summaryrefslogtreecommitdiff
path: root/2777-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '2777-0.txt')
-rw-r--r--2777-0.txt7365
1 files changed, 7365 insertions, 0 deletions
diff --git a/2777-0.txt b/2777-0.txt
new file mode 100644
index 0000000..b45831d
--- /dev/null
+++ b/2777-0.txt
@@ -0,0 +1,7365 @@
+The Project Gutenberg eBook of Cabbages and Kings, by O. Henry
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Cabbages and Kings
+
+Author: O. Henry
+
+Release Date: July 23, 2000 [eBook #2777]
+[Most recently updated: February 2, 2022]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Earle C. Beach and Joseph E. Loewenstein, M.D.
+
+*** START OF THE PROJECT GUTENBERG EBOOK CABBAGES AND KINGS ***
+
+[Illustration]
+
+[Illustration]
+“A little saint with a color more lightful than orange”
+
+
+
+
+CABBAGES AND KINGS
+
+by O. HENRY
+
+
+_Author of “The Four Million,” “The Voice of the
+City,” “The Trimmed Lamp,” “Strictly Business,”
+“Whirligigs,” Etc._
+
+
+
+
+ “The time has come,” the Walrus said,
+ “To talk of many things;
+ Of shoes and ships and sealing-wax,
+ And cabbages and kings.”
+
+ THE WALRUS AND THE CARPENTER
+
+
+Contents
+
+ THE PROEM BY THE CARPENTER
+ I. “FOX-IN-THE-MORNING”
+ II. THE LOTUS AND THE BOTTLE
+ III. SMITH
+ IV. CAUGHT
+ V. CUPID’S EXILE NUMBER TWO
+ VI. THE PHONOGRAPH AND THE GRAFT
+ VII. MONEY MAZE
+ VIII. THE ADMIRAL
+ IX. THE FLAG PARAMOUNT
+ X. THE SHAMROCK AND THE PALM
+ XI. THE REMNANTS OF THE CODE
+ XII. SHOES
+ XIII. SHIPS
+ XIV. MASTERS OF ARTS
+ XV. DICKY
+ XVI. ROUGE ET NOIR
+ XVII. TWO RECALLS
+ XVIII. THE VITAGRAPHOSCOPE
+
+
+
+
+THE PROEM
+BY THE CARPENTER
+
+
+They will tell you in Anchuria, that President Miraflores, of that
+volatile republic, died by his own hand in the coast town of Coralio;
+that he had reached thus far in flight from the inconveniences of an
+imminent revolution; and that one hundred thousand dollars, government
+funds, which he carried with him in an American leather valise as a
+souvenir of his tempestuous administration, was never afterward
+recovered.
+
+For a _real_, a boy will show you his grave. It is back of the town
+near a little bridge that spans a mangrove swamp. A plain slab of wood
+stands at its head. Some one has burned upon the headstone with a hot
+iron this inscription:
+
+RAMON ANGEL DE LAS CRUZES
+Y MIRAFLORES
+PRESIDENTE DE LA REPUBLICA
+DE ANCHURIA
+QUE SEA SU JUEZ DIOS
+
+
+It is characteristic of this buoyant people that they pursue no man
+beyond the grave. “Let God be his judge!”—Even with the hundred
+thousand unfound, though greatly coveted, the hue and cry went no
+further than that.
+
+To the stranger or the guest the people of Coralio will relate the
+story of the tragic end of their former president; how he strove to
+escape from the country with the public funds and also with Doña Isabel
+Guilbert, the young American opera singer; and how, being apprehended
+by members of the opposing political party in Coralio, he shot himself
+through the head rather than give up the funds, and, in consequence,
+the Señorita Guilbert. They will relate further that Doña Isabel, her
+adventurous bark of fortune shoaled by the simultaneous loss of her
+distinguished admirer and the souvenir hundred thousand, dropped anchor
+on this stagnant coast, awaiting a rising tide.
+
+They say, in Coralio, that she found a prompt and prosperous tide in
+the form of Frank Goodwin, an American resident of the town, an
+investor who had grown wealthy by dealing in the products of the
+country—a banana king, a rubber prince, a sarsaparilla, indigo, and
+mahogany baron. The Señorita Guilbert, you will be told, married Señor
+Goodwin one month after the president’s death, thus, in the very moment
+when Fortune had ceased to smile, wresting from her a gift greater than
+the prize withdrawn.
+
+Of the American, Don Frank Goodwin, and of his wife the natives have
+nothing but good to say. Don Frank has lived among them for years, and
+has compelled their respect. His lady is easily queen of what social
+life the sober coast affords. The wife of the governor of the district,
+herself, who was of the proud Castilian family of Monteleon y Dolorosa
+de los Santos y Mendez, feels honoured to unfold her napkin with
+olive-hued, ringed hands at the table of Señora Goodwin. Were you to
+refer (with your northern prejudices) to the vivacious past of Mrs.
+Goodwin when her audacious and gleeful abandon in light opera captured
+the mature president’s fancy, or to her share in that statesman’s
+downfall and malfeasance, the Latin shrug of the shoulder would be your
+only answer and rebuttal. What prejudices there were in Coralio
+concerning Señora Goodwin seemed now to be in her favour, whatever they
+had been in the past.
+
+It would seem that the story is ended, instead of begun; that the close
+of tragedy and the climax of a romance have covered the ground of
+interest; but, to the more curious reader it shall be some slight
+instruction to trace the close threads that underlie the ingenuous web
+of circumstances.
+
+The headpiece bearing the name of President Miraflores is daily
+scrubbed with soap-bark and sand. An old half-breed Indian tends the
+grave with fidelity and the dawdling minuteness of inherited sloth. He
+chops down the weeds and ever-springing grass with his machete, he
+plucks ants and scorpions and beetles from it with his horny fingers,
+and sprinkles its turf with water from the plaza fountain. There is no
+grave anywhere so well kept and ordered.
+
+Only by following out the underlying threads will it be made clear why
+the old Indian, Galvez, is secretly paid to keep green the grave of
+President Miraflores by one who never saw that unfortunate statesman in
+life or in death, and why that one was wont to walk in the twilight,
+casting from a distance looks of gentle sadness upon that unhonoured
+mound.
+
+Elsewhere than at Coralio one learns of the impetuous career of Isabel
+Guilbert. New Orleans gave her birth and the mingled French and Spanish
+creole nature that tinctured her life with such turbulence and warmth.
+She had little education, but a knowledge of men and motives that
+seemed to have come by instinct. Far beyond the common woman was she
+endowed with intrepid rashness, with a love for the pursuit of
+adventure to the brink of danger, and with desire for the pleasures of
+life. Her spirit was one to chafe under any curb; she was Eve after the
+fall, but before the bitterness of it was felt. She wore life as a rose
+in her bosom.
+
+Of the legion of men who had been at her feet it was said that but one
+was so fortunate as to engage her fancy. To President Miraflores, the
+brilliant but unstable ruler of Anchuria, she yielded the key to her
+resolute heart. How, then, do we find her (as the Coralians would have
+told you) the wife of Frank Goodwin, and happily living a life of dull
+and dreamy inaction?
+
+The underlying threads reach far, stretching across the sea. Following
+them out it will be made plain why “Shorty” O’Day, of the Columbia
+Detective Agency, resigned his position. And, for a lighter pastime, it
+shall be a duty and a pleasing sport to wander with Momus beneath the
+tropic stars where Melpomene once stalked austere. Now to cause
+laughter to echo from those lavish jungles and frowning crags where
+formerly rang the cries of pirates’ victims; to lay aside pike and
+cutlass and attack with quip and jollity; to draw one saving titter of
+mirth from the rusty casque of Romance—this were pleasant to do in the
+shade of the lemon-trees on that coast that is curved like lips set for
+smiling.
+
+For there are yet tales of the Spanish Main. That segment of continent
+washed by the tempestuous Caribbean, and presenting to the sea a
+formidable border of tropical jungle topped by the overweening
+Cordilleras, is still begirt by mystery and romance. In past times
+buccaneers and revolutionists roused the echoes of its cliffs, and the
+condor wheeled perpetually above where, in the green groves, they made
+food for him with their matchlocks and toledos. Taken and retaken by
+sea rovers, by adverse powers and by sudden uprising of rebellious
+factions, the historic 300 miles of adventurous coast has scarcely
+known for hundreds of years whom rightly to call its master. Pizarro,
+Balboa, Sir Francis Drake, and Bolivar did what they could to make it a
+part of Christendom. Sir John Morgan, Lafitte and other eminent
+swash-bucklers bombarded and pounded it in the name of Abaddon.
+
+The game still goes on. The guns of the rovers are silenced; but the
+tintype man, the enlarged photograph brigand, the kodaking tourist and
+the scouts of the gentle brigade of fakirs have found it out, and carry
+on the work. The hucksters of Germany, France, and Sicily now bag its
+small change across their counters. Gentleman adventurers throng the
+waiting-rooms of its rulers with proposals for railways and
+concessions. The little _opéra-bouffe_ nations play at government and
+intrigue until some day a big, silent gunboat glides into the offing
+and warns them not to break their toys. And with these changes comes
+also the small adventurer, with empty pockets to fill, light of heart,
+busy-brained—the modern fairy prince, bearing an alarm clock with
+which, more surely than by the sentimental kiss, to awaken the
+beautiful tropics from their centuries’ sleep. Generally he wears a
+shamrock, which he matches pridefully against the extravagant palms;
+and it is he who has driven Melpomene to the wings, and set Comedy to
+dancing before the footlights of the Southern Cross.
+
+So, there is a little tale to tell of many things. Perhaps to the
+promiscuous ear of the Walrus it shall come with most avail; for in it
+there are indeed shoes and ships and sealing-wax and cabbage-palms and
+presidents instead of kings.
+
+Add to these a little love and counterplotting, and scatter everywhere
+throughout the maze a trail of tropical dollars—dollars warmed no more
+by the torrid sun than by the hot palms of the scouts of Fortune—and,
+after all, here seems to be Life, itself, with talk enough to weary the
+most garrulous of Walruses.
+
+
+
+
+I
+“FOX-IN-THE-MORNING”
+
+
+Coralio reclined, in the mid-day heat, like some vacuous beauty
+lounging in a guarded harem. The town lay at the sea’s edge on a strip
+of alluvial coast. It was set like a little pearl in an emerald band.
+Behind it, and seeming almost to topple, imminent, above it, rose the
+sea-following range of the Cordilleras. In front the sea was spread, a
+smiling jailer, but even more incorruptible than the frowning
+mountains. The waves swished along the smooth beach; the parrots
+screamed in the orange and ceiba-trees; the palms waved their limber
+fronds foolishly like an awkward chorus at the prima donna’s cue to
+enter.
+
+Suddenly the town was full of excitement. A native boy dashed down a
+grass-grown street, shrieking: “_Busca el Señor Goodwin. Ha venido un
+telégrafo por el!_”
+
+The word passed quickly. Telegrams do not often come to anyone in
+Coralio. The cry for Señor Goodwin was taken up by a dozen officious
+voices. The main street running parallel to the beach became populated
+with those who desired to expedite the delivery of the despatch. Knots
+of women with complexions varying from palest olive to deepest brown
+gathered at street corners and plaintively carolled: “_Un telégrafo por
+Señor Goodwin!_” The _comandante_, Don Señor el Coronel Encarnación
+Rios, who was loyal to the Ins and suspected Goodwin’s devotion to the
+Outs, hissed: “Aha!” and wrote in his secret memorandum book the
+accusive fact that Señor Goodwin had on that momentous date received a
+telegram.
+
+In the midst of the hullabaloo a man stepped to the door of a small
+wooden building and looked out. Above the door was a sign that read
+“Keogh and Clancy”—a nomenclature that seemed not to be indigenous to
+that tropical soil. The man in the door was Billy Keogh, scout of
+fortune and progress and latter-day rover of the Spanish Main. Tintypes
+and photographs were the weapons with which Keogh and Clancy were at
+that time assailing the hopeless shores. Outside the shop were set two
+large frames filled with specimens of their art and skill.
+
+Keogh leaned in the doorway, his bold and humorous countenance wearing
+a look of interest at the unusual influx of life and sound into the
+street. When the meaning of the disturbance became clear to him he
+placed a hand beside his mouth and shouted: “Hey! Frank!” in such a
+robustious voice that the feeble clamour of the natives was drowned and
+silenced.
+
+Fifty yards away, on the seaward side of the street, stood the abode of
+the consul for the United States. Out from the door of this building
+tumbled Goodwin at the call. He had been smoking with Willard Geddie,
+the consul, on the back porch of the consulate, which was conceded to
+be the coolest spot in Coralio.
+
+“Hurry up,” shouted Keogh. “There’s a riot in town on account of a
+telegram that’s come for you. You want to be careful about these
+things, my boy. It won’t do to trifle with the feelings of the public
+this way. You’ll be getting a pink note some day with violet scent on
+it; and then the country’ll be steeped in the throes of a revolution.”
+
+Goodwin had strolled up the street and met the boy with the message.
+The ox-eyed women gazed at him with shy admiration, for his type drew
+them. He was big, blonde, and jauntily dressed in white linen, with
+buckskin _zapatos_. His manner was courtly, with a sort of kindly
+truculence in it, tempered by a merciful eye. When the telegram had
+been delivered, and the bearer of it dismissed with a gratuity, the
+relieved populace returned to the contiguities of shade from which
+curiosity had drawn it—the women to their baking in the mud ovens under
+the orange-trees, or to the interminable combing of their long,
+straight hair; the men to their cigarettes and gossip in the cantinas.
+
+Goodwin sat on Keogh’s doorstep, and read his telegram. It was from Bob
+Englehart, an American, who lived in San Mateo, the capital city of
+Anchuria, eighty miles in the interior. Englehart was a gold miner, an
+ardent revolutionist and “good people.” That he was a man of resource
+and imagination was proven by the telegram he had sent. It had been his
+task to send a confidential message to his friend in Coralio. This
+could not have been accomplished in either Spanish or English, for the
+eye politic in Anchuria was an active one. The Ins and the Outs were
+perpetually on their guard. But Englehart was a diplomatist. There
+existed but one code upon which he might make requisition with promise
+of safety—the great and potent code of Slang. So, here is the message
+that slipped, unconstrued, through the fingers of curious officials,
+and came to the eye of Goodwin:
+
+His Nibs skedaddled yesterday per jack-rabbit line with all the coin in
+the kitty and the bundle of muslin he’s spoony about. The boodle is six
+figures short. Our crowd in good shape, but we need the spondulicks.
+You collar it. The main guy and the dry goods are headed for the briny.
+You know what to do.
+
+
+BOB.
+
+
+This screed, remarkable as it was, had no mystery for Goodwin. He was
+the most successful of the small advance-guard of speculative Americans
+that had invaded Anchuria, and he had not reached that enviable
+pinnacle without having well exercised the arts of foresight and
+deduction. He had taken up political intrigue as a matter of business.
+He was acute enough to wield a certain influence among the leading
+schemers, and he was prosperous enough to be able to purchase the
+respect of the petty office-holders. There was always a revolutionary
+party; and to it he had always allied himself; for the adherents of a
+new administration received the rewards of their labours. There was now
+a Liberal party seeking to overturn President Miraflores. If the wheel
+successfully revolved, Goodwin stood to win a concession to 30,000
+manzanas of the finest coffee lands in the interior. Certain incidents
+in the recent career of President Miraflores had excited a shrewd
+suspicion in Goodwin’s mind that the government was near a dissolution
+from another cause than that of a revolution, and now Englehart’s
+telegram had come as a corroboration of his wisdom.
+
+The telegram, which had remained unintelligible to the Anchurian
+linguists who had applied to it in vain their knowledge of Spanish and
+elemental English, conveyed a stimulating piece of news to Goodwin’s
+understanding. It informed him that the president of the republic had
+decamped from the capital city with the contents of the treasury.
+Furthermore, that he was accompanied in his flight by that winning
+adventuress Isabel Guilbert, the opera singer, whose troupe of
+performers had been entertained by the president at San Mateo during
+the past month on a scale less modest than that with which royal
+visitors are often content. The reference to the “jack-rabbit line”
+could mean nothing else than the mule-back system of transport that
+prevailed between Coralio and the capital. The hint that the “boodle”
+was “six figures short” made the condition of the national treasury
+lamentably clear. Also it was convincingly true that the ingoing
+party—its way now made a pacific one—would need the “spondulicks.”
+Unless its pledges should be fulfilled, and the spoils held for the
+delectation of the victors, precarious indeed, would be the position of
+the new government. Therefore it was exceeding necessary to “collar the
+main guy,” and recapture the sinews of war and government.
+
+Goodwin handed the message to Keogh.
+
+“Read that, Billy,” he said. “It’s from Bob Englehart. Can you manage
+the cipher?”
+
+Keogh sat in the other half of the doorway, and carefully perused the
+telegram.
+
+“’Tis not a cipher,” he said, finally. “’Tis what they call literature,
+and that’s a system of language put in the mouths of people that
+they’ve never been introduced to by writers of imagination. The
+magazines invented it, but I never knew before that President Norvin
+Green had stamped it with the seal of his approval. ’Tis now no longer
+literature, but language. The dictionaries tried, but they couldn’t
+make it go for anything but dialect. Sure, now that the Western Union
+indorses it, it won’t be long till a race of people will spring up that
+speaks it.”
+
+“You’re running too much to philology, Billy,” said Goodwin. “Do you
+make out the meaning of it?”
+
+“Sure,” replied the philosopher of Fortune. “All languages come easy to
+the man who must know ’em. I’ve even failed to misunderstand an order
+to evacuate in classical Chinese when it was backed up by the muzzle of
+a breech-loader. This little literary essay I hold in my hands means a
+game of Fox-in-the-Morning. Ever play that, Frank, when you was a kid?”
+
+“I think so,” said Goodwin, laughing. “You join hands all ’round, and—”
+
+“You do not,” interrupted Keogh. “You’ve got a fine sporting game mixed
+up in your head with ‘All Around the Rosebush.’ The spirit of
+‘Fox-in-the-Morning’ is opposed to the holding of hands. I’ll tell you
+how it’s played. This president man and his companion in play, they
+stand up over in San Mateo, ready for the run, and shout:
+‘Fox-in-the-Morning!’ Me and you, standing here, we say: ‘Goose and the
+Gander!’ They say: ‘How many miles is it to London town?’ We say: ‘Only
+a few, if your legs are long enough. How many comes out?’ They say:
+‘More than you’re able to catch.’ And then the game commences.”
+
+“I catch the idea,” said Goodwin. “It won’t do to let the goose and
+gander slip through our fingers, Billy; their feathers are too
+valuable. Our crowd is prepared and able to step into the shoes of the
+government at once; but with the treasury empty we’d stay in power
+about as long as a tenderfoot would stick on an untamed bronco. We must
+play the fox on every foot of the coast to prevent their getting out of
+the country.”
+
+“By the mule-back schedule,” said Keogh, “it’s five days down from San
+Mateo. We’ve got plenty of time to set our outposts. There’s only three
+places on the coast where they can hope to sail from—here and Solitas
+and Alazan. They’re the only points we’ll have to guard. It’s as easy
+as a chess problem—fox to play, and mate in three moves. Oh, goosey,
+goosey, gander, whither do you wander? By the blessing of the literary
+telegraph the boodle of this benighted fatherland shall be preserved to
+the honest political party that is seeking to overthrow it.”
+
+The situation had been justly outlined by Keogh. The down trail from
+the capital was at all times a weary road to travel. A jiggety-joggety
+journey it was; ice-cold and hot, wet and dry. The trail climbed
+appalling mountains, wound like a rotten string about the brows of
+breathless precipices, plunged through chilling snow-fed streams, and
+wriggled like a snake through sunless forests teeming with menacing
+insect and animal life. After descending to the foothills it turned to
+a trident, the central prong ending at Alazan. Another branched off to
+Coralio; the third penetrated to Solitas. Between the sea and the
+foothills stretched the five miles breadth of alluvial coast. Here was
+the flora of the tropics in its rankest and most prodigal growth.
+Spaces here and there had been wrested from the jungle and planted with
+bananas and cane and orange groves. The rest was a riot of wild
+vegetation, the home of monkeys, tapirs, jaguars, alligators and
+prodigious reptiles and insects. Where no road was cut a serpent could
+scarcely make its way through the tangle of vines and creepers. Across
+the treacherous mangrove swamps few things without wings could safely
+pass. Therefore the fugitives could hope to reach the coast only by one
+of the routes named.
+
+“Keep the matter quiet, Billy,” advised Goodwin. “We don’t want the Ins
+to know that the president is in flight. I suppose Bob’s information is
+something of a scoop in the capital as yet. Otherwise he would not have
+tried to make his message a confidential one; and besides, everybody
+would have heard the news. I’m going around now to see Dr. Zavalla, and
+start a man up the trail to cut the telegraph wire.”
+
+As Goodwin rose, Keogh threw his hat upon the grass by the door and
+expelled a tremendous sigh.
+
+“What’s the trouble, Billy?” asked Goodwin, pausing. “That’s the first
+time I ever heard you sigh.”
+
+“’Tis the last,” said Keogh. “With that sorrowful puff of wind I resign
+myself to a life of praiseworthy but harassing honesty. What are
+tintypes, if you please, to the opportunities of the great and
+hilarious class of ganders and geese? Not that I would be a president,
+Frank—and the boodle he’s got is too big for me to handle—but in some
+ways I feel my conscience hurting me for addicting myself to
+photographing a nation instead of running away with it. Frank, did you
+ever see the ‘bundle of muslin’ that His Excellency has wrapped up and
+carried off?”
+
+“Isabel Guilbert?” said Goodwin, laughing. “No, I never did. From what
+I’ve heard of her, though, I imagine that she wouldn’t stick at
+anything to carry her point. Don’t get romantic, Billy. Sometimes I
+begin to fear that there’s Irish blood in your ancestry.”
+
+“I never saw her either,” went on Keogh; “but they say she’s got all
+the ladies of mythology, sculpture, and fiction reduced to chromos.
+They say she can look at a man once, and he’ll turn monkey and climb
+trees to pick cocoanuts for her. Think of that president man with Lord
+knows how many hundreds of thousands of dollars in one hand, and this
+muslin siren in the other, galloping down hill on a sympathetic mule
+amid songbirds and flowers! And here is Billy Keogh, because he is
+virtuous, condemned to the unprofitable swindle of slandering the faces
+of missing links on tin for an honest living! ’Tis an injustice of
+nature.”
+
+“Cheer up,” said Goodwin. “You are a pretty poor fox to be envying a
+gander. Maybe the enchanting Guilbert will take a fancy to you and your
+tintypes after we impoverish her royal escort.”
+
+“She could do worse,” reflected Keogh; “but she won’t. ’Tis not a
+tintype gallery, but the gallery of the gods that she’s fitted to
+adorn. She’s a very wicked lady, and the president man is in luck. But
+I hear Clancy swearing in the back room for having to do all the work.”
+And Keogh plunged for the rear of the “gallery,” whistling gaily in a
+spontaneous way that belied his recent sigh over the questionable good
+luck of the flying president.
+
+Goodwin turned from the main street into a much narrower one that
+intersected it at a right angle.
+
+These side streets were covered by a growth of thick, rank grass, which
+was kept to a navigable shortness by the machetes of the police. Stone
+sidewalks, little more than a ledge in width, ran along the base of the
+mean and monotonous adobe houses. At the outskirts of the village these
+streets dwindled to nothing; and here were set the palm-thatched huts
+of the Caribs and the poorer natives, and the shabby cabins of negroes
+from Jamaica and the West India islands. A few structures raised their
+heads above the red-tiled roofs of the one-story houses—the bell tower
+of the _Calaboza_, the Hotel de los Estranjeros, the residence of the
+Vesuvius Fruit Company’s agent, the store and residence of Bernard
+Brannigan, a ruined cathedral in which Columbus had once set foot, and,
+most imposing of all, the Casa Morena—the summer “White House” of the
+President of Anchuria. On the principal street running along the
+beach—the Broadway of Coralio—were the larger stores, the government
+_bodega_ and post-office, the _cuartel_, the rum-shops and the market
+place.
+
+On his way Goodwin passed the house of Bernard Brannigan. It was a
+modern wooden building, two stories in height. The ground floor was
+occupied by Brannigan’s store, the upper one contained the living
+apartments. A wide cool porch ran around the house half way up its
+outer walls. A handsome, vivacious girl neatly dressed in flowing white
+leaned over the railing and smiled down upon Goodwin. She was no darker
+than many an Andalusian of high descent; and she sparkled and glowed
+like a tropical moonlight.
+
+“Good evening, Miss Paula,” said Goodwin, taking off his hat, with his
+ready smile. There was little difference in his manner whether he
+addressed women or men. Everybody in Coralio liked to receive the
+salutation of the big American.
+
+“Is there any news, Mr. Goodwin? Please don’t say no. Isn’t it warm? I
+feel just like Mariana in her moated grange—or was it a range?—it’s hot
+enough.”
+
+“No, there’s no news to tell, I believe,” said Goodwin, with a
+mischievous look in his eye, “except that old Geddie is getting
+grumpier and crosser every day. If something doesn’t happen to relieve
+his mind I’ll have to quit smoking on his back porch—and there’s no
+other place available that is cool enough.”
+
+“He isn’t grumpy,” said Paula Brannigan, impulsively, “when he—”
+
+But she ceased suddenly, and drew back with a deepening colour; for her
+mother had been a _mestizo_ lady, and the Spanish blood had brought to
+Paula a certain shyness that was an adornment to the other half of her
+demonstrative nature.
+
+
+
+
+II
+THE LOTUS AND THE BOTTLE
+
+
+Willard Geddie, consul for the United States in Coralio, was working
+leisurely on his yearly report. Goodwin, who had strolled in as he did
+daily for a smoke on the much coveted porch, had found him so absorbed
+in his work that he departed after roundly abusing the consul for his
+lack of hospitality.
+
+“I shall complain to the civil service department,” said Goodwin;—“or
+is it a department?—perhaps it’s only a theory. One gets neither
+civility nor service from you. You won’t talk; and you won’t set out
+anything to drink. What kind of a way is that of representing your
+government?”
+
+Goodwin strolled out and across to the hotel to see if he could bully
+the quarantine doctor into a game on Coralio’s solitary billiard table.
+His plans were completed for the interception of the fugitives from the
+capital; and now it was but a waiting game that he had to play.
+
+The consul was interested in his report. He was only twenty-four; and
+he had not been in Coralio long enough for his enthusiasm to cool in
+the heat of the tropics—a paradox that may be allowed between Cancer
+and Capricorn.
+
+So many thousand bunches of bananas, so many thousand oranges and
+cocoanuts, so many ounces of gold dust, pounds of rubber, coffee,
+indigo and sarsaparilla—actually, exports were twenty per cent. greater
+than for the previous year!
+
+A little thrill of satisfaction ran through the consul. Perhaps, he
+thought, the State Department, upon reading his introduction, would
+notice—and then he leaned back in his chair and laughed. He was getting
+as bad as the others. For the moment he had forgotten that Coralio was
+an insignificant town in an insignificant republic lying along the
+by-ways of a second-rate sea. He thought of Gregg, the quarantine
+doctor, who subscribed for the London _Lancet_, expecting to find it
+quoting his reports to the home Board of Health concerning the yellow
+fever germ. The consul knew that not one in fifty of his acquaintances
+in the States had ever heard of Coralio. He knew that two men, at any
+rate, would have to read his report—some underling in the State
+Department and a compositor in the Public Printing Office. Perhaps the
+typesticker would note the increase of commerce in Coralio, and speak
+of it, over the cheese and beer, to a friend.
+
+He had just written: “Most unaccountable is the supineness of the large
+exporters in the United States in permitting the French and German
+houses to practically control the trade interests of this rich and
+productive country”—when he heard the hoarse notes of a steamer’s
+siren.
+
+Geddie laid down his pen and gathered his Panama hat and umbrella. By
+the sound he knew it to be the _Valhalla_, one of the line of fruit
+vessels plying for the Vesuvius Company. Down to _niños_ of five years,
+everyone in Coralio could name you each incoming steamer by the note of
+her siren.
+
+The consul sauntered by a roundabout, shaded way to the beach. By
+reason of long practice he gauged his stroll so accurately that by the
+time he arrived on the sandy shore the boat of the customs officials
+was rowing back from the steamer, which had been boarded and inspected
+according to the laws of Anchuria.
+
+There is no harbour at Coralio. Vessels of the draught of the
+_Valhalla_ must ride at anchor a mile from shore. When they take on
+fruit it is conveyed on lighters and freighter sloops. At Solitas,
+where there was a fine harbour, ships of many kinds were to be seen,
+but in the roadstead off Coralio scarcely any save the fruiters paused.
+Now and then a tramp coaster, or a mysterious brig from Spain, or a
+saucy French barque would hang innocently for a few days in the offing.
+Then the custom-house crew would become doubly vigilant and wary. At
+night a sloop or two would be making strange trips in and out along the
+shore; and in the morning the stock of Three-Star Hennessey, wines and
+drygoods in Coralio would be found vastly increased. It has also been
+said that the customs officials jingled more silver in the pockets of
+their red-striped trousers, and that the record books showed no
+increase in import duties received.
+
+The customs boat and the _Valhalla_ gig reached the shore at the same
+time. When they grounded in the shallow water there was still five
+yards of rolling surf between them and dry sand. Then half-clothed
+Caribs dashed into the water, and brought in on their backs the
+_Valhalla’s_ purser and the little native officials in their cotton
+undershirts, blue trousers with red stripes, and flapping straw hats.
+
+At college Geddie had been a treasure as a first-baseman. He now closed
+his umbrella, stuck it upright in the sand, and stooped, with his hands
+resting upon his knees. The purser, burlesquing the pitcher’s
+contortions, hurled at the consul the heavy roll of newspapers, tied
+with a string, that the steamer always brought for him. Geddie leaped
+high and caught the roll with a sounding “thwack.” The loungers on the
+beach—about a third of the population of the town—laughed and applauded
+delightedly. Every week they expected to see that roll of papers
+delivered and received in that same manner, and they were never
+disappointed. Innovations did not flourish in Coralio.
+
+The consul re-hoisted his umbrella and walked back to the consulate.
+
+This home of a great nation’s representative was a wooden structure of
+two rooms, with a native-built gallery of poles, bamboo and nipa palm
+running on three sides of it. One room was the official apartment,
+furnished chastely with a flat-top desk, a hammock, and three
+uncomfortable cane-seated chairs. Engravings of the first and latest
+president of the country represented hung against the wall. The other
+room was the consul’s living apartment.
+
+It was eleven o’clock when he returned from the beach, and therefore
+breakfast time. Chanca, the Carib woman who cooked for him, was just
+serving the meal on the side of the gallery facing the sea—a spot
+famous as the coolest in Coralio. The breakfast consisted of shark’s
+fin soup, stew of land crabs, breadfruit, a boiled iguana steak,
+aguacates, a freshly cut pineapple, claret and coffee.
+
+Geddie took his seat, and unrolled with luxurious laziness his bundle
+of newspapers. Here in Coralio for two days or longer he would read of
+goings-on in the world very much as we of the world read those
+whimsical contributions to inexact science that assume to portray the
+doings of the Martians. After he had finished with the papers they
+would be sent on the rounds of the other English-speaking residents of
+the town.
+
+The paper that came first to his hand was one of those bulky mattresses
+of printed stuff upon which the readers of certain New York journals
+are supposed to take their Sabbath literary nap. Opening this the
+consul rested it upon the table, supporting its weight with the aid of
+the back of a chair. Then he partook of his meal deliberately, turning
+the leaves from time to time and glancing half idly at the contents.
+
+Presently he was struck by something familiar to him in a picture—a
+half-page, badly printed reproduction of a photograph of a vessel.
+Languidly interested, he leaned for a nearer scrutiny and a view of the
+florid headlines of the column next to the picture.
+
+Yes; he was not mistaken. The engraving was of the eight-hundred-ton
+yacht _Idalia_, belonging to “that prince of good fellows, Midas of the
+money market, and society’s pink of perfection, J. Ward Tolliver.”
+
+Slowly sipping his black coffee, Geddie read the column of print.
+Following a listed statement of Mr. Tolliver’s real estate and bonds,
+came a description of the yacht’s furnishings, and then the grain of
+news no bigger than a mustard seed. Mr. Tolliver, with a party of
+favoured guests, would sail the next day on a six weeks’ cruise along
+the Central American and South American coasts and among the Bahama
+Islands. Among the guests were Mrs. Cumberland Payne and Miss Ida
+Payne, of Norfolk.
+
+The writer, with the fatuous presumption that was demanded of him by
+his readers, had concocted a romance suited to their palates. He
+bracketed the names of Miss Payne and Mr. Tolliver until he had
+well-nigh read the marriage ceremony over them. He played coyly and
+insinuatingly upon the strings of “_on dit_” and “Madame Rumour” and “a
+little bird” and “no one would be surprised,” and ended with
+congratulations.
+
+Geddie, having finished his breakfast, took his papers to the edge of
+the gallery, and sat there in his favourite steamer chair with his feet
+on the bamboo railing. He lighted a cigar, and looked out upon the sea.
+He felt a glow of satisfaction at finding he was so little disturbed by
+what he had read. He told himself that he had conquered the distress
+that had sent him, a voluntary exile, to this far land of the lotus. He
+could never forget Ida, of course; but there was no longer any pain in
+thinking about her. When they had had that misunderstanding and quarrel
+he had impulsively sought this consulship, with the desire to retaliate
+upon her by detaching himself from her world and presence. He had
+succeeded thoroughly in that. During the twelve months of his life in
+Coralio no word had passed between them, though he had sometimes heard
+of her through the dilatory correspondence with the few friends to whom
+he still wrote. Still he could not repress a little thrill of
+satisfaction at knowing that she had not yet married Tolliver or anyone
+else. But evidently Tolliver had not yet abandoned hope.
+
+Well, it made no difference to him now. He had eaten of the lotus. He
+was happy and content in this land of perpetual afternoon. Those old
+days of life in the States seemed like an irritating dream. He hoped
+Ida would be as happy as he was. The climate as balmy as that of
+distant Avalon; the fetterless, idyllic round of enchanted days; the
+life among this indolent, romantic people—a life full of music,
+flowers, and low laughter; the influence of the imminent sea and
+mountains, and the many shapes of love and magic and beauty that
+bloomed in the white tropic nights—with all he was more than content.
+Also, there was Paula Brannigan.
+
+Geddie intended to marry Paula—if, of course, she would consent; but he
+felt rather sure that she would do that. Somehow, he kept postponing
+his proposal. Several times he had been quite near to it; but a
+mysterious something always held him back. Perhaps it was only the
+unconscious, instinctive conviction that the act would sever the last
+tie that bound him to his old world.
+
+He could be very happy with Paula. Few of the native girls could be
+compared with her. She had attended a convent school in New Orleans for
+two years; and when she chose to display her accomplishments no one
+could detect any difference between her and the girls of Norfolk and
+Manhattan. But it was delicious to see her at home dressed, as she
+sometimes was, in the native costume, with bare shoulders and flowing
+sleeves.
+
+Bernard Brannigan was the great merchant of Coralio. Besides his store,
+he maintained a train of pack mules, and carried on a lively trade with
+the interior towns and villages. He had married a native lady of high
+Castilian descent, but with a tinge of Indian brown showing through her
+olive cheek. The union of the Irish and the Spanish had produced, as it
+so often has, an offshoot of rare beauty and variety. They were very
+excellent people indeed, and the upper story of their house was ready
+to be placed at the service of Geddie and Paula as soon as he should
+make up his mind to speak about it.
+
+By the time two hours were whiled away the consul tired of reading. The
+papers lay scattered about him on the gallery. Reclining there, he
+gazed dreamily out upon an Eden. A clump of banana plants interposed
+their broad shields between him and the sun. The gentle slope from the
+consulate to the sea was covered with the dark-green foliage of
+lemon-trees and orange-trees just bursting into bloom. A lagoon pierced
+the land like a dark, jagged crystal, and above it a pale ceiba-tree
+rose almost to the clouds. The waving cocoanut palms on the beach
+flared their decorative green leaves against the slate of an almost
+quiescent sea. His senses were cognizant of brilliant scarlet and
+ochres amid the vert of the coppice, of odours of fruit and bloom and
+the smoke from Chanca’s clay oven under the calabash-tree; of the
+treble laughter of the native women in their huts, the song of the
+robin, the salt taste of the breeze, the diminuendo of the faint surf
+running along the shore—and, gradually, of a white speck, growing to a
+blur, that intruded itself upon the drab prospect of the sea.
+
+Lazily interested, he watched this blur increase until it became the
+_Idalia_ steaming at full speed, coming down the coast. Without
+changing his position he kept his eyes upon the beautiful white yacht
+as she drew swiftly near, and came opposite to Coralio. Then, sitting
+upright, he saw her float steadily past and on. Scarcely a mile of sea
+had separated her from the shore. He had seen the frequent flash of her
+polished brass work and the stripes of her deck-awnings—so much, and no
+more. Like a ship on a magic lantern slide the _Idalia_ had crossed the
+illuminated circle of the consul’s little world, and was gone. Save for
+the tiny cloud of smoke that was left hanging over the brim of the sea,
+she might have been an immaterial thing, a chimera of his idle brain.
+
+Geddie went into his office and sat down to dawdle over his report. If
+the reading of the article in the paper had left him unshaken, this
+silent passing of the _Idalia_ had done for him still more. It had
+brought the calm and peace of a situation from which all uncertainty
+had been erased. He knew that men sometimes hope without being aware of
+it. Now, since she had come two thousand miles and had passed without a
+sign, not even his unconscious self need cling to the past any longer.
+
+After dinner, when the sun was low behind the mountains, Geddie walked
+on the little strip of beach under the cocoanuts. The wind was blowing
+mildly landward, and the surface of the sea was rippled by tiny
+wavelets.
+
+A miniature breaker, spreading with a soft “swish” upon the sand
+brought with it something round and shiny that rolled back again as the
+wave receded. The next influx beached it clear, and Geddie picked it
+up. The thing was a long-necked wine bottle of colourless glass. The
+cork had been driven in tightly to the level of the mouth, and the end
+covered with dark-red sealing-wax. The bottle contained only what
+seemed to be a sheet of paper, much curled from the manipulation it had
+undergone while being inserted. In the sealing-wax was the impression
+of a seal—probably of a signet-ring, bearing the initials of a
+monogram; but the impression had been hastily made, and the letters
+were past anything more certain than a shrewd conjecture. Ida Payne had
+always worn a signet-ring in preference to any other finger decoration.
+Geddie thought he could make out the familiar “I P”; and a queer
+sensation of disquietude went over him. More personal and intimate was
+this reminder of her than had been the sight of the vessel she was
+doubtless on. He walked back to his house, and set the bottle on his
+desk.
+
+Throwing off his hat and coat, and lighting a lamp—for the night had
+crowded precipitately upon the brief twilight—he began to examine his
+piece of sea salvage.
+
+By holding the bottle near the light and turning it judiciously, he
+made out that it contained a double sheet of note-paper filled with
+close writing; further, that the paper was of the same size and shade
+as that always used by Ida; and that, to the best of his belief, the
+handwriting was hers. The imperfect glass of the bottle so distorted
+the rays of light that he could read no word of the writing; but
+certain capital letters, of which he caught comprehensive glimpses,
+were Ida’s, he felt sure.
+
+There was a little smile both of perplexity and amusement in Geddie’s
+eyes as he set the bottle down, and laid three cigars side by side on
+his desk. He fetched his steamer chair from the gallery, and stretched
+himself comfortably. He would smoke those three cigars while
+considering the problem.
+
+For it amounted to a problem. He almost wished that he had not found
+the bottle; but the bottle was there. Why should it have drifted in
+from the sea, whence come so many disquieting things, to disturb his
+peace?
+
+In this dreamy land, where time seemed so redundant, he had fallen into
+the habit of bestowing much thought upon even trifling matters.
+
+He began to speculate upon many fanciful theories concerning the story
+of the bottle, rejecting each in turn.
+
+Ships in danger of wreck or disablement sometimes cast forth such
+precarious messengers calling for aid. But he had seen the _Idalia_ not
+three hours before, safe and speeding. Suppose the crew had mutinied
+and imprisoned the passengers below, and the message was one begging
+for succour! But, premising such an improbable outrage, would the
+agitated captives have taken the pains to fill four pages of note-paper
+with carefully penned arguments to their rescue.
+
+Thus by elimination he soon rid the matter of the more unlikely
+theories, and was reduced—though aversely—to the less assailable one
+that the bottle contained a message to himself. Ida knew he was in
+Coralio; she must have launched the bottle while the yacht was passing
+and the wind blowing fairly toward the shore.
+
+As soon as Geddie reached this conclusion a wrinkle came between his
+brows and a stubborn look settled around his mouth. He sat looking out
+through the doorway at the gigantic fire-flies traversing the quiet
+streets.
+
+If this was a message to him from Ida, what could it mean save an
+overture toward a reconciliation? And if that, why had she not used the
+same methods of the post instead of this uncertain and even flippant
+means of communication? A note in an empty bottle, cast into the sea!
+There was something light and frivolous about it, if not actually
+contemptuous.
+
+The thought stirred his pride and subdued whatever emotions had been
+resurrected by the finding of the bottle.
+
+Geddie put on his coat and hat and walked out. He followed a street
+that led him along the border of the little plaza where a band was
+playing and people were rambling, care-free and indolent. Some timorous
+_señoritas_ scurrying past with fire-flies tangled in the jetty braids
+of their hair glanced at him with shy, flattering eyes. The air was
+languorous with the scent of jasmin and orange-blossoms.
