summaryrefslogtreecommitdiff
path: root/27781.txt
diff options
context:
space:
mode:
Diffstat (limited to '27781.txt')
-rw-r--r--27781.txt5528
1 files changed, 5528 insertions, 0 deletions
diff --git a/27781.txt b/27781.txt
new file mode 100644
index 0000000..8cbf02e
--- /dev/null
+++ b/27781.txt
@@ -0,0 +1,5528 @@
+The Project Gutenberg eBook of Revised Edition of Poems, by William Wright
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Revised Edition of Poems
+
+
+Author: William Wright
+
+
+
+Release Date: January 12, 2009 [eBook #27781]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK REVISED EDITION OF POEMS***
+
+
+Transcribed from the 1891 John Overend edition by David Price, email
+ccx074@pglaf.org
+
+
+
+
+
+ REVISED
+ EDITION OF POEMS
+
+
+ BY
+ Bill o'th' Hoylus End.
+
+ * * * * *
+
+ PRICE TWO SHILLINGS.
+
+ * * * * *
+
+ PRINTED AND PUBLISHED BY
+ JOHN OVEREND, COOK LANE, KEIGHLEY.
+ 1891.
+
+ [Picture: Picture of Bill o' the Hoylus End]
+
+
+
+
+PREFACE
+
+
+The Author respectfully submits to the general public of his native town
+and district, this volume of poems, containing some of the chief results
+of his musings for the past thirty years. He hopes that the volume,
+which is in reality the production of a life-time, will in many ways be
+deemed worthy of the kind and courteous approbation of his numerous
+patrons and friends, as well as the indulgence of literary critics.
+
+In launching forth the work, the Author begs to tender to his patrons and
+the public generally, his most sincere and hearty thanks for the
+assistance they have ever rendered him so as to enable him to acquire the
+necessary leisure for the cultivation of his muse. The result now
+achieved is not the comprehensive collection of the efforts of the
+author, but it may he taken as a selection and a representation of his
+more generally interesting productions from time to time.
+
+Various reasons have operated in the time of the publication and the
+curtailment of this volume; but it is now submitted with every respect to
+the public for their perusal. Many of his poems, which are not found in
+the present volume, the author trusts will be deemed worthy of being
+treasured in the scrap books of his friends. Of the literary merits of
+the composition, it would ill become the author in any way to descant
+upon; but in regard to these he leaves himself entirely and absolutely in
+the hands of a critical, and, he hopes, an indulgent public, feeling
+assured that he may trust himself in the hands of his readers.
+
+No formal dedication is here made to any particular patron, but the book
+is submitted without the powerful influence of any conspicuous name or
+the commendation of any well-known literary friend; and like Dr. Johnson
+of old, failing patrons, he trusts that his work will, in the midst of
+his numerous competitors, locally and generally, be thought worthy of the
+attention of the various classes of the public.
+
+AUGUST, 1891.
+
+
+
+
+
+CONTENTS
+
+ PAGE
+
+_The Grand Old Man of Oakworth_ 9
+_Dr. Dobie's Lecture on Burns_ 11
+_What Profits Me_ 13
+_The Death of Gordon_ 14
+_The Earl of Beaconsfield_ 15
+_Come_, _Nivver Dee i' Thi Shell_ 17
+_T'owd Betty's Advice_ 18
+_Toied Blacksmith's Advice_ 20
+_T'First Pair o' Britches_ 21
+_O Welcome_, _Lovely Summer_ 23
+_Burn's Centenary_ 24
+_Waiting for t' Angels_ 25
+_The Lass o' Newsholme Dean_ 26
+_The Broken Pitcher_ 28
+_Ode to Sir Titus Salt_ 30
+_Cowd as Leead_ 33
+_The Factory Girl_ 34
+_Bonny Lark_ 36
+_Home of my Boyish Days_ 37
+_Ode to Spring '64_ 38
+_Address to t'First Wesherwoman_ 39
+_In a Pleasant Little Valley_ 40
+_John o't' Bog and Keighley Feffy Goast_ 42
+_The Late Thomas Ireland_ 56
+_A Yorkshireman's Christmas_ 57
+_The Late Thomas Craven_ 58
+_Gooise and Giblet Pie_ 59
+_The Grand Old Man_ 60
+_Ode to Bacchus_ 62
+_Sall o't' Bog_ 64
+_Song of the Months_ 65
+_Bonnie Cliffe Castle_ 67
+_Opening of Devonshire Park_ 68
+_Farewell to Rev. H. J. Longsdon_ 71
+_He's Thy Brother_ 73
+_Lund's Excursion to Windermere_ 74
+_The Tartan Plaid_ 85
+_The Pauper's Box_ 86
+_The Vale of Aire_ 88
+_Fra Haworth to Bradford_ 90
+_The Veteran_ 91
+_Address to the Queen_ 92
+_Ode to Burns on his 130th Birthday_ 96
+_Trip to Malsis Hall_ 98
+_The Bold Bucchaneers_ 104
+_The Benks o' the Aire_ 105
+_The Late J. W. Peckover_ 107
+_The Fugitive_ 108
+_The Feathered Captive_ 111
+_Dame Europe's Lodging House_ 113
+_Charming Rebecca of Riddlesden Hall_ 127
+_The City of "So be I's_" 128
+_Shoo's Deead an' Goan_ 132
+_Ode to an Herring_ 133
+_The World's Wheels_ 137
+_English Church History_ 137
+_Illustration_ (_Keighley Parish 139
+Church_)
+_The Old Hand-Wool-Combers_ 140
+_T' Village Aram Skaram_ 143
+_Come_, _Gi' us a Wag o' Thy Paw_ 146
+_Full o' Doubts and Fears_ 147
+_Behold how the Rivers_ 148
+_Our Poor Little Factory Girls_ 149
+_Haworth Sharpness_ 150
+_Dear Harden_ 151
+_The Heroic Watchman_ 152
+_The English_ "_Cricketeer_" 154
+_Christmas Day_ 156
+_Wi' Him I call My Own_ 157
+_It isn't so wi' Me_ 158
+_A New Divorce_ 159
+_The Vision_ 160
+
+The Grand Old Man of Oakworth.
+
+
+Come, hand me down that rustic harp,
+ From off that rugged wall,
+For I must sing another song
+ To suit the Muse's call,
+For she is bent to sing a poean,
+ On this eventful year,
+In praise of the philanthropist
+ Whom all his friends hold dear--
+ The Grand Old Man of Oakworth,
+ Beyond his eightieth year!
+
+No flattery! My honest Muse,
+ Nor yet be thou servile;
+But tinkle up that harp again,
+ A moment to beguile.
+Altho' the bard be rude and rough,
+ Yet, he is ever proud
+To do the mite that he can do,
+ And thus proclaim aloud--
+ The Grand Old Man of Oakworth,
+ Of whom we all are proud!
+
+For base indeed were any bard
+ That ever sang on earth,
+Did he not wish his neighbour well,
+ And praise his sterling worth.
+Leave state affairs and office
+ To those of younger blood,
+But I am with the patriot,
+ The noble, wise, and good--
+ The Grand Old Man of Oakworth,
+ The wise, the great, the good!
+
+This worthy old philanthropist,
+ Whom all his neighbours greet;
+Who has a smile for every one
+ Whom he may chance to meet--
+Go to yon pleasant village,
+ On the margin of the moor,
+And you will hear his praises sung
+ By all the aged poor--
+ The Grand Old Man of Oakworth,
+ A friend unto the poor!
+
+Long may he live! and happy be,
+ The patriot and the sire;
+And may some other harp give praise,
+ Whose notes will sound much higher.
+His thirst for knowledge, worth, and lore--
+ His heart was ever there--
+This worthy old philanthropist,
+ Beyond his eightieth year!--
+ The Grand Old Man of Oakworth,
+ Beyond his eightieth year.
+
+
+
+THOUGHTS SUGGESTED
+ON HEARING
+Dr. Dobie's Lecture on Burns.
+
+
+Though murky are the days and short,
+And man he finds but little sport,
+ These gloomy days, to cheer him;
+Yet, if a Dobie should, perchance,
+Come out before an audience,
+ 'Tis worth our while to hear him.
+
+Right pleased was I, dear sir, to hear
+Your lecture on that subject dear,
+ So grand and superhuman;
+For all the world doth pay regard
+To Bobbie Burns, the Scottish bard,
+ The patriot and the ploughman.
+
+Your words, indeed, were passing good,
+On him who kenned and understood
+ The kirk and all its ranting;
+Who "held the mirror" up, indeed,
+To show the "muckle unco-guid"
+ Their double-dyed canting.
+
+You painted him sometimes in glee
+While other times in poverty--
+ To gold without alliance;
+Yet, after all he kept his pace,
+And looked grim fortune in the face,
+ And set him at defiance.
+
+But, alas! the picture, was it true?
+Of Burns' parents, poor and low--
+ So furrowed and so hoary--
+It makes our very hearts to burn
+To think that "man was made to mourn,"
+ And tell the sad, sad story.
+
+You brought me back to days bygone,
+When glad its banks I strolled upon,
+ The river Doon so bonnie;
+The roofless kirk and yard so green,
+Where many a tombstone may be seen,
+ With Tam and Souter Johnnie.
+
+And when ye spake of yond bright star
+That lingers in the lift afar,
+ Where Burns was never weary
+Of gazing on the far-off sphere,
+Where dwells his angel lassie dear--
+ His ain sweet Highland Mary!
+
+But here my Muse its wings may lower;
+Such flights are far beyond its power;
+ So I will stop the jingle.
+Sir, I am much obliged to you,
+And I am much indebted to
+ The Choir and Mr. Pringle.
+
+ [Picture: Picture of bowl of fruit]
+
+
+
+What Profits Me.
+
+
+What profits me tho' I sud be
+ The lord o' yonder castle gay;
+Hev rooms in state to imitate
+ The princely splendour of the day
+For what are all my carved doors,
+My chandeliers or carpet floors,
+ No art could save me from the grave.
+
+What profits me tho' I sud be
+ Decked i' costly costumes grand,
+Like the Persian king o' kings,
+ Wi' diamond rings to deck my hand:
+For what wor all my grand attire,
+That fooils both envy and admire,
+ No gems could save me from the grave.
+
+What profits me tho' I sud be
+ Thy worthy host, O millionaire,
+Hev cent. for cent. for money lent;
+ My wealth increasing ivvery year.
+For what wor all my wealth to me,
+Compared to immortality,
+ Wealth could not save me from the grave.
+
+What profits me tho' I sud be
+ Even the gert Persian Shah,
+My subjects stand at my command,
+ Wi' fearful aspect and wi' awe;
+For what wor a despotic rule,
+Wi' all the world at my control,
+ All could not save me from the grave.
+
+
+
+The Death of Gordon.
+
+
+From the red fields of gore, 'midst war's dreadful clang,
+ I hear a sad strain o'er oceans afar:
+Oh, shame, shame upon you, ye proud men of England,
+ Whose highest ambition is rapine and war!
+ Through your vain wickedness
+ Thousands are fatherless,
+False your pretensions old Egypt to save;
+ Arabs with spear in hand
+ Far in a distant land
+Made our brave Gordon a sad and red grave.
+
+On Nile's sunny banks, with the Arab's great nation,
+ Brave Gordon was honoured and worshipped by all,
+The acknowledged master of the great situation,
+ Until England's bondholders caused Egypt to fall.
+ Another great blunder,
+ Makes the world wonder,
+Where is Britannia's sword, sceptre and shield?
+ War and disaster
+ Come thicker and faster,
+Oh, for the days of the Great Beaconsfield!
+
+Oh, Great Beaconsfield! the wise and the clever,
+ When will thy place in our nation be filled?
+Britannia's shrill answer is never, oh never,
+ My Beaconsfield's dead, and my Gordon is killed!
+ Oh, blame not my foemen
+ Or a Brutus-like Roman,
+Or Soudanese Arabs for Gordon's sad doom;
+ But blame that vain Briton
+ Whose name is true written,
+The slayer of Gordon, who fell at Khartoum.
+
+ [Picture: Crest of arms]
+
+
+
+The Earl of Beaconsfield.
+
+
+I sing no song of superstition,
+ No dark deeds of an Inquisition,
+No mad-brain'd theme of wild ambition,
+ For lo, their doom is sealed!
+But I will use my best endeavour,
+ To praise the good, the wise, the clever,
+Who will remember'd be for ever,
+ The Earl of Beaconsfield.
+
+When England was without alliance,
+ He bid the Russians bold defiance,
+On Austria had no reliance
+ In either flood or field;
+He proudly sent to Hornby message,
+ The Dardanelles! go force the passage
+In spite of Turkey, Bear, or Sausage,
+ The dauntless Beaconsfield!
+
+At Berlin, he with admiration
+ Was gazed upon by every nation,
+And, master of the situation,
+ Vow'd Britons ne'er would yield.
+For I am here, you may depend on't,
+ This Eastern brawl to make an end on't,
+To show both plaintiff and defendant
+ I'm Earl of Beaconsfield!
+
+Britannia now doth weep and ponder,
+ Bereaved of him, her child of wonder,
+No earthly power could break asunder
+ His love for England's weal.
+And now those locks once dark as raven
+ (For laurel leaves ne'er deck'd a craven)
+Wear a laurel crown in Heaven,
+ Glorious Beaconsfield!
+
+ [Picture: Picture of house in trees]
+
+
+
+Come, Nivver Dee i' Thi Shell.
+
+
+"Come, nivver dee i' thi shell, owd lad,"
+ Are words but rudely said;
+Though they may cheer some stricken heart,
+ Or raise some wretched head;
+For they are words I love mysel,
+ They're music to my ear;
+They muster up fresh energy
+ An' chase each doubt an' fear.
+
+Nivver dee i' thi shell, owd lad,
+ Though tha be poor indeed;
+Ner lippen ta long i' th' turnin' up
+ Sa mich ov a friend in need;
+Fur few ther are, an' far between,
+ That help a poor man thru;
+An' God helps them at help therseln,
+ An' they hev friends enew.
+
+Nivver dee i' thi shell, owd lad,
+ Whativver thi creditors say;
+Tell um at least tha'rt foarst ta owe,
+ If tha artant able ta pay;
+An' if they nail thi bits o' traps,
+ An' sell tha dish an' spooin;
+Remember fickle forten lad,
+ Shoo changes like the mooin.
+
+Nivver dee i' thi shell, owd lad,
+ Though some may laugh an' scorn;
+There wor nivver a neet afore ta neet,
+ Bud what ther' com a morn;
+An' if blind forten used tha bad,
+ Sho's happen noan so meean;
+Ta morn al come, an' then fer some
+ The sun will shine ageean.
+
+Nivver dee i' thi shell, owd lad,
+ Bud let thi motto be,--
+"Onward!" an' "Excelsior;"
+ An' try for t' top o't' tree:
+An' if thi enemies still pursue,
+ Which ten-ta-one they will,
+Show um owd lad, tha'rt doin' weel,
+ An' climin' up the hill.
+
+
+
+Owd Betty's Advice.
+
+
+So Mary, lass, tha'rt bahn to wed
+It mornin', we young Blacksmith Ned,
+An' though it maks thi mother sad,
+ It's like to be;
+I've nowt ageean yond dacent lad,
+ No more ner thee.
+
+Bud let me tell tha what ta due,
+For my advise might help tha thru;
+Be kind, and to thi husband true,
+ An' I'll be bun
+Tha'll nivver hev a day ta rue
+ For owt that's done.
+
+Nah, try to keep thi former knack,
+An' du thi weshin' in a crack,
+Bud don't be flaid to bend thi back,
+ Tha'll nobbut sweeat;
+So try an' hev a bit o' tack,
+ An' du it neeat.
+
+Be sure tha keeps fra bein' a flirt,
+An' pride thysel i' bein' alert,--
+An' mind ta mend thi husband's shirt,
+ An' keep it cleean;
+It wod thi poor owd mother hurt,
+ If tha wur meean.
+
+Don't kal abaht like monny a wun,
+Then hev to broil, an' sweeat, an' run;
+Bud alus hev thi dinner done
+ Withaht a mooild;
+If it's nobbut meil, lass, set it on,
+ An' hev it boiled.
+
+Now Mary, I've no more ta say--
+Tha gets thi choice an' tak thi way;
+An' if tha leets to rue, I pray,
+ Don't blame thi mother:
+I wish yeh monny a happy day
+ Wi wun another.
+
+
+
+T'owd Blacksmith's Advice ta hiz Son Ned.
+
+
+So, Ned, awm geen ta understand,
+Tha'rt bahn ta join i' wedlock band,
+Ta travil thru life's weeary strand,
+ Yond lass an' thee;
+But if yer joinin' heart an' hand,
+ It pleases me.
+
+Nah tha'll hev trubbles, Ned, ta bear,
+While pushin' thru this world o' care,
+An' wat tha'll hev it face ta stare,
+ It's hard ta tell;
+Life's ups and dahns tha'll get ta share,
+ So pleas thisel'.
+
+Tha'rt weel an' strong, long may it last;
+But age an' care creep on us fast;
+Then act az tha can luke at t'past
+ An' feel no shaam;
+Then if tha'rt poor az sum ahtcast,
+ Tha'rt noan ta blame.
+
+Doant sport abaht an' wagers bet,
+But mind an' shun that foolish set
+At cannut mak ther awn ta fet,
+ Though shaam to say it.
+An' mind tha keeps fra bein' i' debt,
+ An' tha'll be reight.
+
+Nah stick fast hod o' iron will;
+Push boldly on an' feear no ill;
+Keep Him i' veiw, whoa's mercies fill
+ The wurld sa wide.
+No daht but His omnishent skill
+ Al be thi guide.
+
+So Ned, mi lad, tak this advice,
+Prove worthy o' yond lass's choice,
+I' years ta cum tha may rejoice
+ Tha tuke her hand;
+An' listened ta thi father's voice,
+ An' his command.
+
+
+
+Th' Furst Pair o' Briches.
+
+
+Aw remember the days o' mi bell-button jacket,
+ Wi' its little lappels hangin' down ower mi waist,
+An' mi grand bellosed cap,--noan nicer I'll back it,--
+ Fer her at hed bowt it wur noan withaht taste;
+Fer shoo wur mi mother an' I wur her darling,
+ An often shoo vowed it, an' stroked dahn mi hair,
+An' shoo tuke ma to see her relashuns i' Harden
+ It furst Pair o' Briches at ivver aw ware.
+
+Aw remember the time when Aunt Betty an' Alice
+ Sent fer me up to lewk at mi cloas,
+An aw wauked up as prahd as a Frenchman fra Calais,
+ Wi' mi tassel at t'side--i' mi jacket a rose.
+Aw sooin saw mi uncles, both Johnny an' Willy,
+ They both gav me pennies, an' off aw did steer:
+But aw heeard um say this, "He's a fine lad is Billy,"
+ It furst Pair o' Briches at ivver aw ware.
+
+Aw remember t' time at ahr Robin and Johnny
+ Wur keeping their hens an' ducks i' t' yard,
+Tha wur gamecocks an' bantams, wi' toppins so bonny,
+ An' noan on um mine--aw thowt it wur hard.
+But aw saved up mi pennies aw gat fer mail pickin',
+ An' sooin gat a shilling by saving it fair,
+Aw then became maister at least o' wun chicken,
+ It furst Pair o' Briches at ivver aw ware.
+
+Aw remember wun Sabbath, an' t'sun it wor shining,
+ Aw went wi' mi father ta Hainworth ta sing;
+An' t'stage wur hung raand wi' bottle-green lining;
+ And childer i' white made t' village ta ring.
+We went ta owd Meshach's that day ta wur drinkin',
+ Though poor, tha wur plenty, an' summat ta spare;
+Says Meshach, "That lad, Jim, is just thee, aw'm thinking,
+ It furst Pair o' Briches at ivver tha ware."
+
+Now them wur the days o' grim boggards and witches,
+ When Will-o'-the-wisp cud be seen in the swamp,
+But nah are the days o' cheating fer riches,
+ An' a poor honest man is classed wi' a scamp.
+Yes, them wur the days at mi mind worrant weary;
+ O them wur the days aw knew no despair;
+O give me the time o' the boggard an' fairy,
+ Wi' t' furst Pair o' Briches at ivver aw ware.
+
+Ah! them wur the days aw sall allus remember,
+ Sud aw just as owd as Mathusalah last;
+Them wur mi March days, but nah it's September:
+ Ne'er to return again--them days are past.
+But a time aw remember aboon onny other,
+ Aw kneeled o' mi knees an' sed the Lord's Prayer;
+Aw sed "God bless mi father, an' God bless mi mother,"
+ It furst Pair o' Briches at ivver aw ware.
+
+
+
+O Welcome, Lovely Summer.
+
+
+O welcome, lovely summer,
+ Wi' thi golden days so long,
+When the throstle and the blackbird
+ Do charm us wi' ther song;
+When the lark in early morning
+ Takes his aerial flight;
+An' the humming bat an' buzzard
+ Frolic in the night.
+
+O! welcome, lovely summer,
+ With her rainbow's lovely form;
+Her thunner an' her leetnin',
+ An' her grandeur in the storm:
+With her sunshine an' her shower,
+ An' her whirlin' of the dust,
+An' the maiden with her flagon,
+ To sleck the mower's thirst.
+
+O! welcome, lovely summer,
+ When the woods wi' music ring,
+An' the bees so heavy laden,
+ To their hives their treasures bring:
+When we seek some shady bower,
+ Or some lovely little dell,
+Or, bivock in the sunshine,
+ Besides some cooling well.
