diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:37:31 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:37:31 -0700 |
| commit | 56bad3234ebfef6bfd2f559ec2cca2965410fa67 (patch) | |
| tree | bbbf5e6abc5e1d6500d78a9806c04b7c059c4278 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 28139-h.zip | bin | 0 -> 1125794 bytes | |||
| -rw-r--r-- | 28139-h/28139-h.htm | 1713 | ||||
| -rw-r--r-- | 28139-h/images/contents.png | bin | 0 -> 9406 bytes | |||
| -rw-r--r-- | 28139-h/images/contents_end.png | bin | 0 -> 5474 bytes | |||
| -rw-r--r-- | 28139-h/images/divider1.png | bin | 0 -> 249 bytes | |||
| -rw-r--r-- | 28139-h/images/illus129.png | bin | 0 -> 112902 bytes | |||
| -rw-r--r-- | 28139-h/images/illus130.png | bin | 0 -> 3814 bytes | |||
| -rw-r--r-- | 28139-h/images/illus132.png | bin | 0 -> 67685 bytes | |||
| -rw-r--r-- | 28139-h/images/illus133.png | bin | 0 -> 25496 bytes | |||
| -rw-r--r-- | 28139-h/images/illus135.png | bin | 0 -> 82087 bytes | |||
| -rw-r--r-- | 28139-h/images/illus137.png | bin | 0 -> 81182 bytes | |||
| -rw-r--r-- | 28139-h/images/illus140.png | bin | 0 -> 73294 bytes | |||
| -rw-r--r-- | 28139-h/images/illus141.png | bin | 0 -> 43543 bytes | |||
| -rw-r--r-- | 28139-h/images/illus145.png | bin | 0 -> 49408 bytes | |||
| -rw-r--r-- | 28139-h/images/illus147.png | bin | 0 -> 77701 bytes | |||
| -rw-r--r-- | 28139-h/images/illus148.png | bin | 0 -> 31894 bytes | |||
| -rw-r--r-- | 28139-h/images/illus149.png | bin | 0 -> 46824 bytes | |||
| -rw-r--r-- | 28139-h/images/illus150.png | bin | 0 -> 16106 bytes | |||
| -rw-r--r-- | 28139-h/images/illus151.png | bin | 0 -> 80281 bytes | |||
| -rw-r--r-- | 28139-h/images/illus153.png | bin | 0 -> 49267 bytes | |||
| -rw-r--r-- | 28139-h/images/illus157.png | bin | 0 -> 77602 bytes | |||
| -rw-r--r-- | 28139-h/images/illus158.png | bin | 0 -> 31295 bytes | |||
| -rw-r--r-- | 28139-h/images/illus159.png | bin | 0 -> 47386 bytes | |||
| -rw-r--r-- | 28139-h/images/illus160-music.png | bin | 0 -> 44021 bytes | |||
| -rw-r--r-- | 28139-h/images/illus160.png | bin | 0 -> 41185 bytes | |||
| -rw-r--r-- | 28139-h/music/nov77.mid | bin | 0 -> 1537 bytes | |||
| -rw-r--r-- | 28139-page-images/p129.png | bin | 0 -> 36038 bytes | |||
| -rw-r--r-- | 28139-page-images/p130.png | bin | 0 -> 22445 bytes | |||
| -rw-r--r-- | 28139-page-images/p131.png | bin | 0 -> 29686 bytes | |||
| -rw-r--r-- | 28139-page-images/p132.png | bin | 0 -> 44610 bytes | |||
| -rw-r--r-- | 28139-page-images/p133.png | bin | 0 -> 34379 bytes | |||
| -rw-r--r-- | 28139-page-images/p134.png | bin | 0 -> 36789 bytes | |||
| -rw-r--r-- | 28139-page-images/p135.png | bin | 0 -> 56184 bytes | |||
| -rw-r--r-- | 28139-page-images/p136.png | bin | 0 -> 34332 bytes | |||
| -rw-r--r-- | 28139-page-images/p137.png | bin | 0 -> 58148 bytes | |||
| -rw-r--r-- | 28139-page-images/p138.png | bin | 0 -> 37065 bytes | |||
| -rw-r--r-- | 28139-page-images/p139.png | bin | 0 -> 36135 bytes | |||
| -rw-r--r-- | 28139-page-images/p140.png | bin | 0 -> 43523 bytes | |||
| -rw-r--r-- | 28139-page-images/p141.png | bin | 0 -> 36531 bytes | |||
| -rw-r--r-- | 28139-page-images/p142.png | bin | 0 -> 38822 bytes | |||
| -rw-r--r-- | 28139-page-images/p143.png | bin | 0 -> 35330 bytes | |||
| -rw-r--r-- | 28139-page-images/p144.png | bin | 0 -> 37924 bytes | |||
| -rw-r--r-- | 28139-page-images/p145.png | bin | 0 -> 44639 bytes | |||
| -rw-r--r-- | 28139-page-images/p146.png | bin | 0 -> 37419 bytes | |||
| -rw-r--r-- | 28139-page-images/p147.png | bin | 0 -> 51878 bytes | |||
| -rw-r--r-- | 28139-page-images/p148.png | bin | 0 -> 39606 bytes | |||
| -rw-r--r-- | 28139-page-images/p149.png | bin | 0 -> 36316 bytes | |||
| -rw-r--r-- | 28139-page-images/p150.png | bin | 0 -> 24975 bytes | |||
| -rw-r--r-- | 28139-page-images/p151.png | bin | 0 -> 49644 bytes | |||
| -rw-r--r-- | 28139-page-images/p152.png | bin | 0 -> 36627 bytes | |||
| -rw-r--r-- | 28139-page-images/p153.png | bin | 0 -> 38724 bytes | |||
| -rw-r--r-- | 28139-page-images/p154.png | bin | 0 -> 27802 bytes | |||
| -rw-r--r-- | 28139-page-images/p155.png | bin | 0 -> 19147 bytes | |||
| -rw-r--r-- | 28139-page-images/p156.png | bin | 0 -> 24927 bytes | |||
| -rw-r--r-- | 28139-page-images/p157.png | bin | 0 -> 71075 bytes | |||
| -rw-r--r-- | 28139-page-images/p158.png | bin | 0 -> 45615 bytes | |||
| -rw-r--r-- | 28139-page-images/p159.png | bin | 0 -> 37428 bytes | |||
| -rw-r--r-- | 28139-page-images/p160.png | bin | 0 -> 47782 bytes | |||
| -rw-r--r-- | 28139.txt | 1394 | ||||
| -rw-r--r-- | 28139.zip | bin | 0 -> 21559 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
63 files changed, 3123 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/28139-h.zip b/28139-h.zip Binary files differnew file mode 100644 index 0000000..f9583cc --- /dev/null +++ b/28139-h.zip diff --git a/28139-h/28139-h.htm b/28139-h/28139-h.htm new file mode 100644 index 0000000..f4d0bd2 --- /dev/null +++ b/28139-h/28139-h.htm @@ -0,0 +1,1713 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of The Nursery, November 1877, Vol. XXII., by Various. + </title> + <style type="text/css"> + + p {margin-top: .75em; + text-align: justify; + text-indent: 1.25em; + margin-bottom: .75em; + } + img {border: 0;} + .tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em;} + ins {text-decoration:none; border-bottom: thin dotted gray;} + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + .copyright {text-align: center; font-size: 70%;} + .blockquot{margin-left: 5%; margin-right: 10%; text-align: justify;} + + .bbox {border: solid 2px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em;} + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + + .caption {font-weight: bold; font-size: 70%;} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 0; margin-top: + 1em; margin-right: 0; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .unindent {margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + .right {text-align: right;} + .poem {margin-left: 30%; margin-right: 10%; text-align: left;} + .poem2 {margin-left: 15%; margin-right: 10%; text-align: left;} + .sig {margin-right: 10%; text-align: right;} + .story {font-size: 200%; margin-top: .75em; + text-align: justify; + text-indent: 1.25em; + margin-bottom: .75em;} + + </style> + </head> +<body> + + +<pre> + +Project Gutenberg's The Nursery, November 1877, Vol. XXII. No. 5, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Nursery, November 1877, Vol. XXII. No. 5 + A Monthly Magazine for Youngest Readers + +Author: Various + +Release Date: February 20, 2009 [EBook #28139] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 *** + + + + +Produced by Emmy, Juliet Sutherland and the Online +Distributed Proofreading Team at http://www.pgdp.net. Music +by Linda Cantoni. + + + + + + +</pre> + + +<h3>THE</h3> + +<h1>NURSERY</h1> + +<h2><i>A Monthly Magazine</i></h2> + +<h2><span class="smcap">For Youngest Readers.</span></h2> + +<div class='center'>VOLUME XXII.—No. 5.<br /> + +<br /><br /> +BOSTON:<br /> +JOHN L. SHOREY, No. 36 BROMFIELD STREET,<br /> +1877.<br /> +</div> + +<div class='copyright'><br /><br /><br /> +Entered according to Act of Congress, in the year 1877, by<br /> +JOHN L. SHOREY,<br /> +In the Office of the Librarian of Congress at Washington.<br /> +<br /><br /><br /> +FRANKLIN PRESS:<br /> +RAND, AVERY, AND COMPANY,<br /> +117 FRANKLIN STREET,<br /> +BOSTON.<br /></div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> + +<div class="figcenter" style="width: 400px;"> +<img src="images/contents.png" width="400" height="210" alt="Contents" title="" /> +</div> + +<h3>IN PROSE.</h3> + + + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" summary="Contents in Prose"> +<tr><td align='left'> </td><td align='right'><small>PAGE</small></td></tr> +<tr><td align='left'>Sarah's Picture</td><td align='right'><a href="#Page_131">131</a></td></tr> +<tr><td align='left'>Kitty Bell</td><td align='right'><a href="#Page_134">134</a></td></tr> +<tr><td align='left'>A clever Fox</td><td align='right'><a href="#Page_136">136</a></td></tr> +<tr><td align='left'>How Ponto got his Dinner</td><td align='right'><a href="#Page_138">138</a></td></tr> +<tr><td align='left'>The Pet Pigeon</td><td align='right'><a href="#Page_141">141</a></td></tr> +<tr><td align='left'>Eighth Lesson in Astronomy </td><td align='right'><a href="#Page_143">143</a></td></tr> +<tr><td align='left'>Drawing-Lesson</td><td align='right'><a href="#Page_145">145</a></td></tr> +<tr><td align='left'>The Farm</td><td align='right'><a href="#Page_146">146</a></td></tr> +<tr><td align='left'>The Drawing-Master</td><td align='right'><a href="#Page_148">148</a></td></tr> +<tr><td align='left'>Learning to iron</td><td align='right'><a href="#Page_151">151</a></td></tr> +<tr><td align='left'>Birdie and Baby</td><td align='right'><a href="#Page_153">153</a></td></tr> +<tr><td align='left'>Boys and Rabbits</td><td align='right'><a href="#Page_156">156</a></td></tr> +<tr><td align='left'>Tobacco and Egg</td><td align='right'><a href="#Page_158">158</a></td></tr> +</table></div> + + +<h3><br />IN VERSE.</h3> + + + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" summary="Contents in Verse"> +<tr><td align='left'> </td><td align='right'><small>PAGE</small></td></tr> +<tr><td align='left'>Steering for Home</td><td align='right'><a href="#Page_129">129</a></td></tr> +<tr><td align='left'>Three naughty Pigs</td><td align='right'><a href="#Page_133">133</a></td></tr> +<tr><td align='left'>The Butterfly and the Grasshopper </td><td align='right'><a href="#Page_139">139</a></td></tr> +<tr><td align='left'>Little Mosquito</td><td align='right'><a href="#Page_150">150</a></td></tr> +<tr><td align='left'>A naughty Baby</td><td align='right'><a href="#Page_154">154</a></td></tr> +<tr><td align='left'>The Apple Tree (<i>with music</i>)</td><td align='right'><a href="#Page_160">160</a></td></tr> +</table></div> + +<div class="figcenter" style="width: 200px;"> +<img src="images/contents_end.png" width="200" height="139" alt="Birds" title="" /> +</div> + + +<p><span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span></p> + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<div class="figcenter" style="width: 351px;"> +<img src="images/illus129.png" width="351" height="500" alt="STEERING FOR HOME." title="" /> +<span class="caption">STEERING FOR HOME.</span> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span></p> +<h2>STEERING FOR HOME.</h2> + + + +<div class="figleft" style="width: 118px;"> +<img src="images/illus130.png" width="118" height="125" alt="B" title="" /> +</div><div class='poem2'><br /><br />LOW, thou bitter northern gale;<br /> +<span style="margin-left: 1em;">Heave, thou rolling, foaming sea;</span><br /> +Bend the mast and fill the sail,<br /> +<span style="margin-left: 1em;">Let the gallant ship go free!</span><br /> +Steady, lad! Be firm and steady!<br /> +<span style="margin-left: 1em;">On the compass fix your eye;</span><br /> +Ever watchful, ever ready,<br /> +<span style="margin-left: 1em;">Let the rain and spray go by!</span><br /> +<span style="margin-left: 2em;">We're steering for home.</span><br /> +<br /> +Let the waves with angry thud<br /> +<span style="margin-left: 1em;">Shake the ship from stem to stern;</span><br /> +We can brave the flying scud,<br /> +<span style="margin-left: 1em;">It may go, it may return:</span><br /> +In the wind are cheerful voices,<br /> +<span style="margin-left: 1em;">In the waves a pleasant song,</span><br /> +And the sailor's heart rejoices<br /> +<span style="margin-left: 1em;">As the good ship bounds along.</span><br /> +<span style="margin-left: 2em;">We're steering for home.</span><br /> +<br /> +Standing on the briny deck,<br /> +<span style="margin-left: 1em;">Beaten by the blinding spray,</span><br /> +Fearing neither storm nor wreck,<br /> +<span style="margin-left: 1em;">Let us keep our onward way.</span><br /> +Loving hearts for us are yearning,<br /> +<span style="margin-left: 1em;">Now in hope, and now in doubt,</span><br /> +Looking for our swift returning,<br /> +<span style="margin-left: 1em;">How they try to make us out!</span><br /> +<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span><span style="margin-left: 2em;">We're steering for home.