summaryrefslogtreecommitdiff
path: root/28139-h/28139-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '28139-h/28139-h.htm')
-rw-r--r--28139-h/28139-h.htm1713
1 files changed, 1713 insertions, 0 deletions
diff --git a/28139-h/28139-h.htm b/28139-h/28139-h.htm
new file mode 100644
index 0000000..f4d0bd2
--- /dev/null
+++ b/28139-h/28139-h.htm
@@ -0,0 +1,1713 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of The Nursery, November 1877, Vol. XXII., by Various.
+ </title>
+ <style type="text/css">
+
+ p {margin-top: .75em;
+ text-align: justify;
+ text-indent: 1.25em;
+ margin-bottom: .75em;
+ }
+ img {border: 0;}
+ .tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+ padding-left: .5em; padding-right: .5em;}
+ ins {text-decoration:none; border-bottom: thin dotted gray;}
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+
+ table {margin-left: auto; margin-right: auto;}
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ } /* page numbers */
+ .copyright {text-align: center; font-size: 70%;}
+ .blockquot{margin-left: 5%; margin-right: 10%; text-align: justify;}
+
+ .bbox {border: solid 2px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+ padding-left: .5em; padding-right: .5em;}
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+
+ .caption {font-weight: bold; font-size: 70%;}
+
+ .figcenter {margin: auto; text-align: center;}
+
+ .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 0; margin-top:
+ 1em; margin-right: 0; padding: 0; text-align: center;}
+
+ .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em;
+ margin-top: 1em; margin-right: 0; padding: 0; text-align: center;}
+
+ .unindent {margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ .right {text-align: right;}
+ .poem {margin-left: 30%; margin-right: 10%; text-align: left;}
+ .poem2 {margin-left: 15%; margin-right: 10%; text-align: left;}
+ .sig {margin-right: 10%; text-align: right;}
+ .story {font-size: 200%; margin-top: .75em;
+ text-align: justify;
+ text-indent: 1.25em;
+ margin-bottom: .75em;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's The Nursery, November 1877, Vol. XXII. No. 5, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nursery, November 1877, Vol. XXII. No. 5
+ A Monthly Magazine for Youngest Readers
+
+Author: Various
+
+Release Date: February 20, 2009 [EBook #28139]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 ***
+
+
+
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+
+
+
+
+</pre>
+
+
+<h3>THE</h3>
+
+<h1>NURSERY</h1>
+
+<h2><i>A Monthly Magazine</i></h2>
+
+<h2><span class="smcap">For Youngest Readers.</span></h2>
+
+<div class='center'>VOLUME XXII.&mdash;No. 5.<br />
+
+<br /><br />
+BOSTON:<br />
+JOHN L. SHOREY, No. 36 BROMFIELD STREET,<br />
+1877.<br />
+</div>
+
+<div class='copyright'><br /><br /><br />
+Entered according to Act of Congress, in the year 1877, by<br />
+JOHN L. SHOREY,<br />
+In the Office of the Librarian of Congress at Washington.<br />
+<br /><br /><br />
+FRANKLIN PRESS:<br />
+RAND, AVERY, AND COMPANY,<br />
+117 FRANKLIN STREET,<br />
+BOSTON.<br /></div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/contents.png" width="400" height="210" alt="Contents" title="" />
+</div>
+
+<h3>IN PROSE.</h3>
+
+
+
+<div class='center'>
+<table border="0" cellpadding="0" cellspacing="0" summary="Contents in Prose">
+<tr><td align='left'>&nbsp;</td><td align='right'><small>PAGE</small></td></tr>
+<tr><td align='left'>Sarah's Picture</td><td align='right'><a href="#Page_131">131</a></td></tr>
+<tr><td align='left'>Kitty Bell</td><td align='right'><a href="#Page_134">134</a></td></tr>
+<tr><td align='left'>A clever Fox</td><td align='right'><a href="#Page_136">136</a></td></tr>
+<tr><td align='left'>How Ponto got his Dinner</td><td align='right'><a href="#Page_138">138</a></td></tr>
+<tr><td align='left'>The Pet Pigeon</td><td align='right'><a href="#Page_141">141</a></td></tr>
+<tr><td align='left'>Eighth Lesson in Astronomy&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</td><td align='right'><a href="#Page_143">143</a></td></tr>
+<tr><td align='left'>Drawing-Lesson</td><td align='right'><a href="#Page_145">145</a></td></tr>
+<tr><td align='left'>The Farm</td><td align='right'><a href="#Page_146">146</a></td></tr>
+<tr><td align='left'>The Drawing-Master</td><td align='right'><a href="#Page_148">148</a></td></tr>
+<tr><td align='left'>Learning to iron</td><td align='right'><a href="#Page_151">151</a></td></tr>
+<tr><td align='left'>Birdie and Baby</td><td align='right'><a href="#Page_153">153</a></td></tr>
+<tr><td align='left'>Boys and Rabbits</td><td align='right'><a href="#Page_156">156</a></td></tr>
+<tr><td align='left'>Tobacco and Egg</td><td align='right'><a href="#Page_158">158</a></td></tr>
+</table></div>
+
+
+<h3><br />IN VERSE.</h3>
+
+
+
+<div class='center'>
+<table border="0" cellpadding="0" cellspacing="0" summary="Contents in Verse">
+<tr><td align='left'>&nbsp;</td><td align='right'><small>PAGE</small></td></tr>
+<tr><td align='left'>Steering for Home</td><td align='right'><a href="#Page_129">129</a></td></tr>
+<tr><td align='left'>Three naughty Pigs</td><td align='right'><a href="#Page_133">133</a></td></tr>
+<tr><td align='left'>The Butterfly and the Grasshopper&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</td><td align='right'><a href="#Page_139">139</a></td></tr>
+<tr><td align='left'>Little Mosquito</td><td align='right'><a href="#Page_150">150</a></td></tr>