+
+O! welcome, lovely summer,
+ With her roses in full bloom;
+When the cowslaps an' the laalek
+ Deck the cottage home;
+When the cherry an' the berry
+ Give a grandeur to the charm;
+And the clover and the haycock
+ Scent the little farm.
+
+O! welcome, lovely summer,
+ Wi' the partridge on the wing;
+When the tewit an' the moorgam,
+ Up fra the heather spring,
+From the crowber an' the billber,
+ An' the bracken an' the whin;
+As from the noisy tadpole,
+ We hear the crackin' din.
+ O! welcome, lovely summer.
+
+
+
+Burns's Centenary.
+
+
+Go bring that tuther whisky in,
+ An' put no watter to it;
+Fur I mun drink a bumper off,
+ To Scotland's darlin' poet.
+
+It's just one hunderd year to-day,
+ This Jenewarry morn,
+Sin' in a lowly cot i' Kyle,
+ A rustic bard wur born.
+
+He kittled up his muirland harp,
+ To ivvery rustic scene;
+An' sung the ways o' honest men,
+ His Davey an' his Jean.
+
+There wur nivver a bonny flaar that grew
+ Bud what he could admire;
+There wur nivver lovely hill or dale
+ That suited not his lyre.
+
+At last owd Coilia sed enough,
+ Mi bardy thah did sing,
+Then gently tuke his muirland harp,
+ And brack it ivvery string.
+
+An' bindin' up the holly wreath,
+ Wi' all its berries red,
+Shoo placed it on his noble brow,
+ An' pensively shoo said:--
+
+"So long as Willies brew ther malt,
+ An' Robs and Allans spree;
+Mi Burns's songs an' Burns's name,
+ Remember'd they shall be."
+
+
+
+Waiting for t' Angels.
+
+
+Ligging here deead, mi poor Ann Lavina,
+Ligging alone, mi own darling child,
+Just thi white hands crost on thi bosom,
+Wi' features so tranquil, so calm, and so mild.
+
+Ligging here deead, so white an' so bonny,
+Hidding them eyes that oft gazed on mine;
+Asking for summat withaht ever speaking,
+Asking thi father to say tha wur fine.
+
+Ligging here deead, the child that so lov'd me,
+At fane wod ha' hidden mi faults if shoo could;
+Wal thi wretch of a father despairin' stands ower tha,
+Wal remorse and frenzy are freezin' his blood.
+
+Ligging here deead, i' thi shroud an thi coffin,
+Ligging alone in this poor wretched room;
+Just thi white hands crossed ower thi bosom,
+Waiting for t'angels to carry tha home.
+
+
+
+The Lass o' Newsholme Dean.
+
+
+[Having spent the whole of the afternoon in this romantic little glen,
+indulging in pleasant meditations, I began to wend my way down the craggy
+pass that leads to the bonny little hamlet of Goose Eye, and turning
+round to take a last glance at this enchanting vale--with its running
+whimpering stream--I beheld the "Lass o' Newsholme Dean." She was
+engaged in driving home a Cochin China hen and her chickens.
+Instantaneously I was seized with a poetic fit, and gazing upon her as
+did Robert Tannyhill upon his imaginary beauty, "The Flower of Dumblane,"
+I struck my lyre, and, although the theme of my song turned out
+afterwards to be a respectable old woman of 70 winters, yet there is
+still a charm in my "Lass o' Newsholme Dean."]
+
+Thy kiss is sweet, thy words are kind,
+ Thy love is all to me;
+Aw couldn't in a palace find
+ A lass more true ner thee:
+An' if aw wor the Persian Shah,
+ An' thee mi Lovely Queen,
+The grandest diamond i' mi Crown
+ Wor t' lass o' Newsholme Dean.
+
+The lady gay may heed tha not,
+ An' passing by may sneer;
+The upstart squire's dowters laugh,
+ When thou, my love, art near;
+But if all ther shinin' soverins
+ War wared o' sattens green,
+They mightn't be as handsome then
+ As t' Lass o' Newsholme Dean.
+
+When yellow autumn's lustre shines,
+ An' hangs her golden ear,
+An' nature's voice fra every bush
+ Is singing sweet and clear,
+'Neath some white thorn to song unknown,
+ To mortal never seen,
+'Tis there with thee I fain wad be,
+ Mi Lass o' Newsholme Dean.
+
+Od drat, who cares fur kings or queens,
+ Mix'd in a nation's broil,
+They nivver benefit the poor--
+ The poor mun ollas toil.
+An' thou gilded spectre, royalty,
+ That dazzles folks's een,
+Is nowt to me when I'm wi thee,
+ Sweet Lass o' Newsholme Dean.
+
+High fra the summit o' yon' crag,
+ I view yon' smooky town,
+Where forten she has deigned to smile
+ On monny a simple clown:
+Though free fra want, they're free fra brains;
+ An' yet no happier I ween,
+Than this old farmer's wife an' hens,
+ Aw saw i' Newsholme Dean.
+
+
+
+The Broken Pitcher.
+
+
+[The happiest moments of a soldier in times of peace are when sat round
+the hearth of his neat little barrack room, along with his comrades,
+spinning yarns and telling tales; sometimes giving the history of some
+famous battle or engagement in which he took a prominent part; other
+times he will relate his own love adventures; then the favourite of the
+room will oblige them with his song of "Nelson" or "Napoleon" (generally
+being the favourites with them);--then there is the fancy tale teller,
+who amuses all. But in all cases the teller of a tale, yarn, or story,
+makes himself the hero of it, and especially when he speaks of the lass
+he left behind him; hence this adventure with the "Lassie by the Well."]
+
+There was a bonny Lassie once
+ Sitting by a well--
+But what this bonny Lassie thought
+ I cannot, cannot tell--
+When by there went a cavalier
+ Well known as Willie Wright,
+Just in full marching order,
+ His armour shining bright.
+
+"Ah maiden, lovely maiden, why
+ Sits thou by the spring?
+Dost thou seek a lover, with
+ A golden wedding ring?
+Or wherefore dost thou gaze on me,
+ With eyes so bright and wide?
+Or wherefore does that pitcher lay
+ Broken by thy side?"
+
+"My pitcher it is broken, sir,
+ And this the reason is,
+A villian came behind me,
+ An' he tried to steal a kiss.
+I could na take his nonsense,
+ So ne'er a word I spoke,
+But hit him with my pitcher,
+ And thus you see 'tis broke."
+
+"My uncle Jock McNeil, ye ken
+ Now waits for me to come;
+He canna mak his Crowdy,
+ Till t'watter it goes home.
+I canna tak him watter,
+ And that I ken full weel,
+And so I'm sure to catch it,--
+ For he'll play the varry de'il."
+
+"Ah maiden, lovely maiden,
+ I pray be ruled by me;
+Smile with thine eyes and ruby lips,
+ And give me kisses three.
+And we'll suppose my helmet is
+ A pitcher made o' steel,
+And we'll carry home some watter
+ To thy uncle Jock McNeil."
+
+She silently consented, for
+ She blink'd her bonny ee,
+I threw mi arms around her,
+ And gave her kisses three.
+To wrong the bonny Lassie
+ I sware 'twould be a sin;
+So knelt dahn by the watter
+ To dip mi helmet in.
+
+Out spake this bonny Lassie,
+ "My soldier lad, forbear,
+I wadna spoil thi bonny plume
+ That decks thi raven hair;
+Come buckle up thy sword again,
+ Put on thi cap o' steel,
+I carena for my pitcher, nor
+ My uncle Jock McNeil."
+
+I often think, my comrades,
+ About this Northern queen,
+And fancy that I see her smile,
+ Though mountains lay between.
+But should you meet her Uncle Jock,
+ I hope you'll never tell
+How I squared the broken pitcher,
+ With the Lassie at the well.
+
+
+
+Ode to Sir Titus Salt.
+
+
+Go, string once more old Ebor's harp,
+ And bring it here to me,
+For I must sing another song,
+ The theme of which shall be,--
+A worthy old philanthropist,
+ Whose soul in goodness soars,
+And one whose name will stand as firm
+ As rocks that gird our shores;
+The fine old Bradford gentleman,
+ The good Sir Titus Salt.
+
+Heedless of others; some there are,
+ Who all their days employ
+To raise themselves, no matter how,
+ And better men destroy:
+How different is the mind of him,
+ Whose deeds themselves are told,
+Who values worth more nobly far
+ Than all the heaps of gold.
+
+His feast and revels are not such,
+ As those we hear and see,
+No princely show does he indulge,
+ Nor feats of revelry;
+But in the orphan schools they are,
+ Or in the cot with her,
+The widow and the orphan of
+ The shipwrecked mariner,
+
+When stricken down with age and care,
+ His good old neighbours grieved,
+Or loss of family or mate,
+ Or all on earth bereaved;
+Go see them in their houses,
+ Where peace their days may end,
+And learn from them the name of him
+ Who is their aged friend.
+
+With good and great his worth shall live,
+ With high or lowly born;
+His name is on the scroll of fame,
+ Sweet as the songs of morn;
+While tyranny and villany
+ Is surely stamped with shame;
+A nation gives her patriot
+ A never-dying fame.
+
+No empty titles ever could
+ His principles subdue,
+His queen and country too he loved,--
+ Was loyal and was true:
+He craved no boon from royalty,
+ Nor wished their pomp to share,
+Far nobler is the soul of him,
+ The founder of Saltaire.
+
+Thus lives this sage philanthropist,
+ From courtly pomp removed,
+But not secluded from his friends,
+ For frienship's bond he loved;
+A noble reputation too
+ Crowns all his latter days;
+The young men they admire him,
+ And the aged they him praise.
+
+Long life to thee, Sir Titus,
+ The darling of our town;
+Around thy head while living,
+ We'll weave a laurel crown.
+Thy monument in marble
+ May suit the passer by,
+But a monument in all our hearts
+ Will never, never die.
+
+And when thy days are over,
+ And we miss thee on our isle,
+Around thy tomb for ever
+ May unfading laurels smile:
+Then may the sweetest flowers
+ Usher in the spring;
+And roses in the gentle gales,
+ Their balmy odours fling.
+
+May summer's beams shine sweetly,
+ Upon thy hallowed clay,
+And yellow autumn o'er thy head,
+ Yield many a placid ray;
+May winter winds blow slightly,--
+ The green-grass softly wave,
+And falling snow drop lightly
+ Upon thy honoured grave.
+
+
+
+Cowd az Leead.
+
+
+An' arta fra thi father torn,
+So early i' thi youthful morn,
+An' mun aw pine away forlorn,
+ I' grief an' pain?
+Fer consolashun I sall scorn
+ If tha be ta'en.
+
+O yes, tha art, an' aw mun wail
+Thi loss through ivvery hill an' dale,
+Fer nah it is too true a tale,
+ Tha'rt cowd az leead.
+An' nah thi bonny face iz pale,
+ Tha'rt deead! tha'rt deead'!
+
+Aw's miss tha when aw cum fra t'shop,
+An' see thi bat, an' ball, an' top;
+An' aw's be ommust fit ta drop,
+ Aw sall so freeat,
+An' Oh! mi varry heart may stop
+ An' cease to beeat!
+
+Ah'd allus aimed, if tha'd been spar'd,
+Of summat better to hev shared
+Ner what thi poor owd father fared,
+ I' this cowd sphere;
+Yet, after all, aw'st noan o' cared
+ If tha'd stayed here.
+
+But O! Tha Conquerer Divine,
+'At vanquished deeath i' Palestine,
+Tak to Thi arms this lad o' mine
+ Noan freely given;
+But mak him same as wun o' Thine,
+ Wi' Thee i' Heaven.
+
+
+
+The Factory Girl.
+
+
+Shoo stud beside her looms an' watch'd
+ The shuttle passin' through,
+But yet her soul wur sumweer else,
+ 'Twor face ta face wi' Joe.
+They saw her lips move as in speech,
+ Yet none cud hear a word,
+An' but fer t'grindin' o' the wheels,
+ This language might be heard.
+
+"I't' spite o' all thi treacherous art,
+ At length aw breeathe again;
+The pityin' stars hes tane mi part,
+ An' eas'd a wretch's pain.
+An' Oh! aw feel as fra a maze,
+ Mi rescued soul is free,
+Aw knaw aw do not dream an daze
+ I' fancied liberty.
+
+"Extinguished nah is ivvery spark,
+ No love for thee remains,
+Fer heart-felt love i' vain sall strive
+ Ta live, when tha disdains.
+No longer when thi name I hear,
+ Mi conscious colour flies!
+No longer when thi face aw see,
+ Mi heart's emotions rise.
+
+"Catcht i' the bird-lime's treacherous twigs,
+ Ta wheer he chonc'd ta stray,
+The bird his fastened feathers leaves,
+ Then gladly flies away.
+His shatter'd wings he sooin renews,
+ Of traps he is aware;
+Fer by experience he is wise,
+ An' shuns each future snare.
+
+"Awm speikin' nah, an' all mi aim
+ Is but ta pleeas mi mind;
+An' yet aw care not if mi words
+ Wi' thee can credit find.
+Ner dew I care if my decease
+ Sud be approved bi thee;
+Or whether tha wi' equal ease
+ Does tawk ageean wi' me.
+
+"But, yet, tha false deceivin' man,
+ Tha's lost a heart sincere;
+Aw naw net which wants comfort mooast,
+ Or which hes t'mooast ta fear.
+But awm suer a lass more fond an' true
+ No lad could ivver find:
+But a lad like thee is easily fun--
+ False, faithless, and unkind."
+
+
+
+Bonny Lark.
+
+
+Sweetest warbler of the wood,
+ Rise thy soft bewitching strain,
+And in pleasure's sprightly mood,
+ Soar again.
+
+With the sun's returning beam,
+ First appearance from the east,
+Dimpling every limpid stream,
+ Up from rest.
+
+Thro' the airy mountains stray,
+ Chant thy welcome songs above,
+Full of sport and full of play,
+ Songs of love.
+
+When the evening cloud prevails,
+ And the sun gives way for night,
+When the shadows mark the vales,
+ Return thy flight.
+
+Like the cottar or the swain,
+ Gentle shepherd, or the herd;
+Rest thou till the morn again,
+ Bonny bird!
+
+Like thee, on freedom's airy wing,
+ May the poet's rapturous spark,
+Hail the first approach of spring,
+ Bonny lark!
+
+
+
+Some of My Boyish Days.
+
+
+Home of my boyish days, how can I call
+Scenes to my memory, that did befall?
+How can my trembling pen find power to tell
+The grief I experienced in bidding farewell?
+Can I forget the days joyously spent,
+That flew on so rapidly, sweet with content?
+Can I then quit thee, whose memory's so dear,
+Home of my boyish days, without one tear?
+
+Can I look back on happy days gone by,
+Without one pleasant thought, without one sigh
+Ah, no! though never more these eyes may dwell
+On thee, old cottage home, I love so well:
+Home of my childhood! wherever I be,
+Thou art the nearest and dearest to me!
+
+Can I forget the songs sung by my sire,
+Like some prophetic bard tuning the lyre?
+Sweet were the notes that he taught to the young;
+Psalms for the Sabbath, on Sabbath were sung;
+And the young minstrels enraptured would come
+To the little lone cottage I once called my home.
+
+Can I forget the dear landscape around,
+Where in my boyish days I could be found,
+Stringing my hazel-bow, roaming the wood,
+Fancying myself to be bold Robin Hood?
+Then would my mother say--"Where is he gone?
+I'm waiting for shuttles that he should have 'wun'?"--
+She in that cottage there, knitting her healds,
+And I, her young forester, roaming the fields.
+
+But the shades of the evening gather slowly around,
+The twilight it thickens and darkens the ground,
+Night's sombre mantle is spreading the plain.
+And as I turn round to look on thee again,
+To take one fond look, one last fond adieu,
+By night's envious hand thou art snatched from my view;
+But Oh! there's no darkness--to me--no decay,
+Home of my boyhood, can chase thee away!
+
+
+
+Ode ta Spring Sixty-four.
+
+
+O welcome, young princess, thou sweetest of dowters,
+ An' furst bloomin' issue o' King Sixty-four,
+Wi' thi brah deck'd wi' gems o' the purest o' waters,
+ Tha tells us thi sire, stern winter, is ower.
+
+We hail thi approach wi' palm-spangled banners;
+ The plant an' the saplin' await thi command;
+An' Natur herseln, to show her good manners,
+ Nah spreads her green mantle all ower the land.
+
+Tha appears in t' orchard, in t' garden, an' t' grotto,
+ Where sweet vegetation anon will adorn;
+Tha smiles on the lord no more than the cottar,
+ For thi meanest o' subjects tha nivver did scorn.
+
+O hasten ta labour! ye wise, O be goin'!
+ These words they are borne on the wings o' the wind;
+That bids us be early i' plewin' an' sowin',
+ Fer him at neglects, tha'll leave him behind.
+
+
+
+Address ta t' First Wesherwoman.
+
+
+I' sooth shoo wor a reeal God-send,
+Ta t' human race the greatest friend,
+An' liv'd, no daht, at t'other end
+ O' history.
+Her name is nah, yah may depend,
+ A mystery.
+
+But sprang shoo up fra royal blood,
+Or some poor slave beyond the Flood,
+Mi blessing on the sooap an' sud
+ Shoo did invent;
+Her name sall renk ameng the good,
+ If aw get sent.
+
+If nobbut in a rainy dub,
+Shoo did at furst begin ta skrub,
+Or hed a proper weshin' tub--
+ It's all the same;
+Aw'd give a crahn, if aw'd to sub,
+ To get her name.
+
+I' this wide world aw'm set afloat,
+Th' poor regg'd possessor of one coat;
+Yet linen clean, aw on tha dote,
+ An' thus assert,
+Tha'rt worthy o' great Shakespeare's note--
+ A clean lin' shirt.
+
+Low is mi lot, an' hard mi ways,
+While paddlin' thro' life's stormy days;
+Yet aw will sing t'owd lass's praise,
+ Wi' famous glee;
+Tho' rude an' rough sud be mi lays,
+ Shoo's t'lass for me.
+
+Bards hev sung the fairest fair,
+Their rosy cheeks an' auburn hair;
+The dying lover's deep despair,
+ Their harps hev rung;
+But useful wimmin's songs are rare,
+ An' seldom sung.
+
+
+
+In a Pleasant Little Valley.
+
+
+In a pleasant little valley near the ancient town of Ayr,
+Where the laddies they are honest, and the lassies they are fair;
+Where Doon in all her splendour ripples sweetly through the wood,
+And on its banks not long ago a little cottage stood;
+'Twas there, in all her splendour, on a January morn,
+Appeared old Coila's genius--when Robert Burns was born.
+
+Her mantle large of greenish hue and robe of tartan shone,
+And round its mystic border seen was Luger, Ayr, and Doon;
+A leaf-clad holly bough was twined so graceful round her brow,
+She was the darling native muse of Scotia then, as now:
+So grand old Coila's genius on this January morn,
+Appeared in all her splendour when Robert Burns was born.
+
+She vowed she ne'er would leave him till he sung old Scotia's plains--
+The daisy, and the milk-white thorn he tuned in lovely strains;
+And sung of yellow autumn, or some lovely banks and braes:
+And make each cottage home resound with his sweet tuneful lays,
+And sing how Coila's genius, on a January morn,
+Appeared in all her splendour when Robert Burns was born.
+
+She could not teach him painting like her Cunningham at home,
+Nor could she teach him sculpturing like Angelo of Rome;
+But she taught him how to wander her lovely hills among,
+And sing her bonny burns and glens in simple rustic song;
+This old Coila's genius did that January morn,
+Vow in all her splendour when Robert Burns was born.
+
+And in the nights of winter, when stormy winds do roar,
+And the fierce dashing waves are heard on Ayr's old craggy shore,
+The young and old encircled around the cheerful fire,
+Will talk of Rob the Ploughman and tune the Scottish lyre;
+And sing how Coila's genius on a January morn,
+Appeared in all her splendour when Robert Burns was born.
+
+
+
+John o'f' Bog an' Keighley Feffy Goast:
+A TALE O' POVERTY
+
+
+ "Some books are lies fra end to end,
+ And some great lies were never penn'd;
+ But this that I am gaun to tell,
+ * * * Lately on a night befel."--BURNS.
+
+'Twor twelve o'clock wun winter's neet,
+ Net far fra Kersmas time,
+When I met wee this Feffy Goast,
+ The subject of mi rhyme.
+
+I'd been hard up fer monny a week,
+ Mi way I cuddant see,
+Fer trade an' commerce wor as bad
+ As ivver they could be.
+
+T'poor hand-loom chaps wor running wild,
+ An' t'combers wor quite sick,
+Fer weeks they nivver pool'd a slip,
+ Ner t'weivers wave a pick.
+
+An' I belong'd ta t'latter lot,
+ An' them wor t'war o't' two,
+Fer I'd nine pair o' jaws i' t'haase,
+ An nowt for 'em ta do.
+
+T'owd wife at t' time wor sick i' bed,
+ An' I'd a shockin' cowd,
+Wal t'youngest barn we hed at home,
+ Wor nobbut three days owd.
+
+Distracted to mi varry heart,
+ At sitch a bitter cup,
+An' lippenin' ivvery day at com,
+ At summat wod turn up;
+
+At last I started off wun neet,
+ To see what I could mak;
+Determin'd I'd hev summat ta eit,
+ Or else I'd noan go back.