</span><br /> +<br /> +Fainter blows the bitter gale,<br /> +<span style="margin-left: 1em;">And more peaceful grows the sea;</span><br /> +Now, boys, trim again the sail;<br /> +<span style="margin-left: 1em;">Land is looming on the lee!</span><br /> +See! the beacon-light is flashing,<br /> +<span style="margin-left: 1em;">Hark! those shouts are from the shore;</span><br /> +To the wharf home friends are dashing;<br /> +<span style="margin-left: 1em;">Now our hardest work is o'er.</span><br /> +<span style="margin-left: 2em;">Three cheers for our home!</span><br /> +</div> + +<div class='sig'> +<span class="smcap">Tom Bowling.</span><br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>SARAH'S PICTURE.</h2> + + +<p><span class="smcap">My</span> name is Sarah. I live in Bristol, Conn., and am +not quite five years old. I have taken "The Nursery" +ever since I was two.</p> + +<p>About three years ago a lady gave me a little trunk, and +I have kept my magazines in it ever since. Last winter, +when snow was on the ground, and I had to stay in the +house a good deal, I used to get my trunk and sit down on +the floor by mamma, and look my "Nursery" through +almost every day. So mamma thought she would like to +have my picture taken just in that way.</p> + +<p>Now I must introduce you to my dog Beauty, who sits +by my side in the picture. You see he is a Spitz; but do +not be frightened: he will never have hydrophobia. I +cannot think of having him muzzled, for one of his charms +is the way he opens and shuts his mouth when he barks. +Oh, no, Beauty! I will never hurt your feelings by making +you wear a muzzle.</p> + +<p>My grandma gave me this dear dog a year ago last<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span> +Christmas. He had two beautiful red eyes then; now he +has none. He had two long silky ears then; now he has +but one. He had four legs, and a bushy tail curled over his +back; now he has but two legs, and no tail. But I love him +just as well as ever.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus132.png" width="500" height="376" alt="The dolly you see sitting against the trunk" title="" /> +</div> + +<p>The dolly you see sitting up against the trunk is my +daughter Nannie. I have four other children.</p> + +<p>Nellie is a fair-haired blonde, but is getting rather past +her prime. You know blondes fade young.</p> + +<p>Rosa Grace once had lovely flaxen curls, and very rosy +cheeks; but now her curls are few and far between, her +cheeks are faded, and her arms and feet are out of order.</p> + +<p>Next comes Florence, who has joints, and can sit up +like a lady anywhere. My papa brought her from San +Francisco. She has yellow hair, and is dressed in crimson +silk.<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span></p> + +<p>My youngest is not yet named. She is quite small, has +black hair and eyes, and is rather old-fashioned looking. +If you can think of a name just right for her, I wish you +would please let me know. It is so perplexing to name so +many children!</p> + +<div class='sig'> +<span class="smcap">Sarah H. Buck.</span><br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>THREE NAUGHTY PIGS.</h2> + + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td align='left'><span class="smcap">Three</span> naughty pigs,<br /> +<span style="margin-left: 1em;">All in one pen,</span><br /> +Drank up their milk<br /> +<span style="margin-left: 1em;">Left by the men.</span><br /> +<br /> +Then all the three,<br /> +<span style="margin-left: 1em;">Fast as they could,</span><br /> +Dug their way out<br /> +<span style="margin-left: 1em;">To find something good.</span> <br /> +<br /> +Out in the garden<br /> +<span style="margin-left: 1em;">A maiden fair</span><br /> +Had set some flowers,<br /> +<span style="margin-left: 1em;">Of beauty rare.</span><br /> +<br /> +Out in the garden<br /> +<span style="margin-left: 1em;">A merry boy</span><br /> +Had planted seeds,<br /> +<span style="margin-left: 1em;">With childish joy.</span><br /> +</td><td align='left'>One naughty pig<br /> +<span style="margin-left: 1em;">Ran to the bed;</span><br /> +Soon lay the flowers<br /> +<span style="margin-left: 1em;">Drooping and dead.</span><br /> +<br /> +Two naughty pigs<br /> +<span style="margin-left: 1em;">Dug up the seeds,</span><br /> +And left for the boy<br /> +<span style="margin-left: 1em;">Not even weeds.</span><br /> +<br /> +Three naughty pigs<br /> +<span style="margin-left: 1em;">Back in the pen,</span><br /> +Never could do<br /> +<span style="margin-left: 1em;">Such digging again.</span><br /> +<br /> +For in their noses<br /> +<span style="margin-left: 1em;">Something would hurt</span><br /> +Whenever they tried<br /> +<span style="margin-left: 1em;">To dig in the dirt.</span><br /> +</td></tr> +</table></div> + +<div class='sig'> +F. L. T.<br /> +</div> + +<div class="figcenter" style="width: 350px;"> +<img src="images/illus133.png" width="350" height="170" alt="Three pigs" title="" /> +</div> + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span></p> + + + +<h2>KITTY BELL.</h2> + + +<p><span class="smcap">Once</span> there was a little girl named Alice, and she had an +Uncle George whom she loved very dearly. One day, as +Alice was looking out of the window, she saw her Uncle +George coming into the yard with a covered basket in his +hand.</p> + +<p>Alice ran to meet him, and, as she was kissing him in the +hall, she heard a faint sound in the basket, and exclaimed, +"O Uncle George! what have you brought me?"</p> + +<p>"Look into the basket and see," said her uncle.</p> + +<p>So Alice peeped in very carefully, and saw a little black +kitten. The little girl was delighted, and fairly danced +around her uncle as she said, "What a dear little kitten! +Is it for me, Uncle George? Who sent it to me? Did +you bring it from your house?"</p> + +<p>"Yes," said her uncle, "your Cousin Edith sent it to +you; she thought you would like it."</p> + +<p>"Well," said Alice, "you must thank Edith a thousand +times, and here is a kiss for you for bringing it to me; and +I'm sure the poor little thing must be hungry: so I'll give +it something to eat."</p> + +<p>She carried the kitten into the kitchen, and soon got from +the cook a nice pan of milk. Her little brother Harry came +running in to see the new kitten eat its dinner, and with +him came the old family cat, Mouser, who rubbed and +purred against Alice, as if he wanted her to pet him too.</p> + +<p>The next thing was to find a name, "pretty, and not too +common," Alice said. While she was trying to think of +one, she went up to her own little room, and searched +among her ribbons for a piece to tie around the kitten's +neck. She soon found one that was just the thing.</p> + +<p>In one of her drawers she found a tiny bell that somebody<span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span> +had given her, and thought it would be a good plan +to hang that around kitty's neck by the ribbon. Kitty +made no objection to being thus decorated, and a happy +thought struck Alice; "Kitty Bell would be just the name +for her!" and Kitty Bell it was.</p> + +<div class="figcenter" style="width: 323px;"> +<img src="images/illus135.png" width="323" height="400" alt="Girls and Kitty Bell" title="" /> +</div> + +<p>Kitty grew very fast; and one morning, after she had got<span class='pagenum'><a name="Page_136" id="Page_136">[136]</a></span> +to be a good-sized kitten, she came to Alice, and mewed +quite piteously. Alice gave her some milk; but Kitty Bell +was not hungry, and mewed still more. Alice could not +think what was the matter.</p> + +<p>At last Kitty Bell gave her head a shake, and put one +paw up to the ribbon on her neck, as if trying to pull it +over her head. Alice untied the ribbon, and away ran Kitty +Bell quite out of sight. In a short time she came back +with a mouse in her mouth, which she laid at Alice's feet.</p> + +<p>Do you see what had been the trouble? The bell had +frightened the mice away, so that Kitty Bell could not get +near enough to catch them.</p> + +<div class='sig'> +W.<br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>A CLEVER FOX.</h2> + + +<p><span class="smcap">On</span> a summer day, a gentleman was lying under the +shelter of some shrubs on the banks of the River Tweed, +when he saw a large brood of ducks, which had been made +to rise on the wing by the drifting of a fir-branch among +them. After circling in the air for a little time, they again +settled down on their feeding-ground.</p> + +<p>There was a pause for two or three minutes, and then +the same thing took place again. A branch drifted down +with the stream into the midst of the ducks, and made them +take to flight once more. But when they found that the +bough had drifted by, and done no harm, they flew down +to the water as before.</p> + +<p>After four or five boughs had drifted by in this way, the +ducks gave no heed to them, and hardly tried to fly out of +their way on the stream, even when they were near to +being touched.<span class='pagenum'><a name="Page_137" id="Page_137">[137]</a></span></p> + +<div class="figcenter" style="width: 322px;"> +<img src="images/illus137.png" width="322" height="400" alt="Clever fox" title="" /> +</div> + +<p>The gentleman who had been observing all this now +watched for the cause of the drifting of the boughs. At +length he saw, higher up the bank of the stream, a fox, +which, having set the boughs adrift, was watching for the +moment when the ducks should cease to be startled by +them.<span class='pagenum'><a name="Page_138" id="Page_138">[138]</a></span></p> + +<p>This wise and clever fox at last seemed satisfied that the +moment had come. So what did he do but take a larger +branch of spruce-fir than any he had yet used, and, spreading +himself down on it so as to be almost hidden from +sight, set it adrift as he had done the others!</p> + +<p>The ducks, now having ceased to fear the boughs, hardly +moved till the fox was in the midst of them, when, making +rapid snaps right and left, he seized two fine young ducks +as his prey, and floated forward in triumph on his raft. +The ducks flew off in fright, and did not come back.</p> + +<p>That fox must have had a fine dinner that day, I think. +The gentleman who saw the trick pitied the poor ducks, +but could not help laughing at the fox's cunning.</p> + +<div class='sig'> +<span class="smcap">Uncle Charles.</span><br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>HOW PONTO GOT HIS DINNER.</h2> + + +<p><span class="smcap">Ponto</span> in his youth had been a very wise and active +dog. Not only had he been brave at watching, but he had +been taught to carry packages and notes for his master.</p> + +<p>But, as he grew old and feeble, he gradually got out of +the way of doing such services, and spent his time mostly +in sleeping, or in jogging about, without care.</p> + +<p>One day his mistress had told her husband, as he went to +his business in the morning, to send around the carriage at +ten o'clock. This he forgot to do; and when the hour +came, and there was no carriage, the lady knew it would +be necessary to remind her husband of his promise.</p> + +<p>But she had no one to send with a message. At last she +chanced to remember that Ponto used to go on such errands, +and, writing a note, she called him to her, and said,—</p> + +<p>"Here, Ponto, take this note to your master."<span class='pagenum'><a name="Page_139" id="Page_139">[139]</a></span></p> + +<p>Ponto took the note carefully in his mouth, but did not +seem to know what he was expected to do with it.</p> + +<p>"Go, Ponto," she said; "take the note to your master."</p> + +<p>He trotted on a little way, paused, turned and hesitated, +and then trotted a little farther. This he repeated several +times, and at last, started off at a good gait.</p> + +<p>But wise old Ponto! Did he, after so much pondering, +take the note to his master? Not a bit of it! He went +straight to the butcher's, and presented the billet, wagging +his tail at the same time, as much as to say, "Here's an +order for my dinner!"</p> + +<p>The butcher, understanding the situation, rolled up a +nice piece of meat in a paper, gave it to Ponto, and then +himself delivered the note to the gentleman.