+
+The consul stayed his steps at the house of Bernard Brannigan. Paula
+was swinging in a hammock on the gallery. She rose from it like a bird
+from its nest. The colour came to her cheek at the sound of Geddie’s
+voice.
+
+He was charmed at the sight of her costume—a flounced muslin dress,
+with a little jacket of white flannel, all made with neatness and
+style. He suggested a stroll, and they walked out to the old Indian
+well on the hill road. They sat on the curb, and there Geddie made the
+expected but long-deferred speech. Certain though he had been that she
+would not say him nay, he was thrilled with joy at the completeness and
+sweetness of her surrender. Here was surely a heart made for love and
+steadfastness. Here was no caprice or questionings or captious
+standards of convention.
+
+When Geddie kissed Paula at her door that night he was happier than he
+had ever been before. “Here in this hollow lotus land, ever to live and
+lie reclined” seemed to him, as it has seemed to many mariners, the
+best as well as the easiest. His future would be an ideal one. He had
+attained a Paradise without a serpent. His Eve would be indeed a part
+of him, unbeguiled, and therefore more beguiling. He had made his
+decision to-night, and his heart was full of serene, assured content.
+
+Geddie went back to his house whistling that finest and saddest love
+song, “La Golondrina.” At the door his tame monkey leaped down from his
+shelf, chattering briskly. The consul turned to his desk to get him
+some nuts he usually kept there. Reaching in the half-darkness, his
+hand struck against the bottle. He started as if he had touched the
+cold rotundity of a serpent.
+
+He had forgotten that the bottle was there.
+
+He lighted the lamp and fed the monkey. Then, very deliberately, he
+lighted a cigar, and took the bottle in his hand, and walked down the
+path to the beach.
+
+There was a moon, and the sea was glorious. The breeze had shifted, as
+it did each evening, and was now rushing steadily seaward.
+
+Stepping to the water’s edge, Geddie hurled the unopened bottle far out
+into the sea. It disappeared for a moment, and then shot upward twice
+its length. Geddie stood still, watching it. The moonlight was so
+bright that he could see it bobbing up and down with the little waves.
+Slowly it receded from the shore, flashing and turning as it went. The
+wind was carrying it out to sea. Soon it became a mere speck,
+doubtfully discerned at irregular intervals; and then the mystery of it
+was swallowed up by the greater mystery of the ocean. Geddie stood
+still upon the beach, smoking and looking out upon the water.
+
+“Simon!—Oh, Simon!—wake up there, Simon!” bawled a sonorous voice at
+the edge of the water.
+
+Old Simon Cruz was a half-breed fisherman and smuggler who lived in a
+hut on the beach. Out of his earliest nap Simon was thus awakened.
+
+He slipped on his shoes and went outside. Just landing from one of the
+_Valhalla’s_ boats was the third mate of that vessel, who was an
+acquaintance of Simon’s, and three sailors from the fruiter.
+
+“Go up, Simon,” called the mate, “and find Dr. Gregg or Mr. Goodwin or
+anybody that’s a friend to Mr. Geddie, and bring ’em here at once.”
+
+“Saints of the skies!” said Simon, sleepily, “nothing has happened to
+Mr. Geddie?”
+
+“He’s under that tarpauling,” said the mate, pointing to the boat, “and
+he’s rather more than half drownded. We seen him from the steamer
+nearly a mile out from shore, swimmin’ like mad after a bottle that was
+floatin’ in the water, outward bound. We lowered the gig and started
+for him. He nearly had his hand on the bottle, when he gave out and
+went under. We pulled him out in time to save him, maybe; but the
+doctor is the one to decide that.”
+
+“A bottle?” said the old man, rubbing his eyes. He was not yet fully
+awake. “Where is the bottle?”
+
+“Driftin’ along out there some’eres,” said the mate, jerking his thumb
+toward the sea. “Get on with you, Simon.”
+
+
+
+
+III
+SMITH
+
+
+Goodwin and the ardent patriot, Zavalla, took all the precautions that
+their foresight could contrive to prevent the escape of President
+Miraflores and his companion. They sent trusted messengers up the coast
+to Solitas and Alazan to warn the local leaders of the flight, and to
+instruct them to patrol the water line and arrest the fugitives at all
+hazards should they reveal themselves in that territory. After this was
+done there remained only to cover the district about Coralio and await
+the coming of the quarry. The nets were well spread. The roads were so
+few, the opportunities for embarkation so limited, and the two or three
+probable points of exit so well guarded that it would be strange indeed
+if there should slip through the meshes so much of the country’s
+dignity, romance, and collateral. The president would, without doubt,
+move as secretly as possible, and endeavour to board a vessel by
+stealth from some secluded point along the shore.
+
+On the fourth day after the receipt of Englehart’s telegram the
+_Karlsefin_, a Norwegian steamer chartered by the New Orleans fruit
+trade, anchored off Coralio with three hoarse toots of her siren. The
+_Karlsefin_ was not one of the line operated by the Vesuvius Fruit
+Company. She was something of a dilettante, doing odd jobs for a
+company that was scarcely important enough to figure as a rival to the
+Vesuvius. The movements of the _Karlsefin_ were dependent upon the
+state of the market. Sometimes she would ply steadily between the
+Spanish Main and New Orleans in the regular transport of fruit; next
+she would be making erratic trips to Mobile or Charleston, or even as
+far north as New York, according to the distribution of the fruit
+supply.
+
+Goodwin lounged upon the beach with the usual crowd of idlers that had
+gathered to view the steamer. Now that President Miraflores might be
+expected to reach the borders of his abjured country at any time, the
+orders were to keep a strict and unrelenting watch. Every vessel that
+approached the shores might now be considered a possible means of
+escape for the fugitives; and an eye was kept even on the sloops and
+dories that belonged to the sea-going contingent of Coralio. Goodwin
+and Zavalla moved everywhere, but without ostentation, watching the
+loopholes of escape.
+
+The customs officials crowded importantly into their boat and rowed out
+to the _Karlsefin_. A boat from the steamer landed her purser with his
+papers, and took out the quarantine doctor with his green umbrella and
+clinical thermometer. Next a swarm of Caribs began to load upon
+lighters the thousands of bunches of bananas heaped upon the shore and
+row them out to the steamer. The _Karlsefin_ had no passenger list, and
+was soon done with the attention of the authorities. The purser
+declared that the steamer would remain at anchor until morning, taking
+on her fruit during the night. The _Karlsefin_ had come, he said, from
+New York, to which port her latest load of oranges and cocoanuts had
+been conveyed. Two or three of the freighter sloops were engaged to
+assist in the work, for the captain was anxious to make a quick return
+in order to reap the advantage offered by a certain dearth of fruit in
+the States.
+
+About four o’clock in the afternoon another of those marine monsters,
+not very familiar in those waters, hove in sight, following the fateful
+_Idalia_—a graceful steam yacht, painted a light buff, clean-cut as a
+steel engraving. The beautiful vessel hovered off shore, see-sawing the
+waves as lightly as a duck in a rain barrel. A swift boat manned by a
+crew in uniform came ashore, and a stocky-built man leaped to the
+sands.
+
+The new-comer seemed to turn a disapproving eye upon the rather motley
+congregation of native Anchurians, and made his way at once toward
+Goodwin, who was the most conspicuously Anglo-Saxon figure present.
+Goodwin greeted him with courtesy.
+
+Conversation developed that the newly landed one was named Smith, and
+that he had come in a yacht. A meagre biography, truly; for the yacht
+was most apparent; and the “Smith” not beyond a reasonable guess before
+the revelation. Yet to the eye of Goodwin, who had seen several things,
+there was a discrepancy between Smith and his yacht. A bullet-headed
+man Smith was, with an oblique, dead eye and the moustache of a
+cocktail-mixer. And unless he had shifted costumes before putting off
+for shore he had affronted the deck of his correct vessel clad in a
+pearl-gray derby, a gay plaid suit and vaudeville neckwear. Men owning
+pleasure yachts generally harmonize better with them.
+
+Smith looked business, but he was no advertiser. He commented upon the
+scenery, remarking upon its fidelity to the pictures in the geography;
+and then inquired for the United States consul. Goodwin pointed out the
+starred-and-striped bunting hanging above the little consulate, which
+was concealed behind the orange-trees.
+
+“Mr. Geddie, the consul, will be sure to be there,” said Goodwin. “He
+was very nearly drowned a few days ago while taking a swim in the sea,
+and the doctor has ordered him to remain indoors for some time.”
+
+Smith plowed his way through the sand to the consulate, his
+haberdashery creating violent discord against the smooth tropical blues
+and greens.
+
+Geddie was lounging in his hammock, somewhat pale of face and languid
+in pose. On that night when the _Valhalla’s_ boat had brought him
+ashore apparently drenched to death by the sea, Doctor Gregg and his
+other friends had toiled for hours to preserve the little spark of life
+that remained to him. The bottle, with its impotent message, was gone
+out to sea, and the problem that it had provoked was reduced to a
+simple sum in addition—one and one make two, by the rule of arithmetic;
+one by the rule of romance.
+
+There is a quaint old theory that man may have two souls—a peripheral
+one which serves ordinarily, and a central one which is stirred only at
+certain times, but then with activity and vigour. While under the
+domination of the former a man will shave, vote, pay taxes, give money
+to his family, buy subscription books and comport himself on the
+average plan. But let the central soul suddenly become dominant, and he
+may, in the twinkling of an eye, turn upon the partner of his joys with
+furious execration; he may change his politics while you could snap
+your fingers; he may deal out deadly insult to his dearest friend; he
+may get him, instanter, to a monastery or a dance hall; he may elope,
+or hang himself—or he may write a song or poem, or kiss his wife
+unasked, or give his funds to the search of a microbe. Then the
+peripheral soul will return; and we have our safe, sane citizen again.
+It is but the revolt of the Ego against Order; and its effect is to
+shake up the atoms only that they may settle where they belong.
+
+Geddie’s revulsion had been a mild one—no more than a swim in a summer
+sea after so inglorious an object as a drifting bottle. And now he was
+himself again. Upon his desk, ready for the post, was a letter to his
+government tendering his resignation as consul, to be effective as soon
+as another could be appointed in his place. For Bernard Brannigan, who
+never did things in a half-way manner, was to take Geddie at once for a
+partner in his very profitable and various enterprises; and Paula was
+happily engaged in plans for refurnishing and decorating the upper
+story of the Brannigan house.
+
+The consul rose from his hammock when he saw the conspicuous stranger
+in his door.
+
+“Keep your seat, old man,” said the visitor, with an airy wave of his
+large hand. “My name’s Smith; and I’ve come in a yacht. You are the
+consul—is that right? A big, cool guy on the beach directed me here.
+Thought I’d pay my respects to the flag.”
+
+“Sit down,” said Geddie. “I’ve been admiring your craft ever since it
+came in sight. Looks like a fast sailer. What’s her tonnage?”
+
+“Search me!” said Smith. “I don’t know what she weighs in at. But she’s
+got a tidy gait. The _Rambler_—that’s her name—don’t take the dust of
+anything afloat. This is my first trip on her. I’m taking a squint
+along this coast just to get an idea of the countries where the rubber
+and red pepper and revolutions come from. I had no idea there was so
+much scenery down here. Why, Central Park ain’t in it with this neck of
+the woods. I’m from New York. They get monkeys, and cocoanuts, and
+parrots down here—is that right?”
+
+“We have them all,” said Geddie. “I’m quite sure that our fauna and
+flora would take a prize over Central Park.”
+
+“Maybe they would,” admitted Smith, cheerfully. “I haven’t seen them
+yet. But I guess you’ve got us skinned on the animal and vegetation
+question. You don’t have much travel here, do you?”
+
+“Travel?” queried the consul. “I suppose you mean passengers on the
+steamers. No; very few people land in Coralio. An investor now and
+then—tourists and sight-seers generally go further down the coast to
+one of the larger towns where there is a harbour.”
+
+“I see a ship out there loading up with bananas,” said Smith. “Any
+passengers come on her?”
+
+“That’s the _Karlsefin_,” said the consul. “She’s a tramp fruiter—made
+her last trip to New York, I believe. No; she brought no passengers. I
+saw her boat come ashore, and there was no one. About the only exciting
+recreation we have here is watching steamers when they arrive; and a
+passenger on one of them generally causes the whole town to turn out.
+If you are going to remain in Coralio a while, Mr. Smith, I’ll be glad
+to take you around to meet some people. There are four or five American
+chaps that are good to know, besides the native high-fliers.”
+
+“Thanks,” said the yachtsman, “but I wouldn’t put you to the trouble.
+I’d like to meet the guys you speak of, but I won’t be here long enough
+to do much knocking around. That cool gent on the beach spoke of a
+doctor; can you tell me where I could find him? The _Rambler_ ain’t
+quite as steady on her feet as a Broadway hotel; and a fellow gets a
+touch of seasickness now and then. Thought I’d strike the croaker for a
+handful of the little sugar pills, in case I need ’em.”
+
+“You will be apt to find Dr. Gregg at the hotel,” said the consul. “You
+can see it from the door—it’s that two-story building with the balcony,
+where the orange-trees are.”
+
+The Hotel de los Estranjeros was a dreary hostelry, in great disuse
+both by strangers and friends. It stood at a corner of the Street of
+the Holy Sepulchre. A grove of small orange-trees crowded against one
+side of it, enclosed by a low, rock wall over which a tall man might
+easily step. The house was of plastered adobe, stained a hundred shades
+of colour by the salt breeze and the sun. Upon its upper balcony opened
+a central door and two windows containing broad jalousies instead of
+sashes.
+
+The lower floor communicated by two doorways with the narrow,
+rock-paved sidewalk. The _pulperia_—or drinking shop—of the
+proprietress, Madama Timotea Ortiz, occupied the ground floor. On the
+bottles of brandy, _anisada_, Scotch “smoke” and inexpensive wines
+behind the little counter the dust lay thick save where the fingers of
+infrequent customers had left irregular prints. The upper story
+contained four or five guest-rooms which were rarely put to their
+destined use. Sometimes a fruit-grower, riding in from his plantation
+to confer with his agent, would pass a melancholy night in the dismal
+upper story; sometimes a minor native official on some trifling
+government quest would have his pomp and majesty awed by Madama’s
+sepulchral hospitality. But Madama sat behind her bar content, not
+desiring to quarrel with Fate. If anyone required meat, drink or
+lodging at the Hotel de los Estranjeros they had but to come, and be
+served. _Está bueno._ If they came not, why, then, they came not. _Está
+bueno._
+
+As the exceptional yachtsman was making his way down the precarious
+sidewalk of the Street of the Holy Sepulchre, the solitary permanent
+guest of that decaying hotel sat at its door, enjoying the breeze from
+the sea.
+
+Dr. Gregg, the quarantine physician, was a man of fifty or sixty, with
+a florid face and the longest beard between Topeka and Terra del Fuego.
+He held his position by virtue of an appointment by the Board of Health
+of a seaport city in one of the Southern states. That city feared the
+ancient enemy of every Southern seaport—the yellow fever—and it was the
+duty of Dr. Gregg to examine crew and passengers of every vessel
+leaving Coralio for preliminary symptoms. The duties were light, and
+the salary, for one who lived in Coralio, ample. Surplus time there was
+in plenty; and the good doctor added to his gains by a large private
+practice among the residents of the coast. The fact that he did not
+know ten words of Spanish was no obstacle; a pulse could be felt and a
+fee collected without one being a linguist. Add to the description the
+facts that the doctor had a story to tell concerning the operation of
+trepanning which no listener had ever allowed him to conclude, and that
+he believed in brandy as a prophylactic; and the special points of
+interest possessed by Dr. Gregg will have become exhausted.
+
+The doctor had dragged a chair to the sidewalk. He was coatless, and he
+leaned back against the wall and smoked, while he stroked his beard.
+Surprise came into his pale blue eyes when he caught sight of Smith in
+his unusual and prismatic clothes.
+
+“You’re Dr. Gregg—is that right?” said Smith, feeling the dog’s head
+pin in his tie. “The constable—I mean the consul, told me you hung out
+at this caravansary. My name’s Smith; and I came in a yacht. Taking a
+cruise around, looking at the monkeys and pineapple-trees. Come inside
+and have a drink, Doc. This café looks on the blink, but I guess it can
+set out something wet.”
+
+“I will join you, sir, in just a taste of brandy,” said Dr. Gregg,
+rising quickly. “I find that as a prophylactic a little brandy is
+almost a necessity in this climate.”
+
+As they turned to enter the _pulperia_ a native man, barefoot, glided
+noiselessly up and addressed the doctor in Spanish. He was
+yellowish-brown, like an over-ripe lemon; he wore a cotton shirt and
+ragged linen trousers girded by a leather belt. His face was like an
+animal’s, live and wary, but without promise of much intelligence. This
+man jabbered with animation and so much seriousness that it seemed a
+pity that his words were to be wasted.
+
+Dr. Gregg felt his pulse.
+
+“You sick?” he inquired.
+
+“_Mi mujer está enferma en la casa_,” said the man, thus endeavouring
+to convey the news, in the only language open to him, that his wife lay
+ill in her palm-thatched hut.
+
+The doctor drew a handful of capsules filled with a white powder from
+his trousers pocket. He counted out ten of them into the native’s hand,
+and held up his forefinger impressively.
+
+“Take one,” said the doctor, “every two hours.” He then held up two
+fingers, shaking them emphatically before the native’s face. Next he
+pulled out his watch and ran his finger round its dial twice. Again the
+two fingers confronted the patient’s nose. “Two—two—two hours,”
+repeated the doctor.
+
+“_Si, Señor_,” said the native, sadly.
+
+He pulled a cheap silver watch from his own pocket and laid it in the
+doctor’s hand. “Me bring,” said he, struggling painfully with his scant
+English, “other watchy to-morrow.” Then he departed downheartedly with
+his capsules.
+
+“A very ignorant race of people, sir,” said the doctor, as he slipped
+the watch into his pocket. “He seems to have mistaken my directions for
+taking the physic for the fee. However, it is all right. He owes me an
+account, anyway. The chances are that he won’t bring the other watch.
+You can’t depend on anything they promise you. About that drink, now?
+How did you come to Coralio, Mr. Smith? I was not aware that any boats
+except the _Karlsefin_ had arrived for some days.”
+
+The two leaned against the deserted bar; and Madama set out a bottle
+without waiting for the doctor’s order. There was no dust on it.
+
+After they had drank twice Smith said:
+
+“You say there were no passengers on the _Karlsefin_, Doc? Are you sure
+about that? It seems to me I heard somebody down on the beach say that
+there was one or two aboard.”
+
+“They were mistaken, sir. I myself went out and put all hands through a
+medical examination, as usual. The _Karlsefin_ sails as soon as she
+gets her bananas loaded, which will be about daylight in the morning,
+and she got everything ready this afternoon. No, sir, there was no
+passenger list. Like that Three-Star? A French schooner landed two
+slooploads of it a month ago. If any customs duties on it went to the
+distinguished republic of Anchuria you may have my hat. If you won’t
+have another, come out and let’s sit in the cool a while. It isn’t
+often we exiles get a chance to talk with somebody from the outside
+world.”
+
+The doctor brought out another chair to the sidewalk for his new
+acquaintance. The two seated themselves.
+
+“You are a man of the world,” said Dr. Gregg; “a man of travel and
+experience. Your decision in a matter of ethics and, no doubt, on the
+points of equity, ability and professional probity should be of value.
+I would be glad if you will listen to the history of a case that I
+think stands unique in medical annals.
+
+“About nine years ago, while I was engaged in the practice of medicine
+in my native city, I was called to treat a case of contusion of the
+skull. I made the diagnosis that a splinter of bone was pressing upon
+the brain, and that the surgical operation known as trepanning was
+required. However, as the patient was a gentleman of wealth and
+position, I called in for consultation Dr.—”
+
+Smith rose from his chair, and laid a hand, soft with apology, upon the
+doctor’s shirt sleeve.
+
+“Say, Doc,” he said, solemnly, “I want to hear that story. You’ve got
+me interested; and I don’t want to miss the rest of it. I know it’s a
+loola by the way it begins; and I want to tell it at the next meeting
+of the Barney O’Flynn Association, if you don’t mind. But I’ve got one
+or two matters to attend to first. If I get ’em attended to in time
+I’ll come right back and hear you spiel the rest before bedtime—is that
+right?”
+
+“By all means,” said the doctor, “get your business attended to, and
+then return. I shall wait up for you. You see, one of the most
+prominent physicians at the consultation diagnosed the trouble as a
+blood clot; another said it was an abscess, but I—”
+
+“Don’t tell me now, Doc. Don’t spoil the story. Wait till I come back.
+I want to hear it as it runs off the reel—is that right?”
+
+The mountains reached up their bulky shoulders to receive the level
+gallop of Apollo’s homing steeds, the day died in the lagoons and in
+the shadowed banana groves and in the mangrove swamps, where the great
+blue crabs were beginning to crawl to land for their nightly ramble.
+And it died, at last, upon the highest peaks. Then the brief twilight,
+ephemeral as the flight of a moth, came and went; the Southern Cross
+peeped with its topmost eye above a row of palms, and the fire-flies
+heralded with their torches the approach of soft-footed night.
+
+In the offing the _Karlsefin_ swayed at anchor, her lights seeming to
+penetrate the water to countless fathoms with their shimmering,
+lanceolate reflections. The Caribs were busy loading her by means of
+the great lighters heaped full from the piles of fruit ranged upon the
+shore.
+
+On the sandy beach, with his back against a cocoanut-tree and the stubs
+of many cigars lying around him, Smith sat waiting, never relaxing his
+sharp gaze in the direction of the steamer.
+
+The incongruous yachtsman had concentrated his interest upon the
+innocent fruiter. Twice had he been assured that no passengers had come
+to Coralio on board of her. And yet, with a persistence not to be
+attributed to an idling voyager, he had appealed the case to the higher
+court of his own eyesight. Surprisingly like some gay-coated lizard, he
+crouched at the foot of the cocoanut palm, and with the beady, shifting
+eyes of the selfsame reptile, sustained his espionage on the
+_Karlsefin_.
+
+On the white sands a whiter gig belonging to the yacht was drawn up,
+guarded by one of the white-ducked crew. Not far away in a _pulperia_
+on the shore-following Calle Grande three other sailors swaggered with
+their cues around Coralio’s solitary billiard-table. The boat lay there
+as if under orders to be ready for use at any moment. There was in the
+atmosphere a hint of expectation, of waiting for something to occur,
+which was foreign to the air of Coralio.
+
+Like some passing bird of brilliant plumage, Smith alights on this
+palmy shore but to preen his wings for an instant and then to fly away
+upon silent pinions. When morning dawned there was no Smith, no waiting
+gig, no yacht in the offing. Smith left no intimation of his mission
+there, no footprints to show where he had followed the trail of his
+mystery on the sands of Coralio that night. He came; he spake his
+strange jargon of the asphalt and the cafés; he sat under the
+cocoanut-tree, and vanished. The next morning Coralio, Smithless, ate
+its fried plantain and said: “The man of pictured clothing went himself
+away.” With the _siesta_ the incident passed, yawning, into history.
+
+So, for a time, must Smith pass behind the scenes of the play. He comes
+no more to Coralio nor to Doctor Gregg, who sits in vain, wagging his
+redundant beard, waiting to enrich his derelict audience with his
+moving tale of trepanning and jealousy.
+
+But prosperously to the lucidity of these loose pages, Smith shall
+flutter among them again. In the nick of time he shall come to tell us
+why he strewed so many anxious cigar stumps around the cocoanut palm
+that night. This he must do; for, when he sailed away before the dawn
+in his yacht _Rambler_, he carried with him the answer to a riddle so
+big and preposterous that few in Anchuria had ventured even to propound
+it.
+
+
+
+
+IV
+CAUGHT
+
+
+The plans for the detention of the flying President Miraflores and his
+companion at the coast line seemed hardly likely to fail. Dr. Zavalla
+himself had gone to the port of Alazan to establish a guard at that
+point. At Solitas the Liberal patriot Varras could be depended upon to
+keep close watch. Goodwin held himself responsible for the district
+about Coralio.
+
+The news of the president’s flight had been disclosed to no one in the
+coast towns save trusted members of the ambitious political party that
+was desirous of succeeding to power. The telegraph wire running from
+San Mateo to the coast had been cut far up on the mountain trail by an
+emissary of Zavalla’s. Long before this could be repaired and word
+received along it from the capital the fugitives would have reached the
+coast and the question of escape or capture been solved.
+
+Goodwin had stationed armed sentinels at frequent intervals along the
+shore for a mile in each direction from Coralio. They were instructed
+to keep a vigilant lookout during the night to prevent Miraflores from
+attempting to embark stealthily by means of some boat or sloop found by
+chance at the water’s edge. A dozen patrols walked the streets of
+Coralio unsuspected, ready to intercept the truant official should he
+show himself there.
+
+Goodwin was very well convinced that no precautions had been
+overlooked. He strolled about the streets that bore such high-sounding
+names and were but narrow, grass-covered lanes, lending his own aid to
+the vigil that had been intrusted to him by Bob Englehart.
+
+The town had begun the tepid round of its nightly diversions. A few
+leisurely dandies, clad in white duck, with flowing neckties, and
+swinging slim bamboo canes, threaded the grassy by-ways toward the
+houses of their favoured señoritas. Those who wooed the art of music
+dragged tirelessly at whining concertinas, or fingered lugubrious
+guitars at doors and windows. An occasional soldier from the _cuartel_,
+with flapping straw hat, without coat or shoes, hurried by, balancing
+his long gun like a lance in one hand. From every density of the
+foliage the giant tree frogs sounded their loud and irritating clatter.
+Further out, where the by-ways perished at the brink of the jungle, the
+guttural cries of marauding baboons and the coughing of the alligators
+in the black estuaries fractured the vain silence of the wood.
+
+By ten o’clock the streets were deserted. The oil lamps that had
+burned, a sickly yellow, at random corners, had been extinguished by
+some economical civic agent. Coralio lay sleeping calmly between
+toppling mountains and encroaching sea like a stolen babe in the arms
+of its abductors. Somewhere over in that tropical darkness—perhaps
+already threading the profundities of the alluvial lowlands—the high
+adventurer and his mate were moving toward land’s end. The game of
+Fox-in-the-Morning should be coming soon to its close.
+
+Goodwin, at his deliberate gait, passed the long, low _cuartel_ where
+Coralio’s contingent of Anchuria’s military force slumbered, with its
+bare toes pointed heavenward. There was a law that no civilian might
+come so near the headquarters of that citadel of war after nine
+o’clock, but Goodwin was always forgetting the minor statutes.
+
+“_Quién vive?_” shrieked the sentinel, wrestling prodigiously with his
+lengthy musket.
+
+“_Americano_,” growled Goodwin, without turning his head, and passed
+on, unhalted.
+
+To the right he turned, and to the left up the street that ultimately
+reached the Plaza Nacional. When within the toss of a cigar stump from
+the intersecting Street of the Holy Sepulchre, he stopped suddenly in
+the pathway.
+
+He saw the form of a tall man, clothed in black and carrying a large
+valise, hurry down the cross-street in the direction of the beach. And
+Goodwin’s second glance made him aware of a woman at the man’s elbow on
+the farther side, who seemed to urge forward, if not even to assist,
+her companion in their swift but silent progress. They were no
+Coralians, those two.
+
+Goodwin followed at increased speed, but without any of the artful
+tactics that are so dear to the heart of the sleuth. The American was
+too broad to feel the instinct of the detective. He stood as an agent
+for the people of Anchuria, and but for political reasons he would have
+demanded then and there the money. It was the design of his party to
+secure the imperilled fund, to restore it to the treasury of the
+country, and to declare itself in power without bloodshed or
+resistance.
+
+The couple halted at the door of the Hotel de los Estranjeros, and the
+man struck upon the wood with the impatience of one unused to his entry
+being stayed. Madama was long in response; but after a time her light
+showed, the door was opened, and the guests housed.
+
+Goodwin stood in the quiet street, lighting another cigar. In two
+minutes a faint gleam began to show between the slats of the jalousies
+in the upper story of the hotel. “They have engaged rooms,” said
+Goodwin to himself. “So, then, their arrangements for sailing have yet
+to be made.”
+
+At that moment there came along one Estebán Delgado, a barber, an enemy
+to existing government, a jovial plotter against stagnation in any
+form. This barber was one of Coralio’s saddest dogs, often remaining
+out of doors as late as eleven, post meridian. He was a partisan
+Liberal; and he greeted Goodwin with flatulent importance as a brother
+in the cause. But he had something important to tell.
+
+“What think you, Don Frank!” he cried, in the universal tone of the
+conspirator. “I have to-night shaved _la barba_—what you call the
+‘weeskers’ of the _Presidente_ himself, of this countree! Consider! He
+sent for me to come. In the poor _casita_ of an old woman he awaited
+me—in a verree leetle house in a dark place. _Carramba!_—el Señor
+Presidente to make himself thus secret and obscured! I think he desired
+not to be known—but, _carajo!_ can you shave a man and not see his
+face? This gold piece he gave me, and said it was to be all quite
+still. I think, Don Frank, there is what you call a chip over the bug.”
+
+“Have you ever seen President Miraflores before?” asked Goodwin.
+
+“But once,” answered Estebán. “He is tall; and he had weeskers, verree
+black and sufficient.”
+
+“Was anyone else present when you shaved him?”
+
+“An old Indian woman, Señor, that belonged with the _casa_, and one
+señorita—a ladee of so much beautee!—_ah, Dios!_”
+
+“All right, Estebán,” said Goodwin. “It’s very lucky that you happened
+along with your tonsorial information. The new administration will be
+likely to remember you for this.”
+
+Then in a few words he made the barber acquainted with the crisis into
+which the affairs of the nation had culminated, and instructed him to
+remain outside, keeping watch upon the two sides of the hotel that
+looked upon the street, and observing whether anyone should attempt to
+leave the house by any door or window. Goodwin himself went to the door
+through which the guests had entered, opened it and stepped inside.
+
+Madama had returned downstairs from her journey above to see after the
+comfort of her lodgers. Her candle stood upon the bar. She was about to
+take a thimbleful of rum as a solace for having her rest disturbed. She
+looked up without surprise or alarm as her third caller entered.
+
+“Ah! it is the Señor Goodwin. Not often does he honour my poor house by
+his presence.”
+
+“I must come oftener,” said Goodwin, with the Goodwin smile. “I hear
+that your cognac is the best between Belize to the north and Rio to the
+south. Set out the bottle, Madama, and let us have the proof in _un
+vasito_ for each of us.”
+
+“My _aguardiente_,” said Madama, with pride, “is the best. It grows, in
+beautiful bottles, in the dark places among the banana-trees. _Si,
+Señor._ Only at midnight can they be picked by sailor-men who bring
+them, before daylight comes, to your back door. Good _aguardiente_ is a
+verree difficult fruit to handle, Señor Goodwin.”
+
+Smuggling, in Coralio, was much nearer than competition to being the
+life of trade. One spoke of it slyly, yet with a certain conceit, when
+it had been well accomplished.
+
+“You have guests in the house to-night,” said Goodwin, laying a silver
+dollar upon the counter.
+
+“Why not?” said Madama, counting the change. “Two; but the smallest
+while finished to arrive. One señor, not quite old, and one señorita of
+sufficient handsomeness. To their rooms they have ascended, not
+desiring the to-eat nor the to-drink. Two rooms—_Numero_ 9 and _Numero_
+10.”
+
+“I was expecting that gentleman and that lady,” said Goodwin. “I have
+important _negocios_ that must be transacted. Will you allow me to see
+them?”
+
+“Why not?” sighed Madama, placidly. “Why should not Señor Goodwin
+ascend and speak to his friends? _Está bueno._ Room _Numero_ 9 and room
+_Numero_ 10.”
+
+Goodwin loosened in his coat pocket the American revolver that he
+carried, and ascended the steep, dark stairway.
+
+In the hallway above, the saffron light from a hanging lamp allowed him
+to select the gaudy numbers on the doors. He turned the knob of Number
+9, entered and closed the door behind him.
+
+If that was Isabel Guilbert seated by the table in that poorly
+furnished room, report had failed to do her charms justice. She rested
+her head upon one hand. Extreme fatigue was signified in every line of
+her figure; and upon her countenance a deep perplexity was written. Her
+eyes were gray-irised, and of that mould that seems to have belonged to
+the orbs of all the famous queens of hearts. Their whites were
+singularly clear and brilliant, concealed above the irises by heavy
+horizontal lids, and showing a snowy line below them. Such eyes denote
+great nobility, vigour, and, if you can conceive of it, a most generous
+selfishness. She looked up when the American entered with an expression
+of surprised inquiry, but without alarm.
+
+Goodwin took off his hat and seated himself, with his characteristic
+deliberate ease, upon a corner of the table. He held a lighted cigar
+between his fingers. He took this familiar course because he was sure
+that preliminaries would be wasted upon Miss Guilbert. He knew her
+history, and the small part that the conventions had played in it.
+
+“Good evening,” he said. “Now, madame, let us come to business at once.
+You will observe that I mention no names, but I know who is in the next
+room, and what he carries in that valise. That is the point which
+brings me here. I have come to dictate terms of surrender.”
+
+The lady neither moved nor replied, but steadily regarded the cigar in
+Goodwin’s hand.
+
+“We,” continued the dictator, thoughtfully regarding the neat buckskin
+shoe on his gently swinging foot—“I speak for a considerable majority
+of the people—demand the return of the stolen funds belonging to them.
+Our terms go very little further than that. They are very simple. As an
+accredited spokesman, I promise that our interference will cease if
+they are accepted. Give up the money, and you and your companion will
+be permitted to proceed wherever you will. In fact, assistance will be
+given you in the matter of securing a passage by any outgoing vessel
+you may choose. It is on my personal responsibility that I add
+congratulations to the gentleman in Number 10 upon his taste in
+feminine charms.”
+
+Returning his cigar to his mouth, Goodwin observed her, and saw that
+her eyes followed it and rested upon it with icy and significant
+concentration. Apparently she had not heard a word he had said. He
+understood, tossed the cigar out the window, and, with an amused laugh,
+slid from the table to his feet.
+
+“That is better,” said the lady. “It makes it possible for me to listen
+to you. For a second lesson in good manners, you might now tell me by
+whom I am being insulted.”
+
+“I am sorry,” said Goodwin, leaning one hand on the table, “that my
+time is too brief for devoting much of it to a course of etiquette.
+Come, now; I appeal to your good sense. You have shown yourself, in
+more than one instance, to be well aware of what is to your advantage.
+This is an occasion that demands the exercise of your undoubted
+intelligence. There is no mystery here. I am Frank Goodwin; and I have
+come for the money. I entered this room at a venture. Had I entered the
+other I would have had it before now. Do you want it in words? The
+gentleman in Number 10 has betrayed a great trust. He has robbed his
+people of a large sum, and it is I who will prevent their losing it. I
+do not say who that gentleman is; but if I should be forced to see him
+and he should prove to be a certain high official of the republic, it
+will be my duty to arrest him. The house is guarded. I am offering you
+liberal terms. It is not absolutely necessary that I confer personally
+with the gentleman in the next room. Bring me the valise containing the
+money, and we will call the affair ended.”
+
+The lady arose from her chair and stood for a moment, thinking deeply.
+
+“Do you live here, Mr. Goodwin?” she asked, presently.
+
+“Yes.”
+
+“What is your authority for this intrusion?”
+
+“I am an instrument of the republic. I was advised by wire of the
+movements of the—gentleman in Number 10.”
+
+“May I ask you two or three questions? I believe you to be a man more
+apt to be truthful than—timid. What sort of a town is this—Coralio, I
+think they call it?”
+
+“Not much of a town,” said Goodwin, smiling. “A banana town, as they
+run. Grass huts, ’dobes, five or six two-story houses, accommodations
+limited, population half-breed Spanish and Indian, Caribs and
+blackamoors. No sidewalks to speak of, no amusements. Rather unmoral.
+That’s an offhand sketch, of course.”
+
+“Are there any inducements, say in a social or in a business way, for
+people to reside here?”
+
+“Oh, yes,” answered Goodwin, smiling broadly. “There are no afternoon
+teas, no hand-organs, no department stores—and there is no extradition
+treaty.”
+
+“He told me,” went on the lady, speaking as if to herself, and with a
+slight frown, “that there were towns on this coast of beauty and
+importance; that there was a pleasing social order—especially an
+American colony of cultured residents.”
+
+“There is an American colony,” said Goodwin, gazing at her in some
+wonder. “Some of the members are all right. Some are fugitives from
+justice from the States. I recall two exiled bank presidents, one army
+paymaster under a cloud, a couple of manslayers, and a widow—arsenic, I
+believe, was the suspicion in her case. I myself complete the colony,
+but, as yet, I have not distinguished myself by any particular crime.”
+
+“Do not lose hope,” said the lady, dryly; “I see nothing in your
+actions to-night to guarantee you further obscurity. Some mistake has
+been made; I do not know just where. But _him_ you shall not disturb
+to-night. The journey has fatigued him so that he has fallen asleep, I
+think, in his clothes. You talk of stolen money! I do not understand
+you. Some mistake has been made. I will convince you. Remain where you
+are and I will bring you the valise that you seem to covet so, and show
+it to you.”
+
+She moved toward the closed door that connected the two rooms, but
+stopped, and half turned and bestowed upon Goodwin a grave, searching
+look that ended in a quizzical smile.
+
+“You force my door,” she said, “and you follow your ruffianly behaviour
+with the basest accusations; and yet”—she hesitated, as if to
+reconsider what she was about to say—“and yet—it is a puzzling thing—I
+am sure there has been some mistake.”
+
+She took a step toward the door, but Goodwin stayed her by a light
+touch upon her arm. I have said before that women turned to look at him
+in the streets. He was the viking sort of man, big, good-looking, and
+with an air of kindly truculence. She was dark and proud, glowing or
+pale as her mood moved her. I do not know if Eve were light or dark,
+but if such a woman had stood in the garden I know that the apple would
+have been eaten. This woman was to be Goodwin’s fate, and he did not
+know it; but he must have felt the first throes of destiny, for, as he
+faced her, the knowledge of what report named her turned bitter in his
+throat.
+
+“If there has been any mistake,” he said, hotly, “it was yours. I do
+not blame the man who has lost his country, his honour, and is about to
+lose the poor consolation of his stolen riches as much as I blame you,
+for, by Heaven! I can very well see how he was brought to it. I can
+understand, and pity him. It is such women as you that strew this
+degraded coast with wretched exiles, that make men forget their trusts,
+that drag—”
+
+The lady interrupted him with a weary gesture.
+
+“There is no need to continue your insults,” she said, coldly. “I do
+not understand what you are saying, nor do I know what mad blunder you
+are making; but if the inspection of the contents of a gentleman’s
+portmanteau will rid me of you, let us delay it no longer.”
+
+She passed quickly and noiselessly into the other room, and returned
+with the heavy leather valise, which she handed to the American with an
+air of patient contempt.
+
+Goodwin set the valise quickly upon the table and began to unfasten the
+straps. The lady stood by, with an expression of infinite scorn and
+weariness upon her face.
+
+The valise opened wide to a powerful, sidelong wrench. Goodwin dragged
+out two or three articles of clothing, exposing the bulk of its
+contents—package after package of tightly packed United States bank and
+treasury notes of large denomination. Reckoning from the high figures
+written upon the paper bands that bound them, the total must have come
+closely upon the hundred thousand mark.
+
+Goodwin glanced swiftly at the woman, and saw, with surprise and a
+thrill of pleasure that he wondered at, that she had experienced an
+unmistakable shock. Her eyes grew wide, she gasped, and leaned heavily
+against the table. She had been ignorant, then, he inferred, that her
+companion had looted the government treasury. But why, he angrily asked
+himself, should he be so well pleased to think this wandering and
+unscrupulous singer not so black as report had painted her?
+
+A noise in the other room startled them both. The door swung open, and
+a tall, elderly, dark complexioned man, recently shaven, hurried into
+the room.
+
+All the pictures of President Miraflores represent him as the possessor
+of a luxuriant supply of dark and carefully tended whiskers; but the
+story of the barber, Estebán, had prepared Goodwin for the change.
+
+The man stumbled in from the dark room, his eyes blinking at the
+lamplight, and heavy from sleep.
+
+“What does this mean?” he demanded in excellent English, with a keen
+and perturbed look at the American—“robbery?”
+
+“Very near it,” answered Goodwin. “But I rather think I’m in time to
+prevent it. I represent the people to whom this money belongs, and I
+have come to convey it back to them.” He thrust his hand into a pocket
+of his loose, linen coat.
+
+The other man’s hand went quickly behind him.
+
+“Don’t draw,” called Goodwin, sharply; “I’ve got you covered from my
+pocket.”
+
+The lady stepped forward, and laid one hand upon the shoulder of her
+hesitating companion. She pointed to the table. “Tell me the truth—the
+truth,” she said, in a low voice. “Whose money is that?”
+
+The man did not answer. He gave a deep, long-drawn sigh, leaned and
+kissed her on the forehead, stepped back into the other room and closed
+the door.
+
+Goodwin foresaw his purpose, and jumped for the door, but the report of
+the pistol echoed as his hand touched the knob. A heavy fall followed,
+and some one swept him aside and struggled into the room of the fallen
+man.
+
+A desolation, thought Goodwin, greater than that derived from the loss
+of cavalier and gold must have been in the heart of the enchantress to
+have wrung from her, in that moment, the cry of one turning to the
+all-forgiving, all-comforting earthly consoler—to have made her call
+out from that bloody and dishonoured room—“Oh, mother, mother, mother!”