+
+Through t'Skantraps an' be t' Bracken Benk,
+ I tuke wi' all mi meet;
+Be t' Wire Mill an' Ingrow Loin,
+ Reight into t' oppen street.
+
+Saint John's Church spire then I saw,
+ An' I wor rare an' fain,
+Fer near it stood t'owd parsonage--
+ I cuddant be mistain.
+
+So up I went ta t' Wicket Gate,
+ Though sad I am ta say it,
+Resolv'd to ax 'em for some breead,
+ Or else some brocken meit.
+
+Bud just as I wor shackin' it,
+ A form raase up before,
+An' sed "What does ta want, tha knave,
+ Shackin' t' Wicket Door?"
+
+He gav me then ta understand,
+ If I hedant come to pray,
+At t'grace o' God an' t'breead o' life,
+ Wor all they gav away.
+
+It's fearful nice fer folk ta talk
+ Abaat ther breead o' life,
+An' specially when they've plenty,
+ Fer t'childer an' ther wife.
+
+Bud I set off ageean at t'run,
+ Fer I weel understood,
+If I gat owt fra that thear clahn,
+ It woddant do ma good.
+
+I' travellin' on I thowt I heeard,
+ As I went nearer t'tahn,
+A thaasand voices i' mi ears,
+ Sayin' "John, whear are ta bahn?"
+
+In ivvery grocer's shop I pass'd,
+ A play-card I could see,
+I' t'biggest type at e'er wod print--
+ "There's nowt here, lad, fer thee."
+
+Wal ivvery butcher's shop I pass'd,
+ Asteead o' meit wor seen,
+A mighty carvin'-knife hung up,
+ Reight fair afore mi een.
+
+Destruction wor invitin' me,
+ I saw it fearful clear,
+Fer ivvery druggist window sed--
+ "Real poison is sold here."
+
+At last I gav a frantic howl,
+ A shaat o' dreead despair,
+I seized missen by t'toppin then,
+ An' shack'd an' lugged mi hair.
+
+Then quick as leetnin' ivver wor,
+ A thowt com i' mi heead--
+I'd tak a walk to t'Simetry,
+ An' meditate wi' t'deead.
+
+T'owd Church clock wor striking' t' time
+ At folk sud be asleep,
+Save t'Bobbies at wor on ther beat,
+ An' t'Pindar after t'sheep.
+
+Wi' lengthen'd pace I hasten'd off
+ At summat like a trot;
+Ta get ta t'place I started for,
+ Mi blood wor boiling hot.
+
+An' what I saw at Lackock Gate,
+ Rear'd up ageean a post,
+I cuddant tell--but yet I thowt
+ It wor another goast!
+
+But whether it wor a goast or net,
+ I heddant time ta luke,
+Fer I wor takken bi surprise
+ When turning t'Sharman's Nuke.
+
+Abaat two hunderd yards i' t'front,
+ As near as I could think,
+I thowt I heeard a dreeadful noise,
+ An' nah an' then a clink!
+
+Whativver can these noises be?
+ Some robbers, then I thowt!--
+I'd better step aside an' see,
+ They're happen up ta nowt!
+
+So I gat ower a fence ther wor,
+ An' peeping threw a gate,
+Determin'd to be satisfied,
+ If I'd a while to wait.
+
+At last two figures com ta t'spot
+ Whear I hed hid misel,
+Then walkers'-earth and brimstone,
+ Most horridly did smell.
+
+Wun on em hed a nine-tail'd cat,
+ His face as black as sooit,
+His name, I think wor Nickey Ben,
+ He hed a clovven fooit.
+
+An' t'other wor all skin an' bone
+ His name wor Mr. Deeath;
+Withaat a stitch o' clooas he wor,
+ An' seem'd quite aght o' breeath.
+
+He hed a scythe, I plainly saw,
+ He held it up aloft,
+Just same as he wor bahn ta maw
+ Owd Jack O'Doodle's Croft.
+
+"Where are ta bahn ta neet, grim phiz?"
+ Sed Nickey, wi' a grin,
+"Tha knaws I am full up below,
+ An' cannot tak more in."
+
+"What is't ta thee?" said Spinnel Shanks,
+ "Tha ruffin of a dog,
+I'm nobbut bahn mi raands ageean,
+ Ta see wun John o't' Bog.
+
+"I cannot see it fer mi life,
+ What it's ta dew wi' thee;
+Go mind thi awn affairs, owd Nick,
+ An' nivver thee heed me."
+
+"It is my business, Spinnel Shanks,
+ Whativver tha may say,
+Fer I been rostin' t'human race
+ Fer monny a weary day."
+
+Just luke what wark, I've hed wi' thee,
+ This last two yer or so;
+Wi' Germany an Italy,
+ An' even Mexico.
+
+An' then tha knaws that Yankey broil
+ Browt in some thaasands more;
+An' sooin fra Abyssinia,
+ They'll bring black Theodore.
+
+"So drop that scythe, owd farren deeath,
+ Let's rest a toathree wick;
+Fer what wi' t'seet o't' frying pan,
+ Tha knows I'm ommost sick."
+
+"I sall do nowt o't' sort," says Deeath,
+ Who spack it wi' a grin,
+I's just do as I like fer thee,
+ So tha can hod thi din."
+
+This made owd Nick fair raging mad,
+ An' liftin' up his whip,
+He gav owd Spinnel Shanks a lash
+ Across his upper lip.
+
+Then like a neighin' steed, lean Shanks,
+ To give owd Nick leg bail,
+He started off towards the tahn,
+ Wi' Nick hard on his trail.
+
+Then helter-skelter off they went,
+ As ower t'fence I lape;
+I thowt--well, if it matters owt,
+ I've made a nice escape.
+
+But nah the mooin began ta shine
+ As breet as it could be;
+An dahn the vale of t'Aire I luked,
+ Whear I could plainly see.
+
+The trees wor deeadly pale wi' snaw,
+ An' t'windin' Aire wor still,
+An' all wor quite save t'hullats,
+ At wor screamin' up o't' hill.
+
+Owd Rivock End an' all arahnd
+ Luk'd like some fiendish heead,
+Fer t'more I star'd an' t'more I thowt
+ It did resemble t'deead.
+
+The Friendly Oaks wor alter'd nah,
+ Ta what I'd seen afore;
+An' luk'd as though they'd nivver be
+ T'owd Friendly Oaks no more.
+
+Fer wun wor like a giant grim,
+ His nooas com to a point,
+An' wi' a voice like thunner sed--
+ "The times are aaght o't'joint!"
+
+An' t'other, like a whippin'-post,
+ Bud happen net as thin,
+Sed "T' times el alter yet, owd fooil,
+ So pray nah, hod thi din!"
+
+I tuke no farther gawm o' them,
+ But paddl'd on mi way;
+Fer when I ivver mak a vah,
+ I stick ta what I say.
+
+I heddant goan so far agean,
+ Afoar I heeard a voice,
+Exclaiming--wi' a fearful groan--
+ "Go mak a hoil i' t'ice!"
+
+I turned ma rahnd wheer t'sahnd com fro,
+ An' cautiously I bowed,
+Sayin' "Thenk ye, Mr. Magic Voice,
+ I'm flaid o' gettin' cowd."
+
+But nah a sudden shack tuke place,
+ A sudden change o' scene;
+Fer miles wheer all wor white afoar,
+ Wor nah a bottle-green.
+
+Then com a woman donn'd i' white,
+ A mantle gert shoo wore;
+A nicer lukin', smarter form
+ I nivver saw afoar.
+
+Her featers did resemble wun
+ O' that kind-hearted lot,
+'At's ivver ready to relieve
+ The poor man in his cot.
+
+Benevolence wor strongly mark'd
+ Upon her noble heead;
+An' on her bruhst ye might ha' read,
+ "Who dees fer want o' breead?"
+
+In fact, a kinder-hearted soul
+ Owd Yorkshire cuddant boast;
+An' who wod feel the least alarmed
+ Ta talk ta sitch a ghoast?
+
+I didn't feel at all afraid,
+ As nearer me shoo drew:
+I sed--"Good evening, Mrs. Ghoast,
+ Hahivver do ye dew?"
+
+Sho nivver seem'd to tak no gawm,
+ Bud pointed up at t'mooin,
+An' beckon'd me ta follow her
+ Reight dahn bi t'Wattery Loin.
+
+So on we went, an' dahn we turn'd,
+ An' nawther on us spak;
+Bud nah an' then shoo twined her heead,
+ Ta see if I'd runn'd back.
+
+At t'last sho stopped and turned arahnd,
+ An' luk'd ma fair i' t'een;
+'Twor nah I picked it aght at wunce,
+ Sho wor no human bein'.
+
+Sho rave a paper fra her bruhst,
+ Like some long theatre bill;
+An' then shoo sed "Wake mortal,
+ Will ta read to me this will?
+
+"Bud first, afoar tha starts to read,
+ I'll tell thee who I is;
+Tha lukes a dacent chap eniff--
+ I judge it by thi phiz.
+
+"Well, I've a job fer thee to do--
+ That is, if tha will do it;
+I think tha'rt t'likliest man I knaw,
+ Becos tha art a poet.
+
+If I am not mistaen, mi friend,
+ I often hear thi name;
+I think they call tha John o' t'Bog";--
+ Says I--"Owd lass, it's t'same."
+
+"It's just so mony years this day,
+ I knaw it by mi birth,
+Sin' I departed mortal life,
+ An' left this wicked earth.
+
+"But ere I closed these een to go
+ Into eternity,
+I thowt I'd dew a noble act,
+ A deed o' charity.
+
+"I hed a bit o' brass, tha knaws,
+ Some land an' property;
+I thowt it might be useful, John,
+ To folks i' poverty.
+
+"So then I made a will o't' lot,
+ Fer that did suit mi mind;
+I planned it as I thowt wor t'best,
+ To benefit mankind.
+
+"I left a lot ta t' Grammar Skooil;
+ By reading t'will tha'll see,
+That ivvery body's barn, tha knaws,
+ May hev ther skooilin' free.
+
+"An' if tha be teetotal, John--
+ Tha may think it a fault--
+To ivvery woman liggin' in
+ I gav a peck o' malt.
+
+"Bud t'biggest bulk o' brass 'at's left,
+ As tha'll hev heeard afooar,
+Wor to be dealt half-yearly
+ Among ahr Keighley poor.
+
+"I certainly did mak a flaw,
+ Fer which I've rued, alas!
+'Twor them 'at troubled t'parish, John,
+ Sud hev no Feffee Brass.
+
+"An' nah, if tha will be so kind,
+ Go let mi trustees knaw
+'At I sall be oblidg'd to them
+ To null that little flaw.
+
+"An' will ta meushun this an' all,
+ Wal tha's an interview?--
+Tell 'em to share t'moast brass to t'poor,
+ Whativver else they do.
+
+"Then I sall rest an' be at peace,
+ Both here an' when i' Heaven;
+When them 'at need it will rejoice
+ Fer t'bit o' brass I've given;
+
+"An' tell 'em to remember thee
+ Upon t'next Feffee Day!"
+I says--"I sallant get a meg,
+ I'm gettin' parish pay."
+
+So when shoo'd spokken what shoo thowt,
+ An' tell'd me what to do,
+I ax'd her if shoo'd harken me,
+ Wal I just said a word or two.
+
+"I'll nut tell you one word o' lie,
+ As sure as my name's John;
+I think at you are quite i' t'mist
+ Abaht things going on.
+
+"Folks gether in fra far an' near,
+ When it is Feffee Day,
+An' think they hev another lowse,
+ Wi' t'little bit o' pay.
+
+"Asteead o' givin' t'brass to t'poor,
+ It's shocking fer to tell,
+They'll hardly let 'em into t'door--
+ I knaw it bi misell.
+
+"Asteead o' bein' a peck o' malt
+ Fer t'wimmen liggin' in,
+It's geen to rascals ower-grown,
+ To drink i' rum an' gin.
+
+"Then them at is--I understand--
+ What you may call trustees;
+They hev ther favourites, you knaw,
+ An' gives to who they please.
+
+"Some's nowt to do but shew ther face,
+ An' skrew ther maath awry;
+An' t'brass is shuvv'd into ther hand,
+ As they are passin' by.
+
+"There's monny a woman I knaw weel,
+ Boath middle-aged and owd,
+'At's waited fer ther bit o' brass,
+ An' catch'd ther deeath o' cowd;
+
+"Wol mony a knave wi' lots o' brass
+ Hes cum i' all his pride,
+An' t'flunkeys, fer to let him pass,
+ Hes push'd t'poor folk aside.
+
+"Fra Bradford, Leeds, an' Halifax,
+ If they've a claim, they come;
+But what wi' t'railway fares an' drink,
+ It's done bi they get hooam.
+
+"Wol mony a poorer family
+ 'At's nut been named i' t'list,
+Reight weel desarves a share o' t'spoil,
+ But, thenk ye, they are miss'd.
+
+"We see a man at hes a haase,
+ Or happen two or three,
+They 'Mister' him, an' hand him aght
+ Five times as mitch as me.
+
+"'Twor better if yo'd teed yer brass
+ Tight up i' sum owd seck,
+An' getten t'Corporation brooms,
+ To sweep it into t'beck."
+
+No longer like Capia's form,
+ Wi' a tear i' both her een,
+But like the gallant Camilla,
+ The Volscian warrior Queen.
+
+Shoo, kneelin', pointed up aboon,
+ An' vah'd, be all so breet,
+Sho'd wreak her vengence on ther heeads,
+ Or watch 'em day an' neet.
+
+Shoo call'd the Furies to her aid,
+ An' Dirae's names shoo used,
+An' sware if I hed spocken t'truth,
+ Shoo hed been sore abus'd.
+
+"Alas, poor Ghoast!"--I sed to her--
+ "Indeed, it is too true";
+Wi' that sho vanish'd aght o' t'seet,
+ Sayin' "Johnny lad, adieu!"
+
+
+
+In Memory of
+THOMAS IRELAND,
+_Police Superintendent_, _Keighley_.
+BORN 1831, DIED 1887.
+
+
+ "He was a man, take him for all-in-all, we shall not look upon his
+ like again?"--SHAKSPEARE.
+
+Who knew his virtues must his death deplore
+And long lament that Ireland is no more;
+Set is the sun that shone with all its rays,
+And claimed from every one their warmest praise.
+
+Mute are those lips, whose mildest accents spoke
+Their sterling worth, down to the harmless joke;
+Clear-seeing his soul, for lo! that mind was one
+That envied nothing underneath the sun.
+
+To speak the truth, he never was afraid;
+His country's weal, his country's laws obeyed;
+A pensive calm reigned on his noble brow,
+While in his eye you read the solemn vow:--
+
+"I harm no one; no one will I betray;
+My duty is to watch and see fair play;
+My friendship is to no one set confined;
+My heart and hand are given to all mankind."
+
+Oh ancient town of legendary strain
+When will his place in thee be filled again!
+For men like he, possessed of sterling worth,
+Are few and far between upon the earth.
+
+Such was the man the weeping mourners mourn,
+Lost to his friends, ah! never to return;
+Fled to the spheres where he in peace must dwell,
+While all who knew him bid a long farewell.
+
+
+
+A Yorkshireman's Christmas.
+
+
+Aw hev ten or twelve pund o' gooid meit,
+ A small cheese an' a barrel o' beer;
+Aw'll welcome King Kersmas to neet,
+ For he nobbut comes once in a year.
+
+Send ahr Will dahn ta Tommy Spoyle Wood's,
+ An' tell him ta send up a log;
+An' tell him an' Betty to come,
+ For Tommy's a jolly owd dog.
+
+Aw mean ta forget all my debts,
+ An' aw mean ta harbour no grief;
+Nobbut emptying glasses an' plates
+ O' their contents o' beer an' gooid beef.
+
+Them barns they care nowt abaht drink,
+ Like us 'at's advanced into years;
+So Sally, lass, what does ta think,
+ If ta buys 'em some apples an' pears?
+
+Ahr David's a fine little lad,
+ An' ahr Nancy's a fine little lass;
+When aw see 'em aw do feel so glad,
+ So bring me a quart an' a glass!
+
+Come, Sally, an' sit bi mi side,
+ We've hed both wur ups an' wur dahns;
+Awm fane at aw made thee mi bride,
+ An' awm prahd o' both thee an' wur barns.
+
+We're as happy as them 'at's more brass,
+ In a festival holly-decked hall;
+We envy no mortal, owd lass;
+ Here's peace an' good-will unto all!
+
+An' may ev'ry poor crater to neet,
+ If nivver before in his life,
+Hev plenty to drink an' to eyt,
+ Fer both him, an' his barns, an' his wife.
+
+
+
+Lines on the Late
+MR. THOMAS CRAVEN.
+
+
+Darkness his curtain, and his bed the dust--
+ The friend we had but yesterday;
+His spirit to the unknown land
+ Hath fled away.
+
+Ah! death's strong key hath turned the lock,
+ And closed again its ponderous door,
+That ne'er for him shall ope again--
+ Ah, nevermore!
+
+Now pity swells the tide of love,
+ And rolls through all our bosoms deep,
+For we have lost a friend indeed;
+ And thus we weep.
+
+ . . . . . . .
+
+'Twas his to learn in Nature's school
+ To love his fellow-creatures dear;
+His bounty fed the starving poor
+ From year to year.
+
+But thou, pale moon, unclouded beam,
+ And O! ye stars, shine doubly bright,
+And light him safe across the lake
+ To endless light!
+
+
+
+Gooise an' Giblet Pie.
+
+
+A Kersmas song I'll sing, mi lads,
+ If ye'll bud hearken me;
+An incident i' Kersmas time,
+ I' eighteen sixty-three;
+Whithaht a stypher i' the world--
+ I'd scorn to tell a lie--
+I dined wi a gentleman
+ O' gooise an' giblet pie.
+
+I've been i' lots o' feeds, mi lads,
+ An' hed some rare tucks-aght;
+Blood-puddin days with killin' pigs,
+ Minch pies an' thumpin' tarts;
+But I wired in, an' reight an' all,
+ An' supp'd when I wor dry,
+Fer I wor dinin' wi' a gentleman
+ O' gooise an' giblet pie.
+
+I hardly knew what ail'd ma, lads,
+ I felt so fearful prahd;
+Mi ears pricked up, mi collar rahse,
+ T'ards a hawf-a-yard;
+Mi chest stood aght, mi charley in,
+ Like horns stuck aght mi tie;
+Fer I dined wi' a gentleman
+ O' gooise an' giblet pie.
+
+I often think o' t'feed, mi lads,
+ When t' gentleman I meet;
+Bud nauther on us speiks a word
+ Abaht that glorious neet;
+In fact, I hardly can misel,
+ I feel so fearful shy;
+Fer I ate a deal o' t'rosted gooise,
+ An' warm'd his giblet pie.
+
+
+
+The Grand Old Man.
+
+
+I sing of a statesman, a statesman of worth,
+The grandest old statesman there is upon earth;
+When his axe is well sharpened we all must agree,
+He can level a nation as well as a tree.
+
+He can trundle such words from his serpent-like tongue
+As fairly bewilder both old men and young;
+He can make some believe that's black which is white,
+And others believe it is morn when it's night.
+
+He has tampered with kings, and connived with the Czar;
+His Bulgarian twaddle once caused a great war,
+Where thousands were slain, but what did he heed,
+He still went to Church the lessons to read.
+
+A bumbailey army to Egypt he sent,
+In search of some money which long had been spent;
+He blew up the forts, then commended his men,
+And ordered them back to old England again.
+
+In the far distant Soudan the Mahdi arose,
+No doubt he intended to crush all his foes;
+But Gladstone sent Gordon, who ne'er was afraid,
+Then left him to perish without any aid.
+
+"If I," said poor Gordon, "get out of this place,
+That traitor called Gladstone shall ne'er see my face--
+To the Congo I'll go, if I am not slain,
+And never put foot in old England again."
+
+When the sad news arrived of the fall of Khartoum,
+And of how our brave Gordon had met his sad doom,
+Gladstone went to the theatre and grinned in a box,
+Tho' he knew that old England was then on the rocks.
+
+He allowed the Dutch Boers on Majuba Hill,
+Our brave little army to torture and kill;
+And while our poor fellows did welter in gore,
+He gave up the sword to the treacherous Boer.
+
+Brave, though black Cetewayo, the great Zulu King,
+To civilised England they captive did bring;
+He sent back the Zulu, where first he drew breath,
+Unguarded and helpless, to meet his own death.
+
+"Had I done," says Bismark, "so much in my life,
+As Gladstone has done in fomenting sad strife,
+I could not at this day have looked in the face
+Of king, prince or peasant of my noble race."
+
+He has tampered and tarnished his national fame;
+He has injured Great Britain in interest and aim--
+Caused strife, war and bloodshed too reckless I ween,
+Not caring for honour of England or Queen.
+
+He invokes the great gods their rich blessing to shower,
+As he stumps our great nation to get into power;
+E'en now from old Ireland he cravenly begs,
+That she will assist him to get on his legs.
+
+
+
+Ode to Bacchus.
+
+
+Pueple god of joyous wit,
+ Here's to thee!
+Deign to let the bardie sit
+ Near thy knee;
+Thy open brow, and laughing eye,
+Vanquishing the hidden sigh,
+Making care before thee fly,
+ Smiling Bacchus, god of wine!