</p> + +<p>Ponto stalked home as proud as a king, laid the package +at his mistress's feet, and waited, with a delighted, expressive +wag, for her approval.</p> + +<p>Of course she gave him all the meat, patted his faithful +old head, and called him "good Ponto."</p> + +<p>The carriage came in good time; and Ponto does not +know to this day but what he did exactly as he was told.</p> + +<div class='sig'> +C. D. B.<br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>THE BUTTERFLY AND THE GRASSHOPPER.</h2> + + +<div class="figleft" style="width: 191px;"> +<img src="images/illus140.png" width="191" height="800" alt="Butterfly and the Grasshopper" title="" /> +</div> + + +<div class='poem'> +"<span class="smcap">Pretty</span> Butterfly, stay!<br /> +Come down here and play,"<br /> +A Grasshopper said,<br /> +As he lifted his head.<br /> +"Oh, no! and oh, no!<br /> +Daddy Grasshopper, go!<br /> +Once you weren't so polite,<br /> +But said, 'Out of my sight,<br /> +You base, ugly fright!'"<br /> +"Oh, no! and oh, no!<br /> +I never said so,"<br /> +The Grasshopper cried:<br /> +"I'd sooner have died<br /> +<span class='pagenum'><a name="Page_140" id="Page_140">[140]</a></span>Than been half so rude.<br /> +You misunderstood."<br /> +"Oh, no! I did not;<br /> +'Twas near to this spot:<br /> +The offence, while I live,<br /> +I cannot forgive."<br /> +"I pray you explain<br /> +When and where such disdain,<br /> +Such conduct improper,<br /> +Was shown by this Hopper."<br /> +"I then was a worm:<br /> +'Tis a fact, I affirm,"<br /> +The Butterfly said,<br /> +With a toss of her head.<br /> +"In my humble condition,<br /> +Your bad disposition<br /> +Made you spurn me as mean,<br /> +And not fit to be seen.<br /> +In my day of small things<br /> +You dreamed not that wings<br /> +Might one day be mine,—<br /> +Wings handsome and fine,<br /> +That help me soar up<br /> +To the rose's full cup,<br /> +And taste of each flower<br /> +In garden and bower.<br /> +This moral now take<br /> +For your own better sake:<br /> +Insult not the low;<br /> +Some day they may grow<br /> +To seem and to do<br /> +Much better than you.<br /> +Remember; and so,<br /> +Daddy Grasshopper, go!"<br /> +</div> + +<div class='sig'> +<span class="smcap">Emily Carter.</span><br /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_141" id="Page_141">[141]</a></span></p> + +<div class="figcenter" style="width: 267px;"> +<img src="images/illus141.png" width="267" height="350" alt="The Pet Pigeon" title="" /> +</div> + + + + +<h2>THE PET PIGEON.</h2> + + +<p><span class="smcap">When</span> I was about nine years old, my father and mother +were living in a Southern city; and, as I had been very ill +for a long time, I was taken from school, and permitted to +do as I liked.</p> + +<p>In one of my walks I met an old colored woman, who +took quite a fancy to me; and once, when I was sick at +home, she came to see me, bringing as a present a young +pigeon. Its feathers were not grown enough to show its +color; but it proved to be brown and white.</p> + +<p>I was very much grieved when my mother said that she<span class='pagenum'><a name="Page_142" id="Page_142">[142]</a></span> +could not have a pigeon kept in the house; but my father +persuaded her to indulge me till I was able to go out again; +and then my pet gave so little trouble that nobody objected +to him.</p> + +<p>For the first two or three weeks, he was put at night in +another room; but I begged so hard that finally "Pidgy," +as I called him, was allowed to roost on top of the wardrobe +in my bed-room.</p> + +<p>The first time he saw me asleep, he seemed very much +alarmed (so my mother told me); but he settled down on +my shoulder, and kept very quiet till I awoke. This he +always did after that morning, sometimes waiting more +than two hours. After amusing myself with him till it was +time to get up, I used to give him a large basin of water, +into which he would jump with great delight; and he would +be making his toilet while I was making mine.</p> + +<p>For two or three months I kept his wings clipped, so +that he could not fly far. When I went out for a walk, I +generally took him, either in my arms or perched on my +hand; and thus I and my pet became known all over the +neighborhood; and, when my little playmates invited me +to visit them, an invitation was always sent for "Lillie and +her pigeon."</p> + +<p>He followed me everywhere. If I was reading, he rested +on my chair; if playing on the piano, he would listen +attentively: indeed he acquired such a taste for music, +that the only time he ever seemed willing to leave me +was to perch upon the foot of a gentleman who was singing +very finely.</p> + +<p>I taught him a number of tricks, such as bringing me +any thing that he could carry, lying down very still till I +told him to get up, and running over the piano-keys to +make music for himself.<span class='pagenum'><a name="Page_143" id="Page_143">[143]</a></span></p> + +<p>During the two years that Pidgy and I enjoyed so much +together, he never fed from any hand but mine; and once, +when I staid from home over night, he would not eat at all, +but pecked at my mother and sister so that they were quite +provoked with him. On my return, he flew to meet me +with an angry "coo," his feathers all ruffled up, as if trying +to reprove me for my neglect.</p> + +<p>What finally became of my pet I never knew. I had +him out on the porch, one day, and, as I ran into the house +for a few minutes, the door was blown to, so that he could +not follow me. A boy caught him up, and was seen running +away with his prize. Every effort was made to find +him; but I never saw my dear little pigeon again.</p> + +<div class='sig'> +<span class="smcap">Anne Page.</span><br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>EIGHTH LESSON IN ASTRONOMY.</h2> + + +<p><span class="smcap">How</span> shall I make such little folks understand that the +sun and the stars really stand still, when they seem to take +a journey across the sky every day? Perhaps the best +way will be to make a little game of it. We will explain +it with boys.</p> + +<p>I want a boy to represent the earth, and as many as can +be found for sun and stars: there is no danger of too +many. Now, the fattest boy of all must be the earth, and +stand in the middle. We want him fat and round, because +the earth is as round as an orange. (We need not mind +about the size of the stars: they always look small, they +are so far off.)</p> + +<p>All the other boys must stand about him, and stand still. +If they are not satisfied with their places, they must not +move; for they are fixed stars. That is right. I can<span class='pagenum'><a name="Page_144" id="Page_144">[144]</a></span> +imagine you now just as you are, the fat boy in the +middle.</p> + +<p>But <i>you</i> must not stand still, fat boy, because I told the +star-boys not to move. You are the earth, and must do +what the earth does. Don't you know what it does? Oh! +it does not run away. Come back, and I will tell you what +it does. It turns around just as a top spins. That is right. +Every time the earth turns, it makes a day and a night, by +turning towards the sun, and away from it again.</p> + +<p>Don't turn so fast, my dear: you make the days and +nights too short, and you will be dizzy. Besides, you are +turning the wrong way. The earth turns from west to +east, and you must remember you are the earth, and not +Charlie. Now go the other way, and more slowly, and +keep your eyes on the little boys who are the sun and +stars.</p> + +<p>We will suppose now that Frank is the sun. There he +is just behind you. He is shining now on the other side of +the earth,—on your back. As you turn around to the +left, to the east, you begin to see him: he rises. Now, as +you turn more towards him, he seems to pass in front of +you towards the west, and pretty soon he is out of sight. +He has set. So much for the sun.</p> + +<p>It is just the same if you look at the stars,—John, or +Willie, or James. As you turn round they all seem to be +going round you. Now can't you see, that, as the real +earth turns around, the sun and stars about it seem to you +to rise and set, although they stand still, like Frank and +John and Willie and James.</p> + +<p>A great many years ago, everybody supposed that the +earth stood still, and the sun and stars revolved around it; +but a wise man named Copernicus found out the mistake, +and you had better call your game the Copernican game.</p> + +<div class='sig'> +M. E. R.<br /> +</div> + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_145" id="Page_145">[145]</a></span></p> + +<div class="figcenter" style="width: 370px;"> +<img src="images/illus145.png" width="370" height="500" alt="DRAWING-LESSON BY HARRISON WEIR." title="" /> +<span class="caption">DRAWING-LESSON BY HARRISON WEIR.</span> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_146" id="Page_146">[146]</a></span></p> + + + + +<h2>THE FARM.</h2> + + +<p><span class="smcap">Very</span> often in summer, after looking at the sky, and consulting +the barometer, my father would say to me, "Tell +John to bring around the horse and carryall, and we will +all go out to the farm for the day." John had the horse +harnessed in a little while, mother sent out a great basket +of lunch, and in less than half an hour we were all off,—father, +mother, Dick, and I.</p> + +<p>The farm was seven miles in the country, and the road +leading to it was a fine one. There were some hills, to be +sure; but, whenever we came to one, Dick and I used to +climb out of the back-window, and hang on behind, fancying +that we lightened the load by not being inside. We always +enjoyed the ride very much.</p> + +<p>At the farm there was a pretty cottage, where the tenant +Mr. Clark lived. We used to go in for a little while to see +Mrs. Clark's babies, and then we started off in search of +adventures. What fun we did have! Sometimes there +would be great brush-heaps to burn, made of bushes and +branches of trees that had been cleared off from the land. +They made glorious bonfires.</p> + +<p>There was an old yellow horse on the farm, that used to +run the wood-sawing machine. He was blind in one eye, +but was the very gentlest horse in the world. Dick and I +would both get on him at the same time, with only the +halter to guide the horse, and go all over the farm.</p> + +<p>Now and then, in shaking himself to get rid of the flies, +Bob (the horse) would shake us both off; but he always +stopped at once when we met with such an accident, so that +we could get on again. Once, when we were riding in this +way, our horse stopped and refused to go on.</p> + +<p>On looking to see what was the matter, we saw a large<span class='pagenum'><a name="Page_147" id="Page_147">[147]</a></span> +black snake in the road just ahead of us. Being very +reckless children, we slid off old Bob, found some heavy +sticks, and attacked the snake. First Dick struck it, and, +when it turned on him, I struck it; and so we pounded the +snake, turn and turn about, until it was killed.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus147.png" width="500" height="382" alt="Bob and the snake" title="" /> +</div> + +<p>Another thing that we enjoyed very much was to go +down to the creek that ran through the farm, and put some +ears of green corn in the water close by the edge. We +would then keep very still, and watch the corn, and, as soon +as we saw it move a little, we would give it a sudden slap +out of the water, and would almost always succeed in landing +one or two crawfish. We dug wells in the sand, which +we would fill with water to put our crawfish in. Sometimes +we would have a dozen or more.</p> + +<p>It would have been great fun to wade in the creek, but +for one thing: there were sand-leeches in the water, and<span class='pagenum'><a name="Page_148" id="Page_148">[148]</a></span> +they would get between our toes, and bite so firmly into the +flesh, that we could hardly get them off.</p> + +<p>A great event in the day was lunch, which we ate in +picnic style on the ground near the spring. We were +always so hungry, that the simplest food seemed delicious. +I don't think we were ever very fond of bread and butter +anywhere else. By night we were very tired, and generally +went sound asleep on the way home.