+<tr><td align='left'>A naughty Baby</td><td align='right'><a href="#Page_154">154</a></td></tr>
+<tr><td align='left'>The Apple Tree (<i>with music</i>)</td><td align='right'><a href="#Page_160">160</a></td></tr>
+</table></div>
+
+<div class="figcenter" style="width: 200px;">
+<img src="images/contents_end.png" width="200" height="139" alt="Birds" title="" />
+</div>
+
+
+<p><span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span></p>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<div class="figcenter" style="width: 351px;">
+<img src="images/illus129.png" width="351" height="500" alt="STEERING FOR HOME." title="" />
+<span class="caption">STEERING FOR HOME.</span>
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span></p>
+<h2>STEERING FOR HOME.</h2>
+
+
+
+<div class="figleft" style="width: 118px;">
+<img src="images/illus130.png" width="118" height="125" alt="B" title="" />
+</div><div class='poem2'><br /><br />LOW, thou bitter northern gale;<br />
+<span style="margin-left: 1em;">Heave, thou rolling, foaming sea;</span><br />
+Bend the mast and fill the sail,<br />
+<span style="margin-left: 1em;">Let the gallant ship go free!</span><br />
+Steady, lad! Be firm and steady!<br />
+<span style="margin-left: 1em;">On the compass fix your eye;</span><br />
+Ever watchful, ever ready,<br />
+<span style="margin-left: 1em;">Let the rain and spray go by!</span><br />
+<span style="margin-left: 2em;">We're steering for home.</span><br />
+<br />
+Let the waves with angry thud<br />
+<span style="margin-left: 1em;">Shake the ship from stem to stern;</span><br />
+We can brave the flying scud,<br />
+<span style="margin-left: 1em;">It may go, it may return:</span><br />
+In the wind are cheerful voices,<br />
+<span style="margin-left: 1em;">In the waves a pleasant song,</span><br />
+And the sailor's heart rejoices<br />
+<span style="margin-left: 1em;">As the good ship bounds along.</span><br />
+<span style="margin-left: 2em;">We're steering for home.</span><br />
+<br />
+Standing on the briny deck,<br />
+<span style="margin-left: 1em;">Beaten by the blinding spray,</span><br />
+Fearing neither storm nor wreck,<br />
+<span style="margin-left: 1em;">Let us keep our onward way.</span><br />
+Loving hearts for us are yearning,<br />
+<span style="margin-left: 1em;">Now in hope, and now in doubt,</span><br />
+Looking for our swift returning,<br />
+<span style="margin-left: 1em;">How they try to make us out!</span><br />
+<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span><span style="margin-left: 2em;">We're steering for home.</span><br />
+<br />
+Fainter blows the bitter gale,<br />
+<span style="margin-left: 1em;">And more peaceful grows the sea;</span><br />
+Now, boys, trim again the sail;<br />
+<span style="margin-left: 1em;">Land is looming on the lee!</span><br />
+See! the beacon-light is flashing,<br />
+<span style="margin-left: 1em;">Hark! those shouts are from the shore;</span><br />
+To the wharf home friends are dashing;<br />
+<span style="margin-left: 1em;">Now our hardest work is o'er.</span><br />
+<span style="margin-left: 2em;">Three cheers for our home!</span><br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Tom Bowling.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>SARAH'S PICTURE.</h2>
+
+
+<p><span class="smcap">My</span> name is Sarah. I live in Bristol, Conn., and am
+not quite five years old. I have taken "The Nursery"
+ever since I was two.</p>
+
+<p>About three years ago a lady gave me a little trunk, and
+I have kept my magazines in it ever since. Last winter,
+when snow was on the ground, and I had to stay in the
+house a good deal, I used to get my trunk and sit down on
+the floor by mamma, and look my "Nursery" through
+almost every day. So mamma thought she would like to
+have my picture taken just in that way.</p>
+
+<p>Now I must introduce you to my dog Beauty, who sits
+by my side in the picture. You see he is a Spitz; but do
+not be frightened: he will never have hydrophobia. I
+cannot think of having him muzzled, for one of his charms
+is the way he opens and shuts his mouth when he barks.
+Oh, no, Beauty! I will never hurt your feelings by making
+you wear a muzzle.</p>
+
+<p>My grandma gave me this dear dog a year ago last<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span>
+Christmas. He had two beautiful red eyes then; now he
+has none. He had two long silky ears then; now he has
+but one. He had four legs, and a bushy tail curled over his
+back; now he has but two legs, and no tail. But I love him
+just as well as ever.</p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus132.png" width="500" height="376" alt="The dolly you see sitting against the trunk" title="" />
+</div>
+
+<p>The dolly you see sitting up against the trunk is my
+daughter Nannie. I have four other children.</p>
+
+<p>Nellie is a fair-haired blonde, but is getting rather past
+her prime. You know blondes fade young.</p>
+
+<p>Rosa Grace once had lovely flaxen curls, and very rosy
+cheeks; but now her curls are few and far between, her
+cheeks are faded, and her arms and feet are out of order.</p>
+
+<p>Next comes Florence, who has joints, and can sit up
+like a lady anywhere. My papa brought her from San
+Francisco. She has yellow hair, and is dressed in crimson
+silk.<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span></p>
+
+<p>My youngest is not yet named. She is quite small, has
+black hair and eyes, and is rather old-fashioned looking.