+
+Thy stream intoxicates my song,
+ For I am warm;
+I love thee late, I love thee long;
+ Thou dost me charm;
+I ever loved thee much before,
+And now I love thee more and more,
+For thou art loved the wide world o'er,
+ Charming Bacchus, god of wine!
+
+"Angels hear that angels sing,"
+ Sang the bard,
+While the muse is on the wing,
+ Pay regard;
+See how Bacchus' nectar flows,
+Healing up the heartstrings' woes,
+Making friends, and _minus_ foes,
+ Gracious Bacchus, god of wine!
+
+Ever on thee I depend,
+ As my guest;
+Thou wilt bring to me the friend
+ I love best;
+Friendship is the wine of love;
+Angels dwell with it above,
+Cooing like the turtle-dove
+ Lovely Bacchus, god of wine!
+
+Laughing Genius, a "Good night!"
+ Yet, stay awhile!
+Ere thou tak'st thy upward flight,
+ Upon me smile;
+Drop one feather from thy breast
+On the bard, that he may rest,
+Then he will be doubly bless'd,
+ Glorious Bacchus, god of wine!
+
+Kings are great, but thou art just,
+ Night and day;
+What are kings but royal dust--
+ Birds of prey?
+Though in splendour they may be--
+Menials bow, and bend the knee--
+Oh, let me dwell along with thee,
+ Famous Bacchus, god of wine!
+
+ [Picture: Picture of plant]
+
+
+
+Sall o't' Bog.
+
+
+Mi love is like the passion dock,
+ That grows i' t'summer fog;
+An' tho' shoo's but a country lass,
+ I like mi Sall o' t'Bog.
+
+I walk'd her aght up Rivock End,
+ An' dahn a bonny dell,
+Whear golden balls an' kahslips grow,
+ An' buttercups do smell.
+
+We sat us dahn on top o' t'grass,
+ Clois to a runnin' brook,
+An' harken'd t'watter wagtails sing
+ Wi' t'sparrow, thrush, an' rook.
+
+Aw lockt her in mi arms, an' thowt
+ As t'sun shane in her een,
+Sho wor the nicest cauliflaar
+ At ivver aw hed seen.
+
+'Twor here we tell'd wur tales o' love,
+ Beneath t'owd hezzel tree;
+How fondly aw liked Sall o' t'Bog,
+ How dearly shoo loved me!
+
+An' if ivver aw deceive thee, Sall,
+ Aw vah bi all aw see,
+Aw wish 'at aw mud be a kah,
+ An' it beleng ta thee.
+
+But aw hev plump fergetten nah
+ What awther on us said;
+At onny rate we parted friends,
+ An' boath went hooam to bed.
+
+
+
+Song of the Months.
+
+
+High o'er the hill-tops moan the wild breezes,
+ As from the dark branches I hear the sad strain:
+See the lean pauper by his grim hearth he freezes,
+ While comfort and plenty in palaces reign.
+
+Dark is the visage of the rugged old ocean,
+ To the caves in the billow he rides his foamed steed:
+As o'er the grim surge with his chariot in motion,
+ He spreads desolation, and laughs at the deed.
+
+No more with the tempest the river is swelling,
+ No angry clouds frown, nor sky darkly lower;
+The bee sounds her horn, and the gay news is telling
+ That spring is established with sunshine and shower.
+
+In the pride of its beauty the young year is shining,
+ And nature with blossom is wreathing the trees;
+The white and the green in rich clusters entwining,
+ And sprinkling their sweets on the wings of the breeze.
+
+O May, lovely goddess! what name can be grander?
+ What sunbeam so bright as thine own smiling eye;
+With thy mantle of green, richly spangled in splendour,
+ At whose sight the last demon of winter doth fly?
+
+From her home in the grass see the primrose is peeping,
+ While diamond dew-drops around her are spread;
+She smiles thro' her tears like an infant that's sleeping,
+ And to laughter is changed as her sorrows are fled.
+
+The landscape around is now sprinkled with flowers,
+ The mountains are blue in their distant array;
+The wreaths of green leaves are refreshed with the showers,
+ Like a moth in the sunshine the lark flies away.
+
+How joyous the reapers their harvest songs singing
+ As they see the maid bring the flagon and horn;
+And the goddess of plenty benedictions is flinging
+ Over meadows and pastures and barley and corn.
+
+'Tis sweet on the hills with the morning sun shining,
+ To watch the rich vale as it brightens below;
+'Tis sweet in the valley when day is declining,
+ To mark the fair mountains, deep tinged with its glow.
+
+Now is the time when biting old Boreas,
+ True to his calling, the tempests impend;
+His hailstones in fury are pelting before us,
+ Our fingers are smarting, and heads they are bent.
+
+The cold winds do murmur, the bleak snow is falling,
+ The beasts of the forest from hunger do call;
+There are desolate evenings, comfortless mornings,
+ And gloomy noontides for one and for all.
+
+Drear is thine aspect, tyrannical December,
+ O hast thou no mercy for the pitiless poor;
+Christmas is thine, and well we remember,
+ Though dark is thy visage, we honour thee more.
+
+
+
+Bonnie Cliffe Castle.
+
+
+Oh, bonnie Cliffe Castle! what sight can be grander?
+ Thou picture of beauty and joy to the eye,
+So noble and grand in thy beauty and splendour
+ That envy must tremble as she passeth by.
+
+And long may'st thou flourish and bloom like the heather,
+ An honour to him who's thy founder so great,
+And stand like an oak in both fair and foul weather,
+ Till old Father Time hath forgotten thy date.
+
+'Tis a pleasure to view thee from hill-top or level,
+ From moorland, from meadow, or mountain afar,
+Where Roman pack-horsemen more safely could travel,
+ In days when the Briton and Boman waged war.
+
+In those days of yore, from Hawkcliffe to Rivoc,
+ The wolf and the wild boar sought after their prey,
+But Briton's brave sons amongst them made havoc,
+ And thus for Cliffe Castle they opened the way.
+
+Where erst were wild woods, crags, moorlands, and marshes,
+ In days long gone by and whose dates are unknown,
+Is now the highway where stand thy proud arches,
+ Oh, bonnie Cliffe Castle! thou pride of the town.
+
+'Tis true that thy walls were not built for defence,
+ Nor that thy equipments befit thee for war;
+A castle of love is thy only pretence,
+ A name that is higher and nobler by far.
+
+Thou 'mind'st me of five as kind-hearted brothers,
+ As ever set sail on the deep ocean's breast,
+Whose lives have been spent in love toward others,
+ And while blessing others themselves have been blest.
+
+Like heroes of old, on horse or on vessel,
+ On land or on water they fought and they won,
+And now thy grand towers, O bonnie Cliffe Castle!
+ Tower up to the heavens, which answer, "Well done!"
+
+
+
+Opening of Devonshire Park,
+SEPTEMBER 4TH, 1888.
+
+
+Oh, well do we remember--
+ For the news it was so pleasant--
+When His Grace the Duke of Devonshire
+ Made our famous town a present
+Of a pretty little garden--
+ An Arcadia in its way--
+And how the bells rang merrily
+ On that eventful day.
+
+Oh, this lovely little garden
+ 'Twill be to us a pleasure,
+It will delight the great elite--
+ To them 'twill be a treasure.
+And who are they who dare to say
+ The town it did not need one--
+A pretty little lovely spot
+ And a happy little Eden.
+
+In this pretty little Paradise
+ Of beauty and of splendour--
+Search our land from end to end,
+ You could not find a grander;
+The turtledove can make its love,
+ Not caring for the pigeon,
+If he belongs his politics
+ And follows his religion.
+
+In this pretty little garden,
+ When the bloom is on the heather,
+Two minds with but one single thought
+ Can tell their tales together;
+The maiden from the mansion,
+ And the lady from the villa,
+Can wander there and shed a tear
+ Beneath the weeping willow.
+
+This bonny little garden
+ Is fine for perambulators,
+Where our handsome servant-lasses
+ Can wheel our lovely creatures,
+And oh! how happy they will be!
+ As time they are beguiling,
+When the mammy and the daddy
+ Are upon the babies smiling.
+
+Oh! this pretty little garden,
+ Which every one admires,
+Which pleased His Grace the Noble Duke
+ To give our little squires.
+The news was something wonderful,
+ Like the shooting of a rocket,
+When they heard that they had got a Park,
+ And were "nothing out o'pocket."
+
+In this pretty little garden,
+ With all its blossom blooming
+We can sit and sing the whole day long,
+ From the morning till the gloaming;
+And tell Dame Keighley's blunders,
+ When her sons were naught but asses;
+And could not even raise a Park,
+ To please the upper classes.
+
+Then let us give the Noble Duke,
+ The praises of the Borough--
+For if we did not thank His Grace,
+ We should commit an error--
+And not forgetting Mr. Leach,
+ For he deserves rewarding,
+For it is known he got the town
+ This pretty little garden.
+
+ [Picture: Picture of a rose]
+
+
+
+Farewell to the
+REV. H. J. LONGSDON,
+Formerly Rector of Keighley.
+
+
+Farewell dear friend, nor take it hard,
+ To leave the town where thou hast been,
+Where many a joy we hope thou'st had,
+ Though witness'd many a sorry scene.
+
+Thy works were good, we know it well,
+ We watched thee in thy weary toil;
+Where oft obstruction, shame to tell,
+ Waits on the good their plans to spoil.
+
+Yet thou dids't toil without a fear
+ From day to day, from year to year;
+Beloved by all, thy foes are few,
+ And they are loth to bid adieu.
+
+We saw thee in the early dawn
+ Up with the lark at break of morn,
+Thy duties promptly to attend,
+ Our shepherd, pastor, and our friend.
+
+With good advice to one and all,
+ The old, the young, the great, the small;
+In lane or house, in church or street,
+ Thy presence we were glad to meet.
+
+"Thou art a man! a man! a man!"
+ The Poet quotes from some old play;
+"An upright, honest gentleman,
+ Whose likes we meet not every day."
+
+And when thou leavest us behind,
+ Our recollections will not die--
+Of thee whose meekness, zeal, and love,
+ Are known alike to low and high.
+
+Out from thy fold, all other flocks
+ Were proud of thee--a shepherd true,
+All other shepherds greeted thee,
+ Although thy flocks to theirs were few.
+
+Thou tended with a shepherd's care,
+ And saw that none did go astray;
+Thou led them with an honest will,
+ From early morn to evening's ray.
+
+Adieu, dear sir, long may'st thou live
+ To be a credit to our isle;
+And when thou toil'st 'midst other friends,
+ May fortune on thy labours smile.
+
+ [Picture: Decorative picture of a plant]
+
+
+
+He's Thy Brother.
+
+
+Turn from the rich thy steps awhile,
+And visit this poor domicile;
+Abode of flavours rank and vile?
+This is the home, and this the style,
+ Where lives thy brother!
+
+The cobwebs are his chandeliers;
+Bricks and dank straw his bed and chairs;
+He has no carpet on the stairs,
+But, like the wild beasts to their lairs,
+ Crawls in thy brother.
+
+He once did stride his father's knee--
+A little horseman bold and free;
+And, should thou trace this pedigree,
+Thy mother's darling pet was he--
+ Thy little brother.
+
+His mind was not of thine, 'tis plain;
+He dreamt of wonders, thou of gain;
+But thou thy object didst attain
+For which another sought in vain--
+ E'en thy own brother.
+
+Thou cunningly didst keep thy pace,
+While he joined in the wild-goose chase;
+Thou'rt now the great one of this place,
+While he hath lost his phantom race--
+ Thy wretched brother!
+
+I see a form amongst the crowd,
+With stricken heart, and head that's bowed;
+I hear a voice, both deep and loud--
+A voice of one that wanted food--
+ It is thy brother.
+
+The meanest wretch that ever trod,
+The smallest insect 'neath the sod,
+Are creatures of an All-seeing God,
+Who may have smitten with his rod
+ Thy foolish brother.
+
+He careth not for wealth or show,
+But dares thee to neglect, e'en now,
+That unmanned wretch, so poor and low,
+Else he may deal a heavy blow,
+ E'en for thy brother.
+
+
+
+Lund's Excursion to Windermere.
+
+
+Come hither mi muse, an' lilt me a spring,
+Tho'daghtless awhile tha's been on the wing;
+But yet tha mun try to cum up ta t'mark,
+An' give us sum rhyme for a bit of a lark:
+An' tho' at thy notes in this sensation age,
+Wiseacres may giggle an' critics may rage,
+Thou art my sole hobby there is no mistake,
+So sing us t'Excursion ta Windermere Lake.
+
+'Twor a fine summer's mornin' as ivver wor seen,
+All nature wor wearin' her mantle o' green;
+The birds wor all singin' i' owd Cockle Wood,
+As if by their notes they all understood,
+As weel as the people who com wi' a smile,
+To see the procession march off i' grand style.
+
+"Owd Rowland," the bell wi' his gert iron tongue,
+Proclaim'd to the people both owd an' young,
+'Twor high time to rise for each moment wor dear
+As t'train wod be startin' fer Lake Windermere;
+An' Rowland, the bell, didn't toll, sir, i' vain,
+For hunderds wur ready ta start for the train.
+
+But harken what music--grand music is here,
+Ower maantains, dahn valleys, it's saanding so clear;
+It's t'Turkey Mill Band wi ther sharps and ther flats,
+I' ther blue an' green coits an' ther red-toppin'd hats,
+'Tis plain whear they're bahn wi' t'long paces they take,
+An' they'll play wi' some vengeance at Windermere Lake.
+
+But, harken ageean! what's comin' this way?
+More music, grand music; hey, hear how they play!
+It's t'Fife an' Drum Band fra Throttlepoke Raw,
+Wi' as strong a big drummer as ivver yah saw,
+An' both his drum ends must be solid as stone,
+Fer bi t'way 'at he thumps he macks it fair groan.
+
+The procession moves off in a double quick pace,
+An' all seem delightful--a smile on ther face,
+As the music strikes up wi' owd "Robin a Dair,"
+Toan hauf o' t'wimmen scarce knaw what they ail;
+To see the bands marching it wod yah delight,
+So ably conducted by owd Jimmy Wright.
+
+The weivers led on by Miss Hob an' Miss Hall,
+Each dress'd i' ther jackets, new turban, an' fall,
+An' if you'd o' seen 'em you'd o' thowt they wor fine,
+Wi' ther nice parasols an' ther gert crinoline;
+But as they wor marchin' foaks sed at Miss Hob,
+Wor t'nicest and smartest young woman i' t'job.
+
+T'next section 'at followed wor a section o' rakes,
+Led on by owd blossom, an' Driver o' Jacques,
+Wi' Ruddock an' Rufus, an' Snowball so breet;
+Along wi' owd Nathan, Bill Rollin an' Wreet;
+An' Harry O'Bridget, Tom Twist, an' his pals,
+An' Benger, an' Capper, an' Jonas o Salls.
+
+The lads an' the lasses come marchin' behind,
+An' rare an' weel suited wor t'youngsters yo mind;
+For all wor nah waitin' fer t'Fife an' Drum Band,
+To strike up like thunner ther music so grand;
+How prahd an' delighted yo might a seen some,
+When t'drummer wi' vengeance wor thumpin' his drum.
+
+An' who cud hev thowt it?--but let ma go on;--
+There wor Jacky o' Squires an' Cowin' Heead John,
+Wi' Corney o' Rushers, but not bi hissen,
+For there wor Joseph o' Raygills, owd Jess an' owd Ben.
+Ye sall seek fer a month, but between nah an' then,
+I defy ye ta find sitch a pick'd lot o' men.
+
+Tom Nicholl then marched at t'heead of his clan,
+An' it's said 'at he muster'd his men to a man;
+There wor Joaney o' Bobs, an' his mates full o' glee,
+An' that little dark fella 'at comes fra t'Gooise Ee.
+All a set o' fine fellas in heighest respect,
+Weel up i' moustaches an' nicely shirt neckt.
+
+But among the procession at walk'd in his pride,
+Wor Joey o' Willie's 'at lives at t'Beck Side;
+An' along wi' Bill Earby wor marchin' his friend,
+Wun Jemmy o' Roses fra t'Branshaw Moor End.
+As we pass'd dahn t'tahn the foaks did declare
+'At t'best lukin' men wor Sam Butt an' Black Hare.
+
+But t'next at com on an' made t'biggest crack,
+Wor t'gallant Big-benners led on wi' Bill Shack;
+An' t'spectators praised 'em an' seem'd i' ther joy,
+When they saw Johnny Throstle, an' Nolan an' Boy.
+Altho' not weel up i' ther armour an mail,
+Yet these are the lads 'at can tell yu a tale.
+
+Hahsumivver, we push'd an' thrusted thro' t'craad,
+Wal we landed at t'station an' waited i' t'yard;
+So we all sattled dahn, for we thowt it t'best plan
+To wait o' wer orders to get into t'train.
+
+Hahsumivver, after a deal o' yellin' an' screamin' o' t'injuns, Mr. Mann
+sed all wor reight nah, an' they mud start as sooin as they liked, for
+ivverybody wor i' t'train at wor bahn, but owd Pally Pickles an' Matty o'
+Maude's; an' their Sally cudn't go becos they had a mustard plaister to
+put on to their Roger's chest; he'd strain'd his lungs wi' eitin'
+cahcumbers. Beside, owd Pally cudn't go either, becos shoo'd nobody to
+wait on t'owd fella at wor laid up i' t'merly grubs; an' ivverybody wor
+so taen on abaght Will Scott not going, for, as owd Betty sed, what wod
+they do if ther legs gat asleep an' no galvanic battery to shack em
+reight ageean?
+
+But, hahsumivver, t'guard blew his whistle an' off t'train started
+helter-skelter up bi Utley as hard as ivver it cud go. An nah for a
+change o' scene!--fer t'Exley-Heeaders aght wi ther rhubub pasties an'
+treacle parkins. Harry o' Bridget's hed a treacle parkin t'size of a
+pancake in his hat crahn, an' Joe o' owd Grace's fra Fell Loin hed a gert
+bacon collop in his pocket t'size of a oven tin. Somebody remarks,
+"Tha'll grease thi owd chops wi' that, Joe." He sed "I like a bit o'
+bacon when it isn't reezed, tha knaws, especially home-fed like this";
+but just when he wor exhibitin' it rhaand t'hoile, t'train stopp'd at
+Kilwick Station, fer t'maister an' t'missis wor waitin' to get in; so
+t'Turkey Mill Band struck up "We're goin' home to glory," wi' credit to
+both t'conductors an' thersens. Hahsumivver, they wor forced to put
+double time in at t'latter end, for Puffin' Billy started o' screaming
+ageean fearfully, so all wor in t'carriages an' off in a crack--my word,
+they did leg it ower hedges an' dykes, thru valleys an' mahutains--
+
+"Where the wind nivver blew,
+ Nor a cock ivver crew,
+Nor the deil sahnded
+ His Bugle Horn."
+
+I'll assure yu, foak, it seemed varry little afoar we wor at Clapham.
+Why, yu can judge for yersens; when Tom o' Twist's gat up an' popped his
+heead aght o' t'window an' shaated aaght "We're at Derby already!" but it
+turned aght to be nowt but a coil truck wi' "Derby" marked on it. Well,
+be it as it may, we landed at Lancaster sooin, an' some o' t'owd maids
+gat aght here, but it wor nivver knawn to this day what for; hahsumivver,
+it hes been suspected at they wor after some watter, for ther shooin wor
+steepin' wet when they com back. But yu mun knaw at after a deal o'
+twistin' an' twinin' they started for Windermere, but, my word, it
+worrant generally thowt so, for owd Nathan o' Johnny's an' their Samuel,
+an' owd Matty o' Sykes's, an' Bob o' t'Bog, stood it boldly 'at it wor
+goin' back to Keighley, an' wodant believe it wal they reitched Kendal;
+besides, ivverybody thowt at t'train wor lost, but after another start we
+landed at Windermere, an' nearly all t'passengers wor fair capp'd, for
+they thowt for sewer at t'injun hed been flaid wi' summat.
+
+But, hod yer din, says Railway Tim,
+ As it is varry clear,
+At t'injun's reight an' landed streight,
+ For this is Windermere.
+
+So, i' landing, ivverbody seemed quite startled wi' t'appearance o'
+t'place. "Well, if ivver, I'm fair capp'd!', sed owd Maude o' Peter's,
+"it's t'nicest spot I ivver saw wi' mi een, an' I sall say so to mi
+deein' day. It looks like a paradise! I've seen mony a nice place i' mi
+life-time, both dreamin' an' wakin', but this licks all! What wi'
+t'grand black marble houses an' t'roses growin' up at t'front, it's
+ommost like bein' i' Heaven." But nobody cud hear aboon t'toan hauf o'
+what wor said cos t'bands wor playin' as hard as ivver they cud an'
+t'foak wor all in a bussle, for--
+
+Miss Hob an' Miss Jonas tuke a cab dahn to Bowness,
+ An' mind yu, they luk'd fearful grand;
+An' when they gat theer they tuke fer Grassmere,
+ Like two o' t'first ladies i' t'land.
+
+Miss Walsh an' Miss Roddy an' another young body,
+ Bethowt 'em 'at it wod be t'best,
+To tak a fine boat an' just hev a float
+ Dahn the lake as far as Dove's Nest.
+
+Says Miss Nelly Holmes, "as I've left off mi looms
+ I'll show at I'm summat better;
+An' I'll go ta Low Wood, it might do ma good,
+ An' sport both on t'land an' on t'watter."