+
+But there was an alarm outside. The barber, Estebán, at the sound of
+the shot, had raised his voice; and the shot itself had aroused half
+the town. A pattering of feet came up the street, and official orders
+rang out on the still air. Goodwin had a duty to perform. Circumstances
+had made him the custodian of his adopted country’s treasure. Swiftly
+cramming the money into the valise, he closed it, leaned far out of the
+window and dropped it into a thick orange-tree in the little inclosure
+below.
+
+They will tell you in Coralio, as they delight in telling the stranger,
+of the conclusion of that tragic flight. They will tell you how the
+upholders of the law came apace when the alarm was sounded—the
+_Comandante_ in red slippers and a jacket like a head waiter’s and
+girded sword, the soldiers with their interminable guns, followed by
+outnumbering officers struggling into their gold lace and epaulettes;
+the barefooted policemen (the only capables in the lot), and ruffled
+citizens of every hue and description.
+
+They say that the countenance of the dead man was marred sadly by the
+effects of the shot; but he was identified as the fallen president by
+both Goodwin and the barber Estebán. On the next morning messages began
+to come over the mended telegraph wire; and the story of the flight
+from the capital was given out to the public. In San Mateo the
+revolutionary party had seized the sceptre of government, without
+opposition, and the _vivas_ of the mercurial populace quickly effaced
+the interest belonging to the unfortunate Miraflores.
+
+They will relate to you how the new government sifted the towns and
+raked the roads to find the valise containing Anchuria’s surplus
+capital, which the president was known to have carried with him, but
+all in vain. In Coralio Señor Goodwin himself led the searching party
+which combed that town as carefully as a woman combs her hair; but the
+money was not found.
+
+So they buried the dead man, without honours, back of the town near the
+little bridge that spans the mangrove swamp; and for a _real_ a boy
+will show you his grave. They say that the old woman in whose hut the
+barber shaved the president placed the wooden slab at his head, and
+burned the inscription upon it with a hot iron.
+
+You will hear also that Señor Goodwin, like a tower of strength,
+shielded Doña Isabel Guilbert through those subsequent distressful
+days; and that his scruples as to her past career (if he had any)
+vanished; and her adventuresome waywardness (if she had any) left her,
+and they were wedded and were happy.
+
+The American built a home on a little foothill near the town. It is a
+conglomerate structure of native woods that, exported, would be worth a
+fortune, and of brick, palm, glass, bamboo and adobe. There is a
+paradise of nature about it; and something of the same sort within. The
+natives speak of its interior with hands uplifted in admiration. There
+are floors polished like mirrors and covered with hand-woven Indian
+rugs of silk fibre, tall ornaments and pictures, musical instruments
+and papered walls—“figure-it-to-yourself!” they exclaim.
+
+But they cannot tell you in Coralio (as you shall learn) what became of
+the money that Frank Goodwin dropped into the orange-tree. But that
+shall come later; for the palms are fluttering in the breeze, bidding
+us to sport and gaiety.
+
+
+
+
+V
+CUPID’S EXILE NUMBER TWO
+
+
+The United States of America, after looking over its stock of consular
+timber, selected Mr. John De Graffenreid Atwood, of Dalesburg, Alabama,
+for a successor to Willard Geddie, resigned.
+
+Without prejudice to Mr. Atwood, it will have to be acknowledged that,
+in this instance, it was the man who sought the office. As with the
+self-banished Geddie, it was nothing less than the artful smiles of
+lovely woman that had driven Johnny Atwood to the desperate expedient
+of accepting office under a despised Federal Government so that he
+might go far, far away and never see again the false, fair face that
+had wrecked his young life. The consulship at Coralio seemed to offer a
+retreat sufficiently removed and romantic enough to inject the
+necessary drama into the pastoral scenes of Dalesburg life.
+
+It was while playing the part of Cupid’s exile that Johnny added his
+handiwork to the long list of casualties along the Spanish Main by his
+famous manipulation of the shoe market, and his unparalleled feat of
+elevating the most despised and useless weed in his own country from
+obscurity to be a valuable product in international commerce.
+
+The trouble began, as trouble often begins instead of ending, with a
+romance. In Dalesburg there was a man named Elijah Hemstetter, who kept
+a general store. His family consisted of one daughter called Rosine, a
+name that atoned much for “Hemstetter.” This young woman was possessed
+of plentiful attractions, so that the young men of the community were
+agitated in their bosoms. Among the more agitated was Johnny, the son
+of Judge Atwood, who lived in the big colonial mansion on the edge of
+Dalesburg.
+
+It would seem that the desirable Rosine should have been pleased to
+return the affection of an Atwood, a name honoured all over the state
+long before and since the war. It does seem that she should have gladly
+consented to have been led into that stately but rather empty colonial
+mansion. But not so. There was a cloud on the horizon, a threatening,
+cumulus cloud, in the shape of a lively and shrewd young farmer in the
+neighbourhood who dared to enter the lists as a rival to the high-born
+Atwood.
+
+One night Johnny propounded to Rosine a question that is considered of
+much importance by the young of the human species. The accessories were
+all there—moonlight, oleanders, magnolias, the mock-bird’s song.
+Whether or no the shadow of Pinkney Dawson, the prosperous young
+farmer, came between them on that occasion is not known; but Rosine’s
+answer was unfavourable. Mr. John De Graffenreid Atwood bowed till his
+hat touched the lawn grass, and went away with his head high, but with
+a sore wound in his pedigree and heart. A Hemstetter refuse an Atwood!
+Zounds!
+
+Among other accidents of that year was a Democratic president. Judge
+Atwood was a warhorse of Democracy. Johnny persuaded him to set the
+wheels moving for some foreign appointment. He would go away—away.
+Perhaps in years to come Rosine would think how true, how faithful his
+love had been, and would drop a tear—maybe in the cream she would be
+skimming for Pink Dawson’s breakfast.
+
+The wheels of politics revolved; and Johnny was appointed consul to
+Coralio. Just before leaving he dropped in at Hemstetter’s to say
+good-bye. There was a queer, pinkish look about Rosine’s eyes; and had
+the two been alone, the United States might have had to cast about for
+another consul. But Pink Dawson was there, of course, talking about his
+400-acre orchard, and the three-mile alfalfa tract, and the 200-acre
+pasture. So Johnny shook hands with Rosine as coolly as if he were only
+going to run up to Montgomery for a couple of days. They had the royal
+manner when they chose, those Atwoods.
+
+“If you happen to strike anything in the way of a good investment down
+there, Johnny,” said Pink Dawson, “just let me know, will you? I reckon
+I could lay my hands on a few extra thousands ’most any time for a
+profitable deal.”
+
+“Certainly, Pink,” said Johnny, pleasantly. “If I strike anything of
+the sort I’ll let you in with pleasure.”
+
+So Johnny went down to Mobile and took a fruit steamer for the coast of
+Anchuria.
+
+When the new consul arrived in Coralio the strangeness of the scenes
+diverted him much. He was only twenty-two; and the grief of youth is
+not worn like a garment as it is by older men. It has its seasons when
+it reigns; and then it is unseated for a time by the assertion of the
+keen senses.
+
+Billy Keogh and Johnny seemed to conceive a mutual friendship at once.
+Keogh took the new consul about town and presented him to the handful
+of Americans and the smaller number of French and Germans who made up
+the “foreign” contingent. And then, of course, he had to be more
+formally introduced to the native officials, and have his credentials
+transmitted through an interpreter.
+
+There was something about the young Southerner that the sophisticated
+Keogh liked. His manner was simple almost to boyishness; but he
+possessed the cool carelessness of a man of far greater age and
+experience. Neither uniforms nor titles, red tape nor foreign
+languages, mountains nor sea weighed upon his spirits. He was heir to
+all the ages, an Atwood, of Dalesburg; and you might know every thought
+conceived in his bosom.
+
+Geddie came down to the consulate to explain the duties and workings of
+the office. He and Keogh tried to interest the new consul in their
+description of the work that his government expected him to perform.
+
+“It’s all right,” said Johnny from the hammock that he had set up as
+the official reclining place. “If anything turns up that has to be done
+I’ll let you fellows do it. You can’t expect a Democrat to work during
+his first term of holding office.”
+
+“You might look over these headings,” suggested Geddie, “of the
+different lines of exports you will have to keep account of. The fruit
+is classified; and there are the valuable woods, coffee, rubber—”
+
+“That last account sounds all right,” interrupted Mr. Atwood. “Sounds
+as if it could be stretched. I want to buy a new flag, a monkey, a
+guitar and a barrel of pineapples. Will that rubber account stretch
+over ’em?”
+
+“That’s merely statistics,” said Geddie, smiling. “The expense account
+is what you want. It is supposed to have a slight elasticity. The
+‘stationery’ items are sometimes carelessly audited by the State
+Department.”
+
+“We’re wasting our time,” said Keogh. “This man was born to hold
+office. He penetrates to the root of the art at one step of his eagle
+eye. The true genius of government shows its hand in every word of his
+speech.”
+
+“I didn’t take this job with any intention of working,” explained
+Johnny, lazily. “I wanted to go somewhere in the world where they
+didn’t talk about farms. There are none here, are there?”
+
+“Not the kind you are acquainted with,” answered the ex-consul. “There
+is no such art here as agriculture. There never was a plow or a reaper
+within the boundaries of Anchuria.”
+
+“This is the country for me,” murmured the consul, and immediately he
+fell asleep.
+
+The cheerful tintypist pursued his intimacy with Johnny in spite of
+open charges that he did so to obtain a preëmption on a seat in that
+coveted spot, the rear gallery of the consulate. But whether his
+designs were selfish or purely friendly, Keogh achieved that desirable
+privilege. Few were the nights on which the two could not be found
+reposing there in the sea breeze, with their heels on the railing, and
+the cigars and brandy conveniently near.
+
+One evening they sat thus, mainly silent, for their talk had dwindled
+before the stilling influence of an unusual night.
+
+There was a great, full moon; and the sea was mother-of-pearl. Almost
+every sound was hushed, for the air was but faintly stirring; and the
+town lay panting, waiting for the night to cool. Offshore lay the fruit
+steamer _Andador_, of the Vesuvius line, full-laden and scheduled to
+sail at six in the morning. There were no loiterers on the beach. So
+bright was the moonlight that the two men could see the small pebbles
+shining on the beach where the gentle surf wetted them.
+
+Then down the coast, tacking close to shore, slowly swam a little
+sloop, white-winged like some snowy sea fowl. Its course lay within
+twenty points of the wind’s eye; so it veered in and out again in long,
+slow strokes like the movements of a graceful skater.
+
+Again the tactics of its crew brought it close in shore, this time
+nearly opposite the consulate; and then there blew from the sloop clear
+and surprising notes as if from a horn of elfland. A fairy bugle it
+might have been, sweet and silvery and unexpected, playing with spirit
+the familiar air of “Home, Sweet Home.”
+
+It was a scene set for the land of the lotus. The authority of the sea
+and the tropics, the mystery that attends unknown sails, and the
+prestige of drifting music on moonlit waters gave it an anodynous
+charm. Johnny Atwood felt it, and thought of Dalesburg; but as soon as
+Keogh’s mind had arrived at a theory concerning the peripatetic solo he
+sprang to the railing, and his ear-rending yawp fractured the silence
+of Coralio like a cannon shot.
+
+“Mel-lin-ger a-hoy!”
+
+The sloop was now on its outward tack; but from it came a clear,
+answering hail:
+
+“Good-bye, Billy … go-ing home—bye!”
+
+The _Andador_ was the sloop’s destination. No doubt some passenger with
+a sailing permit from some up-the-coast point had come down in this
+sloop to catch the regular fruit steamer on its return trip. Like a
+coquettish pigeon the little boat tacked on its eccentric way until at
+last its white sail was lost to sight against the larger bulk of the
+fruiter’s side.
+
+“That’s old H. P. Mellinger,” explained Keogh, dropping back into his
+chair. “He’s going back to New York. He was private secretary of the
+late hot-foot president of this grocery and fruit stand that they call
+a country. His job’s over now; and I guess old Mellinger is glad.”
+
+“Why does he disappear to music, like Zo-zo, the magic queen?” asked
+Johnny. “Just to show ’em that he doesn’t care?”
+
+“That noise you heard is a phonograph,” said Keogh. “I sold him that.
+Mellinger had a graft in this country that was the only thing of its
+kind in the world. The tooting machine saved it for him once, and he
+always carried it around with him afterward.”
+
+“Tell me about it,” demanded Johnny, betraying interest.
+
+“I’m no disseminator of narratives,” said Keogh. “I can use language
+for purposes of speech; but when I attempt a discourse the words come
+out as they will, and they may make sense when they strike the
+atmosphere, or they may not.”
+
+“I want to hear about that graft,” persisted Johnny. “You’ve got no
+right to refuse. I’ve told you all about every man, woman and hitching
+post in Dalesburg.”
+
+“You shall hear it,” said Keogh. “I said my instincts of narrative were
+perplexed. Don’t you believe it. It’s an art I’ve acquired along with
+many other of the graces and sciences.”
+
+
+
+
+VI
+THE PHONOGRAPH AND THE GRAFT
+
+
+“What was this graft?” asked Johnny, with the impatience of the great
+public to whom tales are told.
+
+“’Tis contrary to art and philosophy to give you the information,” said
+Keogh, calmly. “The art of narrative consists in concealing from your
+audience everything it wants to know until after you expose your
+favourite opinions on topics foreign to the subject. A good story is
+like a bitter pill with the sugar coating inside of it. I will begin,
+if you please, with a horoscope located in the Cherokee Nation; and end
+with a moral tune on the phonograph.
+
+“Me and Henry Horsecollar brought the first phonograph to this country.
+Henry was a quarter-breed, quarter-back Cherokee, educated East in the
+idioms of football, and West in contraband whisky, and a gentleman, the
+same as you and me. He was easy and romping in his ways; a man about
+six foot, with a kind of rubber-tire movement. Yes, he was a little man
+about five foot five, or five foot eleven. He was what you would call a
+medium tall man of average smallness. Henry had quit college once, and
+the Muscogee jail three times—the last-named institution on account of
+introducing and selling whisky in the territories. Henry Horsecollar
+never let any cigar stores come up and stand behind him. He didn’t
+belong to that tribe of Indians.
+
+“Henry and me met at Texarkana, and figured out this phonograph scheme.
+He had $360 which came to him out of a land allotment in the
+reservation. I had run down from Little Rock on account of a
+distressful scene I had witnessed on the street there. A man stood on a
+box and passed around some gold watches, screw case, stem-winders,
+Elgin movement, very elegant. Twenty bucks they cost you over the
+counter. At three dollars the crowd fought for the tickers. The man
+happened to find a valise full of them handy, and he passed them out
+like putting hot biscuits on a plate. The backs were hard to unscrew,
+but the crowd put its ear to the case, and they ticked mollifying and
+agreeable. Three of these watches were genuine tickers; the rest were
+only kickers. Hey? Why, empty cases with one of them horny black bugs
+that fly around electric lights in ’em. Them bugs kick off minutes and
+seconds industrious and beautiful. So, this man I was speaking of
+cleaned up $288; and then he went away, because he knew that when it
+came time to wind watches in Little Rock an entomologist would be
+needed, and he wasn’t one.
+
+“So, as I say, Henry had $360, and I had $288. The idea of introducing
+the phonograph to South America was Henry’s; but I took to it freely,
+being fond of machinery of all kinds.
+
+“‘The Latin races,’ says Henry, explaining easy in the idioms he
+learned at college, ‘are peculiarly adapted to be victims of the
+phonograph. They have the artistic temperament. They yearn for music
+and color and gaiety. They give wampum to the hand-organ man and the
+four-legged chicken in the tent when they’re months behind with the
+grocery and the bread-fruit tree.’
+
+“‘Then,’ says I, ‘we’ll export canned music to the Latins; but I’m
+mindful of Mr. Julius Cæsar’s account of ’em where he says: “_Omnia
+Gallia in tres partes divisa est_;” which is the same as to say, “We
+will need all of our gall in devising means to tree them parties.”’
+
+“I hated to make a show of education; but I was disinclined to be
+overdone in syntax by a mere Indian, a member of a race to which we owe
+nothing except the land on which the United States is situated.
+
+“We bought a fine phonograph in Texarkana—one of the best make—and half
+a trunkful of records. We packed up, and took the T. and P. for New
+Orleans. From that celebrated centre of molasses and disfranchised coon
+songs we took a steamer for South America.
+
+“We landed at Solitas, forty miles up the coast from here. ’Twas a
+palatable enough place to look at. The houses were clean and white; and
+to look at ’em stuck around among the scenery they reminded you of
+hard-boiled eggs served with lettuce. There was a block of skyscraper
+mountains in the suburbs; and they kept pretty quiet, like they had
+crept up there and were watching the town. And the sea was remarking
+‘Sh-sh-sh’ on the beach; and now and then a ripe cocoanut would drop
+kerblip in the sand; and that was all there was doing. Yes, I judge
+that town was considerably on the quiet. I judge that after Gabriel
+quits blowing his horn, and the car starts, with Philadelphia swinging
+to the last strap, and Pine Gully, Arkansas, hanging onto the rear
+step, this town of Solitas will wake up and ask if anybody spoke.
+
+“The captain went ashore with us, and offered to conduct what he seemed
+to like to call the obsequies. He introduced Henry and me to the United
+States Consul, and a roan man, the head of the Department of Mercenary
+and Licentious Dispositions, the way it read upon his sign.
+
+“‘I touch here again a week from to-day,’ says the captain.
+
+“‘By that time,’ we told him, ‘we’ll be amassing wealth in the interior
+towns with our galvanized prima donna and correct imitations of Sousa’s
+band excavating a march from a tin mine.’
+
+“‘Ye’ll not,’ says the captain. ‘Ye’ll be hypnotized. Any gentleman in
+the audience who kindly steps upon the stage and looks this country in
+the eye will be converted to the hypothesis that he’s but a fly in the
+Elgin creamery. Ye’ll be standing knee deep in the surf waiting for me,
+and your machine for making Hamburger steak out of the hitherto
+respected art of music will be playing “There’s no place like home.”’
+
+“Henry skinned a twenty off his roll, and received from the Bureau of
+Mercenary Dispositions a paper bearing a red seal and a dialect story,
+and no change.
+
+“Then we got the consul full of red wine, and struck him for a
+horoscope. He was a thin, youngish kind of man, I should say past
+fifty, sort of French-Irish in his affections, and puffed up with
+disconsolation. Yes, he was a flattened kind of a man, in whom drink
+lay stagnant, inclined to corpulence and misery. Yes, I think he was a
+kind of Dutchman, being very sad and genial in his ways.
+
+“‘The marvelous invention,’ he says, ‘entitled the phonograph, has
+never invaded these shores. The people have never heard it. They would
+not believe it if they should. Simple-hearted children of nature,
+progress has never condemned them to accept the work of a can-opener as
+an overture, and rag-time might incite them to a bloody revolution. But
+you can try the experiment. The best chance you have is that the
+populace may not wake up when you play. There’s two ways,’ says the
+consul, ‘they may take it. They may become inebriated with attention,
+like an Atlanta colonel listening to “Marching Through Georgia,” or
+they will get excited and transpose the key of the music with an axe
+and yourselves into a dungeon. In the latter case,’ says the consul,
+‘I’ll do my duty by cabling to the State Department, and I’ll wrap the
+Stars and Stripes around you when you come to be shot, and threaten
+them with the vengeance of the greatest gold export and financial
+reserve nation on earth. The flag is full of bullet holes now,’ says
+the consul, ‘made in that way. Twice before,’ says the consul, ‘I have
+cabled our government for a couple of gunboats to protect American
+citizens. The first time the Department sent me a pair of gum boots.
+The other time was when a man named Pease was going to be executed
+here. They referred that appeal to the Secretary of Agriculture. Let us
+now disturb the señor behind the bar for a subsequence of the red
+wine.’
+
+“Thus soliloquized the consul of Solitas to me and Henry Horsecollar.
+
+“But, notwithstanding, we hired a room that afternoon in the Calle de
+los Angeles, the main street that runs along the shore, and put our
+trunks there. ’Twas a good-sized room, dark and cheerful, but small.
+’Twas on a various street, diversified by houses and conservatory
+plants. The peasantry of the city passed to and fro on the fine
+pasturage between the sidewalks. ’Twas, for the world, like an opera
+chorus when the Royal Kafoozlum is about to enter.
+
+“We were rubbing the dust off the machine and getting fixed to start
+business the next day, when a big, fine-looking white man in white
+clothes stopped at the door and looked in. We extended the invitations,
+and he walked inside and sized us up. He was chewing a long cigar, and
+wrinkling his eyes, meditative, like a girl trying to decide which
+dress to wear to the party.
+
+“‘New York?’ he says to me finally.
+
+“‘Originally, and from time to time,’ I says. ‘Hasn’t it rubbed off
+yet?’
+
+“‘It’s simple,’ says he, ‘when you know how. It’s the fit of the vest.
+They don’t cut vests right anywhere else. Coats, maybe, but not vests.’
+
+“The white man looks at Henry Horsecollar and hesitates.
+
+“‘Injun,’ says Henry; ‘tame Injun.’
+
+“‘Mellinger,’ says the man—‘Homer P. Mellinger. Boys, you’re
+confiscated. You’re babes in the wood without a chaperon or referee,
+and it’s my duty to start you going. I’ll knock out the props and
+launch you proper in the pellucid waters of this tropical mud puddle.
+You’ll have to be christened, and if you’ll come with me I’ll break a
+bottle of wine across your bows, according to Hoyle.’
+
+“Well, for two days Homer P. Mellinger did the honors. That man cut ice
+in Anchuria. He was It. He was the Royal Kafoozlum. If me and Henry was
+babes in the wood, he was a Robin Redbreast from the topmost bough. Him
+and me and Henry Horsecollar locked arms, and toted that phonograph
+around, and had wassail and diversions. Everywhere we found doors open
+we went inside and set the machine going, and Mellinger called upon the
+people to observe the artful music and his two lifelong friends, the
+Señors Americanos. The opera chorus was agitated with esteem, and
+followed us from house to house. There was a different kind of drink to
+be had with every tune. The natives had acquirements of a pleasant
+thing in the way of a drink that gums itself to the recollection. They
+chop off the end of a green cocoanut, and pour in on the juice of it
+French brandy and other adjuvants. We had them and other things.
+
+“Mine and Henry’s money was counterfeit. Everything was on Homer P.
+Mellinger. That man could find rolls of bills concealed in places on
+his person where Hermann the Wizard couldn’t have conjured out a rabbit
+or an omelette. He could have founded universities, and made orchid
+collections, and then had enough left to purchase the colored vote of
+his country. Henry and me wondered what his graft was. One evening he
+told us.
+
+“‘Boys,’ said he, ‘I’ve deceived you. You think I’m a painted
+butterfly; but in fact I’m the hardest worked man in this country. Ten
+years ago I landed on its shores; and two years ago on the point of its
+jaw. Yes, I guess I can get the decision over this ginger cake
+commonwealth at the end of any round I choose. I’ll confide in you
+because you are my countrymen and guests, even if you have assaulted my
+adopted shores with the worst system of noises ever set to music.
+
+“‘My job is private secretary to the president of this republic; and my
+duties are running it. I’m not headlined in the bills, but I’m the
+mustard in the salad dressing just the same. There isn’t a law goes
+before Congress, there isn’t a concession granted, there isn’t an
+import duty levied but what H. P. Mellinger he cooks and seasons it. In
+the front office I fill the president’s inkstand and search visiting
+statesmen for dirks and dynamite; but in the back room I dictate the
+policy of the government. You’d never guess in the world how I got my
+pull. It’s the only graft of its kind on earth. I’ll put you wise. You
+remember the old top-liner in the copy book—“Honesty is the Best
+Policy”? That’s it. I’m working honesty for a graft. I’m the only
+honest man in the republic. The government knows it; the people know
+it; the boodlers know it; the foreign investors know it. I make the
+government keep its faith. If a man is promised a job he gets it. If
+outside capital buys a concession it gets the goods. I run a monopoly
+of square dealing here. There’s no competition. If Colonel Diogenes
+were to flash his lantern in this precinct he’d have my address inside
+of two minutes. There isn’t big money in it, but it’s a sure thing, and
+lets a man sleep of nights.’
+
+“Thus Homer P. Mellinger made oration to me and Henry Horsecollar. And,
+later, he divested himself of this remark:
+
+“‘Boys, I’m to hold a _soirée_ this evening with a gang of leading
+citizens, and I want your assistance. You bring the musical corn
+sheller and give the affair the outside appearance of a function.
+There’s important business on hand, but it mustn’t show. I can talk to
+you people. I’ve been pained for years on account of not having anybody
+to blow off and brag to. I get homesick sometimes, and I’d swap the
+entire perquisites of office for just one hour to have a stein and a
+caviare sandwich somewhere on Thirty-fourth Street, and stand and watch
+the street cars go by, and smell the peanut roaster at old Giuseppe’s
+fruit stand.’
+
+“‘Yes,’ said I, ‘there’s fine caviare at Billy Renfrew’s café, corner
+of Thirty-fourth and—’
+
+“‘God knows it,’ interrupts Mellinger, ‘and if you’d told me you knew
+Billy Renfrew I’d have invented tons of ways of making you happy. Billy
+was my side-kicker in New York. There is a man who never knew what
+crooked was. Here I am working Honesty for a graft, but that man loses
+money on it. Carrambos! I get sick at times of this country.
+Everything’s rotten. From the executive down to the coffee pickers,
+they’re plotting to down each other and skin their friends. If a mule
+driver takes off his hat to an official, that man figures it out that
+he’s a popular idol, and sets his pegs to stir up a revolution and
+upset the administration. It’s one of my little chores as private
+secretary to smell out these revolutions and affix the kibosh before
+they break out and scratch the paint off the government property.
+That’s why I’m down here now in this mildewed coast town. The governor
+of the district and his crew are plotting to uprise. I’ve got every one
+of their names, and they’re invited to listen to the phonograph
+to-night, compliments of H. P. M. That’s the way I’ll get them in a
+bunch, and things are on the programme to happen to them.’
+
+“We three were sitting at table in the cantina of the Purified Saints.
+Mellinger poured out wine, and was looking some worried; I was
+thinking.
+
+“‘They’re a sharp crowd,’ he says, kind of fretful. ‘They’re
+capitalized by a foreign syndicate after rubber, and they’re loaded to
+the muzzle for bribing. I’m sick,’ goes on Mellinger, ‘of comic opera.
+I want to smell East River and wear suspenders again. At times I feel
+like throwing up my job, but I’m d——n fool enough to be sort of proud
+of it. “There’s Mellinger,” they say here. “_Por Dios!_ you can’t touch
+him with a million.” I’d like to take that record back and show it to
+Billy Renfrew some day; and that tightens my grip whenever I see a fat
+thing that I could corral just by winking one eye—and losing my graft.
+By ——, they can’t monkey with me. They know it. What money I get I make
+honest and spend it. Some day I’ll make a pile and go back and eat
+caviare with Billy. To-night I’ll show you how to handle a bunch of
+corruptionists. I’ll show them what Mellinger, private secretary, means
+when you spell it with the cotton and tissue paper off.’
+
+“Mellinger appears shaky, and breaks his glass against the neck of the
+bottle.
+
+“I says to myself, ‘White man, if I’m not mistaken there’s been a bait
+laid out where the tail of your eye could see it.’
+
+“That night, according to arrangements, me and Henry took the
+phonograph to a room in a ’dobe house in a dirty side street, where the
+grass was knee high. ’Twas a long room, lit with smoky oil lamps. There
+was plenty of chairs, and a table at the back end. We set the
+phonograph on the table. Mellinger was there, walking up and down,
+disturbed in his predicaments. He chewed cigars and spat ’em out, and
+he bit the thumb nail of his left hand.
+
+“By and by the invitations to the musicale came sliding in by pairs and
+threes and spade flushes. Their colour was of a diversity, running from
+a three-days’ smoked meerschaum to a patent-leather polish. They were
+as polite as wax, being devastated with enjoyments to give Señor
+Mellinger the good evenings. I understood their Spanish talk—I ran a
+pumping engine two years in a Mexican silver mine, and had it pat—but I
+never let on.
+
+“Maybe fifty of ’em had come, and was seated, when in slid the king
+bee, the governor of the district. Mellinger met him at the door, and
+escorted him to the grand stand. When I saw that Latin man I knew that
+Mellinger, private secretary, had all the dances on his card taken.
+That was a big, squashy man, the colour of a rubber overshoe, and he
+had an eye like a head waiter’s.
+
+“Mellinger explained, fluent, in the Castilian idioms, that his soul
+was disconcerted with joy at introducing to his respected friends
+America’s greatest invention, the wonder of the age. Henry got the cue
+and run on an elegant brass-band record and the festivities became
+initiated. The governor man had a bit of English under his hat, and
+when the music was choked off he says:
+
+“‘Ver-r-ree fine. _Gr-r-r-r-racias_, the American gentleemen, the so
+esplendeed moosic as to playee.’
+
+“The table was a long one, and Henry and me sat at the end of it next
+the wall. The governor sat at the other end. Homer P. Mellinger stood
+at the side of it. I was just wondering how Mellinger was going to
+handle his crowd, when the home talent suddenly opened the services.
+
+“That governor man was suitable for uprisings and policies. I judge he
+was a ready kind of man, who took his own time. Yes, he was full of
+attention and immediateness. He leaned his hands on the table and
+imposed his face toward the secretary man.
+
+“‘Do the American señors understand Spanish?’ he asks in his native
+accents.
+
+“‘They do not,’ says Mellinger.
+
+“‘Then listen,’ goes on the Latin man, prompt. ‘The musics are of
+sufficient prettiness, but not of necessity. Let us speak of business.
+I well know why we are here, since I observe my compatriots. You had a
+whisper yesterday, Señor Mellinger, of our proposals. To-night we will
+speak out. We know that you stand in the president’s favour, and we
+know your influence. The government will be changed. We know the worth
+of your services. We esteem your friendship and aid so much
+that’—Mellinger raises his hand, but the governor man bottles him up.
+‘Do not speak until I have done.’
+
+“The governor man then draws a package wrapped in paper from his
+pocket, and lays it on the table by Mellinger’s hand.
+
+“‘In that you will find fifty thousand dollars in money of your
+country. You can do nothing against us, but you can be worth that for
+us. Go back to the capital and obey our instructions. Take that money
+now. We trust you. You will find with it a paper giving in detail the
+work you will be expected to do for us. Do not have the unwiseness to
+refuse.’
+
+“The governor man paused, with his eyes fixed on Mellinger, full of
+expressions and observances. I looked at Mellinger, and was glad Billy
+Renfrew couldn’t see him then. The sweat was popping out on his
+forehead, and he stood dumb, tapping the little package with the ends
+of his fingers. The colorado-maduro gang was after his graft. He had
+only to change his politics, and stuff five fingers in his inside
+pocket.
+
+“Henry whispers to me and wants the pause in the programme interpreted.
+I whisper back: ‘H. P. is up against a bribe, senator’s size, and the
+coons have got him going.’ I saw Mellinger’s hand moving closer to the
+package. ‘He’s weakening,’ I whispered to Henry. ‘We’ll remind him,’
+says Henry, ‘of the peanut-roaster on Thirty-fourth Street, New York.’
+
+“Henry stooped down and got a record from the basketful we’d brought,
+slid it in the phonograph, and started her off. It was a cornet solo,
+very neat and beautiful, and the name of it was ‘Home, Sweet Home.’ Not
+one of them fifty odd men in the room moved while it was playing, and
+the governor man kept his eyes steady on Mellinger. I saw Mellinger’s
+head go up little by little, and his hand came creeping away from the
+package. Not until the last note sounded did anybody stir. And then
+Homer P. Mellinger takes up the bundle of boodle and slams it in the
+governor man’s face.
+
+“‘That’s my answer,’ says Mellinger, private secretary, ‘and there’ll
+be another in the morning. I have proofs of conspiracy against every
+man of you. The show is over, gentlemen.’
+
+“‘There’s one more act,’ puts in the governor man. ‘You are a servant,
+I believe, employed by the president to copy letters and answer raps at
+the door. I am governor here. _Señores_, I call upon you in the name of
+the cause to seize this man.’
+
+“That brindled gang of conspirators shoved back their chairs and
+advanced in force. I could see where Mellinger had made a mistake in
+massing his enemy so as to make a grand-stand play. I think he made
+another one, too; but we can pass that, Mellinger’s idea of a graft and
+mine being different, according to estimations and points of view.
+
+“There was only one window and door in that room, and they were in the
+front end. Here was fifty odd Latin men coming in a bunch to obstruct
+the legislation of Mellinger. You may say there were three of us, for
+me and Henry, simultaneous, declared New York City and the Cherokee
+Nation in sympathy with the weaker party.
+
+“Then it was that Henry Horsecollar rose to a point of disorder and
+intervened, showing, admirable, the advantages of education as applied
+to the American Indian’s natural intellect and native refinement. He
+stood up and smoothed back his hair on each side with his hands as you
+have seen little girls do when they play.
+
+“‘Get behind me, both of you,’ says Henry.
+
+“‘What’s it to be, chief?’ I asked.
+
+“‘I’m going to buck centre,’ says Henry, in his football idioms. ‘There
+isn’t a tackle in the lot of them. Follow me close, and rush the game.’
+
+“Then that cultured Red Man exhaled an arrangement of sounds with his
+mouth that made the Latin aggregation pause, with thoughtfulness and
+hesitations. The matter of his proclamation seemed to be a co-operation
+of the Carlisle war-whoop with the Cherokee college yell. He went at
+the chocolate team like a bean out of a little boy’s nigger shooter.
+His right elbow laid out the governor man on the gridiron, and he made
+a lane the length of the crowd so wide that a woman could have carried
+a step-ladder through it without striking against anything. All
+Mellinger and me had to do was to follow.
+
+“It took us just three minutes to get out of that street around to
+military headquarters, where Mellinger had things his own way. A
+colonel and a battalion of bare-toed infantry turned out and went back
+to the scene of the musicale with us, but the conspirator gang was
+gone. But we recaptured the phonograph with honours of war, and marched
+back to the _cuartel_ with it playing ‘All Coons Look Alike to Me.’
+
+“The next day Mellinger takes me and Henry to one side, and begins to
+shed tens and twenties.
+
+“‘I want to buy that phonograph,’ says he. ‘I liked that last tune it
+played at the _soirée_.’
+
+“‘This is more money than the machine is worth,’ says I.
+
+“‘’Tis government expense money,’ says Mellinger. ‘The government pays
+for it, and it’s getting the tune-grinder cheap.’
+
+“Me and Henry knew that pretty well. We knew that it had saved Homer P.
+Mellinger’s graft when he was on the point of losing it; but we never
+let him know we knew it.
+
+“‘Now you boys better slide off further down the coast for a while,’
+says Mellinger, ‘till I get the screws put on these fellows here. If
+you don’t they’ll give you trouble. And if you ever happen to see Billy
+Renfrew again before I do, tell him I’m coming back to New York as soon
+as I can make a stake—honest.’
+
+“Me and Henry laid low until the day the steamer came back. When we saw
+the captain’s boat on the beach we went down and stood in the edge of
+the water. The captain grinned when he saw us.
+
+“‘I told you you’d be waiting,’ he says. ‘Where’s the Hamburger
+machine?’
+
+“‘It stays behind,’ I says, ‘to play “Home, Sweet Home.”’
+
+“‘I told you so,’ says the captain again. ‘Climb in the boat.’
+
+“And that,” said Keogh, “is the way me and Henry Horsecollar introduced
+the phonograph into this country. Henry went back to the States, but
+I’ve been rummaging around in the tropics ever since. They say
+Mellinger never travelled a mile after that without his phonograph. I
+guess it kept him reminded about his graft whenever he saw the siren
+voice of the boodler tip him the wink with a bribe in its hand.”
+
+“I suppose he’s taking it home with him as a souvenir,” remarked the
+consul.
+
+“Not as a souvenir,” said Keogh. “He’ll need two of ’em in New York,
+running day and night.”
+
+
+
+
+VII
+MONEY MAZE
+
+
+The new administration of Anchuria entered upon its duties and
+privileges with enthusiasm. Its first act was to send an agent to
+Coralio with imperative orders to recover, if possible, the sum of
+money ravished from the treasury by the ill-fated Miraflores.
+
+Colonel Emilio Falcon, the private secretary of Losada, the new
+president, was despatched from the capital upon this important mission.
+
+The position of private secretary to a tropical president is a
+responsible one. He must be a diplomat, a spy, a ruler of men, a
+body-guard to his chief, and a smeller-out of plots and nascent
+revolutions. Often he is the power behind the throne, the dictator of
+policy; and a president chooses him with a dozen times the care with
+which he selects a matrimonial mate.
+
+Colonel Falcon, a handsome and urbane gentleman of Castilian courtesy
+and débonnaire manners, came to Coralio with the task before him of
+striking upon the cold trail of the lost money. There he conferred with
+the military authorities, who had received instructions to co-operate
+with him in the search.
+
+Colonel Falcon established his headquarters in one of the rooms of the
+Casa Morena. Here for a week he held informal sittings—much as if he
+were a kind of unified grand jury—and summoned before him all those
+whose testimony might illumine the financial tragedy that had
+accompanied the less momentous one of the late president’s death.
+
+Two or three who were thus examined, among whom was the barber Estebán,
+declared that they had identified the body of the president before its
+burial.
+
+“Of a truth,” testified Estebán before the mighty secretary, “it was
+he, the president. Consider!—how could I shave a man and not see his
+face? He sent for me to shave him in a small house. He had a beard very
+black and thick. Had I ever seen the president before? Why not? I saw
+him once ride forth in a carriage from the _vapor_ in Solitas. When I
+shaved him he gave me a gold piece, and said there was to be no talk.
+But I am a Liberal—I am devoted to my country—and I spake of these
+things to Señor Goodwin.”
+
+“It is known,” said Colonel Falcon, smoothly, “that the late President
+took with him an American leather valise, containing a large amount of
+money. Did you see that?”
+
+“_De veras_—no,” Estebán answered. “The light in the little house was
+but a small lamp by which I could scarcely see to shave the President.
+Such a thing there may have been, but I did not see it. No. Also in the
+room was a young lady—a señorita of much beauty—that I could see even
+in so small a light. But the money, señor, or the thing in which it was
+carried—that I did not see.”
+
+The _comandante_ and other officers gave testimony that they had been
+awakened and alarmed by the noise of a pistol-shot in the Hotel de los
+Estranjeros. Hurrying thither to protect the peace and dignity of the
+republic, they found a man lying dead, with a pistol clutched in his
+hand. Beside him was a young woman, weeping sorely. Señor Goodwin was
+also in the room when they entered it. But of the valise of money they
+saw nothing.
+
+Madame Timotea Ortiz, the proprietress of the hotel in which the game
+of Fox-in-the-Morning had been played out, told of the coming of the
+two guests to her house.
+
+“To my house they came,” said she—“one _señor_, not quite old, and one
+_señorita_ of sufficient handsomeness. They desired not to eat or to
+drink—not even of my _aguardiente_, which is the best. To their rooms
+they ascended—_Numero Nueve_ and _Numero Diez_. Later came Señor
+Goodwin, who ascended to speak with them. Then I heard a great noise
+like that of a _canon_, and they said that the _pobre Presidente_ had
+shot himself. _Está bueno._ I saw nothing of money or of the thing you
+call _veliz_ that you say he carried it in.”
+
+Colonel Falcon soon came to the reasonable conclusion that if anyone in
+Coralio could furnish a clue to the vanished money, Frank Goodwin must
+be the man. But the wise secretary pursued a different course in
+seeking information from the American. Goodwin was a powerful friend to
+the new administration, and one who was not to be carelessly dealt with
+in respect to either his honesty or his courage. Even the private
+secretary of His Excellency hesitated to have this rubber prince and
+mahogany baron haled before him as a common citizen of Anchuria. So he
+sent Goodwin a flowery epistle, each word-petal dripping with honey,
+requesting the favour of an interview. Goodwin replied with an
+invitation to dinner at his own house.
+
+Before the hour named the American walked over to the Casa Morena, and
+greeted his guest frankly and friendly. Then the two strolled, in the
+cool of the afternoon, to Goodwin’s home in the environs.
+
+The American left Colonel Falcon in a big, cool, shadowed room with a
+floor of inlaid and polished woods that any millionaire in the States
+would have envied, excusing himself for a few minutes. He crossed a
+_patio_, shaded with deftly arranged awnings and plants, and entered a
+long room looking upon the sea in the opposite wing of the house. The
+broad jalousies were opened wide, and the ocean breeze flowed in
+through the room, an invisible current of coolness and health.
+Goodwin’s wife sat near one of the windows, making a water-color sketch
+of the afternoon seascape.
+
+Here was a woman who looked to be happy. And more—she looked to be
+content. Had a poet been inspired to pen just similes concerning her
+favour, he would have likened her full, clear eyes, with their
+white-encircled, gray irises, to moonflowers. With none of the
+goddesses whose traditional charms have become coldly classic would the
+discerning rhymester have compared her. She was purely Paradisaic, not
+Olympian. If you can imagine Eve, after the eviction, beguiling the
+flaming warriors and serenely re-entering the Garden, you will have
+her. Just so human, and still so harmonious with Eden seemed Mrs.
+Goodwin.
