 144_ + +Orbe, Madame, ii. 304 + +Orchomenus, iii. 15 + +O'Reilly, Count Alexander, vi. 56 + +Orestes, _i. 175_; ii. 427 + +Orford, Lord (Horace Walpole), _Reminiscences_; _Works_, _iii. 209_; + _iv. 340_; _Memoirs ... of George II._, vii. 76 + +_Oriental Antiquities_, _ii. 136_ + +Orla, i. 177 + +Orleans, Duke of, _ii. 282_; iv. 334 + +Orlow (Orloff), General, _vi. 314, 353, 354_ + +Ormsby, John, translation of _Don Quixote_, ii. 178 + +Orosius, _Hist._, ii. 179, _392_, 512 + +Orpheus, i. 437, 484; ii. 11; vi. 173 + +Orsini, the, _v. 576_ + +O'Ruarc, Dervogilla, iv. 334 + +O'Ruarc, Tiernan, _iv. 334_ + +Orthodoxy, _vi. 267_ + +_Oscar of Alva_, i. 131; _ii. 343_ + +Ossian, _Poems_, i. 1, 116, 177, _183, 191_, 229; _iii. 100, 115, 389, + 416, 426_; _iv. 126_; vii. 2 + +_Ossian's Address to the Sun in "Carthon"_, i. 229; _iv. 126_; vii. 2 + +Ossory, John, 1st Earl of, _i. 500_ + +Otaheite (Tahiti), v. 582-584, _588_ + +_Othello_, i. _340_, 342; iii. _131_, 313, 540; _iv. 164_; vi. 271, + _379, 502_, 543 + +Otho, _v. 63, 64_ + +Otway (_Venice Preserved_), i. 306, 345; ii. 331, 342; iv. 325, 326, + _454_; _vii. 57_ + +Ouchy, iv. 3 + +Oude, Begum of, iv. 72 + +Outalissi, _i. 430_ + +Ovid, i. 437; _v. 573_; vi. 26, 139, 218; _Metamorph._, _ii. 13_; _iii. + 199_; _v. 570_; vi. 38, _177, 235_, 273, _535_; _vii. 9_; _Amor._, ii. + _31, 367_, 509; _v. 289_ _Fasti_, _ii. 255_, 515; _iv. 164_ + _Heroïdes_, iii. 178; _vi. 447, 575_ + +Owen, Rev. E.C. Everard, _ii. 82, 157_, 172, _335_ + +Oxenstiern, Chanc. Axel, vi. 531 + +Oxenstiern, John, _vi. 531_ + +Oxford and Mortimer, Edward, 5th Earl of, _ii. 11_ + +"Oxoniensis" (Rev. J.H. Todd), v. 202 + +_Oziosi_, the, a literary society at Florence, _i. 358_ + + + +P + +Pacchierotti, _vi. 207_ + +Pacciaudi, ii. 472 + +Pactolus, v. 487 + +Padua, _iv. 262, 386_ + +Page, Mrs. Anne, _vi. 442_ + +Paine, Tom, vii. 65 + +Palæopolis, _iii. 184_ + +Palafox, ii. 78, 94 + +Palampore, a flowered shawl, iii. 117 + +Palatine, Rome, ii. 407; iv. 257 + +Palazzi, _Fasti Ducales_, _v. 124, 195_ + +Paley, _vii. 32_ + +Palgrave, Sir Francis (formerly Cohen), translation of _Old Chronicle_ + (Marino Faliero); _Rise and Progress of the English Constitution_; + _History of the Anglo-Saxons_, iv. 462 + +Palikar, general name for Greek and Albanese soldiers, ii. 144, 183 + +Pallas Athene, vii. 12 + +Palmer, E.H., _Sacred Books of the East_--translation of the Qu'rân, + _iii. 110, 181, 195, 206_ + +Palmerston, Lady (Cowper), _i. 301_ + +Palmerston, Lord, i. 57, 476 + +Pambotis, lake of Yanina, ii. 179 + +Pan, vi. 130 + +Pandion, king of Attica, _iv. 287_ + +Pandora, i. 285 + +_Pandora_, wreck of the, _vi. 96_ + +Panizzi, Preface to the _Orlando Innamorato_ of Boïardo, iv. 281 + +Pantaloni, nickname of the Venetians, _ii. 339_ + +Pantheon, Rome, ii. 435 + +Pantisocracy, iv. 521; vi. 174 + +Panvinius, _ii. 392_ + +Paphos, ii. 19, 63 + +Paracelsus, _v. 208_ + +Parcæ, the, vi. 220 + +_Parenthetical Address_, iii. 55 + +Parga, pirates of, ii. _145_, 146, 147; vi. 171, _172_ + +Paris, Treaties of, ii. _342_, 402; _v. 550, 576_; Allied Army in, _iii. + 431_; v. 553 + +_Parisina_, _ii. 113, 288, 354_; iii. 377, 443, 505-548; _iv. 35_, 141, + 215; v. 326 + +Park, Mungo, _Journal of a Mission to the Interior of Africa_, _v. 631_ + +Park Theatre, New York, _Werner_ at, v. 324 + +Parker, Charlotte Augusta (_née_ Byron), _iii. 417_ + +Parker, Christopher, _iii_. 417 + +Parker, Margaret, i. 5 + +Parker, Rev. J., translation of Dionysius' _Celestial Hierarchy_, _v. + 286_ + +Parker, Bart., Sir Peter, _i. 5_; iii. 417 + +Parkins, Miss Fanny, _vi. 578_ + +_Parliamentary Debates_, _i. 412_; _v. 545_; _vi. 69, 506, 549_ + +_Parliamentary History_, _i. 412_ + +Parma, Alessandro Farnese, Duke of, _iv. 262_ + +Parma, University of, _ii. 354_ + +Parnassus (Liakura), i. 426; ii. 60-62, 92, 129, 186; iii. 113, 464 + +Parnell, _Vigil of Venus_, _i. 317_; _ii. 279_ + +Paros, island, iii. 273 + +Parrot, Professor Friedrich, _Journey to Ararat_, _v. 294_ + +Parry, Sir Edward, _Voyage in 1819-1820 in Search of a North-West + Passage_, iv. 496; vi. 51, _478_, 491, 521 + +Parsons, William, _i. 358_ + +Parthenon, Athens, i. 454, 455, _462, 463_; ii. 166, 172 + +Parthians, the, _ii. 412_ + +Parton, James, _Life and Times of Benjamin Franklin_, _v. 554_ + +Pascal, _vi. 379_ + +Pasiphae, vi. 126 + +Pasqualigo, Nicolò, _iv. 456, 457_ + +Pasqualigo, Orio, _iv. 432_ + +Pasqualino, _iv. 171_ + +Pasquin, v. 471 + +Passavant, J.D., _Raphael of Urbino_, _iv. 174_ + +Paswan Oglou, iii. 188 + +Paterculus, C. Vell., _Hist._, _ii. 492_ + +Paternoster Row, iv. 574; vii. 9 + +Paterson, Sir John, _iii. 301_ + +Patras, ii. _124_, 178 + +Patroclus, _i. 175_; _ii. 462_; _vi. 117_, 204 + +Patterson, Commander Daniel, _iii. 298_ + +Paul, Czar, _vi. 333_ + +Paul III., Pope, _ii. 411_; _iii. 122_; _iv. 270_ + +Pausanias, king of Sparta, and Cleonice, iv. 108 + +Pausanias, the Sophist, ii. 85; _Laconica_, _iv. 108, 566_; _Descriptio + Gratiæ_, _v. 526_ + +Pauw, Cornelius de, _Recherches philosophiques sur les Grecs_, _i. 414_; + ii. 191, 194-196 + +Pavia, battle of, _v. 503_ + +Payne, J., _i. 356_ + +Paxos, _ii. 193_ + +Pazig, Christianus, _Magic Incantations_, _v. 289_ + +Peachey, or Peachie, _i. 208_ + +Peacock, "that royal bird, whose tail's a diadem," vi. 326 + +Peacock, Thomas Love, _ii. 355_; iv. 3, _18_, 475; _Melincourt_, iv. + 569, _574_; _Nightmare Abbey_, iv. 569 + +Pearson, John, _vii. 14_ + +Pearson's _Cautions, etc._, _i. 417_ + +Pedro III., Portugal, _ii. 43_ + +Peel, Sir Robert, _v. 572_ + +_Peggy_, wreck of the American ship, _vi. 103_ + +Pelagius, ii. 89 + +Pelayo, ii. 46; v. 558 + +Peleus, _v. 488_ + +Pelican, the, iii. 130 + +Pellegrino, _Caraffa_, _ii. 486_ + +Pemberton, _vi. 400_ + +Peña, Convent of Nossa Señora da, ii. 35, 85 + +Penelope, ii. 124 + +Peninsular War, i. 469; _iii. 416_ + +Pennant, Thomas, _Some Account of London_, _vi. 435_ + +Pentelicus, Mount (Mount Mendeli), ii. 186 + +Penthesilea, Queen of the Amazons, v. 526 + +Perceval, Spencer, i. _28, 471_, 472, _496_, 497; _ii. 79_; _vii. 28_ + +Percy's _Reliques_, _i. 317_; _ii. 22_ + +Pericles, i. 462; ii. 190 + +Perkinean Institution, London, _i. 308_ + +Perkins, Benjamin Charles, his metallic tractors, _vi. 50_ + +Perrier, M. Casimir, _Opinions et Discours_, _v. 566_ + +Perry, editor of _Morning Chronicle_, iii. 532; vii. _37_, 44 + +Persians, capture Teos, _vi. 171_; "taught three useful things," vi. 572 + +_Persius_, _i. 304_; _ii. 201_ + +Peru, Independence of, _v. 556_; vi. 457 + +Pescara, Ferdinando Francesco dagli Avalos, Marquis of, _iv. 262_ + +Peter the Great, iv. 202; _v. 564_; vi. 381 + +Peter III., vi. 388 + +Peter Pindar. _See_ Wolcot, Dr. + +Peterborough, Lord, _i. 484_; _v. 576_ + +Peterborow, Henry Mordaunt, Earl of, _iv. 504_ + +Peterwaradin, battle of, _iii. 455_ + +Petrarch, i. 108; ii. 350-353, _365_, 371, 372, _415, 424_, 478, + 501-503; iv. 239, 265; and Laura, ii. 480-484; vi. 145; on the + conspiracy of Marino Faliero, iv. 468; "the Platonic pimp of all + posterity," vi. 218 + +Petronius, "Arbiter Elegantiarum" to Nero, i. 349; _Satyricôn_, vi. + _380_, 602 + +Pettigrew, T.J., _vi. 497_ + +Petty, Lord Henry (afterwards Marquis of Lansdowne), i. 31, 57, 340, + _471_ + +Peucker, Dr. Karl, _Griechenland_, ii. xxiv + +Phædra, vi. 254 + +Pharnaces II., _ii. 398_ + +Phelps, as "Jaffier" in _Venice Preserved_, ii. 331; as "Manfred," iv. + 78; as "The Doge" in _Marino Faliero_, iv. 324; as "Werner," v. 324 + +Phelps, Edmund, as "Ulric" in _Werner_, v. 324 + +Phidias, i. _378_, 454; iv. 270 + +_Philadelphia Record_, vii. 62 + +Philanthes, _ii. 485_ + +_Philanthropist, The_, _ii. 554_ + +Philemon, _vi. 186_ + +Philip of Macedon, i. 56; ii. 166; _v. 543_ + +Philip II. of Spain, ii. 504; _iii. 299, 309_ + +Philippi, battle of, _iv. 386_ + +Philips, Ambrose, _Epistle to the Earl of Dorset_; _Pastorals_, i. 418 + +Phillips, Josiah, printer and publisher of _The Authentic Memoirs of + the Court of England for the last Seventy Years_, _vii. 31_ + +Phillips, J.O. Halliwell, reprints _Ludus Coventriæ_, _v. 207_ + +Phillips, Miss, as "Zarina" in _Sardanapalus_, v. 2 + +Phillips, Sir Richard, _Personal Tour through the United Kingdom_, iv. + 32 + +Philo, v. 281 + +Philo Byzantius, _De Septem Orbis Miraculis_, _ii. 441_ + +Philomela, iv. 287 + +"Philo-Milton," _Vindication of Paradise Lost from the charge of + exculpating Cain_, v. 202 + +Phingari, the moon, iii. 108 + +Phocas, column of, ii. 410 + +Phoenix, _vi. 117_ + +Phrosine or Frosini, _iii. 145_ + +Phyle, Fort, ii. 150, 185, 189 + +Piazza, the, Covent Garden, iv. 160 + +"Pibroch" confused with "bagpipe," i. 133, 134, 136, 140 + +Picadores, horsemen, _ii. 68_ + +Pickersgill, Junior, Joshua, _The Three Brothers_, v. 469, 470, 473 + +Picton, General, ii. 293 + +_Pignus Amoris_, i. 231, _240, 241_; _ii. 458_; _iii. 48_ + +Pigot, Miss Elizabeth B., i. _41, 45_, 47, _66, 129, 210, 233, 258, + 264_, 293, _406_ + +Pigot, Mrs., _i. 239_; vii. 8 + +Pigot, J.M.B., i. xi, xiv, _45_, 63, _213_; _vi. 30_ + +_Pilgrimage to the Holy Land_ (spurious), iii. xx + +Pilgrim's Oak at Newstead Abbey, _vi. 497_ + +Pillans, Professor James, i. _306_, 337 + +Pilsen, _v. 340_ + +Pindar, i. _337_, 465, _490_; ii. 93; vi. 168 + +Pindemonte, Ippolito, ii. 324; iv. 245, _457_; v. 562 + +Pindus mount (Monte Metsovo), ii. 126, 129; iii. 7 + +Pinel, M., _Sur l'Insanité_, _ii. 447_ + +Pineta of Ravenna, the, vi. 178, 180 + +Piombi, the (Venice prisons), iv. 363; _v. 148_ + +Piozzi, Mrs., _i. 358_ + +Piræus, ii. 362 + +Pisa, Byron's household at, _v. 348_ + +Pisani, Nicolò, _iv. 356_ + +Pisani, Vettor, ii. 477, 497 + +Pisistratus, ii. 167 + +Pisse Vache, or Salanfe, _ii. 383_ + +Pitcairn Island, v. 582-584. _See_ also _Island, The_ + +Pitiscus, _ii. 509_ + +Pitt, William, appoints Mansel Master of Trinity College, Cambridge, _i. + 28_; "rules the hour," i. 31; "expired in plenitude of power," i. 34, + _57_; Sayer's _Elijah's Mantle_, i. 294, _356_; mentioned in _English + Bards, and Scotch Reviewers_, i. 377; in _Hints from Horace_, i. 395; + "heaven-born," i. 486; the "heavy news" of Austerlitz, _i. 489_; his + description of Napoleon, _ii. 400_; _v. 544_; Sheridan's speech on the + Begum of Oude, _iv. 72_; one of "the wondrous _Three_," iv. 75; George + III. and Catholic Emancipation, _iv. 503_, "with Fox's lard was + basting William Pitt," iv. 511; his grave in Westminster Abbey, v. + 541; "The Pilot that weathered the storm," v. 568; _vi. 482_, refusal + to accept £100,000 from the merchants of London, vi. 376; "Chatham + gone," vi. 478; "so like his friend Billy," vii. 28; Byron's _Epitaph + for_, vii. 64 + +Pitt and Grenville Acts, the, iv. 512 + +Pius VII., Pope, Napoleon's snuff-box, _vii. 78_ + +Pizarro, Francisco, ii. 81; v. 555 + +Pizarro, Hernando, ii. 81 + +Pizarro, Juan Gonzalo, ii. 81 + +Plancus, _ii. 492_ + +Platæa, battle of, ii. 294; _iv. 108_ + +Plato, i. 414; _ii. 169, 196, 325_; _v. 485_, vi. 46, 303, 568, 585 + +Plato, the comic poet, _iii. 85_ + +Plato's _Epitaph_, i. 18; iii. 136 + +Platonic love, vi. 396, 397 + +Platow (Platoff), General, _vi. 353_; _vii. 39_ + +Plattsburg Bay, battle of, _vi. 508_ + +Plautus, _Truculentus_, vi. 548 + +Playfair, Dr., _vii. 52_ + +Pliny, _Hist. Nat._, _ii. 31, 378, 379, 384, 432, 437, 441, 445, 488_; + _vi. 220, 236, 563_; _Epist._, _ii. 380_; _Panegyricus_, _ii. 412_ + +Plum, a, = £100,000, i. 425 + +Plumptre, E.H., D.D., _Commedia, etc._, _v. 562_ + +Plumptre, E.J., and Gallehault, _iv. 320_ + +Plunket, Catholic Emancipation Bills, _v. 569_ + +Plutarch, _Lives_, _i. 467_; ii. 123, 179, _341, 393, 405, 518_; _iii. + 85, 180, 311_; _iv. 108, 251, 264, 339, 352, 386, 423, 446_; v. 4, 5, + _21, 72, 486, 487, 506_; _vi. 139, 226, 339, 348, 376, 404, 461, 477, + 547_; _Scripta Moralia, etc._, _ii. 335_; _v. 619_; _vi. 479_ + +Po, the river, iv. 545 + +Pococke, Edward, _Notæ Miscellaneæ_, _iii. 109, 121_ + +_Poems 1814-1816_, iii. 409-438 + +_Poems 1816-1823_, iv. 529-566 + +_Poems of July-September, 1816_, iv. 29-65 + +_Poems of the Separation_, iii. 537-546 + +_Poems on his Domestic Circumstances_, i. 452, 453; iii. xx, _24_ + +_Poems on Various Occasions_, i. xi, xii, _1, 3, 18, 20-22, 27, 29, 31, + 32, 38, 41, 46, 47, 52-54, 57, 58, 60, 62, 63, 65, 70, 74_, 76-116, + _82-84, 89, 91, 96, 99, 101, 102, 104, 110, 112, 113, 115, 116, 118, + 122, 123, 125, 151, 152_ + +_Poems Original and Translated_, i. xii, _31, 126, 127, 147, 149, 168, + 171, 184, 187, 189_, 191-208, _354, 374_; iv. 281 + +Poet's Corner at Newstead Abbey, _vi. 498_ + +Poggio, _De Fort. Var._, _ii. 364, 365, 403_ + +Point Lividia, _iii. 248, 249_ + +Pola, battle of, ii. 476 + +Poland, partition of, v. 500, 551; and Alexander I., _v. 563_ + +Polenta, Guido Novello da, ii. _371_, 494 + +Polenta, Guido Vecchio da, Lord of Ravenna, _iv. 316_ + +Polidori, Dr. J.W., _i. 318_; _iv. 40_; vii. 47 + +Polidori, G., _iv. 143_ + +_Political Eclogues_, _i. 395_ + +Political Economy Club, vi. 480 + +_Political Miscellanies_, _i. 395_ + +_Political Ode by Lord Byron, hitherto unknown as his production_, _vii. + 14_ + +Polixena, v. 488 + +Poliziano, _ii. 365_; iv. 280 + +Polozk (Polouzki), vi. 354 + +Poltáva, battle of, iv. 207, _233_ + +Polybius, _Hist._, ii. _377_, 506 + +Polycrates, of Samos, ii. 519; vi. 171 + +Polynices, v. 403 + +Polyphontes, the herald, _ii. 431_ + +Polyzois, an Albanian poet, ii. 198 + +Pombal, _ii. 43_ + +Pompadour, Madame de, iv. 334 + +Pompeia, Cæsar's third wife, _i. 351_; iv. 352; _vi. 139_ + +Pompey, _i. 422_; ii. 395, _492_; _iv. 264_; vi. 139; statue of, ii. + 508; pillar of, v. 548 + +Pompignan, Franc de, _ii. 282_ + +Poniatowsky, Prince, _vii. 24_ + +Ponsonby, Lady Caroline. _See_ Lamb, Lady Caroline + +Ponsonby, William, v. 329 + +Ponte, Antonio da, _ii. 327_ + +Poole, Thomas, _and his Friends_, _i. 437_ + +Pope, Alexander, _Prologue to the Satires_, _i. 91, 392_; vi. 519, 602; + on Earl of Dorset, _i. 198_; _Dunciad_, i. 220, 294, _321, 326_, 327, + 397; _iv. 161_; vi. 494; _Essay on Criticism_, i. 289; _ii. 13_; iv. + 481; mentioned in _English Bards, and Scotch Reviewers_, i. 304-306, + 312, _368, 371_; his advice to Wycherley, _i. 322_; _Essay on Man_, i. + 361; _v. 593_; mentioned in _Hints from Horace_, i. 395, 397, _441, + 449_; his youthful _Eclogues_, i. 418, 421; and Homer, _i. 427_; his + "prescription," i. 430; "blest paper credit," i. 470; and Wellington, + _i. 484_; _Imitations of Horace_, ii. 188; _iv. 484_; v. 576; vi. 247; + the Egerian grots, ii. 517; _Windsor forest_, _iii. 227_; letter to + Steele, _iii. 348_; _Satires_, iii. 439; _Works_, _iii. 452_; _vi. + 555_; "These be good rhymes," iv. 139; depreciated, _iv. 342_; _Rape + of the Lock_, _iv. 507_; vi. 18, _454_; his "delicious + lobster-nights," _iv. 587_; Byron's _English Bards_, in the style of, + v. 537; _Moral Essays_, _v. 606_; vi. 350, 358; _January and May_, + _vi. 62_; "Thou shalt believe in," vi. 74; Lady M.W. Montagu's letter + to, _vi. 151, 219_; on Crashaw, _vi. 166_; _Eloïsa to Abelard_, vi. + 395; use of the word "gynocracy," _vi. 473_; and "commence," _vi. + 567_; "Lady Adeline" on, vi. 587; Homer's _Iliad_ and _Odyssey_, _vii. + 57_ + +Porphyry, _ii. 78_ + +Porson, Richard, i. 30, _313, 438_; _ii. 283_; _iii. 402_; _The Devil's + Walk_ attributed to, _vii. 21_ + +Porta Capena, ii. _416_, 516 + +Porter, Jane, _Thaddeus of Warsaw_, _iv. 166_ + +_Portfolio, The_, iii. 