+
+Hahsumivver, Miss Martha Smith fra Utley, an owd maid, an' Jenny Hodgson,
+an' Ann Shack, an' abaght nineteen other owd maids, bethowt 'em they'd
+hev some teah, for there wor a paper stuck i' ivvery window wi' "Hot
+water sold here," as an inscription. So they went in an' bargain'd for
+it, an' ax'd what it wor a piece fer hot waiter. "Tuppence a piece," says
+t'Missis. "Tuppence a piece!" exclaim'd t'dollop of 'em, "we can get it
+at owd Matty Wreet's fer a penny a week. It's a burning shame, but let's
+hev a bucket
+a piece."
+
+So thirteen cups a piece they tuke,
+ An' they were noan ta blame,
+Fer weel shoo knew did Hannah Shack,
+ They'd hev to pay the same.
+
+An' my word, t'gert foak wor capp'd when they saw us; these wor some
+squintin' throo glasses, yu mind, an' especially when t'band started a
+playin'. In fact, they wor fair charm'd wi' t'Turkey Mill Banders, an' a
+deal o' t'young ladies an' gentlemen admired t'conductor, fer his arm
+went just like a hand-loom weiver swingin' his pickin' stick.
+
+Fer monny a noble lord did say,
+ An' so did monny a heiress,
+"Can this be Julien's Band, I pray,
+ That late we've seen in Paris.
+
+"Upon my word, I think it is
+ That famous French instructor,
+Mon Dieu! when I behold his phiz,
+ It is the great conductor."
+
+But they wor t'moast capped wi' t'Fife an' Drum Band ov owt. They tuke
+'em to be a band of Esquimaux at hed just landed i' England.
+Hahsumivver, we followed after, marchin' ta t'tune 'at t'owd kah deed on,
+i' droves like a squad o' pie-bald geese, wal we com ta t'watter edge,
+an' then--
+
+To Miller's Brah, an' Calf-garth Woods,
+ Some on 'em tuke ther route,
+Some sailed across to Castle Wray,
+ An' some went whear they thowt.
+
+Some tuke a yacht to Newby Brig,
+ To brave both wind an' tide,
+Wal others sailed around Belle Isle,
+ An' some to Ambleside.
+
+I' landin' at Ambleside, Joe o' Raygill's bethowt him he'd hev a glass o'
+ale, an' bethegs he'd t'misfortun to leave three gert curnberry pasties
+i' t'hotel, an' didn't bethink him wal he'd getten on ta t'top of a big
+hill, but when he bethowt him, my word, he did bounce dahn that hill ta
+some tune. When he gat back, t'missis hed geen 'em to Jonas o' Sall's,
+an' behold they wor luking fer one another up hills an' dahn valleys, Joe
+axin' ivverybody he met if they'd seen owt of his three pasties, an'
+Jonas axin' fer t'owner on 'em. Hahsumivver, they nivver gat ta see nowt
+wal they wor theer, for they didn't meet wal t'train wor just startin'
+back agean, an' then Joe didn't get his pasties, cos Jonas hed geen 'em
+to a injun-driver, an' theer--betmess he'd hetten 'em, ta Joe's
+mortification an' rage!
+
+But, that worn't all t'mistak at wor made; fer Bill Rollins bethowt him
+at he'd lost summat, but cudn't tell fer his life what it wor. He groped
+his pockets, luk'd into his carpet beg, an' studied fer aboon an haar; at
+last he pick'd it aght 'at it wor their Peg 'at he'd lost somewheer up on
+t'mahntens.
+
+Well, as I wor tellin' yu, we'd promenaded t' gigantic hills an'
+beautiful valleys, intermix'd wi' ower-hingin' peaks an' romantic
+watter-falls which form part o' t'grand Lake scenery of ahr English
+Switzerland to the delight of ivvery one o' t'excursionists. T'day
+beginnin' to advance, an' "back agean" bein' t'word i' ivverybody's
+maath, yu cud see t'fowk skippin' ower t'Lake ("Home-ward bound," as
+t'song says), some in a Indian canoe, some in a Venetian gondolier; owd
+Ben Rusher wor in a Chinese junk, somebody sed. But, haivver, hunderds
+mud be seen on board o' t'steam yachts comin' fra Newby Brig an'
+Ambleside. Fra t'latter place t'steamer wor fair craaded wi' foak, for
+i' t'first class end ther wor Mr. an' Mrs. Lund an' their illustrious
+friends, Mr. Mann an' staff wi' a parson an' four of his handsome
+dowters; at t'other end wor a German Band, some niggers, Jimmy Wright,
+jun., alias Jim o' Peggy's, wi' a matter o' one hunderd Ranters rhaand
+him. Jim wod hev his lip in; but he's a rare chorus singer, there's nowt
+abaght that; for, my word, t'strangers did praise him aboon a bit, an'
+weel he desarved it, fer he gap'd like a young throstle, wal t'foak wor
+fair charm'd, an' 'specially t'Germans an' t'niggers 'at wor on deck, fer
+they'd nivver heeard onny chorus-singin' afoar they heeard Jim strike
+up--
+
+We're joyously sailin' ower the lake,
+ Bound fer t'opposite shore;
+An' which o' yu's fooil enuff ta believe
+ We sall nivver see land onny more.
+
+ Let the hurrican roar,
+ Sall we ivver land onny more.
+
+The skilful pilot's at the wheel,
+ An' his mate is watchin' near;
+So the captain shouts "Cheer up, mi lads,
+ There's nobody nowt to fear."
+
+ Then let the hurrican roar,
+ We sall reitch the opposite shore.
+
+An' summat abaght "the evergreen shore" he sang. But what wi'
+t'beautiful landscapes on both sides o' t'Lake, an' t'recollections o'
+Wordsworth, Wilson, Mrs. Hemans, Harriet Martineau, an' other famous
+poets, painters, an' authors, it threw one of our party into a kind o'
+poetical mood--
+
+For wal he stood upon the deck,
+ He oft wor heeard to say,
+"I'd raither oomo to Windermere,
+ Nor go to Morecambe Bay;
+An' though I've been to Malsis Hall,
+ Where it is fearful grand,
+It's nowt at all compared wi' this--
+ The nicest place i' t'land.
+
+For, O how splendid is the Lake,
+ Wi' scenery like this!
+If I cud nobbut stop a week,
+ It wod be nowt amiss;
+A resolution nah I'll mack,
+ T'next summer what to do;--
+Asteead o' comin' for a day,
+ I'll stop a week or two."
+
+But nah we land at Bowness Pier,
+ Then sooin we jump ashore,
+An' back to t'Station we did steer,
+ For rare an' pleased we wor:
+So into t'train for back agean,
+ Owd friends once more to meet;
+An' in a crack we're landed back--
+ Bi ten o'clock at neet.
+
+All join i' praise to Mr. Mann,
+ For t'management he made;
+An' praise the gallant Turkey Band,
+ For t'music 'at they play'd:
+An' praise is due fra ivvery one
+ 'At shared i' this diversion;
+All praise an' thanks to Mr. Lund,
+ Who gav this grand Excursion.
+
+
+
+The Tartan Plaid.
+
+
+In Auld Lang Syne I've heard 'em say
+ My granny then she wore
+A bonnie Scottish Tartan Plaid
+ In them good days o' yore;
+An' weel I ken when I was young
+ Some happy days we had,
+When ladies they were dress'd so gay
+ In Scottish Tartan Plaid.
+
+Me thinks I see my father now
+ Sat working at his loom--
+I see my mother at the wheel--
+ In our dear village home;
+The swinging-stick I hear again,
+ Its buzzin' makes me sad,
+To think those happy days are gone
+ When weaving Tartan Plaid.
+
+It is not in a clannish view,
+ For clans are naught to me,
+But 'tis our ancient Tartan Plaid
+ I dearly love to see.
+'Tis something grand ye will agree
+ To see a Highland lad,
+Donn'd in his Celtic native garb,
+ The grand old Tartan Plaid.
+
+Our Soldier lads in tartan kilts
+ Outshine our warriors bold
+(Who dress in scarlet, green, and blue,
+ Decked off with shining gold);
+Just see our kilted lads so brave,
+ It makes my heart feel glad,
+And 'minds me of my boyish days
+ When dress'd in Tartan Plaid.
+
+"O wad some power" the hint we give
+ Our Sovereign Lady Queen,
+To dress herself and lady maids
+ In bonnie tartan sheen.
+Then treadles, shuttles, warp, and weft--
+ (For trade would not be bad)--
+Would rattle as in days of yore,
+ When weaving Tartan Plaid.
+
+
+
+The Pauper's Box.
+
+
+Thou odious box, as I look on thee,
+I wonder wilt thou be unlocked for me?
+No, no! forbear!--yet then, yet then,
+'Neath thy grim lid do lie the men--
+Men whom fortune's blasted arrows hit,
+And send them to the pauper's pit.
+
+O dig a grave somewhere for me,
+Deep underneath some wither'd tree;
+Or bury me on the wildest heath,
+Where Boreas blows his wildest breath,
+Or 'mid some wild romantic rocks:
+But, oh! forbear the pauper's box.
+
+Throw me into the ocean deep,
+Where many poor forgotten sleep;
+Or fling my corpse in the battle mound,
+With coffinless thousands 'neath the ground;
+I envy not the mightiest dome,
+But save me from a pauper's tomb.
+
+I care not if t'were the wild wolf's glen,
+Or the prison yard, with wicked men:
+Or into some filthy dung-hole hurled--
+Anywhere, anywhere! out of the world!
+In fire or smoke on land or sea,
+Than thy grim lid be closed on me.
+
+But let me pause, ere I say more
+About thee, unoffending door;
+When I bethink me, now I pause,
+It is not thee who makes the laws,
+But villians who, if all were just,
+In thy grim cell would lay their dust.
+
+But yet, t'were grand beneath yond wall,
+To lie with friends,--relations all;
+If sculptured tombstones were not there,
+But simple grass with daisies fair;
+And were it not, grim box, for thee
+'Twere paradise, O cemetery.
+
+
+
+The Vale of Aire.
+
+
+[It was early in the morning that I took my ramble. I had noticed but
+little until I arrived at the foot of the quaint old hamlet of Marley.
+My spirits began to be cheered, for lively gratitude glowed in my heart
+at the wild romantic scenery before me. Passing the old mansion, I
+wended my way towards the huge crag called the "Altar Rock." Wild and
+rugged as the scenery was, it furnished an agreeable entertainment to my
+mind, and with pleasure I pushed my way to the top of the gigantic rock,
+where I viewed the grandeur of the vale below. The blossom on the
+branches, the crooked Aire gliding along like sheets of polished crystal,
+made me poetic. I thought of Nicholson, the poet of this beautiful vale,
+and reclining on a green moss-covered bank, I framed these words.]
+
+Poet Nicholson, old Ebor's darling bard,
+ Accept from me at least one tributary line;
+Yet how much more should be thy just reward,
+ Than any wild unpolished song of mine.
+
+No monument in marble can I raise,
+ Or sculptured bust in honour of thy name;
+But humbly try to celebrate thy praise,
+ And give applause that thou shouldst duly claim.
+
+All hail, the songsters that awake the morn,
+ And soothe the soul with wild melodious strains;
+All hail, the rocks that Bingley hills adorn,
+ Beneath whose shades wild Nature's grandeur reigns.
+
+From off yon rock that rears its head so high,
+ And overlooks the crooked river Aire;
+While musing Nature's works full meet the eye,
+ The envied game, the lark and timid hare.
+
+In Goitstock Falls, and rugged Marley's hill,
+ In Bingley's grand and quiet sequestered dale,
+Each silvery stream, each dike or rippled rill,
+ I see thy haunt and read thy "Poacher's Tale."
+
+So, Homer-like, thy harp was wont to tune
+ Thy native vale in glorious days of old,
+Whose maidens fair in virtuous beauty shone--
+ Her sages and her heroes great and bold.
+
+No flattering baseness could employ thy mind,
+ The free-born muse detests that servile part:
+In simple lore thy self-taught lay I find
+ More grandeur far than all the gloss of art.
+
+Though small regard be paid to worth so rare,
+ And humble worth unheeded pass along;
+Ages to come will sing the "Yale of Aire,"
+ Her Nicholson and his historic song.
+
+[Picture: Picture of a tree]
+
+
+
+Fra Haworth ta Bradford.
+
+
+Fra Haworth tahn the other day,
+ Bi t'route o' Thornton Height,
+Joe Hobble an' his better hauf,
+ Went inta Bradford straight.
+
+Nah Joe ta Bradford hed been before,
+ But shoo hed nivver been;
+But hahsumivver they arrived
+ Safe inta t'Bowlin' Green.
+
+They gav a lad a parkin pig,
+ As on the street they went;
+Ta point 'em aght St. George's Hall,
+ An' Ostler's Monument.
+
+Bud t'little jackanapes bein'deep,
+ An' thowt they'd nivver knaw,
+Show'd Joseph Hobble an' his wife
+ T'first monument he saw.
+
+As sooin as Joe gat up ta t'rails,
+ His een blaz'd in his heead;
+Exclamin', they mud just as weel
+ A gooan an' robb'd the deead.
+
+Bud whoivver's ta'en them childer dahn,
+ Away fra poor owd Dick,
+Desarves his heead weel larapin,
+ Wi' a dahn gooid hazel stick.
+
+T'lad seein' Joe froth aght o' t'maath,
+ He sooin tuke to his heels,
+Fer asteead o' t'Ostler's Monument,
+ He'd shown 'em Bobby Peel's.
+
+
+
+The Veteran.
+
+
+I left yon fields so fair to view;
+ I left yon mountain pass and peaks;
+I left two een so bonny blue,
+ A dimpled chin and rosy cheeks.
+For an helmet gay and suit o' red
+ I did exchange my corduroy;
+I mind the words the Sergeant said,
+ When I in sooth was but a boy.
+
+"Come, rouse my lad, be not afraid;
+ Come, join and be a brave dragoon:
+You'll be well clothed, well kept, well paid,
+ To captain be promoted soon.
+Your sweetheart, too, will smile to see
+ Your manly form and dress so fine;
+Give me your hand and follow me,--
+ Our troop's the finest in the line.
+
+"The pyramids beheld our corps
+ Drive back the mighty man of Fate!
+Our ire is felt on every shore,
+ In every country, clime, or state.
+The Cuirassiers at Waterloo
+ We crushed;--they were the pride of France!
+At Inkerman, with sabre true,
+ We broke the Russ and Cossack lance!
+
+"Then come, my lad, extend your hand,
+ Tame indolence I hold it mean;
+Now follow me, at the command,
+ Of our Most Gracious Sovereign Queen!
+A prancing steed you'll have to ride;
+ A bonny plume will deck your brow;
+With clinking spurs and sword beside,--
+ Come! here's the shilling: take it now!"
+
+The loyal pledge I took and gave,--
+ It was not for the silver coin;
+I wished to cross the briny wave,
+ And England's gallant sons to join.
+Since--many a summer's sun has set,
+ An' time's graved-care is on my brow,
+Yet I am free and willing yet
+ To meet old England's daring foe.
+
+
+
+Address to the Queen,
+JUNE 20th, 1887.
+
+
+ _To the Queen's Most Excellent Majesty_.
+
+Most Gracious Sovereign Lady, Victoria Alexandra Guelph, Queen of the
+hearts of her people throughout all civilisation, one of your Majesty's
+loyal and faithful subjects desires most respectfully to approach your
+Majesty to congratulate you upon the completion of the fiftieth year of
+your reign. In the same year of your Majesty's coronation, in a wild
+part of old Yorkshire, where it is said the wind never blew nor the cock
+ever crew, was your Most Gracious Majesty's humble servant born; and at
+the very hour that your Majest ascended the Throne, a kind, good
+Yorkshire mother was rocking her baby in an old oak cradle, while the
+father was treading the treadles and picking the shuttle of his old
+hand-loom to the tune of "Britons never shall be slaves"; and I am proud
+to convey to your Majesty that the child in the old oak cradle was no
+less a person than your Majesty's humble and obedient servant, Bill o'th'
+Hoylus End, Poet and Philosopher to the plebians of Keighley, and who now
+rejoices in the fiftieth year of your Majesty's reign that he has been
+blessed with good health during that long period, having had at no time
+occasion to call in a physician. John Barleycorn has been my medical
+adviser, and when I begin to review the fifty years of your most
+illustrious reign, from my birth, I feel grateful indeed, for great and
+mighty men and nations have risen and fallen; but I am proud to think
+that your Most Gracious Majesty and your humble servant have weathered
+the storm, and I also can assure your Majesty that the lukewarm loyalty
+of the upper ten is not a sample of people here, for during the latter
+half of your Majesty's reign up to now prosperity has shone upon the once
+crooked, old, mis-shapen town, for wealth has been accumulated to the
+tune of millions, which I am sorry to inform your Majesty is in the hands
+of those who mean to keep it. One portion of your Majesty's lukewarm
+loyal subjects have the advancement of art and science so much on the
+brain that it is feared they will go stark mad. I have also much
+pleasure in informing your gracious Majesty that His Grace the Duke of
+Devonshire has presented the people of Keighley with a plot of ground to
+be called the Devonshire Park, which will be opened on the occasion of
+your Majesty's Jubilee; also that Henry Isaac Butterfield, Esquire, of
+bonny Cliffe Castle, has erected a noble-looking structure, to be called
+the Jubilee Tower, which will be opened on the day of your Majesty's
+Grand Jubilee, to commemorate your Majesty's glorious reign. This
+gentleman is a native of Keighley, and fairly entitled to be knighted by
+your gracious Majesty, seeing that he has done more to beautify the town
+than all the rest. It has also been given out that the town has to be
+honoured by a royal visit from your Majesty's grandson, Prince George.
+But pray take a fool's advice, your Majesty, and don't let him come
+unless he is able to pay his own expenses; for I can assure His Royal
+Highness that this is the city of number oneism. Yet with the exception
+of parting with the bawbees, I dare be sworn that your Majesty's subjects
+in Keighley are the grand and genuine men of the shire, take them in art
+and science, flood or field.
+
+I sincerely hope that your Most Gracious Majesty will excuse the blunt
+and out-spoken Bard, who will ever remain your Majesty's most humble and
+obedient servant,--BILL O'TH' HOYLUS END.
+
+P.S.--I beg your Majesty's most humble pardon, for since I addressed your
+most gracious Majesty a note has come to me stating that the Brewers,
+Bakers, Shoemakers, and Tailors, have subscribed and bought a splendid
+Ox, which will be roasted and served to the poor on the occasion of the
+celebration of your most gracious Majesty's Jubilee.
+
+Then Hail to England's Gracious Queen!
+ 'Tis now proclaimed afar,
+The Jubilee of our Gracious Queen,
+ The Empire's Guiding Star.
+For fifty years she's been to us
+ A Monarch and a Mother;
+And looks her subjects in the face
+ As Sister or a Brother.
+
+Then here's a health to England's Queen
+ Whom Jove to us hath given;
+A better Monarch ne'er has been
+ Beneath His starry heaven.
+There is no man of any clan,
+ O'er any land or sea,
+But what will sing "God bless our Queen"
+ On her grand Jubilee.
+
+The world looks on Old England's Queen
+ In danger for protection;
+Nor never yet hath England failed
+ To make her grand correction.
+"Fair play," she cries, no one shall harm
+ A child beneath my realm;
+I'm Captain of Great Britain's barque
+ And standing at the helm.
+
+Had England trusted wicked men,
+ This day where had she been?
+But lo! she had a Guiding Star,
+ 'Twas our dear Mother Queen.
+There is no foe, where'er you go
+ This day, I vow, could hate her;
+She's a blessing to her nation,
+ And a terror to a traitor.
+
+As she has been, long may she reign,
+ The Grand Old Queen of Britain;
+In letters of bright gold her name
+ Henceforward should be written.
+All nations 'neath the stars above,
+ And canopy of heaven,
+Rejoice to see her Jubilee
+ In Eighteen Eighty-seven.
+
+
+
+Ode to Burns on his 130th Birthday.
+
+
+Weak bard, but thou dost try in vain
+To tune that mighty harp again,
+To try thy muse in Burns's strain--
+ Thou'rt far behind.
+And yet to praise him thou would'st fain--
+ It is thy mind.
+
+He who sang of Bruce's command
+At Bannockburn, with sword in hand,
+And bid his warriors firmly stand
+ Upon the spot;
+And bid the foemen leave the land,
+ Or face the Scot.
+
+He who freed the human mind
+Of superstitious weak and blind;
+He who peered the scenes behind
+ Their holy fairs--
+How orthodox its pockets lined
+ With canting prayers.
+
+Yes; he whose life's short span appears
+Mixed up with joyous smiles and tears;
+So interwove with doubts and fears
+ His harp did ring;
+And made the world to ope' its ears
+ And hear him sing.
+
+'Twas his to walk the lonely glen,
+Betimes to shun the haunts of men,
+Searching for his magic pen--
+ Poetic fire;
+And far beyond the human ken
+ He strung the lyre.
+
+And well old Scotland may be proud
+To hear her Burns proclaimed aloud,
+For to her sons the world hath bowed
+ Through Burns's name--
+All races of the world are proud
+ Of Burns's fame.
+
+
+
+Trip to Malsis Hall.
+
+
+The day wor fine, the sun did shine,
+ No signs o' rain to fall,
+When t'North Beck hands, i' jovial bands,
+ Did visit Malsis Hall.