+
+When her husband entered she looked up, and her lips curved and parted;
+her eyelids fluttered twice or thrice—a movement remindful (Poesy
+forgive us!) of the tail-wagging of a faithful dog—and a little ripple
+went through her like the commotion set up in a weeping willow by a
+puff of wind. Thus she ever acknowledged his coming, were it twenty
+times a day. If they who sometimes sat over their wine in Coralio,
+reshaping old, diverting stories of the madcap career of Isabel
+Guilbert, could have seen the wife of Frank Goodwin that afternoon in
+the estimable aura of her happy wifehood, they might have disbelieved,
+or have agreed to forget, those graphic annals of the life of the one
+for whom their president gave up his country and his honour.
+
+“I have brought a guest to dinner,” said Goodwin. “One Colonel Falcon,
+from San Mateo. He is come on government business. I do not think you
+will care to see him, so I prescribe for you one of those convenient
+and indisputable feminine headaches.”
+
+“He has come to inquire about the lost money, has he not?” asked Mrs.
+Goodwin, going on with her sketch.
+
+“A good guess!” acknowledged Goodwin. “He has been holding an
+inquisition among the natives for three days. I am next on his list of
+witnesses, but as he feels shy about dragging one of Uncle Sam’s
+subjects before him, he consents to give it the outward appearance of a
+social function. He will apply the torture over my own wine and
+provender.”
+
+“Has he found anyone who saw the valise of money?”
+
+“Not a soul. Even Madama Ortiz, whose eyes are so sharp for the sight
+of a revenue official, does not remember that there was any baggage.”
+
+Mrs. Goodwin laid down her brush and sighed.
+
+“I am so sorry, Frank,” she said, “that they are giving you so much
+trouble about the money. But we can’t let them know about it, can we?”
+
+“Not without doing our intelligence a great injustice,” said Goodwin,
+with a smile and a shrug that he had picked up from the natives.
+“_Americano_, though I am, they would have me in the _calaboza_ in half
+an hour if they knew we had appropriated that valise. No; we must
+appear as ignorant about the money as the other ignoramuses in
+Coralio.”
+
+“Do you think that this man they have sent suspects you?” she asked,
+with a little pucker of her brows.
+
+“He’d better not,” said the American, carelessly. “It’s lucky that no
+one caught a sight of the valise except myself. As I was in the rooms
+when the shot was fired, it is not surprising that they should want to
+investigate my part in the affair rather closely. But there’s no cause
+for alarm. This colonel is down on the list of events for a good
+dinner, with a dessert of American ‘bluff’ that will end the matter, I
+think.”
+
+Mrs. Goodwin rose and walked to the window. Goodwin followed and stood
+by her side. She leaned to him, and rested in the protection of his
+strength, as she had always rested since that dark night on which he
+had first made himself her tower of refuge. Thus they stood for a
+little while.
+
+Straight through the lavish growth of tropical branch and leaf and vine
+that confronted them had been cunningly trimmed a vista, that ended at
+the cleared environs of Coralio, on the banks of the mangrove swamp. At
+the other end of the aerial tunnel they could see the grave and wooden
+headpiece that bore the name of the unhappy President Miraflores. From
+this window when the rains forbade the open, and from the green and
+shady slopes of Goodwin’s fruitful lands when the skies were smiling,
+his wife was wont to look upon that grave with a gentle sadness that
+was now scarcely a mar to her happiness.
+
+“I loved him so, Frank!” she said, “even after that terrible flight and
+its awful ending. And you have been so good to me, and have made me so
+happy. It has all grown into such a strange puzzle. If they were to
+find out that we got the money do you think they would force you to
+make the amount good to the government?”
+
+“They would undoubtedly try,” answered Goodwin. “You are right about
+its being a puzzle. And it must remain a puzzle to Falcon and all his
+countrymen until it solves itself. You and I, who know more than anyone
+else, only know half of the solution. We must not let even a hint about
+this money get abroad. Let them come to the theory that the president
+concealed it in the mountains during his journey, or that he found
+means to ship it out of the country before he reached Coralio. I don’t
+think that Falcon suspects me. He is making a close investigation,
+according to his orders, but he will find out nothing.”
+
+Thus they spake together. Had anyone overheard or overseen them as they
+discussed the lost funds of Anchuria there would have been a second
+puzzle presented. For upon the faces and in the bearing of each of them
+was visible (if countenances are to be believed) Saxon honesty and
+pride and honourable thoughts. In Goodwin’s steady eye and firm
+lineaments, moulded into material shape by the inward spirit of
+kindness and generosity and courage, there was nothing reconcilable
+with his words.
+
+As for his wife, physiognomy championed her even in the face of their
+accusive talk. Nobility was in her guise; purity was in her glance. The
+devotion that she manifested had not even the appearance of that
+feeling that now and then inspires a woman to share the guilt of her
+partner out of the pathetic greatness of her love. No, there was a
+discrepancy here between what the eye would have seen and the ear have
+heard.
+
+Dinner was served to Goodwin and his guest in the _patio_, under cool
+foliage and flowers. The American begged the illustrious secretary to
+excuse the absence of Mrs. Goodwin, who was suffering, he said, from a
+headache brought on by a slight _calentura_.
+
+After the meal they lingered, according to the custom, over their
+coffee and cigars. Colonel Falcon, with true Castilian delicacy, waited
+for his host to open the question that they had met to discuss. He had
+not long to wait. As soon as the cigars were lighted, the American
+cleared the way by inquiring whether the secretary’s investigations in
+the town had furnished him with any clue to the lost funds.
+
+“I have found no one yet,” admitted Colonel Falcon, “who even had sight
+of the valise or the money. Yet I have persisted. It has been proven in
+the capital that President Miraflores set out from San Mateo with one
+hundred thousand dollars belonging to the government, accompanied by
+_Señorita_ Isabel Guilbert, the opera singer. The Government,
+officially and personally, is loath to believe,” concluded Colonel
+Falcon, with a smile, “that our late President’s tastes would have
+permitted him to abandon on the route, as excess baggage, either of the
+desirable articles with which his flight was burdened.”
+
+“I suppose you would like to hear what I have to say about the affair,”
+said Goodwin, coming directly to the point. “It will not require many
+words.
+
+“On that night, with others of our friends here, I was keeping a
+lookout for the president, having been notified of his flight by a
+telegram in our national cipher from Englehart, one of our leaders in
+the capital. About ten o’clock that night I saw a man and a woman
+hurrying along the streets. They went to the Hotel de los Estranjeros,
+and engaged rooms. I followed them upstairs, leaving Estebán, who had
+come up, to watch outside. The barber had told me that he had shaved
+the beard from the president’s face that night; therefore I was
+prepared, when I entered the rooms, to find him with a smooth face.
+When I apprehended him in the name of the people he drew a pistol and
+shot himself instantly. In a few minutes many officers and citizens
+were on the spot. I suppose you have been informed of the subsequent
+facts.”
+
+Goodwin paused. Losada’s agent maintained an attitude of waiting, as if
+he expected a continuance.
+
+“And now,” went on the American, looking steadily into the eyes of the
+other man, and giving each word a deliberate emphasis, “you will oblige
+me by attending carefully to what I have to add. I saw no valise or
+receptacle of any kind, or any money belonging to the Republic of
+Anchuria. If President Miraflores decamped with any funds belonging to
+the treasury of this country, or to himself, or to anyone else, I saw
+no trace of it in the house or elsewhere, at that time or at any other.
+Does that statement cover the ground of the inquiry you wished to make
+of me?”
+
+Colonel Falcon bowed, and described a fluent curve with his cigar. His
+duty was performed. Goodwin was not to be disputed. He was a loyal
+supporter of the government, and enjoyed the full confidence of the new
+president. His rectitude had been the capital that had brought him
+fortune in Anchuria, just as it had formed the lucrative “graft” of
+Mellinger, the secretary of Miraflores.
+
+“I thank you, _Señor_ Goodwin,” said Falcon, “for speaking plainly.
+Your word will be sufficient for the president. But, _Señor_ Goodwin, I
+am instructed to pursue every clue that presents itself in this matter.
+There is one that I have not yet touched upon. Our friends in France,
+_señor_, have a saying, ‘_Cherchez la femme_,’ when there is a mystery
+without a clue. But here we do not have to search. The woman who
+accompanied the late President in his flight must surely—”
+
+“I must interrupt you there,” interposed Goodwin. “It is true that when
+I entered the hotel for the purpose of intercepting President
+Miraflores I found a lady there. I must beg of you to remember that
+that lady is now my wife. I speak for her as I do for myself. She knows
+nothing of the fate of the valise or of the money that you are seeking.
+You will say to his excellency that I guarantee her innocence. I do not
+need to add to you, Colonel Falcon, that I do not care to have her
+questioned or disturbed.”
+
+Colonel Falcon bowed again.
+
+“_Por supuesto_, no!” he cried. And to indicate that the inquiry was
+ended he added: “And now, _señor_, let me beg of you to show me that
+sea view from your _galeria_ of which you spoke. I am a lover of the
+sea.”
+
+In the early evening Goodwin walked back to the town with his guest,
+leaving him at the corner of the Calle Grande. As he was returning
+homeward one “Beelzebub” Blythe, with the air of a courtier and the
+outward aspect of a scarecrow, pounced upon him hopefully from the door
+of a _pulperia_.
+
+Blythe had been re-christened “Beelzebub” as an acknowledgment of the
+greatness of his fall. Once in some distant Paradise Lost, he had
+foregathered with the angels of the earth. But Fate had hurled him
+headlong down to the tropics, where flamed in his bosom a fire that was
+seldom quenched. In Coralio they called him a beachcomber; but he was,
+in reality, a categorical idealist who strove to anamorphosize the dull
+verities of life by the means of brandy and rum. As Beelzebub, himself,
+might have held in his clutch with unwitting tenacity his harp or crown
+during his tremendous fall, so his namesake had clung to his
+gold-rimmed eyeglasses as the only souvenir of his lost estate. These
+he wore with impressiveness and distinction while he combed beaches and
+extracted toll from his friends. By some mysterious means he kept his
+drink-reddened face always smoothly shaven. For the rest he sponged
+gracefully upon whomsoever he could for enough to keep him pretty
+drunk, and sheltered from the rains and night dews.
+
+“Hallo, Goodwin!” called the derelict, airily. “I was hoping I’d strike
+you. I wanted to see you particularly. Suppose we go where we can talk.
+Of course you know there’s a chap down here looking up the money old
+Miraflores lost.”
+
+“Yes,” said Goodwin, “I’ve been talking with him. Let’s go into
+Espada’s place. I can spare you ten minutes.”
+
+They went into the _pulperia_ and sat at a little table upon stools
+with rawhide tops.
+
+“Have a drink?” said Goodwin.
+
+“They can’t bring it too quickly,” said Blythe. “I’ve been in a drought
+ever since morning. Hi—_muchacho!—el aguardiente por acá_.”
+
+“Now, what do you want to see me about?” asked Goodwin, when the drinks
+were before them.
+
+“Confound it, old man,” drawled Blythe, “why do you spoil a golden
+moment like this with business? I wanted to see you—well, this has the
+preference.” He gulped down his brandy, and gazed longingly into the
+empty glass.
+
+“Have another?” suggested Goodwin.
+
+“Between gentlemen,” said the fallen angel, “I don’t quite like your
+use of that word ‘another.’ It isn’t quite delicate. But the concrete
+idea that the word represents is not displeasing.”
+
+The glasses were refilled. Blythe sipped blissfully from his, as he
+began to enter the state of a true idealist.
+
+“I must trot along in a minute or two,” hinted Goodwin. “Was there
+anything in particular?”
+
+Blythe did not reply at once.
+
+“Old Losada would make it a hot country,” he remarked at length, “for
+the man who swiped that gripsack of treasury boodle, don’t you think?”
+
+“Undoubtedly, he would,” agreed Goodwin calmly, as he rose leisurely to
+his feet. “I’ll be running over to the house now, old man. Mrs. Goodwin
+is alone. There was nothing important you had to say, was there?”
+
+“That’s all,” said Blythe. “Unless you wouldn’t mind sending in another
+drink from the bar as you go out. Old Espada has closed my account to
+profit and loss. And pay for the lot, will you, like a good fellow?”
+
+“All right,” said Goodwin. “_Buenas noches._”
+
+“Beelzebub” Blythe lingered over his cups, polishing his eyeglasses
+with a disreputable handkerchief.
+
+“I thought I could do it, but I couldn’t,” he muttered to himself after
+a time. “A gentleman can’t blackmail the man that he drinks with.”
+
+
+
+
+VIII
+THE ADMIRAL
+
+
+Spilled milk draws few tears from an Anchurian administration. Many are
+its lacteal sources; and the clocks’ hands point forever to milking
+time. Even the rich cream skimmed from the treasury by the bewitched
+Miraflores did not cause the newly-installed patriots to waste time in
+unprofitable regrets. The government philosophically set about
+supplying the deficiency by increasing the import duties and by
+“suggesting” to wealthy private citizens that contributions according
+to their means would be considered patriotic and in order. Prosperity
+was expected to attend the reign of Losada, the new president. The
+ousted office-holders and military favourites organized a new “Liberal”
+party, and began to lay their plans for a re-succession. Thus the game
+of Anchurian politics began, like a Chinese comedy, to unwind slowly
+its serial length. Here and there Mirth peeps for an instant from the
+wings and illumines the florid lines.
+
+A dozen quarts of champagne in conjunction with an informal sitting of
+the president and his cabinet led to the establishment of the navy and
+the appointment of Felipe Carrera as its admiral.
+
+Next to the champagne the credit of the appointment belongs to Don
+Sabas Placido, the newly confirmed Minister of War.
+
+The president had requested a convention of his cabinet for the
+discussion of questions politic and for the transaction of certain
+routine matters of state. The session had been signally tedious; the
+business and the wine prodigiously dry. A sudden, prankish humour of
+Don Sabas, impelling him to the deed, spiced the grave affairs of state
+with a whiff of agreeable playfulness.
+
+In the dilatory order of business had come a bulletin from the coast
+department of Orilla del Mar reporting the seizure by the custom-house
+officers at the town of Coralio of the sloop _Estrella del Noche_ and
+her cargo of drygoods, patent medicines, granulated sugar and
+three-star brandy. Also six Martini rifles and a barrel of American
+whisky. Caught in the act of smuggling, the sloop with its cargo was
+now, according to law, the property of the republic.
+
+The Collector of Customs, in making his report, departed from the
+conventional forms so far as to suggest that the confiscated vessel be
+converted to the use of the government. The prize was the first capture
+to the credit of the department in ten years. The collector took
+opportunity to pat his department on the back.
+
+It often happened that government officers required transportation from
+point to point along the coast, and means were usually lacking.
+Furthermore, the sloop could be manned by a loyal crew and employed as
+a coast guard to discourage the pernicious art of smuggling. The
+collector also ventured to nominate one to whom the charge of the boat
+could be safely intrusted—a young man of Coralio, Felipe Carrera—not,
+be it understood, one of extreme wisdom, but loyal and the best sailor
+along the coast.
+
+It was upon this hint that the Minister of War acted, executing a rare
+piece of drollery that so enlivened the tedium of executive session.
+
+In the constitution of this small, maritime banana republic was a
+forgotten section that provided for the maintenance of a navy. This
+provision—with many other wiser ones—had lain inert since the
+establishment of the republic. Anchuria had no navy and had no use for
+one. It was characteristic of Don Sabas—a man at once merry, learned,
+whimsical and audacious—that he should have disturbed the dust of this
+musty and sleeping statute to increase the humour of the world by so
+much as a smile from his indulgent colleagues.
+
+With delightful mock seriousness the Minister of War proposed the
+creation of a navy. He argued its need and the glories it might achieve
+with such gay and witty zeal that the travesty overcame with its humour
+even the swart dignity of President Losada himself.
+
+The champagne was bubbling trickily in the veins of the mercurial
+statesmen. It was not the custom of the grave governors of Anchuria to
+enliven their sessions with a beverage so apt to cast a veil of
+disparagement over sober affairs. The wine had been a thoughtful
+compliment tendered by the agent of the Vesuvius Fruit Company as a
+token of amicable relations—and certain consummated deals—between that
+company and the republic of Anchuria.
+
+The jest was carried to its end. A formidable, official document was
+prepared, encrusted with chromatic seals and jaunty with fluttering
+ribbons, bearing the florid signatures of state. This commission
+conferred upon el Señor Don Felipe Carrera the title of Flag Admiral of
+the Republic of Anchuria. Thus within the space of a few minutes and
+the dominion of a dozen “extra dry,” the country took its place among
+the naval powers of the world, and Felipe Carrera became entitled to a
+salute of nineteen guns whenever he might enter port.
+
+The southern races are lacking in that particular kind of humour that
+finds entertainment in the defects and misfortunes bestowed by Nature.
+Owing to this defect in their constitution they are not moved to
+laughter (as are their northern brothers) by the spectacle of the
+deformed, the feeble-minded or the insane.
+
+Felipe Carrera was sent upon earth with but half his wits. Therefore,
+the people of Coralio called him “_El pobrecito loco_”—“the poor little
+crazed one”—saying that God had sent but half of him to earth,
+retaining the other half.
+
+A sombre youth, glowering, and speaking only at the rarest times,
+Felipe was but negatively “loco.” On shore he generally refused all
+conversation. He seemed to know that he was badly handicapped on land,
+where so many kinds of understanding are needed; but on the water his
+one talent set him equal with most men. Few sailors whom God had
+carefully and completely made could handle a sailboat as well. Five
+points nearer the wind than even the best of them he could sail his
+sloop. When the elements raged and set other men to cowering, the
+deficiencies of Felipe seemed of little importance. He was a perfect
+sailor, if an imperfect man. He owned no boat, but worked among the
+crews of the schooners and sloops that skimmed the coast, trading and
+freighting fruit out to the steamers where there was no harbour. It was
+through his famous skill and boldness on the sea, as well as for the
+pity felt for his mental imperfections, that he was recommended by the
+collector as a suitable custodian of the captured sloop.
+
+When the outcome of Don Sabas’ little pleasantry arrived in the form of
+the imposing and preposterous commission, the collector smiled. He had
+not expected such prompt and overwhelming response to his
+recommendation. He despatched a _muchacho_ at once to fetch the future
+admiral.
+
+The collector waited in his official quarters. His office was in the
+Calle Grande, and the sea breezes hummed through its windows all day.
+The collector, in white linen and canvas shoes, philandered with papers
+on an antique desk. A parrot, perched on a pen rack, seasoned the
+official tedium with a fire of choice Castilian imprecations. Two rooms
+opened into the collector’s. In one the clerical force of young men of
+variegated complexions transacted with glitter and parade their several
+duties. Through the open door of the other room could be seen a bronze
+babe, guiltless of clothing, that rollicked upon the floor. In a grass
+hammock a thin woman, tinted a pale lemon, played a guitar and swung
+contentedly in the breeze. Thus surrounded by the routine of his high
+duties and the visible tokens of agreeable domesticity, the collector’s
+heart was further made happy by the power placed in his hands to
+brighten the fortunes of the “innocent” Felipe.
+
+Felipe came and stood before the collector. He was a lad of twenty, not
+ill-favoured in looks, but with an expression of distant and pondering
+vacuity. He wore white cotton trousers, down the seams of which he had
+sewed red stripes with some vague aim at military decoration. A flimsy
+blue shirt fell open at his throat; his feet were bare; he held in his
+hand the cheapest of straw hats from the States.
+
+“Señor Carrera,” said the collector, gravely, producing the showy
+commission, “I have sent for you at the president’s bidding. This
+document that I present to you confers upon you the title of Admiral of
+this great republic, and gives you absolute command of the naval forces
+and fleet of our country. You may think, friend Felipe, that we have no
+navy—but yes! The sloop the _Estrella del Noche_, that my brave men
+captured from the coast smugglers, is to be placed under your command.
+The boat is to be devoted to the services of your country. You will be
+ready at all times to convey officials of the government to points
+along the coast where they may be obliged to visit. You will also act
+as a coast-guard to prevent, as far as you may be able, the crime of
+smuggling. You will uphold the honour and prestige of your country at
+sea, and endeavour to place Anchuria among the proudest naval powers of
+the world. These are your instructions as the Minister of War desires
+me to convey them to you. _Por Dios!_ I do not know how all this is to
+be accomplished, for not one word did his letter contain in respect to
+a crew or to the expenses of this navy. Perhaps you are to provide a
+crew yourself, Señor Admiral—I do not know—but it is a very high honour
+that has descended upon you. I now hand you your commission. When you
+are ready for the boat I will give orders that she shall be made over
+into your charge. That is as far as my instructions go.”
+
+Felipe took the commission that the collector handed to him. He gazed
+through the open window at the sea for a moment, with his customary
+expression of deep but vain pondering. Then he turned without having
+spoken a word, and walked swiftly away through the hot sand of the
+street.
+
+“_Pobrecito loco!_” sighed the collector; and the parrot on the pen
+racks screeched “Loco!—loco!—loco!”
+
+The next morning a strange procession filed through the streets to the
+collector’s office. At its head was the admiral of the navy. Somewhere
+Felipe had raked together a pitiful semblance of a military uniform—a
+pair of red trousers, a dingy blue short jacket heavily ornamented with
+gold braid, and an old fatigue cap that must have been cast away by one
+of the British soldiers in Belize and brought away by Felipe on one of
+his coasting voyages. Buckled around his waist was an ancient ship’s
+cutlass contributed to his equipment by Pedro Lafitte, the baker, who
+proudly asserted its inheritance from his ancestor, the illustrious
+buccaneer. At the admiral’s heels tagged his newly-shipped crew—three
+grinning, glossy, black Caribs, bare to the waist, the sand spurting in
+showers from the spring of their naked feet.
+
+Briefly and with dignity Felipe demanded his vessel of the collector.
+And now a fresh honour awaited him. The collector’s wife, who played
+the guitar and read novels in the hammock all day, had more than a
+little romance in her placid, yellow bosom. She had found in an old
+book an engraving of a flag that purported to be the naval flag of
+Anchuria. Perhaps it had so been designed by the founders of the
+nation; but, as no navy had ever been established, oblivion had claimed
+the flag. Laboriously with her own hands she had made a flag after the
+pattern—a red cross upon a blue-and-white ground. She presented it to
+Felipe with these words: “Brave sailor, this flag is of your country.
+Be true, and defend it with your life. Go you with God.”
+
+For the first time since his appointment the admiral showed a flicker
+of emotion. He took the silken emblem, and passed his hand reverently
+over its surface. “I am the admiral,” he said to the collector’s lady.
+Being on land he could bring himself to no more exuberant expression of
+sentiment. At sea with the flag at the masthead of his navy, some more
+eloquent exposition of feelings might be forthcoming.
+
+Abruptly the admiral departed with his crew. For the next three days
+they were busy giving the _Estrella del Noche_ a new coat of white
+paint trimmed with blue. And then Felipe further adorned himself by
+fastening a handful of brilliant parrot’s plumes in his cap. Again he
+tramped with his faithful crew to the collector’s office and formally
+notified him that the sloop’s name had been changed to _El Nacional_.
+
+During the next few months the navy had its troubles. Even an admiral
+is perplexed to know what to do without any orders. But none came.
+Neither did any salaries. _El Nacional_ swung idly at anchor.
+
+When Felipe’s little store of money was exhausted he went to the
+collector and raised the question of finances.
+
+“Salaries!” exclaimed the collector, with hands raised; “_Valgame
+Dios!_ not one _centavo_ of my own pay have I received for the last
+seven months. The pay of an admiral, do you ask? _Quién sabe?_ Should
+it be less than three thousand _pesos_? _Mira!_ you will see a
+revolution in this country very soon. A good sign of it is when the
+government calls all the time for _pesos_, _pesos_, _pesos_, and pays
+none out.”
+
+Felipe left the collector’s office with a look almost of content on his
+sombre face. A revolution would mean fighting, and then the government
+would need his services. It was rather humiliating to be an admiral
+without anything to do, and have a hungry crew at your heels begging
+for _reales_ to buy plantains and tobacco with.
+
+When he returned to where his happy-go-lucky Caribs were waiting they
+sprang up and saluted, as he had drilled them to do.
+
+“Come, _muchachos_,” said the admiral; “it seems that the government is
+poor. It has no money to give us. We will earn what we need to live
+upon. Thus will we serve our country. Soon”—his heavy eyes almost
+lighted up—“it may gladly call upon us for help.”
+
+Thereafter _El Nacional_ turned out with the other coast craft and
+became a wage-earner. She worked with the lighters freighting bananas
+and oranges out to the fruit steamers that could not approach nearer
+than a mile from the shore. Surely a self-supporting navy deserves red
+letters in the budget of any nation.
+
+After earning enough at freighting to keep himself and his crew in
+provisions for a week Felipe would anchor the navy and hang about the
+little telegraph office, looking like one of the chorus of an insolvent
+comic opera troupe besieging the manager’s den. A hope for orders from
+the capital was always in his heart. That his services as admiral had
+never been called into requirement hurt his pride and patriotism. At
+every call he would inquire, gravely and expectantly, for despatches.
+The operator would pretend to make a search, and then reply:
+
+“Not yet, it seems, _Señor el Almirante—poco tiempo!_”
+
+Outside in the shade of the lime-trees the crew chewed sugar cane or
+slumbered, well content to serve a country that was contented with so
+little service.
+
+One day in the early summer the revolution predicted by the collector
+flamed out suddenly. It had long been smouldering. At the first note of
+alarm the admiral of the navy force and fleet made all sail for a
+larger port on the coast of a neighbouring republic, where he traded a
+hastily collected cargo of fruit for its value in cartridges for the
+five Martini rifles, the only guns that the navy could boast. Then to
+the telegraph office sped the admiral. Sprawling in his favourite
+corner, in his fast-decaying uniform, with his prodigious sabre
+distributed between his red legs, he waited for the long-delayed, but
+now soon expected, orders.
+
+“Not yet, _Señor el Almirante_,” the telegraph clerk would call to
+him—“_poco tiempo!_”
+
+At the answer the admiral would plump himself down with a great
+rattling of scabbard to await the infrequent tick of the little
+instrument on the table.
+
+“They will come,” would be his unshaken reply; “I am the admiral.”
+
+
+
+
+IX
+THE FLAG PARAMOUNT
+
+
+At the head of the insurgent party appeared that Hector and learned
+Theban of the southern republics, Don Sabas Placido. A traveller, a
+soldier, a poet, a scientist, a statesman and a connoisseur—the wonder
+was that he could content himself with the petty, remote life of his
+native country.
+
+“It is a whim of Placido’s,” said a friend who knew him well, “to take
+up political intrigue. It is not otherwise than as if he had come upon
+a new _tempo_ in music, a new bacillus in the air, a new scent, or
+rhyme, or explosive. He will squeeze this revolution dry of sensations,
+and a week afterward will forget it, skimming the seas of the world in
+his brigantine to add to his already world-famous collections.
+Collections of what? _Por Dios!_ of everything from postage stamps to
+prehistoric stone idols.”
+
+But, for a mere dilettante, the æsthetic Placido seemed to be creating
+a lively row. The people admired him; they were fascinated by his
+brilliancy and flattered by his taking an interest in so small a thing
+as his native country. They rallied to the call of his lieutenants in
+the capital, where (somewhat contrary to arrangements) the army
+remained faithful to the government. There was also lively skirmishing
+in the coast towns. It was rumoured that the revolution was aided by
+the Vesuvius Fruit Company, the power that forever stood with chiding
+smile and uplifted finger to keep Anchuria in the class of good
+children. Two of its steamers, the _Traveler_ and the _Salvador_, were
+known to have conveyed insurgent troops from point to point along the
+coast.
+
+As yet there had been no actual uprising in Coralio. Military law
+prevailed, and the ferment was bottled for the time. And then came the
+word that everywhere the revolutionists were encountering defeat. In
+the capital the president’s forces triumphed; and there was a rumour
+that the leaders of the revolt had been forced to fly, hotly pursued.
+
+In the little telegraph office at Coralio there was always a gathering
+of officials and loyal citizens, awaiting news from the seat of
+government. One morning the telegraph key began clicking, and presently
+the operator called, loudly: “One telegram for _el Almirante_, Don
+Señor Felipe Carrera!”
+
+There was a shuffling sound, a great rattling of tin scabbard, and the
+admiral, prompt at his spot of waiting, leaped across the room to
+receive it.
+
+The message was handed to him. Slowly spelling it out, he found it to
+be his first official order—thus running:
+
+Proceed immediately with your vessel to mouth of Rio Ruiz; transport
+beef and provisions to barracks at Alforan.
+
+
+Martinez, General.
+
+
+Small glory, to be sure, in this, his country’s first call. But it had
+called, and joy surged in the admiral’s breast. He drew his cutlass
+belt to another buckle hole, roused his dozing crew, and in a quarter
+of an hour _El Nacional_ was tacking swiftly down coast in a stiff
+landward breeze.
+
+The Rio Ruiz is a small river, emptying into the sea ten miles below
+Coralio. That portion of the coast is wild and solitary. Through a
+gorge in the Cordilleras rushes the Rio Ruiz, cold and bubbling, to
+glide, at last, with breadth and leisure, through an alluvial morass
+into the sea.
+
+In two hours _El Nacional_ entered the river’s mouth. The banks were
+crowded with a disposition of formidable trees. The sumptuous
+undergrowth of the tropics overflowed the land, and drowned itself in
+the fallow waters. Silently the sloop entered there, and met a deeper
+silence. Brilliant with greens and ochres and floral scarlets, the
+umbrageous mouth of the Rio Ruiz furnished no sound or movement save of
+the sea-going water as it purled against the prow of the vessel. Small
+chance there seemed of wresting beef or provisions from that empty
+solitude.
+
+The admiral decided to cast anchor, and, at the chain’s rattle, the
+forest was stimulated to instant and resounding uproar. The mouth of
+the Rio Ruiz had only been taking a morning nap. Parrots and baboons
+screeched and barked in the trees; a whirring and a hissing and a
+booming marked the awakening of animal life; a dark blue bulk was
+visible for an instant, as a startled tapir fought his way through the
+vines.
+
+The navy, under orders, hung in the mouth of the little river for
+hours. The crew served the dinner of shark’s fin soup, plantains, crab
+gumbo and sour wine. The admiral, with a three-foot telescope, closely
+scanned the impervious foliage fifty yards away.
+
+It was nearly sunset when a reverberating “hal-lo-o-o!” came from the
+forest to their left. It was answered; and three men, mounted upon
+mules, crashed through the tropic tangle to within a dozen yards of the
+river’s bank. There they dismounted; and one, unbuckling his belt,
+struck each mule a violent blow with his sword scabbard, so that they,
+with a fling of heels, dashed back again into the forest.
+
+Those were strange-looking men to be conveying beef and provisions. One
+was a large and exceedingly active man, of striking presence. He was of
+the purest Spanish type, with curling, gray-besprinkled, dark hair,
+blue, sparkling eyes, and the pronounced air of a _caballero grande_.
+The other two were small, brown-faced men, wearing white military
+uniforms, high riding boots and swords. The clothes of all were
+drenched, bespattered and rent by the thicket. Some stress of
+circumstance must have driven them, _diable à quatre_, through flood,
+mire and jungle.
+
+“_O-hé! Señor Almirante_,” called the large man. “Send to us your
+boat.”
+
+The dory was lowered, and Felipe, with one of the Caribs, rowed toward
+the left bank.
+
+The large man stood near the water’s brink, waist deep in the curling
+vines. As he gazed upon the scarecrow figure in the stern of the dory a
+sprightly interest beamed upon his mobile face.
+
+Months of wageless and thankless service had dimmed the admiral’s
+splendour. His red trousers were patched and ragged. Most of the bright
+buttons and yellow braid were gone from his jacket. The visor of his
+cap was torn, and depended almost to his eyes. The admiral’s feet were
+bare.
+
+“Dear admiral,” cried the large man, and his voice was like a blast
+from a horn, “I kiss your hands. I knew we could build upon your
+fidelity. You had our despatch—from General Martinez. A little nearer
+with your boat, dear Admiral. Upon these devils of shifting vines we
+stand with the smallest security.”
+
+Felipe regarded him with a stolid face.
+
+“Provisions and beef for the barracks at Alforan,” he quoted.
+
+“No fault of the butchers, _Almirante mio_, that the beef awaits you
+not. But you are come in time to save the cattle. Get us aboard your
+vessel, señor, at once. You first, _caballeros—á priesa!_ Come back for
+me. The boat is too small.”
+
+The dory conveyed the two officers to the sloop, and returned for the
+large man.
+
+“Have you so gross a thing as food, good admiral?” he cried, when
+aboard. “And, perhaps, coffee? Beef and provisions! _Nombre de Dios!_ a
+little longer and we could have eaten one of those mules that you,
+Colonel Rafael, saluted so feelingly with your sword scabbard at
+parting. Let us have food; and then we will sail—for the barracks at
+Alforan—no?”
+
+The Caribs prepared a meal, to which the three passengers of _El
+Nacional_ set themselves with famished delight. About sunset, as was
+its custom, the breeze veered and swept back from the mountains, cool
+and steady, bringing a taste of the stagnant lagoons and mangrove
+swamps that guttered the lowlands. The mainsail of the sloop was
+hoisted and swelled to it, and at that moment they heard shouts and a
+waxing clamour from the bosky profundities of the shore.
+
+“The butchers, my dear admiral,” said the large man, smiling, “too late
+for the slaughter.”
+
+Further than his orders to his crew, the admiral was saying nothing.
+The topsail and jib were spread, and the sloop glided out of the
+estuary. The large man and his companions had bestowed themselves with
+what comfort they could about the bare deck. Belike, the thing big in
+their minds had been their departure from that critical shore; and now
+that the hazard was so far reduced their thoughts were loosed to the
+consideration of further deliverance. But when they saw the sloop turn
+and fly up coast again they relaxed, satisfied with the course the
+admiral had taken.
+
+The large man sat at ease, his spirited blue eye engaged in the
+contemplation of the navy’s commander. He was trying to estimate this
+sombre and fantastic lad, whose impenetrable stolidity puzzled him.
+Himself a fugitive, his life sought, and chafing under the smart of
+defeat and failure, it was characteristic of him to transfer instantly
+his interest to the study of a thing new to him. It was like him, too,
+to have conceived and risked all upon this last desperate and madcap
+scheme—this message to a poor, crazed _fanatico_ cruising about with
+his grotesque uniform and his farcical title. But his companions had
+been at their wits’ end; escape had seemed incredible; and now he was
+pleased with the success of the plan they had called crack-brained and
+precarious.
+
+The brief, tropic twilight seemed to slide swiftly into the pearly
+splendour of a moonlit night. And now the lights of Coralio appeared,
+distributed against the darkening shore to their right. The admiral
+stood, silent, at the tiller; the Caribs, like black panthers, held the
+sheets, leaping noiselessly at his short commands. The three passengers
+were watching intently the sea before them, and when at length they
+came in sight of the bulk of a steamer lying a mile out from the town,
+with her lights radiating deep into the water, they held a sudden
+voluble and close-headed converse. The sloop was speeding as if to
+strike midway between ship and shore.
+
+The large man suddenly separated from his companions and approached the
+scarecrow at the helm.
+
+“My dear admiral,” he said, “the government has been exceedingly
+remiss. I feel all the shame for it that only its ignorance of your
+devoted service has prevented it from sustaining. An inexcusable
+oversight has been made. A vessel, a uniform and a crew worthy of your
+fidelity shall be furnished you. But just now, dear admiral, there is
+business of moment afoot. The steamer lying there is the _Salvador_. I
+and my friends desire to be conveyed to her, where we are sent on the
+government’s business. Do us the favour to shape your course
+accordingly.”
+
+Without replying, the admiral gave a sharp command, and put the tiller
+hard to port. _El Nacional_ swerved, and headed straight as an arrow’s
+course for the shore.
+
+“Do me the favour,” said the large man, a trifle restively, “to
+acknowledge, at least, that you catch the sound of my words.” It was
+possible that the fellow might be lacking in senses as well as
+intellect.
+
+The admiral emitted a croaking, harsh laugh, and spake.
+
+“They will stand you,” he said, “with your face to a wall and shoot you
+dead. That is the way they kill traitors. I knew you when you stepped
+into my boat. I have seen your picture in a book. You are Sabas
+Placido, traitor to your country. With your face to a wall. So, you
+will die. I am the admiral, and I will take you to them. With your face
+to a wall. Yes.”
+
+Don Sabas half turned and waved his hand, with a ringing laugh, toward
+his fellow fugitives. “To you, _caballeros_, I have related the history
+of that session when we issued that O! so ridiculous commission. Of a
+truth our jest has been turned against us. Behold the Frankenstein’s
+monster we have created!”
+
+Don Sabas glanced toward the shore. The lights of Coralio were drawing
+near. He could see the beach, the warehouse of the _Bodega Nacional_,
+the long, low _cuartel_ occupied by the soldiers, and, behind that,
+gleaming in the moonlight, a stretch of high adobe wall. He had seen
+men stood with their faces to that wall and shot dead.
+
+Again he addressed the extravagant figure at the helm.
+
+“It is true,” he said, “that I am fleeing the country. But, receive the
+assurance that I care very little for that. Courts and camps everywhere
+are open to Sabas Placido. _Vaya!_ what is this molehill of a
+republic—this pig’s head of a country—to a man like me? I am a
+_paisano_ of everywhere. In Rome, in London, in Paris, in Vienna, you
+will hear them say: ‘Welcome back, Don Sabas.’ Come!—_tonto_—baboon of
+a boy—admiral, whatever you call yourself, turn your boat. Put us on
+board the _Salvador_, and here is your pay—five hundred _pesos_ in
+money of the _Estados Unidos_—more than your lying government will pay
+you in twenty years.”
+
+Don Sabas pressed a plump purse against the youth’s hand. The admiral
+gave no heed to the words or the movement. Braced against the helm, he
+was holding the sloop dead on her shoreward course. His dull face was
+lit almost to intelligence by some inward conceit that seemed to afford
+him joy, and found utterance in another parrot-like cackle.
+
+“That is why they do it,” he said—“so that you will not see the guns.
+They fire—oom!—and you fall dead. With your face to the wall. Yes.”
+
+The admiral called a sudden order to his crew. The lithe, silent Caribs
+made fast the sheets they held, and slipped down the hatchway into the
+hold of the sloop. When the last one had disappeared, Don Sabas, like a
+big, brown leopard, leaped forward, closed and fastened the hatch and
+stood, smiling.
+
+“No rifles, if you please, dear admiral,” he said. “It was a whimsey of
+mine once to compile a dictionary of the Carib _lengua_. So, I
+understood your order. Perhaps now you will—”
+
+He cut short his words, for he heard the dull “swish” of iron scraping
+along tin. The admiral had drawn the cutlass of Pedro Lafitte, and was
+darting upon him. The blade descended, and it was only by a display of
+surprising agility that the large man escaped, with only a bruised
+shoulder, the glancing weapon. He was drawing his pistol as he sprang,
+and the next instant he shot the admiral down.
+
+Don Sabas stooped over him, and rose again.
+
+“In the heart,” he said briefly. “_Señores_, the navy is abolished.”
+
+Colonel Rafael sprang to the helm, and the other officer hastened to
+loose the mainsail sheets. The boom swung round; _El Nacional_ veered
+and began to tack industriously for the _Salvador_.
+
+“Strike that flag, señor,” called Colonel Rafael. “Our friends on the
+steamer will wonder why we are sailing under it.”
+
+“Well said,” cried Don Sabas. Advancing to the mast he lowered the flag
+to the deck, where lay its too loyal supporter. Thus ended the Minister
+of War’s little piece of after-dinner drollery, and by the same hand
+that began it.
+
+Suddenly Don Sabas gave a great cry of joy, and ran down the slanting
+deck to the side of Colonel Rafael. Across his arm he carried the flag
+of the extinguished navy.
+
+“_Mire! mire! señor._ Ah, _Dios!_ Already can I hear that great bear of
+an _Oestreicher_ shout, _‘Du hast mein herz gebrochen!’ Mire!_ Of my
+friend, Herr Grunitz, of Vienna, you have heard me relate. That man has
+travelled to Ceylon for an orchid—to Patagonia for a headdress—to
+Benares for a slipper—to Mozambique for a spearhead to add to his
+famous collections. Thou knowest, also, _amigo_ Rafael, that I have
+been a gatherer of curios. My collection of battle flags of the world’s
+navies was the most complete in existence until last year. Then Herr
+Grunitz secured two, O! such rare specimens. One of a Barbary state,
+and one of the Makarooroos, a tribe on the west coast of Africa. I have
+not those, but they can be procured. But this flag, señor—do you know
+what it is? Name of God! do you know? See that red cross upon the blue
+and white ground! You never saw it before? _Seguramente no._ It is the
+naval flag of your country. _Mire!_ This rotten tub we stand upon is
+its navy—that dead cockatoo lying there was its commander—that stroke
+of cutlass and single pistol shot a sea battle. All a piece of absurd
+foolery, I grant you—but authentic. There has never been another flag
+like this, and there never will be another. No. It is unique in the
+whole world. Yes. Think of what that means to a collector of flags! Do
+you know, _Coronel mio_, how many golden crowns Herr Grunitz would give
+for this flag? Ten thousand, likely. Well, a hundred thousand would not
+buy it. Beautiful flag! Only flag! Little devil of a most heaven-born
+flag! _O-hé!_ old grumbler beyond the ocean. Wait till Don Sabas comes
+again to the Königin Strasse. He will let you kneel and touch the folds
+of it with one finger. _O-hé!_ old spectacled ransacker of the world!”
+
+Forgotten was the impotent revolution, the danger, the loss, the gall
+of defeat. Possessed solely by the inordinate and unparalleled passion
+of the collector, he strode up and down the little deck, clasping to
+his breast with one hand the paragon of a flag. He snapped his fingers
+triumphantly toward the east. He shouted the paean to his prize in
+trumpet tones, as though he would make old Grunitz hear in his musty
+den beyond the sea.