321; iv. 6 + +_Portfolio_ (Philadelphia), v. 5 + +Portinari, Beatrice, iv. 247, 248, 251 + +Portinari, Folco, _iv. 248_ + +Portland, William Henry Cavendish, 3rd Duke of, i. 377, _471_; _iv. 513_ + +Porto Bello taken by Admiral Vernon, _vi. 12_ + +Portogallo, _Semiramide_, _i. 347_ + +Portsmouth, Lady (Mary Anne Hanson), _vi. 569_ + +Portsmouth, Lord, _vi. 569_ + +Portuguese, Byron's estimate of the, i. 469; ii. 33, 45, 87 + +Potemkin, Prince Gregor Alexandrovitch, ii. 200; vi. _313_, 314, _316, + 317, 370_, 412 + +Potiphar's wife (Zuleika), _iii. 187_; vi. 254 + +Pouqueville, Dr., _Travels_; _Voyage en Morée_, ii. 179, 180, 194, _195_ + +Poussin, Nicholas, _vi. 152_ + +Powell, A., i. 350, _432_ + +Powell, Mary, Milton's first wife, vi. 146 + +Power, publisher, _iii. 423_ + +Powerscourt, Richard, 4th Viscount, _i. 96_ + +Pozzi, the Venice state dungeons, _ii. 465_; iv. 363; _v. 148, 153_ + +Pozzo di Borgo, Count, v. 539 + +Pradt, M. Dufour de, _Narrative of an Embassy to Warsaw_, _v. 551, 552_ + +Praed, _The Belle of the Ball-Room_, _i. 347_; _vii. 12_ + +Prague, Treaty of, v. _340_, 423; battle of, _v. 371_ + +Pratt, Lord Chief Justice, _iv. 510_ + +Pratt, Samuel Jackson (Courtney Melmoth), _Gleanings_, i. 322, _323, + 442_; _Blacket's Remains_, _i. 359, 443_ + +Praxiteles, _ii. 236_ + +_Prayer of Nature, The_, i. 224 + +Predestination, Byron's belief in, iv. 58 + +Pregadi, Venetian Senate, iv. 441 + +Presle, Mdlle., i. _347_, 348 + +_Pretty Miss Jaqueline_, _i. 361_ + +Prevesa, ii. _125_, 148, 185 + +Prevost, Sir George ("General Fireface"), Governor-General of British + North America, vi. 508 + +Priam, v. 488 + +Priestley, Joseph, _ii. 283_ + +Prince's Theatre, Manchester, _Manfred_ at, iv. 78 + +Princess's Theatre Royal, _Manfred_ at, iv. 78; _Sardanapalus_ at, v. 2 + +_Printer's Devil, The_, _i. 495_ + +Prior, Matthew, _i. 198_; iv. 158; vi. xviii, 210; _Solomon_, _ii. 76_; + _Paulo Purganti_; _Hans Carvel_, _vi. 62_ + +_Prisoner of Chillon_, ii. 212, 214; iii. xix, 499; iv. 3-28, _63_, 79, + _92, 182, 194_; _v. 152, 423, 494_; _vi. 129, 475_ + +Priuli, Andrea, v. 115 + +Priuli, Maria, v. 115 + +Probus, Emperor, _i. 375_ + +Procne, iv. 287 + +Procter, Bryan W. (Barry Cornwall), "Euphues," v. 114; _A Sicilian + Story_, _vi. 445_ + +Prometheus, ii. 448; iii. 312; v. 554; vi. 49 + +_Prometheus_, iv. 48, _118, 269_ + +Propertius, _Eleg._, _vi. 445_ + +_Prophecy of Dante_, _ii. 441_; _iv. 7, 26, 49, 144, 237-276, 313, 329_; + v. 471; vii. xvi, _146, 212_ + +Protasoff, Miss, the "Protassova," vi. 399 + +Protesilaus, vi. 204 + +Protestant League, _v. 371_ + +Prussian troops at Leipsic, vii. 23 + +Pruth, river, _v. 551_; Treaty of, _v. 564_ + +Psalidas, Athanasius, _True Felicity_, ii. 198, 202 + +_Psalms_, i. 208; _ii. 398, 458_; _iii. 193_; vi. 166, 401 + +Pseudo-Callisthenes, _v. 543_ + +Psyche, vi. 165, 387 + +Ptolemæus Cocces, _v. 542_ + +Ptolemæus Soter, _v. 542_ + +Ptolemy, _i. 402_; _iv. 523_; _v. 487_ + +Ptolemy Philadelphus, _iv. 243_ + +_Public Characters of 1799-1800_, _vi. 175_ + +Publius Syrus, _i. 414_ + +Pückler, Herman Fürst von, iv. 81 + +Puffend, _Hist. Gen._, _iv. 211_ + +Pugilistic Club, _i. 434_ + +Pulci, G., ed. of _Morgante Maggiore_, _iv. 309_ + +Pulci, Luigi, _Morgante Maggiore_, iv. 156, 279-309, 325, 484; vi. xvi, + _156_, 184, 505 + +Pulk, Polish for "regiment," v. 564 + +Pulteney, Sir James, Bart., i. 347 + +Pultency Hotel, Piccadilly, _vii. 39_ + +"Pultowa's Day," iv. 202, 207 + +Purgstall, J. von Hammer-, _Hist. de l'Empire Othoman_, iii. _166, 312_, + 441, _454, 455_ + +Purple, Tyrian, vi. 574 + +Purvis, Admiral, ii. 93 + +Pushkin, _Poltava_, iv. 203 + +Puttenham, _Art of Poesie_, iv. 239 + +Pye, Henry James, poet-laureate, i. 305, _314, 329, 404, 435_; iv. 519 + +Pygmalion, vi. 281, 390 + +Pylades, i. 175 + +Pym, _iv. 519_ + +Pyramus, vi. 235 + +Pyrenees, the, ii. 45 + +Pyrrhic war-dance, Pyrrhica, vi. 151, 171 + +Pyrrho, master of the Pyrrhonists or Sceptics, vi. 379 + +Pyrrhus (or Neoptolemus), ii. 174; v. 577 + +Pythagoras, i. 59; vi. 610 + +Pythian Oracle, the, i. 56 + +Pythias, _i. 175_ + + + +Q + + +Quarantia Criminale (Council of Forty), iv. 333, 345 + +_Quarterly Review_, _i. 304, 321_; ii. xiii, xv, _5, 139, 187_, 212, + 213, _266_, 299, 315, _325, 356_; iii. 77, 151, 219, _225_, 321; iv. + _6, 37, 42, 46, 57_, 156, _166, 244_, 281, 313, 327, 329, _514, 575_; + v. 5, _111_, 119, 204, _205, 544, 552_, 582, _613_; vi. xx, 76, _79_, + 360, _445, 456, 508_; vii. 49, 57, 76 + +Quebec, siege of, _vi. 12_ + +Queensberry, William Douglas, 3rd Earl of March, and 4th Duke of ("Old + Q."), i. 500 + +_Quem Deus vult perdere prius dementat_, vii. 45 + +Quercetanus, Andreas, notes to _Historia Calamitatum Abælardi_, _v. 634_ + +_Queries to Casuists_, i. 262 + +Querini, Alvisi (Ormildo Emeressio), _L'Ammiraglio dell' Indie_, _iv. + 456, 457_ + +_Question and Answer_, iv. 538 + +Quevedo of Villegas, Francisco Gomez de, _Sueños_, iv. 484; _Dream of + Skulls_, _iv. 496_ + +Quiberon Bay, French fleet defeated by Hawke in, _vi. 12_ + +Quinctilian, _iv. 270_; _vi. 16_ + +Quincy, De, _Confessions of an English Opium-Eater_, _vi. 188_ + +Quirini, Angelo, _ii. 389_ + +Quito, capital of Ecuador, ii. 81 + +_Quotidienne, La_, _v. 566, 573, 577_ + + +R + +Rabbe, _Biographie des Contemporains_, _ii. 168_ + +Rabelais, _Life of Gargantua, etc._, _v. 354_ + +Rack, or arrack, punch, vi. 197 + +Radcliffe, Mrs. Ann, _Mysteries of Udolpho_, ii. _327_, 342; _iii. 89, + 351_; _iv. 364, 413_ + +Rae, W. Fraser, _Life of Sheridan_, _iv. 74_; _Wilkes, Sheridan, Fox_, + _iv. 511_; articles in _Athenæum_ on _Junius' Letters_, _iv. 513_ + +Rag Fair or Rosemary Lane (now Royal Mint Street), _iv. 161_ + +Raikes, Thomas, _Personal Reminiscences_, i. 476; _v. 563_; _A Portion + of the Journal, etc._, _vi. 507_ + +Rainbow described, vi. 108 + +Rajna, Pio, iv. 280; _Ricerche sui Reali di Francia_, _iv. 309_ + +Ralph the rhymester, i. 326 + +Ralston, W.R.S., _Russian Folk-Tales_, _iii. 123_ + +Ramassieh (Alexandria), battle of, _ii. 108_ + +Ramazân, or Turkish Lent, ii. _134_, 137; iii. 96 + +Rambaud, M., _History of Russia_, _v. 563_ + +Ramsay, the artist, _vi. 496_ + +Ramsay, Chevalier, _vi. 303_ + +Ramsden, Rev.----, _i. 431_ + +Rangoni, Aldobrandino, _iii. 506_ + +Ranke, Leopold, _The Popes of Rome_, _v. 520_ + +Ransom and Morland, vi. 546 + +"Ranz des Vaches," v. 159 + +Raphael, Archangel, v. 281 + +Raphael, _ii. 437_; iv. 174; his "Transfiguration," vi. 548 + +Rapp, George, the harmonist, vi. 554 + +_Rapresentatione di Abel et di Caino, La_, _v. 264_ + +Raschid, iii. 441 + +Rasponi, Countess Clelia, iv. 547 + +_Rasselas_, _iii. 145_ + +Ravenna, _ii. 372_; iv. 237, 238, 243; v. 138; battle of, vi. 212 + +Ravenna, Cardinal of, _v. 516_ + +Ravenna, Guido Vecchio da Polenta, Lord of, _iv. 316_ + +Raven-stone (_rabenstein_), a German stone gibbet, _iv. 122_; v. 385 + +Ravignani, Benintendi de, Grand Chancellor, iv. 431 + +Rawlinson, Canon, _The Five Great Monarchies, etc._, _v. 24, 107_ + +Rayet, Olivier, _Monuments de l'Art Antique_, _ii. 396_ + +Read, General Meredith, _Historic Studies in Vaud, Berne, and Savoy_, + ii. 299, _303_, 307 + +Read, T., _i. 301_ + +Reade, Sir Thomas, _v. 544_ + +Rebeck, fiddle, ii. 53 + +Red Sea, the, vi. 122 + +Reeve, Henry, _Petrarch_, _ii. 351, 372_; _Greville Memoirs_, _vi. 451_ + +Reeves, John, _The Rothschilds_, _v. 574_ + +Reformadoes, vi. 404 + +Regent, Prince. _See_ George IV. + +Regnier, General of Saxons at Leipsic, _v. 553_ + +Rehnskjöld, Swedish General, _iv. 207_ + +Reichenbach, Falls of, _ii. 383_ + +Reichstadt, Napoleon François Charles Joseph, Duke of, v. _545_, 576; + _vi. 590_ + +Reid, _vii. 32_ + +Reinagle, R.R., _ii. 226_; _iv. 425_ + +_Rejected Addresses_, i. _462_, 481, _485_; _iii. 55_ + +Rembrandt, vi. 502 + +_Remember him, whom Passion's power_, iii. 67 + +_Remember thee! Remember thee!_ iii. xx, 59 + +_Remembrance_, i. 211 + +_Remind me not, remind me not_, i. 268 + +Renault, _iv. 454_ + +Rendlesham, Lord, _i. 471_ + +Renegado, renegade, ii. 488 + +Rennes, siege of, _v. 549_ + +_Reply to some Verses of J.M.B. Pigot, Esq., on the Cruelty of his + Mistress_, i. xi, 53 + +_Repository of Arts, Literature, Commerce, Manufactures, Fashions, and + Politics_, iv. 178 + +Retz, Cardinal de, _Mémoires du_, _iv. 338_; _vi. 93, 94_ + +Retzsch, illustrations to Goethe's _Faust_, _v. 493_ + +_Revanche, La_, vii. 15 + +_Revelation_, _ii. 271_; iii. 432; iv. 102; _v. 499_ + +Revilliod, Gustave, ed. of _Advis, etc._, iv. 5 + +_Revue Arch._, _ii. 424_ + +_Revue des Deux Mondes_, iv. 5 + +_Revue de Paris, La_, _vi. 507_ + +_Revue Encyclopédique_, vi. xx + +_Revue Historique_, _iv. 514_ + +Reynolds, Frederick, _i. 306, 353_; _The Caravan; or, The Driver and his + Dog_, i. 342; _Life and Times_, _i. 416_ + +Reynolds, Sir Joshua, _i. 389_; _Discourses_, _iv. 271_ + +Rheinfeld, battle of, _v. 372_ + +Rhianus, the Alexandrian poet, _iv. 566_ + +Rhigas, or Rigas, Constantine, ii. 199; _iii. 29, 194_ + +Rhine, the, i. 249, 353; vi. 418; Confederation of, i. 486 + +Rhodes, iv. 400; vi. 111 + +Rhoeteum, _ii. 99_ + +Rhone, the, ii. 261, 300; _iv. 18, 26, 120_ + +Rialto (Rivo alto), Venice, ii. 331; iv. 165 + +Ribas, Admiral Josef de, vi. _313, 319, 359_, 366 + +Ribaupierre, General, vi. 352 + +Ricardo, David, _vi. 480_ + +Ricci's monument to Dante, _ii. 375_ + +Rich, Claudius James, _Memoir on the Ruins of Babylon_, _vi. 236_ + +_Richard II._, _iii. 517_; vi. 210 + +_Richard III._, _iv. 391_; vi. _392_, 570 + +Richards, Rev. George, _The Aboriginal Britons_, _i. 306, 376_ + +Richardson, _iii. 109_ + +Richelieu, Armand Emanuel du Plessis, Duc de, _Journal de mon Voyage en + Allemagne_, vi. 264, _317_, 333, _340, 347, 358, 359_ + +Richelieu, Louis François, Duc de, Marshal of France, _vi. 333_ + +Richmond, Duchess of, _ii. 228_ + +Richmond, Duke of, _ii. 229, 230_ + +Richmond Hill, ii. 66 + +Ricimer, a Sueve, _ii. 390_ + +Ridge, S. and J., i. xi, xii, xiv, _234_ + +Ridgeway, bookseller, iv. 482 + +Ridotto, iv. 178, 180 + +Rienzi, or Rienzo (commonly called Cola di' Rienzi), Nicolas Gabrino + di', ii. 414 + +Riese, _Varro. Satur. Menipp. Rel._, ii. 92 + +Rigadoon, the, i. 491 + +Rimini, Francesca da (_née_ da Polenta), iv. 316 + +Rimini, Malatesta da Verrucchio, Lord of, _iv. 316_ + +Rinaldo and Armida, vi. 34 + +Riots, O.P., at Covent Garden, _i. 347_ + +Rivington, F. and C., i. xii; their _Annual Register_, _q.v._ + +Rivoli, battle of, _vi. 14_ + +Rizzo, Antonio, iv. 336 + +Roberts, William, _iv. 578_ + +Roberts, W. Rhys, _Longinus on the Sublime_, _vi. 26_ + +Robertson, James, _i. 192_ + +Robertson, J.L., _Burns' Selected Poems_, _iii. 449_ + +Robertson, Mary, i. 192 + +Robertson, Dr. William, _Charles V._, _iii. 309_; v. 471, _560_ + +Robespierre, iv. 476; _vi. 13, 14_ + +Robinson, H. Crabb, _Diary_, i. _337_, 475; ii. x, _74_; iv. 475. 478, + 479, _492, 512, 538, 556_; v. 199, 281, 470, _614_; _vi. 444_ + +Robinson, editor of _Morning Post_, _i. 358_ + +Robinson, Mrs., "Perdita" (_née_ Darby), _The Mistletoe_, _i. 358_ + +Rocca, Giovane, ii. 523; vii. 50 + +Rochefoucauld, _Maximes_, ii. 307, _419_ _Réflexions_, iv. 552; vi. + _144, 246_, 303 + +Rochester, John Wilmot, Earl of, _Poems_, i. 218 + +Rodd, Thomas, _Ancient Ballads from the Civil Wars of Granada_, _iv. + 529, 530_ + +Roderick the Goth, ii. 89 + +Rogers, Samuel, Byron's withdrawal of _English Bards, and Scotch + Reviewers_, i. 294; "a true poet," _i. 306_; _Recollections of the + Table Talk of_, i. _329_, 429; _iv. 539_; _vi. 17_; Byron and Lord + Carlisle, _i. 355_; _Pleasures of Memory_, i. 361; iii. 50, 207; + _Italy_, ii. _329, 343, 353, 372, 376-378, 407_; _iv. 539_; _v. 130_; + Byron's opinion of, iii. 50; _Voyage of Columbus_, iii. 76; _Giaour_ + dedicated to, iii. 81; _Jacqueline_, iii. 319, 320, _323_; Byron's + letters to, _iii. 545_; iv. 80; _vi. 83, 173_; and Byron's _Dream_, + iv. 31; first meeting of Byron and Sheridan at his house, iv. 69; + Sheridan's appeal to, _iv. 73_; _Brides of Venice_, _iv. 166_; + referred to in _Beppo_, iv. 183; translation of Zappi's _Sonetto_, + _iv. 271_; Byron's verses on (_Question and Answer_), iv. 538; _Human + Life_, _iv. 539, 574_; at Sir George Beaumont's, iv. 570; in _Don + Juan_, vi. 6; "I wished to learn the Art of forgetting," _vi. 17_; + "Thou shalt not steal from," vi. 75; "have deserted," vii. 17; Lord + Thurlow's _An Epistle to a Friend_, vii. 18-20 + +Roland, v. 553 + +Rolland (d'Erceville), M. le Président, _Recherches sur les Prérogatives + des Dames chez les Gaulois sur les Cours d'Amours_, ii. 6; _Foscari_, + _v. 130_ + +_Rolliad_, i. 294, _319, 395, 500_ + +Romaika, kerchief-waving dance, i. 492; vi. 151 + +_Romance Muy Doloroso_, iv. 529 + +Romanceros, the, ii. 47 + +Romanelli, Dr., ii. 175; vii. 11 + +Romanin, S., _Documentata Storia di Venezia_, v. 116, 117, 119, _121, + 144, 171, 172, 178, 179, 195_ + +Rome, i. 376; ii. 312, 388; v. 158; vi. 348; siege and sack of, v. 471 + +Romeï, Laodamia, _iii. 507_ + +_Romeo and Juliet_, _vi. 540_ + +Romilly, Sir Samuel, ii. 213; v. 181; vi. 17, 451 + +Romney, _i. 321_ + +Romuald of Salermo, ii. 473-476 + +Ronalds, Sir Francis, _iv. 505_ + +Ronco river, _vi. 212_ + +Ronda, mount, _ii. 54_ + +Roque, M., ii. 190 + +Ros, Georgiana, Lady de (Lennox), _Personal Recollections of the Great + Duke of Wellington_, _ii. 229_ + +Rosa, _ii. 425_ + +Rosbach, battle of, iv. 334 + +_Rosciad_, i. 294 + +Roscoe, _Life and Pontificate of Leo Tenth_, _iii. 369_ + +Roscommon, Wentworth Dillon, 4th Earl of, i. 354 + +Rose and nightingale, iii. 86; v. 428, 612 + +Rose, George, Treasurer of the Navy, vii. 30; _Diaries, etc._, _vii. 31_ + +Rose, Sir William Stewart ("Parthenopex Puff" of _Vivian Grey_), _Court + and Parliament of Beasts, etc._, iv. 156; _vi. 506_; vii. 55 + +Rosebery, Earl of, _iv. 163_; _Napoleon, The Last Phase_, _v. 547_; + _Pitt_, _vi. 377_ + +Rosetta Stone, _ii. 108_ + +Ross, Sir John, _A Voyage of Discovery ... for the purpose of exploring + Baffin's Bay_, _vi. 51_ + +Rossberg, or Rufiberg. fall of the, iv. 97 + +Rosse, Sir Laurence Parsons, 2nd Earl of, _Defence of the Antient + History of Ireland_, _vi. 337_ + +Rossetti, D.G., _Dante and his Circle_, _iv. 248_; _Dante at Verona_, + _v. 562_ + +Rossi, Professor V., _iv. 309_ + +Rossini, _v. 562_; _vi. 586_; _Armida and Rinaldo_, _vi. 34_; + _L'Italiana in Algieri_, _vi. 205_ + +Rostopchin, General, _i. 488_ + +Rothen, _iv. 97_ + +Rothschild, Baron Anselm (of Frankfort), _v. 573_ + +Rothschild, Baron Charles (of Naples), _v. 573_ + +Rothschild, Baron James (of Paris), _v. 573_; reprints _Le Mistère du + Viel Testament_, _v. 207_ + +Rothschild, Baron Nathan Mayer (of London), _v. 573_; vi. 456 + +Rothschild, Baron Salomon (of Vienna), v. 573 + +Rousseau, J.J., i. 15; ii. _260_, 264-267; _v. 548_; vi. 303; + _Confessions_, ii. _280_, 300, 302; iv. 53; _Julie, ou La Nouvelle + Héloïse_, ii. _277, 278_, 303; _iv. 18_; vi. 536 on the Ranz des + Vaches, _v. 159_ + +Roux-Fazillac, M., _iv. 514_ + +Rovere, Francis Maria II., Duke of, ii. 498 + +Rowfant Library, _iv. 508_ + +Rowland, Junior, Alexander, _An Historical, Philosophical, and Practical + Essay on the Human Hair_, _vi. 19_ + +Rowlandson's caricatures, _iv. 509_ + +Roxburgh Club, v. 200; reprints the _Chester Plays, or Mysteries_, _v. + 207_; _vi. 551_ + +Royal Alexandra Theatre, Liverpool, _Manfred_ at, iv. 78; _Sardanapalus_ + at, v. 2 + +Royal