+
+Up by the hill o' North Beck Mill,
+ Both owd an' young did meet;
+To march I trow, i' two-by-two,
+ Procession dahn the street.
+
+An' Marriner's Band, wi' music grand,
+ Struck up wi' all ther might;
+Then one an' all, both great an' small,
+ March'd on wi' great delight.
+
+The girls an' boys, wi' jovial noise,
+ The fife an' drum did play;
+For ivvery one wod hev some fun
+ On this eventful day.
+
+Owd Joan o' Sall's wi' all his pals,
+ March'd on wi' all ther ease:
+Just for a lark, some did remark,
+ "There goes some prime owd cheese!"
+
+T'Exl' Heead chaps wi' their girt caps,
+ An' coits nut quite i' t'fashion;
+Wi' arms ding-dong, they strut along,
+ An' put a famous dash on.
+
+Tom Wilkins dress'd up in his best,
+ T'owd wife put on her fall,
+Fer they wor bent, what com or went,
+ To dine at Malsis Hall.
+
+Ther wor Tommy Twist among the list,
+ Wi' his magenta snaht;
+He's often said sin he gat wed,
+ T'owd lass sud hev an aght.
+
+Among the lot wor owd Sam Butt,
+ As fine as owd Lord Digby;
+An' owd Queer Doos, wi' his streit shoes,
+ An' wi' him Joseph Rigby.
+
+There's Jimmy Gill, o' Castle Hill,--
+ That gentleman wi' t'stick,--
+There's Will an' Sam, an' young John Lamb,
+ An' Ben an' Earby Dick.
+
+I scorn to lie--the reason why
+ It is a shame awm sure!
+But among the job wor owd Joe Hob,
+ Behold! a perfect kewer.
+
+I'd quite forgot, among the lot,
+ There too wor Pally Pickles,
+Wi' crinoline shoo walks so fine,
+ Shoo's like a cat i' prickles.
+
+Bud to mi tale--aw mussant fail
+ I' owt on this occasion--
+Wi' heead erect, an' girt respect,
+ We march to Keighley Station.
+
+Nah--all reight fain gat into t'train,
+ Owd Ned began to screeam;
+Then Master Pratt doft off his hat,
+ An' just pept aght at t'steeam.
+
+This jovial band when they did land,
+ Got off the train so hearty,
+For they all went, wi' that intent,
+ To hev a grand tea-party!
+
+The country foak did gape an' luke,
+ To see us all delighted,
+An' ivvery one did say "Begum,
+ Aw wish awd been invited."
+
+'Tis joy to tell, they marched as well
+ As t'Scots did ower the border,
+Owd Wellington an' all his men
+ Ne'er saw such marchin' order.
+
+The lookers-on, to see them come,
+ Gat on ta t'second storey;
+Reight dahn the park they did 'em mark,
+ Comin' i' their full glory.
+
+Then to the place each smilin' face,
+ Moved on i' grand succession;
+The lookers on did say "Well done,
+ It is a grand procession!"
+
+When they'd all pass'd the hall at last
+ They form'd into a column;
+Then Jimmy Wreet, wi' all his meet,
+ Gav aght a hymn so solemn:
+
+Then all did raise their voice i' praise,
+ Wi' music in the centre;
+They sang a hymn i'praise o' Him,
+ 'At is the girt Creator.
+
+That bit bein' done, they all did run,
+ To get a pleasant day in,
+Some went there, an' some went here,
+ An' t'Bands began o' playin'.
+
+Wi' mich amaze, we all did gaze,
+ Arahnd this splendid park;
+Then little Jake began to talk,
+ An' thus he did remark:--
+
+"At Morecambe Bay I've been a day,
+ At Bolton Woods an' Ilkley;
+But Malsis Hall outstrips 'em all,
+ 'At I've seen aght o' Keighley."
+
+The girt park wall arahnd the hall,
+ Majestical does stand;
+Wi' wavin' trees, an' pleasant breeze,
+ It's like a fairy land.
+
+It fill'd wur eyes wi' gert surprise,
+ To see the fahnten sporting;
+An' on the top, stuck on a prop,
+ The British flags wor floatin'.
+
+The walks so grand, wi' yellow sand,
+ An' splendid wor the pavin',
+High over all, arahnd the wall,
+ Wor flags an' banners wavin'.
+
+Nah--some made fun, an' some did run,
+ Owd women they wor singin'--
+"Do you ken the Moofin Man,"--
+ An' others they wor swingin'.
+
+I' sooth 'twor grand to see this band,
+ Assembled all together;
+Bud sad to say, that varry day
+ Turn'd aght some shockin' weather.
+
+Bud war ner t'rain, aw mun explain,
+ 'At caus'd a girt disaster,
+All but one sort o' breead ran short--
+ It wor no fault o' t'maister.
+
+O, Gormanton! thy breead an' bun,
+ An' judgment it wor scanty;
+Oh, what a shame, an' what a name,
+ For not providing plenty!
+
+Oh, silly clown! thah might hev knawn,
+ To eyt each one wor able;
+The country air did mak some swear
+ They cud ommost eyt a table.
+
+The atmosphere, no longer clear,
+ The clouds are black an' stormy;
+Then all but one away did run,
+ Like some desertin' army.
+
+On--on! they go! as if some foe
+ Wor chargin' at the lot!
+If they got there, they didn't care
+ A fig for poor Will Scott!
+
+Poor lame owd Will remains theer still,
+ His crutches hes to fetch him;
+But he's seen t'time, when in his prime,
+ 'At nobody theer cud catch him.
+
+Like some fast steed wi' all its speed,
+ All seem'd as they wor flyin';
+To escape the rain, an' catch the train,
+ Both owd and young wor tryin'.
+
+One Mat o' Wills, abaght Crosshills,
+ He heeard a fearful hummin',
+He said ta t'wife, "Upon mi life,
+ Aw think the French are comin'!
+
+Tha knaws reight weel 'at we've heeard tell
+ O' sich strange things afore,
+So lass luke quick an' cut thi stick,
+ An' I will bolt the door."
+
+Like drahnded rats they pass owd Mat's,
+ An' ran dahn to the station;
+Owd Betty Bake an' Sally Shacks
+ Were both plump aght o' patience.
+
+"This is a mess," says little Bess,
+ 'At lives on t'top o' t'garden;
+"There's my new shawl an' fine lace fall,
+ They'll nut be worth a fardin."
+
+But, hark! ding-dong goes through the throug,
+ The bell does give the sign,
+Wi' all its force, the iron horse
+ Comes trottin' dahn the line.
+
+Then one by one they all get in,
+ Wet, fatigued, an' weary;
+The steam does blow, owd Ned doth go,
+ An' we come back so cherry.
+
+Whene'er we roam away fra hooam,
+ No matter wheer or when,
+In storm or shower, if in wur power,
+ To home, sweet home, we turn!
+
+
+
+The Bold Buchaneers.
+
+
+A Military description of the Second Excursion to Malsis Hall, the
+Residence of JAMES LUND, Esq.
+
+I remember perusing when I was a boy,
+The immortal bard Homer--his siege of old Troy,
+So the Malsis encampment I'll sing if you will,
+How our brave army "bivoked" on the plains o' Park Hill.
+
+Near the grand Hall o' Malsis our quarters we took,
+When Lieuteuant-col. Don Frederick spoke,
+Commanding his aid-de-camp Colonel de Mann,
+To summons and muster the chiefs o' the clan.
+
+Majors Wood, Lamb, and Pollard came up to the lines,
+Each marching their companies up to the nines;
+The twirlers and twisters, the knights of the coal,
+And spuzzers and sorters fell in at the roll.
+
+The light-infantry captains were Robin and Shack,
+And the gallant big "benners" the victuals did sack;
+Captain Green he commanded the Indigo troop,
+These beer barrel chargers none with them can cope.
+
+The Amazon army led on by Queen Bess,
+Each feminine soldier so grand was her dress,
+Though they chatted and pratted, 'twor pleasant to see
+Them laughing and quaffing their hot rum and tea.
+
+There was music to dainties and music to wine,
+And for fear of invaders no hearts did repine;
+Although a dark cloud swept over the plain,
+Yet our quarter was sheltered from famine and rain.
+
+Drum-Major Ben Rushworth and Bandmaster Wright,
+Drank to each other with pleasure that night;
+We'd full-flowing bumpers, we'd music and fun,
+From the larder and cellar of Field-Marshall Lund.
+
+One Private Tom Berry got into the hall,
+When a big rump o' beef he made rather small;
+And Flintergill Billy of the Spuzzer's Brigade,
+Got his beak in the barrel, and havoc he made.
+
+The Field-Marshall declared, and his good lady too,
+They ne'er were attacked with so pleasant a foe;
+With this all the clansmen gave them three cheers,
+In return they saluted the bold Buchaneers.
+
+
+
+The Benks o' the Aire.
+
+
+It isn't the star of the evening that breetens,
+ Wi' fairy-like leetness the owd Rivock ends,
+Nor is it the bonny green fields up ta Steeton,
+ Or the benks of the river while strolling wi' friends,
+That tempts me to wander at twilight so lonely,
+ And leave the gay feast for others to share;
+But O there's a charm, and a charm for me only,
+ In a sweet little cot on the Benks o' the Aire.
+
+How sweet and remote from all turmoil and danger,
+ In that cot, wi' my Mary, I could pass the long years:
+In friendship and peace lift the latch to a stranger,
+ And chase off the anguish o' pale sorrow's tears.
+We'd walk aght in t'morning when t'young sun wor shining,
+ When t'birds hed awakened, an' t'lark soar'd i' t'air,
+An' I'd watch its last beam, on my Mary reclining,
+ From ahr dear little cot on the Benks o' the Aire.
+
+Then we'd talk o' the past, when our loves wor forbidden,
+ When fortune wor adverse, an' friends wod deny,
+How ahr hearts wor still true, tho' the favours wor hidden
+ Fra the charm of ahr life, the mild stare of ahr eye.
+An' when age sall hev temper'd ahr warm glow o' feelin'
+ Ahr loves should endure, an' still wod we share;
+For weal or in woe, or whativver cums stealin',
+ We'd share in ahr cot on the Benks o' the Aire.
+
+Then hasten, my Mary, the moments are flying,
+ Let us catch the bright fugitives ere they depart;
+For O, thou knaws not what pleasures supplyin'
+ Thy bonny soft image hes nah geen my heart.
+The miser that wanders besides buried treasure,
+ Wi' his eyes ever led to the spot in despair;
+How different to him is my rapture and pleasure
+ Near the dear little cot on the Benks o' the Aire.
+
+But sooin may the day come, if come it will ivver;
+ The breetest an' best to me ivver knawn,
+When fate may ordain us no longer to sever,
+ Then, sweet girl of my heart, I can call thee my own.
+For dear unto me wor one moment beside thee,
+ If it wor in the desert, Mary, wi' me;
+But sweeter an' fairer, whate'er betide thee,
+ In ahr sweet little cot on the Benks o' the Aire.
+
+
+
+In Memory of
+J. W. PECKOVER,
+_Died July 10th_, _1888_.
+
+
+He was a man, an upright man
+ As ever trod this mortal earth,
+And now upon him back we scan,
+ Whose greatest fault was honest mirth.
+
+But never more his friends will see
+ The smiling face and laughing eye,
+Nor hear his jokes with heartfelt glee,
+ Which made dull care before them fly.
+
+Nor ever more the friend shall find,
+ When labour lacks, the shake of hand
+That oft was wont to leave behind
+ What proved a Brother and a Friend.
+
+In winter's bitter, biting frost,
+ Or hail, or snow, or rain, or sleet,
+The wretch upon life's tempest toss'd
+ In him found shelter from the street.
+
+The unemployed, the aged poor,
+ The orphan child, the lame and blind,
+The stranger never crossed his floor
+ But what a friend in him did find.
+
+But now the hand and heart are gone,
+ Which were so noble, kind and true,
+And now his friends, e'en every one,
+ Are loth to bid a last adieu.
+
+
+
+The Fugitive:
+A Tale of Kersmas Time.
+
+
+We wor snugly set arahnd the hob,
+ 'Twor one wet Kersmas Eve,
+Me an ahr Kate an' t'family,
+ All happy I believe:
+Ahr Kate hed Harry on her knee,
+ An' I'd ahr little Ann,
+When there com rappin' at the door
+ A poor owd beggar man.
+
+Sleet trickl'd dahn his hoary locks,
+ That once no daht wor fair;
+His hollow cheeks wor deadly pale,
+ His neck an' breast wor bare;
+His clooas, unworthy o' ther name,
+ Wor ragg'd an' steepin' wet;
+His poor owd legs wor stockingless,
+ An' badly shooed his feet.
+
+"Come into t'haase," said t'wife to him,
+ An' get thee up ta t'fire;
+Shoo then browt aght wur humble fare,
+ T'wor what he did desire;
+And when he'd getten what he thowt,
+ An' his owd regs wor dry,
+We ax'd what distance he hed come,
+ An' thus he did reply:
+
+"Awm a native of Cheviot Hills,
+ Some weary miles fra here;
+Where I like you this neet hev seen
+ Full monny a Kersmas cheer;
+I left my father's hahse when young,
+ Determined I wod rooam;
+An' like the prodigal of yore,
+ I'm mackin' tahrds my hooam.
+
+"I soldier'd in the Punjaub lines,
+ On India's burning sand;
+An' nearly thirty years ago
+ I left my native land;
+Discipline bein' ta hard fer me,
+ My mind wor allus bent;
+So in an evil haar aw did
+ Desert my regiment.
+
+"An' nivver sin' durst aw go see
+ My native hill an' glen,
+Whear aw mud nah as weel hev been
+ The happiest of all men;
+But my blessin'--an' aw wish ye all
+ A merry Kersmas day;
+Fer me, I'll tak my poor owd bones,
+ On Cheviot Hills to lay."
+
+"Aw cannot say," aw said to t'wife,
+ "Bud aw feel raather hurt;
+What thinks ta lass if tha lukes aght,
+ An' finds t'owd chap a shirt."
+Shoo did an' all, an' stockings too;
+ An' a tear stood in her ee;
+An' in her face the stranger saw
+ Real Yorkshire sympathy.
+
+Ahr little Jim gav monny a sigh
+ When he hed heeard his tale,
+An' spak o' some owd trousers,
+ 'At hung on t'chamber rail;
+Then aght at door ahr Harry runs,
+ An' back ageean he shogs,
+He'd been in t'coit ta fetch a pair
+ O' my owd ironed clogs.
+
+"It must be fearful cowd ta neet
+ Fer fowk 'at's aght o' t'door:
+Give him yahr owd grey coit an' all,
+ 'At's thrawn on t'chaamer floor:
+An' then there's thy owd hat, said Kate,
+ 'At's pors'd so up an' dahn;
+It will be better ner his awn,
+ Tho' it's withaght a crahn."
+
+So when we'd geen him what we cud
+ (In fact afford to give),
+We saw the tears come dahn the cheeks,
+ O' t'poor owd fugitive;
+He thank'd us ower an' ower ageean
+ An' often he did pray,
+'At t'barns wod nivver be like him;
+ Then travell'd on his way.
+
+
+
+The Feather'd Captive.
+
+
+My little dapple-winged fellow,
+What ruffian's hand has made thee wellow?
+I heard while down in yonder hollow,
+ Thy troubled breast;
+But I'll return my little fellow,
+ Back to its nest.
+
+Some ruffian's hand has set a snickle,
+An' left thee in a bonny pickle;
+Whoe'er he be, I hope owd Nick will
+ Rise his arm,
+An' mak his heead an' ear-hoil tickle
+ Wi' summat warm.
+
+How glad am I that fate while roaming,
+Where milk-white hawthorn's blossom's blooming,
+Has sent my footsteps ere the gloaming
+ Into this dell,
+To stop some murdering hand fra dooming
+ Thy bonny sel'.
+
+For thou wur doomed my bird, for ever,
+Fra all thy feather'd mates to sever;
+Were I not near thee to deliver
+ Wi' my awn hand;
+Nor ever more thou'd skim the river,
+ Or fallow'd land.
+
+Thy feather'd friends, if thou has any;
+Tho' friends I fear there isn't many;
+But yet the dam for her, wi' Johnny,
+ Will fret to-day,
+And think her watter-wagtail bonny
+ Has flown away.
+
+Be not afraid, for not a feather
+Fra off thy wing shall touch the heather,
+For I will give thee altogether
+ Sweet liberty!
+And glad am I that I came hither,
+ To set thee free.
+
+Now wing thy flight my little rover,
+Thy curs'd captivity is over,
+And if thou crosses t'Straits of Dover
+ To warmer spheres,
+I hope that thou may live in clover,
+ For years and years.
+
+Perhaps, like thee--for fortune's fickle--
+I may, myself, be caught i' t'snickle;
+And some kind hand that sees my pickle--
+ Through saving thee--
+May snatch me too fra death's grim shackle,
+ And set me free.
+
+ [Picture: Decorative picture of bird]
+
+
+
+Dame Europe's Lodging-House.
+
+
+A BURLESQUE ON THE FRANCO-PRUSSIAN WAR.
+
+Dame Europe kept a Lodging-House,
+ And she was fond of brass;
+She took in public lodgers,
+ Of every rank and class.
+
+She'd French and German, Dutch and Swiss,
+ And other nations too;
+So poor old Mrs. Europe
+ Had lots of work to do.
+
+I cannot just now name her beds,
+ Her number being so large;
+But five she kept for deputies,
+ Which she had in her charge.
+
+So in this famous Lodging-House,
+ John Bull he stood A1;
+On him she always kept an eye,
+ To see things rightly done.
+
+And Master Louis was her next,
+ And second, there's no doubt,
+For when a little row took place,
+ He always backed John out.
+
+And in her house was Alex. Russ;
+ Oft him they eyed with fear;
+For Alex. was a lazy hound,
+ And kept a Russian Bear.
+
+Her fourth was a man of grace,
+ Who was for heaven bent;
+His name was Pious William,
+ He read his Testament.
+
+Her fifth, too, was a pious Knave,
+ And 'tis our firm belief,
+He once did rob the Hungary Lads
+ Of hard-earned bread and beef.
+
+These were Dame Europe's deputies,
+ In whom she put her trust,
+To keep her Lodging-House at peace,
+ In case eruption burst.
+
+For many a time a row took place,
+ While sharing out the scran;
+But John and Louis soon stepp'd in,
+ And cleared the _padding can_.
+
+Once, Alex. Russ's father, Nick,
+ A bit before he died,
+Did roughly seize a little Turk,
+ And thought to warm his hide.
+
+But John and Louis interfered,
+ Declaring it foul play;
+And made old Nick remember it
+ Until his dying day.
+
+Now all Dame Europe's deputies,
+ They made themselves at home;
+And every lodger knew his bed,
+ Likewise his sitting room.
+
+They took great interest in their beds,
+ And kept them very clean;
+Unlike some other _padding cans_,
+ So dirty and so mean.
+
+The best and choicest bed of all,
+ Was occupied by Johnny;
+Because the Dame did favour him,
+ He did collect her money.
+
+And in a little bunk he lived,
+ Seal'd up with oak, and tarr'd;
+He would not let a single one
+ Come near within a yard.
+
+A Jack-of-all-trades, too, was John,
+ And aught he'd do for brass;
+And what he ever took in hand,
+ No one could him surpass.
+
+When tired of being shut in the bunk,
+ Sometimes he went across,
+To spend an hour with Master Loo,
+ And they the wine would toss.
+
+So many a happy day they spent,
+ These lads, with one another;
+While every lodger in the house,
+ Thought John was Louis' brother.
+
+The Dame allowed John something nice,
+ To get well in her rent,
+Which every now and then i' t'bank,
+ He put it on per cent.
+
+And working very hard himself
+ Amongst his tar and pitch;
+He soon accumulated wealth,
+ That made him very rich.
+
+Now Louis had a pleasant crib
+ Which was admired by lots,
+And being close by a window,
+ He had some flower pots.
+
+The next to Louis' bed was Will,
+ The biggest Monitor
+And though he did pretend a saint,
+ He was as big a cur.
+
+He loved to make them all believe
+ He was opposed to strife,
+And said he never caused a row,
+ No, never in his life.
+
+He was so fond of singing psalms,
+ And he read his testament;
+That everybody was deceived
+ When he was mischief bent.
+
+He seldom passed a lodger's bed
+ But what he took a glance,
+Which made them every one suspect
+ He'd rob if he'd a chance.
+
+Now Louis had two flower pots
+ He nourished with much care,
+But little knew that Willie's eyes
+ Were set upon the pair.
+
+In one there grew an ALSACE ROSE,
+ The other a LORRAINE,
+And Willie vowed they once were his
+ And must be his again.
+
+He said his father once lodged there,
+ And that the Dame did know
+That Louis' predecessors once
+ Had sneaked them in a row.
+
+In Willie's council was a lad
+ Well up to every quirk;
+To keep him out of mischief long,
+ Dame Europe had her work.
+
+To this smart youth Saint Willie
+ Did whisper his desire,
+One night as they sat smoking,
+ Besides the kitchen fire--
+
+"To get them flowers back again,"
+ Said Bissy, very low,
+"Meet Louis somewhere on the quiet,
+ And try to cause a row.
+
+"But mind the other deputies
+ Don't catch you on the hop,
+For John and Joseph you must know
+ Your little game would stop.