+If you can think of a name just right for her, I wish you
+would please let me know. It is so perplexing to name so
+many children!</p>
+
+<div class='sig'>
+<span class="smcap">Sarah H. Buck.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THREE NAUGHTY PIGS.</h2>
+
+
+<div class='center'>
+<table border="0" cellpadding="0" cellspacing="0" summary="">
+<tr><td align='left'><span class="smcap">Three</span> naughty pigs,<br />
+<span style="margin-left: 1em;">All in one pen,</span><br />
+Drank up their milk<br />
+<span style="margin-left: 1em;">Left by the men.</span><br />
+<br />
+Then all the three,<br />
+<span style="margin-left: 1em;">Fast as they could,</span><br />
+Dug their way out<br />
+<span style="margin-left: 1em;">To find something good.</span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />
+<br />
+Out in the garden<br />
+<span style="margin-left: 1em;">A maiden fair</span><br />
+Had set some flowers,<br />
+<span style="margin-left: 1em;">Of beauty rare.</span><br />
+<br />
+Out in the garden<br />
+<span style="margin-left: 1em;">A merry boy</span><br />
+Had planted seeds,<br />
+<span style="margin-left: 1em;">With childish joy.</span><br />
+</td><td align='left'>One naughty pig<br />
+<span style="margin-left: 1em;">Ran to the bed;</span><br />
+Soon lay the flowers<br />
+<span style="margin-left: 1em;">Drooping and dead.</span><br />
+<br />
+Two naughty pigs<br />
+<span style="margin-left: 1em;">Dug up the seeds,</span><br />
+And left for the boy<br />
+<span style="margin-left: 1em;">Not even weeds.</span><br />
+<br />
+Three naughty pigs<br />
+<span style="margin-left: 1em;">Back in the pen,</span><br />
+Never could do<br />
+<span style="margin-left: 1em;">Such digging again.</span><br />
+<br />
+For in their noses<br />
+<span style="margin-left: 1em;">Something would hurt</span><br />
+Whenever they tried<br />
+<span style="margin-left: 1em;">To dig in the dirt.</span><br />
+</td></tr>
+</table></div>
+
+<div class='sig'>
+F. L. T.<br />
+</div>
+
+<div class="figcenter" style="width: 350px;">
+<img src="images/illus133.png" width="350" height="170" alt="Three pigs" title="" />
+</div>
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span></p>
+
+
+
+<h2>KITTY BELL.</h2>
+
+
+<p><span class="smcap">Once</span> there was a little girl named Alice, and she had an
+Uncle George whom she loved very dearly. One day, as
+Alice was looking out of the window, she saw her Uncle
+George coming into the yard with a covered basket in his
+hand.</p>
+
+<p>Alice ran to meet him, and, as she was kissing him in the
+hall, she heard a faint sound in the basket, and exclaimed,
+"O Uncle George! what have you brought me?"</p>
+
+<p>"Look into the basket and see," said her uncle.</p>
+
+<p>So Alice peeped in very carefully, and saw a little black
+kitten. The little girl was delighted, and fairly danced
+around her uncle as she said, "What a dear little kitten!
+Is it for me, Uncle George? Who sent it to me? Did
+you bring it from your house?"</p>
+
+<p>"Yes," said her uncle, "your Cousin Edith sent it to
+you; she thought you would like it."</p>
+
+<p>"Well," said Alice, "you must thank Edith a thousand
+times, and here is a kiss for you for bringing it to me; and
+I'm sure the poor little thing must be hungry: so I'll give
+it something to eat."</p>
+
+<p>She carried the kitten into the kitchen, and soon got from
+the cook a nice pan of milk. Her little brother Harry came
+running in to see the new kitten eat its dinner, and with
+him came the old family cat, Mouser, who rubbed and
+purred against Alice, as if he wanted her to pet him too.</p>
+
+<p>The next thing was to find a name, "pretty, and not too
+common," Alice said. While she was trying to think of
+one, she went up to her own little room, and searched
+among her ribbons for a piece to tie around the kitten's
+neck. She soon found one that was just the thing.</p>
+
+<p>In one of her drawers she found a tiny bell that somebody<span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span>
+had given her, and thought it would be a good plan
+to hang that around kitty's neck by the ribbon. Kitty
+made no objection to being thus decorated, and a happy
+thought struck Alice; "Kitty Bell would be just the name
+for her!" and Kitty Bell it was.</p>
+
+<div class="figcenter" style="width: 323px;">
+<img src="images/illus135.png" width="323" height="400" alt="Girls and Kitty Bell" title="" />
+</div>
+
+<p>Kitty grew very fast; and one morning, after she had got<span class='pagenum'><a name="Page_136" id="Page_136">[136]</a></span>
+to be a good-sized kitten, she came to Alice, and mewed
+quite piteously. Alice gave her some milk; but Kitty Bell
+was not hungry, and mewed still more. Alice could not
+think what was the matter.</p>
+
+<p>At last Kitty Bell gave her head a shake, and put one
+paw up to the ribbon on her neck, as if trying to pull it
+over her head. Alice untied the ribbon, and away ran Kitty
+Bell quite out of sight. In a short time she came back
+with a mouse in her mouth, which she laid at Alice's feet.</p>
+
+<p>Do you see what had been the trouble? The bell had
+frightened the mice away, so that Kitty Bell could not get
+near enough to catch them.</p>
+
+<div class='sig'>
+W.<br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>A CLEVER FOX.</h2>
+
+
+<p><span class="smcap">On</span> a summer day, a gentleman was lying under the
+shelter of some shrubs on the banks of the River Tweed,
+when he saw a large brood of ducks, which had been made
+to rise on the wing by the drifting of a fir-branch among
+them. After circling in the air for a little time, they again
+settled down on their feeding-ground.</p>
+
+<p>There was a pause for two or three minutes, and then
+the same thing took place again. A branch drifted down
+with the stream into the midst of the ducks, and made them
+take to flight once more. But when they found that the
+bough had drifted by, and done no harm, they flew down
+to the water as before.</p>
+
+<p>After four or five boughs had drifted by in this way, the
+ducks gave no heed to them, and hardly tried to fly out of
+their way on the stream, even when they were near to
+being touched.<span class='pagenum'><a name="Page_137" id="Page_137">[137]</a></span></p>
+
+<div class="figcenter" style="width: 322px;">
+<img src="images/illus137.png" width="322" height="400" alt="Clever fox" title="" />
+</div>
+
+<p>The gentleman who had been observing all this now
+watched for the cause of the drifting of the boughs. At
+length he saw, higher up the bank of the stream, a fox,
+which, having set the boughs adrift, was watching for the
+moment when the ducks should cease to be startled by
+them.<span class='pagenum'><a name="Page_138" id="Page_138">[138]</a></span></p>
+
+<p>This wise and clever fox at last seemed satisfied that the
+moment had come. So what did he do but take a larger
+branch of spruce-fir than any he had yet used, and, spreading
+himself down on it so as to be almost hidden from
+sight, set it adrift as he had done the others!</p>
+
+<p>The ducks, now having ceased to fear the boughs, hardly
+moved till the fox was in the midst of them, when, making
+rapid snaps right and left, he seized two fine young ducks
+as his prey, and floated forward in triumph on his raft.