+
+They were waiting, on the _Salvador_, to welcome them. The sloop came
+close alongside the steamer where her sides were sliced almost to the
+lower deck for the loading of fruit. The sailors of the _Salvador_
+grappled and held her there.
+
+Captain McLeod leaned over the side.
+
+“Well, señor, the jig is up, I’m told.”
+
+“The jig is up?” Don Sabas looked perplexed for a moment. “That
+revolution—ah, yes!” With a shrug of his shoulders he dismissed the
+matter.
+
+The captain learned of the escape and the imprisoned crew.
+
+“Caribs?” he said; “no harm in them.” He slipped down into the sloop
+and kicked loose the hasp of the hatch. The black fellows came tumbling
+up, sweating but grinning.
+
+“Hey! black boys!” said the captain, in a dialect of his own; “you
+sabe, catchy boat and vamos back same place quick.”
+
+They saw him point to themselves, the sloop and Coralio. “Yas, yas!”
+they cried, with broader grins and many nods.
+
+The four—Don Sabas, the two officers and the captain—moved to quit the
+sloop. Don Sabas lagged a little behind, looking at the still form of
+the late admiral, sprawled in his paltry trappings.
+
+“_Pobrecito loco_,” he said softly.
+
+He was a brilliant cosmopolite and a _cognoscente_ of high rank; but,
+after all, he was of the same race and blood and instinct as this
+people. Even as the simple _paisanos_ of Coralio had said it, so said
+Don Sabas. Without a smile, he looked, and said, “The poor little
+crazed one!”
+
+Stooping he raised the limp shoulders, drew the priceless and
+induplicable flag under them and over the breast, pinning it there with
+the diamond star of the Order of San Carlos that he took from the
+collar of his own coat.
+
+He followed after the others, and stood with them upon the deck of the
+_Salvador_. The sailors that steadied _El Nacional_ shoved her off. The
+jabbering Caribs hauled away at the rigging; the sloop headed for the
+shore.
+
+And Herr Grunitz’s collection of naval flags was still the finest in
+the world.
+
+
+
+
+X
+THE SHAMROCK AND THE PALM
+
+
+One night when there was no breeze, and Coralio seemed closer than ever
+to the gratings of Avernus, five men were grouped about the door of the
+photograph establishment of Keogh and Clancy. Thus, in all the scorched
+and exotic places of the earth, Caucasians meet when the day’s work is
+done to preserve the fulness of their heritage by the aspersion of
+alien things.
+
+Johnny Atwood lay stretched upon the grass in the undress uniform of a
+Carib, and prated feebly of cool water to be had in the cucumber-wood
+pumps of Dalesburg. Dr. Gregg, through the prestige of his whiskers and
+as a bribe against the relation of his imminent professional tales, was
+conceded the hammock that was swung between the door jamb and a
+calabash-tree. Keogh had moved out upon the grass a little table that
+held the instrument for burnishing completed photographs. He was the
+only busy one of the group. Industriously from between the cylinders of
+the burnisher rolled the finished depictments of Coralio’s citizens.
+Blanchard, the French mining engineer, in his cool linen viewed the
+smoke of his cigarette through his calm glasses, impervious to the
+heat. Clancy sat on the steps, smoking his short pipe. His mood was the
+gossip’s; the others were reduced, by the humidity, to the state of
+disability desirable in an audience.
+
+Clancy was an American with an Irish diathesis and cosmopolitan
+proclivities. Many businesses had claimed him, but not for long. The
+roadster’s blood was in his veins. The voice of the tintype was but one
+of the many callings that had wooed him upon so many roads. Sometimes
+he could be persuaded to oral construction of his voyages into the
+informal and egregious. To-night there were symptoms of divulgement in
+him.
+
+“’Tis elegant weather for filibusterin’,” he volunteered. “It reminds
+me of the time I struggled to liberate a nation from the poisonous
+breath of a tyrant’s clutch. ’Twas hard work. ’Tis strainin’ to the
+back and makes corns on the hands.”
+
+“I didn’t know you had ever lent your sword to an oppressed people,”
+murmured Atwood, from the grass.
+
+“I did,” said Clancy; “and they turned it into a ploughshare.”
+
+“What country was so fortunate as to secure your aid?” airily inquired
+Blanchard.
+
+“Where’s Kamchatka?” asked Clancy, with seeming irrelevance.
+
+“Why, off Siberia somewhere in the Arctic regions,” somebody answered,
+doubtfully.
+
+“I thought that was the cold one,” said Clancy, with a satisfied nod.
+“I’m always gettin’ the two names mixed. ’Twas Guatemala, then—the hot
+one—I’ve been filibusterin’ with. Ye’ll find that country on the map.
+’Tis in the district known as the tropics. By the foresight of
+Providence, it lies on the coast so the geography man could run the
+names of the towns off into the water. They’re an inch long, small
+type, composed of Spanish dialects, and, ’tis my opinion, of the same
+system of syntax that blew up the _Maine_. Yes, ’twas that country I
+sailed against, single-handed, and endeavoured to liberate it from a
+tyrannical government with a single-barreled pickaxe, unloaded at that.
+Ye don’t understand, of course. ’Tis a statement demandin’ elucidation
+and apologies.
+
+“’Twas in New Orleans one morning about the first of June; I was
+standin’ down on the wharf, lookin’ about at the ships in the river.
+There was a little steamer moored right opposite me that seemed about
+ready to sail. The funnels of it were throwin’ out smoke, and a gang of
+roustabouts were carryin’ aboard a pile of boxes that was stacked up on
+the wharf. The boxes were about two feet square, and somethin’ like
+four feet long, and they seemed to be pretty heavy.
+
+“I walked over, careless, to the stack of boxes. I saw one of them had
+been broken in handlin’. ’Twas curiosity made me pull up the loose top
+and look inside. The box was packed full of Winchester rifles. ‘So,
+so,’ says I to myself; ‘somebody’s gettin’ a twist on the neutrality
+laws. Somebody’s aidin’ with munitions of war. I wonder where the
+popguns are goin’?’
+
+“I heard somebody cough, and I turned around. There stood a little,
+round, fat man with a brown face and white clothes, a
+first-class-looking little man, with a four-karat diamond on his finger
+and his eye full of interrogations and respects. I judged he was a kind
+of foreigner—may be from Russia or Japan or the archipelagoes.
+
+“‘Hist!’ says the round man, full of concealments and confidences.
+‘Will the señor respect the discoveryments he has made, that the mans
+on the ship shall not be acquaint? The señor will be a gentleman that
+shall not expose one thing that by accident occur.’
+
+“‘Monseer,’ says I—for I judged him to be a kind of Frenchman—‘receive
+my most exasperated assurances that your secret is safe with James
+Clancy. Furthermore, I will go so far as to remark, Veev la
+Liberty—veev it good and strong. Whenever you hear of a Clancy
+obstructin’ the abolishment of existin’ governments you may notify me
+by return mail.’
+
+“‘The señor is good,’ says the dark, fat man, smilin’ under his black
+mustache. ‘Wish you to come aboard my ship and drink of wine a glass.’
+
+“Bein’ a Clancy, in two minutes me and the foreigner man were seated at
+a table in the cabin of the steamer, with a bottle between us. I could
+hear the heavy boxes bein’ dumped into the hold. I judged that cargo
+must consist of at least 2,000 Winchesters. Me and the brown man drank
+the bottle of stuff, and he called the steward to bring another. When
+you amalgamate a Clancy with the contents of a bottle you practically
+instigate secession. I had heard a good deal about these revolutions in
+them tropical localities, and I begun to want a hand in it.
+
+“‘You goin’ to stir things up in your country, ain’t you, monseer?’
+says I, with a wink to let him know I was on.
+
+“‘Yes, yes,’ said the little man, pounding his fist on the table. ‘A
+change of the greatest will occur. Too long have the people been
+oppressed with the promises and the never-to-happen things to become.
+The great work it shall be carry on. Yes. Our forces shall in the
+capital city strike of the soonest. _Carrambos!_’
+
+“‘_Carrambos_ is the word,’ says I, beginning to invest myself with
+enthusiasm and more wine, ‘likewise veeva, as I said before. May the
+shamrock of old—I mean the banana-vine or the pie-plant, or whatever
+the imperial emblem may be of your down-trodden country, wave forever.’
+
+“‘A thousand thank-yous,’ says the round man, ‘for your emission of
+amicable utterances. What our cause needs of the very most is mans who
+will the work do, to lift it along. Oh, for one thousands strong, good
+mans to aid the General De Vega that he shall to his country bring
+those success and glory! It is hard—oh, so hard to find good mans to
+help in the work.’
+
+“‘Monseer,’ says I, leanin’ over the table and graspin’ his hand, ‘I
+don’t know where your country is, but me heart bleeds for it. The heart
+of a Clancy was never deaf to the sight of an oppressed people. The
+family is filibusterers by birth, and foreigners by trade. If you can
+use James Clancy’s arms and his blood in denudin’ your shores of the
+tyrant’s yoke they’re yours to command.’
+
+“General De Vega was overcome with joy to confiscate my condolence of
+his conspiracies and predicaments. He tried to embrace me across the
+table, but his fatness, and the wine that had been in the bottles,
+prevented. Thus was I welcomed into the ranks of filibustery. Then the
+general man told me his country had the name of Guatemala, and was the
+greatest nation laved by any ocean whatever anywhere. He looked at me
+with tears in his eyes, and from time to time he would emit the remark,
+‘Ah! big, strong, brave mans! That is what my country need.’
+
+“General De Vega, as was the name by which he denounced himself,
+brought out a document for me to sign, which I did, makin’ a fine
+flourish and curlycue with the tail of the ‘y.’
+
+“‘Your passage-money,’ says the general, business-like, ‘shall from
+your pay be deduct.’
+
+“’Twill not,’ says I, haughty. ‘I’ll pay my own passage.’ A hundred and
+eighty dollars I had in my inside pocket, and ’twas no common
+filibuster I was goin’ to be, filibusterin’ for me board and clothes.
+
+“The steamer was to sail in two hours, and I went ashore to get some
+things together I’d need. When I came aboard I showed the general with
+pride the outfit. ’Twas a fine Chinchilla overcoat, Arctic overshoes,
+fur cap and earmuffs, with elegant fleece-lined gloves and woolen
+muffler.
+
+“‘_Carrambos!_’ says the little general. ‘What clothes are these that
+shall go to the tropic?’ And then the little spalpeen laughs, and he
+calls the captain, and the captain calls the purser, and they pipe up
+the chief engineer, and the whole gang leans against the cabin and
+laughs at Clancy’s wardrobe for Guatemala.
+
+“I reflects a bit, serious, and asks the general again to denominate
+the terms by which his country is called. He tells me, and I see then
+that ’twas the t’other one, Kamchatka, I had in mind. Since then I’ve
+had difficulty in separatin’ the two nations in name, climate and
+geographic disposition.
+
+“I paid my passage—twenty-four dollars, first cabin—and ate at table
+with the officer crowd. Down on the lower deck was a gang of
+second-class passengers, about forty of them, seemin’ to be Dagoes and
+the like. I wondered what so many of them were goin’ along for.
+
+“Well, then, in three days we sailed alongside that Guatemala. ’Twas a
+blue country, and not yellow as ’tis miscolored on the map. We landed
+at a town on the coast, where a train of cars was waitin’ for us on a
+dinky little railroad. The boxes on the steamer were brought ashore and
+loaded on the cars. The gang of Dagoes got aboard, too, the general and
+me in the front car. Yes, me and General De Vega headed the revolution,
+as it pulled out of the seaport town. That train travelled about as
+fast as a policeman goin’ to a riot. It penetrated the most conspicuous
+lot of fuzzy scenery ever seen outside a geography. We run some forty
+miles in seven hours, and the train stopped. There was no more
+railroad. ’Twas a sort of camp in a damp gorge full of wildness and
+melancholies. They was gradin’ and choppin’ out the forests ahead to
+continue the road. ‘Here,’ says I to myself, ‘is the romantic haunt of
+the revolutionists. Here will Clancy, by the virtue that is in a
+superior race and the inculcation of Fenian tactics, strike a
+tremendous blow for liberty.’
+
+“They unloaded the boxes from the train and begun to knock the tops
+off. From the first one that was open I saw General De Vega take the
+Winchester rifles and pass them around to a squad of morbid soldiery.
+The other boxes was opened next, and, believe me or not, divil another
+gun was to be seen. Every other box in the load was full of pickaxes
+and spades.
+
+“And then—sorrow be upon them tropics—the proud Clancy and the
+dishonoured Dagoes, each one of them, had to shoulder a pick or a
+spade, and march away to work on that dirty little railroad. Yes; ’twas
+that the Dagoes shipped for, and ’twas that the filibusterin’ Clancy
+signed for, though unbeknownst to himself at the time. In after days I
+found out about it. It seems ’twas hard to get hands to work on that
+road. The intelligent natives of the country was too lazy to work.
+Indeed, the saints know, ’twas unnecessary. By stretchin’ out one hand,
+they could seize the most delicate and costly fruits of the earth, and,
+by stretchin’ out the other, they could sleep for days at a time
+without hearin’ a seven-o’clock whistle or the footsteps of the rent
+man upon the stairs. So, regular, the steamers travelled to the United
+States to seduce labour. Usually the imported spade-slingers died in
+two or three months from eatin’ the over-ripe water and breathin’ the
+violent tropical scenery. Wherefore they made them sign contracts for a
+year, when they hired them, and put an armed guard over the poor divils
+to keep them from runnin’ away.
+
+“’Twas thus I was double-crossed by the tropics through a family
+failin’ of goin’ out of the way to hunt disturbances.
+
+“They gave me a pick, and I took it, meditatin’ an insurrection on the
+spot; but there was the guards handlin’ the Winchesters careless, and I
+come to the conclusion that discretion was the best part of
+filibusterin’. There was about a hundred of us in the gang startin’ out
+to work, and the word was given to move. I steps out of the ranks and
+goes up to that General De Vega man, who was smokin’ a cigar and gazin’
+upon the scene with satisfactions and glory. He smiles at me polite and
+devilish. ‘Plenty work,’ says he, ‘for big, strong mans in Guatemala.
+Yes. T’irty dollars in the month. Good pay. Ah, yes. You strong, brave
+man. Bimeby we push those railroad in the capital very quick. They want
+you go work now. _Adios_, strong mans.’
+
+“‘Monseer,’ says I, lingerin’, ‘will you tell a poor little Irishman
+this: When I set foot on your cockroachy steamer, and breathed liberal
+and revolutionary sentiments into your sour wine, did you think I was
+conspirin’ to sling a pick on your contemptuous little railroad? And
+when you answered me with patriotic recitations, humping up the
+star-spangled cause of liberty, did you have meditations of reducin’ me
+to the ranks of the stump-grubbin’ Dagoes in the chain-gangs of your
+vile and grovelin’ country?’
+
+“The general man expanded his rotundity and laughed considerable. Yes,
+he laughed very long and loud, and I, Clancy, stood and waited.
+
+“‘Comical mans!’ he shouts, at last. ‘So you will kill me from the
+laughing. Yes; it is hard to find the brave, strong mans to aid my
+country. Revolutions? Did I speak of r-r-revolutions? Not one word. I
+say, big, strong mans is need in Guatemala. So. The mistake is of you.
+You have looked in those one box containing those gun for the guard.
+You think all boxes is contain gun? No.
+
+“‘There is not war in Guatemala. But work? Yes. Good. T’irty dollar in
+the month. You shall shoulder one pickaxe, señor, and dig for the
+liberty and prosperity of Guatemala. Off to your work. The guard waits
+for you.’
+
+“‘Little, fat, poodle dog of a brown man,’ says I, quiet, but full of
+indignations and discomforts, ‘things shall happen to you. Maybe not
+right away, but as soon as J. Clancy can formulate somethin’ in the way
+of repartee.’
+
+“The boss of the gang orders us to work. I tramps off with the Dagoes,
+and I hears the distinguished patriot and kidnapper laughin’ hearty as
+we go.
+
+“’Tis a sorrowful fact, for eight weeks I built railroads for that
+misbehavin’ country. I filibustered twelve hours a day with a heavy
+pick and a spade, choppin’ away the luxurious landscape that grew upon
+the right of way. We worked in swamps that smelled like there was a
+leak in the gas mains, trampin’ down a fine assortment of the most
+expensive hothouse plants and vegetables. The scene was tropical beyond
+the wildest imagination of the geography man. The trees was all
+sky-scrapers; the underbrush was full of needles and pins; there was
+monkeys jumpin’ around and crocodiles and pink-tailed mockin’-birds,
+and ye stood knee-deep in the rotten water and grabbled roots for the
+liberation of Guatemala. Of nights we would build smudges in camp to
+discourage the mosquitoes, and sit in the smoke, with the guards pacin’
+all around us. There was two hundred men workin’ on the road—mostly
+Dagoes, nigger-men, Spanish-men and Swedes. Three or four were Irish.
+
+“One old man named Halloran—a man of Hibernian entitlements and
+discretions, explained it to me. He had been workin’ on the road a
+year. Most of them died in less than six months. He was dried up to
+gristle and bone, and shook with chills every third night.
+
+“‘When you first come,’ says he, ‘ye think ye’ll leave right away. But
+they hold out your first month’s pay for your passage over, and by that
+time the tropics has its grip on ye. Ye’re surrounded by a ragin’
+forest full of disreputable beasts—lions and baboons and
+anacondas—waitin’ to devour ye. The sun strikes ye hard, and melts the
+marrow in your bones. Ye get similar to the lettuce-eaters the
+poetry-book speaks about. Ye forget the elevated sintiments of life,
+such as patriotism, revenge, disturbances of the peace and the dacint
+love of a clane shirt. Ye do your work, and ye swallow the kerosene ile
+and rubber pipestems dished up to ye by the Dago cook for food. Ye
+light your pipeful, and say to yoursilf, “Nixt week I’ll break away,”
+and ye go to sleep and call yersilf a liar, for ye know ye’ll never do
+it.’
+
+“‘Who is this general man,’ asks I, ‘that calls himself De Vega?’
+
+“‘’Tis the man,’ says Halloran, ‘who is tryin’ to complete the
+finishin’ of the railroad. ’Twas the project of a private corporation,
+but it busted, and then the government took it up. De Vegy is a big
+politician, and wants to be prisident. The people want the railroad
+completed, as they’re taxed mighty on account of it. The De Vegy man is
+pushin’ it along as a campaign move.’
+
+“‘’Tis not my way,’ says I, ‘to make threats against any man, but
+there’s an account to be settled between the railroad man and James
+O’Dowd Clancy.’
+
+“‘’Twas that way I thought, mesilf, at first,’ Halloran says, with a
+big sigh, ‘until I got to be a lettuce-eater. The fault’s wid these
+tropics. They rejuices a man’s system. ’Tis a land, as the poet says,
+“Where it always seems to be after dinner.” I does me work and smokes
+me pipe and sleeps. There’s little else in life, anyway. Ye’ll get that
+way yersilf, mighty soon. Don’t be harbourin’ any sintiments at all,
+Clancy.’
+
+“‘I can’t help it,’ says I; ‘I’m full of ’em. I enlisted in the
+revolutionary army of this dark country in good faith to fight for its
+liberty, honours and silver candlesticks; instead of which I am set to
+amputatin’ its scenery and grubbin’ its roots. ’Tis the general man
+will have to pay for it.’
+
+“Two months I worked on that railroad before I found a chance to get
+away. One day a gang of us was sent back to the end of the completed
+line to fetch some picks that had been sent down to Port Barrios to be
+sharpened. They were brought on a hand-car, and I noticed, when I
+started away, that the car was left there on the track.
+
+“That night, about twelve, I woke up Halloran and told him my scheme.
+
+“‘Run away?’ says Halloran. ‘Good Lord, Clancy, do ye mean it? Why, I
+ain’t got the nerve. It’s too chilly, and I ain’t slept enough. Run
+away? I told you, Clancy, I’ve eat the lettuce. I’ve lost my grip. ’Tis
+the tropics that’s done it. ’Tis like the poet says: “Forgotten are our
+friends that we have left behind; in the hollow lettuce-land we will
+live and lay reclined.” You better go on, Clancy. I’ll stay, I guess.
+It’s too early and cold, and I’m sleepy.’
+
+“So I had to leave Halloran. I dressed quiet, and slipped out of the
+tent we were in. When the guard came along I knocked him over, like a
+ninepin, with a green cocoanut I had, and made for the railroad. I got
+on that hand-car and made it fly. ’Twas yet a while before daybreak
+when I saw the lights of Port Barrios about a mile away. I stopped the
+hand-car there and walked to the town. I stepped inside the
+corporations of that town with care and hesitations. I was not afraid
+of the army of Guatemala, but me soul quaked at the prospect of a
+hand-to-hand struggle with its employment bureau. ’Tis a country that
+hires its help easy and keeps ’em long. Sure I can fancy Missis America
+and Missis Guatemala passin’ a bit of gossip some fine, still night
+across the mountains. ‘Oh, dear,’ says Missis America, ‘and it’s a lot
+of trouble I’m havin’ ag’in with the help, señora, ma’am.’ ‘Laws, now!’
+says Missis Guatemala, ‘you don’t say so, ma’am! Now, mine never think
+of leavin’ me—te-he! ma’am,’ snickers Missis Guatemala.
+
+“I was wonderin’ how I was goin’ to move away from them tropics without
+bein’ hired again. Dark as it was, I could see a steamer ridin’ in the
+harbour, with smoke emergin’ from her stacks. I turned down a little
+grass street that run down to the water. On the beach I found a little
+brown nigger-man just about to shove off in a skiff.
+
+“‘Hold on, Sambo,’ says I, ‘savve English?’
+
+“‘Heap plenty, yes,’ says he, with a pleasant grin.
+
+“‘What steamer is that?’ I asks him, ‘and where is it going? And what’s
+the news, and the good word and the time of day?’
+
+“‘That steamer the _Conchita_,’ said the brown man, affable and easy,
+rollin’ a cigarette. ‘Him come from New Orleans for load banana. Him
+got load last night. I think him sail in one, two hour. Verree nice day
+we shall be goin’ have. You hear some talkee ’bout big battle, maybe
+so? You think catchee General De Vega, señor? Yes? No?’
+
+“‘How’s that, Sambo?’ says I. ‘Big battle? What battle? Who wants
+catchee General De Vega? I’ve been up at my old gold mines in the
+interior for a couple of months, and haven’t heard any news.’
+
+“‘Oh,’ says the nigger-man, proud to speak the English, ‘verree great
+revolution in Guatemala one week ago. General De Vega, him try be
+president. Him raise armee—one—five—ten thousand mans for fight at the
+government. Those one government send five—forty—hundred thousand
+soldier to suppress revolution. They fight big battle yesterday at
+Lomagrande—that about nineteen or fifty mile in the mountain. That
+government soldier wheep General De Vega—oh, most bad. Five
+hundred—nine hundred—two thousand of his mans is kill. That revolution
+is smash suppress—bust—very quick. General De Vega, him r-r-run away
+fast on one big mule. Yes, _carrambos!_ The general, him r-r-run away,
+and his armee is kill. That government soldier, they try find General
+De Vega verree much. They want catchee him for shoot. You think they
+catchee that general, señor?’
+
+“‘Saints grant it!’ says I. ‘’Twould be the judgment of Providence for
+settin’ the warlike talent of a Clancy to gradin’ the tropics with a
+pick and shovel. But ’tis not so much a question of insurrections now,
+me little man, as ’tis of the hired-man problem. ’Tis anxious I am to
+resign a situation of responsibility and trust with the white wings
+department of your great and degraded country. Row me in your little
+boat out to that steamer, and I’ll give ye five dollars—sinker
+pacers—sinker pacers,’ says I, reducin’ the offer to the language and
+denomination of the tropic dialects.
+
+“‘_Cinco pesos_,’ repeats the little man. ‘Five dollee, you give?’
+
+“’Twas not such a bad little man. He had hesitations at first, sayin’
+that passengers leavin’ the country had to have papers and passports,
+but at last he took me out alongside the steamer.
+
+“Day was just breakin’ as we struck her, and there wasn’t a soul to be
+seen on board. The water was very still, and the nigger-man gave me a
+lift from the boat, and I climbed onto the steamer where her side was
+sliced to the deck for loadin’ fruit. The hatches was open, and I
+looked down and saw the cargo of bananas that filled the hold to within
+six feet of the top. I thinks to myself, ‘Clancy, you better go as a
+stowaway. It’s safer. The steamer men might hand you back to the
+employment bureau. The tropic’ll get you, Clancy, if you don’t watch
+out.’
+
+“So I jumps down easy among the bananas, and digs out a hole to hide in
+among the bunches. In an hour or so I could hear the engines goin’, and
+feel the steamer rockin’, and I knew we were off to sea. They left the
+hatches open for ventilation, and pretty soon it was light enough in
+the hold to see fairly well. I got to feelin’ a bit hungry, and thought
+I’d have a light fruit lunch, by way of refreshment. I creeped out of
+the hole I’d made and stood up straight. Just then I saw another man
+crawl up about ten feet away and reach out and skin a banana and stuff
+it into his mouth. ’Twas a dirty man, black-faced and ragged and
+disgraceful of aspect. Yes, the man was a ringer for the pictures of
+the fat Weary Willie in the funny papers. I looked again, and saw it
+was my general man—De Vega, the great revolutionist, mule-rider and
+pickaxe importer. When he saw me the general hesitated with his mouth
+filled with banana and his eyes the size of cocoanuts.
+
+“‘Hist!’ I says. ‘Not a word, or they’ll put us off and make us walk.
+“Veev la Liberty!”’ I adds, copperin’ the sentiment by shovin’ a banana
+into the source of it. I was certain the general wouldn’t recognize me.
+The nefarious work of the tropics had left me lookin’ different. There
+was half an inch of roan whiskers coverin’ me face, and me costume was
+a pair of blue overalls and a red shirt.
+
+“‘How you come in the ship, señor?’ asked the general as soon as he
+could speak.
+
+“‘By the back door—whist!’ says I. ‘’Twas a glorious blow for liberty
+we struck,’ I continues; ‘but we was overpowered by numbers. Let us
+accept our defeat like brave men and eat another banana.’
+
+“‘Were you in the cause of liberty fightin’, señor?’ says the general,
+sheddin’ tears on the cargo.
+
+“‘To the last,’ says I. ‘’Twas I led the last desperate charge against
+the minions of the tyrant. But it made them mad, and we was forced to
+retreat. ’Twas I, general, procured the mule upon which you escaped.
+Could you give that ripe bunch a little boost this way, general? It’s a
+bit out of my reach. Thanks.’
+
+“‘Say you so, brave patriot?’ said the general, again weepin’. ‘Ah,
+_Dios!_ And I have not the means to reward your devotion. Barely did I
+my life bring away. _Carrambos!_ what a devil’s animal was that mule,
+señor! Like ships in one storm was I dashed about. The skin on myself
+was ripped away with the thorns and vines. Upon the bark of a hundred
+trees did that beast of the infernal bump, and cause outrage to the
+legs of mine. In the night to Port Barrios I came. I dispossess myself
+of that mountain of mule and hasten along the water shore. I find a
+little boat to be tied. I launch myself and row to the steamer. I
+cannot see any mans on board, so I climbed one rope which hang at the
+side. I then myself hide in the bananas. Surely, I say, if the ship
+captains view me, they shall throw me again to those Guatemala. Those
+things are not good. Guatemala will shoot General De Vega. Therefore, I
+am hide and remain silent. Life itself is glorious. Liberty, it is
+pretty good; but so good as life I do not think.’
+
+“Three days, as I said, was the trip to New Orleans. The general man
+and me got to be cronies of the deepest dye. Bananas we ate until they
+were distasteful to the sight and an eyesore to the palate, but to
+bananas alone was the bill of fare reduced. At night I crawls out,
+careful, on the lower deck, and gets a bucket of fresh water.
+
+“That General De Vega was a man inhabited by an engorgement of words
+and sentences. He added to the monotony of the voyage by divestin’
+himself of conversation. He believed I was a revolutionist of his own
+party, there bein’, as he told me, a good many Americans and other
+foreigners in its ranks. ’Twas a braggart and a conceited little
+gabbler it was, though he considered himself a hero. ’Twas on himself
+he wasted all his regrets at the failin’ of his plot. Not a word did
+the little balloon have to say about the other misbehavin’ idiots that
+had been shot, or run themselves to death in his revolution.
+
+“The second day out he was feelin’ pretty braggy and uppish for a
+stowed-away conspirator that owed his existence to a mule and stolen
+bananas. He was tellin’ me about the great railroad he had been
+buildin’, and he relates what he calls a comic incident about a fool
+Irishman he inveigled from New Orleans to sling a pick on his little
+morgue of a narrow-gauge line. ’Twas sorrowful to hear the little,
+dirty general tell the opprobrious story of how he put salt upon the
+tail of that reckless and silly bird, Clancy. Laugh, he did, hearty and
+long. He shook with laughin’, the black-faced rebel and outcast,
+standin’ neck-deep in bananas, without friends or country.
+
+“‘Ah, señor,’ he snickers, ‘to the death you would have laughed at that
+drollest Irish. I say to him: “Strong, big mans is need very much in
+Guatemala.” “I will blows strike for your down-pressed country,” he
+say. “That shall you do,” I tell him. Ah! it was an Irish so comic. He
+sees one box break upon the wharf that contain for the guard a few gun.
+He think there is gun in all the box. But that is all pickaxe. Yes. Ah!
+señor, could you the face of that Irish have seen when they set him to
+the work!’
+
+“’Twas thus the ex-boss of the employment bureau contributed to the
+tedium of the trip with merry jests and anecdote. But now and then he
+would weep upon the bananas and make oration about the lost cause of
+liberty and the mule.
+
+“’Twas a pleasant sound when the steamer bumped against the pier in New
+Orleans. Pretty soon we heard the pat-a-pat of hundreds of bare feet,
+and the Dago gang that unloads the fruit jumped on the deck and down
+into the hold. Me and the general worked a while at passin’ up the
+bunches, and they thought we were part of the gang. After about an hour
+we managed to slip off the steamer onto the wharf.
+
+“’Twas a great honour on the hands of an obscure Clancy, havin’ the
+entertainment of the representative of a great foreign filibusterin’
+power. I first bought for the general and myself many long drinks and
+things to eat that were not bananas. The general man trotted along at
+my side, leavin’ all the arrangements to me. I led him up to Lafayette
+Square and set him on a bench in the little park. Cigarettes I had
+bought for him, and he humped himself down on the seat like a little,
+fat, contented hobo. I look him over as he sets there, and what I see
+pleases me. Brown by nature and instinct, he is now brindled with dirt
+and dust. Praise to the mule, his clothes is mostly strings and flaps.
+Yes, the looks of the general man is agreeable to Clancy.
+
+“I ask him, delicate, if, by any chance, he brought away anybody’s
+money with him from Guatemala. He sighs and bumps his shoulders against
+the bench. Not a cent. All right. Maybe, he tells me, some of his
+friends in the tropic outfit will send him funds later. The general was
+as clear a case of no visible means as I ever saw.
+
+“I told him not to move from the bench, and then I went up to the
+corner of Poydras and Carondelet. Along there is O’Hara’s beat. In five
+minutes along comes O’Hara, a big, fine man, red-faced, with shinin’
+buttons, swingin’ his club. ’Twould be a fine thing for Guatemala to
+move into O’Hara’s precinct. ’Twould be a fine bit of recreation for
+Danny to suppress revolutions and uprisin’s once or twice a week with
+his club.
+
+“‘Is 5046 workin’ yet, Danny?’ says I, walkin’ up to him.
+
+“‘Overtime,’ says O’Hara, lookin’ over me suspicious. ‘Want some of
+it?’
+
+“Fifty-forty-six is the celebrated city ordinance authorizin’ arrest,
+conviction and imprisonment of persons that succeed in concealin’ their
+crimes from the police.
+
+“‘Don’t ye know Jimmy Clancy?’ says I. ‘Ye pink-gilled monster.’ So,
+when O’Hara recognized me beneath the scandalous exterior bestowed upon
+me by the tropics, I backed him into a doorway and told him what I
+wanted, and why I wanted it. ‘All right, Jimmy,’ says O’Hara. ‘Go back
+and hold the bench. I’ll be along in ten minutes.’
+
+“In that time O’Hara strolled through Lafayette Square and spied two
+Weary Willies disgracin’ one of the benches. In ten minutes more J.
+Clancy and General De Vega, late candidate for the presidency of
+Guatemala, was in the station house. The general is badly frightened,
+and calls upon me to proclaim his distinguishments and rank.
+
+“‘The man,’ says I to the police, ‘used to be a railroad man. He’s on
+the bum now. ’Tis a little bughouse he is, on account of losin’ his
+job.’
+
+“‘_Carrambos!_’ says the general, fizzin’ like a little soda-water
+fountain, ‘you fought, señor, with my forces in my native country. Why
+do you say the lies? You shall say I am the General De Vega, one
+soldier, one _caballero_—’
+
+“‘Railroader,’ says I again. ‘On the hog. No good. Been livin’ for
+three days on stolen bananas. Look at him. Ain’t that enough?’
+
+“Twenty-five dollars or sixty days, was what the recorder gave the
+general. He didn’t have a cent, so he took the time. They let me go, as
+I knew they would, for I had money to show, and O’Hara spoke for me.
+Yes; sixty days he got. ’Twas just so long that I slung a pick for the
+great country of Kam—Guatemala.”
+
+Clancy paused. The bright starlight showed a reminiscent look of happy
+content on his seasoned features. Keogh leaned in his chair and gave
+his partner a slap on his thinly-clad back that sounded like the crack
+of the surf on the sands.
+
+“Tell ’em, ye divil,” he chuckled, “how you got even with the tropical
+general in the way of agricultural manœuvrings.”
+
+“Havin’ no money,” concluded Clancy, with unction, “they set him to
+work his fine out with a gang from the parish prison clearing Ursulines
+Street. Around the corner was a saloon decorated genially with electric
+fans and cool merchandise. I made that me headquarters, and every
+fifteen minutes I’d walk around and take a look at the little man
+filibusterin’ with a rake and shovel. ’Twas just such a hot broth of a
+day as this has been. And I’d call at him ‘Hey, monseer!’ and he’d look
+at me black, with the damp showin’ through his shirt in places.
+
+“‘Fat, strong mans,’ says I to General De Vega, ‘is needed in New
+Orleans. Yes. To carry on the good work. Carrambos! Erin go bragh!’”
+
+
+
+
+XI
+THE REMNANTS OF THE CODE
+
+
+Breakfast in Coralio was at eleven. Therefore the people did not go to
+market early. The little wooden market-house stood on a patch of
+short-trimmed grass, under the vivid green foliage of a bread-fruit
+tree.
+
+Thither one morning the venders leisurely convened, bringing their
+wares with them. A porch or platform six feet wide encircled the
+building, shaded from the mid-morning sun by the projecting,
+grass-thatched roof. Upon this platform the venders were wont to
+display their goods—newly-killed beef, fish, crabs, fruit of the
+country, cassava, eggs, _dulces_ and high, tottering stacks of native
+tortillas as large around as the sombrero of a Spanish grandee.
+
+But on this morning they whose stations lay on the seaward side of the
+market-house, instead of spreading their merchandise formed themselves
+into a softly jabbering and gesticulating group. For there upon their
+space of the platform was sprawled, asleep, the unbeautiful figure of
+“Beelzebub” Blythe. He lay upon a ragged strip of cocoa matting, more
+than ever a fallen angel in appearance. His suit of coarse flax,
+soiled, bursting at the seams, crumpled into a thousand diversified
+wrinkles and creases, inclosed him absurdly, like the garb of some
+effigy that had been stuffed in sport and thrown there after indignity
+had been wrought upon it. But firmly upon the high bridge of his nose
+reposed his gold-rimmed glasses, the surviving badge of his ancient
+glory.
+
+The sun’s rays, reflecting quiveringly from the rippling sea upon his
+face, and the voices of the market-men woke “Beelzebub” Blythe. He sat
+up, blinking, and leaned his back against the wall of the market.
+Drawing a blighted silk handkerchief from his pocket, he assiduously
+rubbed and burnished his glasses. And while doing this he became aware
+that his bedroom had been invaded, and that polite brown and yellow men
+were beseeching him to vacate in favour of their market stuff.
+
+If the señor would have the goodness—a thousand pardons for bringing to
+him molestation—but soon would come the _compradores_ for the day’s
+provisions—surely they had ten thousand regrets at disturbing him!
+
+In this manner they expanded to him the intimation that he must clear
+out and cease to clog the wheels of trade.
+
+Blythe stepped from the platform with the air of a prince leaving his
+canopied couch. He never quite lost that air, even at the lowest point
+of his fall. It is clear that the college of good breeding does not
+necessarily maintain a chair of morals within its walls.
+
+Blythe shook out his wry clothing, and moved slowly up the Calle Grande
+through the hot sand. He moved without a destination in his mind. The
+little town was languidly stirring to its daily life. Golden-skinned
+babies tumbled over one another in the grass. The sea breeze brought
+him appetite, but nothing to satisfy it. Throughout Coralio were its
+morning odors—those from the heavily fragrant tropical flowers and from
+the bread baking in the outdoor ovens of clay and the pervading smoke
+of their fires. Where the smoke cleared, the crystal air, with some of
+the efficacy of faith, seemed to remove the mountains almost to the
+sea, bringing them so near that one might count the scarred glades on
+their wooded sides. The light-footed Caribs were swiftly gliding to
+their tasks at the waterside. Already along the bosky trails from the
+banana groves files of horses were slowly moving, concealed, except for
+their nodding heads and plodding legs, by the bunches of green-golden
+fruit heaped upon their backs. On doorsills sat women combing their
+long, black hair and calling, one to another, across the narrow
+thoroughfares. Peace reigned in Coralio—arid and bald peace; but still
+peace.
+
+On that bright morning when Nature seemed to be offering the lotus on
+the Dawn’s golden platter “Beelzebub” Blythe had reached rock bottom.
+Further descent seemed impossible. That last night’s slumber in a
+public place had done for him. As long as he had had a roof to cover
+him there had remained, unbridged, the space that separates a gentleman
+from the beasts of the jungle and the fowls of the air. But now he was
+little more than a whimpering oyster led to be devoured on the sands of
+a Southern sea by the artful walrus, Circumstance, and the implacable
+carpenter, Fate.
+
+To Blythe money was now but a memory. He had drained his friends of all
+that their good-fellowship had to offer; then he had squeezed them to
+the last drop of their generosity; and at the last, Aaron-like, he had
+smitten the rock of their hardening bosoms for the scattering, ignoble
+drops of Charity itself.
+
+He had exhausted his credit to the last _real_. With the minute
+keenness of the shameless sponger he was aware of every source in
+Coralio from which a glass of rum, a meal or a piece of silver could be
+wheedled. Marshalling each such source in his mind, he considered it
+with all the thoroughness and penetration that hunger and thirst lent
+him for the task. All his optimism failed to thresh a grain of hope
+from the chaff of his postulations. He had played out the game. That
+one night in the open had shaken his nerves. Until then there had been
+left to him at least a few grounds upon which he could base his
+unblushing demands upon his neighbours’ stores. Now he must beg instead
+of borrowing. The most brazen sophistry could not dignify by the name
+of “loan” the coin contemptuously flung to a beachcomber who slept on
+the bare boards of the public market.
+
+But on this morning no beggar would have more thankfully received a
+charitable coin, for the demon thirst had him by the throat—the
+drunkard’s matutinal thirst that requires to be slaked at each morning
+station on the road to Tophet.
+
+Blythe walked slowly up the street, keeping a watchful eye for any
+miracle that might drop manna upon him in his wilderness. As he passed
+the popular eating house of Madama Vasquez, Madama’s boarders were just
+sitting down to freshly-baked bread, _aguacates_, pines and delicious
+coffee that sent forth odorous guarantee of its quality upon the
+breeze. Madama was serving; she turned her shy, stolid, melancholy gaze
+for a moment out the window; she saw Blythe, and her expression turned
+more shy and embarrassed. “Beelzebub” owed her twenty _pesos_. He bowed
+as he had once bowed to less embarrassed dames to whom he owed nothing,
+and passed on.
+
+Merchants and their clerks were throwing open the solid wooden doors of
+their shops. Polite but cool were the glances they cast upon Blythe as
+he lounged tentatively by with the remains of his old jaunty air; for
+they were his creditors almost without exception.
+
+At the little fountain in the _plaza_ he made an apology for a toilet
+with his wetted handkerchief. Across the open square filed the dolorous
+line of friends of the prisoners in the _calaboza_, bearing the morning
+meal of the immured. The food in their hands aroused small longing in
+Blythe. It was drink that his soul craved, or money to buy it.
+
+In the streets he met many with whom he had been friends and equals,
+and whose patience and liberality he had gradually exhausted. Willard
+Geddie and Paula cantered past him with the coolest of nods, returning
+from their daily horseback ride along the old Indian road. Keogh passed
+him at another corner, whistling cheerfully and bearing a prize of
+newly-laid eggs for the breakfast of himself and Clancy. The jovial
+scout of Fortune was one of Blythe’s victims who had plunged his hand
+oftenest into his pocket to aid him. But now it seemed that Keogh, too,
+had fortified himself against further invasions. His curt greeting and
+the ominous light in his full, grey eye quickened the steps of
+“Beelzebub,” whom desperation had almost incited to attempt an
+additional “loan.”