+
+"For Joseph he has not forgot
+ The day you warmed his rig;
+And christian Denmark still thinks on
+ About his nice Slesvig."
+
+"By your advice, my own Dear Mark,
+ I have been guided on,
+But what about that man i't'bunk?"
+ (Pointing o'er to John.)
+
+"He's very plucky too is John,
+ But yet he's very slow,
+And perhaps he never may perceive
+ Our scheme about the row.
+
+"But not another word of this
+ To anybody's ears,
+The Dame she plays the list'ner,
+ I have my doubts and fears.
+
+"So let us go upstairs at once,
+ I think it will be best,
+And let us pray to Him above,
+ Before we go to rest."
+
+So with a pious countenance,
+ His prayers as usual said,
+But squinting round the room the while,
+ He spied an empty bed.
+
+"What a pity that these empty stocks
+ Should be unoccupied;
+Do you think my little cousin, Mark,
+ To them could be denied?"
+
+"'Tis just the very thing," said Mark,
+ "Your cousin, sir, and you,
+Would carry out my scheme first-rate,
+ One at each side of Loo."
+
+The Dame being asked, did not object,
+ If he could pay the rent,
+And had a decent character,
+ And Louis would consent.
+
+"But I do object to this," says Loo,
+ "And on this very ground,
+Willie and his cousins, ma'am,
+ They soon would me surround.
+
+"They're nothing in my line at all
+ They are so near a-kin,
+And so if I consent to this,
+ At once they'll hem me in."
+
+"Oh! you couldn't think it, Master Loo,
+ That I should do you harm,
+For don't I read my testament
+ And don't I sing my psalm."
+
+"'Tis all my eye," said Louis, "both
+ Your testament and psalms;
+You use the dumbbells regular
+ To strengthen up your arms.
+
+"So take your poor relation off,
+ You pious-looking prig,
+And open out Kit Denmark's box,
+ And give him back Slesvig."
+
+"Come, come," says Mrs. Europe,
+ "Let's have no bother here,
+You're trying now to breed a row,
+ At least it does appear."
+
+Now Johnny hearing from the bunk
+ What both of them did say,
+He shouted out, "Now stop it, Will,
+ Or else you'll rue the day."
+
+"All right, friend John, I'm much obliged,
+ You are my friend, I know,
+And so my little cousin, sir,
+ I'm willing to withdraw."
+
+But Louis frothed at mouth with rage,
+ Like one that was insane,
+And said he'd make Bill promise him
+ He'd not offend again.
+
+"I'd promise no such thing," says Mark,
+ "For that would hurt your pride,
+Sing on and read your testament,
+ Dame Europe's on your side."
+
+"If I'd to promise aught like that,
+ 'Twould be against my mind;
+So take it right or take it wrong,
+ I'll promise naught o' t'kind."
+
+"Then I shall take and wallop thee
+ Unless thou cuts thy stick;
+And drive thee to thy fatherland
+ Before another week."
+
+"Come on," cried Sanctimonius,
+ And sending out his arm
+He caught poor Louis on the nose,
+ Then sung another psalm.
+
+But Louis soon was on his pins,
+ And used his fists a bit,
+But he was fairly out of breath,
+ And seldom ever hit.
+
+And at the end of round the first,
+ He got it fearful hot,
+This was his baptism of fire
+ If we mistake it not.
+
+So Willie sent a letter home
+ To mother old Augusta,
+Telling her he'd thrashed poor Loo,
+ And given him such a duster.
+
+"What wonderful events," says he,
+ "Has heaven brought about,
+I'll fight the greatest pugilist
+ That ever was brought out.
+
+And if by divine Providence
+ I get safe through this row,
+Then I will sing 'My God, the spring
+ From whom all blessings flow.'"
+
+Meanwhile the other Monitors,
+ Were standing looking on,
+But none of them dare speak a word,
+ But all stared straight at John.
+
+"Ought not I to interfere?"
+ Says Johnny to the rest;
+But he was told by every one
+ Neutrality was best.
+
+"Neutral," growl'd John, "I hate the word,
+ 'Tis poison to my ear;
+It's another word for cowardice,
+ And makes me fit to swear.
+
+"At any rate I can do this,
+ My mind I will not mask,
+I'll give poor Loo a little drop
+ Out of my brandy flask.
+
+"And give it up, poor Loo, my lad,
+ You might as well give in,
+You know that I have got no power;
+ Besides, you did begin."
+
+Then Louis rose, and looked at John,
+ And spoke of days gone by
+When he would not have seen his friend
+ Have blackened Johnny's eye.
+
+"And as for giving in, friend John,
+ I'll do nothing of the sort;
+Do you think I'll be a laughing-stock
+ For everybody's sport."
+
+This conversation that took place
+ Made pious Willie grin,
+And tell John Bull to hold his noise,
+ 'Twas nought to do with him.
+
+These words to John did make him stare,
+ And finding to his shame,
+That those were worse who did look on,
+ Than those who played the game.
+
+Now Mrs. Europe knew the facts
+ Which had been going on,
+And with her usual dignity,
+ These words addressed to John:
+
+"Now, Mr. Bull, pray answer me,--
+ Why are you gaping here?
+You are my famous deputy,
+ Then why not interfere?"
+
+"Why," answered John, and made a bow,
+ But yet was very shy,
+"I was told to be a neutral, ma'am,
+ And that's the reason why."
+
+"That's just what you should not have done,
+ Being in authority;
+Did I not place you in that bunk
+ To think and act for me?
+
+"Why any baby in the house
+ Could not have done much worse,
+But I fancy you've been holding back
+ To save your private purse.
+
+"Neutrality is as fine a word
+ As ever a coward used,
+The honour that I gave to you
+ You shouldn't have abused."
+
+The minor lodgers in the house,
+ On hearing this, to John,
+Began to whisper and to laugh,
+ And call'd it famous fun.
+
+At last a little urchin said,
+ "Please ma'am I'd take my oath,
+'At master John was neutral,
+ And stuck up for them both."
+
+"Stuck up for both, offended both,--
+ Yes that is what you mean?"
+Continued Madame Europe,
+ Then spoke to John again:
+
+"Now I'll tell you what it is, John,
+ We've long watch'd your career,
+You take your fags' advice to save
+ Your paltry sums a year.
+
+"There's Bob and Bill, besides some more,
+ That I call naught but scums,
+They've got you fairly in between
+ Their fingers and their thumbs.
+
+"If such like men as Ben and Hugh
+ This day your fags had been,
+They would have saved both you and me
+ This curs'd disgraceful scene.
+
+"Instead of bein' half-clad and shod,
+ As everybody knows,
+You would have dared these rivals now
+ To come to such like blows.
+
+"There was a time in this house, John,
+ If you put up your thumb,
+The greatest blackguard tongue would stop
+ As if they had been dumb.
+
+"But not a one in this here house
+ This moment cares a fig
+For all you say or all you do,
+ Although your purse be big."
+
+"I couldn't hurt poor Louis, ma'am,
+ Although he did begin;
+And then you see that Will and I
+ Are very near akin.
+
+"Beside, you see," said John again,
+ "I let poor Louis sup;
+On both I use my ointment, and
+ Their wounds I did bind up.
+
+"Ah! weel a day," then said the Dame,
+ But was affected sore,
+"I see you have some small excuse
+ That you have done it for.
+
+"I have some little hopes left yet
+ That you may yet have sense,
+To know your high position, John,
+ Instead of saving pence.
+
+"You yet will learn that duty, sir,
+ Cannot be ignored,
+However disagreeable when
+ Placed before the board.
+
+"And let me tell you he who shirks
+ The responsibility
+Of seeing right, is doing wrong,
+ And earns humility.
+
+"And 'tis an empty-headed dream,
+ To boast of skill and power,
+But dare not even interfere
+ At this important hour.
+
+"Better far confess at once
+ You're not fit for your place,
+Than have a name 'Heroic,' sir,
+ Branded with disgrace.
+
+"But I'll not say another word;
+ My deputies, to you;
+But hope you will a warning take,
+ This moment from poor Loo.
+
+"And hoping, John, your enemies
+ May never have the chance
+To see you paid for watching Will
+ Thrash poor weak Louis France."
+
+ [Picture: Decorative picture of plant]
+
+
+
+Charmin' Rebecca o' Riddlesden Hall.
+
+
+On Aire's bonny benks wi' her meadows so green,
+There's an ancient owd hall to-day may be seen,
+That wor built in the days of some owd feudal king,
+Of whom the owd bards delighted to sing.
+Tho' its splendour's now faded, its greatness was then
+Known to its foemen as Red Lion's den;
+'Neath its armorial shield, an' hoary owd wall,
+I now see Rebecca o' Riddlesden Hall.
+
+Her majestic black eyes true beauty display,
+Resemblin' truly the goddess of day;
+Her dark-flowin' ringlets, you'd think as they shone,
+'At Venus hed fashion'd 'em after her awn.
+For her tresses no ribbons nor trappins do bind,
+But wantonly luxurious flow in the wind:
+'Twod o' pleased the great Reubens or Turner to call,
+To see sweet Rebecca o' Riddlesden Hall.
+
+Like the tall mountain fir, she's as steady, I trow,
+When zephyr-like winds do sighingly blow;
+The grove or the grotto when mild breezes move,
+Are gentle Rebecca's sweet gales of love.
+Her breath, where true wit so gracefully flows,
+Has the beautiful scent of the pink an' the rose;
+There's no nymph from the East to Niagara's Fall,
+To equal Rebecca o' Riddlesden Hall.
+
+Her toe points the grahnd wi' sich beauty an' grace,
+Nor varies a hair's-breadth, sud yu measure her pace:
+An' when dress'd i' her gingham wi' white spots an' blue,
+O then is Rebecca so pleasin' to view.
+Wi' her gray Wolsey stockings by hersel knit an' spun,
+An' a nice little apron, hieroglyphic'ly done:
+It needs no rich velvets or Cashmere shawl,
+To deck out Rebecca o' Riddlesden Hall.
+
+Love, grace, an' beauty attend at her will;
+She wounds wi' a look, wi' a frown she can kill;
+The youths as they pass her, exclaim--"Woe is me!"
+Who sees her must love her, who loves her must dee.
+At Church on a Sabbath, owd men raise ther arms,
+An' cry, "O, great heavens! wor ivver sich charms?"
+While matrons an' maidens God's blessin' they call,
+On the head of Rebecca o' Riddlesden Hall.
+
+ [Picture: Decorative picture of plant]
+
+
+
+The City of "So be I's."
+(A DREAM).
+
+
+[It is said that when Giles Clumps, the South-downer, first came to
+Keighley, the first question he asked his fellow labourer was this, "What
+religion be th' master here?" "A Liberal," was the answer; "So be I,"
+says Giles. "And what politics be th' master?" asked Giles again, "He's
+a Methody," was the reply; "So be I," says Giles again, "I be a Methody
+too." Now do not imagine for a moment that Giles Clumps is the only "So
+be I" in Keighley, for the whole town is full of "So be I's," and it is a
+well-known fact that if six long YELLOW chimneys were to turn BLUE
+to-morrow, there wouldn't be a Liberal in six hours in the city of "So be
+I's," with the exception of the old veteran SQUIRE LEACH.]
+
+Oh list to my dream, nor yet think it wrong,
+If I tell it in rhyme, or sing it in song;
+For when I look back on the sights that were there,
+I could almost, like Blondin, dance high in the air.
+
+For when I reflect, my heart leaps with joy--
+What I saw in my dream in old "So be I,"
+For thousands were shouting on that pleasant day.
+We are all "So be I's," hip, hip, hip hurrah!
+
+And I took the first chance to ask what it meant,
+Of the people who shouted, what was their intent,
+When an elderly lady soon gave me the cue,
+Of what was the matter and what was to do.
+
+Six great millocrats, call them Whigs if you will,
+The gods of our labour in workshop and mill:
+Have all turned their colours from Yellow to Blue,
+Which has caused this commotion the city all through.
+
+Led on by the nose, like a bull in a band,
+See how all the "So be I's" follow so grand,
+The fag and the artist, the plebian also,
+Have now chang'd their colour from yellow to blue.
+
+There's twenty-eight thousand true "So be I's" here,
+And there's not a Liberal amongst them I'll swear,
+For the millocrats chieftains proclaimed it they say,
+That all must turn Tories on this very day.
+
+So upon the procession, I did my eyes fix,
+Reviewing and skewing this wonderful six;
+They wore blue ribands so grand in their coats,
+Singing "So be I" joskins come give us your votes.
+
+The "So be I's" exerted each nerve and limb,
+To follow their leaders and join in the swim;
+And I plainly could see, so I thought in my dream,
+That the way through the world is to follow the stream.
+
+For the faces of parsons were lit up so bright,
+And the doctors they smiled with the greatest delight;
+And a lawyer he vowed that he'd have a Blue gown,
+For he'd been long enough a black Liberal clown.
+
+Methought the Ranters, and Methodies too,
+Independents and Quakers, and Baptists, were blue;
+And as I looked round me, lo! what did I see,
+A batch of Teetotallers had got on the spree.
+
+But what I considered the best of the sport,
+Took place in front of the old County Court;
+The Mayor and Ex-Mayor were dancing a jig,
+With the County Court Judge in his gown and his wig.
+
+Methought that the Draper and Hatter filed in,
+Along with the Grocer, his nearest of kin;
+And I caught the Co-oper just in the neck,
+In his hand were his divi. and new silver check.
+
+Methought as I walked I sprang up so high,
+That I really found out I was able to fly;
+So backwards and forwards methought that I flew,
+To the clubs of the town which I found were all Blue.
+
+Till somehow or other, I got quite astray,
+And over Cliffe Castle I winged my way,
+Thinks I, there's some Foreign "So be I" geese
+Have crossed o'er the Channel from Paris or Nice.
+
+From thence I took wing, as blithe as a lark,
+And crossed o'er the town to Jim Collingham's Park;
+But ere I arrived at the end of my route,
+A lightning conductor caught the tail of my coat.
+
+I hung there suspended high up in the air,
+Looking down on the mob in the wildest despair,
+Imploring the "So be I's" to get me relief;
+But they shouted "Stop there, you Liberal thief!"
+
+I called on the de'il and invoked the skies,
+To curse and set fire to all "So be I's;"
+When all of a sudden I scratched at my head,
+Awoke from my dream--found myself snug in bed.
+
+ [Picture: Picture of cattle in field]
+
+
+
+Shoo's Deead an' Goan.
+
+
+My poor owd lass, an art ta goan,
+ To thy long rest?
+An' mun the cruel cold grave-stone
+ Close ower thy breast?
+An' art ta goan no more to see,
+Exceptin' i' fond memory?
+Yes, empty echo answers me--
+ "Shoe's deead an' goan!"
+
+I' vain the wafters o' the breeze
+ Fan my hot brah,
+I' vain the birds upon the trees,
+ Sing sweetly nah;
+I' vain the early rose-bud blaws,
+I' vain wide Nature shows her cause,
+Deeath thunders fro his greedy jaws--
+ "Shoe's deead an' goan!"
+
+There's more ner me 'at's sad bereft,
+ I pity wun,
+An' that's my lad--he's sadly left--
+ My little John;
+He wander's up an' dahn all t'day,
+An' rarely hez a word to say,
+Save murmuring (an' weel he may),
+ "Shoo's deead an goan!"
+
+Bud, Johnny lad, let's dry wer tears;
+ At t'least we'll try;
+Thy mother's safe wi' Him 'at hears
+ T'poor orphan's sigh;
+Fer 'tis the lot o' t'human mack--
+An' who can tell which next he'll tack?
+An' crying cannot bring her back;
+ "Shoe's deead an' goan!"
+
+ [Picture: Decorative picture of flowers]
+
+
+
+Ode to an Herring.
+
+
+Wee silvery fish, who nobly braves
+The dangers o' the ocean waves
+While monsters from the unknown caves
+ Make thee their prey;
+Escaping which the human knaves
+ On thee lig way.
+
+No doubt thou was at first designed
+To suit the palates o' mankind;
+Yet as I ponder now I find,
+ Thy fame is gone:
+Wee dainty dish thou art behind
+ With every one.
+
+I've seen the time thy silvery sheen
+Wor welcome both at morn an' e'en,
+Or any hour that's in between,
+ Thy name wor good;
+But now by some considered mean
+ For human food.
+
+When peace and plenty's smiling brow,
+And trade and commerce speed the plough;
+Thy friends that were not long ago,
+ Such game they make;
+Thy epitaph is "soldier" now,
+ Or "two-eyed stake."
+
+When times are hard we're scant o' cash,
+And famine hungry bellies lash,
+And tripe and trollabobble's trash
+ Begin to fail,
+Asteead o' soups an' oxtail ash,
+ Hail! herring, hail!
+
+Full monny a time it's made me groan,
+To see thee stretched, despised, alone;
+While turned-up noses passed have gone,
+ O' purse-proud men!
+No friends, alas! save some poor one
+ Fra t'paddin can.
+
+Whoe'er despise thee, let them know
+The time may come when they may go
+To some fish wife, and beg to know
+ If they can buy
+The friendship o' their vanquished foe,
+ Wi' weeping eye.
+
+To me naught could be better fun,
+Than see a duke or noble don,
+Or lord, or peer, or gentleman,
+ In search o' thee:
+And they were bidden to move on,
+ Or go to t'sea.
+
+Yet we'll sing thy praise, wee fish;
+To me thou art a dainty dish;
+For thee, 'tis true, I often wish.
+ My little bloater;
+Either salted, cured, or shining fresh
+ Fra yon great water.
+
+If through thy pedigree we peep,
+Philosophy from thee can keep,
+An' I need not study deep,
+ There's nothing foreign;
+For I, like thee, am sold too cheap,
+ My little herring.
+
+ [Picture: Decorative pattern]
+
+
+
+The World's Wheels.
+
+
+How steady an' easy t'owd world's wheels wod go,
+If t'folk wod be honest an' try to keep so;
+An' at steead o' bein' hasty at ivvery whim,
+Let us inquire before we condemn.
+
+A man may do wrong an' scarce be to blame,
+Or a woman be bad i' nowt bud her name;
+Bud which on us owt ta say owt unto them,
+Unless we inquire before we condemn.
+
+If a Rose she sud flourish her sisters among,
+It isn't to say her poor sister is wrong;
+That blighted one there may be nipp'd in the stem,
+So let us inquire before we condemn.
+
+Yond vessel that tussels the ocean to plough,
+While waves they are dashing and winds they do blow,
+May be shatter'd asunder from stern unto stem,
+So let us inquire before we condemn.
+
+We are certain o' one thing an' that isn't two,
+If we do nothing wrong we've nothing to rue;
+Yet many a bright eye may be full to the brim,
+So let us inquire before we condemn.
+
+Then speak not so harshly--withdraw that rash word,
+'Tis wrong to condemn till the story is heard;
+If it worrant for summat sho might be a gem,
+So let us inquire before we condemn.
+
+
+
+English Church History.
+
+
+Most respectfully dedicated to the Rev. F. D. CREMER, St. ANDREW'S,
+Keighley, Oct. 25th, 1889.
+
+Dear reverend sir, excuse your humble servant,
+ Whose heart you've made this very night to glow;
+I thank you kindly, and my prayers most fervent
+ Will ever be, dear reverend sir, for you.
+
+My ideas lacked for want of information,
+ And glad am I to glean a little more,
+About the Churches of our mighty nation,
+ Whose chimes are heard on many a far-off shore.
+
+My heart was moved, for I was much astounded,
+ To view the many Churches of our land;
+The life-like pictures of the saints who founded
+ These ruins old, so wonderful and grand.
+
+For oft I've wished, and often have I pondered,
+ And longed to learn the history of our kirk;
+How it was handed down to us I've wondered,
+ And who were they that did this mighty work.
+
+The veil's removed, and now my sight is clearer,
+ Upon the sacred history of our isle;
+For while I view these scenes it brings me nearer
+ Unto the Church on which the angels smile.
+
+Who would not shuffle off his worldly pleasures,
+ For one short hour to bring before his sight,
+The pictures of the great and mighty treasures--
+ Our English Church, which brought the world to light.
+
+Great Men dive deep down into wisdom's river--
+ The poet, philosopher, and sage--
+For wisdom's pearls, which showeth forth for ever,
+ Nor waste their sweetness or grow dull with age.
+
+Who would not walk through ruins old and hoary,
+ And make each relic and persue his search?
+Who would not listen and applaud each story,
+ Told of an ancient good and English Church?
+
+Each view so grand, mixed up with sacred singing,
+ Of that old Church--I humbly call it mine,
+For still my heart to it is ever clinging,
+ And He who died for me in ancient Palestine.
+
+ [Picture: Decorative picture of ferns]
+
+ [Picture: Keighley Parish Church, 1891]
+
+
+
+The Old Hand-Wool-Combers:
+
+
+Lines written on the occasion of a Banquet given by His Worship the Mayor
+(Ald. ICKRINGILL), March 28th, 1891.
+
+Come hither my muse and give me a start,
+And let me give praise to the one famous art;
+For it's not an M.P. or a Mayor that I toast,
+But the ancient Wool-comber, the Knight of the post.
+
+In the brave days of old when I was a boy,
+I went to the Comb Shop, my heart full of joy;
+Where I listened to stories and legends of old,
+Which to me were more precious than silver or gold.
+
+The old Comber would tell of his travels through life,
+And where he had met with his darling old wife;
+And how he had stole her from her native vale,
+To help him to pull the "old tup" by the "tail."