Amphitheatre, Westminster Bridge, iv. 203; _vii. 59_ + +Royal Caledonian Asylum, _iii. 415_ + +Royal Institution, _vi. 16_ + +Royalty Theatre, Goodman's Fields, _Don Juan; or, The Libertine + Destroyed_ at, _vi. 11_ + +Royston, Philip Yorke, Viscount, translation of Lycophron's _Cassandra_, + _iv. 243_ + +Ruffin, Marshal, _i. 469_; _vi. 261_ + +Rufinus, the præfect, ii. 518 + +Rulhière, Claude Carloman de, _vi. 395_; _Anecdotes sur la révolution de + Russie en l'année 1762_; _Histoire de l'anarchic de Pologne, etc._, + vii. 62 + +Rundell, Mrs., _Domestic Cookery_, vii. 57 + +Runic, Byron's use of the word, iv. 241 + +Rushton, Robert, ii. 26, _52_; vii. 6 + +Ruskin, John, _Stones of Venice_, _ii. 327_; _Modern Painters_, _iv. 18, + 26_ + +Russell, Lord John, _ii. 352_; iv. 314; _Moore Memoirs_, iv. 587; v. 5, + 280 + +Russia, her intrigues in Greece, v. 557 + +Russians _v._ Swedes, _iv. 207, 233_; "rushing from hot baths to snows," + vi. 475; at Leipsic battle, vii. 23 + +Rustica (the Ustica of Horace), valley of, ii. 523 + +Rusticucci, Jacopo, _iv. 254_ + +Rycquius, Just., _De Capit. Roman. Comm_., ii. 511, 512 + +Ryder, Mrs., as "Ida" in _Werner_, v. 324 + +Ryder, Richard, Home Secretary, vii. 13 + + + +S + +Sabellicus, Marcus Antonius Coccius, _De Venetæ Urbis Situ Narratio_, + _ii. 328_; _v. 179_ + +Sabina, Empress, _i. 493_ + +Sabio, Alonso el, _ii. 77_ + +Sackville, Lord George, _iv. 513_ + +Sacy, Silvestre de, _Notice du Libre d' Enoch_, _v. 302_ + +Sadducees, the, ii. 104 + +Sade, Abbé de, _Mémoires pour la Vie de François Pétrarque_, ii. _350_, + 479, _480_, 481 + +Sade, Hugo de, ii. _350_, 480 + +Sade, Laura de (_née_ de Noves), Petrarch's Laura, ii. 350, 479 + +Sa'di, _The Gulistan, or Rose Garden_, _i. 353_; iii. 160 + +Sadler's Wells Theatre, _Werner_ at, v. 324; _Don Juan; or, The + Libertine Destroyed_ at, _vi. 11_ + +Safety-lamp, Sir H. Davy's, vi. 51 + +Saick, a Levantine barque, iii. 252 + +St. Albans, Duke of, _iv. 541_ + +St. Aldegonde, i. 476 + +St. Angelo, castle of, ii. 439 + +St. Anthony, vi. 32 + +St. Augustine, _ii. 480_; _v. 209_, vi. 573; _De Civitate Dei_, _v. + 235_; _Confessions_, vi. 28; _Epist._, _vi. 168_; Black Canons of, + _vi. 495_ + +St. Bartholomew, iv. 494; vi. 230 + +St. Bernard, Convent of, ii. 306 + +St. Christopher, of Paris, _vi. 93_ + +St. Domingo Island, ii. 90; _iii. 296_ + +Saint-Evremond, _vi. 246_ + +St. Francis of Assisi, vi. _32, 33_, 273 + +St. Gingolph, ii. 304; _iv. 18_ + +St. Helena, v. 544 + +St. Honorius, ii. 35, 86 + +St. James of Compostella, _ii. 206_ + +St. Jean, Mount, ii. 293, 325 + +St. Jerome, vi. 28 + +St. John, i. 326 + +St. John, Knights of, _iv. 400_ + +St. Jules, Caroline Rosalie Adelaide (Hon. Mrs. George Lamb), _i. 301_; + vii. 15 + +St. Lambert, ii. 300 + +St. Lorenzo, Church of, Florence, ii. _375_, 503 + +St. Mark's, Venice, horses, ii. 336; lions, ii. 471; bells, iv. 363; + Doges buried at, _iv. 366_ + +St. Maurice, iv. 120 + +S. Nicola in Carcere, Church of, Rome, ii. 437 + +St. Pantaleon, of Nicomedia, _ii. 339_ + +St. Peter's, Rome, ii. _376_, 440, _et seq._; iv. 270 + +St. Petersburg, "that pleasant capital of painted snows," vi. 386 + +St. Preux, ii. _260_, 305 + +St. Sophia's, Constantinople, ii. 152, 176, 442 + +St. Thomas Aquinas, vi. 572 + +St. Ursula, _vi. 419_ + +St. Victor, Monastery of, iv. 4 + +St. Vincent, Lord, vi. 14 + +Sainte Croix, Guilhem de Clermont Lodève, Baron de, _Examen Critique, + etc._, _vi. 226_ + +Sainte-Palaye, De la Curne de, _Mémoires sur l'Ancienne Chevalerie_, ii. + 6 + +Salakhora, _ii. 145, 148_ + +Salam aleikoum! aleikoum salam! Moslem salutation, iii. 104 + +Salamanca, battle of, i. 496 + +Salamis, battle of, i. 458; iii. 91, 270, _273_; vi. 169 + +Salanfe, or Pisse-Vache, _ii. 383_ + +Sale, _Preliminary Discourse to the Koran_, _iii. 110, 121, 197_ + translation of the _Koran_, vii. 9 + +Sale, Alberto dal, _iii. 506_ + +Salemenes, a character in _Sardanapalus_, v. 12 + +Salisbury, Countess of, ii. 7 + +Sallust, _Catilina_, _vi. 299_ + +_Salsette_ frigate, _ii. 13, 205_ + +Salt-mines, Poland, iv. 212 + +Saluces, Marquis de, v. 471 + +Salvator Rosa, vi. 502 + +Salviati, Lionardo, ii. _357_, 485 + +Salvo, Marquis de, _Travels in the Year 1806, etc._, _iii. 4_ + +Samoïlovitch, president of the Eastern Ukraine, iv. 201 + +Samos, vi. 171 + +San Caetano, Ignatio de, _ii. 43_ + +San Liberatore alla Majella, Benedictine Monastery of, iv. 288 + +San Martin, General José de, _v. 556_ + +San Zanipolo, Church of, iv. 336 + +Sanadon, Père, _v. 567_ + +Sancho Panza, i. 490 + +Sandall, Prior William, vi. 496 + +Sandasarmū, of Cilicia, v. 4 + +Sandford, Francis, _History of the Coronation of James the Second_, _iv. + 504_ + +Sandford, Mrs., _Thomas Poole and his Friends_, _i. 437_ + +Sandi, Vettor, _Principi di Storia civile della Repubb. di Venezia_, iv. + 326, 332 + +Sandwich, Lord, _vi. 267_ + +Sandys, translation of _Ovid_, _iii. 199_ + +Sanguinetto river, ii. 379, 507 + +Sansovino, F., _Venetia cittá nobilissima_, _iv. 166, 390_ + +Sant' Anna, Hospital of, Ferrari, _ii. 355_; iv. 139, 141, _143, 144, + 147_ + +Santa Croce, Church of, ii. 369, 374, 375, 490 + +Santa Maura (Leucadia), ii. 126, 178 + +Santi Giovanno e Paolo (or San Zanipolo), Church of, Venice, iv. 336 + +Sanudo, or Sanuto, Marin, _Vitæ Ducum Venetorum_, _ii. 475_; iv. 326, + 331, _347, 349, 352, 357, 363, 384, 431, 435, 450, 452, 461, 462_; v. + 115, _134_ + +Sapienza, island of, iv. 356, 365 + +Sappho, ii. 125, 178; vi. 26, 139, _180_ + +Saracus, last king of Assyria, v. _107_ + +Saragoza, Augustina, Maid of, ii. 58, 91 + +Saragoza, siege of, ii. 58, 91, 94 + +Saratoga, battle of, _vi. 12_ + +_Sardanapalus_, _iii. 493_; v. 3-112, 115, 199, 203, 204, _243_, 279, + 469; vi. 140, _461, 538_; _vii. 77_ + +Sardi, _iii. 505_ + +Saronic Gulf, _ii. 362_ + +Sassi, the brothers, _ii. 389_ + +Satan, v. 201 + +Satanic School of Poetry, iv. 477, 481, 483; _v. 196_ + +Satibarzanes, the eunuch, _v. 72_ + +_Satirist, The_, i. _373, 374_, 383; _vi. 69_ + +Saul, iii. 392 + +Saussure, Horace Bénédict de, _Essai sur Hygrométrie_, inventor of the + cyanometer, _vi. 216_ + +Savage, Richard, _The Wanderer_, _iii. 261_ + +Savary, Marshal, _iii. 428_ + +Savelli family, the, _ii. 403_ + +Savini, Guido, _ii. 487_ + +Savioli, Conte Ludovico, _iv. 250_ + +Savoie, Louis de (wife of Louis XVIII.), _v. 498, 566_ + +Savoy, Charles III., Duke of, _iii. 299_; iv. 4, 10 + +Savoy-Carignan, François Eugene, Prince of, _iv. 262_ + +Sawbridge, _vi. 100_ + +Saya, or basquiña, the outer petticoat, vi. 116 + +Sayer, Elizabeth Price, translation of Dante's _Il Convito_, _iv. 253, + 256_ + +Sayer, James, _Elijah's Mantle_, i. 294, _356_ + +Saxe, Count, _i. 107_ + +Saxe-Cobourg, Leopold of, _ii. 450_ + +Saxe-Weimar, Bernhard, Duke of, v. 371 + +Saxons, the, v. _371_, 553 + +Saxony, John George, Elector of, _v. 373_ + +Sbergo, or usbergo, _iv. 308_ + +Sbirri, Venetian policemen, iv. 383 + +Scalanova, Port, Asia Minor, iii. 252 + +Scaliger, J.J., v. 281, _302_ + +Scaligers, tombs of the, v. _561_, 562 + +Scamander river, ii. 182 + +Scanderberg, or Scander Bey (George Castriota), ii. 124, 173 + +Scarron, _vi. 246_ + +Sceptics, or Pyrrhonists, _vi. 379_ + +Schaffhausen, _ii. 383_ + +Schaffner, Alfred, _Lord Byron's Cain und Seine Quellen_, v. 200 + +Schaumburg, _v. 371_ + +Scheible, _Das Kloster_, vi. xx + +Scheremetov, Count Boris Petrowitch, Russian General, vi. 307 + +Schiavoni, Giorgio, _iii. 368_ + +Schiller, iii. 503; _Armenian, or the Ghost-Seer_ (_Der Geisterseher_), + _i. 131_; ii. 342; _Bride of Messina_, iii. 150; _Wilhelm Tell_, _ii. + 385_; _Piccolomini_, _iv. 566_ + +Schipper, Dr. J., _Englische Metrik_, iv. 239 + +Schlegel, Friedrich, ii. 472; iv. 237, 238, _341, 342_; vii. 50 + +Schlegel, J.S.B., _Tagebuch, etc._, _vi. 605_ + +Schlick, M., _Corr. of_, iv. 470 + +Schoene, A., _v. 107_ + +Schroepfer, Johann Georg, _vi. 605_ + +Schultz, Hans, _Der Sacco di Roma_, _v. 520_ + +Schumann, R., Music to Byron's _Manfred_, iv. 78 + +Schuyler, Eugene, _Peter the Great_, iv. 203, 207, _233_ + +Scio island, iii. 252 + +Scipio Africanus, _i. 493_; ii. 371, _389, 459_, 496; (II.), _v. 512_ + +Scipio Barbatus, _ii. 389_ + +Scipio, Lucius, _ii. 389_ + +Scipio, Metellus, _iv. 264_ + +Scipios, tomb of the, ii. 389 + +Semelet, W., _iii. 160_ + +_Scorpion, The_, iii. 107 + +Scotland, vi. 405 + +_Scot's Magazine_, iv. 139; v. 329, 470, 540 + +Scott, John, iii. 532, 535; iv. 472 + +Scott, Sir Walter, _i. 303, 305, 306, 331_, 384; vi. 6; _The Wild + Huntsman_, _i. 117, 317_; mentioned in _English Bards, and Scotch + Reviewers_, i. 309-312, 319, 337, 369; _Lay of the Last Minstrel_, i. + 309, 310; _iii. 472_; vi. 406, 458, 560; contributes to Monk Lewis' + _Tales of Wonder_, _i. 317, 318_; _The Fire King_; _Glenfinlas_; _The + Eve of St. John_; _Frederick and Alice_, _i. 317_; _Marmion_, i. 310, + 371; _ii. 360_; _iii. 474_; _iv. 13_; _v. 542_; vi. 426; _Fortunes of + Nigel_, _i. 351_; in _Hints from Horace_, i. 395, 419; his amanuensis, + W.H. Weber, _i. 396_; _Antiquary_, _i. 413_; _iv. 524_; _v. 377_; and + Ballantyne, _i. 435_; _The Vision of Don Roderick_, _i. 436_; ii. _4, + 51, 88_, 89; _Border Minstrelsy_, ii. 4, 295; _Young Lochinvar_, _ii. + 70_; Nossa Señora da Peña, ii. 86; _Sir Tristrem_, ii. 203; reviews + _Childe Harold_ in _Quarterly Review_, ii. 213, 315, _325_; iv. 6; + _Lord of the Isles_, _ii. 244_; _The Dance of Death_, ii. 292; _Field + of Waterloo_, ii. 292; iii. 434; _vi. 266_; the "Ariosto of the + North," ii. 311, 359; _Tales of a Grandfather_, _ii. 337_; _vi. 12_; + _Lady of the Lake_, _ii. 347_; Byron accused of copying, _iii. 128_; + octosyllabic verse, iii. 224; _The Corsair_, _iii. 225_; Byron's + present of a silver urn, _iii. 301_; Coleridge's _Christabel_, iii. + 443, _472_; Byron and Wordsworth, iii. 533; reviews _Prisoner of + Chillon_ in _Quarterly Review_, iv. 6; article in _Q.R._ on _The + Dream_, _iv. 37_; on _Darkness_, _iv. 42_; on Coleridge's imagination, + _ibid._; on _Churchill's Grave_, _iv. 46_; referred to in _Beppo_, iv. + 183; _Tales of my Landlord_, iv. 284; _Life of Napoleon Buonaparte_, + _iv. 456_; _v. 546_; _vi. 418_; _Guy Mannering_, _iv. 566_; meets + Byron frequently in society, iv. 570; _Memoirs of the Life, etc._, iv. + 570, _585, 587_; _The Search after Happiness_, _iv. 574_; Lydia + White's death, _iv. 587_; on _Cain_ and its dedication, v. 204, 205, + _206_; _Waverley_, v. 209; _vi. 272, 404_; on Byron and Alcibiades, v. + _485_; on _Don Juan_, vi. xix; edition of Dryden's _Works_, _vi. 178_; + Byron's letters to, _vi. 178, 186, 405, 479_; on Byron's features, + _vi. 360_; _Letters on Demonology and Witchcraft_, _vi. 380, 491_; + _The Abbot_, _vi. 440_; "reigned before me," vi. 444; "my _buon + camerado_," vi. 459; his use of "gynocracy," _vi. 473_; _Journal_, + _vii. 25_ + +Scott, William, _i. 436_ + +_Scourge, The_, _i. 374_ + +Sea-coal (Newcastle coal), vi. 503 + +Sea-sickness, remedies for, vi. 84 + +Seale, John Barlow, _An Analysis of the Greek Metres, etc._, i. 59 + +Searment, cerecloth, or searcloth, ii. 154 + +Seaton, R.C., _Sir Hudson Lowe and Napoleon_, _v. 544_ + +Sebastiani, General François Horace Bastien, ii. 89, 200 + +Sedition Bill, iv. 511 + +Segati, Marianna, _iv. 214_ + +Segovia, Cardinal of, _iii. 369_ + +Segur, Louis Philippe, Comte de, _vi. 314_ + +Selictar, sword-bearer, ii. 149 + +Selim II., Sultan, _vi. 259_ + +Selim III., _ii. 207_ + +Sellers, E., _ii. 432_ + +Sellis (Sélis), Duke of Cumberland's valet, _vii. 31_ + +Semiramis, v. 14, 15, 19-21, 23, 36, 50, 58, 79; vi. 235, 236 + +Senebier, Jean, _Histoire Littéraire de Genève_, iv. 3, 11 + +Seneca, v. 3, _543_; _De Irâ_, vi. 292 + +Senger, Richard, _Die beiden Foscari_, v. 119, _121, 135, 183_ + +Senhouse, Humphrey, iv. 475 + +Sennacherib, iii. 404; v. 4, _24_ + +Separation, the, iii. xx + +Septemberes, Septembriseurs, vi. 595 + +Septimius Severus, ii. _408_, 511, 520; _v. 542_ + +Seraphim, the, v. 228 + +Serassi, _La Vita di Tasso_, ii. 485, _498_ + +Serenissima Signoria (Venice), _iv. 345_ + +Servan, Joseph, _vi. 13_ + +Servetus, i. 417 + +Servius, _ii. 133_ + +Servius Sulpicius, ii. 362 + +Sesostris, v. _405_, 543 + +Sestos, iii. 13 + +Seven Towers, the, vi. 260 + +Severus, Sulpitius, _ii. 133_ + +Sévigné, Madame de, _i. 402_ + +Sévigné, M. de, _i. 402_; _vi. 246_ + +Seville (Hispalis of the Romans), ii. 52, 63, 93; vi. 15 + +Sextilius, Governor of Carthage, _iv. 251_ + +Sforza, Cardinal Ascanio, _iii. 367_ + +Sforza, Ludovico, _iv. 13_ + +Sgricci, Signor, ii. 492 + +Shadwell, Lancelot, Vice-Chancellor, v. 203 + +Shadwell, _Libertine_, vi. xvi, _4, 11_ + +Shaftesbury, Earl of, _vi. 482_ + +Shakespeare, i. 29, 37, _38, 193_, 289, 345, 399; ii. xiii, _217_; iii. + 51, 52; iv. 325, _326_; v. 3, _28, 339_; vi. 174; compared with Byron, + _v. 205_; his use of "shook," _v. 135_; of "skirred," _v. 163_ + +Sharp, Richard, "Conversation," iv. 570; "Kit-Cat," vi. 511 + +Shaving, "a daily plague," vi. 522 + +Shee, Sir Martin Archer, i. 365 + +Shelley, P.B., _ii. 115_; translation of _Plato's Epitaph_, _i. 19_; + letter from Byron, i. 293; witnesses Lewis' will, _i. 318_; _Peter + Bell the Third_, _i. 416_; _Queen Mab_, _ii. 13_; _v. 75, 234, 237, + 257, 258, 268_; Byron's Albanian song, _ii. 145_; Third Canto of + _Childe Harold_, ii. 211, 315; Wordsworth as preached by, ii. _219_, + 311; _Feelings of a Republican on the Fall of Bonaparte_, _ii. 227_; + "the only important calumny," _ii. 248_; _iv. 63_; his companionship, + _ii. 258_; iv. 82; _Adonais_, _ii. 260, 271_; _iii. 137_; _vi. 401, + 446_; _Letters from Abroad, etc._, ii. _305, 306_, 307; his "delicate + spirit," ii. 315; _Prometheus Unbound_, _ii. 325, 417_; v. 281; _Lines + written among the Euganean Hills_, _ii. 338, 343_; _Julian and + Maddalo_, _ii. 349_; "a very decent dungeon," _ii. 355_; _Hellas_; + _Ode to Liberty_, ii. 402; _Poetical Works_, _ii. 407_; the Castle of + Chillon, iv. 3, _18_; _Revolt of Islam_, _iv. 38_; _v. 603_; + translation of Calderon's _El Mágico Prodigioso_, iv. 81; _To a + Skylark_, _iv. 96_; on _Manfred_ and incest, iv. 100; _Prince + Athanase_; _The Woodman and the Nightingale_; _Ode to the West Wind_, + iv. 239; _Cenci_, _iv. 367_; the entry in the travellers' album at + Montanvert, iv. 475; on _Cain_, v. 204; Greek choruses, v. 281; + _Prose Works_, v. 331; his death, v. 469; on _The Deformed + Transformed, ibid.; May-Day Night_, v. 470; on _Don Juan_, vi. xix; + his mystical affinities and divagations, _vi. 188_; on Croker's review + of Keats, _vi. 446_; in Pisa with Byron, _vii. 78_ + +Shelley, Mrs. P.B., _ii. 143, 305_; iv. 320, 570; her transcript + of:--_Werner_, v. 331; _The Deformed Transformed_, _v. 474_; _Age of + Bronze_, v. 537; _Don Juan_, _vi. 268, 269, 272, 274, 310, 373_ + +Shenstone, William, _Poetical Works_, _iii. 41_, 59 + +Sheppard, v. 199 + +Sheridan, Charles, _iv. 74_ + +Sheridan, Mrs. Frances (_née_ Chamberlaine), _Nourjahad, etc._, _vii. + 33_ + +Sheridan, R.B., i. _306, 317, 343_, 500; _iii. 45, 51, 545_; iv. 561; + vi. 450; _The Critic_, i. _343_, 383; _iv. 73, 75_; v. 113; vi. 537; + _Pizarro_, i. 344, _489_; _iv. 73_; _The Rivals_, _i. 431, 494_; _ii. + 334_; iv. _72_, 514; _vi. 258_; his doggerel on Brunck, _i. 490_; + _Lines on Waltzing_, _i. 499_; "ere Brinsley ceased to write," iii. + 53; _Monody, etc_., iv. 69-75; Byron's first meeting with, iv. 69; + _The Scheming Lieutenant; The