</p> + +<div class='sig'> +A.<br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>THE DRAWING-MASTER.</h2> + +<div class="figleft" style="width: 260px;"> +<img src="images/illus148.png" width="260" height="300" alt="THE DRAWING-MASTER" title="" /> +</div> +<p><span class="smcap">Our</span> Peter has opened a +school for teaching drawing. +At present he has +only two pupils; but he +hopes to have more. They +pay him two pins a lesson; +not a high price. I fear +that Peter will not get rich +very soon at that rate.</p> + + + +<p>But he is no miser. He +loves to do good, and to +teach to others all the good +he knows. So he says to +Tom and Harry, "This +that I am drawing now is what we call a horizontal line; +and this is a curved line. Do you know what a circle is, +Tommy?"</p> + +<p>"A circle is something round, isn't it?" replies Tommy.</p> + +<p>"A circle," says Peter, drawing one on paper,—"a +circle is a plane figure, bounded by a single curved line<span class='pagenum'><a name="Page_149" id="Page_149">[149]</a></span> +called its circumference, every part of which is equally +distant from a point within it called the centre."</p> + +<p>"How can I remember all that stuff?" said Harry.</p> + +<p>"Stuff! Do you call it <i>stuff</i>, sir?" said Peter, snapping +him twice on his closely-shorn head: "I will teach you not +to call my definitions <i>stuff</i>."</p> + +<p>"What's a definition?" asked Tommy.</p> + +<p>"A definition," said Peter, "is what I say to you when I +tell you what a thing means. If I ask you what <i>green</i> is, +and I tell you it's the color of fresh summer grass, I give +you a definition."</p> + +<p>"School is out!" cried Harry. "Peter uses too many +big words for us. Hallo! there's Bob, the butcher's dog. +I'm going to have a frolic with him. Good-by, drawing-master!"</p> + +<p>And so the school was broken up. "Never did I see boys +behave so in school-time," said the teacher.</p> + +<p>I hope his pupils will be more attentive the next time he +tries to teach them how to draw.</p> + +<div class='sig'> +<span class="smcap">Uncle Charles.</span><br /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> + +<div class="figcenter" style="width: 350px;"> +<img src="images/illus149.png" width="350" height="256" alt="Birds" title="" /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_150" id="Page_150">[150]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus150.png" width="500" height="95" alt="Decoration" title="" /> +</div> + + + + +<h2>LITTLE MOSQUITO.</h2> + + +<div class='poem'> +<span class="smcap">Little</span> Mosquito she sits on a sill,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +And longs for the time when the people are still,<br /> +That she, in the darkness, may stab them at will,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +<br /> +She whets up her dagger, and looks at the moon,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +She says to herself, "I'll begin pretty soon<br /> +To look for my victims, and sing them a tune,"—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +<br /> +With a hum and a flutter, the way to prepare,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +She rises and circles about in the air;<br /> +Then settles herself with a great deal of care,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +<br /> +But one,—more awake than he seeks to appear,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +Slaps little Mosquito, alight on his ear,<br /> +And thus puts an end to her hopeful career,—<br /> +<span style="margin-left: 3em;">Whee, whee, whee!</span><br /> +</div> + +<div class='sig'> +<span class="smcap">Fleta F.</span><br /> +</div> + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_151" id="Page_151">[151]</a></span></p> + +<div class="figcenter" style="width: 323px;"> +<img src="images/illus151.png" width="323" height="400" alt="Learning to Iron" title="" /> +</div> + + + +<h2>LEARNING TO IRON.</h2> + + +<p>"<span class="smcap">Now</span> I've had my lesson in my 'Nursery Primer,'" +said little five-year-old Ellen, "and I want to learn to +iron clothes."</p> + +<p>"You are rather too young to be trusted with a flat-iron," +said her mother: "you might burn your fingers."<span class='pagenum'><a name="Page_152" id="Page_152">[152]</a></span></p> + +<p>"I'll promise not to cry if I do," said Ellen. "Please +let me go out and help Patience iron, mamma."</p> + +<p>Mamma at last gave her consent; and our picture of +Ellen and Patience at work at the ironing-board gives about +as good likenesses of the two as their reflections in a mirror +could have given.</p> + +<p>Ellen saw how Patience used her flat-iron, and then used +hers in the same way. She ironed a towel so well, that +Patience praised her, and said she could not have done it +better herself.</p> + +<p>But, as she was trying to put a flat-iron on the stove, +Ellen burnt her fingers so as to make her hop. She did not +cry; for she remembered her promise. Patience wet a +cloth with cold water, and put it on the burn; then she +remembered that common brown soap was the best thing +for a burn, so she spread some soap on a cotton rag and put +that on. Soon the pain was gone, and Ellen ran and told +her mother what had happened.</p> + +<p>"You should not have tried to put the flat-iron on the +stove," said her mother. "If your clothes had caught fire, +you might have had a bad time."</p> + +<p>"Would my dress have blazed up?" asked Ellen.</p> + +<p>"I take care to dip your clothes in a weak solution of +nitre before they are worn; for that prevents their blazing, +even if they should catch fire," said mamma. "But +you must not let that keep you from taking great care."</p> + +<p>"Next Tuesday may I take another lesson in ironing?" +asked Ellen.</p> + +<p>"Yes: if you say your lessons well during the week, you +shall not only learn to iron your clothes, but to wash +them."</p> + +<p>"That will be fun!" cried Ellen, clapping her hands, +and quite forgetting her burnt finger.</p> + +<div class='sig'> +<span class="smcap">Dora Burnside.</span><br /> +</div> + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_153" id="Page_153">[153]</a></span></p> + +<div class="figcenter" style="width: 234px;"> +<img src="images/illus153.png" width="234" height="350" alt="Birdie and Baby" title="" /> +</div> + + + + +<h2>BIRDIE AND BABY.</h2> + + +<p><span class="smcap">Birdie</span> is a canary-bird of pale gold color. Tiny as he is, +he is quite old compared with baby.</p> + +<p>He was the sole pet of the house long before baby came +into the world, and he did as much as any bird could to fill +a baby's place.</p> + +<p>All the bright hours of the day, the door of his cage stood +open. He would fly to Aunt Minnie's shoulder while she +sat sewing, and sing his sweetest notes for her, or perch on +her finger and take the bit of fresh lettuce she brought for +him from the table.<span class='pagenum'><a name="Page_154" id="Page_154">[154]</a></span></p> + +<p>But after baby came—can you believe it?—this dear +little birdie behaved just like a spoiled child. He rolled +himself up into a soft yellow ball, and actually moped.</p> + +<p>Not a note would he sing. Aunt Minnie could not coax +him with green leaf or seed. He would insist on making +himself unhappy until baby was taken out for an airing. +Then he would burst into song again, and seem to feel that +he was in his old place,—the only treasure.</p> + +<p>It was a long time before the poor little bird found out +that Aunt Minnie's heart was large enough to love him and +her precious baby too. But he is learning it now, and +likes to have baby held up to his cage.</p> + +<p>When Aunt Minnie lets him out into the room, he hops +close by the baby; and baby laughs, and stretches out his +dimpled hands to catch him; but he is wise enough to keep +out of baby's way.</p> + +<p>Don't you think it is nice for Aunt Minnie to have such +treasures?</p> + +<div class='sig'> +E. P. B.<br /> +</div> + + + +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<h2>A NAUGHTY BABY.</h2> + + +<div class='poem'> +<span class="smcap">He's</span> a very naughty baby,<br /> +<span style="margin-left: 1em;">For he will not shut his eyes</span><br /> +And go to sleep, though I have done<br /> +<span style="margin-left: 1em;">My best to hush his cries.</span><br /> +I've trotted him, I've patted him,<br /> +<span style="margin-left: 1em;">I've given him some food;</span><br /> +But nothing that I do for him<br /> +<span class='pagenum'><a name="Page_155" id="Page_155">[155]</a></span><span style="margin-left: 1em;">Will do him any good.</span><br /> +<br /> +I've sung a little lullaby,<br /> +<span style="margin-left: 1em;">The one that mother sings;</span><br /> +One that to weary little ones,<br /> +<span style="margin-left: 1em;">Sweet slumber, always brings.</span><br /> +I've scolded him, I've shaken him,<br /> +<span style="margin-left: 1em;">All sorts of things I've tried;</span><br /> +But the naughty, noisy baby-man<br /> +<span style="margin-left: 1em;">Will not be pacified.</span><br /> +<br /> +He screams so loud he frightens me;<br /> +<span style="margin-left: 1em;">He's getting worse and worse.</span><br /> +I do wish mother would come home,<br /> +<span style="margin-left: 1em;">Or get this boy a nurse.</span><br /> +I'll toss him up, I'll tumble him,<br /> +<span style="margin-left: 1em;">Play "creep-mouse," and "bo-peep,"</span><br /> +Perhaps if I can make him laugh,<br /> +<span style="margin-left: 1em;">The laugh will make him sleep.</span><br /> +<br /> +You naughty, naughty baby,<br /> +<span style="margin-left: 1em;">How could you vex me so?</span><br /> +One would not think you ever cried,<br /> +<span style="margin-left: 1em;">To hear you laugh and crow!</span><br /> +Hush, hush! He's getting tired out:<br /> +<span style="margin-left: 1em;">Now very still I'll keep;</span><br /> +There's nothing like a hearty romp,<br /> +<span style="margin-left: 1em;">To put a child to sleep!</span><br /> +</div> + +<div class='sig'> +<span class="smcap">Josephine Pollard.</span><br /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_156" id="Page_156">[156]</a></span></p> + + + + +<h2>BOYS AND RABBITS.</h2> + +<div class='story'> +<p><span class="smcap">Here</span> are two little boys and +two little rabbits, all down on +the ground.</p> + +<p>The two boys are just the +same age. They are twin +brothers. Their names are +Paul and John.</p> + +<p>The girl who stands near +them is their sister Jane. She +is quite a little girl, as you +see; but she is full three years +older than the boys: so she +takes great care of them.</p> +<div class="figcenter" style="width: 315px;"> +<img src="images/illus157.png" width="315" height="425" alt="Growing every day" title="" /> +</div> +<p>You would laugh to see Paul +and John try to lift their rabbits +by the ears. The rabbits look +most as large as the boys. But<span class='pagenum'><a name="Page_157" id="Page_157"><small>[157]</small></a></span> +the boys are growing larger +and stronger every day.</p> +</div> + + +<div class='sig'> +<span class="smcap">A. B. C.</span><br /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_158" id="Page_158">[158]</a></span></p> + + + + +<h2>TOBACCO AND EGG.</h2> +<div class="figleft" style="width: 214px;"> +<img src="images/illus158.png" width="214" height="300" alt="Tobacco and Egg" title="" /> +</div> + + +<p><span class="smcap">Our</span> house had a long back +piazza, covered all over with +grape-vines, with steps going +down to the yard.</p> + + +<p>I discovered that by standing +on my tip-toes, half way +up the steps, I could see into +the next yard, where there +grew such different flowers +from ours, and where there +often came a little girl of six +or seven—about my own age—to +gather bouquets.</p> + +<p>She did not see me at first: +so, for many days, I quietly +watched the stout little figure. During one of my observations, +her mother called her, and such a name as she had! +The call, as I heard it, was "Tobacco, my daughter!"</p> + +<p>I felt deeply for the girl who was afflicted by such a +name. I determined to throw her the finest bunch of +grapes on our vine by way of consolation.