+
+Three drinking shops the forlorn one next visited in succession. In all
+of these his money, his credit and his welcome had long since been
+spent; but Blythe felt that he would have fawned in the dust at the
+feet of an enemy that morning for one draught of _aguardiente_. In two
+of the _pulperias_ his courageous petition for drink was met with a
+refusal so polite that it stung worse than abuse. The third
+establishment had acquired something of American methods; and here he
+was seized bodily and cast out upon his hands and knees.
+
+This physical indignity caused a singular change in the man. As he
+picked himself up and walked away, an expression of absolute relief
+came upon his features. The specious and conciliatory smile that had
+been graven there was succeeded by a look of calm and sinister resolve.
+“Beelzebub” had been floundering in the sea of improbity, holding by a
+slender life-line to the respectable world that had cast him overboard.
+He must have felt that with this ultimate shock the line had snapped,
+and have experienced the welcome ease of the drowning swimmer who has
+ceased to struggle.
+
+Blythe walked to the next corner and stood there while he brushed the
+sand from his garments and re-polished his glasses.
+
+“I’ve got to do it—oh, I’ve got to do it,” he told himself, aloud. “If
+I had a quart of rum I believe I could stave it off yet—for a little
+while. But there’s no more rum for—‘Beelzebub,’ as they call me. By the
+flames of Tartarus! if I’m to sit at the right hand of Satan somebody
+has got to pay the court expenses. You’ll have to pony up, Mr. Frank
+Goodwin. You’re a good fellow; but a gentleman must draw the line at
+being kicked into the gutter. Blackmail isn’t a pretty word, but it’s
+the next station on the road I’m travelling.”
+
+With purpose in his steps Blythe now moved rapidly through the town by
+way of its landward environs. He passed through the squalid quarters of
+the improvident negroes and on beyond the picturesque shacks of the
+poorer _mestizos_. From many points along his course he could see,
+through the umbrageous glades, the house of Frank Goodwin on its wooded
+hill. And as he crossed the little bridge over the lagoon he saw the
+old Indian, Galvez, scrubbing at the wooden slab that bore the name of
+Miraflores. Beyond the lagoon the lands of Goodwin began to slope
+gently upward. A grassy road, shaded by a munificent and diverse array
+of tropical flora wound from the edge of an outlying banana grove to
+the dwelling. Blythe took this road with long and purposeful strides.
+
+Goodwin was seated on his coolest gallery, dictating letters to his
+secretary, a sallow and capable native youth. The household adhered to
+the American plan of breakfast; and that meal had been a thing of the
+past for the better part of an hour.
+
+The castaway walked to the steps, and flourished a hand.
+
+“Good morning, Blythe,” said Goodwin, looking up. “Come in and have a
+chair. Anything I can do for you?”
+
+“I want to speak to you in private.”
+
+Goodwin nodded at his secretary, who strolled out under a mango tree
+and lit a cigarette. Blythe took the chair that he had left vacant.
+
+“I want some money,” he began, doggedly.
+
+“I’m sorry,” said Goodwin, with equal directness, “but you can’t have
+any. You’re drinking yourself to death, Blythe. Your friends have done
+all they could to help you to brace up. You won’t help yourself.
+There’s no use furnishing you with money to ruin yourself with any
+longer.”
+
+“Dear man,” said Blythe, tilting back his chair, “it isn’t a question
+of social economy now. It’s past that. I like you, Goodwin; and I’ve
+come to stick a knife between your ribs. I was kicked out of Espada’s
+saloon this morning; and Society owes me reparation for my wounded
+feelings.”
+
+“I didn’t kick you out.”
+
+“No; but in a general way you represent Society; and in a particular
+way you represent my last chance. I’ve had to come down to it, old
+man—I tried to do it a month ago when Losada’s man was here turning
+things over; but I couldn’t do it then. Now it’s different. I want a
+thousand dollars, Goodwin; and you’ll have to give it to me.”
+
+“Only last week,” said Goodwin, with a smile, “a silver dollar was all
+you were asking for.”
+
+“An evidence,” said Blythe, flippantly, “that I was still
+virtuous—though under heavy pressure. The wages of sin should be
+something higher than a _peso_ worth forty-eight cents. Let’s talk
+business. I am the villain in the third act; and I must have my
+merited, if only temporary, triumph. I saw you collar the late
+president’s valiseful of boodle. Oh, I know it’s blackmail; but I’m
+liberal about the price. I know I’m a cheap villain—one of the regular
+sawmill-drama kind—but you’re one of my particular friends, and I don’t
+want to stick you hard.”
+
+“Suppose you go into the details,” suggested Goodwin, calmly arranging
+his letters on the table.
+
+“All right,” said “Beelzebub.” “I like the way you take it. I despise
+histrionics; so you will please prepare yourself for the facts without
+any red fire, calcium or grace notes on the saxophone.
+
+“On the night that His Fly-by-night Excellency arrived in town I was
+very drunk. You will excuse the pride with which I state that fact; but
+it was quite a feat for me to attain that desirable state. Somebody had
+left a cot out under the orange trees in the yard of Madama Ortiz’s
+hotel. I stepped over the wall, laid down upon it, and fell asleep. I
+was awakened by an orange that dropped from the tree upon my nose; and
+I laid there for awhile cursing Sir Isaac Newton, or whoever it was
+that invented gravitation, for not confining his theory to apples.
+
+“And then along came Mr. Miraflores and his true-love with the treasury
+in a valise, and went into the hotel. Next you hove in sight, and held
+a pow-wow with the tonsorial artist who insisted upon talking shop
+after hours. I tried to slumber again; but once more my rest was
+disturbed—this time by the noise of the popgun that went off upstairs.
+Then that valise came crashing down into an orange tree just above my
+head; and I arose from my couch, not knowing when it might begin to
+rain Saratoga trunks. When the army and the constabulary began to
+arrive, with their medals and decorations hastily pinned to their
+pajamas, and their snickersnees drawn, I crawled into the welcome
+shadow of a banana plant. I remained there for an hour, by which time
+the excitement and the people had cleared away. And then, my dear
+Goodwin—excuse me—I saw you sneak back and pluck that ripe and juicy
+valise from the orange tree. I followed you, and saw you take it to
+your own house. A hundred-thousand-dollar crop from one orange tree in
+a season about breaks the record of the fruit-growing industry.
+
+“Being a gentleman at that time, of course, I never mentioned the
+incident to anyone. But this morning I was kicked out of a saloon, my
+code of honour is all out at the elbows, and I’d sell my mother’s
+prayer-book for three fingers of _aguardiente_. I’m not putting on the
+screws hard. It ought to be worth a thousand to you for me to have
+slept on that cot through the whole business without waking up and
+seeing anything.”
+
+Goodwin opened two more letters, and made memoranda in pencil on them.
+Then he called “Manuel!” to his secretary, who came, spryly.
+
+“The _Ariel_—when does she sail?” asked Goodwin.
+
+“Señor,” answered the youth, “at three this afternoon. She drops
+down-coast to Punta Soledad to complete her cargo of fruit. From there
+she sails for New Orleans without delay.”
+
+“_Bueno!_” said Goodwin. “These letters may wait yet awhile.”
+
+The secretary returned to his cigarette under the mango tree.
+
+“In round numbers,” said Goodwin, facing Blythe squarely, “how much
+money do you owe in this town, not including the sums you have
+‘borrowed’ from me?”
+
+“Five hundred—at a rough guess,” answered Blythe, lightly.
+
+“Go somewhere in the town and draw up a schedule of your debts,” said
+Goodwin. “Come back here in two hours, and I will send Manuel with the
+money to pay them. I will also have a decent outfit of clothing ready
+for you. You will sail on the _Ariel_ at three. Manuel will accompany
+you as far as the deck of the steamer. There he will hand you one
+thousand dollars in cash. I suppose that we needn’t discuss what you
+will be expected to do in return.”
+
+“Oh, I understand,” piped Blythe, cheerily. “I was asleep all the time
+on the cot under Madama Ortiz’s orange trees; and I shake off the dust
+of Coralio forever. I’ll play fair. No more of the lotus for me. Your
+proposition is O. K. You’re a good fellow, Goodwin; and I let you off
+light. I’ll agree to everything. But in the meantime—I’ve a devil of a
+thirst on, old man—”
+
+“Not a _centavo_,” said Goodwin, firmly, “until you are on board the
+_Ariel_. You would be drunk in thirty minutes if you had money now.”
+
+But he noticed the blood-streaked eyeballs, the relaxed form and the
+shaking hands of “Beelzebub;” and he stepped into the dining room
+through the low window, and brought out a glass and a decanter of
+brandy.
+
+“Take a bracer, anyway, before you go,” he proposed, even as a man to
+the friend whom he entertains.
+
+“Beelzebub” Blythe’s eyes glistened at the sight of the solace for
+which his soul burned. To-day for the first time his poisoned nerves
+had been denied their steadying dose; and their retort was a mounting
+torment. He grasped the decanter and rattled its crystal mouth against
+the glass in his trembling hand. He flushed the glass, and then stood
+erect, holding it aloft for an instant. For one fleeting moment he held
+his head above the drowning waves of his abyss. He nodded easily at
+Goodwin, raised his brimming glass and murmured a “health” that men had
+used in his ancient Paradise Lost. And then so suddenly that he spilled
+the brandy over his hand, he set down his glass, untasted.
+
+“In two hours,” his dry lips muttered to Goodwin, as he marched down
+the steps and turned his face toward the town.
+
+In the edge of the cool banana grove “Beelzebub” halted, and snapped
+the tongue of his belt buckle into another hole.
+
+“I couldn’t do it,” he explained, feverishly, to the waving banana
+fronds. “I wanted to, but I couldn’t. A gentleman can’t drink with the
+man that he blackmails.”
+
+
+
+
+XII
+SHOES
+
+
+John De Graffenreid Atwood ate of the lotus, root, stem, and flower.
+The tropics gobbled him up. He plunged enthusiastically into his work,
+which was to try to forget Rosine.
+
+Now, they who dine on the lotus rarely consume it plain. There is a
+sauce _au diable_ that goes with it; and the distillers are the chefs
+who prepare it. And on Johnny’s menu card it read “brandy.” With a
+bottle between them, he and Billy Keogh would sit on the porch of the
+little consulate at night and roar out great, indecorous songs, until
+the natives, slipping hastily past, would shrug a shoulder and mutter
+things to themselves about the “_Americanos diablos_.”
+
+One day Johnny’s _mozo_ brought the mail and dumped it on the table.
+Johnny leaned from his hammock, and fingered the four or five letters
+dejectedly. Keogh was sitting on the edge of the table chopping lazily
+with a paper knife at the legs of a centipede that was crawling among
+the stationery. Johnny was in that phase of lotus-eating when all the
+world tastes bitter in one’s mouth.
+
+“Same old thing!” he complained. “Fool people writing for information
+about the country. They want to know all about raising fruit, and how
+to make a fortune without work. Half of ’em don’t even send stamps for
+a reply. They think a consul hasn’t anything to do but write letters.
+Slit those envelopes for me, old man, and see what they want. I’m
+feeling too rocky to move.”
+
+Keogh, acclimated beyond all possibility of ill-humour, drew his chair
+to the table with smiling compliance on his rose-pink countenance, and
+began to slit open the letters. Four of them were from citizens in
+various parts of the United States who seemed to regard the consul at
+Coralio as a cyclopædia of information. They asked long lists of
+questions, numerically arranged, about the climate, products,
+possibilities, laws, business chances, and statistics of the country in
+which the consul had the honour of representing his own government.
+
+“Write ’em, please, Billy,” said that inert official, “just a line,
+referring them to the latest consular report. Tell ’em the State
+Department will be delighted to furnish the literary gems. Sign my
+name. Don’t let your pen scratch, Billy; it’ll keep me awake.”
+
+“Don’t snore,” said Keogh, amiably, “and I’ll do your work for you. You
+need a corps of assistants, anyhow. Don’t see how you ever get out a
+report. Wake up a minute!—here’s one more letter—it’s from your own
+town, too—Dalesburg.”
+
+“That so?” murmured Johnny showing a mild and obligatory interest.
+“What’s it about?”
+
+“Postmaster writes,” explained Keogh. “Says a citizen of the town wants
+some facts and advice from you. Says the citizen has an idea in his
+head of coming down where you are and opening a shoe store. Wants to
+know if you think the business would pay. Says he’s heard of the boom
+along this coast, and wants to get in on the ground floor.”
+
+In spite of the heat and his bad temper, Johnny’s hammock swayed with
+his laughter. Keogh laughed too; and the pet monkey on the top shelf of
+the bookcase chattered in shrill sympathy with the ironical reception
+of the letter from Dalesburg.
+
+“Great bunions!” exclaimed the consul. “Shoe store! What’ll they ask
+about next, I wonder? Overcoat factory, I reckon. Say, Billy—of our
+3,000 citizens, how many do you suppose ever had on a pair of shoes?”
+
+Keogh reflected judicially.
+
+“Let’s see—there’s you and me and—”
+
+“Not me,” said Johnny, promptly and incorrectly, holding up a foot
+encased in a disreputable deerskin _zapato_. “I haven’t been a victim
+to shoes in months.”
+
+“But you’ve got ’em, though,” went on Keogh. “And there’s Goodwin and
+Blanchard and Geddie and old Lutz and Doc Gregg and that Italian that’s
+agent for the banana company, and there’s old Delgado—no; he wears
+sandals. And, oh, yes; there’s Madama Ortiz, ‘what kapes the hotel’—she
+had on a pair of red slippers at the _baile_ the other night. And Miss
+Pasa, her daughter, that went to school in the States—she brought back
+some civilized notions in the way of footgear. And there’s the
+_comandante’s_ sister that dresses up her feet on feast-days—and Mrs.
+Geddie, who wears a two with a Castilian instep—and that’s about all
+the ladies. Let’s see—don’t some of the soldiers at the _cuartel_—no:
+that’s so; they’re allowed shoes only when on the march. In barracks
+they turn their little toeses out to grass.”
+
+“’Bout right,” agreed the consul. “Not over twenty out of the three
+thousand ever felt leather on their walking arrangements. Oh, yes;
+Coralio is just the town for an enterprising shoe store—that doesn’t
+want to part with its goods. Wonder if old Patterson is trying to jolly
+me! He always was full of things he called jokes. Write him a letter,
+Billy. I’ll dictate it. We’ll jolly him back a few.”
+
+Keogh dipped his pen, and wrote at Johnny’s dictation. With many
+pauses, filled in with smoke and sundry travellings of the bottle and
+glasses, the following reply to the Dalesburg communication was
+perpetrated:
+
+Mr. Obadiah Patterson,
+ Dalesburg, Ala.
+ _Dear Sir:_ In reply to your favour of July 2d, I have the honour
+ to inform you that, according to my opinion, there is no place on
+ the habitable globe that presents to the eye stronger evidence of
+ the need of a first-class shoe store than does the town of Coralio.
+ There are 3,000 inhabitants in the place, and not a single shoe
+ store! The situation speaks for itself. This coast is rapidly
+ becoming the goal of enterprising business men, but the shoe
+ business is one that has been sadly overlooked or neglected. In
+ fact, there are a considerable number of our citizens actually
+ without shoes at present.
+ Besides the want above mentioned, there is also a crying need for a
+ brewery, a college of higher mathematics, a coal yard, and a clean
+ and intellectual Punch and Judy show. I have the honour to be, sir,
+
+
+Your Obt. Servant,
+JOHN DE GRAFFENREID ATWOOD,
+U. S. Consul at Coralio.
+
+
+P.S.—Hello! Uncle Obadiah. How’s the old burg racking along? What would
+the government do without you and me? Look out for a green-headed
+parrot and a bunch of bananas soon, from your old friend
+
+
+JOHNNY.
+
+
+“I throw in that postscript,” explained the consul, “so Uncle Obadiah
+won’t take offence at the official tone of the letter! Now, Billy, you
+get that correspondence fixed up, and send Pancho to the post-office
+with it. The _Ariadne_ takes the mail out to-morrow if they make up
+that load of fruit to-day.”
+
+The night programme in Coralio never varied. The recreations of the
+people were soporific and flat. They wandered about, barefoot and
+aimless, speaking lowly and smoking cigar or cigarette. Looking down on
+the dimly lighted ways one seemed to see a threading maze of brunette
+ghosts tangled with a procession of insane fireflies. In some houses
+the thrumming of lugubrious guitars added to the depression of the
+_triste_ night. Giant tree-frogs rattled in the foliage as loudly as
+the end man’s “bones” in a minstrel troupe. By nine o’clock the streets
+were almost deserted.
+
+Nor at the consulate was there often a change of bill. Keogh would come
+there nightly, for Coralio’s one cool place was the little seaward
+porch of that official residence.
+
+The brandy would be kept moving; and before midnight sentiment would
+begin to stir in the heart of the self-exiled consul. Then he would
+relate to Keogh the story of his ended romance. Each night Keogh would
+listen patiently to the tale, and be ready with untiring sympathy.
+
+“But don’t you think for a minute”—thus Johnny would always conclude
+his woeful narrative—“that I’m grieving about that girl, Billy. I’ve
+forgotten her. She never enters my mind. If she were to enter that door
+right now, my pulse wouldn’t gain a beat. That’s all over long ago.”
+
+“Don’t I know it?” Keogh would answer. “Of course you’ve forgotten her.
+Proper thing to do. Wasn’t quite O. K. of her to listen to the knocks
+that—er—Dink Pawson kept giving you.”
+
+“Pink Dawson!”—a world of contempt would be in Johnny’s tones—“Poor
+white trash! That’s what he was. Had five hundred acres of farming
+land, though; and that counted. Maybe I’ll have a chance to get back at
+him some day. The Dawsons weren’t anybody. Everybody in Alabama knows
+the Atwoods. Say, Billy—did you know my mother was a De Graffenreid?”
+
+“Why, no,” Keogh would say; “is that so?” He had heard it some three
+hundred times.
+
+“Fact. The De Graffenreids of Hancock County. But I never think of that
+girl any more, do I, Billy?”
+
+“Not for a minute, my boy,” would be the last sounds heard by the
+conqueror of Cupid.
+
+At this point Johnny would fall into a gentle slumber, and Keogh would
+saunter out to his own shack under the calabash tree at the edge of the
+plaza.
+
+In a day or two the letter from the Dalesburg postmaster and its answer
+had been forgotten by the Coralio exiles. But on the 26th day of July
+the fruit of the reply appeared upon the tree of events.
+
+The _Andador_, a fruit steamer that visited Coralio regularly, drew
+into the offing and anchored. The beach was lined with spectators while
+the quarantine doctor and the custom-house crew rowed out to attend to
+their duties.
+
+An hour later Billy Keogh lounged into the consulate, clean and cool in
+his linen clothes, and grinning like a pleased shark.
+
+“Guess what?” he said to Johnny, lounging in his hammock.
+
+“Too hot to guess,” said Johnny, lazily.
+
+“Your shoe-store man’s come,” said Keogh, rolling the sweet morsel on
+his tongue, “with a stock of goods big enough to supply the continent
+as far down as Terra del Fuego. They’re carting his cases over to the
+custom-house now. Six barges full they brought ashore and have paddled
+back for the rest. Oh, ye saints in glory! won’t there be regalements
+in the air when he gets onto the joke and has an interview with Mr.
+Consul? It’ll be worth nine years in the tropics just to witness that
+one joyful moment.”
+
+Keogh loved to take his mirth easily. He selected a clean place on the
+matting and lay upon the floor. The walls shook with his enjoyment.
+Johnny turned half over and blinked.
+
+“Don’t tell me,” he said, “that anybody was fool enough to take that
+letter seriously.”
+
+“Four-thousand-dollar stock of goods!” gasped Keogh, in ecstasy. “Talk
+about coals to Newcastle! Why didn’t he take a ship-load of palm-leaf
+fans to Spitzbergen while he was about it? Saw the old codger on the
+beach. You ought to have been there when he put on his specs and
+squinted at the five hundred or so barefooted citizens standing
+around.”
+
+“Are you telling the truth, Billy?” asked the consul, weakly.
+
+“Am I? You ought to see the buncoed gentleman’s daughter he brought
+along. Looks! She makes the brick-dust señoritas here look like
+tar-babies.”
+
+“Go on,” said Johnny, “if you can stop that asinine giggling. I hate to
+see a grown man make a laughing hyena of himself.”
+
+“Name is Hemstetter,” went on Keogh. “He’s a— Hello! what’s the matter
+now?”
+
+Johnny’s moccasined feet struck the floor with a thud as he wriggled
+out of his hammock.
+
+“Get up, you idiot,” he said, sternly, “or I’ll brain you with this
+inkstand. That’s Rosine and her father. Gad! what a drivelling idiot
+old Patterson is! Get up, here, Billy Keogh, and help me. What the
+devil are we going to do? Has all the world gone crazy?”
+
+Keogh rose and dusted himself. He managed to regain a decorous
+demeanour.
+
+“Situation has got to be met, Johnny,” he said, with some success at
+seriousness. “I didn’t think about its being your girl until you spoke.
+First thing to do is to get them comfortable quarters. You go down and
+face the music, and I’ll trot out to Goodwin’s and see if Mrs. Goodwin
+won’t take them in. They’ve got the decentest house in town.”
+
+“Bless you, Billy!” said the consul. “I knew you wouldn’t desert me.
+The world’s bound to come to an end, but maybe we can stave it off for
+a day or two.”
+
+Keogh hoisted his umbrella and set out for Goodwin’s house. Johnny put
+on his coat and hat. He picked up the brandy bottle, but set it down
+again without drinking, and marched bravely down to the beach.
+
+In the shade of the custom-house walls he found Mr. Hemstetter and
+Rosine surrounded by a mass of gaping citizens. The customs officers
+were ducking and scraping, while the captain of the _Andador_
+interpreted the business of the new arrivals. Rosine looked healthy and
+very much alive. She was gazing at the strange scenes around her with
+amused interest. There was a faint blush upon her round cheek as she
+greeted her old admirer. Mr. Hemstetter shook hands with Johnny in a
+very friendly way. He was an oldish, impractical man—one of that
+numerous class of erratic business men who are forever dissatisfied,
+and seeking a change.
+
+“I am very glad to see you, John—may I call you John?” he said. “Let me
+thank you for your prompt answer to our postmaster’s letter of inquiry.
+He volunteered to write to you on my behalf. I was looking about for
+something different in the way of a business in which the profits would
+be greater. I had noticed in the papers that this coast was receiving
+much attention from investors. I am extremely grateful for your advice
+to come. I sold out everything that I possess, and invested the
+proceeds in as fine a stock of shoes as could be bought in the North.
+You have a picturesque town here, John. I hope business will be as good
+as your letter justifies me in expecting.”
+
+Johnny’s agony was abbreviated by the arrival of Keogh, who hurried up
+with the news that Mrs. Goodwin would be much pleased to place rooms at
+the disposal of Mr. Hemstetter and his daughter. So there Mr.
+Hemstetter and Rosine were at once conducted and left to recuperate
+from the fatigue of the voyage, while Johnny went down to see that the
+cases of shoes were safely stored in the customs warehouse pending
+their examination by the officials. Keogh, grinning like a shark,
+skirmished about to find Goodwin, to instruct him not to expose to Mr.
+Hemstetter the true state of Coralio as a shoe market until Johnny had
+been given a chance to redeem the situation, if such a thing were
+possible.
+
+That night the consul and Keogh held a desperate consultation on the
+breezy porch of the consulate.
+
+“Send ’em back home,” began Keogh, reading Johnny’s thoughts.
+
+“I would,” said Johnny, after a little silence; “but I’ve been lying to
+you, Billy.”
+
+“All right about that,” said Keogh, affably.
+
+“I’ve told you hundreds of times,” said Johnny, slowly, “that I had
+forgotten that girl, haven’t I?”
+
+“About three hundred and seventy-five,” admitted the monument of
+patience.
+
+“I lied,” repeated the consul, “every time. I never forgot her for one
+minute. I was an obstinate ass for running away just because she said
+‘No’ once. And I was too proud a fool to go back. I talked with Rosine
+a few minutes this evening up at Goodwin’s. I found out one thing. You
+remember that farmer fellow who was always after her?”
+
+“Dink Pawson?” asked Keogh.
+
+“Pink Dawson. Well, he wasn’t a hill of beans to her. She says she
+didn’t believe a word of the things he told her about me. But I’m sewed
+up now, Billy. That tomfool letter we sent ruined whatever chance I had
+left. She’ll despise me when she finds out that her old father has been
+made the victim of a joke that a decent school boy wouldn’t have been
+guilty of. Shoes! Why he couldn’t sell twenty pairs of shoes in Coralio
+if he kept store here for twenty years. You put a pair of shoes on one
+of these Caribs or Spanish brown boys and what’d he do? Stand on his
+head and squeal until he’d kicked ’em off. None of ’em ever wore shoes
+and they never will. If I send ’em back home I’ll have to tell the
+whole story, and what’ll she think of me? I want that girl worse than
+ever, Billy, and now when she’s in reach I’ve lost her forever because
+I tried to be funny when the thermometer was at 102.”
+
+“Keep cheerful,” said the optimistic Keogh. “And let ’em open the
+store. I’ve been busy myself this afternoon. We can stir up a temporary
+boom in foot-gear anyhow. I’ll buy six pairs when the doors open. I’ve
+been around and seen all the fellows and explained the catastrophe.
+They’ll all buy shoes like they was centipedes. Frank Goodwin will take
+cases of ’em. The Geddies want about eleven pairs between ’em. Clancy
+is going to invest the savings of weeks, and even old Doc Gregg wants
+three pairs of alligator-hide slippers if they’ve got any tens.
+Blanchard got a look at Miss Hemstetter; and as he’s a Frenchman, no
+less than a dozen pairs will do for him.”
+
+“A dozen customers,” said Johnny, “for a $4,000 stock of shoes! It
+won’t work. There’s a big problem here to figure out. You go home,
+Billy, and leave me alone. I’ve got to work at it all by myself. Take
+that bottle of Three-star along with you—no, sir; not another ounce of
+booze for the United States consul. I’ll sit here to-night and pull out
+the think stop. If there’s a soft place on this proposition anywhere
+I’ll land on it. If there isn’t there’ll be another wreck to the credit
+of the gorgeous tropics.”
+
+Keogh left, feeling that he could be of no use. Johnny laid a handful
+of cigars on a table and stretched himself in a steamer chair. When the
+sudden daylight broke, silvering the harbour ripples, he was still
+sitting there. Then he got up, whistling a little tune, and took his
+bath.
+
+At nine o’clock he walked down to the dingy little cable office and
+hung for half an hour over a blank. The result of his application was
+the following message, which he signed and had transmitted at a cost of
+$33:
+
+TO PINKNEY DAWSON,
+ Dalesburg, Ala.
+ Draft for $100 comes to you next mail. Ship me immediately 500
+ pounds stiff, dry cockleburrs. New use here in arts. Market price
+ twenty cents pound. Further orders likely. Rush.
+
+
+
+
+XIII
+SHIPS
+
+
+Within a week a suitable building had been secured in the Calle Grande,
+and Mr. Hemstetter’s stock of shoes arranged upon their shelves. The
+rent of the store was moderate; and the stock made a fine showing of
+neat white boxes, attractively displayed.
+
+Johnny’s friends stood by him loyally. On the first day Keogh strolled
+into the store in a casual kind of way about once every hour, and
+bought shoes. After he had purchased a pair each of extension soles,
+congress gaiters, button kids, low-quartered calfs, dancing pumps,
+rubber boots, tans of various hues, tennis shoes and flowered slippers,
+he sought out Johnny to be prompted as to names of other kinds that he
+might inquire for. The other English-speaking residents also played
+their parts nobly by buying often and liberally. Keogh was grand
+marshal, and made them distribute their patronage, thus keeping up a
+fair run of custom for several days.
+
+Mr. Hemstetter was gratified by the amount of business done thus far;
+but expressed surprise that the natives were so backward with their
+custom.
+
+“Oh, they’re awfully shy,” explained Johnny, as he wiped his forehead
+nervously. “They’ll get the habit pretty soon. They’ll come with a rush
+when they do come.”
+
+One afternoon Keogh dropped into the consul’s office, chewing an
+unlighted cigar thoughtfully.
+
+“Got anything up your sleeve?” he inquired of Johnny. “If you have it’s
+about time to show it. If you can borrow some gent’s hat in the
+audience, and make a lot of customers for an idle stock of shoes come
+out of it, you’d better spiel. The boys have all laid in enough
+footwear to last ’em ten years; and there’s nothing doing in the shoe
+store but dolcy far nienty. I just came by there. Your venerable victim
+was standing in the door, gazing through his specs at the bare toes
+passing by his emporium. The natives here have got the true artistic
+temperament. Me and Clancy took eighteen tintypes this morning in two
+hours. There’s been but one pair of shoes sold all day. Blanchard went
+in and bought a pair of fur-lined house-slippers because he thought he
+saw Miss Hemstetter go into the store. I saw him throw the slippers
+into the lagoon afterwards.”
+
+“There’s a Mobile fruit steamer coming in to-morrow or next day,” said
+Johnny. “We can’t do anything until then.”
+
+“What are you going to do—try to create a demand?”
+
+“Political economy isn’t your strong point,” said the consul,
+impudently. “You can’t create a demand. But you can create a necessity
+for a demand. That’s what I am going to do.”
+
+Two weeks after the consul sent his cable, a fruit steamer brought him
+a huge, mysterious brown bale of some unknown commodity. Johnny’s
+influence with the custom-house people was sufficiently strong for him
+to get the goods turned over to him without the usual inspection. He
+had the bale taken to the consulate and snugly stowed in the back room.
+
+That night he ripped open a corner of it and took out a handful of the
+cockleburrs. He examined them with the care with which a warrior
+examines his arms before he goes forth to battle for his lady-love and
+life. The burrs were the ripe August product, as hard as filberts, and
+bristling with spines as tough and sharp as needles. Johnny whistled
+softly a little tune, and went out to find Billy Keogh.
+
+Later in the night, when Coralio was steeped in slumber, he and Billy
+went forth into the deserted streets with their coats bulging like
+balloons. All up and down the Calle Grande they went, sowing the sharp
+burrs carefully in the sand, along the narrow sidewalks, in every foot
+of grass between the silent houses. And then they took the side streets
+and by-ways, missing none. No place where the foot of man, woman or
+child might fall was slighted. Many trips they made to and from the
+prickly hoard. And then, nearly at the dawn, they laid themselves down
+to rest calmly, as great generals do after planning a victory according
+to the revised tactics, and slept, knowing that they had sowed with the
+accuracy of Satan sowing tares and the perseverance of Paul planting.
+
+With the rising sun came the purveyors of fruits and meats, and
+arranged their wares in and around the little market-house. At one end
+of the town near the seashore the market-house stood; and the sowing of
+the burrs had not been carried that far. The dealers waited long past
+the hour when their sales usually began. None came to buy. “_Qué hay?_”
+they began to exclaim, one to another.
+
+At their accustomed time, from every ’dobe and palm hut and
+grass-thatched shack and dim _patio_ glided women—black women, brown
+women, lemon-colored women, women dun and yellow and tawny. They were
+the marketers starting to purchase the family supply of cassava,
+plantains, meat, fowls, and tortillas. Décolleté they were and
+bare-armed and bare-footed, with a single skirt reaching below the
+knee. Stolid and ox-eyed, they stepped from their doorways into the
+narrow paths or upon the soft grass of the streets.
+
+The first to emerge uttered ambiguous squeals, and raised one foot
+quickly. Another step and they sat down, with shrill cries of alarm, to
+pick at the new and painful insects that had stung them upon the feet.
+“_Qué picadores diablos!_” they screeched to one another across the
+narrow ways. Some tried the grass instead of the paths, but there they
+were also stung and bitten by the strange little prickly balls. They
+plumped down in the grass, and added their lamentations to those of
+their sisters in the sandy paths. All through the town was heard the
+plaint of the feminine jabber. The venders in the market still wondered
+why no customers came.
+
+Then men, lords of the earth, came forth. They, too, began to hop, to
+dance, to limp, and to curse. They stood stranded and foolish, or
+stooped to pluck at the scourge that attacked their feet and ankles.
+Some loudly proclaimed the pest to be poisonous spiders of an unknown
+species.
+
+And then the children ran out for their morning romp. And now to the
+uproar was added the howls of limping infants and cockleburred
+childhood. Every minute the advancing day brought forth fresh victims.
+
+Doña Maria Castillas y Buenventura de las Casas stepped from her
+honoured doorway, as was her daily custom, to procure fresh bread from
+the _panaderia_ across the street. She was clad in a skirt of flowered
+yellow satin, a chemise of ruffled linen, and wore a purple mantilla
+from the looms of Spain. Her lemon-tinted feet, alas! were bare. Her
+progress was majestic, for were not her ancestors hidalgos of Aragon?
+Three steps she made across the velvety grass, and set her aristocratic
+sole upon a bunch of Johnny’s burrs. Doña Maria Castillas y Buenventura
+de las Casas emitted a yowl even as a wild-cat. Turning about, she fell
+upon hands and knees, and crawled—ay, like a beast of the field she
+crawled back to her honourable door-sill.
+
+Don Señor Ildefonso Federico Valdazar, _Juez de la Paz_, weighing
+twenty stone, attempted to convey his bulk to the _pulperia_ at the
+corner of the plaza in order to assuage his matutinal thirst. The first
+plunge of his unshod foot into the cool grass struck a concealed mine.
+Don Ildefonso fell like a crumpled cathedral, crying out that he had
+been fatally bitten by a deadly scorpion. Everywhere were the shoeless
+citizens hopping, stumbling, limping, and picking from their feet the
+venomous insects that had come in a single night to harass them.
+
+The first to perceive the remedy was Estebán Delgado, the barber, a man
+of travel and education. Sitting upon a stone, he plucked burrs from
+his toes, and made oration:
+
+“Behold, my friends, these bugs of the devil! I know them well. They
+soar through the skies in swarms like pigeons. These are the dead ones
+that fell during the night. In Yucatan I have seen them as large as
+oranges. Yes! There they hiss like serpents, and have wings like bats.
+It is the shoes—the shoes that one needs! _Zapatos—zapatos para mi!_”
+
+Estebán hobbled to Mr. Hemstetter’s store, and bought shoes. Coming
+out, he swaggered down the street with impunity, reviling loudly the
+bugs of the devil. The suffering ones sat up or stood upon one foot and
+beheld the immune barber. Men, women and children took up the cry:
+“_Zapatos! zapatos!_”
+
+The necessity for the demand had been created. The demand followed.
+That day Mr. Hemstetter sold three hundred pairs of shoes.
+
+“It is really surprising,” he said to Johnny, who came up in the
+evening to help him straighten out the stock, “how trade is picking up.
+Yesterday I made but three sales.”
+
+“I told you they’d whoop things up when they got started,” said the
+consul.
+
+“I think I shall order a dozen more cases of goods, to keep the stock
+up,” said Mr. Hemstetter, beaming through his spectacles.
+
+“I wouldn’t send in any orders yet,” advised Johnny. “Wait till you see
+how the trade holds up.”
+
+Each night Johnny and Keogh sowed the crop that grew dollars by day. At
+the end of ten days two-thirds of the stock of shoes had been sold; and
+the stock of cockleburrs was exhausted. Johnny cabled to Pink Dawson
+for another 500 pounds, paying twenty cents per pound as before. Mr.
+Hemstetter carefully made up an order for $1500 worth of shoes from
+Northern firms. Johnny hung about the store until this order was ready
+for the mail, and succeeded in destroying it before it reached the
+postoffice.
+
+That night he took Rosine under the mango tree by Goodwin’s porch, and
+confessed everything. She looked him in the eye, and said: “You are a
+very wicked man. Father and I will go back home. You say it was a joke?
+I think it is a very serious matter.”
+
+But at the end of half an hour’s argument the conversation had been
+turned upon a different subject. The two were considering the
+respective merits of pale blue and pink wall paper with which the old
+colonial mansion of the Atwoods in Dalesburg was to be decorated after
+the wedding.
+
+On the next morning Johnny confessed to Mr. Hemstetter. The shoe
+merchant put on his spectacles, and said through them: “You strike me
+as being a most extraordinary young scamp. If I had not managed this
+enterprise with good business judgment my entire stock of goods might
+have been a complete loss. Now, how do you propose to dispose of the
+rest of it?”
+
+When the second invoice of cockleburrs arrived Johnny loaded them and
+the remainder of the shoes into a schooner, and sailed down the coast
+to Alazan.
+
+There, in the same dark and diabolical manner, he repeated his success;
+and came back with a bag of money and not so much as a shoestring.
+
+And then he besought his great Uncle of the waving goatee and starred
+vest to accept his resignation, for the lotus no longer lured him. He
+hankered for the spinach and cress of Dalesburg.
+
+The services of Mr. William Terence Keogh as acting consul, _pro tem._,
+were suggested and accepted, and Johnny sailed with the Hemstetters
+back to his native shores.
+
+Keogh slipped into the sinecure of the American consulship with the
+ease that never left him even in such high places. The tintype
+establishment was soon to become a thing of the past, although its
+deadly work along the peaceful and helpless Spanish Main was never
+effaced. The restless partners were about to be off again, scouting
+ahead of the slow ranks of Fortune. But now they would take different
+ways. There were rumours of a promising uprising in Peru; and thither
+the martial Clancy would turn his adventurous steps. As for Keogh, he
+was figuring in his mind and on quires of Government letter-heads a
+scheme that dwarfed the art of misrepresenting the human countenance
+upon tin.
+
+“What suits me,” Keogh used to say, “in the way of a business
+proposition is something diversified that looks like a longer shot than
+it is—something in the way of a genteel graft that isn’t worked enough
+for the correspondence schools to be teaching it by mail. I take the
+long end; but I like to have at least as good a chance to win as a man
+learning to play poker on an ocean steamer, or running for governor of
+Texas on the Republican ticket. And when I cash in my winnings, I don’t
+want to find any widows’ and orphans’ chips in my stack.”
+
+The grass-grown globe was the green table on which Keogh gambled. The
+games he played were of his own invention. He was no grubber after the
+diffident dollar. Nor did he care to follow it with horn and hounds.
+Rather he loved to coax it with egregious and brilliant flies from its
+habitat in the waters of strange streams. Yet Keogh was a business man;
+and his schemes, in spite of their singularity, were as solidly set as
+the plans of a building contractor. In Arthur’s time Sir William Keogh
+would have been a Knight of the Round Table. In these modern days he
+rides abroad, seeking the Graft instead of the Grail.
+
+Three days after Johnny’s departure, two small schooners appeared off
+Coralio. After some delay a boat put off from one of them, and brought
+a sunburned young man ashore. This young man had a shrewd and
+calculating eye; and he gazed with amazement at the strange things that
+he saw. He found on the beach some one who directed him to the consul’s
+office; and thither he made his way at a nervous gait.
+
+Keogh was sprawled in the official chair, drawing caricatures of his
+Uncle’s head on an official pad of paper. He looked up at his visitor.
+
+“Where’s Johnny Atwood?” inquired the sunburned young man, in a
+business tone.
+
+“Gone,” said Keogh, working carefully at Uncle Sam’s necktie.
+
+“That’s just like him,” remarked the nut-brown one, leaning against the
+table. “He always was a fellow to gallivant around instead of ’tending
+to business. Will he be in soon?”
+
+“Don’t think so,” said Keogh, after a fair amount of deliberation.
+
+“I s’pose he’s out at some of his tomfoolery,” conjectured the visitor,
+in a tone of virtuous conviction. “Johnny never would stick to anything
+long enough to succeed. I wonder how he manages to run his business
+here, and never be ’round to look after it.”
+
+“I’m looking after the business just now,” admitted the _pro tem._
+consul.
+
+“Are you—then, say!—where’s the factory?”
+
+“What factory?” asked Keogh, with a mildly polite interest.
+
+“Why, the factory where they use them cockleburrs. Lord knows what they
+use ’em for, anyway! I’ve got the basements of both them ships out
+there loaded with ’em. I’ll give you a bargain in this lot. I’ve had
+every man, woman and child around Dalesburg that wasn’t busy pickin’
+’em for a month. I hired these ships to bring ’em over. Everybody
+thought I was crazy. Now, you can have this lot for fifteen cents a
+pound, delivered on land. And if you want more I guess old Alabam’ can
+come up to the demand. Johnny told me when he left home that if he
+struck anything down here that there was any money in he’d let me in on
+it. Shall I drive the ships in and hitch?”
+
+A look of supreme, almost incredulous, delight dawned in Keogh’s ruddy
+countenance. He dropped his pencil. His eyes turned upon the sunburned
+young man with joy in them mingled with fear lest his ecstasy should
+prove a dream.
+
+“For God’s sake, tell me,” said Keogh, earnestly, “are you Dink
+Pawson?”
+
+“My name is Pinkney Dawson,” said the cornerer of the cockleburr
+market.
+
+Billy Keogh slid rapturously and gently from his chair to his favourite
+strip of matting on the floor.
+
+There were not many sounds in Coralio on that sultry afternoon. Among
+those that were may be mentioned a noise of enraptured and unrighteous
+laughter from a prostrate Irish-American, while a sunburned young man,
+with a shrewd eye, looked on him with wonder and amazement. Also the
+“tramp, tramp, tramp” of many well-shod feet in the streets outside.
+Also the lonesome wash of the waves that beat along the historic shores
+of the Spanish Main.
+
+
+
+
+XIV
+MASTERS OF ARTS
+
+
+A two-inch stub of a blue pencil was the wand with which Keogh
+performed the preliminary acts of his magic. So, with this he covered
+paper with diagrams and figures while he waited for the United States
+of America to send down to Coralio a successor to Atwood, resigned.