Duenna_, _iv. 72_; his Begum and Warren + Hastings speeches, iv. 72, 75; _A Trip to Scarborough_, _iv. 73_; _A + School for Scandal_, _iv. 73, 75, 338_; _Monologue on Garrick_, _iv. + 75_; contrasted with Brougham, iv. 195; his pasquinade on Wilkes, _iv. + 511_ + +Sheridan, Thomas, _iv. 74_; _Bonduca_, _i. 343_ + +_Sherwood, Southey_ v., v. 204 + +Sherwood Forest, _vi. 495_ + +Sherwood, Neely, and Jones, i. 478; _iii. 256_; iv. 482 + +"Ship of the desert," camel or dromedary, v. 606 + +Shipwreck, description of a, vi. 88-101 + +Shiraz, iii. 182 + +Shirley, Sir Anthony, _iii. 105_ + +Shooter's Hill, vi. 424, 429 + +Shtcherbatof, Princess, _vi. 389_ + +Shyness, Byron's, i. 207 + +Siddons, Mrs. (Sarah Kemble), i. 46, 344, _345_; iii. _51_, 52; _iv. + 338_ + +_Sidney_, wreck of the, _vi. 95_ + +Sidney, A., _Discourses concerning Government_, _ii. 504_ + +_Siege of Corinth_, ii. _113_, 288; iii. 449-496, _508_; _iv. 227, 230, + 423_; v. _163_, 326, _503, 626_; _vi. 111, 332, 382_ + +Siegendorf, Count (F. Kruitzner), v. 327 + +Siena, Bindo Borrichi da, _iv. 248_ + +Sierke, Dr. Eugen, _Schwärmer und Schwindler_, _vi. 605_ + +Sierra Morena, ii. _54_, 55, 91 + +Sigeum, _ii. 99_; Cape, vi. 204 + +Sigismund, king of Burgundy, _iv. 120_ + +Signori di notte, Venetian police, iv. _383_, 427, 467 + +Silius Italicus, _Pun._, _ii. 379_ + +Silver and Co., De, printers, i. 452, 453 + +Simar, or cymar, a shroud, iii. 143 + +Sime, J., _Sir Francis Renalds, F.R.S., and his Works in connection with + Electric Telegraphy_, _iv. 505_ + +Simeon, Rev. Charles, i. 417, _431_ + +Simon Magus, ii. 513 + +Simoon, the, iii. 99; vi. 198 + +_Simpliciad, The_, i. 294, _316_ + +Simplon, the, vi. 394 + +Sinsariskim (Assyria), v. 4 + +Siria, the bitch-star, vi. 505 + +Sirocco, the, ii. 48; iii. 9 + +Sisi, Porta, _vi. 212_ + +Sismondi, J.C.L, Simonde de, _Histoire des Républiques Italiennes du + Moyen Age_, _iii. 235_; iv. 332; v. 115, _138, 196_; _vi. 199, 461_ + +Sisyphus, i. 329; vi. 538 + +Sitwell, Lady, iii. 381 + +Sixtus V., Pope, _ii. 384, 411_; _iv. 271_ + +Skeat, Rev. W., _Complete Works of Chaucer_, iv. 239 + +Skeffington, Sir Lumley St. George, _The Maid of Honour_; _The + Mysterious Bride_; _The Sleeping Beauty_, i. _306_, 345, 346 + +_Sketch, A_, iii. xix, 499, 540; _iv. 64_; _vi. 22_ + +Slave-market, Constantinople, vi. 216 + +Slavery, abolition of, _vi. 549_ + +Sleep, iv. 33; vi. 123 + +Sligo, Lord, iii. 75, 441 + +Slowacki, J., iv. 203 + +_Smalkeld articles_, _v. 520_ + +Small-pox and vaccination, vi. 50 + +Srmaragdus, the Exarch, _ii. 410_ + +Smedley, _Sketches from Venetian History_, _ii. 329_; _iii. 455_; _iv. + 363_; v. 115 + +Smiles, Dr. Samuel, _Memoir of John Murray_, _i. 310_; ii. _327_, 359; + iii. _98_, 217, _313_, 320, 443, _488_, 499, _519_; iv. 3, 139; v. + 203; _vii. 47, 57_ + +Smith, Alexander, able seaman on the _Bounty_ (John Adams of Pitcairn + Island), v. 583, _588, 605, 623_ + +Smith, Miss Araminta, vi. 443 + +Smith, Horace and James, _Horace in London_, _i. 462, 465_; _Rejected + Addresses_, i. 481; _iii. 55_ + +Smith, John Spencer, Minister to Turkey, _iii. 4_ + +Smith, Mrs. Spencer ("Florence"), ii. xvii, _75, 110, 118_; iii. 4 + +Smith, Rev. Sydney, i. _302, 306_, 336; "twelve-parson power," vi. 410; + _Peter Plymley's Letters_, vi. 596 + +Smith, William, M.P. for Norwich, _iii. 488_; iv. 482, _516_, 578; _vi. + 175_ + +Smith, Sir William, _Classical Dictionary_, _ii. 156_; _Dictionary of + Greek and Roman Antiquities_, _ii. 424_; _Dictionary of the Bible_, + _iv. 499_ + +Smith, Admiral Sir Sidney, _iii. 4_ + +Smollett, _History and Adventures of an Atom_, _ii. 40_; _Humphry + Clinker_, ii. 203; _Roderick Random_, vi. 210 + +Smyth, Sir Harry, _vi. 153_ + +Smyth, Professor William, _English Lyrics_, _i. 372_ + +Smythe, _i. 306_ + +_So we'll go no more a-roving_, iv. _411_, 538 + +Soane, Sir John, Museum in Lincoln's Inn Fields, iv. 141 + +Sobieski, John, king of Poland, iii. 458 + +Social War, B.C. 88, _iv. 251_ + +_Société d'Histoire, etc., de Genève_, iv. 5 + +_Société Imperiale d'Histoire de Russie_, _vi. 317, 340_ + +Society Islands, the, v. 583 + +Socrates, i. 458; ii. 101, 103; iii. 271; _iv. 253_; v. 485; vi. 267, + 303, 483, 548, 567, 568, 610 + +Sodom, apple of, ii. 294 + +Soignies, wood of, ii. 293 + +Soissons, Bishop of, _ii. 337_ + +Solano, Marquis of. Commander-in-Chief at Cadiz, ii. 77, 93 + +Solerti, Angelo, _Vita di Torquato Tasso_, ii. 355-357; iv. 144-146 + +_Soliloquy of a Bard in the Country_, i. 217 + +Solitude, ii. 116, 272, 457; vi. 234 + +Sollikoff, _vi. 370_ + +Solomon, vi. 303 + +Solon, iv. 438 + +Solyman, ii. 201; vi. 259 + +Somerset, Duchess of, _i. 343_; _vi. 417_ + +_Sonetto di Vittorelli_, iii. xix; iv. 535 + +_Song_, i. 262 + +_Song for the Luddites_, vii. 42 + +_Song of Saul before his Last Battle_, iii. 393 + +_Song of Solomon_, _v. 491_ + +_Song to the Suliotes_, vii. 83 + +_Sonnet on Chillon_, ii. 214; iv. 7 + +_Sonnet on the Nuptials of the Marquis Antonio Cavalli with the Countess + Clelia Rasponi of Ravenna_, iv. 547 + +_Sonnet--To Genevra_, ii. _67_, 70, 71, _390_ + +_Sonnet to Lake Leman_, iv. 53 + +_Sonnet to the Prince Regent_ (on the repeal of Lord Edward Fitzgerald's + forfeiture), iv. 548 + +Sophia, Princess, _vi. 18_ + +Sophia, Tzarina, iv. 202 + +Sophie of Russia, Princess, _vi. 425_ + +Sophocles, _iv. 264_; _Ajax_, _vi. 172_ + +Sophron, _Mimes_, i. 414 + +Soracte, ii. 386, 388 + +Soranzo, Marco, iv. 384 + +Sotheby, William ("Botherby"), iv. 182, 569, 570; vi. 75; _Saul_, i. + 362; vii. 59; _Oberon_, i. 362; _iii. 263_; _v. 496_; _Ivan_, _iii. + 280_; _iv. 338_; vii. 48; _Five Unpublished Tragedies_, _iii. 280_; + iv. 578, 584; vii. 48, 70; _Constance de Castile_, _iii. 348_; "a + bore," iv. 580; _The Blues_, vii. 17; _Orestes_; _The Death of + Darnley_, vii. 48; _Farewell to Italy_; _Occasional Poems_, vii. 52; + "sate sweating behind her," vii. 61 + +Sotheby, Wilkinson, and Hodges, iii. 537 + +Soudan, _vi. 474_ + +Soult, _ii. 51, 77_ + +South, Dr., vi. 128 + +Southcott, Joanna, _Book of Wonders_, iv. 497; vi. 176, 452 + +Southey, Robert, _i. 331, 443_; _ii. 56_; iii. 402; _v. 613, 614_; vi. + 166; _The Devil's Walk_, _i. 31_; _vii. 21_; _Letters from Spain_, _i. + 44_; _ii. 43_; _Letters, Life, and Correspondence_, _i. 303, 344, 359, + 396_; ii. _34_, 87; iv. _225_, 476, 482; vi. _3, 4, 175_, 350; + "notable remarks on," _i. 305_; "Southey's epics cram the creaking + shelves," i. 307; "soaring," i. 308; _Epics of the Ton_ on, _i. 311_; + "the Ballad-monger," i. 313; _Thalaba_, i. 313, 434; _iii. 121, 472_; + _iv. 24_; _Joan of Arc_, i. 313, 437; _Madoc_, i. 313, 314, 437; vi. + 215; _The Old Woman of Berkeley_, i. 315, _317_; on Hayley, _i. 321_; + _iv. 244_; on _Pizarro_, _i. 344_; _Life of Henry Kirke White_, _i. + 363_; iv. _521_, 522; his followers, Lamb and Lloyd, _i. 368_; "his + teeming muse," i. 369; his epic bathos, _i. 403_; "sink to Southey's + level in a trice," i. 404; _Curse of Kehama_, i. 435, _436_; v. _271_, + 281, 469; _History of the Peninsular War_, ii. _43_, 91, 92, 94; + _Roderick_, _ii. 46_; _iii. 477, 496_; _v. 565_; _Poet's Pilgrimage to + Waterloo_, _ii. 227, 234, 235_; iv. 521; _Funeral Song for the + Princess Charlotte of Wales_, _ii. 450_; on vampires, iii. 123; + _Carmen Triumphale_, iii. 217; vii. 39; _The Doctor_, _iii. 488_; _Wat + Tyler_, _iii. 488_; iv. 477, 481, 482, 521; _English Eclogues_, _iv. + 47_; _The Inchcape Rock_, _iv. 428_; Byron's quarrel with, iv. + 474-485; _Vision of Judgment_, iv. 475, 476, 478, _489, 491, 495, + 497_, 508, _512_, 522, _524_; _v. 196_; _Elegy on H. Martin_, iv. 477, + 482; _Essays Moral and Political_, iv. 479, 482; _vi. 175_; his + "quartos," iv. 516; Byron on his appearance, iv. 520; _The Pious + Painter_, _iv. 520_; _Battle of Blenheim_, iv. 521; _Life of Wesley, + and Rise and Progress of Methodism_, iv. 522; _Common-Place Book_, + _iv. 529_; _Chronicle of the Cid_, _ibid._; "renegade," iv. 578; his + indictment of the Satanic School, _v. 196_; on the "Byron Head," + Castle Street, v. 203; _Don Juan_ dedicated to, vi. 3; "so quaint and + mouthy," vi. 74; _Epilogue to the Lay of the Laureate_, vi. 80; + Coleridge's eulogy of, _vi. 168_; his marriage, vi. 175; _March to + Moscow_, _vi. 307_; Byron's abuse of, vi. 403; "turncoat," vi. 444; + "rogue Southey's gander," vi. 445; _Omniana_, _vi. 576_; "Who shot the + arrow?" vii. 76 + +Southey, Herbert, _iv. 485_ + +Southey, Mrs. Robert, _iv. 521_ + +_Southey_ v. _Sherwood_, v. 204 + +Southwell, vii. 1, 8 + +Southwell Minster, _i. 119_ + +Spagnoletto, vi. 502 + +Spain, i. 469; revolution in, v. 537, 538; vi. 456; royalist reign of + terror in, v. 558; the Inquisition in, _ibid._ + +Spalding, Lieut.-Colonel, _Suvóroff_, _vi. 320, 321, 370_ + +Spanish women, their style of beauty, ii. 59 + +Sparamizus, the eunuch, _v. 11_ + +Sparks, Jared, _Works_ of Benjamin Franklin, _v. 554_ + +Sparta, iii. 21 + +Spartans, ii. 195 + +_Spectator_, _ii. 133_; iii. 98; _vii. 57_ + +Spelman, _iv. 445_ + +Spence, Rev. Joseph, _Observations, Anecdotes, and Characters of Books + and Men_, _vi. 303_; vii. 52 + +Spence, Thomas, _vi. 265_ + +Spencer, General, ii. 93 + +Spencer, William, _iv. 581_ + +Spenser (_Faërie Queene_), i. 395; ii. x, 4, 5, _17, 71, 72, 101, 139, + 146_; iii. 224, _474_; _vi. 592_ + +Spercheus, a river-god, v. 488 + +Sperone Speroni, ii. 498 + +Spinola, Ambrogio, Marchese di, _iv. 262_ + +Spinther, Lentulus, _ii. 405_ + +Spurious verses, attributed to Byron, iii. xx, xxi + +Spottiswoode, William, the mathematician, vii. 56 + +Staël, Madame de, i. 494; _vi. 70_; _Corinne, ou L'Italie_, ii. _424_, + 490, 503; _iv. 413_; _vi. 71, 541_; vii. 32; _De L'Allemagne_, _iii. + 164_; vi. 168; vii. 32; on _Fare Thee Well_, iii. 534; on Byron's + _Sonnet to Lake Leman_, iv. 53; attempts to reconcile the Byrons, _iv. + 63_; quizzed by Sheridan, _iv. 75_; on Goethe's _Werther_, _iv. 341_; + "the Begum of Literature," iv. 570; _Considérations sur la Révolution + Française_, vii. 49 + +Staines, Sir Thomas, v. 582 + +Stamboul, i. 378; ii. 152, 194 + +Stamp Acts, _v. 560_ + +Stanhope, Colonel, _iii. 272_; _vii. 86_ + +Stanhope, Lord, i. 452, _457, 471_; ii. 299; _Life of Pitt_, _iv. 503_ + +Stanislaus of Poland, iv. 202 + +Stanley, Dean, _Life of Arnold_, _v. 224_ + +_Stanzas_, iv. 549; vii. 70 + +_Stanzas composed during a Thunderstorm_, iii. _4_, 7 + +_Stanzas for Music_, iii. 413, 423, 426, 435, 438; _iv. 91, 147_ + +_Stanzas to a Hindoo Air_, iv. 563 + +_Stanzas to a Lady, on leaving England_, i. 285; _ii. 18, 29_ + +_Stanzas to a Lady, with the Poems of Camoëns_, i. 78 + +_Stanzas to Augusta_, _ii. 247, 248, 271_; iii. 544; iv. 54 + +_Stanzas to Jessy_, i. 234 + +_Stanzas to the Po_, iv. 545 + +_Stanzas written in passing the Ambracian Gulf_, _ii. 128_; iii. _4_, 11 + +_Stanzas written on the road between Florence and Pisa_, iv. 562 + +_Star, The_, iii. 534 + +Stasicrates the architect, _vi. 479_ + +_Statesman, The_, _i. 319_ + +Statius, _Thebaidos_, ii. 189 + +Staubbach, _ii. 383_; iv. 81, 82, _119, 124_ + +Steno, Michele, iv. 333, 345, 349, 463 + +Stefanovíc, Vuk (Wuk Stephanowitsch), _Narodne Srpske Pjesme_; _Chants + Populaires des Servics_, iii. 188 + +Steinmetz, Adam, _v. 175_ + +Stephani, _ii. 446_; _Thesaurus_, _iv. 113_ + +Stephen, Leslie, _iv. 513_ + +Sterne, _Tristram Shandy_, ii. 176; _vi. 487_; _Sentimental Journey_, + _vi. 214_ + +Sternhold and Hopkins, v. 279 + +Sternhold, Tom, vii. 39 + +Stevens, John, continuation of Dugdale's _Monasticon_, v. 200, _207_ + +Stevenson, Sir John, _iii. 423_ + +Stewart, Dugald, _Philosophical Essays_; _Outlines of Moral Philosophy_, + _vi. 63_ + +Stewart, George, midshipman on the _Bounty_ ("Torquil" of _The Island_), + v. 583, 584; short account of, _v. 605_ + +Stewart, Peggy, _v. 605_ + +Stickles, John, _i. 417_ + +Stilicho, _ii. 390_ + +Stillingfleet, Benjamin, _iv. 573_ + +Stirling, Edward ("Vetus"), vii. 28 + +Stoics, "men without a heart," vi. 225 + +Stole, a long loosely-flowing robe, ii. 101 + +Stonehenge, vi. 434 + +Stott, Robert ("Hafiz"), i. _306, 308_, 352, 357, _358_, 370; ii. 139 + +Stout, Captain Benjamin, of the American ship _Hercules_, _vi. 89_ + +Strabo, ii. 173, 178, 196, 204, _512_; _v. 497_; _vi. 116, 122_; _Rerum + Geog._, _v. 21, 24, 542_ + +Strahan, William, publisher of Johnson's _Dictionary_, Gibbon's _Decline + and Fall_, Cook's _Voyages_, etc., vii. 56 + +Stralenheim, Baron, v. 327 + +Strangford, Percy Clinton Sydney Smythe, 6th Viscount, _Poems from the + Portuguese by Luis de Camoëns_, i. _78, 305_, 320, 370 + +Stroganoff Collection, St. Petersburg, _ii. 446_ + +Strutt, Joseph, _Sports and Pastimes_, _vi. 471_ + +Stuart, editor of _Morning Post_, _i. 31_ + +Stuart, Daniel, editor of _Courier_, _i. 422_ + +Stuart, _Personal Reminiscences of the late Miss_, _i. 423_ + +Stuart, Princess Annabella (Countess of Huntly), _i. 173_ + +Stumpf, De, _Chroniques des Ligues_, iv. 4 + +Styx, river, vi. 184 + +_Substitute for an Epitaph_, vii. 11 + +Suetonius, ii. 298, _409_, 488; _iv. 270_; _Vitæ C. Julius Cæsar_, ii. + _397, 434_, 509; _v. 484_; vi. _181, 276, 575_; _Vit. August._, ii. + 488, 509, 518; _Vit. Tiberii_, ii. 488; _De XII. Cæsaribus_, _iv. 124, + 445_; _vi. 174_; _Opera Omnia_, _v. 501_; in Tiberium, _vii. 36_ + +Suicide, vi. 265, 517 + +Suleyman Aga, ii. 205; _v. 558_ + +Suli, district of, ii. 126, 141; vi. 171 + +Suliotes, the, ii. 129, 146, 180; vii. 83 + +Sulla, _iv. 251_; vi. 348 + +Sulpicius Servius, ii. 362 + +Sulpitius Severus, _ii. 133_ + +_Sun of the Sleepless!