</p> + +<p>Some days after, when I was giving my large family of +dolls an airing in the garden, I saw a small face staring at +me just over the top of the fence. Being familiar with the +position myself, I was not alarmed, but hastened to mount +to the same level on my side, and offer some grapes.</p> + +<p>After a long stare on the part of both of us, I timidly +broke the silence by asking, "What is your name?"</p> + +<p>"Rebecca," was the reply.</p> + +<p>"Why," I said, "I was pitying you all this time, thinking +you were called Tobacco."<span class='pagenum'><a name="Page_159" id="Page_159">[159]</a></span></p> + +<p>"Oh, no!" she cried, "it is not so bad as that. You +have a funny name, though. I have often wondered how +you came to have such a name. Perhaps you were born +on Easter-Monday, or were very fond of eggs."</p> + +<p>"What can you mean?" I replied. "I don't see any +thing funny about my name: I am told it is pretty."</p> + +<p>"Well, I should not call it pretty exactly," she giggled: +"it always makes me feel hungry."</p> + +<p>"Hungry?" I was trying to be friendly; but I did +feel slightly offended at this. At last, just as tears of +vexation were rising to my eyes, I thought of asking, +"What do you think my name is?"</p> + +<p>"Why, Egg, of course."</p> + +<p>"Oh the idea of such a thing!" We both laughed till +we nearly fell off our perches. As soon as I was sober +enough, I made haste to explain that my name was Agnes, +but that my brothers and sisters called me "Ag." It must +have been "Ag" that she heard, and thought it was Egg.</p> + +<div class='sig'> +<span class="smcap">Agnes.</span><br /> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<div class="figcenter" style="width: 400px;"> +<img src="images/illus159.png" width="400" height="252" alt="ANCIENT ARMOR." title="" /> +<span class="caption">ANCIENT ARMOR.</span> +</div> +<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div> +<p><span class='pagenum'><a name="Page_160" id="Page_160">[160]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus160.png" width="500" height="220" alt="The Apple Tree" title="" /> +</div> + + +<h2>THE APPLE TREE.</h2> + + +<div class='center'> +Words by <span class="smcap">Clara D. Bates</span>. Music by <span class="smcap">T. Crampton</span>.<br /> +</div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/illus160-music.png" width="500" height="561" alt="Music" title="" /> +</div> +<div class="center"><small>[<i>Transcriber's Note: You can play this music (MIDI file) by clicking</i> <a href="music/nov77.mid">here</a>.]</small><br /><br /></div> + +<div class='poem'> +1. Up in the apple tree,<br /> +<span style="margin-left: 1em;">See the rosy cheeks:</span><br /> +<span style="margin-left: 1em;">See the balls that look like gold:</span><br /> +<span style="margin-left: 1em;">See the crimson streaks.</span><br /> +<span style="margin-left: 1em;">In the lovely autumn day,</span><br /> +<span style="margin-left: 1em;">Bright as in the bloom of May,</span><br /> +<span style="margin-left: 1em;">Filled with fruit and fair to see,</span><br /> +<span style="margin-left: 1em;">Is the apple tree.</span><br /> +<br /> +2. Under the apple tree,<br /> +<span style="margin-left: 1em;">See the rosy cheeks:</span><br /> +<span style="margin-left: 1em;">Little Jinx the baby boy;</span><br /> +<span style="margin-left: 1em;">What is it he seeks?</span><br /> +<span style="margin-left: 1em;">Ah! his tiny teeth are white,</span><br /> +<span style="margin-left: 1em;">And are eager for a bite,—</span><br /> +<span style="margin-left: 1em;">Such a tempting store to see,</span><br /> +<span style="margin-left: 1em;">Is the apple tree.</span><br /> +<br /> +3. Under the apple tree,<br /> +<span style="margin-left: 1em;">Other rosy cheeks:</span><br /> +<span style="margin-left: 1em;">Edith, Mabel, Golden-Locks:</span><br /> +<span style="margin-left: 1em;">Full of merry freaks,</span><br /> +<span style="margin-left: 1em;">Here they run and there they run,</span><br /> +<span style="margin-left: 1em;">Shouting merrily if one</span><br /> +<span style="margin-left: 1em;">Fallen in the group they see,</span><br /> +<span style="margin-left: 1em;">From the apple tree.</span><br /> +</div> + +<hr style="width: 65%;" /> +<div class='tnote'><h3>Transcriber's Notes</h3> +<p>The July edition of the Nursery had a table of contents for the next +six issues of the year. This table was divided to cover each specific +issue. A title page copied from this same July edition was also used for +this number and the issue number added after the Volume number. +</p> + +<p>Page 150, single quotation mark changed to double (them a tune,")</p> + +<p>Page 159, double quotation mark added to text (fond of eggs.")</p></div> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Nursery, November 1877, Vol. XXII. +No. 5, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 *** + +***** This file should be named 28139-h.htm or 28139-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/8/1/3/28139/ + +Produced by Emmy, Juliet Sutherland and the Online +Distributed Proofreading Team at http://www.pgdp.net. Music +by Linda Cantoni. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/28139-h/images/contents.png b/28139-h/images/contents.png Binary files differnew file mode 100644 index 0000000..5584228 --- /dev/null +++ b/28139-h/images/contents.png diff --git a/28139-h/images/contents_end.png b/28139-h/images/contents_end.png Binary files differnew file mode 100644 index 0000000..0cab884 --- /dev/null +++ b/28139-h/images/contents_end.png diff --git a/28139-h/images/divider1.png b/28139-h/images/divider1.png Binary files differnew file mode 100644 index 0000000..e084d2e --- /dev/null +++ b/28139-h/images/divider1.png diff --git a/28139-h/images/illus129.png b/28139-h/images/illus129.png Binary files differnew file mode 100644 index 0000000..dd4ef4a --- /dev/null +++ b/28139-h/images/illus129.png diff --git a/28139-h/images/illus130.png b/28139-h/images/illus130.png Binary files differnew file mode 100644 index 0000000..4b3a85b --- /dev/null +++ b/28139-h/images/illus130.png diff --git a/28139-h/images/illus132.png b/28139-h/images/illus132.png Binary files differnew file mode 100644 index 0000000..cfba589 --- /dev/null +++ b/28139-h/images/illus132.png diff --git a/28139-h/images/illus133.png b/28139-h/images/illus133.png Binary files differnew file mode 100644 index 0000000..be92597 --- /dev/null +++ b/28139-h/images/illus133.png diff --git a/28139-h/images/illus135.png b/28139-h/images/illus135.png Binary files differnew file mode 100644 index 0000000..cc17c2e --- /dev/null +++ b/28139-h/images/illus135.png diff --git a/28139-h/images/illus137.png b/28139-h/images/illus137.png Binary files differnew file mode 100644 index 0000000..553ff9a --- /dev/null +++ b/28139-h/images/illus137.png diff --git a/28139-h/images/illus140.png b/28139-h/images/illus140.png Binary files differnew file mode 100644 index 0000000..ac575b3 --- /dev/null +++ b/28139-h/images/illus140.png diff --git a/28139-h/images/illus141.png b/28139-h/images/illus141.png Binary files differnew file mode 100644 index 0000000..d7809c8 --- /dev/null +++ b/28139-h/images/illus141.png diff --git a/28139-h/images/illus145.png b/28139-h/images/illus145.png Binary files differnew file mode 100644 index 0000000..4ee5127 --- /dev/null +++ b/28139-h/images/illus145.png diff --git a/28139-h/images/illus147.png b/28139-h/images/illus147.png Binary files differnew file mode 100644 index 0000000..3f5bfbc --- /dev/null +++ b/28139-h/images/illus147.png diff --git a/28139-h/images/illus148.png b/28139-h/images/illus148.png Binary files differnew file mode 100644 index 0000000..6ff2497 --- /dev/null +++ b/28139-h/images/illus148.png diff --git a/28139-h/images/illus149.png b/28139-h/images/illus149.png Binary files differnew file mode 100644 index 0000000..b958f8d --- /dev/null +++ b/28139-h/images/illus149.png diff --git a/28139-h/images/illus150.png b/28139-h/images/illus150.png Binary files differnew file mode 100644 index 0000000..3a3ad68 --- /dev/null +++ b/28139-h/images/illus150.png diff --git a/28139-h/images/illus151.png b/28139-h/images/illus151.png Binary files differnew file mode 100644 index 0000000..db9c1ba --- /dev/null +++ b/28139-h/images/illus151.png diff --git a/28139-h/images/illus153.png b/28139-h/images/illus153.png Binary files differnew file mode 100644 index 0000000..1fa1d09 --- /dev/null +++ b/28139-h/images/illus153.png diff --git a/28139-h/images/illus157.png b/28139-h/images/illus157.png Binary files differnew file mode 100644 index 0000000..596ec32 --- /dev/null +++ b/28139-h/images/illus157.png diff --git a/28139-h/images/illus158.png b/28139-h/images/illus158.png Binary files differnew file mode 100644 index 0000000..5f36183 --- /dev/null +++ b/28139-h/images/illus158.png diff --git a/28139-h/images/illus159.png b/28139-h/images/illus159.png Binary files differnew file mode 100644 index 0000000..80dd053 --- /dev/null +++ b/28139-h/images/illus159.png diff --git a/28139-h/images/illus160-music.png b/28139-h/images/illus160-music.png Binary files differnew file mode 100644 index 0000000..875af72 --- /dev/null +++ b/28139-h/images/illus160-music.png diff --git a/28139-h/images/illus160.png b/28139-h/images/illus160.png Binary files differnew file mode 100644 index 0000000..3e6936b --- /dev/null +++ b/28139-h/images/illus160.png diff --git a/28139-h/music/nov77.mid b/28139-h/music/nov77.mid Binary files differnew file mode 100644 index 0000000..c387371 --- /dev/null +++ b/28139-h/music/nov77.mid diff --git a/28139-page-images/p129.png b/28139-page-images/p129.png Binary files differnew file mode 100644 index 0000000..f7cd960 --- /dev/null +++ b/28139-page-images/p129.png diff --git a/28139-page-images/p130.png b/28139-page-images/p130.png Binary files differnew file mode 100644 index 0000000..812cf8b --- /dev/null +++ b/28139-page-images/p130.png diff --git a/28139-page-images/p131.png b/28139-page-images/p131.png Binary files differnew file mode 100644 index 0000000..2b20428 --- /dev/null +++ b/28139-page-images/p131.png diff --git a/28139-page-images/p132.png b/28139-page-images/p132.png Binary files differnew file mode 100644 index 0000000..20c88de --- /dev/null +++ b/28139-page-images/p132.png diff --git a/28139-page-images/p133.png b/28139-page-images/p133.png Binary files differnew file mode 100644 index 0000000..258f8f0 --- /dev/null +++ b/28139-page-images/p133.png diff --git a/28139-page-images/p134.png b/28139-page-images/p134.png Binary files differnew file mode 100644 index 0000000..5f8bcd8 --- /dev/null +++ b/28139-page-images/p134.png diff --git a/28139-page-images/p135.png b/28139-page-images/p135.png Binary files differnew file mode 100644 index 0000000..b6fbb1a --- /dev/null +++ b/28139-page-images/p135.png diff --git a/28139-page-images/p136.png b/28139-page-images/p136.png Binary files differnew file mode 100644 index 0000000..12344cc --- /dev/null +++ b/28139-page-images/p136.png diff --git a/28139-page-images/p137.png b/28139-page-images/p137.png Binary files differnew file mode 100644 index 0000000..b469d5a --- /dev/null +++ b/28139-page-images/p137.png diff --git a/28139-page-images/p138.png b/28139-page-images/p138.png Binary files differnew file mode 100644 index 0000000..88a9cf6 --- /dev/null +++ b/28139-page-images/p138.png diff --git a/28139-page-images/p139.png b/28139-page-images/p139.png Binary files differnew file mode 100644 index 0000000..231af9a --- /dev/null +++ b/28139-page-images/p139.png diff --git a/28139-page-images/p140.png b/28139-page-images/p140.png Binary files differnew file mode 100644 index 0000000..cd8399d --- /dev/null +++ b/28139-page-images/p140.png diff --git a/28139-page-images/p141.png b/28139-page-images/p141.png Binary files differnew file mode 100644 index 0000000..e321028 --- /dev/null +++ b/28139-page-images/p141.png diff --git a/28139-page-images/p142.png b/28139-page-images/p142.png Binary files differnew file mode 100644 index 0000000..3e29cac --- /dev/null +++ b/28139-page-images/p142.png diff --git a/28139-page-images/p143.png b/28139-page-images/p143.png Binary files differnew file mode 100644 index 0000000..5bc9336 --- /dev/null +++ b/28139-page-images/p143.png