+
+The new scheme that his mind had conceived, his stout heart indorsed,
+and his blue pencil corroborated, was laid around the characteristics
+and human frailties of the new president of Anchuria. These
+characteristics, and the situation out of which Keogh hoped to wrest a
+golden tribute, deserve chronicling contributive to the clear order of
+events.
+
+President Losada—many called him Dictator—was a man whose genius would
+have made him conspicuous even among Anglo-Saxons, had not that genius
+been intermixed with other traits that were petty and subversive. He
+had some of the lofty patriotism of Washington (the man he most
+admired), the force of Napoleon, and much of the wisdom of the sages.
+These characteristics might have justified him in the assumption of the
+title of “The Illustrious Liberator,” had they not been accompanied by
+a stupendous and amazing vanity that kept him in the less worthy ranks
+of the dictators.
+
+Yet he did his country great service. With a mighty grasp he shook it
+nearly free from the shackles of ignorance and sloth and the vermin
+that fed upon it, and all but made it a power in the council of
+nations. He established schools and hospitals, built roads, bridges,
+railroads and palaces, and bestowed generous subsidies upon the arts
+and sciences. He was the absolute despot and the idol of his people.
+The wealth of the country poured into his hands. Other presidents had
+been rapacious without reason. Losada amassed enormous wealth, but his
+people had their share of the benefits.
+
+The joint in his armour was his insatiate passion for monuments and
+tokens commemorating his glory. In every town he caused to be erected
+statues of himself bearing legends in praise of his greatness. In the
+walls of every public edifice, tablets were fixed reciting his
+splendour and the gratitude of his subjects. His statuettes and
+portraits were scattered throughout the land in every house and hut.
+One of the sycophants in his court painted him as St. John, with a halo
+and a train of attendants in full uniform. Losada saw nothing
+incongruous in this picture, and had it hung in a church in the
+capital. He ordered from a French sculptor a marble group including
+himself with Napoleon, Alexander the Great, and one or two others whom
+he deemed worthy of the honour.
+
+He ransacked Europe for decorations, employing policy, money and
+intrigue to cajole the orders he coveted from kings and rulers. On
+state occasions his breast was covered from shoulder to shoulder with
+crosses, stars, golden roses, medals and ribbons. It was said that the
+man who could contrive for him a new decoration, or invent some new
+method of extolling his greatness, might plunge a hand deep into the
+treasury.
+
+This was the man upon whom Billy Keogh had his eye. The gentle
+buccaneer had observed the rain of favors that fell upon those who
+ministered to the president’s vanities, and he did not deem it his duty
+to hoist his umbrella against the scattering drops of liquid fortune.
+
+In a few weeks the new consul arrived, releasing Keogh from his
+temporary duties. He was a young man fresh from college, who lived for
+botany alone. The consulate at Coralio gave him the opportunity to
+study tropical flora. He wore smoked glasses, and carried a green
+umbrella. He filled the cool, back porch of the consulate with plants
+and specimens so that space for a bottle and chair was not to be found.
+Keogh gazed on him sadly, but without rancour, and began to pack his
+gripsack. For his new plot against stagnation along the Spanish Main
+required of him a voyage overseas.
+
+Soon came the _Karlsefin_ again—she of the trampish habits—gleaning a
+cargo of cocoanuts for a speculative descent upon the New York market.
+Keogh was booked for a passage on the return trip.
+
+“Yes, I’m going to New York,” he explained to the group of his
+countrymen that had gathered on the beach to see him off. “But I’ll be
+back before you miss me. I’ve undertaken the art education of this
+piebald country, and I’m not the man to desert it while it’s in the
+early throes of tintypes.”
+
+With this mysterious declaration of his intentions Keogh boarded the
+_Karlsefin_.
+
+Ten days later, shivering, with the collar of his thin coat turned
+high, he burst into the studio of Carolus White at the top of a tall
+building in Tenth Street, New York City.
+
+Carolus White was smoking a cigarette and frying sausages over an oil
+stove. He was only twenty-three, and had noble theories about art.
+
+“Billy Keogh!” exclaimed White, extending the hand that was not busy
+with the frying pan. “From what part of the uncivilized world, I
+wonder!”
+
+“Hello, Carry,” said Keogh, dragging forward a stool, and holding his
+fingers close to the stove. “I’m glad I found you so soon. I’ve been
+looking for you all day in the directories and art galleries. The
+free-lunch man on the corner told me where you were, quick. I was sure
+you’d be painting pictures yet.”
+
+Keogh glanced about the studio with the shrewd eye of a connoisseur in
+business.
+
+“Yes, you can do it,” he declared, with many gentle nods of his head.
+“That big one in the corner with the angels and green clouds and
+band-wagon is just the sort of thing we want. What would you call that,
+Carry—scene from Coney Island, ain’t it?”
+
+“That,” said White, “I had intended to call ‘The Translation of
+Elijah,’ but you may be nearer right than I am.”
+
+“Name doesn’t matter,” said Keogh, largely; “it’s the frame and the
+varieties of paint that does the trick. Now, I can tell you in a minute
+what I want. I’ve come on a little voyage of two thousand miles to take
+you in with me on a scheme. I thought of you as soon as the scheme
+showed itself to me. How would you like to go back with me and paint a
+picture? Ninety days for the trip, and five thousand dollars for the
+job.”
+
+“Cereal food or hair-tonic posters?” asked White.
+
+“It isn’t an ad.”
+
+“What kind of a picture is it to be?”
+
+“It’s a long story,” said Keogh.
+
+“Go ahead with it. If you don’t mind, while you talk I’ll just keep my
+eye on these sausages. Let ’em get one shade deeper than a Vandyke
+brown and you spoil ’em.”
+
+Keogh explained his project. They were to return to Coralio, where
+White was to pose as a distinguished American portrait painter who was
+touring in the tropics as a relaxation from his arduous and
+remunerative professional labours. It was not an unreasonable hope,
+even to those who had trod in the beaten paths of business, that an
+artist with so much prestige might secure a commission to perpetuate
+upon canvas the lineaments of the president, and secure a share of the
+_pesos_ that were raining upon the caterers to his weaknesses.
+
+Keogh had set his price at ten thousand dollars. Artists had been paid
+more for portraits. He and White were to share the expenses of the
+trip, and divide the possible profits. Thus he laid the scheme before
+White, whom he had known in the West before one declared for Art and
+the other became a Bedouin.
+
+Before long the two machinators abandoned the rigour of the bare studio
+for a snug corner of a café. There they sat far into the night, with
+old envelopes and Keogh’s stub of blue pencil between them.
+
+At twelve o’clock White doubled up in his chair, with his chin on his
+fist, and shut his eyes at the unbeautiful wall-paper.
+
+“I’ll go you, Billy,” he said, in the quiet tones of decision. “I’ve
+got two or three hundred saved up for sausages and rent; and I’ll take
+the chance with you. Five thousand! It will give me two years in Paris
+and one in Italy. I’ll begin to pack to-morrow.”
+
+“You’ll begin in ten minutes,” said Keogh. “It’s to-morrow now. The
+_Karlsefin_ starts back at four P.M. Come on to your painting shop, and
+I’ll help you.”
+
+For five months in the year Coralio is the Newport of Anchuria. Then
+only does the town possess life. From November to March it is
+practically the seat of government. The president with his official
+family sojourns there; and society follows him. The pleasure-loving
+people make the season one long holiday of amusement and rejoicing.
+_Fiestas_, balls, games, sea bathing, processions and small theatres
+contribute to their enjoyment. The famous Swiss band from the capital
+plays in the little plaza every evening, while the fourteen carriages
+and vehicles in the town circle in funereal but complacent procession.
+Indians from the interior mountains, looking like prehistoric stone
+idols, come down to peddle their handiwork in the streets. The people
+throng the narrow ways, a chattering, happy, careless stream of buoyant
+humanity. Preposterous children rigged out with the shortest of ballet
+skirts and gilt wings, howl, underfoot, among the effervescent crowds.
+Especially is the arrival of the presidential party, at the opening of
+the season, attended with pomp, show and patriotic demonstrations of
+enthusiasm and delight.
+
+When Keogh and White reached their destination, on the return trip of
+the _Karlsefin_, the gay winter season was well begun. As they stepped
+upon the beach they could hear the band playing in the plaza. The
+village maidens, with fireflies already fixed in their dark locks, were
+gliding, barefoot and coy-eyed, along the paths. Dandies in white
+linen, swinging their canes, were beginning their seductive strolls.
+The air was full of human essence, of artificial enticement, of
+coquetry, indolence, pleasure—the man-made sense of existence.
+
+The first two or three days after their arrival were spent in
+preliminaries. Keogh escorted the artist about town, introducing him to
+the little circle of English-speaking residents and pulling whatever
+wires he could to effect the spreading of White’s fame as a painter.
+And then Keogh planned a more spectacular demonstration of the idea he
+wished to keep before the public.
+
+He and White engaged rooms in the Hotel de los Estranjeros. The two
+were clad in new suits of immaculate duck, with American straw hats,
+and carried canes of remarkable uniqueness and inutility. Few
+caballeros in Coralio—even the gorgeously uniformed officers of the
+Anchurian army—were as conspicuous for ease and elegance of demeanour
+as Keogh and his friend, the great American painter, Señor White.
+
+White set up his easel on the beach and made striking sketches of the
+mountain and sea views. The native population formed at his rear in a
+vast, chattering semicircle to watch his work. Keogh, with his care for
+details, had arranged for himself a pose which he carried out with
+fidelity. His rôle was that of friend to the great artist, a man of
+affairs and leisure. The visible emblem of his position was a pocket
+camera.
+
+“For branding the man who owns it,” said he, “a genteel dilettante with
+a bank account and an easy conscience, a steam-yacht ain’t in it with a
+camera. You see a man doing nothing but loafing around making
+snap-shots, and you know right away he reads up well in ‘Bradstreet.’
+You notice these old millionaire boys—soon as they get through taking
+everything else in sight they go to taking photographs. People are more
+impressed by a kodak than they are by a title or a four-carat
+scarf-pin.” So Keogh strolled blandly about Coralio, snapping the
+scenery and the shrinking señoritas, while White posed conspicuously in
+the higher regions of art.
+
+Two weeks after their arrival, the scheme began to bear fruit. An
+aide-de-camp of the president drove to the hotel in a dashing victoria.
+The president desired that Señor White come to the Casa Morena for an
+informal interview.
+
+Keogh gripped his pipe tightly between his teeth. “Not a cent less than
+ten thousand,” he said to the artist—“remember the price. And in gold
+or its equivalent—don’t let him stick you with this bargain-counter
+stuff they call money here.”
+
+“Perhaps it isn’t that he wants,” said White.
+
+“Get out!” said Keogh, with splendid confidence. “I know what he wants.
+He wants his picture painted by the celebrated young American painter
+and filibuster now sojourning in his down-trodden country. Off you go.”
+
+The victoria sped away with the artist. Keogh walked up and down,
+puffing great clouds of smoke from his pipe, and waited. In an hour the
+victoria swept again to the door of the hotel, deposited White, and
+vanished. The artist dashed up the stairs, three at a step. Keogh
+stopped smoking, and became a silent interrogation point.
+
+“Landed,” exclaimed White, with his boyish face flushed with elation.
+“Billy, you are a wonder. He wants a picture. I’ll tell you all about
+it. By Heavens! that dictator chap is a corker! He’s a dictator clear
+down to his finger-ends. He’s a kind of combination of Julius Cæsar,
+Lucifer and Chauncey Depew done in sepia. Polite and grim—that’s his
+way. The room I saw him in was about ten acres big, and looked like a
+Mississippi steamboat with its gilding and mirrors and white paint. He
+talks English better than I can ever hope to. The matter of the price
+came up. I mentioned ten thousand. I expected him to call the guard and
+have me taken out and shot. He didn’t move an eyelash. He just waved
+one of his chestnut hands in a careless way, and said, ‘Whatever you
+say.’ I am to go back to-morrow and discuss with him the details of the
+picture.”
+
+Keogh hung his head. Self-abasement was easy to read in his downcast
+countenance.
+
+“I’m failing, Carry,” he said, sorrowfully. “I’m not fit to handle
+these man’s-size schemes any longer. Peddling oranges in a push-cart is
+about the suitable graft for me. When I said ten thousand, I swear I
+thought I had sized up that brown man’s limit to within two cents. He’d
+have melted down for fifteen thousand just as easy. Say—Carry—you’ll
+see old man Keogh safe in some nice, quiet idiot asylum, won’t you, if
+he makes a break like that again?”
+
+The Casa Morena, although only one story in height, was a building of
+brown stone, luxurious as a palace in its interior. It stood on a low
+hill in a walled garden of splendid tropical flora at the upper edge of
+Coralio. The next day the president’s carriage came again for the
+artist. Keogh went out for a walk along the beach, where he and his
+“picture box” were now familiar sights. When he returned to the hotel
+White was sitting in a steamer-chair on the balcony.
+
+“Well,” said Keogh, “did you and His Nibs decide on the kind of a
+chromo he wants?”
+
+White got up and walked back and forth on the balcony a few times. Then
+he stopped, and laughed strangely. His face was flushed, and his eyes
+were bright with a kind of angry amusement.
+
+“Look here, Billy,” he said, somewhat roughly, “when you first came to
+me in my studio and mentioned a picture, I thought you wanted a Smashed
+Oats or a Hair Tonic poster painted on a range of mountains or the side
+of a continent. Well, either of those jobs would have been Art in its
+highest form compared to the one you’ve steered me against. I can’t
+paint that picture, Billy. You’ve got to let me out. Let me try to tell
+you what that barbarian wants. He had it all planned out and even a
+sketch made of his idea. The old boy doesn’t draw badly at all. But, ye
+goddesses of Art! listen to the monstrosity he expects me to paint. He
+wants himself in the centre of the canvas, of course. He is to be
+painted as Jupiter sitting on Olympus, with the clouds at his feet. At
+one side of him stands George Washington, in full regimentals, with his
+hand on the president’s shoulder. An angel with outstretched wings
+hovers overhead, and is placing a laurel wreath on the president’s
+head, crowning him—Queen of the May, I suppose. In the background is to
+be cannon, more angels and soldiers. The man who would paint that
+picture would have to have the soul of a dog, and would deserve to go
+down into oblivion without even a tin can tied to his tail to sound his
+memory.”
+
+Little beads of moisture crept out all over Billy Keogh’s brow. The
+stub of his blue pencil had not figured out a contingency like this.
+The machinery of his plan had run with flattering smoothness until now.
+He dragged another chair upon the balcony, and got White back to his
+seat. He lit his pipe with apparent calm.
+
+“Now, sonny,” he said, with gentle grimness, “you and me will have an
+Art to Art talk. You’ve got your art and I’ve got mine. Yours is the
+real Pierian stuff that turns up its nose at bock-beer signs and
+oleographs of the Old Mill. Mine’s the art of Business. This was my
+scheme, and it worked out like two-and-two. Paint that president man as
+Old King Cole, or Venus, or a landscape, or a fresco, or a bunch of
+lilies, or anything he thinks he looks like. But get the paint on the
+canvas and collect the spoils. You wouldn’t throw me down, Carry, at
+this stage of the game. Think of that ten thousand.”
+
+“I can’t help thinking of it,” said White, “and that’s what hurts. I’m
+tempted to throw every ideal I ever had down in the mire, and steep my
+soul in infamy by painting that picture. That five thousand meant three
+years of foreign study to me, and I’d almost sell my soul for that.”
+
+“Now it ain’t as bad as that,” said Keogh, soothingly. “It’s a business
+proposition. It’s so much paint and time against money. I don’t fall in
+with your idea that that picture would so everlastingly jolt the art
+side of the question. George Washington was all right, you know, and
+nobody could say a word against the angel. I don’t think so bad of that
+group. If you was to give Jupiter a pair of epaulets and a sword, and
+kind of work the clouds around to look like a blackberry patch, it
+wouldn’t make such a bad battle scene. Why, if we hadn’t already
+settled on the price, he ought to pay an extra thousand for Washington,
+and the angel ought to raise it five hundred.”
+
+“You don’t understand, Billy,” said White, with an uneasy laugh. “Some
+of us fellows who try to paint have big notions about Art. I wanted to
+paint a picture some day that people would stand before and forget that
+it was made of paint. I wanted it to creep into them like a bar of
+music and mushroom there like a soft bullet. And I wanted ’em to go
+away and ask, ‘What else has he done?’ And I didn’t want ’em to find a
+thing; not a portrait nor a magazine cover nor an illustration nor a
+drawing of a girl—nothing but _the_ picture. That’s why I’ve lived on
+fried sausages, and tried to keep true to myself. I persuaded myself to
+do this portrait for the chance it might give me to study abroad. But
+this howling, screaming caricature! Good Lord! can’t you see how it
+is?”
+
+“Sure,” said Keogh, as tenderly as he would have spoken to a child, and
+he laid a long forefinger on White’s knee. “I see. It’s bad to have
+your art all slugged up like that. I know. You wanted to paint a big
+thing like the panorama of the battle of Gettysburg. But let me
+kalsomine you a little mental sketch to consider. Up to date we’re out
+$385.50 on this scheme. Our capital took every cent both of us could
+raise. We’ve got about enough left to get back to New York on. I need
+my share of that ten thousand. I want to work a copper deal in Idaho,
+and make a hundred thousand. That’s the business end of the thing. Come
+down off your art perch, Carry, and let’s land that hatful of dollars.”
+
+“Billy,” said White, with an effort, “I’ll try. I won’t say I’ll do it,
+but I’ll try. I’ll go at it, and put it through if I can.”
+
+“That’s business,” said Keogh heartily. “Good boy! Now, here’s another
+thing—rush that picture—crowd it through as quick as you can. Get a
+couple of boys to help you mix the paint if necessary. I’ve picked up
+some pointers around town. The people here are beginning to get sick of
+Mr. President. They say he’s been too free with concessions; and they
+accuse him of trying to make a dicker with England to sell out the
+country. We want that picture done and paid for before there’s any
+row.”
+
+In the great _patio_ of Casa Morena, the president caused to be
+stretched a huge canvas. Under this White set up his temporary studio.
+For two hours each day the great man sat to him.
+
+White worked faithfully. But, as the work progressed, he had seasons of
+bitter scorn, of infinite self-contempt, of sullen gloom and sardonic
+gaiety. Keogh, with the patience of a great general, soothed, coaxed,
+argued—kept him at the picture.
+
+At the end of a month White announced that the picture was
+completed—Jupiter, Washington, angels, clouds, cannon and all. His face
+was pale and his mouth drawn straight when he told Keogh. He said the
+president was much pleased with it. It was to be hung in the National
+Gallery of Statesmen and Heroes. The artist had been requested to
+return to Casa Morena on the following day to receive payment. At the
+appointed time he left the hotel, silent under his friend’s joyful talk
+of their success.
+
+An hour later he walked into the room where Keogh was waiting, threw
+his hat on the floor, and sat upon the table.
+
+“Billy,” he said, in strained and labouring tones, “I’ve a little money
+out West in a small business that my brother is running. It’s what I’ve
+been living on while I’ve been studying art. I’ll draw out my share and
+pay you back what you’ve lost on this scheme.”
+
+“Lost!” exclaimed Keogh, jumping up. “Didn’t you get paid for the
+picture?”
+
+“Yes, I got paid,” said White. “But just now there isn’t any picture,
+and there isn’t any pay. If you care to hear about it, here are the
+edifying details. The president and I were looking at the painting. His
+secretary brought a bank draft on New York for ten thousand dollars and
+handed it to me. The moment I touched it I went wild. I tore it into
+little pieces and threw them on the floor. A workman was repainting the
+pillars inside the _patio_. A bucket of his paint happened to be
+convenient. I picked up his brush and slapped a quart of blue paint all
+over that ten-thousand-dollar nightmare. I bowed, and walked out. The
+president didn’t move or speak. That was one time he was taken by
+surprise. It’s tough on you, Billy, but I couldn’t help it.”
+
+There seemed to be excitement in Coralio. Outside there was a confused,
+rising murmur pierced by high-pitched cries. “_Bajo el traidor—Muerte
+el traidor!_” were the words they seemed to form.
+
+“Listen to that!” exclaimed White, bitterly: “I know that much Spanish.
+They’re shouting, ‘Down with the traitor!’ I heard them before. I felt
+that they meant me. I was a traitor to Art. The picture had to go.”
+
+“‘Down with the blank fool’ would have suited your case better,” said
+Keogh, with fiery emphasis. “You tear up ten thousand dollars like an
+old rag because the way you’ve spread on five dollars’ worth of paint
+hurts your conscience. Next time I pick a side-partner in a scheme the
+man has got to go before a notary and swear he never even heard the
+word ‘ideal’ mentioned.”
+
+Keogh strode from the room, white-hot. White paid little attention to
+his resentment. The scorn of Billy Keogh seemed a trifling thing beside
+the greater self-scorn he had escaped.
+
+In Coralio the excitement waxed. An outburst was imminent. The cause of
+this demonstration of displeasure was the presence in the town of a
+big, pink-cheeked Englishman, who, it was said, was an agent of his
+government come to clinch the bargain by which the president placed his
+people in the hands of a foreign power. It was charged that not only
+had he given away priceless concessions, but that the public debt was
+to be transferred into the hands of the English, and the custom-houses
+turned over to them as a guarantee. The long-enduring people had
+determined to make their protest felt.
+
+On that night, in Coralio and in other towns, their ire found vent.
+Yelling mobs, mercurial but dangerous, roamed the streets. They
+overthrew the great bronze statue of the president that stood in the
+centre of the plaza, and hacked it to shapeless pieces. They tore from
+public buildings the tablets set there proclaiming the glory of the
+“Illustrious Liberator.” His pictures in the government offices were
+demolished. The mobs even attacked the Casa Morena, but were driven
+away by the military, which remained faithful to the executive. All the
+night terror reigned.
+
+The greatness of Losada was shown by the fact that by noon the next day
+order was restored, and he was still absolute. He issued proclamations
+denying positively that any negotiations of any kind had been entered
+into with England. Sir Stafford Vaughn, the pink-cheeked Englishman,
+also declared in placards and in public print that his presence there
+had no international significance. He was a traveller without guile. In
+fact (so he stated), he had not even spoken with the president or been
+in his presence since his arrival.
+
+During this disturbance, White was preparing for his homeward voyage in
+the steamship that was to sail within two or three days. About noon,
+Keogh, the restless, took his camera out with the hope of speeding the
+lagging hours. The town was now as quiet as if peace had never departed
+from her perch on the red-tiled roofs.
+
+About the middle of the afternoon, Keogh hurried back to the hotel with
+something decidedly special in his air. He retired to the little room
+where he developed his pictures.
+
+Later on he came out to White on the balcony, with a luminous, grim,
+predatory smile on his face.
+
+“Do you know what that is?” he asked, holding up a 4 × 5 photograph
+mounted on cardboard.
+
+“Snap-shot of a señorita sitting in the sand—alliteration
+unintentional,” guessed White, lazily.
+
+“Wrong,” said Keogh with shining eyes. “It’s a slung-shot. It’s a can
+of dynamite. It’s a gold mine. It’s a sight-draft on your president man
+for twenty thousand dollars—yes, sir—twenty thousand this time, and no
+spoiling the picture. No ethics of art in the way. Art! You with your
+smelly little tubes! I’ve got you skinned to death with a kodak. Take a
+look at that.”
+
+White took the picture in his hand, and gave a long whistle.
+
+“Jove!” he exclaimed, “but wouldn’t that stir up a row in town if you
+let it be seen. How in the world did you get it, Billy?”
+
+“You know that high wall around the president man’s back garden? I was
+up there trying to get a bird’s-eye of the town. I happened to notice a
+chink in the wall where a stone and a lot of plaster had slid out.
+Thinks I, I’ll take a peep through to see how Mr. President’s cabbages
+are growing. The first thing I saw was him and this Sir Englishman
+sitting at a little table about twenty feet away. They had the table
+all spread over with documents, and they were hobnobbing over them as
+thick as two pirates. ’Twas a nice corner of the garden, all private
+and shady with palms and orange trees, and they had a pail of champagne
+set by handy in the grass. I knew then was the time for me to make my
+big hit in Art. So I raised the machine up to the crack, and pressed
+the button. Just as I did so them old boys shook hands on the deal—you
+see they took that way in the picture.”
+
+Keogh put on his coat and hat.
+
+“What are you going to do with it?” asked White.
+
+“Me,” said Keogh in a hurt tone, “why, I’m going to tie a pink ribbon
+to it and hang it on the what-not, of course. I’m surprised at you. But
+while I’m out you just try to figure out what ginger-cake potentate
+would be most likely to want to buy this work of art for his private
+collection—just to keep it out of circulation.”
+
+The sunset was reddening the tops of the cocoanut palms when Billy
+Keogh came back from Casa Morena. He nodded to the artist’s questioning
+gaze; and lay down on a cot with his hands under the back of his head.
+
+“I saw him. He paid the money like a little man. They didn’t want to
+let me in at first. I told ’em it was important. Yes, that president
+man is on the plenty-able list. He’s got a beautiful business system
+about the way he uses his brains. All I had to do was to hold up the
+photograph so he could see it, and name the price. He just smiled, and
+walked over to a safe and got the cash. Twenty one-thousand-dollar
+brand-new United States Treasury notes he laid on the table, like I’d
+pay out a dollar and a quarter. Fine notes, too—they crackled with a
+sound like burning the brush off a ten-acre lot.”
+
+“Let’s try the feel of one,” said White, curiously. “I never saw a
+thousand-dollar bill.” Keogh did not immediately respond.
+
+“Carry,” he said, in an absent-minded way, “you think a heap of your
+art, don’t you?”
+
+“More,” said White, frankly, “than has been for the financial good of
+myself and my friends.”
+
+“I thought you were a fool the other day,” went on Keogh, quietly, “and
+I’m not sure now that you wasn’t. But if you was, so am I. I’ve been in
+some funny deals, Carry, but I’ve always managed to scramble fair, and
+match my brains and capital against the other fellow’s. But when it
+comes to—well, when you’ve got the other fellow cinched, and the screws
+on him, and he’s got to put up—why, it don’t strike me as being a man’s
+game. They’ve got a name for it, you know; it’s—confound you, don’t you
+understand? A fellow feels—it’s something like that blamed art of
+yours—he—well, I tore that photograph up and laid the pieces on that
+stack of money and shoved the whole business back across the table.
+‘Excuse me, Mr. Losada,’ I said, ‘but I guess I’ve made a mistake in
+the price. You get the photo for nothing.’ Now, Carry, you get out the
+pencil, and we’ll do some more figuring. I’d like to save enough out of
+our capital for you to have some fried sausages in your joint when you
+get back to New York.”
+
+
+
+
+XV
+DICKY
+
+
+There is little consecutiveness along the Spanish Main. Things happen
+there intermittently. Even Time seems to hang his scythe daily on the
+branch of an orange tree while he takes a siesta and a cigarette.
+
+After the ineffectual revolt against the administration of President
+Losada, the country settled again into quiet toleration of the abuses
+with which he had been charged. In Coralio old political enemies went
+arm-in-arm, lightly eschewing for the time all differences of opinion.
+
+The failure of the art expedition did not stretch the cat-footed Keogh
+upon his back. The ups and downs of Fortune made smooth travelling for
+his nimble steps. His blue pencil stub was at work again before the
+smoke of the steamer on which White sailed had cleared away from the
+horizon. He had but to speak a word to Geddie to find his credit
+negotiable for whatever goods he wanted from the store of Brannigan &
+Company. On the same day on which White arrived in New York Keogh, at
+the rear of a train of five pack mules loaded with hardware and
+cutlery, set his face toward the grim, interior mountains. There the
+Indian tribes wash gold dust from the auriferous streams; and when a
+market is brought to them trading is brisk and _muy bueno_ in the
+Cordilleras.
+
+In Coralio Time folded his wings and paced wearily along his drowsy
+path. They who had most cheered the torpid hours were gone. Clancy had
+sailed on a Spanish barque for Colon, contemplating a cut across the
+isthmus and then a further voyage to end at Calao, where the fighting
+was said to be on. Geddie, whose quiet and genial nature had once
+served to mitigate the frequent dull reaction of lotus eating, was now
+a home-man, happy with his bright orchid, Paula, and never even
+dreaming of or regretting the unsolved, sealed and monogramed Bottle
+whose contents, now inconsiderable, were held safely in the keeping of
+the sea.
+
+Well may the Walrus, most discerning and eclectic of beasts, place
+sealing-wax midway on his programme of topics that fall pertinent and
+diverting upon the ear.
+
+Atwood was gone—he of the hospitable back porch and ingenuous cunning.
+Dr. Gregg, with his trepanning story smouldering within him, was a
+whiskered volcano, always showing signs of imminent eruption, and was
+not to be considered in the ranks of those who might contribute to the
+amelioration of ennui. The new consul’s note chimed with the sad sea
+waves and the violent tropical greens—he had not a bar of Scheherezade
+or of the Round Table in his lute. Goodwin was employed with large
+projects: what time he was loosed from them found him at his home,
+where he loved to be. Therefore it will be seen that there was a dearth
+of fellowship and entertainment among the foreign contingent of
+Coralio.
+
+And then Dicky Maloney dropped down from the clouds upon the town, and
+amused it.
+
+Nobody knew where Dicky Maloney hailed from or how he reached Coralio.
+He appeared there one day; and that was all. He afterward said that he
+came on the fruit steamer _Thor_; but an inspection of the _Thor’s_
+passenger list of that date was found to be Maloneyless. Curiosity,
+however, soon perished; and Dicky took his place among the odd fish
+cast up by the Caribbean.
+
+He was an active, devil-may-care, rollicking fellow with an engaging
+gray eye, the most irresistible grin, a rather dark or much sunburned
+complexion, and a head of the fieriest red hair ever seen in that
+country. Speaking the Spanish language as well as he spoke English, and
+seeming always to have plenty of silver in his pockets, it was not long
+before he was a welcome companion whithersoever he went. He had an
+extreme fondness for _vino blanco_, and gained the reputation of being
+able to drink more of it than any three men in town. Everybody called
+him “Dicky”; everybody cheered up at the sight of him—especially the
+natives, to whom his marvellous red hair and his free-and-easy style
+were a constant delight and envy. Wherever you went in the town you
+would soon see Dicky or hear his genial laugh, and find around him a
+group of admirers who appreciated him both for his good nature and the
+white wine he was always so ready to buy.
+
+A considerable amount of speculation was had concerning the object of
+his sojourn there, until one day he silenced this by opening a small
+shop for the sale of tobacco, _dulces_ and the handiwork of the
+interior Indians—fibre-and-silk-woven goods, deerskin _zapatos_ and
+basketwork of _tule_ reeds. Even then he did not change his habits; for
+he was drinking and playing cards half the day and night with the
+_comandante_, the collector of customs, the _Jefe Politico_ and other
+gay dogs among the native officials.
+
+One day Dicky saw Pasa, the daughter of Madama Ortiz, sitting in the
+side-door of the Hotel de los Estranjeros. He stopped in his tracks,
+still, for the first time in Coralio; and then he sped, swift as a
+deer, to find Vasquez, a gilded native youth, to present him.
+
+The young men had named Pasa “_La Santita Naranjadita_.” _Naranjadita_
+is a Spanish word for a certain colour that you must go to more trouble
+to describe in English. By saying “The little saint, tinted the most
+beautiful-delicate-slightly-orange-golden,” you will approximate the
+description of Madama Ortiz’s daughter.
+
+La Madama Ortiz sold rum in addition to other liquors. Now, you must
+know that the rum expiates whatever opprobrium attends upon the other
+commodities. For rum-making, mind you, is a government monopoly; and to
+keep a government dispensary assures respectability if not preëminence.
+Moreover, the saddest of precisians could find no fault with the
+conduct of the shop. Customers drank there in the lowest of spirits and
+fearsomely, as in the shadow of the dead; for Madama’s ancient and
+vaunted lineage counteracted even the rum’s behest to be merry. For,
+was she not of the Iglesias, who landed with Pizarro? And had not her
+deceased husband been _comisionado de caminos y puentes_ for the
+district?
+
+In the evenings Pasa sat by the window in the room next to the one
+where they drank, and strummed dreamily upon her guitar. And then, by
+twos and threes, would come visiting young caballeros and occupy the
+prim line of chairs set against the wall of this room. They were there
+to besiege the heart of “_La Santita_.” Their method (which is not
+proof against intelligent competition) consisted of expanding the
+chest, looking valorous, and consuming a gross or two of cigarettes.
+Even saints delicately oranged prefer to be wooed differently.
+
+Doña Pasa would tide over the vast chasms of nicotinized silence with
+music from her guitar, while she wondered if the romances she had read
+about gallant and more—more contiguous cavaliers were all lies. At
+somewhat regular intervals Madama would glide in from the dispensary
+with a sort of drought-suggesting gleam in her eye, and there would be
+a rustling of stiffly-starched white trousers as one of the caballeros
+would propose an adjournment to the bar.
+
+That Dicky Maloney would, sooner or later, explore this field was a
+thing to be foreseen. There were few doors in Coralio into which his
+red head had not been poked.
+
+In an incredibly short space of time after his first sight of her he
+was there, seated close beside her rocking chair. There were no
+back-against-the-wall poses in Dicky’s theory of wooing. His plan of
+subjection was an attack at close range. To carry the fortress with one
+concentrated, ardent, eloquent, irresistible _escalade_—that was
+Dicky’s way.
+
+Pasa was descended from the proudest Spanish families in the country.
+Moreover, she had had unusual advantages. Two years in a New Orleans
+school had elevated her ambitions and fitted her for a fate above the
+ordinary maidens of her native land. And yet here she succumbed to the
+first red-haired scamp with a glib tongue and a charming smile that
+came along and courted her properly.
+
+Very soon Dicky took her to the little church on the corner of the
+plaza, and “Mrs. Maloney” was added to her string of distinguished
+names.
+
+And it was her fate to sit, with her patient, saintly eyes and figure
+like a bisque Psyche, behind the sequestered counter of the little
+shop, while Dicky drank and philandered with his frivolous
+acquaintances.
+
+The women, with their naturally fine instinct, saw a chance for
+vivisection, and delicately taunted her with his habits. She turned
+upon them in a beautiful, steady blaze of sorrowful contempt.
+
+“You meat-cows,” she said, in her level, crystal-clear tones; “you know
+nothing of a man. Your men are _maromeros_. They are fit only to roll
+cigarettes in the shade until the sun strikes and shrivels them up.
+They drone in your hammocks and you comb their hair and feed them with
+fresh fruit. My man is of no such blood. Let him drink of the wine.
+When he has taken sufficient of it to drown one of your _flaccitos_ he
+will come home to me more of a man than one thousand of your
+_pobrecitos_. _My_ hair he smooths and braids; to me he sings; he
+himself removes my _zapatos_, and there, there, upon each instep leaves
+a kiss. He holds— Oh, you will never understand! Blind ones who have
+never known a _man_.”
+
+Sometimes mysterious things happened at night about Dicky’s shop. While
+the front of it was dark, in the little room back of it Dicky and a few
+of his friends would sit about a table carrying on some kind of very
+quiet _negocios_ until quite late. Finally he would let them out the
+front door very carefully, and go upstairs to his little saint. These
+visitors were generally conspirator-like men with dark clothes and
+hats. Of course, these dark doings were noticed after a while, and
+talked about.
+
+Dicky seemed to care nothing at all for the society of the alien
+residents of the town. He avoided Goodwin, and his skilful escape from
+the trepanning story of Dr. Gregg is still referred to, in Coralio, as
+a masterpiece of lightning diplomacy.
+
+Many letters arrived, addressed to “Mr. Dicky Maloney,” or “Señor
+Dickee Maloney,” to the considerable pride of Pasa. That so many people
+should desire to write to him only confirmed her own suspicion that the
+light from his red head shone around the world. As to their contents
+she never felt curiosity. There was a wife for you!
+
+The one mistake Dicky made in Coralio was to run out of money at the
+wrong time. Where his money came from was a puzzle, for the sales of
+his shop were next to nothing, but that source failed, and at a
+peculiarly unfortunate time. It was when the _comandante_, Don Señor el
+Coronel Encarnación Rios, looked upon the little saint seated in the
+shop and felt his heart go pitapat.
+
+The _comandante_, who was versed in all the intricate arts of
+gallantry, first delicately hinted at his sentiments by donning his
+dress uniform and strutting up and down fiercely before her window.
+Pasa, glancing demurely with her saintly eyes, instantly perceived his
+resemblance to her parrot, Chichi, and was diverted to the extent of a
+smile. The _comandante_ saw the smile, which was not intended for him.
+Convinced of an impression made, he entered the shop, confidently, and
+advanced to open compliment. Pasa froze; he pranced; she flamed
+royally; he was charmed to injudicious persistence; she commanded him
+to leave the shop; he tried to capture her hand,—and Dicky entered,
+smiling broadly, full of white wine and the devil.
+
+He spent five minutes in punishing the _comandante_ scientifically and
+carefully, so that the pain might be prolonged as far as possible. At
+the end of that time he pitched the rash wooer out the door upon the
+stones of the street, senseless.
+
+A barefooted policeman who had been watching the affair from across the
+street blew a whistle. A squad of four soldiers came running from the
+_cuartel_ around the corner. When they saw that the offender was Dicky,
+they stopped, and blew more whistles, which brought out reënforcements
+of eight. Deeming the odds against them sufficiently reduced, the
+military advanced upon the disturber.
+
+Dicky, being thoroughly imbued with the martial spirit, stooped and
+drew the _comandante’s_ sword, which was girded about him, and charged
+his foe. He chased the standing army four squares, playfully prodding
+its squealing rear and hacking at its ginger-coloured heels.
+
+But he was not so successful with the civic authorities. Six muscular,
+nimble policemen overpowered him and conveyed him, triumphantly but
+warily, to jail. “_El Diablo Colorado_” they dubbed him, and derided
+the military for its defeat.
+
+Dicky, with the rest of the prisoners, could look out through the
+barred door at the grass of the little plaza, at a row of orange trees
+and the red tile roofs and ’dobe walls of a line of insignificant
+stores.
+
+At sunset along a path across this plaza came a melancholy procession
+of sad-faced women bearing plantains, cassaba, bread and fruit—each
+coming with food to some wretch behind those bars to whom she still
+clung and furnished the means of life. Twice a day—morning and
+evening—they were permitted to come. Water was furnished to her
+compulsory guests by the republic, but no food.
+
+That evening Dicky’s name was called by the sentry, and he stepped
+before the bars of the door. There stood his little saint, a black
+mantilla draped about her head and shoulders, her face like glorified
+melancholy, her clear eyes gazing longingly at him as if they might
+draw him between the bars to her. She brought a chicken, some oranges,
+_dulces_ and a loaf of white bread. A soldier inspected the food, and
+passed it in to Dicky. Pasa spoke calmly, as she always did, briefly,
+in her thrilling, flute-like tones. “Angel of my life,” she said, “let
+it not be long that thou art away from me. Thou knowest that life is
+not a thing to be endured with thou not at my side. Tell me if I can do
+aught in this matter. If not, I will wait—a little while. I come again
+in the morning.”
+
+Dicky, with his shoes removed so as not to disturb his fellow
+prisoners, tramped the floor of the jail half the night condemning his
+lack of money and the cause of it—whatever that might have been. He
+knew very well that money would have bought his release at once.
+
+For two days succeeding Pasa came at the appointed times and brought
+him food. He eagerly inquired each time if a letter or package had come
+for him, and she mournfully shook her head.
+
+On the morning of the third day she brought only a small loaf of bread.
+There were dark circles under her eyes. She seemed as calm as ever.
+
+“By jingo,” said Dicky, who seemed to speak in English or Spanish as
+the whim seized him, “this is dry provender, _muchachita_. Is this the
+best you can dig up for a fellow?”
+
+Pasa looked at him as a mother looks at a beloved but capricious babe.
+
+“Think better of it,” she said, in a low voice; “since for the next
+meal there will be nothing. The last _centavo_ is spent.” She pressed
+closer against the grating.
+
+“Sell the goods in the shop—take anything for them.”
+
+“Have I not tried? Did I not offer them for one-tenth their cost? Not
+even one _peso_ would any one give. There is not one _real_ in this
+town to assist Dickee Malonee.”
+
+Dick clenched his teeth grimly. “That’s the _comandante_,” he growled.
+“He’s responsible for that sentiment. Wait, oh, wait till the cards are
+all out.”
+
+Pasa lowered her voice to almost a whisper. “And, listen, heart of my
+heart,” she said, “I have endeavoured to be brave, but I cannot live
+without thee. Three days now—”
+
+Dicky caught a faint gleam of steel from the folds of her mantilla. For
+once she looked in his face and saw it without a smile, stern, menacing
+and purposeful. Then he suddenly raised his hand and his smile came
+back like a gleam of sunshine. The hoarse signal of an incoming
+steamer’s siren sounded in the harbour. Dicky called to the sentry who
+was pacing before the door: “What steamer comes?”
+
+“The _Catarina_.”
+
+“Of the Vesuvius line?”
+
+“Without doubt, of that line.”
+
+“Go you, _picarilla_,” said Dicky joyously to Pasa, “to the American
+consul. Tell him I wish to speak with him. See that he comes at once.
+And look you! let me see a different look in those eyes, for I promise
+your head shall rest upon this arm to-night.”
+
+It was an hour before the consul came. He held his green umbrella under
+his arm, and mopped his forehead impatiently.