+The ducks flew off in fright, and did not come back.</p>
+
+<p>That fox must have had a fine dinner that day, I think.
+The gentleman who saw the trick pitied the poor ducks,
+but could not help laughing at the fox's cunning.</p>
+
+<div class='sig'>
+<span class="smcap">Uncle Charles.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>HOW PONTO GOT HIS DINNER.</h2>
+
+
+<p><span class="smcap">Ponto</span> in his youth had been a very wise and active
+dog. Not only had he been brave at watching, but he had
+been taught to carry packages and notes for his master.</p>
+
+<p>But, as he grew old and feeble, he gradually got out of
+the way of doing such services, and spent his time mostly
+in sleeping, or in jogging about, without care.</p>
+
+<p>One day his mistress had told her husband, as he went to
+his business in the morning, to send around the carriage at
+ten o'clock. This he forgot to do; and when the hour
+came, and there was no carriage, the lady knew it would
+be necessary to remind her husband of his promise.</p>
+
+<p>But she had no one to send with a message. At last she
+chanced to remember that Ponto used to go on such errands,
+and, writing a note, she called him to her, and said,&mdash;</p>
+
+<p>"Here, Ponto, take this note to your master."<span class='pagenum'><a name="Page_139" id="Page_139">[139]</a></span></p>
+
+<p>Ponto took the note carefully in his mouth, but did not
+seem to know what he was expected to do with it.</p>
+
+<p>"Go, Ponto," she said; "take the note to your master."</p>
+
+<p>He trotted on a little way, paused, turned and hesitated,
+and then trotted a little farther. This he repeated several
+times, and at last, started off at a good gait.</p>
+
+<p>But wise old Ponto! Did he, after so much pondering,
+take the note to his master? Not a bit of it! He went
+straight to the butcher's, and presented the billet, wagging
+his tail at the same time, as much as to say, "Here's an
+order for my dinner!"</p>
+
+<p>The butcher, understanding the situation, rolled up a
+nice piece of meat in a paper, gave it to Ponto, and then
+himself delivered the note to the gentleman.</p>
+
+<p>Ponto stalked home as proud as a king, laid the package
+at his mistress's feet, and waited, with a delighted, expressive
+wag, for her approval.</p>
+
+<p>Of course she gave him all the meat, patted his faithful
+old head, and called him "good Ponto."</p>
+
+<p>The carriage came in good time; and Ponto does not
+know to this day but what he did exactly as he was told.</p>
+
+<div class='sig'>
+C. D. B.<br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THE BUTTERFLY AND THE GRASSHOPPER.</h2>
+
+
+<div class="figleft" style="width: 191px;">
+<img src="images/illus140.png" width="191" height="800" alt="Butterfly and the Grasshopper" title="" />
+</div>
+
+
+<div class='poem'>
+"<span class="smcap">Pretty</span> Butterfly, stay!<br />
+Come down here and play,"<br />
+A Grasshopper said,<br />
+As he lifted his head.<br />
+"Oh, no! and oh, no!<br />
+Daddy Grasshopper, go!<br />
+Once you weren't so polite,<br />
+But said, 'Out of my sight,<br />
+You base, ugly fright!'"<br />
+"Oh, no! and oh, no!<br />
+I never said so,"<br />
+The Grasshopper cried:<br />
+"I'd sooner have died<br />
+<span class='pagenum'><a name="Page_140" id="Page_140">[140]</a></span>Than been half so rude.<br />
+You misunderstood."<br />
+"Oh, no! I did not;<br />
+'Twas near to this spot:<br />
+The offence, while I live,<br />
+I cannot forgive."<br />
+"I pray you explain<br />
+When and where such disdain,<br />
+Such conduct improper,<br />
+Was shown by this Hopper."<br />
+"I then was a worm:<br />
+'Tis a fact, I affirm,"<br />
+The Butterfly said,<br />
+With a toss of her head.<br />
+"In my humble condition,<br />
+Your bad disposition<br />
+Made you spurn me as mean,<br />
+And not fit to be seen.<br />
+In my day of small things<br />
+You dreamed not that wings<br />
+Might one day be mine,&mdash;<br />
+Wings handsome and fine,<br />
+That help me soar up<br />
+To the rose's full cup,<br />
+And taste of each flower<br />
+In garden and bower.<br />
+This moral now take<br />
+For your own better sake:<br />
+Insult not the low;<br />
+Some day they may grow<br />
+To seem and to do<br />
+Much better than you.<br />
+Remember; and so,<br />
+Daddy Grasshopper, go!"<br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Emily Carter.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_141" id="Page_141">[141]</a></span></p>
+
+<div class="figcenter" style="width: 267px;">
+<img src="images/illus141.png" width="267" height="350" alt="The Pet Pigeon" title="" />
+</div>
+
+
+
+
+<h2>THE PET PIGEON.</h2>
+
+
+<p><span class="smcap">When</span> I was about nine years old, my father and mother
+were living in a Southern city; and, as I had been very ill
+for a long time, I was taken from school, and permitted to
+do as I liked.</p>
+
+<p>In one of my walks I met an old colored woman, who
+took quite a fancy to me; and once, when I was sick at
+home, she came to see me, bringing as a present a young
+pigeon. Its feathers were not grown enough to show its
+color; but it proved to be brown and white.</p>
+
+<p>I was very much grieved when my mother said that she<span class='pagenum'><a name="Page_142" id="Page_142">[142]</a></span>
+could not have a pigeon kept in the house; but my father
+persuaded her to indulge me till I was able to go out again;
+and then my pet gave so little trouble that nobody objected
+to him.</p>
+
+<p>For the first two or three weeks, he was put at night in
+another room; but I begged so hard that finally "Pidgy,"
+as I called him, was allowed to roost on top of the wardrobe
+in my bed-room.</p>
+
+<p>The first time he saw me asleep, he seemed very much
+alarmed (so my mother told me); but he settled down on
+my shoulder, and kept very quiet till I awoke. This he
+always did after that morning, sometimes waiting more
+than two hours. After amusing myself with him till it was
+time to get up, I used to give him a large basin of water,
+into which he would jump with great delight; and he would