_ iii. 399 + +_Sunday News_, ii. 535 + +Sunium, vi. 172 + +_Supernaculum_, v. 354 + +Superstition, ii. 128 + +Surrey, Henry Howard, Earl of, iv. 239 + +Surrey Institution, _iv. 575_; _vi. 12_ + +Surrey Theatre, vii. 59 + +_Surtees Society_, _v. 207_ + +Sussex, Duke of, _vi. 590_ + +Suwarrow (Suvóroff, Suwarof, Souvarof, Souwarrow), Field-Marshal + Aleksandr Vasilievitch, vi. _14_, 222, 304, 315, 316, _317_, 319, 320, + 322-326, 370, 393 + +Swedes, _v._ Russians, _iv. 207, 233_; Bohemia evacuated by the, _v. + 371_ + +Swift, Dean, i. _397_, 414, 418, 419; _ii. 78_; _iv. 342_; vi. _142_, + 303; _Tale of a Tub_, iv. 484; _The South Sea Project_, _v. 159_; _The + Journal of Stella_, _vi. 187_; _Corinna_, _vi. 454_; _Letters_, _vi. + 528_ + +Swimming, Byron's feats of, _ii. 461_ + +Swinburne, A.C., _Marino Faliero, a Tragedy_, iv. 329, _367_; + _Selections from the Works of Lord Byron_, vi. xvi, xx + +Swine Green, Nottingham, _vii. 1_ + +Swinton, Hon. Mrs. J.R., _A Sketch of the Life of Georgiana, Lady de + Ros_, _ii. 229_ + +_Swiss Tour, Journal of Byron's_, _iv. 95, 107_ + +Sylla, ii. 166, 392; iii. 308; _iv. 179_ + +Sylvester, John, _vi. 7_ + +Symonds, J.A., _Renaissance in Italy_, _ii. 355, 356_; iv. 280, 281, + _289_; _Memoirs of Count Carlo Gozzi_, _ii. 339_; translation of _Life + of Benvenuto Cellini_, _v. 516, 518, 521_; "Evening, all things thou + bringest," _vi. 180_ + +Symonds, bookseller, iv. 482 + +_Sympathetic Address to a Young Lady_ (_Lines to a Lady Weeping_), iii. + 45 + +Symplegades, the Cyanean, ii. 456, 525; v. 573; vi. 129; _vii. 10_ + +Syncellus, Georgius, _Chronographia_, v. 281, _302_ + +Syracuse, battle of, ii. 341 + +Syri _Sententiæ_, _ii. 420_ + +Syrius, Publius, _i. 414_ + + + +T + +Taborite, or Hussite, Crusade, _v. 549_ + +Tacitus, _Annales_, ii. _242_, 293, _375, 409_; _Histor._, ii. 294, 299; + _Agricola_, _iii. 198_ + +Tact, vi. 63 + +Tænaron, Cape, _ii. 193_ + +Tagus, river, ii. 31 + +Tahiri, Dervish, ii. 175, 176; iii. _134_, 450 + +Tahiti, v. 582-584, _588_ + +Tahiti, Queen of, _ii. 7_ + +Talavera, battle of, ii. xi, _39_, 49, 50, 89 + +_Tales_, vi. xv + +_Tales of a Grandfather_, _ii. 337_; _vi. 12_ + +_Tales of my Landlord_, iv. 284 + +Talfourd, v. 114 + +Talleyrand, _v. 573_; _vi. 507_ + +Talleyrand, Dorothée, Duchesse de, _vi. 417_ + +Talleyrand, Edmond de Talleyrand Périgord, Duc de, _vi. 417_ + +Talus, the slope or inclination of a wall, vi. 343 + +Talvi, _Languages and Literature ofthe Slavic Nations_, _iii. 188_ + +Tambour, Turkish drum, iii. 160 + +Tambourgi, drummer, ii. 146 + +Tamerlane, iii. 312; v. 489 + +_Taming of the Shrew_, vi. 297 + +Tappa-cloth, or guatoo (Tonga), v. 600 + +Tarentum, Duke of, vii. 24 + +Tarik, ii. 89 + +Tarkū (Tirhakah), king of Ethiopia, v. 4 + +Tarleton, General, i. 479 + +Tarpeian Rock, ii. 413 + +Tarquins, the, iv. 334 + +Tarragona, British Consul, _iii. 13_ + +Tarsus, v. 23 + +Tasso, Cornelia, _iv. 146_ + +Tasso, Torquato, i. 313; _iv. 265_; vii. 52; _Gerusalemme Liberata_, _i. + 312_; ii. _133, 143, 246, 329_, 467, 485; iii. 215, _362_; _vi. 34_; + _Rinaldo_, _i. 398_; "In Venice Tasso's echoes are no more," ii. 329; + "Thy choral memory of the Bard divine," etc., ii. 342; "their glory + and their shame," ii. 355; "Peace to Torquato's injured shade," ii. + 358; Boileau _v._, ii. 484; and the Cruscans, ii. 485; _Sonnet_, _iii. + 417_; _The Lament of_, iv. 139-152, 237 + +Tattersall, Rev. John Cecil ("Davus"), i. 97, 98 + +Tauchnitz, _ii. 335_ + +Taurida Palace, St. Petersburg, _vi. 386_ + +Tavell, Rev. G.F., i. 406 + +Taylor, Thomas, translation of the _Periegesis Græciæ_, _iv. 109, 566_ + +Tcharacovista valley, ii. _132_, 182 + +Tchocadar, Turkish attendant, iii. 176 + +Telemachus, ii. 118 + +Telemachus, an Eastern monk, ii. 520 + +Tellez, Gabriel (Tirso de Molina), _El Burlador de Sevilla y Convidado + de Piedra_, vi. xvi + +Temenos, _ii. 132_ + +Tempe, ii. 129, _384_ + +_Tempest, The_ (Shakespeare), ii. 213; _v. 478_; vi. 428 + +_Tempest, The_ (spurious), iii. xx + +Temple, Lord, _iv. 510_ + +Teniers, vi. 502 + +Tennyson, Lord, _Palace of Art_, _ii. 123_; _Break, break, break_, _ii. + 126_; _In Memoriam_, _ii. 461_; _vi. 516_; _Locksley Hall_, iv. _43_, + 319; "Of old sat Freedom on the Heights," _iv. 196_; _Ode on the Death + of the Duke of Wellington_, _iv. 501_; _Locksley Hall, Sixty Years + After_, _vi. 180_ + +Tenorio, Don Juan, vi. xvi + +Teos, birthplace of Anacreon, _vi. 171_ + +Tepeleni, ii. 134, 174, 202 + +Terence, i. 480; _Andrea_, vi. 484; _Eun._, _vi. 598_ + +Terentia, wife of Tully, _iv. 253_ + +Terentius Varro, M., ii. 92; _iv. 253_; _Rerum Rusticarum_, _vi. 348_ + +Tereus, _iv. 287_ + +Terni, the Cascata del Marmore of, ii. 383 + +Terpsichore, i. 483 + +Terrick, Richard, Bishop of London, _ii. 108_ + +Terry, Ellen, as "Josephine" in _Werner_, v. 324 + +Tertullian, _De Carne Christi_, _vi. 573_ + +_Terza rima_, iv. 239, 243, 244, 313 + +Teuman, king of Elam, v. 4 + +Thackeray, W.M., _Vanity Fair_, _vi. 197_ + +Thakombau, king, _v. 600_ + +Thamas Kouli Khan, Nadir Shah, vi. 384 + +Thames, ii. 66; vi. 434 + +_The Harp the Monarch Minstrel swept_, iii. 382 + +_The spell is broke, the charm is flown_, iii. 12 + +Théatre Impérial Lyrique, v. 2 + +Theatre Royal, Brussels, v. 2 + +Theatre Royal, Haymarket, _Werner_ at, v. 324 + +Theatre Royal, Manchester, _Sardanapalus_ at, v. 2 + +Thebes, ii. 93 + +Thellusson, Peter Isaac (Lord Rendlesham), banker, _i. 425, 471_ + +Themistocles, ii. 190; _iii. 85_; _iv. 423_ + +Theodoret, _Hist. Eccl._, ii. 521 + +Theodoric, _iv. 386_ + +Theodosius, ii. _390_, 472 + +_There was a time, I need not name_, i. 264 + +Thermia (Kythnos) island, _ii. 156_ + +Thermopylæ, ii. 149; iii. 21, 91 + +Theseus, ii. 102; _vi. 255_; Temple of, i. 459; iii. 272 + +Thessaly, _ii. 126_ + +Thetis, v. 489; vi. 184 + +Thibault, _Mes Souvenirs de vingt ans de Séjour à Berlin, ou Frédéric le + Grand, etc._, _v. 637_ + +Thirty Years' War, the, _ii. 186_; v. 340 + +Thirza, Abel's wife, v. 209 + +Thisbe, vi. 235 + +Thistlewood, _vi. 67_ + +_Thomas_, wreck of the, _vi. 103, 110_ + +Thomson (_Seasons_), ii. 5, _65_, 489; iii. 224; _v. 615_; _vi. 200_; + his use of "shook," _v. 135_; _Castle of Indolence_, v. 502; + _Liberty_, _vi. 200_ + +Thomson, Ninian Hill, translation of Machiavelli's _Il Principe_, _vi. + 424_ + +Thornton, Thomas, _Present State of Turkey_, ii. 191, 194-196, 206 + +Thoroton, _History of Nottinghamshire_, _iv. 35_ + +Thorpe, Markham, _iii. 425_ + +Thorwaldsen, _vi. 79_ + +_Thou art not false, but thou art fickle_, iii. 64 + +_Thoughts suggested by a College Examination_, i. 28 + +Thrasybulus, ii. 150, 185; iv. 440 + +Thrasymene, Lake, ii. 377-379; battle of, ii. 505 + +Throsby, _Thornton's History of Nottinghamshire_, _iv. 35_ + +Thun, Lake, _iv. 119_ + +Thurlow, Edward Hovell, Lord, _Poems on Several Occasions_, vii. 17-19; + _Hermilda in Palestine_, vii. 19 + +_Thy days are done_, iii. 391 + +Thyrza, iii. 30, _388_ + +Tiber, ii. 390 + +Tiberius Cæsar, ii. 374, _408_, 488 + +Tibullus, i. 73; _Sulpicia ad Cerinthum_, i. 74; _Eleg._, _iii. 199_ + +Tickell, pasquinade on Wilkes, _iv. 511_ + +Ticknor, George, _History of Spanish Literature_, _iv. 484, 496, 523, + 530_; _v. 207_; vi. xx, _40, 41_ + +Tigris, river, _v. 13_ + +Tilleman, Peter, his picture of Newstead Abbey, _vi. 590_ + +Tillotson, Archbishop, vi. 128, 303 + +Tilly, Johann Tserclas, Count von, v. 371, 416 + +Tilly, Mr., possessor of Tom Paine's bones, _vii. 65_ + +Timariots, the, iii. 166 + +Timbuctoo, vi. 51 + +_Times, The_, ii. xii, _11, 288, 401_; iii. 534; v. 114, 324; _vi. 275_; + vii. 27, 28 + +Timoleon, iii. 452; iv. 423 + +Timon, ii. 8 + +Timophanes, iii. 452; _iv. 423_ + +Timor island, v. 583 + +Timúr Bey, or Timúr Lang (Tamerlane), iii. 312; v. 489 + +Tindal, Dr., _i. 449_ + +Tio Jorge (Jorge Ibort), v. 559 + +Tipaldo, _Biografia degli Italian Illustri_, _iv. 245, 457_ + +Tiraboschi, _Storia delta Letteratura Italiana_, ii. _481_, 486, _494_, + 496, _501_ + +Tiresias, vi. 535 + +Tirhakah (Tarkū), king of Ethiopia, v. 4 + +Titans, vi. 385 + +Tithonus, _v. 497_ + +Titian, iv. 141; vi. 502, 589; Venus of, iv. 162; his portrait of, + Ariosto, _iv. 162_ + +Titius, _ii. 492_ + +Titus, ii. _392, 409_, 410, _424, 445_; iii. 401; vi. 139, 174; "Amici, + diem perdidi," vi. 575 + +_Titus Andronicus_, _ii. 22_ + +Tlepolemus, a worker in wax, _ii. 168_ + +_To----_, i. 242; iv. 564 + +_To a beautiful Quaker_, i. 38 + +_To a knot of Ungenerous Critics_, i. _38_, 213 + +_To a Lady_, i. 189; _iv. 37_ + +_To a Lady, on being asked my reason for quitting England in the + Spring_, i. 282 + +_To a Lady who presented the Author with the velvet band which bound her + tresses_, i. 212, _233_ + +_To a Lady, who presented to the Author a lock of hair braided with his + own, and appointed a night in December to meet him in the garden_, i. + 36 + +_To a vain Lady_, i. _70_, 244 + +_To a youthful friend_, i. 271 + +_To an Oak at Newstead_, i. 256 + +_To Anne_, i. _70_, 246, 251 + +_To Belshazzar_, iii. 421 + +_To Caroline_, i. xi, 8, 9, 21, 23 + +_To D----_, i. 7 + +_To Dives. A Fragment_, _ii. 37_; vii. 7 + +_To E----_, i. 4, _20_ + +_To Edward Noel Long_, i. _101_, 184, _244_ + +_To Eliza_, i. xi, 47 + +_To Emma_, i. 12 + +_To Florence_, iii. _4_, 5 + +_To Genevra (sonnet)_, iii. _67_, 70, 71 + +_To George, Earl of Delawarr_, i. _7_, 126 + +_To George Anson Byron_, vii. 41 + +_To Harriet_, i. 263 + +_To her who can best understand them_ (spurious), iii. xxi + +_To Ianthe_, ii. 11; _iii. 65, 384_ + +_To Inez_, ii. _59_, 75; _iii. 1_ + +_To Lady Caroline Lamb_ (spurious), iii. xxi + +_To Lesbia_, i. 41 + +_To Lord Thurlow_, vii. 19 + +_To M--_, i. 68 + +_To M.S.G._, i. 76, 79 + +_To Marion_, i. 129, _263_ + +_To Mary_, i. xi, xiii + +_To Mary, on receiving her Picture_, i. 32, _192_ + +_To Miss Chaworth_ (spurious), iii. xx + +_To Miss E.P._ [_To Eliza_], i. xi + +_To Mr. Murray_, vii. 44, 56, 76 + +_To my dear Mary Anne_ (spurious), iii. xx + +_To my Son_, i. 260; vi. 591 + +_To Penelope_, vii. 71 + +_To Romance_, i. 174 + +_To the Author of a Sonnet beginning, "'Sad is my Verse,' you say, 'And + yet no tear'"_, i. 252 + +_To the Countess of Blessington_, iv. 565 + +_To the Duke of Dorset_, i. 194 + +_To the Earl of Clare_, i. 200 + +_To the Hon. Mrs. George Lamb_, vii. 15 + +_To the Lily of France_ (spurious), iii. xx + +_To the sighing Strephon_, i. 63 + +_To Thomas Moore_, vii. 43, 46 + +_To Thomas Moore, written the Evening before his visit to Mr. Leigh Hunt + in Horsemonger Lane Gaol, May 19, 1813_, vii. 16 + +_To Thyrza_, _ii. 104_; iii. 30 + +_To Woman_, i. 43 + +Toa, a drooping casuarina, v. 599 + +Tobacco, in praise of, v. 615 + +_Tobit_, _v. 286, 527_ + +Todd, Rev. J.H., Archdeacon of Cleveland ("Oxoniensis"), _A Remonstrance + to Mr. John Murray respecting a Recent Publication_, v. 202 + +Token-flowers, iii. 17 + +Tolbooth prison, Edinburgh, i. 334 + +Toledo, Judah de, translation of Avicenna's _Works_, _iv. 523_ + +Tolstoi, _War and Peace_, _vi. 351_ + +Tomaros, Mount (Olytsika), ii. _132_, 134, 182 + +Tomasini, _Petrarca Redivivus_, _ii. 373_ + +Tonson, Jacob, publisher of _The Spectator_, _vi. 555_; vii. 56 + +Toobo Neuha, a Tongau chieftain, v. 609 + +Tooke, Andrew, _Pantheon_, _vi. 26_ + +Tooke, John Home (_Pantheon_), _ii. 156_; iv. _513_, 516; vi. 580 + +Tooke, Thomas, _vi. 480_ + +Tooke, W., _Life of Catherine II._, _vi. 314, 370, 386, 389, 395, 417_ + +Tophaike, musquet, iii. 96 + +Topham, Captain, editor of _The World_, _i. 353, 358_ + +Tornabuoni, Lucrezia, iv. 280 + +Torniellus, _v. 306_ + +Torrens. W.T. M'Cullagh, _Memoirs of Viscount Melbourne_, i. 476 + +Torriano, Anonimo, _iv. 332_ + +Torstenson, Lennart, Swedish General, v. 371 + +Tortoises, in the Troad, vi. 204 + +Tott, Baron de, _Memoirs concerning the State of the Turkish Empire_, + vi. 261, 277 + +Tournefort, Joseph Pitton de, _Relation d'un Voyage du Levant_, _iii. + 121, 295_; _v. 294_; _vi. 216, 233_ + +Tower of London, i. 438 + +_Towneley Plays_, _v. 207_ + +Townly, i. 399 + +Townsend, Rev. George, Canon of Durham, _Armageddon_, _i. 403_ + +Townshend, Lord John, pasquinade on Wilkes, _iv. 511_ + +Tozer, H.F. _Geography of Greece_; _Childe Harold_, ii. _60, 62, 113, + 117, 123, 134, 139, 143_, 146, _158, 167_, 180-182, 186, _217, 271_, + 292, _344, 373, 452_ + +Tractors, metallic, i. 307 + +Trafalgar, ii. 126, 178, 459 + +Trajan, his column, ii. 410, 411 + +Tranchant de Laverne, L.M.P., _The Life of Field Marshal Souvaroff_, + _vi. 222, 320-322_ + +_Translation from Adrian_, i. 20 + +_Translation from Anacreon_, i. 147, 149, 228 + +_Translation from Catullus, Ad Lesbiam_, i. 72 + +_Translation from Horace_, i. 81 + +_Translation from Prometheus Vinctus of Æschylus_, i. 14 + +_Translation from the Medea of Euripides_, i. 168 + +_Translation from Vittorelli_, iv. 535 + +_Translation of a Romaic Love Song_, iii. 62 + +_Translation of the Epitaph on Virgil and Tibullus by Domitius Marsus_, + i. 73 + +_Translation of the famous Greek War Song_, [Δευτε παιδες τωv + Ἑλλήνων] [Greek: Deute paides tôv HEllê/nôn], iii. 20 + +_Translation of the Nurse's Dole in the Medea of Euripides_, vii. 10 + +_Translation of the Romaic Song_, [Μρένω μες' τὸ περιβόλι, + Ὡραιοτάτη Χαηδή, κ.τ.λ.] [Greek: Mre/nô mes' to\ peribo/li, + HÔraiota/tê Chaêdê/, k.t.l.], iii. 22 + +Travis, Archdeacon George, _ii. 283_ + +Treason Bill, iv. 511 + +Trecentisti, the, vi. 168 + +Tree, Miss Ellen (afterwards Mrs. Charles Kean), iv. 78; as "Myrrha" in + _Sardanapalus_, v. 2 + +Trelawny, E.T., _Records of Shelley, Byron, and the Author_, _iv. 539_; + _vii. 78_; _Recollections, etc._, _vi. 608_ + +_Trévoux, Journal de_ (_Mémoires de_), iv. 578 + +Trimmer, Sarah, _Easy Introduction to the Study of Nature_; _History of + the Robins_, vi. 18 + +Tripolitza, iii. 447 + +Tripp, Baron, i. 476, _499_ + +Triptolemus, v. 570 + +Tritonia, or Tritogenia, epithet of Athene, ii. 156 + +Troad, the, vi. 204 + +Trocnow, John of (surnamed Žižka, or the "One-eyed"), v. 549 + +_Troilus and Cressida_, _ii. 124_; _iv. 319_ + +Troppau, Congress at, _v. 563_ + +Troubadours, the, ii. 6 + +Troy, ii. 294; iv. _243_, 334; vi. 173, 211 + +Troyes, Bishop of, _ii. 338_ + +Tschairowsky, "_Manfred_ Symphony," iv. 78 + +Tubal-Cain, _v. 291_ + +"Tuism," vi. 575 + +Tullia, Cicero's daughter, _ii. 405_ + +Tully, _iv. 253_ + +Tully, Richard, _Narrative of a Ten Years' Residence in Tripoli in + Africa, etc._, _vi. 160_ + +Turcomans, the, iii. 453 + +Turenne, Marshal, _i. 493_; _iv. 262_ + +Turgot, _v. 554_ + +Turin, Agilulf, Duke of, ii. 489 + +Turkey, travelling in, ii. 204 + +Turks, ii. 206; their hatred of the Arabs, iii. 163; defeated by Greeks + near Lerna, _v. 556_ + +Turnus, i. 157, 161, 163 + +Turtukey, or Tutrahaw, fall of, _vi. 370_ + +Tuscan, "that soft bastard Latin," iv. 173 + +Tuscany and its Dukes, ii. 503 + +Tusculum, ii. 454, 522 + +Tweddell, _Remains of the late John_, _iii. 4_ + +Tweed, river, i. 334 + +_Twelfth Night_, vi. _268_, 272 + +_Two Foscari, The_, _ii. 187, 327_; iv. _364_, 477, 479; v. 3, 5, _9_, + 113-196, 199, 203, 469; _vi. 199, 586_; _vii. 77_ + +_Two Gentlemen of Verona_, _vi. 189_ + +Tyndal, N., translation of Cantemir's _Othman Empire_, _vi. 259_ + +Tyrants, the Thirty, vi. 446 + +Tyrconnel, Fanny Jennings, Duchess of, _vi. 496_ + +Tyre, i. 376; v. 4; vi. 348 + +Tyrian purple, vi. 574 + +Tyrwhitt, Rev. Edmund, _vii. 27_ + +Tyrwhitt, Thomas, editor of _Canterbury Tales_, _vii. 27_ + +Tyrwhitt, Sir Thomas, Private Secretary to the Prince of Wales, auditor + of the Duchy of Cornwall, Lord Warden of the Stannaries, Gentleman + Usher of the Black Rod, vii. 27 + +Tzigaras, A., _ii. 198_ + + + +U + +Uberti, Fazio degli, _iv. 248_ + +Ude, Louis Eustache, _The French Cook_, _vi. 562_ + +Uffizi Gallery, Florence, _ii. 365_ + +Ugolino, iv. 258 + +Ukraine, Russian, or frontier region, iv. 201, 220 + +Ulysses, vi. _117_, 149 + +Umbrinus, ii. _416_, 516 + +United States of America, war with England, _i. 496_ + +Unspunnen, Castle of, _iv. 110, 129_ + +Upton, William, _Poems on Several Occasions_; _Words of the most + Favourite Songs, Duets, etc._, vii. 59 + +Urban V., ii. 482 + +Urbino, Duke of, ii. 503 + +Urbino, Simone di Battista di Ciarla da, _iv. 174_ + +Urdamanē, king of Ethiopia, v. 4 + +Urlichs, Dr. H.S., _The Elder Pliny's Chapters on the History of Art_, + _ii. 432_ + +Urquhart, translation of Rabelais' _Gargantua_, _v. 354_ + +Ursinus, Fulvius, ii. 510, 517 + +Usbergo, or sbergo, _iv. 308_ + +Ushant, battle of, _vi. 12_ + +Uticans, the, _v. 506_ + +Utraikey, or Lutraki, ii. _142_, 143 + +Utrecht, Peace of, iv. 334 + + + +V + +Vacca, Flaminius, ii. 508, 509, 511, 515 + +Vaccination, i. 307; vi. 50 + +Vaga, Pierrin del, _ii. 437_ + +Valentia, George Annesley, Viscount, _Voyages and Travels, etc._, _i. + 378, 379_ + +Valenza, Cardinal of, _ii. 367_ + +Valerianus, I.P., _De fulminum significationibus Declamatio_, _ii. 489_ + +Valerius Flaccus, _Argonaut_, i. 200 + +Valerius Maximus, _Factorum Dictorumque Memorabilia_, _ii. 437_; iii. + 307; _v. 543_; _vi. 46_ + +Valetta, iii. 24 + +Valid, son of Abdalmalek, _iii. 120_ + +Vallance, General Charles, R.E., _Essay on the Celtic Language_, _vi. + 337_ + +Vallaresso, Ermolao, _v. 134_ + +Valley of Sweet Waters, _ii. 153_ + +Valori, _vi. 337_ + +Valpy, A.J., _ii. 437_ + +Vampires, iii. 121-123 + +Vanbrugh, _The Provoked Husband_, _i. 399_ + +Vandals, the, iii. 235, 251 + +Vansittart, _i. 471_ + +Varchi, _Ercolano_, _ii. 495_ + +Varro, M. Terentius, ii. 92; _iv. 253_; _Rerum Rusticarum_, _vi. 348_ + +Vasari, _iv. 163_ + +Vasilly the Albanian, _ii. 75, 130_ + +_Vathek_ (W. Beckford), ii. 37; iii. _59_, 76, _87, 105, 109, 110, 121, + 145, 478_; iv. _45, 89, 113_, 244 + +Vauban, _vi. 344_ + +Vaughan, Charles Richard, _Narrative of the Siege of Saragoza_, ii. 91, + 94 + +Vaughan, Taylor, _A Familiar Epistle, etc._, _i. 445_; _iv. 74_ + +_Vault, The_, _vii. 35_ + +Vaux, James Hardy, _Vocabulary of the Flash Language_, _vi. 431_ + +Velinus, Lake, ii. 382, _384_ + +Vely Pasha, Vizier of the Morea, ii. 203, 205 + +Vendôme Column, v. 548 + +Vendoti, Georgie (Bentotes, or Bendotes), ii. 197; _iii. 121_ + +Venetian Institute, the, _iv. 457_ + +Venetian Lombardy, iv. 197 + +Venetians, besiege Athens, ii. 165; their love of music and poetry, ii. + 471; their society and manners, iv. 469 + +Veneziano, Luca, _iv. 283_ + +Venezuela, _v. 555_ + +Venice, ii. 327; decline of, ii. 477; iv. 193-198, 456; Alamanni's + prophecy, _iv. 459_ + +_Venice, a Fragment_, iv. 537 + +Veniero, Sebastian, _ii. 340_ + +Venturi, _iv. 318_ + +Venus de' Medici, ii. _365_, 489; vi. 200 + +Venus, cestus of, ii. 272 + +_Venus and Adonis_, _vi. 487_ + +Venuti, Ab. R., _Accurata et Succincta Descrizione di Roma moderna_, ii. + _513_, 517 + +Vercingetorix, _iv. 331_ + +Vernet, vi. 502 + +Vernon, Admiral Edward, vi. 12 + +Vernon, Lady, _Journal of Mary Frampton_, _vii. 40_ + +Veroccio, Andrea, _iv. 336_ + +Verona, Congress at, v. _537-539_, 562, _573_, 574, _575, 576_; vi. 453; + amphitheatre at, v. 561 + +Verres, i. 455; ii. 168, 170 + +Verrucchio, Gianciotto da, _iv. 316_ + +Verrucchio, Malatesta da, Lord of Rimini, _iv. 316_ + +Verrucchio, Paolo da, _iv. 316_ + +_Verses addressed in the Year 1812 to the Hon. Mrs. George Lamb_, _iii. + 32_ + +_Verses found in a Summer-house at Hales-Owen_, iii. 59 + +_Versicles_, vii. 45 + +_Version of Ossian's Address to the Sun, A_, vii. 2 + +_Very mournful Ballad on the Siege and Conquest of Alhama, A_, iii. xix; + iv. 529 + +Vespasian, ii. 298, _392, 408, 410_, 512, 524 + +Vespucci, Amerigo, _iv. 262_ + +Vestris, _i. 347_ + +Vesuvius, v. 552 + +Vevey, ii. 277, 303 + +Vianolo, _L'Histoire Vénitienne_, _v. 124_ + +Vicovaro, village of, ii. 523 + +Vienna, Congress of, ii. 402; v. 538, _550, 562_; _vi. 399_; Siege of, + iii. 458; taken by the French, v. 550; Treaty of, _v. 550_ + +Villa Ludovisi, _ii. 432_ + +Villani, P., _Liber de Florentiæ Famosis Civibus_, _iv. 309_ + +Villanuova, Alberti di, _Dizzionario Universale_, _iv. 309_ + +Villari, Professor, _ii. 415_ + +Villehardouin, _ii. 329_ + +Villêle, M. de, _v. 575_ + +Villeneuve, town, iv. _18_, 26, _120_ + +Villeneuve, Jérôme Petion de, Mayor of Paris, vi. 13 + +Villiers, De, _Le Festin de Pierre, ou le fils criminel_, vi. xvi + +Vimercato, Augustino, _Canzoni di Dante, etc._, _iv. 248_ + +Vimiera, battle of, _ii. 39_ + +Virgil, iv. 319; vi. 73, _478_; _Æneid_, i. xii, 25, 151, _372_, 382, + 451, _477_; ii. _64, 71, 133, 143, 189, 384, 396_, 407, 510, 514; vi. + 521, _526_; Domitius Marsus' epitaph on, i. 73; "and Maro sang," i. + 312; _Georgics_, _i. 362, 440_; _ii. 379_; _vi. 323_; "forced no more + to groan O'er Virgil's devilish verses," i. 405; Heyne's edition of, + _i. 490_; "Alas, for Virgil's lay," ii. 392; Petrarch's, ii. 480; + Mantua his birthplace, ii. 507; _Eclogues_, iv. 567; _v. 289_; vi. 26, + _185_, 492 + +Visconti, Ennius Quirinus, ii. 324, _518_ + +Visconti, Filippo, Duke of Milan, v. 116 + +_Vision of Belshazzar_, iii. 397 + +_Vision of Don Roderick_, _i. 436_; _ii. 4, 51_ + +_Vision of Judgment_, _i. 305_; iv. 280, 473-525, _579_; _v. 196_; vi. + xvi, _4, 75, 338, 445_ + +Vitellius, ii. 299 + +Vitepsk, battle of, _iv. 207_ + +Vitiges, a Dalmatian, _ii. 390_ + +Vittorelli, Jacopo, iv. 535 + +Vittoria, battle of, _iii. 416_ + +Vittoria Colonna, _iv. 262_ + +Vivian, General, _ii. 234_ + +Viviani, Vincenzo, _ii. 369_ + +Vlack (Wallachia), Bey of, ii. 199 + +_Vocabolario Italiano-Latino_, _iv. 308_ + +Vogüé, Viscount E. Melchior de, _Le Fils de Pierre Le Grand_, _Mazeppa_, + etc., iv. 203, _220_ + +Voïart, Madame Elise, _Chants Populaires des Servics_, _iii. 188_ + +Volondorako, _ii. 142_ + +Voltaire, François Marie Arouet de, _Pucelle_, i. 437; _Candide, ou + l'Optimisme_, ii. _41_, 89, _281_; vi. 226; Rousseau and, _ii. 266_; + imprisoned in the Bastille, ii. 282; his Ferney Estate, ii. 306; + _Henriade_, _iii. 361_; _Mariamne_, _iii. 400_; Benjamin Brue, iii. + 442; Byron's _Sonnet to Lake Leman_, iv. 53; Wordsworth and Coleridge + _v._, _iv. 184_; _vi. 363_; _Histoire de Charles XII._, iv. 201, 205, + _220_; _OEuvres_, _iv. 212_; on Venice, _iv. 456_; _La Bible enfin + expliquée, etc._, _v. 208_; _Dieu et les Hommes_, _v. 210_; his grave, + _v. 548_; _Essai sur les Moeurs et L'Esprit des Nations_, v. 549; Nino + de Lenclos' bequest, _vi. 246_; Byron's two quotations from, vi. 266; + and Frederick the Great, _vi. 337_; _Correspondence avec L'Emperatrice + de Russie_, vi. 381; _Éléments de la Philosophie de Newton_, _vi. + 400_; "la bonne société régle tout," _vi. 470_ + +_Volume of Nonsense, A_, vii. 70 + +von Duhn, F., _ii. 395_ + +von Ranke, Leopold, _History of Servia_, _iii. 188_ + +von Stolberg, Louise, _ii. 369_ + +von Talvi, _Volkslieder der Serben_, _iii. 188_ + +Vopiscus, ii. 520 + +Vórskla river, _iv. 208, 233_ + +Vossius, I., _De Ant. Urb. Rom. Mag._, ii. 516 + +Vostizza, _ii. 60_ + +Voygoux, Louis Charles Antoine Desaix de, vi. 14 + +Vuilliemin, _Chillon Étude Historique_, iv. 5 + +Vuillier, G. (Heinemann), _History of Dancing_, _i. 492_ + + + +W + +Waddington, Samuel Ferrand, _A Key to a Delicate Investigation. An + Address to the People of the United Kingdom_, vi. 265 + +Wagner, Richard, _Rienzi_, _ii. 415_ + +Wahabees, the, ii. 151, 186 + +Waithman, Sir Robert ("Bobby"), M.P. for the City of London, _vii. 67, + 68_ + +Wake, Kyd, _iv. 511_ + +Walcheren Expedition, the, _vii. 29_ + +Waldegrave, James Earl, _Memoirs_, vii. 76 + +Waldie, Miss Jane, _iii. 313_; _Sketches Descriptive of Italy_, iv. 471 + +Waldstein, Albrecht Wenceslaus Eusebius, Count of, v. 371 + +Wales, Princess Charlotte of, _vi. 19_ + +Waliszewski, K., _The Story of a Throne_, _vi. 381, 389, 399, 412_; + _Romance of an Empress_, _vi. 388_ + +_Walker, Wolcot_ v., v. 204 + +Wallace Collection, the, _iv. 461_ + +Wallach, J.W., as "Ulric" in _Werner_, v. 324 + +Wallachia (Vlack), Bey of, ii. 199; conquered by the Austrians, _vi. + 222_ + +Waller, _i. 306_ + +Walpole, Horace, _ii. 480_; _vi. 208_; _Memoirs of the Reign of King + George II._, _iii. 299_; vii. 76; _Letters_, iv. 339, _367_; _vi. + 528_; _Castle of Otranto_; _Mysterious Mother_, iv. 339, _367_; "the + summer has set in with its usual severity," _iv. 505_ + +Walpole, Sir Robert, i. 414; vii. 68 + +Walpole, Rev. Robert, ii. 204 + +Walsh, Rev. Dr. R., _Narrative of a Resident in Constantinople_, _iii. + 16_ + +Walton, Izaak, vi. 513 + +_Waltz, The_, i. 475-502; ii. _53_, 177; _iii. 251_; v. 537; _vi. 151, + 448, 451_; _vii. 33, 46_ + +Warburton, Bishop (_The Divine Legation of Moses, etc._), v. 209; _vi. + 487_; "orthodoxy is _my doxy_," _vi. 267_; _Works of Pope_, _vi. 453_ + +Ward, Hon. J.W., iii. 217, 499; vii. 49, 54 + +Warden, William, _Letters written on board His Majesty's Ship the + Northumberland, and at St. Helena_, _v. 545_ + +Wardle, Colonel Gwyllim Lloyd, _i. 391_ + +Ware, ii. 66, _88_; bed of, vi. 272 + +Warens, Madame de, _ii. 266, 303_ + +Waring, Major John Scott, _ii. 7_ + +Warner, Mrs., as "Josephine" in _Werner_, v. 324 + +Warton, Dr. Joseph, _ii. 480_ + +Warton, Dr. Thomas, poet-laureate, _i. 305, 411_; _iii. 452, 474_; _vi. + 166_; _History of English Poetry_, v. 200, _207_ + +Warville, Jean Pierre Brissot de, vi. 13 + +Washington, George, iv. 516; v. 554; vi. 331, 376 + +Waterloo, ii. 226, 255, 293, _459_; iii. 429, 431; v. 538; vi. 345, 375, + 539 + +Watkins, Dr. John, _Memoirs, etc., of Lord Byron_, v. 203, _474_ + +Watson, James, a Radical agitator, vi. 265 + +Watson, Richard, Bishop of Llandaff, _ii. 283_; _Anecdotes of the Life + of_, v. 208 + +Watts, A.A., _iii. 280_ + +_Waverley_, _iv. 334_; v. 209; _vi. 272, 404_ + +Way, Billy, _i. 348_ + +Webb, William Frederick, _vi. 497_ + +Webb, Miss Geraldine (Lady Chermside), _vi. 497_ + +Weber, W.H. (Scott's amanuensis), _Metrical Romances of the 13th, 14th, + and 15th Centuries_, _i. 396_; _iii. 145_ + +Webster, Lady Elizabeth (afterwards Lady Holland), _ii. 80_ + +Webster, Lady Frances Wedderburn, iii. _67_, 69, 149, 218, 319, _390_; + vi. _375_, 451 + +Webster, James Wedderburn, iii. 149, _381_; _iv. 459_ _Waterloo and + other Poems_, vii. 45 + +Webster, Sir Godfrey, Bart., _ii. 80_ + +_Weekly Messenger_ (Boston), _iii. 297, 307_ + +_Weekly Political Register_, _ii. 40_ + +_Weekly Register_, v. 540, _572_; _vi. 266_ + +Weevers, John, _Funerall Monuments_, _vi. 422_ + +_Well! thou art happy_, i. 277; _iv. 37_ + +Wellesley, Marquis of, _ii. 79, 497_ + +Wellesley, William Pole Tylney Long, vi. 451 + +Wellington, Duke of, _i. 485_; v. 568, 575-577; "new victories," i. 496; + _Childe Harold_ on, ii. xi; Convention of Cintra, ii. 39, 86; has + enacted marvels, ii. 88; Lady de Ros, _ii. 230_; The "Holy Alliance," + _ii. 402_; Waterloo, _ii. 459_; vi. 345; in _Parenthetical Address_, + iii. 57; Mrs. Boehm's masquerade, _iv. 177_; Achilles statue in Hyde + Park inscribed to, _v. 535_; at the Vienna Congress, v. 539; "filled + the sign-posts then, like Wellesley now," vi. 12; "great moral + lesson," _vi. 266_; and Dan Mackinnon, _vi. 276_; _Don Juan, Canto + IX._, vi. 373; the Kinnaird-Marinet incident, _vi. 374_; "I have seen + a Duke turn politician stupider," vi. 452; "has but enslaved the + whites," vi. 461 + +_Wellington Despatches_, _ii. 50, 51_; _vi. 345, 374_ + +Wells, Bishop Hugh de, _vi. 596_ + +Welschinger, Henri, _L'Ami de M. de Tallyrand_, _vi. 507_ + +Wentworth, Lord, _i. 437_ + +Wentworth, W.C., _A Statistical Description, etc., of N.S. Wales_, _v. + 588_ + +_Were my bosom as false, etc._, iii. 399 + +_Werner_, _i. 369_; _iii. 521_; iv. _19, 21_, 81, _122, 226_; v. 279, + 323-466, _543, 549, 611, 612_; _vi. 148_ + +Werner, Franz von (Murad Effendi), iv. 329 + +Werner, Friedrich Ludwig Zacharias, _v. 347_ + +Werther, i. 476, 494 + +Wesley, John, iv. 522; vi. 303 + +West, Benjamin, i. _389_, 466 + +West, Mrs. W., actress, iv. 324 + +Westall, W., A.R.A., _ii. 11_; _vi. 478_ + +Western, _v. 572_ + +Westminster, Marquis of (Lord Robert Grosvenor), i. 412 + +_Westminster Review_, iii. _25_, 76; _vi. 3_; vii. 86 + +Westmoreland, John Fane, 10th Earl of, vii. 28 + +Westphalia, Peace of, _v. 340, 372_; Congress of, _vi. 531_ + +Wharton, Henry Thornton, _Sappho_, _vi. 180_ + +Wheat, prices in England (1818-1822), v. 539 + +Wheatley, H.B., _London Past and Present_, _iv. 161_ + +_When coldness wraps this suffering clay_, iii. 395 + +_When I roved a young Highlander_, i. 191 + +_When we two parted_, iii. 410 + +Whig Club of Fox's time, its uniform of blue and buff, vi. 9 + +Whig Club, Cambridge, vii. _66_, 68 + +Whiskey, a light carriage, ii. 65 + +Whist, vi. 173 + +Whiston, _vi. 400_ + +Whitbread, Samuel, _iii. 54_; _iv. 75, 519_; vi. 451; vii. 30 + +White, Henry Kirke, i. 363; _ii. 123_; _Remains_, iv. 522 + +White, Miss Lydia, Sydney Smith's "Tory Virgin," iv. 569; "Miss Diddle" + of _The Blues_, iv. 570; her death, iv. 587 + +Whitefield, _i. 412_ + +Whitworth, Earl of, _i. 195_ + +Wicklow, the Irish gold-mine in, i. 426 + +Wicksteed, Rev. Philip H., _iv. 248_ + +Wiel, Alethea, _Two Doges of Venice_, v. 119, _121, 133, 143, 171, 178, + 179, 183, 190, 193_ + +Wieland's _Oberon_, _i. 362_; _iii. 263_ + +Wilberforce, iv. 181; vi. 461, _549_ + +_Wild Gazelle, The_, iii. 384 + +Wilderswyl, village of, _iv. 119_ + +Wildman, Colonel Thomas, _i. 89, 257_; vi. _496, 497_, 589 + +Wilhelm, Paul, ii. 299 + +Wilkes, John, iv. 476, 480, 508-511 + +Wilkie, Dr. W., _i. 403_; _Epigoniad_, _i. 436_ + +Wilkie, Sir David, "The Defence of Saragossa," ii. 92 + +William the Conqueror, iv. 543; vi. 410 + +William and Mary, _vi. 496_ + +William I. of Germany, his "triumphant piety," _vi. 370_ + +William I. of Holland, _ii. 225_ + +William III., _i. 198_ + +Williams, Edward, v. 331 + +Williams, Hugh W., _Travels in Italy, Greece, etc._, _iii. 15, 16_ + +Williams (Anthony Pasquin), _i. 304_ + +Williams, Dr., _Theol. Lib._, iv. 479 + +Willis, Chief Justice, _iv. 585_ + +Willis, Rev. Dr. Francis, i. 416; _ii. 43_ + +Willis, John, _i. 416_ + +Willis, Margaret (Lady Beaumont), iv. 585 + +Willis' Rooms, _i. 347_ + +Wilmot, Juliana, Lady, _iii. 381_ + +Wilmot, Mrs. (Barberina Ogle), afterwards Lady Wilmot Horton, then Lady + Dacre, the original of "She walks in Beauty," _iii. 381_; iv. 569, + 570; vii. 48, _54_; _Ina, a Tragedy_, _vii. 48_ + +Wilmot, Sir Robert John (afterwards Wilmot Horton), _iii. 381_; vii. 54 + +Wilmot, Sir Robert, _iii. 381_ + +Wilson, printer, i. 452 + +Wilson, John (Christopher North), ii. 315, 462; _Isle of Palms_, iii. + 230; on Moore, _iv. 61_; v. 280; on _Manfred_, iv. 80, 81; on _Marino + Faliero_, iv. 329; _City of the Plague_, iv. 339; _Noctes Ambrosianæ_, + iv. 570; on _Heaven and Earth_, v. 280, 282; on _Don Juan_, _vi. 213_ + +Wilson, Sir Robert Thomas, "Southwark's Knight," _vii. 67_ + +Wilson, W., _A Missionary Voyage to the South Pacific Ocean, etc._, _v. + 605_ + +Winckelmann, _Storia delle Arti, etc._, ii. _396, 431, 432_, 490, 509, + 511, 512, 518 + +_Windsor Poetics. Lines composed on the Occasion of His Royal Highness + the Prince Regent being seen standing between the coffins of Henry + VIII. and Charles I. in the Royal Vault at Windsor_, vii. 35 + +Wingfield, Hon. John, _i. 96_; ii. 81, 82, 94 + +Winsor, Justin, _History of America_, _iv. 198_ + +Wirt, William, _Life of Patrick Henry_, _v. 560_ + +Wolcot, Dr. John (Peter Pindar), i. 294, _304, 390, 395, 412_; iv. 158; + _Instructions to a Laureat_, _iv. 519_; _Ode to a Margate Hoy_, _vii. + 5_ + +_Wolcot_ v. _Walker_, v. 204 + +Wolf of the Capitol, Rome, ii. 396 + +Wolf, F., _Primavera y Flor de Romances_, _iv. 529_ + +Wolfe, General James, vi. 12 + +Wolfe, Rev. C., _vi. 165_ + +Wolmar, Madame, ii. 305 + +Wolseley, Lord, _Decline and Fall of Napoleon_, _v. 551_ + +_Woman's Hair, A_, i. 233; _iii. 12_ + +Wood, J.T., _Modern Discoveries on the Site of Ancient Ephesus_, _ii. + 441_ + +Wood, the pedestrian, _i. 322_ + +Woodhouselee, Alexander Fraser Tytler, Lord, _Essay on Petrarch_, _ii. + 351_ + +Woodward, Dr. John, _Fossils of England_, _v. 632_ + +Worcester, battle of, _ii. 395_ + +Wordsworth, Miss Dorothy, _i. 422_; _iv. 585_ + +Wordsworth, John, captain of _The Earl of Abergavenny_, _vi. 91_ + +Wordsworth, William, _i. 305, 318, 331_; ii. 311; iii. 149; vi. 39, 80, + _587_; _vii. 70_ Byron's review of his _Poems_, _i. 234_; _Lyrical + Ballads_, i. 315, 316; _iv. 269_; Distributor of Stamps for the County + of Westmorland, _i. 321_; iv. 582; vi. 5; "Yet let them not to vulgar + Wordsworth stoop," etc., i. 368; "Let simple Wordsworth chime his + childish verse," i. 369; "write but like Wordsworth--live beside a + lake," i. 422; on Bland Burges, _i. 437_; _Concerning the Relations of + Great Britain, Spain, and Portugal_, ii. 87; "l'acent Wordsworthien," + _ii. 115_; iv. 6; as preached