+
+“Now, see here, Maloney,” he began, captiously, “you fellows seem to
+think you can cut up any kind of row, and expect me to pull you out of
+it. I’m neither the War Department nor a gold mine. This country has
+its laws, you know, and there’s one against pounding the senses out of
+the regular army. You Irish are forever getting into trouble. I don’t
+see what I can do. Anything like tobacco, now, to make you
+comfortable—or newspapers—”
+
+“Son of Eli,” interrupted Dicky, gravely, “you haven’t changed an iota.
+That is almost a duplicate of the speech you made when old Koen’s
+donkeys and geese got into the chapel loft, and the culprits wanted to
+hide in your room.”
+
+“Oh, heavens!” exclaimed the consul, hurriedly adjusting his
+spectacles. “Are you a Yale man, too? Were you in that crowd? I don’t
+seem to remember any one with red—any one named Maloney. Such a lot of
+college men seem to have misused their advantages. One of the best
+mathematicians of the class of ’91 is selling lottery tickets in
+Belize. A Cornell man dropped off here last month. He was second
+steward on a guano boat. I’ll write to the department if you like,
+Maloney. Or if there’s any tobacco, or newspa—”
+
+“There’s nothing,” interrupted Dicky, shortly, “but this. You go tell
+the captain of the _Catarina_ that Dicky Maloney wants to see him as
+soon as he can conveniently come. Tell him where I am. Hurry. That’s
+all.”
+
+The consul, glad to be let off so easily, hurried away. The captain of
+the _Catarina_, a stout man, Sicilian born, soon appeared, shoving,
+with little ceremony, through the guards to the jail door. The Vesuvius
+Fruit Company had a habit of doing things that way in Anchuria.
+
+“I am exceedingly sorry—exceedingly sorry,” said the captain, “to see
+this occur. I place myself at your service, Mr. Maloney. What you need
+shall be furnished. Whatever you say shall be done.”
+
+Dicky looked at him unsmilingly. His red hair could not detract from
+his attitude of severe dignity as he stood, tall and calm, with his now
+grim mouth forming a horizontal line.
+
+“Captain De Lucco, I believe I still have funds in the hands of your
+company—ample and personal funds. I ordered a remittance last week. The
+money has not arrived. You know what is needed in this game. Money and
+money and more money. Why has it not been sent?”
+
+“By the _Cristobal_,” replied De Lucco, gesticulating, “it was
+despatched. Where is the _Cristobal_? Off Cape Antonio I spoke her with
+a broken shaft. A tramp coaster was towing her back to New Orleans. I
+brought money ashore thinking your need for it might not withstand
+delay. In this envelope is one thousand dollars. There is more if you
+need it, Mr. Maloney.”
+
+“For the present it will suffice,” said Dicky, softening as he crinkled
+the envelope and looked down at the half-inch thickness of smooth,
+dingy bills.
+
+“The long green!” he said, gently, with a new reverence in his gaze.
+“Is there anything it will not buy, Captain?”
+
+“I had three friends,” replied De Lucco, who was a bit of a
+philosopher, “who had money. One of them speculated in stocks and made
+ten million; another is in heaven, and the third married a poor girl
+whom he loved.”
+
+“The answer, then,” said Dicky, “is held by the Almighty, Wall Street
+and Cupid. So, the question remains.”
+
+“This,” queried the captain, including Dicky’s surroundings in a
+significant gesture of his hand, “is it—it is not—it is not connected
+with the business of your little shop? There is no failure in your
+plans?”
+
+“No, no,” said Dicky. “This is merely the result of a little private
+affair of mine, a digression from the regular line of business. They
+say for a complete life a man must know poverty, love and war. But they
+don’t go well together, _capitán mio_. No; there is no failure in my
+business. The little shop is doing very well.”
+
+When the captain had departed Dicky called the sergeant of the jail
+squad and asked:
+
+“Am I _preso_ by the military or by the civil authority?”
+
+“Surely there is no martial law in effect now, señor.”
+
+“_Bueno_. Now go or send to the alcalde, the _Jues de la Paz_ and the
+_Jefe de los Policios_. Tell them I am prepared at once to satisfy the
+demands of justice.” A folded bill of the “long green” slid into the
+sergeant’s hand.
+
+Then Dicky’s smile came back again, for he knew that the hours of his
+captivity were numbered; and he hummed, in time with the sentry’s
+tread:
+
+“They’re hanging men and women now,
+ For lacking of the green.”
+
+
+So, that night Dicky sat by the window of the room over his shop and
+his little saint sat close by, working at something silken and dainty.
+Dicky was thoughtful and grave. His red hair was in an unusual state of
+disorder. Pasa’s fingers often ached to smooth and arrange it, but
+Dicky would never allow it. He was poring, to-night, over a great
+litter of maps and books and papers on his table until that
+perpendicular line came between his brows that always distressed Pasa.
+Presently she went and brought his hat, and stood with it until he
+looked up, inquiringly.
+
+“It is sad for you here,” she explained. “Go out and drink _vino
+blanco_. Come back when you get that smile you used to wear. That is
+what I wish to see.”
+
+Dicky laughed and threw down his papers. “The _vino blanco_ stage is
+past. It has served its turn. Perhaps, after all, there was less
+entered my mouth and more my ears than people thought. But, there will
+be no more maps or frowns to-night. I promise you that. Come.”
+
+They sat upon a reed _silleta_ at the window and watched the quivering
+gleams from the lights of the _Catarina_ reflected in the harbour.
+
+Presently Pasa rippled out one of her infrequent chirrups of audible
+laughter.
+
+“I was thinking,” she began, anticipating Dicky’s question, “of the
+foolish things girls have in their minds. Because I went to school in
+the States I used to have ambitions. Nothing less than to be the
+president’s wife would satisfy me. And, look, thou red picaroon, to
+what obscure fate thou hast stolen me!”
+
+“Don’t give up hope,” said Dicky, smiling. “More than one Irishman has
+been the ruler of a South American country. There was a dictator of
+Chili named O’Higgins. Why not a President Maloney, of Anchuria? Say
+the word, _santita mia_, and we’ll make the race.”
+
+“No, no, no, thou red-haired, reckless one!” sighed Pasa; “I am
+content”—she laid her head against his arm—“here.”
+
+
+
+
+XVI
+ROUGE ET NOIR
+
+
+It has been indicated that disaffection followed the elevation of
+Losada to the presidency. This feeling continued to grow. Throughout
+the entire republic there seemed to be a spirit of silent, sullen
+discontent. Even the old Liberal party to which Goodwin, Zavalla and
+other patriots had lent their aid was disappointed. Losada had failed
+to become a popular idol. Fresh taxes, fresh import duties and, more
+than all, his tolerance of the outrageous oppression of citizens by the
+military had rendered him the most obnoxious president since the
+despicable Alforan. The majority of his own cabinet were out of
+sympathy with him. The army, which he had courted by giving it license
+to tyrannize, had been his main, and thus far adequate support.
+
+But the most impolitic of the administration’s moves had been when it
+antagonized the Vesuvius Fruit Company, an organization plying twelve
+steamers and with a cash capital somewhat larger than Anchuria’s
+surplus and debt combined.
+
+Reasonably an established concern like the Vesuvius would become
+irritated at having a small, retail republic with no rating at all
+attempt to squeeze it. So when the government proxies applied for a
+subsidy they encountered a polite refusal. The president at once
+retaliated by clapping an export duty of one _real_ per bunch on
+bananas—a thing unprecedented in fruit-growing countries. The Vesuvius
+Company had invested large sums in wharves and plantations along the
+Anchurian coast, their agents had erected fine homes in the towns where
+they had their headquarters, and heretofore had worked with the
+republic in good-will and with advantage to both. It would lose an
+immense sum if compelled to move out. The selling price of bananas from
+Vera Cruz to Trinidad was three _reals_ per bunch. This new duty of one
+_real_ would have ruined the fruit growers in Anchuria and have
+seriously discommoded the Vesuvius Company had it declined to pay it.
+But for some reason, the Vesuvius continued to buy Anchurian fruit,
+paying four _reals_ for it; and not suffering the growers to bear the
+loss.
+
+This apparent victory deceived His Excellency; and he began to hunger
+for more of it. He sent an emissary to request a conference with a
+representative of the fruit company. The Vesuvius sent Mr. Franzoni, a
+little, stout, cheerful man, always cool, and whistling airs from
+Verdi’s operas. Señor Espirition, of the office of the Minister of
+Finance, attempted the sandbagging in behalf of Anchuria. The meeting
+took place in the cabin of the _Salvador_, of the Vesuvius line.
+
+Señor Espirition opened negotiations by announcing that the government
+contemplated the building of a railroad to skirt the alluvial coast
+lands. After touching upon the benefits such a road would confer upon
+the interests of the Vesuvius, he reached the definite suggestion that
+a contribution to the road’s expenses of, say, fifty thousand _pesos_
+would not be more than an equivalent to benefits received.
+
+Mr. Franzoni denied that his company would receive any benefits from a
+contemplated road. As its representative he must decline to contribute
+fifty thousand _pesos_. But he would assume the responsibility of
+offering twenty-five.
+
+Did Señor Espirition understand Señor Franzoni to mean twenty-five
+thousand _pesos_?
+
+By no means. Twenty-five _pesos_. And in silver; not in gold.
+
+“Your offer insults my government,” cried Señor Espirition, rising with
+indignation.
+
+“Then,” said Mr. Franzoni, in warning tone, “_we will change it_.”
+
+The offer was never changed. Could Mr. Franzoni have meant the
+government?
+
+This was the state of affairs in Anchuria when the winter season opened
+at Coralio at the end of the second year of Losada’s administration.
+So, when the government and society made its annual exodus to the
+seashore it was evident that the presidential advent would not be
+celebrated by unlimited rejoicing. The tenth of November was the day
+set for the entrance into Coralio of the gay company from the capital.
+A narrow-gauge railroad runs twenty miles into the interior from
+Solitas. The government party travels by carriage from San Mateo to
+this road’s terminal point, and proceeds by train to Solitas. From here
+they march in grand procession to Coralio where, on the day of their
+coming, festivities and ceremonies abound. But this season saw an
+ominous dawning of the tenth of November.
+
+Although the rainy season was over, the day seemed to hark back to
+reeking June. A fine drizzle of rain fell all during the forenoon. The
+procession entered Coralio amid a strange silence.
+
+President Losada was an elderly man, grizzly bearded, with a
+considerable ratio of Indian blood revealed in his cinnamon complexion.
+His carriage headed the procession, surrounded and guarded by Captain
+Cruz and his famous troop of one hundred light horse “_El Ciento
+Huilando_.” Colonel Rocas followed, with a regiment of the regular
+army.
+
+The president’s sharp, beady eyes glanced about him for the expected
+demonstration of welcome; but he faced a stolid, indifferent array of
+citizens. Sight-seers the Anchurians are by birth and habit, and they
+turned out to their last able-bodied unit to witness the scene; but
+they maintained an accusive silence. They crowded the streets to the
+very wheel ruts; they covered the red tile roofs to the eaves, but
+there was never a “_viva_” from them. No wreaths of palm and lemon
+branches or gorgeous strings of paper roses hung from the windows and
+balconies as was the custom. There was an apathy, a dull, dissenting
+disapprobation, that was the more ominous because it puzzled. No one
+feared an outburst, a revolt of the discontents, for they had no
+leader. The president and those loyal to him had never even heard
+whispered a name among them capable of crystallizing the
+dissatisfaction into opposition. No, there could be no danger. The
+people always procured a new idol before they destroyed an old one.
+
+At length, after a prodigious galloping and curvetting of red-sashed
+majors, gold-laced colonels and epauletted generals, the procession
+formed for its annual progress down the Calle Grande to the Casa
+Morena, where the ceremony of welcome to the visiting president always
+took place.
+
+The Swiss band led the line of march. After it pranced the local
+_comandante_, mounted, and a detachment of his troops. Next came a
+carriage with four members of the cabinet, conspicuous among them the
+Minister of War, old General Pilar, with his white moustache and his
+soldierly bearing. Then the president’s vehicle, containing also the
+Ministers of Finance and State; and surrounded by Captain Cruz’s light
+horse formed in a close double file of fours. Following them, the rest
+of the officials of state, the judges and distinguished military and
+social ornaments of public and private life.
+
+As the band struck up, and the movement began, like a bird of ill-omen
+the _Valhalla_, the swiftest steamship of the Vesuvius line, glided
+into the harbour in plain view of the president and his train. Of
+course, there was nothing menacing about its arrival—a business firm
+does not go to war with a nation—but it reminded Señor Espirition and
+others in those carriages that the Vesuvius Fruit Company was
+undoubtedly carrying something up its sleeve for them.
+
+By the time the van of the procession had reached the government
+building, Captain Cronin, of the _Valhalla_, and Mr. Vincenti, member
+of the Vesuvius Company, had landed and were pushing their way, bluff,
+hearty and nonchalant, through the crowd on the narrow sidewalk. Clad
+in white linen, big, debonair, with an air of good-humoured authority,
+they made conspicuous figures among the dark mass of unimposing
+Anchurians, as they penetrated to within a few yards of the steps of
+the Casa Morena. Looking easily above the heads of the crowd, they
+perceived another that towered above the undersized natives. It was the
+fiery poll of Dicky Maloney against the wall close by the lower step;
+and his broad, seductive grin showed that he recognized their presence.
+
+Dicky had attired himself becomingly for the festive occasion in a
+well-fitting black suit. Pasa was close by his side, her head covered
+with the ubiquitous black mantilla.
+
+Mr. Vincenti looked at her attentively.
+
+“Botticelli’s Madonna,” he remarked, gravely. “I wonder when she got
+into the game. I don’t like his getting tangled with the women. I hoped
+he would keep away from them.”
+
+Captain Cronin’s laugh almost drew attention from the parade.
+
+“With that head of hair! Keep away from the women! And a Maloney!
+Hasn’t he got a license? But, nonsense aside, what do you think of the
+prospects? It’s a species of filibustering out of my line.”
+
+Vincenti glanced again at Dicky’s head and smiled.
+
+“_Rouge et noir_,” he said. “There you have it. Make your play,
+gentlemen. Our money is on the red.”
+
+“The lad’s game,” said Cronin, with a commending look at the tall, easy
+figure by the steps. “But ’tis all like fly-by-night theatricals to me.
+The talk’s bigger than the stage; there’s a smell of gasoline in the
+air, and they’re their own audience and scene-shifters.”
+
+They ceased talking, for General Pilar had descended from the first
+carriage and had taken his stand upon the top step of Casa Morena. As
+the oldest member of the cabinet, custom had decreed that he should
+make the address of welcome, presenting the keys of the official
+residence to the president at its close.
+
+General Pilar was one of the most distinguished citizens of the
+republic. Hero of three wars and innumerable revolutions, he was an
+honoured guest at European courts and camps. An eloquent speaker and a
+friend to the people, he represented the highest type of the
+Anchurians.
+
+Holding in his hand the gilt keys of Casa Morena, he began his address
+in a historical form, touching upon each administration and the advance
+of civilization and prosperity from the first dim striving after
+liberty down to present times. Arriving at the régime of President
+Losada, at which point, according to precedent, he should have
+delivered a eulogy upon its wise conduct and the happiness of the
+people, General Pilar paused. Then he silently held up the bunch of
+keys high above his head, with his eyes closely regarding it. The
+ribbon with which they were bound fluttered in the breeze.
+
+“It still blows,” cried the speaker, exultantly. “Citizens of Anchuria,
+give thanks to the saints this night that our air is still free.”
+
+Thus disposing of Losada’s administration, he abruptly reverted to that
+of Olivarra, Anchuria’s most popular ruler. Olivarra had been
+assassinated nine years before while in the prime of life and
+usefulness. A faction of the Liberal party led by Losada himself had
+been accused of the deed. Whether guilty or not, it was eight years
+before the ambitious and scheming Losada had gained his goal.
+
+Upon this theme General Pilar’s eloquence was loosed. He drew the
+picture of the beneficent Olivarra with a loving hand. He reminded the
+people of the peace, the security and the happiness they had enjoyed
+during that period. He recalled in vivid detail and with significant
+contrast the last winter sojourn of President Olivarra in Coralio, when
+his appearance at their fiestas was the signal for thundering _vivas_
+of love and approbation.
+
+The first public expression of sentiment from the people that day
+followed. A low, sustained murmur went among them like the surf rolling
+along the shore.
+
+“Ten dollars to a dinner at the Saint Charles,” remarked Mr. Vincenti,
+“that _rouge_ wins.”
+
+“I never bet against my own interests,” said Captain Cronin, lighting a
+cigar. “Long-winded old boy, for his age. What’s he talking about?”
+
+“My Spanish,” replied Vincenti, “runs about ten words to the minute;
+his is something around two hundred. Whatever he’s saying, he’s getting
+them warmed up.”
+
+“Friends and brothers,” General Pilar was saying, “could I reach out my
+hand this day across the lamentable silence of the grave to Olivarra
+‘the Good,’ to the ruler who was one of you, whose tears fell when you
+sorrowed, and whose smile followed your joy—I would bring him back to
+you, but—Olivarra is dead—dead at the hands of a craven assassin!”
+
+The speaker turned and gazed boldly into the carriage of the president.
+His arm remained extended aloft as if to sustain his peroration. The
+president was listening, aghast, at this remarkable address of welcome.
+He was sunk back upon his seat, trembling with rage and dumb surprise,
+his dark hands tightly gripping the carriage cushions.
+
+Half rising, he extended one arm toward the speaker, and shouted a
+harsh command at Captain Cruz. The leader of the “Flying Hundred” sat
+his horse, immovable, with folded arms, giving no sign of having heard.
+Losada sank back again, his dark features distinctly paling.
+
+“Who says that Olivarra is dead?” suddenly cried the speaker, his
+voice, old as he was, sounding like a battle trumpet. “His body lies in
+the grave, but to the people he loved he has bequeathed his spirit—yes,
+more—his learning, his courage, his kindness—yes, more—his youth, his
+image—people of Anchuria, have you forgotten Ramon, the son of
+Olivarra?”
+
+Cronin and Vincenti, watching closely, saw Dicky Maloney suddenly raise
+his hat, tear off his shock of red hair, leap up the steps and stand at
+the side of General Pilar. The Minister of War laid his arm across the
+young man’s shoulders. All who had known President Olivarra saw again
+his same lion-like pose, the same frank, undaunted expression, the same
+high forehead with the peculiar line of the clustering, crisp black
+hair.
+
+General Pilar was an experienced orator. He seized the moment of
+breathless silence that preceded the storm.
+
+“Citizens of Anchuria,” he trumpeted, holding aloft the keys to Casa
+Morena, “I am here to deliver these keys—the keys to your homes and
+liberty—to your chosen president. Shall I deliver them to Enrico
+Olivarra’s assassin, or to his son?”
+
+“Olivarra! Olivarra!” the crowd shrieked and howled. All vociferated
+the magic name—men, women, children and the parrots.
+
+And the enthusiasm was not confined to the blood of the plebs. Colonel
+Rocas ascended the steps and laid his sword theatrically at young Ramon
+Olivarra’s feet. Four members of the cabinet embraced him. Captain Cruz
+gave a command, and twenty of _El Ciento Huilando_ dismounted and
+arranged themselves in a cordon about the steps of Casa Morena.
+
+But Ramon Olivarra seized that moment to prove himself a born genius
+and politician. He waved those soldiers aside, and descended the steps
+to the street. There, without losing his dignity or the distinguished
+elegance that the loss of his red hair brought him, he took the
+proletariat to his bosom—the barefooted, the dirty, Indians, Caribs,
+babies, beggars, old, young, saints, soldiers and sinners—he missed
+none of them.
+
+While this act of the drama was being presented, the scene shifters had
+been busy at the duties that had been assigned to them. Two of Cruz’s
+dragoons had seized the bridle reins of Losada’s horses; others formed
+a close guard around the carriage; and they galloped off with the
+tyrant and his two unpopular Ministers. No doubt a place had been
+prepared for them. There are a number of well-barred stone apartments
+in Coralio.
+
+“_Rouge_ wins,” said Mr. Vincenti, calmly lighting another cigar.
+
+Captain Cronin had been intently watching the vicinity of the stone
+steps for some time.
+
+“Good boy!” he exclaimed suddenly, as if relieved. “I wondered if he
+was going to forget his Kathleen Mavourneen.”
+
+Young Olivarra had reascended the steps and spoken a few words to
+General Pilar. Then that distinguished veteran descended to the ground
+and approached Pasa, who still stood, wonder-eyed, where Dicky had left
+her. With his plumed hat in his hand, and his medals and decorations
+shining on his breast, the general spoke to her and gave her his arm,
+and they went up the stone steps of the Casa Morena together. And then
+Ramon Olivarra stepped forward and took both her hands before all the
+people.
+
+And while the cheering was breaking out afresh everywhere, Captain
+Cronin and Mr. Vincenti turned and walked back toward the shore where
+the gig was waiting for them.
+
+“There’ll be another ‘_presidente proclamada_’ in the morning,” said
+Mr. Vincenti, musingly. “As a rule they are not as reliable as the
+elected ones, but this youngster seems to have some good stuff in him.
+He planned and manœuvred the entire campaign. Olivarra’s widow, you
+know, was wealthy. After her husband was assassinated she went to the
+States, and educated her son at Yale. The Vesuvius Company hunted him
+up, and backed him in the little game.”
+
+“It’s a glorious thing,” said Cronin, half jestingly, “to be able to
+discharge a government, and insert one of your own choosing, in these
+days.”
+
+“Oh, it is only a matter of business,” said Vincenti, stopping and
+offering the stump of his cigar to a monkey that swung down from a lime
+tree; “and that is what moves the world of to-day. That extra _real_ on
+the price of bananas had to go. We took the shortest way of removing
+it.”
+
+
+
+
+XVII
+TWO RECALLS
+
+
+There remains three duties to be performed before the curtain falls
+upon the patched comedy. Two have been promised: the third is no less
+obligatory.
+
+It was set forth in the programme of this tropic vaudeville that it
+would be made known why Shorty O’Day, of the Columbia Detective Agency,
+lost his position. Also that Smith should come again to tell us what
+mystery he followed that night on the shores of Anchuria when he
+strewed so many cigar stumps around the cocoanut palm during his lonely
+night vigil on the beach. These things were promised; but a bigger
+thing yet remains to be accomplished—the clearing up of a seeming wrong
+that has been done according to the array of chronicled facts
+(truthfully set forth) that have been presented. And one voice,
+speaking, shall do these three things.
+
+Two men sat on a stringer of a North River pier in the City of New
+York. A steamer from the tropics had begun to unload bananas and
+oranges on the pier. Now and then a banana or two would fall from an
+overripe bunch, and one of the two men would shamble forward, seize the
+fruit and return to share it with his companion.
+
+One of the men was in the ultimate stage of deterioration. As far as
+rain and wind and sun could wreck the garments he wore, it had been
+done. In his person the ravages of drink were as plainly visible. And
+yet, upon his high-bridged, rubicund nose was jauntily perched a pair
+of shining and flawless gold-rimmed glasses.
+
+The other man was not so far gone upon the descending Highway of the
+Incompetents. Truly, the flower of his manhood had gone to seed—seed
+that, perhaps, no soil might sprout. But there were still cross-cuts
+along where he travelled through which he might yet regain the pathway
+of usefulness without disturbing the slumbering Miracles. This man was
+short and compactly built. He had an oblique, dead eye, like that of a
+sting-ray, and the moustache of a cocktail mixer. We know the eye and
+the moustache; we know that Smith of the luxurious yacht, the gorgeous
+raiment, the mysterious mission, the magic disappearance, has come
+again, though shorn of the accessories of his former state.
+
+At his third banana, the man with the nose glasses spat it from him
+with a shudder.
+
+“Deuce take all fruit!” he remarked, in a patrician tone of disgust. “I
+lived for two years where these things grow. The memory of their taste
+lingers with you. The oranges are not so bad. Just see if you can
+gather a couple of them, O’Day, when the next broken crate comes up.”
+
+“Did you live down with the monkeys?” asked the other, made tepidly
+garrulous by the sunshine and the alleviating meal of juicy fruit. “I
+was down there, once myself. But only for a few hours. That was when I
+was with the Columbia Detective Agency. The monkey people did me up.
+I’d have my job yet if it hadn’t been for them. I’ll tell you about it.
+
+“One day the chief sent a note around to the office that read: ‘Send
+O’Day here at once for a big piece of business.’ I was the crack
+detective of the agency at that time. They always handed me the big
+jobs. The address the chief wrote from was down in the Wall Street
+district.
+
+“When I got there I found him in a private office with a lot of
+directors who were looking pretty fuzzy. They stated the case. The
+president of the Republic Insurance Company had skipped with about a
+tenth of a million dollars in cash. The directors wanted him back
+pretty bad, but they wanted the money worse. They said they needed it.
+They had traced the old gent’s movements to where he boarded a tramp
+fruit steamer bound for South America that same morning with his
+daughter and a big gripsack—all the family he had.
+
+“One of the directors had his steam yacht coaled and with steam up,
+ready for the trip; and he turned her over to me, cart blongsh. In four
+hours I was on board of her, and hot on the trail of the fruit tub. I
+had a pretty good idea where old Wahrfield—that was his name, J.
+Churchill Wahrfield—would head for. At that time we had a treaty with
+about every foreign country except Belgium and that banana republic,
+Anchuria. There wasn’t a photo of old Wahrfield to be had in New
+York—he had been foxy there—but I had his description. And besides, the
+lady with him would be a dead-give-away anywhere. She was one of the
+high-flyers in Society—not the kind that have their pictures in the
+Sunday papers—but the real sort that open chrysanthemum shows and
+christen battleships.
+
+“Well, sir, we never got a sight of that fruit tub on the road. The
+ocean is a pretty big place; and I guess we took different paths across
+it. But we kept going toward this Anchuria, where the fruiter was bound
+for.
+
+“We struck the monkey coast one afternoon about four. There was a
+ratty-looking steamer off shore taking on bananas. The monkeys were
+loading her up with big barges. It might be the one the old man had
+taken, and it might not. I went ashore to look around. The scenery was
+pretty good. I never saw any finer on the New York stage. I struck an
+American on shore, a big, cool chap, standing around with the monkeys.
+He showed me the consul’s office. The consul was a nice young fellow.
+He said the fruiter was the _Karlsefin_, running generally to New
+Orleans, but took her last cargo to New York. Then I was sure my people
+were on board, although everybody told me that no passengers had
+landed. I didn’t think they would land until after dark, for they might
+have been shy about it on account of seeing that yacht of mine hanging
+around. So, all I had to do was to wait and nab ’em when they came
+ashore. I couldn’t arrest old Wahrfield without extradition papers, but
+my play was to get the cash. They generally give up if you strike ’em
+when they’re tired and rattled and short on nerve.
+
+“After dark I sat under a cocoanut tree on the beach for a while, and
+then I walked around and investigated that town some, and it was enough
+to give you the lions. If a man could stay in New York and be honest,
+he’d better do it than to hit that monkey town with a million.
+
+“Dinky little mud houses; grass over your shoe tops in the streets;
+ladies in low-neck-and-short-sleeves walking around smoking cigars;
+tree frogs rattling like a hose cart going to a ten blow; big mountains
+dropping gravel in the back yards, and the sea licking the paint off in
+front—no, sir—a man had better be in God’s country living on free lunch
+than there.
+
+“The main street ran along the beach, and I walked down it, and then
+turned up a kind of lane where the houses were made of poles and straw.
+I wanted to see what the monkeys did when they weren’t climbing
+cocoanut trees. The very first shack I looked in I saw my people. They
+must have come ashore while I was promenading. A man about fifty,
+smooth face, heavy eyebrows, dressed in black broadcloth, looking like
+he was just about to say, ‘Can any little boy in the Sunday school
+answer that?’ He was freezing on to a grip that weighed like a dozen
+gold bricks, and a swell girl—a regular peach, with a Fifth Avenue
+cut—was sitting on a wooden chair. An old black woman was fixing some
+coffee and beans on a table. The light they had come from a lantern
+hung on a nail. I went and stood in the door, and they looked at me,
+and I said:
+
+“‘Mr. Wahrfield, you are my prisoner. I hope, for the lady’s sake, you
+will take the matter sensibly. You know why I want you.’
+
+“‘Who are you?’ says the old gent.
+
+“‘O’Day,’ says I, ‘of the Columbia Detective Agency. And now, sir, let
+me give you a piece of good advice. You go back and take your medicine
+like a man. Hand ’em back the boodle; and maybe they’ll let you off
+light. Go back easy, and I’ll put in a word for you. I’ll give you five
+minutes to decide.’ I pulled out my watch and waited.
+
+“Then the young lady chipped in. She was one of the genuine
+high-steppers. You could tell by the way her clothes fit and the style
+she had that Fifth Avenue was made for her.
+
+“‘Come inside,’ she says. ‘Don’t stand in the door and disturb the
+whole street with that suit of clothes. Now, what is it you want?’
+
+“‘Three minutes gone,’ I said. ‘I’ll tell you again while the other two
+tick off.
+
+“‘You’ll admit being the president of the Republic, won’t you?’
+
+“‘I am,’ says he.
+
+“‘Well, then,’ says I, ‘it ought to be plain to you. Wanted, in New
+York, J. Churchill Wahrfield, president of the Republic Insurance
+Company.
+
+“‘Also the funds belonging to said company, now in that grip, in the
+unlawful possession of said J. Churchill Wahrfield.’
+
+“‘Oh-h-h-h!’ says the young lady, as if she was thinking, ‘you want to
+take us back to New York?’
+
+“‘To take Mr. Wahrfield. There’s no charge against you, miss. There’ll
+be no objection, of course, to your returning with your father.’
+
+“Of a sudden the girl gave a tiny scream and grabbed the old boy around
+the neck. ‘Oh, father, father!’ she says, kind of contralto, ‘can this
+be true? Have you taken money that is not yours? Speak, father!’ It
+made you shiver to hear the tremolo stop she put on her voice.
+
+“The old boy looked pretty bughouse when she first grappled him, but
+she went on, whispering in his ear and patting his off shoulder till he
+stood still, but sweating a little.
+
+“She got him to one side and they talked together a minute, and then he
+put on some gold eyeglasses and walked up and handed me the grip.
+
+“‘Mr. Detective,’ he says, talking a little broken, ‘I conclude to
+return with you. I have finished to discover that life on this desolate
+and displeased coast would be worse than to die, itself. I will go back
+and hurl myself upon the mercy of the Republic Company. Have you
+brought a sheep?’
+
+“‘Sheep!’ says I; ‘I haven’t a single—’
+
+“‘Ship,’ cut in the young lady. ‘Don’t get funny. Father is of German
+birth, and doesn’t speak perfect English. How did you come?’
+
+“The girl was all broke up. She had a handkerchief to her face, and
+kept saying every little bit, ‘Oh, father, father!’ She walked up to me
+and laid her lily-white hand on the clothes that had pained her at
+first. I smelt a million violets. She was a lulu. I told her I came in
+a private yacht.
+
+“‘Mr. O’Day,’ she says. ‘Oh, take us away from this horrid country at
+once. Can you! Will you! Say you will.’
+
+“‘I’ll try,’ I said, concealing the fact that I was dying to get them
+on salt water before they could change their mind.
+
+“One thing they both kicked against was going through the town to the
+boat landing. Said they dreaded publicity, and now that they were going
+to return, they had a hope that the thing might yet be kept out of the
+papers. They swore they wouldn’t go unless I got them out to the yacht
+without any one knowing it, so I agreed to humour them.
+
+“The sailors who rowed me ashore were playing billiards in a bar-room
+near the water, waiting for orders, and I proposed to have them take
+the boat down the beach half a mile or so, and take us up there. How to
+get them word was the question, for I couldn’t leave the grip with the
+prisoner, and I couldn’t take it with me, not knowing but what the
+monkeys might stick me up.
+
+“The young lady says the old coloured woman would take them a note. I
+sat down and wrote it, and gave it to the dame with plain directions
+what to do, and she grins like a baboon and shakes her head.
+
+“Then Mr. Wahrfield handed her a string of foreign dialect, and she
+nods her head and says, ‘See, señor,’ maybe fifty times, and lights out
+with the note.
+
+“‘Old Augusta only understands German,’ said Miss Wahrfield, smiling at
+me. ‘We stopped in her house to ask where we could find lodging, and
+she insisted upon our having coffee. She tells us she was raised in a
+German family in San Domingo.’
+
+“‘Very likely,’ I said. ‘But you can search me for German words, except
+_nix verstay_ and _noch einst_. I would have called that “See, señor”
+French, though, on a gamble.’
+
+“Well, we three made a sneak around the edge of town so as not to be
+seen. We got tangled in vines and ferns and the banana bushes and
+tropical scenery a good deal. The monkey suburbs was as wild as places
+in Central Park. We came out on the beach a good half mile below. A
+brown chap was lying asleep under a cocoanut tree, with a ten-foot
+musket beside him. Mr. Wahrfield takes up the gun and pitches it into
+the sea. ‘The coast is guarded,’ he says. ‘Rebellion and plots ripen
+like fruit.’ He pointed to the sleeping man, who never stirred. ‘Thus,’
+he says, ‘they perform trusts. Children!’
+
+“I saw our boat coming, and I struck a match and lit a piece of
+newspaper to show them where we were. In thirty minutes we were on
+board the yacht.
+
+“The first thing, Mr. Wahrfield and his daughter and I took the grip
+into the owner’s cabin, opened it up, and took an inventory. There was
+one hundred and five thousand dollars, United States treasury notes, in
+it, besides a lot of diamond jewelry and a couple of hundred Havana
+cigars. I gave the old man the cigars and a receipt for the rest of the
+lot, as agent for the company, and locked the stuff up in my private
+quarters.
+
+“I never had a pleasanter trip than that one. After we got to sea the
+young lady turned out to be the jolliest ever. The very first time we
+sat down to dinner, and the steward filled her glass with
+champagne—that director’s yacht was a regular floating
+Waldorf-Astoria—she winks at me and says, ‘What’s the use to borrow
+trouble, Mr. Fly Cop? Here’s hoping you may live to eat the hen that
+scratches on your grave.’ There was a piano on board, and she sat down
+to it and sung better than you give up two cases to hear plenty times.
+She knew about nine operas clear through. She was sure enough _bon ton_
+and swell. She wasn’t one of the ‘among others present’ kind; she
+belonged on the special mention list!
+
+“The old man, too, perked up amazingly on the way. He passed the
+cigars, and says to me once, quite chipper, out of a cloud of smoke,
+‘Mr. O’Day, somehow I think the Republic Company will not give me the
+much trouble. Guard well the gripvalise of the money, Mr. O’Day, for
+that it must be returned to them that it belongs when we finish to
+arrive.’
+
+“When we landed in New York I ’phoned to the chief to meet us in that
+director’s office. We got in a cab and went there. I carried the grip,
+and we walked in, and I was pleased to see that the chief had got
+together that same old crowd of moneybugs with pink faces and white
+vests to see us march in. I set the grip on the table. ‘There’s the
+money,’ I said.
+
+“‘And your prisoner?’ said the chief.
+
+“I pointed to Mr. Wahrfield, and he stepped forward and says:
+
+“‘The honour of a word with you, sir, to explain.’
+
+“He and the chief went into another room and stayed ten minutes. When
+they came back the chief looked as black as a ton of coal.
+
+“‘Did this gentleman,’ he says to me, ‘have this valise in his
+possession when you first saw him?’
+
+“‘He did,’ said I.
+
+“The chief took up the grip and handed it to the prisoner with a bow,
+and says to the director crowd: ‘Do any of you recognize this
+gentleman?’
+
+“They all shook their pink faces.
+
+“‘Allow me to present,’ he goes on, Señor Miraflores, president of the
+republic of Anchuria. The señor has generously consented to overlook
+this outrageous blunder, on condition that we undertake to secure him
+against the annoyance of public comment. It is a concession on his part
+to overlook an insult for which he might claim international redress. I
+think we can gratefully promise him secrecy in the matter.’
+
+“They gave him a pink nod all round.
+
+“‘O’Day,’ he says to me. ‘As a private detective you’re wasted. In a
+war, where kidnapping governments is in the rules, you’d be invaluable.
+Come down to the office at eleven.’
+
+“I knew what that meant.
+
+“‘So that’s the president of the monkeys,’ says I. ‘Well, why couldn’t
+he have said so?’
+
+“Wouldn’t it jar you?”
+
+
+
+
+XVIII
+THE VITAGRAPHOSCOPE
+
+
+Vaudeville is intrinsically episodic and discontinuous. Its audiences
+do not demand dénouements. Sufficient unto each “turn” is the evil
+thereof. No one cares how many romances the singing comédienne may have
+had if she can capably sustain the limelight and a high note or two.
+The audiences reck not if the performing dogs get to the pound the
+moment they have jumped through their last hoop. They do not desire
+bulletins about the possible injuries received by the comic bicyclist
+who retires head-first from the stage in a crash of (property)
+china-ware. Neither do they consider that their seat coupons entitle
+them to be instructed whether or no there is a sentiment between the
+lady solo banjoist and the Irish monologist.
+
+Therefore let us have no lifting of the curtain upon a tableau of the
+united lovers, backgrounded by defeated villainy and derogated by the
+comic, osculating maid and butler, thrown in as a sop to the Cerberi of
+the fifty-cent seats.
+
+But our programme ends with a brief “turn” or two; and then to the
+exits. Whoever sits the show out may find, if he will, the slender
+thread that binds together, though ever so slightly, the story that,
+perhaps, only the Walrus will understand.
+
+_Extracts from a letter from the first vice-president of the Republic
+Insurance Company, of New York City, to Frank Goodwin, of Coralio,
+Republic of Anchuria._
+
+My Dear Mr. Goodwin:—Your communication per Messrs. Howland and
+Fourchet, of New Orleans, has reached us. Also their draft on N. Y. for
+$100,000, the amount abstracted from the funds of this company by the
+late J. Churchill Wahrfield, its former president. … The officers and
+directors unite in requesting me to express to you their sincere esteem
+and thanks for your prompt and much appreciated return of the entire
+missing sum within two weeks from the time of its disappearance. … Can
+assure you that the matter will not be allowed to receive the least
+publicity. … Regret exceedingly the distressing death of Mr. Wahrfield
+by his own hand, but… Congratulations on your marriage to Miss
+Wahrfield … many charms, winning manners, noble and womanly nature and
+envied position in the best metropolitan society…
+
+
+Cordially yours,
+Lucius E. Applegate,
+First Vice-President the Republic Insurance Company.
+
+_The Vitagraphoscope_
+(Moving Pictures)
+
+_The Last Sausage_
+
+SCENE—_An Artist’s Studio._ The artist, a young man of prepossessing
+appearance, sits in a dejected attitude, amid a litter of sketches,
+with his head resting upon his hand. An oil stove stands on a pine box
+in the centre of the studio. The artist rises, tightens his waist belt
+to another hole, and lights the stove. He goes to a tin bread box,
+half-hidden by a screen, takes out a solitary link of sausage, turns
+the box upside-down to show that there is no more, and chucks the
+sausage into a frying-pan, which he sets upon the stove. The flame of
+the stove goes out, showing that there is no more oil. The artist, in
+evident despair, seizes the sausage, in a sudden access of rage, and
+hurls it violently from him. At the same time a door opens, and a man
+who enters receives the sausage forcibly against his nose. He seems to
+cry out; and is observed to make a dance step or two, vigorously. The
+newcomer is a ruddy-faced, active, keen-looking man, apparently of
+Irish ancestry. Next he is observed to laugh immoderately; he kicks
+over the stove; he claps the artist (who is vainly striving to grasp
+his hand) vehemently upon the back. Then he goes through a pantomime
+which to the sufficiently intelligent spectator reveals that he has
+acquired large sums of money by trading pot-metal hatchets and razors
+to the Indians of the Cordillera Mountains for gold dust. He draws a
+roll of money as large as a small loaf of bread from his pocket, and
+waves it above his head, while at the same time he makes pantomime of
+drinking from a glass. The artist hurriedly secures his hat, and the
+two leave the studio together.
+
+_The Writing on the Sands_
+
+SCENE—_The Beach at Nice._ A woman, beautiful, still young, exquisitely
+clothed, complacent, poised, reclines near the water, idly scrawling
+letters in the sand with the staff of her silken parasol. The beauty of
+her face is audacious; her languid pose is one that you feel to be
+impermanent—you wait, expectant, for her to spring or glide or crawl,
+like a panther that has unaccountably become stock-still. She idly
+scrawls in the sand; and the word that she always writes is “Isabel.” A
+man sits a few yards away. You can see that they are companions, even
+if no longer comrades. His face is dark and smooth, and almost
+inscrutable—but not quite. The two speak little together. The man also
+scratches on the sand with his cane. And the word that he writes is
+“Anchuria.” And then he looks out where the Mediterranean and the sky
+intermingle, with death in his gaze.
+
+_The Wilderness and Thou_
+
+SCENE—_The Borders of a Gentleman’s Estate in a Tropical Land._ An old
+Indian, with a mahogany-coloured face, is trimming the grass on a grave
+by a mangrove swamp. Presently he rises to his feet and walks slowly
+toward a grove that is shaded by the gathering, brief twilight. In the
+edge of the grove stand a man who is stalwart, with a kind and
+courteous air, and a woman of a serene and clear-cut loveliness. When
+the old Indian comes up to them the man drops money in his hand. The
+grave-tender, with the stolid pride of his race, takes it as his due,
+and goes his way. The two in the edge of the grove turn back along the
+dim pathway, and walk close, close—for, after all, what is the world at
+its best but a little round field of the moving pictures with two
+walking together in it?
+
+CURTAIN
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK CABBAGES AND KINGS ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+