+be making his toilet while I was making mine.</p>
+
+<p>For two or three months I kept his wings clipped, so
+that he could not fly far. When I went out for a walk, I
+generally took him, either in my arms or perched on my
+hand; and thus I and my pet became known all over the
+neighborhood; and, when my little playmates invited me
+to visit them, an invitation was always sent for "Lillie and
+her pigeon."</p>
+
+<p>He followed me everywhere. If I was reading, he rested
+on my chair; if playing on the piano, he would listen
+attentively: indeed he acquired such a taste for music,
+that the only time he ever seemed willing to leave me
+was to perch upon the foot of a gentleman who was singing
+very finely.</p>
+
+<p>I taught him a number of tricks, such as bringing me
+any thing that he could carry, lying down very still till I
+told him to get up, and running over the piano-keys to
+make music for himself.<span class='pagenum'><a name="Page_143" id="Page_143">[143]</a></span></p>
+
+<p>During the two years that Pidgy and I enjoyed so much
+together, he never fed from any hand but mine; and once,
+when I staid from home over night, he would not eat at all,
+but pecked at my mother and sister so that they were quite
+provoked with him. On my return, he flew to meet me
+with an angry "coo," his feathers all ruffled up, as if trying
+to reprove me for my neglect.</p>
+
+<p>What finally became of my pet I never knew. I had
+him out on the porch, one day, and, as I ran into the house
+for a few minutes, the door was blown to, so that he could
+not follow me. A boy caught him up, and was seen running
+away with his prize. Every effort was made to find
+him; but I never saw my dear little pigeon again.</p>
+
+<div class='sig'>
+<span class="smcap">Anne Page.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>EIGHTH LESSON IN ASTRONOMY.</h2>
+
+
+<p><span class="smcap">How</span> shall I make such little folks understand that the
+sun and the stars really stand still, when they seem to take
+a journey across the sky every day? Perhaps the best
+way will be to make a little game of it. We will explain
+it with boys.</p>
+
+<p>I want a boy to represent the earth, and as many as can
+be found for sun and stars: there is no danger of too
+many. Now, the fattest boy of all must be the earth, and
+stand in the middle. We want him fat and round, because
+the earth is as round as an orange. (We need not mind
+about the size of the stars: they always look small, they
+are so far off.)</p>
+
+<p>All the other boys must stand about him, and stand still.
+If they are not satisfied with their places, they must not
+move; for they are fixed stars. That is right. I can<span class='pagenum'><a name="Page_144" id="Page_144">[144]</a></span>
+imagine you now just as you are, the fat boy in the
+middle.</p>
+
+<p>But <i>you</i> must not stand still, fat boy, because I told the
+star-boys not to move. You are the earth, and must do
+what the earth does. Don't you know what it does? Oh!
+it does not run away. Come back, and I will tell you what
+it does. It turns around just as a top spins. That is right.
+Every time the earth turns, it makes a day and a night, by
+turning towards the sun, and away from it again.</p>
+
+<p>Don't turn so fast, my dear: you make the days and
+nights too short, and you will be dizzy. Besides, you are
+turning the wrong way. The earth turns from west to
+east, and you must remember you are the earth, and not
+Charlie. Now go the other way, and more slowly, and
+keep your eyes on the little boys who are the sun and
+stars.</p>
+
+<p>We will suppose now that Frank is the sun. There he
+is just behind you. He is shining now on the other side of
+the earth,&mdash;on your back. As you turn around to the
+left, to the east, you begin to see him: he rises. Now, as
+you turn more towards him, he seems to pass in front of
+you towards the west, and pretty soon he is out of sight.
+He has set. So much for the sun.</p>
+
+<p>It is just the same if you look at the stars,&mdash;John, or
+Willie, or James. As you turn round they all seem to be
+going round you. Now can't you see, that, as the real
+earth turns around, the sun and stars about it seem to you
+to rise and set, although they stand still, like Frank and
+John and Willie and James.</p>
+
+<p>A great many years ago, everybody supposed that the
+earth stood still, and the sun and stars revolved around it;
+but a wise man named Copernicus found out the mistake,
+and you had better call your game the Copernican game.</p>
+
+<div class='sig'>
+M. E. R.<br />
+</div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_145" id="Page_145">[145]</a></span></p>
+
+<div class="figcenter" style="width: 370px;">
+<img src="images/illus145.png" width="370" height="500" alt="DRAWING-LESSON BY HARRISON WEIR." title="" />
+<span class="caption">DRAWING-LESSON BY HARRISON WEIR.</span>
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_146" id="Page_146">[146]</a></span></p>
+
+
+
+
+<h2>THE FARM.</h2>
+
+
+<p><span class="smcap">Very</span> often in summer, after looking at the sky, and consulting
+the barometer, my father would say to me, "Tell
+John to bring around the horse and carryall, and we will
+all go out to the farm for the day." John had the horse
+harnessed in a little while, mother sent out a great basket
+of lunch, and in less than half an hour we were all off,&mdash;father,
+mother, Dick, and I.</p>
+
+<p>The farm was seven miles in the country, and the road
+leading to it was a fine one. There were some hills, to be
+sure; but, whenever we came to one, Dick and I used to
+climb out of the back-window, and hang on behind, fancying
+that we lightened the load by not being inside. We always
+enjoyed the ride very much.</p>
+
+<p>At the farm there was a pretty cottage, where the tenant
+Mr. Clark lived. We used to go in for a little while to see
+Mrs. Clark's babies, and then we started off in search of
+adventures. What fun we did have! Sometimes there
+would be great brush-heaps to burn, made of bushes and
+branches of trees that had been cleared off from the land.