diff --git a/28139-page-images/p144.png b/28139-page-images/p144.png Binary files differnew file mode 100644 index 0000000..f8bdcc7 --- /dev/null +++ b/28139-page-images/p144.png diff --git a/28139-page-images/p145.png b/28139-page-images/p145.png Binary files differnew file mode 100644 index 0000000..070d020 --- /dev/null +++ b/28139-page-images/p145.png diff --git a/28139-page-images/p146.png b/28139-page-images/p146.png Binary files differnew file mode 100644 index 0000000..5e6f716 --- /dev/null +++ b/28139-page-images/p146.png diff --git a/28139-page-images/p147.png b/28139-page-images/p147.png Binary files differnew file mode 100644 index 0000000..11e74f6 --- /dev/null +++ b/28139-page-images/p147.png diff --git a/28139-page-images/p148.png b/28139-page-images/p148.png Binary files differnew file mode 100644 index 0000000..c1d968a --- /dev/null +++ b/28139-page-images/p148.png diff --git a/28139-page-images/p149.png b/28139-page-images/p149.png Binary files differnew file mode 100644 index 0000000..ad26e31 --- /dev/null +++ b/28139-page-images/p149.png diff --git a/28139-page-images/p150.png b/28139-page-images/p150.png Binary files differnew file mode 100644 index 0000000..ba410af --- /dev/null +++ b/28139-page-images/p150.png diff --git a/28139-page-images/p151.png b/28139-page-images/p151.png Binary files differnew file mode 100644 index 0000000..51c9790 --- /dev/null +++ b/28139-page-images/p151.png diff --git a/28139-page-images/p152.png b/28139-page-images/p152.png Binary files differnew file mode 100644 index 0000000..0f9ad03 --- /dev/null +++ b/28139-page-images/p152.png diff --git a/28139-page-images/p153.png b/28139-page-images/p153.png Binary files differnew file mode 100644 index 0000000..2b164f8 --- /dev/null +++ b/28139-page-images/p153.png diff --git a/28139-page-images/p154.png b/28139-page-images/p154.png Binary files differnew file mode 100644 index 0000000..4defe6e --- /dev/null +++ b/28139-page-images/p154.png diff --git a/28139-page-images/p155.png b/28139-page-images/p155.png Binary files differnew file mode 100644 index 0000000..23e10df --- /dev/null +++ b/28139-page-images/p155.png diff --git a/28139-page-images/p156.png b/28139-page-images/p156.png Binary files differnew file mode 100644 index 0000000..3d1ec4f --- /dev/null +++ b/28139-page-images/p156.png diff --git a/28139-page-images/p157.png b/28139-page-images/p157.png Binary files differnew file mode 100644 index 0000000..96868f7 --- /dev/null +++ b/28139-page-images/p157.png diff --git a/28139-page-images/p158.png b/28139-page-images/p158.png Binary files differnew file mode 100644 index 0000000..9cc56a2 --- /dev/null +++ b/28139-page-images/p158.png diff --git a/28139-page-images/p159.png b/28139-page-images/p159.png Binary files differnew file mode 100644 index 0000000..17cd434 --- /dev/null +++ b/28139-page-images/p159.png diff --git a/28139-page-images/p160.png b/28139-page-images/p160.png Binary files differnew file mode 100644 index 0000000..d7e1cc3 --- /dev/null +++ b/28139-page-images/p160.png diff --git a/28139.txt b/28139.txt new file mode 100644 index 0000000..1fd2922 --- /dev/null +++ b/28139.txt @@ -0,0 +1,1394 @@ +Project Gutenberg's The Nursery, November 1877, Vol. XXII. No. 5, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Nursery, November 1877, Vol. XXII. No. 5 + A Monthly Magazine for Youngest Readers + +Author: Various + +Release Date: February 20, 2009 [EBook #28139] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 *** + + + + +Produced by Emmy, Juliet Sutherland and the Online +Distributed Proofreading Team at http://www.pgdp.net. Music +by Linda Cantoni. + + + + + + + +THE + +NURSERY + + +_A Monthly Magazine_ + + +FOR YOUNGEST READERS. + + +VOLUME XXII.--No. 5. + + + BOSTON: + JOHN L. SHOREY, No. 36 BROMFIELD STREET, + 1877. + + + + + Entered according to Act of Congress, in the year 1877, by + JOHN L. SHOREY, + In the Office of the Librarian of Congress at Washington. + + + FRANKLIN PRESS: + RAND, AVERY, AND COMPANY, + 117 FRANKLIN STREET, + BOSTON. + + + + +[Illustration: Contents.] + + +IN PROSE. + + PAGE + Sarah's Picture 131 + Kitty Bell 134 + A clever Fox 136 + How Ponto got his Dinner 138 + The Pet Pigeon 141 + Eighth Lesson in Astronomy 143 + Drawing-Lesson 145 + The Farm 146 + The Drawing-Master 148 + Learning to iron 151 + Birdie and Baby 153 + Boys and Rabbits 156 + Tobacco and Egg 158 + + +IN VERSE. + + PAGE + Steering for Home 129 + Three naughty Pigs 133 + The Butterfly and the Grasshopper 139 + Little Mosquito 150 + A naughty Baby 154 + The Apple Tree (_with music_) 160 + +[Illustration: Birds] + + + + +[Illustration: STEERING FOR HOME.] + + + + +STEERING FOR HOME. + + + [Illustration: B]LOW, thou bitter northern gale; + Heave, thou rolling, foaming sea; + Bend the mast and fill the sail, + Let the gallant ship go free! + Steady, lad! Be firm and steady! + On the compass fix your eye; + Ever watchful, ever ready, + Let the rain and spray go by! + We're steering for home. + + Let the waves with angry thud + Shake the ship from stem to stern; + We can brave the flying scud, + It may go, it may return: + In the wind are cheerful voices, + In the waves a pleasant song, + And the sailor's heart rejoices + As the good ship bounds along. + We're steering for home. + + Standing on the briny deck, + Beaten by the blinding spray, + Fearing neither storm nor wreck, + Let us keep our onward way. + Loving hearts for us are yearning, + Now in hope, and now in doubt, + Looking for our swift returning, + How they try to make us out! + We're steering for home. + + Fainter blows the bitter gale, + And more peaceful grows the sea; + Now, boys, trim again the sail; + Land is looming on the lee! + See! the beacon-light is flashing, + Hark! those shouts are from the shore; + To the wharf home friends are dashing; + Now our hardest work is o'er. + Three cheers for our home! + + TOM BOWLING. + + + + +SARAH'S PICTURE. + + +MY name is Sarah. I live in Bristol, Conn., and am not quite five years +old. I have taken "The Nursery" ever since I was two. + +About three years ago a lady gave me a little trunk, and I have kept my +magazines in it ever since. Last winter, when snow was on the ground, +and I had to stay in the house a good deal, I used to get my trunk and +sit down on the floor by mamma, and look my "Nursery" through almost +every day. So mamma thought she would like to have my picture taken just +in that way. + +Now I must introduce you to my dog Beauty, who sits by my side in the +picture. You see he is a Spitz; but do not be frightened: he will never +have hydrophobia. I cannot think of having him muzzled, for one of his +charms is the way he opens and shuts his mouth when he barks. Oh, no, +Beauty! I will never hurt your feelings by making you wear a muzzle. + +My grandma gave me this dear dog a year ago last Christmas. He had two +beautiful red eyes then; now he has none. He had two long silky ears +then; now he has but one. He had four legs, and a bushy tail curled over +his back; now he has but two legs, and no tail. But I love him just as +well as ever. + +[Illustration] + +The dolly you see sitting up against the trunk is my daughter Nannie. I +have four other children. + +Nellie is a fair-haired blonde, but is getting rather past her prime. +You know blondes fade young. + +Rosa Grace once had lovely flaxen curls, and very rosy cheeks; but now +her curls are few and far between, her cheeks are faded, and her arms +and feet are out of order. + +Next comes Florence, who has joints, and can sit up like a lady +anywhere. My papa brought her from San Francisco. She has yellow hair, +and is dressed in crimson silk. + +My youngest is not yet named. She is quite small, has black hair and +eyes, and is rather old-fashioned looking. If you can think of a name +just right for her, I wish you would please let me know. It is so +perplexing to name so many children! + + SARAH H. BUCK. + + + + +THREE NAUGHTY PIGS. + + + THREE naughty pigs, + All in one pen, + Drank up their milk + Left by the men. + + Then all the three, + Fast as they could, + Dug their way out + To find something good. + + Out in the garden + A maiden fair + Had set some flowers, + Of beauty rare. + + Out in the garden + A merry boy + Had planted seeds, + With childish joy. + + One naughty pig + Ran to the bed; + Soon lay the flowers + Drooping and dead. + + Two naughty pigs + Dug up the seeds, + And left for the boy + Not even weeds. + + Three naughty pigs + Back in the pen, + Never could do + Such digging again. + + For in their noses + Something would hurt + Whenever they tried + To dig in the dirt. + + F. L. T. + +[Illustration] + + + + +KITTY BELL. + + +ONCE there was a little girl named Alice, and she had an Uncle George +whom she loved very dearly. One day, as Alice was looking out of the +window, she saw her Uncle George coming into the yard with a covered +basket in his hand. + +Alice ran to meet him, and, as she was kissing him in the hall, she +heard a faint sound in the basket, and exclaimed, "O Uncle George! what +have you brought me?" + +"Look into the basket and see," said her uncle. + +So Alice peeped in very carefully, and saw a little black kitten. The +little girl was delighted, and fairly danced around her uncle as she +said, "What a dear little kitten! Is it for me, Uncle George? Who sent +it to me? Did you bring it from your house?" + +"Yes," said her uncle, "your Cousin Edith sent it to you; she thought +you would like it." + +"Well," said Alice, "you must thank Edith a thousand times, and here is +a kiss for you for bringing it to me; and I'm sure the poor little thing +must be hungry: so I'll give it something to eat." + +She carried the kitten into the kitchen, and soon got from the cook a +nice pan of milk. Her little brother Harry came running in to see the +new kitten eat its dinner, and with him came the old family cat, Mouser, +who rubbed and purred against Alice, as if he wanted her to pet him too. + +The next thing was to find a name, "pretty, and not too common," Alice +said. While she was trying to think of one, she went up to her own +little room, and searched among her ribbons for a piece to tie around +the kitten's neck. She soon found one that was just the thing. + +In one of her drawers she found a tiny bell that somebody had given +her, and thought it would be a good plan to hang that around kitty's +neck by the ribbon. Kitty made no objection to being thus decorated, and +a happy thought struck Alice; "Kitty Bell would be just the name for +her!" and Kitty Bell it was. + +[Illustration] + +Kitty grew very fast; and one morning, after she had got to be a +good-sized kitten, she came to Alice, and mewed quite piteously. Alice +gave her some milk; but Kitty Bell was not hungry, and mewed still more. +Alice could not think what was the matter. + +At last Kitty Bell gave her head a shake, and put one paw up to the +ribbon on her neck, as if trying to pull it over her head. Alice untied +the ribbon, and away ran Kitty Bell quite out of sight. In a short time +she came back with a mouse in her mouth, which she laid at Alice's feet. + +Do you see what had been the trouble? The bell had frightened the mice +away, so that Kitty Bell could not get near enough to catch them. + + W. + + + + +A CLEVER FOX. + + +ON a summer day, a gentleman was lying under the shelter of some shrubs +on the banks of the River Tweed, when he saw a large brood of ducks, +which had been made to rise on the wing by the drifting of a fir-branch +among them. After circling in the air for a little time, they again +settled down on their feeding-ground. + +There was a pause for two or three minutes, and then the same thing took +place again. A branch drifted down with the stream into the midst of the +ducks, and made them take to flight once more. But when they found that +the bough had drifted by, and done no harm, they flew down to the water +as before. + +After four or five boughs had drifted by in this way, the ducks gave no +heed to them, and hardly tried to fly out of their way on the stream, +even when they were near to being touched. + +[Illustration] + +The gentleman who had been observing all this now watched for the cause +of the drifting of the boughs. At length he saw, higher up the bank of +the stream, a fox, which, having set the boughs adrift, was watching for +the moment when the ducks should cease to be startled by them. + +This wise and clever fox at last seemed satisfied that the moment had +come. So what did he do but take a larger branch of spruce-fir than any +he had yet used, and, spreading himself down on it so as to be almost +hidden from sight, set it adrift as he had done the others! + +The ducks, now having ceased to fear the boughs, hardly moved till the +fox was in the midst of them, when, making rapid snaps right and left, +he seized two fine young ducks as his prey, and floated forward in +triumph on his raft. The ducks flew off in fright, and did not come +back. + +That fox must have had a fine dinner that day, I think. The gentleman +who saw the trick pitied the poor ducks, but could not help laughing at +the fox's cunning. + + UNCLE CHARLES. + + + + +HOW PONTO GOT HIS DINNER. + + +PONTO in his youth had been a very wise and active dog. Not only had he +been brave at watching, but he had been taught to carry packages and +notes for his master. + +But, as he grew old and feeble, he gradually got out of the way of doing +such services, and spent his time mostly in sleeping, or in jogging +about, without care. + +One day his mistress had told her husband, as he went to his business in +the morning, to send around the carriage at ten o'clock. This he forgot +to do; and when the hour came, and there was no carriage, the lady knew +it would be necessary to remind her husband of his promise. + +But she had no one to send with a message. At last she chanced to +remember that Ponto used to go on such errands, and, writing a note, she +called him to her, and said,-- + +"Here, Ponto, take this note to your master." + +Ponto took the note carefully in his mouth, but did not seem to know +what he was expected to do with it. + +"Go, Ponto," she said; "take the note to your master." + +He trotted on a little way, paused, turned and hesitated, and then +trotted a little farther. This he repeated several times, and at last, +started off at a good gait. + +But wise old Ponto! Did he, after so much pondering, take the note to +his master? Not a bit of it! He went straight to the butcher's, and +presented the billet, wagging his tail at the same time, as much as to +say, "Here's an order for my dinner!" + +The butcher, understanding the situation, rolled up a nice piece of meat +in a paper, gave it to Ponto, and then himself delivered the note to the +gentleman. + +Ponto stalked home as proud as a king, laid the package at his +mistress's feet, and waited, with a delighted, expressive wag, for her +approval. + +Of course she gave him all the meat, patted his faithful old head, and +called him "good Ponto." + +The carriage came in good time; and Ponto does not know to this day but +what he did exactly as he was told. + + C. D. B. + + + + +THE BUTTERFLY AND THE GRASSHOPPER. + + + "PRETTY Butterfly, stay! + Come down here and play," + A Grasshopper said, + As he lifted his head. + "Oh, no! and oh, no! + Daddy Grasshopper, go! + Once you weren't so polite, + But said, 'Out of my sight, + You base, ugly fright!'" + "Oh, no! and oh, no! + I never said so," + The Grasshopper cried: + "I'd sooner have died + Than been half so rude. + You misunderstood." + "Oh, no! I did not; + 'Twas near to this spot: + The offence, while I live, + I cannot forgive." + "I pray you explain + When and where such disdain, + Such conduct improper, + Was shown by this Hopper." + "I then was a worm: + 'Tis a fact, I affirm," + The Butterfly said, + With a toss of her head. + "In my humble condition, + Your bad disposition + Made you spurn me as mean, + And not fit to be seen. + In my day of small things + You dreamed not that wings + Might one day be mine,-- + Wings handsome and fine, + That help me soar up + To the rose's full cup, + And taste of each flower + In garden and bower. + This moral now take + For your own better sake: + Insult not the low; + Some day they may grow + To seem and to do + Much better than you. + Remember; and so, + Daddy Grasshopper, go!" + + EMILY CARTER. + +[Illustration] + +[Illustration] + + + + +THE PET PIGEON. + + +WHEN I was about nine years old, my father and mother were living in a +Southern city; and, as I had been very ill for a long time, I was taken +from school, and permitted to do as I liked. + +In one of my walks I met an old colored woman, who took quite a fancy to +me; and once, when I was sick at home, she came to see me, bringing as a +present a young pigeon. Its feathers were not grown enough to show its +color; but it proved to be brown and white. + +I was very much grieved when my mother said that she could not have a +pigeon kept in the house; but my father persuaded her to indulge me till +I was able to go out again; and then my pet gave so little trouble that +nobody objected to him. + +For the first two or three weeks, he was put at night in another room; +but I begged so hard that finally "Pidgy," as I called him, was allowed +to roost on top of the wardrobe in my bed-room. + +The first time he saw me asleep, he seemed very much alarmed (so my +mother told me); but he settled down on my shoulder, and kept very quiet +till I awoke. This he always did after that morning, sometimes waiting +more than two hours. After amusing myself with him till it was time to +get up, I used to give him a large basin of water, into which he would +jump with great delight; and he would be making his toilet while I was +making mine. + +For two or three months I kept his wings clipped, so that he could not +fly far. When I went out for a walk, I generally took him, either in my +arms or perched on my hand; and thus I and my pet became known all over +the neighborhood; and, when my little playmates invited me to visit +them, an invitation was always sent for "Lillie and her pigeon." + +He followed me everywhere. If I was reading, he rested on my chair; if +playing on the piano, he would listen attentively: indeed he acquired +such a taste for music, that the only time he ever seemed willing to +leave me was to perch upon the foot of a gentleman who was singing very +finely. + +I taught him a number of tricks, such as bringing me any thing that he +could carry, lying down very still till I told him to get up, and +running over the piano-keys to make music for himself. + +During the two years that Pidgy and I enjoyed so much together, he never +fed from any hand but mine; and once, when I staid from home over night, +he would not eat at all, but pecked at my mother and sister so that they +were quite provoked with him. On my return, he flew to meet me with an +angry "coo," his feathers all ruffled up, as if trying to reprove me for +my neglect. + +What finally became of my pet I never knew. I had him out on the porch, +one day, and, as I ran into the house for a few minutes, the door was +blown to, so that he could not follow me. A boy caught him up, and was +seen running away with his prize. Every effort was made to find him; but +I never saw my dear little pigeon again. + + ANNE PAGE. + + + + +EIGHTH LESSON IN ASTRONOMY. + + +HOW shall I make such little folks understand that the sun and the stars +really stand still, when they seem to take a journey across the sky +every day? Perhaps the best way will be to make a little game of it. We +will explain it with boys. + +I want a boy to represent the earth, and as many as can be found for sun +and stars: there is no danger of too many. Now, the fattest boy of all +must be the earth, and stand in the middle. We want him fat and round, +because the earth is as round as an orange. (We need not mind about the +size of the stars: they always look small, they are so far off.) + +All the other boys must stand about him, and stand still. If they are +not satisfied with their places, they must not move; for they are fixed +stars. That is right. I can imagine you now just as you are, the fat +boy in the middle. + +But _you_ must not stand still, fat boy, because I told the star-boys +not to move. You are the earth, and must do what the earth does. Don't +you know what it does? Oh! it does not run away. Come back, and I will +tell you what it does. It turns around just as a top spins. That is +right. Every time the earth turns, it makes a day and a night, by +turning towards the sun, and away from it again. + +Don't turn so fast, my dear: you make the days and nights too short, and +you will be dizzy. Besides, you are turning the wrong way. The earth +turns from west to east, and you must remember you are the earth, and +not Charlie. Now go the other way, and more slowly, and keep your eyes +on the little boys who are the sun and stars. + +We will suppose now that Frank is the sun. There he is just behind you. +He is shining now on the other side of the earth,--on your back. As you +turn around to the left, to the east, you begin to see him: he rises. +Now, as you turn more towards him, he seems to pass in front of you +towards the west, and pretty soon he is out of sight. He has set. So +much for the sun. + +It is just the same if you look at the stars,--John, or Willie, or +James. As you turn round they all seem to be going round you. Now can't +you see, that, as the real earth turns around, the sun and stars about +it seem to you to rise and set, although they stand still, like Frank +and John and Willie and James. + +A great many years ago, everybody supposed that the earth stood still, +and the sun and stars revolved around it; but a wise man named +Copernicus found out the mistake, and you had better call your game the +Copernican game. + + M. E. R. + +[Illustration: DRAWING-LESSON BY HARRISON WEIR. + +VOL. XXII.--NO. 5.] + + + + +THE FARM. + + +VERY often in summer, after looking at the sky, and consulting the +barometer, my father would say to me, "Tell John to bring around the +horse and carryall, and we will all go out to the farm for the day." +John had the horse harnessed in a little while, mother sent out a great +basket of lunch, and in less than half an hour we were all off,--father, +mother, Dick, and I. + +The farm was seven miles in the country, and the road leading to it was +a fine one. There were some hills, to be sure; but, whenever we came to +one, Dick and I used to climb out of the back-window, and hang on +behind, fancying that we lightened the load by not being inside. We +always enjoyed the ride very much. + +At the farm there was a pretty cottage, where the tenant Mr. Clark +lived. We used to go in for a little while to see Mrs. Clark's babies, +and then we started off in search of adventures. What fun we did have! +Sometimes there would be great brush-heaps to burn, made of bushes and +branches of trees that had been cleared off from the land. They made +glorious bonfires. + +There was an old yellow horse on the farm, that used to run the +wood-sawing machine. He was blind in one eye, but was the very gentlest +horse in the world. Dick and I would both get on him at the same time, +with only the halter to guide the horse, and go all over the farm. + +Now and then, in shaking himself to get rid of the flies, Bob (the +horse) would shake us both off; but he always stopped at once when we +met with such an accident, so that we could get on again. Once, when we +were riding in this way, our horse stopped and refused to go on. + +On looking to see what was the matter, we saw a large black snake in +the road just ahead of us. Being very reckless children, we slid off old +Bob, found some heavy sticks, and attacked the snake. First Dick struck +it, and, when it turned on him, I struck it; and so we pounded the +snake, turn and turn about, until it was killed. + +[Illustration] + +Another thing that we enjoyed very much was to go down to the creek that +ran through the farm, and put some ears of green corn in the water close +by the edge. We would then keep very still, and watch the corn, and, as +soon as we saw it move a little, we would give it a sudden slap out of +the water, and would almost always succeed in landing one or two +crawfish. We dug wells in the sand, which we would fill with water to +put our crawfish in. Sometimes we would have a dozen or more. + +It would have been great fun to wade in the creek, but