by Shelley, _ii. 219_; _Emperors and + Kings, etc._, _ii. 227_; "Not in the Lucid Intervals of Life," _ii. + 258_; _Tintern Abbey_, _ii. 261, 272_; _v. 613_; _Intimations of + Immortality_, _ii. 271, 352_; _Excursion_, _ii. 272, 281_; _v. 94, + 613_; vi. 4, 176; _On the Extinction of the Venetian Republic_, _ii. + 336_; _In the Pass of Killycranky_, _ii. 337_; _Near the Lake of + Thrasymene_, _ii. 377, 378_; _Descriptive Sketches_, _ii. 385_; "How + clear, how keen, how marvellously bright!" iii. xx; Coleridge's _Lines + to a Gentleman_, _iii. 336_; his quarrel with Byron, iii. 533; iv. + 479; _Song at the Feast of Brougham Castle_, _iv. 16, 27_; _Ruth_, iv. + 24; _Works_, _iv. 25, 27, 33, 220_; _A Poet's Epitaph_, _iv. 26_; + Byron an admirer of, _iv. 47_; "Wordsworth and Co.," _iv. 182_; + depreciates Voltaire, _iv. 184_; _Resolution and Independence_ + (originally _The Leech-gatherer_), iv. _267_, 582 _Two Addresses to + the Freeholders of Westmorland_, _iv. 341_; _Peter Bell_, _iv. 341_; + vi. 177; vii. 63, 64; Hazlitt on, _iv. 518_; referred to in _The + Blues_, iv. 585; _Sonnet to a Painter_, _v. 251_; "crazed beyond all + hope," vi. 74; "unexcised, unhired," vi. 175; _Benjamin the Waggoner_, + vi. 177; "poet Wordy," vi. 214; _Supplement to the Preface_ (_Poems_), + _ibid._; compared with Jacob Benmen, _vi. 268_; _Thanksgiving Ode_, + vi. 332; "has supporters two or three," vi. 445; Mackintosh, _vii. + 32_; _The White Doe of Rylstone; or, The Fate of the Nortons, a Poem_, + vii. 45; "the great metaquizzical poet," _vii. 72, 73_ + +_World, The_, _i. 358_; _vi. 525_ + +Wormeley, Katharine Prescott, translation of _Prince de Ligne's + Memoirs_, _vi. 415_ + +Wraxall, Sir N.W., _Historical Memoirs_, _vi. 478_; _Posthumous + Memoirs_, _vii. 29, 30_ + +Wren, C., i. 438 + +Wright, John, _ii. 217_; iii. 75, 443; _iv. 63_ + +Wright, Walter Rodwell, _Horæ Ionicæ_, i. 366; ii. x, _104_, 202 + +Wright, Professor, _Kufic Tombstones in the British Museum_, _iii. 120_ + +_Written after swimming from Sestos to Abydos_, iii. 13; _vi. 112_ + +Wul-wulleh, death-song of Turkish women, iii. 205 + +Wyatt, Sir Thomas, iv. 239 + +Wycherley, _i. 322_ + +Wylde, G., _i. 45_ + +Wynn, _iv. 520_ + +Wynne, iv. 476 + + + +X + +Xantippe, _iv. 253_ + +Xeres, v. 565 + +Xerxes, ii. 166; iv. 259; vi. 46, 169 + + + +Y + +Yakintu, king of Arvad, v. 4 + +Yanina, Janina, or Joannina, lake of, ii. 179, 189 + +Yarmouth, Maria Fagniani, Lady, _i. 501_ + +Yarmouth, Lord, "Red Herrings," _i. 493, 497, 501_; vii. 22 + +Yearsley, Ann, _i. 329_ + +Yesoukoï, Lieutenant-Colonel, vi. 354 + +Yonge, C.D., translation of Athenæus' _Deipno._, _v. 11_ + +York, Duchess of, _iii. 45_ + +York, Duke of, _i. 3, 391_; _ii. 169_; _iii. 45_; _iv. 587_; _vi. 67, + 451, 507_ + +Young, Edward, _Revenge_, i. 26, _409_; _iii. 158, 200_; _Night + Thoughts_, ii. 95, _161_; _iii. 129, 262_; _vi. 186, 450_; + _Resignation_, _vi. 450_; _Love of fame, the Universal Passion_, _vi. + 461_ + +Young, Rosalind A., _The Mutiny, etc._, _v. 622_ + +_Young Lochinvar_, _ii. 70_ + + + +Z + +Zama, battle of, _ii. 459_ + +Zanetti, ii. 472 + +Zanga, a character in Young's _Revenge_, i. 26, _409_ + +Zappi, Giovanni Battista, _iv. 271_ + +Zara, siege of, iv. 331, 332 + +Zaragoza, Augustina, maid of, ii. 58, 91 + +Zarina, Queen, character in _Sardanapalus_, v. 12 + +Zarotti, _iv. 287_ + +_Zechariah_, _v. 286_ + +Zegri, the, a Moorish tribe, v. 558 + +Zela, battle of, _ii. 398_ + +Zeller, Dr. E., _Socrates and the Socratic Schools_, _ii. 103_ + +_Zend-Avesta_, _iii. 110_; _iv. 112_ + +Zendrini, A., _Elogio di Jacopo Morelli_, _iv. 457_ + +Zeno, Carlo, ii. 477, 497 + +Zeus Olympius, Temple of, ii. 167 + +Ziani, Doge Sebastian, ii. 473 + +Zibeon, Esau's wife, _v. 285_ + +Zimri, king of Israel, _v. 107_ + +Zitza, convent and village of, ii. 129, 174, 180; _iii. 7_ + +Žižka, John of Trocnow, v. 549 + +Zoffani, _iv. 508_ + +Zoili of Albemarle Street, the, vi. xix, _467_ + +Zonaras, _Annales_, ii. 202 + +Zonta of Twenty, the, _iv. 385, 441_ + +Zoritch, or Zovitch, Catherine II.'s favourite, _vi. 388_ + +Zoroaster, the creed of, vi. 491 + +Zosimado, ii. 197 + +Zosimus, _Historiæ_, ii. 172 + +Zoubof, Plato, Catherine II.'s favourite, _vi. 388_ + +Zrini, Hungarian commander, iii. 442 + +Zsigetvar, siege of, iii. 442 + +Zuccari, _ii. 437_ + +Zuccato, Bartolommeo, _iv. 332_ + +Zuleika, Persian name of Potiphar's wife, _iii. 187_; vi. 254 + + + + +INDEX TO FIRST LINES. + + +(The first line is given of every _Poem_, and of each _Canto_ of the + longer Poems: that of the _Plays_ is omitted.) + + +A noble Lady of the Italian shore (_Poems 1816-1823_), iv. 547 + +A Spirit passed before me: I beheld (_Hebrew Melodies_), iii. 406 + +A Year ago you swore, fond she! (_Jeux d'Esprit, etc._), vii. 41 + +Absent or present, still to thee (_Poems 1809-1813_), iii. 50 + +Adieu, adieu! my native shore (_Childe Harold_, Canto I.), ii. 26 + +Adieu, thou Hill! where early joy (_Hours of Idleness_), i. 237 + +Adieu, ye joys of La Valette (_Poems 1809-1813_), iii. 24 + +Ægle, beauty and poet, has two little crimes (_Jeux d'Esprit, etc._), + vii. 76 + +Ah! gentle, fleeting, wav'ring sprite (_Hours of Idleness_), i. 20 + +Ah, heedless girl! why thus disclose (_Hours of Idleness_), i. 244 + +Ah! Love was never yet without (_Poems 1809-1813_), iii. 62 + +Ah!--What should follow slips from my reflection (_Don Juan_, Canto + XV.), vi. 544 + +And dost thou ask the reason of my sadness? (_Jeux of Esprit, etc._), + vii. 41 + +And thou art dead, as young and fair (_Poems 1809-1813_), iii. _32_, 41 + +And thou wert sad--yet I was not with thee (_Poems of July-September, + 1816_), iv. 63 + +And "thy true faith can alter never" (_Poems 1809-1813_), iii. 65 + +And wilt thou weep when I am low? (_Hours of Idleness_), i. 266 + +Anne's Eye is liken'd to the Sun (_Hours of Idleness_), i. 244 + +As by the fix'd decrees of Heaven (_Hours of Idleness_), i. 231 + +As o'er the cold sepulchral stone (_Poems 1809-1813_), iii. 4 + +As the Liberty lads o'er the sea (_Jeux d'Esprit, etc._), vii. 42 + +Away, away, ye notes of Woe! (_Poems 1809-1813_), iii. _32_, 35 + +Away, away,--your flattering arts (_Hours of Idleness_), i. 15 + +Away with your fictions of flimsy romance (_Hours of Idleness_), i. 82 + +Away, ye gay landscapes, ye gardens of rose (_Hours of Idleness_), i. + 171 + + +Behold the blessings of a lucky lot! (_Jeux d'Esprit, etc._), vii. 75 + +Belshazzar! from the banquet turn (_Poems 1814-1816_), iii. 421 + +Beneath Blessington's eyes (_Jeux d'Esprit, etc._), vii. 82 + +Beside the confines of the Ægean main (_Poems 1809-1813_), iii. 18 + +Bob Southey! You're a poet--Poet-Laureate (_Don Juan_, Dedication), vi. + 3 + +Born in a garret, in the kitchen bred (_Poems of the Separation_), iii. + 540 + +Breeze of the night in gentler sighs (_Hours of Idleness_), i. 262 + +Bright be the place of thy soul! (_Poems 1814-1816_), iii. 426 + +But once I dared to lift my eyes (_Poems 1816-1823_), iv. 564 + +By the rivers of Babylon we sat down and wept (_Hebrew Melodies_), iii. + 402 + + +Candour compels me, Becher! to commend (_Hours of Idleness_), i. 114 + +Chill and mirk is the nightly blast (_Poems 1809-1813_), iii. 7 + +Come, blue-eyed Maid of Heaven!--but Thou alas! (_Childe Harold_, Canto + II.), ii. 99 + +Could I remount the river of my years (_Poems of July-September, 1816_), + iv. 51 + +Could Love for ever (_Poems 1816-1823_), iv. 549 + +Cruel Cerinthus! does the fell disease (_Hours of Idleness_), i. 74 + + +Dear are the days of youth! (_Hours of Idleness_), i. 177 + +Dear Becher, you tell me to mix with mankind (_Hours of Idleness_), i. + 112 + +Dear Doctor, I have read your play (_Jeux d'Esprit, etc._), vii. 47 + +Dear Long, in this sequester'd scene (_Hours of Idleness_), i. 184 + +Dear Murray,--You ask for a "_Volume of Nonsense_" (_Jeux d'Esprit, + etc._), vii. 70 + +Dear object of defeated care! (_Poems 1809-1813_), iii. 19 + +Dear simple girl, those flattering arts (_Hours of Idlaiess_), i. 15 + +Do you know Dr. Nott? (_Jeux d'Esprit, etc._), vii. 78 + +Dorset! whose early steps with mine have stray'd (_Hours of Idleness_), + i. 194 + +Doubtless, sweet girl! the hissing lead (_Hours of Idleness_), i. 70 + + +Eliza! What fools are the Mussulman sect! (_Hours of Idleness_), i. 47 + +Equal to Jove that youth must be (_Hours of Idleness_), i. 72 + +Ere the daughter of Brunswick is cold in her grave (_Poems 1816-1823_), + iv. 555 + +Eternal Spirit of the chainless Mind (_Sonnet on Chillon_), iv. 7 + + +Fame, Wisdom, Love, and Power were mine (_Hebrew Melodies_), iii. 394 + +Famed for the contemptuous breach of sacred ties (_Jeux d'Esprit, + etc._), vii. 35 + +Famed for their civil and domestic quarrels (_Jeux d'Esprit, etc._), + vii. 36 + +Fare thee Well! and if for ever (_Poems of the Separation_), _ii. 274_; + iii. 499, 537 + +Farewell! if ever fondest prayer (_Poems 1814-1816_), iii. 409 + +Farewell to the Land, where the gloom of my Glory (_Poems 1814-1816_), + iii. 427 + +Father of Light, great God of Heaven (_Hours of Idleness_), i. 224 + +Few years have pass'd since thou and I (_Hours of Idleness_), i. 271 + +Fill the goblet again! for I never before (_Hours of Idleness_), i. 283 + +For Orford and for Waldegrave (_Jeux d'Esprit, etc._), vii. 76 + +Friend of my youth! when young we rov'd (_Hours of Idleness_), i. 200 + +From out the mass of never-dying ill (_Prophecy of Dante_, Canto III.), + iv. 261 + +From the last hill that looks on thy once holy dome (_Hebrew Melodies_), + iii. 401 + +From this emblem what variance your motto evinces! (_Jeux d'Esprit, + etc._), vii. 36 + + +God maddens him whom 't is his will to lose (_Jeux d'Esprit, etc._), + vii. 45 + +Good plays are scarce (_Jeux d'Esprit, etc._), vii. 12 + +Great Jove! to whose Almighty Throne (_Hours of Idleness_), i. 14 + + +Harriet, to see such Circumspection (_Hours of Idleness_), i. 263 + +He, unto whom thou art so partial (_Jeux d'Esprit, etc._), vii. 74 + +He who, sublime, in epic numbers roll'd (_Hours of Idleness_), i. 73 + +Here once engaged the stranger's view (_Hours of Idleness_), i. 259 + +Here's a happy New Year! but with reason (_Jeux d'Esprit, etc._), _ii. + 322_; vii. 64 + +High in the midst, surrounded by his peers (_Hours of Idleness_), i. 28 + +Hills of Annesley, Bleak and Barren (_Hours of Idleness_), i. 210 + +His father's sense, his mother's grace (_Jeux d'Esprit, etc._), vii. 54 + +How came you in Hob's pound to cool? (_Jeux d'Esprit, etc._), vii. 66 + +How pleasant were the songs of Toobonai! (_Island_, Canto II.), v. 598 + +How sweetly shines, through azure skies (_Hours of Idleness_), i. 131 + +Hush'd are the winds, and still the evening gloom (_Hours of Idleness_), + i. 5 + +Huzza! Hodgson, we are going (_Jeux d'Esprit, etc._), vii. 4 + + +I cannot talk of Love to thee (_Poems 1814-1816_), iii. 411 + +I enter thy garden of roses (_Poems 1809-1813_), iii. 22 + +I had a dream, which was not all a dream (_Poems of July-September, + 1816_), iv. 42 + +I heard thy fate without a tear (_Poems 1814-1816_), iii. 425 + +I now mean to be serious;--it is time (_Don Juan_, Canto XIII.), vi. 481 + +I read the "Christabel" (_Jeux d'Esprit, etc._), vii. 45 + +I saw thee weep--the big bright tear (_Hebrew Melodies_), iii. 390 + +I speak not, I trace not, I breathe not thy name (_Poems 1814-1816_), + iii. 319, 413 + +I stood beside the grave of him who blazed (_Poems of July-September, + 1816_), iv. 45 + +I stood in Venice on the "Bridge of Sighs" (_Childe Harold_, Canto IV.), + ii. 327 + +I want a hero: an uncommon want (_Don Juan_, Canto I.), vi. 11 + +I watched thee when the foe was at our side (_Jeux d'Esprit, etc._), + vii. 84 + +I wish to tune my quivering lyre (_Hours of Idleness_), i. 147 + +I would I were a careless child (_Hours of Idleness_), i. 205 + +I would to Heaven that I were so much clay (_Fragment on back of MS. of + Don Juan_, Canto I.), vi. 2 + +If Fate should seal my Death to-morrow (_Hours of Idleness_), i. 247 + +If for silver, or for gold (_Jeux d'Esprit, etc._), vii. 62 + +If from great Nature's or our own abyss (_Don Juan_, Canto XIV.), vi. + 516 + +If, in the month of dark December (_Poems 1809-1813_), iii. 13 + +If sometimes in the haunts of men (_Poems 1809-1813_), iii. 46 + +If that high world, which lies beyond (_Hebrew Melodies_), iii. 383 + +Ill-fated heart! and can it be (_Poems 1809-1813_), iii. 48 + +In Coron's bay floats many a galley light (_Corsair_, Canto II.), iii. + 249 + +In digging up your bones, Tom Paine (_Jeux d'Esprit, etc._), vii. 65 + +In hearts like thine ne'er may I hold a place (_Jeux d'Esprit, etc._), + vii. 40 + +In law an infant, and in years a boy (_Hours of Idleness_), i. 128 + +In moments to delight devoted (_Poems 1809-1813_), iii. 71 + +In Nottingham county there lives at Swan Green (_Jeux d'Esprit, etc._), + vii. 1 + +In one dread night our city saw and sighed (_Poems 1809-1813_), iii. 51 + +In one who felt as once he felt (_Hours of Idleness_), i. 253 + +In the beginning was the Word next God (_Morgante Maggiore_, Canto I.), + iv. 285 + +In the dome of my Sires as the clear moonbeam falls (_Poems 1809-1813_), + iii. 27 + +In the valley of waters we wept on the day (_Hebrew Melodies_), iii. 404 + +In the year since Jesus died for men (_Siege of Corinth_), iii. 449 + +In thee, I fondly hop'd to clasp (_Hours of Idleness_), i. 7 + +In this belovéd marble view (_Poems 1816-1823_), iv. 536 + +Is thy face like thy mother's, my fair child? (_Childe Harold_, Canto + III.), ii. 215 + +It is the hour when from the boughs (_Parisina_), iii. 505 + +It seems that the Braziers propose soon to pass (_Jeux d'Esprit, etc._), + vii. 72 + + +Kind Reader! take your choice to cry or laugh (_Jeux d'Esprit, etc._), + vii. 11 + +Know ye the land where the cypress and myrtle (_Bride of Abydos_, Canto + I.), iii. 157 + + +Lady! if the cold and cloudy clime (_Prophecy of Dante_, Dedication), + iv. 241 + +Lady! in whose heroic port (_Poems 1816-1823_), iv. 552 + +Lesbia! since far from you I've rang'd (_Hours of Idleness_), i. 41 + +Let Folly smile to view the names (_Hours of Idleness_), i. 4 + +Long years!