+They made glorious bonfires.</p>
+
+<p>There was an old yellow horse on the farm, that used to
+run the wood-sawing machine. He was blind in one eye,
+but was the very gentlest horse in the world. Dick and I
+would both get on him at the same time, with only the
+halter to guide the horse, and go all over the farm.</p>
+
+<p>Now and then, in shaking himself to get rid of the flies,
+Bob (the horse) would shake us both off; but he always
+stopped at once when we met with such an accident, so that
+we could get on again. Once, when we were riding in this
+way, our horse stopped and refused to go on.</p>
+
+<p>On looking to see what was the matter, we saw a large<span class='pagenum'><a name="Page_147" id="Page_147">[147]</a></span>
+black snake in the road just ahead of us. Being very
+reckless children, we slid off old Bob, found some heavy
+sticks, and attacked the snake. First Dick struck it, and,
+when it turned on him, I struck it; and so we pounded the
+snake, turn and turn about, until it was killed.</p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus147.png" width="500" height="382" alt="Bob and the snake" title="" />
+</div>
+
+<p>Another thing that we enjoyed very much was to go
+down to the creek that ran through the farm, and put some
+ears of green corn in the water close by the edge. We
+would then keep very still, and watch the corn, and, as soon
+as we saw it move a little, we would give it a sudden slap
+out of the water, and would almost always succeed in landing
+one or two crawfish. We dug wells in the sand, which
+we would fill with water to put our crawfish in. Sometimes
+we would have a dozen or more.</p>
+
+<p>It would have been great fun to wade in the creek, but
+for one thing: there were sand-leeches in the water, and<span class='pagenum'><a name="Page_148" id="Page_148">[148]</a></span>
+they would get between our toes, and bite so firmly into the
+flesh, that we could hardly get them off.</p>
+
+<p>A great event in the day was lunch, which we ate in
+picnic style on the ground near the spring. We were
+always so hungry, that the simplest food seemed delicious.
+I don't think we were ever very fond of bread and butter
+anywhere else. By night we were very tired, and generally
+went sound asleep on the way home.</p>
+
+<div class='sig'>
+A.<br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THE DRAWING-MASTER.</h2>
+
+<div class="figleft" style="width: 260px;">
+<img src="images/illus148.png" width="260" height="300" alt="THE DRAWING-MASTER" title="" />
+</div>
+<p><span class="smcap">Our</span> Peter has opened a
+school for teaching drawing.
+At present he has
+only two pupils; but he
+hopes to have more. They
+pay him two pins a lesson;
+not a high price. I fear
+that Peter will not get rich
+very soon at that rate.</p>
+
+
+
+<p>But he is no miser. He
+loves to do good, and to
+teach to others all the good
+he knows. So he says to
+Tom and Harry, "This
+that I am drawing now is what we call a horizontal line;
+and this is a curved line. Do you know what a circle is,
+Tommy?"</p>
+
+<p>"A circle is something round, isn't it?" replies Tommy.</p>
+
+<p>"A circle," says Peter, drawing one on paper,&mdash;"a
+circle is a plane figure, bounded by a single curved line<span class='pagenum'><a name="Page_149" id="Page_149">[149]</a></span>
+called its circumference, every part of which is equally
+distant from a point within it called the centre."</p>
+
+<p>"How can I remember all that stuff?" said Harry.</p>
+
+<p>"Stuff! Do you call it <i>stuff</i>, sir?" said Peter, snapping
+him twice on his closely-shorn head: "I will teach you not
+to call my definitions <i>stuff</i>."</p>
+
+<p>"What's a definition?" asked Tommy.</p>
+
+<p>"A definition," said Peter, "is what I say to you when I
+tell you what a thing means. If I ask you what <i>green</i> is,
+and I tell you it's the color of fresh summer grass, I give
+you a definition."</p>
+
+<p>"School is out!" cried Harry. "Peter uses too many
+big words for us. Hallo! there's Bob, the butcher's dog.
+I'm going to have a frolic with him. Good-by, drawing-master!"</p>
+
+<p>And so the school was broken up. "Never did I see boys
+behave so in school-time," said the teacher.</p>
+
+<p>I hope his pupils will be more attentive the next time he
+tries to teach them how to draw.</p>
+
+<div class='sig'>
+<span class="smcap">Uncle Charles.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+
+<div class="figcenter" style="width: 350px;">
+<img src="images/illus149.png" width="350" height="256" alt="Birds" title="" />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_150" id="Page_150">[150]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus150.png" width="500" height="95" alt="Decoration" title="" />
+</div>
+
+
+
+
+<h2>LITTLE MOSQUITO.</h2>
+
+
+<div class='poem'>
+<span class="smcap">Little</span> Mosquito she sits on a sill,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+And longs for the time when the people are still,<br />
+That she, in the darkness, may stab them at will,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+<br />
+She whets up her dagger, and looks at the moon,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+She says to herself, "I'll begin pretty soon<br />
+To look for my victims, and sing them a tune,"&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+<br />
+With a hum and a flutter, the way to prepare,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+She rises and circles about in the air;<br />
+Then settles herself with a great deal of care,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+<br />
+But one,&mdash;more awake than he seeks to appear,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+Slaps little Mosquito, alight on his ear,<br />
+And thus puts an end to her hopeful career,&mdash;<br />
+<span style="margin-left: 3em;">Whee, whee, whee!</span><br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Fleta F.</span><br />
+</div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_151" id="Page_151">[151]</a></span></p>
+
+<div class="figcenter" style="width: 323px;">
+<img src="images/illus151.png" width="323" height="400" alt="Learning to Iron" title="" />
+</div>
+
+
+
+<h2>LEARNING TO IRON.</h2>
+
+
+<p>"<span class="smcap">Now</span> I've had my lesson in my 'Nursery Primer,'"
+said little five-year-old Ellen, "and I want to learn to
+iron clothes."</p>
+
+<p>"You are rather too young to be trusted with a flat-iron,"
+said her mother: "you might burn your fingers."<span class='pagenum'><a name="Page_152" id="Page_152">[152]</a></span></p>
+
+<p>"I'll promise not to cry if I do," said Ellen. "Please
+let me go out and help Patience iron, mamma."</p>
+
+<p>Mamma at last gave her consent; and our picture of
+Ellen and Patience at work at the ironing-board gives about
+as good likenesses of the two as their reflections in a mirror
+could have given.</p>
+
+<p>Ellen saw how Patience used her flat-iron, and then used
+hers in the same way. She ironed a towel so well, that
+Patience praised her, and said she could not have done it
+better herself.</p>
+
+<p>But, as she was trying to put a flat-iron on the stove,
+Ellen burnt her fingers so as to make her hop. She did not
+cry; for she remembered her promise. Patience wet a
+cloth with cold water, and put it on the burn; then she
+remembered that common brown soap was the best thing
+for a burn, so she spread some soap on a cotton rag and put
+that on. Soon the pain was gone, and Ellen ran and told
+her mother what had happened.</p>
+
+<p>"You should not have tried to put the flat-iron on the
+stove," said her mother. "If your clothes had caught fire,
+you might have had a bad time."</p>
+
+<p>"Would my dress have blazed up?" asked Ellen.</p>
+
+<p>"I take care to dip your clothes in a weak solution of
+nitre before they are worn; for that prevents their blazing,
+even if they should catch fire," said mamma. "But
+you must not let that keep you from taking great care."</p>
+
+<p>"Next Tuesday may I take another lesson in ironing?"