+
+He would go through the tales of his youthful career,
+An undaunted youth without dread or fear;
+He knew all the natives, the rich and the poor,
+He knew every acre of mountain and moor.
+
+He could make a sad tale of the wrongs of the State,
+And tell where old England would be soon or late;
+How nations would rise, and monarch's would fall,
+And tyrants would tremble and go to the wall.
+
+He was very well read, though papers were dear,
+But he got _Reynold's_ newspaper year after year;
+It was bound to his bosom and he read it so keen,
+While at times he fair hated a King or a Queen.
+
+He was fairly dramatic, the stage he loved well,
+The names of great actors and plays he would tell;
+And if that his notion it took the other way,
+He could quote the Bible a night and a day.
+
+Full of wit, full of mirth, he could give you a sting,
+He could preach, he could pray, he could dance, he could sing;
+He could play pitch and toss, he could jump, he could run,
+He could shuffle the cards, he could handle a gun.
+
+The old Constable knew him but let him alone,
+Because he knew better than bother with "Joan";
+For the lads of the Barracks and the Pinfold as well
+Would all have been there at the sound of the bell.
+
+Old Keighley was then but a very small town,
+Yet she'd twelve hundred Combers that were very well known;
+Hundreds have gone over the dark flowing burn,
+Whence no traveller was ever yet known to return.
+
+It reminds me again of the Donkey and pack
+Which came from the hills bringing Wool on its back;
+And if the poor beast perchance had to bray
+'Twere a true sign a Comber would die on that day.
+
+The third day of the week, sometimes further on,
+The old woman would seek the King's Arms for her son;
+And if she were told he had not been at all,
+Would bounce over the green to the Hole-in-the-Wall.
+
+Hi! those were fine times, especially the fairs,
+When the Inns were kept open for dancing upstairs;
+The Commercial, Lord Rodney, as well as the Crown
+To the ancient Wool-comber were fairly well known.
+
+But now we'll get back to the pot and the pad,
+The fair it is over, the women are glad;
+For now the Wool-comber his follies he sees,
+And makes resolutions as staunch as you please.
+
+For now he commences to work hard and late,
+He is building a Castle on a phantom estate;
+And he toils for a time but long hoggs make him sick,
+Then he duffs, and his castle falls down, every brick.
+
+When Winter comes in with its keen bitter blast,
+And the poor rustic hind has to cope with the frost;
+Yet the Comber was happy in village and town,
+Though he knew that his calling was fast going down.
+
+Oh yes, it was vanquished, the once noble art,
+For science had bid it for ever depart;
+Yet for thee old Comber fresh fields have arose,
+That have found thee in victuals, in fuel, and clothes.
+
+So many brave thanks to the Mayor of the town
+Who has made the Wool-comber once more to be known;
+Let us drink to the health of our worthy host,
+The friend of the Comber, the Knight of the post.
+
+
+
+T' Village Harem-Skarem.
+
+
+In a little cot so dreary,
+With eyes and forehead hot and bleary,
+Sat a mother sad and weary,
+ With her darling on her knee;
+Their humble fare at best was sparing
+For the father he was shearing,
+With his three brave sons of Erin,
+ All down in the Fen countree.
+
+All her Saxon neighbours leave her,
+With her boy and demon fever,
+The midnight watch--none to relieve her,
+ Save a little Busy Bee:
+He was called the Harem-Skarem,
+Noisy as a drum-clock larum,
+Yet his treasures he would share 'em,
+ With his friend right merrily.
+
+Every night and every morning,
+With the day sometimes at dawning--
+While lay mother, sick and swooning--
+ To his dying mate went he:
+Robbing his good Saxon mother,
+Giving to his Celtic brother,
+Who asked for him and no other,
+ Until his spirit it was free.
+
+Saw the shroud and saw the coffin;
+Brought the pipes and brought the snuff in;
+This little noble-hearted ruffian,
+ To the wake each night went he:
+Sabbath morning he was ready,
+Warn'd the bearers to be steady,
+Taking Peter to his beddy,
+ And a tear stood in his e'e.
+
+Onward as the corpse was passing,
+Ere the priest gave his last blessing,
+Through the dingy crowd came pressing,
+ The father and the brothers three;
+'Tis our mother--we will greet her;
+How is this that here we meet her?
+And without our little Peter,
+ Who will solve this mystery?
+
+The Harem-Skarem interfered,
+"Soon this corpse will be interred,
+Come with us and see it buried,
+ Out in yonder cemet'ry:"
+Soon they knew the worst and pondered
+Half-amazed and half-dumbfounded;--
+And returning home, they wondered
+ Who their little friend could be!
+
+Turning round to him they bowed,
+Much they thanked him, much they owed;
+While the tears each cheek bedewed,
+ Wish'd him all prosperity:
+"Never mind," he said, "my brothers,
+What I've done, do ye to others;
+We're all poor barns o' some poor mothers,"
+ Said the little Busy Bee.
+
+
+
+Come, Gi' us a Wag o' Thy Paw.
+
+
+[T'West Riding o' Yorkshire is famed for different branches i' t'fine art
+line, bud t'music aw think licks t'lump, especially abaght Haworth an'
+Keighley. Nah Haworth wunce hed a famous singer; he wor considered one
+o' t'best i' Yorkshire in his time. It is said 'at he once walked fra
+Haworth to York i' one day, an' sung at an Oratorio at neet. He hed one
+fault, an' that wor just same as all t'other Haworth celebrities; he wod
+talk owd fashioned, an' that willant dew up i' London. Bud we hed monny
+a good singer beside him i' t'neighbourhood. Nah what is thur grander
+ner a lot o' local singers at Kersmas time chanting i' t'streets; it's
+ommost like bein' i' heaven, especially when you're warm i' bed. But
+there's another thing at's varry amusing abaght our local singers, when
+they meet together ther is some demi-semi-quavering, when ther's sharps,
+flats, an' naturals;--an' t'best ale an' crotchets mix'd, that's the time
+fer music.]
+
+Come, gi' us a wag o' thy paw, Jim Wreet,
+ Come, gi' us a wag o' thy paw;
+I knew thee when thy heead wor black,
+ Bud nah it's white as snow;
+A Merry Kersmas to thee, Jim,
+ An' all thy kith an' kin;
+An' hoping tha'll ha' monny more,
+ For t'sake o' ould long sin'--
+ Jim Wreet,
+ For t'sake o' ould long sin'.
+
+It's so monny year to-day, Jim Wreet,
+ Sin owd Joe Constantine--
+An' Daniel Acroyd, thee, an' me,
+ An other friends o' thine,
+Went up ta sing at Squire's house,
+ Not a hauf-a-mile fra here;
+An' t'Squire made us welcome
+ To his brown October beer--
+ Jim Wreet,
+ To his brown October beer.
+
+An' owd Joe Booth tha knew, Jim Wreet,
+ 'At kept the Old King's Arms;
+Whear all t'church singers used ta meet,
+ When they hed sung ther Psalms;
+An' thee an' me amang 'em, Jim,
+ Sometimes hev chang'd the string,
+An' with a merry chorus join'd,
+ We've made yon tavern ring,
+ Jim Wreet,
+ We've made yon tavern ring.
+
+But nearly three score years, Jim Wreet,
+ Hev past away sin' then;
+Then Keighley in Appolo's Art,
+ Could boast her trusty men;
+But music nah means money, Jim,
+ An' that tha's sense to knaw;
+But just fer owd acquaintance sake.
+ Come gi' us a wag o' thy paw,
+ Jim Wreet,
+ Come gi' us a wag o' thy paw.
+
+
+
+Full o' Doubts and Fears.
+
+
+Sweet sing the birds in lowly strain,
+ All mingled in their song;
+For lovely Spring is here again,
+ And Winter's cold is gone.
+
+All things around seem filled with glee,
+ And joy swells every breast;
+The buds are peeping from each bush,
+ Where soon the birds will rest.
+
+The meadows now are fresh and green,
+ The flowers are bursting forth,
+And nature seems to us serene,
+ And shows her sterling worth.
+
+The lark soars high up in the air,
+ We listen to his lays;
+He knows no sorrow, no, nor care,
+ Nor weariness o' days.
+
+But man, though born of noble birth,
+ Assigned for higher spheres,
+Walks his sad journey here on earth
+ All full o' doubts and fears.
+
+ [Picture: Two men on bycycles]
+
+
+
+Behold How the Rivers!
+
+
+Behold how the rivers flow down to the sea,
+Sending their treasures so careless and free;
+And to give their assistance each Spring doth arise,
+Uplifting and singing my songs to the skies.
+
+Find out the haunts o' the low human pest,
+Give to the weary, the poor, and distress'd;
+What if ungrateful and thankless they be,
+Think of the giver that gave unto thee.
+
+Go travel the long lanes on misery's verge,
+Find out their dark dens, and list to their dirge;
+Where want and famine, and by ourselves made,
+Forgive our frail follies, and come to our aid.
+
+Give to yon widow--thy gift is thrice blest,
+For tho' she be silent, the harder she's press'd;
+A small bit o' help to the little she earns,
+God blesses the giver to fatherless bairns.
+
+'Neath the green grassy mounds i' yon little church-yard
+An over-wrought genius there finds his reward;
+And marvel thee not, when I say unto thee,
+Such are the givers that give unto me.
+
+Then scatter thy mite like nature her rain,--
+What if no birdie should chant thee a strain;
+What if no daisy should smile on the lea;
+The sweet honeysuckle will compensate thee.
+
+For the day will soon come, if thou gives all thou may,
+That thou mayest venture to give all away;
+Ere Nature again her balmy dews send,
+Thou may have vanished my good giving friend.
+
+
+
+Our Poor Little Factory Girls.
+
+
+They are up in the morning right early,
+ They are up sometimes afore leet;
+I hear their clogs they are clamping,
+ As t'little things go dahn the street.
+
+They are off in the morning right early,
+ With their baskets o' jock on their arm;
+The bell is ting-tonging, ting-tonging,
+ As they enter the mill in a swarm.
+
+They are kapering backward and forward,
+ Their ends to keep up if they can;
+They are doing their utmost endeavours,
+ For fear o' the frown o' man.
+
+Wi' fingers so nimble and supple,
+ They twist, an' they twine, an' they twirl,
+Such walking, an' running, an' kneeling,
+ Does the wee little factory girl.
+
+They are bouncing about like a shuttle,
+ They are kneeling an' rubbing the floor;
+While their wee little mates they are doffing,
+ Preparing the spindles for more.
+
+Them two little things they are t'thickest,
+ They help one another 'tis plain;
+They try to be t'best and t'quickest,
+ The smiles o' their master to gain.
+
+And now from her ten hours' labour,
+ Back to her cottage shoo shogs;
+Aw hear by the tramping an' singing,
+ 'Tis the factory girl in her clogs.
+
+And at night when shoo's folded i' slumber,
+ Shoo's dreaming o' noises and drawls:
+Of all human toil under-rated,
+ 'Tis our poor little factory girl's.
+
+
+
+Haworth Sharpness.
+
+
+Says a wag to a porter i' Haworth one day,
+"Yahr not ower sharp ye drones o't'railway,
+For fra Keighley to Haworth I've been oft enough,
+But nivver a hawpenny I've paid ye begoff."
+
+The porter replied, "I vary mitch daht it,
+But I'll give a quart to hear all about it;
+For it looks plain to me tha cuddant pass t'snicket,
+Baht tipping to t'porter thy pass or thy ticket."
+
+"Tha'll write up to Derby an' then tha'll deceive me";
+"I willn't, this time," sed t'porter, "believe me":
+"Then aght wi thy brass, an' let us be knocking,
+For I've walk'd it on foot, by t'Cross Roads an' t' Bocking."
+
+
+
+Dear Harden.
+
+
+Dear Harden, the home o' my boyhood so dear,
+Thy wanderin' son sall thee ivver revere;
+Tho' years hev rolled ower sin thy village I left,
+An' o' frends an' relations I now am bereft.
+
+Yet thy hills they are pleasant, tho' rocky an' bare;
+Thy dowters are handsome, thy sons they are rare;
+When I walk thro' thy dells, by the clear running streams,
+I think o' my boyhood an' innocent dreams.
+
+No care o' this life then troubled my breast,
+I wor like a young bird new fligged fra its nest;
+Wi' my dear little mates did I frolic and play,
+Wal life's sweetest moments wor flying away.
+
+As the dew kissed the daisies their portals to close,
+At neet i' my bed I did sweetly repose;
+An' rose in the morning at Nature's command,
+Till fra boyhood to manhood my frame did expand.
+
+The faces that once were familiar to me,
+Those that did laugh at my innocent glee;
+I fancy I see them, tho' now far away,
+Or p'r'aps i' Bingley church-yard they may lay.
+
+For since I've embarked on life's stormy seas,
+My mind's like the billows that's nivver at ease;
+Yet I still hev a hope my last moments to crown--
+In thee, dearest village, to lay myself down.
+
+
+
+The Heroic Watchman of Calversyke Hill.
+
+
+[This extraordinary "hero" either bore false witness against his
+neighbour, a poor artisan, or (taking his own word for it) saved the
+nation from great disaster and ruin by putting out a fire that no one saw
+but himself.]
+
+We've heard of great fires in city and town,
+And many disasters by fire are known;
+But surely this fire which I'm going to tell,
+Was worse than Mount Etna, Vesuvius, or hell;
+For the great prophecy it no doubt would fulfil,
+But for _t'heroic_ watchman at Calversyke Hill.
+
+This fire broke out in the night it was said,
+While peaceful each villager slept in his bed;
+And so greatly the flames did light up the skies,
+That it took the big watchman all in surprise,
+Yet great was the courage and undaunted the skill
+Of the _heroic_ watchman of Calversyke Hill.
+
+He swore by his Maker, the flames rose so high,
+That within a few yards, they reached to the sky;
+And so greatly they lighted up mountains and dales,
+He could see into Ireland, Scotland and Wales!
+And so easily the beaks did swallow his pill,
+They fined the poor artist of Calversyke Hill.
+
+Now, there's some foolish people are led to suppose,
+It was by some shavings this fire first arose;
+But yet says our hero, "I greatly suspect,
+This fire was caused by the grossest neglect;
+But I'm glad its put out, let it be as it will,"
+Says the _heroic_ watchman of Calversyke Hill.
+
+He needed no witness to swear what he'd done,
+Yet if he had wanted he could have had one;
+For one Tommy Twister, that never was there,
+Saw the sparks from the chimney, as they flew in the air,
+The greatest sized coal-pot no doubt they would fill,
+Like the head of the _hero_ of Calversyke Hill.
+
+So many brave thanks to this _heroic_ knave,
+For thousands of lives no doubt he did save,
+And but for this hero, disaster had spread,
+And smothered the nation while sleeping in bed;
+But to save all his people it was the Lord's will,
+Through the _heroic_ watchman at Calversyke Hill.
+
+So mind and be careful and put out your lights,
+All ye with red noses in case they ignite,
+Or perhaps from your bed you may have to leap,
+In case this great watchman chances to sleep,
+For as rumours are spread, he is fond of his gill,
+Is the _heroic_ watchman of Calversyke Hill.
+
+
+
+The English "Cricketeer."
+
+
+Lines written on the Keighley Cricket Club Bazaar of 1889, and most
+respectfully dedicated to the late William Luke Brown, Esq.
+
+I sing not of grim-visaged war,
+ Nor diplomatic rage,
+But I shall string my harp in praise
+ Of the worthies of our age.
+
+They are a class of noble men,
+ Whom England holds most dear.
+Whose feats so grand adorn our land,
+ Like the famous cricketeer?
+
+The Ancient Greek his chariot ran,
+ It was his Royal sport;
+The Roman gladiator fought
+ To please the Royal Court.
+
+The Spaniard with his javelin knife
+ The wild bull's flesh he tears;
+But alack a-day! what sports are they
+ With our grand cricketeers.
+
+And well old Keighley can be proud
+ Of her famed sons to-day;
+Some of them are with us yet,
+ While others are away.
+
+Brave Brown! brave Foulds and Waring,
+ With good men in the rear,
+And not forgetting Emmett,
+ The brave old cricketeer.
+
+Then while they have their Grand Bazaar,
+ Pray let us rally round,
+And give a hand to renovate
+ Their well-loved cricket ground.
+
+For well I wot both young and old,
+ Will find from year to year,
+More interest in the noble sport
+ Of the grand old cricketeer.
+
+The Mexican may throw his lance,
+ The Scotchman put his stone,
+With all the scientific skill
+ Of muscle and of bone.
+
+Give Switzerland her honour'd place
+ With rifles and with spears,
+But give to me our grand old sport,
+ Our famous cricketeers.
+
+ [Picture: Rural scene]
+
+
+
+Christmas Day.
+
+
+Sweet lady, 'tis no troubadour,
+That sings so sweetly at your door,
+To tell you of the joys in store,
+ So grand and gay;
+But one that sings "Remember th' poor,
+ 'Tis Christmas Day."
+
+Within some gloomy walls to-day
+ Just cheer the locks of hoary gray,
+And try to smooth their rugged way
+ With cheerful glow;
+And cheer the widow's heart, I pray,
+ Crushed down with woe.
+
+O make the weary spent-up glad,
+And cheer the orphan lass and lad;
+Make frailty's heart, so long, long sad,
+ Your kindness feel;
+And make old crazy bones stark mad
+ To dance a reel.
+
+Then peace and plenty be your lot,
+And may your deed ne'er be forgot,
+That helps the widow in her cot,
+ From out your store;
+Nor creed nor seed should matter not,
+ The poor are poor.
+
+
+
+Wi' Him I call my own.
+
+
+The branches o' the woodbine hide
+ My little cottage wall,
+An' though 'tis but a humble thatch,
+ I envy not the hall.
+
+The wooded hills before my eyes
+ Are spread both far and wide;
+An' Nature's grandeur seems to dress,
+ In all her lovely pride.
+
+It is, indeed, a lovely spot,
+ O' singing birds an' flowers;
+'Mid Nature's grandeur it is true,
+ I pass away my hours.
+
+Yet think not 'tis this lovely glen,
+ So dear in all its charms;
+Its blossomed banks and rippled reels,
+ Freed from the world's alarms.
+
+For should love's magic change the scene,
+ To trackless lands unknown,
+'Twere Eden in the desert wild,
+ Wi' him I call my own.
+
+ [Picture: Decorative picture of fern]
+
+
+
+It isn't so wi' Me.
+
+
+Bright seem the days when I wor young
+ Fra thought, and care, and sorrow free;
+As wild waves rippled i' the sun,
+ Rolled gaily on, 'twor so wi' me.
+
+More bright the flowers when I wor young,
+ More sweet the birds sang on the tree;
+While pleasure and contentment flung
+ Her smiles on them, and so wi' me.
+
+The naked truth I told when young,
+ Though tempted wi' hypocrisy;
+Though some embraced, from it I sprang,
+ An' said it isn't so wi' me.
+
+I saw the canting jibs when young,
+ Of saintly, sulky misery;
+Yet poked I melancholy's ribs,
+ And said it isn't so wi' me.
+
+Though monny a stone when I wor young,
+ Is strong upon my memory--
+I threw when young an' hed 'em flung;
+ If they forgive, 'tis so wi' me.
+
+Could money buy o' Nature's mart,
+ Again our brightest days to see;
+Ther's monny a wun wod pawn the shirt,
+ Or else they'd buy--and so wi' me.
+
+Yet after all I oft look back,
+ Without a pang o' days gone past,
+An' hope all t'wrong I did when young,
+ May be forgi'n to me at last.
+
+
+
+A New Divorce.
+
+
+Says Pug o' Joan's, o' Haworth Brah,
+ To Rodge, o' Wickin Crag--
+"Ahr Nelly's tung's a yard too long,
+ And by t'mess it can wag.
+
+"It's hell at top o' t'earth wi' me,
+ An' stand it I am forc'd;
+I'd give all t'brass 'at I possess,
+ If I could get divorced."
+
+Then answered Rodge, "I hev a dodge,
+ As good a plan as any;
+A real divorce tha'll get of course--
+ It willn't cost a penny."
+
+"Then tell me what it is," says Pug,
+ "I'm almost brocken-hearted,"
+"Well, go to Keethlah Warkhase, lad,
+ Where man an' wife are parted."
+
+ [Picture: Picture of house in trees]
+
+
+
+The Vision.
+
+
+Blest vision of departed worth,
+ I see thee still, I see thee still;
+Thou art the shade of her that's gone,
+ My Mary Hill, my Mary Hill.
+
+My chamber in this silent hour,
+ Were dark an' drear, were dark an' drear
+But brighter far than Cynthia's beam,
+ Now thou art here, now thou art here.
+
+Wild nature in her grandeur had
+ No charm for me, no charm for me;
+Did not the songsters chant thy name
+ From every tree, from every tree.
+
+Chaos would have come again,
+ In worlds afar, in worlds afar;
+Could I not see my Mary's face,
+ In every star, in every star.
+
+Say when the messenger o' death,
+ Shall bid me come, shall bid me come;
+Wilt thou be foremost in the van,
+ To take me home, to take me home.
+
+ [Picture: Decorative picture of flowers]
+
+ PRINTED FOR THE AUTHOR BY
+ JOHN OVEREND, COOK LANE, KEIGHLEY.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK REVISED EDITION OF POEMS***
+
+
+******* This file should be named 27781.txt or 27781.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/2/7/7/8/27781
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+