--It tries the thrilling frame to bear (_Lament of Tasso_), + iv. 143 + +Lucietta, my deary (_Jeux d'Esprit, etc._), vii. 81 + + +Maid of Athens, ere we part (_Poems 1809-1813_), iii. 15; _iv. 214_ + +Many are Poets who have never penned (_Prophecy of Dante_, Canto IV.), + iv. 269 + +Marion! why that pensive brow? (_Hours of Idleness_), i. 129 + +Mingle with the genial bowl (_Hours of Idleness_), i. 228 + +Montgomery! true the common lot (_Hours of Idleness_), i. 107 + +Mrs. Wilmot sate scribbling a play (_Jeux d'Esprit, etc._), vii. 61 + +Muse of the many-twinkling feet! whose charms (_The Waltz_), i. 483 + +Must thou go, my glorious Chief? (_Poems 1814-1816_), iii. 428 + +My boat is on the Shore (_Jeux d'Esprit, etc._), vii. 46 + +My dear Mr. Murray (_Jeux d'Esprit, etc._), vii. 51 + +My hair is grey, but not with years (_Prisoner of Chillon_), iv. 13 + +My Sister! my sweet Sister! if a name (_Poems of July-September, 1816_), + iv. 57 + +My soul is dark--Oh! quickly string (_Hebrew Melodies_), iii. 389 + + +Nay, smile not at my sullen brow (_Childe Harold_, Canto I.: _To Inez_), + ii. 75 + +Newstead! fast-falling, once-resplendent dome! (_Hours of Idleness_), i. + 116 + +Night wanes--the vapours round the mountains curled (_Lara_, Canto II.), + iii. 348 + +Nisus, the guardian of the portal stood (_Hours of Idleness_), i. 151 + +No breath of air to break the wave (_Giaour_), iii. 85 + +No specious splendour of this stone (_Hours of Idleness_), i. 66 + +Nose and Chin that make a knocker (_Poems 1816-1823_), iv. 538 + +Not in those climes where I have late been staying (_Childe Harold_, + Canto I.: _To Ianthe_), ii. 11 + +Nothing so difficult as a beginning (_Don Juan_, Canto IV.), vi. 183 + + +O Love! O Glory! what are ye who fly? (_Don Juan_, Canto VII.), vi. 302 + +O Thou! who rollest in yon azure field (_Jeux d'Esprit, etc._), vii. 2 + +O thou yclep'd by vulgar sons of Men (_Jeux d'Esprit, etc._), vii. 7 + +O'er the glad waters of the dark blue sea (_Corsair_, Canto I.), iii. + 227 + +Of all the barbarous middle ages, that (_Don Juan_, Canto XII.), vi. 455 + +Of rhymes I printed seven volumes (_Jeux d'Esprit, etc._), vii. 55 + +Of two fair Virgins, modest, though admired (_Poems 1816-1823_), iv. 535 + +Oh, Anne, your offences to me have been grievous (_Hours of Idleness_), + i. 246 + +"Oh banish care"--such ever be (_Poems 1809-1813_), iii. 28 + +Oh, blood and thunder! and oh! blood and wounds! (_Don Juan_, Canto + VIII.), vi. 330 + +Oh! could Le Sage's demon gift (_Hours of Idleness_), i. 56 + +Oh! did those eyes, instead of fire (_Hours of Idleness_), i. 68 + +Oh, factious viper! whose envenom'd tooth (_Hours of Idleness_), i. 34 + +Oh, Friend! for ever lov'd, for ever dear (_Hours of Idleness_), i. 18 + +Oh! had my Fate been join'd with thine (_Hours of Idleness_), i. 189 + +Oh how I wish that an embargo (_Jeux d'Esprit, etc._), vii. 10 + +Oh Lady! when I left the shore (_Poems 1809-1813_), iii. 5 + +Oh! little lock of golden hue (_Hours of Idleness_), i. _211_, 233 + +Oh, Mariamne! now for thee (_Hebrew Melodies_), iii. 400 + +Oh! might I kiss those eyes of fire (_Hours of Idleness_), i. 75 + +Oh! my lonely--lonely--lonely--Pillow! (_Poems, 1816-1823_), iv. 563 + +Oh never talk again to me (_Poems 1809-1813_), iii. 1 + +Oh say not, sweet Anne, that the Fates have decreed (_Hours of + Idleness_), i. 251 + +Oh! snatched away in beauty's bloom (_Hebrew Melodies_), iii. 388 + +Oh, talk not to me of a name great in story (_Poems 1816-1823_), vi. 562 + +Oh, thou! in Hellas deemed of heavenly birth (_Childe Harold_, Canto + I.), ii. 15 + +Oh! thou that roll'st above thy glorious Fire (_Hours of Idleness_), i. + 229 + +Oh Venice! Venice! when thy marble walls (_Ode on Venice_), iv. 193 + +Oh! weep for those that wept by Babel's stream (_Hebrew Melodies_), iii. + 385 + +Oh well done Lord E---- n! and better done R---- r! (_Jeux d' Esprit, + etc._), vii. 13 + +Oh! well I know your subtle sex (_Hours of Idleness_), i. 242 + +Oh! Wellington! (or "Villainton")--for Fame (_Don Juan_, Canto IX.), vi. + 373 + +Oh! when shall the grave hide for ever my sorrow? (_Hours of Idleness_), + i. 21 + +Oh ye! who teach the ingenuous youth of nations (_Don Juan_, Canto II.), + vi. 87 + +Oh! yes, I will own we were dear to each other (_Hours of Idleness_), i. + 126 + +Oh you, who in all names can tickle the town (_Jeux d'Esprit, etc._), + vii. 16 + +On Jordan's banks the Arab's camels stray (_Hebrew Melodies_), iii. 386 + +Once fairly set out on his party of pleasure (_Jeux d' Esprit, etc._), + vii. 41 + +Once more in Man's frail world! which I had left (_Prophecy of Dante_, + Canto I.), iv. 247 + +One struggle more, and I am free (_Poems 1809-1813_), iii. _31, 32_, 36 + +Our life is two fold: Sleep hath its own world (_The Dream_), iv. 33 + + +Parent of golden dreams, Romance! (_Hours of Idleness_), i. 174 + +Posterity will ne'er survey (_Jeux d'Esprit, etc._), vii. 65 + + +Rail on, Rail on, ye heartless crew (_Hours of Idleness_), i. 213 + +Remember him, whom Passion's power (_Poems 1809-1813_), iii. 67 + +Remember thee! Remember thee! (_Poems 1809-1813_), iii. 59 + +Remind me not, remind me not (_Hours of Idleness_), i. 268 + +River, that rollest by the ancient walls (_Poems 1816-1833_), iv. 545 + +Rousseau--Voltaire--our Gibbon--and De Staël (_Poems of July-September, + 1816_), iv. 53 + + +Saint Peter sat by the celestial gate (_Vision of Judgment_), iv. 487 + +She walks in Beauty, like the night (_Hebrew Melodies_), iii. 381 + +Since now the hour is come at last (_Hours of Idleness_), i. 12 + +Since our Country, our God--Oh, my Sire (_Hebrew Melodies_), iii. 387 + +Since the refinement of this polish'd age (_Hours of Idleness_), i. 45 + +Slow sinks, more lovely ere his race be run (_Corsair_, Canto III.), + iii. 270 + +Slow sinks, more lovely ere his race be run (_The Curse of Minerva_), i. + 457 + +So we'll go no more a-roving (_Poems 1816-1823_), iv. _411_, 538 + +Sons of the Greeks, arise (_Poems 1809-1813_), iii. 20 + +Spot of my youth! whose hoary branches sigh (_Hours of Idleness_), i. + 208 + +Star of the brave!--whose beam hath shed (_Poems 1814-1816_), iii. 436 + +Start not--nor deem my spirit fled (_Hours of Idleness_), i. 276 + +Still must I hear?--shall hoarse Fitzgerald bawl? (_English Bards, and + Scotch Reviewers_), i. 297 + +Strahan, Tonson, Lintot of the times (_Jeux d' Esprit, etc._), vii. 56 + +Stranger! behold interred together (_Jeux d' Esprit, etc._), vii. 11 + +Sun of the sleepless! melancholy star! (_Hebrew Melodies_), iii. 399 + +Sweet girl, though only once we met (_Hours of Idleness_), i. 38 + + +Tambourgi! Tambourgi! thy 'larum afar (_Childe Harold_, Canto II.), ii. + 146 + +The antique Persians taught three useful things (_Don Juan_, Canto + XVI.), vi. 572 + +The Assyrian came down like the wolf on the fold (_Hebrew Melodies_), + iii. 404. + +The chain I gave was fair to view (_Poems 1809-1813_), iii. 49 + +The dead have been awakened--shall I sleep? (_Jeux d'Esprit, etc._), + vii. 83 + +The Devil returned to Hell by two (_Jeux d'Esprit, etc._), vii. 21 + +The fight was o'er; the flashing through the gloom (_Island_, Canto + III.), v. 618 + +The Gods of old are silent on their shore (_Poems 1816-1823_), iv. 566 + +The "good old times"--all times when old are good (_Age of Bronze_), v. + 541 + +The Harp the Monarch Minstrel swept (_Hebrew Melodies_), iii. 382 + +The Isles of Greece, The Isles of Greece (_Don Juan_, Canto III.), vi. + 169 + +The King was on his throne (_Hebrew Melodies_), iii. 397 + +The kiss, dear maid! thy lip has left (_Poems, 1809-1813_), iii. 23 + +The Land where I was born sits by the seas (_Francesca of Rimini_), iv. + 317 + +The man of firm and noble soul (_Hours of Idleness_), i. 81 + +The modest bard, like many a bard unknown (_Poems 1809-1813_), iii. 15 + +The Moorish King rides up and down (_Poems 1816-1823_), iv. 529 + +The Moralists tell us that Loving is Sinning (_Hours of Idleness_), i. + 262 + +The morning watch was come; the vessel lay (_Island_, Canto I.), v. 587 + +The Night came on the Waters--all was rest (_Poems 1814-1816_), iii. 419 + +The "Origin of Love"!--Ah, why (_Poems 1809-1813_), iii. 65 + +The roses of Love glad the garden of life (_Hours of Idleness_), i. 109 + +The sacred song that on mine ear (_Jeux d'Esprit, etc._), _iii. 32_; + vii. 15 + +The Serfs are glad through Lara's wide domain (_Lara_, Canto I.), iii. + 323 + +The Son of Love and Lord of War I sing (_Jeux d'Esprit, etc._), vii. 82 + +The Spell is broke, the charm is flown (_Poems 1809-1813_), iii. 12 + +The Spirit of the fervent days of Old (_Prophecy of Dante_, Canto II.), + iv. 255 + +The wild gazelle on Judah's Hills (_Hebrew Melodies_), iii. 384 + +The winds are high on Helle's wave (_Bride of Abydos_, Canto II.), iii. + 178 + +The world is a bundle of hay (_Jeux d'Esprit, etc._), vii. 65 + +The world is full of orphans: firstly those (_Don Juan_, Canto XVII.), + vi. 608 + +There be none of Beauty's daughters (_Poems 1814-1816_), iii. 435 + +There is a mystic thread of life (_Hours of Idleness_), i. 234 + +There is a tear for all that die (_Poems 1814-1816_), iii. 417 + +There is a tide in the affairs of men (_Don Juan_, Canto VI.), vi. 268 + +There is no more for me to hope (_Jeux d'Esprit, etc._), vii. 15 + +There was a time, I need not name (_Hours of Idleness_), i. 264 + +There's not a joy the world can give like that it takes away (_Poems + 1814-1816_), iii. 423 + +There's something in a stupid ass (_Jeux d'Esprit, etc._), vii. 63 + +These locks, which fondly thus entwine (_Hours of Idleness_), i. 36 + +They say that Hope is happiness (_Poems 1814-1816_), iii. 438 + +Thine eyes' blue tenderness, thy long fair hair (_Poems 1809-1813_), + iii. 70, _390_ + +Think'st thou I saw thy beauteous eyes (_Hours of Idleness_), i. 8 + +This Band, which bound thy yellow hair (_Hours of Idleness_), i. 212 + +This day, of all our days, has done (_Jeux d'Esprit, etc._). vii. 71 + +This faint resemblance of thy charms (_Hours of Idleness_), i. 32, _36_ + +This votive pledge of fond esteem (_Hours of Idleness_), i. 78 + +Those flaxen locks, those eyes of blue (_Hours of Idleness_), i. 260 + +Thou art not false, but thou art fickle (_Poems 1809-1818_), iii. 64 + +_Thou_ lay thy branch of _laurel_ down (_Jeux d'Esprit, etc._), vii. 19 + +Thou Power! who hast ruled me through Infancy's days (_Hours of + Idleness_), i. 254 + +Thou whose spell can raise the dead (_Hebrew Melodies_), iii. 392 + +Though the day of my Destiny's over (_Poems of July-September, 1816_), + iv. 54 + +Through cloudless skies, in silvery sheen (_Poems 1809-1818_), iii. 11 + +Through Life's dull road, so dim and dirty (_Jeux d'Esprit, etc._), vii. + 73 + +Through thy battlements, Newstead, the hollow winds whistle (_Hours of + Idleness_), i. 1 + +Thy cheek is pale with thought, but not from woe (_Poems 1809-1813_), + iii. 71 + +Thy days are done, thy fame begun (_Hebrew Melodies_), iii. 391 + +Thy verse is "sad" enough, no doubt (_Hours of Idleness_), i. 252 + +Time! on whose arbitrary wing (_Poems 1809-1813_), iii. 60 + +'T is done--and shivering in the gale (_Hours of Idleness_), i. 285 + +'T is done--but yesterday a King! (_Ode to Napoleon Buonaparte_), iii. + 305 + +'T is done--I saw it in my dreams (_Hours of Idleness_), i. 211 + +'T is fifty years, and yet their fray (_Poems 1816-1823_), iv. 542 + +'T is known, at least it should be, that throughout (_Beppo_), iv. 159 + +'T is midnight--but it is not dark (_Poems 1816-1823_), iv. 537 + +'T is time this heart should be unmoved (_Jeux d'Esprit, etc._), vii. 86 + +Titan! to whose immortal eyes (_Poems of July-September, 1816_), iv. 48 + +To be the father of the fatherless (_Poems 1816-1823_), iv. 548 + +To hook the Reader, you, John Murray (_Jeux d'Esprit, etc._), vii. 44 + +'T was after dread Pultowa's day (_Maseppa_), iv. 207 + +'T was now the hour, when Night had driven (_Hours of Idleness_), i. 149 + +'T was now the noon of night, and all was still (_Hours of Idleness_), + i. 217 + + +Unhappy Dives! in an evil hour (_Jeux d'Esprit, etc._), vii. 7 + +Up to battle! Sons of Suli (_Jeux d'Esprit, etc._), vii. 83 + + +Warriors and chiefs! should the shaft or the sword (_Hebrew Melodies_), + iii. 393 + +We do not curse thee, Waterloo! (_Poems 1814-1816_), iii. 431 + +We sate down and wept by the waters (_Hebrew Melodies_), iii. 402 + +Weep, daughter of a royal line (_Poems 1809-1813_), iii. 45 + +Well! thou art happy, and I feel (_Hours of Idleness_), i. 277; _iv. + 37_ + +Were my bosom as false as thou deem'st it to be (_Hebrew Melodies_), + iii. 399 + +What are to me those honours or renown? (_Jeux d'Esprit, etc._), vii. 85 + +What are you doing now? (_Jeux d'Esprit, etc._), vii. 43 + +What matter the pangs of a husband and father? (_Jeux d'Esprit, etc._), + vii. 71 + +What say _I_?--not a syllable further in prose (_Jeux d'Esprit, etc._), + vi. 39 + +When a man hath no freedom to fight for at home (_Jeux d'Esprit, etc._), + vii. 70 + +When all around grew drear and dark (_Poems of the Separation_), iii. + 544 + +When amatory poets sing their woes (_Don Juan_, Canto V.), vi. 218 + +When Bishop Berkeley said "there was no matter" (_Don Juan_, Canto XI.), + vi. 427 + +When coldness wraps this suffering clay (_Hebrew Melodies_), iii. 395 + +When Dryden's fool, "unknowing what he sought" (_Poems 1809-1813_), iii. + 59 + +When energising objects men pursue (_Poems 1809-1813_), iii. 55 + +When fierce conflicting passions urge (_Hours of Idleness_), i. 168 + +When Friendship or Love (_Hours of Idleness_), i. 49 + +When from the heart where Sorrow sits (_Poems 1809-1813_), iii. 69 + +When I hear you express an affection so warm (_Hours of Idleness_), i. + 23 + +When I rov'd a young Highlander o'er the dark heath (_Hours of + Idleness_), i. 191 + +When Man, expell'd from Eden's bowers (_Hours of Idleness_), i. 282 + +When Newton saw an apple fall, he found (_Don Juan_, Canto X.), vi. 400 + +When slow Disease, with all her host of Pains (_Hours of Idleness_ + [_Childish Recollections_]), i. 84 + +When some proud son of man returns to earth (_Hours of Idleness_), i. + 280 + +When the last sunshine of expiring Day (_Monody on the Death of + Sheridan_), iv. 71 + +When the vain triumph of the imperial lord (_Jeux d'Esprit, etc._), vii. + 37 + +When Thurlow this damned nonsense sent (_Jeux d'Esprit, etc._), vii. 17 + +When Time, or soon or late, shall bring (_Poems, 1809-1813_), iii. 39 + +When, to their airy hall, my Father's voice (_Hours of Idleness_), i. 21 + +When we two parted (_Poems 1814-1816_), iii. 410 + +Whene'er I view those lips of thine (_Hours of Idleness_), i. 76 + +Where are those honours, Ida, once your own? (_Hours of Idleness_), i. + 16 + +White as a white sail on a dusky sea (_Island_, Canto IV.), v. 626 + +Who hath not glowed above the page where Fame (_Poems 1814-1816_), iii. + 415 + +Who killed John Keats? (_Jeux d'Esprit, etc._), vii. 76 + +Who would not laugh, if Lawrence, hired to grace (_Hints from Horace_), + i. 389 + +Why, how now, saucy Tom? (_Jeux d'Esprit, etc._), vii. 74 + +Why, Pigot, complain? (_Hours of Idleness_), i. 53 + +Why should my anxious breast repine? (_Hours of Idleness_), i. 220 + +With Death doomed to grapple (_Jeux d'Esprit, etc._), vii. 64 + +Without a stone to mark the spot (_Poems 1809-1813_), iii. 30 + +Woman! Experience might have told me (_Hours of Idleness_), i. 43 + +Would you go to the house by the true gate? (_Jeux d'Esprit, etc._), + vii. 69 + +Ye cupids, droop each little head (_Hours of Idleness_), i. 74 + +Ye scenes of my childhood, whose lov'd recollection (_Hours of + Idleness_), i. 25 + +Yes! wisdom shines in all his mien (_Jeux d'Esprit, etc._), vii. 12 + +You call me still your _Life_.--Oh! change the word (_Poems 1809-1813_), + iii. 72 + +You have asked for a verse:--the request (_Poems 1816-1823_), iv. 565 + +You say you love, and yet your eye (_Hours of Idleness_), i. 9 + +Young Oak! when I planted thee deep in the ground (_Hours of Idleness_), + i. 256 + +Your pardon, my friend (_Hours of Idleness_), i. 63 + +Youth, Nature, and relenting Jove (_Jeux d'Esprit, etc._), vii. 10 + + + + + THE END. + + PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES. + + + + + + +End of the Project Gutenberg EBook of The Works of Lord Byron, Vol. 7., by +George Gordon Byron + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF LORD BYRON, VOL. 7. *** + +***** This file should be named 27577-0.txt or 27577-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/7/5/7/27577/ + +Produced by Jonathan Ingram, David Cortesi, and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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