for one thing: +there were sand-leeches in the water, and they would get between our +toes, and bite so firmly into the flesh, that we could hardly get them +off. + +A great event in the day was lunch, which we ate in picnic style on the +ground near the spring. We were always so hungry, that the simplest food +seemed delicious. I don't think we were ever very fond of bread and +butter anywhere else. By night we were very tired, and generally went +sound asleep on the way home. + + A. + + + + +THE DRAWING-MASTER. + + +OUR Peter has opened a school for teaching drawing. At present he has +only two pupils; but he hopes to have more. They pay him two pins a +lesson; not a high price. I fear that Peter will not get rich very soon +at that rate. + +[Illustration] + +But he is no miser. He loves to do good, and to teach to others all the +good he knows. So he says to Tom and Harry, "This that I am drawing now +is what we call a horizontal line; and this is a curved line. Do you +know what a circle is, Tommy?" + +"A circle is something round, isn't it?" replies Tommy. + +"A circle," says Peter, drawing one on paper,--"a circle is a plane +figure, bounded by a single curved line called its circumference, every +part of which is equally distant from a point within it called the +centre." + +"How can I remember all that stuff?" said Harry. + +"Stuff! Do you call it _stuff_, sir?" said Peter, snapping him twice on +his closely-shorn head: "I will teach you not to call my definitions +_stuff_." + +"What's a definition?" asked Tommy. + +"A definition," said Peter, "is what I say to you when I tell you what a +thing means. If I ask you what _green_ is, and I tell you it's the color +of fresh summer grass, I give you a definition." + +"School is out!" cried Harry. "Peter uses too many big words for us. +Hallo! there's Bob, the butcher's dog. I'm going to have a frolic with +him. Good-by, drawing-master!" + +And so the school was broken up. "Never did I see boys behave so in +school-time," said the teacher. + +I hope his pupils will be more attentive the next time he tries to teach +them how to draw. + + UNCLE CHARLES. + +[Illustration] + +[Illustration] + + + + +LITTLE MOSQUITO. + + + LITTLE Mosquito she sits on a sill,-- + Whee, whee, whee! + And longs for the time when the people are still, + That she, in the darkness, may stab them at will,-- + Whee, whee, whee! + + She whets up her dagger, and looks at the moon,-- + Whee, whee, whee! + She says to herself, "I'll begin pretty soon + To look for my victims, and sing them a tune,"-- + Whee, whee, whee! + + With a hum and a flutter, the way to prepare,-- + Whee, whee, whee! + She rises and circles about in the air; + Then settles herself with a great deal of care,-- + Whee, whee, whee! + + But one,--more awake than he seeks to appear,-- + Whee, whee, whee! + Slaps little Mosquito, alight on his ear, + And thus puts an end to her hopeful career,-- + Whee, whee, whee! + + FLETA F. + +[Illustration] + + + + +LEARNING TO IRON. + + +"NOW I've had my lesson in my 'Nursery Primer,'" said little +five-year-old Ellen, "and I want to learn to iron clothes." + +"You are rather too young to be trusted with a flat-iron," said her +mother: "you might burn your fingers." + +"I'll promise not to cry if I do," said Ellen. "Please let me go out and +help Patience iron, mamma." + +Mamma at last gave her consent; and our picture of Ellen and Patience at +work at the ironing-board gives about as good likenesses of the two as +their reflections in a mirror could have given. + +Ellen saw how Patience used her flat-iron, and then used hers in the +same way. She ironed a towel so well, that Patience praised her, and +said she could not have done it better herself. + +But, as she was trying to put a flat-iron on the stove, Ellen burnt her +fingers so as to make her hop. She did not cry; for she remembered her +promise. Patience wet a cloth with cold water, and put it on the burn; +then she remembered that common brown soap was the best thing for a +burn, so she spread some soap on a cotton rag and put that on. Soon the +pain was gone, and Ellen ran and told her mother what had happened. + +"You should not have tried to put the flat-iron on the stove," said her +mother. "If your clothes had caught fire, you might have had a bad +time." + +"Would my dress have blazed up?" asked Ellen. + +"I take care to dip your clothes in a weak solution of nitre before they +are worn; for that prevents their blazing, even if they should catch +fire," said mamma. "But you must not let that keep you from taking great +care." + +"Next Tuesday may I take another lesson in ironing?" asked Ellen. + +"Yes: if you say your lessons well during the week, you shall not only +learn to iron your clothes, but to wash them." + +"That will be fun!" cried Ellen, clapping her hands, and quite +forgetting her burnt finger. + + DORA BURNSIDE. + +[Illustration] + + + + +BIRDIE AND BABY. + + +BIRDIE is a canary-bird of pale gold color. Tiny as he is, he is quite +old compared with baby. + +He was the sole pet of the house long before baby came into the world, +and he did as much as any bird could to fill a baby's place. + +All the bright hours of the day, the door of his cage stood open. He +would fly to Aunt Minnie's shoulder while she sat sewing, and sing his +sweetest notes for her, or perch on her finger and take the bit of fresh +lettuce she brought for him from the table. + +But after baby came--can you believe it?--this dear little birdie +behaved just like a spoiled child. He rolled himself up into a soft +yellow ball, and actually moped. + +Not a note would he sing. Aunt Minnie could not coax him with green leaf +or seed. He would insist on making himself unhappy until baby was taken +out for an airing. Then he would burst into song again, and seem to feel +that he was in his old place,--the only treasure. + +It was a long time before the poor little bird found out that Aunt +Minnie's heart was large enough to love him and her precious baby too. +But he is learning it now, and likes to have baby held up to his cage. + +When Aunt Minnie lets him out into the room, he hops close by the baby; +and baby laughs, and stretches out his dimpled hands to catch him; but +he is wise enough to keep out of baby's way. + +Don't you think it is nice for Aunt Minnie to have such treasures? + + E. P. B. + + + + +A NAUGHTY BABY. + + + HE'S a very naughty baby, + For he will not shut his eyes + And go to sleep, though I have done + My best to hush his cries. + I've trotted him, I've patted him, + I've given him some food; + But nothing that I do for him + Will do him any good. + + I've sung a little lullaby, + The one that mother sings; + One that to weary little ones, + Sweet slumber, always brings. + I've scolded him, I've shaken him, + All sorts of things I've tried; + But the naughty, noisy baby-man + Will not be pacified. + + He screams so loud he frightens me; + He's getting worse and worse. + I do wish mother would come home, + Or get this boy a nurse. + I'll toss him up, I'll tumble him, + Play "creep-mouse," and "bo-peep," + Perhaps if I can make him laugh, + The laugh will make him sleep. + + You naughty, naughty baby, + How could you vex me so? + One would not think you ever cried, + To hear you laugh and crow! + Hush, hush! He's getting tired out: + Now very still I'll keep; + There's nothing like a hearty romp, + To put a child to sleep! + + JOSEPHINE POLLARD. + + + + +BOYS AND RABBITS. + + +HERE are two little boys and two little rabbits, all down on the ground. + +The two boys are just the same age. They are twin brothers. Their names +are Paul and John. + +The girl who stands near them is their sister Jane. She is quite a +little girl, as you see; but she is full three years older than the +boys: so she takes great care of them. + +You would laugh to see Paul and John try to lift their rabbits by the +ears. The rabbits look most as large as the boys. But the boys are +growing larger and stronger every day. + +[Illustration] + + A. B. C. + + + + +TOBACCO AND EGG. + + +OUR house had a long back piazza, covered all over with grape-vines, +with steps going down to the yard. + +[Illustration] + +I discovered that by standing on my tip-toes, half way up the steps, I +could see into the next yard, where there grew such different flowers +from ours, and where there often came a little girl of six or +seven--about my own age--to gather bouquets. + +She did not see me at first: so, for many days, I quietly watched the +stout little figure. During one of my observations, her mother called +her, and such a name as she had! The call, as I heard it, was "Tobacco, +my daughter!" + +I felt deeply for the girl who was afflicted by such a name. I +determined to throw her the finest bunch of grapes on our vine by way of +consolation. + +Some days after, when I was giving my large family of dolls an airing in +the garden, I saw a small face staring at me just over the top of the +fence. Being familiar with the position myself, I was not alarmed, but +hastened to mount to the same level on my side, and offer some grapes. + +After a long stare on the part of both of us, I timidly broke the +silence by asking, "What is your name?" + +"Rebecca," was the reply. + +"Why," I said, "I was pitying you all this time, thinking you were +called Tobacco." + +"Oh, no!" she cried, "it is not so bad as that. You have a funny name, +though. I have often wondered how you came to have such a name. Perhaps +you were born on Easter-Monday, or were very fond of eggs." + +"What can you mean?" I replied. "I don't see any thing funny about my +name: I am told it is pretty." + +"Well, I should not call it pretty exactly," she giggled: "it always +makes me feel hungry." + +"Hungry?" I was trying to be friendly; but I did feel slightly offended +at this. At last, just as tears of vexation were rising to my eyes, I +thought of asking, "What do you think my name is?" + +"Why, Egg, of course." + +"Oh the idea of such a thing!" We both laughed till we nearly fell off +our perches. As soon as I was sober enough, I made haste to explain that +my name was Agnes, but that my brothers and sisters called me "Ag." It +must have been "Ag" that she heard, and thought it was Egg. + + AGNES. + +[Illustration: ANCIENT ARMOR.] + +[Illustration] + + + + +THE APPLE TREE. + + + Words by CLARA D. BATES. Music by T. CRAMPTON. + +[Illustration: Music] + + 1. Up in the apple tree, + See the rosy cheeks: + See the balls that look like gold: + See the crimson streaks. + In the lovely autumn day, + Bright as in the bloom of May, + Filled with fruit and fair to see, + Is the apple tree. + + 2. Under the apple tree, + See the rosy cheeks: + Little Jinx the baby boy; + What is it he seeks? + Ah! his tiny teeth are white, + And are eager for a bite,-- + Such a tempting store to see, + Is the apple tree. + + 3. Under the apple tree, + Other rosy cheeks: + Edith, Mabel, Golden-Locks: + Full of merry freaks, + Here they run and there they run, + Shouting merrily if one + Fallen in the group they see, + From the apple tree. + + * * * * * + +Transcriber's Notes: + +The July edition of the Nursery had a table of contents for the next six +issues of the year. This table was divided to cover each specific issue. +A title page copied from this same July edition was also used for this +number and the issue number added after the Volume number. + +Page 150, single quotation mark changed to double (them a tune,") + +Page 159, double quotation mark added to text (fond of eggs.") + + + + + +End of the Project Gutenberg EBook of The Nursery, November 1877, Vol. XXII. +No. 5, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 *** + +***** This file should be named 28139.txt or 28139.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/8/1/3/28139/ + +Produced by Emmy, Juliet Sutherland and the Online +Distributed Proofreading Team at http://www.pgdp.net. Music +by Linda Cantoni. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/28139.zip b/28139.zip Binary files differnew file mode 100644 index 0000000..88facd8 --- /dev/null +++ b/28139.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..c17be6b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #28139 (https://www.gutenberg.org/ebooks/28139) |