+asked Ellen.</p>
+
+<p>"Yes: if you say your lessons well during the week, you
+shall not only learn to iron your clothes, but to wash
+them."</p>
+
+<p>"That will be fun!" cried Ellen, clapping her hands,
+and quite forgetting her burnt finger.</p>
+
+<div class='sig'>
+<span class="smcap">Dora Burnside.</span><br />
+</div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_153" id="Page_153">[153]</a></span></p>
+
+<div class="figcenter" style="width: 234px;">
+<img src="images/illus153.png" width="234" height="350" alt="Birdie and Baby" title="" />
+</div>
+
+
+
+
+<h2>BIRDIE AND BABY.</h2>
+
+
+<p><span class="smcap">Birdie</span> is a canary-bird of pale gold color. Tiny as he is,
+he is quite old compared with baby.</p>
+
+<p>He was the sole pet of the house long before baby came
+into the world, and he did as much as any bird could to fill
+a baby's place.</p>
+
+<p>All the bright hours of the day, the door of his cage stood
+open. He would fly to Aunt Minnie's shoulder while she
+sat sewing, and sing his sweetest notes for her, or perch on
+her finger and take the bit of fresh lettuce she brought for
+him from the table.<span class='pagenum'><a name="Page_154" id="Page_154">[154]</a></span></p>
+
+<p>But after baby came&mdash;can you believe it?&mdash;this dear
+little birdie behaved just like a spoiled child. He rolled
+himself up into a soft yellow ball, and actually moped.</p>
+
+<p>Not a note would he sing. Aunt Minnie could not coax
+him with green leaf or seed. He would insist on making
+himself unhappy until baby was taken out for an airing.
+Then he would burst into song again, and seem to feel that
+he was in his old place,&mdash;the only treasure.</p>
+
+<p>It was a long time before the poor little bird found out
+that Aunt Minnie's heart was large enough to love him and
+her precious baby too. But he is learning it now, and
+likes to have baby held up to his cage.</p>
+
+<p>When Aunt Minnie lets him out into the room, he hops
+close by the baby; and baby laughs, and stretches out his
+dimpled hands to catch him; but he is wise enough to keep
+out of baby's way.</p>
+
+<p>Don't you think it is nice for Aunt Minnie to have such
+treasures?</p>
+
+<div class='sig'>
+E. P. B.<br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>A NAUGHTY BABY.</h2>
+
+
+<div class='poem'>
+<span class="smcap">He's</span> a very naughty baby,<br />
+<span style="margin-left: 1em;">For he will not shut his eyes</span><br />
+And go to sleep, though I have done<br />
+<span style="margin-left: 1em;">My best to hush his cries.</span><br />
+I've trotted him, I've patted him,<br />
+<span style="margin-left: 1em;">I've given him some food;</span><br />
+But nothing that I do for him<br />
+<span class='pagenum'><a name="Page_155" id="Page_155">[155]</a></span><span style="margin-left: 1em;">Will do him any good.</span><br />
+<br />
+I've sung a little lullaby,<br />
+<span style="margin-left: 1em;">The one that mother sings;</span><br />
+One that to weary little ones,<br />
+<span style="margin-left: 1em;">Sweet slumber, always brings.</span><br />
+I've scolded him, I've shaken him,<br />
+<span style="margin-left: 1em;">All sorts of things I've tried;</span><br />
+But the naughty, noisy baby-man<br />
+<span style="margin-left: 1em;">Will not be pacified.</span><br />
+<br />
+He screams so loud he frightens me;<br />
+<span style="margin-left: 1em;">He's getting worse and worse.</span><br />
+I do wish mother would come home,<br />
+<span style="margin-left: 1em;">Or get this boy a nurse.</span><br />
+I'll toss him up, I'll tumble him,<br />
+<span style="margin-left: 1em;">Play "creep-mouse," and "bo-peep,"</span><br />
+Perhaps if I can make him laugh,<br />
+<span style="margin-left: 1em;">The laugh will make him sleep.</span><br />
+<br />
+You naughty, naughty baby,<br />
+<span style="margin-left: 1em;">How could you vex me so?</span><br />
+One would not think you ever cried,<br />
+<span style="margin-left: 1em;">To hear you laugh and crow!</span><br />
+Hush, hush! He's getting tired out:<br />
+<span style="margin-left: 1em;">Now very still I'll keep;</span><br />
+There's nothing like a hearty romp,<br />
+<span style="margin-left: 1em;">To put a child to sleep!</span><br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Josephine Pollard.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_156" id="Page_156">[156]</a></span></p>
+
+
+
+
+<h2>BOYS AND RABBITS.</h2>
+
+<div class='story'>
+<p><span class="smcap">Here</span> are two little boys and
+two little rabbits, all down on
+the ground.</p>
+
+<p>The two boys are just the
+same age. They are twin
+brothers. Their names are
+Paul and John.</p>
+
+<p>The girl who stands near
+them is their sister Jane. She
+is quite a little girl, as you
+see; but she is full three years
+older than the boys: so she
+takes great care of them.</p>
+<div class="figcenter" style="width: 315px;">
+<img src="images/illus157.png" width="315" height="425" alt="Growing every day" title="" />
+</div>
+<p>You would laugh to see Paul
+and John try to lift their rabbits
+by the ears. The rabbits look
+most as large as the boys. But<span class='pagenum'><a name="Page_157" id="Page_157"><small>[157]</small></a></span>
+the boys are growing larger
+and stronger every day.</p>
+</div>
+
+
+<div class='sig'>
+<span class="smcap">A. B. C.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_158" id="Page_158">[158]</a></span></p>
+
+
+
+
+<h2>TOBACCO AND EGG.</h2>
+<div class="figleft" style="width: 214px;">
+<img src="images/illus158.png" width="214" height="300" alt="Tobacco and Egg" title="" />
+</div>
+
+
+<p><span class="smcap">Our</span> house had a long back
+piazza, covered all over with
+grape-vines, with steps going
+down to the yard.</p>
+
+
+<p>I discovered that by standing
+on my tip-toes, half way
+up the steps, I could see into
+the next yard, where there
+grew such different flowers
+from ours, and where there
+often came a little girl of six
+or seven&mdash;about my own age&mdash;to
+gather bouquets.</p>
+
+<p>She did not see me at first:
+so, for many days, I quietly
+watched the stout little figure. During one of my observations,
+her mother called her, and such a name as she had!
+The call, as I heard it, was "Tobacco, my daughter!"</p>
+
+<p>I felt deeply for the girl who was afflicted by such a
+name. I determined to throw her the finest bunch of
+grapes on our vine by way of consolation.</p>
+
+<p>Some days after, when I was giving my large family of
+dolls an airing in the garden, I saw a small face staring at
+me just over the top of the fence. Being familiar with the
+position myself, I was not alarmed, but hastened to mount
+to the same level on my side, and offer some grapes.</p>
+
+<p>After a long stare on the part of both of us, I timidly
+broke the silence by asking, "What is your name?"</p>
+
+<p>"Rebecca," was the reply.</p>
+
+<p>"Why," I said, "I was pitying you all this time, thinking
+you were called Tobacco."<span class='pagenum'><a name="Page_159" id="Page_159">[159]</a></span></p>
+
+<p>"Oh, no!" she cried, "it is not so bad as that. You
+have a funny name, though. I have often wondered how
+you came to have such a name. Perhaps you were born
+on Easter-Monday, or were very fond of eggs."</p>
+
+<p>"What can you mean?" I replied. "I don't see any
+thing funny about my name: I am told it is pretty."</p>
+
+<p>"Well, I should not call it pretty exactly," she giggled:
+"it always makes me feel hungry."</p>
+
+<p>"Hungry?" I was trying to be friendly; but I did
+feel slightly offended at this. At last, just as tears of
+vexation were rising to my eyes, I thought of asking,
+"What do you think my name is?"</p>
+
+<p>"Why, Egg, of course."</p>
+
+<p>"Oh the idea of such a thing!" We both laughed till
+we nearly fell off our perches. As soon as I was sober
+enough, I made haste to explain that my name was Agnes,
+but that my brothers and sisters called me "Ag." It must
+have been "Ag" that she heard, and thought it was Egg.</p>
+
+<div class='sig'>
+<span class="smcap">Agnes.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<div class="figcenter" style="width: 400px;">
+<img src="images/illus159.png" width="400" height="252" alt="ANCIENT ARMOR." title="" />
+<span class="caption">ANCIENT ARMOR.</span>
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_160" id="Page_160">[160]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus160.png" width="500" height="220" alt="The Apple Tree" title="" />
+</div>
+
+
+<h2>THE APPLE TREE.</h2>
+
+
+<div class='center'>
+Words by <span class="smcap">Clara D. Bates</span>. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Music by <span class="smcap">T. Crampton</span>.<br />
+</div>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus160-music.png" width="500" height="561" alt="Music" title="" />
+</div>
+<div class="center"><small>[<i>Transcriber's Note: You can play this music (MIDI file) by clicking</i> <a href="music/nov77.mid">here</a>.]</small><br /><br /></div>
+
+<div class='poem'>
+1. Up in the apple tree,<br />
+<span style="margin-left: 1em;">See the rosy cheeks:</span><br />
+<span style="margin-left: 1em;">See the balls that look like gold:</span><br />
+<span style="margin-left: 1em;">See the crimson streaks.</span><br />
+<span style="margin-left: 1em;">In the lovely autumn day,</span><br />
+<span style="margin-left: 1em;">Bright as in the bloom of May,</span><br />
+<span style="margin-left: 1em;">Filled with fruit and fair to see,</span><br />
+<span style="margin-left: 1em;">Is the apple tree.</span><br />
+<br />
+2. Under the apple tree,<br />
+<span style="margin-left: 1em;">See the rosy cheeks:</span><br />
+<span style="margin-left: 1em;">Little Jinx the baby boy;</span><br />
+<span style="margin-left: 1em;">What is it he seeks?</span><br />
+<span style="margin-left: 1em;">Ah! his tiny teeth are white,</span><br />
+<span style="margin-left: 1em;">And are eager for a bite,&mdash;</span><br />
+<span style="margin-left: 1em;">Such a tempting store to see,</span><br />
+<span style="margin-left: 1em;">Is the apple tree.</span><br />
+<br />
+3. Under the apple tree,<br />
+<span style="margin-left: 1em;">Other rosy cheeks:</span><br />
+<span style="margin-left: 1em;">Edith, Mabel, Golden-Locks:</span><br />
+<span style="margin-left: 1em;">Full of merry freaks,</span><br />
+<span style="margin-left: 1em;">Here they run and there they run,</span><br />
+<span style="margin-left: 1em;">Shouting merrily if one</span><br />
+<span style="margin-left: 1em;">Fallen in the group they see,</span><br />
+<span style="margin-left: 1em;">From the apple tree.</span><br />
+</div>
+
+<hr style="width: 65%;" />
+<div class='tnote'><h3>Transcriber's Notes</h3>
+<p>The July edition of the Nursery had a table of contents for the next
+six issues of the year. This table was divided to cover each specific
+issue. A title page copied from this same July edition was also used for
+this number and the issue number added after the Volume number.
+</p>
+
+<p>Page 150, single quotation mark changed to double (them a tune,")</p>
+
+<p>Page 159, double quotation mark added to text (fond of eggs.")</p></div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nursery, November 1877, Vol. XXII.
+No. 5, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NOVEMBER 1877 ***
+
+***** This file should be named 28139-h.htm or 28139-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/8/1/3/28139/
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>